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?r.:-,.rr) 


LIBRARY  OF 

WELLE5LEY  COLLEGE 


PURCHASED  FROM 
LIBRARY  FUNDS 


CATALOGUE  OF  PRINTED  MUSIC 
PUBLISHED  BETWEEN  1487  AND  1800 
NOW    IN    THE    BRITISH   MUSEUM 


BY 

W.    BARCLA.Y   SQUIRE,    M.A.,    F.S.A, 

Assistant  in  the  Department  of  Printed  Books. 


VOL.  II. 
L— Z 

AND 

FIRST    SUPPLEMENT. 


PRINTED   BY   ORDER   OF  THE  TRUSTEES 

Sold  at  the  British  Museum;  and  by  Longmans  &  Co.,  39,  Paternoster  Row,  E.G.; 
Bernard  Quaritch,  11,  Grafton  Street,  W. ;  Asher  &  Co.,  14,  Bedford  Street, 
Covent  Garden,  W.C, ;  Henry  Frowde,  Oxford  University  Press,  Amen  Corner,  E.C, ; 

Breitkopf  &  Hartel,  Leipzig. 

1912 
[All  rifjlils  reserved] 


LC     H      i\vU     : 


LONDON : 

PRINTED  BY  WILLIAM   CLOWES  AND  SONS,   LIMITED, 

DUKE  STREET.  STAMFORD  STREET,   S.E.,   AND  GREAT  WINDMILL  STREET,  W. 


1^0  7  35- 


CATALOGUE  OF  OLD  MUSIC 

PRINTED  DOWN  TO  THE  END  OF  THE  EIGHTEENTH  CENTURY. 


L  *  *  *  *,  71/.  Les  A  Propos  dc  Socicte  ou 
chansons  de  M.  L  *  *  *  *  [P.  Lanjon].  (Les 
A.  Propos  de  la  Folie  ou  Chansons 
Grotesques,  e<c.)   3  torn.    rPoris,]  1776.  8". 

11475.  ccc.  13. 
With  fionlisjneccs,    title-pages,   etc.,   bij 
Moir.au  le  Jeune. 

[Another  copy.]  85.  b.  18. 

Ij    *   *,    M.    dc.      Ilecueil    de     Romances 
historlques,   teudres   et   burlesques,   tant 
anciennes    que   modernes,   avec   les   Airs 
notes.     Par  M.  [Charles]  de  L^usse]. 
IParis,']  17G7.     8".  1081.  m.  6. 

L.,  3/''.  Entre  I'Amour  et  le  Yin.  Duo  a 
Boirc.  Les  paroles  et  la  musique  sont 
de  M'  L  .  .  .  de  Ligny.    [Pari.s,]  1749.   4^ 

297.  c.  23. 
Mercure  dc  France,  Sept.,  1749. 

Le   Nouvel   An.     Chanson.     [Words    by] 
L.  E.  Guichard.     [Paris,]  1751.     s.  sh.  4". 

298.  c.  3. 
Mercure  dc  France,  April,  1751. 

L  *  *,  D.  Tristes  regrets,  sortez  ^e  ma 
pensee.  Romance  Tcndrc.  (Les  Paroles 
&  la  Musique,  sont  de  M.  D.  L  *  *.) 
Gravee  par  M'Charpentii'.  Imprimc'e  par 
Tournclle  :  {Paris,']  17G0.     s.  sit.  S\ 

297.  d.  22. 
Mercure  dc  France,  Feb.,  1760. 

L.,  D.  Vous  jouissez  d'une  beaute  supreme. 
Madrigal  a  il/"^'  .4;-  *  *  *  dc  *  *  *,  etc. 
[Paris,]  1746.     s.  sh.  i".  297.  c.  5. 

Mercure  de  France,  March,  1740. 

L.,  E.  A  Short  Direction  for  the  Perform- 
ance of  Cathedrall  Service.  Published  for 
the  Information  of  such  Persons,  as  are 
Ignorant  of  it,  and  shall  be  call'd  to 
officiate  in  Cathedralls,  or  Collegiate 
Churches,  where  it  hath  formerly  been 
in  use.  By  Erdwardj  L[owe].  William 
Hall  for  Richard  Davis:  Oxford,  1661. 
obl.i".  E.  Pam."l924.  (2.) 

Ij.,  E.  M.  J.  D.     Vous  troublez  les  humides 

plaines.     Air.    (Ces  Paroles  et  la  Musique 

sont  de  E.  M.  J.  D.  L.)  [Paris,] 

1732.     s.  sh.  4°.  298.  a.  23. 

Mercure  de  France,  June,  1782. 

VOIi.  II. 


Ij.,  J.  R.  Sweet  Nancy.  See  Assist.  Assist 
me  ev'ry  tuneful  bard.  Sioeet  Nancy,  etc. 
[By  J.  R.  L.]     [1756.]     8' 

P.P.  5439.  ab. 

Sweet  Namiy,  etc.     [Song.]  [London, 

1756.]     8°.  250.  c.  3. 

Gentleman's     Magazine,     Vol.    XXVL, 

p.  85. 

L.,  M.  A.  V.  Fruelings-Mayen.  Vondreyssig, 
in  einem  Haussgiirtlein  auffgewachsenen, 
doch  etwas  zu  frue  abgebrochenen  Blumen. 
Zusammen  gebunden,  vnd  in  einem 
Heliconischen  Geviiss,  aufi  begehren 
dargestellet,  durch  einen  Liebhaber  der 
Geistlichen  G  arte  n-gesellsc  haft 
(M[attha,usj  AjpellesJ  v[onJ  L^owensternJ). 
[Breslau,  1644.]     8".         C.  39.  d.  3.  (1.) 

L.,  II.     Cloe.     [Song.]  [London, 

1758.]     s.  sh.  8\  P.P.  5439.  ab. 

New  Universal  Magazine,  July,  1758. 
Old    England's    Glory  revived.      [Song.] 
Set   by   R.   L.    [i.e.   Richard    Langdou  ?] 
[London,  1759.]     8°.  158.  1.  4. 

Tlte  London  Magazine,  1759,  ^>.  674. 

L.,  T.  Yankee  Doodle.  Or  The  Negroes 
Farewell  to  America.  [Song.]  The  Words 
and  ^lusic  by  T.  L.  C[harles  and]  S[amucl] 
T[hompson  :  London,  1775  ?]     .s.  sh.  fol. 

G.  310.  (163.) 

L.,  W.  Sec  Psalms.  [English.]  A  Collec- 
tion of  Tunes,  suited  to  the  various  IMetres 
in  Mr.  Watts's  Imitation  of  the  Psalms  of 
David,  etc.    [Edited  by  W.  L.]    1719.    18". 

A.  620. 

LA.     La  ci  darem  la  mano.     Duet. 
Sec  IMozART  (W.  A.)     [Don  Giovanni.] 

LAAG  (Heinrich)      Anfangsgriinde   zum 
Clavierspielen  und  Generalbass. 
Bei  J.  W.  Schmid :   Osnabrilck,  1774.    4". 

C.  114. 
Fimfzig  Lieder  und  zwar  drei  und  vierzig 
von  Herru  J.  C.  Lavater  und  sieben  sonst 
bekannte  Kirchen- Lieder,  in  Melodien 
gebracht  und  herausgegeben  von  H.  Laag. 
In  der  Waisenliaus-BuclidrucJicrcy  :  Casscl 
und  Osnabrilck,  1777.     4".  C.  576. 

[Another  copy.]  E.  1754. 


LA  B  ***— L'ABBfi 


LA  B  *  *  *  (      de)  31"'-.     La  Mere  Abandou- 
n^e.     Romance  par  M"^  Basile,  etc. 
Chis  Camand  :  [Pans,  1780?]     S". 

B,  362.  a.  (89.) 

LABAILLIVE  (     )  Madame.   Ah  !  qu'uue 
femme  est  a  plaindre.     Ariette,  etc. 
[Paris,  1780  ?]     S".  B.  362.  a.  (81.) 

LA  BARRE  (Joseph  de  CHABAN- 
CEAU  DE)  Dolorosi  peusieri.  Air 
Italieii  d  3  2Mrties,  etc.  [Paris, 

1678.]     sh.  obi.  4".  P.P.  4482. 

Nouveau  Mercurc    Galant,  Aug.,  1678, 
p.  126. 

LABARRE  (Louis  Juliex  CASTELS 
DE)  Trois  Duos  concertaus  pour  deux 
Violons  ...  3"  Livre  de  Duos.  [Separate 
Parts.]  Chez  Momigny  :  Paris, 

[1795  ?]     fol.  g.  421.  m.  (2.) 

LA  BARRE  (Michel  de)  Premier 
(Deuxieme)  Livre  de  Pieces  pour  la  Flute 
Traversiere,  avec  la  Basse-Coutiuue,  etc. 
Grave  par  Barlion.  2  Bks.  CJiez  V Auteur  : 
Paris,  1710.     obi.  4".  c.  64. 

LABARRE  (Trille)  See  Jacques, 
Cousin,  pseud.  [Lcs  Capucins.']  Air  des 
Gapucins  . . .  Accompaguement  par  INP  T. 
Labarre.     [1791.]     8'\    B.  362.  b.  (169.) 

L'ABBE  (  )  Choirmaster  of  St.  Jacques, 
Dieppe.  Amants,  quand  finiront  vos 
peiues?     Eccit  de  Basse.  [Paris, 

1679.]     s.  sh.  obi.  4°.  P.P.  4482. 

Nouveau  Mercure  Galant,  Feb.,  1679. 

Decoiffe-moy  cette  Bouteille.      Chanson  a 

Boire  [for  two  voices,  words  bv  Pageau. : 

[Paris,\  1679.   s.  sh.  obi.  4°.      P.P.  4482^. 

Nouveau   Mercurc   Galant,  Aug.,   1679, 

p.  195. 

On  souffre  quand  on  ayme  bien.  Air 
Nouveau  [for  two  voices,  words  by  de 
Merville].     [Paris,  1678.]     s.  sli.  obi.  i\ 

P.P.  4482. 
Nouveau   Mercurc   Galant,  Sept.,  1678, 
p.  19. 

Pour  boire  avec  plus  de  plaisir.  Air 
Nouveau.     [Paris,  1678.J     s.  sh.  obi.  4°. 

P.P.  4482. 
Nouveau   Mercurc    Galant,   July,  1678, 
p.  131. 

i'our  une  jeuuc  merveille.     Air  Nouveau. 
[Paris,  UJlS.j     s.  sh.  obi.  i".      P.P.  4482. 
Nouveau   Mercure   Galant,    May,    1678, 
p.  106. 

Si    Tirsis    est    une    iuconstautfe].       Air 

Nouveau  [for  three  voices  .  [Paris,] 

1679.     s.  sh.  obi.  4".  '        P.P.  4482. 

Nouveau   Mercure    Galant,   Aug.,  1679, 

2).  89. 


L'ABB;6,  le  Fits,  pseud,  [i.e.  Joseph 
Barnabe  Saint-Sevin.]  Jolis  Airs  ajustes 
et  varies  pour  un  Violon  seul . . .  CBuvre 
Ml".  Grave  par  Mad""=  Oger.  Cliez  M.  de 
la  Chevardiere  :  Paris,  [1776  ?]     fol. 

h.  1113.  a.  (2.) 

Priucipes   du    Violon   pour   apprendre   le 
doigte  de  cet  instrument  et  les  differends 
Agrements  dont  il  est  susceptible,  etc. 
Chez  Des  Lauricrs  :  Paris,  [1772.]     fol. 

h.  1113. 

Premier  (Deuxieme)  Recueil  d'Airs 
Francois  et  Italiens.  Avec  des  Variations 
pour  Deux  Violons,  Deux  Pardessus,  ou 
pour  une  Flute  ou  hautbois  avec  un  Violon 
. .  .Grave  par  L.  Hue.     2  Bks.  Chez 

rAufetir:  [Paris,  1155?]     fol.        g.  997. 
Tlie  only  composer  named  in   these  col- 
lections is  I'crgolcse. 

Souates  a  Violon  seul . . .  Gravees  par  ]\I""= 
Leclair. .  .CEuvre  i"".  Chez  I  Auteur  : 

Pflm,  [1745?]     fol.  h.  1113.  a.  (1.) 

Six  Senates  a  Violon  seul  et  Basse . . . 
CEuvre  viii'.  Gravees  par  Louise  Leclair 
femme  Quenet.  Cltez  V Auteur  :  Paris, 
[1755?]     fol.  h.  1113.  b. 

L'ABBE  (Anthony)  The  Prince  of  Orange. 
A  New  Dance  for  the  Year  1733.  By  Mr. 
Labbe.  ]\'ritt  bi/  Mr.  Pemberton  : 

[London,  1733.j     4'\        '         h.  801.  (4.) 

The  Prince  of  Wales's  Saraband.  A  New 
Dance  for  Her  Majesty's  Birth  dav,  1731. 
By  Mr.  Labbe.     Writ f  by  Mr.  Pemberton  . 


[London,  1731.]     fol. 


h.  801.  (3.) 


Prince  William.     A  New  Dance  for  His 

^Majesty's  Birth-day  1721.     By  Mr.  Labbe. 

Writt  b>i  Mr.  Pemberton  :  [London, 

1721.]     fol.      '  h.  801.  b.  (1.) 

The  Princess  Amelia.  A  New  Dance  for 
his  Maj""'  Birth-dav.  Compos'd  by  j\Ir. 
L'Abee  for  the  Year '1718.  Writ  by  Mr. 
Pemberton  :  ''Londo)t,  1718.]     fol. 

h.  801.  b.  (3.) 

The  Princess  Ann's  Chacone.  A  New 
Dance  for  his  jNIaj""  Birth-day.  Compos'd 
by  Mr.  L'Abee  for  the  Year  1719.  Writ 
by  Mr.  Pemberton  :  [London, 1119.\     fol. 

h.  801.  b.  (2.) 

The  Princess  Anna,  a  new  Dance  for  his 
Majesty's  Birth  Day  1716.  Compos'd  by 
Mr.  L'Abee.  Writ  by  Mr.  Pemberton: 

[London,  ni6.]     fol.  h.  801. -(1.) 

[Another  copy.]  h.  801.  b.  (5.) 

[Another  edition.]  The  Princess  Anna. 
Mr.  L'Abee's  New  Dance  for  his  Majesty's 
Birth  Day  1716.  Engraven  in  Characters 
&  Figures  for  the  use  of  ^Masters. 

Printed  for  I.  Walsh  and  I.  Hare  : 
London,  [1716.]"   fol.  h.  801.  a.  (1.) 


L'ABBE— LA  COMBE 


L' ABB!^  (A>-thoxy)  The  Princess  Royale, 
a  uew  Dance  for  his  Majestys  Birth  Day 
1715.  Compos'd  by  Mr.  L'Abee.  Writ  by 
Mr.  Pembcrtoii :  [London,  1715. J     fol. 

h.  801.  b.  (6.) 
[Another  edition.]  The  Princess  Royal,  a 
new  Dance  for  his  Majesty's  Birth  Day, 
1715.  Gompos'd  by  Mr.  "L'Abee.  The 
Figure  &  Characters  fairly  Engrayeu. 

Printed  for  I.  Walsh  cO  J.  Hare  : 
London,  [1715.]     fol.  h.  801.  (2.) 

The  New  Kigadon.  Compos'd  by  Mr. 
L'abbee  for  the  Year  1723.  [London, 

1723.]    fol.  h.  801.  a.  (4.) 

The  Roj'al  George.  A  New  Dance.  Com- 
pos'd  by  Mr.  L'Abee  for  the  Year  1717. 

Writ  by  Mr.  Pcvibcrton  :  [London, 
1717.]     fol.  h.  801.  b.  (4.) 

See  Pembektox  (E.)  An  Essay  for  the 
further  Improyement  of  Dancing... To 
which  is  added... A  Passacaille  by  Mr. 
L'Abbe,  etc.     1711.    4"  &  fol.     556.  e.  16. 

LABORDE   (Jean  Benjamin   de)     [Les 
Bons  Amis.]     Ariettes  detaches  des  Bons 
Amis,  etc.     [17G1.]     8\ 
See  Bons  Amis.  C.  407. 

Choix  de  Chansons. .  .Ornecs  d'Estampes 
par  J.  ]\I.  Moreau. .  .CTrayees  par  Moria 
ot  IMllc.  Vendome.     4  Tom.  C]icz  de 

Lormel :  Paris,  1778.     8".       K.  i.  h.  18. 
T/ic  title-i)agc  is  dated  1773,  but  some  of 
tJic  illustrations  are  dated  1774. 

Gilles,  Gar(^on  Peintre,  z'Amoureux-t-ct 
Hival.  [For  editions  of  this  work  pub- 
lished anonymously :]  See  Gilles,  GAR90N 
Peintre. 

Le  mariage  a  ses  peiues. 
See  infra:  [La  Menniihx  de  Gentilly.] 

[La  Jleuniere  de  Gentilly.]  Die  Miillerinu. 
Ein  Singspiel,  etc.  [Music  by  J.  B.  de  La 
Borde.]  Sec  Oi'ehettas.  Sammlung  der 
komischen    Operetteu,    etc.       Band    III. 


No.  5.     1772.     8". 


B.  729. 


Le   mariage  a  ses  peincs.     Air,  etc. 

(Les  paroles  sent  de  M.  ^leunier,  etc.) 
Piecoqiiilliec  :  [Paris,]  1768.     s.  .sh.  8'\ 

297.  e.  20. 
Mercurc  de  France,  Dec,  1768. 

[For  editions  published  anonymously:] 

Sec  Meuniebe  de  Gentilly. 

Essai  sur  la  Musique  Ancienne  et  IModerne. 

[By  J.  B.  de  Laborde  and  P.  J.  iloussier.j 

[For    editions     of    this    work    published 

anonymously  :J  Sec  Essai. 

On  n'entend  plus  le  chant  des  amoureux 

oiseaux.     [Song.]     [Paris,  1780?  i     8". 

B.  362.' b.  (11.) 
Thetis    et    Pelee.       Tragedie    remise    en 
Musique,  etc.    [By  J.  B.  de  Laborde.    Full 
Score.]     1765.     fol. 
See,  Thetis  et  Pelee.  I.  315. 


LABORDE  (Jean  Benjamin  de)     Vols  tu 
ces  Coteaux  se  noircir.     Romance,  etc. 
[Paris,  1780  ?]     S".  B.  362.  b.  (16.) 

See  also  :  B . . . ,  D.  L. 
See   Chansons.      Recueil    de    Chansons, 
Ayec  un  accompagnement  de  Violou,  etc. 
TBy  J.  B.  de  Laborde.]     [1775?]     obi.  fol. 

E.  879. 

LABOUR.     Labour  in  yain.     [Song.] 

See  Hudson  (R.) 

[Another  setting.]    Labour  in  yain.    Song. 

See  In.     In  pursuit  of  some  Lambs,  etc. 

[1766.]     8\  P.P.  5438.  z. 

[Another    edition.]       Labour     in     yain. 

[Song.]      See  In.      In   pursuit   of    some 

Lambs.     [1775  ?1     s.sh.  iol. 

G.  309.  (128.) 
LABOURER.     The  Labourer's  Welcome 

Home.     [Song.] 

See  DiBDiN  (C.)     [The  Sjjhinx.] 

LABYRINTH.     Das  Labyrinth.     Oper. 
See  Winter  (P.  von.) 

LACASSAGNE  (Joseph  ue)     Est-il  un 
encens  plus  Hatteur.     .1  Madame  la  Dau- 
pliine.    [Song.]    Les  Paroles  par  M.  I'Abbe 
de  I'Attaignaut,  etc. 
[Paris,]  1773.     s.  sh.  8".  298.  e.  22. 

Mercurc  de  France,  July,  1773. 
Traite  general  des  Elemens  du  Chant,  etc. 
Oicz  I'Auteur :  Paris,  1766.     8». 

C.  359. 

LACEPEDE  (    )  Count  de. 

See  La  Ville-sur-Illon  (B.  G.  E.  de) 
Count  de  Lac^pikle. 

LA  CHAPELLE  (Jacques  Antoine  de) 
See  MovTE  (F.  de).  Sonetz  de  P.  de  Ron- 
sard,  d'c.  [With  a  dedication  by  J.  A.  de 
la  Chapelle.]     1575.     obi.  4\  A.  125. 

LACHNITH  (Ludwig  Wenzel). 

See  Haydn  (F.  J.)  [Symi)]io)iies.  B.  cC  H. 
No.  85.]  La  Reine  de  France  Overture . . . 
arranged  for  the  Piano-Forte. .  .by  Mr. 
Lachnitt.  [1795?]  fol.  h.  2999.  (3.) 
See  Pleyel  (I.  J.)  Trois  Quatuors... 
arrang^ree  pour  Clavecin. .  .avec  accom- 
pagnemens  de  Violou  &  Basse,  par  Mr. 
Lachnitt.     2  Suittes.     [1790  ?]     fol. 

g.  161.  (7-8.) 
(See  Pleyel  (I.  J.)  Trois  Quatuors. .  .ar- 
rangeae. .  .par  Mr.  Lachnitt.  12th  Suitte. 
[1790?]     fol.  g.  85.  c.  (1.) 

LACKNER  (  de)  Mrs.  Second  Set  of 
Six  Original  German  Waltz's,  adapted  for 
the  Piano  Forte,  f/c.  E.  Bilei/ :  London, 
[1800?]     fol.  g.  272.  u.  (7.) 

LA  COMBE  (  de).  Pour  les  coeurs 
delicats.  Air  Serieux,  etc.  [Words  by] 
De  Bignicourt.     [Paris,]  1735.     s.  sh.  4". 

297.  b.  10. 
Mercurc  de  France,  Oct.,  1735. 

B  2 


LACORCIA— LADY 


LACORCIA  (Scipione).  Di  Scipioue 
Lacorcia  II  Terzo  Libro  de  IMadrigali  a 
Ciuque  Voci.  Canto.  (Alto.)  (Teuore.) 
(Basso.)  (Quinto.)  5  pts.  Per  Costantino 
Vitale :  Napoli,  1G20.     4".     K.  3.  h.  17. 

LACOSTE  (  )  Aricie,  Ballet  [written 
by  J.  Pic].  Represente  par  I'Acadeniie 
Koyale  de  Musique,  etc.  Chez  C.  Ballard  : 
Paris,  1697.    obi.  A".  B.  743. 

LA  CROIX  (Antoine  de)    Azile  donne  a 
I'amour.     [Song.]     See  Nina.     Dors  cher 
enfant,    etc.       (Azile    donne    a    I'aniour. 
Musique  de  LP  de  la  Croix.) 
[1800?]     fol.  H.  346.  (25.) 

LAD.  The  Lad  wha  lilts  sae  sweetly. 
Song.     See  Hook  (J.) 

LADIES.     Ladies  and  Beggars.     Glee. 
Sec    Gentle.       Gentle    Ladies    good    in 
nature,  etc.     [1775  ?]     fol. 

G.  316.  j.  (4.) 
The  Ladys  can  not  but  approve.  0  what 
a  Bemt,  my  Granny  ivas.     [Song.] 

Printed  for  J.  Buchinger :  London, 
[1800?]     fol.  G.  805.  m.  (26.) 

The  Ladies'  Case.     [Song.] 
Sec  How.     How  hard  is  the  Fortune,  etc. 
[1740?]    s.sJi.lol.  G.  316.  e.  (8.) 

The  Ladies  in  Vaux-Hall-Gardens  to  the 
British  Officers  at  Dettingen.     [Song.] 
Sec  Gladwin  (T.) 

The   Ladies'  Lamentation  for  y°  Loss  of 
Senisino.     [Song.] 
Sec  As.     As  musing  I  rang'd,  etc. 
[1735  ?]     s.  sit.  fol.  G.  316.  d.  (27.) 

The  Ladies  of  rank  are  so  frisky  and  fine. 
Song.     See  William  and  Nanny. 

LADIES'  FROLIC.    The  Ladies' Frolick. 
Comic  Opera. 
Sec  Bates  (\V.)  and  Arne  (T.  A.) 

LADIES'     POCKET     GUIDE.        The 

Ladies'  Pocket  Guide  or  The  Compleat 
Tutor  for  the  Guittar,  containing  Easy 
Rules  for  Learners. .  .with  a  choice  Collec- 
tion of  the  most  famous  Airs,  etc.  D.  Ihdher- 
foord:  London,  [1150  2]     8\  e.  375. 

TJie  composers  named  in  tliis  work  are  : 
Corelli,  Snoiv,  Ha)idcl  and  Grano. 

LADS.  Lads  and  Lasses,  blithe  and  gay. 
A  New  Dialogue.  Sung  by  Master  Adams 
and  ]\Iiss  Carli,  at  Finch's  Grotto-Gardens. 
[London,  1763.]     8".  P.P.  5441. 

Royal  Magazine  Vol.  IX.,  p.  26'J. 
Lads  and  Lasses,  blithe  and  gay.     A  Netv 
Dialogne.     Sung   by   Master   Adams   and 
Miss  Carli,  at  Finch's  Grotto-Gardens. 
[London,  1763.]     8°.  P.P.  5140. 

Lady's  Magazine,  Vol.  Y.,]).  721. 

[Another  setting.]     Lads  and  lasses  blith 

and  gay.     Song. 

See  Puecell  (H.)  [Don  Quixote.  PartIL] 


LADS.     Lads  and  Lasses  hither  come. 
Round.     See  Atterbury  (L.) 
The  Lads  and   the    Lasses.     Damon  and 
Daphne.     Song,  etc.  [London,] 

1799.     s.  sh.  4",  P.P.  5141. 

Lady's  Magazine,  June,  1799. 
The  Lads  of  the  Glen.  [Song.] 
See  DiBDiN  (C.)     [Christmas  Gambols.} 

LADURNER  (Ignaz  Anton)  Gaite 
militaire.  [Song.].  .  .Paroles  du  Cit. 
Pillet,  etc.  Chez  hnbault :  Paris, 

[1795?]     8".  B.  362.  (171.) 

Trois  Senates  pour  Forte-Piano  avec 
Accompagneinent  de  Violon  et  Violoncelle 
. .  .CEuvre  i".  Cliez  ill'"  Boyer  :  Paris, 

[1785?]    fol.  h.  3212.  f.  (5.) 

The  string  parts  only, 

LADY.     Six  Ballads,  with  an  Accompani- 
ment for  the  Harp,  the  IMusic  by  A  Lady. 
Printed  for  the  Composer  : 
[London,  18002]     fol.  G.  356.  (1.) 

The  title-page  is  signed  '  B.  S.' 
Bless'd    be    those    sweetly   shining  eyes. 
Song.    Music  bv  a  Lady.  [London,] 

1797.     s.  sh.  4".'  P.P.  5141. 

Lady's  Magazine,  June,  1797. 
Six  Easy  Canzonets  and  Three  Duets  for 
the  Piano  Forte  or  Harpsichord.  Com- 
posed by  a  Lady.  Longman  and  Broderip, 
for  the  Authoress :  London,  [1795  ?] 
obi.  fol.  E.  270.  (16.) 

Emma  or  the  Bough-pot  Girl.  A  favorite 
Song  composed  by  a  Lady.  W.  Hodsoll : 
London,  [1797  ?]     fol.  G.  356.  (32.) 

Fair  the  Face  of  Orient  Day.  A  Favorite 
Song,  composed  by  a  Lady.  W.  Hodsoll : 
London,  [1797  ?]     fol.  G.  356.  (33.) 

French  Fraternity.  [Song]  By  a  Lady, 
composed  in  Honor  of  the  .  .  .  Naval 
Victories,  obtained  by  our  Three  Gallant 
Admirals.  T.  Skillcrn,  for  the  AiitJtor  : 
[London,  1797  ?]     fol.  G.  376.  (49.) 

The  Genie  of  the  Mountains  of  Balagete. 
An  Ode,  Composed  by  a  Lady  [Ann  Home, 
afterwards  Mrs.  J.  Hunter].  Author  of 
the  Death  Song  of  the  Cherokee  Indians, 
and  some  other  Poetical  and  IMusical 
Attempts,  etc.  Longman  and  Broderip  : 
[London,  1790?]     fol.        G.  307.  (217.) 

The  Happy  Lover.  [Song.]  Set  by  a 
Lady.     [Loiulon,  1745  ?]     s.  sh.  fol. 

G.  311.  (90.) 

[Another  copy.]  G.  305.  (227.) 

How  gay  that  air!  Song. .  .'Music  by  a 
Lady.     [London,]  1796.     s.  sli.  4". 

P.P.  5141. 
Lady's  Magazine,  Feb.,  1796. 
I  have  found  out  a  Gift  for  my  Fair.     A 
Ballad    [words   by  W.   Shenstone]. .  .The 
]Music  by  a  Lady.  [London, 

1797  ?]    5.  sh.  fol.  G.  356.  (50.) 


LADY— LAEUSIMPELTZ 


LADY.  Mary  Macgie's  Dream.  [Song.]  The 

Music  by  a  Lady  [Ann  Home,  afterwards 

Mrs.  J.  Hunter],  Author  of  Canzonets,  etc. 

Longman  and  Broderip,  for  the  Author  : 

[London,  mo^    fol.         'G.  311.  (162.) 

Ode  on  the  Glorious  Victory  gain'd  over 
the  French  Fleet,  off  the  Mouth  of  the 
Nile,  by  Admiral  Lord  Nelson,  on  the 
1"  of  August,  1798.  The  Music ...  by  a 
Lady.     G.  Smart :  London,  [1798.]     fol. 

G.  376.  (47.) 

On  a  Lady  weeping.     [Song.]     Words  by 
Prior.     Music  by  a  Ladv. 
[London,]  1797.     s.  sh.  i".        P.P.  5141. 
Lady's  Magazine,  May,  1797. 

The   Proofs  of   Passion,  a  favorite  Song, 
the  Words  and  ]\Iusic  by  a  Lady. 
Prcstoii:  London,  [1189?]     fol. 

II.  1994.  d.  (40.) 

See,  whilst  thou  weep'st.  [Song.]  Words 
bi/  M.  Prior.  I\Iusic  by  a  Ladv.  [London,] 
1797.     s.  sh.  4°.  'p.p.  5141. 

Lady's  Magazine,  Oct.,  1797. 

Sighs  and  tears  reliev'd.  A  Favorite 
Song  by  a  Lady.  Broderip  and  Wilkinson  : 
London,  [1799  ?]     fol.  G.  356.  (34.) 

The  South  Sea  Ballad.     Set  by  a  Ladv. 
[London,  1120?]     s.  sh.  io\. 

G.  307.  (26.) 

[Another  edition.]  The  South  Sea  Ballad. 
See  Change  Alley.  Change  Alley's  so 
thin,  c^c.     [1720?]     s.  sh.  fol. 

H.  1601.   ^92.) 

The  second  Part  of  the  South  Sea  Ballad. 
Set  by  a  Lady.    [Lond'in  1721?     t.sh.io 

G.  313.  (38. 


The  Lady  at  her  Toilet.     Song. 

See  As.     As  Frazer  at  her  Toilet  sat,  etc. 

[1720  ?]    s.  sh.  fol.  H.  1601.  (1.) 

The  Ladv  Devoted.     [Song.] 
See  DuRFEY  (T.) 

The   Lady   Devoted.     [Song.]     Sec   One. 
One  Sundav  at  St.  James's  Prayers. 

G.  310.  (183.) 

The  Lady  of  the  May.     [Song.] 

See  Pretty.     Pretty  Wanton  come  away. 

[1750?]     s.sh.iol.  G.  311.  (8.) 

A  Lady's  Advice  to  her  Lover.     [Song.] 
See  Tell.     Tell  me  no  more  of   pointed 
Darts.     [1750?]    s.  sh.  fol. 

G.  316.  f.  (28.) 

A  Lady's  Advice  to  her  Lover.     [Song.] 
See  Tell.     Tell  me  no  more  of   pointed 
Darts,  cic.     [1758.]     8'\     P.P.  5439.  ab. 

The    Lady's    Answer    to     the    Chimney 
Sweeper.     [Song.]     See  How.     How  Dare 
such  Chimney  Sweepers  come. 
[1720?]     s.sh.tol.  H.  1601.  (201.) 


LADY.     The  Lady's  Birth-Day.     [Song.] 
See  Four.     Four  and  twenty  Fidlers  aU 
in  a  Row,  etc.     [1720?]     s.  sh.  fol. 

H.  1601.  (165.) 
The  Lady's  Diary.     fSong.] 
See  DiBDiN  (C.)     [A   Tour  to  the  Land's 
End.] 

The  Lady's  Dream.     [Song.]     See  G.,  S. 
The  Ijady's  Lamentation  for  y^  absence  of 
Cap'  John.     [Song.]     See  As.     As  near  to 
Rosamonda's  stream,  etc. 
[1740.]    s.  sh.  fol.  G.  306.  (114.) 

The  Lady's  Lamentation  for  y"  Loss  of 
Senesiuo.  [Song.]  Sec  As.  As  musing 
I  rang'd,  etc.     [1735  ?]     s.  sh.  fol. 

G.  316.  d.  (26.) 
The  Lady's  Repulse.     [Song.] 
See  Hercules.      No    more    invade   me. 
The  Lady's  Reimlse,  etc.  [1715  ?] 

s.  sh.  fol.  G.  303.  (47.) 

The   Lady's   Toast.     [Song.]     See  Away. 
Away  ye  fantastical  Shadows  of  Grief. 
[1710?]     s.sh.iol.  H.  1601.  (28.) 

LADY  ALICE.     Lady  Alice.     Ballad. 
See   In.     In   Scarlet   Town  where   I  was 
born.     Barbara   Allen,   a7id    Lady  Alice. 
Two... Ballads,  <?/c.     FISOO?]     fol.' 

G.  796.  (4.) 

LADY  BAIRD'S  REEL.  Lady  Baird's 
Reel  made  into  a  Rondo  for  the  Piano 
Forte.  N.  d  M.  Stewart :  Edinburgh, 

[1790?]     fol.  g.  149.  (13.) 

LADY  HARRIOTE.  Lady  Harriots. 
[Song.]     See  Boyce  (W.) 

LADY  ISABELL.  Lady  isabell  ***** 
Glee.  See  Pleyel  (I.  J.)  [Lieder  oeym 
Clavier  zic  singen.  Th.  II.  Die  frilhe 
Licbc] 

LADY     JANE     GRAY.      Lady    Jane 
Gray's  Lamentation.     [Song.] 
See  GiORDANi  (G.)  or  (T.) 

LADY  OF  THE  MANOR.  The  Lady 
of  the  ^lanor.   Comic  Opera.   See  Hook  (J.) 

LADY'S    TRIUMPH.     On   a    Bank  of 
Flow'rs.      A    new     Song    sung    by    Mr. 
Pack  in  the  Lady's  Triumph.     [Words  by 
L.  Theobald,  music  by  J.  E.  Galliard.] 
[Lo?idoH,  1718?]     s.sh.tol. 

H.  1601.  (344.) 
[Another  edition.]  On  a  Bank  of  Flow'rs. 
A  neiv  Song,  etc.  [London, 

1718  ?]    s.  sh.  fol.  G.  316.  g.  (48.) 

[Another  edition.]  On  a  Bank  of  Flow'rs, 
etc.     [London,  1120?]     s.sh.iol. 

G.  305.  (213.) 
[Another  copy.]  G.  310.  (185.) 

LAEUSIMPELTZ  (Charis)  p>seud. 
See  Tapinsmus  (M.)  pseud,  and  Laeusim- 
PELTz  (C.)  pseud.     Refutation  des  Satyri- 
schen  Componistens,  etc.     1678.     4°. 

12305.  d.  26. 


6 


LA  FEILLEE— LAHOUSSAYE 


LA  FEILLEE  (PRAN901S  de)  Nouvelle 
]\I6thode  i^our  apprendre  facilement  les 
Regies  du  Plain-Chant  et  de  la  Psalmodie. 
Avec  des  Messes  &  autres  Ouvrages  en 
Plain-chant  figur6  &  musical . .  .^a  voix 
seule  &  en  partie. .  .Nouvele  Edition, 
revue,  corrigee,  &  augment^e  par  un 
Eccl^siastique,  etc.  Chez  J.  F.  Faulcon  it 
F.  Barbier  :  Poitiers,  1782.     12". 

B.  813.  a. 

L'AFFILLARD  (Michel)  Principes 
tres-faciles  pour  bien  apprendre  la 
Musique,  qui  conduiront  promptement 
ceux  qui  ont  du  naturel  pour  le  Chant 
jusqu'au  point  de  chanter  toute  sorte  de 
Musique  proprement,  &  a  Livre  ouvert ; 
. . .  Sixi^me  Edition  revue,  corrigee,  & 
augment^e. 
Chez  C.  Ballard  :  Paris,  1705.     obi.  A". 

A.  470. 

LA  FOND  (Jean  FRAN901S)  A  New 
System  of  ]Music,  both  Theorical  and 
Practical,  and  yot  not  Mathematical, 
etc.  (Vol.  I.)  (The  Truth  of  the  Twelve 
Notes;  and  one  of  their  great  Uses.,, 
illustrated  in  two. .  .Preludes. .  .And  two 
other  .  .  .  Advantages  .  .  .  examplify'd  in 
Corelli's  vi.  Sonata,  iv.  Work,  fitted  for 
those  Purposes.)  2  pts.  Printed  for  the 
Author  :  London,  1725.     8"  &  4°. 

1042.  k.  8. 
No  more  published. 
[Another  copy.]  1042.  k.  9. 

LA  FONTAINE  (  de)  L'Absence. 
Romance,  a  Nirz6.  [Written]  Par  M. 
Courcelles.     [Paris,  1785  ?]     8°. 

B.  362.  a.  (95.) 
Le  Conseil.  Ariette,  [written]  par  jM. 
Courcelles,  etc.     [Paris,  1785  ?]     8». 

B.  362.  c.  (5.) 

LAGACHE  (  )  Ainsi  qu'un  papillon 
volage.     Ariette,  etc.  [Paris,] 

nil.     s.  sh.  8°.  297.  f.  16. 

Mercure  de  France,  Sept.,  1777. 

LAGARDE  (N.  de)  ^gle.  Ballet  en  un 
Acte. .  .Grave  par  Labass^e.  Chfs 

VAtUeur  :  Paris,  [1751.]  fol.  H.  537. 
Ah  !  le  beau  temps.    Brunette,  etc. 

Grav^e  ixir  Labassi^e  :  [Paris,  1757.] 
s.  sh.  8".  297.  h.  28. 

Choix  des  Anciens  Mo-cures,  Tom.  II., 
p.  168. 

Aimons,  buvons.     Dno,  etc.  [Paris, 

1780?]     8".  B.  362.  i.  (41.) 

Aimons,  aimons.     Duo  Parodid  sur, 

Aimons,  buvons,  de  Mr.  de  la  Garde. 
[Paris,  1780  ?]    8".  B.  362.  e.  (44.) 

Nouveaux  Airs  a  une  et  Plusieurs  Voix. 
1"  Livre  2"  Edition  revue,  etc.  (Second 
Livre.)  (Troisi^me  Livre.)  3  Liv.  Chez 
VAuteur  :  Paris,  [1765  ?]     obi.  4°. 

C.  640.  (2.) 


LAGARDE    (N.   de)      En^e    et    Didon, 
Cantate,  etc.     Grav6  par  J.  Renou. 
Chez  VAuteur  :  Paris,  [1764.]     obi.  4'\ 

C.  640.  (4.) 

He!  quoi  tout  sommeille.  Chassc,...en 
Duo.     [Paris,  1180?]     8". 

B.  362.  e.  (45.) 

Journal  de  INIusique,  etc.  Gravee  par  L. 
Hue.  Au  Bureau  du  Mercure  ;  Paris, 

1758.     obi.  4'\  C.  640.  a.  (1.) 

llie  number  for  May  only. 

Premier  (Second)  Recueil  d'Airs  a  Une, 
Deux  et  Trois  Voix,  etc.  Grav6  par  J. 
Renou.     2  pts.  Chez  VAuteur  :  Paris, 

1742(-3).     obi.  4".  C.  640.  a.  (2.) 

I.  (II.)  Recueil  de  Brunettes  avec  accom- 
pagnement  de  Guittare,  de  Clavecin  ou 
de  Harpe.  (IIP  Recueil. .  .Avec  accom- 
pagnement  de  Violon,  Guitare,  Clavecin 
ou  Harpe.)  3  pts.  Chez  VAiitcur  :  Paris, 
1764.     obi.  4".  C.  640.  (1.) 

Quatrieme(-VI'')  Recueil  de  Duo,  dc.  3  pts. 
ChezVAiiteur  :  Paris,  1751  (1764).   obi.  4". 

C.  640.  (3.) 

Soyez  toujours  Songes  charmans.  Ariette, 
. . .  Avec  Accompagne"''  de  Guithare  par 
M--  Guichard.     [Paris,]  1779.     8°. 

B.  362.  g.  (77.) 

Tendre  fruit  des  pleurs  de  I'aurore.  Ariette. 
[Paris,  1770?]     8°.  B.  362.  e.  (59.) 

[Another  copy.]  B.  362.  b.  (25.) 

Tout  dit  qu'il  faut  aimer.  Chanson. 
(Les  paroles  sont  de  M.  de  B. .  .etc.) 

Gravic  par  M"''  Leclair  la  fille  :  [Paris,] 
1756.     s.  sh.  8°.  '      297.  d.  2. 

Mercure  de  France,  August,  1756. 


Flores   Jesssei, 
tribus    paribus 


LAGKHNER   (Daniel) 
Musicis   modulis   &   fere 
adaptati,  etc.     ^ledia. 
In  officina  typographica  Pauli  Kauffmanni : 
Noiibcrgie.,  1606.     4".  '    C.  75. 


LAGO  (Giovanni  del)  Breue  Intro- 
duttione  di  Musica  Misurata. .  .scritta  al 
]\Iagnifico  Lorenzo  Moresino  patricio 
Venetiano,  etc.  Ex  prselo  Brandini  ((• 

Octauiani     Scoti    fratrum    habcntnr    ex- 
cussat:   Venetiis,  1540.     4°.     K.  8.  c.  19. 
22  fol.,  without  pagination. 

LAGUERRE  (Elisabeth  Claude  Jac- 
QUET  de)     See  Jacquet  de  Lagueeee. 

LA  HA  YE  (  )  Sec  Champein  (S.) 
[Le  Mantcau.]  Nos  bons  parens  parlent 
sans  cesse . . .  Accomp'  de  Guittare  par  M. 
La  Haye.     [1790  ?]     8°.     B.  362.  h.  (6.) 

LAHOUSSAYE  (Pieree)  Sei  Sonate  a 
Violino  solo  e  Basso  .  .  .  Opera  prima. 
Grav6  par  Fouchault.  Chez  le  S''  Sicber  : 
Paris,  [1765  ?j     fol.  g.  422.  a.  (4.) 


LAISSE— LAMOTTE 


LAISSE.      Laisse   moi   gouter   le   i^laisir. 
[Song.]     See  Campan  (    ) 
Laisse  tes  Agneaux.     Ariette. 
See  Albanesk  (     ) 

LAISSEZ.     Laissez  vous  sous  mes  doigts 
ployer   avec   souplesse.     Ariette  Xouvcllc. 
Avec  Accopag'  de  Guitare. 
Chez  M.  Camancl :  Paris,  ri780?]     8". 

b;  362.  g.  (30.) 

LAISSONS.     LaissoDS   aux  chansonniers 
du  jour.     Le  Vent  de  Bine.     rSong.l 
[Paris,  1780?]     8".         B.  362.  e.  (106.) 
Laisson  laisson  a  la  gailc'.     Vaudeville. 
Sec  PoioTE  Supposi':. 

LAKES.  The  Lakes  of  Windermere. 
[Song.]     Sfc  DiBDiN  (C.)     [Tom  Wilkins.] 

IiALiANDE  (Michel   Eichard   de)     Les 
III  Lemons  da  Tenebres  et  le  ^liserere  a 
voix  seule. .  .Grave  par  L.  Hue. 
CJiez  Madcm"-  Hue  :  Paris,  1780.     fol. 

I.  170.  a. 

INIotets  de  Feu  iP  de  La  Lande . . .  Avec  un 
discours    sur    la   Vie   et    les   CEuvres  de 
I'Autheur,  etc.   Grave  par  L.  Hue.   i"'(-ix'') 
(xr-xV)  (xvn''-xviii'')  Livre.     16  vols. 
Chez  le  S'  Boicin  :  Paris,  1720.     fol. 

I.  170. 

See  Destouches  (.\.  C.)  Les  Klemeus. . . 
Ballet,  etc.  [Music  by  A.  C.  Destouches 
and  M.  R.  de  Lalande.]     17:^5.     obi.  -4". 

C.  398. 

L'AIiL  *  *  *  ♦  (  )  Je  le  tiens  ce  nid  de 
fauvette.  I.  D'l/lle  de  M''  Berquin. 
IMusique  de  M'  L'all****.  [Paris, 

1780?]     8».  B.  362.  b.  (13.) 

[Another  copy.]  B.  362.  e.  (111.) 

LALLEMAN    (     )     Au   matin   dans  les 
pr^s  de  Flore.     Chanson.     (Les  Paroles  et 
la  ;\Iusique  sont  de  M.  Lalleman.) 
[Paris,]  1778.     8».  297.  f.  28. 

Mercure  de  Fratice,  Dec,  1778. 

LALIjOIJETTE  (.Jean  FRAN901S)  :Motets 
a  r.  II.  et  in.  voix,  avec  la  Basse-Continue 
. .  .Livre  Premier.  Chez  I'Aiitetir  : 

Paris,  172G.     fol.  L  514. 

LA  MARRE  (  de)  Les  Chansons  pour 
Danser  et  pour  Boire.  Du  Sieur  de  La 
Marre.     Robert  Ballard  :  Paris,  1650.    8". 

A.  765. 
[Another  copy.]  See  Chansons. — 2. 
Recueil  de  differens  Livres  de  Chansons, 
etc.    Liv.  V.     1699.     8».  A.  428.  (5.) 

LAMB.  Lamb  of  God,  whose  bleeding 
Love.     Hymn.     See  E.,  H. 

LAMBARDUS  (Hieronymus)  Antiphon- 
arium  Vespertinum  Dierum  Festorum 
Totius  Anni  iuxta  ritum  liomani  Breuiarij 
Pij  V.  reformati,  nunc  nuper  pulcherrimis 
contrapuntis  exornatum  at<jue  auctum  a 


Reverendo  D.  Hieronymo  Lambardo. .  .Ir 
tres  partes  distributum. .  .Secuuda  Pars. 
In  Cmnobio  Sancti  Spiritus  ])rope  Venetian 
1597.     fol.  K.  9.  b.  12. 

Vespertina  Omnium  Solemnitatum  Totius 
anni  Psalmodia  Ternis  Vocibus  decantanda. 
Cum  duobus  Canticis  Beatte  jNIarie  Virginis 
...Primus  Chorus.  Cum  Basso  ad  Or- 
ganum,  etc.  Tenor.  (Bassus.)  (Bassus  ad 
Organum.)  3pts.  ^re  Bartholotnei  Magni. 
Stampa  del  Gardano  :  Venctia,  1613.     4». 

D.  110. 

LAMBERT  (  )  iP".  Le  Satyre  et  le 
Passant.  Fable  mise  en  vers  par  M'  de 
la  Fontaine,  etc.  Ch('s  Camand  :  [Paris, 
1780?]    8°.  B.  362.  e.  99. 

LAMBERT  (]*Iichel)  Les  Airs  du  Sieur 
Lambert.     Grauez  par  Richer. 

Chez  Charles  de  Sercij  :  Paris, 

[1660.]     obi.  4".  K.  3.  f.  14. 

Ombre  de  mon  Amant.     Air.  [Paris,] 

1679.     s.  sh.  obi.  4".  P.P.  4482. 

Xouveau   Mercure  Galant,  June,  1679, 

p.  31. 

LAMBRANZI  (Gkegorio)  Neue  und 
Curieuse  Theatrialische  Tantz-Schul. 
2  Th.  Vcrlegts  Johan  Jacob  Wolrab  : 

Nurnbcrg,  [1715.]     fol.     L.  P. 

K.  8.  g.  5. 
Engraved  by  J.  G.  Puschner. 

Neue  und  Curieuse  Theatrialische  Tantz- 
Schul.  In  Kupffer  gebracht  iind  verlegt 
von  Johann  Georg  Puschner:  Nurnberg, 
(1716.)     fol.  K.  8.  g.  4. 

Part  I.  0)ilij. 

LAMENTATION.  Lamentation  of  Marie 
Antoinette.     [Song.]     See  Stokacb  (S.) 

LAMENTATIONS.  [The  Lamentations, 
for  Holv  Week.  Soprano  and  Contralto 
Parts.]  'Brazzini:  [Florence,  1700?]     i". 

C.  2. 

LAMENTED.  Lamented  Maid,  what 
cruel  fate.     Song.     See  Hudson  (R.) 

LAMENTO    DI    MARIA   ANTONI- 

ETTA.     Lamento  di   Maria  Antonietta, 
Eegina  di  Francia.     Cantata. 
Sec  RossELLi  (A.) 

LAMENTO  DI  OLIMPIA.  II  Lamento 
di  Olimpia.     [Madrigals.] 
See  Rossetto  (S.) 

LAMIRA.  Lamira  and  Virnus  together 
have  join'd.     Song.     See  Walker  (T.) 

LAMOTTE  HOUDAR.  Lamotte 
Houdar,  com6die  anecdotique  en  un  acte 
et  en  prose,  mel6e  de  vaudevilles.  Par  les 
citoyens  Piis  et  Auger. .  .avec  la  musique. 
Chez  le  Libraireau  ThMtredu  Vaudeville  : 
Paris,  An  viii  [1800].     8°. 

11738.  1.  19.  (6.) 


8 


LAMOTTE— LAMPE 


LAMOTTE  (Franz)  A  Solo  for  the 
Violin  and  a  Bass  for  the  Harpsichord  or 
Violoncello.  Printed  for  W.  Forstcr  : 

London,  [1783  ?]     fol.         "h.  1608.  (12.) 

LAMPADIUS  (Auctor)  Compendium 
Musices,  tam  figurati  quam  plani  cantus 
ad  formam  Dialogi,. .  ,ex  eruditis  :  Music- 
orum  scriptis...congcstu,...Adiectis  etiam 
regulis  Concordantiarum  &  componendi 
Cantus  artificio. .  .Pmeterea  addita3  sunt 
formule  intonandi  Psalmos,  cic.  [With  a 
preface  by  Eberhardus  a  Riimlango.] 
Per  Mathiam  Apiariuvi :  Bernae  Hclvct: 
1537.     8°.  1042.  e.  1.  (1.)* 

LAMPARELLI  (Antonio)  La  Montague 
d'Amour.  [Song.]  [B.  Viqneric :  Paris, 
1800?]     fol.  G-.  548.  (55.) 

No.  21,  2*  Ann^.e  of  the  '  Journal  de  la 
Lyre  d'Orph^e.' 
Tu  m'aimes  encor,  ma  Lesbie  !     Bomancc. 
Chez  B.  Yiguerie  :  Paris,  [1800  ?]     fol. 

G.  548.  (54.) 
No.  21,  2"  Ann/'e  of  the  '  Journal  de  la 
Lyre  d'Orphi'e.' 

LAMPE  (Charles  John  Frederick) 
Britannia's  Invitation  to  her  Sons,  to 
partake  of  the  Glory  of  the  intended 
Expedition.  [Song.]  The  words  by  Mr. 
Wignell,  etc.  Printed  for  M.  Whitakcr  : 
London,  [1760  ?]     fol.  G.  316.  (94.) 

Six  English  Songs  as  sung  by  Mr.  Lowe 
&  Mrs.  Lampe  Jun''  at  IMary-bone 
Gardens.  Printed  for  C.  Jones  :  London, 
17G4.     fol.  G-.  808.  g.  (21.) 

See  Catches.  A  Second  Collection  of 
Catches  by. .  .Dr.  Arne. .  .Mr.  Lampe,  etc. 
[17G6  ?]    obi.  4".  A.  756.  a.  (2.) 

LAMPE  (JoHANN  Friedrich)     Advice  to 

the  Unwary,  etc.     [Song.]  [London, 

1738.]    8".  249.  e.  8. 

Gentleman'' s     Magazine,      Vol.     VIII., 

p.  430. 

The  Art  of  Musick.  Printed  for  C.  Corhett : 
Ijondon,  1740.     8".  1042.  h.  6.  (4.) 

The  Batchelor's  Advantage.     [Song.] 
See  As.     As  Thomas  and  Harry  one  Mid- 
summer Day,  etc.    [Music  by  J.  P.  Lampe.] 
[1730?]     s.sh.iol.  G.  306.  (36.) 

Bright  Cynthia's  Pow'r. 
Sec  infra  :  [OroonolxO.'] 
British  Melody ;  or,  the  Musical  Magazine. 
Consisting  of  a  large  Variety  of. .  .English 
and  Scotch  Songs  Airs,  &c.  ...  Set  to 
Musick  by  the  most  Eminent  Masters . . . 
The  Whole  curiously  Engrav'd  on  Three- 
score Folio  Copper  Plates  ;  . .  .revis'd  and 
corrected  and  one  Fourth  Part  of  them 
set  to  Musick  by  J.  F.  Lampe... each 
Plate..  .Embellish'd  with  a  New  Head- 
Piece,  etc.  Printed  for. . .  B.  Cole  : 
London,  1739.  fol.  H.  1364. 
The  covifoscrs  named  in  this  collection 


are  :  Lampe,  Bamondon,  Philips,  C. 

Young,    M.    Greene,    S.    Alabbat    or 

Mobbot,   Carey,   Stanley,   B.    Graves, 

Pcspusch,  Galliard,  Hatchdosam  and 

Handel. 

But  shall  I  go  mourn  for  that  my  Dear. 

[Song.]     Set  by  Mr.  Lampe  from  Shake- 

spear['s  '  Winter's  Tale  '].  [London, 

1745  ?]     s.  sh.  fol.  G.  306.  (251.) 

A  Cantata  and  Four  English  Songs. 

Printed  for  I.  Walsh:  London, 
[174G?]     fol.  G.  221.  (5.) 

[Columbine  Courtezan.]  A  Collection  of 
all  the  Aires,  Pastorells,  Chacoons,  Entre, 
Jiggs,  Minuets  and  Musette's  in  Columbine 
Courtezan,  and  all  the  late  Entertain- 
ments. .  .To  which  is  Prefix'd,  the  Original 
Medley  Overture.  The  whole  fitted  for  a 
Violin,  German  Flute,  &  Harpsicord,  etc. 
Printed  for  I.  Walsh:  London, 
[1735.]    ohl.  fol.  e.  60.  (1.) 

The  Complaint. 
Sec  infra  :  [The  Despairing  SJtejJierd.] 

The  Cuckoo,  a  Celebrated  Concerto :  in 
Five  Parts,  viz.  Traversa,  Violin  1, 
Violin  2,  Tenor,  Violencella,  and  Bass. 
[Harpsichord  Part.] 

Printed  for  J.  Wilcox  :  London, 
[1740?]     fol.  G.  221.  (1.) 

The  Celebrated  Cuckoo  Concerto.  Com- 
posed by  C.  F.  [or  rather  F.  J.]  Lampe. 
[1798.]  See  Periodical  Publications. — 
London.  The  Piano-Forte  Magazine. 
Vol.  IV.     [No.  6.]     [1797-1802.]     8". 

D.  854. 
The  Declaring  Lover.     [Song.] 
[London,  1740?]     s.  sh.  fol. 

G.  310.  (133.) 
[Another  copy.]  G.  305.  (168.) 

The  Despairing  Shepherd.     [For  editions 
of  this  song  published  anonymously  :] 
See  Cleon.     Cleon,  whose  heart  foretold 
despair,  etc. 

[The  Dragon  of  Wantley.]  Songs  and 
Duetto's  in  the  Burlesque  Opera,  call'd. 
The  Dragon  of  Wantley.  [Written  by 
H.  Carey]  .  .  .  Composed  and  Carefully 
Corrected  by  Mr.  J.  F.  Lampe,  etc.  [Full 
Score.]  Printed  for  J.  Wilcox:  London, 
1738.     fol.  P.  5. 

Engraved  by  B.  Cole. 
Songs  and  Duetto's  in... The  Dragon  of 
Wantley,  in  Score,  etc. 

Printed  for  I.  Walsh:  London, 
[1746?]     fol.  G.  221.  (2.) 

Tliis  is  the  same  as  the  edition  of  1738, 
ivith  a  nctv  title-page. 

The  Songs,  Duettos  and  Trio  in  the 
Dragon  of  Wantley . . .  Dispos'd  properly 
for  the  Harpsicord  &  Voice,  and  may  be 
accompanied  with  a  Violin  or  German 
Flute  &  Violoncello.  W.  Smith  : 

London,  [1762.]    obi.  fol,  F,  5.  ^, 


LAMPE 


Female  Advice. 
[Lomhn,  1750?] 


Go 
Mr 


lovely  Rose. 
Waller. 


LAMPE  (JoHANN  Friedrich)  [Fatal 
Falsehood.]  Whilst  endless  Tears  and 
Sighs  declare.  A  Song  in  the  new  Tragedy 
[by  J.  Hewitt]  of  Fatal  Falsehood. .  .Sung 
bvMrs.Clive.     [London,  1134:.]     s.sh.iol. 

I.  530.  (82.) 

[Song.] 
s.  sh.  fol. 

G.  307.  (161.) 

[Song.]     The   Words  hij 
[London,  11  iO?]     fol. 

G.  308.  (19.) 

[Another  copy.]  G.  305.  (162.) 

The  Inconstant.    SeeWuES.  When  fading 
Beauty  does  decay.  Tlte  Inconstant.  [Song, 
music  by  J.  F.  Lampe.] 
[1730?]    s.  s/(.  fol.  G.  313.  (150.) 

Ladies'  Amusement :  being  a  new  Col- 
lection of  Songs,  Ballads,  &c.  With 
Symphonies  and  Thorough-Bass.  J.  Hoey, 
for  the  Author  :  Dublin,  [1748  ?]     fol. 

H.  1625.  b. 
Imperfect,  wanting  pp.  19-22. 
The  Lady's  Lamentation  for  y"  absence  of 
Cap'  John. 

See  As.  As  near  to  Rosamonda's  stream. 
[1740.]     s.  sh.  fol.  G.  306.  (114.) 

A  Lass  there  lives  upon  the  green. 
See  infra  :  [Oroonoko.] 

Love  and  Honour.     [Song.] 

Sec  I.     I  wish  and  long  for  that  which 

I,  etc.     [IMusic  by  J.  F.  Lampe.  ^ 

[1740?]    s.sh.iol.  G.  309.  (115.) 

The  Lover's  Address.     [Song.] 
See  Charmer.      Charmer  permit  me   to 
make  a  Surrender,  etc.     [Music  by  J.  F. 
Lampe.]     [1730?]     s.sh.iol. 

G.  307.  (47.) 
The  Maid's  Request,  etc.     [Song.] 
See  Glide.     Glide  swiftly  on  thou  Silver 
Stream,  etc.     [By  J.  F.  Lampe.] 
[1735?]     s.  sh.  fol.         G.  316.  d.  (159.) 

[Another  edition.]  The  Maid's  Request, 
etc.     S«>  Glide.     [1740?]     s.  .s/(.  fol. 

G.  310.  (200.) 
[Margery.  Overture  and  Chorus's  in  the 
Burlesque  Opera  called  ^Margery,  being  a 
Sequel  to  the  Dragon  of  Wantley,  etc. 
Words  by  H.  Carey.     Full  Score.] 

[Printed  for  J .  Wilcox:  London, 
1739.]     fol.  G.  221.  (3.) 

Wanting  the  title-page. 

Lampe's  Original  Medley  Overture. 
[Orchestral  Parts.]    [London,  lliO?'}     fol. 

g.  474.  a.  (14.) 

A   Plain    and    Compendious    Method    of 
Teaching  Thorough  Bass... With  Proper 
Rules   for   Practice.     The  Examples  and 
Lessons. .  .Engraved  on  Copper  Plates. 
Printed  for  J.  Wilco.x  :  London,  1131.     4°. 

558*.  e.  22. 


LAMPE  (.JoHANN  Friedrich)    The  Modest 
Concealment.     [Song.]     Sec  Dear.    Dear 
Collin  prevent  my  warm  Blushes,  etc. 
[1733  ?]     s.  sh.  fol.  G.  307.  (130.) 

[Oroonoko.]      Bright     Cynthia's     Pow'r, 
divinely    great.      .-1    Song    i)i    Oroonoko. 
[Words  by  T.  Cheek.] 
[Lo)!fZLi«,"l730?]     s.  sh.  fol. 

G.  306.  (244.) 

[Another  copy.]  I.  530.  (80.) 

A   Lass  there  lives  upon  the  green. 

Song  in  Oroonoko,  Sung  bv  ]Mrs.  Lampe. 
[London,  1130?]     s.sh.iol. 

G.  316.  c.  (25.) 

The  Parent  Bird.  A  Song,  etc.  [London, 
1747.]     8".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  I.,  p.  184. 

Paternal  Love.  [Song.]  See  Parent. 
The  Parent  Bird  whose  little  Nest,  etc. 
[Music  bv  J.  F.  Lampe.]    [1745?]   s.sh.iol. 

H.  1994.  b.  (64.) 

[Another  edition.]  See  Parent.  The 
Parent  Bird  whose  little  Nest,  etc.  [IMusic 
by  J.  F.  Lampe.]     ^1745  ?]     s.  sh.  fol. 

G.  305.  (240.) 

The  Perfections  of  true  Love.  [Song.] 
Sec  There.  There  liv'd  long  ago  in  a 
Country  place,  etc.  [Music  by  J.  F. 
Lampe.]     [1730  ?]     s.  sh.  fol. 

G.  312.  (86.) 

A  Preservative  against  Love.     [Song.] 
See  How.      How  frail  alas  !   we  mortals 
are,  etc.     [By  J.  F.  Lampe.] 
[1740.]    s.  sh.  fol.  G.  308.  (97.) 

Pyramus  and  Thisbe :  a  ]\Iock-Opera. 
The  Words  taken  from  Shakspeare['s 
'Midsummer  Night's  Dream,'  as  altered 
in  1716  by  R.  Leveridge.  Full  Score,]  etc. 
Printed  for  I.  Walsli  :  London, 
[1745.]     fol.  ■  G.  221.  (4.) 

[Another  edition.]     Pyramus  and  Thisbe  : 

etc.  Printed  for  I.  Walsh:  London, 

[1746?]     fol.  G.  193.  (5.) 

Tills  edition  contains  an  additional  song, 

beginning:    '' Su'cet    Moon    I    thank 

thee." 

Ruscelletto      Infidele,      or,      The      false 

Shepherd.     [Song.]  [London, 

1740  ?]     s.  sh.  fol.  G.  360.  (59.) 

This    is    No.    V.   of  'British    Melody,' 

witli  alterations  in  Cole's  engraving. 

[The  Sham  Conjurer.]  The  Grand 
Concerto,  Favourite  Songs,  Dueto's, 
Trio  &  Chorus  in  the  New  Masque  call'd 
the  Sham  Conjurer,  etc.     [Full  Score.] 

Printed  for  I.  Simpson:  London, 
[1741.]     fol.  G.  221.  (6.) 

The  Shepherd's  Invitation.  [Song.]  Sung 
by  Mr.  Sullivan . . .  The  Words  by  Mr.  Ayre. 
\ London,  1130 r^   s.sh.iol.    I.  530.  (81.) 


10 


LAMPE— LAMPLTGNANI 


Ij  A  M  P  E     (JoHANN    Friedrich)       The 
Shepherd's  Invitation.     [Song.]     Sung  by 
Mr.  Sullivan. .  .The  Words  by  Mr.  Ayre. 
[London,  1744.]     8".  157.  1.  6. 

London  Magazine,  1744,  p.  510. 

The    Shepherd's    Invitation.      [Song.]... 

The  Words  by  ]\Ir.  Ayre.  [London, 

1745.]     8".  249.  c.  15. 

Gentleman's    Magazine,    Vol.    XV.,   p. 

217. 

[Another  edition.]  The  Shepherd's  Invita- 
tion, etc.     [London,  1750?]     s.  sh.  4". 

H.  1994.  c.  (53.) 
Plate  LXXIX  of  the  Agreeable  Amuse- 
ment. 

The  Spring  Wish.     [Song.]  [London, 

1730  ?]     s.  sh.  fol.  I.  530.  (83.) 

[Another  edition.]  The  Spring  Wish,  etc. 
[London  ?  1740  ?]     s.  sh.  fol. 

G.  316.  d.  (87.) 

Tho'  rude  Rebellion  rears  its  Head.     Tlie 
occasional  Song  as  it  is  now  perform' d  at   j 
the  Theatre  Royal  in  Covent  Garden,  etc. 
[London,  1745.]     fol.  G.  312.  (15.) 

To  Sylvia.  [Song.]  Sung  by  Mr.  Sullivan 
at  the  Theatre  in  Drury  Lane  .  .  .the 
Words  by  Mr.  Garrick.  [London, 

1745  ?]    s.  sh.  fol.  G.  309.  (25.) 

The  True  Briton.  A  Two  Part  Song,  etc. 
[London,  1740  ?]    s.  sh.  fol.    I.  530.  (84.) 

[Another  edition.]     The  True  Britton.     A 
two  part  Song.    See  Come.   Come  Drawers 
more  Wine,  etc.     [By  J.  F.  Lampe.] 
[1740  ?]    s.  sh.  fol.  G.  307.  (73.) 

Upon  the  Taking  of  Chagre  Castle  by 
A  dm'  Vernon.  [Song.]  See  Ye.  Ye 
Brittons  draw  near,  etc.  [Music  by  J.  F. 
Lampe.]    [1740.]   s.  sh.  fol.    G.  314.  (56.) 

Whilst  endless  Tears  and  Sighs  declare. 
See  supra  :  [The  Fatal  Falsehood.] 

The  Wish.  [Song.]  Sungby  Mr.  Sullivan, 
etc.     [London,  1740  ?]     s.  sh.  fol. 

G.  307.  (20.) 

[Another  copy.]  I.  530.  (85.) 

Wit  Musically  Embellish'd.  Being  a 
Collection  of  Forty  New  English  Ballads  ; 
the  Words  by  divers  Eminent  Hands,  set 
to  IMusick  with  a  Thorough  Bass  for  the 
Harpsichord  .  .  .  The  Tunes  all  Transpos'd 
for  the  Flute.  Engraved  d  Printed  for 
the  Author  :  London,  [1731.]     fol. 

H.  1625.  a. 
Engraved  by  T.  Cobb,  witJi  an  engraved 
title-page. 

[Another  copy.]  Wit  Musically  Em- 
bellish'd :  Being  a  Collection  of  Eight 
[or  rather  Forty]  New  English  Ballads,  etc. 
Vol.  I.  Engrav  d  and  Printed  by  T.  Cobb  : 
London,  [1731.]     fol.  H.  1625. 

This  work  appeared  in  parts  of  eight 


Ballads  each.      It  was  advertised  in 

the    Grub  Street  Journal  for  5  Aug., 

1731.     This  copy  is  complete,  but  lias 

no  preface  nor  list  of  subscribers,  and 

the  title-page  is  the  printed  one  issiied 

with  the  first  part . 

Wit  Preferable  to  Beauty.     [Song.] 

Sec    Though.      Tho'   here   at   Bath   you 

make  a  Rout,  etc.    [Music  by  J.  F.  Lampe.] 

[1730  ?]     s.  sh.  fol.  G.  312.  (87.) 

See  Arne  (T.  A.)  Six  Medley  or  Comic 
Overtures  in  Seven  Parts  ...  by  Dr.  Arne, 
Lampe,  etc.     [1760  ?]     fol.  g.  100.  e. 

See  Fly.     Fly   Care   to  the   Winds,   etc. 
[Duet,  music  loy  J.  F.  Lampe.] 
■     [1740?]     s.  s;;.fol.  G.  307.  (238.) 

See  Hymns.  [English.]  Hymns  on  the 
Great  Festivals,  etc.  []\Iusic  by  J.  F. 
Lampe.]     1746.     4°.  P.  5.  b. 

See  Hymns.  [English.]  Hymns  on  the 
Great  Festivals  .  .  .  The  Second  Edition. 
[Music  by  J.  F.  Lampe.]     1753.     4". 

E.  1498.  j. 
See  Summer's  Tale.  The  Summer's  Tale. 
A  Musical  Comedy  .  .  .  The  Music  by  Abel 
.  .  .  Lampe,  etc.     [1765.]     obi.  fol. 

D.  273.  (1.) 
See  Thesaurus  Musicus.  Thesaurus 
Musicus.  A  Collection  of . . .  Part  Songs . . . 
by... Lampe,  f/c.     [1743?]     fol.      H.  73. 

LAMPLIGHTER.       The    Lamplighter. 
[Song.]     See  Dibdin  (C.)     [The  Oddities.] 
The  Lamp-Lighter.     Cantata. 
Sec  MozE  (J.  H.) 

LAMPUGNANI  (Giovanni  Battista) 
[Alceste.]  The  Favourite  Songs  in  the 
Opera  call'd  Alceste,  etc.  Printed  for 

I.  Walsh  :  London,  [1744.]     fol. 

G.  206.  a.  (4.) 
Alessandro  nell'  Indie.  [A  Pasticcio, 
chiefly  by  G.  B.  Lampugnani  and  G. 
Cocchi.]  See  Delizie.  Le  Delizie  dell' 
Opere,  etc.    Vols.  4,  11,  12.     [1776.]     fol. 

G.  159. 
[Alfonso.]  The  Favourite  Songs  in  the 
Opera  call'd  Alfonso,  etc.  Printed  for  I. 
Walsh  :  London,  [1744.]     fol. 

G.  190.  (6.) 
[Songs  in  L'  Ingratitudine  Punita.  A 
Pasticcio,  by  Hasse,  Lampugnani,  etc.] 
See  Delizie.  Le  Delizie  dell'  Opere, 
etc.     Vol.  5.     [1776.]     fol.  G,  159. 

[Songs   in   Semiramide.     A  Pasticcio,  by 
Hasse  and   Lampugnani.]     See  Delizie. 
Le  Delizie  dell'  Opere,  etc.     Vol.  5. 
[1776.]     fol.  G.  159. 

[Siroe.]  The  Favourite  Songs  in  the 
Opera  call'd  Siroe,  etc.  (The  Two  favourite 
Songs  in. .  .Siroe,  sung  by  Sign'^'  Mingotti.) 
[Short  Score.]     2  Nos.  Printed  for 

I.  Walsh  :  London,  [1755.]     fol. 

G.  201.  (3.) 


LAMPUGNANI— LANFRANCO 


11 


LAMPUGNANI  (Giovanni  Battista) 
rSiroe.     Another  copy.] 

H.  348.  e.  (1,  10.) 

Six  Sonatas  for  Two  Violins,  with  a 
Through  Bass  for  the  Harpsicord  or 
Violoncello ...  Opera  Prima.  [Separate 
Parts.]  Printed  for  I.  Walsh:  London, 
[1745?]     fol.  g.  420.  c.  (8.) 

Six  Sonatas  for  two  Violins  and  a  Thorough 
Bass.     [Separate  Parts.]  Printed  for 

C.  d-  S.  ThomiKon  :  London,  [1765  ?]     fol. 

g.  409.  (7.) 
Nos.  1  to  ■i  of  this  set  arc  Nos.  6, 3,  2  and 
1  of  Op.  I. 
See  Ezio.  The  Favourite  Songs  in... 
Ezio.  With  some  Songs  [by  J.  A.  Hasse 
and  G.  B.  Lampugnani]  in  Ipermestra,  etc. 
[1755.]     fol.  G.  173. 

Sec  Hasse  (J.  A.)  Farinelli's  Celebrated 
Songs,  dx.  (Galuppi,  Hasse,  Vinci, 
Lampugnani  ...  &  Pescetti's  Chamber 
Aires. .  .Collected  out  of  all  their  late 
Operas.)     [173G-175G?]     fol.  g.  444. 

See  Summer's  Tale.  The  Summer's  Tale. 
A  Musical  Comedy... The  Music  by  Abel 
...  Lampugnani  e^c.     [1765.]     06/.  fol. 

D.  273.  (1.) 

LAMPUGNANI  (Giovakni  Battista) 
and  SAN  MARTINI  (Giovanni  Bat- 
tista) Six  Sonatas  for  Two  Violins  with 
a  Through  Bass  for  the  Harpsicord  or 
Violoncello.  Composed  by  Sig'  G.  B. 
Lampugnani  and  St.  Martini  of  IMilan. 
Opera  Prima.  Printed  for  J.  Walsh  : 

London,  [1750  ?]     fol.  "  g.  480.  (1.) 

This  work  is  the  same  as  the  Si.v  Sonatas 
published  under  LampugnmiVs  name 
alone  as  Op.  1. 

Six  Sonatas  for  Two  Violins,  with  a 
Through  Bass  for  the  Harpsicord  or 
Violoncello.  Compos'd  by  Sig'  G.  B. 
Lampugnani  and  S'  JMartini  of  ]\Iilan. 
Opera  Seconda.     [Separate  Parts.] 

Printed  for  I.  WalsJi .-  London, 
[1750?]     fol.  g.  480.  (2.) 

LANCETTE.     La  Lancete.     [Song.] 
See  Je.     Je  suis  excellent  chirurgien,  etc. 
[1780?]    8°.  B.  362.  j.  (17.) 

LANCETTI  (Salvador)     Sec  Lanzetti. 

LAND.     The  Land  of  Gold.     Song. 

Sec  Sanderson  (J.)     [Harlequin  Mariner.] 

The  Laud  we  live  in.     [Song.] 

Sec  Reeve  (W.)     [Harlequin  and  Oheron.'] 

LANDEN  (     )     The  Hazel-ey'd  Maid,  etc. 
[Song.]    [London,  1753.]    8°.     249.  c.  23. 
The  Gentleman' s  Magazine,  Vol.  XXIII. , 
p.  191. 

LANDI  (Stefano)     Arie  a  Una  Voce,  etc. 
Appresso  Bartholomeo  Magni.    Stampa 
del  Gardano  :  Venetia,  1620.     fol. 

K.  8.  g.  14. 


LANDI  (Stefano)  La  INIorte  d'  Orfeo. 
Tragicomedia  Pastorale  con  le  Musiche. . . 
Opera  Seconda.  Appresso  Bartolomeo 

Magni.  Stampa  del  Gardano :  Venetia, 
1619.     fol.  K.  8.  g.  10. 

II  S.  Alessio.  Dramma  Musicale,  etc.  [Full 
Score.]  Apresso  Paolo  Masotti  :  Boma, 
1634.     fol.  K.  8.  g.  8. 

LANDLORD.  The  Landlord  he  looks 
very  big.  A  good  Ale  thou  art  my  Darling. 
[Song.]  L[ongman.  and]  B[rodeiip  : 

London,  1785  ?]    s.  sh.  fol.    G.  312.  (118.) 

LANDONO  (Francesco)  Sec  Spoglia 
Amoeosa.  Spoglia  Amorosa.  Madrigali, 
etc.  [With  a  Dedication  bv  F.  Landono.] 
1584.     4\  "  D.  202. 

LANDRIN  (  )  Maitre  de  Danse.  Pot- 
pourri Francois  des  Contre-Danse 
Ancienne,  tel,  qu'il  se  danse  chez  la  Reine. 
Arrange,  et  mis  au  Jour,  par  M'  Landrin, 
etc.  (Potpourri  Nouveau  avec  I'Explication 
des  Figures,  vu  et  corrige,  telle  que  je  les 
enseigne  au  public.)  24  Nos. 
Chez  Landrin  :  Paris,  [1785?  etc.]     8". 

e.  57.  (1.) 
Engraved  throughout.      There  is  a  MS. 
index  of  the  contredanses. 

1"  Receuil  d'Airs  Figur^e  [sic]  tel  qu'il  se 
joue  aux  Woxhall  de  la  foire  S'  Germain, 
etc.  (2""'  Receuil  de  jMenuet  mel^e  de 
Petit  Airs,  avec  les  Preludes  dans  les  tons 
les  plus  usites,  etc.)  (3'"°  Receuil  de 
Menuet  inel(^e  de  Petit  Airs,  etc.)  (4'"° 
Receuil  de  Menuet  de  M' Lahante . . .  Mis 
au  Jour  par  il'  Landrin,  etc.)  (5"""=  Receuil 
d'Anglaise  arrang^es  avec  leurs  Traits,  etc.) 
5  Nos.  Chez  Landrin  :  Paris, 

[1785  ?  etc.]    8".  e.  57.  (3.) 

Engraved  throughout.  The  folloiving 
coniposers'  names  occur  in  this  collec- 
tion :  Denis,  Lahante,  La  Loycan, 
Dficherc  [Fisher?],  Dauvergne,  Cana- 
va.^e  and  Fauveau. 

LANDSCAPE.  The  Landscape.  [Song.] 
See  How.  How  pleas'd  ^^^thin  my  native 
bowers,  etc.     [1761.]     8".  P.P.  5441. 

[Another  setting.]  The  Landscape. 
[Song,  begins :  '  How  pleas'd  within  my 
native  bow'rs.']     See  Yates  (W.) 

LANEARE  (Nicholas)     See  Lanier. 

LANFRANCO  (Giovan  Maria)  da 
Tercntio.  Scintille  di  Musica  .  .  .  che 
mostrano  a  leggere  il  Canto  Fermo  & 
Figurato,  Gli  accideti  delle  Note  Misurate, 
Le  Proportioni,  I  Tuoni,  II  Contrapunto, 
Et  la  diuisione  del  Monochordo,  Co  la 
accordatura  de  uarii  instrumenti,  etc. 

Per  Lodouico  Britannico  :  Brescia, 
1533.    obi.  4°.  K.  1.  g.  12. 


12 


LANG— LANCtLE 


LANG   (J.   C.)      Three    Sonatas,   for    the 
Piano  Forte  or  Harpsichord,  with  Accom- 
pagniment  for  a  Violin. .  .Opera  3. 
Tlic  Author  :  London,  [1795?]     obi.  fol. 

e.  100.  (2.) 

LANG  (JoHANN  Georg)  Concerto  Pastorale 
per  il  Cembalo,  due  Violini,  Viola  e  Basso, 
Due  Flauti,  due  Corni  ad  libitum. .  .Opera 
V.  [Separate  Parts.]  Prcsso  G.  Andn' : 
Offenbach,  [1780  ?]     fol.         g.  79.  a.  (2.) 

Concerto  per  il  Cembalo,  Due  Violini, 
Due  Flauti  traversi  obligati,  Due  Corni 
ad  libitum,  Viola  e  Basso,  etc.  Longman 
and  Broderij) :  London,  [1785  ?]      fol. 

h.  82.  a. 
The  Cembalo  part  only. 

Two  Excellent  Solos  for  the  Violin,  con 
Violoncello  obligato.  Longman,  Liikcy 

and  Co. :  London,  [1775  ?]     fol. 

g.  422.  h.  (3.) 
[Another  copy.]  g.  420.  b.  (3.) 

Sei  Senate  per  il  Cembalo  Violino  e  Violon- 
cello. .  .Opera  vi.     [Separate  Parts.] 
Presso  G.  Andrd  :  Offenbach,  [1780?]     fol. 

h.  82. 

LANGDON  (Richard)  A  Collection  of 
Songs,  i{-c.     [Op.  2.] 

Printed  for  J.  Jolinson  :  London, 
[1755?]    fol.  G.  805.  a.  (8.) 

[Another  edition.]  A  Second  Collection 
of  Songs,  etc.     [Op.  2.] 

Printed  for  J.  Johnson:  London, 
[1755?]     fol.  G.  424.  d.  (5.) 

This  is  the  same  as  '  A    Collection  of 
Songs,'  with  an  altered  title-page. 

Cupid  and  Chloe.     A  Cantata. 
[J.  Johnson  :  London,  1755?]     fol. 

G.  808.  e.  (18.) 

Printed  from  the  plates  of  pp.  34-43  of 

Langdoii's  '  Ten  Songs  and  a  Cantata.' 

Divine  Harmony ;  being  a  Collection  in 
Score  of  Psalms  and  Anthems,  with  several 
other  Pieces  of  Sacred  Music  composed 
by  the  most  eminent  Masters  . . .  Selected 
and  . . .  revised  by  R.  Langdon,  etc.  [Op. 
5.]  Longman,  Lukey  d  Compy.,  for  the 
Editor  :  London,  1774,    fol. 

H.  879.  a.  (1.) 
The  composers  named  arc  :  Morley, 
Ravenscroft,  Milton,  W.  Harrison, 
Wainwright,  J.  Tomkins,  Croft, 
W.  Cranfield,  Handel,  J.  Bennet, 
E.  Blanks,  J.  Farmer,  R.  Palmer, 
R.  Allison,  M.  Pierson,  M.  Cavendish, 
Coiirteville,  Lowland,  R.  Langdon, 
Farnaby,  Tallis,  Kerby,  Hooper, 
T.  Tomkins,  Carissimi,  M.  Wise, 
W.  Blake,  C.  King,  Aldricli  ancl 
T,  Langdon. 

Twelve  Glees  for  three  and  four  Voices 
...  Op.  VI.  J.  Bland  : 

London,  [Vim'i]     fol.        G.  424.  d.  (4.) 


I   LANGDON  (Richard)     I  told  my  nymph. 
An  admired  Song  of  Mr.  Shenstone's  . . . 
sung  at  Ranelagh  by  Mr.  Hudson. 
R.  Falkener:  London,  [1775?]     s.  sli.  fol. 

H.  1994.  a.  (38.) 

Six  Sonatas  for  the  Harpsichord  . . .  Opera 
Terza.  Printed  for  Cha"  and  Sam' 

Thompson  :  London,  [17C5.]     obi.  fol. 

e.  5.  f.  (6.) 

Ten  Songs  and  a  Cantata,  etc.     [Op.  1.] 

J.  Johnson,  for  the  Author  :  London, 
[1754?]     fol.  G.  805.  e.  (2.) 

Twelve  Songs  and  Two  Cantatas  .  .  . 
Opera  iv.  Messrs.  Tliompson,  for  the 

Author :  London,  \VilQ'>]     fol.       1.376. 

Sweet  are  the  banks  when  Spring  per- 
fumes. A  Glee,  etc.  L[ongman],  L[ukey'\ 
(&  B[roderip  :  London,  1775  ?]     s.  sJt.  fol. 

G.  311.  (138.) 

See  Arne  (T.  A.)  [Lyric  Harmony .  Oj).  4.] 
The  Fond  Appeal.  Quartetto  . . .  Har- 
monized by  R.  Langdon.     [1800?]     fol. 

G.  353.  (22.) 

See  Arne  (T.  A.)    [The  Merchant  of  Venice. 
To  keep  my  gentle  Jessy.]     Quartetto  . . . 
harmonized  by  R.  Langdon,  etc. 
[1800?]     fol.  G.  353'.  (21.) 

See  Arne  (T.  A.)  [Vocal  Melody.  VII. 
The  Agreeable  Musical  Choice.  To  Delia.'] 
Trio  . . .  Harmonized  by  R.  Langdon,  etc. 
[1800?]     fol.  G.  352.  (28.) 

See  also  :  L.,  R. 

LANGI.  Langi  rivolgo.  Venetian  Ballad 
[for  two  voices],  etc. 

[London,  1776.]     s.  sh.  4".        P.P.  5141. 
Lady's  Magazine,  Feb.,  177G. 

LANGLE  (HoNORio  Francois  Marie) 
Corisandre,  ou  les  Foux  par  Enchante- 
ment.  Op6ra  Ballet.  Paroles  de  *  *  *  [de 
Linieres  and  A.  F.  Lebailly.  Full  Score]. 
CMs  Le  Due  :  Paris,  [1791.]     fol. 

G.  143. 

Trait6  d'Harmonie  et  de  Modulation. 
Chez  Boyer :  Paris,  [1798.]     fol. 

G.  835.  a. 

Traits  de  la  Basse  sous  le  Chant,  precede 
de  toutes  les  Regies  de  la'Composition,  dc. 
Chez  Nadcrman  :  Paris,  [1798.]     fol. 

H.  2186. 

Triomphe !  de  nos  droits  c616brons  la 
conquete.  Hymne  cl  la  Libert(',  par  T, 
Desorgues. 

Du  Magazin  de  Musique  a  Vusagc  dcs 
fetes  Nationals  :  Paris,  [1795.]     8°. 

E.  1717.  b.  (17.) 

See  Agus   (H.)      Solfe'ges   pour   servir  a 
I'etude  dans  le  Conservatoire  de  Musique 
a  Paris  par  . . .  Agus  . . .  Langle,  etc. 
[1795?]     fol.  H.  2851. 


LANGO— LANZA 


13 


Quinta 

Pataviae, 
C.  261. 


LANGO   LEE.      Lango  Lee.     Song. 
See  There.     There  lives  a  sweet  lovely 
dear  Girl,  etc.     [1775?]     s.  sh.  fol. 

G.  316.  j.  (12.) 
Lango  Lee.     Soug.     Sec  You.     You  Lads 
of  Hybernia  that's  fond  of  true  pleasure. 
[1775?]     s.sh.iol.  G.  314.  (108.) 

New  words  to  Lango  Lee.  [Song.] 
Sec  I.  I'm  an  Irish  young  Fellow. 
[1777  ?]    s.  s/(..  fol.        H.  1601.  a.  (83.) 

LANGREDER  (Martin)  Canticum 
Gloriosse  Deiparse  Virginis  ]\Iarise,  Sex 
Vocibus,  super  varia — ut  vocant — Madri- 
galia,  non  ita  pridem  artificiosissime 
modulatum,  a  R.  F.  Martino  Langreder 
.  .  .  lam  vero  post  immaturum  illius 
obitum  typis  evulgatum,  opera  &  studio 
R.  D.  Michaelis  Hererii,  etc. 
(Sexta)  Vox.     2  pts. 

Matthssus  Ncnningcr : 
1602.     4". 

Honora  Medicum  [Motet  for  5  voices.]  . . . 
Nobili  . .  .  Viro  loanni  Hiltprando  . . . 
dedicatum.     [5  Parts.]  Matthxus 

Nenninger:  Patavix,  1602.     4°.     B.  293. 

LANGUAGE.       The    Language    of    the 
Eyes.     ;Song.]     See  Words.     Words  but 
faintlv  can  impart,  etc. 
[1770'?]     s.  sh.  fol.  G.  313.  (245.) 

LANGUEUR.  Une  langueur  extreme 
occupe  tons  mes  sens.  Air  par  Algcbrc. 
[For  three  voices. ^ 

IParis,  1679.]     s.  sh.  obi.  i\     P.P.  4482. 
Nouveau   Mcrcurc    Galant,   Feb.,   1679, 
p.  196. 
LANGUISHING.    The  Languishing 
Lady.     [Ballad.]      Sec  Welcome.      Wel- 
come Death,  etc.     [1695?]     s.  sh.  fol. 

Case  39.  k.  6.  (52.) 
The  Languishing  Shepherd.     [Ballad.] 
See    When.      When    my   kids    and    my 
lambs,  etc.     [1695?]     s.  sh.  fol. 

Case  39.  k.  6.  (5.) 

The  Languishing  Swain.     Song. 

See  Happy.     Happy's  the  ]\Ian  that's  free 

from  love,  etc.     ri090?]     s.  sli.  fol. 

Case  39.  k.  6.  (62.) 

LANIER  (Nicholas)  See  Playfobd  (J.) 
Select  Ayres  and  Dialogues  . . .  Composed 
by  ...  N.  Laneare  . .  .  and  other  Masters 
of  Musick.     1659.     fol.  G.  82.  (1.) 

See  Playford  (.J.)  Select  IMusicall  Ayres 
and  Dialogues  ...  by  ...  Mr.  Nicholas 
Lanneare,  etc.     1653.     fol.  F.  51.  a. 

LANJON  (Pierre)     See  L*  *  *  *,  M. 

LANLA.     Les  Lanla.     [Song.] 
Sec  Fournier  (    ). 

LANNEARE  (Nicholas)     Sec  Lanier. 

LANSEL   (    )     See  Blin   de   la   Godre 
(M.  S.)     Si  I'Amour  est  peint  volage  .  .  . 
Accompagnement  de  M.  Lansel,  etc. 
[1785?]     8\  B.  362.  g.  (1.) 


LANTERNE  VERIDIGUE.  Onblasme 
a  tort  notre  fai^'on.     Vaudeville,  etc. 
[Paris,]  1732.     s.  sh.  i".  298.  a.  25. 

Mercnre  dc  France,  Sept.,  1732. 

LANVAL  ET  VIVIANE.  Souvent 
plus  d'une  enchanteresse.  Vaudeville  de 
Lanval  et  Viviane  [words  by  A.  de  Mur- 
viUe,  music  by  S.  Champein].  Avec 
Accompagnement  de  Guittare  par  ]M. 
Chaudet,  f/c.  Chez  Imbault :  Paris, 

[1788.]    8".  B.  362.  c.  (66*.) 

Souvent  une  erreur  passagere.  Romance 
de  Lanval  et  Vivians  [words  by  A.  de 
Murville,  music  by  S.  Champein].  Avec 
Accompagnement  de  Guittare  par  ]\I. 
Chaudet,  etc.  Chez  Imbault :  Paris, 

[1788.]     8".  B.  362.  c.  (66.) 

LANZA  (Francesco  Giuseppe)  Twelve 
Italian  Ariettes,  for  a  Single  Voice,  with 
an  Accompaniment  for  the  Harp  or  Piano 
Forte...  Op.  1. 

B.  BircJtall,  for  the  Author  :  London, 
[1794.]     obi.  fol.  E.  532.  b.  (1.) 

Twelve  Italian  Ariettes,  for  a  Single  Voice 
with  an  Accompaniment  for  the  Harp  or 
Piano  Forte. .  .Op.  iv. 

B.  Birchall,  for  the  Author :  London, 
[1794.]    obi.  fol.  E.  270.  (17.) 

Ten  Italian  Ariettes,  for  a  Single  Voice, 
and  a  Favorite  Duet.  With  an  Accom- 
paniment for  the  Harp  or  Piano  Forte . . . 
Op.  X.  B.  Birchall,  for  the  Author: 

London,  [1800?]     obi.  iol  E.  532. 

Six  Canzonettas,  two  Duetts  &  one  Trio, 
for  the  Voice,  with  an  Accompaniment  for 
the  Harp  or  Piano  Forte. .  .Op.  6. 

B.  Birchall,  for  the  Author  :  Londun, 
[1794.]     obi.  fol.  E.  532.  b.  (2.) 

Six  Canzonettas,  two  Duetts  &  one  Trio 
for  the  Voice  with  an  Accompaniment 
for  the  Harp  or  Piano  Forte. .  .Op.  7. 

B.  Birchall,  for  the  Author  :  London, 
[1796.]     obi.  fol.  E.  532.  b.  (3.) 

Six  Canzonettas,  two  Duetts  &  one  Trio, 
for  the  Voice  with  an  Accompaniment  for 
the  Harp  or  Piano  Forte . . .  Op.  8. 

B.  Birchall,  for  the  Author  :  London, 
[1796.]    obi.  fol.  E.  532.  b.  (4.) 

Six  Italian  Duetts  for  Two  Voices  with 
an  Accompaniment  for  the  Piano  Forte .  . . 
Op.  5.  B.  Birchall,  for  the  Author  : 

London,  [1794.]     obi.  fol.      E.  270.  (18.) 

Eight  Italian  Duets  and  a  Favorite  Trio, 
with  an  Accompaniment  for  the  Harp  or 
Piano  Forte. .  .Op.  xi. 

B.  Birchall,  for  the  Author:  London, 
[1800?]     obi.  iol.  E.  532.  a. 

The  Celebrated  Stabat  I\Iater,  for  two 
Soprano  Voices.  Op.  12.  [Full  Score, 
with  P.  F.  accompaniment.] 

B.  Birchall,  for  the  Author :  London, 
[1800?]     fol.  G.  908. 


14 


LANZA— LARK 


LANZA  (Gesualdo)  Blow  gentle  Winds. 
A  Canzonet. .  .The  Words  by  Kannie. 

Friiitt'd  for  G.  Walker:  London, 
[1800?]     fol.  G.  808.  b.  (27.) 

The  Cinder  King.  A  favorite  Glee  for 
Two  Sopranos  &  a  Bass. 

R.  Birchall,  for  the  AutJior  :  London, 
[1800  ?]     obi.  fol.  D.  402.  (20.) 

Lovely  Susan.     A  Canzonet,  etc. 

Printed  for  G.  Walker:  London, 
[1800?]    fol.  G.  808.  b.  (28.) 

LANZETTI  (Salvatoee)  Six  Solos  after 
an  Easy  &  Elegant  Taste  for  the  Violon- 
cello with  a  Thorough  Bass,  for  the  Harpsi- 
chord. Printed  for  C.  Heron  :  [London, 
1760?]     fol.  g.  514,  b.  (3.) 

Six  Solos  for  two  Violoncellos  or  a  German 
Flute  and  a  Bass . . .  Opera  Seconda. 

Printed  for  I.  WalsJt :  London, 
[1740.]     fol.  g.  270.  1.  (6.) 

[Another  copy.]  g.  500.  (2.) 

[Another  edition.]  VI.  Solos  for  two 
Violoncello's  with  a  Thorough  Bass  for 
the  Harpsichord.  [Op.  2.  Nos.  6,  3,  1,  2, 
4  and  5.]  Printed  for  J.  Johnson  : 

LondoH,  [1745?]     fol.  g.  510.  (3.) 

LAPIS  (Santo)  Miss  Mayer.  A  new 
Cxuittar  Book  in  4  Parts,  viz.  Italian, 
French,  English  Airs,  and  Duets  for  the 
Voice  accompanied  with  the  Guittar  and 
a  Thorough  Bass  for  the  Harpsicord . . . 
Opera  xvi.  Mr.  Liessem,  for  the  Author : 
London,  1759.     fol.  G.  809.  c.  (16.) 

Engraved  by  W.  Smitli. 
X.  Solos    for    the    Violoncello    with     a 
Thorough  Bass. .  .Opera  xv.         [Londo)i, 
1760?]     fol.  g.  801. 

The  title-page  is  mounted. 
La  Stravaganza  per  il  Cembalo.     Of  voor- 
stelling  van  verandering  van  sleutels  voor 
het  Clavier,  etc.  [Amsterdam, 

1765  ?]    obi.  fol.  e.  5.  i.  (5.) 

LAPLAND.  The  Lapland  Swain,  who 
half  the  year.  Tlie  Lapland  Swain. 
[Song.]  Composed  by  a  young  Lady  seven 
years  old. .  .The  Words  by  a  Lady. 

Broderip  and  Wilkinson:  London, 
[1799?]     fol.  G.  356.  (35.) 

LAPLANDER.     The  Laplander's  Song. 
See  Relfe  (J.) 

LAPORTE  (  )  See  Ahlequin-Sentik- 
ELLE.  Arlequin  -  Sentinelle,  Comedie- 
Parade,  etc.  [With  the  Music  of  a  Vaude- 
ville by  —  Laporte.]     [1798.]     8". 

11738.  e.  1.  (2.) 

LAPPI  (PiETRo)  Hymni  per  tutto  I'Anno 
a  Quattro  Voci  con  il  Basso  per  1'  Organo 
.  .  .  Nouamente  stampati,  etc.  Alto. 
(Tenore.)  (Basso  Continuo.)  3  pts. 
Appresso  Bartolomco  Magni.  Stampu  del 
Gardano :  Venetia,  1628.    4\    C.  265.  b. 


LAPPI  (PiETRo)    Petri  Lappi . . .  ]\Iissarum 

Octonis    [Vocibus]    Liber    Pr[imus]    etc. 

Ten[or  Secundi  Chori].    [Angelo  Gardano  ? 

Venice,  1601  ?]     4°.  C.  265.  a. 

The  title-page  and  page  1  are  mutilated. 

Sacrge  IMelodiaj  Una,  Duabus,  Tribus, 
Quatuor,  Quinque  et  Sex  Vocibus.  Una 
cum  Symphoniis  &  Basso  ad  Organum. 
Tenor.  (Bassus.)  (Bassus  ad  Organum.) 
3  pts.  Ex  Officina  Petri  PhalesiJ  : 

Antucrpiai,  1622.     4".  C.  265. 

Basso  Principale  per  1'  Organo  della  Terza, 
et  Litanie  si  della  B.  Vergine  come  de 
Santi,  Et  Hinno  Te  Deum,  a  otto  voci,  etc. 
Appresso  Alessandro  Eaverii  :  Venetia, 
1607.     fol,  G.  20, 

LAKD,  Lard  how  men  can  Claret  drink. 
A  Dialogue  between  a  Good  Fellow  and  a 
Beau,  to  the  Tune  of  the  old  Cibell 
[attributed  to  J.  B.  Lulli].  The  words  by 
Mr.  Estcourt.     [London,  1707  ?]    s.  sh.  fol. 

G.  305.  (208.) 

[Another  copy.]  G.  310,  (3,) 

[Another  edition.]  Lard  how  men  can 
Claret  drink,  etc.  [London, 

1720  ?]    s.  sh.  fol.  H,  1601.  (268,) 

LARDEAU  (    )     Lorsquc  de  Jupiter  les 
foudroyantes  armes,     Et'cit  de  Basse,  etc. 
[Paris,]  1730.     s.  sh.  i".  298.  a.  14. 

Mcrcure  de  France,  Dec,  1730. 

LARDENOIS  (Antoine)  Paraphrase  des 
Pseaumes  de  Dauid,  en  vers  fran(;ois.  Par 
A.  Godeau  .  .  .  Nouuellement  mis  en 
musique. .  .par  A.  Lardenois.  hnprime 
aux  despens  de  I'Autheur.     1655.     12". 

843.  f.  5, 

Les  Pseaumes  de  Dauid,  mis  en  rime 
Francj'oise,  par  C.  Marot,  et  T.  de  Beze. 
Reduits  nouuellement  a  vne  brieue  & 
facile  methode  pour  apprendre  le  chant 
ordinaire  de  I'Eglise,  par  A.  Lardenois. 
A.  Cellier  :  Charenton,  1659.     12^ 

C,  46.  a.  6.  (2.) 

LA  RICHERIE  (  ke)  Sommeil,  viens 
sur  mes  sens.     Duo,  etc.  [Paris,] 

1746.     s.  sh.  4°.  297.  c.  8. 

Mercure  de  France,  Se2)t.,  1746. 

LARK.     The  Lark's  shril  Notes.     [Song.] 
Sung  by  Mrs.  Vincent  at  Vaux-hall. 
[London,  1765  ?]     fol.      H.  1994.  a.  (2.) 

[Another  edition.]  The  Lark's  shrill 
Notes.  [Song.]  Sung  by  Mrs.  Vincent, 
etc.     [London, mo?]     fol.     G.  297.  (9.) 

The  Lark  was  up,  the  J\Iorn  was  grey. 
TJie  Camp  medley.  [Song.]  Longman 
and  Broderip  :  London,  [1780  2]     fol. 

G.  312.  (211.) 


LARKEN— LASHED 


15 


LARKEN  (  )  As  Cloe  came  into  the 
room  t'other  day.  A  Song  from  Prior, 
etc.  [London,  1748.]  8^  249.  c.  18. 
Gentleman's  Magazine,  Vol.  XVIII., 
21.  181. 
The  Incredulous  Maid.  [Song.]  [London, 
1730?]     s.sh.iol.  G.  305.  (119.) 

Mutual  Love,  c^c.     [Song.]  [London, 

1748.]     8".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  II.,  p.  38. 

Stella  and  Flavia  united.     [Song.] 
[London,  1750  ?  I     s.  sli.  fol. 

G.  316.  f.  (10.) 

To  a   young   Lady  richly  drest.     [Song.] 
. .  .Witliin  Compass  of  the  German  Flute. 
[London,  11  iOT]     s.sh.iol. 
^  G.  316.  a.  (33.) 

LA    ROSE-FONBRUNNE     (G.     de) 

Sappho  au  Promontoire  de  Lucate. — 
Sappho's  Complaint  on  the  Kock  of 
Lucate.  Romance.  Sec  Pleyel,  Coep.i 
&  DussEK.  Pleyel,  Corri  and  Dussek's 
MusicalJournal,  f^c.  [Vocal  Part.]  No.  1. 
1797.     fol.  G.  356.  (12.) 

LAROUSSELLE   (      de)     Ah!   que  j'ai 

de    regret.       CJkdisou,    pour    une    Basse 

taille,  etc.  lUcognilliec  :   [Paris,] 

1770.    s.  sh.  8".  297.  e.  30. 

Mercure  de  France,  Feb.,  1770. 

L'ARPA  (Ctiovanni  Leonardo  Di)    Cauzon   , 
Napolitaue  a  Tre  Voci,  Libro  Second©  Di 
L'arpa.      Cesaro  Todiuo,  loan  Dominico 
da  Nola.     Et  di  altri  Musici,  etc.     Basso. 

Apprcsso  Girolanio  Scotto  :   Yinvgia,    . 
1.5G6.     8".  A.  247.    1 

The  composers  )ianiecl  in  this  collection 
are:  Lando,  Di  Nolla,  Ferrcllo,  Todino, 
Don  Fiolo,  Zelanno,  lioiccerundct,  Le 
lioij,  De  Nola,  loan  Dominico  Fior  and 
Mattec.  The  dedication  is  signed 
'  Nicola  Eoicccraiidet  Borgognonc' 

See  Pkimavera  (G.  L.)  II  Primo  Libro 
de  Canzone.  .  .Con  Alcune  Napolitane  di  I. 
L.  di  L'arpa,  etc.     156G.     8".  A.  194. 

LARRY   GROGAN.     Larry  Grogau,  or 
the  London  Rake's  Delight.     [Song.] 
See  Come.     Come  Boys  let's  be  jollv,  etc. 
[1750?]     s.sh.iol.  1.530.(31.) 

LA  RUE  (PiERBE  de)  Misse  Petri  de  la 
Rue.  Beate  virginis.  Puer  natus.  Sexti. 
Ut  fa.  Lomme  arme.  Nuqua  fue  pena 
niaior.  S[uperius:,.  (A.)  (T.)  (B.)  4  pts. 
Per  Octauianum  Petrutiu ,-> ;  Venctijs, 
1503.     obi.  i".  K.  1.  d.  1. 

See  Fevin  (A.  de)     Misse . . .  Quart!  toni. 
Pier  zon  [i.e.  P.  delaRue].     1515.     obi. -i". 

K.  1.  d.  12. 
See  Masses.  Missarum  diuerso"^  auctoruS 
Liber  primus . . .  De  sancto  Antonio  Piero 
de  la  rue.    1508.    obi.  4".         K.  1.  d.  8. 


LARUETTE  (.JEA^- Louis)  Le  Boulevard. 
Opera-Comique  Ballet,  etc.  [Words  by 
Anseaume,  music  by  Laruette.]  1753.  8". 
See  Boulevard.  11738.  b.  15.  (6.) 

Cendrillon,  Opera-Comiquc  de  M'  An- 
seaume ;  .  .  .  avec  la  jNIusique  [by  J.  L. 
Laruettej.  1759.  8°.  See -Cendrillon. 
11738.  b.  13.  (4.) 
De  quel  bruit  efirayant  retentisseut  ces 
airs.  Eecit  de  Basse  Taille  Nouveau. 
[Paris,]  1755.     s.  sh.  8°.  298.  c.  26. 

Mercure  de  France,  Nov.,  1755. 
La  Fausse  Aventuriere.Opera-Comiquecn 
deux  Actes  .  .  .  Avec  la  ]\Iusique  [by  J. 
L.    Laruette].      1757.     8°.      See    Fausse 
AVENTURIERE.  11738.  b.  13.   (1.) 

Le  Guy  de  Chesne,  ou  La  Feste  des 
Druides.  Comedie  en  un  acte. .  .meslee 
d'Ariettes,  avec  un  Divertissement ;  par 
M.  de  Junquieres  le  fils,  etc.  Chez 

Duchesne  :  Paris,  1763.     8^      86.  b.  15. 
Part  of  the  'Supplement  aux  Parodies  du 
ThMtre  Italicn,'  etc.     torn.  2. 

Le  Guy  de  Chesne.  Comedie  en  un  Acte, 
etc.  rWords  by  J.  de  Junquieres.  Full 
Score^and  Parts.]  Chez  M'-  De  la 

Chevardiere  :  Paris,  [1763.]    fol.     H.  452. 
Engraved  by  P.  L.  Charpcnticr. 

L'Heureux  D^guisement,  ou  la  Gouver- 
nante  Supposee.  Opera-Comique  en  deux 
actes,  melee  d'Ariettes,  [written]  Par  M. 
de  MarcouviUe,  etc.  (Recueil  des  Ariettes 
de  I'Heureux  Deguisement,  etc.)  2  pts. 
1758.  See  Theatre.  Nouveau  Theatre 
de  la  Foire,  etc.     Tom.  4.     17G3.     8". 

11735.  d.  2. 


Opera-Comiquc 
M.  Anseaume. .  . 


Le  Medecin  de  1' Amour. 

en  un  Acte,  [words]  par 

avec  les  petits  Airs,  etc. 

Chez  N.  B.  Duchesne  :  Paris,  1758.     8". 

11738.  b.  13.  (3.) 
L'Yvrogne    Corrige,    Opera-Comique    en 
deux  Actes  ;  [Words]  par  Mrs.  Anseaume 
****;..  .avec  les  petits  Airs. 
Chez  Duchesne  :  Paris,  1759.     8". 

11738.  b.  13.  (5.) 

See  Docteur  Sangrauo.  Le  Docteur 
Sangrado.  Opera-Comique  .  .  .  avec  la 
Musique  [by  E.  R.  Duni  and  J.  L, 
Laruette].     1758.     8". 

11738.  b.  13.  (2.) 

LAS  ALL  E    D'OFFEMONT    (      de) 

Marquis.  Bertholdc  a,  la  Ville.  [For 
editions  of  this  opera  published  anony- 
mously:] See  Bertholde  a  la  Ville. 

LA   SERRE   (    de)     Le   Temps   Pugitif. 
Air.     'Paris,]  1732.     s.  sh.  4°. 

298.  a.  26. 
Mercure  de  France,  Nov.,  1732. 

LASHED.     Lash'd   to  the   Helm.     Song. 
See  Hook  (J.) 


16 


LAS  INFANTAS— LASSO 


LAS  INFANTAS  (Fernando  de) 
Sacrarum  Varii  Styli  Cantioiium  Tituli 
Spiritus  Saucti  Liber  ii.  cum  Quiuque 
Vocibus.  (Tenor.)  (Quintus.)  2  pts. 
Aptid  lueredcm  Hieronymi  Scoti :  Vcnctijs, 
1578.    4".  C.  47. 

LASS.     The  Lass  at  the  Brow  of  y«  Hill. 
rSong.]     Sec  At.     At  the  Brow  of  a  Hill, 
etc.    [1735?]    s.  s7i.  fol.      H.  1994.  b.  6. 
The  Lass  of  Broomhall  Green.     [Song.] 
Sec  Fkoude  (      ) 

The  Lass  of  Humber  Side.     Ballad. 
See  Blewitt  (J.) 

The  Lass  of  Kensworth  Dale.     Ballad. 
See  Moulds  (J.) 

The  Lass  of  Pattie's  ]\Iill.     [Song,  from 
A.  Ramsay's  '  Gentle  Shepherd.'] 
Cross  :  {London,  1725  ?]     s.  sh.  fol. 

H.  1601.  (471.) 

[Another  edition.]      The  Lass  of  Patie's 

Mill.   [Song.]   [London,  1730 ?]    s.sh.lol. 

^  G.  312.  (55.) 

[Another  edition.]  The  Lass  of  Patie's 
Mill,  cfc.     [London,  1735?]     s.  s7/.  fol. 

G.  316.  f.  (37.) 

[Another  edition.]  The  Lass  of  Peatie's 
Mill.  [Song.]  For  Two  Voices.  [London, 
1765?]  s.sh.iol.  H.  1994.  a.  (223.) 
The  Lass  of  Peatie's  INIill  with  Variations 
for  the  Harpsichord  or  Piano  Forte  also 
for  the  German  Flute  or  Violin.  Printed 
for  Straight  and  Skillcrn  :  London, 
[1780?]     fol.  g.  271.  a.  (47.) 

The  Lass  of  Peatie's  ]\Iill,  with  Variations. 
Wantinrj  the  title-page.  [1801.] 
See  Periodical  Publications. — London. 
The  Piano  Forte  Magazine.  Vol.  XIII. 
[No.  6a.]     [1797-1802.]     8".  D.  854. 

The  Lass  of  Richmond  Hill.     Ballad. 
Sec  Hook  (J.) 

The  Lass  of  St.  Osyth.     [Song.] 
Sec  Howard  (S.) 
The  Lass  of  the  Brook.     Song. 


See  On.     On  a  Brook's 

[1750  ?]     s.  sh.  fol. 

The  Lass  of  the  Brook. 

See  On.     On  a  Brook's 

[1755.]     8". 

The  Lass  of  the  Brook. 

See  On.     On  a  Brook's 

[1755.]     8". 

The  Lass  of  the  Brook. 

See  On.     On  a  Brook's 

[1756.]     s.  sk.  8". 

The  Lass  of  the  Hatch.     ^ 

See  Let.     Let  Poets  of  learning. 

[1785?]    fol.  G.  310.  (48.) 

The  Lass  of  the  Hill.     See  At.     At  the 

Brow  of  a  Hill,  etc.     [1740  ?]     s.  sh.  fol. 

H.  1994.  b.  (7.) 


glassy  brink,  etc. 
G.  316.  (106.) 
Song. 

grassy  Brink,  etc. 
157.  1.  17. 

Song. 

grassv  Brink,  etc. 
P.P.  5438.  z. 

[Song.] 

grassy  brink,  etc. 
P.P.  5439.  ab. 

[Song.] 


[Song,  begins: 


LASS.  [Another  setting.]  The  Lass  of 
the  Hill.  [Song,  begins :  "  At  the  brow 
of  a  hill."]  See  Howard  (S.) 
The  Lass  of  the  ]\Iill.  [Song,  begins: 
"  Who  has  e'er  been  at  Baldock."] 
See  Festing  (M.  C.) 
The  Lass  of  the  Mill. 
"  Dan  Gay  first  in  vogue."] 
See  Howard  (S.) 
A  Lass  that  was  loaden  with  care.  A 
Scotch  Song.     \ London,  1740?]     s.  sh.  fol. 

G.  306.  (49.) 
[Another  edition.]  A  Lass  that  was  loaden 
with  Care,  etc.       Printed  for  J.  Simpson  : 

[London,  1745?]     s.  sh.  fol. 

H.  1994.  b.  (48.) 
A  Lass  there  lives  upon  the  Green.     Song. 

Sec  CouRTiviLLE  (R.)     [Oroonoko.} 

A  Lass  there  lives  upon  the  green.     [Song.] 

See  Lampe  (J.  F.)     [Oroonoko.'] 

The  Lass  with  the  delicate  Air.     [Song.] 

Sec  Arne  (M.) 

[Another   setting.]      The   Lass  with   the 

delicate     Air.       [Song.]        Sec     Young. 

Young  INIoUy  who  lives  at  the  Foot  of  the 

Hill.     [1760?]     s.sh.iol. 

G.  316.  f.  (134.) 

The  Lass  with  the  Velvet.     [Song.] 
See  There.     There  was  a  Buxom  Lass. 
[1710?]     s.  sh.  fol.  G.  305.  (26.) 

LASSER  (JoHANN  Baptist)     VoUstiindige 
Anleitung  zur  Siugkunst,  sowohl  fiir  den 
Sopran,  als  auch  fiir  den  Alt,  etc. 
Beym  Yerfasser  :  Miinchen,  1198.     ohl.  ^\ 

C.  365. 

LASSES.  The  Lasses  with  obliging  care. 
TJtc  WJiite  Cockade.  A  favorite  Air  to 
which  is  added  two  fashionable  Dances 
adapted  for  the  Harpsichord,  Violin,  Ger: 
Flute  and  Guitar.  T.  Skillcrn  :  London, 
[1790?]     fol.  G.  808.  c.  (22.) 

LASSO.  Lasso  ch'  io  t'  ho  perduta.  [Song.] 
See  Vespasiano. 

LASSO  (Ferdinando  di)     Magnificat. 
See  Lasso  (0.  di) — 5.  /. — Liber  Primus. 
Cantioucs     Sacrse      Magnificat   .   .  .   His 
accesserunt  quatuor  ab . . .  Ferdinando  de 
Lasso  compositee,  etc.     1602.     fol. 

K.  2.  i.  14. 

See  Lasso  (0.  di) — 6. — Tertium  opus 
Musicum,  continens  Lcctiones  Hiob  et 
Motetas  seu  Gantiones  Saras. .  .AdditcC 
sunt. .  .aliquot  pise  Ferdinand i  Lassi  can- 
tilemo,  etc.     1588.     obi.  i".       A.  331.  b. 

LASSO  (Ferdinando  di)  and  (Rodolfo  di) 
See  Lasso  (0.  di) — 5.  c. — Magnum  Opus 
Musicum  Orlandi  de  Lasso ...  A  Ferdi- 
nando. .  .&  Rudolpho.  .  .Authoris  filijs. . . 
collectum,  &  impensis  eorundem  Typis 
mandatum,  etc.     1604.     fol.  G.  121. 


LASSO 


17 


LASSO  (Oblando  di) 

Akrangement. 

1.  Chansons,     ilelanges    and    Tresor    de 

IMusique, 

2.  Madrigals  and  Villanelles. 

3.  INIagnificats. 

4.  Masses. 

a.  Collections. 

b.  Single  Works. 

5.  Motets,  under  various  titles. 

a.  Jeremia3  Lamentationes. 

b.  Lectiones  (Quiritationes)  Sacrse. 

c.  Magnum  Opus  Musicum. 

d.  Moduli. 

e.  Motets. 

f.  Sacrse  Cantioues. 
i.  Books  1-8. 

ii.  Other  Editions. 

g.  Selectissimse  Cantiones. 

6.  Opus  Musicum. 

7.  Patrocinium  IMusices. 

8.  Psalms. 

9.  Teutsche  Lieder. 

TJte   titles  under  each  sub-division  are 
arranged  in  chronological  (yrdcr. 

1.  Chansons,    Mklanges  and   Tbesor  de 

MUSIQUE. 

Tiers  Livre  des  Chansons  a  quatre  cincq 
et  six  parties. .  .de  nouveau  plus  correcte- 
ment  que  cy  dcuant  imprimees  &  emendees, 
conuenables  tant  aux  instrumens  comme 
a  la  voix.     Superius.  Pierre  Phalese  : 

Lovain,  15G2.     obi.  4".  A.  337.  a. 

Mellauge  d'Orlande  de  Lassus,  contenant 
plusieurs  Chansons,  tant  en  Vers  Latins 
qu'en  Ryme  Francoyse.  A  Quatre,  Cinq, 
Six,  Huit,  Dix  Parties.  Superius.  (Contra.) 
(Tenor.)  (Bassus.)  (Quiuta  et  Sexta 
Pars.)     5  pts.  Adrian  le  Hoy  it  Robert 

Ballard  :  Paris,  1570.     obi.  4". 

A.  337.  d.  (1.) 

[Another  copy.    Bassus.]     A.  336.  b.  (7.) 

Wanting  the  title-page,  which  has  been 
supplied  in  manuscript . 

Liure  de  Chansons  Nouuelles  a  Cine 
Parties,  auec  Deux  Dialogues :  a  Huict, 
etc.  Superius.  (Contra.)  (Tenor.)  (Bassus.) 
(Quinta  Pars.)  5  pts.  Adrian  le  Roy  d 
Robert  Ballard :  Paris,  1511.     obi.  A". 

A.  337.  d.  (2.) 
[Another  copy.    Bassus.]     A.  336.  b.  (8.) 
7^'      Imperfect,  wanting  the  title-page. 

]\Iellange  d'Orlande  de  Lassus.  Contenant 
plusieurs  chansons,  a  Quatre  parties. 
Desquelles  la  lettre  profane  a  este  changee 
en  spirituelle.  Contratenor.  P.  Haultin  : 
La  Rochellc,  1575.  obi.  i".  A.  337.  e. 
Les  oSIeslanges  d'Orlande  de  Lassus.  Con- 
tenantz  plusieurs  Chansons  a  iiii,  v,  vi, 
VIII,  X,  Parties :  reueuz  par  luy,  et 
augmentez.  Superius.  (Contra.)  (Tenor.) 
(Bassus.)  4  pts.  Adrian  le  Roy,  it  Robert 
Ballard  :  Paris,  157G.  obi.  4".  A.  337.  f. 
VOL.  II. 


LASSO  (Orlando  di)  Chansons  Nouuelles 
a  Cine  Parties,  auec  Deux  Dialogues :  a 
Huict,  etc.  Superius.  (Contratenor.) 
(Tenor.)  (Bassus.)  4  pts.  Adrian  le  Roy, 
(£■  Robert  Ballard :  Paris,  1576.     obi.  4". 

A.  337.  f.  (2.) 
Thresor  de  ]\Iusique  d'Orlande  de  Lassus, 
contenant  ses  Chansons  a  quatre,  cinq  & 
six  parties.  Superius.  [Pierre  de  Saint- 
Andrd  :  Paris,]  1576.     obi.  4". 

A.  337.  h. 

Liure  de  Chansons  a  Cine  Parties  :  auec 
Deux  Dialogues  :  a  Huit.     Superius. 
Adrian  le  Roy,  d  Robert  Ballard  :  Paris, 
1581.     obi.  4".  A.  337.  i. 

Meslanges  de   la   IMusique   d'Orlande    de 

Lassus.    A  4.  5. 6.  &  10  parties.     Superius. 

Adrian  le  Roy  cO  Robert  Ballard :  Paris, 

1586.    obi.  4°.  A.  337.  j. 

La  Fleur  dcs  Chansons  d'Orlande  de 
Lassus . . .  Contenant  vn  Eecueil  de  ses 
Chansons  Francoises,  &  Italiennes,  a 
Quatre,  Cine,  Six  &  Huit  parties,  accom- 
modees  tant  aux  Instrumens  comme  a  la 
Voix  :  Toutes  niises  en  ordrc  conucnable 
selon  leurs  Tons.  Superius.  (Contratenor.) 
(Quinta  et  sexta  pars.)  3  pts. 
Chez  Pierre  Phalese,  cC  chcz  Jean  Bellere  : 
Anuers,  1592.    obi.  4".  A.  337.  b. 

Le  Thresor  do  Musique  d'Orlande  de 
Lassus. .  .Contenant  ses  chansons  Fran- 
coises, Italiennes,  &  Latines,  a  quatre, 
cinq  &  six  parties :  Keueu  &  corrige . . . 
en  ceste  troisicme  Edition.  Contra  Tenor. 
[Pierre  de  Saint-Andri  :  Paris,] 
1594.    obi.  4°.  A.  337.  g. 

La  Fleur  des  Chansons  d'Orlande  de 
Lassus  a  Quatre,  Cinq,  Six  et  Huit 
Parties,  etc.     Superius. 

De  V Imprimcric  de  Pierre  Phalese  : 
Anuers,  1596.     obi.  i".  A.  337.  c. 

Imperfect,  wanting  pp.  45-49. 

Continuation  du  Melange  d'Orlande  do 
Lassus.  A  3.  4.  5.  6  &  10  parties.  Su- 
perius. Adrian  le  Roy,  tO  la  veufuc 
R.  Ballard,  1596.     ohl.  4".        A.  337.  k. 

See  Chansons. — 2. — Disieme  Liure  de 
Chansons  a  quatre  parties,  d'Orlande  de 
lassus  &  autres,  etc.     1570.     obi.  16". 

K.  2.  b.  4.  (9.) 
See  Chansons. — 2. — Dousieme  Liure  de 
Chansons  a  quatre  &  cinq  parties, 
d'orlande  de  lassus  &  autres  autheurs,  etc. 
1569.     obi.  16".  K.  2.  b.  4.  (11.) 

See  Chansons. — 2. — Tresieme  Liure  do 
Chansons  a  quatre  parties,  d'Orlande  de 
lassus  &  autres,  etc.     1570.     obi.  16". 

K.  2.  b.  4.  (12.) 
See    Chansons. — 2. — Quatorsieme    Liure 
de   Chansons,    a   quatre,  &  cinq   parties, 
d'Orlande  de  lassus,  &  autres,  etc. 
1571.     obi.  16".  K.  2.  b.  4.  (13.) 

C 


18 


LASSO 


LASSO  (Orlando  di)  Sec  Chansoks.— 2.— 
Quiuziemc  Liure  de  Chansons,  a  quatrc, 
cinq,  &  six  parties,  d'Oiiandc  de  lassus, 
&  autres,  etc.     1571.     obi.  16". 

K.  2.  b.  4.  (14.) 
See    Chansons.— 2.— Sesieme     Livie    clo 
Chansons     a     quatre     &     cinq     parties 
d'Orlande  de  Lassus,  &  autres,  etc. 
1573.     obi.  16^  K.  2.  b.  4.  (15.) 

See  Chansons. — 2.— Dixsetieme  Liure  de 
Chansons  a  quatre  &  cinq  parties, 
d'Orlande  de  lassus,  etc.     1570.     obi.  16°. 

K.  2.  b.  4.  (16.) 

iSee  Chansons. — 2. — Dixhuictieme  Liure 
de  Chansons  a  quatre  &  cinq  parties, 
d'Orlande  de  lassus,  etc.     1570.     obi.  16^ 

K.  2.  b.  4.  (17.) 

See  Chansons.— 2.— Dix  ueufieme   Liure 
de    Chansons   a   quatre    &    cinq   parties, 
d'Orlande  de  lassus,  &  autres,  etc. 
1570.     obi.  16°.  K.  2.  b.  4.  (18.) 

Sec  Chansons. — 2. — Vingtieme  Liure  de 
Chansons,  a  quatre,  cinq,  &  six  parties, 
d'Orlande  de  lassus,  etc.     1571.     obi.  16". 

K.  2.  b.  4.  (19.) 

See  Chansons. — 4. — Le  Quatoirsiesme 
Liure  a  quatre  parties  contenant  Dix 
Huyct  Chansons  Italiennes,  Six  chansons 
francoises,  &  Six  Motetz.  faictz  (a  la 
Nouuelle  composition  d'aucuns  d'ltalie) 
par  Rolando  di  Lassus,  etc. 
1555.    obi.  4".  K.  3.  a.  13. 

2.  1\Iadrigals  and  Villanelles. 

Di  Orlando  di  Lassus  il  Primo  Libro  di 
IMadrigali  a  cinque  Voci,  uouamente  per 
Antonio  Gardano  ristanipato.  Cantus. 
(Altus.)  (Tenor.)  (Bassus.)  (Quintus.) 
5  pts.  A^JiJiTsso  di  Anto)Lio  Gardano  : 

Venetia,  1557.     obi.  4°.  A.  338. 

Di  Orlando  di  Lassus  il  Secondo  Libro 
di  Madrigali  a  cinque  Voci,  Nouamente 
per  Antonio  Gardano  stampato.  Canto. 
(Alto.)  (Tenore.)  (Basso.)  (Quinto.) 
5  pts.  Apprcsao  di  Antonio  Gardano  : 

Venetia,  1559.     obi.  4°.  A.  338.  a. 

This  work  also  contains  madrigals  by 
A.  Barre,  Viduc  and  P.  Animuccia. 

Di  Orlando  di  Lassus  il  Primo  Libro  di 
INIadrigali  a  Quatro  uoci  Nouamente  per 
Antonio  Gardano  Ristampati,  etc.  Basso. 
Aprcsso  di  Antonio  Gardano:  Venetia, 
1565.     obi.  4°.  A.  338.  f. 

Di  Orlando  di  Lassus  il  Secondo  Libro  de 
]Madrigalli  a  Cinque  Voci,  Nouamente 
ristampati.     Quinto. 

Apprcsso  Girolamo  Scot  to  :  Vincgia, 
1573.     4°.  D.  20.  b. 

Libro  de  Villanelle,  Moresche,  et  altre 
Canzoni,  a  4.  5.  6.  &  8.  voci,  etc.     Alto. 

Per  Pictro  Phulcsio  &  Giovanni  Belle ro  : 
Ativersa,  1582.     obi.  4°.  A.  337. 


LASSO  (Orlando  di)  Di  Orlando  Lasso 
. .  .11  Quarto  Libro  de  Madrigali  a  Cinque 
Voci,  Nouamente . . .  ristampati.  Canto. 
(Alto.)  (Tenore.)  (Basso.)  (Quinto.)  5  pts. 
Ap>p)resso  Angela  Gardano  :  Venetia, 
1584.     obi.  4«.  A.  338.  b. 

Di  Orlando  di  Lassus  II  Primo  Libro  de 
Madrigali  a  Quatro  Voci  Nouamente... 
ristampati.  Canto.  (Alto.)  (Tenore.) 
(Basso.)     4  pts.  Apprcsso 

Giacomo  Vincenci  d  Bicciardo  Amadino 
Compagni :  Venetia,  1584.     obi.  4". 

A.  338.  e. 

TJds    work    contains    compositions     by 

Lasso,    G.    Lochcmburgo,   G.    D.    di 

Nola,  F.  Bosselli  and  C.  Porta. 

]\Iadrigali :     a    Quattro,    Cinque    et    Sei 

Voci,  novameute  composti,  etc.     Tenor. 

In  officina  typograpliica  Catharinw 
GerlacUiiv  :  Noribcrgae,  1587..    obi.  4°. 

A.  338.  c. 
Di  Orlando  di  Lassus  il  Primo  Libro  di 
Madrigali  a  Quattro  Voci,  Nouamente. . . 
Ristampati.     Alto.     (Basso.)     2  pts. 

Apprcsso  Antjelo  Gardano:  Venetia, 
1592.     obi.  4°.  A.  338.  d. 

See  Gardano  (Angelo)  Musica  di  Tredici 
Autori. .  .Nella  quale  si  contengouo  .  .  . 
Madrigali. .  .delli  infrascritti  Autori. .  .0. 
di  Lassus,  etc.  1589.  4°.  K.  3.  g.  11. 
See  Prima  Stella.  Prima  Stella.  De 
Madrigali. .  .Di  Orlando  Lasso,  etc. 
1570.     4°.  D.  13. 

3.  ]Magnificats. 
Magnificat  Octo  Tonorum,  Sex,  Quinque, 
et  Quatuor  Vocum,  nunc  primum  excusa, 
etc.      Altus.      (Tenor.)      (Bassus.)      (Va- 
gaus.)     4  pts. 

Apud  Thcodoricmn  Gerlatzcmim,  in 
officina  loannis  Montani  pi;e  mcinori;i' : 
Noribergn;  1567.     obi.  4°.  A.  339. 

Beatissimse  Virginis  JMaritc  Octo  Cantica 
Modis  Tonorum  octo  quaternisque  voci- 
bus  distincta.  Adiectis  adhsec  duplici 
Salve  Regina.  IMissa  Quinti  toni.  Veni 
Creator.  Te  Deum  laudamus.  Adoramus 
te  Christe.  3.  &  4.  voc.  &  Tibi  Laus,  etc. 
Tenor.  A2>ud  Adrianum  le  Boy,  tfi 

Bobcrtuvi  Ballard :  Lutetve  Parisiormn, 
1586.     4".  D.  20.  f.  (6.)- 

4.  Masses. 

a.  Collections. 

b.  Single  Works. 

a.  Collections. 

Missffi  Orlandi  Lassi  cum  Quinque  et  Sex 
Vocibus  canende,  nuperrimc  impresse,  etc. 
Sextus.  Apud  Angelum  Gardanum : 

Venetijs,  1591.     4".  D.  20.  a 

Orlandi  de  Lasso. .  .Missae  Posthumae, 
Ritu  Veteri  Romano  Catholico,  in  Modos 
qua  Senos,  qua  Octonos  temperatse.  Hac- 
tenus  ineditse ;    et  omnium,  quas  edidit, 


LASSO 


19 


lectissimfe :  vulgatse  denium  affectu, 
studio  sumtu  superstitis  filij  Rudolphi  di 
Lasso,  etc.  Ex  typorji-aphcio  musico 

Nicolai  Henrici  :  Monad,  1610.     fol. 

K.  9.  b.  e. 
b.  Single  Works. 
Missa.     Ad  Imitationem   JNIoduli   Beatus 
qui  intelligit. .  .cum  sex  vocibus. 

Apud  Adiiamim  h  Roy,  iC 
Bobertum  Ballard  :  Lutctiac,  1587.     fol. 

K.  9.  b.  9.  (4.) 

Missa  ad  Imitationem  ^loduli  Credidi. . . 
cum  quinque  vocibus.  Ex  Officina 

Petri  Ballard  :  Lutctiac,  1G08.     fol. 

K.  10.  b.  1.  (16.) 
[Auotber  copy.]  K.  10.  b.  2.  (2.) 

j\Iissa.  Ad  Imitationem  ^Moduli  Dixit 
Joseph . . .  cum  sex  vocibus.  Ex  Officina 
Petri  Ballard  :  Lutctiie,  1607.     fol. 

K.  9.  b.  9.  (1.) 
Missa.  Ad  Imitationem  ^loduli  In  die 
tribulationis . . .  cum  quinque  vocibus. 

Ex  Officina  Petri  Ballard  :  Lutcthe, 
1007.     fol.  K.  10.  b.  2.  (1.) 

Missa.  Sex  Vocum.  Ad  Imitationem 
Moduli  In  Te  Domine  speraui,  etc. 

Ex  Officina  Petri  Ballard  :  Parisiis, 
1613.     fol.  K.  9.  b.  9.  (2.) 

INIissa  Quatuor  Vocum  ad  Imitationem 
Moduli,  lager,  etc.  Ex  Officina  Christo- 
phori  Ballard  :  Parisiis,  l6'87.     fol. 

K.  10.  b.  1.  (15.) 
Missa.  Ad  Imitationem  Moduli  Locutus 
sum. .  .Cum  sex  vocibus.  Apud  Adrianmn 
le  Roy,  (&  Robcrtum  Ballard:  Lutetiac, 
1587.    fol.  K.  9.  b.  9.  (3.)  ; 

Missa.  Quinque  Vocum.  Ad  Imitationem 
jNIoduli  Sydus  ex  claro,  etc.  Ex  Officina 
Petri  Ballard  :  Lutetix,  1614.     fol. 

K.  10.  b.  2.  (3.) 
Missa  super  Standomi  uu  giorno. 
,sV«  Baccusi  (I.)  Hippolyti  Baccusii 
IMissarum  .  .  .  Liber  Primus  .  .  .  Missa 
(super)  Standomi  vn  giorno  (di  Orlando). 
1570.     4\  D.  30. 

5.  Motets,  uxder  various  titles. 

a.  Jeremise  Lamentationes. 

b.  Lectioues  (Quiritationes)  Sacrae. 

c.  jMagnum  Opus  ^Musicum. 

d.  Moduli. 

e.  Motets. 

f.  Sacrse  Cantiones. 

i.  Books  1-8. 
ii.  Other  Editions. 

g.  Selectissima;  Cantiones. 

a.  Jeremise  Lamentationes. 
Hieremiae  Prophetae  Lamentationes,  et 
alite  Pise  Cantiones :  nunquam  antehac 
visae.  Ab  ipso  autore  .  .  .  recens  .  .  . 
compositre,  &  in  lucem. .  .editse.  Quin- 
que Vocum.  Discantus.  (Altus.)  (Bassus.) 
(Quinta  Vox.)     4  pts.  Adamus  Berg  : 

Monachii,  1585.     obi.  4°.  A.  332. 


LASSO  (ORLA^-o  di)  leremiae  Prophetse 
.  .  .  Lamentationes,  una  cum  Passione 
Domini  Dominicse  Palmarum,  quinque 
vocum,  etc.     Tenor.  Apud  Adrianiim 

le  Roy,  d-  Robertum  Ballard:  Luteti!>' 
Parisiorum,  1586.     4".  D.  20.  f.  (8.) 

Imperfect,    containing   11    leaves    only, 
much  mutilated. 

b.  Lectiones  (Quiritationes)  Sacrse. 
Sacrtfi  Lectiones  Nouem  ex  Propheta  lob, 
Quatuor    Vocum.       Discantus.       (Altus.) 
(Tenor.)     (Bassus.)     4  pts.  Apud 

Theodoricum  Gerlatzcmim,  in  ^  Officina 
loannis  Montani  pi;e  mcmoriiv :  Noribergn', 
1567.     obi.  4".  A.  331. 

Nouem  Quiritationes  Diui  lob.  Quaternis 
Vocibus  .  .  .  modulatiB,  etc.  Superius. 
(Tenor.)  (Contratenor.)  (Bassus.)  4  pts. 
Apud  Adrianum  le  Roy,  cC  Robertum 
Ballard  :  [Paris,]  1572.     obi.  4\ 

A.  336.  a.  (7.) 

[Another  copy.    Bassus.]     A.  336.  b.  (6.) 
Wanting  the  title-page. 

Lectiones  Sacrte  Nouem,  ex  Libris  Hiob 
excerpts?,  Musicis  Numeris  iam  recens 
compositae,  nee  non  aliec  nonnuUte  pitc 
Cantiones,  omnibus  qui  tam  viute  vocis 
quam  Instrumentorum  ]\Iusicorum  cantu 
non  imperite  vtuntur,  apprime  accom- 
modfc.  Quatuor  Vocum,  etc.  Discantus. 
(Altus.)  (Bassus.)  3  pts.  Adamus  Berg  : 
Monuchij,  1582.     obi.  4\  A.  331.  a. 

Nouem  Quiritationes  Diui  lob,  bis  quidem, 
sed  diuersis  raodis  Icntiorique  concentu 
quaternis  vocibus  modulantes  .  . .  Adiectis 
(]uibusdam  ex  officio  DefEunctorum  Re- 
sponsorijs.     Tenor.  Apud  Adrianum 

le  Roy,  (t  Robertum  Ballard:  Lutetin- 
Parisiorum,  1587.     4".  D.  20.  f.  (7.) 

c.  IMagnum  Opus  Musicum. 
Magnum  Opus  IMusicum  Orlandi  dc  Lasso 
. .  ."Complectens  Omnes  Cantiones  quas 
]\Iotetas  vulgo  vocant,  tam  antea  editas 
quam  hactenus  uondum  publicatas  ii.  in. 
IV.  v.  VI.  VII.  iix.  IX.  X.  XII.  vocum. 
A  Ferdinando...&  Hudolpho. .  .Authoris 
filijs  . . .  collectum,  etc.  Cantus.  (Altus.) 
(Tenor.)  (Bassus.)  (Quinta  Vox.)  (Sexta 
Vox.)     6  pts.  Ex  typographia  Nicolai 

Henrici :  Monachii,  1604.     fol.      G.  121. 

d.  Moduli, 
iloduli   Quinis  Vocibus   Nunquam   Hac- 
tenus Editi  i\Ionachii  Boioarite  compositi, 
etc.     Superius.     (Contratenor.)     (Tenor.) 
(Bassus.)     (Quinta  Pars.)     5  pts. 

Apud  Adrianum  le  Roy,  it 
Robertum  Ballard  :  Luteti;r  Parisiorian, 
1571.    obi.  i".  A.  337.  d.  (3.) 

[Another  copy.    Superius.    (Contratenor.) 
(Bassus.)     (Quinta  Pars.)]     4  pts. 

A.  336.  a.  (3.) 

[Another  copy.  ■  Bassus.]     A.  336.  b.  (3.) 


20 


LASSO 


LASSO  (Orlando  di)  Moduli  Quatuor  et 
Octo  Vocum,  etc.  Superius.  (Contra,) 
(Bassus.)     3  pts. 

Ajmd  Adrianum  le  Roy,  & 
Robcrtum  Ballard  :  Lutctin'  Farisiorum, 

1572.  obi.  4".  A.  336.  a.  (4.) 
[Another  copy.    Bassus.] 

A.  336.  b.  (4.) 

Imperfect,  wanting  the  title-xmge,  lohicli 

]ias  been  supplied  in  manuscript. 

Tertius  Liber  Modulorum,  Quinis  Vocibus 

constantium,    etc.      Superius.     (Contra.) 

(Tenor.)     (Bassus.)    (Quinta  Pars.)    5  pts. 

Apud  Adrianum  le  Roy  & 

Robertum  Ballard  :  Ltitetin'  Parisiorum, 

1573.  obi.  4».  A.  336.  a.  (2.) 

[Another  copy.    Bassus.]     A.  336.  b.  (2.) 
Imperfect,  ivanting  the  titlc-piagc,  which 
has  been  supplied  in  manuscript. 

Moduli  Sex  Septem  et  Duodecim  Vocum, 
etc.  Superius.  (Contra.)  (Bassus.) 
(Quinta  Pars.)  4  pts,  Apud  Adrianum 
le  Roy,  (£  Robertum  Ballard :  Lutcti;v 
Parisiorum,  1573.     obi.  4°. 

A.  336.  a.  (5.) 
[Another  copy.  Bassus.]  A.  336.  b.  (5.) 
]\Ioduli  nondum  prius  editi  Monachii 
Boioarise  Ternis  Vocibus  .  .  .  Compositi. 
Superius.     (Tenor.)     (Bassus.)     3  pts. 

Apud  Adrianum  le  Roy,  £ 
Robertum  Ballard  :  Lutetiiv  Parisiorum, 
1576.     obi.  4°.  A.  336.  d. 

Moduli.    Quatuor  5.   6.   7.  8.  et  Nouem- 
Vocum,  etc.  Superius.  (Contra.)  (Bassus.) 
(Quinta  Pars.)     4  pts.       Apud  Adrianum 
le    Roy,   cC   Robertum    Ballard :    Lutetin' 
Parisiorum,  1577.     obi.  4". 

A.  336.  a.  (6.) 
Moduli  Quatuor  et  Octo  Vocum,  etc. 
Tenor.  Ajjud  Adrianum  le  Roy,  d- 

Robertum  Ballard :  Lutetiiv  Parisiorum, 
1588.     4".  D.  20.  f.  (4.) 

Moduli  Quinque  Vocum,  etc.     Tenor. 

Apud  Adrianum  le  Roy,  d- 
Robertum  Ballard :  Lutcti;e  Parisiorum, 
1588.     4".  D.  20.  f.  (2.) 

]\roduli  Sex  Vocum,  etc.  Tenor.  Apud 
Adrianum  le  Roy,  d  Robertum  Ballard : 
Lutetiiv  Parisiorum,  1588.     4". 

D.  20.  f.  (3.) 
e.  Motets. 

Di  Orlando  di  Lassus  il  primo  libro  de 
mottetti  a  cinque  &  a  sei  voci  nuouamente 
posti  in  luce.     Superius.  Per  loanne 

Latio  :  Anucrsa,  1556.     obi.  4".     A.  330. 

Orlandi  de  Lasso  . . .  Liber  Mottetarum, 
Trium  Vocum,  Quse  cum  Viuse  Voci,  turn 
omnis  generis  Instrumentis  IMusicis  . . . 
applicari  possunt  .  .  .  nunc  primum  in 
lucem  eeditse.     Superius.  Excudebat 

Pctrus  Phalcsius,  sibi  d  loanni  Bcllcro : 
Louanii,  1575.     obi.  4".  A.  330.  a. 


LASSO  (Orlando  di)  Mottetta,  Sex 
Vocum,  typis  nondum  uspiam  excusa... 
Quibus  tam  voces  humanie,  quam  cuiusuis 
generis  Instrumenta  IMusica  concentu... 
applicari  possunt,  etc.  Discantus.  (Altus.) 
(Tenor.)  (Bassus.)  (Quinta  (Sexta)  Vox.) 
6  pts.  Adamzis  Berg  :  Monachij, 

1582.     obi.  4".  A.  334.  1. 

Mottetti  et  Ricercari  ...  a  Due  Voci, 
Nouameute  . . .  llistampati.  Libro  Primo. 
Canto.  (Alto.)  2  pts.  Appresso  Angela 
Gardano :  Venetia,  1585.     obi.  4". 

A.  330.  b. 
Pp.  7,  8  of  the  Canto  part  are  wanting. 

f.  Sacree  Cantiones. 

i.  Books  1-8. 

Orlaudi  Lassi  Sacrae  Cantiones . . .  Quinque 
Vocum,  Tum  viua  voce,  Turn  omnis  gen- 
eris instrumentis  cantatu  commodissimse. 
Liber  Primus.  Altus.  Apud  Angelum 
Gardanum :  Venctijs,  1586.     obi.  i". 

A.  334.  j.  (1.) 

Liber  Primus.  Cantiones  Sacrse  Mag- 
nificat vocant  V.  et  vi,  Vocum  . . .  His 
accesserunt  quatuor  ab  .  .  .  Ferdinando 
de  Lasso  compositse,  jam  primum  in 
lucem  editse.  Discantus.  (Altus.)  (Tenor.) 
(Bassus.)  (Quinta  Vox.)  (Sexta  Vox.) 
6  pts.  Nicolaus  Henricus  :  Monachii, 

1602.     fol.  K.  2.  i.  14. 

Orlandi  Lassi  Sacras Cantiones. .  .Quinque, 
et  Sex  Vocuni,  Tum  viua  Voce  tum  omnis 
generis  Instrumentis  cantatu  commodis- 
sime.     Liber  Secundus.     Altus. 

Apud  Angelum  Gardanum:  Venetijs, 
1584.     obi.  4".  A.  334.  j.  (2.) 

Orlaudi  Lassi  Sacrae  Cantiones . . .  Quinque, 
et  Sex  Vocum,  Tum  viua  voce  tum  omnis 
generis  Instrumentis  cantatu  commodis- 
simse.  Liber  Tertius.  Cantus.  (Altus.) 
(Tenor.)  (Bassus.)  (Quiutus.)  5  pts. 
A2)ud  Angelum  Gardamim  :  ^'cnctijs, 

1578.  obi.  4".  A.  334.  m. 

Orlandi  Lassi  Sacrae  Cantiones . . .  Quinque, 
et  Sex  Vocum,  Tum  viua  voce  tum  omnis 
generis  Instrumentis  cantatu  commodis- 
sim^.     Liber  Tertius.     Altus. 

A2}ud  Angelum  Gardanum  :   Venetijs, 
1587.     obi.  4".  A.  334.  j.  (3.) 

Orlandi  Lassi  Sacrae  Cantiones  . . .  Sex  et 
Octo  Vocum,  Tum  uiua  Voce,  Tum  omnis 
generis  Instrumentis  cantatu  commodis- 
simffi.     Liber  Quartus.     Altus. 

Apud  Antonium  Gardanum :  Venetijs, 
1569.     obi.  4^  A.  334.  j.  (4.) 

Orlandi  Lassi  Sacrae  Cantiones  . . .  Sex  et 
Octo  Vocum,  Tum  Viua  Voce,  Tum  omnis 
generis  Instrumentis  cantatu  commodis- 
simae.     Liber  Quartus.     Altus. 

Apud  Angelum  Gardanum  :  Venetijs, 

1579.  obi.  4".  A.  334.  n. 


LASSO 


21 


LASSO  (Orlasdo  di)  Orlandi  Lassi  Sacvse 
Cantiones. .  .Quinque  Sex  et  OctoYocum, 
Turn  uiua  Voce,  turn  omnis  generis 
Instrumetis  cfitatu  comodissimse.  Liber 
Quiiitus.     Altus.  Apud  Antonium 

Gardanum  :  Venetijs,  1569.     obi.  4". 

A.  334.  j.  (5.) 

Orlandi  Lassi  Sacrse  Cantiones. .  .Quinque 
Vocum,  Turn  viua  voce  turn  omnis  generis 
Instrumentis  cantatu  commodissimse. 
Liber  Sextus.     Altus. 

Apud  Angelum  Gardanum  :   Venetijs, 
15S6.     obi.  4".  A.  334.  j.  (6.) 

Orlandi  Lassi  Sacrse  Cantiones . . .  Quinque 
Vocum,  Tum  viua  Voce  Tum  omnis  gen- 
eris Instrumentis  cantatu  commodissimae. 
Liber  Septimus.     Altus. 

Apud  Angelum  Gardanum  :  Venetijs, 
1584.    oU.  4°.  A.  334.  j.  (7.) 

Orlandi  Lassi  Sacrse  Cantiones  . .  Sex 
Vocum,  Tum  Viua  Voce,  Tum  omnis  gen- 
eris instrumentis  cantatu  commodissimse. 
Liber  Octauus.     Altus. 

Apud  Angelum  Gardanum  :  Venetijs, 
15S4.     obi.  4".  A.  334.  j.  (8.) 

ii.  Other  Editions. 
Sacrae   Cantiones    Quinque   Vocum,  tum 
Viua  Voce,  tum  omnis  generis  instrumentis 
cantatu  commodissimse.    Discantus.    (Al- 
tus.)   (Tenor.)    (Bassus.)    (Vagans.)    5  pts. 

Impressum 
in  Officina  Typographica  Ulrici  Ncuberi : 
Norinbergx,  1569.     obi.  4°.        A.  334.  i. 

Cantiones  Aliquot  Quinque  Vocum,  tum 
Viua  Voce, tum  omnisgeneris  instrumentis 
cantatu  commodissimse.  lam  primiim 
in  lucem. .  .editae,  etc.  Discantus.  (Al- 
tus.) (Tenor.)  (Bassus.)  (Quinta  Vox.) 
5  pts.  Adamus  Berg :  Mondci, 

1569.  obi.  4°.  A,  334. 

Viginti  Quinque  Sacrse  Cantiones,  Quinque 
Vocum,  tum  Viua  Voce,  tum  omnis  gen- 
eris instrumentis  cantatu  commodissimse, 
etc.  Discantus.  (Altus.)  (Tenor.)  (Bassus.) 
(Quinta  Pars.)  5  pts. 
Ap>ud  Theodoricum  Gerlatzemim,in  officina 
loannis  Montani pix  memorix  :  Noriberga', 

1570.  obi.  4°.  A.  334.  k. 

Selectiorum  Aliquot  Cantionum  Sacrarum 
Sex  Vocum  fasciculus,  adiunctus  in  fine 
tribus  Dialogis  octo  vocum,  Quorum  nihil 
adhuc  in  lucem  est  editum,  etc.  Discantus. 
(Altus.)  (Tenor.)  (Bassus.)  (Quinta  Vox.) 
(Sexta  Vox.)     6  pts.  Adamus  Berg  : 

Monachij,  1570.     obi.  4\  A.  334.  a. 

[Another  copy.]     6  pts.  A.  334.  b. 

Fasciculus  Aliquot  Cantionum  Sacrarum, 
Quinque  Vocum,  nunc  primum  in  lucem 
editus,  etc.    Discantus.    (Altus.)    (Tenor.) 
(Bassus.)     (Quinta  Pars.)     5  pts. 
Adamus  Berg  :  Monachij,  1572.     obi.  4'\ 

A.  336.  e. 


LASSO  (Orlando  di)  Sex  Cantiones 
Latinse  Quatuor,  adiuncto  Dialogo  Octo 
Vocum.  Sechs  Teutsche  Lieder  mit  vier, 
sampt  einem  Dialogo  mit  8.  stimmen. 
Six  chansons  Francoises  nouuelles  a  quatre 
voix,  auecq  vn  Dialogue  a  huict.  Sei 
Madrigali  nuoui  a  quatro,  con  vn  Dialogo 
a  otto  voci.  Summa  diligentia  compositse 
...&  nunc  primum  in  lucem  seditse,  etc. 
Tenor.  Adamus  Berg  :  Monachij, 

1573.     obi.  i".  A.  334.  e. 

Cantiones  Orlandi  di  Lassus  :  Selectee  in 
vsuni  Argentoratensis  Academise.  Sex 
vocum.  Altus.  (Tenor.)  (Sexta  Vox.) 
3  pts.  Nicolaus  Wyriot :  Arqentorati, 

1580.     obi.  8".  K.  1.  c.  23. 

At  the  end  of  each  part  are  MS.  Can- 
tiones in  a  contemporary  handwriting , 

Sacrse  Cantiones,  Quinque  Vocum,  Quse 
cum  Viuse  Voci,  tum  omnis  generis  in- 
strumentis musicis  commodissime  appli- 
cari  possunt.  Opus  plane  nouum,  nunquam 
alijs  Typis  excusum,  etc.  Discantus.  (Al- 
tus.) (Tenor.)  (Bassus.)  (Quinta  Vox.) 
5  pts.  Adamus  Berg  :  Monachij, 

1582.     obi.  4\  A.  334.  d. 

Orlandi  Lassi  .  .  .  Fasciculi  Aliquot 
Sacrarum  Cantionum  cum  quatuor, 
quinque,  sex  &  octo  vocibus,  antea 
quidem  separatim  excusi,  nunc  vero 
auctoris  consensu  in  unum  corpus  re- 
ducti.  Altus.  (Tenor.)  (Bassus.)  (Quinta 
Vox.)     (Sexta  Vox.)     5  pts. 

In  Officina  Gerlachiana  :  Koribergae, 
1582.    obi.  4\  A.  334.  e. 

j  Wanting  the  last  leaves  of  the  Altus  and 

Tenor  parts. 

Cantica  Sacra,  recens  numeris  et  modulis 

musicis  ornata,  nee  uUibi  antea  typis 
I       euulgata.       Sex    et     Octo    Vocibus,    etc. 

Discantus.  (Altus.)  (Tenor.)  (Bassus.) 
I       (Sexta  Vox.)     5  pts.  Adanms  Berg : 

Monachii,  1585.     obi.  4°.  A.  334.  h. 

Orlandi  Lassi .  . .  Sacrse  Cantiones :  antehac 
1  uunquam  nee  visas  nee  typis  uspiam 
j  excusae.  Quatuor  Vocum.  Recens... 
j  compositse,  &  in  lucem. .  .editse.  Dis- 
cantus. (Altus.)  (Tenor.)  (Bassus.)  4  pts. 
I       Adamus  Berg  :  Monachii,  1585.     obi.  4°. 

A.  334.  g. 

I  Sacrarum  Cantionum  Moduli  Quatuor 
Vocibus  Contexti,  etc.     Tenor. 

1  Apud  Adrianum  le  Boy,  <&  Eobertum  Bal- 
lard :  Lutetise  Parisioncm,  1587.     4°. 

I  D.  20.  f.  (1.) 

I  [Orlandi  Lassi. .  .Fasciculi  Aliquot  Sac- 
I  rarum  Cantionum  cum  Quatuor,  Quinque, 
I       Sex  &  Octo  Vocibus,  etc.     Bassus.] 

\In  Officina  Gerlachiana:  Norbergae, 
1589.]     obi.  4°.  _         A.  334.  f. 

Imperfect,  luanting  the  title-page. 

Nouse  aliquot  et  ante  hac  non  ita  usitatse 
ad    duas    voces     Cantiones     suavissimse, 


00 


LASSO 


omnibus  Musicis  summi;  vtiles . . .  Summa 
diligentia   correctoe,  &  nunc   primum  in 
lucem  editpe.     Cantus.  (Bassus.)     2  pts. 
Thomas  Este  :  Londini,  1598.     4°. 

K.  3.  m.  9. 
Imperfect,  ivanting  fol.  C.  and   Cii.   of 
the  Bassiis  imrt,  which  have  been  re- 
placed by  the  corresponding  leaves  of 
the  Cantus. 

g.  Selectissimae  Cantiones. 
Selectissimsecantiones,  quasvulgo  Motetas 
vocant,  partim  omnino  nouae,  partim  uus- 
quana  in  Germania  excusae,  Quinque  et 
Quatuor  Vocibus  compositae,  etc.  Dis- 
cantus.  (Altus.)  (Tenor.)  (Bassus.) 
(Vagans.)     5  pts.  Apud  Thcodoricum 

Gerlatzenum,  in  Officina  loannis  Montani 
vix  memorix  :  Noribergie,  1568.     obi.  4°. 

A.  333. 

[Another  copy.  Altus.  (Bassus.)  (Vagans.)] 
3  pts.  A.  333.  a. 

SelectissiniEe  Cantiones,  quas  Vulgo  ]\Iote- 
tas  vocant  partim  omnino  noute,  partim 
nusquam  in  Germania  excusae,  Sex  &  pluri- 
bus  uocibus  compositae,  etc.  Discantus. 
(Altus.)  (Tenor.)  (Bassus.)  (Quinta  (Sexta) 
Vox.)  6  pts.  Apud  Theodoricum  Gerlat- 
zenum, in  Officina  loannis  Montani  pi% 
mem&risi  :  Norimbergx,  1568.     obi.  4°. 

A.  333.  b. 
The  Discantus  alone  has  the  spelling 
'  Norimbergse  '  :  the  other  parts  have 
'  Noribergii'.'  The  tvoirls  '  Quatuor, 
Quinque,  Sex  &  pliiribus  uocibus ' 
are  added  incorrectly  to  the  title  of 
the  Tenor  part. 

[Another  copy.     Bassus.]  A.  333.  c. 

Altera  Pars  Selectissimarum  Cantionum, 
Quas  Vulgo  jMotetas  Vocant,  Quinque  et 
Quatuor  Vocibus .  .  .  Aucta  &  restituta, 
etc.  Discantus.  (Altus.)  (Tenor.)  (Bassus.) 
(Quinta  A^ox.)     5  pts.  In  officina  typo- 

graphica  Catliariniv  Gerlachix :  Noribergse, 
1587.     obi.  4°.  A.  333.  d.  (2.) 

[Another  copy.  Altus.  (Tenor.)  (Bassus.) 
(Quinta  Pars.)]     4  pts.  A.  333.  e. 

Selectissimpe  Cantiones,  quas  uulgo  IMote- 
tas  vocant,  partim  omnino  noute,  partim 
nusquam  in  Germania  excusae.  Sex  &  pluri- 
bus  vocibus  compositae. .  .Posteriori  huic 
editioni  accessere  omnes  Orlandi  Motette, 
quse  in  veteri  nostro  Thesauro  j\Iusico 
impressfe  contiuebantur,  cum . . .  aliis . . . 
Omnia  denuo  multo  quam  antehac  cor- 
rectius  edita.  Discantus.  (Altus.)  (Tenor.) 
(Bassus.)  (Quinta  Vox.)  (Sexta  Vox.)  6  pts. 
In  officina  typographica  Catharinee  Ger- 
lachix  :  Noribergx,  1587.     obi.  4°. 

A.  333.  d.  (1.) 
The  Discantus  is  imperfect,  ivanting  pp. 

4  and  5,  ivhich  have  been  supplied  in 

manuscript. 


LASSO  (Orlando  di) 

6.  Opus  Musicum. 
Tertium  opus  Musicum,  continens  Lec- 
tiones  Hiob  et  Motectas  sen  Cantiones 
Sacras,  Quatuor,  Quinque  et  Sex  Vocum, 
antea  quidem  tribus  fasciculis  seorsim 
excusas,  nunc  vero  in  volumen  unum  re- 
dactas . . .  Additse  sunt . . .  aliquot  pite  Fer- 
dinandi  Lassi  cantilense,  nunc  primum  in 
lucem  editffi.  Altus.  (Bassus.)  (Quinta 
Vox.)  (Sexta  Vox.)  4  pts. 
Li  officina  typographica  Cathcirinae  Ger- 
lachix  :  Noriberg;e,  1588.     obi.  4°. 

A.  331.  b. 


[Another  copy.     Quinta  Vox.] 


A.  331.  e. 


7.  Pateocinium  Musices. 
Patrocinium  Musices.  Orlandi  de  Lasso 
. .  .Cantionum,  quas  Mutetas  vocant,  Opus 
Novum.  Prima  Pars. .  .D.  Guilhelmi. . . 
Bavarise  Ducis  liberalitate  in  lucem  editum . 
Adamus  Berg  :  Monachij,  1573.     fol. 

K.  9.  b.  1. 
Patrocinium  Musices.  Orlandi  de  Lasso 
. . .  Cantionum  Quatuor,  Quinque  &  Sex 
Vocum,  quas  IMutetas  vocant.  Opus  nouum, 
etc.  Superius.  (Contratenor.)  (Tenor.) 
(Bassus.)  [Quinta  &  Sexta  Pars.]     5  pts. 

Cornelius  Phalcsius  :  Louanii, 
1574.     obi.  4°.  A.  339.  a. 

Imperfect,  ivanting  the  title-page  and  pp. 
9-13  of  the  Quinta  et  Sexta  Pars. 

Patrocinium  IMusices.     Orlandi  de  Lasso 
. . .  Missae   aliquot   Quinque  Vocum.     Se- 
cunda    Pars . '  .  D.    Guilhelmi . . .  Bavariae 
Ducis  liberalitate  in  lucem  editum. 
Adamus  Berg  :  Monachij,  1574.     fol. 

K.  9.  b.  2. 

Patrocinium  Musices.  Orlandi  de  Lasso 
. . .  Passio  quinque  vocum  :  Idem  Lec- 
tiones  lob,  &  Lectiones  Matutinae  de 
Natiuitate  Cbristi,  quatuor  vocum.  Quarta 
Pars...D.  Guilhelmi ...  Bavariae  Ducis, 
liberalitate  in  lucem  editum. 
Adamus  Berg  :  Monachij,  1575.     fol. 

K.  9.  b.  4. 

Patrocinium  Musices.  Orlandi  de  Lasso 
. .  .Magnificat  aliquot,  Quatuor,  Quinque, 
Sex,  &  Octo  vocum.  Quinta  Pars . ._. 
D.  Guilhelmi. .  .Bavariffi  Ducis,  liberali- 
tate in  lucem  editum.  Adamus  Berg  : 
Monachij,  1576.     fol.  K.  9.  b.  5. 

Patrociuium  Musices.  Orlandi  de  Lasso 
. . .  Officia  aliquot,  de  Praecipuis  Testis 
Anni,  5.  Vocum,  nunc  primum  in  lucem 
editae.  Tertia  Pars...D.  Guilhelmi... 
Bavariae  Ducis,  liberalitate  in  lucem 
editum.  Adamus  Berg  :  Monachij, 

1588.     fol,  K.  9.  b.  3. 

Patrocinium  Musices.  Beatissimte,  Dei- 
paraqj  virginis  Marite  canticum  INIagnifi- 
cat.     Quattuor,  quinqj,  &  sex  vocibus,  ad 


LASSO— LATES 


23 


imitationem  cantileDaruni  quarundam, 
singular!  coucentus  hilaritate  excellen- 
tium,  etc. 

Aimd  Adaminn  Berg :  Monachij, 
1587.    fol.  K.  9.  b.  7. 


^lissse     aliquot 

Adanuis  Berg  : 

K.  9.  b.  8. 


Patrocinium     ^Musices. 
Quinque  Vocum,  etc. 
Monacliii,  1589.     fol. 

8.  Psalms, 

Psalmi  Dauidis  Pcenitentiales,  Slodis 
Musicis  redditi,  atque  antehac  nunquam 
in  Lucem  pediti.  His  accessit  Psahnus : 
Laudate  Dominum  de  Coelis.  Quinque 
Vocum,  etc.  Altus.  (Bassus.)  (Quinta  Vox.) 
3  pts.  Adanius  Berg  :  Mo)inchii, 

1584.     obi.  4\  A.  329. 

[Another  copy.     Altus.]  A.  329.  a. 

Cinquante  Pseaumes  de  Dauid,  auec  la 
musique  acinq  parties  d'Orlande  de  Lassus. 
Vingt  autres  Pseaumes  a  cinq  et  six 
parties,  par  diuers  excellents  Musiciens  de 
nostre  temps.  Superius.  (Contratenor.) 
(Tenor.)  (Bassus.)  (Quinta  Pars.)  (Sexta 
Pars.)  G  pts.  De  Vimprimcrie  de  Jerosvie 
Commelin  :  [Heidelberg],  1597.     obi.  4" 

K.  2.  a.  4. 
In  addition  to  Orlando  di  La.'mo  the 
following  composers  are  named  in  this 
collection:  Pevernage,Maletty,  Alfonse 
Flores,  Gondimel,  Faicjnient,  Mancnti, 
Felis,  Macque,  Sabin  and  Baccusy. 

9.  Teutsche  Lieder. 

NeweTeutscheLiedlein  mitfiinff  stimmen, 
wiilche  gantz  lieblicli  zu  singen  vnnd  auf! 
allerley  Instrumenten  zugebraucheu.  Von 
Orlando  di  Lassus. .  .componiert,  vnd  von 
jhm  selbst  Corrigiert,  vnd  inn  druck  ver- 
fertiget  worden.  Discantus.  (Altus.) 
(Tenor.)  (Bassus.)  (Die  fiinffte  stim.) 
5  pts.  Adam  Berg  :  MiuicJten, 

1569.     obi.  4°.  A.  335. 

Orlandi  Lassi. .  .Teutsche  Lieder  mit  fiinff 
Stimmen,  zuuor  vnterscbiedlich,  jetzvmd 
aber. .  .inn  ein  Opus  zusammen  getruckt. 
Discant.  Durch  Katharinam  Gerlachin, 
iind  Jolianns  vom  Berg  Erben  :  Niir)ibcrg, 
1583.      obi.  4°.  A.  335.  a. 

Newe   Teutsche    Lieder,    geistlich    vnnd 
Weltlich,  mit  vier  Stimmen,  etc.     Tenor. 
Gedruckt . .  .bey  Catharina  Gerlachin  : 
Nilrmberg,  1589.     obi.  4».  A.  335.  c. 

Imperfect,  icanting  all  after  fol.  d  4. 

Orlandi  Lassi  .  .  .  Teutsche  Lieder  mit 
fiinff  Stimmen,  zuvor  vnterscbiedlich, 
jetzund  aber... in  ein  Opus  zusammen 
getruckt.  Discant.  (Altus.)  (Tenor.) 
(Bass.)     (V.  Stim.)     5  pts. 

Gedruckt  clurcli  Catharinie  Gerlachin 
Erben  :  Niirnberg,  1593.     obi.  4". 

A.  335.  b. 


LASSO  (Orlando  di)  and  (Rodolfo  di) 
Cantiones  Sacrse,  ab  Orlando  de  Lasso  et 

I  huius  Filio,  Rudolpho  de  Lasso,  Sex 
Vocibus  Compositse,  Typis  iam  primo 
subiectae  &  in  lucem  editse.     Discantus. 

1       Nicolaus  Henricus  :  Monachii,  1601.     4°. 

D.  20.  e. 
LASSO  (Rodolfo  di) 

{       .SVe   Lasso  (0.  di)— 5.  c. — IMagnum  Opus 

I  Musicum  Orlandi  de  Lasso  ...a  Ferdinando 
...  &  Rudolpho . . .  Autboris  filijs . . .  CoUec- 
tum,  &  impensis  eorundem  Tj'pis  manda- 
tum,  etc.     1604.     fol.  G.  121. 

See  Lasso  (0.  di)— 4.  a.— Orlandi  de  Lasso 
. . .  jMissae  Posthumae . . .  vulgatse  demum 
affectu,  studio  sumtu  .  .  .  Rodolphi  de 
Lasso,  etc.     1610.     fol.  K.  9.  b.  6. 

See  Lasso  (0.  di)  and  (R.  di).  Cantiones 
Sacrse,  ab  Orlando  de  Lasso  et  huius 
Filio,  Rudulpho  de  Lasso. .  .Composite, 
etc.     1601.    4\  D.  20.  e. 

LASSUS.     See  Lasso. 

LASSUSIUS.    See  Lasso. 

LAST.  Last  Night  a  Dream  came  into 
my  Head.  The  Comical  Dreamer.  [Song, 
written  by  T.  Durfey.]  \London, 

1715?]    s.sh.lol.  H.  1601.  (265.) 

The  Last  Shilling.     [Song.] 
^ee  Dibdin  (C.)     [Torn  WilUns.'] 
Last    Valentine's    Day.      Black    Sloven, 
A  New  Song.     [London,  1771.]     8'. 

P.P.  5438.  z. 
The  Universal  Magazine,  Vol.  XLYIII., 
p.  95. 
Last    Whitsunday     they    brought     me. 
Song.     ,SVt' Linley  (W.)     lYortigern.'] 

LAST  OF  THE  FAMILY.     The   Last 
of  the  Family.     [Comedy.] 
See  Kelly  (M.) 

LATE.  Late  as  by  Jesse  I  did  sit.  Song. 
See  B.,  G.,  Esq. 

LATES  (Charles)  A  favorite  Sonata 
for  the  Piano-Forte  or  Harpsichord,  etc. 

Printed  for  the  Author:   London, 
[1800?]    obi.  fol.  e.  104.  (9.) 

LATES  (.Tames)  Six  Solos  for  a  Violin 
and  Violoncello,  with  a  Thorough  Bass 
for  the  Harpsichord. .  .Opera  Terza. 

Printed  for  C.  and  S.  Thompson: 
London,  [1775?]     fol.  g.  422.  g.  (1.) 

Six  Sonatas  for  Two  Violins,  or  a  German 
Flute  and  Violin,  with  a  Thorough  Bass 
for  the  Harpsichord.     Opera  Quarta. 

Printed  for  C.  d  S.  Thompson  : 
London,  [1775  ?]     fol.  g.  449. 

Six  Trios  for  a  Violin,  Violoncello  Obligato, 
&  Bass,  with  a  thorough  bass  for  the 
Harpsichord . . .  Opera  5.  [Separate  Parts.] 
C.  &  S.  Thompson,  for  the  Author  : 
London,  [1775?]     fol.  g.  449.  a. 


24 


LATILLA— LAUDI 


LATILLA  (Gaetano)  [Songs  in  Don 
Calascione.  Comic  Opera,  partly  by  G. 
Latilla.]  See  Delizie.  Le  Delizie  dell' 
Opeve,ctc.    Vol.6.    [1776.]    fol.     G.  159. 

LA    TOUR  (       de)       Ah,    que     je    sens 

d'inquietiide !     Air  Kouvcau.     [Words  by 

Madame  Des  Houlieres.]  [Paris, 

1678.]     s.  sh.  obi.  4".  P.P.  4482. 

Nouvcaii  Mercure    Galaiit,    Feb.,   1678, 

1).  86. 

LA  TOUR  (G.  D.  C.  de)  Airs  de  I'lnven- 
tion  de  G.  D.  C.  S"^  de  La  Tour,  de  Caen, 
sur  plusieurs  poemes  saints  et  chretiens, 
recueillis  de  diuers  auteurs,  &  diuisez  en 
trois  parties  . . .  Liure  second,  a  quatre 
parties.  Superius.  Chez  Icujiies  Mangcant : 
Caen,  1593.     obi.  8'\  K.  8.  i.  14. 

LATOUR  (T.)     In  my  Cottage  near  the 
Wood.      A    favorite    Song.      The   Words 
. .  .by  Miss  Calcraft. .  .The  Variations  for 
the  Piano  Forte.  .  .by  Mr.  Latoar. 
Bland  &  Weller :  London,  [1800  ?]     fol. 

G.  796.  (21.) 
The  Rising  of  the  Sun,  a  Welsh  Air, 
arranged  as  a  Rondo  for  the  Piano  Forte, 
etc.  Bland  d-  Weller:  London, 

[1800  ?]     fol.  g.  270.  j.  (18.) 

Twelve  Favorite  Rondos  for  the  Harpsi- 
chord or  Piano  Forte,  etc. 
A.  Bland  d  Weller  :  London,  ^1796?]    fol. 

g.  140  (41.) 
A  New  Rondo  as  Performed  by  Made- 
moiselle Parisot,  and  Danc'd  by  ^Madame 
Laborie  ...  in  the  Favorite  Ballet  [by 
D'Egville  and  Bossi]  of  Renaldo  and 
Leonora,  etc.  Bland  d  Weller  :  London, 
[1800.]     fol.  g.  272.  u.  (8.) 

Three  Sonatas  for  the  Piano  Forte  or 
Harpsichord  with  an  Accompaniment  for 
a  Violin  and  Violoncello  .  .  .  Op.  1. 
[Separate  Parts.]  A.  Bland  £■  Weller  : 

London,  [1796  ?]     fol.         g.  161.  b.  (9.) 

Two  Sonatas  for  the  Piano  Forte,. .  .with 
an  Accompaniment  for  a  Flute  or  Violin 
, .  .Op.  2.     [Separate  Parts.] 
A.  Bland  d-  Weller:  London  [1796?]     fol. 

g.  186.  (6.) 
Two  Sonatas  for  the  Piano  Forte. .  .with 
an  Accompaniment  for  a  Flute  or  Violin 
...Op.  3.     [Separate  Parts.] 

A.  Bland  d  Weller  :  London, 
[1796?]     fol.  g.  186.  (7.) 

LATROBE  (Christian  Ignatius)  Dies 
Ira5  &c.,  an  Ancient  Hymn  on  the  Last 
Judgment,  translated. .  .by. .  .the  Earl  of 
Roscommon . . .  Adapted  for  the  Piano 
Forte,  and  Four  Voices.  R.  Birchall,  for 
the  Author:  London,  1199.     fol. 

G.  503.  (5.) 
Three  Sonatas  for  the  Piano  Forte . . .  Op. 
III.  J.  Bland,  for  the  Author  :  Londmi, 
[1790?]     fol.        ■  g.  148.  (5.) 


LATTRE  (Claude  Jean  de)  See  Chansons. 
— 3. — Tiers. .  .Liure  des  Chansons,  etc. 
(Sixiesme  Liure  des  Chansons. .  .mises  en 
musicque  par  ilaistre  lehan  de  Latre,  etc.) 
1555.     obi.  4".  K.  3.  a.  15. 

LAU    (Christoph    Heinrich)      See    Rei- 
MANN   (J.   B.)     J.   B.  Reimaus.  ..Choral- 
buch. .  .gestochen    und    verlegt    [with    a 
preface!  von  C.  H.  Lau.     [1747.]     obi.  4". 
^  b.  339. 

LAUDI.     [I)^  chronological  order.']     Libro 
Primo  delle  Laudi  Spiritual!  da  Diuersi 
..  .Autovi,  etc.     1563.     4'\ 
See  Razzi  (S.)  K.  8.  f.  10. 

II  Primo  Libro  delle  Laude  Spirituali  a 
Tre  Voci,  stampata  ad  iustanza  delli... 
Padri  della  Congregatione  deUo  Oratorio. 
(II  Secondo  Libro  delle  Laude  Spirituali, 
etc.)  2  bks.  Per  Alessandro  Gardano  : 
Roma,  1583.     4".  D.  33. 

II  Terzo  Libro  delle  Laudi  Spirituali  a 
Tre  e  a  Quattro  Voci,  etc.  [Edited  by 
F.  Soto.]  Per  Alessandro  Gardano.  Ad 
instantia  d'lacomo  Tornieri,  1588.     4'\ 

D.  33.  a. 

Libro  delle  Laudi  Spirituali.  Done  in 
vno  sono  compresi  i  Tre  Libri  gia  stampati. 
E  ridutta  la  ]\Iusica  a  piu  breuita  e  facilita  : 
con  r  accrescimento  delle  parole,  e  con 
r  aggiunta  de  molte  Laudi  nuoue,  etc. 
[Edited  by  F.  Soto.]  Per  Alessandro 

Gardano,  Ad  instantia  de  lacomo  Tornieri  : 
Roma,  1589.     4°.  D.  33.  b.  (1.) 

[Another  copy.]  D.  33.  c.  (1.) 

Lodi  denote  per  uso  della  Dottrina  Christ- 
iana. Apprcsso  Girolamo  Bartoli :  Genoa, 
1589.     12\  1354.  a.  35.  (4.) 

II   Quarto    Libro   delle   Laudi   a   Tre   et 
Quatro  Voci,  etc.     [Edited  by  F.  Soto.] 
Apud  Ale.vandrum  Gardanum.     Lnpensis 
Ascanij  d  Hieronymi  Donangeli  :    Roma, 
1591.     4".  D.  33.  b.  (2.) 

[Another  copy.]  D.  33.  e.  (2.) 

II  Quinto  Libro  delle  Laudi  Spirituali,  a 
tre,  &  quattro  voci.  Del  Reuerendo  P. 
Francesco  Soto,  etc.  Apprcsso  Vittorio 

Baldini  :  Ferrara,  1598.     4^ 

D.  33.  b.  (3.) 

Santuario    di    Laudi . . .  Per    le    feste    di 

ciaschedun  santo,  etc.     1609.     4". 

See  Razzi  (S.)  11427.  ee.  25. 

Laude  Spirituali. .  .per  uso  delle  Congre- 
gazioni  di  S.  Filippo  Neri,  etc.  1703.  8'\ 
See  CoRTi  (S.)  A.  191. 

Corona  di  Sacre  Canzoni  o  Laude 
Spirituali,  etc.     1710.     12°.     See  Corona. 

A.  571. 

Laudi  Spirituali  per  la  Dottrina  Cristiana. 
Raccolte  da  varij  Autori,  etc.  1722.  12°. 
See  Santini  (P.)  3435.  flF.  34. 


LAUGH— LAURO 


25 


LAUGH.     Laugh  at  the  Times.     [Song.] 
See  From.     From  the  Hill  of  Parnassus, 
etc.     [1763.]     s.  sh.  fol.       G.  307.  (251.) 
A  Laugh  at  the  World.     [Song.] 
See  DiBDiN  (C.)     [The  SiJUnx.] 

LAUGHING.  The  Laughing  Baccha- 
nalian. [Song.]  See  As.  As  the  Mind  is 
disturb'd,"  e/c.     [1770?]     s.sh.fol. 

G.  306.  (108*.) 
Laughing  prohibited.  [Song.]  See  Dibdin 
(C.)     [.4  Tour  to  tJie  Land's  End] 

L  AUGIER  (Marc  Antoise)  See  Rousseau 
(J.J.)  [Lettre  siir  la  Musiqne  Fraru;oise.] 
Apologie  de  la  IMusique  Franq-oise,  etc. 
[By  M.  A.  Laugier.^     1754.     8". 

1103.  b.  22.  (10.) 

LAURA.      Laura.      Ballad   [begins  :    '  Ah 
listen  to  the  plaintive  Song  ']. 
See  PiERCY  (H.) 

Laura.     Sonnet  [begins  :  '  Gentle  Zephir 
as  you  kiss  '].     Sec  Pitman  (A.) 
Laura.      [Song,  begins  :  '  Lovely  are  the 
kindling  blushes.']     See  Ware  (G.) 
Laura.       [Song.]       See    Whex.       When 
beauteous  Laura's  gentle  Voice. 
[1778.]    s.  sh.  fol.  G.  313.  (196.) 

Laura  forsworn.     Ballad. 
See  Shield  (W.) 

LAURA  ET  LENZA.  Laura  ct  Lenza. 
Ballet.     See  Bossi  (C.) 

LAUREL.     The  Laurel.     [Songs.] 
Sec  Baildon  (J.) 

The  Laurel  and  the  Willow.     Canzonett. 
Sec  Mozart   (W.   A.)      [SehnsucJit  nach 
devi  Frilhlinge.] 

LAUREMBERGIUS  (Petrus)  Muso- 
machia  id  est  Bellum  !Musicale.  Ante 
quinque  lustra  Belligeratum  in  gratiam 
Er[asmi]  Sarrtorii] :  nunc  denuu  institu- 
tum  a  primo  ejus  auctore  Petro  Laurem- 
bergio,  etc.  [J.  Hallcvord  :  Rostock,! 

1G39.     8".  7896.  a.  12^ 

Musomachia,  id  est  Bellum  ^Nlusicale,  etc. 
[J.  Hallcvord  :  Rostock,]  1612.     8°. 

7897.  a.  35. 

LAURENCINUS,  Romamis. 

See  Besardus   (J.   B.)      Thesaurus   Har- 
monious diuini  Laurencini  Romani,  etc. 
1603.     fol.  G.  25. 

LAURENTIUS  [i.e.  Johann  :Martin],  of 
Sclinliffis,  a  Capuchin.  Dess  ^liranten, 
eines  Welt-  und  hoch-verwirrten  Hirtens 
nach  der  Ruhseeligen  Einsamkeit  Wunder- 
licher  Weeg,  etc.  David  Rauft : 

Costantz,  1690.  8".  11517.  a.  26.  (2.) 
IMirantische  Maul-Trumel,  oder  Wohlbe- 
denckliche  Gegen-Satze  boser,  und  guter 
Begirten. .  .Mit  schonen  Sinnbilderen,  und 
auff  eine  neue  Art  anmiithigen  ^Melodeyen 
geziehrt,  dx.  Leonhard  Parens: 

Costanz,  1698.    8°.  X1525.  df.  16. 


LAURENTIUS  [i.e.  Johann  Martin], 
^lirantische  ^layen-Pfeiff.  Oder  Maria- 
nische  Lob-Yerfassung,  in  welcher  Clorus, 
ein  Hirt,  der.  .  .Mutter  Gottes  Mariae. . . 
anmuthigbesingt . . .  ilit  schonen Kupffei'u, 
und  gantz  neuen  ^lelodeven  gezihrt,  etc. 
Bey  J.  C.  Bencard:  DiUingpn,  1692.     S\ 

11517.  bbb.  48. 
Mirantische  Wald-Schallmey,  oder  :  Schul 
wahrer  Wcisheit,  welche  einem  Jungen 
Herrn  und  seinom  Hof-^Ieister . .  .in  einem 
Wald  irr-geritten,  von  zweyen  Einsidlern 
gehalten  worden,  etc,  David  Hautt : 

Costantz,  1688.  8".  11517.  a.  26.  (1.) 
Mirantisches  Flotlein.  Oder  Geistliche 
Schafferey,  in  welcher  Christus,  under 
dem  Namen  Daphnis,  die  in  dem  Siinden- 
Schlaff  vertieffte  Seel  Clorinda  zu  einem 
bessern  Leben  aufferweckt,  etc.  In  der 

Fiirstl.  Bischiiffl.  Dnickcret/,  Bey  D. Hautt : 
Costantz,  1G82.     8".  '11517.  b.  22. 

P.  F.  Laurentii,  von  Schniiffis. .  .Mirant- 
isches Fliitlein. .  .Yierte  Auflage.  Darin- 
nen  alle  ]Melodien  zu  drey  Stimmen  saint 
einem  Rittornello  auffgesetzet,  zugleich 
ein  Anhang  Neuer  Liedern,  etc. 

Bey  E.  und  J.  R.  Thurnci/sen  : 
Franckfurt,  1139.     8".  11517.  b.  23. 

LAURETTE.  Laurette.  Op^ra-Comiquc. 
See  Haydn  (F.  J.)     [La  Vera  Costanza.] 

LAURO  SECCO.  II  Lauro  Secco.  Libro 
Primo  di  ^ladrigali  a  Cinque  Yoci  di 
Diuersi  Autori.  Basso.  (Quinto.)  2  pts. 
Yittorio  Baldini  :  Ferrara,  1582.     4". 

D.  156. 
Imperfect,  wanting  fol.  A21,  .413  and  pp. 
lS-32oft]ic  Basso  part.  This  collection 
contains  comjjositions  by  L.  Marcnzio, 
H.  Fiorino,  C.  Porta,  L.  Bertani,  G. 
d'Wert,  G.  Eremita,  L.  Liizzaschi,  A. 
Gabrieli,  A. Millevillc,  R.  Giovanelli,P, 
Isnardi,  T.  Massaini,  C.  da  Correggio, 

A.  Striggio,  A.  Zuilo,  I.  Alberti,  P. 
Virchi,  F.  Manara,  A.  daV  Occa,  N. 
Peruve,  V.  Fronti,  B.  Spontone,  G.  B. 
Mosto,  G.  Belli,  H.  Vecchi,  M.  A.  In- 
gegnieri,  A.  Stabile,  F.  Pigna,  G. 
Bardi  and  G.  di  Macque. 

LAURO     VERDE.       II     Lauro    Yerde, 

Madrigali   a    Sei  Yoci  di   diuersi  Autori. 

Quinto.  Vittorio  Baldini  : 

Ferrara,  1583.     4".  D.  155. 

This    collection   contains    Madrigals   by 

L.  Maremio,  C.  Porta,  G.  B.  Luca- 

telli,  G.  dc  Macque,  F.  di  Mo7ite,  L. 

Meldcrt,   L.    Bertani,   A.    Orlandini, 

G.  M.  Nanino,  G.  d'Wert,  A.  Stabile, 

F.  Rovigo,  L.  Luzzaschi,  S.  da  Reggio, 

F.  Soriano,  N.  Peruve,  R.  Giovanelli, 

B.  Roy,  H.  Vecchi,  A.  Trombetti,  H. 
Fiorino,  P.  Virchi,  A.  Milleville,  G. 
B.  Moscaglia,  P.  Isnardi,  J.  Corsini, 

G.  Cavaccio,  L.  Mira,  P.  Bellasio,  A, 
Ruotta  and  F,  Nicoletti, 


26 


LAURO— LAWES 


LAUR.O  VERDE.  II  Lauro  Verde. 
Madrigali  a  Sei  Voci  Comi^osti  di  Diuersi 
Eccellentissimi  Musici.  Aggiontoui  di  piu 
doi  IMadrigali  a  Otto  voci,  I'vno  d' Ales- 
sandro  Striggio,  &  di  Gio.  Gabrieli.  Canto. 
(Alto.)  (Quinto.)  (Basso.)     4  pts. 

Axyprcsso  I'ictro  Phalcsio  if-  Giouanni 
Bcllero  :  Annersa,  1591.     ohl.  4".  '* 

A.  277.  e. 

A  reprint  of  the  Ferrara  edition,  with 

tioo    additions    by    A.    Striggio    and 

G.  Gabrieli. 

LAURO  (DoMENico)     Missse  Tres  Octonis 

Vocibus  Decantandffl,  Ac  omnium  instru- 

mentorum  generis   accomodate.      Addite 

partes  infimse    pro   Organo,   etc.     Bassus 

Primi  Chori. 

Apud  Bicciardum  Amadinum  :  Venctijs, 

1G07.     4'\  C.  81. 

LAUS.     Laus  Dei  in  Ecclesia  Sanctorum. 

[Psalms.]     See.  Kobrich  (J.  J.  A.  B.) 
LAUSKA  (Franz    Srraphinus)     Grande 
Sonate  pour  le  Clavecin  oi;  Piano-Forte. . . 
Oeuvre  i.  CJu's  Giinther  £  Bijhme  : 

Havibonrg,  [1795.]  obi.  fol.  e.  58.  (1.) 
Grande  Sonate  pour  le  Clavecin  ou  le 
Piano  Forte. .  .Oeuvre  iv.  Clu's  Giinther 
ctBlihmc:  llambonrg,  [Y!91.]     obi.  io\. 

c.  58.  (2.) 
Sonate  pour  le  Clavecin  ou  Piano-Forte .  .  . 
Oeuvre  vi.  CJiez  Giinther  et  Bohvic  : 

Hambonrg,  [1797.J  obi.  fol.  c.  58.  (3.) 
Grande  Sonate  pour  le  Forte-Piano. 
Oiluvre  9.  CJie.t  J.  A.  Bohme  :  Hambonrg, 
[1800?]    oR  fol.  e.  284.  e.  (4.) 

Grande  Sonate  pour  le  Forte-Piano . . . 
CEuvre  10.  C7u's  J.  A.  Bohme  : 

Hambonrg,  [ISOO?]     obi.  fol. 

e.  284.  e.  (5.) 
LAVENDER.  The  Lavender  Girl.  [Song.] 

,SVe  Reeve  (W.)     [Mirth's  Mnsenm.] 
LA     VILLE-SUR-ILLOK"      (Bernard 
Germain  Etienne  de)  Connt  de  Laci'jiede. 
La  Poetique  de  la  Musique,  dr.     2  Tom. 

De  Ulmprimeria  de  Monsienr  :  Paris, 
1785.     8".  1042.  h.  13. 

La  Poetique  de  la  IMusique,  etc.     2  Tom. 
Paris,  1787.     12".  12206.  ddd.  33. 

Part  of    the   '  BibliotMqtie    Univcrselle 
des  Dames.' 
[Another   edition.]      La    Poetique   de   la 
Musique,  etc.     2  Tom.     Paris,  1787.     12". 

1042.  a.  11. 
LAVINIA.     Lavinia.     [Cantata.] 
See  Billington  (T.) 

LAVINIA  A  TURNO.  Lavinia  a 
Turno.     Cantata.     See  Graun  (C.  H.) 

LA  VOYE  MIGNOT  (  de)  Traits 
de  Musiqu'e  pour  bien  et  facilement  ap- 
prendre  a  Chanter  &  Composer,  tant  pour 
les  Voix  que  pour  les  Instruments.  Divise 
en  trois  parties,  etc.  P.  Ballard  :  Paris, 
165G,     4",  557*.  d.  19. 


LAW.  Law,  Phisick  &  Divinity.  [Song.] 
See  Three.  Three  rosy  fac'd  Topers  as 
ever  was  known.     [1770?]     s.  sh.  io\. 

G.  316.  (142.) 

Law,  Physic  and  Divinity.  Song. 
See  Three .  Three  rosy  fac'd  Topers  as  ever 
was  known.  [1772.]  8".  P.P.  5438.  z. 
LAW  (Andrew)  Select  Harmony.  Con- 
taining. .  .the  Rules  of  Singing  :  Together 
with  a  Collection  of  Psalm  Tunes,  Hymns 
and  Anthems.     [London  ?  1780  ?]     obi.  4". 

A.  816. 
LAWES  (Henry)     Ayres  and   Dialogues, 
for  One,  Two,  and   Three  Voyces...The 
First  Booke.     few  ms.  notes. 

T.  H.,for  John  Playford  :  London, 
1653.     fol.  F.  2.  (1.) 

The  Second  Book  of  Ayres,  and  Dialogues, 
for  One,  Two,  and  Three  Voyces.  T.  H.  for 
Jo.  Playford  :  London,  1655.     fol. 

F.  2.  (2.) 
Ayres  and  Dialogues,  for  One,  Two,  and 
Three  Voyces.     The  Third  Book. 

IF.  Godbid  for  John  Playford  :  Tendon, 
.     1658.    fol.  F.  2.  a. 

The  portrait  has  been  cut  ont  of  the  title- 
page. 
A  Paraphrase  upon  the  Psalmes  of  David. 
By  G[eorge]  S[andj's].  Set  to  new  Tunes 
for  private  Devotion  :  and  a  thorow  Base, 
for  Voice,  or  Instrument.  John  Legatf  : 
London,  1638.     fol.  3104.  e.  8. 

Farming  part  of  Sandys'    'Paraphrase 
vpon  the  Divine  Poems.' 
A  Paraphrase  upon  the  Psalmes  of  David, 
by  G[eorge]  S[andys].     Set  to  new  Tunes, 
etc.     [London  r]  16^8.     8".     11623.  c.  6. 
Forming  petrt  of  Sandys'  'Paraphrase 
npon  the  Divine  Poems' 
A  Paraphrase  upon  the  Psalms  of  David. 
By  George  Sandys.     Set  to  New  Tunes. . . 
And  in  this  Edition. .  .Revised  and  Cor- 
rected. .  .by  John  Playford.        W.  Godbid, 
for  Abel  Roper  :  Loudon,  1676.     8". 

1076.  m.  7. 
Forming  part  of  Sandys'  '  Paraphrase 
7ipon  the  Divine  Poems.' 
The  Treasury  of  Musick  :  containing  Ayres 
and  Dialogues  to  Sing  to  the  Theorbo- 
Lute  or  Basse- Viol.  Composed  by  Mv. 
Henry  Lawes  .  .  .  and  other  Excellent 
Masters.  In  Three  Books.  [With  pre- 
faces by  J.  Playford.]  William  Godbid 
for  John  Playford  :  London,  1669.     fol. 

G.  81. 
This  is  a  reissue,  wider  a  general  title, 
of  PlayforcVs  First  and  Second  Books 
of  "  Select  Ayres  and  Dialogues  "  and 
H.  Lawcs's  Third  Book  of  "  Ayres  and 
Dialogiies." 
See  Playford  (J.)     Select  Ayres  and  Dia- 
logues to   Sing   to   the   Theorbo-Lute   or 
Basse-Viol  .  .  .  Composed   by  Mi:   Henry 
Lawes,  etc.     1669.     fol.  G.  82.  (2.) 


LAWES— LEACH 


27 


LAWES  (Henry)  See  Playford  (J.) 
Select  Ayres  and  Dialogues. .  .Composed 
by. .  .H.  Lawes,  etc.     1659.  fol. 

G.  82.  (1.) 

See  Playford  (J.)     Select  Musicall  Ayres 
and  Dialogues. .  .by. .  .H.  Lawes,  etc. 
1652.     fol.  F.  51. 

See  Playford  (J.)  Select  JIusicall  Ayres 
and  Dialogues. .  .by. .  .IMr.  Henry  Lawes, 
etc.    1653.     fol.  F.  51.  a. 

See  Stevens  (R.  J.  S.)  Seven  Glees... 
and  two  Glees  from  INIelodies,  by  H.  Lawes, 
etc.     [1800  ?]     obi.  fol.  E.  319.  (4.) 

LAWES  (Henry)  and  (William)  Choice 
Psalmes  put  into  Musick,  for  Three 
Voices.  The  most  of  which  may  properly 
enough  be  sung  by  any  three,  with  a 
Thorough  Base  .  .  .  With  divers  Elegies, 
set  in  Musick  by  sev'rall  Friends,  upon 
the  death  of  W.  Lawes.  And  .  .  .  nine 
Canons  .  .  .  made  by  William  Lawes. 
(Cantus  primus.)  (Cautus  secundus.) 
(Bassus.)     (Thorow  Base.)     4  pts. 

James  Young,  for  Humphrcij  Moscley  : 
London,  1648.     4".  K.'  3.  h.  18. 

Tlie  composers  of  the  Elegies  are : 
H.  Laives,  D''  John  Wilsoii,  John 
Taylor,  John  Cob,  Edm.  Foster, 
Simon  Ivc,  John  Jinkins  and  John 
Hilton. 

[Another  copy.]     4  pts.  C.  110. 

The  Cantus  Primus  wants  fol.  E  4:  (a 

blank  leaf);  the  Cantus  Sccundtis  a 

similar  leaf  (P  4),   a7id  the   Bassus 

fol.  Aa. 

LAWES  (William)  Gather  sweet  rose- 
buds. Favourite  Glee,  for  three  voices, 
etc.     [London,]  1794.     s.  sh.  4" 

P.P.  5141. 
Tlie  Lady's  Magazine,  May,  1794. 

Gather  your  rosebuds  while  you  may. 
See    Gather.     Gather    your    Rose-buds, 
etc.     [Music  by  W.  Lawes.] 
[1780  ?]     s.  sh.  fol.  G.  308.  (32.) 

Sec  Lawes  (H.)  and  (W.)  Choice 
Psalmes  put  into  ^lusick,  for  Three 
Voices,  etc.     1648.     4".  K.  3.  h.  18. 

See  Playford  (J.)  Select  Musicall  Ayres 
and  Dialogues. .  .by. .  .Mr.  William  Lawes, 
etc.     1653.     fol.  F.  51.  a. 

See    Playford    (J.)      Select    Ayres    and 
Dialogues . , .  Composed  by  .  .  .  W.  Lawes 
. .  .and  other. .  .Masters  of  Musick. 
1659.     fol.  G.  82.  (1.) 

LAWFELT.     La  Lawfielt.     Fanfare. 
See  Dampierre  (        de)  Marguis. 

LAWFUL.     Lawful  Love.     [Song.] 
See  'Tis.     'Tis  true  the  Law  I  do  profess. 
[1780?]     s.sh.iol.  G.  312.  (170.) 


LAWTON  (D.)  The  Leeds  Volunteer's 
IMarch.  . .  [Full  Score  and]  Arranged  for 
the  Organ  or  Harpsichord,  with  a  Varia- 
tion. Longman  and  Broderip,  for  the 
Author  :  London,  [1794  ?]     fol. 

g.  133.  (35.) 
LAWYER.     The   Lawyer's  Duel.     [Song 
and  Chorus.]     Sec  After.     After  a  pauze 
of  great  Guns  loud  salute,  etc. 
[1655?]     fol.  Harl.  5936.  (399.) 

The    Lawyer's    Glee.      See    Woman.      A 
W^oman  having  a  settlement,  etc. 
[1799.]     fol.  G.  809.  e.  (72.) 

LAY.     Lay  aside  the  reap-hook.     [Song.] 
See  Leveridge  (R.)     [The  Mountebank.] 
LAYLAND    (Thomas)     Ah  Damon,  dear 
Shepherd  adieu.     A  Favorite  Elegy,  etc. 

G[eorge]  S[mart :  London, 
1780  ?]     s.  sh.  fol.  G.  306.  (93.) 

LAZARI  (Alberto)  Armouie  Spirituali 
Concertate  a  1.  2.  3.  4.  5.  &  6.  voci  con  le 
Lettanie  della  B.  Vergine  a  4.  &  8.  si 
place,  con  il  Basso  Continuo  .  .  .  Libro 
Secondo.  Opera  Secouda,  etc.  Canto. 
(Alto.)  (Tenore.)  (Basso.)  (Quinto  e 
Sesto.)  (Settimo,  e  Ottauo.)  (Organo.) 
7  pts.  Apresso  Bartolomeo  Magni  : 

Venetia,  1637.     4°.  D.  50. 

LAZARUS.     Lazarus,  oder  die  Feyer  der 
Aufstehung.     Ein  musikalisches  Drama. 
See  RoLLE  (J.  H.) 
LE.       L'avcz    vous    vu    mou    bien    aime. 
Ronde.     See  Fee  Urgele. 
L'on  vous  dit  tons  les  ans.     Air. 
See  DuBUissoN  (        ) 
Le  connais-tu,  ma  chere  Ele'onore.     Ari- 
ette  Nouvelle.     [Paris,  1780  ?1     8". 

B.  362.  a.  (151.) 
[Another  copy.]  B.  362.  e.  (32.) 

Le  connais  tu,  ma  chere  Kleonore.  Ari- 
ette,  avec  Accompagne'"'  de  Guithare,  par 
M'  Comien.  Chez  Frere  : 

[Paris,  1785  ?]     S".  B.  362.  e.  (18.) 

Le  voici  ce  beau  jour.     Anniversaire  de  la 
chute  du  dernier   Roi  des   Franrais  .  .  . 
[Song,  words]  Par  le  Ci.  Perrin. 
Chez  Frere  :  [Paris,  1794  ?]     8". 

E.  1717.  b.  (27.) 

LEACH  (        )  Organist  at  Cheshunt.     The 

Hertfordshire  Yeomanry  Cavalry.     A  New 

Song,  etc.  Longman  and  Broderip, 

for  the  Author  :  London,  [1796  ?]     fol. 

G.  376.  (23.) 
LEACH  (James)  A  New  Sett  of  Hymns 
and  Psalm  Tunes  .  .  .  with  Accompani- 
ments, &  a  Thoro'  Bass,  the  whole  figured 
for  the  Organ,  Harpsichord  or  Piano-Forte. 
Preston  £  Son,  for  the  Author  :  London, 
[1789.]     obi.  4".  B.  844.  (1.) 

A  Second  Sett  of  Hymns  and  Psalm 
Tunes,  etc.  Preston  d:  Son,  for  the 

Author  :  London,  [1794.]     obi.  i". 

B.  844.  (2.) 


28 


LEACH— LE  BCEUF 


LEACH  (3.)  Go  gentle  Breezes  to  yon 
vei'clant  Grove.  Glee.  See  Herscheld 
(F.  W.)  The  favorite  Eccho  Catch,  and 
the  preceeding  Glee  [by  S.  Leach],  etc. 
[ITSO.j     obi.  fol.  F.  607.  y.  (8.) 

•  LEANDER  (Henry)  By  those  Eyes.  A 
Favorite  Duett  for  Two  Voices. .  .with  an 
Accompaniment  for  a  Pedal  Harp,  or 
Piano  Forte,  f^c.     London,  [1800?]     fol. 

G.  805.  h.  (27.) 
See  DuFRESNOY  (  )  Madame.  A  Favorite 
Sonata...  for  the  Harp. .  .arranged  with 
Accompaniments  for  Two  French  Horns 
. .  .by  H.  Leander.     [1800  ?]     fol. 

h.  1480.  h.  (7.) 

LEANDRE.  L^andre  chez  Colinette  un 
jour.  Suite  dc  la  Lanterne  Magique. 
Air,  Philis  defmande]  son  portrait  [by 
Albanesel.     [Paris,  1780?]     8". 

B.  362.  a.  (160.) 

LEANDRE     CANDIDE.       En     fixant 
notre    pianette.      Vaudeville   de  Leandrc 
Ccmdide, . .  .Swv  I'Air  de  Figaro. 
[Paris,  1784.]     8".  B.  362.  c.  (27.) 

LE  ANDRE  ET  HERO.  Leandre  et 
Hero.  Tragedie  [words  by  Lefranc  de 
Pompignan],  mise  en  Musique  par 
I'Auteur  du  Ballet  de  1' Empire  de 
I'Amour  [i.e.  the  Marquis  Eeue  de  Beam 
Brassac],  etc.  Partition  .  .  .  Gravee  par 
Labass^e.  Cites  M""^  Boivin,  etc. : 

Paris,  1750.     fol.  I.  322. 

LiiANDRE  NANETTE.  Leandre 
Nanette,  ou  le  Double  Qui-pro-quo. 
Parade  en  un  acte,  en  vers  et  en  Vaude- 
villes, etc.  [By  C.  F.  Ragot  de  Graudval. 
With  the  music  of  an  Air  and  a  Vaude- 
ville.]    Cliqnanco'urt,  1756.     8". 

11738.  f.  39.  (9.) 

LEAP      YEAR.      Leap     Year.      [Song, 
begins  :  '  Come  round  me  ye  lasses.'] 
See  DiBDiN  (C.)     [Christinas  Gambols.'] 
Leap   Year.     [Song,  begins :  '  Won't  you 
hail  the  leap  year.'] 

See  DiBDiN  (C.)     [Private  Theatricals.] 
Leap  Year.  [Song,  begins:  '  A  Shepherdess 
one  Morning  fair.']     Sec  T.,  J. 

LEARNED.  The  Learned  Pig.  Comic 
Song.  See  Since.  Since  London's  the 
place,  etc.     [1780  ?]     fol.   H.  1994.  (59.) 

LEAVE.     Leave  me  shephard.     Song. 
See  Stanley  (J.) 

Leave  yo''  Folded  Flocks  in  Peace.  A 
neio  Song  by  an  Eminent  Master  [i.e.  H. 
Carey].     [London,  1720?]     s.  s7i.  fol. 

H.  1601.  (294.) 

Leave   your  folded    Flocks  in   Peace   to 
sleep.     Pastoral.     [By  H.  Carey.] 
[LoHfZo'n,  1740?]     s.  sh.  io\. 

G.  316.  a.  (34.) 

.4  leaf  from  Vol.  I.  of  Carey's  '  Musical 
Century.' 


LEAVES.  The  Leaves  so  green.  [Song.] 
See  Arnold  (S.)  [TJie  Castle  of  Anda- 
lusia.] 

LE  BEGUE  (Nicolas  Antoine)  Les 
Pieces  de  Clauessiu  compos6es  par  Mr.  le 
Begue,  etc.  Chez  le  S''  Baillon :  Paris, 
1677.     obi.  fol.  K.  10.  a.  14. 

Second  Livre  de  Clavessin,  etc.  Chez  le 
Sieur  Lcsclop  :  Paris,  [1680  ?]     ohl.  fol. 

K.  10.  a.  15. 

Premier  Liuro  des  Pieces  d'Orgues. .  .auec 
les  Varietez,  les  agreements,  et  la  maniere 
de  toucher  i'Orgue  apresant  Sur  tons  les 
Jeux,  etc.  Chez  le  Sieur  Lesclop  :  [Paris, 
1676  ?]    obi.  fol.  K.  10.  a.  13. 

LEBEUF  (Jean)  Trait6  Historique  et 
Pratique  sur  le  Chant  Ecclesiastique.  Avec 
le  Directoire  qui  en  contient  les  principes 
&  les  regies,  suivant  I'usage  present  du 
Diocese  de  Paris,  &  autres.  Precede  d'une 
Nouvelle  Methode,  etc.  Chez  C.  J.  B. 

Herissant :  Paris,  1711.     8°. 

1042.  d.  15. 

LEBLANC  (    )     LaFolleGageure.Com^- 
die,  en  un  Acte  et  en  prose,  melee  d'Ari- 
ettes. .  .Paroles  de  M.  Leger,  etc. 
Chez  Caillcau  cC  Fits  :  Paris,  1790.     8°. 

11738.  h.  13.  (3.) 
Containing  the  voice  part  of  a  few  songs 
only. 
Gabrielle  et  Paulin.     [For  songs,  &c.,  pub- 
lished anonymously :] 
See  Gabrielle  et  Paulin. 

Nieod^me  dans  la  Lune.  [Folic  in  prose, 
with  songs,  &c.  Words  and  music  by 
Cousin  Jacques,  accompaniments  by  Le- 
blanc.  For  songs,  &c.,  published  anony- 
mously :]  See  Nicodeme  dans  la  Lune. 

[La  Noce  B6arnaise.]     Roder,  veiller,  sans 
cesse  etre  aux  aguets.     Ariette,  etc. 
[1787.]    8°.     See  Noce  Bearnaise. 

B.  362.  c.  (72.) 

LEBLANC  (Didier)  Airs  de  Plusieurs 
Musiciens.  Sur  les  Poesies  de  Ph.  Des- 
portes  &  autres  des  plus  excellants  Poetes 
de  nostre  terns.  Reduiz  a  4.  parties,  Par 
M.D.Le  Blanc.  Superius.  (Tenor.)  2  pts. 
Adrian  le  Roy,  d;  Robert  Bcdlard  :  Paris, 
1582.     obi.  16".  K.  2.  b.  7. 

Second  Livre  d'Airs  des  plus  excelants 
Musiciens  de  nostre  tems.  Reduiz  a 
quatre  parties.  Par  M.  Di.  Le  Blanc. 
Superius.  Adrian  le  Roy,  cC  Robert. 

Ballard  :  Paris,  1579.     obi.  16". 

K.  2.  b.  6. 

LE    BCEUF    (     )     Traits   d'Harmonie   et 

Regies   d'Accompaguement   servaus   a   la 

Composition,   suivant  le   Sisteme  de   M. 

Rameau,  etc.  An  Bureau  Musical : 

Paris,  [176S.]     obi.  fol.  e.  358. 


LE  BRUN— LECLAIR 


29 


LE  BRUN  (Franziska)  Six  Sonatas, 
for  the  Harpsichord  or  Piano  Porte  with 
an  Accompaniment  for  a  Violin,  etc. 
[Op.  1.]  Printed  for  the  Ant Jior  :  London, 
[1778?]     fol.  h.  1689.  (1.) 

Six  Sonatas.  .  .Op.  1.     [Separate  Parts.] 
J.  Bland  :  London,  [1785  ?]     fol. 

h.  1480.  c.  (13.) 
Six  Sonatas  for  the  Piano  Forte  or  Harpsi- 
chord with  an  Accompanyment  for  a  Violin 
. .  .Op.  II.  The  Author  :  London, 

[1778?]    fol.  h.  1689.  (2.) 

LE  BRUN  (LuDWiG  August)  The  Favor- 
ite Dances  for  the  Year  1782  called  Armida. 
J.  Blundcll :  London,  [1782.]     obi.  4". 

b.  51.  d.  (3.) 

Six  Trios  pour  Deux  Violons  et  Violoncello 
. . .  Oeuvre  1".     [Separate  Parts.] 
Chez  M:  Goetz :  Mannheim,  ni80?]     fol. 

g.  420.  d.  (7.) 

LE  CERF  DE  LA  VIEVILLE  (Jean 
Louis)  Comparaison  de  la  ^Musique  Itali- 
enne  &  de  la  jMusique  Fran(,'oise.  See 
HiSTOiHE.  Histoire  de  la  Musique,  etc. 
[Vols.  II-IV  by  J.  L.  Le  Cerf  de  la 
Vieville.]     1725.     12\  1042.  f.  7.  8. 

LE  CHEVALLIER  (Amedke)  Scelta 
delle  pill  belle  Ariette,  e  Canzocine  Itali- 
ane,  de'  piu  famosi  Autori.  .  .Accommo- 
date al  suoiio  di  Flauto,  Violino,  &  altri 
Stromenti,  racolte  d' A.  Le  Chevallier. 
(Violino  Primo.)  (Basso  Continuo.)  2  pts. 
P.  cC-  J.  Blaeu  :  Amsterdam,  1G91.     obi.  4'\ 

C.  404.  (3.) 

See  LuLLi  (G.  B.)  Les  Trios  des  Opera 
de  Monsieur  de  LuUy,  mis  en  ordre  pour 
les  concerts,  etc.  [Arranged,  with  a  pre- 
face, by  A.  Le  Chevallier.] 

1690.  (1691.)     obi.  W  C.  404.  (1.) 

See  RosiERS  (C.)  Pieces  Choisies. .  .Mises 
en  ordre  par  A.  Le  ChevaUier,  etc. 

1691.  obi.  4".  C.  404.  (2.) 
See  Rousseau  (J.)  2ilethode  Claire . . . 
pour  apprendre  a  chanter  la  ]\Iusique . . . 
Le  tout  mis  en  ordre  par  A.  Le  Chevalier, 
etc.    1691.    obi.  4°.  785.  a.  7. 

LECHNER  (Leonhard)  Harmonite  mis- 
cellte  Cantionum  Sacrarum,  ah  Exquisi- 
tissimis  yEtatis  Nostrie  ^lusicis  cum 
Quinque  &  Sex  vocibus  concinnatfe. . . 
editce  studio  Leouardi  Lechneri,  etc. 
Cantus.  (Altus.)  (Tenor.)  (Basis.)  (Quinta 
(Sexta)  Vox.)     6  pts.  Typis 

Gcrlachianis  :  Noriberga-,  1583.     obi.  4°. 

A.  249.  c. 
The  Tenor  part  alone  is  dated.    The  com- 
posers named  in  this  collection  are  : 

0.  de  Lasso,  P.  de  Monte,  C.  de  Bore, 
Hannibal  Paduano, I.  P.  Pninestimis, 

1.  de  Wert,  A.  Gabrieli,  F.  de  Lasso,  C. 
Porta,  M.  A.  Lujegnerius,  H.  Stabilis, 
I.  Guami,  A.  Gabrieli,  A.  Morari,  L. 


Lechner,  Don  Ferdinaiulus  de  las  In- 
fantas, G.  Prevost,  A.  Gorswinus,  T. 
Biccius,  G.  Florins,  A.  Fcrabosco,  H. 
Baccusiiis  and  H.  Meloni. 

[Another  copy.  Cantus.  (Altus.)  (Tenor.) 
(Basis.)  (Sexta  Vox.)]     5  pts.     A.  249.  f. 

Liber  Missarum  Sex  et  Quinque  Vocum. . . 
Adjunctis  aliquot  Introitibus  in  prrecipua 
festa. .  .iisque  Sex  &  Quinque  vocum,  etc. 
Cantus.  (Altus.)  (Basis.)  (Quinta  &  Sexta 
Vox.)     4  pts.  Tijpis  Gcrlachianis  : 

Norimbergae,  1584.    obi.  4".      A.  249.  d. 

Motectse  Sacrse,  Quatuor,  Quinque,  et  Sex 
Vocum,  ita  compositae,  ut  non  solum  viua 
voce  commodissime  cautari,  sed  etiam  ad 
omnis  generis  instrumenta  optime  adhi- 
beri  possint . . .  Addita  est  in  fine  Slotecta 
octo  vocum,  e/c.  Altus.  Lnjyresste . .  .iii 
Officina  typographica  Katharinte,  Theo- 
dorici  Gerlachij  relictte  Vidtuv,  cC  Hurc- 
dum      loannis      Montani  :       Noriberg;>', 

1576.  obi.  4".  A.  249. 

Sacrarum    Cantionum,   Quinque    et   Sex 
Vocum,  Liber  Secundus,  etc.     Altus. 
In  Officina  Catharime  Gerlachin,  d  Hiere- 
dum     lohannis     Montani  :       Koribergm, 
1581.     obi.  4".  A.  249.  b. 

Newe  Teutsche  Lieder,  mit  Vier  vnd  Fiinff 
Stimmen,  Welche  ganz  lieblich  zusingen, 
auch  auff  allerley  Instrumenten  zuge- 
brauchen,  etc.  Discant.  (Altus.)  (Tenor.) 
(Basis.)  (Quinta  Vox.)  5  pts.  Gedruckt 
durch     Nicolatim     Knorrn  :      Xiirnbcrg, 

1577.  obi.  4".  A.  249.  a. 

Neue  lustige  Teutsche  Lieder,  nach  art 
der  Welschen  Canzoneu,  mit  vier  Stimmen 
componirt. .  .Slit  etlichen  ncuen  Composi- 
tionen. .  .gemehret.     Secunda  Vox. 

Gedruckt  durch  Katharinam  Gerlachin  : 
Nilrmberg,  1588.     obi.  4".  A.  249.  e. 

See  Regxabd  (.J.)    Newe  Teutsche  Lieder, 
...mit    fiinff    Stimmen    gesetzet,    durch 
Leonardum  Lechnerum,  etc. 
1579.     obi.  4".  A.  369.  c. 

LECLAIR  (Jean  IMarie)  Six  Concerto  e 
Tre  Violini,  Alto  e  Basso  per  Organo  a 
Violoncello.  Composes  par  ^NP  Le  Clair 
I'Aine.  Graves  par  son  Epouse ...  Pre- 
miere Partie.  CEuvre  vii"'".  [Separate 
Parts.]  Chez  V Auteur  :  Paris, 

[1740?]     fol.  g.  220.  c. 

Scylla  et  Glaucus.  [For  airs  published 
anonymously :]  See  Scylla  et  Glaucus. 

Sonates  a  Deux  Violons  sans  Basse . . . 
Gravees  par  ]\1"=  L.  Roussel.  Troisieme 
Ouvrage.  Chez  VAuteiir  :  Paris, 

1730.     fol.  g.  220.  b. 

Premier  Livre  de  Sonates  a  Violon  Seul 
avec  la  Basse  Continue. .  .Gravees  par 
L.  Hue,  etc.  Chez  le  S''  Boivin  :  Paris, 
1723.    fol.  i.  8.  a.  (1.) 


30 


LECLAIR— LEE 


LECLAIR  (Jean  Marie)    Second  Livrc 
flc    Senates   pour    le    Violon   et   pour   la 
Flute  Traversiere  avec  la  Basso  Continue 
. .  .Gravees  par  W'  Louise  Roussel. 
Chez  VAuteur:  Paris,  [1725?]     fol. 

i.  8.  a.  (2.) 

Troisieme  Livrc  de  Senates  a  Violon  Seul 
avec  la  Basse  Continue. .  .Gravees  par 
M""=  Leclair. .  .GEuvre  v.  Chez  VAuteur  : 
Paris,  [1735?]     fol.  g.  220.  a. 

Quatrieme  Livre  de  Sonates  a  Violon 
Seul  avec  la  Basse  Continue. .  .Gravees 
par  M'""  Le  Clair. .  .Oi^uvre  ix. 
Chez  VAuteur:  Paris,  [11 4:5^]  fol.  i.  8. 
Imperfect,  wanting  pp.  4,  5,  u-hicli  have 
been  suppVied  in  MS. 
[Quatrieme  Livre  de  Sonates.  CEuvre  ix. 
N"'  1,  12,  4,  3,  5  and  6.]  Six  Solos  for  a 
Violin  with  a  Bass  for  the  Harpsichord 
or  Violoncello.     Opera  Secouda. 

Printed  for  I.  Walsli :  London, 
[1755?]     fol.  g-  220. 

LECLERC  (Jean)      Premier   Recueil   de 
Contre  Danses . . .  avec  la  Basse  Continue 
et  chiffree.     Receuilly  et  mis  en  ordre  par 
M'  Le  Clerc.     Gravees  par  M"°  Le  clair. 
Chez  Lc  &•'■  Le  clerc  :  Paris,  [1729.]     fol. 

h.  422. 

LECLERC  (Jean  Baptiste)  Essai  sur 
la  Propagation  de  la  IMusique  en  France, 
sa  Conservation,  et  ses  Rapports  avec  le 
Gouvernement. 

De  VImprimeric  Nationale :  Paris,  An  iv 
[17%].    8\  557*.  d.  35.  (1.) 

LE  CLERE  (Victoire)  Madame.  The 
Virgin's  First  Love.  A  Favorite  Ariette. 
With  an  Accompaniment  for  the  Harp 
or  Piano  Forte  and  German  Flute.  The 
Melody  by  ^ladame  V.  Le  Clere,  adapted 
to  English  Words  &  t)ie  Accompaniments 
by  an  Eminent  Composer.  L.  Lavenu  : 
London,  [1800?]     fol.     G.  800.  m.  (37.) 

LE9ON.     La  Le(,;on  Galante.     [Song.] 
See   Dkcouvrez.      Decouvrez  un  tendre. 
mistere.    [1785?]    8\      B.  362  e.  (109.) 

LECONS.     Lecons   d'Epicure,  ou   I'Aim- 
able   Philosophic.     [Song.]      Sec  Amour. 
L' Amour  est  un  bien  supreme,  etc. 
[1785?]     8".  B.  362.  a.  (182.) 

LE  COQ,  (  )  of  Arras.  Le  Parfait 
Biberon.  Cbanson. .  .Les  paroles  sont  de 
M-^  Bracheu.     [Paris,']  1745.     s.  sh.  4". 

297.  c.  4. 
Mercure  de  France,  Dec,  1745. 

L^DA.     L6da.     Cantatille. 
See  Mouret  (J.  J.) 

LEDERER  (Joseph)  Fiinf  Vespern  samt 
f  iinf  andern  Psalmen . . .  einem  besondern 
Magnificat,  und  einem  Stabat  Mater... 
bestehend   in   Discant,  Alt,  Tenor,  Bass, 


zvveyen  Violinen,  zweyen  Waldhornern, 
Orgel  und  Violone,  etc.     10  pts. 

Zu  finden  hey  clem  Author  :   Ulm, 
1780.     fol.  H.  3160.  a. 

Fiinf  Vespern. . . Zwote  Aufiage.     10  pts. 
Bey  J.  J.  Lotter  tmd  Sohn  :  Augsburg, 
1789.     fol.  H.  3160. 

LEDUC  (Simon)    Second  Livrc  de  Sonates 
pour  le  Violon. .  .Oeuvre  iv. 
Chcs  M--  le  Due  :  Paris,  [1770?]     fol. 

g.  422.  a.  (5.) 

LEDUC  (Simon)  and  GOSSEC  (Francois 
Joseph)  Trois  Sinfonies  a  deux  Violons, 
Taille  et  Basse,  Flutes  ou  Hautbois  & 
Cors  de  Chasse. .  .CEuvre  i.  [Separate 
Parts.]  J.  Schmitt :  Amsterdam, 

[1770?]     fol.  g.  257.  a.  (2.) 

LEE  (Peter)  A  Conversation  Piece,  for 
two  Persons  to  Sing  and  Play  together, 
on  one  Harpsichord  or  Piano  Forte. 

Printed  for  the  Author:  [London, 
1790  ?]    obi.  fol.  e.  108.  (10.) 

Damon  and  Delia.  A  Favorite  Rondou, 
etc.     [London,  1785  ?]     fol. 

H.  1653.  (34.) 

[Another  edition.]  Damon  and  Delia, 
etc.     The  Author :  Putney,  [1785  ?]     fol. 

H.  2818.  (14.) 

A  Small  Collection  of  Hymns  for  the 
Organ  or  Harpsichord. .  .The  Words  by 
D'  Watts.  Holland  iC  C",  for  the  Author  : 
London,  [1785  ?]     obi.  4^       B.  788.  (3.) 

The  Jolly  Fellow.     [Song.] 
See  infra :  The  Tar  in  Distress. 

Six  Progressive  Lessons  for  the  Harpsi- 
chord or  Piano  Forte,  containing  many 
Usefull  passages,  with  the  manner  of 
fingering  them.  Printed  for  the  Author  : 
Wandsimrth,  [1785  ?]     obi.  fol. 

e.  101.  (5.) 

Three  Sonatas  for  the  Harpsichord  or 
Piano  Forte,  with  an  Accompanymeut 
for  a  Violin  or  German  Flute. .  .Op.  2''. 

Priiited  for  the  Author:  [London, 
1786?]     fol.  h.  60.  (5.) 

The  Tar  in  Distress.  A  Glee  for  3  Voices, 
also  adapted  for  the  Piano  Forte  .  .  . 
Written  and  Composed  by  P.  Lee.  (The 
Jolly  Fellow.  [Song.])  Printed  for  the 
Author:  London,  [1790?]     fol. 

G.  806.  f.  (45.) 


[Another  copy.] 


G.  808.  e.  (30.) 


William  &  Mary,  two  favorite  Rondos 
with  an  Accompaniment  for  a  Violin,  or 
German  Flute . . .  Written  and  Composed 
by  P.  Lee.  Printed  for  the  Author  : 

London,  [1788  ?]     fol.  G.  366.  (28.) 


LEEUW— LEFEVRE 


31 


LEEUW  (CoRNELis  de)  See  Pees  (D.  P.) 
Bellerophoii,  of  Lust  tot  Wysheyt. .  .op  't 
uieuw. . . vermeedert  . .  .De  Musijck  door 
C.  de  Leeuw  gecorrigeert.     1669.     8". 

C.  64.  b.  16.  (1.) 
[For  editions  of  the  Dutch  Psalter  as 
corrected  by  Cornelis  de  Leeuw  and  first 
published  in  16G2  :]    See  Psalms.    [Duich.] 

LEEVES  (William)     Auld  Robin  Gray. 
See  Since.     Since  Jenny  she  has  married. 
Jamie's  Complaint,  or  the  Sequel  to  Auld 
Robin  Gray.    [Song.]     Set  to  the  Original 
Air  [by  W.  Leeves]  etc.     [1870  ?]     fol. 

G.  311.  (159.) 

See  When.     When  the  Sheep  are  in 

the  fauld.  Auld  Robin  Gray,  etc.  [Bv  W. 
Leeves.]     [1780?]     fol.       G.  313.  (177.) 

[Another  edition.]   Sec  When.  When 

the  Sheep  are  in  the  fauld,  etc.  [By  W. 
Leeves.]    [1782?]    fol.     G.  383.  i.  (47.) 

[Another  edition.]  See  When.  When 

the  sheep  are  in  the  fauld,  etc. 

[1785?]    fol.  G.  383.  i.  (48.) 

[Another  edition.]  See  When.  When 

the  Sheep  are  in  the  fauld,  etc.  [By.  W. 
Leaves.]   [1790?]   fol.     H.  1651.  b.  (61.) 

. [Another  edition.]  See  Young.  Young 

Jamie  lov'd  me  weel.     Auld  Robin  Gray, 
with  the  new. .  .Tunc.     TBv  W.  Leeves.] 
[1785  ?]     s.  sh.  fol.         H.  1601.  a.  (69.) 

The  Pigeon.      [Song.]      See  Why.     Why 
tarries    my   Love?... By   the   Author   of 
Auld  Robin  Gray  [W.  Leeves]. 
[1790?]     fol.  G.  296.  (16.) 

LEFEiBURE  (Andre)     L' Amour  Protec- 
teur.     Cautatillc  avec  Sjinphonio,  etc. 
Chez  I'Auteur:  Paris,  [1755?]     fol. 

H.  56.  (2.) 

Dans   cc  sejour.      Idee,  tircc   du    Temple 
de  Gnidc.      Sur   I'Air   de   la   ]Musette   de 
M.  Lefebvre  :  Dans  ce  Verger,  mon  Berger 
&c.     [Words]  Par  M.  Du.  :M. 
IParis,]  1760.     s.  sh.  8\  297.  d.  24. 

Mercure  de  France,  July,  1760. 

L'Heureux  Dcpit.  Cautatillc  a  Voix  scule 
avec  Simphoiiic.  Chez  VAuteur :  Paris, 
[1755?]     fol.  H.  56.  (1.) 

La  Peiisee.  Cautatillc  a  Voix  Seule  avec 
Simphonic,  c^c.  Cliez  VAuteur:  Paris, 
[1755?]     fol.  H.  56.  (3.) 

La  Retraite  dc  Boree.     Cautatillc,  a  Yoix 

seule  avec  Simphonie,  etc. 

dies  I'Auteur  :  Paris,  [1755  ?]     fol. 

H.  56.  (4.) 

LEFEBURE    (Louis    FRAN901S    Henri) 
Bevues,  Erreurs  et  meprises  de  difierens 
Auteurs  celebres,  en  jMatieres  IMusicales. 
Clicz  Knapcn  Fits :  Paris,  1789.     12^ 

1042.  d.  20.  (2.) 


liE  FEBVRE  (Francois)  Le  Dieu  Gard 
de  la  Ville  de  Paris,  a  IMonseigueur  de 
Guise. .  .a  son  retonr  de  la  prise  de  Calais, 
par  Sonnets  heroiques.  Autheur  Fran(;'ois 
Habert  de  Berry.  Auec  vne  chanson  en 
I'houeur  de  mondict  Seigneur  de  Guise, 
mise  en  musique  par  Fran(,'ois  Le  Febure. 
De  Vimprimerie  de  la  vefue  de  P.  Attaing- 
nant :  Paris,  1558.    8°.      238.  m.  3.  (4.) 

LE  FEVRE  (Jacques)  o/j^taji;Zes.  [Musica 
libris  demonstrata  quatuor.]  Begin.  In 
hoc  opere  contenta . . .  ^lusica  libris  demon- 
strata  quattuor,  etc.  Sig.  f  I :  Jacobi  Fabri 
Stapulensis  Elementa  Musicalia,  etc. 

Joanyies  Higmanus  et  Vulgang  Hopilius  : 
Parhisij,  1490.     fol.         Case  14.  b.  14. 

[Another  copy.]  IB.  40140. 

Imperfect,  quanting  all  but  sigs.  fl-h  YI. 

[Another  copy.]  IB.  40141. 

Imperfect,  loanting  the  last  tioo  leaves. 

Begin.    In  hoc  opere  contenta  :   ...Musica 
libris  quatuor  demostrata,  etc. 
Hcnricus  Stephanas  :  Parisiis,  1514.    fol. 

8532.  fF.  13. 

Begin.  Petri  Cirueli  Darocesis  questiucula 
prcuia  in  INIusicam  speculatiuam  Diui 
Scuerini  Boetii.  (Sig.  a  ii :  lacobi  Fabri 
Stapulensis  Elementa  Musicalia,  etc.)  End. 
Quarti  Elementorum  Musices  Finis,  etc. 
Sec  Cirvelo  (P.)  Cursus  quattuor  mathe- 
maticarum  artiu  liberaliu,  etc.  [Part  iv.] 
1516.    4'.  8534.  e.  24. 

Begin.  Petri  Cirueli. .  .questiuncula  preuia 
in  ilusicam  speculatiuam  Diui  seuerini 
boetii.  (Sig.  a  ii :  lacobi  Fabri  Stapulensis 
Elementa  Musicalia,  etc.)  Sec  Cirvelo 
(P.)  [Cursus  quattuor  mathematicarum 
artia  libcralin,  etc.  Pt.  IV.]  Petri  Cirueli 
..  .questiuncula,  e?c.     1528.     4". 

7896.  f.  26. 

Musica  libris  quatuor  demonstrata. 

A2yud  Gulielmum  Cuuellat  :  Parisiis, 
1551.     4".  557*.  c.  13. 

[Another  copy.]  556.  c.  25. 

LEFEVRE  (Jean  Xavier)  Mere  com- 
mune des  humaius.  Hymne  a  V Agricul- 
ture, par  Coupigny.  Au  Magasin  de 
Musique  a  l' usage  des  Fetes  Nationales  : 
[Paris,  1796.]     8".          E.  1717.  b.  (32.) 

LEFEVRE  (Joseph)  A  Concise  Method 
to  attain  the  Art  of  playing  on  the  Cistre, 
etc.  Longman  and  Broderip  :  London, 

[1790?]     fol.  h.  1176. 

LEFEVRE    (Simon)      A.   J.   Zederymen, 

bestaande  in  Zangen  en  Gedigten.     Ver- 

(;iert  met  Nieuwe  Muzijk,  etc. 

Ian  Rieuivertsz  :  V  Amsterdcmi,  1656.     8". 

i  A.  1167. 


3'2 


LEFEVRE— LEGOUX 


IiEFEVRE  (Theodoke)     [Caroline.]     Un 
Jour  pur  eclairoit  mon  ame.     Romance. 
ri789. 1     8".     See  Caboline. 
^  B.  362.  a.  (93.) 

Le  Prix,  ou  I'Embarras  du  Choix.     [For 
songs,  &c.,  published  anonymously:] 
See  Prix. 

LE  FROID  (    )    Pourquoy  veuir  troubler 
le  repos  de  ma  vie.     Air  Nouveau. 
[Paris,  1678.]     s.  sh.  obi.  i".     P.P.  4482. 
Nouveau  Mercure    Galant,  May,   1678, 
Xy.  45. 
Que  sert  a  mon  amour.     Air  Nmiveatt. 
[Paris,]  1679.    s.  sh.  obi.  4".     P.P.  4482. 
Nouveau   Mercure    Galant,  June,  1679, 
p.  131. 

LEGAI   (       )      Lorsque   sur   ta   musette. 

Musette,  etc.  Gravee 

par  Labassec.     Imprimee  par  Tournclle  : 

[Paris,]  1757.     s.  sh.  8".  297.  d.  8. 

Mercure  de  France,  July,  1757. 

LEGARD  (  )  Recueil  d'Airs  Francois, 
et  Italiens,  avec  un  Accompagnement  de 
Harpe  ou  de  Clavecin,  etc.  To  be  had  at 
M>-  Yoqler's  :  London,  [1770  ?]     fol. 

G.  295.  a.  (4.) 
This  collection  contains  songs  by  Gluck, 
Piccini,  Rauzzini,  Albanese,  Millico, 
Gretry,  Bcrtoni,  Edclman,  Sacchini, 
Gazzaniga,  ColUzzi,  PaesicUo,  Dcs 
Aides,  d' Arondcau  and  Salieri. 

LEGAT   DE    FURCY   (Antoine) 
L'Amant  Indecis.    Chanson.    (Les  paroles 
de  M.  P.  M.  B.  L.,  etc.) 
[Paris,]  1767.     s.  sh.  8°.  297.  e.  6. 

Mercure  de  France,  March,  1767. 

Autrefois  aux  pieds  de  Themire.     Air,  etc. 

Gravi  par  M""  Labasst'e.     Imprime  par 
Tournellc  :  [Paris,]  1758.     s.  sh.  8". 

297.  d.  12. 

Mercure  de  France,  March,  1758. 
En  vain  de  coquettes  Beautes.     Chanson. 
(Les  Paroles  sont  de  M.  Guichard,  etc.) 
[Paris,]  176-2.     s.  sh.  8".  298.  d.  1. 

Mercure  de  France,  Jan.,  1762. 

En  vain  un  cceur  bien  euflamme.  Pas- 
torale, etc.  Gravi^  par 
M"  CharpentitK  Imprime  par  Tournellc  : 
[Paris,]  1760.  s.  sh.  8".  297.  d.  25. 
Mercure  de  France,  August,  1760. 

Un  matin  sur  son  chalumeau.    Air,  etc. 

Gravt^  par  ill"*'  Labasst^c.     Tmprimf  par 
Tournclle  :  Paris,  [1757.]     s.  sh.  8". 

297.  d.  10. 
Mercure  de  France,  Nov.,  1757. 

Oeconomie  du  Plaisir.     Ronde  de  Table. 
(Les  Paroles  de  M.  P  *  *  *.)  Gi-av,!  par 

M<-  Charpentu'.     Imprim^  par  Tournellc  : 
[Paris,]  1762.     s.  sh.  8".  298.  d.  3. 

Mercure  de  France,  June,  1762. 


LEGAT  DE  FURCY  (Antoine) 
Le  Pour  et  le  Centre,  Romance,  etc.  (Les 
paroles  sont  de  M.  le  Chevalier  de  Juilly 
Thomassin,  e^c.)  Grav6  par 

il/'-  Charpentii.  Imprinn'  par  Tournclle  : 
[Paris,]  1760.     s.  sh.  8".  297.  d.  26. 

Mercure  de  France,  Dec,  1760. 

On  peut  encor  dans  la  prairie.     Chanson. 

Grave  par  M""  Labassee  : 

[Paris,  1757.]     s.  sh.  8\  297.  h.  31. 

Choix  des  Anciens  Mercures,  Tom.  VIII. , 

p.  121. 

Que  je  vous  aime  !  Air,  etc.  Gravf  par 
M"'-  Labasst'e.  Imprivu^  par  Tournellc: 
[Paris,]  1758.     s.  sh.  8".  297.  d.  12. 

Mercure  de  France,  April,  1758. 

Sans  frayeur  dans  ce  bois.     Air,  etc. 

Gravf  par  M""  Labassie  : 
[Paris,  1757.]     s.  sh.  8".  297.  h.  30. 

Choix  des  Anciens  Mercures,  Tom.  VI., 
p.  144. 

Nouveaux  Solfeges  ou  Lemons  de  Musique 
dans  le  Genre  moderne  . . .  Graves  par 
Gerardin.  Chez  M>-  Bouin  : 

Paris,  [1787.]     fol.  G.  494. 

Vos   yeux  du   tendre   Amour.      Air,   etc. 
(Les  Paroles  sont  de  M.  de  INIurville.) 
[Paris,]  1778.     8".  297.  f.  26. 

Mercure  de  France,  Oct.,  1778. 

Vous  chantes  lorsque  tout  sommeille. 
Petit  Air,  etc.     [Paris,  1785  ?]     8". 

B.  362.  b.  (9.) 

LEGER     (PRAN90XS     Pierre     Auguste) 
Ziste    et    Zeste. .  .Folic   en  un   Acte,  eic. 
[With  music  to  the  concluding  Vaudeville, 
by  F.  P.  A.  Leger.]     [1796.]     8". 
See  Ziste  et  Zeste.     11738.  h.  11.  (6.) 

[Ziste  et  Zeste.]  Plein  de  la  plus  vive 
ardeur.  Vaudeville . . .  Paroles  et  Musique 
du  C"'  Leger.  Chez  la  C'"  Lcbeau : 

[Paris,  1796.]     8".  B.  362.  (111.) 

LEGERDEMAIN.  Legerdemain. 
[Song.]     See  Dibdin  (C.)     [Tom  WilJdns.] 

LEGGIADRE  NIMPHE.  Lcggiadre 
Nimphe  a  Trc  Voci.  Alia  Napolitana. 
De  Diuersi  Eccellentissimi  Autori.  Noua- 
mente  Con  diligentia  Stampate.  Canto. 
(Tenore.)     2  pts. 

Apprcsso  Angelo  Gardano,  £  I  ratelli : 

Venetia,  1606.     4".  D.  191. 

Tim  composers  named  in  this  collection 

are :    Luigi  Francese  del  Liuto,   0. 

Vecchi,  Sabino  and  B.  Donato. 

LEGOUX  (L.  R.)  Lovely  Sally.  A 
Favorite  Ballad  for  the  Piano  Forte. 
The  Words  and  Music  by  L.  R.  Legoux. 

Printed  for  the  Author  :  London, 
[1800?]    fol.  H.   1653.  (35.) 


LE  GRAND— LEISENTRIT 


33 


IjE     grand     (Nicolas     Feedikand) 

A.  Alewyns  Harderszangen.  I\Iet  Zang- 
kunst  verrykt  door  N.  P.  Le  Grand. 
Opera  Seconda.  Tot  gemak  der  Speelers 
op  de  G.  sleutel  gesteld.     De  tweede  Druk. 

Gedruki  by  de  Wed: 
Hennanus  van  Hulkenroy  :  Haarlem, 
1716.     4".  B.  331. 

See  SwEERTS  (C.)  K.  Sweerts  Mengel- 
zangen  en  Zinne  Beelden.  (Tweede  Deel 
der  Mengel-Zangen. .  .op  !Muzyk  gestelld 
door  F.  Le  Grand,  etc.)     (1G95.)     4^ 

B.  586. 

LEGRENZI  (Giovanni)  Cantate,  e 
Cauzonette  a  Voce  Sola  . . .  Opera  Duo- 
decima,  etc.  Per  Giacomo  Monti : 

Bologna,  1676.     ohl.  4".  B.  315. 

Complete  con  le  Lettanie  &  Antifone  della 

B.  V.  a  5  voci. .  .Opera  vii.  Canto.  (Alto.) 
(Teuore.)  (Basso.)  (Quinto.)  (Basso  Con- 
tinuo.)     6  pts. 

A'ppresso  Francesco  Magni  detto  Gardano  : 

Vcnetia,  1662.     4".  D.  68.  b. 

Wanting  all  the  title-pages  except  tJiose 

of  the  Basso  and  Quinto, 
Sacri  e  Festivi  Concent!  Messa  e  Salmi  a 
due  Chori  con  stromenti  a  beneplacito. . . 
Opera  Nona.  Canto  (Alto)  (Tenore)  (Basso) 
.  Primo  Ch.  (Canto  (Alto)  (Tenore)  (Basso) 
Sec.  Ch.)  [Basso  Contiuuo.]  (Violiuo 
Primo.)  (Violiuo  2.)  (Tenore  (Alto)  Viola.) 
(Basso  Viola  da  brazzo.)     14  pts. 

Appresso  Francesco  Magni  Gardano  : 

Yenetia,  1667.     4°.  D.  68. 

Only  the  voice  parts  and  the  Alto  Viola 

have  title-pages. 
Sentimenti  Devoti.  Espressi  con  la- 
Musica  di  Duo  e  Tre  Voci . . .  Libro  Secondo. 
Opera  Sesta.  Prima  (Seconda)  Parte. 
(Basso  Continue.)  3  pts. 
Presso  i  Heredi  di  P.  Phalesio  :  Anversa, 
1665.     i\  D.  68.  a. 

LEGROS    (Joseph)      D'une   voix   timide 
et  sincere.     Arietta  Nouvellc,  etc. 
[Paris,  1780?]     8°.  B.  362.  c.  (21.) 

L'Olympe   est-il  sur  la  terre.      Pondcait. 
(Les  paroles  de  M.  Mantelle,  etc.) 
[Paris,]  1767.    s.  sh.  8°.  297.  e.  9. 

Mercure  de  France,  July,  1767. 

LEIGH  {Sir  Samuel  Egerton)  The 
Genius  of  England's  Invocation  to  Bri- 
tannia, [Song  on  the  restoration  to  health 
of  George  III.,]  as  sung  by  Mr.  lucledon 
. .  .at  Vauxhall  Gardens,  etc. 
G.  Goulding  :  London,  [1789.]     fol. 

G.  360.  (31*.) 
The  Grove.     A  favorite  Song  and  Duett 
. .  .  properly  adapted  for  the  Voice,  Harp, 
Harpsichord,  Flute  &  Guitar. 
London,  [1190?'}     fol.  G.  354.  (22.) 

It's  Henry  I  love.     A  Favorite  Song,  etc. 
A.  Bland  :  London,  [1790  ?]     fol. 

G.  808.  e.  (31.) 

VOL.    II. 


LEIGH  {Sir  Samuel  Egeeton)  The 
New  Hours  of  Love,  containing  Slorning, 
Noon,  Evening  and  Night ;  [Songs,] 
written  by  a  Young  Lady  ...  set  to 
Music  .  .  .  for  the  Piano  Forte,  Violin, 
Ger"^  Flute  &  Guittar.  Fentuni :  London, 
1789.     obi.  fol.  D.  392.  (8.) 

LEIGHTON"  {Sir  William)  The  Teares 
or  Lamentacions  of  a  SorrowfuU  Soule  : 
Composed  with  Musicall  Ayres  and  Songs, 
both  for  Voyces  and  diuers  Instruments. 
Set  foorth  by  Sir  William  Leighton 
Knight. .  .And  all  Psalmes  that  consist  of 
so  many  feete  as  the  fiftieth  Psalme,  wiU 
goe  to  the  foure  parts  for  Consort. 
William  Stansby  :  London,  1614.     fol. 

K.  1.  i.  9. 
Bound  in  tvhite  vellum,  stamped  in  gold 
ivith  the  arms  of  Charles  I.,  when 
Prince  of  Wales,  to  whom  the  book 
is  dedicated.  The  composers  are : 
Sir  W.  Leighton,  J.  Dmvkmd,  J.  Mil- 
ton, R.  Johnson,  T.  Ford,  E.  Hooper, 
Pi,,  Kindersley,  N.  Gyles,  J.  Cuperario, 
J.  Biill,  W.  Byrde,  F.  Pilkington, 
T.  Lupo,  R.  Jones,  M.  Pcerson,  0. 
Gibbons,  T.  Weelkes,  J.  Warde,  A. 
Ferrabosco,  J.  Wilbye,  and  T.  Thopull. 

LEISENTRIT  (Johann)  Kurtzer 
Aufzug :  Der  Christlichen  vnd  Cathol- 
ischen  Gesiiug,  des  .  .  .  Herrn  Joaunis 
Leisentritij . .  .Auss  Beuelch  des. .  .Herrn 
Veiten,  BischofEen  zu  Bamberg  .  .  .  fiir 
derselbigen  . . .  Stifft  also  auss  zuziehen 
vnd  zusingen  verordnet. 

Gedruckt. .  .durch  Sebaldiim  Mayer  : 
Dilingen,  1575.     8".  3425.  e.  12. 

Catholicum  Hymuologium  Germauicum 
Orthodoxse  vereque  Apostolicje  Ecclesite 
. .  .iam  denuo  reuisum  auctum  &  elabora- 
tum.  (Das  Ander  Theil.  Christlicher 
Catholischer  Gesengen  von  der  aller- 
heiligsten  Jungfrawen  Maria... auffs  new 
ubersehen  gemehret  vnd  gebessert,  etc.) 
2  pts.  Michael  Wolrab  :  Budissin, 

1584.     8".  1221.  d.  36. 

Geistliche  Lieder  vnd  Psalmen,  der  alten 
Apostolischer  recht  und  warglaubiger 
Christlicher  Kirchen  .  .  .  Auffs  tieissigste 
und  Christlichste  zusamen  bracht.  Durch 
Johann:  Leisentrit,  etc.  (Das  ander  Theil 
Geistlicher  lieder  von  der  allerheiligsten 
Jungfrawen  Maria,  etc.)  2  pts. 
Hans  Wolrab  :  Budissin,  1567.     8". 

A.  255. 
[Another  copy.]  3433.  bbbb.  35. 

Geistliche  lieder  vnd  Psalmen . . .  zusamen 
bracht,  gemehret  vnd  gebessert . . .  Durch 
...J.  Leisentrit,  etc.  (Das  Ander  Theil 
Geistlicher  lieder  von  der  allerheiligsten 
Jungfrawen  ilaria,  etc.)  2  pts. 
Michael  Wolrab  :  Budissin,  Ibid,    8", 

1221.  b.  56. 


34 


LEISTER— LE  JEUNE 


LEISTER  (Franz)  Fantaisie  pour  la 
Flute. .  .Oeuvre  7.  Artaria  d  Comp. : 

Vienna,  [1800  ?]     fol.  g.  71.  (10.) 

LEJEUNE  (  )  D'une  fleur  a  peine 
i'close.  [Song.]  Paroles  de  M.  D.  G.  D., 
etc.    [Paris,]  1769.    s.  sh.  8".     297.  e.  25. 

Mercnre  de  France,  July,  1769. 

LE  JEUNE  (Cecile) 

See  Le  Jeune  (Claude)  Airs  a  iii.,  iiii., 
V.  at  VI.  Parties.  [With  a  dedication  by 
C.  Le  Jeune.]  1608.  ohl.  8°.  A.  143. 
Sec  Le  Jeune  (Claude)  Les  Cent 
Cinquante  Pseaumes  de  Dauid,  mis  en 
Musique  a  quatre  parties,  etc.  [With  a 
dedication  by  Cecile  Le  Jeune.] 
1650.    ohl.  12".  A.  143.  a. 

See  Le  Jeune  (Claude)  Les  Pseaumes 
de  Dauid,  mis  en  Musique  a  quatre  & 
cinq  parties.  [With  a  dedication  by 
Cecile  Le  Jeune.]  1627.  4»,  K.  3.  i.  1. 
See  Le  Jeune  (Claude)  Premier  Liure, 
Contenant  Cinquante  Pseaumes  de 
Dauid,  etc.  [With  a  dedication  by  Cecile 
le  Jeune.]     1602.     obi.  4°.         B.  283.  a. 

See  Le  Jeune  (Claude)  Second  Liure, 
Contenant  Cinquante  Pseaumes  de  Dauid, 
etc.  [With  a  Dedication  by  Cecile  Le 
Jeune.]     1608.     ohl.  4°.  B.  283.  f. 

See  Le  Jeune  (Claude)     Octonaires  de  la 
Vanity,   et   Inconstance   du   Monde,    etc. 
[With  a  dedication  by  C6cile  Le  Jeune.] 
1606.    oU.  4°.  B.  283.  c. 

See  Le  Jeune  (Claude)  Pseaumes  en 
Vers  mezurez,  etc.  [With  a  Dedication 
by  Cecile  Le  Jeune.]     1606.     ohl.  4". 

B.  283.  b. 
LE  JEUNE  (Claude)  Airs  a  iii.  iiii.  v. 
et  VI.  Parties.  [With  a  Dedication  by 
Cecile  Le  Jeune.]  (Second  Livre  des 
Airs,  etc.)  Cinquiesme.  Pierre  Ballard  : 
Paris,  1608.     ohl.  8°.  A.  143. 

Dodecacorde  Selon  les  Douse  Modes,  a  ii. 
HI.  nil.  V.  VI.  et  vii.  Voix  .  .  .  Sous 
lesquels  ont  est6  mises  des  paroles 
Morales.  Dessus.  (Haute  -  Contre.) 
(Taille.)  (Basse-Contre.)  (Cinquiesme.) 
(Sixiesme.)     6  pts.  Pierre  Ballard  : 

Paris,  1618.     ohl.  4".  B.  283.  j. 

Meslanges  de  la  Musique. . .  A  4.  5.  6.  8.  & 
10.  parties.  (Superius.)  (Haute-Contre.) 
(Tenor.)  (Bassus.)  (Quinta  Pars.)  (Sexta 
Pars.)  6  pts.  Adrian  le  Roy,  d:  Robert 
Ballard  :  Paris,  1586.  obi.  4°.  B.  283. 
The  title-page  and  fol.  A  ii  of  the  Su- 
perius  are  mutilated. 

IMeslanges  de  la  Musique  de  Clau.  Le 
leuue.  A  4.  5.  6.  8.  &  10.  parties.  Haute- 
Contre.  (Taille.)  (Basse-Contre.)  3  pts. 
Pierre  Ballard  :  Paris,  1607.     ohl.  4°. 

B.  283.  d. 
The  Haute-Contre  part  wants  fols.  2-8, 
which  are  supplied  in  MS. 


LE  JEUNE  (Claude)  Second  Liure  des 
Meslanges  de  CI.  Le  leune,  etc.  [With  a 
Dedication  by  Judith  Mardc]  Haute- 
Contre.  (Taille.)  (Basse-Contre.)  3  pts. 
Pierre  Ballard  :  Paris,  1612.     ohl.  4". 

B.  283.  i. 
Missa  ad  Placitum. .  .cum  v.  &  vi.  voci- 
bus.  Ex  Officina  Petri  Ballard  : 

Lutetix,  1607.     fol.  '  K.  10.  b.  3. 

Octonaires  de  la  Vanite,  et  Inconstance 
du  IMoude.  Mis  en  musique  a  3.  &  a  4. 
j>arties,  etc.  [With  a  Dedication  by  C6cile 
Le  Jeune.]  Dessus.  (Haute-Contre.) 
(Taille.)  (Basse-Contre.)  4  pts. 
Pierre  Ballard :  Paris,  1606.     ohl.  4°. 

B.  283.  e. 

Octonaires   de   la  Vanitd   et  Inconstance 
du  blonde,  mis  en  Musique  a  3.  &  a  4. 
parties,  etc.      [Dessus.]     (Haute-Contre.) 
(Taille.)     (Basse-Contre.)     4  pts. 
Robert  Ballard  :  Pans,  1641.     ohl.  i". 

B.  283.  k. 
Imperfect,    wanting    the    Dessus    part, 
loliich  is  supplied  in  MS. 

Premier  Liure,  Contenant  Cinquante 
Pseaumes  de  Dauid,  Mis  en  Musique  a 
III.  parties,  etc.  [With  a  Dedication  by 
Cecile   Le    Jeune.]      Moienne.      (Basse.) 

2  pts.        Par  la  Vcufue  R.  Ballard,  d  son  ■ 
Fils  Pierre  Ballard  :  Paris,  1602.    ohl.  4". 

B.  283.  a. 

Second  Liure,  Contenant  Cinquante 
Pseaumes  de  Dauid,  Mis  en  LIusique 
a  III.  Parties.  [With  a  .  Dedication  by 
Cecile  Le  Jeune.]  Haute.  (Moyenne.) 
(Basse.)     3  pts.  Pierre  Ballard  : 

Paris,  1608.     obi.  4°.  B.  283.  f. 

[Another  copy.  Haute.  (Moyenne.) 
(Basse.)]     3  pts.  B.  283.  e. 

The  Haute  part  is  imperfect,  wanting 
the  last  four  leaves. 

Troisiesme  Liure  des  Pseaumes  de  Dauid, 
Mis  en  Musique  a  iii.  Parties,  etc.     [With 
a  Dedication  by  Judith  Mardo.]     Haute. 
(Moyenne.)     (Basse.)     3  pts. 
Pierre  Ballard  :  Paris,  1610.     ohl.  4°. 

B.  283.  g. 

[Another  copy.     Moyenne.]      B.  283.  h. 

Les  Cent  Cinquante  Pseaumes  de  Dauid, 
mis  en  Musique  a  quatre  parties,  etc. 
[With  a  Dedication  by  Cecile  Le  Jeune.] 
Basse-Contre.  Robert  Ballard : 

Paris,  1650.     ohl.  12°.  A.  143.  a. 

Pseaumes  en  Vers  mezurez  mis  en 
Musique,  a  2.  3.  4.  5.  6.  7.  &  8.  parties. 
[With  a  Dedication  by  Cecile  Le  Jeune.] 
Haute-Contre.     (Taille.)     (Basse-Contre.) 

3  pts.  Pierre  Ballard  : 
Paris,  1606.     obi.  4".  B.  283.  b. 

Les  Pseaumes  de  Dauid,  mis  en  INIusique 
a  quatre  &  cinq  parties.  [With  a  Dedica- 
tion   by    Cecile    Le    Jeune.]      Superius. 


LE  JEUNE— LEMAIRE 


35 


(Hautecontre.)      (Tenor.)     (Bassecontre.) 

(Cinqiiiesme  partie.)     5  pts. 

Francois  le  Fehure  :  Genive,  1627.     4". 

K.  3.  i.  1. 
TJie  Cinquicsme  partie  hears  the  impi-int 
'  A  Genive,  pour  lean  de  Tournes.' 

The  First  Twelve  Psalms  in  Pour  Parts 
, . .  adapted  to  the  English  Versions  by  a 
Professor  of  Music.  Longman, 

Lukejj  d-  Co. :  Lomlon,  [1775  ?]     fol. 

G.  807.  a.  (8.) 
LELU  (  )  C'est  dans  cette  fete  civique. 
Hijmne  chante  par  le  Peuple  dans  le 
Pantheon  devant  les  manes  de  Barra  et 
Viala.  ParoUes  et  Musique  de  Lelu,  etc. 
Chez  Imbaidt :  [Paris,  1794.]     8°. 

B.  362.  d.  (50.) 

C'est  en  vain  que  le  nord  enfante.  Chant 
B4piiblic(iin  sur  la  Battaille  de  Fleurus, 
par  Lebrun.  Chez  Imbault :  [Paris, 

1794.]     8".  E.  1717.  b.  (47.) 

0   fiUe    de    I'Etre   supreme.      Hymne    a 
V£galiti.     Paroles  du  0"°  Malingre,  etc. 
Chez  Itnbault :  Paris,  [1794  ?]    8". 

B.  362.  d.  (42.) 

0  toi  dont  la  sagesse  a  rempli.     Hyvvie  a 
VEternel. .  .Paroles  du  C'"  Huard,  etc. 
Chez  Imbault :  Paris,  [1793  ?]     8". 

B.  362.  d.  (40.) 

LEMAIRE  (Louis)     Apres  avoir  tant  bu. 
Air  a  Boire,  etc.    [Paris,]  1737.     s.  sh.  4". 

297.  b.  18. 
Merctcre  de  France,  March,  1737. 
Ariane.      Cantatille    Nouvelle,   avec    Ac- 
compagnement    de    Fluttes,    Yiolons    et 
Hautbois. .  .Gravee  par  Dumont. 
Chez  VAuicur,  etc.  :  Paris,  1732.     obi.  fol. 

C.  124.  (3.) 

L'Aurore,  Cantatille  Nouvelle,  Avec  Ac- 
compaguement  de  Flutes,  Violons  & 
Haut-bois,  etc.  J.  B.  C.  Ballard  : 

Paris,  [1734.]     obi.  fol.  C.  124.  (4.) 

La      Bergere      Impatiente.        Cantatille 
Nouvelle.       Avec    Accompagnement     de 
Flutes,  "Violons  &  Haut-bois,  etc. 
J.  B.  C.  Ballard :  Paris,  [1734.]     obi.  fol. 

C.  124.  (5.) 

La  Constance.  Cantatille  Nouvelle . . . 
avec  Accompagnement  de  Flutes,  Violons 
et  Hautbois  .  .  .Gravde  par  M'"«  Louise 
Roussel.  Ch£z  VAuteur,  etc.  :  Paris, 

[1730.]    obi.  fol.  C.  124.  (2.) 

Les  Effets  de  I'Absence.  Cantatilles 
Nouvelle,  Avec  Accompagnem'  de  Flutes, 
Violons  et  Hautbois. .  .Gravee  par  L.  Hue. 
(Les  Paroles  sont  de  Mr.  B.  *  *  *.) 

Ches  L'Aziteur,  etc. :  Paris, 
1735.    obi.  fol.  C.  124.  (7.) 

Epithalame.  Cantatille  Nouvelle.  Avec 
Accompagnem'  de  Flutes,  Violons  et 
Hautbois,  etc.  Chez  VAuterir,  etc. : 

Paris,  1738.    obl.iol.  C.  124.  (9.) 


LEMAIRE  (Louis)  Heb6.  Cantatille 
Nouvelle  [Words  by  Laffichard],  Avec 
Accompagnement  de  Flutes,  Violons  & 
Haut-bois,  etc.  J.  B.  C.  Ballard  :  Paris, 
[1734.]     obi.  fol.  C.  641.  a. 

Pp.  57-78  of  the  2nd  Vol.  of  Cantatilles. 

L'Hyver  des  ans  a  blanchi  mes  cheveux. 
Air  a  Boire,  etc.  [Words  by]  L'Affichard. 
[Paris,]  1740.     s.  sh.  4".  298.  b.  7. 

Mercure  de  France,  Oct.,  1740. 

II  n'est  point  volage.     Air  badin,  etc. 
[Paris,]  1733.     s.  sh.  4°.  297.  b.  1. 

Mercure  de  France,  Dec,  1733. 
n  n'est  point  volage.     Air,  etc. 
[Paris,]  1748.     s.  sh.  4°.  297.  c.  16. 

Mercure  de  France,  May,  1748. 
L'Inconstance.    Cantatille  Nouvelle,  Sans 
Accompagnement,  etc.  Chez  VAuteur, 

etc.  :  Paris,  1738.     obi.  fol.     C.  124.  (10.) 

L'Indiiierence.  Cantatille  Nouvelle,  Sans 
accompagnement,  etc.  Chez  VAuteur, 

etc. :  Paris,  1741.     obi.  fol.     C.  124.  (13.) 
Je  vols  sortir  du  Ciel.     Chanson,  etc. 
[Paris,]  1733.     s.  sh.  i".  298.  a.  30. 

Mercure  de  France,  August,  1733. 

Le  Jour.  Cantatille  Nouvelle,  Avec 
accompagnement  de  Violons  et  Flutes, 
etc.  Chez  VAuteur,  etc.  :  Paris, 

1743.     obi.  fol.  C.  124.  (15.) 

Nous  nous  plaignons  que  la  Parque. 
Chanson,  etc.     [Paris,]  1736.     s.  sh.  4". 

297.  b.  13. 
Mercure  de  France,  May,  1736. 

Orphee.      Cantatille ...  Pour   un    Dessus, 
Avec     accompagnement    de     Violons    et 
Flutes. .  .Gravee  par  M="<^  Bertin. 
Chez  VAuteur,  etc.  :  Paris,  1743.     obi.  fol. 

C.  124.  (16.) 

Pere  du  jour,  quitte  le  sein  de  TOnde. 
Air  de  Basse,  etc.     [Paris,]  1731.     s.  sh.  4°. 

298.  a.  17. 
Mercure  de  France,  May,  1731. 

Les  Plaisirs  Champetres.  2""  Musette. 
Cantatille  Nouvelle.  Avec  Accompagne- 
ment de  Musette,  Vieille,  Fliites,  Violons, 
(£c.  Chez  L'Anteur,  etc.  :  Paris^ 

1738.    ohl.  fol.  C.  124.  (8.) 

Psich^.  Cantatille  Nouvelle,  Avec  ac- 
compagnem' de  Violons  et  Flutes,  etc. 

Chez  VAuteur,  etc.  :  Paris, 
1741.     obi.  fol.  C.  124.  (12.) 

Qu'  ai-je  done  fait  aux  Dieux !     Air,  etc. 
[Paris,]  1748.     s.  sh.  4°.  297.  c  16. 

Mercure  de  France,  May,  1748. 
Que    t'ay-je    fait,    cruel    Amour?      Air 
sirieux,  etc.     [Paris,]  1731.     s.  sh.  4". 

298.  a.  17. 

Mercure  de  France,  May,  1731. 
Quel  bruit  aSreux.     Recit  de  Basse,  etc. 
[Paris,]  1748.     s.  sh.  4°.  297.  c.  16. 

Mercure  de  France,  April,  1748. 

D  2 


36 


LEMAIRE— LEMOINE 


LEMAIRE   (Louis)     Quoi !  toujours   des 
Chausous  a  boire  1     CJianson  a  Manger. 
IParis,]  1735.     s.  sh.  4°.  297.  b.  8. 

Mercure  da  France,  March,  1735. 

Recueil  d'Airs  Seiieux  et  a  Boire,  Melez 
de  Vaudeville,  Ronde  de  Table,  Duo, 
Recit  de  Basse,  Airs  tendres,  et  chansons 
a  danser.  Chez  VAutenr  :  Paris, 

1738.     ohl.  fol.  C.  641. 

Le     Rendez-vous     Pastoral.       Cautatille 
Nouvelle,  Sans  Accompagnem',  etc. 
Chez  VAuteur,  etc. :  Paris,  173S.     obi.  fol. 

C.  124.  (11.) 

Reviens,  cher  objet  que  j'adore.  Air 
Sirieux,  etc.     \_Paris,']  1741.     s.  sh..  4". 

298.  b.  12. 

Mercure  de  France,  August,  1741. 

Le  Sacrifice  d' Amour.  Cantatille  Ncuvelle 
. . .  Gravez  par  M"""  Louise  Roussel.  Chez 
VAuteur,  etc. :  Paris,  [1728.]     obi.  fol. 

C.  124.  (1.) 

Sapho.  Cantatille . . .  Avec  accompagnem' 
de  Violons  et  Pliites,  etc.  Chez  VAuteur, 
etc. :  Paris,  1741.     obi.  fol.     C.  124.  (14.) 

Le    Sommeil    de     Climene.       Cantatille 
Nouvelle,     Avec     Accompagnement      de 
Flutes,   Violons   &  Haut-bois,   etc.     (Les 
Paroles  sout  de  Monsieur  Laffichard.) 
J.  B.  C.  Ballard  :  Paris,  [1734.]     obi.  fol. 

C.  124.  (6.) 

Votre  gaite  me  desespere.     Brunette,  etc. 
[Paris,]  1748.     s.  sh.  4".  297.  c.  18. 

Mercure  de  France,  Sept.,  1748. 

LEMAIRE  (Nicolas)  Six  New  Cottillons 
and  Six  Country  Dances  with  three  favorite 
Minuets,  {"^c.  Printed  for  It.  Wornum  : 
London,  [1773  ?]     obi.  4".        a.  9.  e.  (7.) 

LE  MAISTRE  (Matth.eus)  Catechesis 
Numeris  ilusicis  Inclusa,  et  ad  Puerorum 
Captum  Accomodata,  tribus  uocibus 
composita. .  .Pars  infima.  In  Officina 

loannis  Montani,  d  Ulrici  Neubcri : 
Noribergm,  1559.     obi.  16". 

K.  8.  i.  4.  (18.) 

[Geistliche  vnd  weltliche  teutsche  Gesang 
mit  vier  und  fiinf  Stimmen.]     Bassus. 

Johan  Schivertel :    Wittcmbergk, 
1566.     obi.  4".  A.  130. 

Tlie  full  title  is  printed  in  the  Tenor  part 
only. 

See    Epithalamia.     Epithalamia. .  .Com- 
posita per. .  .Matthasum  le  Maistre,  etc. 
1568.     obi.  i".  A.  18. 

LE  MAITRE  (     )      Dans  nos   hameaux 
tout  nous  engage.     CJianson  en  Musette. 
[Paris,]  1726.     s.  sh.  4°.  297.  a.  24. 

Mercure  de  France,  Nov.,  1726. 

Une  maitresse  trop  austere.  CJianson,  etc. 
[Paris,]  1727.     s.  sJi.  4».  297.  a.  29. 

Mercure  de  France,  Oct.,  1727. 


LE  MAITRE  (     )     Que  j'aymea  voir  Iris. 

Air  gracieux,  etc.     [Paris,]  1729.     s.  sJi.  4". 

298,  a.  8. 
Mercure  de  France,  Dec,  1729. 

Quels  af^reux  Tourbillons  !     Air,  etc. 
[Paris,]  1730.     s.  sJi.  4".  298.  a.  12. 

Mercure  de  France,  Aug.,  1730. 

LEMAN  (James)  A  New  ]\Iethod  of 
Learning  Psalm-Tunes,  with  an  Instru- 
ment of  Musick  call'd  the  Psalterer. 

G.  SmitJi,  for  tJic  AutJior  :  London, 

1729.     4°.  7897.  bb.  59. 

TJiis    loorJi    contains    Psalm   tunes    by 

J.    CJiurch,   J.    W.    [JoJin    Weldmi?], 

Mr.  Hart,  J.  ClarJi  and  W.  Croft. 

LEMARCHAND    (    )      See  Gluck 

(C.    W.    von)     Alma   sedes.     Motet ..  .Mis 
au  Jour  par  M'  Lemarchand,  etc. 
[1785?]     fol.  H.  1187.  f.  (a) 

LEMENU    DE    SAINT   PHILBERT 

(Christophe)     [Premier  Livre  de  Canta- 
tilles.      Six    Cantatilles    en    Simphonie. 
Engraved  by  Labassee.]      CJiez  L  Auteur, 
etc.  :  Paris,  [1742  ?]     fol.     H.  1034.  (2.) 
EacJi    Cantatille   Jias  a  separate   title- 
page  [Ariane,  La  Viele,  Hypom^ne  et 
Atalante,    L'Lnpatience,    L'^tincelle, 
L'Himen),  biU  tJie  pagination  is  con- 
tinuous.     TJiere  is  no  general   title- 
page,  but  tJie  volume  is  advertised  in 
tJie    composer's    Motets    as    '  Premier 
Livre  de  Cantatilles.' 
Motets  sur  les  principales  fetes  de  I'Ann^e. 
A  une  et  deux  Voix,  avec  et  sans   Sim- 
phonie..  .Graves  par  Labass6e.     Seconde 
Edition  augmentee.  CJi4s  VAuteur  : 

Paris,  [1740  ?]     fol.  H.  1034.  (1.) 

Principes  de  Musique,  courts  et  faciles. 
CJu'z  VAuteur :  Poris,  [1740?]      obi.  iol. 

D.  644. 

LEMIERE  DE  CORVEY  (Jean 
Frederic  Auguste)  La  Reprise  de 
Toulon.  [For  songs,  &c.,  published  anony- 
mously :]  See  Reprise  de  Toulon. 

LEMOINE  (Antoine  Marcel)  La  Com- 
paraison.  Chansonnette,  Avec  Accom- 
pagnement de  Guitare,  par  le  Citoyen 
Lemoine.  CJicz  ImbauU  :  Paris, 

[1795?]     8".  B.  362.  c.  (24.) 

[Another  copy.]  B.  362.  g.  (67.) 

Sec  Boieldieu  (F.  A.)     [BeniowsJii.]     De 
I'amitie  daigne  entendre  la  voix.     Air. . . 
Accomp'  de  Guitarre  par  Lemoine. 
[1800.]     8°.  E.  1717.  (59.) 

See  Dalayrac  (N.)  [Nina]  Quand  le 
bien  aime  reviendra. . .  Accp'  de  Guitarre 
par  M--  Le  Moine,  etc.     [1786.]     8°. 

B.  362.  f.  (41.) 

See  Devienne  (F.)  L'Innocence  Re- 
connue  . . .  Accomp'  de  Guittare  par  le 
C"'  Lemoine.     [1795  ?J     8\ 


LEMOINE— LEONORA 


37 


LEMOINE  (Antoine  Maecel) 

Sec  Ferrari  (G.  G.)  L'Amant  malheureux 
et  constant  .  . .  Accomp*  de  Guittare  par 
M.  Le  Moine,  f^c.     [1790?]     8^ 

B.  362.  b.  (197.) 

,9eeGAVEAUx(P.)  [U Amour  filial]  Jeunes 
amants,  cueilles  des  fleurs. . .  Accompagne- 
ment  de  Guittare  par  M.  Le  Moine. 
[1792.]     8".  B.  362.  a.  (50.) 

See  GossEC  (F.  J.)     [Le  Camp  de  Grand- 
Pr(^.']     Yous    aimables   fiUettes. . .  Accom- 
pamement  de  Guitarre  du  C.  Lemoine. 
[1793.]    8°.  B.  362.  a.  (43.) 

See  GossEC  (F.  J.)    [Rosine:]    Aujourd'hui 
cesse  la  fete.     Vaudeville. .  .Accompagne- 
ment  de  Guitarre,  par  M.  Lemoine,  etc. 
[1786.]     8°.  B.  362.  h.  (9.) 

Sfe  Pleyel  (I.  J.)  Loin  de  nous  le  vain 
delire.  Hymnc  a  la  Libert^. .  .Accom])* 
de  Guittare  par  M.  Le  Moine.     [1791.]     8". 

B.  362.  d.  (23.) 

See  QuAiSAiN  (A.)     [La  Ve7ida7ige']    Ah ! 
comme  I'amour  vous   tracasse. .  .Accom- 
pagnement  de  Piano  par  le  C.  Lemoine. 
[1798.]     fol.  G.  554.  a.  (41.) 

LE  MOYNE  (Jean  Baptiste)  Electre. 
Tragedie,  en  Trois  Actes  . . .  Grav^e  par 
Dupre.     [Full  Score.]  ChczVAuieur  : 

Paris,  [1782.]     fol.  G.  641.  a. 

[Louis    IX.   en   Egypte.]      Du    Fran^ais 
asservi  j'ai  s^u  briser  les  chaines.     Air  de 
Louis  IX.  [by  J.  B.  Le  IMoj-ne]  etc. 
[1790.]    8°.    .See  Louis  IX. 

B.  362.  h.  (35.) 

[Miltiade  a  Marathon.]  Mon  fils  vole  aux 
champs  de  I'honneur.  Air,  etc.  [By  J.  B. 
Le  Moyne.]  [1793.]  8".  See  Miltiade 
a  Marathon.  B.  362.  d.  (7.) 

Nepht^.  Tragedie  en  Trois  Actes  [written 
by  F.  B.  Hoffmann] . . .  Grav^e  par  Huguet, 


etc.     [Full  Score.] 
Paris,  [1789.]     fol. 
Phedre.       Tragedie 
Grav6e  par  Huguet, 
Paris,  [1786.]     fol. 


Chez  VAutcur 

G.  641.  c. 

en    Trois    Actes. . . 

etc.        Chez  Le  Due  : 

G.  641. 

Les  Pommiers  et  le  IMoulin. 

[For  songs,  &c.,  published  anonymously:] 

See  Pommiers  et  le  Moulin. 

Les    Pritendus.      Com^die    Lirique  .  .  . 

Gravee  par  Huguet,  etc.     [Full  Score.] 

Chez  I'Auteur  :  Paris,  [1789.]     fol. 

G.  641.  b. 

Ouverture.    See  Mezger  (F.)    Ouver- 

ture  des  Pretendus  [by  J.  B.  Le  Moj-ne], 
Arrang6e. .  .par  M' Mezger.     [1789.]     fol. 

g.  2'72.  r. 

[For  songs  published  anonymously ;] 

See  Pretendus. 

LEND.  Lend  your  aid  now  my  muse. 
Taste  Alamode.  A  New  Song.  [London, 
1765.]     8°.  P.P.  5441. 

Boyal  Magazine,  Vol.  XII.,  p.  269. 


LENORE.     Lenore.     [Cantata.] 

See  Andre  (J.) 

G.  A.  Biirgers  Lenore.     [Cantata.] 

See  Paradis  (M.  T.) 
LENTON    (John)     Mr.   Lentous   Musick 

in  the  Comedv  call'd  y'  Gamester.     First 

Treble.     (Second  Treble.)  (Tenor.)  (Bass.) 

4pts.     [Walsh?  London,  1103.']     fol. 

g.  15.  (1.) 

See  P.,  H.     Wit  and  Mirth:   or,  Pills  to 

Purge  Melancholy,  etc.     (Wit  and  Mirth 
..The   Second    Edition ...  Corrected   by 

J.  Lenton.     Vol.  IV.)     1707  (1709).     12». 

1346.  a.  28-31. 

See   Songs.     A  Third  Collection  of  New 

Songs. .  .bv. .  .J.  Lenton,  ei'c.     1685.     fol. 

G.  152.  (2.) 
LENZ.      Der    Lentz    belebet    die    Natur. 

Duetto. 

See  Mueller  (W.)     [Die  Zauhcrzitter.'] 

LEONARD  (  )  Entends  ma  voix  gemis- 
sante.     Romance,  etc.     [Peois,  1790?]     8°. 

B.  362.  e.  (14.) 

LEONARDA  (Isabella) 
,See  Isabella  Leonarda. 

LEONARDUS  NERVIUS,  a  Capuchin. 
Fasciculus  Cantionum  Sacrarum  Quatuor, 
Quinque,  et  Sex  Vocum.  Additis  Litaniis 
Lauretanis  Quatuor  &  Sex  Vocum.  Cum 
Basso  Generali  ad  Organum.  Cantus. 
(Altus.)  (Tenor.)  (Sextus.)     4  pts. 

Ex  Officina  Petri  Phalesii :  Antuerpise. 
1628.    4°,  C.  89.  a. 

R.  P.  Leonardi  Neruii  Ord.  Cappuc, 
S.  Francisci,  Missse  Decem  Quatuor 
Quinque,  Sex  et  Septem  Vocum,  cum 
Basso  pro  Organo.  Cantus.  (Altus.) 
(Tenor.)  (Sextus.)  4  pts.  Apud  Petrum 
Phalcsium  :  Antiierpiae,  1618.    4°.     C.  89. 

LEONI  (  )  of  Naples.  A  Complete  Intro- 
duction to  the  Art  of  playing  the  INIando- 
line.  Containing  the  most  essential  Rules 
...To  which  are  added. .  .Airs,  Lessons^ 
Duets  &  Sonatas.  Composed  and  .  .  . 
arranged ...  by  Sig"'  Leoni  of  Naples,  Master 
of  the  ^Mandoline  to  the  Duke  de  Chartres. 
Longman  and  Broderip  :  London, 
[1785  ?]     ohl.  4».  b.  123. 

LEONI  (Benedetto)  Six  Lessons  for  the 
Harpsichord,  etc.  H.  Fougt :  London, 

[1768?]     fol.  h.  528. 

LEONI  (Leon)  II  Primo  Libro  de  Madri- 
gali  a  Cinque  Voci,  etc.  Canto.  (Alto.) 
(Tenore.)  (Basso.)     4  pts.  Appresso 

Anqclo  Gardano  :  Venetia,  1588.     obi.  4°. 

A.  250. 

II  Terzo  Libro  de  IMadrigali  a  Cinque 
Voci,  etc.  Tenore.  Appresso  Ricciardo 
Amadino  :   Venetia,  1595.     obi.  4°. 

A.  250.  a. 

LEONORA.     Leonora.     Ballad. 
See  Reichardt  (J.  F.) 


38 


LEONORE— LESSIG 


LEONOEE    D'URGEL.     Leonore 
d'Urgel.     Romance.     See  P.,  D.  L. 

LE   PEINTRE  (     )     Rien  icy  bas  n'est 
ferme  uy  durable.     Air  a  Boirc,  etc. 
[Paris,']  1735.     s.  sh.  i\  297.  b.  7. 

Mcrcure  de  France,  Feb.,  1735. 

LE    R  *  *  *  (    )   M"".     Cessez,   charmante 
Iris.     Air,  etc.  Bicoqiiilliie  :  [Paris,] 

1770.    s.  sh.  8".  298.  e.  1. 

Mercure  de  France,  Dec,  1770. 

LE    REDDE    (    )     Ah,   que   I'Hyver   est 

ennuyeux.     Air  Nouveazi.     (Les   Paroles 

sent  de  jVP  Noel,  etc.)  [Paris, 

1679.]     s.  sh.  obi.  4°.  P.P.  4482. 

Nouveau  Mercure  Galant,  March,  1679, 

p.  22. 

LE  ROUSSAU  (P.)  A  Chacoon  for  a 
Harlequin.  With  all  the  Postures,  Atti- 
tudes, Motions  of  the  Head  and  Arms, 
and  other  Gestures  proper  to  this  Character 
. . .  Compos'd  writt  in  Characters  and 
engraved  by  F.  Le  Roussau,  Dancing- 
master.  Sold  by  If  Author. .  .and 
at  iH''  BarretVs  musik-sliop :  London, 
[1780?]     fol.  K.  1.  i.  13. 

LE  ROY  (Adrian)  A  briefe  and  plaine 
Instruction  to  set  all  Musicke  of  eight 
diuers  tunes  in  Tableture  for  the  Lute. 
With  a  briefe  Instruction  how  to  play  on 
the  Lute  by  Tablature,  to  conduct  and 
dispose  thy  hand  vnto  the  Lute,  with 
certaine  easie  lessons  for  that  purpose. 
And  also  a  third  Booke  containing  diuers 
new  excellent  tunes.  All  first  written  in 
French  by  Adrian  Le  Roy,  and  now  trans- 
lated into  English  by  F.  Ke.  Geutelman. 

Ihon  Kyngeston  for  lames  Eoivbotliame  : 
London,  1574.     obi.  i".  K.  1.  c.  19. 

Leaves  1,  2,  3,  77  and  78  are  mutilated. 
The  pagination  (1-78)  is  continuous, 
but  each    book   has  a  separate   title- 
page. 
Premier  Liure  de  Tabulature  de  Guiterre, 
Contenant  plusieurs  Chansons,  Fantasies, 
Pauanes,   Gaillardes,  Almandes,  Branles, 
tant  simples  qu'autres,  etc. 

Adrian  le  Roy  d-  Robert  Ballard  : 
Paris,  1551.     obi.  4«.       K.  2.  h.  12.  (1.) 
The  folloiving  names  of  composers   ap- 
pear in  this  collection  :  Maillard  and 
Boyvin. 
Second    Liure     de     Guiterre,    contenant 
Plusieurs  Chansons  en  forme  de  voix  de 
ville:  nouuellement  remises  en  tabulature, 
etc.  Adrian  le  Roy,  it  Robert  Balard  : 

Paris,  1555.  obi.  4°.  K.  2.  h.  12.  (2.) 
Tiers  Liure  de  Tabulature  de  Guiterre, 
contenant  plusieurs  Preludes,  Chansons, 
Basse-dances,  Tourdions,  Pauanes,  Gail- 
lardes, Almandes,  Bransles,  tant  doubles 
que  simples,  etc.  Adrian  le  Roy,  d 

Robert  Ballard  :  Paris,  1552.    obi.  4». 

K.  2.  h.  12.  (3.) 


LE  ROY  (Adrian)  Quart  Liure  de  Tabula- 
ture de  Guiterre,  contenant  plusieurs 
Fantasies,  Pseaulmes,  &  Chansons :  auec 
L'alouette,  &  la  Guerre,  Composees  par 
M.  Gregoire  Brayssing  deaugusta. 

Adrian  le  Roy,  £  Robert  Balard  :  Paris, 
1553.    obi.  i\  K.  2.  h.  12.  (4.) 

Cinqiesme  Liure  de  Guiterre,  contenant 
Plusieurs  Chansons  a  Trois  &  quatre 
parties,  par  bons  &  excelens  Musiciens: 
Reduites  en  Tabulature  par  A.  le  Roy. 

Adria7i  le  Roy,  £  Robert  Balard  : 

Paris,  1554.     obi.  4".       K.  2.  h.  12.  (5.) 

The  folloiving  composers'  names  occur  in 

this  collection:    Bonard,  Arcadet,  De 

Bussy,  Ccrton  and  A.  Le  Roy. 

LE  SAGE  (Alain  Rene)  and  ORNEVAL 
(  d')      Le   Theatre   de  la   Foire,   ou 

rOpera  Comique,  contenant  les  meilleures 
Pieces  qui  ont  6te  representees  aux  Foires 
de  S.  Germain  &  de  S.  Laurent. .  .avec  une 
Table  de  tons  les  Vaudevilles  &  autres  Airs 
gravez  notez  a  la  fin  de  Chaque  Volume. 
10  Tom.  Chez  Z.  Chatelain  : 

Amsterdam,  Paris,  1722(-37).     12'. 

241.  1.  18. 
The  composers  mentioned  in  this  collec- 
tion are  :  de  Ch-andval,  Gillier,  Mdlle. 
de  Languerre,   de   la   Croix,  Aubert, 
Bernier,  de  la  Coste  and  des  Rochers. 

LESBEA.      Lesbea's    smiles    shall    ne'er 

deceive  me.    Love's  Conqiiest  over  Reason. 

rSong.l     [London,  1715  ?]     s.  sh.  fol. 

^       °  G.  316.  g.  (37.) 

LESBIA.     Lesbia's  Cruelty.    [Song.]     See 

She.   She  whom  above  my  self  I  prize,  etc. 

[By  G.  Vanbrughe.]     [1730?]     s.  sh.  io\. 

^   ^  G.  303.  (85.) 

LESCOT    (C.    F.)      La    Negresse.      [For 

songs,  &c.,  published  anonymously:] 

See  Negresse. 

L'ESGII  (J.)  Affreux  Rochers,  demeures 
sombres.  Air  Nouveau. 
[Paris,  1678.]  s.  sh.  obi.  4».  P.P.  4482. 
Nouveau  Mercure  Galant,  Oct.,  1678, 
p.  171. 
Pendant  que  nos  braves  Guerriers.  Air 
Nouveau.    [Paris,  1678.]    s.  sh.  obi.  4'\ 

P.P.  4482. 
Nouveau  Mercure   Galant,   May,  1678, 
p.  109. 
Si  vous  voulez  charmer.     Air  Nouveau. 
[Paris,  1678.]     s.  sh.  obi.  4».    P.P.  4482. 
Nouveau  Mercure  Galant,   June,  1678, 
p.  37. 

LESSIG  (  )  Sechs  Schottische  6-tourig6 
Angloisen  von  G.  L.  Klemm,  Tanzmeister, 
mit  voUstimiger  Musik  vom  ]\Iusicus 
Lessig.  (Violino  i.)  (Violino  ii.)  (Flauto 
I.)  (Flauto  11.)  (Corno  i.)  (Corno  ii.) 
(Basso.)  (Touren.)     8  pts.  Bey  dem 

Autor:  Leipzig,  [llbO'!]    obi  i".      b.  62. 


LESSON— LET 


39 


LESSON.    A  Lesson  for  a  Lover.    [Song.] 

See  Pbelleur  (P.) 
LESSONS.     Lessons  for  the  Recorder. 

[London?  1680?]     s.  sh.  fol.  ' 

I.  600.  b.  (81.) 

Periodical  Lessons.     [P.  F.]     4  N^'S 
'^  Bland:  ILondoii,  1190?]  fol.     g:  149.  (7.) 
Six  Lessons  for   the  Harpsichord,  by... 
Bach  .  . .  Benda. .  .Graun. .  .Wagenseil. . . 
Hasse . .  .Kernberger.  Welckei- : 

London,  [1770  ?]     obi.  fol.  e.  5.  d. 

[Tweh'c  Lessons  for  the  Harpsichord.] 
ILondon,  1780?]   obi.  fol.    e.  282.  c.  (10.) 

Imperfect,  wanting  the  title-page. 
Progressive  Lessons  for  the  Piano  Forte 
or  Harpsichord,  etc.  2  Books.   B.  Birchall : 
LonJoH,  [1795?]     obi.  iol.  e.  470. 

Select  Lessons,  or  a  Choice  Collection  of 
Airs  neatly  contriv'd  for  Two  German 
Flutes  or  Two  Violins.  And  Extracted 
from  the  Works  of.  .  .Handel,  Weideman, 
Turner,  De  Fesch,  Peschetti,  Festing. 
The  Whole  being  never  before  Publish'd. 
[Separate  Parts.]  Dan'  Wright  ct 

D.  Wright  Jim'':  London,  [1735?]    obi.  4\ 

b.  30.  (2.) 

This  collection  also  contains  compositions 

by  Dubonrg  and  Deperr. 

L'ESTOCART  (Paschal  de)     Cent  Cin- 

quante  Pseaumes  de  Dauid,  mis  en  Rime 

Francoise  par  Clement  Marot  et  Theodore 

de  Besze,  et   mis  en  Musique  a  Quatre, 

Cinq,    Six,    Sept    et    Huit    Parties,    par 

Paschal  de  L'Estocart,  etc.     [Superius.] 

Tenor.     [Contratenor.]     3  pts.  Chez 

Barthelemi  Vincent :  Lyon,  1583.     obi.  i\ 

A.  62. 
Imperfect,  the  Superius  wanting  all  but 
pp.  161-164,  and  the  Contratenor  all 
but  pp.  61-64,  153-156  and  169-176. 
LESUEUR  (Jean  FRAN901S)    La  Caverne. 
Drame  Lyrique  en  Trois  Actes.    [Libretto 
bv  A.  F.  bercy.     Full  Score.] 
[Imbault :  Paris,  1793.]   fol.     G.  290.  b. 
Wanting  the  title-page. 

II  y  a  cinquante  ans  et  plus.    Air,  etc. 

[Paris,  1793.]     8^  B.  362.  (110.) 

Le  pauvre  terns,  le  pauvre  terns.   Air, 

etc.     [Paris,  1793.]       8".    B.  362.  (109.) 

II  y  a  cinquante  ans  et  plus. 

See  supra  :  [La  Caverne.'] 

Expose  d'une  Musique,  une,  imitative,  et 

particuliere  a  chaque  solemnite  ;  011  I'Au- 

teur  donne  aussi  le  Plan  d'une  Musique 

propre  a  la  Fete  de  I'Assomption. 

Chez  la  Veuve  Herissant :  Paris, 
1787.     8".  1042.  k.  27.  (4.) 

Exposed  d'une  Musique,  une,  imitative,  et 
propre  a  chaque  solemnite,  oil  Ton  donne 
. .  .le  Plan  d'une  Musique  particuliere  a 
la  Solemnity  de  la  Pentecote.  Suite  de 
I'Essai.  Chez  la  Veuve  Herissant : 

Paris,  1787.    8\  1042.  k.  27.  (3.) 


LESUEUR  (Jean  FRAN901S)  Expose  d'une 
Musique  une,  imitative,  et  particuliere  a 
chaque  solemnite  ;  ou  Ton  donne  .  . .  le 
Plan  d'une  Musique  propre  a  la  Fete  de 
Noel,  etc.  Chez  la  Veuve  Hirissani: 

Paris,  1787.     S".  1042.  k.  27.  (1.) 

Suite  de  I'Essai  sur  la  Jlusique  Sacree  et 
Imitative,  ou  Ton  donne  le  Plan  d'une 
Musique  propre  a  la  Fete  de  Paque. 

Cliez  la  Veuve  Wrissant :  Paris, 
1042.  k.  27.  (2.) 
nous,  un  Tribun  perfide.     Chant 
Thermidor.     Paroles  de   T.   Des- 
Du  Magazin  de  Musique  a 
des    fetes     Nationales :      [Paris, 
8°.  E.  1717.  b.  (15.) 

Yirginie  (ou  le   Triomphe  de   la 
Drama  Lyrique  en  Trois   Actes 
de    I'Auteur   d'Iphigenie    en 
Piccinni  [A.   Du  Conge  Du- 


1787. 

Levons 

du  IX. 

orgues. 

Vtisage 

1794.] 

Paul  et 
Vertu). 
. . .  Paroles 
Tauride  de 

breuil] . . .  Grav6   par   Huguet,  etc.     [Full 
Score.]  Chez  H.  Nadermann  :  Paris, 
[1794.]     fol.  G-.  292.  a. 
[For    songs,   &c.,  published   anony- 
mously :]  See  Paul  et  Yirginie. 
Le  pauvre  terns,  le  pauvre  terns. 
See  supra  :  [La  Caverne.] 
Quand  des  montagnes  de  Pyrene.      Le 
Chant  des    Triomphes  de   la  Bipubligue 
Frangaise.     Ode  par  La  Harpe,  etc. 

An  Magazin  de  Musique  a  Vusage  des 
Fetes  Nationales  :  Paris,  [1794.]     fol. 

F.  69*.  (4.) 
[Another  edition.]  Quand  des  montagnes 
de  Pyrene.  Le  Chant  des  Triomphes  de 
la  B(^publique  Frangaise.  Ode  par 
Laharpe.  Du  Magasin  de  musique, 

a  V usage  des  Fetes  Nationales  :  [Paris, 
1794.]    8".  E.  1717.  b.  (9.) 

Telemaque  dans  I'lsle  de  Calypso,  ou  le 
Triomphe  de  la  Sagesse.  Tragedie  Lyrique 
en  trois  Actes. .  .Paroles  de  P.  Dercy... 
G-rav^  par  Huguet,  etc.     [Full  Score.] 

-     ■     [1796.]     fol. 
G.  292. 


Chez  H.  Naderman :  Paris 


See  Agus   (H.)       Solf^ges  pour   servir  a 
I'etude  dans  le  Conservatoire  de  Musique 
a  Paris  par. .  .Agus. .  .Le  Sueur,  etc. 
[1795?]     fol.  H.  2851. 

LET.  Let  Ambition  fire  thy  Mind.  Song. 
See  Weldon  (J.)  [The  Judgment  of 
Paris.] 

Let  an  empty  flatt'ring  Spirit.  Advice  to 
the  Ladies.  [Song.]  The  words  by  a 
Gent"  of  Exeter. 

L[ongman]  d;  B[roderip  :  London, 
1780?]     fol.  G.  310.  (49.) 

[Another  setting.]     Let  an  empty  flatter- 
ing spirit.     Rondo.     See  Shield  (W.) 
Let  Braves,  who  to  the  army  go.     Beauty 
more  powerfull  than  War.     [Song.] 
[London,  1715  ?]     s.  sh.  fol. 
•^  H.  1601.  (280.) 


40 


LET 


LET.  Let  Britons  in  triumphant  praise. 
Song.  Sec  Amateue. 
Let  Burgundy  flow.  Joy  after  Sorrow 
made  to  tlie  Duke  Aumond's  Minuet  by 
T.  D[urfey].  [Song.]  Daniel  Wright : 
\_London,  1715.1     s.  sh.  fol. 

H.  1601.  (266.) 
[Another  edition.]  Let  Burgundy  flow. 
Joy  after  Sorrow.  A  new  Song.  The 
words  made  to  the  D'Aumonds  Minuet  by 
T.  D[urfey].     [London,  1715.]     s.  sh.  fol. 

G.  310.  (30.) 
Let    but    love    and    wine    befriend   me. 
Song.     See  Bates  (W.) 
Let  Csesar  and  Urania  live.     [Duet.] 
See  PcECELL  (H.)     [Sound  the  Trumpet.'] 
Let  Eloquence  boast  of  her  Pow'r.     Song. 
See  Arse  (M.)     [Tristram  Shandy.] 
Let    Epicures    boast    of    their    delicate 
Feasts.     The  Generous  Soul.    A  favorite 
new  Song.  P.  E[vans  :  London, 

1780  ?]     s.  sh.  fol.  G.  310.  (41.) 

Let  e'ery  Face  be  fill'd  w""  Joy.  On  the 
Prospect  of  Peace.  [Song,  words  and 
music  by  H.  Carey.]  Cross  :  [London, 
1728?]     s.  s7i.  fol.  G.  310.  (65.) 

Let  ev'ry  Martial  Soul  advance.  A  Nciv 
Song  in  Honour  of  the  King  of  Prussia. 
Sung  by  Mr.  Kear.  [Music  by  J.  Bryan.] 
[London,  1758.]     s.  sh.  8°. 

P.P.  5439.  ab. 

Neiv  Universal  Magazine,  Dec,  1758. 
Let  every  Martial  Soul  advance.     Song. 
See  Bryan  (J.) 

Let  fusty  old  Greybeards  of  Apathy  boast. 
The  Nod  Wink  and  Smile.  [Song.]  Sung 
by  I\Ir.  Vernon. 

S[amuer\A'nnand']  P[eter]  T\hompson : 
Lo7ifZo7i,  1785  ?]  s.sh.iol.  1.530.(89.) 
Let  Heroes  boast  of  Deeds  of  Arms. 
Patt.  A  New  Song,  sung  at  Saddlers- 
Wells.     [London,]  1761.     8°.      158.  1.  6. 

London  Magazine,  1761,  p.  45. 
Let   me   sink  to  the    regions  of    Shade. 
Elegy.     See  Alcock  (J.)  the  Younger. 
Let  me  wander  not  unseen.     [Song.] 
See  Haendel  (G.  F.)     [U Allegro.] 
Let  nature  henceforward  neglect.     Song. 
Sec  Galliard  (J.  E.)     [Circe.] 
Let  not  Age.     Cantata. 
See  GiORDASi  (T.) 

Let  not  Love  on  me  bestow.     Song. 
Sec  PuRCELL  (D.)     [The  Fimeral.] 
Let  not  Rage.    [Song.]    See  Artaxerxes. 
Let   other  Bards   in  lofty  Verse.     Polly 
Gi-een.     [Song.]  [London, 

1750?]     s.sh.iol.  G.  310.  (64.) 

Let  other  Men  envy  the  Pomp  of  the 
Great.  The  Happy  Fellow.  A  New  Song. 
[London,  1765.]     8°.  P.P.  5438.  z. 

Universal   Magazine,    Vol.    XXXVII. , 
p.  208. 


LET.      Let   others    for   beauties    the   city 
explore.     Miss  Snoio  :  a  New  Song. 
[London,  1765.]     8".  P.P.  5441. 

Royal  Magazine,  Vol.  XIII.,  p.  46. 

Let  others  sing  in  loftier  Lays.  Polly  of 
the  Plain.  A  New  Song  [by  W.  Defesch]. 
Sung  by  Mrs.  Chambers,  at  Mary-le-Bon 
Gardens.     [London,  1754.]     8°. 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XV.,  p.  125. 

Let  Others  sing  in  Rustic  Lays.  Fanny 
of  the  mil.  [Song,  by  J.  Hook.]  Sung 
by  Mr.  Vernon  at  Vauxhall. 

[Printed  for  C.  and  S.  Thompson  : 

London,  1768  ?]     fol.  G.  310.  (50.) 

From     Thompson's     Second    Book    of 

Hook's     Vauxhall    and    Marylebone 

Songs. 

Let  others  to  Loudon  go  roam.     [Song.] 
See  Arne  (T.  A.) 

Let  Parties  and  Rage  awhile  quit  the 
Stage.  The  British  Hector,  or  the  Taking 
of  Pondichery.     [Song.]  [London, 

1779?]     s.sh.iol.  1.530.(88.) 

Let  Pleasure's  gay  Queen.  The  Court  of 
Vauxhall.  [Song.]  Written  for  and  Sung 
by  Mr.  Vernon,  1778  and  1779.  Set  to 
Musick  by  the  Author. 

S[anmel  and]  A[nn]  T[hompson  : 
London,  1779.]     fol.  G.  310.  (54.) 

Let  Poets  and  Historians.  The  Gregorian 
ConstitxUion  Song.  [Words  and  music  by 
H.  Carey.]     [London,  1735  ?]     s.  sh.  fol. 

G.  316.  e.  (64.) 

Let  Poets  boast  of  Egypt's  Queen.  The 
Toast.     A  new  Song. 

[London,  1756.]     8°.  158.  1.  1. 

London  Magazine,  1756,  p.  604. 

Let  Poets  of  Learning.  The  Lass  of  the 
Hatch.     [Song.] 

L[ongman  and]  B[_roderip  :  London, 
1785?]     fol.  G.  310.  (48.) 

Let  prentice  Bards  poetic  scribble.  Btin- 
tinella.  [Song.]  The  words  by  G.  A. 
Stevens.  Sk[illern  :  London, 

1780?]     s.sh.iol.  G.  310.  (43.) 

Let's  banish  Strife  and  Sorrow.  Round. 
See  Atterbury  (L.) 

Let's    be    Jolly,   fill   our    Glasses.      The 
Charms  of  the  Bottle,  [Song]  the  words  by 
Mr.  Estcourt. 
[London,  1720  ?]     s.  sh.  fol. 

H.  1601.  (281.) 

Let's   drink   and  be   merry.      The    Good 
Felloiv.     [Song,  by  G.  Vanbrughe.] 
[Walsh  :  London,  1713  ?]     fol. 

G.  303.  (24.) 
Pp.   26-27  of  Vanbrughe  s  '  Mirth  and 
Harmony.' 


LET— LETHE 


41 


LET.  [Another  edition.]  Let's  drink  and 
be  merry.  The  Good  Felloic.  [Song.]  Set 
for  the  German  Flute.  [By  G.  Vanbrughe.] 
[London,  1720  ?]     s.  sh.  fol. 

G.  316.  e.  (75.) 
Let's   talk   of   Bow    or    Dart    no    more. 
Song.     See  Frasck  (J.  W.) 
Let's  tie  the  Knot,  my  Sally.     Song. 
See  Hook  (.J.) 

Let's  tope  and  be  merry.  The  Jolly 
Bacchanal.     [Song.]  [London, 

1740  ?]    s.  sh.  fol.  G.  316.  e.  (60.) 

Let  soft  desires  your  Heart  engage.  Song. 
See  Levekidge"  (R.)  [The  Island  Prin- 
cess.'] 

Let  Soldiers  fight  for  Prey  or  Praise.  A 
iieic  Drinking  Song,  etc.  [London, 

1765  ?]     s.  sh.  fol.  H.  1994.  (40.) 

Let  the  daring  Advent'rers  be  toss'd  on 
the  Main.  What  ivill  make  every  man 
rich.  [Song,  words  from  Shadwell's  play 
'The  Womau-Captain.']     fol. 

Printed  for  J.  Bland  : 
[London, 1180?]   s.  sh.  io\.  G.  310.  (38.) 
Let  the  declining  Damask  Rose.     Song. 
See  Hudson  (R.) 

Let  the  dreadfull  Engines.  Song. 
See  PURCELL  (H.)  [Don  Quixote.  Part  L] 
Let  the  French  hop  and  sing.  British 
Freedom.  A  Favourite  Song.  Set  by  an 
Eminent  Master.  S'traight'  d-  Sk'illcrn  : 
London,  1775  ?]     fol.  G.  310.  (72.) 

Imperfect,  icanting  the  second  leaf. 
Let  the  Goblet  sparkle  high.  Song. 
See  Duns  (J.) 

Let  the  Nymph  still  avoid.     [Song.] 
See  Reprisal. 

Let  the  Nymph,  who  designs.    Seasonable 
advice  to  Maidens.     [Song.] 
[Lotidon,  1720?]     s.  sh.  fol. 

H.  1601.  (285.) 
Let  the  slave  of  ambition  and  wealth. 
Song.  See  Giokdani  (T.) 
Let  the  social  Can  go  round.  An  easy 
Duo  for  Tivo  Voices.  T.  G.  Williamson  : 
London,  [1191-7]     fol.  G.  354.  (52.) 

Let  the  Souldiers  rejoyce.     Song. 
See  Purcell  (H.)     [Dioclesian.] 
Let  the  tempest  of  war.     The  Tempest  of 
War.    A  New  Song.     [London,  1761.1   8°. 

P.P.  5441. 

Royal  Magazine,  Vol.  IT.,  p.  195. 
[Another  edition.]      Let  the  Tempest  of 
War.    A  Song.    [London .  1165  T  s.  sh.  iol. 

H.  1994.  b.  (49.) 
Let  the  ^Yaiter  bring  clean  Glasses.  [Song, 
adapted  to  "II  Tricerbero  humiliato," 
by  G.  F.  Handel.]  [London, 

1790?]     s.  sh.  fol.  G.  805.  i.  (9.) 

Let  those  who  wou'd  wish  to  hear  reason. 
To  Day  a  favourite  Song.  W.  PJandall : 
London,  1770?]    s.  sh.  fol.    G.  310.  (57.) 


LET.  Let  Truth  and  spotless  Faith  be  thine. 
Frc-e  Mason's  Song.  (Der  alte  Landmann 
an  seinen  Sohn.)     [Words]  By  Holty. 

C.  Geisiceiler :  [London,] 
1800.     s.  sh.  obi.  4°.  266.  1.  30. 

German  Museum,  August,  1800. 
[Another  setting.]    Let  Truth  and  spotless 
Faith  be  thine.     [Glee.] 
See  Callcott  (J.  W.) 

Let  us  advance  the  Good  Old  Cause.  An 
Excellent  Neto  Hymne  To  the  Mobile, 
exhorting  them  to  Loyalty  the  Clean 
contrary  Way.  'To  the  Tune  or  [sic]  41,  Or 
Hev  Bovs  up  go  We.  Kath.  Thompson  : 
London,  1682.     s.  sh.  fol. 

1871.  e.  9.  (70.) 
Let  us  dance,  and  sing  in  chorus.  St. 
David's  Day.  Welch  Air  ""for  three  voices]. 
Skillern  :  Lcmdon,  '1800  ?'     fol. 

G.  809.  b.  (16.) 

Let  us  dance,  let  us  sing.  [Song.]  Sung 
by  Mr.  Shuter  in  the  character  of  a 
Sailor.     [London,  11^,0  T,     s.  sh.  iol. 

G.  316.  e.  (61.) 
[Another  setting.]     Let  us  dance,  let  us 
sing.     Song.     See  Purcell  (H.) 
Let  us  fill  the  circling  Glass.     Love  and 
Opportunity.       [Song.]       Sung     by     Mr. 
Vernon.  S[amuel  and]  A[nn'  T'hompson  : 
London,  1119?]    s.  sh.  tol    G.  310.  (39.) 
Let  us  revel  and  roar.     Two  Part  Song. 
See  EccLES  (J.)     [The  Lover's  Luck.] 
Let  us,  the  sheep  by  Jesus  nam'd.   Hymn. 
[Words  by  J.  Cennick.] 
[London,  1778.]     8".  P.P.  716.  b. 

Gospel  Magazine,  Dec,  1778 
Let    Wine 

Song.     See  Hudson  (R.) 
Let    youthful    bards,    in    wanton    verse. 
Miranda.     A  New  Song  [bv  J.  Wogan". 
[London,  175-3.]     8°.        ^    P.P.  5438.  z. 

Universal  Magazine,  Vol.  XIII.,  p.  1-34. 

LETHE.  The  Card  invites.  [Song.] 
Sung  bv  Mrs.  Clive  in  Lethe.  [Words  by 
D.  Garrick.]     [London,  1760  ?]     s.  sh.  fol. 

I.  530.  (87.) 
Ye  mortals  whom  fancies  and  troubles 
perplex.  A  Song  in  Lethe.  Sung  by  Mr. 
Beard,  in  the  Character  of  Mercury. 
[Written  bv  D.  Garrick.] 
[London,  1749.]     8^  249.  c.  ^19. 

Gentleman's  Magazine, Vol.  XIX.,  i).  323. 
Ye  mortals  whom  fancies  and  troubles 
perplex.  Song  in  Mr.  Garrick's  Lethe. 
Suug  by  Mr.  Beard.     [London,  1749.]    8°. 

157.  1.  11. 
Londo7i  Magazine,  1749,  ^j.  36. 

Y'e  Mortals  whom  Fancies  and  Troubles 
perplex.     A  Song  in  Lethe.     [Written  by 
D.  Garrick.]     Sung  bv  Mercurv. 
[London,  1750  ?]    s.  sh.  fol.    G."  295.  (20.) 

[Another  copy.]  H.  1994.  a.  (19.) 


to    social    Joys    give    Birth. 


42 


LETHE— LEVERIDGE 


LETHE.  [Another  edition.]  Ye  Mortals 
whom  Fancies  and  Troubles  perplex.  A 
Song  in  Lethe,  etc.  [London,  1755  ?] 
s.  sh.  fol.  H.  1994.  b.  (109.) 

[Another  edition.]  Ye  Mortals  whom 
Fancies  and  Troubles  perplex.  A  Song  in 
Lethe.  [Written  by  D.  Garrick.]  Sung 
by  Mr.  Beard  in  the  Character  of  Mercury. 
Within  Compass  of  German  Flute. 
See  Chloe.  Chloe,  or  the  ]\Iusical  Maga- 
zine, etc.     No.  61.    [1760  ?]    fol.    G.  433. 

LETTRE.  La  Lettre,  Comedie  en  un 
acte,  en  prose  et  Vaudevilles,  par  C.  J. 
Lceuillart-Davrigni ;  . . .  Avec  la  Musique 
[of  the  concluding  Vaudeville].  Cltez  le 
Libraire,  au  Theatre  du  Vaudeville : 
Paris,  An  Troisieme  [1795].     8". 

11738.  ce.  12.  (2.) 
Lettre  a  une  Dame  d'un  certain  age,  sur 
r^tat  present  de  I'Opera.  [By  Baron  P. 
H.  D.  von  Holbach.]  En  Arcadie,  [Paris,] 
1752.     S\  1103.  b.  21.  (2.) 

LEUCIPPO     E     ZENOCRITA.      The 

Favorite  Songs  in  the  Opera  Leucippo 
and  Zencciita  [a  Pasticcio],  for  the  Voice 
and  Harpsichord,  etc.  Pi.  Brcinncr : 

London,  [1764.]     fol.  G.  805.  r.  (5.) 

The  composers  named  are  Vento,  Hasse 
and  Giardini. 

LEURS.      Leurs     petits     sont     pour    les 
oiseaux.     Air. 
See  Geoeges  et  Geos  Jean. 

LE  VASSEUR  (  )  Doux  Messagers 
dujour.  Air,  etc.  [Words  by]  Lombard. 
[Paris,]  1729.     s.  sh.  i\  298.  a.  5. 

Mercure  de  France,  June,  1729. 

LEVERIDGE  (Richaed)  A  CoUectiou  of 
Songs  ...  In  Two  Volumes.  Printed  for 
the  Author  ;  London,  1727.  8°.  C.  371. 
[Another  copy.]  C.  371.  a. 

Wanting  the  frontispiece. 
A  New  Book  of  Songs,  Engraven,  Printed 
and  Published  for  R.  Leveridge. 
[London,  ITdO?]     fol.  H.  41. 

[Another  copy.]  H.  82.  (2.) 


Advice.     [Song.]  [London, 

1730  ?]     s.  sh.  fol.  G.  310.  (88.) 

[.^sop.]     Shou'd  I  once  change  my  Heart. 
A    Song    in     the    Comedy  [by   Sir  John 
Vanburgh]  calVd  JSsop  . . .  Sung  by  Mrs. 
Cross  and  exactly  engrav'd  by  T.  Cross. 
[London,  1697.]     fol.       K.  7.  i.  2.  (65.) 

[Another  edition.]      Shou'd   I  once 

change^my  Heart.     A  Song  in  . . .  ^sope. 


etc.     [London,  1700  ?]     fol. 


[Another  copy.] 


G.  304.  (140.) 
G.  311.  (46.) 


Awake,  my  Eyes,  awake.     A  Song,  etc. 

G.  304.  (16.) 


LEVERIDGE     (Richaed)      [The    Beau 
Demolished.]     Whilst  I'm  carrouzing  . . . 
So7ig  .  .  .  [composed]  by  Mr.   Leveridge. 
[1715  ?]     s.  sh.  fol. 
See  Beau  Demolished.     G.  313.  (130.) 

The  Biter  Bit.     [Song.]  [London, 

1720?]     s.  sh.  fol.         H.  1994.  b.  (97.) 

Black-Ey'd  Susan  to  Mr.  Leveridge's  tune. 
For  the  Flute.  [London, 

1720?]     s.sh.idY.  G.  305.  (177.) 

Sec  Caeey  (H.)    [Black-eyed  Susan.] 

Sweet  William's  Farewell  to  Black-Ey'd 
Susan,  etc.     (Mr.  Leveridge's  Tune.) 
[1720?]     s.sh.iol.  H.  1601.  (24.) 

[Another  edition.]     Sec  Caeey  (H.) 

[Black-eyed  Susa)i.]  Sweet  William's 
Farewell,  etc.  (The  Tune  by  ]\Ir. 
Leveridge.)     [1725  ?]     s.  sh.  fol. 

G.  316.  g.  (2.) 

See,  Carey  (H.)    [Black-eyed  Susan.] 

All  in  the  Downs,  etc.  (Mr.  Leveridge's 
Tune.)     [1750?]     s.sh.iol. 

G.  806.  r.  (11.) 
Blythe  Jockey,  young  and  gay.  [Song.] 
Sung  by  the  Boy.  [London, 

1700?]     s.sh.iol.  G.  306.  (234.) 

[Another  copy.]  G.  304.  (26.) 

[Another  edition.]  Blythe  Jockey,  young 
and  gay.  A  Scotch  Song,  etc.  [London, 
1710?]    s.  s/(.  fol.  H.  1601.  (67.) 

[Caligula.  Tho'  over  all  ilankind.]  A 
Song  made  for  the  Entertainment  of  Her 
Royal  Highness  . . .  Sung  by  Mrs.  Lindsey, 
in  Caligula  [by  J.  Crowne]  ;  and  exactly 
engrav'd  by  T.  Cross.  [London, 

1698.]     fol.  K.  7.  i.  2.  (66.) 

[Another    edition.      Tho'   over    all 

Mankind.]     [London,  1100?]     fol. 

G.  315.  (50.) 
Wanting  p>p.  1-3. 

Chloe  brisk  and  gay  appears.  A  Song  . . . 
exactly  engrav'd  by  T.  Cross.  [London, 
1698  ?]    fol.  K.  7.  i.  2.  (68.) 

[Another  edition.]  Cloe  brisk  and  gay 
appears.     [London,  1710  ?]     s.  sh.  fol. 

G.  305.  (23.) 
[Another  edition.]  Chloe  brisk  and  gay 
appears.  A  Song  . . .  exactly  engrav'd  by 
D.  Wright.     [London,  1715  ?]     s.  sh.  fol. 

H.  1601.  (105.) 
Come  fair  one  be  kind. 
See  infra  :  [Tlie  Becruiting  Officer.] 

The  Contented  Man.  [Song.]  [London, 
1740  ?]    s.  sh.  fol.  G.  308.  (8.) 

[Another  copy.]  s.  sh.  fol.  G.  315.  (17.) 
Cry'd  Celia  to  a  Reverend  Dean.  [Song.] 
[London,  1730  ?]     s.  sh.  fol. 

G.  307.  (42.) 
[Another  edition.]  Cry'd  Celia  to  a 
Reverend  Dean.     [Song.]  [Loyidon  ? 

1730  ?]     s.  sh.  fol.  G.  316.  d.  (95.) 


LEVERIDGE 


43 


LEVERIDGE  (Richaedj     The  Cuckow. 
[Soug,  the  words  by  W.  Shakespeare.] 
iLoiidon,  1725  ?]    s.  s/j.  fol.  G.  313.  (62.) 

Cupid  my   Pleasure.     A  tico  part   Song. 
The  words  &  Music  by  ^Nlr.  Leveridge. 
[London,  1750  ?]     s.  sh.  fol. 

G.  316.  (95.) 

[Another  copy.]  H.  1994.  a.  (23.) 

The  Cure  of  all  Grief.     [Song.]     [London, 
1730?]    s.sh.toL  G.  307.  (199.) 

Drinking  Excus'd.     [Song.]  [London, 


1725  ?]     s.  sh.  fol. 

[Another  copy.] 

Early   in   the   Dawning. 

by  Mr.  Penkdhman, 

1700  ?]     s.  sh.  fol. 

[Another  copy.] 

The   fair  Aurelia's  gone 


G.  313.  (5.) 

G.  303.  (87.) 

[Song.]     Sung 

[London, 

G.  304.  (51.) 

I.  530.  (52.) 

astray.     [Song.] 


1707. 
See  Fakewej.l  Folly.    H. 

The   Fickle   Fair.      [Song, 
Smith.]     [London,  YimT] 


Words  by  a  Person  of  Quality.  [London, 
1720?]     s.sh.iol.  G.  305.  (25.) 

[Another  copy.]  G.  312.  (43.) 

[Farewell  Folly.]  The  ^Mountebank  Song 
[begins  "Here  are  People  and  Sports"], 
Sung  by  Dr.  Leverigo  and  his  Merry 
Andrew  Pinkanello,  in  Farewell  to  Folly 
[words  by  P.  A.  ilotteux],  etc.  [London, 
1707.]    s.  sh.  fol.  G.  305.  (24.) 

[Another  copy.]  G.  305.  (60.) 

The   Mountebank,  a  Song   [begins  : 

"  See  Sirs,  see  here,"]  in  the  Quacks  or 
Farewell  Folly.  [Words  by  P.  A.  Motteux.] 
Set  and  sung  by  Mr.  Leveridge.  [London, 
1707.]     s.  sh.  fol.  G.  305.  (20.) 

[Another  copy.]  G.  315.  (137.) 

[Another  edition.]  The  Mounte- 
bank.    A  Song,  etc.     1707.     s.  sh.  fol. 

"    1601.  (383.) 

Words   by  J. 
s.  sh.  fol. 
G.  308.  (67.) 

Fly  from  hi>  chirming  Language.  [Song.] 
Sung  by  Mm.  Lindsey.  [London, 

1710?]    s.sh.iol.  G.  305.  (209.) 

Foolish  Swain  thy  Sighs  forbear.  A 
Song  set  and  sung  by  Mr.  Leveridge  at 
the  Theatre  Rovall.  [London, 

1715 ?j     s.sh.iol.  H.  160i.  (160.) 

[Another  edition.]  Foolish  Swain  thy 
Sighs  forbear.     A  Song,  etc.  [London, 

1720  ?]    s.  sh.  fol.  G.  305.  (22.) 

[Another  copy.]  G.  307.  (191.) 

From  good  Liquor  ne'er  shrink.  Chanson 
a  Boire.     [London,  1720?]     s.  sh.  fol. 

G.  307.  (181.) 
Good   Advice.      A  Song  set  and  sung  by 
Mr.  Leveridge  at  the  New  Play-house. 
[London,  1700  ?]     s.  sh.  fol. 

H.  1601.  (286.) 
[Another  edition.]     Good  Advice,  etc. 
[London,  17157]  s.sh.iol.    G.  310.  (28.) 


LEVERIDGE    (Richard)     [Another 
edition.]     Good  Advice,  etc. 
Cluer  :  [Lojidon,  1720?]     s.sh.iol. 

G.  316.  g.  (36.) 
A   Health    to    the   best   in   Chrisendom. 
[Song.]      See  Boast.     Boast  no  more  of 
nice  Beautvs,  etc.     [By  R.  Leveridge.] 
[1710  ?]     s.  sh.  fol.  H.  1601.  (74.) 

Hold,  John,  e'er  you  leave  me. 
See  infra  :  [The  Island  Princess.'] 

If  to  Love  or  good  Wine.  A  New  Song, 
etc.    [London,  1715  ?]   fol.     G.  309.  (50.) 

Iris  beware  when  Strephon  pursues  you. 
^•1  Song  sett  and  sung  by  I\Ir.  Leveridge  at 
the  Theatre.     [London,  1720?]     s.  67;.  fol. 

G.  309.  (77.) 
[The  Island  Princess.]  The  Prologue  . . . 
Set  and  Sung  by  Mr.  Leveridge  and 
exactly  engrav'd  by  T.  Cross.  '[London, 
1700.]     s.  sh.  fol.  G.  315.  (100.) 

Hold,  John,  e'er  you  leave  me.     A 

Dialogue  in  the  Island  Princess.  Set  by 
Mr.  Leveridg.  Sung  by  him  &  Mr.  Pate. 
[Words  by  P.  A.  Motteux.] 

[London,  1700.]     fol.       H.  1601.  (188.) 

[Another  edition.]     Hold,  John,  e'er 

you  leave  me.  A  Dialogue  in  y"  3'*  Act 
of  y°  Island  Princess,  etc. 

[London,  1700.]     fol.  G.  304.  (72.) 

[Another  edition.]     Hold,  John,  e'er 

you    leave    me.      A    Dialogue  . .  .  Newly 


Transpos'd  for  the  Flute. 
[London,  1700.]     fol. 


G.  308.  (87.) 


Let  soft  desires  your  Heart  engage. 

A  Song,  in  the  Opera  called  the  Island- 
Princess  . .  .  Sung  by  Mrs.  Campion,  and 
exactly  engrav'd  by  T.  Cross.  [Words  by 
P.  A.  Motteux.]  [London,  1700.]   s.  sh.  fol. 

K.  7.  i.  2.  (64.) 

[Another  edition.]     Let  soft  desires 

your  Heart  engage.  A  Song  in  the  new 
Opera,  etc.     [London,  1700.]     s.  sh.  fol. 

G.  304.  (94.) 

Oh  cease,  urge  no  more.     An  En- 

thusiastich  Song  in  the  Island  Princess. 
Set  and  Sung  by  Mr.  Leveridge.  [Words 
by  P.  A.  Motteux.]     [Lojidon,  1700.]     fol. 

G.  310.  (291.) 
Jenny  long  resisted.  [Song.]  Sung  by 
Mrs.  Campion.  I.  Walsh,  I.  Hare  &  I. 
Young:  London,  [1100  ?]     s.  sh.  fol. 

G.  304.  (85.) 

[Another  copy.]  G.  309.  (62.) 

Jogging  on  from  j'onder  Green.     [Song.] 
Sung  by  Mrs.  Lindsey. 
[Lo7idon,  1700  ?]   s.  sh.  fol.   G.  304.  (79.) 

[Another  copy.]  G.  309.  (78.) 

[Jupiter  and  Europa.]     This  great  World 
is  a  Trouble.     [I\Iusic  by  R.  Leveridge.] 
[1723.]     s.  sh.  fol. 
See  JuPiTEE  AKD  EuEOPA.    G.  312.  (47.) 


44 


LEVERIDGE 


LEVERIDGE  (Richard)  [The  Lady  in 
Fashion.]  Tell  me,  Belinda,  prithee  do. 
A  Song  in  [Woman's  Wit  or]  the  Lady 
in  fashion  .  .  .  Sung  hy  ]Mrs.  Gibber  and 
exactly  engrav'd  by  T.  Cross.  [Words  by 
C.  Gibber.]  [London ,  16dS  ?] 

s.  sh.  fol.  K.  7.  i.  2.  (67.) 

[Another  edition.]   Tell  me  Bellinda, 

etc.  [Song,  words  from  C.  Gibber's 
'  Woman's  Wit ' . . .  Music  by  R.  Leveridge.] 
[1697  ?]  fol.  See  Tell.  H.  1601.  c.  (5.) 
Lay  aside  the  reap-hook. 

See  infra:  [The  Mountebank.'] 

Let  soft  desires  your  Heart  engage. 
Sec  supra  :  [T]ic  Island  Princess.'] 

[Love  and  a  bottle.]     When  Cupid  from 
his    Mother    fled.       Songs    in    the    new 
Comedy  [by  G.  Farquhar]  call'd  Love  and 
a  Bottle.     Sung  by  Mrs.  AUinson. 
[London,  1699.]    s.  sh.  fol.  G.  304.  (172.) 

[Another  edition.]  When  Cupid  from 

his  ]\Iother  fled.  A  Song  . . .  exactly  en- 
grav'd by  T.  Cross.  [London, 
1699  ?]     s.  sh.  fol.               G.  315.  (150.) 

The  Lusty  Young  Blacksmith,  etc.  [Song.] 
[London,  1705?]     s.  sh.  fol. 

Gren.  559.  (22.) 
[Another  edition.]     A  lusty  young  Smith 
at   his  Vice   stood   a   filing.     A   Song  . . . 
exactly  engrav'd  by  D.  Wright. 
[London,  1705  ?]     s.  sh.  fol. 

H.  1601.  (45.) 
[Another  edition.]  A  lusty  young  Smith 
at  his  Vice  stood  a  filing.  A  Song,  etc. 
[London,  1705  ?]  s.  sh.  fol.  G.  304.  (8.) 
[Another  edition.]  The  Lusty  Young 
Blacksmith,  etc.  [London, 

1710  ?]     s.  sh.  fol.  G.  316.  d.  (15.) 

Marinda's  face  like  Cupid's  bow.  A  new 
Song  . . .  Sung  att  the  Theater  in  Dublin. 
[London,  1700  ?]  fol.  G,  304.  (105.) 
[Masaniello.]  Of  all  the  World's  enjoy- 
ments. The  Fishcrmans  So7ig  in  the 
First  Part  of  Massaniello  [by  T.  Durfey], 
Set  and  Sung  by  Mr.  Leveridge,  and 
exactly  engrav'd  by  T.  Cross. 
[London,  1700.]     s.  sh.  fol. 

H.  1994.  c.  (54.) 

■ [Another  edition.]  Of  all  the  World's 

enjoj'ments.  The  Fishermans  Song  in 
Massaniello,  etc.  [London, 

1700.]     s.  sh.  fol.  G.  304.  (115.) 

[Another  copy.]  G.  310.  (173.) 

[Another  copy.]  G.  305.  (185.) 

[Another  edition.]  Of  all  the  World's 

enjoyments.     The  Fishcrmans  Song,  etc. 
Sec  Of.     Of  all  the  Worlds  enjoyments, 
etc.    [Bv  R.  Leveridge.]    [1700.]    s.s7(.fol. 

H.  1601.  (353.) 
The  Miser's  Pursuit,  etc.  [Song,  words  by 
the  Rev.  S.  Wesley.]  [Londoti, 

1725  ?]    s.  sh.  fol.  G.  313.  (36.) 


LEVERIDGE  (Richard)  The  Mounte- 
bank. Sec  supra  :  [Farewell  Folly.] 
[The  Mountebank.]  Lay  aside  the  reap- 
hook.  [Song.]  Sung  by  Mr.  Randall,  in 
the  Farce  calVd  the  Mountebank  or  tJie 
Country  Lass.    [London,  1715.]    s.  sh.  fol. 

G.  305.  (133.) 
Different  from  the  hiterludc  of  the  same 
name  in  '  FareiocU  Folly.' 

[Another  copy.]  G.  310.  (23.) 

[Another   edition.]      Lay   aside   the 

reap-hook,  etc.    [London,  1715.]    s.  sh.  fol. 

H.  1601.  (273.) 

Now    Roger    and    Harry.      [Song.] 

Sung  by  Mr.  Jones  in  the  Farce  call'd  the 
Mountebank  or  the  Country  Lass,  etc. 
[London,  1715.]     s.  sli.  fol. 

H.  1601.  (314.) 

[Another  edition.]      Now  Roger  and 

Harrv,  etc.     [London,  1715.]     s.  sh.  fol. 

G.  310.  (133.) 

[Another  copy.]  G.  305.  (13.) 

Now  Roger  and  Harry. 
See  supra:  [The  Mountebank.] 
Observations  on  a  Gentlewoman,  working 
by  an  Hour-Glass.     [Song.]     The  Words 
by  Ben  Johnson.     [London,  1753.]     8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XIII.,  p.  271. 
Of  all  the  World's  enjoyments. 
See  supra  :  [Masaiiiello.] 

Of  good  English  Beer  our  Song  let's  raise. 
A  Song  in  Praise  of  Old  English  Beer. 
[London,  1740  ?]     s.  sh.  fol. 

G.  310.  (198.) 
[Another  copy.]  G.  303.  (70.) 

[Another  edition.]     Of  good  English  Beer 
our  Song  let's  raise,  etc.  [London, 

1745  ?]    s.  sh.  fol.  G.  316.  e.  (101.) 

Oft  I'm  by  the  Women  told.     An  Ode  in 
Anacrcon.     [Translated  by  A.  Cowley.] 

Printed  for  J.  Simpson: 
[London,  1735  ?]  s.  sh.  fol.     G.  315.  (3.) 

[Another     edition.]      Oft     I'm     by     the 
Women  told.     An  Ode  in  Anacreon. 
[London,  VJ^O"!]     s.  sh.  lo\. 

G.  310.  (179.) 
Oh  cease,  urge  no  more. 
See  supra  :  [Tlie  Island  Princess.] 

Oh  Death  think  on  the  Words  you  gave. 
A  Dialogue  betiocen  Death  and  a  Dying 
Person  . . .  The  Words  by  Mr.  Parrat. 
[London,  1740.]     8°.  239.  e.  10. 

Gentleman's  Magazine,  Vol.  X.,p.  88. 

Old  Poets  have  told  us,  when  they  were 
grown  mellow.     [Song.]  [London, 

1720  ?]     s.  sh.  fol.  I.  530.  (90.) 

On   Sunday  after   Mass.      [Song.]     Sung 
by  Mrs.  Mills.  [London,  1700  ?]   s.  sh.  fol. 

G.  304.  (113.) 

[Another  copy.]  G.  310.  (182.) 


LEVERIDGE 


45 


LEVERIDGE  (Richard)  On  Sunday 
after  Mass.  [Another  copy.]  I.  530,  (92.) 
[Another  edition.]  On  Sunday  after  ]\Iass. 
A  Song,  etc.     [London,  1710?]     s.sh.iol. 

H.  1601.  (350.) 
[Plot  and  no  Plot.]  When  Chloe  I  your 
Charms  survey.  A  Song  in  the  Plot  and 
no  Plot  [words  by  T.  Cheek],  Set  and 
Sung  by  Mr.  Leveridge  and  exactly  en- 
grav'd  by  T.  Cross.  [London, 

1698.]     s.  sh.  fol.  K.  7.  i.  2.  (69.) 

[Another   edition.]      When  Chloe  I 

your  Charms  survey.  [London, 

1705  ?]     s.  sh.  fol.  G.  304.  (170.) 

[Another  edition.]      When  Chloe  I 

your  Charms  survey,  etc.  [London, 

1710?]     s.  s7i.  fol.  H.  1601.  (511.) 

[The  Quacks.]  To  gentle  Strei^hon  tell 
your  grief.  A  Song  in  the  Play  call'd  the 
Quacks,  or  Lov's  the  Physitian,  [adapted 
by  0.  Mac  Swiney  from  Moliere's 
'  Li' Amour  Medecin,']  Sung  by  the  Boy. 
[London,  1705.]     fol.  G.  315.  (9.) 

[The  Recruiting  Officer.]  Come  fair  one 
be  kind.  A  Song  .  .  .  Sung  by  ]\Ir.  Wilks 
in  the  Comedy  call'd  the  Recruiting 
Officer.  [Words  by  G.  Farquhar.]  With- 
in Compass  of  the  Flute.  [London, 
1705.]  s.  sh.  fol.  G.  307.  (1.) 
[Another  copy.]  G.  305.  (19.) 
The  Reproach.  [Song,  Words  by  Dr. 
Donne.]  See  Young  (A.)  The  Reproach, 
etc.     (]\Ir.  Leveridge's  Tune.) 

[1720?]    s.sh.iol.  G.  311.  (76.) 

[Another  edition.]     The  Reproach. 
See  Young  (A.)     The  Reproach,  etc.     (Mr. 
Leveridge's  Tune.)     [1720?]     s.sh.iol. 

H.  1601.  (405.) 
Resolution.     [Song.]  ^London, 

1725?]     s.sh.iol.  G.  310.  (15.) 

The  Roast  Beef    Song    [begins  :     "  When 
mighty  Roast  Beef  was  the  Englishman's 
Food  "]  ...  by  a  Lady  of  Quality. 
[London,  1735  ?]     s.  sh.  fol. 

G.  313.  (135.) 

[Another  copy.]  1.  530.  (177.) 

[The  Roast  Beef  Song.]     See  By.     By  the 
blessing  of   God   we   have   Conquer'd   at 
last,  etc.     [To  the  tune  of  the  Roast  Beef 
of  Old  England,  by  R.  Leveridge.] 
[1782.]     s.  sh.  fol.  G.  306.  (190.) 

Should  I  dye  by  y"  Force  of  Good  Wine. 
A  Song  Sett  and  Sung  by  Mr.  Leveridge 
at  the  Theatre.  [London, 

1720?]     s.sh.iol.  H.  1601.  (395.) 

[Another  edition.]     Should   I  dye   by  y"= 

force  of  good  Wine.     A  Song,  etc. 

T.  Cluer  :  [London,  1720  ?]     s.  sh.  fol. 

G.  316.  g.  (55.) 
[Another  edition.]  Should  I  dye  by  y= 
force  of  good  Wine,  etc.  [London, 

1720?]     s.  sh.  fol.  G.  311.  (81.) 


LEVERIDGE  (Richard)  [Another 
edition.]  Should  I  dye  by  the  Force  of 
good  Wine,  etc.  [London, 

1730?]     s.sh.iol.  G.  316.  e.  (134.) 

Shou'd  I  once  change  my  Heart. 
See  supra  :  [.^sop.] 

The  Sun  was  just  setting.  A  new  Song, 
etc.  H.  Plaijford  :  [London, 

1700  ?]    s.  sh.  fol.  "  G.  312.  (28.) 

[Another  copy.]  G.  304.  (149.) 

[Another  edition.]  The  Sun  was  just 
setting,  etc.     [London,  1710  ?  ]     s.  sh.  fol. 

H.  1601.  429. 

Sure  ne'er  was  a   Dog  so   wretched.     A 
Song  . . .  Set  for  the  German  Flute. 
[London,  1735  ?]     s.  sh.  fol. 

G.  316.  e.  (144.) 

Sweet  are  the  Charms  of  her  I  love.  A 
New  Ballad.  The  Words  by  Mr.  Barton 
Booth,  etc.     [London,  I'ilO?]     s.sh.iol. 

H.  1601.  (404.) 

[Another  edition.]     Sweet  are  the  Charms 
of  her  I  love.     A  New  Ballad,  etc. 
I.  Jones  :  [London,  1710  ?]    s.  sh.  fol. 

L  530.  (91.) 

[Another  edition.]     Sweet  are  the  charms 
of  her  I  love.     A  Netv  Song,  etc. 
[London,  1710  ?]     s.  sh.  fol. 

G.  305.  (217.) 
[Another  copy.]  G.  311.  (52.) 

[Another  copy.]  G.  316.  g.  (61.) 

[Sweet  are  the  Charms  of  her  I  love.] 
See  Fair.     Fair  soft  and  easy  Celia  walks 
...  to  the  Tune  of  Sweet  are  the  Charms 
&c.     [By  R.  Leveridge,]  etc. 
[1720  ?]     s.  sh.  fol.  H.  1601.  (140.) 

Tell  me,  Belinda,  prithee  do. 

Sec  supra  :  [The  Lady  of  Fashion. '\ 

Thus  Damon  knock't  at  Celia's  Door.     A 
Song  . . .  sung   at   the  Theater.      [Words 
from  G.  Farquhar's  '  Constant  Couple.'] 
[London,  1700  ?]     s.  sh.  fol. 

H.  1601.  (448.) 

[Another  edition.]  Thus  Damon  knock't 
at  Celia's  door.  A  new  Song  . . .  Sung  at 
y"  Theater  in  Dublin.  [London, 

1710  ?]    s.  sh.  fol.  G.  304.  (155.) 

Time  Anticipated.     [Song.]  ^London, 

1725  ?]     s.  sh.  fol.  G.  303.  (5.) 

The  Tippling  Philosophers.  [Song,  words 
by  E.  Ward.]  Set  and  Sung  by  Mr. 
Leveridge  at  the  Theatre  in  Lincoln's  Inn 
Fields.  I.  Jones  :  [Loudon, 

1710  ?]     s.  sh.  fol.  Gren.  559.  (17.) 

[Another  edition.]  The  tippling  Philo- 
sophers, e^c.     [London,  1715?]     s.sli.lol. 

H.  1601.  (136.) 

To  gentle  Strephon  tell  your  Grief. 
Sec  supra  :  [The  Quacks.] 


46 


LEVEEIDGE— LIBERTA 


liEVERIDGE  (Richakd)  The  Wheel  of 
Fortune.  See  Wheel.  The  Wheel  of 
Life  is  turning  quickly  round  ...  A  Song 
rcompoFed  and]  Sung  by  Mr.  Leveridge, 
etc.     [1725?]     s.sh.iol       G.  312.  (21.) 

When  Chloe  I  your  Charms  survey. 
See  supra  :  [Plot  and  no  Plot.] 

When  Cupid  from  his  Mother  fled. 
Sec  supra  :  [Love  and  a  Bottle.'] 

When  Sawney  first  did  woe  me.     A  new 
Song  . . .  Sung  at  y°  Theater  in  Dublin. 
[London,  1710  ?]     s.  sh.  fol. 

G.  304.  (173.) 

[Another    edition.]      When    Sawny   first 
did  woe  me.     A  Scotch  Sorig,  etc. 
[London,  1710  ?]     s.  sh.  fol. 

H.  1601.  (503.) 

[Another  edition.]  When  Sawny  first  did 
woe  me,  A  Scotch  Song,  etc.  [London, 

1715  ?]     s.  sh.  fol.  G-.  313.  (64.) 

[Another  copy.]  G.  305.  (6.) 

Why  do  you  with  disdain  refuse.  A  Song, 
the  Words  by  a  Person  of  Quality  . . . 
exactly  engrav'd  by  T.  Cross.  [London, 
1700?]    s.  sh.iol.  I.  530.  (93.) 

A  Yorkshire  Tale.     [Song.]  [London, 

1720  ?]     s.  sh.  fol.  G.  307.  (6.) 

[Another  edition.]  A  Yorkshire  Tale,  etc. 
[London  ?  1720  ?]    s.  sh.  fol. 

h.  316.  d.  (93.) 

Young  Cupid  I  find.     A  Song.     Set  and 
Sung  by  Mr.  Leveridge  at  the  Theatre. 
[London,  1120?]     s.sh.iol. 
^  G.  305.  (152.) 

Sec    Habmonia  Anglic  ana.      Harmonia 
Anglicana  ...  A   Collection  of .  .  .  Songs 
. . .  by  . . .  Leveridge,  etc.     [1765  ?]     fol. 
^  G.  103.  b. 

See  Shield   (W.)     [The    Crusade.]    The 
Songs  . . .  in  the  . . .  Crusade,  [a  Pasticcio,] 
composed  by  . . .  Carolan,  Leveridge,  etc. 
[1720.]     obi.  fol.  D.  293.  b. 

See  Thesaueus  Musicus.  Thesaurus 
Musicus.  A  Collection  of  . . .  Part  Songs 
. . .  by  . . .  Leveridge,  etc.  H.  73. 

LEVESQUE  (Peter)  XII.  Canzonetts 
for  One,  Two  and  Three  Voices,  Adapted 
for  the  Harpsichord  and  Piano  Forte, 
with  Accompanymeuts.  Opera  Secunda. 
Printed  for  the  Author  by  Thos.  Straight : 
London,  [1790?]    obi.  fol. 

F.  e07.  z.  (2.) 

LEVONS.     Levons  nous,  un  Tribun  per- 

fide.     Chant.     See  Lesueub  (J.  F.) 

LEVY  (  )  Bacchus,  dans  ce  repas  tu 
vas  perdre  ta  gloire.  Becit  de  Basse. 
Les  paroUes  sont  de  M'  le  Chevalier  de 
Lauret,  etc.     [Paris,]  1751.     s.  sh.  i". 

298.  c.  3. 
Mercure  de  France,  May,  1751. 


LlSVY  (        )     La  Bagatelle.     Vaudeville. 

Les  paroles  sont  de  M"'  Mesl4,  etc. 
[Paris,]  1751.     s.  sh.  4°.  298.  e.  5. 

Mercure  de  France,  Sept.,  1751. 

LEWIS  (Matthew  Gbegoey)  Evelina's 
Lullaby.  A  Favorite  Ballad  Sung  ...  at 
.  .  .  Drury  Lane  by  Mrs.  Bland.  The 
Poetry  and  Music  by  ]M.  G.  Lewis,  etc. 
Monzani  &  Cimador,  for  Mrs.  Bland  : 
Lo«(7o7!,  [1800?]    fol.    H.  2831.  a.  (14.) 

LEYDING  (Johakn  Dietrich)  Zwolf 
italicenische  Arietten  ausden  dramatischen 
Wercken  des  Herrn  Abts  Metastasio  .  . . 
in  Music  gesetzt  von  J.  D.  Leyding. 
Erster  Theil.  Bey  G.  C.  Gnmd  : 

Hamburg,  [1765?]     obi.  fol.  D.  357. 

Oden    und    Lieder    mit     ihren    eigenen 
Melodien.  Bey  D.  Iversen  : 

Altona,  1757.     8'\  D.  357.  a. 

LEYERMANN.  Der  Leyermaun.  [Song.] 
See  HiMMEL  (P.  H.) 

L'HOSTE  (Spirito)  De  1' Hoste  da 
Reggio  11  Primo  Libro  de  ]Madrigali  a  Tre 
Voci  . . .  Nouamente  da  lui  fatti,  corretti, 
&  posti  in  luce.  Alto. 
Appresso  di  Francesco  et  Simone  Moscheni  : 
Milano,  1554.     obi.  4°.  A.  262. 

LIBER  (Anton  Joseph)  Six  Senates  en 
Trio  pour  le  Clavecin  avec  Accompagne- 
ment  de  Violon  et  Basse.  [Separate 
Parts.]  Chez  S''  Glitz  :  Mannheim, 

[1775?]    fol.  g.  79.  a.  (3.) 

LIB]6rA.  Le  Libera  de  la  Bourbonnoise. 
[Song.]  See  Dans.  Dans  Paris  grande 
ville.     [1785?]     8°.  B.  362.  i.  (40.) 

LIBERATI  (Antimo)  Lettera  scritta  dal 
Sig.  Antimo  Liberati  in  risposta  ad  vna 
del  Sig.  Ovidio  Persapegi,  che  gli  fa  istanza 
di  voler  vedere,  ed'  essaminare  i  Componi- 
menti  di  Musica,  fatti  dalli  cinque  Con- 
correnti  nel  Concorso  per  il  posto  di 
IMaestro  di  Cappella  della  Metropolitana 
di  Milano,  etc.  Per  il  Mascardi  : 

Buma,  1685.     4°.  556.  c.  8. 

LIBERAZIONE  DI  RUGGIERO.   La 

Liberazione  di  Ruggiero  dall'  Isola  d'  Al- 
cina.     Balletto.     See  Caccini  (Francesca) 

LIBERIA.      Liberia's    all    my    Thought 
and  Dream.     Song. 
See  Barrett  (J.)  Organist. 

LIBERTA.     La  Liberta.     Canzonetta. 
Sec  GiAEDiNi  (F.) 

La  Liberta.     Canzonetta. 

See  Herbain  (      d')  Chevalier. 

La  Liberta  a  Nice.     [Duetto.] 
See  Cherubini  (M.  L.  C.  Z.  S.) 


LIBERTY— LIE 


47 


LIBERTY.  Liberty.  [Song,  begins : 
'  Since  ev'ry  Charm  on  Earth  combines.'] 
Sec  Hudson  (R.) 

Liberty.  Two-Part  Song.  [Begins :  '  Happy 
Britain  ! ']  See  R.,  J. 
Liberty.  Song.  See  Since.  Since  ev'ry 
Charm  on  Earth  combines,  etc.  [By  R. 
Hudson.]  [1766.]  8°.  P.P.  5438.  z. 
Liberty  regain'd.     Ode.     See  Basili  (A.) 

LIBERTY  HALL.    Liberty  HaU.   Comic 
Opera.     Sec  Dibdin  (C.) 
Liberty-HaU.    [Song.]      See    Old.       Old 
Homer,  but  what  have  we  with  him  to  do  ? 
[1775  ?]    s.  sh.  fol.        H.  1994.  a.  (76.) 

LICAS.     Licas  adorait  Oriane.    Romance. 
See  Philidor  (F.  A.  Danican) 
Licas  Amant  d'Aminte.     Ah  !  s'ils  s'iveil- 
loieiit.      [Song.]      Air,    Tandis    que    tout 
someille  [by  A.  E.  M.  Gretrv]. 
ChezCamand:  [Paris,  1789?]     8". 

B.  362.  a.  (192.) 
Licas  aupres  de  ma  Bergere.  Musette. 
[Paris,]  1751.     s.  sh.  4°.  298.  c.  6. 

Mercure  de  France,  Dec,  1751. 

LICHFILD  (Henry)  The  First  Set  of 
Madrigals  of  5.  Parts  :  apt  both  for  Viols 
and  Voyces.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)     (Quintus.)     5  pts. 

Printed  for  M[atthcxo]  L[_owncs'],  /[o/oi] 
B[rowne~\  and  T\_liomas']  S[nodha7}i]  the 
Assignes  of  W.  Barley  :  London,  1613.  4". 

K.  8.  f.  5. 
The  last  two  leaves  of   the  Altus  are 
loanting,  hut   have   been  supplied  in 
facsimile. 

LICKL   (Georg)     III.    Grands   Quatuors 

concertans   pour    deux  Violons,   Alto    et 

Violoncelle.    Oeuvre  1.     [Separate  Parts.] 

Chez  J.  Andre' :  Offenbach  s.  M., 

[1800?]     fol.  g.  410.  a.  (9.) 

LICORIS.     Licoris  Bouquetiere.     [Song.] 
Sec  Je.     Je  suis  jeune  bouquetiere. 
[1780?]     8".  B.  362.  b.  (145.) 

LIDARTI  (Cristiano  Giuseppe)  Six 
Duetts  for  a  Violin  and  Violoncello. 
[Separate  Parts.]  Welcker : 

London,  [1775?]     fol.         g.  421.  d.  (9.) 
Six   Sonatas   for   two   German  Flutes  or 
Violins   with   a   Thorough   Bass   for    the 
Harpsichord.     [Separate  Parts.] 
Welcker  :  London,  [1770  ?]     fol. 

g.  242.  (4.) 
[Another  copj-.]  h.  2852.  a.  (12.) 

Sei  Trii  per  Due  Violini  con  Basso  . . . 
Opera  iii.     [Separate  Parts.] 

Ati  Bureau  d' Ahonnemcnt  Musical : 
Paris,  [1770  ?]     fol.  g.  1003. 

See  Galeotti  (S.)  Six  Sonatas  for  Two 
Violins,  with  a  Thorough  Bass  .  .  .  one  bv 
Sig' C.  G.  Lidardi.     [1768?]     fol. 

g.  516.  a. 


LIDARTI  (Giovanni  Battista)  Sei  Trii 
per  due  Violini  e  Basso,  etc.  [Separate 
Parts.]  Stampati  a  spese  di  G.  Sodcrini : 
{London,  1780  ?]     fol.  g.  409.  e.  (2.) 

LIDEL  (Andreas)  Six  Duettos,  for  the 
Violin  and  Tenor,  with  a  separate  part  for 
the  Violoncello  . . .  Opera  3*. 

Printed  by  the  Author  : 
London,  [1779.]     fol.  g.  421.  (13.) 

[Another  edition.]  Six  Duettos  . . .  Opera 
S*.     [Separate  Parts.]  15'.  Forster  : 

London,  [1180  7]     iol.  h.  219.  (5.) 

A  Second  Sett  of  Six  Duettos,  three  for 
Violin  and  Tenor,  and  three  for  Violin  and 
Violoncello  . . .  Op.  vi.     [Separate  Parts.] 
Printed  by  the  Author  : 
London,  [1785  ?]     fol.  g.  421.  (12.) 

A  Third  Sett  of  Six  Duettos  for  Two  Violins 
or  Violin  and  Violoncello  . . .  Opera  viii. 
[Separate  Parts.]  Printed  by  tJie  Author  : 
London,  [1785  ?]     fol.  g.  426.  b. 

In  vain  you  tell  your  parting  Lover.  A 
Favorite  Song.     The  Words  by  Prior. 

Printed  for  the  Author  : 
London,  [1780  ?]     fol.         G.  309.  (101.) 

Six  Quartettos,  Three  for  two  Violins, 
Tenor  &  Violoncello,  and  three  for  Flute, 
Violin,  Tenor  &  Violoncello  Obligato  . . . 
Opera  2*^.  [Separate  Parts.]  Printed  for 
the  Author  :  London,  [111^1]     fol. 

g.  426. 

Three  Quintettos  for  a  Flute,  Violin,  two 
Tenors  and  Violoncello  Obligato  . . .  Opera 
V.     [Separate  Parts.]  W.  Forster  : 

Lo7idon,[nS4:?]    fol.  g.  426.  a. 

Six  Sonatas  for  Violin,  Tenor  &  Violon- 
cello . . .  Opera  4'".     [Separate  Parts.] 

Printed  by  the  Author  : 
London,  [lim  7]     fol.  g.  416.  (1.) 

[Another  edition.]  Six  Sonatas  for  Violin, 
Tenor  &  Violoncello  . . .  Opera  4'\  [Sepa- 
rate Parts.]  Printed  for  W.  Forster  : 
London,  [1780  ?]     fol.  g.  420.  c.  (7.) 

Six  Trios  for  a  Violin  or  Flauto,  Violino 
Secondo,  and  Violoncello  Obligato  .  .  . 
Opera  1™".  [Separate  Parts.]  Longman, 
Lxilicy  and  Brodcrip  :  London,  [1778.]  fol. 

g.  409.  (8.) 

LIDEL     (Francis)      Music     the    fiercest 
Grief  can  charm.     A  favorite  Glee,  etc. 
I[ohn]  F[entu]7n  :  [London,  1780  ?]     fol. 

G.  310.  (109.) 

LIDL  (Andreas)     See  Lidel. 

LIE.     Lve  on,  while  my  revenge  shall  be. 
Glee.     See  Bates  (W.) 

Lie  still  my  little  Heart.     Song. 
Sec  WiLLSON  (.J.) 

Lie  still  my  trembling  Heart.     Duetto. 
See  Reeve  (W.)     [Joan  of  Arc] 


48 


LIEBE— LILIES 


LIEBE    AUF     DEM    LANDE.       Die 

Liebe  iiuf  dem  Lande.     Comische  Oper. 
See  HiLLER  (J.  A.) 

LIEBER.    Lieber  Casper  lehr'michs  doch. 
Duetto.     See  Mueller  (W.)     [Die  Zau- 
hcrzitter.'] 
Lieber  kleiuer  Gott  der  Liebe.     Aria. 

See  LIuELLEE  (W.)     [Das  neu  Sonntags- 
kind.] 

LIED.     Das  Lied  von  Treue.     Ballade. 
See  ZuMSTBEG  (J.  R.) 

LIEDER.     [Fiiuff  uud   sechzig  teiitscher 

Lieder,  vormals  \n  truck  nie  ussgangen] 

Y[agans].     [Apud  Petrum    Schoeffer.  Et 

Mathiam  Apiariuvi :    Argentorati,  1536.] 

obi.  4".  K.  8.  i.  9. 

The  title  occurs  only  in  the  Tenor  part. 

The  following  names  of  composers  are 

given    in    MS.  :     Ludioig     Senfiin 

[Senffel],   Si.vt.  Die[trich'],  P.   Wiest, 

T.    Sparer,    Cosmas    Alderinus,    W. 

Grdfinger,  M.  Greitter,  C.  Alderinus, 

Bar.    Arthopius,   Hid.   Pratel  [Brcit- 

tellius'],    Joh.     Wa7inenmac[her'],    T. 

Stoltzcr,  A.  de  Brilgk,  B.  Ducis,  M. 

Eckel,     Laza.     Spenglcr     and     Wil. 

Braittengraser.     Other  composers  are 

St.  Mahu  and  P.  Hoffhaimer. 

Lieder    der    Deutschen     mit    Melodieu. 

Erstes(-Viertes)  Buch.     4  pts. 

Bev  G.  L.  Winter :  Berlin,  1767-S.     4". 

85.  g.  13. 
Lieder  eines  Magdehens,  beym  Singeu 
und  Claviere.  Bey  P.  H.  Perrenon  : 

Milnster,  1774.     obi.  fol.  C.  750. 

LIFE.     Life  is  chequered.     [Song.] 
See  Greene  (jNI.) 
The  Life  of  a  Beau.     [Song.] 
See  Carey  (H.)     [The  Coffee  House.'] 
The  Life  of  a  Belle.     [Song.] 
See  Carey  (H.) 

Life's  a  Pun.     [Song.]     See  Dibdin  (C.) 
[Private  Theatricals.] 

Life's  chequer'd  scene  of  light  and  shade. 
Glee  [for  three  voices].     As  Perform'd  at 
the  Pantheon  j\Iasquerade,  etc. 
P.  H[odqson:  London,  1780?]     s.  sh.  fol. 

G.  310.  (56.) 

LIFE'S  VAGARIES.  I  can  dance  and 
sing  ...  A  Favorite  Song  sung  by  ]\Irs. 
Lee,  in  the  new  Comedy  of  Life's  Vagaries 
. .  .The  Words  by  J.  O'Keefe. 

Preston  <£  Son  :  London,  [1795.]     fol. 

G.  249.  (38.) 

LIGARIUS     (Johannes)       See    Psalms. 
[Dutch.]     Dat  Woerdische  Sangboeck,  etc. 
[With  a  preface  by  J.  Ligarius.] 
1647.     12°.  3433.  de.  33.  (1.) 

LIGHT.     Light  as  thistle  down.    Song. 
See  Shield  (W.)     [Rosina.] 


LIGHT.  The  Light  Horse  Volunteers. 
Song.     See  Schroeder  (H.  B.) 

LIGHT   (Edward)     The   Art  of  Playing 
the  Guitar. .  .To  which  is  added  a  variety 
of. .  .Lessons,  Airs,  Divertimentos,  Songs 
&c.  . . .  adapted  for  that  Instrument. 
J.  Preston:  Londo7i,  [1185  7]    8".    e.  321. 

A  First  Book,  or  Master  and  Scholar's 
Assistant,  being  a  Treatise  on,  and  an 
Instructor  for  Learning  ]\Iusic. .  .with. . . 
Practical  Lessons  in  progressive  order 
...  in  Three  Numbers.  Composed  & 
arranged  by  B.  Light,  etc.     [No.  1.] 

Printed  for  the  AutJior  :  London, 
[1794.]     fol.  h.  3213.  g.  (6.) 

The  Ladies'  Amusement,  being  a  Collec- 
tion of  Favourite  Songs  and  Lessons 
within  Compass  of  the  Guitar,  etc.  No.  1. 
Printed  for  the  Author  :  London, 
[1780  ?]    obi.  4».  a.  76.  (3.) 

Low  in  a  Vale  young  Willy  sat.  A 
Favourite  Scotch  Song.  The  Words  by  a 
young  Gent".  Str[aight]  <.(;  Sk[illern  : 

London,  1775  ?]    s.  sh.  fol.    I.  530.  (95.) 

LIGHT  (Robert)  An  Air  with  Variations 
and  Accompaniments  for  Flute  and  Violin 
obligati,  etc.     [Separate  Parts.] 

T.  Williamson,  for  the  Author  :  London, 
[1800?]     fol.  h.  117.  (25.) 

LIGHTEN.     Lighten   our   Darkness,   we 
beseech  thee  0  Lord.     [Anthem.] 
See  Jansen  (L.) 

LIGHTLY.  Lightly  o'er  the  Village 
Green.     Cxlee.     See  Spofforth  (R.) 

LIKE.  Like  gentle  Turtles  cooing.  The 
Happy  Sivain.  The  Words  by  Mr.  A.  Brad- 
ley, a  New  Song.     [London,  1720  ?]     fol. 

H.  1601.  (293.) 
[Another  edition.]  Like  gentle  Turtles 
cooing.  Tlie  Happy  Swain.  The  Words 
by  Mr.  A.  Bradley,  etc.  [London, 

1725  ?]     s.  sh.  fol.  G.  316.  g.  (40.) 

[Another  copy.]  G.  305.  (295.) 

Like  sparkling  Champaigne.     [Song.] 
See  Battishill  (J.)     [Tlie  Foundling.] 

LIKENESS.  Likeness  without  Flattery. 
[Song.]     Sec  Hook  (J.) 

LILIES.     The  lillies   of  France   and  the 
fair  English  rose.     The  Soldier's  Song. 
[London,  1756.]     8\  P.P. ^5438.  z. 

Universal  Magazine,  Vol.  XIX.,  p>.  183. 

The  Lillies  of  France  and  the  fair  English 
Rose.     Tlie  Soldier's  Song.     [Song.] 
[London,  1756.]     8".  158.  L  1. 

London  Magazine,  1756,  p.  500. 

The  Lillies  of  France  &  the  fair  English 
Rose.     Soldier's  Song.  [London, 

1756.]    s.  sh.  fol.  G.  315.  (76.) 


LILIES— LINDNER 


49 


LILIES.  [Auother  editiou.]  The  Lillies 
of  France  aud  the  fair  English  Hose. 
Soldier's  Song.  [London,  175G.]  s.  sli.  fol. 

G.  312.  (77.) 
The  Lillies  of  France  aud  the  fair  English 
Hose.  TJie  Lillies  of  France.  A  Favorite 
Soldier's  Song.  Printed  for 

H.  Andrcics  :  London,  ri797  ? ;     s.  sli.  fol. 

G.360.  (50.) 

Lilies !  sweet  Lilies,  buy !     Ballad. 
Sec  Denman  (H.) 

LILLA.  Lilla  oder  Schonhcit  und  Tugeud. 
[Opera.]  iSVc  Martin  y  Solak  (V.)  [Una 
Cosa  Buret.] 

Lilla  niia  dove  sei.     Arietta. 

See   JIartin  y  Solar  (V.)     [Una   Cosa 

Bar  a.] 

LILLIPUTIAN.  The  Lilliputiou.  [Song.] 
See  Snibsox  (J.) 

LILY.  The  Lily.  [Song,  begins:  'In 
vale  retir'd.']     Sec  Hudson  (U.) 

The    Lilly.      Song.     [Begins:    '  Sheltcr'd 
from  the  biythe  ambition.'] 
See  Pring  (J.  C.) 

The  Lily  and  the  blushing  Hose.    Song  in 
Braise   of   Women.     Set    to    ]\Iusic   by   a 
Correspondent  [of  the  Lady's  ^lagazinej. 
[London,  177G.]     s.  sh.  4».        P.P.  5141. 
Lady's  Magazine,  Sejit.,  1770. 

The  Lily  of  the  Vale.     [Song.] 
See  Hudson  (K.) 

LINCO.       Linco     found     Damon     lying. 

Linco's  Advice  to  Damon.     [Song.J 
[London,  1730  ?J     s.  sJi.  fol. 

G.  316.  e.  (72.) 
[Auother  edition.]     Linco   found  Damon 
Iving.     Linco's  Adcicc  to  Damon. 
[1740  ?J    s.  sh.  fol.  G.  310.  (22.) 

LINGO'S  TRAVELS.  I'll  never  go 
abroad  again.  Favourite  Song  in  Lincu's 
Travels.     [By  J.  Vernon.]  [Dublin, 

1770?]  s.  sh.  fol.  G.  808.  f.  (35.  b.) 
I  saw  sprightly  France.  Linco's  Travels. 
[Song,  by  ^l.  Arne.]  Taken  from  a  Favour- 
ite Interlude  of  that  name,  etc.  [Dublin, 
1770  ?]  s.  sh.  fol.  G.  808.  f.  (35.  a.) 
Welcome  Linco,  welcome  home.  [Song 
and  Chorus  by  J.  Vernon.]  Linco's 
Travels,  as  Sung  by  Mr.  King.  S.  Lee : 
[Dublin,  1110  ■>]     s.sh.lol. 

G.  808.  f.  (35.  c.) 
Linco's  Travels.     [Songs.] 
Sec  Arnk  (M.)  aud  Vkrnon  (J.) 

LINDELL  (Johan)  Cantileuarum  selec- 
tiorum  editio  nova,  in  gratiam  Scholarium 
Notis  Musicis,  Distinctis  Strophis  aliaque 
adhibita  emendatione  evulgata  a  Joh: 
Lindell,c^c.  [.46o,]  1776.  S".  B.  438.  a. 
Engraved  throughout. 

VOL.    II. 


LINDENERUS  (Fridekicus) 
See  Lindner. 

LINDLEY  (Robert)  Throe  Duets,  for 
Two  Violoncellos  . . .  Op.  1'"*.  [Separate 
Parts.]  Printed  for  Mon::ani  <£  Cimador  : 
London,  [1800  ?]    fol.  h.  219.  (9.) 

[Another  copy.]  g.  421.  k.  (5.) 

LINDNER  (Friedrich)  Bicinia  Sacra, 
ex  Variis  Autoribus  in  Usum  luventutis 
Scholasticse . .  .coUecta  :  Quibus  adjuncta 
est  compendiaria  in  artem  canendi  Intro- 
ductio  .  .  .  Zweystimmige  Gesiingleiu, 
sampt  einem  kurtzen  vnterricht,  wie  man 
soil  lernen  singen,  fitr  die  jungen  Schuler 
ueulich  im  druck  aussgangen.  Vox  In- 
ferior. Li  officina  typographica  Catharinai 
Gcrlachix :  Noribergac,  1591.     obi.  4". 

A.  251.  c. 
The    navKS  of  the  composers  arc :    O. 
di  Lassus,   Lupi,   A.    Scandcllus,  J. 
Beinerus,  Jachet  Berchem,  Finot,  Ccr- 
ton,  V.  Buffi,  T.  Massaino,  Gomperth, 
J.    Handl,    A.     Gosioinus,    Josguin, 
Jovan  Nasco,  B.  di  Lasso,  M.  Schram, 
J.  Guami,  G.  de  Antiquis,  G.  B.Pace, 
Tarquinio  Papa,  G.  F.  Palumbo,  F. 
Facciola,    S.  Felis,    C.  M.  Pizziolis, 
G.  F.  Capoani  and  C.  V.  Fanelli. 
CoroUarium  Cantiouum  Sacrarum  Quin- 
que.    Sex,    Septem,     Octo,    ct     Plurium 
VocumdeFcstisPrfficipuis  Anni.    Quarum 
qusedam  antea,  a  prsestantissimis   uostrte 
Eetatis  Musicis,  in  Italia  separatim  editie 
sunt,  quaedam  vero  nuperrimc  concinnatBe 
...  at  nunc  in  unum  quasi  corpus  redactae 
studio  . . .  Friderici  Linducri,<7c.    Cantus. 
(Altus.)  (Tenor.)   (Bassus.)  (Quiuta  Vox.) 
(Sexta   Vox.)      G   pts.      Li  officina  typo- 
graphica     Catharinie     Gcrlachix :     Nori- 
bergac, 1590.      obi.  4^  A.  251.  b. 
The  coviposers  namedarc  :  G.  Aichinger, 
J.    Cartarius,     O.     Columbanus,    J. 
Corfinus,   J.  Florius,  A.  and  G.  Ga- 
bricli,   M.  A.   Ligigncrius,   B.    Klin- 
genstein,  D.  Latirus,  0.  di  Lasso,  B. 
del   Mel,    C.  Merulus,  P.   de   Monte, 
Sylla  Pefraluysius,  J.  P.  A.  Praencs- 
tinus  [J.  P.  Aloisius),  A.  Scandcllus, 

A.  Stabile  and  A.  Trombetti. 
[Another  copy.  Altus.  (Bassus.)  (Sexta 
Vox.)]  3  pts.  A.  251.  f. 
Gemma  Musicalis :  Selectissimas  varii 
stili  Cantiones  (vulgo  Italis  Madrigali  et 
Napolitane  dicuntur)  Quatuor,  Quinque, 
Sex  et  Plurium  Vocum  Coutinens :  Qua2 
ex  diversis  . . .  IMusicorum  libellis  .  . .  uni 
quasi  corpori  iusertte  &  in  lucem  editse 
sunt,  studio  .  .  .  Friderici  Lindneri  .  .  . 
Liber  Primus.     Canto.  (Quinto.)     2  pts. 

Li  officina  typographica  CatJiarinx 
GerlachisB  :  Noribergac,  1588.     obi.  4". 

A.  251.  d. 
The  com2)osers  named  are  :  L.  Bertani, 

B.  Donato,  A.  Ferabosco,  A.  Gabrieli, 

B 


50 


LIN  DNER— LINGKE 


G.  Gabricli,  0.  di  Lasso,  J.  de  Macquc, 
L.  Marcnzio,  C.  Mcrulo,  G.  B.  Mos- 
cuglia,  G.  M.  Nanino,  B.  Paluvicino, 
Gioanctto  da  Palcstiina,  C.  de  liore, 

F.  Soriano,  A.  Striggio,  H.  Vccchi, 
H.  Waelrant,  J.  WcrUi  and  A.  Zoilo. 

Liber  Secundus  Gemmae  IMusicalis :  Se- 

lectissimas    varii    stili     Cantiones,    quae 

]\Iadrigali  et  Napolitaiie   Italis  dicuutur, 

Quatuor,  Quiuque,  Sex  &  pluiium  vocum, 

contineus  .  .  .  Editte  studio  .  .  .  Friderici 

Lindneri,   etc.     Canto.     Ex  Tijpographia 

Musica     Catliarinac    Gcrlachiac :     Nori- 

bergae,  1589.     obi.  4°.  A.  251.  g. 

The  co7n.poscrs  named  are  :  G.  Gabrieli, 

A.  Gabricli,  G.  Croce,   L.   Marcn.vio, 

0.  Vccchi,  G.  de  Wcrth,  Cav.  Antinori, 

H.  Sabino,  G.  Ferrctli,  P.  de  Monte, 

G.  Biffi,  C.  da  Correggio,  G.  Convcrsi, 
G.  Pallavicino,  C.  Antcgnati,  N.  Faig- 
nicnt  caul  F.  Anerio. 

Tertius  Gemmae  Musicalis  Liber :  Se- 
lectissimasdiversorum  Autorum  cantiones, 
Italis  Madrigali  &  Napolitanedictas,  Octo, 
Septem,  Sex,  Quinque  &  Quatuor  vocum 
coutinens.  Nunc  primum  iu  lucem  editus 
studio  .  .  .  Friderici  Lindneri.     Canto. 

In  officina  typographica  Cathcuinx 
GerlachicX  :  Noribcrgac,  1590.     obi.  4". 

A.  251.  h. 
TJic  composers  7mmed  arc:    G.    Wcrtli, 
G.  Eremita,  P.  Due,  B.  Spontoni,  O. 
Vecchi,  B.  Pallavicino,  G.  G.  Gastoldi, 
G.   Eenaldi,    Scssa,  d'Aranda,   P.  de 
Monte,  A.   Coma,  P.  Marni    and  F. 
Cedraro. 
IMaguificat,  Beatissimse  Deipareeque  Vir- 
giuis  MariaeCanticum,  Quinque  et  Quatuor 
vocibus, — secundum  octo  vulgares  musicse 
modes,  a  diversis  uostrse   setatis   musicis 
compositum,  ...  in  lucem  editmu  opera 
. . .  Friderici   Lindneri.     Cantus.  (Altus.) 
(Tenor.)  (Bassus.)  (Quinta  Vox.)     5  pts. 
In  officina  Musica  Catharine  Gerlachise  : 
Nori'bcrgse,  1591.     fol.  K.  4.  h.  5. 

The  composers'  names  are  :  J.  M.  Asula, 
H.  Faa,  T.  Riccius,  M.  Varotto,  V. 
Buffius  and  F.  Guerrero. 
Missse  Quinque,  Quinis  Vocibus,  a  diuer- 
sis  et  setatis  nostrse  prsestantissimis  musi- 
cis compositae  :  Ac  in  usum  Ecclesiee  Dei 
nuperrime  editse,  studio  &  opera  Friderici 
Lindeneri.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)  (Quinta  Vox.)     5  pts. 

In  officina  tijpograjihica  Catharime 
Gerlacliiss  :  Noribergae,  1590.     obi.  4°. 

A.  251.  e. 
The  Masses  are  by  Palcstrina,    P.    de 
Monte,  G.  Guami,  P.  di  Lasso  and 
G.  Florius. 

Sacrse  Cantiones,  Cum  Quinque,  Sex  et 
Pluribus  Vocibus,  de  Fastis  Praecipuis 
Totius  Anni,  a  praesfcantissimis  Italiae 
Musicis  nuperrime  coucinnatae  ...  in 
uuum  Corpus  redactte,  studio  . . .  Friderici 


Lindneri,  e/c.     Discantus.  (Altus.)  (Tenor.) 
(Bassus.)  (Quinta  Vox.)  (Sexta  Vox.)    6  pts. 
In  officina  typographica  CathariuBe. 
Gerlachise  :  Noribergx,  1585.     obi.  4". 

A.  251. 
The  composers  named  arc  :  J.  A.  Cardillo, 
J.  Corfi}uis,  S.  Corncttus,  N.  Doratus, 
N.  Faignicnt,  A.Fcrabosco,  J.  Guamus, 
Don  Ferdinando  de  Las  Infantas,  S. 
Marazzius,  T.  Massainus,  C.  Merulus, 
Gioannctto  da  Palcstrina,  J.  Penne- 
quinus,  J.  P.  A.  Pracnestinus  and  P. 
Zallamclla. 

Continuatio  Cantionum  Sacrarum  Qua- 
tuor, Quinque,  Sex,  Septem,  Octo  et 
Plurium  Vocum,  de  Festis  Praecipuis 
Anni,  a  prsostantissimis  Italia3  Musicis 
nuperrime  concinuatarum  ...  in  unum 
corpus  redactfc,  studio  . . .  Friderici  Lind- 
neri, etc.  Cantus.  (Altus.)  (Tenor.)  (Bassus.) 
(Quinta  Vox.)  (Sexta  Vox.)     6  pts. 

In  officina  typographica  CatharinsB 
Gerlachice  :  Noribergae,  1588.     obi.  4". 

A.  251.  a. 
Tlic  composers  named  are :  F.  Anerius, 
J.  A.  Cardillus,  A.  and  G.  Gabrieli,  J. 
C.  Gabutins,  J.  L.  Haslcr,  Don  F.  de 
las  Infantas,  L.  Marcnzio,  B.  del  Mel, 
N.  Parma,  G.  Porta,  V.  Ruffus,  J.  de 
la  Sala,  and  A.  Stabile. 

LINDOR.      Lindor's  Sonnet  on  the  De- 
parture of  Rosalie.     [Song.] 
See  Carnaby  (W.) 

LINE.     The  Line  was  form'd.     [Song.] 
See  Glorious  First  of  Juke. 

LING  (William)  The  Loyal  Briton,  a 
much  admired  Song,  etc.  Longman  and 
Broderip:  London,  [1108'?]     fol. 

G.  376.  (24.) 

The  Rising  of  the  Lark.  A  Favorite 
Welsh  Song  with  an  Accompaniment  for 
the  Piano  Forte  or  Harp,  also  Arranged 
with  Variations  for  the  Piano  Forte  by 
W.  Ling.  W.  Eolfe  :  London, 

[1800?]     fol.  G.  805.  k.  (7.) 

[Another  copy.]  G.  796.  (13.) 

A  Second  Sett  of  Three  Duetts  for  Two 
German  Flutes,  in  which  are  introduced 
Favorite  National  Airs  .  .  .  Op.  3''. 
[Separate  Parts.]  W.  Rolfc  : 

London,  {1800^     fol.  g.  225.  (5.) 

Three  Senates  for  the  Harpsichord  or 
Piano  Forte  one  with  an  Accompaniment 
for  a  Flute  Obligate  and  two  with  an 
Accompaniment  for  a  Violin. .  .Opera  V"°. 
[Separate  Parts.]  Printed  by  the 

Author:  London,  11195?]     fol. 

g.  161.  e.  (8.) 

LINGKE  (Georg  Friedrich)  George 
Friedrich  Lingkens  . . .  Kurze  j\Iusiklchre, 
iu  welcher  nicht  alleiu  die  Verwandschaft 
aller  Tonleitern,  sondern  auch  die  jeder 


LINCtKE— LINLEY 


51 


zukommetden  harmonischen  Satze  ge- 
zeigt,  und  mit  praktischen  Beyspielen 
erlautert  werden.  [With  a  Preface  by  J. 
A.  Hiller.]  Bey  J.  G.  I.  Brcitkopf : 

Leipzig,  1779.     4\  7897.  cc.  7. 

Die  Sitze  der  IMusikalischeu  Haupt- 
Siitze  in  eiuer  harten  und  weichen  Tonart 
und  wie  man  damit  fortschreitet  uud 
ausweichet  in  Zwo  Tabelleu  eutworffen, 
erklart  uud  mit  Exempeln  erlautert,  etc. 

B.  C.  Brcitkopf  und  Solin: 
Leipzig,  1766.    4".  7897.  cc.  6. 

LINK-BOY.     The  Link-Boy.     Song. 
Sec  Moulds  (J.) 

LINLEY  (Francis)    Thirty  Familiar  Airs 
for  Two  German  Flutes  ...  To  which  are   \ 
added   Remarks    on    the    utility   of  this 
Work,  etc.  Messrs.  Hamilton,  for  the 

Editor :  London,  [17U0  ?J     obi.  4". 

b.  60.  (4.) 

A  Christmas  Box,  containing  Six  Can- 
zonettino's  for  One,  Two  or  Three  Voices, 
with  an  Accompaniment  for  the  Piano 
Forte.  Composed  by  the  late  F.  Linley. 
Book  1.  E.  Riley  :  London, 

[1800?]     fol.  H.  1650.  j.  (5.) 

Three  Solos  for  the  German  Flute.  .  .with 
an  Accompaniment  for  the  Violoncello 
ad  libitum  ...  by  the  late  F.  Linley. 
[Separate  Parts.]  G.  Walker:  London, 
[1800?]     fol.  g.  280.  g.  (17.) 

Through  Groves  and  Flow'ry  Fields.  A 
Favorite  Song,  the  Words  by  T.  Duttou. 

Lewis,  Houston  (C  Hi/de  :  London, 
[1796?]    fol.  G.  808.  e.  (32.) 

When  Angry  Nations.  A  Favorite  Song 
. . .  Written  by  T.  Dutton. 

Printed  for  Lewis,  Houston  &  Hyde: 
London,  [1796  ?]     fol.      G.  808.  e.  (33.)    I 

LINLEY    (Thomas)    the    Elder.      Twelve 
Ballads,  etc.  Printed  for  A.  Portal  : 

London,  (1780.)     obi.  fol.      E.  271.  (10.) 
The  Camp,  an  Entertainment,  c/c.  [Words   ! 
partly  by  K.  TickelL]     Printed  fur  S.  iC"  A. 
Thompson  :  London,  [1778.]     obi.  fol. 

E.  82.  b.  (2.) 
The  Camp.  A  Musical  Entertainment, 
etc.  [1800.]  hnpcrfect,  ivanting  all  after 
p.  22.  See  Periodical  Publications. — 
London.  The  Piano-Forte  Magazine. 
Vol.  IX.     [No.  7.]     [1797-1802.]     8".  i 

D.  854. 

The  Carnival  of  Venice,  a  Comic  Opera 
...  for  the  Voice  and  Harpsichord. 
[Words  by  R.  Tickell.] 

Printed  for  S.  A.  cC  P.  Thompson  : 
London,  [1781.]    obi.  fol.  E.  82.  e. 

In  my  pleasant  Native  Plains.      The 

Favourite  Roundelay,  etc. 

Printed  for  S.  A.  d  P.  TJiompson  : 
London,  [1781.]     fol.  G.  309.  (98.) 


LINLEY  (Thomas)  the  Elder. 

[Another  copy.]  G.  296.  (6.) 

[Another  copy.]  G.  297.  (11.) 

Young  Lubin  was  a  Shepherd  Boy 

. . .  Song,  etc.  Printed  for  S.  A.  cfi  P. 

Thompson  :  London,  [1781.]     fol. 

G.  297.  (14.) 

[For  songs,  &c.,  published  anony- 
mously;] See  Carnival  OF  Venice. 

Cheerly  my  Hearts  of  Courage  true, 
[Song,]  . . .  Written  by  R.  B.  Sheridan, 
etc.    Preston  :  London,  [1797  ?]     fol. 

H.  2830.  f.  (93.) 
Come  my  Jolly  Lads. 
See  infra  :  [Robinson  Crusoe.] 

The  Duenna,  a  Comick  Opera  . . .  Com- 
posed by  Mr.  Linley  [and  T.  Linley,  Junr.]. 
[1798.]  See  Periodical  Publications. — 
London.  The  Piano-Forte  IMagazine. 
Vol.  V.     No.  1.     [1797-1802.]     8". 

D.  854. 
Sec    Duenna.      The    Dueima,    etc. 


[Music  selected  and  composed  by  T.  Linley 
and  T.  Linley,  Jun.]     [1775.]     obi.  fol. 

E.  100.  (2.) 

Elegies  for  throe  Voices  with  an  Accom- 
panyment  for  a  Harpsichord  and  Violon- 
cello. P.  Wclcker,  for  the  Aiithor  : 
London,  \lTiO'^     fol.  H.  1192.  a. 

[Another  copy.]  G.  385.  (2.) 

[Fortunatus.]  The  Favorite  Song  [by  T. 
Linley]  sung  ...  in  the  revived  Panto- 
mime of  Fortunatus,  e/c.  [1780?]  fol. 
See  Fortunatus,  etc.  H.  1648.  a.  (2.) 
[The  Generous  Impostor.]  A  Pastoral 
Interlude  .  .  .  perform'd  in  the  Comedy 
[by  T.  L,  Obeirne]  of  the  Generous  Im- 
postor, etc.  S.  A.  tC  P.  Thompson  : 
London,  [1780.]  obi.  fol.  E.  601.  a.  (9.) 
[The  Gentle  Shepherd.]  The  Overture, 
Songs  &  Duetts  in  the  Pastoral  Opera  of 
the  Gentle  Shepherd,  etc.  [Words  adapted 
from  A.  Ramsay  by  R.  Tickell.  Music  by 
T.  Linley.]  [1781.]  obi.  fol. 
Sec  Gentle  Shepherd.  E.  82. 
The  Gentle  Shepherd.  A  Pastoral  Opera, 
etc.  [1800.]  hnpcrfect,  icanting  pp.  19 
aiul  20.  See  Periodical  Publications. 
— London.  The  Piano-Forte  ilagazine. 
Vol.  X.     No.  1.      [1797-1302.]      8". 

D.  854. 
[The  Glorious  First  of  June.]      The  Mid- 
Watch.     [For  editions  of  this  song   pub- 
lished anonymously :] 
Sec  Glorious  First  op  June. 

[The  Glorious  First  of  June.  The  :Mid- 
Watch.]  When  'tis  Night  and  the  Mid- 
Watch  is  come.  [For  editions  of  this  song 
published  anonymously  :]  See  When. 

In  my  pleasant  Native  Plains. 
Sec  supra  :  [TJie  Carnival  of  Venice.] 

E  2 


52 


LINLEY 


LINLEY  (Thomas)  the  Elder.  Love  iu 
the  East,  or  Adventures  of  Twelve  Hours, 
a  Comic  Opera  [written  by  J.  Cobb] 
.  . .  The  Music  composed  &  compiled  by- 
Mr.  Liuley,  for  the  Harpsichord  and 
Voice.  Printed  for  S.  A.  lO  P.  Thompson: 
London,  [1788.]     ohl.  fol.  E.  82.  d. 

The  ilid-Watch. 

See  supra:  [The  Glorious  First  of  June.] 

Ne'er  ah  ne'er  let  sorrow's  sting. 
See  infra  :  [Sclima  and  Azor.'] 

No  Flow'r  that  blows. 

See  infra :  [Scli7>ia  and  Azor.] 

Richard  Coeur  de  Lion,  an  Historical 
Romance  . . .  Music  by  Monsieur  Gretry, 
adapted  ...  by  Mr.  Linlcy.  [1801.] 
See  Pekiodical  Publication's. — London. 
The  Piano-Forte  Magazine.  Vol.  XIV. 
[No.  9.]     [1797-1802.]     8\  D.  854. 

Sec  Gretry  (A.  E.  IL)      [Richard 

Cccur  de  Lion.]  The  Songs,  Duets,  Trios  & 
Chorusscs  of. .  .Richard  Cccur  de  Lion. . . 
Adapted ...  by  Mr.  Linlcy. 

[1786  ?]    oM.  fol.  E.  135. 

[Robinson  Crusoe]     Come  my  Jolly  Lads. 
Tlic  Song  Sung   by  Mr.    Gaudry  in   the 
New  Pantomime  of  Robinson  Crusoe,  etc. 
[Words  ascribed  to  R.  B.  Sheridan.] 
[London,  1781.]     fol.  Gr.  307.  (62.) 

The  Royal  IMerchant.  A  Comic  Opera  . . . 
The  Words  by  Mr.  Hull.  Wclclcer  : 

London,  [17G8.]     oU.  fol.  E.  82.  c. 

Sally.    A  favorite  Song.    [Begins :  "  Prim- 
roses deck  the  bank's  green  side."] 
E.  Bhavies  :  Dublin,  [1780  ?]     s.  &7(.  fol. 

H.  1601.  b.  (95.) 
Selima  and  Azor,  a  Persian  Tale,  etc. 
[Opera,  the  words  imitated  from  the 
French  of  Marmontel  by  Sir  G.  Collier.] 

Printed  for  C.  and  S.  Tlwmpson  : 
London,  [1776.]    obi.  fol.     E.  82.  b.  (1.) 

Overture,  etc.     [P.F.]       G.  Walker  : 

London,  [1800?]    fol.      g.  272.  b.  (44.) 

Ne'er   ah   ne'er  let    sorrow's   sting. 

An  Additional  Favourite  Song  sung  by 
Miss  Romanzini,  etc. 

Printed  for  S.  A.  tC-  P.  Thompson  : 
London,  [1788.]    fol.       G.  806.  c.  (25.) 

No  Flow'r  that  blows,  etc.     [Song.] 

S[amucl]  A[nn  and]  Pieter]  T[hompson  : 

■    London,  lim?]    fol.  G.  310.  (152.) 

[No  Flow'r  that  blows.]    Sec  Carter 

(C.  T.)  The  celebrated  song  of  the  Rose 
with  Variations,  c^c.     [1780  VJ     fol. 

g.  271.  (18.) 
[The  Spanish  Rivals.]  The  Overture, 
Songs,  Duetts,  &c.,  in  the  Spanish  Rivals, 
a  Musical  Farce,  etc.  [Written  by  ]\L 
Lonsdale.] 

Printed  for  S.  A.  tC  P.  Thompson: 
London,  [1784.]    obi.  fol.    E.  100.  a.  (5.) 


LINLEY  (Thomas)  the  Elder.  The 
Strangers  at  Home,  a  Comic  Opera 
[written  by  J.  Cobb]  . . .  Selected  &  Com- 
posed by  T.  Linlcy. 

Printed  for  Longman  (C  Broderip  : 
London,  [1786.]  obi.  fol.  E.  100.  a.  (6.) 
[The  Triumph  of  Mirth.]  The  Tunes, 
Songs,  Glee,  &c.,  iu  the  Pantomime  of 
The  Triumph  of  ]Mirth,  or  Harlequin's 
Wedding  . . .  Composed  and  Selected  by 
Mr.  Linlcy. 

Printed  for  S.  A.  cC  P.  Thompson : 
London,  [1782.]     obi.  fol.  E.  82.  a. 

The    Overture    is    by    T.    Linlcy    the 
Younger, 
When  war's  alarms  entic'd  my  Willy  from 
me.     Wars  alarms  entic'd  my  Willy,  etc. 
[Song,  music  by  T.  Linlcy  the  Elder.] 
[1770?]     s.sh.ioh     6'cc  When. 

L  530.  (179.) 
When  War's  Alarms.  Sec  Smart  (T.) 
When  War's  Alarms.  [By  T.  Linley.] 
With  Variations,  etc.     [1790  ?]     fol. 

h.  141.  a.  (17.) 
The  Woodman.  [Song.]  Written  by  W. 
Pearce,  etc.  Preston  iC  Sou  :  London, 

[1795?]     fol.  H.  2821.  (19.) 

Young  Lubin  was  a  Shepherd  Boy. 
See  supra  :  [IVic  Carnival  of  Venice.] 
See    Paisiello    (G.)       [II    Barbiere    di 
Siviglia.     Saper   bramatc.]     For   tender- 
ness form'd.     A  Favourite  Song  in. .  .the 
Heiress. .  .Adapted. .  .by  Mr.  Linlev. 
[1786.]     fol.  H.  131.  (40.) 

LINLEY  (Thomas)  the  Elder  and  (Thomas) 
the  Younger.  The  Posthumous  Vocal 
Works  of  ]Mr.  Linley  and  IMr.  T.  Linley, 
Consisting  of  Songs,  Duetts,  Cantatas, 
Madrigals  and  Glees.  In  two  Volumes. 
[Published  by  I\Irs.  Linley.] 

Preston,  for  the  Proprietor  :  London, 
[1800?]     fol.         ^  H.  1192. 

LINLEY  (Thomas)  the  Younger.  The 
Duenna,  a  Comick  Opera  . . .  Composed 
by  Mr.  Linley  [and  T.  Linley,  Junr.]. 
[1798.]  See  Periodical  Publications.— 
London.  The  Piano-Forte  Magazine. 
Vol.  V.     No.  1.     [1797-1802.]     8". 

D.  854. 

Sec    Duenna.      The    Duenna,    etc. 

Music  selected  and  composed  by  T.  Linley, 
and  T.  Linlcy,  Junr.]     [1775.]     obi.  fol. 

E.  100.  (2.) 
See   Linley  (T.)   the  Elder  and  (T.)   the 
Younger.     The  Posthumous  Vocal  Works 
of  Mr.  Linlcy  and  Mr.  T.  Liuley,  etc. 
[1880?]     fol.  H.  1192. 

LINLEY  (William)  Six  Canzonetts, 
with  an  Accompaniment  for  the  Piano 
Forte  or  Harp.  Broderip  d  Wilkinson  : 
London,  [IQOOl]     oW.  fol. 

E.  600.  n.  (6.) 


LINLEY— LIRE 


53 


LINLEY   (William)      Flights  of   Fancy, 
in  Six  new  Glees  for  four  Voices,  etc. 
Thompson  :  London,  [1797  ?]     obi.  fol. 

D.  401.  (7.) 

Last  Whitsunday  they  brought  me. 
ScciuirsL:  [Vortigeyn.'] 

The  Night  was  dark. 

Sec  infra  :  [A  Trip  to  the  Kore.'] 

She  sung  whilst  from  her  Eye  ran  down. 
&Vc  infra:  [Vortigcrn.] 

[A  Trip  to  the  Nore.]  The  Night  was 
dark.  A  much  admired  Song  sung  by  ^Irs. 
Bland  in  A  Trip  to  the  Nore  [words  by  A. 
Franklin],  etc.  Longman  and  Brodcnp  : 
[London,  1797.]     fol.  G.  250.  (24.) 

[Vortigern.]  Last  Whitsunday  they 
brought  me.  Miss  Leake's  Favorite  Song 
in  Vortigern  [words  by  W.  H.  Ireland], 
etc.  Longman  (i- Broderij) :  London, 

[179G.]    fol.  G.  250.  (27.) 

She  sung  whilst  from   her  Eye  ran 

down.  Mrs.  Jordan's  Favorite  Song  in 
Vortigern  [words  by  W.  H.  Ireland],  etc. 

Lo)tgman  (f  Broderij^ :  London, 
[1796.]     fol.  G.  250.  (26.) 

See  Glees.     A   Selection  of   Glees   from 
the  MSS.  of  the  Coucentores,  being   the 
Compositions  of. .  . W.  Linley,  etc. 
[1800  ?]    oil.  fol.  E.  207.  a.  (1.) 

See  Sale  (J.)  A  Collection  of  New  Glees 
, .  .To  which  are  added  Four  Others. .  .by 
Dr.  Arnold,  Messrs.  Webb[e",  Callcott  and 
Lindley,  f/f.     [1800?]     oW.  fol. 

E.  600.  r.  (6.) 

LINNET.     The    Linnet.     [Song,   begins : 
'  As  passing  by  a  shady  Grove.'] 
See  Heevk  (W.) 

The    Linnet.     [Song.]      Sec    Warblixg. 

The  warbling  Linnet  from  his  ]\Iate. 
[1740.]     s.  sh.  fol.  G.  312.  (130.) 

A  Linnet's  nest  with  anxious  care.  Ballad. 
See  DiBDiN  (0.) 

LINNETS.   The  Linnets.    [Song]   See  As. 
As  bringing  home  the  other  Dav,  etc. 
[17G0?]    s.sh.iol      H.  1994.  a.  (166.) 

The  Linnets.    [Song.]    Sec  At.    At  setting 

Sun,  tho'  half  afraid. 

[1780?]     s.sh.iol  G.  306.  (110.) 

LIONEL  AND  CLARISSA.  A  School 
for  Fathers ;  a  Comic  Opera  :  as  performed 
at  tho  Theatre-lloyal,  in  Drury-Lane. 
The  Words  and  ]\Iusic  by  the  Author 
[I.  Bickerstaife]  and  Composer  [C.  Dibdin] 
of  the  Padlock.  [A  Pasticcio,  arranged 
by  C.  Dibdin.]  Printed  for  J.  Johnston  : 
J^ondon,  [1768.]  obi.  fol. '  D.  279.  a. 
The  composers  named  in  this  work  are  : 

Dibdin,  Scolari,  Galiij:!}^,   Vento,  Dr. 

Arne,  Vinci  and  Potenza, 


LIONEL  AND  CLARISSA.  Lionel 
and  Clarissa,  or  A  School  for  Fathers, 
a  Comic  Opera  as  perform'd  at  the 
Theatre-Royal.  [Words]  By  the  Author 
of  Love  in  a  Village  [I.  Bickerstaffe]. 
The  j\Iusic  composed  by  Eminent  Masters. 
[Arranged  by  C.  Dibdin.] 

J.  Johnston,  for  the  Author  :  London, 

[1770?]     06/.  fol.  D.  279.  (2.) 

This  edition  is  the  same  as  that  issued 

as   '  A  School  for  Fatlicrs,'  with  the 

exception  of  the  title-xiage. 
Lionel  and  Clarissa;  or  a  School  for 
Fathers.  A  Comic  Opera,  etc.  [1799.] 
See  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  VI. 
No.  6.     [1797-1802.]     &".  D.  854. 

Lionel  and  Clarissa. .  .Adapted  for  the 
German  -  Flute  Violin  Hautboy  and 
Guittar.  I.  Johnston,  for  the  Anthor  : 

Lo?!f7on,  [1770?]     o6Z.  4°.  a.  19.  (3.) 

Hope  and  Fear.  [Song,  by  C.  Dibdin.] 
Sung  by  Miss  Macklin  in,.. Lionel  and 
Clarissa.     [Jjondon,  1773.]     s.  sh.  4°. 

159.  n.  5. 
Jjondcm  Magazine,  Oct.,  1773. 
Hope   and   Fear.     [Song,  by  C.  Dibdin.] 
Sung    by    ^liss    Ashmore,    in    Lionel   & 
Clarissa."  S.  Jjcc  :  [Dublin, 

1775  ?]     .•;.  sh.  fol.  G.  316.  (96.) 

Oh  dry  those  Tears.     A  Favorite  Song  in 
Lionel  and  Clarissa. .  .by  Gailuppi. 
J.  Lee:  [Dublin,  1780?]     fol. 

G.  383.  j.  (19.) 
LIPPARINO  (GuGLiELMO)  Sacri  Cou- 
certi  a  Cinque  Voci  con  il  suo  Basso  per 
r  Urgano. .  .Libro  Primo.  Opera  Unde- 
cima,  etc.  Canto.  (Alto.)  (Tenore.) 
(Basso.)  (Quinto.)  (Basso  per  1'  Organo.) 
6  pts.  Appresso  Alcssandro  Vincenti : 

Venctia,  1629.     4\  D.  1000. 

LIPPIUS  (Joannes)  Synopsis  Musicre 
Novte  omuino  verte  atque  INIethodicse 
uniuersse,  in  omnis  Sophia;  Pr?egustum 
nappfyoos  inventse  disputatse  &  propositse 
omnibus  Philomusis  a  M.  Joanne  Lippio, 
etc.  Impcnsis  Pauli  J.edertz,  Typis 

Caroli  Kirffer :  Argentorati,  1G12.     8". 

7898.  aa.  40. 

LIQUORISH  (William)     The  first  Regi- 
ment  of   Royal   Tower  Hamlets  iMilitia, 
March   and   Quick   Step, . . .  [Full    Score] 
and  Adapted  for  the  Piano  Forte,  etc. 
11'.  Hodsoll :  J.ondon,  [1796  ?]     fol. 

g.  133.  (36.) 
The  Loyal  Hampstead  Association  March 
and    Quick    Step,  . . .  [Full    Score]    and 
Adapted  for  the  Piano  Forte,  etc. 
W.  Hodsoll:  LoHfZoji,  [1796?]     fol. 

g.  133.  (37.) 


LIRE  MA9ONNE. 

Recueil  de  Chansons. 
and  Do  Bois  (    ) 


La  Lire  Mac^onne, 

Sec  ViGNOLES  (      "^ 


54 


LIROUX— LISTENIUS 


LIROUX  (Jean  rRAN90is  Espic  de) 
Alise  ct  Arseme.  Ilomance.  (Paroles  de 
M.  de  la  Place,  etc.).     [Paris,]  1782.     8". 

298.  f.  16. 
Mercure  de  France,  June,  1781,  ^x  101. 
Explication  du  Systeme  de  I'Harmonie,  etc. 
Chez  Merigot :  Londrcs,  1785.     8". 

1042.  i.  20. 

LISBIA.     Lisbia.     Canzonet. 
Sec  Graeff  (J.  G.) 

LISE.  Lise  chantoit  dans  la  prairie. 
Ariette.  Sec  Dezede  (N.)  [Blaise  et 
Babet.} 

Lise  d'une  main  alerte.     Le  Verrou,  ott  la 
Sage  iin'caution.     [Song.]     Air:   [Coeurs 
sensibles]  du  Mariage  de  Figaro. 
Chez  Camand:  [Paris,  1790?]     8°. 

B.  362.  e.  (93.) 
Lise,  entends  tu  I'orage.     Ariette. 
See  Albanese  (    ) 

Lise  fut  voir  un  Medecin.  Le  Mai  d'Avan- 
tiire.     [Song.]     Air  :  du  Confiteor,  etc. 
[Paris,  1785  ?J     8°.  B.  362.  (228.) 

Lise  m'aimoit.  Chanson.  See  Dugue  (P.) 
Lise  par  fantaisie  un  jour.  UArith- 
ini>tiqiie.  Air  Anglais,  adress6  a  M.  de 
B.  .  .  (Par  D.  G.  J.)     [Paris,  1790  ?]     8°. 

B.  362.  a.  (135.) 
Lise   Penitente.      Eomance.      Sec   IMoN. 
]\Ion  pere  je  viens  devant  vous,  etc. 
[1785?]     8".  B.  362.  e.  (70.) 

Lise  voyoit  deux  pigeons  se  caresser. 
Ariette.     Sec  Albanese  (    ) 

LISE  ET  COLIN.    Lise  et  Colin.    Op^ra. 
See  Gaveaux  (P.) 

LISETTE.     Lisette  a  un  joli  rosier.     Lcs 
Abricots,  ou  le  Easier  di'flcuri.      [Song.] 
Air,  Pliillis  demande  son  portrait. 
Chez  Camand  :  Paris,  [1785  ?]     8". 

B.  362.  f,  (25.) 
Lisette,  belle  Lisette.  Air.  See  Croisee. 
Lisette  est  faites  pour  Colin.  Colin  et 
Lisette.     Vaudeville.     [Paris,  1790?]     8°. 

B.  362.  e.  (72.) 
[Another  copy.]  B.  362.  b.  (112.) 

Lisette   et  Lubin.     [Song.]      See  Petit. 
Le  petit  Dieu  charmant,  etc.     [1780?]    8». 

B.  362.  e.  (88.) 
Lisette  ne  possedait  rien.  [Song.]  Le 
Ciq)idon  de  Lisette,  [words]  par  M.  Deduit. 
Air  :  du  Tonnelier.  [By  N.  M.  Audinot.] 
Chez  Bayer  :  Paris,  [1775  ?]     8°. 

B.  362.  j.  (1.) 

LISIA.     Un  Espagnol  qui  voit  venir.     Air 

de  Lisia  [words  by  Monnet,  music  by  E. 

Scio]  avec  Accompagnement  de  Guitarre. 

[Paris,  1793.]     8".  B.  362.  g.  (87.) 

XjISIS.  Lisis  avait  de  la  jeunesse.  [Song.] 
See  Candeille,  afterwards  Simon,  after- 
yrards  Perie  (A.  J.) 


LISLE  (      de)     Sec  Delisle. 

LISMORE  (  )  Le  Maitre  d'Ecole. 
Op6ra-Comique  mesle  d'Ariettes,  etc. 
[Words  by  Anseaume,  music  by  Lismore.] 
1760.    8".  11738.  b.  15.  (4.) 

LISON.  Lison  avec  son  cher  Colin. 
Deuxiihne  Fanx-Pas  ;  ou  lcs  Avians  satis- 
faits.  Parodie  de  "  Colin  disoit  a  Lise  un 
iour."     [Song.]     [Paris,  1780?]     8". 

B.  362.  b.  (109.) 
Lison  dormoit  dans  un  bocage.     Ariette. 
See  Julie. 

Lison  guettoit  une  fauvette.  Le  Trihiichet. 
[Song.]     [Paris,  1780?]     8°. 

B.  362.  b.  (118.) 

Lison,  jeune  et  timide.     Air. 

See  Dalayrac  (N.)     [L'A'clipse  Totale.'] 

Lison     revonant     seulette.      L'Heureiise 

Rencontre.    Ronde  a  danser. 

[Paris,  1780  ?]    8°.  B.  362.  g.  (84.) 

Lison    revenoit    au    Village.      Le    Soir. 
Ariette  Nouvelle.     [Paris,  1780  ?]     8°. 

B.  362.  b.  (102.) 
LISTEN.      Listen   to    the    carol'd   ditty. 
[Song.]     Sec  Spencer  (J.) 

Listen  to  the  Voice  of  Love.     Glee. 
See  Geary  (T.  A.) 

Listen,  listen,  to  the  Voice  of  Love.  Song. 
See  Hook  (J.) 

LISTENIUS  (NicoLAUs)  Rudimenta 
]\Iusicse,  in  gratiam  studios^  inuentutis 
diligeter  comportata,  etc.  Per  Henricmn 
Steyner :  Augustse  Yindelicorum,  1536.   8". 

785.  b.  47. 
Rudimenta ]\Iusicse,e/c.  Henricns  Steyner: 
Augustas  Yindelicorum,  1537.     8°. 

785.  b.  38. 
]\Iusica  Nicolai  Listenii,  ab  Authore  denuo 
recognita,  multis^j  nouis  rcgulis  &  ex- 
emplis  adaucta.  Aj^iud  lohan.  Petreium  : 
Norimbergce,  1541.     8°.  7898.  e.  30. 

]\Iusica  Nicolai  Listenii,  ab  Authore  denuo 
recognita,  multisq^  nouis  regulis  exemplis 
adaucta.  Per  . . .  Michaclem  Blum  : 

Lvpsise,  1543.     8".  785.  a.  47. 

Musica  Nicolai  Listenii.  Ab  authore 
denuo  recognita,  multi^qj  nouis  Regulis  & 
Exemplis  adaucta.  Apud  Georgium 

Bhau  :   Yitebcrgn-,  1548.    8°.    K.  4.  A.  12. 

Musica  Nicolai  Listenii,  ab  Authore  denuo 
recognita,  multisq^  nouis  regulis  et  exem- 
plis adaucta.  Aptid  lohan.  Petreium  : 
Norimbergc'e,  1549.     8°.  51.  b.  30. 

Musica  Nicolai  Listenii,  denuo  recognita, 
multisque  nouis  regulis  &  exemplis  adauc- 
ta, ac  correctius  quam  antea  edita. 
E.rcndcliatur,  in  Officina  Katharinx  Ger- 
lachin,  if  Hterediim  lohannis  Montani : 
Noribergse,  1577-     8°,  1042.  e.  4. 


LISUART— LOBWASSEK 


S6 


LISUART       UND       DARIOLETTE. 

Lisuart  und  Dariolette,  oder  die  Frage 
und  die  Antwort.  Romantisch-comische 
Oper.     See  Hillee  (J.  A.) 

LITANIES.      Litaniffi    Septem    Deiparae 
Virgini  I\Iusice  decantandae. 
Pctnis  Phalesius  :  Antuerpise,  1598.     S". 

K.  8.  e.  16. 

LITANY.  A  New  Littany,  desigu'd  for 
this  Lent,  f/c.  See  Fno^i.  From  Counsels 
of  Six,  etc.     1684.     s.  sh.  fol. 

1872.  a.  1.  (128*.) 

LITTLE.  The  Little  Beggar  Girl.  [Song.] 
See  Denning  (T.) 

Little  Bess  the  Ballad  Singer.     Song. 
See  Arnold  (S.) 

Little  Bingo.    [Song.]    See  Farmer.   The 
Farmer's  Dog  leapt  o'er  the  Stile,  etc. 
[1780?]    s.  s7i.  fol.  G.  312.  (178.) 

Little  Bird  with  Bosom  rod.     [Glee.] 

Sec  Hook  (J.) 

Little  Boy  Blue.     Glee.     Sec  Abrams  (H.) 

The  Little  Butcher  Boy.     Song.     Sec  If. 

If  you'll  attend  I'll  sing  a  Song. 

[1799.]     s.  sh.  fol.  G.  249.  (56.) 

Little  Colin  and  little  Phillis.     [Song.] 
See  Happy.     The  Happy  Hour  is  almost 
come,  etc.    [1800.]    s.  sh.  4".    P.P.  5141. 

The  Little  Coquette.  [Song.]  S^'c  Though. 
Tho'  still  so  Young  and  scarce  Fifteen, 
etc.     [1770?]     s.  s/(.  fol.     G.  312.  (136.) 

Little  Dermot  one  IMorn.  The  Irish 
Lover's  Morning  Walk.  [Song.]  The 
Words  by  A.  Smith.  The  Music  an 
Original  Irish  Tune.  Oleorqe]  S[mart : 
Lo7idoH,  1780?]    s.sh.  lol.    G.  310.  (55.) 

Little  Fairy  succour  lend.  Fairy  Song. 
Sung  by  j\Irs.  Warrel  at  Vauxhall. 

S[amiicl  and]  A[nn]  T[hompson  ; 
London,  1778.]     s.  sh.  fol.     G.  310.  (40.) 

Little  Jack  Horner.  A  Favorite  Duett  or 
Trio  . . .  Adapted  for  Juvenile  Performers. 
Printed  for  J.  Dale  :  London,  [ISOOV   fol. 

G.  352.  (17.) 
Little  Kitty.  Song.  See  Sanderson  (J.) 
[Tlic  Jew  and  the  Oentilc.] 

Little  Piggy.     Duetto.     See  Sale  (J.  B.) 

A  Little  pretty  Creature.  The  -p^-ettij 
Creature.     [Song.]  {Londo^i, 

1730?]     s.sh.iol.  G.  306.  (119.) 

Little  Bobin  Red-Breast  sat  upon  a  Tree, 
a  Song  for  the  Nursery,  with  an  Accom- 
paniment for  the  Piano  Forte.  [By  E.  S. 
Biggs.]  B.  Birchall  : 

London,  [1800?^     fol.        H.  1250.  (11.) 

The  Little  Sailor  Boy.     Ballad. 
See  Carr  (B.) 

Little  Sue.     Ballad.     See  Cope  (W.  P.  R.) 


LITTLE.     Little  Syren  of  the  Stage.    The 
Syren   of    the    Stage.     [Song,    the    words 
addressed    to     Signora    Cuzzoni    by     A. 
Phillips  :   the  music  by  H.  Holcombe.] 
[London,  1128?]   s.sh.iol.   G.  305.  (46.) 

[Another  copy.]  G.  310.  (2.) 

Little  Taffline.     Song.     See  Storage  (S.) 
[T]ie  Three  and  the  Deuce] 

The  Little  Waist  defended.     Song. 
See  Hook  (J.) 

LITTLE  PEGGY'S  LOVE.  Little 
Peggy's  Love.     Ballet.     See  Bossi  (C.) 

LITURGIES.  [Liturgical  works  contain- 
ing music  are  catalogued  in  the  General 
Catalogxie  under  the  heading  Liturgies.] 

LIVERPOOL  PRIZE.  A  cruizing  we 
will  go.  A  Song  rto  the  tune  of  '  The 
dusky  night  rides  down  the  sky ']  sung  at 
the  Theatre  Royal  at  Covent  Garden  in 
the  Liverpool  Prize.  [Words  by  F.  Pilon.] 
A.  Portal:  [London,  1119.']    s.sh.  fol. 

G.  306.  (196.) 

LIVERY  RAKE.  Tho  Livery  Rake,  and 
Country  Lass.  An  Opera  [written  bv  E. 
Phillips]  . . .  With  the  Musick  prefix'd  to 
each  Song.  Printed  for  J.  Watts  : 

London,  1733.    8".  843.  h.  2.  (1.) 

[Another  copy.]  161.  f.  23. 

Come  be  free  my  lovely  lasses.  [Song.] 
Sung  in  the  Livery  Rake.  [Words  by  E. 
Phillips.]     [Lo7uZo7!,  1733?]     s.  sh.  io\. 

I.  530.  (30.) 

[Another  edition.]  Come  be  free,  my 
lovely  Lasses.  Sung  in  the  Livery  Rake, 
etc.     [LojjrfoH  ?  1735?]     s.  sh.  lo\l 

G.  316.  d.  (84.) 

LIVREZ.  Livrez-vous,  belle  Jeunesse. 
Chansonnette.     See  Bouvard  (F.) 

LIVRONS.  Livrons-nous  a  la  gaite.  Air. 
See  Desaugiers  (M.  A.) 

Livrons-nous  a  la  tendresse.     Musette. 
Sec  Bouvard  (F.) 

LO.  Lo  conosco  a  quegli  occhietto.  Duett. 
See  Paisiello  (G.)     [La  Serva  Padrona.] 

Lo !     he     Cometh,     countless    Trumpets. 
Hymn.     [Words  by  J.  Cennick.] 
[London,  1778.]     8".  P.P.  716.  b. 

Gospel  Magazine,  Jan.,  1778. 

Lo  tuovai  per  accidente.     Quartetto. 
See  Paisiello  (G.)     [La  Locanda.] 

LOB  DER  MUSIK.  Lob  der  Musik. 
Kantate.     Sec  Schuster  (J.) 

LOBWASSER  (Ambrosius)  Sec  Psalms. 
[Italian.]  Li  Cencinquanta  Sacri  Salmi 
di  Davide. .  .Accordati  alle  Melodie  di  A. 
Lobvasser,  etc.     1740.     8".         845.  b.  1. 


56 


LOBWASSER— LOCKE 


LOBWASSER  (Ambuosius)  See  Psalms. 
[Italian.']  Li  CL  Sacii  Salmi  di  Davide 
. .  .  accomodati  alle  Llelodie  di  A.  Lob- 
vasser,  etc.    1740.  8°,  3090.  de.  12. 

iSee  PsAL:\rs.  [Ro^navscli,  of  the  Tjourr 
Engadine.]  lis  Psalms  de  David,  segoud 
]\Ielodia  de  A.  Lobvasser,  etc.     1762.  12". 

885.  e.  15. 
LOCATAIRE.      Le     Locataire.       Op^ra 
Comique.     See  Gaveaux  (P.) 

LOCATELLI  (Pietro  Antonio)  L'Arte 
del  Violino.  XII  Concerti,  cio^,  Yiolino 
Solo,  con  XXIV  Caprieci  ad  Libitum  . . . 
Violino  Piimo,  Violino  Secondo,  Alto, 
Violoncello  Solo,  e  Basso  . . .  Opera  Terza. 
[Separate  Parts.]  M.  C.  Le  Cene : 

Amsterdam,  [1733.]     fol.  g.  294.  e. 

L'Arte  del  Violino.  XII  Concerti  con 
XXIV  Caprieci  ad  libitum. .  .Opera Terza. 
Violino  Solo.  Chez  Des  Laxtriera  : 

Paris,  [1780  ?]     fol.  h.  1663.  b. 

XII.  Concertos  in  Eight  Parts,  for  Violins 
and  other  Instruments ;  with  a  Through 
Bass  for  the  Harpsichord  . . .  Opera  Prima. 
[Separate  Parts.]  Printed  for  I.  Walsh: 
London,  [1736  2}     fol.  g.  294.  a. 

XII.  Sonate  a  Flauto  Traversiere  Solo  e 
Basso  . . .  Opera  Seconda. 
Appresso  VAutore :  Avisterdam,  [1732.]   fol. 

g.  294.  b. 
[XII.  Sonate.  Op.  2.  Nos.  2,  1,  9,  10,  4 
and  7.]  Solos  for  a  German  Flute  or 
Violin  with  a  Through  Bass  for  the  Harpsi- 
cord  or  Bass  Violin  . . .  Opera  Seconda. 
Printed  for  I.  Walsh:  LonrfoH,  [1736?]  fol. 

g.  280.  i.  (5.) 
Six  Sonatas  or  Duets  for  Two  German 
Flutes  or  Violins  . . .  Opera  Quarta. 

Printed  for  I.  Walsli : 
London,  [1745  ?]     fol.        g.  225.  a.  (2.) 

Sei  Sonate   a  Tre,  o  Due  Violini,  o   Due 
Flauti  Traversieri,  e  Basso  per  il  Cembalo 
. . .  Opera  Quinta.     [Separate  Parts.] 
AppressoVAufore :  A7nsterdam,[n'i6.]  fol. 

h.  1663. 
[6  Sonate  a  Tre.  Op.  5.]  VI  Sonatas 
for  two  German  Flutes  or  two  Violins 
with  a  Thorough  Bass  for  the  Harpsicord 
or  Violoncello  . . .  Opera  Terza.  [Separate 
Parts.]  Printed  for  I.  Walsli : 

London,  [1745  ?]     fol.  g.  241.  (5.) 

XII.  Sonate  a  Violino  Solo  e  Basso,  da 
Camera. .  .Opera  Sesta.  A2)presso  VAutore  : 
Amsterda7n,(ni6.)    fol.  h.  1663.  a. 

XII.  Sonate  a  Violino  Solo  e  Basso  da 
Camera  . . .  Opera  Sesta.  Gravees  par  De 
Gland,  etc.  Chez  il/''  Le  Clerc  le  Cadet : 
Paris,  [1750  ?]     fol.  g.  294. 

See  Pagin   (A.   N.)      Six  Solos  . . .  for   a 

Violin  . . .  by  . . .  Locatelli,  dc. 

[1750?]     fol.  g.  422.  g.  (3.) 


LOCATELLO  (Giovanni  Battista) 
Primo  Libro  de  Madrigali  a  Due,  Tre, 
Quattro,  Cinque,  Sei,  et  Sette  Voci.  Con 
il  Basso  Continuo  per  sonar  il  Clauecim- 
balo,  &  altri  stromenti  simili,  e^e.  Basso. 
(Basso  Continuo.)     2  pts.  Appresso 

Alessandro  Vincenti:  Venetia,  162S.     4". 

D.  184. 

LOCCIOLETTE.  Locciolette  che  andate 
di  notte.     Cavatina.     See  Marescial  (     ) 

liOCHABER.     Lochaber.     Song. 
See  Bach  (J.  C.) 

[Another  setting.]     Lochaber.     Glee. 
See  Calixott  (.J.  W.) 

[Another  setting.]  Lochaber.  A  Two 
Part  Song.  See  Farewell.  Farewell  to 
Lochaber.     [1750?]     s.  sh.  iol. 

G.  316.  d.  (149.) 
[Another  edition.]  Lochaber.  [Two-Part 
Song.]  See  Farewell.  Farewel  to 
Lochaber,  e/c.     [1770?]     s.  sh.  iol. 

H.  1994.  a.  (81.) 
[Another  setting.]     Lochaber.     Glee. 
See  Knyvett  (W.) 

LOCHON  (  )  Motets  en  ]\Iusique  . . . 
S(;avoir,  Neuf  a  Vois  seule.  Un  a  deux 
Voix.  Deux  a  trois  Voix,  avec  la  B-C. 
Et  un  Oratorio,  a  six  Parties,  piece  particu- 
liere.  Livre  Premier.  Chez  Christophe 
Ballard  :  Paris,  1701.     fol.  H.  7. 

LOCK.     The  Lock  and  Key.     [Song.] 
See  Good.     Good   mother,  if  you  please 
you  may,  e/c.     [1780?]     .s.  ,s7;.  fol. 

H.  1994.  (30.) 

LOCK  AND  KEY.  The  Lock  and  Key 
Musical  Farce.     See  Shield  (W.) 

LOCKE  (IMatthew)  Matthew  Locke  his 
Little  Consort  of  Three  Parts  :  containing 
Pavans,  Ayres,  Corants  and  Sarabands,  for 
Viols  or  Violins.  In  two  several  Varieties  : 
The  first  20  are  for  Two  Trebles  and  a 
Basse :  The  last  20  for  Treble,  Tenor  & 
Basse.  To  be  performed  either  alone  or 
with  Theorbo's  and  Harpsecord.  Treble 
and  Tenor.  W.  Godbid  for  John  Play  ford  : 
Jjondon,  1656.     ol>l.  4".  a.  30. 

The  English  Opera ;  or  the  Vocal  Musick 
in  Psyche,  [words  by  T.  Shadwell],  with 
the  Instrumental  therein  Intermix'd.  To 
which  is  Adjoyued  the  Instrumental 
Musick  in  the  Tempest.  London, 

T.  liatcUffandN.  Thompson  for  the  Author : 
London, "1675.     4".  K.  2.  a.  10. 

[Macbeth.]  The  Original  Songs,  Airs, 
and  Choruses  which  were  introduced  in 
the  Tragedy  of  INIacbeth,  in  Score  . . . 
Revised  &  Corrected  by  Dr.  Boyce.  [The 
words  chiefly  taken  from  Middleton's 
Tragi-Comedy  of  "  The  Witch."] 
I.  lohnston  :  London,  [1770?]     fol. 

Or.  242.  (2.) 


LOCKE— LOEHLEIN 


57 


LOCKE  (Matthew)  [INIacbeth.]  The 
Original  Songs,  Airs  &  Choruses,  which 
were  introduced  in  the  Tragedy  of  Mac- 
beth, in  Score  ;  . . .  Eevised  &  corrected  by 
Dr.  Boyce,  etc.  /?.  Birchall : 

LoHcZo?;,  [1795?]     fol.  G.  149. 

Melothesia  :  or  Certain  General  Rules  for 
Playing  upon  a  Continued-Bass.  With  a 
choice  Collection  of  Lessons  for  the 
Harpsicord  and  Organ  of  all  Sorts  .  .  . 
All  carefully  reviewed  by  ]\L  Locke . . .  The 
First  Part.  Printed  for  J.  Carr  : 

London,  1G73.    ohl.  4°.  K.  4.  a.  3. 

The  composers  named  in  this  work  are  : 
M.  Locke,  Chr.  Preston,  J.   Poberts, 
W.  Gregorie,  W.  Hall,  P.  Smith,  J. 
Banister,  J.  il/b.ss  and  G.  Diesnet. 
Modern  Church-IMusick  Pre-accus'd,  Cen- 
sur'd,  and  Obstructed  in  its  Performance 
before  His  Majesty,  Aprill  1.  1G66.     Vin- 
dicated by  the  Author  M.  Lock,  etc. 
[London,  ICGG.]     fol.  K.  10.  b.  23. 

Observations  upon  a  Late  Book,entituled, 
An  Essay  to  the  Advancement  of  Musick. 
&c.     Written  by  Thomas  Salmon,  etc. 
'Wlilliam']  G[odbid]  :  London,  1G72.     8^ 

1042.  d.  36.  (3.) 
Psyche. 

See  supra  :  The  English  Opera,  etc. 
See  Derixo  (R.)     Cantica   Sacra . . .  both 
Latine   and   English...  by  R.    Dering. . . 
M.  Locke,  and  others,  etc.     1C74.     fol. 

K.  3.  m.  6. 
See  Salmon  (T.)  A  Vindication  of  an 
Essay  to  the  Advancement  of  Musick, 
from  ^Ir.  ^latthew  Lock's  Observations, 
etc.    1672.    8".  1042.  d.  55, 

liOCKHART  (Charles)  An  Epitha- 
lamium  or  Nuptial  Ode,  written  by  the 
Rev'  ^Ir.  ]\roses  Browne . . .  Set  to  Music 
for  the  Voice  and  Harpsicord,  etc. 

Printed  for  the  Author  :  London, 
[1775.]    fol.  G.  805.  r.  (1.) 

Female  Advice,  a  Favorite  .Song. 

Printed  for  W,  Cope:  Loudon, 
[1795?]     fol.  G.  366.  (30.) 

Hobbinol.     [Song.]     Sung  by  Mr.  Keene 
at  Sadler's- Wells,  etc. 
[London,  1766.]     8".  P.P.  5441. 

Poyal  Magazine,  Vol.  XV.,  2).  213. 
A   March  ...  in   Honor   of  the   Lambeth 
Loyal  Association,  etc.     [P.  F.] 

Printed  for  W.  Cope:  London, 
[1795?]    fol.  g.  133.  (39.) 

Prince  Ernest's  March.     [P.  F.] 
TF.  Co2)e  :  London,  [1795  ?]     fol. 

g.  133.  (38.) 
The  Rural  Giit.     A  Favorite  Song. 
W.Copie:  London,  [1196?]    fol. 

G.  366.  (29.) 
A  favorite  Sonata  for  the  Harpsichord  or 
Forte-Piano.  W.  Cope  :  L^ondon, 

[1795?]     fol.  g.  141.  (22.) 


LOCKHART  (Chables)  Four  Songs  and 
a  Hunting  Cantata . . .  for  the  Voice  and 
Harpsichord,  etc.  Printed  for  the  Author : 
London,  [1775?]     fol.        G.  424.  d.  (6.) 

LODI.     Lodi  Devote.     Sec  Laudi. 

LODI  (Joseph  Ludwio)  Grand  Concerto 
pour  le  Pianoforte  ou  Clavecin  avec  deux 
Violons,  deux  Altos,  deux  Hautbois,  deux 
Flutes,  deux  Cors,  deux  Bassons  et  Basse 
. . .  Oeuvre  x.     [Separate  Parts.] 

Chez  I.  C.  Gomhart  et  Camp.  : 
Augshourg,[Ytdb'>]     fol.      h.  70.  a.  (2.) 

LODOISKA.  Overture  to  Lodoiska.  [Bv 
R.  Kroutzer.  P.  F.]  Printed  for  I.  Dale': 
London,  [1794.]     otA.  fol.       e.'  104.  (19.) 

Celebrated  Overture  to  Lodoiska  [by  R. 
Kreutzer].  Arranged  as  a  Duett  for  Two 
Performers  on  one  Piano  Forte. 

I'rintcd  for  A.  Hamilton:  London, 
[1800?]     fol.  g.  272.  p.  (7.) 

[La  douce  clart^  de  I'Aurore.]  Adieu,  my 
Floreski,  for  ever,  a  Favorite  Romance, 
as  sung  by  Mrs.  Crouch,  in  Lodoiska 
[words  by  I.  P.  Kemble,  music  by  R. 
Kreutzer  i.  Printed  for  J.  Dale  : 

London,  [1794.]     fol.  G.  250.  (55.) 

Lodoiska.     ComMie  hfroique. 
See  Cherubini  (M.  L.  C.  Z.  S.) 

Lodoiska.     [Opera.]     See  Kreutzer  (R.) 

Lodoiska.     Musical  Romance. 
See  Storage  (S.) 

LOE  (R.)     [A  Trip  to  the  Jubilee.] 

See    Come.      Come    bring    us    Wine    in 
plenty.     A  Song  to  a  Tune  call'd  a  Trip 
to  the  Jubillee.     [By  R.  Loe.] 
[1705  ?]    s.  sh.  fol.  G.  304.  (35.) 

LOEHLEIN  (Georg  SnroN)  G.  S. 
Lohlein's  Anweisung  zum  ^'iolinspielen 
mit  praktischen  Beyspieleu  und  . . .  mit 
zw()lf  kleinen  Duetten  erliiutert,  zum 
dritten  ^lahl  mit  Verbesserungen  und 
Zusiitzen  audi  mit  zwolf  Balletstiicken 
aus  der  Oper  Andromeda  und  der  Oper 
Brenno  vernaehrt  herausgegeben  von  J.  F. 
Reichardt.  Bey  F.  Frommann  : 

Leipzig  und  Ziillichau,  1'797.    ohl.  4". 

7896.  aa.  6. 

G.  S.  Lohleins  Clavier-Schule,  oder  kurze 
und  griindliche  Anweisung  zur  Jlelodie 
und  Harmonic,  &c.  Auf  Kosten 

der  WaisenJiaus-  nnd  Frommannischen 
Buchhandlung  :  Leipzig  nnd  Ziillichau, 
1765.    o6i.  4".  b.  165. 

Trois  Concertos,  pour  le  Clavecin,  ou 
Piano-Forte.  Avec  Accompagnement  de 
Deux  Violons,  et  Basse  . . .  CEuvre  vii. 
[Separate  Parts.]  Chez  Guera  :  Lyon, 

[1770?]     fol.  h.  3590, 


53 


LOEHLEIN— LOHR 


LOEHLEIN  (Georg  Simon)    Six  Senates 
pour  Ic  Clavecin  ou  Piano  Porte.     Trois, 
avee    Accompagnement    d'un    Violon    et 
Violonc  :  ad  libit:  . . .  Oeuvre  Sixieme. 
Chez  VAuteur  :  Leipsic,  [1770  ?]    obi.  fol. 

c.  59. 
Wanting  the  accompaniments. 
See  Knecht  (J.  H.)  Erkliirung  einiger 
.  .  .  Grundsatze  aus  der  Voglerschen 
Theorie  . . .  Nebst  angoliangten  Anmerk- 
ungen  iiber  Herrn  Lohleins  Einleitung 
in  den  zweyten  Theil  seiner  Clavierschule. 
1785.     4°.  7897.  ee.  37. 

LOEILIjET  (Jean  Baptiste)  of  Ghent. 
Sonatas  or  Solos  for  a  Flute  with  a 
Through  Bass  for  the  Harpsicord  or 
Bass  Violin. .  .Parte  Prima. 

Printed  for  J.  Walsh  &  J.  Hare  : 
London,  {lllOl]    fol.  i.  26.  (1.) 

XII.  Sonatas  or  Solos  for  a  Flute  with  a 
Thorough  Bass  for  the  Harpsicord  or 
Bass  Violin. .  .Opera  2'*'. 

Printed  for  I.  Walsli  and  I.  Hare  : 
London,  [1715  ?]     fol.  i.  26.  (2.) 

XII.  Sonatas  or  Solos  for  a  Flute  with  a 
Thorough  Bass  for  the  Harpsicord  or  Bass 
Violin . . .  Opera  Terza. 

Printed  for  I.  Walsh  and  I.  Hare  : 
London,  [1715  ?]     fol.  i.  26.  (3.) 

VI.  Sonates  a  une  Flute  Traversiere,  un 
Haubois  ou  Violon  &  Basse  Continue . . . 
Ciuquieme  Ouvrage,  Livre  Premier. 

Chez  Jeanne  Roger  :  Amsterdam, 
[1725  ?]    fol.  g.  685.  b.  (2.) 

VI.  Sonates  a  deux  Flutes  Traversieres, 
Haubois  ou  Violons . . .  Cinquieme  Ouvrage, 
Livre  Second.     [Separate  Parts.] 

Chez  Jeanne  lioger :  Amsterdam, 
[1725?]    fol.  g.  685.  b.  (3.) 

Six  Sonatas  of  two  Parts,  Fitted  and 
Contriv'd  for  two  Flutes.  [Separate  Parts.] 

Printed  for  I.  Walsh  and  I.  Hare  : 
London,  [1715  ?]     fol.  g.  71.  e.  (9.) 

LOEILIiET  (John)  of  London.  Sonata's 
for  Variety  of  Instruments  Viz.  for  a 
Coinon  Flute  a  Hoboy  or  Violin  also  for 
two  German  Flutes  with  a  Bass  for  the 
Violoncello  and  a  Thorougli  Bass  for  y"" 
Harpsicord  . . .  Opera  prima.  [Separate 
Parts.]  Printed  for  hio.  Walsh  and- 

Messiers  hi"  and  Joseph  Hare  :  Jjondon, 
[1725  ?]     fol.  g.  685.  b.  (1.) 

[Another  copy.]  h.  17.  (6.) 

The  Thorough  Bass  part  only. 
XII  Sonatas  in  three  Parts.  Six  of 
which  are  for  two  Violins  and  a  Bass 
three  for  two  German  Flutes  and  three 
for  a  Hautboy  &  common  Flute  with  a 
Bass  for  the  Violoncello  and  a  Thorough 
Bass  for  the  Harpsicord  .  .  .  Opera 
Seconda.     [Separate  Parts.] 

Printed  for  I.  Walsh  and  In"  and  Joseph 
Hare  :  London,  [1725  ?]     fol.  g.  685. 


LOEILLET  (John)  of  J^ojidon.  XII  Solos. 
Six  for  a  Common  Flute  and  Six  for  a 
German  Flute  with  a  Thorough  Bass  for 
the  Harpsicord  or  Bass  Violin. .  .Opera 
Terza. 

Printed  for  J.  Walsh  and  Jos.  Hare  : 
Jjondon,  [1725  ?J    fol.  h.  3845.  a. 

[Another  edition.]  Solos  for  a  German 
Flute  or  Violin  with  a  Thorough  Bass  for 
the  Harpsicord  or  Bass  Violin. .  .Opera 
Terza. 

Printed  for  I.  Walsh  and  Joseph  Hare  : 
Jjondon  :  [1726  ?]    fol.  h.  3845. 

Six  Suits  of  Lessons  for  the  Harpsicord  or 
Spiunet,  in  most  of  the  Keys  with  Variety 
of  Passages  and  Variations  throughout 
the  Work. 

J.  Walsh  and  I"  d;  Joseph  Hare  :  London, 
[1725?]     fol.  g.  685.  a. 

LOESSENER      (Abraham)  Etzliche 

Schone  Trostspriiche,  aus  dem  Alten  vnd 

Newen    Testament,   mit    vier   vnd    fiinff 

Stimmen    componirt,   etc.     Tenor.     (Dis- 

cantus.)     (Altus.)     (Bassus.)     4  pts. 

[Wittemhcrg,']  15G4.    o6Z.  4°.     K.  2.  h.  1. 

The  title  occurs  in  the  Tenor  part  only. 

The  Quinta  Vox  part  is  printed  with 

the  Tenor.     A  presentation  copy  from 

the  composer. 

LOEWE  (JoHANN  Jacob)  Johann-Jacob 
Liiwen . . .  Synfonien,  Intraden,  Gagliarden, 
Arien,  Balletten,  Couranten,  Sarabanden, 
mit  3.  Oder  5.  Instrumenten.  Violino 
Primo.  (Violino  Secoudo.)  (Viola  da 
Braccio  Prima.)  (Viola  da  Braccio  Se- 
cunda  ad  placitum.)  (Basso  pro  Viola  6 
Fagotto.)     (Basso  Continuo.)     C  pts. 

Bey  Jacob  Kolilern:  Bremen, 
1658  (1657).     fol.  g.  22. 

The  Second  Viola  da  Braccio  d-  Basso 
Contimio  parts  are  dated  1657. 

LOEWENSTERN  (Matthaeus  Apelles 
VON)     See  L.,  M.  A.  v. 

LOGAN.     Logan  Braes.     Song. 
See  Hook  (J.) 

LOHR  (Michael)  Newe  Teutzsche  Kir- 
chen  Gesiinge,  so  nicht  allein  zusingen, 
sondern  auch  auff  allerhaud  Instrumenten 
jederzeit  fiiglichen  zugebrauchen,  sampt 
einem  Basso  continuo,  mit  7.  vnd  8. 
Stimmen,  etc.  Cautus  (Altus)  (Tenor) 
(Bassus)  I.  &  Superioris  Chori.  (Cantus 
(Altus)  (Tenor)  (Bassus)  II.  &  Inferioris 
Chori.)     8  pts.  Georg  Hoffman  : 

Freybergk,  1629.     4°.  D.  100.  5. 

Wanting   the   title-pages  to   the   Cantus 

and  Altus  of  the  1st  Choir  and  the 

Bassus  of  the  2nd  Choir, 


LOHR— LOMBARDINI 


59 


LOHR  {]\riCHAEL)  Ander  Theil.  Newer 
Teutscher  vnd  Lateinischer  Kirchen  Ge- 
siinge  vnd  Concerten,  so  nicbt  allein  zu 
singen,  sonderu  auch  auflt  allerhand  In- 
strumenteu  zugebrauchen,  sampt  eiuem 
Basso  Continuo.  Mit  5.  6.  vnd  8.  Stina- 
men,  etc.  Tenor  (Bassus)  I  et  Superioris 
Chori.  (Cantus  (Altus.)  (Tenor)  II  et 
Inferioris  Chori.)  (Bassus  Contiuuus,  etc.). 
G  pts. 

Gcclruck  hexj  Wolff  Seyffert,  in  verlegung 
des  Alitor  is  :  Dressden,  1637.     4". 

D.  1005.  a. 

[Another  copy.  Tenor  (Bassus)  I.  et 
Superioris  Chori.  (Tenor  II.  et  Inferioris 
Chori.)]     3  pts.  D.  1005.  b. 

LOI.  Une  loi  formelle  et  precise.  [Song.] 
See  Au  Retour. 

LOIN,  Loin  d'ici  froide  indifference. 
Meniict.     [Paris,]  1736.     s.  sli.  4". 

297.  b.  15. 
Mercure  de  France,  August,  173C. 
Loin  de  ces  lieux.     Air. 
See  MouRET  (J.  .T.) 

Loin  de  I'amant  que  j'adore.  Les  Re- 
grets d\me  Bergere.  [Song.]  Air :  Dans 
ces  desertes  campag".  Avec  ace'  de  Guit*. 
Chez  Frire:  [Paris,  1790?]     8'\ 

B.  362.  e.  (8.) 
Loin    de      I'objet      de      ma      tendresse. 
Vaudeville.     See  Sorcier. 
Loin  de  nous  le  vain  d61ire.     Hymne. 
See  Plf.yel  (I.  J.) 

Loin  de  succomber  a  ses  peines.     Air. 
See  F£te  de  Flore. 
Loin  des  soucis,  des  allarmes.     [Song.] 

See  TONNELIER. 

Loin  du  Berger  que  j'ayme.     Brunette. 
[Paris,]  1733.     s.  sh.  4°.  298.  a.  30. 

Mercure  de  France,  Sept.,  1733. 
Loin    du    hameau    sans    peine    et    sans 
allarmes.      Romance.  Chez  Bignon  : 

[Paris,  1785  ?]  8^  B.  362.  b.  (172.) 
Loin  du  tendre  Berger  qu'ou  aime.  Chan- 
son.    See  DoBET  (    ) 

LOISEAU  (    )     Canons,  tambours,  trom- 

pettes.     Air  sitr  la  Paix  [for  three  voices, 

words  by  Chesnon].  [Paris, 

1G79.]     s.  sh.  obi.  4».  P.P.  4482. 

Nouvcau   Mercure  Galant,  Jan.,   1679, 

_2J.  40. 

LOLLI  (Antonio)  L.'t.cole  du  Violon  en 
Quatuor  .  .  .  Opera  viii.  [Separate 
Parts.]  [London,  1785  ?]  fol.  h.  3846. 
Six  Solos  for  a  Violin  with  a  Thoro'  Bass 
for  the  Harpsicord  . . .  Opera  Primo. 

Longman  d  Brodcrip  : 
London,  [1785  ?]    ohl.  fol.  e.  730. 

Sei  Senate   a   Violino   e   Basso  . . .  Opera 
Seconda.  Chez  J.  J.  Hummel  : 

Amsterdam,  [I'll 5 7]  fol.     h.  219.  e.  (5.) 


LOLLI  (Antonio)  Sei  Sonate  a  Violino 
solo  col  Basso  .  .  .  Opera  Terza.  Grave 
par  M"''  Vendome  et  le  S'  Gloria. 

Ches  M-"  dc  la  Chevardicre  : 
Paris,  [1770?]    fol.  g.  422.  a.  (2.) 

Six  Sonates  pour  le  Violon  et  Basse  . . . 
CEuvre  5".  Chez  Af  Le  Due  : 

Paris,  [1785  ?]     fol.  g.  510.  a.  (5.) 

Six  Sonates  pour  Violons  . . .  CEuvre  9""'. 
Chez  le  S-"  Sieber  :  Paris,  [1790?]     fol. 

g.  422.  a.  (3.) 

LOLLI  (LuiGi  BiCHi)  Three  Easy  Diver- 
timentos for  Violoncello  &  Bass,  etc. 

Monza}ii  £  Cimador,  for  the  Author  : 
London,  [1800  ?]    fol.        h.  204.  b.  (7.) 

LOLLY  (Antonio)     See  Lolli. 

LOLOTTE  ET  FANE  AN.  Amis,  ne 
craignons  point  les  blancs.  Chanson  des 
Cara'ibes  dans  Lolotte  et  Fanfan.  Avec 
Accomp'  de  Guittare.  Chez  Imbaiilt : 

Paris,  [1795  ?]     8".  B.  362.  c.  (46.) 

0  fleur  d'amour.  Romance  N^gre  dans 
Lolotte  et  Fanfan.  Avec  Accomp*  de 
Guittare.  Chez  Imbault : 

Paris,  [1795  ?j     8°.  B.  362.  c.  (46<=.) 

0  Soleil  1    prete  moi  tes  flammes.     C«?i- 
tique  des  Ca'iciens  dans  Lolotte  et  Fanfan. 
Avec  Accomp'  de  Guittare. 
Chez  Imbault :  Paris,  [1795  ?]     8». 

B.  362.  c.  (46b.) 
O  vous  belle  dormeuse.  Romance  Nocturne 
dans  Lolotte  et  Fanfan.  Avec  Accomp' 
de  Guittare.  Chez  Imbault : 

Prtris,  [1795?]  8".  B.  362.  c.  (46<i.) 
Oh!  que  n'ai-je  asses  delarmes.  Romance 
du  ,SoZi/anT  dans  Lolotte  et  Fanfan.  Avec 
Accomp'  de  Cxuittare.  Chez  Imbault : 

Paris,  [1795  ?]     8*.  B.  362.  c.  (46«.) 

Oiseaux  qui  gazouill^s.  Romance  des 
Enfans  dans  Lolotte  et  Fanfan.  Avec 
Accomp'  de  Guittare.  Clirz  Imbault : 

Pfljjs,  [1795?]    8\         B.  362.  e.  (46^) 

LOMBARDINI,  afterwards  SYRMEN 
(Maddalena  Laura)  Six  Concertos  for 
the  Harpsichord  or  Piano  Forte  .  .  . 
adapted  for  the  Harpsichord  by  Sig' 
Giordani.  Printed  for  Longman  (f 

Bruderip  :  London,  [1785  ?]     fol.     h.  73. 

Six  Duetts  for  two  Violons,  etc.  [Separate 
Parts.]  Printed  for  W.  Ncqjier  : 

London,  [1775  ?]     fol.       g.  421.  r.  (12.) 

[Another  copy.]  g.  421.  s.  (7.) 

[Another  copy.]  h.  2910.  (5.) 

Six  Trios  a  deux  Violons  et  Violoncello 
oblic6  .  .  .  Oeuvre  Premiere.  [Separate 
Parts.]     Welcker:  London,  [1110?]     fol. 

g.  471. 
See  Syrmen  (L.)  and  Lombardini,  after- 
wards Sybmen  (M.  L.) 


60 


LOMNICKf— LONG 


liOMNICK"^  (Simon)  Kaiicyonal  aneb  : 
Pijsnic  Nowe  llystorycke,  na  dni  obzw- 
lasstnij  Swatecnij  pfes  cely  Eok,  zwlasst' 
ktei-j  se  od  starodawna  w  Cyrkwi  Bozij, 
a  w  teto  Krestiausk6  C/.eske  "Zemi  Swetj 
.  .  .  w  nowe  .  .  .  wydau6  :  od  Ssimona 
Lomnick  ^'ho.  Wijtisstrno  . .  .v  Gifijla 
Nygrina  z  Ntjgropontu  :  w.. .  Stairm  Ulestr 
PraM:(?m,  1595.     4".  C.  52.  d.  15. 

liONBONANGE.     La  Lonbonange   [i.e. 
Lontananza].     Cauzonett. 
See  Erbaci  (A.  G.) 

LONDON,     A   Set   of  London   Cries   for 
three  Voices.     See  Gentleman. 
The  London  Ditty.     [Song.]     See  O.     Oh 
London  is  a  fine  Town.    [1710?]  .s.  sh.  fol. 

H.  1601.  (327.) 
The  London  Hunt.    [Song.]   See  Though. 
Tho'  far  from  Field  Si^orts,  etc. 
[1780?]    s.sh.iol  G.  312.  (139.) 

The  Loudon  Lass.     [Song.] 
See  Bach  (J.  C.)    \ Carat taco.    l<!on  <'  vcr 
cJi'assise  in  trono.] 

Loudon  Lasses.    Song.    See  With.    With 
the  Rlorniug's  Dawn  we  wake,  etc. 
[1773.]     s.  sh.  i".  159.  n.  5. 

LONDON'S  GLORY.    London's  Glorv, 
or,  The  Lord  Mayor's  Show. 
Se6  Jordan  (T.) 

LONE,  Lone  Dweller  of  tho  Eock. 
[Glee.]     See  C'allcott  (J.  W.) 

LONG,     Long  at  thy  altar,  God  of  love. 
Affectation  a  Ciire  for  Love.     [Song.] 
[Lomlon,  17G3.]     8".  P.P.  5438,  z, 

Univcrud     Magardne,     Vol.     XXXTI., 

p.  157. 

Long  by  an  idle  passion  tost.    The  Power  of 

Reason.   A  New  Song.   [IMusic  by  Sappho, 

fseud.']    [London,  1757.]     8".  P.P.  5438. 

Literary  Magazine,  Vol.  II.,  i^.  94. 
Long  by  an  Idle  Passion  tost.     Song. 
See  Sappho,  psend. 

Long  Cold  Nights,  wheu  Winter-Frozen. 
Tlte  Scotch  Lasses  Choice,  or,  Jennys 
Luve  for  Jockey's  Kindnes  :  An  Excellent 
New  Song  ...  to  a  pleasant  New  Scotch 
Tune.  Printed  fur  J.  Deacon :  [London, 
1687?]     s.sh.tol.     Case  39,  k,  6.  (26.) 

The  tune  is  represented  by  an  incorrect 
series  of  notes. 
Long  cold  Winters  when  Storms  were  past. 
A  Scotch  So)ig.  [London, 

1710?]    s.s/(.  fol.  G.  310.  (33,) 

Le  long  d'un  bois  Colin  passoit.     [Song.] 
See  Sara. 

Le  long  de  ce  coteau.  N''""  Chasse. 
[Song.]     [Paris,  1780  ?]     8". 

B,  362.  b,  (15.) 
Long  from  y""  Force  of  Beauty's  Charms. 
A  Ncic  Song.    [London,  1140?]    s.sh.iol. 

G.  316.  e,  (73.) 


LONG,  [Another  setting.]  Long  from 
the  force  of  beauty's  charms.  Ttte  Con- 
(piest.    A  New  Song.    [London,  1755.]    8". 

P.P,  5438.  z. 
Universal  Magazine,  Vol.  XVII., 
p.  174. 
Long  had  the  foes  of  England  joined. 
Tlie  Naval  Prince.  [Song.]  Written  on 
the  Glorious  Victory  obtain'd  over  the 
Spanish  Admiral  Don  Juan  Langara  by 
. . .  Admirals  Rodney,  Ross,  Digby,  &  the 
Royal  Prince  William  Henry  near  Cape 
Vincent.  Sk[iUern  :  London, 

1782.]     s.  sh.  fol.  G,  310,  (59.) 

Long  had  the  French  Navy  with  that  of 
proud  Spain.  An.w)i  and  Warren.  [Song. 
Words  by  Lockman,  music  by  L.  C.  A. 
Granom.]     [London,  1750?]     s.  sh.  fol. 

G,  316,  (97.) 
Long  had  the  French  Navy  with  that  of 
proud  Spain.  Anson  and  ]yarrcn.  A 
Song.  [By  L.  C.  A.  Granom.]  [London, 
1753.]     8^  157.  1.  15, 

London  Magazine,  1753,  ^j.  135, 

Long  has  Amintor  been  the  swain.  The 
fair  Example.     [Song.]  [London, 

1750?]     s.  .s/;.  fol.  H,  1994,  (41.) 

Long  life  and  happiness.  Song  and  Glee 
sung  at  The  Ladies  Catch  &  Glee  Concert  by 
jMessrs.  Harrison,  Knyvett  &  Bartleman. 

Longman  d  Brodcrip  : 
London,  [1795  ?]     obi.  fol.     D,  400,  (8.) 
Long  Life  is  sure  a  Blessing,  Sir,     Song. 
See  Walsh  (W.) 

Long  life  to  each  Brother.  TJie  Honorary 
Free  Mason's  Song.    [London,  1720  ?]    fol, 

G.  303.  (293,) 
Long,  long  I  despair'd,  Willy.  [Song,] 
sung  by  Miss  Stevenson.  [London, 

17G0?]    s.  s7(.  fol.  G,  316.  e,  (59,) 

Long  time  a  Swain  had  courted  Sue.     The 

Crying    Shepherd.     [Song,  by  J.  Potter.] 

Sung  bv  ^Ir.  Vernon.  [11'.  Bandall : 

Lo«(7o«,  1775?]     fol.  G.  310,  (46.) 

Printed    from     the   pilates    of    Potter's 

'  Favonrite  Collection  of  New   Songs 

sung  at  Vauxhall  Gardens.' 

Long  time  have  I  strove.     Tlic  Slighted 

Lover.     [Song.]  [London, 

1725.]     s.  sh.  fol,  H,  1601,  (284,) 

Long  time  I  serv'd  young  Rosalind, 
[Song,  by  T.  A.  Arne.]  Sung  by  Mr.  Jagger 
at  Vauxhall.     [London,  1762.]     8". 

P.P,  5140, 
Lady's  Magazine,  Vol.  IV.,  p.  271. 

Long  time  I  serv'd  young  Rosalind. 
[Song,  by  T.  A.  Arne.]  Sung  by  Mr. 
Jagger  at  Vauxhall.     [London,  1762.]     8'\ 

P.P,  5441, 
Boyal  Magazine,  Vol.  VIL,  p.  259. 
Long    time    I    serv'd    young     Rosalind. 
[Song.]     See  Arne  (T.  A.) 


LONG— LOUD 


61 


LONG.  Long  time  iu  anguish  and  despair. 
The  Ki6S  .  .  .  [Song.]  The  Words  by  a 
Lady.     [Lvndon,  1800?]     s.  s7(.  fol. 

G.  383.  h.  (66.) 

Long  time  my  heart  had  rov'd.  A  Song 
[by  W.  Dcfeschl.  [Londun, 

1750?]    s.  sh.  fol.  G.  310.  (6.) 

Long  young  Jockey  toy'd  and  sported. 
Cotillon  Song.  The  Words  by  i\Iiss  Swift 
of  Worcester.    [London,  1770  "?]    s.  sh.  fol. 

G.  316.  j.  (13.) 

LONG  (Samuel)     Four  Lessons  and  two 

Voluutarys  for  the  Harpsichord  or  Organ. 

C.  (0  S.  Thompson,  for  the  Widow  : 

London,  [1770?]     obi.  fol.      e.  5.  g.  (7.) 

Wanting  Ulc  Voluntaries. 

^lay  the  I\Iothcr  of  Love,  etc.     [Song.] 
[London,  1703?]     s.  sh.  fol. 

G.  312.  (121.) 

[Another  edition.]  ]\Iay  the  Mother  of 
Love,  etc.     [Song.]  [London, 

17G5?]     s.sh.lol.  H.  1994.  c,  (55.) 

I\ray  the  ^Mother  of  Love.  [For  editions 
published  anonymously  :]  Sec  Vikgix. 
The  Virgin  when  softned  by  May,  etc. 

Ye  Foplings  &  Smarts.  Song  fur  the 
Mall,  1761.     [London,  1761.]     s.  sli.  fol. 

G.  316.  f.  (127.) 

Sec  lliLEY  (W.)     Psalms  and  Hymns  for 
the    Use   of    the    Asylum  . . .  for   Female 
Orphans  . . .  The  Music  by  . . .  Long,  etc. 
[1765?]     4".  E.  482. 

LONGMAN  AND  BRODERIP.  Long- 
man and  Broderip's  Collection  of  Original 
IMusic  for  the  Grand  and  Small  Piano 
Forte.  No.  I(-IO).  10  Nos.  [Separate 
Parts.]  Longman  d  Broderip  : 

London,  [1105?]    fol.  g.  192.  (4.) 

Longman  and  Broderip's  Compleat  Col- 
lection of  100  of  the  most  favorite  ^Minuets 
. . .  set  for  the  Harpsichord,  Violin,  Haut- 
boy or  Ger"  Flute.  Vol.  1.  The  Editors  : 
London,  [1775  ?]     obi.  4".  a.  228. 

Lougmau  and  Broderip's  Pocket  Com- 
panion for  the  German  Flute,  Containing 
.  .  .  Airs,  ^linnets,  Marches,  Duets  and 
Songs,  etc.     Vol.  I.  The  Editors  : 

London,  [1790?]     obi.  i".  A.  872. 

This  work  contains  the  following  na)ncs 

of  composers  :  Bcrtoni,  Nofcri,  Gior- 

dani  and  Thco.  SmitJi. 

Longman  &  Broderip's  Selection  of  Music 
for  the  Pedal  Harp  .  .  .  including  .  .  . 
Compositions  of  the  following  .  .  .  Au- 
thors :  Krumpholtz,  Haydn,  Elouis,  Pe- 
trini,  Dussek,  Cardou,  Pleyel,  Hinner, 
Seybold,  Delaval,  &c.  &c.     No.  1. 

Longman  d  Broderip  : 
London,  [1795  ?]    fol.  h.  3200.  (5.) 


LONGMAN     AND      BRODERIP. 

Longman  and  Broderip's  Selection  (Second 
— Fifth  Selection)  of  the  most  favorite 
Country  Dances,  Reels  &c.  with  their 
proper  Figures,  for  the  Harp,  Harpsichord 
and  Violin,  etc.     5  Books. 

Longman  and  Broderip  : 

London,  [1790  ?]     obi.  8".  b.  63. 

Lnperfcct,    wanting   pp.   9,    10    of    the 

Secotul,  19,  20,  23,  24  of  the  Third, 

and  13,  14  of  the  Fifth-Selection. 

[Another  copv.     Fourth  Selection.] 

b.  55.  (6.) 
LOOK.      Look  down,  triumphant  God  of 
War.      On  Prince  Eugene's   Victory   over 
the  Turks.     [Song.]     The  Words  by  ]Mr. 
H.  Huddy,  etc.  [London, 

1717.]    s.sh.  fol.  H.  1601.  (283.) 

Look  ere  you  leap.     Serenata. 
See  Hook  (J.) 

Look    from    your     Window,    my     Dear. 
[Song.]     6'cc  Beau  Demolished. 
Look,  Neighbours,  look.     Catch. 
See  Hakingtox  (H.) 

Look,  Swains  within  that  gloomy  Grove. 
Advice  to  the  Swains.     A  New  Soiig. 
[London,  1720  ?J    s.  sh.  fol.    G.  310.  (20.) 

LOOSE.     Loose  were  her  Tresses.     Song. 
See  GiOKDAM  (T.) 

LOOTENS  (W.)  Six  Divertimentos  for 
the  Piano  Forte.  Broderip  it  Wilkinson  : 
Londun,  [1800?^     fol.  g.  141.  (10.) 

LOPEZ    (IsiDKo)      Sec  Pehez   Calderon 
(M.)     Explicaciou  de  Solo  el  Canto- llano 
. . .  Todo  lo  que  ...  ha  dispuesto  v  da  a 
luz  el  P.  Fr.  Isidro  Lopez,  etc. 
l'T9.     4".  7898.  bb.  20 

LOPEZ  DE  VELASCO  (Sebastian) 
See   MoxTAXos   (F.   de)      Arte   dc   Canto 
Llano  .  .  .  enmendado    por    S.    Lopez   de 
Velasco,  etc.     1648.     4".  K.  1.  f.  6*. 

LORD.  Lord,  I  am  thine,  but  thou  wilt 
prove.     Hijmn.     [Londun,  1779.]     8". 

P.P.  716.  b. 

Gospel  Magazine,  1779. 

Lord,  I  would  spread  my  sore  distress. 
Hymn.     See  E.,  H. 

The  Lord  is  King.     Solo  Anthem. 
Sec  PURCELL  (H.) 

The  Lord  is  risen !  A  Hymn  fur  Easter. 
[London,  1763.]     8".  p.p.  324.  n. 

The  Christian's  Magazine,  April,  1763, 
p.  182. 

The   Lord   is   my  Shepherd.      A    Divine 
Pastoral,  from  Psalm  xxiii. 
lLo7ulon,  1762.]    8\  P.P.  324.  n. 

The  Christian's  Magazine,  Nov.,  1762, 
p.  517. 


62 


LORD— LORSQUE 


LORD.     The  Lord  ib  risen.     Anthem. 
Sec  Wainwkight  (J.)  or  (R.) 

Lord  Mayor's  Day.     [Song.] 

Sec  DiBDiN  (C.)     [Will  of  the  Wis}:).'] 

The  Lord  of  Glory  is  my  light.     Hymn. 

[Words  by  Dr.  Watts.] 

[London,  1779.]     8".  P.P.  716.  b. 

Gospel  Magazine,  1779. 
The  Lord  of  the  Castle.     Ballad. 
See  Winter  (I.  d') 

Lord!  what's  come  to  my  Mother.     Song. 
See  Claekk  (J.)     [The  Bath.] 
Lord,  when  I  cry.      Psalm  xli.    [Words] 
By  Sir  J.  Denham.     [London,  1763.]     8". 

P.P.  324.  n. 
The  Christian's   Magazine,  Feb.,  17G3, 
p.  88. 

LORD  CHIEF  JEFFERY  DUNCAN. 

Lord  Chief  JefEery  Duncan,     Cantata. 

See  On.     On  Ludgate  Hill,  etc. 

[1780?]    fol.  G.  310.  (242.) 

LORD     MAYOR'S     DAY.       The     old 

Woman  under  the  Hill.  Sung  ...  in 
Lord  INIayor's  Day  [or  a  Flight  from 
Lapland.  A  Pantomime,  words  by 
J,  O'Keefie,  music  selected  and  composed 
by  W.  Shield].  Bland  :  [London, 

1782.]     s.  sh.  fol.  H.  1601.  b.  (20.) 

[Another  copy.]  G.  312.  (188.) 

The  Rolling  Tailor.  [Song.]  Sung  . . . 
in  Lord  Mayor's  Day  [or  a  Flight  from 
Lapland.  A  Pantomime,  words  by  J. 
O'Keeffe,  music  selected  and  composed  by 
W.  Shield.]  Bland:  [London, 

1782.]     s.  sh.  fol.  G.  309.  (125.) 

The  Lord  IMayor's  Day.     Pantomime. 
Sec  Shield  (W.) 

LORD  OF  THE  MANOR.  Rest 
Beautious  Flowr's.  A  favourite  New 
Song,  sung  by  Mrs.  Johnston  in  the  Lord 
of  the  Manor.  [By  W.  Jackson,  of  Exeter.] 
Joshua  Stokes  :  Dublin,  [1782  ?]   s.  sh.  fol. 

H.  1601.  a.  (1.) 
The  Lord  of  the  Manor.     Comic  Opera. 
See  Jackson  (W.)  of  Exeter. 

LORD  WARKWORTH.  Lord  Wark- 
worth.     [Song.]     See  Granom  (L.  C.  A.) 

LORD  (John)  Two  Sonatas  for  the  Piano 
Forte,  with  an  Accompaniment  for  a 
Violin  ...  To  which  is  annexed  a  Favorite 
Selected  Sonata.  B.  Birchall,  for  the 

Author:  London,  [1192-?]     fol. 

g.  188.  (11.) 

LORDLY.     Lordly  Gallants.     Glee. 
See  Callcott  (J.  W.) 

LORDS.  Lords  and  Ladies,  who  deal  in 
the  Sport.  Tlte  Pleasures  of  Belsize. 
[Song.]     [London,  1120?]     s.  sh.  lol. 

H.  1601.  (291.) 


LORENTE  (Andres)  El  Porque  de  la 
Musica,  en  que  se  contiene  los  quatro 
artes  de  ella,  Canto  llano.  Canto  de 
Organo,  Contrapunto,  y  Composicion,  etc. 
Nicolas  de  Xamares :  Alcala  de  Uenares, 


1672.     fol. 


558*.  c.  20. 


hnperfect,  ivanting  the  frontispiece,  one 
or  more  of  the  jireliminary  leaves,  and 
pp.  587-90. 

LORENZITI  (Antonio)  Sei  Duos  a  due 
Violini  . . .  Mis  au  jour  par  M''  Heina. 
Opera  viii'.  Grave  par  M"=  Fleury. 
[Separate  Parts.]  Chez  M''  Heina  : 

Paris,  [1175?]     fol.  g.  218.  d.  (4.) 

Saggio  per  ben  sonare  il  Flautotraverso, 
etc.  Per  Francesco  Modena  :  Viccnza, 

1779.    i".  7897.  h.  3. 

LORITXJS    (Heneicus)    Glareanus. 
Glareani  AcoSeKaxopSoi/,  etc. 
Per  Henrichum Petri:  Basileae,  15il.   fol. 

785.  m.  6.  (1.) 
[Another  copy.]     few  ms.  notes. 

786.  1.  23. 
Uss  Glareani  Musick  eiu  vssug,  mit  ver- 
williging  vfi  hilff  Glareani,  alien  Christe- 
liche  kilchen  alt  vn  Gijtlicli  gsang  ze 
lernen,  ouch  zu  verstau  gantz  nutzlich 
vii  denen  zu  hilff,  so  der  Mathematick  vn 
villicht  dor  Latinschen  sprach  nitt  gantz 
vnderricht.  ms.  notes.  Hcinrich  Petri  : 
Basel,  1557.     i".  K.  1.  e.  17. 

Isagoge  in  Musicen  Henrici  Glareani . . . 
e  quibusq;  bonis  authorib'  latinis  &  grsecis 
ad  studiosorii  utilitate  multo  labore  elabo- 
rata,  etc.     [Basel,]  1516.     i". 

K.  1.  h.  12. 
Musics  Epitome  sive  Compendium  ex 
Glareani  Dodecachordo  [made  by  J. 
Wonnegger].  Per  Henricum  Petri : 

Basilese,  1557.     4°.  785.  b.  44. 

See  BoETHius  (A.  M.  T.  S.)  Anitii  Manlii 
Sevcrini  Boethii  .  .  .  Opera,  quic  extant, 
omnia  .  .  .  Inter  quos  .  .  .  Henrichus 
Loritus  Glareanus  Arithmeticam  &  ^Musi- 
cam  demonstrationibus  &  figuris  auctio- 
rem  redditam  suo  pristine  nitori  restituit, 
etc.     1546.     fol.  524.  i.  13. 

See  BoETHius  (A,  M.  T.  S.)  Anitii  I\Ianlii 
Severini  Boethi  .  .  .  Opera  omnia  .  .  . 
Praeter  reliquos  doctiss.  uiros,  Henricus 
Loritus  Glareanus,  Arithmeticam  &  Musi- 
cam  demonstrationibus  &  figuris  auctiorem 
redditam,  suo  pristine  nitori  restituit,  etc. 
1570.     fol.  673.  i.  7,  8. 

LORSQUE.      Lorsque   dans  uue   tour 
obscure.     Romance.     See  Peisonnier. 
Lorsque   de   dieu   la   main   feconde.     Lc 
Mouvement    et    le    liepos.     [Song.]     Air: 
Avec  les  jeux.     [Paris,  1875  ?]     8". 

B.  362.  (176.) 


LORSQUE— LOUIS 


63 


LORSQUE.  Lorsque  de  Jupiter  les  fou- 
droj'antes  armes.  Recit.   >S(e  Laedeau  (     ) 

Lorsque  j'estois  ayme  de  la  jeune  Lisette. 

Air.     >SVe  Gouet  (    ) 

Lorsque  je  fis  present  a  la  jeune  Lizette. 

iluzette.     See  Adnin  (     ) 

Lorsque  sur  ta  musette.     Musette. 

SecD***,  M"". 

Lorsque  sur  ta  musette.     Musette. 

Sec  Legai  (    ) 

Lorsque  Tircis  me  parut  infidelle.     Air. 
See  Brie  {      de) 

Lorsque  tu  m'etois  fidele.  La  Bergerc 
Sensible.  [Song.]  Avec  Accompagne""  de 
Guithare.    Chez  Fr^re  :  [Paris,  1780  ?]   8". 

B.  362.  e.  (17.) 

LOSS.     The  Loss  of  lunoccucc.     [Song.] 
See  Williamson  (T.  G.) 
The  Loss  of  the  Royal  George.     Song. 
See  Toll.     Toll  for  the  Brave.     [1795  ?] 

H.  2830.  f.  (94.) 

LOSSENER  (Abraham)    See  Loessener. 

LOSSIUS  (Lucas)  Erotemata  Musics 
Practicie,  ex  probatissimis  quibusquc 
huius  . . .  artis  scriptoribus,  . . .  selecta,  & 
exemplis  ad  pucrilem  institutionem  pra- 
cipue  accommodatis  illustrata.  Ad  usum 
scholffi  Luneburgensis  .  .  .  olim  a  Luca 
Lossio  in  lucem  edita:  iam  vero  recens 
ab  eodem  diligeutcr  rccognita.  Cum 
Tabella  crudita  summara  contincnte  artis 
Musicaj,  autore  Christophoro  Preetorio, 
etc.  Ill  Officina  Tlicodorici  Gerlatzeni : 

Noribercjx,  1570.  8\  1042.  e.  5.  (2.) 
Psalmodia,  hoc  est,  Cantica  Sacra  Veteris 
Ecclesise  selecta,  cic. 

ApucL  Hxr.  Gcorgij  Rhaa: 
Witebcrga^^,  1561.     4".  C.  76.  a. 

Psalmodia,  hoc  est,  Cantica  Sacra  Veteris 
Ecclesiffi    selecta  . . .  recens  . . .  recognita, 
&  multis  . . .  cantionibus  aucta,  etc. 
loll.  ScJuvcrtclius  :   Witbergie,  1569.     4". 

556.  a.  8. 
Psalmodia,  hoc  est,  Cantica  Sacra  Veteris 
Ecclesiae  selecta.  Quo  ordinc,  &  IMelodijs 
per  totius  anni  curriculum  cantari  vsitate 
solent  in  templis  .  .  .  Iam  primum  ad 
Ecclcsiarum,  &  Scholarum  vsum  .  .  . 
coUecta,  &  breuibus  ac  pijs  Scholijs  illus- 
trata, per  Lucam  Lossium  .  .  .  Cum  Prse- 
fatione  Philippi  Melanthonis. 

Ajyud  Gabrielem  Hai/n  : 
Noribergx,  1553.     fol.  E.  1425. 

Wanting  pp.  xxvii-xxxiv. 

Psalmodia,  hoc  est,  Cantica  Sacra  Veteris 
Ecclesiae  selecta  ...  In  Libros  quatuor 
apte  distincta,  etc.  Antoniiis  Schon  : 

Witebergx,  1579.     4^  C.  76. 

LOST.     Lost,  in  anxious  doubts  torment- 
ing.    Song.     Sec  Bianchi  (F.) 
Lost  is  my  love.     Cantata. 
See  CoKBETT  (W.) 


LOST.  Lost  is  my  quiet  forever.  A  Favorite 
Song  with  an  Accompaniment  for  the 
Piano-Forte  or  Harp :  also,  adapted  for 
Three  Voices.  Printed  for  J.  Dale  : 

London,  [1800  ?]     fol.      G.  805.  h.  (29.) 
[Another  setting.]     Lost  is  my  Quiet  for 
ever.     [Duet.]     Sec  Puecell  (H.) 
The  Lost  Shepherd.     [Song.] 
See  Oswald  (.J.) 

Lost  to  the  World  alone  I  pine.     Song. 

See  Holder  (.J.  W.) 

LOTARIO.     The  Favourite  Songs  in  the 

.    Opera  call'd  Lotarius  [by  G.  F.  Hacndelj. 

Printed  for  I.  Walsh  and  loseph  Hare  : 

London,  [1729  ?J     fol.  L  49.  (3.) 

Lotharius.     Opera.     St'c  Haendel  (G.  F.) 

LOT  ERIE.      La     Loterie     ambulante. 
[Song.]     See  A.     A  certaino  loterie,  etc. 
[1785?]     8".  B.  362.  (201.) 

Chanson  de  La  Loterie  Royalle.     [Song.] 
See  Du.     Du  jeu  de  la  Loterie,  etc. 
[1789?]     8".  B.  362.  (200.) 

LOTHARIA.     Lotharia.     [Song.] 
See  Arne  (T.  A.) 

LOTHARIUS.     See  Lotario. 

LOTTCHEN  AM  HOFE.  Lottchenam 
Hofc.    Comische  Oper.    See  Hiller  (J.  A.) 

LOTTERY.  The  Lottery.  A  Farce. 
[Words  by  Henry  Fielding,  music  chiefly 
by  —  Seedo.]  As  it  is  Acted  at  the 
Theatre-Royal  in  Drury-Lane  .  .  .  With 
the  Musick  prcfix'd  to  each  Sont^. 
Printed  for  J.  Watts:  London,  1132.     S\ 

11775.  c.  66. 
Songs  in  the  Lottery  ...  the  Tunes  proper 
for  the  German  Flute,  Violin  &  Common 
Flute.  The  Musick  Shojis  : 

London,  [1731.]     8".  A.  869.  a.  (2.) 

Engraved  throughout.     This  tvork  bears 
Walsh's  nuviber,  (300). 
The  Lottery.      [Song.]      See  1.      I  am  a 
young  Damsel,  c^c.     [1760?]     s.sh.io\. 

G.  316.  e.  (51.) 

LOTTI    (ANim-io)      Duetti,   Tcrzetti,   e 

Lladrigali  a  piu  Voci,  etc.  Appresso 

Antonio Bortoli :  Venezia,n05.   fol.   H.  8. 

LOUD.  The  Loud  Alarms  of  War  must 
cease.  [Duet.]  See  Eccles  (J.)  [TJic 
Mad  Lover.] 

The  Loud  Wind  roar'd.     Song. 
See  Dale  (Joseph) 

LOUET  (Alexandre)  La  IMarmotte  en 
vie.  Celebre  Chanson  Savoyarde  .  .  . 
Imprime  par  permission  de  M"'  A.  de  Baus- 
set.     Pi.  Wornum:  Londres,  [1800?]     fol. 

H.  2815.  f.  (21.) 

LOUIS  IX.  Du  Fran(;ais  asservi  j'ai  S(,'U 
briser  les  chaines.  Air  de  Louis  IX.  [by 
J.  B.  Le  Moyne].  Avec  Accomp'  de  Guit- 
tare.     Chez  Imbault :  Paris,  [1790.]     8" 

B.  362.  h.  (35.) 


64 


LOUIS— LOVE 


LOUIS  XVI.      Louis  XVI.  a  sou  Pcuple. 
[Soug.J     See  Beecke  (I.  vou) 
Louis      tlio     Sixteeuth's     Lamentation. 
[Soug.]     See  Steve>son  {Sir  J.  A.) 

LOUIS  FERDINAND,  Prince  of 
Prussia.  Quatuor  pour  le  Piauo  Forte, 
Violou,  Viole  et  Violoucelle.  [Op.  G. 
Separate  Parts.]  Chez  BrcitJcopf  d  Hdrtel : 
Lciimc,  [1800  ?J    fol.  h.  2793.  a. 

LOUIS  (  )  Madame.  See  Bayon,  after- 
wards Louis  (    )  Madame. 

LOUISA.     Louisa.     Soug. 
Sec  Brooks  (J.) 
Louisa.     Ballad.     See  Moulds  (J.) 

LOUISE.     Louise.     Opcrette. 
See  Bbnda  (P.  L.) 

LOULIE  (Etienne)  Elements  ou  Priu- 
cipos  de  Musiquc  mis  dans  un  nouvel 
Ordre  .  .  .  divisez  en  Trois  Parties  .  .  . 
Avec  I'Estampe,  la  Description  &  I'Usage 
du  Chronometre,  etc.  Chez  E.  Iloger  : 

Amsterdam,  1G98.     8".  1042.  e.  12. 

LOUP.     Lc  Loup  Apprivoisc.     [Song.] 
Sec  Quel.        Quel    enibarras,    helas   que 
faire.     [1780?]     8".        B.  362.  a.  (129.) 

LOVE.      Love.     Song  [begins :    '  0  Love, 
soft    Love 'J.       See    Kimbault     (S.     F.) 
Select  Songs.     No.  8. 
Love.     Song.     Sec  To.     To  thiue  altar  O 
love,t>/c.  [1780?]  s.sh.ioX.  G.  312.  (101.) 
Love   alone  can  here  alarm  us.      Love's 
Fights.      A    New    Song.      [Words    from 
Motteux's  "  Loves  of  Mars  and  Venus."] 
[London,  1710?]  s.  sh.  fol.    G.  310.  (61.) 
Love  alone  shall  here  alarm  you.     Song. 
Sec  Pkelleuu  (P.) 

Love  and  a  Bumper,  or  Fanny's  Delight. 
A  new   Medley   Song.      Adapted   to  the 
German   Flute.     Sec   Chloe.      Chloe,   or 
the  Musical  Magazine,  etc.     No.  57. 
[1760?]     fol.  G.  433. 

Love  and  Beauty.     [Song.]     SecFoBGiVE. 
Forgive  me  Ctelia  if  I  prove,  etc. 
[1735  ?J     s.  sh.  fol.  H.  1994.  (24.) 

Love  and  Beauty.     Song  [begins  :  '  Ador'd 
Fancelia  '].     SccLulman  (C.) 
Love  and  Folly  were  at  Play.      Love  and 
Folly.       A   Neiv    Song.      Sung   by   3Iiss 
Ste2}henson  at  Vaux-Uall. 
[LoHfZo»,  1750?]  fol.    H.  1994.  b.  (50.) 

[Another  edition.]  Love  and  folly  were 
at  play.  IjOvc  and  Folly.  Sung  by  Miss 
Stevenson  at  Vaux  Hall. 
[London,  17G0  ?]  s.  sh.  fol.  G.  310.  (7.) 
[Another  edition.]  Love  and  Folly  were 
at  Play.  Love  and  Folly,  etc  See  Chloe. 
Chloe,  or  the  Musical  Magazine,  etc.  No.  2. 
[1760?]     fol.  G.  433. 

[Another  setting.]     Love  and  Folly  were 
at  play.  [Song.J  See  Barrett  (J.)  Organist. 


LOVE.    [Another  setting.]    Love  and  Folly 
were  at  play.     Song,     ^'ct  Wesley  (S.) 
Love  and  Freedom.  [Song.]  See  Freedom. 
Freedom  is  a  real  treasure. 
[1756.]    s.  sh.  8".  P.P.  5439.  ab. 

Love  and  Friendship.     Song. 
Sec  Oswald  (J.) 

Love   and  Honour.      [Song,  begins:    'Of 
all  the  joys  in  life  possessed.'] 
Sec  Cooke  (S.) 

Love  and  Honour.      [Song.]      Sec  I.     I 
wish  and  long  for  that  which  I. 
[1740?]     s.  67(.fol.  G.  309.  (115.) 

Love  and  Innocence.    Song.  Sec  Akgelic. 
Angelic  fair,  beneath  yon  pine,  etc. 
[1760.]    8".  P.P.  5438.  z. 

Love  and  Innocence.     Ballad. 
See  Angelic.     Angelic  fair   beneath  yon 
Pine.e^c.  [1770?]  s.sh.M.  G.  306.  (147.) 
Love  and  Innocence.      Song.      Sec   My. 
My  days  have  beeu  so  wondrous  free. 
[1710?]     s.sh.tol.  H.  1601.  (309.) 

Love  and   Innocence.        [Song,    begins : 
'  Wanton  pleasures  far  away.'] 
See  Smart  (T.) 

Love  and  Loyalty.  [Song.]  /S'ceCiRAVES  (J.) 
Love  and  IMusic.     [Song.] 
See  COSTELLOW  (T.) 

Love  and  Opportunity.    [Song.]    See  Let. 
Let  us  fill  the  circling  Glass. 
[1779?]    s.  s7i.  fol.  G.  310.  (39.) 

Love  and  Reason.     [Song.] 
See  Oswald  (J.) 

Love   and    Satire.      Soug.       Sec    When. 
When  Pli.?ebus  does  rise,  eie. 
[1715?]     s.sh.  fol.  H.  1601.  (497.) 

Love  and  Sparkling  Wine.     Glee. 
See  Peck  (J.) 

Love  and  war.     Song.     Sec  Blewitt  (J.) 
Love  and  Wine.      [Song,  words]     By  C. 
F.  \Yeisse.     See  All.     All  bereft  of  Love 
and  Wine,  etc.     [1800.]     s.  sh.  obi.  i". 

266.  1.  29. 
Love  and  Wine,  an  Excellent  Drinking 
Song.  [Begins  :  '  A  Plague  on  IMiss  Chloe.'] 
See  Chloe.  Chloe,  or  the  ]\Iusical  Maga- 
zine, etc.  No.  47.  [1760  ?J  fol.  G.  433. 
Love  and  Wine  united.  [Song.]  Sec  When. 
When  we  drink,  my  charming  Phillis. 
[1725?]     s.  sh.  fol.  G.  316.  f.  (102.) 

Love  at  Fifty.     [Song.]      Sec  Dibdin  (C.) 
[Christmas  Gambols.} 
Love  at  first  Sight.     [Song.]      See 'Twas. 
'Twas  once  on  a  Time,  etc. 
[1730?]     s.  67(.  fol.  G.  312.  (150.) 

Love  can  disturb  the   steady  Soul.     TJtc 
liesolution.     A  New  Song.  [London, 

1750?]     s.sh.iol.  G.  316.  a.  (35.) 

Love  for  Love.     [Song.]     Sec  Sue.     Sue 
venal  Belinda,  etc.     [1756.]     s.  sh.  8\ 

P.P.  5439.  ab. 


LOVE 


65 


LOVE.    Love  for  Love.    [Song.]    See  Sue. 
Sue  venal  Belinda,  etc. 
[1760?]    s.sh.lol.  G.  311.  (125.) 

Love  from  those  bright  eyes.     Song. 
See  Mozart  (W.  A.)     [An  Chloe.] 

Love  grows  fiercer  by  denials.  A  New 
Song.  Sung  by  Mr.  Bartholomew  Piatt 
at  Sadlers  Wells.  [Words  by  P.  A.  Mot- 
teaux,  adapted  to  '  Ch'io  lasci  mai 
d'amare/  from  Handel's  '  Amadigi.'] 
[London,  1720?]     s.  sh.  io\. 

H.  1601.  (292.) 
Love  has  possess'd  my  heart.     [Song.] 
See  Stanley  (J.) 

Love,  Honour  and  Truth.     Song. 
See  Webbe  (S.)  the  Elder. 

Love  I  defy  thee.     Cantata. 
See  PuRCELL  (D.) 

Love  in  Disguise.  Song.  See  At.  At 
Totterdown  hill  there  dwelt  an  old  pair, 
etc.     [1768.]     8".  P.P.  5438.  z. 

Love  in  Disguise.  [Song.]  See  At.  At 
Totterdown  Hill  there  dwelt  an  old  pair, 
etc.     [1770  ?]    s.  sh.  fol. 

H.  1994.  a.  (149.) 
Love  in  her  Bosome  end  my  Care.  Song. 
See  Weldon  (J.)  [The  Agreeable  Dis- 
appointmcnt.'] 

Love  in  her  eyes  sits  playing.     Song. 
See  Haendel  (G.  F.)     [Acisand  Galatea.'] 

Love   in   the  Groves.     Song.      Sec   One. 

One  Evening  as  I  lay,  etc. 

[1710?]     s.  s7i.  fol.  H.  1601.  (337.) 

Love  in  thine  Eyes.     Canzonet. 

See  Jackson  (W.)   of  Exeter.    [12   Cayi- 

zonets.     Op.  13.     No.  7.] 

Love  in   thy   youth,  fair   maid   be  wise. 

Glee.     See  Cooke  (M.) 

Love  is  a  God,  whose  charming  Sway. 
Song.  Sec  Eccles  (J.)  [Women  will  have 
their  Wills.] 

Love  is  all  Fancy.  A  new  Song.  The 
words  by  Mr.  H.  F.  Within  compass  of 
the  Flute.     [London,  1720  ?]     s.  sh.  fol. 

H.  1601.  (287.) 
Love  is  an  empty  airy  name.     Song. 
See  Eccles  (J.)     [The  City-Lady.] 
Love  is  lost.     [Song,  music  by  T.  Brown.] 
[London,  nib?]     fol.  G.  310.  (11.) 

[Another  copy.]  G.  315.  (21.) 

Love  is  lost.  Song.  See  Brown  (T.) 
Song-  Writer. 

Love  is  now  become  a  Trade.     Song. 
See  Barrett  (J.)  Organist. 
Love,  ]\Iusic  and  Friendship.     Glee. 
See  Amateur. 

Love  never  more  shall  give  me  Pain. 
[Song,  words  by  R.  Crawford,]  Sung  by 
Mr.  Loiue.     [London,  1755  ?]     s.  sh.  fol. 

H.  1994.  b.  (51.) 

VOL.   II. 


LOVE.  [Another  edition.]  Love  never 
more  shall  give  me  Pain.  My  Peggie  if  thou 
die.  Sung  by  Mr.  Lowe  at  Marybon  Gar- 
dens. See  Chloe.  Chloe,  or  the  Musical 
Magazine,  e^c.     No.  51.     [1760?]     fol. 

G.  433. 

[Another  edition.]  Love  never  more  shall 
give  me  Pain.  My  Peggie  if  thou  die. 
[Song.]  Sung  by  Mr.  Lowe  at  ]\Iarybon 
Gardens.     [London,  1765  ?]     s.  sh.  fol. 

G.  316.  e.  (74.) 

[Another    setting.]       Love    never    more 

shall  give   me   Pain.     A   Favorite  Scotch 

Song.     Sung  by  Mr.  Vernon  at  Vauxhall. 

J[oh7i]  B[utherford  :  London, 

1775  ?]     s.  sh.  fol.  G.  310.  (73.) 

This  is  a  different  song  from  that  sung 

by  Lowe  at  Marylebone  Gardens. 

Love  of  no  Party.     Song.     See  One.     One 

Aprill  ]\Iorn  w"  from  the  Sea. 

[1705  ?]     s.  sh.  fol.  G.  305.  (275.) 

Love,  our  greatest  Blessing.  [Song.] 
See  Deprived.  Depriv'd  of  Love  and  all 
it's  Joys.  [1760?]  fol.    G.  316.  d.  (106.) 

Love  preferable  to  Liberty.     [Song.] 
See  Howard  (S.) 

[Another  edition.]  Love  preferable  to 
Liberty.     [Song.]     See  Markwell  (     ) 

Love  relaps'd.     [Song.]     See  Arne  (T.  A.) 

Love    Rewarded.      [Song.]       See    With. 

With  Phsebus  I  often  arose. 

[1750?]     s.sh.iol.  G.  313.  (172.) 

Love  shall  be  my  Guide.     Song. 

See  Hook  (J.) 

Love  sounds  th'  alarm.     Song. 

See     Haendel     (G.     F.)        [Acis     and 

Galatea.] 

Love  sounds  the  Trumpet  of  Joy.     Song. 

See  Reeve  (W.) 

Love  sweet  poison.     See  Haendel  (G.  F.) 

[Alcina.     Verdi  prati.]  i 

Love  thou  pleasing  teazing  Power.     Song. 

See  Pleyel  (I.  J.) 

Love  thou  Sweet  Passion.    Song. 

See  Hayden  (G.) 

Love  to  Madness.     Song. 

See  Stevenson  {Sir  J.  A.) 

Love  Triumphant.     [Song.]     See  When. 

When  I  beheld  Clarinda's  Eyes,  etc. 

[1715  ?]    s.  sh.  fol.  G.  313.  (42.) 

Love  when  'tis  true  needs  not  the  aid. 
Indifference  excused.  [Song,  the  words  by 
Sir  C.  Sedley.]  [London, 

1730  ?]     s.  sh.  fol.  G.  305.  (151.) 

[Another  copy.]  G.  310.  (67.) 

Love,  Wine,  &  Friendship.     Song. 

See  Busby  (T.) 

Love,  Wine,  and  ]\Iusic.     Song. 

See  Since.     Since  love  such  extacy   can 

give,  e^c.     [1769.]     8°.  P.P.  5438.  z. 


66 


LOVE 


LOVE.     Love  would  invade  me.     [Song.] 
See  Thomyris. 

Love's  a  Bubble.     [Song.]     Sung  by  Mrs. 
Warrel  at  Vauxhall. 

S{amiiel  and]  A{:nn]  T\Jiompson  :  London, 
1778.]     s.  sh.  fol.  G.  310.  (44.) 

Love's  a  distemi^er.  Song. 
See  Barrett  (J.)  Organist. 
Love's  a  gentle  gen'rous  Passion.  The 
Constant  Lover.  [Song.]  Set  for  y" 
German-Flute.  [Words  from  Carey's  farce, 
"  The  Honest  Yorkshireman."]  [London, 
1740  ?]     s.  sli.  fol.  G.  310.  (66.) 

[Another     setting.]       Love's     a     gentle 
gen'rous  Passion.  [Song.]    See  Carey  (H.) 
Love's  a  sweet  and  soft  IMusician.     Song. 
See  Musical  Lady. 
Love's  a  vain  deluding  joy.     [Song.] 
See  Hudson  (R.) 
Love's  Bacchanal.     [Song.] 
See  Vincent  (J.) 

Love's  but  the  frailty  of  the  Mind.    Song. 
See  EccLES  (J.)     {The  Way  of  the  World.] 

Love's  Conquest  over  Reason.     [Song.] 
See  Lesbea.     Lesbea's  smiles  shall  ne'er 
deceive  me.     [1715  ?]     s.  sh.  fol. 

G.  316.  g.  (37.) 
Love's  Fights.     Song.     See  suj^ra :  Love 
alone  can  here  alarm  us,  etc. 
[1740?]     s.s^.  fol.  G.  310.  (61.) 

Love's  Force  on  the  Heart.   Song.    See  To. 
To  ease  my  heart,  etc.     [1790  ?]     fol. 

H.  1653.  (32.) 

Love's  Goddess  in  a  myrtle  Grove.  Bonny 
Jean.     [Song,  words  by  A.  Ramsay.] 
[London,  1730  ?]     s.  sh.  fol.    G.  310.  (4.) 

[Another  copy.]  G.  303.  (19.) 

[Another  edition.]     Love's  Goddess  in  a 
INIyrtle  Grove.     Bonny  Jean.     [Song.] 
[London,  1735  ?]     s.  sh.  fol. 

G.  316.  e.  (71.) 

Love's  Lesson.     [Song.]     See  Dibdin  (C.) 
[The  General  Election.] 

Love's  Likeness.     [Song.] 

See  Dibdin  (C.)     [Will  of  the  Wis}).] 

Love's  Passion  never  knew  till  this.    Song. 
See  Franck  (J.  W.) 

Love's  Probation.     [Song.] 
See  Dibdin  (C.)     [The  Sphinx.] 

Love's  the  Devil.     [Song.]     See  Than. 
Than  Summers  Suns  more  bright  I  own. 
[1760?]     s.sh.lol.  G.  312.  (182.) 

Love's  true  Object.     [Song.] 
See  Aene  (T.  A.) 

Love's  Victim.     [Song.] 
See  Mattox  (    ) 

LOVE   AND   MONEY.     Love   and 

Money.     [Musical  Farce.] 
See  Arnold  (S.) 


LOVE  AND  WINE.  Wine's  a  INIistress 
gay  and  easy.  [Song.]  Sung  by  Mr. 
Leveridge  in  the  Entertainment  of  Love  & 
Wiyie.     [London,  1720  ?]     s.  sh.  fol. 

H.  1601.  (528.) 

[Another    edition.]      Wine's    a    Mistress 
gay  and  easy.     Bass  Song,  etc. 
London,  [1725?]     s.  sh.  fol. 

G.  305.  (29.) 

LOVE    FINDS     THE    WAY.       How 

dear  I  love  her.  [Song.]  Sung  by  INIrs. 
Farrel  in  "  Love  finds  the  Way."  [Words 
by  T.  Hull.]  Sk\illcrn  : 

London,  1777.]   s.  sh.  fol.     G.  308.  (131.) 

Oh   Love   thou   Delight.     [Song.]      Sung 
by  Mrs.  Farrel  in  "  Love  finds  the  Way" 
[Words  by  T.  Hull].  Sk[illern  : 

London,  1777.]   s.  sh.  fol.     G.  310.  (269.) 

LOVE  IN  A  CAMP.  Love  in  a  Camp. 
Comic  Opera.     See  Shield  (W.) 

LOVE  IN  A  FOREST.  What  shall  he 
have  that  kill'd  the  Deer.  The  Hunts- 
mans  Song  in  Love  in  a  Forest.  [Words 
from  Shakespeare's  '  As  you  like  it,' 
altered  by  C.  Johnson,  music  by  H. 
Carey.]     [London,  1723  ?]     fol. 

H.  1601.  (524.) 

[Another  edition.]  What  shall  he  have 
that  kill'd  the  Deer.  The  Huntsman's 
Song,  e^c.     [Lonc^o??,  1723?]     s.  sh.  iol. 

G.  313.  (49.) 

LOVE  IN  A  RIDDLE.  Love  in  a 
Riddle.  A  Pastoral.  As  it  is  Acted  at 
the  Theatre-Royal  .  .  .  Written  by  Mr. 
Gibber.     (The  Tunes  to  the  Songs,  etc.) 

Printed  for  J.  Watts  :  London, 
1719  [1729.]     8°.  841.  d.  32.  (2.) 

The  date  1719  is  a  misprint. 

Love  in  a  Riddle.  A  Pastoral  . . .  Written 
by  Mr.  Cibber.  (The  Tunes  to  the  Songs 
in  the  foregoing  Pastoral.)  Printed  for 
J.  Watts  :  London,  1729.     8». 

841.  d.  32.  (2.) 

[Another  copy.]  841.  f.  55.  (1.) 

[Another  copy.]  T.  1678.  (4.) 

[Another  copy.]  643.  h.  12.  (2.) 

LOVE  IN  A  VILLAGE.  Love  in  a 
Village.  A  Comic  Opera. .  .The  Music  by 
Handel,  Boyce,  Arne,  Howard,  Baildon, 
Festing,  Geminiani,  Galuppi,  Giardini, 
Paradies,  Agus,  Abos.  For  the  Harpsi- 
cord,  Voice,  German  Flute,  or  Violin. 

Printed  fen- 1.  Walsh:  London, 
[1763.]     ohl.  fol.  D.  269. 

Love  in  a  Village  . . .  Set  for  a  German 
Flute,  Hoboy  or  Violin,  etc.  Printed  for 
I.  Walsh  :  London,  [1768.]     8". 

D.  269.  a. 
Wanting  pp.  5  and  6. 


LOVE 


67 


LOVE    IW     A    VILLAGE.      A    New 

Edition  of  Love  in  a  Village.  A  Comic 
Opera  .  .  .  The  music  by  Abel,  Agus, 
Dr.  Arae,  Baildou,  Dr.  Boyce,  Carey, 
Festing,  Galuppi,  Geminiani,  Giardini, 
Handel,  Dr.  Howard,  Oswald,  Paradies, 
Weldon,  &c.  To  which  is  added  the  .  .  . 
Bravura  Song  introduced  by  IMrs.  Billing- 
ton.     Composed  by  Sig"'  Giordani. 

Printed  for  B.  Birchall :  London, 
[1795?]    fol.  H.  108. 

Love  in  a  Village.  A  Comick  Opera  . . . 
The  Musick  by  Handel,  Boyce,  Arne, 
Howard,  Baildou,  Festing,  Geminiani, 
Galuppi,  Giardini,  Paradies,  Agus,  Abos, 
&c.,  for  the  Piano  Forte,  Voice,  German 
Flute  or  Guitar.  [1797.]  See  Periodical 
Publications.  —  London.  The  Piano- 
Forte  Jlagaziue.  Vol.  I.  No.  9.  [1797- 
1802.]     8°.  D.  854. 

Cease,  gay  Seducers.     A  Favourite  Air  in 
Love  in  a  Village.     The  JIusic  lately  in- 
troduced and  sung  by  Sliss  Catley. 
[London,  1773.]     s.  sh.  4°.  159.  n.  5. 

London  Magazine,  April,  1773.  Li 
some  editions  the  composition  of  this 
song  is  attributed  to  Anne  Catley.  It 
is  different  from  the  setting  in  the  early 
editions  of  the  opera  and  also  from  that 
by  T.  A.  Arne  tvhich  appeared  later. 

Cupid  God  of  soft  Persuasion.     [Song,  by 

F.  Giardini.]  Sung  by  Miss  Hallam  in  Love 

in  a  Village.     [London,  17G5  ?]     s.  sh.  fol. 

H.  1994.  a.  (194.) 

Cupid  God  of  soft  Persuasion.  [Song.] 
Sung  by  Miss  Hallam,  in  Love  in  a 
Village.  Set  by  Sig'  Giardini.  [London, 
1765?]    s.sh.iol.  G.  316.  j.  (10.) 

Hope,  thou  Nurse.     [Duet,  the  music  by 
J.    Weldon.]     Sung    by   ]\Iiss   Brent   and 
INIiss  Hallam  in  Love  in  a  Village.     For 
the  Harpsicord,  and  Guittar. 
[London,  1780  ?]     fol.  G.  296.  (15.) 

How  blest  the  Maid.  [Song,  adapted  to 
'  La  pastorella  al  prato,'  music  by  B. 
Galuppi.]  Sung  by  Miss  Brent  in  Love 
in  a  Village.     [London,  1180  ">]     s.sh.iol. 

G.  296.  (13.) 

How  much  Superior  Beauty.  [Song.] 
Sung  by  Mr.  Mattocks  in  Love  in  a 
Village.  Set  by  Mr.  Howard.  [London, 
1765  ?]     s.  sh.  fol.  G.  308.  (107.) 

How  much  superior  Beauty  awes.    [Song.] 
Sung    by    Mr.    Mattocks,   in    Love   in  a 
Village.     Set  by  Mr.  Howard. 
R.  Falkcner  :  London,  [1775  ?]     s.  sh.  fol. 

H.  1994.  a.  (47.) 

In  Love  shou'd  there  meet  a  fond  Pair. 
Sung  by  Miss  Brent,  in  Love  in  a  village. 
Set  by  Mr.  Barnard.  B.  Falkener  : 

London,  [1775  ?]     s.  sh.  fol. 

H.  1994.  a.  (87.) 


LOVE     IN    A    VILLAGE.      [Another 
edition.]      In    Love    shou'd    there   meet. 
Sung  by  Miss  Brent  in  Love  in  a  Village. 
[Music  by  —  Barnard.] 
Sk[illern  :  London,  1775  ?]     s.  sh.  fol. 

G.  309.  (163.) 
In  vain  I  ev'ry  Art  essay.     [Song.]     Sung 
Mr.  Mattocks  . . .  Set  by  Dr.  Arne. 
[London,  1765?]     s.sh.iol. 

H.  1994.  c.  (7.) 

My  Dolly  was  the  fairest  thing.  [Song.] 
Sung  by  Mr.  Beard  in  Love  in  a  Village. 
[Adapted  to  '  Let  me  wander  not  unseen,' 
from  Handel's  '  L' Allegro. 'J  [London, 

1770?]     s.  s7i.  fol.  G.  310.  (122.) 

0  !  had  I  been  by  fate  decreed.    [Song,  by 
S.  Howard.]     Sung  by  Mr.  Mattocks,  etc. 
[London,']  17G3.     8".  P.P.  5441. 

Boyal  Magazine,  Vol.  VIII.,  p.  155. 

0  !  had  I  been  by  fate  decreed.    [Song,  by 
S.  Howard.]     Sung  by  Mr.  Mattocks,  etc. 
[London,  1763.]     8°.  P.P.  5140. 

Lady's  Magazine,  Vol.  IV.,  p.  357. 

0  !  had  I  been  by  Fate  decreed.  [Song.] 
Sung  by  ]\Ir.  JIattocks  in  Love  in  a 
Village.  Set  by  jMr.  Howard.  [London, 
1765?]    s.sh.iol.  G.  310.  (251.) 

0 !  had  I  been  by  fate  decreed.  [Song] 
. . .  Set  by  ]Mr.  Howard.  B.  Falkener  : 
London,  [ITi  5'!]    s.sh.iol. 

H.  1994.  c.  (48.) 

Oh    had    I    been    by    fate    decreed.       A 
favorite   Song   [by   S.  Howard]    sung  by 
Sir.  Incledon  in  . .  .  Love  in  a  Village. 
G.  Walker  :  London,  [1800  ?]     fol. 

G.  383.  h.  (68.) 

Oh  !  how  shall  I  in  Language  weak.  Song 
by  Mr.  Mattocks  ...  Set  [to  '  The  Power 
of  Beauty,']  by  Mr.  Carey.  B.  Falkener : 
London,  [1770  ?]     5.  sh.  fol. 

H.  1994.  a.  (208.) 

[Another  edition.]  Oh !  how  shall  I. 
Sung  by  Mr.  Mattocks,  etc.  [London, 

1770  ?]    s.  sh.  fol.  H.  1994.  b.  (60.) 

Oh !  how  shall  I  in  Language  weak,  etc. 
[Song,  the  words  by  I.  BickerstafEe, 
adapted  to  H.  Carey's  '  Power  of  Beauty.'] 
[London,  1797  ?]     fol.       G.  805.  i.  (10.) 

Still  in  hopes  to  get  the  better.  A  Song 
in  Love  in  a  Village.  Sung  by  Mr. 
Mattocks.  Set  by  Dr.  Arne.  [London, 
1765?]     s.sh.iol.  G.  311.  (144.) 

'Tis  not  Wealth.  [Song.]  Sung  by  Mrs. 
Pinto  in  Love  in  a  Village.  Set  by  Sig' 
Giardini.     [London,  1770  ?]     s.  sh.  fol. 

G.  312.  (142.) 

Under  the  Hose.  [Song.]  Sung  by  Mr. 
Beard  in  Love  in  a  Village.  Set  by 
Dr.  Arne.  B.  Falkener:  London, 

[1775?]     s.  sh.  fol.      H.  1994.  a.  (207.) 

p  2 


68 


LOVE— LOVER 


LOVE   IN   THE   CITY.     Love  in  the 
City,   a   Comic    Opera  . . .  for   the   Voice, 
Harpsichord,    or    Violin.     [Libretto]    By 
the  Author  of  Love  in  a  Village  [I.  Bicker- 
staff  e].     [Music  arranged  and  compiled  by 
C.  Dibdin.]      J.  Johnston,  for  the  Arithor  : 
London,  [1767.]     ohl.  fol.        D.  282.  (5.) 
The  composers  named  in  this  work  are  : 
Vento,  Cocchi,  Galuppi,  Picini,  Bar- 
thelemon,     H.    M.     K.    P.,     Dibdin, 
Pergolcsi  and  Jomclli, 


LOVE  IN  THE   EAST. 

East.     Comic  Opera. 

See  LiNLEY  (T.)  the  Elder. 


Love   in   the 


LOVE'S  TRIUMPH.  Songs  in  the  New 
Opera,  call'd  Love's  Triumph,  as  they  are 
perform'd  at  the  Queen's  Theatre.  [Words 
adapted  from  the  Italian  of  Cardinal  Otto- 
boui  by  P.  A.  Motteux,  music  by  C.  P. 
Cesarini  and  F.  Gasparini.]  I.  Walsh 

and  I.  Hare  :  London,  [1708.]     fol. 

H.  227. 
Gay,  kind  and  airy  sweet.  [Song.]  S^mg 
by  Mrs.  Lindse  in  the  Opera  call'd  Love's 
Triumph.     ILondo^ii,  1708.]     s.  sh.  fol. 

G.  305.  (155.) 
[Another  copy.]  H.  1601.  (169.) 

[Another  copy.]  I.  600.  (58.) 

Kindly  thus  my  Treasure.  A  Fauorite 
Song  in  the  Opera  call'd  the  Tryumphs  of 
Love.     [London,  1708.]     s.  sJi.  fol. 

H.  1601.  (263.) 

LOVELIEST.  Loveliest  Charmer.  A 
Song  by  Mr.  Bob''  Brereto7i  being  an  Invi- 
tation to  a  Lady  in  y"  Spring.  [London, 
1740  ?]     s.  sh.  fol.  G.  316.  e.  (63.) 

LOVELY.  Lovely  beauty,  close  those 
eyes.  Song.  Sec  Haendel  (G.  F.)  [The 
Triiimph  of  Time  and  Truth.] 

Lovely  Bett.     [Song.]     See  Crome  (R.) 

The  Lovely  Cselia.     Song. 

See  DiEUPART  (C.) 

Lovely  Charmer,  dearest  Creature.     Song. 

See  PuRCELL  (D.)     [The  Island  Pririccss.] 

The    Lovely     Charmer.      Song    [begins: 

'  Wilt  thou  ever  '].     See  Vanbrughe  (G.) 

Lovely  cruel  charming  fair.  A  Neio  Song 
after  the  Italian  Manner.  [London, 

1715  ?]     s.  sh.  fol.  H.  1601.  (282.) 

Lovely  Delia.    [Song.]    See  Dale  (Joseph) 
Lovely  Goddess,  sprightly  May.     Song. 
See  Barnes  (J.) 

Lovely  Harriote.     A  Crambo  Song. 
See  Burney  (C.) 

A  lovely  Lass  to  a  Fryar  came.  TJie 
Fryar  and  the  Nnn.  [Song.]  [London, 
1710  ?]     s.  sh.  fol.  H.  1601.  (26.) 

[Another  edition.]  A  lovely  Lass  to  a 
Fryar  came,  c?c.  [London,  1715?]  s.  sJi.  fol. 

G.  305.  (31.) 


LOVELY.  A  Lovely  Lass  to  a  Fryar 
came,  etc.     [Another  copy.] 

G.  306.  (56.) 
Lovely  Mira.     [Song.]     See  Day  (J.  K.) 
Lovely  Nan.      [Song.]     See   Dibdin  (C.) 
[Great  Neios.] 

Lovely  Nancy  with  Variations  for  the 
Harpsicord.  Printed  for 

Longman,  Lukey  d  Brodcrip :  London, 
[1778  ?]     s.  sh.  fol.  g.  272.  p.  (8.) 

Lovely  Nancy,  with  Variations.    Sec  How. 
How  can  you  lovely  Nancv. 
[1760?]    s.  sh.  fol.      H.  i994.  a.  ( 172.) 
Lovely    Nymph,    asswage    my    anguish. 
Song.     See  Midas. 

Lovely     Peggy.       [Song.]       See    Once. 
Once  more  I'll  tune  the  Vocal  shell. 
[1750?]     s.sh.ioX.  1.530.(124.) 

Lovely  Peggy.  [Song.]  See  To.  To  you, 
fair  Nymph  I  tune  the  Lyre.   [1780  ?]   fol. 

G.  312.  (200.) 
Lovely  Polly.     [Song.]     See  Hayes  (P.) 
Lovely  Ruler  of  my  Heart.     Song. 
Sec  Carey  (H.)     [The  Contrivances.] 
Lovely  Sally.   Ballad.   See  Legoux  (L.  R.) 

Lovely  seems   the    Moon's    fair    Lustre. 

[Song.]     See  Adams  (J.  B.)     A  New  Air, 

etc.    No.  4. 

The  Lovely  Spring.     [Song.] 

See  BoRGHi  (L.) 

Lovely  Susan.    Canzonet.    See  Lanza  (G.) 

LOVER.  The  Lover.  [Song,  begins: 
'  Long  by  some  fair  one.']  See  Dibdin  (C.) 
[King  and  Queen.] 

The  Lover.     [Song,  begins  :  '  If  love  be  a 
fault.']     See  Howard  (S.) 
The  Lover.     Canzonet  [begins :    '  In  vain 
the  wary  lover  tries  '].  See  Mozart  (W.  A.) 
[Das  Traumbild.] 

The  Lover  and  the  Friend.  A  New  Song. 
[Words  by  E.  Moore,  music  by  J.  Worgan.] 
See  Chloe.  Chloe,  or  the  Musical  Maga- 
zine, etc.  No.  90.  [1760  ?]  fol.  G.  433. 
The  Lover  and  the  Friend.  Song. 
Sec  Worgan  (J.) 

The  Lover  for  the  Favour  presses.  [Song.] 
See  Myrtillo. 

The  Lover  of  Liberty.     [Song.] 
See  Howard  (S.) 

The  Lover  with  Reason.     [Song.] 
See  Ramondon  (L.) 

The   Lover's  Absence.     Song.     See  Had. 
Had  I  but  the  wings  of  a  dove,  etc. 
[1749.]     8°.  157.  1.  11. 

The  Lover's  Address.  [Song.]  Sec  Char- 
mer. Charmer  permit  me  to  make  a 
Surrender,  etc.     [1730?]     s.  sli.  fol. 

G.  307.  (47.) 
The     Lover's    Address.      Song     [begins : 
'  Beloved,  each  anxious  fear  ']. 
See  Essex  (M.)     Select  Songs.    No.  6. 


LOVER— LOYAL 


69 


LOVER.  The  Lover's  Catechism.  Song. 
See  Hook  (J.) 

The  Lover's  Complaint,  a  New  Song,  etc. 
[Begins :  '  Cruel  Amynta,  can  you  see.'] 
See  Chloe.  Chloe,  or  the  Musical  Maga- 
zine, e^c.  No.  85.  [1760?]  fol.  G.  433. 
The  Lover's  Complaint.  [Song.]  Sec  Hark. 
Hark  !  the  Trumpets  sounds  to  Arms. 
[1720  ?]    s.  sh.  fol.  G.  305.  (267.) 

The  Lover's  Complaint.  [Song.]  Sec  When. 
When  I  to  Sleep  address  my  Mind,  etc. 
[1738.]     8^  249.  c.  8. 

The  Lover's  Complaint.     [Song.] 
Sec    While.       While     pensive    on    the 
Lonely  plain.     [1760  ?]     s.  sh.  fol. 

G.  316.  (158.) 
The  Lover's  Declaration.     [Song.] 
Sec  Olive  (J.) 

The  Lover's  fatal  Jom'iiey.     Ballad. 
See  Sanderson  (-J.) 

The   Lover's  Litany.      [Song.]      See  By. 
By  that  Mole  on  thy  Bosom. 
[1740?]     s.  s7i.  fol.  G.  316.  d.  (60.) 

The  Lover's  Petition.     [Song.] 
See  Arne  (T.  A.) 

The  Lover's  Prayer.  [Song.]  See  Gentle. 

Gentle  Cupid,  ever  roving. 

[1750?]     s.sk.iol.  G.  308.  (21.) 

The  Lover's  Prayer.     [Song.]     See  0.     O 

my  fairest  you're  my  Dearest. 

[1730  ?J     s.  sh.  fol.  G.  310.  (255.) 

The  Lover's  Progress.     [Song.] 

See  Stanley  (J.) 

The  Lover's  Resolution.     [Song.] 

See  A.,  J. 

The  Lover's  Treasure.     [Song.] 
See  HOLDEN  (F.) 

The  Lover's  Wish.     Song.     See  Ye.     Ye 
ruling  Pow'rs,  etc.     [1765.]     8°. 

P.P.  5438.  z. 

LOVER    HIS    OWN    RIVAL.      The 

Lover   his  own   Rival.     A  Ballad   Opera. 
As  it  is  Perform'd  at  the  New  Theatre  in 
Goodman's-Pields.     By  Mr.  Langford. 
Printed  for  J.  Watts  :  London,  1736.     8". 

11775.  e.  2.  (1.) 
The  Lover  his  own  Rival.  A  Ballad 
Opera,  etc.  Printed  for  J.  Watts  : 

London,  1753.     8».  162.  i.  41. 

LOVER'S  OPERA.  The  Lover's  Opera 
...[Written]  By  Mr.  Chetwood. .  .The 
Third  Edition,  with... the  Musick  pre- 
fix'd  to  each  Song.  Printed  for  J.  Watts  : 
London,  1730.     8".  841.  d.  17.  (2.) 

[Another  copy.]  82.  e.  36. 

LOVERS.  The  Lovers'  Quarrel.  Dialogue. 
See  Hook  (J.) 

The  Lovers'  Toast.     Part  Song. 
See  Stevenson  (J.  A.) 


LOVERS.  Lovers,  who  listen  to  Reason's 
persuasion.  Song.  See  Storage  (S.) 
[Tim  Pirates.'] 

LOVESICK.     Lovesick  Jockey.     Song. 
See  Croft  (W.) 

The  Love-Sick  Soldier.     [Ballad.] 

See  Why.      Why   did  the  God  of   Love 

wound  a  Commander,  etc. 

[1693  ?]    s.  sh.  fol.     Case  39.  k.  6.  (45.) 

LOW.     Low  down  in  the  Broom.     Song. 
See  My.     My  Daddy  is  a  canker'd  Carle, 
etc.     [1760.J     8".  158.  1.  5. 

Low  down  in  the  broom.     [Song.] 
See  My.     My  Daddy  is  a  cross  old  man. 
[1770?]    fol.  I.  530.  (104.) 

Low  in  a  Vale  young  Willy  sat.     Song. 
See  Light  (E.) 

LOW  (Thomas)  See  Banister  (J.)  and 
Low  (T.)  New  Ayres  and  Dialogues... 
Together  with  Lessons  for  Viols  or  Violins, 
etc.     1678.     8".  K.  2.  a.  6. 

LOWE  (Edward)     Sec  L.,  E. 

LOWENSTERN  (^^Iatthaeus  Apelles 
von)     Sec  Loewenstern. 

LOWLAND.     Lowland  Cot.    Song. 
See  Offley  (H.  P.) 

The  Lawland  Lads  think  they  are  fine. 
The  Highland  Laddie.  [Song,  by  IM. 
Arne.]    \_London,  1750.]     8^ 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  VII.,  p.  25. 

The  Lawland  lads  think  they  are  fine. 
The  Highland  Laddie.  [Song.]  Written 
...by  Allan  Ramsay,  and  now  sung  at 
Ranelagh  and  all  the  other  Gardens,  etc. 
[By  M.  Arne.]     [London,  1750.]     8^ 

249.  c.  20. 
Gentleman's  Magazine,  Vol.  XX.,  p.  325. 

The  Lawland  Lads  think  they  are  fine. 
The  Highland  Laddie.  [Song,  by  M. 
Arne.]     [London,  1770?]     s.  sh.  fol. 

I.  530.  (86.) 

The  Lawland  maids  go  spruce  and  fine. 
The  Highland  Lassie.     A  New  Song. 
[London,  1751.]     8".  157.  1.  13. 

London  Magazine,  1751,  p.  468. 

[Another  setting.]  The  Lawland  Maids 
gang  trig  and  fine.  The  Highland  Lassie. 
[Song.]  Str[aight]  &  Sk[illern  : 

London,  1775  ?]     s.  sh.  fol. 

G.  312.  (180. 
Lowland  Willy.    Song.     See  Hook  (J.) 

LOYAL.     The  Loyal  Briton.     Song. 
See  Ling  (W.) 

The  Loyal  Cobler.     Comic  Song. 
See  Reeve  (W.) 


70 


LOYAL— LUCINI 


LOYAL.     The  Loyal  Health.     [Song.] 
Sec  Ye.     Ye  Monarchy  haters,  etc. 
1684.    fol.  11630.  ff.  2.  (9.) 

The  Loyal  Highland  Lass.     Song. 
Sec  To.     To  Hanover  from  Edinbro'. 
[1715?]     s.sh.  fol.  G.  312.  (92.) 

The  Loyal  London  IMilitary  Association. 
[Song.]     See  Olive  (J.) 
The   Loyal   Scot.     [Song.]      See  Bread. 
Bread  of   Geud!     I  think   the    Nation's 
mad,  etc.     [1682  ?]     s.  sh.  fol. 

Case  38.  i.  25.  (15.) 
The  Loyal  Sherifs  of  London  and  Middle- 
sex. [Song.]  See  Now.  Now  at  last  the 
Matter  is  dicided,  etc.     1682.     s.  sh.  fol. 

Case  38.  i.  25.  (14.) 
The  Loyal  Sherifs  of  Loudon  and  Middle- 
sex. Upon  their  Election,  etc.  [Ballad.] 
Sec  Now.  Now  at  last  the  Matter  is 
Dicided,  etc.     1682.     s.  sh.  fol. 

1872.  a.  1.  (44.) 

The  Loyal  Swain:  or.  The  Happy  Pair. 
[Ballad.]  Sec  Ianthe.  lanthe  the  Lovely, 
etc.    [1705?]     s.sh.iol. 

Case  40.  m.  9.  (98.) 

The  Loyal  Tar.     [Song.] 
See  Cartee  (C.  T.) 
The  Loyal  Tars.     Song. 
Sec  Reeve  (W.)     [Don  Juan.] 
The  Loyal  Toasts.    [Song.]    Sec  Six.    Six 
Subjects  as  loyal.     [1760?]     s.sh.iol. 
^  G.  316.  e.  (131.) 

Loyal  Volunteers.     [Song.] 
See  Ball  (S.) 

LOYALIST.     The  Loyalist.     [Song.] 
Sec  When.     When  Britain  first  her  fair 
domain.     [1795?]     fol.     G.  385.  c.  (15.) 

LOYALTY.     Loyalty.     Song. 

Sec  Bleavitt  (J.)  [Fashionable  Ballenj.] 
Loyalty  Triumphant,  or  Phanaticism 
Display'd.  [Song.]  See  Ye.  Ye  Mon- 
archy haters,  etc.     1684.    fol. 

11630.  if.  2.  (9.) 

LUBIN.     Lubiu's  Return.     Ballad. 
See  Williamson  (T.  G.) 

LUCARIUS.  (Joannes  Jacobus)  D. 
loannis  lacobi  Lucarii  Conceutuura  qui 
uulgo  Motetta  nuncupantur.  Liber  Primus 
Quatuor  Vocum.     Tenor. 

Ajmcl  Antonium  Gardane  :  Venetijs, 
1547.     obi.  4".  K.  3.  c.  3. 

The  last  two  motets  are  headed  '  Tomasi 
cimclli'  and  '  Alchali  sepinatis.' 

LUCAS.     Lucas,  ayant   le   coeur  joyeux. 
[Song.]     Sec  R.,  M>\ 
Lucas,  du  Cabaret  sortant.     Air. 
See  BouvARD  (F.) 

Lucas  pret  [sic]  de  mourir.    [Song.]   Eecit 
de  Basse.     [Paris,']  1745.    s.  sh.  4°. 

297.  e.  2. 
Mercicre  de  France,  July,  1745. 


LUCAS,  of  Mechlin,  a  Caimchin.  See 
Hymns.  [Dutch.]  Den  Boeck  der  ghee- 
stelijcke  Sanghen  bedeelt  in  twee  deelen. 
Den  Blijdcn  Requiem  eude  Geluckighe 
Uyt-vaert  van  een  Salighe  Side... Door 
cenen  Religieus  van  d'  Oorden  van  Sinte 
Francois  [i.e.  Lucas  of  Mechlin],  etc. 
1631.     8".  A.  567. 

LUCETTE.      Lucctte    avoit   dcja   quinze 
ans.    L'Hciireuse  Di^couvcrte.    [Song,  writ- 
ten] Par  M'  Letang  de  Margeanville. 
[Paris,  1780?]     8".        B.  362.  b.  (171.) 

LUCETTE    ET    LUCAS.      Lucette   et 
Lucas.     Comedie. 
See  Z.,  D.,  Mademoiselle. 

LUCILE.  Lucile,  Comedie  en  un  Acte, 
meslee  d'Ariettes,  etc.  [Words  by  J.  F. 
Marmontel,  music  by  A.  E.  M.  Gretry.] 
Chez  Merlin  :  Paris,  1769.     8". 

164.  f.  61. 

This  edition  only  contains  the  voice-parts 

of  the  Finale. 

Lucile,   Comedie  en  un  Acte,  etc.     1774. 

See  Recueil.    Recueil  general  des  Opera 

Bouffons,  etc.    Tom.  ?>.    1777.     8". 

11735.  b.  2. 

Ariettes  de  Lucile  [by  A.  E.  M.  Gretry]. 
[Paris,  1780?]     S\  B.  362.  h.  (34.) 

Chantons  deux  epoux.     Ronde  de  Lucile 
[by  A.  E.  M.  Gretry]. 
[Paris,]  1773.     s.  sh.  8".  298.  e.  23. 

Mcrcurc  de  France,  August,  1773. 
Ou  pent    on    etre    mieux.      Quatuor    de 
Lucile  [by  A.  E.  U.  Gretry]. 
[Paris,  1780?]     8".  B.  362.  (39.) 

Qu'il  est  doux  de  dire  en  aimant.  Air 
chante  dans  Lucile  [by  A.  E.  IM.  Gretry]. 
Recoquilliic  :  [Paris,]  1769.    s.  sh.  8". 

297.  e.  24. 

Mercure  de  France,  May,  1769. 
Lucile.    Comedie. 
See  Gbetry  (A.  E.  M.) 

LUCINDA.     Luciuda.     Song. 
See  Bryan  (J.) 

Lucinda  by  a  secret  art.     Song. 
See  Strollgbr  (J.) 
Lucinda  is  bewitching  fair.     Song. 
See  PURCELL  (H.)     [Abdelazor.] 
Lucinda  is  quite  forgotten  now.     Song. 

See  COTTERELL  (J.) 

Lucinda  Mira.    Song.     Sec  Graves  (J.) 

Lucinda's    Name   with   sweetest    Sound. 

[Song.]     See  Howard  (S.) 

Lucinda's    Wish.      [Song.]       Sec    Come. 

Come,  Strephon,  come,  etc. 

[1710?]    s.sh.iol.  H.  1601.  (108.) 

LUCINI  (Francesco)  See  Gemme.  Le 
Gemme,  IMadrigali  a  Cinque,  etc.  [With 
a  dedication  by  P.  Lucini.]     1590.    4°. 

C.  215. 


LUCIO— LULLI 


71 


LUCIO  VERO.  The  Favourite  Songs 
in  the  Opera  call'd  Lucius  Verus.  [Words 
by  Apostolo  Zeno,  music  by  Attilio 
Ariosti.]  Printed  for  I.  Walsh  and 

Joseph  Hare  :  London,  [1727.]     fol. 

G.  206.  c.  (3.) 
Lucius  Yerus.     Opera. 
See  Haendel  (G.  F.) 

Lucio  Vero.     Opera. 
See  Sacchini  (A.  M.  G.) 

LUCIUS  VERUS.     See  Lucio  Veeo. 

LUCKLESS.     Luckless  Love.     [Soug.] 

Sec  CORFE  (J.) 

The  Luckless  Lover.     Song. 
Sec  Abikgton  (L.) 

LUCKY.     The  Lucky  Escape.     [Song.] 
Sec  DiBDiN  (C.)     [Private  Theatricals.] 

LUCRETIA.     Lucretia.     [Song.] 
See  Betts  (E.) 

LUCY.     Lucy.     A  New  Song. 

Sec  Fields.     The  Fields  are  green,  etc. 
[1761.]     8°.  P.P.  5441. 

Lucy.     Song.     See  Fields.     The  iields 
are  green,  etc.     [1761.]    8°.      P.P.  5140. 

Lucy  and   Collin.     [Song.]     See  Of.     Of 
Linster  fam'd  for  Maidens  fair,  etc. 
[1735  ?]     s.  sh.  fol.         G.  316.  e.  (104.) 

Lucy,  or  Fixt  Air.     Cantata. 
See  BuBLETTi  (    ),pset(d. 

LUCY  GRAY.  Lucy  Gray  of  Allendale. 
Song.     See  Hook  (J.) 

LUD.     Lud  don't  you  keep  teaziug  me  so. 

[Song.]     See  When.     When  Strephon  the 

rover,  e/c.     [1780?]     s.  sh.  fol. 

G.  313.  (191.) 
LUDUS  DIANAE.     See  Diana. 

LUDUS  MELOTHEDICUS.  Ludus 
Melothedicus,  ou  Le  Jeu  de  Dez  Har- 
monique,  Contenant  plusieurs  Calculs 
par  lesquels  toute  personne  composera 
diiiereuts  Meuuets  avec  raccompagnem' 
de  Basse  en  jouant  avec  deux  Dez  meme 
sans  s(,'avoir  la  Musique,  etc.  Grave  par 
J.  P.  Oger.  Chez  HP  de  la  Chevardicre  : 
Paris,  [1760?]     fol.  f.  105. 

LUETGERT  (F.  H.)  See  Telemach  Peinz 
VON  Ithaca.  Euch  ihr  Herren  mit  stolzen 
Blicken.  Arie...fvirsCla\'ier...eiugerichtet 
von  F.  H.  Liltgert.     [1800  ?]     ohl.  fol. 

E.  1766.  c.  (4.) 

LUFF.  Luff,  thus,  Nonnear.  A  Sailor's 
Song,  set  for  the  Gennan  Flute.  [Loitdon, 
1750?]    s.  sh.  fol.  G.  316.  e.  (65.) 

LUIS  (David)  The  Youth's  Desire. 
[Song.]     [London,  1150?]     s.  sh.  io\. 

G.  316.  d.  (129.) 


LUKAS  UND  BAERBCHEN.     Lukas 
undBarbchen.     Operette. 
See  Benda  (G.) 

LUKEWARM.  The  Lukewarm  Lover. 
[Song.]  See  Whilst.  Whilst  I  gaze  on 
Chloe  trembling.     [1750?]     s.  sh.  iol. 

G.  316.  a.  (56.) 

LULLI  (Giovanni  Battista)     [Achille  et 

Polixene.     Act    i.]     .See     Colasse     (P.) 

Achille  .   .  .  le     premier    Acte    par    feu 

M"  J.  B.  de  Lully,  etc.     1687.     fol. 

L  316. 
Acis  et  Galatee,  Pastorale  Heroique,  etc. 
[Words  by  J.  G.  de  Campistron.  Full 
Score.]     C.  Ballard :  Paris,  1686.    fol. 

L  306.  1. 

Ouverture,   Passacaille   &    Tous   les 

autres  Airs  a  jouer  de  I'Opera  d'Acis  & 
Galat6e,  etc.     [String  Parts.] 

Aiix  depens  d'E.  Roger :  Amsterdam, 
[1700  ?]    obi.  4».  a.  148.  (5.) 

Alceste.  Trag^die  [written  by  P.  Quiu- 
ault]  . .  .  Premiere  Edition.  Grange  par 
H.  de  Baussen.     Paris,  1708.     fol. 

I.  306.  c. 

Ouverture  &  Tous  les  autres  Airs  a 

jouer  de  I'Opera  d' Alceste,  etc.  [String 
Parts.]  Azcx  depens  d'E.  Roger : 

Amsterdam,  [1715  ?]      obi.  4". 

a.  148.  (10.) 
Amadis.  Tragc^die,  etc.  [Written  by 
P.  Quinault.  Full  Score.]  C.  Ballard  : 
Paris,  1684.     fol.        ^  I.  303.  a. 

Amadis  . . .  Nouvelle  Edition.    OEuvre  xiv. 
De  V Imprimerie  de  J.  B.  C.  Ballard  : 
Paris,  1725.     fol.  I.  303. 

Ouverture  avec  tous  les  Airs  a  jouer 

de  rOp6ra  d' Amadis,  etc.     [String  Parts.] 

CJiez  E.  Roger  :  Amsterdam, 
[1720  ?]    oU.  4°.  a.  148.  (2.) 

Armide.     Tragedie,    etc.     [Words    by    P. 

Quinault.     Full  Score.] 

Christophe  Ballard :  Paris,  1686.     fol. 

I.  306.  g. 
Armide.  Seconde  Edition.  Grav^e  par 
H.  de  Baus§en.    Paris,  1710.    fol. 

I.  305.  a. 

Armide  ...  Nouvelle  Edition,    ffiuvre  xviii. 

De  I'hnprimerie  de  J.  B.  C.  Ballard : 

Paris,  1725.     fol.  I.  305. 

Ouverture,    Chaconne    &    Tous    les 

autres  Airs  a  jouer  de  I'Opera  d' Armide, 
etc.     [String  Parts.] 

Aux  depens  d'E,  Roger :  Amsterdam, 
[1710?]    obl.i".  a.  148.  (6.) 

Atys.  Trag^die . . .  [written  by  P.  Quinault.] 
Grauee  par  H.  de  Baussen.  Seconde 
Edition.     Paris,  1708.     fol.  H.  500. 

Ouverture.      Avec    tous   les   airs    a 

jouer  de  I'Opera  d'Atis,  etc.  [String 
Parts.]  Chez  E.  Roger :  Amsterdam, 

[1720?]    oU.  4°.     •  a.  148.  (11.) 


72 


LULLI 


IiULLI  (Giovanni  Battista)  Bell^ro- 
phon.  Tragedie,  etc.  [Words  by  T.  Cor- 
neille,  Fontenelle  and  Boileau.  Full 
Score.]  C.  Ballard : 

Paris,  1679.     fol.  I.  306.  f. 

Bellerophon. .  .Seconde  Edition.         Chez 
C.  Ballard :  Paris,  1714.     fol.        I.  306. 

Ouverture  avec  tons  les  Airs  a  jouer 


de  rOp6ra  de  Bellerophon,  etc.  [String 
Parts.]  Chez  E.  Roger  :  Amsterdam, 

[1720?]     ohl.  4".  a.  148.  (7.) 

[Cadmus  et  Hermione.]  Ouverture  avec 
tous  les  airs  a  jouer  de  I'Opera  de  Cadmus, 
etc.     [String  Parts.]  Chez  E.  Bogcr  : 

Amsterdam,  [1720?]     obi.  4".  a.  148.  (8.) 

L'Eglogue  de  Versailles. 

See  infra ;  Idylle  sur  la  Paix,  etc. 

Idylle  sur  la  Paix  [words  by  J.  Racine], 
avec  I'Eglogue   de   Versailles   [words   by 
P.    Quinault],    et    plusieurs     Pieces    de 
Symphonic,  etc.     [Full  Score.] 
C.  Ballard  :  Paris,  1685.    fol.    I.  306.  a. 

Isis.  Tragedie.  [Words  by  P.  Quinault. 
Full  Score.]  [C.  Ballard  : 

Paris,  1677.]     fol.  I.  306.  e. 

Wa7iting  the  title-page. 

Ouverture.      Avec   tous   les   Airs    a 

jouer  de  I'Op^ra  d'Isis,  etc.  [String 
Parts.]  Chez  E.  Roger  :  Amsterdam, 

[1720  ?]    obi.  i".  a.  148.  (4.) 

Lessons  for  the  Harpsichord  or  Spinet, 
viz'  Almands,  Corants,  Sarabands,  Airs, 
Minuets  &  Jiggs.  D.  Wright :  London, 
[1700?]    obi.  fol.  e.  132. 

The  Old  Cebell.  See  Lard.  Lard,  how 
men  can  Claret  drink.  A  Dialogue  ...  to 
the  Tune  of  the  old  Cebell  [attributed  to 
G.  B.  Lulli],  c/c.     [1707?]     s.  sh.  iol. 

G.  305.  (208.) 

The  Old  Cebell.  See  Pray.  Pray  now 
John  let  Jug  prevail.  A  Dialogue  ...  to 
the  Famous  Old  Cebell  [attributed  to  G.  B. 
Lulli].     [1710?]     s.sh.tol. 

H.  1601.  (372.) 
Pers^e,  Tragedie,  etc.  [Written  by  P. 
Quinault.     Full  Score.]  C.  Ballard: 

Paris,  1632.     fol.  I.  302. 

Ouverture  avec  tous  les  airs  a  jouer 

de  rOpera  de  Pers^e,  etc.      [String  Parts.] 

Chez  E.  Roger  :  Amstcrda-)n, 
[1720  ?]     obi.  4°.  a.  148.  (12.) 

Phaeton,  Tragedie,  etc.  [Written  by  P. 
Quinault.     Full  Score.]  C.  Ballard  : 

Paris,  1683.     fol.  I.  306.  k. 

Ouverture.  Avec  tous  les  Airs  a  jouer 

de  rOpera  de  Phaeton,  etc.  [String 
Parts.]  Ches  E.  Roger  :  Amsterdam, 

[1720?]     obi.  4".  a.  148.  (9.) 

Proserpine,  Tragedie,  etc.  [Written  by 
P.  Quinault.  Full  Score.]  C.  Ballard  : 
Paris,  1680.     fol.  H.  500.  c. 


LULLI  (Giovanni  Battista)  Proserpine, 
Tragedie,  etc.  Ouverture  avec  tous  les 
airs  a  jouer  de  I'Op^ra  de  Proserpine, 
etc.     [String  Parts.]  Chez  E.  Roger  : 

Amsterdam,  [1720  ?]     obi.  4". 

a.  148.  (13.) 

[Psyche.]  Ouverture.  Avec  tous  les  Airs 
a  jouer  du  Ballet  de  Psich6,  etc.  [String 
Parts.]  Chez  E.  Roger  :  Amsterdam, 

[1720?]     obi.  4».  a.  148.  (3.) 

Roland,  Tragedie,  etc.  [Written  by  P. 
Quinault.     Full  Score.]  C.  Ballard  : 

Paris,  1685.     fol.  I.  301. 

Roland  .  ,  .  Gravee  par  H.  de  Baussen. 
Seconde  Edition.     Paris,  1709.     fol. 

I.  306.  i. 

Witlt,  the  arms  of  Prince  Maximilian 
Joseph  of  Bavaria  on  the  covers. 

Ouverture.     Avec   tous    les    Airs    a 

jouer  de  I'Op^ra  de  Roland,  etc.  [String 
Parts.]  Chez  E.  Roger  :  Amsterdam, 

[1720  ?]     obi.  4°.  a.  148.  (1.) 

Ballet  du  Temple  de  la  Paix,  etc.  [Written 
by  P.  Quinault.  Full  Score.]  C.  Ballard  : 
Paris,  1685.     fol.  I.  306.  d. 

-  Ouverture  avec  tous  les  airs  a  jouer 
rOpera   du   Temple  de   la   Paix,   etc. 


de 

[String  Parts.] 
Amsterdam,  [1720  ?] 


Chez  E.  Roger : 
obi.  4". 

a.  148.  (14.) 


Thes6e.       Tragedie,   etc. 
Quinault.     Full  Score.] 
Paris,  1688.     fol. 


[Words   by   P. 

C.  Ballard : 

I.  306.  h. 


Thesee  .  .  .  Seconde  Edition.     CEuvre  iv. 

De  VTmprimerie  de  J.  B.  C.  Ballard  : 

Paris,  1720.     fol.  I.  304. 

Les  Trio  des  Op6ra  de  Monsieur  de  Lully, 
mis  en  ordre  pour  les  concerts.  Propres 
a  chanter,  &  a  jouer  sur  la  Flute,  le  Violon, 
&  autres  Instruments.  Premier  Dessus. 
(Basse.)  [Arranged,  with  a  preface,  by 
A.  Le  Chevallier.]  4  pts.  P.  &  J.  Blaeu : 
Amsterdavi,  1690  (1691).     obi.  4". 

C.  404.  (1.) 

Les  Trio  des  Opera  de  Monsieur  de  Lully, 
mis  en  ordre  pour  les  concerts.  Propres 
a  chanter,  &  a  jouer  sur  la  Flute,  le 
Violon,  &  autres  Instruments.  (Second 
Dessus.)     2  pts.  Chez  C.  Ballard  : 

Paris,  [1690  ?]     obi.  i\  C.  404.  a. 

Le  Triomphe  de  I'Amour,  Ballet  Royal 
[written  by  J.  de  Benserade  and  P. 
Quinault.     Full  Score].  C.  Ballard  : 

Paris,  1681.     fol.  K.  7.  i.  1. 

The  arms  and  monogram  of  the  composer 
are  on  the  binding. 

See  Anglebert  (J.  H.  d')  Pieces  de 
Clavecin  .  .  .  Diverses  Chaconnes,  Ouver- 
tures,  et  autres  Airs  de  Monsieur  de  Lully 
mis  sur  cet  lustrum',  etc.    [1689.]    obi.  fol. 

e.  382. 


LULLI— LUSTY 


73 


LULLI  (Giovanni  Battista) 

See  COLASSE  (P.)     Ballet  des  Saisons... 
Seconde   Edition  augment^e  de  toute   la 
Musique  de  feu   Monsieur  de  Lully  qui 
manquoit  dans  la  premiere. 
1700.     obi.  4".  C.  396.  a. 

LULLY  (Jean  Louis  de) 

See  Lully  (L.  de)  and  (J.  L.  de) 

LULLY  (Louis  de)  and  (Jean  Louis  de) 
Zephire  et  Flore.      Op^ra,  etc.     [Written 
by  M.  Duboulay.     Full  Score.] 
C.  Ballard  :  Paris,  1688.     fol.        I.  300. 

LULMAN  (Charles)  As  gentle  Strephon 
kept  his  Sheep.  A  Pastoral  Sonnet,  by  a 
Gentleman  of  Norwich,  etc.  [London, 

1720?]     s.sh.  fol.  H.  1601.  (10.) 

[Another  edition.]      As   gentle   Strephon 
kept  his  sheep.     A  Pastoral  Sonnet,  etc. 
T.  Cross  :  [London  ?  1725  ?]     s.  sh.  fol. 

G.  316.  h.  (30.) 
Love  and  Beauty.     A  New  Song,  etc. 
[London,  1120?]     s.  sh.  io\. 

H.  1601.  (17.) 
[Another  copy.]  G.  305.  (157.) 

LULY  (Baptiste)     See  Lulli  (G.  B.) 

LULY  (Jean) 

See  LoEiLLET  (J.  B.)  of  Ghent. 

V  

LUMIERE.  La  Lumiere  la  plus  pure. 
LaLumi^re.     [Song.l  W.  Forster : 

[London,  ll'^O?]    s.s'h.lol.    0.310.(60.) 

LUNA  (  )  See  JIinuets.  Eighteen 
New  Spanish  Minuets. .  .Compos'd  by. . . 
Sig'  Luna,  etc.     [1760  ?]     obi.  4°. 

a.  25.  (1.) 

LUNATIC.     The  Lunatic.     [Song.] 
Sec  Holder  (J.  W.) 

LUNGI.  Lungi  dal  caro  bene.  Cavatina. 
See  Sarti  (G.)     [Giulio  Sabine] 

LUPACCHINO  DAL  VASTO  (Ber- 
nardino) Lupacchino  a  Cinque.  II  Primo 
Libro  di  Madrigali  a  Cinque  uoci  noua- 
meute  composto,  etc.     Bassus. 

A^yresso  dl  Antoiiio  Gardane  :   Venetia, 
1547.     obi.  4'.  K.  3.  e.  4. 

LUPACCHINO  DAL  VASTO  (Ber- 
nardino) and  TASSO  (Giovanni  Maria) 
Di  Bernardino  Lupachino,  et  di  loan 
Maria  Tasso.  II  Primo  Libro  a  due 
Voci.  Con  r  Aggiunta  di  alcuni  Canti  di 
diuersi  Autori.  Et  in  questa  vltima  im- 
pressioue  emendato  dal  Canonico  Florido 
de  Siluestris  da  Barbarano.  Canto. 
(Tenore.)     2  pts.  Per  Andrea  Fci,  ad 

i7istama  di  G.  D.  Franzini :    Bracciano, 
1642.     4".  D.  157. 

LUPI  (Gemignano  Capi)     See  Capilupi. 


LUPUS  (Joannes)  See  Morales  (C.)  and 
Lupus  (J.)  QuinqueMissarumHarmouia 
cum  Quinque  Yocibus  quarum  nomina 
subsequuntur . .  .loanuis  Luppi.  Surrexit 
Pastor  bonus.  Veni  sponsa  Christi,  etc. 
1565.     obi.  4".  A.  296.  b, 

LUSCINIUS  (Ottomarus) 
See  Nachtgall  (0.) 

LUSINGA.       Lusinga     del     mio     core. 

[Song.]     See  Idaspe. 

LUSINGHE.  Lusinghe  vezzo  si  di  speme. 
[Song.]     Sec  Arminio. 

LUSITANO  (ViNCENTio) 

Sec  Vicente,  Lusitano. 

LUSORIUM.     The   Lusorium ;    Being  a 
Collection    of  Convivial   Songs,  Lectures, 
&c.  . . .  with   Music,    Cuts,  &c.    &c.     The 
Second  Edition.     [By  W.  O'Brien.] 
C.  O'Brien  :  Stratford,  1783.     16". 

1079.  i.  8. 

LUSSE  (Charles  de)  Le  Chevalier  et  la 
Fille  du  Berger.  Romance  Ancienne. 
(Paroles  de  M.  D.  La  P****.)  [Paris,] 

1705.     s.  sh.  8".  298.  d.  30. 

Mercure  de  France,  Dec,  1765. 
Pour  nous  faire  un  destin  aimable.     Duo 
Bacchique,  etc.  [Words]  Par  M.  Laffichard. 
[Paris,]  1744.     s.  sh.  4°.  298.  b.  24. 

Mercure  de  France,  Feb.,  1744. 
Le  Tombeau  de  Laure,  ou  les  Regrets  de 
P^trarque,  Romance,  etc.  [Paris,] 

1765.     s.  sh.  8".  298.  d.  30. 

Mercure  de  France,  Nov.,  1765. 
See  also  L  *  *  (     de) 

LUSSY  (    )     See  Du  Lussy. 

LUSTIG  (Jacob  Wilhelm)     Inleidiug  tot 
de     Muziekkmide ;      Tweede     Druk :     in 
bevalliger  vormen  gegooten,  etc. 
By  Hindrik  Vcchnerns,  voor  den  Auteur : 
[Groningen,]  1771.     8".  1042.  i.  17. 

Muzykaale  Spraakkonst ;  of  Duidelyke 
Aanwyzing  en  Verkl.iariug  van  allerhande 
weetenswaardige  dingen,  die  in  de  geheele 
Muzykaale  Practyk  tot  eenen  grondslag 
konnen  verstrekken,  etc.  A.  Olofsen  : 

Amstcldam,  1754.     8°.  7897.  f.  12. 

See  Mahaut  (A.)  Maendelyks  IMusikaels 
Tydverdryf ,  etc.  (Verfolg  van  bet  IMusikaels 
Tydverdryf,  bestaande  in  Drie  Stukjes  . . . 
in  't  Muzvk  gebragt .  . .  door  J.  W.  Lustig, 
etc.)     (1751-2.)     4".  F.  653, 

See  Werckmeister  (A.)  Orgel-Proef,  . . . 
uit  het  Hoogduitsche  vertaald  .  .  .  door 
J.  W.  Lustig,  etc.     [1755.]     12". 

7899.  aa.  7. 

LUSTIGE  SCHUSTER.      Der   Lustige 
Schuster.     Comische  Oper. 
See  HiLLER  (J.  A.) 

LUSTY.  The  Lusty  Young  Blacksmith. 
[Song.]     See  Leveridge  (R.) 


74 


LUTE— LUTHER 


LUTE.     The  Lute  of  Lisette. 
See  Bryan  (M.  A.) 


Canzonet. 


LUTHER  (John  Christian)  A  Set  of 
Easy  Familiar  Introductory  Lessons,  cal- 
culated for  the  use  of  Young  Performers 
on  the  Harpsichord  or  Piano  Forte. 

Printed  for  the  Author:  London, 
[1780  ?]    oU.  fol.  e.  284.  a.  (9.) 

A  Favourite  Set  of  Easy  and  Familiar 
Songs  .  .  .  The  Words  chiefly  written  by 
T.  S.  Dupuis.  Sold  by  the  Author  : 

London,  [1785?]    fol.      H.  2818.  d.  (6.) 

Eight  Sonatas  for  the  Harpsicord  or 
Piano  Forte,  etc.  Printed  for  the  Author  : 
London,  [1780  ?]     ohl.  fol.        e.  5.  f.  (7.) 

Two  Sonatas  for  the  Harpsichord  or 
Piano-Forte,  etc.  G.  Smart,  fm-  the 

Author  :  London,  [1785  ?]     oU.  fol. 

e.  217.  f.  (3.) 

Eight  Easy  and  Familiar  Songs  . . .  The 
words  chiefly  written  by  T.  S.  Dupuis. 
[1800.]  See  Periodical  Publications. — 
London.  The  Piano-Forte  Magazine. 
Vol.  XIII.     [No.  1.]     [1797-1802.]     8°. 

D.  854. 
See  Bach  (J.  C.)— 3.  b.  Quartets.— Four 
Sonatas  . . .  adapted  for  the  Harpsichord 
. . .  with  Accompaniment  for  a  Violin,  by 
J.  C.  Luther.     [1785  ?]     fol.      h.  60.  (2.) 

LUTHER  (Martin)     Deudsche  Messe  vnd 
ordnung  Gottis  diensts.     Wittemberg. 
{Michael  Lotter  .•]  Witte7nberg,  1526.     4°. 

K.  8.  c.  10. 

24  leaves ;  sig.  A-F,  loitliozit pagination. 

[Another  edition.]  Deutsche  Messe  vnd 
Ordnug  Gotes  diensts,  zu  Wittemberg, 
fiirgeuomen.     1526.     [1526?]     4°. 

K.  8.  e.  13. 

25  leaves,  sig.  A-G.  This  is  probably  a 
South  German  reprint. 

[Another  edition.]  Deudsche  Messe  vnd 
ordnung  Gottes  diensts,  zu  Wittemberg, 
fiirgenomen.     [Wittemberg  7']     1526.     4°. 

Gren.  11895. 

26  leaves ;  sig.  A-E  in  fours,  F  in  two, 
G  in  four,  ivithoxit  pagination.  The 
last  leaf  is  blank. 

[Another  edition.]  Deudsche  Messe  vnd 
Ordnunge  Gottes  diensts.     Wittemberg. 

Wolfgang  Meyerpeck :  Zwickaw, 
[1526?]    4°.  K.  8.  e.  11. 

24  leaves,  sig.  A-F,  xvithoxU  pagination. 

[Another  edition.]     Deudsche  Messe  vnd 
ordnunge  Gottis  diensts.     Wittemberg. 
{Wittemberg  7  lb2&'>^     4°.       K.  8.  e.  12. 
20  leaves  ;  sig.  A-E,  ivithout  pagination, 

Geistliche  Lieder  zu  Wittemberg,  etc. 
[With  a  preface  by  M.  Luther.]  1543.  8°. 
See  Hymns.     [Germaji.]  1220.  b.  2. 


LUTHER  (Martin)  Geystliche  Lieder. 
Mit  eiuer  newen  vorrhede,  D.  Mart.  Luth., 
etc.  (Psalmen  vnd  Geistliche  lieder, 
welche  von  fromcn  Christen  gemacht  vnd 
zusamen  gelesen  sind.)  2  pts.  Valentin 
Babst :  Leipzig,  1545.  8°.  3437.  e.  51. 
Wanting  sig.  E  1  of  Part  I. 

Enchiridion  Geistlicher  Lieder  vnd 
Psalmen,  durch  D.  Mart.  Luth.  vnd 
andere  frome  Christen,  auffs  newzugericht. 
J.  Eichorn :  Franckfiirt  an  der  Oder, 
1556.     8°.  3425.  e.  20.  (1.) 

Geystliche  Lieder.  Mit  einer  newen 
Vorrede  D.  Mart.  Luth.,  etc.  (Psalmen 
vnnd  Geistliche  Lieder,  welche  von  from- 
men  Christen  gemacht  vnd  zusamen 
gelesen  sind.  Auffs  newe  vbersehen, 
gebessert  vnd  gemehret.)  2  pts. 
Valentin  Bapst :  Leipzig ,  1557 .     8". 

1221.  b.  32. 
Geystliche  Lieder.  Mit  einer  newen 
Vorrede  D.  Mart.  Luther,  etc.  (Psalmen 
vnnd  Geystliche  Lieder  .  .  .  AuSs  newe 
vbersehen,  gebessert  vnd  gemehret.)  2  pts. 
Gedruckt  .  .  .  durch  Gabrielem  Heyn : 
Niinnberg,  1558.     8".  1221.  b.  33. 

Geystliche  Lieder  D.  Martin  Luthers,  von 
newem  zugericht,  mit  vil  schonen  Psalmen 
vnd  Liedern  gemehret,  etc.  Valentin 

Neivber:  Niirnberg,  1510.    8". 

1221.  b.  52. 

Gesangbiichlin  von  Psalmen,  Kirchenge- 
sangeu,  vnd  Gaistlichen  Lidern.  D.  Mar. 
Luthers.  Auch  viler  anderer  Gotseligen 
Leut :  ...  inn  ain  bekomlich  Handbiich- 
lin  zusamen  geordnet,  vnd  aufs  neu  vber- 
sehen vnd  gemehret.  [Compiled  by 
I.  P.  G.  M.,  i.e.  Johann  Fischart  genannt 
Mentzer.]  Bci  Bernhart  Jobin  : 

Strasburg,  1576.  8°.  Case  25.  b.  29. 
Neu-eingerichtetes  Gesang-Buch,  Herrn 
D.  Martini  Lutheri,  und  Anderer  .  .  . 
Christen  Gebrauchlicher  Kirchen-Lieder, 
mit  ihren  Melodeien,  unter  Discant  unci 
Basso.  See  Psalms.  —  German.  Geis- 
treiches  Gesang-Buch,  an  D.  Coruelij 
Beckers  Psalmen,  etc.     1676.     4". 

3425.  m.  18. 

Gesangbuch :  Christlichen  Psalmen,  vnd 
Kirchen  Lieder,  D.  Martini  Lutheri,  vnd 
anderer  frommen  Christen,  etc.  (Der 
Ander  Theil :  Die  Gebreuchlichsten  .  .  . 
Gesenge,  D.  Mart.  Luth.  vnd  anderer 
frommen  Christen,  etc.)  2  pts. 
1594  (1593).     4°.     Sec  Fritzsch  (M.) 

3435.  g.  20.  (2.) 
Neu-vermehrtes  Gesang-Biichlein,  Geist- 
reicher  .  . .  Kirchen-Lieder,  Herrn  Doct. 
Martin  Luthers  und  anderer  Gottesgelehrt- 
en  Manner,  etc.  1716.  Sec  Psalms. 
[German.']  Des  Koniglichen  Propheten 
Davids  .  . .  Psalmen  .  .  .  Zum  dritten  mal 
aufgelegt,  etc.     1717.     12°. 

3425.  bbb.  2.  (1.) 


LUTHER— LYTTICH 


75 


LUTHER  (Martin)  D.  Martin  Luthcrs 
uud  auderer  Gottseliger  Planner  Geistliche 
Lieder  und  Psalmen,  anjetzo  noch  mit 
Joachimi  Neandri  .  .  .  Bundes-Liederu 
vermehret,  auch  mit  denen  nothigsten 
Melodeyenversehen,dc.  1757.  6'ee  Psalms. 
[German.']  D.  Ambrosius  Lobwassers 
Psalmen  Davids,  etc.     1758,  etc.     S". 

3425.  bbb.  31. 

Harmonia  Cautionum  Ecclesiasticarum. 
Kirchengescnge,  vnd  Geistliche  Lieder, 
D.  Lutheri  vnd  anderer  frommen  Chri.sten, 
etc.    1598.    8".     See  Calvisius  (S.) 

A.  59. 

See  Bkandaw  (J.  G.)  Psalmodia  Davidis 
in  Templis  Hassiacis  usitata . .  .  darinneu 
alle  Psalmen  und  Gesange  D.  INIartini 
Luthers  und  anderer  Gottfiirchtige  Christ- 
en in  .  .  .  zweystimmige  partitur  .  .  . 
bcfindlich,  etc.     1675.     4".  C.  108. 

See  Cruegkr  (-J.)  Geistliche  Kirchen- 
Melodien,  Ubcr  die  von. .  .D.  Luthero. . . 
auffgesetzte  Gcist-  und  Trost-reiche  Ge- 
siinge  und  Psalmen,  etc.     1619.     4". 

B.  114.  d. 

See  Gbueger  (J.)  Des  Konigs  . . .  Davids 
Geistreiche  Psalmen,  nach  Frantzosischen 
Melodien  in  Deutsche  lleimen  gebracht 
durch  D.  Ambrosium  Lobwasser,  denen 
auch  des  Hrn.  D.  Lutheri  . . .  Lieder  und 
Psalmen  beygefiiget,  etc.     1700.     8". 

3425.  bbb.  28. 

See  Grueger  (-J.)  Praxis  Pictatis  ^lelica. 
Das  ist :  Ubung  der  Gottseligkeit  in  Christ- 
lichen  . . .  Gesangen  . . .  Martini  Lutheri, 
etc.    1656.     12".  3438.  ee.  62. 

Sec  Crueger  (J.)     Psalmodia  Sacra,  Das 
ist :  Des  Koniges. .  .Davids. .  .Psalmen. . . 
Denen. .  .des  H.  D.  Lutheri. .  .so  wol  alte 
als  neue  Lieder. .  .beygefiiget,  etc. 
1658.    8".  B.  114.  a. 

Sec  Hymns.  [German.]  Yollstiiudige  Kir- 
chen-  und  Haus-Music . . .  Durch  D.  Martin 
Luthern,  und  andere. .  .Manner  gestellet, 
etc.     [1720?]     8^  3425.  e.  24. 

Sec  ScHEiN  (J.  H.)  Cautional  ...  in 
welchem  des  Herrn  D.  ]\Iartini  Lutheri .  . . 
Lieder  vnd  Psalmen,  etc.     1645.     8". 

B.  133.  f. 

See  VoPELius  (G.)  Neu  Leipziger  Gesang- 
buch...in  welchem. .  .des  sel.  Herrn  D. 
Lutheri  . .  .Cxesange  . . .  zusammen  getrag- 
eu,  etc.     1682.     8".  C.  5. 

See  Walther  (J.)  Lob  vnd  preis,  Der 
Himlischen  Kunst  Musica  :  jMit  einer  . . . 
Vorrede  des. .  .Doctoris  ilartini  Lutheri, 
etc.     1564.     4".  7899.  aaa.  45. 

LUZZASCHI  (LuzzASCo)  Quinto  Libro 
de'  Madrigali  a  Cinque  Voci,  etc.  Canto. 
(Tenore.)     2  pts.  Appresso  Vitforio 

Baldini :  Ferrara,  1595.  4°.       C.  225.  a. 


LUZZASCHI  (LuzzASCo)  Secondo  Scelta 
delli  Madrigali  a  cinque  voci  dello  Zascho 
Luzzaschi.  Canto.  (Alto.)  (Tenore.) 
(Basso.)  (Quinto.)     5  pts. 

Appresso  Gio.  Giacomo  Carlino  :  Najmli, 
1613.     4°.  C.  225. 

LYNDON  (.James)  Six  Solos  for  a  Violin, 
and  Thorough  Bass,  etc.  Michael  Broome  : 
Birmingham,  1751.     fol.  f.  83. 

LYON  (Thomas)  Six  Canzonets,  for  the 
Voice  with  an  Accompaniment  for  the 
Harpsichord  or  Piano  Forte,  and  a  Glee 
for  4  Voices,  etc.  Pri)itcd  for  the  Author  : 
London,  [1795  ?]     fol.  G.  358.  (7.) 

LYRA  BRITANNICA.  Lyra  Britan- 
nica.     Songs.     See  Boyce  (W.) 

LYRA  DAVIDICA.  Lyra  Davidica : 
or,  a  Collection  of  Divine  Songs  and 
Hymns.     Sec  Hymns.     [English.] 

LYRIC.     The  Lyric  Test.     [Song.] 
Sec  DiBDix  (C.)     [The  Sp>hinx.] 

LYRIC   POEMS.      Lyric  Poems;  being 

Twenty  Four  Songs  (Never  before  Printed :) 

by  the  late  Matthew  Prior ;  Set  to  Music 

by  Several  Eminent  Masters.  Printed  for  S. 

Harding :  [London,]  mi.   fol.   F.  1566. 

TJie  composers   named  are :    De  Fesch, 

Smith,  ***  and  C.  B. 

LYS.     Le  lis  par  sa  blancheur  efface.     Air. 

See  MouRET  (J.  J.)     [Zcjyhire  ct  Flore.] 

LYTTICH  (-Johann)  Applausus  Musicus, 
(ex  lib.  Sap.)  8  Vocum  harmonia  donatus 
et  houori  .  .  .  Dominorum  Philosophisp, 
Candidat: . .  .Cum  ijsdem  in  . . .  Academia 
Lipsensi.  .  .summus  in  Philosophiagradus 
25.  die  Januarij  Anno  1610. .  .Conferretur, 
etc.  4  pts.  [Leipzig,  1610.]  4".  B.  117.  (2.) 

Braut  Lied  . . .  zu  Hochzeitlichen  Ehren, 
.  .  .  Johaunis  Schneidern  .  .  .  vnd  .  .  . 
Margarethfe,  des  . . .  Herrn  Lucas  Bayers 
. .  .Tochter.  Mit  acht  Stimmencomponirt, 
etc.     4  pts.  Gedruckt  durch  Valentin  : 

[Leipzig,]  1610.  4».  B.  117.  (1.) 

Musicalische  Streitkrantzlein :  hiebevorn 

von  den  allerfiirtrefilichsten  vnnd  berhiim- 

testen  Componiste  in  Welscher  sprach  . . . 

mit  6.  Stimmen  auffgesetzt,  vnd  dannen- 

hero    Triumph!    di    Dori. .  .genennet  . .  . 

niit  . . .  Teutschen  Texten  . . .  auffgesetzt, 

vnd  in  Druck  verfertiget,  durch  Johannem 

Lyttichium,  etc.  Cantus.  (Tenor.)  (Basis.) 

(Sexta  Vox.)     4  pts.  Gedruckt  durch 

A.    Wagemann,   in   verlegung   D.    Kauff- 

manns  :  Niirnberg,  1612.    4".     B.  117."a. 

■This  German  version  of  the  '  Trionfo  di 

Dori  '  does  not  contain  the  madrigals 

in  the  original  by  F.  A)ierio,  L.  Balbi, 

L.  Bertani,  P.  E.  Bonini,  G.  Costa, 

G.  Florio,  G.  G.  Gastoldi,  B.  Giovan- 

elli,  L.  Lconi,  Palestrina,    C.  Porta, 

A.  Striggio  and  G.  Zerto. 


76 


M— MA 


M.  See  Haydn  (F.  J.)  [Sy))iphonies.  B. 
&  H.  N"  53.  Andante.]  Je  ne  vous 
dirai  pas.  Romance  du  Fat  Dupi  .  .  . 
Accomp'  par  M.     [1800  ?]     fol. 

G.  547.  (6.) 

M  *  *  *,  Comtessc  dc.  Six  Romances,  pour 
une  voix,  avec  Accompagnoments  de  Forte 
Piano,  etc.  Printed  for  the  Authoress  : 

London,  [1800?']    obi.  lol    E.  270.  (19.) 

M*  *,  M.  de.  Je  croyois  trouver  le  bonheur. 
Air  Nonveau.  [Words]  Par  M.  de  C  *  *  *. 
[Paris,]  1768.     s.  sh.  8".  297.  e.  14. 

Mercure  de  France,  March,  1768. 

M.  .  .,  If'"".  Sur  le  Mot  Quatrc.  Chanson 
sur  le  Nomhre  Quatre,  par  M'  H  *  *  *. 
Musique  de  M'"°  M. . .     [Paris,  1780  ?]    8". 

B.  362.  b.  (28.) 

M.,  B.  DE.    Petite  Brunette.    Ariette.    (Les 
paroles  sont  de  M.  de  M.) 
[Paris,]  1724.     s.  sh.  i".  297.  a.  7. 

Mercure  de  France,  April,  1724. 

M.,  F.     The  Constant  Tarr.     [Song.] 
[London,  1720  ?]  s.  sh.  fol.    G.  310.  (36.) 

M.,   F.   X.    A.      Prototypon    Longo-Breve 

Organicum,  exhibens  super  Tonos  figuratos 

. .  .Fugas  et  Prseambula,  etc.     [By  F.  X. 

A.  Murschhauser.]     2  pts.  Sumtibus 

Wolfgangi  Mauriiij  Endteri  :  Noribergir, 

[1700.]     o6^.  fol.  _  c,  24. 

r/tc  composer's  initials  are  given  in  a 

monogram  on  the  title-page  of  the  first 

part. 

M.,  J.     The  Budget.     [Song.]  [London, 

1780?]     s.sh.tol.  G.  306.  (153.) 

A  Set  of  Easy  Lessons  for  the  Harpsichord 
. . .  Opera  Trentesima  Prima.  [With  a 
Preface  signed  :  J.iM.]  Printed  for  J.  Hill : 
London,  [1770  ?]    obi.  fol.       e.  5.  e.  (5.) 

The  New  Somersetshire  March,  etc.  [P.  F.] 
. . .  Compos*  by  J.  M[athews].  Printed 
for  J.  Matheivs  :  Bath,  1797.    fol. 

g.  133.  (73.) 

M.,  L.  See  Union  Villageoisb.  Amis 
prenons  nous  par  la  main.  Ronde  . . . 
Avec  Accompagncmeut  de  Guittare  par 
L.  M.     [1793?]     8".         B.  362.  d.  (13.) 

See  Union  Villageoise.  Citoyens  pour 
qui  JG  vais  voir  renaitre.  Air  . . .  Avec 
Accompagncmeut  de  Guittare,  par  L.  M., 
etc.     [1793?]     8".  B.  362.  d.  (13*.) 

M.,  M.  Partition  de  Felix,  ou  I'Enfant 
Trouv^.  Comddie  en  trois  Actes,  en  Vers, 
et  en  Prose  [by  M.  J.  S^daiue]  . . .  Mise 
en  Musique  par  M[onsieur]  M[onsigny], 
etc.    Chez  M'-  Bailkux  :  Paris,  [1781.]  fol. 

G.  288.  a. 


M.,  R.  Medulla  Musicae ;  Being  a  Choice 
Collection  of  Airs  . . .  Extracted  from  the 
Works  of .  .  .  Corelli,  Bomporti,  Torelli, 
Tibaldi,  Albinoni,  Bononcini,  Pepusch, 
S'  Helenc  &c.  In  two  Volumes,  Treble  & 
Bass.  The  Bass  Figur'd  for  the  Harpsi- 
chord . . .  CoUigit  R.  M.  Philomusicus. 
Clucr  :  London,  [1727  ?]     8".  c.  25. 

TJie  following  composers  arc  also  named  : 
Masciti,  Purccll  and  Scarlatti. 

M.,  T.  Will  you  come  to  the  Bow'r.  A 
. . .  New  Song  with  an  Accompaniment 
for  the  Piano  Forte.  Written  and  com- 
posed by  T[homas]  M[oore]  Esq. 
Hime  :  Dublin,  [1798.]  fol.  G.  356.  (3.) 
See  Psalms.  [English.]  The  Whole 
Book  of  Psalms  . . .  :  with  the  Singing 
Notes  . . .  Set  to  every  Syllable,  etc.  [With 
a  Dedication  signed  T.  M.]     1688.     12". 

3433.  b.  22. 

MA.     Ma  Barque  legere.     Ariette. 
See  RosiERB  di  Salenci. 
Ma  belle  avec  un  air  severe.     Couplets  a 
ma  Belle.     Air:  des  Deux  Jumeaux,  La 
Foy  que  vous  m'avez  promise.     [By  M.  A. 
Desaugiers.     Words]  Par  M.  Baudier. 

Chez  les  Fr^res  Savigmj  : 
Paris,  1782.]     8".         B.  362.  b.  (148.) 
Ma  belle  Coquette.     Song.    Sec  Hook  (J.) 
Ma  charmante  petit[e]  fiUe.     Ballad. 
See  Moulds  (J.) 

Ma  chere  Amie.     Song.     See  Hook  (J.) 
Ma  chere  Ursule.     Le  Scrupule.     [Song.] 
Parodie  de  I'Air  Italien,   Cola  sul   Prati- 
cello.    [Paris,  1760  ?]    8°.  640.  e.  22.  (6.) 
Ma  femme  te  paroit  aymable.     Chanson. 
See  Feemeaux  (        ) 
Ma  fiUe  avec  componction.   Le  Mia  Culpa. 
[Song.]     Air  :  du  Confiteor. 
[Paris,  1780  ?]     8".  B.  362.  c.  (29.) 

Ma  fille,  je  vais  vous  punir.  La  Pleureuse. 
[Song.]  Avec  Accomp'  do  Guitare  par 
Alberti.  Chez  M.  Camand  : 

Paris,  [1785?]     8°.  B.  362.  g.  (15.) 

Ma  foi,  c'est  agir  sans  faijon.     Duo. 
See  Nicodeme  dans  la  Lune. 
Ma  foi !   vive   Marseille.     Chanson  Nou- 
velle.    [Paris,  1780  ?]    8°. 

B.  362.  a.  (80.) 
Ma  foy  1  si  Diamantine.     Couplets. 
See  GiLLiER  (J.  C.)     [La  Princesse  da  la 
Chine.'] 

Ma  mere  je  viens  devant  vous.     La  Ten- 
dresse  rejetti>e.     Couplets  Dialogues.     Air 
de  Lise  [fut  voir  uu  M(5decin]. 
[Paris,  1790  ?]     8".  B.  362.  c.  (30.) 

Ma  raison  veut  que  je  me  vauge.     Air. 
See  Gouet  (        ) 


MAASMANN— MACKINTOSH 


77 


MAASMAJfl'N  (Alexa>'DEb)  A  Compleat 
Suite  of  Lessons  for  the  Harpsicord,  as 
Overture,  Allemand,  Saraband,  Corant, 
Gavott,  Chacoon,  Jigg  &  Minuett,  etc. 

Printed  for  I.  Walsh  and  I.  Hare  : 
London,  [1708?]     fol.  g.  16. 

MACARONI.  The  ilacaroni.  [Song.] 
See  Ye.  Ye  Bell's  and  Beau's  of  London 
Town.    [1775?]    s.sli.iol.   0.316.(167.) 

MACBETH.  Einige  Hexenscenen  aus 
. . .  Macbeth.     Sec  Reichaedt  (J.  F.) 

MAC  DONALD  (Malcolm)  A  Second 
Collection  of  Strathspey  Reels,  &c.  with  a 
Bass  for  the  Violoncello,  or  Harpsichord. 

Printed  for  the  Author: 
Edinburgh,  [1789.]     fol.     g.  229.  a.  (2.) 

MACDONALD  (Patrick)  A  Collection 
of  Highland  Vocal  Airs  ...  To  which  are 
added  a  few  . . .  Country  Dances  or  Reels 
of  the  Northern  Highlands,  &  Western 
Isles :  and  some  Specimens  of  Bagpipe 
INIusic,  etc.  Printed  for  the  Publisher  : 

Edinburgh,  [1784.]     fol.     h.  726.  i.  (15.) 

MACE  (Denis)     Recueil  des  Chansons   a 
Danser  et  a  Boire  de  D.  Mace,  etc. 
Sec  Chansons.— 2. — Recueil  de  Differens 
Livres  de  Chansons  pour  Boire   et  pour 
Danser.     Livr.  in.     1699.     8". 

A.  428.  (3.) 

MACE  (Thomas)  Musick's  Monument; 
or,  a  Remembrancer  of  the  Best  Practical 
Musick,  both  Divine  and  Civil  . . .  Divided 
into  Three  Parts,  etc.  T.  Ratcliffc  and 
N.  Thompson,  for  the  Author  :  London, 
1676.     fol.  785.  1.  24. 

MACG.  (J.)  The  Strathspey  Fencibles 
March,  etc.  [P.  F.]  N.  Stewart  d  Co.  : 
Edinburgh,  [1795?]     fol.    g.  272.  z.  (14.) 

MAC  GIBBON  (William)  A  Collection 
of  Scots  Tunes  for  the  Violin  or  German- 
Flute  and  a  Bass  for  the  Violoncello  or 
Harpsichord  . . .  With  some  Additions  by 
R.  Bremner.  Book  i(-iv).  B.  Bremncr  : 
London,  [1770  ?]     ohl.  4".  b.  66. 

A  Collection  of  Scots  Tunes.  Some  with 
Variations  for  a  Violin  Hautboy  or  Ger- 
man Flute.  With  a  Bass  for  a  Violincello 
or  Harpsichord.     3  bks.  N.  Stcicart : 

Edinburgh,  [1195  7]  obi.  iol.  e.  343.  (1.) 
Six  Sonatas  for  two  German  Flutes. 

Printed  for  J.  Simjjson  : 
London,  [1745  ?]     8».  e.  463. 

MAC  GIBBON  (William)  and  OS- 
WALD (James)  A  Favourite  Collection 
of  Scots  Tunes  &  Highland  Airs  for  the 
Violin  or  German  Flute.  With  a  Bass 
for  the  Violoncello  or  Harpsichord.  By 
W.  MacGibbon,  J.  Oswald  &  Others. 
Book  1st.  MS.  NOTE  [by  A.  Moffat].  2  pts. 
A.  Mc.  Goun  :  Glasgoio,  [1795.]     obi.  4°. 

b.  66.  a. 


MAC  GLASHAN  (Alexander)     A  Col- 
lection   of    Reels,    consisting    chiefly    of 
Strathspeys,   Athole   Reels,   &c.,   with    a 
Bass  for  the  Violoncello  or  Harpsichord. 
N.  Stewart :  Edinburgh,  [1781.]     obi.  fol. 

e.  265.  (3.) 
[Another  edition.]  A  Collection  of  Reels, 
consisting  chiefly  of  Strathspeys,  Athole 
Reels,  etc.  N.  Stewart  &  Co. : 

Edinburgh,  [1795?]    obi.  iol. 

e.  265.  a.  (2.) 
A  Collection  of  Scots  Measures  Hornpipes 
Jigs  Allemands  Cotillons  and  . . .  Country 
Dances.  With  a  Bass  for  the  Violoncello 
or  Harpsichord.  N.  Stewart  for  the 

Publisher:  Edinbitrgh,  [1118.]    obi.  iol. 

e.  265.  (2.) 
A  Collection  of  Strathspey  Reels,  with  a 
Bass  for  the  Violoncello  or  Harpsichord. 

N.  Stewart,  for  A.  JWGlashan  : 
Edinburgh,  [1778.]    obi.  fol.     e.  265.  (1.) 

[Another  edition.]  A  Collection  of  Strath- 
spey Reels,  c?c.  N.  Stewart :  Edinburgh, 
[1795  ?]    obi.  fol.  e.  265.  a.  (1.) 

MAC  INTOSH  (^NIary)  Six  Easy  Airs 
calculated  for  the  Voice  and  Harpsichord 
or  Piano  Forte.  Printed  for  the 

Aicthoress:  [London,  1790?]     fol. 

G.  296.  (30.) 
[Another  copy.]  H.  2831.  h.  (17.) 

MACKENZIE  (Joseph)  Be  calm  my 
Soul,  a  Canzonet,  with  an  Accompani- 
ment for  the  Piano  Forte.  E.  Pdley, 
for  the  Author:  London,  [1800?]     fol. 

G.  798.  (31.) 
MAC  KERRELL  (John)    The  Circle.    A 
favorite  Song.  Longman  &  Broderip, 

fur  the  Author:  London,  [1795?]     fol. 

G.  366.  (26.) 
A  Familiar  Introduction  to  the  First 
Principles  of  ]\Iusic,  to  which  is  added 
Twenty-Four  Progressive  Lessons  ...  on 
the  Harpsichord  or  Piano  Forte.  Opera  ll"*. 
Longman,  Clementi  &  Co.,  for  the 
Author:  [London,  1800?]     oW.  fol. 

e.  140.  (5.) 
Three  Sonatas  for  the  Harpsichord  or 
Piano  Forte. .  .Opera  Prima.  J.  Preston, 
for  the  Author  :  [London,  1785?]     fol. 

h.  820. 
The  title-page  is  signed  by  the  composer. 

MACKINTOSH  (Robert)      Captain 
O'Kaine.     A    Favourite    Irish   Air,    with 
Variations  for  the  Piano  Forte,  etc. 
J.Hamilton:  Edinburgh,  [1800 ?]     fol. 

g.  139.  (32.) 

Lady  Charlotte  Campbells  Reel  .  .  .  Ar- 
ranged as  a  Rondo  by  L.  Jansen.  [P.  F.] 
J.  &  H.  Cauljield  :  London,  [1800  ?]     fol. 

h.  1480.  X.  (14.) 

[Another  copy.]  g.  140.  (37.) 


78 


MACKINTOSH— MADAM 


MACKINTOSH  (Robert)  Lord  Kelly's 
Strathspey.  With  Variations  for  the 
Piano-Forte  or  Harp,  etc.  J.  Hamilton  : 
Edinburgh,  [ISOO?]  fol.  g.  139.  (31.) 
Sixty  eight  New  Reels,  Strathspeys  and 
Quicksteps.  Also  some  slow  Pieces  with 
variations  for  the  Violin  &  Piano  Forte, 
with  a  Bass  for  the  Violoncello  or  Harp- 
sichord, etc.  Printed  foi-  the  Author  : 
Edinburgh,  [1792.]  fol.  g.  229.  (3.) 
A  3*  Book  of  Sixty  eight  New  Reels  and 
Strathspeys.  Also  above  forty  old  Famous 
Reels  for  the  Violin  and  Piano  Forte, 
with  a  Bass  for  the  A^ioloncello  or  Harpsi- 
chord. Compiled  and  composed  by  R. 
Mackintosh,  etc.  Printed  for  the  Author  : 
Edinburgh,  [1793.]     fol.  g.  229.  (4.) 

MACKLEAN  (Charles)     See  INIacLean. 

MAC  LEAN  (Charles)  A  Collection  of 
Favourite  Scots  Tunes  with  Variations 
for  the  Violin  &c.  and  a  Bass  for  the 
Violoncello  &  Harpsichord.  By  the  Late 
Mr.  C.  McLean  and  other  Eminent 
Masters.  Pri7ited  by  N.  Stewart : 

Edinburgh,  [1770?]     obi.  fol. 

e.  343.  (2.) 

Twelve  Solo's  or  Sonatas  for  a  Violin  and 
Violoncello,  with  a  Thorough  Bass  for  the 
Harpsichord  . . .  Opera  Prima. 

E.  Cooper,  for  the  Author  :  Edinburgh, 

1737.     fol.  g.  683. 

MAC    LEAN    (J.)     The    Bagshot    Quick 

March,  etc.    [Full  Score  and  Harpsichord.] 

Longman  and  Broderip  :  London, 
[1795?]     fol.  h.  3213.  k.  (9.) 

[Another  copy.]  g.  133.  (40.) 

The  Bagshot  Slow  March,  etc.  [Full 
Score  and  Harpsichord.] 

Longman  and  Broderip  :  London, 
[1795?]    fol.  h.  1568.  b.  (10.) 

[Another  copy.]  g.  133.  (41.) 

The  Brighton  Camp  March,  etc.  [Full 
Score  and  Harpsichord.] 

Longman  and  Broderip) :  London, 
[1795?]     fol.  g.  133.  (42.) 

The  Brighton  Camp  Quick  March,  etc. 
[Full  Score  and  Harpsichord.] 

Longman  and  Broderip  :  London, 
[1795  ?]     fol.  g.  133.  (43.) 

MACPHERSON  (James) 

See  Gray  (T.  B.)  McPherson's  Collection 
of  Ancient  ]\Iusic,  in  the  Poems  & 
Songs  of  Ossian  . . .  Adapted  by  T.  B. 
Gray,  dc.     [1800?]     fol.      G.  376.  (60.) 

MACQUE  (Giovanni  di) 
See  Macque  (J.  de) 

MACQUE  (Jean  de)  Di  Giovanni  de 
Macque  II  Secondo  Libro  de  IMadrigali 
a  Sei  Voci,  nouamente  composti  &  dati  in 
luce.     Quinto.  Appresso 

Anqelo  Gardano  :  Venctia,  1589.     obi.  4". 

A.  276. 


MACQUE  (-Jean  de)  Di  Giovanni  de 
iSIacque  ...  II  Terzo  Libro  de  Madrigali  a 
quattro  Voci.     Alto. 

Nella  Stampa  di  G.  B.  Gargano,  d 
L.  Nucci :  Napoli,  [1610.]     4".       C.  289. 

MAC  VITY  (John)  Select  Psalm  and 
Hymn  Tunes,  adapted  to  the  Use  of 
Public  Congregations  and  Private  Fami- 
lies . . .  The  Second  Edition  . . .  Enlarged 
and  improved.  George  Bonham  :  Dublin, 
1787.     obi.  4°.  A.  1046. 

MAD.     Mad  Bess.     [Song.] 

See  Purcell  (H.) 

The  Mad  Family.     [Song.]     See  There. 

There  was  a  Mad  Man,  etc. 

[1780?]    s.s/i.  fol.  G-.  312.  (193.) 

IMad  Loons  of  Albany.     Song. 

Sec  Corbett  (W.) 

The  Mad  Lover.     [Song,  begins  :   '  I  love 

to  madness.']     See  De  la  Sale  (    ) 

The  Mad  Lover.     [Song,  begins  :    '  What 

if    I'm    mad.']     See    Dibdin    (C.)     [The 

General  Election.] 

Mad  Maudlin.     Song.     See  To.     To  find 

my  Tom  of  Bedlam,  etc.     [1790  ?]     fol. 

G.  800.  m.  (57.) 

Mad    Peg.       [Song.]       See    Dibdin    (C.) 

[Will  of  the  Wisp.] 

Mad  Tom.  [Song,  begins:  'In  my  tri- 
umphant Chariot  hurl'd.'] 

See  Hayden  (G.) 

Mad  Tom.     Song.     [Begins:  '  Forth  from 

my  dark  and  dismal  cell.'] 

See  Purcell  (H.)  [Doubtful  and  Spuri- 
ous Works.] 

Mad   with   the    Plunder    of    the    World. 

British   Blood  ;  a  National  Song,  by  the 

Author  of  the  Tipling  Deities  [T.  Combe]. 

Goulding  :  London,  [1799  ?]     fol. 

G.  376.  (55.) 
MAD    LOVER.     Ah    how    lovely    sweet 

and   dear.     A    Song  in   tJic   Mad  Lover. 

[Words  by  P.  A.  Motteaux,  music  by  J. 

Eccles.]     [London,  1715  ?]     fol. 

G.  304.  (117.) 
In   John  Eccles'  '  Collection  of  Songs,' 
p.  115,  this  song  is  given  as  part  of  '  A 
Dialogue  betioeen  Acis  and  Galatea.' 

Proud  Woman  I  scorn  you.     A  Dialogue 

in  the  Mad  Lover,  between  Mr.  Bowman 

and    Mr.    Dogget    in   Women's    Cloaths. 

[Words   by   P.  A.  Motteux,  music   by  J. 

Eccles.]     [London,  1701  ?]     fol. 

H.  1601.  (361.) 

The  Mad  Lover.     [Opera.] 

See  Eccles  (J.) 

MADAM.  Madam,  as  you  did  me  the 
Honour.     Mr.  Decamp's   Letter  and  im- 

promtu  Verses  to  my  Lady .     [Song.] 

[London,  1720  ?]  fol.  G.  316.  g.  (42.) 
Madam  Ime  just  come  from  Colledge. 
Dialogue.     See  Manley  (    ) 


MADAM— MADRIGALS 


79 


MADAM.     Madam,  old  Homer.     Song. 
See   CoRELLi    (A.)     [Sonate   da   Camera. 
Op.  2.     No.  11.     Giga.] 

MADAM  VANDERCROUT.  iladam 
Vandercrout.  [Soug.]  See  Dibdin  (C.) 
[Tom  Wilkins.] 

MADAME  VETO.  Madam  Veto  avait 
promis.  La  Carmagyiole  des  Iloijalistes. 
[Song.]  Chez  le  Citoyen  Imbault : 

Paris,  [1793  ?]    8".  B.  362.  a.  (14.) 

MAD  AN"  (aiAETiN)    A  Collection  of  Psalm 
and  Hymn  Tunes,  etc.     [For  the  use  of 
the  Chapel  of  the  Lock  Hospital.    Edited, 
with  a  dedication  signed  by  M.  Madan.] 
ILondon,  1769.]     obi.  fol.  E.  1429. 

T]ie  composers  are  indicated  by  initials 

only.      They  are:    M.   M[adan] ;    F. 

[Giardini] ;    W.  B. ;    F.  E. ;    J.  B.  ; 

J.     W{prgan];    I.    B. ;    D'-    H. ;    C. 

B[urney] ;  M.  V{_ento'] ;  I.  W. ;  T.  H. ; 

C.L[ockhart];  W.I.;  S.A[rnold]and 

F.  A[lessandri]. 

A  new,  and  improved  Edition  of  the 
Collection  of  Psalm  and  Hymn  Tunes 
sung  at  the  Chapel  of  the  Lock  Ho.:-iiial, 
with  considerable  additions. 

Printed  for  the  Benefit  of  the  Charity  : 
London,  [1792.]    obi.  fol.        E.  1429.  a. 

A  Sonata  for  the  Harpsichord  or  Piano 
Forte,  etc.  H.  Holland  :  London, 

[1895?]     fol.  g.  272.  w.  (15.) 

The      Spacious     Firmament     on    high. 
[Hymn,  written  by]  Mr.  Addison. 
[London,  111 b'>]     fol.  G.  295.  (11.) 

See  Jesu.  Jesu,  Lover  of  My  Soul,  etc. 
[Music  by  M.  Madan.]     [1776.]     8\ 

P.P.  716.  b. 
See  Salvation.  Salvation  !  0  the  joyful 
Sound,  etc.  [Tune  ascribed  to  M.  Madan.] 
[1774.]     8°.  P.P.  716.  b. 

MADELON.     Madelon  gardant  son  trou- 
peau.     Le   Mai  d' Amour.     [Song.]     Air : 
Chantez,  dansez  [by  A.  E.  M.  Gr^try]. 
[Paris,  1780?]     8».  B.  362.  (170.) 

MADLSEDER  (Nonnosus)  Miserere  V. 
et  Stabat  Mater  I.  pro  Tempore  Quadra- 
gesimali  a  4.  Vocibus  ordinariis,  Violinis 
duobus,  Viola  obligata,  Clarinis,  Cornibus, 
&  tribus  Trombis  ad  libitum,  cum  duplici 
Basso. .  .Opus  III.     [Separate  Parts.] 

Sumptibiis  Matthxi  Rieger  d  Filiorum : 
Augustse  Vindelicorum,  1768.     fol. 

G.  914.  a. 
OSertoria  XV.  Solemnia  de  Festis  Sanc- 
toriun  in  Communi  a  Quatuor  Vocibus 
ordinariis,  Violinis  duobus  obligatis,  Viola 
obligata,  Clarinis  vel  Cornibus  ad  libitum, 
cum  duplici  Basso  . . .  Opus  ii.  fSpparate 
Parts.] 

Sumptibus  Matthxi  Rieger  &  Filiorum  : 
Augiistx  Vindclicortcm,  1767.     fol. 

G.  914.  b. 


MADLSEDER  (Nonnosus)  Ofiertoria 
XV.  pro  Priucipalioribus  Festivitatibus 
Domini  a  Quatuor  Vocibus  ordinariis, 
Violinis  duobus  obligatis,  Viola  obligata, 
Clarinis  vel  Cornibus  ad  libitum,  cum 
duplici  Basso  .  .  .  Opus  i.  [Separate 
Parts.]  Sumptibus  Matthmi  Rieger : 

Augustie  Vindelicorujn,  1765.     fol. 

G.  914. 
Wanti7ig  the  1st  Trumpet  part. 


[Arranged    chronologi- 


MADRIGALS. 

cally.] 

[For  anonymous  collections  published 
under  a  distinctive  heading,  e.g.,  '  Amorosi 
Ardori,'  '  Dolci  AfEetti'  :]  See  under  the 
heading  required. 

II    Secondo    Libro    de    li    Madrigali    de 

Diversi  Ecclentissimi  Autori  a  misura  di 

Breve   novamente   stampato.     A  Quattro 

Voci.    Bassus.   Apud  Antonium  Gardane  : 

Venetijs,  1543.     obi.  4".  A.  277.  d. 

This  collection  contains  CMnpiositions  by 

Archadelt,    Alfonso,    Lamberto,   Cor- 

teggia,  J.  Gero,  and  C.  Fcsta. 

II    Vero    Terzo    Libro    di    Sladrigali   de 

Diuersi  Autori  a  note  uegre,  Composti  da 

Eccellentissimi  ]\Iusici,  con  la  canzon  di 

cald'  arrost,  nouamente  dato  in  luce.     A 

Quatro  Voci.     Tenor. 

Apprcsso  Antonio  Gardane  :  Venetia, 
1549.    obi.  i\  A.  277.  g. 

This  collection  contains  compositions  by 
Archadelt,  H.  Scaffen,  I.  Gero,   Yuo, 
Cimello,  II  Conte,  Tiberio  Fabrianese, 
Anselmo  de  Reulx,  Adriano,  C.  Fcsta, 
V.    Ferro,    G.    Nasco,    V.    Ruffo,    I. 
Contino,    Pcrissone    and    lagues   de 
Ponte. 
II  Primo  Libro  de  Madrigali,   a   Quatro 
Voci.     De  Diuersi  Autori.    A  notte  negre. 
Con  la  Giouta  di  Quatro  Madrigali,  Noua- 
mente  Ristampato,  &...coretto.     Tenor. 
(Bassus.)     2  pts.  [Girolamo  Scoto  : 

Vinegia,]  1558.     obi.  4".  A.  277.  a. 

The  composers  named  in  this  collection 
are:    Jachet  Berchem,    C.   Festa,   F. 
Rosello,   Ubert  Naich,  Archadelt,  An- 
selmo   de     Reulx,     Yvo,     Ferabosco, 
laques  de  Ponte,  Adriano  [Willaert], 
Jaqices  Buus,  P.  Brachario,  Verdelot 
and  C.  Porta. 
Madrigali    a    Cinque    Voci,    Nouamente 
posti  in  luce.      [By  Guglielmo  Gonzaga, 
Duke  of  Mantua.]  Canto.  (Alto.)  (Tenore.) 
(Basso.)     (Quinto.)     5  pts. 

A2)X>resso  Angelo  Gardano  :   Venetia, 
1583.    obi.  4».  K.  3.  g.  8. 

De  Floridi  Virtuosi  d'  Italia.  II  Terzo  Libro 
de  IMadrigali  a  Cinque  Voci,  etc.  [With  a 
dedication  by  G.  Vincenzi.]     Quinto. 

Presso  G.  Vincenzi,  d  R.  Amadino, 

compagni :   Venetia,  1586.     4°.       C.  123. 

Tlie  composers  najned  in  this  collection 

are  :    G.  A.  Dragoni,  G.  M.  Nanino, 


80 


MADRIGALS 


A.  Zoilo,  N.  Parma,  G.  Belli,  0. 
Vccchi,  A.  Striggio,  H.  Sabitio,  B. 
Pallavicino,  F.  Anerio,  M.  Carrara, 
D.  Micheli,  G.  P.  L.  Palestrina,  A. 
Griffi.,  P.  Masenclli,  A.  Coma,  B.  Spon- 
ton,  G.  B.  Mascaglia  and  C.  Accelli. 

JNIadrigali  a  Otto  Voci.  De  Diuersi  Eccel- 
lenti  et  Famosi  Autori.  Con  alcuni  Dia- 
loghi,  &  Echo,  per  Cantar  &  Sonar  a  Due 
Chori.  Nouamente  Kaccolti  &  dati  in 
luce.  [With  a  dedication  by  Pietro 
Phalesio.]     Tenore.  Appresso  Pietro 

Phalesio  :  Anuersa,  1596.     obi.  4°. 

A.  234. 
TJie  composers   of  this    collection    are  : 

Andrea     Gabricli,     A.    Striggio,     G. 

Gabrieli,  C.  Verdonch,  G.  G.  Gastoldi, 

F.  di  Monte,  G.  M.  Nanino,  R. 
Giovanclli,  H.  Vecchi,  J.  Corsini,  C. 
Porta,  Claudio  Correggio,  0.  Lasso, 
Giulio  Eremita,  M.  A.  Ingcgneri,  P. 
Philippi,  Alfonso  Preti,  F.  A7icrio,  L. 
Mareuzio,  Hippolito  Sabino  and 
Cesare  Carlctti. 

IMadrigali  a  Tre  Voci  de  Diversi  Eccellen- 
tissimi  Autori.  Nouamente  con  ogni 
diligenza  ristampati.  Libro  Primo.  Basso. 
Appresso  Angela  Gardano  :  Venetia, 
1597.     obi.  4°.  A.  277.  f. 

The  composers  of  this  collection  are:  A. 
Willaert,  C.  Bore,  Lupacchino,  I.  Gcro, 

G.  Nasco,  —  Olivier,  Ayiimuccia,  —  Na- 
dale,  V.  Buffo,  B.  Donato,  G.  Bcrchcm, 
V.  Ferri,  H.  GhibelU,  F.  Portinaro  and 
Archadelt. 

De  Floridi  Virtuosi  d'  Italia  Madrigali  a 
Cinque  Voci  ridotti  in  un  Corpo.  Nuoua- 
mente. .  .Stampati  &  seguendo  1'  ordine  de 
suoi  Toni  posti  in  Luce.  [With  a  dedi- 
cation by  Pietro  Phalesio.]  Tenore. 
(Basso.)     2  pts.  Appresso  Pietro 

Phalesio:  Anuersa, 1600.  obi.  4°.  A.  233. 
The  verso  of  the  last  leaf  of  the  Basso 
contains  a  French  song  in  MS.  The 
composers  of  this  collection  are  :  G.  M. 
Nanino,  O.  Vecchi,  A.  Orologio,  P. 
Masnelli,  A.  Zoilo,  V,  Bell'haver, 
L.  Bertani,  N.  Pcruve,  N.  Parma, 
A.  Coma-,  B.  Palavicino,  C.  Verdonch, 
G.  Palestina,  B.  Mosto,  G.  Gabrielli, 

C.  Accelli,  H.  Baccusi,  G.  P.  L.  Pre- 
nestini,  B.  Sponton,  G.  Cavaccio,  M. 
Cararra,     J.     Massaino,    O.     Griffi, 

F.  Anerio,  A.  Striggio,  H.  Sabino,  G. 
Belli,  G.  A.  Dragoni,  G.  de  Macque, 

G.  Bassano,  G.  Eremita,  G.  B.  Mos- 
caglia,  G.  B.  Mosto,  L.  Marenzio  and 

D.  Micheli. 

Ghirlauda  di  Madrigali  a  Sei  Voci,  di 
Diuersi  Eccellentissimi  Autori  de  nostri 
Tempi.  Raccolta  di  Giardini  di  Fiori 
odoriferi  Musicali,  etc.     [With  a  dedica- 


tion by  Pietro  Phalesio.]  Canto.  (Alto.) 
(Tenore.)     (Basso.)     4  pts.  Appresso 

Pietro  Phalesio  :  A^mcrsa,  1001.     obi.  i". 

A.  232. 
TJie  composers  of  this  collection  are  :  II. 
Sabino,  G.  Croce,  P.  Vinci,  G. 
Eremita,  C.  Carletti,  G.  P.  Sxueling, 
C.  Za7iotti,  G.  Cavaccio,  L.  Bertani, 
P.  Virchi,  C.  Verdonch,  L.  Marenzio, 
0.  Tigrini,  G.  Guami,  P.  Vecoli,  B. 
Palavicino,  P.  Philippi,  H.  Baccusi, 
C.  Malvegis,  Rinalde  del  Mclle,  G.  G. 
Gastoldi,  F.  de  Monte,  A.  Coma,  L. 
Bali  and  A.  Ferabosco. 

II  Primo  Libro  de  Madrigali.  Senza 
Nome.  A  Cinque  Voci.  Nouamente  Ris- 
tampato.  [By  A.  Fontanelli.  With  a 
preface  by  0.  Vecchi.]  Canto.  (Basso.) 
2  pts.  Afipresso  Angelo  Gardono  : 

Venetia,  1G03.     4".  C.  123.  a. 

The    composer's    name  appears    in  the 
signature. 

Madrigali  a  Cinque  Voci.     Libro   Primo 

(-Quarto).     Nouamente  Ristampato.    [By 

Carlo  Gesualdo,  Prince  of  Venosa.    Books 

I.  and  II.  with  dedications  by  S.  Stella, 

Books  III.  and  IV.  by  H.  Gesualdo.]  Canto. 

(Alto.)  (Tenore.)  (Basso.)    (Quinto.)  5  pts. 

Appresso  Angelo  Gardano,  d  Fratelli  : 

Venetia,  (1603-)1607.     4°.  D.  232. 

Book  I.  is  dated  1607  ;  Books  II.  and  III., 

1603;    Book  IV.,  1604.     The  printer 

of  Books  II.-IV.  is  Angelo  Gardano. 

Madrigali  a  Cinque  Voci.  [By  Carlo 
Gesualdo,  Prince  of  Venosa.  Book  11. , 
Edited  by  Scipione  Stella.]  Tenore. 
(Quinto.)  2  pts.  Stampato  in  Ferrara, 
ct  ristampato  in  Napoli,  Per  Costantino 
Vitale.  Ad  istanza  di  Stefano  Colacurcio, 
1604.     4°.  D.  232.  a. 

Madrigali  Pastorali  a  Sei  Voci  descritti  da 
Diuersi  et  posti  in  Musica  da  altri  tanti 
Auttori  di  nouo  stampati.     Tenore. 

Appresso  Pietro  Phalesio  :  Anuersa, 
1604.     obi.  4°.  A.  277.  e. 

Tlie  composers  named  in  this  collec- 
tion are  :  A.  Striggio,  B.  Pallavicino, 
O.  Lasso,  G.  B.  Mosto,  A.  Rota, 
G.  Florio,  H.  Baccusio,  H.  Vecchi, 
C.  Porta,  G.  M.  Nanino,  G.  Cavaccio, 
B.  Spontone,  L.  Balbi,  L.  Bertani,  M. 
A.  Ingegneri,  L.  Leoni,  C.  Zanotti, 
G.  Croce,  S.  Felio,  P.  A.  Bonini  and 
G.  Wert. 

Two  Favorite  IMadrigals  for  Three  Voices. 
1".  Jack  &  Jill  went  up  a  Hill.  2". 
There  was  a  Little  Man  &  he  wood  a 
Little  Maid.  A.  Bland  ct  Wcller  : 

London,  [1795  ?]     fol.      G.  808.  g.  (22.) 

Madrigali  Ariosi  a  Quattro  Voci.  [For 
editions  of  this  series,  also  published  as 
Le  Muse  :]  See  Muse. 


MADROUX— MAGPIE 


81 


Die   ^laeiiuei   taugeu   all' 


MADROUX  (     )     Buvons,  amis,  a  tasse 
pleiue.     Chanson,  etc.     [Words]   Par  uu 
Bourgeois  de  ]Montmartre. 
[Paris,']  1765.     s.  sh.  8".  298.  d.  29. 

Mcrcurc  de  France,  Oct.,  1765. 

MAECHTIGSTER.      Machtigster,   Hei- 
ligster.     Kautate.     See  Mozakt  (W.  A.) 

MAEDCHEN".     Das  IMaedchen  au  ihren 
Geliebten.     [Soug.]     See  Hueka  (F.  F.) 

Die  ^liidcheu  die  Lieb'  uud  der  Wein. 
Ariette.  Sec  ^Muellkr  (W.)  [Die  Zau- 
bcrzitter.l 

MAENNER 

uicht  vicl.     Polouoise 

See  EuLE  (C.  D.)     [Der  Unsichtbare.] 

MAESTRINO  (Nicolo)     See  Mestrixo. 

MAGALANICUS  (Philippus)  Cantum 
Ecclesiasticum  Prajcibus  apud  Deum 
Animas  juvaudi,  corporaque  bumandi 
Defmictorum  Otticium. .  .juxta  Breviarij, 
Missalisque  Komani  novissimam  recog- 
uitioiiem.  Coiificiebat  Philippus  iMaga- 
lauicus  . . .  Nuuc  denuo  in  hac  postuma 
editione  U  mendis. .  .castigatum,  etc. 

Apud  Henricum  Aertssens  :  Anttierpix, 
1691.    4".  3356.  bb.  5. 

D.  449. 

D.  449.  a. 


[Another  copy.] 
[Another  copy.] 


MAGALHAENS  (Felipe  de) 
See  JIagalamcus. 

MAGAZIN    DES    MODERNES.      Le 

Magaziu    des   Modernes,    Opora-Comique 
en  un  Actc.     [Written]  Par  M.    Pauard, 
etc.       1758.       Sec    Theatre.       Nouveau 
Theatre  de  la  Foire,  etc.     Tom.  i. 
1763.     8°.  11735.  d.  2. 

MAGGIE  LAWDER.  :\Iaggie  Lawder, 
with  Variations  for  the  Harpsichord  or 
Piano  Forte,  etc.  C.  d  S.  Thompson  : 

London,  [mo?]     fol.        g.  442.  j.  (29.) 

MAGIC  CAVERN.  The  IMagic  Cavern. 
Entertainment.     See  Shield  (W.) 

MAGIC  CESTUS.  Old  England  to  thy- 
self be  true.  Sailor's  Song  at  the  Rock 
of  Gibraltar,  sung. .  .in  the  Entertainment 
of  the  Magic  Cestus. 

Longman  tC  Broderip  :  London, 
[1781.]     fol.  G.  383.  i.  (2.) 

MAGIC  OAK.    The  Magic  Oak,  or  Harle- 
quin Woodcutter.     [Pantomime.] 
See  Attwood  (T.) 

MAGICIAN.  The  IMagician.  [Panto- 
mime.]    Sri:  Harlequin  Director. 

MAGICIAN  NO   CONJUROR.      The 

Magician  no  Conjuror.     Comic  Opera. 
See  Mazzinghi  (J.) 
VOL.    II. 


MAGIUS(HiERONYMUs)  Hieronymi  Magii 
.  .  .  De  Tiutiunabulis  Liber  Postumus. 
Franciscus  Sweertius. .  .Notis  illustrabat. 
Editio  uovissima,  aucta,  emendata,  & 
tiguris . . .  exornata. 

Sumptibus  Andrea}  Frisii :  Ainstelodami, 
1661.     12".  1042.  a.  5. 


JIagnanimity. 
lA  Tour  to  the 


[Soug.] 


MAGNANIMITY. 

[Song.]     Sec  DiBuiN  (C.) 
Land's  End.] 

MAGNANT  (Peter)  The  Advice 
[London,  1750?]     s.  sli.  fol. 

G.  316.  e.  (87.) 

[For  other  editions  published  anony- 

j       mously  :]  See  LIan.     Man  on  Creation,  etc. 

On  Jenny  Benson,  etc.     [Song.] 
[Loiidon,  1757.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XX.,  p.  223. 
The  other  Day  young  Strephon  met.     A 
New  Song,  etc.  \  London, 

1750?]     s.sh.iol.  G.  303.  (63.) 

[For  other  editions  published  anony- 
mously :j  Sec  Other. 

M AGNETISME.  Le  Maguetisme  regnera. 
[Song.]     See  DocTEVRS  Modernes. 

MAGNIFICAT.  Octo  Cantica  Diu* 
Mariic  Virginis,  quae  vulgo  Manilicat 
[sic]  appellantur,  secundum  singulos  octo 
tonorummodos,  singula  qua  ternis  vocibus, 
&  simplici,  propequse  syllabico  concentu 
contexta.  His  accesserunt,  Responsoria 
ad  prefationes  Misse.  Versus,  0  salutaris 
hostia.  Symbolum  Constautinopolita- 
num.  .  .Psalmi,  In  exitu,  &  De  profundis. 
Canticum  Zacarie. .  .Canticum  Simeonis 
...&  Canticum  D.  D"'""'  Ambrosij. .  .Sin- 
gula quoque  vocibus  quaternis,  &  pari 
syllabici  coucentus  modulatione  confecta. 
Tenor.  Aj^ud  Adrianum  le.  lioij,  it 

llobertum  Ballard:  Lutctue  Parisiorum, 
1584.     4".  D.  20.  f.  (5.) 

TJie  composers  named  in  this  collection 

are :   Claude  de   Serinisi   and  Di.   Le 

Blanc. 

MAGNIFIQUE.  Le  Magnifique.  Come- 
dio.     See  CtRetry  (A.  E.  'SI.) 

MAGO  AND  DAGO.  The  Overture 
"from  Grcty's  '  Kvenements  Imprevus'], 
Songs  &c  in  the  . . .  Entertainment  of 
Mago  and  Dago. .  .The  New  Airs  com- 
posed by  D""  Aylward,  M'  Atterburv,  IM"' 
Spofforth,  M^  Howard,  and  M^  Shield,  the 
rest  compiled  by  T.  Goodwin.  rWords  by 
M.  Lonsdale.]  Preston  it  Son  : 

London,  [1791.]     fol.  H.  129.  (10.) 

This  pasticcio   also   confaiiis   music  by 
W.  Reeve. 

MAGPIE.     The  Magpye.     [Song.] 
See  Good.     Good  people  draw  near,  etc. 
[1780  ?]     s.  sh.  fol.  G.  308.  (33.) 

G 


■82 


MAHAUT— MAID 


MAHAUT  (Amon)  Macudulyks  Musi- 
kaels  Tydvcrdryf;  bestacndc  in  Nieuwe 
HoUandschc  CauzQnettcii  of  Zaiig- 
Ijiedcreii  op  d'  Italiaensche  traiit  iu  't 
Musiek  gebragt :  mot  eeu  Basso  Contiuuo. 
Meede  zeer  bckwaem  om  op  de  Clavo- 
Cimbael,  Viool,  Dwars-fiuit,  Hoboo  en 
andere  Instrumenteu  gespeelt  te  worden, 
iu  digtmaat  door  K.  Elzevier.  (Verfolg 
vau  het  Musikaels  Tydverdryf,  bestaaudo 
ill  Drie  Stukjes. .  .in  't  Muzyk  gebragt. . . 
door  Jacob  Wilhelm  Lustig,  etc.)  12  pts. 
Bii  A.  Olofscn:  Amsterdam,  (1151-2.)     4". 

F.  653. 
VI.  Sonata  a  Flauto   Traversiere  Solo  o 


Basso. .  .Opera  Prima. 


G.  F.  Witvoqel : 
Amsterdam,  [1740?]    fol.     g.  71.  e.  (10.) 

Six  Sonatas  or  Duets   for   Two  German 

Flutes  or  Violins,  etc. 

I.  Walsh  :  London,  [1760.] 

MAHMOUD.       Overture, 
Storacc.]     [Londoti,  1797.] 


Printed  for 
fol.     g.  464. 

etc.       [By    S. 
obi.  fol. 
e.  104.  (16.) 
Mahmoud.     Opera.     Sec  Storage  (S.) 
MAHO  (Antonio)     Sec  Mahaut. 

MAHON  (John)  Hope  thou  cheerful  Ray 
of  Light.  A  Favorite  Song  introduced 
by  Mrs.  Second  in  the  Opera  of  The  Wood- 
man, etc.  Longman  and  Broderip  : 
Lmdon,  [1796.]     fol.  G.  250.  (28.) 

MAICHELBEK  (Fkanz  Anton)  Die 
auf  dcm  Clavier  lehrende  Ctecilia,  welche 
guten  Unterricht  ertheilet,  wie  man  nicht 
allein  im  Partitur-Schlagen  mit  3.  und  4. 
Stimmen  spielen,  sondern  auch,  wie  man 
aus  der  Partitur  Schlag-Stiick  verferti- 
gen,  und  allerhand  Liiuff  erfinden  kunne. 
Darneben  auch  die  lleglen  zum  com- 
poniren. .  .mit  Beyfiigungvieler  Exempeln 
...in  Drey  Theil  abgetheilet. .  .Opus  ii. 
(Der  auf  dem  Clavier  lehrenden  Ccecilia 
Dritter  Theil,  etc.)  3  pts.  J.  J.  Latter  : 
Augsburg,  1738.     obi.  fol.  d.  174. 

MAID.     The  Maid  I  love.     Song. 

See  Pleyel  (I.  J.)     [Mij  little  hlithsom 

S parr  010.'] 

The  IMaid  in  Bedlam.     [Song.]     See  One. 

One  Morning  very  early. 

[1772  ?]     s.  sh.  fol.  G.  310.  (278.) 

The  Maid  is  Blest.     Song. 
Sec  Denson  (K.) 

The  Maid  is  blest  that  will  not  hear. 
Virtue's  lleioard.  [Song.  ]\Iusic  by 
R.  Denson.]     [London,  llbOr]     s.sh.iol. 

G.  312.  (127.) 

The  Maid  of  Fashion.     Song.     Sec  Now. 
Now  Pride  usurps  each  female  heart,  etc. 
[1768.]     8".  P.P.  5438.  z. 

The  Maid  of  Fashion.    [Song.]    Sec  Now. 
Now  pride  usurps  each  Female  heart. 
[1770?]     s.sh.iol.  G.  310.  (158.) 


MAID.     The  :\[aid  of  IMarlivale.     Song. 
See  CooKE  (M.) 

The  Maid  of  ]Martindalc.     Song. 
See  Hook  (J.) 

The  I\Iaid  of  Seaton  Vale.     Ballad. 
Sec  Boss  (J.) 

The  Maid  of  the  Cot.     Song. 
Sec  Blewitt  (J.) 

The   Maid   of    the   Green,   Pretty   Sally. 
Song.     See  Hook  (J.) 

The  IMaid  of  the  Mill.   Song.    See  Attend. 
Attend  all  ye  shepherds,  etc.     [1767.]     8", 

P.P.  5438.  z. 

The  Maid  of  the  Mill.     Dialogue  [begins  : 

'  I've  kiss'd  and  I've  prattled  ']. 

Sec  Shield  (W.)     \_Iiosina.'] 

The   ]\Iaid   of  the  Mill.      [Song,  begins : 

'  While  over-nice  Critics.']      Sec  W^hile. 

While  overnice  Critics,  etc. 

[1765  ?]     s.  sh.  fol.  G.  313.  (204.) 

The  Maid  of  the  Rock.     Song. 
Sec  DiGNUM  (C.) 

The  Maid  of  the  Sky  Light.   Song.    Sec  I. 
I'll  tell  you  a  story,  etc.     [1785  ?]     fol. 

H.  2832.  g.  (24.) 

The  Maid  of  Wooburn.     Ballad. 
See  Bryan  (M.  A.) 

The  j\Iaid  that's  made  for  Love  and  me. 

[Song.]     See  Oswald  (J.) 

[Another  edition.]     The  Maid  that's  made 

for  Love  and  me.     [Song.] 

,sVe  Saint  Germain  (    de)  Count. 

The  Maid  to  my  IMind.     Song. 

See  Hook  (J.) 

A  Maid  there  where  and  her  name  it  was 

Sue.     A  New  Song.     Sung  by  Mr.  Atkins 

at  Sadlers  Wells.  [London, 

1765  ?]     s.  sh.  fol.  G.  305.  (70.) 

The  INIaid's  Complaint.     [Song.] 

,SVe  Turner  (W.) 

The  Maid's  Husband.     Song. 

See  Carey  (W.)     [Ttic  Contrivances.] 

The  Maid's  Lesson.     [Song.] 

See  To.     To  play  upon  a  Viol. 

[1710?]     s.sh.  fol.  H.  1601.  (451.) 

The  Maid's  Petition.     [Song.] 

See    Cruel.      Cruel    Creature,    can    you 

leave  me,  etc.    [1720  ?]     s.  sh.  fol. 

I.  530.  (39.) 

The     Maid's     Prayer.       A     New     Song. 
[Words  by  S.  Boyce,  music  by  J.  Foulis.] 
Sre  Chloe.     Chloe,  or  the  JMusical  Maga- 
zine, etc.    No.  19.   [1760  ?]    fol.     G.  433. 
The  Maid's  Prayer.     [Song.] 
See  Foulis  (J.) 

The  Maid's  Request.     [Song.] 
See  Glide.    CUido  swiftly  on  thou  Silver 
streams,  etc.     [1735  ?]     s.  sh.  fol. 

G.  316.  d.  (159.) 


MAID—MAITRE 


83 


MAID.     The  Maid's  Twitchcr.     [Song.l 
See  Dajiskl.     a  Damsill  I'm  told,  etc. 
[1700?]     s.sh.iol.  H.  1601.  (12.) 

MAID  IN  THE  MILL.  A  Bonny  Lad 
there  was.  A  Song  sung  by  I\Irs.  Prince 
in  the  Maid  in  the  Mill.  [London, 

1705  '?]     s.  sh.  fol.  G.  304.  (4.) 

[Another  copy.]  G.  306.  (51.) 

How  long  shall  I  pine  for  Love.     The  1*' 
Song.     Sung  by  ]\Irs.  Prince  in  the  IMaid 
in  the  Mill.     [Words  by  J.  Fletcher.] 
[London,  1705'.']     s.sh.iol. 

G.  304.  (65.) 
I'm  like  Inconstant  Chance.  T]ic  3''  Song. 
Sung  by  ]\Irs.  I'rince  in  the  IMaid  in  the 
Mill.     [London,  1705?]     s.  sh.  fol. 

G.  304.  (82. ) 

MAID  OF  BATH.  The  Birks  of  Ender- 
may.  [Song.j  Sung  by  IMrs.  Jewell  in 
the  Maid  of  Bath.  Sk[illey)i  :  London, 
1775?]     s.sh.iol.  H.  1994.  b.  (73.) 

[Another  copy.]  G.  312.  (171.) 

[Another  edition.]  The  Birks  of  Inver- 
may.  [Song.]  Sung  by  Mrs.  Jewell  in 
the  Maid  of  Bath. 

[11.  Falkcncr :  Londo)i,  lllo?]  s.  sJi.  iol. 
H.  1994.  a.  200. 
[Another  edition.  The  Birks  of  Ender- 
niay.]  The  smiling  j\Iorn,  the  breathing 
Spring.  A  Favorite  Scotch  Song.  Sung 
by  Mrs.  Jewell  in  the  Maid  of  Bath. 
[London,  YiQOl^     s.sh.iol. 

G.  316.  j.  (11.) 

MAID  OF  THE  MILL.     The  Maid   of 
the  Mill,. .  .for  the  Voice,  Harpsichord,  or 
Violin.     [The  words  by  I.  Bickerstaffe.] 
Pi.  Brcmncr :  London,  ri7G5.]     obi.  fol. 

D.  273.  (3.) 

Tlie  composers  named  in   tJiis  pasticcio 

are :    the  Karl   of  Kellij,   Binaldo  di 

Caima,  Abos,  the  Elector  of  Sa.runi/, 

Ciampi,  LascJti  and  Philidor,  Picini, 

Gallnpi,  Pergolese,  Monsignicr,  Vinci, 

Scarlatti,  Arnold,  CoccJii,  Bach,  Hasse, 

Dunij,  Giardini,Jomelii  and  Martini. 

The  Maid  of  the  IMill :  a  Comic  Opera,  etc. 

Lnperfect,  wanting  pp.  25-50.     [1798.] 

See  Periodical  Publications. — London. 

The     Piano-Forte     Magazine.      Vol.    VI. 

No.  1.     [1797-1802.]     8".  D.  854. 

MAID  OF  THE  OAKS.  Come  rouse 
from  your  Trances.  A  Favourite  Hunting 
Song... in  the  Maid  of  the  Oaks.  [By 
F.  H.  Barthelemon.]      '  [London, 

1775?]     s.sh.iol.  G.  307.  (110.) 

Come  sing  around  my  favorite  Tree.  A 
favorite  Song  in  the  'Slaid  of  the  Oaks. 
[By  F.  H.  Barthelemon.]  Longman  and 
B  rude  rip  :  London,  [ns^}?j     fol. 

G.  808.  e.  (19.) 
The  Maid  of  the  Oaks.     [Opera.] 
See  Barthelemon  (F.  H^) 


MAIDEN.       Maiden    fresh    as    a     Rose. 
[Song.]     See  Richmond  Heiress. 
The  Maiden  jDleas'd.     [Song.] 
See  Fair.     Fair  Cloris  in  a  Pigstye  lav,  etc. 
[1720  ?]     s.  sh.  fol.  H.  1601.  (141.) 

The  Maiden's  Choice.     Song. 
See  If.     If  ever,  oh  Hymen,  etc. 
[1757.]     8\  158.  1.  2. 

The   Maiden's   desire.     [Song.]     See    As. 
As  Celia  was  walking  one  day  in  a  grove. 
[1700?]     s.sh.iol.  H.  1601.  (3.) 

The  Maiden's  Dream.     [Song.] 
Sec  Graves  (J.) 

The    Maiden's    Hopes    in     the    Lottery. 

[Song.]     See  I.     I  am  a  Young  Damsel, 

etc.     [1758.]     s.  sh.  8".      P.P.  5439.  ab. 

The  Maiden's  Resolution.     [Song.] 

Sec  Vincent  (T.) 

The  Maiden's  Resolve.     Song. 

See  Carey  (H.) 

MAIDENS.      Maidens  beware  ye.     Can- 
tata.    See  Hook  (J.) 
jMaidens  wou'd  you  know.     Song. 
See  Hook  (J.) 

MAIDS.     IMaids  and  Bachelors.     [Song.] 
Sec  DiBDiN  (C.)     [The  SpiJiinx.] 
Maids  despise  a  sighing  Swain.     Cantata. 
See  Hook  (J.) 

MAIERUS  (Michael)  Atalanta  Fugiens, 
hoc  est,  Emblemata  Nova  de  Secretis 
Naturse  Chyinica,  Accommodata  partim 
oculis  &  intellectui,  figuris  cupro  incisis, 
adjectisquo  scntentiis,  Epigrammatis  & 
notis,  partim  auribus  &  recreationi  animi 
plus  minus  .50  Fugis  ^lusicalibus  trium 
Vocum,  quarum  dun'  ad  unam  simplicem 
melodiam  distichis  cenendis  peraptam, 
correspondeant,  etc. 

Kx  tijpograpliia  Hieronymi  Galleri,  sump- 
tibns  Joh.  Thcodori  de  Bri/ :  Oppenheiinii, 
1018.    4".  '       1033.  k.  7. 

MAINERIO  (Giorgio)    See  Mayner  (G.) 

MAISON  A  VENDRE.  Maison  a 
Vendir.     Comedie.     Sec  Dalayrac  (N.) 

MAITRE.  Le  IMaistre  des  Novices  dans 
I'Art  de  Chanter.     See  Carre  (R.) 

MAITRE  ADAM.  IMaitre  Adam,  Men- 
uisior  de  Nevers,  Come'die  en  un  Acte,  en 
prose,  melee  de  ^'audevilles ;  par  les 
CC.  Christian-le-Prevot  et  Philipon,  etc. 
NVith  the  music  of  the  concluding  Vaude- 
ville, by  —  Wicht.]  Che^  les  Libraircs  : 
Paris,  An  iv  [1796].     8". 

11738.  1.  7.  (3.) 

MAITRE  D'ECOLE.  Le  Maitre 
d'Ecole.  Opera-Comique  mesle  d'Ari- 
ettes ;  Parodie  du  ]Maitre  en  Droit... 
avcc  la  I\Iusique.  [Words  by  Anseaume, 
music  by  Lismorc] 

Clicv  N.  B.  Diidiesne  :  Paris,  17G0.     8". 
11738.  b.  15.  (4.) 
u  2 


84 


MAITKE -MALCOLM 


MAITRE  EN  DROIT.  Lc  aiaitic  eii 
Droit.  Upcra  Bouffou  cii  deux  Actcs, 
[libretto  by  P.  K.  Lemouuier,]  mis  eu 
Musiquo  par  Monsieur  "**  [i.e.  P.  A. 
Mousiguy.  Full  Score.]  Chez  le  S'' Hne: 
Paris,  [1760  ?J     fol.  H.  467. 

Le  Maitro  en  Droit,  Opcra-Comique  en 
deux  Actes...Avec  la  Musique.  (Airs 
detaches  du  Maitre  en  Droit,  etc.)  [Li- 
bretto by  P.  R.  Lemonnier,  music  by 
P.  A.  IMonsigny.]  2  pts.  1760. 
See  Thkatke.  Nouveau  Theatre  de  la 
Foire,  etc.     Tom.  5.     1763.     8". 

11735.  d.  2. 

MAITRESSE.        Unc      maitressc      trop 
austere.     Chanson.     See  Le  Maitke  (      ) 

MAJER  (Joseph  Frieukich  Bebnhard 
Caspar)  J.  F.  B.  C.  Majers  Neu- 
eroffueter  Theoretisch  und  Pracktischer 
Music-Saal,  das  ist :  Kurze,  doch  voU- 
stiindigo  Methodc,  so  wohl  die  Vocal-  als 
Instrumental-Music  griindlich  zu  erlerncu, 
etc.  Zweyte  und  viel-vermehrte  Auliage. 
J.  C.  Cremer  :  Nilniberg,  llil.     obi.  i". 

7898.  ee.  15. 

MAJO  (Giovanni  Francesco  di)     Torno 

la    mia    speranza.       A   favorite    Italian 

Arieit,  etc.  Printed  for  J.  Fielding  : 

London,  [1782.]     8».  2II7.  c. 

European  Magazine,  Jan.,  1782. 

MAJOR  PALMER.     Le  Major  Palmer. 
Opera.     See  Bkuni  (A.  B.) 

MAJOR   (Joseph)      Annabel,   a   Favorite 

Ballad. .  .The  Words  by  IMr.  Wennington. 

Ciilliford,  Rulfe  &  Barrow  :  London, 

[1797?]     fol.  G.  364.  (29.) 

Ben  Bluff,  a  favorite  Ballad,  etc. 

Printed  for  Culliford,  Bolfe  and  Barrow  : 

London,  [1796  ?]     fol.  G.  364.  (32.) 

Fairies,  on  the  twilight  Green.  A  favorite 
Sonnet . . .  The  Poetry  by  Mr.  Wennington. 
Preston  tO  Son  :  London,  [1797  ?]     fol. 

G.  364.  (30.) 

Far  o'er  the  Western  Ocean,  a  Ballad, 
the  Words  by  R.  C.  Dallas,  etc. 

Printed  for  tJie  Author  :  London, 
[1800?]    fol.  G.  798.  (32.) 

From  thy  Roseate  Bow'rs,  Aurora.  A 
Favorite  Rondeau. .  .Words  by  Mr.  Wen- 
nington. Longman  tl;  Brodcrip : 
London,  [1797.]     fol.  G.  364.  (33.) 

[Another   edition.]      From    thy   Roseate 
Bow'rs,  Aurora.      See  Amateur.      From 
thy  Roseate   Bow'rs. .  .Rondeau.      Com- 
posed by  an  Amateur  [i.e.  J.  Major],  etc. 
[1797?]     fol.  G.  356.  (21.) 

Soft  on  Beds  of  Vi'lets  lying.  A  Favorite 
Sonnet. .  .Words  by  Mr.  Wennington. 

Ciilliford,  Bolfe  £  Barrow  :  London, 
[1797.]     fol.  G.  364.  (31.) 


MAJOR  (S.)     Sacred  IMelody :  a  General 
Collection  of    Psalm  &   Hymn  Tunes... 
Containing  all  the  original  compositions 
of  P  Smith,  etc.     Ninth  Edition. 
S.  Major  :  London,  [1800  ?]     obi.  4°. 

A.  621.  b. 

See   Smith   (I.)      A  Collection   of   Psalm 
Tunes. .  .with. .  .Additions  by  S.  Major. 
[1790  ?]    obi.  i".  A.  621.  a. 

MAKE.       Make     Hay     whilst     the    Sun 
shines.     See  Hudson  (R.) 


Madelon    gardant    son 


MAL.     Le  Mai  d'Amour.     [Song.] 
See    Madelon. 
troupeau,  f^c.     [1780?]     8" 

B.  362.  (170.) 

Le  Mai  d'Avanture.     [Song.]      See  Lise. 

Lise  fut  voir  un  Medocin,  etc. 

[1785?]     8".  B.  362.  (228.) 

Le  Mai  de  Coeur  de  CTcrondo.  [Song.] 
See  Trop.  Trop  fort  le  plaisir  abonde. 
[1785?]     8\  B.  362.  f.  (49.) 

MALADIE.       La    Maladie     Amoureusc. 
Ariettc.     See  Alberti  (F.) 

La  Maladie  de  Monseigueur  le  Dauphin. 
Romance.     See  Chauvigny  (      de) 

MAIiBRANCQ    (        )      La    Tourterclle. 
[Song.]     [Paris,  1780  ?]     8°. 

B.  362.  b.  (31.) 


[Another  copy.] 


B.  362.  e.  (84.) 


MALBROUG.  Malbroug  s'eu  va  t'en 
guerre.  Chanson  de  M''  D'malbroug  ou 
le  petit  page.     \Paris,  1775  ?J     8°. 

B.  362.  e.  (40.) 

jNIalbroug  s'en  va  t'en  guerre.      Chanson 
de  M'  UMalbroug  on  le  Petit  Page. 
J.Flcntu'jm:  [London?  1700?]     fol. 

H.  346.  (20.) 

Air  de  ]\Ialbroug.  Pour  Nanine  de  cinq 
ans  a  jouer  sur  lc  Clavecin  de  sa  Soeur. 
[Song.]  See  Pour.  Pour  ma  ptite 
Nanine.     [1780?]     8°.        B.  362.  (215.) 

MALBROUK.     Malbrourk   s'en   va   t'en 
guerre.       Couplet,    sur    la    viort    de    M'' 
Chez  Bignon :  [Paris, 


Mabrourh. 
1785  ?]     8". 


B.  362.  (205.) 


MALCOLM  (Alexander)  A  Treatise  of 
Musick,  Speculative,  Practical  and  His- 
torical. Printed  for  the  Author: 
Edinburgh,  1121.    8".  54.  b.  (20.) 

Malcolm's  Treatise  of  Music. .  .Corrected 
and  Abridged,  by  an  Eminent  ]Musician. 
Printed  for  J.  French  :  London,  1110.    8". 

7899.  f.  3. 

Malcolm's  Treatise  of  Music. .  .Corrected 
and  Abridged,  etc.  Printed  for 

J.  Murray  :  London,  1779.     S". 

7897.  g.  47. 


:\rALDERE— ]\rAN 


85 


MALDERE  (Pierre  van)  La  Bagarre, 
Op^ra  Bouffon  en  un  Acte ;  pau  M.  Poin- 
sinet. . .  avec  la  Musiqne.  Chez  Duchcane : 
raris,  17G3.     8".  11738.  1.  27. 

This  edition  only  contains  the  voice-part 
of  some  of  the  songs. 

Six  favourite  Overtures  in  8  Parts  for 
2  Violins,  2  Oboes,  2  Horns,  Viola,  and  a 
figured  Bass  for  the  Harpsichord .  . .  Opera 
4"'.     [Separate  Parts.]  I.  lohnston  : 

London,  [1770  ?]     fol.  g.  474.  (13.) 

[Op.  IV.     N"  1.]     A  Select  Overture 

in  8  Parts.    (Overture  i.)    [Separate  Parts.] 

Printed  for  J.  Johnston  :  London, 

[1775?]     fol.      ■  g.  474.  b.  (15.) 

[Op.  IV.     N"  3.]     A  Select  Overture 

in  8  Parts.  (Overture  iii.)  fSeparate 
Parts.]  Longman  ff  Broderip  :  London, 
[1780?]     fol.  g.  474.  b.  (16.) 

A  Select  Overture  in  8  Parts.  (Sinf^  viii.) 
(Separate  Parts.]  Printed  for 

J.  Johnston  :   Lonrlon,  mi^?]     fol. 

g.  474.  a.  (17.) 

[Another  edition.]  A  Select  Overture  in 
8  Parts.     (Sinf'  viii.)     [Separate  Parts.] 

Longman  and  Broderip  :  London, 
[1780?]     fof.  g.  474.  b.  (17.) 

VI.  Sonatas  for  Two  Violins  with  a 
Bass  for  the  Harpsicord,  or  Violoncello. 
[Separate  Parts.]  Printed  for  T.  Walsh  : 
i,o?!fZoH,  [17G0?]"    fol.  ■  g.  277. 

MALECOT  (.7.)     A  New  Song  made   on 
board  y""  Salamander  Privateer,  etc. 
H.  Wai/lett:  [London,  1755?]     s.  sh.  fol. 

G.  316.  d.  (90.) 

MALGRE.  Malgre  Forage  et  les  frimats. 
Air.     See  Reprise  de  Toulon. 

MALIDOR    (  de)       Le    Printemps. 

Ariette.     Paroles  de  M.  la  Richerie,  etc. 
[Paris,]  177C).     s.  sh.  S'\  297.  f.  4. 

Mercure  de  France,  March,  177G. 

Si  vous  voulez  de  la  vie.  Ariette.  Paroles 
de  M.  D  *  *  * ,  etc.    [Paris,]  176G.    s.  sh.  8". 

297.  e.  4. 

Mercure  de  France,  Nov.,  17GG. 

MALINTHA.  IMalintha,  cease  my  Love 
to  blame.     Song.  ^London, 

1750?]     s.sh.iol  G.  316.  c.  (26.) 

MALME  (George)  A  Set  of  Practical 
Essays  for  the  Harpsichord  or  Piano 
Forte, ...  to  which  is  added  a  Short  Intro- 
duction to  j\Iusic,  etc.  The  Author  : 
Westminster,  [1795 ?]     obi.  4'. 

B.  423.  (2.) 

A  Set  of  Solfeggios  for  the  Voice,  with  an 
Accompaniment  for  the  Piano-Forte  or 
Harpsichord,  etc.  Tlic  Author  : 

Westminster,  [1795  ?]     obi.  4°. 

B.  423.  (1.) 


MALPIED    (N. 

Danse,  etc. 
[1790  ?]     8». 
Fngraved  throughout. 

MALVAUX  (        )     Vous, 
re(,-u  I'atteinte.      Boniance. 
sont  de  M.  de  Beuvrv.) 
[Paris,]  1756.     s.  sh.  8". 
Mercure  de  France,  Dec, 


Traite  sur   I'Art   de   la 

Chez  M''  Bouin  :  Paris, 

7913.  f.  5. 


dont   I'ame  a 

(Les  paroles 

Tournelle  : 

297.  d.  4. 

175G. 


MAMAN. 

Pomancc. 


Maman     sous 
[Paris,  1780  ?] 


ce 

8'\ 


feuillage. 


B.  362.  e.  (3.) 

INIaman,  vous  me  dites  sans  cesse.  Chan- 
son.    See  Rousseau  (     )  of  Versailles. 

MAMMA.     IMamma  mia  non  mi  gridate. 
Mamma    mia,   a  Favorite   Italian    Song." 
Sung  by  Sig'  Vigauoni,  etc. 

Printed  for  Monzani  A:  Cimador  : 
[LoHfZox,  1800?]"  fol.     G.  811.  a.  (23.) 
No.  17  of  '  A    Collection   of  Periodical 
Italian  Songs,'  etc. 

MAN.  The  :\ran.  [Song.]  See  It.  It's 
he  who's  unaw'd  bv  the  sound  of  a  Name, 
etc.     [1780?]    s.sh.iol.       G.  309.  (94.) 

.A  Man  an't  a  Horse.     Song. 
See  Reeve  (W.) 

A  Man  in  Favour.     [Song.]     See  Would. 

Would  you  be  a  IMan  in  Favour  ? 

1G88.     .s.  sli.  fol.  C.  38.  i.  25.  (1.) 

The  ISIan  of  Reason.     [Song.] 
See  Smith  (A.) 

Man  on  Creation.  Tlie  Advice.  .\  New 
Song.     [Bv  P.  IMagnant.]  [London, 

1757.]     8\  P.P.  5438. 

Literary  Magazine,  Vol.  II.,  p.  203. 

The  ]Man  that  is  drunk  is  void  of  all  Care. 
T]ie  Delighted  Toper.  [Song.]  [London, 
1730?]     s.sh.iol.  G.  305.  (118.) 

[Another  edition.]   The  ^lan  that  is  drunk- 
is  void  of  all  Care.     The  Delighted  Toper. 
[London,  1730?]     .s.  sh.  fol. 

G.  316.  f.  (48.) 

A  ;Man  that's  neither  high  nor  low.  A  Neio 
Song.  The  words  bv  a  lady.  [London,] 
1759.     8".  "  158.  1.  4. 

London  Magazine,  1759,  p>-  445. 
The  ]\lan  to  my  Mind.     [Song.] 
See  BuRNEY  (C.) 
The  Man  to  my  Mind.     rSong.] 
See  While.     While  fashion  prevails,  etc. 
[1775?]     s.s/(.  fol.  G.  313.  (208.) 

The   Man,   who   in   his   Breast   contains. 
Tlic  reasonable  Libertine.     [Song.] 
[London,  1750  ?]    s.  sh.  fol.     G.  303.  (46.) 

The  Man  who  loves  best.     [Song.] 

See.  Holmes  (    ) 

The    Man    who    seeks   to   win    the   fair. 

Plain  Truth.     A  new  Hong, etc.     \: London, 

1750?]     s.sh.iol  G.  316.  (98.) 


86 


MAN— MANDINI 


MAN.    The  man  who  seeks  to  win  tlic  fail 


Plain  TiHtJi.     A  new  Song. 


249.  e.  23. 

Vol.    XXIII., 


[London,  1753.]     8". 
(k'nilcman's    Magazine, 
p.  91. 
The  Man's  Delight.     [Song.]   - 
iSVr  How.     How  lovely  is  a  Woman. 
[1735?]    s.  s/(..  fol.  G.  316.  e.  23 

Man's  Rights  thro'  the  World.     Song. 
See  RiCKMAN  (T.  C.) 

MAN  SIEHT  NIEMALS  ALLES 
VORAUS.  "  Man  sicht  niemals  alles 
Yoraus,"  [On  ne  s'avise  jamais  de  tout,] 
ein  Singspiel  in  einem  Aufzuge  aus  dem 
Franzosischen  iibersetzt.  [IMusic  by  P.  A. 
Monsigny.]  See  Operettas.  Sammlung 
der  komischen  Operetten,  etc.  Band  II. 
No.  3.     1772.     8".  B.  729. 

MANCHICOURT  (Pierre  de) 
,sVe  Chansons.— 4.  Le  Neufiesme  Liure 
des  Chasons  a  quatre  parties,  auquel  sont 
contenues  Yingt  et  Neuf  Chansons... 
Compos^es  par  .  .  .  P.  de  Manchicourt,  etc. 
1545.     obi.  4".  K.  3.  a.  9. 

See  Motets.  Liber  Quintus  Cantionum 
Sacrarum . . .  Quinque  et  Sex  Yocum  a 
. . .  Petro  Manchicurtio . . .  nunc  primum 
in  lucem  editus,  etc.     1558.     obi  4". 

K.  3.  e.  12. 

MANCHON.     Le  INIanchon.     [Song.] 
Sec  Chapelle  (P.  D.  A.) 
Le  Manchon  de  Luc6tte.     [Song.] 
Sec    Saison.       La    saison   a  grands    pas 
R'avance,  etc.     [1780  ?]     8'\ 

B.  362.  c.  (25.) 

MANCINEIiIjI  (Domenico)  Eight  Duets 
for  Two  German  Flutes,  or  Violins,  or  a 
German  Flute  &  Violin.  .  .Opera  ir'. 

Printed  for  Longman,  Lukey  <f-  Co. : 
7/0»fZo»,[1775?]     fol.  g.  520.  (2.) 

[Another  copy.]  g.  421.  a.  (8.) 

Six  Duetts  for  two  German  Flutes  or 
Violins. .  .Opera  vi.  Printed  for  S.  Babh  : 
London,  [1780  ?]     fol.  g-  520.  (3.) 

A  Fifth  Sett  of  Twelve  Easy  Duets  for  two 
German-Flutes  or  Violins. 

Printed  for  C.  and  S.  Tliomp^on  : 
London,  [1115  7]     io\.  g.  520.  (4.) 

Twenty  Four  Duetto's  in  an  Easy  Pleasing 
Stile,  for  two  German  Flutes  or  Violins. 

Printed  for  J.  Fentum  :  London, 
[1780?]     fol.  g.  421.  a.  (7.) 

[Another  edition.]  Twenty  Four  Duetto's, 
etc,  J.  Lee  :  Dublin, 

[1785?]     fol.  g.  520.  (6.) 

Six  Notturnos,  for  two  German  Flutes  or 
Violins . . . Book  I.  Longman  .f  Broderip  : 
London,  [IISO  7]     fol.  g.  520.  (1.) 

Six  Sonatas  for  two  Gorman  Flutes,  or 
Violins. .  .Opera  iii.     [Separate  Parts.] 

Longman,  Lnkey  d-  Broderip  :  London, 
[1778?]     fol.  '  g.  520.  (5.) 


MANCINELLO  (DowENico) 
Sec  ]Mancinelli. 

MANCINI   (Francesco)      Idaspe.      [For 
songs,  &€.,  in  Hydaspes  published  anony- 
mously :]     See  Idaspe. 
[Idaspe.]     Overture.     [Orchestral  Parts.] 
See  Overtures,  <f-e.     [No.  4.] 
[1720?]     fol.  h.  3211.  (1.) 

XII.  Solos  for  a  Violin  or  Flute. .  .Which 
Solos  are  Proper  Lessons  for  the  Harpsi- 
eord.  Sold  by  lohn  Barrett  and 

ir™  Smith  :  London,  [1725?]    fol. 

g.  680. 

XII.  Solos  for  a  Violin,  with  a  Thorsugh 
Bass . . .  Which  Solos  are  Proper  Lessons 
for  the  Harpsicord. .  .Revis'd  and  Corected 
by  Llr.  Geminiani.  Printed  for  I.  Walsh 
and  los.  Hare  :  London,  [1730?]     fol. 

i.  11. 

MANCINI  (Giambattista)  Pensieri,  e 
Biflessioui  Pratiche  sopra  il  Canto 
Figurato.     Ghclen  :   Vienna,  1774.     4". 

556.  b.  10. 
Reflexions  pratiques  sur  le  Chant  figure  ; 
. . .  traduites  sur  la  troisi^me  Edition 
italienne.  Chez  Dn  Pont :  Paris,  L'An 
Troisieme  [1795],  etc.    8». 

1042.  k.  29.  (1.) 

Tu   te    plains   de    ta   Climene.       [Song.] 
Sur  un  air  del  Signor  Mancini. 
[Paris,-]  1776.     8°.  297.  f.  6. 

Mercurc  de  France,  May,  1776. 

MANCINI  MAZARINI  (Louis  Jules 
Barbon)  Duke  of  Kivernois.     The  Black- 
bird.    A  favorite  Song,  with  the   Italian 
Words  as  sung  by  Sig'  Tenducci. 
E.  Rhames  :  Dublin,  [1775?]     s.  sli.  fol. 

H.  1601.  b.  (76.) 

MANCINUS  (Thomas)  Das  erste  Buch 
Newer  Lustiger,  vnd  Hofflicher  Weltlicher 
Lieder,  mit  vier  vnd  fiinff  Stimmen,  etc. 
Tenor.  Qedruckt  durch  Jacohum  Liicium  : 
ITclmstadt,  1588.     obi  4".  A.  299. 

Passio  Domini  nostri  Icsu  Christi :  Das 
Leyden  vnud  Sterben  vnsers  Herren  .Jesu 
Christi:  Mit  Personen.  In  welchem  der 
Text,  so  der  Evangelista  vnd  die  andere 
Personen  singen,  choraliter :  der  ander 
Text  aber,  den  dor  gantze  Chorus  prcesen- 
tiret,  4.  Stimmen  figuraliter  gesetzt  ist. . . 
Jetzo . .  . revidiret.  Gedruckt . .  .durch 

Eliam  Holwcin  :   Wolffenbilitet,  1620.     4". 

B.  118. 
This  work  contains    the    Pasisions  ac- 
cording to  S.  Matthew  and  S.  John. 
Fol  Oi  is  mutilated. 

MANDINI  (Stepfano)  Three  Favorite 
Canzonetts,  arranged  with  an  Accompani- 
ment for  the  Piano  Forte  or  Cxuitar,  the 
Words  &  Music. .  .by  S.  Mandini. 

Printed  for  R.  Birchall :   T.ondon, 
[1800?]    oblioi,  E.  600.  n.  (7.) 


MANEFREDINI— MARASTONI 


R7 


MANEFREDINI  (Francesco) 
See  Maxfeedixi. 

MANENTI  (Giovanni  Piero)     INIadrigali 
...a  Sei  Voci.     Nouamente  composti   & 
dali  in  Luce.     Libro  Primo.     Cauto. 
Apprcsfto  li  Figliuoli  di  Antonio  Gardauo: 
Venetia,  1574.     obi.  4'.  A.  257. 

MANFREDI  (Alessandro) 

Sec  Fux  (.J.  J.)      Salita  al   Parnasso . . . 
trasportata     dal     Latino     uell'    Idioma 
Italiano  dal  Sacerdote  A.  IManfredi,  etc. 
1761.     fol.  785.  m.  11. 

MANFREDINI  (Francesco)  Six  Son- 
atas for  Two  Violins  and  a  Violoncello : 
with  a  Thorough  Bass  for  the  Harpsi- 
chord. [Separate  Parts.] 
Printed  for  C.  and  S.  Thompson:  London, 
[1770?]     fol.  g.  274.  b.  (2.) 

MANFREDINI  (Giuseppe)  Sei  Arie 
con  istromenti.  Printed  for  the  Author  : 
London,  1752.     obi.  fol.  E.  83. 

MANFREDINI  (Vincenzo)  Difesa  della 
IMusica  j\Ioderna  e  de'  snoi  celebri  ese- 
cutori,  etc.  Per  la  Stamperia  di  C.  Trenti  : 
Bologna,  1788.     S'\  1042.  d.  22. 

Regole  Armoniche  o  sieno  Precetti  ragion- 
ati  per  apprendere  i  principj  della  IMusica, 
dc.  Apprcsso  G.  Zerlctti :   Venezia, 

1775.    4'.  7895.  f.  12. 

MANGOT  (  )  Que  mon  sort  est  digue 
d'envie.  Air  gratieii.v,  etc.  [Words]  Par 
M.  Campan,  etc.     [Pari.i,'}  1743.     s.  sli.  i". 

298.  b.  21. 
Merciire  de  France,  July,  1743. 

MANIAC.     The  IMauiac.     Song. 

See  RI^^BAULT  (S.  F.)  Select  Songs. 
No.  2. 

MANIE.  La  Mania  des  Fommes.  [Song.] 
See  Vous.  Vous  qui  pour  les  enflammer, 
etc.    [1785?]    8".  B.  362.  b.  (176.) 

MANINI  (A.)  Six  Divertimentos  for 
two  Violins.  Longman,  Lukey  <f- 

Brodcrip  :  London,  [1778  ?J     fol. 

h.  2910.  (2.) 

MANLEY  (  )  Madam  I'lne  just  como 
from  Colledge.  A  Dialogue  Between  a 
Poor  Scholar  and  his  ^Mistress.  [London, 
1720?]    s.  .s/(.  fol.  H.  1601.  (307.) 

MANLY.     The  Manly  Heart.     [Duet.] 
See  Mozart  (J.  C.  W.  A.)     [Die  Zauber- 
fliJte.     Bci  Mdancrn,  welche  Jjicbe  filhlen.'] 

MANN"  (Percival)  The  Moon  with  bor- 
row'd  lustre,  a  much  admired  Song, 
written  by  W.  Heseltine.  J.  Davica : 

London,  [1800  ?]    fol.  G.  366.  (31.) 

MANNELLI  (Carlo)  Sonate  a  Tre,  Dui 
Violini,  e  Leuto,  6  Violoue  con  il  Basso 
per  r  Organo ...  Opera  Seconda.  Violino 
Primo.  (Organo.)  2  pts.  fi.  A.  Mufij : 
Boma,  1G82.     A".  c.  4. 


MANNHEIMER  MONATSCHRIFT. 

See  Periodical  Publications.— Jl/f(»H- 
Jtcim. 

MANSION.  The  ilansion  of  Peace. 
[Song.]     See  Webbe  (S.)  the  Elder. 

MANTEL   (John   Christian)      Six   Con- 
certo's for  the  Organ  or  Harpsichord,  with 
Instrumental  Parts.  .  .Op.  iii. 
Peter  Thompson,  for  the  Author:  London, 
[1755?]     fol.        '  g.  646. 

Wanting  the  accompaniments. 

Six  Solos  for  a  Violin  or  Harpsichord 
with  a  Thorough  Bass . . .  Opera  2''\ 

W.  Smith,  for  tite  Author:  London, 
[1750?]     fol.         '  g.  422.  g.  (2.) 

MANTO  LA  FEE.  ISIanto  la  Fee. 
Opera.     Sec  Stuck  (J.  B.) 

MARA  (Gertrude  Elisabeth)  High 
rolling  seas  that  bear  afar.  .4  Favorite 
Air  sung. ,  .at  j\Ir.  Salomon's  Concert,  at 
the  Theatre  Roj-al  Covent  (Wirden  in... 
Artaxerxes  and  at  the  Bath  Concerts 
...The  Words  by  P.  Hoare,  etc.  [Full 
Score.]  The  Author  :  London, 

[1797.J     obi.  fol.  D.  392,  (9.) 

Say  can  you  deny  me,  A  Favorite  Air . . . 
the  words  by  P.  Hoare,  etc.  [Full  Score.] 
The  Author:  London,  [1193.]     fol. 

G.  364.  (34.) 

See  Idalide.  Ah  che  nel  petto  io  sento. 
rSong.]  .  .  .  Harp  Accompaniment  by 
i\Iadam  ]\Iara  for  rather  bv  J.  I\razzinghi]. 
[1791.]    fol.     ^  '  G.  199.  (26.) 

MARAIS  (:\rARix)     Alcione,  Trag^die,  etc. 
[Words  by  A.  Houdart  de  la  ^Motte.] 
Chez  V Autheur :  Paris,  170G.    oW.  fol. 

D.  318 

Ariane  et  Bacchus,  Tragedie,  etc.  [Words 
by  —  Saint  .Jean.]  CJiez  C.  Ballard  : 

Paris,  1G96.     obi.  fol.  B.  333. 

Pieces  a  vne  ct  a  deux  Violes.     (Pieces  de 

Viole,  f/c.)     5  Books.         CJier  T Autheur  : 

Paris,  1G86(-1729).     obi.  fol.  c.  19. 

Wanting  Liure  II.  and  the  title-page  of 

Litre   IV.      The   date   of  Liv.   I.    is 

1686;  Liv.  III.  1711;  Liv.  IV.  1729, 

and  lAv.  V.  1725.      The  imprint  of 

Liv.  IV.  is  '  CJiez  la  Veuve  Marais.^ 

Pieces  en  Trio  pour  les  Flutes,  Violon  & 

Dessus  de  Viole.     2me  Dessus. 

Chez  V Autheur  :  7Vrm,  1692.     oW.  4\ 

a.  33. 

MARASTONI  (Antonio)  ]\Iadrigali  Con- 
certati  a  Due,  e  Tre  Voci. .  .Opera  Sexta. 
Canto  ouer  Tenore  Primo  (Secondo). 
(Basso  Continue.)  .3  pts. 
Stampa  del  CInrdano.  Appresso  77.  ]\Iagni  : 
Venetia,  1028.     4",  E,  122. 


88 


TklARAZZI— MARCHES 


MARAZZI      (Silvio)        Di      D.      Silvio 
Mai-azzi,  il  Primo   Libro  de'  Madrigali   a 
Tre   Voci.      Nuouamente    posti   in   luce. 
Canto.     (Tenore.)     (Basso.)     3  pts. 
App>rf>!to  Srtli  Vioto :  Parma,  1517.     4". 

K.  3.  i.  2. 
D.  Silvii  IMarazzi  .  .  .  Motecta  Quinque 
Vocum  Liber  Primus.     Bassus. 

Ainid  Angelum  Gardannvi  :  Tcnptijs, 
15R1.     obi.  4".  A.  281. 

MARBECK  (John-)     Sec  Mkrbecke. 

MARC    (      )      Hylas.      Air.      Chante   au 
Concert  de  Reims  le  4  Mav  1770. 
"Prtn.s,]  1770.     s.sh.S".  297.  e,  32. 

Mcrcnrc  de  France,  June,  1770. 

Six  Senates  a  Yiolon  Seul  avee  une  Basse 
Chiffree,  etc.     Gravies  par  Ribart. 
MaiUet:  Paris,  [1110?]     fol.  h.  28. 

MARCAILLE  (Richard  de)  lis  sont 
domptes  ces  fiers  anglais.  Chansons  sure 
Ja  jjrise  de  Toulon,  etc. 

Chez  la  Citoyenne  Lebcau  :  'Paris, 
1793.]     8".  '        B.  362.  d.  (19.) 

MARCEIjIjO  (Alessandeo) 

See   CoscERTi.     Concerti  a  Cinque... del 
Signori  G.  Yalentini,. .  .A.  Marcello,  etc. 
[1730?]     fol.  g-  35. 

MARCELLO  (Benedetto)  Canzoni 
Madrigalesche  et  Arie  per  Camera  a  due, 
tre,  6  quattro  Voci. .  .Opera  Quarta. 

Per  Giuseppe  Antonio  Silrani :  Bologna, 
1717.    obi.  fol.  K.  10.  a.  19. 

Estro  Poetico-Armonico.  Parafrasi  sopra 
li  primi  (second!)  venticinque  Salmi. 
Poesia  di  G.  A.  Giustiniaui,  etc.     S  tom. 

Apprcsso  Domenico  Lovisa  :   Vcnezia, 
1724-6.     fol.  I-  10. 

[Estro  poetico-armonico.]  The  First  Fifty 
Psalms,  Set  to  jMusic  by  Benedetto  Mar- 
cello  .  .  .  and  adapted  to  the  English 
Version,  by  J.  Garth.  [With  Remarks 
bv  C.  Avisou.]     8  vols.  Printed  for 

J.  Johnson  :  London,  1757.  fol.  I.  10.  b, 
[Psalm  xLii.]  Qual  anelante.  The 
Favorite  Duet  sung  by  INIrs.  Billington 
&  Mr.  Harrison,  etc.  Printed  for 

n.  Birchall :  London,  [1795  ?]     fol. 

G.  800.  (9.) 

XII.  Solos  for  a  German  Flute  or  Violin 
with  a  Thorough  Bass  for  the  Harpsicord 
or  Bass  Violin. .  .Opera  Primo. 

Printed  for  I.  Walsh:  London, 
[1733.]     fol.  g-  1008. 

Six  Solos  for  a  Violoncello  with  a  Thorough 
Bass  for  the  Harpsicord . . .  Opera  Seconda. 
Printed  for  I.  Walsh  :  London, 
[1740?]     fol.  g.  500.  (4.) 

MARCHAL  (        )     Six  Duo  pour  Violons 
. .  .CEuvre  1.     [Separate  Parts.] 
Chez  le  S'-  Borrelli/ :  Paris,  [1770?]     fol. 

g.  421.  r.  (6.) 


MARCHAND  (  )  As  Persians  stretch 
their  Votive  Arms.  [Song.]  The  Words 
by  a  Person  of  Quality  [i.e.  the  Earl  of 
Gainsborough] . 

[London,  1130-?]  s.sh.M.  G.  303.  (1.) 
In  Ancient  Greece  when  Sappho  sung. 
On  a  Lady  of  Qnalitii.     fSong.J 


[London,  limT]     fol. 


G.  303.  (41.) 
Nouvelle  Suitte  d'Airs  pour  deux  Tam- 
bourins,  2ilusettes  ou  Vielles,  etc. 

Grav^c  jmr  D.  Vincent.     Chez  Vauteur  : 
Paris,  [1735?]     fol.  K.  7.  f.  15.  (6.) 

MARCHAND  D'ESCLAVES.   Au  nom 

do    ton    pere.      L^o"g-]      -0"    Marchand 
d'Esclaves.     Air:  Le  Cure  de  Dole. 
[Paris,  1784.]     8".  B.  362.  e.  (79.) 

Les  Beautes  que  j'amene.  [Song.]  Du 
Marchand  d'Esclaves.  Air  :  ^Malbrmck 
s'en  vat  en  querrc.     \ Paris,  IIQ^^T^     8". 

B.  362.  (213.) 

Parcourez  les  Cieux  desormais.  Vaude- 
villes du  M*  d'Esclaves.  Air,  de  la 
^^leuniere.     [Paris,  1784.]     8". 

B.  362.  c.  (79*.) 

MARCHAND     DE     SMYRNE.       Le 

Marchand  de  Smyrne.     [Ballet. j 
See  Bossi  (C.) 

MARCH ANDE.  La  T^Iarchande  d' Amour. 
[Song.j  See  Je.  Je  suis  la  marchande 
d'amour,  c/c.    [1780?]   8°.     B.  362.  (18.) 

MARCHANDES    DE    LA    HALLE. 

Les  :\larchandes  de  la  Halle,  Comedie 
en  un  Acte  et  en  Vaudevilles .  . .  avec  la 
Musique.  Chez  le  Libraire,au  Theatre  du 
Vaudeville :  Paris,  An  troisieme  [1795].  8°. 
11738.  bbb.  8.  (6.) 

MARCHE.  Marche  d'Alcide.  Scene  heroi- 
lyrique.     Sec  Royer  de  Villerie  (     ) 

MARCHES.  [Arranged  clironologically .] 
Prince  Eugene's  ilarch.  See  Hark. 
Hark  !  the  loud  Drum.  Great  Britain  for 
ever  !  A  Ballad. .  .Tune,  Prince  Eugene's 
March.     [1745?]     s.sh.  fol. 

G.  308.  (79.) 

Thirty  Favourite  Marches  which  are  now 
in  Vogue,  set  for  the  Violin,  German 
Flute  or  Hautboy  ;  by  the  most  Eminent 
Masters.  Printed  for  Thompson  and  Son  : 
London,  [17G0?]    *8\  e.  453. 

Bellisle  March.  As  it  was  Perform'd... 
before  his  ^Majesty  in  Hyde  Park  ou  the 
27th  of  June,  1763.  '  [London, 

1763.]  s.  sh.  fol.  H.  1994.  a.  (215.) 
Bellisle  March  and  the  Retreat,  as  they 
was  perform'd. .  .before  his  Majesty. .  .on 
the  27th  of  June  1763.  [London, 

1763.]     s.  sh.  fol.  G.  316.  d.  (166.) 

The  Duke  of  Glosters  ]\Iarch,  as  Perform'd 
before  his  Majestv  at  the  Review  in  Hyde 
Park.     [London,  1163?}     s.  sh.  io\. 

H.  1994.  a.  (214.) 


IMARCHES 


89 


MARCHES.  Captain  Keed's  or  the  Third 
Regiment  of  Guards  !March.  [London, 
1770  ?]    s.  sh.  fol.       H.  1994.  a.  (176.) 

Coldstream  or  Second  Regiment  of  Guards 
March.     [London,  1110?]     s.sh.iol. 

H.  1994.  a.  (180.) 

The  Dorsetshire  iMarch,  for  two  German 
Flutes  and  a  Bass.  [London, 

1770?]     s.sh.iol       H.  1994.  a.  (177.) 

A  Second  Collection  of  XXIV.  Favourite 
IMarches  in  7  Parts  as  they  are  Performed 
by  His  ^Majesty's  Foot  and  Horse  Cruards. 
Set  for  two  Clarinetts  Violins  German 
Flutes  or  Hautboys  and  two  French 
Horns  and  Bass.  [Separate  Parts.] 
Printed  for  C.  and  S.  Thompson:  London, 
[1775  ?]     obi.  4°.  a.  226. 

]\Iarch  of  the  XV"'  Regiment.     [Song.j 
See  How.     How  fearful  the  sound  to  poor 
mothers  and  wives,  c/c.    [1775?]    ,s.  .'.7/.  fol. 

a.  308.  (120.) 

New  Coldstream  ]\Iarch.  For  the  Harp- 
sicord.     [London '>  IIQQ?]     s.sh.io\. 

H.  1601.  a.  (111.) 

!March  of   General  Lotton's  Regiment  in 
Berlin.     [P.  F.,  Guitar  or  Flute.l 
[London 'i  limT}     s.sh.iol. 

H.  1601.  a.  (110.) 

March  of  the  Thirtv-fifth  Regiment.  [Full 
Score.]     [Lonrfon?  1780?]     s.  sh.  lo]. 

I.  600.  d.  (110.) 
The  Middlesex  March.     [Full  Score.] 
[London?  1180?]     s.  ,s7;.  fol. 

H.  1601.  a.  (113.) 
The  Prince  of  Brunswick's  March.  [Full 
Score.]     [London?  1180  ?'\     s.sh.iol. 

H.  1601.  a.  (114.) 
Two  Slow  and  two  Quick  Marches,  recom- 
men[d]ed  to  the  Volunteer  Corps  of  the 
County  of  Down,  etc.  John  Lee  :  Dublin, 
[1780?]    s.  s7i.  fol.      H.  1601.  a.  (115.) 

The  Duke  of  York's  ]March.  As  Per- 
form'd  by  his  Royal  Highnesses  new 
Band  in  the  Coldstream  Reg'  of  Guards. 
[P.  F.  and  Flute.]  Printed  for 

T.  Skillern  :  London,  [1785  ?]     fol. 

G.  297.  (33.) 
[Another  copy.]  h.  62.  (17.) 

The  Milanese  ^Nlarch.  See  :SIy.  "Sly 
fair  one  Adieu... to  the  Tune  of  the 
Milanese  ]\Iarch.     [1785  ?]     s.  sh.  fol. 

G.  310.  (98.) 
The  Duke  of  Clarence's  IMarch,  adapted 
for  the  Harpsichord,  Violin,  German 
Flute,  or  Guitar.  Printed  for 

T.  Skillern  :  London,  [1790?]     fol. 

G.  297.  (34.) 

A  Russian  March,  for  the  Piano  Forte, 
composed  on  General  Suvorofi's  taking 
Ismael.  T.  Skillern,  for  the  Author  : 

London,  [1790?]     fol.         '   g.  133.  (69.) 


[1797  ?j 


MARCHES.     Marche  des  Marseillois. 
See  Allons.  Allous,  enfans  de  la  patrie, etc. 
[1793?]    fol.  H.  1250.  (37.) 

The  Duke  of  York's  March,  etc.     [P.  F.] 
/.  Dale:  London,  [1795?]     fol. 

g.  271.  e.  (28*.) 
[Another  edition.]  The  Duke  of  York's 
:\rarch,  etc.     [P.  F.]  Printed  for 

H.Andrews:  Lambeth,  [1105?]     fol. 

G.  795.  (5.) 
Grand  IMarch  &  Trio,  with  a  Quick  Step 
for  H.M.  78th  Regiment.     [P.  F.] 
T.  Williamson:  Lo7idon,  [1195?]     fol. 

g.  133.  (70.) 
The  Arch  Duke  Charles  of  Austrias  ?*Iarch, 
for  the  Piano  Forte  and  a  Full  Band. 

Longman  and  Broderip  :  London, 
fol.  g.  133.  (72.) 

The  New  Royal  Wirtemberg  ]March,  com- 
posed in  Honor  of  the  late  Nuptials. 
[P.  F.]  Printed  for  J.  Dale  :  London, 

[1797.]     fol.  ■  g.  133.  (71.) 

General  Suwarrow's  March  &  Quick  Step 
. .  .To  which  is  added  five  Russian  Dances, 
etc.  Gow  d-  Shepherd  :  Edinburgh, 

[1798?]    fol.  h.  1568.  b.  (11.) 

The  Egyptian  ^March,  for  a  ^Military  Band, 
also  adapted  for  the  Piano  Forte. 

T.  d-  W.  21/.  Cahusac:  London, 
[1800?]     fol.  h.  1568.  b.  13. 

Flancken-^NIarsch  der  Hamburger  Biirger- 
garde  f iir's  Piano-Forte.  J.  A .  Bijhme  : 
Hamburg,  [1800?]     obi.  iol. 

e.  217.  f.  (4.) 
Marche  des  Royalistes.  [Song.]  .'npcContrr. 
Centre  inos  cruels  ennemis,  etc. 
[1800?]     fol.  H.  2831.  (26.) 

[Another  setting.]  Marche  des  Royalistes. 
[Song.]  See  Mugnie  (J.) 
Marches,  Airs  &  Minuets,  selected  from 
the  Works  of  the  best  Authors,  arranged 
for  two  German  Flutes  or  Violins  and 
many  with  Basses  for  the  Violoncello  or 
Piano-Forte.  I're.^ton  :  London, 

[1800?]     ohl.8''.  b.  78.  (1.) 

The  composers  named  in   tJtis  collection 
are:    Felton,   Hngh    Clerk,   Martini, 
Corbet,    Knerler,    Pasquali,    Handel, 
Humphrij,  Castrutti,  Geminiani,  Mac- 
Gibbon  and  Caporali. 
The     Grand    Neapolitan     ]\Iarch,    for     a 
Military  Band,  also  adapted  for  the  Piano 
Forte.  T.  d  W.  M.  Cahusac:  London, 

[1800?]     fol.  h.  1568.  b.  (12.) 

Two  Favorite  New  Marches,  1»'.  Lord  Corn- 
wallis's,  2''.  The  Duke  of  Brunswick's,  for 
the  Piano-Forte  or  Harpsichord.  Pyintcd 
for  the  Author:  London,  [1800?]     fol. 

g.  272.  i.  (2.) 
Marche  du  Siege  de  Lille.     [Song.] 
See  Jadin  (H.) 

Sec  Airs.  A  Collection  of  Airs  and 
Marches,  e^c.     [1765?]     obi.  8".        b.  41. 


90 


IMARCHERI— MARENZTO 


MARCHESI  (LuiGi)  Sei  Ariettc,  with 
an  Accompanyment  for  the  Piano  Forte 
or  Harp,  etc.  Ijongnian  tC  Jhodcrvp,  for 
the  Author:  London,  [1795?]     ul>l.  fol.' 

E.  601.  m.  (4.) 

[Another  edition.]  Sei  Ariette,  with  an 
Accompaniment  for  the  Piano  Forte  or 
Harp. .  .First  Bet.  R.  Birchall :  London, 
[1800?]     fol.  H.  2827.  f.  (23.) 

Six  Ariettes,  with  an  Accompanyment  for 

the  Piano-Forte,  or  Harp. . .  Opera  Seconda. 

Lonqman  i(-  Broderip  :  London, 

[1795  ?]     ohl.  fol.  E.  600.  z.  (4.) 

See  Sarti  (G.)     [Giulio  Sabino.]    Lmigi 
dal  caro,  etc.     (Aria... coll'   accompagna- 
mento  d'  Arpa  dal  Sig"'  L.  INIarchesi.) 
[1790?]    fol.  G.  196.  (14.) 

MARCHIORE  [de  Barberiis],  da 
Padova.     See  Merchiore. 

MARCO  ANTONIO  [Cavazzosi],  of 
Bologna.  Recerchari  INIotetti  Canzoni 
Com'posti  per  Marco  antonio  di  Bologna. 
Lihro  Primo. 

AjJiid  Bernardinmn  Vercelenscm : 
Venetiis,  1523.     obi.  4".  K.  8.  b.  8. 

MARDO    (Judith)      See  Le   Jeune   (C.) 
Second  Liure  des  IMeslanges,  etc.     [With 
a  dedication  hv  Judith  Mardo.] 
1012.    obl.i".'  B.  283.  i. 

See  Le  Jeune  (C.)  Troisiesme  Liure  des 
Pseairnies,  etc.  [With  a  dedication  by 
Judith  Mardo.]     IGIO.    obi.  i'. 

B.  283.  g. 

MAR:6cHAIi.  Le  Mar^chal  des  Logis. 
[Song.]  See  Chahtons.  Chantons  la 
noble  avanture,  etc.     [1785  ?]     8'\ 

B.  362.  f.  (40.) 

MARECHAL  FERRANT.  Le  IMar-J- 
chal  Forrant.  Op6ra  Comique  en  deux 
Actes,  etc.  [With  the  music,  by  F.  A. 
Danican  Philidor,  of  some  of  the  Songs.] 

De  rimprimerie  de  C.  Ballard,  etc. : 
[Paris,]  1702.     S".  11738.  m.  1.  (1.) 

[L' Amour  se  plait.]  .S^-^  Docteurs 
MoDERNES.  Ce  secret  qui  fait  tant  de 
Men... Air  du  Vaudeville  du  INIar^chal. 
[By  F.  A.  Danican  Philidor.]     1784.     8". 

B.  362.  (193*.) 

Sec  Embarquez.     Embarqu6s  vous 

fiers  matelots  .  .  .  Air  du  Vaudeville  du 
]\rar6chal  [Ferrant,  by  F.  A.  Danican 
Philidor].     [1785?]     8°.        B.  362.  (21.) 

Quand  pour  le  grand  voyage.  Ariettes, 
detachi's  du  Man'chal  Ferrant  [by  F.  A. 
Danican  Philidoi-n.     [Prtcis,  1705?]     8". 

B.  362.  (20.) 

Le  Mar^chal  Ferrant.     Opera  Comique. 
See  Philidor  (F.  A.  Danica^') 


mar:6chal   ferrant   de   la 

VILLE  D'ANVERS.  Le  :Marechal 
Ferrant  dc  la  Ville  d'Anvers,  Pi^ce  anec- 
dotique  en  un  Acte  et  en  prose,  melt'e  de 
Vaudevilles,  par  le  C.  Maurice  S[eguier] 
. .  .avec  la  jNIusiqne.  C'/;c,-:  le  Librairr  : 
Paris,  An  vii"  [1799].     8°. 

11738.  n.  15.  (6.) 
Containing  songs  bij  Gthard,  Doche  and 
Kall.brenncr. 

MARELLA  (Giovanni  Battista) 

See  Catches.     A  Collection  of  Catches  by 
. .  .Dr.  Arne,. .  .Sigr.  Marella.  etc. 
[1704?]     o6Z.  4°.  A.  756.  a.  (1.) 

See  Modern  Catch-Club.  The  ]\Iodern 
Catch-Club. .  .a  Collection  of  Catches... 
bv . . .  Marella,  etc.     [1770  ?]     obi.  4°. 

A.  756. 

MARELLA  (J.  B.)     See  :\rARELLA  (G.  B.) 

MARELLI  (J.  B.)     See  Marella  (G.  B.) 

MARENZIO  (Luca) 

Arrangement. 

1.  Canzonets  and  Villauelles. 

2.  ]\Iadrigals  (Secular). 

a.  Collected  editions. 

b.  For  six  voices. 

c.  For  five  voices. 

d.  For  four  voices. 

3.  IMadrigals  (Sacred). 

1.  Canzonets  and  Villanelles. 

[II  Prirao  Libro  dalle  Villanelle   et   Arie 
alia  Napolitana,  a  Tre  Voci,  etc.     Basso.] 
[Appyresso  Giacomo  Vincenti?  : 
Venctia,  1584.?]    8\  B.  270.  n.  (1.) 

Wanting  the  title-page  and  pp.  13-10. 
II   Primo   Libro    delle  Villanelle   a    Tre 
Voci  . . .  Nouamente    ristampate.      Terza 
Impressione.     Canto.  Presso 

Giacomo  Vincenzi  :   Venetia,  1580.     8", 

B.  270.  k.  (1.) 

[Another  copy.  Canto.]     B.  270.  m.  (1.) 

II  Primo  Libro  delle  Villanelle  et  Arie 
alia  Napolitana  a  Tre  Voci  . .  .  Di  nouo 
Ristampate,  &  Corrette.  Canto.  (Tenore.) 
2  pts.  Appresso  Angelo  Gardano  : 

Venetia,  1000.     4".  C.  210.  f.  (1.) 

II   Primo   Libro  delle  Villanelle   et   Arie 

alia  Napolitana,  a  Tre  Voci . . .  Nouamente 

ristampate,  &  corrette.     Tenor.     (Basso.) 

2  pts.  Appresso  Giacomo  Yincenti : 

Venetia,  1005.     8".  B.  270.  1.  (1.) 

Lnperfect,  wanting  2>P-  5-0  and  the  last 

leaf  of  the  Toior  part. 

II   Secondo   Libro   delle   Canzonette   alia 

Napolitana   a   Tre   Voci  . . .  Raccolte   per 

Attilio   Gualtieri  &  nouamente   poste   in 

luce.    Canto.    Presso  Giacomo  Vincenzi,  <(■ 

j        Ricciardo    Amadino    compaqni :    Venetia, 

I       1585.     8".  B.  270.  m.  (2.) 


MABENZIO 


91 


MARENZIO(Luca)  II  SecondoLibrodelle 
Canzonet te  alia  Napolitana  a  Tre  voci,  . . . 
RaccolteperAttilioGualtieri,&uouaniciiHfe 
ristampate.  Seconda  Impressione.  Canto. 
(Tenore.)     2  i)ts.  Prcsso 

Giacoino  Vinccn.ii :   Vc )icti(i,  15S7.     8". 

B.  270.  k.  (2.) 

II  Secondo  Libro  delle  Villanelle  a  Tre 
Voci,  . . .  Raccolte  per  Attilio  Gualtieri. 
Nuouamente  Ristampate  &  .  .  .  corrette. 
Tenore.     (Basso.)     2  pts.  ApiJvcsso 

Giacomo  Vincenti :  Ycnetia,  1592.     8". 

B.  270.  1.  (2.) 
In  earlier  editions  this  work  was  called 

Canzonctte  alia  Napolitana. 

[Another  copy.     Basso.]     B.  270.  n.  (2.) 
The  title-piage  is  mutilated. 

II  Secondo  Libro  delle  Villanelle  et  Arie 
alia  Napolitana  a  Tre  Voci  . . .  Di  nouo 
Ristampate,  &  con  diligenza  Corrette. 
Canto.     (Tenore.)     2  pts.  Appi-csso 

Angela  Gardano  :   Venetia,  IGQO.     4°. 

C.  210.  f.  (2.) 

II  Terzo  Libro  delle  Villanelle  a  Tre  Voci 
composte  .  ,  .  nel  modo  che  hoggidi  si  usa 
cantare  in  Roma.  Raccolte  da  Christoforo 
Ferrari,  &  di  nuouo  date  in  Luce.  Canto. 
Appresso  Alcssandro  Gardano : 
noma,  1585.    8".  B.  270.  m.  (3.) 

II  Terzo  Libro  delle  Villanelle  a  Tre  Voci 
...  Nuouamente  ristampate.  Canto. 
(Tenore.)     2  pts.  Presso 

Giacomo  Vincenzi :   Ycnetia,  1587.     8". 

B.  270.  k.  (3.) 

II  Terzo  Libro  delle  Villanelle  a  Tre  Voci 
.  .  .  Raccolte  per  Christoforo  Ferrari. 
Nuouamente  Ristampate,  &  . . .  corrette. 
Tenore.     (Basso.)     2  pts.  Appresso 

Giacomo  Vincenti :  Ycnetia,  \5Q2.     8'\ 

B.  270.  1.  (3.) 

[Another  copy.     Basso.]  Appresso 

Giacomo  Vincenti :  Venetia,  1592.    S". 

B.  270.  n.  (3.) 
II  Terzo  Libro  delle  Villanelle  et  Arie 
alia  Napolitana  a  Tre  Voci  . . .  Di  nouo 
Ristampate,  &  con  diligenza  Corrette. 
Canto.     (Tenore.)     2  pts.  Ap>2yresso 

Angela  Gardano  :   Venetia,  1000.     i". 

C.  210.  f.  (3.) 

II  Quarto  Libro  delle  Villanelle  a  Tre 
Voci  . . .  Raccolte  per  Attilio  CUialtieri 
Nuouamente  poste  in  luce.  Canto. 
(Tenore.)     2  pts.  Prcsso 

Giacomo  Vincenzi :   Venetia,  1587.     8". 

B.  270.  m.  (4.) 

II  Quarto  Libro  delle  Villanelle  a  Tre 
Voci,  . . .  Raccolte  per  Attilio  Cxualtieri. 
Nuouamente  Ristampate,  &  . . .  corrette. 
Basso.  Ajjjjresso  Giacomo  Vincenti  : 

Venetia,  1592.     8°.  B.  270.  1.  (4.) 

[Another  copy.     Basso.]     B.  270.  n.  (4.) 
The  title-page  is  mutilated. 


MABENZIO  (Luca)  11  Quarto  Libro  delle 
Villanelle  et  Arie  alia  Napolitana  a  Tre 
Voci  . . .  Di  nouo  Ristampate,  &  con  dili- 
genza Corrette.  Canto.  (Tenore.)  2  pts. 
Appresso  Angelo  Gardano  : 
Venetia,  1600,     4".  C.  210.  f.  (4.) 

Di  Luca  jNIarentio  il  Quinto  Libro  delle 
Villanelle  a  tre  voci  con  vna  a  quattro. 
Raccolto  da  Attilio  Gualtieri.  Nuoua- 
mente poste  in  luce.  Canto.  Appresso 
V  Hcrede  di  Girolamo  Scotto  :  Vinegia. 
1587.     8".  B.  270.  k.  (4.) 

[Another  copy.  Canto.]  B.  270.  m.  (5.) 
Di  Luca  JNIarentio  il  Quinto  Libro  delle 
Villanelle  a  tre  voci  con  vna  a  quattro. 
Raccolto  da  Attilio  Gualtieri.  Noviamente 
ristampate.     Tenore.     (Basso.)     2  pts. 

Appresso  l'  Herede  di  Girolamo  Scotto : 
Vinegia,  1591.     8".  B.  270.  1.  (5.) 

[Another  copy.     Basso.]     B.  270.  n.  (5.) 

Tlie  title-page  is  mutilated. 
II  Quinto  Libro  delle  Villanelle   et   Arie 
alia  Napolitana   a   Tre  Voci  . . .  Di   nouo 
Ristampate,    &    con    diligenza    Corrette. 
Canto.     (Tenore.)     2  pts.  Aj)presso 

Angelo  Gardano :  Veiietia,  1000.     4". 

C.  210.  f.  (5.) 
Ausszug  auss  Lucae  Marentii  vier  Theilen 
seiner  Italianischen  dreystimmigen  Villa- 
nellen  und  Napolitanen. .  .mit  Teutschen 
Texten  gezieret,  vnnd  inn  Truck  publiciert 
von  Valentino  Haussmanno  Cxerbipol. 
Cantus.     (Tenor.)     2  pts. 

Diirch  Panhtm  Kantjmann :  Kiirmherg, 
IGOG.     4'.  ■■  C.  210.  h. 

2.  Madrigals  (Secular). 

a.  Collected  editions. 

Di  Luca  Marenzio  .  .  .  !Madrigali  a  Sei 
Voci,  in  un  corpo  ridotti.  Nuouamente 
posti  in  luce,  &  con  ogni  diligentia 
eorretti.  Aggiunto  vi  di  piu  vno  IMadrigale 
del  istesso  Authore  a  Dieci  Voci.  Canto. 
(Alto.)  (Tenore.)  (Basso.)  (Quinto.) 
(Sesto.)     6  pts.  Pietro  Phalesio  d- 

Giovanni  Belle ro  :  An uersa,  l^Oi.    ofeZ.  4°. 

K.  3.  f.  15. 

Di  Luca  Marenzio  . .  .  il  Primo,  Secondo, 
Terzo,  Quarto  &  Quinto  Libro  de  ]\Iadri- 
gali  a  Cinque  Voci.  Nuouamente  ristam- 
pati  &  in  vn  Corpo  ridotti.  Canto. 
(Alto.)  (Tenore.)  (Basso.)  (Quinto.) 
5  pts.  A.2)2>resso  Pietro  Phalesio  : 

Amursa,  1G09.     ohl.  4".  B.  270.  e. 

[Another  copy.    Tenore.    (Basso.)]    2  pts. 

B.  270.  f. 

Di  Luca  :Marenzio  . .  .  il  Sesto,  Settimo, 
Ottauo  et  Nouo  Libio,  il  suo  Testamento 
de  r^Iadrigali  a  Cinque  Voci.  Nuouamente 
Stampati  &  in  vn  Corpo  ridotti.  Tenore. 
(Basso.)  2  pts.  Appresso  Pietro  Phalesio : 
Anuersa,  1C09.     ohl.  4".  B.  270.  h. 


92 


MARENZIO 


MARENZIO  (Luca) 

b.  For  six  voices. 

II  Primo  Libro  de  ]\Iadrigali  a  Sei  Voci, 
,  .  .  Nouamente  Ristampato.  Canto. 
(Alto.)     (Basfio.)     (Quiuto.)     4  pts. 

Appirsno  Anqclo  Gnrdano  : 
Ynietia,  1584.     4".  "     C.  210,  a. 

Di  Luca  ]\Iarenzio  11  Terzo  Libro  de 
Madrigali  a  Sei  Voci.  Nouamente  com- 
posto  et  dato  in  Luce.     Quinto. 

Apprcsso  V  Hcrcdc  di  Girohimo  Scotto  : 
Viucgia,  1585.     4".  C.  210.  1. 

Di  Luca  Marenzio  il  Terzo  Libro  de  ]Madri- 
gali  a  Sei  Voci.  Nouamente  ristampati. 
Canto.  Ajyprcsso  l'  Hcrrdc  di  Girolamo 
Ycneiia,  1589.     4".  C.  210.  r. 

Di  Luca  Marenzio  il  Terzo  Libro  de  ^Nladri- 
gali  a  Sei  Voci.  Nouamente  Ristampato. 
Alto.  (Tenore.)  (Basso.)  (Quinto.)  (Sesto.) 

5  pts.  Appre^!<o  Angcio  Gardano  : 
Vnictia,  1594.  4".  C.  210.  s. 
II  Quarto  Libro  de  Madrigali  a  Sei  Voci 
. .  .  Nouamente  Ristampato.     Alto. 

Apprcaso  Angela  Gardano : 
rc7ictia,  159.3.    4".  '     C.  210.  n. 

Di  Luca  Marentio  il  Quinto  Libro  de 
]\Iadrigali  a  Sei  Voci.  Nouamente  ristam- 
pato. Alto.  Appypsso  Angela  Gardano  : 
Venetia,  1595.     4".  "     C.  210.  d. 

Di  Luca  Marentio,  il  Sesto  Libro  de 
Madrigali  a  Sei  Voci.  Nouameute  Com- 
posto,  &  dato  in  luce.  Canto.  (Alto.) 
(Tenore.)      (Basso.)       (Quinto.)      (Sesto.) 

6  pts.  AppresRO  Angela  Gardano: 
Venetia,  1595.  4".  '  C.  210.  m. 
[Another  copy.  Alto.]  C.  210.  e. 
Di  Luca  Marenzio  ...  II  Sesto  Libro  de 
Madrigali  a  Sei  Voci.  Nouameute  stam- 
pati  and  dati  in  luce.  Tenore.  Ajijyrcsso 
Pietro  Phalesio :  Amicrsa,  1610.     obi.  4". 

B.  270.  j. 

c.  For  five  voices. 

Di  Luca  ]\Iarenzio  il  Primo  Libro  de 
Madrigali  a  Cinque  Voci.  Nouamente. . . 
ristampati.     Alto.  Appresso 

Angela  Gardano  :  Venetia,  1582.     obi.  4". 

A.  294.  b. 
Di  Luca  ]Marenzio  il  Primo  Libro  de 
Madrigali  a  Cinque  Voci,  nouamente  . . . 
ristampati.     Tenore.  Pressa 

Giacomo  Vincenzi,  &  Ricciarda  Amadino 
compagni  :  Venetia,  158G.  4".  C.  210.  o. 
Di  Luca  Marenzio  il  Primo  Libro  de 
Madrigali  a  Cinque  Voci.  Nouamente . .  . 
ristampati.  Canto.  (Alto.)  (Tenore.) 
(Quinto.)     4  pts.  Aj^i^resso 

Angela  Gardano  :  Venetia,  1587.    obi.  4°. 

53.  a.  20-23. 
Di  Luca  Marenzio  il  Primo  Libro  de 
Madrigali  a  Cinque  Voci.  Nouamente 
ristampati.     Basso.     (Quinto.)     2  pts. 

Ajyjrres.to  V  Herede  di  Gierolamo  Scoto  : 
Venetia,  IGOO.     4".  C.  210.  p. 


MARENZIO  (Luca)  Di  Luca  Marenzio 
il  Secoudo  Libro  de  Madrigali  a  Cinque 
Voci,  Nouamente  Ristampati.     Alto. 

^2)j);r.sso  Angela  Gardano  : 
Venetia,  1583.     obi.  4°.  A.  294.  a. 

Di  Luca  INIarenzio  il  Secondo  Libro  de 
INIadrigali  a  Cinque  Voci,  Nouameute 
Ristampati.  Canto.  (Alto.)  (Tenore.) 
(Quinto.)     4  pts.  AppreRso 

Angela  Gardano:  Venetia,  159.3.     obi.  4". 
53.  a.  20-23.  (2.) 

Di  Luca  Marenzio  il  Terzo  Libro  de 
INIadrigali  a  Cinque  Voci,  nouamente 
Composti,  &  dati  in  luce.     Quinto. 

AppreKsa  Angela  Gardano  : 
Venetia,  1582.     abl.  4°.         '  B.  270. 

Di  Luca  INIarenzio  il  Terzo  Libro  de 
Madrigali  a  Cinque  Voci,  Nouamente 
Ristampati.  Canto.  (Alto.)  (Tenore.) 
(Quinto.)     4  pts.  App)re!ifio 

Angela  Gardano  :   Venetia,  1595.     obi.  4". 
53.  a.  20-23.  (3.) 

Di  Luca  Marenzio  il  Quarto  Libro  de 
Madrigali  a  Cinque  Voci.  Nouameute 
Ristam]Dato.  Canto.  (Alto.)  (Tenore.) 
(Quinto.)     4  pts.  Ai^preRfta 

Angela  Gardano  :   Venetia,  1594.     obi.  4". 
53.  a.  20-23.  (4.) 

Di  Luca  jMarenzio  il  Quinto  Libro  de 
Madrigali  a  Cinque  Voci.  Nouamente 
compostoet  dato  in  luce.   Canto.  (Tenore.) 

2  pts.  Apprefiso  V  Ilerede  di  Girolama 
Scotto  :   Vinegia,  1585.     4".       C.  210.  b. 

Di  Luca  IMarentio  il  Quinto  Libro  de 
]\[adrigali  a  Cinque  Voci.  Nouamente 
ristampato.     Basso.     (Quinto.)     2  pts. 

Appresso  V  Herede  di  Girolamo  Seotta : 
Venetia,  1588.     4".  C.  210.  q. 

Di  Luca  Marenzio  il  Quinto  Libro  de 
^Madrigali  a  Cinque  Voci.  Nouamente 
ristampato.  Canto.  (Alto.)  (Tenore.) 
(Quiuto.)     4  pts.  Appresso 

Angcio  Gardano :  T>)iffirt,  1594.     o6/.  4". 
53.  a.  20-23.  (5.) 

Di  Luca  INIarenzio  il  Sesto  Libro  de 
INIadrigali  a  Cinque  Voci,  Nouamente 
posto  in  luce.  Canto.  (Alto.)  (Tenore.) 
(Quiuto.)     4  pts.  Appresso 

Angela  Gardano  :  Venetia,  lb^\.     abl.  i". 
53.  a.  20-23.  (6.) 

Di  Luca  INIarenzio  il  Sesto  Libro  de  Madri- 
gali a  Cinque  Voci.  Nouamente  Ris- 
tampato, etc.    Canto.    (Tenore.)    (Basso.) 

3  pts.  Appresso  Angela  Gardano: 
Venetia,  1603.     obi.  4".  A.  294. 

Di  Luca  Marenzio  il  Sesto  Libro  de 
INIadrigali  a  Cinque  Voci.  Nouamente 
ristampato.  Canto.  (Alto.)  (Tenore.) 
(Basso.)  (Quinto.)  5  pts.  Stampa  del 
Gardano.  JEre  Bartholomsei  Magni  : 
Venetia,  1614.     4".  C.  210.  j. 

[Another  copy.     Basso.]  C.  210.  k. 


MARENZIO— MARIA 


93 


MARENZIO  (Luca)  Di  Luca  Marenzio 
il  Settimo  Libro  cle  Madrigali  a  Ciuque 
Voci,  Nouamente  Composto  &  dato  in  luce. 
Canto.  (Alto.)  (Tenore.)  (Basso.)  (Quiuto.) 
5  ptb.  Appresso  Angela  Gardcuio: 

Vcnctia,  1505.     ubl.  4.".  B.  270.  b. 

Di  Luca  Mareuzio  il  Settimo  Libro  de 
jMadrigali  a  Cinque  Voci.  Di  nouo  ristam- 
pati,  &  Corretti.  Canto.  (Alto.)  (Teuore.) 
(Basso.)     (Quiuto.)     5  pts.  Ajij^-csso 

Angelo  GardcDio  :   Vcnctia,  1600.    obi.  i°. 

B.  270.  d. 
[Another  copy.  Canto.  (Alto.)  (Teuore.) 
(Quinto.)]     4  pts.         53.  a.  20-23.  (7.) 

Di  Luca  Maronzio  1'  Ottauo  Libro  de 
INIadrigali  a  Cinque  Voci.  Nouamente 
Composto,  &  dato  in  luce.  Canto.  (Alto.) 
(Basso.)     (Quinto.)     4  pts.  Aju^resso 

Angela  Gardano :  Vcnctia,  15'J8.    abl.  4". 

B.  270.  c. 
[Another  copy.  Alto.  (Teuore.)  -2  pts. 
53.  a.  22,  23.  (8.) 
Di  Luca  ^Nlarenzio  il  Nono  Libro  de 
Madrigali  a  Cinque  Voci.  Di  nouo 
Ristampato,  &  Corretto.     (Quiuto. 

Appresna  Angela  (iarddno: 
Vcnctia,  1601.     abl.  4".  A.  294.  c. 

d.  For  four  voices. 

IMadrigali  a  Quattro  Voci  .  .  .  Nouamente 
.  .  .  ristampati.  Libro  Primo.  Canto. 
(Teuore.)     (Alto.)     (Basso.)     4  pts. 

Appresbo  Angelo  Gardano  : 
Venesia,  1592.     4".  C.  210.  c. 

^ladrigali  a  Quattro  Voci  .  . .  Nouamente 
.  .  .  ristampati.  Libro  I'rimo.  Canto. 
(Alto.)     (Tenore.)     (Basso.)     4  pts. 

Ajyjn-csso  Angela  Gardano: 
Vcnctia,  1603.     obi.  4".  C.  210.  i. 

INIadrigali  a  Quattro  Voci  .  .  .  Novamcute 
. . .  ristampati.     Canto.     (Alto.)     2  pts. 

Paulas  Kautf'inannus : 
NoribergK,  1603.     4".  C.  210.  g. 

Madrigali  a  Quattro  Voci. .  .Nuouamente 
Ristampati.     Tcnorc.     (Basso.)     2  pts. 

Apprcsao  Fictro  Fhulcsio  : 
Anuersa,  1607.     abl.  4".  B.  270.  g. 

3.  Madeigals  (Sacked). 

Madrigali  Spirituali  ...  a  Ciuque  Voci. 
Nouamente  stampato  &,  dato  in  luce. 
Libro  Primo.     Canto.     (Tenore.)     2  pts. 

Per  Alessandro  Gardano: 
Roma,  1584.     4".  C.  210. 

Di  Luca  Marenzio  .  .  .  de'  ?*Iadrigali 
Spirituali  a  Ciuque  Voci.  Nouamente 
stampati.     Tcnorc.     (Basso.)     2  pts. 

Appresso  Pietro  PJialcsio : 
Anuersa,  1610.    obi.  4'.  B.  270.  i. 

MARESCIAL    (         )       Locciolette    che 
andato  di  notte.     Cavatina,  etc. 
[Paris,]  1778.     8".  297.  f.  22. 

Mcrcurc  de  France,  June,  1778. 


MARGARINA  (Chkistophorus) 

S<^e   Anekio    (Ct.    F.)     Litaniae   Deiparae 
Virginis  ...  A  Christophoro  Jlargarina  in 
vnum  collectte,  &  in  lucem  editte,  etc. 
1611.     4^  D.  229. 

MARGATE.       The     Margate     Ballad. 
[Song.]    See  Fkoji.    Prom  court  aud  from 
country,  etc.     [1760.]     8".    P.P.  5438.  z. 
The  Margate  Hoy.     [Song.] 
See  DiBDiN  (C.)  "  [Christmas  Gambols.] 

MARGERY.     ^largerv.     [Opera.] 

S,r  La.mpk  (J.  F.) 

MARI  RETROUV:^.  Airs  de  la 
Comedie  du  Mary  Retrouvc.  [By  J.  C. 
Gillier.  Words  by  P.  C.  Daucourt.] 
[1698.]  See  Aiks.  Airs  lo  la  Comedie 
Francoise.  [No.  14.] 
[1696-]1705.     obi.  8".  B.  319. 

Le  Mari  Retrouvc,  Comedie.  Repre- 
sentee pour  la  premiere  fois,  le  25  Octobre 
1698.  [By  P.  C.  Dancourt,  with  music 
by  J.  C.  Gillier.]     [Paris,  1760.       12". 

241.  c.  6. 
Part   0/   '  Les    (iJnvrcs   de    Theatre    de 
M.  D'Ancourt,'  etc.     tarn.  6. 

MARIA.  Maria.  An  Elegy  [begins: 
'  Maria  lovely  Maid  is  dead  'j  for  the 
Harpsichord  or  Piano-Forte.  Catharine 
Fentuni,  for  the  Author:  London, 
[1775?]     fol.  G.  310.  (105.) 

Maria.      [Song,   begins:  'As  from   above 
the  genial  dews.']     See  Ada.ms  (J.  B.) 
:\Iaria.     [Song,  begins  :  '  When  first  JIaria 
smil'd  on  me.']     See  Richakdson  (J.  B.) 
:\raria.    Song.   [Begins  :  '  Assist  me  all  vc 
Pow'rs  above.']     Sec  Weale  (G.) 
Maria.  Glee  [begins  :  'Maria!  ah  listen '1. 
Sec  Webbe  (S.)  the  Elder. 
Maria  hilff.     [Hymns.] 
See  Hym>s.  [Gertnan.] 
Maria  prithee  don't  destroy.     [Song.] 
See  Coueteville  (R.) 
IMaria   rein   dcin   Klag  allcin.     Plunctus 
Bcatic   Mariw    Virgi)iis,   Das   ist,    Unser 
liebeu  Prawen  Klag  vnd  Hertzeulcid  .  .  . 
Im  Thon  Maria  zart  von  edler  Art,  etc. 
Durch  Andream  Angermayer  :    Innolstatt, 
1613.     8".  11517.  bbb.  8. 

Part  of  C.  I  etter's  '  Paradeissvogei;  etc. 
:Maria   when   my   Sight   you   bless.     The 
Milk-Maid.     [Soug.j     Bv  Mr.  W.  B 
[Landan,  1730?]     s.  sh.  fol. 

G.  316.  e.  82. 
Maria's  Evening  Service  to  the  Mrgin. 
[Song.]     Sec  Billikc.ton  (T.) 

MARIA  ANTONIA  WALPURGIS 
[of  Bavaria],  Consort  of  Charles  Frede- 
rick Christian  Augustus  Francis,  Elector 
of  Saxony.  See  A.,  E.  T.  P.,  p)scud. 
See  Kammel  (A.)  Six  Overtures  in  Eight 
Parts  by  . . .  ly.  Princess  Royal  of  Saxony. 
etc.     [1770?]     fol.  g.  474.  (7.) 


94 


MARIA— MARIAGES 


MARIA  STUART.  :Maria  Stuart.  Bal- 
lade.      SvC  ZUMbTEKlr  (J.  Iv.) 

MARIA    UND    JOHANNES.      IMaiia 
unci  Johauues.     Passions-Oratorium. 
Sec  ScHULZ  (J.  A.  p.) 

MARIA  (DoMENico  Della) 
Sec  Della  Maria. 

MARIJE3.  Maribe  Heimbsuochuug. 
rilpiin.J     Sec  Hymns.  [German.] 

MARIAGE.  Le  mariage  a  ses  peiues. 
Air.  See  Laborde  (J.  B.  de)  [La 
Mcuniirc  dc  Gentilly.] 

MARIAGE  A  LA  MODE.     Le  Mariage 
a  la  ilodo.     Comcdic  eu   un  acte,  et^  eu 
vers;  par  M.  Fardeau.      Ciuquieme  Edi- 
tion, etc.     [With  the  music  of  a  song.] 
Chcs  VAuteur  :  Paris,  1778.     8". 

11738.  aa.  8.  (3.) 

MARIAGE     D' ANTONIO.       Des    les 

premiers  jours  du  priutems.     VaudevUlc 
du  Manage  cV Antonio  [by  L.  Gretry]. 
Chez  Fnh-e  :  [Paris,  1786.]     8". 

B.  362.  e.  (98.) 

Le  Mariage  d' Antonio.     Divcrtisemeut. 
Sec  Gretry  (L.) 
MARIAGE    DE    FIGARO.     La   Folle 
JouruL'O,    ou     Le     :Mariage     de    Figaro. 
Comedie   en    Cinq   Actes,    en  Prose,    par 
j\Ir.  Carou  de  Beaumarchais  . . .  Kouvelle 
edition. .  .avec  les  Airs  notes,  etc. 
Paris,  1785.     8°.  640.  f.  8. 

[Another  edition.]  La  Folle  Jouruee  ou 
le  JMariage  de  Figaro,  etc.  Amsterdam, 

1785.    8".  841.  e.  2.  (2.) 

Coeurs  sensibles,  ca3urs  fidelles.  Vaude- 
ville da  Mariage  de  Figaro  .  .  .  de  M.  de 
Beaumarchais.  Chez  Caviand : 

[Paris,  1784.]     8".  B.  362.  (186.) 

See  A..     A  certaine  Coterie  .  .  .  Air. 

Cceur  [sic]  Sensibles.     [1785  ?]     8". 

B.  362.  (201.) 

See   De.       D'un   dauseur   du   haut 

parage. .  .Air  ;  Figaro.     [1789  ?]     8". 

B.  362.  e.  (26.) 

See  De.    De  la  plus  charmante  ville. 

Le  Tableau  dc  Paris.  Air  du  Vaudeville 
de  Figaro.     [17^5  ?]     8'.    B.  362.  (204.) 

See   Dis.     Dis-moi   done  quelle  est 

la  cause.  La  Coq u el icot. .  .Aiv  du  ^lari- 
agede  Figaro.     [1785?]     8". 

B.  362.  f.  |22.) 

See  Du.    Du  Jeude  la  Loteric. .  .Air 

de  Figaro.     [1789  ?]    8°.     B.  362.  (200.) 

.See  Folle  Soiree.     Sans  redouter 

la  Satire. .  .Air  du  INIariage  de  Figaro. 
[1790?]     8".  B.  362.  (187.) 

Sec  II.     II  est  un  Dieu  tutelaire  . . . 

Air  -.  du  Vaudeville  de  Figaro. 

[1780?]     8".  B.  362.  f.  (6.) 


MARIAGE  DE  FIGARO.     Creurs  sen- 
sibles, coiurs  fidelles.     Sec  Jadis.     Jadis 
on  voyoit  Thalic  ...  Air  de  Figaro. 
[1785?]     8".  B.  362.  (189.) 

See  Leandke  Candide.     En  fixant 

notro  pianette.    Vaudeville . . .  Sur  1' Air  de 
Figaro.     [1784.]     8".        B.  362.  c.  (27.) 

■  Sec   LiSE.     Lisc  d'une  main  alerte 

. . .  Air  :  du  Mariage  de  Figaro. 


[1790  ?j     8". 


B.  362.  e.  (93.) 


Sec  NicoDiiME  dans  la  Luke.  Oui, 
Messieux,  tout  I'monde  en  France. .  .Air  : 
de  Figaro.     [1791.]     8^     B.  362.  (191.) 

Sec   Pour.      Pour    atteindre    a    la 

fortune.      L'Aritlimrtiquc  a  la  Mode  .  .  . 
Air :  Vaudeville  du  M^"  de  Figaro,  etc. 
[1785  ?]     8".  B.  362.  (197.) 

Sec  Que.    Q'un  amant  a  sa  maitresse 

...Air  de  Figaro.     [1791?]     8". 

B.  362.  (199.) 

See  Sous.     Sous  une  Gaze  legere. . . 

Air  :  du  Vaudeville  dc  Figaro. 

[1785?]     8".  B.  362.  j.  (13.) 

See  Trop.  Trop  fort  le  plaisir  abonde. 

Le   Mai  dc  Cceur  de  Geronde.     Air:   de 
Figaro  [1785  ?]     8".  B.  362.  f.  (49.) 

See  Vive.      Vive  les  nuits  etoilees. 

LjCS   Soirees   du  Palais  Eoijal.     Sur  I'air 
du  Mariage  de  Figaro,  e/e.     [1785?]     8'. 

B.  362.  g.  (69.) 
Mon  Courcier  hors  d'haleine.  Eomance, 
du  petit  Page.  Du  Mariage  de  Figaro. 
Par  M.  de  Beaumarchais.  Chez  Bignon  : 
Paris,  [1785.]     8".  B.  362.  (206.) 

Tlic  mclodij  is  that  of  '  Malbrook  sen 
va  t'cn  guerre' 
]Mon  Courcier  hors  d'haleine.  Piomancc 
du  petit  Page.  Dans  le  Mariage  de 
Figaro,  avec  Accompaguement  de  Gui- 
tarre.  Longman  it  Brodcrij) :  London, 
[1790?]  fob    G.  800.  m.  (38.) 

MARIAGE  DU  VAUDEVILLE.  Le 
^Mariage  du  Vaudeville  et  de  la  Morale. 
Comedie  en  un  Acte,  en  vers,  melee  de 
Vaudevilles ;  [Written]  par  le  Citoyen  Piis. 
[With  the  music  of  the  final  Vaudeville.] 
Cliez  le  Libraire,  aa  Tliedtrc  du  Vaude- 
ville: Paris,  An  Deuxieme  [1794].     8". 

11738.  L  18.  (9.) 

MARIAGE  PAR  ESCALADE.  Le 
Mariage  par  Escalade,  Opera-Comique,  a 
I'occasion  de  la  prise  du  Port-Mahon  .  .  . 
Nouvelle  edition,  augmentee  de  couplets 
.  . .  &  de  Vaudevilles . . .  avec  les  airs  notes. 
Chez  Duchesne  :  Paris,  1757.     8". 

164.  d.  21. 

MARIAGES    SAMNITES.      L'Amour 
folatre    alors    qu'il   blesse.       Aricttc    des 
Samnitcs  [by  A.  E.  M.  Gretry]. 
[Paris,  1780  ?]     8'\  B.  362.  i.  (42.) 

Dieu   d' Amour.      CJueur    et  Marchc   des 
filles  Sam''\     [By  A.  E.  U.  Gretry.] 
[Paris,  1780  ?]     8".  B.  362.  i.  (43.) 


MARIAGBS— MARISSAL 


95 


MARIAGES        SAMNITES.  Dieu 

d'Amour.  Clueurs  des  Sainiiitcs  'bv  A. 
E.  M.  Gretry.     [1780?]     8'. 

B.  362.  (44.) 

Les  Mariag«s  Samuites.  Drame  Lyrique. 
Sec  Gretry  (A.  E.  M.) 

MARIAN.      The   Brauch  of  the  Willow. 
[Soug.]     Sung  by  Mrs.  Billiiigtou,  iu  the 
new  Opera  of  Mariau.     [Bv  W.  Shield.] 
J.  (t-  E.  Lcc  :  Dublin,    Ti'SOT     s.  a7(.  fol. 

H.  1601.  b.  (1.) 
No  Language  but  that  of  the  Heart.  A 
favourite  Song  ...  in  the  new  Opera  of 
Marian.  'By  W.  Shield.!  /.  cC  E.  Lcc  : 
Z>«WiH,  riT'jo ?j     A'.  s7(.  fol. 

H.  1601.  b.  (3.) 
Patty   Clover.      A   favorite    Song  iu   the 
new  Opera  of  IMarian.     [By  W.  Shield. ' 
J.  it  E.  Lcc  :  Dublin,  ri7'J0?]     s.  sh.  fol. 

H.  1601.  b.  (2.) 
Who  can  suspect.  A  favourite  Song  .  .  . 
in  the  new  Opera  of  ^Marian.  [Bv  W. 
Shield.]  J.  ci-  E.  Lcc:  Dublin, 

[17'J0?]     s.  ah.  fol.  H.  1601.  b.  (4.) 

IMarian.     Opera.     See  Shikld  (W.) 
Marian's  Complaint.     [Song.] 
Sec  PiTJiAX  (A.)      [Three  Amorosos.     Op. 
VI.     Nu.  1. 

MARIANA.    IMariana.    Song.    Scc'Eacu. 
Each  Hour,  [Mariana,  etc.     [176G.]     8°. 

P.P.  5438.  z. 
Mariana's  Charms  wound  niv  Heart. 
Song.     SceB.,\Y. 

MARIANNE.     Marianne.     Comedie. 

Sec  Dalaykac  (N.) 

MARIE  VON  MONTALBAN.     IMaric 
von  ]Montalban.     [Opera.] 
Sec  Winter  (P.  von) 

MARIECHEN.     :\Iariechen.     Operette. 
See  Bend  A  (F.  L.) 

MARIN   (     )    the   Elder.     Cher   Philcne. 
Musette.     [Paris,]  173G.     s.  sh.  4". 

297.  b.  15. 
Mcrcure  de  France,  Aug.,  1786. 

MARIN  (Marie  Martin  MARCEL  DE) 

Viscount.  Essay  upon  an  Air  of  Molina- 
reUa  [i.e.  "  Nel  cor  pin,"  by  Paisiello], 
varied  in  all  the  known  Styles  of  [Music 
. . .  also  God  save  the  King  and  Four 
Favorite  Scotch  and  Welsh  Airs,  adapted 
for  the  Harp..  Opera  llth.  J.  Longman, 
Clcmcnti  it  Co.,  for  the  Author:  London, 
[1800.]     fol.  g.  188.  (7.) 

Two  Sonatas,  for  the  Harp.     Op.  G. 

J.  Longman,  Clcmenti  it  Co.,  for  the 
Author  :  London,  [1800.]     fol. 

g.  198.  (6.) 
Three  Sonatinas  for  the  Harp. .  .Op.  10. 

J.  Longman,  Ckmenti  it  Co.,  for  the 
Author:  Lo«f/oH,  [1800.]     fol. 

g.  301.  (12.) 


MARIN  (Marie  Martin  MARCEL  DE) 

Viscount.  Sec  Mozart  (W.  A.)  [Sclec- 
ti.o)ts.]  Two  Trios  selected  from  the 
Works  of  Mozart,  arranged  by  V  de 
Marin.     [1799.]     fol.        g.  192.  a.  (20.) 

MARINDA.  Marinda's  face  like  Cupid's 
bow.     Song.     Sec  Leveridge  (R.) 

MARINELLI     (Guilio     Cksake)       Via 
Retta  della  Voce  Corale,  oucroOsscruationi 
intorno     al    Retto    Esercitio    del    Canto 
Fermo,  diuise  in  cinque  parti,  V/c. 
Per  Giacomo  Monti :  Bolugnu,  1G71.     i\ 

7897.  e.  2. 

MARINER.     The  Mariner.     Sea  Song. 
Sec  Moulds  (J.) 

MARINERS.      The    [Mariners.      [Musical 
I'lutcrtaiumeut.     See  xAttwood  (T.) 
The  Mariners.     Glee. 
Sec  Ravensckoft  (T.) 

MARINI  (Carlo  Antonio)     See  [Making. 

MARINI  (P.  L.)  Lc  Pastre.  Romance. 
Paroles  de  Lab  .  .  .  Lcs  Frcres  Gavcau.v  : 
i'rtns,  [1800?]     fol.  G.  548.  (40.) 

MARINO  (Alessandro)  Psalmi  Vesper- 
arum  et  [Magnificat,  Quatuor  Vocum.  Cum 
Basso  Contiuuo  ad  Organum,  etc.  Editio 
Secunda.  Tenor.  (Bassus.)  (B.  Con- 
tinuus.)     3  pts.  Apud  Heredes  Petri 

Phalcsii :  Antucrpiw,  1637.  4".  C.  266. 
Psalmi  Vesperarum  . . .  Liber  Secundus, 
etc.  Tenor.  Apud  Hxredem  Hicroni/ini 
Scoti :   Venctiis,  1587.     4'.         C.  266^  a. 

MARINO     (Carlo     Antonio)       Balletti, 
Correnti,    Gighe,    e    Miuuetti    Diuersi    a 
Trc,  due  Violini,  Violoncello,   o  Spinetta 
.  . .  Opera  Seconds.     Violino  Secondo. 
Da  Gioseppc  Sala  :   Venctia ,  Hj9-2.     4". 

d.  6. 
Sonate  a  Tre,  Due  Violino,  Violoncello 
Obligato  con  il  Basso  per  1'  Organo . . .  Opera 
Settima.  Nouvelle  Pxlition  corrigee  de 
Plus  de  300  fautes.  [Separate  Parts.] 
Chez  P.  Mortier  :  Amsterdam,  [1730  ?     ful. 

g.  1009. 
Suouate  alia  Francese  a  Tre  .  .  .  Opera 
Quinta.  (Violino  Primo.)  Chez  Estioinc 
Uoger:  Amsterdam,  [1100?]  obl.i^h.  3. 
Sonate  da  Camera  a  tre  Strumenti  .  .  . 
Opera  Prima,  etc.  Violino  Primo  (Se- 
condo). (Violone.)  (Spinetta.)  4  pts. 
Per  Giacomo  Monti :  Bologna,  1687.     4". 

d.  12. 

MARISSAL  (Antonics)  Floros  Melodici, 
sive  Cantiones  Sacrte  v.  vi  .viii.  et  Plurium 
Vocvim,  pro  Festis  priecipuis  totius  Anni, 
tam  Vocis  vivie  quam  omnibus  Instru- 
mentis  accommodatse,  etc.  Superius. 
(Contratenor.)  (Tenor.)  (Bassus.)  (Quinta 
Vox.)  (Secundus  Bassus.)  G  pts.  Ti/pis 
loannis  Bogardi :  Duaci,  IGll.     obi.  4". 

A.  184. 


96 


MARK— MARPUECt 


MARK.     'Mark  the  sweet  Rosebud.    Song. 

Sec  AXTEKBLKY  (L.) 

i\Iark    with   what    grace    the    Rose    tree 
shews.     [Song.]     Sec  Ra>'nik  (J.) 

MARKET.     The  Market  Lass.     [Song.] 
Sec  Reeve  (W.)     [Mirth's  Musexim.'] 

MARKORDT  (J.)  The  Overture,  Songs, 
Duetts,  tt  Choruses,  in  Tom  Thumb  [as 
altered  from  H.  Fielding  by  K.  O'Hara] 
.  .  .  Composed  &  Compiled  by  J. 
]\Iarkordt,  in  which  is  Printed. .  .the  much 
admired  Song  sung  by  Mrs.  Kennedy ; 
Composed  by  Dr.  Arne.  J.  Preston  : 

London,  [1780.]     obi.  fol.       D,  282.  (7.) 

MARKWELL     (      )       The     Declaimer. 

[Song.]     [London,  ll-kOl}     s.sh.iol. 

I.  530.  (97.) 

Love     preferable    to     Liberty.       [Song.j 

The  Words  bv  R.  Courtivil,  etc. 

[London,  VI 4£iT\     s.sh.iol.    1.530.(96.) 

J;i   some  editions    this  song  is  ascribed 

to  S.  Howard. 

To  a  Young  Lady  of  Eighteen  courted  by 

•   a    Man    of    Threescore.     [Song,    begins : 

"  Dear  Chloe  attend."  1  [London  '? 

1740?]     s.sh.tol.        'G.  316.  d.  (119.) 

In  some  editions  this  song  is  ascribed  to 

S.  Howard. 

MARLBOROUGH.  The  Marlborough, 
a  New  Dance  Compos'd  by  ]Mr.  Isaac. 
Perform'd  at  Court  on  Her  ]Majestie's 
Birthday.  Feb' y  6"'  17  .  Printed  for 
I.    WalsJi,    I.    Hare,   and    P.     Bandall : 


M  A  R  P  U  R  G  (Feieurich  Wilhelm) 
[Abhandlung  von  der  Fuge.]  Traitc  de 
la  Fugue  et  du  Coutrepoint,  divise  eu 
deux  parties.  Chc2  Haudc  et  Spencr  : 


London,  [1703-? J     fol. 


h.  993.  (17.) 


MARMONTEL  (Jeax  FiiANyois)  Essai 
Kur  Ics  Revolutions  de  la  INIusique  en 
France.     [Paris,  1777.1     8". 

1042.  k.  14.  (3.) 

MARMOTTE.     La  Marmotte.     [Song.] 
Sec  FiLLE.     Fille  qui  quitte  son  pavs. 
[1790?]    8°.  B.  362.  (138.) 

La  Marmotte  en  Vie.     [Song.]     See  Ce. 
C'est  la  marmotte  en  vie.     [1790?]     8°. 

B.  362.  (139.) 

La  IMarmotte  en  vie.     Chanson  Savoyard 
[begins  :  '  Je  quittai  la  IMontague  ']. 
Sec  LOUET  (A.) 

MAROTTA  (Eeasmo)  Amiuta  :Musicale 
...  II  Primo  Libro  de  IMadrigali  a  Cinque 
Voci,  con  un  Dialogue  a  Otto,  etc.  Canto. 
(Bassus.)  (Quiuta.)  3  pts.  Appresso 
Angela  Gardano  :  Venetia,  1600.     obi.  4". 

A.  282. 

M  A  R  P  U  R  G  (Priedkicu  \Viliielm) 
Abhandlung  von  der  Fuge  uach  den 
Grundsatzen  und  Exompeln  der  besten 
. . .  Meister  . . .  Nebst  lxii.  Kupfertafeln. 
2  Thle.  Bejj  A.  Haudc  unci  J.  C.  Spcncr  : 
Berlin,  1753(-1754).     4\ 

Exempel  in  lxii.  und  lx.  Kupfertafeln. 
Bci  A.  Kiihncl:  Leipzig,  [1806.]     ohl.  fol. 

1762.  a.  8. 


Berlin,  1756.     l". 


558*.  c.  25. 


Aufangsgriinde  der  Theoretischeu  Musik. 
Bey  J.  G.  I.  Breitkopf :  Leipzig,  1757.    4". 

7896.  aaa.  13. 

F.  W.   Marpurgs   Anleitung    zur    Musik 
iiberhaupt,  und  zur  Singkunst  besonders, 
mit  Uebungsexempeln  erliiutert,  etc. 
Bey  A.  Wever :  Berlin,  1763.     8\ 

7895.  b.  17. 

Anleitung  zum  Clavierspielen  . . .  Zweyte 
verbesserte  Auflage. 

Bey  Haudc  und  Spcncr  :  Berlin,  1765.   4". 

7895.  b.  16. 

Anleitung  zur  Singconiposition. 

G.  A.  Lange:  Berlin,  1758.     4". 

556.  e.  10. 

Clavierstiicke  mit  einem  practischen 
Unterricht  fiir  Anfauger  und  Geiibtere. 
3  Samm.  Bey  Hcnide  und  Spcncr  : 

Berlin,  1762,  3.     obi.  fol.  c.  23.  a. 

Fugen-Sammlung.     Erster  Theil. 
Bey  G.  A.  Lange  :  Ber  Un,  1758.     fol. 

I.  44. 
Tlie    following    composers'     names     arc 
added    in    manuscript  :     Kirnberger, 
C.  P.  E.  Bach,  and  Graun. 

Fughe  e  Capriccj    pel  Clavicembalo  6  per 
r  Organo  . . .  Opera  Prima. 
Chez  J.  J.  Hummel :  Berlin,  [1777.]     fol. 

h.  55. 

M'unting  the  preface. 

Haudbuch  bey  dem  Generalbasse  und  der 
Composition,  etc.     8  Th.  In  Verlag 

J.  J.    Schiitzens   Wittwe    {G.  A.   Lange)  : 
Berlin,  1755(-1758).     4\  c.  23. 

Th.  I.  is  dated  1755,  Th.  11.  1757  a7id 
Th.  III.  1758. 

Handbuch    bey    dem     Generalbasse  .  .  . 
Zweyte,  vcrmehrte  und   verbesserte  Auf- 
lage.      (Anhang     zum     Handbuclie    bey 
dem  Generalbasse,  etc.)     4  Th. 
G.  A.  Lange  :  Berlin,  1762,  etc.     4". 

556.  c.  12. 

Th.    I.    is    dated   1762,    Th.    11.    Vibl, 
Th.  III.  1758,  and  the  Anhang,  1760. 

[Another  copy.]  556.  c.  13. 

Historisch  -  Kritische  Beytriigc   zur   Auf- 
nahme  der  IMusik.     5  Bde.  In  Verlag 

J.  J.  Schiitzens  scl.  ^Vittwc  {G.A.  Lange)  : 
Berlin,  1755-1760.     8".       P.P.  1945.  af. 
TIte  publisher  of  Band  2-5  is  Lange. 

Kritische   Briefe  iiber  die  Tonkunst,  etc. 
[By  F.  W.  Marpurg.]     1760-1764. 
See  Periodical  Publications.  —  Berlin. 
Kritische  Briefe,  etc.     1760-1764 

P.P.  1945.  ag. 


MARPURG— MARSH 


97 


MARPURG       (FBIEDRICH       \VILHEL^t) 

Kritische   Eiuleitung    in   die    Geschiciite 
und  Lehrstitze  der  alteu  und  neuen  IMusik 
. . .  Nebst  acht  Kupfertabellen. 
Bey  G.  A.  Langc:  Berlin,  1759.     4". 

556.  c.  11. 

Die  Kunst  das  Clavier  zu  spielen,  durch 
den  Verfasser  des  critischen  Musicus  an 
der  Spree  [F.  W.  Marpurg].     2  Th. 
1751-Gl.     4".     .See  Kunst.       7897.  b.  2. 

Die  Kunst  das  Clavier  zu  spielen  . . . 
Dritte  . . .  Auflage.  2  Th.  1760-61.  4". 
See  Kunst.  7896.  c.  8. 

Neue  ]Methode  allerley  Arten  von  Tem- 
peraturen  deni  Claviere  aufs  bequemste 
mitzutheileu,  etc.  Bey  G.  A.  Ijuncje  : 

Berlin,  17'J0.     4".  7897.  bbb.  20. 

Principes  du  Clavecin  .  .  .  Avec  viugt 
planches.  Cliez  ]  fa  tide  et  Spcncr : 

Berlin,  1756.     4".  7896.  bb.  23.  (2.) 

Raccolta  delle  j)iu  nuove  composizioni  di 

Clavicembalo    di    differenti     maestri    ed 

autori.      Per  I'auno  1756  (1757).      Fatta 

stampare  dal  Sig.  F.  G.  Marpurg.     2  vol. 

Frcsso  G.  G.  I.  Brcithopf: 

Lipsia,  [1756-7.]     ohl.  fol.  f.  37. 

The    composers  of    this  collection  are : 

Marpurg,  Seijfarth,  Rakemann,  Kirn- 

berger,    Agricola,    C.    F.    E.    Bach, 

Sack,  Martini,  Nichelmann,  Feoricr, 

Bameau,    Bidder,    Silbermann,    Du 

Bhli,    F.    G.    Zaccarie,    Schalc   and 

Graun. 

Versuch  in  figurirten   Choralen,   sowohl 
fiir  die  Orgel,  als  fiir  das  Clavichord. 
Beij  J.  J.  Hummel :  Berlin luid  Amsterdam, 
[1785?]    fol.  h.  55.  a. 

F.    W.    Marpurgs  .  .  .  Vi>rsuch    liber    die 
musikalische    Temperatur,    nebst    einem 
Anhang  iiber  den  Rameau-  und  Kirnberg- 
erschen  Grundbass,  und  vier  Tabellen. 
Bey  J.  F.  Korn :  Breslau,  1776.     8". 

7897.  bbb.  22. 
See  Alembert  (J.  le  R.  d')  [EU'mcns  dc 
Musique.']  Hrn.  d'Alembert  .  .  .  Syste- 
matische  Eiuleitung  in  die  Musicalische 
Setzkunst  . . .  iibersetzt  und  . . .  vermehrt 
von  F.  W.  Marpurg.     1757.     4". 

7896.  aaa.  11. 

Sae  SoRGE  (G.  A.)     Herrn  G.  A.  Sorgens 
Anleitung   zum   Generalbass  . . .  Mit   An- 
merkungen  von  F.  W.  Marpurg,  etc. 
1760.     4'.  1400.  i.  41. 

MARQUIS    OF    GRANBY.     The 

Marquis  of  Granby.     [Song.] 

See  Though.     Tho'  Austria  and  Russia. 

[1762.]     s.  sh.  fol.  G.  316.  f.  (22.) 

MARQUIS  TULIPANO.     Le   Marquis 
Tulipauo.     Opera  Bouffon. 
See  Paisiello  (G.) 

MARRE  (      DE  la)     See  La  Makre  (    de) 

VOL.    II. 


MARRIAGE.     :\rarriage.     Song. 
S<-e  Chaplyn  (R.) 

IMarriage  has  its  Pleasures  various.     Two 
Part  Song.     S<-e  ^Iathews  (J.) 
The    Marriage    Pretty    'tween     John    & 
Betty.     [Song.]     ,sVe  Thank.     Thank  God 
at  last,  etc.     [1770  ?]     fol. 

G.   305.    (254.) 
The  ^larriage  Whim.     Song. 
See  Graves  (J.) 

MARRIED.  The  Married  Man.  [Song.] 
See  Hudson  (R.) 

MARS,     aiars  and  Bellona.     Song. 

See  Dennis  (W.) 

IMars  ct  I'Amour.     Vaudeville. 

See    GiLLiER    (J.    C.)       [La    Repetition 

Inter  romp  ue.'] 

jNIars,  qui   se   plait    au  bruit    des  Armes. 

Chanson.     See  Du  Vigneau  (     ) 
MARS  (.J.  de)     Ciel,   quel  orage  affreux. 

Air,  etc.     [Paris,]  1733.     s.  sh.  4°. 

297.  b.  1. 
Mercure  de  France,  Dec,  1783. 

Ciel   quel    orage    affreux !     Air.     [By   J. 

de  Mars.]     1734.     s.  sh.  fol.     See  Ciel. 

297.  b.  4. 
MARSDEN   (Thomas)      A   Collection   of 

Original  Lancashire   Hornpipes,  old  and 

new.      Containing   Divisions   upon   each. 

For  the  Treble  Violin.     Being  the  First 

of  this  Kind.    W.  Pearson,  for  H.  Play  ford : 

London,  1705.     obi.  i".      '     K.  1.  c.  24. 

MARSEILLES.  The  Marseilles  March. 
S<-e  Allons.  Allons,  enfans  de  la  patrie, 
etc.     [1795?]     fol.  H.  2821.  (28.) 

MARSET  (Joseph)  Contradanzas  Nuevas 
con  sus  Musicas,  y  Explicacion  de  Figuras, 
para  el  auo  de  1774  .  .  .  van  adjuntas  las 
de  los  Anos  antecedentes,  y  6.  IMinues,  etc, 
Joachin  Ibarra  :  Madrid,  [111 i.]     obi.  12". 

K.'  8.  i.  13. 

MARSH  (John)  Six  Anthems,  in  Four 
Parts,  with  a  Verse  Sanctus  &  Kyrie 
Eleeson. 

Longman  &  Brodcrip,  for  the  Author  : 
London,  [1790?]     fol.         '  H.  3170. 

The  Christian's  Glorious  Triumph.  Pope's 
.  .  .  Ode,  The  Dying  Christian  to  his 
Soul,  set  to  Music,  for  a  Single  Voice  and 
Piano  Forte.  Printed  for  Cnlliford, 

Rolfe  and  Barrow  :  London,  ^1795  ?]     fol. 

H.  2818.  b.  (28.) 
The  City  Feast,  or  ■Man  of  True  Taste,  a 
favorite  Glee  and  Chorus  with  Instru- 
mental Parts.  Preston  d  Son  : 
London,  [1190?]  fol.  H.  2818.  b.  (27.) 
An  Overture  and  Eight  Sonatinas,  for  the 
Pianc-Forte,  with  Accompaniments  for  a 
Violiu  and  Violoncello,  etc.  [Seimrate 
Parts.]  Longman  &  Brodcrip, 
for  the  Author  :  London,  [1795  ?]     fol. 

g.  161.  b.  (10.) 


t)8 


LIARSH— MARTIN  Y  SOLAR 


MARSH     (John)       Au    Overture    &    Six 
Pieces  for  the  Organ.  Preston  : 

London,  [ITUl.]  obi.  fol.  d.  210.  (1.) 
A  Quartetto  for  two  Violins,  Tenor  and 
Bass,  composed  in  imitation  of  tlie  Stile 
of  Haydn's  Opera  Prima.  [Separate 
Parts.]  Printed  for  the  Author  : 

London,  [11 9b '>]     fol.  g.  410.  (4.) 

A  Favorite  Symphony  in  Thirteen  parts, 
for  a  Grand  Orchestra,  etc.     No.  6. 
Culliford  <(•  Co. :  London,  [1795  ?]     fol. 

h.  3210.  (16.  a.) 
The  Flauto part  only. 
A  Verse  Anthem  in  four  Parts,  from  the 
150"'  Psalm,  with  an  Accompaniment 
for  the  Organ  ...  To  which  are  added  Ten 
New  P.salm  Tunes  . . .  also  Five  Chants 
&  Three  Hymns  in  one  of  which  (being 
for  a  Funeral)  is  a  part  for  the  Great  Bell 
of  a  Church,  c/c.  Printed  for  the  Author  : 
London,  [1785  ?]     fol.      H.  2815.  d.  (3.) 

Eighteen    Voluntaries    for     the     Organ. 
...  To  which  is  prefix'd   an  Explanation 
of  the  . . .  Stops  . . .  With  a  few  Thoughts 
on  Style,  Extempore  Playing,  etc. 
Preston  i&  Son  :  London,  [17U1.]     ohl.  4°. 

b.  162.  a.  (1.) 
Twenty  Voluntaries  for  the  Organ  .  .  . 
Second  sett.  T.  Preston  : 

London,  [1795?]  ohl. 'i".  b.  162.  a.  (2.) 
See  Haendel  (G.  F.)  [Selections  and 
Arrangements,  b.  histrumental.']  Handel's 
Hallelujah  .  .  .  and  Grand  Coronation 
Anthem  ;  to  which  are  prefix'd  Two  New 
Fugues ;  ...  for  2  Performers  on  one 
Organ  or  Harpsichord,  by  J.  Marsh. 
[1780?]     fol.  H,  2815.  d.  (4.) 

(SVc  Haydn  (F.  J.)    [Symphonies.     B.d'-H. 
No.  74.]    A  favorite  Symphony. .  .Adapted 
for  the  Harpsichord  . . .  with  an  Accom- 
panyment  for  a  Violin  by  J.  Marsh. 
[1790?]     fol.  h.  61.  (14.) 

MARSHALL  (Samuel)    Three  Songs,  etc. 
D.  Wright:  [London,  1110 ?]     fol. 

H.  1602. 
MARSHALL   (William)      Kinrara  [and 
other  Scotch  tunes].         Urbani  ct'  Liston  : 
Edinburgli,  [1800?]     fol. 

h.  1568.  b.  (14.) 

MARTHE.     Marthe  et  Colin  se  sont  mis 
en  menage.     Duo. 
[Paris,]  1737.     s.  sh.  4°.  297.  b.  18. 

Mcrcurc  de  France,  May,  1737. 

MARTHESIE,  PREMltiREi  REINE 
DES  AMAZONES.  Marth^'sie,  Pre- 
miere Reine  des  Amazones 
See  Destouches  (A.  C.) 

MARTILLA.     Martilla.     Song. 
See  Barrett  (J.)  Organist. 

MARTILLO.      Martillo.      Song   [begins: 
'  Martillo  whilst  you  patch  your  Face']. 
Sec  Clarke  (T.) 


Tragedie. 


MARTILLO.       Cantata       [begins:      'A 
Cypress      Grove      whose        melancholly 
shade ']. 
SV'cHayden  (G.)  [Three  Cantatas.   No.  1.] 

MARTIN,  Peu  d' Argent. 
See  Peu  d'Argent  (M.) 

MARTIN  (FRAN901S)  Rossignols,  que 
pretendez-vous.     Chanson.  [Paris, 

1678.]     s.  sh.  obi.  i".  P.P.  4482. 

Nouveau  Mcrcurc    Galanf,  April,  1678, 
p.  38. 
MARTIN  (Jean  Blaise)  Amants,  craignes 
de  perdre  un  jour. 
Sec  infra  :  [Le  Cabriolet  Jaime.] 
[Le  Cabriolet  Jaune.]     Amants,  craignds 
de   perdre    un    jour.      Air    du   Cabriolet 
Jaunc.      [Opera    Bouffon.]       Paroles    de 
Segur. .  .Arrange  pour  Piano  par  H.  Jadin. 
Chez  hnbault :  Paris,  [1800.]     fol. 

G.  390.  a.  (4.) 

MARTIN  (Jonathan)  The  Address  to 
Sleep.  [Song.]  The  Words  by  N.  Rowe, 
etc.     [London,  1739.]     8°.  249.  e.  9. 

Gentlema7i's  Magazine,  Vol.  IX.,  p>-  44. 

MARTIN  (ViNCENz) 
Sec  Martin  y  Solar  (V.) 

MARTIN  Y  COLL  (Antonio)  Arte  de 
Canto  Llano,  y  Breve  Resumen  de  sus 
principales  Reglas  para  Cantores  de  Choro  ; 
dividido  en  dos  Libros :  . .  .Y  afiadido  en 
esta  segunda  impression  con  algunas  ad- 
vertencias ;  y  el  Arte  de  Canto  de  Organo, 
etc.    Bernardo  Peralto  :  Madrid,  1719.     4°. 

1042.  g.  36. 

Slightly    mutilated.      Containing   com- 
positions by  C.  Carcsano  and  F.  Vals. 

MARTIN  Y  SOLAR  (Vicente)  Un 
alma  costante.  Sec  infra  :  [L'  Isola  del 
Piacere.] 

L'  Arhore  di  Diana.  Der  Baum  der 
Diana.  Eiue  comische  Oper  in  2  Acten . . . 
Fiirs  Clavier  eingerichtet  von  C.  G.  Neefe. 
Bei  N.  Simrock  :  Bonn,  [1790  ?]     obi.  fol. 

E.  244.  d. 

Pieta,   pieta   di   noi.     The   Favorite 

Quartett,  etc.  L.  Lavenu  :  London, 

[1797.]     fol.  G.  424.  (12.) 

[Pieta,  pieta  di  noi.]     See  Elouis  (J.) 

Pieta.      The    favorite    Quartett  ...  [by 
V.  Martin  y  Solar],  for  the  Harp,  etc. 
[1800?]    fol.  G-.  272.  k.  (10.) 

[Sereuo     Raggio.]       See    Haunted 

Tower.   Love  from  the  Heart.  A  favourite 
Rondo  [by  V.  INIartin  y  Solar],  etc. 
[1790?]    fol.  H.  1601.  b.  (7.) 

Der  Baum  der  Diana. 

Sec  supra  :  L'  Arbore  di  Diana, 

Blest  was  my  vernal  day.  See  infra: 
[Una  Cosa  Bara.     Mi  parve  un  di.] 


MARTIN  Y  SOLAR 


99 


MARTIN    Y    SOLAR    (Vicente)      Uu 
Bi'iccone    scnza    core. 
See  infra  :    [  Una  Cosa  Puira.] 

Twelve  Favorite  Italian  Canons  for  Three 
Voices  with  an  Accompaniment  for  the 
Piano  Forte  or  Harpsichord  (by  B.  Sperati), 
etc.  Longman  and  Brodeyip  :  London, 

[1794?]     obi.  fol.  D.  370.  (10.) 

XII.  Canzonette  Italiane  accompagnate 
col  Cembalo  o  Arpa  o  Chitarra,  etc. 

Longman  (C  Brodcrip  :  London, 
[1790?]    ohl.  fol.  E.  244.  e.  (1.) 

Six  Italian  Cauzonetts  with  English  Trans- 
lations..  .With  an  Accompaniment  for 
the  Piano-Forte  or  Harp... The  Italian 
by  Del  Ponte,  the  English  by  W.  R. 
Lawrence.  I'lintcd  for  Corri  <£■  Dussck  : 
Edinbnrgh,  [1105?]   fol.   G.  424.  a.  (25.) 

Three  Italian  Canzonetts  and  Three 
Duetts,  with  an  Accompaniment  for  the 
Piano  Forte,  etc.  F.  Linlcy  :  London, 

[1797.]     obi.  fol.  E.  244. 

[La  Capricciosa  Corretta.]     Ouverture  und 
Gesiiuge   aus   der   Oper :    Die    gebesserte 
Eigensinnige. .  .im  Klavieranszug,  etc. 
N.  Simrock  :  Bonn,  [1800?]     ohl.  fol. 

E.  244.  e. 
The  first  form  of  this  opera  was  '  Gli 
Sposi  in  Contrasto,'  produced  at 
St.  Petersburg  about  1788.  The 
Libretto,  by  Lorenzo  da  Ponte,  was 
rewritten  as  '  La  Capricciosa  Cor- 
retta '  for  Martini  in  London  and 
produced  there  as  '  La  Scuola  de' 
Maritaii'  on  Jan.  27,  1795.  It  7cas 
IKrformcd  at  Lisbon  in  1797  as  '  La 
Capricciosa  Corretta.' 

[For  songs,  &c.,  from  this  work  as 

performed  nndcr  the  name  '  Gli  Sposi  in 
Contrasto  ' :]  See  infra  :  \Gli  Sposi  in 
Contrasto.] 

[For  songs,  &c.,  from  this  work  as  per- 
formed under  the  name '  La  Scuola  de'  IMari- 
tati ' :]  See  infra :  [La  Scuola  de'  Maritati.] 
Consola  le  pene. 
Sec  infra  :  [Una  Cosa  Rara.] 
[Cna  Cosa  Rara.]  Lilla  oder  Schonheit 
undTugend.  Clavicrauszugv.  A.  Streicher, 
etc,  J.  M.  Giitz :  Mimic,  etc. 
[1788  ?]     ohl.  fol.  E.  244.  f. 

[Una  Cosa  Rar^i.  Another  edition.] 
Lilla,  etc.     Atto  L^  /.  M.  Giitz  : 

Munic,etc.    [1788?]    oW.  fol.     E.  244.  b. 

Una  Cosa  Rara  o  sia  Bellezza  ed  Onesta. 
Lilla.  Dramma  giocoso  in  due  atti . . . 
Ridotto  i)er  il  Cembalo  dal  C.  D.  Steg- 
mann.  N.  Simrock  :  Bonna, 

[1800?]     obi.  fol.  E.  244.  a. 

Overture,  etc.     [P.  F.  and  Violin.] 

See  Opera  Overtures.     No.  1(-5)  of  the 

Opera  Overtures,  etc.     No.  5. 

[1789.]     fol.  h.  61.  (11.) 


MARTIN  Y  SOLAR  (Vicente)  Una 
Cosa  Rara  o  sia  Bellezza  ed  Onesta. 
Un  briccone  senza  core.  The  Favorite 
Duet. .  .in. .  .La  Cosa  Rara.  Pi.  Birchall : 
London,  [1795  ?]     fol.     H.  2815.  c.  (26.) 

Consola  le  pene.  [Song.]  Sung  by  Sig" 

Delicati,  in.  .  .La  Cosa  Rara.  Composed 
by  I\Iess"  IMartin  &  ]\Iazzinghi.  [Full 
Score.]  Longman  and  Brodcrip  :  London, 
[1789.]     fol.  G.  196.  (4.) 

This  song  is  not  in  the  German  and 
Italian  editions  of  the  opera.  It  ivas 
pirobably  introduced  by  Mazzinghi  in 
tlie  London  production. 

•  The  favorite  Trio  of  Diro  che  perfida, 

with  the  celebrated  Canone  of  Per  pieta 
non  vi  sdegnate. .  .in. .  .La  Cosa  Rara. 
U.  Birchall :  London,  [1800  ?]     fol. 

G.  806.  f.  (47.) 

[Dolce  mi  parve  un  di.] 

See  Siege  of  Belgrade.  Blithe  as  the 
Hours  of  May.  [Song,  by  V.  IMartin  y 
Solar],  etc.   [1791.]   fol.   G.  807.  d.  (71.) 

Lilla  mia  dove  sei.     Arietta,  etc. 

Longman  and  Brodcrip  :   [London, 
1788.]     fol.  H.  345.  (15.) 

[Mi   parve   un   di.]     Blest   was   my 

vernal  day.  [Song.]  Sung  by  Sig''' 
Storace  in  the  Siege  of  Belgrade. .  .the 
Words  by  Mr.  Rannie.  Printed  for 

G.  Goulding  :  London,  [1791.]     fol. 

G.  806.  c.  (33.) 

[Pace  caro  mio  sposo.]     See  Comus. 

Oh  thou  was  born  to  please  me... Duet 
[adapted  from  '  Pace  caro  mio  sposo,']  etc. 
[1788.]     fol.  G.  354.  (54.) 

See    Storage    (S.)      The    Siege   of 

Belgrade,  etc.  [Partly  arranged  from 
V.  Martini's  '  Cosa  Rara.']     1791.    obi.  fol. 

D.  289.  (4.) 

[For  detached  numbers,  &c.,  published. 

anonymously  :]  See  Cosa  Rara. 

Diru  che  perfida  che  falsa  sei. 
See  supra  :  [Una  Cosa  Rara.] 

La  Donna  ha  dolce  il  core. 

Sec  infra  :  [La  Scuola  de'  Maritati.l 

Die  gebesserte  Eigensinnige. 

See  supra  :  [La  Capricciosa  Corretta.] 

Gia  vicin  e  quel  di. 

See  infra  ;  [La  Scuola  de'  Maritati.'] 

Guardami  un  poco. 

Sec  infra  :  \_La  Scuola  de'  Maritati.] 

Hal  a  hili  hahamini. 

Sec  infra  :  [U  Isola  del  Piacere.]. 

Ho  inteso  su  quel  salice. 

See  infra :  [L'  Isola  del  Piacere.] 

In  questo  secolo. 

See  infra  :  [La  Scuola  de'  Maritati.'] 

H  2 


100 


MARTIN  Y  SOLAR— MARTIXENGO 


ULABTIN  Y  SOIiAR  (Yice>t:e)   X'  Isola 
del  Piacere.]    Uu  alma  costante,  a  favorite 
Air  as  sung  by  Sig"  Morichelli,  etc. 
J.Dale:  London, 'lido.'     fol. 

G.  199.  [9.) 

Hala  hili  hahaniiui,  a  favorite  duett 

as  sung  by  Sig"'  MoreUi  it  Sig'  Cipriani, 
etc.     J.  Dale :  London,  [1795.      fol. 

G.  198.  (13.) 

Ho  inteso  sn  quel  salice,  a  favorite 

Duett  as  sung  by  Sig"  Morichelli  &  Sig'' 
Morelli,  etc.  '  J.  Dale  :  London, 

■:i795.]     fol.  G.  198.  (12.1 

Nel  caro  seno,  a  favorite  Air,  as  sung 

bv  Sig''-'  Morichelli,  etc.  J.  Dale  : 

London,  :i795.]     fol.  G.  199.  (7.) 

Quattro,   nove,  tutti  sei.  a  favorite 

Trio  as  sung  bv  Sig'^  Morelli,  Sig'  Brida  it 
M-'  Kellv,  etc.  '  -J.  Dale  : 

London,  :i795.]     foL  G.  198.  ^19-^ 

Spun  to  una  rosa,  a  favorite  Romance 

as  sung  bv  Sig''^  Morichelli,  etc.     J.  Dale  : 

London,  ;i79o.]     fol.  G.  199.  (8.) 

Lilla  niia  dove  sei. 

See  supra;  'Una  Cosa  Rara.J 

!Mirate,  mirate. 

See  infra  :  'La  Scnola  de'  Maritati.'] 

TSe\  caro  seno. 

See  supra :  'L'Isola  del  Piaccre."^ 

Nel  cor  mi  sento  im  giubilo. 

See  infra  :  [La  Scnola  de'  Maritati.'^ 

Occhietto    furbetto.        See     Vyr.r.^vET.T.A 

Kapita.  Occhietto  furbetto.    Tlie  Favorite 

Duett    [bv  Y.    Martin  v  Solar"... in   the 

Opera  Yillanella  Rapita.     '1789  ?^     fol. 

G.  197.  (6.) 
Per  pieta  non  vi  sdegnate. 
See  supra  :  [  Una  Cosa  Rara.J 
Pieta.  pieta  di  noi. 
See  supra:  'L'  Arbore  di  Diana.] 
Quattro,  nove,  tutti  sei. 
See  supra  :  [L'  Lsola  del  Piacere.'} 
n  Riso. 

See  infra:  [La  Scnola  de'  Maritati.'j 
[La  Scuola  dei   Maritati.]     AHor  che  da 
pazzo  sposai.     See  ELOtns  (-J.)     Allor  che 
da   pazzo.  .  .  .  [by  Y.    Martin  y   Solar[, 
arranged  for  the  Harp,  etc.     '1800  ?"     fol. 

g.  2'72.  k.'  (12.) 

La  Donna  ha  dolce  il  core.    Pollacca 

as  sung  by  Signora  Morichelli  at  the  King's 
Theatre,  etc.  Printed  for  J.  Dale  : 

London,  [1795.]     fol.  G.  811.  (17). 

'Another  edition.     La  donna  ha  dolce 

il  core, etc."  Printed  for  the  Author  : 

[London,  179o.[     fol.  '  G.  199.  (10.) 

Gia  vicin  e  quel  di,  a  favorite  Air,  as 

snng  bv  Sig'  Brida,  etc.  J.  Dale  : 

London,  [1795.[     fol.  G.  199.  (13.) 

Guardami  un  poco,  [Song,[  as  simg 

by  Signora  Morichelli,  etc. 

Printed  for  the  Author :  'London. 
1795.]    fol.  G.  199.  (11.1 


MARTIN  Y  SOLAR  (Yicente)  [La 
Scuola  Dei  Maritati^  Guardami  un  poco. 
See  Steibelt  (D.)  Steibelfs  Eighteenth 
Pot-Pouri  ...   in   which   is   introduced 

Martini's Air  of  'Guardami  un  poco.' 

[1800  •?[     fol.  g.  457.  (5.) 

In  questo   secolo,  a  favorite    Duett 

as  sung  by  Sig'  Morelli  &  Sig'  Rovedino, 
etc.     J.  Dak  :  London,  '"1795.^     fol. 

G.  198.  (9.) 

Mirate,    niirat«,   a    favorite    Duett 

sung  by  Sig''  Morichelli  &  Sig.  Morelli, 
etc.     j' Dale  :  London,  [1195.'     fol. 

g:  198.  (10.) 
Nel  cor  mi  sento  un  giubilo,  a  favorite 


Air  as  sung  by  Sig'-*  ^Morichelli,  etc. 

■J.  Dale :  London, 
[1795.[     fol.  G.  199.  (12.) 

II  Riso.     A   Canone,  etc.     [Begins: 

'  Yadasi  via  di  qua.'[      Performed  ...  in 

the  Opera  called  '  La  Scuola  dei  Maritati,' 

etc.  Printed  for  the  Author  :  London, 

[1795.[     fol.         "  G.  352.  (29.) 

Tliis  trio  seems  to  have  been  introduced 

at  the  end  of  Scene  XII.,  Act  I.     The 

words    are    not    in    the    Libretto,   as 

printed  at  Lisbon  in  1797. 

Yedret*  che  Allegria,  a  favorite  Duett 

as  snng  by  Sig'-"  Morichelli,  &  Sig' 
Cipriani,  etc.  J.  Dale  :  London, 

[1795.1     fol.  G.  198.  (11.) 

Sereno  raggio.  Aria  for  the  Piano  Forte 
and  Yoice.  Longman  aiid  Broderij) : 

[London,  1190?:     fol.  H.  345.  (28.) 

n  Sogno.  Cantata  a  tre  voci  .  .  .  Publi- 
cata  con  una  traduzione  in  Tedesco,  e 
messa  in  ristretto  per  il  Cembalo  da 
G.  G.  Schicht.— Der  Traum,  etc.  Ital.  & 
Ger.  In  der  Breitkopfischen 

Buchhandlung  :  Leipzig,  [1790  ?"*    obi.  fol. 

P.  456. 

'Gli  Sposi  in  Contrastc]  Overtura  [and 
i:3  detached  numbers[  del  Opera  Gli  Sposi 
in  Contrasto  per  Clavicembalo.     11  Nos. 

Artaria  e  Comp.  :   Vienna, 
[1800  ■?[     ohl.  fol.  E.  244.  g. 

This  work  is  a  version  of-  La  Capricciosa 
Corretta.'    Xos.  114  to  128  of '  Raccolta 
d'  Arie.'     Each  number  has  a  separate 
title  and  pagination. 
Spunto  tma  rosa. 
See  supra :  [L'  lsola  del  Piacere.} 

Yedrete  che  allegria. 

.<ee  supra:     La  Scuola  de'  Maritati.'] 

See  Shield  (W.)     [The  Crusade.]     The 

Songs...  in  the. .  .Crusade,  [a  Pasticcio,] 

composed  by  . .  .  Martin,  etc. 

[1790.[     obi.  fol.  D.  293.  b. 

MARTINUNGO  (Giovanni  Battista) 
Concert!  Ecclesiastici  a  Una,  Due,  e  Tre 
Yoci,  e  con  Yiolini ...  Opera  Prima,  etc. 
Canto.  Per  Gio.  Francesco,  ct  frafelli 

Camagni :  Milano,  166S.    1.      E.'l441. 


MARTINEZ— MARTINI 


101 


MARTINEZ  DE  BIZCARGUI  (Gox- 
9AL0)  Arte  de  canto  llauo  y  contrapunto 
y  canto  de  organo  co  proporciones  y 
modos  breuemente  copuesta,  etc.  (Intona- 
ciones  segu  vso  de  los  modernos  :  que  hoy 
cantan  z  intonan  enla  yglesia  Romana. 
Corregidas  y  remiradas  por  G.  martinez 
de  Bizcargui,  etc.)  2  pts.  G.  L. 
[Gcorg  Coci ;]  CaragO'-a,  1550.     8". 

K.  8.  f.  7. 

MARTTNT  (     )   :Martini's  favorite  Minuet. 

As  performed  by  His  Majesty's  Guards,  etc. 

I[oJi7!j  E'lithcrford :  Loiulou. 

1775?]     s.sh.iol.       "        g.  232.  e.  (6.) 

See  Hook   (J.)      Martini's   ^liuuet, 

with  Variations,  ffc.     ^1775?"     fol. 

g.  271.  a.  (27.) 

See  Taylor  (R.)     Martini's  favorite 

Minuet  with  Variations  for  the  Harpsi- 
cord  or  Piano  Forte.     [1775  ?]     fol. 

g.  271.  b.  (42.) 

MARTINI  (GiovANKi)  il  Tedcsco,  j^seitd. 
[i.e.  Johann    Paul  .Egidius    Schwartzen- 
dorf]     L'Amour  est  un  enfant  trompeur. 
Air. . .  Avec  Accomp'  de  Guittare. 
Clicz  Imbault :  [Paris,  1785  ?      S\ 

B.  362.  g.  (80.) 

In     Martini's    '  Troisithw    lieciwil     d^ 

Petits   Airs'   tJtis  sonci  is  calk'd  'La 

Fillc  Curicuse.' 

[Another  copy.]  B.  362.  a.  (100.) 

Sec    Amoir.      L'Amour    c>L     un    enfant 

Trompeur,  etc.     [By  G.  Martini.] 

[1795?]     fol.  G.  796.  (2.) 

See  Amovk.    L'Amour  un  jour  cher- 

choit  partout  .  .  .  Air :    L'Amour   est  un 
enfant  trompeur  [bv  G.  Martini  . 
[1785?]     8".  '         B.  362.  g.  (51.) 

See  Ce.   Ce  petit  Dieu,  qu'on  nomme 

amour. .  .Suite  ct  meme  air  do  I'Amour 
est  un  enfant  trompeur.  TBv  G.  Martini.] 
etc.     [1790  ?]     8".  B.  362.  g.  (57.) 

L'Amoureux  de  Quinze  Ans,  on  La  Double 
Fete,  Com^die  en  trois  Actes  et  en  Prose, 
melee  d'Ariettes. .  .Les  paroles  sont  de 
M.  Laujon  .  .  .  Avec  la  Musique  [of  the 
concluding  Ronde].  1774. 
See  Recueil.  Recueil  general  des  Opera 
Bouffons,  etc.    Tom.  7.     1777.     S\ 

11735.  b.  2. 
L'Amoureux  de  Quinze  Ans,  ou  la  Double 
Fete.  Comedie  en  trois  Actes  et  en  Prose 
melee  d'Ariettes . . .  Les  paroles  sont  de 
Mr.  Laujon,  etc.     ffiuvre  vii'\ 

All  Bureau  d'Abonnemcnt  viusical : 
Poris,  [1775?]     fol.  G.  266. 

Annette  et  Lubin,  Op^ra  Comique  en  mi 
Acte. .  .Paroles  de  JI.  Favart.  Grave  par 
Huguet,  etc.     [Full  Score.]  Porro  : 

Paris,  [1789.]     fol,  G.  266.  d. 

Doux  sommeil  de  I'indifference. 
Sec    infra:     [La     Matinee    d'unc     Jolie 
FcJJivie.] 


MARTINI  (GiovAN-xi)  i7i  Tedcsco,  pseud. 
Le  Droit  du  Seigneur.     Comedie  en  trois 
Actes  et  en  Prose,  etc.     TFuU  Score.] 
Chez  Bruru^t:  Paris,  [1783.]     fol. 

G.  266.  a. 

Airs    du    Droit     du    Seigneur    et    Trois 
Romances    Nouvelles   avec   Accompagne- 
ment  de  Harpe  ou  Forte  Piano,  etc. 
Chez  Des  L'auriers  :  Paris,  '1784.]     fol. 

G.  266.  e.  (1.) 

Vous  enflammez,  et  pour  longtems. 

Chanson,  etc.   (Parol,  de  'M.  Desfontaines.) 
[Paris,]  1784.    8°.  297.  g.  6. 

Mercure  dc  France,  Feb.,  1784,  p.  102. 
'For  songs,  &c.,  published  separately :] 


See  Droit  dv  Seigneur. 

La  Fille  aux  Trois  Rois.  Air... Avec 
Accomp'  de  Guittare.  Chez  Imbault : 

i'aris,  [1780?]     S".  B.  362.  b.  (85.) 

Henry  iv.  Drame  Lyrique  en  Trois 
actes  et  en  Prose  mel6  d'Ariettes.  Re- 
presents pour  la  premiere  fois...le  14 
Novembre  1774,  etc.  [Libretto  by  B. 
Farmian  de  Rosi.]  Grav6  par  ^I.  Huguet. 
[Full  Score.]  Chez  Ic  S'  Si<-bcr  :  Paris, 
[1785?]     fol.  G.  266.  c. 

[Overture.]  A  Collection  of  Over- 
tures and  Symphonies.  By. .  .Martini,  etc. 
[No.  3.]     [1797.] 

See  Periodical  Publications. — Londoii.- 
The  Piano-Forte  ^Magazine.  Vol.  11. 
No.  5.     [1797-1802.]    8".  D.  854. 

Ouverture  et  Entreacte  d'  Henry  iv. 

a  Grande  Orchestro,  etc.   [Separate  Parts.] 

Longman  and  Broderip  :  London, 

[1790?]     fol.  g.  212.  (8.) 

Pour  un  peuple  aimable  et  sensible. 

Bonde,  etc.     [Paris,]  1775.     s.  sh.  S". 

298.  e.  34. 
Mercure  de  France,  Jan.,  1775. 

[Pour  un  peuple  aimable.] 

See  Depuis.  Depuis  que  la  France  respire 
. .  .Chanson  parodiee  sur  la  Ronde  d' Henri 
IV.     [1775?]    8".  B.  362.  (28.) 

[For   songs,   &c.,  in   Henri   Quatre, 

published  anonymously :] 
See  Henri  Quatre. 

[La  Matinee  d'une  Jolie  Femme.]     Doux 
Sommeil   de   I'indifftTence.     Romance... 
Avec  Accomp'  de  Guittare. 
Chez  Imbault :  Paris,  [1794  ?]     8^ 

B.  362.  b.  (178.) 

Doux    sommeil     de     I'indifference. 

Bomance,  etc.  [Words  by  L.  J.  B.  E. 
Vig6e.  Full  Score.]  Chez  Prault  I'aini  : 
Paris,  1794.     8^  11738.  o.  32.  (5.) 

Publislied  at  tJw  end  of  Vigc'e's  Comedy^ 
icith  separate  pagination. 


102 


MARTINI 


MARTINI  (Giovanni)  il  Tedesco,  pseud. 
Melopee  Moderne  ou  I'Art  du  Chant, 
r^duit  en  Principes,  dc.  Chez  M''  Boycr : 
Paris,  [1792  ?]     fol.  G.  266.  e.  (4.) 

Le     Novice     de     La      Trappe.        [Song.] 
[Words]  Du  Ch"  de  Florian.  [Paris, 

1790?]     8".  B.  862.  a.  (102.) 

Plaisir  d' Amour. 

[For    editions    of     this     song     published 

anonymously :]  See  Plaisir. 

Sec    Naderman   (P.   J.)     Deuxieme 

Pot-Pourri  suivi  de  Plaisir  d' Amour  varie, 
etc.     [1800?]     fol.  h.  173.  b.  (12.) 

Pour  un  peuple  aimable  et  sensible. 
See  supra  :  [Henri  Quatre.] 
Priere  pour  le  Roi,  a  Grand  Orchestre,  etc. 
[Full  Score.]     Imiyrimec  et  puhliie  par  M. 
de  Curt. .  .chez  Birchall :   [London,  1793.] 
fol.  H.  1677.  (35.) 

Que    nos    voix,   nos   lyres   altieres.      Le 
Chant  du  1""  VendtHniaire,  sur  la  fondation 
de  la  Republique,  par  ]\I.  J.  Chenier. 
Au  Magasin  dc  Mnsiquc  a  V usage  des  Fetes 
Nationales  :  [Paris,  1798.]     8°. 

E.  1717.  b.  (42.) 

11"'"  Recueil  de  Petits  Airs  de  Chant  avec 
Accompagnement  de  Piano-Forte  ou  de 
Harpe,  c^c.  Clicz  Des  L'anricrs  :  Paris, 
[1785?]     fol.  G.  266.  e.  (2.) 

Troisieme  Recueil  de  Petits  Airs  de  Chant 
avec  Accompagnement  de  Piano-Forte  ou 
de  Harpe,  etc.  Chez  M>'  Boyer  :  Paris, 
[1790?]     fol.  G.  266.  e.  (3.) 

Rondes,     Ariettes     et     Romances,     avec 

Accompagnements   de   Piano    Forte,   etc. 

Puhliepar  M.  de  Curt :  [London, 

1790?]     obl.iol.  E.  600.  z.  (5.) 

This  work  contains  three  songs  by  Count 

A.  de  Bausset. 

Sapho,  Tragedie  en  trois  Actes...par  la 
Citoyenne  Pipeler  .  ,  .  Grave  par  le  C" 
Lobry.     [Full  Score.]  Chez  VAuteur  : 

Paris,  [1794.]     fol.  G-.  266.  b. 

Sinfonia  a  piu  Stromenti  Obligati,  etc. 
[Separate  Parts.]  Chez  Cousincau  : 

Paris,  [1780  ?]     fol.  g.  474.  (26.) 

Source  de  I'existence.     Hymne  a  V Agricul- 
ture, paroles  de  la  Citoyenne  Pipelet. 
Au  Magasin  de  Musique  a  V usage  des  Fetes 
Nationales  :  [Paris,  1796.]     8". 

E.  1717.  b.  (33.) 
Sei  Trio  a  Grand'  Orchestra. .  .Opera  vi. 
[Separate  Parts.]  Au  Bureau  d'Abonne- 
vient  Musical :  Paris,  [1775  ?]     fol. 

g.  1010. 

Vous  enflammez,  et  pour  longtems.  See 
supra:  [Le  Droit  du  Seigneur.'] 

See   Agus    (H.)     Solf6ges. .  .pour  servir  a 
r^tude  dans  le  Conservatoire  de  Musique 
a  Paris  par . . .  Agus . . .  Martini,  etc. 
[1795?]     fol.  H.  2851. 


MARTINI  (Giovanni)  il   Tedesco,  pseud. 
See   Shield    (W.)      [The   Crusade.]    The 
Songs...  in  the. .  .Crusade,  [a   Pasticcio,] 
composed  by. .  .Martini,  etc. 
[1790.]     obi.  fol.  D.  293.  b. 

MARTINI  (Giovanni  Battista)  Sessan- 
tuno  Canoni  a  due,  tre,  e  quattro  voci,  etc. 
[Bologna,  1780  ?]     8".  E.  225.  b. 

Compendio  della  Teoria  de'  Numeri  per 
uso  del  Musico.     [Bologna,]  1769.     4\ 

557*.  c.  21.  (9.) 

A  presentation  copy  from  the  author. 

Duetti  da  Camera,  etc.  Volpe  : 

[Bologna,  1763.]     obi.  fol.  E.  225. 

TJie  last  leaf  is  mutilated. 

Esemplare  o  sia  Saggio  Foudamentale 
Practico  di  Contrappunto  sopra  il  Canto 
Fermo,  etc.  2  pts.  Per  Lclio  dalla  Volpe  : 
Bologna,  1774[-5].     4°.  F.  171. 

Contaiyiing  compositions  by  G.  Ani- 
muccia,  A.  Cifra,  G.  B.  Corvo,  P. 
Falconio,  G.  C.  Gabusso,  G.  Minarti, 
C.  Morales,  J.  Navarro,  G.  Nitrami, 
M.  Olstani,  D.  Ortiz,  G.  P.  Palestrvna, 

B.  Pasquale,  P.  Pontio,  C.  Porta, 
A.  Rota,  A.  Willaert,  T.  Tj.  Yittoria. 
G.  Zarlino,  P.  Agostino,  L.  Barbieri, 
F.  Baroni,  0.  Bencvoli,  G.  A. 
Bernabci,   C.    Caresana,    F.   Foggia, 

C.  Gesualdo  (Prince  of  Venosa),  A. 
Lotti,  B.  Marcello,  L.  Marenzio,  C. 
Monteverde,  A.  Pacchioni,  G.  A. 
Perti,  C.  Piochi,  A.  Predieri,  G.  A. 
Biccieri,  A.  Scarlatti,  A.  Stradclla, 
A.  Steffani,  and  F.  Tuvini. 

[Another  copy.]  785.  1.  27. 

Lettere   del   P.   M.   Giambatista  Martini 
. .  .e  del  P.  D.  Giovenale  Sacchi. .  .intorno 
alle  Quinte  successive  nel  Contrappunto. 
G.  Marelli  :  Milano,  1782.     4°. 

981.  h.  5. 
Part  of  Tom.  V.  of  '  Opuscoli  scelti  sulle 
scienze  e  sulle  arti,  etc' 

Litaniae  atque  Antiphonae  Finales  B. 
Virginis  Marite . . .  Quatuor  Vocibus  con- 
cinendse  cum  Organo,  &  Instrumentis  ad 
libitum. .  .Opus  primum.  Cantus.  (Altus.) 
(Tenor.)  (Bassus.)  (Violiuus  Primus 
(Secundus).)  (Organum.)  (Bassus  Con- 
tiuuus.)  8  pts.  Ex  Typographia  Luiii  a 
Yulpe :  Bononix,  1734.     4°.  D.  238. 

[Another  copy.]  D.  238.  a. 

Senate  d'  Intavolatura  per  1'  Organo,  e  '1 
Cembalo,  etc.  M.  C.  Le  Ccnc  : 

Amsterdam,  [1742.]     fol.  g.  67. 

Storia  della  Musica,  etc.     8  Tom. 

Per  Lclio  dalla  Volpe  :  Bologna, 
1757(-1781).     4".  557*.  e.  9. 

Vol.  II.  is  dated  1770. 


:»IAETINI— MASCITTI 


103 


MARTINI  (Giovanni  Battista)  Storia 
della  Musica,  dc.     2  Tom.     L.  P. 

Fer  Lclio  dalla  Volpe  :  Bologna, 
1757 (-1770).     fol.  129.  h.  7. 

In  this  edition  there  is  an  engraved 
frontispiece,  and  each  page  is  sur- 
rounded by  an  ornamental  border. 

[Another  copy.]  556.  g.  13. 

See  CoEFE  (Joseph)  Sacred  Music  .  .  . 
Consisting  of. .  .Anthems. .  .adapted  to. . . 
Music  of. .  .Martini,  etc.     [1800?]     fol. 

I.  250.  a. 
See  DoNi  (G.  B.)  lo.  Baptistse  Doni... 
Lyra  Barberina,  etc.  (De'  Trattati  di 
IMusica  . . .  Tomo  Secondo  .  .  .  Aggiuntovi 
un  Lessico  delle  voci  musiche,  e  1'  iudice 
generale,  per  opera  e  studio  del  P.  Slaestro 
G.  B.  Martini,  etc.)     17G3.     fol. 

558*.  e.  15. 
See  ExiMEXO  (A.)  Duhbio. .  .sopra  il 
Saggio  di  Contrappunto  del... Padre  G. 
Martini.     1775.     4'.  557*.  f.  4.  (2.) 

See  Zanotti  (F.  M.)  Lettere. .  .del  Pad. 
G.  Martini ...  Nelle  quale  si . . .  risolvono 
alcuni  dubbj  appartenenti  al  trattato : 
Delia  divisione  del  Tempo,  etc.     178:2.     4". 

557*.  e.  6.  (2.) 
MARTINI  (Giuseppe  San) 
Sec  San  Mabtini. 

MARTINI  (ViNCENzo) 
See  IMaktin  y  Solar. 

MARTINIS  (Joannes  Martinus  ex) 
See  SiMLER  (J.  W.)  Philomela,  quai  ais 
Canzuns  Spirituales. .  .Sun  eir  adjuoctas 
alchiiuas  Canzuns  ant  co  huossa  componi- 
das  da  meis  Rev:  chiar  Bap.  ^lartino  ex 
Martinis,  etc.  1G14.  12".       3433.  aa.  35. 

MARTINO  (FiLLipo)  Sonate  da  Camera 
a  Violoncello  Solo,  col  Basso  Continue. . . 
Opera  1*. .  .Grav6  par  M"'=  Estien.  Chez  le 
S'-  Le  Clcrc :  Paris,  [1745  ?]     fol. 

g.  225.  b.  (5.) 
Wanti)ig  pp.    1   and   2.     TJie   last   iivo 
leaves  are  mutilated. 

MARTYN  (Bendall)  Fourteen  Sonatas 
for  Two  Violins  with  a  Bass  for  the 
Violoncello  and  a  Through  Bass  for  the 
Harpsichord.     [Separate  Parts.] 

Printed  for  I.  Walsh:  London, 
[1765?]     fol.  g.  242.  (2.) 

MARTYR.  ]Martvr  de  la  Liberte.  Chant. 
See  GossEC  (F.  J.) 

MARY.      Mary.      Ballad   [begins:    '  Tho' 
keen  the  wind  '].     See  Biggs  (E.  S.) 
Mary  I  believ'd  thee  true.     Song. 
See  Stevenson  (Sir  J.  A.) 
Mary  of  Castle  Cary.     Song. 
See  Saw.     Saw  ye  my  wee  thing,  etc. 
[1795?]     fol.  G.  356.  (66.) 

Mary  of  the  Mead.     [Song.] 
Sec  Hook  (J.) 


MARY.  Marv,  the  Beauty  of  Buttermere 
Vale.     [Song.]     See  Hook  (J.) 

Clary's  Bower.     Song. 

See  Hook  (J.) 

Mary's  Death  at  Sandy's  Tomb.     [Song.] 

See  Relfe  (J.) 

Mary's  Dream.     [Song.] 

See  Relfe  (J.) 

Mary's  Tomb.     Ballad.     See  FisiN  (J.) 

MARY  MAGGIE.  Mary  Macgie's  Dream. 
[Song.]     See  Lady. 

MARY  SCOT.     Mary  Scot.     [Song.] 
See  Happy.    Happv's  the  Love  that  meets 
return.   [1730?]   s.'sh.iol.    G.  308.  (43.) 

MARY  THERESA  LOUISA  [of  Savoy 
Carignan],  Princess  de  Luniballe.  Ro- 
mance composee  par  Madame  la  Princesse 
de  Lamballe.  Avec  un  Rondeau  de  A.  C. 
Furtado,  etc.  Chez  M''  Bouin  :  Paris, 

•1791.]     obi.  fol.  e.  104.  (7.) 

MARYBONE.  :\Iarybone  Fair.  [Song.] 
See  Would.  Would  you  please  gentle 
Neighbours,  etc.     [1770.]     s.  sh.  fol. 

G.  313.  (231.) 

MARZIS  (Pasqualino  de) 

Sec  I'ASgiALINI  DE  INLVRZI. 

MASCARADE  DU  PARNASSE.     La 

^lascarade  du  Parnasse,  Comedie  en  un 
acte  &  en  vers  .  .  .  Par  ^lonsieur  Pesselier. 
[With  the  voice-parts  of  the  concluding 
I)ivertissement.]  Chez  Prault  pi-re  : 

Paris,  1737.     8".  163.  d.  20. 

MASCHERA  (Florentio)  Libro  prime 
de  Canzoni  da  sonare,  a  Quatro  Voci  .  .  . 
Nouamente. .  .ristampate.  Canto.  (Alto.) 
(Tenore.)  (Basso.)     4  pts. 

Appresso  Picciardo  Amadino  :   Venetia, 
1588.     4".  K.  1.  k.  5. 

MASCITTI  (Michele)  Solos  for  a  Violin 
with  a  Thorough  Bass  for  the  Harpsicord 
or  Bass  Violin.     Opera  Prima. 

Printed  for  I.  Walsh  (ۥ  I.  Hare  : 
London,  [1110 '>}     fol.  g.  422.  (3.) 

Twelve  Solos  for  a  Violin  with  a  Thorough 
Bass  for  the  Piano  Forte  or  Violoncello . . . 
Opera  Prima  and  Seconda.  Revised  and 
Corrected.  Printed  for  J.  Sturge  : 

Bristol,  [1800  ?]     fol.  g.  672.  a. 

Solos  for  a  Violin  with  a  Thorough  Bass 
for  the  Harpsicord  or  Bass  Violin . . . 
Opera  Quarta.  Printed  for  I.  Walsh  (& 

I.  Hare  :  London,  [1710?]     fol. 

g.  422.  (4.) 
Solos  for  a  Violin  with  a  Thorough  Bass 
for  the  Harpsicord  or  Bass  Violin . . . 
Opera  Sexta.  Printed  for  I.  Walsli  and 
L  Hare  :  Lo7idon,  [1715?^     fol.     g.  672. 

Sonate  a  Violino  Solo  col  Violino  [sic]  o 
Cimbalo . . .  Opera  Prima.     Libro  Prime. 

Chez  E.  Roger  :  Amsterdam, 
[1704  ?]    obi.  fol.  e.  368.  c.  (7.) 


104 


IIASCITTI— MASQUERADE 


MASCITTI  (JIichelk)  Senate  a  Due 
Violini  Violoncello  e  Basso  Contiiiuo... 
Opera  Prima.  Libro  Secondo.  [Separate 
Parts.]  CJicz  K.  Bogcr  : 

Amsterdam,  [llOi?]  fol.  g.  274.  c.  (2.) 
Sonate  da  camera  a  Violino  Solo  col 
Violone  o  Cimbalo. .  .Opera  Seconda. 

Chez  E.  Bogcr  :  Amsterdam, 
[1705  ?]     obi.  fol.  e.  26. 

Sonate  da  Camera  a  violino  solo  col 
violone  o  cembalo. .  .Opera  Terza. .  .Grave 
par  H.  de  Bausseu.  Che.?  Foucaut : 

Farigi,  1707.  [1731.]     obi.  fol.      e.  26.  a. 

The  privilege  at  the  end  is  dated  1731. 
Sonate  a  Due  Violini,  Violoncello  e  Basso 
Continuo. .  .Opera  Quarta.    Libro  Secondo. 
[Separate  Parts.]  Chez  E.  Roger  : 

Amsterdam,  [1704  ?]     fol.  g.  672.  c. 

Sonate  a  Violino  solo  e  Basso . . .  Opera 
Quinta.     Fuucault :  Parigi,  1714.     fol. 

h.  197.  (1.) 
XII.     Sonate    a    Violino    Solo    e    Basso 
Continuo. .  .Opera  Quinta. 
Chez  E.  Roger:  Amsterdam,  [1720?]     fol. 

g.  672.  e. 
Sonatas  of  three  Parts,  for  two  Violins  & 
a  Bass  with  a  thorough  Bass  for  y  Organ 
Harpsicord  or  arch  Lute. .  .Opera  Quinta. 
[Separate  Parts.]  Printed  for  J.  Walsh 
d  J.  Hare  :  London,  [1710  ?]     fol. 

g.  672.  b. 

Sonate  a  Violino  solo  e  Basso . . .  Opera 
Sesta.  Ce  Sixieme  Livre  renferme  quiuze 
Sonates.  La  derniere  est  a  trois  parties 
dont  la  seconde  est  faite  pour  estre  jouee 
par  la  Basse  de  Viole  ou  par  le  Violoncello. 
Boivin:  Parigi,  1122.     fol.     h.  197.  (2.) 

Sonate  a  Violino  Solo  col  Violone  o  Cim- 
balo. .  .Opera  Sesta.  CJiez  Roger  (C 
M.  C.  le  Ccnc  :  Amsterdam,  [1725  ?]     fol. 

g.  672.  d. 

[12  Sonatas  for  Violin  Solo,  with  an  ac- 
companiment for  the  Harpsichord.] 
[London?  1730?]     fol.        g.  420.  a.  (2.) 
Wantingthe  title  and  pp.  1-2.    Probably 
Op.  1,  8  or  9. 
MASI   (G1ROLA.M0)     Twelve  Original  Ger- 
man Waltzes  for  the  Piano-Forte  or  Harp 
with   an   Accompaniment   for   the   Tam- 
bourine,   Triangle,    &c.   arranged    by   G. 
INIasi.        Broderip  £  Wilkinson  :  London, 
[1799?]     fol.  g.  231.  (4.) 

MASON  (George)  and  EARSDEN 
(John)  The  Ayres  that  were  sung  and 
played,  at  Brougham  Castle  in  Westmer- 
land,  in  the  Kings  Entertainment :  Giuen 
by  the  Right  Honourable  the  Earle  of 
Cumberland,  and  His  Right  Noble  Sonne 
the  Lord  Clifford.  Thomas  Snodham  : 

London,  1618.     fol.  K.  8.  h.  7. 

MASON  (John)  The  Admiring  Lover. 
[Song.]     [London,  nm?]    s.  sh.  iol. 

G.  315.  (153.) 


MASON  (U.)  Three  Duetts  for  a  Violin 
and  Violoncello,  in  which  are  introduced 
some  favorite  Airs... Op.  iv.  [Separate 
Parts.]  L.  Lavenu,  for  the  Author  : 

London,  [1800  ?]     fol.        "g.  421.  e.  (5). 

Six  Solos  for  the  Violoncello.  TJie  Author  : 
London,  [1795  ?]     fol.  g.  513. 

MASQUE     OF    FLOWERS.      The 

INIasque  of  Flowers.  Presented  by  the 
Gentlemen  of  Graies-Inne,  at  the  Court 
of  White-Hall, . . .  vpon  Twelfe  night,  1613. 
Being  the  last  of  the  solemnities. .  .which 
were  performed  at  the  marriage  of  the .  . . 
Earle  of  Somerset,  and  the  Lady  Francis 
daughter  of  the  Earle  of  Suffolke,  etc. 
[By  I.  G.,  W.  D.  and  T.  B.  With  the 
vocal  music,  by  J.  Coprario  ?] 

N.  0.,  for  Robert  Wilson:  Jjondon, 
1614.    4".  Case  34.  b.  33. 

The  music  of  this  masque  (here  for  four 
voices)  is  also  pi-intcd  in  Br.  Wil- 
son's "Chce^full  Ayres  or  Ballads  set 
for  three  voices,"  Oxford,  1G60 ;  but, 
altho7igh  there  bearing  his  name,  it  can 
hardly  have  been  composed  by  him  so 
early  as  1618. 

161.  a.  57. 


[Another  copy.] 
[Another  copy.] 


Gren.  11215. 


MASQUERADE.  The  King  of  Denmark's 
]\Iasquerade.  [IMusette  and  Minuet.  P.  F.] 
[Lo7(do»,  1766?]     s.sh.ioL 

H.  1994.  a.  (161.) 
The   Masquerade.      [Song,    begins  :    '  See 
to  join  the  revel  rout.'] 
Sec  DiBDiN  (C.)     [Great  Neivs.] 

The  ]\Iasquerade.     Catch. 

See  Do.     Do  you  know  me  ?  etc. 

[1780?]     fol.  G.  307.  (174.) 

The  Masquerade,     [^oiig-] 

See   Once.     Once   Jupiter's  Lady,   call'd 

Juno  the  Scold.     [1780  ?]     s.  sh.  fol. 

G.  310.  (265.) 
The  Masquerade.     Song. 
Sec  While.     While  none  but  the  Great 
can  conveniently  go.     [1775  ?]     s.  sh.  fol. 

G.  313.  (207.) 
The  ^Masquerade  Ballad. 
See  0.     0,  a  Masquerade's  a  fine  Place. 
[1720  ?]     s.  sh.  fol.  H.  1601.  (345.) 

The  Masquerade  Song. 

See  Ye.     Ye  ]Medley  of  Mortals,  etc.     [By 

W.  Defesch.]     [1749  ?]     s.  sh.  fol. 

G.  305.  (174.) 
The  Masquerade  Song. 
Sec  Ye.     Ye  Medley  of  Mortals,  etc.     [By 
W.  Defesch.]    [1749.]   8°.     P.P.  5438.  z. 

The  Masquerade  Song. 

Sec  Ye.     Ye  Medley  of  Mortals,  etc.     [By 

W.  Defesch.]     [1749.]     8".       249.  c.  19. 


MASSAINO— MASSES 


105 


MASSAINO  (TiBUETio)  II  Terzo  Libro 
de  Madrigali  a  Cinque  Voci. .  .Nouamente 
Composto,  &  dato  luce.  Canto.  (Alto.) 
(Tenore.)  (Basso.)  (Quinto.)     5  pts. 

Apprcsso  Angdo  Gardano  :   Vcnetia, 
1587.     obi.  4".  A.  283.  b. 

II  Quarto  Libro  de  ]Madrigali  a  Cinque 
Voci  .  .  .  Nouamente  composto  &  dato  in 
luce.  Canto.  (Alto.)  (Tenore.)  (Basso.) 
(Quinto.)     5  pts. 

Apprcsso  Angelo  (uirdano :  Venctia, 
1594.     obi.  4".  A.  283.  c. 

Tiburtii  Massaini  .  .  .  IMotectorum  cum 
Quinque,  et  Sex  Vocibus  Liber  Primus,  etc. 
Cantus.  (Altus.)  (Bassus.)  (Quintus.)    4  pts. 

Apud  loscphnm  Guiglielnium  :   Venctiis, 

157G.     obi.  4".  A.  283. 

Wanting  2)p.  15-30  of  the  Cantus,  wJiicJi 

have  been  supplied  in  MS. 

]\Iotectorum   Quinque   Vocum  .  .  .  Liber 

Tertius.     Cantus. 

Ajjud  Angclum  Gardanuvt  :   ]'cnefiis, 
1590.     4'\  C.  226. 

Musica  per  Cantare  con  1'  Organo,  ad  Una, 
Due,  &  Tre  Voci  .  .  .  Opera  Trentesima 
seconda.  Nouamente  Composta,  etc. 
Soprano.  (Tenore.)  (Basso.)     3  pts. 

Apprcsso  Alessandro  liauerij  :    Vcnetia, 
1607.     4".  D.  56.  a. 

Tiburtii  Massaini.  . IMusica super Threnos 
leremie  Prophete  in  maiori  Hebdomada 
decantandas.  Quinque  \'ocibub.  Cantus. 
(Altus.)  (Quintus.)     3  pts. 

Apud  liicciarduui  Amadiuum  :  Vcnctijs, 
1599.     4".  D.  56.  b. 

Sacri  Cantus  Quinque  Paribus  Vocibus 
concinendi  .  .  .  Liber  Secuudus.  Cantus. 
(Altus.)  (Bassus.)  (Quintus.)     5  pts. 

Apud  Angclum  Gardanum  :   Vcnctijs, 
1580.    obi.  4'\  A.  283.  a. 

Sacrae  Cantiones  Sex  Vocibus  Gantandae 
. .  .Liber  Secundus,  etc.     Sextus. 
Apud  Uicciardum  Amadiuum  :   Vcnctijs, 
1596.     4°.  D.  56. 

Tiburtii  Massaini  Sacri  Modulorum  Con- 
centus.  Qui,  Senis,  7,  8,  9, 10,  ac  Duodenis 
vocibus  in  duos  tresue  Choros  coalescentes, 
non  minus  Instrumentorum,  quam  vocum 
barmouia  suauiter  concini  possunt,  etc. 
Cantus.  (Cantus  sec.)  [Pp.  25-27  of  Ten.  & 
Bass,  sec.]     3  pts. 

Apud  Angclum  Gardanum  :   Vcnctijs, 
1592.    4".  C.  226.  a. 

MASSANUS  (Joannes  Feanciscus) 
Sec  GuiDETTi  (G.)     Directorium  Chori. . . 
auctum  &  emendatum  a  Joanne  Francisco 
Massano,  etc.     1604.     8».  A.  218. 

MASSENZIO  (DoMEXico)  Sacri  Mottetti 
a  Due,  et  a  Piu  Voci... con  la  sequenza 
di  pentecoste,  &  Letanie,  &  in  fine  0 
Gloriosa  Domina,  con  il  Basso  Continue 
per   r  Organo  .  .  .  Libro   Quinto,   Opera 


Decima.  Canto  Prime.  (Canto  Secondo.) 
(Alto.)  (Basso  per  1'  Organo.)     4  pts. 

Apprcsso  Paolo  Masotti :  Roma, 
1631.     4".  D.  55. 

MASSES.  [Arranged  chronologically.^ 
IMissarum  diuerso"^  auctoru5  Liber 
primus.  Si  dedero  Oberth  [i.e.  Hobrecht]. 
Defra3a.  Philippus  basiron.  Dringhs 
Brumel.  Nastu  pas  Gaspar.  De  sancto 
Antonio  Piero  de  la  rue.  (Libri  primi 
missa,^  Diuersoru5  auto';^;  A  (T)  (B).) 
4  pts.  per  Octauiani'i  Petrutiu^,  Vcnctijs, 
1508.     obi.  4".  K.  1.  d.  8. 

Liber  Quindecim  Misfarum  Electarum 
quae  per  Excellentissimos  Musicos  com- 
positae  fueruut. 

|>  Andream  Antiquu  de  Mutona  Sociora 
suinptibus  :  Eo7nc,  1516.     fol. 

K.  9.  a.  12. 

This  collection  contains   15   masses  for 

four  voices  by  Brumel,  Fevin,  Josquin, 

Jo.  Mouton,  Pierre  de  la  Rue,  Pippclare 

and  Petrus  Rosselli. 

]Missarum  Liber  primus.     T[enor]. 

[Andreas  Anfiquus  :   Venice, 

1520  ?]    obi.  8".  K.  8.  b.  7.  (1.) 

Containing    two    itnnamcd    masses    by 

Joannes     Mouton    and    Aiulreas    de 

Sylva.     10  leaves,  jmged  13-22. 

^lissarum    diuersorum    authorum    Liber 

Secundus.    Tfenor].     [Andreas  Antiquus  : 

Venice,  1520  ?J    obi.  8°.     K.  8.  b.  7.  (2.) 

Containing  masses  by  J.  Mouton, '  Supra 

verbum    bonum,'    and    by    Gascogne, 

'  Supra  Benedictus.'     12  leaves,  paged 

13-24. 

Liber  Quindecim  IMissarum,  a  Praestant- 
issimis  IMusicis  compositarum,f/c.   Tenor. 
(Discantus.)     (Contrateuor.)     (Bassus.) 
4  pts.  Apud  lolian.  Pctrcium  : 

Norimbcrgae,  1539.     obi.  4".     K.  3.  c.  6. 

TJie  full  title  only  occurs  in  the  Tenor 
part.  The  composers  of  this  collection 
are:  Josquin,  A.  Brumel,  H.  Isaac, 
Lupus,  P.  de  la  Rue,  F.  de  Layolle, 
G.  Braitengrasscr,  J.  Ockekem  and 
P.  Molu. 

Sex  Misse.  Liber  Primus  IMissarum  Sex. 
Cum  Quatuor  Vocibus  ex  Diuersis  Author- 
ibus  Excellentissimis  nouiter  in  unum 
congestus,  etc.     Tenor. 

Apud  Antonium  Gardanc  :   Vcnctijs, 
1544.     obi.  4".  A.  61.  a. 

The  date  has  been  altered  in  MS.  to 
1594.  The  composers  arc:  Lupus, 
Verdelot,  Jachet  Berchcm,  Hcdin  and 
Finot. 

Liber  Secundus  missarum  Quatuor  Vocum 
a  Prestantissimis  Musicis.  Nempe  loan. 
Lupo  hellingo.  &  Thoma  Cricquillione,  etc. 


lOG 


:MASSES— MATHEWS 


Superius.  (Contra  Tenor.)  (Tenor.) 
(Bassus.)     4  pts. 

Apnd  Tielmannum  Sitsato:  Antuerjne, 

1545.  4°.  K.  2.  e.  5.  (2.) 
TJiis  collection  contains  tioo  masses  by 

Hellinc,  three  hij  Cn'quilloii,  cnid  one 

by  A.  Barbe. 
Liber  Primus  IMissarum  Quinque  Vocum, 
a   Diuersis    musicis    Compositarum,    etc. 
Superius.        (Contra     Tenor.)        (Tenor.) 
(Bassus.)     (Quinta  Pars.)     5  pts. 

Apud  Tylmannnm  Siisato  :  Antneviniv, 

154G.     4".  K.  2.  e.  5.  (1.) 

This  collection  contains  four  viasscs  by 

Tylman    Siisato,    T.    Criquillon  and 

P.  de  Manchicoart. 

Liber  Tertius  ]\Iissaruin  Quatuor  Vocum, 
a  Diuersis  Musicis  Compositarum,  etc. 
Superius.  (Contra  Tenor.)  (Tenor.) 
(Bassus.)     4  pts. 

Apnd  Tylmannnm  Susato:  Antue}pi:i\ 

1546.  4°.  K.  2.  e.  5.  (3.) 
This  collection  contains  five  masses   by 

Lupus  Hellinc,  J.  Eichafort,  J.  Mouton, 
T.  Creq^uillon  and  P.  de  Manchicoart. 

Quinque  Missarum  Harmonia  Diapente 
id  est  Quinque  Voces  Referens,  etc.  Su- 
perius. (Altus.)  (Tenor.)  (Bassus.) 
(Quintus.)     5  pts. 

Apud  Antonium  Gardane  :  Venetijs, 

1547.  obi.  4".  K.  3.  e.  5. 
Containing    five     masses     by    Morales, 

Jachet  BercJiem  and  Lupus. 

Missa  in  Octaua  S.  Dionysii  Areopagitte, 
et  Sociorum  Martyrum.  Ad  vsum  Regalis 
Ecclesiie  eiusdem  S.  Dionysij  in  Francia, 
etc.     MS.  NOTES.  Ex  Ojficiui 

Bobcrti  Ballard  :  Parisiis,  1658.     4". 

K.  8.  e.  21. 
Messa  e  Salmi  dedicati  al  Eeuerendissimo 
Signor  Bernardo. .  .Abbate  del...Monas- 
tero  a  SS.  Udalrico  &  Afra,  etc.  [With  a 
preface  signed  by  the  '  Choro  de'  Musici 
a  S.  Udalrico.']  Canto  i.  (Alto  concert.) 
(Tenore  concert.)  (Basso  concert.)  (Or- 
gano.)     5  pts. 

Appresso  A.  Erfurt.     Ad  instanza  di 
G.  Weh:  Augusta,  1662.     4".        D.  1010. 

MASSON  (Charles)     Nouveau  Traite  des 
Regies  pour  la  Composition  de  la  ]Musique 
. .  .Troisieme  Edition,  revue  &  corrig^e. 
Chez  G.  Ballard  :  Paris,  1705.     S''. 

7898.  a.  14.  (1.) 

Nouveau  Traite  des  Regies  pour  la  Com- 
position de  la  Musique  .  .  .  Quatrieme 
Edition,  revue  &  corrigee.  Aux  depens 

d'  E.  Roger:  Amsterdam,  [1710?]     8". 

1042.  k.  13.  (2.) 

MASSONNEAU  (Louis)  Trois  Duos  Con- 

certants    pour   Violon    et   Violoucelle . . . 

CEuvre  ix.     [Separate  Parts.]  Chez 

Mutzenbechcr  :  Hambourg,  [1800  ?]     fol. 

f.  132.  (5.) 


MASSONNEAU  (Louis)  Trois  Quatuors 
pour  deux  Violous,  Alto  et  Violoncelle . . . 
Oeuvre  4'"".     [Separate  Parts.] 

J.  Andre':   Offenbach  snr  le  Mein, 
[1795?]     fol.  ■  h.  79.  (1.) 

Six    Quatuors    Concertants    pour    Deux 
Violous,    Alto    Viola    &    Violoncelle  .  .  . 
Oeuvre  viii.     [Separate  Parts.] 
J.Schmitt:  Amsterdam,  [1795?]     fol. 

h.  79.  (2.) 

MATAUSCHEK  (Antox)  Trois  Sonatas 
pour  le  Clavecin  ou  Piano-forte. .  .Oeuv.  14. 
Liv.  3"'^  Chez  T.  Weigl:   Vienne, 

[1800?]     obi.  fol.  e.  458. 

MATCH.     A  Match  at  Stool-Ball.     Song. 
See  Come.     Come  all,  great,  small,  etc. 
[1715  ?]     s.  sh.  fol.  H.  1601.  (120.) 

The  :\Iatch  Boy.     Song.     See  Hook  (J.) 

MATCHLESS.  Matchless  as  when 
Venus.  'fJic  Acrostick.  [Song.]  Set  for 
the  German  Flute.  [London, 

1760?]     s.sh.iol.  H.  1994.  (42.) 

The  IMatchless  Fair.     [Song.] 

See     When.        When     Beauteous     Fair 

Camilla  deigns.     [1745?]     s.  s/(.  fol. 

G.  305.  (242.) 

The  Matchless  Fair.     [Song.] 

See  When.     When  beauteous  fair  Camilla 

deigns.     [1747.]     S'\  P.P.  5438.  z. 

MATCHLESS  MAID  OF  MORPETH. 

The  Matchless  Maid  of  Morpeth.     [Can- 
tata.]    See  Moulds  (J.) 

MATERNAL.  ]\Iaternal  Tenderness. 
Canzonet.     See  Jacob  (B.) 

MATHEO,  de  Aranda.  Tractado  S  cato 
llano  nueuamente  compuesto,  etc.  German 
Gallarde  :  Lixboa,  1533.    4°.     K.  1.  f.  2. 

38  leaves,  without p)agination. 
fl[  Tractado  de  canto  mcsurable  :  y  contra- 
pucto  :  nueuamete  cupuesto,  etc. 
German  Galhard  :  Lixboa,  1535.     4'\ 

K.  1.  f.  3. 
86  leaves,  without  pagination. 

MATHEWS  (J.)     The  Glorious  Fifteenth 
of  May.     A  Loyal  Glee,  to  perpetuate  the 
late  providential  Escape  of  the  King,  etc. 
J.  Matheios  :  Bath,  [1800.]     fol. 

G.  352.  (30.) 

Howe  and  the  Glorious  First  of  June.  A 
new  Song,  written  by  Earl  IMulgrave. 
The  Air  composed  ...  by  J.  Mathews. 
Arranged  for  the  Harpsichord  or  Piano 
Forte  bv  R.  Peck,  etc.  J.  Mathews  : 

Bath,  [1794.]     fol.  G.  376.  (25.) 

IMarriage  has  its  Pleasures  various,  a  New 
Two  Part  Song,  etc.  J.  Mathews  : 

Bath,  [1795  ?]     fol.  G.  354.  (23.) 

Nelson  &  the  Tars  of  Old  England,  a  New 
Song  [on] . .  .  Sir  Horatio  Nelson's  Victory 
over  the  French  Fleet,  etc.  J.  Mathews  : 
Bath,  [1798.]     fol.  G.  376.  (26.) 


MATHEWS— MATTEIS 


107 


MATHEWS  (J.)   The  Pleasures  of  Spring. 
A  Favorite  Duett  Original.     1800,  etc. 
Dale,  etc.  :  London,  [1800.]     fol. 

G.  354.  (50.) 
The  Western  Volunteer.  A  New  Song, 
adapted  for  the  Piano  Forte,  Guitar, 
German  Flute,  One,  or  Two  Voices,  etc. 

Frintcd  for  I.  Matlunrs  : 
Bath,  [1800  ?]     fol.  G.  366.  (32.) 

See  Cease.  Cease,  Leonora,  cease  to 
mourn . . .  Duett,  adapted  with  a  Bass  by 
the  Author  of  the  Pleasures  of  Spring 
[J.  Mathews].     [1800  ?]     fol. 

G.  354.  (48.) 
See  also  :  M.,  J. 

MATHIAS  (Hermann)  La  Battaglia 
Taliana. .  .Con  Alcune  Villotte  Piaceuole 
Nouamente. .  .Sstampate  &  Corrette,  e/c. 
Superius.  Ajorcsso  di  Antonio  Gaidanc  : 
Vcncfia,  1549.     obi.  4".  A.  260. 

Cantuum  Quinque  Vocum — quos  ilotetta 
vocant — . . .  Liber  Primus.     Nunc  primum 
in  lucem  editus,  etc.     Bassus. 
Ajnid  Francisciim  et  Simonem  Moschoiios  : 
Mediolani,  1555.     obi.  4".  A.  260.  a. 

MATHIEU   (Mathias)       D.    R.    Karap- 
huyzens  Stichtelyke  Rymen...vermeerdert 
met    eenige    nieugecomponeerde     wijzen 
door  M.  Mathieu,  etc.     1G8H.     8". 
6VeCAMPHUYZEN(D.  R.)    11555.  aaa.  1. 

MATIELLI  (Giovanni  Antonio)  Sei 
Senate  per  il  Cembalo.  Nuovamente  com- 
poste. .  .ed  approvate  dal. .  .Sig.  Cavaliere 
de  Gluck,  etc.  C.  Tonicclla  :  Vienji.-f, 

[1783.]    ubl.  fol.  e.  5.  j.  (2.) 

MATILDA.  Jlatilda's  Address  to  the 
Fowler.  [Song.]  See  0.  O  Fowler,  cast 
thy  Gun  behind,  etc.     [1772.]     8°. 

P.P.  5438.  z. 

MATIN.     Un  Matin  brusquement  par  des 
Tambours  eveillee.     Air  Noiivcau. 
[Paris,  1185?]     8".         B.  362.  e.  (114.) 
Un  matin  sur  son  chalumeau.     Air. 
Sec  Legat  de  Furcy  (A.) 

MATINEE   DE   CATINAT.      Une 

Llatinee  de  Catinat.     Comedie. 
See  Dalayeac  (N.) 

MATINES.  Les  IMatines  de  Cythere. 
[Song.]  Sec  Chantons.  Chantons  les 
Matiues  de  Cythere.     [1780  ?]     8'. 

B.  362.  a.  (122.) 

MATRIMONTAIj.  :\Iatrimonial  Deaf- 
ness.    [Song.]     See  P.,  J. 

MATEIMONIO  per  EAGGIRO.     II 

]Matrimonio  per  Raggiro.     Opera. 
See  CiMAROSA  (D.) 


MATEIMONIO  SEGEETO. 

monio  Segreto.     Opera. 
See  CiMAEOSA  (D.) 


II  Matri- 


MATEIMONY.     3Iatrimony.     Song. 
.SW'  From.     From  Conjugal  Ties,  etc. 
[1780  ■?]     s.  sh.  fol.  G.  307.  (232.) 

MATEON.  The  :Matron's  advice.  [Song.] 
See  Yates  (W.) 

MATTEI  (Filippo)  [iluzio  Scevola.  Act  I.] 
The  Most  Favourite  Songs  in  the  Opera 
of  Muzio  Scaevola.  Compos'd  by  Three 
famous  Masters  [viz. :  F.  Mattel,  G.  B. 
Bononcini  and  G.  F.  HandelL 
[1721.]     fol.     See  Muzio  SceVola. 

G.  192.  (2.) 

MATTEIS  (Nicola)  Sen'  Nicola's  first 
and  Second  Book's  of  Aire's  in  3  Parts. 
Containing  Preludes  Allemand's  Sara- 
band's Corrant's  ilmuett's  and  Jigg's  with 
divers  Fancye's  and  Vollentary's  in  every 
Key  for  two  Violins  and  a  Bass,  etc.  (The 
Second  Booke  of  Aire's  .  .  .  more  Difficult 
then  the  Former  for  the  Improvement  of 
the  Hand  on  the  Violin,  etc.)  [Separate 
parts.]  Printed  for  I.  Walsh  and  I.  Hare: 
iMidon,  [1710?]    obi.  fo\.  6.66. 

Ayrs  for  the  Violin.  Preludes  Allmands 
Sarabands  Courantes  Gigues  Diuisions  and 
double  Compositions  fitted  to  all  hands 
and  Capacities.  .  .  .  The  first  Part.  (Other 
Ayrs  Preludes  Allmands  Sarabands  &c. 
with  full  stops  for  the  Violin  .  .  .  the 
Second  Sett.)  (Ayres  for  the  Violin  .  .  . 
And  likewise  other  Passages,  Introduc- 
tions, and  Fuges,  for  Single  and  Double 
stops:  with  Divisions,  somewhat  more 
Artificial.  For  the  Emproving  of  the  Hand, 
upon  the  Basse  Viol  or  Harpscchord.  The 
Third  and  Fourth  Parts.)  (Other  Ayres 
and  Pieces  for  the  Violin  Bass-Viol  and 
Harpsechord  somewhat  more  Difficult  and 
Artificial  then  the  former  .  .  .  the  Fourth 
part.)     4  pts.     [London,]  1685.     obi.  4". 

K.  1.  f.  10. 
The  fly-leaf  to  Parts  I.  and  II.  bears  the 
autograph  of  Dr.  Diipuis.     The  bind- 
ing of  Parts  III.  and  IV.  bears  the 
inscriptioyi :    "All    iW^'J    Sig''    Mar- 
chese    Pietro    Capponi    Inviato    del 
Sep'"   Gran  Duca    di    Toscana  alia 
Maesta  delta  Gran  Bretania,''  i.e.  at 
the   coronation  of  James   II.      Parts 
III.  and  lY.  are  engraved  by  T.  Green- 
hill.     The  date  occurs  in  a  coronet  on 
the  title-page. 
The    Second    Treble    of   the    Third   and 
Fourth  Parts.     Preluds  Fuges  Allemands 
ec'  with  some  Additions  and  new  Tunes. 
[London],  1687.     obi.  4".         K.  1.  f.  11. 
Arie  Diverse  per  il  Violino ;  Preludij  Ale- 
mande  Sarabande  Correnti  Gighe  Fantasie 
sminuite  ed  altri  Toccate  a  due  Corde  .  .  . 
Libro  Primo.     (Altre   Arie   Preludij  Ale- 
mande    Sarabande    &c.      Piu    difficile   e 
Studiose  per  il  Violino . . .  Libro  Secondo.) 
2  pts.     [London,]  1688.     obi.  4^ 

K.  1.  f.  12. 


lOS 


MATTEIS— MATTHESON 


MATTEIS   (Nicola)     When   e're   I   gaze 

on  Sylvia's  Face.     .-1   Song,  etc.     [Words 

by  P.  Motteux.]      Printed  for  R.  Parker  : 

London, 1G92.     4°.  P.P.  5255. 

Gentleman' s   Journal  for  Feb.  1691-2, 

pp.  33-34. 

MATTHAEI  (Conrad)  Neue  Hertzens- 
Freude  Welche,  als  der  .  .  .  Wolgelarte 
Hen-  Friederich  Stegemann  .  .  .  Seinen 
Tauff  -  Nahmens  -  Tag  feyeiiich  ])egmg 
Auszdienstlicher  Schuldigkeit  etliche  gute 
Freunde. .  .angestellet,  inderoselbenNah- 
men  aber  eilend  aufEs  Papier  gebracbt  von 
Conrad  IMatthaei. 

Gedriickt  hey  PascJien  Mense  : 
Eonigsberg,  1650.     fol.  G.  93. 

MATTHESON  (.Johann)  Behauptung 
der  Himmlischen  Musik  aus  den  Grilndeu 
der  Vernunft,  Kirchen-Lehre  und  heiligen 
Schrift.     C.  Herold  :  Hamburg,  1747.     8". 

7897.  a.  70. 
Das  Bescliiitzte  Orchestre,  oder  desselben 
Zweyte  Eroffnung,  worinn  .  .  .  die  .  .  . 
deutlichste  Vorstellung  musicalischer  Wis- 
senscbafben  .  .  .  ertbeilefc,  etc. 
Im  Schillcrischen  Buchladcn  :  Hamburg, 
1717.     12\  785.  b.  37. 

Mattbesons  bewaurte  Panacea,  als  eine 
Zugabe  zu  seinem  musikalischen  Mithri- 
dat,  iiberaus  beilsam  wider  die  leidige 
Kacbesie. .  .gottloser  Schiinder  der  Ton- 
kunst,  etc.     3  pts.  Bey  J.  A.  Martini  : 

Hamburg,  1750  (1751).     8".      785.  b.  58. 
Each  part  has  a  different  title-page  and 
separate  pagination. 

[Bewiibrte    Panacea.       Pt.    3.]       Sieben 
Gespriicbe  der  Weisbeit  und  Musik  samt 
zwo  Beylagen ;   als   die   dritte  Dosis   der 
Panacea,  mitgetbeilet  von  IMattbeson. 
Bey  J.  A.  Martini  :  Hamburg,  1751.     8". 

8404.  b.  3. 
Der  Braucbbare  Virtuoso,  welcber  sicb. . . 
mit  zwolff  neuen. .  .Kanimer-Sonaten,  auf 
der  Flute  Traversiere,  der  Violine  und 
dem  Claviere  bey  Gelegenbeit  boren 
lassen  mag,  etc.  Im  Schiller-  und 

Kissnerischcn     Buch -Laden :      Hamburg, 
1720.     fol.  h.  52.  b. 

Critica   Musica,   d.i.  Grundricbte   Unter- 
such-  und  Beurtbeilung,  vieler. .  .Einwiirffe, 
so  in  alten  und  neuen  .  .  .  Musicaliscben 
Scbrifften  zu  finden. . .  Stiick-weise  beraus. 
gegeben  von  Mattbeson.     2  Bd. 

Auf  Unkosten  des  Autoris 
(bey. . .  T.  von  Wierings  Erben)  :  Hamburg, 
1722  (1725).     4".  '        556.  b.  6.  (1.) 

[Anotber  copy.    Bd.  I.]     556.  a.  11.  (1.) 

Les  Doigts  Parians.  See  infra:  [Die  ivol- 
kiingcnde  Finger-Sprachc.] 

Das  Erlauterte  Selah,  nebst  einigen 
andern  niitzlicben  Anmerkungen  und 
erbaulicben     Gedanken,    iiber    Lob    und 


Liebe,  von  ]M(attbeson),  als  eine  Fortsefcz- 
ung  seiner  vermiscbten  Werke. 
C.  Herold  :  Hambtirg,  1745.     8". 

7897.  a.  71. 
Exemplarische  Organisten-Probe  im  Arti- 
kel  vom  General-Bass.  Welcbe  mittelst 
24.  .  .  .  Exempel  .  .  .  Anzustellen  ist,  das 
eiuer,  der  diese  48.  Prob-Stiicke  rein 
trifft. .  .sicb. .  .riibmen  moge:  Er  say  ein 
]\Ieister  im  accompagniren  .  .  .  'Mit  .  .  . 
Erlauterungen  und  Anmerckungen,  bey 
jedem  Exempel,  und  mit  einer  .  .  . 
Tbeoretischen  Vorbereitung,  etc. 

Ln  Schiller-  und  Kissnerischcn  Buch- 
Laden  :  Hambzirg,  1719.     4°. 

556.  a.  10. 
Das  Forscliende  Orcbestre,  oder  desselben 
Dritte  Eroffnung.  Darinn  Sensus  Vin- 
dicise  et  Quartse  Blanditite. .  .untersucbet, 
und  ...  in  ibr  recbtes  Licbt  gestellet 
werden.  Bey  B.  Schillers  Wittire,  und 
J.  C.  Kissner:  Hamburg,  1721.     12". 

7897.  a.  64. 
Jobann  Mattbesons  Grosse  General-Bass- 
Scbule.  Oder:  Der  exemplariscben 
Organisten-Probe  zweite,  verbesserte  und 
vermebrte  Auflage,  etc.  Zu  finden  in 

J.    C.   Kissner' s    Buchladen :    Hamburg, 
1731.     4".  556.  b.  7. 

Jobann  Mattbeson's  .  .  .  Kleine  General- 
Bass-Scbule,  etc.  Bey  J.  C.  Kissner: 

Hamburg,  1735.     4".  7895.  bb.  20. 

[Anotber   edition.]     Jobann   Mattbeson's 
. .  .Kleine  General-Bass-Scbule,  etc. 
Bey  J.  C.  Kissner :  Hamburg,  Vli5.     4". 

7895.  e.  3. 

1)1  this  edition  the  title-page  is  printed 
entirely  in  black.  Without  the  portrait. 
G.  F.  Handels  Lebensbescbreibung,  nebst 
einem  Verzeicbnisse  seiner  Ausiibungs- 
■werkeund  deren  Beurtbeilung;  iibersetzet, 
aucb  mit  einigen  Anmerkungen ...  verseben 
vom  Legations-Ratb  Mattbeson. 

Auf  Kosten  des  Uebersetzcrs  :  Hamburg, 
1761.    8°.  10761.  aa.  44, 

Sieben  Gespriicbe  der  Weisbeit  und  ISIusik, 
etc.  See  supra  :  [Bewdhrte  Panacea.  Pt.  3.] 

Grundlage  einer  Ehren-Pforte,  woran  der 
Tiicbtigsten  Capellmeister,  Compouisten, 
Musikgelebrten,  Tonkiinstler  &c.,  Leben, 
Werke,  Verdienste  &c.  erscbeinen  soUen, 
etc.  In  Verlegung  des  Verfassers  : 

Hamburg,  1740.     4°.  556.  a.  13. 

Harmoniscbes  Denckmabl. 
See  infra  :  \_Pieces  de  Clavecin.'] 

Kern  Melodiscber  Wissenscbaft,  bestebend 
in  den  auserlesensten  Haupt-  und  Grund- 
Lebren  der  musicaliscben  Setz-Kunsb 
oder  Composition,  als  ein  Vorliiuffer  des 
VoUkommenen  Capellmeisters,  etc. 
C.  Herold  :  Hamburg,  1737.     4". 

7895.  bb.  19. 


MATTHESON 


109 


MATTHESON  (Johann)  Matthesons 
Mitbridat  wider  den  Gift  einer  welschen 
Satyre  [by  Salvatoi-  Eosa],  genannt :  La 
Musica.  Im  Verlagc  dcs  Vcrfasscrs  : 

Hamburg,  1749.     8".  785.  b.  55. 

Der   ]Musicaliscbe  Patriot,  welcber  seine 
griindlicbe    Betracbtungen,    iiber    Geist- 
und  Welti.  Haiinonien. .  .in  angenehmer 
Abwecbselung. .  .mittbeilet,  etc. 
Hamburg,  1728.     4".  1042.  i.  37. 

Die  nenangelegte  Freuden-Akademie,  zuni 
lebrreicben  Vorscbmack  unbescbreiblicher 
Herrlicbkeit  in  der  Veste  gottlicher 
Macbt,  c>fc.     2  Bd.  J.A.Martini: 

Hamburg,  1751  (1753).     8". 

4372.  aaa.  16. 
DasNeu-Eroffnete  Orcbestre,  oder  Univer- 
selle  und  griindlicbe  Aiileitung,  wie  ein 
Galant  Homme  einen  vollkommenen 
Begrifi  vou  der  Hobeit  und  Wiirde  der 
edlen  IMusic  erlangen  . .  .  moge  . . .  j\Iit 
beygefiigten  Anmerckungen  Herrn  Capell- 
Meister  Keisers. 

Aiif  Vnliostcn  dcs  Aatoiis  :  Hamburq, 
1713.    8".  7897.  a.  44. 

Die  neueste  Untersucbung  der  Singsi)iele, 
nebst  beygefiigter  musikaliscben  Ge- 
schmacksprobe,  liefcrt  liiemit  Aristoxenus, 
der  jiingere  (J.  ]\Iattbesou).  C.  UryoJd  : 
Hamburg,  1744.     S".  11795.  bb.  10. 

Mattbesons  Philologisches  Tresespiel,  als 
ein  kleiner  Beytrag  zur  Kritiscben  Ge- 
sebicbte  der  deutscben  Spracbe,  voruebm- 
licb  aber,  mittelbt  gescbeuter  Anwendung, 
in  der  Tonwissenscbaft  niitzlicb  zu  gebrau- 
cheu.  Subiuncta  uouissima  editions 
Scbediasmatis  de  Eriiditione  Jlusica.  2 
pts.  Bey  J.  A,  Martini :  Hamburg, 

1752.     8".  12963.  b.  18. 

[Another  copy.]  12962.  aaa.  35. 

Pieces  de  Clavecin  en  Deux  Volumes  Con- 
sistant  des  Ouvertures,  Preludes,  Fugues, 
Allemandes,  Courantes,  Sarabandes, 
Giques  et  Aii-es.  Printed  for  I.  D.  Fletcher : 
London,  1714.     fol.  h.  52. 

[Pieces  de  Clavecin.]  JIattbesons  Har- 
moniscbesDenckmabl.auszwolf  erwiiblten 
Clavier-Suiten,  bestebend  in  Ouverturen, 
Sympbonien,  Fugen,  Boutaden,  Preludieu, 
AUemandeu,  Couranten,  Sarabauden, 
Giquen,  Arien  und  ]Menuetten,  nebst 
ibren  Doublen  oder  Variationen  .  .  . 
erricbtet.  Audi  mit  einer... Vor-  oder 
Anrede. .  .loco  Frontispicii  verseben. 

Printed  for  I.  D.  Fletcher  :  London, 

1714  (1715).     fol.  h.  52.  a. 

This  is  the  English  '  Pieces  de  Clavecin  ' 

witli   a    German  title   and   a  preface 

dated  1715. 
Mattbesonii    Plus   Ultra,  ein   Stiickwerk 
vou  neuer  und  mancberley  Arct,  etc.     3 
pts.  J.A.Martini:  Hamburg, 

1754(-1756).     8".  1401.  f.  11. 


785.  c.  43. 

Weicbmann, 

le    Genseric 

(C.  F.)   C.  P. 


MATTHESON  (Johaxk)  :\Iatthesonii 
Plus  Ultra,  ein  Stiickwerk  von  neuer  und 
mancberley  Arct,  etc.  [Anotber  copy. 
Pts.  1  &  2.]  7898.  k.  44. 

[Anotber  copy.     Pts.  1  &  2.] 
[Reponse   faite   a  Monsieur 
sur   sa   lettre  .  .   .  toucbant 
reforme.]     See  Weichmaxn 
Weicbmauns  Teutscbe  Anmerkungen  iiber 
Herrn  Mattbesons  Antwort  auf   sein  am 
28  Julii.  . . abgelassenes  Scbreiben,  etc. 
1722.     4'.  556.    a.  11.  (4.) 

XII.  Senates  a  Deux  &  Trpis  Flutes  sans 
Basse. .  .Premier  Ouvrage  Edition  corrigee 
.  .  .  sur  la  Partition  par  E.  Roger. 
[Separate  Parts.]  Che.-.  E.  lioger  : 

Amsterdam,  [1708.]     fol.  f.  84. 

Der  Vollkommene  Capellmeister,  das  ist, 
Griindlicbe  Anzeige  aller  derjenigen 
Sacben,  die  einer  wissen...und  vollkom- 
men  inne  baben  muss,  der  eine  Capelle 
mit  ebren. .  .vorsteben  will,  etc. 
C.  Herald:  Hamburg,  1739.     fol. 

7896.  h.  20. 
Die  wol-klingende  Finger-Spracbe,  in 
Zwolff  Fugen,  mit  zwey  biss  drey  Sub- 
jecten,  entworffen. .  .Erster  Tbeil. 

hn  Verlagc  des  Vcrfassers  :  Hamburg, 
1735.     fol.  K.  10.  b.  6. 

[Die  wol-klingende  Finger-Spracbe.]  Los 
Doits  Parians  en  Douze  Fugues  doubles 
a  deux  et  trois  Sujets  pour  le  Clavessiu 
. .  .Seconde  Edition.  Aux  depens  de 

J.  U.  Haff'ner :  Nuremberg,  11  iO.     fol. 

K.  10.  b.  5. 
A  re-issue  of  '  Lie  wol-klingende  Finger- 
Sprache  '  with  a  neiv  title-page. 
See  Blyvers  (G.)  Andere  Antwort,  auf 
Monsieur  Weicbmanus  Scbreiben  be- 
treffend  dessen  iiber  den  Herrn  Capell- 
Meister  M(attheson). .  .gefiilleten  Urtbeile. 
1722.     4°.  556.  a.  11.  (2.) 

See  BUTTSTETT  (J.  H.)     Ut,  Mi,  Sol,  Re, 
Fa,  La,  Tota  Musica  et  Harmonia  .<Eterna 
...entgegen  gesetzt   Dem  neu-eruffneten 
Orcbestre  [by  J.  Mattbesonl,  etc. 
[1716.]     4".  "    785.  e.  39. 

See  Meyer  (J.)  Der  anmasslicbe  Ham- 
burgiscbe  Criticus  siue  Crisi  entgegen 
gesetzet  dem  so  genannten  Gottingiscben 
Epboro  J.  Mattbesons,  etc.     172S.     8". 

7898.  aaaa.  7. 
See  NiEDT  (F.  E.)  F.  E.  Niedtens 
Musicaliscbe  Handleitung  zur  Variation 
des  General-Basses. .  .Die  Zweyte  Auflage 
...verseben  durcb  J.  Mattbesou,  etc. 
(F.  E.  NiedteusMusicaliscber  Handleitung 
— Dritter.  ..Tbeil  .  .  .  Deme  beygefiiget 
Veritophili . . .  Beweis-Griinde,  worauf  der 
recbte  Gebraucb  der  Music  bey  des  in  den 
Kircben  und  ausser  denselben  berubet .  . . 
mit  einer  Vorrede  zum  Druck  befordert 
vou  Mattbeson.)     1721  (1717).     oil.  4". 

7895.  a.  66. 


110 


MATTH  Y  S  Z—IM  AY-DAY 


MATTHYSZ     (Paulus)       See    Psalms. 
[Dtddi.]     De   CL  Psalmen   Davids,  .  .  . 
Alle  de  voyseu  der  Psalmen  ziju  op  eon  G 
sleutel  gestelt  door  P.  Mattbysz,  etc. 
[1695?]     IG".  illO.  a.  38. 

MATTIOLI  (Andrea)  Hannonia  Sacra 
Dedota  dal  Concerto  di  Salmi.  Motetti, 
Inni  &  Autifoue  a  Voce  sola  con  violini,  etc. 
Voce.  Stampa  del  Gardano  : 

Ycnetia,  1675.     4°.  D.  237. 

MATTOX  (  )  Love's  Victim.  [Song.] 
Ye  words  by  Mr.  Monlass.  [London, 

1720  ?]     s.  sli.  fol.  G.  315.  (102.) 

MAUDIT.     Maudit  Amour.     Song. 
See  Jones  (E.)  Bard. 

MAURER  (Georg)  Three  Sonatas  for 
the  Harpsichord  or  Piano  Forte  with  an 
Accompany'  for  a  Violin  ad  libitum  .  .  . 
Op.  1.     [Separate  Parts.] 

Longman  d  Broderip : 
London,  [1785  ?]     fol.         h.  726.  e.  (7.) 

Three  Sonatas  for  the  Harpsichord  or 
Piano  Forte  with  an  Accompany'  for  a 
Violin  ad  libitum  .  .  ,  Op.  2.  [Separate 
Parts.]  Longman  d  Broderip  : 

London,  [1785  ?]     fol.         h.  726.  e.  (8.) 

MAURICE,  Landgrave  of  Eesse-Cassel. 
[Psalmen  Davids,  Nach  Frautzosischer 
INIelodey  vnd  Reymen  art  in  Teutsche 
Reymen  artig  gebracht,  Durch  Ambrosium 
Lobwasser  .  .  .  Aufi  befehl  Des  . .  .  Fiirsteu 
.  .  .  Herrn  IMoritzen,  Landgrafeu  zu 
Hesseu  .  .  .  jetzo  auffs  newe  gedruckt : 
Und  haben  ihre  F.  Gu.  die  iibrige  Psalmen 
30  nicht  eigeue  Melodias  gehabt,  mit 
andern  .  .  .  ]\Ielodiis  .  .  .  gezieret,  vnd 
mit  vier  Stimmen  componiret,  welche  .  .  . 
beyds  zu  singen  vnd  auff  allerley  Instru- 
menten  zugebrauchen.]  IWiUiehn  Wcssel  ; 
Cassel,  1612.]     fol.  F.  1089. 

Imperfect,  wanting  the  title-page.    Many 
of  the  leaves  are  mutilated. 

See  Geuck  (V.)  Novum  et  Insigne  Opus 
continens  Textus  IMetricos  Sacros : 
Festorum,  Dominicarum,  et  Feriarum, 
...  ex  ]\Iandato  .  .  .  Principis  .  .  .  D. 
]\Iauritii,  Landgravii  Hassite,  &c.  a 
Valentino  Geuckio  .  .  .  Octo  Sex  &  5. 
vocibus  inceptum.  Denique  .  .  .  Suae 
Gels.  Opera  .  .  .  perfectum  &  absolutum, 
etc.     1603-4,    4°.  B.  86. 

MAURUS,  of  Palermo.  Sacrarum  Can- 
tionum,  quae  Octo,  tum  Vocibus,  turn 
varijs  Instrumentis  chorisq3  coniunctis, 
ac  separatis  concini  possunt.  Liber  Primus. 
Cantus.  Chorus  Primus.  (Cantus.  (Altus.) 
(Bassus.)     Chorus  Secundus.)     4  pts. 

Apiud  Riciardum  Amadinnm : 
Venctiis,  1590.     4'\  C.  54. 


MAXWELL  (Francis  Kelly) 

See  Essay.     An  Essay  upon  Tune,  etc. 
[By  F.  K.  Maxwell.]     1791.     8". 

52.  b.  21. 

MAY.     Le  jMay.     Vaudeville. 

,Sf>eALLONS.    Aliens  gay,  etc.    [1780?]    8°. 

B.  362.  b.  (94.) 

May.     [Song.]     See  Away.     Away  to  the 
Woodlands  awav,  etc.     [1770?]     s.  sh.  fol. 

G.  306.  (107.) 
May.       [Song.]       See    Gentle.      Gentle 
Muse  now  lend  thy  Aid. 
[1780  ?]     s.  sh.  fol.  G.  308.  (30.) 

INIay.     [Song,  begins :  '  The  Hawthorn  is 
sweetly  in  bloom.']     See  Hook  (J.) 
May.       [Song.]       See    Thrice.      Thrice 
welcome  sweet  Mav.      [1779?]     s.  sJi.  fol. 

G.  312.  (146.) 

May  balmy  peace.     Song. 

See     Haendel      (G.      F.)       [Occasional 

Oratorio.^ 

May  I  never  be  married.     Song. 

See    Kiss.     The   Kiss   that   he  gave,  etc. 

[By  J.  Hook.]     [1785.]     s.  sh.  fol. 

H.  1601.  b.  (44.) 

May   our    Navy   for    ever    Old    England 
protect.     Duet.     Sec  Shield  (W.) 
May  the  Beauties  of  England.     Song. 
See  Carter  (C.  T.) 
jMay  the  Mother  of  Love.     [Song.] 
See  Long  (S.) 

]\Iay  this  good  Company.  Mirth  and 
Friendship.  A  two  part  Song  [to  the 
tune  of  God  save  the  King]  .  .  .  very 
proper  to  be  sung  at  the  Conclusion  of 
any  Publick  or  Private  Comimny. 
[London,  1160 '>]     s.  sh.  io\. 

H.  1994.  a.  (86.) 

May  we  live  all  the  Days  of  our  Lives. 
[Song.]     Sec  Hook  (J.) 

MAY-DAY.      How   can   my   heart    rest. 
[Song.]     Sung  by  Mr.  Vernon  in  May-Day 
or  the  Little  Gypsy.     [By  T.  A.  Arne.] 
P.  H[odnson  :  London,  1775].     fol. 

G.  308.  (145.) 

What's  a  poor  simple  Clown  to  do.    [Song.] 
Sung  by  Mr.    Bannister   in   May-Day  or 
the  Little  Gypsy.     [By  T.  A.  Arne.] 
P.  H[odqson  :  London,  1775].     fol. 

G.  313.  (266.) 
Wou'd  Women  do  as  I  do.    [Song.]    Sung 
by  ]\Irs.   Wrighten   in   INlay  Day   or   the 
Little  Gypsy.     [By  T.  A.  Arne.] 
P.  H[odqson:  London,  1775].     s.  sh.  fol. 

G.  313.  (142.) 
Yes   I'll   give   my  Heart   away.     [Song.] 
Sung  by  Mr.  Vernon  in  May  Day  or  the 
Little  Gypsy.     [By  T.  A.  Arne.] 
P.  H[odqson  :  London,  1775].     s.  sh.  fol. 

G.  314.  (83.) 
INIay  Day,  or  the  Little  Gypsy.  [IMusical 
Farce.]     See  Arne  (T.  A.) 


MAYELLUS— MAYNER 


111 


MAYELLUS  (Joanxes  Vittorius)  Liber 
Primus  ^Mottectorum  Duabus  Yocibus 
cum  Magnificat  in  fine.  Et  cum  Organo 
Partitione,  etc.  Canto.  (Basso.)  2  pts. 
Ex  TijpogrcqiJiia  lo.  Baptisfx  Gargani, 
d-  Lucrctij  Nucij  :  Ncapoli,  1610.     4". 

C.  55. 

MAYER  (Aston)      [Daphne  et   Apollon.] 
Quand  il  nous  peiut  une  rose   naissante. 
Air,  etc.     (Paroles  de  M.  Pitra,  etc.) 
{Paris,']  1782.     8".  298.  f.  31. 

Mercurc  de  France,  Oct.,  1782,2'.  51. 
Quand  il  nous  peiut  une  rose  naissante. 
/S'ee  supra  :  [Daplini  et  Apollon.'] 

MAYER  (JoHANN  Baptist)  Three  Duos 
Concertaut  for  2  German  Flutes  .  .  . 
Opera  5"'.     [Separate  Parts.] 

Longman  and  Brodcrip : 
London,  [1795  ?]     fol.  g.  225.  (6.) 

Three  Duos  Concertaut  for  Two  German 
Flutes  . . .  Opera  6"'.     [Separate  Parts.] 

Longman  and  Brodcrip  : 
London,  [1795  ?]     fol.  g.  225.  (6*.) 

Complete  Instructions  for  the  Harp  . . . 
Exemplified  by  Progressive  Preludes  & 
Airs  ...  To  which  is  added  the  . . .  Prin- 
ciples of  Thorough  Bass,  etc. 

Printed  for  R.  Birchall : 
London,  [1800  2]    fol.       h.  3200.  a.  (17.) 
Three  Grand  Sonatas  for  the  Harp . . .  Op.  7. 
Ijongman  £  Brodcrip : 
London,  [1797.]     fol.  g.  198.  (10.) 

Three  Grand  Sonatas  for  the  Harp . . .  Op.  8. 
Printed  for  the  Author  : 
London,  [1798.]     fol.  g.  198.  (11.) 

Twelve  Songs.  Six  English  &  Six 
Italian,  with  an  Accompaniment  for  the 
Harp  or  Piano  Forte  . .  .Op.  9. 

W.  Napier,  for  the  Author  : 
London,  [Vim'>]     fol.  G.  198.  (6.) 

MAYER  (JoHANN  Simon)     A  Bettina. 
N'c  Pek.     Per  carita   Bettina,   etc. .    [By 
J.  S.  Mayer.]     [1800.]     fol. 

G.  811.  a.  (12.) 
Twelve  Yenetian  Ballads.  Composed  & 
Arranged  for  the  Yoice  and  Piano  Forte 
by. .  .S.  Mayer,  and  Dedicated. .  .to. .  .the 
Dutchess  of  York,  by. .  .C.  Salvini. 
L.  Lavenu  :  London,  [1797.]     ohl.  fol. 

E.  270.  (20.) 
El  Consegio,  A  Bettina,  e  La  Stracauata. 
Three  Yenitian  Canzonets,  with  Harp  or 
Piano  Forte  &  Tamborine  Accompani- 
ments..  .Op.  1.3.     Book  2. 

Printed  for  Mon-ani  and  Cimador  : 
London,  [IQQO-l]     fol.  G.  424.  (7.) 

El  Consegio.     Canzonetta  Yeneziana. 

Printed  for  Monzani  ((•  Cimador  : 
London,  [1800  ?]     fol. 

H.  2831.  a.  (19.) 
El  Consegio.  See  Se.  Se  amor  mai  da 
vu,  etc.     [By  J.  S.  Mayer.]     [1800.]     fol. 

G.  811.  a.  (38.) 


MAYER  (JoHAXN  Simon)  Contento  il  cor 
nel  seno.  A  Polacca.  Composed. .  .for. . . 
Luigi  Marchesi  &  sung. .  .on  the  Continent 
and  in  this  Country  by  Madam  Salvini. 

At  Madam  Salvini's  :    ^Vesfminster, 
[1797]     fol.  G.  199.  (14.) 

La  Farfaletta,  1'  Amore,  e  la  Primavera. 
Three  Italian  Canzonets,  with  Harp  or 
Piano  Forte  &  Tamborine,  to  one, 
Accompaniment. .  .Op.  12.     Book  1. 

Printed  for  T.  Monzani:  London, 
[1800  •?]     fol.  G.  424.  (6.) 

Grazie  agli  inganni  tuoi,  Canzonetta,  with 
a  Harp,  or  Piano  Forte,  Accompaniment, 
etc.  Printed  for  T.  Monzani: 

London,  [1800?]     fol.  G.  424.  (10.) 

No.  10  of  '  A  Collection  of  Periodical 
Italian  Songs,'  etc. 

Quando  penso  a  quell'  istante.  Canzon- 
etta. Printed  for  Monzani  tf  Cimador  : 
London,  [ISOOI]     fol.     H.  2831.  a.  (20.) 

[La  Stracavata.]  Sec  Catina.  Catiua 
belina  graziosa  vu  se,  etc.  [With  Harp  or 
Piano  &  Tambourine  Accompaniments. 
By  J.  S.  Mayer.]     [1800?]     fol. 

G.  811.  a.  (11.) 

Vecchiarello,  vecchiarello.     Duetto. 

Printed  for  Monzani  if  Ciniador  : 
London,  [1800?]     fol.  G.  424.  (13.) 

MAYER  (Philipp  Jacob)  Sei  Sonate  a 
Solo  per  r  Harpa. .  .Opera  Terza.  Grave 
par  JI""  Fleury. 

Au  Bureau  d'ahonnement  nmsical: 
Pons,  [1770?]    fol.  G.  272.  L  (2.) 

MAY-EVE.     May-Eve,  or  Kate  of   Aber- 
deen.    [Song.]     See  Battishill  (.J.) 
i.Iay-Eve,  or  Kate  of  Aberdeen.     [Song.] 
[For   anonymous   settings]  :    See  Silvek. 
The  silver  moon's  enamour'd  beam,  etc. 

MAYING.  The  Maying.  [Song.]  See  As. 
As  I  rambled  one  Morning  a  maving. 
[1770?]     fol.  G.  306.  (218.) 

MAYNARD  (.John)  The  XII.  Wonders 
of  the  World.  Set  and  Composed  for  the 
Yioll  de  Gambo,  the  Lute,  and  the  Yoyce 
to  Sing  the  Yerse,  all  three  ioyntly,  and 
none  seuerall :  also  Lessons  for  the  Lute 
and  Base  Yioll  to  play  alone  :  etc.  [Words 
by  Sir  John  Davies.]' 

Thomas  SnodJiam  for  loJin  Broivnc  : 
London,  1611.     fol.  K.  8.  h.  6. 

MAYNER  (Giorgio)  II  Primo  Libro  de 
BaUi  a  Quatro  Voci.  Accommodati  per 
cantar  et  sonar  d'  ogni  Sorte  de  Istro- 
menti. .  .Nouamente  stampati  &  dati  in 
luce.     Alto  (Tenore).     2  pts. 

Appresso  Angela  Gardano : 
Venetia,  1578.     obi.  4". 

53.  a.  32,  33.  (3,  4.) 


112 


MAYNER— MAZZINGHI 


MAYNER  (Giorgio)  Magnificat  Octo 
Touorum . . .  uvinc  primum  excussa.  Gum 
Quatuor  Vocibus.  Cantus.  (Altus.) 
(Tenor.)     (Bassus.)  4  pts. 

Apiid  loannem  Bcrilettum : 
Tcmiiis,  1574.     obi.  4".  K.  4.  c.  13. 

MAYNEEIUS  (Geohgius)    See  ]\Iaynkr. 

MAYONE  (AscANio)  Primo  Libro  di 
Diuersi  Capricci  per  Sonare,  etc. 

Per  Constantino  Vitale  : 
Napoli,  1G03.     ubl.  4".  K.  4.  b.  6. 

MAYR  (JoHANN  Simon)     See  Mayeb. 

MAYR  (Rupert  Ignatius)  Sacri  Con- 
ceutus,  Psalmorum,  Antiphonarum,  Pia- 
rum  Cantionum,  ex  sola  voce  &  diversis 
Instrumentis. .  .Opus  III.  Voce.  (Violino 
Primo.)  (Violino  Secundo.)  (Viola  da 
Braccio,  6  Trombone.)  (Basso  di  Viola.) 
(Basso  Coutinuo.)  6  pts. 
Sitnqytibus  Authovis.  Typis  Pauli  Daln- 
stcincri  :  Eatisbonac,  1681.     4".        C.  71. 

MAYR  (Simone)     See  Mayer  (J.  S.) 

MAZET.  Cxasouillez  petits  oiseaux.  [Song.] 
De  Mazet  [by  E.  R.  DuniJ. 
[Paris,  1770?]     8".  B.  362.  b.  (3.) 

Mazet.     Com^die.     See  DuNi  (E.  R.) 

MAZZAFERR  AT  A  (Giovanni  Battista) 
11  Primo  Libro  delle  Cantata  da  Camera  a 
Voce  Sola  . . .  Opera  Quinta,  etc.  [With  a 
preface  by  G.  A.  Silvani.]  Per  Giucomo 
Monti  :  Bologna,  1677.  obi.  4°.  B.  316. 
II  Primo  Libro  delle  Senate  a  Due  Violini 
con  un  Bassetto  Viola  se  place.  . . .  Opera 
Quinta.  Nouamente  Ristampata.  Violino 
Primo  (Secondo).  (Bassetto  Viola.) 
(Bass  Continuo.)  4  pts.  Per  G.  Monti  ; 
Bologna,  1678.     fol.  g.  14. 

MAZZANTI  (Ferdinando)  Six  Duettos, 
for  two  Violins  ...  Op.  1""\  [Separa,te 
Parts.]  Longman  d;  Broderip, 

for  the  Autlior  :  London,  [1780?]     fol. 

g.  421.  t.  (12.) 

Six  Italian  Canzonets  for  Tavo  Voices  . .  . 
Op   II  Printed  for  tJic  AutlLor  : 

London,  [1180?]     obl.iol.       D.  753.  (1.) 

Tlie  title-page  is  signed  by  the  composer. 
Six  Italian  Canzonets  for  Two  Voices  . . . 
Op  III.  Printed  for  tJic  Author  : 

London,  [1780  ?]     obi.  fol.      D.  753.  (2.) 

The  title-page  is  signed  by  the  composer. 

MAZZELLA  (Salvatoke)  Balli,  Cor- 
reuti,  Gighe,  Sarabande,  Gauotte,  Brande, 
e  Gagliarde,  con  la  misura  giusta  per 
ballare  al  stile  Inglese,  con  la  giunta  della 
Folia  di  Spagna,  Passagagli  per  dui  Tuoni 
con  molte  partiti ;  dui  Ciaccone,  vna 
Spagnola,  e  1'  altra  Italiana  . . .  aggiuntaui 
molte  partite  sopra  la  Tarantella.  A  Dui, 
Violino,  e  Viola,  o  Cimbalo  .  .  .  Opera 
Prima.  Nclla  Stampcria  di  G.  A.  Mutij  : 
noma,  1689.     obi.  4°.  K.  4.  b.  7. 


MAZZINGHI  (Joseph)  Admiral  Lord 
Nelson's  Victory.  A  Sonata  for  the  Piano 
Forte  ...  In  Commemoration  of  the 
Glorious  1"  of  August,  1798. 
Goulding,  Phipps  dD'Almaine:  London, 
[1799.]     fol.  h.  726.  c.  (26.) 

[L'Amour  et  Psiche.]  The  Favorite 
Opera  Dance  of  L'Amour  et  Psiche,  for 
the  Year  1788, . . .  Composed  for  the  Piano- 
Forte,  Flute  and  Violin  . . .  Act  i. 

Longman  and  Broderip:  London, 
[1788.]     obi.  4".  a.  9.  b.  (5.) 

[Another  copy.]  b.  50.  (3.) 

The  Favorite  Opera  Dance  of  L'Amour 

et  Psiche  for  the  Year  1788,  . . .  for  the 
Piano-Forte,  Flute  and  Violin  . . .  Act  ii. 
Longmayi  and  Broderip  :  London. 
[1788.]     obi.  4".  b.  52.  (7.) 

[La  Bella  Arsene.]  The  Songs,  Duetts 
&c.  in  the  Favorite  Opera  '  La  Bella 
Arsene,'  etc.  [Words  by  L.  Da  Ponte.] 
2  Bks.  G.  Goulding  :  London, 

[1795.]     fol.  H.  144. 

A  Blessing  on  Brandy  and  Beer. 
See  infra  :  \_Tlic  Magician  no  Conjuror.] 

[The  Bouquet.]  The  favorite  Divertis- 
ment,  the  Bouquet,  Composed  by  Sig' 
Onorati,  as  danced  at  the  Kings  Theatre, 
selected  &  composed  by  I.  IMazzinghi. 
Op.  22.     [P.  F.]  G.  Goulding  ; 

London,  [1795  7]  fol.  g.  442.  a.  (11.) 
Che  bel  spassetto.  The  Favorite  Air, 
Introduced  &  Sung  by  Sig'''  Storace  in 
the  Comic  Opera  [by  V.  Martini]  L'Albero 
di  Diana.  G.  Goulding  :  London, 

[1798?]     fol.  H.  2830.  g.  (2.) 

Concertante   for  the  Piano  Forte,  Flute, 
Two  Violins,   Tenor,  and  Violoncello  . . . 
Op.  42.     [Separate  Parts.] 
Goulding,  I^hipps  it  D'Ahnainc  :   London, 
[1800  ?]  '  fol.  g.  458.  (7.) 

[A  Day  in  Turkey.]  The  Songs,  Duets 
and  Chorusses  ...  in  the  Comedy  ...  of 
A  Day  in  Turkey  . . .  the  Poetry  by  Mrs. 
Cowley.  Printed  for  G.  Goulding: 

London,  [1792.]     obi.  fol.  E.  81. 

Les  D^lassements  Militaires.  The 
Favorite  Divertisment,  ...  by  Mon' 
Gallet,  as  danced  at  the  King's  Theatre, 
adapted  for  the  Piano  Forte  by  J. 
Mazzinghi.  G.  Goulding  :  London, 

[1797.]     fol.  h.  726.  1.  (7.) 

According  to  contemporary  advertise- 
ments the  music  of  litis  Ballet  icas 
composed  by  C.  Bossi. 
Dolce  mi  parve  un  di.  [Song.]  Sung  by 
Signora  Delicati  in  the  Opera  [by  V. 
Martini]  of  La  Cosa  Rara,  etc.  [Full 
Score.]  Longman  and  Broderip  : 

London,  [1789.]     fol.  G-.  196.  (5.) 

This  is  a  ncio  setting  of  the  song  in 
Martini's  opera,  loritten  for  the  per- 
formance in  London. 


MAZZINGHI 


113 


MAZZINGHI  (-Joseph)  Eliza  ou  le 
Triompho  de  la  Natuie,  A  Pastoral  Ballet 
by  M.  Gallet  ...  Op.  32.     [P.  F.] 

Goulding,  Pliq^ps  d  D'Almaine  : 
London,  [179S.]     fol.  g.  272.  1.  3. 

Grandi  o  vei-  son  le  tue  pene.  [Song.] 
Sung  by  Sig"  Giuliani,  in  the  Opera 
'  Olimpiade,'  [a  Pasticcio,]  composed  by 
Sig""  J.  Mazzingbi.     [Full  Score.] 

Longman  and  Broderip  : 
[London,  1788.]     fol.  G.  196.  (21.) 

Happy  were  the  days. 
See  infra  :  [Ramah  Droog.] 

The  ^Magician  no  Conjuror.  A  Comic 
Opera  in  3  Acts,  etc.  [Written  by  R. 
Merry.]  Printed  for  G.  Goulding  : 

London,  [1792.]     obi.  fol.  E.  91.  (1.) 

A  Blessing  on  Brandy  and   Beer,  a 


favorite  Drunken  Song,  sung  ...  in  the 
Magician  no  Conjuror. .  .the  Poetry  by 
Dela  Crusca.  Printed  for  G.  Goulding  : 
Lo7idon,  [1792.]    fol.       H.  2818.  b.  (29.) 

Oh  what   can  match   the   pleasure, 


[Song,]  sung  ...  in  the  JIagician  no  Con- 
juror .  . .  the  Poetry  by  Dela  Crusca. 

Printed  for  G.  Goulding  : 
London,  [1792.]     fol.      H.  2818.  b.  (32.) 

Those  ruby  I.ips,  |  Song,]  sung  ...  in 

the  Magician  no  Conjuror,  etc. 

Printed  for  G.  Goulding  : 
London,  [1792.1     fol.       G.  808.  e.  (36.) 

Grand  March  in  the  Opera  [by  L.  Cheru- 

bini]  Ifigenia  in  Aulide,  etc.    [Full  Score.] 

Longman  and  Broderip: 

London,  [1789.]     fol.  g.  133.  (44.) 

No  more,  no  more  by  Fears  opprest.  A 
Favorite  Duetto.  Sung  at  the  Opera 
House  Gala.     [Full  Score.] 

Longnmn  <C-  Broderip  : 
London,  [1792.]     fol.  G.  354.  (24.) 

Oh  what  can  match  the  pleasure. 

I>ee  supra  :  [Tlie  Magician  no  Conjuror.'] 

The  favorite  Opera  Dances  performed  at 
the  King's  Theatre  .  .  .  178G.  Selected 
and  adapted  for  the  Piano  Forte  or 
Harpsichord  by  Sig'  IMazzinghi.     4  Bks. 

Longman  and  Broderip : 
London,  [1786.]     obi.  4'\  b.  51.  (3.) 

The  Favorite  Opera  Dances,  performed  at 
the  King's  Theatre  . . .  1787  . . .  Composed, 
Selected  and  adapted  for  the  Piano  Forte 
Flute  or  Violin  by  J.  Mazzingbi.  3  Bks. 
Longynan  and  Broderip : 
London,  [1787.]     obi.  4".  b.  51.  (4.) 

The  Favorite  Opera  Dances  for  the  Year 
1788.  Performed  at  the  King's  Theatre 
. . .  Composed,  selected  &  adapted  for  the 
Piano  Forte,  Flute  or  Violin,  by  J.  ;Maz- 
zinghi.  2  Bks.  Longman  tC"  Broderip  : 
London,  [1788.]     obi.  i".  b.  51.  (5.) 

VOL.  II. 


MAZZINGHI  (Joseph)  The  Favorite 
Opera  Dances  for  the  Year  1788,  per- 
formed at  the  King's  Theatre  . . .  Com- 
posed, selected  &  adapted  for  the  Piano- 
Forte,  Flute  or  Violin,  by  J.  Mazzingbi. 
Book  III.  Longynan  d;  Broderip  : 

London,  [1788.]     obi.  4".  b.  52.  (8.) 

The  Favorite  Opera  Dances  for  the  Year 
1789  . . .  Composed,  selected  &  adapted  for 
the  Piano-Forte,  Flute  or  Violin  by  J. 
Mazzingbi.     Book  i. 

Longman  &  Broderip  : 
London,  [1789.]  ohl.  4>.  b.  51.  c.  (2.) 
The  Favorite  Opera  Dances  for  the  Year 
1789,  performed  at  the  King's  Theatre  . . . 
Composed,  selected  &  adapted  for  the 
Piano-Forte,  Flute  or  Violin  by  J.  Maz- 
zingbi. Book  II.  Longmayi  d:  Broderip  : 
London,  [1789.]    obi.  i\  b.  52.  (9.) 

The  Celebrated  Opera  Dances  as  per- 
formed at  the  Theatre  Royal,  HajTuarket, 
1792,  for  the  Piano  Forte,  Violin  or  Flute. 
Compos'd  by  M'  ^lazzinghi,  and  other 
eminent  Composers.     3  Bks. 

T.  Sldllern,  for  the  Proprietors  : 


Loyidon,  1792.     obi.  i" 


a.  150. 


Paul  et  Virginie,  the  Favorite  Grand 
Ballet  . . .  composed  by  Sig'  Onorati,  tho 
Music  by  J.  Mazzingbi.     Op.  17. 

Printed  for  G.  Goulding: 
London,  [1795.]    fol.  g.  272.  i.  (4.) 

Pizarre,  the  Favorite  Grand  Ballet  ...  by 
Mon"'  Gallet,  Adapt'd  for  the  Piano  Forte 
by  J.  Mazzingbi.  G.  Goulding  : 

London,  [1797.]     fol.  g.  458.  a.  (1.) 

Le  Premier  Navigateur  or  the  Force  of 
Love, a  Grand  Pantomime  Ballet,  by  Mods' 
Gardel . . .  Selected  and  adapted  for  the 
Piano  Forte  or  Harpsichord  by  Sig'  Maz- 
zingbi. 2  pts.  Longman  and  Broderip  : 
London,  1786.     obi.  4".  b.  50.  (1.) 

Three  Quartetts  for  a  Piano  Forte,  Flute, 
Violin  &  Tenor  .  .  .  Op.  lit.  [Separate 
Parts.]  Longynan  and  Broderip  : 

Lo7idoH,  [1785?]     fol.  g.  458.  b. 

[Ramah  Droog.]  Happy  were  the  days. 
[Song,]  sung  by  jNIiss  Waters  in  Ramah 
Droog,  etc.  Goulding  £  Co.  : 

London,  [1798.]     fol.        G.  806.  c.  (43.) 

Ramah  Droog.     Comic  Opera. 

See  MAZZINGHI  (-L)  and  Reeve  (W.) 

Three  Favorite  Scotch  Airs  composed  by 
Nabbaniel  Gow,  arranged  as  Rondo's  for 
the  Piano  Forte. .  .by  J.  Mazzingbi. 
Gouldiyig,  Phipps  d-  D'Almaiyie  :  London, 
[1799?]     fol.  g.  272.  V.  (13.) 

The  Siege  of  Bangalore. .  .for  the  Piano 
Forte,  with  an  Accompanyment  for  a 
German  Flute  or  Violin  .  .  .  Op.  8. 
[Separate  Parts.]  Printed  for 

G.  Goulding  :  London, '1192?]     fol. 

h.  1480.  p.  (9.) 


114 


MAZZINGHI 


MAZZINGHI  (Joseph)  Three  Sonatas 
for  the  Piano  Forte  or  Harpsichord  with 
an  Accompaniment  for  a  Violin...  Op.  1. 
2  sets.  Printed  for  G.  Goulding  : 

London,  [178S  ?]  ohl.  fol.  f.  65.  b.  (8.) 
Six  Sonates  pour  Clavecin  ou  Piano- 
Forte  avec  accompagnement  d'un  Violon 
. .  .CEuvre  i.  Chez  Imhault  :  Paris, 

[1790?]     obi.  fol.  d.  159. 

Three  Sonatas  for  the  Piano  Forte  with 
an  Accompanyment  for  a  Violin  or 
German  Flute . . .  Op.  2. 

Longman  and  Broderip  :  London, 
[1788?]     fol.  h.  60.  (6.) 

Three  Sonatas  for  the  Piano  Forte,  with 
Accompaniments  for  a  Violin  and  Violon- 
cello... Opera  Quinta.  [Separate  Parts.] 
Printed  for  the  Author  :  Lotidon, 
[1790?]     fol.  g.  161.  (6.) 

Three  Sonatas,  for  the  Piano  Forte  with 
an  Accompanyment  for  a  Violin  or  Flute 
.  .  .Op.  9.     [Separate  Parts.] 

Printed  for  G.  Goulding  :  London, 
[1792?]     fol.  g.  418.  b.  (4.) 

Three  Sonatas  for  the  Piano  Forte  with 
an  Accompanyment  for  the  Violin  or 
German  Flute  .  .  .  Op.  10.  [Separate 
Parts.]  Printed  for  G.  Goulding  : 

iwidow,  [1792  ?]  fol.  g.  418.  b.  (5.) 
Three  Sonatas  for  the  Piano-Forte. .  .and 
an  Accompaniment  for  a  Flute  or  Violin 
. .  .Op.  14.  [Separate  Parts.] 
Goulding,  Phipps  <&  D^ Ahnainc  :  London, 
[1800?]    fol.  g.  272.  i.  (5.) 

[Another  copy.]  g.  271.  e.  (13.) 

Wanting  the  accompaniment. 
Three   Sonatas   for    the  Piano   Forte, . . . 
with   an   Accompaniment  for  a  Flute  or 
Violin,   ad  libitum. .  .Op.   15.     [Separate 
Parts.]     J.  Ball  :  London,  [1795  ?]     fol. 

g.  186.  (8.) 
[Another  edition.]  Three  Sonatas  .  .  . 
Op.  15.  G.  Gcnilding :    London, 

[1799?]    fol.  g.  271.  e.  (12.) 

Wanting  the  Pianoforte  part. 
Two  Sonatas  arranged  as  Duetts  for  the 
Piano   Forte,   with    or  without  the   Ad- 
ditional Keys.     Selected  from  the  favorite 
Works  of  J.  Mazzinghi.     Op  27. 
G.  Goulding  :  London,  [1799  ?]     fol. 

g.  543.  (18.) 
Three  Sonatas  for  the  Harp  or  Piano 
Forte,  and  an  Accompanyment  for  a 
Flute  and  Violin,  and  Two  French  Horns, 
ad  libitum.  .  .Op.  30.  Printed  for 

Goulding,  Phipps  d  D' Almaine  :  London, 
[1800?]     fol.  h.  3200.  (12.) 

Wanting  the  accompaniments. 
Two  Grand  Sonatas  for  the  Piano-Forte 
with  Accompaniments  for  a  Flute  or 
Violin  and  Violoncello. .  .Op.  39.  [Sep- 
arate Parts.]  Goulding,  Phipps  d 
D'Almaine  :  London,  [1800  ?]     fol. 

g.  458.  a.  (2.) 


MAZZIWGHI  (Joseph)    Those  ruby  Lips. 
See  supra  :  [The  Magician  no  Conjuror. '[ 
Second   Book   of  Tiro   Musicus,   being  a 
Complete  Introduction  to  the  Piano  Forte, 
with  Six  Progressive  Lessons . . .  Op.  25. 
G.  Goulding  :  London,  [1795  ?]     fol. 

g.  272.  1.  (4.) 
Tom  Starboard. 
See  infra:  {The  Turnpike  Gate.] 

Les  Trois  Sultanes.    [Ballet.]    Performed 
at  the  King's  Theatre,  composed  by  Sig' 
Onorati,  arranged  for  the  Piano  Forte  or 
Harp,  the  Music  chiefly  new. .  .Op.  20. 
G.  Goulding  :  London,  [179G.]     fol. 

g.  442.  a.  (12.) 

The  Turnpike  Gate.     Comic  Opera. 
See  Mazzinghi  (J.)  and  Reeve  (W.) 

[The  Turnpike  Gate.]  Tom  Starboard. 
A  Favorite  Song,  sung  by  Mr.  Incledon 
in  the  Opera  [by  J.  INIazzinghi  and  W. 
Reeve]  of  The  Turnpike  Gate,  etc.  [Words 
by  T.  Knight.]  Goulding  &  Co.  : 

London,  [1799.]     fol.  G.  250.  (29.) 

Zemire  et  Azor,  a  Grand  Pantomime 
Ballet  performed  at  the  King's  Theatre, 
Haymarket. .  .adapted  for  the  Harpsichord, 
Piano  Forte  or  Violin.     2  Bks. 

Longman  and  Broderip : 
London,  1787.     obi.  4".  b.  50.  (2.) 

See  CAMPBELti  (W.)  The  Princess  of 
Wales's  Strathspey  .  .  .  arrang'd  as  a 
Rondo  ...  by  J.  Mazzinghi.     [1796  ?]     fol. 

g.  140.  (45.) 
See  Hope.  Hope  told  a  flattering  Tale  .  . . 
with  the  Celebrated  Harp  Accompaniment 
...  by  Mr.  Mazzinghi.     [1793.]     fol. 

G.  363.  (16.) 

See  Idalide.  Ah  che  nel  petto  io  sento 
[Song.]  .  .  .  Harp  Accompaniments  by 
Madam  Mara  [or  rather  by  J.  Mazzinghi]. 
[1791.]     fol.  G.  199.  (26.) 

See  Martin  y  Solar  (V.)  [Una  Cosa 
Eara.}  Consola  le  pene.  [Song.]  Sung 
...  in  the  Opera  of  La  Cosa  Rara.  Com- 
posed by  iMessrs.  IMartin  [i.e.  V.  Alartin  y 
Solar]  &  Mazzinghi.     [1789.]     fol. 

G.  196.  (4.) 
Sec  Opera  Overtures.  Number  l(-5) 
of  the  Opera  Overtures  adapted  for  the 
Harpsichord  .  .  .  with  an  Accompaniment 
for  a  Violin.  [Nos.  1,  8  and  4  arranged 
by  J.  Mazzinghi.]     [1789.]     fol. 

h.  61.  (7-11.) 
See  Pleyel  (I.  J.)  [Lieder  bcijm  Clavier 
zu  singen.  Th.  II.  Die  friihe  Liebe.] 
Lady  Isabell . .  .  adapted  to  Sir.  Pleyel's 
.  . .  Air  ...  as  a  Glee  .  .  .  bv  J.  Mazzinghi. 
[1795?]     fol.  '    G.  353.  (23.) 

Sec  Storage  (S.)  The  Favorite  Operas  of 
Mahmoud  &  The  Iron  Chest, . . .  Adapted 
...  by  J.  Mazzinghi.     [1797.]     obi.  fol. 

E.  115.  a. 


MAZZINGHI— MEDERITSCH 


115 


MAZZINGHI  (Joseph)  and  REEVE 
(William)  Ramah  Droog  or  Wine  does 
Wonders.  A  Comic  Opera,  etc.  [Words 
by  J.  Cobb.]  Goulding,  Phipps  d 

D'Almaine:  London,  [11 98.]     fol. 

H.  121.  (1.) 

The   Turnpike   Gate,   a   Comic   Opera  in 

Two  Acts  . . .  The  Poetry  by  Mr.  Knight,  etc. 

Goulding,  Phipps  &  Ff  Almaine  : 

London,  [1799.]     fol.  H.  121.  (2.) 

MAZZINGHI  (ToMMASo)  Six  Solos  for 
the  Violin  with  a  Thorough-Bass  for  the 
Harpsichord  .  .  .  Opera  i.  P.  Welcker,  for 
the  Author:  Loyidon,  [1763.]     fol.      i.  15. 

MAZZOCCHI  (DoMEXico)  La  Catena 
d'Adone.  [Opera,  words  by  Ottavio 
Tronsarelli.]  Appresso  Alessandro 

Vincenti  :  Venetia,  1626.     fol. 

K.  8.  g.  9. 

Partitura  de'  Madrigali  a  Cinque  Voci,  e 
d'  altri  varij  Concerti.  Appresso  Francesco 
Zannctti  :  Eoma,  1638.     obi.  4". 

K.  3.  f.  16. 

Musiche  Sacre  e  Morali.  A  Una,  Due,  e 
Tre  Voci.  us.  note,  by  W[illiam] 
A[yrton].  Lodouico  Grignani : 

Roma,  1640.     fol.  K.  8.  g.  15. 

TJie  last  leaf  is  mutilated. 

MAZZOCCHI  (ViRGiLio)  Virgilii  Maz- 
zocchi . .  .  Psalmi  Vespertini  Binis  Choris 
Concinendi.  Cantus  (Altus)  (Tenor) 
(Bassus)  (Nonus)  Primi  Chori.  (Cantus 
(Altus)  (Tenor)  (Bassus)  Secundi  Chori.) 
(Organum.)     10  pts.  Ex  Typographia 

Ludouici  Orignani :  Bomx,  1648.     4". 

D.  243. 

MAZZOLINI  (Carlo  Andrea)  Sonata 
per  Camera  a'  Tre,  Due  Violini  e  Claui- 
cembalo  6  Tiorba. .  .Opera  Prima,  etc. 
Violino  Primo  (Secondo)  (Clauicembalo  o 
Tiorba.)     8  pts.  Per  G.  Michcletti  : 

Bologna,  1687.     A".  d.  11. 

MAZZONE  (Marco  Antomo)  Corona 
delle  Napolitane  a  Tre  et  a  Quattro  Voci, 
di  diuersi  eccellentissimi  Musici,  etc. 
[Edited  by  M.  A.  Mazzone.]     Canto. 

Appresso  Girolamo  Scotto  : 

Yincgia,  1570.     8".  A.  193. 

The  composers  named  in  this  collection 

are  :  M.  A.  Mazzone,   G.  D.  di  Nola, 

G.  L.  del  Arpa,  E.  Bodia  £  S.  Lando. 

ME.     M'  ha  detto  la  mia  Mamma.     [Glee.] 

See  Biggs  (E.  S.) 

/^ 
ME.     Me  me  i^heuges.     Song. 

See  Saudford  (J.) 

ME.     Me  prier  ne  sert  de  rien.     [Song.] 
See  Au  Retour. 

Me  seroit-il   permis   de  dire.     [Two-part 
Song.]     Sec  Bordier  (L.  C.) 


MEA.     Le  Mea  Culpa.     [Song.] 
See  Ma.     Ma  fille  avec  componction. 
[1780  ?]    8".  B.  362.  c.  (29.) 

MEADS.     The   meads  and  the  groves  in 
fresh  Verdure  shone  gay.     A  Song  to  an 
Air  in  au  Organ  Concerto  [by  J.  Worgan]. 
For  Vaux-Hall  Gardens. 
[London,  1746.]     8".  249.  c.  16. 

Gentleman's  Magazine,  Vol.  XVI., p.  269. 

The  I\Ieads  and  the  Groves  in  fresh  Ver- 
dure shone  gay.     ^4  Song  to  an  Air  in  an 
Organ  Concerto  [by  J.  Worgan]  for  Vaux- 
hall  Gardens. 
[London,  1750 ?]     s.  sh.     fol. 

G.  312.  (67.) 
[Another  copy.]  G.  305.  (225.) 

[Another  edition.]      The   Meads   and  the 
Groves  in  fresh  Verdure  shone  gay,  etc. 
[London,  1755  ?]     s.  sh.  fol. 

G.  303.  (28.) 

MECHANTS.  Mechans  disent  Tarare. 
Le  Croquis  de  Tarare.  Air :  Oui  noir 
mais  pas  si  diable  [by  A.  E.  Gr6trv.  The 
words]  Par  Deduit.     [Paris,  1787.]     8". 

B.  362.  f.  11. 


MEDEA.     Medea. 
See  Benda  (G.) 


[Melodrama.] 


MEDECIN  DE  L' AMOUR.     Le  Mede- 
cin  de  I'Amour.     Op6ra-Comique. 
See  Laruette  (J.  L.) 

MEDEE.     :\I6d6e  Trag^die. 
See  Chakpentier  (M.  A.) 

Med6e.     Op6ra. 

Sec  Cherubini  (M.  L.  C.  Z.  S.) 

M]6d:6e  et  JASON.  M6d6e  et  Jason. 
Tragedie  en  Musique.     See  Salomon  (      ) 

MEDER  (JoHANN  Gabriel)  [La  Contesa 
e  la  Pace.  Overture.]  Symphonic 
P^riodique,  No.  I,  a  Deux  Violons,  Taille, 
et  Basse,  Deux  Hautbois,  et  Deux  Cors 
de  Chasse  .  .  .  Ouverture  de  la  Cantata 
Italienne  .  .  .  compost  k  I'occasion  da 
I'illustre  Mariage  du  Prince  Stadhouder 
&  de  la  Princesse  de  Prusse.  [Separate 
Parts.]  Chez  I'A'Utcur  :  Amsterdam, 

[1770?]     fol.  g.  474.  (27.) 

Symphonie  P6riodique,  No.  II,  a  Deux 
Violons,  deux  Tallies,  et  Basse,  deux 
Hautbois,  et  Deux  Cors  de  Chasse.  Qui 
a  6t6  faite  &  execute  a  I'occasion  de 
I'Entr^e  de  LL.  AA.  S.  &  R.  le  Prince 
Stadhouder  & ...  La  Princesse  a  la  Maison 
de  Ville  d'Amsterdam,  le  30  Mai  1708. 
[Separate  Parts.]  Chez  I'Auteur  : 

Amsterdam,  [YJIQ^     fol.      g.  474.  (28.) 

MEDERITSCH  (Johann)  called  Gallus. 
II.  Quiutetts  pour  Forte-piano,  Flute, 
Violon,  Alto  et  Violoncelle.  [Separate 
Parts.]  Chez  Hoffmeistcr  : 

Vienne,  [1795  ?]     ohl.  fol.  e.  738. 

I  2 


11!> 


MEDEEITSCH— MKHUL 


MEDERIT8CH  (Johann)  called  Gallus, 
and  WINTER  (Peter  von)  Babilons 
Piramidcn.  Eine  gi'osse  horoisch-kom- 
icshe  Oper  von  E.  Schikancder  iu  Jlusik 
gesetzt  der  erste  Auszug  von  J.  Gallus, 
der  zweyte  Auszug  von  P.  Winter...  Fiir 
das  Forte  Piano  iibersetzt  von  J.  Henne- 
herg,  etc.  E.  Schikancder  :    Wicii, 

1797.    obi.  fol.  F.  46.  a. 

Babilons  Piramiden.  Eine  grosse  lieroisch- 
komische  Oper.  Der  erste  Aufzug  von 
J.  Gallus,  der  zweite  von  P.  Winter  in 
Musik  gesetzt.  Im  Clavierauszuge. 
Til  der  Brcitkopf  &  HdrtelscJien  M^isiJ:- 
liandlunq  :  Leipzig,  [1800?]     obi.  fol. 

F.  46. 


MEDIATION.     The  Mediation.     [Song.] 
retty  Ladies. 
s.  sh..  fol. 


See  Do.     Do  you  pretty  Ladies. 


[17G0?]     s.  sh.  fol.        G.  316.  d.  (111.) 

MEDIOCRITY.     ]\Iodiocrity.     [Song.] 
See  In.     In  a  neiglibourlv  way,  etc. 
[1780?]     s.  sit.  fol.  "     G.  309.  (93.) 

MEDIUM.     The  Medium  of  Life.     Glee. 
See  Aene  (T.  A.) 

MEDLERS.  Medlers  out  of  Season. 
[Song.]  See  Come.  Come  Lads,  ne'er 
plague  vour  heads.     [1735  ?]     .s.  sh.  fol. 

G.  316.  d.  (70.) 

MEDLEY".  What  think  ye  my  Masters. 
Tlie  Innkeeper's  Song.  Sung  by  Mr. 
Keen  at  Sadlers  Wells  in  the  Medley,  or 
Cupid's  Frolick.  [London, 

17G0  ?]     s.  sh.  fol.  G.  313.  (221.) 

A  Medley  or  the  Cries  of  London. 

See  See.     See  the  happy  Country  Lass. 

[1775  ?]     fol.  G.  316.  j.  (6.) 

MEDONTE.     The  Favourite  Songs  in  the 
Opera  Medonte.     [A  Pasticcio.] 
R.  Brcmner  :  London,  [1782.]     fol. 

G.  316.  e.  (27.) 
The  composers  named  are  :  Bertoni  and 
Ottani. 

MEG.     Meg  of  Wapping.     [Song.] 

See  DiBDiN  (C.)     [The  General  Election.^ 

MEGLI  (DoMiNico  Maria)  Le  Prime 
Musiche  di  Dominico  IMaria  Megli . . . 
Nelle  quali  si  contengono  Madrigali,  et 
Arie  a  Una  &  due  Voci.  Per  Cautare  nel 
Chittarone,  Clauicembalo,  &  altri  Instro- 
menti.  Nouamente  ristampate  &  corette. 
Appresso  Giacomo  Yinccnti : 
Venctia,  1003.     fol.  K.  7.  g.  5. 

MEHAIjA.     Mehala,  die  Tochter  Jephtha. 
Ein  musikalisches  Drama. 
See  Rolle  (J.  H.) 

MEHUL    (Etienne    Nicolas)      [Adrien. 
C6sar  vous  m'evitez.]     Air  de  Flaminius 
. .  .arrange  pour  le  Piano  par  I'Auteur. 
Chez  Fleyel :  Paris,  [1799.]     fol. 

H.  2831.  h.  (20.) 


MEHUL  (IvriENNE  Xicolas)  Ariodaut. 
Opera  en  3  Actes,  paroles  d'Hoffman,  etc. 
IPuU  Score.]  Chez  Imbaulf : 

Paris,  [1800.]     fol.  G.  275. 

Cesar,  vous  m'evitez. 
iSVe  supra  :  [Adrien.  ■ 

Le  Chant  des  Victoires.  Hymne  de 
Guerre,  par  Chenier,  etc.  Du  Magasin  de 
Musique,  a  Vnsoge  des  Fetes  Nationalcs  : 
[Paris,  1791.]     8'.  E.  1717.  b.  (4.) 

[Another  copy.]  E.  1717.  b.  (38.i 

Le  Chant  du  Depart.  Hymne  de  Guerre, 
par  *  *  *  *  [i.e.  M.  J.  Chenier]. 

Du  Magasin  de  Musique,  d  I' usage  des 
Fetes  Nationalcs  :  [Paris,  1794.]     6\ 

E.  1717.  b.  (3.) 

[Another  edition.]  Le  Chant  du  Depart. 
Hymne  de  Guerre,  etc.  [Voice  and 
(Vuitar.]     [Paris,  1794.1     8'. 

B.  362.  d.  (1.) 

Le  Chant  du  Betour,  par  M.  J.  Chenier. 
All  Magasin  de  Musique  a  Vusage  des  fetes 
Nationalcs  :  [Pans,  1797.]     8°. 

E.  1717.  b.  (41.) 

Chant  Funebrc  a  la  me'moire  du  Repre- 
scntant  du  Peuple  Ferraud  assassine  a 
son  Poste  le  1"  Prairial  An  3''  de  la 
Republique.  Paroles  de  Baour  Lormian, 
cic.  A  V  hnprimerie  de 

Musique  de  Vinstitut  National :  [Paris, 
1795.]     s.  sh.  4'\  808.  1.  14.  (14.) 

Chant  National  du  14  Juillet  1800,  execute 
dans  le  Temple  de  INIars  le  25  Messidor  an  8, 
etc.  [Full  Score.]  Gravi  par  Mad"  Le 
Ron  :  Paris,  An  viii  [1800].     fol. 

H.  2005.  a. 

Le  18.  Fructidor.  [Song.]  . . .  Paroles  de 
Lebrun-Tossa.  Au  Magasin  de  Musique, 
a  r  usage  des  fetes  Nationales  :  [Paris, 
1797.]    8".  '  E.  1717.  b.  (50.) 

Euphrosine,  ou  le  Tyran  corrige.  Comedie 
en  Trois  Actes  et  en  Vers  par  F.  Hoffman, 
etc.     [Full  Score.] 

Cliez  les  C'"^  Cousineau,  P^re  et  Fits  : 
Paris,  [1790.]  fol.  H.  630.  d. 
[For  songs,  &c.,  published  anony- 
mously :]  See  Euphrosine. 

;  Le  Faucon.]    Qu'ils  sont  charmans,  qu'ils 
sont  aimans.     [By  E.  N.  Mehul.] 
[1794.]    8".     See  Faucon. 
^  B.  362.  h.  (14b.) 

Horatius  Codes.  Acte  Lyrique,  Paroles  du 
Citoyen  Arnault,  etc.     [Full  Score.] 
Chez  les  Citoyens  Cousineau,  Pire  et  FiU  : 
Paris,  [1794.]     fol.  H.  630.  g. 

Le  Jeune  Sage  ct  Ic  Vieux  Fou.  Comedie 
en  un  Acte  en  Prose  par  Hoffmann . . . 
Grave  par  Huguet.     [Full  Score.] 

Chez  Cousineau  Pire  et  Fits  :  Parts, 
ri793.]    fol.  G-  275.  c. 


MEHUL— MELIDA 


117 


MEHUL  (Etien^;e  Nicolas)  Melidore 
et  Phrosine.  Drame  Lyrique  en  trois 
Actes.  Paroles  du  Citoyen  Arnault,  .  .  . 
Grave  par  Huguet,  etc.  TFuU  Score.] 
Chez  les  Citoyenn  Cousincau  Pere  et  Fils, : 
Paris,  [1794. J     fol.  H.  630.  e. 

Rt'publicains  dont  le  g^nie.  UHijmne  dcs 
Vingt  Deux, 'pav  31.  J.  Chenier.  [In  com- 
memoration of  the  Girondins  executed  in 
October,  1793.]  Da  3Iaga-jin  de  Musiqitc 
a  Vusage  des  fi:tes  Nationales :  [Paris, 
1795.]    8".  E.  1717.  b.  (22.) 

Salut,  Neuf  TLermidor.  Hymnc  du  IX. 
Thcrmidor,  par  M.  J.  Ch^nier,  etc. 

Au  Magasin  de  Musique  a  Vusage  des 
Fetes  Nationales  :  [Paris,  1795.]     8". 

E.  1717.  b.  45. 
Stratonice.  Comedie  heroique  on  un  Actc 
et  en  Vers,  par  ]\Ir.  Hoffmann. .  .Gravee 
par  Huguet,  etc.  [Fall  Score.] 
Chez  les  G.  Coimncau  Pere  et  Fits:  Pari.'i, 
[1792.]    fol.  G.  275.  b. 

Sec  Agus  (H.)  Solfeges  pour  servir  a  Tctude 
dans  le  Conservatoire  de  ]\Iusique  k  Paris 
par...  Agus...  M6hul,f/r.     [1795?]     fol. 

H.  2851. 

MEI  (GiROLAMO)  Discorso  sopra  la  musica 
antica,  e  moderna,  etc. 

Appresso  Gio.  liattista  Ciotti  :   Venetia, 
1G02.     4°.  7898.  k.  9. 

MEIBOMIUS(Marcis)  Autiqiia;  :Musici^ 
Auctores  Septem.  Graeco  et  Latine.  Mar- 
cus Meibomius  restituit  ac  Notis  ex- 
plicavit.     2  vol.  Apud  Lndovicum 

Elzcvirium  :    Amstelodami ,  1652.     4". 

65.  b.  18,  19. 
[Another  copy.]  683.  f.  4. 

MEILAND  (Jacob)  Cantiones  Sacrse 
(^)uinqueet  SexVocumharmonicis  numeris 
in  gratiam  musicorum  compositse,  etc. 
Discantus.     (Bassus.)     (Vagans.)     3  pts. 

In  Officina  Typographiea  Vlrici  Ncuberi  : 
Norinbergx,  15G9.     ubl.  i'.  A.  286. 

Cantiones  Sacrte  Quinque  et  Sex  Vocum 
...iam  denuo  auctiores  multumqj  quam 
antea  correctiores  in  lucem  editse,  etc. 
Altus.     (Tenor.)     (Quinta  Vox.)     3  pts. 

In  Officina  Theodorici  Gcrlachij : 
Nurimbergn',  1573.  obi.  i".  A.  286.  b. 
Sacra;  aliquot  Cantiones  Latinse  et  Ger- 
manicae,  Quinque  et  Quatuor  Vocum,  etc. 
Altus.  [Bassus.]  2  pts. 
Apud  Gcorgiuvi  Coruinum  etSigismundnm 
Feycrabend :  Francofnrti  ad  Moenum, 
1575.     obi.  4".  A.  286.  c. 

Wanting  sig.  ana  1-3  of  tJic  Bassus. 
Selectse  Cantiones  Quinque  et  Sex  Vocum, 
tum  viva  voce,  turn  omnis  generis  instru- 
mentis  cantatu  commodissimse,  etc.  Dis- 
cantus. (Altus.)  (Tenor.)  (Bassus.) 
(Vagans.)     5  pts.         In  officina  Dictericlii 

Gerlacij  :  Noribergtr,  1572.     obi.  4". 

A.  286.  a. 


MEILAND  (Jacoi)  See  Musculus  (B.) 
Sacra  Cithara,  das  ist :  Achtzig. .  .Geist- 
liche  Gesiing  .  .  .  Auctoribus,  Balthasare 
^Musculo,  Horatio  Veccho,  jacobo  Mei- 
lando.  etc.    1G25.     12'.  A.  242. 

MEIN.  :slem  Hertze,  lege  dich.  [Hymn 
for  4  voices.]  M.  Eolirlach  : 

Brcsslau  und  Licgnit.-,  1730.     s.  sh.  4". 

3425.  b.  5.  (2.) 

Inserted  in  Benjamin  Sclwiolck's  '  Heili- 

gcr  Schau-Platz  dcr  Liebe.' 

Mein  IMundt  der  siugt.    Das  Vierdfe.    Ein 

Weyhcnacht  Gsanglein.      In  seiner  aignen 

Melodey.     [Hymn  for  2  voices.] 

\_Ct.  Ildnlin  :  Inqoldstadt,] 
1737,  [1037].     12'\      11522.  de.  19.  (2.) 

MEXj  (Rixaldo  del)  Madrigaletti  a  Tre 
Voci  .  .  .  Nouamente  Ristampati.  Libro 
Secondo.     Canto.     (Basso.)     2  pts. 

Appresso  Angelo  Gardauo  : 
Venetia,  1G04.     obi.  4».  A.  292.  a. 

II  Primo  Libro  de  Madrigali  a  Sei  Voci, 
di  Rinaldo  del  ]Mel,  Nouamente  da  lui 
Composto  &  dato  in  luce.     Quinto. 

Apjyresso  Angela  Gardano : 
Venetia,  1584.     4".  D.  57. 

Di  Rinaldo  del  Mel. .  .11  Secondo  Libro  do' 

j       Madrigali  a  Sei  Voci  .  .  .  Quinto. 

I  Appresso  Giacomo  Vincenti  : 

Venetia,  1593.     obi.  4".  A.  292. 

MELANDE  (Georgio)  pseud,  [i.e.  Georg 
Philipp  Tclemann.]  Solos  for  a  Violin 
with  a  Thorough  Bass  for  the  Harpsicord 
or  Bass  Violin  .  .  .  Opera  i^rima. 

Printed  for  I.   Walsk  <0   In'^    <C  losepli 
Hare:  London,  [V125'>']     fol. 

g.  422.  j.  (1.) 
Solos  for  a  Violin  with  a  Thorough  Bass 
for  the  Harpsicord  or  Bass  Violin  .  .  . 
Opera  Seconda.  Printed  for  I.  Walsh  d- 
In'>  d- Io.seph  Hare:  London,  [1125?]   fol. 

g.  422.  j.  (2.) 

MELANI    (Alessaxdro)      Delectus    Sa- 
crorum  Concentuum  Binis,  Ternis,  Qua- 
ternis,    Quinisque    vocibus    Concinendus 
.  .  .  Liber  Secundus.     Altus. 
I'yins  Mascardi :  Roinse,  1G73.     4". 

D.  239.  a. 

Mottetti  Sagri  a  Due,  Tre,  Quattro  e 
Cinque  Voci  .  .  .  Opera  Prima,  etc.  Canto 
Secondo.  Nella  Stainparia  di  lacomo 

Fei  d' Andrea  figl.  :  Boma,  1G70.     4^ 

D.  239. 

MELFIO  (Giovanni  Battista)  II  Primo 
Libro  de  gli  Madrigali,  a  quatro  Voci,  etc. 
Alto.  Apud  Hieronymuni  Scotum  : 

Venetiis,  155G.     obi.  4°.  A.  289. 

MELICO  (Giuseppe)     Sec  Millico. 

MELIDA.     Melida.     Singspiel. 
See  RoLLE  (J.  H.) 


118 


MELIDE— MELTON 


MELIDE.      De   nos  moutons  le  nombre 
augmente.      Romance  da  Navigatcur  [by 
F.  A.  Danicau  Philidor]. 
[Paris,  1775  ?j     8".  B.  362.  b.  (17.) 

M^lide.     ComMie  mel^e  d' Ariettas. 
See  Philidor  (P.  A.  Danican). 

MELIDORE   ET  PHROSINE.     M61i- 
dore  et  Phrosine.     Drame  Lyrique. 
See  Mehul  (E.  N.) 

MBLII  (PiETRO  Paolo)  Di  P.  P.  Melii .  .  . 
Intauolatura  di  Liuto  Attiorbato  Libro 
Secondo.  Nel  quale  si  contiene  Corrente 
Volte  Gagliarde,  Preludi  &  vna  Tastata. 
Un  Capricio,  vna  Corrente,  &  vna  volta 
Cromatiche.  Vn'  Aria  di  Firenze  passeg- 
giata  dair  Autore,  vn  Prelude,  &  vna 
Corrente  per  la  Tiorba,  &  nel  fine  del 
Libro  tre  Canzoni,  &  vna  Corrente  Con- 
certate  a  due  Liuti.  Dopo  1'  Opera  aggiun- 
toui  vna  Volta,  &  vna  Gagliarda,  etc. 

Ai^presso  Giacomo  Vincenti : 
Venctia,  1614.     fol.  K.  2.  i.  15.  (1.) 

Di  P.  P.  Melii  .  .  .  Intauolatura  di  Liuto 
Attiorbato  Libro  Terzo.  Nel  quale  si 
contiene  varie  senate  in  vna  cordatura 
diSerente  dall  ordinaria&  differente  ancora 
da  quella  cbe  gia  quattro  Anni  io  mandai 
alle  stampe  nel  fine  del  mio  Primo  libro, 
etc.  Appresso  Giacomo  Vincenti : 

Venetia,  1616.     fol.  K.  2.  i.  15.  (2.) 

MELINDA.      Meliuda   cou'd   I   constant 
prove.     Song, 
Sec  Barrett  (J.)  Organist. 
Melinda's  Complaint.     [Song.] 
See  By.     By  tbe  side  of  a  glimmering  fire. 
[1730  ?J     s.  sh.  fol.  G.  316.  d.  (53.) 

MELISMATA.  Jlelismata.  Musicall 
Pbansies.      See  R.,  T. 

MELISSA     Melissa.     [Song.] 
See  Sweet.     Sweet  Melissa,  etc. 
[1788?]     fol.  G.  377.  (17.) 

MELISSOMELOS.  Melissomelos  or  Bee's 
Madrigall.     See  Butler  (C.) 

MELLICO  (Giuseppe).     See  Millico. 

HELLISH  (  )  Captain.  Pour  la  vie  je 
suis  a  vous.  A  favorite  Gl-ee  for  tbree 
Voices.  J.  F{entu']yn  :  [London, 

1780?]  s.  sh.  fol.  a.  311.  (27.) 

MELLISH  (  )  Miss.  My  Phillida,  adieu 
love.     A  favorite  Ariette. 

Broderip  and  Wilkinson  :  London, 
[1800?]    fol.  H.  2815.  a.  (9.) 

MELODI.E.     Melodise  Prudentianas  et  in 
Virgilium   magna   ex   parte   nuper  natae, 
and  per  Nicolaum  Fabrum  Typographum 
expressse.     [Hymns.] 
L^psise.     Mense  Octobri.     [1532  ?]     8". 

K.  1.  f.  15. 

Most  other  knoivn  copies  of  this  work  are 

dated  '  Mense  Aprili.  1533.'     A   mis- 


print on  the  title-page  of  the  present 

copy  points    to    its   being  an  earlier 

edition.     The  composers  named  are  L. 

Hordisch  and  S.  Forster. 

[Another  copy.]  K.  8.  b.  13. 

IMelodise    Prudentianse    et    in    Virgilium 

magna  ex  parte  nuper  natse,  etc.    [Hymns.] 

Lipsics.     Mense  Ar>rili.     1533.     8°. 

K.  8.  b.  14. 

MELODIEN.     ]\Ielodien  fiir  Klavier  oder 

Pianoforte  zu  den  gesellschaftlichen  Lie- 

dern  im  Kirmesbiichlein. 

[Frohbtirg,  1800?]     obi.  4°.  B.  731. 

The    composers    named    are :     Himmel, 

Zelter,  Pleyel,   Zumsteg,  Mozart,    W. 

Mailer,    Tag,     Kwnze,     BeyicUi    and 

Nawnann. 

MELODY.  Melody— the  Soul  of  Music  : 
an  Essay  towards  the  Improvement  of  the 
Musical  Art :  with  an  Appendix,  contain- 
ing an  account  of  an  Invention  [of  a  violin 
with  double  strings  in  Octaves]. 
The  Courier  Office  :  Glasgow,  1798.     4» 

557*.  e.  19.  (11.) 

M:f!LOMANIE.  0  des  Dieux  le  plus  bel 
ouvrage.  Romance  de  la  Melomanie.  [By 
S.  Champein.]  Chez  Bignon  : 

[Paris,  1781.]     8".  B.  362.  c.  (102.) 

Sans  chanter  peut-on  vivre  un  jour.     Air 
de  la  Melomanie  [by  S.  Champein].    Avec 
Accomp'  de  Fort6-Piano. 
ChezFrere:  [Paris,  1790?]     fol. 

G.  557.  (38.) 

[Another  copy.]  G.  546.  (63.) 

La  Melomanie.     Op6ra  Comique. 
See  Champein  (S.) 

MELONI  (Anxibale)  II  Desiderio,  ouero 
De  Concerti  Musicali  di  varij  Instrumenti. 
Dialogo  di  Annibale  Meloni.  Nel  quale 
si  ragiona  della  xjarticipatione  di  essi 
stromenti,  &  di  molte  cose  partenenti 
alia  Musica.  [By  E.  Bottrigari,  edited  by 
G.  M.  Artusi.] 

Appresso    li    Starnpatori   Archiepiscopali 
Milano,  1601.     4°.  557*.  c.   18.  (2. 

This  edition  consists  of  a  title-page  and 
7  fol.  [A-B]  followed  by  a  second  title- 
page  :  '  II  Desiderio  . . .  Dialogo,  di 
Alemanno  Benelli...In  Venetia  ap- 
presso Ricciardo  Amadino,  1594,'  5 
ummmbered  leaves  and  pp.  1-51.  In 
some  copies  the  name  '  Alemanno 
Benelli '  at  the  top  of  the  pages  has 
been  covered  by  a  printed  slip  with  the 
name  '  Annibale  Meloni.'  The  edition 
was  issued  by  Arttisi  to  claim  the 
anthorship  for  Meloni. 

MELOPEIA  SACRA.  Melopeia  Sacra. 
Psalms  and  Hymns.     See  Roner  (A.) 

MELTON.    Melton  Oysters.    [Song.] 
Set  There.    There  was  a  clever  likely  Lass. 
[1775?]    s.  sh.  fol.  G.  806.  r.  (37.) 


MflME— MERCHANT 


119 


MBME.  ]\Ieme  aupres  d'une  aimable 
Spouse.  L'Hotninc  comme  U  y  en  a  trop. 
Air :  Avec  les  jeux  dans  le  village  [from 
'  Les  Amours  d'Et6  '].    [Paris,  1785  ?J     8°. 

B.  362.  (178.) 

MENAGE,  Jlenage,  cber  Amant.  Air. 
See  DuMONT  Marquks  (       ). 

MENAGE.  Le  Manage  comme  il  y  en  a 
pen.     Couplets.     See  Rigel  (H.  J.) 

MENAGERE.  La  Menagere.  [Song.] 
SeeOui.    Qui,  i'aime  a  boire.    ^780?]  8°^ 

B.  362:  b.  (129.) 

MENAULT  (Pierre  Richard)  Missa 
Sex  Vocibus  ad  Imitationem  IModuli,  Date 
lilia,  etc.  Ex  Officina  Christophori 

Ballard  :  Parisiis,  1692.     fol. 

K.  10.  b.  1.  (17.) 

MENESINI  (Bartolomeo)  Six  Sonatas 
for  Two  Violins  aud  a  Bass,  etc.  [Separate 
Parts.]  H.  Fougt :  London, 

[1767.]     fol.  g.  222.  (13.) 

MENESTRIER  (Claude  FRAX901S)  Des 
Ballets  Ancieus  et  Modernes  selon  les 
regies  du  Tb^atre.  Chez  R.  Gidgnard  : 
Paris,  1682.     8".  840.  c.  7. 

The  author's  name  is  in  the  privilege. 
Des  Representations  en  ilusique  anciennes 
et  modernes.  Chez  H.  Gidgnard  : 

Paris,  1681.     8».  1042.  f.  2. 

The  author's  name  is  in  tlie  privilege. 
[Anotber  copy.]  840.  c.  6. 

MENGOLI  (PiETRo)  Speculationi  di 
^lusica,  etc.  Per  I'  Hcredc  del  Benacci : 
Bologna,  1670.     4°.  1042.  k.  4.  (1.) 

The  author's  name  is  in  the  privilege . 

MENGOZZI  (Bernardo)  Con  un  moto. 
[Song.]  Sung  by  Sig'  Morelli  in  tbe 
Opera  [by  G.  Paisiello]  of  Gli  Scbiavi  per 
Amore,  etc.     [full  Score.] 

Lonfjman  atid  Broderip  : 
[London,  1787.]     fol.  H.  345.  (6.) 

Donne,  Donne  cbi  vi  crede.  [Song.] 
Sung  by  Sig'  Morelli  in  tbe  Opera  [by  G. 
Paisiello]  of  Gli  Scbiavi  per  Amore. 
[Full  Score.]  Longman  and  Broderip  : 
[London,  1787.]     fol.  G.  297.  (3.) 

[Anotber  copy.]  H.  345.  (9.) 

MENSCHING  (R.  L.)  Serenade  pre- 
sentee a  S.  M.  R.  de  Prusse  par  les 
Etudients  de  Francfourt  sur  I'Odre,  La 
veille  du  jubiMe  .  .  .  le  25.  d'Avril  1706. 
[Full  Scorn.]  [Frankfurt  on  the  Oder, 

1707.]     fol.  732.  I.  4.  (1.) 

10  leaves,  ivithoiit  pagination,  between 
pp.  148  and  149  of  Pars  II  of  '  Secu- 
laria  Sacra,  Academiie  Ecgise  Via- 
drimr,'  etc. 

[Anotber  copy.]  130.  g.  12. 


MEPRISE.  La  Meprise  de  I'Amour 
Romance.  See  Amour.  L' Amour  avoit 
perdu  sa  mere.     [1780?]     8°. 

B.  362.  e.  (4.) 

La  Meprise  de  I'Amour.     Romance. 

See  Amour.     L' Amour  un  jour  cbercboit 

partout,   etc.      [1785?]      8". 

B.  362.  g.  (51.) 

m:eprises  par  ressembl  ance. 

Les  M6prises  par  Ressemblance.  Comedie. 
See  Gretry  (A.  E.  M.) 

MERASPE.     Tbe  Favourite  Songs  in  tbe 

Opera  call'd  Meraspe  o  1'  Olimpiade.     [A 

Pasticcio.]  Printed  for  I.  Walsh: 

London,  [1742.]     fol.         H.  348.  e.  (6.) 

The   composers   named  are :    Pergolesi, 

Scarlatti,  Lampugnani,  L.  Leo  and 

F.  Feo. 

MERAUT  (        )      See  Mereaux   (J.    N. 

Le  Froid  de). 
MERBECKE  (John)  Tbe  booke  of 
Common  praier  noted.  ([By]  Jobn  ]\Ier- 
becke.)  [fol.  2  :]  In  tbis  l30oke  is  con- 
teyned  so  mucb  of  tbe  Order  of  Commo 
prayer  as  is  to  be  song  in  Cburcbes,  etc. 
B.  L.  Richard  Grafton  :  [London,'] 

1550.     4".  Uase  10.  a.  11. 

68  leaves,  without  pagination.  The  com- 
poser's name  occurs  at  the  end  of  the 
work. 

[Anotber  copy.]  K.  1.  g.  17. 

Imperfect ;  loanting  the  last  leaf,  tvhich 
has  been  supplied  in  MS. 

MERCADIER  (Jean  Baptiste)  Nou- 
veau  Systeme  de  Musique  tb^orique  et 
pratique.  CJiez  Valade  : 

Paris,  1777.     8".  1042.  1:.  21. 

MERCATO    DI   MALMANTILE.     11 

Mercato  di  Malmantile.     [A  Pasticcio.] 
See  Delizie.     Le  Delizie  dell'  Opere,  etc. 
Vol.  X.     [1776.]     fol.  G.  159. 

MERCHANT  OF  VENICE.  Haste 
Lorenzo,  baste  away.  Jessica's  Song  in 
the  Merchant  of  Venice.  [Music  by  J. 
Baildon.]  [London,  1110?]     s.sh.M. 

G.  308.  (124.) 

[Anotber  edition.]     Haste  Lorenzo,  baste 

away.      Jessica's   Song,  etc.      [Music   by 

J.  Baildon.]     [London,  1770  ?]     s.  sh.  fol. 

H.  1994.  a.  (153.) 

My  Bliss  too  long  my  Bride  denies.  The 
Serenade.  Sung  by  Mr.  Mattocks  in  tbe 
Mercbant  of  Venice.  [Words  from  an 
ode  in  tbe  Spectator  by  Sir  R.  Steele, 
music  by  T.  A.  Arne.] 
[Loyidon,  1770  ?]     s.  sh.  fol. 

G.  310.  (124.) 

To  keep  my  gentle  Jessy.  A  Favourite 
Song  in  tbe  Mercbant  of  Venice.  [Music 
by  T.  A.  Arne.]    [London ,  1790  ?]   s,  sh.  fol. 

H.  2818.  (26.) 


12U 


MERCHI— MEREAUX 


MERCHI  (GiACOMo)  Twelve  Diverti- 
mentos for  two  Guittars  or  a  Guittar  and 
Violin .  . .  Opera  21".  Wdcker  : 

Londo7i,[1115?]    fol.        h,  259.  a.  (7.) 

Quatro  Duetti  a  Due  Chitarre  e  Sei 
Minuetti  a  Solo  con  Variationi  .  .  .  Opera 
Tersa.  Chez  VAuteur : 

Paris,  [1753  ?J     fol.  g.  421.  r.  (8.) 

Scclta  d'  Arietta  Francesi,  Italians  ed 
Inglesi,  con  Accompagnamento  di  Chi- 
tarra.  Opera  xv.  Printed  for  the  Author  : 
London,  [ino?]     fol.  g.  660.  (1.) 

Dodici  Suonate  per  la  Chitarra,  Sei  a  due 
Ohitarre  o  con  Accompagnamento  di 
Yiolino  e  Sei  a  Solo. .  .Opera  xvi. 

Printed  for  tlic  Author  : 
Lo7idon,[ll'iO?]     fol.  g.  660.  (2.) 

MERCHIORE  [de  Barberiisj,  da 
Padova.  /SteFEViu  (A.  de)  Intabulatura  di 
Lautto,  Libro  Quarto,  de  la  Blessa  di  A. 
Fevino  .  .  .  Intabulata  .  .  .  dal  Reuerendo 
messer  pre  Marchiore  di  barberijs  da 
Padoua  . . .  con  alcuni  altri  suoi  recercari, 
etc.     15i6.     cbl.  4".  K.  1.  c.  14.  a. 

MERCK  (Daxikl)  Compendium  Musice 
Instrumentalis  Chelicac.  Das  ist :  Kurtzer 
BegrifE,  welcher  Gestalteu  die  Instru- 
mental-Music auf  der  Violin,  Pratschen, 
Viola  da  Gamba  und  Bass. .  .zu  erlernen 
seye  . . .  Erster  Theil. 

In  Verleguncj  dess  Authoris  . . .  Druckta  J. 
C.  Wagtic7' :  Augsj^urg,  1695.     4". 

7895.  aaa.  49. 

MERCURE.    Mercure,  jMars,  ct  le  Maitre 
des  Dieux.     Chanson. 
[Paris,']  1737.     s.  sh.  4°.  297.  b.  20. 

Mercure  de  France,  Sept.,  1737. 

MERCURIUS    MUSICUS.     Mercurius 

IMusicus  :  or,  The  Monthly  Collection  of 

New  Teaching  Songs,  Compos'd  for  the 

Theatres,  and  other   Occasions ;    With  a 

Thorow   Bass    for    the    Harpsichord,    or 

Spinett :  The  Songs  being  Transpos'd  for 

the  Flute,  at  the  end  of  the  book.     For 

•Tauuary(-December)  8  pts.    [Edited  by  H. 

Playford.]  William  Pearson,  for 

Henry  Playford,  J.  Hare  (and  J.  Young)  : 

London,  (1699.)     obi.  4".  K.  1.  c,  6. 

The  comjMscrs  of  tJiis  collection  are  :   S. 

Ackcroyde,   J.   Bloiv,   D.   Purcell,   J. 

Church,  Pi.  King,  H.  Hall,  FranHs, 

J.  Ecclcs,    W.  Crofts,    W.    Turner,  J. 

Clark,  J.  Barett,  f.  Willis,  M.  Snow, 

Gouge,     W.    Richardson,    Bercnclow, 

P.    Conrfevil,    Morgan,    G.    Finger, 

Nicola  and.  H.  Purcell. 

Mercurius  Musicus :  or,  The  Monthly 
Collection  of  New  Teaching  Songs, — for 
the  Year,  1700 — Compos'd  for  .  .  .  the 
Theatres. .  .With  an  addition  of  Two  Part 
Songs;  and  a  Thorough  Bass  to  each 
Song,   for  the   Harpsichord,   Spinett,   or 


Bass- Viol,  etc.    For  January  and  February . 
(March   and   April.)     (May.)     (June    and 
July.)     (August.)     (September  and  Octo- 
ber.)    (November  and  December.)     (Mer- 
curius Musicus. .  .Being  the  single  Songs 
in  the  New  Opera,  call'd — The  Mad  Lover 
— . .  .Compos'd  by  J.  Eccles. .  .For  Janu- 
ary and  February.)     (Mercurius  Musicus 
. .  .For  March  and  April  (May  and  June) 
(July  and  August)  (September,  October, 
November  and  December).)   2Bks.   12  pts. 
W.  Pearson,  for  D.  Browne  and  H.  Play- 
ford :  London,  llOC(-nOl).    fol.     G.  92. 
The  luigination  of   eacli  year    is   con- 
tinnous.    The  composers  named  in  this 
collection  are  :  Nicola,  B.  Elford,  J. 
Eccles,  H.  Hall,  S.  Akcroyde,  Leve- 
ridge,    Goudge,   Frances,    J.   Barrett, 
D.  Purcell,  Wilford,  Church,  J.  Clark, 
T.    Wroth,    W.    T.,    W.    Bichardson, 
Bcrenclow,    B.    Harris,    J.    Wcldo^i. 
Courtivell,  W.  Robart  and  W.  Croft.  ' 

MERCY  (Louis)  Six  Solos  for  a  Flute 
with  a  Thorough  Bass  for  the  Harpsicord 
or  Violoncello,  etc. 

Printed  for  J.   Walsh  and  I.  Hare  : 
London,  [1725  ?j     fol.  g.  524. 

VI.  Sonata  a  Fagoto  6  Violoncello  col' 
Basso  Continuo. .  .Opera  Terza. 

.S'.  Weaver  lO  J.  Jolinson,  for  the  Author  : 
London,  [11 .15:']    obi.  M.     e.  368.  c.  (8.) 

MERE.    La  ]Mtre  Abaiidouu&'.    Romance. 
Sec  La  B  *  *  *  (     de)  M"'- 

^lere  commune  des  humains.     Hymne. 
See  Lefevek  (J.  X.) 

MERE  JALOUSE.  Vicille  qui  prend 
jeunemari.  Vaudccille  deV Opfra Comiqiie . 
[Paris,']  ViZl.     s.  sh.  4».  298.  a.  25. 

Mercure  de  France,  Oct.,  1782. 

MEREAU  (  )  Organist  of  S'  Sauvcur. 
Ariiettes  de  la  Feste  Donnas  a  Monsieur 
de  La  Garde  .  .  .  Les  Parolles  par  M'  *  *  * 
[P.  A.  Quetant ; . . .  Grave  par  IM"'"  Fleurv. 
Bicoquilliie  :  [Paris,  1770.]     8". 

11738.  m.  2.  (1*.) 

MEREAUX  (Jj:ax  Nicolas  LE  FROID 
DE)     [Alexandre  aux  Indes.]     Quand  le 
destin  jaloux.     Air,  etc.     1784.     8". 
Si'e  Alexaxdee  aux  Indes. 

B.  362.  h.  (39.) 

La  Ressource  Comique,  Pi^ce  en  uu  Acte, 
melee  d'Ariettes  ;  precedee  d'un  Prologue. 
[Words]  Par  IM.  Anseaume,  etc. 

Che::;  la  Veuve  Duchesne  : 
Paris,  1772.     8".  11738.  b.  15.  (5.) 

Lc  Retour  de  la  Tendresse,   Comedie  en 
un  Acte  et  en  vers,  mel6e  d'Ariettes,  etc. 
[Words  by  Anseaume.] 
Chez  la  Veuce  Duchesne :  Pans,  1774.    8". 
11738.  b.  15.  (2.) 


^[ERELLE-  MERSENNE 


121 


MERELTjE  (  )  Mademoiselle.  Les 
Folies  d'Espagne.  Avec  cle  nouvelles 
Variations  pour  la  Harpc,  etc. 

Broderip  and  Wilkinson : 
London,  [1800?]     fol.  h.  118.  (29.) 

New  and  Complete  Instructions   for  the 
Pedal  Harp  in  Two  Books,  etc. 

Printed  for  Brodcrip  <£•  Wilkinson  : 
Lomion,  [1800?]     fol.  g.  301.  (2.) 

Petitcs  Pieces  pour  le  harp,  etc. 

Broderip  (d  Wilkinson  ;  London, 
"1800?]     fol.  g.  301.  (14.) 

MERIEUX  (       )    Amis,  puisque  Bacchus 
nous  assemble  en  ce  jour.     Air  Koiivcan. 
IParis,  1G78.]    s.  sh.  obi.  4".    P.P.  4482. 

Nouveau  Mercurc  Galant,  Sept.,  1678. 
.Si   mes    rigueurs   te   font    mourir.      Air 
Nouveau.     [Paris,  1679.1     .<-•.  sh.  obi.  4". 

P.P.  4482. 

Nouveau  Mercure   Galant,   Feb.,   1G7'J, 

p.  26. 

Si  mes  rigueurs  te  font  mourir. 

Sec'Ai.  Si  rues  rigueurs, f<c.  TByMerieux.] 

1757]    8'  297.  h.  30. 

MERODE.  [Songs  in  Mcrode.  A  Pasticcio.] 
Sec  Delizie.  Le  Delizie  dell' Opere,  cfr. 
Vol.  IV.     [1776.]     fol.  G.  159. 

MEROPE.     Merope.     Opera. 

Sec  BiAHCHi  (F.) 

MERRIWAGG,  Dr.  pseud,  [i.e.  Thomas 
Vandernan.  j  Splenetick  Pills,  or  Mirth 
Alamode.  Being  a  Collection  of  humorous 
Songs  adapted  to  the  modern  Taste  of 
the  Choice  Spirits  the  Words  by  the 
celebrated  Poet  -lohn  Rumfish,  Esq.  Set 
to  Music  by  Dr.  Mcrriwagg. 

Printed  for  TIios.  Vandernan  :  London, 
1750.]     obi.  fol.  E.  271.  (13). 

MERRY.     The  :\Ierry  Archers.     [Song.] 
See  DiBDiN  (C.)     [Castles  in  the  Air.\ 
The  Merry  Baccanallian.     [Song.] 
Sea  Come.     Come  here's  to   the   Nymph 
that  I  love.     [1740?]     s.  sh.  fol. 

H.  1994.  (11.) 
The  Merry  Bells.     [Song.] 
See  Sandeksox  (J.)    [Harlccpiin  Mariner.] 
The  Merry  Christ'ning.     [Song.] 
Sec  Come.     Come  listen  a  while. 
ri780  ?]     s.  sh.  fol.        H.  1601.  b.  (61.) 
The  Merry  Cuckoo,  messenger  of  Spring. 
Sonnet.      See   Greene    (^I.)     [Spenser's 
Amoretti.     Sonnet  VI.] 
The   Merry   Dancer.     [Song.]     See  I.     I 
am  a  merry  Mortal.     [1775  ?]     s.  sh.  fol. 

G.  309.  (149.) 
The  Merry  Gypsies.     Glee. 
See  Smart  (Sir  G.  T.) 

Merry,  merry,  were  the  Days.     Duet. 
See  Hook  (J.) 

The  Merry  Mortalls.     Song. 

See  Every.     Ev'ry  ^lan  his  Sceptre  take. 

[1740?]    s.  .sA.  fol."        H.  1601.  a.  (43.) 


MERRY,  The  :\rerry  Peal.  Song.  See 
Daxby  (J.) 

^ilerry  Wakefield  Town.  [Song.]  See 
Down.  Down  in  the  North  Country,  etc. 
[1780?]     s.sh.io].  G.  307.  (164.) 

The  Merry  Wives  of  Windsor.  [Song.] 
See  We.  We  merry  Wives  of  Windsor,  etc. 
!'1700?]     s.  s;(.  fol.  G.  313.  (22.) 

MERRY  COBLER.  The  Merry  Cobler  : 
or,  the  Second  Part  of  the  Devil  to  Pay. 
A  Farcical  Opera  of  One  Act. .  .[Written] 
By  Mr.  Coffey.  [With  the  music  of  the 
Songs.]  Printed  for  J.  Watts:  London, 
1735.   "8".  643.  g.  7.  (12.) 

[Another  copy.]  161.  h.  13. 


MERRY  MOUNTEBANK. 

Mountebank.     Songs. 
See  Tulip  (T.)  pseud. 


The  Merry 


j  MERRY  MUSICIAN.  The  Merry 
Musician ;  or,  A  Cure  for  the  Spleen : 
being  a  Collection  of. .  .Songs  and. .  .Ballads, 
set  to  Musick... Together  with  a  curious 
Compound  of  State  Pills,  to  allay  the 
^lalady  of  Malcontents. ..Part  I.  (The 
r^Ierry  Musician. ..Vol.  II.)  (The  Merry 
Musician... .4  Collection  of. ..Songs  and 
Ballads,  set  to  the  Violin  &  Flute... 
Vol.  Ill  (IV).)  4  pts.  //.  Meere,  for  J. 
Walsh,  etc.  :  Lonaon,  1716[-1733  ?]     12'. 

B.  353. 
Vols.  II.-IV.  are  engraved  tJiroughout. 
Vol.  II.  is  published  by  I.  Walsh,  los. 
Hare  and  I.  Yo7ing,  Vols.  III.  and  II '. 
brj  I.  Wcdsh.  The  following  composers 
are  named  :  L.  Ilamondon,  Lcveridge, 
Barret,  Wilford,  J.  Weldon,  D.  Purcell, 
C.  Manley,  Hendcll  [Handel],  W. 
Davis,  W.  Elford,  W.  Goi-toii,  J.  Eccles, 
B.  Aldrich,  King,  Damascene,  Blow, 
Vanbrughe,  N.  Haym,  Tenoe,  Gouge, 
Galliard,  Greene,  Bvrgcs,  H.  Purcel, 
Carey,  Dicupart,  I.  SJieeles,  Pepusch, 
Trevers,  James  V.  of  Scotland,  G.  Arnet, 
Webber,  Monro,  Vincent,  Bavcnscroft, 
A.  Whiehcllo,  Holcombc,  Hemming,  D. 
Rizzio  and  A.  Young. 

MERRY  SHERWOOD.  I  am  a  Friar 
of  Orders  gray. .  .Song  in  Merry  .Sherwood 
[by  W.  Reeve],  for  the  Piano  ITorte  & 
German  Flute.       [Lo)ifZa»,  1795?]     fol. 

G.  383.  i.  (4.) 

^lerry  Sherwood  or   Harlequin  Forester. 
Pantomime.     See  Reeve  (W.) 

MERSENNE  (Marin)  F.  Marini  Mer- 
senni. .  .Harmonicorum  Libri  [12].  In 
quibus  agitur  de  Sonorum  Natura,  causis, 
&  efEectibus  :  de  Consonantiis,  Disso- 
nantiis. .  .Compositione,  orbisque  totius 
Harmonicis  Instrumentis,  etc.     2  pts. 

Sumpitibus  Guillelmi  Baudry :  Lntcti'-r 
Parisiorum,  16-35.     fol.  558*.  e.  9. 


122 


MEESENNE— MES 


MERSENNE  (Mabin)  Harmon  icorum 
Libri  xii  .  ,  .  Editio  Aucta.  Sumptibiis 
Giiillelmi  Bandry  :  Lutctix  Parisiorum, 
1648.     fol.  558*.  e.  10. 

Hannonie  Universelle,  conteuant  la 
Th^orie  et  la  Pratique  de  la  Musique,  etc. 
2  Tom.  Par  Pierre  Ballard  : 

Paris,  1636(-7).     fol.  558*.  e.  11. 

Tliis  work  is  divided  into  nineteen  books, 
each  with  separate  pagination. 

[Another  copy.]  558*.  e.  12. 

Imperfect;  containing  only  Div.  1-6  of 
the  '  Traits  des  Instrumcns  a  Chordes,' 
Div.  1-4  of  the  '  Traitez  des  Conson- 
nanees,'  Div.  1,2'  De  la  Nature. .  .du 
Son,''  etc.,  and  Div.  1,2  '  De  la  Voix,' 
etc. 

Harmonie  Universelle,  etc.  2  Tom.  Chez 
Sebastien  Cramoisy :  Paris,  1636(-7).    fol. 

47.  g.  14. 
The  title-page  of  Tom.  I.  is  p^-iyited  in 
black  and  red.     This  copy  is  otherwise 
identical  with  P.  Ballard's  edition. 

Hydraulica  Pneumatica ;  Arsque  Navi- 
gandi.  Harmonia  Theorica,  Practica,  et 
Mechanica  Phsenomena,  etc.     2  pts. 

Siimptibus   Antonii    Bertier  :    Parisiis, 
1644.     4°.  1396.  i.  25. 

Questions  Harmoniques.  Dans  lesquelles 
Eont  contenues  plusieurs  choses  remarqu- 
able  pour  la  Physique,  pour  la  IMorale, 
&  i)our  les  autres  sciences.  [By  M. 
Mersenne.]  1634.  8".  See  Questions 
Harmoniques.  1135.  c.  2. 

Tractatus  de  Musica  Hebrseorum  et  ex- 
plicatio  locorum  Scripturse  Sacrse,  quae  de 
Musica,  et  vi  souorum  loquuutur,  excerp- 
tus  ex  Qufest.  et  Comment  in  Geuesion, 
Marini  Merseni.  Apiid  Joannem 

Gabrielem  Hertz,  et  Sebastiannm  Colctti  : 
Venctiis,  1767.     fol.  686.  1.  12. 

Part  of  Vol.  32  q/"  Tltcsauriis  Antiqui- 

tatnm    Sacrarum  .  .  .  Autore    Blasio 

Ugolino,'  etc. 

See  also  :  Sermes,  Sieur  de,  pseud. 

MERTELIUS  (Elias)  Hortus  Jlusicalis 
Novus,  fragrantissimis  . . .  flosculis  . . . 
testudine  carpendis. .  .consitus  :  In  cuius 
hac  Parte  Prima  continentur  Prseludia. . . 
plusquam  ducenta  :  Phantasife  item  & 
Fugae  complures. .  .ex  optimis  quibusa 
authoribus  Germanicis,  Italicis,  Gallicis, 
Anglicis,  constructus,  etc.  Sumptibus  . . . 
AutJwris,  per  Antonium  Bertramum : 
Argcntorati,  1615.     fol.  K.  7.  f.  13. 

MERULA  (Tarquinio)  Di  Tarquinio 
Merula. .  .11  Primo  Libro  delle  Canzoni  a 
Quattro  voci  per  sonare  con  ogni  sorte  de 
stromenti  Musicali.  Aggiontoui  due  Ale- 
mane,  &  vna  Corrente.  Basso  Generale. 
Stampa  del  Gardano,  Barthohmco  Magni  : 
Venetia,  1615.     4°.  D.  159. 


MERULA  (Tarquinio)  Libro  Secondo 
de  Concerti  Spirituali  con  Alcune  Sonate 
a  Due,  Tre,  Quattro,  et  Cinque  Voci,  etc. 
Basso  Principale.  Apprcsso  Alcs'sandro 
Vincenti  :  Venetia,  1628.   4\     D.  159.  a. 

MERULO  (Claudio)  Di  Claudio  Merulo 
...  II  Primo  Libro  de  Madrigali  a  Tre 
Voci,  Nouamente  composti,  &  dati  in  luce. 
Canto.     (Tenore.)     (Basso.)     3  pts. 

Appresso  Angela  Gardano : 
Venetia,  1580.     obi.  4".  C.  211. 

II  Primo  Libro  de'  Madrigali  a  Cinque 
Voci  di  Claudio  [JNIerulo]  da  Correggio. 
Nuouamente  posti  in  luce.  Canto.  (Alto.) 
(Tenore.)     (Basso.)     (Quinto.)     5  pts. 

Appresso  Claudio  da  Correggio, 
<&  Fausto  Bethanio  Compagni :  Venetia, 
1566.     obi.  4°.  A.  321. 

Di  Claudio  Merulo  ...  II  Primo  Libro  de 
IMottetti  a  sei  Voci  Nouamente  Composti. 
&  dati  in  luce.     Tenor. 

Appresso  Angelo  Gardano  :  Venetia, 
1583.     4°.  C.  211.  a. 

Toccate  d'  Intavolatura  d'  Organo  .  .  . 
Nuouamente  . . .  date  in  luce,  et  con  ogni 
diligenza  corrette.     Libro  Primo. 

Appresso  Simonc  Verouio  :  Roma, 
1598.     fol.  K.  8.  h.  21.  (1.) 

Toccate  d'  Intauolatura  d'  Organo  .  .  . 
Nuouamente  . . .  date  in  luce,  et  . . .  cor- 
rette :  Libro  Secondo. 

Apprcsso  Simone  Verouio :  Roma, 
1G04.     fol.  K.  8.  h.  21.  (2.) 

See  Gardano  (Angelo)  Musica  di  Tredici 
Autori  . . .  Nella  quale  si  contjugono  . . . 
Madrigali  . . .  delli  infrascritti  Autori  . . . 
C.  Merulo  da  Correg.,  etc.     1589.     4". 

K.  3.  g.  11. 

See  Orso  (F.)     II  Primo  Libro  de'  Madri- 
gali ...  Con  Due  Madrigali  Cromatici  nel 
Fine,  nuouamente  posti  in  luce  da  Claudio 
1567.      obi.  4". 

A.  304. 

See  Palestrina  (G.  P.  da)  II  Primo 
Libro  de'  IMadrigali  a  Quattro  Voci  ...  da 
M.  Claudio  Merulo  . . .  con  ogni  diligenza 
corretto.     1574.     obi.  4".  A.  343. 

See  Porta  (C.)  Constautii  Portae  . . . 
LIusica  in  Introitus  IMissarum  . . .  nunc 
primum  a  Claudio  Coregiate  in  lucem 
edita.     1566.     obi.  4°.  A.  345. 

See  Verdelot  (P.)  I  JMadrigali  del  Primo 
et  Secondo  Libro  . . .  corretti  da  Claudio 
da  Coreggio.     1566.     obi.  4'.     A.  443.  b. 

MES.  Mes  soupirs  font  mes  plaisirs. 
Rondeau.     See  Bailleul  (         ). 

MES  (Ghebardus)  Souter  Liedekens. 
V(-VIII.)  Het  achste  (negeste)  (thienste) 
(elfste)  musyck  boeck  luit  vier  Partien, 
waer  iune  begrepen  syn  xxxi  (xxxi) 
(xxxxiij)    (xxviij)    Psalmen    van     Dauid, 


da  Correggio,  etc. 


MES— METALLO 


123 


GhecompoDeert  by  Gherardus  mes. .  .Seer 
lustich  om  singen  . . .  ende  te  speclen  op 
diuersche  Instrumenten,  etc.  Superius. 
(Contra  Tenor.)  8  pts.  TMchnan  Susato  : 
Anficcrpcn,  1561.     obi.  4°.      K.  8.  a.  12. 

MESLE    (        )     Que  la   Dauphine   et  le 
Dauphin.     Vaudeville  sur  la  Naissance  de 
Monseigneur  le  Due  de  Eourgogne,  etc. 
[Paris,]  1751.     s.  sJi.  4".  298.  c.  5. 

Merc  we  de  France,  Oct.,  1751. 

MESM^IRIANA.  Le  Mesm^riana.  [Song.] 
See  II.  II  est  un  Dieu  tutelaire,  etc. 
[1780?]     8».  B.  362.  j.  (12.) 

MESSIAH.  Comfort  ye  my  People. 
Messiah.  (Ev'ry  Vally.)  [Recitative  and 
Air,  by  G.  F.  Haendel.]  Printed  for 

F.  Linley  :  [London,  1197  7]     fol. 

G.  424.  u.  (41.) 

l\Iessiab.    Oratorio.    See  Haendel  (G.  F). 

MESSIEURS.  J\Iessieurs  sur  votre  re- 
connaissance. Vaudeville.  See  Chapelle 
(P.  D.  A.)     [Le  Bailly  Bienfaisant.] 

MESTA.  Mesta  mi  lagno  qual  tortorella. 
Duett.  See  Guglielmi  (P.)  [L'  A})ior 
tra  le  Vcjidetntnie.l 

MESTRINO  (NicoLu)  The  Celebrated 
Capricio  Arpeggio  for  Two  Violins. 
[Separate  Parts.]  Printed  for 

A.  Hamilton  :  London,  [1795  ?1     fol. 

h.  2910.  b.  (13.) 
Concerto  pour  le  Violon  avec  Accomp' 
d'Orcbestre  . . .  No.  4.  [Separate  Parts.] 
Cli£z  Sieber  pdre  :  Paris,  [17i)0  ?]     fol. 

h.  1613.  a.  (14.) 
Concerto  in  B  a  Violino  Principale, 
Violino  Primo  e  Secondo,  due  Oboi,  due 
Corni,  Viola  e  Basso,  etc.  [Separate 
Parts.]  Chez  J.  II.  Naclermann  : 

Paris,  [1790?]     fol.  h.  192.  (2.) 

6^  Concerto  a  Violon  principal,  etc. 
[Separate  Parts.]  Chez  Imbault  : 

Paris,  [1790?]     fol.  h.  192.  (1.) 

Three  Duets  Concertante  for  Two  Violins. 
[Separate  Parts.] 

Printed  for  A.  Hamilton:  London, 
[1795?]    fol.  h.  2910.  b.  (4.) 

A  Grand  Solo,  for  the  Violin,  with  an 
Accomjjaniment  for  a  Violoncello  (ad 
libitum).  Printed  for  J.  A.  Hamilton  : 

London,  [1800?]     fol.  g.  422.  c.  (6.) 

Wanting  tlie  Violoncello  part. 

METALLO  (Grammatio)  Del  :\retallo . . . 
Magnificat  a  quattro,  &  a  cinque,  Con 
le  quattro  Antifone,  Hymno,  &  vn  Motetto 
. . .  con  diuersi  Canoni,  e/c.  Canto.  (Alto.) 
(Tenore.)     (Basso.)     4  pts. 

Appresso  I'  Hercde  di  Gierolamo  Scoto  : 
Venetia,  1603.     4".  D.  78.  f. 

Del  IMetallo  Messa,  Motetti,  et  vn  Mag- 
nificat   a    Cinque    Voci,    con    vn'    altro 


Magnificat  et  Motteti  a  Sei,  &  vn  Circolo 
Musicale ...  Opera  xxi.  Canto.  (Alto.) 
(Tenore.)     (Basso.)     (Sesto.)     5  pts. 

Apjnxsso  Giacomo  Vincenti : 
Venetia,  1611.     4°.  D.  78.  k. 

Del  Metallo. .  .Messe  a  Cinque  Voci  con 
doi  Motetti. .  .Con  il  Basso  per  sonar 
nell'  Orgauo. .  .Opera  xvii.  Canto.  (Alto.) 
(Tenore.)  (Basso.)  (Basso  per  sonar  nell' 
Organo.)     5  pts.  Appresso  Giacomo 

Vincenti :  Venetia,  1610.     4".     D.  78.  h. 

Del  Metallo  Messe  Comodissime  a  Quattro 
Voce  Pari.  Nouamente  composte . . .  Libro 
Sesto.  Canto.  (Alto.)  (Tenore.)  (Basso.) 
4  pts.  Appresso  Giacomo  Vincenti  : 

Venetia,  1602.     4".  D.  78.  g. 

Del  Metallo  Motetti  a  Cinque  Voci  con 
vna  ^Magnificat  a  Dieci,  et  il  Basso  per 
sonar  nell'  Organo. .  .Opera  xviii.  Canto. 
(Alto.)  (Tenore.)  (Basso.)  (Basso  per 
sonar  1'  Organo.)     5  pts. 

Appresso  Giacomo  Vincenti :  Venetia, 
1610.    4°.  D.  78.  i. 

Del  Metallo  IMotetti  per  Tutte  le  Solennita 
deir  Anno,  divisi  in  Doi  Parte,  a  Quattro 
Voci,  Con  vna  Regina  Coeli  a  Otto  Voci . . . 
Prima  Parte.  Opera  xix.  (Opera  xx. 
Seconda  Parte.)  Canto.  (Alto.)  (Tenore.) 
(Basso.)     8  pts.  Appresso  Giacomo 

Vincenti  :   Venetia,  1610.     4^      D.  78.  j. 

Del  Metallo  Motetti  ]\Iagnificat  et  Madri- 
gali  Spirituali  a  Tre  Voci.  Et  nel  fine  doi 
Motetti  air  antica  moderna,  &  licentiosi 
quali  tutti  si  possono  Cantare  a  vna,  due, 
&  tre  voci.  Con  il  suo  Basso  per  I'Organo. 
Libro  Terzo.  Opera  xxv.  Canto.  (Tenore.) 
(Basso.)     3  pts.  Ajjpresso  Giacomo 

Vincenti  :  Venetia,  1613.     4°.       D.  78.  1. 

Del  Metallo  Ricercari  a  Due  Voci.     Per 
Sonare    et    Cantare.       Nuouamente    ri- 
stampati,  &  di  nuoua  agiunta  accresciuti 
Canto.  Appresso  Ricciardo  Amadino  : 

Venetia,  1605.     4".  D.  78.  e. 

Del  Metallo  Ricercari  a  Due  Voci  .  .  . 
Nouamente  ristampati,  &  di  nuoua 
agiunta  accresciuti.     Canto. 

Appresso  Eicciardo  Amadino  :  Venetiay 
1609.     4".  D.  78.  m. 

Del  MetaUo  Ricercari  a  due  Voci.  Per 
Sonare,  e  Cantare.  Accresciuti  di  noua 
Aggiuuta.  Et  da  D.  Florido  Canonico 
de  Siluestris  da  Barbarano  emendati. 
Tenor.    Andrea  Fei:  iJracciano,  1643.    4". 

D.  78. 

Del  Metallo  Ricercari  a  Due  Voci  Per 
Sonare,  e  Cantare.  Nouamente  Ri- 
stampati, accresciuti,  e  corretti  da  Pro- 
spero  Chiocchia  da  Poll. .  .Con  1'  aggiunta 
delle  Chiaui  corrispondenti  all'  altre 
Chiaui  generali,  etc.  Tenore. 
Per  Vitale  Mascardi  :  Boma,  1654.     4". 

D.  78.  b. 


124 


IMMTALLO  -MEYEJ{ 


METALTjO  (GitAMM.vrio)  Del  iMetallo 
Kiccrcari  a  Duo  Voci,  Per  Soiiare,  e 
Cantarc.  Nouameiitenstampati,  e  corretti 
Da  Prospero  Chiocchia  da  Poll  ...  In 
(juesta  nuoua  Editionc  si  sono  messi  per 
ordine  ...  &  accrcsciuti  due  Ricercari,  e 
due  Cauoni  molto  studiosi.  Canto. 
(Tenore.)     2  pts.  Nclla  Stamparia  di 

lacomo  Fei  d'Aitdr.  fu/l.  :  Roma,  1665.   4". 

D.  78.  a. 

litis  edition  contains   tioo  Bicercari  by 

Don  Giovanni  Salvatorc,  and  {in  the 

Tenor  part  only)  an  Enigmaion  Octo 

Vocum    and     Canon    by    Christoforo 

Sforza  de  Rossi. 

Del  Metallo  Ricercari  a  Due  Voci.     Per 

souare    &    cantarc.       Nuouamente     Ri- 

stampati,    coreti,    Et     di    noua    agiunta 

accresciuti.     Tenore. 

Appresso  Alessandro  Yincenti  :   Venctia, 
1G65.    4°.  D.  78.  e. 

Del  Metallo  Ricercari  a  Due  Voci  Per 
sonare,  e  cantarc.  Nouamcnte  ristampati, 
accresciuti,  e  corretti  da  Prospero  Chioc- 
chia da  Poli. .  .Con  I'aggiunta  delle  Chiaui 
corrispondenti  all'  altre  Chiaui  generali, 
&  ordinarie  per  bcneficio  de'  Principianti, 
etc.  Canto.  (Tenore.)  2  pts. 
Fer  il  Mascardi  :  Roma,  1674.     4". 

D.  78.  d. 
Jn  the  Canto  part  are  tn'o  Ricercari  by 
Don  Giovanni  Salvatorc. 

METAMORPHOSIS.        The     Meta- 
morphosis.    Con  lie.  Opera. 
See  Jackson  (W.)  of  Exeter. 
The  Metamorphosis  of  John  Bull  and  his 
]\I  — st— rs.     [Song.  J 
See  John  Bcll.     John  Bull  we  know. 
■"1790?]     s.sh.iol.  G.  309.  (86.) 

METASTASIO  (I'iktro  Antonio  Do- 
MKNico  BoNAVEXTUBA)     Cauoni,  etc. 

Fre.'iso  Artaria  Cump.  : 
Vienna,  1782.     obi.  4".  A.  288. 

METHINKS.  ]\rethinks  I  hear  the  full 
celestial  choir.     (Hee.     See  Crotch  (W.) 

METHOD.  A  New  and  Easie  Method  to 
Learn  to  Sing  by  Book  :  .  .  .  Design'd 
chiefly  for,  . . .  the  promoting  of  Psalmody ; 
and  furnished  with  variety  of  Psalm 
Tunes  in  Parts,  etc. 

Printed  for  William  Rogers  : 
London,  1686.     8\      "  1402.  d.  13. 

METRALCOURT  (Charles)  Twenty 
Four  Country  Dances,  with  proper  Direc- 
tions to  each  Dance,  etc. 

I'rinted  for  the  Author  : 
London,  [1792  ]     obi.  4'.    '        b.  55.  (7.) 

MEUM.     Meum  and  Tuum.     [Song.] 
See  DiBDiN  (C.)     [Private  Theatricals.] 

MEUNIER.  Le  IMeunier  de  Coignac. 
[Song.]     See  PiiS  (A.  P.  A.  de) 


MEUNIER.  LeMeunierGalan.  Chanson. 
See  Jkune.  Une  jeune  fillctte  voulant 
moudre  son  1)1M,  c/c.     [1780?]     8". 

B.  362.  b.  (120.) 

MEUNIER  (  )  L'Amitie  voyant  le 
niondc.    Petit  Air,  etc.    [Paris,  17802}   8". 

B.  362.  e.  (51.) 

MEUWIERE.     La  Meuniere.     [Song.] 
See   En.      En    revenant   de   St.   Florent. 
[1790?]    8'.  B.  362.  e.  (91.) 

MEUNIERE    DE    GENTILLY.      La 

Meuniere  de  Clentilly.  Comedie  en  un 
Acte  en  prose,  . . .  Gravee  par  M"°  Vendome 
et  le  &"■  IMoria.  [Words  by  Lc  Monnier, 
music  by  J.  B.  de  La  Bordo.  Full  Score,  j 
Atix  Adresses  ordinaircs  de  Musique  : 
Pans,  1768.     fol.  H.  469. 

La  Meuniere  de  Gentilly,  Comedie  cu 
un  Acte,  mcslee  d'Ariettes ;  par  ]\I.  IjC 
IMonnier  . .  .  avec  la  Musique  [by  J.  B.  de 
La  Bordei.  Chc3  Vente  : 

Paris,  1768.     8".  11738.  h.  23.  (6.) 

[Another  edition.]  La  Meuniere  de 
Gentilly,  etc.  See  Recueil.  RecueiL 
general  des  Opera  Bouffons,  etc.  Tom.  2. 
1777.     8".  11735.  b.  2. 

MEURSIUS  (Joannes)  See  Aristoxenus. 
Aristoxenus.  Nicomachus.  Alypius.  Auc- 
tores  ]\Iusices  antiquissimi,  hactenus  non 
editi.  loannes  Meursius. .  .Notas  addidit. 
1616.     4".  519.  b.  27. 

MEUSEL  (Godfrey)  Rural  Poetry,  or  a 
Hymn  on  the  Month  of  May  taken  from 
Milton,  to  which  are  added  Several  . . . 
Songs  taken  from  IMr.  Pope's  Works,  etc. 

Printed  for  the  Author  : 
London,  [11 AO?]     fol.  G.  233. 

MEUSNIER  DE  QUERLON  (Anne 
Gaiuuei,)  ^lemoire  Historique  sur  la 
Chanson  en  general,  et  en  particulier  sur 
la  Chanson  Eranvoise. 
See  IMONNET  (J.)  Anthologic  Fran(,'oise, 
etc.     1765.     8".  85.  e.  23. 

'  MEYER  (Bernhard)  Organist.  Trauer- 
!  und  Lob-Gedichte,  welches,  als  die 
I  Durchlauchtigste  Fiirstin. .  .Erau  Sophia 
Augusta,  verwittibte  Fiirstin  zu  Anhalt 
...  in  der  Fiirstlichcn  Schloss-Kirchen 
.  .  .  l)eygesetzet  wurde.aussehr  betriibteni 
Hcrtzen  .  .  .  entworffen,  und  mit  einer 
schlechten  Sangweise  beleget  worden,  von 
Bernhard  IMcyern.  Matthaeus  HencJiel : 
Wittenberg,  ri682.  <     fol. 

10704.  1.  11.  (8.) 

MEYER  (F.  G.)  See  Piccini  (N.)  [Roland.] 
Je  vivrai  si  c'est  votre  euvie  .  .  .  Accomp' 
de  F.  G.  Mever.     [1795  ?]     fol. 

G.  548.  (18.) 

MEYER  (Franciscus  Josephus  Leon- 
Tius)  Ecclesia  Triumphans  in  Campo,  et 
Choro.  Sen  Te  Deum  Laudamus,  Tantum 
Ergo,   Vidi    Aquam,    Asperges,   et    Stella 


MEYER— MEZGER 


125 


Coeli  ...  A  4.  Vocibus,  2.  Violiuis,  Violii, 
&  duplici  Basso  necessariis,  nee  uon  2. 
Tromb.  aut  Coruibus  &  Tyiupano  ad 
libitum  . . .  Opus  iii.  Soprano.  (Tenore.) 
(Basso.)  {Violiuo  ii.)  (Tromba  i.) 
(Tromba  ii.)     (Organo.)     7  pts. 

'Ti/2)is  Pri)ici2>alis 
Monaatciii  S.  GaUi,Im.  VoIcki  J.  Smnm.  . . : 
Untcr-Amcnjau,  1753.     fol.  "       H.  3176. 

MEYER  (-Joachim)  Der  anmassliche 
Hamburgische  Criticus  sine  Crisi  entgegen 
gesetzet  dem  so  genannten  Gottiugischen 
Ephoro  J.  Matthesons,  uud  dessen  ver- 
meyntlicher  Belehrungs  Ungrund  in 
Verthadigung  der  Theatralischen  Kirchen- 
Music  gewiesen,  etc.     Ijonqo,  1728.     S\ 

7898.  aaaa.  7. 
See  D.,  J.  j\I.  Uuvorgreiffliehe  Gedanken 
iiber  die  Neulich  eingerissene  Theatral- 
ische  Kirchen-]\Iusic  .  .  .  vou  .J'oachiml 
M[eyer]  D[oetorl.     172G.     S". 

7896.  a.  5. 

MEYER  (Philipp  Jacob)  tlie  Elder.  A 
Choice  Collection  of  French  Songs,  Duetts 
and  Trios,  selected  from  the  favourite 
Operas,  adapted  for  the  Harp,  Piano-Forte 
or  Harpsichord,  by  P.  J.  Clever. 
J.  Welcker:  London,  ri77G?      old.  4\ 

A.  768.  (1.) 

A  Second  Collection  of  French  Songs,  etc.   i 
Welcker:   London,  ^1180?]     obi.  A". 

A.  768.  (2.)   1 
Tlie  composers  mentioned  are:     I>ttnij, 
Meyer  and  Albanese. 

Four  Original  Lessons  for  the  Harp  ...    \ 
First  Set.  I'rintcd  for  Ii.  Birchull :    \ 

London,  [1795  ?]  fol.  H.  2819.  (21.) 
Two  Sonatas  for  the  Harp,  with  an 
Accompaniment  for  the  Piano-Forte,  or 
Two  Violins,  Viola  and  Violoncello,  etc. 

Printed  for  Ii.  Birchall :  London, 
[1800  ■?]     fol.       ■  H.  2815.  (9.) 

The  Pianoforte  part  only. 

See  CoswAY  (M.  C.  L.)  Mrs.     Deux  Senates 
.  . .  arrang^es  pour  Deux  Harpe  et  Clave- 
cin . . .  par  P.  J.  Meyer,  etc. 
[1787?]     fol.  h.  64.  (3.) 

MEYER   (Philipp   Jacob)  the  Elder  and 

COUARDE  (Sebastiex)    French  Songs 

for    1779.       Selected    from    the    Operas, 

adapted    for   the   Harp,    Piano   Forte   or 

Harpsichord   by   P.   J.    Clever    \-    ^Mons' 

Couarde.  •/.  Wclckcr  :   London, 

[1779]     fol.  H.  1439. 

The  comjwsers  named  in   tJiis  collection 

are:  Albanese,  Mereau,  Beaiimarchais, 

the     Due    de    Nivernois    and     '  3P' 

Huron.' 

MEYER  (Rudolf)  Sterbeusspiegel,  das 
ist  sonnenklare  Vorstellung  menschlicher 
Nichtigkeit  . . .  vermitlest  60.  . . .  Kupfer- 
bliittern,  lohrreicher   Uberschrifften,  und 


beweglicher  zu  vier  stimmen  aussgesetztcr 
TodtengesJiugen.  Vor  disem  angefangen 
durch  Riidolffen  ^leyern  S.  von  Ziirich 
. . .  Jetzt  aber  ...  zu  end  gebracht,  und 
verlegt:  durch  Conrad  Meyern,  etc.  (An- 
liang  des  Todtendantzes  in  acht  .  .  .  zu 
vieren  stimmen  aussgesetzten  .  .  .  Sterb- 
gestingen.)  Bri/  .J.  -J.  Bodmcr  :  Ziirich, 
1(550.     8'.  '  1044.  f.  1. 

MEZENA.  Mczena  does  my  Heart  in- 
spire.    Song.     Sec  PcRCELii  (D.) 

MEZGER  (Fran-z)  Ouverture  d'CEdipe  a 
Colonne  [bj-  A.  M.  G.  Sacchini]  arrangee 
pour  le  Clavecin  ou  le  Forte-Piano  avec 
Accompagiiement  de  Violon  par  F.  Mezger. 
Chez  Jf  Boycr  :  Paris,  ri787  ?]     fol. 

g.  81.  (12.) 
Wanting  the  ]'iolin  part. 

Ouverture  de  Don  Quichotte,  arrangee 
pour  Clavecin  ou  Forte-piano  avec  Violon 
ad  Libitum,  etc.  Chez  M^  Boi/cr  : 

Paris,  [lido?]     fol.  g.  81.'(2.) 

Wanting  the  Violin  part.  This  is  prob- 
ably the  overture  to  Paisiello's,  Pic- 
cinni's  or  Tarchi's  ^Don  Chisciotto.' 

Ouverture  de  I  Viaggiatori  Felici  [by  P. 
Anfossi  ?]     arrangee    pour     Clavecin     ou 
Forte-Piano  avec  Violon  ad  libitum. 
Chez  M>-  Holier  :   7'rtri.s,  [1785?]     fol. 

g.  81.  (7.) 
Wanting  the  1  iolin  part. 

Ouverture  de  I'lmpresarioou  Du  Directeur 
dansTEmbarras  bvD.  Cimarosa]  Arrangee 
pour  Clavecin  ou  Forte-Piano  avec  Accom- 
pagnement  de  Violon — ad  libitum — par 
^I"'  Mezger.  Chez  M''  Boycr  :  Paris, 

1790?]     fol.  g.  81.  (9.) 

Wanting  the  \'iulin 2wrt. 

Ouverture  de  Pierre  le  Grand  [by  A.  E.  ^I. 
Gretry]  arrangee  pour  Clavecin  ou  Forte- 
Piano  avec  Violon  ad  Libitum. 
Chez  M'-  Boi/er:  Paris,  [ITJO?]     fol. 
i  .       ^        ..  S-  81.  (15.) 

Wanting  the  1  iolin  part. 

Ouverture  del  Fanatico  Burlato  [by  D. 
Cimarosa]  Arrangee  pour  Clavecin  ou 
Forte-Piano  avec  Violon  ad  Libitum  par 
M'' Mezger.  Chez  M^  Boycr  :  Paris, 

[1790?]     fol.  g.  81.  (14.) 

Wanting  the  Violin  part. 

Ouverture  della  Pastorella  Nobile  \h\  P. 
Guglielmi]  arrangee  pour  Clavecin  ou 
Forte-Piano  avec  Violon  ad  Libitum  par 
M'  ]\Iezger.  Chez  31''  Bayer  :  Paris, 

1790?]     fol.  g.  81.  (10.) 

Wanting  the  Violin  part. 
Ouverture   dellc   Gelosie   Villane    fby   G. 
Sarti]  Arrangee  pour  Clavecin  avec  Violon 
ad  libitum  par  M''  Mezger. 
Chez  M'-  Boycr:  Paris,  [1785?]     fol. 

g.  81.  (11.) 

Wanting  the  Violin  part. 


126 


MEZGER— MICHEL 


MEZGER  (Fkanz)  Oaverture  des  Dana- 
ides  [by  A.  SalieriJ  Arrangee  pour  le 
Clavecin  ou  le  Forte-Piano  avec  Accom- 
pagnemeut  de  Violon  par  M"'  Mezger. 
Chez  M<-  Boyer :  Paris,  [1785  ?]      fol. 

g.  81.  (17.) 
Wanting  the  Violin  part. 

Oaverture  des   Pr6tendus   [by  J.   B.   Le 
Moyne],  Arrangee  pour  Clavecin  ou  Piano 
Forte   avec   Violon    ad   Libitum   par   M' 
Mezger.     [Separate  Parts.] 
Chez  M'-  Boycr  :  Paris,  [1789.]     fol. 

g.  272.  r.  (25.) 

[Another  copy.]  g.  81.  (5.) 

Wanting  the  Violin  part. 
Ouverture  du  Philosophe  Imaginaire  [by 
G.  Paisiello]  pour  Clavecin  ou  Forte-Piano 
avec  Violon  ad  Libitum.      Arrangee  par 
M'  Mezger.  Chez  M>'  Boyer  :  Paris, 

[1785?]     fol.  g.  81.  (4.) 

Wanting  the  Violin  part. 
Ouverture  du  Rival  Confident  [by  A.  E.  M. 
Gretry]  arranges  pour  le  Clavecin  ou  le 
Porte   Piano   et  Violon   ad   Libitum  par 
M"'  Mezger.  Chez  ill''  Boyer  :  Paris, 

[1790?]     fol.  g.  81.  (16.) 

Wanting  the  Violin  part. 
Ouverture  et  Airs  de  Panurge  [by  A.  E.  M. 
Gr6try]  arrangee  pour  le  Clavecin  ou  le 
Forte    Piano    avec    Violon    et    Basse   ad 
Libitum.  Chez  M'' Boyer  :  Paris, 

[1790?]     fol.  g.  81.  (1.) 

Wanting  the  Violin  imrt. 

See  Cherubini  (M.  L.  C.  Z.  S.)  [Ddmo- 
phoon.']  Ouverture. .  .arranges. .  .par  M' 
Mezger.    [1788?]     fol.  g.  81.  (6.) 

.See  Ferrari  (G,  G.)  {La  Villanclla 
Bapita.]  Ouverture.  .  .arrangee.  .  .  par 
W  Mezger.  [1790  ?]  fol.  g.  81.  (3.) 
See  Paisiello  (G.)  [GU  Schiavi  per  Amore.] 
Ouverture. .  .arrangee. .  .par  J.  F.  IMezger. 
[1785?]     fol.  g.  81.  (8.) 

See  Vogel  (.J.  F.)  [La  Toison  d'Or.] 
Ouverture. .  .arrangee. .  .par  F.  IMezger. 
[1786.]     fol.  g.  81.  (13.) 

MEZLER    (Thomas)      Odajum  Litteratae 
luventutis,  in  Sex  Libros  Tributum,  etc. 
[With  tunes  in  two-part  harmony.] 
Ex  typographla  Theodori  Meyeri  :  Fribiirgl 
Brisgoix,  1651.     12".  11408.  df.  3. 

MEZZO.  Mezzo  mondo  ho  visitato.  Aria, 
^'ee  CiMAROSA  (D.) 

MI.  Mi  brilla,  [Song,]  in  English  and 
Italian.     \London,  1720  ?]     fol. 

G.  305.  (251.) 

[Another  copy.]  G.  306.  (176.) 

Mi  dicon  le  donzelle.     Glee. 

.See  Webbe  (S.)  the  Elder. 

]\Ii  dona,  mi  rende.     See  Bertoni  (F.  G.) 

[Ezio.'] 

Mi  sento  nel  mio  sen.     Rondo. 

See  GiORDANi  (G.)  or  (T.) 


MIA.  La  mia  crudel  Tiranna,  etc.  [Ar- 
ranged bv  E.  S.  Biggs.]  R.  Birchall : 
London,  [1800  ?]     fol.           G.  425.  (21.) 

La  mia  Dorabella.     Trio. 

See  Mozart  (.J.  W.  A.)     [Gosi  fan  tutte.] 

La  mia  Pastorella.     Duetto. 

See    Guglielmi     (P.)       [La     Pastorella 

Nobile.] 

La  mia  Sposa.     [Song.] 

.See  Albertini  (G.)     [Virginia.] 

La  mia  tenera  agnellina.     Duett. 

.See    Guglielmi     (P.)       [La     Pastorella 

Nobile.] 

MICHAEL  (Rogier)  See  Nitzsch  (M.) 
Gesangbuch,  etc.  (Der  Ander  Theil :  Die 
Gebreuchlichsten  .  .  .  Gesenge  D.  Mart. 
Luth.  vnd  anderer  frommen  Christen. 
Itzo  auffs  newe  . . .  Componieret  . . .  durch 
R.  Michael,  etc.)     1594  (159-3).     4". 

3435.  g.  20.  (2.) 

MICHAEL  (Samuel)  Psalmodia  Regia, 
das  ist :  Ausserlesene  Spriiche  aus  den 
ersten  25  Psalmen. .  .Mit  2.  3.  4.  vnd  5. 
Stimmen,  Beydes  Vocaliter  vnd  auch  In- 
strumentaliter  zu  gebrauchen,  componirt 
..  .Erster  Theil.  1.  Discantus.  (11.  Dis- 
cantus.)  (Altus.)  (Tenor.)  (Bassus.) 
(Bassus  pro  Organis.)     6  pts.  Bey  J. 

Francken   scl.    Erhen   vnd   S.    Scheiben : 
Leipzig,  1632.     4°.  C.  232. 

MICHAEL  (Tobias)  Musicalischer  See- 
lenlust,  Erster  Theil,  Darinnen  ausserle- 
sene . . .  Glaubeus-Seufftzorlein,  Andacht 
vnd  Fre\vde...mit  5.  Stimmen  vnd  jhrem 
Bass.  Contin.  componiret,  etc.  Prima 
(-Quinta)  Vox.  (Bass.  Contin.)  6  pts. 
Gedrucht. .  .bey  Gregorio 
Bitzschen,  in  Verlegung  Samuel  Scheibens : 
Leipzig,  1634  (1635).     4°.  C.  40.  (1.) 

The  Tenor  is  dated  1635  and  published 

In  Verlegung  Johann  Franckens  selig. 

Erben  vnd  Samuel  Scheibens. 
[Another   copy.       Prima   (Quarta)    Vox.] 
2  pts.  C.  40.  a.  (1.) 

Musicalischer  Seelen-Lust  Ander  Theil, 
Darinnen,  gleichermassen,  ausserlesene 
. .  .Glaubens-Seufftzerlein  . . .  mit  1.  2.  3. 
4.  5.  6.  vnd  mehr  Stimmen,  abgewech- 
selten  Instrumenten,  Symphonien  vnd 
Capelleu  gesetzete,  doch  nur  in  fiinff 
Voces  vnd  ihrem  Bass,  contin.  eingetheilete 
Concert  zu  befinden,  etc.  Prima(-Quinta) 
Vox.     (Bass.     Contin.)     6  pts.  Li 

Verlegung  Johann  Franckens  Sel.  Erben 
vnd  Samuel  Scheiben:.  [Leipzig,]  1637.    4" 

C.  40.  (2.) 

[Another  copy.     Prima  Vox.] 

C.  40.  a.  (2.) 

MICHEL  (  )  -See  Alpereri  (  )  Du 
jeune  Dieu  qu'on  adore  a  Cythere. 
Romance. .  .Accompaguement  de  Guittare 
de  M'  Michel.     [1790  ?]     8". 

B.  362.  e.  (20.) 


MICHEL— MID-WATCH 


127 


MICHEL   (J.)  psmd.  [i.e.  Michel   Yost.] 
Concerto  (ix)  pour  Clarinette  Principale, 
Deux  Violons,  Alto  at  Basse,  Deux  Haut- 
bois  et  Deux  Cors.     [Separate  Parts.] 
Chez  Pleyel :  Paris,  [1800  ?]     fol. 

h.  2164.  (1.) 

[IC]  Concerto  pour  Clarinette  Principale, 
Deux  Violons,  Alto  et  Basse,  Deux  Haut- 
bois  et  Deux  Cors.     [Separate  Parts.] 
Chez  Pleyel :  Paris,  [1800  ?]     fol. 

h.  2164.  (2.) 

Concerto  (xi)  pour  Clarinette  Principale, 
Deux  Violons,  Alto  et  Basse,  Deux  Haut- 
bois  et  Deux  Cors.     [Separate  Parts.] 
Chez  Pleyel :  Paris,  [1800  ?]     fol. 

h.  2164.  (3.) 
On  the  inside  title  this  ivork  is  attributed 
to  Michel  and  Vogel. 

Concerto  (xii)  pour  Clarinette  Principale, 
Deux  Violons,  Alto  et  Basse,  Deux  Haut- 
bois  et  Deux  Cors.     [Separate  Parts.] 
Chez  Pleyel:  Paris,  [1800?]     fol. 

h.  2189.  e.  (1.) 
Wanting  the  first  two  pages  of  the  Solo 
Clarinet  part. 

Concerto  (xiv)  pour  Clarinette  Principale, 
Deux  Violons,  Alto  et  Basse,  Deux  Haut- 
bois  et  Deux  Cors.     [Separate  Parts.] 
Chez  Pleyel:  Pans,  [1800?]     fol. 

h.  2164.  (4.) 
On  the  inside  title  tliis  ivork  is  attribtited 
to  Michel  and  Vogel.    - 

Six  Duos  pour  Deux  Clarinettes...Op.  (6.) 
Broderip  &:  Wilkinson : 
Lo7idon,  11800?]     fol.       h.  3212.  b.  (4.) 
Watiting  tJie  first  Clarinet  part. 

Six  Favorite  Duets,  for  Two  Clarinets 
never  before  Published  .  .  .  Opera  xii. 
[Separate  Parts.]  Printed  for  J.  Kohler  : 
London,  [1800?]     fol.       h.  2189.  c.  (4.) 

MICHEL  CERVANTES.  Jeunes 
Beaut6s  au  regard  tendre.  Air  de  Michel 
Cervantes  [by  C.  G.  Foignet].  Avec 
Accomp'  de  Guittare.     [Paris,  1794  ?]     8°. 

B.  362.  (14.) 

MICHELE  (    )     See  Michel  (J.)  pseud. 

MICHELI  (DoMESico)  II  Quinto  Libro 
de  jNIadrigali  a  Cinque  Voci  con  vno 
Dialogo  a  dieci,  etc.  Canto.  (Alto.) 
(Tenore.)     (Basso.)     (Quinto.)     5  pts. 

Apprcsso  Angclo  Gardano  : 
Venetia,  15S1.     obi.  4°.  A.  293. 

MICHELI  (Romano)  Musica  Vaga  et 
Artificiosa  Continente  Motetti  conoblighi, 
&  Canoni  diuersi...Nouamente  composta, 
&  data  in  luce.  Appresso 

Giacomo  Vincenti :   Venetia,  1615.     fol. 

K.  4.  h.  6. 

MICHELL  (      )  Mr. 
See  Michel  (.J.)  pseud. 


MICHON,  afterwards  BOURDELOT 
(Pierre)  .See  Histoire.  Histoire  de  la 
Musique,  etc.  [Founded  on  MSS.  by  P. 
Michon,  afterwards  Bourdelot  P.  Bonnet, 
afterwards  Bonnet-Bourdelot,  edited  and 
published  by  J.  Bonnet.]     1715.     12^ 

1042.  f.  3. 

MIDAS.     Midas.     A   Comic   Opera... For 

the  Harpsichord,   Voice,  German   Flute, 

Violin,     or     Guitar.       [Libretto     by    K. 

O'Hara.      Music    selected    from  popular 

airs.]  Printed  for  I.  Walsh:  London, 

[1764.]    obi.  fol.  D.  272.  (3.) 

This    copy    contaijis    a    MS.    opening 

chorus  in   the    handwriting    of   Dr. 

Kitchener. 

[Another  copy.]  D.  271.  (1.) 

Imperfect,  umnting  pp.  1-7  and  37-52. 

A  new  edition  of  The  Favorite  Burletta  of 
Midas  .  .  .  Adapted  for  the  Harpsichord, 
Voice,  German  Flute  or  Violin.  Printed 
for  R.  Birchall  :  London,  [1795  ?]  fol. 

H.  230.  b.  (3.) 

Jove  in  his  Chair.      [Two-Part  Chorus.] 

Sung  in  Midas.       C\harles  and]  S[amuel] 

T[hompson  :  London,  1775?]     s.  sh.  fol. 

H.  1994.  a.  (160.) 

Lovely  Nymph  asswage  my  anguish.  A 
Favourite  Song  sung  by  Mr.  Du  Bellamy 
. .  .in  the  Character  of  Apollo  in  Midas,  etc. 
{London,  111-2?]     s.  sh.  io\. 

G.  805.  e.  (10.) 
[Another  copy.]  H.  1994.  a.  (191.) 

[Another  edition.]  Lovely  nymph  as- 
swage my  anguish,  etc.  [London, 
1772?]    s.sh.iol.         H.  1994.  d.  (41.) 

Lovely   Nymph.     [Song.]     Sung   by   Mr. 

Mattocks  in  Midas,  etc. 

[London,  1768.]     8".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XLII.,p.  101. 
Lovely  Nymph  asswage  my  Anguish.  A 
Favourite  Air.  Sung  by  Mr.  Du  Bellamy, 
in  Midas,  at  the  Theatre  Royal,  in  Covent- 
Gardeu.     [London,  1772.]     s.  sh.  4^ 

159.  n.  4. 

London  Magazine,  July,  1772. 

MIDDLESEX.     The   Middlesex  Farmer. 

[Song.]      See    At.      At    Night   with   the 

Woodlark  I  rest.     [1770  ?]     s.  sh.  fol. 

H.  1994.  a.  (152.) 

The   jMiddlesex   Freeholders'   Resolution. 

[Song.]     See   To.     To  Freedom   dedicate 

the  Day.     [1768.]     s.  sh.  fol. 

G.  312.  (227.) 
MIDNIGHT.       A     Midnight     Thought. 

[Song.]     See  Abington  (L.) 

MIDST.     Midst  silent  Shades.     Song. 
Sff-  Hammond  (J.) 

MIDSUMMER.     The  Midsummer  Wish. 
Song.     See  Carey  (H.) 

MID-WATCH.     The  Mid- Watch.     Song. 
See  Arne  (M.) 


128 


MID-WATCH— MILKMAI D 


MID-WATCH.     The  Mid-Watch.     Song. 
See  LiNLEY  (W.)     [The  Glorious  First  of 
June.] 
MIGHTY.     The  mighty  Bowl.     Song. 
See  Fill.      Fill  me   a   Bowl,   a   mighty 
Bowl,  efc.     [1735?]     s.sh.iol. 

G.  307.  (200.) 
The  Mighty  Bowl.  [Song.]  See  Fill. 
Fill  me  a  Bowl,  etc.        [1757.]     s.  sli.  8\ 

P.P.  5439.  ab. 
MIGNON  (Jkan)  Missa  Quatiior  Vocum, 
ad  Imitatiouem  Moduli,  Gaudcte  in 
Domino  semper  ; . . .  Nova  Editio.  Typis 
Joannis  Baptistie  Christophori  Ballard  : 
Lutetix  Parisiorum,  1728.     fol. 

K.  10.  b.  1.  (3.) 
Missa  Quatuor  Vocum,  ad  Imitationem 
Moduli,  Iterum  dico,  gaudete . .  . Nova 
Editio.  Typis  Joannis  Baptisttc  Christo- 
nhori  I'.allard:  Tjutcti;r  Parisiorum, 
1729.     fol.  K.  10.  b.  1.  (2.) 

Missa     Quatuor     Vocibus,     cui     Titulus, 
Laetitia  sempitcrna,  etc.  E.v  Officina 

Cliristopliori  Ballard  :  Parisiis,  1101.   fol. 

K.  10.  b.  1.  (4.) 
MILAN  (Luis)  Libro  de  Alusica  de 
vihuela  de  mano.  Intitulado  El  maestro. 
El  qual  trahe  el  mesmo  estilo  y  ordeu 
que  vn  maestro  traheria  con  vn  discipulo 
principiante,  etc.  G.  L.  Francisco  PAaz 
Piomano  :  Valencia,  153G.     fol. 

K.  8.  e.  8. 

Tlic  date  on  the  title  is  1535. 

MILANI  (Francesco)     Vespri  per  Tutto 

r  Anno  a  Quattro  Voci  con  1'  Organo,  e 

senza,    etc.       Canto.      (Alto.)      (Tenore.) 

(Basso.)     [Basso  per  1'  Organo.]     5  pts. 

Appresso  Alessandro  Vinccnti  :   Tcnetia, 
1G35.     4".  E.  5. 

The    iitle-paqe    of    the   Organo  part  is 
ivantirig;  '  that     of     the     Canto     is 
mutilated. 
MILANUTIUS   (Carolus)     Sacri   Rosa- 
rum     Flores,    tiim    Binis,    Ternis,     turn 
Quaternis  Vocibus.     Liber  primus.     Opus 
Primum.    Bass  us  ad  Organum.  Apiid 

lacobum  Vincentimn  :  Venetiis,  1619.     4°. 

C.  233. 

MILCENT  (Francisco  Domingos) 
Jornal  de  IModinhos  com  acompanha- 
mento  de  Cravo,  pelos  INIilhores  Autores, 
etc  24  Nos.  Na  Real  Fabricade  Mil zica  : 
Lisboa,  [1793.]     fol.  G.  1016. 

Imperfect,  imnting   Nos.  1-5,  7-12,  19 
and  20. 

MIIiCHMAEDCHEN  UND  DIE 
BEIDEN  JAEGER.  Das  IMilchmad- 
chen  und  die  beiden  Jiiger.  [Les  deux 
Chasseurs  et  la  Laitiere.]  Ein  Singspiel 
in  einem  Aufzuge  aus  dem  Franzosischen 
iibersetzt.  []Music  by  E.  R.  Duni.] 
See  Operettas.  Sammlung  der  komischen 
Operetten,  t'/c.    Band  11.   No.  1.    1772.    8". 

B.  729. 


158. 

The 

(45.) 


MILCHMEYER  (Johann  Petkk)  Die 
wahre  Art  das  Pianoforte  zu  spielen,  etc. 
FEW  MS.  NOTES.  Co-vl  Christian 

Meinhold  :  Dresden,  lldl.     obi.  io\. 

d. 

MILD.  !Mild  as  the  op'uiug  Dawn. 
Charity  Boi/,  a  Favorite  Ballad,  etc. 
W.  Cope  :  London,  [ll'Jo?]     fol. 

G.  365. 

MILDLY.  .^lildly  beam'd  the  Queen  of 
Night.     Glee.     See  Wesley  (C.) 

MILES  (Septimus)     A  New  Song.  .  .writ- 
ten &  composed  by  S.  Miles.     Come  come 
my  Friends  be  merry. 
[Londoti?  1797?]    fol.  G.  366.  (33.) 

The  Honourable  Artillery  Company's 
Grand  Slow  ]March  and  Quick  Step, 
adapted  for  the  Piano  Forte,  or  two  Ger- 
man Flutes,  cfc.      rLoHrfO'R.?  1795?!      fol. 

G.  133".  (45.) 

MILESIAN.  Britannia's  Conquest. 
[Song.]  Sung. .  .in  the  Melesian.  [Words 
by  J.  Jackman,  music  by  C.  T.  Carter.] 
S[amucl  and]  Alnn]  T\Jiompson  : 
London,  1778.]  s.  sh.  fol.  G.  313.  (194.) 
The  Milesian.  Comic  Opera. 
See  Carter  (C.  T.) 

MILGROVE  (Benjamin)  Twelve  Hymns 
as  they  are  sung  at... The  Countess  of 
Huntingdon's  Chapel  in  Bath  .  .  .  Ijook 
2nd.      [Bath  ?]  1772.      obi.  i". 

B.  440.  (3.) 

Twelve  Hymns  and  a  Favourite  Lyric  Poem 
written  by  Dr.  Watts  ;  set  to  Music  for 
Ir'our  and  Five  Voices,  with  Organ  Accom- 
paniments..  .Book  III.  Printed  for  the 
Author:  Bath,  1181.  fol.  G.  502.  (5.) 
The  Rose  had  been  wash'd.  [Song,  the 
words  by  W.  Cowper,]  as  sung. .  .by  ^liss 
Quarman,  at  the  Villa  Gardens  Bath,  etc. 
[Full  Score.]  Printed  for  the  Author  : 
Bath,  [1785.]     fol.  H.  1653.  (36.) 

MILICIEN.  Le  Milicien,  Comedie  en  un 
Acte,  mesl6e  d'Ariettes  ;  [Music  by  PI  R. 
Duni,  words]  par  M.  Anseaume.  {Chez  la 
Veuve  Duchesne  :  Paris,  1766.)     8". 

11738.  b.  14.  (3.) 

MILKMAID.       The   Milkmaid.       [Song, 
begins:   'As  I  came  from  Milking.'] 
See  Anglosini  (     ) 

The  Milk  Maid.      Cantata  [begins  :    '  As 
Kate  one  morn  '].     »S'ee  Arnold  (S.) 
The   Milk  Maid.      [Song.]     See  Comini;. 
Coming  home  with  mv  Milk. 
[1760  ?]    s.  sh.  fol.  G.  316.  (42.) 

The   Milk   Maid.      [Song.]     Sec  Coming. 
Coming  home  with  my  milk,  etc. 
[1766.]     8°.  P-P 

The  Milk  Maid.  [Song,  begins 
Lark  proclaim'd  return  of  Morn.'] 
See  Hook  (J.) 


5441. 

'  TLc 


MILK3IAID— MILLER 


129 


MILKMAID.  The  Milk  :Maid.  [Soug.] 
See  Maria.  IMaria  when  my  Sight  you 
bless.     [1730?]     s.  sh.  lo\. 

G.  316.  e.  (82.) 

The  :Milkmaid.    [Song,  begins  :  '  A  flaxen- 
headed   Milkmaid.']       See    Shield    (W.) 
[The  Farmer.     The  Plough  Boy.] 
The  Milkmaid  singing.     [Song.] 
See   Hark.      Hark   to   yonder   IMilkmaid 
singing,  etc.     [1772.]     8^      P.P.  5438.  z. 

MILLARD.     See  Miller  (:M.) 

MILLER.     The  Miller.     [Song.] 
See  Hudson  (R.) 

The  ^Miller's  a-sleep  in  his  Mill.     [Song.] 
See  Christmas  Tale. 
The  Miller's  Daughter.     [Song.] 
See  Hook  (J.) 

The  ]Miller's  Song.  Sec  Near.  Near  the 
side  of  a  Pond,  etc.     [1750  ?]     s.  sh.  fol. 

G.  310.  (156.) 
The  Miller's  Song.  [Song.]  See  Near. 
Near  the  Side  of  a  Pond,  etc.     [175.3.]    8°. 

157.  1.  15. 

The  Miller's  Song.  See  Near.  Near  the 
side  of  a  pond,  etc.     [1753.]     8^ 

249.  c.  23. 

The    Miller's    Wedding.       Song   [begins: 
'  Leave  Neighbours  your  Work  'J. 
See  Harlequin  Ranger. 

The  Miller's  Wedding  Day.     [Song.] 
Sec  Haste.     Haste  my  Lads  your  Lasses 
bring.      [1785?]      s.  s/(.  fol. 

G.  308.  (129.) 

MILLER     OF    MANSFIELD.      How 

happy  a  State  does  y  Miller  posses.  A 
Soug  ill  the  Miller  of  Mansfield.  [Words 
by  C.  Highmore,  music  by  T.  A.  Arnc.] 
[London,  1737?]     s.  sh.  fol. 

G.  316.  h.  (40.) 
[Another  copv.1 

ADD.  MSS.  29,  370.  fol.  6. 
[Another  copy.]  G.  316.  d.  (165.) 

[Another  edition.]      How  happy  a  State 

does  the  Miller  possess,  etc. 

[London?  1745?]  s.  sh.  fol.  G.  308.  (49.) 

MILLER   (Edward)      Twelve   Canzonets 

for  the  Voice  and  Piano  Forte  . . .  Op.  10. 

Goiilding,  Fliipps  (0  D'Ahnaine: 

London,  [1800?]    fol.      H.  2832.  e.  (40.) 

A  Collection  of  New  English  Songs  and  a 
Cantata.  J.  Johnson  : 

London,  [1755  ?]     fol.         G.  806.  i.  (8.) 

[No.  2.]   The  Happy  Pair,  c^c.    [Song, 

words    by   L.    Pilkington,    music    by   E. 
ililler.]     See  At.     At  dewy  Dawn,  etc. 
[1780?]     fol.  G.  306.  (212.) 

[No.  3.]     The  Despairing  Shepherd. 

See  One.     One  Night  when  all  the  Village 

slept,  etc.     []Music  by  E.  IMiller.] 

1755?]     s.sh.iol.  G.  310.  (276.) 

VOL.   II. 


MILLER  (Edward)  [No.  6.]  Strephou 
and  Chloe.  See  Young.  Young  Strephon 
once,  etc.     [By  E.  Miller.]     [17G4.]     8\ 

P.P.  5441. 


The  Constant  Fair. 
1765  ?]     s.  sli.  fol. 


[Song.]         ^London, 
H.  1994.  (43.) 


The  Constant  Fair.  [For  editions  pub- 
lished anonymously :]  See  I.  I'll  to 
some  shady  cool  retreat,  etc. 

Elegies,  Songs  and  an  Ode  of  ^Ir.  Pope's, 

with  Instrumental  Parts  . . .  Opera  Terza. 

Printed  for  the  Author  : 

London,  [1110?]     fol.  G.  569. 

Elements  of  Thorough  Bass  and  Composi- 
tion, in  which  the  Rules  of  Accompani- 
ment for  the  Harpsichord. .  .are  rendered 
amusing  by  the  Introduction  of  Eight 
Italian,  Eight  French  &  Twelve  English 
Songs  collected  from  the  Works  of  emi- 
nent Composers  . . .  With  Proper  Lessons 
for  Practice. .  .Opera  Quinta.  Longman 
(&  Broderip  :  London,  (1181.)     fol. 

g.  748.  a. 
lids  work  contains  songs  by  H.  Purcell, 
Giardini,  Dr.  Arne,  E.  Miller,  Vento, 
W.  E.  Miller  Junr.,  Handel,  J.  J. 
Rousseau,  Albanese,  Monsigmj,  Ra- 
meau,  Pergolesi,  jomelli,  Ghillini 
di  Asuni,  Sacchini,  Paisicllo  and 
Mazzinghi. 

The  New  Flute  Instructor.  Or  :  The  Art 
of  Playing  the  German-Flute. .  .To  which 
is  added  a  Selection  of  popular  . . .  Tunes 
. .  .for  one,  two, and  three  German  Flutes. 
Also  a  Dictionary  explaining  the  usual 
terms  to  be  met  with  in  ]Music,  etc. 

Brodcrip  Jb  Wilkinson,  for  the  Author  : 
London,  [1800  ?]     obi.  A".  b.  118. 

This  2Cork  contains  compositions  by 
Lulli,  the  Duke  of  Rutland,  Haydn, 
Edelman,  Pleyel,  Dr.  Harrington, 
Wiedeinann,  Dr.  Miller,  [J.  C]  Bach, 
Blanq,  Kotzwara,  Handel,  R.  Bride, 
Fischer  and  Dr.  Arnc. 

Institutes  of  Music,  or  easy  Instructions 
for  the  Harpsichord  ...  To  which  are 
added  . . .  Lessons  for  Practice,  etc. 

Ijongman  and  Broderip  : 
London,  [1771.]     fol.  g.   748. 

This  work  contains  compositions  by 
Miller,  Ranieau,  Corelli,  Handel, 
Stamitz,  Agrell,  Vcm  Malderc,  Lully, 
Avison,  Burton,  Edelmann,  Dietz, 
Paradics,  Just,  Arne,  [J.  C]  Bach, 
Vanhall,  Cocchi,  Shroeter,  Schobert 
and  the  King  of  Prussia. 

The  NegTO  Boy,  who  was  Sold  by  an 
African  Prince,  for  a  IMetal  Watch.  A 
Favorite  Soug,  etc.  Printed  for  J.  Dale  : 
London,  ni90?]     fol.  G.  360.  (32.) 

K 


130 


MILLER— MILLIONI 


MILLER  (Edward)  The  Psalms  of  David 
for  the  use  of  Parish  Churches  tlie  Words 
selected ...  by  the  Rev''  G.  H.  Drummond. 
The  Music  Selected  Adapted  &  Composed 
by  E.  Miller.  (Addenda,  containing  some 
additional  favorite  Tunes.)  IJ'.  Miller  : 
London,  (1790.)     8".  E.  402. 

The  Addenda  have  separate  pagination. 
Send  me  back  my  Heart.     [Song.]     The 
words   by  Sir   John    Suckling   [or  rather 
Dr.  H.  Hughes].  Sk[illcrii :  London, 

1780  ?]     s.  sh.  fol.  G.  309.  (134.) 

Six  Solo?  for  a  German  Flute,  with  a 
Thorough  Bass  for  the  Harpsichord  or 
Violoncello.  Printed  for  J.  Johnson  : 

London,  [1760  ?]     ohl.  i".   '  c.  106. 

Six  Sonatas  for  the  Harpsichord  ;  with 
an  Accompaniment  to  three  of  them,  for 
a  Violin,  or  German  Flute.  Wekker  : 

London,  [1765  ?]     fol.  g.  79.  (4.) 

MILLER  (F.  I.)  III.  Quintettes  pour 
Clavecin  ou  piano  Forte  avec  Accom- 
pagnement  d'un  Violon,  Flute,  Alto  et 
Basse.     [Separate  Parts.]  Chez 

le  S''  Go'tz  :  Mannheim,  [1797  ?]     fol. 

g.  473. 

MILLER  (M.)  Iphigenia  in  Aulide.  A 
Grand  Pantomime  Ballet  . . .  Composed 
expressively  by  M.  Slillard  (]Miller),  Com- 
poser to  the  Opera  at  Paris.  [P.  F.] 
2  Bks.  Longman  and  Brodcrip  : 

London,  [1793.]     fol.  g.  230.  (10.) 

[Another  coi^y.  Book  ii.]  h.  16.  a.  (7.) 
[Iphigenia  in  Aulide.]  The  Celebrated 
IMarch  for  a  full  Band,  and  adapted  for 
the  Piano  Forte,  etc.     [Pull  Score.] 

Longman  and  Brodcrip  : 
London,  [1795.]     fol.  g.  133.  (46.) 

Twelve  Military  Marches  .  .  .  for  Two 
Clarinets,  Two  French  Horns  &  a  Bassoon 
with  a  Trumpet,  ad  libitum,  etc.  [Separate 
Parts.]  Longman  and  Brodcrip  : 

London,  [1795  ?]     ohl.  4".  b.  81. 

The  Celebrated  Opera  Dances,  for  the 
Year,  1794 ;  composed  &  adapted  for  the 
Piano-Forte,  Violin  or  Flute. .  .Book  i. 

Longman  and  Brodcrip : 
London,  [1794.]     fol.  g.  230.  (11.) 

MILLER  (William  Edward)  The  Queen 
of  France.  [Song.]  Words  and  ]\Iusic  by 
W.  E.  IMiller.  Longman  and  Brodcrip  : 
London,  [1793.]     fol.  G-.  366.  (34.) 

MILLEVILLE  (Francesco)  Pompe 
Funebri  nel  IMortoria  di  Cliristo.  Re- 
sponsorii  delli  Matutini  la  Sera  nella 
Settimana  Santa,. .  .A  2.  3.  &  4.  voci  pari, 
in  Concerto  co'  1  Basso  Continuo  per  16 
Clauicembalo,  Tiorba,  6  simil'  Instro- 
meuto  . . .  Opera  xiiii.  Canto.  (Tenore 
Prinao.)  (Tenore  Secondo.)  (Basso.) 
(Basso  Continuo.)     5  pts.  Apprcsso 

Alessandro  Yincenti :  Yenetia,  1624.     4°. 

K.  1.  k.  6. 


MILL  ICO  (Giuseppe)  Sei  Ariette 
Italiano  con  parole  allcmande  per  1'  Arpa, 
o  Piano  Forte  o  Guitarra  .  .  .  l''(-lll") 
Parte.     3  pts.  Presso  N.  Simrocl: : 

Bonna,  [1795  ?]     obi.  fol.  E.  64.. 

Sei  Canzoncine  coll'  AccompagnamentO' 
di  jjiano-forte.  Presso  (i.  G.  Ncghcli  : 

Zurigo,  [1800  ?]  obi.  fol.  E.  636.  t.  (3.> 
A  Third  Sett  of  Six  Canzonets  with  an 
Accompauyment  for  the  Pedal  or  Small 
Harp,  Forte  Piano,  or  Harpsichord,  etc. 

Longman  and  Brodcrip) : 
London,  [1785  ?]  obi.  4°.  A.  641.  (3.) 
[Another  copy.]  B.  699.  b.  (3.)' 

A  fourth  Sett  of .  Six  Canzonets  with  aa 
Accompauyment  for  the  Pedal,  or  Small 
Harp,  Piano  Forte,  or  Harpsichord,  etc. 

Longman  and  Brodcrip : 
London,  [1785  ?1  ohl.  4".  A.  641.  (4.> 
Dormia  sul  margine.  A  Favourite  Nevx 
(SoHgf. .  .with  an  Accompaniment  for  the 
Harpsichord.  [London, 

1774.]     s.  sh.  4".  159.  n.  {6.} 

London  Magazine,  April,  1774. 
Musical  Trifles.     A  Collection  of  Sonatina 
for  the  Harp  or  Harpsichord  . . .  Adapted 
and  Published  ...  by  E.  Jones,  etc. 

Printed  for  the  Editor  : 
London,  [1794  ?]     obi.  4".  b.  52.  (2.> 

La  Pieta  d'  Amore.  Dramma  [written 
by  A.  Lucchesi,  Prince  of  Campofranco,] 
messo  in  musica  dal  Signor  G.  ilillico. 
[Full  Score.]  G.  M.  Porcclli  : 

Napoli,  1782.     fol.  F.  139. 

Six  Songs,  with  an  Accompanymeut  for 
the  Great  or  Small  Harp,  Forte  Piano  or 
Harpsichord,  etc.  E.  Bremner  :  London,. 
[1780?]     ohl.  4°.  A.  641.  (1.) 

A  Second  Sett  of  Six  Songs  with  an 
Accompauyment  for  the  Great  or  Small 
Harp,  Forte  Piano  or  Harpsichord,  etc. 
Wclckcr:  London,  [1180?]     ohl.  i". 

A.  641.  (2.). 

MILLIONI  (Pietro)  Seconda  Impress- 
ione  del  Quarto  Libro  d'  Intauolatura  di 
Chitarra  Spagnola . . .  Con  vna  aggiunta  di 
molte  sonate,  &  anco  vna  regola  generals 
con  la  quale  si  puo  1'  imparar'  a  sonare 
ogni  sorte  di  sonate  con  trilli,  etc.  Per 

Gugliclmo  Facciotti :  Poma,  1627.    ohl.  8°.. 

K.  4.  a.  9. 

MILLIONI  (Pietro)  and  MONTE. 
(LoDOVico)  Vero  e  facil  modo  d'  imparare 
a  sonare,  et  accordare  da  se  medesimo  la 
Chitarra  Spagnola,  non  solo  con  1'  Alfabeto, 
and  accordatura  ordinarii  ma  anco  con  vn' 
altro  Alfabeto,  &  accordatura  straordinarij 
nuouameute  inueutati  da  P.  Millioni,  &  L. 
Monte  Compagni.  Con  vna  Regola  per 
imparare  il  modo  d'  accordare  sei  Chitarre, 
per  jjoterle  sonare  insieme  in  concerto. .  .di 
nuouo  ristampatOjffc.  Apprcsso  gli  Hcrcdi 
del  Sali(io)ti,  d:  Agostino  Grisci  :  Roma, 
Maccrata,  1637.     ohl.  8".         K.  4.  a.  11^ 


MILLION!— MINUETS 


131 


MILLIONI  (riETKo)  and  MONTE 
(LoDOVico)  Vero  e  facil  modo  d'  impararo 
a  sonare,  et  accordare  da  se  medesimo  la 
Chitarra  Spagnuola  . .  .  Con  vna  Regola 
per  imparare  il  modo  d'  accordare  sei 
Chitarra,  etc.  I'cr  Ciacomo  Zini  : 

Venctia,  1G78.    obi.  8".     K.  4.  a.  10.  (1.) 

MILNER  (Abraham)  A  Collection  Revival 
and  Refining  (from  the  more  gross  & 
obscene  Songs)  of  the  old  Catch  Book 
together  with  a  variety  of  two,  &  three 
Parts  Songs  from  the  most  Eminent 
Masters.     London,  [1750?!     obi.  4'. 

A.  414. 

The  composers  named  are  :    T.  Holmes, 

W.  Lawes,  Cranford,  K.  Nelham,   W. 

Webb,  H.  Purcell,  Dr.  Aldrich,  Gary, 

It.  Brown,  White,  J.  Hillon,  T.  Brewer, 

M.    Wise,  J.  Lenton,  Hodemonds,   J. 

Savile,  Ives,  Playford,  K.  Coleman,  W. 

Hoiocs,   Cross,   H.    Lawes,    M.   Lock, 

Wilson,  Freeman,  J.  Eccles,  J.  Blow, 

Marshal,  It.  Conrtcvil  and  Dr.  Hayes. 

The  Psalm  Singer's  Pocket  Amusement, 

Being  a  Collection  of  PsaUn  Tunes  in  two 

Parts,    Tenor    and    Bass,    consisting     of 

the  ^lost  Valuable   part  of  Ravenscroft's 

Book  of  Psalmody,  to  gather  with  a  Variety 

of  other  new  Tunes  composed  by  the  Most 

Eminent  Masters,  etc.    London,  [1750  ?]  S". 

A.  414.  a. 

Sacre:!  Melody,  being  a  Choice  Collection 

of  Anthems,  in  Two,  Three,  and  Four  Parts, 

from  the  most  Eminent  blasters. 

London,  [11  bQr\     obi.  i".  A.  1039. 

The  composers  nanud  arc:    J.   Church, 

Dr.     Turner,    J.     Clarke,   It.     Kinr/, 

Dr.    Croft,   M.    Wise,    W.    Humfreys, 

H.  Purcell,  Laws  and  Dr.  Blow. 

MIIiTIADE  A  MARATHON.  Mon  fils 
vole  aux  champs  de  I'houneur.  Air  dc 
Miltiade  a  Marathon  [by  J.B.  Le  ^Mojnie,] 
avec  accomp'  de  Guitarre.  Che.:  Iml>ault : 
Paris,  ri793.]    8'\  B.  362.  d.  (7.) 

MILTON.     Milton  Oj-sters.     Song. 

See  Therk.    There  was  a  brisk  &  sprightly 
lass.      ri870?]      s.  sh.  fol. 

H.  1601.  a.  (82.) 

MINCE  PYE.  The  I\Iince  Pye.  [Song.] 
Sec  Alcock  (J.)  the  Younger. 

MIND.      The   mind   of   bright   Sukey's   a 
jewel.      Song.     See  TuRxon  (E.) 
Mind  the  main  Chance.     Ballad. 
See  ]\IouLD.s  (J.) 

MINERVE.  ]\Iinerve,  ()  divine  sagesse. 
Air.     See  Ecpiirosine. 

MINGUET  Y  YROIi  (Pablo)  Reglas, 
y  Advertencias  generales  que  enseuan  el 
modo  de  tafier  todos  los  Instrumentos 
mejores..  .como  son  la  Guitarra,  Tiple, 
Vandola,  Cythara,  Clavicordio,  Organo, 
Harpa,  Psalterio,  Bandurria,  Violin, 
Flauta    Travesera,    Flauta    Dulce,    v    la 


Flautilla,  con  varies  Tanidos,  Danzas 
Contradanzas,  y  otras  cosas. .  .figuradas 
en  diferentes  Laminas  finas,  por  Musica, 
y  cifra,  al  estilo  Castellano,  Italiano, 
Catalan,  v  Frances,  etc.  6  pts.  Joachin 
Ibarra  :  Madrid,  (1752-)1754.     obi.  4'\ 

K.  8.  b.  (20.) 

EacJi  part   lias    a    separate    title-page. 

The  title-pages  of  the  parts  con'aining 

Reglas   for    tJie    Psalterio     and     for 

Flutes  are  alone  dated. 

MINIATURE.     The  iliniature.     Song. 

Sn;    PlKYEL    (I.  -J.) 

MINNELYCKE  SANGH-RYMPIES. 

IMinnelycke  Sangh-Rympies,  vermenght 
met  eenighe  Sonnetten,  ende  and're 
Ghedichtes.      [Words  by  J.  Krul.] 

Ghedrucktby  P.  I.  Slyp  :  t'Amstehedam, 
1634.     4".  638.  i.  27. 

Part  of  Krul's  collected  works  entitled 
'  Eerlycke  I'ytkorting,'  etc. 

[Another  copy.]  11556.  dd.  32.  (2.) 

MINSTREL.     The  IMinstrel.     Songs. 
S  r  Hook  (J.) 

MINUETS.      [Arranged   chronologically.] 
The  Prince's  Minuet.     [Song.] 
Sec  Clarinda.     Clariuda's  an   Exquisite 
Creature  ...  A     Song    to    the    Prince's 
Minuet.     [1710?]     s.  sh.  fo\. 

H.  1601.  (104.) 
Select  Minuets.  Collected  from  the 
Operas,  the  Balls  at  Court,  the  IMas- 
querades,  and  all  Publick  Entertainments. 
For  the  Harpsicord,  Violin,  or  German 
Flute.  Compos'd  by  ^.Ir.  Handel,  Dr. 
Greene,  ^Mr.  ;M.  C.  Festing,  ;Mr.  Hudson. 
MS.  NOTES.  Printed  for  T.  Walsh: 

London,  [1745  ?]     obi.  4".  a.  26.  h. 

The   composers    named    are:      Hudson, 

Glover,      Handel,     Pescetti,      Hasse, 

St.  Martina,  Festing  and  Wcideman. 
Minuets  for  His  Majesty's  Birth  Day,  as 
they  were  Perform'd  at  the  Ball  at  Court. 
For  the  Harpsicord,    Violin,    or  German 
Flute.     1747.  Printed  for  I.  Walsh  : 

London,  [1747.]     obi.  4'\        a.  26.  g.  (1.) 
Wanting   the   last  leaf.     The  composers 

nained  are  :  Desnoyer,  Vincent,  Junr., 

Dubourgh  and  Weideman. 
Minuets  for  His  Majesty's  Birth  Day,  as 
they  were  Perform'd  at  the  Ball  at  Court. 
For   the    Harpsicord,   Violin   or   German 
Flute.     1748.  Printed  for  I.  Walsh: 

London,  [1748.]     obi.  4°.        a.  26.  g.  (2.) 

The  only  composer  named  is  Dubourgh. 
INIinuets  Perform'd  at  Court,  the  'Mas- 
querades,  and  all  Publick  Places.  For  the 
Harpsicord,  Violin  or  German  Flute,  for 
1749.  Printed  for  I.  WalsJi :  London, 
[1749.]    obi.  4°.  a.  26.  g.  (3.> 

The  composers  named  arc  Desnoyer  and 

St.  Martini. 


[Another  copy.] 


a. 


300. 

k2 


(3.> 


132 


MINUETS 


MINUETS.  Minuets  for  His  ^Majesty's 
Birth  Day,  as  they  were  Perform'd  at  the 
Ball  at  Court.  For  the  Harpsicord,  Violin 
or  German  Flute.     1750.  Printed 

for  I.  Walsh  :  London,  [1750.]     obi.  4°. 

a.  26.  g.  (4.) 

Minuets  Perform'd  at  Court,  the  INIas- 
querades,  and  all  Publick  Places.  For 
the  Harpsicord,  Violin,  or  German  Flute, 
for  1750.  Prmtcdforl.  WalsJi :  London, 
[1750.]     obi.  4".  a.  26.  g.  (5.) 

Sixteen  of  the  most  favourite  Minuets  with 
their    Basses  .  .  .  neatly    fitted    for    the 
German-Flute,  Violin  or  Harpsicord. 
D.  Rutherford  :  London,  [1750  ?]     4". 

b.  53.  c.  (1.) 

Minuets  for  His  IMajesty's  Birth  Day,  as 
they  were  Perform'd  at  the  Ball  at 
Court.  For  the  Harpsicord,  Violin,  or 
German   Flute.     1751.  Printed  for 

I.  Walsh  :  London,  [1751.]     obi.  4". 

a.  26.  g.  (6.) 

Minuets  Perform'd  at  Court,  the  Mas- 
querades, and  all  Publick  Places.  For  the 
Harpsicord,  Violin,  or  German  Flute,  for 
1752.  Printed  for  I.  Walsh  :  London, 

[1752.]    obi.  4°.  a.  26.  g.  (7.) 


[Another  copy] 


a.  26.  e.  (1.) 


Minuets  for  His  Majesty's  Birth  Day,  as 
they  were  Perform'd  at  the  Ball  at  Court. 
For  the  Harpsicord,  Violin,  or  German 
Flute.     1753.  Printed  for  I.  Walsh  : 

London,  [1753.]    obi.  i".        a.  26.  g.  (8.) 
The    only    composer    najned    is    Sigr. 
Palma. 

Minuets  for  His  Majesty's  Birth  Daj'^,  as 
they  were  Perform'd  at  the  Ball  at  Court. 
For  the  Harpsicord,  Violin,  or  German 
Flute.     1754.  Printed  for  I.  Walsh  : 

London,  [1754.]     obi.  4°.       a.  26.  g.  (9.) 

Minuets  for  His  Majesty's  Birth  Day,  as 
they  were  Perform'd  at  the  Ball  at  Court. 
For  the  Harpsicord,  Violin,  or  German 
Flute.     1755.  Printed  for  L  Walsh  : 

London,  [1755.]     obi.  i".       a.  26.  g.  10. 

A  Collection  of  Choice  jMinuets.  As  they 
are  perform'd  at  the  two  Theatres. . .,  set 
for  the  Violin  German  Flute  or  Hautboy 
with  a  Thorough  Bass  for  the  Harpsicord. 
Book  1st.  Printed  for  I.  Oswald: 

London,  [1755  ?]     obi.  4".  d.  132. 

A  Fourth  Collection  of  Sixteen  of  the 
most  Favourite  Minuets  with  their  Basses, 
etc.     D.  Euthcrford:  London,  [1155?]   4". 

b.  53.  e.  (2.) 

A  Minuet ;  from  Vienna.     [Harpsichord.] 

[London,  1755.]     8".  250.  c.  2. 

Gentleman'' s  Magazine,  Vol.  XXV., p.  35. 


MINUETS.      Minuets  for  His  Majesty's 

Birth  Day,  as  they  were  Perform'd  at  the 

Ball  at  Court.    For  the  Harpsicord,  Violin, 

or  German  Flute.     1756.  Printed  for 

I.  WalsJi, :  London,  [175G.]     obi.  4". 

a.  26.  g.  (11.) 

The  Prince  of  Brunswick's  Minuet. 
[Harpsichord.]     [London,]  1759.     8". 

P.P.  5441. 

Royal  Magazine,  Vol.  I.,  p.  95. 

A  Collection  of  new  ^Minuets  for  the  Year 
1760  Perform'd  at  Court  on  His  Majesty's 
Birth-Day.  Set  for  the  Harpsichord, 
Violin,  German  Flute  or  Hautboy. 

Printed  for  Tliompson  d  Son:  London, 
[1760.]    obi.  4".  a.  26.  b.  (1.) 

[Another  copy.]  a.  26.  (1.) 

Wanting  the  title-page  and  pp.  77  aiid  79. 

A    Favourite    French-Horn    Minuet,    w"' 
Variations.     [London,  1760?]     s.  sh.  fol. 
H.  1994.  a.  (212.) 

The  Masquerade  Minuet,  as  perform'd 
at  the  Theatre  Royal  Covent  Garden. 
[Strings  &  Flutes.]  [London, 

1760  ?]     s.  sh.  fol.        H.  1994.  a.  (219.) 

The  Queen's  Jlinuet,  as  perform'd  in  the 
Masquerade  at  the  Theatre  Roj'al  in 
Drury  Lane.     [Strings.]  [London, 

1760  ?]     s.  sh.  fol.  H.  1994.  a.  (4.) 

Eighteen  New  Spanish  ]\Iinuets  for  Two 
Violins  and  a  Bass.  Compos'd  by  Sig' 
Herrando,  Sig'  Cabar,  Sig""  Camusso, 
Sig'  Espinosa,  Sig"  Luna  and  Sig' 
Narcisso.  Printed  for  J.  -Johnson  : 

London,  [1760  ?]     obi.  4».  "        a.  25.  (1.) 

A  Collection  of  new  IMinuets  for  the 
Year  1761.  Perform'd  at  Court  on  His 
Majesty's  Birth  Day.  Set  for  the  Harpsi- 
chord, Violin  and  German  Flute.  Printed 
for  J.  Johnson:  London.,  [1761.]     obi.  4". 

a.  26.  b.  (2.) 
A  Collection  of  New  ]\Iiuuets  for  the 
Year  1763.  Perform'd  at  Court  on  his 
]\Iajesty's  Birth  Day.  Set  for  the  Harpsi- 
chord, etc.  Printed  for  Thompson  ct  Sons  : 
London,  [1763.]  obi.  4°.  a.  26.  f.  (1.) 
A  Collection  of  New  Minuets  for  the 
Year  1764.  Perform'd  at  Court  on  his 
Majesty's  Birth  Day.  Set  for  the  Harpsi- 
chord, etc.  Printed  fur  C.  <£  S. 
Thompson  :  London,  [1764.]     obi.  4". 

a.  26.  b.  (3.) 

Lady  Coventry's  Minuet.  [P.  F.  and 
Vocal  Duet.]    [London,  1765  ?]     s.  sh.  fol. 

H.  1994.  a.  (43.) 
[Another  edition.]  Lady  Coventry's 
Minuet.  FP.  F.  and]  Duetto  for  two 
Voices.     [London,  1765  ?]     s.  sh.  fol. 

G.  311.  (70.) 

Captain  ]Mather's  Minuet. 

[J^ondon,  1766.]     8°.  158.  1.  (11.) 

London  Magazine,  1766,  p.  582. 


MINUETS 


133 


MINUETS.  A  Collection  of  New  Minuets 
for  the  Year  1766.  Perform'd  at  Court  on 
his  Majesty's  Birth  Day.  Set  for  the 
Harpsichord,  dc.  Printed  for 

C.d-  S.  Thontvson  :  London,  [Yi&&.']  ohlA". 

a.  26.  (2.) 
A  Collection  of  Minuets  for  the  Year 
[1767?]  Perform'd  at  Court  on  His 
]\Iajesty's  Birth  Day.  Set  for  the  Harpsi- 
chord, etc.  Printed  for  J.  Johnson  : 
Lo»f/o«,  [1767?]  o5Z.  4".  "  a.  26.  (4.) 
The  date  has  been  obliterated. 

New  Minuets  for  the  Y'ear  1770. .  .Set  for 
the  Harpsichord,  etc.  Printed  for 

Longman  d-  Co.  :  London,  [1710.]     obi.  i". 

a.  26.  (3.) 

A  Collection  of  the  Newest  and  best 
Minuets.  Adapted  for  the  Violin  or  Ger- 
man Flute  with  a  Ba-ss  for  the  Violincello 
or  Harpsichord.  Priyited  for  U.  Steirart : 
Edinb7(rgh,iinO'^]   obi.  r.    a.  9.  b.  (6.) 

Fourteen  Neopolitan  ^Minuets,  for  Two 
Violins  and  a  Bass,  etc.  J.  Lonqman  d 

Co. :  London,  ^1770?]     obi.  4". 

b.  53.  a.  (6.) 
TliC  part  for  Violins  only. 

Thompson's  Compleat  Collection  of  100 
Favourite  Minuets. .  .Set  for  the  Harpsi- 
chord, f^r.  3  Vols.  [1770?-1775?  oW.  4". 
Sec  TiiCMPSOx,  Music  Publishers. 

a.  223.  d. 

Lady  Coventry's  Minuet.     See  Tacet  (J.). 

Ladv  Coventry's  ]\Iinuet  with  Variations, 
etc.  '  [1770?]     s.  sh.  fol.      G.  311.  (14b.) 

A  Collection  of  New  Minuets  for  the  Year 
1772. .  .Set  for  the  Harpsichord,  etc. 
I'rinied  fiT  C.  d  S.    Thompson  :  London, 
[177ti.]     obi.  4\  a.  26.  a.  (2.) 

Minuet.-  as  they  were  Perform'd  at  the 
Ball  at  Court  .  .  .  for  the  Harpsichord, 
Violin   and    German  Flute,  for  the  Year 

1772.  Printed  for  T.  Straight  and 
SkiUern  :  London,  [1772.]     obi.  4". 

a.  26.  a.  (3.) 

Bath  New  Assembly-Room  Minuet. 
[P.  F.]     [London,  1773.]     s.  sh.  4". 

159.  n.  5. 
London  Magazine,  April,  1773. 

The  I'nchess  of  Cumberland's  Minuet. 
[P.  F.]     [London,  1773.]     s.  sh.  4". 

159.   n.   5. 
London  Magazine,  June,  1773. 

The  Hou'"^'  Cosmo  Gordon's  new  ^linuet. 
[Full  Score.]  G.  Gardom  :  London, 

1773.  f.  .^/;."fol.  h.  141.  a.  (15.) 

Lady  Bettv  Wood's  Minuet.     [P.  F.] 
[Londo'.i,  1773.]     s.  sh.  4".  159.  n.  5. 

London  Magazine,  Nov.,  1773. 

JMaster  IMatthew's  Minuet.     [P.  F.] 
[Londo::,  1773.]     s.  sJi.  4".  159.  n.  5. 

Londoi  Magazine,  Feb.,  1773. 


MINUETS.  IMenuet  de  la  Reine  Charlotte. 
[Song.]  Sec  Viens.  Viens  cel^brer  la- 
Reine,  etc.     [1773.]     s.  sh.  4".     159.  n.  5. 

Blackheath  :\Iiuuet.     [P.  F.] 
[London,  1774.]     s.  sh.  4°.  159.  n.  6. 

London  Magazine,  Nov.,  1774. 

Twelve  New  IMinuets  for  the  Y'ear  1774 
. .  .Set  for  the  Harpsichord, c/c. 

Longman,  Lukey  d  Co.  : 
London,  [1774.]     obi.  4°.  a.  26.  d. 

^liss  Boscaweu's  Minuet.     [P.  F.] 
[London,  1774.]     s.  sh.  4".  159.  n.  6. 

London  Magazine,  Feb.,  1774. 

Miss  Smith's  Minuet.     [P.  F.] 
[Lo7ulon,  1774.]     s.  sh.  4".  159.  n.  6. 

London  Magazine,  Oct.,  1774. 

Mr.  Rogers's  Minuet.     [P.  F.] 
[London,  1774.]     s.  sh.  4°.  159.  n.  6. 

London  Magazine,  Sept.,  1774. 

The  Russian  I^Iinuet.     [P.  F.] 
London,  [1774.]     s.  s7;.  4".  159.  n.  6. 

London  Magazine,  April,  1774. 

A  Collection  of  Minuets,  in  which  is  that 
favourite  one  danced  by  Madame  Heinel 
at  the  Opera,  House  in  the  Hay  Market. 

Printed  for  William  Napier  : 

London,  [1775  ?]     obi.  4".      b.  53.  b.  (3.) 

The  composers  named  are :    Schroder, 

Princess  Schuer  Liseky,  Abel,  Stamitz 

and  Baron  Buckholl. 

A  Collection  of  New  Slinuets,  for  the  Year 

1775. .  .Set  for  the  Harpsichord,  etc. 

Printed  for  Jas.  and  Jno.  Si^nj^son  : 
London,  [1775.]     obi.  4°.  a.  26.  (5.) 

The  Fete-Champetre  IMinuet. 
[Londo7i,  1775.]     s.  sh.  4".  159.  n.  7. 

London  Magazine,  Feb.,  1775. 

i  Lady  Barriniore's  favourite  Minuet,  per- 
form'd at  Bath  &  most  polite  assemblys, 
adapted  for  the  Harpsicord,  Violin,  Ger- 
man Flute  and  Guitar.  [London  ? 
1775  ?]     s.  sh.  fol.              h.  721.  f.  (32.) 

Lady  Coventry's  ^Minuet  with  Variations 
for  the  Harpsichord  or  Piano  Forte. 
Printed  for  Longman,  Lukey  d  Broderip  : 
London,  [lllo?]     fol.  g.  271.  (30.) 

Lady  Tyrconnel's  ISIinuet.  [Strings  and 
Flute.]  I[ohn]   B^ntlierford  :    London, 

1775  ?]     s.  sh.  fol.  h.  1568.  b.  (18.) 

^Marshal  Saxe's  Minuet,  the  Highland 
Laddy,  and  Lonely  Nancy,  with  familiar 
Variations  for  the  Harpsichord  or  Piano- 
Forte,  etc.  C.  d  S.  Thompson  : 
London,  [1775  ?]  fol.  h.  726.  m.  (8.) 
^Masquerade  Minuet,  with  Variations  for 
the  Harpsichord  or  Piano-Forte. 

Printed  for  G.  Smart: 
[London,  11152]     fol.  g.  271.  b.  (2.) 

Minuet  [from  the  Overture  to  Handel's 
Alcina].  R.  Falkencr  :  London, 

[1775?]     s.sh.iol.     H.  1994.  a.  (206*.) 


13i 


MINUETS 


MINUETS.  Six  Favourite  ^Minuets,  as 
Performed  at  Bath,  for  two  Violins  and 
a  Violoncello,  with  a  Thorough  Bass  for 
the  Harpsichord.  Welcker  : 

Lomlon,  [1775  ?]     ohl.  4°.      b.  53.  a.  (5.) 

Miss  Johnsons  ]\Iinuet,  as  perform'd  at 
Bath.  [Harpsichord  and  Flute.]  I.  S.  I. : 
[London?  1775?]     s.  sh.  fol. 

h.  1568.  b.  (16.) 

Miss  Wade's  Minuet  as  Danced  at  the 
Pantheon,  etc.  [2  Violins  and  Bass.] 
[Lomlon?  mo?]  fol.  g.  442.  j.  (30.) 
M''  Noverre's  Minuet.  [2  Violins  and 
Bass.]  W[illiam']  C[ainpbcU  :  London, 
1775  ?]     s.  sh.  fol.  g.  442.  j.  (31.) 

]\Irs.  Talbot's  Minuet.  [Harsichord,  Flute 
and  Guitar.]  I\ohn']  E[ntherford  : 

London,  1775  ?]     s.  sh.  fol. 

h.  1568.  b.  (17.) 

A  Collection  of  New  Minuets  for  the  Year 
1778. .  .Set  for  the  Harpsichord,  etc. 

Printed  for  W.  liandall : 
London,  [1778.]     obi.  4".  a.  26.  (7.) 

A  favovirite  Collection  of  New   Minuets, 
for   this    present  Year   1778,  as  they  are 
performed  at  the  Castle,  etc.     MS.  notes. 
J.  Lee  :  Dublin,  [1778.]     obi.  4^ 

a.  26.  (6.) 

A  Collection  of  New  Minuets  for  the  Year 
1779. .  .Set  for  the  Harpsichord,  etc. 

Printed  for  C.  d  S.  Thompson: 
London,  [1779.]     obi.  4".  a.  26.  (8.) 

Minuets  for  the  Y'ear  1779  . . .  for  the 
Harpsichord,  elc. 

Printed  for  T.  Skillern  : 
London,  [1779.]     obi.  4".  a.  26.  (9.) 

A  Collection  of  New  Minuets  for  the  Year 
1780. .  .Set  for  the  Harpsichord,  etc. 

Printed  for  C.  it  S.  Tliompson  : 
London,  [1780.]     M.  4".  a.  26.  (10.) 

The  Devonshire  Minuet.  Danced  by  Sig' 
Vestris,  c'/c.  [P.  F.]  Jolni  Lee  :  Dublin, 
[1780?]  s.  s7;.  fol.  H.  1601.  a.  (118.) 
The  King  of  Denmark's  Minuet.  [Strings 
and  Guitar.]     [London,  1780?]     s.  sh.  fol. 

h.  141.  a.  (13.) 
The  King's  Minuet.  [Strings,  Flutes  and 
Guitar.]     [London,  1780?]     s.  sh.  io\. 

h.  141.  a.  (16.) 

Lady  Barrimores  Minuet.     Perform'd  at 
Bath  .  .  .  Adapted    for    the  Harpsichord, 
Violin,  German  Flute,  and  Guittar. 
[London,  1780?]     s.  sh.  fo\. 

h.  141.  a.  (14.) 

The  celebrated  jMinuet  de  la  Cour. 
(Juvenile  Entertainment,  etc.)  (Night 
Scene,  etc.)     [P.  F.]  [London, 

1780?]     fol.  g.  272.  p.  (27.) 

Minuet  de  la  Cour.     See  Who.     Who  can 
describe  the    Pow'r   of  Love  .  .   .  [Song] 
adapted. .  .to  the  Di  la  Cour  IMinuet,  etc. 
[3  780?]     fol.  G.  313.  (247.) 


MINUETS.  :\Iinuct  de  la  Duchesse  de 
Devonshire.  As  Danced  by  Sig'  Vestris  at 
the  Opera  House.     [P.  F.] " 

G[eorge]  S[mart : 
London,  1180?]     fol.       g.  272.  w.  (18.) 

Eight  Mhmcts  &  Four  Cotillions  adapted 
for  the  Harpsichord  with  an  Accompani- 
ment. Selected  from  the  most  Phninent 
]\Iasters,  as  performed  at  Mr.  Wills's 
Academv,  etc.      [London ?  1780 ?]     obi.  4". 

b.  57.  a.  (4.) 

[XII.  :Minuets  for  Strings  and  Harpsi- 
chord, with  a  Dedication  signed  '  Musico- 
Gratorieo-Politico.'l  [London, 

1780?]     obi.  4".       '  b.  57.  c.  (3.) 

Imperfect,  wanting  the  title-page. 

A  Collection  of  New  Minuets  for  the  Y'ear 
1782. .  .Set  for  the  Harpsichord,  etc. 

Printed  for  S.  A.  and  P.  Thompson  : 
London,  [1782.]     obi.  4°.  a,  26.  (11.) 

Twe've  New  Minuets  for  the  Year  1784. . . 
Set  for  the  Harpsichord,  etc. 

Longman  <<;  Broderip  :   London, 
[1784.]     obi.  4".  a.  26.  (12.) 

A  Collection  of  New  ^linnets  for  the  Year 
1785. .  .Set  for  the  Harpsichord,  etc. 

Printed  for  T.  Skillern  :  London, 

[1785.]    obi.  4".  a.  26.  e.  (2.) 

Containing  Minuets  by  Hook  and  Kotz- 

wara. 

A    Collection    of    New   Minuets    for   the 

Year  1788. .  .Set  for  the  Harpsichord,  etc. 

Printed  for  T.  Skillern:  Jjondon, 

[1788.]     obi.  4".  a.  26.  f.  (2.) 

A  Collection  of  New  IMinuets  for  the  Year 
1789. .  .Set  for  the  Harpsichord,  etc. 

I'rinted  for  S.  A.  d  P.  Thompson: 
London,  [1789.]     obi.  4\  a.  26.  (13.) 

The  Devonshire  ^linnet,  etc.  [Strings, 
etc.]     [London,  1790  ?]     fol. 

g.  272.  u.  (13.) 

A  Second  Set  of  Six  Elegant  jMinuets. 
Danc'd  at  Bath,  adapted  for  the  Harpsi- 
chord or  Piano-Forte.  Printed  for  J.  d 
W.  Li  litem  :  Bath,  [1790.]     obi.  4". 

b.  53.  b.  (4.) 
^Minuets  &c.  &c.  for  the  Violin  Jlandolin 
German-Flule  and  Harpsichord.  Com- 
pos'd  by  an  African  [G.  H.  P.  Bridg- 
tower?!.  Book  2nd,  ffc.  Richard  Duke, 
for  the  Author:  London,  [1795?]     old.  4°. 

b.  53.  b.  (1.) 

Thompson's  Twelve  Favorite  I\Iinucts  for 
the  Year,  1797,  etc.     1797.     obi.  4'. 
Si'e  Thompson,  Music  Publislicis. 

a.  26.  f.  (3.) 

Thomjjson's  Twelve  Favorite  Minuets  for 
the  Year  1798,  etc.     1798.     obi.  4". 
Sec  Thompson,  Music  Publisliers. 

a.  26.  f.  (4.) 

[For  F.  Werner's  Collections  of  ]\Iinuets, 
&c. :]  See  Webneb  (F.) 


:\1I0— MITTERNACHTSTUNDE 


135 


MIO.     Mio  caro  ben.     [Song.] 
See  ASTARTO. 

II  mio  cor  gli  affetti.     Rondo. 
See  CiMAROSA  (D.) 
II  mio  garzone  il  pifaro.     Duetto. 
See  Paisiello  (G.)     [La  Molinara.~\ 

MION   (Jean   Jacques   Hknri)      Nitetis. 
Tragedie,  etc.     [Libretto  by  Lasserre.] 

Gravfc  par  dc  Gland.    Chez  VAnteuv: 
Paris,  1741.     ohl.  fol.  E.  149. 

Votre  voix,  et  vos  yeux.     Bouquet,  pour 
IMadame  la  Marquise  de  *  *  *.    Les  paroles 
sont  de  I\I'  Fugelier,  etc. 
[Paris,]  1746.     s.  sh.  4'\  297.  c.  7. 

Mercitre  de  France,  July,  174G. 

MIRA.     Mira.     Song.     See  Percy  (J.) 
Mira  and  Colin.     [Song.] 
See  ^loRX.     The  morn  was  fair,  etc. 
[1766.]     8\  158.  1.  11. 

Mira  and  Colin.     Song. 
See  ]\IORN.     The  ]\Iorn  was  fair,  efc. 
[1766.]     8".  P.P.  5438.  z. 

Mira  and  Colin.     Song. 
See  ilouN.     The  morn  was  fair,  etc. 


[1706. 


S'"' 


p.p.  5441. 

MIRACULOUS.  The  :Miraculous  Hen. 
[Song.]  See  At.  At  Reading  there  lived 
a  buxom  young  Dame.    [1780? J    s.  sit.  fol. 

G.  306.  (98.) 

MIRANDA.     :\Iiranda.     [Song.] 
See  WoiaiAX  (J.) 

MIRATE.     Mirate,  mirate.     Duet. 

See  ;Mautin  y  Solar  (V.)  [La  Scuola 
de'  Marilati.] 

MIROGLIO     (PiETRO    CiiovANxi)       Six 
Siniplionie[sj    a   Grande   Orchestrc    pour 
Deux  Vioions   et   Basse    Alto   Viola  .   .   . 
Oiluvre  X.     [Separate  Parts.] 
Chez  VAutenr  :  Paris,  [1770?]     fol. 

g.  474.  (9.) 

MIROIR.  Le  :Miroir  du  Sioclo.  [Song.] 
Siv  Toi.  Toi  qui  pretends  an  vrai  bonheur, 
etc.     [1780?]     8".  B.  362.  b.  (149.) 

MIROIR  (        )     Que  la  Melempsicose  a 
de  charmes.     ^Song.] 
[Pans,]  1773.  \s.  sh.  8".  298.  e.  24. 

Mercnredc  France,  Oct.,  1778. 

MIROIR      MAGIQUE.         Le      Miroir 

IMagique,  Dptra-Comique  en  un  Acte 
[written  by  J.  Fleury.]. .  .aveclaMusique. 
Chez  Duchesne:  Paris,  1755.     8". 

11738.  e.  33.  (3.) 
[Another  copy.] 

Sec  Theatre.  Theatre  Nouveau  de  la 
Foire,  etc.     Tom.  1.     1763.     8". 

11735.  d.  2. 

MIRROR.       The    :\Iinor,    or    Harlequin 

Everywhere.  Pantomime.  (b'ccDiBDiN(C.) 

MIRTH.      Mirth   and   Friendship.  Two 

part  Song.  Sec  May.  ^lay  this  good 
Company,  e^c.     [1760?]     s.  sit.  fob 

H.  1994.  a.  (86.) 


MISER.  The  !Miser  securely  may  soon 
sit  at  Home.  T]ie  hnpartial  Adviser.  A 
new  Song.     [London,  1754.]     8". 

157.  1.  16. 
London  Magazine,  1754,  p.  334. 

The  Miser's  Invitation.     Ballad. 

See  AvARCS.     Avarus  sent  for  me  to  dine. 

[1730?]     s.sh.iol.  G.  316.  (13.) 

The  Miser's  Pursuit.     [Song.] 
See  Leveridge  (R.) 

MISERIES.  The  Miseries  of  War.  [Song.] 
See  DiBuiN  (C.)     [The  Quizes.] 

MISERO.  jMisero,  misero  pargoletto, 
[Song.]  See  Federici  (V.)  [L'Usurpator 
Innocentc] 

MISGROUNDED.  The  IMisgrounded 
Compassion.  [Song.]  See  Yoc.  You've 
heard  it,  and  read  it,  a  trillion  times. 
[1770?]     s.  sh.  fol.  G.  314.  (113.) 

MISIiEVECHECK  (Jozef) 

,bV('  rilvSLIWKCZKK. 

MISLIVECECK  (Joseph) 
See  Mysliweczek. 

MISLIWECEK  (Giuseppe) 

See  j\I V s  1 . 1  \v ):c z e k . 

MISLIWECEK  (Joseph) 
See  ^[ysliweczek. 

MISS.     :Miss  in  her  Teens.     Ballad. 
See  Arne  (T.  A.) 

MISS  MUZ.     ]Miss  Muz  the  :Milliner  and 
Bob  the  Barber.     fSong.] 
See  DiBDix  (C.)     [The  Sphinx.] 

MISS  PRUE.  ]\Iiss  Prue's  Plea  for  a  Hoop, 

[Song.]     .S'ce  Nemo  (N.)  pseud. 

MISS  SNOW.     IMiss  Snow.     Song. 

See  Let.     Let  others  for  beauties  the  city 
explore,  etc.     [1765.]    8".         P.P.  5441. 

MISTAKE.  ^Mistake  not  Nj-mph.  Song. 
See  Barkeit  (J.)  Organist. 

MISTRESS.  The  Mistress.  [Song,  begins  : 
'  Cease  Damon  cease.']     See  Arxe  (M.) 

The  Mistress.     Song  [begins  :    '  Whatever 
your  anger-sick  lovers  may  say ']. 
See  Deserter. 

MITFORD   (Eliza)      Jack  Latin.     With 

\'ariations,  etc.     [P.  F.]  [London, 

1800?]     fol.  g.  271.  b.  (3.) 

MITRIDATE.  [Se  spuntan  vezzose.] 
The  disconsolate  Lovers  :  to  a  favourite 
Air  in  IMitridate  [by  D.  M.  B.  Terradellas]. 
The  Words  by  ^Ir.  Lockman.  [Loidon, 
1746.]     6'.  sh.  fol.  G.  315.  (121.) 

IMitridate.  Opera.   Sec  Sacchini  (A.  M.  G.) 

iNIitridate.     Opera. 

See  Terradellas  (D.  M.  B.) 

MITTERNACHTSTUNDE.     Die 

]Mitternacbtstunde.     Eine  komische  Oper. 
See  DAi.-zi  (F.) 


136 


]\IIZLER^MODERN 


MIZIjER  (Lorenz  Christoph)  Anfangs- 
Griinde  des  General  Basses  nach  Mathe- 
matischer  Lehr-Art  abgehandelt,  und 
vermittelst  einer  hierzu  erfundenen  Mas- 
chine  auf  das  deutlichste  vorgetragen,  cic. 
Bey  clem  Verfasser  :  Lcipnfj,  [1739.]     8". 

1042.  c.  6. 

Musikalischer  Staarstecher  in  welchem 
rechtschaffener  IMusikverstiindigen  Fehler 
.  .  .  angemerket,  eingebildeteu  .  .  .  Com- 
ponisten  Thorheiteu  aber  lacherlich 
gemachet  werden.  Als  ein  Anhang  ist 
des  Herrn  Riva  .  .  .  Nachricht  vor  die 
Componisten  und  Sanger  beygefiiget,  und 
aus  Italienischen  ins  Deutsche  iibersetzet 
von  L.  Mizlern.  AufKosten  des  Yerfassers : 
Leipzig,  (1740.)     8'\  7897.  aaa.  18. 

L.  INIizlers  . . .  Neu  eroffnete  IMusikalische 
Bibliothek,  oder  Griindliche  Nachricht 
nebst  unpartheyischem  Urtheil  von  alten 
und  neuen  niusikalischen  Bilchern  und 
Schriften,  etc.     3  Bd. 

Ivi  Yevlag  des  Yerfassers  :  Leipzig, 
1739  (1743-1752).     8".      P.P.  1945.  a.e. 
Bd.  I.  is  in  C  j^rts,  of  which  Tli.  I.  is 
dated  1736 ;  Th.  2  and  8—1737  ;  Th.  4, 
5  and  6—1738.     Bd.  II.  is  in  4  2>(irts 
(1740,  1742,  1742  and  1743) ;  Bd.  III. 
is  in  4  2Kirts   (1746,  1746,   1747   and 
1752).     Eacli  part  lias  a  separate  title- 
page  and  pagination. 
[Another  copy.    Erster  (Zweyter)  Band. . . 
2  Bd.]  785.  b.  41. 

See  Fux  (J.  J.)  Gradus  adParnassum. . . 
Aus  dem  Lateinischen  ins  Teutsche 
iibersetzt,  mit. . .  Anmerckungen  versehen 
und  heraus  gegeben  von  L.  ]\Iizlern,  etc. 
1742.     4".  556.  b.  8. 

See  Gespraech.   Gespriich  von  der  Musik, 
etc.     [With  a  Preface  by  L.  C.  Mizler.] 
1742.    4".  7897.  g.  30. 

MOCK  DOCTOR.     The   Mock   Doctor: 
or  The    Dumb  Lady  Cur'd.     A  Comedy. 
Done  from  IMoliere  [by  H.   Fielding] . . . 
With  the  Musick  prefix'd  to  each  Song. 
Printed  for  J.  Watts  :  London,  1132.     8°. 

11775.  d.  35. 
Containing  three  Songs  hy  Mr.  Seedo. 
Songs  in  tlie  Farce  call'd  the  Mock  Doctor 
. . .  Tiie  Tunes  proper  for  the  German 
Flute,  Violin  &  Common  Flute.  To  which 
is  added  y"  Aires  for  the  Violin  &  Harpsi- 
chord in  the  Opera  call'd  the  Devil  of  a 
Duke  [by  11.  Drury],  etc.  [London., 

1732.]    8".  A.  869.  a.  (1.) 

Engraved  throughout. 
The  Mock  Doctor. .  .The  Fourth  Edition, 
with  Additional  Songs  and  Alterations. 
Printed  for  J.  Watts:  London,  1153.     8". 

11775.  d.  37. 
The  Mock  Doctor ...  A  New  Edition.  With 
Additional  Songs  and  Alterations. 
Printed  for  A.  Millar:  London,  1761.     8". 

11775.  d.  38. 


MODEL.     The  Model.     Song. 

See  Hook  (J.) 
MODERATE.  ThelNIoderatelMan.  [Song.] 

Sec  Tory.    A  Tory,  a  Whigg,  &  a  IModerate 

man,  etc.     [1705  ?]     s.  sh.  fol. 

G.  306.  (43.) 

MODERATION.    IModeration  and  Altera- 
tion.    [Song.]     .SV^  With.     With  an  old 
Song  made  by  an  old  ancient  Pate. 
[1775  ?]     s.  sh.  fol.  G.  809.  c.  (70.) 

MODERN.  The  Modern  Beau.  [Song.] 
Sec  Carey  (H.)  [TJie  Honest  Yorkshire- 
num.'] 

The  Modern  Lass  in  high  Dress.     [Song.] 
[1770?]     fol.      See  Come.      Come   all  ye 
Bucks  and  Lads  of  Fire. 
[1770  ?]     s.  sh.  fol.  G.  307.  (82.) 

The  Modern  Lover.     [Song.] 
Sec  ROMER  (     )  Yocalist.     [Modern  Eccen- 
tricities.'] 

The  Modern  Rake.     [Song.]     Sec  B.,  R. 
]Modern  Taste.     [Song.]     Sec  Give.    Give 
Chloe  a  Bushel  of  Horsehair  &  Wool. 
[1780?]     s.sh.tol.        H.  1601.  b.  (62.) 

MODERN  CATCH-CLUB.     The 

Modern  Catch-Club,  being  a. .  .Choice  Col- 
lection of  Catches,  Glees,  Canons  &  Two- 
part  Songs,  by...Arne,  Boyce,  Baildon, 
Battishill,  Hayes,  Nares,  IMarella,  Berg, 
&c.  with  Instrumental  Basses  for  a  Bas- 
soon or  Violoncello.  J.  Cox  :  Langtoft, 
[1770  ?]     obi.  4".  A.  756. 

This  collection  also  contains  Catches  by 
C.  Sharp,  C.  Burneij,  E.  Gregory, 
Dr.  Greene,  Jenner  and  Dr.  Bogcrs. 

MODERN    MUSICK-MASTER.     The 

Modern  Musick-Master. .  .containing,  i. 
An  Introduction  to  Singing. .  .ii.  Direc- 
tions for  playing  on  the  Flute. .  .iii.  The 
Newest  IMethod  for  Learners  on  the  Ger- 
man Flute... IV.  Instructions  upon  the 
Hautboy. .  .v.  The  Art  of  Playing  on  the 
Violin.!. VI.  The  Harpsichord  Illustrated 
&  Improv'd.  In  which  is  included  a... 
Collection  of  Airs,  and  Lessons. .  .ex- 
tracted from  the  Works  of  Mr.  Handel, 
Bononcini,  Albinoni,  and  other  Eminent 
Masters.  With  a  Brief  History  of  Musick 
...To  which  is  added,  a  Musical  Dic- 
tionary..  .Curiously  Adorn'd  with  Cuts 
...Finely  Engrav'd  on  above  -320  Plates. 
[By  P.  Prelleur.]  Engrav'd,  Printed, 

and  Sold  at  the  Printing-Office  in  Bow 
Church  Yard  :  London,  1731.  8".  d.  40. 
Each  part  has  a  separate  title-page  and 
pagination.  The  following  composers 
are  named:  I-  Yanbriighe,  Handel,. 
Boioland  Kellegmc,  H.  Purccll ;  II. 
Handel,  Woodcock ;  lil.  Bononcini,. 
Grano;  IV.  Handel;  V.  Albinoni, 
Mascitti,  St.  Helene,  Handel,  Bonon- 
cini; VI.  Lully,  Babel,  Attilio  [Ariosti'], 
Mattheson. 


MODERN— MOI 


137 


MODERN    MUSICK-MASTER. 

[The    IModeni    3Iusick-]Mastor,    etc.      By 

P.  Prelleur.]  Engrav'd,  Printed  and 

Sold  by  W.  Diceij. .  .also  by  J.  Sivq^son  : 

London,  [1742  ?] '  8".  d.  40.  a. 

Parts  II.,  III.,  ir.,  VI.  and    VII.  only. 

wanting  the  folding  plate  in  Part  VI. 

Tlie  imprint  of  '  Instructions  upon  the 

Hautboy'  is  'Engrav'd,  Printed  and 

Sold  by  T.  Cobb. .  .also  by  J.  Simpson ' ; 

that  of  the  '  Brief  History  of  Masick ' 

is  the  same  as  in  the  1731  edition. 

MODERN   PROPHETS.      Now   comes 

on,  the  Glorious  year.  .4  Song  on  the  En- 
siling Campaign.  Design'd  to  be  Sung 
between  the  Acts  in  the  Modern  Prophets. 
Written  by  Mr.  Durfey.  \_London, 

1709?]     s.sh.iol.  H.  1601.  (315.) 

We  London  valets  all  are  Creatures.  The 
first  Song  in  the  Modern  Prophets.  Writ- 
■[t]en  bv  I\Ir.  Durfey.  Sung  bv  :\rr.  Pack. 
\_Lond6n,riO\)T\  s.sh.iol.  G."  313.  (46.) 
We  Prophets  of  the  Modern  race.  A  Song 
in  the  Modern  Prophets  written  by  ]\Ir. 
Durfey.     [London,  1709  ?]     s.  sh.  fol. 

G.  313.  (21.) 
Wou'd  ye  have  a  Young  Virgin  of  Fifteen 
Years.  Mr.  Durfey's  Song  in  the  Modern 
Proi)hcts.     [London,  n09?]     s.sh.iol. 

H.  1601.  (515.) 
The  tune  of  this  song  was  previously 
known  as  '  Poor  Robin's  Maggot.' 
[Another  edition.]  Would  ye  have  a 
young  Virgin  of  fifteen  years.  A  Song  in 
the  last  Act  of  the  Modern  Prophets,  etc. 
[LoHfZu«,  1709?]     s.sh.iol. 

G.  313.  (23.) 

MODERNE  (Jacques)  Tertius  Liber 
Mottetorum  ad  Quiuque  et  Sex  Voces. 
Opera  ac  solertia  lacobi  I\Ioderni,  alias 
dicti  Grand  laques,  in  vuum  coactorum 
&  Lugduni  prope  phauu  diuse  virgiuis  de 
Confort,  ab  eode  Impressoru.  Superius. 
(Altus.)     'J  pts.     1538.     obi.  4". 

K.  2.  a.  1. 
The  composers  of  this  collection  are : 
J.  Lupi,  J.  Courtoys,  N.  Gombert, 
Jacquet,  Archadelt,  L.  Paminger, 
Mathias,  F.  de  Layolle,  A.  Villart, 
Hurteur,  Verdelot,  Benedictus  and 
C.  Festa. 

MODES.  Les  Modes  au  Globe  volant. 
[Song.]  See  Aeriene.  L'Aeriene  plein 
j:e(;oit,  etc.  [1783.]  8".  B.  362.  a.  (197.) 
Les  modes  jusques  a  present.  Beflcc.vioii 
sur  les  Bedingottes  d  VAnglaise.  [Song, 
written]  Par  Mr.  Lamy  de  Blonval.  Air : 
Salut  a  Mr.  Robiuet.  Chez  Le  Pelleticr  : 
[Pans,  1715?]     8".         B.  362.  b.  (166.) 

MODEST.  The  Modest  Concealment 
[Song.]  See  Dear.  Dear  Collin  prevent 
my  warm  Blushes.  [1733  ?^     ,s.  sh.  fol. 

G.  307.  (130.) 


MODEST.  The  Modest  IMaid's  Delight. 
[Song.]  Sec  When.  When  the  Kine  had 
given  a  Pale  full.     [1715  ?]    s.  sh.  fol. 

H.  1601.  (492.) 
The  Modest  Petition.     [Song.] 
See  BovcE  (W.) 

The  Modest  Question.     [Song.] 
See  RussEL  (D.) 
The  Modest  Shepherd.     [Song.] 
See  Gaxthoxy  (J.) 

MODESTY.     Modesty's  Cap.     [Song.] 

,SV,>  HODbSOX  (P.) 

MOELLER  (Christian)  Davids  KJeinod, 
bestehend  aus  Hundert  und  funffzig 
Psalmen,  wie  auch  andere  Christl.  Kir- 
chen-Gesiinge,  in. .  .zweystimmige  parti- 
tur  gebracht  durch  Miiller,  etc.     2  pts. 

Be]/  Johann  George  Stricgel.  ..Druckts 

Johann    Wilhebn    Kiirssncr :    Franckfurt 

und  Cassel,  1703.     4".  C.  270. 

Bound  tip  icith  manuscript   18th  cent. 

German  Psalms. 

MGEURS.  Les  IMojurs  du  Siecle.  Vaudeville, 
See  Blavet  (M.)     [Le  Jaloux  Corrige.] 

MOG.     :Mog  the  Brunette.     [Song.] 

See   YouxG.     Young  Jockey  he   courted 
sweet  Mog,  e^c.     [1770?]    s.'sli.  iol. 

H.  1994.  b.  (113.) 

MOGGY.     :\roggy.     [Song.] 
See  DiBDiN  (C.)     [The  Quizes.] 
Moggy  fuU  as  blithe  and  gay.     Beaut  if  ull 
Moggy  :    or  Scotch  Jemmy's  Delight,   etc. 
[Ballad.]     To   the   Tune   of  the    Female 
Trooper.  Printed  for 

P.   Brooksby,   J.   Deacon,   J.   Blare,  and 
J.  Back:  [London,  imb?]    s.sh.iol. 

Case  39.  K.  6.  (13.) 
The  music  is  represented  by  a  meaning- 
less succession  of  notes,  etc. 
Moggy's  Complaint  of  .Jockey.     [Song.] 
See  Chloe.     Chloe,  or  the  Musical  Maga- 
zine, etc.     No.  18.     [1760  ?]    fol.  G.  433. 
Moggy's  Complaint  of  Jocky.     Song. 
See  On.     On  the  Tav's  verdant  banks,  etc. 
[1748.]    8".  "  157.  1.  10. 

MOGGY  MACBRIDE.  Moggy  Mac- 
bride.     Song.     See  Smethergell  (W.) 

MOGLIE  FEDELE.     La  Moglie  Fedele. 

Opera.     Sec  Alessaxdri  (F.) 

MOHRHEIM  (Friedrich  Christian) 
A  Favourite  Lesson,  for  the  Harpsichord 
or  Organ,  etc.  Thompson  d-  Son  : 

London,  [1160?]    obi.  iol.  e.  462. 

Solo  per  il  Cembalo,  etc.  D.  Momber : 

Danzica,  [1760  ?]    obi.  fol.  e.  284.  e.  (6.) 

MOL  Moi  I'aimer  pien  le  taple.  Le 
Suisse  en  belle  humeur.  [Song.]  Paroles 
de  Mr.  P.  d'H  .  .  .  Accomp'  de  Guitarre 
par  Mr.  *  *  *.  Air  :  Oui  noir  [by  A.  E.  M. 
Gretrv].  Chez  les  fnh-cs  Saviqny  : 

[Paris,  1787  ?J     8".  B.  362.  f.  (13.) 


138 


MOINEAUX— MOLLER 


MOINEAUX.     Les  ]Moineaux.     [Song.] 
See  QuK.     Qu'ils  sont  jolis,  etc. 
[1780?]    8".  B.  362.  b.  (4.) 

MOISSON".     Accoutez  I'histoir'  de  Nanon. 
Cluinnon  de  la  Moisson.     [Opera-Comique, 
words    by   C.   A.    B.    Scwrin,   music    by 
J.  P.  Solie.]     Ail- :  Qu'en  dira  ma  mere  ? 
Che2  Imbault :  Paris,  [1793.]     8". 

B.  362.  c.  (51.) 

<^a,  que  la  gaiete  brille.  [Song.]  De  la 
Moisson.  [Op6ra-Comique,  words  by  C. 
A.  B.  Sewrin,  music  by  J.  P.  Solie.]  Air: 
Si  vous  aimez  la  danse.  Cites  Imbault  : 
Paris,  [1793.]  8\  B.  362.  h.  (11**.) 
[Another  copy.]  B.  362.  a.  (42.) 

Un  Hibou  se  sentant  epris.  Itoncle  cle  la 
Moisson.  [Opera  Comique,  words  by  C. 
A.  B.  Sewrin,  music  by  J.  P.  Solie.]  Air : 
I'Age  a  svu  borner  nos  desirs.  Avec 
Accompagnement  de  Guitare. 
Chcs:  Imbault  :  Paris,  [1793.]     8°. 

B.  362.  h.  11. 

Regards  vifs  et  joli  mentou.     [Song.]     De 
la  Moisson  .  . .  [Op^ra-Comique,   words  by 
G.   A.  B.  Sewrin,  music  by  J.  P.  Solie.] 
Avec  Accompagnement  de  Guitare. 
C]iC2  Imbault  :  Paris,  [1793.]    8". 

B.  362.  h.  11*. 

La  Moisson  ou  le  Court  Jupon.  Ariette. 
See  Ce.  Ce  fut  au  temps  de  la  moisson. 
[1780?]    8".  B.  362.  b.  (103.) 

MOISSONNEURS.  O  le  bon  tems  que 
la  moisson.  Eonde,  des  Moissonneurs  [by 
E.  R.  Duui].     Paris,  [1770  ?]     8°. 

B.  362.  c.  (55.) 

Les  Moissonneurs.     Comedie. 
See  Di-Ni  (E.  R.) 

MOLINA    (Baetholome    dp:)       Arte    de 
canto  llano  Lux  videntis  dicba,  cic. 
Dieqo  de  Gumiel :   Valladolid,  1506.     4». 

K.  8.  f.  2. 

12  leaces  without  pa cjinat ion. 

MOLINARA.     La  Molinara.     Opera. 
See  Paisiello  (G.) 

3IOLINAIIO  (Simone)    Faticbe  Spirituali 

...Libro    Priuio    (Secondo)    a    Sei   Voci. 

Sesto.     2  pts.  Appresso  Eicciardo 

Amadino:   Venetia,  1610.     4".     D.  58.  a. 

The   composers   of  this    collection    are : 

A.  Gabrielli,  O.  Vecchi,   S.  Molinaro, 

A.  Bicci,  E.  del  Mel,  G.  de  Macqne, 

L.   Mureiuio,   F.   di    Monte,    G.    M. 

Nanino,  L.  Levanto  and  G.  B.  dalla 

Costena. 

Intavolatura  di  Liuto  .  .  .  Libro  Primo. 
Nel  quale  si  couteugono  Saltarelli,  Pass' 
e  mezi,  Gagliarde,  e  Fantasie,  etc. 

Appresso  Eicciardo  Ainadino  :   Venetia, 

1599.     fol.  K.  4.  i.  9. 

This  work  also  contains  compositions  bij 

(t.  B.  delta  Gostena,  G.  Costelii  \_Cos- 


telcij'],    T.    Crecquillon,   O.  Lasso,  G. 

Sevcrino,    Clemens    non    Papa    and 

G.  Guami. 
Di  Simone  IMolinaro  II  Secondo  Libro  de 
Motetti    a    otto    voci  .  .  .  Secondo   Goro. 
Teuore.  Per  V  hercde  di  S.  Tini.  <£• 

G.  F.  Besozzi :  Milano,  1601.    4".    D.  58. 

Sec  Gesualdo  (G.)  Prince  of  Venosa. 
Partitura  delli  Sei  Libri  de'  Madrigali . . . 
fatica  di  S.  Molinaro,  etc.     1613.     fol. 

K.  7.  g.  3. 
MOLINI  (  )  The  Fife  Hunt,  a  Favourite 
Scotch  Air,  with  Variations  for  the  Piano 
Forte.  Composed  by  Sig'  Molini.  [1799.] 
See  Periodical  Publications. — London. 
The  Piano  Forte  Magazine.  Vol.  VIII. 
[No.  3.]     [1797-1802.]     8'\  D.  854. 

Of  noble  Race  was  Shenkin. .  .Welch  Air, 
with  Variations  for  the  Piano  Forte. .  .by 
Sig^  Molini.     [1799.] 

See  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  VII. 
No.  11.     [1797-1802.]     S".  D.  854. 

MOLITOR  (FiDELis)  Cantionum  Sa- 
crarum  a  Voce  Sola  una  cum  Duobus 
Instrumentis  .  .  .  Liber  Secundus.  Pars 
Cantans.  (Violino  i.)  (Organum.)  3  pts. 
Sunij)tibns  ac  Tijpis 
Michaelis  Wanner  :  CEniponti,  1664.     fol. 

G.  281. 
jMensa  ]\Iusicalis  quam  Apparatu  Piarum 
Cantionum  Quatuor  Vocibus,  &  duobus 
Violinis  uecessariis  :  cum  Secundo  Choro, 
&  tribus  Instrumentis  ad  decorem  pro 
libitu.  .Opus  Tertium.  Altus.  (Tenor.) 
(Bassus)  Concert.     3  pts. 

Typis  (t  sumptibus  Michaelis  Wagneri : 
Oeniponti,  1668.     fol.  G.  281.  a. 

MOLL.  jMoU  in  the  Wad,  a  Favorite  Irish 
Dance  arranged  as  a  Rondo  for  the  Piano 
Forte.  Longman  tC  Broderip  :  [London, 
1790?]     fol.  g.  271.  h.  (25.) 

MOLLER  (J.  C.)  A  Compleat  Book  of 
Instructions  for  the  Piano  Forte,  Harpsi- 
chord, or  Organ,  a  Set  of  Progressive 
Lessons. .  .with  Cadences  &  Preludes... 
Op.  6.  J.  Cooper  :  London, 

[1796?]     obi.  fol.  e.  145. 

A  Sett  of  Progressive  Lessons  for  the 
Harpsichord  or  Piano  Forte  particularly 
calculated  for  the  Use. .  .of  Young  Practi- 
tioners. .  .Opera  vi. 

Longman  and  Broderip,  for  the  Author  : 
London,  [1795  ?]     obi.  fol.        e.  101.  (6.) 

Six  Quartettos  for  two  Violins  Tenor  and 
a  Violoncello,  etc.     [Separate  Parts.] 
Printed  for  J.  Betz  :  London,  [1775?]    fol. 

h.  2801.  b.  (2.) 
[Twelve  ?  Easy  Sonatas  for  the  Piano 
Forte.]     [London?  1790?]     fol. 

G.  297.  (7.) 
Wanting  the  title-page  and  all  after  p.  18. 


MOLLER— MON 


139 


MOLLER  (J.  C.)  Six  Sonatas  for  the 
Forte  Piano  or  Harpsichord  with  a  Violin 
&  Violoncello  accompagneni'.  [Se^jarate 
Parts.]  Carticr,  for  the  Author  :  London, 
[1785?]     fol.  g.  466. 

MOLLER  (Joachim)     Sec  Burck  (J.  a) 

MOLLER  (Johajsn)  Neiiwe  Paduanen, 
vnnd  darauff  gehorige  Galliarden,  von 
fiinff  Stimmen :  sampt  einem  neuwen 
Quodlibet  auff  allerley  Instrumenten 
fiiglich  zugebrauchen,  etc.     Tenor. 

Bcij  Wolffgang  Bichtcrn  : 
Franckfort  a»i  Maij)i,  1610.     4".  b.  9. 

Ein  New  Quodlibet  zu  vntertbanigen 
Ehren  vnd  gefallen. .  .Hern  Philipsen, 
Landgraffen  zu  Hessen. .  .Componiret  mit 
vier  Stimmen,  etc.     Tenor. 

Bey  Wolffgung  Richtcrn : 
Franckfort  am  Mayn,  1610.    4".     B.  105. 

MOLLIER    (Louis    de)      Les    Chansons 
pour  Danser  de  L.  Mollier,  etc.     1640. 
Set'  Chansons. — 2.     Recueil   de   differens 
Livres  de  Chansons,  etc.     Livr.  i. 
1699.     8'\  A.  428.  (1.) 

MOLLY.  IMoUy.  Song.  See  No.  No 
more  sillv  Pipe,  t'^c.     [1760?]     s.  sh.  io\. 

G.  316.  e.  (95.) 
]Molly.  Song.  See  Nymph.  A  Nymph 
there  lives,  c'^c.     [1730?]     s.  sh.  lol. 

G.  303.  (123.) 
IMollv.  Song.  See  Nymph.  A  Nymph 
there  lives,  etc.     [1756.]     8". 

P.P.  5438.  z. 
]\Iolly's  Charms.    [Song.]   Set  Hudson  (R.) 

MOLLY  CARR.  Molly  Carr.  [Song.] 
See  When.  When  I  at  my  Window  am 
gazing.     [1735  ?]     s.  sJi.  fol. 

G-.  313.  (153.) 
:jrolly  Carr.  [Song.]  See  When.  When 
I  at  inv  Window,  etc.     [1755.]     .s.  sit.  8". 

P.P.  5439.  ab. 

MOLLY      LEPELL.        IMolly      Lepell. 
[Song.]     See   Muses.     The    Muses   quite 
Jaded  with  Rhiming,  etc. 
[1725?]     s.  sti.  fol.  I.  530.  (103.) 

MOLLY  MOGG.  Zilolly  Mogg.  [Song.] 
See  Says.  Says  my  Uncle  I  pray  you 
discover.     [1720?]     s.  sh.  fol. 

G.  305.  (44.) 

MOLTER  (JoHANN  Melchior)  Esercizio 
Studioso,  coutinente  Sei  Senate  a  Violino 
Solo  e  Cembalo. .  .Opera  Prima.  Cliez 

M.  C.  Le  Cene  :  Amsterdam,  ri735?l     fol. 

f.  48. 

MOLTERI  (Giovanni  Melchioere) 
See  MoLTER  (J.  M.) 

MOMBELLI  (DoMENico)  Six  Italian 
Arietts,  with  an  Accompaniment  for  a 
Piano-Forte  or  Harp.  Longman  and 

Brodcrip  :  London,  [ViQIl]     obi.  fol. 

D.  370.  (3.) 


MOMENT.     Le  Moment.     Vaudeville. 
See  RiPERT  (     ) 

The  IMoment  Aurora  peep'd  into  my 
Room.  Hark  Away,  a  Favourite  Hunting 
Song.  Eli£''  Bhamcs  :  [Dublin,  1780  ?] 
s.  sh.  fol.  H.  1601.  a.  (89.) 

MOMUS       TURNED       FABULIST. 

Momus    turu'd    Fabulist :     or,    Vulcan's 
Wedding.    An  Opera  :  after  the  Manner  of 
the  Beggar's  Opera... With   the   Musick 
prefix'd  to  each  Song. 
Printed  for  J.  Watts  :  London,  1129.     8". 

11775.  c.  73. 
[Another  copy.]  161.  e.  77. 

MON.     Mon  amant  est  fidele  et  tendre. 
See    Desacgiers    (^I.    A.)      [Les    Deux 
Sylphes.'\ 

Mon  amour  pres  de  vous.     Duo. 
See  Andre  (     ). 

Mon  cher  Ami.     Song.     See  Gentleman. 
Mon  cher  troupeau.     [Song.] 
See  GiARDiNi  (F.) 

Mon  cceur  avoit  forme  le  dessein.  Air 
Sericux.     [Paris,]  1741.     .s.  sJi.  4". 

298.  b.  10. 
Mercure  de  France,  May,  1741. 

Mon  cceur  dans  I'absence  soupire.  Ron- 
deau.    See  Du  Coudray  (G.) 

Mon  Courcier  hors  d'haleine.     Romance. 
See  Mariage  de  Figaro. 

IMon  fils  vole  aux  champs  de  I'honneur. 
Air.     Sec  JIiltiade  a  Marathon. 

]\Ion  flageolet,  mon  tambourin.  Bonde 
du  Bon  I'ere.  Avec  Accomp'  de  Guittare. 
Chez  hnbault :  Paris,  [1790  ?J     8". 

B.  362.  e.  (59.) 
IMon  honneur  dit  que  je^serois  coupable. 
Ariette.     See  Amours  d'Ete. 

Mon  jeune  ccEur  palpite.     Romance. 
See  Albanese  (     ) 

Mon  pere,  Alcindor  a  genoux.  Alcindor 
penitent.     [Song.l  Chez  Camand : 

[Paris,  1785  ?]     8".  B.  362.  e.  (69.) 

[Another  copy.]  B.  362.  (225.) 

Mon  pere  je  viens  devant  vous.  Le 
Confiteor.     rSoug.]     [Paris,  1785  ?]     8". 

B.  362.  (224.) 

ilon  Pere   je   viens    devant    vous.     Lise 

jjenitentc.     Romance. 

[Paris,  1785  ?]     8°.  B.  362.  e.  (70.) 

Mon  pere,  on  danse  au  Chateau.  Ronde. 
Sec  OiSEAU  Perdu  et  Retrouve. 

Mon  P'ti  Bijoux.     [Song.] 

See  Je.     Je  ne  veux  aimer  que  Jeannette. 

[1785?]     8^  B.  362.  (60.) 

Mon  tendre  cceur  vient  d'eclore.    Chanson. 
[Words]  Par  M.  Fa... 
[Paris,]  1763.     s.  sh.  8".  298.  d.  11. 

Merciirc  de  France,  July,  1763. 


140 


]\ION— MONNET 


MOW.        IMon     ToiTtou,     j'cn     fais     mon 
iouiou.     Ijc  Chicnpcnin.     Chanson. 
[Pam,  1780?]     8".        B.  362.  b.  (131.) 

MONCEAUX    (      de)      Ruisseau,  votre 
aimable  murmure.     Air,  dont  les  paroles 
sont  de  M'  D.  M.,  etc. 
[Paris,']  174G.    s.  sh.  4°.  297.  e.  8. 

Meraire  dc  France,  Oct.,  1746. 

MONDE     RENVERSE.       Le     Monde 
renverse,    Opera    Comique    en    un   Acta. 
De     Mrs.     L[e]     S[age,]     Do[rneval]     et 
A[useaume] . . .  Avec  les  Airs  notes. 
Chez  Duchesne  :  Paris,  1753.     8". 

164.  e.  1. 

[Another  copy.]  11738.  b.  12.  (1.) 

MOND-NACHT.  Mond-Nacht.  [Song.] 
See  Ehkenberg  (      ) 

MONDO  ALLA  ROVERSA.  II  ]\Iondo 
alia  Roversa,  ossia  le  Donne  che  comandano. 
Dramma  giocoso.     See  Galuppi  (B.) 

MONDO  NELL  A  LUNA.  II  Mondo 
nella  Luna.     Opera.     See  Galuppi  (B.) 

MONDONVILLE  (Jean  Joseph  CAS- 
SANEA  DE)  Bacchus  et  Erigone. 
Sec  infra  :  [Les  Fetes  de  Pafihos.  Act.  ll.] 
Le  Carnaval  du  Parnasse,  Ballet  Heroiqu 
[written  by  L.  Fuzelier]. .  .CEuvre  vii" 
. .  .Grave  par  Le  S'  Hue.  Chez  VAitteitr  : 
Paris,  [1749.]     fol.  G.  653.  a. 

Daphnis  et  Alcimadure.  Pastorale 
Languedocienne  . . .  Les  Paroles  et  la 
Musique  sont  de  M"'  Mondonville  . . . 
CEuvre  IX^  .  .Grave  par  Le  S'Hue.  Chez 
rAuieiir:  Paris,  [115^.]     fol.        G.  653. 

Pour  adorer  Alcimadure.     Air,  etc. 

(Les  vers  et  la  musique  sont  de  ]M.  Mon- 
donville.)    [P«ris,]  1768.     s.sh.S". 

297.  e.  18. 

Mercurc  de  France,  August,  1768. 
Le  Dieu  qui  se  plait  a  tendre.     Chanson, 
Parodie  d'une  Aria  de  M.  D.  Mondonville. 
[Paris,]  1760.     s.  sh.  8".  297.  e.  25. 

Mercure  de  France,  Oct.,  1760. 
Les  Festes  de   Paphos.     Ballet  Heroique 
. .  .CEuvre  x''.     Grave  Le  S'  Hue. 
Chez  L'Auteur:  Paris,  [1758.]     fol. 

H.  2003.  a. 

[Les  Fetes  de  Paphos.  Act  ii.]  Bacchus 
et  Erigone.  [For  Songs,  &c.,  published 
anonymously:]  ,S'ec  Bacchus  et  Erigone. 
Pieces  de  Clavecin  en  Sonates  avec  accom- 
pagnement  de  Violon .  . .  CEuvre  3°.  Grave 
par  L.  Hue.  Chez  VAxiteur  : 

Paris  et  Lille,  [1740  ?]     fol.  i.  3.  (1.) 

[Pieces  de  Clavecin.  Op.  3.]  Sis  Sonates 
or  Lessons  for  the  Harpsicord  which  may 
be  Accompanied  with  a  Violin  or  German 
Flute.  Printed  for  I.  Walsh:  London, 

[1750  ?]     fol.  g.  79.  b.  (4.) 

[Pieces  de  Clavecin.  Op.  3.  Another 
copy.,  g.  248. 


MONDONVILLE  (Jean  Joseph  CAS- 
SANEA  DE)  [Pieces  de  Clavecin. 
CEuvre  3^  Sonata  v.]  Tendre  Amour, 
sous  ton  Empire.  Parodie.  Chanson  sur 
I'Air  de  I'Ariette  de  la  scconde  Sonate  de 
M.  de  Mondonville,  etc. 
Grave  pcir  iP  Charpentie.  Imprime'  par 
Tournclle  :  [Paris,]  1701.     s.  sh.  8". 

297.  d.  27. 
Mercure  de  France,  Jan.,  1761. 

Pieces  de  Clavecin  avec  Voix  ou  Violon 
dediees  a  .  .  .  L'Evesque  de  Rennes  .  .  . 
CEuvre  V.  Chez  VAuteur: 

Paris,  [1745  ?]     fol.  K.  10.  b.  9, 

Pour  adorer  Alcimadure. 

See  supra  :  [Daphnis  et  Alcimadure.'] 

Preferons,  mes  Amis,  la  Pinte  a  la 
Bouteille.  Air  BachiqtiC,  etc.  [Voice 
Part.]     [Paris,]  1745.     s.  sh.  4". 

298.  b.  30. 

Mercure  de  France,  Jan.,  1745. 

Privelege  du  Roy.  [Solo  Cantata,  with 
orchestral  accompaniment.  Separate 
Parts.]  Chez  M-  Moria  :  I'aris, 

[1755?]     fol.  K.  7.  e.  6. 

Les  Sons  Harmoniques.     Sonates  a  Violcn 

seul  avec  la  Basse  Continue. .  .CEuvre  4". 

.  .Graveo  par  L.  Hue.         Chez  VAuteur  : 

Paris,  Lille,  [lliO'>]     fol.       g.  244.  (1.) 

The  arvis  of  William  Hanhunj,  Viscount 
Bate7nan,  are  stamped  on  the  bind- 
ing. 

Tendre  Amour,  sous  ton  Empire. 

Sec  supra:  [Pieces  dc  Clavecin.     CEuvre  2>''. 

Sonata  v.] 

[Titon  et  I'Aurore.]     Votre  coeur  aimable 
Aurore.     Romance,  etc.     1753.    s.  sh.  4". 
Sec  Titon  et  L'Aueoee.  298.  e.  13. 

MONFERRATO  (Natale)  Motetti  a 
Voce  Sola.  .  .Libro  Primo.  Opera  Quarta. 
Parte  da  Cantar.  Appresso  Alessandro 

Vinccnti :   Venetia,  1655.    obi.  4".     B.  34. 

MONHERON  (      )      L'Amant  qui  dans 
les  yeux  sait  lire.     Air  de  M.  Monhi'ron, 
Amateur.     [Voice  Part.] 
[Paris,]  1782.     8°.  298.  f.  33. 

Mercure  de  France,  Dec.,  1782,  jo.  149. 

MONICHE.  La  Moniche,  ou  la  Chatte 
Cherie,  etc.  [Song.]  See  Que.  Que  de 
caprices  en  ce  jour,  etc.     [1790  ?]     8'\ 

B.  362.  (247.) 

MONNET  (Jean)  Anthologie  Fran(;'oise, 
ou  Chansons  choisies  depuis  le  13""  Siecle 
jusqu'a  present.  (IMemoire  Historique 
sur  la  Chanson  en  general,  et  en  particulier 
sur  la  Chanson  Fran^oise,  par  M.  ]\Ieusnier 
de  Querlon.)  (Chansons  Joyeuses,  mises 
au    jour    par    un    Ane-onyme,    onssimei 


MONRO— :MONSIGNy 


1-11 


[C.  CoUe].   Nouvelle  edition . . . augmentee, 
etc.)     [Edited  by  J.  Monnet.]     3  Tom. 
Paris,  1765.     8".  85.  e,  23-25. 

The  '  Chansons  Joijeuses '  have  a  separate 
title-page  and  pacjination. 

MONRO  (Gkorge)     The  Amorous  Swaiu's 
Complaint.     [Song.]  [London, 

1730  ?]     s.  sh.  fol.  G.  306.  (18.) 

A  Bmiesque  on  Polly.    [Song.]     [London, 

•     1729  ?]     s.  sh.  fol.  G.  313.  (60.) 

The  Charms  of  Wine.  [Song.]  [London, 
1725  ?]     s.  sh.  fol.  G.  305.  (72.) 

[Another  edition.]     The  Charms  of  Wine. 
rSone.]     [London,  nSO?]     s.  sh.  io\. 
"^       ^  G.  313.  (119.) 

Celia  the  Fair.  See  My.  My  Goddess 
Celia  Heavenly  Fair,  etc.  [^Music  by 
G.  Mmiro.]     [1730?]     s.sh.iol. 

G.  310.  (90.) 

Colin's  Request.  [Song.]  t>ee  Help. 
Help  me  each  Harmonious  Grove,  etc. 
[Music  by  G.  Munro.]    [1720?]     ,s.  sh.  fol. 

G.  305.  (45.) 

The  Complaining  INIaid.     [Song.] 

Ingrav'd  by  T.  Cross  :   \' London, 
1720?]    s.s7(.  fol.  G.  310.  (62.) 

The  Dying  Swan.  [Song.]  Sec  'Twas. 
'Tvvas  on  a  Rivers  Verdant  Side,  etc. 
[Music  by  G.  Munro.]     [1730  ?]    .s.  sh.  fol. 

G.  312.  (56.) 
Gold,  a  Receipt  for  Love.  [Song.] 
[London,  1730?]     s.sh.iol. 

G.  313.  (116.) 
[Another  edition.]  Gold,  a  Receipt  for 
Love.    [Song.]   [London,  1730 ?]   s.  .s/(.  fol. 

G.  316.  f.  (109.) 

Happy  Dick.     A  Song,  etc.  [London, 

1730?]    s.  .s//.fol.  G.  313.  (74.) 

'  Happy  Dick  '  icas  Richard  Jones,  icho 

died    hi     1769.        See     Gentleman's 

Magazine,  1769,  p.  367. 
A  :Message  from  IMars  to  Venus  by  Cupid. 
[Song.]      Sec   Thou.      Thou  little  blind 
deceiver   go,  etc.     [Music  by  G.  Monro.] 
[1730?]    s.sh.  fol.  G.  312.  (37.) 

On  Miss  Robinson.     [Song.]  [London, 

1720  ?]     s.  sh.  fol.  G.  308.  (66.) 

The  Passionate  Lover.  [Song.]  [London, 
1730?]     s.sh.iol.  H.  1994.  (44.) 

The  Releif ,  or  Power  of  Drinking.  [Song.] 
[London,l'i30?]   s.sh.iol.    G.  311.  (61.) 

The  Reproach.     [Song.]  [London, 

1725?]     s.  sh.  fol.  G.  311.  (1.) 

The  Retirement.  [Song,  the  words  by 
W.  Duncombe.]  Taken  from  the  .Journal. 
[London,  ITiO?]   s.sh.iol.    G.  311.  (49.) 

[The  Temple  Beau.]  Vain,  Belinda,  are 
your  wiles.  A  Song  in  the  Temple 
Bean.  [Words  by  H.  Fielding.]  [London, 
1730.]     s.  sh.  fol.  G.  313.  (4.) 


MONRO    (George)     Vain,    Belinda,   are 
your  wiles. 

Sec  supra:  [The  Temple  Beau.] 
When     Rastor     strikes     the     Trembling 
Strings.     A  New  Song. .  .Sung  at  Sadlers 
Wells.     [London,  1730  ?]     s.  .s/(.  fol. 

I.  530.  (101.) 
While  the  Town  agrees  that  Polly.  A  Song 
i  n  Praise  of  Polly . . .  Sung  at  Sadler's  Wells. 
[London,  1129?]   s.sh.iol,    G.  313.  (59.) 

[Another  edition.]  While  the  Town  agrees 
that  Polly.     A  Song,  etc.  [London, 

1729  ?]     s.  sh.  fol.  G.  316.  f.  (97.) 

Whilst  the  Town's  brimfull  of  Folly. 
A  New  Song . .  .sxing  by  Mr.  Mounfort  at 
Sadlers  Weils.    [London,  1728  ?1    s.  s/;.fol. 

G.  316.  f.  (86.) 

MONRO  (John)     The  much  admired  Air 
Laura  and  Lenza  [by  C.  Bossi],  arranged 
as  a  Rondo  for  the  Piano  Forte. 
Goiilding,  Phi^ij^s  £  D'Alntaine  :  London, 
[1800.]     fol.  h.  726.  c.  (27.) 

MONSERRATE  (Andres  de)  Arte  Breve, 
y  Compendiosa,  de  las  Dificultades  que  se 
ofrecen  en  la  i\Iusica  practica  del  canto 
lla.no,  etc.  Pedro  Patricio  Me i/ :  Vcdoicia, 
1614.     4".  K.  8.  f.  12. 

MONSIEUR  PANTIN.  :Monsieur  Pan- 
tin.  [Song.]  See  I.  I  sing  not  of  Battles, 
etc.  [1748.]  s.  sh.  fol.  G.  309.  (29.) 
Monsieur  Pantin.  Song.  .SV<;  I.  I  sing 
not  of  battles,  etc.     [1748.]     8'\ 

249.  e.  18. 

MONSIGNY  (Pierre  Alexandre)   Aline, 
Reine   de   Golconde.      [For   editions  and 
excerpts  published  anonymously :] 
Sec  Aline,  Reine  de  Golconde. 
Les   Aveux    Indiscrets.      Intermede,   etc. 
[Full  Score.]     [1759.]     fol. 
See  AvEux  Indiscrets.  H.  617.  c. 

Le   Barbier   de    Seville.       ^For   songs    in 
Beaumarchais'   play,  attributed  to  Mon- 
signy  and  published  anonymously:] 
See  Barrier  de  Seville. 
La  beaute  fait  toujours  voler  a  la  victoire. 
Sec  infra :  [La  Belle  Arsaie.'] 
La    Belle    Arsene.      Comedie    Feerie    en 
quatre  actes.     [Libretto]  Par  M""  [Favart], 
etc.     [1770  ?]     See  Belle  Arsene. 

H.  465. 
La  beaute  fait  toujours  voler  a  la  vic- 
toire. See  Beaux.  Les  beaux  Arts  sont 
les  dieux  du  temple  de  memoire.  Parodie. 
[Air :]  La  beaute  fait  toujours  voler  a  la 
victoire  [by  P.  A.  Monsigny]. 

B.  362.  a.  (120.) 

[Non,  j'ai  trop  de  fierte.]     No,  il  mio 

cor  nol  suffrira.     [Song.]     Sung  by  Sig" 
Banti,  efc.  Printed  for 

Corri,  Dussek  &  Co. :  London,  [1795.]    fol. 

G.  805.  d.  (17.) 


142 


MONSIGNY— MONTANUS 


MONSIGNY  (Pierre  Alexandre)  La 
Belle  Ai'seiic.  [For  songs,  &c.,  published 
anonymously :]  Sec  Belle  Arsene. 

Le  Cadi  Dup6.     Opera  Bouffon. .  .Mis  en 
Musique  par  IM--  *  *  *  [P.  A.  Mousigny.] 
1761.     fol.     See  Cadi  Dupe. 

H.  540.  a.  (2.) 
Le  Cadi  Dupe,  Opera-Comique  en  un  Acte  ; 
par  I'Auteur  du  ]\Iaitre  en  Droit :  [P.  R. 
Lemonnier] . . .  avec  les  Ariettes  &  Airs 
notes  [by  P.  A.  Monsigny].  1761. 
Sec  Theatre.  Nouveau  Theatre  de  la 
Foire,  etc.    Tom.  5.     1763.     8°. 

11735.  d.  2. 

[Le  Deserteur.]  The  Songs  &c.  in  the 
Deserter.  A  ^Musical  Drama  [translated 
and  adapted  by  C.  Dibdin]. .  .Composed 
by  Mess".  Monsigny, Philidor,  &  C.  Dibdin. 
Printed  for  J.  Johnston  it  Longman, 
Lnkey  d-  Go. :  London,  [1773.]     obi.  fol. 

F.  141.  b. 

[Le  Deserteur.]  The  Songs  &c.  in  the 
Deserter. .  .with  the  Additional  Songs  of 
the  Miller's  Daughter  [by  C.  Dibdin]. 

Longman  and  Brodcrip  :  London, 
[1785  ?]     ohl.  fol.  D.  274.  (2.) 

[Le  Deserteur.]  The  Deserter.  A  Musical 
Drama. .  .Composed  by  Slessrs.  Philidor 
[Monsigny]  &  Dibdin.  [1800.] 
Sec  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  X.  No.  2. 
[17'J7-1802.]     8".  T>.  854. 

A   Select  Overture  in   8  Parts,  etc. 

[Orchestral  Parts.]  Printed  for 

J.  Johnston,  etc. :  London,  [1773.]     fol. 

g.  474.  a.  (9.) 

The  Overture  to  the  Deserter,  ar- 
ranged as  a  Rondo  for  the  Piano  Forte, 
by  S.  Dussek.  Sec  Pleyel,  Corri  and 
DussEK.  Pleyel,  Corri  and  Dussek's 
Musical  Journal.  No.  2.  [P.  F.  Part.] 
1797.     fol.  g.  137.  (21.) 

[For  editions  and  excerpts  published 

anonymously :]  Sec  Deserteur. 

Partition  de  Felix,  ou  I'Enfant  Trouve. 
Comedie  en  trois  Actes  en  Vers,  et  en 
Prose  [by  M.  J.  S6daine],  etc.  [1781.]  fol. 
Sec  M.,  M.  G.  288.  a. 

[For  songs,  &c.,  published  anony- 
mously :]  See  Felix. 

Le  ]\Iaitre   en  Droit.     Opera  Bouffon  en 
deux  Actes.     [Libretto  by  P.  R.  Lemon- 
nier,] mis  en  musique  par  ]\lonsieur  *  *  * 
[P.  A.  Monsigny].     [Full  Score.] 
[1760?!     fol.     St'c  Maitre  en  Droit. 

H.  467. 

Le  Maitre  en  Droit,  etc.  (Airs  detaches 
du  Maitre  en  Droit.)  2  pts.  1760.  See 
The.^tre.  Nouveau  Theatre  de  la  Foire,  c^c. 
Tom.  5.     1763.     8".  11735.  d.  2. 

No,  il  mio  cor  nol  suff rira.  See  supra : 
[La  Belle  Ars&ne.    Non,  fai  trop  de  fierti.'] 


MONSIGNY  (Pierre  Alexandre)  On 
ne  s'avisc  jamais  de  tout.  Opera 
Bouffon  en  un  Acte  [by  IM.  J.  Sedaine], 
mis  en  musique  par  jMonsieur  *  *  *  [P.  A. 
Monsigny],  etc.  [Full  Score.]  [1702.] 
Sec  On  ne  s'avise  jamais  de  Tout. 

H.  617. 
[On  ne  s'avise  jamais  de  tout.]  ]\Ian  sieht 
niemals  alles  voraus,  ein  Singspiel,  etc. 
[Music  by  P.  A.  ^lonsigny.] 
Sec  Operettas.  Sammlung  der  komischen 
Operetten.     Band  II.     No.  3.     1772.     8'. 

B.  729, 

Le  Roi  et  le  Fermier.     [For  editions  and 
songs  published  anonymously  :] 
See  Roi  et  le  Fermier. 
Rose  et  Colas.     [For  editions  and  songs- 
published  anonymously :] 
Sec  Rose  et  Colas. 

MONSTER.     The  Monster.     Song. 
Sec  Hook  (J.) 

MONTAGNE.     La  Montague.     [Song.] 
Sec  On.     On  a  mille  gouts  diff^rends,  etc. 
[1793?]    8".  B.  362.  a.  (19.) 

La  Montague  d'Amour.     [Song.] 
Sec  Lampaeelli  (A.) 

MONTANOS  (Francisco  de)  Arte  de 
Canto  Llano.  Con  entonaciones  comunes 
de  Coro  y  Altar ;  y  otras  cosas  diuersas, 
como  se  vera  en  la  Tabla,  etc.  Francisco- 
de  Cea  Tcsa  a  costa  de  Andres  Lopez : 
Salamanca,  1610.     4'\  K.  1.  f.  6. 

Arte  de  Canto  Llano.  Con  entonaciones- 
comunes  de  Coro,  y  Altar,. .  .Nueuamente 
corregido,  y  enmendado  por  S.  Lopez  de 
Velasco,  etc.  En  la  Imprenfa  Beat : 

Madrid,  1648.     4".  K.  1.  f.  6*. 

Arte  de  Canto  Llano,  con  Entonaciones  de 
Coro,  y  Altar,  &c...y  Arte  Practico  de 
Canto  de  Organo  con  Motetes,  y  Lecciones 
diversas,  nuevamente  corregidos :  y  aora 
aumentadas ...  en  esta  vltima  Impression 
. . .  Por  Don  J.  de  Torres,  etc. 

En  la  hnprenta  Beal  dc  Miisica  : 
Madrid,  1734.     4".  547*.  d.  29. 

Arte  de  ]\Iusica  theorica  y  pratica,  etc. 

Diego  Fernandez  de  Cordoua  y  Obiedo  : 
Yalladolid,  1592.     4°.  K.  1.  f.  5- 

This  u-ork  consists  of  five  treatises  :  Arte 
de  Canto  llano  ;  Dc  Canto  de  Organo  ; 
De  Contra  punto ;  Dc  Compostura  ; 
De  Proporcion;  De  Lugares.  Each 
treatise  has  a  separate  title-page  and 
pagination.  The  register  of  the  five 
last  parts  is  continnons.  Lnperfect, 
toantinq  the  title-pages  of  the  second 
and  fifth  treatises.  Fol.  L  2  is 
vvutiiaicd.  Fol.  N  4  contains  a  n'ood- 
cnt  of  a  winged  lion  bearing  a  shield. 

MONTANUS  (Joannes)  Sec  Motets.— 
10.  Nouum  et  Insigne  Opus  Musicum, 
etc.  [With  dedications  signed  Joannes 
Montanus.]     1558.     obi.  4".      K.  3.  1.  1. 


MONTARIN— MONTE 


U3- 


MONTARIN  (  )      Que   Ton   chante. 

Air  P[l]aisa>it,  etc. 

IParis,]  1729.     s.  sh.  4".  298.  a.  8. 

Mcrcnrc  de  France,  Dec,  1729. 

MONTE    (FiLiPPO    Di)       Di    Filippo    di 

]\IoDte...Il  Primo  Libro  clelli  ]Madrigali, 

a  Sei  voci.  Nuouamente  ristampato.   Alto. 

Appresso  Girolamo  Scotfo : 

Tincgia,  1570.     4".  D.  160.  a. 

Di  Filippo  di  Monte... II  Primo  Libro 
delli  Madrigali,  a  Sei  voci.  Nuouamente 
ristampato.  Canto.  (Alto.)  (Teuore.) 
(Basso.)     (Quinto.)     5  j)t8. 

Aj)2^resso  I'  He  rede  di  Cnrohnno  Scufto  : 
Vincijia,  1574.     4".  D.  160.  q. 

Di  Filippo  di  Monte ...  II  Primo  Libro 
delli  Madrigali,  a  Sei  voci.  Nuouamente 
ri.stampato.  Canto.  (Alto.)  (Tenore.) 
(Basso.)     (Quinto.)     (Sesto.)     6  pts. 

7/  Heredc  di  Hieruni/mo  Scotfo  : 
Tinegia,  1582.     4".  D.  160.  i.  (1.) 

Di  Filippo  di  Monte... II  Secondo  Libro 
delli  Madrigali,  ii  Sei  voci.  Di  nuouo  da 
lui  Composti  &  dati  in  luce.  Canto. 
(Alto.)  (Tenore.)  (Basso.)  (Quinto.) 
5  pts.  Appresso  Girolamo  Scotto  : 

Yincgia,  15G9.     4".  D.  160.  r. 

[Another  copy.     Alto.]  D.  160. 

Di  Filippo  di  Monte... II  Secondo  Libro 
delli  Madrigali,  a  Sei  voci.  IM  nuouo  da 
lui  Composti  &  dati  in  luce.     Quinto. 

Aj'presso  Girolamo  Scotto : 
Yincgia,  1571.     4'.  D.  160.  p. 

Di  Filippo  di  Monte. .  .11  Secondo  Libro 
delli  Madrigali,  a  Sei  voci.  Di  nuouo 
ristampati.  Canto.  Apjvrssor  Heredc  di 
Girolamo  Scotto  :   Vinegia,  Ibli'^.     4". 

D.  160.  d. 
Di  Filippo  di  Monte. .  .11  Secondo  Libro 
delli  Madrigali,  a  Sei  voci.  Di  nuouo 
ristampati.  Canto.  (Alto.)  (Tenore.) 
(Basso.)     (Qv;into.)     (Sesto.)     G  pts. 

Appresso  V  Heredc  di  Girolamo  Scotto  : 
Vcneggia,  1582.     4".  D.  160.  i.  (2.) 

Di  Filippo  de  Monte... II  Quarto  Libro 
de  Madrigali  a  Sei  Voci.  Insieme  alcuni 
a  Sette.  Nouamente  Composti,  &  dati  in 
luce.  Canto.  Ajijyresso  Angela  Gardano  : 
Venetia,  1580.     obi.  4'\  A.  125.  i. 

Di  Filippo  de  !Monte...Il  Quinto  Libro 
de  Madrigali  a  Sei  Voci,  Nouamente 
Composti,  6c  dati  in  luce.  Canto.  (Alto.) 
(Tenore.)     (Basso.)     (Quinto.)     5  j)ts. 

Appresso  Angela  Gardano: 
Yinetia,15S4:.     obi.  4".  A.  125.  b. 

Pp>.  1-6  of  the  Canto  are  leanting. 

Di  M.  Filippo  di  Monte. .  .11  Primo  Libro 
delli  Madrigali,  a  Cinque  voci.     Tenore. 

Appresso  Girolamo  Scotto : 
Venegia,  1570.     4".  D.  160.  k. 

Di  Filippo  di  Monte ...  II  Primo  Libro 
delli   IMadrigali,  a  Cinque   Voci.     Canto. 


[Alto.]     2  pts.  Apjn-esso  V  Herede  di 

Girolamo  Scotto  :   Yine(igiu,  1576.     4". 

D.  160.  1. 
The  Canto  is  imperfect,  wanting  all  but 
sheet  A.     The  first  leaf  of  the  Alto  is- 
mutilated. 

Di  M.  Filippo  di  jMonte...Il  Secondo- 
Libro  delli  Madrigali,  a  Cinque  voci. 
Tenore.     [Canto.]     (Basso.)     3  pts. 

Ajjpresso  Girolamo  Scotto  : 

Yincgia,  1570.     4°.  D.  160.  m.- 

The  Canto  is  imperfect,  icanting  sheet  A. 

Di  Filippo  di  ]Monte...Il  Secondo  Libro 
delli  ^Madrigali,  a  cinque  voci.  Nuoua- 
mente Ristampati.  Canto.  (Alto.) 
(Tenore.)     3  pts.  Appresso  V  Herede  di 

Girolamo  Scotto  :   Yineggia,  1580.     i". 

D.  160.  f. 
Di  M.  Filippo  di  Monte ...  II  Terzo  LibrO' 
delli  IMadrigali,  a  Cinque  voci.  Con  vno  a 
sette  nel  fine.  Nuouamente  posto  in  luce.- 
Alto.     (Tenore.)     (Quinto.)     3  pts. 

Appresso  Girolamo  Scotto  : 
Yincgia,  1570.     4°.  D.  160.  b. 

Di  Filippo  di  Monte... II  Terzo  Libro 
delli  Madrigali  a  cinque  voci ...  Nuoua- 
mente ristampati.     Basso. 

Appresso  Girolamo  Scotto  : 
Yincgia,  1573.     4".  D.  160.  s. 

Di  Filippo  di  Monte.  .  .11  Terzo  Libro 
delli  Madrigali,  a  cinque  voci.  Con  vno 
a  sette  nel  fine.  Nouamente  ristampati. 
Canto.  Appresso  V  Herede  di  Girolamo 

Scotto:   Yineggia,  1581.     4".     D.  160,  h. 

Di  Filippo  di  Monte. .  .11  Quarto  Libro- 
delli  Madrigali  a  Cinque  Voci.  Nuoua- 
mente x>osti  in  luce.     Alto. 

Appresso  Girolamo  Scotto  : 
Yincgia,  1571.     4".  D.  160.  t. 

Di  Filippo  de]\ronte...Il  Sesto  Libro  delli 
Madrigali  a  Cinque  Voci,  Nouamente 
Ristampato.  Canto.  (Alto.)  (Tenore.) 
(Basso.)    (Quinto.)     5  pts. 

Ajpprcsso  Angelo  Gardano : 
Yenctia,  1-588.     obi.  4°.  A.  125.  e. 

Di  Filippo  de  ]Monte  ...  II  Settimo  Libro 
delli  Madrigali  a  Cinque  Voci,  Nouamente 
Ristampato.  Canto.  (Alto.)  (Tenore.) 
3  pts.  Appresso  Angelo  Gardano  : 

Yenctia,  1583.     obi.  4".  A.  125.  a. 

Di  Filippo  di  Monte  ...  II  Nono  libro  de 
Madrigali  a  cinque  voci.  Nouamente 
posti  in  luce.  Canto.  (Tenore.)  (Basso.) 
(Quinto.)     4  pts. 

Appresso  V Heredc  di  Girolamo  Scotto: 
Yineggia,  1580.     4°.  D.  160.  e- 

[Another  copj-.  Quinto.]  D.  160.  n. 
Di  Filippo  di  Monte  ...  II  Decimo  Libro- 
delli  IMadrigali,  a  cinque  voci.  Nouamente 
posti  in  luce.  Canto.  (Alto.)  (Tenore.) 
(Basso.)     (Quinto.)     5  pts. 

Appresso  V  Herede  di  Girolamo  Scotto  : 
Yineggia,  1581.     4°.  D.  160.  g^ 


144 


AIONTE— MONTEVERDE 


MONTE    (FiLiPPO    Di)       Di    Filippo    clc   i 
Monte  ...  II    Quartodecirao   Libro    delli 
Madrigali    a    Cinque    Voci.     Nouamente 
posti  in  luce.     Quinto.       .4p7)resso  Angclo 
Ganlano  :   Venctia,  1590.     obi.  4". 

A.  125.  f. 

II  Quintodecimo  Libro  de  Madrigali  a 
Cinque  Voci . . .  Nouamente  in  luce.  Canto. 
(Alto.)  (Tenore.)  (Basso.)  (Quinto.)  5pts. 
Ajiprcsso  Aiigelo  Gardano : 
Ycndia,  1592.     obi.  4".  A.  125,  g. 

Di  Filippo  di  Monte  ...  II  Secondo  Libro 
de  Madrigali  Spirituali  a  Sei  &  Sette 
voci.  Nouamente  . . .  composti,  &  dati  in 
luce.  [Canto.]  (Alto.)  (Tenore.)  (Basso.) 
(Quinto.)     (Sesto.)     6  pts. 

Ai)x>resso  Angclo  Gardcnw  : 
Ymctia,  1589.     obi.  4°.  A.  125.  h. 

The   Canto    ivants    the    title-page    and 
pp.  5,  6. 
Di  Filippo  di  ]\Ionte  ...  II  secondo  Libro 
delli  ]\Iadrigali,  a  quattro  voci.     Nuoua- 
mente  posti  in  luce.     Tenore. 

Appresso  Girolamo  Scotto  : 

Vinegia,  1569.     4".  D.  160.  o. 

La  Ruzina  Canzone  di  Filippo  de  Monte, 

iusieme  Un'  altra  di  Cipriano  de   Rore, 

Et  altri  Madrigali  de  diuersi  famosissimi 

Autori  a  Sei  Voci.     Nouamente  Stampata 

&  data  in  luce.     Canto.  Appresso 

Angclo  Gardano  :  1591.     4".      D.  160.  j. 

Tills  collection  also  contains  comjyositions 

by  Vccchi,  P.  A.  Bonini,  H.  Baccusi, 

G.  GabricU,  L.  Mira,  A.  Striggio  and 

•  L.  Marenzio. 

Philippi  de]\Ionte . . .  Sacrarum  Cantionum 
cum  quinque  vocibus  quae  vulgo  IMotetta 
nuucupantur  Liber  Primus.  Nunc  primum 
ab  ipso  in  lucem  teditus.     Altus. 

Apud  Hieronymtim  Scotum  : 
Venctiis,  1572.     4".  D.  160.  c. 

Philippi  de  INIonte  .  .  .  Sacrarum  Cantio- 
num, cum  Sex  Vocibus  Que  vulgo  Motecta 
nuncupantur. . .  Liber  Secundus.  [Cautus.] 
(Altus.)  (Tenor.)  (Bassus.)  (Quintus.) 
6  x:)ts.  Apud  Angclum  Gardanmn  : 

Vcnefijs,  1587.     obi.  4°.  A.  125.  c. 

ThcCantus  is  imperfect,  leanting  pp.  1-6. 

[Another  copy.     Altus.]  A.  125.  d. 

Sonetz  de  P.  de  Ronsard,  Mis  en  Musique 
a  5.  6.  et  7.  Parties,  etc.  [With  a  dedica- 
tion by  J.  A.  de  la  Chapelle.]  Superius. 
(Contra.)     (Tenor.)     (Bassus.)     4  pts. 

Par  Adrian  le  Roy,  ci  Robert  Ballard  : 
Paris,  1575.     obi.  4°.  A.  125. 

See  Gaedais^o  (Angelo)  Musica  di  Tredici 
Autori  .  .  .  Nella  quale  si  contengono  .  .  . 
Madrigali  .  .  .  delli  infrascritti  Autori  . . . 
F.  de  Monte,  etc.     1589.     4". 

K.  3.  g.  11. 

MONTE  (LoDOVico)  See  IMillioni  (P.) 
and  Monte  (L.)  Vero. .  .modod'  imparare 
a  sonare,  et  accordare. .  .la  Chitarra  Spag- 


nola. .  .con  vn'. .  .Alfabeto,  &  accordatura 
straordinarij  nouamente  inuentati  da 
P.  ]\Iillioni  &  L.  IMonte  Compagni,  etc. 
1637.     obi.  8\  K.  4.  a.  11. 

See  MiLLiONi  (P.)  and  IMonte  (L.)  Vero 
e  facil  modo  d' imparare  a  sonare...  la 
Chitarra  Spagnuola,  etc.     1678.     obi.  S". 

K.  4.  a.  10.  (1.) 

MONTECLAIR  (:Michkl  PIGNOLET 
DE)  Cantates  a  une  et  a  deux  voix  et  avec 
Sinfonie. .  .Second  Livre,  qui  contient  six 
Cantates  Fran(;;oises  et  une  Cantate 
Italiene.  Gravi  par  Dii  Plessis.  Chez 
VAuteur:  Pflris,  [1720.]  fol.  I.  309.  a. 
Les  Festes  de  I'Ete,  Ballet  en  Musique. . . 
Nouvelle  Edition.  J.  B.  G.  Ballard : 

Paris,  1716.     fol.  I.  309.  b. 

Jephte.  Trag^die  tiree  de  I'Ecriture 
Sainte,  mise  en  IMusique  .  .  .  Troisieme 
Edition,  revue,  augmentee  et  corig6e. 
Partition  Generalle.  Clicz  le  S''  Boivin  : 
Paris,  [1735?]     fol.  I.  309. 

Principes  de  Musique.  Divisez  en  quatre 
parties,  etc.  Chez  la  Veuve  Boivin  : 

Paris,  [1740  ?]     fol.  G-.  834. 

Wanting  the  last  leaf,  ivhich   has  been 
supplied  in  vianuscript. 

MONTELLA  (Giovanni  Domenico) 
Settimo  Libro  de  Madrigali  a  Cinqve  Voci. 
Canto.  (Alto.)  (Tenore.)  (Basso.)  (Quinto.) 
5  pts.  Per  Gio.  Battista  Sottile  : 

Napoli,  1605.     4^  K.  3.  i.  3. 

Secondo   Libro   de   Madrigali   a   Quattro 
Voci . . .  Raccolti   e   dati    in   luci   [with   a 
preface]  per  G.  F.  Benna.     Tenore. 
Nella  Stampa  di  Gio.  Battista  Sottile,  Per 
Scipionc  Bonino  :  Napoli,  1607.     4°. 

C.  267.  a. 

MONTERON  (  de)"  Le  Baiser.  Air. 
[Paris,^  1781.     8'\ 

Mercure  de  France,  Nov.,  1781,  p.  53. 

298.  f.  21. 

MONTEVERDE  (Claudio)  Canzonette 
a  Tre  Voci. .  .Libro  Primo.  Basso. 
Presso  G.  Vinccnzi,  d  E.  Amadino,  com- 
pagni :  Venetia,  1584.  8".  B.  252. 
II  Secondo  Libro  de  IMadrigali  a  Cinque 
Voci,  etc.     Quinto. 

Appresso  Angelo  Gardano :  Venetia,  1590. 
obi.  4°.  B.  252.  a. 

II  Secondo  Libro  de  ]Madrigali  a  Cinque 
Voci. .  .Nouamente. .  .corretto,  &  ristam- 
pato.  Canto.  (Alto.)  (Tenore.)  (Basso.) 
(Quinto.)  5  pts.  Appresso  Alessandro 
Rauerij  :  Venetia,  1607.  4\  D.  195.  d. 
II  Terzo  Libro  de  Madrigali  a  Cinque  Voci, 
Nouamente  ristanapato.     Basso. 

Aj^piresso  Ricciardo  Amadino  :   Venetia., 
1604.     4°.  D.  195. 

II  Terzo  Libro  de  ]\Iadrigali  a  Cinque 
voci. .  .Nouamente. .  .Ristampata.  Quinto. 
Stampa  del  Gardano.  Aj^presso  B.  Maqni : 
Venctia,  1621.     4\  D.   195.  c. 


MONTEVERDE— MONZANI 


145 


MONTEVERDE  (Claudio)  II  Quinto 
Libro  de  Madrigali  a  Cinque  Voci...Col 
Basso  continuo  per  il  Clauicembalo  Chit- 
taronc  od  altro  simile  istromento . . .  Di 
nuouo  Corretto,  &  Ristampato.     Canto. 

Apprcsso  Ricciardo  Amadino : 
Venetia,  1615.    i\  D.  195.  e. 

Basso  Continuo  del  Quinto  Libro  do  li 
Madrigali  a  Cinque  di  Claudio  jMontevcrdo. 
Quale  necossariamente  andcra  souato  per 
bisogno  dc  li  vltimi  sei  3Iadrigali,  &  per 
li  altri  a  bcueplacito.  Ap>prcsso  Ricciardo 
AimcUno :  Venetia,  1605.  4».  D.  195.  a. 
Del  Signor  Claudio  Monteverde ...  II  Sesto 
Libro  de  Madrigali  a  Cinque  Yoci  Con  un 
Dialogo  a  Settc.  Con  il  Basso  continuo 
per  potersi  Concertarc  nel  Clauicembalo  & 
altri  stromenti.  Nouamente  Ristampati. 
Canto.  (Alto.)  (Tcnore.)  (Basso.)  (Quinto.) 
(Basso  Continuo.)     6  pts.  titampa  del 

Gardano.  Appresso  Bartholomco  Magni : 
Venetia,  1620.     4".  D.  195.  b. 

Concerto.  Settimo  Libro  de  JIadrigali 
a  1.  2.  3.  i.  &  Sei  voci,  con  altri  generi  de 
Canti,.  .  .  Nouamente  Ristampato,  etc. 
Basso  Continuo.  Stampa  del 

Gardano.  Apprcsso  Bartolomco  Maqni : 
Venetia,  1628.     4'.  D.  195.  f, 

Scherzi  Musicali. .  .Raccolti  da  G.  C. 
Monteverde  suo  Pratollo,  &  Nouamente 
Ristampati.  A  Tre  Voci,  etc.  Stampa  del 
Gardano.  Apprcsso  Bartolomco  Magni: 
Venetia,  ie-2S.     fol.  K.  8.  li.  17. 

Wa)ttinij  the  last  leaf  (p.  13). 

MONTEVERDE  (GiuLio  Cesare)  Sec 
Mo>TEVERDE  (C.)  Scherzi  Musicali... 
Raccolti  da  G.  C.  Monteverde  suo  Fratello, 
etc.     1628.     fol.  K.  8.  h.  17. 

MONTFORT  (CoR^-EILLE  de) 

A'jBlOCKLAXD  DE  MOXTFORT  (C.) 

MONTHLY  BANQUET.    The  Monthly 
Banquet  of  Apollo.     Songs,  etc. 
See  Hook  (J.) 

MONTHLY  LYRIST.  The  Monthly 
Lyrist  or  Family  Concert.  [Songs,  etc.] 
See  DiBDiN  (C.) 

MONTHLY  MASK. 

See  Periodical  Publications. — London. 

MONTHLY  MUSICAL  JOURNAL. 

The  Monthly  ^Musical  Journal. 
Sec  Busby  (T.) 

MONTIGNY  (  de)      Amour,  cruel 

Amour,  laisse-moy  vivre  en  paix.  Air 
Nouvcau.     Paris,  [1678.]     s.  sh.  ohl.  4". 

P.P.  4482. 
Nouvcau  Mercurc   Galant,   1678,  July, 
p.  18. 

L'Amour    folatrant    I'autre    jour.       Air 
Nouvcau.     [For  two  voices.] 
[Paris,  1679.]    s.  sh.  obi.  i\    P.P.  4482. 
Nouvcau   Mercure   Galant,   May,  1679, 
p.  57. 

VOL.   II. 


MONTLAUR  (Isidore)  Recueil  do 
Romances  avec  xAccompaguement  de 
Forte-Piano,  etc.  Chez  Naderman  : 

Paris,  [1800?]     fol.     H.  2831.  h.  (21.) 

MONTLIVAULT  (  )  Chevalier  dc. 
Trois  Romances  avec  Accompagnement  de 
Piano  Forte.     [London,  1195?]     fol. 

H.  1677.  (58.) 

MONTRE.  La  Montrc  a  Repetition. 
[Soug.]  Sec  Jour.  Uu  jour  trouvaut 
Isabelle.     [1785?]     8".     B.  362.  g.  (85.) 

MONTUOLI  (Giuseppe)  Lettioni  per 
Koteggiare  a'  Voce  Sola  con  il  Suo  Basso 
continuo,  etc.  Per  Bartolomco  Gregori : 
Lucca,  1702.    ohl.  i".  B.  318. 

MONVILLE  (  de)     Pour  un  sunplc 

baiser.  ^u-...Avec  Accomp'  de  Gnitare 
par  Alberti.  Chez  M.  Camand  :  Paris, 
[1785?]    8^  B.  362.  c.  (41.) 

MONZA  (Carlo)     Sei  Quartetti,  per  Due 
Violini,  Viola  e  Violoncello  .  .   .  Op.  2^. 
[Separate  Parts.]  J.  Bland  :  London, 

[1788.]    fol.  h.  81. 

Sei  Trio  Concertanti  per  Duo  Violini  e 
Violoncello  Obligate,  etc.  [Separate  Parts.] 
J.  Bland  :  London,  [1785  ?]    fol. 

g.  222.  (14.) 

MONZANI  (Tebaldo)    Three  Duetts,  for 
two  German  Flutes  or  a  German  Flute 
&  Violin.  .  .Op.  10.     [Separate  Parts.] 
Preston  (C  Son  :  London,  [1800?!     fol. 

g.  280.  h.  (6.) 

A  Selection  of  Twelve  Psalms  and  Hymns, 
...  to  which  is  prefixed  a  Print  .  . .  The 
Drawing  &  Engraving  by  . . .  Rigaud  and 
Gardiner,  etc.  Monzani : 

[London,  1793.]    obi.  fol.  E.  1334. 

Six  Trios  for  two  Flutes  &  a  Bass,  with  a 
Thorough  Bass  for  the  Harpsichord,  etc. 
[Separate  Parts.]  Printed  for  the 

Author:  London,  [11857]    fol. 

g.  415.  (5.) 
[Another  copy.]  h.  2910.  a.  (8.) 

hnperfect,  wanting  the  Bass  part. 
Four  Trios  for  Two  German  Flutes  & 
Violoncello. .  .with  a  Thorough  Bass  for 
the  Piano  Forte.  To  which  are  annexed 
Several. .  .Songs  selected  from  the  Latest 
Italian  Operas  &c....Op.  vii.  [Separate 
Parts.]  Printed  fur  R.  Birchall :  London, 
[1795?]    fol.       '  g.  409.  a.  (7.) 

Three  Trios  for  Two  German  Flutes,  or 
Flute,  Violin,  and  Violoncello. .  .Op.  9. 
[Separate  Parts.] 

Printed  for  Culliford,  Rolf c  A  Barrow  : 
London,  [1798  ?]    fol.  g.  222.  (5.) 

Two   Trios,    [by   J.   C.   Bach   and   F.   C. 
Neubaur]   for    Two   Gorman    Flutes,    or 
Flute,  Violin  and  Violoncello,  selected  by 
T.  Monzani.     [Separate  Parts.] 
Monzani  :  London,  [1800  ?]    fol. 

g.  274.  b.  (3.) 

L 


146 


MONZANt— MOORINGS 


MONZANI  (Tebaluu)     Sec  Beetie  (W.) 

Earl  of  Abingdon.     Six...  Vocal   Pieces, 

.    .Arranged. .  .by  T.  Monzani. 

[1800?]    fol.  H.  2824.  (5.) 

MOON.     The  INIoon  with  borrow'd  lustre 

shone.     Song.     See  IMann  (P.) 
MOORE    (Thomas)  of  Glascjoio.      [Pages 
1-24  of  a  collection  of  Songs,  Catches  etc. 
edited  by  T.  Moore,  &  probably  forming 
part  of  his  work  '  The  Vocal  Concert.'] 
[Glasgoiv,  1761  ?]     4".  D.  385. 

The  Psalm-Singer's  Complcat  Tutor  and 
Divine  Companion  .  . .  Containing  a  Col- 
lection of  curious  Psalm-Tunes,  Hymns, 
and  Canons,  etc.  The  Second  Edition. 
Vol.  II.  Frinted  for  the  Author  : 

London,  [1752.]    obi.  8°.  A.  1043. 

This  collection  includes  compositions  by  J. 
Chesham,  J.  Bishop,  P.  D.,  Sheeles^, 
Romer,  F.  Hicks,  Jeremiah  Clark,  G. 
Gibbs,  J.  Church,  J.  Bloxo,  Hacndel, 
M.  Wise,  H.  Purccll  and  W.  Tansur. 
The     Psalm-Singer's     Delightful    Pocliet 
Companion.      Containing,    A    plain  .  .  . 
Introduction  to  Psalmody. .  .And  between 
Three  and  Fourscore  of  the  best  Psalm- 
Tunes  .  . .  With  variety  of  curious  Hymns 
and  Canons,  etc..  Printed  for  the 

Author  :  Glasgoiv,  [11627]    8".      B.  651. 

MOORE  (Thomas)  the  Poet.    See  M.,  T. 

MOOREHEAD     (John)       Absence,    an 
admired  Ballad,  sung  by  ]\Iiss  Daniels,  at 
Vauxhall,  the  Poetry  by  T.  Dibdin. 
Preston:  London,  [lld^ 7]     fol. 

H.  2830.  g.  (15.) 

Arrah  fait  but  the  Poet's  a  fool  here. 
See  infra  :  [TJie  Horse  and  Widoiv.] 
Ben  &  ]\Iary,  a  favorite  Ballad.     Sung  . . . 
at  the  Theatre  Royal  Haymarket  by  Mr. 
Trueman,  the  Words  by  T.  Dibdin. 

Longman  dementi  d-  Co. :  London, 
[1799.]    fol.  G.  249.  (37.) 

[Birds  of  a  Feather.]  How  can  you  re- 
fuse me,  insensible  j\Ian !  A  favorite 
Ballad  sung  by  ^liss  Bates  in  Birds  of  a 
Feather  at  Sadlers  Wells. 

Longman  if  Broderip  :  \Londo)i, 
179G?]     fol.  G.  367.  (45.) 

0   Love   what   the   deuce    do    you 

want.  A  favorite  Ballad  sung  by  Mr. 
Dighton  in  Birds  of  a  Feather  at  Sadlers 
Wells.  Longman  and  Broderip  : 

[London,  1196?]     fol.  G.  367.  (44.) 

Constant  Kate.  A  favorite  Ballad  .  .  . 
The  Words  by  C.  J.  Pitt. 

Longman  and  Broderip  :  [London, 
1790  ?]     fol.  G.  383.  j.  (20.) 

Duo  Concertante  for  Violins.  No.  1. 
[Separate  Parts.] 

Longman,  dementi  d  C''  :  London, 
[1800?]    fol.  g.  421.  m.  (4.) 

Elfin  away.     See  infra :  [The  Volcano.] 


MOOREHEAD  (John)    Fear  not  to  ask. 

See  infra  :  [TJie  Volcano.] 
The    Gallant    Forty    Second,  A  Favorite 
Scots   Ballad,   sung  by  Miss   Daniels   at 
Vauxhall  .  .  .  The  Poetry  by  C.  Dibdin, 
Junr.     Preston  :  London,  [1795  ?]     fol. 

H.  2830.  g.  (13.) 

[The  Horse  and  Widow.]  Arrah  fait  but 
the  Poet's  a  fool  here.  The  favorite  Song 
in  The  Horse  and  Widow  . . .  The  Words 
by  T.  Dibdin,  etc. 

Longman  Clementi  and  Co.  :  London, 
[1799.]    fol.  G.  249.  (36.) 

How  can  you  refuse  me,  insensible  man  1 
See  supra  :  [Birds  of  a  Feather.] 
[The  Naval  Pillar].  The  Overture  Songs 
Glees  and  Dance  in  the  New  Popular 
Entertainment  of  the  Naval  Pillar. .  .The 
Words  by  T.  Dibdin,  the  New  IMusic  com- 
posed by  J.  jMoorehead. 

Longman,  Clementi  &  Comp'J  :  London, 
[1799.]     fol.  H.  230.  h.  (4.) 

A  Pasticcio,  containing  music  by  Moore- 
head,  Callcott  and  Linley. 

0  Love  what  the  deuce  do  you  want. 
See  supra :  [Birds  of  a  Feather.] 

[Speed  the  Plough.]  The  favorite  Dance 
introduced  in  the  New  Comedy  called 
"  Speed   the   Plough  "...  Arranged  as  a 

1        Rondo  for  the  Piano  Forte. 

1  J.  Lonqman,  dementi  <0  Co.  :  London, 

[1799.]     fol.  H.  121.  (3.) 

I  [The  Volcano.]  The  Favorite  Overture 
with  the  movements  descriptive  of  the 
Volcanic  Eruption,  in  the  new  popular 
Pantomime  of  the  Volcano  . . .  Arranged 
for  the  Piano-Forte,  etc. 

Broderip  &  Wilkinson  :  London, 
[1799.]    fol.  g.  137.  (20.) 

Elfin   away.     Mr.  Denman's    Song 

. . .  The  Words  by  T.  Dibdin,  etc. 

Broderip  d  Wilkinson:  London, 
[1799.]     fol.  G.  249.  (35.) 

Fear  not  to  ask.     Miss  WJteatley's 

Song. .  .The  Words  by  T.  Dibdin,  etc. 

Broderip  and  Wilkinson  : 
London,  [1799.]     fol.  G.  249.  (34.) 

The  wind  in  wild  tornadoes  roar'd.    Negro 
Song  from  ]Mungo  Parke's  Travels,  versi- 
fied by  the  Rev"  S.  S.  Colman,  etc. 
Preston:  London,  [1800?]     fol. 

G.  805.  k.  (10.) 

Would  you  hear  a  lover's  ditty.  Trouba- 
dour Ballad.  The  Poetry  by  C.  Dibdin, 
Junr. .  .Arranged  for  the  Harp  and  Piano 
Forte  with  an  Accompaniment  for  a  Flute 
or  Violin  Preston  :  London, 

[1795?]    fol.  H.  2830.  g.  (14.) 

MOORINGS.    Moorings.     [Song.] 
See  Dibdin  (C.)     [Will  of  the  Wisp.] 


MORALE— MOREAU 


147 


MORALE.  La  Morale  de  Roger  Bon- 
Tems.  [Song.]  Sec  Nous.  {^Another 
Edition.]  Nous  n'avons  qu'uu  terns  .a 
vivre,  etc.     [1785  ?]     8\ 

B.  362.  a.  (181.) 

La  Morale  des  Republicaius.     [Song.] 
Sec  FBAN9AIS.     Fran^ais  puisqu'enfiu  la 
raison,  etc.     [1792  ?]     8". 

B.  362.  d.  (39.) 

MORALES  (Ckistoval)  Mariae  Cantica 
uulgo  ^Magnificat  dicta :  Psalmata  octo 
tetrapliona,  per  Ghristophorum  Moralem, 
aliosque  ^Musicos.  Adiecta  Touoruni  Octo 
singulorum  Symphona  isometra  cantus, 
per  quatuor  voces  Harmonia,  ad  Psalmum 
quemlibet  accommodabili. 
Impressiim.  .  .per  lacobiim  Modernum : 
Lugduni,  1550.     fol.  K.  9.  a.  10. 

Tlie  other  composers  of  this  collection  arc 
lacquet  and  Richafort. 

Magnificat  Moralis  Ispani  Cum  Quatuor 

Vocibus,  etc.  Cantus  (Altus.)  (Tenor.) 
(Bassus.)     i  pts. 

Apiul  Antonium  Gardanum  :  Venetijs, 
1559.    obi.  i\                            A.  296.  a. 

The  Altus   part  is  imperfect,  wanting 
pp.  7-30. 

^Magnificat  Omnitonum  Cum  Quatuor 
Vocibus.  Christophori  Jloralis  Hispani 
Aliorumq3  Excelleutium  Virorum  in  Am- 
plissima  hac  Forma  Caractereq;  perspicuo 
pro  Diuini  Cultus  Decore  atq;  Commodo. 
Summa  nuper  Diligentia  impressum  iu 
lucem  prodit. 

Apud  Antonium  Gardanum  :  Venetijs, 

1562.  fol.  K.  9.  a.  11. 
This  collection  contains  settings  of  the 

Magnificat    by   Morales,    Carpentras, 
Jachet  and  Richafort. 

Magnificat  Moralis  Ispani  Cum  Quatuor 

Vocibus,  etc.    Tenor. 

Appresso  Francesco  Rampazetto  :  Vcnetia, 

1563.  obi.  i".  A.  296.  c. 
The    date    {in    the    colophoyi)   has   been 

entered  in  manuscript  to  1593. 

Magnificat  Moralis  Ispani  cum  Quatuor 
Vocibus,  etc.     Bassus. 
Apud  Claudium  Correggiatem :   Venetiis, 
1568.    obi.  4\  A.  296. 

[Escellentissimi  Musici  Moralis  Hispani 

Gomberti,  ac  Jacheti  cum  Quatuor  Vocibus 

Missse,   Nouissime. .  .in   lucem   isditse... 

Liber  Primus.  Cantus.]  (Altus.)  (Bassus.) 

3  pts.  [Apud  Hieronymum  Scotum  : 

Venetiis,  1540.]    obi.  4".  A.  296.  d. 

Imperfect,  luanting  the  title-page  of  the 

Cantus.     The  title-pages  of  the  Altus 

and     Bassus     read :      "  Missx    cum 

Quatuor     Vocibus,     Nouissime    omni 

diligentia    in    lucem    Kditx.      Altus 

(Bassus)."     The  foliation  of  each  part 

begins  at  ru. 


MORALES  (Cristoval)  Sec  Alvarez 
Frouvo  (J.)  Discursus  sobre  a  perfeic'am 
do  Diathesaron  e  reposta  sobre  os  tres 
breves  negros  de  Christovao  de  Morales,  etc. 
1662.    4».  K.  8.  c.  17.  (1.) 

See  GoMBERT  (N.)  Nicolai  Gomberti . . . 
Pentapbtbongos  Harmonia  .  .  .  Additis 
nunc  eiusdem  quoq3  ipsius  Gomberti, 
necnon  lacbetti,  &  Morales  Motettis... 
Liber  Primus.     1541.     obi.  4^       A.  215. 

See  Motets. — 4.  Motetta  Trium  Vocum 
ab  Pluribus  Authoribus  composita  quorum 
nomina    emit. .  .Morales    Hispanus,    etc. 

1543.  obi.  4".  K.  3.  d.  7. 

See  Rhau  (G.)  Postremum  Vespertini 
Officii  Opus,  etc.  (Magnificat  Octo  Tono- 
rum. .  .Moralis   Hispani,  etc.) 

1544.  obi.  4°.  K.  4.  d.  14. 

MORALES  (Cbistoval)  and  LUPUS 
(Joannes)  Quinque  Missarum  Harmonia 
cum  Quinque  Vocibus  quarum  nomina 
subscquuntur.  Moralis  Hispani.  Lomme 
Arme.  Queramus  cum  pastoribus.  De 
beata  Virgine.  loannis  Luppi.  Surrexit 
Pastor  bonus.  Veni  sponsa  Cbristi. 
Recens  in  lucem  sedita,  ac  denuo... 
recoguita.     Altus. 

Apud  Hieronymum  Scotum  :  Venetijs, 
1565.    obi.  4".  A.  296.  b. 

MORAND  (Pierre  de)  Justification  de 
la  jMusique  Fran(;^oise.  Centre  la  Querelle 
qui  lui  a  ijt6  faite  par  uu  Allemand  [P.  jM. 
von  Grimm]  ct  un  AUobroge  [J.  J.  Rous- 
seau], etc.  [By  P.  de  Morand.]  1754.  8°. 
,See  Justification.  1103.  b.  22  (9.) 

MORANGE  (L.)  Fr^degilde,  ou  le 
Udmon  familier;  Drame  a  grand  spectacle, 
en  quatro  Actes. .  .Paroles  de  J.  G.  A. 
Cuvollier,  et  do  J.  B.  Hapdd.  Musique 
arrangee  par  L.  Morange. .  .Avec  les  Airs 
not^s.  Chez  Barba :  Paris,  An  Septieme 
[1799.]    8".  11738.  c.  40.  (8.) 

MORE.  IMore  brigbt  tbe  sun  began  to 
dawn.    A  New  So7ig.     [London,  1757.]   8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XXI.,  p.  224. 

More  bright  the  Sun  began  to  dawn. 
A  New  Song.  Sung  by  Miss  Stevenson, 
at  Vaux-Hall. 

[London,  1753.]     S".  158.  1.  3. 

London  Magazine,  1758,  p.  44. 

MORE  (Isabella  Theaker)  The  Walls 
of  my  iprison,  a  favorite  Ballad  written 
by  I.  F.,  etc.  Printed  for  G.  Goulding  : 
London,  [1785  ?]    fol.  G.  377.  (37.) 

MOREAU  (  )  Harpist.  A  Collection  of 
Favourite  French  Songs,  with  an  Accom- 
panyment  for  the  Harp  or  Piano  Forte  to 
which  is  added  a  Lesson  for  the  Harp,  etc. 
Longmayi  and  Broderip :  London, 
[1780  ?]    obi  4».  E.  601.  d.  (12.) 

L  2 


148 


]\IOREAU— MOBIN 


MOREAU  (Jean  Bapxiste)  Clioeurs  de 
la  Tragedie  d'Esthor  [by  J.  Racine],  Avec 
la  IMusique,  etc.  Chez  D.  Thierry  : 

Paris,  1689.    4".  640.  k.  9.  (2.) 

MOREL  (  )  A  I'ombre  d'un  hetre. 
Musette,  etc.     [Paris,']  1737.     s.  sh.  4". 

297.  b.  17. 

Mercurc  de  France,  Jan.,  1737. 
Aussi  prompt  qu'un  eclair.     Aii\  etc. 
[Paris,']  1728.    s.  sh.  4°.  297.  a.  34. 

Mercurc  cle  France,  July,  1728. 
Buvons  tretous,  cbers  camarades.    Air  dcs 
Mil'wieuf:.     (Les   Paroles   et    la   Musique 
sout  de  ]M.  Morel.) 
[Paris,]  1734.     s.  sh.  4".  297.  b.  5. 

Mcrcure  de  France,  August,  1784. 
Daus  le   sein  du   repos.     Chanson.     (Ces 
Paroles   sont   de  INT.  Morel,  ainsi   que   la 
Musique.)     [Paris,]  1734.     s.  s7(.4\ 

297.  b.  5. 
Mercure  de  France,  Oct.,  1734. 

Un   Daupbin,   morgue,   viaut   de   naitre. 
Chanson  Paysanne.     (Ces  Paroles,  aussi- 
bien  que  la  Musique,  sont  de  J\I.  INIorel.) 
[Paris,]  1729.     s.  sh.  4°.  298.  a.  8. 

Mercure  de  France,  November,  1729. 
Encbaute   des  yeux   de  Silvie.     Clianson.. 
Sur   uu  Amant   qui   trouva  sa  Maitresse 
mariee   au   retour   d'un  voj'age.     [Words 
and  music  by  Morel.] 
[Paris,]  1727.     s.  sh.  4".  297.  a.  25. 

Mcrcure  de  France,  Jan.,  1727. 

L'Hiver,    Cbanson.      Les     Paroles    &   la 
?»Iusique  sont  de  M.  Morel. 
[Paris,]  1739.     s.  sh.  4".  298.  b.  2. 

2Iereure  de  France,  Oct.,  1739. 

Morgue,  Piarrot,  morgue.  Air  Paysan, 
du  terns.  (Les  paroles  &  la  Musique... 
sont  de  M.  iMorel.)    [Paris,]  1728.    s.  sh.  4". 

298.  a.  1. 
Mercurc  de  France,  Sept.,  1728. 

Printems   en   Gavotte,  etc.     (L'Air  &  les 
paroles  sont  de  M.  Morel.) 
[Paris,]  1727.     s.  sh.  4°.  297.  a.  26. 

Mercure  de  France,  April,  1727. 

Primtems,  par  ton  retour.    Air,  etc. 
[Paris,]  1735.     s.  sh.  4".  297.  b.  8. 

Mercurc  de  France,  April,  1735. 

MOREL  (Federic)  See  Bacciiius, 
Senior.  Baccbii  Senioris. .  .Eio-a7to7T;. . . 
P.  Morellus. .  .recensuit.  .  .Latine  vertit, 
&  Notis  illustrauit.     1G23.     8'. 

1042.  e.  8. 

MORETON  (John)   Sacred  Melody,  being 
Fifty  Psalm   &    Ilynni    Tunes,    in   Four 
Parts,  witb    Entire    New    IMusic   set   to 
tbe  Works  of  Dr.  Watts  &  Otbers,  etc. 
The  Author  :  Birmingham,  [limi]    fol. 

G.  503.  (6.) 

MORETTI  (Federico)  Priucipios  para 
tocar  la  Guitarra  de  Seis  Ordenes,  prece- 


didos  de  ios  Elemeutos  Geuerales  de  la 
INIusica,  etc.     2  pts.  Orahados  par 

Josef  Rico  :  Madrid,  1799.     obi.  fol. 

7896.  de  32. 

MORGAN  (  )  Tliougb  jocund  j\Iay 
returns  again.  A  New  Song ..  .[\Yordis] 
From  tbe  Lady's  own  IMcmorandum  Book 
for  1774,  etc.  Pigg  and  Cox  :  [London, 
1773.]     s.  sh.  4'.  P.P.  5141. 

Lady's  Magazine,  Supplement,  1773. 

See  JoYFur,  Cuckoldom.  [Joyful  Cuckol- 
dom...A  Collection  of  New  Songs. .  .by 
. . . Mr.  Morgan,  etc.]     [1690  ?-6  ?]     4°. 

C.  180.  a. 

MORGAN   (George)     By  sbady  Woods 
and   purling   Streams.     Two   Part   Song. 
[By  G.  Morgan.]     [1720  ?]     s.  sh.  fol. 
Sec  By.  G.  306.  (239.) 

[Anotber  edition.]  By  sbady  Woods  & 
purling  Streams.  A  Two  Part  Song,  etc. 
[London,  1730  '?]     s.  sh.  fol. 

G.  316.  (h.  8.) 

Wby  sbould  Love.     A  Song,  tbe  Words 
by  Mr.  Tbeobald. 
[London?  ITdO?]     s.sh.iol. 

I.  600.  (109.) 

MORGUE.     Morgoi !    faut    il    que    j'  te 
riviere.     Ah!    si  j'  te  fnais,  ou  la  Pay- 
sanne difficile.     Dialogue  Villageois. 
[Paris,  i785  ?]     8°.  B.  362.  c.  (4.) 

iMorgue !  la  cbarmante  nouvellc.  Cban- 
son.    See  Adnin  (     ) 

Morgue,  Piarrot,  morgue.     Air. 
See  jMorel  (     ) 

MORIAMO.     Moriamo  mia  vita.     Song. 
See  x\nfossi  (P.)     [Zetiohia  in  Palmira.] 

MORIGI  (Angelo)  Senate  a  Violino  e 
Basso.  Opera  ii.  Printed  for  J.  Joh)ison  : 
London,  [1765  ?]     fol.  g.  503.  (4.) 

Six  Sonatas  for  Two  Violins  witb  a 
Tborovigb  Bass  for  tbe  Harpsicord  or 
Violoncello.     [Separate  Parts.] 

Printed  for  I.  Walsh  : 
London,  [1160?]     fol.  g.  278. 

MORIN  (Jean  Baptiste)  Cantates  Fran- 
(,'oises  a  une  et  deux  voix,  melees  de 
Sympbonies,'.  .  .  Livre  Premier  .  .  .  Nou- 
velle  Edition  (Livre  Second).     2  pts. 

Chez  C.  Ballard : 
Paris,  1709,  1707.     obi.  4°.  B.  335. 

La  C'basse  du  Cerf,  Divertissement  cbante 
devant  Sa  Majesty  a  Fontainebleau  le 
25""=  jour  d'Aoust  1708 . . .  mel6  de  plusieurs 
Airs  a  boire.  Chez  C.  Ballard  : 

Paris,  1709.    obi.  4".  B.  335.  a.  (1.) 

Motets  a  une  et  deux  Voix,  m^lez  de 
Sympbonies  .  .  .  Livre  Premier  (Second). 
2  Liv.  Chez  C.  Ballard  : 

Paris,  1704(-9).     fol.  H.  1035. 


MOEISON— MORLEY 


149 


MORISON  (John)  A  CoUection  of  New 
Strathspey  Reels,  with  a  few  favourite 
Marches,  for  the  Piano-Forte,  Violin  and 
Violoncello,  etc. 

Goto  &  Shepherd,  for  the  Author  : 
Edinbtirgh,  [1800.]     fol.  g.  97.  (1.) 

MORIZOT  (    )     Au  d^faut  de  Lrillantes 
fleurs.     Air  Sirieux. 
[Paris,}  1737.     s.  sh.  4".  297.  b.  20. 

Mercure  de  France,  Oct.,  1737. 
Vous  pr^tendez  en  vain.     Chanson,  etc. 
[Paris,]  173G.     s.  sh.  4".  297.  b.  13. 

Merciire  dc  France,  March,  1736. 

MORLANNE  (  de)  La  Saison  du  Bel 
Age.  [Song.]  Z^lusique  de  M.  de  'Mov- 
laune  Taiue.  Chez  Ics  Frerrs  Saviqny  : 
[Paris,  1785  ?]     8°.  B.  362.  f.  (44.) 

Si  vous  empruutez  1'  air  de  la  Folie. 
Impromptu,  [Song.]  Paroles  et  Musiquo 
de  M'  de  Morlanue  I'Ainc. 

Chez  Ics  Fnhcs  Scivigny  : 
[Paris,  1785  ?]    8".  B.  362.  f.  (52.) 

[Another  copy.]  B.  362.  b.  (137.) 

See  Blin  de  la  Codre  (M,  S.)  Le  Gout  dc 
bien  des  gens.  Air  .  .  .  Accomp'  de 
GuitarreparM'DeMorlannc.    ri785?]   8°. 

B.  362.  f.  (43.) 

MORLEY  (Thomas)  Of  Thomas  :Morlcy 
the  First  Booke  of  Balletts  to  Five  Voyces. 


Cantus.       (Alius.) 
(Quintus.)     5  pts. 
London,  1595.     4°. 
[Another  copy.] 
Di  Tomaso  Morlei 


(Tenor.)       (Bassus.) 

Thonas  Esie : 

K.  3.  i.  4. 

K.  3.  i.  5. 

II  Primo  Libro  delle 
Ballette  a  Cinque  Voci.     Alto. 
Appresso  Tomaso  Estc  :  TaOndra,  1595.     4". 

55.  b.  20.  (4.) 
Of  Thomas  Jlorley  the  First  Booke  of 
Balletts  to  Five  Voyces.  Cantus.  (Bassus.) 
2  pts.  Thomas  Este,  the  assigne  of 

Thomas  Morley  :  London,  1600.     4". 

K.  3.  i.  6. 

[First   Booke   of   Balletts.]     Now   is   the 
Month  of  Maving.     Glee  for  five  voices. 
[London,]  1792.     s.  sh.  4".       P.P.  5141. 
Lady's  Magazine,  Oct.,  1792. 

Of  Thomas  i\Iorley  the  First  Booke  of 
Canzonets  to  Two  Voyces.  Cantus. 
(Tenor.)     2  pts.  Tliomas  Este  : 

London,  1595.     4".  K.  3.  i.  8. 

Of  Thomas  Morloy  the  First  Booke  of 
Canzonets  to  Two  Voyces.     Cantus. 

Thomas  Snodham,  for  Matthew  Loivnes 
and  lohn  Browne  :  London,  1619.    4°. 

K.  3.  m.  10. 

Flora,     thou    wilt     torment     me. 

Favourite  Canzonett,  etc.  [London,] 

1794.     s.  sh.  4°.  P.p.  5141. 

Lady's  Magazine,  April,  1794. 

Go  ye  my  Canzonets.     A  Canzonet 

for  Two  Voices.  R.  Falkcner  :  London, 
[1775?]    s.  s/j.  fol.        H.  1994.  a.  (75.) 


MORLEY  (Thomas)  [Of  Thomas  :Morley 
the  First  Booke  of  Canzonets  to  Two 
Voyces.]  Go  ye  my  Canzonets.  A  Favorite 
Canzonet,  etc.      [London,  1775.]     s.  sh.  4°. 

P.P.  5141. 
Lady's  Magazine,  1775,  Supplement. 

Sweet  nymph  come   to   thy  lover. 

A  Canzonet  for  Two  Voices. 

B.  Falkener  :  London,  [1775  ?]     s.  sh.  fol. 

H.  1994.  a.  (49.) 

Sweet   nymph   come  to  thy  lover. 

Canzonet,  etc.      [London,  1783.]     s.  sh.  4". 

P.P.  5141. 
Lady's  Magazine,  June,  1783. 

When  in  the  break  of  morning.     A 

Favourite  Canzonet,  etc.  [London, 

1776.]     s.  sh.  4°.  P.P.  5141. 

Lady's  Magazine,  April,  1776. 
Canzonets.       Or    Little   Short   Songs    to 
Three    Voyces,     etc.      Cantus.       (Altus.) 
Bassus.)     6  pts.      Thomas  Est,  the  assign^ 
of  Williavi  Byrd  :  London,  1593.     4°. 

K.  3.  i.  7. 
Canzonets.  Or  Little  Short  Songs  to 
Three  Voices  ;  . . .  Now  Newly  Imprinted 
with  some  Songs  added  by  the  Author. 
Cantus.  (Altus.)  (Bassus.)  L.  P.  3  pts. 
Tliomas  Este,  the  assigne  of  Willia^n 
Barley:  London,  1G06.  4'\  C."  8.  i.  12. 
Canzonets.  Or  Little  Short  Songs  to  Three 
Voyces  . . .  Now  Newly  Imprinted  with 
some  Songs  added  by  the  Author.  Cantus. 
(Altus.)  (Bassus.)  3  pts.  William  Stansby, 
Piichard  Eaxchings,  George  Latham : 
London,  1&?,1.    4".  K.  3.  i.  11. 

Canzonets.  Or  Little  Short  Songs  to  Foure 
Voyces :  celected  out  of  the  best  and 
approued  Italian  Authors.  By  T.  Morley, 
etc.  Cantus.  (Altus.)  (Tenor.)  (Bassus.) 
4  pts.     Peter  SJiort :  London,  1597.     4°. 

K.  3.  i.  10. 

This  collection  contains  compositions  by 
G.  Bassano,  G.  Croce,  F.  Anerio,  T. 
Morley,  Ij.  Viadana  and  II.  Vecchi. 
Canzonets  or  Little   Short   Aers  to   Five 
and  Sixe  Voices.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)     (Quintus.)     5  pts.  Peter 

Short  :  London,  1597.  4".  K.  3.  1.  9. 
The  First  Booke  of  Consort  Lessons,  made 
by  diuers  exquisite  Authors,  for  sixe 
Instruments  to  pla}''  together ;  viz.  the 
Treble  Lute,  the  Pandora,  the  Citterne, 
the  Base-VioU,  the  Flute,  and  the  Treble- 
Violl.  Collected  by  Thomas  Morley, 
Gentleman,  and  now  newly  corrected  and 
inlarged. 

Thomas  Snodham  foi'  John  Browne, 
the  Assign^  of  William  Barlcii :  London, 
1611.     4°.  K.  1.  i.  7. 

The  Flute  part  only. 

Go  ye  my  Canzonets.  See  supra :  [First 
Book  of  Canzonets.] 

A  Plaine  and  Easie  Introduction  to  Prac- 
tical! Musicke,  set  downe  in  forme  of  a 


150 


MORLF.Y— IMOKNING 


dialogue :  Diuidod  into  three  partes  .   .   . 
With  new  songs  of  2.  3.  4.  and  5.  parts. 
Peter  Short :  London,  1597.     fol. 

K.  3.  m.  16. 

[Another  copy.]  59.  c.  16. 

A  Plaine  and  Easie  Introduction  to 
Practicall  ]\Iusicke,  Set  downe  in  forme 
of  a  dialogue  :  Diuided  into  tlu'ee  parts. . . 
With  new  songs  of,  2.  3.  4.  and  5.  parts. 
MS.  NOTES  [by  W.  Jackson  of  Exeter]. 
Hwnfrcy  Lowncs  :  London,  1608.     fol. 

K.  3.  m.  12. 
TJtis  copy  belonged  to  Thomas  Linley, 
and  contains  his  autograph. 
[Another  copy.]      few  ms.  notes  [by  C. 
Burney].  785.  1.  3. 

A  Plain  and  Easy  Introduction  to  Practical 
Music ...  As  Printed  in  the  year  1597,  etc. 
[With  an  Appendix  of  Motets,  &c.  in  score.] 
William  Randall :  London,  1771.     4". 

7897.  h.  54. 
[Another  copy.]  59.  b.  2. 

Madrigalls  to   Foure  Voices   newly  pub- 
lished .  .  .  The   Firste   Booke.      Cantus. 
(Altus.)     (Tenor.)     (Bassus.)     4  pts. 
Thomas  Est :  London,  1594.     4". 

K.  3.  i.  12. 

[Another  copy.]  K.  3.  i.  13. 

Madrigals  to  Foure  Voices . .  .  Now  Newly 
Imprinted  with  some  Songs  added  by  the 
Author.     Tenor.     (Bassus.)     2  pts. 
Thomas  Este,  the  assigne  of  Thomas  Morley : 
London,  IGOO.     4".  K.  3.  m.  11. 

Madrigals  to  fiue  voyces.  Celected  out  of 
the  best  approucd  Italian  Authors.  By 
T.  Morley,  etc.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)     (Quintus.)     5  pts.  Thomas 

Este  :  London,  1598.     4".       K.  3.  i.  14. 
Tliis  collection  contains  compositions  by 
A.  Fcrabosco,   B.  Mosto,    G.   Fcretti, 
N.    Giovanclli,   H.   Tccchi,    G.  Belli, 
A.  OroJogio,  L.  Marenzio,  H.  Sabino, 
Peter  PliiUiis,  S.  Yenturi  and  G.  di 
MacqiLC. 
Sweet  nymph  come  to  thy  lover. 
See  supra  :  [First  Book  of  Canzvnets.'] 
Madrigales.      The   Triumphes  of  Oriana, 
to  5.  and  6.  voices :  composed  by  diuers 
seuerall   aucthors.     Newly  published   by 
T.  Morley,  etc.    Cantus.    (Altus.)    (Tenor") 
(Bassus.)     (Quintus.)     (Sextus.)     6  pts. 
ThomasEste,  thcassigneof  Thomas  Morley : 
London,  1601.     4°.  K.  3.  i.  15. 

The  authors  of  these  madrigals  are  :  M. 
Este,    D,    Norcome,    T.    Morley,    E. 
Gibbons,  J.  Benet,  J.  Hilton,  G.  Mar- 
son,  B.  Carlton,  J.  Holmes,  B.  Nicol- 
son,  T.  TomMns,  M.  Cavendish,   W. 
Cobbold,   J.   Farmer,   J.    Wilbye,    T. 
Hunt,  T.  Weelkes,  J.  Milton,  G.Kirbye, 
R.  Jones,  J.  Lisley  and  E.  Johnson. 
See  Apollonian  Harmony.     Apollonian 
Harmony  :    a  Collection  of .  . .  Glees ...  by 
...Morley,  e^c.     [1790?]    8".        E.  255. 


MORLEY  (William)  and  ISUM  (John) 
A  Collection  of  New  Songs  set  to  Musick 
by  W.  Morley  and  J.  Isum.  With  a 
Tliorough-bass  to  each  Song,  all  transpos'd 
for  the  Flute:  and  fairly  Engraven  on 
Copperplates.     {London,  11101']     fol. 

G.  117. 

MORN.  The  Morn  no  more  with  cheerful 
ray.     Eondo.     See  Hook  (J.) 

The  Morn  of  Valentine.     [Song.] 
See  CorE  (W.  P.  R.) 

The  Morn  was   fair.      Mira  and    Colin. 
[Song.]    [London,  1766.]   8".    158.  1.  11 
London  Magazine,  1766,  p.  319. 

The  IMorn  was  fair.  Mira  and  Colin.  A 
New  Song.     {London,  1766.]     8». 

P.P.  5441. 
Boycd  Magazine,  Vol.  XIV.,  p.  321. 

The  Morn  was  fair.  Mira  and  Colin.  A 
New  Song.     [London,  1766.]     8". 

P.P.  5438.  z. 
Universal   Magazine,    Vol,   XXXVIII. , 
p.  210. 

MORNING.      Morning.      [Song,   begins: 
'  In  the  Barn,  the  tenant  Cock.'] 
,^ee  Haydn  (F.  J.)     {Symphonies.     B.  d 
H.  No.  53.   Andante.] 

[Another  setting.]     Morning.    Ballad  [be- 
gins :  '  In  the  barn  the  tenant  cock  ']. 
See  Stevenson  (Sir  J.  A.) 

The  ilorning  Air.  Song.  See  Would. 
Would  you  taste  the  morning  air,  etc. 
[1752.]     8°.  P.P.  5438.  z. 

The  IMorning  Cloud  was  ting'd  with  Gold. 
Colin  and  Dolly.     A  Song.  {London, 

1750?]     s.  s7f.  fol.  G-.  312.  (80.) 

London  Magazine,  1754. 

The  IMorning  Cloud  was  ting'd  with  Gold. 
Colin  and  Dolly.     A  new  Song. 
{London,  1754.]     8^  157.  1.  16. 

London  Magazine,  1754,  j'-  516. 

The  Morning  Cloud  was  ting'd  with  Gold. 
Collin  and  Dolly.     A  New  Song. 
{London,  1755.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XVI.,  p.  84. 

The  Morning  Cloud  was  ting'd  with  Gold. 
Colin  and  Dolly,  etc.     [Song.] 
{London,  1755.]     s.  sh.  S". 

P.P.  5439.  ab. 
Universal  Magazine,  April,  1755. 

The  jMorning  Conversation.     Song. 

See  Vainly.     Vainly  now  you  strive   to 

charm  me,  etc.     [1750]     8". 

P.P.  5438.  z. 

The  Morning  fresh.     Duett. 
See  Know  your  own  Mind. 

The  Morning  Invitation.     [Song.] 
See  FiSHEE  (J.  A.) 


IMOKNING— MORTELLARI 


151 


MORNING.  The  Morning  Invocation. 
Song.  See  Arise.  Arise  my  Flavia,  let 
us  haste,  etc.    [1790  ?]     fol. 

G.  808.  f.  (4.) 

The  Morning  is  charming,  all  Nature  is 
gay.    A  new  Hunting  Song,  the  Music  by 
a  Gentleman. 
[London,  1745  ?]     s.  sh.  fol. 

H.  1994.  b.  (52.) 

[Another     edition.]       The     morning    is 
charming,  all  nature  is  gay.     A  Hunting 
Song.     [Words]  By  C.  L.  Esq. 
[London,  1747.]     8°.  249.  c.  17. 

Gentleman's     Magazine,     Vol.     XVIL, 
p.  39. 

[Another     setting.]       The     ]\Ioming    is 
charming,  all  nature  is  gay.     Song. 
See  Ridley  (    ) 

MOEO  (GiACOMO)  Concerti  Ecclesiastici 
.  .  .  Nelliquali  si  contengono  Mottetti, 
]\Iagnificat,  &  Falsibordoni  A  una,  Due 
Tre,  Quattro,  Sei,  &  Otto  uoci  . . .  Con  il 
Basso  continuo  per  1'  Organo  . . .  Opera 
Ottaua,  etc.  Tenoro.  (Altus.  Secondo 
Choro.)     2  pts.  Ajipresso  Ricciardo 

Amadino :    Vcnetia,  1604.     4".         D.  59. 

lacobi  j\Iori  Yiadanse  Concerti  Ecclesias- 
tici I.  II.  III.  et  iiii.  Vocuni.  Cum 
Basso  Continuo  ad  Organum.  Editio 
Altera.  Cantus  ii.  (Bassus.)  (Basso 
Continuo.)     3  pts.  Apud  Petrum 

riialesium  :  Antuerpix,  1621.     4°. 

C.  268. 
The  Bassus  Part  is  imperfect,  u-antinti 
pp.  3-11. 

MORPHEUS.      :\Iorpheus    thou    gentle 
God.     Song. 
See  PuRCELL  (D.)     [lpMgenia.'\ 

MORSOLINO  (Antonio)  II  Primo  Libro 
delle  Canzonettia  Tre  Voci,. .  .Con  alcune 
altre  de  diuersi  Eccellenti  Musici,  etc. 
Canto  I.  (Canto  ii.)     (Basso.)     3  pts. 

Appresso  Eicciardo  Anuidino : 

Venetia,  1594.     4".  K.  3.  i.  16. 

TJtis  work  contains  8  Canzonets  by   A. 

Morsolino,  4  by  Hnomo  Bnono  Morso 

lino,   4   by   C.   Monteverde,   1   by   O. 

Yecclii  and  4  anonymous. 

MORTARO  (Antonio)  Fiammelle 
Amorose  a  Tre  Voci  .  .  .  Libro  Primo. 
Nouamente  Ristampate.  Canto.  (Tenore.) 
(Basso.)     3  pts. 

Appresso  Ricciardo  Amadino : 
Venetia,  1602.     4°.  C.  332.  (1.) 

II  Secondo  Libro  delle  Fiammelle  Amorose 
a  Tre  Voci  .  .  .  Nouamente  Ristampate. 
Canto.     (Tenore.)     (Basso.)     3  pts. 

Ajjpresso  Ricciardo  Amadino  : 
Venetia,  1599.    4°.  C  332.  (2. 


MORTARO  (Antonio)  Altus.  Primo 
choro  (Cantus.  Secondo  Choro)  a  quattro 
Voci  del  Secondo  Libro  delle  Messe, 
Salmi,  Magnificat,  Canzoni  da  suonare, 
&  Falsa  Bordoni,  a  xiii.,  etc.     2  pts. 

Appresso  Vher.  di  Simon  Tini, 
&  Filippo  Lomazzo  :  Milano,  1610.     4°. 

D.  65. 
Antonii  I\Iortarii  .  .  .  Sacrte  Cantiones 
Tribus  vocibus  concinendpo.  Nunc  denuo 
cum  alijs  nouiter  impresse.     Cantus  ii. 

Apud  Ricciardum  Amadinum  : 
Vcnctijs,  1603.     4".  C.  332.  a. 

MORTE  D'  ORFEO.  La  Morte  d' 
Orfeo.     Tragicomedia.     See  Landi  (S.) 

MORTEL.  Un  mortel  qui  ne  Sijait  que 
boir.     Chanson.     See  Boban  (    ) 

MORTELLARI    (C.    M.)      Ten    Italian 

Arietts,  etc.  Published  by  Subscriiytioii  : 
London,  [1800?']     oW.  fol. 

E.  600.  r.  (4.) 
Three  Italian  Duetts,  one  composed  and 
two  selected  and  adapted .  . .  for  Voices 
and  Piano  Forte.  Accompaniment  by 
C.  M.  INIortellari.  Printed  for 

C.  M.  Mortcllari:  London,  [1800?]  obi. 
fol.  E.  600.  r.  (3.) 

The  adapted  ducts  are  by  Palma  and 
Farinclli. 
Three  Sonatas  for  the  Piano  Forte,  witli 
a  Violin  Accompaniment  .  .  .  Op.  3. 
[Separate  Parts.]  Monzani  &  Cimador, 
for  the  Author  :  London,  [1800  ?]     fol. 

h.  725.  g.  (16.) 

MORTELLARI     (Michele)      Ah     uon 
lasciarmi  no  bell'  Idol  mio. 
See  infra;  [Didone  Abbandonata.'] 

Ah  tornate  0  Dio  serene. 

SVc  infra :  [Armida.'] 

[Armida.]  Overture.  [P.  F.  and  Violin.] 
See  Opera  Overtures.  No.  1(-5)  of  the 
Opera  Overtures,  etc.     No.  2.     [1789]    fol. 

h.  61.  (8.) 

Ah   tornate  0  Dio  serene.    [Duett.] 

Sung  by  ]\Iadam  Mara  &  Sig.  Rubinelli, 
etc.  [Full  Score.]  Lorigman  &  Broderip  : 
London,  [1786.]     fol.  G.  197.  (9.) 

Calma     la    pena    amara.       [Song.] 

Sung  by  Sig'  Rubinelli,  etc.     [Full  Score.] 

Longman  d-  Broderip  :  London, 
[1786.]     fol.  H.  345  (3.) 

Resta     ingrata.       Sung     by      Sig" 

Rubinelli  in  the  Opera  of  Armida.  [Full 
Score.]  Longman   &  Broderip  : 

London,  [1786.]     fol.  H.  345.  (24.) 

Twelve  Ariettes,  for  a  Single  Voice,  with 
an  Accompaniment  for  the  Piano  Forte  or 
Harp. .  .Opera  xii.  Printed  for  the 

Author  :  London,  [1795  ?]     obi.  fol. 

E.  600.  z.  (6.) 


152 


MORTELLARI— MOT 


MORTELLARI    (Michele)      Calnia    la 
peua  amara.     [Song.] 
See  supra  :  [Armida.] 

Six  Canzonets   with   an   Accompaniment 
lor  the  Piano  Forte  or  Harp,  etc. 
Longman  and  Broderip  :  London,  [1785?] 
obi.  4".  B.  396. 

Eight  Canzonets  with  an  Accompaniment 
for  the  Piano  Forte  or  Harp. .  .Op.  vi. 
Lonqman  and  Broderip  :  London,  [1787  ?] 
obi.  fol.  E.  271.  (11.) 

[Didone  Abbandouata.]  Ah  non  lasciarmi 
no  beir  Idol  mio.  [Song.]  Sung  by  Madam 
Mara  in  [the  Pasticcio]  Didone  Aban- 
donata,  etc.  [Full  Score.]  Longman  and 
Broderip  :  London,  [1786.]     fol. 

H.  345  (2.) 

[The  Flitch  of  Bacon.]  No,  'twas  neither 
Shape  nor  Feature.  A  favourite  Song 
sung  by  ]\Ir.  Johnstone  in  the  Flitch  of 
Bacon  [a  Pasticcio,  arranged  by  W. 
Shield],  etc.  Printed  for  H.  Andreios  : 

[London,  1790  ?]     fol. 

G.  808.  e.  (36*.) 

No,  'twas  neither  Shape  nor  Feature. 
See  supra :  [Tlie  Flitch  of  Bacon.] 

Resta  ingrata.     /See  supra:  [Armida.] 

[Venus  and  Adonis.]  Twelve  Pieces  of 
Music,  selected  from  the  Favorite  Drama 
of  Venus  and  Adouis.  Written  by  J. 
Giannini . . .  Opera  vii.  [Full  Score.] 
Printed  for  the  Author:  London,  [1790?] 
fol.  H.  349. 

MORTEIjS.  IMortels,  redoute/.d'approcher. 
Chanson  sur  le  sejour  de  M""  J.  ]M.  D.  V. 
en  sa  Maison  de  Campagne,  etc.  [Words 
by]  Le  Chevalier  de  Montador.  [Paris,'] 
1731.    s.  sh.  4\  298.  a.  16. 

Mercurc  de  France,  April,  1731. 

MORTIMER  (Frederic)  The  Sword  of 
Gideon  and  the  Lord,  A  Grand  National 
Air  and  ilartial  Hymn.  Printed  for 

the  Author:  [London,  1190 '>]     fol. 

G.  366.  (35.) 

MOSE  (.T.  H.)     See  MozE. 

MOSES  (JoHAMN  Gottfried)  Versuch 
einiger  Oden  und  Lieder,  mit  j\Ielodieu 
beym  Clavier.  Li  der  Yierlingischcn 

Bitchhandlnng  :  Hof,  1783.     obi.  fol. 

C.  590. 

MOSS.  The  Moss  Rose.  Song.  Sec 
'TwAS.  'Twas  in  a  Flow'ry  sweet  retreat. 
[1780?]    s.sh.iol.  G.  312.  (140.) 

MOSSI  (Giovanni)  Concerti  dedicati  all' 
eccellentissima  Signora  D.  Vittoria  Altieri 
Pallavicini  . . .  Opera  Seconda.  Libro 
Prime  (Secondo).     [Separate  Parts.] 

Michele  Carlo  le  Gene  :  Amsterdam, 
[1730?]     fol.  g.  104. 


MOSSI  (Giovanni)  VI  Concerti  a  G  In- 
stromenti,  4  Violini,  Alto  Viola  e  Basso 
Continuo  .  .  .  Opera  Terza.  [Separate 
Parts.]  Chez  Jeanne  Pager  :  Amsterdam, 
[1725?]    fol.  g.  104.  a. 

Wanting  the  Violino  Secondo   Concerto 
Grosso  part. 

Concerto  xii°  a  Quatro  Violini  e  Violon- 
cello Obligati.  [Separate  Parts.]  A  Spesa 
di  Michele  Carlo  le  Gene :  xhnsterdam, 
[1730  ?]    fol.  h.  3212.  g.  (4.) 

Imperfect,  the  parts  for  Violino  Terzo, 

Violino   Quarto,  and  Violino   Quarto 

Obligato  only. 

Sonate  a  Violino  e  Violone,  o  Cimbalo  . .  . 
Opera  Prima.  Glicz  J.  Boger  :  Amsterdam, 
[1725  ?]     obi.  fol.  e.  25. 

See  Pagin  (A.  N.)     Sis  Solos  ...  for  a 
Violin  ...  by  ...  Mossi,  etc. 
[1750?]    fol.  g.  422.  g.  (3.) 

MOSTO  (Giovanni  Battista)  Corona  de 
Madrigali  a  Sei  Voci  di  Diuersi  eccellen- 
tissimi  Musici  . .  .  Libro  Primo.  [With  a 
Dedication  by  G.  B.  Mosto.]  Canto. 
(Basso.)     2  pts.  A2Wesso  V  herede  di 

Girolcmo  Scotto  :  Vineggia,  1579.     4°. 

D.  18.  a. 

This  collection  contains    madrigcds    by 

Claudio  da  Gorrcggio,  0.  Lasso,  G.  B. 

Mosto,  M.  A.  Ingegneri,  V.  Bellauer, 

A.  Gabrielli,  P.  Vinci  and  Striggio. 

Di  Gio.  Battista  Mosto  ...  II  Primo  Libro 
de  Madrigali  a  Cinque  Voci,  con  Ecco  a 
dieci  nel  fine.  Nouamente  posto  in  luce. 
Canto.  (Alto.)  (Tenore )  (Basso.)  (Quinto.) 
5  pts.  Apipiresso  I'  herede  di 

Girolamo  Scotto:   Vineggia,  IblS.     4". 

D.  18. 
This  u-orh  contains  three  madrigals  ly 
Claudio  da  Gorrcggio. 

Di  Gio.  Battista  Mosto  ...  II  Secondo 
Libro  de  ]\Iadrigali  a  Cinque  Voci,  noua- 
mente composto,  etc.  Canto.  (Alto.) 
(Tenore.)     (Basso.)     (Quinto.)     5  pts. 

Presso  Giacovio  Vincenci  d 
Ricciardo  Amadino,  covipagni :  Venctia, 
1584.     4°.  D.  18.  b. 

Di  Gio:  Battista  Mosto  ...  II  Terzo  Libro 
de  Madrigali  a  Cinque  Voci.  Nouamente 
Composto  &  dato  in  luce.  Canto.  (Alto.) 
(Tenore.)     (Basso.)     4  pts.  Ap>presso 

Anqelo  Gardano  :   Venctia,  l^BQ.     obi.  i". 

A.  298. 

MOT.     Le   Mot   de   Delire.      [Song.]     -See 
Petite.     La  petite  Am^lie,  etc. 
[1790  ?J    8".  B.  326.  (117.) 

Le  Mot  pour  lire.  Chanson  de  Table. 
See  Bonne.  La  bonne  chere  et  le  bon 
vin.     [1790?]     &:  B.  362.  (134.) 

Le   Mot  qu'il  ne  faut  jamais  dire.     Air. 
See  En.     En  amour  ne  jurons  pas  taut. 
[1785?]    8°.  B.  362.  e.  (25.) 


MOTETS 


153 


MOTETS. 

[For    anonymous     collections    published 
under   a  distinctive    heading,   e.g.   '  Flos 
Florura,'     '  Thesaurus      ]\lusicus ' :]    Hee 
under  the  heading  required. 
Arrangement. 
Collections  printed  by  : — 

1.  Ottaviano  Petrucci. 

2.  Andreas  Antiquus. 

3.  Jacques  jNIoderne. 

4.  Antonio  Gardane. 

5.  Tiebnan  Susato. 
G.  Hieronimo  Scotto. 

7.  Pierre  Phalesc. 

8.  Hubert  Waelrant  and  Joannes  Latius. 

9.  Simon  a  Bosco  and  G.  Gu^roult. 
10.  Various  Printers. 

1.  Ottaviano  Petrucci. 
Motetti  De  passione  De  cruce  De  sacra- 
mento  De  beatavirgine  ethuiusmodi.     B. 
Impssum     .  .  per  Octauianum  Petnitiuz  : 
Yenetijs,  1503.     obi.  4°.  K.  1.  d.  2. 

The  composers  named  are  :  Crisju,  Jos- 
quin,  Caspar,  De  Orto,  Vaqueras, 
ObreJit,  Brumel,  Pc.  hiaumont,  Com- 
piere,  Gregoire,  Eegis,  Agricola  and 
Jo.  marti. 
Motetti.     C.     CTantus]. 

[Imprcssum  per  Octauianum  Petnduim  : 

Yenetijs,  1504.]     ohl.  4".  K.  1.  d.  4. 

The  imprint  only  occurs  in  tlie  colophon 

of  the  Bass  part.    The  folloxcinf)  names 

of  composers  occur  :  Josquin,  Brume  I, 

and  Nic.  Craen. 

Motetti    de    la  corona.      Libro   secondo. 

[Superius.j    (Motetti  de  la  corona.    Libro 

secondo.     A.     (T.)     (B.).)     4  pts. 

Impressum  per  Octauianum  Fetrulium  : 

Forosempronii,  1519.  obl.i".     K.  1.  d.  14. 

TJie  imprint  occurs  only   in   iJtc   Bass 

part.      The    composers    named    arc  : 

Therache,   lacotin,  Acaen,  Ricliafort, 

Lupus,  Maistre   Ian,   Eusfacliius  de 

Monte   Begali,   J.   Mouton,   Lhcritier 

and  La  faghe. 

Motetti    de    la     corona.       Libro    tertio. 

[Superius.]    (^lotetti  de  la  corona.    Libro 

tertio.     A.  (T.)     (B.) )     4  pts. 

Imprcssum  per  Octauianum  Pelrutium  : 

Forosempronii,lbld.  obl.i\   K.  1.  d.  (15.) 

The   imprint   occurs  only  in   the  Bass 

part.       The    cotnp)osers    named    are : 

Josqtiin  [Desp>rez],  Johannes  Lebrung, 

J.  Mouton,  Pre  Michael  de    Verona, 

Loyset  and  Carpentras. 

Motetti    de    la    corona.      Libro    quarto. 

[Superius. 1    (Motetti  de  la  corona.    Libro 

quarto.     A".     (T.)     (B.) )     4  pts. 

Impressum  per  Octauianum  Petrutium  : 
Forosempronii,  1519.  obi.  4''.  K.  1.  d.  16. 
The  imprint  only  occurs  in  the  Bass 
part.  The  composers  named  are :  C. 
Festa,  Adrianus  {^Willaert'\,  Josquin 
[^Desprez],  Carpentras,  Joh-annes  Le- 
brung and  Noel  Baulduin. 


MOTETS. 

2.  Andreas  Antiquus, 
Motetti  Libro  prime.     T[enor]. 
{Impressum opera ct arte  Andreae  Antiqui : 
Venetiis,  1521.]    obi.  8".     K.  8.  b.  7.  (3.) 

16  foL, paged  1-16.  7  and  8  are  omitted, 
but  the  leaf  after  11  is  iiiut  umbered 
and  followed  by  a  second  11.  The 
composers  named  are  :  Jo.  Mouton, 
Josquinus,  Eichafort,  Thomas  Martini 
and  Hottinet  Barra. 

Motetti  libro  quarto.     T[enor]. 

[Lnpressum  opera  et  arte  Andreae  Antiqui : 

Veyietiis,  1521.]    obi.  8°.    K.  8.  b.  7.  (4.) 

14    fol,  paged   17-30.       The    composers 

named  are  :  Josquinus,  Jo.  de  la  Fage, 

Seb.  Festa,  Const.  Festa  and  Gascoync. 

3.  Jacques  Moderne. 
Primus  Liber  cum  Quatuor  Yocibus. 
Motteti  del  Fiore.  Superius.  (.\ltus.) 
(Tenor.)  (Bassus.)  4  pts.  Impressum 
. .  .per  lacobum  Modernum  de  Pinqucnto  : 
Lugduni,  1532.     obi.  4°.         K.  10.  a.  7. 

tlie  composers  are ;  Claiidin,  Jo.  Courtois, 
Domin,  Nicolaus  Comber t,  Hcsdin, 
F.  de  LayoUe,  Lhcritier,  Lupus, 
Hilaire  Penet,  Loyset  Picton,  Eicha- 
fort, Andreas  de  iiilva,  ^'erdelot,  and 
Adrianus  Villart. 

Secuudus    Liber   cum   Quatuor   Yocibus. 

Motteti    del   Fiore.      Superius.      (Altus.) 

(Tenor.)     (Bassus.)     4  pts. 
[Jacques  Moderne  de  Pinguenlo  :  Lyons, 

1532.]    obi.  4".  K.  10.  a.  8. 

This  collection  contains  compositions  by 
N.  Gomhert,  Archadelt,  P.  de  Manchi- 
court,  Gosse,  Loyset  Picton,  Lupus, 
Verdelot,  F.  de  Layolle,  Jo.  Lupi, 
Lambert,  Bcnedictus,  P.  de  Villiers, 
J.  du  Molin,  N.  Paignier  and  Adriamis 
Villart. 

Secundus   Lilicr   cum   Quinque   Vocibus. 

Superius.  (Altus.)  (Tenor.)  (Bassus.)  4  pts. 
Imjjressum. .  .per  lacobum  Modernum  de 

Pinguenlo:  Lugduni,  ldS2.     obi. 'i". 

K.  2.  d.  9. 
The  Fifth  Voice  part  is  printed  in  the 
other  four  part-books.  The  composers 
are  :  Jo.  Courtois,  La  Fage,  Nicolaus 
Gombert,  Jaquet,  Lhcritier,  Lupus, 
Petrus  Mollu  or  Moullu,  Eichafort, 
Andreas  de  Silva,  Verdelot  and 
Adiianus  Villart. 

4.  Antonio  Gardane. 

Primus  Liber  cum  Quinque  Yocibus. 
Mottetti  del  Frufcto.  Cantus.  (Altus.) 
(Tenor.)  (Bassus.)  (Quinta  Pars.)  6  pts. 
Antonio  Gardane  :   Venetia,  1538.     obi.  4". 

K.  3.  d.  2. 
The  composers  named  are  :  Lupi.  A.  Gar- 
dane, D.  Finot,  N.  Gombert  and  lachet. 
Secundus  Liber  cum  Quinque  Vocibus. . . 
Fior  de  Mottetti  tratti  daili  Motetti  del 


154 


MOTETS 


Fiore.  Cantus.  (Alius.)  (Tenor.)  (Bassus.) 
(Quinta  Pars.)     5  pts. 

Per  Antonio  Gardane  :  Venctla, 
1539.     obi.  4°.  K.  3.  d,  6. 

TJte  coviposcrs  are  :  I.  Lupi,  Lcritier, 
Archadelt,  P.  Manchicourt,  Bichafort, 
I.  Courtois,  N.  Gombcrt,  Lnpus,  A.  de 
Silva,  Verdelot,  L.  Paminger  and  I. 
du  Billon. 

Primus  Liber  cum  Quatuor  Vocibus.    Pior 

do  Mottetti  tratti  dalli  Motetti  del  Fiore. 

Cantus.       (Altus.)       (Tenor.)       (Bassus.) 

4  pts.         Per  Antonio  Gardane  :   Vcnetia, 

1539.     obi.  4°.  K.  3.  d.  5. 

The    cojHiMscrs    are  :    Leritier,   Luptis, 

Archadelt,    Loyset    Pieton,    Hilayre 

Penet,   N.    Paignier,    Lasson,    Gose, 

lo.   Courtois,   N.    Gombert,    Verdelot, 

Dambcrt,  F.  de  Lys,  I.  Ltqn,  P.  Ma7i- 

chicourt,  Bicliafort  and  A.  Vuillart. 

Primus    Liber    cum    Quatuor    Vocibus. 

Mottetti   Del  Frutto  a  Quatro.     Cantus. 

(Altus.)     (Tenor.)     (Bassus.)     4  pts. 

Per  Antonio  Gardane  :  Venctia, 

1539.     obi.  4".  K.  3.  d.  3. 

The  conqmscrs  arc :    Alart,   Archadelt, 

Ihan  de  Billon,  Certon,  Claiidin,  Do, 

Finot,   A.    Gardane,    Gombert,    Gose, 

Gnarnicr,   Jacquet  or  Jachet,  Mestre 

Ihan,  Lasson,  Lcretier,  Ltipi,  Loyset, 

Pieton,  Jaqnes  du  Pont  and  Verdelot. 

[Another  copy.]     Altus.      (Tenor.)     2  pts. 

K.  3.  d.  4. 
IMotetta  Trium  Vocum  ab  Pluribus 
Authoribus  composita.  Quorum  nomina, 
sunt  lachetus  Gallicus  [i.e.  lacbet  Colle- 
baudi].  Morales  Hispanus  [i.e.  Cbristoval 
IMorales].  Constantius  Festa.  Adrianus 
Wilgliardus  [i.e.  A.  Willaert]. 

Apud  Antonium  Gardane  :  Venctijs, 
1543.    obi.  4°.  K.  3.  d.  7. 

Musica  Quinque  Vocum  que  ]\Iaterna 
Lingua  Moteta  Vocantur  ab  Optimis  & 
Varijs  Authoribus  elaborata  Paribus 
Vocibus  Decantanda  .  .  .  Ci;m  Quinque 
Vocibus.     Bassus. 

Apnd  Antaiiinm  Gardane  :  Venctijs, 
1549.    obi.  4".  A.  633.  b. 

The  composers  named  arc :  D.  Finot, 
Archadelt,  Arnoldo  and  Pierresson. 
Musica  Quatuor  Vocum  Que  Materna 
Lingua  ]\Ioteta  Vocantur  ab  optimis  & 
uarijs  Authoribus  elaborata,  Paribus 
Vocibus  decantanda  Nunc  Primum  solicit! 
cura  in  Lucem  Producta,  etc.  Superius. 
(Altus.)     (Tenor.)     (Bassus.)     4  pts. 

Apnd  Antonium  Gardane  :  Venctijs, 

1549.    obi.  4°.  K.  4.  d.  4. 

The  composers  named  are :  Ilian  Gero,  N. 

Gombert,  Consilium,  lachet,  Adriano, 

D.  Finot,  Morales,  Yvo  and  Vento. 

5.    TiELMAN    SUSATO. 

Liber  Primus  Sacrarum  Cantionum, 
Quinque  Vocum,  Vulgo  Moteta  Vocant, 


ex  optimis  quibusqj  Huius  setatis  musicis 
Selectarii.  Superius.  (Contra  Tenor.) 
(Tenor.)  (Bassus.)  (Quinta  Pars.)  5  pts. 
Apiid  Tilemanmtm  Snsato :  Arituerpiiv, 
1546.    4".  K.  8.  k.  1.  (1.) 

The  composers  named  arc  :  I.  Castilcti, 
T.  Crccguillon,  T.  Snsato,  P.de  Man- 
chicoiirt,  Clemens  7ionP  aim,  L.Hellinc, 
Benedicttis,  Cadiac  and  I.  Gallus. 
Liber    Secundus    Sacrarum    Cantionum, 
Quinque  Vocum,  Vulgo  Moteta   Vocant, 
ex  optimis  quibusqj  huius  setatis  musicis 
Selectaru,     Superius.       (Contra    Tenor.) 
(Tenor.)    (Bassus.)    (Quinta  Pars.)    5  pts. 
Aptid  Tilemannum  Snsato  : 
Antuerpiiv,  154G.     4°.        K.  8.  k.  1.  (2.) 
The  composers  named  are  :  T.  Crccqnil- 
lon,  I.  Lupi,  Clemens  non  Papa,  L. 
Helline,    P.   de   Manchicourt,    Bene- 
dictus,  C.  Canis,  N.  Paycnus,  I.  Cas- 
tilcti and  Moralis. 
Liber  Tertius  Sacrarum  Cantionum  Qua- 
tuor  Vocum,   Vulgo   Moteta   Vocant,  ex 
optimis    quibusq3     huius    rctatis   musicis 
Selectaru.      Superius.      (Contra    Tenor.) 
(Tenor.)     (Bassus.)     4  pts. 

Apnd  Tilemannum  Snsato: 

Antnerpi.r,  1547.     4°.        K.  8.  k.  1.  (3.) 

Tlte  composers  named  are :    Boucourt, 

Clemens    non    Papa,   Petit    Ian,    T. 

Crecquillon,  A.  Vuillart,  P.  de  Man- 

cliicourt,  I.  Lupi,  Hesdin,  T.  Snsato, 

A.   Troianus,   I.  Gallus,   L,  Helline, 

I.  Castilcti  and  I.  Courtois. 

Liber     Quartus     Sacrarum    Cantionum, 

Quatuor  Vocum,   Vulgo  ]\Ioteta   Vocant, 

ex  optimis  quibusq3  huius  fctatis  anusicis 

Selectaru.      Superius.      (Contra    Tenor.) 

(Tenor.)     (Bassus.)     4  pts. 

Apnd  Tilemannum  Snsato: 
Antuerpn.r,  1547.     4°.        K.  8.  k.  1.  (4.) 
The  co^nposcrs  named  are  :  Bencdictns, 
I.  Mouton,  T.  Crecquillon,  I.  Clemens 
non  Papa,  P.  de  Manchicourt,  I.  Cas- 
tilcti, N.  Geszin,  I.  Larchier,  Consi- 
lium and  N.  Paycnus. 
Liber  Primus   Ecclesticarum  cantionum 
quatuor   vocum,    Vulgo    ]\Ioteta   vocant, 
tam  ex  Veteri  quam  ex  Nouo  Testamento, 
ab  optimis  quibusque  huius  rctatis  Musicis 
compositarum,    etc.      Superior.      (Contra 
Tenor.)     (Tenor.)     (Bassus.)     4  pts. 

Tilemanmis  Snsato : 
Antwerpi.r,  1553.     obi.  4°.         K.  3.  d.  9. 
The    composers    are :     T.    Crecquillon, 
Clcve,  J.  Clemens  non  Papa,  Colin, 
J.  Guiot   alias    Castilcti,  J.  dc  Hol- 
lande  and  A.  Vtiillart. 
Liber  Secundus  Ecclesiasticarum  cantio- 
num quatuor  uocum  Vulgo  Moteta  uocant, 
etc.     Superior.     (Contra  Tenor.)    (Tenor.) 
(Bassus.)     4  pts.  Tilemannus  Susato  : 

Antwerpi.-v,  1553.      obi.  A".     K.  3.  d.  10. 
Tlie  composers  named  arc  :    L.  Pieton, 
J.  Clemens  non  Pafia,  L,  Helline,  T. 


MOTETS 


ir,o 


Crccquillon,   C.   Soidiart,   Petit  Ian 
Be  latere,  A.  Vuillart,  Martinus  pea 
dargent,   C.  Canis,   I.    Scheluius,  I. 
Valde  and  Benedictus. 
Liber  Tertius  Ecclesiasticarum  cantionum 
quatuor  vocum  Vulgo  Moteta  vocant,  etc. 
Superior.       (Contra      Tenor.)       (Tenor.) 
(Bassus.)     4  pts.  Tilemanmis  Susato  : 

Antv:erpi;n,  1.553.    obi.  4".       K.  3.  d.  11. 
The  composers  named  are :  P.  Manchi- 
court,  I.  Cleniens  nan  Papa,  I.  Casti- 
leti,  P.  lordanis,  I.  de  Hollande,  I. 
Request,  L.  Hellinc,  I.  Vaet,    Gosen 
lonckers,   1.   Ckve,   P.   Messenus,  I. 
Baston  and  T.  Crccquillon. 
Liber  Quartus   Ecclesiasticarum  cantio- 
num quatuor  uocum  Vulgo  Moteta  uocaut, 
etc.     Superior.     (Contra  Tenor.)    (Tenor.) 
(Bassus.)     4  pts.  Tilemannus  Susato  : 

Antwerpi/i-,  1554.  obi.  4".  K.  3.  d.  12. 
The  composers  named  are :  I.  Crispd, 
Benedictus  Appemeller,  N.  Oombert, 
Goudimcl,  I.  Castileti,  I.  Va^-t,  Cle- 
mens non  Pupa,  A.  Galli,  P.  de  Vuil- 
dre.  Morel,  T.  Cricquillon  and  D. 
Curingcn. 

Liber  Quintus  Ecclesiasticarum  cantio- 
num quinque  vocum  Vulgo  Moteta  vocant, 
etc.  Superior.  (Contra  Tenor.)  (Tenor.) 
(Bassus.)     (Quinta  Pars.)    5  pts. 

Tijlemannus  Susato : 
Antwerpiic,  1553.    obi.  i".        K.  3.  e.  1. 
The  composers  named  are :  I.  Clemens 
non  Papa,  C.  Hollande,  I.  Loinoys, 
C.  Canis,  I.  Baston,  T.  Cricquillon, 
P.  Manchicourt  and  S.  Moreau. 
Liber  Sextus  Ecclesiasticarum  cantionum 
quinque  uocum  Vulgo  Moteta  uocant,  etc. 
Contra  Tenor.  (Tenor.)  (Bassus.)  (Quinta 
Pars.)     4  pts.  Tilemanm(s  Susato  : 

Antwerjyift',  1553.    obi.  4".         K.  3.  e.  2. 
The  composers  named  are  :  Cobrisc,  J. 
Clemens  non  Papa,  I.  Louys,  I.  Claux, 
S.   Moreaii,    I.    Lupi,    E.    Barbion, 
Brumen,   T.  Cricqiiillon,   G.   le  Boy 
and  C.  Hollandere. 
Liber  Septimus  Ecclesiasticarum  cantio- 
num quinque  uocum  Vulgo  Moteta  uocant, 
etc.     Superior.     (Contra  Tenor.)    (Tenor.) 
(Bassus.)     (Quinta  Pars.)     5  pts. 

Tilemannus  Susato: 
AntiocrpiPT',  1553.    obi.  4".        K.  3.  e.  3. 
Tlie  composers   named  are :    C.  Canis, 
Benedictus,    Clemens    non    Papa,   I. 
Lupi,  I.  Louys,  C.  Potier,  T.  Cric- 
quillon, I.  Castileti,  P.  Manchicourt, 
I.  Gallus  and  C.  Hollandere. 
Liber  Octauus  Ecclestiasticarum  cantio- 
num quinque  uocum  Vulgo  Moteta  uocant 
. . .  Omnes  de  uno   tono,  etc.    Superior. 
(Contra      Tenor.)       (Tenor.)       (Bassus.) 
(Quinta  Pars.)    5  pts. 

Tilemannus  Susato : 
Antioerpix,  1553.    obi.  4°.        K.  3.  e.  4. 
The  composers  named  are :   I.  Domin,  ' 


T.  Cricquillon,  C.  de  Bore,  Certon, 
Cleynens  non  Papa,  I.  Lescuyr,  I. 
Larchier,  I.  Louuys,  S.  Moreau,  I. 
Baston  and  C.  Canis. 

Liber  Nonus  Ecclesiasticarum  cantionum 

quinque  uocum  Vulgo  Moteta  uocant . .  . 

Omnes     de     uno     tono,    etc.      Superior. 

(Contra      Tenor.)       (Tenor.)       (Bassus.) 

(Quinta  Pars.)     5  pts. 

Tilemannus  Susato : 

Antu-erpi:e,  1554.  obi.  4°.  K.  3.  e.  5. 
The  composers  numed  arc  :  Cabbiliau, 
I.  Crespel,  I.  Louuys,  I.  Gallus, 
Clemens  non  Papa,  I.  Vaet,  N.  Rogicr, 
T.  Sjisato,  P.  Manchicourt  and  T. 
Cricquillon. 

Liber  Decimus  Ecclesiasticarum  cantio- 
num quinque  uocum  Vulgo  Moteta  uocant 
. . .  De    uno    tono,    etc.      Contra    tenor. 
(Tenor.)    (Bassus.)    (Quinta  Pars.)    4  pts. 
Tilemannus  Susato  : 
Antwerpi.r,  1555.    obi.  4".         KL  3.  e.  6. 
The  composers  named  are :    C.  Canis. 
I.  Clemens  non  Papa,  P.  Ghcens,  S. 
Moreau,  Bracquenicr,  C.  Hollandere, 
I.  Castilctti,  I.  Lupi,  T.  Cricquillon, 
I.   Scheluius    {or    Sceluius)    and    I. 
Qallus, 

Liber  Undecimus  Ecclesiasticarum  can- 
tionum quinque  uocum  Vulgo  Moteta 
uocant. .  .Unius  toni  omnes,  etc.  Contra 
Tenor.  (Tenor.)  (Bassus.)  (Quinta  Pars.) 
4  pts.  Tilemannus  Susato  : 

Antwerpix,  1555.  obi.  4°.  K.  3.  e.  7. 
The  composers  named  arc :  I.  Castileti, 
Schastclain,  Benedicttcs,  C.  Hollan- 
dere, Richafort,  T.  Cricquillon,  I. 
Loxiys,  Clemens  non  Papa  and  C. 
Canis. 

6.  HiEROMMO  SCOTTO. 

Primo  Libro  de  Motetti  a  Cinque  Voci  da 
diuersi  eccellentissimi  Musici  composti  & 
non  piu  stampati,  nouamente  posti  in 
luce,  &. .  .coretti.  Come  a'  cantanti  sara 
manifesto.     Bassus. 

Apud  Hieronymum  Scottum : 
Venetiis,  1549.    obi.  4".  A.  633.  a. 

The  composers  named  are :  Jacquet,  C. 
Bore,  Andrea  di  Silva,  Jchan  du 
Billon,  Josquin  Baston,  Claudin,  B. 
Donato,  Mo7-ales,  Carcliillicm,  Fran- 
cisco delta  Viola,  Zerlinus  and  Pieri- 
son. 

Libro  Secondo  de  li  Motetti  a  Tre  Voce, 
da  Diuersi  Eccellentissimi  Musici  com- 
posti, etc.  Cantus.  (Tenor.)  (Bassus.) 
3  pts.  Apud  Hiero^iymum  Scottum, : 

Venetiis,  1549.    obi.  4°.  K.  3.  d.  8. 

The  composers  named  are :  Claudin, 
Certon,  H.  Scoitus,  lacotin,  Gosse, 
Phinot,  Morales,  Damianus,  M.  lehan, 
Verdelotto  and  Adriano. 


156 


MOTETS 


MOTETS.  r^Iotetti  del  Frutto.]  Excel- 
lentis.  Autorum  Diuerse  Modulationes 
que  sub  Titulo  Fructus  viagantur  per 
orbem,  a  Hieronjiuo  Scoto  nuper  recognite 
&  edits.  Liber  Primus  cum  Quinque 
uocibus.    Bassus.  Apud  Hicrmymum 

ScoUtmi :  Yenetiis,  1549.    ohl.  4". 

A.  633.  c. 

7.  PiEREE  Phal{:se. 

Liber  Primus  Cautionum  Sacrarum, 
(vulgo  Moteta  vocant),  Quinque  vocum  ex 
optimis  quibusq3  Musicis  selectarum. 
Superius.  (Coutratenor.)  (Tenor.)  (Bassus.) 
(Quinta  Pars.)     5  pts. 

Apud  Pctrum  Phalesium : 

Louanii,  1555.    obi.  4°.  K.  3.  e.  8. 

The  composers  are  :  Clemens  nan  Papa, 

Cricquillon,    S.   Hollander,   MancJii- 

co2irt  and  Petit  Ian. 
Liber  Secundus  Cantionum  Sacrarum, 
(vulgo  Moteta  vocant)  Quinque  &  sex 
vocum  ex  optimis  quibusq3  ]Musicis 
selectarum.  Superius.  (Contratenor.) 
(Tenor.)  (Bassus.)  (Quinta  et  Sexta  Pars.) 
5  pts.  Apud  Petrum  Phalesium  : 

Louanii,  1555.     obi.  4°.  K.  3.  e.  9. 

The  composers  named  are :    J.  Bultel, 

Clemens    non    Papa,   Cricquillon,  A. 

Feys,  Gombcrt  and  Manchicourt. 
Liber  Tertius  Cantionum  Sacrarum  vulgo 
Moteta  vocant,  Quinque  et  Sex  Vocum  ex 
optimis  quibusque  Musicis  selectarum. 
Superius.  (Contratenor.)  (Tenor.)  (Bassus.) 
(Quinta  et  Sexta  Pars.)  5  pts. 
Apud  Pctrum  Phalesium  :  Louanii,  1554. 
obi.  4°.  K.  3.  e,  10. 

The  composers  named  are :  Chasteleyn, 

Clemens  non  Papa,  Crequillon,  Christi- 

anus  Hollander,  Manchicourt,  Tubal 

and  Vuaclrant. 
Liber  Quartus  Cantionum  Sacrarum, 
(vulgo  Mott[eta]  vocant)  Quinque  et  Sex 
Vocum  ex  optimis  quibiisque  Musicis 
selectarum.  Tenor.  Petrus  Phalcsius  : 
Louanii,  1553.     obi.  4°. 

Add.  MSS.  31,438. 
TJie  composers  named  are  :  Clemens  non 

Papa,    Simon     Morcau,     Crequillon, 

Benedictus,  Manchicourt,  Eustacliius, 

Barbion  and  N.  Vuismes. 
Liber  Quartus  Cantionum  Sacrarum, 
(vulgo  Moteta  vocant)  Quinque  et  Sex 
vocum  ex  optimis  quibusque  Musicis 
selectarum.  Superius.  (Contratenor.) 
(Tenor.)  (Bassus.)  (Quinta  et  Sexta 
Pars.)     5  pts.  Petrus  PJudesius  : 

Louanii,  1557.     obi.  4°.  K.  3.  e,   11. 

Liber  Quintus  Cantionum  Sacrarum  vulgo 
Moteta  vocant,  Quinque  et  Sex  Vocum  a 
...Petro  Mauchicurtio . . .  nunc  primum 
in  lucem  f  ditus.  Superius.  (Contratenor.) 
(Tenor.)  (Bassus.)  (Quinta  et  Sexta 
Pars.)  5  pts.  Apud  Petrum  Phalesium  : 
Louanii,  1558.    obi.  4°.  K.  3.  ©•  12. 


MOTETS.  Liber  Sextus  Cantionum  Sacra- 
rum vulgo  Moteta  vocant,  Quinque  et 
Sex  Vocum  ex  optimis  quibusque  Musicis 
selectarum.  Superius.  (Contratenor.) 
(Tenor.)  (Bassus.)  (Quinta  et  Sexta 
Pars.)  5  pts.  Apud  Petrum  Phalesium  : 
Louanii,  1558.    obi.  4°.  K.  3.  e.  13. 

The  composers  named  are  :  Clemens  non 
Papa,  Crequillon,  Petit  Jan  cle  Latre, 
S.  Moreau,  A.  Vuillart  and  N.  de 
Vuismes. 

Liber  Septimus  Cantionum  Sacrarum 
vulgo  Moteta  vocant,  Quinque  et  Sex 
vocum  ex  optimis  quibusq^  INIusicis  select- 
arum. Superius.  (Contratenor.)  (Tenor.) 
(Bassus.)  (Quinta  et  Sexta  Pars.)  5  pts. 
Apud  Pctrum  Phalesium  :  Louanii,  1558. 
obi.  4°  K.  3.  e.  14. 

The  composers  named  are:  E.  Barbion, 
Benedictus,  Certon,  Clemens  non 
Papa,  Crespcl,  Cricquillon  and 
Vuismes. 

Liber  Octauus  Cantionum  Sacrarum  vulgo 

Moteta  vocant,  Quinque   Sex  Septem  et 

Octo  vocum  ex  optimis  quibusque  Musicis 

selectarum.       Superius.       (Contratenor.) 

(Tenor.)   (Bassus.)   (Quinta  et  Sexta  Pars.) 

5  pts.  Apiud  Petrum  Phalesium  : 

Louanii,  1558.     obi.  4°.  K.  3.  e.  15. 

The  composers  are  :  Clemens  non  Papa, 

Creqjiillon,      Petit      Lin,      Vuismes, 

Baston,  Larchier  and  Canis. 

Florida  Verba.  A  Celeberrimis  Musices 
Auctoribus  Binis,  Ternis,  Quaternis, 
Quinisque  tarn  Vocibus  quam  lustru- 
mentis.  Suauissimis  INIodulis  concinnata. 
Cantus.  (Altus.)  (Tenor.)  (Bassus  Con- 
tinuus.)     5  pts.  Apud  Hrredes  Petri 

Phalesij  :  Antuerpiss,  ItGi.  4".  D.  12. 
The  co}np)Osers  are :    A.    Vermeren,    S. 

Durante,  C.  Cecchclli,  C.  Bonetti,  I. 

Carissimi,  B.  Gratiani,  N.  Corradi, 

A.  Leardini,    I.  OUvati,  A.  Carpani 

and  D.  Florido. 

8.  Hubert  Waelrant  and  Joannes 
Latius. 

Sacrarum      Cantionum      (Vulgo      Hodie 

Moteta  Vocant)  Quinque    et  Sex  Vocum 

ad  Veram  Harmoniam  concentumque  ab 

optimis   quibusque    INIusicis  in   pbilomu- 

Eorum     gratiam     compositarum.      Liber 

primus.  Superius.  (Contratenor.)  (Tenor.) 

(Bassus.)     4  pts.        Excudebant  Hubertus 

Waelrandus  ct  loannes  Latius  :    Antucr- 

piae,  1554.     obi.  4°.  A.  103.  (1.) 

The  composers  named  are  :  Clemens  non 

Papa,   Cricquillon,    Maillart,    Oliver 

de    Latre,    Montanus,    Manchicoiirt, 

Tubal  and  Hollandus. 

Sacrarum      Cantionum      (Vulgo      Hodie 
Moteta  Vocant)  Quinque  et  Sex  Vocum 


MOTETS 


167 


..  .Liber  secundvis.    [Superius.]    [Contra- 
tenor.]     (Tuuor.)     (Bassus.)     4  pts. 

Excudcbant  Hubcrlus 

Waclrandus  it  loanncs   Latins:   Antuer- 

inac,  1554-5.     obi.     4".  A.  103.  (2.) 

The    Cuntratcnor  unly    is    dated    1564. 

The coniposersnamed are:  Cricijiiilliuii, 

Maillart,  Cloncns  nun  Papa,  Zacheus, 

Petit  Ian,   A.    Tubal,    Uombcrt    and 

HoUandus. 

Sacrarum      Cautionum      (Vulgo      Hodic 

]\[oteta       Vocant)   .    .    .   Liber       tertius. 

(Superius.)         (Contratonor.)  (Tenor.) 

(Bassus.)     4  pts.        Excudcbant  Hubert  as 

M'uelrandus  it  loanncs  Latins:  Aniucrpiae, 

1555.     obi.  i\  A.  103.  (3.) 

Tlie  composers  named  are  :  Cricqnillun, 

Clemens  non  Papa,  Ccrfon,  Petit  Ian 

de  Latre,  N.  Ge^in,  A.  Tubal,  Maillart 

and  Gambert. 

Sacrarum  Cautionum  (Vulgo  Hodie 
j\roteta  Vocant)  Quinque  et  Sex  Vocum 
...Liber  quartus.  Superius.  (Contra- 
tenor.)  (Tenor.)  (Bassus.)  4  pts. 
Excudcbant  Hubertus  Waclrandus  iC 
loannes  Latins  :  Aniucrpiae,  155G.  obi.  4". 

A.  103.  (4.) 
The  Tenor  and  Bassus  are  undated. 
The  composers  named  arc  :  Speulanus, 
Morales,  HoUandus,  Hanricq,  Clemens 
non  Papa,  Barbion,  Cricquillon, 
Canis,  A.  Tubal,  Waclrant,  Basto)i 
and  Chastelain. 

Sacrarum      Cantionum      (Vulgo      Hodic 

^loteta  Vocant)  quinquo  &  sex  vocum. . . 

Liber  quintus.     Superius.     (Coutratcuor.) 

(Tenor.)       (Bassus.)       (Quinta    ct    Sexta 

Pars.)     5  pts.  Excndebat  Hubertus 

Waclrandusd loamies  Latins :  A ntnerpiav, 

[155G.]     obi.  4^  A.  103.  b. 

TJic  conqjosers  named  arc  :  Clemois  non 

Papa,  A.  Tubal,   Waelrant,  Maillart, 

Moreau,  Crespel,  Marcau,  Cricquillon 

and  Gombert. 


[Another    copy, 
tenor.)     (Tenor.) 


(Superius.)       (Contra- 
(Bassus.)l     4  pts. 

'  A.  103.  (5.) 

Sacrarum      Cantionum      (Vulgo      Hodie 

JMoteta    Vocant)     Quatuor     Vocum... ab 

optimis,  quibusque  ^Musicis   . . .  composi- 

tarum.  Liber  primus.  Contratenor.  (Tenor.) 

(Bassus.)     3  pts.         Excudcbant  Hubertus 

Waelrandus  d- loannes  Latins:  Antncrpiae, 

[1556.]     ol)l.  4°.  A.  103.  a.  (1). 

The  composers  named  are  :  Clemens  non 

Papa,  Waelrant,  HoUandus,  A.  Tubal, 

Lesclefin,  Cricquillon,  Bracqnetz  and 

Hauricque. 

Sacrarum  Cantionum  (Vulgo  Hodie 
Moteta  vocant)  Quatuor  Vocum,  . . .  ab 
optimis,  quibusquo  IMusicis  .  . .  composi- 
tarum.  Liber  secundus.  Contratenor. 
(Tenor.)     (Bassus.)     3  pts.  Excudebat 


Hubertus  Waelrandns  it  loannes  Latins  : 
Antncrpiae,  [1556.]     obi.  4.". 

A.  103.  a.  (2.) 

TIic  composers  named  are  :  Clemens  non 

Papa,  Vuaelrant,  Petit  Ian,  A.  Tubal, 

Manchiconrf,     Cricquillon,     Hanricq 

and  Chastelain. 

9.  Simon  .\  Bosco. 

Tertius  Liber  !Modulorum,  Quatuor, 
Quinque  et  Sex  Vocum,  (Quos  Vulgus 
^loteta  vocat)  4  quibusuis  celeberriniis 
authoribus  excerptuB,  &  nunc  primum  iu 
lucem  leditus.     Superius.  Ex  Officina 

Simonis  a,  Bosco,  it  Quilielmi  Gneroult, 

1555.  obL  16".  K.  2.  b.  10.  (1.) 
The  composers    named    arc  :    Clandin, 

Pierre  Colin,  Clemens  non  Papa, 
Maillard,  Jean  de  la  Brnguicrc, 
Gombert  and  B.  de  la  Combe. 

Quartus     Liber     Jlodulorum,    Quatuor, 

Quinque   et    Sex  Vocum,    (Quos   Vulgus 

Moteta  vocat)   a    quibusuis   celeberriniis 

authoribus  cxccrptus,  and   nunc  primum 

iu  lucem  teditus.     Superius.     Ex  Officina 

Simonis  a  Bosco,  it   Guilichni  Gneroult, 

15.55.     obi.  16".  K.  2.  b.  10.  (2.) 

The  composers  tuimcd  are:  E.  Gindron, 

T.  Crequillon,  C.  Goudimel,  Clemens 

non  Papa,  D.  Phinot  and  P.  Colin. 

Quintus  Liber  Jlodulorum,  Quinque 
Vocum,  (Quos  Vulgus  ]\Ioteta  Vocat)  ab 
excellcntissimo  musico  Clemcnte  non 
Papa  nunc  primum  ...  in  lucem  a>dita. 
Superius.  (Bassus.)  2  pts.  Ex  Officina 
Simonis  a  Bosco,  1556.  ohl.  16". 
K.  2.  b.  10.  (3.)  &  K.  2.  b.  11.  (5.) 

Sextus  Liber  Moduloruni,  Quatuor, 
Quinque  et  Sox  Vocum,  (Quos  Vulgus 
Moteta  vocat)  a  quibusuis  ccleborrimis 
authoribus  cxccrptus,  &  nunc  primum 
in  lucem  scditus.  Superius.  (Bassus.) 
2  pts.  Ex  Officina  Simonis  a  Bosco, 

1556.  obi.  16». 

K.  2.  b.  10.  (4.)  &  K.  2.  b.  11.  (6.) 
The  composers  named  are:  D.  Phinot, 
M.  Gosse,   Ville  Font,   laquet,  Mail- 
lart, Gombert  and  Clemens  non  Papa. 

Septimus     Liber    Modulorum,    Quatuor, 

Quinque    et    Sex   Vocum,    (Quos   Vulgus 

Moteta    vocat)   a   quibusuis    celeberrimis 

authoribus  excerptus,  &  nunc  primum  in 

lucem  reditus.    Superius.   (Bassus.)   2  pts. 

Ex  Offiicina  Simonis  a  Bosco, 

1556.     ohl.  16". 

K.  2.  b.  10.  (5.)  &  K.  2.  b.  11.  (7.) 

2'Iic  composers  named  are  :   Gombert,  D. 

Phinot,  Chastelcyn,  F.  Lupino,  laques 

de    Pont,     Criquillon,    Clemens    non 

Papa  and  one  '  Incerti  Anctor.'    At 

the  end  are  the  Treble  parts  of  two 

anomymous    compositions,    '  Converte 

Domi7U','  and   '  Filia  formosa,'  in  a 

contemporary  handwriting. 


158 


MOTETS 


MOTETS. 

10.  Various  Printers. 

Nouum  et   Insigne  Opus  Slusicum,  Sex, 
Quinque,   et    Quatuor  Vocum,   cuius   in 
Germania  hactenus  nihil  simile  usquam 
est  editum.    (Secundus  Tomus  Noui  Operis 
IMusici  .  .  .  nunc  recens  in  lucem  editus.) 
[With,  dedications  signed  Joannes  Otto.] 
Tenor.  (Discantus.)  (Contratenor.)(Bassus.) 
{Quinta'Vox(QuintaetSextaVoces).)  5pts. 
Excusum. .  .Arte  Hieronymi  Graphei : 
Noribcrgae, 15S1  (1538).  obi. 4".    K.  3.  d.  1. 
The  full  title  only  occurs  in  the  Tenor 
parts.      The    composers    named   are : 
Josquin  de  Pres,  L.  Senfl,  Arnoldus 
de  Bnick,  Nicolas  Gombcrtus,  Lupus, 
Vcrdcloth,  A.    Willart,   C.  Festa,  L. 
Paminger,  J.  Lebrin,  J.  Heugel,  M. 
Eckel,  Isaac,  J.  Mourfois,  T.  Stolzer, 
Gallicolus,  L.  Haydenhaymer,   Sam- 
son, B.  Artopins,  Jaqicet,  Hermannus, 
J.     Grefinger,     Benedictus,    Hesdin, 
Natalis  Gombertus  and  P.  de  la  Bue. 

Liber    Cautus    (Vocum    Quatuor)   Triginta 

Nouem    Motetos    habet,    etc.      (C[antus].) 

(A[ltus].)     (T[enor].)     (B[assu8].)     4  pts. 

Inpressum  Ferrarix.     In  Aedibus  Francisci 

Bubci,    do    Valentia,    Expensis    £    Labore, 

loannis  de  Buglhat,  Henrici,  de   Campis, 

Et  Anthonii,  Hucher  Sociontm,  etc.,   1538. 

obi.  4".  K.  4.  g.  4. 

The   title-pages   bear  the  single   letters, 

C.,  A.,  T.,  B. ;  on  the  verso  is  a  fleur- 

de-lys, printed  m  black;  on  fol.  2  is  a 

dedication  to  Hercules  II.,  Duke  of 

Ferrara,  on   the  verso  is   the   title — 

'Liber  CantHS,'  etc.     The    comp>osers 

named  are:  Lheriticr,  Lupi,  A.  Vuil- 

lart,  Jacquct,  Archadct,  Lupus,  Goni- 

hert,  Maistre  Jan,  Claudin,  Hcdin,  Jo. 

Gallus,  C.  Janeguin  and  Dam.  Finot. 

]Modulationes  Aliquot  Quatuor  Vocum 
Selectissimfe,  quas  vulgo  jNIodetas  vocant, 
a  praostantiss.  Musicis  compositae,  iam 
primum  typis  excusse.  Tenor.  (Dis- 
cantus.) (Contratenor.)  (Bassus.)  4  pts. 
Apud  lohan.  Petreium  :  Norimbergx, 
1538.    obi.  i\  K.  8.  b.  12. 

The  Discard,  Contratenor  and  Bass  parts 
have  only  the  words  '  Discantus,' 
'  Contratenor '  and  '  Bassus '  on  their 
title-pages.  The  composers  named  are  : 
A.  Willacrt,  J.  Bichafort,  Claudin, 
C,  Bein,  H.  Isaac,  Josguin  Dcs  Pres, 
S.  Malm  and  G.  Junckcrs. 
[Selectae  Harmoniae  Quatuor  Vocum. 
De  Passione  Domini,  etc.]    Altus,  etc. 

[Apud  Gcorgium  Bhau  :  Vittcnbcrgac, 
1538.]    obi.  4".  K.  4.  d.  15. 

The  full  title  and  imprint  occur  only  in 
the  Tenor  part.  The  composers  named 
are:  I.  Galliculus,  I.Obrccht,  Compere, 
H.  Isaac,  I.  Walther,  L.  Senfl,S.Cellar- 
ius,  M,  Eckel,  L.  Lemlinandl.  Stoel. 


MOTETS.     Tenor.     [The  Tenor  Part    of 
a  Collection  of  12  Motets.] 
[J.  de  Buglhat  and  A.  Hucher :  Ferrara  ? 
1540  ?]    obi.  4°.  K.  8.  b.  7.  (5.) 

Quatuor  vocum  Musicse  modulationes 
numero  xxvi.  ex  optimis  autoribus  dili- 
genter  selectee,  prorsus  nouse,  atq3  typis 
hactenus  non  excusse.  Discantus.  (Con- 
tratenor.)    (Tenor.)     (Bassus.).     4  pts. 

A2ncd  Guilielmum  Vissenacum : 
Antuerpiae,  1542.  obi.  4°.  K.  4.  g.  3. 
'  Perch'  al  visa  d'amor,'  an  anonyinous^ 
madrigal,  is  ^vritten  on  the  verso  of 
the  various  title-pages.  The  composers 
named  are:  C.  Canis,  I.  du  Pont, 
I.  Vinders,  L.  Pieton,  T.  Susato, 
Colin,  I.  Baston,  Arnoldus,  I.  Lcscuir 
(Lescuier),  A.  Barbe  and  I.  Gallus. 
The  name  of  Nicolaus  Payen  is  added 
in  manuscript. 

Sextus  Tomus  Euangeliorum,  et  Piarum 
Sententiarum.  Quatuor,  Sex,  et  Octo 
Vocum.  Continens  historias  &  doctrinam, 
quce  in  Ecclesia  proponi  solet :  De  Poeni- 
tentia.    Tenor.  Apud  loannem 

Montanum,  et  Ulricum  Neubcrum:  Nori- 
bergae,  [1556.]     obi.  i°.  A.  19. 

The  date  '  1546 '  appears  on  the  tvood- 
cut  enclosing  the  tvord  Tenor:  this 
is  the  date  of  the  cut  and  occurs  in 
other  books.  This  vol.  contains  com- 
positions by  Benedictus,  J.  Boyleau, 
J.  Buus,  C.  Canis,  Clemens  non  Papa, 
T.  Crecguillon,  D.  Finot,  J.  Gero,  N. 
Gombert,  Jachet,  Mestre  Jan,  Petit 
Jan  de  Latre,  J.  Lestainnier,  J.  J. 
Liicarius,  P.  Manchicourt,  P.  Mas- 
senus.  Morales  Hispamis,  N.  Payen, 
Andreas  de  Silva  and  A.  Willart. 

Liber  Tertius  Sacrarum  Cantionum  Diuer- 
sorum  Autorum,  Quatuor,  Quinquo,  et  Sex 
Vocum.  [Edited  by  Martin  Pen  d'Argent.] 
Acuta  Vox.  (Contratenor.)  (Tenor.)  (Basis.) 
(Quinta  Pars.)     5  pts. 

Sumjjtibus   hxredum  Arnoldi    Birckmanni 

excudebat  lacobus  Bathenius  :  Duisseldorpii, 

1556.     obi.  4".  K.  4.  g.  8. 

This  collection  forms  Book  III.  of  Martin 

Pen    d' Argent's    '  Cantiones    Sacrae.' 

The  composers  named  are :    C.  Hol- 

landere,  A.  Tubal,  David  aiid  Johann 

Gransyrc,     M.     Peu     d'Argent,     H. 

Schaffers,  N.  Conrardi  and  G.  Mes. 

Nouum  et  Insigne  Opus  Musicum,  Sex, 
Quinque,  et  Quatuor  Vocum,  cuius  in 
Germania  hactenus  nihil  simile  usquam 
est  editum.  Nunc  quidem  locupletatum 
plus  centum. .  .Carminibus,  tum  losquini, 
tum  aliorum  . . .  Symphouistarum  tam 
ueterum  quam  rocentiorum,  etc.  (Secunda 
(Tertia)  Pars  ISIagni  Operis  Musici,  con- 
tinens clarissimorum  Symphouistarum 
...prsecipue  vero  dementis  non  Papse, 
Garmina  . . .  Quinque   (Quatuor)   Vocum, 


MOTETS— MOTLEY 


169 


etc.).  [With  dedicatious  signed  Joannes 
Montauus.]  Tenor.  (Discantus.)  (Altus.) 
(Bassus.)  (Vagans.)  (Sexta  Pars.)  6  pts. 
In  Officina  loannis  Montani,  &  Vlrici 
Netiberi  :  Noribergx,  1558  (1559).    ohl.  4". 

K.  3.  1.  1. 

The  full  title  only  occurs  in  the  Tenor 

parts.      The  composers   named    are  : 

Josquin  de  Pres,   L.   Pieton,   Fevin, 

Arton,  Jachet,  J.  Mouton,  De  La  Faige, 

Isaac,  L.  Senffel,N.  Gombert,D.  Finot, 

J.  Morales,  P.  Massenus,J.  Chastelain, 

Pionier,    E.   Barbion,    Clemens    non 

Papa,    N.    Vuismes,    L.    Pamincjer, 

Baston,    Crequilon,   Manchicourt,    J. 

Cleve,    J.    Vaet,   Z.    vom    Brand,    C. 

Hollander,  Verdelot,   A.   Willaert,    C. 

lesfa,   A.    de   Bruck,   J.    Lupus,   A. 

Caen,  Maillart,A.  Gallus,  J.  Continus, 

J.  Bcrcliem,  J.  de  Bachi,  Du  Beron, 

H.    M.    Werrecoren,    V.    Ruffus,    D. 

Phinot,    J.    Courtois,    Goud'imel,    C. 

Hollander,    C.    Morel,    J.    Castelleti, 

Bcnedictus,  Consilium  and  A.  Tubal. 

Pars  II.  and  III.  are  dated  1559. 

Primus    Liber    Modulorum,   Quatuor   et 

Quinque   Vocum,   (quos   vulgus    i\Iotteta 

vocat)  a  quibusuis  celeberrimis  authoribus 

excerptus.    Bassus. 

Apud  lacobum  Arbillium, 
[1560?]    obi.  16°.  K.  2.  b.  11.  (1.) 

The  composers  named  arc  :  Clemens  non 
Papa,  Pierre   Colin,   Maillard,   Jean 
de    la    Bruguiere,    B.  de   la   Combe, 
Gombcrt  and  Claudin.     All  the  com- 
positions are  to  be  found  in  the  '  Ter- 
tius   Liber   Modulorum,'    printed  by 
S.  a  Bosco  and  G.  Gueroult  in  1555. 
Sccundus  Liber  Modulorum,  Quatuor  et 
Quinque  Vocum,    (quos   vulgus    Motteta 
vocat)  a  Clemonte  non  Papa. .  .excerptus 
Bassus.  Ajnid  lacobum  Arbillium, 

[1560?]    obi.  16".  K.  2.  b.  11.  (2.) 

Tertius  Liber  Modulorum,  Quatuor  et 
Quinque  Vocum,  (quos  vulgus  Motteta 
vocat)  a  quibusuis  celeberrimis  authoribus 
excerptus.     Bassus.  Michaelis  Syluij 

Typis,  [15602]   obl.l6\    K.  2.  b.  11.  (3.) 
The  compiosers  named  arc:    Crequillon, 
Goudimcl,  Clemens  non  Papa,  Phinot 
and  Gosc.     The  first  six  of  the  motets 
in  this  volume  occur  in  the  '  Quartus 
Liber     Modulornm,'    published      by 
S.  a  Bosco  and  G.  Gueroult  in  1555. 
Quartus   Liber   Modulorum,   Quatuor   et 
Quinque   Vocum,   (quos  vulgus    Motteta 
vocat)  a  quibusuis  celeberrimis  authoribus 
excerptus.     Bassus.         K.  2.  b.  11.  (4.) 
Michaelis  Syluij  Trjpis,  [1560  ?]     obi.  16". 
The  composers  named  are  :  Clemens  non 
Papa,  Crequillon,  G.  Domale  or  Don- 
male  and  Maillart. 
Primus    Liber    suauissimas    preestantis- 
simorum  nostras  setatis   artificum  Italia- 
norum  cantilenas  4.  5.  6.  &  8.  vocum  conti- 


nens,  quaj  partim  Latinis,  partim  Ger- 
manicis,  sacris  ac  pijs  textibus  ornatae, 
etc. — Das  Erste  Theil  Der  lieblichstcu 
Walschen  Gesenge,  mit  4.  5.  6.  vud  8. 
stimmen,  etc.     Sexta  Vox. 

Tyjns  Georgij  Baumanni : 

Erphordix,  1587.     4°.  B.  375. 

The  composers  nanud  arc  :  A.  Gabricli, 

O,     Vecchi,     G.     Ferretti    and     L. 

Marenzio. 

Motetti  et  Salmi  a  Otto  Voci,  compost! 

da     Otto     Eccellentiss.    Autori,    con    la 

parte  de  i  Bassi,  per   poter   sonarli  uell' 

organo.      Tenore    Primo    Chore.      (Alto 

Secondo  Choro.)   2  pts.    Appresso  Giacomo 

Vincenti :  Venetia,  1599.     i".        C.  121. 

The  composers  named  are  :  R.  Giouan- 

nelli,    C.    Schieti,    I.    Cruce,    I.   M. 

Nanini,  I.  P7-aenestinus,   F.  Anerii, 

L.  Marenzio  and  J.  M.  Artusi. 

Motetti  a  voce  sola  de  diuersi  Ecceleutis- 
simi  Autori.  Nouamente  stampati.  Libro 
Primo.     Partitura, 

Alia  Stampa  del  Gardano  : 

Venetia,  1645.    obi.  8°.    K.  4.  a.  13.  (1.) 

The  composers  named  are  :    C.  Monte- 

verdc,    G.    Cavati,    F.    Cavalli,    N. 

Fontei,  G.  B.  Treviso,  P.  D.  Tambu- 

rini  and  G.  Filippi. 

Jlotetti  Sagri  a'  Voce  Sola  con  Instru- 
ments Raccolta  di  Diuersi  Auttori  per 
ogni  Tempo,  etc.  Parte  che  Canta. 
(Violino  Primo.)  (Violino  Secondo.) 
(Tiorba  o  Violonc.)     4  pts. 

Per  Carlo  Maria  Fagnani  : 
Bologna,  1695.     4".  D.  11. 

Tlte  comiwsers  named  are  :  G.  B.  Quag- 
lia,  G.  Legrenzi,  G.  B.  Mazzaferrata, 
A.  Sartorio,  F.  Pasarini,  D.  Gabrieli, 
G.  B.  Bassani,  G.  Aldrovandini,  G. 
Fabriui  and  G.  A,  Pcrti. 

MOTEZUMA.     Motezuma.     Opera. 
See  Sacchisi  (A.  M.  G.) 

MOTHER.  The  :Mother's  Complaint. 
Jiomanco.     S^e  Giaedini  (F.) 

MOTHER  SHIPTON.  Mother  Shiptou. 
Pantomime.  See  Arnold  (S.) 
To  heal  the  Smart  a  Bee  had  made.  A 
favourite  Song  in  the  Kntcrtainmcnt  of 
Mother  Sh  ipton .  Sung  by  Mr.  du  Bellamy. 
[London,  1772.]     s.  sh.  4».  159.  n.  4. 

The  London  Magazine,  Oct.,  1772.     Not 
S.  Arnold's  setting. 
To  heal  the  Smart  a  Bee  had  made.     A 
song  sung  by  Mr.  Du  Bellamy.     In  the 
Entertainment  of  Mother  Shipton. 
W.  R[andall:  London,  1775?]    s.  sh.  iol. 

G.  312.  (25.) 
Not  S.  Arnold's  setting. 

MOTLEY  (Richard)  A  Collection  of 
Ayres,  in  Three  Parts,  Containing  Forty 
Six  Tunes,  in  Eight  Sets.     First  Trebles, 


160 


MOTLEY— MOULDS 


(Tho  Bass.)     2  pts.         W.  Fcarsoii,  for  tlic 
Author  :  London,  1701,     obi.  i".      A.  20. 
Imperfect.      Wanting   fol.    En    of   the 
First  Treble  and  fol.  F  of  the  Bass. 
Fol.  Fi  of  tho  First  Treble  is  muti- 
lated. 
Draw,  Gupid,  draw.     A  So'nrj,  etc. 
n.  Wriqht:  [London,  n05?}    s.sh.M. 

H.  1601.  (132.) 
[Another  copy.]  G.  305.  (296.) 

[Another  edition.]  Draw  Cupid  :  A  Song, 
etc.     {London,  1710?]     s.  sh.  fol. 

G.  304.  (44.) 

[Another  copy.]  G.  307.  (133.) 

MOTO.  Un  moto  di  gioia  mi  sento. 
Arietta.     Sec  Mozart  (W.  A.) 

MOTTA  (DoMENico)  Six  Duetts,  for  Two 
Voices,  with  a  Thorough  Bass,  etc. 

Printed  for  the  Author:  London, 
[1790  ?]    obi.  fol.  E.  270.  d.  (4.) 

Six  Italian  Songs  with  an  accompany- 
ment  for  the  Harpsichord,  etc.  [London, 
1775?]     obl.M.  E.  601.  d.  (13.) 

Six  Songs  with  an  Accompanyment  for 
the  Harp,  Forte  Piano,  or  Harpsichord, 
etc.  The  Author  :  London, 

[1780  ?]     obi.  4°.  B.  365. 

MOULDS  (John)  The  Affectionate  Soldier. 
A  Favorite  Ballad  written  by  G.  S.  Carey, 
etc.    PrestoniiSon:  London,  [1195'?]   fol, 

H.  2826.  c.  (27.) 
Betty  Pringlc. 

Sec  infra:    [Tlie  P]iisioij)W]nisl.] 
The  Caledonian  Maid.     [Song.]     Written 
by  P.  Pindar.  J.  Dale  : 

London,  [1795?]    fol.  G.  360.  (37.) 

Caroline  of  Litchfield.  A  Favorite  Song, 
etc.     F.  Linlcy  :  London,  [H9T?]     fol. 

G.  810.  (51.) 
The  chearful  morn  beams  o'er  the  Hills. 
A  Favorite  Hunting  Song,  etc. 

Printed  for  T.  Gladman  :  [London, 
1790?]     fol.  G.  366.  (36.) 

Clarissa  Harlow,  or  the  History  of  a 
Young  Lady,  Consisting  of  Four  Ballads 
in  different  periods  of  her  Life . . .  The 
Words,  by  the  Author  of  the  Suffering 
Negro.      '  Printed  for  G.  Goulding  : 

London,  [1795  ?]     obi.  fol. 

F.  607.  y.  (14.) 
A  Collection  of  Favorite  Songs  sung  by 
i\rr.  Wilson,  at  Ranelagh,  etc.  Printed 
for  G.  Goulding  :  London,  [1181.]     fol. 

G.  806.  i.  (9.) 
Come  who'll  buy  primroses.  See  infra : 
[The  Sultan.] 

Cornelia,  a  favorite  Song,  etc.  Printed 
for  G.  Goulding  :  London,  [1790?]     fol. 

H.  1994.  d.  (42.) 
Cousin  Piemen's  Promise.  A  Favorite 
Comic  Song,  etc.  C.  Wheatstone ;  London, 
[1800?]    fol.  G.  383.  (21.) 


MOULDS  (John)  Cowslips  of  tho  Valley, 
[Song,]  .  .  .  Written  and  Composed  by 
J.  Moulds.  Printed  for  Culliford, 

Bolfc  d  Barrow  :  London,  [1798?]     fol. 

G.  249.  (32.) 
A  Description  of  London,  [Song,]  Sung 
by  Mr.  Fawcett,  etc.  W.  Cope  :  London, 
[1796?]     fol.  G.  249.  (31.) 

The  Deserted  Hamlet,  a  favorite  Ballad, 
written  by  T.  Shapter.  Printed  for 

G.  Goulding  :  London,  [1788  ?  1     fol. 

G.  360.  (34,) 
The  Deserter,  [Cantata,]  the  Words  by 
E.  Jerningham,  etc. 

Printed  for  G.  Goulding: 
London,  [1'190?]  obi.  io\.  D.  392.  (10.) 
Dr.  Goldsmith's  Celebrated  Poem  of  The 
Deserted  Village,  set  to  Music  with 
Accompaniments,  etc.  W.  Cope  :  London, 
[1795?]     fol,  G.  368.  (12.) 

Edwin  and  Emma,  a  Celebrated  Poem, 
written  by  jNIr.  j\Iallet,  set  to  Music  with 
Accompanyments ...  To  which  is  prefixed 
. .  ,a  favourite  Sonata,  or  Lesson  for  the 
Piano  Forte,  Printed  for  G.  Goulding  : 
London,  [1790  ?]     fol,  H.  77. 

Elenor  of  Exeter,  a  favorite  Ballad 
written  by  G,  S,  Carey,  etc.  Printed  for 
G.  Goulding:  London,  [1790?]     fol. 

H.  2826.  c.  (28.) 
The  Escape,  a  favorite  Comic  Song,  etc. 
Bland  cC  Weller  :  London,  [1798  ?]     fol, 

G.  800,  m.  (41.) 
La  Fleur,  A  favorite  Ballad  from  Steruo 
. ,  .Written  &  Composed  by  J.  IMoulds. 
17.  Cope:  London,  [1796?]     fol. 

G.  366.  (40,) 
The  Forecastle  Sailor  or  the  Guardian 
Frigate,  [Song,]  written  by  Mr,  Shapter, 
and  Sung  by  ]\rr,  Darley  at  Vauxhall 
Gardens,  etc.  Printed  for  G.  Goulding  : 
London,  [1189  2]  fol.  G.  383,  j.  (21.) 
The  Handkerchief  or  Stern's  Pledge  to 
Maria,  [Song:]  Written  by  S,  Darken, 
etc.    T.  Jones  d- Co.:  [London,  1195?]   fol. 

G.  366.  (39.) 
Hark  away  my  brave  Boys  to  the  cry  of 
the  Hounds.  '  A  favorite  Hunting  Song 
sung  by  Mr.  Wilson  at  Ranelagh,  etc. 

Longman  and  Broderip  : 
[London,  1786  ?]     fol.  H.  131.  (30.) 

How  sweet  the  rosy  blush  of  ]\Iorn.  A 
favorite  Pastoral  Ballad  sung  by  Mr. 
Wilson  at  Ranelagh,  etc.  T^ongman  and 
Broderip  :  [London,  1786  ?]     fol, 

H.  131.  (31.) 
Jemmy  out  at  sea,  A  favorite  Scotch 
Ballad  sung  by  IMr.  Wilson  at  Ranelagh, 
etc.  Longman  and  Broderip  : 

[London,  1186?]     fol,  H.  131,  (36.) 

Kate.  A  favourite  Ballad  taken  from 
Cowper's  Task,  etc.  S.  A.  d  P.  Thompson  : 
London,  [1785  ?]    fol.   H.  1650.  p.  (10.) 


MOULDS 


161 


MOULDS  (John)     Kate  of  Aberdovy. 
See  infra:     [Tlie  Phisiognomisi.'] 
Kathriue  Oggy.     A  Favorite  Scotch  Song. 
Sung  by  Mr.  Wilson  at  Ranelagh.     1785. 
J.  Fentum  :  [^London,  1785.]     fol. 

G.  310.  (108.) 
The  Lass  of  Kensworth  Dale.  A  favorite 
Ballad,  sung  by  ]Mr.  Wilson  at  Ranelagh, 
etc.  Longman  and  Brodcrip,  [London, 

1784  ?J     fol.  H.  131.  (29.) 

The  Link-Boy.  A  favorite  Song  sung  and 
composed  by  J.  Moulds.  G.  Gotdding  : 
[London,  1785  ?]     fol.  G.  377.  (40.) 

Louisa,  a  favorite  Ballad  written  by 
Mr.  Oswald, . . .  and  The  British  Sailor,  a 
favorite  Song. .  .by  D.  Corri. 

Printed  for  G.  Goulding  :  T^ondon, 
[1800  •?]     fol.  G.  798.  (34.) 

Ma  charmante  petit[e]  fille,  a  favorite 
Ballad,  etc.  Printed  for  G.  Goulding  : 

London,  [1790  ?]  fol.  G.  808.  e.  (37.) 
The  Mariner.  A  Celebrated  Sea  Song, 
written  and  composed  by  J.  ]\Ioulds,  etc. 

Printed  for  Culliford,  Rolfe  d  Barrow  : 
Lomlon,  [1798  ?]     fol.  G.  249.  (29.) 

The  jMatchless  Maid  of  Morpeth,  a 
Legendary  Tale,  written  by  G.  S.  Carey, 
set  to  ]\Iusic  with  Accompanyments,  etc. 
[Cantata.]  Longman  and  Brodcrip  : 

London,  [lldO?]  oW.' fol.  D.  392.  (11.) 
Mind  the  main  Chance.  A  favorite  Ballad 
sung  by  ]\Ir.  Wilson  at  Ranelagh. 

Jjongman  and  Brodcrip  :   lLo)idon, 
1786.]     fol.  H.  131.  (32.) 

Moulines  ]\Iaria.  A  favourite  Ballad  taken 
from  Sterne.  Printed  for  S.  A.  it  P. 

Thompson  :  London,  [1785  ?]     fol. 

H.  1650.  j.  (6.) 
[Another  edition.]  Moulines  Maria,  etc. 
See  'TwAS.  'Twas  near  a  Thicket's  cabn 
Retreat,  etc.  [By  J.  ]Moulds.l 
[1785?]  s.sh.  fol.  H.  leO'l.  b.  (106.) 
Nanny  of  the  Mill.  A  favorite  Ballad, 
sung  by  Mr.  Wilson  at  Ranelagh,  etc. 
[Full  Score.]  Longman  and  Brodcrip  : 

[London,  1786  ?]     fol.  H.  131.  (35.) 

Nelson's  Cap,  or  the  Badge  of  Honor,  etc. 
[Song.]  W.  Hodsoll  :  London, 

[1798.]    fol.  G.  366.  (37.) 

The  Nightingale.  A  Favourite  Song,  sung 
by  ]Mrs.  Bottarelli  at  Ranelagh,  etc. 

Printed  for  S.  A.  ct  P.  Thompson  : 
London,  [17SG  7]     fol.  H.  131.  (39.) 

Now  when  the  vernal  Sun  appears.  A 
favorite  Ballad,  sung  by  Mr.  Wilson  at 
Ranelagh.  Longman  and  Brodcrip  : 

[London,  1786  ?]     fol.  H.  131.  (33.) 

The  Nut  Brown  ]Maid,  by  M.  Prior,  set  to 
music  [composed  and  arranged]  by  J. 
Moulds.     [Cantata.]     ms.  note. 

Printed  for  G.  Goulding  :  London, 

1789.     obi.  fol.  E.  112. 

This  ivork  contains  music  by  T.  Carter, 

VOL.    II. 


J.  Moulds,  Carolan,  Giordani,  Reeve, 
Shield  and  Bocchcrini. 

One  morning  in  May,  when  Spring  smil'd 
around.  A  Pastoral  Ballad,  sung  by  Mr. 
Wilson  at  Ranelagh,  etc. 

Longman  and  Brodcrip  : 
[London,  1786  ?]     fol.  H.  131.  (34.) 

The  Peasant,  a  favorite  Ballad,  taken  from 
Sterne,  written  by  T.  Shapton,  etc. 
J.  Dale  :  London,  [1795  ?J     fol. 

G.  360.  (35.) 
The  Peasant  of  Bantry  Bay.  A  Celebrated 
Irish  Song,  sung. .  .by  Mr.  Johannot. . . 
written  and  composed  by  J.  Moulds. 

Printed  for  W.  Cope:  London, 
[1796?]     fol.  G.  366.  (41.) 

[The  Phisiognomisi.]  Betty  Pringle,  a 
favorite  Song,  sung  and  composed  by 
J.  Moulds,  etc.  Printed  for  G.  Goulding: 
London,  [1790  ?]     fol.     ^     G.  377.  (39.) 

[The  Phisiognomist.]  Kate  of  Aberdovy, 
a  favorite  Song,  sung  and  composed  by 
J.  Moulds,  etc.  Printed  for  G.  Goulding  : 
London,  [1790?]     fol.  G.  377.  (38.) 

Poor  Jack,  a  Favorite  Ballad,  composed  & 
sung  bv  J.  Moulds. .  .at  the  Lyceum,  etc. 

Printed  for  S.  A.  d  P.  Thompson: 
London,  [1790  ?]   fol.    H.  2831.  a.  (23.) 

Poor  Mary  the  Primrose  Girl. 
.SVe  infra:  [TJic  Sultan.] 

The  Printer's  Devil,  [Song,]  written  by 
Mr.  Shapter.  Printed  for  G.  Goulding  : 
Tendon,  [1788  ?]     fol.  G.  360.  (36.) 

The  Retrospector.  A  Collection  of  Sonnets 
containing  Spring,  Summer,  Autumn  and 
Winter.     The  Words  by  J.  Brown. 

Longman  and  Brodcrip  :  London, 
[1785  ?]     obi.  fol.  D.  392.  (12.) 

A   Sailor's   Soul,   or    Sympathetic    Fred. 
An  admired  Nautical  Song. .  .Written  by 
S.  Darken  and  being  the  last  Composition 
of  the  Celebrated  late  ]Mr.  J.  Moulds. 
Thompson:  London,  [ll'dSl]     fol. 

G.  366.  (38.) 

Sans  vous  ma  chere,  a  Favorite  Song,  etc. 

Printed  for  G.  Goulding:  Tjondon, 

[1785?]     fol.  G.  808.  g.  (25.) 

She  dropt  a  Tear  &  cried  be  true.  A 
favorite  Sea  Song,  etc. 

Printed  for  G.  Goulding  :  London, 
[1790?]     fol.  H.  2830.  g.  (16.) 

The  Silver  Stream,  [Song,]   as  Sung   by 
Mr.  Wilson. .  .at  Ranelagh,  1785,  etc. 
J.  Fentum  :  London,  [1785.]     fol. 

G.  310.  (104.) 
Smiling  Grog's  on  board.  A  favorite 
Sea  Song,  sung  and  composed  by  J.  Moulds. 
G.  Goulding  :  [London,  1100?]     fol. 

G.  377.  (41.) 


162 


MOULDS— MOURET 


MOULDS  (John)  Three  Favorite  Sonatas 
for  the  Harpsichord  or  Piauo  Forte  "with 
an  Accompanyment  for  a  Violin.     Op.  x. 

Printed  for  G.  Goulding  :  London, 
[1790?]     fol.  g.  270.  n.  (5.) 

[The  Sultan.]  Come  who'll  buy  prim- 
roses, [Song,]  Sung  by  Mrs.  Bland  in  the 
Sultan,  e/c.  Printed  for 

Messrs.  Thompson  :  Lo^idon,  [1796  ?]     fol. 

G.  806.  e.  (73.) 

Poor   Mary   the   Primrose    Girl.     A 

Celebrated  Song  sung  by  Mrs.  Bland  in 
the  Entertainment  of  the  Sultan,  etc. 
Printed  for  J.  Dak :  London,  [1190?]   fol. 

G.  360.  (33.) 
When  Fancy  feeds.  The  much  ad- 
mired Song  introduced  and  sung  by  Mr. 
Dignum  at  the  Theatre  Royal  Drury 
Lane  in  the  entertainment  of  the  Sultan  ; 
written  by  T.  Yaugbau.  Printed  for 
W.  Cope:  London,  [1796?]     fol. 

G.  249.  (30.) 

The  Zephir's  cool  Breeze.    A  Favorite 

Song  introduced  and  Sung  by  Mrs.  Bland 

in  the  Entertainment  of  the  Sultan,  at 

the  Theatre  Royal  Drury  Lane.    W.  Cope  : 

London,  [1796  ?]     fol.  G.  249.  (33.) 

When  Fancy  feeds. 

See  supra  :  [The  Sultan.'] 

When  Phoebus  wakes  the  rosy  hours.     A 

favorite     Hunting    Song    sung    by    Mrs. 

Stevenson  at  the  Royalty  Theatre. 

Longman  and  Broderip  :  [Ijondon, 
1790?]     fol.  H.  131.  (37.) 

When  sweet  and  blushing  like  a  Bride. 
A  favorite  Ballad,  sung  by  Miss  George  at 
Ranelagh,  etc.     [Full  Score.] 

Longman  and  Broderip:   [London, 
1786?]     fol.  H.  131.  (38.) 

The  Zephir's  cool  Breeze. 

See  supra:  [T]ie  Sulta^i.] 

Sen    Feast   of  Apollo.      The    Feast    of 

Apollo,    containing. .  .Songs,    by...Staes, 

Moulds,  etc.     [1788.]     fol.      G.  351.  (2.) 

MOULET  (Joseph  Agkicole)  0  sainte 
Liberte  !  Hijnine  a  la,  Libertt',  paroles  du 
Cit.  Aubert,  etc.  Chez  Frerc  :  [Paris, 

1794?]     8".  E.  1717.  b.  (26.) 

MOULIN.     Le  Moulin.     [Duet.] 

See  Amour.  L'Amour  dans  votre  moulin. 
[1790?]     8".  B.  362.  e.  (79.) 

MOULIN  DE  JAVELLE.  Le  Moulin 
de  Javelle,  comedie  de  M''  Dancourt. 
(Airs  de  la  Comedie,  etc.)  [By  J.  C.  Gillier.] 
2  pt.     T.  Guillain  :  Paris,  1606.     12". 

839.  c.  4. 
Part  of  '  Lcs  CEurres  de  Mr.  Dancourt.' 
Tome  III. 
Le  IMoulin  de  Javelle.  Comedie.  De 
INl"'  Dancourt.  (Airs  de  la  comedie  du 
Moulin  de  Javelle  [by  J.  C.  Gillier].) 
2  pts.  Chez.  T.  Gnillain  :  Paris, 


1696. 


839.  c.  4. 


MOULIN  DE  JAVELLE.  Le  Moulin 
de  Javelle.  Comedie ;  representee  pour 
la  premiere  fois  le  15  Janvier  1696.  [By 
F.  C.  Dancourt,  with  music  by  J.  C. 
Gillier.]  [Paris,  1760.]  12".  241.  c.  5, 
Part  of  '  Les  CEuvres  de  Thiiatrc  de 
M.  D'Ancourt,'  etc.     Tom.  5. 

MOULIN    DE     SANS  -  SOUCL       Le 

Moulin  de  Sans-Souci,  Fait  historique  en 
un  Acte,  en  prose,  mele  de  Vaudevilles. . . 
Par  le  Citoyen  Dieu-la-Foy  .  .  .  avec  la. 
Musique.  CJiez  le  Libraire  au  Theatre  du 
Taiidevillc  :  Paris,  An  vi"  [1798.]     8". 

11738.  d.  31.  (5.) 

MOULINES.     Moulines  Maria.     Ballad. 
See  Moulds  (J.) 

MOULINGHEN  (Jean  Baptiste)  Les- 
Nymphes  de  Diane.  Opera  Comique  du 
Sr.  Favart . . .  avec  tous  les  Airs  not^s. 
1748.     8°.     See  Nymphes  de  Diane. 

164.  d.  24» 

MOULINGHEN  (Louis  Charles)  Sin- 
fonia  Puriodique  a  ]piu  Stromenti,  etc. 
No.  1.  Gravee  par  M"""  Vendome  et  le 
S"'  Moria,  etc.     [Separate  Parts.] 

Aiix  adresses  ordinaires  de  Musique  : 
Paris,  [1784.]     fol.  g.  474.  (25.) 

MOULINIE  (Etienne)  Airs  avec  la 
Tablature  de  Luth.  (Airs  de  Cour  avec 
la  Tablature  de  Luth  .  .  .  Second  Livre.) 
2  Bk.     P.  Ballard  :  Paris,  1624  (1625).   i\ 

K.  3.  i.  17. 

MOUNSEER.  Mounseer  Nong  toug  paw. 
See  DiBDiN  (C.)     [The  General  Election.] 

MOUNTAGUE.  Mountague  Walk. 
[Song.]     See  Cabey  (H.) 

MOUNTAINEERS.  The  Mountaineers, 
[^lusical  Play.]     See  Arnold  (S.) 

MOUNTEBANK.  The  Mountebank. 
[Song.]     See  Leveridge  (R.)     [Fareioell 

Folly.] 

MOUNTFORT  (William)  Bonny  Kate. 
See  Rise.  Rise  bonny  Kate,  the  Sun's- 
got  up  high,  etc.  [Words  by  T.  D'Urfey, 
music  by  W.  Mountfort.]  [1715?]  s.sh.to\. 

H.  1601.  (374.). 

MOURET  (Jean  Joseph)  Aflreux  Hyver^ 
tu  bannis  de  ces  lieux.  Air,  etc.  [Paris,] 
1727.     s.  sh.  4".  297.  a.  26. 

Mercure  de  France,  March,  1727. 

Airs  s6rieux  et  a  Boire,  a  Une  et  Deux  Voix. 
avec  des  Accompagnemens,  etc.  Grav6 
par  F.  du  Plessy.  Chez  VAuteur  .- 

Paris,  1719.     obi.  4°.  B.  335.  a.  (4.) 

L'Amour  et  I'Hymen.  Epitalame,  etc.. 
Gravee  par  le  S''  Hue. 

Chc3  la  Veuve  Mourct :  Paris,. 
[1740  ?]     obi.  4".  C.  399.  e.  (2.) 


MOURET 


163 


MOURET  (Jean  Joseph)     Amour,  sur  ce 
charmant  rivage.     Air,  etc. 
[Paris,]  1728.    s.  sh.  4°.  298.  a.  (2.) 

Mcrcure  de  France,  Dec,  1728. 

Les  Amours  des  Dieux.     Ballet  Heroique, 
etc.  Chez  VAuteur:  Paris, 

[1727.]   ohl.  4^  C.  399.  b. 

Ariane,  Tragedie  en  Musique,  etc. 

J.  B.  Christophc  Ballard  :  Paris. 
1717.     obi.  4".  C.  399.  f. 

L'Aurore  a  peine  ouvroit  les  Cieux.     Air. 
[Words  by]  Lainey.  [Paris,'] 

1726.     s.  sh.  4°.  297.  a.  22. 

Mcrcure  de  France,  July,  1726. 

La  Bergere  que  j'aime.     Air,  etc. 
[Paris,]  1728.     s.  sh.  4\  297.  a.  31. 

Mercurc  de  France,  Feb.,  1728. 

Cher  voisin,  voul^s  vous  me  croire.  Vaude- 
ville, etc.     [Paris,]  1736.     s.  sh.  4°. 

297.  b.  14. 
Mercurc  de  France,  June,  1736. 

D'un  jeune  Plumet  vif  et  tendre. 
See  infra  :  [U Horoscope  Accompli.] 

Epitalame.  Cantatille  Frangoise  .  .  . 
Gravije  par  IM""^  Leclair.  Chez  I'Auteur  : 
Paris,  [1735  ?]    obi.  4".      B.  335.  a.  (3.) 

Les  Testes,  ou  le  Triomphe  de  Thalie. 
Ballet  en  Musique, c/c.  Chez  C.  Ballard: 
Paris,  1714.     obi.  4".  C.  399.  d. 

La    Provenvale,    nouvelle    Entree 

ajoiitee  aux  Festes  de  Thalie,  etc. 

J.  B.  ChristojyJic  Ballard  :  Paris, 
1722.    obi.  i".  B.  335.  a.  (2.) 

La  Provenvale.     [For  songs  in  this 

•work  (a  later  addition  to  the  Fetes  de 
Thalie)  published  anonymously :] 

See  PROVEN9ALE. 

[La  Foire  de  Besons.]  Voici  la  Foire  des 
Amours.     Vaudeville,  etc.  [Paris,] 

1736.     s.  sh.  i".  297.  b.  15. 

Mercurc  dc  France,  Oct.,  1736. 

Les  Graces,  Ballet  Heroique. .  .Grave  par 
M"'  Leclair.  Les  paroles  sont  de  M'  Boy. 
Chez  I'Auteur  :  Paris,  [1735?]     obi.  4". 

C.  399. 
The    titlc-pacje   bears    the   autograph   of 
F.  Paer. 

[L'Horoscope    Accompli.]       D'un    jeune 
Plumet  vif  et  tendre.     l--  Vaudeville,  etc. 
[Paris,]  1727.     s.  sh.  4".  297.  a.  28. 

Mercure  de  France,  July,  1727. 

Hymne  a  I'Amour.  Cantatille  Fran^oise, 
etc.     Gravee  par  jM"«  Louise  Kousseau. 

Chez  la  Vevue  Mourct :  Paris, 
[1740?]     obi.  4".  C.  399.  e.  (1.) 

II  faut  recommencer.  Etrcnnes,  etc. 
[Words  by]  Gallet.  [Paris,] 

1732.     s.  sh.  4°.  298.  a.  27. 

Mercure  de  France,  Feb.,  1732. 


MOURET  (Jean  Joseph)  Leda.  Canta- 
tille Francoise,  etc.  Grav6e  par  IM^'ne 
Leclair.  Chez  la  V"  Ma'^  Mourct  :  Paris, 
[1740  ?]     obi.  4".  C.  399.  e.  (3.) 

Le  lis  par  sa  blancheur  efface. 
See  infra  :  [Ziphire  et  Flore.] 

Loin  de  ces  lieux.  Air,  etc.  [Words]  Par 
M.  Hardouin.         [Paris,]  1728.     s.  sh.  4°. 

297.  a.  32. 
Mercurc  de  France,  April,  1728. 

Motets  a  Une  et  Deux  Voix,  avec  Sim- 
phonie,  etc.  [N"'  5  and  6.]  Graves  par 
Labassee.  Chez  la  Veuve  Mouret : 

Paris,  1742.     fol.  H.  1187.  p.  (6.) 

On  donne  gratis  rOpe'ra.  Vaudeville,  etc. 
[Paris,]  1727.     s.  sh.  4".  297.  a.  29. 

Mercure  de  France,  Sept.,  1727. 

Pan,  et  Doris.     Pastorale  Heroique,  etc. 
Chez  VAuteur :  Paris,  [1738.]     obl.^\ 

C.  399.  c. 
Petits  Oiseaux,  est-ce  le  jour.     Air,  etc. 
[Pans,]  1726.     s.  sh.  4".  297.  a.  23. 

Mcrcure  de  France,  Sept.,  1726. 

Pirithous.  Trag^die  [by  La  Serre  or 
Seguiuault]  miso  en  Musique  par  Mon- 
sieur Mouret  .  .  .  Representee  pour  la 
premiere  fois. .  .le  vingt  six  Janvier  1723. 

Chez  VAuteur : 
obi.  4".  C.  399.  h. 


[Short  Score.] 
Paris,  [1723.] 

Priutems,  etc. 
[Paris,]  1727. 


[Song.] 
s.  sh.  4°. 


297.  a.  27. 


Air, 
33. 


etc. 


Mercure  de  France,  June,  1727. 

Le  Printemps  revient  tons  les  ans. 
etc.    [Paris,]  1728.    s.  sh.  4".   297.  a 
Mercure  de  France,  May,  1728. 

La  Provenvale. 

See  supra  :  [Les  Fetes  de  Thalie.] 

Le      Racomodement.        Cantatille, 
Gravee  par  M""=  Leclair. 

Oiez  la  Veuve  M'^  Mouret :  Paris, 
[1740?]     obl.i".  C.  399.  e.  (4.) 

Ragonde,   ou   La   Soiree   de  Village,  etc 
Grave  par  le  S'  Hue.  Ches  le  Veuve 

Mouret :  Paris,  [1742.]  obi.  4".    C.  399.  g. 

Restons  longtems  dans  ce  reduit.  Couplets, 
Par  M.  Fuzillier,  le  fils.  [Paris,} 

1736.     s.  sh.  4°.  297.  b.  13. 

Mercure  de  France,  April,  1736. 

Le  Triomphe  des  Sens,  Ballet  Heroique, 
etc.    Chez  Vauteur  :  Paris  [1TS2.]    obi.  4:", 

C.  399.  a. 
Voici  la  Foire  des  Amours. 
See  supra  :  [La  Foire  dc  Besons.] 

[Zephire  et  Flore.]  Le  lis  par  sa  blancheur 
efiace.  Air,  etc.  (Chantez  . . ,  dans  le  Di- 
vertissement de  la  Comedie  de  Zephire 
&  Flore.)     [Paris,]  1727.     s.  sh.  4'\ 

297.  a.  29. 


Mercure  de  France,  Sept.,  17i: 


M   2 


164 


MOURN— MOZART 


MOURN.  Mourn  hapless  Caledonia.  The 
Tears  of  Scotland.     [Song.]  [Lojidon, 

1750?]     s.sh.  fo\.  1.530.(100.) 

MOUSE-TRAP.  The  Mouse  Trap.  [Song.] 
Sec  Of.  Of  all  the  simple  things  we 
doe,  etc.    [1730  ?]   s.  sh.  fol. 

H.  leOl.  (325.) 

MOUTH  OF  THE  NILE.     The  Mouth 
of  the  Nile.     Musical  Entertainment. 
See  Attwood  (T.) 

MOUTON  (lOANNEs)  Missal?  Joannis 
mouton  .  .  .  Liber  primus.  ]\Iissa  sine 
nomine.  Alleluya.  Alma  redemptoris. 
Ite5  alia  sine  nomine.  Regina  meal^. 
[For  four  voices.  The  Alto,  Tenor  and 
Bass  parts  have  separate  title  pages : 
Missa2yi  Jo.  mouton.  Liber  primus. 
A.     (T.)     (B.)]     4  pts.  Impressum  per 

Octaicianum  Petrutium :  Foroscmpronii, 
1515.     obi.  4".  K.  i.  d.  11. 

loannis  Mouton  Sameracensis  .  .  .  select! 
aliquot  moduli,  &  in  4,  5,  6  &  8  vocum 
harmoniam  distinct!.  Liber  Primus.  Su- 
perius.  (Contra-tenor.)  (Tenor.)  (Bassus.) 
4  pts.  Ajmcl 

Adrianum  le  Boy,  <£  Rohertum  Ballard : 
Farisiis,  1555.     obi.  4°.  K.  4.  c.  14. 

MOUVEMENT.  Le  Mouvement  et  le 
Repos.  [Song.]  See  Lorsque.  Lorsque 
de  dieu  la  main  feconde.     [1785  ?]     8". 

B.  362.  (176.) 

MOVIUS  (Caspar)  Triumphus  Musicus 
Spiritualis :  Das  ist :  Newe  Geistliche 
Triumph  Licder,  daruuter  Ausserlesene 
Deutsche  Kirchen  Gesange,  Trostreiche 
Psalmen,  vnd  andere . . .  Biblische  Spriiche ; 
Mit  6.  vnd  8.  Stimmeu  sampt  dem  Basso 
Continue  :  Also  gestellet,  dass  die. .  .ohne 
Instrumenten  oder  einem  Corpore,  zu 
Chor  vnd  soust  daheim  gar  fiiglich  mogen 
gesungen  werden,  etc.  Cantus  i  (Cantus  ii) 
(Alius)  (Bassus)  Chor!  Superioris.  (Altus 
(Tenor  i)  (Tenor  ii)  (Bassus)  Chori  In- 
ferioris.)     8  pts.  Joluin  Bichel : 

Rostock,  1640.     4".  B.  106. 

MOZART  (JoHANN  Georg  Leopold)  La 
Course  aux  Traineaux.  Pi^ce  fameuse. . . 
arrang^e  d'une  execution  facile  pour  le 
Pianoforte  ...  La  partie  de  Violon  ad 
libitum.  H.  C.  Steiip :  Amsterdam, 

[1795  ?]    obi.  fol.  e.  368.  (16.) 

Versuch  einer  griindlichen  Violinschule, 
. .  .mit  4.  Kupfertafeln,  etc. 

In  Verlag  des  Verfassers.     Gcdruckt  bey 
J.  J.  Lottcr:  Augsburg,  1756.   4°.   d.  2.  a. 

Leopold  Mozarts  .  .  .  griindliche  Violin- 
schule,. .  .Dritte  vermehrte  Aufiage. 

J.  J.  hotter  und  Sohn  :  Auqsburq, 
1787.    4°.  d.  2. 


MOZART  (Wolfgang  Amadeus) 

Arrangement. 

1.  Sacred  Music. 

2.  Dramatic  Music. 

3.  Songs,  &c. 

a.  Collections. 

b.  Single  Works. 

4.  Instrumental  Music. 

5.  Selections  and  Adaptations  from  two  or 

more  Worlds. 

6.  Doubtful  and  Spurious  Works. 

7.  Appendix. 

8.  Index. 

1.  Sacred  Music. 

Davidde  Penitente,  Cantata,  con  1'  Orches- 
tra... Parte  I.     Partitura. — Osterkantate, 
mit  einer  Parodie  von  J.  A.  Hiller,  etc. 
Bei  A.  Kilhnel :  Leipzig,  [1800?]     fol. 

G.  260.  e. 

[Litanite  de  Venerabili  Altaris  Sacra- 
mento. Koch.  Verz.  No.  125.]  Heiliger 
sieh'  gnadig  hernieder.  Kantate  ...  In 
Partitur.  [Koch.  Verz.  Anh.  iii.  No.  124.] 
Bey  Breitkopf  d  Hdrtcl : 
Leipzig,  11800?]     fol.       H.  1120.  f.  (1.) 

[Missa   Brevis,    in   F.     Koch.    Verz.    No. 
192.]     Messa. .  .Spartizione.     No.  1. 
Hoffmeister  d  Co.  :  Vieima,  [1800  ?]     fol. 

G.  537. 

[Mass  !n  C.  Koch.  Verz.  No.  257.] 
IMesse  a  4  voix  avec  accompagnement  de 
2  Violons  et  Basse,  2  Hautbois,  2  Trom- 
pettes,  Timbales  et  Orgue. .  .No.  ir.  Parti- 
tion. Breitkopf  et  Hiirtel : 
Lei2}sic,  [1800  7]     obi.  tol.  F.  240.  f. 

[Missa  Brevis,  in  C.  Koch.  Verz.  No. 
258.]  ]\Iiichtigster,  Heiligster  &c.  Kan- 
tate. .  .in  Partitur.  No.  5.  [Koch.  Verz. 
Anh.  HI.     No.  128.] 

Bey  Breitkopf  d  Hiirtel : 
Leipzig,  [1800  ?]     fol.         H.  699.  j.  (2.) 

W.  A.  Mozart!  Missa  pro  Defunctis 
Requiem. — W.  A.  Mozarts  Seelenmesse 
mit  unterlegtem  Deutschem  Texte. 
[Full  Score.]  Im  Verlage  der  Breitkopf  d 
Hdrtelschen  Musikhandlung  :  Leipzig, 
[1800.]    obi.  fol.  F.  240. 

2.  Dramatic  Music. 

La  Clemenza  di  Tito.  Opera  Seria. 
[Libretto  adapted  from  Metastasio  by  C. 
Mazzola] . . .  Aggiustata  per  il  Piano-Forte 
del  Sign.  A.  E.  Miiller. 

Presso  Giovanni  Augusto  Bohmc  : 
Hamburgo,  [1795  ?]     obi.  fol.     E.  150.  x. 

La  Clemenza  d!  Tito.     Grande  Opera... 
arrangee   en   Quatuors   k   Deux   Violons, 
Alto  &  Violoncelle.     [Separate  Parts.] 
Chez  N.  Sirnrock:  Bonn,  [1800?]     fol. 

g.  1018.  a.  (1.) 


MOZART 


165 


MOZART  (Wolfgang  Amadeus)  [La 
Clemenza  di  Tito.]  Deh  prendi  un  dolce 
amplesso.  Duetto . . .  L'  accompagnamento 
del  Sig'  J.  B.  Cimador. 

Printed  for  Mo7izani  &  Chnador  : 
London,  [1800  '?]     fol.  G.  424.  (15.) 

Cosi   fan   Tutti.     Opurette.     Arrang^e  en 
Quatuors   pour  Flute  ou   Deux  Yiolons, 
Alto  &  Violoucelle.     [Separate  Parts.] 
Chez  N.  Svnrock  :  Bonn,  [1800  ?]     fol. 

g.  1018.  a.  (3.) 
La  mia  Dorabella,  Trio . . .  the  Accom- 
paniment for  the  Piano  Forte  by  Cimador. 
Printed  for  Monznni  d-  Cimador  : 
London,  \IBQ0'>]     fol.        H.  2820.  (19.) 

Secondate    aurette     amiche.         A 

Favorite  Duett,  etc. 

Printed  for  R.  Birchall : 
London,  [1800  ?]     fol.  G.  425.  (8.) 

Soave  sia  il  vento.     Trio, . . .  L'accom- 

pagnamento  del  Sig'  Cimador. 

Printed  for  Monzani  (£  Cimador  : 
London,  [1800  ?]     fol.  G.  424.  (16.) 

DomGiovaui.  Grand  Opera.,  .arrange  pour 
le  Piano-Forte  avec  un  Violon  oblige  par 
C.  Zulohner.     2  Bks.     [Separate  Parts.] 

Clu's  J.  A.  BoJimc  :  Hanibourg, 
[1800?]    fol.  h.  1751.  f.  (1.) 

Fin  eh'  han  dal  vino.     Dans  una  fete. 

liondeau. .  .Paroles  .  .par  N.  Carbonel. 

Chez  les  Freres  Gaveaux  : 
Pam,  [1800?]     fol.  G.  555.  (47.) 

La  ci  darem.     Should  worldly  cares 

oppressing.      A   duet . . .  Adapted    by   ilr. 
Shield.     The  Poetrv  bv  ,J.  O'Keefe. 
[London,  1800  ?]     fol.  "   G.  805.  li.  (32.) 

Die  Entfiihrung  aus  dem  Serrail.  Ein 
komisclics  Sing-Spiel  in  drey  Aufziigen 
[Libretto  by  C.  F.  Bretzner]  .  .  .  Der 
Klavier-Auszug  von  Herrn  Abb6  Starck, 
etc.     B.  Schott  :  Mainz,  [1785  ?]     obi.  fol. 

C.  445. 

St'c  PFEFFI^"GER  (P.  J.)   Capricc  pour 

le  Piauo-Forte  (sur  deux  airs  de  I'Enleve- 
ment  du  Serail),  t'/c.     [1800?]     fol. 

g.  491.  (2.) 
Idomoneo,  Re  di  Creta  o  sia  Ilia  e 
Idamante.  Drama  Eroico  in  tre  atti, 
etc.  [Libretto  by  G.  B.  Varesco.  Full 
Score.]  Chez  N.  Sinnvck  : 

Bonn,  [1195  7]     fol.  G.  600.  a. 

Idomeneo,  Re  di  Creta  .  .  .  Idomeneus, 
Ko-nig  von  Creta. .  .Oper  in  drey  Aufziigen 
[P.  F.  Score.]  Ital.  &  Germ.  Bei  N. 
Simrock  :  Bonn,  [1795  ?]     vbl.  fol. 

E.  150.  h. 

Idomeneo,  Re  di  Creta.  Opera  Seria... 
aggiustata  per  il  Piano  Forte  di  Giov. 
Wenzel.  Bey  ScJimidt  iind  Ran  : 

Leipzig,  [1797.]     obi.  fol.  G.  600.  d. 

With    the    German    words    inserted    in 
manuscript. 


MOZART  (Wolfgang  Amadeus)  Ido- 
meneo, He  di  Creta. .  .Idomeneus,  Konig 
von  Creta,  ernsthafte  Oper.  .  .im  Klavier- 
auszuge  von  A.  E.  Miiller. 

Bey  Breitkopf  itnd  Hdrtel : 
Leipzig,  [1800?]     obi.  fol.  E.  150.  i. 

Le  Nozze  de  Figaro.  Die  Hochzeit  des 
Figaro.  Eine  Comische  Oper  in  4. 
Auf ziigen . . .  Ins  Deutsche  iibersetzt  vom 
Baron  v.  Knigge,  und  fiirs  Clavier  ein- 
gerichtet  von  C.  G.  Neefe.  Bei  Nicholaics 
Simrock  :  Bonn,  [1796.]     obi.  fol. 

E.  150.  u. 

La  Noce  de  Figaro. .  .Opera.  .  .Arranges 
en  Quartetti  a  deux  Violons,  Alto  & 
Violoucelle.  2  Livres.  [Separate  Parts.] 
Chez  N.  Siynrock:  Bonn,  [1800?]     fol. 

g.  1018.  a.  (2.) 

Crudel,  perche   finora.     A   Favorite 

Duett... sung  in  the  Comic  Opera  [by 
G.  Gazzaniga]  of  La  Vendemmia. .  .by 
Sig'  Benucci  &  Sig"  Storace.  [Full 
Score.]  Birchall  d  Andrews,  for 

S.  Storace  :  [London,  1789.]    fol. 

H.  1648.  a.  (7.) 

Der  Schauspieldirektor,  eine  komische 
Operetta  in  einem  Aufzuge.  Im 
Klavierauszuge  von  S.  Schmiedt. 

In  der  Breitkopfischcn  Musikhandlnng  : 
Leipzig,  [1790?]    obi.  fol.  F.  822.  f. 

[Thamos,  Konig  in  ^gypten.  Gottheit, 
iibcr  alia  miichtig.]  Gottheit !  dir  sey 
Preis  und  Ehre  !  Hymue  fiir  vier  Sing- 
stimmenmit  BegleitungdesOrchesters. . . 
Partitur.  N°  3.  Breitkopf  ttnd  Hdrtel : 
Leipzig,  [ISOO  71     fol.  G.  600.  b- 

[Ihr  Kinder  des  Staubes]     Ne  pulvis 

et  cinis  superbe. — Ob  fiirchterlich  tobend 
sich  Stiirme  erhcben,  esc. — Motette  fiir 
vier  Siugstimmen  mit  Begleitung  des 
Orchesters. .  .Partitur.     No.  ii. 

Breitkopf  rind  Hiirtel : 
Leipzig,  [1^00?]    fol.      H.  "1120.  a.  (2.) 

[Schon  weichet  dir.]     Splendente  te 

Deus. — Preiss  dir  !  Gottheit !  durch  alle 
Himmel  . . .  Hymne  fiir  vier  Singstim- 
men  mit  Begleitung  des  Orchesters... 
Partitur.  No.  1.  Breitkopf  und  Hdrtel : 
Leipzig,  [IQm?]     fol.      H."ll20.  a.  (1.) 

[La  Villanella  Rapita.  Dite  almeno  in 
che  maniera.]  Che  diro  che  far  deggio. 
Quartette,  as  sung  in  the  Opera  [by  P. 
Guglielmi]  of  La  Pastorella  Nobile,  etc. 

I!.  Birchall : 
London,  [1795  ?]     fol.      G.  808.  c.  (24.) 

[Die  Zauberflote.]  II  Flauto  magico. 
Dramma  Eroicomico  in  due  atti.  Aggius- 
tato  per  11  Cembalo,  etc.  Breitkopf  : 

Leipsia,  [1794.]     obi.  fol.  F.  822. 


166 


MOZART 


MOZART  (W0LFGANC4  Amadeus)  Die 
Zauberrtote.  Grand  Opera  ridotta  in 
C^uartetti  per  due  Violini  Viola  e  Basso. 
[Separate  Parts.]  Presso  J.  M.  Gutz  : 

Mcmnhdm,[l'id5?]  fol.    g.  1018.  a.  (4.) 
Die    Zauberflote.     Grand   Opera    arrange 
pour  Deux  Flutes   ou  Deux  Violous   par 
I'Autheur,  c/c.     [Separate  Parts.] 
Cliez  G.  Hummcll :  Berlin,  [1800  ?]     fol. 

g.  421.  p.  (7.) 
[Another  copy.]  h.  250.  b.  (8.) 

Mozart's   Celebrated  Overture    and 

March,  from  his  Opera  of  Zauberflote. . . 
Arranged  for  Two  Performers  on  One  Piano 
Forte,  or  the  Harp  and  Piano  Forte. .  .by 
M.  Cooke,  etc.  I'lintcd  for  the  Author : 
London,  [1800?]    fol.       g.  443.  h.  (16.) 

[Bei  Manner u,welche  Liebe  fUhlen.] 

The  Manly  Heart,  A  favorite  Duett,  for 
two  Voices,  with  an  accompaniment,  for 
the  Piano  Forte.  T.  Preston  :  London, 
[1800?]  fol.  G.  805.  g.  (29.) 
The  Manly  Heart,  .  . .  Duett,  etc. 

W.  Bolfe  :  London,  [1800  ?]     fol. 

G.  424.  b.  (5.) 

The  Manly  Heart.     Duett. 

G.  Gcisicciler :  [London, 
1800.]     s.  sh.  ohl.  4°.  266.  1.  30. 

German  Museum,  Nov.,  1800. 
[Das  klinget  so  herrlich.]     A  Favor- 
ite Duet. . .  arranged  for  the  Piano  Forte 
or  Harp,  with  Variations,  by  R.  Burbidge, 
etc.     W.  HodsoU :  London,  [1800  ?]     fol. 

g.  139.  (3.) 

■  [Das    klinget   so   herrlich.]       Away 

with  ]\Ielancholy . .  .Arranged  with  Varia- 
tions for  the  Harp  or  Piano  Forte. .  .by  J. 
Elouis.  Printed  for  the  Author  : 

London,  [1800 '>]     fol.  g.  139.  (23.) 

See  Away.     Away  with  Melancholy. 

A  favourite  Duet  for  two  eipial  voices,  etc. 
[From  W.  A.  Mozart's  Opera,  Die  Zauber- 
flote.]    1800.     s.  sh.  4°.  P.P.  5141. 

In  diesen  heiligen  Hallen. .  .Within 

these  sacred  Bowers,  etc.     [Song.] 

G.  Geisweiler  :  [London, 
1800.]  s.  sh.  obi.  4°.  266.  1.  29. 

German  Museum,  Feb.,  1800. 

Within   these    sacred    Bowers.      A 

favoiirite  Song,  etc.  [Lo7idon,~j 

1800.     s.  sh.  4°.  P.P.  5141. 

Lady's  Magazine,  April,  1800. 

[Konnte  jeder    brave    Mann.]      La 

Partenza. — Last  Adieu. — Canzonetta  v. 
[Duet.]  Printed  for  Monzani  ct  Cimador  : 
London,  [1800?]     fol.         h.  1480.  (17.) 

No.  138  of  "  A  Collectio)i  of  Periodical 
Italian  Songs,^'  etc. 

[Ein  Madchen  oder  Weibchen.] 

See  Gelinek  (J.)  Six  Variations  pour  le 
Clavecin. .  .sur  I'air,  Ein  ]\Iadchen  oder 
Weibchen,  cic.     [1795?]     obi.  io\. 

f.  133.  b.  (2.) 


MOZART  (Wolfgang  Amadeus)  Die 
Zauberflote.  [Seid  uns  zum  zweitenmal.] 
See  Gelinek  (J.)  Six  Variations  pour  le 
Clavecin  .  .  .  sur  le  Trio,  Seit  uns  zum 
zweitenmal  Willkomen,  etc. 
[1795  ?]     obi.  fol.  f.  133.  b.  (1.) 

Der   Vogelfiinger  .  .  .  The   Fowler, 

etc.     [Song.]  C .  Geisweiler  : 

[London,  1800.]   s.  sh.  obi.  4".     266.  1.  29. 
German  Museum,  Jan.,  1800. 

The  Fowler  [Song]  out  of  The  Magic 

Flute,  etc.  Broderip  and  Wilkinson  : 

[London,  18002]     fol.  G.  356.  (9.) 

The  Fowler  . . .  Arranged  as  a  Rondo 

for  the  Piano  Forte  by  G.  Nezot,  etc. 
[London,  1800  ?]     fol.  g.  140.  (46.) 

3.  Songs,  &c. 
a.  Collections. 
]\Iozart's  Celebrated  English  Canzonetts, 
with     a     Piano-Forte     Accompaniment. 
(The  Words  by  a  Gentleman.)     No.  l(-8). 
8  Nos.  Monzani  it  Cimador  :  London, 

[1800?]     fol.  H.  2831.  a.  (27.) 

XII.     Deutsche     Lieder      mit      Clavier- 
begleitung  .  .  .  2"^  Sammlung.     [Words  of 
Nos.  2  and  5  by  C.  F.  Weisse.] 
Bei  N.  Simrock  :  Bonn,  [1800?]     obi.  fol. 

F.  307.  a.  (2.) 

Koch.  Verz.  Nos.  472,  473,  4:-t3,  391,  474, 

517,  539,  597,  392,  529,  531,  and  468. 

11  Canons.  Chez  N.  Simrock: 

Bonn,  [1800?]     obi.  iol.     F.  307.  a.  (3.) 

Koch.  Verz.  Nos.  233,  562,  234,  554,  555, 

553,  557,  559,  558,  560,  and  556. 

A  Collection  of  Original  Songs  with  an 
Accompaniment  for  the  Piano  Forte  or 
Harp. .  .Book  1.  The  Poetry  by  P.  Pindar. 
(Book  2.  The  Poetry  by  Mr.  Rannie.) 
2  Bk.  Broderip  and  Wilkinson  : 

London,  [1800  ?]     fol.         G.  357.  (7,  8.) 
Book  1    also  contains  songs  by  Ndgeli, 
Schulz,  and  Rcichardt. 

b.  Single  Works. 

[An  Chloe.]  Love,  from  those  bright  eyes. 
A  favorite  Song.  Broderip  and  Wilkinson  : 
London,  [1800?]     fol.  G.  799.  (12.) 

Un  moto  di  gioia  mi  sento.  Arietta. 
[Koch.  Verz.  No.  579.]  Printed  for 

Monzani lO Cimador :  London,  [1800?]   fol. 

H.  2831.  a.  (26.) 
Ridente  la  Calma.  Aria.  [Koch.  Verz. 
No.  152.]  Printed  for  Monzani  ii  Cimador : 
London,  [1800?]  fol.      H.  2831.  a.  (25.) 

4.  Instrumental  Music. 
Air  with  Variations  for  the  Harpsichord 
or  Piano-Forte  ...  No.  1  (-7).        [Koch. 
Verz.  Nos.  264,  353,  455,  398,  352,  360  and 
359.]     7  Nos.  Printed 

for  Longman  and  Broderip  :  London, 
[1790  ?]     obi.  fol.  e.  490.  b.  (1.) 

Nos.  6  and  7  are  for  Violin  and  I'.  F. 


MOZART 


167 


MOZART  (Wolfgang  Amadeus)  Mozart's 
Airs  with  Variations  for  the  Piano  Forte. 
[Koch.  Verz.  Nos.  25,  353,  354,  54,  ISO, 
179,  360  and  613.]  6  Nos.  [1801.] 
See  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  XIV. 
[Nos.  4,  5,  6  and  7J ;  Vol.  XV.  [No.  8'  ; 
Vol.  XVI.     No.  3.     [1797-1802.]    8'. 

D.  854. 

Suite  d' Airs  connus  varies  pour  le  Clavecin 
ou  Piano-Forte,  etc.     14  Nos. 
Chez  J.  Aiulre  :    Offenbach  siir   le   Mein, 
[1795?]     fol.  ■  g.  80. 

Koch.  Verz.  Nos.  354,  613,  .353,  455,  265, 

398,  App.   V.  No.  285,  264.  359,  180, 

360,    179,    352   mid  App.    V.  No.  288. 

Wanting   the    Violin  parts   of  Nos.  9 

and  11. 

Air  [Fischer's  Minuet,]  with  Variations 
for  the  Piano  Forte... No.  12.  [Koch. 
Verz.  No.  179.]  1!.  Birchall  :  London, 

[1795  ?]     fol.  g.  270.  d.  (37.) 

Air  ['  Ah  !  vous  dirai-je,'j  with  Variations 
for  the  Piano  Forte  .  .  .  No.  8.  [Koch. 
Verz.  No.  265.]  R.  Birchall : 

London,  [1795  ?]     fol.       g.  270.  d.  (36.) 

Air  ['  Je  suis  Lindor,']  with  Variations  for 
the  Piano  Forte. .  .No.  18.  [Koch.  Verz. 
No.  354.]  E.  Birchall:  Jjondon, 

[1795?]     fol.  g.  270.  d.  (38.) 

Air  with  Variations  for  the    P.F.  [Kuch. 
Verz.. No.  382  and  Anh.  iv.  No.  209.] 
See  Pleyel,  Corui  and  Dcssek.     Pleyel, 
Corri,    and    Dussek's    Musical    Journal, 
[P.  F.  Parti,  No.  3.     1797.     fol. 

g.  139.  (34.) 

Air  with  Variations  for  the  Piano  Forte 
. .  .No.  13.     [K.ich.  Verz.  No.  500.] 
R.  Birchall :  London,  [1795  ?]     fol. 

g.  271.  e.  (15.) 

Air  avec  Variations  pour  le  Piano  Forte  a 
quatre  Mains.    [Koch.  Verz.  No.  501.] 

Broderip  £  Wilkinson  :  London, 
[1800?]     fol.  h.  322.  (20.) 

A  Favourite  Air  [by  J.  P.  Duport.  Koch. 
Verz.  No.  573.]  adapted  with  Variations 
by  W.  A.  Mozart.  [1797.] 
See  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  III. 
No.  1.     [1797-1802.]     8".  D.  854. 

Grand  Concert  pour  le  Clavecin  ou  Forte 
Piano  avec  rAccompagnement  de 
Plusieurs  Instruments,  Liv.  i.,  etc. 
[Koch.  Verz.  No.  414.]  CJiez  J.  Schmift  : 
Amsterdam,  [lldO?]     fol.    g.  443.  a.  (9.) 

12  Deutsche  Taenze  [Koch.  Verz.  Nos.  600, 
602.]  fiir  das  Clavier  iibersetzt  welche  in 
deni  K.  K.  Redouten  Saal  in  Wien  aufge- 
fiihret  worden  .  .  .  2*"  Theil.  Artaria 
Comp.  :   Wien,  [1796?]     obl.iol. 

d.  64.  (2.) 


MOZART  (Wolfgang  Amadeus)  [Diver- 
timento in  F.  Koch.  Verz.  No.  247.] 
Grand  Sextuor  pour  deux  Violons  deux 
Cors  Alt  &  Basse  . . .  No.  2.  [Separate 
Parts.]  Chez  Gombart  et  Comp.  :  Aiigs- 
6o;t/-5f,  [1800  ?]     fol.  g.  1018.  (2.) 

[Divertimento  in  E  flat.  Koch.  Verz. 
No.  287.]  Grand  Quintetto  per  due 
Violini  due  Viole  e  Violoncello . . .  Op.  24. 
No.  6.     [Separate  Parts.]  Preston  : 

London, 'ISOO?]     fol.  h.  2782.  (6.) 

[Divertimento  in  E  flat.  Koch.  Verz. 
No.  287.]  Grand  Sextuor  pour  deux 
Violins,  deux  Cors,  Alt  &  Basse . . .  No.  iii. 
[Parts.]  Chez  Gombart  et  Comp.  :  Angs- 
baurg,  [1800  ?]     fol.  g.  1018.  (3.) 

[Divertimento  in  D.  Koch.  Verz.  No.  -334.] 
Grand  Sextuor  pour  deux  Violons,  deux 
Cors,  Alt  ife  Basse. .  .No.  1.  [Separate 
Parts.]  CJiez  Gombart  et  Comp.  :  Augs- 
bonrg,  [1800?]     fol.  g.  1018.  (1.) 

[Duo  in  G.  Violin  and  Viola.  Koch. 
Verz.  No.  423.]  IMozart's  Rondo.  [P.  F.] 
Sre  Longman  and  Broderip.  Long- 
man and  Broderip's  Collection  of. .  .^Insic 
for  the  .  .  .  Piano   Forte.  No.    1   [b]. 

[1795?]     fol.  g.  192.  (4.) 

Due  Duetti  per  Violino  e  Viola. .  .[Kiich. 
Verz.  Nos.  423,  424.]  Opera  25.^^  S"'" 
Livraison.  [Separate  Parts.]  Chez  Artaria 
etComp.:  7k>«;u-,  [1790?]     fol. 

g.  218.  d.  (6.) 
Fantaisie  [Koch.  Verz.  No.  475j  ct  Sonate 
[Koch.  Verz.  No.  457]  pour  le  Forte  Piano 
.  .  .  Op.  XI.  Longman  and  Broderip  : 
Lomlon,  [1790  ?]     obi.  fol.     e.  490.  b.  (2.) 

Quartett  ^iu  G  minor.  Koch.  Verz.  No. 
478. J  for  the  Harpsichord  or  Piano  Forte 
with  an  Accompaniment  for  a  Violin, 
Tenor  and  Violoncello.  [Separate  Parts.] 
Longman  it  Jiroderip  :  London, 
[1790?]     fol.  g.  117.  (3.) 

Quartet  for  Piano-Forte,  Violin,  Tenor 
and  Violoncello  [in  E  b.  Koch.  Verz.  No. 
493.]  See  Storage  (S.)  Storace's  Collec- 
tion of  Original  Harpsichord  Music. 
Vol.  I.     No.  1.     [1790.]     fol.  g.  122. 

Trois  Quintetti  pour  Deux  Violons  deux 
Altos   et  un  Violoncel  [Koch.  Verz.  Nos. 
593,  407  and  406],  etc.     [Separate  Parts.] 
Chez  hnbaidt :  Paris,  [1800  ?]     fol. 

h.  2880.  f. 
[Quintett  for  Strings.  Koch.  Verz.  No. 
014.]  A  Duet  for  two  Performers  on  one 
Piano  Forte  or  Harpsichord.  Op.  41. 
Printed  for  R.  Birchall:  London, 
[1795?]     fol.  g.  272.  1.  (11.) 

Rondeau.     Opera  23.     Koch.  Verz.     No. 
485.  P.  F.]    ,S'ee  Longman  and  Broderip. 
Longman  and  Broderip's  Collection  of . . . 
Music  for  the. .  .Piano  Forte.     No.  3  [b]. 
[1795?]     fol.  g.  192.  (4.) 


168 


MOZART 


MOZART  (Wolfgang  Amadeus)    Hondo 
[in  F.     Koch.  Verz.  No.  494*]. 
tSVe  Stoeace  (S.)     Storace's  Collection  of 
Original  Harpsichord  IMusic,  etc.     Vol.  I. 
No.  4.     [1790.]     fol.  g.  122. 

Sonates  pour  le  Clavecin  qui  peuvent  se 
jouer  avec  rAccompagDement  de  Violon. . . 
CEuvre  Premiere.  [Koch.  Verz.  Nos.  6 
and  7.]  Gravees  par  ]\I"'°  Vendome,  etc. 
[Separate  Parts.]  A^ix  adrcsscs  ordin- 
aires  do  Musirpic  :  Paris,  [1763.]     obi.  fol. 

K.  10.  a.  17.  (1.) 
Presented  by  Leopold  Mozart  to  the 
British  Museum  in  1765,  together 
with  a  copy  of  his  son's  Op.  2  and  a 
short  chorus,  '  God  is  our  Refuge,'  in 
the  autograph  of  W.  A.  Mozart,  ivhicli 
is  bound  tip  icith  the  Sonatas. 

Sonates  pour  le  Clavecin  qui  peuvent  se 
•jouer  avec  TAccompag'"'  de  Violin  .  .  . 
[Euvre  ii.  [Koch.  Verz.  Nos.  8  and  9.] 
Jrave'es  par  M""^  Vendonae,  etc.  [Separate 
Parts.]  Aiix   adrcsscs   ordinaires   de 

Musique  :  Paris,  [1763.]     obi.  fol. 

K.  10.  a.  17.  (2.) 

Four  Sonatas  for  the  Harpsichord,  with 

Accompaniment  for  a  Violin.     Composed 

b}'  Wolfgang  Llozart,  seven  years  of  age. 

[Koch.  Verz.    Nos.  6-9.     Separate  Parts.] 

London,  [1764.]     obl.iol.    f.  264.  a.  (11.) 

Tlie   French    Editions    of   the   Sonatas 

Op.   I.  and  Op.   ii.,  with  an  English 

title-page. 

Six  Sonates  pour  le  Clavecin  qui  peuvent 
se  jouer  avec  I'accompagnement  de  Violon 
ou  Flaute  Traversiere  .  .  .  Composees  par 
I.  G.  W.  Mozart  ag6  de  huit  Ans.  Oeuvre 
III.  [Koch.  Verz.  Nos.  10-15.]  Printed 
for  the  Anthor  :  London,  [1765.]     fol. 

h.  60.  (7.) 
Sonate  pour  le  Basson  et  Violoncelle,  etc. 
[Koch.  Verz.  No.  292.]  Chez  Brntkopf 

and  Hiirtel :  Leipsic,  [1800  ?]     fol. 

h.  2010.  (5.) 
[Sonatas  for  P.  F.  Koch.  Verz.  Nos.  809, 
332  and  284.]  The  Beauties  of  INIozart, 
consisting  of. .  .Sonatas,  Duetts  and  Con- 
certos, etc.  Book  2-'.  Preston  :  London, 
[1800?]     fol.  H.  2815.  (U.) 

Sonata  [in  C.  P.  F.    Koch.  Verz.    No.  330.] 
Sec  Stoeace  (S.)     Storace's  Collection  of 
Original   Harpsichord    Music.       Vol     II 
No.  4.     [1790.]     fol.  g.  122. 

Sonate   pour  le  Forte-Piano  ou  Clavecin 
...CEuvre  VI".      [Koch.  Verz.  No.  331.] 
Hoft'meistcr  :  Vienne ,  [ll'db  ">]     fol. 

h.  321.  j.  (19.) 
Sonata  [in  A]  for  Piano-Forte  with 
Accompanyment  for  Violin  or  Violoncello. 
[Koch.  Verz.  No.  331.]  See  Stoeace  (S.) 
Storace's  Collection  of  Original  Harpsi- 
chord Music.    Vol.  I.   No.  3.    [1790.]    fol. 

g.  122. 


MOZART    (Wolfgang    Amadeus)       Due 

Sonate  per  il  Clavicembalo  o  Forte  Piano. 

Opera  7.     [Koch.  Verz.  Nos.  333  and  284.] 

Presso  Artaria  Covipagni:  Vienna, 

[1785  ?J    obi.  fol.  e.  5.  m.  (8.) 

Trois  Sonates  [Koch.  Verz.  Nos.  333,  284 
and  454]  pour  ie  Clavecin  ou  Piano  Forte. 
La   Troisieme   est   Accomp.    d'un   Violon 

oblige Oeuvre  vii.      [Separate   Parts.] 

Longman  d  Broderip  :  London,. 
[1790?]     fol.  h.  2880.  e. 

[Sonat:^  in  B.  flat  for  P.  F.  Duet.  Koch. 
Verz.  No.  358.]  Duetto.  See  Stoeace  (S.) 
Storace's  Collection  of  Original  Harpsi- 
chord Music.    Vol.  II.   No.  6.    [1790.]   fol. 

g.  122. 

[Sonata  for  Violin  and  P.  F.  Koch.  Verz. 
No.  377 ;  P.  F.  Trios  Nop.  548,  496.] 
Book  1"  of  Three  Favourite  Duetts  for 
Two  Flutes.  [Separate  Parts.]  Printed 
forC.  Wlicatstone :  London,  [1800?]      fol. 

g.  280.  g.  (20.) 

[Sonatas  for  Violin  and  P.  F.  Koch.  Verz. 
Nos.  378,  376  and  379.]  Trois  Duos  pour 
Deux  Flutes  .  .  .  Oeuvre  74"'°  Livre  i. 
[Separate  Parts.]  Chez  N.  Simrock  : 

Bonn,  [1800?]    fol.  g.  280.  a.  (11.) 

[Sonata.  Koch.  Verz.  No.  381.]  A  Duefc 
for  two  Performers  on  one  Piano  Forte  or 
Harpsichord. .  .Op.  3.  Printed  for 

E.  Birchall :  London,  [1790  ?]     fol. 

g.  272.  1.  (10.> 

A  Sonata  for  two  Piano  Fortes  . . .  Op.  34. 
[Koch.  Verz.  No.  448.] 

Broderip  and  Wilkinson  : 
London,  \imO^     fol.  h.  322.  (21.) 

IMozart's  Favorite  Grand  Symphony  Op. 
24  [Koch.  Verz.  No.  425],  arranged  as  a. 
Duet  for  two  Performers  on  the  Piano- 
Forte,  with  an  Accompaniment  for  the 
Violin.  Printed  for  B.  Birchall :  Londony 
[1800?]     fol.  g.  272.  X.  (26.) 

Wanting  the  Violin  part. 

Siufonia  [in  D,  Koch.  Verz.  No.  504]  for  a 
grand  Orchestra  ..adapted  for  the  Harpsi- 
chord or  Piano  Forte,  Violin  and  Violon- 
cello, by  C.  F.  Horn.     [Separate  Parts.] 

Longman  d-  Broderip  : 
London,  [1790?]     fol.  g.  161.  c. 

Trio  [in  Bc^,  for  P.  F.  and  Strings.  Koch. 
Verz.  No.  254].  6Vf  Stoeace  (S.)  Storace's- 
Collection  of  Original  Harpsichord  IMusic. 
No.  4.     [1790.]     fol.  g.  122. 

Trio  for  the  Piano  Forte  or  Harpsichord 
with  Accompaniments  for  a  Violin  or 
Clarinet  and  Tenor  . . .  Op.  xiv.  [Koch. 
Verz.  No.  498.     Separate  Parts.] 

Longman  d  Broderip  : 
London,  [1790?]     fol.  g,  161.  d.  (6.) 


MOZART 


1G9 


MOZART    (Wolfgang    Amadeus)      Trio 
pour  le  Piano-Forte,  Clarinette  ou  Violon 
&   Alto  . . .  Oeuvre   14.       No.  2.      [Koch. 
Verz.  No.  498.     Separate  Parts.] 
Chez  N.  Simrodc :  Bonn,  [1795  ?]     fol. 

h.  3212.  c.  (9.) 
Grand  Trio  [Divertimento]  per  Yiolino, 
Viola,  6  Basso  . . .  Op.  19.  [Koch.  Verz. 
No.  563.     Separate  Parts.] 

Broderip  (f  Wilkinson  : 
London,  [1800?]     fol.         g.  410.  a.  (1.) 

[Trio  in  G  for  P.  F.,  and  Strings.  Koch. 
Verz.  No.  564.]  Sonata.  [P.  F.  and 
Violoncello.]  Sec  Storage  (S.)  Storace's 
Collection  of  Original  Harpsichord  ]Music. 
Vol.  II.     No.  5.     [1790.]     fol.        g.   122. 

[Trios  for  P.  F.  and  Strings.  Koch.  Verz. 
Nos.  54S,  542  and  502.]  Three  Sonatas 
for  the  Piano-Forte  or  Harpsichord  with 
an  Accompaniment  for  a  Violin  & 
Violoncello . . .  Op.  xv.  [Separate  Parts.] 

Longman  and  Broderip : 
London,  [ll'JO?]     fol.         g.  161.  d.  (7.) 

[Variations  for  P.  F.  Koch.  Verz.  Nos.  352 
and  264.  IMarche  des  IMarriages  [sic] 
Samnites  [by  A.  E.  M.  Gretry]  et  I'Air  de 
Julie  [by  N.  DezedeJ  with  Variations  by 
W.  A. 'Mozart.  [1798.]  ,sVf  Periodical 
Publications. — London.  The  Pianoforte 
Magazine.  Vol.  III.  No.  9. 
[1797-1802.]     8°.  D.  854. 

5.    Selections   and   Adaptations    from 

TWO   OR    MORE    WoRKS. 

[IMissa  Brevis.  Koch.  Verz.  No.  220 ;  Alma 
Dei  Creatoris.  Koch.  Verz.  No.  277 ; 
Davidde  Peniteute.  Koch.  Verz.  No.  469  ; 
and  Magnificat.  Koch.  Verz.  No.  193.] 
Ewiger,  erbarme  dich.  Kantate  ...  in 
Partitur.  No.  4.  [K5ch.  Verz.  Auh.  in. 
No.  127.J  Bey  Breitkopf  d-  Harfcl : 

Leipzig,  [1800?]     fol.  H.  699.  j.  (1.) 

[Quartetts     for     Strings.       Koch.     Verz. 

Nos.  421  and  45S  ;  Divertimento.     K5ch. 

Verz.  No.  563.]     Six   Pieces   arrangees  a 

Quatres   ilains   pour   le   Piano    Forte. . . 

Op.  28.  Broderip  it  Wilkinson  : 

London,  [1800  ?]     fol. 

Nos.  1,  3  and  4  are  from  tJie  Quartett 
No.  421 ;  No.  2  from  No.  458  ;  No.  5 
is  iinidentified ;  No.  6  is  from  the 
Divertimento. 

Two  Trios  selected  [i.  Trio  (Kiich.  Verz. 
No.  542)  Andante  and  P.  F.  Sonata  (Koch. 
Verz.  No.  331)  Alia  Turca  ;  ii.  Trio  (Koch. 
Verz.  No.  254)  Adagio  and  Violin  and  P.  F. 
Sonata  (Koch.  Verz.  No.  481)  Allegretto] 
from  the  Works  of  Mozart,  arranged  for 
the  Harp,  with  an  Accompaniment  for  a 
Violin  and  Violoncello  by  V  de  Marin. 
[Separate  Parts.]  J.  Longman, 

Clcmenti  &  Co. :  London,  [1799.]     fol. 

g.  192.  a.  (20.) 


MOZART  (Wolfgang  Amadeus) 

6.  Doubtful  and  Spurious  Works. 

Air  [by  C.  Ditters  von  Dittersdorf]  with 
Variations  for  the  Piano  Forte  ...  by 
Mozart  [or  rather  A.  Eberl].  Broderip  tC' 
Wilkinson  :  London,  [1800  ?]     fol. 

g.  139.  (33.) 

Anleitung  Englische  Contretiinze  mit 
Zwei  Wiirfeln  zu  componiren  so  viele 
man  will,  ohne  etwas  von  der  Musik  oder 
der  Composition  zu  verstehen. — Instruc- 
tion pour  composer  autaut  de  Contre- 
dances  que  Ton  veut... — Instruction  to 
compose... Countrydances. . . — Istruzione 
per  comporre  delle  Contradanze  oppure 
Inglesi,  etc.  Clu'z  N.  Sim  ruck  : 

Bonn,[lld5?]     fol.  g.  270.  g.  (3.) 

Anleitung  Walzer  oder  Schleifer  mit  zwei 
Wiirfeln  zu  componiren,  so  viele  man  will, 
ohne  etwas  von  der  Musik  oder  Composi- 
tion zu  verstehen. — Instruction  pour  com- 
poser autant  de  Walzer  . . .  que  Ton  veut 
. . . — Instruction  to  compose  . . .  German 
Walzer.  . . — Istruzione  per  comporre  delle 
Walzer,  etc.  Chiz  N.  Simrock  : 

Bonn,[ll\)5?]     fol.  g.  270.  g.  (2.) 

The  last  Composition  of  .  .  .  Mozart,  a 
Sonata  in  C  minor  the  Accompaniments 
of  which  were  left  unfinished  and  which 
were  accomplished  by  ]Mr.  Pleyel,  the 
Proprietor  of  the  ^Manuscript.  [Koch. 
Verz.  Anh.  v.  No.  284a.  By  Anton 
Eberl,  Op.  1.     Separate  Parts.] 

Printed  for  Corri,  Dnssek  &  Co.  : 
London  it  Edinhurgh,  [1797.]     fol. 

g.  161.  d.  (8.) 

General  Koskiusko's  Grand  ]March  . . . 
Composed  and  Arranged  with  Variations 
for  the  Piano  Forte,  etc.  W.  Bolfe  : 

London,  [ISOO?]     fol.       g.  443.  b.  (23.) 

Life  let  us  cherish.  (Freut  euch  des 
Lebens.)     [Song,  by  H.  G.  Naegeli.] 

C.  Gcisu'eilcr  : 
[London,  1800.]    s.  sh.  ohl.  4".     266.  1.  30, 
German  Museum,  Oct.,  1800. 

See  dear  Maid,  a  favorite  Ballad,  with  an 
Accompaniment  for  the  Harp  or  Piano 
Forte,  etc.  L.  Lavcnu  : 

London,  [1800  ?]     fol.     H.  2830.  g.  (18.) 

Strew   the    Way  with  fairest   Flowers,  a 
Favorite     Song     by    ]\Iozart     [or    rather 
J.  F.  Reichardt],  with  Variations  for  the 
Piano  Foite  by  S.  F.  Rimbault. 
W.  Hodsoll  :  London,  [1800  ?j     fol. 

g.  139.  (37.) 
This    soyig    is    '  Lehenspflichtcn,''    from 
BeichardVs  '  Odcn  und  Licdcr,'  1779. 

[Vergiss  mein  uicht.  Koch.  Verz.  Anh.  v. 
No.  246.]  Forget  me  not.  A  favorite 
Song,  composed  by  Mozart  [or  rather 
G.  L.  Schneider],  f/r.  (/.  Walker: 

Loudon,  [ll'Jo?}     fol.  h.  321.  j.  (1.) 


I 


170 


MOZART 


MOZART  (Wolfgang  Amadeus)  [Vergiss 
mein  nicht.  Koch.  Verz.  Anh.  v.  No.  246.] 
Forget  me  not,  a  Favorite  Song,  etc.  [By 
G.  L.  Schneider.]  A.  Hamilton  : 

London,  [1800  ?]     fol.  G.  798.  (35.) 

Twelve  Original  German  Waltzes  for  the 
Piano  Forte  or  Harp,  with  an  Accompani- 
ment for  the  Tambourine,  Triangle,  etc. 
[Separate  Parts.]  Broderip  d  Wilkinson  : 
London,  [1799  ?]     fol.  g.  231.  (5.) 

Some  of  these  Walt2:es  are  adapted  from 
melodies  in  '  Die  Zauherflute.' 


[Another  copy.] 


H.  2819.  (22.) 


7.  Appendix. 

See    Cramer     (J.    B.)      Eight    Favorite 
Waltzes     and    Rondeaus    selected     from 
Mozart  and  other  Eminent  Authors,  etc. 
[1795?]     fol.  g.  229.  (11.) 

8.  Index. 

Away  with  Melancholy.    Sec  [Die  Zauher- 
flote.     Das  klinget  so  licrrlich.] 

The  Beauties  of  Mozart.     See  [Sonatas  for 
P.  F.    Koch.  Verz.  Nos.  309,  332  and  284.] 

Bei  jMiinnern,  welche  Liehe  fiihlen. 
^I'ee  [Die  Zaubcrflute.'] 

Che  diro  che  far  deggio.      See  [La  Villan- 
clla  liapita.    Dite  almeno  in  che  manicra.'] 

The  Coquet.     [Die  Verschweigung.    Koch. 
Verz.  No.  518.]     Canzonett,  etc. 
See    Mozart's    Celebrated    English    Can- 
zonetts.     No.  4. 

Dans  nne  fete.    See  [Don  Giovanni.']    Fin 
ch'  han  dal  vino. 

Deh  prendi  un  dolce  amplesso. 
See  [La  Clemenza  di  Tito.] 

Dite  almeno  in  che  maniera. 

See  [La  Villanella  liapita.] 

The  Fowler.     See  [Die  Zauherflote.     Dcr 

Yogelfdnger  bin  ich.] 

Ewiger,  erbarme  dich  !     Kantate. 

See  [Arrangements.     Missa  Brevis  ;  Alma 

Dei   Creatoris ;    Davidda     Penitento    and 

Magnificat.] 

Fin  ch'  han  dal  vino.    See  [Don  Giovanni.] 

II  Flauto  magico.     See  [Die  Zaubcrflute.] 

Gottheit !  dir  sey  Preis  und  Ehre  1 

See  [Thames,  Kunig  in  ^^^gijpten.] 

The  Heart's  True  Value.  [Das  Kinderspiel. 

Koch.  Verz.     No.  598.]     Canzonett,  etc. 

See    ]\Iozart's     Celebrated    English    Cau- 

zonetts.     No.  2. 

Heiliger  sieh'  gnadig  hernieder.    Kantate. 

See  [Litaniae  dc  Yencrabili  Altaris  Sacra- 

viento.] 

Henry's    Fate.       [Gesellenreise.       Koch. 

Verz.  No.  468.]     Canzonett,  etc. 

See    Mozart's    Celebrated   English    Can- 

zonetts.      No.  7. 


MOZART  (Wolfgang  Amadeus)  The 
Laurel  and  the  Willow.  [Sohnsucht  nach 
deni  Friihlinge.  Koch.  Verz.  No.  596.] 
Canzonett,  etc.  Sec  INIozart's  Celebrated 
English  Canzonetts.     No.  6. 

Love,  from  those  bright  eyes. 
See  [An  Chloc.] 

The    Lover.       [Das    Traumbild.       Koch, 
Verz.  No.  530.]     Canzonett,  etc. 
See    Mozart's    Celebrated    English    Can- 
zonetts.    No.  3. 

Llachtigster,     Heiligster.        See     [Missa 
Brevis.     Koch.  Verz.     No.  258.] 
La  mia  Dorabella.     See  [Cosi  fan  tutte.] 
The  ]Mauly  Heart.     Sec  [Die  ZauberfliJte.] 
Bei  Mannern  welche  Liebe  fiihlen. 
Ne  pulvis  et  cinis  superbe.     See  [Thamos, 
Kunig    in    Acgypten.      Ihr    Kinder    des 
Staubes.] 

Ob  fiirchterlich  tobend  sich  Stiirme 
erheben.  Sec  [Thamos,  Kunig  in  JEgyptcn. 
Ihr  Kinder  des  Staubes.] 
La  Partenza.  Canzonetta.  See  [Die 
Zaubcrflute.  Kunnte  jeder  brave  Mann.] 
The  Peasant's  Cottage.  [Die  Zufrieden- 
heit.  Koch.  Verz.  No.  473.]  Canzonett, 
etc.  See  ]\Iozart's  Celebrated  English 
Canzonetts.     No.  8. 

Preiss    dir!      Gottheit!      See     [Thamos, 
Kunig  in  yEgyptcn.     Schon  weichct  dir.] 
Secoudate  aurette  amiche.     Sec  [Cosh  fan 
tuttc] 

Should  worldly  cares  oppressing. 
See  [Don  Giovanni.     La  ci  clarem.] 
Soave  sia  il  vento.     See  [Cost  fan  Tutte.] 
Splendente  Te  Deus.    Sec  [Thamos,  Kunig 
in  JEgyptcn.     Schon  wcichet  dir.] 
The   Village  Eve.     [Im  Friihlingsanfang. 
Koch.    Verz.     No.  597.]      Canzonett,  etc. 
Sec    IMozart's    Celebrated    English   Can- 
zonetts.   No.  1. 
Der  Vogelfiinger  bin  ich. 
Sec  [Die  Zaubcrflute] 
Within  these   sacred   Bowers.      See   [Die 
Zauberflutc.     In  diesen  heil'gen  Hallcn.] 
The  Wreath.     [Die  Zufriedenheit.    Koch. 
Verz.  No.  349.]     Canzonett,  etc. 
See    ]\Iozart's    Celebrated    English    Can- 
zonetts.    No.  5. 
MOZART'S     GEDAECHTNIS 
FEYER.     ^Mozart's  Gedaechtnis  Feyer. 
[Cantata.]     See  Cannabich  (Carl). 
MOZE     (Henry)      [The    Witches.]      A 
Favourite    Overture   for  the    Harpsicord. 
In  the  Witches,  or  a  trip  to  Naples. 

Printed  for  C.  &  S.  Thompson :  London, 
[1770?]  fol.  g.  272.  u.  (14.) 
[Another  edition.]  A  Favourite  Over- 
ture for  the  Harpsicord.  Printed  for  R. 
Bride  :  London,  [1795  ?]     fol. 

g.  271.  e.  (20.) 


MOZE— MUELLER 


171 


MOZE(Henby)  [The  Witches.]  The  Over- 
ture to  the  Entertainment  of  the  Witches 
or  a  trip  to  Naples,  in  Eight  Parts,  etc. 
[Separate  Parts.]  Prijitcd  for  C.  d:  S. 

Thompson  :  London,  [1770  ?]     fol. 

g.  1019. 
Wanting  the  Second  Violin  part. 

MOZE  (J.  H.)     Bumpers.     [Song.] 
[London,  1750  ?]     s.  sh.  fol. 

G.  316.  f.  (52.) 

Come  Maids  of  Parnassus  and  give  me  a 
Song.     [La)idon,1160?]     s.s]i.iol. 

G.  806.  c.  (79.) 

Creator  Spirit.     Mr.  Drydoi's  Paraphrase 
of  Vcni  Creator  Spiriius,  altered. 
[London,]  1760.     8°.  P.P.  324.  n. 

Christian's     Magazine,    August,    1760, 
p.  184. 

Damon  and  Cleora.     [Song.]     The  Words 
by  J.  Oakman.     [London,  1760.]     8^ 

P.P.  5140. 
Lady's  Magazine,  Vol.  II.,  p.  81. 

Damon  and  Cleora,  etc.     [Song.] 
[London,  11  mi']    s.sh.ioX. 

G.  316.  d.  (78.) 
If  the  treasur'd  Gold  could  give.  Ana- 
creon.     Ode  IStlt.     [Song.]  [London, 

1760  ?]     s.  sh.  fol.  I.  530.  (102.) 

If  the  treasur'd  Gold   could  give.     Ana- 
creon.     Ode  xiii.     [Song.]  ^Londoti,] 

1769.     8".  159.  n.  1. 

London  Magazine,  1709,  p.  207. 

In  Mira  all  the  Charms  unite.      A  New 
Song.     [London,  1765?]      s.  sli.  iol. 

G.  315.  (27.) 
The  Invitation.     [Song.]  [London, 

1761  ?]    s.  sh.  fol.  G.  316.  d.  (79.) 

The  Invitation.     [Song.]  [London, 

1761.]     s.  sh.  8".  P.P.  5140. 

Lady's  Magazine,  Vol.  III.,  p.  129. 

The  Invitation.     [Song.]  [London,] 

1761.     8°.  P.P.  5441. 

Boyal  Magazine,  Vol.  V.,p.  93. 

The  Lamp-Lighter.      A  Cantata  .  .  .  The 
words  by  a  Gent.,  etc.  ^London, 

1755?]     fol.  G.  316.  (99.) 

Near  to  a  Silver  purling  Stream.     [Song.] 
[London,  1760?]     s.  sh.  fol. 

G.  806.  e.  (80.) 
Old  Care  begone.     A  Bacchanalian  Song. 
. .  .Words  bv  Mr.  A.  Smith. 
[London,  1760?]     s.  s7i.  fol. 

G.  310.  (261.) 

When  Aurora  peeps  o'er  the  Derbvshire 
Hills.     [Song.]  [London, 

1760?]     s.sli.iol.  G.  806.  c.  (81.) 

When  first  I  saw  the  beauteous  Fair.     A 
new  Song.     [London,  1700?]     s.  sh.  fol. 

G.  316.  f.  (67.) 


MOZE   (J.    H.)      White  paper's  bedaub'd 
bv  the  foul  venal  Quill.      [Song.] 
[LoH(fo«,  1760?]     s.  s7i.  fol. 

G.  806.  c.  (82.) 

See    Prelleur    (P.)    and    Moze    (-J.   H.) 
Divine  Melody,  c/c.   1758.   8".  D.  647.  b. 

MOZIN  (Theodore).  See  Dalayrac  (N.) 
[Lcs  Deux  Petits  Savoyards.]  Escoutto 
d'  Jeannetto. .  .Accomp'  par  M.  ]\Iozin  le 
jeune.     [1790?]     fol.  G.  557.  (57.) 

See  SoiRKE  Orageuse.     II  est  des  amuse- 
mens. .  .Accomp'  par  Mozin  le  jeune. 
[1795?]     fol.  G.  554.  a.  (29.) 

MR.  DECAMP.      Mr.   Decamp's    Letter 

and  impromtu  Verses  to  my  Lady . 

[Song.]      See   Madam.      Madam,   as   vou 
did  me  the  honour.     [1720?]     fol. 

G.  316.  g.  (42.) 

MUCH.  Much  I  lov'd  a  charming 
Creature,  lite  bashfull  Maid.  A  New 
Song,  ete.     [London,  1720?]     .s.  sh.  fol. 

H.  1601.  (300.) 
[Another  edition.]     Much  I  love  a  charm- 
ing Creature,  etc.  [London, 
1725?]     s.sh.tol.                 G.  310.  (79.) 

[Another  copy.]     Much  I  love  a  charming 
Creature,  etc.  [London, 

1725  ?j  s.  sh.  fol.  G.  305.  (148.) 

MUDGE  (  )  Six  Concertos  in  Seven 
Parts  ...  To  which  is  added,  Non  Nobis 
Domine,  in  8  Parts.     [Separate  Parts.] 

Printed/or  I.  Walsli  : 
London,  [1160  7]     fol.  g.  254. 

MUELLER  (  )  Six  Duos  pour  deux 
Flutes.  Composes  par  Mueller,  Maitre  de 
Concert  de  S.  A.  S.  Mp'  le  Comte  de  !\Ion- 
fort.  Dedies  a  M'  Jean  Graf,  Amateur, 
par  sa  Commere.  CEuvre  viii.  [Separate 
Parts.]  G^(era;I;2/on,  [1770?]  fol.  g.  106. 

MUELLER  (August  Eberhard) 
\'I.  Deutsche  Lieder  mit  Begleitung  des 
Forte  Piano,  etc.  Bey  Gilnther  if  Bolnnc  : 
Hamburg,  [1796.]  obi.  fol.  E.  601.  f.  (7.) 
.S'*'  Mozart  (W.  A.)  La  Clemenza  di 
Tito.  Opera  seria  .  .  .  Aggiustata  per  il 
Piano-Forte  del  Sign.  A.  E.  Miiller. 
[1795?]     o6Lfol.  E.  150.  x. 

See  Mozart  (W.   A.)     Idomeneo  .  .   .  im 

Klavierauszuge  von  A.  E.  Miiller. 

[1800  ?]     obi.  fol.  E.  150.  i. 

MUELLER  (Christian  Heinrich)    Drey 
Sonaten   fiirs  Clavier,   als    Doppelstiicke 
fiir  zwo  Personeu  mit  vier  Hiinden,  etc. 
Bey  F.  W.  Birnstiel :  Berlin,  1182.     fol. 

h.  12. 

MUELLER  (Coxrad)  and  ENGEL- 
HARDT  (Johaxn)  Zwen  newe  Hoch- 
zeit-Gesiinge, .  .  .  zu  .  .  .  Ehren  .  .  .  Dem 
Herrn  Johanni-Lucae  Spielhausen  .  .  . 
Und  der. . .  Juugfrawen  Christinen,  Des 
.  .  .  Herrn    Heinrici   Hej'denreichs  .  .   . 


172 


MUELLER 


Tochter  .  .  .  Mit  8.  Stimmeii  componiret 
von  Cuurado  IMullero  .  .  .  Unnd  Johanne   ' 
Engelhardt,  etc.  Bey  Martin  Wittel : 

Erffurt,  [1G16,]     4".  B.  46. 

MUELLER  (Eenst)  Das  Hohe  Lied  des 
Konigcs  Salomons,  wie  es  .  .  .  nach  der 
Ordnuug  des  Textes. .  .erkliiret,  gesuugen, 
und  mit. .  .kurtzen  Schluss-Liedern  [by 
J.  H.  SeipJ  aussgefiirtiget  hat  E.  Miiller, 
etc.  Daniel  Fievett :  Franckfitrtit 

am  Main,  1656.     obi.  8\         3149.  ee,  6. 

MUELLER  (Ernst  Ludwig). 
See  Krasinsky  (     )  pseud. 

MUELLER  (Gottlieb  Friedrich) 
Gedauken  ilber  gewisse  musikalische 
Meisterstiicke  jetziger  Zeit,  in  eiuem 
Sendschroiben  an  Herrn  G.  P.  Miiller,  etc. 
[Dessazt?]  1761.  4".  7897.  f.  31.  (1.) 
Six  Senates  pour  le  Clavecin,  etc. 

Chez  J.  G.  I.  Breitkopf: 
Leipzic],  1702.     ohl.  fol.  f.  41. 

MUELLER  (JoHANN  Christian)  Six 
Fugue...  Opera  II.     [P.  F.]  Chez 

S.  Markorclt :  Amsterdam,  [1790  ?]     fol. 

g.  543.  s.  (3.) 

MUELLER  (Johann  Daniel)  Vollstiiu- 
diges  Hessen-Hanauisches  Choral-Buch, 
welches  so  wohl  die  Melodien  der  150. 
Psalmen  Davids,  als  anderer. .  .alten  und 
neuenLieder  in  sich  fasset. .  .eingerichtet 
und  mit  einem  .  .  .  Vorbericht  heraus- 
gegeben,  von  J.  D.  Miiller. 
Bey  Stocks  Erhen,  Schilling  und  Wehcr : 
Franckfnrt  am  Mayn,  1754.    4".     D.  603. 

MUELLER  (Johann  Leonhard)  Joanuis 
Leonard!  Miiller. .  .VI.  Missre  de  Requiem 
a  Canto,  Alto,  Basso  &  Organo  obligatis. 
2.  Violinis  &  Violoncello  ad  libitimi. 
Opus  I.     [Separate  Parts.] 

Typis. .  .Joannis  Jacobi  hotter  : 
Auqustce  Yindelicorum,  1780.     fol. 

H.  3186. 

MUELLER  (Johann  Michael)  Neu- 
aufgesetztes,  vollstiindiges.  Psalm-  und 
Choral-Buch,  In  welchem  nicht  allein 
die  Hundert  und  Funffzig  Psalmen 
Davids,  sondern  auch  beyder  Evan- 
gelischen  Kirchen-Gesiinge. .  .nebst  des 
Neanders  Bundes-Liedern,  .  .  .  auf  das 
Clavier  mit  einem  .  .  .  Bass. .  .aufs  neuo 
verschen,  mit  vielen  Melodien  vermehrt 
und  heraus  gegeben,  von  J.  jM.  Miiller, 
etc.     Zweyte  A  ullage.     2  pts. 

Bey  J.  A.  Stocks  seel.  Erben,  und 
J.  G.  Schilling:  Franckfnrt  am  Mayn, 
1735-6.     4".  D.  604.  (1,  2.) 

Each  part  has  a  separate  title-pacje  and 
pagination. 
Vermehrter  Anhang  zu  dem  INIiillerischen 
Psalmen-  und  Choral-Buch,  dc. 

Bey  J.  A.  Stocks  seel.  Erben,  und 
J.  G.  Schilling :  Franckfort  am  Mayn, 
1741.     4°.  D.  604.  (3.) 


MUELLER  (Wenzel)     Drehet  Riidcheu 
drehet  euch. 
See  infra  :  [Die  Zauberzitter.'] 

Der  Fagottist  oder  die  Zauberzither. 
See  infra  :  [Die  Zauberzitter.] 

Es  seufzt  einmahl  um  Mitternacht. 
See  infra:  [Das  neu  Sonntagskind.] 
Ich  frag  obsequialiter. 
^'ee  infra  :  [Das  ncu  Sonntagskind.] 

Ich  sag  es  doch  immer. 

See  infra  :  [Das  neu  Sonntagskind.'] 

Ihr  guten  lieben  Leute. 

See  infra  :  [Die  Zauberzitter.] 

Juchhai,  juchhai  hopsasasa. 
See  infra  :  [Die  Zauberzitter.] 
Der  Lentz  belebet  die  Natur. 
See  infra  :  [Die  Zauberzitter.] 
Lieber  Casper  lehr'  michs  doch. 
See  infra  :  [Die  Zauberzitter.] 

Lieber  kleiner  Gott  der  Liebe. 

See  infra  :  [Das  neu  Sonntagskind.] 

Die  Miidchen  die  Lieb'  imd  der  Wein. 

See  infra  :  [Die  Zauberzitter.] 

[Das  neu  Sonntagskind.]      Ouvertura... 

per  il  Clavicembalo,  etc.      Art  aria  Comp. : 

Vienna,  [1793.]     obi.  fol. 

E.  153.  b.  (1.) 

Es  seufzt  einmahl  um  Mitternacht- 

Aria  fiir  das  Clavier,  etc.     Artaria  Comp. : 
Wien,  [1793.]     obi.  fol.       E.  153.  b.  (7.) 

Ich  frag  obsequialiter.      Aria  fiir  das 

Clavier,  etc.  Artaria  Comp. :   Wien, 

[1798.]     obi.  fol.  E.  153.  b.  (3.) 

Ich  sag  es  doch  immer   es   ist   ein 

Friseur.       Aria  fiir  das  Clavier,  etc. 
Artaria  Comp.  :   Wien,  [1793.]     obi.  fol. 

E.  153.  b.  (4.) 

Lieber  kleiner  Gott  der  Liebe.     Aria 

fiir  das  Clavier,  etc.  Artaria  Comp.  : 

Wien,  [1793.]     obi.  fol.       E.  153.  b.  (2.) 

Wegen  meiner  bleib  d'  Freiila  nur  da. 

Aria  fiir  das  Clavier,  etc.     Artaria  Comp.  : 
Wien,  [1793.]     obi.  fol.       E.  153.  b.  (5.) 

Wenn  d'  Liserl  nur  wolt.     Duetto  fiir 

das  Clavier,  etc.        Artaria  Comp.  :   Wien, 
[1793.]     obi.  fol.  E.  153.  b.  (8.) 

Wer    niemals     einen     Rausch     hat 

g'habt.    Aria  fiir  das  Clavier,  etc.    Artaria 
Comp. :   Wien,  [1793.]     obi.  fol. 

E.  153.  b.  (6.) 
Das  Sonnenfest  der  Braminen,  eine 
Komische  Oper. .  .Im  Klavierauszuge.  hn 
Verlage  des  Musikalischcn  Magazins  auf 
der  Hohe  :  Braunsdticeig,  [lldB.]    obi.  iol. 

E.  153.  a. 
Ein  Walzer  er  hitzt  den  Kopf. 
See  infra  :  [Die  Zauberzitter.] 

Wegen  meiner  bleib  d'  Freiila  nur  da. 
See  supra:  [Das  ncu  Sonntagskind.] 

Wenn  d'  Liserl  nur  wolt. 

See  supra  :    [Das  neu  Sonntagskind.] 


MUELLER— MUFF  AT 


173 


MUELLER  (Wenzel)  Wer  niemals  einen 
Rausch  hat  g'habt.  See  supra  :  [Das  neu 
Soniitagskind.] 

[Die  Zauberzitter.]  Ouverture  aus  der 
Oper  [Der  Fagottist  oderj  Die  Zauber- 
zitter, etc.  In  Hilschcrsclien 
Music-Verlagc  :   Dresden,  [1195. ']     ohl.lol. 

C.  448.  (1.) 

Drehet  Radchen  drehet  eucb.    Chor, 

etc.  Im  Hilschcrsclien  Miisic-Vcrlage  : 

Dresden,  [1795.]     obi.  fol.        C.  448.  (2.) 

Ihr  guten  lieben  Leute.  Eomanzc,  etc. 

Im  Hilsclierscheii  Miisic-Verlage : 
Dresden,  [1795.]     ohl.  fol.        C.  448.  (3.) 

Juchhai,]'uchhai  hopsasasa.  Aria,  etc 

Im  Hilschcrsclien  Music-Verlagc : 
Dresden,  [1795.]     obi.  fol.        C.  448.  (7.) 

Der     Lentz     belebet     die     Natur. 

Duetto,  etc.  Im  Hilschcrsclien  Music- 

Vcrlage  :  Dresden,  [1795.]     ubl.  fol. 

C.  448.  (9.) 

Lieber    Casper    lebr'    michs    doch. 

Duetto,  etc.  Im  Hilscherschcn  Music- 

Verlagc  :  Dresden,  [1795.]    obi.  fol. 

C.  448  (8.) 

Die  Madchen  die  Lieb'  uud  der  Weiu. 

Ariette,  etc.  Im  Hilschcrsclien  Music- 

Vcrlage  :  Dresden,  [1795.]     obi.  fol. 

C.  448.  (4.) 

Quadrille  Allemande,  etc. 

Im Hilscherschen  Mnsic-Verlagc  :  Dresden, 
[1795.]    obi.  fol.  C.  448.  (6.) 

Ein   Walzer    er    hitzet    den     Kopf. 

Cavatina,  etc.  Im  Hilschcrsclien  Music- 
Verlagc  :  Dresden,  [1795.]      o6Z.  fol. 

C.  448.  (5.) 

[Die  zwey  Schwestern  aus  Prag.]  Walzer 
aus  der  Oper  Die  zwey  Schwestern  aus 
Prag...fur  das  Clavier  nach  der  Musik 
des  Herrn  W.  Miiller.  Im  Musikalischen 
Magazine  aiif  der  HUhc  :  Brannscliireig, 
[1795.]     obi.  fol.  e.  5.  1.  (4.) 

MUELLERINK.  Die  :\Iiillerinn.  [La 
]Meuniere  de  Gentilly.]  Ein  Siugspiel  in 
einem  Aufzuge,  aus  dem  Franzosischen 
iibersetzt.  [Music  by  J.  B.  de  da  Borde.] 
See  Operettas.  Sammlung  der  komischen 
Operetten,  etc.  Band  III.  No.  5. 
1772.    8°.  B.  729. 

MUENNICH  (  Johann)  Sacrarum 
Cantionum  i.  5.  6.  8.  Vocum  ;  Sacrte... 
Confraternitati  Venerabilis  Sacramenti. . . 
in  Cathedrali  Ecclesia  Spirensi  . . .  dedi- 
catatarum,  Liber  Primus,  etc.  Cantus. 
(Altus.)  (Tenor.)  (Bassus.)  (QuintaVox.) 
5  pts.  Apud  Jacobum  Cercagli : 

Venetim,  1611.     4".  K.  1.  k.  7. 

MUENSTER  (Joseph  .Joachim  Benedict) 
Musices  Instructio  in  Brevissimo  Regulari 
Compendio  Radicaliter  data.  Das  ist : 
Kiirtz,  doch  -wohl  griindlicher  Weg,  und 


wahrer  Unterricht  die  edle  Sing  -  Kunst 
. . .  zu  erlernen. .  .Sechste  Aufiage,  etc. 

Johann  Jacob  Loiters  seel.  Erbni  : 
Augspiirg,  1761.     obi.  4".  A.  1295. 

Musices  Instructio  in  Brevissimo  Regulari 
Compendio  Radicaliter  data. .  .Siebende 
Auflage,  etc.  Johann  Jacob  Lottcr  : 

Augspurg,  1764.     obi.  4".  B.  799. 

Sacrificium  Vespertinum,  sen  Vespcrte 
Longiores  Festivae  et  de  Beatissima 
Virgins  Maria... pro  toto  anno  methoda 
nova,  et  comico-ecclesiastica  elaborattc 
a  Canto,  Alto,  Tenore,  Basso,  duobus 
Violinis. .  .cum  duplici  Basso  Generali, 
etc.  Opus  I.  [Separate  Parts.] 
Typis. .  .Jocnuiis  Jacobi  Lottcri  :  Augusts 
Vindclicorum,  1729.     fol.  G.  69. 

Scala  Jacob  Ascendendo,  &  Descendendo. 
Das  ist:  Kiirtzlich,  doch  wohlgegriindete 
Anleitung,  und  vollkommener  Unterricht, 
die  Edle  Choral-Music. .  .zu  erlernen.. 
Zvi^eytc  Aufiage.  Johann  Jacob  Lottcrs 
seel.  Erben  :  Augspurg,  1756.     obi.  4". 

556.  a.  14. 

MUENTER  (Balthasak)  D.  Balthasar 
Miinters. .  .Erste  Sammlung  Geistlichcr 
Lieder.  Mit  Melodien  von  verschiedeneu 
Singkomponisten.  In  der  Dijckischcn 

Buchhandlung  :  Leipzig,  llTd.     obi.  io]. 

E.  632. 
TJie  composers  named  are  :  J.  C.  F.  Bach, 
Hertel,  Scheibe,  Wolf,  Kunzen,  Hillcr, 
C.  P.  E.  Bach,  Rolle  and  Benda. 

M  U  E  T  H  E  L  (Johann  Gottfried) 
Auserlesene  Oden  und  Lieder  von  ver- 
schiedenen  Dichtern,  etc.  C.  W.  Brandt : 
Hamburg,  1759.     fol.  F.  654. 

Duetto,  fiir  2  Claviere,  2  Fliigel,  oder  2 
Fortepiano.  Beij  J.  F.  Harthnoch  : 

Riga,  1771.     fol.  h.  27. 

III.  Senates  et  II.  Ariosi  avec  XII.  Varia- 
tions pour  le  Clavessiu. 

Au.v  depcns  de  J.  U.  Haffncr  : 
Nuremberg,  [1760?]     obi.  iol.  e.  7. 

MUFFAT  (Gottlieb)  Componimenti 
IMusicali  per  il  Cembalo,  etc.  Scolpit  in 
rame  et  fatti  Stamparc  da  G.  C.  Leopold  : 
Augusta,  [1727.]     obi.  fol.  e.  461. 

A  facsimile  in  pen  and  ink  of  part  uf 
the  title-page,  draion  by  liussell,  a 
stationer  in  the  Eoyal  Exchange  about 
the  year  1810,  and  a  letter  relating  to 
the  bequest  of  this  volume  to  the  British 
Museum  by  J.  Groombridge,  are  in- 
serted. 

[72  Versetl  sammt  12  Toccaten  besonders 
beim  Kirchen-Dienst,  Bey  Choral-Aemb- 
tern  und  Vesperen  dienlich,  etc.] 
[Vienna,  1726.]     obi.  fol.  e.  461.  b. 

Wanting  the  title-page. 

MUFFAT  (Teofilo)     Sec  Muffat  (G.) 


17i 


I^IUGNIE— MUSCULUS 


MUGNIE  (Jean)  L' Amour  piqu6  par 
uiic  abeillo,  imitation  d'Anacreon  pour  le 
Forte  Piano,  etc.  J-  LXtvies  : 

London,  [1800'?]     fol.  g.  138.  (16.) 

La  Colombe  reperduc.  An  Air  for  the 
Piano  Forte,  efc.  J.  Davics  : 

London,  [1800  ?]     fol.  g.  139.  (35.) 

God  save  the  King,  with  Eight  Variations 
including  a  Grand  March  with  a  Violin 
or  Flute  and  Violoncello  Accompaniment 
ad  libitum,  c^c.  Bircliall : 

London,  [imOl]     fol.  h.  118.  (42.) 

Mugni^'s  Hornpipe,  with  Variations  for 
the  Piano  Forte.  J-  Davics  : 

London,  [1800  ?]     fol.  g.  139.  (36.) 

INIarche  des  Royalistes  . . .  Les  paroles  ont 
6t6  faites  sur  la  Musique  par  J"  B"*  De 
Gruchent,  etc.  Longman  ct  Brodenp  : 

London,  Uan  III  da  liccjnc  de  Louis 
A'TTI[1796].     fol.  H.  1677.  (71.) 

Le  Papillou.  Caprice  pour  le  Piano 
Forte,  etc.  Chez  les  Marchancls  de 

Musique:  Londres,  [1800 ?]     fol. 

g.  14L  (11.) 

Three  Sonatas  for  the  Piano  Forte  with 
an  Accompaniment  for  the  Flute  ad 
libitum,  etc.      [Separate  Parts.] 

Brodcrip  <&  Wilkinson : 
London,  [1800?]     fol.  g.  186.  (9.) 

An  Original  Waltz,  for  the  Piano  Forte, 
(,1c  Lrinted  for  the  Author  : 

London,  [18001]     fol.  b.  118.  (41.) 

MUIRLAND.     INIuirland  Willy.     Song. 
See  Hook  (J.) 

MULETEER.     The  IMuleteer.     Ballad. 
Sec  When.     When  o'er  the  Moon  a  misty 
veil,  ek-.     [1796?]     fol.        G.  356.  (39.) 

MULLER  (G.)  Jonas  and  Nannette,  the 
Favorite  Duet ...  The  Words  by  B— p  Esq'. 
G.  Kauntzc  :  Londo^i,  [1795  ?]     fol. 

H.  2818.  f.  (32.) 

MULLY  (J.)  A  Favorite  Sonata  for  the 
Piano  Forte  or  Harpsichord. 

Longman  d  Broderip  : 
iondon,  [1790?]     fol.  h.  62.  (12.) 

Six  Sonatas  for  the  Piano  Forte  or 
Harpsichord  with  an  Accompaniment  for 
a  Violin  . . .  Opera  2. 

Longman  &  Broderip : 

London,  [Y1201]    fol.  h.  29. 

MUNDY    (John)       Songs    and    Psalmes 

composed  into  3.  4.  and  5.  parts,  for  the 

use  and  delight  of  all  such  as  either  loue 

or   learn   Musicke.     Superius.     (Medius.) 

(Contratenor.)    (Tenor.)    (Bassus.)    5  pts. 

Thomas  Est  (the  assigne  of  William 

Byrd)  :  London,  1594.     4".      K.  2.  a.  3. 

MUNRO   (A.)     A  Collection  of   the   Best 

Scots  Tunes.    Fited  to  the  German  Flute. 

With  Several  Divisions,  &  Variations,  etc. 

At  Paris,  (1732.)     fol.  S-  17. 


MURET  (jNIarc  Antoine  de) 

See  RoNSABD  (P.  de)  [Les  Amours  de 
P.  de  Ronsard.  .  .With. .  .musical  settings 
by. .  .M.  A.  Muret,  etc.]     1552.     8". 

Case  57.  a.  31.  (1.) 

MURPHY  (S.)  By  the  streams.  [Song.] 
The  Words  by  Pope.  [London, 

1750  ?]     s.  sh.  fol.  G.  306.  (180.) 

The  Queen  of  May.  A  Favorite  Song, 
etc.     T.  Williams  :  London,  1784.     fol. 

H.  2818.  (15.) 

Virtue.  A  favorite  Pastoral  .  .  .  The 
Words  by  J.  Oakman.  T.  Williams  : 

Lojidon,  [1780  7]     fol.      G.  808.  g.  (26.) 

MURSCHHAUSER  (Franz  Xaveb 
Anton)  Academia  Musico-Poetico  Bi- 
partita.  Oder :  Hohe  Schiil  der  Musical- 
ischen  Composition  in  Zwey  Theil  einge- 
theilt,  etc.  Erster  Theil.  Li  Verlegung 
W.  M.  Endters.  Gedruckt  bei  J.  E. 
Adclbuhier  :  Niirnberg,  1721.      fol. 

No  jnore  published.  G.  832. 

[Another  copy.]  7896.  g.  32. 

Fundamentalische  Kurz,  und  bequeme 
Handleithug  so  wohl  zur  Figurat-  als 
Choral-Music  aus  denen...Vohrnembsten 
Kuust  -  Meisteren  Vuderschidlicher  Na- 
tionen  herausgezogen  .  .  .  Verfasst,  und 
heruorgcgeben  durch  Franz  Xaueriu 
Antonimn  Murschhauser.  Li  Yerlegmig 
des  Authoris  :  Munchen,  1767.  obi.  fol. 
Engraved  throughout.  C.  1258. 

Octi-Touium  Novum  Organicum,  Octo 
Tonis  Ecclesiasticis,  ad  Psalmos,  &  Mag- 
nificat, adhiberi  solitis,  respondens :  Ex 
diversis  INIusici  Artificii  fontibus  deriva- 
tum  cum  Appendice  nonnuUarum  Inven- 
tionmn,  ac  Imitatitionum  pro  Tempore 
Natalis  Domini  . . .  Opus  Primum. 

Apud  Laurentium  Kronigervm,  & 
Hseredcs  Theophili  Gmbelij :  Augusts 
Vindelicorum,  1696.  obi.  fol.  b.  333. 
See  also  :  M.,  F.  X.  A. 

MUSA  ET  MUSICA.  Musa  et  Musica 
or  Humour  &  IMusick  being  an  Extra- 
ordinary Collection  of  Pleasant  and  merry 
humours  with  Scotch  &  Love  Songs,  the 
Words  by  IMr.  D'urfey  all  entirely  new. 

Printed  for  L.  Pippard  : 
London,  [lllOn     fol.  H.  82.  (1.) 

Two  of  the  songs  in  this  collection  are 
engraved  by  T.  Cross  and  bear  the  im- 
print :  '  Printed  for  J.  Cullcn  .  .  . 
1710.' 

MUSA     NOCTURIA      MURNERI- 

ANA.  Musa  Nocturna  Murueriana. 
[Trio.]      See  Brumnitzius  (N.)  pseud. 

MUSCULUS  (Balthasar)  Sacra  Cithara, 
das  ist :  Achtzig  schone  Geistliche  Gesiing, 
mit  4.  vnd  5.  Stimmen,  vor  die  Jugend 
zusammen    getragen.      Auctoribus,    Bal- 


IMUSCULUS— MUSE 


175 


thasare  Musculo,  Horatio  Yeccho,  Jacobo 
Meilando,  vnd  andern.  Jetzo  von  neuem 
wider  auffgelegt. .  .corrigirt  vud  vennehrt 
&c.  Sampt  eiuem  Compendio  artis 
Musices.     Cautus.     (Bassus.)     2  pts. 

Abraham  Wagenmann  : 

Niinnberg,  1025.     12".  A.  242. 

Tlic  composers  named  in   this  collection 

arc :     P.     Nicolai,      C.     Demantius, 

J.    Meiland,   J.  a   Burck,   J.   Christ, 

J.  Staclen,  V.  D.  and  H.  Vecclii. 

See  Cruegeb  (J.)  Kouigliche  HarfE  des 
...Sanger  Fiirsten  Davids,  etc.  (Geist- 
lictie  Seelen  -  ]\Iusic,  bestehend  in... 
Gesiingeu  auss  den  .  .  .  Kunstreichesten 
Italianisch-  und  Teutscber  Sangermeisteru 
.  .  .  Werken  coUigirt  .  .  .  von  Baltbasaro 
Musculo,  etc.)     1G63  (16G2).     8". 

B.  114.  b. 

MUSE.     Die  INIuse.     Xacbspiel. 
See  HiLLER  (J.  A.) 

II  Primo  Libro  de  le  Muse  a  Cinque  Voci 
composto  da  Diuersi  Eccellentissimi 
]\Iusici  Nouamente  per  Antonio  Gardauo 
stampati  &  corretti  Con  la  gionta  d'  una 
Canzon  &  uno  INIadregale  a  otto  uoci,  etc. 
Cautus.     (Tenor.)     (Quintus.)     3  pts. 

Apresso  di  Antonio  Gardano  :    Venetia, 

1555.     obi.  4^  A.  342. 

The  coviposers  named  in  this  collection 

arc:      Archadelt,    Giachet     Berchem, 

Vincentio  Buffo  and  Antonio  Barre. 

II  Secondo  Libro  de  le  Muse  a  Cinque 
Voci  composto  da  diuersi  Eccellentissimi 
JMusici  Con  uuomadregale  a  sei  di  Ciiouan 
Nasco,  Et  con  doi  Dialoghi  a  otto,  Noua- 
mente stampato,  etc.  Canto.  (Alto.) 
(Tenore.)  (Basso.)  (Quinto.)     5  pts. 

Appresso  di  Antonio  Gardano  :   Venetia, 

1559.     obi.  4\  A.  342.  a. 

The  composers  named  in  this  collection 

are   Adriano   [}\illaert],   F.    Bosselli, 

G.  da  Palestrina,  G.  Lochenburgo,  G. 

Nasco,   A.    Striggio,    S.   Essenga,    C. 

Porta,  P.  Taglia  and  V.  Buffo. 

[Anotber  copy.     Quinto.]  A.  342.  b. 

II  Terzo  Libro  delle  Muse  a  Cinque  Voci 
composto  da  diuersi  Eccellentissimi 
Musiei  Con  uno  Madregale  a  Sei,  Et  uno  • 
dialogo  a  Otto,  Nouamente  per  A.  Gar- 
dano stampato  &  dato  in  Luce,  etc.  Canto. 
(Alto.)  (Tenore.)  (Basso.)  (Quinto.)  5  pts. 
Appresso  di  Antonio  Gardano  :  Venetia, 
1561.     obi.  i".  A.  342.  e. 

The  composers  named  in  this  collection 

are :    A.  Bomano,    0.  di  Lassus,   F. 

Bosselli,  G.  Nasco,  G.  da  Palestrina, 

G.  D.  de  Nolla,  B.  Donato,  I.  Ccnsini 

and  D.  Finot. 

IMadrigali  Aierosi  a  Quatro  Voci  Compost! 
da    Diuersi   Eccell.    Autori,   uuouamente 


...stampati.  Libro  primo  delle  Muse  a 
quatro  uoci.     Tenore.  (Basso.)     2  pts. 

Appresso  Girolamo  Scoto  :   Vinegia, 

1558.     obi.  4".  A.  346, 

The  composers  named  in  this  collection 

are  :  A.  Barrc,  Archadelt,  V.Ferro,  G. 

Danchers,     I.     Tostolo,    Anselmo    \de 

Beulx],   Liipachino,  I.    D.   di  Nolla, 

Allesandrino,   Lamberto,  V.  B^iffo,  II 

Calderino  and  P.  Ariimuccia. 

]Madregali  Ariosi  a  Quatro  Voci  Composti 

Da    diuersi    eccellentissimi    Autori.      Et 

per    Antonio    Gardano    Nouamente  .  .  . 

stampatti.      Libro   Primo   delle    Muse  a 

Quatro  Voci,  etc.     Alto.  (Basso.)     2  pts. 

Apresso  di  Antonio  Gardano  : 
Venetia,  1559.     obi.  4°.  A.  346.  a. 

[Libro  Primo  delle  IMuse  a  quatro  Voci.] 
Madregali  Ariosi  a  Quatro  Voci,  composti 
da  diuersi  Eccellentissimi  Autbori,  &  per 
Antonio  Gardano  Nouamente . . .  Kistam- 
pati,  etc.     Basso.  Appresso  di  Antonio 

Gardano:   Venetia,  1565.     obi.  i". 

A.  346.  b. 

The  names  of  the  composers  are  the  same 

as  in  the  1558  and  1559  editions,  with 

the  addition  of  G.  Nasco. 

Secondo    Libro    delle    ]\Iuse,   a    Quattro 

Voci.        Madrigali     Ariosi,     de     Diuersi 

Eccell'"'     Autori,    con    Doe     Canzoni    di 

Giannetto  [da  Palestrina],  di  nuouo  rac- 

colti  et  dati  in  luce.     Basso.  Appresso 

Antonio  Barre  :  Boma,  1558.     obi.  4". 

A.  346.  e. 

Imperfect,  scanting  pp.  29-32.     The  com- 

2)oscrs  named   in   tJiis  collection  are : 

Giannetto    [da     Palestrina],    Lerma, 

A.  Barri,  P.  Animuccia,  F.  Bossello, 

G.  Berchem,  II  Bosso,  P.  de  Monte,  0. 

di  Lassus,  I.  Matelart,  I.  D.  da  Nola, 

I.  Wertli,  Paulo  da  Fuligno,  II  Cal- 

darino,  LupacJiino  and  Archadelt. 

[Secondo    Libro   delle   Muse    a    Quattro 

Voci.]     Madregali   Ariosi  a   Quatro    Voci 

composti      da      diuersi      Eccellentissimi 

Autori,  Nouamente  . . .  stamj)atti.     Libro 

Secondo.     Tenor.        Appresso  di  Antonio 

Gardano  :  Venetia,  1560.     obi.  4". 

A.  346.  d. 

The  composers  named  are  the  same  as  in 

the  1558  edition,  xcith  the  omission  of 

Lerma,   Matelart  and  Archadelt  and 

the  addition  of  Nicodemus. 

II  Terzo  Libro  delle  Muse  a  Quattro  Voci. 

Madrigali     Ariosi,     da     Diuersi     Eccell. 

Musiei  raccolti,  et  dati  in  Luce.     Tenore, 

(Basso.)    2  pts.     Ap>p)rcsso  Antonio  Barre  : 

Boma,  1562.     obi.  4".  K.  3.  f.  17. 

The  composers  named  in  this  collection 

are:  G.  Bose,  A.  Barr^,  A.  Zoilo,  F, 

Bossello,  A.  Maresio,  P.  di  Monte,  S. 

Lando,  I.  D.  da  Nola,  V.  Biiffo,  L, 

Dentici,    F.    Baratto,    G.   P.   L.   da 

Pallestrina,  Lerma,  O.  di  Lassus  and 

L.  Agostini. 


17G 


MUSE— MUSICS 


MUSE.     La  Muse  do  TOptsra.     Cantata. 
See  Clerajibault  (L.  N.) 
The  Muse's  Choice.     Songs. 
See  Bryan  (J.) 

The  Muse's  Tears.  [Song.]  See  Where. 
Where  is  my  soul's  chief  Comfort  flown, 
etc.     [1737?]     fol.  I.  530.  (181.) 

MUSENALMANACH.         Musenalma- 
nach  fiir  das  Jahr  177G(-1798). 
Sec   Periodical   Publications. — Laiicn- 
biirg. 
MUSES.     Les  Muses.     Ballet. 
Sco  Campra  (A.) 

The  Muses  quite  Jaded  with  Rhiming. 
Molly  Lcpcll.  [Song.]  Set  for  the  Ger- 
man Flute.     [London,  1725  ?]     s.  sli.  fol. 

I.  530.  (103.) 
MUSES'  DELIGHT.  The  IMuses  De- 
light. Au  Accurate  Collection  of  English 
and  Italian  Songs,  Cantatas  and  Duetts 
. . .  With  Instructions  for  the  Voice, 
Violin,  Harpsichord  .  .  .  German-Flute, 
Common-Flute,  Hautboy,  French-Horn, 
Bassoon,  and  Bass-Violin:  also,  a  .  .  . 
ilusical  Dictionary,  and  several  Hundred 
English,  Irish  and  Scots  Songs,  without 
the  Music.  John  Sadler  :  Liverpool, 

1754.     8".  E.  872. 

Tlie    composers    named    arc :     Oswald, 
Holcomb,      Corfe,     Orme,     Broderip, 
Hoivard,     Worgan,     Arne,      Vincent, 
Festing,    Handel,     Pasguali,     Weide- 
mann,  liussel,  Boijcc,  Lampe,  Stanley, 
Gladwin,  Greene,  St.  Germain,  Bail- 
don,  Purcell,  Terradellas,  Dunn,  Bar- 
nard,   D.    Bizzio,    Gouge,    Kilburne, 
Eris,  Carey,  Harris,  Eaton,  Galliard, 
Monro,     Futti,      Markwell,      Tench, 
Fisher,  E.  Ormc,  Master  Arne,  Crome, 
Steemson,  Langshaw,  Dc  Fcsch  and 
Baildon. 
The  Muses'  Delight.     Glees. 
Sec  Hayes  (P.) 
MUSIC.     INIusick  and  Beauty.    [Song.] 
See  Stanley  (J.) 

Music  and  Mirth.   [Song.]     -Sec  Hook  (J.) 
]Musick   can   charm    the    Human    heart. 
[Song.]     See  Davies  (R.) 
Music  charms  the  ravish'd  soul.     Duett. 
See  Gentleman. 
Musick   has  charms  and  so  have  I.     An 

^Enigmatical  Song  [words]  by  Mr.  H y. 

Printed  for  H.  Waylett :  [London, 
1745  ?]     s.  sh.  fol.  G.  316.  e.  (78.) 

Musick  has  charms,  and  so  have  I.     An 
^Enigmatical    Song.       [Words]    By    Mr. 

H y.    [London,]  1759.    8". 

P.P.  5441. 
Eoyal  Magazine,  Vol.  I.,  p.  263. 
Music  has  Charms  and  so  have  I.     Music 
has  Charms.     [Song.]         L[ongman  and] 
B[roderip  :  London,  1785  ?]     s.  sh.  fol 

H.  1994.  b.  (53.) 


MUSIC.  Musick  how  pow'rfull  is  thy 
Charm :  A  Song  on  the  Power  of  Musick 
by  Mv.  Jos.  Smith.  []\Iusic  by  J.  Hudson.] 
[London,  1740  ?]      s.  sh.  fol. 

G.  310.  (92.) 

[Another  copy.]  G.  303.  (91.) 

]\rusic  purposely  Composed  for  the  Harp. 
(From  the  Collection  of  an  Amateur.) 
An  Hymn  to  the  Deity,  from  the . .  .  Sacred 
Drama  of  David  &  Goliah,  by  I\Irs. 
Hannah  ^lore.  To  which  are  added  a 
Selection  of  Vocal  Compositions. .  .with 
an  Accompanyment  for  the  same  Instru- 
ment.    [By  T.  Jones,  of  Gaddesden.] 

Broderip  it  Wilkinson  :  Loiulon, 
1800.     fol.  G.  368.  (2.) 

Music  the  fiercest  grief  can  charm.  Glee. 
See  LiDEL  (F.) 

Music  the  soul  of  melody.     Glee. 
See  Perkins  (D.) 

Musick's  a  Crotchett.     [Song.] 
See  Rawthmell  (A.) 

Music's  the  Language  of  the  blest  above. 
[Glee.]     See  Wbbbe  (S.)  the  Elder. 

MUSIC  MADE  EASY.  Music  Made 
Easy,  or  a  New  ]\Iusical  Vade-Mecum : 
being  a  complete  book  of  Instructions  for 
Beginners  on  the  Piano-Forte  or  Harpsi- 
chord ...  to  which  are  added  Eight  Pro- 
gressive Lessons  . . .  and  Twenty  of  the 
easiest  and  most  favourite  Songs,  etc. 
London,  1798.     ohl.  fol.  e.  140.  (7.) 

Pp.  1-16  only;    it  is  doubtful  lohether 
more  appeared. 

MUSICA.       Musica    de'    Virtuosi     della 
Florida  Capella  dell'  illustrissimo . . .  Duca 
di  Baviera.     [Madrigals.] 
See  Troiano  (M.) 

MUSICA    CUmOSA.     Musica  Curiosa 

or  a  Curious  Collection  of  Celebrated  Airs 

Compos'd  by  Messrs.  Granno,  Weidemau, 

Hasse,  Vinci  and  other  Masters,  to  which 

are  added  two. .  .Sonatas  of  Sig.  Brivio's 

and  the  favourite  Concerto  of  Sig'  Hasse's, 

all   set   for  two   German   Flutes   or    two 

Violins  and  a  Bass,  etc.     [Separate  Parts.] 

Printed  for  J.  Simpson:  London, 

[1745  ?]     obi.  4°.  b.  30.  (1.) 

This    collection    contains     compositions 

by     Granno,      Weideman,      Festing, 

B.  Thumoth,   Handel,    Vinci,   Hasse 

and  G.  Brivio. 

MUSICA     DIVINA.       INIusica   Diviua. 
[Madrigals.]     See  Phalesio  (P.) 

MUSICA       DOMESTICA.  Musica 

Domestica.     [Hymns.]     Sec  Duerr  (M.) 

MUSICJE3  SPIRITUS.    IMusicte  Spiritus, 
or  a  Collection  of. .  .Airs. 
See  Haendel  (G.  F.) 


MUSICS— MUSICAL 


177 


MUSICiE    VOCALIS    DELICI^. 

Music*  Vocalis  Delicise,  being  a  Collection 
of.  .  .Madrigals,  Glees,  Catches,  Canzonets, 
Rounds  and  Canons  . . .  Composed  b\^ .  .  . 
eminent  Masters . .  .The  Words  Consistent 
with  Female  Delicacy.     Vol.  I. 

Printed  fen-  T.  SldlleDi  : 
London,  [1190?]     6".  E.  331. 

The  composers  named  arc :  Rogers, 
T.  Brewer,  Lord  Mornlngfon,  G.  Berg, 
Hoivard,  T.  Ford,  Dr.  Arne,  Battishill, 
J.  Hilton,  H.  Purcell,  Atterbun/, 
Webbe,  T.  Norris,  Dr.  Hayes,  T. 
Wcelkes,  Dr.  Harrington  and  Byrd. 

MUSICAL.     The  Musical  Chase.    [Song., 
See  Wilton  (C.  H.) 
The  Musical  Hodge-Podge.     [Song.] 
See   Old.      An  Old   Woman   cloathed  in 
Grey,  c^c.     [1730?]     fol.     G.  305.  (150.) 

MUSICAL  CENTURY.  The  Musical 
Century,  in  One  Hundred  English  Ballads. 
See  Carey  (H.) 

MUSICAL  COMPANION.  Catch  that 
Catch  Can,  or  The  IMusical  Companion. 
Containing  Catches  and  Rounds  for  Three 
and  Four  Voyces.  To  which  is  now  added 
a  Second  Book  containing  Dialogues, 
Glees,  Ayrcs,  and  Ballads,  &c.  some  for 
Two,  Three,  Foure  Voyces.  Printed  by 
W[illiani']  Godbid  for  J[ohn']  Playford : 
London,  1667.     obi.  4».  A.  412. 

This  continuation  of  Hilton's  "  Catcli 
that  catch  can"  is  the  first  edition  of 
"  The  Musical  Companion."  Tlie 
Second  Part  has  a  separate  title-page, 
but  the  pagination  is  continuous. 
The  composers  named  are:  J.  Hilton, 
Cranford,  T.  Hohnes,  W.  Lawes, 
S.  Ive,  E.  Nelham,  T.  Breiver,  J. 
Tailor,  Stoner,  W.  Bird,  W.  Child, 
]V.  Hoices,  W.  Webb,  W.  Ellis,  J. 
Smitli,  J.  Cobb,  J.  Wilson,  Wltite, 
T.  Pierce,  G.  Holmes,  W.  Smegergill, 
W.  Gregory,  J.  Savile,  N.  Freeman, 
Lannere,  J.  Playford,  M.  Locke,  li. 
Hill,  G.  H.,  H.  Lawes,  E.  Colman, 
L.  Hodemonte,  H.  Pursell,  J.  Banis- 
ter, S.  Taylor,  N.  Lanncare,  T. 
Tempest  and  H.  Cooke. 
[Another  copy.]  A.  412.  a. 

The  ^lusical  Companion,  in  Two  Books. 
The  First  Book  containing  Catches  and 
Rounds  for  Three  Voyces.  The  Second 
Book  containing  Dialogues,  Glees,  Ayres 
and  Songs  for  Two,  Three  and  Four  Voyces. 
Collected... by  Jo  Playford,  etc.  Printed  by 
W[illiam]  Godbid  for  John  Playford : 
London,  16[72.]     obi.  4°.  A.  412.  b. 

The  title-page  is  mutilated.  Tlie  Second 
Book  has  a  separate  title-page,  but 
the  pagination  is  continuous.  In 
this  edition  the  following  composers' 
najnes  fi  rst  occur :  Jenkins,  R.John- 
son, J.  Goodgroome,  J.  Banister,  G. 
VOL.   II. 


Holmes,  Morley,  B.  Rogers,  Campion, 
0.  Gibbons,  Deering,  R.  Fleckno  and 
B.  WaUington. 

MUSICAL     COMPANION.      The 

ilusical  Companion,  in  Two  Books.  The 
First  Book  containing  Catches  and 
Rounds  for  Three  Voyces.  The  Second 
Book  containing  Dialogues,  Glees,  Ayres 
and  Songs  for  Two,  Three,  and  Four 
Voyces.  Collected. .  .by  J.  Playford,  etc. 
(An  Additional  Sheet  to  the  Book  entitled 
The  ^lusical  Companion.)  Printed  by 

W{illiam]     Godbid    for    John     Playford: 
London,  1673.  (1672.)     obi.  4".    A.  412.  c. 
The  Second   Book   has  a  separate  title- 
page,   dated   1672,    but     the    pagina- 
tion   is    continuous.       This    edition 
differs  from   that  of  1672  in  having 
two  additional  leaves  after  p.  112. 
Catch   that   Catch   Can :    or   the   Second 
Part  of  the  Musical  Companion ;  being  a 
Collection   of   New   Catches,  Songs,    and 
Glees,  never  printed  before.         Printed  by 
J[ohn\   Pilayford   the   Younger]   for  John 
Playford  :  London,  1685.  4".   K.  3.  m.  13. 
TJie  comjmsers  named  arc  :   H.  Aldridgc, 
H.     Purcell,     J.    Blow,    J.     Lenton, 
W.    Turner,    M.     Wise,    J.    Jackson, 
R.     Smith,     J.     Roffey,    F.    Forcer, 
J.    Moss,    W.  Lawes,  J.  Reading,  S. 
Ives,  T.  I'udway,  E.  Frost,  M.  Locke, 
J.  Hilton,  J.  Playford  and  W.  Pizing. 

The  Second  Book  of  the  Pleasant  Jlusical 
Companion.  Being  a  New  Collection  of 
Select  Catches,  Songs,  and  Glees  for  Two 
and  Three  Voices.  The  Second  Edition  cor- 
rected and  much  enlarged.  (A  New  Addi- 
tional Sheet  to  the  Catch-Book.)  Printed 
for  John  Playford  :  London,  1686.    obi.  4°. 

A.  412.  d. 
A   presentation  copy  from   Joint   Play- 
ford,    tvitJi     his     autograph     [dated 
October,    1685)    on    the    title-page,    to 
John  Jackson,  tchose  autograph  is  at 
tlw  end  of  the  Cambridge  Catcli.     The 
following  names  in  this  edition  are  not 
in  that  of  1685  ;   T.  Farmer,  J.  Wilso7i, 
B.  Isaack,   R.  BroiV7i,  J.  Jackson,  F. 
Farmiloe,  J.  Banister  and  R.  Broivne. 
The  Second  Book  of  the  Pleasant  Musical 
Companion  :  Being  a  Choice  Collection  of 
Catches   for   Three    and   Four   Voices... 
Compos'd    by   Dr.    John    Blow,    the   late 
Mr.  Henry  Purcell.  and    other    Imminent 
Masters.     The  Fourth  Edition,  corrected 
and  much  enlarged.     William  Pearson,  for 
Henry  Playford  :  London,  1701.     obi.  4". 

A.  412.  e. 
The  following  names  of  composers  occur 
in  this  collection  :  J.  Blow,  H.  Purcell, 
M.  Wise,  T.  Tudway,  J.  Eccles,  J. 
Wilson,  J.  Roffee,  Gillier,  J.  Gilbert,  J. 
Lenton,  J.  Beading,  B.  Isaack,  J.  Jack- 
son, R.  Brown  aiul  S.  Ackeroyd. 


178 


MUSICAL— MUSICUS 


MUSICAL  COMPANION.  Supple- 
ment of  New  Catches,  to  the  Second 
Book  of  the  Pleasant  Musical  Companion. 
Containing  the  Choicest  Catches  by  Dr. 
John  Blow,  and  the  late  ]Mr.  Henry 
Purcell,  and  other  Eminent  ^Masters. 
William  Pearson,  for  Henry  Playford  . . . 
and  J.  Hare  :   London,  1702.     obi.  4". 

A.  412.  g. 
This  collection  contains  ncwied  composi- 
tions by  J.Bloio  and  J.  Clarke. 

The  Second  Book  of  the  Pleasant  Musical 
Companion... The  Fifth  Edition, corrected 
and  much  enlarged.  Printed  by  William 
Pearson  for  Henry  Playfoixl  .  .  .  and 
J.  Hare  :  'London,  1707.     obi.  4°. 

A.  412.  f. 

The  composers  named    in    tliis  edition 

and     not     in     that     of    1701     are : 

J.    Isum,    J.    Clarke,    H.    Hall,    Dr. 

Turner,  Morgan  and  Williams. 

The  Pleasant  ^Musical  Companion :     The 

Sixth   Edition,    corrected    and    enlarged : 

containing  above  120  Catches.        Printed 

by    William   Pearson,  and   sold   by  John 

Ycnmg  :  London,  1720.     obi.  4". 

A.  412.  h. 
The  new  names  in  this  edition  are  :  Dr. 
Aldrich,  Dr.  Cxsar  and  J.  Church. 
The  Pleasant  ^Musical  Companion.  The 
Nineth  Edition,  Corrected  and  Enlarged  : 
Containing  above  120  Catches.  Printed 
by  William  Pearson,  and  sold  by  John 
Young  :  I^ondon,  1726.     obi.  4». 

A.   412.  i. 
Imperfect,  wanting  pp.  9-10. 

The  Pleasant  Musical  Companion  . .  the 
Tenth  Edition,  corrected ;  and  several 
new  Catches.  J.  Johnson  :  London, 

[1740?]     obi.  4».  A.  412.  j. 

Engraved  throughout. 
The  ]\Iusical  Companion. 
See  Davis  (J.  F.) 

The  ^Musical  Companion. 
See  HowAED  (S.) 
The  ^lusical  Companion. 
See  Stephenson  (J.) 

MUSICAL    COMPASS      

Compass.  (The  Musick  Grammar.)  [Three 
engraved  plates,  with  4  pages  of  musical 
grammar  in  rhyme.] 

Printed  for  J.  Gillibrand  : 
[London,']  1684.     4"         557*.  e.  25.  (3.) 

MUSICAL  COURTSHIP.  The  Musical 
Courtship.     Dialogue.     See  Hook  (J.) 

MUSICAL  DOMINO,  ilusical  Domino, 
a  new  Game.  [Instructions  and  engraved 
music]     J.  Wallis  :  London,  1793.     fol. 

558*.  c.  36.  (4.) 

MUSICAL      ENTERTAINER.       The 

Musical  Entertainer.     [Songs.] 

See  BiCKHAM  (G.) 


Songs. 
Songs. 
[Anthems.] 

The   Musicall 


MUSICAL  LADY.     Love's  a  sweet  and 
soft  Musician.     A  Favourite  Song.     Sung 
by    ^Miss    Pope,   in    the    Musical    Lady. 
[Words  by  G.  Colman  the  elder.] 
{London,  1773.]     s.  sh.  4".  159.  ii.  5. 

London  Magazine,  Nov.,  1773. 

MUSICAL  MAGAZINE.    The  Musical 

^Magazine.     See  Oswald  (.J.) 

The     Musical     JNIagazine,     or     Compleat 

Pocket  Companion. 

S'-e  Periodical  Publications. — London. 

MUSICAL        MISCELLANY.        The 

Musical  Miscellany ;  being  a  Collection  of 
Choice  Songs,  set  to  the  Violin  and  Flute, 
by  the  most  Eminent  Masters.  6  vols. 
J.  Watts  :  London,  1729(-1731).     8^ 

C.  373. 
Vols.  1  d-  2  arc  dated  1729  ;  3  d  4—1730  ; 
5  d  6 — 1731.  Tlie  cotnjjosers  named 
are :  Galliard,  N.  Haym,  Tenoe, 
Leveridge,  Weldon,  Gouge,  Geminiani, 
Cole,  Carey,  Burgess,  Greene,  Pepusch, 
J.  Grano,  Bamondon,  Handel,  Munro 
or  Monro,  Webber,  J.  Sheeles,  A. 
Whichello,  Dicxipart,  Holmes,  Brails- 
ford,  Eavenscroft,  Bononcini,  Barrett, 
Vincent,  D.  Purcell,  J.  Graves,  A. 
Young,  D.  Bizzio,  Belts,  Flemming, 
Croft,  Seedo,  King  James  V.  of  Scot- 
land, Charke,  Potter,  H.  Purcell,  B. 
Aldrich  and  Trcvers  [Tj-avers]. 
The  ilusical  Miscellany.  [Songs.] 
Set  Smith  (A.) 

MUSICALISCHER  LEUTHE  SPIE- 
GEL. Musicalischer  Leuthe  Spiegel, 
Das  ist :  Ein  Extract  auss  dem  Welt- 
beriihmten  Ertz-Schelmen  Judas  Tractat, 
Welcher  Spiegel  sich  vor  Ehrlichen 
Leuthen  wol  darff  sehen,  und  mit  1. 
Tenor- Sing-Stimm,  nebenst  2.  Violinen, 
doppelten  General-Bass,  (auch  2.  Violen, 
so  ad  placitum,)  horen  lassen.  Gesetzt 
und  kerauss  gegeben  von  einem  Deutschen 
Spaniol  in  Griechenland,  wie  auch  ge- 
druckt  daselbsten,  etc.     1687.     4". 

B.  1150. 
Tlie  Tenor  part  only. 

MUSICALISCHER  ZEIT  -  VER  - 
TREIB.  ilusicalischer  Zeit-Vertreib 
welchen  man  sich  bey  vergonten  Stunden, 
auf  dem  beliebten  Clavier,  durch  Singeu 
und  Spielen  auserlesener  Oden,  vergnttg- 
lich  machen  kan.  Franckfurt  und 

Leipzig,  1743.     4".  D.  718.  (2.) 

MUSICO-ORATORICO-POLITICO. 

See  Minuets.  [XII.  ]\Iiuuets  . .  .  with  a 
Dedication  signed  '  ^Nlusico  -  Oratorico  - 
Politico.']     [1780  ?]     obi.  4°. 

b.  57.  c.  (3.) 

MUSICUS  AUTODIDAKTOS.  Musi- 
cus  avToSiSaxTos,  oder  Der  sich  selbst 
informirende  Musicus,  bestehend  sowohl 
in  Vocal-  als  iiblicher  Instrumcntal-lMusi- 


MUSIKALISCHE— MY 


179 


que,  welcher  liber  24.  Sorten  . . .  Iiistru- 
mente  beschreibet  . . .  ans  Licht  gestellet 
...voneinem  Dor  in  praxi  erfahren  [i.e. 
J.  P.  Eisel.]  Verlegt  von  J.  M.  Fanckeii : 
Erfurt,  1738.     -l".  557*.  c.  27. 

MUSIKALISCHE  UNTERHALT- 
UNG-EN.  :\Iusikalische  Unterhaltungeii . 
Erstes  Quartal,  von  Neujahr  bis  Ostern 
1775.  Bcij  A.  F.  Bohme  : 

Leipzig,  [1775.]     4°.  E.  247. 

MUSIKALISCHER      POTPOURRI. 

Musikalischer  Potpourri,  fiir  Liebbaberin- 

nen    und     Freunde    des    Gesangs     uud 

Claviers.     Dargestellt  von  Abeille,  Eiden- 

benz  und   Schwegler.     Mit   einem  Blatt 

von  Schubart.    Erstes  Vierteljabr.    (Musi- 

kalischer  Potpourri,   Zweytes  ( — Viertes) 

Vierteljabr.     Herausgegeben  von  Abeille, 

Eidenbenz,  Schwegler,  Zumsteeg.)    (Musi- 

kalischcr  Potpourri,  Fiinftos  Heft.)    5  pts. 

Gedrukt  bei  den  Gcbriidern  Mdntler  : 

Stuttgart,  etc.    1790-1.     obi.  4".     B.  710. 

Pts.  2-5  are  published  by  Abeille.     The 

composers  tiamcd   in   this   work  are : 

Abeille,  Eidenbenz,  Schwegler,  ScJiu- 

bart,  Regnaud,  Zumstecg,  Boccherini, 

Deller,    D.    Weber,    Hay  In,    Mozart, 

C.  a.  Weber  aiul  Wetschki. 

MUSIQUE.  [A  Broadside  with  the  head- 
ing "  IMusique,"  shewing  the  various 
sounds,  intervals  and  musical  signs ; 
surrounded  by  a  border  in  which  are 
represented  various  musical  instruments.] 
[Pai  is  •?  1650  ?j     s.  sh.  fol. 

1801.  d.  1.  (7.) 
Choix  de  Musique,  dedi^  a  S.  A.  S.  Mon- 
seigneur  le  Due  Regnant  des  Deux-Ponts. 
36  u"\     [Paris,]  1783(-1784.)     4". 

E.  367. 
A  Periodical  Publication,  containing 
vocal  a)ul  instrumental  music  by  Baron 
de  Rumling,  Dcvienne  Jr.,  G.  Andre- 
ozzi,  Karr,  Lachnith  V  aini,  P.  Sales, 
M^reaic,  de  Nerciat,  B.  Mengozzi,  de 
St.  George,  Fontaine,  H.  J.  Bigcl, 
Bianchi,Abb<i  Rose,  Toeschi,  L.  Mayer, 
G.  Hemerlein,  Abt  Vogler,  Gossee, 
Martini,  C.  Mayer,  de  Fontenct, 
Gritry,  Nittel,  William,  Dizaides, 
Paisiello,  Sivol,  Lenoble,  Bartelmont, 
Edelmann,  Tapray,  Foignct,  Sacchini, 
Piccini,  Haydn,  Clcmcnti,  Blin  de  la 
Codre,  Couperin,  and  Mdlles.  Ray, 
Potiillard  and  de  Bcauniesnil. 

MUSOMACHIA.      :Musomachia    id    est 
Bellum  !Musicale. 
See  Laurembergius  (P.) 

M  D  SS  ARD  (  )  Nouvaux  Principes  pour 
apprendre  a  jouer  de  la  Flutte  Traversiere. 
Avec  des  Idees  precises  . . .  des  principes 
de  Musique  suivis  d'une  Collection  d'Airs 
en  Duo,  etc.  Chez  VAuteur  : 

Paris,  [1780?]     ohl.  ■^\  b.  172. 


MUSSINI  (NicoLo)  Six  Romances 
(tiroes  des  Oeuvres  de  M'  de  Florian)  avec 
Accompagnement  de  Forte-piano  et  Yiolon 
oblige. .  .Oeuvre  v.  Chez  VAuteur  : 

Berlin,  [1800?]    obi.  ioL       E.  870.  (11.) 

MUSSOLINI  (Cesare)  Six  New  Songs 
and  Six  Minuets . . .  with  a  New  Pastoral 
Air. .  .Adapted  for  y'  Guittar  &  Mandolin 
with  Accompanyments  for  the  Harpsichord 
&  Violin,  etc.  Printed. . .  by  the  Author  : 
London,  [1790?]     fol.       G.  805.  k.  (11.) 

MUST.      Must   Love   that   Tyrant  of  the 
Breast.     Song.     See  King  (R.) 
INIust  then  a  faithful  lover  go.     Song. 
See  Eccles  (J.)     [The  Mad  Lover.] 

MUSTAFA.        3Iustafa     di     Trabisouda. 

[Song.] 

See  Paisiello  (G.)    [La  Locanda.] 

MUTUAL.     IMutual  Love.     Song  [begins  : 
'  \Yer't  thou  yet  fairer  than  thou  art ']. 
See  Defesch  (W.) 

^lutual  Love.     [Song,  begins :  '  How  few 
among  the  thousand  pairs.'] 
>■<  e  Larken  (       ) 

MUZIO  SCEVOLA.  The  Most  Favourite 
Songs  in  the  Opera  of  Muzio  Scsevola. 
Compos'd  by  Three  Famous  Masters  [viz., 
F.  Mattei,  G.  B.  Bonoucini,  and  G.  F. 
Handel ;  the  words  by  P.  A.  Rolli]. 

Printed  for  R.  Mcares  :  London, 
[1721.]    fol.  G.  192.  (2.) 

The  favourite  Songs  in  the  Opera  call'd 
Muzio  Scsevola.  [By  F.  Mattei,  G.  B. 
Bononcini  and  G.  F.  Handel.] 
Printed  for  I.  Walsli. .  .d:  Ino.  and  Joseph 
Hare  :  London,  [1721  ?]  fol.  G.  158. 
Pupille  sdegnose.  Muzio  [Song,  by  G.  F. 
Handel]  sung  by  Sign'  Senesino  in  the 
Opera  of  Muzio  Scaevola.  London, 

1722  ?]     s.  sh.  fol.  H.  1601.  (363.) 

MY.  My  ain  kind  Dearie,  with  Variations. 
[1801.]  .See  Periodical  Publications. — 
London.  The  Piano-Forte  Magazine, 
Vol.  XIII.      [No.  6b.]      [1797-1802.]     8". 

D.  8571. 
My  Banks.     [Song.]     See  Arne  (T.  A.) 
My   Banks  they  are   furnish'd.      [Song.] 
The  Words  by  W.  Shenstone.     [Music  by 
T.  A.  Arne.]  R.  Falkcner  :  London, 

[1775?]  s.sh.iol.  H.  1994.  a.  (78.) 
:My  Bliss  too  long  my  Bride  denies. 
[Song.] 

See  Ajbne  (T.  A.)  [TJie  Merchant  of  Venice.] 
'My  brave  City  Friends.  Slierijf  Janssen's 
Health.  A  Song  to  the  Tune  of  Bumpers 
Esquire  Jones,  writ  in  1750,  (but  now 
first  publish'd)  and  Sung  in  Stationer's 
Hall,  when  Mr.  Alderman  Jaussen  was 
Master  of  the  Company.  [Loiidon, 

1755  ?]     s.  sh.  fol.  G.  316.  e.  (90.) 

My  Breast  with  tender  Pity  swells.    Song. 
See  Haendel  (G.  F.)     [Hercules.] 

N  2 


180 


MY 


MY.    ^ly  channel- !  come  bless  me  !    Song. 
,-.'»',-  Arsace.     [Figiirati  cstintc] 
My  Colin  leaves  fair   London   Town.     A 
Favorite  Song.    Sung  at  Rauelagb. 

Llonqman']  &  B[wdcnp  :  London, 
1785?]    s.  s;;..  fol.  G.  310.  (112.) 

I\Iy  Cottage  in  the  lowly  Dell.     [Song.J 
See  Ambrose  (J.) 

My  Daddy  is  a  cauker'd  Caiie.    Low  down 
in  the  Broom.     A  New  Song. 
[London,  1760.]     8".  158.  1.  5. 

London  Magazine,  17G0,  p.  486. 
My  Daddy  is  a  cross  old  man.     Loiv  down 
in   the   broom.      [Song.]      Sung  by   ISIiss 
Davies  at  Marybone.  [London, 

1770?]     fol.  I.  530.  (104.) 

My  Daddy  0.     Song.     See.  Hook  (J.) 
My  daddy  was  gone  to  the  market.    [Song.] 
Sung  by  Miss  Brown,  at  Sadler's  Wells. 
[London,  1763.]     8".  P.P.  5438.  z. 

Universal    Magazine,     Vol.     XXXIII. , 
p.  322. 
My   days    have   been   so   wondrous  free. 
Love  and  Innocence.    AneioSong.    [Words 
by  T.  Parnell.]  [London, 

1710?]     s.sh.iol.  H.  1601.  (309.) 

[Another  edition.]  My  days  have  been 
so  wondrous  free.  Love  and  Innocence, 
etc.     [London,  11201^     s.sh.iol. 

G.  305.  (235.) 

[Another   setting.]      My  days   were   once 
so  wondrous  free.     A  Song.     The  Words 
by  Dr.  Parnel.     [London,  1739.]     8°. 
^  249.  c.  9. 

Gentleman's  Magazine,  Vol.  IX.,  p.  656. 
[Another  setting.]      ^ly  days   have  been 
so  wond'rous  free.     [Song.] 
See  Jackson  (W.)  of  Exeter.     [12   Songs, 
Op.  1.     No.  4.] 

My  dear  Cockadoodle.     Song. 
See  Campaigners. 

My  dear  ^Mistress  has  a  heart.     The  Fickle 
Fair.     A  New  Song  [by  T.  A.  Arne],  sung 
by  ]\lr.  Lowe  at  Marvbon-Gardens. 
[London,  1751.]     8°.  157.  L  13. 

London  Magazine,  1751.  p.  36. 
My  dear  :\listres3  has  a  Heart.  The  Fickle 
Fair.  A  new  French  Horn  Song  [words 
by  the  Earl  of  Rochester,  music  by  T.  A. 
Arne.]  Sung  by  Mr.  Lowe  ...  at  ]Mary- 
bon  Gardens.    [London,  1160?]    s.sh.iol. 

G.  227.  (9.) 
My  dear  Mistress  has  a  Heart.  The  Fickle 
Fair,  etc.  [By  T.  A.  Arne.]  .See  Chloe. 
Chloe,  or  the  Musical  Magazine,  etc. 
No.  50.     [1760  ?]     fol.  G.  433. 

[Another  edition.]  My  dear  Mistress  has 
a  Heart.  The  Fickle  Fair,  etc.  [London, 
1760?]     s.  sh.  fol.  G.  305.  (274.) 

[Another  edition.]  My  dear  Mistress  has 
a  Heart.  The  Fickle  Fair,  etc.  [London, 
1765  ?]     s.  sh.  fol.  G.  310.  (102.) 


MY.  My  dearest  life,  were  thou  my  Wife. 
The  Chaise  Marine.  [Song.]  [London, 
1765  ?]     s.  sh.  fol.  G.  305.  (76.) 

My  Delia  is  the  blooming  Fair.      Absent 
Delia.     [Song.]  Blundell  :[ London , 

1780?]     s.  s/i.  fol.  G.  310.  (116.) 

My  Doe  is  my  Dear.     Song. 
.See  Reeve  (W.)     [Merry  Sherwood.] 
]\Iy  Dog  and   my  Mistress  are  both  of  a 
kind.     Cherry  it  Merry.      [Song.j     Sung 
by  Mr.  Cooke  at  Sadlers  Wells.     [London, 
1775?]     s.sh.  fol.  G.  316.  j.  (15.) 

My  Dolly  was  the  fairest  thing.     [Song. - 
See  Love  in  a  Village. 
My    drowsy    pow'rs,   why   sleep    ye    so? 
Hymn.     [Words  bv  I.  Watts.]        London, 
1778.]     8",  ^  P.P.  716.  b. 

Gospel  Magazine,  Nov.,  1778. 
My  Eyes  may  speak  Pleasure.     Song. 
See  DiBDiN  (C.)     [The  Christmas  Tale.] 

My  Fair  has  each  enchanting  Art.     Thr 
Fickle  Nymph.     [Song.] 
S[amuel]   A[nn  and]  P[eter]  T[hompson  : 
London,  Vim'!]     s.sh.iol.   G.  310.  (95.) 

My  Fair  is  beautifuU  as  Love.     [Song.J 

See  Savage  (W.) 

My  fair  one  Adieu.     A  Favorite  Song  to 

the  Tune  of  the  Milanese  INIarch. 

G.  S[mart :  London,  1785?]     s.  sit.  fol. 

G.  310.  (98.) 

]\Iy  fair  ye  Swains  is  gone  astray.    Pliillis. 
rSong.]     [LoHfZon,  1750?]     s.  .s7i.  fol. 

G.  316.  c.  (28.) 
My  Fanny  long  I  woo'd  and  lov'd.    Proper 
Fanny.     A  New  Song. 
[London,  1765.]     8".  P.P.  5438.^z. 

Universal  Magazine ,  Vol.  XXXVI., p.  374. 
My  Father  is  King  of  the  Gypsies.     The 
Fortune  Teller.     A  Favourite  Song. 
W.  C.  :  [London,  1780  ?]     s.  sh.  fol. 

G.  310.  (110.) 
My  Fiddle  and  Flora.     Fiddle  and  Flora. 
rSong.l     [LoHcZo?;,  1730?]     s.sh.iol. 
^  G.  316.  e.  (83.) 

My  fond  Shepherds  of  late  were  so  ble>t. 
My  fond  Shciilierds.  [Song  from  T.  A. 
Arne's  Opera,  '  Eliza.']  Sung  by  Sig" 
Frasi.     [London,  1155?]     s.sh.iol. 

G.  310.  (101.) 
My  fond  shepherds  of  late  were  so  blest. 
Song.  In  the  Opera  of  Eliza.  [By  T.  A. 
Arne.]     [London,  1757.]     8".       158.  I.  2. 

London  Magazine,  1757,  p.  556. 
[Another  edition.]     My  fond  Shepherds, 
etc.      [From  T.  A.  Arne's  Opera,'  Eliza. "J 
[London,  1760  ?]     s.sh.iol. 

H.  1994.  a.  (173.) 

;iMy  fond  shepherds  of  late  were  so  blest. 
Song.     Sec  Eliza. 

:My  friend  and  1  we  drank.  Bacchus  over- 
come. [Song.]  [London, 
1710?]     s.sh.iol.             H.  1601.  (299.) 


MY 


181 


MY.     My  Friend,  when  a  Captive.     Song. 
See  Saudeksox  (J.)     [Black  Beard.} 
My  God,  now  I  from  Sleep  awake.     Mul- 
night  Hijmn,  [words]  hv  Bishop  Kenn. 
[London,  1763.]     8".     "        P.P.  324.  w. 
Christian's  Magazine,  Aug.,  17G3,  p.  373. 
My  Goddess  Celia  Heavenly  Fair.     Celia 
the    Fair.       A    new    Song.       [Words   in 
imitation  of  Cornelius  Gallus  by  the  Earl 
of  Rochester,  music  by  G.  i\Ionro.] 
[London,  1130?}     s.  sh.  lo\. 

G.  310.  (90.) 
[Another  edition.]  ]\Iy  Goddess  Celia. 
Celia  the  Fair,  etc.  [London, 

1730  ?]    s.  sh.  fol.  G.  316.  e.  (77.) 

My  Grandmother's  Cot.     Ballad. 
See  Arne  (M.) 

My  Heart  is  devoted  dear  I\Iary  to  thee. 
Song.     See  Hook  (J.) 

;My  Heart  is  ev'ry  Beauty's  Prey.     Song. 
.•>ee  Danby  (J.) 

My  Heart,  lovely  Mary,  is  thine.     Ballad. 
Sie  Ross  (J.) 

My  Heart  went  to  the  Fair.     Song.     See 
As.     As  down  the  Cowslip  Vale  I  stray'd. 
[1780?]     s.  s/(.  fol.  G.  306.  (126.) 

^ly  Heart  with  joy  is  thrilling.     Duetto. 
Si'i'  Ross  (J.) 

'My    Heart's    soft    emotions.       Bel    the 
Brunette.     A  favourite  New  Song. 
J.  Lee  :  Duhlin,  [1780  ?]     s.  sh.  fol. 

H.  1601.  b.  (68.) 
My  Heart's  with  sweet  Peggy  O'Brauuau. 
Banks  of  the  Sliannon.  A  favourite  Irish 
isong.  Sk[iUern :  London, 

1795  ?]     s.  sh.  fol.  G.  807.  b.  (41.) 

My  Jamie  is  a  bonny  Lad.     Song. 
See  Addison  (J.) 

My  Jenny   and  I  have   toil'd.     Wliat   is 
that   to  you  ?     A  favourite    Scotch   Song, 
sung  by  Mr.  Vernon  at  Vauxhall. 
[London,  1774.]     s.  sh.  4".         159.  n.  6. 

London  Magazine,  July,  1774. 
;My  Jemmy  is  cross'd  quite  over  the  IMain. 
Jemmy.     A  favourite  new  Scotch  Ballad. 

J[ohn  ?]  W[elcker  !  :  I^ondon, 
1780?]     s.sh.iol.  G.  310.  (99.) 

My  Jockey  is  a  gentle  Youth.     [Song.] 
See  Ross  (J.) 

^ly  Jockey  is  the  blithest  lad.     Jockey,  a 
favourite    new   Scotch    Ballad,    sung   by 
^Irs.  Baddeley,  at  Vauxhall. 
[London,  1767.]     S".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XIjI.,  p.  156. 
My  Jockey  is  the  blithest   Lad.     Jockey. 
A  Favourite  Scotch  Ballad. 
[London,  1110 -1]     s.sh.iol. 

G.  305.  (73.) 
[Another    edition.]       My   Jockey    is   the 
blithest   Lad.     A  Favourite    Song,   Sung 
by  Mrs.  Baddelv,  etc. 
[Lomlon,  1770?]     s.  sh.  fol. 

H.  1994.  a.  (165.) 


MY.     [Another  edition.]     My  Jockey  is  the 
blithest  Lad.     A  Favourite  Song.     Sung 
by  Mrs.  Baddely,  etc. 
[London,  1770  ?]     s.  sh.  fol. 

G.  310.  (123.) 
[Another    edition.]      My    Jockey   is    the 
Blithest  Lad.     Jockey,  etc. 
[London,  1110?]     s.sh.io\. 

H.  1994.  a.  (39.) 
My  Journey  is  Love.     [Song.] 
See  Reeve  (W.)     [Mirth's  Museum.] 
IMy   Laddie    is    gang'd  far   away.      New 
Jockey.     A  Favourite  Scotch  Song,  sung 
by  Miss  Froud  at  Marybone  Gardens. 
[London,  1768.]     8°.  158.  1.  13. 

London  Magazine,  1768,  ^).  603. 
My  Laura  sighs.    [Song.] 
See  Ambrose  (J.) 

My  little  blithsom  Sparrow.     Song. 
See  Pleyel  (I.  J.) 

My  Lodging  is  on  the  cold  ground.  My 
Lodging.  A  Favorite  Mad  Song.  [Words 
from  '  The  Rivals,'  an  adaptation  (attri- 
buted to  Sir  W.  Davenant)  of  '  The  Two 
Noble  Kinsmen.']  Ka[therine]  F[entu]'m : 
[London,  1780  ?]     s.  sh.  fol. 

G.  310.  (117.) 
[Another  edition.]     ^ly  Lodging  is  on  the 
cold  ground,  etc. 
[London,  1785  ?]     s.  sh.  fol. 

H.  2818.  (30.) 
My   Lodging    is    on    the    Cold    Ground. 
[Song.]     See  Harrison  (S.) 
My  Lord  and  my  Lady.     A  New   Song. 
[By  T.  A.  Arne  ?] 
[London,  1750?]     s.  s7i.  fol. 

I.  530.  (105.) 

My  Love  she's  but  a  Lassie  yet.     [Song.] 
See  Urbani  (P.) 

My  Love  to  War  is  going.  A  Song  [the 
words  by  Miss  Alderson,  afterwards  Mrs. 
Opie]  with  an  accompaniment  for  the 
Piano  Forte.     [By  E.  S.  Biggs.] 

R.  Birchall,  for  the  Author  :  London, 
[1795?]     fol.  G.  356.  (55.) 

[Another  setting.]  My  Love  to  War  is 
going.  [Song.]  Set  Twiss  (  )  Two 
Songs.     No.  1. 

My   love   was   once    a   bonny  lad.      The 
Floioer  of  Edingburgh,  etc.     [Song.J 
[London,  1749.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  IV.,  p.  175. 
My  Love  was   once   a  bonny   lad.      The 
Floioer  of  Edinburgh.      [Song.]      Set  for 
the  German  Flute.  [London, 

1760?]     s.sh.iol.  1.530.(106.) 

[Another  copy.]  G.  316.  e.  (76.) 

[Another  edition.]        My  Love  was  once  a 
bonny  Lad.     The  Flower  of  Edinbiirgh. 
[London,  1765  ?]     s.  sh.  fol. 

H.  1994.  b.  (55.) 
IMy  lovely  Nymph.     [Song.J 
See  Nicholson  (I.) 


182 


IMY 


MY.     ily  Maid  ]\Iary.    The  Spmning  Lass. 
rSong.l     [ London,  nio?]     s.  sh.  lol. 

G.  316.  e.  (84.) 

My  Maid  Mary  she  minds  her  dairy.  The 
Dairy  Maid.     [Song.] 

Str[aight]  d  Sk[illern  :  London. 
1775?]     s.sh.tol.  G.  310.  (125.) 

My  mantling  spirits  mount  apace.  Duett. 
See  Cooke  (T.  S.) 

My  mother  wou'd  fain  have  oblig'd  me  to 
wed.  The  Girl  of  Spirit.  [Song.]  Sung 
at  Sadlers  Wells.  [London,  176G.]     8^ 

P.P.  5441. 

Royal  Magazine,  Vol.  XIV.,  p.  45. 
My  Mother  would  fain  have  oblig'd  me  to 
wed.     The  Girl  of  S2)irit.     A  new  Song. 
[London,  1766.]     8°.  P.P.  5438.  z. 

Universal    Magazine,    Vol.   XXXVIII., 
p.  99. 

My  Nanny  0.  [Song.]  See  While. 
While  some  for  pleasure  waste  their 
health.     [1720?]     s.  s/(.  fol. 

G.  305.  (140.) 

My  Native  Vale.     [Song.]     Sec  Relfe  (J.) 

My  Own  Fire  Side.     [Song.] 
See  Ambrose  (J.) 

My  Passion  is  as  mustard  Strong.    A  Netu 
Song  to  old  Similies.     [Words  attributed 
to  J.  Gay,  to  the  tune  of  '  Rogero.'] 
[London,  1730  ?]     s.  sh.  M. 

G.  310.  (91.) 

[Another  copy.]  G.  303.  (56.) 

[Another  copy.]  G.  305.  (138.) 

My  Patie  is  a  Lover  gay.  Corn  Biggs  are 
bonny.  [Song,  from  A.  Ramsay's  '  Gentle 
Shepherd.']  [London, 

1740?]     s.sh.iol.  G.  310.  (86.) 

[Another  edition.]  My  Patie  is  a  Lover 
gay.  Corn  Biggs  are  bonny.  [Song.] 
[LomZoji,  1750  ?]     s.sh.iol. 

G.  316.  e.  (79.) 

My  Patie  is  a  Lover  gay.  Corn  Biggs  are 
bonny.    A  New  Song.    [London,  1772.]    8°. 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  L.,p.  97. 

[Another  setting.]  My  Patie  is  a  Lover 
gay.  Corn  Biggs  are  bonny.  [Song.] 
Sung  by  IMiss  Jameson,  etc.  [Music  by  J. 
Hook.]  C[harles  and]  S[a7nuel]  T[homp- 
son  :  London,  1774.]     s.  sli.  fol. 

G.  310.  (126.) 
From  TJiompson's  Second  Collection  of 
Hook's  Vauxhall  Songs  for  1774. 

My  Peggie,  if  thou  die.    [Song.]    Sung  by 
Mr.  Lowe,  etc.    See  Chloe.     (Jhloe,  or  the 
Musical  jNlagazine,  etc.     No.  51. 
[1760?]     fol.  G.  433. 


My  Peggie  if  thou  die. 
Love  never  more,  etc. 


[Song.]    See  Love. 

[1765?]     s.sh.iol. 

G.  316.  e.  (74.) 


MY.     My  Peggy  is  a  young  thing.     Scotch 

Song.     [Words  by  A.  Ramsay,  music  by  J. 

Hook.]    Sung  by  Mr.  Vernon  at  Vauxhall. 

C[harles  and]  S[amucl]  T[hompson  : 

London,  1775  ?]     s.  sli.  fol. 

G.  310.  (111.) 

My  Phillida,  adieu  love.     Arietta. 

See  Mellish  (     )  Miss. 

My  Plaint  in  no  one  Pity  moves.     [Song.] 

See  Storage  (S.)     [The  Siege  of  Belgrade.] 

My  Polly  is  lovely.     Polly.     [Song.]    The 

INIusic  by  an  Eminent  INIaster. 

A.  P[ortal :  London,  1780  ?]     s.  sit.  fol. 

G.  310.  (113.) 

My  pritty  lovely  charming  Fair.     Song. 
See  Graves  (J.) 

My  Saviour,  my  Almighty  Friend.  Hymn . 
See  E.,  H. 

My  Shepherd  is  gone  far  away.  Absent 
Jockey.  [Song.]  Sung  at  Marybone 
Gardens.  B.  Falkencr  :  Ijondon, 

[1775?]  s.sh.iol.  H.  1994.  a.  (96.) 
My  Soger  Laddie  is  over  the  Seas.  The 
Soger  Laddie.  [Song,  words  chiefly 
written  by  A.  Ramsay.]  [London, 

1740  ?]     s.  sh.  fol.  G.  310.  (94.) 

[Another  edition.]      My  Soger  Laddie  is 
over  the  Seas.     The  Soger  Laddie. 
[London,  1150?]     s.sh.iol. 

H.  1994.  b.  (56.) 

INIy  Soger  Laddie  is  over  the  Seas.  TJic 
Soger  Laddie.  [Song.]    [London,  11 50.]  8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  VII.,  p.  318. 

My  Soger  Laddie  is  over  the  Seas.     The 
Soger  Laddie.     [Song.] 
See  Chloe.     Chloe,  or  the  INIusical  IMaga- 
zine,  etc.    No.  20.     [1760  ?]     fol. 

G.  433. 
[Another  setting.]  My  Soger  Laddie  is 
over  the  Sea.  The  Soger  Laddie.  [Song.] 
Sung  by  Mrs.  Ward  at  Marybone  Gardens. 
C[harlcs  and]  S[amuel]  T[hompson  : 
London,  11151]     s.sh.iol. 

G.  310.  (100.) 

My  Song  shall  be  of  Mercy.  Solo  Anthem. 
See  Kent  (J.) 

My  Soul,  praise  the  Lord.  Part  of  the 
civth  Psalm.  Set  to  ]\Iusic  for  Two 
Voices.     [London,  1762.]     8". 

P.P.  324.  n. 
Christian's  Magazine,  Oct.,  1762,  p.  472. 

My  soul  rejects  the  thought  with  scorn. 
Song.     See  Haendel  (G.  F.)     [Saxd.] 

My  Spirits  are  mounting.     Song. 
See  Wilson  (      )  Singer. 

My  temples  with  clusters  of  grapes  I'll 
entwine.  In  Praise  of  Wo7nan,  etc. 
[Song.]     [London,  1763.]     8". 

P.P.  5441. 
Boyal  Magazine,  Vol.  IX.,  p.  157. 


]\IY— MYSTERIES 


183 


MY.  My  temples  with  clusters  of  grapes  I'll 
entwine.  In  Praise  of  Woman.  [Song.] 
Set  for  the  German  Flute.  (]Minuet  de 
Swedois.)  \London,  1763.]  8".  P.P.  5140. 

Lady's  Magazine,  Vol.  V.,pp.  625-6. 
[Another  setting.]  My  Temples  with 
Clusters  of  Grapes  I'll  entwine.  In 
Praise  of  Woman.  [Song.]  Sung  hy 
Mr.  Prentise  at  Sadlers  Wells.  [London, 
1770?]     s.  s7t.  fol.  H.  1994.  a.  (34.) 

[Another  edition.]  My  Temples  with 
Clusters  of  Grapes  I'll  entwine.  The 
Goblet  of  Wine.     [Song.]  [London, 

1775  ?]     s.  sh.  fol.  G.  310.  (103.) 

[Another  edition.]  My  Temples  with 
Clusters  of  Grapes  I'll  entwine.  In  Praise 
of  Wojnen.     [Song.]  [London, 

1780?]    s.sh.iol.  1.530.(107.) 

My    Thyrsis    was    the     gentlest    Youth. 
Song.     See  Cooke  (J.) 
]\Iy  time,  0  ye  muses,  was  happily  spent. 
Song.     See  Haet  (W.) 
]My  true  Love  far  away.     Song, 
Sec  Son-in-Law. 
My  Valentine.     Ballad. 
See  HoRSLEY  (W.) 

:My  William  I  have  lost.  William  far 
uivay.     [Song.]  E.  PJiames:  [Dublin, 

1780?]     s.sh.iol.  H.  1601.  b.  (98.) 

My  Willy  was  a  Sailor  hold.     [Song.] 
See  Sanderson  (J.)     [Black  Beard.] 

Mv  wishing  Ej-es.     Song. 
Sec  Weldon  (J.) 

MY    GRANDMOTHER.      :\ry   Grand- 
mother.    IMusical  Entertainment. 
See  Storage  (S.) 

MYRA.  Myra.   [Song,  hegins  :  '  Say  Myra, 
why  is  gentle  Love.']     See  Howard  (S.) 
Myra.     A  Pastoral  Elegy  for  three  Voices. 
See  Untimely.    Untimely  bow'd  by  Fate's 
relentless  hand.     [1790  ?]     fol. 

H.  2826.  c.  (15.) 

Myra  of  the  Vale.     Ballad. 
See  BoHLius  (J.  H.) 

MYRTIL  ET  LYCORIS.  D'une  Rose 
fraiche  eclose.  Ariette  de  Myrtil  et  Lycoris 
[hy  L.  B.  Desormery],  avec  Accompagne'"' 
de  Basse.  (Que  le  pur  Crystal.  Air,  du 
meme  Opera.)     [Paris,  1777.]     8". 

B.  362.  e.  (110.) 

]\Iyrtil  et  Lycoris.     Pastorale. 
See  Desormery  (L.  B.) 

MYRTILLA.     MyrtiUa.      [Song,  begins; 
'  See  :Myrtilla  heav'nly  Maid.'] 
See  Adams  (J.  B.) 

MyrtiUa.     [Song.]     See  Ye.    YeChearful 
Virgins  have  ye  seen,  etc. 
[1760  ?]     s.  sh.  fol.        H.  1994.  a.  (35.) 
IMyrtilla    like    time   is    always   a   flying. 
-■1  Neiu  Song.  [London, 

1720  ?]    s.  sh.  fol.  H.  1601.  (298.) 


MYRTILLO.  How  happy  are  we.  A 
Song  in  the  Mask  of  Martillo.  [Music  hy 
J.  C.  Pepusch.]  [London, 

1716.]     s.  sh.  fol.  H.  1601.  (207.) 

The  icords  of  this  song  are  not  in  Gibber's 
Mask  of  Myrtillo  as  printed  in  1777. 
[Another   edition.]     How   happy  are   we. 
A  Song,  etc.     [London,  I'JIO '>]      s.sh.iol. 

G.  308.  (81.) 
The  lover  for  the  favour  presses.  A  Song 
in  the  Mask  caU'd  Martillo.  [Music  by 
J.  C.  Pepusch.]  [London, 

1716.]     s.  sh.  fol.  H.  leOi.  (455.) 

The  words  of  this  song  arc  not  in  Gibber's 
Mask  of  Myrtillo  as  printed  in  1777. 
[Another   edition.]     The   Lover    for    the 
Favour  presses,  etc.  [London, 

1716?]     s.sh.  fol.  G.  312.  (41.) 

0  happy  jMartillo.  A  Song  in  the  IMask 
of  :Martillo.  [Words  by  C.  Gibber,  music 
by  J.  C.  Pepusch.]  [London, 

1716.]    s.  sh.  fol.  H.  1601.  (356.) 

[Another  edition.]  O  happy  Martillo,  etc. 
[London,  1716.]     fol.  G.  310.  (289.) 

Prepare  0  Love  the  happy  day.  A  Song 
in  the  mask  of  Myrtillo,  etc.  [Music  by 
J.  C.  Pepusch.]  [London, 

1716.]     s.  sh.  fol.  H.  1601.  (369.) 

The  tvords  of  this  song  are  not  in  Gibber's 
Mask  of  Myrtillo  as  printed  in  1777. 
Soft   desires.     A   Song    in    the   Mask   of 
Myrtillo.     [Music  by  J.  C.  Pepusch.] 
[London,  1716.]  s.  sh.  fol.     G.  311.  (68.) 

The  icords  of  this  song  arc  not  in  Gibber's 
Mask  of  Myrtillo  as  piinted  in  1777. 

MYSLIVECEK  (Josef)  Six  Easy  Di- 
vertimentos for  the  Harpsichord  or  Piano- 
Forte.  Longman  d  Broderip  :  London. 
[1780?]      o6Z.  fol.  e.  5.  f.  (8.) 

Six  easy  lessons  for  the  Harpsichord. 

Gorri  &  Sutherland  :  Edinburgh, 
[1780?]    fol.  g.  442.  a.  (15.) 

Six  Orchestra  Trios  for  two  Violins  and  a 
Violoncello.  [Separate  Parts.]  Welcker : 
London,  [1780?]     fol.  g.  697. 

Six  Overtures  for  two  Violins,  two  Hoboys, 
two  French  Horns,  two  Tenors,  with  a 
Thorough  Bass  for  the  Harpsichord  or 
Violoncello,  etc.     [Orchestral  Parts.] 

Printed  for  W.  Napier  :  London, 
[1775?]     fol.  g.  474.  a.  (12.) 

[Another  copy.]  g.  474.  (8.) 

Six  Sonatas  for  the  Piano  Forte  or  Harp- 
sichord with  an  Accompaniment  for  a 
Violin.  Printed  for  G.  d;  S.  Thompson  : 
London,  [1775  ?]     fol.  g.  697.  a;. 

See  Kammed  (A.)  Six  Overtures. .  .by. . . 
III.  Mislevecheck,  etc.     [1770  ?]     fol. 

g.  474.  (7.) 

MYSTERIES     OP    THE     CASTLE. 

The  Mysteries  of  the  Castle.  Dramatic 
Tale.    See  Shield  (W.) 


18-4 


N— NANETTE 


N  ,  .  . ,  M.    Vous  efces  ma  belle  amourette. 

Trio  de  M.  N —Air,  a  voix  seule  sur 

les  mesmes  paroles.  [Fans,] 

1730.     s.  sh.  4".  298.  a.  11. 

Mcrcure  de  France,  May,  1730. 

N".  (Stefano)  called  Spadina.  Sei  Sonate 
a  Due  Violini,  composte  da  Stofano  N. 
detto  Spadina,  Gintiluomo  Dalmatiuo. 
Opera  Sesta.     [Separate  Parts.] 

Stampate  a  Spese  di  J.  J.  Hummel : 
Amstelodamo,  [1770?]     fol. 

h.  3212.  g.  (5.) 

NACHT.     Nacht  und  Nebel.     Duett. 
See  Danzi  (F.)     [Der  Kuss.] 

NACHTGALL  (Ottmae)  Musicae  In- 
stitutiones  Othmari  Nactgall  Argftini 
a  nemiue  unqua  prius  pari  facilitate 
tentate,  etc.  loannes  Knobloucli  : 

Argcnioraci,  1515.     4°.  K.  1.  h.  13. 

10  leaves,  without  pagination,  34  lines 
to  the  full  page. 
Musurgia  seu  praxis  Musicte.  Illius 
primo  quae  Instrumentis  agitur  certa 
ratio,  ab  Ottomaro  Luscioio  [i.e.  0. 
Naclitgall]  Argeatino  duobus  Libris  ab- 
soluta.  Eiusdem  Ottomari  Luscinij,  de 
Concentus  polyphoni. .  .Libri  totidem. 

Aptid  loanncm  Schottmn : 
Argcntorati,  1536.  ohl.  4°.  K.  1.  h.  14. 
102  pages,  preceded  by  3  and  folloived  by 
2  unnumbered  leaves.  The  title-page 
bears  the  autograph  of  Dr.  Pepusch. 
The  verso  of  a  3.  has  a  wood-cut 
representing  Andreas  Silvanus  and 
Sebastianus  Virdung. 

NADERMAN  (FRAN901S  Joseph) 
Deuxieme  Pot-Pourri  suivi  de  Plaisir 
d'Amour  [by  J.  P.  E.  Martini]  varie  pour 
la  Harpe,  etc.  Chez  Nadcrman  : 

Paris,  [1800  ?]     fol.  h.  173.  b.  (12.) 

Troisieme  Pot-Pourri,  suivi  d'un  Air  vari^ 
pour  la  Harpe,  etc.  CJiez  Naderman  : 

Paris,  [1800?]  fol.  h.  173.  b.  (12*.) 
Trois  Sonates  pour  la  Harpe  avec  Accom- 
paguement  de  Violon  et  Violoncelle . . . 
ffiuvre  5""^.  l''"'  Livre  de  Sonates.  No.  3. 
Chez  Naderman  :  Paris,  [1800?]     fol. 

h.  173.  c.  (16.) 
The  Harp  part  only. 
Grande  Sonate  pour  la  Harpe  avec  Accom- 
pagnement  de  Violon  ct  Basse. .  .CEuvre 
11°.  [Separate  Parts.]  Chez  Nadcrman  : 
Paris,  [1800  ?]     fol.  li.  173.  b.  (10.) 

Sonate  pour  la  Harpe  avec  Accompague- 
meut  de  Violon  et  Violoncelle,  ad-libitum 
. . .  1""  Sonate  de  I'Oeuvre  12".  [Separate 
Parts.]  Chez  Naderman  : 

Paris,  [1800?]     fol.  li.  173.  b.  (11.) 


NAE.  Nae  Lass]  sa  blithe  as  Jenny  was 
Bannock  Burn.  A  Favorite  Scotch  Song, 
sung  by  Mrs.  Kennedy,  at  Vauxhall. 

Printed  for  T.  Skillern  : 
London,  [1787  7]    fol.       H.  1653.  (55.) 

NAEGELI  (Hans  Georg) 

See  jMozart  (W.   A.)     [6.  Doubtful  and 
Spurious  Works.]     Life  let  us  cherish,  c^c. 
[Song,  by  H.  G.  Naegeli.] 
[1800.]     s.  sh.  obi.  4".  266.  1.  30. 

NAISSANCE.     La  Naissance  de  la  Rose. 
[Song.]     See  Coebadx  (A.) 
La   Naissance  de  Monseigneur  le  Comte 
de  Province.     IMusette.     ,S'ee  Buey  (B.  de) 

NAISSANTES.  Naissantes  fleurs.  Air. 
See  Gretry  (A,  E.  M.)  [Cepliale  ctProcris.] 

NAKED.     The  naked  Truth.     [Song.] 
See  Ik.     In  story  of  old,  etc. 
[1740?]      s.s/(.  fol.       H.  1994.  b.  (45.) 

NAN.     Nan  of  the  Vale.     [Song.] 
See  Aene  (T.  A.) 

NANCY.      The   Nancy.      [Song,  begins  : 
'  Mayhap  you  have  heard.'] 
See  DiBDiN  (C.)     [Tlte  Sj^hinx.] 
Nancy.     [Song,  begins  :  '  You  ask  how  it 
comes.']     See  Dibdin  (C.)  [.4  Tour  to  the 
Land's  End.] 

Nancy.       [Song.]       See     'Twas.       'Twas 
underneath  a  Mayblown  Bush,  etc. 
[1770  ?]    s.  sh.  fol.      H.  1994.  a.  (179.) 
Nancy  dear.     [Song.] 
See  Dibdin  (C.)     [The  General  Election.] 
Nancy  I  have    lost  my  Wig ;    [Song,]  as 
Sung    by   Mr.    Parsley   at   the    Amicable 
Society,  etc.  Bailey  :  [London,  1785  ?] 

s.sh.iol.  G.  310.  (144.) 

A  parody  of  '  She2:)herds  I  have  lost  my 
love,'  to  the  tune  of  Gramachree  Molly. 
Nancy  of  the  Vale.  [Song.]    SeePRiNG  (J.) 
Nancy,  or  the  Parting  Lovers.     Llusical 
Interlude.     See  Carey  (H.) 

NANCY  DAWSON.  Nancy  Dawson. 
Song.  See  Of.  Of  all  the  girls  in  our 
town,  etc.  [1760.]  8".  P.P.  5438.  z. 
Nancy  Dawson.  [Song.]  See  Of.  Of  all 
the  Girls  in  our  Town.    [1760  ?]     s.  sh.  fol. 

I.  530.  (114.) 

NANCY  GAY.  Nancy  Gay.  [Song.] 
See  W.,  Y. 

NANCY  GUY.     Nancy  Guy.     Song. 
See  T.,  T. 

NANETTA  E  LUBINO.  Nanetta  e 
Lubiuo.    Comic  Opera.    See  Pugnani  (G.) 

NANETTE    ET   LUCAS.     Nanette   et 
Lucas.     Comedie  melee  d'Ariettes. 
See  Heebain  (    d') 


NANINE— NARDINI 


185 


NANIWE.     Nanine,  Sceur  de  Lait  de  la 
Keine   de    Golcoude  ;    Pastorale   en   trois 
Actes ;  en  Ariettes  et  Vaudevilles  choisis. 
[By  —  Gondot.] 

Chez  la  Veuve  Duchesne  :  A  Geneve  et  a 
Paris,  1773.     S\  11738.  f.  31.  (2.) 

NANINO  (Alessandro)  See  Nanino 
(G.  M.)  II  Primo  Libro  delle  Canzouette 
...di  G.  M.  Nanino.  Raccolte  per  A. 
Nanini,  etc.     1599.     4".  D.  196. 

H"  A  N I N"  O      (Giovanni      Bernardino) 

Madrigali  a  cinque . . .  Libro  Terzo.    Basso. 

Appresso  Bartolovico  Zannctti : 

Iloma,  1G12.     4".  D.  166. 

H'ANINO  (Giovanni  Maria)  II  Primo 
Libro  delle  Canzonette  a  Tre  Yoci... 
Raccolte  per  A.  Nanini,  &  date  in  luce. 
Nouamente  ristampate.  Canto.  (Tenorc.) 
2  pts.  Appresso  Angela  Gardano  : 

Venetia,  1599.     4°.  D.  196. 

Di  Gio  Maria  Naniuo. .  .11  Primo  libro  de 
INIadrigali  a  Cinque  voci  Kouamente 
Ristampati,  etc.  Canto.  (Alto.)  (Tenore.) 
(Basso.)     (Quinto.)     5  pts. 

Appresso  Angela  Gardano : 
Yenctia,  1579.    obi.  4°.  A.  341.  e. 

Wanting  pp.  3-6  of  the  Canto  part  and 
pp.  3-G  of  the  Tenor. 
Di  Gio.  Maria   Nanino...il  Terzo  Libro 
de  ^ladrigali  a  Cinque  Voci.     Nouamente 
Composti,  &  dati  in  luce.     Alto. 

Appresso  Angela  Gardano : 
Venetia,  1586.     obi.  4".  A.  341.  b. 

See  Gardano  (Angelo)  IMusica  di  Tredici 
Autori . . .  Nella  quale  si  contengono . . . 
Madrigali . . .  delli  inf rascritti  Autori . . . 
G.  M.  Nanino,  etc.     1589.     4^ 

K.  3.  g.  11. 
NANINO  (Giovanni  Maria)  and 
STABILE  (Annibale)  Madrigali  a 
Cinque  Voci  di  G.  M.  Nanino  et  di  A. 
Stabile  Nouamente  Composti,  &  dati  in 
luce.  Canto.  (Alto.)  (Tenore.)  (Basso.) 
(Quinto.)     5  pts.  Appresso  Angela 

Gardano  :    Venetia,  1581.     obi.  4". 

A.  341. 
Madrigali  a  Cinque  Voci  di  G.  M.  Nanino 
et  di  A.  Stabile  Nouamente  Ristampati. 
Canto.  Appresso  Angelo  Gardano  : 

Venetia,  1587.    obi.  4".  A.  341.  a. 

NANNY.      Nanny  of  the   Mill.      BaUad. 
Sec  Moulds  (J.) 

Nanny's  Complaint  for  the  Loss  of  her 
Love.  [Song.]  See  0.  0  mv  Nassau, 
did  vou  know.     [1735?]     s.  s/(.  fol. 

G.  316.  e.  (106.) 
Nanny's    Refusal.      [Song.]      See   Come. 
Come  pretty  Nancy,  etc. 
[1740?]    s.  s7(.  fol.  G.  307.  (75.) 

Nanny's     reply    to     Robin's     Complaint. 
[Song.]      See   Ungrateful.      Ungrateful 
Robin  to  complain,  etc. 
[1720  ?]    s.  sh.  fol.  H.  1601.  (475.) 


NAPIER  (William)     Napier's   Selection 

of  Dances  &    Strathspeys  with   new  and 

Appropriate  Basses,  adapted  for  the  Piano 

Forte,  Harp  &c.      Printed  for  W.  Napier  : 

[London,  1795  ?]     fol.         g.  229.  b.  (3.) 

A  Selection  of  the  most  Favourite  Scots 

Songs. .  .Adapted    for    the     Harpsichord, 

with  an  accompaniment  for  a  Violin,  by 

Eminent   Masters,   etc.     (A    Selection   of 

Original  Scots  Songs  in  Three  Parts.    The 

Harmony    by    Haydn... Vol.    IL    (IIL).) 

3  Vols.  Printed  for  W.  Najner  ; 

London,  [1790-1794.]     fol."  I.  374. 

Vol.   III.    consists   of  pp.    1-25    only : 

2)robably    no     mare    ivas    ptiblislied. 

Vol.   I.    teas     arranged     by    Arnold, 

Barthelemon,  Carter  and  Shield. 

[Another  copy.]  I.  374.  a. 

Wanting  Vol.  III. 

NAPPY,     Nappy.     [Song.] 

See  DiBDiN  (C.)     [Castles  in  the  Air.] 

NARBAEZ  (LuYs  de)  El  primero 
(-sesto)  libro  del  Delphin  de  musica  de 
cifras  para  taner  Vihuela.  Hecho  por 
Luys  de  Narbaez,  etc.    6  Books. 

Por  Diego  Herudez  de  Cordoua  : 
Valladolid,  1538.  obi.  4".  K.  2.  h.  11. 
108  leaves.  Fol.  k  II  and  k  12  are 
blank.  Each  Book  has  a  separate 
title-imge  and  list  of  contents,  but  the 
vagination  and  register  are  continuous. 
Book  III.  contains  compositions  by 
Joscpiiin,  Gombert  and  Ricafort.  Book 
V.  is  printed  in  red  and  black. 

NARCISO.     Narciso.     Opera. 
See  Scarlatti  (D.) 

NARCISSO  (  )  See  Minuets.  Eighteen 
New  Spanish  Minuets. .  .Compos'd  by. . . 
Sig--  Narcisso,  etc.     [1760  ?]     obi.  4". 

a.  25.  (1.) 

NARCISSUS.     The  Narcissus.     [Song.] 
See    As.      As    pendant    o'er    the    limpid 
stream.     [1775?]     s.sh.lol. 

G.  306.  (143.) 
NARDINI    (Pietro)      Fourteen  New 
Italian  ]\Iinuets  for  Two  Violins  &  a  Bass. 
Printed  for  J.  Cox  :  London, 
[1750?]     obl.'k\  b.  57.  b.  (3.) 

A  Solo  for  the  Violin  with  a  Thorough 
Bass  for  the  Harpsichord.  /.  Duckicorth  : 
London,  11790?]  fol.  g.  420.  b.  (4.) 
Six  Solos  for  the  Violin,  with  a  Bass : . . . 
Opera  v.    H.  Fougt :  London,  [1770.]    fol. 

g.  221.  (1.) 
Sei  Sonate  per  Violino  Solo  e  Basso 
[Paris  ?  1765  ?]     obi.  fol.  e.  743. 

With    a   2'ortrait,   engraved    by    G.   B. 
Cecchi  after  M.  Vestri. 
Sis   Sonatas  for   two   German   Flutes  or 
two  Violins  and  a  Bass.    [Separate  Parts."! 
B.  Bremner :  London,  [1770  ?J     fol. 

h.  2852.  a.  (7.) 


186 


NARDINI— NASSARRE 


NARDINI  (PiKTRo) 

See    Harpsichord    Miscellany.       The 
Harpsichord   ]\Iiscellany.     Book   Second. 
Composed  by  Albert! . .  .and  Nardini. 
[1765  ?]    obi.  fol.  e.  140.  a.  (5.) 

NARDINI  (PiETRo)  and  FERRARI 
(DoMENico)  Six  Sonatas  or  Duets  for 
Two  Violins.  .  .by  Sig.  Nardini  and  Ferari. 
Opera  Seconda.     [Separate  Parts.] 

Printed  for  I.  WalsJi,:  London, 
[1765?]     fol.  g.  218.  d.  (5.) 

NARES  (James)  A  Collection  of  Catches, 
Canons  and  Glees,  etc.  Welckcr  : 

London,  [1115'^]    obi.  iol.  E.  1745. 

Six  Fuges  with  Introductory  Voluntary's 
for  the  Organ  or  Harpsichord.  Welckcr  : 
London,  [1775  ?]     obi.  fol. 

e.  1090.  a.  (3.) 

These  Lessons  for  the  Harpsicord  with 
a  Sonata  in  Score  for  the  Harpsichord  or 
Organ  are  humbly  dedicated  to  the 
Countess  of  Carlisle,  etc.     Opera  ii. 

Printed  for  the  Author  :  London, 
[1759  ?]     obi.  fol.  e,  135. 

A  Morning  &  Evening  Service. .  .Together 
with  Six  Anthems  in  Score,  etc. 
J.  Preston  :  London,  1788.     fol. 

I.  251.  a. 

With    a   portrait    by    N.    Ward    after 

G.  Engleheart. 

II  Principio  or  a  Regular  Introduction  to 

playing   on   the    Harpsichord   or    Organ, 

etc.     Welcker  :  London,  [1760 '?]     obi.  fol. 

e.  135.  b. 
The  Royal  Pastoral,  a  Dramatic  Ode. 
[Full  Score.]  Welcker : 

London,  [1770  ?]     fol.  H.  125. 

Eight  Setts  of  Lessons  for  the  Harpsi- 
chord, etc.  J.  Johnson,  for  the  Author  : 
London,  1747.     obi.  fol.  e.  135.  a. 

[Another  edition.]  Eight  Setts  of  Lessons 
for  the  Harpsichords.  J.  Johnson  : 

London,  1757.    obi.  fol.  e.  135.  e. 

A  Concise  and  Easy  Treatise  on  Singing 
. .  .with  a  Set  of  English  Duets,  etc. 

J.  Preston,  for  the  Author  : 
London,  [1780  ?]     o6Z.  fol.  E.  780. 

See  Apollonian  Harmony.  Apollonian 
Harmony  :  a  Collection  of . . .  Glees ...  by 
. .  .Nares,  efc.     [1790?]     8°.  E.  255. 

See  Bond  (H.)  The  Psalms  of  David. . . 
The  Music  consisting  of . . .  Tunes . . .  by . . . 
Nares,  etc.     [1791  ?]     4°.  E.  579. 

See  Catches.     A  Collection  of  Catches  by 

. .  .Dr.  Arne. .  .Dr.  Nares,  etc. 

[1764  ?]    obi.  4".  A.  756.  a.  (1.) 

See  Modern  Catch-Club.  The  Modern 
Catch-Club. .  .a  Coilection  of  Catches... 
by . . .  Nares,  etc.     [1770  ?]     obi.  4°. 

A.  756. 


NARES  (James) 
An  Abridgment 
with  . . .  Tunes 

[1777.]     8". 
See  Riley  (W.) 


See  Psalms  [English.'] 

of    the  . . .  Psalms,  . . . 

.  by  . . .  Dr.   Nares,  etc. 

A.  511.  d. 

Psalms  and  Hymns  for 


the  Use  of  the  Asylum . . .  for  Female 
Orphans. .  .The  Music  by. .  .Dr.  Nares,  etc. 
[1765?]     4".  E.  482. 

NASCI  (Michele)     Sonate  sei  di  Cembalo 
con  Accompagnamento  di  Violino,  etc. 
Welcker  :  London,  [1771  ?]     fol. 

g.  272.  e.  (5.) 

NASCO  (Giovanni)  Le  Canzon  et  Madri- 
gali  a  Sei  Voci  con  uuo  Dialogo  a  Sette . . . 
Nouamente. .  .ristampati.     Canto. 

Apprcsso  di  Antonio  Gardano  : 
Venetia,  1562.     obi.  4".  A.  301.  a. 

Di  Giouan  Nasco  Le  Canzon  Villanesche 
alia  Napolitana  a  Quatro  Voci.  Noua- 
mente. .  .composto  &  dato  in  luce.  Libre 
Primo.     Canto.  Apprcsso  Girolamo 

Scotto :  Vinegia,  1565.  8°.  A.  301.  b. 
Di  Giouan  Nasco  II  Segondo  Libro  d'i 
Madrigali  a  cinque  A^oci,  done  si  conten- 
gono  tutte  le  macharronee  del  ditto  autore 
Nouamente  .  .  .  stami)ato,  etc.  Cantus. 
(Tenor.)     2  pts. 

Apjiresso  di  Antonio  Gardano  : 
Venetia,  1557.     obi.  4".  A.  301. 

See  Muse.  II  Secondo  Libro  de  le  ^Nluse 
a  Cinque  Voci. .  .Con  uno  Madregale  a  sei 
di  Giouan  Nasco,  etc.     1559.     obi.  i  . 

A.  342.  a. 
See  Prima  Stella.      Prima  Stella.      De 
Madrigali. .  .di  Giovan  Nascho,  etc. 
1570.     i'\  D.  13. 

NASIMBENI  (Stefano)  Concerti  Eccle- 
siastici  a  Dodeci  Voci  diuisi  in  tre  Chori, 
etc.  Primo  Chore.  Alto.  (Secondo 
Chore.     Canto.)     2  pts. 

Apprcsso  Bicciardo  Amadino : 
Venetia,  1610.     4°.  D.  66. 

NASSARI  (  )  Twelve  Minuetfs  for 
Two  Violins  &  a  Bass  and  Six  Venetian 
Ballads,  etc.  Printed  for  Sig''  Albani  : 

London,  [1775  ?]     obi.  4°.      b.  53.  a.  (3.) 

NASSARRE  (Pablo)  Escuela  Musica, 
segun  la  practica  IModerna,  dividida  en 
Primera,  y  Segunda  Parte,  etc.     2  vols. 

Por  los  Heredcros  de  Diego  de  Larumbe-: 

Zaragoza,  1724  (1723).     fol.     7897.  k.  1. 

TJie   Second  Part  is  printed   'Por  los 

Heredcros  de  Manuel  Roman,'  dated 

1723. 

Fragmentos   Musices.     Reglas   Generales 

...para   Canto   llano.  Canto   de   Organo, 

Contrapunto,  y  Composicion,  etc. 

Por  Tomas  Gaspar  Martinez  : 
Zaragoc^a,  1683.     8".  7895.  a.  24. 

Fragmentos  Musicos,  repartidos  en  quatro 
Tratados.  En  que  se  hallan  Reglas  gene- 
rales,  .  .  .  para   Canto    Llano,   Canto    de 


NATIONS— NAUMANN 


187 


Organo,  Contrapuuto  y  Composicion  .  .  . 
aora  uuevemente  auadido  el  vltimo  tratado 
por  el  mismo  autor. .  .Sacalos  a  Luz... 
Don  -Joseph  de  Torres,  etc. 

En  su  Iniprcnta  de  Mnsica  : 
Madrid,  1700.     4°.  1042.  k.  6. 

NATIONS.       The    Nations     no     longer. 
Song.     Ste  Blewitt  (J.) 

Nations,  who  in  future  story.     Song. 
See  Haesdel  (G.  F.)     [Joshua.] 

NATTY.     Natty  Sammy.     Duett. 
Sire  Reeve  (W.)     [Harlequin's  Return.] 

NATURAL.     Natural  Love.     [Song.] 
Ste  Ask.     Ask  whv  the  Miser  hoards  his 
Pelf,  etc.       [17o6.j"    s.  sh.  8". 

P.P.  5439.  ab. 

NATURE.     Nature  and  Nancy.     [Song.] 
See  DiBDiN  (C.)     [Tom  Wilkins.] 

Nature  for  Defence  affords.     [Song.J 
See  Depesch  (W.) 

Nature  fram'd  thee  sure  for  loving. 
[Song.]  See  Eccles  (J.)  [The  Judgment 
of  Paris.] 

Nature  fram'd  thee  sure  for  Loving. 
[Song.]  See  Purcell  (D.)  [The  Judg- 
ment of  Paris.] 

Nature's    Holiday.       [Song.]       .^Ve    SuK. 
The  Sun  in  Virgin  Lustre  shone,  etc. 
[1775  ?]     s.  sh.  fol.  I.  530.  (148.) 

Nature's  Magic  Skill.     Song. 
See  Clagget  (G.) 

NAUDE  (L.)     A  chanter  le  vaiuqueur  des 
Dieux.    Ode  Anacr ^antique,  a  Mademoiselle 
Chevalier.     Les  vers  sont  de  M'  Panard. 
[Paris.'\  1749.   .s.  sh.  4°.  297.  e.  24. 

Mercure  de  France,  Nov.,  1749. 

Nouveaux  Airs  a  une  et  deux  Voix,  Ariettes, 
et  Brunettes. .  .Gravees  par  INI""""  Leclerc 
pj-iie  jjue)  (^M'""  Pradaz) . .  .Livre  Septieme 
(-Dixieme).     4  Bks.  Chez  L'Auteur  : 

Paris,     a750?-1755?l     ofeZ.  fol. 

C.  642.  (4.) 

Extrait  du  Premier,  et  Second  (Troisieme, 
et  Quatrieme)  Livre  d'airs,  Duo,  Brunettes 
et  Vaudeville,  etc.  2  Bks.  Ches  I'autcur  : 
Paris,  [1750  ?]     obi.  fol.  C.  642.  (1.) 

Livre  I.  is  imperfect,  ivanting  pp.  5-8. 

La  Fileuse,  etc.  [Song,  words  bv] 
L'Af&chard.     [Paris,]  1732.     s.  sh.  4°. 

298.  a.  23. 
Iflercure  de  France,  June,  1732. 

Je  veux  chanter  sur  ma  Musette.  Musette. 
[Words]  Par  M.  I'Atfichard.  [Paris,] 

1780.     s.  sh.  4".  298.  a.  9. 

Mercure  de  France,  Feb.,  1730. 

Pour  I'adorable  Celimene.  Brunette. 
[Words]  (Par  M.  I'Affichard.)  [Paris,] 

1732.     s.  sh.  4°.  298.  a.  26. 

Mercure  de  France,  Dec,  1732. 


NAUDE  (L.)     V=  Recueil  d'Airs  a  Une  et 
Deux  Voix.   De  differents  Genres.   Meslez 
de  Vaudevilles,  etc.     Grav6  par  M'"'=  Ven- 
dosme.     2"^  Edition,  Revue,  et  Corigee 
Chez  M'i«  Boivin  :  Paris,  [1750?]    obi.  fol. 

C.  642.  (2.) 
VP  Recueil  d'Airs  a  Une,  Deux  et  Trois 
Voix,  etc.     Grave  par  J.  Renou. 
Ches  VAuteur  :  Paris,  [1750  ?]     obi.  fol. 

C.  642.  (3.) 

NAUDET  (        )     See  Naude  (L.) 

NAUDOT  (Jeas  Jacques)  Dixieme 
CEuvre,  contenant  vi.  Babioles  pour  ii. 
Vieles,  Musettes,  Flutes-a-bec,  Flutes 
traversieres,  Haubois  on  Violons,  sans 
Basse.  Chez  V Autcur  :  Paris, 

[1730?]     fol.  K.  7.  f.  16.  (6.) 

[For  editions  of  Freemasons'  Songs,  edited 
and  arranged  by  J.  J.  Naudot  :] 
See  Secret  des  Fraxcs-^Ma^oss. 

NAUERT  (Gottfried  Ecsebius)  Oden 
und  Lieder  zum  Singen  bey  dem  Clavier 
. .  .Erster  Theil.  In  Verlag  Johann 

Ulrich  Hatfncrs  :  Niiruberg,  [1758.]     fol. 

G.  629.  (1.) 
Herrn  Gottfried  Eusebii  Nauerts  Oden 
und  Lieder.     Zweyter  Theil. 

Bey  Johan  Ulrich  Ha  ffncr  :  Xiirnbcrq, 
[1764.]     fol.  "       G.  629.  (2.) 

NAUFRAGE  AU  PORT.  Le  Naufrage 
au  Port,  Comedie  en  un  Acte,  melee  de 
Vaudevilles  ;  par  les  CC.  Pain  et  Midet.  . . 
Avec  la  Musique  [of  a  song  and  a  vaude- 
ville by  —  Wicht].  Chez  le  Libraire, 
au  Theatre  du  Vaudeville :  Paris,  An 
Troisieme  [1794].    8".     11738.  k.  39.  (4.) 

NAUMANN  (Giovanni  Amadeo) 
See  Naimann  (J.  Ct.) 

NAUMANN  (Johann  Amadeus) 
See  Nacmann  (J.  G.) 

NAUMANN  (Johann  Gottlieb)  Am- 
phiou.  Eine  Oper.  [P.  F.  Score,  with  a 
preface  by  L.  Neumann.] 

Herausgegeben  vom  Verfasser  des 
Deufschen  Textes  zur  Naumannschen 
Oper  Cora  :  [Dresden,  1784.]     obi.  fol. 

F.  382. 

See  Shield    (W.)      [The  Picture  of 

Paris :]  The  Songs  ...  in  the  Picture  of 
Paris  . . .  Part  of  which  is  taken  from  .  . . 
Amphion,  etc.     [1790.]     obi.  fol. 

E.  91.  c.  (2.) 

Six  Italian    Arietts  with  an  Accompany- 

ment  for  a  Harp  or  Piano  Forte. 

J.  Bland  :  London,  [1790?]     obi.  fol. 

E.  600.  V.  (3.) 
Cora.     Eine  Oper,  etc.     [P.  F.  Score.] 

In  der  Dijkischen  Buch  Handlung  : 
Leipzig,  1780.     obi.  fol.  F.  382.  a. 


IBS 


NAUMANN— NE 


NAUMANN  (JoHANN  Gottlieb)  [La 
Dama  Soldato.J  Raccolta  di  Arie,  Duetti, 
Cori,  &c.  aggiustata  per  il  Cembalo  dell' 
Opera  La  Dama  Soldato. 

Presso  P.  C.  Hilscher  : 
Diescla,  [1791.]     fol.  H.  656. 

XII.  von  Elisensgeistlichen  Liederu  beym 
Clavier  zu  siugeri.  Im  Hilscherschen 

Mufiik-Yerlaqc  :  Dresden,  [1787. j     fol. 

H.  656.  b. 

Vierzig     Freymiiurerlieder   .    .    .   Zweyts 
Auflage.  '  Bey  C.  F.  Himhurq  : 

Berlin,  1784.     8".  C.  423. 

VI.  Neue  Lieder  mit  Begleitung  des  Forte- 
Piano  Oder  der  HarfEe,  etc. 

Ill  der  Gilnthersclien  Notenstecherei  : 
Berlin,  [1795  ?J     obi.  fol.     E.  601.  f.  (8.) 

XXV.  Neue  Lieder  verschiedeuen  Inhalts, 
von  Elisa  [von  der  Recke  ,  etc. 

In  P.  C.  Hilschers  Music  Yerlage  : 
Dresden,  [1799.]     ohl.  fol.  D.  724. 

Orpheus  und  Euridice.  Eine  Oper  ... 
Clavierauszug. . .  Heraiisgegeben  von  C.  F. 
Cramer.  Beif  dem  Herausqeher  :    \ 

Kiel,  1787.     obi.  fol.    '  F.  382.  b. 

I 
Trois  Quatuors  chois[i]es  pour  le  Clavecin 
ou  Piano  Forte   avec  I'Accompagnement 
d'une  Flute,  Violon  et  Basse. .  .Oeuvre  1. 
[Separate  Parts.]  Ches  I.  Schmitt  : 

A77isterdam,  [1190?]     fol.      h.  2784.  (3.) 

Sammlung  von  Deutschen,  Franzosischen 
und  Italianis[c]hen  Liedern  beym  Clavier 
zu  siugeu,  etc. 

Ill  der  Brcitkopfischen  Mnsikluindlung  : 
Leipzig,  [1794.]    'obi.  fol.  E.  235.  b. 

Sammlung  von  Liedern  beym  Clavier  zu 
singen.     In  drei  Abtheilungen. 
E.  C.  Bencke :  Pforten,  1784.     fol. 

G.  749. 

Senza  il  caro  amato  oggetto.  A  Rondo 
with  Recitative  as  sung  by  Signora  Banti, 
in  the  Opera  [by  G.  Paisiello]  of  La 
Zenobia  in  Palmira,  etc. 
Printed  for  Corri,  Diissek  £  Co.  :  London 
d-  Edinburgh,  [1794.J    fol.     G.  811.  (19.) 

Deux  Simphonies  a  Grand  Orchestre  des 
operas  Cora  et  Elisa  .  .  .  Oeuvre  iii. 
[Orchestral  Parts.]  Ches  J.  J.  Hummel : 
Berlin,  [1185?]     fol.         h.  1508.  a.  (4.) 

Singet  dem  Herrn  ein  neues  Lied  etc., 
Der  96'"  Psalm. .  .Partitur. 

Bei  Breitkopf  and  Hdrtel :  Leipzig, 
[1795 '?]     fol.  H.  2660. 

Le  Sort  de  Medee.  Grand  Ballet  Panto- 
mime de  I'lnventiou  du  Sieur  Lauchery 
. . .  arrange  pour  le  Clavecin  par  I.  C.  F. 
Rellstab,  etc.  Rellstab  :  Berlin, 

[1788.]     fol.  g.  59. 


NAUMANN  (.JoHANN  Gottlikb)  [Tutto 
per  Amore.j  Sinfonia  e  Arie  Scielte 
aggiustatc  per  il  Cembalo,  dell'  Opera 
Tutto  per  Amore,  etc.     2  torn. 

Presso  P.  C.  Hilscher  :  Dresda, 
[1780?]     fol.  H.  656.  a. 

[Another  copy.  torn.  I.]  H.  2818.  d.  (7.) 
See  Freemasons'  Songs.  Gesange  fiir 
Maurer  mit. .  .Melodien  von. .  .Naumann, 
etc.     [1782.]     8".  E.  1718. 

See   Keiegel  (C.  F.  W.)     xxxvi.    Lieder 
..  von. .  .Naumann,  e?c. 
[1790-1.]     obi.  fol.  E.  679. 

NAVAL.       The    Naval   First   of   August, 
1798.     Song.     See  Ebdon  (T.) 
The   Naval   Prince.     [Song.]     See  Long. 
Long  had  the  foes  of  England  joined,  etc. 
[1782.]     s.  sh.  fol.  G.  310.  (59.) 

Naval  Victories.     Song. 
See  DiBDiN  (C.)     ^Tom  Wilkins.] 

NAVAL  PILLAIl.  The  Naval  Pillar. 
Entertainment.     See  Moobehead  (.J.) 

NAVAL  REVIEW.  The  Naval  Review. 
Entertainment.     See  Chapman  (R.) 

NAVARRO  (Juan)  F.  loaunis  Nauarro 
Gaditaui  .  .  .  Liber  in  quo  Quatuor  Pas- 
siones  Christi  Domini  coutinentur  [integre 
litera,  &  Cantu  iuxta  ritum  Sancte  Romane 
Ecclesie]  Octo  Lamentationes :  Oratiocj; 
Hieremie  Prophete.  Nunc  primiim.  .  .in 
lucem  editus,  etc.  Apud  Didncum  Lopez 
Daualos:  Mexici,  WOi.  4".  K.  8.  e.  7. 
The  title-page  is  viutilated. 

NAVIGATEUR.  [For  Songs,  &c.,  in 
Melide,  ou  le  Navigateur,  published 
anonymously :]   See  Melide. 

NE.     N'aimes  jamais  qu'on  ne  vous  aime. 
Arietta.     See  Albanese  (     ) 
N'allez  point  au  bois  seulette.     Le  Dan- 

i        gers  des  Bois.     [Song.] 

I       [Paris,  1780  ?]     8°.  B.  362.  b.  (53.) 

N'avoir  pour  objet  que  sa  flame.     Vaude- 
ville.    See  BouvARD  (F.) 
N'estes-vous  point  cette  Armide.     Air. 
[Paris,]  1729.     s.  sh.  4".  298.  a.  4. 

Mercure  de  France,  March,  1729. 
N'faut  pas  danser  comm'ca. .  .[Song.] 
See  DucRAY-DuMiNiL  (P.  G.)  [La  Danse.] 
Ne  cherchons  qu'a  rire  et  boire.     Gavotte. 
See  Charles  (     ) 

Ne  crois  pas  qu'un  bon  menage.     [Song.] 
See  SiLVAiN. 

Ne  croyez  pas  encore  longtems.    Couplets. 
See  Enfant  Trouve. 
Ne  croyez  pas,  jeune  Bcgere.     jMenuet. 
See  Du  Parc  (     ) 

Ne  donnons  jamais  a  nos  femmes.  Vaude- 
ville.    See  Philidor  (F.  A.  Danican) 
Ne  fait  pas  tant  votre  embarras.     Air. 
See  Pauvre  Femme. 


NE— NEEPE 


189 


NE.     Ne  feras-tu  jamais  que  des  sermens 
frivoles.     [Song.j     See  Hebert  {     ) 

Ne  nous  preferons  point  aux  Belles. 
Vaudeville.     See  Guillon  (H.  C.) 

Ne  perdons  jamais  I'esperance.  Vaude- 
ville.    See  Roi  ET  LE  Fermier. 

Ne  point  s'engager  sur  le  champ. 
jy Amour  Veritable.  Vaudeville.  [Words 
by]  Pelissier.     [Paris,]  17-51.     s.  sJi.  4". 

298.  c.  2. 
Mercare  de  France,  Jan.,  1751. 

Ne  pourrai-je  sortir  des  fers  d'une  Infid- 
elle.     Air  a  Boire. 

[Paris],  1723.     s.  sit.  4".  297.  a.  2. 

Le  Mercure,  June,  1723. 

Ne  pulvis  et  cinis  superbe.     Motette. 
See    Mozart    (W.    A.)       [Thamos.      Ihr 
Kinder  des  Staubcs.] 

Ne  soyez  qu'infidelea.     Air. 
[Paris,]  1782.     8".  298.  f.  29. 

Mercure  de  France,  August,  1782,  ^».  07. 

Ne  suis-je  pas  aussi  Captive.     Arietta. 
See  Caravane  du  Caire. 

Ne  vous  etones  pas.     Air. 
See  B  *****  * 

Ne  vous  etounez  pas,  Bergere.     Menuet. 
[Paris,]  11  ¥1.     s.  sh.  ¥.  297.0.11. 

Mercure  de  France,  April,  1747. 

NEALE  (Richard) 

See  Pocket  Companion'.  A  Pocket  Com- 
panion for  Gentlemen  and  Ladies  :  being 
a  Collection  of  the  finest  Opera  Songs  & 
Airs  in  English  and  Italian  . . .  Corrected 
& .  . .  Figur'd  for  y  Organ,  Harpsicord,  and 
Spinet,  bv  Mr.  K.  Neale,  etc. 
[1725?]    >.  C.  491. 

NEANDER  (Alexis)  Liber  Primus  . . . 
Sacrarum  Cantionum,  quas  vulgo  Motectas 
appellant,  iv.  v.  vi.  vii.  viii.  x.  et  xii. 
. . .  vocibus  concinnatarum,  etc.  Cantus. 
(Altus.)  (Tenor.)  (Bassus.)  (Quinta 
(Sexta)  (Septima)  (Octava)  Vox.)  8  pts. 
Apud  Wolfgangum  llichterum,  Sumptibus 
Nicolai  Steinii :  Francofurti,  1605.   obi.  4°. 

A.  302. 

nSTEAPOLITAN.      The    Neapolitan   Sol- 
dier.    [Song.]     See  BiGGS  (E.  S.) 

NEAR.     Near  a  Hav^thoru  I  met  on  the 

Plain.     Harry  and   Marij.     [Song,  by  -J. 

Hook.]     Sung   by   IMr.  Vernon  at  Vaux- 

hall.    C[lmrles~'.  and  S'amuel]  T[Jiompson  : 

London,  1174:.]    s.sh.iol.     G.  310.  (143.) 

From  Tho^npson's  Second   Collection  of 

Hook's     Vauxhall    and    Marijlcbon'e 

Songs  for  1774. 

Near  a  Neat  Little  Cot.     Song. 
See  Hook  (J.) 

Near  Pleasant  Woods.  The  Rurall  Lover. 
A  Song.     [London,  1715  ?]     s.  sh.  fol. 

H.  1601.  (321.) 


NEAR.  [Another  edition.]  Near  pleasant 
Woods.  The  Rurall  Lover,  etc.  [London, 
1715  ?]     s.  sh.  fol.  G.  316.  g.  (43.) 

Near  the  Courts  of  Great  Princes.  Song. 
See  Johnson  (A.)  Song-writer. 

Near  the  side  of  a  Pond.  Tlie  Miller's 
Song.  Sung  by  Mr.  Atkins  at  Sadler's 
Wells.     [Lo7idon,  1750  ?]     s.  sh.  fol. 

G.  310.  (156.) 
Near   the   side  of   a  Pond.     The  Miller's 
Song.     [Song.]     Sung  by  Mr.  Atldns. 
[London,  1753.]     8°.  157.  1.  15. 

London  Magazine,  1753,  p.  834. 

Near  the   side  of   a  Pond.     The    Miller's 
Song.     [London,  11 53.]     &\     249.  c.  23. 
Gentleman's    Magazine,    Vol.    XXIII., 
p.  482. 

Near  to  a  Silver  purling  Stream.  [Song.] 
.See  Moze  (J.  H.) 

Near  to  Porto  Bello  lying.  Hosier's  Ghost. 
[Song,  words  by  R.  Glover,  to  the  tune  of 
'  The  Sailor's  Complaint.']  Sk[illern  : 

London, Ills?]   s.sli.iol     G.  310.  (164.) 

NECTAR.     Le  Nectar  qu'  Hebe  verse  aux 
Dieux.     Air. 
See  Grandval  (N.  Ragot  de) 

NED.     Ned  that  died  at  Sea.     [Song.j 
See  DiBDiN  (C.)     [Christmas  Gambols.] 

NEDERLANDTSCHE  GEDENCK- 
CLANCK.  Neder-Landtsche  Gedenck- 
Clanck.     [Songs.]     See  Valerius  (A.) 

NEEFE      (Christian      Gottlob).        Die 
Apotbeke,  eine  comische  Oper  in    zween 
Acten,  etc.     [P.  F.  Score.] 
Bey  J.  F.  Jtmius  :  Leipzig,  1772.      obi.  4 '. 

C.  591.  b. 
Der   dumme   Gartner   oder    Die    beyden 
Anton,    eiu  comisches   Singspiel  in  zwey 
Aufziigen  fiirs  Clavier  gesetzt,  etc. 
Bei  N.  Simrock:  Bonn,  [1795 ?J      obi.  fol. 

E.  43. 
Die  Einspriiche,  eine  comische  Oper  in 
zwey  Aufziigen  vom  Herrn  Michaelis,  etc. 
[P.  F.  Score.]  In  der  Schivickertschen 

Buchhandhing  :  Leipzig,  1773.     obi.  4". 

C.  591.  a. 

Heinrich  und  Lyda,  ein  Drama  in  eiuem 
Aufzuge,  etc.     [P.  F.  Score.] 
Bey  H.    W.  F.   Flittner  :  Naumburg  vnd 
Zeiss,  nil.     obi.  4".  C.  591. 

Zwolf  Klavier-Sonaten,  etc. 
Bey  E.  B.  Schirickert :  Leipzig,  1773.    fol. 

g.  68.  (1.) 
Seeks  Neue  Klaviersonaten,  nebst  Veran- 
derungen  iiber  die  Melodie  der  Romauze 
aus  der  Jubelhochzeit :  Kunz  fand  einst 
einen  armen  Mann  &c.  [by  J.  A.  Hiller] 
und  iiber  ein  bekanntes  Arioso,  etc. 

Im  Schwickertschen  Verlage:  Leipzig, 
1774.     fol.  g.  68.  (2.) 


190 


NEEFE— NEIDHARDT 


NEEFE  (CHR1STIA^-  Gottlob)  [Der  Neue 
Gutsherr.]  Gesiinge  aus  dem  Neuen 
Guthsherru,  einer  Oper  in  drey  Auf- 
ziigen,  von  Dyck  und  Jiinger  ;  komponirt 
und  in  einen  Klavierauszug  gebracht  von 
Neefe.   2  Lief. 

Im  Verlage  der  Dyckischen  Buclihandlung : 
Leipzig,  1783  (1784).     ohl.  fol.  F.  77. 

Oden   von   Klopstock,    mit    Melodien... 
Zweyte  Auflage.  hi  der  Kortenschen 

Buchhandlung :    Flensburg  tend  Leipzig, 
1779.     obi.  fol.  E.  43.  a. 

Serenaten  beym  Klavier  zu  singen,  etc. 

Li  der  Di/kischen  Buchhandbmg  : 
Leipzig,  1777.  obi.  4".  E.  253.  b.  (13.) 
See  :\lARTiN  Y  Solar  (V.)  L'Arbore  di 
Diana  .  .  .  Fiirs  Clavier  eingerichtet  von 
C.G.  Neefe.      [1790?]     obi.  tol. 

E.  244.  d. 

See  Mozart  (W.  A.)  Le  Nozze  de  Figaro 
Oper  . . .  fiirs  Clavier  eingerichtet  von 
C.G.  Neefe.  [1796.]  obl.ioi.  E.  150.  u. 
Nee  Paisiello  (G.)  [La  Molinara.']  Ouver- 
ture  und  favorit  Arien  .  .  .  Fiirs  Clavier 
eingerichtet  von  C.  G.  Neefe. 
[1795?]    oW.  fol.  T>.  371.  b. 

^'ee  Salieri   (A.)     Axur  .  .  .  fiirs   Clavier 
eingerichtet  von  C.  G.  Neefe. 
[1795?]     obi.  fol.  E.  20. 

NE'ER.  Neer  a  Barrel,  the  better  Herring. 
[Song.]  -See  Ham't.  Han't  you  seen, 
Brother  Jockev,  etc.     [1720?]     s.  sh.  fol. 

H.  1601.  (197.) 
Ne'er  ah  ne'er  let  sorrow's  sting.     Song. 
See  LiNLEY  (T.)  the  Elder.     [Selinia  and 
Azar.'\ 

Ne're  complain  that  my  Flame  I  discover. 
Song.  See  Baptist,  Signor. 
Ne'er  leave  me  more  my  Treasiire.  [Song.] 
.See  Temple  op  Love. 
Ne'er  tell  me  of  liquors  from  Spain. 
Burton  Ale.  [Song.]  The  Words  by 
the  Editor.  Printed  for  A.  Portal : 

LwifZott,,  [1775  ?]     fol.        G.  310.  (148.) 
Ne'er  think  on  To-morrow.     [Song.] 
See  Come.    Come  push  round  the  bumper. 
[1780?]     s.sli.iol.  G.  307.  (102.) 

Ne'er  till  now  did  I  behold.  The  Charac- 
ter of  a  Young  Lady,  by  Mr.  E.  Gilding, 
[Song,]  Within  the  Compass  of  Common 
Flute,  or  German  Flute.  I  London, 

1750?]     s.  s/(.  fol.  G.  316.  e.  (91.) 

Neer  yet  was  a  name.  Abraham  Neicland. 
A... Comic  Song  written  by  C.  Dibdin, 
Jun'  and  sung  [to  the  air  of  the  Rogue's 
March]  bv  Mr.  Johannot.  H.  Himc  : 

Liverpool,  [1193  7]     fol.        G.  368.  (11.) 

NEGLECTED.  The  Neglected  Lover. 
[Song.]     See  Randall  (.J.) 

The  Neglected  Tar.     Song. 
See  DiGNUM  (C.) 


NEGLI.  Negli  Elisi  ombra  onorata. 
Song.     See  Anfossi  (P.) 

NEGLIGENTE.  II  Negligente.  [Opera.] 
See  CiAMPi  (L.  V.) 

NEGRESSE.  L'homme  dans  le  change- 
ment.  Vaudeville  de  la  Negresse  [words 
by  Radet  and  Barr6,  music  by  C.  F. 
Lescot].  Chez  Imbault : 

Paris,  [1787.]     8°.  B.  362.  e.  (65.) 

NEGRI  (Cesare)  Nuoue  Inuentioni  di 
Balli . . .  Conueneuoli  . . .  per  ogni  sorte  di 
Ballo,  Balletto,  &  Brando  d' Italia,  di 
Spagna,  &  di  Francia.  Con  figure  bel- 
lissime  in  Rame  ,&  Regole  della  IMusica, 
&  lutauolatura,  quali  si  richieggono  al 
Suono  et  al  Canto.  Diuisa  in  tre  Trattati, 
etc.  Appresso  G.  Bordone  : 

Milano,  1G04.     fol.  785.  m.  8. 

[Another  copy.]  62.  h.  18. 

NEGRI  (]\Iarc'  Antonio)  Affetti  Amorosi 
a  Tre  Voci  . . .  Nouameute  Composti,  & 
dati  in  luce.  Col  suo  Basso  C'ontinuo. 
Canto  Primo  (Secondo).  (Basso.)  S  pts. 
Apirresso  Angela  Gardano,  &  Fratelli: 
Ycnctia, 1608.     i".  D.  189. 

NEGRO.     The  Negro  Boy,  who  was  Sold 
by  an  African  Prince,  for  a  Metal  Watch. 
Song.     Sec  Miller  (E.) 
The  Negro  Girl.     [Song.]     See  Sad.     Sad 
was  de  Day,  eZc.     [1800?]     fol. 

H.  2832.  g.  (38.) 
The  Negro  Mother.     Ballad. 
See  Ross  (J.) 

The  Negro's  Complaint.     [Song.] 
See  Forced.     Forc'd  from  home,  etc. 
1793.     s.  sh.  4'\  P.P.  5141. 

The  Negro's  Lamentation.     Ballad. 
See  Howard  (W.) 
The  Negro's  Revels.     [Song.] 
See  Ambrose  (J.) 

NEGRO  SANTO  PIETRO  (Giulio  de) 
Gl'  Amorosi  Pensieri.  Canzonette  \"illa- 
neUe  et  Arie  Napolitane  a  Tre  Voci.  Da 
Sonare,  &  Cantare  su'l  Chitarone,  Claue- 
cimbalo,  &  altri  Stromenti  .  .  .  Libro 
Secondo.  Raccolte  da  Marcellino  Sana- 
rega.  Nouamente  Stampato.  Canto 
Primo  (Secondo).     (Basso.)     3  pts. 

A]}2>resso  Angela  Gardano,  rf-  Fratelli  : 
Venetia,  1607.     4".  D.  190. 

NEIDHARDT  (Johann  Georg)  J.  G. 
Neidhardts. .  .Beste  und  Leichteste  Tem- 
peratur  des  Monochordi,  vermittelst 
welcher  das  heutiges  Tages  briiucliliche 
Genus  Diatonico  Chromaticum  also  einge- 
richtet wird,  dass  alle  Intervalla,  nach 
gehoriger  Proportion,  einerley  Schwebung 
iiberkommen,  und  sich  daher  die  Modi 
regulares  in  alle  mid  iede  Claves,  in  einer 
angenehmen  Gleichheit,  transponiren 
lasseu,  etc.  Bey  Johann  Bielcken  : 

Jena,  1706.     4".  7897.  bb.  1.  (5.) 


NEIDHARDT— NENNA 


191 


NEIDHARDT  (Johann  Georg)  Gantz- 
lich  erschijpfte,  Mathematische  Abtheil- 
ungen  des  Diatonisch-Chromatisclien, 
temperirten  Canonis  ^lonochordi,  alwo 
...gezeiget  wird,  wie  Alle  Temperaturen 
zu  erfinden,  etc. 

Christoph  Gottfried  Eckart : 

Klhiigsbcrg,  1732.     4".  7896.  b.  8. 

On  the  title-page  is  tJie  autograpJi  of  C.  G. 

Neefe. 

Sectio   Canonis   Hamionici,  zur  volligeu 

Richtigkeit  der  Generum  Modulaudi,  etc. 

In  Verlegung  Christ.  Gottfr.  Eckarts  : 

Konigsberg,  172-i.     4°.  7896.  b.  7. 

NEIGHBOUR.  Neighbour  Sly.  [Song.] 
See  DiBDix  (C.)     [The  Quizes.] 

NEILSON  (Lawrence  Cornelius) 
See  NiELSON. 

NEL.     Nel  caro  seuo.     Air. 

Sec   ilARTiN  Y  Solar  (V.)     [L'  Isola  del 
Fiacere.'] 

Nel  cor  mi  sento  un  giubilo.     [Song.] 
See  Martin   y    Solar  (V.)      [La  Scuola 
de'  Maritati.] 

Nel  cor  piu  non  mi  sento.     Duetto. 
See  Paisiello  (G.)     [La  Molinara.] 
Nel  lasciarti  amato  bene.     Rondo. 
See  Andreozzi  (G.) 

[Another   setting.]     Nel  lasciarti   amato 
bene.     [Air.]     See  Tarchi  (A.) 
Nel  lasciarti  in  questo  istante.     Rondo. 
.See  Gatti  (L.) 

Nel  partir  bell'  idol  mio.     Air. 
Sec    Bach    (J.    C.)       [La    Clemenza    di 
Scipione.] 

Nel  seno  il  cor  mi  palpita.     Song. 
See  Alessandro  e  Timoteo. 

NELSON.  Nelson  and  the  Navy.  [Song.] 
See  Dibdin  (C.)  [A  Tour  to  the  LaiuVs 
End.] 

Nelson    and   the   Tars   of   Old   England. 
Song.     See  Mathews  (J.) 
Nelson's  Cap.     [Song.]     See  Moulds  (J.) 

Nelson's  Victory.     Song. 
See  Spofforth  (R.) 

NELSON'S  VICTORY.     Nelson's  Vic- 
tory.     A  Sonata    for    the    Piano    Forte. 
Inscribed  to  his  Lordship  by  the  Author. 
Longman  it  Broderip : 
London,  [1798.]     fol.  g.  138.  (20.) 

NELSON  (J.)  Retaliation,  or  an  Answer 
to  ;Mr.  Dibdin's  Song  of  Jlounseer  Nong 
Ton  Paw.     [Song.]  W.  Boag  : 

London,  [1797  ?]     fol.  G.  366.  (43.) 

NEMO  (Nicholas)  pseud.  Miss  Prue's 
Plea  for  a  Hoop,  by  Nicholas  Nemo, 
Organist  of  no  Town.  [Song,  begins : 
'  What  a  fine  Thing  have  I  seen  to-day.'] 
[London,  1710  ?]     s.  sh.  fol. 

G.  313.  (17.) 


NENNA  (PoiiPONio)  Di  Pomponio 
Nenna ...  II  Primo  Libro  de  Madrigali  a 
Cinque  voci.  Nouamente  dati  in  luce. 
Canto.  (Alto.)  (Tenore.)  (Basso.)  (Quinto.) 
5  pts.  Stampa  del  Gardano.  Appresso 
Bartlwlomeo  Magni :   Venetia,  1617.     4". 

C.  290. 
Also  containing  madrigals  by  S.  Fclis. 


[Another  copy.     Basso.] 


D.  186. 


Di  Pomponio  Nenna. .  .11  Quarto  Librp  de 
Madrigali  a  Cinque  Voci.  Canto.  (Alto.) 
(Tenore.)     (Basso.)     (Quinto.)     5  pts. 

Appresso  Angela  Gardano,  it  Fratelli  : 
Venetia,  1609.     4".  C.  293. 

Di  Pomponio  Nenna... II  Quarto  Libro 
de  Madrigali  a  Cinque  voci.  Terza  Im- 
pressione.  Basso.  Stampa  del  Gardano. 
Appresso  Bartholomeo  Magni:  Venetia. 
1617.     4".  D.  186.  a' 

Di  Pomponio  Nenna. .  .^Madrigali  a  Cinque 
voci.  Quinto  Libro.  Nouamente  Stampati. 
Canto.  (Alto.)  (Tenore.)  (Basso.)  (Quinto.) 
5  pts.  Appresso  VHercdc  di  Angelu 

Gardano  :  Venetia,  1612.     4°.         C.  294. 

Di  Pomponio  Nenna. .  .11  Sesto  Libro  de 
Madrigali  a  cinque  voci.  Canto.  (Alto.) 
(Tenore.)    (Basso.)    (Quinto.)     5  pts. 

Nella  Stampcria  di  G.  B.  Sottile. 
Per  S.  Bonino  :  Napoli,  1607.     4°. 

C.  295.  a. 

Di  Pomponio  Ntnna. .  .11  Sesto  Libro  de 
Madrigali  a  cinque  voci.  Nouamente 
Ristampati.  Canto.  (Alto.)  (Tenore.) 
(Basso.)  (Quinto.)  5  pts.  Stampa  del 
Gardano.  A'Jre  BartJiolomrei  Magni : 
Venetia,  1614.     4\  C.  295. 

Di  Pomponio  Nenna. .  .11  Settimo  Libro 
de  Madrigali  a  Cinque  Voci.  Canto.  (Alto.) 
(Tenore.)     (Basso.)     (Quinto.)     5  pts. 

Nella  Stampa  di  G.  B.  Sottile,  per 
S.  Bonino  :  Napoli,  1608.    4".    C.  296.  a. 

Di  Pomponio  Nenna... II  Settimo  Libro 
de  Madrigali  a  Cinque  Voci.  Terza  Im- 
pressione.  Canto.  (Alto.)  (Tenore.) 
(Basso.)  (Quinto.)  5  pts.  Stampa  del 
Gardano.  Appresso  Bartholomeo  Magni  : 
Venetia,  1616.     4".  C.  296. 

Di  Pomponio  Nenna... II  Settimo  Libro 
de  Madrigali  a  Cinque  Voci.  Quarta 
Impressione.     Basso.  Stampa  del 

Gardano.  Appjrcsso  Bartholoyneo  Magni : 
Venetia,  1624.     4°.  D.  186.  b. 

Di    Pomponio    Nenna. .  .L'Ottauo  Libro 

de     Madrigali    a    Cinque.        Nouamente 

.   .   .  dati    in    luce    da    F.    Archilei,   etc. 

Canto.  (Alto.)  (Tenore.)  (Basso.)  (Quinto.) 

5  pts.  Appresso  G.  B.  Robletti  : 

Roma,  1618.     4".  C.  297. 

This  work  also  contains  madrigals   by 

Gervasio  Melcarne  and  the  Prince  of 

Venosa. 


192 


NEPHTE— NEVER 


Ti-agedie. 


[Song.] 


[Song.] 

[Song.] 

Great    Britain   so 


NEPHTil.     Nephte. 
Sec  Le  :\Ioyxe  (J.  B.) 

NEPTUNE.     Neptune. 
See  Bach  (J.  C.)     . 

Neptune  and  Britannia.     [Duet,  begins  : 
'  Banish'd  to  some  hapless  Isle.'] 
Sec  Blewitt  (J.) 

Neptune      and      Britannia.  Cantata. 

[Begins  :  '  As  on  the  Sea-beat  Cliff.'] 
Set"  Caeter  (C.  T.) 
Neptune's  Command 
See  Green  (G.) 
Neptune's  Favorite. 
See  Great  Britain 
long,  etc.     [1798.]     fol. 

H.  2818.  f.  (44.) 

Neptune's  Resignation.     [Song.] 
Sec  WORGAN  (J.) 

NERON      (  )       Reveillez-vous,      ma 

musette.     Musette.     [Song.]  [Paris,] 

1726.     s.  sh.  4".  297.  a.  21. 

Mercure  de  France,  June,  1726. 

NERONE.     The  Favourite   Songs  in  the 

Opera  call'd  Nerone.     [A  Pasticcio.  ^  Full 

Score]  Printed  for  I.  WulsJi  : 

London,  [1754.]     fol.  H.  348.  e.  (3.) 

The   composers    named    are :      Pescetti, 

Cocchi,     Galoppi,    Hasse,    Abos    and 

Binaldo  da  Capua. 

NERVIUS  (Leonardus) 

Sec  Leonardus  Nervius,  a  Capacin. 

NEUBAUER  (Franz  Christoph)  Fer- 
nando und  Yariko.  Fin  Schauspiel  mit 
Gesang  von  K.  von  Ekhartshausen,  etc. 
[Full  Score.]  Bey  Orell, 

Gessner,  Fucssli  und  Compagnie  :  Zurich, 
[1788.]    fol.  I-  385. 

The  music  is  preceded  by  the  play,  with 
separate  pagination. 
A  Second  Set  of  Three  Concertanti  Duets, 
for  Two  Violoncellos. .  .Op.  x.    Printed  for 
W.  Forstcr  :  London,  [1795  ?]     fol. 

h.  219.  (12.) 

III.  Trios  pour  Flute  Violon  et  Viola... 

Oeuvre  14.     rSeparate  Parts.]  Chez  J. 

Andre:  Offenbach  s.  M.,  [1800?]  fol. 

•"  g.  694. 

Three  [or  rather  Six]  Trios . . .  Adapted  for 
Three  Flutes,... by  G.  Weiss.  2  Sets. 
[Separate  Parts.]  Longman  and  Broderip, 
for  the  Author  :   London,  [1790?]     fol. 

g.  222.  (8.) 
[Trio  for  Two  Flutes  and  Violoncello. 
Separate  Parts.]  Ste.  Monzani  (T.)  Two 
Trios  [by  J.  C.  Bach  and  F.  C.  Nsubaur] 
. .  .selected  by  T.  Monzani.  [No.  2.] 
[1800?]     fol.  g.  274.  b.  (3.) 

NEUBAUER  (Johank)  Sei  Quartetti 
per  Flauto  Traverso,  Violiuo,  Viola  e 
Violoncello.     [Separate  Parts.]  Presso 

Hoffmeister  :  Vienna,  [1800  ?]  fol.  g.  467. 


NEUBAUR  (Franz  Christoph) 

See  Neubauer. 
NEUE     GUTSHERR.        Der    Neuo 

Crutsheii'.     Oper.     See  Neefe  (C.  G.) 

NEUMANN  (Georg) 

See  Feast  of  Apollo.  The  Feast  of 
Apollo,  containing  .  .  .  Lessons  .  .  .  by. .  . 
Neuman,  etc.     [1788.]     fol.      G.  351.  (2.) 

NEUMARK  (Georg)  Betriibt-Verliebter 
doch  eutlich  hocherfrewter  Hiirte  Filamon 
wegen  seiner  edlen  Schiiffer-Nymfen  Belli- 
flora,  das  ist,  Kurtze  Liebes  beschreibung 
zweyer  Hoch-Edlen  Personen,  ...  in  ein 
Pastoral  gebracht,  vnd  die  darin  stehende. 
Lieder  mit  Jlelodeyen  und  Symfonien 
aussgeziehrt,  etc.  2  pts.  Li  Yerlegung 
Peter  Hdndels . . .  Gedruckt  durch  Johann 
Beusnern  :  Konigsberg,  1648.     8°. 

12410.  b.  14. 
There  is  a  separate  engraved  title-page. 

Georg  Neumarks. .  .Poetisch-  und  Musik- 
alisches  Lustwaldchen,  in  welches  erster 
Abtheilung. . .  Ehren-  und  Liebeslieder,mit 
bevgefiigten  Melodien. .  .euthalten  sind. 
Gcdrukkt  bey  Michael  Pfeiffern, 
in  Verlegung  J.  Naumanns :  Hamburg^ 
1652.     12".  11517.  aa.  5. 

NEUSIDLER  (Melchior)  II  Primo 
(Secondo)  Libro.  Intabolatura  di  Liuto 
di  Melchior  Neysidler  oue  sono  jMadrigali, 
Canzon  Francesi,  Pass'  e  mezi,  Saltarelli 
&  alcuui  suoi  Ricercari,  Nouamete  da  lui 
posti  in  luce.     2  Bks.  Apipresso  di 

Antonio  Gardano  :   TVju'fia,  1566.     fol. 

K.   8.   g.    3. 

NEVEN    (H.)      De   tons   les   Gar(,-ons   du 
Village.     Romance,  etc. 
[Paris,']  1774.     8°.  298.  e.  28. 

Mercure  de  France,  April.  1774. 

NEVER.  Never  believe  me  if  I  love. 
The  Careless  Lover,  [Song,  written]  by 
the  late  Sir  John  Suckling.  Set  for  the 
German  Flute.    [London,  1725?]  s.  sh.  fol. 

G.  316.  (100.) 

Never  think  of  Love.     Song. 

See  Storage  (S.)     [My  Grandmother.] 
Never  till  now.    Glee.     Set  Harrison  (S.) 
Never  till  now  I  felt  love's  dart.     'Twas 
you  alone,  if  you'll  believe  vie.      [Song.] 

J[ohn  and]  G[erard]  V[ogler  : 
London,  1770?]     s.  sh.  fol. 

H.  1994.  b.  (57.) 

Never  till  now  I  knew  Love's  Smart. 
[Song.]  Printed  for  N.  Steieart  : 

[Edinburgh,  1770  ?]     s.  sh.  fol. 

I.  530.  (108.) 

Never  yet  in  Ancient  story.  Welcome 
Nelson  Home  again.  A  Favorite  Song,  set 
to  Music  by  a  Lady  of  Fashion.  Printed 
for  J.  Dale  :  London,  [1798.]     fol. 

G.  376.  (48.) 


NEW— NICHOLLS 


193 


NEW.     New  Blessings,  new  Life.     Air. 
See  Ae^-e  (T.  A.) 

The  New  blown  Rose.     [Song.] 

See  Dale  (-Joseph) 

A  New  Figary.     [Song.] 

See  Ye.     Ye  beauteous  Nymphs,  etc. 

[1728  ?]     s.  sh.  fol.  G.  305.  (306.) 

The  new  Game  at  Pam.     [Song.] 

See  When.     When  Phillida  with  Jockev. 

[1705?]     s.sh.ioL  H.  1601.  (502.) 

New     Jockey.      Song.      Sec     My.      My 

Laddie  is  gang'd  far  away,  etc. 

[1768.]    8^  158.  1.  13. 

New  Kissing  Song.     See  Anglosiki  (    ) 

New  Lango  Lee,  with  Variations  for  the 

Harpsicord  or  Piano  Forte,  etc. 

Printed  for  Straight  d:  Skillern  :  London, 

[1775?]     fol.  g.  271.  b.  (9.) 

The  New  Mariners.     Glee. 

See  Callcott  (J.  W.) 

New  Reformation  begins  thro'  the  Nation. 

Song.     See  Purcell  (H.) 

The  New  Soger  Laddie.     [Song.] 

See  Hayes  (P.) 

The  New  Spinning-Wheel.     [Song.] 

See  One.     One  Summer's  Eve,  as  Nancv 

fair,  etc.     [1768.]     8".  P.P.  5438.  z. 

The  New  Spinning  Wheel.     [Song.] 

See  One.     One  Summer's  Eve,  etc. 

1769.     8".  159.  n.  1. 

The  New  Taxes.     [Song.] 

See  Budget.     The  Budget  is  open,  etc. 

[1783.]     s.  sh.  fol.  G.  312.  (172.) 

New  Tunbridge  Wells  at  Islington.    Song. 

See  Whence.     Whence  comes  it  that  the 

shining  Great.     [17-35?]     s.  sh.  lol. 

G.  313.  (162.) 

NEW   MERRY   COMPANION.     The 

New  3Ierry  Companion,  or  Complete 
Modern  Songster :  being  a  Select  Collec- 
tion of  .  .  .  Songs,  lately  Sung  at  the 
Theatres  . . .  also  A  Collection  of  the  most 
esteem'd  Catches  and  Glees.  Set  to 
Musick.  Printed  for  John  ^\lleblc  : 

London,  [1175?]     12".        11622.  bb.  12. 
The  catches  and  glees  alone   have   the 

music. 
The    New     Merry    Companion  .  .  .  The 
second  Edition  w""  considerable  additions. 

Printed  for  Wallis  d'  Stonchousc,  etc. : 
Lo7jf?on,  [1778?]     12".     11622.  aaa.  17. 

NEW  SPAIN.    New  Spain.     Opera. 
.See  Arnold  (S.) 

NEW     TREASURY     OF     MUSICK. 

The  New  Treasury  of  Musick  :  or,  a  Collec- 
tion of  the  Choicest  and  Best  Song-Books 
for  these  Twenty  Years  last  part.  The 
Words  composed  by  the  most  Ingenious 
Wits  of  this  Age,  and  Sett  to  Musick  by 
the  greatest  Masters  in  that  Science. 
With  a  Thorow-Bass  to  most  Songs,  for 

VOL.   II. 


the  Theorbo,  Lute  or  Bass-Viol,  Harpsi- 
chord or  Spinnet.  Printed  for  Henry 
Playford :  London,  1695.     fol.        G.  8'7. 
Tliis  work  consists  of  Books  i.,  n.  and  ir. 
of  the  '  Theater  of  Music '  (1685-7)  ; 
Books  ir.  and  v.  of 'Choice  Ayres  and 
Songs'  (1683-4),  ivith  the  above  neio 
title-page.    The  autographs  of  William 
Shield  and  Vincent  Novello  are  on  the 
inside  of  the  cover. 
NEWMARKET.        Newmarket      Horse 
Race.     [Son?.]     See  To.     To  Horse,  brave 
bovs  of  Newmarket,  etc. 
[1720?]     s.sh.iol.  G.  312.  (59.) 

NEWNESS  (J.)     What  Charming  Sounds 
are  these.     [Song.]     The  Words  made,  and 
Set  by  Mr.  J.  Neivness. 
[London,  1100?]    s.sh.io\.    1.530.(109.) 

NEWTON  (James  William)  Psalmody 
Improved  :  in  a  Collection  of  Psalm  Tunes 
and  Anthems,  for  Two,  Three,  and  Four 
Voices ;  to  which  is  added  a  Celebr.ited 
Anthem,  by  G.  F.  Handel,  etc. 

Printed  for  the  Author  : 
Ipsivich,  1775.     8".  C.  565. 

NEYBAUER  (Giovanni) 
See  Nel'bauer  (J.) 

NEZOT  (Gabriel)  See  Mozart  (W.  A.) 
[Die  Zauberflote.  Der  Vogelfdnger  bin 
ich.]  The  Fowler.  Arranged  as  a  Rondo 
...byG.  Nezot.     [1800 ?j     fol. 

g.  140.  (46.) 

See  Richer  (L.  A.)  Richer's  Hornpipe. 
Arranged  with  Variations  for  the  Piano 
Forte  by  G.  Nezot,  e^c.     [1800?]     fol. 

g.  271.  e.  (22.) 
NI.     Ni  I'aminte  ni  la  reine.     Air. 
See  DiDON. 

NICCOLAI  (Valentino)     See  Nicolai. 

NICE.  Nice  crovoit  qu'avant  vingt  ans. 
Chanson  Noicvelie.     [Pa?7S,  1780  ?]     8". 

B.  362.  b.  (117.) 

NICHELMANN  (Cheistoph)  [Brevi 
Sonate  da  Cembalo.  Op.  2.]  Six  Short 
Sonatas  or  Lessons  for  the  Harpsichord, 
etc.  Longman,  Lukey  and  Co.  :  London, 
[1770?]    o6Z.  fol.  f.  133.  1.  (3.) 

NICHOLLS  (George)  Twenty-five  Di- 
vertimentos, for  two  German  Flutes  or 
Violins,  etc.     [Separate  Parts.] 

Printed  for  the  Author  :  Cambridge, 
[1792?]     fol.  g.  225.  (7.) 

Six  Divertimentos,  for  two  German 
Flutes,  with  an  Accompaniment  for  a 
Violoncello  or  Piano  Forte  .  .  .  Op.  ii*. 
[Separate  Parts.]  T.  Preston,  for  the 

Author  :  London,  [1780  ?]     fol. 

h.  120.  (15.) 
NICHOLLS  (John)     Since  we're  depriv'd 
of  great  Anna.     A  Neio  Song,  etc. 
D.  Wright :  [London,  1114..]    s.  sh.  fol. 

H.  1601.  (408.) 
o 


194 


NICHOLSON— NICOLAI 


NICHOLSON  (I.)  My  lovely  Nymph. 
[Soug.]     The  Words  by  a  young  Lady. 

C\liarles  ami]  S[amucl\  T[homi)soii  : 
London,  1775  ?]     s.  sJi.  fol. 

H.  1994.  d.  (43.) 

NICHOLSON  (James)  A  Concise  Treatise 
on  Thorough  Bass  with  Practical  Lessons, 
selected  from  the  most  Eminent  Com- 
posers, with  their  Melodies  for  a  Violin, 
or  German  Flute,  illustrated  with  a 
Variety  of  Examples,  etc. 

W.  Cope,  for  the  Author  :  London, 

[1796?]    o6Lfol.  785.  k.  21.  (1.) 

The    lessons    are    by    Handel,    Corclli, 

Stanley,  Geminiani,  Abel  and  Avison. 

NICODEME    DANS   LA   LUNE.     A 

travailler  nous  perdons  le  courage.  Choeur 
des  Paysans.  De  Nicod^me  dans  la  Lune. 
[Words  and  music  by  L.  A.  Beffroy  de 
Reigny.l     Chez  Frere :  [Paris,  1791.]     8°. 

B.  362.  (101.) 

Colinette  au  bois  s'en  alia.  Eonde  de 
Nicodime  dans  la  Lune.  Avcc  Accompag' 
de  Guittare.  [Words  and  music  by 
L.  A.  Beffroy  de  Reigny.]  Chez  Frirc  : 
[Paris,  1791.]    8^  B.  362.  (98.) 

See  Colinette.     Colinette  n'i  a  pas 

mal   a  ca.      Beponsc  a  Colinette  dans 


d' 


Nicodime.    [1791.]    8".        B.  362.  (99.) 

Des  le  premier  raiou  du  jour.  [Song.] 
De  Nicodim[e]  dans  la  Lune.  [Words  by 
L.  A.  Beffroy  de  Reigny.]  Air  d'Azemia 
[by  N.  Dalayrac].  Chez  Frhx  :  [Paris, 
1791.]    8".  B.  362.  a.  (144.) 

Ma  foi,  c'est  agir  sans  fa^on.  Duo  de 
Nicodeme  dans  la  L^ine.  [Words  by 
L.  A.  Beffroy  de  Reigny.  Air  :  Je  brule 
de  voir  ce  chateau,  from  N.  Dalayrac's 
'  Raoul,  Sire  de  Cr^qui.']  Chez  Fr^re  : 
[Paris,  1791.]     8°.  B.  362.  (100.) 

Oui,  Messieux,  tout  1'  monde  en  France. 
[Song.]      De    Nicodeme    dans    la    Lime. 
[Words  by  L.  A.  Beffroy  de  Reigny.]    Air  : 
i'  Coeurs  sensibles  ']  de  Figaro. 
Clwz  Frere  :  [Paris,  1791.]     8°. 

B.  362.  (191.) 

Oui,  nous  perdons  1'  courage.  Duo  de 
Nicodeme  dans  la  Lune  [words  by 
L.  A.  Beffroy  de  Reigny,  adapted  to  '  Oui 
noir  mais  pas  si  diable '  by  A.  E.  M. 
Gretry].    Chez  Frirc  :  [Paris,  1791.]     8°. 

B.  362.  (115.) 

Tous  ceux  qui  n'  s'ront  pas  contents. 
Vaudeville.  De  Nicodeme  dans  la  Lune. 
[Words  by  L.  A.  Beffroy  de  Reigny.]  Air 
des  Fraise[s],  Chez  Frere:  [Paris, 

1791.]    8\  B.  362.  a.  (37.) 

NICOLAI  (Feiedeich) 
See  Seubeelich  (D.)  pseud. 


NICOLAI  (G.)  Trois  Duos  pour  un 
Violoncelle  et  un  Violon  . . .  Oeuvre  Pre- 
miere.    [Separate  Parts.] 

Chez  J.  Schmitt : 
Amsterdam,  [1797  ?]    fol.    g.  421.  g.  (1.) 

NICOLAI  (JoHANN  Gottlieb)  Six  Trios 
pour  le  Clavecin  accompagnes  d'un 
Violon  et  d'un  Violoncello  . . .  Oeuvre  iii. 
[Separate  Parts.] 

Se  vend  clu's  S.  Clement : 
Zwoll,  [1780  ?]     fol.  h.  5.  c.  (3.) 

NICOLAI  (Valentino)  A  Favorite  Con- 
certo for  the  Piano  Forte  or  Harpsichord 
with  Accompanyments  for  Two  Violins, 
Alto,  Bass  &  Flute... Op.  12.  [Separate 
Parts.]  Longman  and  Brodcrip : 

I/on(?o?i,  [1798  ?]  fol.  g.  116.  a.  (2.) 
A  Concerto  for  the  Grand  &  Small  Piano 
Forte,  with  Accompaniments  for  Two 
Violins,  Two  Flutes,  Alto  &  Violoncello 
. .  .Op.  14.     [Separate  Parts.] 

Brodcrip  d;  Wilkinson  : 
London,  [1790?]  fol.  g.  116.  a.  (3.) 
Six  Easy  Solos  for  the  Violincello  and 
Bass.  Compos'd  for. .  .Viscount  Galway 
. .  .Opera  viii.  Longman  and  Brodcrip  : 
[London,  1795  ?]     fol.  g.  24.  (9.) 

Six  Sonatas  for  the  Piano  Forte  or 
Harpsichord  with  an  Accompaniment  for 
a  Violin. .  .Opera  iii. 

J.  Welcker,  for  the  Proprietor : 
London,  [1775  ?]     fol.  g.  504.  (3.) 

Six  Sonatas. .  .Op.  in.  J.  Dale  : 

London,  [1781  ?]     fol.  g.  245.  (2.) 

Six  Sonatas,  for  the  Piano  Forte.  [Op.  3.] 
[1798.]  See  Periodical  Publications. — 
London.  The  Piano-Forte  Magazine. 
Vol.  IV.     [No.  9.]     [1797-1802.]     8°. 

D.  854. 

[Sonatas.  Op.  in.]  Niccolai's  Celebrated 
Rondos  from  Opera  in.  . . .  Adapted  for 
two  Performers  on  One  Piano  Forte  or 
Harpsichord.  Printed  for  J.  Dale  : 

London,  [1784  ?]     fol.  g.  130.  (9.) 

[No.  1.]     Nicolai's  favorite   Sonata 

from  Op.  3,  etc.     [P.  F.]  J.  Bland  : 

London,  [1790  ?]     fol.       g.  232.  e.  (16.) 

No.  b  of  "■  Bland's  Collection  of  Sonatas, 
Lessons,  Overtures  .  . .  for  the  Harpsi- 
chord or  Piano  Forte.'' 

[No.    1.]      Niccolai's    Sonata    from 

Opera  in.  for  the  Piano-Forte  or  Harpsi- 
chord with  au  Accompaniment  for  the 
Violin,  etc.  J.  Dale  :  London, 

[1795?]     fol.  g.  147.  (8.) 

Six  Sonatas  for  the  Harpsichord  or  Piano 
Forte,  with  a  Violin  Accompanj'ment 
Obligate. .  .Op.  v.     [Separate  Parts.] 

Longman  and  Brodcrip :  London, 
[1784.]     fol.  h.  1698. 

[Another  copy.]  g.  272.  e.  (6. 

Wanti7ig  the  Violin  part. 


NICOLAI— NIELSON 


195 


NICOLAI     (Valentino)      Four      Grand 

Sonatas  for  two  Performers  on  the  same 

Piano  Porte  or  Harpsichord . . .  Opera  ix. 

J.  Preston,  for  the  AiitJwr : 

London,  [1795  ?]     fol.      h.  1568.  d.  (3.) 

Six  Sonatas,  for  the  Piano  Forte  or 
Harpsichord . . .  Op.  xi. 

Longman  and  Broderip  : 
London,  [1797  ?]    fol.  h.  62.  (7.) 

Three  Sonatas  for  the  Grand  or  Small 
Piano  Forte.  With  an  Accompaniment 
for  the  Violin . . .  Op.  1.3.  [Separate  Parts.] 
Broderip  &  Wilkinson  : 
London,  [1799  71     fol.  g.  191.  (8.) 

Six  Trios  for  the  Harpsichord  or  Piano 
Forte  with  Accompanyments  for  a  Violin 
and  a  Bass  obligato.  Wclckcr  : 

London,  [1775  ?]    fol.         g.  274.  h.  (3.) 

Six  Trios  for  the  Harpsichord  or  Piano 
Forte  with  Accompanyments  for  a  Violin 
and  a  Bass  obligato. 

Longman  and  Broderip : 
I/oridon,  [1780?]     fol.       g.  271.  g.  (17.) 
Wanting  the  Bass  part. 

NICOLINI    (GUALTERO)      The    King    of 
Prussia's  March.     [Song,  begins  :  "  What 
Honours  are  to  Fred'rick  due."] 
[London,  1753.]     s.  sh.  fol. 

G.  316.  (101.) 

NICOMACHUS,  Gerasinus.    NiKo^dxow 
rtpajTTj.'oO  .  .   .  'Ap[ioviKTJs     'E-yx«ipiSiov. 

Nicomachi  Geraseni  ,  .  .  Harmonices 
Manuale.  Marc.  Meibomius  primus  vertit, 
ac  Notis  explicavit.  See  Meibomius  (M.) 
Antiqua?  Mu.sic£e  Auctores  Septem,  etc. 
Vol.  I.     1652.     4".  55.  b.  18,  19. 

NiKO}*.dxov  Ftpao-Tivou  'ApjioviKfjs  *Eyx«<-' 
piSiov.  Bi^Xia  8vo.  jS'ee  Aristoxenus. 
Aristoxenas.  Nicomachus.  Alypius.  Auc- 
tores Musices  antiquissimi,  etc.     1616.  4". 

519.  b.  27. 

[Another  copy.]  See  Aristoxencs.  Aris- 
toxenus.    Nicomachus,  etc.        52.  d.  29. 

in:EDT  (Friedrich  Erhardt)  F.  E. 
Niedtens  Handleitung,  zur  Variation, 
wie  man  den  General-Bass,  und  dariiber 
gesetzte  Zahlen  variiren,  artigelnventiones 
machen,und  aus  einen  schlechten  General- 
Bass  Proeludia,  Ciaconen,  .  .  .Giquen  und 
dergleichen  . . .  verfertigen  kunne,  etc. 
Auff Kosten des  Autoris . .  .beyB.  Schillern: 
Hamburg,  1706.     obi.  4°.  a.  31. 

F.  E.  Niedtens  Musicalische  Handleitung 
zur  Variation  des  General-Basses,  samt 
einer  Anweisung,  wie  man  aus  einem 
schlechten  General-Bass  allerley  Sachen 
...erfinden  konne.  Die  Zweyte  Auflage 
. .  .vermehret. .  .mit. .  .einem  Anhang  von 
mehr  als  60  Orgel-Wercken  versehen 
durch  J.  Mattheson,  etc.     (F.  E.  Niedtens 


Musicalischer  Handleitung  —  Dritter  und 
letzter  Tlieil, — . . .  Opus  Posthumum.  Deme 
beygefiiget  Veritophili  deutliche  Beweis- 
Griinde,  worauf  der  rechte  Gebrauch  der 
Music  beydes  in  den  Kirchen  und  ausser 
denselben  beruhet  . . .  mit  einer  Vorrede 
zum  Druck  befordert  von  Mattheson.) 
2  pts.  Bey  B.  Schillers 

Wittwe  und  J.  C.  Kissiier  :  Hamburg,  1721 
(1717).    obi.  4".  7895.  a.  66. 

Wanting  Part  I.  'Veritophili  deutliche 
Beweis-Grilnde '  lias  a  separate  title- 
page  and  pagination.  Part  III.  is 
ptcblished  by  '  Benjamin  Schillers 
Erben;  in  1717. 

[Another  copy.     Part  I.]  b.  169. 

Musicalisches  ABC.  Zum  Nutzen  der 
Lehr-  und  Lerneuden.  Bey  B.  Schillern  ; 
Hamburg,  1708.     obi.  4".  A.  677. 

Musicalische  Sonn-  und  Fest-Tags-Lust,. 
auf  alle  Sonn-  und  Fest-Tage  durchs  gantze 
Jahr,  welche  sich  griindet  erstlich  in 
einem  .  .  .  auf  Concerteu  Art  mit  fiiuff 
Vocal-  und  fiinfE  Instrument-Stimmen, 
und  ferner  in  einer  .  .  .  Arien,  mit  ii. 
Discant  und  Bass.  Welche  allemahl 
mit  einem  Chor  beschlossen  wird,  etc. 
[Pars  I.  —  Disc.  2  ;  Tenor  ;  Bassus ; 
Violino  2  ;  Viola  1  ;  Viola  2  ;  Violon  ; 
Bassus  Cont.  Pars  ii. — Disc.  1 ;  Disc.  2  ; 
Altus ;  Tenor ;  Bassus  ;  Violino  1 ;  Bassus 
Cont.]     15  pts.  L.  H.  ScJuJnermarck  : 

Sondershausen,  1698.     fol.  H.  26. 

NIEL  (Jean  Baptiste)  Les  Eomans. 
Ballet  Heroique  [written  by  M.  de  Bon- 
neval,]. .  .Grave  par  N.  Baillieul  le  Jeune. 
[Short  Score.]  Chez  la  Veuve  Boivin  : 

Paris.  [1736.]     fol.  I.  318. 

NIEIjSON  (Lawrence  Cornelius)  Balmy 
Pledge  of  Love  sincere.  A  favorite 
Ballad,  with  an  Accompanyment  for  the 
Piano  Forte  or  Harp.  The  Words  by 
. . .  L.  Booker,  etc. 

Longman  and  Broderip  :  [London, 
1785?]     fol.  H.  1653.  (37.) 

Croppies  lie  down  ;  A  Favorite  Irish  Air. 

Arranged  as  aEondo,  for  the  Piano  Forte. 

Printed  for  G.  Walker:  London, 

[1800  ?]    fol.  g.  272.  c.  (7.) 

Happy  the  Youth  whose  favour'd  Sight. 
A  favorite  Ballad,  with  an  Accompany- 
ment for  the  Harp  or  Piano  Forte. 

Longman  and  Broderip  : 
London,  [1790  ?]     fol.        H.  1653.  (38.) 

Nielsen's  Slow  IMarch  and  Quick  Step, 
for  the  Piano  Forte,  etc.  Preston  • 

LoncZwi,  [1800  ?]     fol.        h.  726.  i.  (16.) 

Three  Sonatas,  for  the  Harpsichord  or 
Piano  Forte,  etc.  Preston  : 

London,  [1785  ?]     fol.         g.  270.  g.  (4.) 

o  2 


196 


NIELSON— NIVEKS 


NIELSON  (Lawrence  Cornelius)  When 
absent  from  thy  much  lov'd  sight.  A 
favorite  Ballad,  with  an  Accompanyment 
for  the  Piano  Forte  or  Harp. 

Longman  c(:  Broderip : 
[London,  1790  ?]     fol.        H.  1653.  (39.) 

NIGHT.     Night.     Ballad. 
See  Stevenson  (Sir  J.  A.) 
The  Night  is  come.     [Song.] 
See  Pbanck  (J.  W.) 
The  Night  Piece.     [Song.] 
See  As.    As  Caelia  to  the  Covert  stray'd,  etc. 
[1770?]    s.sh.ioL        H.  1994.  a.  (79.) 
Night  Thoughts  on  a  Church  Yard.  [Song.] 
See  Zachariae  (.J.  F.  W.) 
The  Night  was  dark.     Song. 
Sec  LiNLEY  (W.)     [A  Trip  to  the  Na>-e.] 

NIGHTINGALE.        The      Nightingale. 
[Song,  begins :  '  While  in  a  Bow'r.'] 
Sec  Cabey  (H.) 

The  Nightingale.    Cantata  [begins :  '  Sweet 
minstrel '].     See  Hook  (J.) 
The  Nightingale.     Song  [begins  :  '  When 
the  Sun  with  feeble  light  'J. 
See  Moulds  (J.) 

NIMM.     Nimm  diesen  Frank.     Duett. 
Sec  Danzi  (F.)     [Der  Kuss.] 

NINA.  Nina.  Song.  Sec  Jones  (E.)  Bard. 
Nina,  or  the  Love  distracted  Maid,  [Opera,] 
Translated  from  the  French  with  all  the 
original  Music  [by  N.  Dalayrac],  adapted 
for  the  Voice  and  Harpsichord ...  to  which 
are  added  two  favorite  Airs  by  Haydn  and 
Gossec.  Frinted  for  G.  Gonlding  : 

London,  [1787.]  obi.  fol.  D.  283.  (1.) 
Dors  cher  enfant.  Choeur  dc  Nina.  [By 
N.  Dalayrac]  Avec  accompagnement  de 
Clavecin.  (Azile  donue  a  I'amour.  [Song.] 
Musique  de  Mr.  de  la  Croix.) 
Chez  Bonjotir  :  Paris,  [1800  ?]     fol. 

H.  346.  (25.) 
Feuille  p^riodique ,  No.  3. 
O   ma   Nina.      Air    de    Nina.      [By    N. 
Dalayrac]  Chez  Lc  Due  :  Paris, 

[1790?]    fol.  G.  561.  a.  (30.) 

Nina  ou  La  Folle  par  Amour.     Com6die. 
See  Dalayrac  (N.) 

NINA  ET  LINDOR.  Nina  et  Lindor. 
Intermede.     See  Duni  (E.  R.) 

NINETTE.     La  Ninette  povercina. 
[Song.]     See  Giardini  (F.)     [Ninetta.] 

NINETTE  A  LA  COUB.  Ninette  a 
la  Cour.     Com^die.     Sec  Favart  (C.  S.) 

NINETY  THREE.  Ninety  Three. 
[Song.]     See  Dibdin  (C.)     [The  Qtiizes.] 

NINFE.  Le  Ninfe  amorosete. — The  foolish 
scornful  Nymphs. — TJic  last  Air  sung  by 
Mrs.  Robinson  at  y  Theatre.  {London, 
1720  ?]     s.  sh.  fol.  G.  305.  (89.) 


NINON  DE  L',ENCLOS.  Ninon  de 
I'Enclos,  ou  I'Epicureisme.  Comedic- 
Vaudeville  en  uu  Acte  et  en  prose,  par  le 
C.  A.  Creuze. .  .Avec  des  Airs  notes. 

Chez  le  Libraire  au  TMatre  des 
Troubadours  :  Paris,  An  viii  [1800].     8". 
11738.  c.  26.  (4.) 

NISIUS  (Conrad)  Zwene  Christliche 
Psalmen. . .  Allen  KirchenvndChristlichen 
Gemeinen,  beydes  der  Stedte  vnd  Dorfier 
in  die  Superintendentz  Weissensee  gehorig 
...zu  nutze  mit  sechs  Stimmen  gesetzt, 
etc.  I.  (ii.)  Discantus.  (Altus.)  (i.  (ii.) 
Tenor.)  (Bassus.)  G  pts.  GedrucM  bey 
Georgio  Baioman,  dcm  Eltern  :  Erffnrdt, 
1593.     obi.  i".  A.  189. 

NITETIS.     [Opera.]     See  Mion  (J.  J.  H.) 

NITTETI.     Nitteti.     Opera. 
See  Sacchini  (A.  M.  G.) 

NIVERNOIS  (       )  Duke  de. 

See  Baebon  Mazarini  Mancini  (L.  J.  H.) 

NIVERS  (GuiLLAUME  Gabriel)  Chants 
et  jNIotets  a  I'vsage  de  I'Eglise  et  Com- 
munaute  des  Dames  de  la  Royale  Maison 
de  S'  Louis  a  S'  Cyr.  Tome  Premier, 
contenant  les  Messes,  Vespres,  Cere- 
monies, avec  les  Litanies.  Le  tout  Com- 
pose par  feu  M' Nivers. .  .Mise  en  ordre, 
et  Augment^e  de  quelques  Motets  par 
M'  C16rambault,  etc.  (Motets,  a  Une,  et 
Deux  Voix...Tome  Second,  contenant 
tous  les  ]\Iotets  qui  se  chantent  aux  Saluts, 
Compos(^es  par  M"  Nivers  et  Clerambault, 
etc.)     2  vols.  Gr^vie  par  L.  Hue  : 

[Paris,']  1733.     8".  D.  589. 

At  the  end  of  Vol.  I.  is  a  MS.  '  Messc  de 
S'  Yinceiit  de  Panic.'' 

Dissertation  sur  le  Chant  Gr6gorien,  etc. 

Aux  di'pcns  de  VAutheur  :  Paris, 
1683.     8".  785.  b,  53. 

Lamentationes  Jeremise  Prophetge. 
Quarum  Modulatio  correcta  &  concinnata, 
etc.  Typis  J.  B.  Christophori  Ballard  : 
Lutecix  Parisiorum,  1719.     8".     B.  748. 

1.  (2.)  Livre  d'Orgue  contenant  Cent  Pieces 
de  tous  les  Tons  de  I'Eglise,  etc.     2  vols. 

Chez  VAutheur  (Gravipar  Ludcrs)  : 
Paris,  1667.     obi.  4".  K.  8.  b.  10. 

Motets  a  Voix  Seule,  accompagn6e  do  la 
Basse  Continue.  Et  quelques  autres 
Motets  a  deux  Voix,  propres  pour  les 
R61igieuses.  Avec  I'Art  d'accompagner 
sur  la  Basso  Continue,  pour  I'Orgue  et  le 
Clavecin.  Chez  V Authenr  : 

Paris,  1689.     obi.  4".  B.  748.  a. 

Passiones  D.  N.  J.  C.  cum  Benedictione 
Cerei  Paschalis ;  quarum  Modulatio 
correcta  &  concinnata,  etc.  Typis . . . 

Joannis-Baptistti'-Christophori  Ballard : 
Lutcci^e  Parisiorum,  1723.     4".      E.  511. 


NO 


197 


NO.  No  anxious  Care  my  Heart  can  know. 
Song.  See  Tenducci  (G.  F.)  [Love  at 
First  Sight.] 

No   Charms,   I've   heard  my   Chloo   say. 
The    Address    to    Chloo.      [Song,   by   W. 
Defesch.]     See    Chloe.       Chloe,    or    the 
Musical  Magazine,  etc.     No.  11. 
[1760?]     fol.  G.  433. 

No  Drury  nymph,  so  smart  and  gay. 
Polli/.    A  new  Song.     [London,  1757.]    8". 

P.P.  5438.  z. 
JJyiivcrsal  Magazine,  Vol.  XX.,  p.  329. 

No  flow'r  that  blows.     [Song.] 

Sep-  LiNLEY  (T.)  the  Elder.     [Seliina  and 

Azor.] 

No  glory  I  covet.  Content  hy  Raison.  A 
Duetto.     [London,  1740  ?]     fol. 

G.  315.  (147.) 
hnpcrfcct,  p.  1  only. 

[Another  setting.]  No  glory  I  covet. 
Coyiten[t]ment.  A  new  Song.  [London, 
1745  ?]    s.  sh.  fol.  G.  316.  e.  (92.) 

No  glory  I  covet.  Contentment ;  a  new 
Song.    [London,  1750.]    8".      249.  c.  20. 

Gentleman's  Magazine,  Vol.  XX.,  p.  275. 

No  Glory  I  covet.  Contentment.  A  New 
Song.     [London,  1750.1     8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  VI.,  p.  176. 

No  good  without  an  exception.     [Song.] 
See  DiBDiN  (0.) 

No  Highland  lad  or  dear  pantin.    The  Irish 
Lassie.     A  New  Song.     [By  R.  Davies.] 
[London,  1751.]     8°.  157.  1.  13. 

London  Magazine,  1751,  p.  228. 

No,  il  mio  cor  nol  suffrira.     [Song.] 

See  MoxsiGNY  (P.  A.)     [La  Belle  Arscne. 

No7i,j'ai  trop  defierti.'] 

No  Language  but  that  of  the  Heart.  Song. 
See  Makian. 

No  Lass  on  fam'd  Hibernia's  Plains.  The 
Plan.    A  New  Song.    [London,  1758.]    8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XXIII.,  p.  31. 

No  !  let  the  guilty  tremble.     Song. 
See  Haendel  (G.  F.)     [Satil] 

No  longer  heave  the  heart-felt  sigh.  Duet. 
See  Sanderson  (J.)     [Blackbeard.'] 

No  longer  let  whimsical  Songsters  com- 
pare. Wojnan.  [Song.]  Sung  by  Mr. 
Lowe  at  Vaux-hall.     [London,  1761.]     8°. 

P.P.  5140. 
Lady's  Magazine,  Vol.  III.,  p.  81. 

No  longer  let  whimsical  Songsters  com- 
pare. Woman.  A  New  Song.  .  .Sung  by 
j\Ir.  Lowe.     [London,  17G1.]     8'\ 

158.  1.  6. 
London  Magazine,  1761,  p.  552. 


NO.     No   longer   let   whimsical    Songsters 

compare.      Woman.      [Song.]      Sung    by 

IMiss  Lowe  at  Vauxhall.  [London,] 

1761.     8°.  P.P.  5441. 

Boyal  Magazine,  Vol.  V.,p.  149. 

No  longer  let  whimsical  songers  [sic] 
compare.  Woman :  A  New  Song,  sung 
by  Mr.  Lowe.     [London,  1761.]     8". 

P.P.  5438.  z. 
Universal  Maxjazitie,  Vol.  XXIX.,  p.  95. 

No  longer  lot  whimsical  Songsters  com- 
pare. Woman.  [Song.]  Sung  by  Mr. 
Lowe.     [London,  1765  ?]     s.  sh.  fol. 

G.  316.  e.  (93.) 

No  Magic  like  Gold.  [Song.]  See  This. 
This,  this  and  this  only  is  true  Conjura- 
tion, etc.     [1770  ?]     5.  sh.  fol. 

G.  316.  (139.) 

No  INIaiden  sure  was  ever  teaz'd.  The 
Fickle  Stoain.     [Song.] 

C[harles  and]  S[amuel]  T[hompson  : 
London,  1775  ?]     s.  sh.  fol. 

G.  310.  (140.) 

No  moralist  since  can  blame.  T)te  Original 
Coal-black  Joak.     [Song.]  [London, 

1730  ?J    s.  sh.  fol.  G.  316.  e.  (99.) 

No  more  for  another  my  bosom  should 
glow.  Daphne.  A  New  Song.  [London, 
1757.]     8".  158.  L  2. 

London  Magazine,  1757,  p.  452. 

No  more  his  Fears  alarming.     Song. 
See  Storage  (S.)     [The  Firatcs.] 

No  more  I'll  dread  Love's  fatal  dart. 
Song.     See  Hudson  (R.) 

No  more  invade  me.     Song. 
See  Hercules. 

No  more  my  Song  shall  be.  The  Highland 
Queen.  A  New  Song.  [Words  by  Mac 
Vicar.]     [London,  1764.]     8». 

P.P.  5438.  z. 
Universal     Magazine,     Vol.     XXXIV., 
p.  207. 
No  more  my  Song  shall  be.     The  High- 
land Queen.     [Song.]         [London,  1770?] 
s.  sh.  fol.  G.  310.  (170.) 

[Another  edition.]  No  more  my  Song 
shall  be.  The  Highland  Queen.  [Song.] 
[London,  VllQl]     s.  sh.  io\. 

H.  1994.  d.  (44.) 

[Another   edition.]      No   more   my   Song 

shall  be.     The  Highland  Queen.     [Song.] 

B.  Falkcncr  :  London,  [1775  ?]     s.  sh.  fol. 

H.  1994.  a.  (203.) 

No  more,  no  more  by  Fears  oppressed. 
Duetto.     See  Mazzinghi  (.L) 

No  more,  oh  !  then  my  Soul.  A  Midnight 
Thought.  A  new  Song,  etc.  [By  L. 
Abington.]     [London,  1753.]     8*. 

157.  1.  15. 
London  Magazine,  1753,  p.  85. 


198 


NO— NOFERI 


NO.  No  more  shall  Buds  or  Branches 
spring.  A  Favourite  Song  sung  by  Mrs. 
Baddely  at  Ranelagh.  W[illiam]  Nlcqncr  : 
London,  1770  ?]    fol.     H.  1994.  d.  (45.) 

No    more    shall    meads   be   deck'd   with 
flow'rs.     Alexis;  or  the  Faithful  Sioain ; 
from  a  MS.     [Song,  words  by  T.  Carew.] 
[London,  1752.]     Q".  249.  e.  22. 

Gentleman's   Magazine,  Vol.  XXII.,  p. 

574.     A  different  setting  from  Boyce's 

Song  '  The  Protestation.' 

[Another  setting.]  No  more  shall  IMeads 
be  deck'd  with  Flow'rs.  The  Protestation. 
A  New  Song.  C[harles  and]  S[anmcl] 

T[hompson]  :  London,  [1770  ?]    s.  sh.  fol. 

G.  297.  (30.) 
A  different  setting  from  that  of  Boyce. 

No  more  silly  Pipe.  Molly.  A  new 
Song.     [London,  1760  ?]     s.  sh.  fol. 

G.  316.  e.  (95.) 

No  more  the  dear,  the  lovely  Nymph. 
Song.     See  Bloav  (J.) 

No  more  with  Unavailing  Woe.     Air. 
See  Bach  (J.  C.)     [Gioas.] 

No   more,  ye   swains,   no   more   upbraid. 
Tlie  Distrest  Lover.     [Song.] 
[London,]  1760.     8".  P.P.  5441. 

Boyal  Magazine,  Vol.  II.,  p.  217. 

No  more,  ye  Warbling  Birds  rejoice. 
[Song.]     See  Callcott  (J.  W.) 

No,  never  hope  I'll  change  my  mind. 
[Song.]     Sec  Akeroyde  (S.) 

No,  no,  I  never  love  thee  less.  Rondeau. 
Sec  King  (R.) 

No,  no,  no ;  I  will  no  more  believe  thee. 
— No,  no,  no;  non  voi  piu  star  in  pene. 
An  Aire  sung   by  the   late  Mr.   Purbeck 
Turner  at  the  Theatre  in  Brury  Lane. 
[London,  1715  ?]     s.  sh.  fol. 

G.  316.  g.  (44.) 
No,  no,  no,  it  must  not  be.     Song. 
See  Hook  (J.) 

No,  no,  you'd  deceive  me.     Song. 
See  Calypso  and  Tblemachus. 

No  nymph  that  trips.  A  New  Song,  etc. 
[London,  1756.]     8".  250.  e.  3. 

Gentleman's    Magazine,     Vol.    XXVI. 
p.  189. 

No    nymph    that    trips.     A   New    Song. 
Sung  at  the  publick  Gardens,  etc. 
[London,  1756.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XIX.,  p.  229. 

No  Riches  from  his  scanty  Store.  [Song.] 
See  Graefp  (J.  G.) 

No  Shepherd  was  like  Strephon  gay. 
A  neiv  Song.     [London,  1755.]     8°. 

157.  1.  17. 
London  Magazine,  1755,  p.  243. 
No   Sport  to    the    Chace    can    compare. 
Song.     See  Arnold  (S.) 


NO.  No,  'twas  neither  Shape  nor  Feature. 
Song.  Sec  Moetellari  (M.)  [The  Flitch 
of  Bacon.] 

No  Waist  at  all.     Song.     See  Hook  (J.) 
No  watch,  dear  Celia,  just  is  found.    Song. 
See  PuRCELL  (H.) 

NO    SONG    NO    SUPPER.     No   Song 
no  Supper.     Comic  Opera. 
See  Storage  (S.) 

NOBLE  PEASANT.  The  Noble 
Peasant.     Comic  Opera.     See  Shield  (W.) 

NOBLE  ROTURIER.  Le  Noble 
Roturier,  Com6die  en  un  Acte,  melee  de 
Vaudevilles  ;  par  J.  B.  Radet,  etc.  [With 
music  to  some  of  the  songs.] 

Thi'dtre  dtc  Vaudeville  :  Paris,  An 
deuxieme  [1794].    8°.     11738.  m.  4.  (9.) 

NOBLET      (Charles)      Agreable   sejour, 
ou  mon  ame   charmee.      Air  tendre,  etc. 
Gravi  par  JIJ""  Labassee.    Imprime  par 
Tournellc  :  [Paris,]  1757.     s.  sh.  8". 

297.  d.  10. 
Mercure  de  France,  Bee,  1757. 
Dans  un  r^dnit  d^licieux.     Air.      [Paris,] 
1738.     s.  sh.  i".  297.  b.  23. 

Mercure  de  France,  April,  1738. 

NOBODY.      Nobody.      [Song.]      See     I. 
I'll  sing  you  a  Song,  Sirs. 
[1770?]     s.  sh.iol.  G.  309.  (122.) 

NOCE  BilARNAISE.  Roder,  veiller, 
sans  cesse  etre  aux  aguets.  Ariel  te  de  la 
Noce  Bdarnoise.  [Music  by  Leblanc] 
Chez  Imbault :  Paris,  [1787.]     8". 

B.  362.  c.  (72.) 

NOCES  DE  DORINE.  Les  Noces  de 
Dorine,  ou  Helene  et  Francique.  Opera. 
See  Sarti  (G.)  [Fra  i  due  Litiganti  il 
terzo  gode.] 

NOCES  DE  VENUS.  Les  Noces  de 
Veuiis,  ou  Les  Filets  de  Vulcain,  Opd'ra 
Comique  en  un  acte.  [Written]  Par  ]\Ir. 
de  Hautemer.  [With  the  voice-parts  of 
nine  songs.]  CJiez  Pierre  Gosse  Junior  : 
La  Hayc,  1751.     8".  242.  g.  21. 

Part  of  the  '  Thi'dtre  de  laHaye,'  Tom.  4. 

NOD.  The  Nod  Wink  and  Smile.  [Song.] 
See  Let.  Let  fusty  old  Greybeards  of 
Apathy  boast,  etc.     [1785  ?]     s.  sh.  fol. 

I.  530.  (89.) 

NOEL    (Nathaniel)      See    Songs.      The 
Circle,   or    Conversations    on    Love    and 
Gallantry. .  .Augmented  with  several  New 
Songs,  etc. 
1676.     8".  12330.  b.  40. 

NOFERI  (Giovanni  Battista)  The  Opera 
Dances  for  1778  including  the  favorite 
Spanish  Dance  as  performed  by  Mens' 
Simonet  &  Mademoi'"  Baccelli.  Composed 
&  adapted  for  the  Harp  Guittar  Ger" 
Flute  and  Piano  Forte,  etc.  Welcker  : 

London,  [1778.]    obi.  4°.  b.  51.  e. 


NOFERI— NON 


199 


NOFERI  (Giovanni  Battista)  The  Opera 
Dances  for  1779. . .  Composed  and  Adapted 
for  the  Violin,  German  Flute  and  Piano 
Forte,  etc.  John  Wclckcr  :  London, 

[1779.]    ohl.  4".  b.  51.  a.  (6.) 

The  celebrated  Dances  performed  by  the 
Mess"  Vestris  &c.  at  the  King's  Theatre 
in  the  Hay  Market,  1781.     3  Books. 
J.  Blundell :  London,  [1781.]     obi.  4°. 

b.  57.  b.  (4.) 
Six  Duettos,  three  for  two  Violins,  and 
three  for  a  Violin  and  Violoncello.  .  .Op. 
XIV.     [Separate  Parts.] 

Printed  for  the  Atdhor  : 
London,  [m5-7]     fol.  g.  669.  c. 

Six  Solos  for  a  Guitar  with  a  Thorough- 
Bass  for  the  Harpsichord.  .  .Opera  Terza. 

Printed  for  J.  Joltnson  : 
London,  [1765  ?]     fol.  g.  660.  (3.) 

Eight  Solo's  for  a  Violin  with  a  Bass  for 
the  Harpsichord  or  Violoncello,  etc. 

J.  Co.v,for  the  Author  : 
London,  [1760.]     fol.  g.  669.  d. 

A  presentation  copy  from  the  comp)Oscr, 
dated  1760. 

Six  Solos  for  a  Violin  and  Bass. .  .Opera 
Seconda.  Printed  for  J.  Johnson  : 

London,  [1765  ?J     fol.  g.  669.  a. 

Sei  Soli  di  Violino  e  Basso. .  .Opera  viii. 
{London,']  (1765.)     ohl.  fol.  e.  747. 

Six  Solos  for  the  Violin  and  Bass  .  .  . 
Opera  xi.   [LorJ^on,  1770  ?J   fol.     g.  669. 

[Another  edition.]  Six  Solos  for  the  Violin 
and  Bass. .  .Opera  xi. 

Longman,  Lulccij  d  Co. : 
London,  [1772  ?]     fol.         g.  422.  e.  (5.) 

Six  Sonatas  or  Duets  for  Two  Violins. . . 
Opera  iv.  [Separate  Parts.]  Welckcr  : 
London,  [1770  ?]     fol.  g.  421.  c.  (1.) 

[Another  edition.]  Six  Duets  for  Two 
Violins. .  .Opera  Quarta.  [Separate 

Parts.]  Printed  for  J.  Longman  d  Co. : 
London,  [1770  ?]     fol.         g.  421.  d.  (4.) 

Six  Sonates  a  Deux  Violons,  etc.  [Op.  iv. 
Separate  Parts.]  Ch4:z  B.  Hummel : 

La  Haxje,  [1775  ?]     fol.  h.  2910.  (3.) 

Six  Sonatas  for  Two  Violins  and  a  Bass. . . 
Opera  vii'"\    [Separate  Parts.] 

R.  Bremner : 
London,  [1770  ?]   fol.        h.  2851.  e.  (1.) 

Six  Trios  for  two  Violins  with  a  Thorough 
Bass  for  the  Harpsichord  .  .  .  Op.  xiii. 
[Separate  Parts.] 

W.  Napier,  for  the  Author  : 
London,  [1775  ?]     fol.  g.  669.  b. 

Six  Trios,  Three  for  a  Violin,  Tenor  & 
Violoncello  and  Three  for  Two  Violins  & 
a  Violoncello. .  .Opera  xv.,  etc.  [Separate 
Parts.]  J.  Rutherford : 

London,  [1780  ?]     fol.         g.  274.  h.  (4.) 


NOFERI  (Giovanni  Battista)  Six  Trios 
for  two  Violins  and  a  Violoncello  .  .  . 
Op.  17.  [Separate  Parts.]  J.  Blundell : 
London,  [1780  ?J     fol.  g.  669.  e. 

NOIRE.     Noire  foret,  ah !  que  j'aime  ton 
ombre.     Air.     [Paris,~\  1725.    s.  sh.  4°. 
Mercure  de  France,  July,  1725. 

297.  a.  15. 

NOLA  (Giovanni  Doxienico  da)  Liber 
Primus  Motectorum  Quinque  Vocum. . . 
Nouiter  ab  ipso  authore  congesti,  etc. 
Bassus.  Apud  Hieronymum  Scottum  : 

Venetiis,  1549.     obi.  4^  K.  3.  e.  16. 

See  L'Arpa  (G.  L.  di)  Canzon  Napolitaue 
.  .  .  Libro  Secondo  Di  L'Arpa  .  .  loan 
Dominico  da  Nola,  etc.     1566.    8°. 

A.  247. 

NOIiCKEN    (G.  H.)  Baron.   Crazy  Jane, 
[Song,]  written  bv  M.  G.  Lewis,  etc. 
T.  Skillern:  London,  [1799?]     fol. 

G.  866.  (44.) 

NOME.     II  Nome.     Cantata. 
See  AsiOLi  (B.) 

NON.  Non,  ce  n'est  qu'aux  amans  heureux. 
Air  tendre.  Rccoquilli^c  : 

[Paris,]  1770.     s.  sh.  8".  297.  e.  29. 

Merciirc  de  France,  Jan.,  1770. 
Non,  de  ces  ncEuds  que  j'abhore.     Trio. 
See     Tarchi     (A.)       [Le     Trente    et    le 
Quarante.] 

Non  ^  la  mia  Sperauza.     [Aria.] 
See  Sacchini  (A.  M.  G.)     [Perseo.] 
Non  e  si  vago  e  hello.     Song. 
See  GiULio  Cesare. 

Nonfidi  al  Mar  che  freme.  Tlie  Chcarfull 
Glee  [by  S.  Webbe  the  Elder]  which 
gained  a  Prize  on  the  4'"  of  May  1790. 
Thus  early  published  for  the  Use  of  the . . . 
jMembers  of  the  Catch  Club,  etc. 

Longman  and  Broderip,  for  the  Editor  : 
London,  [1790.]     obi.  fol.        E.  207.  (7.) 

Non,  je  ne  SQais  qu'aimer.  Duo,  de  V Amour 
et  de  Bacus.     [Paris,  1780  ?]     S". 

B.  362.  a.  (56.) 
Non,  je  ne  veux  plus  aimer  Aminte.  Air 
Nouveau.     [Paris,]  1724.     s.  sJi.  4°. 

297.  a.  9. 

Mercure  de  France,  August,  1724. 
Non,  I'Amour  est  trop  dangereux.     Air  a, 
Boire  [for  two  voices]  etc. 
[Paris,]  1730.     s.  sh.  4\  298.  a.  11. 

Mercure  de  France,  Jane,  1730. 

Non  lagrimar  ben  mio.     [Duet.] 
See  Tarchi  (A.)     [Virginia.] 

Non,  laisse  moi,  laisse  moi,  Lucas.  Duo. 
See  CiFOLELtii  (G.)     [Perin  et  Lttcette.] 

Non  lo  voglio  non  lo  prendo.     Duetto. 
See  Paisiello  (G.)     [La  Locanda.] 

Non,  mon  coeur  soufEre  moins  de  peines. 
Air.     Sec  Olimpiade. 


200 


NON— NOT 


NON.      Non,    non,     disoit     un     Biberou. 
[Song.]     See  Bessant  (      ) 
Non,  non,  Doris,  ne  pense  pas.     L'Amant 
gindrcux.     [Song.]     [Paris,  1780  ?]     8". 

B.  362.  (246.) 
Non ,  non  jc n'irai  plus au  bois.    La  Bergcie 
timide.     Aricttc  NouvcUe. 
[Paris,  1780  ?]     8°.  B.  362.  b.  (34.) 

Non,  non  sans  t'offencer.     Air. 
Sec  Chimenk. 
Non  piangeto.     Song. 
Sec  BiAxcHi  (F.)     [Antigona.'] 
Non  quand  I'amour  chercheroit  k  me  plaire. 
Ariettc  NouvcUe.     [Paris,  1780  ?]     80. 

B.  362.  b.  (63.) 
Non,  rien  ne  pent  me  consoler.  Air  s^rieiix. 
[Paris,]  1748.    s.  sh.  4".  297.  c.  19. 

Mcrcure  de  France,  Dec,  1748. 
Non  sparate  mi  disdisco.     Aria. 
See  Haydn  (F.  J.)     [La  Vera  Costanza.] 
Non  temer,  a  favourite  Song,  etc.     [From 
F.  G.  Bertoni's  '  Demofoonte.'] 
Eli-i'  Ithamcs:  Wtibliu,  llld'?]     fol. 

H.  1601.  a,  (63.) 
Non  temer,  bell'  idol  mio.     [Song.] 
See  Bertoni  (F.  G.)     [DotMfuonte.] 
Non,  tous  les  ccBurs  soumis  a  ton  empire. 
Chanson.  Gravt' ]yar  M"  Char- 

pentie.    Imprivid  par  Tournelle  :  [Paris,] 
1761.     s.  sh.  8".  297.  d.  31. 

Mcrcure  de  France,  Oct.,  17G1. 
Non,  Venus  n'est  pas  comparable.     Air. 
[Paris,]  1755.     s.  sh.  8°.  298.  e.  26. 

Mcrcure  de  France,  December,  1755. 
Non  vi  piacque.     Song. 
Sec  Haesdel  (G.  F.)     [S'lroe.] 

NONE.     None  so  pretty.     [Song.] 
See  DiBDiN  (C.)     [The  Quizes.] 

NO-NI-NO.     No-Ni-No.     [Song.] 
See  Kelly  (M.)     [Feudal  Times.] 

NONNEN-LIEDER.         Nonncu-Lieder 
mit  :\lelodien.     iClotha'?]  1112.     8". 

11521.  de.  14.  (4.) 

NONPAREIL.     TheNon-pariel.    [Song.l 
See  BoYCE  (W.) 
The  Nonpareil.     [Song.] 
Sec  Webbe  (S.)  the  Elder. 

NONPAREILLE.     The  non  pareille. 
[Song.]     Sec  There.      There   never   was 
nor  e'er  will  be.     [1740?]     s.  sh.  fol. 

H.  1994.  b.  (81.) 

NONSENSICAL.        Nonsensical       folks 
prepare.     Song.      See  Hemming  (     ) 

NOON.      Noon.      Rondo    [begins :     ■  "Tis 
fervid  Noon  '].     See  Casson  (^I.) 
Noon.     Song   [begins:    'Fervid   now   the 
sunbeams  glow  '].     Sec  Hudson  (R.) 
Noon.     Ballad  [begins :    '  Fervid  on  the 
glitt'ring  flood ']. 
See  Stevenson  {Sir  J.  A.) 


NOONTIDE.  The  Noontide  Air.  [Song.] 
Sec  Aenk  (T.  a.)     [C'oTOJis.] 

NOORDT  (Sybrandus  van)  Sonate  per 
il  Cimbalo  appropriate  al  Flauto  &  \'iolino 
...Opera  Prima.  Stampata  con...spcc<: 
di  Henrico  Anders. .  .m  casa  di  Sebastian 
Peizold  :  Aynsterdam,  [1690  ?]     fol. 

K.  1.  i.  18. 

NORFOLK.     The  Norfolk  Shop-Keeper. 


Song. 


Sec  Dale  (Joseph) 


NORRIS  (Thomas)  Six  Simphonios  for 
two  Violins,  two  Hautboys,  two  Frencli 
Horns,  a  Tenor  and  Bass... Opera  1'"'. 
[Separate  Parts.]  Printed  for  tlic  Author  : 
London,  [1765  ?]  fol.  h.  2771.  a.  (1.) 
Eight  Solo  Songs,  adapted  for  the  Voice 
and  Harpsichord,  composed  by  the  late 
T.  Norris,  etc.  Printed  far  W.  Mathews  : 
Oxford,  [1795  ?]  fol.  G.  806.  i.  (10.) 
See  Amusement  for  the  Ladies.  Amuse- 
ment for  the  Ladies,  being  a  Selection  of 
. . .  Glees  and  IMadrigals . . .  by . . .  Messrs. 
Atterbury,. .  .Norris,  etc. 
[1791-93.]     obi.  fol.  E.  61. 

NORTH.  The  North  Country  Lass.  Song. 
See  There.  There  was  a  fair  maiden,  etc. 
[17G9.]     8".  P.P.  5438.  z. 

NORTH  (Francis)     1st  Baron  Guilford. 
Sfc.    Essay.      A    Philosophical  Essay   of 
Musick,  etc.     [By  Francis  North,  Baron 
Guilford.]     1G77.     4".      557*.  c.  20.  (1.) 

NORTHERN.  The  Northern  Lass. 
[Song.]     See  Fisher  (W.) 

NORTHUMBERLAND.      The    North- 
umberland Bagpipe.     [Song.] 
See    Shepherd.      A    Shepherd    sat    him 
under  a  thorn.     [1770  ?]     s.  sh.  fol. 

G.  306.  (141.) 

NORWICH.  The  Norwich  Toast,  [Song.] 
Sec  Arne  (T.  a.) 

NOS.  Nos  bons  parens  parlcnt  sans  cesse. 
Ariette. 

See  Champein  (S.)  [Lc  Manteau.] 
Nos  hameaux  sont  I'heureux  s6jour. 
Musette.     [Paris,]  1755.     .?.  sh.  8°. 

298.  c.  25. 
Mercure  de  France,  Sept.,  1755. 

Nos  plaisirs  sont  lagers.     Air. 

See  Couvent. 

Nos  triomphes  sont  ton  ouvrage.    Couplets 

donncs   a.   Mr.  Dumourie;   a    I'opera,  sur 

I'air  de  la  Marseilloise  [by  C.  J.  Rouget 

de  Lisle].  Chez  Imbault : 

[Paris,  1192?.     8".  B.  362,  a.  (11.) 

NOSEGAY.     The  Nosegay.     Ballad. 
See  Smith  (Theodore) 

NOT.  Not  Cloris  that  I  juster  am.  Song. 
Sec  Turner  (E.) 


NOT— NOUVEAU 


201 


NOT.      Not    far    from    Town,   a   Country 
Squire.     The  Chamber  maid.     [Song.] 
[London,  1775?]     s.  sh.  fol. 

G.  310.  (146.) 
Not  Semele's  attracting  Love.  Sallij.  A 
New  Song.     [London,  1755.]     S". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.,  XVI.,  j}-  273. 

Not  Semele's  attracting  Love.  Sally.  A 
new  Song.     [London,  1700 '?]     s.  sh.  fol. 

G.  310.  (168.) 
Not  this  blooming  April  season.  The 
Forsaken  Lady.     [Song.]  [London, 

1750  ?]     s.  sh.  fol.  H.  1994.  (45.) 

[Another  setting.]  Not  this  blooming 
Aprill  season.     [Song.]     See  Oswald  (.7.) 

Not  your  Eyes,  Jlelania,  move  me.  Song. 
Sec  King  (R.) 

NOTARI  (Angelo)  Prime  Musiche 
Nuoue  ...  a  una,  due,  et  tre  Voci,  per 
Cantare  con  la  Tiorba,  et  altri  Strumenti, 
Nouameute  poste  in  luce.  Intagliatc  da 
Giicjlielmo  Hol-e  :  Londra,  [1G18.]     fol. 

K.  1.  i.  10. 
This  work  contains  an  arran^jement  for 
one  voice  of  Cipriano  di  Rore's  four- 
part  madrigal,  'Ben  qui  si  mostra.' 

NOTHING.     Nothing  at  all.     Song. 
See  Now.    Now  since  I  have  nothing  to  do. 
[1780?]    s.sh.lol.        H.  1601.  a.  (78.) 

Nothing  but  a  Place.     Song. 
See  Keeve  (W.) 

Nothing  but  drunk.     [Song.] 

Sec  DiBDiN  (C.)     [Private  TJicatricals.] 

NOTRE.  Notre  meunier  charge  d'argent. 
Air.     See  Camille. 

NOURRICE    REPUBLICAINE.     La 

Nourrice  Kepublicaine,  ou  Les  Plaisirs 
de  I'Adoption ;  Comedie  en  un  Acte, 
melee  do  Vaudevilles  ;  [written]  par  le  C. 
Piis. .  .avec  la  musique.  Cliez  U 

Libraire,  au  Theatre  dii  Vaudeville : 
Paris,  An  deuxieme  [179'4\     8'\ 

11738.  I.  18.  (6.) 

NOUS.  Nous  avons  chante  la  Victoire. 
Hymne.     See  Cherubini  (M.  L.  C.  Z.  S.) 

Nous  avons  un  clocher  chez  nous. 
T/Agreable  Carillon.  [Words]  Par  M' 
Marteau,  etc.  Chez  les  Fn^res  Savigny  : 
[Prt»-is,  1780  ?]    8°.        B.  362.  b.  (128.) 

Nous  autres  fiUettes.     Air. 
See  Fausse  Paysanne. 

Nous  etions  dans  cet  age.     Romance. 

Sec  SORCIEB. 

Nous  n'avons  qu'un  terns  a  vivre.     Fan- 
fare du  bon  Terns.     [Song.] 
Chi^s  Mr  Catnand  :  [Pons,  1783.]     8". 

B.  362.  a.  (180.) 
[Another  copy.]  B.  362.  e.  (78.) 


NOUS.  [Another  edition.]  Nous  n'avons 
qu'un  terns  a  vivre.  La  Morale  de  Roger 
Bon-Tems.  [Song.]  Avec  Accompagnem' 
de  Guittarc  par  IM'  Ducrav.  [Paris, 

1785  ?]    8".  B.'  362.  a.  (181.) 

Nous  nous  aimons  des  I'enfance.  [>ui>, 
etc.     B((bb  :  [London?  1800?]     fol. 

G.  806.  r.  (25.) 
Nous  nous  disputions  Tautro  jour. 
L'iJloge  des  Ycux.  [Song.]  Chez  Fr^re  : 
[Paris,  1180?]    8\        B.  362.  b.  (107.) 

Nous  nous  partag'rons  la  culture.    [Song.] 

See  Au  Retour. 

Nous    nous    plaignons    que    la     Parque. 

Chanson.     See  Lemaire  (L.) 

Nous  pouvons  aller  maintenant.     [Song.] 

See  Berton   (H.    M.)    [Le   Rcndcz-Vous 

Supposi.] 

Nous  sommes  ues  pour  Tesclavage.     [Air.] 

See  Caravane  du  Caire. 

Nous  voici  done  au  jour  de  1'  An.     [Song.] 

See  Papavoixe  (        )  ili'""'. 

NOUVEAU.  Le  Nouveau  Combat. 
[Song.]  See  Sans.  Sans  que  je  sois 
Amazone.    [1780  ?J   8".    B.  362.  b.  (147.) 

Le  Nouveau  Democrite.     Chanson. 

See  Jamais.    Jamais  mon  cceur  iie'  s'irrite. 

[1783]    8".  B.  362.  a.  (67.) 

Le  Nouveau  Monde,  ou  Ic  Masque  de  Verite. 
[Song.]  See  On.  On  no  reconnait  plus 
lemonde.     [1785?]     8\      B.  362.  (174.) 

Le  Nouveau  Sans- Souci.     [Song.J 

See  Que.     Que  de  Mars  et  de  Bellonne. 

[1780?]     8".  B.  362.  a.  (66.) 

NOUVEAU     D'ASSAS.      Le    Nouveau 
d'Assas.     Trait  civique. 
See  Berton  (H.  :M.) 

NOUVEAU  DON  QUICHOTTE.     Le 

Nouveau  Don  (^uichotto.     Opera. 
Sec  Champkin  (S.) 

NOUVEAU  MAGASIN  DES  MO- 
DERNES.  Le  Nouveau  Magasin  des 
Moderncs.  Comedie  en  un  Acte,  en  prose, 
melee  de  Vaudevilles. .  .Avec  14  Airs  notes. 
Chez  le  Libraire  an  Tliedtre  du  Vaudeville  : 
Paris,  An  vri.    1798. 1     8°. 

11738.  d.  14.  (1.) 

NOUVEAU      MARIE.       Le      Nouveau 
^larie.     Opera  Coinique. 
See  Baccelli  (D.) 

NOUVEAU    THiiATRE    ITALIEN. 

Le  Nouveau  Theatre  Italicn,  ou  llocueil 
General  des  Comedies  representees  par  les 
Comediens  ,  Italiens  Ordinaires  du  Roi. 
Nouvelle  Edition,  corrigee  &  tres  aug- 
mentee,  &  a  laquello  on  a  joint  les 
Airs  graves  des  Vaudevilles  a  la  fin  de 
chaque  Volume.  10  Tom. 
CJiez  Briasson  :  Paris,  1753.     12". 

241.  i.  4  13. 


202 


NOUVEAUX— NOW 


NOUVEAUX.  Les  Nouveaux  Dangers 
des  Bois.  [Song.]  SceJEUNE.  Lajeune 
Lise  sans  detour.     [1780  ?]     8". 

B.  362.  b.  (106.) 

NOUVEK     Le  Nouvel  An.     Chanson. 
Sec  L.,  M''. 

NOUVEL  (EDIPE.  Dans  nos  champs, 
uue  bergere  16gere.  Air  du  Nouvel  CEdipe. 
Avec  Accomp'  de  Guittare.  Chez  Imbmilt : 
Paris,  [1790 '?]     8°.  B.  362.  h.  (27.) 


[Another  copy.] 
Paris,  [1790  ?J    8°. 


Chez  Imhault : 
B.  362.  c.  (88*.) 

La    gentille    Annette.       Air    dxi    Nouvel 
CEdipe.     Avec  Accomp'  de  Guittare. 
Chez  Imhault :  Paris,  [1790  ?J     8". 

B.  362.  c.  (88.) 

UOUVELIjE.       La    Nouvelle    Pension. 
Chanson.     See  Gr. 

La  Nouvelle  V6nus.      [Song.]      See   De. 

De  Tamour  gouverne  I'empire. 

[1785?]     8».  B.  362.  g.  (96.) 

NOUVELLE        :6C0LE        DES 

FEMMES.       La     Nouvelle     Ecole    des 

Femmes.     Com^die. 

See  Philidoe  (F.  A.  Dakican) 

NOUVELLISTE  DUP:6.  Le  Nouvel- 
liste  Dupe,  Op^ra-Comique  en  un  Acte 
[written]  par  M.  Panard. . .  Avec  la  Mu- 
sique  [of  the  concluding  Vaudeville].  1757. 
See  Theatre.  Nouveau  Theatre  de  la 
Foire,  etc.     Tom.  3.     1763.     8". 

11735.  d.  2. 

NOVELL  (Matthew)  Senate  da  Camera 
or  Chamber  Musick.  Being  a  Sett  of  Twelve 
Sonata's  consisting  of  Preludes  AUemands 
Sarabands  Jiggs  Ayres  &  Gavotts  with 
many  other  Musical  Intervals  composed 
for  Two  Violins  and  Bass  with  a  Thorough- 
bass for  the  Theorbo-lute  Spinett  or 
Harpsicord,  etc.  (Violino  Primo.) 
Excud:  et  Sculp:  Tho  Gross  JuW.  Printed 
for  the  Author  :  London,  [1690?]     fol. 

f.  93. 

NOVELLO  (LoDOvico)  Mascharate . . . 
di  piu  sorte  et  varii  soggetti  apropriati  al 
Carueuale.  Nouamente  . . .  Composte. . . 
Libro  Primo.  A  Quatro  Voci.  Altus. 
(Tenor.)  2  pts.  Apud  Antonium  Gardane  : 
Vcnetiis,  15'16.     obi.  4°. 

53.  a.  32,  33.  (7.) 

NOVELLO  (ViNCEKT) 

See  Come.     Come  all  my  brave  Boys,  etc. 
MS.  NOTES  [by  V.  Novello].     [1785  ?]    fol. 

H.  1650.  c.  (8.) 

NOVERRE  (AuGUSTm)  A  new  March, 
Six  new  Minuets,  Six  new  Cotillons  and 
Two  new  Country  Dances,  etc. 

Longman  &  Broderip : 
London,  [1785  ?]     obi.  4°.      b.  51.  c.  (1.) 


NOVI  FRUTTI  MUSICALI.  Noui 
Frutti  Musicali.  Madrigali  a  Cinque 
Voci,  di  diuersi  Eccellentissimi  Musici. 
Nouamente  composti,  &  dati  in  luce. 
[With  a  dedication  by  P.  Bellasio.] 
Canto.  (Alto.)  (Tenore.)  (Basso.)  (Quiuto.) 
5  pts.  Appresso  Giacamo  Vinccnti  : 

Vcnetia,  1590.     4°.  K.  3.  h.  1. 

This  collection  contains  compositions  by 

A.  Striggio,  G.  M.  Nanino,  A.  Stabile, 
G.  B.  Moscaglia,  A.  Crivello,  A. 
Zoilo,  R.  Giovanclli,  P.  Bellasio,  F. 
Soriano,  G.  A.  Dragoni,  P.  Isnardi, 

B.  Roi,  M.  A.  Ingcgneri,  G.  Croce, 
G.  B.  Mosto  and  L.  Luzaschi.  In  the 
table  of  contents  No.  16  is  assigned  to 

F.  Anerio,  but  B.  Roi's  name  occurs 
in  the  heading. 

Noui  Frutti  Musicali.  Madrigali  a 
Cinque  Voci  di  Diuersi  Eccellentissimi 
]\Iusici.  Nouamente  augmenti  &  dati 
in  luce.  [With  a  dedication  signed 
'Pietro  Phalesio.']  Tenore.  (Basso.) 
2  pts.  Appi-esso  Pietro  Phalesio  :  Anuersa, 
1610.     obi.  4°.  A.  231. 

The   composers  of    this    collcctimi   are : 
A.  Striggio,  G.  M.  Nanino,  A.  Stabile, 

G.  B.  Moscaglia,  Archangelo  Chri- 
vello,  A.  Zoilo,  R.  Giovanelli,  Paulo 
Bellasio,  Francisco  Soriano,  G.  A. 
Dragoni,  P.  Isnardi,  B.  Roi,  G. 
Croce,  G.  G.  Gastoldi,  L.  Luzaschi, 
Principe  di  Yenosa,  G.  B.  Mosto,  M. 

A.  Ingegneri,   H.   Vecchi,  G.  Priidi, 

B.  Nanino,  F.  Anerio,  G.  Heremitas, 
G.  P.  Siuellingh,  C.  Verdonch  and 
Antonio  Formica. 

NOVICE.     The  Novice.     [Song.] 

Sec  Confined.     Confin'd   to   the  House, 
etc.     [1756.]     s.  sh.  8".      P.P.  5439.  ab. 

The  Novice.     [Song.] 

See  Confined.     Confin'd  to   the   House, 

etc.     [1756.]     8".  158.  1.  1. 

The  Novice.     [Song.] 

See  Confined.     Confin'd    to   the   house, 

etc.     [1756.]    8".  P.P.  5438.  z. 

The  Novice.     [Song.] 

See  Confined.     Confin'd   to   the   House, 

etc.     [1756?]     s.sh.iol.     G.  307.  (119.) 

Le  Novice  de  La  Trappe.     [Song.] 
See  Martini  (G.)  il  Tedesco. 

NO'W.  Now  at  last  the  Matter  is  dicided. 
The  Lcyal  SJierifs  of  London  and 
Middlesex.  Upon  their  Election.  [Song.] 
To  the  Tune  of.  Now  at  last  the  Riddle  is 
Expounded.  Printed  for  M.  Thompson  : 
London,  1682.     s.  sh.  fol. 

Case  38.  i.  25.  (14.) 
[Another  copy.]  1872.  a.  1.  (44.) 

Now  begin  the  heav'nly  theme.     Hymn. 
See  B.,  R.  W. 


NOW 


203 


WOW.  Now  como  Love's  plagues.  The 
Scqticl  to  The  Play  of  Love.  [Song,  music 
by  J.  C.  Pepusch.]  Cross  :  [London, 

J  725?]     s.sh.iol.  H.  1601.  (320.) 

[Another  edition.]  Now  come  Love's 
plagues.  Tlie  Sequel  to  The  Play  of  Love. 
[London,  1730  ?]     s.  sh.  fol. 

G.  305.  (198.) 
[Another  copy.]  G.  310.  (135.) 

Now  come  ye  Jolly  Lads  be  gay.  The 
hish  Wedding.  [Song.]  Set  to  the 
favourite  Chorus  Jigg.  [London, 

1780?]     s.sh.iol.  G.  310.  (139.) 

Now  comes  on  the  glorious  year.  Song. 
See  Modern  Prophets. 

Now  each  Rustic  tunes  his  Song.  The 
Happy  Rustic.     [Song.]  Blundcll : 

[London,  1780  ?]     s.  sh.  fol. 

G.  310.  (166.) 

Now   fare   thou  well   my    Dearest    Dear. 
The  Unkind  Parents :  or  the   Languish- 
ing  Lamentation  of   two  Loyal    Lovers. 
[Ballad.]      To   an   Excellent  New  Tune. 
Printed  for  C.  Bates  :  [London, 
1690  ?]    s.  sh.  fol.       Case  39.  k.  6.  (9.) 
The  time  is  represented  by  a  meaningless 
succession  of  notes. 

Now  homeward  o'er  the  Daisied  Meads. 

[Song.] 

See  Kelly  (M.)     [.4  Friend  hi  Need.] 

Now  I  pray  you  attend.  The  Uticonscion- 
ahle  Gallant:  or,  The  Beautiful  Lady's 
Misfortune.  [Ballad.]  To  the  Tune  of, 
Fond  Boy,  etc.  Printed  for  C.  Nates 

[Bates] :  London,  [1090?]     s.  sh.  fol. 

Case  39.  k.  6.  (55.) 
The  tunc  is  represented  by  a  meaningless 
succession  of  notes. 

Now  Jockey  and  IMoggy  are  ready.  TJic 
Scotch  Wedding,  or  the  Lass  with  the  Golden 
Hair.  [Song.]    [London,  1710  ?]   s.  sh.  fol. 

H.  1601.  (317.) 
•    [Another  edition.]  Now  Jockey  and  Moggy 
are  ready.     The  Scotch  Wedding,  etc. 
[London,  1715  ?]     s.  sh.  fol. 

G.  310.  (129.) 
Now  jolly  we're  met.     Glee. 
Sec  Akne  (M.)     [The  Capricious  Lady.] 

Now  May  has  spread  its  sweets  around. 
Absent  Delia.     [Song.] 

L[ongman,]  L[ukey  and]  B[i-oderip  : 
London,  1778  ?]     s.  sh.  fol. 

G.  310.  (162.) 

Now  May  has  unfolded.  A  neiv  Song. 
Sung  by  Mr.  Lowe.     [London,  1754.]     8°. 

157.  1.  16. 
London  Magazine,  1754,  p.  84. 

Now  May  her  charms  discloses.  Jenny  of 
the  Green.  [Song.]  Sung  by  Mr.  Vernon. 
R.  Falkener  :  London,  [1780  ?]     fol. 

G.  806.  f.  (61.) 


NOW.     Now  my  Boys  the  Ship  floats.     A 
New  Song.     Addressed  to  the  Crew  of  the 
Prince  Edward  Private  Ship  of  War. 
[London,  1758.]  s.  sh.  8°.     P.P.  5439.  ab. 

Neio  Universal  Magazine,  Feb.,  1758. 
Now  my  Boys  the  Ship  floats.    A    New 
Song.      Address'd    to    the    Crew   of    the 
Prince  Edward  Private  Ship  of  War 
[Lo7idon,  1770  ?]     s.  sh.  fol. 

G.  316.  e.  (94.) 
Now  my  freedom's  regain'd.     Song. 
See  Willis  (    ) 

Now,  now  the  Tories  all  shall  stoop.  TJie 
Whig's  Exaltation.  A  Pleasant  New  Song 
of  82.     To  an  Old  Tune  of  41. 

Nath.  Thompson  : 
London,  1682.     s.  sh.  fol. 

Case  38.  i.  25.  (5.) 
Now  o'er  the  Globe.  Song. 
,sVe  Sanderson  (J.)  [Almoran  and  Hamct.] 
Now  or  Never.  [Song.] 
See  To.  To  make  the  most  of  fleeting 
time.  [1775?]  s.sh.iol.  G.  312.  (228.) 
Now  PhcBbus  gilds  the  Orient  Skies. 
Hunting  Song.  Printed  and  Sold 

at  the  a,  etc. :  [London,  17S0 ?]     .s.  sh.  fol 

G.  310.  (149.) 
Now  Phoebus  sinkcth  in  the  West.  [Song, 
from  T.  A.  Arne's  '  Comus.']  Sung  by 

Mr.  Beard.     [London,  1740  ?]     s.  sh.  fol. 

G.  305.  (112.) 
[Another  edition.]  Now  Phrx'bus  sinkcth 
in  y  West,  etc.  [London, 

1740?]     s.sh.iol.  G.  310.  (130.) 

Now  pleasure  unbounded  resound  o'er  the 
Plains.     The  Joys  of  Harvest.     [Song.] 
Sung  by  ^Ir.  Dearie  at  Ranelagh. 
S.  Phillips  :  ILondon,  1764  ?]     s.  sh.  fol. 

H.  1994.  (46.) 

Now  Pride  usurps  each  female  heart.    The 

Maid  of  Fashion.     A  New  Song. 

[London,  1768.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XLIII.,p.  151. 

Now  pride  usurps  each  Female  heart.  The 
Maid  of  Fashion.     [Song.]  [London, 

1770?]    s.sh.iol.  G.  310.  (158.) 

Now  rise  my  soul.     The   British   Bucks. 
[Two-part  Song.]    The  Words  and  IMusick 
by  a  True  Briton  [R.  D.]. 
[London,  1757.]     8".  158.  1.  2. 

London  Magazine,  1757,  p.  36. 
Now  Roger  and  Harry.     [Song.] 
See  Leveridge  (R.)     [The  Mountebank.] 
Now  since  I  have   Nothing  to   do.     The 
admird  Song  of  Nothing  at  all. 
John  Rice:  Dublin,  [1780?]     ,s.  sh.  fol. 

H.  1601.  a.  (78.) 
Now  the  busy  Day  is  o'er.  The  Force  of 
Wine.  A  Song.  The  Words  and  Musick 
by  a  Gentleman.  Printed  for  J.  Simpson  : 
[London,  1740  ?]     s.  sh.  fol. 

H.  1994.  b.  (59.) 


201 


NOW— NUN 


NOW.  Now  the  Good  Man's  from  home. 
[Song.]  Sec  Caeey  (H.) 
Now  the  happy  Knot  is  ty'd.  Colinct. 
A  New  Song.  Sung  by  Mrs.  Lowe  and 
Mrs.  Lampe.  [By  T.  A.  Arne.]  \London,'\ 
1759.     8".  •        158.  1.  4. 

Loiulon  Marjazine,  1759,  p.  519. 

Now  the  happy  Knot  is  ty'd.  Colinct : 
[Song,]  Sung  by  Mr.  Lowe  and  Mrs. 
Lampe.     [By  T.  A.  Arne.]  \London, 

1759.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XXV.,  p.  256. 
Now  the  happy  Knot  is  ty'd.  Colinct. 
[Song.]  Sung  by  ]Mr.  Lowe  and  IMrs. 
Lampe.     [By  T.  A.  Arne.]  \ Loudon, 

1?60?]     s.  s/i.  fol.  G-.  316.  (102.) 

Now  the  hedge-rows  grow  in  trim.  An 
Address  to  May ;  a  new  Song.  [London, 
1752?]     8".  249.  c.  22. 

Gentleman's  Journal,  Vol.  XXII., p.  231. 
Now  the  Hill  tops  are  burnish'd  with 
azure  and  Gold.     A  Neio  Hunting  Song. 

C[harlcs  and]  SiamueV]  T\hompson  : 
London,  1775  ?]     s.  sh.  fol. 

G.  310.  (160.) 

Now  the  Maids  and  the  Men.     Dialogue. 
See  PuRCELL  (H.)     [The  Fairy  Queen.] 
Now  the   rovers   sport  around.      Sj^ring. 
A  Two-Part  Song.     [By  Mr.  H.  H.] 
[London,  1761.]     8".  P.P.  5140. 

Lady's  Magazine,  Vol.  II.,  p.  511. 
Now   the    Snowdrops    lift    their    Heads. 
[Song.]     Sung  by  Mrs.  Vincent  at  Vaux- 
liall.     [Lo7if?o)t,  i760?]     s.sli.iol. 

H.  1994.  (47.) 

Now  the  Spring  is  fresh  and  fair.     Trigg 
for  Ever— A  New  Drinking  Song. 
[London,  1735  ?]     s.  sh.  fol. 

G.  303.  (71.) 

Now  the  Summer  advances.     [Song.] 
Sec     Yates     (W.)       A      New      Musical 
Address,  etc. 

Now  the  Summer  months  come  round. 
Vauxhall  Ballad.  Sk[iUcrn  :  London, 

1780?]     s.sh.iol.  G.  310.  (165.) 

Now  to  pant  on  Thetis'  Breast.  The 
Shepherd's  Evening.  [Song.]  Sung  at 
Sadlers  Wells.  Adapted  for  the  Harpsi- 
cord,  etc.     [Lmidon,  1760?]     s.  sh.  fol. 

I.  530.  (110.) 

Now  to  the  pow'r  of  God  supreme. 
Hymn.  [Words  by  I.  Watts.]  [London, 
1778.]     8''.  P.P.  716.  b. 

Gosixl  Magazine,  April,  1778. 
Now  we're  met,  let's  merry  be.     Glee. 
See  Ives  (S.) 

Now     when     the    vernal     Sun     appears. 
Ballad.     See  IMoulds  (J.) 
Now  Winter  is  flown.     Summer.     [Song.] 
Sung  by  Miss  Jameson  at  Vauxhall. 
B.  Falkcner  :  London,  [1770  ?]     fol. 

G.  806.  f.  62. 


NOW.     Now  young  tempting   Phaon  you 

shall     have     your     prey.       The     Usurers 

Daughters  Beply,  or  FloromcUas  Answer 

to  Phaon.     [Ballad.]     To  a  Pleasant  New 

Play-House  Tune.  Brintcd  for 

P.  Brooksby  :  [London,  1675?]     s.  sh.  M. 

Case  39.  k.  6.  (15.) 

Tlic  tunc  is  represented  by  an  incorrect 

siiccession  of  notes. 

Now's    the    time    for    Mirth    and    Glee. 

Cupid     Tritcmphant,     [Song,]     Sung    by 

Mr.  Vernon.     [London,  1770  ?]     fol. 

H.  1994.  b.  (58.) 
Now's  the  Time  to  sing  and  play.  Song. 
See  Hook  (J.) 

NOZZE    DI    FIGARO.      Le   Nozzc    de 
Figaro.     Comische  Opcr. 
See  Mozart  (W.  A.) 

NUCHTER  (JoHANK  Philip) 
See  NuECHTER. 

NUECHTEE  (Johann  Phiup)  [Ovum 
Paschalre  novum,  sen  ]\Iissas  Dominicales, 
4  vocibus  et  4  Instrumentis  concert.] 
Canto  (Alto)  (Tenore)  (Basso)  Concerto. 
(Violino  I  (n).)  (Alto  (Tenore)  Viola.) 
(Violone.)  9  pts.  [Ulm,  1695.]  4".  C.  48. 
The  title  probably  occurs  in  the  misting 
Organ  part. 

NUGENT  (Rothk)  Six  French  Romances, 
and  one  Italian  Arietta,  for  the  Harpsichord 
or  Piano  Forte,  with  an  Accompaniment 
for  the  Violin  to  the  Italian  Arietta,  etc. 

Printed  for  the  Author:  Londan, 
[1793?]     fol.  H.  1678.  (52.) 

NUIT.  Una  nuit  dans  la  prairie.  Bomance 
Nouvelle  avec  Accomp'  de  Guitare  par  M'' 
Alberti.  Chez  M.  Camand  : 

Paris,  [1785  ?]     8".  B.  362.  c.  (43.) 

La  nuit,  dans  Ics  bras  du  repos.  Le  beau 
Songe.  Romance  avec  Accomp'  de  Guitare 
par  M"- Alberti.  Chez  M'   Camand: 

Paris,  [1785  ?]     8".  B.  362.  g.  (26.) 

La  nuit  dans  les  bras  du  sommeil.   Ariette. 
See  Tableau  Parlakt. 
Nuit  que  j 'attends.     Air  Scrieux. 
[Paris,]  1727.     s.  sh.  i\  297.  a.  30. 

Mercure  de  France,  Dec,  1727. 

NUMBER.      No.  45.      [Song.]      See    In. 
In  Spittal  Fields  or  there  about. 
[1763  ?]     s.  sh.  fol.  G.  309.  (88.) 

NUMITORE.     Si  t'   intcndo.     Favourite 
Song  Sung  by  Mrs.  Robinson  in  the  Opera 
of  Numitor.     [Music  by  G.  Porta.] 
D.  Wrigltt:  [London,  1720.]     s.  sh.  fol. 

H.  1601.  (410.) 

NUN.     The  Nun.     [Song.] 

See  Sure.  Sure  a  Lass  in  her  Bloom,  etc. 
[1757.]     s.  sh.  S".  P.P.  5439.  ab. 

The  Nun.  Song.  See  Sure.  Sure  a  lass 
in  her  bloom,  etc.     [1757.]     8°. 

P.P.  5438. 


NUN— NYMPHS 


205 


NUN.  The  Nun.  fSoug.]  See  Subk.  Sure 
a  lass  in  her  bloom,  etc.     [1757.]     8". 

P.P.  5438.  z. 

The  Nun's  Complaint.     [Song.] 

Sec  Kbumpholz  (J.  B.) 
NUN    AND    FRIAR.    The    Nun    and 

Frier.     Cantata.     See  Woegan  (J.) 
NUNES   DA    SYLVA    (Maxoel)     Arte 

ilinima,   que  . .  .  tratta  . . .  os  modos  da 

;^[axima  &  Longa  sciencia  da  ^lusica,  etc. 
Na  Officina  dc  Joam  Gabam  : 

Lisboa,  1685.     4°.  7898.  g.  56. 

With  a  second  title-page,  engraved. 

NUNNERY.  The  Nunnery.  Comic 
Opera.     See  Shield  (W.) 

NUSSEN  (Frederick)  IMusica  di  Camera 
or  Some  Old  Tunes  new  Sett,  and  some 
New  ones  compos'd  for  the  Harpsichord 
. . .  Opera  3'''.  Printed  for  the  AutJior  : 
Jjmdon,  [1760  ?]     ohl.  fol.  e.  5.  (4.) 

[Another  edition.]     Musica  di  Camera... 
Opera  3".  Printed  for  I.  Walsh: 

London,  [1765  ?]     ohl.  fol.        e.  5.  g.  (8.) 
Six   Solos  for  a  Violin  with  a  Thorough 
Bass  for  the  Harpsicord  or  Violoncello. 
Printed  for  I.  Walsh:  London,  [XlbO^  fol. 

g.  221.  (2.) 
Six    Sonatas    for    a    Violin,    Tenor    and 
N'ioloncello,  etc.     [Separate  Parts.] 
Printed  for  Welckcr:  Lonrfoji,  [1760?]  fol. 

g.  686.  a. 
Six  Sonatas  for  Two  Violins,  Violoncello 
or  Harpsicord  .  .  .  Opera  2''".  [Separate 
Parts.]  J.  Walsh,  for  tite  Author  : 

London,  [ribbT\    fol.  g.  686. 

NUSSEY  (George)  The  Triad  Alliance, 
or  Rose,  Thistle  &  Shamrock.  A  Ballad, 
written,  the  ]\Ielody  Composed  &  Sung 
by  Brother  G.  Nussey,  etc. 

The  Neio  Music  Warehouse  :  London, 
[1800?]    fol.  H.  2818.  b.  (49.) 

NUT-BROWN.     The    Nut-Brown   Maid. 

:^Soug.]     See  Howard  (S.) 

NUT  BROWN  MAID.  The  Nut  Brown 
Maid.     [Cantata.]     See  Moulds  (J.) 

NYMPH.       The    Nymph     of    the    Hill. 
[Song.]     See  Ye.     Ye  Classics  pray  talk 
not  of  Beauties  of  yore. 
[1770?]    s.sh.iol.  1.530.(184.) 


NYMPH.  A  Nymph  of  the  Plain.  The 
Jolly  Yoimg  Swain.  A  new  Song.  [London, 
1710?]    s.  s7i.  fol.  H.  1601  (27.) 

[Another    edition.]       A    Nymph    of    the 
plain.     The  Jolly  young  Swain,  etc. 
[London,  1715  ?]     s.  sh.  fol. 

G.  306.  (54.) 
[Another    edition.]      A    Nymph    of     the 
plain.     The  Jolly  Yot!)ig  Sivain,  etc. 
[Lo7idon,  1715 ?]'    s.  sh.  fol. 

G.  316.  g.  (5.) 
The  Nymph  that  I  lov'd  was  as  bonny  & 
gay.     A  Favourite  Song,  etc. 

!       [London,  1758.]     s.  sh.  8". 

!  P.P.  5439.  ab. 

New  Universal  Magazine,  Nov.,  1758. 

I       The  Nymph  that  I  lov'd  was   as  bonny 
and  gay.     A  New  Song.  [London, 

1759.]     8".  158.  1.  4. 

London  Magazine,  1759,  j).  44. 
The   Nymph   that  I  lov'd  was  as  bonny 

I       and  gay.     A  Favourite  Song. 

i       [London,  1759.]     8°.  P.P.  5438.  z. 

I  Universal  Magazine,  Vol.  XXIV., p.  264. 

The  Nymph  that  I  lov'd  was  as  bonny 
and  gay.  The  happy  Man.  [Song. J 
Sung  at  the  publick  Gardens.  [London, 
1760?]     s.sh.  fol.  H,  1994.  (48.) 

I       A    Nymph    there    lives,   whom   many   a 

]       Swain.     Molli/.     A  New  Song,  etc. 

'       [London,  1730?]     s.  sh.  fol. 

G.  306.  (123.) 

A  Nymph  there  lives,  whom  many  a  swain. 

Molly,  a  new  Song,  etc.  [London, 

1756.]     8\  P.P.  5438.  z. 

Universal  Magazine,  Yul.  XIX.,  p.  29. 

:  NYMPHES  DE  DIANE.  LesNymphes 
de  Diane.  Opera  Comique  du  Sr.  Favart 
...avec  tous  les  Airs  notes.  [Bv  J.  B. 
Moulinghen.]     [Paris,]  1748.     8°. " 

164.  d.  24. 

NYMPHS.        Nymphs     and     Shepherds. 

[Song.]     See  Arne  (T.  A.) 

I       Nymphs     and     Shepherds    come    along. 

Hymen's     Hohjday.       A     Wedding     Ode. 

[Song,  words  and  music  bj'  Mr.  W.] 

I       [London,  1772.]     s.  sh.  4".         159.  n.  4. 

London  Magazine,  Sept.,  1772. 
i       Nymphs  be  kind.     Cantata. 
I       See  Hook  (J.) 


206 


O.     Oh.     [Ballad.]     See  Arne  (T.  A.) 

0,   a    Masquerade's    a  fine   Place.      TJie 
Masquerade  Ballad,  etc.  [London, 

1720?]     s.sh.iol.  H.  1601.  (345.) 

[Another  edition.]     0 !  a  Masquerade's  a 
fine  Place.     The  Masquerade  Ballad. 
[London,  1725  ?]   s.  sh.  fol.     G.  305.  (4.) 
0  Absalom,  my  Son.     A  three  voice  Canon 
in  the  Unison.     [London,']  1760.     8°. 

P.P.  324.  n. 

Christian's  Magazine,  1760,  p.  434. 
0  all  ye  Nations  of  the  Earth.     Anthem. 
See  Claek  (E.) 

0  he  joyful  unto  the  Lord.  Anthem. 
See  Arne  (T.  A.)  [Artaxerxes.  Overture.'] 
0  beauteous  eyes.  Catch.  See  Greene  (M.) 
0  beauteous  Queen,  unclose  those  eyes. 
Song.  See  Haendel  (G.  F.)  [Esther.] 
0  Bessy  Bell  and  INIary  Gray.  A  Scotch 
Song.  Simg  by  Mrs.  Robinson  at  the 
Kings  Theatre,  etc.  [London, 

1730  ?]    s.  sh.  fol.  G.  310.  (207.) 

0   Betsy  wilt   thou  gang  wi'   me.      The 
Fairest  of  the  Fair,  etc.     [Song.] 
[London,  1766.]     8".  158.  1.  11. 

London  Magazine,  1766,  p.  160. 
0   Blessed  be  the   Day.      The    Soldier's 
Reioard,  or  Love  in  Low  Life.     [Song.] 

Printed  at  the  a  :  [London, 
1780?]    s.  s/(.  fol.  G-.  310.  (285.) 

Oh  bonny  Lass.     A . . .  Scotch  Song. 
P.  E[vans  :  London,  1780  ?]     s.  sh.  fol. 

H.  2818.  (21.) 
[Another  edition]  Oh  bonny  Lass,  etc. 
[London,  1785  ?]  s.  sh.  fol.  G.  297.  (26.) 
O  Bothwell  bank  thou  bloomest  fair. 
Bothwell  Bank.  A  Favourite  Scots  Song, 
the  words  from  Pinkertons  Ancient 
Scotish  Poems.     London,  [1800?]     fol. 

G.  356.  (68.) 
Oh  !  e'en  est  fait.     Rondeau. 
See  Della  Maria  (D.) 
O  cara  speme.     Minuet. 
See  Floridante. 
Oh  !  ce  peuple-ci  me  lasse.     Air. 
See  Confederation  du  Parnasse. 
Oh  cease,  urge  no  more.     Song. 
See  Leveridge  (R.)  [The  Island  Princess.] 
0  ciel  que  vois-je  sur  la  neige.     [Song.] 
See  Veillee  Villageoise. 
O  come  again  my  love.     Glee. 
See  East  (M.)     [Mculrigales  to  3.  4.  and  5. 
jyarts.] 

0  come  0  bella.     Terzetto  e  Coro. 
See  Webbe  (S.)  the  Elder. 
O    dear  Chloe.      Damon's  Invocation   to 
Chloe.     [Song.]     Set  by  a  musical  corre- 
spondent.    [London.]  1791.     s.  sh.  4°. 

P.P.  5141. 

Lady's  Magazine,  June,  1791. 


O.     Oh  dear  delightful  Skill.     [Song.] 
See  Storage  (S.)     [The  Prize.] 

0  !  dear  what  can  the  matter  be.  The 
Favorite  Duett  .  .  .  with  an  Accompani- 
ment for  the  Piano-Forte  or  Harp.  etc. 
B.  Birchall :  [London,  1792  ?]     fol. 

G.  360.  (47.) 
[Another  copy.]  H.  2821.  (29.) 

Imperfect,  wanting  pp.  1,  2. 

01  dear  what  can  the  matter  be,  for  1, 
2,  3,  4,  or  5  Voices.  Engraved  from  the 
Original  Manuscript,  etc.  Printed  for 
J.  Dale  :  London,  [1792?]     s.  sh.  fol. 

G.  360.  (48.) 
Oh  Death  think  on  the  Words  you  gave. 
Dialogue.     (S'ee  Leveridge  (R.) 
0  des  Dieux  le  plus  bel  ouvrage.  Romance. 
See  Melomanie. 

O  Doctor,  0  Doctor,  I  dont  care  a  straw. 
Cluck,  Chick,  a  new  Drinking  Song  sung 
by  Mr.  Dodd  .  .  .  Set  by  an  Eminent 
Master.  Ab.  P[ortal :  London, 

1780  ?]     s.  sh.  fol.  G.  310.  (243.) 

0  Domine  Deus  speravi  in  Te.     Prayer. 
See  Harington  (H.) 

0  edler  Friden-Krantz.  Ein  schbnes 
neives  Lied  von  dem  lang-erwiinschten 
Friden  zwischen  beyden  Cronen  Spania 
vnd  Frankreich.  In  seiner  beygesetzten 
Melodey  zusingen.  JohannGeng  :  Costantz 
am  Bodensce,  1659.  8°.  11522.  de.  48. 
Oh  !  ever  skill'd  to  wear  the  form  we  love. 
An  Address  to  Hope.  A  Favorite  Ballad, 
with  an  Accompaniment  for  the  Piano 
Forte  or  Harp,  Composed  by  the  Author 
of  The  Farewell  [Robert  Cooke].  Preston  : 
London,  [1800  ?J  fol.  G.  424.  u.  (38.) 
0  Fancy,  friend  of  Nature  and  the  Muse. 
Glee.  See  Callcott  (J.  W.) 
0  fiUe  de  I'fifcre  Supreme.  Hymne. 
See  Lelu  (     ) 

0  fine  London  Town.     Song. 
See  Hook  (J.) 

O  fleur  d'amour.     Romance. 
See  Lolotte  et  Fanfan. 
Oh   follow  then  where  Nonsense  points. 
[Song.]     See  Arnold  (S.)     [The  Genius  of 
Nonsense.] 

O    Fontenay,    qu'embellissent    les    roses. 
Romance.     See  Doche  (J.  D.) 
0  for  an  heart  to  love  my  God  !     Hymn. 
[Words  by  C.  Wesley.] 
[London,  1776.]     8vo.  P.P.  716.  b. 

Gospel  Magazine,  Jan.,  1776. 
Oh  !  force  me  not.     [Song.] 
See  Shield  (W.)     [The  Divorce.] 
0  Fowler,  cast  thy  Gun  behind.    Matilda's 
Address  to  the  Foivler.     [Song.] 
[London,  1772.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  LI.,  p.  207. 


207 


O.  0  Prauvais,  I'exemple  du  Monde.  Hymne 
sur  Le  Divoucment  Hero'iriue  dc  rcqiupagc 
du  Vaisseau   le    Veiigcur. .  .Air :   veillons 
au  salut  de  la  France  [by  N.  Dalayrac]. 
Chez  Imbault :  Paris,  [1794.]     8". 

B.  362.  a.  (168.) 

Oh  fye  !  what  mean  I  foolish  Maid.  An 
Excellent  New  Song,  called.  The  Private 
Encounter  between  Two  Loyal  Lovers. 
Being  sung  in  the  last  New  Play,  called, 
The  married  Beau.  Printed  for  Charles 
Barnet :  [London,  1694.]     s.  sh.  fol. 

Case  39.  k.  6.  (6.) 
The  music  is  represented  by  a  meaning- 
less succession  of  notes,  etc. 

0  gfeereux  martirs  do  la  liberte  sainte. 
Hymne.     See  Roze  (N.) 

0  gentle  be  thy  Slumbers.     Song. 
See  KospOTH  (0.  C.  E.  von) 

Oh  give  me  a  Cot  at  the  foot  of  a  Hill. 
Song.     See  Amateur. 

[Another  setting.]     Oh  give  me  a  Cot  at 

the  foot  of  a  Hill.     BaUad. 

See  Gbay  (T.  B.) 

0  godlike  Youth.     Song. 

See  Haendel  (G.  P.)     [Saul] 

O  good  Ale  thou  art  my  Darling.  [Song.] 
See  Landlord.  The  Landlord  he  looks 
very  big,  etc.     [1785  ?]     s.  sh.  fol. 

^     °  a.  312.  (118.) 

O  Gran  Doa.     Song. 

See  Gluck   (C.   W.   von)     {Tphiginie    en 

Tauride.     0  toi  qiii  prolongeas  mes  jours.] 

O  had  away  frae  me,  Donald.  Donald, 
to  the  Original. .  .Scotch  Air  as  Sung  in 
most  Polite  Assemblys.  Sk[illern  : 

London,  1780?]     s.  sh.  iol. 

G.  310.  (233.) 

0  !  had  I  been  by  Pate  decreed.  [Song.] 
See  Love  in  a  Village. 

Oh  !  had  I  Jubal's  Lyre.     Air. 
See  Haendal  (G.  F.)     [Joshua.] 

0  had  I  the  Wings  of  an  Eagle  I'd  fly. 
Song.     See  Webbe  (S.)  the  Elder. 

Oh  hapless  Youth.     Song. 
See  Storage  (S.)     [Mahmoud.] 

0  happy  Pair.     [Glee.]     See  Shield  (W.) 

0  happy  Martillo.     [Song.] 
See  Mybtillo. 

0  hear  my  last  Complaint.  Tlie  Dying 
Lover.     [Song.]  [London, 

1730?]    s.sh.tol.  G.  310.  (254.) 

0  how  bliss  full  'tis  to  languish.  The 
Dream.     [Song.]  [London, 

1730?]    s.sh.iol.  G.  310.  (268.) 

Oh  how  cou'd  I  venture  to  love  one  like 
thee.  A  Neiv  Song.  [Words  by  A.  Webster.] 
[London,  1745  ?]    s.  sh.  fol. 

G.  310.  (211.) 


O.  Oh !  how  cou'd  I  venture  to  love  one  like 
thee.  A  New  Song,  Sung  by  Mr.  Lowe, 
at  Vaux-Hall.     [London,  1748.]     8°. 

P.P.  5438.  z. 
UniversalMagazine,  Vol.  III.,  p.  33. 
[Another  setting.]  0,  how  could  I 
venture  to  love  one  like  thee.  The  Diffi- 
dent Lover.  [Song.]  Sung  by  Mr.  Lowe. 
[London,  1749.]     8".  249.  c.  19. 

Gentleman's  Magazine,  Vol.  XIX.,  p.  518. 
[Another  setting.]  Oh  how  could  I  ven- 
ture to  love  one  like  thee.  A  Song  to  the 
Tune  of  Lochaber.  [London, 

1750?]     s.  s7i.  fol.  G.  310.  (212.) 

[Another  copy.]  CJ.  303.  (13.) 

[Another  setting.]  Oh!  how  could  I 
venture  to  love  one  like  thee.  Aloa 
House,  etc.    [London,  1760?]     s.  sh.  fol. 

G.  316.  e.  (111.) 
[Another  edition.]  Oh  1  how  could  I 
venture  to  love  one  like  thee.  Aloa  House, 
or  Love  after  Marriage.  A  New  Song. 
See  Chloe.  Chloc  ;  or  the  Musical  Maga- 
zine, e<c.  No.  99.  [1760?]  fol.  G.  433. 
Oh  1  hovsr  I  Doate  upon  that  Lass.  A  Jigg 
Danc'd  in  the  Schoole  of  Venus  ;  or  the 
3-Penny  Hops  Burlcsqu'd  by  Mr.  John 
Vernham.     [Song.]  [London, 

1715  ?]     s.  sh.  fol.  H.  1601.  (346.) 

Oh !    how    shall    I    in    Language    weak. 
[Song.]     See  Love  in  a  Village. 
O  how  sweetly  Delia  sings.     Glee. 
See  Hook  (J.) 

Oh  !  how  wild  with  pride  and  joy.     Song. 
See  Attwood  (T.)     [Tlie  Prisoner.] 
O  il  mio  caro  puppazzctto.     Duetto. 

See  Paisiello  (G.)     [La  Molinara.] 

Oh !  jealousy,  thou  raging  pain.     [Song.] 

See  Carey  (H.)     [Cephalus  and  Procris.] 
O  Jenny   a-gra  I've   a  story  to  tell  you. 
Paddy  Whack.     A  favorite  Irish  Song. 

Striaight]  d  Sk[illcrn  :  London, 

1775  ?]     s.  sh.  fol.  G.  310.  (271.) 

0  Jessy  sweet  Beauty.    Jessy.    [Song.] 

S[amuel  and]  A[nn]  T[hompson  :  London, 

1778.]    s.  sh.  fol.  G.  310.  (228.) 

0  Jesu,  te  invocamus.     [Motet.] 

See  Haydn  (P.  J.) 

0  jour  d'^ternelle  memoire.     Chant. 

See  Catel  (C.  S.) 

0  Kitty,  wilt  thou  gang  with  me.     Kitty. 

A  New  Song.     [London,  1761.]     8°. 

P.P.  5441. 
Royal  Magazine,  Vol.  IV.,  p.  92. 

0  le  bon  tems  que  la  moisson.     Ronde. 

See  MoissoNNEUBS. 

Oh  lead  me  to  some  peacefull  Gloom.  Song. 

See  PuBCELL  (H.)     [Bonduca.] 

0  lead  me  to  some  safe  retreat.  A  New  Song. 

Sung  by  Miss  Thomas,  at  Finch's  Gardens, 

[Lo7ulon,]  1765.     8".  P.P-  5441. 

Boyal  Magazine,  Vol.  XIIL,ja.  321. 


208 


0 


O.  0  lead  me  where  the  lonely  Nightingale. 
[Song.]  Sec  Webbe  (S.)  the  Elder. 
0  Liberie,  chere  aux  Fran(;ais.  Hymne 
a  la  LibcrU. .  .par  le  C"  Person. .  .Air  de 
la  Pi^to  Filiale :  Jeunes  Amants  [by 
P.  Gaveaux].  Chez  Imbault :  Paris, 

[1793?]    8°.  B.  362.  a.  (51.) 

O  Libert^,  fille  des  Cieux.     Hymne  a  la 
Libert^  avec   accomp'  de  Guitarre.     Air  : 
de  la  Croisee  [by  G.  G.  Cambini]. 
Chez  Imbault :  [Paris,  1793 '?]     8°. 

B.  362.  a.  (22.) 
O  Liberie  !  voicy  le  jour.  Hymne,  pour  la 
Fete,  en  Vhonneur  de  Barra  et  A.  Viala. . . 
Air  :  On  compterait  les  diamans.  [Words] 
Par  le  C""  Pierre  Colau,  etc. 
Chez  Imbault :  [Paris,  1794.]     8". 

B.  362.  a.  (32.) 
0  Liberty,  thou  choicest  treasure.  Song. 
See  Haendel  (G.  F.)  [Judas  3Iaccabxus.~\ 
0  lieto  di.  Trio.  See  Sacchini  (A.  M.  G.) 
[(Edipc  a  Colonne.  0  doux  vioment.] 
Glisten,  listen  to  the  Voice  of  Love.  Song. 
See  Hook  (J.) 

0  lit  charmant.     Le  Sommeil  de  Myrthc. 
Romance  [words]  de  M.  Berquin. 
Chez  Bignon  :  [Paris,  1790  ?]     8". 

B.  362.  a.  (94.) 
Oh,  London  is  a  fine  Town.  The  London 
Ditty.     [Song.]  [London, 

1710?]     s.sh.iol.  H.  1601.  (327.) 

[Another  edition.]  Oh  iLoudon  is  a  fine 
Town,  etc.     [London,  1720  ?]     s.  sh.  fol. 

G.  310.  (180.) 
[Another  copy.]  Gr.  305.  (204.) 

0  Lord  hear  the  Prayer  of  thy  Servants. 
Anthem.     See  Webbe  (S.)  the  Elder. 

0  Lord,  I  will  praise  Thee.  An  Ancient 
Canon  in  the  Unison.  From  a  Gentleman 
at  Durham.     [London,]  1760.     8". 

P.P.  324.  n. 
Christian's  Magazine,  Sept.,  1760,  p.  230. 
O  Love,  how  pleasing  are  thy  Chains. 
Song.  See  Burgess  (H.)  the  Elder. 
Oh  Love,  how  swift  thy  fairest  prospects 
fade.     Song. 

See  Adventures  of  a  Night. 
0  Love,  I  have  gain'd  a  Victory.     Song. 
See  Clayton  (T.)     [Arsinoc.] 
Oh  Love  if  a  God  thou  wilt  be.     Dialogue. 
Sec  Kingdom  of  the  Birds. 

O  Love,  resistless  Victor,  say.     Song. 
See  Fisher  (W.) 

Oh  Love  thou  Delight.     [Song.] 

See  Love  finds  the  Way. 

O  Love  thou  Tyrant  o'er  the  mind.  Cecilia. 

A  favorite  New  Song.  P.  E[vans  : 

London,  1780?]     fol.  G.  310.  (246.) 

0   Love  what   the   deuce    do   you  want. 

Ballad. 

See  MooREHEAD  (J.)      Birds  of  a  Feather.] 


O.    0    lovely    Cselia.     The    Confession.     A 
New  Song.     [London,  1751.]     8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  IX.,  p.  278. 
Oh  lovely  Charmer.     Minuet. 
See  Floridantb.     0  cara  speme. 

0  Lovely  Maid  how  dear  thy  Pow'r.  To 
Chloe.  Song.  [Music  by  W.  Defesch.] 
[London,  1745  ?]     s.  sh.  fol. 

G.  310.  (204.) 

0  !  ma  Georgette.     Air. 

See  Philippe  et  Georgette. 

Oh  !  ma  tendre  musette.  Plainte  Aniour- 
euse.     [Song.]     [Paris,  1780  ?]     8". 

B.  362.  (145.) 

0  Mary  my  deary.     Song. 
See  Urbani  (P.) 

O  Mary!  soft  in  Feature.  Green-Wood 
Hall,  or  Colin's  Description  (to  his  wife) 
of  the  Pleasures  of  Spring  Gardens. 
[Song.]  Made  to  a  favourite  Gavot  from 
an  Organ-Concerto  [by  T.  Gladwin],  etc. 
[London,  1745  ?]     s.  sh.  fol. 

I.  530.  (112.) 

0  !     may    I    then    your    Words    believe. 
Ballad.     See  Biggs  (E.  S.) 
0  Memory,  thou  fond  Deceiver.     [Song.] 
See  Abrams  (H.) 

0  Mensch  betracht  die  Ewigkeit.  Un- 
ttollkoviner  vnud  vnuollcndter  .  .  .  Abriss, 
der  vnendlichen  .  .  .  vnnd  vnerkldrlichen 
Ewigkeit. .  .GsangsweissinKurtzeReimen 
verfasst,  vnd  in  seiner  aignen  Melodey 
zusingen.  Oder  im  Thon,  wie  das  Bliimlein 
Gsang  Oder  Schnitter  Lied.  MUnchcn, 
1642.     12".  4257.  aa.  4. 

O  mere  des  vertus.     Hymne. 
Sec  GossEC  (F.  J.) 
0  mine  awn  Jenny.     Song. 
See  YosLiNGTON  (     ) 
0  Mistress  mine.     Glee. 
See  Stevens  (R.  J.  S.) 
0  Muses,  secondes  ma  voix.     Air. 
[Paris,]  1778.     s.  sh.  8".  297.  f.  21. 

Mercure  de  France,  April,  1778. 

O  my  bonny  Highland  Laddie,  The 
Highland  Laddie.  [Song,  words  by  A. 
Ramsay.]     [Lonc^on,  1740?]     s.  sh.  io\. 

G.  305.  (226.) 
[Another  copy.]  G.  310.  (210.) 

0  my  fairest  you're  my  Dearest.  The 
Lover's  Prayer.     [Song.]  [London, 

1730?]     s.sh.iol.  G.  310.  (255.) 

Oh  1  my  heavy  Heart.     Song. 
Sre  Hook  (J.) 

Oh  my  Love,  lov'st  thou  me  ?  A  favorite 
Duett,  etc.  [Words  and  music  of  the  first 
part  taken  from  a  Round  in  T.  Ravens- 
croft's  Deuteromelia.]  Longman  and 
Broderip  :  London,  [1790  ?]     fol. 

G.  354.  (53.) 


o 


209 


O.  0  my  Nassau,  did  you  know.  Nanny's 
Complaint  for  the  Loss  of  her  Love.  [Song.] 
[Lo»fZo;i,  1735?]     s.  sh.  io\. 

Gr.  316.  e.  (106.) 
0  !  my  poor  Heart  heigh  ho.     Duet. 
See  Where.      Where,  ah !  where  shall  I 
my  Shepherd  find,  etc.     ri795  ?]     fol. 

Gr.  809.  c.  (64.) 
Oh  !  my  poor  Husband.     Dialogue. 
See  Clarke  (J.)     [T/u'  Island  Princess.] 

0  my  pretty  Punchinello.     [Song.] 

See  Haendel  (G.  F.)     [Rodeli^ida.    Scac- 

ciato  dal  stio  nido.] 

0  ray  Soul  why  sitt'st  thou  here  ?  An 
Hymn,  etc.     {London,  1761.]     8°. 

P.P.  324.  n. 
Christian' s Magazine,  Supplement,  July- 
Dec.,  17G1,^).  688. 
Oh  my  tender  panting  heart.     A  Scotch 
Song.     \ London,  VliOl]     s.  sh.  lo\. 

G.  310.  (205.) 
Oh  my  Treasure.     [Song.] 
Sec  Haesdel  (G.  F.)    [Floridante.  Vanne 
segui.] 

Oh  Nanny,  wilt  thou  fly  from  me.  Su7ig 
by  Mr.  Vernon.  [Song,  by  C.  T.  Carter. 
Full  Score.]     [London,  1773  ?j     fol. 

G.  296.  (26.) 
Printed  from  the  plates  of  fol.  16-19  of 
Carter's  "  Collection  of  . . .  Songs  sung 
at  Vanx  Hall. .  .lllS." 

Oh  Nanny  wilt  thou  fly  from  me.     Song. 
See  Carter  (C.  T.) 

O  Nightingale,  that  on  yon  bloomy  Spray. 
[Song. J     See  Boyce  (W.) 

0  Nuit,  deesse  du  mistere.     [Song.] 
See  Faux  Lord. 

O  nuit  trop  agreable.     Le  Reveil  a  Contre- 
Tems,    [Song,    written]     par    M.    Ferru. 
Air  :  "  O  ma  tendre  Musette." 
ChezCamand:  P((n.s,  ri790?]     8". 

B.  362.  (147.) 
O  nymph  divine.     Glee. 
See  Hudson  (R.) 

O  open  the  door  thou  dear  unkind.  Song. 
See  Ross  (J.) 

0  Peace.     [Song.]     See  Arxe  (T.  A.) 

Oh  !  Phillis,  shame  on  you.  Damon  and 
Phillis.     A  Dialogue.  ;  London, 

1751.]     8".  "  157.  1.  13. 

London  Magazine,  1751,  ^j.  56-4. 

Oh  pity  Colin !  cruel  fair.  .4  Xew  Song. 
Sung  by  Miss  Falkner  at  Marybou- 
Gardens.  [By  W.  Defesch.]  [London, 
1751.]     8°.  157.  1.  13. 

London  Magazine,  1751,  j;.  372. 
Oh  pity  Colin  !   cruel  Fair.      The  Shep- 
herd's  Repentance,  A  New  Song   [by  W. 
Defesch],  Sung  by  Miss  Falkner,  etc. 
See  Chloe.     Chloe,  or  the  Musical  ilaga- 
zine,  e^c.   No.  48.    [1760?]    fol.      G.  433. 

VOL,  II. 


O.     Oh  pity  Colin  !  cruel  Fair.     Song. 
See  Defesch  (W.) 

0  pray  for  the  Peace  of  Jerusalem.  Canon. 
See  Harixgton  (H.) 

Oh  !  que  n'ai-je  ass^s  de  larmes. 
Komance.     See  Lolotte  et  Fanpan. 
0    Raree    Show,   0   bravee   Show.      The 
Raree  Shoio  Ballad,  or  the  English  Missi- 
sippi.     [London,  1720?]     s.  sh.  fol. 

G,  305.  (212.) 
[Another  edition.]  O  Raree  Show,  0 
bravee  Show,  etc.  [London, 

1720?]     s.sh.iol.  H.  1601.  (348.) 

[Another  setting.]  0  Raree-Show.  [Song.] 
See  Rape  of  Proserpine. 
O,     Ravishing    Delight!       [Song.]       See 
Purcell  (D.)     [  The  Judgment  of  Paris.] 
0  Richard  !  o  mon  Roi.     [Song.] 
See  Richard  Cceur  de  Lion. 
O  ruddier  than  the  Cherry.     Polyphemus. 
[Song,  from  Handel's  '  Acis  and  Galatea.'] 
[London,  1722  ?]     fol.         G.  315.  (151.) 

Pp.  17-19  of  an  edition  of  the  Songs  in 
'  Acis  and  Galatea.' 
0  ruddier  than  the  cherry.     Song. 
See  Haendel  (G.  F.)     [Acis  and  Galatea.] 
0  saiute  Liberty.     Hymue. 
See  Moulet  (J.  A.) 

Oh  Sandy  why  leaves  thou  thy  Nelly. 
Thro'  the  Wood  Laddie.  [Song,  words  by 
A.  Ramsey,  Music  by  M.  Arne.]  Sung  by 
Miss  Wright  at  Vauxhall.  [London, 

1765  ?]     s.  sh.  fol.  G.  310.  (232.) 

Oh  Sandy,  why  leav'st  thou  thy  Nelly  to 
mourn.  Thro'  the  icood,  Laddie.  [Song, 
by  'M.  Arne.]  As  Sung  bv  Miss  Wright  at 
Vauxhall.     [London,  1765.]     8". 

P.P.  5441. 

Royal  Magazine,  Vol.  XIII.,  p.  101. 
0  Sandy  why  leav'st  thou  thy  Nelly 
to  mourn.  Through  the  Wood  Laddie. 
(Thro'  the  Wood  Laddie,  as  sung  by  Miss 
Wright,  at  Vauxhall.  [Music  by  M.  Arne.]) 
[Two  Settings.]     [London,  1765.]     8°. 

158.  1.  10. 

London  Magazine,  ll&5,pp.  426-7. 
O  say  bonny  Lass,  a  favorite  new  Scotch 
Song  and  Duett,  sung  by  Miss   Satchell 
&  Mr.  Mahon,  at. .  .Covent  Garden,  etc. 
J.  Welcker:  London,  [11  Qb'>]     fol. 

G.  805.  k.  12. 

Oh  say,  simple  Maid,  have  you  form'd  any 
notion.     Ballad. 

See  Arnold  (S.)  [Inkle  and  Yarico.] 
O  say,  thou  dear  possessor  of  my  breast. 
Song.  See  Jackson  (W.)  of  Exeter.  [12 
Songs.  Op.  4.  No.  7.] 
Oh !  say  what  is  that  thing  cal'd  Light. 
The  Blind  Boy.  [Song,  words  by  C.  Cibber, 
music  by  .J.  Stanley.]  [London, 

1735?]     s.sh.iol.  G.  310.  (172.) 

0  Scenes  of  Youth.    Song.    See  Rannie  (J.) 

p 


210 


O 


O.  0  Shame  light  on  this  Word's  Pelf.  The 
Gear  and  the  Bragrie  o't.  [Song.]  Sung 
by  Mr.  Lauder  at  the  New  Theatre  in  the 
Hay  Market.     {London,  1757.]     s.  sh.  8°. 

P.P.  5439.  ab. 
New  Universal  Magazine,  Dec,  1757. 
O    Shepherds  !    how   oft    to   the    brooks. 
Pastoral.     See  Caerington  (C.) 
0  Sleep.     [Song.]     .SVe  Waters  (T.) 
Oh  sleep,  gentle  sleep.     Duo. 
^See  Harington  (H.) 

O  sleep,  why  dost  thou  leave  me  ?     Song. 
See  Haendel  (G.  F.)     [Semelc.] 
O  Sodoma  !  quid  facis.     [Chorus  for  three 
voices.]  [Conradns  Scher : 

Argentorati,  1607.]     s.  sh.  obi.  12". 

11712.  b.  40. 
Part  of  '  Conflagratio  Sodomm.     Drama 
novum  tragicum,'  hy  Andreas  Saurius. 
0  Soleil !  prete  moi  tes  fiammes.    Cantique. 
See  LoLOTTE  et  Fanfan. 
Oh,  stay,  ah  turn,  my  only  dear.     Rondo. 
See  GiOEDANi  (G.)  or  (T.) 
Oh  stay  my  Love.     Song. 
See  Storage  (S.)     [The  Glorious  First  of 
June.] 

Oh    stay  my   sweet   Pilgrim,   a   Favorite 
Song.  Printed  for  P.  Jung  : 

Oxford,  [1793  ?]     fol.  G.  360.  (55.) 

O  strew  the  sweet  Flower.     Song. 
See  Ross  (J.) 

0  strike  the  Harp.  [Song.]  See  Storage  (S.) 
0  strike  the  Harp  in  praise  of  my  Love. 
Trio.     See  Stevens  (R.  J.  S.) 
Oh  !  take  him  gently  from  the  Pile.   Song. 
See  EcGLES  (J.)     [Cyrus  the  Great.'] 
Oh  !  talk  not  to  me.     Song. 
See  Vento  (M.)     [Lionel  and  Clarissa.'] 
0  tems  heureux  !   Le  Retoitr  de  VAgc  cVOr. 
Chanson.     [Paris,]  1744.     s.  sh.  4°. 

298.  b.  29. 
Mercure  de  France,  Nov.,  1744. 
Oh  the  blissfuU  Day  approaching.    [Sacred 
Song.]     Composed  by  a  German. 
[Londo7i,  1697.]     4".  108.  g.  68. 

P.  67  of  No.  I.  of  '  Theosophical  Trans- 
actions by  the  Philadelphian  Society.' 
0  the  blissful  joys  of  wooing.     Song. 
See  Shield  (J.) 

Oh   the    Bonny   Highland   Laddie.      The 
Highland  Laddie.     [Song.]  [London, 

1760?]     s.  s7i.  fol.  1.530.(117.) 

O  y'  Broom  y'  bonny  Broom.     TJie  Broo^n 
of  Coiodenknows.     [Song.]  [London, 

1735  ?]     s.  sh.  fol.  G.  316.  e.  (107.) 

Oh  the  Charming  Month  of  May.    A  New 
Song  out  of  the  Guardian.  [London, 

1713?]     s.sh.iol.  H.  1601.  (328.) 

[Another    edition.]      Oh    the    Charming 

-     Mouth  of  i\Iay,  etc.  [London, 

1720?]    s.sh.iol.  G.  310.  (177.) 


O.     0  the  days  when  I  was  young.     [Song.] 
See  Duenna. 

Oh  !  the  hours  I  have  pass'd  in  the  arms 
of  my  dear.  Cuolun,  a  Celebrated  Irish 
Air,  arranged  with  Variations,  for  the 
Piano  Forte.     [London,  1800?]     fol. 

G.  805.  e.  (15.) 
Oh,  thou  Conubial  God.  Epithalamium. 
.SVe  Royal  Revenge. 

0  Thou  for  whom  my  Lyre  I  string.     Tlie 
Lover  and   the    Friend.      A   New   Song. 
[MusicbyJ.  Worgan.]    ,"?ee  Chloe.    Chloe, 
or  the  ^Musical  Magazine,  etc.     No.  90. 
[1760?]     fol.  G.  433. 

0  Thou  in  whom  the  gentiles  trust. 
Hymn.     [London,  1778.]     8'\ 

P.P.  716.  b. 
Gospel  Magazine,  Oct.,  1778. 
Oh  thou  was  born  to  please  me.     Duet. 
See  CoMus. 

0  Thrice  Illustrious  Famous  City  Loudon. 
Upon  Sight  of  Londons  Stately  Neio 
Buildings,  Anno  Domini,  mdclxxii. 
[Ballad.]  William  Godbid,for  the  Author : 
London,  1672.     s.  sh.  fol.  82.  1.  8. 

[Another  copy.]  Case  20.  f.  2.  (91.) 

[Another  copy.]       Case  20.  f.  4.  (128.) 
O  Time  who  know'st  a  lenient  hand  to 
lay.     [Song.]     See  Callcott  (J.  W.) 
0  Toi,  dont  TUnivers  publie.     Hymne. 
See  Gersin  (     ) 

O  toi,  dont  la  sagesse  a  rempli.     Hymne. 
See  Lelu  (    ) 

0  toi  qu'on  adore  a  Cythere.  L'Amant 
sans  Espirance.  [Song.]  Sur  Fair,  Bon 
soir  ma  ieune.     [I^aris,  1785  ?]     8". 

B.  362.  e.  (121.) 

0  toi  qui  n'eut  jamais  du  naitre.  Le  FiU 
Naturel.     fSong.]  Chez  Bonvalet : 

[Paris,  1790  ?]     8".  B.  362.  a.  (91.) 

0  toi  qui  prolongeas  mes  jours.     [Air.j 
See  Iphigenie  en  Tauride. 
O  toi  qui  viens  de  me  charmer.     Chanson 
Nouvelle    [written]    par    Mr.    Guilliaume. 
Air  de  la  Romance  de  Nina  [by  N.  Dalay- 
racl.     Chez  Bonvalet:  [Par'is,  1190?]     8°. 

B.  362.  f.  (32.) 
0  Tommy,  Tommy.     Glee. 
Sec  Welsh  (T.) 

O  vous  belle  dormeuse.     Romance. 
See  Lolotte  et  Fanfan. 
0   vous  I'exemple   des   justes.      Couplets- 
addresses. .  .aux  represantants  du  Peuple 
composant  le  Comite  de  salut  Public.   Air  : 
Ce  mouchoir  belle  Raimonde. 
Chez  Imbault :  [Paris,]  1793.     8". 

B.  362.  (234.) 

O  vous  qu'une  crainte  mortelle.  Air  de  la 
Suite  de  la  ConficUration.  Avec  Accomp» 
de  Guittare.  Chez  Imbault : 

Paris,  [1790?]     8°.         B.  362.  a.  (170.> 


O— OBSERVATIONS 


211 


O.   0  we  sail'd  to  Virginia.  Admiral  Benboio. 
[Song.J     Sung  by  ]\Ir.  Bannister. 
Sk[ilkrn:  London,  llS^l^    s.  sh.  iol. 

G.  316.  (103.) 

O  welcome   my   Shepherd.      The   Joyful 
Meeting.     A   New   Song.     Sung   by  Miss 
Falkner  at  Mary  le  Bone  Gardens. 
[London,  1750  ?]    s.  sh.  fol. 

I.  530.  (113.) 

O  what  a  Beau  my  Granny  was.  [Song.] 
See  Ladies.  The  Ladvs  can  not  but  ap- 
prove.    [1800?]    fol.      G.  805.  m,  (26.) 

0  !  what  a  Charming  Creature.     Song. 
Sec  Danby  (J.) 

Oh  what  a  charming  thing  is  Feasting. 
What  a  charming  Thing  is  Feasting, 
or  the  Peacefull  Sensations  of  Tasting 
prefer'd  to  the  Warlike  Sensations  of 
Smelling.  [Song.]  Str[aight :  London, 
1780?]     fol.  G.  310.  (245.) 

Oh  !  what  a  misfortune  befel  me  to-day. 
Song.     See  Hobson's  Choice. 

Oh  !  what  a  plague  is  Love.  The  Jealous 
Swain,  [Song,  to  the  tune  of  "PhiUida 
flouts  me"]  to  be  Answer'd  by  Mr.  A. 
Bradlev.     [London,  1720  ?]     .s.  sh.  fol. 

G.  305.  (16.) 
Oh  what  can  match  the  pleasure.  [Song.] 
See  Mazzinghi  (.J.)  [The  Magician  no 
Conjuror.^ 

Oh  what  had  I  ado  for  to  marry.     Hoolij 
and  Fairly,  [Song]  as  Sung  by  Mr.  Beard 
at  Ranelagh.     [Full  Score.] 
[London,  1745  ?]     fol.         G.  310.  (224.) 

[Another  edition.]     Oh  what  had  I  a  do 
for  to  marry.     Hooly  and  Fairly,  etc. 
[Loudo;i,  1750?]     s.  sh.  iol. 

G.  315.  (77.) 
Oh  what  pain  it  is  to  see.  The  Amorous 
Contest.  [Song.]  Set  for  y"  German 
Flute.     [London,  1735  ?J     s.  sh.  fol. 

G.  316.  e.  (100.) 
Oh  what  Pangs  are  felt  in  Love.     A  Xeio 
Song  [written]  by  Mr.  A.  Bradley. 
[London,  1730  ?]     s.  sit.  iol. 

G.  310.  (206.) 
Oh  where  shall  I  wander.     [Song.]     Sung 
by  Mr.  Vernon.     [Music  by  J.  Hook.] 
[Welcker  :  London,  1775.]     fol. 

G.  310.  (237.) 
Printed  from  tlie  plates  of  pp.  18-19  of 
Hook's  Sixth  Book  of  Vauxhall  Songs, 
1775. 

Oh   Where's   the    plague  in   Love.       The 

Answer    to    the    Jealous  Swain,    [Song, 

words]  by  A.  Bradley.  [London, 

1720?]     s.sh.iol.  G.  305.  (17.) 

[Another  copy.]  G.  310.  (194.) 

Oh  who'  is  me,  poor  Walley  cryd.  Poor 
Walley's  Complaint,  [-^ong.]  ^London, 
1750?]     s.sh.iol.  G.  316.  (104.) 


O.  0  wouldst  thou  know  what  kind  of 
charm.     Song. 

See  Saint  Germain  (   de)  Count,  pseud. 
0  wouldst  thou  know  what  Sacred  Charm?. 
Song. 

See  Saint  Germain  (     de)  Count,  pseud. 
O  yes,  Sir,  if  you  please.     Song. 
See  WiLLSON  (.J.) 

O  Youth,  thou  Morning  of  Delight.  Glee. 
See  Callcott  (J.  W.) 

OAK.     The  Oak.     Ballad.    See  Stokes  (C. 

OAKES  (Jeffrey)  Damon  to  Philomel 
. .  .A  New  Song,  etc.  [I^ondon, 

1730?]     s.  s7i.  fol.  G.  316.  (105.) 

Prithee  tell  me  faithless  Swain.  A  New 
Song,  etc.     [London,  1730  ?]     s.sh.iol. 

G.  311.  (14.) 

GATES  (  )  See  Observations.  Obser- 
vations on  Composition,  etc.  [Bv  — 
Gates?]     [1770?]     fol.      785.  m.  14." (2.) 

OB.     Ob  fiirchterlich  tobend  sich  Stiirme 
erheben.     Motette.     See  Mozart  (W.  A.) 
[Thamos.   Ihr  Kinder  des  Staubes.] 

OBERON  KOENIG  DER  ELFEW. 

Oberon,  Konig  der  Elfen.      Operetta. 
See  Wraniczky   P.) 

OBET  (     D")     See  Dobet. 

OBI.  The  Spanish  Guitar,  [Song,]  Sung 
...in  the.  .  .Pantomimical  Drama  called 
Obi,  etc.  [Composed  and  adapted  by  S. 
Arnold.]  T.  Jones  <f-  Co. :  I^ondon, 

[1800.]     fol.  G.  805.  j.  (22.) 

Obi.     Pantomimical  Drama. 
See  Arnold  (S.) 

OBJET.     Un  Objet  plein  dappas.     Air. 

Sir  COCRBOIS  (       ) 

OBLIGEANT  MAL- ADROIT. 

L'Obligeant  Mai-Adroit,  Comedie  en  trois 
Actes,  et  en  vers,  du  C.  Famin  . . .  avec 
I'Ariette  notee.  Chez  Denni  : 

Paris,  1793.     8".  11738.  e.  32.  (1.) 

OBRECHT  (Jacob)     [Missa  Si  dedero.j 
See  Masses.   Missarumdiverso?rauctoru3. 
Liber  primus.     Si  dedero  [by]  Obreth,  etc. 
1508.     obi.  4".  K.  1.  d.  8. 

OBSERVATIONS.  Observations  on  a 
Gentlewoman,  working  by  an  Hour- 
Glass.  [Song.]  See  Leveridge  (R.) 
ObserV'ations  on  Composition,  with  plain, 
easy,  and  familiar  rules  to  learn  that  art 
by  numbers ;  to  which  is  added  the 
Planner  of  Composing  the  .  .  .  Canon  of 
Non  nobis  Domine,  ...  by  W.  Bird,  etc. 
[By  — ■  Gates  ?]  M''  Oates  :  Westminster, 
[1770?]     fol.  785.  m.  14.  (2.) 

Observations  sur  un  ouvrage  nouveau  [by 
L.  Garcin],  intitule :  Traits  du  Melo- 
Drame,  etc.  [By  Francois  Jean,  Marquis 
de  Chastellux.]  Vallat-la-Chapelle  : 

Paris,  1771.     8°.  839.  d.  10. 

p  2 


212 


OCCHIETTO— ODI 


OCCHIETTO.     Occhietto  furbetto. 
Duett.     See  Villanella  Rapita. 

OCH.  Och,  Arab  ma  Judey.  Arah  ma 
Judey.     [Song.]  [London, 

1735?]     s.  s7(.  fol.  G.  316.  e.  (114.) 

[Another  copy.]  G.  305.  (125.) 

OCHSENKHUN  (Sebastian)  Tabulatur- 
buch  auff  die  Lauten,  von  INIoteten, 
Franzosiscben,  Welschen  vnd  Teutschen 
Geystlicben  vnd  Weltlicben  Liederu, 
sampt  etlicben  jren  Texten,  mit  Viereu, 
Fiinffen  vnd  Sechs  stimen,  dergleichen 
vor  nie  im  Truck  aussgangen  . . .  Durch 
Sebastian  Ocbsenkbuu  .  .  .  zusameu 
ordinirt  vnd  gelesen.  J.  KJiol : 

Heidelberg,  1558.     fol.  K.  1.  i.  3. 

Imperfect.  The  title-ixige  and  from 
fo.  Ixxviii  to  the  end  of  the  book 
are  in  facsimile.  The  composers  men- 
tioned arc  :  P.  Hoffheimer,  C.  Glanner, 
S.  Zirler,  L.  Seiiffel,  G.  Petschin,  W. 
Braitengasser,  C.  Ottmaier,  H.  Isaac, 
M.  Ziete,  S.  Mahu,  J.  vom  Brandt,  H. 
Kilian,  T.  Stoltzer,  Archadelt  and 
Crecciuillon. 

ODD.  Odd  Zooks  what  a  Sight.  The 
Volunteers'  Medley,  a  humorous  Descrip- 
tion of  the  . . .  Volunteers  ...  at  the  . . . 
Review  in  the  Phoenix  Park  on  the  5th  of 
June  [1781]  .  .  .  written  by  Mr.  Marsh 
Junr.,  etc.  John  Lee  :  Dublin, 

[1781.]    fol.  H.  1601.  a.  (108.) 

ODE.   An  Ode  address'd  to  a  Lady.    [Song.] 
See  From.     Prom  wave  to  wave,  etc. 
[1745  ?]     s.  sh.  fol.  G.  316.  h.  (31.) 

Ode  in  honor  of  Earl  Cornwallis's  Victory 
over  General  Gates,  etc.    See  Coenwallis. 
Cornwallis,  Illustrious  Warrior  !  etc. 
[1780.]    fol.  G.  307.  (55.) 

An  Ode  in  Honour  of  the  Albions  Society. 
[Song.]     See  Jarvis  (S.) 
Ode  in  Honour  of   the   London  Military 
Association.    [Song.]    -See  While.    While 
some  to  Clinton,  Rodney  or  Prevost,  etc. 
[1780  ?]     fol.  G.  313.  (254.) 

An  Ode  on  his   Majesty's   happy  Return 
from  Hanover.      [Song.]     See  Our.     Our 
King  and  our  Guardian  is  come,  etc. 
[1745.]     s.  sh.  fol.  G.  310.  (218.) 

Ode  on  St.  Cecilia.     [Glee.] 
See  Webbe  (S.)  the  Elder. 
An  Ode  on  Solitude.     [Duet.] 
See  Stanley  (J.) 

Ode  on  the  Passions.     [Cantata.] 
See  Cooke  (B.) 
Ode  on  the  Return  of  Peace. 
See  Hook  (J.) 

Ode  sur  la  Paix.     [Song.]     See  Ce.     C'est 
trop  longtems,  nobles  rivaux. 
[1783.]     8".  B.  362.  a.  (70.) 

Ode  to  Charity.     [Song.]     See  Fisin  (J.) 


ODE.     An  Ode  to  Contentment.     [Song.] 
See  Baildon  (J.) 

Ode   to   Plorimel.      [Song.]      See   Adieu. 
Adieu,  dear  maid.     [1780?]     s.  s/i.  fol. 

H.  1994.  a.  (54.) 
An    Ode    to    Harmony.      [Glee,    begins; 
'  When  aiusic  with  th'  inspiring  bowl.'] 
See  Ayrton  (E.) 

Ode  to  Harmony.     [Hymn,  begins  :   '  Hail 
Heav'n  born  Art.']     See  Grigg  (S.) 
Ode  to  Liberty.     [Duet  &  Chorus.] 
See  Parsons  (J.) 
An  Ode  to  Love.     [Song.] 
See  Arne  (T.  A.) 

Ode    to    May.      Song    [begins:    'Fairest 
daughter  of  the  Year  'J. 
See  Adams  (J.  B.)     A  New  Air  ...  No.  2. 
Ode  to  May.     Song.     .S'ee  Awake.     Awake 
mv  muse  the  sprightly  lay,  etc. 
[1752.]     8\  249.  e.  22. 

An  Ode  to  Sleep.     [Glee.] 

See  Olive  (J.) 

An  Ode  to  Solitude.     [Song.]    See  Sweet. 

Sweet  Companion  of  the  Muse. 

[1750?]     6-.  sh.  fol.  G.  316.  f.  (8.) 

Ode  to  the  Harp.     [Song.] 

See  Reeve  (W.) 

ODEN.      Beiiinische    Odeu   und    Lieder. 

3  Th.  J.  G.  I.  Breitkopf 

{B.  C.  Breitkopf  and  Sohn) :  Leipzig,  175G 

(1759)  (1763).    obi.  fol.  E.  1705. 

The  composers  named  in  this  collection 

are:  Sack,  Rackemann,  Nichelmann, 

Agricola,    Schale,    Marpurg,    Krause, 

C.     P.     E.     Bach,    Janitsch,     Roth, 

Quanz,  Graiin  (Concertmeister) ,  Graun 

(Capclhneister),  Kirnbrrger  and   Sey- 

fahrt. 

Geistliche  moralische  und  weltliche  Odeu, 

von  verschiedenen  Dichtern  und  Compo- 

uisten.     G.  A.  Lange  :  Berlin,  1758.     fol. 

F.  363.  f.  (1.) 
The    composers    of  this   collection   are : 
Marpurg,  Kirnberger,  Sachs,  Krause, 
Schale,    Nichehnann,    Fasch,    Racke- 
mann, Agricola  and  Graun. 
Geistliche  Oden  in  ]\Ielodien  gesetzt  vou 
einigen  Tonkiinstlern  in  Berlin. 
Bell  C.  F.  Yoss  :  Berlin,  1758.     obi.  fol. 
'^  D.  743. 

The  composers  are:    Graun,  C.  Fasch, 
Nichelmann,  Marpurg,  Krause,  Racke- 
mann, Schale,  Seyfarth,  Agricola  and 
Sack. 
Sammluug     ueuer     Oden     und     Lieder. 
2   Thle.      [Words   by   F.    von   Hagedorn, 
music  by  J.  V.  Gorner.] 
Bey  sel  Felginers  Wittwe  und  J.  C.  Bolni  : 
Hamburg,  1742-44.     8°.  D.  745. 

ODI.     Odi  un  suon  di  meste  note.     Song. 
See  Alessandro  e  Timoteo. 


ODONTIUS— OF 


213 


ODONTIUS  (Matth.eus)  Musicalisch 
Rosengiii-tlem,  Neuer  Teutscher,  lustiger, 
weltlicher  Liedlein. .  .zu  singen  vnud  auff 
allerley  Instrumenten  zugebrauchen,  mit 
i  vnd  5  Stimmen  componirt,  etc.  Tenor. 
Abraham  Wagcnmann  : 
Niirnberg,  1612.     i".  B.  119. 

ODS'.  Ods'  Blood  who's  the  Noodle.  Song. 
See  I.  I  sing  of  George's  Golden  Days,  etc. 
[1780.]     fol.  G.  309.  (105.) 

OECONOMIE.  Oecouomie  der  Plaisir. 
Ronde.     Sec  Lkgat  de  Furcy  (A.) 

CEDIPE  A  COIiONNE.  Overture. 
CEdipe  a  Colonne.  [By  A.  M.  G.  Sacchini.] 
[1801.]  See  Periodical  Publications. — 
London.  The  Piano-Forte  ^Magazine. 
Vol.  XIV.     [No.  13.]     [1797-1802. 1     8". 

D.  854. 
Oedipe  a  Colonne.     Op6ra. 
See  Sacchini  (A.  M.  G.) 

OEGLIN     (Erhart)       Tenor.       [Erhart 
Oeglin's  Liederbuch.     German  and  Latin 
songs  with  words,  for  four  voices.] 
Erhart  Ocjlin  :  Augspurg,  1512.     obi.  i'\ 

K.  4.  d.  7. 
53  leaves  loithout  pagination.  Tlie  title-  i 
page  bears  tJie  word  Tenor  and  a  i 
ivoodcut  of  a  mermaid,  holding  two  , 
oval  shields  or  ^nirrors  with  ribbons,  \ 
and  the  initials  H.  B.  [Hans  Burgk-  \ 
mair  the  Elder]  on  a  tablet.  I 


Song. 


O'ER.     O'er  Desert  Plains. 
See  Jackson  (G.) 
O'er  Highlands  and  Lowlands.     Ballad. 
See  Sanderson  (J.) 

O'er  my  soul,  bright  Queen  of  Beauty.     .-1 

Ncio  Song.   The  words  from  Don  Quixotte. 

[London,  1774.]     S".        ^    P.P.  5438.  z. 

Universal  Magazine,  Vol.  LV., p.  150. 

O'er  the  Bowl  we'll  laugh  and  sing.    Song. 

See  Selby  (W.) 

O'er  the  Lawns  up  the  hills  as  with  ardor 

we  bound.     See  Shield  (W.) 

O'er  the  Seas  my  Love  is  Sailing.     The 

Favorite  Scotch  Eoiulo,  etc. 

[Londo7i,  1786  ?]     fol.         G.  310.  (241.) 

O'er  the  vast  Surface  of  the  Deep.     Song. 

See  Storage  (S.)     [The  Glorious  First  of 

June.'] 

O'er  the  wide  field  of  Fancy  to  pleasure  I 

haste.     Song.     -See  Blewitt  (J.) 

O'er    Woodlands   &  Momitains    I   roam. 

Canzonet.     See  Fergus  (J.) 

OETINGER  (Friedrich  Christoph) 
Inquisitio  in  Sensum  Communem  et 
Rationem . . .  Accedit  Nova  Analysis  Musica 
pro  sensu  coromuni  illustrando,  e^c.  2  pts. 
Impensis  Joh.  Christoph.  L'Offleri  : 
Tubingse,  1753.     8°.  8463.  bb.  23. 


OEUFS.     Les  CEufs  Casses.     [Song.] 
See  Ce.     C'est  la  fille  a  Simonette. 
[i790?]    8°.  B.  362.  e.  (120.) 

OF.  Of  all  Comforts  I  miscarried.  The 
Curtain  Lecture.  A  new  Dialogue  between 
a  Clownish  Husband  and  a  Cunning  Wife, 
the  words  bv  Mr.  Durfey.  [London, 

1710?]    s.sh.iol.  H.  1601.  (329.) 

Of  all  Joys  we  are  possest.     [Duet.] 
See  CoRFE  (J.) 

Of  all  my  experience.     A  New  Song,  etc. 
^London,  1753.]     8".        ^    P.P.  5438.  z. 

Universal  Magazine,  Vol.  XII ,  p.  324. 
Of    all   Professions   in   the  Town.       The 
Physician.     [Song.]     Sung  by  Mr.  Keen 
at  Sadler's  Wells.  [London^ 

1780  ?]    s.  sh.  fol.  G.  310.  (270.) 

Of  all  the  Animals  on  Earth  I  see.  The 
Transformation.  A  New  Song.  [London^ 
1730  ?]     s.  sh.  fol.  G.  310.  (174.) 

Of  all  the  brave  Birds.  Glee  for  three 
Voices.     [Loudo;;,  1790?]     s.sh.iol. 

G.  805.  g.  (33.) 

Of  all  the  brave  birds.     Glee. 

See  Freeman  (N.) 

Of    all    the    Experience,    how  vast    the 

amount.     T}ie  Distressed  Maid.     [Song.] 

[London,  mo?]     s.sh.iol. 

G.  310.  (257.) 

Of  all  the  gay  Nymphs  of  the  Ton. 
Belinda's  Complaint  for  the  Loss  of  her 
TSte.     [Song.]  Bland:  [Lo7idon, 

1780  ?]     s.  sh.  fol.  G.  310.  (249.) 

Of  all  the  girls  I  ever  saw.      Nancij  Gay. 
[Song,  music  by  V.  W.] 
[London,  1767.J     8".  P.P.  5441. 

Eoyal  Magazine,  Vol.  XVII.,  p.  lOl. 

Of  all  the  girls  I  ever  saw.     Nancy  Gay. 
A  New  Song.     [Music  by  V.  W.] 
[London,  1767.]     8°.        ^     P.P.  5438.  z. 
Universal  Magazine,  Vol.  XL.,  p.  379. 

Of  all  the  girls  in  our  town.  Nancy 
D«?/;san,a  NewSong.   [London,  1160.]   6". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XXVII., p.  208. 

Of  all  the  Girls  in  our  Town.  Nancy 
Dawson.     [Song.]  [London, 

1760?]    s.sh.iol.  L  530.  (114.) 

Of  all  the  girls  that  are  so  smart.  Sally 
in  our  Alley.  [Song,  by  H.  Carey.]  The 
real  Set  as  Sung  by  Mr.  Incledon,  etc. 

Urbani  &  Lision  :  Edinburgh, 
[1798?]     fol.  G.  356.  (49.) 

[Another  edition.]     Of  all  the  Girls  that 
are  so  smart.     The  Favorite  Song  of  Sally 
in  otir  Alley  as  sung  by  Mr.  Dignum . . . 
To  which  is  added  the  Original  Air. 
J.  Dale:  London,  [1800?]     fol. 

H.  1994.  d.  (46.) 

Of  all  the  Joys  that  fill  the  Heart.     Song. 
See  KiESHAW  (G.) 


214 


OP— OFFRANDE 


OF.  Of  all  the  Lads  that  are  so  Smart. 
Sally  in  our  Alley  to  Billy  in  Piccadilly. 
[Soug,  to  the  music  of  H.  Carey's  ballad.] 
With  Proper  Graces  to  the  Tune.  [London, 
1720?]     s.sh.iol.  H.  1601.  (324.) 

Of  all  the  maidens  fair.  The  Chief  of 
Dairy  Maida,  or  the  Green  Goiun.  [Song.] 
[London,  1120?]     s.sh.iol. 

I.  530.  (115.) 

Of  all  the  :\Iauxes  in  the  Land.     Sally  in 
her  own  Cloaths.     [Song,  adapted  to  H. 
Carey's  tune  of  "  Sally  in  our  Alley."] 
[London,  1720?]     s.sh.iol. 

H.  1601.  (343.) 

Of  all  the  Occupations.     The  Jolly  Topers. 
[Song.]     Set  for  the  German  Flute. 
[London,  1735  ?]     s.  sh.  fol. 

G.  316.  e.  (108.) 

Of  all  the  simple  things  we  doe.  The 
Mouse  Trap.  [Song]  ]\Iade  to  a  Tune  in 
the  Country  Wake.  [London, 

1730?]     s.sh.iol.  H.  1601.  (326.) 

[Another  edition.]  Of  all  y  simple  things 
we  do.  The  Mouse  Trap,  etc.  [London, 
1730  ?]     s.  sh.  fol.  G.  305.  (193.) 

[Another  edition.]  Of  all  f  simple  things 
we  do.  The  Mouse  Trap,  etc.  [London, 
1730  ?]     s.  sh.  fol.  G.  310.  (189.) 

Of  all  y°  toasts,  that  Brittain  boasts. 
Polly  Peachum,  to  the  Tune  of  Sally  in 
our  Alley  [by  H.  Carey].  [London, 

1728.]    s.  sh.  fol.  G.  316.  a.  (36.) 

Of  all  the  Torments,  all  the  Care.     Song. 
See  BoYCE  (W.) 

Of  all  the  various  states  of  life.  Wedlock. 
[Song.]     [London,  1766.]     S". 

P.P.  5441. 
Royal  Magazine,  Vol.  XV.,  2^.  45. 

Of  all  the  words  that  e're  was  sung.     Tlte 
Explanation,     a     new     occasional     Song 
[written]  by  C.  Stracey. 
PUey  and  Willis  :  London,  [1797  ?]     fol. 

G.  365.  (26.) 
Of     all    the    Worlds     enioj-ments.       Tlic 
Fishermans  Song  [in  T.  D'Urfey's  '  Mas- 
saniello.'     Music  by  R.  Leveridge]. 
[London,  1700.]     s.  sh.  fol. 

H.  1601.  (353.) 
Of  all  the  World's  enjoyments.     Song. 
See  Leveeidge  (R.)     [Massaniello.] 
Of  battles  or  sieges  I  mean  not  to  sing. 
A  New  Song.     [London,]  1763.     8". 

P.P.  5441. 

Vol.  IX.,  p.  318. 

Ballad. 


English 


Royal  Magazine 
Of  Cruel  Absence. 
See  SuETT  (R.) 
Of    good 
raise.     Song.     See 

Of     Jolly    Rakes 
Venus    Unmaskd. 
an  Afflicted  Sinner. 
1720'?]     s.sh.iol 


Beer    our   Song    let's 

LEVERIDC4E  (R.) 

aiid    pleasing     Dames. 

Or  a  Merry  Song  for 

[London, 

H.  160i.  (360.) 


OF.  Of  Knights  in  all  ages  in  Story  we're 
told.  The  Knights  of  the  Brush.  [Song.] 
Bland:  [London.  ll'^O?]     s.sh.iol. 

G.  310.  (248.) 

Of  Linster  fam'd  for  INIaidens  fair.  Lucy 
d  Collin,  by  Mr.  Tickle,  set  to  a  New 
Tune.     [London,  1735?]     s.  sh.  fol. 

G.  316.  e.  (104.) 
Of  noble  Race  was  Shenkin.  A  favorite 
Welch  Air,  with  Variations  for  the  Harp, 
Harpsichord,  Violin,  or  German  Flute. 

Broderip  (&  Wilkinson  :  London. 
[1800?]     fol.  h.  3200.  a.  (20.) 

Of  noble  race  was  Shinkin.     Song. 
See  RicHiMOXD  Heiress. 
Of  race  divine  thou  needs   must  be.      .4 
Song,  new  set  to  Musick. 
[London,  1752.]     8".  157.  1.  14. 

London  Magazine,  1752,  p.  569. 
Of  Wilkes  or  of   Halifax  'tis  not  I  sing. 
The    Scrutiny.      [Song.]     The  Words   by 
J.  Oakman.  C[harles 

and]  S[amuel]  T[hompson  :  London, 
1770?]     s.sh.iol.  G.  310.  (272.) 

OF  AGE  TO-MORROW.  The  Wife's 
Farewell  or  No  my  love  no.  The  Favorite 
Ballad  as  sung  by  Miss  Decamp  in  the 
. . .  Farce  of  Age  To-morrow.  [By  M. 
Kelly.]  R.  Branston,  for  the  Author  : 

London,  [IQOO?]  fol.  G.  805.  h.  (36.) 
Of  Age  To-morrow.  Musical  Entertain- 
ment.    See  Kelly  (RL) 

O'FARRELL  (P.)  O'Farrell's  Collection 
of  National  Irish  Music  for  the  Union 
Pipes . . .  Comprising  a  Variety  of  the  Most 
Favorite  Slow  &  Sprightly  Tunes. .  .with 
Variations  . . .  with  a  Selection  of  . . . 
Scotch  Tunes,  also  a  Treatise  with  .  .  . 
Instructions  ...  for  the  Pipes.  Goic  : 

[London,  1792.]     ohl.  4".  b.  115. 

OFFICIER  DE  FORTUNE.  Fidel 
epoux,  franc  militaire.  Vaudeville  de 
I'Officier  de  Fortune.  [Words  by  J,  Patrat , 
music  by  A.  B.  Bruni.J  Avec  Accompag' 
de  Guittare.  Chez  Fr^re  :  [Pari.^, 

1792.]     8°.  B.  362.  d.  (2.) 

OFFLEY  (Henry  Francis)  The  Gallant 
Soldier.  A  Favorite  Song. .  .Written  & 
Composed  by  H.  F.  Oftley.  W.  Cope  : 

London,  [11 9<3?]     fol.  G.  367.  (36.) 

Lowland  Cot,  A  Favorite . . .  Song.  Written 
by  T.  Jones.  W.  Cope,  for  the  Author  : 

London,  [1796  ?]     fol.  G.  367.  (35.) 

The  True  British  Soldier,  or  King  George 
and  Old  England  for  ever.  A  Favorite 
Song. .  .Written  by  T.  Jones,  etc. 

W.  Cope,  for  the  Author  :  London, 
[1795?]     fol.  G.  376.  (28.) 

OFFRANDE      A      TERPSICHORE. 

L'Offrande  a  Terpsichore.     [Ballet.] 
See  Bossi  (C.) 


OFPRES— OLD 


215 


OFFRES.  Les  OSres  de  I'Amour.  [Song.] 
>Ve  Amour.  L' Amour  a  la  belle  Aspasie,  etc. 
^1780?]     8°.  B.  362.  b.  (161.) 

OFT.  Oft  Faunus  leaves  Arcadia's  Plains. 
[Glee.]     See  Callcott  (J.  W.) 

Oft  have  I  seen  at  early  morn.     [Song.] 

See  Aylwaed  (J.) 

Oft  I'd  wet  the  t'other  Eye.     [Song.] 

See  Reeve  (W.) 

Oft  I'm  by  the  Women  told.     [Song.] 

See  Leveridge  (R.) 

Oft  let  me  wander.     Song. 

See  Spofforth  (R.) 

Oft  on  the  troubled  Oceans  face.     [Song.] 

See  Galliard  (J.  E.)     [Circe.] 

OGUS.     Ogus.     Komische  Oper. 
See  Winter  (P.  von) 

OH.     S'^e  0. 

O'HARA  (Kane)  See  Goldex  Pippin. 
The  Songs  ...  in  the  Golden-Pippin,  an 
English  Burletta  .  .  .  Compiled  from  the 
Works  of  the  most  Celebrated  ^Masters  by 
the  Author  of  Midas  [i.e.  K.  O'Hara]. 
[1773.]     obi.  fol.  D.  272.  (1.) 

OISEAU.  L'Oiseau,  on  les  tomparaisons. 
LSong.]  SeePRES.  Presd'un  Mari  brusque 
et  sauvage.     [1785  ?]     8». 

B.  362.  b.  (143.) 
L'Oiseau  soigneux  qui  cherche  sa  proie. 
L'Oiseau.     [Song.]  E.  Rhames  : 

Dublin,  [nSO?]     s.  sh.  iol. 

H.  I60I.  b.  (58.) 

OISEAU  PERDU   ET   RETROUVE. 

Mon  pere,  on  dause  au  Chateau.  Roude. 
De  L'Oiseau  perdu  et  retrouvc'.  [Op6ra- 
Comique,  written  by  De  Piis  and  Barre.] 
iParis,  1782.]     8".    '      B.  362.  b.  (199.) 

Rien  n'est,  quand  on  calcule.  Vatuleville. 
De  VOiscau  perdu  et  retrouvi.  [Opera- 
Comique,  written  by  De  Piis  and  Barre.] 
Chez  Bignon  :  [Paris,  1782.]     8». 

B.  362.  (208.) 

OISEAUX.  Oiseaux  de  ce  bocage.  Air 
Nouveau.  Avec  accomp'  de  guitare  de 
Sig'  Alberti.  Chez  M.  Camand  : 

Paris,  [1785  ?]    8».  B.  362.  g.  (48.) 

Les  Oiseaux  de  ces  bocages.  Air,  ajoute 
au  iV  Acte  d'Armide  et  chants  par 
:\r"  Fel.     [Paris,]  174G.     s.  sh.  i". 

297.  c.  6. 
Mercure  de  France,  April,  1746. 

Oiseaux  par  le  plus  doux  accent.  Germeuil 
de  rctour  a  Nina.     [Song.]     Sur  I'air  de 
la  Romance  [by  N.  Dalayrac]. 
Chez  Frire  :  [Paris,  1790?]     8". 

B.  362.  h.  (30.) 

Oiseaux  qui  gazouilles.     Romance. 
See  LoLOTTE  ET  Fanfan. 


OISEAUX.     Oiseaux,  si  tous  les  ans.    Air 
Serieux.     [Words]  De  M.  de  Brueys. 
[Paris,]  1725.     s.  sh.  i".  297.  a.  17. 

Mercure  de  France,  Nov.,  1725. 

OISEAUX  D'lTALIE.  Les  Oiseaux 
d'ltalie,  Folie  en  un  acte  et  en  prose, 
melee  de  Vaudevilles.  Par  H.  Chaussier 
et  Bizet. .  .Avec  les  Airs  notes. 
Chez  le  Libraire  au  TMdtre  du  Vaudeville: 
Paris,  An  vi«  [1798.]     8". 

11738.  bbb.  41.  (8.) 

OLA.     Ola  dico.     [Quartett.] 

See  Paisiello  (G.)  [Gli  SchiaviperAmore.] 

OLD.     Old  Adam  it  is  true.     Song. 
See  Vanbrcghe  (G.) 

The  Old  and  New  Courtier  of  the  Queen's. 
[Song.]     See  With.   With   an   Old   Song 
made  by  an  Old  Ancient  Pate,  etc. 
[1710  ?]  s.  sh.  fol.  H.  1601.  (498.) 

The  Old  Batchelor's  Advice  to  all  young 
Batchelors.     [Song.] 
See  You.     You  find  from  the  beginning. 
[1720?]     s.sh.  fol.  H.  1601.  (543.) 

The  Old  Bawd.     [Song.] 
See  Barrett  (J.)  Organist. 
Old  Ben  Bowling.    Song.    See  Reeve  (W.) 
The  Old  British  Lion.     Song. 
See  Camidge  (M.) 
Old  Care  begone.     Song. 
See  MozK  (     )     A  Bacchanalian  Song. 

The  Old  Cavalier.     [Ballad.] 
See  He.     He  that  is  a  clear  Cavalier,  etc. 
[1690?]  s.sh.  fol.    Case  39.  k.  6.  (21.) 
Old  Chiron.     Two  Part  Song. 
See  Purcell  (H.)   [Doubtful  and  Spurious 
Works.] 

The  Old  Cloaths  Man.     [Song.] 
Sec  DiBDiN  (C.)     [To7n  Wilkins.] 
The  Old  Commodore.     [Song.] 
See  Reeve  (W.)     [The  Glorious  First  of 
June.] 

Old    England    so    famous    of    yore.       A 
Political  Ballad  Address'd  to  the  Worthy 
Electors  of  the  City  of  Westminster. 
[Son^y.]  T.  D.,  for  the  Author  : 

[London,  1785.]     fol.  H.  1653.  (54.) 

Old  England  to  thyself  be  true.     Song. 
See  Magic  Cestus. 
Old  England's  Glorv  revived.     [Song.] 
See  L.,  R. 

Old  England's  Wooden  Walls.     Song. 
See  Carter  (C.  T.) 

Old  Homer,  but  what  have  we  with  him 
to  do  ?     Liberty-Hall.     [Song.] 
B.Falkener:  London,  [1775?]     s.  sh.  fol. 

H.  1994.  a.  (76.) 

[Another  copy.]  G.  806.  f.  (63.) 

Old  Husonwent  out.   Old  Hnson's  Ramble 

or  the  Ladies  Mistake.     [Song.] 

\ London,  Yi'ibr]     s.  sh.  io\. 

^  G.  316.  e.  (112.) 


216 


OLD— OLIVE 


OLD.     Old  :\rad  Tom.     Song. 
See  I.     I'm  Old  Mad  Tom,  etc. 
[1720?]     s.sh.io],  G.  309.  (37.) 

The  Old  Man's  Wish.     [Song.] 
See  If.     If  I  live  to  grow  old,  etc. 
[1720?]     s.sJi.  fol.  H.  1601.  (239.) 

Old  Oliver,  or  the  Dying  Shepherd. 
Cantata.     Sec  Rauzzini  (V.) 

The  Old  One  outwitted.     [Song.] 
See  Honest  Yorkshire-Man. 

Old  Poets  have  told  us,  when  they  have 
grown  mellow.     [Song.] 
See  Leveridge  (R.) 

The  Old  Sailor.     Song. 
See  Grimshaw  (J.) 

The  Old  Shepherd's  Dog.     Ballad. 
See  Hook  (J.) 

Old  stories  tell  how  Hercules.  .4  True 
Relation  of  the  Dreadful  Combate  ketioeen 
More  of  More-Hall,  and  the  Dragon  of 
Wantley.     [Ballad.] 

Printed  for  Randal  Taylor  : 
London,  1685.  fol.  1872.  a.  1.  (129*.) 
Old  Time  is  my  Name.  The  Three  Kings. 
[Song.]  Printed  for  W.  Bailei/ :  [London, 
1780?]     s.  sh.  iol.  G. '310.  (234.) 

.  Old  Tom  of  Bedlam.     [Song.] 
See  Forth.     Fourth  from  my  dark  and 
Dismall  Cell,  e^c.     [1710?]     .s.  s/t.  fol. 

H.  1601.  (149.) 
Old  ugly  Flavia  Patches  wears.  0»  Cloe's 
loearing  Patches.  A  new  Song  to  Belsize 
minuet.     [ZoHfZo»,  1721  ?]     s.sh.iol. 

H.  1601.  (354.) 

The  words  of  this   song,  signed   T.   B., 

are     in     the      Weekly     Journal    for 

nth  June,  1721. 

[Another     edition.]      Old     ugly     Flavia 

Patches     wears.       On      Cloc's      wearing 

Patches,  etc.     [London,  1125?'}     s.sh.iol. 

G.  310.  (186.) 
The  Old  Wife  she  sent  to  the  Miller.     The 
lolly  Miller.     [Song.]     The  words   [from 
'  Don  Quixote  ;  Part  iii,']  by  T.  Durfey. 
[Lo7idon,  lllO?]     s.  sit.  iol. 

H.  1601.  (434.) 
The  Old  Woman.     Song. 
See  GiARDiNi  (F.) 

The  Old  Woman  cloathed  in  Grey. 
[Song.]     [London,  110b?]     s.  sli.  iol. 

H.  1601  (25.) 
[Another  edition.]  An  Old  Woman 
cloathed  in  grey.     A  Song.  [London, 

1715?]     s.sh.iol.  G.  306.  (71.) 

An  Old  Woman  cloathed  in  grey.  The 
Musical  Hodge  Podge.  Sung  by  i\Ir. 
Beard.     [Loiidon,  1130?]     fol. 

G.  305.  (150.) 
[Another  copy.]  G.  306.  (60.) 

The  Old  Woman  under  the  Hill.  [Song.] 
See  Lord  ^Mayor's  Day. 


OLD.     Old  Women  we  are.     Song. 
See  Harlequin's  Invasion. 

OLD  MAN  TAUGHT  WISDOM.     An 

Old  Man  taught  Wisdom  :  or,  The  Virgin 
Unmask'd.    A  Farce . . .  By  Henry  Fielding 
.  .  .  With   the   ]Musick   prefix'd    to   each 
Song.     The  Second  Edition. 
Printed  for  J.  Watts:  London,  11  So.     8". 

11775.  d.  15. 

OLEY      (JoHANN     Christoph)       Variirte 
Choriile  fiir  die  Orgel.     4  Thle. 

Bey  C.  A.  Reussner :  Quedlinburg, 
1775-(1792.)     fol.  h.  2755. 

The  pagination  is  continuous,  hut  each 
part  has  a  separate  title-page.  Th.  2 
is  dated  1776,  Th.  3  has  a  preface  by 
J.  A.  Hiller,  and  is  dated  1791,  Th.  4 
is  dated  1792.  The  last  tivo  parts  are 
published  by  F.  J.  Ernst. 

OLIFANTE  (Giovanni  Battista) 

See  RoDio  (R.)  Regole  di  jMusica  .  .  . 
Et  di  nuouo  da  .  .  .  G.  B.  Olifante 
aggiontoui  un  Trattato  di  Proportioni,  etc. 


1609.     obi.  4". 


785.  a.  6. 


OLIMPE.     Olimpe  est  de  retour.     Air. 
See  GouET  (     ) 

OLIMPIA.     Olimpia.     [A  Pasticcio.] 
Src  Delizie.     Le  Delizie  dell'  Opere,  etc. 
Vol.  4.     [1776.]     fol.  G.  159. 

OLIMPIA    IN    EBUDA.      Olimpia    in 
Ebuda.     Opera.     Sec  Hasse  (J.  A.) 

OLIMPIADE.      The   Favorite   Songs   in 
the  Opera  I'Olimpiade.     2   pts.     [A   Pas- 
ticcio.     Full  Score.]  R.  Brcmner  : 
London,  [1770.]   fol.  G.  760.  f.  (10-11.) 
The  composers  named  are  :  J.  C.  Bach, 
Piccini,  Traietta  and  Sarti. 
[Another  copy.]                    G.  760.  d.  (3.) 
The     Favourite     Songs     in    the     lipera 
L'Olimpiade.    [A  Pasticcio.]     W.  N'ajner  : 
London,  [1779  ?]     fol.         G.  206.  f.  (1.) 
The    composers     named    are :     Bcrtoni, 
Paisiello  aiul  Gluck. 
L'Olimpiade.     [Opera.] 
See  JoMELLi  (N.) 

OLINDA.     Olinda  turne.     Song. 

See   PuRCELL    (D.)     [The   Unhappy  Con- 
queror.] 

OLIVE.     The  Olive  Branch.     [Song.] 
See  Essex  (M.) 

OLIVE     (Joseph)     Bacchus.       For     two 
Voices.     [London,  1775?]     s.  sh.  fol. 

G.  306.  (183.) 

Constant  Damon,  etc.     [Song.] 

C[harles  and]  S[amttel]  T[hompson  : 
London,  1115?]    s.sh.iol. 

H.  1994.  d.  (47.) 
England's  Glory.     [Song.     Full  Score.] 
[London,  1782.]     8°.  2117.  e. 

European  Magazine,  Vol.  II.,  p.  450. 


OLIVE— ON 


217 


OLIVE  (Joseph).     The  Farewell.     [Song. 
Words  by  J.  Cunningham.] 

C[harles  and]  S[amuel]  T\liompson  : 
London,  1775  ?]  s.  sh.  fol.  G.  307.  (95.) 
The  Fox  Hunters.  [Song.]  Sung  by 
Mr.  Lowe,  etc.  C[]iarles  and']  S[aninel] 
T[hornpson  :  London,  1170?]     s.  sJt.  io\. 

G.  308.  (125.) 
The  Lover's  Declaration.     [Song.] 

C[haiies  and]  S[a7nucl]  T[hompson  : 
London,  mo?]     s.  sh.  io\. 

G.  309.  (147.) 
The  Loyal  London  Military  Association, 
etc.  [Song.]  Shmmel,]  A[nn  and]  P\eter] 
T\hoynnson  :  London,  11  Qb?]     s.sh.ioX. 

H.  1601.  a.  (105.) 
^linnet  [for  strings  and  horns.  Full 
score].     [London,  1783.]     8°.        2117.  e. 

European  Magazine,  Vol.  III.,  p.  217. 
^linuetto    [for    strings    and    horns,    full 
score].     [London,  1782.]     8".         2117.  c. 

European  Magazine,  Vol.  II.,  p.  379. 
An   Ode   to   Sleep,   etc.     [Glee    for  three 
voices.]     [London,  1782.]     8°.       2117.  c. 

European  Magazine,  Vol.  II.,  p.  295. 
Sacred  is  War.  [Song.]  Sung  by  Miss 
Pinto  at  Sadlers  Wells,  in  the  favorite 
Interlude  of  All  for  Scarlet,  or  Ding  Dong 
to  the  Park.  S[amuel,]  A[nn  a7ul] 
P[eter]  T[hompson  :  ^Ijondon,  1785  '?]     fol. 

Q.  311.  (118.) 
Says  his  Grace  to  his  Cook.     Glee,  etc. 

Printed  for  J.  Fielding  : 
London,  [1782.]     8°.  2117.  c. 

European  Magazine,  Feb.,  1782. 

Six  Songs  for  a  Voice  or  Harpsichord,  etc. 

Printed  for  S.  A.  d  P.  Thompson: 

London,  [llQb?]     fol.  G.  360.  (38.) 

Summer.      [Song.]     The   Words   by    Mr. 
Riley.    [Full  Score.]    [London,  1783.]     8". 

2117.  c. 
European  Magazine,  Vol.  III.,  p.  65. 
True  Blue.     [Song.]     Sung  by  Mr.  Lowe 
in  "  India  hoa  "  at  Sadlers  Wells. 

II[cnry]  T'horotcgood :  London, 
1771  ?]    s.  sh.  foi.      ^         G.  312.  (143.) 

What    though    my    love    be    gone    afar. 

Song,  etc.    [London,  1783.]    8".      2117.  c. 

European  Magazine,  Vol.  IV.,  p.  137. 

OLLEFEN  (WiLLEM  van)  Proeven  van 
Muzikaale  Uitspanningen,  bestaande  in 
Mengelzangen,  naar  den  niev;wsten 
Italiaanschen  smaak  geschikt,  voor  het 
Clavier,  de  Viool,  Fluit,  en  andere  Instru- 
menten.  (Melodeyen  van  de  Muzikaale 
Uitspanningen,  etc.)  2  pts. 
By  J.  B.  Ehve:  Amstcldam,  1783.     8°. 

7897.  f.  30.  (1.) 

OLTOLINA  (Carlo  Andrea)  Sei  Sonate 
a  due  Violini  e  Basso,  etc.  [Separate 
Parts.]  Chez  S.  Markordt :  Amsterdayn, 
[1780?]    fol.  g.  409.  a.  (8.) 


OLYMPE.  L'Olympe  est-il  sur  la  terre. 
Rondeau.     See  Legros  (J.) 

OLYMPIADE.  Avec  peine  un  cffiur  se 
d6gage.  Air,  do  VOlympiade  [by  A.  M.  G. 
Sacchini].     [Paris,]  1778.     s.  sh.  8^ 

297.  f.  20. 
Mercure  de  France,  March,  1778. 
Non,  mon  coeur  soufire  nioins  de  peines. 
Air  de  L' Olimpiade  [by  A.  M.  G.  Sacchini  . 
Arrange  pour  la  Harpe  par  3Ir.  Suin. 
[Paris,  1780  ?]  fol.  G.  800.  m.  (43.) 
L'Olympiade,  ou  le  Triomphe  de  I'Amitie. 
Drame  H^roique.    See  Sacchini  (A.  M.  G.) 

OMAI.     Omai.     Pantomime. 
Sec  Shield  (W.) 

OMBRA.     Onibra  cara.     [Song.] 
Sec  Radamisto. 

Ombra  cara,  ombra  tradita.     [Song.] 
Sec  DiDONE  Abbandonata. 
Ombra  cara,  ombra  tradita.     [Song.] 
See  Schuster  (.J.) 

OMBRE.     Ombre  de  mon  Amant.     Air. 
See  Lambert  (M.) 

OMBRE  DE  VADii.  L'Ombre  de  Vade. 
[Parade.]  Par  M.  Taconet.  Represente 
sur  le  Theatre,  a  I'Orient,  au  mois  de 
Novembre  1757.  [With  the  music  of  the 
concluding  Vaudeville.] 
[Pan.s  ?  1757  ?]     8°.         11738.  o.   1.  (8.) 

OMNIA.     Omnia  vincit  Amor.      Song.] 
See  As.    As  I  went  forth  to  view  y''  Spring. 
[1750?]    s.  s7t.  fol.  G.  316.  a.  (6.) 

OMPHALE.     Omphale.     Tragedie. 
Sec  Destouches  (A.  C.) 

ON.   On  a  Bank  beside  a  Willow.   Aminta's 
Tears  for  the  Loss  of  Damon.     [Song.] 
[London,  1750  ?]     s.  sh.  fol. 

I.  530.  (118.) 

[Another  setting.]      On  a  Bank  beside  a 
WiUow.     [Song.j     See  Boyce  (W.) 
On  a  Bank  of  Flow'rs.     Song. 
See  Lady's  Triumph. 
On  a  Brook's  glassy  brink.     The  Lass  of 
the   Brook.      A    new    Song    Set   for    the 
German  Flute.  [London,  1150?]  s.sh.iol. 

G.  316.  (106.) 
On  a  Brook's  grassy  Brink.     TJie  Lass  of 
the  Brook.     A  new  Song. 
[London,  1755.]     8".  157.  1.  17. 

London  Magazine,  1755,  p>.  132. 

On  a  Brook's  grassy  Brink.      The  Lass  of 

the  Brook.     A  New  Song. 

[London,  lido.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XVI.,  p.  343. 
On  a  Brook's  grassy  brink.      Tlie  Lass  of 
the  Brook.     [Song.]  [London, 

1756.]     s.  sh.  8'\  P.P.  5439.  ab. 

Neiv  Universal  Magazine,  May,  1756. 
On  a  Day,  alack  the  Day.     [Song.] 
See  Chilcot  (T.) 


218 


ON 


ON.    On  a  Dram.    Catch.    Src  Baildon  (J.) 

On  a  Fly  Drown'd  in  a  Lady's  Eye. 
rSong.]  See  Deluded.  Deluded  Fly, 
that  thus  presum'd.     [1720  ?]     s.  sh.  fol. 

H.  1601.  (122.) 
On  a  Goldfinch  flying  away  while  a  Lady 
was  playing  Dear  Liberty.     Song. 
Sff  To.     To  Handel's  pleasing  notes,  etc. 
[1756.]     8°.  P.P.  5438. 

On  a  Grassy  Pillow.  Happy  Myrtillo. 
[Song,  written  and  composed  by  H.  Carey.] 
[LoKrZo»,  1720?]     s.sh.iol. 

H.  1601.  (359.) 
On  a  Lady  stung  by  a  Bee.     [Song.] 
See  Vincent  (J.) 

On  a  Lady  weeping.     [Song.]     See  Lady. 
On  a  mille  gouts  differends.    La  Montagne. 
[Song.]      Sur    I'Air    de    La    Crois^e    [by 
G.  G.  Cambini].  CJiez  Imhmilt : 

Paris,  [1793  ?]     8".  B.  362.  a.  (19.) 

On  a  Mossy  Bank  reclin'd.  The  Stolen 
Kiss.  [Song,  the  words  by  R.  Dodsley, 
from  "Colin's  Kisses,"  the  music  i)y  J. 
Oswald.]     [London,  1748  ?]     s.  sh.  fol." 

G.  310.  (201.) 
On    a    primrosy   bank   by    a   murmuring 
stream.     The  Blush.     A  New  Song. 
[London,  1757.]     8°.  158.  1.  2. 

London  Magazine,  1757, 2>-  I'lO. 

On  a  Primrose  Bank  by  a  Murmring 
Stream.  The  Blush.  [Song.]  [London, 
1760?]     s.sh.iol.  G.  316.  (107.) 

On  a  Rose  that  died  in  Clarissa's  Bosom. 
[Song.]      Sec    Sweet.      Sweet   beauteous 
Flow'r  full  fraught  with  choice  delights. 
[1770?]     s.sh.M.  G-.  311.  (132.) 

On  a  subject  extensive  bestow  some  atten- 
tion. Eulogium  on  Masonry.  [Song.] 
The  words  by  Brother  Hartley.  [London, 
1780?]     fol.  G."310.  (240.) 

On  a  Summer's  Sunday  Morning.     Song 
0)1    Admiral    Parker's    Victory    over    the 
Dutch  upon  tJte  Dogger  Bank,  1781. 
Bland  :  [London,  1781.]     s.  sh.  fol. 

G.  310.  (288.) 
On  a  Young  Lady.     [Song.] 
See  Peters  (      ) 

On  a  young  Lady  stung  by  a  Bee.  [Song.] 
See  Flackton  (W.) 

On  Admiral  Lord  Duncan's  victory.  Glee. 
Sec  Dixon  (W.) 

On  an  Orange  Flow'r  put  into  a  Lady's 
Bosom.     [Song.]     See  Hayes  (P.) 

On  attend  un  couplet  galant.     Air. 
See  Favart  aux  Champs  Elisees. 

On     Autumn.       Song.       See     Behold. 

Behold  the  rosy  Summer  flies. 

[1770?]     s.  s/(.'fol.  G.  306.  (198.) 

On  Bagnigge  Wells.     [Song.] 
See  KiRSHAW  (G.) 


ON.     On  blasme  a  tort  notre  fai/ou.   Vaude- 
ville.    See  Lanterne  Veridique. 
On  Blindness.     [Song.] 
.S'ee  KiLBURN  (J.) 

On  Board  of  a  Man  of  War.     [Song.] 
See   Come.      Come    all    my   brave   Lads, 
away  quic[k]ly  come.     [1780?]     s.  sh.  fol. 

I.  530.  (29.) 
On  Chloe's  wearing  patches.  Song. 
See  Old.  Old  ugly  Flavia  patches  wears, 
etc.  [1721?]  s.sh.iol.  H.  1601.  (354.) 
On  circling  hours  swiftly  borne.  The 
Wedding  Day.  22''  August,  1799.  [Song.] 
Broderip  and  Wilkinson:  London, 
1799.     fol.  G.  807.  d.  (61.) 

On  connait  I'usage  constant.  Le  Passe- 
Partout,  on  suite  de  la  Redingotte  d 
I'Anglaise.  [Song,  words]  Par  M"'  Roul- 
land.  Air  :  La  bonne  chere  et  le  bon  vin. 
Chez  Les  fr^res  Savigny  :  [Pari.'>, 
1785?]     8°.  B.  362.  j.  (7.) 

[Another  copy.]  B.  362.  f.  (29.) 

[Another  copy.]  B.  362.  (137.) 

On  Content.     Song.    See  Davis  (T.) 
On  Contentment.     [Song.] 
See     Shepherd.        Shepherd,     seek     not 
Wealth  or  Pow'r.    1762.    8".    P.P.  5441. 
On  craint  un  engagement.     Romance. 
See  Gavinies  (P.) 
On  danse  bien  a  la  ville.     Ronde. 
See  PoMMiERs  et  le  IMoulin. 
On  dear   Zelinda's  Charms   I   gaze.      On 
Zelinda.     [Song.]  [London. 

1740?]     s.  sh.  fol.  I.  530.  (119.) 

On  decanting  a  Flask  of  Florence.  Song. 
See  Turner  (W.) 

On  dira  qu'epris  de  Chimene.     [Air.] 
See  Chimene. 

On  dit  que  I'amour  est  charmant.  Air  de 
M''  . . .  Cite-  Baillon  :  \ Paris,] 

1784.     8".  B.  362.  h.  (40.) 

On  dit  que  sous  peu  de  tems.     Air. 
See  Confederation  du  Parnasse. 
On  doit  changer.     [Song.] 
See  Chatig  *  *  (     ) 
On  doit  soixante  mille  francs.     Air. 
See  Champein  (S.)     [Les  Dettes.] 
On  donne  gratis  I'Opera.     Vaudeville. 
See  Mouret  (J.  J.) 

On  entend  dans  nos  plaines.  Chanson. 
Air  naif  en  Romance.  [Paris] 

1754.     s.  sh.  4°.  298.  c.  20. 

Mercure  de  France,  Oct.,  1754. 
On  Entick's  green  Meadows.     Song. 
See  Hook  (J.) 

On  Etrick  Banks  in  a  Summers  night. 
Etrick  Banks,  a  Scotch  Song.  [Londoji, 
1745?]     s.  s7t.  fol.  G.  310.  (222.) 

On  every  hill.     Song.     See  Hudson  (R.) 
On  Felicia.     [Song.]     See  Jarvis  (S.) 
On  Fidelia's  Mind.     [Song.]     ,sVe  T.,  R. 


I 


ON 


219 


ON.  On  Flamstead's  Mount  a  Neiried  stood. 
[Song.j  Oil  the  Pretty  Mrs.  Hoivard's 
running  doivn  the  Hill  in  Grecnivich  Park. 
[Lojidon,  1715?]     s.  sh.  fol. 

H.  1601.  (342.) 
[Another  copy.]  I.  530.  (120.) 

On  Friendship.     [Song.] 
,<ee  Gerard  (J.) 

On  Greenwich  Park.     [Song.] 
See  Jackson  (T.) 

On  her  Absence.     [Song.] 

See  When.     When  to   the   Sea  the   Sun 

returns.     [1720  ?]     s.  sh.  fol. 

G.  313.  (148.) 

On  his  Face  the  vernal  Rose.     Air. 
^V(-  BoYCE  (W.)     [Solomon.] 

On  Ida  one  day,  at  Olympical  feast.  The 
Squabble.     [Song.]  P.  Hfodgson  : 

London,  1180?]     s.  sh.  io\. 

G.  310.  (267.) 
On  Jenny  Benson.     [Song.] 

See  STAGNANT  (P.) 

On  le  savoit,  dans  le  Village.  Ariette. 
See  Cecile. 

On  Love's  blest  Altar.     [Song.] 
See  Doctor  and  Apothecary. 

On  Lucinda's  Death.     [Song.] 

See  Come.     Come,  all  ye  doleful,  dismal 

cares,  etc.     1760.     8°.  P.P.  5441. 

On  Ludgate  Hill,  where  in  the  usual 
Throng.  Lord  Chief  Jeffenj  Dunstan. 
A  Cantata.  As  sung  at  the  JMasquerade 
at  Carlisle  House.  T!'.  Bailey  : 

[London,  1780  ?]  fol.  G.  310.  (242.) 
On  May's  auspicious  Morn.     Canzonet. 

See  GrAEFF  (J.  G.) 

On  Mira's  Singing  and  Beauty.     Song. 

See  Turner  (W.) 

On  Miss  Betsy  Ball.     Song.     See  To.     To 

Bettsy's  Praise  I  tune  the  Lvre. 

[1750?]     s.s/i.  fol.  G'.  312.  (225.) 

On  Miss  Robinson.     [Song.] 

See  Munro  (G.) 

On  M'  Handel.     [Song.] 

See  Alcock  (J.)  Doctor  in  Music. 

On  Music.     Catch. 

See  Alcock  (J.)  the  Younger. 

On  n'entend  plus  le  chant  des  amoureux 

oiseaux.    [Song.]     See  Laborde  (J.  B.  de) 

On  ne  fait  aucune  alliance.     Air. 

See  Kerjiesse. 

On  ne  leconuait  plus  le  monde.     Le  Nou- 

vcau    Monde,   ou    le    Masqtie    de    V^i-iti. 

[Song,  written]  Par  M.  Roullaud.    Air :  De 

I'instant   [from   G.   Martini's   '  Droit    du 

Seigneur  ']  etc.      Chez  les  frires  Savigny  : 

[Paris,  1785  ?]     8°.  B.  362.  (174.) 

On  ne  rend  plus  a  la  beaute.     Musette. 
[Paris,]  1748.     s.  sh.  4r.  297.  c.  17. 

Mercurc  de  France,  July,  1748. 


OK".     On  Nelson's  glorious  victory.     Song. 
See  Hudson  (R.) 

On    Newgate     Steps    Jack    Chance    was 
found.     Just  the  Thing.     [Song.] 
Sk[illern  :  London,  1180?]     s.sh.iol. 

G.  310.  (286.) 
On  nous  dit  que  dans  I'mariage.     Air. 
See  Camillk. 

On  nous  raconte  qu'au  village.    Romance. 
.SVe  Dalayrac  (N.)     [Alexis.] 
On  Olympus   the   Gods   were    assembled 
one  day.     The  Air  Balloon.     [Song.] 

Longman  and  Broderip  : 
[London,  1784.]     fol.  G.  310.  (235.) 

On  peut  encor  dans  la  prairie.     Chanson. 
See  Legat  de  Furcv  (A.) 
Ou  Phillis.     Song.     See  Phillis.     Phillis 
has  each  enchanting  art.     [1747.]     8". 

157.  1.  9. 
On  Pleasure's  smooth  Wings.  [Song,  by 
J.  Baildon.]  Sung  bij  Mr.  Dearie  at  Rane- 
lagh.     [London,  1755?]     s.  sJt.  fol. 

G.  310.  (258.) 
On  Pleasure's  smooth  Wings.  ^4  Netv 
Song  [by  J.  Baildon].  Sung  by  Mr.  Dearie, 
at  Ranelagh.     [London,]  1763.     8". 

158.  1.  8. 
London  Magazine,  1763,  j^-  f^^''- 

On  Pleasure's  smooth  Wings.  A  New 
Song  ^by  J.  Baildon].  Sung  by  Mr.  Dearie 
at  Ranelagh.     [London,  1764."]     8". 

P.P.  5438.  z. 

Universal  Magazine,  Vol.  XXXiy.,i).  'J3. 

On    Prince    Eugene's    Victory   over   the 

Turks.     ^Song.]     See  Look.     Look  down, 

triumphant  God,  etc.     [1717.]     s.  sh.  fol. 

H.  ieOl.  (283.) 
On  saute  partoat  les  Anglaises.  Rondeau. 
See  Reprise  de  Toulon. 
Ou  se  permet  sur  les  Abb^s.  L'Apologie 
des  Abbes.  [Song.]  Air  :  La  Faridondaine. 
[Paris,  1785?]     8".  B.  362.  (141.) 

[Another  copy.]  B.  362.  e.  (86.) 

On  se  presse  toujours  trop  tot.     Air. 
See  Dalayrac  (N.)     [Le  Corsaire.] 
On  souffre  quand  ou  ayme  bien.     Air. 
See    L'Abbe     (       )     Choirmaster    of    St. 
Jacqties,  Dieppe. 

On  Spring.  Song.  See  Weale  (G.) 
Ou  sturdv  stout  Dobbin.  The  Twaddle. 
[Song.]  Written  by  T.  Goodwin.  Sung 
by  Mr.  Wilson  at  the  Crown  &  Anchor. . . 
and  by  Mr.  Edwin,  at  the  Anacreontic 
Society.  Longman  d-  Broderip  : 

London,  [1785  ?]     fol.       G.  808.  f.  (39.) 
On  Sunday  after  Mass.     [Song.] 
See  Leveridge  (R.) 

On   Tay's   green   Banks   I'll    boldly   tell. 
Praises  of  Jockey,  a  favourite  Scotch  Ballad. 
Sung  by  Mrs.  Warrel  at  Vauxhall. 
S[amuel  and]  A[nn]  T[hompson  :  London, 
1778.]     s.sh.  fol.  G.  310.  (284.) 


220 


ON 


Birth    Day. 

[Song.] 
Song. 
[Song.] 


ON.  On  that  lone  bank  where  Lubin  died. 
Fair  Bosalic,  a  favourite  Song  sung  by 
Mrs.  Crouch... and  'Mr.  Dignum...The 
words  by  'Mv.  Richardson.  [^Melody  by 
C.  Dignum.  Full  Score.] 
Printed  for  S.  A.  d- P.  Thompson  :  London, 
[1794?]     fol.  G.  805.  i.  (12.) 

On  the  Approach  of  ^lay.     [Song.] 
Sec  Hudson  (R.) 

On  tbe  Birth  day  of  Her  Highness  Prin- 
cess Augusta.     [Song.] 
Sec   Phcebus.     Phebus    shine   forth,   etc. 
[1745?]     s.s/(.  fol.  G.  311.  (20.) 

On  the  Birth-Day  of  his  Royal  Highness 
the  Prince  of  Wales.     [Song  ] 
See  Great.     Great  as  this  day. 
[1781.]    s.  sh.  4".  'p.p.  5141. 

On  the  Death  of  Queen  Anne.     [Song.] 
See  Royal.     Royal  great  Anne,  etc. 
[1715.]     s.  sh.  fol.  H.  1601.  (376.) 

On  the  Force  of  Music.  [Song.] 
Sec  Atalanta.  [Fu-a  la  face,  viva  Vamor.'] 
On  the  Green  Sedgy  Banks.  A  favorite 
Scots  Song  sung  by  Miss  Leary  at  Vaux- 
Hall-Gardens.  [Music  by  J.  Hook.] 
Printed  for  S.  A.  d  P.  Thompson  :  London, 
[1786?]     fol.  G.  808.  f.  (40.) 

On  the  green  sedgy  Banks.     Song. 
See  Hook  (J.) 

On  the  Humours  of  the  Town.  Dialogue. 
SceHAENDEL  (G.F.)  [Rodclinda.  Scacciato 
dal  siio  Jiido.^ 

On    the    King   of    Prussia's 
[Song.]     See  Buswell,  (J.) 
On  the  late  Absence  of  May. 
See  Hudson  (R.) 
On  the  lightly  sportive  wing. 
See  Stobace  (S.) 
On  the  Militia's  Expedition. 
See  Bellona.     BeFona  spreads  her  dire 
Alarms,  etc.     [1760.]    8°.      P.P.  5438.  z. 

On  the  Pretty  Mrs.  Howard's  running 
down  the  Hill  in  Greenwich  Park.  [Song.] 
See  On.  On  Flamstead's  IMount  a  Neiried 
stood      [1715?]     s.  s/(.  fol. 

H.  1601.  (342.) 
On  the  Prospect  of  Peace.     [Song.] 
See   Let.      Let   E'ery  Face   be  fill'd  w"' 
Joy,  eic.     [1728?]     fol.         G.  310.  (65.) 
On  the  Reduction  of  Martiuico.     [Song.] 
See  Dunn  (J.) 

On  the  Spring.      [Song.]      See  Aspiring. 
Aspiring  Sol  whose  gladsome  Rays.  etc. 
[1760?]     s.sh.iol.  G.  306.  (74.) 

On   the   Tay's    verdant   banks.      Moggt/s 
Complaint  of  Jocky.     A  New  Song. 
[London,  1748.]     8°.  157.  1.  10. 

London  Magazine,  1748,  ji.  420. 
On   the   Tay's  verdant   Banks.     Moggy's 
complaint  of  Jockey.     [Song.]     See  Chloe. 
Chloe,  or  the  Musical  Magazine,  etc.     No. 
18.     [1760?]     fol.  G.  433. 


ON.     On  the  white  Clifts  of  Albion.     Song 
set  to  music.     Sung  by  Mr.  Lowe,  at  Vaux- 
hall.     [London,]  1761.     8".         158.  1.  6. 
London  Magazine,  1761,  ^J.  381. 

On    the   white   clifts   of   Albion.     A    new 
Song,  sung  by  IMr.  Lowe  at  Vauxhall. 
[London,  176-\]     8".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XXX.,  p.  39. 

On  the  white  Clifts  of   Albion.      [Song.] 
Snng  by  Mr.  Lour,  at  Vauxhall. 
[ivonrfo?i,  1762  ?]     s.sh.iol. 

G.  310.  (259.) 

On  thy  banks,  gentle  Stour.     Song. 
[London,  1750  ?]     s.  s/(.  fol. 

G.  316.  c.  (29.) 

On  tree-topp'd  Hill  or  tufted   Green.     .4 
Neic  Song.     [By  M.  C.  Festing.] 
[London,  1765.]     8^  P.P.  5438.  z. 

Universal    Magazine,    Vol.    XXXVII., 
p.  42. 
On   Tree    top'd   Hill    or    turfted    Green. 
[Song,  music  by  M.  C.  Festing.] 
[London,  1775  ?]     s.  sh.  fol. 

G.  310.  (230.) 

On  Tree  top'd  Hill  or  tufted  green.     Song. 

See  Festing  (M.  C.) 

On  trouve  un  objet  charmant.    [Couplets.] 

See  COLINETTE  A  LA  COUB. 

On  vient  de  m'annoncer  que  mon  vin  est 
au  has.     Chanson  Bachigue.  [Paris,] 

1747.     s.  sh.  4°.  297.  e.  14. 

Mercure  de  France,  Dec,  1747. 

On  Wet  Weather.     [Song.]     See  Though. 
Tho'  Cynthia,  with  a  wat'rv  eve,  etc. 
[1767.]     8".  P.P.  5438.  z. 

On  Wet  Weather.     [Song.]     See  Though. 

Tho'  Cynthia  with  a  wat'rv  Eve. 

[1770?]     s.sh.iol.  G.  312,  (161.) 

1       On  Windsor  Castle.     [Song.]     5ee  Hail. 
I       Hail  Windsor,  e/c.     [1742?]     s.sh.iol. 
1  G.  305.  (130.) 

On  yonder  Bed  supinely  laid.     Song. 
See  PuECELL  (D.)     [The  Funeral] 

On  yonder  Stile.  A  favorite  Duett, 
written  by  G.  S.  Carey  and  sung  by  ^Mr.  & 
Mrs.  Carey,  etc.  Printed  for  Culliford, 

Eolfe  &  Barrow  :  London,  [1796  ?  i     fol. 

G.  354.  (7.) 

j       On  Zelinda.     [Song.] 

i       See   On.      On   dear   Zelinda's   Charms   1 
gaze.    [1740?]    s.  s7k  fol.     1.530.(119.) 

ON  NE  S'AVISE  JAMAIS  DE 
TOUT.  On  ue  s'avise  jamais  de  tout. 
Opera  Bouifon  en  un  Acte  [by  M.  J. 
S6daine],  mis  en  musique  par  Mon- 
sieur *  *  *  [i.e.  P.  A.  Monsigny]  . . .  Grav6 
par  Le  S'  Hue.  [Full  Score.] 
Chez  Le  S"  Hue  :  Paris,  [1762.]     fol. 

H.  617. 


ON— ONE 


•221 


ON  NE  S'AVISE  JAMAIS  DE 
TOUT.  Ou  ne  s'avise  jamais  de  tout, 
Op^ra  Comique,  en  un  Acte  en  prose, 
mele  de  Musique  ;  par  Mr.  Sedaine,  etc. 
(Ariettas et  Vaudevilles  [by P.  A.  Monsigny] 
de  On  ne  s'avise  jamais  de  tout.)  1775. 
See  Recueil.  Recueil  general  des  Opera 
Bouffons,  etc.     Tom.  -4.     1777.     8". 

11735.  b.  2. 

ONCE.     Once  Damon  &  Cloe  together  sat 
down.     The  Skillfull  Lover.     fSong.] 
Cross  :   [London,  1720?]     s.  sh.  fol. 

I.  530.  (121.) 
Once  fair  Serena  panting  lay.  The  Sur- 
prize.   [Song.]    \ London,  11 20?]   s.sh.iol. 

I.  530.  (122.) 
Once  for  all.     [Song.]     See  Carey  (H.) 
Once  I  lov'd  a  Lady.    The  Irisli  Disappoin  t- 
ment.     TSong.]       Cross:  [Lonf/oH,  1710  ?] 
s.  sh.  foi.  I.  530.  (123.) 

Once  I  was  as  blythe  as  Simmer.     Song. 
See  Ross  (J.) 

Once  -Jupiter's  Lady,  call'd  Juno  the 
Scold.  Tlie  Masquerade  or  Labour  in 
Vain.  [Song.]  The  Words  by  G.  A. 
Stevens.  P.  H'j}dgson  :  London, 

1780?]     s.sh.iol.  0.310.(265.) 

Once  Lucifer  after  a  grand  debate.  Tlie 
Origin  of  Lotteries.  A  new  Ballad : 
Calculated  for  the  present  Year.  [Words] 
Bv  Mr.  Lockman.     [London,  1755.]     8". 

157.  1.  17. 
London  Magazine,  1755,  p.  540. 

Once  Lucifer,  after  a  grand  Debate.  Tlie 
Origin  of  Lotteries.  A  new  Ballad  : 
calculated  for  the  present  Year.  [Written] 
Bv  Mr.  Lockman.  [London,  1755.1 

s.'sh.  fol.  G.  310.  1 223.) 

[Another  copy.]  G.  303.  (45.) 

Once  more  I'll  tune  the  Vocal  Shell.  The 
Charms  of  lovely  Peggj/.  [Song,  music  by 
J.  Oswald,  words  attributed  to  D.  Garrick 
or  Sir  C.  H.  Williams.]  [London, 

1740?]     s.sh.  fol.  G.  316.  e.  (105.) 

[Another  edition.]  Once  more  I'll  tune 
the  Vocal  Shell.  The  Charms  of  Lovely 
Peggy,  etc.     [By  J.  Oswald.]  ''London, 

1745  ?]     s.  sh.  fol.  G.  310.  (203.) 

[Another  setting.]     Once   more    I'll  tune 
the  Vocal  Shell.     Lovely  Peggy.     [Song.] 
[London,  1750  ?]     s.  sh.  fol. 

I.  530.  (124.) 
Once  more  my  brave  fellows  launch  out 
on  the  ^Main.     A  neiv  Song.  [London, 

1762.]     8".  P.P.  5441. 

Royal  Magazine,  Vol.  YI.,p.  98. 
Once  more  my  Lyre.     Song. 
See  Shield  (W.) 

Once  y^  Gods  of  the  Greeks.  The  Origin 
of  English  Liberty.  [Song.]  The  words 
by  G.  A.  Stevens,  etc.  [London, 

1760?]     s.sh.iol.         H.  1994.  a.  (189.) 


ONCE.     Once   the   Gods   of    the   Greeks. 
The  Origin  of  English  Liberty.     [Song.] 
The  words  by  G.  A.  Stevens. 
R.  Falkener  :  London,  [1770?]     s.  sli.  fol. 

H.  1994.  a.  (82.) 

ONC.LE  VALET.  L'Oncle  Valet.  Opera. 
See  Della  Maria  (D.) 

ONE.  One  April  morn  as  thro'  the  street. 
Ground  Ivy.  [Song.]  Sung  by  ]\Ir. 
Vernon.  S[amuel  and]  A'nn]  T[hompson  : 
London,  1778.]  fol.  '^G.  310.  (244.) 
One  Aprill  Morn  w"  from  the  Sea.  Jjove 
of  no  Party.  A  new  Song  made  by  IMr. 
Durfey.     [London,  1705  ?]     s.  sh.  fol. 

G.  305.  (275.) 


[Another  copy.] 
[Another  edition.] 
from  the  Sea,  etc. 
1710  ?]     s.  sh.  fol. 


G.  310.  (191.) 

One  Aprill  ]\Ioru  when 
[London. 

H.  1601.  (336.) 
One  day  among  the  tombs  I  stray'd.  The 
Daffodil,  [Song,]  translated  from  the 
Poems  of  Yuqueen,  a  .  .  .  Hindostanee 
Author.  Printed  for  W.  Napier  : 

London,  [1198?]     fol.         '  G.  356.  (37.) 
One  day  as  young  Harry  came  whistling 
along.     Ballad.     See  Blewitt  (J.) 
One  Day  I  heard  ^lary  say.     [Song,  words 
by  R.  Crawford.]  [London, 

1740?]     s.  s7;.  fol.  G.  310.  (208.) 

One  Day  meeting  Momus.     Present  Taste. 
[Song,  written  by  G.  A.  Stevens.] 
P.  H[odgson  :  London,  1780?]     .<;.  sh.  fol. 

G.  310.  (280.) 
One   day  when    Damon    with    his    Cealia 
walk'd.     Song.     See  Gillier  (J.  C.) 
One  Evening  as  I  lay.    Love  in  the  G-roves. 
A  Song.     [London,  1110?]     s.sh.iol. 

H,  1601.  (337.) 
[Another  edition.]  One  Evening  as  I  lay. 
Love  in  tlie  Groves,  etc.  [London, 

1720  ?]     s.  sh.  fol.  G.  310.  (184.) 

One  Ev'ning  good  Humour  took  Wit  as 
his  Guest.  Time  made  Prisoner.  A 
Favourite  Song.  [Words  by  —  Selway.] 
[London,  1780  ?]     s.sh.iol. 

G.  310.  (250.) 
One  Evening  haveiog  lost  my  way.  The 
Happy  Clown,  a  Song  the  words  by  Mr. 
Burkhead.     [London,  1120?]     s.sh.iol. 

H.  1601.  (333.) 
One     Evening,     in     hot     weather.       The 
Hackney  Davtsells  Pastime. . .     [Ballad. 
To  a  pleasant  new  Tune,  much  in  Request. 
Printed  for  Charles  Bafes  :   [London. 
1685?]    s.sh.iol.    Case  39.  k.  6.  (14.) 
The  tune  is  represented  by  a  meaningless 
succession  of  notes,  etc. 
One  Ev'ning  young  Lucy  walk'd  forth  to 
the   Wood.       The   Bird's   Nest.      A   New 
Song.      [Words   and   Music  by  a  Gentle- 
man.] [London,  1773.]  8".     P.P.  5438.  z. 
Universal  Magazine,  Vol.  LIL,  p.  206. 


222 


ONE— OPERA 


ONE.  One  Evening  young  Lucy  went  forth 
to  the  Wood.  Howtle  Towtlc.  A  Favorite 
Scotch  Song.  P.  E[vans  :  London, 

1780  •?]     s.s/i.  fol.  G.  310.  (279.) 

One  kind  Kiss  before  we  part.  The  Kiss. 
A  Favorite  Song,  as  Sung  by  Miss  Brown 
and  Mrs.  Farrel.  [Words  by  K.  Dodsley.] 
6'.  B[abb  :  London,  1770'?]     s.  sJt.  fol. 

G.  310.  (227.) 

[Another  edition.]     One  kind  Kiss  before 
we  part.     The  Parting  Kiss,  etc. 
London,  [1775  ?]     s.  sh.  fol. 

G.  796.  (44.) 
One  Long  Whitsou  HoUiday.  The  Parson 
among  the  Peaae.  A  new  Song  the  words 
by  Mr.  Durfey.  D.  Wright :  [London, 

1710?]     s.  s7i.  fol.  H.  1601.  (325.) 

[Another  edition.]  One  Long  Whitson 
Holliday.  The  Parson  among  the  Pease, 
etc.     [London,  1710?]     s.  sh.  io\. 

G.  310.  (181.) 

One  midsummer  morning,  when  nature 
look'd  gay.  .4  New  Song,  sung  at 
Ranelagh.     [Lo7idan,]  1759.     8". 

P.P.  5441. 
Royal  Magazine,  Vol.  I.,  p.  39. 

One  midsummer  morning,  when  nature 
look'd  gay.  A  Neio  Song,  sung  at 
Ranelagh.     [London,  1759.]     8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XXV.,  p.  38. 

One  Midsummer  Morning  when  Nature 
looked  gay.  .-1  Xew  So)ig.  Sung  at 
Ranelagh.     lLo7idon,  1765?'     s.  sh.  fol. 

H.  1994.  (49.) 

One  Morn  as  lately  Museing.  A  Satyr  or 
Ditty  Upon  the  Jarring  of  the  two  East 
India C[ompan^ vs.  [Words  bv  T.  D'Urfey.] 
[London,  1709?]     fol.        G.  305.  (201.) 

[Another  copy.]  G.  304.  (119.) 

One  morn  e'er  sweet  Peggy  arose.  Pitty 
Patty.  A  Favourite  Scotch  Song,  as 
altered  [by  T.  A.  Arne]  from  the  Tvme  of 
the  Yellow-hair'd  Laddie.  [London, 

1750.]     8°.  157.  L  12. 

London  Magazine,  1750,  jj.  515. 

One  Morn  Sweet  Sue.  Roger  and  Sue, 
a  Ballad.  The  Tune,  a  Uance  of  the 
Fausans  [by  J.  A.  Hasse'.  [London, 

1750  ?]     s.  sh.  fol.  '  G.  310.  (219.) 

One  Morning  in  pleasant  weather.  Con- 
stant Coridon  ;  or  Coy  Clorimla's  un- 
speakable Cruelty.  [Ballad.]  To  an 
Excellent  New  Tune :  Or,  See  yonder  she 
Swims,  &c.  Printed  for  P.  Brooksby, 

J.  Deacon,  J.  Blare,   J.  Back :    [London, 
1605  ?]     s.  sh.  fol.     Case  39.  k.  6.  (19.) 
The  tune  is  represented  by  a  meaningless 
succession  of  notes,  etc. 

One  morning  in  May,  when  Spring  smil'd 
around.     Ballad.     See  Moolds  (J.) 


ONE.  One  I\Iorning  very  early.  The  Maid 
in  Bedlam.     [Song.]  [London, 

1772  ?]     s.  sh.  fol.  G.  310.  (278.) 

[Another    setting.]      One    ^Morning    very 
early.      Glee.       See   Clarke   afterwards. 
Clarke  Whitfeld  (J.) 
One  Morning  young  Roger.     Ballad. 
See  Arne  (T.  A.) 

One   night   as   Ned.     Kate   and    Ned.     A 
Favorite  Song  sung  at  Free  Masons  Hall. 
I[ohn]  F[entum :  London,. 
1780?]    s.sh.  fol.  G.  310.  (229.) 

One  night  gay  Bacchus.     Song. 
See  Spofforth  (R.) 

One  Night  in  my  Ramble  I  chauc'd  to  see. 
The  IrisJi  Jig :  or,  The  Night  Ramble. 
[Song.]     [London,  niO?]     s.sh.iol. 

H.  1601.  (331.) 

One   Night   when   all   the   Village    slept. 

TJie    Despairing    Shepherd,    [Song,]    the 

Words   by  S'   Carr   Scroope.     [JNIusic    by 

E.  Miller.]  [J.  Johnson:  London, 

1755?]     s.sh.iol.  G.  310.  (276.) 

No.  3.  of  E.  Miller's  '  Collection  of  Neia 

English  Songs.' 

One  summer's  eve,  as  Nancy  fair.     The 

New  Spinning-lMieel.     [Song.] 

[London,  1768.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XLIII.,p.  872. 

One  Summer's  Eve,  as  Nancy  fair.     The- 
New  Spin)iing  Wlieel.     [Song.] 
[London,]  1769.     8».  159.  n.  1. 

London  Magazine,  1769, 2).  105. 
One  Sunday  at  St.  James's  Prayers.     TJic- 
Lady  Devoted.     A  New  Song  the  Words 
by  Mr.  Durfey.  [London, llld 2]  s.sJi.iol. 

G.  310.  (183.) 

Li  same  editions  of  this  song  the  tune  is 
ascribed  to  D'  Urfey. 
One  there  is  above  all  others.     Hymn. 
See  E.,  H. 

ONLY.  The  only  Fair  Cloe  shaU  Sencible- 
be.  Fair  Cloe,  A  New  Song.  [London,. 
1710?]     s.  s7i.  fol.  H.  1601.  (442.) 

The  only  Lass  that  I  do  Love.     Roger'si 
Mistress,  [Song,]  To  the  Tune  of  IMoggy 
Lauder.     The  Words  by  A.  Bradlev. 
[Loiulon,  11 10?]     s.sh.tol. 

G.  305.  (30.) 

OPERA  DANCES.     The  Opera  Dances 
as  perform'd  at  the  King's  Theatre  in  the 
Hay   Market,    1776  .   .   .  adapted   for   the- 
Piano  Forte,  Ger:  Flute  or  Violin. 
J.  Welcker :  London,  [1776.]     obi.  4'. 

b.  51.  b. 

OPERA   DE    VILLAGE.      L'Opera  de 
Village,    comedie  j     representee    pour    la 
premiere  fois  le  18  Aoiit  1693.     [By  F.  C. 
Dancourt,  with  music] 
[Paris,  1760.]     12°  241.  c.  3. 

Partof'Les  (Euvres  de  TMatre  de  M.. 
D'Ancottrty  etc.     Tom.  3.. 


OPERA— ORGAN 


223 


OPERA  MISCELLANY.  The  Opera 
Miscellany.     Songs.     See  Bolton  (    ) 

OPERA  OVERTURES.  Number  l(-5) 
of  the  Opera  Overtures  adapted  for  the 
Harpsichord  or  Piano  Forte  with  an 
Accompaniment  for  a  Violin.  [Nos.  1,  3 
and  4  arranged  by  J.  Mazzinghi.] 

Longman  and  Broderip : 
London,  [1789.]    foi.  h.  61.  (7-11.) 

The  Opera  Overtures  adapted  for  the 
Harpsichord,  etc.  Set  Second  (Third) 
•2  N".    R.  Bremner  :  London,  ri774  ?]    fol. 

g.  79.  c.  (3.) 
The  co^nposers  named  are:  Giordani 
(Lc  Vicende),  Gugliclmi  [I  Viaggiatori, 
Orlando,  II  Carnovalc  di  Venezia,  and 
II  Desertore)  and'  Galuppi  (11  Filosofo 
di  Campagna). 

OPijRATEUR    BARRY.       Airs    de    la 
Comedie  de  I'Opeiatsur  Bary.     [Words  by 
F.  C.  Dancourt.]     [1702  ]    See  Airs.    Airs 
de  la  ComMie  Franvoise.     [No.  11.] 
[1696-]1705.     obi.  8".  B.  319. 

L'Operateur  Barry,  comedie  ;  representee 
pour  la  premiere  fois,  le  11  Octobre  1702. 
[By  F.  C.  Dancourt,  with  songs  bv  J.  C. 
Gillier.]  [Paris,  17G0.j  12".  24l".  c.  8. 
Part  of '  Les  CEuvres  de  Tlu'atre  de  M. 
D'Ancourt;  etc.     Tom.  8. 

OPERET  TAS.  Sammlung  der  komischen 
Operetten  so  wie  sie  von  der  Churpfalz- 
ischen  Deutschen  Hofschauspielergesell- 
schaft  unter  der  Direction  des  Herrn 
Marchand  aufgefiihret  werden.  Band  II., 
III.  Mit  Andrcdisclien  Schriften  : 

Frankfurt  am  Mayn,  1772,  3.     8". 

B.  729. 

OPHELIA.     Ofelia's  Aire,  her  Mean,  her 

Face.     Song. 

See  PuRCELL  (D.)     [Love  makes  a  Man.'] 

OPITIIS    (Benedictcs    de)      Sub   tuum 

presidium.    Summe  laudis  O  Maria.    [For 

four  voices.]  Jan  de  gheet : 

Antwcrpen,  1515.     fol.     Case  38.  h.  14. 

Seventeen  pages  of  a  collection  of  20  leaves 

of    verses,    jvoodcuts,   music,   dc,    in 

honour  of  the  Emperor  Maximilian, 

the  letterpress  signed  R.  K.  D.  N.    Tlie 

music  is  pi'inted  froin  wooden  blocks. 

OR.  Or  che  il  cielo  a  me  ti  rende.  Rondo. 
See  Paisiello  (G.)  [Sismano  nel  Mogole.'\ 
Or  ^coutez  petis  et  grands.  La  Vessie 
Globe.  [Song.]  Air  du  Catechisme  des 
Normans.  Chez  J/"'"'  Borrelly  : 

[Paris,  1783  ?]     8^  B.  362.  a.  (76.) 

Or  let  the  merry  Bells  ring  round.  Song. 
See  Haendel  (G.  F.)  [U Allegro.] 
Or,  nous  dites  Glicere.  L'£couteur  aux 
Portes,  ou  le  Lendemain  dc  Noces.  [Song.] 
Air:  II  pleut,  il  pleut,  Bergere  [by  L.  V. 
Simon].  CJiez  Camand : 

[Paris,  1787  ?]     8'.  B.  362.  (130.) 


ORACKEL.     Das  Orackel.     Operette. 
See  Fleischer  (F.  G.) 

ORACLES.    The  Oracles  for  War.   [Song.] 
Sec  To.     To  Arms,  to  Arms. 
[1690  ?]     s.  sh.  fol.  1878.  f.  1.  (37.) 

ORAPI  (Pietro  ^Iarcellino)  La  Cantica. 
Poesie  e  Musiche  del  Sig.  Abbate  Orafi  a 
due,  tre,  quattro,  e  cinque  voci  per  Con- 
gregationi,  Accademie,  Chiese,  Oratorij, 
etc.  Tenore.  Apresso  Francesco  Maqni : 
Yendia,  1652.     4".  D.  162. 

ORANGE-WOMAN.  The  Orange 
Woman.  [Song.]  S^e  Hearty.  A  Hearty 
buxom  Girl  am  I,  cfc.     ri770'.'      fol. 

■  G.  306.  (110*.) 

ORATIONI.     Oratioui  per  dire  auanti  et 

dopo  la  Dottrina    Christiana.     [With  an 

Ave  Maria  and  Litany  of  the  Saints  for 

four  voices.]     Appresso  Girolamo  Bartoli : 

I       Genoa,  1589.     12".  1354.  a.  35.  (3.) 

I   ORAZI  ED  I  CURIAZI.     Gli  Orazi  ed 
i  Gurazi.     Opera  Seria. 
See  CiMAROSA  (D.) 

i  ORAZIO.  [Songs  in  Orazio.  A  Pasticcio. 
Full  Score.]  See  Delizie.  Le  Delizie 
dell'  Opere,  etc.     Vol.  6.     ri776.]     fol. 

I  "  G.  159. 

I   ORCHESOGRAPHIE.  Orchesographie. 
j       Traictt'.     Sec  ARBEi.T:  (T.)  pseud. 

I  ORDONANCE.  Ordonance  Militaire  de 
TKcole  des  Trompettes  etablie  par  le 
Decret  du  14  Brumaire  I'an  2"  de  la  Eepub- 
lique  Fran(^oise.  A  I'^cole  de  Trompette  : 
Pans.  [1794  ?]     fol.  G.  554.  a.  (5.) 

ORESTE.  Oreste,  an  nom  de  la  Patrie. 
Air.  Sec  Piccrsi  (N.)  [Iphiginie  en 
Tauride.] 

ORFEO.      The    Favourite    Songs  in    the 
Opera  call'd  Orpheus.     [A  Pasticcio.] 
Printed  for  I.  Walsh,  London,  [1136.'    foL 

G.  206.  e. 

The  composers  named  are  :  Araja,  Vinci 

and  Porpora. 

The  Favourite  Songs  in  the  Opera  Orfeo. 

[A  Pasticcio.     Full  Score.]     R.  Bremner  : 

London,  [1770.]     fol.  G.  760.  a. 

The  composers  named  are  :  Bach,  Gluck, 

Guglielmi  and  Guadagni. 

[Another  copy.]  G.  760.  e.  (1.) 

J'ai  perdu  mon  Euridice.     Air  d'OrpJiee. 

[By  G.  W.  von  Gluck.]    [Paris,  1775  ?]   8  ■. 

B.  362.  i.  (49.) 
Orfeo.     [Opera.]     See  Bertoni  (F.  G.) 

ORFEO     E     EURIDICE.        Orfeo     e 
Euridice.     Dramma  per  IMusica. 
See  Haydn  (F.  J.) 

ORGAN.  The  Organ  laid  open,  or  the 
true  Stop  discovered.  Song.  See  Come. 
Come  all  my  brave  Boys,  etc.  [Bv  S. 
Wesley.]    [1785?]   fol.     H.  1650.  c.' (8.). 


224 


ORGAS— ORPHEUS 


ORG  AS  (Annibale)  Annibalis  Orgas  . . . 
Sacrarum  Cantionum,  Quaternis,  Quiuis, 
Seuis,  Octonis  •  Vocibus  Cum  Basso  ad 
Organum,  &  Musica  Instrumenta  Liber 
Primus.  Cantus  (Altus)  (Tenor) 
(Bassus)  Primi  Chori.  (Cantus  (Altus) 
(Tenor)  (Bassus)  Secundi  Chori.) 
(Bassus  ad  Organum.)  9  pts. 
Apitd  Lucam  Antonium  Suldum  :  Eom.r, 
1619.     4'.  D.  118. 

OmDRYUS  (JoASNKs)  PracticEB  ]\IusicEe 
Utriusque  Prsecepta  Brenia, ...  Ex  opti- 
morum  jMusicorum  libris  ea  duntaxat 
qufe  hodie  in  usu  sunt,  studiose  collecta. 

lacobus  Baiheniiis  :  Dnisscldorpii, 
1557.     S\  1042.  d.  32. 

ORIENT.     The  Orient  Sun.     Cantata. 
See  Harwood  (E.) 

ORIGIN.  The  Origin  of  English  Liberty. 
[Song.]  See  Once.  Once  y°  Gods  of  the 
Greeks,  <'^c.     [1760?]     s.  sh.  io\. 

H.  1994.  a.  (189.) 
The  Origin  of  Lotteries.  Ballad.  See 
Once.  Once  Lucifer  after  a  grand  debate. 
etc.     [1755.]     8".  157.  1.  17. 

The  Origin  of  Lotteries.  Ballad.  See 
Once.  Once  Lucifer,  after  a  grand  De- 
bate, etc.     [1755.]     s.  sh.  fol. 

G.  310.  (223.) 

ORIONE.     Orione.     Opera. 
See  Back  (J.  C.) 

ORISTAGNO  (GiULio  d')  Di  Giulio  d' 
Oristagno  ...  II  Primo  Libro  de  Madrigali 
a  Cinque  Voci,  etc.  Canto.  (Alto.) 
(Teuore.)     (Basso.)     (Quinto.)     5  pts. 

Afpresso  Angela  Gardanu : 
Venetia,  1588.     4°.  D.  187. 

ORLANDI  (Santi)  II  Primo  Libro  de 
Madrigali  a  Cinque  Voci  .  .  .  Nouamente 
stampato.     Canto.     (Tenore.)     2  pts. 

Aioi)resso  Angelo  Gardano  : 
Venetia,  1602.     4".  C.  242. 

This  ivork  also  contains  madrigals  by  A. 
del  Vivaio  and  A.  Bicci. 

ORLANDINI  (Giuseppe  Maria)  Arsace. 
[For  songs  published  anonymously  :j 
See  Arsace. 

ORLANDO.     The  Favourite  Songs  in  the 
Opera  eall'd  Orlando.    [By  G.  F.  Haendel.] 
Printed  for  I.  Walsh  :  London, 
[17.33.:     fol.  ■  H.  300. 

Orlando.     Opera.     See  Haendel  (G.  F.) 
Orlando.     See  Pazzie  d'  Orlando. 

ORME   (Robert)     The   Tempest   of  War. 
rSong.l     [London,  1760?]     fol. 
^       ^  ^  G.  305.  (294.) 

ORMISDA.  The  Favourite  Songs  in  the 
Opera  eall'd  Ormisda.  [Libretto  by  A. 
Zeno  ]  Printed  for  I.  Walsh  and  Joseph 
Hare  :  London,  [1730.]     fol.      1.  49.  (2.) 


ORMISDA.      Timido    Pellegrin.     [Song.] 
Sung  by  Sig'"  Merighi  in  Ormisda. 
{London,  1730.]     fol.  G.  305.  (86.) 

See  Haendel  (G.  F.)  Parthenope,  for  a 
Flute ...  To  which  is  added  the  most 
Favourite  Songs  in  the  Opera  of  Ormisda, 
etc.     [1735?]     06^.4".  a.  206.  (1.) 

ORMONDO.    Ormondo  in  Chains.    Song. 

See  Clayton  (T.)     [Arsinoe.^ 

ORNEVAL  (       D')     See  Le  Sage  (A.  R.) 
and  Orneval  (        d')     Le  Theatre  de  la 
Foire,  ou  I'Opera  Comique,  etc. 
1722(-37).     12'\  241.  1.  18. 

ORNITHOPARCHUS  (Andreas) 
[i.e.  Andreas  Vogelsang].  Musice  Actiue 
Microlog'  Andree  Ornitoparchi  .  . .  Libris 
Quattuor  digest',  etc.  hi  edibus  Valentini 
Schumanni  :  Lipsie,  1517.     4". 

K.  1.  h.  16. 
54  leaves  ivithout  pagination. 
Andreas  Ornithoparcus  his  Micrologus,  or 
Introduction :  Containing  the  Art  of 
Singing.  Digested  into  Foure  Bookes. .  . 
Also  the  Dimension  and  Perfect  Use  of 
the  Monochord,  according  to  Guido 
Aretinus.     By  lohn  Douland,  etc. 

Printed/or  Thomas  Adams  :  London, 
1609.     fol.  K.  2.  i.  7. 

OROLOGIO  (Alessandro)  Canzonette 
a  Tre  Voci ...  Nouamente  poste  in  luce. 
Libro  Primo.     Canto.     (Basso.)     2  pts. 

Appresso  Angelo  Gardano  : 
Venetia,  1593.     4°.  D.  69. 

Canzonette  a  Tre  Voci . . .  Nouamente  poste 
in  luce.  Libro  Secondo.  Canto.  (Basso.) 
2  pts.  Apjvesso  Angelo  Gardano  : 

Venetia,  1594.     4".  D.  69.  a. 

Di  Alessandro  Orologio  il  Secondo  Libro 
de  ]\Iadrigali  a  Quatro,  a  Cinque,  &  a 
Sei  Voci.  Nouamente  composti  &  dati  in 
luce.     Tenore.     (Quinto.)     2  pts. 

Tyjyis  Elect.  Saxonin' : 
Dresd;v,  1589.     obi.  4".  A.  303. 

ORPHAN.     Orphan  Bess  the  Beggar  Girl. 
[Song.]     See  Hook  (J.) 
The  Orphan  Boy.     Ballad. 
See  Haigh  (T.) 

The    Orphan    that's   wet   with    the   rain. 
Song.     See  Poole  (C.) 
The  Orphan's  Prayer.     Ballad. 
See  Abrams  (H.) 

ORPHEE.  Orph^e.  Cantate. 
See  Grandval  (N.  Ragot  de) 
Orphee.     Cantatille.     See  Lemaiee  (L.) 

ORPHEE     ET    EURIDICE.      Orphee 
et  Euridice.     Tragedie  Opera. 
See  Gluck  (C.  W.  von) 

ORPHEUS.     Orpheus.     Burletta. 
See  Barthele.mon  (F.  H.) 


ORPHEUS— OSWALD 


225 


ORPHEUS.     Orpheus.     Singspiel. 
See  Bexda  (P.  W.  H.) 

Orpheus.     [Song.]     See  Defesch  (W.) 

Orpheus  and  Euridice.     [Song.] 
See  BOYCE  (W.) 

ORPHEUS      AND      EURYDICE- 

Orpheus  and  Eurydice,  a  Grand  Serious 
Opera  .  .  .  composed    by   Gluck,    Handel, 
Bach,     Sacchini     and     Weichsel,     with 
additional  new  Music  by  W.  Reeve. 
Preston  d  Son  :  London,  [1792.]     obi.  fol. 

E.  91.  e.  (1.) 

Orfeo.    Overture  [to  the  Pasticcio  arranged 
by  W.  Reeve.    P.  F.].  [London,  1792.]  fol. 

g.  271.  b.  (10.) 

ORPHEUS  BRITANNICUS.  Orpheus 
Britannicus  ;  or  the  Gentleman  and  Lady's 
^lusical    Museum  :     consisting     of     One 
Hundred  favourite  Songs,  compiled  from 
the. . .  Vocal  Performances  at  the  Theatres, 
Vaux-Hall,  Mary-bone  Gardens,   Sadlers- 
Wells,  or  any  other  polite  places  of  public 
Entertainm'.  .  .Each  Song  set  to  Musick 
&  embellished  w"'  a  curious  Head-piece 
...design'd...by..  .M'  Boitard,    and  en- 
graved by  B.  Cole,  etc.  B.  Cole  : 
London,  1760.    8".  E.  267. 
TJiese  plates  first  appeared  in  the  tnonthly 
issues  of  tlie  New  Universal  Magazine. 
The  composers  named  in  this  collection 
are :    Vincent,  Josh.   Jackson,    Riley, 
Leveridge,     John     Hughes    and    M. 
Greene. 

Orpheus  Britannicus.     Songs. 
See  PuHCELL  (H.) 


ORPHEUS  CAIiEDONIUS. 

Caledonius.     Scotch  Songs. 

See  Thomson  (W.)  of  Edinburgh. 


Orpheus 


ORPHEUS    UND    EURIDICE.      Or- 
pheus und  Euridice.     Oper. 
Sec  Naumann  (J.  G.) 

ORRA.     Orra.     Song.     See  Pilloti  (L.) 
Orra  no  talk.     [Song.]     See  Islanders. 

ORRA  MOOR.     Orra  Moor.     Song. 
See  Ross  (J.) 

ORSINI  (Gaetano)  Sei  Trio  per  Due 
Violiui  e  Violoncello . . .  Opera  i.  [Separate 
Parts.]  Presso  Antonio 

Zatta  c  Figli :   Vcnezia,  [1730  ?1     fol. 

g.  409.  a.  (9.) 

ORSO  (Francesco)  II  Primo  Libro  de' 
Madrigali. .  .Con  Due  Madrigali  Cromatici 
nel  Fine,  nuouamente  posti  in  luce  da 
Claudio  da  Correggio.  A  Cinque  Voci. 
Tenore.  (Basso.)  (Quinto.)  3  pts. 
IGiorgio  Angelini  :']   Venetia,1567.   o6Z.  4°. 

A.  304. 

VOL.  II. 


ORTO  (Jean  de)  Misse  De  orto.  Domi- 
nicalis.  Jay  pris  amours  cu  duobus  patre. 
Lome  arme.  La  bella  se  sied.  Petita 
camuseta.  S[uperius].  (B[assus].)  2  pts. 
Impressum. .  .per  Octauiamim  Petrn- 
timn,  etc.  :  Venetijs,  1505.     obi.  i". 

K.  1.  d.  5. 

OSBORNE  (Richard)  Strephon's  Re- 
quest. [Song.]  The  Words  by  J.  A.,  Esq', 
etc.     [London,  1730  ?]     s.  sh.  fol. 

I.  530.  (125.) 

OSCAR.     Oscar's  Tomb.     [Song.] 
See  Ross  (J.) 

OSCAR  AND  MALVINA.     Oscar  and 

Malvina.     Ballet.     See  Reeve  (W.) 

OSCULATUS  (Julius)  Liber  Primus 
iMotectorum,  Quinque,  Sex,  Septem,  Octo, 
Nouem,  Decem  &  Duodecim  Vocum. 
.\ltus.     (Quintus.)     2  pts. 

Appresso  Alessandro  Rauerij : 
Venetia,  1619.     4°.  D.  72. 

OSIO  (Teodato)  L'  Armouia  del  Nudo 
Parlare  ouero  La  Slusica  Ragione  della 
Voce  Continua,  etc.  (L'  Armenia  del  Nudi, 
Parlare  con  Ragione  di  Numeri  Pitagorico 
etc.)  Per  Carlo  Fcrrandi  : 

Milano,  (1637.)     8".  1042.  d.  2. 

The    second    title    is    on    a    separate 
(engraved)  title-page. 

OSSWALD  (Heinrich  Siegmund)  Der 
Christ  nach  dem  Tode,  ein  Oratorium  im 
volstandigen  Klavier-Auszuge.  i't?/  11'.  G. 
Korn:  Bressla!i,118G.    obl.'iol.     F.  1103. 

OSWALD   (James)     The  Adieu.     [Song.] 
Sung  at  the  publick  Gardens,  etc. 
[London,  1745  ?]     s.  sh.  fol. 

H.  1994.  c.  (56.) 
[Another  edition.]     The  Adieu,  etc. 
[London,  1750  ?]    s.  sh.  fol. 

G.  806.  d.  (16. 

[For  editions  of  this  song  published 

anonymously :]     See  Adieu.     Adieu   the 
Streams,  etc. 

-\irs  for  the  Spring.     [Harpsichord.] 

Printed  for  the  Author  : 

[London.  1747  ?]     fol.  g.  265.  (1.) 

The  last  tico  leaves  are  slightly  mutilated. 

Airs  for  the  Summer.     [Harpsichord.] 

Printed  for  the  Author- : 
London,  [1748  ?]     fol.  g.  265.  '(2.) 

Alloway  House.     [Song.]  [London, 

1755?]     s.sh.iol.  G.  316.  (111.) 

Amanda.      [Song.]      The    Words    by   the 
late  Mr.  Thomson,  etc. 
[London,  1755.]     8".  250.  e.  2. 

Gentleman'' s     Magazine,      Vol.     XXV.. 
p.  418. 
The  Borrow'd  Kiss. 
See  infra  :  [Colin's  Kisses.     No.  3.] 

Q 


226 


OSWALD 


Suug    by    Mr. 

[London, 

G.  312.  (109.) 


OSWALD  (Jamks)  The  Caledonian  Pocket 
Companion,  in  Seven  Volumes,  containing 
all  the  Favourite  Scotch  Tunes  with 
Variations  for  the  German  Flute  with 
an  Index  to  the  whole. 

Printed  for  the  Author  : 
London,  [1750-GO  ?]     8".    "  e.  1290. 

Imperfect,  toanting  Book  II. 
[Another  edition.]    The  Caledonian  Pocket 
Companion,  in  Ten  Volumes,  ete.     Vols. 
I  _VI.  Printed  for  the  Author  ; 

London,  [1160'^]    8".  e.  1290.  a. 

[Another  edition.]  The  Caledonian  Pocket 
Companion,  containing  a  favourite  Collec- 
tion of  Scotch  Tunes,  with  Variations  for 
the  German  Flute  or  Violin  ...  To  which 
is  added,  a  correct  Scale  for  }"=  German 
Flute,  etc.    2  vols. 

Printed  for  Straight  d:  Skillern  : 

London,  [1770  ?]     8".  e.  1290.  b. 

Vol.  I.  of  this  edition  comprises  Books 

I.-VL,  and  Vol.  II.  Books  VII. -XII. 

of  the  earlier  edition. 
Captain  Death.  [Song.] 
Dennis  at  Sadler's  Wells. 
1757.]  s.  sh.  fol. 
The  Charms  of  lovely  Peggy,  etc.  [song, 
begins :  '  Once  more  I'll  tune  the  vocal 
Shell,'  words  attributed  to  D.  Garrick  or 
Sir  C.  H.  Williams].  [London, 

1745  ?]     s.  sh.  fol.  G.  310.  (275.) 

[For  editions  of  this  song  published 

anonymously:]  See  Once.  Once  more 
I'll  tune  the  Vocal  Shell. 

Colin's  Kisses  [words  by  R.  Dodsley,]  set 

to  Musick  by  JMr.  Osswald. 

[London,-]  1742.     8".  E.  1747. 

li  fol.,  engraved  on  one  side  only.  The 
title-page  is  designed  by  F.  Hayman 
and  engraved  by  C.  Mosley. 

[No.  1.]     The  Tutor.     [Song.] 

See  Chloe.  Chloe,  or  the  IMusical  Maga- 
zine, e/c.   No.  71.    [1760?]   fol.      G.  433. 

[No.  2.]     The  Secret  Kiss. 

See  At.  At  the  silent  Evening  Hour. 
[Music  by  J.  Oswald.]     [1745?]     s.  sli.  fol. 

G.  306.  (22.) 

[No.  3.]     The  Borrow'd  Kiss. 

See  See.  See  I  languish,  etc.  [Music  by 
J.Oswald.]     [1745?]     s.  */(.  fol. 

G.  311.  (54.) 

[No.  4.]     The  Rapture. 

See  Whilst.     Whilst  on  thy  dear  Bosom 

lying,  etc.     [Music  by  J.  Oswald.] 

[1748  ?]     s.  sh.  fol.  G.  313.  (120.) 

[No.  5.]     The  Stolen  Kiss. 

Sec  On.  On  a  Mossy  Bank  reclin'd. 
[Music  by  J.  Oswald.]     [1743  ?]    s.  sh.  fol. 

G.  310.  (201.) 

[No.  6.]     The  Kiss  Repaid. 

See  Chloe.     Cloe,  by  that  borrow'd  Kiss, 

etc.     [Music  by  J.  O.swald.] 

[1743?]     s.sh.ioh  G.  307.  (37.) 


[No.  7. 

ing  Kiss,  etc. 

[No.  8 

Sec    When. 
[Music  by  J. 


OSWALD  (James)  Colin's  Kisses.  [No.  7.] 
The  Parting  Kiss.  [Song,  words  by  R. 
Dodsley. 1     [London,  1745?]     s.  sli.  fol. 

G.  310.  (202.) 
Another  edition.]    The  Part- 
[London,  1115  2]    ,s.  .?/;.  fol. 
G.  796.  (45.) 
.]     The  Imaginary  Kiss. 

When  Fanny  I  saw,  etc. 
Oswald.]  [1743?]  s.sh.iol. 
G.  313.  (118.) 
A  Collection  of  the  best  old  Scotch  and 
English  songs,  set  for  the  Voice  with 
Accompaniments  and  Thorough-Bass  for 
the  Harpsichord,  etc.  Printed  f>r 

J.  Os2vald  :  London,  [1762  ?]     fol. 

H.  2815.  c.  (33.) 

A   Collection   of   43    Scot's    Tunes    with 
Variations,  particularly  adapted   for   the 
Violin  and  Harpsicord,  etc. 
Bland  d  Welter  :  London,  [1795  ?]     fol. 

g.  265.  (3.) 

A  Second    Collection    of    Curious    Scots 
Tunes   for   a   Violin   and   German   Flute 
with  a  Through  Bass  for  the  Harpsicord. 
Printed  for  C.and  S.  Thompson  :  London. 
[1775?]     fol.  li.  342. 

Cupid's  Refuge.     [Song.]. .  .Sung  by  Mr. 
Lowe  at  Vaux  Hall.  [London, 

1750?]     s.sh.iol.  G.  316.  c.  (30.) 

[Another  edition.]      Cupid's  Refuge,   etc. 
[Song.]     [/yO»fZo»,  1755?]     .s.  .s7(.  fol. 

H.  1994.  a.  (193.) 

The  Dancing-i\Iaster :  A  Song,  etc. 
[London,  1754.]     8°.  _  250._  e.  1. 

Gentleman's    Magazine,     Vol.    XXIV., 
p.  379. 

The  Despairing  Lover.  [Song.]  For  the 
German  Flute.    [London,  VI ■lb  2]  s.sh.lol. 

G.  306.  (121.) 
The  Dust  Cart. 
See  infra:  [Tlie  Old  Woman's  Oratory.] 

For  joy  of  joys  to  lighten  woe.  A 
favourite  Song,  etc.      [London,  1756.]     8". 

250.  e.  3. 
Gentleman's     Magazine,     Vol.    XXVI., 
p.  133. 

From  the  Man  whom  I  love. 
See  infra  :  [The  Reprisal,] 

[The  Gamester.]  When  Damon  languish' d 
at  my  Feet.  Song  in  the  Gam[e]ster. 
[Words  by  E.  Moore.]  [London,  1754?] 
s.  sh.  fol.  G.  313.  (45.) 

When  Damon  languish'd  at  my  feet. 

So7ig  in  the   Gamester.      [Written   by  E. 

Moore.]    [London,  1755.]   8".     250.  e.  2. 

Gentleman's  Magazine,  Vol.  XXV.,  p.  83. 

The  Gamester's  Song,  the  Words  by  ]\Ir. 
Garrick.     Sung  by  IMr.  Beard,  etc. 
London,  1756.]     s.  sh.  8".        P.P.  5438. 
Literary  Magazine,  Vol.  J.,^j.316. 


OSWALD 


227 


OSWALD     (.James)      How    long,    Eliza, 
must    I    languish.      A    New    Song.      The 
Words  by  Mr.  Thomson. 
[Loudon,  1745  ?j     s.  sh.  fol. 

G.  308.  (100.) 

The  Imaginary  Kiss. 

See  supra  :  [Colin's  Kisses.     No.  8.] 

The  Invitation.     [Song.]     The  Words  by 
the  late  Mr.  Thomson.  [London, 

1750  ?J     8.  sh.  fol.  G.  316.  (110.) 

The  Kiss  Repaid. 

See  supra  :  [Colm's  Kisses.     No.  6.] 

The  Lost  Shepherd,  etc.     [Song." 
[London,  1755.1     8"  250.  c.  2. 

Gentleman'' s     Magazine,     Vol.     XXY., 
p.  371. 

Love  and  Friendshij).     A  Song,  etc. 
[London,  1758.]     S".  P.P.  5438. 

Literary  Magazine,  Vol.  III.,  2).  ISO. 

Love  and  Reason.     [Song.J     The   Words 
by  5Ir.  Sam'  Hart.  \ London, 

1745  ?]    s.  sh.  fol.  G.  3i4.  (57.) 

The  Maid  that's  made  for  Love  and  me. 
[Song.]     [London,  1760  ?]     s.  sh.  fol. 

G.  316.  (108.) 
In  the  London  Magazine  for  Jan.,  1717, 
this  song  is  attributed  to  the  Comic  de 
St.  Germain  [Giovannini]. 

Fifty  Five  Marches  for  the  ^lilitia,  etc. 

Printed  for  the  Author:  London, 


[1765  ?]     fol. 


g.  79.  b.  (5.) 


The  ^Musical  Magazine.  By  ^Mr.  Oswald, 
and  other  Celebrated  blasters.  Printed 
for  J.  Coote  :  London,  ^1761-2?]  4". 

E.  1747.  a. 
The  only  covqmser    named    is    Filippo 
Laschi. 

Not  this  blooming  Aprill  season.  [Song.] 
[London,  1150?]     s.sh.iol. 

G.  316.  1 109.) 

[The  Old  Woman's  Oratory.]  The  Dust 
Cart,  a  favourite  Cantata.  Sung  in  the 
old  Womans  Oratory  at  the  new  Theatre 
in  the  Hay  market,  in  manner  of  the 
Moderns.     [London.  17  5B?\     fol. 

G.  295.  (19.) 

[Another  edition.]     The  Dust  Cart, 

etc.     [London,  17  5S?]     fol. 

H.  1994.  a.  (139.) 

[Another  edition.^     The  Dust  Cart. 

A  favorite  Cantata,  etc.  Straight : 

[London,  1110?]     fol.  G.  306.  (4.) 

The  Parting  Kiss. 

See  supra  :  [Colin's  Kisses.     No.  7.] 

The  Queen  of  the  May.  A  Xew  Sons;,  etc. 
[London,  1757.]     8^  P.P.  5438. 

Literary  Magazine,  Vol.  II.,  p.  150. 

The  Rapture. 

See  supra  :  [Colin's  Kisses.     No.  4.] 


OSWALD  (James)  [The  Reprisal.]  From 
the  Man  whom  I  love.  A  favourite  Song 
in  the  Reprisal.  Sung  by  Miss  Macklin, 
etc.  [Words  by  T.  Smollett.]  [London, 
1757?]     s.sh.iol.  G.  316.  (112.) 

Robin's  Complaint.  [Song,  words  by 
Lord  Binning.]  Sung  by  ]Mr.  Beard,  etc. 
[London,  1745  ?]     s.  sh.  fol. 

G.  307.  (162.) 
The  Secret  Kiss. 
See  supra :  [Colin' s  Kisses.     No.  2.] 

The  Self-banished ;  [song,  words]  from 
Waller,  etc.     [London,  1745.]     8°. 

249.  e.  15 
Gentleman'' s  Magazine,  Vol.  XV.,  p.  329- 

Twelve  Seranatas  for  Two  Violins,  and  a 

Violoncello :    with  a  Thorough   Bass,  for 

the   Harpsichord,  etc.     [Separate    Parts.] 

Printed  for  the  Author  :  London, 

1765?]    fol.        ■  h.  342.  a. 

The    Violino  Primo    and    Violoncello  c 

Cembalo  parts  only. 

The  Shepherd's  Invitation,  etc.     [Song.] 

Str[aight]  d  Sk'illern  :  London, 
1765  ?]    s.  sh.  fol.  H;  1994.  e.  (57.) 

[For  editions  of  this  song  published 

anonymously :]  See  Come.  Come  live 
with  me  and  be  my  love,  etc. 

Shou'd  Love  sincere  devoid  of  artless  Joy. 
A  New  Song.  The  Words  by  a  Lady  of 
Quality.     [London,  1745?]     s.sh.iol. 

G.  311.  (145.) 
[Another  edition.  Shou'd  Love  sincere 
devoid  of  artless  Joy.]  Advice  how  to 
JIarry,  etc.  [Song,  music  by  J.  Oswald.] 
See  "Chloe.  Chloe,  or  the  Musical 
Magazine,  e^c.     [No.  83.j     [1760?]     fol. 

a.  433. 
Six  Solos  for  a  German  Flute  or  Violin, 
with  a  Thorough  Bass  for  the  Harpsichord. 
First  publish'd  with  the  Title  of  a  Second 
Set  of  Six  Solos  by  J  ohn]  RPeid]  Esq"'  a 
Member  of  the  Temple  of  Apollo. 

Printed  for  W'"  Randall:  London, 
,       [1775  ?j    obi.  fol.  e.  1290.  e.  (5.) 

'       Six  Pastoral  Solos  for  a  Violin  and  Violon- 

I        cello,  with  a  Thorough  Bass  for  the  Organ 

or  Harpsichord.      Printed  for  the  Author  : 

[London,  114.5?]     oW.  fol.'       e.  5.  1.  (5.) 

j       Twelve    Songs   Compos'd   in   the    Scotch 
Taste  for  a  Person  of  Distinction,  etc. 

Printed  for  John  S'lmpson  : 
London,  [1742?]     fol.  "  G.  567. 

Ten     Favourite     Songs     sung     by     Miss 
Formantel  at  Ranelagh. 

Printed  for  the  Author  :  London, 
[1758.]     fol.  "  G.  808.  h.  (31.) 

The  Stolen  Kiss. 
See  supra  :  [Colin''s  Kisses.     No.  5.] 

Susan's    Complaint.      [Song.]      Sung   by 
Mr.  Beard,  etc.  ^London, 

1745  ?]     s.  sh.  fol.  G.  306.  (80.) 

Q  2 


228 


OSWALD— OTT 


OSWALD  (James)     Thy  fatal  shafts  un- 
erring  move.      A  favourite  Air,  sung  at 
Vaux-hall  . . .  The  Words  bv  Dr.  Smolet. 
[London,  1755.]     8".  "       250.  c.  2. 

Oentlenian's     Magazine,     Vol.     XXV., 
p.  322. 
Thy    fatal     shafts    unerring     move.       A 
Favourite  Air  sung  at  VauxhaU,  etc. 
[London,  1757.]     8".  P.P.  5438. 

Literary  Magazine,  Vol.  II.,  p.  494. 
The  Tutor. 
See  supra:  [Colin' s  Kisses.     No.  1.] 

The  Wheel  Barrow,  a  favourite  Cantata. 
Sung  at  the  publick  Gardens. 

Printed  for  the  Author  :  [Loiulon, 
1755?]     fol.  G.  306.  (220.) 

[Another  edition.]  The  Wheel-Barrow,  a 
favorite  Cantata,  etc.  [London, 

1765?]     fol.  H.  1994.  a.  (141.) 

[Another  copy.]  G.  295.  (21.) 

When  Damon  languish'd  at  my  Feet. 
See  supra  :  [The  Gamester.] 

When  I  was  a  maiden  of  twenty.  A 
Song  from  Mr.  Hughes's  Poems ;  sung  at 
Ranelagh.     [London,  1751.]     8". 

249.  c.  21. 
Gentleman's  Magazine,  Vol.  XXL,}}.  419. 

Would  you  obtain  the  Gentle  Fair.  A 
Favourite  Song,  sung  by  IMr.  Atkins,  in 
the  English  Nights  Entertainment  at 
Saddlers  Wells.  Printed  for  the  Author  : 
[London,  1150?]    s.  sh.  iol. 

G.  316.  a.  (37.) 
See  Love  in  a  Village.     A  New  Edition 
of  Love   in  a  Village,  a  Comic  Opera... 
The  Music  by  Abel,. .  .Oswald,  etc. 
[1795?]     fol.  H.  108. 

See  MacGibbon  (W.)  and  Oswald  (J.)     A 
Favourite  Collection  of  Scots  Tunes. .  .Bv 
W.  M'^Gibbon,  J.  Oswald  &  others. 
[1795.]     obi.  4".  b.  66.  a. 

OTHER.     T'other  day  as  I  sat.     Song. 
See  Hudson  (R.) 

T'other  Day  as  I  walked  in  the  Park. 
TJie  Dish  of  all  sorts.  [Song.]  Sung  by 
Mr.  Munden,  at  the  Theatre  Royal  Man- 
chester.    [London  ?  1785  ?]     s.  sh.  fol. 

H.  1994.  b.  (61.) 
T'other  Day  as  I  went  to  the  Fair.  What 
■would  you  be  at  }  A  New  Song.  [London, 
1764.]     & .  P.P.  5438.  z. 

Universal   Magazine,    Vol.   XXXV.,  j). 
322. 
The  t'other  day  as  Sandman  Joe.     Sand- 
man Joe.     [Song.]         Sh[illern  :  London, 
1780?]     s.sh.iol.  G.  312.  (134.) 

T'other  Day  at  a  Coffee  House  snug  in  a 
Box.  Tlie  Grumblers.  [Song.]  The 
Words  by  Mr.  Oakman.  C[harles 

and]  S[amuel]  T[hompson :  London, 
1765  ?]     s.  sh.  fol.  H.  1994.  b.  (62.) 


OTHER.  The  other  Day  to  grief  betray'd. 
[Song.]  Sung  by  Miss  Stevenson  at  Vaux- 
Hall.     [London,  1758.]     s.  /^h.  8°. 

P.P.  5439.  ab. 
Neiv  Universal  Magazine,  August,  1758. 

T'other  day  'twas  in  a  mead.     Rondo. 
See  Blewitt  (J.) 

The  other  day  young  Strephon  met.     A 

New  Song.     [By  P.  Magnant.J      [London, 

1755.]     8°.  P.P.  5438.  ?,. 

Universal  Magazine,  Vol.  XVII.,  p.  181. 

The  other  day  young  Strephon  met.  A 
New  Song.  [By  P.  IMagnant.]  [London, 
1757.]     8".  158.  1.  2. 

London  Magazine,  1757,2'-  ^51. 

The  other  Day  young  Strephon  met. 
Song.     See  Magnant  (P.) 

OTHERS.  Others  fame  or  wealth 
pursuing.  Retirement.  [Song.l  [London, 
1750?]     s.  s7i.  fol.  G.  316.  e.  (110.) 

Others  fame  or  wealth  pursuing.  Retire- 
ment, a  New  Song.     [London,]  1760.     S". 

P.P.  5441. 
Royal  Magazine,  Vol.  III.,  2^.  153. 

OTHMAYR     (Caspar)        In     Epitaphiis 

Gasparis  Othmari.     Bassus.      ''Niirnberg? 

1555  ?]     obi.  4".  ^  A.  1390. 

TJie    composers   of  this    collection    arc : 

C.    Othmayr,  JV.  Puis,  C.  Pmtorius, 

A.  Schwartz,  J.  Bucherus  and  Doctor 

Forsterus. 

OTT  (Johann)  Hundert  vnd  fiinfltzehen 
guter  newer  Liedlein,  mit  vier,  fiinfi,  sechs 
stimme,  vor  uie  im  truck  aussgangen, 
Deutsch,  Frantzosisch,  Welsch  vnd 
Lateinisch,  lustig  zu  singeu,  vnd  aufi 
die  Instrument  dienstlich,  von  den 
berhiimbtesten  diser  Kunst  gemacht. 
Tenor.  (Discant.)  (Altus.)  [Bassus.] 
[Edited  with  a  Preface  by  Johann  Ott.] 
4  pts.  Impressum  impensis. . . 

lohannis  Ottlwnis  :  Normberg^,  1564. 
[1544.]    obi.  4'.  K.  2.  a.  7. 

Tlie  Bassus  part  has  been  supplied  in 
MS.  The  title-page  only  occurs  in 
tlie  Tenor  part,  the  date  and  place  of 
imprint  at  the  end  of  the  Discant  of  the 
sojigs  forfi  ve  voices.  The  date  is  a  mis- 
print for  1544.  The  following  names 
of  composers  occur  :  W.  Breyttcngasser, 
A.  de  Bruck,  Bruyer,  T.  Crequillon, 
S.  Dietrich,  M.  Eckel,  N.  Gombert,  L. 
Hellinck,  H.Isaac,  S.  Malm,  J.  Midler, 
R.  N[aich],  Paminger,  O.  Reytter, 
J.  Richafort,  L.  Senffiius,A.  de  Silva, 
T.  Stoltzer,  P.  Verdclot  and  J. 
Wannenmacher. 

See    Motets. — 10.      Nouum    et    Insigne 
Opus   Musicum,   etc.     [With   dedications 
signed  :  Joannes  Otto.] 
1537  (1538).     obi.  4".  K.  3.  d.  1. 


OTTO— OUR 


229 


OTTO  (Georg)  Opus  iNIusicum  Novum, 
coutinens  Textus  Evangelicos,  Dierum 
Festorum,  Dominicarum  et  Feriarum,  per 
totum  Annum. .  .Octo,  Sex  &  Quinque 
vocibus  compositum  .  .  .  Liber  Primus 
3Iotetarum  Octo  Vocum,  etc.  (Liber  Se- 
cundus  Coutinens  Motetas  Dierum  Domi- 
nicalium,. .  .sex  vocibus  compositas,  etc.) 
(Liber  Tertius.  Coutinens  Motetas  Die- 
rum Feriarum  Quinque  Vocum,  etc.) 
Discantus.  (Altus.)  (Tenor.)  (Bassus.) 
(Quinta  (Sexta)  (Sept.)  (Octava)  Vox.) 
8  Lib.  19  pts.  Ex  officina  typoqraphica 
Mauritiana,  opera  Wilhelmi  Wessclii : 
Casscllis,  1604.     A".  B.  120. 

See  Geuck  (V.)  Novum  et  Insigne  Opus, 
etc.     [Edited  by  G.  Otto.]     1603-4.     4  ■. 

B.  86. 

OTTO  (JoANSEs)     See  Ott. 

OTTO  (Stephan)  Kronen  Kronlein  oder 
I^Iusicalischer  Vorliiuffer,  AufE  geistliche 
Concert-Madrigal-Dialog-^Ielod-Sympbon- 
Motetische  Manier,  etc.  Mit  3.  4.  5.  6.  7. 
und  8.  Stimmen,  sampt  einem  General 
Bass,  etc.  Andere  (Dritte)  (Vierdte) 
(Flint? te)  (Sechste  oder  letzte)  Stimme. 
5  pts.  Gedntckt. .  .(lurch  Georg  Be iitlicni : 
Frei/bergk  in  Meissen,  1648.     4".    C.  327. 

OTTONE.  The  Favourite  Aires,  in  the 
Opera  of  Otho,  King  of  Germany.  [Words 
by  N.  Haym,  music  by  G.  F.  Handel.] 

Printed  for  R.  Mears  :  London, 
[1723.]     fol.  G.  195.  (3.) 

Otho  [opera,  by  G.  F.  Handel]  for  a  Flute. 
Containing  the  Overture,  Songs  and 
Symphonys  curiously  Transpos'd  and 
fitted  to  the  Flute  in  a  Compleat  maiier, 
etc.  Printed  for  I.  Walsh  and  In"  & 

loseph  Hare  :  London,  [1725  ?]     oU.  4». 

a.  206.  a.  (4.) 
Otho.     Opera.     Sec  Haendel  (G.  F.) 

OU.  On  courent  les  peuples  6pars.  Roland 
a  Roiicevaux.  Air,  avec  Accomp'  de 
Guittare.  Che-:  Imbaidt : 

[Paris,  1790  ?]     8".  B.  362.  a.  (4.) 

Ou  fuir,  oil  me  cacher.     Air. 

See  Bertox  (H.  il.)     "Les   Rigueurs   du 

Cloitre.] 

Oil  les  Dieux  Tout  ils  fait  naitre.     Musette, 
etc.    [Paris,]  1760.   s.  sh.  8".     297.  d.  25. 
Mercure  de  France,  Sept.,  1760. 

Ou  peut  on  etre  mieux.     Quatuor. 
See  LuciLE. 

OUBLIEZ.  Oubliez  jusqu'ii  la  trace  d'un 
malheur.     Vaudeville.     See  Deserteur. 

OUDOT  (Claude)  Stances  Chrestiennes. 
De  M.  LT'Abbe]  T[estu]  mises  en  musique 
a  deux,  trois,  &  quatre  Parties,  avec  des 
Symphonies.  CJiez  C.  Ballard: 

Paris,  1692.     4'.  D.  347. 

[Another  copy.]  D.  347.  a. 


OUDOUX  (  )  Methode  Nouvelle  pour 
apprendre  facilement  le  Plain-Chant,  avec 
Quelques  Exemples  d'Hymues  &  de 
Proses. .  .Seconde  Edition,  revue,  corrigee 
&  augmentee.  Che!  A.  M.  Lottin  Valnf  : 
Paris,  1776.     8\  7898.  a.  12. 

OUI.      Oui   j'adopte   ton   sentiment.      R(f- 
ponse  du  Mari  a  sa  Femme.     [Song. J     Air 
de  la  Rosiere   [de   Salency,  by  A.  E.  M. 
Gretry",  Avec  Accomp'  de  Guitare. 
Chez  M.  Camand  :  Paris,  [1780 ?1     8". 

B.  362.  168*. 


44* 


[Another  copy.]  B.  362.  g. 

Oui,  j'aime  a  boire  moi.  La  Meuagerc. 
[Song.]  Air :  d'une  Allemande.  [Paris, 
1780?]     8".  B.  362.  b.  (129.) 

Oui,  j'aime  la  variete.  Le  Pluisir  de  la 
VarKti.     Chanson.  Graxi  par  La- 

hassie.  Imprimi  par  Toumclle  :  [Paris,] 
1757.     s.  sh.  8°.  297.  d.  7. 

Mercure  de  France,  June,  1757. 
Oui,  je   t'aime,  ma  Themire.      Rondeau. 
[Paris,]  1764.     s.  sh.  8".  298.  d.  18. 

Mercure  de  France,  .Tune,  1764. 
Oui,   ;Messieux,  tout   Tmonde  en  France. 
[Song.]     See  Nicodeme  daxs  la  Luke. 
Oui,  mettous  nous  a  I'ouvrage.     Air. 
See  PoMMiERS  et  le  Moulin. 
Oui  uoir  mais  pas  si  diable.     A  Favorite 
French  Song.     [From  Gretry's  '  L'Amitie 
a  I'Epreuve.'  i         Longman  and  Broderip  : 
London,  [1190'!]     fol.        H.  1250.  (39.) 
Oui  uoir  mais  pas  si  Diable.     Couplets. 
See    Gretry    (A.   E.   M.)      [UAmitie    a 
V^preuve.] 

Oui  nous  perdons  I'courage.     Duo. 
See  Nicodeme  daxs  la  Lune. 
Oui  tout  le  bieu  que  j'ai  perdu.     Air. 
See  Confederation  du  Parnasse. 
Oui     tu     fait    mon     bonheur,     Zelmire. 
L'Amant    Fortunee.      Air :    Resiste    moi 
belle  Aspasie  [words    par  M.  R.  n.  y. 
Chez  Camand:  [Pa ri.s,  1780?]     8''. 

B.  362.  b.  (153.) 

[Another  copy.]  B.  362.  e.  (117.) 

OUR.     Our  Bottle  and  Friend.     [Song.j 
See  Cooke  (M.) 

Our  Chorus  to  Bacchus.     Water.     [Song.] 
The  Words  by  G.  A.  Stevens. 
P.  Hlodgson  :  London,  1780?]     s.  sh.  fol. 

G.  310.  (264.) 
Our  King  and  our  Guardian  is  come.  A71 
Ode  on  Jiis  Majesty's  happy  Return  from 
Hanover.  [Song.]  The  Words  by  j\Ir. 
A.  Bradley.     [London,  1745.]     s.  sh.  fol. 

G.  310.  (218.) 
Our  Light,  our  Saviour.     Hymn. 
Ste  Smith  (J.  C.) 

Our  Ordnance  Board.    [Song.]    The  Words 
by  Mr.  Estcourt.  [London, 

1712?]     s.  s7i.  fol.  H.  1601.  (352.) 


230 


OUR— OVERTURES 


OUR.  OuL- Reck'ning  we've  paid.  Honour. 
[Song.J  P.  U[odgson  :  London, 

1780?]    s.  6/j.  fol.  G.  310.  (266.) 

Our  Shepherd  alone.     A  Hymn. 
[Lomlon,  1775.]     8°.  P.P.  716.  b. 

Gospel  Magazine,  Nournibcr,  1775. 
Our  Ship's  safe  moored  in  Port.     [Song.] 
See  DiBDiN  (C.) 
Our  Topsails  atrip.     Song. 
(See  Wainwbight  (R.) 

OUT.     Out    of   the  deep   of    sad   distress. 
Psalm  c.r.r.v.     Paraphrased,  etc. 
[London,  1761.]     8°.  P.P.  324.  n. 

Chi-istian's  Magazine,  Nov.,  1761,^).  585 

OUTALIAN,  pseud.  If  it  does  not  rain 
to  Morrow.  A  New  Sojig,  set  after  the 
Manner  of  our  Foreign  Composers  of 
]\Iusick  to  English  Words,  Wherein  is 
expos'd  their  agreeable  way  in  dividing  of 
Sentences  &  destroying  good  Sence,  by 
way  of  Sacrifice.  By  an  Outalian. 
[London,  1715  ?]     fol.       H.  1601.  (245.) 

OUTRAGEOUS.  Outrageous  Storms 
now  dreadful  rose.  Recit.  and  Chorus. 
See  Haydn  (P.  J.)     [The  Creation.] 

OUTS.     The  Outs  and  Ins.     ^Song.] 

Sec  Whilst.     Whilst  Maj.  and  Min.,  etc. 
[1780?]     s.sh.iol.  G.  313.  (216.) 

OUVREZ.  Ouvr6s  bien  les  Oreilles. 
Lcs  Passctcms  de  Paris.  [Song.]  Air : 
de  Malbrouk.     [Paris,  1760  ?]     8". 

B.  362.  (216.) 

OVER.     Over  the  Mountain  and  over  the 
Moor.       The    Beggar   Girl,   a   Fasionable 
Ballad  for  the  Piano  Forte  or  Harp,  and 
for  two  Voices.     [By  H.  Piercy.] 
H.Thompson:  London,  [1799  7]     fol. 

G.  356.  (61.) 

OVERBECK  (Christian  Adolf)  Lieder 
und  Gesange,  mit  Klaviermelodieen,  als 
Versuche  eines  Liebhabers.  Bey  C.  E. 
Bohm:  Hamburg,  YISl.    obl.M.  D.  726. 

OVERBEKE  (Aernout  van)  De 
Geestige  Werken  van  A.  van  Overbeke. . . 
Bestaende  in  Liederen  en  Gedichten,  etc. 
By  Jan  Claesz.  ten  Hoorn  :  Amsterdam, 
1678.     8°  11557.  aaa.  15. 

Only  *  Den  Amoiireuscn.  Sodiacq'  has 
music. 

OVERBURY  (  )  Cloe's  Admirer. 
[Song.]  See  Whilst.  Whilst  I  gaiz'd  on 
Cloe  trembling,  etc.  [Jilusic  by  Overbury.] 
[1720  ?]     s.  sh.  fol.  H.  1601.  (482.) 

OVEREND  (:Marmaduke)  A  Brief 
Account  of,  and  an  Introduction  to, 
Eight  Lectures  in  the  Science  of  Music, 
etc.  Printed  for  the  Atitlior  :  London, 

1781.     4".  558*.  c.  35.  (1.) 

The  Epithalamium  made  on  the  ]\Iarriage 
of   .   .   .  King    George    III.    and     Queen 
Charlotte.     [Song  and  Chorus.] 
[London,  1761.]     fol.  G.  377.  (42.) 


OVEREND  (Mabmaduke)  A  Hunting 
Cantata,  etc.  S.  A.  and  P.  Thcnnpson  : 

London,  [1780  ?]     fol.         G.  806.  v.  (4.) 

The    composer's  name  is  given  in   his 
autograph  signature. 

Lesson  for  the  Harpsichord  or  Piano 
Forte.     No.  1.  Messrs.  Thompson'' s  : 

London,  [1780  ?]     fol.       g.  443.  d.  (28.) 

A  Social  Ode  for  the  New  Year,  etc.  [For 
four  voices,  with  harpsichord  accompani- 
ment.] S.  A.  and  P.  Thompson  :  London, 
[1780?]     fol.  G.  806.  V.  (5.) 

OVERTURES.  A  Collection  of  Several 
Excellent  Overtures  Symphouys  and  Aires 
for  a  Flute  and  a  Bass.  Compos'd  by  the 
most  Eminent  Masters,  to  which  is  added 
that  Incomperable  Sonata  for  a  Flute,  a 
Violin  and  a  Bass  .  .  .  (Compos'd  by  Mr. 
Gasperine).  The  whole  fairly  engraven. 
(Fluto  Basso.)  Printed  for  I.  Walsh  ci; 

I.  Hare  :  London,  [1710?]  "  fol. 

h.  17.  (5.) 

Six  Overtures  for  Violins  in  all  their 
Parts  as  they  were  perform'd  at  the  King's 
Theatre  in  the  Operas  of  Astartus  [by 
G.  B.  BononciniJ,  Croesus  [a  Pasticcio], 
Camilla  [by  M.  A.  Bononcini],  Hydaspes 
[by  F.  Mancini],  Thomyris  [a  Pasticcio], 
Rinaldo  [by  G.  P.  Handel] .  [Separate 
Parts.]  I.  Walsh  d  In"  it  losepli  Hare  : 
London,  [IT20?]     fol.  h.  3211.  (1.) 

Six  Overtures  for  Violins  in  all  their  Parts 
as  they  were  perform'd  at  the  Kings 
Theatre  in  the  Operas  of  Floridant,  Flavins, 
Otho,  Radamistus,  IMuzio  Sctevola,  Acis  & 
Galatea.  [By  G.  F.  Handel.]  The  2'' 
Collection.     rSeparate  Parts.] 

I.  Walsh,  i(-  In"  <f-  luscph  Hare  :  London, 
[1725?]     fol.  h.  3211.  (2.) 

Several  of  the  parts  in  tJiis  collection  are 
in  MS. 

Six  Overtures  for  Violins  in  all  their 
Parts  as  they  were  perform'd  at  the 
Kings  Theatre  in  the  Operas  of  Theseus, 
Amadis,  Pastor  Fido,  Admetus,  The 
Water  Musick,  Julius  Ctesar.  [By  G.  F. 
Handel.]  The  3''  Collection.  [Separate 
Parts.]  Printed  fori.  Walsh  and  loseph 
Hare:  [London,  1728?]     fol. 

h.  3211.  (3.) 
Several  of  the  parts  in  this  collection  are 
in  MS. 

Six  Overtures  for  Violins  in  all  their 
Parts  as  they  were  Perform'd  at  the 
Kings  Theatre  in  the  Operas  of  Admetus, 
Alexander,  Scipio,  Rodelinda,  Tamerlane, 
Aggrippiua.  [By  G.  F.  Handel.]  The  4'" 
Collection.  [Separate  Parts.]  I.  Walsh 
and  loseph  Hare  :  London,  [1128?]     fol. 

h.  3211.  (4.) 
Several  of  the  parts  in  this  collection  are 
in  MS. 


OVERTURES— p. 


231 


OVERTURES.     Six  Overtures  in  8  Parts 

for  Violins,  Hoboys,  French  Horns,  with 

a  Bass  for  the  Harpsicord  and  Violoncello. 

Compos'd  by  Sig.  Bach,  Jomelli,  Galuppi, 

Perez.  Sixth  Collection.    [Separate  Parts.] 

Printed  for  I.  Walsh  :  London, 

[1765  ?]    fol.  g.  212.  a. 

This  collection  also  contains  a)i  overture 

by  L.  Y.  Ciampi. 

Six  Favourite  Overtures  in  Six  Parts,  for 
Two  Violins,  Two  French-Horns,  a  Tenor 
and  Bass.  Composed  by  .  .  .  Galuppi, 
St.  Martini  &  Jomelli.  [Separate  Parts.] 
Printed  for  A.  Hummel :  London, 
[1770?]    fol.  g.  474.  a.  (8.) 

Three  Celebrated  English  Overtures  ; 
adapted  for  the  Piano  Forte.  ([No.  1.] 
Royal  Shepherd.  [By  G.  Rush.  No.  2.] 
A  Peep  behind  the  Curtain.  Barthelemon. 
[No.  3.]  Widow  of  Delphi.  [By  T.  H. 
Butler.])  [1798.] 
Sec  Periodical  Publications — London. 


The  Piano-Forte  Magazine.  Vol.  V. 
No.  3.     [1797-1802.J     8".  D.  854. 

See  also  :  Opera  Overtures. 

OXFORD.     The  Oxford  Bowlers.    [Song. 
See  Vanbrughe  (G.) 

The  Oxford  Ramble.  Song.  Sec  I.  I've 
heard  much  talk  of  Oxford  town,  etc. 
[1780?]     s.sh.iol.  G.  309.  (111.) 

OXFORDSHIRE.       Oxfordshire    Betty. 

[Ballad.]    See  Poor.   Poor  Tom  the  Tavlor 

don't  lament.     [1690?]     s.sh.iol. 

Case  39.  k.  6.  (18.) 

The  Oxfordshire  Harmony.     Hymns,  etc. 

See  Sreeve  (J.) 

Oxfordshire  Nancy.     [Song.] 

Sec  Shield  (W.)      A  Collection  of  Songs, 

etc. 
OYSTER  NAN.     Oyster  Nan's  Comicall 

Song.     ,S-e  As.     As  Oyster  Nan  stood  by 

her  Tub,  etc.     [1705  ?]     s.  sh.  fol. 

H.  1601.  (46.) 


P  *  *  *.   Absent  d'Iris  que  je  verse  de  lannes. 
Absence.     fSong.]     Par  M.  P  *  *  *. 
[Paris, 1  1771.    s.  sh.  8°.  298.  e.  3. 

Mercurc  de  France,  March,  1771. 

P.,   M',   of  Dijon.      Dans  ce   grand    jour. 

Etrennes   a    Madame   Z). ...  [words]    par 

M.  J.  la  Coste,  etc.  [Paris,'] 

1748.     s.  sh.  4".  297.  c.  15. 

Mercure  de  France,  Feb.,  1748. 

P  *****,  D.  L.  Ami,  tel  est  notre  destin. 
Chanson  Morale.  Air  &  Paroles  de 
^I.  D.  L.  P.  Grave  par  M>-  Char- 

pentit'.     Imprimd  par  Toiirnelle  :  \  Paris.'] 
1761.     s.  sh.  8".  297."  d.  29. 

Mercure  de  France,  June,  1761. 

La     Coquette.       Rondeau.       (Paroles    & 
Musique  de  M.  D.  L.  P.)  [Paris,] 

17G2.     s.  sh.  8".  298.  d.  4. 

Mercure  de  France,  July,  1762. 

De  la  vive   et  jeune  Aurore.      Chanson. 
Paroles  &  Musique  de  M.  D.  L.  P. 
Gravii  par  M''  Charpenti^.      Imprime  par 
Toiirnelle  :  [Paris,]  1763.     s.  sh.  8'. 

298.  d.  10. 
Mercure  de  France,  June,  1763. 

L'Ecole    des    Femmes,   chanson    morale, 
imitee   de  I'Anglois   de   M.   Garrick,   etc. 
(Paroles  &  Musique  de  M.  D.  L.  P.) 
[Paris,]  1765.     s.  sh.  8".  298.  d.  25. 

Mercure  de  France,  April,  1765. 


P  *****,  D.  L.  L^onore  d'Urgel.  Romance 
historique.  (Paroles  &  ]\Iusique  de  M. 
D.  L.  P.)     [Paris.]  1767.     s.  sh.  8'. 

297.  e.  5. 
Mercure  de  France,  Jan.,  1767. 
Quandon  salt  charmer.   Musette  Nouvelle. 
Rondeau.  Paroles  &  Musique  de  M.  D.  L. 
P  *  *  *  *.  Gravfie  par  M'  Char- 

penti&.     Imprimie par  Tournelle  :  'Paris,] 
1762.     s.  sh.  8->.  298.  d.  2. 

Mercure  de  France,  April,  1762. 

P.,  D.  R.  A.  A.     Le  Sage  du  Temps,  etc. 
rSong.]     Par  M'  D.  R.  A.  A.  P.       [Paris,] 
i784.    s.  sh.    4".  297.  b.  3. 

Mercure  de  France,  May,  1734. 

P.,  H.  Deliciae  Musicse  :  being,  A  Collection 
of  the  newest  and  best  Songs  sung  at  Court 
and  at  the  Publick  Theatres. .  .with  a 
Thorow-Bass,  for  the  Theorbo-Lute,  Bass- 
Viol,  Harpsichord,  or  Organ.  Composed  by 
several  of  the  Best  Masters.  The  First 
Volume  Compleat.  (Deliciee  Musicse... 
The  First(-Fourth)  Book.)  [With  an 
Advertisement  to  the  Reader  signed 
H[enry]  P[layford].]     4  pts. 

J.  Heptinstall,  for  Henry  Playford  : 
London,  1696.     (1695'.)     fol.  G-.  85. 

Each  book  has  a  separate  title-page  and 
pagination.  Books  I.  and  II.  are  dated 
1695.  The  composers  named  are  : 
H.  Purcell,  R.  Courtiville,  Dr.  Blow, 
J.  Gilbert,  H.  Hall,  J.  Ecclcs  and 
J.  Freeman. 


232 


P.— PACHELBEL 


P.,  H.  Wit  and  Mirth  :  or,  Pills  to  Purge 
Melancholy  ;  being  a  Collection  of  the  best 
Merry  Ballads  and  Songs,  Old  and  New. 
Fitted  to  all  Humours,  having  each  there 
[sic]  proper  Tune  for  either  Voice  or  Instru- 
ment, many  of  the  Songs  being  new  Set, 
etc.  [With  a  Dedication  signed  H[enryJ 
P[layford].]  (Wit  and  Mirth  .  .  .  With 
several  New  Songs  by  Mr.TD'Urfey. .  .The 
Second  Part.)  2  pts.  William  Pearson, 
for  Henry  Play  ford,  1699  (1700).     12°. 

1078.  e.  32. 
Tlie  composers  navied  are  :  Church,  J. 
Clark,  Akcroyd  (Akeroyde),  Tollot, 
Barincloth,  S.  Teno,  B.  King,  Signor 
Baptist,  Leveridge,  J.  Hart  and  Capt. 
{Colonel)  Pack. 

Wit  and  Mirth  :  or  Pills  to  Purge  Melan- 
choly...The  Third  Edition.  Vol.  I.,  etc. 
(Wit  and  ]\Iirth  : . .  .  The  Second  Edition 
carefully  Corrected.  Vol.  II.)  (Wit  and 
Mirth  : . . .  The  Second  Edition  with  large 
Additions . . .  Vol.  III.)  (Wit  and  Mirth : . . . 
The  Second  Edition  with  Additions.  Being 
carefully  Corrected  by  Mr.  .J.  Lenton.) 
4  vols.  MS.  NOTES  [by  William  Chappell]. 
W.  Pearson  :  London,  1707  (1709).     12". 

1346.  a.  28-31. 

Only  Vol.  IV.  is  dated  1709.  .The 
prefaces  to  Vols.  III.  and  IV.  are 
signed  '  Dr.  Mcrryman.'  The  com- 
posers' names  added  to  this  edition 
are :  T.  Wroth,  J.  Barritt,  B.  Loe, 
J.  Eccles,  H.  Purcell,  D.  Purcell, 
T.  Farmer,  Fishburne,  P.  Humphreys, 
W.  Turner,  T.  Kingsley,  Damascne, 
Staggins,   R.    Croone,   L.  Bamondon, 

A.  Young,  J.  Weldo^i,  B.  Harris,  J. 
Toionshcnd,  H.  Eccles,  W.  Morley, 
J.  Isum,  W.  Croft,  J.  Wilford,  Motley, 

B.  Cary,  E.  Keen,  G.  Kingsley,  J. 
Cotterell,  Berencloto  (Barincloc),  Dr. 
Prettle,  B.  Brown,  Morgan,  Dr.  Bloio, 
W.  Bichardson,  J.  Graves,  W.  Green, 
T.  Willis,  Eagles,  W.  Williams,  B.  Cox, 
P.  Hart  and  T.  Clark. 

m 

Wit  and  jMirth  or.  Pills  to  Purge  Melan- 
choly .  .  .  The  4"'  Edition.  Vol.  I.,  etc. 
(Wit  and  Mirth... The  Third  Edition... 
Vol.  II.  (III.).)  (Wit  and  Mirth... The 
Second  Edition. .  .Vol.  IV.)  (Wit  and 
Mirth...Vol.  v.,  Ci^c.)  5  vols. 
William  Pearson :  London,  1714  (1712.) 
(1709.)     12°.  238.  g.  40-44. 

Vols.  I.  and  V,  are  dated  1714,  II.  and 
III.  1712,  IV.  1709.  The  preface 
to  Vol.  V.  is  signed  '  Dr.  Merryman.' 
The  composers'  names  added  in 
Vol.  V.  are:  H.  Hall,  Frank,  Forcer, 
J.  Abell  and  Corbett.  TJie  Arms 
of  George  II.  (as  Prince  of  Wales) 
and  Caroline  of  Anspach  are  on  the 
bindings. 


P.,  H.     Wit  and  Mirth :  or  Pills  to  Purge 

Melancholy, c/c.    [Fourth  Edition.]    Gvols. 

W.  Pearson,  for  J.  Tonson  :  London, 

1719-20.     12\  Gren.  18343-8. 

Only  Vol.  VI.  is  dated  1720.  Tlte 
dedications  arc  signed  by  D'  Urfey. 
The  folloicing  composers'  names  are 
added  in  this  edition :  Corelli,  B. 
Lully,  Opdar,  J.  Lentcm,  Peasible, 
Courfivil  and  Finger.  The  general 
title-page  to  the  first  five  volumes  is 
tvanting. 

[Another  copy.]  1078.  c.  8,  9 

Imperfect ;  Vol.  III.  wants  pp.  291,  292, 
309  and  310;  Vol.  IV.  ivants  pp.  177, 
178,  271,  272,  287,  288  and  307-310. 

P.,  J.     Matrimonial  Deafness.     [Song.] 
[London,  1765  ?]     s.  sh.  fol. 

G.  316.  a.  (38.) 
P.,  P.     Why  Cielia  with  that  coy  behaviour. 
A    neio    Song    set    to    Musick,    by    Mr. 
P[eter]  P[relleur].     [London,  1748.]  8'\ 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  II.,  p.  283. 

PACE.     Pace  caro  mio  sposo.     Duet. 
See   Maetix   y   Solar    (V.)      [Una  Cosa 
Bara.] 

PACE  (PiETRo)  Madrigali  a  Quattro  et  a 
Cinque  Voci.  Parte  con  Sinfonia  se  place, 
e  parte  senza,  etc.  Opera  Decima  Quinta. 
Alto.  Appresso  Giacomo  Vincenti  : 

Venetia,  1617.     4".  D.  73. 

PACELLI  (AspRiLio)  Asprilii  Pacelli.  .  . 
Motectorum  et  Psalmorum  qui  Octoni.^ 
Vocibus  concinuntur  Liber  Primus.  Tenor 
Primi  Chori.  (Cantus  Secundi  Chori.) 
2  pts.  Apud  Nicolaum  Mutiuin  : 

Bomae,  1597.     4".  D.  19. 

PACH  (S.)  Caroline.  A  Pastoral  Elergy . .  . 
written  by  R.  C.  Dallas... Set  to  music 
consisting  of  an  Overture,  Airs,  Duets  and 
Choruses. .  .Opera  vi.     [Full  Score.] 

Longman  and  Broderip,  for  tJic  Authoi- : 
London,  [1795?]    fol.  G.  350.  (2.) 

Three  [English]  Songs  for  the  Harpsichord 
or  Piano  Forte  with  Accompaniments. 
Op.  5.    [Full  Score.] 

Longman  and  Broderip),  for  the  Author  : 
London,  [1793  ?]     fol.  G.  357.  (9.) 

Three  Italian  Songs  for  the  Harpsichord 
or  Piano  Forte  with  Accompaniments... 
Opera  5. 

Longman  and  Broderip,  for  the  Author  : 
London,  [1793?]     fol.  G.  198.  (7.) 

PACHELBEL  (Johann)  Hexachordum 
ApoUinis  Sex  Arias  exhibens  Orgauo 
pnevmatico,  vel  clavato  cymbalo,  modu- 
landas,  quarum  singulis  sure  sunt  subjectse 
Variationes,  Philonausorum  in  gratiam 
adornatum,  etc.  Norimberg . 

1699.     obi.  fol.  K.  4.  b.  8. 

The  title-page  is  engraved. 


PACHELBEL— PAGIN 


233 


PACHELBEL   (Wilhelm  Hieeonymus) 

Prteludium  und  Fuga   [in  C],  componirt 
und  edirt  von  W.  H.  Pachelbel,  etc. 


[Xilrnbcirj  ?  1725  ?J     fol. 
Engraved  throughout. 

PACK  (  )  Captain. 

TDialogue.]     1683.     4". 
Spc  Duke  of  Guise. 


h.  6. 


Tell  nae  Thirsis. 


643.  g.  83. 

Missa     Quatuor 
quis 


Delicta 


PACOTAT     (Nicolas) 
Vocibus      cui      Titulus 
intelligit,  etc.  Typia  Joannis  Baplistiv 

CJiristopliori  Ballard :  Lutdise  Parisiornm, 
1729.     fol.  K.  10.  b.  1.  (1.) 

PAD.     The  Pad.     Song. 
See  Sanderson  (.J.) 

PADDY  BULL.     Paddy  BuU's   Expedi- 
tion.    Song. 
See  Reeve  (W.)     [A  Picture  of  Paris.] 

PADDY     O'BLARNEY.      Paddy 

O'Blarnev.      [Song.] 

See  DiBDix  (C.)     [Will  of  the  Wisp).] 

PADDY  O'BRIAN.  Paddy  O'Brian. 
Sonc.  Sec  Whex.  When  I  was  first 
kittened,  etc.    [1797  ?]    fol.   G.  367.  (31.) 

PADDY  WHACK.  Paddy  Whack. 
[Song.]  Sec  0.  0  .Jenny  a-gra  I've  a 
story  to  tell  you.     [1775  ?]     s.  sit.  fol. 

G.  310.  (271.) 

PADLOCK.  In  vain  you  bid  your 
Captive  live.  [Song,]  Sung  by  Mr. 
Vernon,  in  the  Padlock.  [By  C.  Dibdin.] 
[London,  177-3.]     s.  sh.  4".  159.  n.  5. 

London  Magazine,  Dec,  1773. 
Sweet   Passion   of    Love.     [Song.]     Sung 
by   Mrs.    Arne    in    the    Padlock.     [By  G. 
Dibdin.]  R.  Falkcncr  :  Loiidon, 

[1770  ?]    s.  sh.  fol.         H.  1994.  a.  (93.) 

Was  I  a  Shepherd's  Maid.  A  favorite 
Song  in  the  Padlock.  [By  C.  Dibdin.] 
A.  Bland  &  Wcllcr  :  Landun,  [1795?]    fol. 

G.  800.  m.  (44.) 

The  Padlock.     Comic  Opera. 
See  Dibdin  (C.) 

PADOVANO  (Annibale) 
.S't'c'  Annibale,  Padovano. 

PADRON.  II  Padron  coUa  Padrona. 
[Glee.]     Sec  Biggs  (E.  S.) 

PADUANIUS  (Joannes)  loannis 
Paduanii  Veronensis  Institutiones  ad 
diuersas  ex  plurinm  uocum  harmonia 
cantilenas,  siue  modulationes  ex  uarijs 
instrumentis  fingendas,  formulas  pene 
omnes  ac  regtilas .  . .  complectentes. 
Apud  Sehastianum,  &  loannem  fratres  a 
Donnxfi :  Veronac,  1578.     4".     K.  3.  k.  1. 

PAER  (Feedinando)  Camilla,  eine  Oper 
in  3  Akten...mit  Deutsch-  und  Italien- 
schem  Texte,  in  Klavierauszug  iibertragen 
von  0.  Cannabich.  Bey  N.  Simrock  : 

Boun,  [1800?]     obl.iol.  E.  170. 


PAER  (Feedinando)  [Camilla.]  Seht 
man  sagt  mir.     Aiie  etc.  "Vienna  ? 

1800?]     obi.  fol.  E.  1766.  c.  (6.) 

Per  vivere  contento.  [Song.J  Sung  by 
Sig'  Viganoni.  .  .in  the  Opera  [by  M.  A. 
Portogallo]  of  I  due  Gobbi,  etc. 

Printed  for  Longman  (f  Brodcrip  : 
Lmdon,  [1796.]  fol.  '^  G.  805.  g.  (34.) 
Seht  man  sagt  mir.  Sec  supra:  [Camilla.] 
Sofonisbe.  Opera  en  ii  Actes  arrange  pour 
le  Piano-forte  par  C.  F.  Ebers,  etc. 
Chez  N.  Simrock  :  Bonn,  [1800?]     ohl.  fol. 

F.  88.  a.  (1.) 

PAESIELLO  (Giovanni)    Sec  Paisiello. 

PAGANELLI  (Giuseppe  Antonio)  Six 
Senates  a  Solo  pour  la  Flute  Traversiere 
et  Basse  . . .  CEuvre  xvI^  Grave  par 
M="«  Vandome.  Chez  Monsieur  Astraucly  : 
Paris,  [1745  ?]     fol.  h.  2110. 

[Songs    in    L'Ingratitudiue    Punita.      A 

Lampugnani, 
See  Delizie. 
Vol.  5. 

G.  159. 

&    Psalms 


Pasticcio,       by       Hasse, 
Paganelli,  etc.    Full  Score.] 
Le  Delizie  dell'  Opere,  etc. 
[1776.]     fol. 
PAGE   (.John)      The   Anthems 


as  Performed  at  St.  Paul's  Cathedral  on 
the  day  of  the  Anniversary  Meeting  of  the 
Charity  Children  educated  in... London, 
&  Westminster  .  .  .  Arranged  for  the 
Organ,  Harpsichord,  or  Piano  Forte. .  .by 
...  J.  Page,  etc.  Published  for  the 
Benefit  of  the  Charity  Schools:  London, 
[1795?]  "fol.  G.  807.  a.  (10.) 

Harmonia  Sacra,  a  Collection  of  Anthems 
in  Score,  selected . . .  from  the  most  Eminent 
Masters  of  the  Sixteenth,  Seventeenth, 
and  Eighteenth  Centuries. .  .by  J.  Page, 
etc.     3  vols.     L.  P.  Printed  for  the 

Editor :  London,  (1800.)     fol.         I.  252. 
The  composers  named  arc:  Croft,  Weldon, 
Boyce,  Purcell,  Kent,   Greene,  Clark, 
Dupuis,   Arnold,  BattishiU,  Aldrich, 
Stroud,    Goldwin,    Mason,    Reynolds, 
King,     Attivood,     Farrant,      Tucker, 
Richardson,    Handel,    S.    Wesley,   C. 
Wesley,  Marcello,  Hitie,  Nares,  Blake, 
Baildon,  Travers,  Wood,  Blow, Holmes, 
T.   Linlcy,    Henley,    Busby,    Banks, 
Tye,  Rogers,  Marsh  and  Marenzio. 
[Another  edition.]     Harmonia  Sacra,  etc. 
3  vols.  Printed  for  the  Editor  : 

London,  1800.     fol.  H.  1177. 

See  the  Morning-Star  appear.     A  Christ- 
mas Hymn . . . The  Words  by  :Mr.  Harrison. 
Printed  for  Harrison  rf-  Co.  : 
London,  [1785  ?]     fol.  G.  502.  (6.) 

See  Henley  (P.)  and  Sharp  (T.)     Divine 
Harmony. .  .Published. .  .by  J.  Page,  etc. 
1798.     S-\  E.  481. 

PAGIN  (Andre  Noel)  [Six  Sonates  a 
Violon  seul  et  Basse.  CEuvre  1.1  \^Venve 
Boivin  :  Paris,  1748.]     fol.  h.  1708. 

Wantijig  the  title-page. 


234 


PAGIN— PAISIBLE 


PAGIN  (Andre  Noel)  Six  Solos  or 
Sonatas  for  a  Violin  with  a  Thorough 
Bass  for  the  Harpsicorcl  by  Six  different 
Authors  of  the  best  Composers  in  Italy, 
viz'  :  Sig'  Pagin,  Locatelli,  Sewalt 
Treimer,  Ceci,  Mossi,  Fritz. 
Eliz'-''  Hare  :  London,  [1750?]     fol. 

g.  422.  g.  (3.) 
[Another  copy.]  g.  504.  (2.) 

Wonting  the  title-page. 

PAISIBLE  (James)  Six  Setts  of  Aires  for 
two  Flutes  &  a  Bass.  Consisting  of 
Preludes,  Allmands,  Corants,  Sarabands, 
Marches,  ^Minuets,  Gavotts  and  Jiggs.  etc. 
[Separate  Parts.]  Printed  for  I.  Wahh  £ 
I.  Hare  :  London,  [1715  ?]     fol.        h.  23. 

The  Britannia.  Mr.  Isaac's  New  Dance, 
made  for  Her  Majesty's  Birth  Day... 
Engraven  in  Characters  &  Figures  for  y" 
use  of  Masters.  Printed  for  I.  Walsh  £ 
I.  Hare:  [London,  YiOQ.']     fol. 

h.  993.  (9.) 
The  Favourite.  ^Ir.  Isaac's  New  Dance 
made  for  Her  Majesty's  Birth  Day. . . 
Engraven  in  Characters  &  Figures  for  y" 
use  of  ]\Iasters.  (The  Favorite.  A 
Chaconne  danc'd  by  her  ^Majesty.) 

Printed  for  I.  Walsh  &  I.  Hare  : 
[London,  1104:?]    'fol.  h.  993.  (11.) 

The  Friendship.  ]Mr.  Isaac's  New  Dance 
for  the  Year  1715. .  .Engraven  in  Char- 
acters &  Figures  for  y"  use  of  IMasters. 
Writ  by  Mr.  Pemberton.  Printed  for 

I.  Walsh  and  I.  Hare-:  [London,  11  lb.]    fob 

h.  993.  (1.) 
The  Gloucester.  Mr.  Isaac's  New  Dance, 
made  for  Her  Jlajesty's  Birth  Day... 
Engraven  in  Characters  &  Figures  for  y" 
i;se  of  ^Masters.  Printed  for  I.  Walsh  £ 
I.  Hare  :  [London,  1711  ?]     fol. 

h.  993.  (16.) 
The  Godolphin.  ]Mr.  Isaac's  New  Dance, 
made  for  Her  Majesty's  Birth  Day,  1714 
....  Engraven  in  Characters  &  Figures 
for  y"  use  of  IMasters.  Writ  by  Mr. 
Pemberton.  Printed  for  I.  Walsh  a)id 

1.  Hare  :  [London,  1714.]     fol. 

h.  993.  (2.) 
The  Northumberland.  ]\Ir.  Isaac's  New 
Dance,  made  for  Her  Majesty's  Birth 
Day. .  .Engraven  in  Characters  &  Figures 
for  y  use  of  Masters.  Printed  for 

I.  Walsh  d  I.  Hare  :  [London,  1713  ?]    fol. 

h.  993.  (19.) 
The  Pastorall.  IMr.  Isaac's  New  Dance, 
made  for  Her  Majesty's  Birth  Day,  1713 
.  .  .Engraven  in  Characters  &  Figures  for 
y"  use  of  Masters.  Writ  by  ^Ir.  Pemberton. 
Printed  for  I.  Walsh  and  I.  Hare  : 
[London,  1713.]     fob  h.  993.  (3.) 

The  Princess.  Mr.  Isaac's  New  Dance, 
made   for   Her    Majesty's    Birth   Day... 


Engraven  in  Characters  &  Figures  for  y" 
use  of  Masters.  Printed  for  I.  WaUh  A 
I.  Hare:  [Loj(fZo»,  1710  ?]  'fol. 

h.  993.  (15.) 
The  Richmond.  Mr.  Isaac's  New  Dance, 
made  for  Her  Majesty's  Birth  Da.y... 
Engraven  in  Characters  &  Figures  for 
y"  use  of  Masters.  Printed  for  I.  Walsh  £ 
I.  Hare  :  [London,  1707  ?]  'fol. 

h.  993.  (12.) 
The  Rigadoon.  Mr.  Isaac's  New  Dance 
made  for  Her  Majesty's  Birth  Day... 
Engraven  in  Characters  &  Figtires  for  y 
use  of  IMasters.  Printed  for  I.  Walsh  £' 
I.  Hare  :  [London,  1708  '?]     fol. 

h.  993.  (13  ) 
The  Rondeau.  Mr.  Isaac's  New  Dance, 
made  for  Her  Majesty's  Birth  Day... 
Engraven  in  Characters  &  Figures  for  y" 
use  of  Masters.  Printed  for  I.  Walsh  <£■ 
I.  Hare  :  [London,  1709  ?]     fol. 

h.  993.  (14.) 
Room  for  a  Rover.  A  Song  [words  by 
T.  D'Urfey]  to  a  Tune  of  Mr.  Peasable's 
call'd  y  new  Dance.  [London, 

1705?]     s.sh.iol.  G.  305.  (211.) 

[Another  copy.]  G.  311.  (30.) 

[Another  copy.]  G.  304.  (127.) 

The  Royall.  Mr.  Isaac's  New  Dance, 
made  for  Her  Majesty's  Birth  Day... 
Engraven  in  Characters  &  Figures  for  y" 
use  of  IMasters.  Printed  for  I.  Walsh  d; 
I.  Hare:  [London,  11121]   'fol. 

h.  993.  (18.) 
The  Royall  Ann.  ^Ir.  Isaac's  New  Dance, 
made  for  Her  Majesty's  Birth  Day... 
Engraven  in  Character  &  Figures  for  y" 
use  of  Masters.  Printed  for  I.  WalsJi  and 
I.  Hare:  [London,  1112?]     fob 

h.  993.  (4.) 
The  Royall  Gailliarde.  Mr.  Isaac's  New 
Dance,  made  for  Her  ^Majesty's  Birth  Day, 
1710. .  .Engraven  in  Characters  &  Figures 
for  y  use  of  Ma[ste]rs.  Writt  by  Mr. 
de  la  Garde,  etc.  Printed  for 

J.  ]\'(ilsli  (h  P.  Bandiill  and  J.  Hare  : 
London,  [1710.]     fol.  h.  993.  (6.) 

The  Saltarella.  ]Mr.  Isaac's  New  I)ance 
made  for  Her  Majesty's  Birthday,  1708. . . 
Engraven  in  Characters  and  Figures  for 
the  use  of  Masters.  The  Characters  writ 
by  Mr.  de  la  Garde,  etc.  Sold  hi/ 1.  ]\'alsli. 
[and]  I.  Hare:  r London,  1103.]^  fol. 

h.  993.  (7.) 
Six  Sonatas  of  two  Parts  for  Two  Flutes 
. .  .Opera  Prima.     [Separate  Parts.] 
Printed  for  I.  WalsJi  and  I.  Hare  :  London, 
[1705  ?]    ohl.  fol.  e.  105.  a.  (4.) 

The  Spanheim.  Mr.  Isaac's  New  Dance, 
made  for  Her  Majesty's  Birth  Day... 
Engraven  in  Characters  &  Figures  for  y' 
use  of  IMasters.  Printed  for  I.  WalsJt  £  I. 
Hare  :  [London,  1705  ?]   fol.   h.  993.  (10.) 


PAISIBLE— PAISIELLO 


235 


PAISIBLE  (James)  The  Union.  Mr. 
Isaac's  New  Dance,  etc.  (Perform'd  at 
Court  on  Her  Majestie's  Birthday. .  .1707, 
and  writt  down  in  Characters  by  J. 
Weaver.)  Printed  for  I.  Walsh  d  I.  Hare  : 
[London,  1707.]     fol.  h.  993.  (8.) 

PAISIELLO  (Giovanni) 

Arrajstgement. 

1.  Operas. 

2.  Miscellaneous  Vocal  Works. 

.3.  Instrumental  and  Theoretical  Works. 

4.  Appendix. 

5.  Index. 

1.  Operas. 

II  Barbiere  di  Siviglia. 

Le  Barbier  de  Seville.  Op^ra  Comique  en 
Quatre  Actes.  .  .Remisen  Fran<,-ais  d'apres 
la  Piece  de  Beaumarchais  et  parodie  par 
Framery.  [Full  Score.]  ChezLeduc: 
Paris,  [1789.]     fol.  G.  274.  c. 

[Overture.]  Four  Italian  Overtures.  Ar- 
ranged for  the  Piano  Forte  by  L.  Boutmy. 
(No.  2.  Sinfonia.  Paisiello.)  [1799.] 
Si'e  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  VII. 
No.  7.     [1797-1802.]     8".  D.  854. 

Ah  chi  sa.  The  Favorite  Trio,  etc.  [Full 
Score.]  Longnuui  and  Brodcrip  : 

Lomlon,  [1789.]     fol.  G.  197.  (16.) 

[Ecco  r  ora  s'  aviciua.]  Dans  I'instant  a 
sa  feuetre.  Air  .  .  .  Accomp'  de  guitare 
par  ]M.  Alberti.  Chez  M.  Camand  : 

Paris,  [1789  ?]  8".  B.  362.  c.  (53^) 
[Gia  riede  primavera.]  Dans  la  Saison 
nouveUe.  Air,  etc.  Chez  3P  Cain-and  : 
[Pflm,  1789?]  8".  B.  362.  c.  (53"'.) 
[Saper  bramate.]  Belle  Rosine,  vous  que 
3 'implore.  Romance. .  .Les  Parolles  sont 
de  W  :Moliue.  Chez  Bignon  : 

Paris,  [1790?]     8".  B.  362.  e.  (53.) 

For  tenderness  form'd.     A  Favourite 

Song  in  the  New  Comedy  of  the  Heiress 
[words  by  General  Burgoyne],. .  .Adapted 
to  an  Air  of  Sig"'  Paesiello,  by  Mr.  Linley, 
etc.  Printed  for  S.  A.  A  P.  Thompson  : 
London,  [1786.]     fol.  H.  131.  (40.) 

For  tenderness  form'd.     Song  in  the 

Heiress,  etc.  J.Lee:  Dublin, 

[1790?]     s.sh.iol.        H.  1601.  b.  (22.) 

Vous  I'ordonnez.     Romance,  etc. 

[Paris,-]  178-1.     8\  297-  g.  16. 

Mercure  de  France,  Dec,  1784,^.  6. 

Vous   I'ordonnes.     [Song.]  .  .  .  Avee 

Accompagn'  de  Guittare.  Cltez  Lnbault : 
Paris,  [1790  ?]     fol.        B.  362.  c.  (53<=.) 

Le  Bon  ]Maitre. 

Le  Bon  INIaitre,  ou  I'Esclave  par  Amour. 
Op^ra  en  Trois  Actes  .  .  .  Parolles  de 
^jr  *  *  *     j-pull  Score.]  Chez  le  S'' 

Sieber  :  Paris,  ri790  ?]    fol.     H.  445.  a. 


PAISIELLO  (Giovanni) 

Le  Due  Contesse. 
The  Favourite  Songs  in  the  Opera,  Le  Due 
Contesse,  cte.     [Full  Score.]     R.  Bremncr  : 
London,  [1777.]     fol.        G.  806.  i.  (II.) 

Le  Duel  Comique. 
Comedie  en  Deux  Actes  en  Prose  mel«ie 
d'Ariettes. .  .Le  Poeme  est  de  M"'  ^Moliue. 
[Full  Score.]        Chez  le  S'  Sieber  :  Paris, 
[1777.]    fol.  G.  274.  f. 

Elfrida. 
Abbracciami,    O    sposo.     Duettino    Serio 
con  Recitative,  etc.     [Full  Score. ^ 

Prcsso  Luigi  Marescalclii  :  Xajioli, 
[1795?]     obi.  fol.  E.  600.  e.  (4.) 

Che  a  parte  mi  vuoi  crudele.  A  favorite 
Song,  as  sung  by  Madam  Banti,  etc. 
[Full  Score.]  "   L.  Lavenu  :  London, 

[1798.]     fol.  G.  424.  xx.  (22.) 

Credi  la  mia  ferita.     The  favorite  Duett, 
as    Sung    by    ^Madame    Banti    and    Sig' 
Viganoni,  etc.     [Full  Score.] 
B.  Birchall :  London,  [1798.1     fol. 

H.  2831.  a.  i30.) 

Rassereni  amico  amore.  The  Favorite 
Trio  as  sung  bv  ^ladame  Banti,  Signora 
Pastorella  &  S'ig'  Viganoni,  etc.  [Full 
Score.]     Printed  for  B.  Birchall :  London, 

[1798.]     fol.  H.  2830.  g.  (35.) 

[Another  copy.]  H.  2831.  a.  (31.) 

I  Filosofi  Immaginari. 
Ouverture.     [P.    F.]     See    :Mezger   (F.) 
Ouverture  du  Philosophe  Imaginaire  'by 
G.  Paisiello] . .  .  Arrangee  par  W  :\Iezger. 
[1785?]     fol.  g.  81.  (4.) 

La  Frascatana. 
L'Infante    de    Zamora.     Opera    Comique 
en  3  actes,  parodi^  sous  la  ^lusique  de  La 
Frascatana    du  .  .  .  S^'    Paisiello  .  .  .  par 
M.  Framery,  etc.     [Full  Score.] 
Chez  M.  d'Enouvillc :  Paris,  [1790.1     fol. 

I.  326. 

Ouverture . . .  Arrangee  en  Quatuor  pour 
deux  Violons,  Alto,  et  Basse  par  M.*  *  *. 
[Separate  Parts.]  Chez  le  S''  Jolivet  : 

Paris,  [1780  ?]     fol.  g.  417.  a.  (5.) 

[For  editions  of  this  opera  when  pro- 
duced as  a  Pasticcio  in  London  in  1777  :j 
See  Fraschetana. 

La  Locanda. 
Donne     care.      [Song.]      Sung    by    Sig"' 
Cipriani,  etc.     [Full  Score.] 

Printed  for  the  Proprietors  :  London, 
[1791.]     fol.  G.  199.  (20.) 

Lo  tuovai  per  accidente,  the  C(;lebrated 
Quartette  ...  in  ...  La  Locanda.  [Full 
Score.]  Printed  for  the  Proprietors  : 

London,  [1791.]     fol.  'H.  2831.  h.  (22.) 


236 


PAISIELLO 


PAISIELLO  (Giovanni)  IMustafa  di 
Trabisonda.  [Song.]  Sung  by  Sig'' 
Cipriani,  etc.     [JPull  Score.] 

Printed  for  the  Proprietors  :  London, 
[1791.]    fol.  G.  199.  (23.) 

Nou  lo  voglio  non  lo  prendo.  The 
Celebrated  Duetto. .  .in. .  .La  Locanda. 
[Pull  Score.]  Printed  for  the  Proprietors  : 
London,  [1791.]     fol.    ~        G.  198.  (15.) 

Parto  non  dubitate.  [Song.]  Sung  by 
Sig"  Lazzarini,  etc.     [Full  Score.] 

Printed  for  the  Proprietors  :  London, 
[1791.]     fol.  ■  G.  199.  (15.) 

Qua  si  trova  dir  dovrete.  [Song.]  Sung 
by  Sig''  Morelli,  etc.     [Full  Score.] 

Printed  for  the  Proprietors  :  London, 
[1791.]     fol.  G.  199.  (17.) 

Quando  vien  lo  sposo  avanti.  [Song.] 
Sung  by  Sig''  Morelli,  etc.     [Full  Score.] 

Printed  for  the  Proprietors  :   Lo)idon, 
[1791.]     fol.  G.  199.  (16.) 

Questo  vago  giovinetto.  [Song.]  Sung 
by  Sig"'"  Casentini,  etc.     [Full  Score.] 

Printed  for  the  Proprietors  :  London, 
[1791.]     fol.  G.  199.  (18.) 

Saria  bella  il  niaritarsi.  [Song.]  Sung 
by  Sig''"  Schinotti,  etc.     [Full  Score.] 

Printed  for  the  Proprietors  :  London, 
[1791.]     fol.  G.  199.  (19.) 

Signorino,  a  parlar  scbietto.  [Song.] 
Sung  by  Sig''"  Calvesi,  etc.     [Full  Score.] 

Printed  for  the  Proprietors  :  London, 
[1791.]     fol.  ■  G.  199.  (22.) 

Tutto    da    vol    dipende,   the    Celebrated 

Duetto ...  in ...  La  Locanda.    [Full  Score.] 

Printed  for  the  Proprietors  :  London, 

[1791.]     fol.  '  G.  198.  (16.) 

Voi  tornate  a  questo  seno.  [Song.]  Sung 
by  Sig"'  Lazzarini,  etc.     [Full  Score.] 

Printed  for  tlie  Proprietors  :  London, 
[1791.]     fol.  G.  199.  (21.) 

II  Marchese  Tulipano. 

Le  Marquis  Tulipano.  Op6ra  Bouffon  en 
deux  Actes,  parodie  [by  J.  A.  Gourbillon] 
sur  la  jMusique  del  Signor  G.  Paesiello,  etc. 
[Full  Score.]  Chez  hnhault :  Paris, 

[17S9.]     fol.  G.  274.  a. 

La  Slodista  Raggiratrice. 

A  me  tutte  le  belle.     See  Steibett  (D.) 
A   me   tutte  le  belle,  a  Favorite   Rondo 
[from   Paisiello's   '  La    IModista   Raggira- 
trice ']  for  the  Harp  &  Forte  Piano,  etc. 
[1796?]     fol.  g.  192.  a.  (21.) 

La  Molinara. 

Ouverture  und  favorit  Arien  aus  der  Oper 
La  Molinara . . .  Fiirs  Clavier  eingerichtet 
von  C.  G.  Neefe.  Bey  N.  Simrock  :  Bonn, 
[1795?]     obi.  fol.  D.  371.  b. 


PAISIELLO  (Giovanni)     Overtura  per  il 

Clavicembalo  dell'  Opera  La  Molinara,  etc. 

Presso  Artaria  Comp.  :   Vienna, 

[1795?]     obi.  fol.  D.  371.  (1.) 

Ascoltate  vi  diro.  Aria  per  il  Clavicembalo 
ricavata  dall'  Opera  La  Molinara,  etc. 

Presso  Artaria  Comp.  :   Vienna, 
[1795?]     obi.  fol.  D.  371.  (5.) 

Dite  in  grazia  mio  Signore.  Quartetto 
per  Clavicembalo  ricavato  dall'  Opera  La 
Molinara,  etc.  Presso  Artaria  Comp.  : 

Vienna,  [1795?]     obi.  fol.       D.  371.  (4.) 

II  mio  garzone  il  pifaro,  the  Celebrated 
Duetto  sung... by  Sig'  Morelli  &  Sig" 
Casentini,  etc.     [Full  Score.] 

Printed  for  the  Proprietors  :  London, 
[1791.]     fol.  G.  809.  b.  (58.) 

Nel  cor  piu  non  mi  sento.  Duetto  per  il 
Clavicembalo  ricavato  dall'  opera  La 
Molinara,  etc.  Presso  Artaria  Comp.  : 

Vienna,  [11951]     fol.  D.  371.  (6.) 

iS'cf  Gelinek  (J.)     'VI.  Variazioni  sul 


duetto  Nel  cor  piu. .  .per  clavicembalo,  etc. 
[1795  ?]     obi.  fol.  f.  133.  b.  (3.) 

Hope    told     a    flatt'ring    Tale     [by 


G.  Paisiello],  v/ith  Variations  by  IM.  Gelinek . 
[1801.]  See  Periodical  Publications. — 
London.  The  Piano  -  Forte  Magazine. 
Vol.  XIV.     [No.  12.]     [1797-1802.J  9,\ 

D.  854. 

[For  adaptations  to  P.  Pindar's  words 

'  Hope  told  a  flattering  Tale,'  published 
anonymously  :]  See  Hope. 

See  Idalide.     Ah  che  nel  petto  io 

sento,  etc.  [Song,  adapted  to  Paisiello's 
'  Nel  cor  piu.']     [1791.]     fol. 

G.  199.  (26.) 

See  Inkle  and  Yarico.     Ah  will  no 


change  of  clime.     [An  adaptation  of  '  Nel 
cor  piu,']  etc.     [1795  ?]     fol. 

G.  383.  h.  (55.) 

See  IMarin  (M.  IM.  Marcel  de)    Essay 


upon  an  Air  of  Molinarella  [i.e.  'Nel  cor 
piu,'  by  Paisiello],  etc.     [1800.]     fol. 

g.  198.  (7.) 

O  il  mio  caro  puppazzetto.  Duetto  per  il 
Clavicembalo  ricavato  dall'  Opera  La 
]\Iolinara,  etc.  Presso  Artaria  Comp. : 

Vienna,  [1795?]     obl.io\.      D.  371.  (8.) 

Per  marito  ad  un  notaro.  Duetto  per 
Clavicembalo  ricavato  dall'  Opera  La 
Molinara,  etc.  I'rcsso  Artaria  Comp.  : 

Vienna,  [11951]     obi.  io\.       D.  371.  (3.) 

Per  marito  vossignoria.  The  Celebrated 
Duetto  Sung... by  Sig"'  Bonfanti  &  Sig''' 
Morichelli,  etc.     [Full  Score.] 

Printed  for  B.  Birchall  :  Ijondon, 
[1795  ?]     fol.  H.  2820.  (14.) 


PAISIELLO 


237 


PAISIELLO  (Giovanni)  La  Rachelina. 
The  favorite  Italian  Aiu  sung. .  .iu  the 
Opera  of  the  Haunted  Tower. .  .as  adapted 
to  English  Words  by  S.  Storace,  dc. 
[Full  Score.] 

Longman  and  Broderip  :  London, 
[1789.]    fol.  G.  196.  (10.) 

La  Rachelina  molinarina.  Cavatiua  per 
Clavicembalo  ricavata  dall'  Opera  La 
Molinara,  etc.  Presso  Artaria  Camp.  : 

]'ic»»rt,  [1795?]     oW.  fol.       D.  371.  (2.) 

IMoutezuma. 

A  raorir  se  mi  condanna.  [Song.]  See 
Texducci  (G.  F.)  Six ...  Italian  Songs, 
etc.    No.  6.     [177S.]     fol.  G.  114. 

Cara  flamma  del  raio  seno.  [Song.]  See 
Tenducci  (G.  F.)  Six . . .  Italian  Songs,  etc. 
No.  1.     [1778.]     fol.  G.  114. 

Nina. 

Nina,  oder  Wahnsinn  aus  Liebe..  mit 
Deutsch  und  Italienischem  Text.  Fiir  das 
Clavier  mit  Begleitung  einer  Violine 
gesetzet. .  .von  C.  Franzl.  I.  M.  Gotz  : 
.¥a»m/it'i)K,  [1790  ■?]    o6/.  fol.     D.  371.  a. 

La   Pazza  per  Aiuore,  ou   La  Folle   par 
Amour,  etc.     [Opera.     Full  Score.] 
Chez  Pleyel  :  Paris,  [1795  ?]     fol. 

G.  274.  b. 

[Overture.]      A     Celebrated     Symphony, 
adapted  for  the  Piano  Forte.     [1800.] 
See  Periodical  Publications. — London. 
The    Piano-Forte    Magazine.      Yol.    XI. 
No.l[a].     [1797-1802.]     8".  D.  854. 

II  Re  Teodoro  in  Yenezia. 

[Le  Roi  Theodore  a  Yenise.     Opera.     Full 
Score.]     [Paris,  1787.]     fol.     G.  274.  d. 
Imperfect,  ivanting  the  title-page. 

Le  Roi  Theodore  a  Yenise,  Op6ra  Heroi- 

Comique,    en    quatre    actes  .   .   .  Paroles 

imitees  de  I'ltalien,  par  M.  Dubuisson,  etc. 

Chez  F.  Hayez  :  Paris  ct . .  .Bruxellcs, 

1786.    8».  11738.  dd.  8.  (4.) 

This  edition  only  contains  the  music  of 

one  song. 

[Overture.]  Four  Italian  Overtures. 
Arranged  for  the  Piano  Forte  by  L. 
Boutmy.  (No.  3.  Sinfonia.  Sig'' Paisiello.) 
[1799.]  See  Periodical  Publicatioxs. — 
London.  The  Piano-Forte  Magazine. 
Yol.  YII.     No.  7.     [1797-1802.]     S". 

D.  854. 

Gli  Schiavi  per  Amore. 

A  Comic  Opera  in   Two  Acts . . .  Arranged 
for  the  Harpsichord  or  Piano-Forte,  with 
Graces  and  other  Ornaments  by  D.  Corri. 
Longman  and  Broderip  : 
London,  [1787.]     fol.  H.  445. 


PAISIELLO  (Giovanni)     Ouverture  des 
Esclaves  par  Amour. .  .arrang^e   pour   le 
Clavecin  ou  le  Forte-Piano  avec  Yiolon  ad 
Libitum  par  J.  F.  INIezger. 
Chez  3/'-  Boycr  :  Paris,  [1785  ?]     fol. 

g.  81.  (8.) 
Manting  the  \  iolin  part. 

Overture  .  .  .  Adapted  by  I.  Mazzinghi. 
See  Opera  Overtures.  No.  l(-5)  of  the 
Opera  Overtures,  cfc.     No.  4.    [1789.1     fol. 

h.  61.  (10.) 

Amare  tacere.     [Duet.]     Sung  ...  in  the 
Opera    of   Gli    Schiavi   per   Amore.     [By 
G.  Paisiello.     Full  Score.]     [178S.]     fol. 
See  Schiavi  per  Amore.         G.  197.  (5.) 

Chi  mi  mostra.  [Song.]  Sung  by  Sig" 
Storace,  etc.     [Full  Score.] 

Longman  and  Broderip  : 
[London,  1787.]     fol.  H.  345.  (5.) 

Another  copy.  G.  297.  (2.) 

Dove  ridotta  sono.  [Song.]  Sung  by 
Sig"  Storace,  etc.     [Full  Score.] 

Longman  and  Broderip  : 
[Loiulon,  1787.]     fol.  H.  345.  (10.) 

Ola  dico.  [Quartett.]  Sung  by  Signoras 
Storace  &  Sestini,  Signers  Morelli  & 
Morigi,  etc.     [Full  Score.] 

Longman  <£  Broderip : 
[Loiuloti,  1787.]     fol.  G.  197.  (15.) 

Piche  cornacchie  e  nottole.  [Duet.] 
Sung  by  Sig"  Storace  &  Sig'  IMorelll,  etc. 
[Full  Score.]  Longman  £  Broderip  : 

[London,  1787.]     fol.  G.  197.  (4.) 

Te,  Dianina  tu  servi.  Quartetto  iu  the 
Second  .\ct,  etc.     [Full  Score.] 

Longman  and  Broderip : 
[London,  1787.]     fol.  G.  197.  (14.) 

La  Serva  Padrona. 
Lo  conosco  a  quegli  occhietto.     A  Favorite 
Duett,   as   sung   by  Mad'"   Banti    &   Sig' 
Morelli,  e^c.     [Full  Score.]        Printed  for 
R.Birchall:  London ,  [IIM.-]     fol. 

H.  2815.  c.  (37.) 

Sismano  nel  Mogole. 
Or  che  il  cielo  a  me  ti  rende.     Rondo. . . 
Per  la  Sig'"  Anna  Deamicis  nel  Sismano 
in  Milano  il  Carnovale   dell'  Anno  1773. 
[Full  Score.] 

I.  Alessandri  e  P.  Scataglia  :   Yenezia, 
[1775  ■?]     obi.  fol.  E.  270.  d.  (5.) 

I  Zingari  in  Fiera. 
Pandolfetto  graziosetto,  a  favorite  Duett. 
Sung  by  Sig''  Morelli  &  Sig"  Storace,  etc. 
[Full  Score.]  Printed  for  J.  Dale  : 

London,  [1793.]     fol.  G.  198.  (14.) 

[Another  edition.]  Pandolfetto  graziosetto 
. . .  Duett.  Sung  by  Sig'  :Morelli  &  Sig"-'' 
Bolla,  etc.  R.  Birchall :  London, 

[1795?]     fol.  H.  2820.  (11.) 


238 


PAISIELLO 


PAISIELLO  (Giovanni)  Ti  riverisco,  a 
favorite  Air  sung  by  Sig"'  Storace,  etc. 
[Full  Score.]  Printed  for  J.  Dale  : 

London,  [1793.]     fol.  G.  199.  (24.) 

This  is  the  Soprano  part  from  the  trio 
'  Vi  riverisco.'' 

Vi  riverisco.  A  favorite  Trio  sung  by  Sig" 
Storace,  Mr.  Kellv&  Signor  Rovedino,  etc. 
[Full  Score.]  '  B.  Birchall  :  London, 
[1795?]     fol.  G.  806.  f.  (66.) 

[For  songs,  &c.,  published  anonymously  :] 

See  ZiNGAEI  IN  PlEHA. 

2.  Miscellaneous  Vocal  Woeks. 

La  Liberia  e  Palinodia.  Twenty  Four 
Duetts  in  Four  Books  for  Two  Voices  with 
a  Thorough  Bass,  etc.  D.  Motta  &  Ball : 
London,  [1794  ?]     obi.  fol.      D.  370.  (9.) 

Scendi  propizia.  Metastasio's  celebrated 
Hymn  to  Venus.  [Duet.]  Loyigman  and 
Brodcrip  :  London,  \Yi9b'>]     fol. 

G.  809.  b.  (57.) 

Tu  peusi  al  mio  riposo.  A  Favorite 
Italian  Cantata,  etc.     [Full  Score.] 

Longman  and  Broderip  :  London, 
[1795?]     fol.  G.  424.  a.  (31.) 

Tu  sai  che  amaute  son  io.  [Song.  Full 
Score.]  G.  Goulding  :  London, 

[1799?]     fol.  G.  811.  (20.) 

Periodical  Italian  Song,  No.  19. 

Whither  luy  Love,  ah !  whither  art  thou 
gone  ?  [Song.]  Sung  by  Signora  Storace 
in  the  Haunted  Tower,  etc.  Longman 

and  Broderip  :  [London,  1790  ?]     fol. 

H.  1994.  d.  (48.) 

3.  Instrumental  and  Theoretical 
Works. 
Twelve  Capriccios  and  Rondos  for  the 
Piano  Forte  or  Harpsichord  with  an 
Accompanyment  for  the  Violin,  Composed 
for  the  Grand  Dutchess  of  all  the  Rus- 
sians, etc.  [Separate  Parts.]  Longman 
and  Broderip  :  London,  [ll'dQ'>]     fol. 

g.  161.  e.  (9.) 

Regole  per  bene  accompagnare  il  Parti- 
mento,  o  sia  il  Basso  Fondameutale  sopra 
il  Cembalo.  Ui-'Kiininid  m,  Tinio/piii/iiii 
Miipci;<ii(i  iii.iii.n'iiiiKiio  hdoniifhd/o  h'dpinjen : 
(S.  Pictroburgo,)  1782.     ohl.  fol.      e.  360. 

An  Original  &  Favorite  Rondo  for  the 
Piano  Forte,  with  an  Accompaniment  for 
the  Violin  ad  libitum.  No.  1.  T.Skillern: 
London,  [11^0  r\     fol.  g.  144.  (8.) 

A  Favorite  Sonata  for  the  Piano  Forte. 
[1801.]    Se<?  Periodical  Publications. - 
London.      The    Piano  -  Forte    Magazine. 
Vol.  XV.     [No.  4.]     [1797-1802.]     8". 

D.  854. 


PAISIELLO  (Giovanni) 

4.  Appendix. 
See   CoRFE   (Joseph).      A    Third    Set   of 
Twelve  Glees . . .  arranged  from  the  Melo- 
dies of. .  .Paisiello,  f^c.     [1800?]     oW.  fol. 

E.  317. 

See  Feast  of  Apollo.  The  Feast  of 
Apollo,  containing  Lessons  .  .  .  and  .  .  . 
Songs  by.  .  .Paisello,  ffc.     [1788.1     fol. 

G.  351.  (2.) 

See  Sampieri  (N.)  A  Collection  of  Songs 
. .  .by. .  .Paisiello,  etc.     [1795  ?]     obi.  fol. 

E.  600.  z.  (8.) 

See  Shield  (W.)  The  Midnight 
Wanderers  .  .  .  composed  by  [or  rather 
selected  from]  Paisiello,  etc.  [1793.] 
obi.  fol.  D.  287.  (3.) 

See  Shield  (W.)  Netley  Abbey.  A 
Comic  Opera. .  .partly  Selected  and  partly 
Composed  bv. .  .Paisiello,  etc.  [1794.] 
obi.  fol.  '  D.  287.  (4.) 

5.  Index. 
A  me  tutte  le  belle. 
See  [La  Modista  Baggiratrice.] 

A  morir  se  mi  condanna. 

See  [Monte.- mna.] 

Abbracciami,  O  sposo.     See  [Elfrida.] 

Ah  chi  sa.     See  [II  Barbierc  di  Siviglia.] 

Ascoltate  vi  diro.     See  [La  Molinara.'} 

Belle      Rosine,      vous      que      j 'implore. 

See    [II     Barbierc    di     Siviglia.      Super 

bramate.] 

Che  a  parte  mi  vuoi  crudele. 

See  [Elfrida.] 

Chi  mi  mostra. 

See  [Gli  Schiavi  per  Amcyre.] 

Credi  la  mia  ferita.     See  [Elfrida.] 

Dans  I'instaut  a  sa  fenetre. 

See  [Tl  Barbierc  di  Siviglia.     Ecco  V  ora 

.s'  avicina.] 

Dans  la  saison  nouvelle. 

See  [II  Barbicre  di  Siviglia.      Gid  riede 

primavera.] 

Dite  in  grazia  mio  Signore. 
See  [La  Molinara.] 

Donne  care.     See  [La,  Locanda.] 

Dove  ridotta  sono. 

See  [Gli  Schiavi  per  Amore.] 

For  tenderness  form'd.  See  [II  Barbierc 
di  Siviglia.     Saper  bramate.] 

II  mio  garzone  il  pifaro. 
See  [La  Molinara.] 

L'Infante  de  Zamora. 
See  [La  Frascatana.] 

Lo  conosco  a  quegli  occhietto. 
See  [La  Serva  Padrona.] 

Lo  tuovai  per  accidente. 
See  [La  Locanda.] 


PAISIELLO— PALESTRINA 


239 


PAISIELLO      (Giovanni)    INIustafa      di 
Ti-abisonda. 
See  [La  Locaiida.j 

Nel  cor  pin  non  mi  sento. 
See  [La  Molinara.] 

Non  lo  voglio  non  lo  prendo. 
See  [La  Locanda.] 

O  il  mio  caro  puppazzetto. 
See  [La  Molinara.j 

Ola  dico.     See  [Gli  Schiavi  per  Amove.'] 

Or  che  il  cielo  a  me  ti  rende. 
See  [Sismano  nel  Mogole.] 

Pandolfetto  graziosetto. 
See  [I  Zingari  in  Fiera.'] 

Parto  non  dubitate.     See  [La  Locanda.] 

La  Pazza  per  Amore.     See  [Nma.] 

Per  marito  ad  un  notaro. 

See  [La  Molinara.] 

Per  marito  vossiguoria. 
See  [La  Molinara.] 

Piche  cornacchie  e  nottole. 
See  [Gli  Schiavi  j^er  Amore.] 

Qua  si  trova  dir  dovrete. 
See  [La  Locanda.] 

Quando  vien  lo  sposo  avauti. 
See  [La  Locanda.] 

Questo  vago  giovinetto. 
Sec  [La  Locanda.] 

La  Rachelina  molinarina. 
Sec  [La  Molinara.] 

Rassereni  amico  amore.     See  [Elfrida.] 

Saper  bramate. 

See  [II  Barbicrc  di  Siviglia.] 

Saria  bella  il  niaritarsi. 
See  [La  Locanda.] 

Signorino,  a  parlar  schietto. 
See  [La  Locanda.] 

Te,  Dianina  tu  servi. 

See  [Gli  Schiavi  per  Amove.] 

Ti  riverisco.     See  [I  Zingavi  in  Fiera.] 

Tutto  da  vol  dipende. 
Sec  [La  Locanda.] 

Vi  riverisco.     See  [I  Zingari  in  Fieva.] 

Voi  tornate  a  questo  seno. 
See  [La  Locanda.] 

Vous  I'ordonnez. 

See    [II    Barbiere    di    Siviglia.       Saper 

bramate.] 

PAISSEZ.  Paisses  petits  moutons.  Les 
Petits  Moutons.  Ariette  [words]  de 
RPFerav.     [Pa/is,  1775?]     8°. 

B.  362.  e.  (49.) 

[Another  edition.]    Paisses  petits  Moutons. 
Chanson  Nouvelle.     [Paris,  1775  ?]     8°. 

B.  362.  b.  (21.) 


PAIX  DE  L'OPERA.  La  Paix  de 
r  Opera,  on  Parallele  impartial  de  la  Mu- 
sique  fran(,'oise  et  de  la  Musique  itali- 
enne.  [From  F.  Raguenet's  '  Parallele 
des  Italiens  et  des  Francois,'  etc.] 
Amsterdam,  1753.    12'.      1103.  a.  11.  (7.) 

PAIXAO  RIBEIRO  (Manoel  da)  Nova 
Arte  de  Viola. .  .Dividida  em  Duas  Partes 
. . .  Com  Estampas  das  posturas  . . .  e  com 
alguns  INIinuettes,  e  Modinlias  por  INIusica, 
e  por  Cifra,  etc. 

Na  Real  Officina  da  Universidade  : 
Coimbra,  1789.     8°.  7898.  k.  19. 

TALiMMON.       Palremon     and     Pastora. 
Song.     Sec  Boyce  (W.) 
Palcemon    loved    Pastora.      [Song,     tbi; 
music  by  J.  Baildon.]  ^Londo)i, 

1760?]     s.sh.tol.  G.  305.  (78*.) 

PAL  ALA.  Palala  suma  nootka  gunza. 
Glee.     Sec  Biggs  (E.  S.) 

PALAZZOTTO        E        TAGLIAVIA 

(Gioseppe)  ]Madrigali  ...  a  Cinque  Voci. 
Libro  Secondo.  Canto.  (Alto.)  (Tenore.) 
(Basso.)     (Quinto.)     5  pts. 

Ajypresso  G.  B.  Marinqu  : 
Palermo,  1G20.     4".  K.  3.  k.'  2. 

This  tvork  contains  a  madrigal  by  Gio. 
Battista  Fossato. 

PALESTRINA  (Giovanni  PIER- 
LUIGI  DA)  Cantica  Salomonis  Quinque 
Vocum  .  .  .Liber  Quartus.  Cantus  (Altus) 
(Tenor)  (Bassus)  (Quintus)  (Bassus  ad 
Organum).    G  pts.  ^re  BartJiolomei 

Magni :  Venetiis,  1613.  i°.  D.  205.  e. 
[loannis  Petri  Aloysii  Praenestini  .  .  . 
Hymni  Totius  Anni,  Secundum  Sancta- 
Romance  Ecclesise  consuetudinem,  Quat- 
tuor  Vocibus  concinendi,  nee  non  Hymni 
Religionum,  etc.]  [Ajmd  lacohiiin 

Tornerium,  &  Bernardinum  Donangelum } 
[Excudebat  Franciscus  Coattinus):  Ramae. 
1589.     fol.  K.  9.  a.  3. 

Imperfect,  umnting  the  title-page  and  fol. 
All,  irhich  have  been  snpplied  in  MS. 
loannis  Petraloysii  Praenestini. .  .Hymni 
Totius  Anni  Secundum  S.  Romanae  Eccle- 
siae  consuetudinem,  quattuor  quinque, 
and  sex  vocibus  concinendi,  Necnon 
Hymni  religionum,  nunc  denuo  impressi. 
Bassus.  Apud  Hnrcdem  Hioonijmi  Scoti  : 
Venetiis,  1590.     4".  D.  205.  k. 

The  pagination  is  very  irregular.  Fol. 
Cc  3  and  Kk  4  ai-e  mutilaied. 
loan.  Petri  Aloysii  Palestinae  Lamenta- 
tionum  Hieremiae  Prophetae  Liber 
Primus,  etc.  Bassus.  Apud  Alexandrum 
Gardannm  :  Romae,  1588.  4^  D.  205.  j. 
II  Primo  Libro  de  Madrigali  a  Quattro 
Voci  . . .  Di  nuouo  ristampato,  et  da  M. 
Claudio  "Merulo  da  Correggio  con  ogni 
diligenza  corretto.  Canto.  Presso  Giorgio 
Angelieri :  Venetia,  1574.  obi.  4°.     A.  343. 


240 


PALESTRINA 


PALESTRINA  (Giovanni  PIER- 
IjUIGI  DA)  II  Piimo  Libro  de  JIadrigali 
a  Cinque  Voci  .  .  .  Nouamente  composti 
&  dati  in  luce.  Canto.  Angela  Gardano  : 
Vcnetia,  1581.     4".  D.  205.  b. 

Di  Giouanni  Petraloysio  da  Palestiua  il 
Secondo  Libro  de  ^Nladrigali  a  Qnattro 
Voci.  Nouamente  posto  in  luce,  etc. 
Canto.  (Alto.)  (Tenore.)  (Basso.)  4  pts. 
Appresso  V  Heredc  di  Girolamo  Scotto  : 
Vinegia,  1586.     4".  D.  205.  h. 

Messe  a  Quattro  Voci,  le  tre  Prime  del 
Palestina,  cioe,  Iste  Confessor,  Sine 
Nomine,  &  di  Papa  jMarcello,  ridotta  a 
quattro  da  G.  F.  Anerio,  &  la  Quarta  della 
Battaglia,  dell'  istesso  G.  F.  Anerio.  Con 
il  Basso  continuo  per  sonare,  Et  di  nuouo 
Bicorrette.  Canto.  Per  Paolo  Masotti : 
Roma,  1635.     4".  D.  205.  f. 

Messe  a  quattro  Voci,  le  Tre  Prime  del 
Palestina,  cioe,  Iste  Confessor,  Sine 
Nomine,  et  di  Papa  MarceUo,  ridotte  a 
quattro  da  G.  F.  Anerio,  e  la  quarta  della 
Battaglia,  dell'  istesso  G.  F.  Anerio.  Con 
il  Basso  continuo  per  sonare.  E  di  nuouo 
in  quest'  ultima  impressione  emendate. 
Canto.  (Basso.)  2  pts.  Per  Andrea  Fei  : 
Boma,  1639.     4".  D.  205.  g. 

loannis  Petri  Loysij  Praenestini  . . .  Mis- 
sarum  Liber  Primus. 

Impressum  apud  Hercdes  Aloysij  dorici : 
Romse,  1572.     fol.  K.  9.  a.  6. 

[Another  co^jy.]  K.  9.  a.  5. 

Imperfect,  loanting  fol.  F  1. 

Joanuis  Petri  Aloysi  Praenestini  Missarum 

liber  secundus.       Apud  Haeredes  Valerii  e 

Aloijsii  doricorum  fratrum  Brixiensium  : 

Bomae,  1567.     fol.  K.  9.  a.  7. 

Fol.  Fi-in,  Fri,  and  Gl-in  are  damaged 

and  mutilated,  but  have  been  restored 

in  manuscript.     On  the    verso   of  the 

last  leaf  (a  blank)  a  four-part  setting 

of    the    Besponse     '  Libera     me '     is 

loritten. 

[Missarum  Liber  Tertius.    Missa  L'bomuiG 

arme.]      See    Zacconi     (L.)      Pratica    di 

Musica  . . .  Diuisa  in  Quattro  Libri.     Nei 

quali   si  . . .  dichiara   tutta   la   Messa   del 

Palestina  titolo  Lome  Arme,  etc.  1592.  fol. 

786.  1.  43. 
lo.  Petrialoysii  Praenestini  Missarum  cum 
Quatuor  et  Quinque  Vocibus,  Liber 
Quartus.  Nunc  denuo  in  lucem  a?ditus. 
Altus  (Tenor)  (Bassus)  (Quintus).     4  pts. 

Apud  Angelum  Gardanum : 
Venetiis,  1582.     4".  D.  205.  d. 

[loannis  Petraloysii  Praenestini . .  Missa- 
rum quatuor,  quinque  ac  sex  vocibus 
concinendarum  Liber  Quintus,  nunc  denuo 
in  lucem  editus.j  [Sumptibiis  Jacobi 

Berichiii',  apud  Franciscum  Coattinum : 
Bomn',  1590.]     fol.  K.  9.  a.  4. 

Imperfect ;  tvanting  fol.  A-Aii. 


PALESTRINA  (Giovanni  PIER- 
LUIGI  DA)  Missae  Quinque  Quatuor 
ac  Quinque  Vocibus  Coneinendae. .  .Liber 
Septimus,  etc.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)  (Quintus.)     5  pts.  Apud 

Franciscum  Coattinum  :  Bomae,  1594.  4". 

D.  205.  i. 

Liber  Primus  loannis  Petraloisii  Praenes- 
tini Mottettorum.  Quaj  partim  quinis, 
partim  senis,  partim  septenis  vocibus, 
concinantur.     Cantus.  Aiy^id 

hurcdes  Valerij,  &  Aloisii  Doricorum  : 
Bomie,  1569.     4".  D.  205.  (1.) 

Liber  Primus. .  .Motectorum  quae  jpartim 
Quinis,  partim  Senis,  partim  Septenis 
vocibus  concinantur.     Sextus. 

Apud  Anqdum  Gardanum : 
Yenetijs,  1590.     4°.         '  D.  205.  o. 

loan.  Petraloysii  Praenestini  Motectorum 
quee  Partim  Quinis,  Partim  Senis,  Partim 
Septenis  vocibus  concinantur.  Liber 
Primus.     Tenor. 

Apud  Heredem  Hieronymi  Scott i  : 
Venetiis,  1600.     4°.  D.  205.  c. 

lobamais   Petraloysii    Prsenestiui    ^lotet- 

torum  quae  partim  Quinis,  partim  senis, 

partim  octouis  vocibus  concinantur.  Liber 

Secundus.     Nunc  denuo  in  lucem  sditus, 

etc.  Cantus.   Apud  Hieronymum  Scotum  : 

Venetiis,  1573.     4°.  D.  205.  (2.) 

Imperfect,  loanting  the   second  ixirt  of 

'  Confitebor  tibi  Doviinc,''  and  the  last 

three   motets.      This   volume   contains 

motets     by    Angelo    and   Bodolfo    da 

Palestrina,    and    tioo    hy    Sylla    da 

Palesti'ina. 

loannis  Petraloysii  Praenestini,  Motet- 
torum,  quae  partim  quinis,  partim  senis, 
partim  octonibus  vocibus  concinantur, 
Liber  Secundus.  Nunc  denuo  in  lucem 
editus,  etc.     Tenor.  Apud  Heredem 

Hieronymi  Scoti  :   Venetiis,  1588.     4". 

D.  205.  m. 

Liber  Secundus  .  .  .  Motectorum  quae 
partim  Quinis,  partim  Senis,  partim 
Octonis  Vocibus  concinantur.     Sextus. 

Apud  Angelum  Gardanum  : 
Venetijs,  1594.     4°.  D.  205.  p. 

lohannis  Petraloysii  Praenestini  Motet- 
torum  quae  iJartim  Quinis,  partim  senis, 
partim  octonis  vocibus  concinantur,  Liber 
Tertius.  Nunc  primum  in  lucem  jeditus, 
etc.  Cantus  (Altus)  (Tenor)  (Bassus) 
(Quintus)  (Sextus).     6  pts. 

Ajnid  Hacredcm  Hieronymi  Scoti  : 
Venetiis,  1575.     4".  D.  205.  a. 

Liber  Tertius . . .  Motectorum  quae  partim 
Quinis,  partim  Senis,  partim  Octonis 
vocibus  concinuntur.     Sextus. 

Apud  Angelum  Gardanum  : 
Venetijs,  1594.     4°.  D.  205.  g. 


PALESTRINA— PALMA 


241 


PALESTRINA  (Giovanni  PIER- 
LUIGI  DA)  loau:  Petraloysii  Praenes- 
tini  ^lotettorum  Quatuor  Vocibus  Partim 
Plena  Voce,  Et  partim  Paribus  Vocibus. 
Liber  Secundus.  Nunc  denuo  in  lucem 
seditus.  Cantus  (Altus)  (Bassus).  3  pts. 
Apml  Angelum  Gardanum : 
Venetijs,  1596.     obi.  4^  A.  343.  a. 

Offertoria  Totius  Anni. .  .Quinque  vocibus 
concinenda. .  .Pars  Prima,  etc.  Cantus. 
(Tenor.)  (Quintus.)  (Pars  Secunda. . . 
Cantus.     (Tenor.)     (Quintus.).)     6  pts. 

Apud  Franciscum  Coattinum  : 
Romae,  1593.     4°.  D.  205.  n. 

Ofiert[oria]  Totius  [Anni]  .  .  .  Quinque 
vocibus  concinenda  .  .  .  nunc  denuo  in 
lucem  aedita.     Pars  Prima.     Bassus. 

Apud  Angelum  [^Gardanum  .•] 
Venetijs,  1593.     4".  D.  205.  1. 

The  first  and  last  leaves  are  mutilated. 

Offertoria  Totius  Anni . .  .  Quinque  vocibus 
concinenda. .  .Pars  Prima.     Bassus. 

Apiul  Angelum  Gardanum  : 
Venetijs,  1594.     4».  D.  205.  r. 

Offertoria  Totius  Anni . . .  Quinque  Vocibus 
concinenda . . .  Nunc  denuo  in  lucem  sedita. 
Pars  Secunda.     Bassus. 

Apud  Angelum  Gardanum : 
Venetijs,  1596.     4^  D.  205.  s. 

See  BuRNEY  (C.)     La  Musica  che  si  canta 
. . .  nelle  Funzioni  della  Settimana  Santa 
. .  .Composta  dal  Palestrina,  etc. 
[1790?]     fol.  H.  790. 

See  Gardano  (Augelo)  Musica  di  Tredici 
Autori. .  .Nella  quale  si  coutengono  .  .  . 
Madrigali  .  .  .  delli  infrascritti  Autori... 
Gianetto  Palestiua,  etc.     1589.     4". 

K.  3.  g.  11. 
Sec  ]MusE.  Secondo  Libro  delle  Muse,  a 
Quattro  Voci.  ^ladrigali  Ariosi  . . .  con 
Doe  Canzoni  di  Giannetto  [da  Palestrina], 
etc.     1558.     obi.  4"  A.  346.  e. 

See  Pane  (D.  dal)     Messe . . .  estratte  da 
csquisiti  Motetti  del  Palestrina,  etc. 
1687.    fol.  K.  9.  a.  13. 

See  Prima  Stella.  Prima  Stella.  De 
Madrigali . . .  di . . .  Zanetto  di  Palestina, 
etc.     1570.     4'.  D.  13. 

See  Rore  (C.  de)  Di  Cipriano  di  Rore  il 
Secondo  Libro  de  ^Madrigali  a  Quatro 
Voci,  Con  una  Canzon  di  Gianetto 
rPalestrina] ;  sopra  di  Pace  non  trouo,  etc. 
i571.     obi.  4".  A.  70.  n.  (2.) 

PALLADIUS  (David)  Ein  newe  Lied 
dem  Hochwirdeu  in  Gott.  .  .  Herrn  Hin- 
rico  Julio. .  .Und  der  loblicheu  .  .  .  Stad 
Brunswig  zu  Ehren. .  .gemacht,  vnd  in 
sechsstimmige  Harmonic  verfasset,  etc. 
Discantus.  (Tenor.)  (Bassus.)  (DieFiinffte 
(Sechste)  Stimme.)  5  pts.  Bey  Johan  : 
Francken  :  Magdeburg,  1590.    obi.  4°. 

A.  308. 

VOL.    II. 


PALLADIUS  (David)  Nuptiales  Canti- 
ones,  Quatuor,  Quinque,  Sex  et  Septem 
Vocibus  compositse,  etc.  Discautus. 
(Altus.)  (Tenor.)  (Bassus.)  (Quinta  Vox.) 
5  pts.  Excusx  typis 

Matthaei  Welaci  :  hnpensis  Johannis 
Francken:   Witebergx,  1590.     obi.  4°. 

A.  308.  a. 

PALLAVICINO  (Benedetto)  Di 
Benedetto  Pallavicino  ^ladrigali  a  Cinque 
Voci.  Di  nouo  Stampati  &  Corretti. 
Tenore.     (Basso.)     2  pts. 

Appresso  Pietro  Phalesio : 
Anuersa,  1604.     obi.  4".  A.  305.  a. 

Di  Benedetto  Pallavicino  II  Secondo  Libro 
de  Madrigali  a  Cinque  Voci.  Nouamente 
Ristampato,  &  corretto.  Canto.  (Alto.) 
(Tenore.)     (Basso.)     (Quinto.)     5  pts. 

Appresso  Alessando  [sic]  Rauerij  : 
Venetia,  1606.     4".  D.  22.  a. 

Di  Benedetto  Pallavicino  ...  II  Quarto 
Libro  de  3Iadrigali  a  Cinque  Voci 
Nouamente  Ristampato.  Canto.  (Alto.) 
(Tenore.)     (Basso.)     (Quinto.)     5  pts. 

Appresso  Angela  Gardano : 
Voietia,  1596.     obi.  4".  A.  305. 

Di  Benedetto  Pallavicino  II  Quinto  Libro 
de'  ^Madrigali  a  Cinque  Voci.  Di  nuouo 
Ristampati,  etc.     Canto. 

Appresso  Giacoiyw  Vincent  I : 
Venetia,  1597.     4°.  D.  22. 

Di  Benedetto  Pallavicino. .  .Madrigali  a 
Sei  Voci  nouamente  stampati.     Tenore. 

Appresso  Pietro  Plialesio : 
Anmrsa,  1606.     obi.  4".  A.  305.  b 

Sacrae  Dei  Laudes.  Octo,  et  una 
Duodecim,  duae  vero  sexdecim  vocibus 
concinendae,  ac  omnium  istrumentorum 
gener^'  accomodate.  Adite  etiam  infimse 
partes  pro  Organo  continuato,  etc.  Chorus 
Primus.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)  (Chorus  Secundus.  Cantus. 
(Altus.)  (Tenor.)  (Bassus.))  (Partes 
Infiniie  pro  Organo  Continuato,  efc.)  9  pts. 
Ainid  Ricciardum  Amadimim  : 
Venetijs,  1605.     4°.  D.  22.  b. 

PALIiAVICIISrO    (Carlo)     [D   Nercne.] 
Per  non  vivere  geloso.     Air,  etc. 
[Paris,  1679.]    s.  sh.  obi.  4".     P.P.  4482. 
Nouveau  Mercure  Galant,  April,  1679, 
p.  67. 

Per  non  vivere  geloso. 
Sec  supra  :  [II  Nerone.'] 

PALMA.  Palma  ou  le  Voyage  en  Grece. 
Opera.     See  Plantade  (C.  H.) 

PALMA  (FiLiPPo)  Adieu  ye  Streams  that 
smoothly  flow.  A  New  Song.  [London, 
1750  ?]     s.  sh.  fol.  I.  530.  (126.) 


Sei  Arie  con  Istromenti. 
Londra,  1749.     obi.  fol. 


.Opera  Terza. 

F.  15. 


24  ii 


PALMA— PAPESSE 


PALMA  (FiLii'PO)  Sei  Ai'ie  con  Istro- 
menti . .  .  Opora  Quarta. 

Printed  for  J.  Johnson  : 
Londra,  1752.     obi.  fol.      "  D.  354. 

Child  of  the  summei',  charming  rose.  Ode 
from  Casimirc,  in  Mr.  Hervey's  IMedita- 
tious.     Vol.  I.,  etc.     [London,  1748.]     8". 

249.  c.  18. 
Gentleman's  Magazine,  Vol.  XVIII.,  p. 
569. 
Shepherds  would  j-ou  hope  to  j)lease  us. 
Aria,  etc.     [Lo7ido«,  1760?]     fol. 

G.  311.  (47.) 
Six  Solos  for  the  Harpsicord  Violin  and 
German  Flute,  As  also  a  Song  call'd 
Simplicetta  Tortorella. 

Richard  Cooper,  for  the  Author  : 
Edinburgh,  [1740?]     obi.  fol.  e.  16. 

Six  Italian  Songs  with  their  accompani- 
ments, etc.  Printed  for  the  Author  : 
London,  [1745  ?]    obi.  fol.  "       D.  354.  a. 

PALMIRA.     Palmira.     [Opera.] 
See  Salieri  (A.) 

PALPITO.  UnPalpitoatroce.  Duettino. 
See  CniAROSA  (D.)  [Le  Astuzic  Femminili.'] 

PALSCHAU      (JoHANS     Gottfried) 
Concerto  i.  (ii.)  per  il  Cembalo  Concertato 
accompagnato  da  Due  Violini,  Violetta  e 
Basso,  etc.     2  N"'.     [Separate  Parts.] 
Presso  G.  F.  Hartknoch  :  Riga,  1771.    fol. 

i.  75. 
PAMMELIA.  Pammelia.  i\Iusicks  Mis- 
cellanie.  Or  Slixed  Varietie  of  Pleasant 
Roundelayes,  and  delightfuU  Catches,  of 
3.  4.  5.  6.  7.  8.  9.  10.  Parts  in  one.  None 
so  ordinarie  as  musicall,  none  so  musical, 
as  not  to  all,  very  pleasing  and  acceptable. 
[Collected  by  Thomas  Ravenscroft.] 

William  Barley,  for  R.  B.  and  H.  W. : 

London,  1609.     4°.  K.  1.  e.  9. 

This  copy  contains  several  catches,  dc, 

by  Hilton,  Nelham,  Cranford,  d'c,  in 

a  contemporary  handwriting. 

Pammelia.     Musickes  Miscellanie,  etc. 

T.  Snodham,for  M.  Lownes  and  I.  Broiune : 

London,  1618.     4".  K.  3.  k.  3. 

PAN  ET  DORIS.  Pan  et  Doris. 
Pastorale  heroique.     See  Moueet  (J.  J.) 

PANDOLPETTO.      Pandolfetto   grazio- 
setto.     Duett. 
See  Paisiello  (G.)    [I  Zingari  in  Fiera.] 

PANE  (DoMENico  dal)  Alto  (Tenore) 
(Basso)  (Quinto)  (Basso  Continuo,se place) 
del  Secoudo  Libro  de'  jMadrigali  a  Cinque 
Voci  . . .  Opera  Quarta.     5  pts.  Nella 

Stamperia  del  Successoi''  al  Mascardi : 
Roma,  1678.     4°.  D.  150. 

Messe  ...  a  Quattro,  Cinque,  Sei  &  Otto 
Voci,  Estratte  da   esquisiti    IMottetti    del 
Pelestrina. .  .Opera  Quinta. 
Per  il  Mascardi  :  Rovia,  1687.     fol. 

K.  9.  a.  13. 


PANGS.  The  Pangs  of  Forsaken  Love. 
[Song.]     See  Gbeene  (M.) 

PANNOCHIESCHI  (Marcello) 

See  Kapsberger  (J.  H.)  Libro  Quarto  di 
Villanelle. .  .Raccolte  dal  Signer  Marcello 
Panuochieschi,  etc.     1623.     fol. 

K.  8.  h.  9.  (4.) 

PANORMO  (Francesco)  Three  Duets 
for  Two  Violins,  etc.  Op.  2.  [Separate 
Parts.]  Printed  for  R.  Wornum  : 

London,  [1795  ?]  fol.  g.  421.  b.  (6.) 
[Another  copy.]  g.  421.  r.  (9.) 

PANTHEA.     Panthea.     Song. 
See  Weldon  (J.) 

PANTHEON.     The   Pantheon,  let's   go. 
Catch  [for  3  voices].     As  Perform'd  at  the 
Pantheon  Masquerade,  etc. 
P.  H{pdgson  :  London,  1780?]     s.  sh.  fol. 

G.  308.  (156.) 
The  Pantheon.     [Song.] 
See    Pensive.       Pensive    Phillis    lonely 
straying.     [1775?]     s.  sh.  iol 

H.  1980.  (83.) 

PANTOUFLE.     La  Pantoufle.     [Song.] 
See  Ca.     Ca  me  fait  bien  du  mal. 
[1780?]     8°.  B.  362.  (121.) 

PANURGE      DANS     L'ISLE      DES 
LANTERNES.       Panurge    dans    I'lsle 
des  Lantornes.     Com6die  lirique. 
See  Gretry  (A.  E.  M.) 

PAOLUCCI    (Giuseppe)     Arte   Practica 
di  Contrappunto  dimostrata  con  Esempj 
di  varj  Autori  e  con  Osservazioui.    3  Tom. 
Per  Antonio  di  Castro  : 
Venezia,  1765-72.     4".  7895.  f.  35. 

[Another  copy.]     2  Tom.  786.  1.  27. 

Preces  Octo  Vocibus  concinendae  in 
Oratione  Quadraginta  Horarum,  etc. 
Cantus  (Altus)  (Tenor)  (Bassus)  Primi 
(Secundi)  Chori.  8  pts.  Apud  Antoninm 
de  Castro :  Venetiis,  1767.     4°.       E.  380. 

PAPAVOINE  (  )  M''"".  Nous  voici 
done  au jour  del'au.  Etrennes.  (Chanson.) 
\_Paris,^,  1755.     s.  sh.  8».  298.  c.  22. 

Mercure  de  France,  Jan.,  1755. 
Reviens,     aimable     Themire.       Chanson. 
Les  Parolles  de  M"<^  B  *  *.  Gravee  par 

MCharpentif.  Imprimi  p)ar  Tourncllc  : 
[Paris,]  1761.     s.  sh.  8°.  297.  d.  29. 

Mercure  de  France,  May,  1761. 
Vous     fuyez     sans     vouloir     m'entendre. 
Chanson.     Les  paroles  de  jM""  de  B. 
Tournelle  :  [Paris,]  1756.     s.  sh.  8". 

297.  d.  2. 

Mercure  de  France,  July,  1756. 

PAPESSE  JEANNE.  Je  viens  devant 
vous.  Air  de  la  Papesse  Jeanne.  [Vaude- 
ville, by  F.  P.  A.  Leger]  .  .  .  Avec  Accom- 
pagnement  de  Guitare.  Chez  Imhault : 
Paris,  [1793.]     8".  B.  362.  c.  (48.) 


PAPESSE— PARATAIO 


243 


PAPESSE  JEANNE.  Pourquoi  faire 
un  pareil  6clat  ?  Air  dc  la  Fapesse  Jeanne 
[Vaudeville,  by  F.  P.  A.  Leger]  :  Avec 
Accompaguement  de  Guitarre. 

Chez  Imhault  : 
Paris,  [1793.]     8".  B.  362.  h.  (26.) 

PAPHI AN  DOVES.  The  Paphian  Doves, 
a  New  Book  of  Kisses ;  set  for  the  Harpsi- 
chord or  Piano  Forte  with  an  Accompany- 
raent  for  the  Violin,  and  Transpositions 
for  the  German-Flute  and  Guittar.  The 
Songs  &  Music  ...  by  different  Ingenious 
Masters  [i.e.  J.  B.  Adams  and  T.  Smart]. 
A  New  Edition.  Printed  for  A.  Portal : 
London,  [1185?]     fol.      G.  805.  k.  (14.) 

PAPILLON.     Le  Papillou.     Idille. 
See  Dellain  (C.  H.) 

Papillou.     [Song.]     See  Guillon  (H.  C.) 

Un  papillon  badin  caressoit  une  rose. 
Chanson.     See  Rousseau  (J.  J.) 

Papillon  inconstant.  Le  Papillon.  Chan- 
son. Grav^e  par  Lahassi^e.  hnprimi  par 
Tournelle  :  [Paris,]  1757.     s.  sh.  S'\ 

297.  d.  6. 
Mercurc  de  France,  March,  1757. 

PAPIUS  (Andkeas)  And.  Papii  Gaudensis 
de  Cousonantiis,  seu  pro  Diatessaron 
Libri  Duo.  Ex  officina  Christophori 

Plantini :  A ntuerpi^,  1581.     8'\ 

1042.  e.  6. 

PAR.  Par  devant  la  cour  de  Cith^re.  Lc 
Pouvoir  dn  Sentiment.  [Song.]  Air. 
Laisons  les  amans.     [Paris,  1785  ?]     8". 

B.  362.  e.  (1.) 
Par  le  malheur  entraines.     [Song.] 
See  Vendakgeurs. 

Par  le  plus  charmant  des  aveux.    Le  Bon- 
heur  d'etre  aime.     Chanson. 
[Paris,]  1750.     s.  sh.  4".  298.  c.  1. 

Mcrcure  de  France,  Nov.,  1750. 

Par  pitie  daignez  vous  rendre.  Ariette 
Nmivelle.     [Paris,  1780  ?]     8". 

B.  362.  b.  (75.) 
Par  un  charme  invincible  et  doux. 
Madrigal.     SeeC*** ,  M"-. 

Par  vos  talens  et  vos  charmes.     Air. 
See  Ajax. 

Par  votre  example  et  vos  discours.  [Song.] 
See  Heureuse  Decade. 

PARABOSCO  (GiEOLAMO)  :iladrigali  a 
Cinque  voci,  etc.     Bassus.  Appresso  di 

Antonio  Gardane  :    Venetia,  1546.     obi.  4". 

K.  3.  f.  1. 

PARADIES  (PiETRO  Domesico)  A 
Favorite  Concerto  for  the  Organ  or 
Harpsichord  with  Instrumental  Parts, 
etc.     Welcker  :  London,  [1170?]     fol. 

h.  1480.  X.  (24.) 
Wanting  the  accompaniments. 


PARADIES  (PiETRO  DoMENico)  Paradies' 
Celebrated  Concerto,  for  the  Piano  Forte. 
[1798.]  See  Periodical  Publications.— 
London.  The  Piano-Forte  Magazine, 
Vol.  III.     No.  13.     [1797-1802.]     8". 

D.  854. 
[Fetonte.]  The  Favourite  Songs  in  the 
Opera  call'd  Phaeton.  [Words  by  F. 
Vaneschi.]  Printed  for  I.  Walsh: 

London,  [1747.]     fol.  "  G.  194.  (4.) 

La    Forza    dell'    Amore.      [A    Pasticcio, 
chiefly  by  P.  D.  Paradies.]     ^sVe  Delizie. 
Le  Delizie  dell'  Opere,  etc.     Vol.  VI. 
[1776.]     fol.  G.  159. 

A  Favourite  Minuet  with  Variations. 
[1797.]  See  Periodical  Publications. — 
London.  The  Piano  -  Forte  Magazine. 
Vol.  II.     No.  0.     [1797-1802.]     8°. 

D.  854. 
Phaeton.     See  supra  :  [Fetonte.] 

Sonate  di  Gravicembalo  dedicate  a... la 
Principessa  Augusta,  etc.  Welcker  : 

Lotidon,  [1160?]     fol.  h.  60.  a.  (3.) 

[Sonate  di  Gravicembalo.]  XII.  Sonates 
pour  le  Clavecin,  etc. 

Grave' par  le  S''  Hue.  Chez  M'  Le  Clerc  : 
Paris,  [1765  ?]     fol.  h.  58.  a. 

Sonate  di  Gravicembalo,  etc. 
!       Preston  (&  Son  :  London,  [11^?]     fol. 

h.  58. 
A  reprint  of  Welcker' s  edition. 
See  Love  in  a  Village.   Love  in  a  Village. 
A  Comic  Opera. .  .The  Music  by  Handel, 
. .  .Paradies,  etc.     [1703  ?]     ohl.  fol. 

D.  269. 

PARADIS  (]\Iabia  Theresia)     Deutsches 

]\Ionument  Ludwigs   des   Ungliicklichen, 

von  J.  Riedinger.  .  .in  Klavierund  Gesang 

gesetzt,  etc.     [Cantata.] 

Li  der  von  ScJioenfeldiscJien  Handlung  : 
Wien  und  Prag,  1793.     obi.  fol. 

E.  46.  a. 
G.  A.  Biirgers  Lenore,  etc.     [Cantata.] 
Wien.  1790.     obi.  fol.  '  E.  46. 

PARADISE  LOST.  Paradise  Lost.  An 
Oratorio.     SV*;  Smith  (J.  C.) 

PARADISISCHES  WUNDER- 
SPIEL.  Paradisisches  Wunder-Spiel. 
^Hymns.]     See  Friedsamer. 

PARAMOUR.     The  Paramour.     [Song.] 
See  Come.     Come,  fair  one,  and  rove  thro' 
the  Vale,  etc.     [By  J.  Dunn.] 
[1750  ?]     s.  sh.  fol.  G.  305.  (65.) 

PARATAIO.  La  Pipee,  Comedie  en  deux 
actes  .  .  .  melee  d'Ariettes.  Traduction 
libre  de  I'lntermede  Italien  II  Paratajo. 
Representee  pour  la  premiere  fois. .  .le. . . 
19  -Janvier  175G,  etc.  (Airs  choisis  de  La 
Pipee,  etc.)  [By  N.  Jomelli.]  2  pts. 
Che-  Duchesne  :  Paris,  1756.     8". 

86.  b.  15. 
R  2 


2U 


PARCOUREZ— PARODIES 


PARCOUREZ.       Parcourez     les     Cieux 
desormais.     Vaudeville. 
See  Marchand  d'Esclaves. 

PARDONNE.      Pardonne    a    ses    laches 
Combats.     Air.     See  ChimI:ne. 

PARDONNEZ.      Pardonnez   mon   coeur 
vous  offence.     Ariette.     See  Chimene. 

PARENT.     The  parent  Bird  whose  little 
Nest.   Paternal  Love.    [Song,  words  attri- 
buted to  Mary  Goldsmith,  music  by  J.  F. 
Lampe.l     [London,  1745  ?]     s.  sh.  fol. 
^  H.  1994.  b.  (64.) 

[Another     edition.]      The     Parent     Bird 

whose  little  Nest.     .4  Neiv  Song. 

[London,  1745  ?]     s.  sh.  fol. 

G.  305.  (240.) 

The  Parent  Bird.     Song. 

,s:ee  Lampe  (J.  P.) 
PARFAIT.    Le  Parfait  Amour,  ou  I'Amant 

satisfait.      [Song.]      See  Amoub.     Amour 

ie  suis  soumis  a  ta  puissance,  etc. 

[1785?]     8".  B.  362.  c.  (26.) 

Le  Parfait  Biberon.     Chanson. 

See  Le  Coq  (     )  of  Arras. 
PARIDE    ED     ELENA.       Paride     ed 

Elena.     Dramma  per  ^Musica. 

See  Gluck  (C.  W.  von) 
PARIS.    Paris  dans  une  Bouteille.    [Song.] 

^'ee  Des.    Des  Pointus  I'estimible  auteur, 

etc.     [1785?]     8".  B.  362.  (250.) 

Paris  Gazett,  say.     The   Paris   Gazetteer. 

A  Dialogue  between  y   English   &   Paris 

Gazett.     [To  the  tune  of  '  Pretty  Poll,'  by 

J.  Freeman.]     [London,  1106?]    s.  sh.  iol. 

H.  1601.  (373.) 

Paris  va  revoir  dans  ses  murs.    Vaudeville. 

See  Gillier  (J.  C.)    [L' Europe  ct  la  Paix.] 

PARISIEN.      Lettre   d'uu   Parisien   [i.e. 
—  Robineau].      Contenant    quelques    re- 
flexions sur  celle  de  ]\I.  Rousseau. 
Chez  Philantrope :  France,  1154:.     8". 

1103.  b.  22.  (3.) 

PARISOT  (  )  See  Spencer  (J.)  Parisot's 
Hornpipe.  Arranged  ...  by  J.  Spencer. 
[1800?]     fol.  g.  139.  (41.) 

PARK  (Maria  Hester)  A  Concerto  for 
the  Piano  Forte  or  Harpsichord. .  .Op.  vi. 
B.  Birchall,  for  the  Author  : 
[London,  1795  ?]  fol.  g.  543.  u.  (14.) 
A  Set  of  Glees  . . .  with  the  Dirge  in  Cym- 
beline. .  .Op.  3. 

Birchall  d  Andrews,  for  the  Author  : 
London,  [1790  ?]  obi.  fol.  E.  207.  e.  (5.) 
Two  Sonatas  for  the  Piano  Forte  or 
Harpsichord. .  .Op.  iv. 

Longman  d  Broderip,  for  the  Author  : 

London,  [1794:?}     fol.  g.  145.  (9.) 

A  Sonata  for  the  Piano  Forte  . .  .  Op.  vii. 

L.  Lavenu,  for  the  Author  : 

London,  [1196?]     fol.       g.  543.  u.  (15.) 


PARK  (Maria  Hester)  Two  Sonatas  for 
the  Piano-Forte,  with  an  Accompaniment 
for  a  Violin. .  .Op.  13.  B.  Birchall : 

London,  [1800?]     fol.         g.  421.  u.  (8.) 

PARKE  (M.  F.)  Miss.  I  have  often  been 
told  and  began  to  believe.  [Song.]  Sung 
by  Miss  Newman  at  Vauxhall.  The  Words 
by  the  Rev*  SP  Newman.     [Full  Score.] 

Longman  and  Brodcrip  : 
[London,  1797  ?]  fol.  H.  1653.  (40.) 
Three  Grand  Sonatas  for  the  Piano  Forte 
...Op.  I'"'. 

Broderip  d  Wilkinson,  for  the  Author  : 
London,  [1800  ?]     fol.         '      g.  145.  (8.) 

PARKE  (William  Thomas)  Three  Duetts 
for  two  German  Flutes,  etc.  [Separate 
Parts.] 

Longman  and  Broderip,  for  the  Author  : 
[London,  1793  ?]     fol.  g.  225.  (9.) 

A  Second  Sett  of  Three  Duetts  for  Two 
German  Flutes,  etc. 

Loncjman  and  Broderip)  : 
London,  [1794  ?]     fol.  g.  225.  (8.) 

In  Love,  soft  Illusion.  A  Favorite  Song, 
sung  by  Mrs.  Martyr  in  the  Comic  Opera 
[by  S.  Arnold]  of  the  Castle  of  Andalusia. 

Longman  and  Broderip  : 
[London,  119Q?]     fol.  G.  249.  (28.) 

The  Indian's  Complaint  in  Captivity  . . . 
[Song,]  the  Words  by  P.  Pindar. 

Printed  for  G.  Gouklinq  : 
London,  [1790  ?]  fol.  H.  1994.  d.  (49.) 
A  Second  Sett  of  Three  Solos,  for  the 
German  Flute.  With  a  Figur'd  Bass  for 
the  Piano  Forte  or  Violoncello. .  .Op.  8. 
T.Fentum:  London,  [ISOO?]     fol. 

g.  70.  b.  (12.) 

See  Dalaybac  (N.)    [Nina.]    The  Favorite 
Musical  Entertainment  of  Nina.  .  .adapted 
to  English  Words  by  W.  Parke. 
[1787.]     ohl.  fol.  E.  100.  (4.) 

See  Shield  (W.)    Netley  Abbey.    A  Comic 
Opera  . . .  partly  Selected  and  partly  Com- 
posed by. .  .Parke,  etc.     [1794.]     ohl.  fol. 
^  ^  r>.  287.  (4.) 

PARLIAMENT.  The  Parliament  Man. 
[Song.]  See  Ye.  Ye  Quid-nuncs  &  Politic 
Asses,  eic.     [1780?]     s.  sh.  io\. 

G.  314.  (91.) 

PARLIAMENTEERING.  Parliament- 
eering.     Song.     See  Hook  (J.) 

PARMI.     Parmi  la  Soixantaine.      Ariette. 
Sec  Voyage  de  Rosine. 
Parmi  nous  la  simple  nature.    Vaudeville. 
See  DAVES>rE  (     ) 

PARODIES.  Los  Parodies  du  Nouveau 
Theatre  Italien,  ou  Recueil  des  Parodies 
representees  sur  le  Theatre  de  I'Hotel  de 
Bourgogne . .  .  Avec  les  Airs  graves.  3  Tom. 
Chez  Briasson  :  Paris,  1731.     12'. 

11736.  b.  17. 


PAKODIES— PARSONS 


245 


PARODIES.  Les  Parodies  du  Nouveau 
Thecltre  Italien  . . .  Avec  les  Airs  graves. 
Nouvelle  Edition,  revue,  corrigee  &  augu- 
ment^e,  etc.     4  Tom.  Chez  Briasson  : 

Paris,  1738.     12^  241.  i.  14-17. 

Supplement  aux  Parodies  du  Theatre 
Italien,  ou  Eecueil  de  Pieces  de  diiierens 
Auteurs,  representees. .  .par  les Comediens 
Italiens  ordinaires  du  Roi.  Nouvelle 
Edition.  3  Tom.  Chez  la  Veuve  Duchesne  : 
Paris.  1765.    8".  86.  b.  14-16. 

PAROLES   ET   LA   MUSIQUE.     Les 

Paroles   et   la   IMusique,  Comedie   en   un 

acte,  en  prose,  melee  de  Vaudevilles,  par 

lo   C.   Armand    Charlemagne ...  avec   des 

Airs  notes.       Chez  le  Libraire  au  Thedtre 

du  Vaudeville  :  Paris,  An  vii  [17991.     8°. 

11738.  bbb.  37.  (5.) 

Among  the  airs   are  songs  by  Plantade 

and  Bonardot. 

PARR    (Hekry)      See  Haemonia  Sacra. 
Harmonia-Sacra,     etc.       MS.    notes     [by 
W.  H.  Havergal  and  H.  Parr]. 
"1765  ?:     obi.  fol.  C.  479.  a. 

PARR  AN     (Antoine)       Traite    de    la 
IMusique  Theorique  et  Pratique.     Conte 
nant  les  Preceptes  de  la  Composition. 
Robert  Ballard  :  Paris,  1646.     4°. 

557*.  d.  18. 

PARRIN  (I.  A.)  Advice  to  the  Fair. 
A  Favorite  Song.  The  Words  by  a 
Young  Lad  v.  I.  Bland  : 

London,  [1790  ?]  fol.  G.  808.  e.  (38.) 
Come  Slumbers  steal  me  soft  away.  A 
Favourite  Song.  .  .The  Words  by  I.  Cur- 
wood,  etc.  J.  Jenkinson  :  London, 
[1797?]  fol.  G.  366.  (46.) 
True  Friendship's  the  Cordial  of  Love.  A 
Favorite  Bacchanalian  Song,  etc. 
A.  Bland  it  Welter  :  London,  ^1797  ?]    fol. 

G.  366.  (45.) 
What  shall  we  sing.  A  Celebrated  Glee 
for  Three  Voices  [by  H.  Haringtonj  . . . 
Arranged  with  an  Accomp'  for  the  Piano 
Forte  by  1.  A.  Parrin.  Printed  for 

G.  Walker  :  London,  [1800  ?]     fol. 

H.  2831.  a.  (35.) 

PARRY  (D.)  The  Grand  Union  March 
A  Quick  Step,  for  the  Violin,  or  German 
Flute  . . .  Adapted  for  the  Harp  or  Piano 
Forte  by  I.  Hammond.  The  Author  : 

London,  [1797  ?]     fol.  g.  133.  (25.) 

Parry's  Original  Country  Dances  for  the 
Violin  or  German  Flute,  arranged  for  the 
Piano  Forte  or  Harp  by  J.  Hammond. 
With  Proper  Figures.  D.  Parry  : 

London,  [1800?]     fol.  g.  229.  (9.) 

PARRY  (John)  BarddAlaiv.  Two  Glees, 
and  two  Duets,  etc.  Bland  ct  Weller, 

for  the  Author  :  London,  [1800?]     fol. 

H.  2815.  c.  (40.) 


PARRY  (John)  of  Rtiabon.  British 
Harmony,  being  a  Collection  of  Antieut 
Welsh  Airs  .  .  .  carefully  compiled  and 
now  first  published  with  some  additional 
Variations  by  J.  Parry,  etc. 

Printed  for  John  Parry  d  P.  Hodgson  : 
Euabon,  London,  1781.  fol.  h.  146.  a. 
A  Collection  of  Welsh,  English  &  Scotch 
Airs  with  new  Variations,  also  Four  new 
Lessons  for  the  Harp  or  Harpsichord . . . 
To  which  are  added  Twelve  Airs  for  the 
Guittar.  Printed  for  J.  Johnson  : 

London,  [1760  ?]     fol.  g.  79.  b.  (6.) 

PARRY  (John)  of  Ruabon  and  WIL- 
LIAMS (Evan)  Autient  British  Music; 
or,  a  Collection  of  Tunes,  never  before 
published,  which  are  retained  by  the 
Cambro-Britous,  (more  particularly  in 
North- Wales). . .  Part  i.  Containing  twenty- 
four  Airs,  set  for  the  Harp,  Harpsichord, 
Violin,  and  all  within  the  Compass  of  the 
German  Flute ;  and  figured  for  a  Thorough- 
Bass.  To  which  is  prefixed,  an  Historical 
Account  of  the  Rise  and  Progress  of  Music 
among  the  Antient  Britons,  etc. 

Mickleborough,  for  the  Compilers  : 
London,  1742.     fol.  h.  146. 

No  more  published. 

PARRY  (W.)  See  Costellow  (T.)  A 
Selection  of  Psalms  and  Hymns . . .  for  the 
use  of  Bedford  Chapel,  etc.  [With  a 
preface  by  W.  Parry.]     [1791.]     4". 

C.  725. 

PARSON.  The  Parson  among  the  Pease. 
Song.  .SVt'  One.  One  Long  Whitson 
Holliday.     [1710?]     s.  s7;.  fol. 

H.  1601.  (325.) 
The  Parson  came  with  little  fame.  The 
Country  Rector.  A  Village  Anecdote. 
[Song.     Full  Score.]  J.  Welcker : 

[London,  IISS?]     fol.      G.  425.  a.  (15.) 

PARSONS  (John)  The  Elements  of 
]\Iusic  with  Progressive  Practical  Lessons 
for  the  Harpsichord  or  Piano  Forte,  etc. 

Piiblislied  by  the  Author  : 
London,  [1800  ?]     fol.  g.  303.  (8.) 

Howe's  Triumph.  [Song,]  The  Words 
by  B.  Wilson.  Longman  £  Bruderip  : 

London,  [1794.]     fol.  G.  366.  (49.) 

Ode  to  Liberty.  [Duet  and  Chorus.]  The 
Words  by  Mr.  Woods. .  .Composed  for  the 
Centenary  Jubilee  of  the  Revolution-Club 
Edin'.  Publish'd  by  desire  of  the  Lord 
Provost,  etc.  Printed  for  Mr.  Parsons  : 
[Edinburgh,  V(Q8:\     fol.       G.  354.  (25.) 

PARSONS  [Sir  William)  Blest  were  the 
hours  in  which  I  stray'd.  The  Favorite 
Mad  Song  sung  by  Mrs.  Jordan  in  [R. 
Cumberland's  play]  the  Last  of  the  Family. 
The  Melody  arranged  and  the  Accompani- 
ment added  by  Sir  William  Parsons. 
J.  Dale  :  London,  [1797.]     fol. 

G.  366.  (47.) 


246 


PARSONS— PASQUALI 


PARSONS   {Sir   William)     Six   English 
Ballads.     With    an    Accompaniment    for 
the  Harp  or  Piano-Forte,  etc. 
[London,  1790  ?]     fol.  G.  362.  (6.) 

[Another  copy.]  H.  2821.  (32*.) 

The  Court  INIinuets  for  His  Majesty's 
Birth  Dav,  1794,  etc.  \l\  F.  and  Orches- 
tral Parts']     [Lo?ifZo»,  1794.]     obl.i". 

b.  54.  (10.) 
A  Scholar  first  niy  love  implor'd.  A 
Ballad.     [London,  1794  ?]     fol. 

G.  366.  (48.) 

A  Selection   of   Solfeggi,    for   the   use    of 

those  who  are  learning  to  sing. 

[London,  1790  ?]     obi.  fol.  E.  835. 

This  collection  contains  solfeggi  by  Leo 

and  Perez. 

PARTENZA.  La  Parteuza.  Canzonetta 
a  due  Voci.  [Begins  :  '  Oh  Dio  mancar  mi 
sento.']  See  Capelli  (D.)  pseud. 
La  Partenza.  Canzonetta  [begins  :  '  Ah 
momenti  ch'  il  mio  cor ']. 
See  Mozart  (W.  A.)  [Die  Zauherflote. 
Kiinnte  jeder  brave  Mann.] 

PARTHENIA.  Parthenia  or  the  IMaydeu- 
head  of  the  first  musicke  that  euer  was 
printed  for  the  Virginalls.  Composed  by 
three  famous  Masters :  William  Byrd, 
D"-  John  Bull,  &  Orlando  Gibbons  .  .  . 
Ingrauen  by  William  Hole,  for  Dorethie 
Euans.  Printed  by  G.  Lowe  : 

London,  [1611  ?]     fol.  K.  1.  i.  6. 

The  music  is  printed  throughout  on  one 
side  of  each  fol.     The  title-page  {ivhich 
is  mutilated)  bears  a  MS.  note  signed 
by  F.  Douce  stating  that  tliis  copy  was 
found  in  the  ruins  of  the  old  palace  at 
'Enfield. 
[Parthenia,  or  the  i\laydenhead  of  the  first 
Musick  that  ever  was  printed  for  the  Vir- 
ginals, etc.]  [Printed  for  John  Clarice  : 
London,  1655.]     fol.         '  K.  1.  i.  8. 
Lnperfect,  wanting  the  title-page,  ivhich 
is  siipplied  in  facsimile. 
A  new  song,  called,  Parthenia's  Complaint. 
See   As.     As   on   the    dearest    Strephon's 
Breast,  cfc.     [1687?]     s.  sh.  io\. 

Case  39.  k.  6.  (4.) 

PARTHENISSA.  Parthenissa['s]  Ab- 
sence.    Song.     Sec  Vanbrughe  (G.) 

PARTHENOPE.     Parthenope.     Opera. 

See  Haendel  (G.  F.) 

PARTIE  CARRilE.  Le  Cure  de  notre 
Village.  Bonde  de  la  Partic  Quarre  [by 
P.  Gaveaux].  Avec  Accomj)agnement  de 
Guitarre.  Cltez  Imhault : 

Paris,  [1793.]     8°.  B.  362.  h.  (24.) 

L'heureuse  vie  que  mene  un  pere  capucin. 
[Song,  from]  La  Partie  Quarie  [by  P. 
Gaveaux].  Avec  Accompagnement  de 
Guitarre.  Chez  Lnbault : 

Paris,  [1793.]     8".  B.  362.  c.  (52.) 


PARTING.     The  Parting.     [Song.] 

See  Rising.  The  rising  Sun  thro'  all  the 
grove.      ri765  ?]     s.  sh.  fol. 

G.   312.    (112.) 
The  Parting  Kiss.     [Song.] 
See  Hartley  (J.) 

[Another  setting.]  The  Parting  Kiss. 
Song.  See  One.  One  kind  Kiss  before 
we  part,  f^c.     [1775?]     s.  sh.  fol. 

G.  796.  (44.) 

[Another  setting.]  The  Parting  Kiss. 
[Song.]  See  Oswald  (J.)  [Colin's  Kisses. 
No.  7.] 

PARTIRO.  Partiro  del  caro  spo>o.  Song. 
See  Salieri  (A.)     [La  Scuola  de'  Gelosi.j 

PARTO.  Parto  non  dubitate.  [Song.] 
See  Paisiello  (G.)     [La  Locanda.] 

PASQUALI  (NicoLo)  The  Art  of  finger- 
ing the  Harpsichord;  illustrated  with 
Examples  in  Notes  ;  to  which  is  added 
An  approved  jNlethod  of  Tuning  this  In- 
strument. Printed  for  E.  Biemncr, 
the  Assigney  of  Sig.  Pasquali  :  Edin- 
burgh, [17(50?]    obi.  fol.      e.  129.  a.  (1.) 

[Songs  in  L'  Ingratitudine  Punita.  A 
Pasticcio,  by  Hasse,  Lampuguani,  Paga- 
nelli,  Pasquali  and  Pergolese.  Full  Score.] 
See  Delizie.  Le  Delizie  dell"  Opere,  etc. 
Vol.  5.     [1776.]     fol.  G.  159. 

The  Solemn  Dirge  in  Romeo  and  Juliet. 
[Solos  and  Chorus.     Full  Score.] 
B.Bremner:  London,  [1710 ?1     fol. 

G.  806.  i.  (12.) 

Sonate  a  Violino  e  Basso. .  .Opera  Prima. 
Printed  for  I.  Wahh  : 
Z/o»(Zo«,  [1745?]     fol.  '     g.  431.  b. 

Six  Sonatas  for  two  Violins,  with  a  Tenor 
and  Thorough  Bass  for  the  Harpsichord 
or  Violoncello.  2  Sets.  [Separate  Parts.] 
Printed  for  J.  Johnson  : 
London,  [1150?]     fol.  g-  431. 

XII.  English  Songs  in  Score.  Collected 
from  several  ^Masques  and  other  Enter- 
tainments . . .  and  Printed  for  the  Author, 
with  His  INIajesty's  Royal  Licence,  etc. 
[Full  Score.]  The  Author  : 

London,  1750.     obi.  fol.  E.  527. 

[Another  edition.]  Twelve  English  Songs, 
collected  from  several  JMasques  A  other 
Entertainments.  Printed  for  J.  Johnson: 
London,  [1760  ?]     obi.  fol. '  e.  129.  a.  (3.) 

Thorough-BasK  made  easy  :  or.  Practical 
Rules  for  finding  and  applying  its  various 
Chords  . . .  with  Variety  of  Examples  in 
Notes,  etc.  The  Author: 

Edinburgh,  1757.   obi.  fol.     e.  129.  a.  (2.) 

Thorough  Bass  made  easy,  etc.  New 
Edition.  Preston : 

London,  [1190?]     obi.  fol.  e.  129. 


PASQUALI— PATENTS 


247 


PASQUALI  (NicoLu) 

See    Harpsichord    Miscellaivy.       The 
Harpsichord   Miscellany.      Book   Second. 
Composed  by  Alberti,  Pasquali,  etc. 
[1765  ?]    obi.  fol.  e.  140.  a.  (5.) 

See  Hasse  (.J.  A.)     The  Comic  Tunes  &c. 
to  the  Celebrated  Dances,  etc.    (The  Comic 
Tunes  to  all  the  Late  Opera  Dances  ...    , 
Compos'd  bv  Sig'  Hasse,  Pasquali,  etc.)         | 
[1750  ?]     obi.  i-.  a.  149. 

PASQUALINI  DE  MARZI  (       )     Six 

Solos  for  two  Violoncellos.     [Op.  1.] 

Printed  for  I.  Walsh  : 
London,  [1750  ?]     fol.  g.  102. 

Six   Solos  for  two  Violoncellos.      Opera 
Seconda.  Printed  for  J.  .Johnson  : 

London,  [1750  ?]  fol.  "  g.  510.  (4.) 
[Another  copy.]  g.  24.  b.  (4.) 

Six  Sonatas  for  the  Cetra  or  Kitara  with  a 
thorough  Bass,  etc. 

J.  Johnson,  for  the  Author  : 
London,  [1740  ?]     obi.  fol.  e.  376. 

PASQUAIiINO    DE    MARZIS    (        ) 

See  Pasqualixi  de  Marzi. 

PASSANT.     Le  Passant  et  la  Tourterelle. 
Air.     Sec  Du  Pre  (    ) 
Passant  Tau.     Ariette.     See  Cecile. 

PASSE-PARTOUT.     Le  Passe-Partout. 

'Song.^  Set'  Ox.  On  connait  I'usage 
constant,  etc.     [1785  ?]     8». 

B.  367.  j.  (7.) 

PASSERI  (GiovAjrai  Batista) 

See  Doxi  (G.  B.)  lo.  Baptistae  Doni . . . 
Lyra  Barberiua  .  .  .  Accedunt  eiusdem 
Opera,... ad  veterem  musicam  pertinentia 
. . .  Absoluta  . . .  studio  et  opera  lo.  Bap- 
tistae Passeri,  etc.      1763.     fol. 

558*.  e.  15. 

PASSETEMPS.  Le  Passe-Tems  Agreable 
et  Divertissant,  ou  le  Xouveau  Plaisir  de 
I'Amour.  Lequel  se  pent  jouer  sur  toutes 
sortes  d' Instruments.      10  pts.  Chez 

If'  Boitin  :  Paris,  [1745-7.]  S^      C.  394. 
Les  Passetems  de  Paris.     [Song.] 
See  Ocvrez.     Ouvres  bien  les  Oreilles. 
ri760?]     S".  B.  362.  (216.) 

PASSIONATE.  The  Passionate  Lover. 
"Song.]  See  Charmisg.  Charming  Phillis. 
[1735?]     s.sh.iol.  G.  316.  (30.) 

The   Passionate   Lover.      [Song,    begins : 
'  PhiUis  talk  no  more  of  Passion.'] 
See  Mox-RO  (G.) 

PASSIONE.       La    Passione     di    Nostro 
Signore  Giesu  Cristo.     Oratorio. 
See  JoiiELLi  (N.) 

PASSIONS.     The  Passions.     Ode. 
See  Hates  (W.) 

PAST.  Past  twelve  o'Clock.  Tlie  Choice 
Spirits'  Feast.     A  Cantata. 

Printed  for  T.  Straight  &  Skillern  : 
London,  [1115?^     fol.  G.  311.  (17.) 


PAST.    Past  Twelve  o'clock.  [Song,  begins : 
'  One  Ev'ning  good  humor  took  wit.'] 
See  Tremain  (T.) 

PASTERWIZ  (Georg)  VIII.  Fughe 
secondo  I'ordine  de  Toni  ecclesiastici  per 
1  'Organo  o  Clavicembalo. .  .Opera  i. 

Presso  Artaria  Comp. : 
Vienna,  [1792.]     obi.  fol.      e.  174.  m.  (6.) 

VIII.  Fughe  secondo  1'  A.  B.  C.  di  Musica 
per  I'Orgauo  o  Clavicembalo. .  .Op.  ii. 
An   Magazin  de   Musique  dans    VUnter- 
breuner  Strasse  :  Vienne,  ^"1792.]     obi.  fol. 

e.  174.  m.  (7.) 
VIII.  Fughe  per  1'  Organo,  o  Clavicembalo 
...Opera  III.  An  Magazin  de 

Musique     dans    VUnterbreuner    Strasse: 
Vienne,  [1795  ?]     obi.  fol.      e.  174.  m.  (8.) 

PASTOR.     Le  Pastor  Fido.     :Musette. 
See  PiFFET  (E.) 

Pastor's  Lamentation.     [Song.] 
See    Whkn.      When   by  my   Pastorella's 
Side.     ri750  ?]     s.  sh.  fol. 

G.  316.  f.  (51.) 

PASTOR  A.  Pastora's  come,  with  ^Myrtle 
crown'd.  The  Shepherd's  Wedding.  [Song, 
bv  J.  Worgau.l    {London,  lloO  ?]   s.  sh.  fol. 

G.  311.  (4.) 
Pastora's  come  with  myrtle  cro^vn■d.  The 
Shepherd's  Wedding.  rSong.  by  J.  Worgan.] 
Sung  at  Vaus-Hall.     [London,  1747.":     8". 

157.1.  9. 
London  Magazine,  1747,  p.  524. 

PASTORAL.     A  Pastoral.     [Song.] 
Sec  Flocks.     Flocks  are  sporting. 
[1750?]     s.sh.iol.         G.  316.  d.  (140.) 
A  Pastoral.   [Song.]    See  Flocks.   Flocks 
are  sporting,  etc.    [1758.]    8°.      158.  1.  3. 
A  Pastoral  Courtship.     [Song.] 
See  YocsG  (C.) 

A  Pastoral  Elegy.    [Song.]     See  Ah.    Ah, 
Damon,  dear  Shepherd,  adieu^e^c. 
1765.]     8'. 

PASTORELLA.  Pastorella  che  tra  le 
selve.      Duet.]     Sec  BoNON-crsi  (G.  B.) 

PASTORELLA  NOBILE.  La  Pasto- 
reUa  Nobile.    Opera.    See  Guglielmi  (P.) 

PASTRE.     Le  Pastre 
See  Marixi  (P.  L.) 

PAT.     Pat's  Planxty. 
j       See  Saudebsos  (J.) 

PATARINO    (GiovANXi    Maria) 
a  Quattro  Voci,  etc.    Canto.  (Alto.) 
j  Appresso  Angelo  Gardano  : 

'       Vcnetia,  1595.     obi.  4°.  A.  318. 

PATENT.     The  Patent  Cofan.     [Song.] 
I       See  DiBDts  (C.)     [Valentine's  Day.'] 

PATENTS.    Patents  all  the  Rage.    Comic 
Song.     See  Is.     In  ev'ry  clime,  etc. 
[1798.]     fol.  G.  249.  (27.) 


P.P.  5438.  z. 


Romance. 


[Song.] 


.Salmi 
2  pts. 


248 


PATERNAL— PAULUS 


PATERNAL.  Paternal  Love.  [Song.] 
See  Parent.  The  parent  Bird  whose 
little  Nest,  f^c.     [1745?]     s.sh.ioh 

H.  1994.  b.  (64.) 

PATHWAY     TO     MUSICKE.        The 

Ijathway  to  ]\Iusicke,  contayuing  sundrie 
familiar  and  easie  Rules  for  the  .  .  . 
understanding  of  the  Scale  or  Gamma-vt : 
.  .  .  Whereunto  is  annexed  a  treatise  of 
Descant,  &  certaine  Tables,  which  doth 
teach  how  to  remoue  any  song  higher,  or 
lower  from  one  Key  to  another,  neuer 
heretofore  published.  Printed  for 

William  Barley  :  London,  1596.     ohl.  4". 

K.  1.  c.  17. 
25  leaves,  witlwut  pagination. 

PATIE  AND  PEGGY.  Patie  and 
Peggy :  or,  The  Fair  Foundling.  A 
Scotch  Ballad  Opera  .  .  .  [adapted  from 
A.  Ramsay's  '  Gentle  Shepherd,'  by  T. 
Gibber].  With  the  Musick  prefix'd  to 
each  Song.  Pri^ited  for  J.  Watts: 

London,  1730.     8°.  11778.  b.  20. 

Patie  and  Peggy,  etc.  Printed  for  J. 
Watts:    London,  llSl.     8".     161.  g.  68. 

PATONI  (Giovanni  Battista)  Six  So- 
natas or  Duets  for  Two  German  Flutes 
or  Violins.     Opera  prima.  Printed 

for  J.  Cox  at  Simpson's  Musick  Shop : 
London,  [1750  ?]     fol.  g.  70.  e.  (3.) 

PATRICK.     Patrick's  Day  in  the  Morn- 
ing.    Song.      See  Ye.     Ye  Lads  and  ye 
Lasses  so  buxom  and  clever,  etc. 
[1777  ?]     s.  sh.  fol.  G.  314.  (52.) 

PATRICK  (John)  See  Psalms.  [English.] 
The  Psalms  of  David. .  .fitted  to  the 
Tunes  used  in  Parish-Churches  by  J. 
Patrick.     1701.     12°.  218.  b.  9. 

PATRICK     O'ROW.      Patrick    O'Row. 

iSong.]     See  Dibdin  (C.)     [The  Wags.] 

PATRIGNANI  (Giuseppe  Antonio). 
See  Presepi  (Presepio)  pseud. 

PATRIOT.     The  Patriot  Fair.     Song. 
See  When.     When  young  and  artless  as 
the  lamb,  etc.     [1754.]     8°.         250.  c.  1. 

PATRON.  The  Patron:  or,  The  States- 
man's Opera,  of  Two  Acts . . .  [Written]  By 
Mr.  Odell. .  .To  which  is  added  the  Musick 
to  each  Song,  etc.  W,  Pearson,  for 

J.  Clarke  :  London,  [1729.]    8°.     82.  b.'  1. 

PATT.       Patt.      Song.       See    Let.      Let 
Heroes  boast  of  Deeds  of  Arms,  etc. 
1761.  S".  158.  1.  6. 

PATTY.  Patty  the  Milk  INIaid.  Ballad. 
See  Carver  (     \  Miss. 

PATTY  CLOVER.  Patty  Clover. 
Ballad.     See  Shield  (W.)     [Marian.] 

PAUL.     Paul  and  Virginia.     Romance. 
Sec  Rouget  de  Lisle  (C.  J.) 


De  ta  main  tu 


Air  de  Paul  at  Virginia 


PAUL  ET  VIRGINIE. 

cueilles  le  fruit 

[by  J.  F.  Lesueur].  Avec  Accomp'  de 
Guittare.  Chez  hnhanlt  : 

Paris,  [1794.]     8".  B.  362.  c.  (74.) 

De  ta  main  tu  ceuille  [sic]  le  fruit.  Air 
de  Paul  et  Virginie  [by  J.  F.  Lesueur]. 
Avec  accompagnement  de  Piano-Forte  ou 
Harpe.  Chez  B.  Vigiieric  : 

Paris,  [1800?]     fol.  G.  548.  (64.) 

Paul  et  Virginie.     Comedie. 
See  Kreutzer  (R.) 
Paul  et  Virginie.     Drame  Lyrique. 
See  Lesueur  (J.  F.) 

PAULIN  (     )    Amis,  tout  boit.     Air,  etc. 
[Paris,]  1730.     s.  sh.  4".  297.  b.  12. 

Mercure  de  France,  Jan.,  1736. 
Entre  Cypris  et  la  Bouteille.     [Duet.] 
[Paris,]  1738.     s.  sh.  4".  297.  b."  26. 

Mercure  de  France,  Nov.,  1738. 
Je  veux  dans  une  Chanson.     Vaudeville, 
etc.     [Paris,]  1735.    s.  sh.  4°.     297.  b.  8. 

Mercnre  de  France,  April,  1735. 
Pour    un    objet    charmant   en    secret   je 
soupire.     Chanson.     (Les  Paroles   de    ^\. 
L.  M.  D.  C.)     [Paris,]  1736.     s.  sh.  4^ 

297.  b.  13. 

Mercure  de  France,  March,  1736. 
Quel  bruit !  quel   murmur e   confus.     Air 
a  Boire,  etc.     [Words  by]  L.  M.  D.  C. 
[Paris,]  1734.     s.  sh.  4".  297.  b.  6. 

Mercure  de  France,  Dec,  1734. 
Sans  moi  la  plus  super  be  Fete.     Chanson, 
sur  la  Libert^,  en  Bondeaii. 
[Paris,]  1736.     s.  sh.  4°.  297.  b.  12. 

Mercure  de  France,  Jan.,  1736. 
Vous  plairez-vous  toujours  a  voir  couler 
mes    larmes?      Air.       [Words]    Par    ]M. 
d'Arnaud.     [Paris,]  1738.    s.  sh.  4". 

297.  b.  24. 

Mercure  de  France,  July,  1738. 

PAULSEN  (Carl  Friedrich  Ferdinand). 
Lieder  mit  Melodien  zu  singen  am 
Klavier. .  .Zweyte  Sammluug. 

Bci  dem  Verfasser  .- 
Flensburg  und  Hamburg,  1798.     obi.  fol. 

D.  727. 

PAULSEN  (Peter)  Claviermusic  zu 
ernst-  und  scherzhaften  Liederu.  hi 
Commission  dcr  Kortensclien  Buchhand- 
lunq  :  Flensburg  und  Leipzig,  1766.     fol. 

F.  657. 

PAULUS,  Aretinus.  Piae,  ac  Deuotissima' 
Lameutationes  Hieremise  Prophetse,  tum 
etiam  Passiones  lesu  Christi  Dominicse 
Palmarum,  ac  Veneris  Saneti.  Nunc 
primum  a  Domino  Paulo  Aretino  com- 
posite, atque  sub  musicis  rhythmis  in 
luceru  edite.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)  4  pts.  Apud  Hieronymum 
Scotum :   Venetijs,   1563.      obi.  4° 

K.  3.   1.  S. 


PAULUS— PAZZAGLIA 


249 


PAULUS,  de  Venetlis.  Nova  Lyra  Choralis 
alias    Manuale    iu    qua    prfeter     modum 
Recitandi  Horas  Diurnas  (iuxta  Diuruum 
Romanum)  ac  jSIocturnas,  idest,  Psalmos, 
&  Antiphonas,  habentur  etiam  in   Cautu   ' 
ea  omnia,  quaj  pertinent  turn  ad  Vesperas, 
turn  ad  Laudes.   Desumpta ...  ex  Antiquis 
manuscriptis    Chori     S.  Francisci  Yinese    i 
Venetiarum  a  Patre  Paulo  de  Venetiis,  etc.   \ 
Apucl  Turrinnm  :  T>ne/iis,  [1665.]     fol. 

3366.  h.  5. 

PAULUS,  Ferrariensis.  Passiones,  La- 
mentationes,  Responsoria,  Benedictus, 
Miserere,  multaque  alia  .  .  .  Cantica  ad 
ottitium  hebdomadiB  Sanctte  pertinentia, 
.  .  .  D.  Pauli  Ferrariensis. .  .coUecta,  emen- 
data,  &  typis  tradita.  Altus.  (Tenor.) 
2  pts.  Apud  Hicronymum  Scottim  : 

Venetijs,  1565.     4°.  D.  83. 

PAUSCH      (Eugen)       XXXII.      Psalmi 

Vespertiui. .  .Adjunctis  in  fine  i.  Anti- 
phonis  Marianis.  Pro  4.  Vocibus  or- 
dinariis ;  concinuentibus  2.  Violinis, 
Alto-Viola  &  Organo  obligatis ;  2.  Obois, 
Flautis  sou  Clarinetis  vero,  2.  Clariuis  seu 
Cornibus,  &  Tympanis  non  obligatis. 
Opus  III.  [Separate  Parts.]  Suynptibus 
Joannis  Jacobi  Lotter  <f-  Filii :  Augustx 
Vindelicornm,  1797.     fol.  H.  3215. 

PAUVRE.     Pauvre  Jacques,  quand  j'^tois 
pres  de  toi.     Romance  dii,  Pauvre  Jacques. 
Avec  Accomp'  de  Guittare. 
Chez  Imhault :  Paris,  [1790?]     8^ 

B.  362.  a.  (186.) 

Pauvre  Jacques.  A  Favorite  French 
Air  for  the  Piano-Forte  or  Harp. 

Printed  for  H.  Birchall : 
London,  [1795  ?J     fol.  G.  295.  (7.) 

[Another  edition.]  Pauvre  Jacques.  A 
Favorite  French  Air,  etc.  Dale  : 

London,  [1795  ?]     fol.        H.  1250.  (38.) 

Pauvre  Sire,  defeuseur  de  la  loi.  Le  Pauvre 
Sire.     [Song.]     Air  du  Pauvre  Jacques. 
Chez  Imhault:  [Paris,  1192.'     8' 

B.  362.  a.  (189.) 

Pauvre  Sire,  tu  n'as  plus  de  v6to.  Ronmnce 
D6di6e  au  gros  Louis  ci-devant  Roi  [and 
written]  par  Ladrc.  Air.  Du  Pauvre 
Jacques.     {Paris,  1792.]     8". 

B.  362.  a.  (188.) 

Le   pauvre   terns,   le   pauvre  terns.     Air. 
See  Lesueur  (J.  F.)      [La  Caverne.] 

PAUVRE  FEMME.  Apres  la  chute  des 
tyrans.  Air  de  la  Pauvre  Femme  [by  N. 
Dalayrac].     [Paris,  1795  ?]     S'. 

B.  362.  d.  (57.) 

Ne  fait  pas  tant  votre  embarras.  Air  du 
Porteur  d'Eau  dans  la  Pauvre  Femme 
[by  N.  Dalayrac].     [Paris,  1795  ?]     8°. 

B.  362.  (108.) 


PAVONA  (Petrus  Alexaxder)  Missse 
Quatuor  Vocibus  concinendse  cum  Basso 
pro  Organo  ad  libitum,  etc.  Gantus. 
(Tenor.)  (Bassus.)  (Bassus  ad  Organum.) 
4  pts.  Tiipis  Ln-lii  a  Yulpe  : 

Bononiiv,  1770.     4°.      '  E.  538. 

PAXTON  (Stephen)  The  Answer  to 
Turn  Amarillis.  [Glee,  begins  "  Go, 
Damon,  go."]  J.  Bland  : 

London,  [1190  ^     fol.  G.  353.  (24.) 

A   Collection   of   Glees,    Catches,  etc.   for 
Three  and  Four  Voices.  .  .Opera  5. 

Printed  for  the  Author  :  London. 
[1785  ?]     obi.  foi.  D.  400.  a.  (1.) 

This  work  contains  several  glees  by 
W.  Paxton. 
Eight  Duetts  for  a  Violin  and  Violoncello 
or  Two  Violoncellos  . . .  Opera  Seconda. 
To  which  is  added  The  Highland  Laddie, 
a  Scots  Air,  with  Variations  for  a  Violon- 
cello and  a  Violin.  The  Author  : 
London,  [1780  ?]  fol.  g.  500.  (1.) 
Four  Duets  for  a  Violin  and  Violoncello, 
and  Two  Solos  for  a  Violoncello  and  Bass 
. .  .Opera  iv.  Printed  for  the  Author  : 
LondaH,  [1780?]  fol.  "h.  1865.  (11.) 
Twelve  Easy  Lessons  for  a  Violoncello 
and  a  Bass  . . .  Opera  vi. 

I'rinted  for  the  Atithor  : 
London,  [1785  ?]     fol.  g.  512.  (1.) 

Six  Solos  for  the  Violoncello  . . .  Opera 
Prima.  Longman  and  Broderip  : 

London,  [1780  ?]     fol.  g.  24.  (3.) 

[Another  copy.]  g.  514.  a.  (4.) 

Six  Easy  Solos  for  a  Violoncello  or  Bassoon. 
. . .  Opera  in.  Printed  for  the  Author  : 

Lonrfo/i,  [1780?]     fol.  g.  500.  (9.) 

[Another  edition.]     Six  Easy  Solos  for  a 
Violoncello  or  Bassoon. .  .Opera  in. 
Preston:    London,  [1190?]      fol. 

g.  24.  (4.) 
See  Amusemekt  for  the  Ladies. 
Amusement  for  the  Ladies,  being  a 
Selection  of ..  .Glees  and  Madrigals. .  .by 
. . .  Messrs.  Atterbury,  . . .  Paxton,  etc. 
[1771-93.]    obi.  fol.  E.  61. 

See  Webbe  (S.)  the  Elder.  A  Collection 
of  Masses. .  .with  Others. .  .by. .  .Paxton. 
(1792.)     obi.  4'.  A.  480. 

PAYMASTER.  The  Paymaster.  Can- 
tata. See  As.  As  Briton's  Sons,  her 
darling  Sons  complaiu'd.     [1770  ?]     fol. 

G.  306.  (171.) 

PAZZA  PER  AMORE.     La   Pazza   per 
Amore.      [Opera.j 
See  Paisiello  (G.)     [Nina.] 

PAZZAGLI A  (Salvador)  All'  Altezza 
Reale  di  Maria  Teresa,  Arciduchessa 
d'  Austria . . .  Queste  Sei  Sonate  da  Cimbalo 
per  il  piano,  e  forte  col  accompagnamento 
del  Violino,  dedica.  .  .S.  Pazzaglia,  etc. 
[Florence?  1760?]     obi.  iol.  c.  2. 


250 


PAZZIE— PECK 


PAZZIE  D'  ORLANDO.  Overture  [to 
P.  Guglielmi's  Opera,  Le  Pazzie  d'] 
Orlando.     [P.  F.]  [B.  Brcmner  : 

London,  1771.]     fol.  g.  271.  b.  (11.) 

PEA.     The  Pea  Field.    [Song.]    Ste 'Twas. 
'Twas  near  the  flowing  Avon. 
[1780?]     s.sh.iol.  G.  312.  (219.) 

PEACE.  Peace.  Ballad.  Sac  Adams  (T.) 
Peace.  Round.  See  Doyle  (  )  and 
Perfect (     ) 

Peace  and  Plenty  swell  the  Nation.  Song. 
See  Doctor  Paustus. 

Peace  gentle  IMaid.  Loijal  Stanzas  on  a 
Dove  'lighting  on  Her  Royal  Highness 
the  Princess  Elizabeth  at  Covent  Garden 
Theatre  in  the  Pantomime  of  Alother 
Shipton  by  Mr.  Swords,  etc.  [Song, 
adapted  to  an  air  by  F.  Giardini.] 

hongman  it  Brodcrip  : 
I/0?ido«,  [1793?]     fol.  G.  249.  (26.) 

Peace    o'er    the    World.      A    Hymn   for 
Christmas-Day.     The  Words  by  Mr.  Pope. 
Set  by  an  eminent  Master. 
[London,]  1760.     8".  P.P.  324.  n. 

Ghristiaii's  Magazine,  Dec. ,1160,  i).  378. 
Peace  to  the  Souls  of  the  Heroes.     Glee. 
See  Callcott  (J.  W.) 

PEACE  (James)  Divine  Harmony :  a 
Collection  of  Hymn  and  Psalm  Tunes  for 
one,  two,  three  and  four  voices,  with  a 
Thorough  Bass  for  the  Organ,  Harpsi- 
chord, Piano-Forte,  etc. 

J.  M" Galley,  for  the  Author  : 
Dublin,  [1790?]     fol.       H.  1187.  o.  (4.) 
Imperfect,  ivanting  all  after  p.  14. 

PEACOCK  (Francis)  Fifty  Favourite 
Scotch  Airs  for  a  Violin,  German-Flute 
and  Violoncello,  witli  a  Thorough  Bass 
for  the  Harpsichord,  etc. 

Mrs.  Joh)ison,  for  the  Puhlishcr  in 
Aberdeen:  London,  [110-2?]     fol.  g.  268. 

PEAN  (  )  Tristes  6chos.  Romance. 
Imitee  de  I'Allemand  de  ^M"  le  Baron 
de  Cronegh,  avec  accompagnement  de 
Guitarre.  Paroles  de  IM"'  Laus  de  Boissy, 
etc.      [Paris,]  1778.      s.  sh.  8". 

297.    f.   22. 
Mercure  dc  France,  May,  1778. 

PEARCE  (Lewis)  Bermondsey  Spa. 
[Song.]  The  Words  by  Mr.  Empson,  etc. 
[London,  1782.]     8°.  2117.  c. 

European  Magazine,  Vol.  II.,  p.  217. 

PEARCE  (Samuel)  Sacred  Music,  or  a 
Pleasing  Companion  for  chearful  Chris- 
tians, being  an  entire  new. .  .sett  of  Psalm 
and  Hymn  Tunes  .  .  .  designed  for  two 
three  or  four  Voices.  To  which  is  added 
Two  Tunes. .  .for  Christmas  Day. 

Longman,  Lukey  and  Broderip, 
for  the  Author  :  Loudon,  [177G?]     obi.  8". 

B.  584. 


PEARL.     The  Pearl.     Glee. 
See  Casson  (E.)  Miss. 

PEARLY.     Pearly  Tear  by  Nature  shed. 
A  Song,  etc.     [By  T.  Bowman.] 
[London,  1754.]     8°.  250.  e.  1. 

Gentleman's     Magazine,     Vol.     XXIV., 
p.  476. 
Pearly  Tear  by  Nature  shed.     [Song.] 
See  Bowman  (T.) 

PEARSALL  (Robert  Lucas) 

See  WiLFFLiNGSEDER  (A.)  Musica  Teutsch, 
etc.     [With  an  unfinished  English  transla- 
tion in  the  autograph  of  R.  L.  Pearsall.] 
1572.     8°.  K.  7.  h.  1. 


Paisible. 
Ballad. 


Song. 


PEAS  ABLE  (James)     See 

PEASANT.     The  Peasant. 
See  Moulds  (J.) 
The  Peasant  of  Bantry  Bay. 
See  Moulds  (J.) 
The  Peasant's  Cottage.     Canzonett. 
See  Mozart  (W.  A.)     [Die  Zufriedenheit.] 
The  Peasant's  Prayer.     Canzonet. 
See  Bryan  (M.  A.) 

PEASTON    (William)      A    Selection    of 
Psalm  and  Hymn  Tunes  in  Three  Parts. 
Printed  for  IF"'  Whijte  dWilUam  Peasfon  : 
Edin.?  [1800?]     8°.  B.  580.  a. 

PECCI  (ToMASo)  Canzonette  a  Tre  Voci 
con  il  Basso  Continuo,  etc.  Canto  Primo 
(Secondo).      (Basso.)      (Basso   Continiio.) 

4  pts.  Appresso  Petro  PJialesio  : 
Anuersa,  1624.     obi.  4°.  A.  40. 

This  loork  also  contains  a  canzonet   by 
G.  Giuliani. 
Del  Sig.  Tomaso  Pecci  Madrigali  a  Cinque 
Voci,  etc.     Canto.     (Tenore.)     2  pts. 

Appresso  Angela  Gardano  : 
Venetia,  1602.     4°.  D.  188.  a. 

This  work   contains   two    madrigals    by 
M.  Tantucci. 
Del    Signor   Tomaso    Pecci    ^ladrigali    a 
Cinque    Voci.      Libro    Secondo.      Canto. 
(Alto.)       (Tenore.)       (Basso.)       (Quinto.) 

5  pts.  Ajtprcsso  V  Herede  di  Angela 
Gardano:   Venetia,  1012.     4°.         D.  188. 

PECHEUR.     Le  Pecheur.     Romance. 
See  Pres.     Pres  des  bords  fleuri.-,. 
[1785  ?]     8\ 

PECHEURS.     Les 

,sv<-  GossEC  (F.  J.) 

PECK  (James)    Peck's  Collection  of  Hymn 
Tunes,    Fugues  &   Odes,  chiefly  original, 
in   Three   and    Pour    Parts,    interspersed 
with  fugitive  &  selected  Pieces.     3  Bks. 
J.  Peck  :  London,  [1799-1800].     obi.  i". 

A.  512. 

Hail  Britannia  !  A  Glee  for  Three  Voices. 
Written,  composed,  &..  .Inscribed  to  the 
. . .  Company  of  Ironmongers,  by ...  J.  Peck. 
J.  Peck  :  [London,  1800  ?]     obi.  fol. 

D.  402.  (23.) 


B.  362.  b.  (185.) 

Pecheurs.     Comedie. 


PECK— PELLEGEINI 


251 


PECK  (James)  Kisses!  A  Favorite  Glee  [for 
three  voices].  Preston,  for  the  Author  : 
London,  [1800?]  obi.  io\.'  D.  402.  (22.) 
Love  and  Sparkling  Wine.  A  Favorite 
Glee  for  Three  Voices. 

Printed  by  the  Composer  : 
[London,  1800  ?]     obi.  fol.     D.  402.  (21.) 
Soft  be  the  gently  breathing  notes,  a . . . 
Hymn,  written  bv  the  Rev*  Mr.  Collver. 
J." Peck  :  London,  [1798  ?]     fol. 

G.  503.  (11.) 

PECK  (R.)  See  Mathews  (J.)  Howe  and 
the  Glorious  First  of  June  . . .  Song  . . . 
Arranged  for  the  Harpsichord  ...  by  R. 
Peck,  etc.     [1794.]     fol.        G.  376.  (25.) 

PECOUR  (Louis)  Recueil  de  Dances, 
composees  par  M.  Pecour.  ..et  raises  sur 
le  Papier  par  M.  Feuillet,  etc. 

Chez  VAtitcur  : 
Paris,  1700.     4°.  556.  e.  13.  (3.) 

Recueil  de  Dances  contenant  uu  tres 
grand  nombres,  des  meillieures  Entrees 
de  Ballet  de  I\I'  Pecour  . . .  Recueillies  et 
mises  au  jour,  par  M""  Feuillet,  etc. 

Chez  le  Siciir  Feuillet : 
Paris,  1704.     4".  7895.  e.  24. 

See  Pemberton  (E.)     An  Essay  for  the 
further  Improvement  of   Dancing  ...  To 
which  is  added. .  .a  Jig  by  Pecour,  etc. 
1711.    4".  &  fol.  556.  e.  16. 

PEDIGREE.     The  Pedigree  of  a  Fidler. 
See  I.     I  am  a  merry  Fidler. 
[1715  •?]     s.  sh.  fol.  G.  315.  (66.) 

PEDLAR.     The   Pedlar.     [Song,   begins: 
'  Come  here,  come  here.'] 
<SVt'  DiBDiN  (C.)     [Christmas  Gambols.] 
The  Pedlar.     Glee.     See  Wili..     Will  you 
buy  auv  tape,  etc.     [Bv  E.  S.  Biggs. 
[1800?]     fol.  ■    G.  805.  k.' (42.) 

The  Pedlar.     Glee.     [Begins  :  '  From  the 
fair  Lavinian  shore.'] 
Sec  WiLSOX  (J.)  Mus.  Doc. 

PEEPING    TOM    OF    COVENTRY. 

Peeping  Tom  of  Coventry.  Comic  Opera. 
Sec  Arnold  (S.) 

PEERSON  (Martin)  Mottects  or  Graue 
Chamber  Musique.  Containing  Songs  of 
fine  parts  of  seueral  sorts,  some  ful,  and 
some  Verse  and  Chorus.  But  all  tit  for 
Voyces  and  Vials,  with  an  Organ  Part ; 
...Also,  A  Mourning  Song  of  sixe  parts 
for  the  Death  of  the  late  . . .  Sir  Fulke 
Greuil  .  .  .  Composed  according  to  the 
Rules  of  Art  by  M(artin)  P(eerson),  etc. 
Cantus.  (Altus.)  (Tenor.)  (Contra  tenor.) 
(Bassus.)  (Organ  Part.)  6  pts. 
William  Stansby  :  London,  1630.     4". 

K.  2.  d.  13. 
[Private  ^lusicke,  or  the  First  Booke  of 
Ayres  and  Dialogues.  Contayning  Songs 
of  4.  5.  and  6.  parts  . . .  for  Voyces  and 
Viols.     And  for  want  of  Viols,  they  may 


be   performed    to   either  the  Virginall  or 

Lute. .  .All  made  and  composed  according 

to  the  rules  of  art  by  ]\I(artin)  (Peerson), 

etc.]  [TJiomas  Snodltam': 

London,  1620.]     4".  K.  2.  d.  12. 

hnperfect,  wanting  all   before    C  2   and 

after   F  i.     The  title-page  and  index 

are  supplied  in  manuscript. 

PEGGY.      Peggy.      Song.      See   To.      To 
the  Wood  Robin  Redbreast  is  flown,  etc. 
[1763.]     8".  P.P.  5438.  z. 

Peggy.     [Song.]     See  To.     To  the  Wood 

Robin  Red  Breast  is  flown. 

[1766  ?]     s.  sh.  fol.  G.  312.  (232.) 

Peggy  Devoted.     [Song.] 

See  infra :  Peggy  in  Devotion,  etc. 

[1710?]     s.sh.iol.  H.  1601.  (367.) 

Peggy  in  Devotion.  Peggy  Devoted  or  the 
Scotch  Parsons  daughter.  [Song,  the 
words  by  T.  Durfey.]  [London , 

1710?]     s.sh.iol.  H.  1601.  (367.) 

Peggy's    ^lill.      rSong.j 

See  Beneath.     Beneath  a  green  Shade. 

[1730?]     s.sh.  fo\.  G.  306.  (235.) 

PEGGY     PERKINS.      Peggy    Perkins. 
[Song.]     See  Dibdin  (C.)     "The  Oddities.] 

PEGGY    WYNNE.       Peggy    Wynne. 
Song.     See   Poets.      The   poets,   in   con- 
science, have  teas'd  us  too  long,  etc. 
[1763.]     H°.  P.P.  5438.  z. 

PEILE  (I.)     In  the  IMorn  as  I  walk  thro' 
the  Mead.     A  Favorite  New  Song. 
[LoHfZoH,  1780?]     fol.         G.  309.  (114.) 

PEINTRE   AMOUREUX    DE    SON 

MODELE.  Le  Peiutre  amoureux  de 
son  Modele,  Piece  en  deux  Actes  . . .  Par 
M.Anseaume.  Nouvelle  Edition.  (Ariettes 
[by  E.  R.  Duni ,  du  Peintre  Amoureux,  etc.) 
2  pts.  Chez  Dudiesnc  :  Pari.%  1759.  S^ 
11739.  aaa.  26.  (2.) 
Le  Peintre  amoureux  de  son  Modele. 
Op6ra  Comique.     See  Duni  (E.  R.) 

PELICHIARI  (Francesco) 

See  GuiDETTi  (G.)     Directorium  Chori.  . . 
in  hac  postrema  editione  a  D.  Francisco 
Pelichiari. .  .a  mendis  expurgatum,  etc. 
1737.     4°.  1221.  i.  3. 

PELISSIER    (        )         Bachus,    Bachus, 
i 'implore  ton  .secours.     [Song.] 
[Paris,  1723.]     s.  sh.  i'\  297.  a.  2. 

Le  Mercure,  April,  1723. 

PELLEGRINI  (Ferdinando)  Four 
Grand  Concertos  or  Symphonies  for  the 
Harpsichord  or  Organ  with  Accompany- 
ments  for  two  Violins  and  a  Violoncello. 
[Separate  Parts.]  Printed  for  P.  Welckcr  : 
London,  [1765  ?]     fol.  g.  640.  (1.) 


252 


PELLEGRINI— PEPUSCH 


PELLEGRINI  (Ferdinando)  Six  Con- 
certos for  the  Harpsicord  or  Organ  with 
Accompanyments  for  Two  Violins,  Tenor 
&  Violoncello  . . .  Op.  Sexta.  [Separate 
Parts.]  Printed  for  I.  Walsli : 

London,  [17G0  ?]     fol.  "  g.  640.  (2.) 

Six    Lessons    for    the    Harpsichord  .   .  . 
Opera  v"'.  Printed  for  B.  Brcmner  : 

London,  [1770?]     fol.       "  g.  270.  g.  (5.) 

Seize  Nouveaux  Preludes  pour  le  Clavecin, 
etc.     L'Atdeur  :  Paris,  [1755  ?]     obi.  fol. 

e.  5.  h.  (5.) 

Sei  Senate  per  Cemhalo . . .  Opera  Seconda. 
Printed  for  I.  Walsh  : 
London,  [1760  ?]  obi.  fol.  "  e.  12.  (1.) 
Six  Sonatas  for  the  Harpsichord  with  an 
Accompaniment  for  a  Violin. .  .Opera  4"'. 
Printed  for  R.  Bremner  and  A.  Hummel: 
London,\mO?]  fol.  g.  223.  d.  (21.) 
Three  Senates  pour  le  Clavecin  avec 
accompagnement  de  Violon  . .  Oeuvre  vii. 
Welcker  :  London,  [1770.]     fol. 

g.  272.  c.  (19.) 

PELLEGRINO.     See  Pellegrini. 

PELOPIDA.     Pelopida.     Opera. 
See  Barthelemon  (F.  H.) 

PELS  (Andries)  a.  Pels  M^ngelzangen, 
eerste  (tweede)  deel.  De  tweede  druk 
verbeterd.     2  pts. 

Gedrukt  voor  het  KiinstgcnootscJidp  : 
Amsterdam,  1717.     8".  1156.  bb.  43. 

M"'  A.  Pels  ]Miune-Liederen    6n    INIengel- 
zangen.  By  Albert  Magnus  : 

Amsterdam,  16S4.     8°.  A.   1180. 

PEMBERTON  (E.)  An  Essay  for  the 
further  Improvement  of  Dancing ;  being 
a  Collection  of  Figure  Dances,  or  several 
Numbers,  compos'd  by  the  most  Eminent 
Masters  ;  describ'd  in  Characters  after  the 
newest  Manner  of  iMonsieur  Feuillet...To 
which  is  added,  Three  single  Dances,  viz. 
A  Chacone  by  ]Mr.  Isaac,  A  Passacaille  by 
;Mr.  L'Abbe,  and  a  Jig  by  Mr.  Pecour,  etc. 
■1  pts.  J.  Walsh  land'.  J.  Hare: 

London,  1711.     4"  &  fol.  556.  e.  16. 

PENDANT.  Pendant  que  nos  braves 
Guerriers.  Air.  See  L'EsGU  (J.) 
Pendant  tout  I'Kt^.  La  Cigale  et  la 
Fourmy.  Fable  de  la  Fontaine,  accom- 
mod^e  sur  I'air  '  Lison  dormoit '  [by  N. 
Dezedes].     [Pari.s,  1790?]     8'. 

B.  362.  (10.) 
No.  107  of  '  L'Ariette  du  Jour.' 

PENELOPE.  Penelope,  a  Dramatic 
(Jpera  [by  John  IMottley  and  Thomas 
Cooke],  as  it  is  Acted  at  the  New  Theatre 
in  the  Hay-Market.  [With  the  Overture 
in  full  score  and  the  tunes  of  the  songs.] 
T.  Green  :  London,  1718  [1728].     8". 

80.  e.  23.  (3.) 
Penelope.     Opera.     See  Galuppi  (B.) 


PENELOPE.  Penelope.  Tragedie 
Lyrique.     See  PicciNi  (N.) 

PENITENCE.^  La^  Penitanse  Agreable. 
[Song.]  See  A.  A  confesse  m'en  sui-; 
aWL    [1785?]     8».         B.  362.  b.  (164.) 

PENITENT.  The  Penitent  Nun.  [Song.] 
See  Haym  (N.  P.) 

PENNY.  A  Penny  for  your  Thoughts. 
[Song.]     See  Gentleman. 

PENSEE.     La  Pensee.     Cantatille. 
See  Lefebure  (A.) 

PENSIVE.  Pensive  Phillis  lonely  stray- 
ing.    Tlie  Pantheon.     [Song.] 

Str[aight]  d  Sk[illern : 
London,  1115?]     s.  sh.  iol. 

H.   1980.   (83.) 

The  Pensive  Rose.     [Song.] 

See  Pitman  (A.)   [Three  Amorosos.   Op.  'i. 

No.  2.] 

The  Pensive  Swain.    [Song.]     See  Sweet. 

Sweet  dav,  so  cool,  so  calm,  so  bright. 

[1760  ?]    V.  sh.  fol.  G.  316.  (135.) 

PEPUSCH  (Johann  Christoph)  Mr. 
Pepusch's  Aires  for  two  Violins.  IMade  on 
Purpose  for  the  Improvement  of  Practi- 
tioners in  Consort.  The  whole  Fairly  En- 
graven and  Carefully  Corected.  Printed 
for  J.  Walsh. .  .and  J.  Hare:  London, 
[1714?]     fol.  h.  59. 

Alexis.  See  infra  :  [Six  English  Cantatas. 
No.  2.] 

[The  Beggar's  Opera.]  The  Excellent 
Choice.  Being  a  Collection  of  the  most 
favourite  Old  Song  Tunes  in  the  Beggars 
Opera  set  for  3  Voices  in  the  manner  of 
Catches  or  for  two  German  Flutes  and  a 
Bass.  By  D''  Pepusch  and  the  most 
Eminent  English  Masters. 

Printed  for  T.  WalsJi  : 
London,  [11507]     obi.  iol.       0.270.(1.) 
The  Beggar's  Opera... — The  Overture  and 
Basses  composed  by  Dr.  Pepusch. 
1777.     4°.  1344.  n.  5. 

See  Beggar's  Opera. 
The  Beggars  Opera,  as  it  is  performed  at 
the  Theatres  Royal  . . .  Composed   by  D'' 
Pepusch,  for  the  Voice,  Harpsichord,  and 
Violin.  Printed  for  Harriso)i  d'-  Cv.  : 

London,  [1780  ?]     obi.  fol.       D.  270.  (2.) 

[For    editions    published    without 

Pepusch's  name:]    See  Beggar's  Opera. 


Six  English  Cantatas,  etc. 
J.  TFaZs/i  ;  Loh^ou,  [1715?] 


Printed  fo 


fol. 

G.  222.  (1.) 

[No.  1.]     The  Island  of  Beauty. 

See   As.     As   Beauty's  Goddess  from  the 
Ocean  sprung,  f/c.     [1712?]     fol. 

I.  530.  (10.) 

[No.  2.     Alexis.]     A  Cantata,  etc. 

[London,  11 15  7]     fol.  1.600.(110.) 

Engraved  by  Tliomas  Cross,  Jan. 


PEPUSCH 


253 


PEPUSCH     (JoHANN    Christoph)      The 
Beggar's   Opera.      [No.   2.]      Alexis.      A 
favourite  Cantata,  etc. 
{London,  1745  ?]    fol.      H.  1994.  c.  (58.) 

[No.  2.     Alexis.]    Sec  See.   See  from 

the  silent  Grove,  etc.     [1740  ?]     fol. 

G.  316.  e.  (140.) 
Six  English  Cantatas  for  one  Voice. 
Four  for  a  Flute  and  two  with  a  Trumpet 
and  other  Instruments. .  .Book  y''  Second. 
Printed  for  J.  Walsh  : 
London,  [1720  ?]     fol.  G.  222.  (2.) 

[Dido  and  Eneas.  Hear  me,  mourning 
Princess.]  See  Dido  and  Eneas.  A  Song 
in  the  Mask  of  Dido  and  Eneas.  [Music 
by  J.  C.  Pepusch.j     [1716  ?]     s.  sli.  fol. 

H.  1601.  (211.) 
An  Entertainment  of  Musick  call'd  The 
Union  of  the  Three  Sister  Arts  as  it  is 
perform'd  at  the  Theatre  in  Lincolns  Inn 
Fields  for  S'  Cecilia's  Day  1723,  etc. 
Printed  far  I.  Walsh  d  P'"  d  loseph  Hare  : 
London,  1723.      fol.  G.  222.  (3.) 

The  Excellent  Choice. 

See  supra  :  [The  Beggar's  Opera.] 

The  God  of  Love  had  '  lost  his  Bow. 
Cantata.     [London,  1720  ?]     fol. 

G.  312.  (12.) 

Dr.  Pepusch's  Ground.     With  Variations 

for  the  Harpsichord,  Violin  aud  Guittar. 

Printed  for  T.  Straight : 

London,  [1780?]     fol.       g.  271.  b.  (13.) 

How  blest  is  a  Soldier. 
See  infra  :  [Thomyris.'] 

Myrtillo.        [For    songs,    &c.,    published 

anonymously  :]  See  Myrtillo. 

Perseus  and  Andromeda.     [For  songs,  &c. , 

published  anonymously :] 

See  Perseus  and  Andromeda. 

Polly.     [For  editions  of  Polly,  the  Second 

Part  of  the   Beggar's   Opera,  written  by 

Gay,    with     music     arranged     by    J.    C. 

Pepusch:]  See  Polly. 

Royal    George   to   Brittain    hasting.      A 

Song  ...  on    the   happy   Return   of    his 

Majesty.     [London,  1732  ?]     s.  sh.  fol. 

G.  303.  (36.) 
XXIV.  Solos  for  a  Violin  with  a  Through 
Bass  for  the  Harpsicord  or  Bass  Violin. 

Printed  for  I.  Walsh: 
London,  [1705  ?]     obi.  fol.  e.  15.  b. 

There   is   a   second   title-page   in  which 
I.  Hare's  name  occurs  icith  Walsh's  in 
the  imprint.     This  is  the  same  ivork 
as   that  published  at   Amsterdam  as 
'  Sonates  a  un  Violon,'  etc. 
A  Second  Set  of  Solos  for  the  Flute,  with 
a  Thorough  Bass  for  the  Bassoon,  Bass- 
Flute  or  Harpsicord.     [Separate  Parts.] 
Printed  for  J.  Walsh.  .  .d  P.  Randall. .  .d 
J.  Hare  :  London,  [1710  ?]     fol. 

h.  250.  c.  (2.) 


PEPUSCH  (JoHANN  Christoph)  Sonates 
a  un  Violon  Seul  &  une  Basse  Continue 
.  .  .  Livre  Premier  (Second).  2pts. 

Chez  Estienne  Roger : 
Amsterdam,  [110^'>]     obi.  fol.  e.  15. 

Sonates  a  un  Violon  Seul  &  une  Basse 
Continue  .  .  .  Livre  Premier  (Second). 
Seconde  Edition  Reveue  &  Corrige  par 
I'Autheur.  2  pts.  Chez  Estienne  Roger : 
Amsterdam,  [1710?]      obi.  fol. 

e.  15.  c.  1. 
X.  Sonates  a  Violon  Seul  &  Basse  Con- 
tinue . . .  Cinquieme  Ouvrage,  ou  plutot 
Livre  Troisieme  de  son  Second  Ouvrage. 

Chez  Estienne  Roger  :  Amsterdam, 
[1710?]    obi.  fol.  e.  15.  c.  (2.) 

X.  Sonates  a  Violon  Seul  &  Basse  Con- 
tinue .  .  .  Sixieme  Ouvrage,  ou  plutot  Livre 
Quatrieme  de  son  Second  Ouvrage. 

Chez  Estienne  Roger  :  Amsterdam, 
[1710 ?]    obi.  fol.  e.  15.  c.  (3.) 

The  Additional  Songs  in  the  Opera's  of 
Thomyris  &  Camilla  as  they  are  Perform'd 
at  the  New  Theatre,  etc.     [Score.] 

I.  Walsh  and  I.  Hare  : 
London,  [1120  ">]     fol.       H.  2815.  j.  (1.) 

How  blest  is  a  Soldier.  An  Additional 

Song  set   by   Dr.  Pepusch.     Sung  by  Mr. 
Leveridge  in  the  Opera  of  Thomyris. 
[London,  1720  ?]     s.  sh.  fol. 

G.   308. 

[How  blest  is  a  Soldier.] 

See  Thomyris.  A  Choice  Additional 
Song  in . .  .Thomyris.  [Bv  J.  C.  PepU'-ch.] 
[1725?]     s.sh.iol.  H.  1601.  (200.) 

[Another   edition.      How   blest  is  a 

Soldier.]  A  Choice  Additional  Song  in 
Thomyris.     [By  J.  C.  Pepusch.] 

See  Chloe.  Chloe,  or  the  ^Musical  ^laga- 
zine,  etc.  N"  89.  [1760?]  fol.  G.  433. 
[Venus  and  Adonis.]  The  Songs  and 
Symphony's  in  the  Masque  of  Venus  and 
Adonis  as  they  are  Perform'd  at  the 
Theatre  Royal  .  . .  Fairly  Engraven  and 
Carefully  corected  by  the  Author.  [Words 
by  C.  Cibber.l  Printed  for 

J.  Walsh... d" J.  Hare:  London,  [1715.1  fol. 

G.  222."  (4.) 

[For  songs,  &c.,  published  anony- 
mously :]  See  Venus  and  Adonis. 

The  Wedding  :  a  Tragi-Comi-Pastoral- 
Farcical  Opera... By  Mr.  Hawker... To 
which  is  prefix'd,  The  Overture,  by  Dr. 
Pepusch.  With  an  Addition  of  the 
Musick  to  each  Song,  Engrav'd  on  Copper- 


(68.) 


Printed  for  W.  Meai 

1346.  e.  29. 
The  Score  of  the  four 
.revis'd  bv  Dr.  Pepusch. 
i.  2. 
The  Score  of  the  Four 
Operas  containing  48  Sonatas . . .  The  whole 
Revis'd  and  Carefully  Corrected  by  D*" 
Pepusch.     [1735?]     fol.        g.  39.  b.  (1.) 


Plates. 
London,  1729.     8' 
See  Corelli  (A.) 
Setts  of  Sonatas . 
[1732.]     fol. 
See  Corelli  (A.) 


254 


PEPUSCH— PERE 


PEPUSCH  (JoHANN  Christoph) 

Si'c  Croft  (W.)     Six  Sonatas. .  .for  Two 
Flutes. .  .To  which  is  added  an  Excellent    ] 
Solo   for   a    Flute  and   a    Bass  by  Seign"' 
Pepusch,  f/c.      [1710?]      obi.  lo\. 

d.  150.  (3.) 
See  Harlequin's  Museum.  The  Over- 
ture, Songs,  Dances  &c.  in. .  .Harlequin's 
IMuseum . . .  Compiled  . . .  from  the  Works 
of  Pepusch,  etc.     [1792.]     obi.  fol. 

E.  108.  d. 
See  Harmonia  Mundi.    Harmonia  Mundi, 
consisting  of  Six. .  .Sonata's  collected  out 
of  the. .  .Works  of. .  .^Mr.  Pepusch,  etc. 
[1710?]     fol.  g.  419. 

See  M.,  R.  Medulla  IMusicae  ;  Being  a 
Choice  Collection  of  Airs  .  .  .  from  the 
Works  of... Pepusch,  e<c.     [1727?]     8°. 

c.  25. 
See  Now.     Now  come  Love's  plagues,  etc. 
[Song,  music  by  J.  C.  Pepusch.] 
[1725 ?]     s.  .s7(.  fol.  H.  1601.  (320.) 

See    Play.      The   Play  of   Love   is  now 
begun,  etc.     [Music  by  J.  C.  Pepusch.] 
[1725  ?]     s.  sh.  fol.  H.  1601.  (473.) 

See  Treatise.     A  Short  Treatise  on  Har- 
mony..  .Dedicated  to  all  Lovers  of  Musick, 
by  an  Admirer  of  This  Noble  and  Agree- 
able Science  [i.e.  J.  C.  Pepusch]. 
1730.    obi.  8".  785.  a.  8. 

See  Ye.  Ye  beauteous  Nymphs,  etc. 
[Song,  to  the  tune  of  '  The  Play  of  Love,' 
by  J.  C.  Pepusch.]     [1728?]     s.  .s/(.  fol. 

G.  305.  (306.) 

PER.      Per    carita    Bettina.      A   Bettina. 

Canzonetta  Veneziana.    [By  J.  S.  Mayer.] 

Printed  for  T.  Monzani  : 

[London,  1800.]     fol.         G.  811.  a.  (12.) 

No.  15  of  '  A  Collection  of  Periodical 

Italian  Songs,''  etc. 

Per  marito  ad  un  notaro.     Duetto. 

See  Paisiello  (G.)     [La  Molinara.] 

Per  marito  vossignoria.     Duetto. 

See  Paisiello  (Ct.)     [La  Molinara.'] 

Per  non  vivere  geloso.     Air. 

See  Pallavicino  (C.)     [II  Nerone.] 

Per  pieta  non  vi  sdeguate.     Canone. 

See   Martin   y   Solar   (V.)      [Una   Cosa 

Bar  a.] 

Per  vivere  contento.     [Song.] 

See  Paer  (F.) 

PER  (Ferdinando).     See  Paer. 

PERCHE.    Perchesemiotusei.   Terzetto. 
See  Tritto  (G.) 

PERCY  (John)     Six  Arietts . . .  Opera  5"'. 

Printed  for  the  Author  : 

London,  [1785  ?]     obi.  A".  B.  400. 

The    Bonny   Seaman,    a    Favorite    Song 

sung  by  Mrs.  Kennedy  at  Vauxhall. 

Printed  for  J.  Bland  : 
London,  [1785  ?]     fol.  G.  307.  (216.) 


PERCY   (.John) 
Supposed     to 
Antoinette,  etc. 


The    Captive.      [Song.] 
be     Written     by     Maria 
[London,  1793  ?]     fol. 

G.  360.  (39.) 
[Another  edition.]  The  Captive,  [Song,] 
said  to  have  been  written  by  Maria 
Antoinette  Queen  of  France  . . .  translated 
from  the  Original,  etc. 

Prijited  for  the  Author  : 
fol.        G.  424.  a.  (32.) 

Ballad.  The  Author : 

fol.         G.  806.  d.  (35.) 


London,  [1793  ?] 

Gaffer  Gray.     A 

[London,  1795.] 


Select  Songs,  No.  10. 

The  Garden  scene  from  Shakespear's 
Romeo  and  Juliet,  versified,  set  to  Music 
and. .  .Dedicated  to  the  Hon.  Mrs.  Mil- 
banke,  by  J.  Percy.  Op.  2"*.  J.  Bland  : 
London,  [1785  ?]     fol.  G.  795.  (1.) 

Hark  the  Horn  calls  away,  to  the  woods 
let's  repair.  The  Favorite  Hunting  Song 
...Sung  by  Mr.  Vernon,  at  Vaux-Hall 
Gardens.  Printed  for  J.  Bland: 

London,  [11 QO'}]     fol.  G.  308.  (150.) 

How  sweet  the  Moon-light  sleeps.  .1  feu: 
lines  from  Shakespear's  Merchant  of 
Veyiice.  Act  v.  Scene  1.  Set  to  Music, 
etc.     [Song.]  Printed  for  the  Aut hoi- : 

London,  [1790  ?]     fol.       G.  424.  a.  (34.) 

Mira.  A  favorite  Song  sung  by  Master 
Walsh,  etc.  Preston  d  Son  : 

Lo«fZoH,  [1795?]     fol.        G.  383.  i.  (14.) 

Soft  as  yon  silver  ray  that  sleeps.  Air, 
from  the  Misteries  of  Udolfo  [by  ]Mrs.  A. 
Radcliffe],  etc.  Printed  for  the  Atithor  : 
London,  [1795.]     fol.      Hi  2830.  g.  (38.) 

Select  Songs,  No.  4. 

Select  Songs.     26  Nos.         Printed  for  the 

Author  :  [London,  1795-7.]   fol.     G.  654. 

The   title   '  Select    Songs '    begins   witlt 

No.  5.     These  copies  icere  presented  bij 

the  composer  to  the  Harmonists,  and 

are  signed  and  dated  by  him. 

Eight  Songs  with  an  Accompaniment  for 
a  Violin. .  .Opera  Primo.  J.  Bland  : 

London,  1781.     fol.  G.  805.  k.  (15.) 

With  an  etched  title-page  by  J.  Sanders 
of  Norxcich. 
Sophrosyne.      [Song.]      The  Words  from 
Mr.  Hayley's  Triumphs  of  Temper,  etc. 
Printed  for  E.Scott:  [London,  11 8b '>]   fol. 

H.  1653.  (41.) 
The  Sorrows  of  Charlotte  at  the  Tomb  of 
Werter.     [Song.] 

Printed  for  the  AutJior's  Widow  : 
London,  [1798  ?]  fol.  G.  424.  a.  (33.) 
When  Chloe  try'd  her  Virgin  Fires.  The 
favorite  Vauxhall  Song,  composed  for 
Mr.  Cubitt...the  Words  by  Dr  Hoane. 
J.  Bland  :  London,  [1785  ?J     fol. 

G.  313.  (178.) 

PERE.     Uu   pere   avoit    dix-sept    enfans. 
Air.     See  Au  Retour. 


PERE— PERGOLESI 


255 


PERE.      Le  Pere  de   famille   rendu   a   la 
Liberte.     Romance  Patriotique. 
See  CiEL.     Le  Ciel  a  puni  les  Tirans,  etc. 
[1793  ■?]     8".  B.  362.  d.  (46.) 

Pei-e  de  I'Uuivers.     Hymne. 
See  GossEC  (F.  J.) 

Pere  du  jour,  flambeau  de  la  nature. 
Recit  de  Basse.     [Paris,]  1753.     s.  »h.  4\ 

298.  c.  16. 
Merciue  de  France,  Dec,  1753. 
Pere  du  jour,  quitte  le  sein   de    I'Onde. 
Air.     See  Lemaire  (L.) 

Pere  qui  sous  la  serure.     Vaudeville. 
See  Besoin  d'Aimer. 

PERE  DUCHENE.  P«re  Duchene. 
[i^ong.j  S'-e  Ciel.  Ciel,  il  etait  si  Patriste, 
etc.     [1793?]     8".  B.  362.  d.  (21.) 

PERE  SIROT.  Le  Pere  Sirot.  Vaude- 
ville.    See  BouvARD  (F.) 

PEREGO  (Camillo)  La  Regola  del  Cauto 
Fermo  Ambrosiano,  etc.  Per  Veredi  di 

Pacifico  Ponzio,  e  Gio.  Battista  Piccaglia  : 
Mildno,  1622.     4».  E.  783. 

PERES.  Les  Peres  seroient  trop  heureux. 
[Song.]     [Pans,  1790?      8". 

B.  362.  e.  (123.) 

PEREYRA  DA  COSTA  (Antonio) 
Concertos  Grosses  com  doys  Violins,  e 
Violiio  de  Concertinho  Obrigados  :  E 
outros  doys  Violins,  Viola  e  Orgao,  de 
Concerto  Crrosso  a  Arbitrio  .  .  .  Opera 
Premeira.     [Separate  Parts.] 

Printed  for  J.  Simpson  : 
London,  [1740  ?]     fol.  g.  1030. 

PEREZ  (Davidde)  [Didone  Abbandonata] 
Tbe  Favourite  Songs  in  the  Opera  call'd 
La  Didone  Abbandonata.  By  [B.  Galuppi 
and]  Sig""  Perez.  Printed  for  I.  Walsh  : 
London  [1761]     fol.  H.  325. 

[Another  edition.     Songs  in  Didone 

Abbandonata.  By  B.  Galuppi  and  D. 
Perez.]  See  Delizie.  Le  Delizie  dell' 
Onere,  etc.     Vol.  XL,  XII.     [1776.J     fol. 

G.  159. 

Mattutino  de'  Morti,  etc.     [Full  Score. j 

Presso  Roberto  Bremner : 
Londra,  [1774.]     fol.  L  510. 

See  CoRFE  (.Joseph)  Sacred  Music... 
Consisting  of . .  .Anthems. .  .adapted  to. . . 
Music  of.  .  .Perez,  e/c.     [1S00?1     fol. 

I.  250.  a. 

See  Overtures.  Six  Overtures  in  8 
Parts . . .  by , . .  Perez,  etc.     [1765  ?]     fol. 

g.  212.  a. 

PEREZ  (Davidde)  and  COCCHI  (Gioac- 
CHiNO)  The  Favourite  Songs  in  the  Opera 
call'd  Farnace.  Printed  fo^- 1.  Walslt  : 

London,  [1759.]     fol.  G-.  204. 


PEREZ  CALDERON  (Manuel)  Expli- 
cacion  de  solo  el  canto-llano,  que  para 
instruccion  de  los  novicios  de  la  Provincia 
de  Castilla  del  Real  y  Militar  Orden  de 
N.  Sefiora  de  la  ^Merced,  Redencion  de 
Cautivos,  compuso  el  P.  Fr.  ilauuel  Perez 
Calderon ...  A  que  auade  las  Cuerdas  de 
Alamire,  Gsolreut,  Ffaut,  y  laque...u&a 
la  Santa  Iglesia  de  Toledo,  llamada  por 
eso  Cuerda  Toledana.  Contiene  asimismo 
todas  las  Antifonas,  Lamentaciones,  y 
Responsorios  de  los  tres  dias  de  Tinieblas. 
Todo  lo  que ...  ha  dispuesto,  y  da  a  luz  el 
P.  F.  Isidro  Lopez,  etc.  Joachin  Ibarra  : 
Madrid,  1779.     4' .  7898.  bb.  20. 

PERFECT  (    )     See  Doyle  (    )  and  Per- 
fect (     )     Peace,  the  Cuckoo,  and  Sweet 
Miss  Prue.      Three . . .  Rounds  (composed 
by  jMessrs.  Doyle  and  Perfect),  etc. 
[1800?]     fol.  G.  353.  (12.) 

PERFECTIONS.       The    Perfections    of 
true  Love.       Song.]     See  There.     There 
liv'd  long  ago  in  a  Country  Place,  etc. 
[1730?;     .<..  5/i.  fol.  G.  312.  (86.) 

PERFIDE.  Porfide  Amour,  n'espere  plus. 
L'Amant  PJiilosopJie.  [Song.]  Air,  Non 
non  Doris.  CJu's  Camand  : 

[Paris,  VtSbV,     8".  B.  362.  e.  (82.) 

PERGOLESI  (Giovanni  Battista) 
Quattro  Cantate  da  Camera.  La  prima  per 
Cimbalo,  e  Tre  con  varii  Rectitativi, 
Violini,  e  Violetta  obbligata . . .  Raccolte  da 
G.  Bruno. .  .Opera  seconda  in  Rame. 

Giovanni  e  Giuseppe  Palmiero  : 
[NapUs,Vt^'>'\    obi.  fol.  E.  240. 

Engraved  thrmighout  by  G.  Bruno. 

IV  Cantatas.     [Full  Score.] 

R.  Bremner:  London,  [1770?]     fol. 

H.  1102.  f. 
IV  Cantatas.     [Full  Score.] 
Preston  &  Son  :  London,  [1790  ?      fol. 

H.  101.  f.  (2.) 
La  Contadina  astuta. 
See  infra :  TraccoUo. 

Domine  ad  adjuvandum  me.     Motetto,etc. 
[Full  Score.]  [B.Goodison:  London, 

1790  ?j     fol.  L  359.  (3.) 

[Songs    in    L'Ingratitudine    Puuita.       A 
Pasticcio,     by     Hasse,     Lampugnani  . . . 
and  Pergolesi.    Full  Score.]    See  Delizie. 
Le  Delizie  dell'  Opere,  etc.     Vol.  5. 
[1776.]     fol.  G.  159. 

Eight  Lessons  for  the  Harpsicord,  etc.    (A 
Second  Set  of  Eight  Lessons,  etc.) 

Longman,  Lukeij  £  Co.  (Longtnan  aiul 
Broderip):  LohcZou,  [1778  ?-1783?]  o6Z.  fol. 

d.  72. 
[Another  copy.     Second  Set.] 

e.  282.  e.  (11.) 


256 


PERGOLESI-PERIODICAL   PUBLICATIONS. 


PERGOLESI    (Giovanni    Battista) 
Livietta  e  Traccollo.    See  infra :  TraccoUo. 

]\Iiserere     a     Quatre     Voix,    etc.       [Full 

Score.]  Chez  Pleyel :  Paris, 

[1800?]     fol.  H.  1028.  c.  (5.) 

Bibliotlicque  Musicale.    Fremiire   Liv- 

raison  Vocale. 

Missa  (Kyrie  et  Gloria  in  excelsis  Deo) 
. . .  Op.  postuma.     In  Partitura. 

Nell  Contojo  (V  Alii  c  d'  Industria : 
Vienna,  [1800  ?]     fol.       H.  1028.  c.  (4.) 

Salve  Regina  a  Due  Voci,  etc.  [Pull 
Score.]  -B-  Bremner  : 

Londra,  [1780?]     fol.        G.  285.  a.  (2.) 

The  Favourite  Songs  in  the  Burletta,  La 
Serva  Padrona.  Eng.  &  It.  [Full 
Score.]  Printed  for  J.  Oswald  : 

London,  [1760  ?]     fol.  G.  285.  b. 

The  Favourite  Songs  in  the  Burletta,  La 
Serva  Padrona,  etc.  Welcker  : 

London,  [ilQQn    fol.        G.  760.  b.  (1.) 
A  reprint  of  Oswald's  edition. 

La  Serva  Padrona.  Intermezzo,  etc. 
[Full  Score.]  Roberto  Bremner  : 

Londra,  1777.     fol.  G.  285.  c. 

[For  editions  published  anonymously:] 


See  Serva  Padrona. 

Twelve  Sonatas  for  Two  Violins  and  a 
Bass  or  an  Orchestra,  etc.  [Separate 
Parts.]  Preston  and  Son : 

London,  [1795  ?]     fol.  h.  35. 

[Stabat  Mater.]  An  Ode  of  Mr.  Pope's 
[beginning:  "Vital  spark  of  heav'nly 
flame"].  Adapted  to  the  Principal  Airs 
of  the  Hymn  Stabat  ]Mater,  etc.  [Full 
Score.]  Printed  for  I.  Walsh  : 

London,  [1745  ?j     fol.         G.  285.  a.  (1.) 

Pergolesi's  Celebrated  Stabat  ]\Iater.  [Full 
Score.  1    H.  Wright :  London,  [1790  ?]    fol. 

H.  1102.  e. 

Stabat  ]\Iater,  etc.     [Full  Score.] 
R.Birchall:  London,  \1Q0Q1]     fol. 

H.  1102. 

TraccoUo.     Intermezzo  a  tre,  etc. 
{Paris,  1753  ?]     ohl.  fol.  C.  449. 

This  tvork  is  also  knoivn  as  '  La  Conta- 
dina  Astuta'  and  '  Livietta  e  Tracollo.'' 

See  CoRFE  (Joseph)  Sacred  Music. .  .Con- 
sisting of  . . .  Anthems  . . .  adapted  to  . . . 
Music  of. .  .Pergolesi,  etc.     [1800  ?]     fol. 

I.  250.  a. 

PERI  (Jacopo)  Le  Musiche  di  lacopo 
Peri...sopra  I'Euridice  del  Sig.  Ottauio 
Rinuccini.  Rappresentate  Nello  Sponsa- 
lizio  della  Christianissima  Maria  Medici 
Regina  di  Francia  e  di  Nauarra. 

Appresso  Alessandro  Bauer ii : 
Venetia,  1608.     fol.  K.  1.  i.  4. 


PERIN  ET  IiUCETTE.  C'est  le  verre 
a  la  main.  Arictte  de  Pcrin  et  L^icette 
[words  by  Davesne,  music  by  G.  Gifolelli,] 
avec  accompagnement  de  Guitarre  du 
S'  Berchoni,  etc.     [Paris,  1775  ?]     8^ 

B.  362.  h.  (25.) 
[Another  edition.]  C'est  le  verre  a  la 
main.  [Song,  from]  Perin  et  Lucette 
[words  by  Davesne,  music  by  G.  Cifolelli]. 
C[amand  :  Paris,  1775  ?]     8". 

B.  362.  g.  1 38.) 

PERINI  (Murezan) 

Sre  Frizzoni  (G.  G.  B.)  Canzuns  Spiri- 
tuffilas,  etc.  [The  tunes  selected  and 
revised  by  M.  Perini,  etc.']     1765.     S". 

3437.  h.  20. 

PERINI  (Paolo de)  .s'eeFRizzoNi(G.  G.B.) 
Canzuns  Spirituaelas,  etc.  [The  tunes 
selected  and  revised  by... P.  de  Perini, 
etc.]     1765.     8°.  3437.  h.  20. 

PERINO,  Fiorentino. 

See  Francesco,  da  Milano.     Intabolatura 
di  Liuto  di  M.   Francesco  da  Milano  et 
Perino  Fiorentino  suo  discipulo,  etc. 
1.562.     obi.  4".  K.  1.  c.  14. 

PERINUS    (Annibal)        See  Gatto   (S.) 
Motectorum  .  .  .  Simonis  Gatti  .  .  .  turn 
Annibalis  Perini . . .  opus,  etc. 
1604.     4".  C.  45. 

PERIODICAL    PUBLICATIONS. 

Berlin. 
Kritische  Briefe  iiber  die  Tonkunst,  mit 
kleinen  Clavierstiicken  und  Singoden 
begleitet,  von  einer  musikalischen  Gesell- 
schaft  in  Berlin.  [By  F.  W.  Marpurg.] 
Bd.  1,2;  Bd.  III.,  Th.  1. 

Bey  F.  W.  Birnstiel :  Berlin, 
1760-1764.     4°.  P.P.  1945.  a.  g. 

No  more  published.  The  composers  named 
are:  Graun,  Nichelmann,  von  H.,  C. 
Fasch,  S.,  von  0.,  S.  F.  T.,A.von  Z., 
Sack,  J.  0.  Uihde],  A.  F.  J.,  J.  A.  F., 
Schalc,Z.,HofrathinH.,F.  W.,  G.W., 
G.  F.,  Dandrieu,  W.  B.,  P.  W.  R.,  P., 
T.,  L.,  T.  B.  and  Marpurg. 

Copenhagen. 
Musik,  von  C.  F.  Cramer. .  .Erstes  Vier- 
teljahr.    Bey  S.  Sonnichsen  :   CopcnJiagen, 
1789.     8°.  P.P.  1945.  aq. 

A  continuation  of  the  author's  Hamburg 
'  Magazin  der  Musik.' 

The  Hague. 

Journal    de   la    Haye,   ou    Choix    d'Airs 

Francjais,  etc.       Chez  B.  Hummel  et  Fits  : 

La  Haye  et  Amsterdam.  [1775  ?J  4°.     E.  3. 

Tlic   composers   named  are  :    Colizzi,  J. 

P.  Gerlin,  Albanese,  J.  J.  Rousseau, 

Gritry,  Hinner,  Gramagnac,  Gamier, 

Felix,     Philidor,     LangU,     Fargere, 

Loodi,    Guichard,    Francais,    Dorat, 

Comien,     Ruloffs,     Cecile,     N.     N., 

Trotebas,  L.   C.  0.,  Bouillat,  C,  Le 


PERIODICAL  PUBLICATIONS 


257 


Roy,  Lambert,  Martini,  Fodor, 
Sarazin,  Delorme,  Audinot,  Demig- 
naux,  Luce  dc  Grasse,  JDoisi,  de 
Villeneuve,  Marianne,  Spandau,Porro, 
Sacchini,  La  Barre,  Desaugiers,  Rigel, 
Champain,  Glnck,  de  Bosctti,  J.  A. 
Berkcnhoff,  Blin  dc  la  Codrc  and 
Tapraij. 

Hamburg. 

Magazin  dcr  Musik.     Herausgegeben  von 

C.  V.  Cramer.     2  Jahrg. 

Hamburg,  1783-8-.    8".     P.P.  1945.  ap. 
Eacli  Jalirg.  is  in  two  volu))u's.     Con- 
tinued at  Copenhagen  as  '  Musik.' 

Lauexbubg. 
Musenalmanach  fiir  das  Jahr  1776{-1798). 
Von   den  Verfassern  des   bish.     Gutting. 
jMusenalm.  herausgegeben  von  J.  H.  Voss 
(1780-1788  von  Voss  und  Goekiugk). 

Lauenhurg,  Hamburg, 
1776(-1798).  12°  &  16°.  P.P.  4739.  db. 
The  vol.  for  YllG  is  printed  by  Berenberg, 
at  Lauenburg,  the  remainder  by  C.  E. 
Bohn  at  Hamburg.  This  tvork  con- 
tains songs,  ifc,  by  D.  Weiss,  F.  G. 
Fleischer,  Juliana  Benda  {afterwards 
Eeichardt),  Ncefe,  J.  F.  Rcichardt, 
J.  Andre,  von  Meijcrn,  J.  A.  F.  Schuh, 
Stadler,  J.  G.  Witthauer,  Handel, 
C.  F.  G.  Schwenke,  F.  L.  A.  Kunzen, 
Zclter,  Naumann,  Gluck  and  J.  J. 
Rousseau. 

Leipsic. 
Allgemeine  musikalische  Zeitung.     Jahrg. 
1-50.     Bey  Breitkopf  und  Hiirtcl :  Leipzig, 
1798-1840.     8".  P.P.  1945. 

IMusikalische  Nachrichtungen  und  Anmer- 
kungen. 
See  infra:  Wochentliche  Nachrichten,  e/c. 

IMusikalischer  Almanach  fiir  Deutschland 
auf  das  Jahr  1782  (1783)  (1784).  [By  J.  N. 
Forkel.]     3  Bd. 

hn  Schwickertscheii  Verlag  : 
Leipzig,  [1782-4.]     16°.       P.P.  1945.  d. 

Wochentliche   Nachrichten   uud   Anmer- 
kungen  die  Musik  betreffeud, 
Leipzig,  1768,  69.     4°. 

[Continued  as :] 
Musikalishe  Nachrichten  und  Anmerkun- 
gen  auf  das  Jahr  1770. 
Leipzig,  1770.     4°.  P.P.  1945.  ah. 

Lo^'DO^^ 
The  Gentleman's  Musical  Magazine ;  or 
IMouthly  Convivial  Companion.  Contain- 
ing, Anacreonticks,  Cantatas,  Catches, 
GHees,  Hunting  Songs,  Sea-Songs,  &c.,  &c. 
by  the  Principal  Composers  in  Europe. 
Volume  the  First.     [No.  1.] 

Printed  for  Harrison  £  Co. : 
London,  1788.     fol.  G.  351.  (3). 

This  number  contains  songs  by  Arnold, 
Hayes  and  Hook. 

VOL.  II. 


Td3  Lady's  Musical  Magazine ;  or, 
Monthly  Polite  Repository  of  New  Vocal 
IMusick  by  the  Principal  Composers  in 
Europe.  Volume  the  First.  Printed  for 
Harrison  and  Co. :  London,  1788.     fol. 

H.  2392. 

No  more  published.     The  composers  of 

this  collection  are :    Arnold,    Shield, 

Hook,  Webbe,  Carter,  Hayes,  Battis- 

hill,  Miller,  M.  P.  King  and  Reeve. 

[Another  copy.     No.  1.]  G.  351.  (4.) 

The  ]\Ionthly  Mask  of  Vocal  Music  or  the 
Newest  Songs  made  for  the  Theatre's  & 
other  Ocasions  Publish'd  for. .  .1703. 

Printed  for  I.  Walsh  and  I.  Hare  : 
London,  [1703.]     fol.  H.  313. 

This  collection  icas  issued  in  monthly 
numbers  beginning  each  year  in 
November,  but  dated  throughout  -with 
the  same  year.  The  numbers  for 
November,  December,  January  and 
August  only.  There  are  two  editions 
of  the  December  number.  The  com- 
posers named  are :  J.  Weldon,  D. 
Purcell,  J.  Barret,  J.  Eccles,  Courtivil 
ayul  Bercncknv. 

The  Whole  Volume  Compleat  intituled 
The  Monthly  JIasks  of  Vocal  IMusick. 
Containing  all  the  Choisest  Songs  by  the 
Best  I^Iasters  made  for  the  Play-Houses 
Publick  Consorts  and  other  Occasions  for 
the  Year  1704  with  a  Through  Bass  to 
each  Song,  etc.     12  Nos. 

Priyited  for. .  .1.  Walsh  {and  I.  Hare)  : 
London,  [1704.J     fol.  K.  7.  e.  4. 

Wanting  the  title-page  for  the  August 
number.  The  composers  named  in 
this  volume  are  :  Weldon,  E.  White, 
W.  Croft,  Courtivill,  Bononcini, 
Leveridge,  J.  Clarke,  J.  Barrett,  D. 
Purcell,  H.  Hall,  W.  Davis,  Barencloiv, 
Elford,  Hickes,  J.  Townsend,  R.  Cox, 
Wilford  and  Ximenes.  At  the  end  of 
tlie  vol.  a  second  editioti  of  the  issue 
for  November  is  inserted. 

The   Monthly   Mask   of   Vocal   Music... 

for  .  .1705.  I.  Walsh  and  I.  Hare  ; 

London,  [1705.]     fol.  H.  313.  a. 

Wayitiiig  the  numbers  for  November  and 
December  and  the  title-page  for  the 
February  number.  The  composers 
named  are :  J.  Barrett,  J.  Weldon, 
J.  Eccles,  D.  Purcell,  Francisco,  C. 
Ximenes,  Willis,  A.  Young,  T.  Clay- 
ton and  Leveridge. 

The  Monthly  Mask  of  Vocal  I\Iusic 
. . .  for . . .  1707.  Printed  for  ...  I.  Walsh 
and  I.  Hare  :  London,  [1707.]    fol, 

H.  313.  b. 

The  title-pages  of  some  of  the  nwnbers 

belong  to  earlier  years,  but  the  contents 

are  complete  and  agree  with  the  index 


258 


PERIODICAL  PUBLICATIONS 


for  1707.  The  composers  named  arc  : 
J.  Wcldon,  J.  Barrett,  D.  Purcell, 
Lcveridgc,  G.  Hoyden,  Coiirtivill,  H. 
Hall,  Dr.Tudioaii,^R.  Elford,W.  Davis, 
W.  Croft,  T.  Willis,  Ramondon,  R. 
Cox,  J.  Francis,  A.  Young,  B.  Isaac 
and  A,  WliicJtcllo. 

The   Monthly   INFask   of   Vocal    Music... 

for  January,  etc.  [1708.] 

Printed  for. .  .1.  WalsJi  and  I.  Hare  : 

London,  [1708.]     fol.  H.  313.  c. 

Containing  songs  by  T.  Clayton,  J.  Wcl- 
don, H.  Purcell  and  Turner.  At  the 
end  is  a  single  sheet , probably  belonging 
to  some  other  number  of  the  Monthly 
Mask  for  n08. 

The  Monthly  Mask  of  Vocal  I^Iusick . . . 
for  . . .  1709.  Printed  for. .  .1.  Walsh  and 
I.  Hare  :  London,  [1709.]     fol. 

H.  313.  d. 

Tlie  numbers  for  May,  June  (wanting  the 
first  song),  July  (the  first  song  onhj)  ; 
August  {wanting  the  title-page) ;  Sep- 
tember and  October  {ivanting  the  last 
song).  The  composers  named  are: 
Crofts,  B.  Aldrich,  G.  Hayden,  D. 
Purcell,  W.  Turner,  T.  Benson,  A. 
Young,  W.  T.,  J.  Barrett,  B.  Brown 
and  C.  Mauley. 

The  Monthly  IMask  of  Vocal  Music . . . 
f  or . . .  1710.  Printed  for...  I.  Walsh 

and  I.  Hare  :  London,  [1710.]     fol. 

H.  313.  e. 
The  numbers  for  November  (toanting 
the  last  song) ;  December  (wanting 
the  third  song) ;  March,  June,  July, 
September  and  October.  The  com- 
posers named  are  :  W.  Turner,  Scar- 
latti, B.  Brown,  D.  Purcell,  G. 
Vanbrugh,  Ramondon,  Harris,  J. 
Ecclcs,  T.  Clarke,  J.  Barrett  and  G. 
Hayden. 

The  Monthly  Mask  of  Vocal  ]\Iusic  . . . 
f  or . , .  1711.  Printed  for ...  I.  Walsh 

and  I.  Hare  :  London,  [1711.]     fol. 

H.  313.  f. 

T]te  numbers  for  November,  December, 
March,  April,  May,  June  and  Sep- 
tember. The  composers  named  are  : 
Turner,  J.  Cotterell,  R.  Pain,  Leve- 
ridge,  Manchiney,  G.  Hayden,  W. 
Davis,  Walkley,  Harris,  T.  Style,  J. 
Barrett,  D.  Purcell  and  Manley. 

The  Monthly  Mask  of  Vocal  Musick... 
for . . .  [1717.]  Printed  for  I.  Walsh 

and  I.  Hare  :  London,  [1717.]     fol. 

H.  313.  g. 
TJw.  numbers  for  July,  August,  Septem- 
ber and  October.    The  composers  named 
are :     D.    Purcell,    E.    Purcell    and 
Turner. 


The   Monthly   Mask   of  Vocal    IMusic . . . 
for . . .  1718.  Printed  for ...  I.  Walsh 

and  I.  Hare  :  London,  [1718.]     fol. 

H.  313  h. 

Wanting    the    numbers   for    December, 

April  and   October.      The    composers 

named  arc :    G.    Vanbrughe,   Rosein- 

grave,  W.  Turner,  J.  Graves,  Durden, 

D.   Purcell,   C.    Young,    Corclli    and 

Conti. 

The   ]Monthly  Mask  of  Vocal   Musick... 

for  July ...  1724.        Printed  for .    .  I.  Walsh 

and  I.  Hare  :  London,  [172i.]     fol. 

H.  313.  i. 
This  numhcr  contains  six  songs  in  G.  B. 
Bononcini's  '  Ccdfurnia.' 

The  Monthly  Musical  Journal  consisting 
of  Origiiial  British  and  new  Foreign  music 
Vocal  &  Instrumental,  etc.  Nos.  1-4. 
[1800.]   fol.    See  Busby  (T.)    G.  350.  (1.) 

The  Musical  INIagazine.     By  ]Mr.  Oswald 
and  other  Celebrated  jMasters. 
[1761-2?]     4".     Sec  Oswald  (J). 

E.  1747  a. 

The  Musical  Magazine,  or  Compleat 
Pocket  Companion  for  the  Year  1767 
(-1772)  consisting  of  Songs  and  Airs  for 
the  German  Flute,  Violin,  Guittar  and 
Harpsichord;  by  the  INIost  Eminent 
IMasters.     C  vols.  T.  Bennett,  etc. : 

London,  1767(-1772).     8'.  E.  762. 

The  composers  named  arc  :  L.  Granom, 
Dr.  Arne,  Snoio,  Wall,  Linley,  M. 
Arne,  Berg,  Hassc,  H.  Purcell,  Holmes, 
J.  Gerard,  Claget,  Handel,  W.  Yates, 
Miss  Hardi7i,  Jackson  of  Exeter, Battis- 
hill,  T.  Gardiner,  V.  Warner,  Miller, 
Bates,  Nandot,  J.  Collett,  Hook,  Gior- 
daui,  San  Martini,  Weideman,  W. 
Tibbs,  WIteatley,  Langdon,  Skinner, 
J.  Whcatcroff,  Gcminiani,  Dibdin, 
Boyce,  S.  L.,  W.  Goodwin,  I.  Gan- 
thony,  Stanley,  T.  J.,  T.  Hobbs,  R. 
Hall,  Hayden,  W.  Harrison,  Richard- 
son, Taylor,  Howlcraft,  J.  Raynard, 
B.  Chapman,  Pasguali,  Green,  T. 
Smart,  Sclby,  C.  K.,  G.  Kershaw  or 
Kirshaw,  A.  Z.,  L.  D.,  Bamber,  I.  G., 
Tremain,  T.  Broion.  Ghillinidi  Asuni, 
J.  Alcock  Jr.,  J.  S.  Smith,  B.  T.,  W. 
Crouch,  R.  Jones,  Sly,  Dr.  Alcock, 
Dr.  Howard,  James,  A.  Pitman,  T. 
Richardson  and  P.  C. 

The  New  Musical  and  Universal  Maga- 
zine. Consisting  of  the  most  favourite 
Songs,  Airs,  &c.  . . .  adapted  for  the  G 
Flute,  Violin,  Guitar,  and  Harpsichord, 
also  is  included  16  (20)  Pages  of  Letter 
Press,  etc.  (The  Literary  Part  of  the 
jMusical  Magazine.)  3  vols. 
Printed  for  R.  Snagg  (I.  French)  :  Londoyi, 
(1774,  etc.).     8".  E.  761. 

The    literary   part    in    this    copy  only 


PERIODICAL   PUBLICATIONS— PERSEO 


259 


extends  from  Sex^t.  1774  to  Dec.  1775. 
TJie  composers  named  arc  :  Smith, 
Martini,  Rayner  Taylor,  B.  G.,  Dale, 

A.  Pitman,    T.    Smart,    Dr.    Boyce, 

B.  F.,  H.  Sanderr,  Wcedon,  J.  Jack- 
son, J.  Alcock  M.B.,  L.  Granom, 
Markham,  H.  Purcell,  Dr.  Avne, 
Hurington,  Handel,  Jones,  Long, 
Dibdin,  Hook,  Carter,  Gcminiani, 
Hayes,  Burney,  Galicppi,  Rush,  J. 
Clark,  Blow,  S.  Webbe,  Aylward,  I. 
Olive,  Bates,  Dr.  Alcock,  Richardson, 
Weideman,  T.  Brown,  Miller,  Eccles 
and  J.  Gerard. 

The  Piano-Forte  Magazine.     IG  vols. 

Printed  for  Harrison  and  Co.  :  London, 
[1797-1802.]     8».  D.  854. 

Imperfect;  wanting  Nos.  5G,  81,  142, 
143  and  178 ;  also  the  title-pages  and 
portions  of  several  numbers. 
Pleyel,  Corri  and  Dussek's  ^Musical 
Journal,  ^ee  Pleyel,  Corri  and  Dussek. 
The  Vocal  Harmonist's  iMagazine,  etc. 
No.  II.  [1765  ?J  obi.  fol. 
See.  Bremner  (R.)  E.  318.  c.  (4.) 

Mannheim. 

[Maunheimer  ilouatschrift.     A  Collection 
of  Vocal  and  Instrumental  ]\Iusic,  edited 
and  published  by  Abt  Vogler.    3  vols.,  each 
in  12  monthly  parts.] 
B.  Schott :  [Mainz;]  1778-1781.     fol. 

H.  3311.  c. 

This  publication  contains  a  version  of 
PergulesVs  'Stabat  Mater;  altered  by 
Vogler,  and  compositions  by  Vugler, 
J.  C.  Bach,  Winter,  Mezgcr,  Galuppi, 
Anfossi,  von  Kerpen,  Bixis,  L. 
Kornacker,  Andr(^,  Neefc,von  Dalberg, 
Kirnberger,  Weber,  Verazi,  Enslin, 
Bitter,  C.  von  Brandcnstein  and  F.  L. 
Classen.  Wanting  the  last  two  numbers 
of  Jahrg.  1,  Lief.  III.,  and  the  last 
number  of  Jahr.  3,  Lief.  II.  and  III. 

Paris. 

Choix  de  Musique,  dedie  a  S.  A.  S....le 

Due  . . .  des  Deux-Ponts.     36  Nos. 

1783  (1784.)    4".    See  Musique.    E.  367. 

PERISSONE.     See  Cambio  (P.) 

PERKINS  (Dodd)  Music  the  soul  of 
melody.  A  Favorite  Glee,  etc.  Smart  : 
Londo7i,  [1800?]     fol.      G.  805.  k.  (16.) 

Ten   Songs,    written   by  the   Honourable 
Francis  Seymour,  etc.  Smart,  for  the 

Author:  London,  [1797?]   fol.  G.  369.  (6.) 

PERKINS    (R).     'Tis    pleasant    to    sing. 
[Hymn.]      Weldon     Tune.      The     Words 
by  the  Rev"  A.  Toplady,  etc. 
[London,  179G.]     8".  P.P.  717. 

Gospel  Magazine,  Oct.,  179G. 


PERKINS  (William)  Facile  Difficile, 
or  Mysterys  of  the  Violoncello  exposed  in 
XI.  Sonatas  or  Duets. 

For  Benefit  of  the  Magdalen  Hospital : 
[London,  1760  ?]     fol.  f.  179. 

PERliE.     La  Perle  des  Femmes.     [Song.] 
See  Que.     Qu'on  souffre,  h^las,  etc. 
[1795?]     8°.  B.  362.  f.  (56.) 

PERNICIOUS.  Pernicious  Cupid  long 
in  vain.     Song.  [London, 

1750?]     s.  sh.  fol.  G.  311.  (6.) 

Pernicious  Traytor,     Song. 
See  Ramondon  (L.) 

PERONNE  SAUVEE.  Sitot  que  Lubin 
m'aima.  Air  de  Peronnc  Sauvie  [by  N. 
Dez^de].  Accomp'  de  Guitar  re  par  JM" 
Ducray.  Chez  Ics  Fri^rcs  Savigny  : 

Paris,  [1783.]     8".  B.  362.  h.  (8.) 

PERRIER  (  )     Chantons,  chautons  lo 

beau  nom  de  Nanette.  Rondeau.  [For 
three  voices,  words  and  music  by  — 
Perrier.]     [Paris,]  1729.     s.  sh.  i". 

298.  a.  3. 
Mercure  de  France,  Jan.,  1729. 

PERRINE  (  )  Livre  de  Musique  pour 
le  Lut.  Contenant  une  Motode  nouvelle 
et  facile  pour  aprendrc  a  toucher  le  Lut 
sur  les  notes  de  la  musique,  avec  des  regies 
pour  exprimer  par  les  memes  notes  toutes 
sortes  de  pieces  de  Lut  dans  leur  propre 
mouv',  &c.     [Paris  ?  1680  ?]     obl.  fol. 

e.  139. 
The  pirivilege  is  dated  1679. 

PERS  (DiRCK  Pieterszon).  Bcllerophon, 
of  Lust  tot  Wysheyt :  door  Sinne-beelden 
leerlijck  vertoont.  Waer  by  zijn  guvoeght 
De  Vrolijcke  Stemmen :  of,  Stichtige  en 
vermaecklijcke  Liedekens  en  Dichten . . . 
Waer  by  noch  konnen  ghehonden  werden, 
het  Tweede-deel  Urania  of  Hemel-saug, 
als  mede  het  Derde-deol,  Ghesang  der 
Zeden,  van  den  selfden  Auteur.  En  op  't 
nieuw. .  .vermeerdert. .  .en  met  de  alder- 
schoouste  Voysen  op  Musijck  -  nooten 
ghepast,  etc.     3  pts. 

By  Willem  van  Beaumont :  V  Amstelredum, 

1657  (1656).     8°.  11556.  c.  31. 

Each  part  has  a  separate  titlc-p)age  and 

pagination.      Deel  II.   and    III.   are 

dated  1656. 

Bellerophon,  of  Lust  tot  Wysheyt  . . .  De 

Musijck   door  C.  de   Leeuw   gecorrigeert. 

3  pts.  Voor  Willem  van  Beaumont : 

V  Amsterdayn,  1669.    8». 

Case  64.  b.  16.  (1.) 

PERSEE.     Persee.     Tragedie. 
See  LuLLi  (G.  B.) 


PERSEO.     Perseo.     Opera. 
,sV-  Sacchini  (A.  M.  G.) 


s.  v. 


2G0 


PERSEUS— PESORI 


PERSEUS       AND      ANDROMEDA. 

How  pleasant  a  Sailors  life  passes.  The 
Sailor's  Ballad.  Sung  by  Mr.  Legar  in 
Perseus  and  Andromeda.  [Music  by  J.  C. 
Pepusch.]     [London,  nSO?]     s.  sh.  io\. 

G.  308.  (48.) 
This  song  is  not  in  the  printed  cojnj  of 
the  entertainment. 

[Another  edition.]  How  pleasant  a  sailors 
life  passes,  etc.    [London,  1730  ?]    s.  sh.  fol. 

I.  530.  (127.) 

In  London  Town  there  liv'd  well  known. 
[Song.]  Sung  by  Mr.  Bay  in  Perseus  and 
Andromeda.  [Music  by  J.  C.  Pepusch.] 
[Lo7idon,lT30?]     s.  sh.  io\. 

G.  305.  (10.) 

[Another  copy.]  G.  309.  (41.) 

PERSUIS  (Louis  Luc  LOISEAU  DE) 

Estello.  [For  songs,  &c.,  printed  anony- 
mously :]  Sec  EsTELLE. 

PERTI  (GiACOMO  Antonio)  Cantate 
Morali,  e  Spirituali  a  vna,  &  a  due  voci, 
con  Violini,  e  senza  .  .  .  Opera  Prima. 
[Canto.]  (Basso.)  (Violiuo  Primo.) 
(Violino  Secondo.)  (Violoncello.)  (Basso 
Continue.)  G  pts.  Per  Giacomo  Monti : 
Bologna,  1688.     4°.  D.  81. 

Wanting    the    title-joage    of    the    Canto 
jyart. 

PERUVIENNE.     La  P6ruvienne,  Op6ra- 
Comique,    [written]    par    M.   Eochon   de 
Chabannes. .  .Avec  la  Musique. 
See    Theatbe.      Nouveau    Theatre   de  la 
Foire,  1754,  etc.     Tom.  2.     1763.     8". 

11735.  d.  2. 

PESCATRICI.  The  Favourite  Songs  in 
the  Opera  call'd  Le  Pescatrici.  [Full 
Score.]  Printed  for  I.  Walsli : 

London,  [1761.]     fol.        G.  808.  c.  (25.) 

[Another  edition.  The  Favourite  Songs 
in . . .  Le  Pescatrici.  Full  Score.  2  copies.] 
See  Delizie.  Le  Delizie  dell'  Opere,  etc. 
Vol.  10,  14.     [1776.]     fol.  G.  159. 

PESCETTI  (Giovanni  Battista)  The 
Favourite  Songs  in  the  Opera  caU'd 
Angelica  &  Medoro.  Printed  for . . . 

I.  Walsh  :  London,  [1739.]    fol.     G.  216. 

[Demetrio.]     The  Favourite  Songs  in  the 

Opera  call'd  Demetrius,  etc.     [Full  Score.] 

Printed  for .  .  .1.  Walsh: 

London,  [1737.]    fol.  G.  193.  (2.) 

[Semplicetta  tortorella.] 

See  Stella.  Stella  darling  of  the  Muses 
...  To  a  celebrated  Air  in  Demetrius  [by 
CI.  B.  Pescetti],  etc.     [1740  ?]     s.  sh.  fol. 

G.  316.  f.  (13.) 

[Diana  ed  Endimione.     Four  songs  from 
the  Serenata,  by  G.  B.  Pescetti.] 
See  Delizie.     Le  Delizie  dell'  Opera,  etc. 
Vol.  2.     [1776.]     fol.  G.  156. 


PESCETTI  (Giovanni  Battista)  [Songs 
in  Olimpia  in  Ebuda.  A  Pasticcio,  by 
Hasse,  Pescetti,  etc.'] 

See  Delizie.  Lo  Delizie  dell'  Opere,  etc. 
Vol.  4.     [1776.]     fol.  G.  159. 

Senate  per  Gravicembalo.  Nuovamente 
Composte,  etc.  (Ariette  nell'  Opere  del 
Sig"  Pescetti.)     Londra,  1739.     obi.  fol. 

e.  493. 

See  Hasse  (J.  A.)  Farinelli's  Celebrated 
Songs,  etc.  (Galuppi  .  .  .  Veracini  and 
Pescetti's  Chamber  Aires . . .  Collected  out 
of  all  their  late  Operas.)    [1736-1755?]   fol. 

g.  444. 

See  Lessons.  Select  Lessons  . . .  for  Two 
German  Futes  or  Two  Violins  .  .  .  Ex- 
tracted from  the  works  of. ,  .Pescetti,  etc. 
[1735  ?]     obi.  4°.  b.  30.  (2.) 

PESCH  (Carl  August)  Six  Senates  a 
Deux  Violons  &  Basso. .  .Oeuvre  Second. 
[Separate  Parts.]     Londrcs,[YllQl]     fol. 

g.  682. 

Six  Senates  a  deux  Violons  et  Basse . . . 
Oeuvre  iii.     [Separate  Parts.] 

Printed  for  W.  Napier  : 
London,  [1770?]     fol.        g.  274.  b.  (4.) 

PESCIOIjINI  (Biagio)  II  Secondo  Libro 
de  Madrigali  a  Sei  Voci  Nouamente  Com- 
posti  &  dati  in  Luce.     Canto. 

Apresso  li  Figliuoli  di  Antonio  Gardano  : 
Vcnetia,  1571.     obi.  4°.  A.  69. 

PESENTI  (]\Iartino)  Arie  a  Voce  Sola 
Commode  da  cantarsi  nel  Clauicembalo, 
Chitarone,  &  altro  simile  Stromento,  Con 
le  Lettere  dell'  Alfabetto  per  la  Chitarra 
Spagnola.  Con  una  Cantata  nel  fine... 
raccolte  da  me  Alessandro  Vincenti. 
Nuouamente  composte,  &  date  in  luce 
. .  .Libro  Terzo.  Apprcsso  Alessandro 

Vincenti  :  Ve?ietia,  1636.     4".      D.  84.  a. 

11  Primo  Libro  dj'  Madrigali  a  Due  Tre  e 
Quattro  Voci.  Con  il  Basso  Continue  per 
sonar  . . .  Nouamente  ristampato,  &  cor- 
retto  dair  Auttore,  etc.  Canto  Primo 
(Secondo).  (Basso.)  (Basso  Continue.) 
4  pts.  Appresso  Alessandro  Vincenti : 

Venetia,  1628.     4°.  D,  84. 

PESORI  (Stefano)  I  Concert!  Armonici 
di  Chitarriglia  di  Stefano  Pesori.  Ridotti 
in  Cinque  beliss.  Ordini,  etc. 

Per  Andrea,  d  Frat.  Rossi  : 
Verona,  [1645  ?]     fol.  K.  1.  g.  16. 

The  music  is  engraved  iliroughout. 
There  is  a  second  [engraved)  title-page 
and  a  portrait  of  the  composer.  On  the 
verso  of  tJie  title-page  is  a  MS.  sonnet 
by  C.  Foloci  luith  a  vignette  pwtrait 
in  bistre.  On  the  verso  of  fol.  12 
arc  MS.  compositions  in  Guitar  Tabla- 
ture. 


PESORI— PETITE 


261 


PESOm  (Stefano)  Lo  Scrigno  Armonico. 
Opera  Seconda  .  .  .  Ove  si  rinchiudono 
vaghissime  danze,  &  ariette  al  modo 
Italiano,  Spagnolo,  e  Francese  ;  per 
suonare  iu  concerto  con  Basso,  Violino, 
Manacordo,  &  altri  instrument! :  et  molte 
vaghissime  Villanelle,  con  1'  Intauolatura 
della  Chitarra  Spagnola,  etc. 
[Mantua?  1640.]     fol.  K.  1.  g.  15. 

The  music  is  engraved  throughout. 
There  is  a  second  (engraved)  title-page. 
Betiveen  leaves  A  2  and  A  3  an  en- 
graved portrait  of  the  author  is 
inserted. 

PETER  (Christoph)  Geistliche  Arien, 
mit  eiuer  Stimme  zu  singeu,  und  mit 
Fiinff  Violen  oder  andern  Instrumenten, 
benebenst  dem  Basso  Continuo  Abwecbsel- 
ungsweise  zu  spielen,  etc.  Yioliuum  ii. 
(Bassus  ad  lustrumenta.)  2  pts. 
Christoph  Gruher:  Gubcn,  1G(J7.     4\ 

B.  48. 

Precationis   Tburibulum,   continens   Lit- 

anias  sive  Missas  .  .  .  duodecim,  partim 

quindeuum,  partim  septenum  octonumcj 

vocum,   cum   Basso  Continuo,  ad  imita- 

tionem    quarundam    Prsestautissiraorum 

Musicorum  Cantionum,  Latino  Germani- 

coque  idiomate  concinnatas  a  Gbristopboro 

Petrseo,   etc.      Cantus    Primus.      (Altus.) 

(Tenor.)     (Bassus.)     (Septima   et   Octava 

Vox.)     5  pts.  Ti/pis. .  .Christojiho) i 

Grnberi :  Guhcmr,  1669.     4°.         B.  123. 

The  composers  named  in  this  work  arc  : 

J.    H.    Schein,    A.    Hammerschmid, 

B.  Gratiani,  J.  Tricaricus,   T.  Zeut- 

schncr,   J.   Rovetta,    Mazak   and    F. 

Weisensec. 

PETERS  (     )     On  a  Young  Lady.    [Song.] 
Bland  :  [London,  1780?]     s.  sh.  fol. 

G.  313.  (144.) 

[Another  copy.]  H.  1601.  b.  (92.) 

[Another   edition.]      On   a   Young   Lady. 
A  new  Song,  etc.  [London, 

1780?]     s.sh.iol.  G.  313.  (197.) 

PETIT.     Le  petit  Bien.     [Song.] 

Sec    Adieu.     Adieu,  beautes,  dont  I'eta- 
lage,  etc.    [1780  ?]    8".     B.  362.  b.  (100.) 

Le  petit  Bien  de  Lise.     Chanson. 

See  Du.    Du  plus  beau  des  petits  endroits, 

etc.     [1785  ?]     8°.  B.  362.  b.  (180.) 

Le  petit  Bijou  de  Jeannette.     [Song.] 

See  Je.     Je  ne  veux  aimer,  etc. 

[1785  ?]    8".  B.  362.  e.  (13.) 

Le     petit     Dieu  charmant.       Lisette    et 

Lubin.     [Song.]  Air :    Et   zon   zon   zon 

Lisette.  Ch^s  Camand  :  [Paris, 

1780  ?]    8°.  B.  362.  e.  (88.) 

[Another  setting.]  Le  petit  Dieu  charmant. 
[Song.]     See  Duval  (    ) 


PETIT.   Le  petit  Dieu  folatrant.    Chanson. 
[Paris,]  1726.    s.  sh.  4°.  297.  a.  (21.) 

Mercure  de  France,  June,  1726. 
Le  petit  Doigt  Babillard.     [Song.] 
See  BouFFLERS.     Boufflers   pcignit   avcc 
grace,  etc.     [1790  ?]     8".      B.  362.  (195.) 
Le  petit  Fripon.     [Song.] 
See  Ah.    Ah  !  fripon  que  pretend  tu  faire, 
etc.    [1780?]    8".  B.  362.  e.  (36.) 

Le  petit  Manage.     [Song.] 
See  TissiER  (    ) 
Le  petit  Panier.     [Song.] 
Sec  Autre.     L'autre  jour  je  vis  dans  un 
Pre,  etc.     [1785  ?]     S\       B.  362.  e.  (87.) 
Le  petit  Ramonneur.     [Song.] 
See  Je.     Je  suis  un  petit  Savoyard,  etc. 
[1780  ?]     8".  B.  362.  b,  (150.) 

PETIT  MATELOT.  Le  Petit  Matelot. 
Opera.     See  Gaveaux  (P.) 

PETIT   CE3DIPE.     Vous  craigncz  de  mo 
rendre    hommage.       Vatideville  du   Petit 
(Edipe.     [Music  by  1\I.  A.  Desaugiers.] 
[Paris,-]  1779.     8".  297.  f.  34. 

Mercure  de  France,  June,  1779. 

PETIT  SACRISTAIN.  En  s6chant 
vos  larmes.  Air  du.  Petit  Sacrisfain. 
Avec  Accomp'  de  Guittare.  CJicz  hnbanlt : 
Paris,  [1790  ?]     8'\  B.  362.  h.  (28.) 

[Another  edition.]  En  s^chant  vos  larmes. 
Air  du  Petit  Sacristain,  etc.  Chez  Frt're  : 
[Paris,  1790?]     8".  B.  362.  c.  (87.) 

PETIT  (Adrian)  Coclicus.  Compendium 
Musices. .  .Inquoprfetercseteratractautur 
hjec :  De  Modo  ornate  canendi.  De 
Regula  Contrapuncti.  De  Compositione. 
MS.  NOTES.  Inqncssum . .  .in  officina 

loannis  Montani,  d  Ulrici  Neuberi  : 
Norimberga;  1552.     4".  K.  8.  c.  14. 

PETIT  (J.  C.)  Apologia  de  I'Excellence 
de  la  ISIusique.  Avec  quelques  Remarques 
. .  .sur  les  raisons  qui  ont  ete  la  principale 
Cause  de  la  Decadence  que  la  Musiquc  a 
souferte,  etc.  Chez  VAutcur  : 

Londrcs,  [1760  ?]     fol.       558*.  c.  35.  (4.) 

PETITE.  La  petite  Amelia.  Le  Mot  de 
Dilire,  on  Chacun  son  metier,  [Song, 
■written]  par  Mr.  Lamy  de  Blonval.  Air  : 
Oui  noir  mais  pas  si  diable  [by  A.  E.  M. 
Gretry].     [Pans,  1790?]     8\ 

B.  326.  (117.) 
La  petite  Barbe.     [Song.] 
See  Je.     J'ai  fait  rencontre  l'autre  jour. 
[1780  ?]    8°.  B.  362.  b.  (123.) 

Petite  Brunette.     Arietta. 
See  M.  (B.  de) 

Une  petite  fiUette.     Chanson. 
See    Dalayrac   (N.)      [Les   Deux  Petits 
Savoyards.] 

Petite  Gaiety  Patriotique.     [Song.] 
See  Que.     Que  le  grand  Roi  des  Hulans. 
[1795  ?]     8".  B.  362.  (65.) 


202 


PETTTR— PEUPTiE 


PETITE  MAISON.     La  Petite  Liaison, 

Parodio   d'Anacreon,    Troisiome   Acte   do 

rOpera  des  Surprises  de  I'Amour.    Repre- 

sent6e   pour   la   premiere   fois  .  .  .  le  .  .  . 

30  Juin  1757.     Par  M.  do  Marcouville.  .  . 

avec  la  Musiquc.  Chez  Duchesne  : 

Paris,  1757.     S".  86.  b.  15. 

Containing  a  song  by  llassc.      Part  of 

the    '  Siqipli'vicnt    aux    Parodies    (hi 

Theatre  Italicn;  etc.     Tom.  2. 

PETITION.      Petition   d'une   Jeune   In- 
fortunee.     liomance. 
See  Si.     Si  la  raison  ramene  la  justice. 
[1795?]     8".  B.  362.  d.  (55.) 

PETITION.  A  Petition  to  Venus.  [Song.] 
See  Gates  (J.) 

PETITIONER.  The  Petitioner's  Delight 
or  the  Westminster  Committee.  [Song.] 
Sec  Come.  Come  vou  who  sign  Petitions 
Sir,  etc.     [17S0?]  "  s.  sh.  fol. 

G.  307.  (103.) 

PETIT-MAITRE    EN    PROVINCE. 

Le  Petit-Maitre  en  Province.     Com^die. 
See  Alexandre  (G.  G.) 

PETITS.  Petits  jNIoutons  on  courez  vous, 
Ariettc  Nouvellcs.     [Paris,  1780  ?]     Q". 

B.  362.  b.  (20.) 
Les  petits  Moutons.     Ariette. 
See    Paissez.      Paiss^s    petits   moutons, 
etc.    [1775  ?]     8".  B.  362.  e.  (49.) 

Petits  hostes  de  ces  Boccages.     Printcvis. 
[Song.]     iParis,']  1725.    s.  sh.  4". 

297.  a.  13. 
Merciire  de  France,  April,  1725. 
Petits  Giseaux  dont  le  ramage.     [Song.] 
Sec  Amour  Hermite. 
Petits  oiseaux,  est-ce  le  jour.     Air. 
See  Mouret  (J.  J.) 

Petits   oiseaux,  qui  sous  ces  verds   feuil- 
lages.     Air. 
See  GuEDON  de  Presles  (    )  -/li"«. 

PETRAEUS  (Christophorus). 
See  Peter  (G.) 

PETRARQUE.     P^trarque  dans  le  Tom- 
beau  de  la  belle  Laure.     Parodie. 
See    Grktry    (A.   E.    M.)      [L'Amitii   a 
V^preuve.     A  q^ucls  niatix  il  me  livre.'] 

PETRI  (Ghristoph)    Rinaldo  und  Armide, 
sine    dramatische    Gantate,   vom    Herrn 
Hase,  etc.     [P.  E.  Score.] 
Beym  Verfasser :  Leipzig,  1782.     obi.  fol. 

F.  386.  (1.) 

PETRI  (JoHANN  Samuel)  Anleitung  zur 
praktischen  IMusik.  J.  G.  I.  Breitkopf : 
Leipzig,  1782.     4°.  785.  g.  53. 

PETRIE  (Robert)  A  Collection  of 
Strathspey  Reels  &  Country  Dances  &c. 
With  a  Bass  for  the  Violoncello  or  Harp- 
sichord, etc.  Steioart  &  Co.,  for  the 
Atithor  :  Edinbiirgh,  [1795  ?]     fol. 

g.  272.  w.  (20.) 


PETRIE  (Robert)  ]\PGardcn  of  Troup's 
]]irthday  [and  other  Scotch  tunes],  etc. 

Goto  and  Shepherd,  for  the  Author  : 
Edinburgh,  f  1800?]     fol.  ■  -* 

h.  1568.  b.  (19.) 

PETRINI     (Erancescc)        Recueil     de 
Petits  Airs  arranges  en  pieces  de  Harpe 
avec  Variations. .  .Oeuvre  n"'°. 
Chez  M'-  Coiisineau  :  Paris,  (1774.)     fol. 

h.  3200.  c.  (2.) 

PETSCH  (JoHANN  Friedrich)  Seid  from 
ihr  lieben  Christen  Leut.  Ein  schiJn 
Christlich  Lied,  von  dem  Ehrwurdigen 
Herren,  D.  Mart.  Luth.  vnd  seiner  Lere. 
Gemacht  vnd  Componiret,  durch  M.  J.  F. 
Petsch,  etc.  Gcdruckt  .   .  .  durch 

Georgen  liliaw  :   Wittemberg,  15i&.     4^ 

T.  2167.  (14.) 

PETZELT  (Johann)  Ein  Christlich 
kinder  gcsprech  von  jrem  Ampt  vnd 
beuehl,  aus  heiliger  schrifft  zusamen 
gezogeu  durch  Johannem  Peceltum 
Suuidnicensem,  etc.  [With  three-part 
Hymns.] 

Gcdruckt  .  .  .  durch  Jacobum  Bcrwaldt : 
Leipzig,  [1550  ?]     8\  3505.  df.  6. 

Ein  Christliches  Kindergesprech,  von  dem 
Ampt  vnd  Befelh  der  Eltern,  aus  Heiliger 
Schrifft  zusamen  gebracht,  niitzlich  vnd 
notig  zu  lesen  vnd  zu  horen,  etc.  [With 
three-part  Hymns.]  Wolff  Giintcr  : 

Leipzig,  1551.     8".  3456.  ece.  11. 

PEU  D'ARGENT  (Martin)  Liber 
Primus  Saerarum  Cautionum  quinque 
vocum,  quffi  vulgo  Moteta  vocantur  . . . 
Acuta  Vox.  (Contratenor.)  (Tenor.) 
(Basis.)     (Quinta  Pars.)     5  pts. 

Sumptibiis  hxredum 
Arnoldi  Birckmanni,  cxcudcbat  Licobus 
Bathcnius  :    Duisseldorpin- ,  1555.     obi.  4'\ 

K.  4.  g.  6. 
Liber  Secundus  Saerarum  Cantionum 
quinque  vocum  qufe  vulgo  Moteta  vocan- 
tur..  .Acuta  Vox.  (Contratenor.)  (Tenor.) 
(Basis.)  (Quinta  Pars.)  5  pts. 
Suniptibus  huredum  Arnoldi  Birckmanni, 
e.rcudebat  lacobus  Bathenius :  Duissel- 
dorpii,  1555.     obi.  4".  K.  4.  g.  7. 

Liber  Tertius  Saerarum  Cantionuin 
Diuersorum  Autorum,  Quatuor,  Quinque, 
et  Sex  Vocum.  [Edited  by  Martin  Peu 
d'Argent.]  Acuta  Vox.  (Contratenor.) 
(Tenor.)  (Basis.)  (Quinta  Pars.)  5  pts. 
1556  (1555).     obi.  4".  K.  4.  g.  8. 

See  Motets. 

PEUPLE.  Peuple  franc^ais,  peuple  de 
freres.  Le  Ri'vcil  du  Peuple.  [Song.] 
Centre  les  Terrorisse.  [Words  by  J.  M. 
Souriguiere,  music  by  P.  Gaveaux.  With 
Guitar  accompaniment.] 
[Paris,  1795.]     8°.  B.  362.  a.  (1.) 


PEU  PLE— PFEFFINGER 


263 


I 


PEUPLE.  Peuple  Pran<?ois,  peuple  de 
freres.  Le  Riveildu  Peuple,  ou  leRetour  au 
Moderantisme,  compose  apres  la  Denoncia- 
tion  de  Barrere,  CoUot  d'Herbois,  Billaud 
de  Varenue,  et  Vadier  ;  comme  ilest  chants 
dans  tous  les  Theatres  de  Paris.  [Song, 
words  by  J.  M.  Souriguiere,  music  by  P. 
Gaveaux.]  Printed  for  J.  Dale  :  London, 
[1795?]     fol.  H.  1250.  (35.) 

Peuple  verse  des  larmes  1  Migie  de  I' Ami 
du  Peuple,  I' Incorruptible  Marat,  etc. 
[Words]  Par  Perrin.  Cliez  Imbaidt : 

Paris,  1793.     8°.  B.  362.  (133.) 

PEUT.  Peut  ou  affliger  ce  qu'on  aime. 
Ariette.     See  Deserteur. 

PEUT-ON".    Peut-on  ne  pas  aimer  Glycere. 

Le  Portrait  de  Glicire.  Chanson.  Les 
■    paroles  sont  de  M.  Castres,  etc. 

[Paris,]  1767.     s.  sh.  S^  297.  e.  6. 

Mercure  de  France,  Feb.,  1767. 

PEVERNAGE  (Andreas)  Chansons... 
a  Six,  Sept,  et  Huict  Parties.  Superius. 
(Contratenor.)  (Tenor.)  (Bassus.)  (Quinta 
Pars.)     5  pts.  De  VImprimeric  de 

Pierre  Phalese  :  Anvers,  1607.     obi.  4°. 

A.  259.  b. 

Harmonia  Celeste  di  Diuersi  Eccel- 
lentissimi  Musici  a  iiii.  v.  vi.  vii.  et 
VIII.  Voci.  Nuouamente  raccolta  per 
Andrea  Peuernage  . . .  Nella  quale  si  con- 
tengono  i  piu  Eccelleuti  Madrigali  che 
hoggidi  si  cantino.  Canto.  (Alto.)  (Tenore.) 
[Basso.]  (Sesto.)     5  pts.  Apprcsso 

Pietro  Plialesio  &  Giouanni  Bellero : 
Anuersa,  1593.     obi.  4°.  A.  259. 

The  Basso  part  is  imperfect,  loanting  the 
title-page,  which  has  been  replaced  by 
that  of  the  Quinto.  The  Sesto  (ex- 
cepting the  title-page)  is  in  MS.  The 
composers  of  this  collection  are :  0.  di 
Lasso,  A.  Pevernage,  N.  Faignicnt,  M. 
A.  Pordenon,  F.  de  Monte,  M.  A.  In- 
gegncri,  B.  Pallavicino,  G.  M.  ^'anino, 
L.  Maremio,  G.  de  TFcri,  A.  Stabile, 
S.  Felis,  G.  Conversi,  G.  Vespa, 
G.  G.  Gastoldi,  G.  F.  Violanti,  G. 
Palestrino,  A.  Ferabosco,  G.  de 
Macgue,  A.  Gabrieli,  A.  Pace,  A. 
Striggio,  G.  Ferretti,  H.  Bacchusi, 
G.  P.  Manenti,  H.  Sabino  and  P. 
Quagliati, 

[Another  copy.     Alto.]  A.  259.  c. 

Harmonia  Celeste  de  Diuersi  Eccel- 
lentissimi  Musici  a  iv.  v.  vi.  et  viii, 
Voci,  etc.  .  .  .  Nouamente  ristampata. 
Canto.  (Alto.)  (Tenore.)  (Basso.)  (Quinto.) 
(Sesto.)     6  pts.  Appresso 

Pietro  Phalesio  :  Anuersa,  1605.     obi.  4°. 

A.  259.  a. 
The    Quinto   and    Sesto  have  no   title- 
pages. 


PEVERNAGE  (Andreas)  Laudes  Yes- 
pertiuEe  B.  Jtlarise  Virginis,  item  Hymnus 
Venerabilis  Sacramenti,  et  Hymni  siua 
Cantiones  .  .  .  Natalitise  iiii.  v.  &  vi. 
Vocum.  A  Prsestantissimis  Auctoribus. 
M.  Andrea  Peuernagio,  aliisque  compositas. 
Cum  Basso  Continue  ad  Org.  Altus. 
(Tenor.)     (Basso  Continue.)     3  pts. 

Apud  Pctrum  Phalesitim  : 
Antuerpim,  1629.     4°.  C.  257.  a. 

The  composers  of  this  collection  are  :  A. 
Pevernage,  L.  Viadana,  G.  Messaus, 
G.  Mimninckx,  Dr.  Ian  Bull,  Petro 
Philippi  [Peter  Philips']  and  C.  Ver- 
donch. 

Missse   V.    VI.   et   vii.  Vocum  .  .  .  Altus. 
(Tenor.)     (Bassus.)     (Sextus.)     4  pts. 

Apiud  Petrum  Phalesium  :  Antuerpim, 
1602.     4°.  C.  257. 

PEYSEL  (Conrad)     See  Friedsamer. 

PEZ  (Johann  Christoph)  Senate  da 
Camera  or  Chamber  Musick.  Consisting 
of  Several  Sutes  of  Overtures  and  Aires 
for  two  Flutes  and  a  Bass  .  .  .  Parte 
Prima.     [Separate  Parts.]  Printed  for 

I.  Walsh  ...  I.  Hare  . . .  ami  P.  Randall : 
London,  [1710?]     obi.  iol.  d.  150. 

See  Harmonia  Mundi.   Harmonia  Mundi. 
Consisting  of   Six  .  .  .  Sonata's   collected 
out  of  the  . . .  Works  ...  of  Sig'  Pez,  etc. 
[1710?]     fol.  g.  419. 

PEZELIUS  (Johann)  Johannis  Pezelii 
FiinfE-stimmigte  blaseude  Music,  beste- 
hend  in  Intraden,  AUemanden,  Balleten, 
Courenten,  Sarabanden  und  Chiquen,  als 
zweyen  Cornetten  und  dreyen  Trombonen, 
Cornetto  primo.  (Cornetto  Secondo.)  (Alto 
Trombone.)  (Tenore  Trombono.)  (Trom- 
bono  Grosso.)     5  pts.  B.  C.  Wicsts  : 

Franchfurt  am  Mayn,  1685.     obi.  4". 

c.  31. 

PEAFFENZELLER  (F.  B.)  Neue 
Lieder  mit  Begleitung  des  Claviers  .  .  . 
IP"  Theil.  In  der  Falterischen  Musik- 
handhmg  :  Milnchen,  [1799.]     obi.  fol. 

E.  600.  e.  (5.) 

PFARRER.      Des   Pfarrers   Techter   von 
Taubenhayn.     Ballade. 
See  ZuMSTEEG  (J.  R.) 

PFEFFINGER  (Phieipp  Jacob)  Caprice 
pour  le  Piano-Forte  (sur  deux  airs  de 
I'Enlevement  du  Serail  de  Mozart),  etc. 
[Op.  II.]  Chez  VAuteur  : 

Paris,  [1800?]     fol.  g.  491.  (2.) 

Deuxieme  Caprice. .  .pour  le  Piano-Forte. 
CEuvre  12^  Chez  VAuteur  : 

Paris,  [1800?]     fol.  g.  491.  (3.) 

Fantaisie. .  .pour  le  Piano-Forte... CEuvre 
9^     Chez  VAtUeur  :  Paris,  [1800  ?]     fol. 

g.  491.  (1.) 


264 


PFEIFFER— PHILIDOR 


PFEIFPEE,  (JoHANN  Michael)  La 
Banibina  al  Cembalo  o  sia  Metodo  facile, 
e  dilettevole  in  pratica  per  aprendere  a 
ben  Suonare,  ed  accompagnare  sopra  il 
Clavi-cembalo  o  forte  piano,  etc. 

A  Spese  delV  Autore  :  [Venice, 
1785  ?]    ohl.  fol.  e.  204. 

Sei  Sonate  a  due  Violini  per  Esercizio  a 
contratempi,  etc.  Presso  Antonio  Zatta 
e  Figli  :  Venezia,  [1785  ?]     obi.  fol. 

f.  380.  d.  (2.) 

PFENDER  (GiACOMO  Antonio)  See 
Kapsberger  (J.  H.)  Libro  Prime  d' 
Intauolatura  di  Chitarrone  .  .  .  Raccolto 
dal  Sig'  G.  A.  Pfender.     1604.     fol. 

K.  7.  f.  7. 

PHAETON".     Phaeton.     Trag6die. 
See  LuLLi  (G.  B.) 

PHAIiijSE  (Pierre)     IMusica   Diuina   di 

XIX.  Autori  lUustri,  a  iiii.  v.  vi.  et  vii. 

Voci,    nuouamente     raccolta    da    Pietro 

Phalesio,    et   Data   in  Luce,  etc.     Canto. 

(Alto.)       (Tenors.)       (Basso.)       (Quinto.) 

(Sesto.)     6  pts.  Appresso  Pietro 

Phalesio  &   Giouanni  Bellero :    Anuersa, 

1583.     ohl.  4°.  A.  342. 

This  collection  contains    madrigals   by 

G.  Converse,  Cypriano,  N.  Faignient, 

S.    Felis,   Ferabosco,  G.   Ferretti,  A. 

Gabrieli,  G.  de  Macque,  G.  P.  Manenti, 

F.  de  Monte,  G.  M.  Nanino,  Orlando, 

G.  Palestina,  G.  de  Ponti,  A.  Striggio, 
G.  Vespa,  P.  Vinci,  G.  de  Wert  and  10 
ancmymous  compositions. 

Musica  Diuina  di  xix.  Autori  Illustri, 
etc.  Canto.  (Alto.)  (Tenore.)  (Basso.) 
4  pts.  Appresso  Pietro  Phalesio  d 

Giouanni  Bellero  :  Anuersa,  1588.    obi.  4°. 

A.  324.  b. 
The  composers  of  this  edition  are   the 
same  as  that  of  1583,  but  tJie  name  of 
Spirito  da  Reggio  also  occurs. 

Musica  Diuina  di  xix.  Autori  Illustri, 
etc.  Canto.  (Alto.)  (Tenore.)  (Basso.) 
(Quinto.)     5  pts.  Appresso  Pietro 

Phalesio  &  Giouanni  Bellero :  Anuersa, 
1591.     obi.  4°.  A.  324.  c. 

[Musica    Diuina     di    xix.     Autori,     etc. 

Sesto.]  [Appresso  Pietro  Phalesio  : 

Anuersa,  1614.]     obi.  4°.  A.  324.  a. 

Imperfect ;  loanting  the  title-page,  which 
has  been  supplied  in  MS. 

Musica  Diuina  a  mi.  v.  vi.  et  vii.  Voci 
di  XIX.  Autori  Illustri.  Raccolta  da 
Petro  Phalesio . . .  Nouamente  Ristampata. 
Canto.  (Alto.)  (Tenore.)  (Basso.)  (Quinto.) 
(Sesto.)  6  pts.  Appresso  Petro  Phalesio  : 
Amiersa,  1623.     ohl.  4°.  A.  324.  d. 

See  Madrigals.     Madrigali  a  Otto  Voci 
de  Diuersi. .  .Autori,  etc.    [With  a  dedica- 
tion signed  :  Pietro  Phalesio.] 
1596.     obi.  4°.  A.  234. 


PHAIjtlSE  (Pierre)  See  Madrigals. 
De  Floridi  Virtuosi  d'  Italia  Madrigali 
a  Cinque  Voci  ridotti  in  un  Corpo, 
etc.  [With  a  dedication  signed :  Pietro 
Phalesio.]     1600.     ohl.  4°.  A.  233. 

See  Madrigals.     Ghirlanda  di  Madrigali 
a    Sei    Voci,   di   Diuersi   Eccellentissimi 
Autori   de   Nostri  Tempi,    etc.     [With    a 
dedication  signed  :  Pietro  Phalesio.] 
1601.     ohl.  4°.  A.  232. 

See  Novi  Frutti  Musicali.     Novi  Frutti 
Musicali.     Madrigali   a   Cinque   Voci    di 
Diuersi  Eccellentissimi  Musici,  etc.  [With 
a  dedication  signed  :  Pietro  Phalesio.] 
1610.     ohl.  4°.  A.  231. 

See  Vago  Alboreto.  II  Vago  Alboreto 
de  Madrigali  et  Canzoni  a  Quattro  Voci, 
etc.  [With  a  dedication  signed  :  Pietro 
Phalesio.]     1620.     ohl.  4°.  A.  230. 

PHALESIO  (Pietro)     See  Phal^ise. 

PH  AON  AND  MYRA.  PhaonandMyra, 
a  Cantata  containing  Five  Airs  &  a  Duett, 
in  the  Stile  of  the  Hermit.  J.  Bland  : 

London,  [1785  ?j     fol.  Q.  359.  (4.) 

PHARNACES.     Pharnaces.     Opera. 
See  Bates  (W.) 

PHIIjDRE.     Phedre.     Trag6die. 
See  Le  Moyne  (J.  B.) 

PHILANDER.  Philander  do  not  think 
of  Arms.     Song.     See  Blow  (J.) 

Philander  leave  me.  The  Slight.  [Song.] 
[London,  1740  ?]     s.  sh.  fol. 

L  530.  (128.) 
Philander  roving  void  of  Care.  Apollo's 
Advice.     [Song.]  [London, 

1750?]     s.  s7i.  fol.  G.  316.  (113.) 

PHILANTHROPY.  Philanthropy. 
[Song.]     See  Dibdin  (C.)     [Great  News.'] 

PHILARMONICA,  Mrs.,psctid.  Sonate 
a  due  Violini  col  Violoncello  obbligato  e 
Violone  o  Cimbalo  di  Mrs.  Philarmonica. 
Parte  Prima.  (Diuertimenti  da  Camera 
a  due  Violini  Violoncello  o  Cimbalo. 
Parte  Seconda.)  [Separate  Parts.] 
T.  Cross  sculpsit.  Imprimiper  B.  Meares  : 
Londre,  [1715  ?]     fol.  g.  1032. 

PHILEON,  pseud.    Phileons  und  Baren- 
holds  Vier  Lustige  mit  Anmuthigen  Me- 
lodeyen  gezierte,  und  zum  Theil  verbes- 
sert-  und  vermehrte  Feld-Lieder,  etc. 
[Bern?  1710?]    8°.     11517.  de.  27.  (2.) 

PHILIDOR  (FRAN901S  Andre  DANI- 
CAN)  L'Amant  D6guis6  ou  le  Jardinier 
Suppos6.  Com6die  en  un  acte  mel6e 
d'Ariettes. .  .Les  Paroles  par  M.  F[avart 
and  the  Abb6  Voisenon.] . . .  Grav^e  par 
Dezauche.     [Full  Score.] 

Chez  M.  de  la  Chevardiere  : 
Paris,  [1769.]     fol.  G.  397.  f. 


PHILIDOR 


265 


PHILIDOR  (FHA-S901S  Andre  DANI- 
CAN)  L'Amant  D^guise,  ou  Le  Jardinier 
Suppose,  Comedie  en  un  Acts  [by  C.  S. 
Favart],  melee  d'Ariettes  .  .  .  avec  la 
Musique  [of  the  concluding  Vaudeville]. 
1772.  Sec  Recueil.  Recueil  general  des 
Opera  BouSons,  etc.     Tom.  7.     1777.     8°. 

11735.  b.  2. 

Au  Dieu  qui  vous  enchaine.  Ariette 
ajoutee  au  Devin  du  Village . . .  Cbantee 
devant  leurs Majest^s. .  .le. .  .9  Mars  1763. 
[Full  Score.]  .S'ee  Rousseau  (J.  J.)  Le 
Devin  du  Village. .  .Avec  1' Ariette  ajoutee 
par  Mr.  PhUidor,  etc.     [1765.]     fol. 

H.  543.  e. 

La  Belle  Esclave,   ou   Valcour   et   Zeila, 
comedie   en   un  acte   et   en  prose,  m61ee 
d'Ariettes.     Par  M.  Dumaniant,  etc. 
Chez  Prault :  Paris,  1787.     8°. 

11738.  dd.  23.  (9.) 
The  only  7nusic  in  this  edition  is  tlie 
voice-part  of  the  coivplets :  '  Riches  de  la 
terre.' 

Blaise  le  Savetier.  Opera  BouSon  .  .  . 
CEuvre  1".  Les  paroles  par  Mr.  S[edaine] 
. . .  Grav6  par  M'"'  Vendome.  [Full  Score.] 
Chez  iP  de  la  Chevardiire  : 
Paris,  [1759.]    obi.  fol.  E.  30. 

Blaise  le  Savetier,  Op6ra  Comique,  suivi 
de  la  Noce  de  Nicaise,  Intermede  mel6  de 
Chants  &  de  Danse ;  [written]  Par  Mon- 
sieur S[edaine]. .  .efc,  (Ariettas  de  Blaise 
le  Savetier,  etc.)  2  pts.  1759. 
See  TheXtee.  Nouveau  Theatre  de  la 
Foire,  etc.     Tom.  4.     1763.     8°. 

11735.  d.  2. 

Blaise  le  Savetier,  Opera  Comique,  mel6 
d'ariettes,  par  Monsieur  S[edaine]. .  .avec 
la  Musique.  1771.  .SVe  Recueil.  Recueil 
general  des  Opera  Bouffons,  etc.  Tom.  6. 
1777.     8°.  11735.  b.  2. 

Le  Bucheron,  ou  les  Trois  Souhaits.  Com- 
edie en  un  Acte  mele'es  [sic]  d'Ariettes. . . 
Les  Paroles  de  Mrs.  G[uichard]et  C[astet] 
etc.  [Full  Score  and  Orchestral  Parts.] 
Chez  VAuteur :  Paris,  [1763.]     fol. 

G.  397.  a. 

Katarinae  Aug.  Piae  .  Felici  Ottomannicae 
Tauricae  Musagetae  Q.  Horatii  Flacci 
Carmen  Saeculare  Lyricis  concentibus 
restitutum  A.  D.  Philidor  D.  D.  D.  [Full 
Score.]     [Paris,]  1788.     fol.        H.  2002. 

Enfin  nos  voeux  sont  accomplis.  [Song.] 
A  Monseigneur  le  Comted'Artois.  Paroles 
de  M.  Groubet.     [Paris,]  1774.     s.  sh.  8^ 

298.  e.  26. 
Mercure  de  France,  Jan.,  1774. 

Ernelinde.  Tragedie  Lyrique  en  Trois 
Actes  [written  by  A.  A.  H.  Poinsinet] . . . 
1"  et  3'  Acte  grave  par  le  S"'  Huguet. 
[Full  Score.]  Ch^s  VAuteur  : 

Paris,  [1769.]     fol.  G.  397.  d. 


PHILIDOR  (FEAN901S  Andre  DANI- 
CAN)  Les  Femmes  Vengees.  Opera 
Comique  en  un  Acte  et  en  Vers  par  M. 
Sedaine,  etc.  [FuU  Score.]  Chez  Le  Due  : 
Paris,  [1775.]     fol.  G.  397.  b. 

Les  Femmes  Vengees,  ou  Les  Peintes 
Infid^lites,  Op^ra-Comique  en  un  Acte  et 
en  Vers ;  par  M.  Sedaine,  etc.  [With  the 
voice-parts  of  two  Songs  and  the  con- 
cluding Vaudeville.]  1775.  See  Recueil. 
Recueil  general  des  Op6ra  Bouffons,  etc. 
Tom.  8.     1777.     8°.  11735.  b.  2. 

Ne  donnons  jamais  a  nos   femmes. 

Vaudeville,  etc.     Paroles  de  M.  Sedaine. 
[Paris.;]  1775.     8".  298.  e.  37. 

Mercure  de  Fraiice,  May,  1775. 

[For  songs,  &c.,  published  anony- 
mously :]  See  Femmes  Vengees. 

[Le  Jardinier  de  Sidon.]  Airs  et  Duo 
Detaches  du  Jardinier  de  Sidon,  Comedie 
en  Deux  Actes  tir^e  des  CEuvres  de  M.  de 
Fontenelle,  etc. 

Chez  M.  de  la  Chevardiire  : 
Paris,  [1768.]    8°.         11737.  e.  18.  (2.) 

[Le   Jardinier  de   Sidon.]      Der   Gartner 
von   Sidon.     Ein   Singspiel,   etc.     [Music 
by  F.  A.  Danican  Philidor.] 
See  Operettas.    Sammlung  der  komischen 
Operetten,  etc.     Band  III.     No.  6. 
1772.     8°.  B.   729. 

Le  Jardinier  et  son  Seigneur.  Op^ra 
Bouffon  en  un  Acte  [written  by  Sedaine] 
. . .  Grave  par  M""=  de  Lusse.  [Full  Score.] 
Chez  M''  de  la  Chevardiire  : 
Paris,  [1761.]    fol.  H.  540.  a.  (1.) 

Le  Jardinier  et  son  Seigneur,  Op6ra 
Comique  .  .  .  par  M.  Sedaine  .  .  .  avec  la 
Musique.  1771.  See  Recueil.  Recueil 
general  de  Op6ra  Boufions,  etc.  Tom.  6. 
1777.     8".  11735.  b.  2. 

Licas  adoroit  Oriane.     Romance. 
[Paris],  1780.     8°.  298.  f.  4. 

Mercure  de  France,  June,  1780,  p.  148. 

Licas  adorait  Oriane.  Romance  Nouvelle 
etc.    [Paris,  1780?]    8°.    B.  362.  b.  (32.) 

Le  Mar^chal  Ferrant.  Opera  Comique  en 
Deux  Actes  .  .  .  Les  Paroles  sont  de  M' 
Quetant.     [Full  Score.] 

Chez  M''  de  la  Clievardiire  : 
Paris,  [1762.]    fol.  G.  397.  g. 

Le  Mar^chal  Ferrant.     Op6ra  Comique  en 
Deux  Actes  par  M.  Quetant ;  .  .  .Troisi^me 
Edition,  etc.     (Airs  [of  5  numbers].) 
[Paris],  1762.     8°.  643.  h.  2.  (11.) 

Le  Mar^chal  Ferrant,  Op^ra  Comique  en 
un  Acte  .  .  .  Par  M.  Quetant  .  .  .  Avec  la 
Musique  [of  two  Songs].     1777. 
See  Recueil.     Recueil  g^n^ral  des  Op^ra 
Boufions,  etc.     Tom.  5.     1777.     8°. 

11735.  b.  2. 

[For  songs,  &c.,  published  anony- 
mously :]  See  Marechal  Ferrant. 


266 


PHILIDOR— PHILIPPE 


PHILIDOR  (PRAN901S  Andre  DANI- 
CAN)  INIelide,  ou  Le  Navigateur,  Com^die 
en  deux  Actes  et  en  Vers,  mel^e  d'Ariettes, 
etc.  [With  the  voice-part  of  one  song.] 
1774.  See  Recueil.  Recueil  g^n^ral  des 
Op6ra  Bouffons,  etc.     Tom.  8.     1777.     8°. 

11735.  b.  2. 

[De   nos   moutons    le  nombre   aug- 


meute.]  See  Quoi.  Quoi  vous  planez 
loin  de  la  terre. .  .Air,  De  nos  moutons,  etc. 
[1783.]     8".  B.  362.  a.  (75.) 

[For  songs,  &c.,  published  anony- 
mously :]  See  Melidb. 

Ne  donnons  jamais  a  nos  femmes. 
See  supra  :  [Les  Femmes  Vengi^es.'] 

La  Nouvelle  Ecole  des  Femmes,  Com6die 
en  trois  Actes,  mel6e  d'Ariettes,  avec  un 
Divertissement,  par  M.  de  IMoissy,  etc. 
(Ariettes  de  la  NouveUe  Ecole  des 
Femmes.)     2  pts. 

Chez  la  Veuve  Duchesne  :  Paris,  1770.    8°. 

11738.  i.  36.  (2.) 

La  Nouvelle  Ecole  des  Femmes,  etc.  1770. 
See  Recueil.  Recueil  g6n6ral  des  Op6ra 
Bouffons,  etc.     Tom.  2.     1777.     8°. 

11735.  b.  2. 

Histoire  Amoureuse  de  Pierre  le  Long,  et 
de  sa  tres  honuor^e  Dame,  Blanche  Bazu 
[by  L.  E.  Billardou  de  Sauvigny]  ...  La 
Musique  de  M'  Philidor.  Londres, 

1765.     12°.  12511.  bbb.  8. 

Sancho  Pan^a,  Gouverneur  dans  I'lsle  de 
Barataria.  Op^ra  Bouffou  . . .  Les  paroles 
de  Mr.  Poinsinet  le  jeune. .  .Grav6  par  Le 
S'^  Hue.  [Full  Score  and  Orchestral 
Parts.]  CMz  M''  de  la  Chevardi^rc : 

Paris,  [1762.]     fol.  G.  397.  e. 

Ariettes  de  Sancho  Pan(;a...Les  Paroles 
de  M'  Poinsinet.  CMs  M'  de  la 

Chevardiere:  Pans,  [1762  ?]     8°. 

B.  699.  h.  (2.) 

Sancho  Paucja  dans  son  Isle,  Op6ra 
Bouffon  en  uu  Acte  ;  par  M.  Poinsinet  le 
jeune. .  .avec  la  Musique.  Chez  Duchesne : 
Paris,  [1707.]     8".  11738.  1.  27.  (4.) 

This  edition  only  contains  the  voice-xiart 
of  some  of  the  soyigs. 
Sancho  Pancja  dans  son  Isle,  etc.     1771. 
See  Recueil.     Recueil  g6n6ral  des  Op6ra 
Bouffons,  etc.     Tom.  6.     1777.     8». 

11735.  b.  2. 

Le  Soldat  Magicien.  Op^ra  Comique  en 
un  Acte  [by  Anseaume] . . .  Grave  par  M"'' 
Vendome.  [Full  Score  and  Horn  Parts.] 
CMs  M.  de  la  Chevardiere  : 
Paris,  [1760.]     fol.  H.  540.  b. 

[For  editions,  &c.,  published  anony- 
mously:] See  Soldat  Magicien. 

Le   Sorcier.     Com^die   Lyrique  en   Deux 
Actes,  par  M'  Poinsinet  . .  .  Grav6  par  Le 
S"'  Hue. .  .Partition  complette,  etc. 
Chez  M'-  Le  Clerc  :  Paris,  [1764.]  -fol. 

H.  540. 


PHILIDOR  (PEAN901S  Andee  DANI- 
CAN)  Le  Sorcier,  Comedie  lyrique,  meslee 
d'Ariettes  ;  en  deux  Actes  .  .  .  Avec  la 
Musique.  (Les  paroles  sont  de  M.  Poin- 
sinet, etc.)  Chez  Duchesne  : 
Paris,  1764.     8°.             11738.  1.  28.  (1.) 

Le  Sorcier,  etc.  1770.  See  Recueil. 
Recueil  g^n^ral  des  Opera  Bouffons,  etc. 
Tom.  3.     1777.     8".  11735.  b.  2. 

[For   songs,   &c.,   published   anony- 


mously :]  See  Sorcier. 

Th^mistocle.  Trag^die  Lyrique  en  trois 
Actes.  Paroles  de  M.  Morel,  etc.  [Full 
Score.]  Chez  Le  Due  : 

Paris,  [1786.]     fol.  G.  397.  e. 

Tom   Jones.     Comedie   Lyrique  en  Trois 
Actes... Les   Paroles  de  M''  Poinsinet... 
Grav6  par  Le  S''  Hue.     [Full  Score.] 
Chez  VAuteiir  :  Paris,  [1766.]     fol. 

G.  397. 
Tom  Jones,  Com6die  Lyrique  en  trois 
Actes,  imit6e  du  Roman  Anglais  de 
M.  Fielding,  par  M.  Poinsinet. .  .Nouvelle 
Edition.     [_Paris,  1767.]     8^ 

11738.  n.  16.  (4.) 
This  edition  only  contains  the  voice-'part 
of  the  songs. 
Tom  Jones,  etc.  1770.  See  Recueil. 
Recueil  g6n6ral  des  Opera  Bouffons,  etc. 
Tom.  3.  1777.  8°.  11735.  b.  2. 
[For  songs,  &c.,  published  anony- 
mously :]  See  Tom  Jones. 

See  ]\IONSiGNY  (P.  A.)  [_Le  Diserteur.] 
The  Songs  &c.  in  the  Deserter. .  .Com- 
posed by  Mess"  Monsigny,  Philidor,  and 
C.  Dibdin,  etc.     [1773.]     obi.  fol. 

F.  141.  b. 

PHILIP.     Philip's     Recall     from    Spain. 
[Song.]     See    Dearest.     Dearest    Philip 
my  Grandson  of  Spain,  etc. 
[1710?]     s.s/i.  fol.  G.  307.  (144.) 

PHILIPPE  ET  GEORGETTE.    Amis 
partons    pour    les    frontieres.      Chanson 
Patriotique    chant^e     dans    Philippe    et 
Georgette,  etc.     [By  N.  Dalayrac] 
Chez  Imhault :  Paris,  [1791.]     8°. 

B.  362.  a.  (28.) 

Chacun     avec     moi     I'avouera.     Air    de 
Philipije  et  Gecn-gette.     Avec   Accomp'   de 
Guittare.     [By  N.  Dalayrac] 
Chez  Imbault :  Paris,  [1791.]     8\ 

B.  362.  c.  (78.) 

0 !  ma  Georgette.  Air  de  Philippe  et 
Gecn-gette.  Avec  Accomp'  de  Guittare. 
[By  N.  Dalayrac]  Chez  Imbault : 

[Paris,  1791.]     8°.  B.  362.  c.  (80^.) 

Pour  bien  juger  une  maitresse.     Air  de 
Philippe  et  Georgette.     Avec  Accomp'  de 
Guittare.     [By  N.  Dalayrac] 
Chez  Imbault :  Paris,  [1791.]     8°. 

B.  362.  e.  (80^.) 


PHILIPPE— PHILIPS 


201 


PHILIPPE   ET  GEORGETTE.     Phi- 
lippe et  rieorgettc.     Comedie. 
St-e  Dalayrac  (N.) 

PHILIPPES  (Pierre)    See  Philips. 

PHIIilPPI  (PiETRo)     See  Philips, 

PHILIP  PUS,  a  S.  Joanne  Baptista. 
Cidcrcian  Abbot.  Missa;  Unica  Voce 
Concinendse  .  .  .  cum  Organo,  vel  sine 
Organo  ad  Usum  Chori  Congregationis 
^Monachorum  Reformatorum  S.  Bernardi 
Ordinis  Cisterciensis,  e/c.  In  Typocjraphia 
Chracas  :  Bom.r,  1728.     4».  E.  4. 

PHILIPPUS  (Petrus)     See  Philips. 

PHILIPS  (  )  Bacchus  Defeated.  [Song.] 
Sre  Bacchus.  Bacchus  must  now  his 
Power  resign,  etc.     [1740?]     .s.  .'.7(.  fol. 

G.  306.  (247.) 

PHILIPS  (  )  FreilierrofWinnenhcrgand 
Bcihelsteyn.  Christliche  Reuter  Lieder. 
Gestellet  durch  Herrn  Philipsen  den 
Jiingern,  etc.  B.  Jobin  :   Stra.'isbiirg, 

15S2.     16".  11517.  aa.  4. 

PHILIPS  (Peter)  Cantiones  Sacrre,  pro 
Prsecipuis  Festis  Totius  Anni  et  Communi 
Sanctorum,  Quinis  Vocibus,  etc.  Cantus 
(.\ltus.)     (Tenor.)     (Bassus.)     4  pts. 

E.r  Tiipographia  Petri  I'lialesij  : 
AntuerpiR',  1G12.     4°.  C.  57.  b. 

Cantiones  Sacrae,  octonis  vocibus,  etc. 
Primus  (Secundus)  Chorus.  Cantus. 
(Altus.)     (Tenor.)     (Bassus.)     8  pts. 

Ex  Typographia  Petri  Phalcsij  : 
Antuerpin',  1G13.     4".  K.  4.  f.  4. 

[Another  copy.  Primus  Chorus.  Altus. 
(Tenor.)  (Bassus.)  (Secundus  Chorus. 
Tenor.)]     4  pts.  C.  57.  c. 

Cantiones  Sacrae,  Octonis  Vocibus,  Cum 
Basso  Continue  ad  Organum,  etc.  Cantus 
II.     Chori.  i>  Typographia  Petri 

Phalesij :  Antuerpin^  1625.  4».  C.  57.  h. 
Deliciae  Sacrse  Binis  et  Ternis  Vocibus, 
cum  Basso  Continuo  ad  Organum,  etc. 
Editio  Altera.  Cantus.  (Cantus  ii.) 
(Bassus.)     3  pts.  Petrus  Phalesius  : 

Antuerpin'.     1622.     4".  C.  57. 

[Another  copv.  Cantus.  (Cantus  ii.) 
(Bassus.)]     3  pts.  C.  57.  a. 

The  Cantus  part  is  imperfect,  wanting 
fols.  sig.  F,  G  and  H. 
Gemmulcfi  Sacrse  Binis  et  Ternis  Vocibus 
Cum    Basso    Continuo    ad     Organum... 
Editio    Altera.        Cantus     ii.       (Bassus.) 

2  pts.  Petrus  Phalesius  :  Antuerpife, 
1621.  4".  C.  57.  d. 
Litanise  Beatae  Marise  Virginis,  In  Ecclesia 
Loretana  cani  solitse,  iv.  v.  vi.  viii.  et 
IX.  Vocibus.  Cum  Basso  Continuo  ad 
Organum. .  .Nunc  primum  in  lucem  editte. 
Tenor.       (Bassus.)        (Basso      Continuo.) 

3  pts.  Petrus  Pltalcsius  :  Antuerpin-, 
1623.    4°.  C.  57.  e- 


PHILIPS  (Peter)  Litaniac  Beatfe  IMariis 
Virginis,  In  Ecclesia  Laurotana  cani 
solitfe  IV.  V.  VI.  et  Octo  Vocibus.  Cum 
Basso  Continuo  ad  Organum  .  .  .  Acces- 
serunt  hac  secunda  cditione  dua?  Litanise 
octo  vocum,  auctore  Nicola  Pisanio,  etc. 
Quintus.  Ajmd  Hwrcdes  Petri  Phalcsii : 
Antuerpiiv,  1630.     4».  C.  57.  i. 

Di  Pietro  Philippi  Inglese. .  .Madrigali  a 
Otto  Voci.  Nouamente  Composti,  &  dati 
in  luce.  Tenore.  Appresso  Pietro  Phalcsio  : 
Anuersa,  1598.    obi.  4".  A.  344.  c. 

Di  Pietro  Philippi  Inglese,. .  .Madrigali 
a  Otto  Voci.  Nouamente  Ristampati. 
Canto.  (Canto  se.)  (Alto.)  (Alto  se.) 
(Tenore  se.)     (Basso.)     (Basso  se.)     7  pts. 

Appresso  Pietro  Phalcsio  :   Anuersa, 
1615.    obi.  4°.  A.  344. 

[Another  copy.  Tenore  se.]  A.  344.  h. 
Di  Pietro  Philippi  Inglese... II  Primo 
Libro  de  Madrigali  a  Sei  Voci,  Nuoua- 
mente  Ristampati  &  Corretti.  Canto. 
(Alto.)    (Tenore.)   (Sesto.)    (Basso.)    5  pts. 

Appres.fo  Pietro  Phalcsio:  Anuersa, 
1604.     obi.  4".  A.  344.  a. 

[Another  copy.     Tenore.]  A.  344.  d. 

Di  Pietro  Philippi  Inglese...  11  Socondo 
Libro  de  Madrigali  a  Sei  Voci.  Noua- 
mente Ristampati.  Canto.  (Alto.) 
(Tenore.)     (Sesto.)     (Basso.)     5  pts. 

Apipresso  Pietro  Phalcsio  :  Anuersa, 
1615.     obi.  4°.  A.  344.  b. 

[Another  copy.     Tenore.]  A.  344.  e 

Melodia  Olympica  di  Diuersi  Eccellentis- 
simi  Musici  a  iiii.  v.  vi.  et  viii.  Voci, 
nuouamente  raccolta  da  Pietro  Philippi 
Inglese,  et  data  in  luce.  Nella  quale  si 
contegono  [sic]  i  piu  Eccellenti  ^Madrigali 
die  lioggidi  si  cantouo.  Canto.  (Alto.) 
(Tenore.)  (Basso.)  (Quinto.)  (Sesto.) 
6  pts.  Appresso  Pietro  Phalcsio  it 

Giouanni  Bellero  :  Anuersa,  1594.    obi.  4". 

A.  344.  f. 

The  composers  of  this  collection  are:  C. 

Yerdonch,  B.  Giovanelli,  G.  Blotagrio, 

P.  Philippi,  P.  Bellasio,  G.  M.  Nanino, 

F.  Farina,  G.  Prenestini,  L.  Maremio, 
A.  Pcvcrnage,  G.  B.  Moscaglia,  G. 
de  Macque,  F.  Dentici,  G.  Gastoldi, 
A.  Zoilo,  F.  Anerio,  L.  Bertani, 
0.  Bassani,  H.  Baccusi,  G.  de  Wert, 
A.  Striggio,  G.  Eremita,  G.  B.  Mosto, 
O.  Vecchi,  A.  Gabrieli,  Y.  Bcllhavcr, 
C.  Correggio,  B.  Donati,  T.  Mcssaino, 

G.  Croce  and  G.  Turnho^it. 
[Another  copy.  Alto.]  A.  344.  g. 
Paradisus  Sacris  Cantionibus  consitus, 
Una,  Duabus  et  Tribus  Vocibus  decan- 
tandis.  Cum  Basso  Generali  ad  Organum 
. . .  Nunc  primum  in  lucem  editus.  Prima 
Pars.  [Cantus.]  Aptid  Petnan 
Phalesium  :  AntuerpiR,  162S.     4". 

C.  57.  f, 


2G8 


PHILIPS— PHILLIS 


PHILIPS  (Peter)  Paradisus  Sacris 
Cantionibus  Consitus  .  .  .  Secunda  Pars. 
[Tenor.]  Apud  Hxredes  Petri  Phalesii : 
Antiieypiie,  1633.     4°.  C.  57.  g. 

Paradisus  Sacris  Cantionibus  Consitus. . . 
Tertia  Pars.  [Cantus.]  Axnid  Hurcdcs 
Petri  Phalesii  :  Antuerpiae,  1633.     4". 

C.  57.  j. 
Les  Rossignols  Spirituels.  Liguez  en  Duo, 
dont  les  meilleurs  accords,  nommement  le 
Bas,  releuent  du  Seigneur  Pierre  Philippes, 
etc.    Jean  Vervliet :  Valencicnne,  1616.  12". 

K.  1.  a.  1. 
Les  Rossignols  Spirituels.  Liguez  en 
*  Duo  ;  Dout  les  meilleurs  accords,  nomme- 
ment le  Bas,  releuent  du  Seigneur  Pierre 
Philippes. . . Regaillardis  au  Prime-vere  de 
I'an  1621.  lean  Vervliet :  Valencienne, 
1621.    12°.  K,  1.  a.  2. 

See  Striggio  (A.)  [CJii  fara  fed'  al  ciel.'] 
Che  f era  fed  al  cielo . .  .  mis  en  Tablature 
par  P.  Filippe.     [1615.]    fol.     535.  1.  23. 

PHILIS.  Philis  demande  son  portrait. 
Arietto.     See  Albanese  (     ) 

Philis,  la  fleur  de  nos  brunettes.  Chanson. 
See  Des  Roziers  (C.) 

Philis,  qu'il  est  charmant.     Air. 
See  Gothereau  (     ) 

Philis,  viens  voire  naitre  le  jour.     Duo. 
[Paris,]  1723.     s.  sh.  4°.  297.  a.  3. 

Le  Mercure,  August,  1723. 

PHILLIPS  (H.)  Encompass'd  with  clouds 
of  distress.  Bridgewater.  [Hymn.]  (Al- 
ter'd  from  H.  Phillips)  the  words  by... 
A.  Toplady.     [London,  1796.]     8°. 

P.P.  717. 
Gospel  Magazine,  June,  1796. 

PHILLIPS    (Thomas)       Too    lovely   fair 
One  I  confess.     A  Ne%o  Song,  etc. 
[London,  1160  7]     s.sh.iol. 

I.  530.  (129.) 
[Another  edition.]  Too  lovely  fair  one, 
etc.     [London,  1760  ?]     s.  s7i.  fol. 

G.  316.  f.  (35.) 

PHILLIS.  Phillis.  [Song,  begins:  'Ye 
Woods  and  ye  Riv'lets.']  See  Arnb  (T.  A.) 
Phillis.  [Song,  begins  :  '  As  Phillis  the 
gay.']  See  Bride  (R.) 
Phillis.  [Glee,  begins  :  '  On  a  hill  there 
grows  a  flow'r.']  See  Callcott  (J.  W.) 
Phillis.     [Song.] 

See  Come.     Come  tell  me  dear  Phillis. 
[1775  ?]     s.  sh.  fol.  G.  307.  (124.) 

Phyllis.     [Song.] 

See    Dearest.      Dearest    Phyllis,    lovely 
Maid,  etc.     [1764.]     8°.  P.P.  5441. 

Phyllis.     [Song.] 

See    Dearest.      Dearest    Phyllis,    lovely 
Maid,  etc.     [1770  ?]     s.  sh.  fol. 

G.  305.  (268.) 


PHILLIS.     Phillis.     Song. 

See  Hark.  Hark,  hark  o'er  the  Plains, 
etc.     [1746  ?]     s.  sh.  fol. 

H.  1994.  b.  (31.) 
Phillis.     [Song.] 

Sec  ]\Iy.  Sly  fair  ye  Swains  is  gone  astray. 
[1750?]     s.sh.iol.  G.  316.  e.  (28.) 

Phyllis.     [Song.] 

See  See.    See  where  Phyllis  ever  sprightly. 

[1750  ?]     s.  sh.  fol.  G.  316.  f.  (3.) 

Phillis.     [Song.] 

See  See.    See  where  Phyllis  ever  sprightlj'. 

[1759.]     s.  sh.  8".  I.  600.  d.  (153.) 

Phillis.  Canzonet  [begins  :  '  Do  not  ask 
me  charming  Phillis  '].    See  Tremain  (T.) 

Phillis.  [Song,  begins  :  '  Phillis  the  God- 
dess of  the  Plain  '].     See  Walton  (H.) 

Phillis  as  her  Wine  she  sipt  in.   Tlic  Double 

Entendre.     [Song.] 

[London,  1730?]   s.  sh.  fol.    G.  311.  (13.) 

[Another  edition.]  Philis  as  her  Wine  she 
sipt  in.  Tlie  Double  Entendre.  [Song.] 
[London,  IISO?]     s.sh.iol. 

G.  316.  e.  (120.) 

Phillis  be  kind.  A  Song  bi/  an  Eminent 
Master.     [London,  1720  ?]    'fol. 

G.  311.  (3.) 

[Another  copy.]  G.  315.  (132.) 

hnperfect,  wanting  fol.  2. 

Phillis  despise  not  your  faithfull  Lover. 
The  Beautifull  Phillis.  A  Song  to  Mrs. 
Schoolings  ]\linuet.  [London, 

1720?]     s.sh.iol.  H.  1601.  (370.) 

Phillis  despise  not  your  faithfull  Lover. 
The  Beautiful  Phillis,  etc.  Cluer  : 

[London,  1725  ?]   s.  sh.  fol.   G.  315.  (90.) 

Phyllis   has   Charms   for   each   youthfull 

Lover.     The  Beautifull  Phyllis :    A  New 

Song  [to  Mrs.  Schooling's  Minuet]. 

[London,  1720?]    s.  sh.  fol.    G.  311.  (11.) 

The  other  words  to  this  song  ('Phillis 

despise  not  your  faithful  lover ')   are 

engraved  above  the  voice  part. 

Phillis  has  each  enchanting  art.  On 
Phillis.     A  Song.     [London,  1747.]     8". 

157.  1.  9. 

London  Magazine,  1747,  p.  237. 

Phyllis  has  such  charming  Graces.  Song. 
See  Purcell  (D.)     [The  Campaigners.] 

Phillis  talk  not  more  of  Passion.     Song. 
Sec  Purcell  (D.)    [Alexander  the  Great.] 

Phillis  taste  Joy  and  ne're  be  Coy.  Song. 
See  Burgess  (H.)  the  Elder. 

Phillis  the  Lovely.  A  Song  the  words 
by  Mr.  Kirkland  set  to  a  Trumpet  Minuet 
[by  G.  F.  Haendel].  [London, 

1725  ?]     s.  sh.  fol.  G.  305.  (153.) 

[Another  copy.]  H.  1601.  (371.) 

[Another  copy.]  G.  315.  (92.) 


PHILLIS— PHCENIX 


269 


PHILLIS.     Phillis  the  Lovely.     Song. 
See  Haendel  (G.  F.)     [Minuets.    Walsh's 
Collection,  p.  32.] 

Phillis  the  Sun's  Rival.     [Song.] 

See  Sluggish.     The  sluggish  Morn  as  yet 

undrest.     [1770?]     s.sh.iol. 

G.  312.  (122.) 

Phillis  und  Thirsis.     Cantata. 
See  Bach  (C.  P.  E.) 

Phillis  why  shou'd  we  delay.  To  Phillis, 
[Song.]  The  Words  by  IMr.  Waller. 
[]Music  by  J.  Dunn.]  [London, 

1760?]     s.sh.iol.  G.  311.  (21.) 

Phyllis,  with  her  enchanting  voice.  Song. 
See  Turner  (E.) 

Phillis  would  her  charms  improve.    Song. 

See   COURTEVILLE  (R.) 

Phillis'  Complaint.     [Song.]     Sec  Ye.    Ye 

warblers  while  Strephon  I  moan. 

[1750  ?]    s.  sh.  fol.  G-.  316.  e.  (40.) 

Phillis's  Complaint.     [Song.j 

Sec  Ye.     Ye  warblers,   while  Strephon  I 

moan,  f/c.     1752.     s.sh.»\      P.P.  5108. 

Phillis's  Complaint.     [Song.] 

See  Ye.     Y'e  warblers,   while  Strephon   I 

moan,  etc.     [1752.]     8".  249.  c.  22. 

Phillis's  Resolution.     [Song.] 
See  Abikgton  (L.) 

PHILLIS  (Jean  Baptiste)  Les  Remords 
de  David.  Romance.  Avec  Accomp'  de 
Guittare,  etc.  CJtez  Imbault : 

Poj-is,  [1800  ?]    8°.         B.  362.  a.  (107.) 

[Another  copy.]  B.  362.  f.  (35.) 

See  Ah.  Ah  I  combien  la  uuit  a  do 
charmes.  Les  Channcs  de  la  Nuit. 
Romance.  . .  Accompagnemeut  de  Guittare 
par  M.  Phillis,  etc.     [1790  ?]     8°. 

B.  362.  b.  (170.) 

PHILO  AKMONIC  A,  psetul.  Ten  pieces 
for  the  Organ  adapted  for  the  use  of  the 
Church,  etc.  Longman  and  Broderip, 

for  the  Author  :  London,  [1785  ?]    ohl.  fol. 

e.  174.  k.  (3.) 

PHILOMELA      FRANCISCANA. 

Philomela  Pranciscana,  clara  &  brevi 
Methodo  decantans  has  ac  certas  Regulas 
ad  bene,  perfecteque  Cantum  Ecclesiasti- 
cum  ad  disceiidum  &  docendum.  Una- 
cum  Tonis  Communibus,  Hymnis,  Anti- 
phouis,  Lectione  IMensali,  &c.  ad  usum 
PP.  Minorum  Recollectorum  Ordiuis. . . 
S.  Francisci.  Typis  loannis 

Michaelis  Labhart :  Augusts  Vindeli- 
corum,  1731.    12°.  3355.  aa.  16. 


PHILOMUSICUS,  pseud.  Phoebe's 
Lamentation.  A  favorite  Ballad  by  Mr. 
Ingall.     The  Air  by  Philomusicus. 

Longman  and  Broderip:  London, 
[1790?]    fol.  H.  2818.  (16.) 

Sequel  to  Sweet  Poll  of  Plymouth.     Com- 
posed or  Compiled  by  Philomusicus. 

Longman  and  Broderip  :  London, 
[1798.]     fol.  H.  1653.  (59.) 

PHILORET.  Philoret  and  Aurelia. 
[Song.]      See    Y'oung.     Y'oung   Philoret, 


the  am'rous  Boy. 


PHILOM^ILE     S:fiRAPHIQUE. 

Philomele  Seraphique.     [Hymns.] 
See  Jan  l'Evangeliste,  Capuchin. 


La 


[1750?]     s.  s7(.fol. 

G.  305.  (266.) 

PHILOSOPHE.  Un  Philosophe  teme- 
raire.     Vaudeville.     See  Charles  (    ) 

PHILPOT  (George)  The  Triumph  of 
Britons,  a  New  and  Constitutional  Song 
address'd  ...  to  the  Society  at  the  Crown 
&  Anchor,  written  by  J.  Alderson,  etc. 

Simmons  ct  Co.,  for  the  Authors  : 
Canteibiojj,  [1800?]  fol.   'G.  805.  i.  (15.) 

PHILPOT  (Stephen)  An  Introduction 
to  the  Art  of  Playing  on  the  Violin,  on  an 
Entire  New  Plan,  etc.  Bandall  and  Abell, 
for  the  Author  :  London,  [1767  ?]     fol. 

g.  490. 

Six  Capital  lessons  for  the  Harpsichord  or 
Piano  Forte,  etc.  Printed  for  J.  Bland  : 
London,  [1780  ?]     fol.  h.  60.  b.  (4.) 

PHINOT      (DoMENico)      Liber      Primus 
j\Iutetarum  Quinque  Vocum,  etc.    Bassus. 
Ajmd  Antoninin  Gardane  :  Venelijs, 
1552.     obi.  4".  A.  87. 

Liber  Secundus  Mutetarum  Quinque 
Vocum,  etc.     Bassus.  Apud  Antonium 

Gardane  :  Ye^ietijs,  1555.     obi.  i". 

A.  87.  a. 

PHCEBE.  Phoebe's  Lamentation.  Ballad. 
Si-e  Philomusicus',  psexcd. 

PHCEBUS.     Phcebus,  meaner  themes  dis- 
daining.    Tlie  British  Fair.    A  new  Song. 
Sung  by  Miss  Wright  at  Vauxhall. 
[London,  1765.]     6".  P.P.  5441. 

Rojjal  Magazine,  Vol.  XIII.,  p.  157. 

Phcebus,  meaner  Themes  disdaining.  Tlie 
British  Fair.  A  New  Song.  Sung  by 
Miss  Wright,  at  Vauxhall.  [London, 

1765.]     8".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XXXVII. , 
p.  155. 
Phebus  shine  forth  with  gilded  Ray. 
On  the  Birth  day  of  Her  Highness  Prin- 
cess Augusta.  [Song.]  [London, 
1745?]    s.  sh.  fol.                   G.  311.  (20.) 

PHCENIX.     The  Phoenix.     Song. 

See  Amanda.  Amanda's  fair  bv  all  con- 
fess'd,  etc.  [1763.]  8'.  P.P.  5438.  z. 
The  Phsenix.  Song  [begins  :  '  I  pass  all 
my  Hours  '].     See  Humphrey  (P.) 


270 


PHYLLIDA— PICCINI 


PHYLLIDA.    PhyUida.     [Song.] 
See  Adams  (J.  B.) 

PHYLLIS.     See  Phillis. 

PHYSICIAN.  The  Physician.  [Song.] 
See  Op.  Of  all  Professions  in  the  Town, 
etc.     [1780  ?]     s.  sh.  fol.     G.  310.  (270.) 

PIANOFORTE     MAGAZINE.       The 

Piano-Forte  Magazine. 

See  Periodical  Publications. — London. 

PIANTANIDA  (Feancesco  de) 

See  Chiabrano  (G.)  and  Piantanida  (F.  de) 

Six  Solos  for  a  Violoncello,  etc. 

[1780?]     fol.  h.  2910.  (7.) 

PIANTANIDA  (Giovanni)    VI.     Senate 
a  tre,  Due  Violini  e  Basso  e  Cembalo . . . 
Opera  Prima.     [Separate  Parts.] 
Londra,  1742.     fol.  h.  5.  (3.) 

PIAZZI  (Carlo)  Balletti,  Correuti,  Gighe, 
e  Sarabande  a  tre,  due  Violini,  e  Violone 
.  .  .  Libro  Primo.  Opera  Seconda,  etc. 
Violino  Primo  (Secondo).  (Violone.) 
3  pts.  Per  Giacomo  Monti  : 

Bologna,  1681.     4°.  d.  30. 

Messe  da  CapeUa  a  Quattro  Voci. .  .Opera 
Prima,  etc.  Canto.  (Alto.)  (Tenore.) 
(Basso.)  (Organo.)  5  pts.  Per  Giacomo 
Monti :  Bologna,  1680.     4".  D.  114. 

PICCINI  (LuiGi)  [Les  Amours  de 
Cherubin.]  See  Amours  de  Cherubin. 
Vos  Amours  sont  du  Village. .  .Air  de 
Figaro.     [By  L.  Piccini  ?]     [1784  ?]     8°. 

B.  362.  (192.) 

PICCINI  (NicoLo)  The  Accomplish'd 
Maid.     Sw  infra  :  [La  Bo7ia  Figlinola.] 

Atys.    Tragedie  Lyrique  en  Trois  Actes. . , 
Paroles  de  Quinault,  etc.     [Full  Score.] 
Chez  Des  Lanriers  :  Paris,  [1780.]     fol. 

H.  456.  a. 
[For   songs,    &c.,    published    anony- 
mously :]  See  Atys. 
Belle  Themire,  a  vos  vceux.     [Song.] 
[Paris,]  1772.     s.  sh.  8°.  298.  e.  13. 

Mercure  de  France,  May,  1772. 
La  Buona  Figliuola.     Opera  Comica,  etc. 
[Libretto  by  C.  Goldoni.     Short  Score.] 
B.  Bremner  :  London,  [1767.]     fol. 

H.  456.  h. 
The  Songs  in  La  Buona  Figliuola.  [Short 
Score.]  B.  Bremner : 

London,  [1707.]     fol.  H.  456.  (1.) 

[La  Buona  Figliuola.]  The  Accomplish'd 
Maid,  a  Comic  Opera,  etc.  [Words  by 
E.  Toms.     P,  P.  score.] 

Printed  for  Messrs.  Randall  &  Abell : 
London,  [1767.]     obi.  fol,  E.  1194. 

La  Buona  Figluola,   Op6ra   Comique   en 
Trois    Actes,   parodi6e   en   Francois,   etc. 
(Airs  do  la  Buona  Figluola.)     1772. 
See  Recueil.     Recueil  general  des  Opera 
Bouffons,  etc.     Tom.  7.     1777.    S". 

11735.  b.  2. 


PICCINI  (Nicol5)     La  Buona  Figliuola. 
[Overture.]     The  Periodical  Overture  in  8 
parts.     No.  xx.     [Separate  Parts.] 
R.  Bremner  :  London,  [1770  ?]     fol. 

h.  3210.  (26.) 

Overture.     [Harpsichord.] 

[R.  Bremner :  London,  1767.]     fol. 

H.  2818.  (13.) 
[Another  edition.]  Overture.  [Harp- 
sichord.] Printed  for  R.  Bremner  : 
[Lo7idoji,  1767  ?]     fol.       g.  271.  b.  (14.) 

Overture,  etc.     [1801.] 


Sec  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  XIV. 
[No.  10.]     [1797-1802.]   8°.  D.  854. 

[Quel  che  d'  amore.] 

See    Accomplished    Maid.      When    you 
discover.     A  Favourite  Air...\n  the  Ac- 
complish'd Maid.     [By  N.  Piccini.] 
[1770?]     s.  sh.  fol.        H.  1994.  d.  (50.) 

La  Buona  Figliuola  Maritata.  Opera 
Comica,  etc.  [Libretto  by  C.  Goldoni. 
Short  Score.]  R.  Bremner :  London, 

[1767.]     fol.  H.  456.  (2.) 

[Another  copy.]  H.  348.  b.  (1.) 

Overture.     [Harpsichord.] 

[London,  1767.]     fol.        g.  271.  b.  (15.) 

Six   Canzonets   for   two  Voices    with   an 
Accompaniment  for  a  Piano-Forte. 
Welcker  :   London,  [1775  ?]     obi.  4", 

A.  1100.  (3.) 
The  Favourite  Songs  in  the  Opera  Le 
Contadine  Bizzarre,  etc.  2  N"'.  [Short 
Score.]  R.  Bremner  :  London, 

[1769.]     fol.  H.  456.  i.  (1.) 

[Another  copy.     N°  1.]      H.  348.  d.  (1.) 

Diane  et  Endimion.  Op^ra  en  trois  Actes, 
etc.  [Libretto  by  H.  Leroux.  Full 
Score.]  Chez  Des  Lauriers  :  Paris, 

[1784.]     fol.  H.  456.  b. 

Didon.  Tragedie  Lyrique  en  Trois  Actes, 
etc.  [Libretto  by  J.  F.  Marmontel.  Full 
Score.]  Chez  Des  Lauriers  :  Paris, 

[1783.]     fol.  H.  456.  c. 

[For  airs,  &c.,  published  anony- 
mously :]  Sec  Didon. 

[Didone    Abbandonata.       Se    il    ciel    mi 

divide.]      IMadam   Mara's    Favorite  Song 

in   Didone   Abbandonata.      [A   Pasticcio. 

Full  Score.]  Longman  d-  Broderip  : 

London,  [1787.]     fol.  H.  345.  (26.) 

This   air  is   not  in   Piccini' s    '  Didon.' 

The  composers  of  the  Pasticcio  iccrc 

Sacchini,     Piccini,     Mortellari    and 

Gazzaniga. 

The   Favourite    Songs   in   the   Opera   Le 
Donne  Vendicate,  etc.     [Short  Score.] 
R.  Bremner  :  London,  [1768.]     fol. 

H.  456.  i.  (2.) 

[Overture.     P.  F.]     [1780?]    fol. 

See  Donne  Vendicate.         g.  271.  (32.) 


PICCINI— PICHL 


271 


PICCINI  (NicoLo)     Le  Dormeur  Eveill^. 
[For  songs,  &c.,  published  anonymously  :] 

Sec  DOEMEUR   EVEILLE. 

L'Esclave.     See  infra  :  [La  Schiava.] 

Lg  Faux  Lord.     Comcdie  en  Deux  Actes 
[written     by    L.     Picciui]. .  .Gravee    par 
Huguet,  etc.     [Full  Score.] 
Chez  M.  Brunct  :  Paris,  [1783.]     fol. 

H.  456.  d. 

[For  songs,  &c.,  published  anony- 
mously :]    Sec  Faux  Lord. 

[Gionata.]  Sinfonia  del  Gionata,  per 
Cembalo,  o  Piano-forte,  con  Violino 
obbligato,  etc.  Presso  Luigi  Marcscalchl : 
Napoli,  [1795  ?]     obi.  fol.      e.  108.  b.  (3.) 

Iphigenie  en  Tauride.  Tragedie  Lirique 
en  quatre  Actes,  etc.  [Libretto  by 
Dubreuil.     Full  Score.]  Chez  Dcs 

Lauricrs  :  Paris,  [1781.]     fol.       G.  141. 

Oreste,  au  nom  de  la  Patric.     Air, 

etc.     [Paris,]  1781.     8".  298.  f.  12. 

Mcrcure  dc  France,  Feb.,  1781,  p.  148. 

Oreste,  au  nom  de  la  Patrie.      Air 


. . .  Avec  Accompagnement  dc  Harpe. 
Chez  Frirc  :  [Paris,  1795  ?]     fol. 

G.  557.  (11.) 
Je  vivrai  si  c'est  votre  euvie. 
/S'ee  infra:  [Rola7ul.] 

Oreste,  au  nom  de  la  Patrie.     Air. 
See  supra:  [Ij^higt'nie  en  Tauride.] 

P6n61ope.  Trag6die  Lyrique  en  Trois 
Actes,  etc.  [Libretto  by  J.  F.  Marmontel. 
Full  Score].  Chez  Des  Lauricrs  :  Paris, 
[1785.]     fol.  H.  456.  e. 

The  Periodical  Overture  in  8  Parts. 
No.  xxi(-xxiii).  [Orchestral  Parts.] 
3  Nos.  B.  Brcmncr  :  Tjondon, 

[1790?]     fol.  h.  3210.  (27-29.) 

Roland.  Op6ra  en  Trois  Actes,  etc. 
[Libretto  by  J.  F.  Marmontel.  Full 
Score.]  Chez  Des  Lauricrs  :  Paris, 

[1778.]     fol.  H.  456.  f. 

[Overture.]     A  Favourite  Symphony, 

for  the  Piano  Porte.     [1800.] 
Sec  Periodical  Publications. —JvOncZon. 
Tlie    Piano-Forte    Magazine.      Vol.    XI. 
No.  2.     [1797-1802.]     8".  D.  854. 

Je  vivrai  si  c'est  votre  envie.     Aricttc 

. . .  Accomp'  de  F.  G.  Meyer. 

Chez  B.  Vigtterie  :  [Paris,  1195'!]     fol. 

G.  548.  (18.) 
Journal  de  Harpe... V'<^  Annde.     No.  3. 
La  Schiava.     Opera  Comica,  etc.     [Short 
Score.]  B.  Brcmncr  :  London, 

[1768.]    fol.  G.  200.  (4.) 

[La  Schiava.]  L'Esclave,  ou  Le  Marin 
genereux,  Intermede  en  un  Acte,  r^dige 
de  ritalien  . . .  avec  les  Airs  notfe.  1774. 
See  Kecdeil.  Ilecueil  general  des  Opera 
Boufions,  etc.     Tom.  8.     1777.     8". 

11735.  b.  2. 


PICCIlSri  (Nicol5)     [La  Schiava.l     Over- 
ture.    [P.F.]     [17G8.]     fol. 
Sec  Schiava.  g.  271.  b.  (31.) 

Se  il  ciel  mi  divide. 

See  supra  :  [Didone  Abbandonata.] 

Les  vrais  plaisirs  habitent  sous  la  treillc. 
Parodie  d'un  Air  Italicn  del  Signer 
Nicole  [Piccini].     [Paris,]  1776.     8". 

297.  f.  3. 
Mcrcure  de  France,  Jan.,  1776. 

PICCINNI  (NicoLo)     Sec  Piccixi. 

PICCIONI  (GiovAXNi)  Salmi  Intieri  a 
Quattro  Voci  Goncertati,  con  1'  Organo. . . 
Nuouamente  composti  . . .  Opera  Decima. 
Nona.  Tenore.  (Basso.)  (Basso  per 
Sonar  1'  Organo.)     3  pts.  Appresso 

Giucomo  Viiice7iti :   Veiietia,  1616.     i". 

C.  42. 

PICCOLO  (FiLippo  LO)  II  Canto  Fermo 
esposto  colla  maggior  brevita,  e  col  mode 
pill  facile,  etc.  Angelo  Fclicella  : 

Palermo,  1739.     A".  558*.  c.  23. 

PICERLI  (SiLVERio)  Specchio  Primo  di 
^lusica,  nei  quale  si  vede  chiaro  non  sol' 
il  vero,  facile,  e  breue  modo  d'  imparar  di 
cantare  di  canto  figurato,  e  fermo  ;  ma  vi 
si  vedon'  anco  dichiarate  .  .  .  tutte  le 
principal!  materie,  che  iui  si  trattono,  etc. 
Per  Ottauio  Beltrano  :  Napoli,  imo.     4". 

1042.  1.  2.  (1.) 

Specchio  Secondo  di  Musica,  nel  quale  si 
vede  chiaro  il  vero  e  facil  modo  di  com- 
porre  di  Canto  Figurato,  e  Fermo,  etc. 
Appresso  Matteo  Nucci :  Napuli,  1631.     i". 

1042.  1.  2.  (2.) 

PICHE.  Piche  cornacchie  e  nottole. 
[Duet.]  See  Paisiello  (G.)  [Gli  Schiavi 
per  Amore.] 

PICHL  (Wenzel)  Andante,  for  the 
Violin  with  100  Variations  . . .  Op.  11. 

Printed  for  B.  Birchall :  London, 
[1795  ?]    obi.  fol.  f.  133.  k.  3. 

Douze   Caprices  a   Violon   seul . . .  Oeuvre 
XIX.  Ch(^z  J.  J.  Hummel :  Berlin, 

[1795?]     fol.  g.  270.  I.  (7.) 

Trois  Concerts  k  Violino  Principale, Violino 
Primo  &  Secondo,  Alto  &  Basse. .  .Oeuvre 
Troisieme.     [Separate  Parts.] 
Ches  J.  J.  Hummel :  Berlin,  [1775  ?]     fol. 

h.  1665.  (1.) 

Sei  Divertimenti  a  Cinque  Stromenti . . . 
Opera  v.     [Separate  Parts.] 
CMs  J.  J.  Hummel :  Berlin,  [1780  ?]     fol. 

g.  417.  d.  (4.) 

Six   Duettos   for  a  Violin  and   Tenor... 
Opera  xviii.     [Separate  Parts.] 

Longman  and  Brodcrip  :  London, 
[1795?]     fol.  g.  421.  i.  (1.) 


\ 


272 


PICHL— PIERZON 


PICHL    (Wenzel)     Sei  Quartetti   a   Due 
Violini    Viola    &    Violoncello  .  .  .  Opera 
Seconda.     [Separate  Parts.] 
Ches  J.  J.  Hummel :  Berlin,  [1780?]     fol. 

g.  469.  (1.) 

Trc  Quartetti  per  Flauto,  Violino,  Viola 
et  Violoncello. .  .CEuvre  xii.  [Separate 
Parts.]  CJiez  le  S>'  Sieher  :  Paris, 

[1790?]     fol.  g-  469.  (2.) 

Tre  Quartetti  per  Due  Violiui,  Viola  e 
Violoncelli.  .  .  tEuvre  xiu'".  [Separate 
Parts.]  Ches  le  S''  Sieber  :  Paris, 

[1790?]     fol.  g.  469.  (3.) 

Tre    Sinfouie    a   piu    Stromeuti. .  .Opera 
Octava.     [Orchestral  parts.] 
dies  J.  J.  Hummel:  Berlin,  [1785?]     fol. 

g.  474.  c.  (3.) 

Six    Sonates    a    Deux    Violons . . .  Oeuvre 
Quatrieme.     [Separate  Parts.] 
dies  J.  J.  Hummel:  Berlin,  [1775  ?]     fol. 

h.  1665.  (2.) 

[Another  copy.]  g.  420.  g.  (1.) 

[Six  Sonates.  Op.  iv.]  Six  Duets  for  Two 
Violins. .  .Op.  4.     [Separate  Parts.] 

Longman  d  Broderip  :  London, 
[1785?]     fol.  g.  421.  t.  (13.) 

Three  Sonatas  for  the  Piano  Forte,  with 
an  Accompaniment  for  a  Violin  or  Flute 
and  Violoncello  ...  Op.  26.  [Separate 
Parts.]     F.Linleij  :  London,  [1796.]    fol. 

g.  161.  g.  (6.) 

Cento  Variazioni  sulfa  Scala  del  Basso 
fermo  per  esercizio  del  Violino,  etc.  [Op. 
11.]  Appresso  Luigi  Marescalchi  : 

Napoli,  [1787.]     fol.  g.  270.  1.  (8.) 

PICITONO  (Angelo  da)  Fior  Angelico 
di  Musica  .  .  .  Nel  qual  si  contengono 
alcune  bellissime  dispute  contra  quelli 
che  dicouo,  la  Musica  non  esser  scienza, 
etc.  Per  Agostino  Bindoni  :   Vinegia, 

15i7.     4".  557*.  d.  5. 

PICTOmUS  (Joannes  Fredericus) 
Psalmodia  Vespertina  .  .  .  viuctis  aliquot 
beatissimffi  .  .  .  Virginis  Mariae  Canticis 
Quatuor  &  quin^  voeibus  compositis,  &c. 
Discantus.  In  officina  Musica 

Adami  Bern  :  Monacliii,  1591.     obi.  4". 

A.  198. 

PICTURE.     The  Picture.     [Song,  begins  : 
'  Genteel  is  my  Damon.'] 
See  Howard  (S.J 

The  Picture.      Song  [begins :   '  Say,  how- 
can  words ']. 
See  Storage  (S.)     [My  Grandmother.] 

A  Picture  of  Portsmouth  Point.     Comic 
Sonty.     See  Early.     Early  one  ^lorn. 
[1800?]     fol.  a.  333.  (28.) 

The  Picture  Shop.     Song. 
See  Reeve  (W.) 


PIEC  ES.  Pieces  Choisies  pour  le  Clavecin, 
de  differents  Auteurs.  Contenants  Fan- 
tasies, Airs,  Rondeaux,  Gavottes,  Bourees, 
Gigues  et  jNIenuets.  Imprimi  aux  depens 
deG.F.  Witvoqel:  Amsterdam,  [1760?]  fol. 

f.  45.  (2.) 

PIECES.  A  Collection  of  favorite  familiar 
Pieces,  adapted  for  the  Piano  Forte. 
[1799.]  See  Periodical  Publications.— 
London.  The  Piano-Forte  Magazine. 
Vol.  VII.     No.  12.     [1797-1802.]     8". 

D.  854. 

PIELTAIN  (DiEUDONNE  Pascal)  Six 
Quartettos  for  Two  Violins,  a  Tenor  and 
Violoncello. .  .Op.  2.     [Separate  Parts.] 

Printed  for  the  Author  :  London, 
[1785.]     fol.  g.  1034. 

Six  Solos  for  a  Violin,  etc.  Longman 

(£■  Broderip,  for  the  Author:  London, 
[1785?]     fol.  h.  1608.  c.  (6.) 

PIERCY  (H.)     The  Beggar  Girl. 

See  Over.  Over  the  Mountain  and  over 
the  ]\Ioor.  T]ie  Beggar  Girl  . . .  Ballad, 
etc.     [By  H.  Piercy.]     [1799  ?]     fol. 

G.  356.  (61.) 

The  Beggar  Girl.  A  Favorite  Ballad  for 
the  Piano  Forte  or  Harp,  also,  as  a  Duett, 
etc.  Printed  for  the  Author  :  London, 

[1800?]     fol.  G.  356.  (10.) 

The  Beggar  Girl.  A  Glee  for  Three  Voices 
with  a  Tenor  Part  (ad  libitum). 

Printed  for  the  Author  :  London, 
[1800?]     fol.  G.  353.  (25.) 

Laura,  the  poor  little  Savoyard.  A  favorite 
Ballad,  etc.  Printed  for  the  Author  : 

London,  [imO'>]     fol.  G.  356.  (11.) 

See  Adieu.  Adieu  my  Native  Land, 
adieu.  Written  &  composed  by  the 
Author  of  "  Over  the  Mountain  &  Over 
the  Moor  "  [H.  Piercy],  etc.    [1798  ?]    fol. 

G.  365.  (72.) 

PIERRE  LE  GRAND.    Pierre  le  Grand. 
Comedie.     See  Gretry  (A.  E.  M.) 

PIERROT.       Le     Pierrot     de     Jeanette. 
■[Song.]      See   Que.     Qu'un   amaut  a   sa 
maitresse,  etc.     [1791  ?]     8". 

B.  362.  e.  (77.) 

Pierrot  dit  a  Madeleine.  Romance  Nou- 
velle.     [Paris,  1780  ?]     8". 

B.  362.  b.  (105.) 

Pierrot  dit  a  ISIadeleine.  La  Bergire 
Vaincu.  Romance.  Avec  Accomp'  de 
Guitar  par  M'^  Alberti.  Chez  M.  Camand  : 
Paris,  [1785-^]     8\  B.  362.  g.  (8.) 

Pierrot  rcvenant  du  Moulin.  Le  Chassc 
auLapin.     [Song.]     [Poris,  1780  ?]     8". 

B.  362.  b.  (121.) 

PIERZON  (  )  See  Fevin  (A.  de)  INIisse 
. . .  Quarti  toni.  Pierzon  [i.e.  P.  de  la 
Rue].     1515.    obi.  4°.  K.  1.  d.  12. 


PIETA— PINART 


273 


PIETA.     Pieta,  pieta  di  noi.     Quartett. 
Sea  Martin  y  Solar  (V.)     [L'  Arbore  di 
Diana.] 

PIETA  D'AMORE.     La  Pieta  d'Amore. 

Drainm;i.     See  Millico  (G.) 

PIFAEO  (^Marcantonio  del)  Intabola- 
tura  de  Lauto...de  Ogni  Sorte  de  Balli 
nouamente  stampati  et  posti  in  Luce 
Libro  Primo.     ms.  notes.  Apjiresso  di 

Antonio  Gardane  :   Tc'.>!c/j«,  1546.     ofc?.  4". 

K.  1.  e.  22.  (2.) 

PIFFET  (Etienne)  Le  Choix  d'un  Berger. 
Pastorale.  [Words  by]  Pesselier.  \ Paris,'] 
1752.    a.  sh.  4".  298.  e.  8. 

Mcrcure  de  France,  March,  1752. 

Le  Pastor  Fido.  Musette.  Les  paroles 
sont  de  M''  Pecelier,  etc.  [Paris,] 

1751.     s.  sh.  i".  298.  c.  6. 

Merciire  de  France,  Nov.,  1751. 

PIGEON.     The  Pigeon.     [Song.] 

See  Why.     Why  tarries  my  Love  ?  etc. 
[1790  ?j     fol.  G.  296.  (16.) 

PIGGOT    (Franxis)      Sec  Blow  (J.)      A 
Choice  Collection  of  Ayres  for  the  Harpsi- 
chord. .  .by. .  .J.  Blow. .  .F.  Piggot,  etc. 
1700.     obi.  4^  K.  3.  1.  4. 

PIGMALIOnsr.  Pigmalion.  Actc  de 
Ballet.     See  Pameau  (J.  P.) 

PIGMY  REVELS.  The  Pigmy  Revels. 
Pantomime.     See  Dibdin  (C.) 

PIGNANI  (GiROLAiio)  Scelta  di  Canzon- 
ctte  Italiane  de  piu  autori,  etc.  A.  Godbid 
and  J.  Playford  :  London,  1679.     obi.  12". 

K.  8.  i.  15. 
TJie   composers   o/  this    collection   are : 

A.  Stradella,  G.  Pignani.  Cesti,  J. 
Carissimi,  B.  Pasquini,  L,  Eossi, 
G.  A.  Boretti,  N.  Matteis,  C.  Caproli, 

B.  Albrici,  G.  B.  Draglii  and  C.  A. 
Lnnati. 

PUS     (Antoine    Pierre    Augustin    de) 
Le  Meunier  de  Coignac.     [Song.]     L'Air 
et  les  ParoUes  de  M.  de  Piis. 
[Paris,  1780  ?]     8°.        B.  362.  a.  (140.) 

Le^  Saint  deniche,  ou  la  Saint  Nicolas 
d'  Ete.  Opera  Comique,  en  deux  Actes  et 
en  Vaudevilles ...  [Written]  Par  A.  P.  A. 
Piis . . .  Avcc  la  ]\Iusique  [of  three  songs  by 
the  Author].  Chez  le  Libraire,  au  Theatre 
dn  Vaudeville:  Paris,  1793.     8". 

11738.  1.  18.  (4.) 
Santeuil  et  Dominique.  Piece  anecdo- 
tique  en  trois  Actes,  en  prose,  melee  de 
Vaudevilles  . . .  [Written]  Par  A.  P.  A. 
Piis.  [With  the  music  of  a  song  by  the 
Author.]  Chez  les  Libraircs:  Paris, 

An  v%  [1797.]     8".  11738.  1.  18.  (1.) 

VOL.    II. 


PILBROW  (T.)  Why  stays  my  Love, 
Ballad.  Adapted  to  a  favorite  Welsh  Air, 
with  an  Accompaniment  for  the  Piano 
Forte,  or  Harp.  By  T.  Pilbrow.  Preston  ; 
London,  [1800?]     fol.     G.  805.  k.  (17.) 

PILGRIM.     The  Pilgrim.     Song  [begins : 
'  Oh  !  happy  Groves  ']. 
See  Barrett  (J.)  Organist. 

The  Pilgrim.     [Song.] 

iSVt'  In.     In  Pennance  for  past  folly. 

[1770?]     s.sh.iol.  G.  309.  (119.) 

The     Pilgrim.       Song    [begins :      '  Lone 

Minstrel  of  the  Moonlight  hour ']. 

Sec  Rimbault  (S.  F.)    Select  Songs.  No.  1. 

PILGRIM'S  SOLACE.  A  Pilgrim's 
Solace.     []\ladi-igals.]     See  Dowland  (J.) 

PILGRIMME     AUF     GOLGATHA. 

Die  Pilgrinime  auf  CTolgatba.  Passions- 
oratorium.     See  Hasse  (J.  A.) 

PILKINGTOW  (Francis)  The  First 
Booke  of  Songs  or  Ayres  of  4.  parts :  with 
Tableture  for  the  Lute  or  Orpherian,  with 
the  Violl  de  Gamba,  etc.  T.  Este : 

London,  1605.     fol.  K.  2.  i.  11. 

The  First  Set  of  ^Madrigals  and  Pastorals 
of  8.  4.  and  5.  Parts,  f/c.  Cantus.  (Altus.) 
(Tenor.)     (Bassus.)     (Quintus.)     5  pts. 

Printed  for  M[atthew]  L[mvnes]  I[ohn] 
B[rowne]  and  T[homas]  S[nodhain]  the 
Assignes  of  W.  Barley :  London,  1613.     4". 

K.  2.  d.  10. 
The  Second  Set  of  Madrigals,  and  Pas- 
torals, of  3.  4.  5.  and  6.  Parts  ;  Apt  for 
Violls  and  Voyces,  etc.  Cantus.  (Altus.) 
(Tenor.)  (Bassus.)  (Quintus.)  (Sextus.) 
6  pts.  Thomas  Snodham, 

for  M[atthctvj  L[oivncs]  and  A.  B[roivne]  : 
'London,  1624.     4°.  K.  2.  d.  11. 

The  Altus  part  contains  '  A  Pavin  made 
for  the  OrpJmrion,  by  the  Right  Honor- 
able, William  Earle  of  Darbic,  and  by 
him  conseiitcd  to  be  in  my  Bookes 
placed.' 
[Another  copy.     Bassus.]  C.  156. 

PILLOTI  (Louis)  Four  Italian  &  Two 
English  Ariettes,  with  an  Accomj)animent 
for  the  Piano-Forte  or  Harp,  etc. 

Longman  and  Brodcrip,  for  the  Author  : 
London,  [1795  ?]  fol.  H.  1679.  (42.) 
[Another  copy.]  G.  198.  (8.) 

Orra.  A  New  Song,  etc.  At  B.  BirchalVs  : 
London,  [1795  ?]     fol.       G.  805.  i.  (16.) 

PIMMALIONE.      Pimmalione.     Azione 
Teatrale.     See  Asioli  (B.) 
Pimmalione.   Opera.    See  Cimador  (J.  B.) 

PINART  (     )     Premier  Livre  de  Chansons 
a  Danser,  par  M  *  *  *  *  [Pinart].     1694. 
See  Chansons.     [2.  Le  Boy  and  Ballard's 
Collections.]     Recueil  de  difierens  Livres 
de  Chansons,  etc.     Liv.  VII.     1699.     8". 

A.  428.  (7.) 


2U 


PINDAR— rISA 


PINDAR     (Peter)    2«f"'Z.     [i-e.     John 
WoLCOTT.]     The   Triumph  of   Britons,  a 
Song.     The  Words  &  Air  by  Peter  Pindar, 
and  the  Accompaniments  by  Shield. 
[London,  1798  ?]     fol.  G.  376.  (40.) 

The  Wandering  Gipsy.     A  Ballad  . . .  The 
Words    and    Melody   by   P.    Pindar,   the 
Accompaniments  by  ]\Ir.  Shield. 
T.  Skillern  :  London,  [1795  ?]     fol. 

G.  383.  j.  (24.) 

PINKS.     Pinks  and  Lillies.     [Song.] 
Sec    Do.      Do     not     ask    me    charming 
PhiUis. 
[1705?]     s.sh.ioh  H.  1601.  (123.) 

PIN  SON  (  )  Adorable  Philemire. 
Komance.  Les  Paroles  sont  de  M. 
Belain,  dc.     {Paris],  1764.     s.  sh.  8°. 

298.  d.  22. 
Mercure  de  France,  Dec,  1764. 

PINTO  (Thomas)  Six  Solos  for  the  Violin 
with  a  Figured  Bass  for  the  Harpsichord 
or  Violoncello,  etc.  lulni  lohnston: 

London,  [mO'>]     fol.         li.  210.  k.  (2.) 

PIOMBANTI  (Francesco)  Six  Not- 
turnos  or  Night  Pieces  for  two  Violins  or 
two  German  Flutes  and  a  Bass.  [Separate 
Parts.]  Printed  for  H.  Tlioroiogood  : 

London,  [1765  ?]     fol.         g.  420.  g.  (2.) 

PIOUS.     Pious  Orgies.     Song. 

See  Haendel  (G.  F.)    [Judas  Maccahxus.'] 

PIOUS    RECREATION.      The    Pious 
llecreation.     Psalm-Tunes. 
See  Richardson  (W.) 

PIOZZI  (Gabriele)  Three  Duets  and 
three  Canzonets  . . .  Opera  vi. 

Printed  for  the  Author  :  Londoyi, 
[1785?]     fol.  G.  424.  b.  (6.) 

Six  Quatuor  pour  deux  Violons,  Alto  et 
Violoncello . . .  Opera  iv.    [Separate  Parts.] 

Printed  for  the  Author  :  London, 
[1760?]     fol.  g.  432. 

A  Second  Sett  of  Six  Sonatas  for  the  Piano 
Forte  or  Harpsichord  with  an  Accompani- 
ment for  a  Violin  . . .  Opera  iii. 
JohnWelcker:  London,  [1180'?]     fol. 

g.  432.  a.  (1.) 
Six  Sonatas,  for  the  Harpsicord  or  Piano 
Forte  with  an  Accompanyment  for  a 
Violin  . . .  Opera  v. 

Printed  for  the  Author  :  London, 
[1785  ?]    fol.  g.  432.  a.  (2.) 

PIOZZI  (M.)  Six  Sonatas  for  the  Harpsi- 
chord or  Piano  Forte,  with  an  Accompauj'- 
ment  for  a  Violin  . . .  Opera  ii*.  John 

Welcker :  London,  [1780  ?]     fol.     g.  293. 

PIPE.     The  Pipe.     Ballad. 
See  Stephenson  (J.) 

PIPEE.     La  Pipee.     Com6dic. 
Sec  Parataio. 


PIRAME    ET    THISB^!.      Pirame    ot 
Thisbe.     Tragedie. 
See  Rebel  (F.)  and  Francckur  (F.) 

PIRAMO  E  TISBE.  Piramo  e  Tisbc. 
[Opera.]     See  Rauzzini  (V.) 

PIRATES.     The  Pirates.     Opera. 

Sec  Stokace  (S.) 
PIRITHOUS.     Pirithous.     Tragedie. 

See  Mouret  (J.  J.) 

PIRIjOT  (  )  See  Amour.  L'Amour 
trouble  ma  raison.  La  Fille  inhumainc, 
[Song,]  .  .  .  L'Accompagnement  par  M"' 
Pirlot,e;c.    [1785?]   8".     B.  362.  f.  (15.) 

PI  RON  AVEC  SES  AMIS.  Tant  que 
I'homme  desirera.  Air  chanU  dans  Piron 
avcc  ses  Amis.  Avec  Accomp'  de  Guit- 
tare.  Chez  Lnbault :  Paris, 

[1800?]     8".  B.  362.  g.  (79.) 

PIRRO  E  DEMETRIO.  Songs  in  the 
New  Opera  of  Pyrrhus  and  Demetrius. 
With  the  Italian  words  Grav'd  under  the 
English  to  such  as  are  Sung  in  Italian . .  . 
Fairly  Engrav'd  ...  by  T.  Cross  Jun^ 
[INIusic  by  A.  Scarlatti,  with  additions  by 
N.  F.  Haym.  Words  by  A.  INIorselli,  trans- 
lated by  0.  MacSwiney.]  Printed  for  John 
Cullen:  London,  [inO?i     fol.        1.355. 

[Another  edition.  Songs  in  Pyrrhus  and 
Demetrius.]  [Printed  fur  John 

Cullen:  I-jondon,niO?]    fol.        H.  109. 

Imperfect,  loanting  the  title-page. 
[Corri  o  sole.]      Hast   0  Sun  0  quickly 
tly.     [Song.]     Sn,ng  by  Sig''  Valentino  in 
the  Opera  of  Pyrrhus  and  Demetrius. 
[London,  niO?]    s.sh.ioh    G.  315.  (29.) 
[Another  copy.]  H.  1601.  (186.) 

Her  lovely  Face  enchains  me.    Pyrrhus  d 
Demetri2is.       [Duet.]       Sung     by     Sign"' 
Nicolini  &  Sign'  Valentini,  etc. 
[1710?]     s.sh.ioh  G.  315.  (8.) 

[Ho  un  non  so  che  nel  cor.]  Conjugal 
Love,  [Song,]  made  on  a  Man  of  Quality 
and  his  Lady  to  an  Air  [from  G.  F. 
Handel's  '  Agrippina,'  introduced]  in 
Pyrrhus.  [Begins:  'In  Kent  so  fam'd 
of  Old,'  words  by  T.  Durfey.]  [Lo7idon, 
1710?]     s.  s7i.  fol.  H.  1601.  (219.) 

Rise  O  Sunn.     ,1  Fauovrite  [sic~\  Song  in 
the  Opera  of  Pyrrhus  and  Demetrius. 
[London,  niO?]     s.sh.ioh 

H.  1601.  (378.) 

Too  lovely  and  Fair.     Mariits.     Sung  by 
M.  D'lapine   in    the  Opera  of  Pyrrhus  & 
Demetrius.     [Music  by  N.  F.  Haym.] 
[London,  1710  ?]     s.  sh.  fol. 

H.  1601.  (441.) 

PISA  (Agostino)  Battuta  della  IMusica 
dichiarata  da  Don  Agostino  Pisa . . .  Opera 
noua  . . .  Ristampata  di  nouo,  &  Ampliata, 
etc.  Per  Bartolomeo  Zannetti : 

Boma,  1611.     4".  1042.  i.  1. 


PISA— PLA 


275 


PISA    (Agostino)      Breue    Dichiaratione 
della  Battuta  Musicale,  etc.  Appresso 

Bartolomeo  Zannetti :  Roma,  1611.     4". 

7896.  c.  40.  (1.) 

PISADOR  (Diego)     Libro  de  Musica  de 

Vihuela,   agora   nuevameute    compuesto, 

etc.  Hecho  por  Diego  Pisador  vczino 

de    Salamanca  y  imprcssio   en  su  casa, 

1552.    fol.  K.  8.  e.  2. 

07  fol.     At  the  end  of  Books  I.  and  II. 

is   the  ininter's   mark    of   Francisco 

Fernandez  de  Cordova  ;  at  the  end  of 

Book  VII.  that  of  Gnillenno  Millis. 

Tlic  composers  named  in  tltis  collection 

are :    Diego  Pisador,   Iiian    Vazquez, 

Jiisquin,  Gomhert,  Adrianns   de  Vil- 

lart   [Willaert],   Basurto,   Poinborjin, 

Juan  Monton  [Mouton]  and  Morales. 

PISANIO    (Nicola)      See    Philips    (P.) 
Litanioe  Beatte  Marise  Virginis  .  .  .  Acces- 
serunt  hac  secunda  editione  duse  Litanise 
octo  vocum,  auctore  Nicola  Pisaiiio,  etc. 
1630.     4".  C.  57.  i. 

PITCHER.     The  Pitcher.     [Song.] 

See  Silver.    The  Silver  Moon  that  shines 
so  bright.     [1770?]     s.  sh.  iol. 

I.  530.  (142.) 

PITICCHIO  (Francesco)  Sei  Quintetti 
a  due  Violiui,  due  Viole  e  Violoncello,  etc. 
[Separate  Parts.]  Presso  Giov.  Andn' : 

Offenbach  sul  Meno,  [1785  ?]     fol. 

h.  2841. 

PITIE.  Pitie  tendrc  et  touchante. 
Couplets.  Set  Gretry  (A.  E.  M.)  [J^Jlisca, 
on  la  Bonne  Mere.] 

PITMAN"  (Ambrose)  Three  favorite 
Aniorosos  .  .  .  for  the  Voice  and  Piano- 
Forte,  with  a  Thorough  Bass  .  .  .  Op.  vi. 
Messrs.  Tliompsons  :  [London,  1195?]    fol. 

G.  369.  (7.) 

[No.   1.]       Marian's    Complaint ;     a 

Favorite  Amoroso,  written  by  P.  Pindar, 
etc.     J.  Dale:  London,  [1195?]     fol. 

G.  366.  (50.) 

[No.  2.]   The  Pensive  Kose,  a  Favorite 

Amoroso.    J.  Dale  :  London,  [1795  ?]    fol. 

G.  360.  (40.) 
Gaffer  Gray  !  A  Favorite  Ballad,  written 
by  Mr.  Holcroft,  etc.  J.  Dale  :  [London, 
1795?]     fol.  G.  366.  (51.) 

lo !  triumphe  !  Extempore  Stanzas,  ad- 
dressed to  Admiral  Earl  Howe,  on  his 
glorious  Victory,  June  1st  1794.  [Words 
by  Mrs.  Robinson.]  J.  Dale  :  London, 
[1794.]    fol.  G.  376.  (29.) 

Laura.  A  Favourite  Sonnet  from  Petrarch 
[or  rather  from  Metastasio's  Cantata 
'  Amor  Timido '] ;  set  to  ]\Iusic  for  the 
Voice  and  Piano  Forte,  with  an  Accom- 
paniment for  a  Violin  and  Hautboy 
Obligato.     J.  Dale :  London,  (1793.)     fol. 

G.  368.  (13.) 


[Three 
. for   the 

London, 
b.  (63.) 


PITMAN  (Ambrose)  Marian's  Complaint. 
See  Supra:  [Three  Amorosos.  Op.  vi. 
No.  1.] 

The   Pensive   Rose.     See   supra : 
Amorosos.     Op.  vi.     No.  2.] 
Sabina,  a  Favorite   Amoroso  .  . 
Voice  and  Piano  Forte. 

Printed  for  G.  Walker: 
[1795?]    fol.  G.  809. 

See  Scarlatti  (D.)  The  Beauties  of 
D.  Scarlatti.  Selected. .  .and  Revised  . . . 
by  A.  Pitman.  [1785  ?]     obi.  fol. 

e.  5.  g.  (9.) 

PITT  (Thomas)  Church  TNIusic  ;  consist- 
ing of  a  Te  Deum  and  Jubilate,  the  music 
from  various  eminent  Masters,  and  Six 
(Ten)  Anthems  from  the  sacred  works  of 
Handel  selected  and  adapted  ...  by 
T.  Pitt.  2  vols.  Printed  for  the  Editor  : 
fol.  G.  500.  (1.) 

3.  e.  4,  5. 


Pitty-Patty.     [Song.] 
Pitty  Paty.     Song. 

Song. 


Worcester,  1788-9. 
[Another  copy.] 

PITTY-PATTY. 

See  Arne  (M.) 
[Another  setting.] 
See  Arne  (T.  A.) 

PITY.     Pity,  Astrea,  one  that  dies 
See  Franck  (J,  W.) 

PIU.     Piu  bianca  di  giglio.     Air. 
See  CosA  Rara. 

PIXELL  (  )  A  Collection  of  Songs,  with 
their  Recitatives  and  Symphonies,  for 
the  German  Flute,  Violins,  etc.  with  a 
Thorough  Bass  for  the  Harpsichord  . . . 
To  which  is  added  a  Chorus  for  Voices 
and  Instruments.  M.  Broome,  for  the 

Author:  Birmingham,  11 59.  fol.  G.  298. 
Odes,  Cantatas,  Songs,  &c.  divine,  moral, 
entertaining  . . .  Opera  Seconda. 

William  Fletcher,  for  the  Author  : 
Birmingham,  1775.     fol.  H.  91. 

PIZARRE.     Bizzarre.     Ballet. 
See  :\1azzinghi  (J.) 

PIZARRO.  The  ]\Iusic  of  Pizzaro.  Play. 
See  Kelly  (M.) 

PIZZATI  (Giuseppe)  La  Scienza  de' 
Suoni  e  dell'  Armenia  . . .  Opera. .  .Divisa 
in  Cinque  Parti.  Ap/vesso  Giovanni  Gatti : 
Vcnezia,  1782.     4".   '  60.  f.  23. 

Tavole    degli   Esempj    appartenenti    alia 
Scienza  de'  Suoni  e  dell'  Armouia,  etc. 
[Venice,  1782.]     fol.  60.  h.  27. 

PIZZOLATO  (Antonio)  Sonate  a  Violino 
solo,  ed  il  Basso  . . .  Opera  Prima  . . .  2*> 
impressione  . . .  coretta  per  1'  Auttore. 

Stampate  per  V Auttore  del  G.  Johnson  : 
Londra,  [1750  ?]     fol.  g.  1035. 

PLA   (Jose)     Six   Duets   for   two  Violins, 
j       [Separate  Parts.] 

Printed  for  G.  and  S.  Thompson  :  London, 
I       [1775?]     fol.  g.  421.  e.  (6.) 

T  2 


276 


PLA— PLAISIRS 


PLA  (Josk)  Six  Sonatas  foi-  two  German 
Flutes  or  two  Violins  and  a  Bass.  [Sei^a- 
rate  Parts.]  Welcker  :  London, 

[1770?]     fol.  h.  2852.  a.  (9.) 

PLA  (Jose)  and  (  )  Six  Sonatas  for  two 
German-Flutes,  Violins  or  Hautboys,  with 
a  Bass  for  the  Harpsichord  or  Violoncello. 
Compos'd  by  Sig"  Pla's.  Printed  for 

J.  Hardy  :  London,  [1760  ?]     fol.      f.  23. 

PLACE.  Place  me  where  never  summer's 
breeze.     Song.     Sec  Stone  (J.) 

PLAGUE.     The    Plague    of   Dependance. 

[Song.]   See  Courtiers.    Courtiers'  Words 
let  no  man  mind.     1742.     s.  sh.  fol. 

H.  1994.  (13.) 
A  Plague  on  Miss  Chloe.  Love  and  Wine, 
an  Excellent  Drinking  Song.  See  Chloe. 
Chloe,  or  the  Musical  Magazine,  etc.  No.  47. 
[17C0?]     fol.  G.  433. 

PLAIGNEZ.  Plaignez,  plaignez  ma  peine. 
Bomancc  [adapted  to  the  tune  of 
'  ]\Ialbrouk  s'en  va  t'en  guerre  'J.  [Paris, 
1785?]     8".  B.  362.  (212.) 

Plaignez  un  roi,  plaignez  un  pere.     Air. 
Sec  DiDON. 

PLAIN.     The  plain  Dealer.     [Song.] 
Sec  Curtis  (T.) 

Plain    Truth.      Song.      Sec    Man.      The 
Man  who  seeks  to  win  the  fair. 
[1750?]     s.  s/t.  fol.  G.  316.  (98.) 

Plain    Truth.      Song.      Sec    Man.      The 
man  who  seeks  to  win  the  fair,  etc. 
[1753.]     8".  249.  c.  23. 

PLAIN  CHANT.  Plain  Chant  for  the 
Chief  Masses  and  Vespers  throughout  the 
Year ;  and  for  the  Exposition,  Salut  and 
Benediction  of  the  Blessed  Sacrament,  &c. 
Compiled  for  the  use  of  W[ar]d[ou]r 
Chapel.    J.  P.  Coghlan:  London,  1788.  4". 

D.  428. 
Printed  througliout  ivitli  blank  staves  for 
the  insertion  of  notes  in  mmiuscrijit. 

PLAINTE.     Plainte  Amoureuse.     Ariette 
[begins  :  '  Amour  brise  mon  esclavage  ']. 
Sec  Gautier  (    )  Organist  of  Saint  Denis. 

Plainte  Amoureuse.    [Song.]    See  O.    Oh  1 
ma  tendre  musette.     [1780  ?]     8". 

B.  362.  (145.) 

PLAINTES.  Les  Plaintes  de  Rosine. 
[Song.]  Sec  Dans.  Dans  un  bosquet  la 
charmante  Rosine,  f/c.     [1780?]     8". 

B.  362.  b.  (132.) 

PLAINTIVE.  The  Plaintive  Swain. 
[Song.]  See  Alas.  Alas  how  smoothly 
flow'd  mv  days.     [1778?]     s.  s/i.  fol. 

G.  306.  (113.) 
The  Plaintive  Swain.     [Song.]     Sec  Was. 
Was  I  of  my  fair  possest. 
[1777  ?]     s.  sh.  fol.  G.  313.  (244.) 


PLAISIR.  Le  Plaisir,  Comedie  en  un 
Acte  en  vers,  avec  un  Divertissement; 
par  M.  I'Abbe  Marchadier,  etc.  (Divertisse- 
ment du  Plaisir.)  2  pts.  Chez  Cailleau  : 
Paris,  1749.     8".  164.  e.  1. 

Plaisir  d" Amour  ne  dure  qu'un  moment. 
Romance  de  ]\I.  le  Ch"'  de  Florian.  [Music 
by  G.  Martini.]  Chez  hnhault :  [Paris, 
1790?]     8".  B.  362.  a.  (96.) 

Plaisir  d' Amour  ne  dure  qu'un  moment. 
Romance  du  Cheerier  dans  Celestine,  nou- 
velle  de  Mr.  le  Ch'  de  Florian,  etc.  [Music 
by  G.  Martini.]     [Paris,  1800  ?]     fol. 

G.  548.  (70.) 

Le  Plaisir  d'un  Moment.     [Song.] 

Sec  Je.     Je  connais  un  plaisir  charmant. 

[1785?]     8°.  B.  362.  g.  (33.) 

Le  Plaisir  de  la  Variete.     Chanson. 

See  Oui.     Qui,  j'aime  la  variete. 

1757.     s.  sh.  8".  297.  d.  7. 

Le  Plaisir  de  rire.     Vaudeville. 

See  BouvARD  (P.) 

Le  plaisir  est  un  Dieu  volage.     Chanson. 

See  Bailleul  (     ) 

Le  Plaisir  veut  etre  fecond.     Chanson. 

[Paris,  1780  ?]     8".  B.  362.  a.  (62.) 

[Another  edition.]  Le  Plaisir  veut  etre 
fecond.     Chanson.     [Paris,  1180?]     8". 

B.  362.  e.  (95.) 

PLAISIR    ET    L'INNOCENCE.      Le 

Plaisir  et  I'lnnocence.  Opera-Coniique, 
en  un  Acte.  Par  INI.  Parmentier  . . .  avec 
la  Musique.  CJicz  Duchesne  :  Paris, 

1753.     8".  164.  e.  22. 

The  music  of  the  concluding  vaudeville 
is  by  J.  L.  Lanictte. 
[Another  copy.]    SeeTHE.\TRE.     Nouveau 
Theatre  de  la  Foire,  etc.     Tom  2. 
17G3.     8".  11735.  d.  2. 

PLAISIRS.     Les  Plaisirs  de  la  Frateruite. 
Vaudeville.     See  Premier.      Le  premier 
iour  que  Thomme  fut  sur  terre,  etc. 
[1792.]     8".  B.  362.  d.  (52.) 

Plaisirs  ne  troublez  pas  ma  tristesse.  Air. 
See  Antheaume  (     ) 

PLAISIRS       CHAMPETRES.         Les 

Plaisirs  Champetres.     IMusette. 
See  Lemaire  (L.) 

PLAISIRS     DE     L'HOSPITALITE. 

Les  Plaisirs  de  la  I'Hospitalite.  Opera 
Comique,  en  un  Acte,  mele  de  Vaude- 
villes ;  [written]  par  le  citoycn  Piis  . . . 
avec  la  Jilusique  [of  two  songs] .  Chez  Ic 
Librairc,  au  Th'dfre  du  Y ancle v ille  : 
Paris,  An  Troisieme  [1795].     8°. 

11738.  L  18.  (5.) 

PLAISIRS     DE    LA     CAMPAGNE. 

Les  Plaisirs  de  la  Carapagne.     Op6ra. 
Sec  Bertin  de  la  Doui':  (T.) 


PLAISIBS— PLAY 


277 


PLAISIRS  DE  LA  PAIX.    Les  Plaisirs 
de  la  Paix.     Ballet. 
See  Bourgeois  (T.  L.  J.) 

PLAN.     The  Plan.     Song.     See  No.     No 
Lass  on  fam'd  Hibernia's  Plains,  etc. 
[1758.]     8°.  P.P.  5438.  z. 

PLANELLI   (Antonio)      Dell'  Opera   in 
:Musica,  etc.  Donato  Campo  : 

Napoli,  1772.     8".  1042.  h.  7.  (1.) 

PLANTA  (DuRiGES  a) 

See  Frizzoni  (G.  G.  B.)  Canzuns  Spiritu- 
selas.  [The  tunes  selected  and  revised  by 
...D.  aPlanta,  del     1765.     S". 

3437.  h.  20. 

PLANTADE  (Charles  Henri)  Aux 
plaisirs  vrais  de  la  nature. 
Sec  infra  :  [Le  Roman.] 
Palma  ou  le  Voyage  en  Grece.  Op^ra  en 
Deux  Actes. .  .Paroles  du  C""  Lemontey 
...Grave  par  la  Cit^"'  Brunet.  [Full 
Score.]  Chez  ks  frires  Gaveaux  : 

Paris,  [1798.]     fol.  G.  123. 

[Le  Roman.]  Aux  plaisirs  vrais  de  la 
nature.  Romance .  . .  Chanto  par  M**"  Scio, 
etc.     Chez  Decombe:  Paris,  nSOO.'^     8". 

B.  362.  a.  (87.) 
Te  bien  aimer  0  ma  chere  Zelie.     Romance 
. . .  Avec  Accompagnement  de  Guittare. 
[Paris,  1791  ?]     8'\  B.  362.  e.  (97.) 

[Another  copy.]  B.  362.  a.  (97.) 

Zoe,  ou  la  Pauvre  Petite.  Opera  en  un 
Acte.  Paroles  de  J.  N.  Bouilly.  .  .Gravee 
par  Vau-ixem.  [Full  Score.]  CJicz  M"' 
Erard :  Paris,  [1800.]     fol.       G.  123.  b. 

PLATEE.     Comedie-Ballet. 
See  Rameau  (-J.  P.) 

PLATO.     Plato's  Advice.     Song. 

Sec  Say.     Sav,  Plato,  why  shou'd  man  bo 
vain.   [1755?]"  s.s/i.  fol.     G.  316.  h.  (29.) 
Plato's  Advice.     Song. 
See  Says.     Says  Plato,  why  should  Man 
be  vain,  etc.     [1758.]     s.  sh.  8". 

P.P.  5439.  ab. 

PLATTS  (Jamks)  Ah  why  was  Mary  so 
unkind.  A  Favorite  Mad  Song  sung  by 
Mr.  Cook  at  the  Anacreontic  Society,  etc. 
Printed  for  the  Autlior  : 
Lojirfon,  [1790?]  fol.  '  G.  377.  (47.) 
Twelve  New  Country  Dances  with  their 
proper  Figures  for  the  Violin,  Harp  or 
Piano  Forte,  etc.  Book  lst(-4th)  for  the 
Year  1796(-1799).     4  Bks. 

Printed  for  Culliford  Rolfc  d  Barrow  : 
London,  [1796-1799.]     obi.  i".  a.  11. 

Book  3  is  '  Printed. .  .for. .  .the  Com- 
poser,' and  Book  4  '  Printed. .  .for  the 
Composer,  by  J.  d;  W.  M.  CaMisac' 

A  Favorite  Lesson  for  the  Harpsichord  or 
Piano  Forte,  etc.     Sonata  i.  (ii.)     2  Nos. 
Printed. .  .6?/  the  Author  : 
London,  [1793.]     fol.  g.  149.  (3-4.) 


PLATTS  (James)  La  Melange,  or  Long- 
ways for  as  many  as  will,  or  the  New 
INIedley  with  the  proper  Figure.  For 
the  Harp,  Harpsichord,  Piano  Forte,  or 
Violin.  Printed. .  .by  the 

Author  :  [London,  1790  ?]     s.  sh.  fol. 

g.  149.  (21.) 

Six  Rondos  for  the  Harp  or  Piano  Forte 
with  an  Accompaniment  for  the  Tam- 
borino,  etc.  Culliford  tC  Barrow,  for  the 
Authoi- :  London,  [Yi^S.]     fol. 

g.  301.  (15.) 

Four  New  Schleifers  or  Waltzers  for 
1792  for  the  Harp,  Harpsichord,  Piano 
Forte  or  Violin,  with  their  proper  Figures. 
Printed  for  the  Author: 
[London,  1792.]     fol.  "    g.  149.  (23.) 

Four  Favourite  Waltz's. .  .For  the  Harp, 
Harpsichord  or  Violin,  with  their  proper 
figures.  Printed  for  the  Autltor  : 

London,  [1791.]     fol.  '  g.  149.  (22.) 

PLATTS  (JIartis)  Eight  Cotillions,  G 
Country  Dances  and  two  ^linnets  with 
their  proper  Figures  for  the  Harp,  Harpsi- 
chord, Piano-Forte,  or  Violin,  etc.  Book 
XX.,  for  the  Year  1787. 

Printed  for  Longman  d  Broderip  : 
London,  [1787.] "  obi.  4^  b.  53.  (4.) 

Eight  Cotillions  and  Six  Country  Dances, 
with  their  proper  Figures  for  the  Harp, 
Harpsichord,  Piano  Forte  or  Violin,  etc. 
Book  XXII.     For  the  Year  1788. 

Longman  and  Broderip  : 
London,  [1788.]     obi.  4".  b.  52.  (6.) 

Six  Cotillons  and  Twelve  Country  Dances 
with  their  proper  Figures,  for  the  Harp, 
Harpsichord,  Piano  Forte  or  Violin,  etc. 
Book  XXIIL,  for  the  Year  1791.  Longman 
and  Broderip  :  London,  [1791.]     obl.'i". 

b.  57.  c.  (4.) 
Book  25,  for  the  year  1798,  of  Sthraspeys, 
Reels,  Waltzs  &  Irish  Jiggs  :  for  the  Harp, 
Piano  Forte  or  Violin ;  with  their  proper 
figures,  etc.  Longman  tt  Broderip  : 

London,  [1798.]     obi.  4".  b.  55.  (1.) 

PLAWENN  (Leopoedus  a)  Sacrarum 
Nympharum  Duplicium  Aquarum  Opus 
Tertium.  Missis  4.  Festiuis  &  4.  Exe- 
quialibus  adornatum  a  4.  5.  6.  7.  &  8. 
Vocibus  ac  Instrumentis  2.  necessarijs 
c£eteris  vna  cum  Choro  vocali  ad  placitum, 
etc.  Cantus  ii.  Per  Budolphum  Dreher, 
Typis  Ducalis  Monasterii  Campidonensis, 
1672.     4".  D.  86. 

PLAY.     The  Play  of  Love  is  now  begun. 

The  Play   of  Love.       A  Song  made  and 

Sung  by  Mr.  Leveridge,  etc.     [JNIusic  by 

J.  C.  Pepusch.]  [London, 

1725  ?]     s.  sh.  fol.  H.  1601.  (473.) 

The   tune  of   this  song  is  assigned  to 

Pepusch  in  the  Musical  Miscellany, 

Vol.  n.,p.8. 


278 


PLAY— PLAYPORD 


PLAY.  The  Play  of  Love  is  now  begun. 
Tlte  riay  of  Love.  A  Song,  etc.  [Music 
by  .J.  G.  Pepusch.]  [London, 

1730?]     s.s/;.  fol.  G.  305.  (197.) 

A  Play  upon  Words.     [Song.] 
See  DiBDiN  (C.)     [Great  Neivs.] 

PLAYPORD  (Henry)  The  Banquet  of 
Musick  :  or,  a  Collection  cf  the  newest 
and  best  Songs  sung  at  Court,  and  at  the 
Publick  Theatres.  With  a  Thorow-Bass 
for  tho  Theorbo-Lute,  Bass-Viol,  Harpsi- 
chord, or  Organ.  Composed  by  several 
of  the  Best  Masters..  The  Words  by 
the  Ingenious  Wits  of  this  Age.  The 
First(-Sixth  and  Last)  Book.  [With 
Prefaces  by  H.  Playford.]     G  Bks. 

E.  Jones,  for  Henry  Pluyforcl :  [London,] 
1688(-1692).     fol.  G.  83.  a. 

Books  I.  and  II.  are  dated  1688,  Book 
III.  1689,   Book  IV.  1690,  Book   Y. 
1691,  Boofc  TT.  1692.     The  composers 
named   are :     A.    Marsh,    M.    Snoio, 
D.  Purcell,    H.   Purccll,    J.    Roffey, 
S.  Akeroyde,  J.  Banister,  J.  Hart,  J. 
Bloio,  B.  King,  F.  Pigott,  Capt.  Packe, 
Baptist,  Overbury,  G.  Hart,  Barknst, 
F.   Forcer,    Turner,    A.    Damascene, 
Barrincloe,  D.  Hcnstridge,  J.  Gilbert, 
R.  Courtiville,  li.  Bradley,  Montfort 
and  T.  Toilet. 
The  Divine  Companion  :    being  a  Collec- 
tion   of     New    and     Easie    Hymns    and 
Anthems,  for  one,  two  and  three  Voices. 
Compos'd     by     the     best     Masters,     etc. 
[Edited,  with  a  Preface,  by  H.  Playford.] 
William  Pearson,  for  H.  Playford  : 
London,  1701.     8°.  B.  655. 

The  composers  named  are  :  Dr.  J.  Blow, 
Dr.    Turner,  J.  Clarke,  B.  King,  S. 
Akeroyde,     J.     Church,      W.     Croft, 
Weldon  and  T.  Clark. 
The  Divine  Companion ;  or,  David's  Harp 
new  tun'd.      Being  a   Choice   Collection 
of    New  and   Easy  Psalms,  Hymns   and 
Anthems. .  .The  Third  Edition,  with  large 
Additions.  W.  Pearson  :  London, 

1709.     8".  B.  655.  a. 

The  composers  arc  the  same  as  in   the 
1st    edition,    with    the     addition    of 
T.     Ford,     T.     Holmes,     J.     Hilton, 
W.   Lawes,    W.   Webb,   W.  Ellis  and 
M.  Wise. 
The  Divine  Companion  .  .  .The  Fouith 
Edition,  with  large  Additions. 
W.  Pearson  :  London,  1722.     8". 

B.  655.  b. 
The  composers  arc  the  same  as  in  the 
Brd  edition. 
Harmonia  Sacra ;  or  Divine  Hymns  and 
Dialogues :  with  a  Thorow-Bass  for  the 
Theorbo-Lute,  Bass-Viol,  Harpsichord,  or 
Organ.  Composed  by  the  Best  Masters  of 
the  Last  and  Present  Age.     The  Words 


by  several   Learned  and   Pious   Persons, 

etc.      Edward  Jones,  for  Henry  Playford  : 

[London,]  1G88.     fol.  G.  84.  (1.) 

Tlie  com2wsers  named  are:  H.  Purcell, 

M.  Locke,    J.  Blow,   P.  Humphreys, 

J.  Jackson  and  W.  Turner. 

Harmonia  Sacra.  The  first  Book.  The 
2''  Edition  .  .  .  Enlarged  and  Corrected ; 
also  four  . . .  Anthems  of  the  late  Mr.  H. 
Purcell's,  never  before  Printed,  etc. 
William  Pearson,  for  Henry  Playford  and 
John  Sprint:  London,  1703,  fol. 

G.  84.  a.  (1.) 
Tlte  composers  named  in  this  edition 
are  the  same  as  those  in  tlie  first, 
loith  the  omission  of  J.  Jackson  and 
the  addition  of  J.  Church  and  J. 
Weldon. 

Harmonia  Sacra  . . .  The  First  Book.    The 
S'^  Edition,  etc. 

William  Pearson,  for  S.  H. :  London, 
1714.     fcl.  G.  84.  b.  (1.) 

TJie  composers'  names  are  tlte  same  as  in 
the  2nd  edition. 

Harmonia  Sacra  . . .  The  Second  Book. 

Edward  Jones,  for  Henry  Playford  : 

[London,]  1693.     fol.  G.  84.  (2.) 

Tlie  composers  named  are  :  H.  Purcell, 

Barrincloe,   R.   King,   D.  Purcell,  J. 

Bloio,   J.    Clarke,    Gratiani    and    G. 

Carissimi. 


[Another  copy.] 


G.  84.  a.  (2.) 


Two  Divine  Hymns  :  being  a  Suppli- 

ment  to  the  Second  Book  of  Harmonise 

Sacra.      W.  Pearson,  for  Henry  Playford  : 

London,  1700.     fol.    '  G.  84.  a.  (3.) 

These    hymns    arc    by    J.    Clark    and 

W.  Croft. 

Harmonia  Sacra :  .  .  .  Book  II.  The  2'' 
Edition  very  much  Enlarg'd  and  Cor- 
rected ;  Also  Three  Excellent  Anthems, 
never  before  Printed,  by  Mr.  Cioft,  .  .  . 
Dr.  Blow,  and  Mr.  J.  Clark,  etc. 

William  Pearson,  for  S.  H  :  London, 

1714.     fol.  G.  84.  b.  (2.) 

Tlte  comjmsers'  names  are  the  same  as  in 

the  first  edition,  with  the  omission  of 

Barrincloe    and   the   addition   of   W. 

Croft. 

Mercurius  IMusicus :  or  the  Monthly  Col- 
lection of  New  Teaching  Songs,  etc. 
[Edited  by  H.  Playford.]  (1699.)  obi.  4". 
Sec  Mercurius  Musicus.        K.  1.  e.  6. 

The  Theater  of  Music :  or,  A  Choice 
Collection  of  the  newest  and  best  Songs 
sung  at  the  Couit,  and  Public  Theaters. 
The  Words  composed  by  the  most 
ingenious  Wits  of  the  Age,  and  set  to 
]\Iusic  by  the  greatest  Masters  in  that 
Science.  With  a  Theorbo-Bass  to  each 
Song  . .  .  Also  Symphonies  and  Retornels 


PLAYFORD 


279 


in   3    Parts   to   several   of   them    for   the 

Violins  and   Flutes.      The  First(-Fourth 

and  Last)  Book.      [With   Dedications  to 

Book  I.  signed  :   R.  C.  and  H.  P.  and  to 

Book    IV.     signed :      Henry     Playford  ] 

4  Bks.  /.  Playford,  for  Henry 

Playford  and  Rlichard]  C[arr] ;  London, 

1G85  (1687).     fol.  G.  83. 

Book  IV.  is  dated  1687  and  '  Printed  by 

B.  Mottc,  for  Henry  Playford.'     The. 

composers   named  are :    Capt.   Pack, 

B.    King,    T.    Farmer,    S.   Akeroyd, 

Grabuc,    C.    Taylour,    Sen.    Baptist, 

J.  Boffey,  H.  Purcell,   Dr.  J.  Blow, 

W.  Turner,  J.  Lenton,  J.   Hart,   A. 

Damascene,   P.  Rcggio,    W.   Gregory, 

Snow,     T.    Tedivay     [Tudway],     D. 

Undenvood,    F.   Forcer,   J.  Goodwin, 

H.    Hall,    B.    Broken,    J.   Hawkins, 

P.  Humphrey,   G.    Hart,   J.    Courti- 

villc,  J.  Beading,  Gore,  Th.  Hawney, 

A.  Marsh,  J.  Jaclson  and  M.  Loci:. 

Sec  also:  P.,  H. 

PLAYFORD  (John)  Apollo's  Banquet : 
containing  Instructions,  and  Variety  of 
New  Tunes,  Ayres,  Jiggs,  and  several 
New  Scotch  Tunes  for  the  Treble-Violin. 
To  which  is  added.  The  Tunes  of  the 
newest  French  Dances  .  .  .  The  Sixth 
Edition,  with  new  Additions.  [With  a 
Preface  signed  :  H.  P.]  E.  Jones,  for 

Henry  Playford:  [London,]  1690.     obi.  4". 

K.  4.  b.  9. 
The  only  co7nposers  named  are :  Banister, 
Farmer,  Sen.  Baptist,  Pcasable,  Dyer, 
H.  Purcell  and  Akeroyde. 

Select  Musicall  Ayres,  and  Dialogues,  For 
one  or  two  Voyces,  to  sing  to  the  Theorbo, 
Lute,  or  Basse  VioU.  Composed  by  John 
Wilson,  Charles  Colman,  Doctours  of 
]\Iusick.  Henry  Lawes,  William  Webb, 
Gentlemen.  To  which  is  added  some  few 
short  Ayres  or  Songs  for  three  Voyces,  to 
an  insti-ument.  [With  a  preface  by  J. 
Playford.]  Printed  for  John  Playford  : 
London,  1652.     fol.  F.  51. 

This  collection  contains  compositions  by 

B.  Johnson,  H.  Laxces,  C.  Colman, 
J.  mison,  W.  Webb,  W.  Csssar  alias 
Smegergill,  J.  Taylor,  N.  Lanneare, 
W.  Latves  and  B.  Smith. 

The  Second  Booke  of  Ayres,  Containing 
Pastorall  Dialogues  For  two  Voyces,  to 
sing  either  to  the  Theorbo,  Harpsicon,  or 
Basse  Violl.  Also  short  Ayres  for  three 
Voyces,  with  a  thorow  Basse.  Composed 
by  many  Excellent  Masters  in  Mnsick, 
now  living.  Thomas  Harper, 

for  John  Playford  :  London,  1652.     fol. 

F.  51.  (2.) 
The  ccnnposers  named  are  :  N.  Lnneare, 
W.  Laices,   W.  Csesar  alias    Smeger- 
gill, C.   Colman,  H.  Laxces  and    W. 
'Webb. 


PLAYFORD  (John)  Select  Musicall 
Ayres  and  Dialogues,  in  Three  Bookes. . . 
Composed  by  . . .  Dr.  John  Wilson,  Dr. 
Charles  Colman,  Mr.  Henry  Lawes,  Mr. 
William  Lawes,  Mr.  William  Webb,  IMr. 
Nicholas  Lanneare,  Mr.  William  Smeger- 
gill alias  Cfesar,  Mr.  Edward  Colman,  Mr. 
Jeremy  Savile.  T[liomas]  H\_arpcr\  for 
John  Playford  :  London,  1653.     fol. 

F.  51.  a. 

Wanting  the  dedication.  The  pagina- 
tion of  Books  2  a)id  3  is  continuous. 
hi  addition  to  the  names  on  the  titlr- 
jmgc  the  follorving  composers  are  repre- 
sented :  Warner,  J.  Taylor,  T.  Bretvrr 
and  W.  Tompkins. 

[Another  copy.]  F.  51.  b. 

Imperfect,  wanting  the  title-page  and 
dedication.  The  title-page  is  supplied 
in  facsimile. 

Select  Ayres  and  Dialogues  For  One, 
Two,  and  Three  Voyces  ;  to  the  Theorbo- 
Lute  or  Basse- Viol.  Composed  by  J. 
Wilson,  C.  Colman,  Doctors  in  Musick. 
H.  Lawes,  W.  Lawes,  N.  Laueare,  W. 
Webb,  Gentlemen  . .  to  his  late  IMajesty 
in  his  Publick  and  Private  Musick.  And 
other  Excellent  Masters  of  Musick. 

W.  Godbid,  for  J.  Playford  :  London, 
1659.     fol.  ■  '  E.  1078. 

This  is  an  enlarged  edition  of  '  Select 
Musicall  Ayres  and  Dialogues' ;  it 
icas  rcisstied  in  1669  as  Book  I.  of  the 
'  Treasury  of  Musick.'  The  composers 
named  are :  N.  Laneare,  J.  Wilson, 
H.  Lawes,  W.  Webb,  C.  Colman, 
E.  Colman,  J.  Sovill,  Lady  Deering, 
T.  Breiccr,  J.  Playford,  B.  Johnson, 
Warner,  J.  Goodgroome,  W.  Cmsar 
alias  Smegergill,  S.  Ives,  W.  Tomp- 
kins, J.  Cubb  a)id  Jenkins. 

[Another  copy.]  G-.  82.  (1.) 

Wanting  pip.  29  and  30. 

Select  Ayres  and  Dialogues  to  Sing  to  the 
Theorbo-Lute  or  Basse-Viol.  Composed 
by  Mr.  Henry  Lawes  . . .  and  other  Excel- 
lent Masters.  The  Second  Book.  [With 
a  preface  by  J.  Playford.] 

William  Godbid  for  John  Playford  : 
London,  1669.     fol.  G.  82.  (2.) 

This  is  a  selection  from  Laives's  First 
and  Second  Books  of  "Ayres  and 
Dialogues"  jniblishcd  respectively  in 
1653  and  1655.  It  icas  also  issued 
under  Laiccs's  name  as  the  Second 
Book  of  '  The  Treasury  of  Musick.' 
The  composers  named  are  :  H.  Laiocs, 
J.  Wilson,  C.  Colman,  N.  Lanneare, 
J.  Goodgroome,  S.  Ives,  A.  Marsh, 
W.  Gregorie,  B.  Hill,  J.  Moss,  J. 
Playford,  J.  Hilton,  E.  Colman, 
T.  Blagrave,  J.  Jenkins  and  W. 
Lawes. 


280 


PLAYFORD 


PLAYFORD  (John)     [Select  Ayres  and  \ 
Dialogues.     Books  I.  and  II.]  I 

Sec  Lawes  (H.)  The  Treasury  of  Musick,   I 
etc.     [With  a  Preface  by  J.  Playford.]  i 

1G69.     fol.  G-  81. 

A    Breif    Introduction    to    the   Skill    of 
Musick:     for    Song    and    Viol.     In    two  j 
Books,  etc.       W.  Godbid,  for  J.  Playford  : 
London,  1G58.     8".  785.  a.  38. 

A  Brief  Introduction  to  the  Skill  of 
Musick.  In  two  Books  .  .  .  The  Third 
Edition  Enlarged.  To  which  is  added  a 
Third  Book,  entituled,  The  Art  of  Descant 
or  Composing  Musick  in  Parts,  by  Dr. 
Thomas  Campion.  With  Annotations 
thereon  by  ]\Ir.  Chr.  Simpson. 

W.  Godbid  for  John  Playford  :  London, 
IGOO.    8°.  E.  Pam.  1795.  (2.) 

This  copy  contains  the  portrait  of  Play- 
ford mt.  S7((e  38.     Campion's  Treatise 
has  a  separate  title-page :    "  The  Art 
of  Setting  or  Composing  Musisk  [sic] 
in  Parts   . . .    The   Second  Edition," 
etc. 
A    Brief    Introduction    to    the    Skill   of 
Musick.     In  two   Books  ...  To  which  is 
added  a  Third  Book,  etc.  Printed  for 

J,  Playford  :  London,  1662.     8". 

B.  347.  a. 

A  Brief  Introduction  to  the  Skill  of 
Musick.  In  two  Books  ...  To  which  is 
added  the  Art  of  Descant. .  .The  Fourth 
Edition  much  Enlarged.  William  Godbid 
for  John  Playford  :  London,  1664.  8". 
•'  B.  347.  b. 

A    Brief    Introduction    to    the    Skill    of 
Musick  :  in  Three  Books,  etc. 

William  Godbid  for  John  Playford  : 
London,  1666.     8".        '  B.  347.  e. 

This  copy  has  the  portrait  of  Playford 
xt.  sux  40. 

A    Brief    Introduction    to    the    Skill    of 

Musick  :  in  Three  Books,  etc.    ms.  notes. 

William  Godbid,  for  John  Playford: 

London,  1666.     S".  B.  347.  d. 

This  copy  has  the  portrait  of  J.  Playford 

sat.  sux  57. 

A    Brief    Introduction    to    the    Skill   of 
Musick  :  in  Three  Books,  etc. 

Willicnn  Godbid,  for  John  Playford  : 
Jjondon,  1667.     8°.  B.  347.  e. 

This  copy  has  the  portrait  of  Playfcnrl 
let.  suie  40. 

A    Brief    Introduction    to    the    Skill    of 
Musick ;  in  Three  Books,  etc. 

William  Godbid,  for  John  Playford: 

London,  1670  (1669).     8°.  B.  347.  f. 

This  copy  has  the  portrait  of  J.  Playford 

set.  siix  47.     The  Third  Book  is  dated 

1669. 

An  Introduction  to  the  Skill  of  Musick. 
In  Two  Books  ...  To  which  is  added.  The 


Art  of  Descant  . . .  The  Sixt  Edition  Cor- 
rected and  Enlarged.  W.  Godbid, 
for  J.  Plai/ford  :  London,  1672  (1671).     8". 
•^                                                  B.  347.  g. 
Tliis  copy  lias  the  portrait  of  J.  Playford 
xt.  sux  47.     '  The  Art  of  Descant'  is 
dated  1671. 
An  Introduction  to  the  Skill  of  ^Musick. 
In  Two  Books  . . .  The  Seventh  Edition, 
Corrected  and  Enlarged.       W.  Godbid,  for 
J.  Playford:  London,  1(>1 4.  8".  B.  347.  h. 
This  copy  has  the  portrait  of  J.  Playford 
iet.  sine  47. 
[Another  copy.]  B.  347. 
An  Introduction  to  the  Skill  of  Musick, 
in  Two  Books. .  .To  which  is  added.  The 
Art  of  Descant . . .  Also  the  Order  of  Sing- 
ing Divine  Service  in  Cathedrals  . . .  The 
Eighth  Edition  carefully  Corrected. 

A.  G\pdhid]  and  J[ohn]  P[layford  the 

younger']    for    John    Playford:    London, 

1679.     8".  B.  347.  i. 

This  copy  has  the  portrait  of  Playford 

let.   sum  47.     Liside  the  cover  is  the 

signature  of  John  Tr avers. 

An  Introduction  to  the  Skill  of  Musick, 

in   Three   Books  . . .  The   Tenth    Edition, 

Corrected  and  Enlarged.     .4.  G[odbid]  and 

J[ohn']  P[layford  the   younger]  for   John 

Playford  :  London,  1683.    8".     B.  347.  k. 

This  copy  has  the  portrait  of  J.  Playford 

xt.  sine  57. 

An  Introduction  to  the  Skill  of  Musick. 

In  Three  Books. .  .The  Eleventh  Edition, 

Corrected  and  Enlarged. 

Charles  Peregrine,  for  Henry  Playford  : 
London,  1687.     8".  B.  347.  j. 

This  copy  has  D.  Loggan's  undated 
portrait. 
An  Introduction  to  the  Skill  of  Musick, 
in  Three  Books.  The  First  contains  the 
Grounds  and  Rules  of  Musick  .  .  .  The 
Second.  Instructions  and  Lessons  both  for 
the  Bass- Viol  and  Treble- Violin.  The 
Third,  The  Art  of  Descant  ...  In  a  more 
Plain  and  Easie  Method  than  any  hereto- 
fore Published  . . .  The  Twelfth  Edition. 
Corrected  and  Amended  by  Mr.  Henry 
Purcell.  E.  Jones,  for  Henry  Playford  : 
[London,]  169^     8".  '  1042.  e.  11. 

Tl'i/7j  D.  Loggan's  undated  portrait. 

An  Introduction  to  the  Skill  of  Musick  : 
in  Three  Books  .  .  .  Containing,  i.  The 
Grounds  and  Principles  of  Musick  .  .  . 
being  newly  Written... by  an  Eminent 
Master  in  that  Science,  ii.  Instructions 
and  Lessons  for  the  Treble,  Tenor,  and 
Bass-Viols ;  also  for  the  Treble-Violin. 
III.  The  Art  of  Descant  .  .  .  made  very 
Plain  and  Easie  by  the  late  ]\Ir.  Henry 
Purcell.  The  Thirteenth  Edition. 
E.  Jones,  for  Henry  Playford  :  [London,] 
1697.     8».  B.  347.  1. 

With  D.  Loggan's  %mdated  portrait. 


PLAYFORD 


281 


PLAYFORD  (John)  An  Introduction 
to  the  Skill  of  Musick  :  in  Three  Books 
. . .  The  Fourteenth  Edition.  Corrected 
and  Enlarged.  William  Pearson,  for 

llcnrij  Play  ford:  London,  1100.     8". 

B.  347.  m. 
Tr!77(  7).  Loggaii's  undated  portrait. 

An  Introduction  to  the  Skill  of  IMusick : 
in  Three  Books. .  .The  Fifteenth  Edition. 
Corrected,  and  done  on  the  New  Ty'd- 
Note.  W.  Pearson,  for  Henry  Playford 
. .  .and  John  Sprint :  Lmulon,  1703.     8". 

785.  b.  8. 
With    the    portrait     of    Playford    xt. 
S71X  57. 

An  Introduction  to  the  Skill  of  IMusick : 
in  Three  Books. .  .The  Sixteenth  Edition, 
etc.  M'illiam  Pearson,  for  Jolin  Sprint : 
London,  1713.     8".  B.  347.  n. 

WitJi  D.  Loggan's  uyidated  portrait. 

An  Introduction  to  the  Skill  of  ]\Iusick  : 
in  Three  Books  :  .  .  .  The  Seventeenth 
Edition,  etc.  William  Pearson,  for  John 
and  Den.  Sprint:  London,  1718.     8". 

B.  347.  o. 
With  the  portrait  by  J.  Clark,  1718. 

An  Introduction  to  the  Skill  of  Musick : 
in  Three  Books... The  Eighteenth  Edi- 
tion, etc.  William  Pearson,  for  John  and 
Benj.  Sprint :  London,  1724.     8". 

B.  348. 
With  the  piortrait  by  J.  Clark,  1718. 

An  Introduction  to  the  Skill  of  Musick  : 
in  Three  Books... The  Nineteenth  Edi- 
tion, etc.  William  Pearson,  for  Benjamin 
Sprint:   London,  YidO.     8".' 

1400.  b.  17. 
With  the  portrait  by  J.  Clark,  1718. 

Choice  Songs  and  Ayres  for  One  Voyce  To 
Sing  to  a  Theorbo-Lute,  or  Bass- Viol... 
Composed   by   several  Gentlemen  of  His 
JNIajesties  IMusick.     The  First  Book. 
W.  G[odbid]  :  London,  1673.     fol. 

G.  82.  a. 
TJie  composers  named  arc:  B.  Smith, 
P.  Humphrey,  A.  Marsh,  W.  Gregory, 
J.  Banister,  J.  Hart,  A.  Marsh  Junior, 
Turner,  N.  Staggins,  Stafford,  T. 
Farmer  and  C.  For  sail. 

Choice  Ayres,  Songs,  &  Dialogues. .  .The 
Second  Edition  Corrected  and  Enlarged. 
W.  Godbid :  London,  1675.     fol. 

G.  82.  b.  (1.) 

The  composers  added  in  this  edition  arc : 

J.    Playford,    Pnrsell,    B.    Hill,    J. 

Jackson,    I.    Blackicell,    Ttvist    and 

M.  Locke. 

Choice    Ayres,   Songs,   &    Dialogues  .  .  . 
Newly  Re-printed  with  large  Additions. 
William  Godbid:  London,  1676.     fol. 

G.  82.  (3.) 


PLAYFORD    (John)     Choice    Ayres    & 
Songs. .  .The  Second  Book.  Anne 

Godbid:  London,  1619.    fol.     G.  82.  (4.) 
Tlie  title-page  is  mutilated.     The  com- 
posers   named    are :     M.    Locke,    F. 
Forcer,  J.  Hart,  Staggins,  W.  Turner, 

A.  Marsh,  J.  Banister,  W.  Gregorir, 
S.  Pack,  H.  Purcell,  J.  Blow,  J.  Moss, 
T.  Farmer,  J.  Cobb,  P.  Humphrey, 
Grabue  and  B.  Wallingfon. 

[Another  copy.]  G.  82.  b.  (2.) 

The  title-page  and  preface  arc  mutilated. 

[Another  copy.]  G.  82.  c. 

Imperfect,  icanting  tlie  title-page. 
Choice    Ayres    and     Songs... The    Third 
Book.    A.iGoldbid  and  J.  Playford  Junior  : 
London,  1681.     fol.  '   G.  82.  (5.) 

The  composers  named  are  :  Grabue,  T. 
Farmer,  J.  Hart,  H.  Pur  sell,  J.  Beadinii. 
W.  Turner,  F.  Forcer,  I.  Blackweil, 
P.  Humphrys,  N.  Staggins,  J.  Blow, 
J.  Hart,  C.  Gibbons  and  W.  Gregory. 
[Another  copy.]  G.  82.  b.  (3.) 

Choice  Ayres  and  Songs . . .  The  Fourth 
Book.  A.  Goldbid  and  J.  Playford  Junior  : 
London,  lQ>8d.     fol.  "  G.  82.  (6.) 

The  composers  named  are  :  Abel,  W. 
Gregory,  Capt.  Packe,  W.  Turner, 
J.  Blow,  T.  Farmer,  Dr.  Bogers, 
Banister,  I.  Blackweil,  J.  Hart,  M. 
Lock,  H.  Purcell,  F.  Fcrrcer,  C.  Taylor, 
T.  Tudway  and  N.  Lannier. 
[Another  copy.]  G.  82.  b.  (4.) 

Choice  Ayres  and  Songs  . . .  The  Fifth 
Book.  J.  Playford  Junior  :  London, 

1684.     fol.  G.  82.  b.  (5.) 

The  co)n posers  named  are  :  C.  Fisli- 
burne,  H.  Purcell,  B.  King,  T.  Farryicr, 
Capt.  Pack,  Sen. Damascene ,  Sen. Bap- 
tist, J.  Hart,  T.  Stafford,  F.  Forcer,  Dr. 
Staggins,  P.  Humphreys,  W.  Turner, 

B.  Croone,  J.  Boffey,  T.  Kingsley  and 
J.  Blow. 

Court  Ayres :  or,  Pavins,  Almains,  Corant's, 
and  Sarabands,  of  two  parts.  Treble  & 
Basse,  for  Viols  or  Violins.  Which  may 
be  performed  in  Consort  to  the  Theorbo 
Lute,  or  Virginalls.  [With  Preface  and 
Dedication  by  J.  Playford.]  Treble. 
(Basse.)  2pts.  Printed  for  John  Playford : 
London,  1655.     obi.  i".  K.  4.' a.  4. 

Tlie  composers  named  are :  C.  Cobnan, 
W.    Lawes,    J.    Jenkins,    C.    Simp- 
son,   W.    Childe,    Vaux,    Sir    Edw. 
Golding,   B.   Bogers,  B.   Sandlcy,  It. 
Cook,  J.  Taylor,  It.  Cobb,  G.  Hudson, 
J.  Carwarden,   W.  Gregory,  V.   Oldis, 
S.  Ives  and  Capt.  S.  Taylor. 
The   Musical  Companion.     [For  editions 
of     the     collections     successively    called 
'Catch  that  Catch    Can,'    'The    Musical 
Companion '  and  '  The  Pleasant  Musical 
Companion,'  some  edited  by  J.  Playford  :] 
See  Musical  Cojipanion. 


282 


PLAYFORD 


PLAYrORD  (John)  Musick's  Delight 
on  the  Cithren,  Restored  and  Refined 
to  a  more  Easie  and  Pleasant  Wanner  of 
Playing  than  formerly ;  And  set  forth 
with  Lessons  Al  a  ]\Iode,  heing  the 
Choicest  of  our  late  new  Ayres,  Goran ts, 
Sarabands,  Tunes,  and  Jiggs.  To  which 
is  added  several  New  Songs  and  Ayres  to 
Sing  to  the  Cithren,  etc.  [With  a  preface 
by  J.  Playford.]  W[illiam']  Gfodbid]  : 

London,  166G.     obi.  4°.  K.  1.  a.  3. 

This  collection  contains  compositions  by 
M.  Lock,   W.  Lawes,  S.  Ives  and  C. 
Colman, 
Musicks   Hand-maide.      Presenting  New 
and  Pleasant  Lessons  for  the  Virginals  or 
Harpsycon.     [With  a  preface  by  J.  Play- 
ford.]  Printed  for  John  Plaiiford  : 
London,  1663.    obi.  4°  K.  l.'c.  1. 
This  collection  contains  compositions  by 
B.    Sandley,    W.   Laives,   B.   Rogers, 
M.  Locke,  and  J.  Mossc.     The  music 
is  engraved  throughout,  except  tJie  last 
leaf  containing  '  The  Tunes  of  Psalms 
to  the  Virginal  or  the  OrganJ" 
Musicks   Hand-maid  :   New  Lessons  and 
Instructions  for  the  Virginals  or  Harpsy- 
chord.     (The    Second    Part   of    Musick's 
Hand-maid :  containing  the  Newest  Les- 
sons, Grounds,  Sarabands,  Minuets,  and 
Jiggs,  set  for  the  Virginals,  Harpsichord, 
and  Spinet.)     2  pts.  Printed  for 
J.  Playford  {Henrij   Playford)  :    London, 
1678  (1689).     obi.  4°.               K.  4.  b.  10. 
The    Second   Part    has    a   preface    by 
H.  Playford.      The  composers  whose 
names  are  added  in  Part  I.  in  this 
edition  are  :    A.  Bryaoi,  F.   Prat  and 
J.  Jackson.    The  printed  Psalm  Tunes 
are  omitted.     Part  II.  wants  sheet  B. 
The  composers  named  are  :  H.  Purcell, 
W.  Turner,  J.  Blow  and  Snoiv. 
IMusick's  Recreation :    on  the  Lyra  Viol. 
Being  a   choice    Collection   of   New   and 
Excellent  Lessons  for  the  Lyra  Viol. .  .To 
which  is  added  some  few  plain  Directions 
as  a  Guide  for  Beginners.     [With  a  preface 
signed  :  J.  P.]    Printed  for  John  Plai/ford : 
London,  1652.     obi.  i'.'          K,  4.  b.  11. 
The  composers  named  are  :    W.  Lawes, 
S.  Ives,  S.  Ives  Junior,  Dr.  C.  Col- 
man,   Yong,   J.    Lillie,   Jenkins,    W. 
Gregory,  J.  Esto,  G.  Hudson,  T.  Bates, 
J.  Withie  and  Aylicard. 
^Musicks   Recreation   on   the   Viol,   Lyra- 
way,  etc.                     W.  G.  for  J.  Playford : 
London,  1661.     obi.  4°.       '     K.  4.  b.  12. 
The  names  of  composers  added  in   this 
edition     are  :     Gotcr    [Ganlticr'],    C. 
Simpson  and  W.  Young. 
Musicks   Recreation   on   the   Viol,  Lyra- 
wav,  etc.     W.  Godbid,  for  John  Playford  : 
London,  1669.    oW.  4".             K.  I.e.  2. 
In  this  edition  tlie  only  new  name  is 
J,  Moss. 


PLAYFORD  (John)  IMusicks  Recreation 
on  the  Viol,  Lyra-way  .  .  .  The  Second 
Edition,  Enlarged  with  additional  New 
Lessons,  ms.  notks  [by  T.  Oliphant  and 
Julian  Marshall].  A[nne]  G[odbid]  and 
Jfo/iji]  P[layford  the  Younger']  fen-  J.  Play- 
ford :  London,  1682.  obi.  4°.  K.  1.  c.  3. 
In  this  edition  the  names  added  are  : 
Farmer,  Banister  and  Baptist. 
Psalms  &  Hymns  in  Solemn  Musick  of 
Foure  Parts  on  the  Common  Tunes  to  the 
Psalms  in  jMetre  : . . .  Also  Six  Hymns  for 
One  Voyce  to  the  Organ,  etc.  W.  Godbid 
for  J.  Playford  :  London,  1671.     fol. 

K.  1.  i.  19. 
A  presentation  copy  from  J.  Playford  to 
Francis  North  [Lord  Guildford]  ivifh 
an  autograph  inscription  on  p.  1.    This 
work  also  contains  a   Gloria   by   B. 
Bogers. 
The   Whole   Book   of   Psalms:    with  the 
usual  Hymns   and  Spiritual   Songs  ;    to- 
gether with  all  the   ancient   and   proper 
Tunes   sung   in  Churches,  with   some   of 
later   Use.       Composed   in   Three   Parts, 
Cantus,  Medius,  and    Bassus...by  John 
Playford.  W.  Godbid,  for  the  Compami 

of  'stationers  :  London,  1677.  8°.  C.  6. 
The  Whole  Book  of  Psalms. .  .The  Second 
Edition,  Corrected  and  Amended. 

Edward  Jones,  for  the  Company  of 
Stationers  :  London,  1695.  8".  C.  6.  a. 
The  Whole  Book  of  Psalms. .  .The  Third 
Edition,  etc. 

J.  HeptinstaU,  for  the  Company  of 
Stationers  :  London,  1697.  8°.  C.  6.  b. 
The  Whole  Book  of  Psalms. .  .The  Fourth 
Edition,  etc. 

J.  HeptinstaU,  for  the  Compann  of 
Stationers  :  London,  1698.  8°.  C.  6.  c. 
The  Whole  Book  of  Psalms. .  .The  Fifth 
Edition,  etc. 

J.  HeptinstaU,  for  the  Company  of 
Stationers  :  London,  1699.  8".  C.  6!  d. 
The  Whole  Book  of  Psalms... The  Sixth 
Edition,  etc. 

J.  HeptinstaU,  for  the  Company  of 
Statioiiers  :  London,  1700.  8".  C.  6.  e. 
The  Whole  Book  of  Psalms . . .  The  Seventh 
Edition,  etc. 

J.  HeptinstaU,  far  the  Company  of 
Stationers:  London,  liOl.  8".  C.  6.  f. 
The  Whole  Book  of  Psalms. .  .The  Eighth 
Edition,  etc. 

J.  HeptinstaU,  for  the  Company  of 
Stationers  :  London,  1702.  8".  C.  6!  g. 
The  Whole  Book  of  Psalms. .  .The  Tenth 
Edition,  etc. 

J.  HeptinstaU,  for  the  Companij  of 
Stationers:  Lmidon,  1109.  8\  C.  6.  j". 
The  Whole  Book  of  Psalms  . .  The  Twelfth 
Edition,  etc. 

J.  HeptinstaU,  for  the  Compami  of 
Stationers  :  London,  1713.     8",      C.  6.  1. 


PLAYFORD— PLENTY 


283 


PLAYFOED  (John)  The  Whole  Book 
of  Psalms. .  .The  Thirteenth  Edition,  etc. 

J.  ITeptinstall,for  the  ConqMny  of 
Stationers:  London,  1115.  8".  C.  6.  m. 
The  Whole  Book  of  Psalms ...  The  Four- 
teenth Edition,  etc. 

J.  Heptinstall,  for  the  Company  of 
Stationers :  London,  1717.  8".  C.  6.  n. 
The  Whole  Book  of  Psalms... The  Fif- 
teenth Edition,  etc. 

W.  Pearson,  for  the  Company  of  Stationers : 
London,  1719.     8".  C.  6.  o. 

Wanting  the  frontispiece. 
The  Whole  Book  of  Psalms... The   Six- 
teenth Edition,  etc. 

W.  Pearson,  for  the  Company  of  Stationers : 
London,  1722.     8".  C.  6.  p. 

The  Whole  Book  of  Psalms. .  .The  Seven- 
teenth Edition,  etc. 

W.  Pearson,  for  the  Company  of  Stationers  : 
London,  1724.     8".  C.  6.  q. 

The    Whole    Book     of    Psalms  .  .  .  The 
Eighteenth  Edition ;    done  on  the  New- 
ty'd  Note,  Corrected  and  Amended. 
W.  Pearson,  for  the  Company  of  Stationers  : 
London,  1729.    8".  C.  6.  r. 

The  Whole  Book  of  Psalms  .  .  .  col- 
lected into  English  Metre,  by  Thomas 
Sternhold,  John  Hopkins,  &c.  The  Nine- 
teenth Edition. .  .Corrected and  Amended. 
To  which  is  added,  A  New  Introduction 
to  Psalmody,  etc.  A.  Pearson,  for  the 

Company  of  Stationers  :  London,  lTd8.   8". 

C.  6.  s. 

The  Whole  Book  of  Psalms. .  .The  Twen- 
tieth Edition,  Corrected,  with  consider- 
able Improvements  ;  And  the  Addition  of 
Thirteen  new  Psalm-Tunes,  and  Three. . . 
Anthems. .  .by  J.  Fox,  etc.  B.  Broirn, 

for  C.  Ware,  etc.  :  London,  1757.     8". 

C.  6.  t. 
See  Dering  (R.)  Cantica  Sacra... The 
Second  Sett,  etc.  [With  a  preface  by 
J.  Playford.]  1674.  fol.  K.  3.  m.  6. 
See  Hilton  (J.)  Catch  that  Catch  Can . . . 
The  Second  Edition  Corrected  and  En- 
larged by  J.  Playford.     1658.     obi.  8". 

A.  410.  a. 
See  Lawes  (H.)  A  Paraphrase  upon  the 
Psalms . . .  Set  to  New  Tunes . . .  Revised 
and  Corrected. .  .by  J.  Playford.    1676.  8". 

1076.  m.  7. 

PLAY'ING.  Playing  at  Cards  for  Kisses. 
[Song.]  See  At.  At  Cribbage  Tom  and 
Phillis  play'd.     [1765?]     s.  sh.  fol. 

Q.  306.  (88.) 

PLAYING      THE      HARPSICORD. 

Playing  the  Harpsicord,  Spiuuet  or  Piano 
Forte,  made  easy  by  New  Instructions 
wherein  the  Italian  manner  of  Fingering 
is  shewn. .  .with  choice  Lessons  selected 
from  the  most  Eminent  Masters  . . .  with 


. . .  Rules  for  playing  a  good  Thoro'  Bass, 

etc.         Longman,  Lnkcy  it  Co.:  London, 

[1775  ?]     obi.  S'\  ■  a.  126. 

The  comjyosers  named  are  :  Fisher.  Bonr- 

dani,  Croix  and  Wagenseil. 

PLEASURE.     Pleasure.     [Song.] 
See  Wennington  (W.) 
Pleasure,  Goddess  all  divine.     An  hivita- 
tion  to  Pleasure.     [Song.]     Sung  by  Mr. 
Taylor  at  IMarybone.  B.  Falkencr  : 

London,  [1710?]     s.  sh.  iol. 

H.  1994.  a.  (74.) 

Pleasure !    my    former    ways    resigning. 

[Song.]      Sec    Haendel    (G.    F.)      [The 

Triumph  of  Time  and  Truth.] 

The  Pleasure  of  a  Single  Life.     Song. 

See  Hudson  (R.) 

The   Pleasure    of    Drinking    in    Season. 

[Song.]      See  Good.      Good    wine    in    a 

morning.     [1720  ?]     s.  sh.  fol. 

H.  1601.  (180.) 

PLEASURES.  The  Pleasures  and  Plagues 
of  Matrimony.    [Song.]    Sre  What.  What 
could  a  jMan  for  Woman  do. 
[1720?]     s.sh.iol  G.  305.  (134.) 

The  Pleasures  of  a  Country  Life.     [Song.] 

See  Graves  (J.) 

The  Pleasures  of  Belsize.     [Song.] 

See  Lords.     Lords  and  Ladies,  who  deal 

in  the  Sport,  e/c.     [1720?]     .s.  .s/i.  fol. 

H.  1601.  (291.) 
The  Pleasures  of  Hunting  and  Drinking. 
Song.     See  Hook  (J.) 
The  Pleasures  of  Life.    Song.     See  Save. 
Save  Women  and  Wine,  etc. 
[1745?]     s.  sh.  fol.  G.  316.  f.  (7.) 

The  Pleasures  of  Solitude.     [Song.] 
See  Happy.      Happy    Hours    all   Hours 
exceUing.     [1735?]     s.  s/(.  fol. 

G.  316.  e.  (17.) 

The  Pleasures  of  Spring.     Duett. 

See  Mathews  (J.) 

The    Pleasures   of   the   Spring    Gardens, 

Vaux-Hall.     Song.     See  Boyce  (W.) 

PLEIN.      Plein     d'un     ardeur    extreme. 
Vaudeville.     See  Gillier  (J.  C.)     [L'hn- 
p>romptu  du  Pont-Ncuf.'] 
Plein  de  la  plus  vive  ardeur.     Vaudeville. 
See  Leger  (F.  P.  A.)     [Ziste  et  Zcste.'] 

PLENTALE  (C.  M.) 

See  Gaveaux  (P.)     La  Reveil  du  Peuple 
. . .  arrange  par  C.  M.  Plentale,  etc. 
[1795?]     fol.  G.  295.  (12.) 

PLENTY.  Plenty,  Mirth  &  gay  Delight. 
[Duet,  by  J.  Travers.]  Sung  by  Mrs. 
Linsey  and  Mr.  Laroon.  [London, 

1725  ?]     s.  sh.  fol.  G.  316.  e.  (118.) 

Plenty,  INIirth  and   gay   Delights.      Two 
Part  Song.     See  Travers  (J.) 


284 


PT.ESSIS— PLEYEL 


PLESSIS  (  )  Amour,  je  ne  songe  qu'a 
rire.  Clianson.  [Words]  Par  M.  Fuzilliers 
le  fils.     [Paris,]  173G.      s.  sh.  4°. 

297.  b.  15. 
Mcrcnrc  dc  France,  Sept.,  1736. 

PLEUREUSE.  La  Pleureusc.  [Song.] 
Sec  Ma.  ]\Ia  fiUe,  je  vais  vous  punir,  etc. 
[1785?]     8".  B.  362.  g.  (15.) 

PIiEUREZ.  Plores  oiselets  taut  doux. 
RonuDice.  Chez  Bicjnon  :  [Paris, 

1780  ?J     8°.  B.  362.  b.  (6.) 

PLEYEL,    CORRI    AND    DUSSEK. 

Pleyel,     Corri     and     Dussek's     Musical 
Journal,  etc.     [Vocal  Part.]     No.  l[-4]. 
Printed  for  Corri,  Dussek  d  Co. :   London 
and  Edinburgh,  1797.     fol. 

G.  356.  (12-14*.) 
Pleyel,  Corri  and  Dussek's  Musical 
Journal,  etc.  [P.  F.  and  Harp  Parts.] 
No.  1.  Corri,  Diissek  (£•  Co.  :  Loidoii  S 
EdinJutrgh,  1797.     fpl.  g.  141.  (15.) 

Pleyel,     Corri     and     Dussek's     Musical 
Journal.     [P.  F.  Part.]     No.  2. 
Printed  for  Corri,  Dussek  d-  Co. :  London  d 
Edinburgh,  1797.     fol.  g,  137.  (21.) 

Pleyel,  Corri,  and  Dussek's  Musical 
Journal,  [P.  F,  Part],  No.  3.  Printed  for 
Cor7-i,  Dussek  d  Co. :  London  d  Edinburgh, 
1797.     fol.  g.  139.  (34.) 

PliEYEL  (Ignaz  Joseph) 
Arrangement. 

1.  Concertos  and  Concertantes. 

2.  Instrumental  Duets. 

a.  Two  Flutes. 

b.  Pianoforte  and  Violin. 

c.  Two  Violins. 

d.  Violin  and  Flute. 

e.  Violin  and  Tenor. 

f.  Violin  and  Violoncello. 

g.  Two  Violoncellos. 

3.  Harp  Solos. 

4.  Pianoforte  Solos. 

5.  Pianoforte  Duets. 

6.  String  Quartets. 

7.  String  Quintets. 

8.  Symphonies  (or  Overtures). 

9.  Instrumental  Trios. 

10.  Vocal  Music. 

11.  Appendix. 

12.  Cross-References. 

1.  Concertos  and  Concertantes. 
Pleyel's  Celebrated  Concertante  [in  E  fiat, 
No.  1,]  . . .  adapted  for  the  Piano-Forte  or 
Harpsichord,  with  an  Accompaniment  for 
a  Violin  and  Violoncello  by  J.  B.  Cramer. 
[Separate  Parts.]  Longman  d  Broderip  : 
London,  [1795  ?]  fol.  g.  161.  c.  (9.) 
A  Celebrated  Concertante  [in  E  fiat, 
No.  1,]  for  the  Piano  Forte.  [1797.] 
See  Periodical  Publications. — L^ondon. 
The  Piano-Forte  Magazine.  Vol.  II. 
[No.  2.]     [1797-1802.]     8'\  D.  854. 


PLEYEL  (Ignaz  Joseph)  Pleyel's  Cele- 
brated Concertante  [in  E  flat.  No.  1,] .  . . 
adapted  for  the  Harpsichord  or  Piano 
Forte.  G.  Goulding  :  London, 

[1799?]     fol.  g.  85.  a.  (5.) 

Pleyel's. .  Concertante  [in  E  flat,  No.  1,] 
. . .  adapted  for  the  Harpsichord  or  Piano- 
Forte,  with  an  Accompaniment  for  a 
Violin.  Preston  :  Tjondon, 

[1800?]     fol.  g.  85.  a.  (6.) 

Tlie  Harpsichord  part  only. 
Pleyel's  Celebrated  Concertante  [in  E  flat. 
No.  1,]  . . .  adapted  for  the  Piano  Forte 
with  an  Accompaniment  for  a  Violin. 
[Separate  Parts.]  Broderipand  M'iUdnson  : 
London,  [1800  7]     foL  g.  85.  a.  (7.) 

[Concertante  in  E  fiat,  No.  1.]  Andante 
...with  Variations  [for  Harp]  the  Three 
last  by  M''-  de         .  S.  Straight  : 

London,  [1800?]  fol.  H.  2819.  (11.) 
A  Third  Concertante  [in  A]  adapted  for 
the  Piano  Forte  with  an  Accompaniment 
for  the  Violin.     [Separate  Parts.] 

Broderip)  d  Wilkinson  :  London, 
[1800?]     fol.  g.  191.  (9.) 

A  Favorite  Concerto  [in  D]  for  a  Violino 
Principale  and  a  Full  Band.  [Separate 
Parts.]  Longman  and  Broderip  : 

London^  [1790?]     fol.  h.  318.  (10.) 

A  Favourite  Concerto  [in  D]  for  the 
Piano-Forte  or  Harpsichord  with  Accom- 
paniments for  two  Violins  and  a  Violon- 
cello.    [Separate  Parts.] 

Longman  d  Broderip  :  London, 
[1795  ?]     fol.  h.  3212.  c.  (14.) 

2.  Instrumental  Duets. 

a.  Two  Flutes. 

b.  Pianoforte  and  Violin. 

c.  Two  Violins. 

d.  Violin  and  Flute. 

e.  Violin  and  Tenor. 

f.  Violin  and  Violoncello. 

g.  Two  Violoncellos. 

a.  Two  Flutes. 
Six  Duetts  Concertante  for  two  German 
Flutes  or  German  Flute  &  Violin.     Com- 
posed in  a  progressive  Stile,  etc.     2  Bks. 
[Separate  Parts.]  Fentum  : 

London,  [1795?]  fol.  h.  250.  b.  (15.) 
[Another  edition.]  Six  Duetts  Concer- 
tauts  for  two  German  Flutes. .  .Book  I. 
[Separate  Parts.]  Preston  d  Son  : 

London,  [1195  7]  fol.  h.  2140.  a.  (7.) 
[Another  edition.]  Six  Duetts  Concer- 
tante for  two  German  Flutes,  etc.  Book  2. 
[Separate  Parts.]  W.  Boaq  : 

London,  [11957]  fol.  g.  421.  p.  (8.) 
Three  Concertante  Duettos  for  two 
German-Flutes  . .  .  Arranged,  Revised,  & 
Corrected  by  J.  Wragg.  [Separate  Parts.] 
Printed  for  J.  Wragg  : 
London,  [1800  7]    fol,      h.  250.  b.  (13.) 


PLEYEL 


285 


PLEYEL  (Ignaz  Joseph)  Three  Duetts, 
with  Scots  Airs  for  Two  Flutes.  [Sepa- 
rate Parts.]  Printed  for  Corri,  Dussek 
d-  C" ;  London  d  Edinburgh,  [1797  ?]     fol. 

g.  225.  (10.) 

b.  Pianoforte  and  Violin. 
Petits  Airs  et  Rondos  pour  le  Clavecin  ou 
Piano-Forte,  avec  acconipaguement  d'un 
Violou,  ad  libitum. .  .Livre  1(-G)  tire  des 
compositions  de  'M'  Ignace  Pleyel,  et 
arrange  par  J.  Andre.     G  pts. 

Chez  J.  Aiulri  :  Offenbach  sur  le  Mein, 
[1790  ?]     obi.  4".  b.  230. 

Six  Grand  Lessons  for  the  Harpsichord  or 
Piano-Forte,  with  an  Accompauyment  for 
a  Violin  ;  dedicated  to  .  . .  the  King  of 
Prussia.    Preston:  London,  \Vl'dO'>]     fol. 

h.  318.  b. 

Imperfect,  icanting  all  after  p.  30  of  the 
P.  F.  part. 
j\Iinuetto  con  12  Variazioni  per  il  Piano 
Forte  con  Accompagnamento  d'  un  Violino. 
Harington  :  London,  [1785  ?]     fol. 

g.  147.  (12.) 
Three  Sonatas  in  which  are  introduced.  .  . 
five. .  .Favorite  Airs... with  an  Accom- 
paniment for  the  Violin  Obligate.  [P.  F. 
Part.]     B.  Cooke  :  Dublin,  [1795  ?1     fol. 

h.  2996.  (2.) 
Sonata  [in  B  flat]  for  the  Piano  Forte  or 
Harpsichord,  with  an  Accompaniment  for 
the  Violin,  etc.     [Separate  Parts.] 

Longman  and  Brodcrip  : 
London,  [1788  ?]     fol.  g.  147.  (9.) 

[Another  copy.]  g.  144.  (10.) 

A  [Second]  Grand  Sonata  for  the  Piauo- 
Forte  or  Harpsichord. .  .in  which  is  intro- 
duced. .  .a  Select  Scotish  Air  with  accom- 
panyment  for  a  Violin.     [P.  F.  Part.] 
Hime:  Lublin,  [1795?]     fol. 

g.  543.  s.  (4.) 
Deux  Grandes  Senates  pour  le  Clavecin 
ou  Piano  Forte  avec  Accompagnement 
d'un  Violon  ad  libitum. .  .CEuvre  vii. 
[Separate  Parts.]  Longman  and  Broderlp  : 
London,  \Vim^     fol.  h.  70.  b.  (6.) 

Three   Sonatas   for    the   Harpsichord    or 
Piano  Forte,  with  an   Obligato   Acconip' 
for  a  Violin. .  .Op.  21.     [P.  P.  Part.] 
J.  Bland  :  London,  [1790?]     fol. 

g.  443.  c.  (7.) 
Pleyel's  Six  [or  rather  Twelve]  Progressive 
Sonatinas  with  Violin  Accompaniments 
(ad  libitum)  etc.     2  Sets.  Printed  for 

Corri,  Dtissek  ili  C"  :  London  £  Edinburgh, 
[1797?-1798?]     fol.  g.  144.  (9.) 

Book  I.  contains  Op.  32. 
Six  Progressive  Sonatinas,  Op.  32.  [P.  F. 
and  Violin.]  See  Dussek  (J.  L.)  Dussek's 
Instructions  ou  the  Art  of  Playing  the 
Piano  Forte. .  .to  which  are  added  Op.  32 
. .  .by  I.  Pleyel,  etc.     [1797  ?J     fol. 

g.  303.  (6.) 


PLEYEL  (Igxaz  Joseph) 

c.  Two  Violins. 
Tre   Duetti   per  due  Violini . . .  Opera   D. 
[Separate  Parts.]     Presso  L.  Marescalchi : 
Napoli,  [1795  ?]     fol.  h.  318.  a.  (2.) 

Six  Duos,  faciles  &  progressives  pour 
deux  Violons  .  .  .  Oeuvre  5°  de  duos. 
[Separate  Parts.]  Longman  ct  Broderip  : 
London,  [1195?]     fol.  g.  421.  1.  (2.) 

Six  Duos  pour  Deux  Violins  ou  Deux 
Flutes. .  .Op.  13.     [Separate  Parts.] 

Longman  and  Broderip : 
London,  [1190  I]     fol.  g.  218.  (7.) 

[Another  edition.]  Six  Duos  pour  Deux 
Violons.  .  .Op.  13.     [Separate  Parts.] 

Longman  and  Broderip : 
London,  [1795  ?  ]  fol.  g.  421.  g.  (6.) 
Six  Duets,  for  Two  Violins. .  .Op.  xv. 
[Separate  Parts.]  Longman  and  Brodcrip  : 
London,  [1790?]     fol.  g.  218.  (8.) 

[Another  copy.]  g.  421.  1.  (4.) 

Six   Duos   pour  deux  Violons  . . .  Oeuvre 
xviii  [or  rather  xv.     Separate  Parts.] 
Clu'z  J.  Schmitt :  Amsterdam,  [1790  ?J  fol. 

g.  85.  b.  (2.) 
Six  Duo  concertans  pour  deux  Violons. . . 
Oeuvre  23""^  [or  rather  xv.  Separate 
Parts^.  Chez  J.  Andri  :  Offenbach  sur  le 
Mein,  [1795  ?]     fol.  g.  85.  b.  (4.) 

Six  Duetts  for  Two  violins.  .  .Op.  xviii. 
[Separate  Parts.]  Longman  and  Bro- 

derip :  Lomlon,  [1790  ?]  fol.  g.  218.  (9.) 
Six  Duo  pour  deux  Violons  ...  3"  livre  de 
Duo.  [Op.  XVIII.  Separate  Parts.]  Chez 
Le  Due:  Paris,  [1190?]  fol.  g.  414.  (5.) 
[Another  edition.]  Six  Duo  pour  Deux 
Violons  ...  3"  livre  de  Duo.  [Op.  xviii. 
Separate  Parts.]  Chez  Le  Due  :  Paris, 
[1795?]     fol.  g.  417.  (8.) 

Trois  Duos  pour  deux  Violons.  Oeuvre 
XIX.     Liv.  II.  Chiz  J.  Schmitt  : 

Amsterdam,  [1790?]  fol.  g.  85.  b.  (3.) 
Trois  Grands  Duos  pour  deux  Violons  . . . 
Oeuvre  68".     [Separate  Parts.] 

CJiez  F.  Beinhard  et  C'  :  Strasbourg, 
[1800?]    fol.  h.  318.  a.  (1.) 

d.  Violin  and  Flute. 

Trois  Duos  pour  Flute  et  Violon,  ou 
Deux  Violons. .  .Liv.  4.  Secoude edition. 
[Separate  Parts.]  Chez  J.  Andre  : 

Offenbach  s.  M.,  [1800  ?]     fol. 

g.  421.  b.  (3.) 

e.  Violin  and  Tenor. 

Three  Duetts,  for  Violin  &  Tenor. 
[Separate  Parts.]  Printed  for  Corri, 

Dussek  d  C"  :  London  d  Edinburgh, 
[1795?]     fol.  g.  321.  (3. 

Three  Duetts  for  the  Violin  and  Tenor. . . 
Op.  43.  [Separate  Parts.]  Printed  for 
A.  Hamilton  :  London,  [1800?]     fol. 

g.  421.  s.  (4.) 


286 


PLEYEL 


PLEYEIi  (Ignaz  Joseph) 

f.  Violin  and  Violoncello. 
Six  Duos  -poxiv  le  Violon  et  Violoncelle . . . 
Op.  12.     [Separate  Parts.]     Longman  and 
Broderip  :  London,  [1785  ?]     fol. 

g.  225.  (18.) 
[Another  copy.]  h.  3212.  f.  (7.) 

Six  Duetts  for  a  Violin  and  a  Violoncello. 
Op.  VII  [or  rather  12.    Separate  Parts]. 

Printed  for  W.  Forstcr  :  London, 
[1785?]    fol.  g.  421.  e.  (4.) 

g.  Two  Violoncellos. 
Three  Duets  for  Two  Violoncellos  ...  Op. 
38.     [Separate  Parts.]  Printed  for 

W.  Forster  :  London,  [1790  ?]     fol. 

h.  219.  (10.) 
[Another  copy.]  g.  421.  k.  (4.) 

[6  Duets  for  2  Violoncellos.  Op.  39.] 
Six  Duetts  for  Two  Violins. .  .Op.  36  [or 
rather  39.  Separate  Parts].  Broderip  <& 
Wilkinson  :  London,  [1800  ?]     fol. 

g.  421.  1.  (6.) 

3.  Harp  Solos. 
Andante  by  Pleyel.     The  Variations  [for 
Harp]  by  Madam  D[e  Ronssecy?]. 
S.Strainht:  London,  [1800?]     fol. 

H.  2819.  (40.) 

A  Rondo  [in  E  flat]  for  the  Harp. 
See  Pleyel,  Corri  and  Dussek.     Pleyel, 
Corri  and  Dussek's  Musical  Journal,  etc. 
No.  1.     1797.     fol.  g.  141.  (5.) 

Rondo  1.  Adapted  for  the  Pedal  Harp  by 
J.  F.  Bohlius.  E.  Riley  :  London, 

[1800?]     fol.  g.  301.  (10.) 

4.  Pianoforte  Solos. 
A  Select  Collection  of  Favourite  Airs  and 
Rondos  for  the  Piano  Forte.     [1797.] 
See  Periodical  Publications. — London. 
The     Piano-Forte     Magazine.        Vol.    I. 
No.  6.     [1797-1802.]     8".  D.  854. 

Eighteen  Easy  Pieces,  for  the  Piano  Forte 
or  Harpsichord.  Longman  and  Broderip  : 
London,  [1795?]     fol.  g.  132.  (9*.) 

Sei  Rondo  per  Cembalo,  o  Piano-Forte. 
Presso  Luigi  Marcscalclii : 
Napoli,  [1785  ?]  obi.  fol.  d.  157.  (1.) 
Dodici  Sonatine  per  Cembalo,  o  Piano 
Forte.  Presso  Luigi  Marescalchi  : 

Napoli,  [1785  ?]  obi.  fol.  d.  157.  (2.) 
Twelve  Easy  Sonatinas,  for  the  Piano 
Forte.  [1800.]  See  Periodical  Publica- 
rjioi^g_ — London.  The  Piano-Forte  Maga- 
zine.   Vol.  XI.     No.  3.     [1797-1802.]     8°. 

D.  854. 
[Six  progressive  Sonatinas.  Op.  32. 
No.  1.  Adagio.]  When  lovely  Woman 
stoops  to  folly.  Dr.  Goldsmith's  Celebrated 
Stanza  on  Woman.  Adapted  to  an  Air  by 
I.  Pleyel.  Corri,  Dussek  d  C": 

London  d  Edinburgh,  [1795  ?]     fol. 

G.  805.  d.  (20.) 


PLEYEL  (Ignaz  Joseph) 

5.  Pianoforte  Duets. 
Three  Favorite  Duetts  for  two  Performers 
on  one  Piano  Forte  or  Harpsichord. 
Joseph  Dale  :  London,  [1794  ?]     fol. 

h.  318.  (2.) 
Grand  Duett  [in  B  flat]  for  Two  Per- 
formers on  One  Piano  Forte.  Printed  for 
Corri,  Dussekd  C':  London d  Edinburgh , 
[1798?]     fol.  h.  318.  (1.) 

Three  Original  Duetts,  for  Two  Per- 
formers on  the  Piano-Forte  or  Harpsi- 
chord. Op.  XX.  Longman  and  Broderip  : 
London,  [1120 '>']     fol.  h.  318.  (3.) 

Trois     Senates    a    Quatre     Mains     pour 
Clavecin  ou  Piaiao  Forte. .  .2'  Livre,  etc. 
Chez  Imbault :  Paris,  [1790  ?]     fol. 

g.  272.  w.  (22.) 

0.  String  Quartets. 
[Op.  I.  Nos.  1  and  4  ;  Op.  ii.  No.  4.]     Three 
Duets  for  the  Piano  Forte  or  Harpsichord 
. .  .adapted  by  F.  Tomich. 

Longman  and  Broderip : 
London,  [1788  ?]     fol.  g.  131.  (9.) 

Six  Quartetts  for  two  violins,  a  Tenor  and 
Violoncello. . . Opera iii.    [Separate  Parts.] 

Longman  and  Broderip  ■ 
London,  [1783  ?]     fol.  g.  213.  (10.) 

[Op.  3.  No.  4 ;  Op.  6.  No.  3.  and  Quartett 
in  D.]  Three  Sonatas  for  the  Harpsi- 
chord or  Piano  Forte.  [1801.] 
See  Periodical  Publications. — Jjondon. 
The  Piano-Forte  Magazine.  Vol.  XIV. 
[No.  1.]     [1797-1802.]     8».  D.  854. 

Six  Quartetts  for  Two  Violins  a  Tenor  and 
Violoncello..  .Operavi.    [Separate  Parts.] 

Longman  and  Broderip  : 
London,  \rtm'>]     fol.  g.  213.  (11.) 

Six  Quartetts  for  Two  Violins,  a  Tenor 
and  Violoncello ...  Opera  i.  [or  rather  vi. 
Separate  Parts.]  Longman  a,nd  Broderip  : 
London,  [1790  ?]     fol.  g.  410.  (1.) 

[Op.  VI.  No.  3.]  A  Quartetto  from  Pleyel's 
Op.  VI.  Adapted  for  the  Harpsichord  or 
Piano  Forte  with  Accompaniments  for  a 
Violin  &  Bass  by  N.  Corri.  [Separate 
Parts.]  Printed  for 

Messrs.  Corri  d  Stitherland :  Edinburgh, 
[1790.]     fol.  g.  161.  (9.) 

[Op.  VI.  No.  3.  Thema.]  The  King  of 
Hearts  or  Arcadian  Prince,  an  Elegiac 
Ballad  set  by  D.  Corri  from  Pleyel's  much 
Admired  Air.  Corri  d  C" : 

Edinburgh,  [1190?]     fol.      G.  377.  (15.) 

[Another  edition.]  The  King  of  Hearts, 

etc.  Corri,  Dussek  d  Co. :  London  d 

Edinburgh,  [1795?]  fol.  G.  424.  b.  (8.) 
[Op.  7.]  The  Favorite  Air  from  Plej'el's 
Quartett,  Op.  7"'.  Arranged  for  the  Voice 
and  Harpsichord  by  D.  Corri.  Printed  for 
Corri  d  Co. :  Edinburgh,  [1800  ?]     fol. 

H.  1650.  p.  (21.) 


PLEYEL 


PLEYEL  (Ignaz  Joseph)  Three  Quar- 
tets for  a  Flute,  Violin,  Tenor  &  Violon- 
cello... Op.  17.     [Separate  Parts.] 

Longman  (&  Broderip : 
Z,o>w^?o»,  [17'J0?]     fol.  h.  318.  (6.) 

Three  [or  rather  Six]  Quatuors  by  I. 
Pleyel..  .arranged  for  the  Piano  Forte  or 
Harpsichord  with  Accompaniments  for 
the  Flute  and  Violoncello  by  ]M.  Clementi. 
8''  (9'")  Suitte.  rOp.  17  and  Op.  19.]  2 
N"'.     [Separate  Parts.] 

Longman  and  Brodcrip : 
LomZyn,  [1790  ?]     fol.         g.  161.  a.  (5.) 

Three  Quartets  for  a  Flute,  Violin,  Tenor 
and  Violoncello  . .  .  Op.  19.  [Separate 
Parts.]  Longman  it  Broderip  : 

London,  [1790  ?]     fol.  h.  318.  (7.) 

Douze  Nouveaux  Quatuors  dedies  a  Sa 
Majeste  le  Roi  de  Prusse.  4  Livr. 
[Separate  Parts.]  Chinch  : 

Dubli7i,  [1790?]     fol.  g.  414.  (1.) 

[Douze  Nouveaux  Quatuors.  Nos.  1  and 
10 ;  Sonata  in  C]  Three  Sonatas,  dedi- 
cated to  the  King  of  Prussia.  For  the 
Piano  Forte.  [1800.]  Sec  Periodical, 
Publications. —  London.  The  Piano- 
Forte  Magazine.  Vol.  XI.  No.  6. 
[1797-180-!.]     8".  D.  854. 

Trois  [or  rather  Six]  Quatuors  de  M' 
Ignace  Pleyel,  tires  de  I'CEuvre  dedie  a  Sa 
M.  le  Roi  de  Prusse.  Arrang^ae  pour 
Clavecin  ou  Piano-Forte,  avec  accom- 
pagnemens  de  Violon  &  Basse,  par  SP 
Lachnitt.     2  Suittcs.     [Separate  Parts.] 

Longman  £  Brodcrip  :  London, 
[1790?]     fol.  g.  161.  (7-8.) 

N"  i(-iii)  of  Three  Quartetts  dedicated  to 
. . .  the  King  of  Prussia,  etc.  [Separate 
Parts.]  Printed  for  Longman  and 

Brodcrip  :  London,  [1790.]     fol. 

g.  213.  (12.) 

[Quartet  dedicated  to  the  King  of  Prussia. 
No.    2.]      A   Duett   for    two    Flutes  .  .  . 
Arranged  from  a  Celebrated  Quartett,  by 
F.  Devienne.     [Separate  Parts.] 
C.  Whcatstonc:  London,  [1800?]     fol. 

g.  421.  p.  (9.) 

Plevel's  Fourth  Quartet  from  the  Set, 
dedicated  to  The  Prince  of  Wales ;  adapted 
for  the  Piano  Forte  or  Harpsichord,  with 
Accompaniments  for  a  Violin,  alto,  & 
violoncello,  by  M.  Clementi.  [Separate 
Parts.]  Longman 

and  Brodcrip  :  London,  [1790  ?]     fol. 

g.  117.  (5.) 

Trois  Quatuors .  . .  arrangese  pour  Clavecin 
ou  Piano-Forte  avec  accompagnemens  de 
Violon  et  Basse  par  Mr.  Lachnitt.  12"' 
Suitte.  [Separate  Parts.]  Longman  it 
Broderip  :  London,  [1790  ?]     fol. 

g.  85.  c.  (1.) 


PLEYEL  (Ignaz  Joseph)  Six  Quartetts, 
for  Two  Violins  Tenor  &  Violoncello... 
Dedicated  to .  . .  the  King  of  Naples . . . 
Being  the  8""  Sett  of  Quartetts.  [Separate 
Parts.]  Longman  and  Brodcrip  : 

London,  [1795  ?]     fol.  g.  213.  (13.) 

Trois  Quatuors. .  .pour  Deux  Violons,  Alto 
et  Basse.  No.  E.  [Separate  Parts.]  Chc^ 
Sicbcr :  Paris,  [1795  ?J  fol.  g.  414.  (2.) 
Quartett  [in  C  major]  arranged  for  the 
Piano  Forte  or  Harpsichord  with  an 
Accompanyment  for  a  Violin,  Tenor  and 
Violoncello.  [Separate  Parts.]  Longman 
and  Brodcrip:  London,  [1189?]     fol. 

g.  117.  (4.) 

7.  String  Quintets. 
Trois  Quintettes  pour  Deux  Violons,  Deux 
Tallies  et  Violoncelle. .  .Op.  8.     [Separate 
Parts.]  Longman  and  Brodcrip  : 

London  [1188?]     fol.  h,  318.  (4.) 

[Op.  8.  No.  2.]  Senate  a  quatre  mains 
pour  le  Piano  Forte,  tiree  des  Oeuvre  de 
Mr.  Pleyel.  Chez  I.  Andrt' :  Offenbach 

sur  U  Mein,[ri90?]     fol.     g.  232.  f.  (5.) 

Etrennes  pour  les  Dames,  Livre  XIX. 
A  Second  Set  of  Three  Quintetts  for  Two 
Violins,  Two  Tenors  and  a  Violoncello. . . 
Opera  9.     [Separate  Parts.]  Longman 

and  Brodcrip:  London,  [1188?]     fol. 

h.  318.  (5.) 

8.  Symphonies  (or  Overtures). 
[Op.  37.]     Tre  Quartetti   ridotti  per  Due 
Violini,  Viola  e  Basso,  ricavati  daUe  tre 
pill    belle    Sinfonie    del    Sig.   I.    Pleyel. 
Opera  37.     [Separate  Parts.]  Presso 

Artaria  Comp.  :  Vienna,  [1790?]     fol. 

g.  85.  c.  (2.) 
(1")  Sinfonie  Periodique  [in  D]  a  deux 
Violons,  Alto  et  Basse,  Cors  et  Haut-bois 
ad  Libitum.     [Separate  Parts.]  Cltcz 

Imbault:  [Paris, 1190?]     fol. 

h.  3210.  (17.) 
A  Favorite  Overture  [No.  2,  in  F]  . . . 
arranged  for  the  Piano-Forte  or  Harpsi- 
chord with  an  Accompaniment  for  the 
Violin  by  F.  Tomich.  Longman  and 

Broderip:  Lomlon,[1190?]     fol. 

g.  147.  (10.) 
(5')  Sinfonie  Periodique  [in  C]  a  deux 
Violons,  Alto  et  Basse,  Cors  et  Haut-bois 
ad  Libitum.     [Separate  Parts.]  Cliez 

Lnbaiilt :  Paris,  [1190?]     fol. 

h.  3210.  (18.) 
7'"  Sinfonie  periodique.   [Paris,  1790  ?]  fol. 

h.  3210,  (15.  a.) 
The  Clari)io  Primo  and  Timpani  parts 
only. 
Periodical  Sinfonie  [in  E  flat],  for  2  Violins, 
Tenor  &  Bass,  Horns  &  Hautboys,  ad 
Libitum. .  .N"  9.  [Separate  Parts.] 
Preston  i€-  Son  :  London,  [1790  ?]     fol. 

h.  3210.  (19.) 


288 


PLEYEL 


PLEYEL  (Ignaz  Joseph)  [No.  9.]  A 
Favorite  Overture  . . .  arranged  for  the 
Piano-Forte  or  Harpsichord  with  an  Ac- 
companiment for  the  Violin  by  P.  Tomich. 
Longman  and  Droderip : 
London,  [ildOn     fol.  g.  147.  (11.) 

A  Favorite  Overture  . . .  Adapted  for  the 
Piano  Forte  with  an  Accompan'  for  the 
Violin,  by  Mr,  Eimbault.  Printed  for 

C.  ]\hcatstone:  London,  [1800 •?]     fol. 

g.  272.  e.  (23.) 

9.  Instrumental  Trios. 
A  Serenata  for  the  Piano-Forte  or  Harpsi- 
chord, with  Accompaniments  for  a  Violin 
&  Violoncello.     [Separate  Parts.] 

Longman  and  Brodcrip  :  London, 
[1795?]     fol.  g.  272.  c.  (20.) 

[6  Trios  dedicated  to  Queen  Charlotte.] 
Six  Sonatas  for  the  Piano  Forte  or  Harpsi- 
chord with  an  accompaniment  for  a  Flute 
or  Violin  &  Violoncello . . .  Dedicated  to . . . 
The  Queen  of  Great  Britain.  [Separate 
Parts.]  Longman  ct  Brodcrip  :  London, 
[1790?]     fol.  g.  161.  a.  (4.) 

[Another  copy.]  h.  2999.  (1.) 

[Another  edition.]     Six  Sonatas,  etc. 

Brodcrip  d  Wilkinson  : 
London,  [1799  ?]     fol.  g.  85. 

Wanting  the  Violoncello  part. 
[Op.  14.]  Three  [or  rather  Twelve]  Grand 
Sonatas  for  the  Piano-Forte  or  Harpsi- 
chord. With  Accompanyments  for  a 
Violin  and  Violoncello,  in  which  are 
introduced  . . .  Select  Scotch  Airs,  and 
Favorite  Pieces,  etc.  [Separate  Parts.] 
J.  Dale  :  London,  [1795?]     fol. 

g.  161.  h.  (3.) 

[Another  edition.]     Twelve  Grand  Sonatas 
. .  .Op.  14.     [N"'  7-9.     P.  F.  Part.] 
J.  Dale  :  London,  [1800  ?]     fol. 

h.  1480.  (12.) 

Three  Sonatas,  for  the  Piano  Forte  or 
Harj)sichord  ;  with  Accompaniments  for 
a  Violin  and  Violoncello  . . .  Op.  xxi. 
[Separate  Parts.]  Longman  d  Brodcrip  : 
London,  [1796  ?]     fol.  g.  161.  i.  (1.) 

Three  Sonatas,  for  the  Piano-Forte  or 
Harpsichord  ;  with  Accompaniments  for 
a  Violin  and  Violoncello. .  .Op.  xxiii. 
[Separate  Parts.]  Longman  <£•  Brodcrip  : 
London,  [1796  ?]     fol.  g.  161.  i.  (2.) 

Trio  for  the  Piano  Forte  Flute  or  Violin, 
&  Violoncello . . .  Op.  29.  [Separate  Parts.] 
Lrintcd  for  Corri,  Dussek  (t  C"  :  London 
d- Edinburgh,  [1TJ6?}     fol.     g.  192.  (3.) 

Two  Sonatas  for  the  Piano  Forte  with 
Accompaniment  for  a  Flute  or  Violin  & 
Bass.     Opera  xxx.     [Separate  Parts.] 

Printed  for  Corri,  Dussek  d  C" : 
London  d  Edinburgh,  [1790?]     fol. 

g.  161.  i.  (3.) 


PLEYEL  (Ignaz  Joseph)  Three  [or 
rather  Nine]  Grand  Sonatas  for  the  Piano 
Forte  with  Accompaniments  for  the  Violin 
&  Bass,  being  the  [First-Third]  Book  of 
a  Sett  of  Twelve  New  Sonatas,  etc.  3  Bks. 
[Separate  Parts.]  Corri,  Dussek  d  C- : 
London  d  Edinburgh,  [1797  ?]     fol. 

g.  161.  i.  (4.) 
Three  [or  rather  Six]  Grand  Sonatas,  for 
the  Piano-Forte  or  Harpsichord.  In 
which  are  introduced  . . .  Select  Scotish 
Airs,  with  Accompaniments  for  a  Violin 
and  Violoncello.  Second  Set.  [Separate 
Parts.]  Preston  d  Son  : 

London,  [1795  ?]  fol.  g.  161.  h.  (2.) 
Sonata  [in  B  flat]  for  the  Piano  Forte  or 
Harpsichord  with  Accompaniments  for  a 
Violin  and  Violoncello.  [Separate  Parts.] 
Longman  and  Brodcrip : 
London,  [1190  7]  fol.  g.  161.  c.  (8.) 
Six  Trios  pour  deux  Flutes  et  Alto  ou  Flute 
Violon  et  Alto.  [Separate  Parts.]  Chez 
Lc  Due:  Paris,  [1790?]  fol.  g.  414.  (3.) 
Trois  Trios  Concertants  pour  Violon, 
Viola  et  Violoncelle. .  .Op.  xi.  [Separate 
Parts.]  Longman  and  Brodcrip  : 

London,  [1190 7]    fol.       h.  3212.  f.  (6.) 
[Another  copy.]  g.  222.  (15.) 

Three  Celebrated  Trios  [Op.xi.],  of  Pleyel 

*  arranged  as  Harp  Sonatas. .  .by  J.  Elouis. 
B.  Birchall,  for  the  Author  : 
Lo7!fZon,  [1800?]  fol.  "  g.  198.  (5.) 
Three  Trios  for  Two  Violins  and  a 
Violoncello.  Book  I.  Op.  xvi.  [Separate 
Parts.]  Longman  and  Broderij) : 

London,  [1790  ?]     fol.  g.  85.  d.  (1.) 

Six  Trios  pour  deux  Violons  et  Violoncelle. 
Oeuvre  56.     Livre  I.     [Separate  Parts.] 

Chez  J.  Andre  :  Olfenbach  s.  M., 
[1798.]     fol.  h.  2900.  (4.) 

10.  Vocal  Music. 
XII.  Elegant  Ballads,  with  an  Accompani- 
ment for  a  Piano-Forte.  P'rcston  d  Son  : 
London,  [1792.]  obi.  fol.  E.  601.  k.  10. 
Come  blushing  Rose,  [Song,]  the  Poetry 
by  a  Lady.    Preston  :  London,  [1800  ?]  fol. 

G.  805.  k.  (18.) 
Go  pensive  sigh  to  yonder  Bow'r.  A 
favorite  New  Song  for  the  Piano  Forte  or 
Harpsichord.     London,  [1795?]     fol. 

H.  2821.  (18.) 

Grazie  agl'  inganui.    A  Favorite  Duetto. . . 
with  new  Words  by  a  Gentleman. 

Printed  for  Corri  d  Co. :  Edinburgh, 
[1795  ?]     fol.  H.  2827.  f.  (43.) 

Henry's   Cottage    ]\Iaid,  a  favorite  Song, 
etc.     [Full  Score.]  Smart  :  [London, 

1795?]     fol.  G.  793.  (3.) 

Henry's  Cottage  Maid. .  .with  an  Accom- 
paniment for  Piano  Forte  or  Harp. 
Corri,  Dussek  d  Co.  :  London,  [1800?]  fol. 

G.  424.  b.  (7.) 


PLEYEL 


289 


PLEYEL  (Ignaz  Joseph)  [Henry's  Cot- 
tage Maid.]  The  Cottage  Maid,  a  favorite 
Air  of  Pleyels,  with  Variations,. .  .by  Mr. 
Casson,  etc.  CaJmsac  ct  Sons  : 

London,  [1797  ?]     fol.  g.  149.  (17.) 

How  dull  the  Wretch  forlorn.   A  Favourite 
Song. .  .the  Words  by  W.  Tindal. 
H.  Wright :  London,  [1790  ?]     fol. 

G.  805.  h.  (41.) 

XII.  Lieder  beym  Clavier  zu  singen... 
1'"  Theil.  Bey  Artaria  Compagnie  : 

Wicn,  [1775  ?]     obi.  fol.     E.  600.  n.  (8.) 

[Lieder  beym  Clavier  zu  singen.  Theil  II.] 
Melodieu  von  Pleyel,  mit  unterlegtea 
Liedern,  herausgegeben  von  J.  Andre. 
2  Th.  Li  Kommissioii  der  Fyommanischcn 
Buchliaiidhmg  :  Ziillichau,  [1180?^     fol. 

G.  604. 

[Die  friihe  Liebe.]  Lady  Isabell  ** 


her  Sorrows,  wrote  in  the  Year  1610, 
adapted  to  I\Ir.  Pleyel's  favorite  Air  [com- 
monly called  "  The  German  Hymn  "],  as 
a  Glee  for  iv  Voices,  and  for  the  Piano 
Forte  by  J.  JMazzinghi.  Longman  and 

Broderip  :  London,  [1795  ?]     fol. 

G.  353.  (23.) 

[Molly's   Werth.]      Fanny's   Worth. 

[Song,  words]  By  Biirger.  C.  Gcisweilcr: 
[London,  1800.]      s.  sh.  obi.  4°. 

266.  1.  30. 
Tlie  German  Museum,  Sept.,  1800. 

Loin  de  nous  le  vain  d^lire.  Hymne  a  la 
Libcrte.  Chante  par  le  Peuple  de  Stras- 
bourg, a  la  Proclamation  de  la  Consti- 
tution. Le  Dimanche  25  7""  1791... 
Accomp'  de  Guittare  par  M.  Le  Moinc. 
Chez  hnbault :  Paris,  [1791.]     8". 

B.  362.  d.  (23.) 

Loin  de  nous  le  vain  d^lirc.  Hymne  a  la 
Liberti.  Paroles  par  J.  Rouget  de  Lisle. 
Pleyel:  Paris,  [1800?]     i". 

E.  1717.  b.  (30.) 
Love  thou  pleasing  teazing  Power.  A 
favorite  New  Song  for  the  Piano  Forte 
or  Harpsichord.  Longma }i  and  Broderip  : 
Lo7idon,  [1795  ?j     fol.     G.  806.  d.  (46.) 

The  Miniature.  A  Favorite  Song.  Sung 
by  Master  Welsh,  etc.  Preston  &  Son : 
London,  [1793  ?]     fol.  G.  356.  (15.) 

My  little  blithsom  Sparrow,  a  favorite 
New  Song.     The  Words  by  G.  S.  Carey. 

Printed  for  G.  Goulding  :  London, 
[1790?]     fol.  G.  805.  m.  (27.) 

[Another  copy.]  H.  2826.  c.  (30.) 

[My  little  blithsom  Sparrow.]  The  Maid 
I  love.  A  favorite  Song  sung  by  Mr. 
Johnstone  at . . .  Covent  Garden  in  the 
IMaid  of  the  INIill.  The  Words  by  J. 
O'Keefe. .  .Adapted  from  Pleyel['s  song 
'My  little  blithsom  Sparrow'],  by  W. 
Reeve.  Longman  and  Broderip :  [London, 
1797?]     fol.  G.  377.  (49.) 

VOL.  II. 


PLEYEL  (Ignaz  Joseph)  Leichte  Stiike 
fiir  's  Gesang  und  Klavier,  von  Pleyel, 
Zumsteeg,  Schwegler,  Abeille. 

In  der  Holuen  Carls-Schule  :  Stuttgart, 
[1790  ?]     obi.  4".  E.  600.  g.  (4.) 

Tho'  pity  I  cannot  deny.  A  favorite  Song 
sung  by  Mrs.  Crouch  in  the  Haunted 
Tower,  etc.  Longman  &  Broderip  : 

[Londo/!,  1790  ?]     fol.       G.  383.  j.  (25.) 

Time,  a  favorite  Sonnet  by  Laura  Maria, 
the  Music  by  Pleyel,  adapted  by  the 
Composer  of  Young's  Night  Thoughts  [i.e. 
Thomas  Billington].  Preston  &  Son  : 

London,  [1190?,   fol.     H.  1994.  d.  (51.) 

The  Village  Boy,  a  Favorite  Song  for  the 
Harpsichord  or  Piano-Forte.  A.  Bland  it 
Weller  :  London,  [1795?]     fol. 

G.  806.  d.  (47.) 

11.  Appendix. 
See  Corfe  (Joseph)    A  Third  Set  of  Twelve 
Glees. .  .arranged  from  the  Melodies  of . . . 
Pleyel,  p/c.     [1800?]     06^.  fol.       E.  317. 

See  Haigh  (T.)  Two  Duetts  for  two 
Performers,  on  One  Piano  Forte,  one 
Composed  by  Plevel,  c/c.     [1800?]     fol. 

g.  270.  e.  (14.) 

See  Hoffmeister  (F.  A.)  Trois  Duos 
pour  Deux  Flutes,  tires  sur  des  Ouvrages 
de  J.  Pleyel,  e^c.     [1790?]     fol. 

g.  421.  (18.) 
See  Longman  and  Broderip.  Longman 
and  Broderip's  Selection  of  IMusic  for  the 
Pedal  Harp  . . .  including. .  .Compositions 
of... Pleyel,  <?fc.     [1795?]     fol. 

h.  3200.  (5.) 
See  Mozart  (W.  A.)  [6.  Doubtftd  and 
Spurious  Works.]  The  last  Composition 
of. .  .Mozart. .  .the  Accompaniments. .  .by 
Mr.  Pleyel,  ete.  [1797.]  fol.  g.  161.  d.  (8.) 

See  Thomson  (G.)  A  Select  Collection  of 
Original  Scotish  Airs. .  .to  each  of  which 
are  added . . .  Symphonies  &  Accompany- 
ments  by  Pleyel,  etc.     [1793-1797.]     fol. 

G.  370. 
12.  Cross-References. 
The  Cottage  Maid.     See  [10.  Vocal  Music. 
Henry's  Cottage  Maid.] 

Fanny's  Worth.  See  [10.  Vocal  Music. 
Lieder  beym  Clavier  zu  singen.  Th.  II. 
Molly's  Werth.-] 

The  King  of  Hearts.  See  [6.  String  Quar- 
tets.    Op.  VI.     N"  3.     Thema.] 

Lady  Isabell  *****.  See  [10.  Vocal 
Music.  Lieder  beym  Clavier  sic  singen. 
Th.  II.     Die  friihe  Liebe.] 

The  Maid  I  love.  See  [10.  Vocal  Music. 
My  little  blithsom  Sparroio.] 

When  lovely  Woman  stoops  to  folly. 

See  [4.  Pianoforte  Solos.     Six  progressive 

Sonatinas.     Op.  32.    N"  1.     Adagio.] 

V 


290 


PLOT— POINT 


PLOT.  The  Plot.  [Ballad  Opera,  words 
attributed  to  J.  Kelly] . . .  With  the  IMusick 
prefix'd  to  each  Song.  Printed  for  J. 
Watts  :  London,  1735.  8°.  841.  e.  45. 
[Another  copy.]  161.  f.  16. 

PLOUGH  BOY.  The  Plough  Boy 
[Soug,  from  W.  Shield's  opera  'The 
Farmer '],  with  Variations.     [P.  F.] 

Longman  and  Brodcrip : 
London,  [1790  ?]     fol.  h.  62.  (15.) 

The  Plough  Boy.     [Song.] 
Sec  Shikld  (W.)     [The  Farmer.'] 

PLOUGHMAN.  The  ploughman  he's 
a  bonny  Lad.  The  Ploughman,  a  Scots 
Song.  Blpher^t  B[remne]r :   [London, 

1770?]     s.sh.iol.  G.  312.  (216.) 

The  Plowman's  Ditty.     [Song.] 
See  When.     When  Molly  smiles  beneath 
her  cow.     [1757.]     8".  P.P.  5438.  z. 

PLUMBER.  A  plumber  I  am  and  I 
work  for  my  Bread.  IVte  Plnmher. 
[Song.]  Sung  by  Mr.  Atkins  at  Sadlers 
Wells.     [London,  1765  ?]     s.  sh.  fol. 

G.  306.  (125.) 

PLUS.   Plus  d'  grandeurs,  plus  d'  seigneurs. 
[Song.]     See  Au  Retour. 
Plus  de  Montague.     [Song.] 
See  Fay  (E.) 

Plus    de    Philosophic,   ami,   fais    comme 
moy.     Duo.     [Paris,]  1730.     s.  sh.  4°. 

298.  a.  12. 

Mercure  de  France,  July,  1730. 
Plus  de  proces,  plus   de  debats.     Vaude- 
ville.    Sec  Georges  et  Gros  Jean. 
Plus    discret    et    plus    fidele.      UAmant 
Discret.         Romance.         [Words]       Par 
M.  I'Ab.   D.  Gravd  par 

M"   Charpentii.     Lnprimr  par  Tournclle  : 
[Paris,]  1760.     s.  sh.  8".  297.  d.  26. 

Mercure  di  France,  Nov.,  1700. 
Les  plus  jolis  mots  de  la  langue.     [Song.] 
See  A.     A  deux  epoques  de  la  vie. 
[1785?]     8".  B.  362.  b.  (159.) 

Le  plus  sage  emploi  de  la  vie.     [Song.] 
[Paris,]  1770.     s.  sh.  8".  297.  e.  30. 

Mercure  de  France,  March,  1770. 

POCKET  BOOK.  A  Pocket  Bo  1  tor 
the  German  Flute  or  Violin.  Contiiniug 
an  Agreeable  Variety  of  the  '^f^.^oi  most 
Celebrated  Airs,  Duets  and  Son  ;s .  . .  Com- 
posed by  the  most  admir'd  An/  lors.  4  vol. 
John  Lee  :  Dublin,  [1778  ?-!;''.]     obi.  8". 

a.  204. 
The  composers  named  arc  :  Abel,  Stanley, 
Van  Maldere,  Dr.  Arne,  Dr.  Hayes, 
Humphries,  J.  C.  Bach,  Harington, 
Dr.  Arnold,  Burton,  Giordani,  Phili- 
dor,  C.  Fcn-rest,  Jackson,  Fischer, 
Giardini,  Hook,  Boccherini,  M.  Arne, 
Dibdin,  J.  Smith,  Theod.  Smith  and 
Coaan. 


POCKET  COMPANION.  A  Pocket 
Companion  for  Gentlemen  and  Ladies : 
being  a  Collection  of  .  .  .  Opera  Songs  & 
Airs,  in  English  and  Italian  .  .  .  Corrected, 
&  .  .  .  Figur'd  for  y''  Organ,  Harpsicord, 
and  Spinet,  by  Mr.  R.  Neale,  etc.  (A 
Pocket  Companion  for  Gentlemen  and 
Ladies.  Being  a  Collection  of  .  .  .  Songs 
out  of  .  .  .  Opera's  ...  by  Mr.  Handel, 
Bononcini,  Attilio  [Ariosti],  &c.  ...  To 
which  is  added  several  .  .  .  Songs  of  INIr. 
Handel's,  never  before  Printed.  Vol.  11., 
etc.)     2  vols.  Cluer  and  B.  Crcake  : 

London,  [1725  ?]     8".  C.  491. 

TJu  composers  named  are :    Vanbruge, 
Courtivil  Jun'.,  J.  Weldon,  Dieupart 
and  J.  Graves.     Vol.  II.  is  larger  i)i 
size  than  Vol.  I. 
The  Pocket  Companion  for  the  Guittar. 
Containing  a  favovirite  Collection  of  the 
best  Italian   French   English   and   Scots 
Songs.     Adapted  for  that  Instrument  and 
the  Voice.  Book  V.  Printed  for  J.  Osivald  : 
London,  [1755  ?]     8°.  e.  1291. 

The  composers  named  are  :  Green, 
Osivald,  Giardini,  Stanley  ctnd  N. 
Pasguali. 

PODBIELSKI  (Christian  Wilhelm) 
Sechs  Clavier-Sonaten,  .  .  .  Erste  Samm- 
lung.     Zweyte  Auflage. 

Bey  J.  F.  Hartkiioch  : 
Riga,  1784.     obi.  fol.  f.  21.  (1.) 

Sechs  Clavier-Sonaten, .  .  .  Zweyte  Samm- 
lung.  Bey  J.  F.  Hartknoch  : 

Biga,  1783.     obi.  fol.  f.  21.  (2.) 

POET.     The  Poet  to  the  Rose.     [Song.] 
See   Go.      Go    Rose    my    Cloe's    Bosom 
Bosom  grace,  etc.     [1740?]     s.  sh.  fol. 

G.  316.  a.  (26.) 

POETE    suppose.      Laisson  laisson  a 

la  gaite.     Vaudeville  du  Poette    SupposiK 

[Words  by   Laujon,  music   by  S.  Cham- 

pein.]     Chez  Frere :  [Paris,  1782.]     8°. 

B.  362.  c.  (107.) 
POETS.     The  poets,  in  conscience,  have 
teas'd  us   too   long.      Peggy    Wynne.     A 
New  Song.     [London,  1763.]     8". 

P.P.  5438.  z. 
Universal     Magazine,     Vol.     XXXII., 
p.  264. 

POILLEVE  (  )  Est-il  bien  vrai  qu9 
I'eau  soit  a  la  mode  ?  Recit  de  basse. 
Les  paroles  sont  de  M'  de  la  Soriniere, 
etc.      [Paris,]  1747.      s.  sh.  4°. 

297.  c.  13. 
Mercure  de  France,  Sept.,  1747. 
Un  soir,  dans  un  charmant  festin.     Recit 
de  Basse,  etc.     [Paris,]  1745.     s.  sli.  4°. 

297.  c.  4. 
Alercure  de  France,  Dec,  1745. 

POINT.     Point  de  m^lancholie.     Air. 
See  Bruni  (A.  B.)     [Toberiic.] 


POINTE— POMMIERS 


291 


POINTE.  La  Pointe  de  I'Eguille.  [Song.] 
Sec  Ce.  C'est  sur  la  pointe  d'une  eguille, 
etc.     [1790?]     8».  B.  362.  e.  (102.) 

POISSON  (Leonard)     Nouvelle  Methode 
pour  apprendre  le  Plain-Chant,  etc. 
Chez  Labbeij  :  Boiien,  1789.     4". 

7898.  aa.  6. 
See  Tkaiti:.    Traite  Theorique  et  Pratique 
du  Plain-Chant,  Ac.     [By  L.  Poisson.] 
1750.    8".  1042.  \.  4. 

POLAROLI  (Carlo  Francesco) 

See  ZiANX  (P.  A.)  Yoluntarys  and  Fugues 
.  .  .  for  the  Organ  or  Harpsichord  by 
Ziani,  Pollaroli,  etc.     [1710  ?]     fol. 

g.  57.  a. 

POIjIFEMO.    The  Favourite  Songs  in  . . . 
Polypheme.     [Opera.] 
See  PoRPORA  (N.  A.) 

POLISH.      The    Polish    IMinuet   or   INIiss 
Kitty  Grevil's  Delight.     [Song.] 
See  Charming.     Charming  is  your  Shape, 
and  Air.     [1720?]     s.  s/i.  fol, 

H.  1601.  (91.) 

POIilTESSE.     La  Politesse.     [Song.] 
See    Cessez.       Cessez     de     vous    flatter 
Glicere.     [1790?]     8".        B.  362.  (161.) 

POLITIC.  The  Politic  Shepherdess. 
[Song.]  Sec  As.  As  lately  I  rambled  the 
Meadows  along,  etc.     [1775  ?!     .s.  sh.  fol. 

G.  306.  (165.) 

POLITICAL.       The      Political      Brutes. 
[Song.]       See    As.       .\s     Reynard     with 
hunger  was  rambling  the  North. 
[1782?]     fol.  G.  306.  (214.) 

POLITICIAN.  The  Politician.  [Song.] 
See  Davis  (.J.  F.) 

POLITIQUE.       La     Politique,     ou     les 
IMffiurs   du    tems.      [Song.]      See    Dans. 
Dans  ce  siecle  il  est  necessaire,  etc. 
[1790  ?]     8".  B.  362.  j.  (23.) 

POLL.  Poll's  Answer  to  Poor  Jack.  Song. 
Sec  Dear.  Dear  Jack  my  fond  Love,  etc. 
[1798?]     fol.  G.  807.  d.  (22.) 

POLL  BOOTH.  The  Poll  Booth.  Musical 
Entertainment.     See  Hook  (J.) 

POLLET  (Jean  Joseph  Benoit)  Deux- 
ieme  Duo  pour  Harpe  et  Piano,  etc. 
[Separate  Parts.]  Chez  I'Antcur: 

Paris,  [1790  ?]     fol.  h.  173.  b.  (14.) 

X"  Sonate  pour  la  harpe  avec  Accompag- 
nement  de  Flute  oblige.  [Separate 
Parts.]  Chez  V Auteur : 

Paris,  [1790?]    fol.  h.  173.  b.  (13.) 

POLLINI  (Francesco)  Air  Varie  pour 
la  Harpe.  Chez  M^""  Erarcl : 

Paris,  [1800?]     fol.  h.  173.  b.  (15.) 

[Another  copy.]  h.  184.  e.  (13.) 

Trois  Sonates  pour  le  Piano  Forte. 
Chez  71/""  Erard  :  Paris,  [1800  ?]     fol. 

h.  1480.  p.  (11.) 


POLLY.  Polly:  an  Opera.  Being  the 
Second  Part  of  the  Beggar's  Opera. 
Written  by  Mr.  Gay.  [With  an  appendix 
containing  the  Songs  arranged  by  J.  C. 
Pepusch.]  Printed  for  the  Author  : 

London,  1729.     4".  841.  c.  23.  (1.) 

[Another  copy.]  79.  i.  30. 

[Songs  in  Polly,  for  the  Flute  or  Violin.] 
[  WaUh  :  London.  1729  ?]     8". 

Wanting  the  title-page.  A.  869.  a.  (5.) 
Polly;  au  Opera  .  .  .  For  the  Voice, 
Harpsichord,  and  Violin.  Printed  for 

Harrison  it  Co. :  London,  [I'J 85'^]   obi.  io\. 

D.  270.  (3.) 
Polly.  [Song,  begins  :  '  Spring  renewing.'] 
See  Defesch  (W.)  [VI.  English  Songs. 
No.  3.] 

Polly.      [Song.]      See  My.      My  Pollv  is 
lovely,  etc.     [1780  ?]     s.  sh.  fol. 

G.  310.  (113.) 

Polly.    Song.    See'No.    No  Drury  nymph, 

etc.     [1757.]     8".  P.P.  5438.  z. 

Polly  of  the  Plain.     [Song.] 

See  Dekesch  (W.) 

Polly's  Charms.     [Song.]     See  1.     I  ask 

no  muse  to  aid  the  song.     1760.     8". 

P.P.  5441. 

POLLY  GREEN.    Polly  Green.    [Song.] 

See  Let.     Let  other  Bards  in  lofty  Verse. 

[1750?]     s.  sh.  fol.  G.  310.  (64.) 

POLLY  PEACHUM.  Polly  Peachum. 
[Song.]  See  Op.  Of  all  y«  Toasts,  that 
Brittain  boasts,  etc.     [1728.]     s.  sh.  fol. 

G.  316.  a.  (36.) 
POLONAISES.       National     Polonoisen. 
[P.  F.]    3  Nos.  Bcji  J.  J.  Hummel : 

Berlin  utid  Amsterdam,  [1795  ?]     fol. 

h.  1480.  m.  (21.) 
Tlie  pagination  is  continuous.  The  com- 
posers of  this  collection  are :  Oginski, 
Barczinski,  Jonasz,  Ziwny,  Merlini, 
J.  Cybulski,  Unicki,  Andri/chewicz 
and  Bernhardt.      h.  1480.  m.  (21.) 

POLTIS.  Poltis,  Oder  das  gerettete  Troja. 
Operette.     See  Hiller  (J.  A.) 

POLYXENA.  Polyxena.  Lyrisches 
Monodrama.     See  Schweitzer  (A.) 

Polyxena.     Lyrisches  Monodrama. 
See  Wolf  (E.  W.) 

POMMIERS  ET   LE   MOULIN.     On 

danse  bien  a  la  ville.  Ronde  des  Pommiers 
et  le  Moulin  [by  J.  B.  Le  Moyne].  Avec 
Accomp'  de  Guittare.  Chez  hnbault : 

Paris,  [1790.]     8".  B.  362.  c.  (86^.) 

On  danse  bien  a  la  ville.  Ronde  des  Pom- 
miers et  le  Moulin.  [Words  by  Forgeot, 
music  by  J.  B.  Lemoyne.]  Avec  Accompt. 
de  Piano  ou  Harpe  par  M.  L'[Abb6] 
Guichard.  Chez  B.  Viguerie  :  Paris, 

[1790?]    fol.  G.  554.  a.  (30.) 

u  2 


292 


POMRIIERS— POOR 


POMMIERS  ET  LE  MOULIN.     Oui, 
mettons  nous  a  rouvrago.     Air  dcs  Pom- 
vtiers  et  le  Moulin  [by  J.  B.  Le  Moyne]. 
Avec  Accomp'  de  Guittare. 
Chcx  Imhazdt :  Paris,  [1790.]     8". 

B.  362.  c.  (86.) 

POMONA.     Pomoua.     [Song.] 
,s'ee  Hudson  (R.) 

PONDER.  Ponder  my  Words.  Anthem. 
See  Jackson  (G.) 

PONTE  (GiACHES  de)  Cinquauta  Stanze 
del  Bembo  con  la  Musica  di  sopra  . . . 
Nouamente  Stampate  ct  poste  in  luce.  A 
Quatro  Voci.  Tenor.  AiyJid  Antoniuvi 
Gardane  :    Venctijs,  1545.     obi.  4°. 

A.  309. 

PONTIO  (PiETEO)  Dialogo  .  • . ,  oue  si 
tratta  della  Theorica,  e  Pratticadi  Musica. 
Et  anco  si  mostra  la  diuersita  de'  Contra- 
ponti,  &  Canoni.  Ajjrcsso  Erasmo  Viothi  : 
Parma,  1595.     4°.  7895.  aaa.  24. 

Hymni  Solemniores  ad  Vespertinas  Horas 
canendi  .  .  .  Quattuor  vocibus.  Nouiter 
impressis.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)     4  pts.  Ajjud  Ricciardum 

Amadinuyn  :  Venctiis,  1596.      4°. 

C.  26.  b. 
D.  Petri  Pontii  . . .  Missarum  cumquatuor 
Vocibus  Liber  Primus,  etc.    Tenor. 

Aimd  Haeredcm  Hicronyini  Scoti  : 
Venetiis,  1584.     4°.  C.  26.  a. 

D.  Petri  Pontii  .  .  .  Missarum  Quatuor 
vocibus  Liber  Tertius.  Nunc  primum  in 
lucem  editus.  Tenore.  (Bassus.)  2  pts. 
Apud  Biciardum  Amadinum :  Venetiis, 
1592.     4°.  C.  26. 

Ragionamenta  di  IMusica  . . .  Oue  si  tratta 
de'  Passaggi  delle  consonantie,  &  disson- 
antie,  buoni,  &  non  buoni ;  &  del  modo  di 
far  Motetti,  Messe,  Salmi,  &  altre  com- 
positioni,  etc.  A^jresso  Erasmo  Viotto  : 

Parma,  1588.     4°.  557*.  c.  24. 

POOL.     A  Poole  at  Pickett.     [Song.] 
Sec  Within.     Within  an  Arbor  of  delight, 
etc.     [1710?]     s.  s7i.  fol.        L  530.  (51.) 

POOLE  (Caroline)  The  Orphan  that's 
wet  with  the  rain.  A  Favorite  Song, 
written  [and]  composed. .  .by. .  .0.  Poole. 
L.  Lavenu  :  London,  [1800  ?]     fol. 

H.  2831.  h.  (23.) 
The    Sequel    to   Crazy  Jane,   a    favorite 
Song,  written  &  composed  by  C.  Poole. 
L.  Lavenu:  London,  [1800?]     fol. 

G.  793.  (12.) 

POOLE,  aftenoards  DICKONS  (Maria) 
And  say  no,  a  favourite  Ballad,  etc. 
[Full  Score.]  Longman  ayid  Broderip  : 
London,  [1792  ?]     fol.  G.  360.  (41.) 

Six  Cauzonetts  &  a  Lullaby  for  the  Voice 
with  an  Accompaniment  for  the  Piano 
Forte  or  Harp,  etc.  Longinan  £  Broderip  : 
London,  [1794  ?]     fol.  G.  358.  (8.) 


POOLE,  aftenvards  DICKONS  (Maria) 
Dear  Le  Verrou,  a  favourite  Ballad,  etc. 
[Full  Score.]  Longman  and  Broderip  : 
London,  [1792  ?]    fol.  G.  360.  (42.) 

The  Wandering  Lamb.  A  favorite  Ballad, 
etc.  Printed  bij  the  Antlior : 

London,  [1795  ?]     fol.  G.  367.  (15.) 

POOR.     Poor   Anne   who   died   for   Love. 
Ballad.     See  Rimbault  (S.  F.) 
Poor  Annette  the  Savoyard.     Song. 
See  Hook  (J.) 

Poor  Barbara.     [Glee.]     See  Shield  (W.) 
The  Poor  Black  Boy.     Song. 
See  Storage  (S.)     [The  Prize.'] 
The  Poor  Blind  Beggar  Boy.     Ballad.' 
See  Gray  (T.  B.) 
The  Poor  Blind  Boy.     Canzonet. 
See  Hook  (J.) 

The  Poor  Blind  Girl.     Ballad. 
Sec  Cleve  (V.  de) 

The  Poor  Boy.   Song.    See  Graefe  (J.  G.) 
Poor  Celia  fell  sick.     Poor  Celia.     [Song.] 
Str[aig]it]  &  Sk[illcrn  :  London, 
1775  ?]    s.  sh.  fol.  I.  530.  (130.) 

[Another  setting.]  Poor  Celia  was  sick. 
Alas!  I  shall  die.  [Song.]  Llonginan,'] 
Lhikey  and  Co. :  London,  1775  ?]  s.  sh.  fol. 

G.  311.  (22.) 

Poor    Damon    kuock't    at    Celia's   door. 

Song.     See  Purcell  (D.)     [The  Constant 

Couple.] 

A  poor  helpless  VVand'rer.     [Song.] 

See  Kreusser  (P.  A.) 

Poor  Jack.     Song.    See  Dibdin  (C.)    [The 

Wii7n  of  the  Moment.] 

Poor  Jack.     Ballad.     See  Moulds  (J.) 

Poor    John   was   woi-n   out.      Harry   the 

Coachman.     A  New  Catch. 

John  Welckcr  :  [London,  1780  ?]     fol. 

G.  311.  (18.) 
Poor  Kate.     Song.     See  Bruguier  (D.) 

Poor  little  Adeline.     Ballad. 
See  Sanderson  (J.)     [The  Mine.] 

The  Poor  Little  Blind  Beggar  Boy. 
[Song.]     See  Geminiani  (F.) 

The  Poor  little  Orphan.     [Song.] 
Sec  Carnaby  (W.) 

Poor  Mary  the  Primrose  Girl.     Song. 
See  Moulds  (J.)     [The  Sultan.] 

Poor  old  England.     [Song.] 
See  Dibdin  (C.)     [Great  News.] 

Poor  Orra  tink  of  Yanko  dear.     Song. 
See  Dibdin  (C.)     [The  Islanders.] 

Poor  Peg.     [Song.] 

See  Dibdin  (C.)     [Private  Theatricals.] 

The  Poor  Recruit.     Song. 
See  DiGNUM  (C.) 

Poor  Richard.     Ballad.     See  Caer  (B.) 


POOR— PORPORA 


293 


POOR.  Poor  Robin  hops  round  your 
kitchen.  George  ;  the  Poor  Mad  Boy.  A 
Favourite  New  Song,  Words  by  a  Gentle- 
man. [1795  ?]  fol.  Goio  d-  Shepherd  : 
Edinburgh,  [1795  ?]     fol. 

G.  805.  m.  (28.) 
The  Poor  Shepherd.     [Song,  begins  :  *  The 
Sun  was  sunk  beneath  the  Hill.'] 
See  Festing  (M.  C.) 

[Another  setting.]  The  Poor  Shepherd. 
[Song.]  Sec  Sun.  The  Sun  was  sunk 
beneath  the  Hill,  etc.     [1720?]     s.  sh.  fol. 

H.  1601.  (474.) 
A  poor  Soul  sat  sighing.  Willow.  A  Glee 
for  4  Voices,  with  an  Accompaniment  for 
the  Piano-Forte.  [Music  by  E.  S.  Biggs.] 
R.  Birchall :  London,  [1800  ?]     fol. 

G.  805.  k.  (19.) 
Poor  Tom.  [Song,  begins  :  '  Here,  a  sheer 
hulk.']  See  Dibdin  (C.)  The  Waterman. 
Then  Fareiccll.'] 

Poor  Tom.     Song   [begins  :   '  Hark !    the 
Boatswain  loud  pipes ']. 
Sec  Gray  (T.  B.) 

Poor  Tom  Halliard.     Ballad. 
See  Gardom  (P.) 

Poor  Tom  the  Taylor  don't  lament.  0.i- 
fordshire  Betty :  containing  her  Joaking 
Letter  to  Tom  the  Taylor,  etc.  [Ballad.] 
Tune  of,  I  love  you  more  and  more  each 
day.  Printed  for  C.  Bates  : 

[Londan,  1690?}     s.  sh.  io\. 

Case  39.  k.  6.  (18.) 
The  tune  is  represented  by  a  meaningless 
succession  of  notes,  etc. 

Poor  Walley's  Complaint.     [Song.] 

See  0.     Oh  who'  is  me,  etc. 

[1750?]    s.sh.ioL  G.  306.  (104.) 

The  Poor  ^Yhite  Man.     Song. 

See  Winds.     The  Winds  arise,  the  torrent 

falls,  etc.     [1800  ?]     fol. 

G.  800.  m.  (64.) 

POOR  SOLDIER.     Dear  Sir  this  brown 

Jug.     A  favorite  Song  in  the  Poor  Soldier 

[by  W.  Shield].      Printed  for  G.  Walker  : 

Lmdon,  [1800?]     fol.       G.  383.  i.  (15.) 

A  Rose  Tree  full  in  bearing  .  .  .  Dialogue 
in  the  Poor  Soldier.     [By  W.  Shield.] 
J.  Lee  :  Dublin,  [1785?]  s.  sh.  fol. 

H.  1601.  b.  (24.) 
The  Poor  Soldier.     Comic  Opera. 
See  Shield  (W.) 

POOR  VULCAN.     Poor  Vulcan.    Comic 
Opera.     See  Dibdin  (C.) 

POPE.     Pope  Joan.     [Song.] 
See  Dibdin  (C.) 

POPELEY  (William)     Charming  Delia. 
See  Come.     Come  Delia   come,  etc.     [By 
W.  Popely.]     [1720  ?]     s.  sh.  fol. 

G.  307.  (49.) 


POPELEY  (William)    [Another  edition.] 
Come  Delia  come  let's  shun  the  heat.     A 
Song..  .The  Words  by  Mr.  Dart. 
[London,  1720  ?]     s.  sh.  fol. 

H.  1601.  (94.) 
In  the  Musical  Miscellany  Vol.  3  (1770) 
the  music  of  this  song  is  said  to  be  by 
W.  Holmes. 

Had  Neptune  when  first  he  took  Charge 
of  the  Sea.     A  Drinking  Song. 
\' London,  1725  ?]     s.  sh.  fol. 

I.  530.  (131.) 
Tho'  Phillis,  you  scorn  my  address.  A 
neiv  Song,  etc.  [London,  1715  ?]    s.  sh.  fol. 

H.  1601.  (454.) 
[Another  edition.]     Tho'  Phillis  you  scorn 
my  address.     The  Scorncfull  Lady,  etc. 
[London,  1120?]     s.  sh.  fol. 

G.  312.  (38.) 
[Another  copy.]  G.  303.  (26.) 

PORO.  [Dopo  tanto  penare.]  Return 
fair  Maid.  A  Favourite  Minuet  in 
Fonts.  The  Words  by  T.  Brerewood  Jvmr. 
[Music  by  G.  F.  Handel.]  [London, 

1731  ?]    s.  sh.  fol.  G.  311.  (33.) 

Porus.     Opera. 

See  Handel  (G.  F.)     [Poro.] 

PORPHYRY,  the  Philosopher. 

See  Aristoxencs.  Aristoxeni  Musici 
Antiquiss.  Harmonicorum  Elementorum 
Libri  iii  . . .  Aristotelis  de  obiecto  Auditus 
fragmentum  ex  Porphyrij  commentarijs, 


etc.     1562.     4°. 


557*.  c.  16. 


See  Wallis  (J.)      Johannis  Wallis  .  .  . 
Operum   ]\Iathematicorum  Volumen  Ter- 
tium.     Quo  contiuentur. .  .Porphyrii  .  .  . 
Harmonica. .  .Greece  &  Latine  edita,  etc. 
1699.     fol.  716.  k.  5. 

PORPORA  (NicoLo  Antonio)  All'  Al- 
tezza  Ileale  di  Frederico  Prencipe  Reale 
di  Vallia. .  .Queste  nuovamente  Composte 
Opre  di  Musica  vocale. .  .dedica. .  .Nicolo 
Porpora.  [12  Cantatas.] 
Londra,  1735.     obi.  fol.  D.  359. 

[Arianna.]  The  Favourite  Songs  in  the 
Opera  call'd  Ariadne.  [Words  by  P.  Rolli. 
Full  Score.]  Printed  for  I.  Walsh  : 

London,  [1733.]     fol.  G.  193.  (4.) 

[Polifemo.]  The  Favourite  Songs  in  the 
Opera  call'd  Polypheme.  [Words  by 
P.  Rolli.  Full  Score.]  Printed  for  I.Walsh  : 
London,  [1735.]     fol.  G.  193.  (3.) 

Sinfonie  da  Camera  a  Tre  Istromenti  .  .  . 
Opra  II.     [Separate  Parts.] 
Sculp,  da  B.  Fortier :  Londra,  1736.     fol. 

i.  76. 

[Sinfonie  da  Camera.]  Six  Sonatas  for 
two  Violins  with  a  Thorough  Bass  for  the 
Harpsicord  or  Violoncello  .  .  .  Opera  2**. 
[Separate  Parts.]  Printed  fm- 1.  Walsh: 
Lmdon,  [11  iO?]    fol.  g.  1037. 


294 


rORPORA— PORTA 


PORPORA  (NicoLo  Antonio)  Senate  xii 
di  Violino,  e  Basso,  etc.  F.  Bernard  : 

Vienna,  1754.     ohl.  fol.  e.  30. 

[Temistocle.]  The  Favourite  Sougs  in 
the  Opera  call'd  Temistocle.  [Words  by 
A.  Zeuo.     Full  Score.]  Printed  for 

I.  Walsh  :  Loudon,  [1743.]     fol. 

G.  190.  (5.) 
See  Hassr  (J.  A.)     Farinelli's  Celebrated 
Songs  collected  from  Sig'  Hasse,  Porpora 
. .  .and  Veracini's  Operas,  etc. 
[1736-1575?]     fol.  g.  444. 

PORRO  (Pierbe)  Belle  Lucette,  eutends- 
tu.  Chanson.  (Paroles  de  M.  Hoffman, 
etc.)     [Paris,']  1786.     8".  297.  g.  28. 

Mcrcurc  de  France,  April,  1786,  p.  171. 
Sec  De.  De  I'amour  gouverne  I'empire. 
La  Noiivelle  Venns.  [Song.]  Ace.  par 
M'  Porro.  1784.  8".  B.  362.  g.  (86.) 
Sec  DiDON.  Ah !  prens  pitie  de  ma  fai- 
blesse. .  .Guitare  par  M""  Porro. 
1784.    8".  B.  362.  h.  (41^.) 

See  DiDON.  Ah  !  que  je  fus  bien  inspire 
. . .  Accomp'  par  M"^  Porro.     1784.     8°. 

B.  362.  h.  (41a.) 

See  DiDON.  Au  noir  chagrin  qiii  me  devore 
. .  .ace.  . . .  par  M--  Porro.     1784.     8". 

B.  362.  h.  (41°.) 
See  DiDON.  Plaignez  un  Roi,  plaigncz  uu 
pere...Guitarrede  M^  Porro.     1784.     8", 

B.  362.  h.  (41.) 
See  DoRMEUR  Eveille.  Viens  ma  Rose 
...Guitarre  par  M-- Porro.     1784.     8". 

B.  362.  h.  (44.) 
See  Droit  du  Seigneur.  L'autre  jour 
j'etois  seulette  . . .  Accomp'  par  M"'  Porro. 
1784.   8°.  B.  362.  g.  (97.) 

See  Droit  du  Seigneur.  Vous  enflanunes 
et  pour  longtems  .  .  .  les  accomp'  par 
M'  Porro.  1784.  8".  B.  362.  h.  (49.) 
See  Epreuve  Villageoise.  Bon  Dieu 
com'  hier  a  6te  fete  . . .  Ace.  par  IM'  Porro. 
1784.     8".  B.  362.  h.  (43.) 

See    Faux    Lord.     0    Nuit,   Deesse    du 
misters  . . .  accomp*  par  M"'  Porro. 
1784.     8°.  B.  362.  h.  (46.) 

See   Foignet   (C.    G.)      Pourquoi  cacher 
petits  oiseaux  . . .  Ace.  par  M'  Porro. 
1784.     8".  B.  362.  g.  (88.) 

See  Jomelli  (N.)  Veni  Sancte  Spiritus 
. .  .avec. .  .les  parties d'Orchestre  addition- 
elles  . . .  par  P.  Porro,  etc.     [1800 '?]     fol. 

H.  1187.  p.  (5.) 
See  Recevez.  Recevez  discret  amoureux 
. . .  Ace.  par  M'  Porro.     1784.     8". 

B.  362.  g.  (95.) 
PORT.     Port  and  Sherry.     Song. 
See  WoRGAN  (J.)  tlie  Younger. 

PORT  DE  MER.     Airs  de  la  Comedie  du 
Port  de  Mer.     [Words  by  N.  Boindin.] 
See  Airs.     Airs  de  la  Comedie  Fran(,'oise. 
[No.  7.]     1704.     obi.  fol.  B.  319. 


PORTA  (CoNSTANZo)  Di  Constanzo  Porta 
il  Quarto  Libro  de  Madrigali  a  Cinque 
Voci,  Nouamente  da  Marsilio  Cristoffori 
raccolti,  &  dati  in  luce,  etc.     Quinto. 

Appresso  Angela  Gardano  : 
Venetia,  1586.     4°.  D.  163. 

Constantii  Portae  .  .  .  Missarum  Liber 
Primus.  Apud  Angeluni  Gardanum  : 

Venctijs,  1578]     fol.  K.  9.  a.  9. 

The  title-page  and  fol.  130  are  damaged. 

Liber  Primus  Motectorum  Quatuor 
Vocum,  etc.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)     4  pts. 

Apud  Angeluni  Gardanum : 
Venetiis,  1591.    obi.  i°.  A.  345.  a. 

Tiie  Tenor  part  ivants  fol.  1. 

Constantii  Porte  .  .  .  Motectorum  nunc 
primum  in  lucem  prodeuntium  Liber 
Primus.     Quinque  Vocibus.     Bassus. 

Apud  Antonium  Gardanitvi : 
Vcnetijs,  1555.    obi.  4".  A.  345.  e. 

Constantii  Portae  . . .  Liber  Quinquaginta 
Duorum  ]\Iotectorum,  Quatuor,  Quinque, 
Sex,  Septem,  &  octo  vocum,  etc.  Cantus. 
(Altus.)  (Tenor.)  (Bassus.)  (Sextus.)  (Sep- 
tima  Pars.)     6  pts. 

Apiud  Angclum  Gardanum  : 
Venetiis,  1580.     4".  D.  163.  a. 

Constatii  Portae  .  .  .  Quinque  Vocum 
Musica  in  Introitus  Missarum  quae  in 
Solemnitatibus  Sanctorum  omnium  toto 
anno  celebrantur  .  .  .  nunc  primum  a 
Claudio  Coregiate  in  lucem  edita.  Cantus. 
(Altus.)  (Tenor.)  (Bassus.)  (Quintus.)  5  pts. 
Apud  Claudium  Coregiatem,  <&  Faustum 
Betha>iium  Socios  :  Venetiis,  1566.    obi.  4". 

A.  345. 
[Another  copy.     Bassus.]  A.  345.  b. 

See  Gardano  (Angelo)  IMusica  di  Tredici 
Autori  . . .  Nella  quale  si  contengono  . . . 
Madrigali  . . .  delli  infrascritti  Autori  . . . 
C.  Porta,  etc.     1589.     4".        K.  3.  g.  11. 

PORTA  (Francesco  della)  Motetti  a 
Due,  Tre,  Quattro,  e  Cinque  Voci,  con  le 
Letanie  della  Beata  Vergine  a  4  . . .  Libro 
Prime.  Opera  Seconda,  etc.  Basso.  (Basso 
Continue.)     2  pts. 

Appresso  Alessandro  Vincenti  : 
j       Venetia,  1645.     4".  C.  58.  a. 

Motetti  a  Due,  Tre,  Quattro,  e  Cinque 
Voci  Con  vn  Magnificat,  Litanie  della 
Beata  Vergine  a  quattro,  e  cinque,  si 
I  placet  . . .  Libre  Secondo  Opera  Terza, 
etc.  Canto  Prime.  (Basso.)  (Basso  Con- 
tinue.)    3  pts. 

Appresso  Alessandro  Vincenti  : 
Venetia,  1648.     4°,  C.  58.  b. 

Salmi  da  Capella  a  Quatro  Voci  con  altri 
Salmi  a  Tre,  Quatro,  e  Cinque  si  placet, 
.  .  .  Opera    Quinta,    etc.      Canto    Primo 


PORTA— PORTRAIT 


295 


(Secondo).  (Alto.)  (Tenore.)  (Basso.)  (Basso 
per  rOrgano.)  6pts.  Apirresso  Alessandro 
Vincenti :  Venetia,  1656-7.  4°.  C.  58. 
The  Tenore  and  Basso  per  V  Organo  are 
dated  1656. 
See  Kapsberger  (J.  H.)  Libro  Terzo  di 
Villanelle  . . .  Raccolto  dal  Sig'  Francesco 
Porta.     1619.     fol.  K.  8.  h.  9.  (3.) 

PORTA  (Giovanni)  [Numitore.]  Songs 
in  the  New  Opera  call'd  Numitor,  etc. 
[Full  Score.] 

Printed  f 01- 1.  Walsh  d  I.  Hare  : 
London,  [1720 '?]    fol.  H.  297. 

[For  Songs  published  anonymously  :] 

&e  Numitore.  H.  1601.  (410.) 

PORTA  FERRARI  (Carlo  Antonio) 
II  Canto  Fermo  Ecclesiastico  spiegato  a' 
Seminaristi  di  Ferrara,  etc. 

Per  Bartolomco  Soliani : 
Modena,  1732.  4°.  7896.  ee.  2. 

PORTE.  Porte  a  ton  maitre  ce  portrait. 
Duo.  Sec  Tarchi  (A.)  [Le  Trente  et 
Qnarante.'] 

PORTER.  Porter  son  Nom  dans  le  loin- 
tain  des  Ages.  LeVraiBonheur.  [Song.] 
Air:  Mon  petit  Coeur.  Chez  Jouve  : 

[Paris,  1790  ?]     8°.  B.  362.  e.  (12.) 

PORTER  (Samuel)  the  Elder.  Collin. 
A  New  Song  sung  at  the  Gardens  the 
Words  by  Llr.  Rennett,  etc.  [London, 

1755  ?]     s.  sh.  fol.  G.  316.  f.  (141.) 

Twenty  Five  Odes,  Hymn  Tunes  &c.  in 
Four  Parts.  R.  Good,  etc.  : 

Londo)i,  [18007]    obi.  4:".  A.  482. 

Swiftly  glide  the  Hours  away.  A  Canon 
in  Unison  for  four  Voices,  written  &  com- 
posed by  S.  Porter.  G.  Astor  &  Co.  : 
London,  [1798  ?]     fol.  G.  353.  (26.) 

PORTER  (Samuel)  the  Younger.  Com- 
pact of  Britons,  a  Song,  etc. 

Printed  for  the  Author  : 
[Lo7idon,  1795?]  fol.  H.  2818.  b.  (69.) 
The  Rose.  [Song,  words]  From  the 
French  of  Cardinal  Berui,  etc. 

Printed  for  the  Aiithor  :  [London, 
1795?]    fol.  H.  2818.  b.  (70.) 

Unless  with  my  Amanda  blest.  A  Favorite 
Song  . . .  The  Words  by  J.  Thompson. 

James  Si7npso)i  Junr.  : 
London,  [1197  ?]     fol.  G.  366.  (52.) 

PORTER  (Walter)  Mottets  of  Two 
Voyces  for  Treble  or  Tenor  and  Bass. 
With  the  Continued  Bass  or  Score  :  To 
be  performed  to  an  Organ,  Harpspycou, 
Lute  or  Bass-Viol,  etc.  Basso  Continue. 
(Bassus.)     2  pts. 

William  Godbid  for  the  Author  : 

London,  1657.     fol.  K.  4.  h.  7. 

Imperfect,  wanting  all  the  Basso  Con- 

tinuo  after  No,  XIII,  and  all  the  Basstis 

except  Nos.  V,  YI-IX,  XIV-XVIL 


PORTER  (William  James)  Two  Anthems, 
a  Sanctus,  two  Single  &  two  Double 
Chants,  etc.  Preston  d  Son,  for  the  Author : 
London,  [1195  7']    fol.        G.  517.  n.  (2.) 

PORTEZ.  Portes  vos  Cimes  dans  les 
Cieux.     Air.     See  Campra  (A.) 

PORTINARO  (Francesco)  Di  Francesco 
Portinaro  il  Primo  Libro  de  Madrigali  a 
cinque  Voci  Nouamente  . . .  Composti  & 
Dati  in  Luce,  &  per  Antonio  Gardane  . . . 
stampati.     Tenor. 

Apresso  di  Antonio  Gardane  : 
Venetia,  1550.  obi.  4".  A.  347.  a.  (1.) 
Di  Francesco  Portinaro  il  Secondo  Libro 
de  ]\Iadrigali  a  cinque  Voci  Nouamente 
. . .  Composti  &  Dati  in  Luce,  &  per  Antonio 
Gardane  . . .  Stampati.     Tenor. 

Appresso  di  Antonio  Gardane  : 
Venetia,  1554.  obi.  4°.  A.  347.  a.  (2.) 
Di  Francesco  Portinaro  il  Terzo  Libro  di 
Madregali  a  cinque  &  a  sei  uoci,  con  tre 
Dialoghi  a  sette  &  uno  a  otto  Noua- 
mente . . .  composti  et  per  Antonio  Gardano 
stampati,  etc.  Ap)resso  di  Antonio 

Gardano :  Venetia,  1557.     obi.  4". 

A.  347. 

Di  Francesco  Portinaro  il  Terzo  Libro  de 
Motetti  a  Cinque  Sei  Sette  et  Otto  Voci 
Nouamente  . . .  composti  &  dati  in  luce. 
Alto.  Aiyresso  li  FigliuoU  di  Antonio 

Gardano  :  Venetia,  1572.     obi.  4". 

A.  347.  b. 
Le  Vergiui  di  Francesco  Portinaro  a  Sei 
Voci  con  alcuni  IMadregali,  a  Cinque  et  a 
Sei,  et  Duoi  Dialoghi  a  Sette,  .  .  .  noua- 
mente composti,  etc.  Basso.  (Quinto.) 
2  pts.  Appresso  Girolamo  Scotto  : 

Vinegia,  1568.     i".  D.  164. 

PORTMANN  (JoHANN  Gottlieb)  Die 
neuesten  und  wichtigsten  Entdeckungen 
in  der  Harmonic,  Melodie  und  dem  dop- 
pelten  Contrapuncte,  etc. 
Darmstadt,  1798.  8".  785.  d.  57.  (2.) 
Leichtes  Lehrbuch  der  Harmonic,  Com- 
position und  des  Generalbasses  . .  .  Neue 
Auilage.  (Exempel  der  Harmonic.)  2  pts. 
Bev  G.  F.  Hei/er  :  Darmstadt,  1799.     4". 

7897.  bbb.  13. 
See  Graun   (C.   H.)      Der   Tod   Jesu  . . . 
Clavier  Auszug  von  Portmann. 
[1790?]     fol.  F-  423. 

PORTRAIT.     Portrait.     Chanson. 

See  Vous.     Vous  avez  d'Hebe  la  fraicheur, 

etc.     1751.     s.  sh.  4".  298.  c.  3. 

Portrait  d'Aglae.    [Song.] 

See  Albanese  (    ) 

Le  Portrait  de  Catesbi.     [Song.] 

See  Vous.     Vous  par  qui  I'Amour  fait  des 

lois.     [1780?]    8°.  B.  362.  b.  (27.) 

Le  Portrait  de  Glicere.     Chanson. 

See    Peut-on.      Peut-on    ne    pas    aimer 

Glycere.     1767.     s.  sh.  S\  297.  e.  6. 


296 


POETRAIT— POTTER 


PORTRAIT.  Portrait  cTe  ma  Bergere. 
[Song.]  See  CoRBAUX  (  )  [La  Naissance 
de  la  Bose.'] 

Le  Portrait  de  Rosette.     [Song.] 

See  Rosette.     Rosette  est  jeune,  a  mille 

appas,  etc.     [1780  ?]     8".      B.  362.  (77.) 

Le  Portrait  de  Suzon.     [Song.]     Sec  Qui. 
Qui  ne  connoit  pas  ma  Suzon,  etc. 
[1780?]    8-\  B.  362.  (167.) 

Le  Portrait  de  Z^mire.     [Song.] 

Sec  FiLS.     Fils  de  Cypris,  etc. 

[1780?]     8^  B.  362,  (126.) 

Le  Portrait  devin6.    Ariette. 

See  Tendre.     La  tendre  Aurore  vient. 

[1780?]     8°.  B.  362.  c.  (13.) 

Portrait  des  Femmes  du  jour.     [Song.] 
See  Femmes.     Femmes  qui  suivez  le  bon 
ton,  etc.     [1785  ?]     8".      B.  362.  f.  (12.) 

Portrait  des  Maris.     [Song.] 
See  FoDOR  (J.) 

The  Portrait  of  Humanity.     [Song.] 
Sec  PiBDiN  (C.)     [Tom  Wilkins.] 

PORTSMOUTH.     The  Portsmouth  Har- 
mony.    [Psalms  and  Hymns.] 
See  CuzENS  (B.) 

POSITIVE.  The  Positive  Fair.  [Song.] 
Sec  Well.  Well !  if  I  continue  but  in 
the  same  Mind,  etc.     [1758.]     8". 

P.P.  5438.  z. 

POSSIDONTI  (Giovanni  Francesco) 
Concerti  Ecclesiastici  a  Due,  Tre  & 
Quattro  voci,  con  il  suo  Basso  continuo 
per  Sonar  nell'  Organo  . . .  Nuouamcnte 
composti,  e  dati  in  luce.  Tenore  Secondo. 
Appresso  Giacvnio  Vincenti  : 
Venetia,  1612.     4°.  D.  113. 

POST-BOY.     The  Post  Boy.     [Song.] 
See  Dale  (Joseph) 

POT.     Le  Pot  au  Lait.     [Song.] 
See  Alain.     Alain  etoit  indifferent. 
[1780?]     8".  B.  362.  b.  (113.) 

A  Pot  of  Porter  ho  1     Song. 

See  Kelly  (M.)     [A  Friend  in  Need.] 

POT-POURRI.  Pot-Pourri  sur  les  Globes. 
[Song.]  See  Diedx.  Dieux  !  quel  tracas, 
etc.     [1783.]     8°.  B.  362.  a.  (78.) 

POTS-POURRIS.      Cantiques   et    Pots- 
Pourris.     [Parodies,  with  music]     2  pts. 
Londrcs,  1789.     12".  11481.  aa.  11. 

[Another    edition.]     Cantiques    et    Pots- 
Pourris.     2  pts.     Londrcs,  1789.     12°. 

11474.  de.  11. 

POTTER  (John)    By  the  side  of  a  stream. 

Song,  sung  by  Mr.  Vernon,  at  Vauxhall, 

etc.     [London,  1767.]     8°.        250.  c.  14. 

Gentleman's  Magazine,  Vol,  XXXYII., 

p.  375, 


POTTER  (John)  A  Collection  of  New 
Songs  and  Ballads  sung  at  Vauxhall- 
Gardens  by  Mr.  Vernon  &  Mrs.  Weichsell 
. .  .1766.  Printed  for  W.  Banclall  d 

I,  Abcll,  at  the  late  Mr.  Walsh's  :  London, 
[1766.]     fol.  H.  1648.  (6.) 

A  Collection  of  New  Songs  and  Ballads 
sung  at  Vauxhall-Gardens . .  .1767. 

Printed  for  Messrs.  Eandall  ayid  Abcll : 
London,  [1767.]     fol.  G.  576. 

A  Favourite  Collection  of  New  Songs  with 
the  Shepherd's  Festival,  a  trio  sung  at 
Vauxhall  Gardens. .  .1768. 

Printed  for  Messrs.  Randall  and  Abell : 
London,  [1768.]     fol.       G.  807.  a.  (11.) 

A  Favourite  Collection  of  New  Songs 
sung  at  Vaux-Hall  Gardens. 

Printed  for  W.  Piandall :  London, 
[1774?]     fol.  G.  802.  (4.) 

[A  Favourite  Collection  of  New  Songs 
sung  at  Vaux-Hall  Gardens.] 

[Printed for  W.  Randall:  London, 
1775?]     fol.  G.  802.  (5.) 

Wanting  the  title-page. 

Collin's   Invitation   to   Phoebe.      [Song.] 
Sung  by  Mr.  Vernon,  at  Vaux-hall,  etc. 
fLondon,  1767.]     8".  ^    250.  c.  14. 

Gentleman'' s  Magazine,  Vol.  XXXVII., 
p.  421, 

The  Crying  Shepherd,  etc.  Sec  Long, 
Long  time  a  Swain  had  courted  Sue,  etc. 
[Song,  by  J.  Potter.]     [1775  ?]     fol. 

G.  310.  (46.) 

Cupid's  Recruiting  Serjeant.     Sec  From. 
From  Paphos'  Isle,  etc.     [By  J.  Potter.] 
[1775?]     fol.  H.  1994.  a.  (137.) 

The   Despairing  Lover.      [Song,   begins  : 
"  A  Swain,  of  Love  despairing."] 
[London,  1730  ?]     s.  sh.  fol. 

G.  305.  (51.) 

The   Forsaken   IMaid.     [Song.]     Sung  by 
Mrs.  Weichsel,  at  Vaux-hall,  etc. 
[London,  1768.]     8".  250.  c.  15. 

Gentleman's  Magazine,  Vol.  XXXVIII. , 
p.  240. 

The    Invitation,    [Song,]     sung    by    Mr. 
Vernon,  at  Vaux-Hall  Gardens,  etc. 
[London,  1767.]     8".  _  250.  e.  14. 

Gentleman's  Magazine,  Vol.  XXXVII., 
p.  563. 

Jockey  is  the  Lad  for  me.  Sec  Among. 
Among  the  Swains  upon  the  Green,  etc. 
[By  J.  Potter.]     [1775  ?]     fol. 

G.  306.  (166.) 

Observations  on  the  Present  State  of 
Music  and  IMusicians.  With  General 
Rules  for  Studying  Music  ...  To  which  is 
added,  a  Scheme  for  Erecting  and  Sup- 
porting a  IMusical  Academy  in  this  King- 
dom. Printed  for  C.  Henderson: 
London,  1762.     8°.  1400.  b.  32. 


POTTER— POUR 


297 


POTTER  (John)  The  Prudent  Shep- 
herdess, a  favourite  Comic  Ballad ;  sung 
by  Mr.  Vernon,  at  Vaux-hall  Gardens,  etc. 
[London,  1770.]     8°.  250.  e.  17. 

Gentleman'' s  Magazine,  Vol.  XL.,]).  85. 
Ralph's     Ramble    to    London.       [Song.] 
Sung  by  ]\Ir.  Vernon,  at  Vaux-Hall,  etc. 
[London,  ]7G8.]     8°.  250.  e.  15. 

Gentleman's  Magazine,  Vol.  XXXVIII., 
p.  89. 
Sandy.     A  favorite  new  Scotch  Air,  sung 
bv  Mrs.  Baddely  at  Vauxhall. 
[Londo7i,  1768.]    8°.  250.  c.^  15. 

Gentleman's  Magazine,  Vol.  XXXVIII., 
p.  189. 
Sandy.    A  favourite  new  Scotch  Air,  sung 
bv  Mrs.  Baddely  at  Vauxhall,  etc. 
[London,  1768.]     8".  158.  1.  13. 

London  Magazine,  1768,  p.  320. 
The  Shepherd's  Artifice.     [Song.]     Sung 
by  ]\Ir.  Vernon,  at  Vaux-hall,  etc. 
[London,  110,1.']     8".  250.  c.  14. 

Gentleman's  Magazine,  Vol.  A'A'A'TTI , 
p.  469. 
Under   the   Rose.     Song.     Sung   by   INIr. 
Vernon,  at  Vauxhall,  etc. 
[London,  1769.]     8".  ^  250.  c.  16. 

Gentleman's   Magazine,   Vol.  A'A'A'JA'., 
p.  358. 
Ye    Belles    &   Beaux,   attend    my   Song. 
[Song.]    Sung  by  Mr.  Gilson  at  Vauxhall. 
[London,  1755  ?]    s.  sh.  fol. 

G.  314.  (59.) 
[For  editions  published  anony- 
mously :]  Sec  Ye. 

POTTER  (Samuel)  A  Sett  of  New  Slow 
Marches  Waltz's  &  Quick  Steps,  for  Fifes 
and  Bugle  Horns,  etc. 

Printed  for  the  Author  :  London, 
[1800  ?]     ohl.  4".  b.  60.  (6.) 

POTTIER  (^Matthias)  Selectissimarmn 
Missarum  Flores,  ex  Prsestantissimis 
Nostrse  yEtatis  Authoribus  Quatuor, 
Quinque,  Sex  et  plurium  Vocum  Collecti 
. .  .Opera  D.  Matthiae  Pettier,  etc.  Altus. 
(Bassus.)     (Quintus.)     3  pts. 

Ex  typographia  Petri  PhalesiJ  . 

Antwerpix,  1599.     ohl.  4".  A.  64. 

This  ivork  contains  nuisses  byL.  Viadatia, 

0.  Larsus,  J.  P.  A.  Prxnestimis,  M. 

Pettier,    T.  Massainus,  I.   M.   Asula 

and  I.  Croce. 

POUR.     Pour  adorer  Alcimadure.     Air. 
See  MONDOMVILLE  (J.  J.  Cassanea  de) 
Pour  animer  nos  Chansons.     [Song.] 
See  Vendangeurs. 

Pour  atteindre  a  la  fortune.  L'Arithm6- 
iique  a  la  Mode,  [Song,  written]  par  M' 
RouUand.  Air :  Vaudeville  du  M«"  de 
Figaro,  etc.  Chez  les  fr^res  Savigny  : 

[Paris,  1785  ?]    8°.  B.  362.  (197.) 

Pour  bien  juger  une  maitresse.     Air. 
See  Philippe  et  Geokgette. 


POUR.  Pour  boire  avec  plus  de  plaisir.  Air. 
See  L'Abbe  (  )  Choirmaster  of  S*  Jacques, 
Dieppe. 

Pour  c616brer  la  sant6  de  Louis.     Air. 
Sec  Bourgeois  (T.  L.  J.) 
Pour  chanter  des  beautes  mortelles.    Duo. 
[Paris,']  1734.     s.  sh.  4°.  297.  b.  2. 

Mercure  de  France,  March,  1734. 
Pour  deux  beaux  yeux  san  cesse  je  soupire. 
Air  Tendre.     [Paris,]  1725.    s.  sh.  4°. 

297.  a.  15. 

Mercure  de  France,  July,  1725. 
Pour  donner  a  ma  voix  toute  son  6tendue. 
Eecit  de  Basse.     [Paris,]  1747.     s.  sh.  4°. 

297.  c.  10. 

Mercure  de  France,  Feb.,  1747. 
Le  Pour  et  le  Centre.     Romance. 
See  Legat  de  Furcy  (A.)        297.  d.  26. 
Pour  faire  une  chanson.     La  Bfquillc  du 
Pire  Barnaba.     [Song.] 
[Paris,  1780?]     8«.        B.  362.  b.  (135.) 
Pour  garder  le  feu  de  Vesta.     Marche. 
See  DoRMEL  (A.) 

Pour  jamais  I'amour  nous  engage.     Trio. 
See  Rameau  (J.  P.)    [Les  Indes  Galantes.'] 

Pour  jouir,  chers  amis.    Duo.   Les  paroles 
sont  de  M'  Gaudet.   [Paris,]  1745.  s.  s7i.  4°. 

297.  c.  3. 
Merctire  de  France,  Oct.,  1745. 

Pour  I'adorable  C61imene.     Brunette. 
See  Naude  (L.) 

Pour  la  montagne,  la  valeur  des  Fran9ais. 
Ariette  sur  nos  dernieres  conquetes  dans 
le  Midi.     Par  un  Citoyen  de  la  Section  de 
la  halle  an  bled.     Air  :  Dis  Gadjonnete. 
Chez  Imbault :  Paris,  [1793 ?J    8". 

B.  362.  d.  (38.) 

Pour  la  vie  je  suis  a  vous.     Glee. 
See  ]\Iellish  (    )  Captain. 

Pour  les  coeurs  delicats.     Air, 
See  La  Combe  (      de) 

Pour  les  placer  dans  mes  cheveux.     Air. 
See  Gbetry  (A.  E.  M.) 

Pour  m'attirer  dans  tes  chaines.     Air. 
See  Fremeaux  (     ) 

Pour  ma  ptite  Nanine.     [Song.]    Air  de 
Malbroug.     Pour  Nanine  de  cinq  ans  k 
jouer  sur  le  Clavecin  de  sa  Soeur. 
[Paris,  1780  ?]     8°.  B.  362.  (215.) 

No.  22  of  "  L' Ariette  du  Jour." 

Pour    mieux    te    prouver    mon    Amour. 
Romance.    See  Dalayrac  (N.)    [Gtilnare.^ 

Pour  mon  amant  ma  flammeest  ^ternelle. 
Couplets  .  .  .  mis   en   Musique   par    deux 
Dames  de  differentes  Provinces. 
[Paris,]  1761.     8°.  297.  d.  28. 

Mercure  de  France,  April,  1766. 

Pour    mon    caniche.      Le    Caniche,    etc. 
[Song.     Words]  Par  M"-  Ded[uit]. 
[Paris,  1780?]     8".        B.  362.  b.  (115.) 


298 


POUR— POWER 


POUR.     Pour  ne  jamais  manquer  de  vin. 
[Two-part  Song.]    [Paris,']  1727.   s.  sli.  4°. 

297.  a.  28. 
Merciire  de  France,  August,  1727. 

Pour  nous  faire  un  destin  aimable.  Duo. 
See  LussE  (C.  de) 

Pour  peindre  ce  sexe  aimable.  J^loge  des 
Femmes.  [Song.]  Air :  Sexe  aim6,  sexe 
volage.  Chez  M''  Camand :  \_Paris : 

1785?]    8°.  B.  362.  e.  (2.) 

Pour  plair  et  pour  jouir.  Couplets.  See  Cn. 

Pour  que  I'hymen  m'engage.     [Song.] 
See  Cecile  et  Julien. 

Pour  soutenir  uue  cause  si  belle.     Air. 
Sec  Devienne  (F.)     lEose  et  Atirele.'] 

Pour  terrasser  nos  ennemis.     Vaudeville. 
See  Heubeuse  Decade. 

Pour  toi,  belle  Cloris.     Musette. 
See  Blaise  (A.) 

Pour  tromper  un  pauvre  viellard.  Ariette. 
See  Tableau  Parlant. 

Pour  un  objet  cbarmant.     Chanson. 

See  Paulin  (     ) 

Pour     un    peuple    aimable    et     sensible. 

Ronde.      See    Maetini    (G.)   il    Tedesco, 

2)seud. 

Pour  un  simple  baiser.     Air. 
See  MoNViLLE  (     de) 

Pour  une  jeune  merveille.     Air. 

See    L'Abbe    (        )    Choirmaster    of    S' 

Jacques,  Dieppe. 

Pour  vous  plaire,  jeune  Constance.  Le 
Tourment  de  VAvioxtr.  [Song.]  Avec 
Accompagnement  de  Guittare  par  M.  D. 
Air:  La  Danse  n'est  pas  ce  que  j'aime  [by 
A.  E.  ]M.  Gr^try].     [Paris,  1785  ?]     8°. 

B.  362.  f.  (47.) 

Pour  vous  vanter  mes  feux  naissans.  Air. 
See  Gervais  (L.) 

Pourquoi    cacher    petits 
See  FoiGNET  (C.  G.) 

Pourquoi  ces  bruits  et  ces  allarmes.  Air 
du  Biveil  du  Peuple  sur  les  Terroristcs. 
Chants  sur  le  Theatre  de  I'Op^ra  Comique 
National  par  le  C*^"  Chenard,  le  4  Germinal, 
de  I'an  3°.  Paroles  du  C'"  Dupont. 
Chez  Dicomhc  :  [Paris,  1795.]     8°. 

B.  362.  d.  (58.) 
Words  and  guitar  accompaniment  only. 
The  stave  far  the  voice  part  is   left 
blank. 

Pourquoy    craindre    un   amant.      Ariette 
Nouvelle.     [Paris,  1780  ?]     8°. 

B.  362.  b.  (73.) 

Pourquoi  done  papa.     [Song.] 
See  Heureuse  Decade. 

Pourquoi  faire  un  pareil  6clat  ?     Air. 
See  Papesse  Jeanne. 


POURQUOI. 

oiseaux.     Air. 


POURQUOI.  Pourquoi  faut-il  q\a. 
m'tourmente.  J' vous  frais  Plaisir.  Chan- 
son nouvelle  pour  la  Guitare.  [Words] 
Par  M'  Petelard  le  jeune. 

Chez  M.  Camand  :  Paris, 
[1780?]     8\  B.  362.  g.  (5.) 

Pourquoi   languir  dans    la   perseverance. 
Menuet.     See  Frary  (    ) 
Pourquoy  toujours  chanter  Iris.     Recit. 
See  AuBERT  (J.) 

Pourquoy  venir  troubler  le  repos  de  ma 
vie.     Air.     See  Le  Froid  (    ) 

POURRAIS.  Pourrois  tu  trahir  ta  pro- 
messe.     Air.     Sec  R  *  *  *,  Mr. 

POURRIEZ.  Pourriez  vous  bien  douter 
encore.  [Song.]  See  Chapelle  (P.  D.  A.) 
[L'Heureitx  Dipit.] 

POURVU.  Pourvu  qu'on  nous  oublie. 
Air.     Sec  Solitaires  de  Normandie. 

POUTEAU  (  )  Clo6  revenoit  du 
village.  Boonance.  Paroles  de  Madame 
Dufresnoy,  etc.     [Paris,'\  1785.    8°. 

^  297.  g.  19. 

Mercure  dc  France,  March,  1785,  jp.  147. 

POUVEZ.  Pouvez-vous  oublier  qu'un 
roi.     Air.     Sec  Deux  NicodI:mes. 

POUVOIR.  Le  Pouvoir  du  Sentiment. 
[Song.]  See  Par.  Par  devant  la  cour 
de  Cith^re.    [1785  ?]    8°.    B.  362.  e.  (1.) 

POWELL  (Charles)  [A  Wife  for  any 
Man.]  De'el  take  y"  Warr.  A  Song  . . . 
the  words  by  Mr.  T.  D'urffey  . . .  Sung  by 
Mrs.  Cross  and  exactly  engrav'd  by  T. 
Cross.  C-h-av'd  from  tf  Authors 

Copy.  Printed  by  T.  Cross,  etc. :  [London, 
1705?]     s.sh.iol.  G.  304.  (49.) 

De'el  take  the  Warr.     A  Song,  etc. 

[Music  by  C.  Powell.]  [1710  ?]  s.  sh.  fol. 
See  Wife  for  any  jMan.   H.  1601.  (128.) 

POWER.     The  Power  of  Beauty.     [Song, 
begins  :  '  Is  there  a  charm.'] 
See  Carey  (H.) 

The  Power  of  Beauty.  [Song.]  See  Come. 
Come  all  ye  youths  whose  hearts  e'er  bled. 
[1780?]     s.sh.iol.  G.  307.  (113.) 

The  Power  of  Beauty.     Arietta. 
See  Goddess.     Goddess  !  for  you  must  be 
so.      [1750  ?]     s.  sh.  fol. 

H.  1994.  b.  (27.) 

The  Power  of  Beauty.  [Song,  begins : 
'  How  pleasing  glides.']  See  Stone  (J.) 
The  Power  of  Beauty.  Song  [begins: 
'  Fly,  fly,  rash  swain  !  '].  See  Stubley  (S.) 
The  Power  of  Beauty.  Song.  See  When. 
When  beauty  does  her  Power  pursue. 
[1725  ?]    s.  sh.  fol.  G.  305.  (42.) 

The  Power  of  Drinking.     [Song.] 
See  Fly.     Fly  Care  to  the  Winds,  etc. 
[1740?]     s.sh.iol  G.  307.  (238.) 


POWER— PR^^TORIUS 


299 


POWER.     The  Power  of  Gold.     [Song.] 
See  Hail.     Hail  glorious  Monarch. 
[1740?]     .s.  sh.  fol.  G.  308.  (25.) 

The  Power  of  Gold.     [Song.]     Sec  I.     I'll 

sing  the  pow'r  of  mighty  gold. 

[1775?]     s.  s/(.  fol.  G.  309.  (145.) 

The  Power  of  Gold.     Song  [begins  :  '  The 
Bloom  of  Beauty  quickly  fades  ']. 
See  WoRGAN  (M.) 

The  Power  of  Innocence.     Ballad. 
See  GiORDANi  (G.)  or  (T.) 

The  Power  of  Love.     [Song.] 
See  Brailsfobd  (    ) 

The    Power    of    Music.      [Song,   begins : 

'  Music  has  the  magic  pow'r.'] 

See  Adams  (J.  B.)    [^4  Collcclian  of  Songs. 

No.  1.] 

The  Power  of  Music.  [Song,  begins :  '  As 
dulcet  sounds.']  Sec  Dibdin  (C.)  [Castles 
in  tlie  Air.'] 

The  Power  of  IMusic.    Song  [begins  :  '  The 
Heart  by  Music's  force']. 
See    RiMBAULT    (S.    F.)       Select    Songs. 
No.  6. 

The  Power  of  Music.     [Song.] 

See  When.     When  Orpheus  sweetly  did 

complain.     [1760?]     s.  s7/.  fol. 

H.  1994.  (67.) 
The  Power  of  ]Musick  and  Beauty.  [Song.] 
See  Stanley  (J.) 

The  Power  of  Nature.     [Song.] 

See  Where.     Where  Virtue  encircles  the 

Fair,  etc.     [1762.]     8".  P.P.  5441. 

The  Power  of  Reason.     Song.     See  Long. 

Long  by  an  idle  passion  tost,  etc. 

[1757.]    8".  P.P.  5438. 

The  Pow'r  of  Wine.     [Song.] 

See  EccLES  (J.)     [T/ie  Morose  Reformer.'] 

The  Power  of  Women.     [Song.] 
See  D.,  T. 

POWERFUL.  Powerful  Guardians. 
[Song.]  See  Haendel  (G.  F.)  [Alex- 
ander Balus.] 

POYNTOlSr  (T.)      D'Estaing  Eclips'd  or 
Yankee  Doodle's  Defeat.     [Song.] 
Sh\illcrn  :  London,  1779].     s.  sh.  fol. 

G.  311.  (26.) 

POZZI  (Carlo)      Eight   Italian   Airs   and 
Four  Duetts. . .  .Op.  4. 
[London,  1795  ?]     obi.  fol.  E.  1753. 

Five  Ariettes,  and  one  Duet,  with  an 
Accompaniment  for  the  Piano-Forte  or 
Harp,  etc.  Printed  for  the  Author  : 

London,  [1790  ?]     ohl.  fol. 

E.  600.  u.  (4.) 
Comprendo  Amico.  Rondo,  Sung  by  Sig'' 
Marchesi  at  the  Ladies'  Concert,  etc. 
[Full  Score.]  T.  Skillern  : 

LonrfoH,  [1790?]    fol.  G.  196.  (1.) 


POZZI  (Carlo)  [I  Contadini  Bizzari.] 
Donne  donne.  A  favorite  Song  sung  by 
Sig''  ilorelli  in  the  Comic  Opera  of  '  I 
Contadini  Bizzari.'  [A  Pasticcio,  chiefly 
by  Sarti  and  Paisiello.     Full  Score.] 

Printed  for  the  Author  : 
[London,  1794.]     fol.  G.  199.  (27.) 

[Another  edition.]   Donne  donne,  f/c. 

Longman  and  Broderip : 
London,  [1794.]     fol.  H.  2821.  (31.) 

Donne,  donne. 

See  supra :  [I  Contadini  Bizzari.] 

Three   Sonatas  for   the    Piano  Forte   or 

Harpsichord  with  an  Accompanyment  for 

a  German  Flute.    Longman  and  Broderip : 

London,  [1790  ?]     fol.  h.  61.  (6.) 

POZZO  (ViNCENZo  dal)  Di  Vincenzo  dal 
P0ZZ0...II  Primo  Libro  de  Madrigali  a 
Quattro  voci,  con  un  Dialogo  a  otto,  dc. 
Canto.  Appresso  Ricciardo  Amadino  : 

Ycnctia,  1600.     4".  D.  165. 

PRACH  (Ivan)  CoOpuiiie  iiapo,ini.ixT.Pyci;iixL 
ntteiii  ci  iixi  rciocaMii  iia  MysuKV  no.io;Kii.n. 
11.  npaTb.  Ueuiimnno  uh  TuiWipoi/iiit  ropntuo 
y>m.uiui,a:  [St.  Petersbiirg?]  1190.     8°. 

D.  421. 

PRAD^IRE  (Louis  Barthklemi)      Trois 
Nouvelles    Romances   avec   Accompagne- 
ment  de  forte  piano  .  .  .  CEuvre  4. 
Cliez  Naderman  :  Paris,  [1800  ?]     fol. 

H.  2831.  h.  (24.) 
See  Berton  (H.  JI.)  [Le  Rendez-Vons 
Supposi.]  Nous  pouvons  aller  main- 
tenant  .  ,  .  Accompagnement  .  .  .  par  le 
C.  Prad^re  fils.     [1798.]     fol. 

G.  548.  (71.) 

See  Dalayrac  (N.)  [Alexis.]  J'aimons 
que  Ton  chante.  Air  .  .  .  Arrange  pour 
Piano  par  L.  Prader.     [1800?]     fol. 

H.  538.  f.  (3c.) 

See  Dalayrac  (N.)      [Alexis.]     On   nous 
raconte  qu'au  village.      Romance  .  .  .  Ar- 
raug^e  pour  Piano  par  L.  Prader. 
[1800?]     fol.  H.  538.  f.  (3^) 

PRiENESTINUS  (Joannes  Petraloy- 
sius)     See  Palestrina  (G.  P.  da) 

PR-ETORIUS  (Abrahamus)  Harmouia 
Gratulatoria  Nuptiis  et  Honori  .  .  .  lacobi 
VI.  Scotorum  Regis  :  et  .  .  .  Annse  lUus- 
trissimee  Scotipe  Reginse.  Sex  vocibus 
composita,  etc,  Discantus.  (Altus.) 
(Tenor.)  [Bassus.]  (QuintaVox.)  (Sexta 
Vox.)     6  pts.  Laurentius  Benedictus  : 

Hafnise,  1590.     obi.  4°.  K.  3.  f.  2. 

Wanting  the  title-page  of  the  Bassus. 

PR.ffiTORIUS  (Christophorus)  Erote- 
mata  Musices  in  usum  Scholse  Luntebur- 
gensis,  edita  a  Christophoro  Prsetorio,  etc. 
lohanncs  Schivertel :  Witebergae,  1574.    4°. 

7897.  e.  35. 
This  icork  is  not  the  same  as  the  '  Erote- 
mata  Mnsicse  Practicge  '  of  Lossius. 


300 


PR^TORIUS 


PHJETOmUS  (CiiRiSTOPHORCs)  Froliche 
vnd  liebliche  Ehnilieder,  von  zixchtiger 
Lieb,  vnd  Ehelicher  trew,  auff  ein  sondere 
Art  zu  singen,  vnd  aufi  Instrumenten 
zugebrauchen,  mit  vier  stimmeu  gemacht, 
etc.     Discantus.  MattJies  Welack: 

Wittevibcrg,  1581,     obi.  4°,  A.  307. 

Sec  Lossius  (L.)  Erotemata  Musicae 
Practicse  .  .  .  Cum  Tabella  erudita  sum- 
mam  continente  Artis  IMusicae,  autore 
Christophoro  Prsetorio,  etc.     1570.     8°. 

1042.  e.  5.  (2.) 
PR^TORIUS  (HiERONYMUs)  Cantiones 
Sacrse  de  Prsecipuis  Festis  Totius  Auni 
5.  6.  7.  &  8.  Vocum,  etc.  Cantus.  (Altus.) 
(Tenor.)  (Bassus.)  (5ta  (Sexta)  (7tima) 
(Octaua)  Vox.)  8  pts.  Philij'ypiis  de  Olir  : 
Hmnburgi,  1599.     4".  C.  78.  a. 

Cantiones  Sacrse,  de  Festis  Prtecipuis 
Totius  Ann!,  5.  6.  7.  8. 10.  &  12.  Vocum  . .  . 
Operum  IMusicorum  Auctoris  Tomus  Pri- 
mus. Editio  altera. .  .correcta,  &  aliquot 
Motectis  aucta,  etc.  Cantus.  (Altus.) 
(Tenor.)  (Bassus.)  (Quinta  (Septima) 
(Octaua)  Vox.)     7  pts. 

Typis  Philippi  de  Ohr,  ex  Bibliopolio 
Frobeniano  :  Hamburgi,  1607.     4°. 

C.  78.  e. 
[Another  copy.  Cantus.  (Tenor.)  (Bas- 
sus.)    (Quinta  (Septima)  Vox.)]     5  pts. 

C.  78.  d. 
Cantiones  Sacrse  de  Festis  Prsecipuis 
Totius  Anni  v.  vi.  vii.  iix.  x.  xii.  Vocum  : 
Quse  sunt  Operum  IMusicorum  Tomus  Pri- 
mus... Denuo  ...  correctus,  Motectis  aliquot 
auctus,  &  .  .  .  Basso  Continuo  exornatus, 
etc.  Cantus.  (Altus.)  (Tenor.)  (Bas- 
sus.) (Quinta  (Sexta)  (Septima)  (Octaua) 
Vox.)     (Bassus  Continuus.)     9  pts. 

Ex  Officina  Typographica  Pauli  Langi  : 
Hamburgi,  1622.     4".  &  fol.       C.  78.  (1.) 

The  Bassus  Ccnitimiiis  is  in  folio,  lite 
Bass  jMrt  has  a  collective  title  for  the 
fcnir  vobtmes  of  the  Opnis  Mnsicum. 

Cantiones  Varise  v.  vi.  vii.  iix.  x.  xii.  xvi. 
XX.  Vocum,  quae  sunt  Operum  Musi- 
corum  Tomus  Quartus.  Cui  .  .  .  additum 
babes  Bassum  Continuum,  etc.  . .  .  Cantus. 
(Altus.)  (Tenor.)  (Bassus.)  (Quinta 
(Sexta)  (Septima)  (Octaua)  Vox.)  (Bassus 
Continuus.)  9  pts.  Excusus  ab  Henrico 
Carstcns  :  Hamburgi,  1618.     4°  &  fol. 

C.  78.  (4.) 
The  Bassus  Continuus  is  in  folio. 

[Another  copy,  (Bassus.)  (Sexta  Vox.)] 
2  pts.  C.  78.  g. 

Canticum  B.  Marise  Virgiuis.  Seu  Magni- 
ficat Octo  Vocum.  Super  Octo  Tonos 
Consuetos.  Quod  est  Operum  Musicorum 
Tomus  Secundus  .  .  .  Denuo  .  .  .  correctus, 
Motectis  aliquot  8.  10.  &  12.  Vocum 
auctus  &  .  .  .  Basso  Continuo  exornatus, 
etc.      Cantus.      (Altus.)      (Tenor.)      (Bas- 


sus.) (Quinta  (Sexta)  (Septima)  (Octaua) 
Vox.)     (Bassus  Continuus.)     9  pts. 

Ex  Officina  Typographia  Paidi  Langi : 
Hamburgi,  1622.     4°  &  fol.        C.  78.  (2.) 

The  Bassus  Contimius  is  in  folio. 

]Magnificat  Octo  Vocum  super  Octo  Tonos 
Consuetos,  cum  Motetis  aliquot  8.  et  12. 
Vocum.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)  (Quinta  (Sexta)  (Septima) 
(Octaua)  Vox.)     8  pts. 

Ex  Typographxo  Philippi  de  Ohr  : 
Hamburgi,  1602.     4°.  C.  78.  b. 

[Another  copy.  (Quinta  (Sexta)  Vox.)] 
3  pts.  C.  78.  h. 

The  Quinta  Vox  is  imperfect,  loanting 
tJie  title-page. 
Liber  Missarum,  Qui  est  Operum  Musi- 
corum Tomus  Tertius,  et  v.  vi.  viii. 
Voc,  etc.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)  (Quinta  (Sexta)  (Septima) 
(Octaua)  Vox.)  (Bassus  Continuus.) 
9  pts.  Excusus  ab  Henrico  Carstens 

{Ex  Officina  Typographica  Pauli  Langi) : 
Hamburgi,  1616  (1622).     4°  &  fol. 

C.  78.  (3.) 
The  Tenor  is  dated  1616  and  tlie  Bassus 
Continuus  (in  folio)  1622;  the  other 
parts  are  undated. 

[Another  copy.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)  (Quinta  (Sexta)  (Septima)  Vox.)] 
7  pts.  C.  78.  e. 

[Another  copy.  Bassus  (Sexta  Vox).] 
2  pts.  C.  78.  f. 

See  Hymns.  [6,  German.]  Melodeyen  Ge- 
sangbuch.  Darinn  D.  Luthers  . . .  Gesenge 
.  .  .  durch  Hieronymum  Prsetorium  .  .  . 
in  vier  stimmen  vbergesetzt,  begriffen 
siud,  etc.     1604.     8°.  1221.  b.  34. 

PR.ETORIUS  (Jacobus)  Sec  Hymns. 
[German.]  Melodoyen  Gesangbuch. 
Darinn  D.  Luthers  .  .  .  Gesenge  .  .  .  durch 
.  .  .  Jacobum  Prsetorium  ...  in  vier  stim- 
men vbergesetzt,  begriffen  sind,  etc. 
1604.    8°.  1221.  b.  34. 

PR.ETORIUS  (Michael)  Eulogodia 
Sionia  ccntinens  Cantiones  sacras  in 
Ecclesia  Conclusionis  loco  ad  dismis- 
sionem  usitatas  .  .  .  Per  Harmoniam  2.  3. 
4.  5.  6.  7.  &  8.  Vocibus,  etc.  Cantus. 
(Altus.)  (Tenor.)  (Bassus.)  (Quiutus.) 
(Sextus.)  6  pts.  In  Officina  Typographica 
Principali  Brunsuicens :  Sumtibus  Au- 
toris  :   Wolferbyti,  1611.     4°.      B.  272.  n. 

Hymnodia  Sionia  continens  Hymnos 
Sacros  xxiv.  Auniversarios  selectos,  in 
Ecclesia  usitatos,  per  Harmoniam  duabus, 
3.  4.  5.  6.  7.  &  8  Vocibus,  dx.  Cantus. 
(Altus.)  (Tenor.)  (Bassus.)  (Quintus.) 
(Sextus.)  (Septimus.)  (Octavus.)  8  pts. 
1611.  4°.  LiOfficini  Typographica  Prin- 
cipali Brunsuicens.  Stimtibus  Autoris : 
Wuljferbyti,  1611.     4".  B.  272.  p. 


PR^TORIUS 


301 


PR^TORIUS  (Michael)  Kleiue,  vnd 
Grosse  Litaney  zusambt  dem  Erhalt 
vns  Herr  bey  deinem  Wort  .  .  .  iu 
Zween  Choren,  mit  v.  vii.  vnd  viii. 
Stimmen  gesetzefc.  Benebenst  gnugsamen 
Bericht,  woher  die  Litaneyen  ihren  Uhr- 
sprung  vnd  Namen  haben,  etc.  Cantus. 
(Altus.)  (Tenor.)  (Bassus.)  (Quintus.) 
(Altus  (Bassus)  2  Chori.)  7  pts. 
{Wolff enbilttcl,)  1614.     4°.  B.  272.  r. 

TJic  date  is  given  in  a  chronogram  on  ilte 
title-page. 

Megalynodia  Sionia  coutinens  Canticum 
B.  Mariie  Virginis,  Magnificat,  5.  G.  &  8. 
Voc.  super  Ut  Re  j\Ii  Fa  Sol  La,  & 
qupedam  JIadrigalia  ac  IMotectas  (inter- 
positis  .  .  .  Cantilenis  quibusdam  Ger- 
manicis)  accommodatum  ;  cui  insuper  ac- 
cesserunt  duae  Compositiones  aliee,  quae 
]\Iotectarum  etiani  loco  .  .  .  usurpari  pos- 
sunt,  etc.  Cantus.  (Altus )  (Tenor.) 
(Bassus.)  (Quintus.)  (Sextus.)  6  pts. 
Li  Officina  Typographica  Principali  Druns- 
uiccnsi.  Sumtihus  Autoris :  Wolferbijti, 
1611.    4".  B.  272.  m. 

Missodia  Sionia  continens  Cantioncs 
sacras,  ad  Officium  quod  vocant  Summuni, 
ante  Meridiem  in  Ecclesia  usitatas  :  .  .  . 
per  Harmoniam  2.  3.  4.  5.  6.  &  8.  Vocibus, 
etc.  Cantus.  (Altus.)  (Tenor.)  (Bassus.) 
(Quintus.)  (Septimus.)  6  pts.  In  Officina 
Typographica  Principali  Bntnsuicensi. 
Sumtihus  Autoris  :   Wolferhyti,  IQll.     4". 

B.  272.  1. 

Musae  Sioniae  Michaelis  Prsetorij  C. 
Darinuen  Dcudschc  Psalmen  vnd  geist- 
liche  Licder  ...  In  dem  Ersteu,  ii.  iii.  iv. 
Theilen,  mit  8.  vnd  mehr :  in  den  folgenden 
Fiinflten,  vi.  vii.  viir.  &c.  Theilen  aber, 
anderweit  mit  2.  3.  4.  5.  6.  7.  Stimmen 
gesetzet  sein.  (Musae  Sionite  oder  Geist- 
liche  Concert  Gesange  iiber  die  fiirnembste 
Herrn  Lutheri  vnd  anderer  Teutsche 
Psalmen,  mit  viii.  Stimmen  gesetzt  .  .  . 
Erster  Theil,  etc.)  Cantus  i.  (ii.)  Chori. 
(Altus  I.  (ii.)  Chori.)  (Tenor  i.  (ii.)  Chori.) 
(Bassus  I.  (ii.)  Chori.)     8  pts. 

Gedruckt  durch  Bartlwlomciwi  Graf : 
Begenspurg,  1605.     4°.  B.  272.  i. 

Tlie  Altus  I.  Clwri  and  Bassus  ii.  Cliori 
loant  tlie  general  title-pages. 

[Another    copy.      Cantus    i.    (ii.)   Chori. 

(Altus   II.    Chori.)     (Tenor  i.  (ii.)  Chori.) 

(Bassus  I.  Chori.)]     6  pts.         B.  272.  b. 

In  this  copy  the  general  title-pages  are 

wanting. 

Musae  Sioniae  Geistliche  Concert  Gesange 
vber  die  fiirnembste  Deutsche  Psalmen 
vnd  Lieder. .  .mit  viii.  vnd  xii.  Stimmen 
gesetzet  . . .  Ander  Theil.  Cantus  (Altus) 
(Tenor)  (Bassus)  i.  (ii.)  Chori.  8  pts. 
Christoff  Lippold  :  Jehnx,  1607.     4". 

B.  272.  c. 


PR.ffiTORIUS  (Michael)  Musae  Sioniae 
Geistliche  Concert  Gesange  vber  die  fiir- 
nembste Deutsche  Psalmen  vnd  Lieder 
.  .  .  mit  VIII.  IX.  vnd  xii.  Stimmen 
gesetzet  . . .  Dritter  Theil.  Cantus  (Altus) 
(Tenor)  (Bassus)  i.  (ii.)  Chori. 
8  pts.  Gedruckt  durch  Jacobum  Lucium  : 
Helmstadt,  1607.     4°.  B.  272.  d. 

]Musae  Sioniae  Geistliche  Concert  Gesange 
vber  die  fiirnembste  Deutsche  Psalmen  vnd 
Lieder  .  .  .  mit  viii.  Stimmen  gesetzet 
. . .  Vierdter  Theil.  Cantus  (.Utus)  (Tenor) 
(Bassus)  I.  (ii.)  Theil.     8  pts. 

Gedruckt  durch  Jacobum  Lucium  : 
Helmstadt,  1607.     4".  B.  272.  e. 

Musae  Sioniae  INIichaelis  Praetorii  C.  Geist- 
licher  Deutscher  in  der  Christlichen 
Kirchcn  vblicher  Lieder  vnd  Psalmen  mit 
II.  III.  IV.  v.  VI.  VII.  viii.  Stimmen. 
Fiinffter  Theil.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)  (Quinta  (Sexta)  (Septima)  Vox.) 
7  pts.  In  FilrstlicJier  Druckerey, 

in  Verlcgung  dcss  Autoris:  Wolffcnbiittcl, 
1607  (1608).  4".  B.  272.  f. 

Tlie  imprint  with  the  date   1608   only 
occurs  at  tlie  end  of  the  Tenor  part. 

Musae  Sioniae  Michaelis  Praetorij,  C. 
Deutscher  Gcistlicher  .  .  .  Psalmen  vnd 
Lieder,  Mit  iv.  Stimmen.  Sechster 
Theil.  Cantus.  (Altus.)  (Tenor.)  (Bassus.) 
4  pts.  In  Filrstlichcr  Druckerey,  in  Verlc- 
gung des  Autoris  :   Wolffcnbilttcl,  1609.   4°. 

B.  272.  g. 
The  title-page  of  tlw  Cantus  is  mutilated. 
Musae  Sioniae  Michaelis  Praetorij,  C. 
Deutscher  Geistlicher  .  .  .  Psalmen  vnd 
Lieder,  Mit  iv.  Stimmen.  Siebender 
Theil.  Cantus.  (Altus.)  (Tenor.)  (Bassus.) 
4  pts.  In  Filrstlichcr  Druckerey.     In 

verlcgung  des  Autoris:  Wolffcnbilttel, 
1609.    4'>.  B.  272.  h. 

Musarum  Sioniar :  Motectae  et  Psalmi 
Latini  . . .  iv.  v.  vi.  vii.  viii.  ix.  x.  xii. 
XVI.  vocum,  Choro  &  Organis  accom- 
modatae.  I.  Pars.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)  (Quinta  (Sexta)  (Septima) 
(Octava)  Vox.)  8  pts. 
Abrahanimus  Wage)i7nannus  :  Noriberqx, 
1607.     4^  B.  272.  k. 

This  ivork  also  contains  compositions  by 

G.   Aichinger,    J.    Hdndl,    C.    Porta, 

Palestrina  and  G.  Lcbon. 

Polyhymnia  Caduceatrix  &  Panegyrica. 
Darinnen  Solennische  Friedt-  vnd  Frew- 
den-Concert  .  . .  mit  1.  2.  3.  4.  5.  6.  7.  8.  9. 
10.  11.  12.  13.  14.  15.  16.  17.  18.  19.  20.  21. 
auch  mehr  Stimmen.  Uff  ii.  iii.  iv.  v.  vnd 
VI.  Chor  gerichtet :  mit  allerhandt  Musi- 
calischen  Instrumenten  vnd  Menschen 
Stimmen,  auch  Trommetten  vnd  Heer- 
Paucken  Musiciret  vnd  geiibt  worden.  In 
vvelchen  etliche. .  .newe  Arten. .  .der  Con- 
certat-lNIusic  ...  in  diesem  Basso-Generali 
. . .  verzeichnct,  auch  mit  Sinfonien  vnd 


302 


PR^TORIUS— PRAY 


Ritornellen  gezieret,  zu  Observiren  vud  in 
acht  zunehmeu  seyu.  Bassus-Generalis 
ECU  Continuus.  (iii.  Polyhymnia  Pane- 
gyrica . . .  Darinuen  XL  Solennische  Friedt- 
viid  Frewdens-Concert,  etc.  Primus. 
(Secimdus.)  (Tertius.)  (Quartus.)  (Quintus.) 
(Sextus.)  (Septimus.)  (Octavus.)  (Nonus.) 
(Decimus.)  (Undecimus.)  (Duodecimus.) 
(Decimustertius.)  (Decimusquartus.)) 
15  pts.  Gcdruckt  dwcU  Eliam  Holicein . . . 
In  Vcrlcgung  des  Aidoris:  Wolffenbiittel, 
1619  (1618).     fol.  G-.  131. 

Only  the  Bassus  Generalis  is  dated  1619. 

PR-ETOEIUS  (Michael)  Syntagma 
Musicum;  ex  Yeterum  et  Recentiorum, 
Ecclesiasticorum  autorum  lectione  .  .  . 
collectum  ;  et  . . .  In  Quatuor  Tomos  dis- 
tributum,  etc.     3  Tom.  E  Typo- 

araphco   Johannis    Bichtcri :    Wittcbcrgx, 
1615(-20).     4".  K.  8.  f.  1. 

Each   volume  has  a  separate  title-page. 
Tom.    II.  and  III.  bear   the   imprint 
"Gedruckt  zu  Wolffenbiittel  bey  Elias 
Holicein."     Tom.  IV.  was  never  pub- 
lished.   In  this  copy  the  folding  plate 
after  p.  126  of  Tom  II.  is  ivanting,  but 
lias   been  supplied  in  facsimile.     The 
general  title-page  of  Tom.  II.  is  dated 
1619,  but   Til.  VI.  {Theatrum  Instrii- 
mentorum)  of  this  torn,  is  dated  1620. 
[Syntagma  :\Iusicum.     Tom.  II.     Th.  VI. 
Another   copy.]       Theatrum    lustrumen- 
torum  seu  Sciagraphia . . .  Darinnen  eigent- 
liche  Abriss  vnd  Abconterfeyuug,  fast  aller 
derer     Musicalischen     Instrumenten,    so 
itziger  zeit. .  .vblich  vnd  verhanden  seyn 
...recht   vnd  just  nach   dem  Massstabe 
abgerissen,  etc.  [E.  Hohvein  ;] 

Wolffenbiittel,  1620.     4°.  785.  h.  24. 

Urania  oder  Urano-Chorodia.  Darinnen 
xviiii  der  fiirnembsten,  gebreuchlichsten 
Geistlichen  Teudtschen  Kirchen  Gesange 
.  AufE  'i.  3.  vnd  4.  Choren  zugebrauchen, 
gar  schlecht  vnd  einfeltig  gesetzet  .  .  . 
Benebenst  .  .  .  Bericht  vnd  Anleitung,  etc. 
Cantus  (Altus)  (Tenor)  (Bas&us)  1.  (2.)  (3.) 
Chori.  12  pts.  Gedruckt  in  Filrstlicher 
Druckcrey.  In  Vcrlegung  des  Autoris  : 
Wolffenbiittel,  [1613.]     4°.  B.  272.  q. 

PRAISE.  Praise  God  from  whom  all 
blessings  flow.  Hynm.  [Words  by  T. 
Ken.]     [London,  1778.]    8°.    P.P.  716.  b. 

Gospel  Magazine,  March,  1778. 
Praise  ye  the  Lord.     A  Hymn. 
[London,  1763.]     8".  P.P.  324.  n. 

Christian's  Magazine,  March,  1763,^^.  136. 

PRAISE  OF  MUSIC.  The  Praise  of 
]\Iusicke :  wherein  besides  the  autiquitie, 
dignitie,  delectation,  and  vse  thereof  in 
ciuell  matters,  is  also  declared  the  sober 
and  lawfuU  vse  of  the  same  in  the  con- 
gregation and  Church  of  God.  [By  J. 
Case  ]  loscph  Barnes  : 

Oxenford,  1586.     12^  1042.  a.  1. 


PRAISES.     Praises  of  Jockey.     [Song.] 
See  On.     On  Tay's  green  Banks  I'll  boldly 
tell,  etc.     [1778.]     s.  sh.  fol. 

G.  310.  (284.) 

PRASPERGIUS  (Balthasar)  Claris- 
sima  plane  atq;  choralis  musice  interptatio 
. .  .cu  certissis  regulis  atcp  Exeplo"^  Ano- 
tacionib'  7  figuris  multil  spledidis  In 
Alma  Basileo'^i  vniuersitate  exercitata. 
Per  Michaelem  Furter  Impresse  :  [Basel,^ 
1501.     4».  K.  i.  h.  2.  (2.) 

19  leaves  ivithout  pagination.  Betiveca 
Aiv  and  Av  a  folding  sheet  is  in- 
serted. 

Clarissima  plane  at^  choralis  musice  in- 
terpretatio. .  .cum  certissimis  regulis  atqz 
Exemplo'^  Annotationib'  n  figuris  multum 
splendidis.  In  Alma  Basileorii  vniuer- 
sitate exercitata.  MS.  notes. 
Per  Michaelem  Furter  impresse  :  [Basel,] 
1507.     4».  K.  1.  h.  4. 

19  leaves  tcithout  pafjination.  Without 
the  folding  plate. 

PR  ATI  (Alessio)  L'Ecole  de  la  Jeimesse 
ou  le  Barnevelt  Fran(,'ais.  Opera  comique 
en  trois  Actes.  Paroles  de  IM.  Anseaume, 
etc.     [Full  Score.]  Chez  M.  Henry  : 

Paris,  [1779.]     fol.  G.  183. 

PRATONERI  (Gasparo)  Gasparis  Pra- 
touerii  cognomento  Spiritus  Harmonia 
super  aliquos  Dauidis  Psalmos  ...  ad 
vesperas  decantandos  cum  sex  vocibus, 
etc.  Cantus.  (Altus.)  (Tenor.)  (Bassus.) 
(Quintus.)     (Sestus.)     6  pts.  Apud 

Hieronymum  Scotum  :  Venetiis,  1569.    4". 

D.  88.  a. 

Gasparis  Pratonerii  .  .  .  Harmonia  super 
omnes  Dauidis  Psalmos  in  S.  R.  Ecclesia 
in  solemnitatibus  ad  vesperas  decantandos, 
cum  Sex  Yocibus.  Cantus  Primus.  (Tenor.) 
(Bassus  Primus.)  3  pts.  Apud  Jacobum 
Vi7icentium  :   Venetijs,  1589.     4".     D.  88. 

PRATT  (Jonas)  A  Set  of  Anthems  and 
Psalm  Tunes  in  Four,  Five,  &  Six  Parts. 
Figured  for  the  Harpsichord  or  Organ 
with  Instrumental  Basses  for  a  Bassoon, 
Violoncello,  &c.  Printed  for  the  Author : 
London,  [1755  ?]     obi.  fol.         E.  556.  c. 

PRAXIS.  Praxis  Pietatis  Melica.  [Hymns.] 
Sec  Crueger  (J.) 

PRAY.     Pray  lend   me   your  Ears.     The 
Progress   of  Masonry,  a  New  Song,   and 
very  Hurnourous.      See  Chloe.     Chios, 
or  the  Musical  Magazine,  etc.     No.  74. 
[1760?]    fol.  G.  433. 

Pray  now  John  let  Jug  prevail.  A  Dia- 
logue [in  the  Kingdom  of  Birds]  the  words 
by  Mr.  Durfey  to  the  Famous  Old  Cebell 
[attributed  to  G.  B.  L\illi].  [London, 

1710?]    s.sh.lol.  H.  1601.  (372.) 


PRAYER— PRELUDES 


303 


PRAYER.     The   Prayer    of   our   Saviour 
Christ    in    the    Garden   of   Gethsemane. 
[Anthem,  by  H.  Harington.]     See  Jesus. 
Jesus  said  to  his  Disciples,  etc. 
[ISOO  ?]     fol.  G.  805.  k.  1. 

PREACH.  Preach  not  me  your  musty 
Rules.  [Song.]  Sung  by  Mrs.  Clive  riu 
T.  A.  Arne's  '  Comus  ' '.  [Londo)i, 

17i5  ?:     s.  sh.  fol.       ^     G.  316.  a.  (39.) 

Preach  not  me  your  musty  Rules.    [Song.] 
See  CoMCs. 

PRECAUTIOlSrED.      The    Precautioa'd 

Nymph.     [Song.]     S<'i'  Ramoxdox  (L.) 

PRECAUTIONS  INUTILES.  Les 
Precautions  Inutiles,  Opera-Comique  en 
un  Acte  [written]  par  Mr.  Achard  . . .  avec 
la  ^lusique  [by  C.  A.  Chretien]. 
Sec  The.vtrk.  Nouveau  Theatre  de  la 
Foire,  etc.     Tom.  5.     1763.     8«. 

11735.  d.  2. 

PRECEPTES.      Preceptes   Rupublioains. 

Roude.     See  Amis.     Amis  jurous  le  pour 

jamais,  etc.     [1793  ?J     8". 

B.  362.  d.  (44.) 
PRECIOUS.      Precious    Bible!    what    a 

treasure.     Hymn.     See  E.,  H. 

Precious  Goblet.      Song.     See  See.     See 
the  jolly  God  appears,  c/c.     [1795?]     fol. 

H.  2826.  c.  (32.) 
PREDIERI  (LucA  Axtoxio) 

See  CoNCEKTi.     Goucerti  a  Cinque  .  .  .  del 
.  ..A.  Predieri,<'/c.     [1730?]     fol.     g.  35. 

PREFERONS.     Preferoas,  mes  Amis,  la 
Pinte  a  la  Bouteille.     Air. 
Sec  ^loNDONviLLE  (J.  G.  Cassaxea  de) 

PREINDL  (.Joseph)  Variations  pour  le 
Clavecin  ou  Piano-Porte,  etc.  Chez 

Artaria  et  Comp. :  Vienne,  [1785  ?j   ohl.  fol. 

e.  5.  p.  (1.) 

PREIS   DER   DICHTKUNST.      Preis 

der  Dichtkunst.     [Cantata.j 
Sec  ScHiciiT  (.J.  G.) 

PREISS.  Preissdir!  Gottheit  1  Hymne. 
Sec  Mozart  (W.  A.)  [2.  KGtiig  TJiamos. 
Schon  loeichet  dir.] 

PREJUDICE.     Prejudice.     [Song.] 
See   IxGUATiTUDE.       Ingratitude's   crime 
worse  than  Witchcraft  is  nam'd. 
[1780  ?]    s.  sh.  fol.  a.  309.  (155.) 

PRELLEUR  (Pierre)  [Baucis  and  Phile- 
mon.] The  Songs  and  Duetts  in  Baucis 
&  Philemon.  As  they  are  now  Perform'd 
at  the  New  Wells  in  Goodman's  Fields. 
To  which  is  prelix'd,  the  Overture  in  Score. 
Printed  for  tJie  Author  :  London, 
[1740?]     fol.  G-.  217. 

[For  songs,   &c.,   published   anony- 
mously :]  Sec  Baucis  and  Philemon. 


PRELLEUR  (Pierre)  [Harlequin 
Hermit.]  Women  form'd  by  Nature  coy. 
A  Song,  Sung  by  Mr.  Nichols  in  Harle- 
quin Hermit,  etc.  [London, 
1730?]     s.sh.lol.              H.  1994.  (50.) 

[Another  edition.]     Women   form'd 

bv  Nature  coy,  etc.  [London, 

1730.J     s.  sh.  fol.  G.  316.  f.  (81.) 

An  Introduction  to  Singing.  See  infra : 
[The  Modern  Musick-Master.     Part  I.] 

A  Lesson  for  a  Lover,  etc.     [Song.] 
[London,  1740  ?]     s.  sh.  fol. 

G.  316.  d.  (105.) 

Love  alone  shall  here  alarm  you.     A  Song 
sung  bv  Mr.  Lad  at  Sadler's  WeUs,  etc. 
[Lomhn,  1735?]   s.  sh.  fol.  G.  315.  (13.) 

The  ^Modern  Musick-Master.  [For  editions 
of  this  work,  by  P.  Prelleur,  published 
anonymously  :]  See  Modern  Musick- 
Master. 

[The  i\Iodern  Musick-Master.   Part  I.]   An 

Introduction  to  Singing  . . .  by  Mr.  Peter 

Prelleur  ...  To  which  is  added  a  choice 

Collection  of  Songs  for  one  and  two  Voices, 

by  the  most  Eminent  Masters  of  the  Age. 

Printed  for  J.  Simpson  : 

London,  [1745  ?J     8".  D.  647. 

TJie  camjx»sc/s  named  in  this  edition  are  : 

Howard,   Holcomhe,   J.  Corfc,  M.    C. 

Festing,  J.  Eccles,  .S'-"  F.  H.  E.  S., 

H.  Purcell,   Arne,   Haijden,  Vincent, 

M.  Wise  and  Boyce. 

[Another  edition.]     An  Introduction  to 

Singing  . . .  To  which  is  Added  a  Choice 
Collection  of  Songs  and  Duets  composed 
by  Several  Eminent  ^Masters.  [By  P. 
Prelleur.]  S.  A.  d  P.  Thompson  : 

London,  [1785?] 

Tlie  composers  named  in  tltis  edition  are  : 
Weldon,  Pasqiiuli,  Carey,  Aldridge, 
Handel,  Tracers  and  Haydeyi.  Bound 
up  at  the  end  are  sonn:  MS.  songs  and 
SiJanish  dances  dated  1814. 
Sec  also  :  P.,  P. 

PRELLEUR  (Pierre)  andMOZE  (J.  H.) 
Divine  Melody,  in  Twenty-Four  Choice 
Hymns  . . .  The  first  Fifteen  were  set  to 
Music,  in  Two  Parts,  by  I\Ir.  Prelleur  . . . 
The  rest  chiefly  by  Mr.  Moze  .  .  .  Who 
hath  also  composed  a  IMedius  to  every 
Hymn,  and  Figured  all  the  Bass  for  the 
Harpsichord  and  Organ  ...  To  which  is 
prefixed  One  of  the  most  Copious  . . . 
Introductions  to  Psalmody  hitherto  Pub- 
lished. Printed  for  W.  Owen: 
London,  1758.     8".  D.  647.  b. 

PRELUDES.  Eighteen  Preludes  or  short 
Fuges  for  the  Organ  or  Harpsichord  proper 
for  Interludes  to  Psalm  Tunes,  etc. 

Printed  for  C.  and  S.  Thompson  : 
London,  [1770  ?J     obi.  4°. 

e.  174.  h.  (5.) 


304 


PREMIER— PRETENDUS 


PREMIER.  Lc  Premier  Faux -Pas. 
lioniauce.  See  Colin.  Colin  disoit  a 
Lise  un  jour,  etc.     [1785  ?]     8". 

B.  362.  b.  (108.) 
Le  premier  jour  que  I'homme  fut  sur  terre. 
Lcs  Plaisirs  dc  la  Fratcniite.  Vaudeville 
Republicain.  Pour  le  5=  jour  des  Sans- 
culottides.  [Written]  Par  le  C"  Piis. 
Chez  Imhault :  Paris,  [1792.]     8". 

B.  362.  d.  (52.) 
Premier  objet  de  ma  tendresse.  Chanso>i 
a  Boire.     [Paris,]  1679.     s.  sJi.  obi.  4°. 

P.P.  4482. 
Noicveaii   Mercure    Galaat,   Nov.,   1679, 
2).  166. 
PRENESTINO  (Giovanni  Petealoysio) 
Sec  Palestrina  (G.  P.  da) 

PRENONS.  Prenons  tous  le  verre  en 
main.     Couplets.     Sec  Ripert  (     ) 

PREPARE.  Prepare  British  Boys.  A 
New  Song  wrote  on  the  taking  of  Louis- 
bourg,  &c.     [London,  1758  ?]     s.  sit.  fol. 

H.  1994.  (51.) 

PREPARE.  Prepare,  Dieu  des  Arts. 
Chant.     Sec  Kalkbrenner  (C.) 

PREPARE.  Prepare  O  Love  the  happy 
day.     Song.     See  Myrtillo. 

PREROGATIVES.  The  Prerogatives  of 
Love.     [Song.]     Sec  Courteville  (R.) 

PRifeS.  Pres  d'un  joli  bouton  de  rose.  La 
Rose  Emblematique.  Air:  Je  le  tiens  se 
Nid  de  Pauvette.  Ches  Caviand  : 

[Paris,  1780  ?]     8°.  B.  362.  b.  (14.) 

Pres  d'un  Llari  brusque  et  sauvage. 
L'Oiseau,  ou  les  Comparaisons.  [Song.] 
Air :  Chansons,  chansons,  [words]  par 
]M.  RouUand.  Chez  Camand  : 

Paris,  [1785  ?]  8".  B.  362.  b.  (143.) 
Pres  d'un  Ruisseau  la  charmante  Rosine. 
Parodic  de  Bosinc,  ou  les  dangers  de 
connoitre  I'amour.  Air :  de  Rosine  [by 
F.  J.  Gossec].  Chez  Camand  : 

[Paris,  1790?]     8".  B.  362.  e.  (80.) 

[Another  edition.]  Pres  d'un  Ruisseau  la 
charmante  Rosine.  Parodie  de  Rosine, 
etc.  [Pflris,  1790?]  8".  B.  362.  b.  (57.) 
Pres  de  Daphnis  une  rose  Nouvelle.  La 
Rose.     [Song.]     [Paris,  1780  ?]     8°. 

B.  362.  (124.) 

No.  101  of  "  UAriette  du  Jour." 
Pres  de  I'^clat  de   tes  yeux.      Chanson. 
Bouquet  a  Mile.  *  *  *. 
[Paris,]  1762.     s.  sh.  8".  298.  d.  5. 

Mcrcurc  de  France,  Sept.,  1762. 
Pres  de  la  belle  Iris.     Chanson  a  Sifter. 
[Words  by  C.  Riviere  Du  Fresny.] 
[Paris,  1710.]    s.  sh.  obi.  4°.     P.P.  4486. 

Mcrcurc  Galant,  Tome  I.,  p.  204. 
Pres    des    bords    fleuris.       Lc     Pecheur. 
Romance.     Avec   Accomp'  de   Guittarre. 
Chez  Imbault :  Paris,  [1785  ?]     8". 

B.  362.  b.  (185.) 


PRES  (JosQUiN  DEs)     See  Despres  (J.) 

PRESBYTERIAN.     A  Presbyterian  Cat, 
sat  watching  of  her  Prey.     [Song.] 
Cross  :  [London,  1720  ?]     s.  sli.  fol. 

H.  1994.  b.  (65.) 

PRESENT.  Present  Taste.  [Song.] 
See  One.  One  Day  meeting  Momus. 
[1780  ?]     s.  sh.  fol.  G.  310.  (280.) 

PRESEPI  (Presefio) pseud,  [i.e.  Giuseppe 
Antonio  Patrignani]  Sacri  Tratteni- 
menti  di  Canto,  e  Suono. .  .sopralMisterj 
della  S.  Infanzia  di  Gesu  Bambino,  in 
questa  quarta  impressione  di  Canzonette, 
e  Arie  nuove  dall'  Autore  accresciuti,  etc. 
Micliele  Nestenus  :  Firenze,  1722.    8". 

B.  851. 

PRESERVATIVE.       A   Preservative 
against  Love.     [Song.]     See  How.     How 
frail  alas  !  we  mortals  are. 
[1740.]    s.  sh.  fol.  G.  308.  (97.) 

PRESS.     Press  the  Grape.     [Trio.] 
See  Hummel  (J.  N.) 


PRESSGANG. 

my  Love  to  go. 


The   Press  Gang  forc'd 
Song.     See  Hook  (J.) 


PRESTON  AND  SON.  Preston's 
Twenty  four  Country  Dances  for  the  Year 
1791  with  proper  Tunes  and  Directions  to 
each  Dance,  etc.  Preston  (C  Son  : 

London,  [1791.]     obi.  4".         a.  252.  (3.) 
Preston's  twenty  four  County  Dances  for 
the  Year   1792,  with   proper   Tunes   and 
Directions  to  each  Dance,  etc. 
Preston  it  Son  :  London,  [1792.]     obi.  4". 

a.  252.  (4.) 
Preston's   Twenty   four   Country   Dances 
for  the  Year  1794,  with  proper  Tunes  and 
Directions  to  each  Dance,  etc. 
Preston  d  Son  :  London,  [1794.]     obi.  4". 

a.  252.  (5.) 
Preston's  Twenty  four  Country  Dances  for 
the   Year  1797   with    proper   Tunes   and 
Directions  to  each  Dance,  etc. 
Preston  tfi  Son :  London,  [1797.]    obi.  4°. 

a.  252.  (6.) 
Preston's   Twenty   four   Country   Dances 
for  the  Year  1798  with  proper  Tunes  and 
Directions  to  each  Dance,  etc. 
Preston  &  Son :  London,  [1798.]     obi.  4°. 

a.  252.  (7.) 

PRESUMANT.     Pr^sumant  trop  de  ma 

lire.     La  Croix  a  la  Jeannette.     [Song.] 

Air  :  Ce  mouchoir  belle  [Raimonde]. 

[Paris,  1785  ?]     8".  B.  362.  (232.) 

PR:6tENDUS.     Venes,  Artiste  et  Poete. 
Air  des  Pn'tendus  [by  J.  B.  Le  IMoyne]. 
Chez  Imbault :  Paris,  [1789.]     8". 

B.  362.  c.  (93a.) 
Venez  jouir  d'un  sort  si  beau.     Air   des 
Pretendus  [by  J.  B.  Le  Moyne]. 
Chez  Imbault :  Paris,  [1789.]     8". 

B.  362.  c.  (93.) 


PRETENDUS— PRINCE 


305 


PR:6tENDUS.     Vivent   les   noces    pour 
dauser.     Monde  cles  Prdtenchis  [by  J.  B, 
Le  Moyne].     Avec  Accomp*  de  Guittare. 
Chez  Imhault :  Paris,  [1789.]     8". 

B.  362.  c.  93b. 

Les  Pr^tendus.     Comedie  Liriqua. 
See  Le  Moyne  (J.  B.) 

PRETTY.     The  Pretty  Creature.     [Song.] 
See  Little.     A  little  pretty  Creature. 
[1730?]     s.  s7(.  fol.  G.  306.  (119.) 

Pretty  Ladies,  pretty  Pius.     Ballad. 
See  Seedo  (     )     [Hurlothrumbo.] 
Pretty  little  Sue.     Song.     See  Hook  (J.) 
Pretty  Maid  your  Fortune's  here.     [Song.] 
See  GiORDANi  (G.)  or  (T.) 
Pretty    Moggy,    why    d'ye    slight     me? 
Pretty  Moggy.     A  Scotch  Song. 
[London,  11 10?]     s.sh.  fo\. 

G.   311.    (9.) 
Pretty  Nell.     [Song.] 
See  Williamson  (T.  G.) 

Pretty  Poll.     Dialogue. 
See  Freeman  (J.) 

Pretty  Sally.     Song.       See  Hook  (J.) 
Pretty  Wanton  come   away.     The   Lady 
of    the    May.      [Song,   music    by   James 
Corfe.]     [London,  11  bb  2]     s.sh.iol. 

G.  311.  (8.) 
[Another  copy.]  G.  303.  (22.) 

[Another  edition.]     Pretty  Wanton  come 
away.     The  Lady  of  the  May. 
[London,  11  oO'?]     s.  t>h.  io\. 

H.  1994.  b.  (66.) 
Pretty  Warbler  cease  to  hover.     Glee. 
See  Webbe  (S.)  the  Elder. 

PREU  (Friedrich)  Liedcr  fiirs  Klavicr 
. .  .Zweytes  Heft. 

Tn  Commission  bey  F.  G.  Jacobdcr  : 
Leipzig,  1785.     obi.  fol.  C.  592. 

PREUS  (Georg)  Grund-Regeln  von  dcr 
Structur  und  den  Requisitis  ciner  un- 
tadelhaften  Orgel,  etc.  C.  W.  Brandt : 

Hamburg,  1729.     8°.  7898.  ee.  25. 

Observationes  Musics?,  odor,  i\Iusicalische 
Anmcrckungen,  welche  bestehen  in  Ein- 
thcilung  der  Thonen,  dercn  Eigenschafft 
und  Wirckung,  etc. 

Gcdrtikt  bey  D.  B.  Starcken  :  Grci(fswald, 
[170G.]    4:\  7897.  bb."  1.  (3.) 

PREUSS  (Carl)  Vormischte  Oden  und 
Lieder  fiirs  Fortepiano  mit  einer  Sing- 
stimme,  etc.  Auf  Kosten  dcs  Verfassers  : 
Hannover,  1783.     obi.  fol.  E.  573. 

PREUSS  (Johann)  Hertzliches  Seyten- 
Spiel,  oder  Gcist-reiche  und  Schrifitmas- 
sige  Lieder,  bey  alien  Christen  . . .  zu 
gebrauchen  . . .  neulich  geschrieben  und 
hervor  gegeben  von  J.  Preussen,  etc. 
Erasmus  Bosner  :  Franckfiirt  an  der  Oder, 
1657.     8".  A.  720. 

VOL.  II. 


PREVOT    D'EXIME    (        )     Tout   est 
change.     Vaudeville.     (Les  paroles  et   la 
musique  sont  de  M.  Prevot  d'Exime.) 
Recoguillide :  [Paris,]  1769.     s.  sJi.  S". 

297.  e.  21. 
Mercure  de  France,  Jan.,  1769. 

PREY.  A  Prey  to  tender  Anguish .  Ballad. 
Sec  Haydn  (F.  J.) 

PRICE  (Robert)  Six  Sonatas  for  Two 
Violins  and  a  Thorough  Bass.  [Separate 
Parts.]  Printed  for  J.  Johnson  :  London, 
[1760?]     fol.  h.  69. 

PRIDE.  The  Pride  of  the  Ocean.  [Song.] 
Sec  DiBDiN  (C.)     [Tom  Wilkins.] 

PRIERE.  Priere  a  I'Etre  Supreme. 
[Solo.]     See  Rochefort  (J.  B.) 

PRIEUR  (  )  Premier  Oeuvre  contenant 
Six  Suites  de  pieces  pour  la  Musette  ou 
Vielle  avec  la  Basse  Continue ;  qui  Con- 
vienent  aux  Flutes,  et  Hautbois,  etc. 
Grave  par  De  Gland,  etc. 

Chez  M''  Chedeville  Vaini  : 
Paris,  [1745  ?]     fol.  g.  96.  (4.) 

PRIMA  STELLA.  Prima  Stella.  De 
]Madrigali  a  Cinque  Voci,  di  Orlando 
Lasso.  Di  Zanetto  di  Palestine.  Di 
Giouan  Nascho.  Di  Francesco  Roscelli. 
Et  altri  eccellentissimi  Musici.  Noua- 
mente  posti  in  luce.  Alto.  (Basso.)  2  pts. 
Appresso  G.  Scotto  :  Vincgia,  1570.     4°. 

D.  13. 
Tlic  other  composers  named  in  tliis  col- 
lectioyi  arc  :    G.  Cartolaio,  G.   D,   de 
Nolla  and  J.  Corsini. 

PRIMA  VERA.  La  Primavera.  Canzo- 
net.    See  Mayer  (J.  S.) 

PRIMAVERA  (Giovanni  Leonardo) 
II  Primo  Libro  de  Canzone  Napolitane  a 
Tre  Voci,  . .  .  Con  alcune  Napolitane  di 
lo.  Leonardo  di  L'arpa.  Nouamente  da 
lui  composte  &  dato  in  luce.  Canto. 
(Basso.)     2  pts. 

Aijpresso  Girolamo  Scotto  :  Vinegia, 
1566.     8".  A.  194. 

This  collection  also  contains  compositions 
by  Rinaldo  Burno  and  Carlo  Tctis. 
II  Primo  et  Secondo  Libro  de  Madrigali  a 
Cinque,  et   a  Sei  Voci  . . .  Nouamente  . . . 
Composti,  &  dato  in  luce.     Tenore. 

Ap2)resso  Girolamo  Scotto  :  Vcnetia, 
1565.     4'.  D.  193. 

Tliis  ivork  also  contains  a  madrigal  by 
Striggio. 

PRIMROSE.    The  Primrose  Girl,  [Song,] 
sung  by  Mrs.  Bland,  etc. 
[London,  1800  ?]    fol.  G.  295.  (10.) 

PRINCE.      The    Prince    of    the    People. 
Song.     See  Hook  (J.) 
The  Prince,  unable  to  conceal   his  pain. 
Song.    .SeeHAENDEL(G.F.)    [Alexander's 
Feast.] 

X 


306 


PRINCE— PRINS 


PRINCE  EUGENE.  Prince  Eugene's 
Health.  [Song,  begins  :  '  You  the  Glorious 
Sons  of  Honour.']  Sec  Barrett  (J.) 
Organist. 

Prince  Eugene's  Health.     Song  [begins  : 
'  Let's  all  be  merry  '].     Sec  Graves  (J.) 
Prince  Eugene's  March  into  Italy.   [Song.] 
Sec  Shore  (W.) 


PRINCE  FERDINAND.  Prince  Fer- 
dinand. Song.  Sec  God.  God  Bless 
Prince  Ferdinand,  etc.     [1759.]     8". 

P.P.  5438.  z. 
Prince  Ferdinand.     [Three-Part  Song.] 
See  God.     God  bless  Prince  Ferdinand. 
[1760?]     s.  s7i.  fol.  H.  1994.  (28.) 

PRINCE  FREDERICK.  Prince  Frede- 
rick. Slow  Minuet.  [Engraved  in  figures, 
with  music.]  {Pemherton  ?  : 

London,  1725.]     fol.  h.  810.  a.  (5.) 

PRINCE   OF   ORANGE.     The   Prince 
of  Orange's  March.     [Song.]     See  Brave. 
Brave  Grenadiers  rejoyce. 
[1734.]     s.  sh.  fol.  G.  316.  d.  (83*.) 

PRINCE  OF  "WALES.  The  Prince  of 
Wales.  A  Song.  [Dance,  engraved  in 
figures,  with  music]  [Pcmbcrton  ?  ; 

London,  1727.]     fol.  h.  801,  a.  (6.) 

PRINCE  WILLIAM.  Prince  William, 
liigodon.  [Engraved  in  figures,  with 
music]  [Pc7nbcrton?  : 

London,  1721.    fol.  h.  801.  a.  (3.) 

PRINCIPESSA  D'  AMALFI.  La  Prin- 
cipessa  d'  Amalfi.    Opera.    Sec  Weigl  (J.) 

PRINCIPI  DI  MUSICA.  Priucipj  di 
Musica.  Nei  quali  oltre  le  antiche,  e 
solite  Regole  vi  sono  aggiunte  altre  figure 
di  Note,  schiarimento  di  chiavi,  scale  dei 
Tuoni,  Lettura  alia  Francese,  etc. 

Prcsso  Giovanni  Cliiari  : 
Firenzc,  [1770  ?]    4».  7896.  ee.  40. 

Engraved  throughout. 

PRINCIPLES.  Principles  and  Power  of 
Harmony.  [By  B.  StiUingfleet.  Founded 
on  Tartini's  "  Trattato  di  IMusica  secoudo 
la  vera  Scienza  dell'  Armenia."]  few  ms. 
NOTES  [by  Sir  J.  Hawkins]. 
J.  and  H,  Hughs :  London,  1771.     4". 

557*.  e.  14. 

PRING  (Jacob  Gubitt)  Ally  Croaker, 
with  Variations,  for  the  Piano  Forte,  etc. 

Printed  for  the  Author:  Loiv  Lay  ton, 
[1798?]     fol.  g.  139.  (36*.) 

Eight  Anthems  as  performed  at  St.  Paul's 
Cathedral,  etc.  Printed  for  the  Author  : 
London,  [1793  ?]     fol.  G.  502.  (7.) 

Damon  and  Phillis,  a  favorite  Song,  etc. 
[Begins  :  "  The  Virgin  when  soften'd  by 
May."]     J.  Bland:  London,  {11901}     fol. 

G.  377.  (46.) 


PRING  (Jacob  Cubitt)  Damon  and 
Phoebe  ;  a  favorite  Song  with  an  Accom- 
panyment  for  the  Forte  Piano.  J.  Bland  : 
London,  [1790  ?]     fol.  G.  377.  (43.) 

The  Dying  Christian  to  his  Soul.  A 
celebrated  Ode  by  Mr.  Pope,  set  to  Music 
[for  three  voices],  etc.  J.  Bland  : 

London,  [1794  ?]     fol.  G.  352.  (31.) 

Ella.  [Song.]  The  Words  by  IMiss 
Vaughan,  etc.  Printed  for  the  Author  : 

London,  [1795  ?]     fol.  G.  366.  (53.) 

Fanny  of  the  Dale,  etc.     [Song.] 

Printed  for  the  Author  : 
London,  [1798  ?]     fol.  G.  366.  (54.) 

A  First  Book  of  Glees,  Canons,  &c. 

Printed  for  the  Author  : 
London,  [1797  ?]     ohl.  fol.      D.  400.  (9.) 

Easy  Progressive  Lessons  with  the  finger- 
ing mark'd  for  Young  Beginners  on  the 
Piano  Forte  or  Harpsichord. 

Printed  for  the  Author  :   Upper  Clapton, 
[1798?]     fol.  g.  132.  (10.) 

The  Lilly,  a  New  Song,  etc.  J.  Bland  : 
London,  [1790?]    fol.  G.  377.  (44.) 

Magnificat. .  .in  Two  Parts,  etc. 
J.  Bland:  London,  [1790?]     fol. 

G.  502.  (8.) 
The  Rose,  a  favorite  Song,  etc. 
J.  Bland  :  London,  [1790  ?]     fol. 

G.  377.  (45.) 
Six  Progressive  Sonatinas,  for  the  Harp- 
sichord or  Piano  Forte,  with  an  accom- 
paniment for  the  German  Flute  or  Violin 
. .  .Book  1st.  Printed  for  the  Author  : 

London,  [1795  ?]    ohl.  4°.  b.  60.  (7.) 

Sonnet  for  the  Birth  Day  of  Two  Gentle- 
men (Twins)  upon  their  attaining  the  Age 
of  21  Years,  etc.  Printed  for  the  Author  ; 
London,  [1798  ?]     fol.  G.  366.  (55.) 

See  Glees.     A  Selection  of   Glees   from 
the  INISS.  of  the  Concentores  :   being  the 
Compositions  of. .   I.  C.  Pring,  etc. 
[1800?]    oW.  fol.  E.  207.  a.  (1.) 

See  Haendel  (G.  F.)   Coronation  Anthem, 
arranged. .  .as  a  Duet. .  .by  I.  C.  Pring. 
[1795?]     fol.  g.  272.  o.  (10.) 

PRING    (Joseph)      Nancy  of    the   Vale. 
[Song.]     Words  by  W.  Shenstone. 
[London,']  1792.     s.  sh.  4».        P.P.  5141. 
Lady's  Magazine,  Nov.,  1792. 

PRINS  (Hendrick  Janszoon)  Meden- 
blicker  Scharre-Zoodtje,  ghevangen  en 
outweydt  van  verscheyden  Visschers : 
over-goten  met  een  Sanghers-sausjen,  door 
H.  J.  Prins,  etc.  H.  J.  Prins  :  Mcdenblick, 
1650.     obi.  8".  A.    1184. 

[Another  copy.]  11556.  aa.  30. 

Medenblicker  Scharre-Zoodtje . . .  Tweeden 
druck.  J.  D.  Knyper :  EncMiysen, 

1676.    obi.  8".  11556.  aa.  31. 


PRINTEjMPS— PRISE 


307 


PRINTEMPS,     Printems.     [Song.] 

See     AiJiABLES.       Aimables     Rossignols, 
chantez.     1723.     s.  sh.  4°.  297.  a.  3. 

Printems.      [Song,     begins :     '  Le     doux 
Printems  revient.']     See  Bailleul  (     ) 

Printemps.     [Song.]     See  Belle.     Belle 
saison  tendre,  etc.     1725.     s.  sJi.  4". 

297.  a.  14. 
Printems.  [Song,  begins :  '  Pendant  le 
doux  Printems.']     See  Bouteiller  (    ) 

Le  Printems.     Musette.    [Begins  :  '  Dans 
ce  riant  Boccage.']     See  Bury  (B.  de) 

Le  Printems.     Ariette.     [Begins  :  '  Deja 
le  Zephir.']     SeeB***,M. 

Le  Printemps.      Ariette.      [Begins  :  '  De 
nos  forets.']     See  Malidor  (      de) 

Printems,  en   Gavotte.     [Begins :   '  Dans 
nos  Champs  glacez.']     See  Norel  (     ) 

Printems.      [Song,  begins  :  '  L'Hyver  ne 
cache  plus.']     Sec  Mouret  (J.  J.) 

Printems.     [Song.]     See   Petits.     Petits 
hostes  de  ces  Boccages,  clc.    1725.   s.  sh.  4". 

297.  a.  13. 

Printemps.       [Song.]       See    Que.       Que 
j'aime  a  voir  Iris.     1729.     s.  sJt.  4\ 

298.  a.  5. 

Printems.    [Song.]    See  Regnez.   Regncz, 
Printems.     1745.     s.  sh.  4".       297.  c.  1. 

Le  Printems  de  la  Rose.     [Song.] 

See   CoRBAUX  (    )     [La  Naissance  de  la 

Eosc.] 

Le  Printemps  par  son  retour.     Frintcms. 
[Song.]     {Paris,']  1732.     s.  sli.  4". 

298.  a.  24. 
Mcrcure  de  France,  July,  1732. 

Printems,  par  ton  retour.     Air. 
See  ^loREL  (    ) 

Printems,  qu'attendes-vous.     Rondeau. 
See  Adnin  (    ) 

Le  Printemps  revicut  tons  les  aus.     Air. 
See  MouRET  (J.  J.) 

PRINTER.  The  Printer's  Devil.  [Song.] 
See  Moulds  (J.) 

PRINTER  (  )  Soon  as  the  Ev'ning 
shades  prevail.  Solo  Part  of  Mr.  Addison's 
Celebrated  Hymn.  Composed  and  Sung  by 
Mr.  Printer,  at  the  Chapel  of  the  Foundling 
Hospital.  Printed  for  Harrison  and  Co.  : 
London,  [1785  ?]     s.  sh.  fol. 

G.  807.  b.  (46.) 

PRINTZ  (Wolfgang  Caspar)  Exercita- 
tiones  Musicse  Theoretico  -  Practicse 
Curiosse  de  Concordantiis  Singulis,  Das 
ist  Musicalische  Wissenschafit  uud  Kunst- 
Ubungen  von  jedweden  Concordantien, 
in  welchen  Jcglicher  Concordantz  Natur 


und  Wesen  . . .  beschrieben  werden,  etc. 
8  pts.  Li  Verlegung  Johann  Christoph 
Mietliens  :  Dresden,  1689  (1687-9). 

7897.  e.  14. 

With  a  second  title-page,  engraved.  Each 

part    luxs  a    separate    title-page  and 

pagination.   Parts  1-3  are  dated  1687  ; 

parts  4  and  5,  1688  ;  parts  6-8,  1689. 

Historische  Beschreibung  der  Edelen 
Sing-  mid  Kling-Kunst,  in  vvelcher  Dero- 
selben  Ursprung  und  Erfindung,  Fort- 
gang  . . .  mancherley  Feinde,  und  zugleich 
beriihmteste  Ausiiber  von  Anfang  der 
Welt  biss  auff  unsere  Zeit  . . .  erzehlet  . . . 
werden,  aus  dencn  vornehmsten  Autoribus 
abgefasset  . . .  von  W.  C.  Printzeu,  etc. 

In  Verlegung  J.  C.  Micths  : 
Dresden,  1690.     4°.  7897.  e.  36. 

WitJi  a  second  title-page,  engraved. 

Musica  Modulatoria  Vocalis,  oder  manier- 
liche  und  zierliche  Sing-Kunst,  in  welcher 
AUes,  was  von  einem  guten  Sanger  erfor- 
dert  wird,  griindlich  und  auf  das  deut- 
lichste  gclehret,  und  vor  Augen  gestellet 
wird.  In  Druck  tind  Verlag  Christian 
Okels  :  Schioeidnitz,  1678.     4". 

785.  h.  51. 

W.  C.  Printzens  von  Waldthurn  Phrynis 
Mitilenffius,  oder  Satyrischcr  Componist, 
welcher  . . .  Die  Fehler  der  ungelehrten 
. . .  Componisten  hoflich  darstellet,  und 
zugleich  lehret,  wie  ein  Musicalisches 
Stiick  rein  . . .  zu  compouiren  . . .  sey,  etc. 
3   pts.  Verlegts  J.  C.  Mieth  und 

J.  C.  Zimmennann  :  Dresden  uiul  Leipzig, 
1696.    4".  557*.  d.  25. 

Each  part    has  a    separate    title-page, 
engraved  frontispiece  and  pagination. 

See  Tapinsmus  (M.)  pseud,  and  Laeusim- 
PELTZ  (C.)  pseud.  Refutation  des  Satyr- 
ischen  Componistens,  oder  so  genannten 
Phrynis  [of  W.  C.  Printzl,  etc.     1678.     4". 

'  12305.  d.  26. 

PRIOLI  (Giovanni)  Sacrorum  Con- 
centuum ...  in  Duas  Partes  distributorum. 
Pars  Prima.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)  (Quintus.)  (Sextus.)  (Septimus.) 
(Octavus.)  (Bassus  ad  Organum.)  9  pts. 
Apud  Bartliolomeum  Magni  :  Venetiis, 
1618.     4°.  D.  215. 

Sacrorum  Concentuum  ...  in  Duas 
Partes  distributorum  Pars  Altera.  Cantus. 
(Altus.)  (Tenor.)  (Bassus.)  (Quintus.) 
(Sextus.)  (Undecimus.)  (Duodecimus.) 
12  pts,  Apud  Bartholomcum  Magni  : 

Venetiis,  1019.     4°.  D.  215.  a. 

PRIOLUS  (Joannes)     See  Prioli  (G.) 

PRISE.     La  Prise  de  Tabac.     [Song.] 
Sec    Gretry     (A.    E.    M.)      [Le    Comte 
d'Albert.] 

X  2 


308 


PRISE— PROBIN 


PRISE  DE  LA  GRENADE.  Cette 
Ep6e,  Ami  Lavaleur.  [Vaudeville.]  De 
la  Prise  de  La  Grenade.  Chez  M.  Nicolet : 
[Paris,  1780  ?]     8«.  B.  362.  a.  (69.) 

PRISONER.  The  Prisoner.  Musical 
Romauce.     See  Attwood  (T.) 

The  Prisoner  Released.     Ballad.     Sec  In. 
In  a  gloomy  Recess,  c?c.     [1790?]     fol. 

H.  1994.  d.  (35.) 

PRISONERS'  OPERA.  The  Prisoners' 
Opera.  [By  Edward  Ward.]  To  which 
is  added,  Several  other  Entertainments 
. . .  perform"d  at  Sadler's  Wells,  during 
the  Summer  Season,  etc.  (Opera  Tunes.) 
Printed. .  .at  the  Wells  :  London,  1730.  8°. 
Ad.  MS.  27,831.  ff.  272  286. 
Tlic  tunes  hare  separate  pagination.. 

A   Starving   Life  all  Day  we   lead.     The 

Prisoners  Song  sung  by  Mr.  Piatt  ...  at 

Sadlers  Wells.    [London,  IISO.]    s.  sh.  io\. 

H.  1994.  b.  (75.) 

PRISONNIER.  Lorsque  dans  une  tour 
obscure.  Bomancc  da  Prisonnier.  [By 
D.  Delia  Maria.]  Frercs  Meyn  : 

Hamburg,  [1800  ?]     obi.  fol. 

E.  253.  d.  (22.) 
Le  Prisonnier,  ou  la  Ressemblanco. 
Op6ra.     Sec  Dklla  Makia  (D.) 

PRITHEE.     Prithee  Billy  ben't  so  silly. 
Advice  to  a  Friend  in  Love.    [Song,  words 
and  music  by  H.  Carey.] 
[London,  1785  ?]    s.  sh.  fol.   G.  315.  (46.) 

Prithee,  ben't  so  sad  and  serious.  Catch. 
Sec  PUKCELL  (H.) 

Prithee  Celia  ease  my  Pain.     Song. 
See  Weldon  (J.) 

Prithee  Fool  be  quiet.    Song.    Sfc  Young. 

Young  Jockey  sought  my  Heart  to  win, 
etc.     [1770?]     s.  s7f.  fol.        G.  314.  (96.) 

Prithee  foolish  Boy  give  o'er.  The 
Advice.  [Song,  music  attributed  to  J.  E. 
Galliard.]  Printed  for  J.  Simpson: 

[London,  1735?]     s.  sh.  fol. 

G.  305.  (122.) 
This  song  is  attributed  to  J.  E.  Galliard 
in  '  Apollo's  Cabinet.' 

[Another  edition.]      Prithee  foolish   Boy 
give  o'er.     Tlic  Advice.     [Song.] 
[iondon,  1740  ?]    s.sh.iol. 

G.  316.  e.  (119.) 

[Another   edition.]     Prithee  foolish   Boy 
give  o'er.     Tlie  Aclvice.     [Song.] 
[London,  1740  ?]     s.  sh.  fol. 

G.  316.  (114.) 
[Another  copy.]  G.  311.  (5.) 

[Another  setting.]  Prythce,  foolish  boy, 
give  o'er.     Catch.     See  Geeene  (M.) 

[Another  setting.]  Prithee  foolish  Boy 
give  o'er.     Glee.     See  Stevens  (R.  J.  S.) 


PRITHEE.       Prithee    tell    mo    faithless 
Swain.     Song.      See  Oakes  (J.) 

PRIVATE.      An    Excellent    New    Song, 
called   the    Private    Encounter    between 
Two   Loyal   Lovers,   etc.      See   Oh.      Oh 
fye  !  what  mean  I  foolish  Maid,  etc. 
[1G94.]    s.  sh.  fol.      Case  39.  k.  6.  (6.) 

PRIVATE  THEATRICALS.     Private 
Theatricals.     Entertainment. 
Sec  DiBDiN  (C.) 

PRIX.  Amis,  d'un  bonheur  que  j'envie. 
Vaudeville  du  Prix,  ou  VEnibarras  da 
Choix.  [Words  by  A.  E.  X.  Poisson  de 
Lachabeaussiere  and  P.  F.  N.  Fabre 
d'Kglantine,  music  by  T.  Lefevre.]  Avec 
Accompagnemeut  de  Guitarre. 
Chez  Imbault :  Paris,  [1788.]     8". 

B.  362.  h.  (12*.) 
Un  Prix  se  donne  tons  les  ans.  [Song.] 
Air  du  Prix  ou  V Embarras  dit  Choix. 
[Words  by  A.  E.  X.  Poisson  de  Lacha- 
beaussiere and  P.  F.  N.  Fabre  d'Eglantine, 
music  by  T.  Lefevre.]  Avec  Accompt.  de 
Guittare.  Chez  Imbault : 

Paris,  [1788.]     8".  B.  362.  h.  (12.) 

Tourner  ainsi  la  tete.  Air  du  Prix,  ou 
V Embarras  du  Choix,  [words  by  A.  E.  X. 
Poisson  de  Lachabeaussiere  and  P.  F.  N. 
Fabre  d'Eglantine,  adapted  to  "  Oui  noir 
mais  pas  si  diable,"  by  A.  E.  M.  Gre'try,] 
avec  Accompaguement  de  Guitare. 
Chez  hnbauU  :  Paris,  [1790?]     8". 

B.  362.  (113.) 
Le  Prix  de  la  Constance.     [Song.] 
See  Tu.     Tu  rejette  mes  tendrcsses,  etc. 
[1780?]     8".  B.  362.  c.  (33.) 

PRIX    DE    CYTHijRE.      Le   Prix  de 

Cythere,  Opera  Comique  [written  by  C.  J. 
Favart  and  A.  R.  do  Voyer  d'Argenson, 
IMarquis  of  Paulmy.  With  the  voice- 
parts  of  four  songs]. 

Chez  Pierre  Gosse  Junior  : 

La  Hayc,  1750.     8".  242.  g.  21. 

Part  of  tlw  '  Theatre  de  la  Hayc,'  torn.  4. 

PRIX  DE  LA  BEAUTE.     Le  Prix  de 
la   Beaute,   ou   Le   Jugemeut    de    Paris, 
Comedie-Balet  en  un  acte   en  vers,  par 
M.  Mailhol. .  .avec  la  IMusique. 
Chez  Duchesne  :  Paris,  1755.     8°, 

163.  c.  68. 

PRIZE.     The  Prize.     Musical  Farce. 
See  Horace  (S.) 

The  Prize  Carnation.     [Song.] 
See  Atrton  (E.) 

PRO.      Pro   Christo    afifligimur  nunquam 
sat.     Motet.     See  Steffani  (A.) 

PROBIN  (J.)     The  Happy  Shepherd.     A 
favorite  Song,  etc. 

Longman  and  Broderip : 
London,  [1795  ?]     fol.  G.  366.  (56.) 


PROBIN— PR0CtRA1\IMES 


309 


PROBIN  (J.)  When  gen'rous  Wine  ;  a 
favorite  Song,  sung  by  Mr.  Bowden,  in  the 
Opera  of  Robin  Hood,  etc.  J.  Bland  : 

London,  [1786  ?]     fol.  H.  131.  (41.) 

[Another  edition.]     When  gen'rous  Wine, 
&c..   An   admired    Song   [by   J.    Probin], 
sung ...  in  Robin  Hood.     [1790  ?]     fol. 
See  Robin  Hood.  G.  383.  i.  (23.) 

PROBUS  (Antonius)     See  Vulpids  (M.) 
Ein  schon   geistlich  Gesangbuch  .  .  .  Mit 
einer  Vorrede  Antonii  Probi,  etc. 
1609.     4°.  C.  99. 

PROCES.     Le  Proces.     Ariette. 

AS>e   Etrange.      L'etrauge    Chose    qu'un 
Proces,  etc.      [1780?]     8^ 

B.  362.  c.  (7.) 

PROFE  (Ambrosius)  Erster  theil  Geist- 
licher  Concerten  und  Harmonien  a  1.  2. 
3.  4.  5.  6.  7.  &c.  Vocibus  cum  &  sine 
Violinis,  &  Basso  ad  Organa  :  Ausz  den 
beriihmbsten  Italianischen  und  andern 
Autoribus  .  .  .  zum  iiiientlichen  Druck 
befordert  durch  Ambrosiuni  Profium,  etc. 
Altus  &  Violino  2.  Gcdruckt  durch 

Hcnning  Kblern,  in  Veiicgung  Christoph 
Jacob  . .  .in  Bresslaw  :  Leipzig,  16il.     4". 

B.  121. 

T]ie  composers  named  are:   A.  Grandi, 

P.  Francisciis,  F.  Sances,  T.  Mcrula, 

G.    Eovctta,   U.    Tarditi,   I.   Donati, 

H.  Vcchi  and  J.  P.  Siceling. 

Ander  Theil  Geistlicher  Concerten  und 
Harmonien,  etc.  Sexta  Vox  &  Violino  ii. 
Gedruckt  by  Henning  Kijlern,  in 
Verlegung  des  Atictoris  und  Collcctoris: 
Lcpzig,  1641.     4°.  B.  121.  a.  (1.) 

The  composers  named  are  :  G.  Eovctta, 

F.  Sances,    G.    Arigoni,    C.   Casati, 

G.  Prioli,  H.  Tarditi,  Chinelli,  Aloy- 
sius  [Palcstri7ia?],  G.  Sabbatini,  T. 
Mcrula,  J.  Vierdanck,  I.  Donati,  N. 
Fontei,  C.  Monteverde  and  H.  Schiitz. 

Dritter  Theil  Geistlicher  Concerten  und 
Harmonien,  etc.     Sexta  &  Viol.  ii. 

Gedruckt  bey  Homing  Kiilern,  in 
Verlegung  des  Auctoris  und  Collcctoris : 
Leipzig,  1642.     4".  B.  121.  a.  (2.) 

The  composers  named  are  ;    C.  Monte- 
verde, T.  Mcrula,  M.  Pesenti,  P.  Cor- 
netti,    G.    Sabbatini,    G.  Bovetta,   B. 
Honorio,  M.  Minozzi,  N.  Funtci,  H. 
Tarditi,   A.    Gi'andi,  G.  Scarani,   G. 
Chinelli,  C.  Monteverde  and  H.  Prae- 
torius. 
Vierdtervnd  letzter  theil  Geistlicher  Con- 
certen, etc.    Violin  ii. 
hi  Verlcgimg  des  Auctoris,  Gedruckt  bey 
Timotheo  Bitzschen  :  Leipzig,  1646.     4". 

B.  121.  a.  (3.) 
The  comp)osers  navied  are:  G.  Bovetta, 
F.    Turini,   A.    Bigatti,    T.   Mcrula, 
E.  Schiitz  and  M.  Cazati. 


PROFE  (Ambrosius|  Sec  Albert  (H.) 
Arien,  Erster  (Ander)  Theil . . .  zum  Druck 
befordert  und  verleget,  von  Ambrosio 
Profe.     1657.     8°.  A.  29. 

PROFESSOR.  The  Fashionable  Precep- 
tor for  the  Piano-Forte  &  Harpsichord . . . 
To  which  is  added  a  Selection  of  Modern 
Songs,  Favorite  Airs  &  IMarches,  etc. 

Printed  for  W.  Hodsoll : 
Lo»Jon,  [1798?]     oR  4°.         b.  110.  (1.) 
The    composers     named    are :    Mozart, 
Pleycl,  Haydn. 

PROGRAMMES.  —  London.  [Pro- 

gramme and  Book  of  the  Words  of  Giar- 
dini's    '  Ruth,'    performed   at  the    King's 
Concert  Room,  22  May,  1799.] 
{London,  1799,]     4".      7897.  i.  24.  (28.) 

Concerts  of  Antient  Music.    Concerts 

of  Antient  Music.      [Books  of  Words  for 

1782,  1784-1848.] 

London,  1782-1848.     4"  &  8°. 

54.  b.  1-15.  and  11778.  a. 
The   volumes  for     1783   and   1811    are 
ivanting. 

Ncio  Musical  Fund.    [A  Collection  of 

Programmes,  Book  of  the  Words,  Auto- 
graph letters,  etc.  relatiug  to  concerts 
given  in  aid  of  the  New  ^Musical  Fund  in 
1794,  1805,  1815-41.]  MS.  notes  [by  Sir 
George  Smart]. 

London,  [1794-1841.]     4"  &  fol. 

Case  61.  g.  20. 

Westminster  Abbey.  Commemoration 

of  Handel  [in  Westminster  Abbey].  Third 
Performance,  The  j\Iessiah.  Saturday, 
May  the  29th,  1784.  [Book  of  words  with 
list  of  performers.]  H.  Beyncll : 

London,  1784.     8°.  1344.  m.  20. 

Norwich.  Norwich  Grand  IMusical  Fes- 
tival, as  it  will  be  performed  at  St.  Peter's 
Church,  on  September  the  24th,  25th, 
and  26th,  1788.  [Programmes  and  Books 
of  the  Words.]  Crausc  d  Stevensori : 

Norivich,  1788.     8°.       7898.  bb.  10.  (1.) 

Norwich  Grand  Musical  Festival,  as 

it  will  be  performed  at  St.  Peter's  Church, 
and  at  the  Hall,  in  St.  Andrew's,  on  the 
8th,  9th,  and  10th   of    September,  1790. 
[Programmes  and  Books  of  the  Words.] 
Crousc  &  Stevenson  :  Norwich,  1790.     8". 

7898.  bb.  10.  (2,  3.) 
Oxford.     Music  Room,  March  25,  1776, 
[Programme  and  Words.] 
[1776.]     s.  sh.  fol.  I.  600.  c.  (114.) 

Venice.  Hospital  of  the  Mendicanti. 
Nella  Chiesa  di  S.  Lazzaro,  e  Mendicanti. 
La  Quadragesima  dell'  Anno  1782.  [List 
of  the  performances  of  sacred  Music  to  be 
given  by  the  pupils  of  the  School  of  Music 
at  the  jMendicanti.] 
[Venice,  1782.]    s.  sh.  fol. 

I.  600.  a.  (162.) 


310 


PROGRESS— PRUDE 


PROGRESS.     The  Progress  of   Love.     A 
Parody  on  the. .  .Song  of  Infancy,  dc. 
See    In.      In    rip'niug    age,   the    female 
Bveaat,  etc.     [1775?]    s.  s/(.  fol. 

G.  309.  (159.) 

The  Progress  of  Masonry,  a  New  Song, 
and  very  Humourous.  See  Chloe. 
Chloe,  or  the  Musical  Magazine,  etc. 
No.  74.     [1760  ?]     fol.  G.  433. 

PROGRESS  OF  LOVE.  The  Progress 
of  Love.     [4  Songs.]     See  Dibdin  (C.) 

PROKRIS   UND    CEPHAIiUS.     Pro- 
kris  und  Cephalus.     [Cantata.] 
See  ScHEiBE  (J.  A.) 

PROMENADE.  La  Promenade  Dan- 
gereuse.  [Song.]  See  Je.  Je  fut  par 
certain  jour  d'hiver,  c/c.     [1790?]     8^ 

B.  362.  a.  (142.) 

PROOFS.  The  Proofs  of  Passion.  Song. 
Sec  Lady. 

PROPER.     Proper  Fanny.     Song. 

See  ]\Iy.      My  Fanny  long  I  woo'd  and 
lov'd,  etc.     [1765.]     8".        P.P.  5438.  z. 

PROPHET.     The  Prophet.     Opera. 
See  Shield  (W.) 

PROPHETIC.     The  Prophetick  Ballad. 
See  In.     In  London  stands  a  fine  Pile,  etc. 
[1720.]     s.  sh.  fol.  H.  1601.  (252.) 

PROPHETICAL.  The  Prophetical  Pig. 
Comic  Song.  See  Reeve  (W.)  [The 
Evening  Brush.] 

PROPIAC  (Catherine  Joseph  Ferdinand 
GIRARD  DE)  La  Fausse  Paysanne. 
[For  songs,  &c.  published  anonymously :] 
See  Fausse  Paysanne. 

Isabelle  et  Rosalvo.     [For  songs,  &c.,  pub- 
lished anonymously :] 
See  Isabelle  et  Rosalvo. 

Les  Trois  Deesses  Rivales,  on  Le  Double 
Jugement    de    Paris.       Comedie    lirique 
en   un    Acte,   en  vers   melee    d'Ariettes. 
Par  M'  de  Piis,  etc.     [Full  Score.] 
Chez  Des  Lauriers  :  Paris,  [1788. J    fol. 

G.  142. 

PROSERPINE.  Proserpine.  Trag^die. 
See  LuLLi  (G.  B.) 

PROTA  (ToMASo)  Sei  Sonate  ovvero 
Divertimenti  da  Camera  a  Due  Flauti 
Traversieri  o  Due  Violini,  con  il  Basso,  etc. 
[Separate  Parts.] 

Printed  for  E.  Chapman  : 
[London,  1760?]     fol.  g.  222.  (6.) 

PROTESTATION.  The  Protestation. 
[Song.]     See  Boyce  (W.) 

[Another     setting.]      The     Protestation. 
[Song.]     See  No.     No  more  shall  ]\Ieads 
be  deck'd  with  Flow'rp,  etc. 
[1770?]     s.s/i.  fol.  G,  297.  (30.) 


PROTEUS.  The  Comic  Tunes  and  Songs 
in  the  Entertainment  call'd  Proteus,  or 
Harlequin  in  China. .  .For  the  Harpsicord, 
Violin,  &c.     [Words  by  H.  Woodward.] 

Printed  for  I.  Walsh  : 
London,  [1756.]     ohl.  fol.  and  fol. 

D.  282.  (3.) 

PROTH;6e.  Quelle  ardeur  coule  dans 
mon  coeur.  Parodie  du  Balct  dc  ProtJiee. 
Garde  ta  raison.  Atitre  parodie  du  meme 
Balet.     [Paris,']  1724.     s.  sh.  4". 

297.  a.  10. 
Mercure  de  France,  Nov.,  1724. 

PROTOTYPON.  Prototypon  Longo- 
Breve  Organicum.     Sec  M.,  P.  X.  A. 

Proud  Woman  I  scorn  you.     Dialogue. 
Sec  ]\Iad  Loveb. 

PROVEN9ALE.  Vonte  que  la  beauta 
s'esconde.  Air  de  la  Provencale[B,n  added 
act  to  '  Les  Fetes  de  Thalie,'  by  J.  J. 
Mouret].  R^coguillk^e :  [Paris,] 

1770.    s.  sh.  8°.  279.  e.  32. 

Mercure  de  France,  May,  1770. 

La  Proven(?ale.     Entree. 

See  Mouret  (J.  J.)    [Les  Fetes  de  Thalie.] 

PROVIDENT.  The  Provident  Damsel. 
[Song.]  See  Clarke  (R.)  [The  Humours 
of  Oxford.] 

PROVINCIALE.  LaProvinciale.  [Song.] 
See  Je.     J 'arrive  a  pied  de  Province. 
[1785?]    8'.  B.  362.  e.  (110.) 

PROVOKED  HUSBAND.  The  Fine 
Ladies  Life ;  or  the  thoughts  of  an  am- 
bitious Country  Girl  on  the  pleasures  of 
the  Town,  sung  in  the  Provoked  Husband 
by  Mrs.  Cibber.  [Song,  begins  :  "  What 
the'  they  call  me  Country  Lass,"  words 
and  music  by  H.  Carey.] 
[London,  1735  ?]     s.  sh.  fol. 

G.  305.  (186.) 
[Another  copy.]  G.  313.  (115.) 

PROVOKED  WIFE.  Bumpers  'Squire 
Jones.  [Song.]  Sung  bv  Mr.  Beard  in 
the  Provok'd  Wife.     [London,  1744.]     80. 

249.  c.  14. 

Gentleman's   Magazine,    Vol.   XIV.,  p. 
612. 

Ye  Prigs  who  are  troubled  with  Con- 
science's Qualms.  A  Humerous  Drunhcn 
Song.  Sung  by  Mr.  Beard,  in  the  Pro- 
vok'd Wife.     [London,  1750  ?]     s.  sh.  fol. 

G.  316.  c.  (31.) 

PRUDE.     Prude   Pallas   observ'd   to   the 
Demirep   Queen.      The  Artists.     [Song.] 
The  Words  by  G.  A.  Stevens. 
P.  H[odgson  :  London,  1780?]     s.  sh.  fol. 

G.  311.  (23.) 


PRUDENT— PSALMS  [3.  DUTCH,  1540-1559] 


311 


PRUDENT.  The  Prudent  Fair.  Song. 
See  To.  To  flv  like  Bird  from  Grove  to 
Grove,  <?/c.     [1775?]     s.sh.iol. 

G.  312.  (103.) 
The  Prudent  Shepherdess.     Ballad. 
See.  Potter  (J.) 

PRUDENT  (  )  Les  Jardiniers,  Comedie 
en  deux  Actes  et  en  Prose,  meslee  d'Ari- 
ettes;  par  M.  Davesne. .  .avec  la  Musique 
[of  one  Song,  hy  —  Prudent], 
.s'ee  Reciteil.  Recueil  ge'neral  des  Op6ra 
Bouffons,  etc.     Tom.  7.     1777.     8°. 

11735.  b.  2. 

PRUDENTE.  Prudentemichiedi.  [Song.] 
See  Federici  (V.)  {L'Vsurpator  Inno- 
cente.'] 

PRUNIER  (     )     Je  vis  I'autre  jour  Maitre 
Blaise.     Recit  de  Basse. 
{Paris,-]  173G.     s.  sh.  4".  297.  b.  12. 

Merairc  dc  France,  Feb.,  1736. 

PSALMS. 

Arrangejiekt. 

1.  Polyglot. 

2.  American. 
8.  Dutch. 

4.  English. 

5.  French. 

6.  French  and  Dutch. 

7.  German. 

8.  German  and  French. 

9.  Greek. 

10.  Hungarian. 

11.  Icelandic. 

12.  Italian. 

13.  Latin. 

14.  Latin  and  Dutch. 

15.  Latin  and  German. 

16.  Lettish. 

17.  Malay. 

18.  Polish. 

19.  Portuguese. 

20.  Romansch. 

21.  Swedish. 

22.  Welsh. 

The  entries   under   each    heading   are  in 
chronological  order. 

1.  Polyglot. 

The  Psalmes   of   David  in   4   Languages 
.    and  in  4  Parts  Set  to   y'  Tunes  of    our 
church  by  W[illiam]  S[latyer],  etc.     Gr., 
Lat.,  Heb.  &  Engl.     1643.     12'>. 
See  S.,  W.  E.  Pam.  1111.  (5.) 

The  Psalms  of  David  in  4  Languages  and 
in  4  Parts  Set  to  y^  Tunes  of  our  Church 
with  Corrections  by  W[illiam]  S[latyer]. 
Gr.,  Lat.,  Heb.  &  Engl.     1652.     12°. 
See  S.,  W.  Case  30.  a.  13. 

2.  American. 

A  New  Version  of  the  Psalms  of  David : 
Fitted  to  the  Tunes  used  in  Churches. 
By  N.  Brady  . . .  and  N.  Tate,  etc.    (Appen- 


dix, containing  a  Number  of  Hymns,  etc.) 
2  pts.  Be-printed  by  D.  and  J.  Kneeland, 
for  T.  Leverett :  Boston;  Neiv-England, 
1760.     12".  3433.  c.  46. 

TJie  music  is  engraved. 
The  Psalms  of  David,  with  The  Ten  Com- 
mandments, Creed,  Lord's  Prayer,  &c. 
In  Metre.  Also,  The  Catechism,  Confession 
of  Faith,  Liturgy,  &c.  Translated  from 
the  Dutch.  For  the  Use  of  the  Reformed 
Protestant  Dutch  Church  of  the  City  of 
New-York.     2  pts.  James  Parker  : 

New  York,  1767.     8°.  1109.  c.  1 

The  Psalms  of  David  Imitated  in  the 
Language  of  the  New  Testament ...  By 
I.  Watts. .  .The  Twent3--sixth  Edition. 

Mein  and  Fleeming  :  Boston  [il/ass.], 

1768.     12°.  3435.  e.  38. 

The     appendix,     containing     engraved 

mtisic,  is  imperfect,  wanting  fol.  1-4, 

7,  11,  12,  14  and  all  after  16. '  Fol.  5, 

8  and  13  are  mutilated. 
The  American  Harmony  :  or  Royal  Melody 
Complete. .  .Vol.  I.  Containing. .  .II.  A 
New... Body  of  Church  Musick,  adapted 
to  the  most  select  Portions  of  the  Book  of 
Psalms  . . .  The  Sixth  Edition  ...  By  W. 
Tans'ur,  etc.  (The  American  Harmony 
...Containing  a  Choice. .  .Collection  of 
Psalm  and  Hymn  -  Tunes  ...  by  A. 
WiUiams,  etc.)  2  pts.  1771.  obi.  4°. 
Sec  American  Harmony.         A.  479.  a. 

The  Chorister's  Companion,  containing 
...a  choice. .  .Collection  of  Psalm-Tunes 
. . .The  Second  Edition,  etc.  (Supplement. . . 
containing  16  pages  of  Psalm  and  Hymn 
Tunes,  newly  composed,  or  not  before 
printed  in  America.)  2  pts. 
(1792.)  obi.  4°.  See  Chorister's  Com- 
panion. A.  608. 

3.  Dutch. 
Souter   Liedekens.     [For  editions  of  the 
Souter  Liedekens  which  first  appeared  in 
1540 :]  See  infra  :   Psalms.     [Latin  and 
Dutch.'] 

26.  Psalmen  ende  ander  ghesanghen,  die 
men  in  de  Duydtsche  Ghemeynte  te 
Londen,  was  Ghebruyckende,  etc.  [Trans- 
lated by  J.  Utenhove.]  (11.  Ander  psalme 
door  J.  V.  . . .  in  rijme,  op  sanckswijse  te 
samen  gestelt,  etc.)  (Andere  26.  Psalme 
Dauidis  nieuwelick  toeghemaeckt  ...  by 
den  seluen  Autheur  J.  V.,  etc.)     3  pts. 

Ghedruckt. .  .by  Gcllium  Ctematium  : 
E77ibden,1558,b9.    8".     3434.  e.  20.  (1.) 

The  Srd  part  is  dated  1559. 
[26.  Psalmen,  e/c— Another  edition  of 
Pt.  II.]  11.  Ander  psalme  door  J. 
V[tenhove]. .  .in  rijme,  op  sangskswijse  te 
samen  ghestelt,  etc.  [Gelliiis  Ctematius  :] 
Embden,  1559.  8".  3425.  aa.  6. 

Hondert  Psalmen  Dauids.  Mitsgaders 
het  ghesangk  Marie,  t'  ghosank  Zacharie, 
t'  ghesauk  Simeons,  de  thien  Gheboden,  de 


312 


PSALMS  [3.  DUTCH,  15G1-1591] 


artikels  des  Gheloofs,  t'  ghebed  des  Heeren 
&c.  ouerghesett  in  Nederlandsche  dichte, 
door  I.  Wtenhoue,  etc.  Jan  Daijc  : 

Louden,  1561.     8°.  1220.  c.  39.  (1.) 

Souter  Liodokens.  V(-VIII).  Hot  aclisto 
(negeste)  (thienste)  (elfste)  musyck  boeck 
mit  vier  Partien,  waer  inne  begrepen  syu 
xxxi  (xxxi)  (xxxxiij)  (xxviij)  Psalmen  van 
Dauid,  etc.  Superius.  (Contra  Tenor.) 
8  pts.     1661.     obi.  4°.  K.  8.  a.  12. 

See  Mes  (G.) 

Een  Hantboecxken,  iulioudede  de  heelc 
Psalter  des  H.  Propheete  Dauid.  Een- 
samelijck  den  Catecbismus,  met  noch 
veel  schoon  Hynine  oft  Lofsanghen,  ende 
Gheestelijcke  Liedekens,  in  twee  deele  by 
een  geuueckt  . . .  Wt  du  Hoocbduytscbe 
Bonschen  Sanckboeck,  in  Nedelantscher 
spraken. .  .ouergeset,  c^c.  2  pts. 
Hans  dc  Braeker  :  Vranckfort,  1565.     8°. 

3089.  aaa.  9. 
De  Psalmen  Dauidis,  in  Nederlandiscber 
sangs-ryme,  door  Ian  Wtenboue  van 
Gbentt.  War  toe  toegedaen  syn  de  ge- 
sangen  Marie,  Zacharie,  Simeouis,  mit 
t'  samen  den  tien  geboden  ende  gebede  des 
Heeren,  mit  noch  anderen,  etc.  2  pts. 
Ian  Dayc :  Londen,  1566.     16°. 

3434.  a.  2.  (1.) 
Den  Geheelen  Souter  des  Koenincklijcken 
Propheten  Dauids,  met  alle  de  Composi- 
tionesop  de  Psalmen,  ende  met  de  Christe- 
licke  Lof-sangen,  Gebenden  ende  Danck- 
liedekens.  Vercieret  .  . .  met  veel  schone 
Lof-sanghen ende geestelicke Liedekens. . . 
Vergadert  wt  veel  Sang-boecken.  [Trans- 
lated from  the  German  by  Willem  van 
Haagt.]  Wesel,  1567.  12°.  3433.  de.  34. 
De  Psalmen  Dauids.  Ende  auder  lof- 
sangen,  wt  den  Franscoyschen  dichte 
[by  C.  Marot  and  T.  Beze],  in  Neder- 
lantscheu  ouerghesedt.  Door  Petrum 
Dathenum.  I\Iidtsgaders  den  Christe- 
lijcken  Catechismo,  Ceremonien  ende 
ghebeden.     2  pts. 

[Fimikenthal  ?]  1567.  S°.  3434.  e.  21, 
De  Psalmen  Dauids  wt  den  Fransoysche  in 
Nederlantschen  dichte  ouerghesedt.  [By 
Petrus  Dathenus.]  [Harman  Scliinckcl?  : 
Delft?]  1567.     8°.  3433.  e.  22. 

Imiierfect,  wanting  the  title-page  and 
following  leaf. 
De  Psalmen  Dauids,  ende  ander  Lof- 
sangen.  Wt  den  Fransoyschen  Dichte, 
in  Nederlantschen  overghesett,  Door  Pet- 
rum  Dathenum. . .  Wederom  ouersienendc 
ghecorrigeert.  2  pts. 
[Amsterdam  ?]  1569,     16°,         A.  620.  n. 

De  Psalmen  Dauids,  wt  den  Franchoy- 
schen  dichte  in  Nederlantschen  ouergeset. 
Door  Petrum  Dathenum  . . .  Van  nieus 
ouerghesien  ende  ghecorrigeert,  etc. 

Ferdinande  Samj^sons  : 
Ghendt,  [1512?]     4".      3040.  b.  21.  (2.) 


De  CL.  Psalmen  Dauids,  in  dichte 
ghestelt  door  Willem  van  Haecht.  Hier 
sijn  by  ghevoecht  de  Compositien  opde 
Psalmen,  ende  de  Chri-telijcke  Liedekens, 
etc.  (Het  Tweede  Deel,  inhoudende  de 
Psalmen,  Lof-Sanghen,  Hymnen  ende 
Geestelijcke  Liedekens  die  men  meest  in 
der  Christelijcke  Ghemeyuten,  gbewoon- 
lijck  is  te  singhen.  Ghetrocken  v^t 
diuersche  Sancboecken,  ende  nu  op  een 
nieu  wt  de  Hoochduytsche  inde  Neder- 
duytsche  Spraeke. .  .ouergeset,  etc.)  2  pts. 
Ghcclntct  .  .  .  V  en  coste  van  Arnont 
s'  Conincx  :  T'  hantioerpen,  1579.     12°. 

3434,  b,  4. 

Het  Boeck  der  Psalmen  Dauids.  Wt  de 
Hebreische  spraecke  in  Nederduytschen 
dichte,  op  de  ghewooulijcke  Francoische 
wyse  ouerghesett, door  Philips  van  Marnix, 
etc.  GilUs  van  den  Hade :  VAntwerpen, 
1580.    8".  3433.  e.  24. 

De  CL.  Psalmen  Dauids,  Wt  den  Fran- 
soyschen dichte,  in  Nederlandtschen  ouer- 
gheset.  Door  Pfetrum]  D[athenumJ,  etc. 
Pecter  Verhaghen  :  Dordrcclit,  1581.     4". 

3041.  bb.  1.  (2.) 
Fol.  2  is  mutilated. 

De  Psalmen  des  Propheten  Dauids,  Ende 
ander  Lofsanghen,  wt  den  Francoischen 
dichte   in    Nederlandtschen    Ouergheset, 
door  Petrum  Dathenum. 
[Aelbert  Hendricksz  :  Delft,  1581.]     8°. 

1004.  a.  6.  (2.) 
[Another  copy.]  3040.  dd.  5.  (2.) 

De  CL.  Psalmen  Dauids,  Wt  den  Fran- 
soyschen dichte,  in  Nederlandtsche  ouer- 
gheset. Door  Petrum  Dathenum,  etc. 
Andries  Verschout :  Leyden,  1587.     4°. 

3040.  e.  6.  (2.) 

Biblia :  Dat  is,  De  gantsche  Heylighe 
Schrift,  etc.  (De  Psalmen  des  Propheten 
Dauids,  Ende  ander  Lofsanghen,  wt  den 
Fransoyschen  dichte  in  Nederlantschen 
ouergheset,  door  Petrum  Dathenum.)  2  pts. 
Jan  Pacdts  Jacobszoon,  ende  Jan 
Bouwenszoon  :  Leyden,  1589.     8°. 

3040.  b.  14, 

Biblia  :  Dat  is,  De  gantsche  H.  Schrift, . . . 
verduytschet,  etc.  (De  Psalmen  Dauids 
wt  den  Fransoychen  in  Nederlantschen 
dichte  ouergheset.)  Barendt  Adriaensz. : 
Amstelredam,  1590.     4°.  1411,  h.  7. 

Het  Boeck  der  Psalmen.  Wt  der  Ile- 
breisscher  sprake  in  nederduytschen  dichte, 
op  de  ghewoonlicke  oude  wijsen  van 
singen,  ouergeset.  Mitgaders  de  heylige 
schriftuerlicke  lofsangen,  uyt  den  ouden 
ende  uieuwen  Testamente. .  .int  duytsche 
gestelt.  Door  Philips  van  Marnix,  genaemt, 
van  Sint  Aldegonde.     2  pts. 

Richard  Schilders  :  Middvllmrgh, 
1591.     8°.  1408.  e.  25.  (l.) 


PSALMS  [3.  DUTCH,  1594-1662] 


313 


De  C.L.  Psalmen  Dauids  :  Wt  deu  Frau- 
soyschen  dichte  in  Nederlandtscheu  ouer- 
gheaet  door  P.  Dathenum,  etc. 

AelhrecM  Heyndricrsz.  : 
s'  Graven-Haglie,  1594.     8°. 

3041.  aaa.  1.  (2.) 

BiWia  :  Dat  is,  De  gautsche  H.  Schrift, 
grondelick  ende  trouwelick  verduytschet, 
etc.  (De  Psalmen  Dauids  wt  deu  Fran- 
soyschen  in  Nederlandtschen  dichte  oucr- 
gheset.)  Bruijn  Harmanssz  Schinchcl : 
Dclf,  1596.     4°.  1411.  h.  8. 

Biblia :  Dat  is,  De  gantsche  Heylige 
Schrift  grondelick  ende  trouwelick  ver- 
duytschet, etc.  (De  Psalmen  des  Prophe- 
ten  Davids,  Ende  ander  Lofsaughen,  wt 
den  Fransoyscheu  dichte  in  Nederlantsche 
Tale  overgeset :  Door  Petrum  Dathenum.) 
Isaack  Jansz.  Caen,  ende  Thomas 
Willemsz.  van  Oitcn :  Dordrecht,  1597.    8". 

3040.  b.  13. 

De  C.L.  Psalmen  Davids,  wt  den  Fran- 
soyscheu dichte  in  Nederlantschen  over- 
geset, door  Petrum  Datherura,  etc. 

Ghcdnict  . . .  voor  Hubrcchl  Macsz.  : 
Dordrecht,  1599.     16°.  3035.  a.  8. 

Biblia.  Dat  is :  De  gantsche  Ileylighe 
Schriftuere,  grondelijck  ende  trouwelijck 
verduytschet,  etc.  (De  Psalmen  Davids 
wt  den  Fransoyscheu  in  Nederlantschen 
dichte  overgheset.)  Fransoi/s  Bossehicr  : 
Dordrecht,  1613.    4°.  3040.  eee.  7. 

Biblia.  Dat  is  De  Gansche  heylige 
Schrift  Grondelick  ende  trouwelick  Yer- 
duijtchet,  etc.  (De  Psalmen  des  Propheten 
Davids.  Ende  ander  Lofsanghen,  wt  den 
Fransoyscheu  dichte  in  Nederlantschen 
overgheset.  Door  Petrum  Dathenum.) 
Uldricli  Cor7icliss  vour  Jan  Everss  Clop- 
j^enhurch  en  Isack  lanss  Canin :  Leyden, 
1615.    12°.  3040.  a.  17. 

De  CL.  Psalmen  Davids,  uyt  den  Fran- 
soyscheu, in  Nederlandtschen  dichte  over- 
gheset. Door  Petrum  Dathenum  . . .  Item, 
hier  is  by  ghevoecht  op  de  cant  den 
Duytschen  Text,  overgeset  uyt  den  He- 
breeuschen :  door  Philifs  van  Marnix, 
ghenaemt  van  S.  Aldegoude. 

Adriacn  van  de  Viverc  : 
MicUelburch,  10,11.     8°.         3089.  bb.  1. 

Het  Nieuwe  Testament  . . .  Uyt  de  Oor- 
spronckelijcke  Griecksche  Tale  in  onse 
Nedelandsche. .  .Overgeset.  (De  Psalmen 
Des  Propheten  Davids,  .  .  .  Ende  ander 
Lof-Zanghen,  uyt  den  Fran(;oyschen 
Dichte  in  Nederlandtschen  over-gheset 
door  Petrum  Dathenum.) 

Faulus  Aertsz  von  Havestcyn  : 
Leyden,  1638.     8°.  1411.  d.  2. 

Dat  Woerdische  Sangboeck.  De  CL. 
Psalmen  Davids,  ende  Geestelijcke  Liede- 
kens,  wtgelesen,  mitsgat  ders  eeuige  nieuwe. 


LofE-sangen . . .  Die  laetste  Editie.  [With  a 
preface  by  J.  Ligarius.]  Symon  de  Vries  : 
Utrecht,  1647.  12°.  3433.  de.  33.  (1.) 
De  CL  Psalmen  Des  Propheten  Davids, 
Met  eenige  andere  Lof-sangen;  uyt  den 
Fran(;oyschen  in  Nederlandtschen  Dichte 
overgeset  door  Petrum  Dathenum.  Geheel 
op  Musijck-Noten  ghestelt,  ende  op  een 
uieuw  Oversien  en  Verbetert,  etc.     2  pts. 

Faulus  Aertsz  van  Bavcsleyn  : 
A77isicrda7n,  16i8.  12°.     3025.  b.  25.  (2.) 

De  CL  Psalmen  Davids,  uyt  den  Fran- 
(;oysen  in  Nederlandschen  dichte  overgeset 
door  P.  Dathenum.  (Catechismus,  etc.) 
2  pts.  Faulus  Aertsz  van  Bavestcyn  : 

Amsterdam,  1651.  16°.  Case  18.  a.  17. 
Biblia.  Dat  is  De  gantsche  H.  Schrifture, 
etc.  (De  CL  Psalmen  Des  Propheten 
Davids,  Met  eenige  andere  Lof-Sangen : 
uyt  den  Fran(;'oyschen  Dichte  in  Neder- 
landtschen overgeset  door  Petrum  Dathe- 
num.) 2  pts.  Faulus  van  Bavesteyn  : 
Amsterdam,  1655.  8°.  Case  66.  c.  6. 
De  CL.  Psalmen  des  Propheten  Davids, 
met  Eeuige  andere  Lof-sangen  ;  uyt  den 
Fransoyscheu  in  Nederlandtschen  Dichte 
overgeset  door  Petrum  Dathenum,  etc, 
(Catechismus,  etc.)    2  pts. 

Johannes  Elsevier : 
Leyden,  1659.     12°.  3035.  a.  4.  (2.) 

Psalmen,    Lof-Sangen,    ende    Geestelike 
Liedekens,    op    Leef-    ende    Sangh-mate 
gerijmt,  etc.     1661.     4°. 
See  Sluiter  (W.)  3436.  i.  26. 

Biblia.  Dat  is  :  De  gantsche  H.  Schrifture, 
etc.  (De  CL  Psalmen  Des  Propheten 
Davids,  Met  eenige  andere  Lof-sangen  : 
Uyt  deu  Fran9oyschen  in  Nederlandtschen 
Dichte  overgeset  door  Petrum  Dathenum.) 
(Catechismus,  etc.)     3  pts. 

By  de  Wcdmve  wijlen  Faulus  van 
Bavesteyn :  Amsterdam,  1662.     8°. 

Case  46.  d.  15. 
De  CL  Psalmen  Des  Propheten  Davids, 
Met  eenige  andere  Lofsangen  :  Uyt  den 
Francoyschen  in  Nederlantschen  dichte 
overgeset  door  Petrum  Dathenum ;  En 
tot  gemack  des  Sangers  op  eenen  sleutel 
gestelt,  en  gecorrigeert  door  M'  Cornells 
de  Leeuw,  etc.    (Catechismus,  etc.)     2  pts. 

By  de  Erfgcnamen  wijlen  Fatilns  van 
Bavesteyn  :  Amstcldam,  1662.     12°. 

1411.  b.  1.  (2.) 
[Another  edition.]  De  CL  Psalmen  des 
Propheten  Davids,  Met  eenige  andere  Lof- 
sangen :  Uyt  den  Francoyschen  in  Neder- 
landschen dichte  overgeset  door  Petrum 
Dathenum.  En  tot  gemack  des  Sangers 
op  eenen  Sleutel  gestelt,  en  door  Cornelis 
de  Leeuw  gecorrigeert.  Mitsgaders  De 
Christelicke  Catechismus,  etc.     2  pts. 

By  de  Erfgcnamen  wijlen  Faulus  van 
Bavesteyn  :  Amstcldam,  1662.     8°. 

1411.  d.  15.  (2.) 


314 


PSALMS  [3.  DUTCH,  1G64-1698] 


^ 


De  CL  Psalmen  Des  Proi)heten  Davids, 
...  in  Nederlantschen  dichte  overgeset 
door  Petrum  Dathenum  ...  op  eenen 
Sleutel  gestelt,  en  gecorrigeert  door  C.  de 
Leeuw.  Mitsgaders  De  Christelicke  Cate- 
chismus,  etc.     2  pts. 

Samuel  Imbrechts,  en  Gerbrant  Schagen  : 
Amsterdam,  1664.  12". 

Case  46.  a.  9.  (2.) 
[Another  copy.]  3049.  aa.  10.  (2.) 

De  CL  Psalmen  Des  Propheten  Davids 
.  .  .  overgeset  door  Petrum  Dathenum : 
En  ...  op  eenen  Sleutel  gestelt,  en  door 
C.  de  Leeuw  gecorrigeert.  Mitsgaders  De 
Christelicke  Catcchismus,  etc.     2  pts. 

By  cV  Erfgenamen  loijlcn  Pauliis  van 
Eavesteyn  :  Amsteldam,  1664.     12". 

3041.  a.  15.  (2.) 

De  CL  Psalmen  Des  Propheten  Davids, 
. . .  overgeset  door  Petrum  Dathenum  ; 
En  ...  op  eenen  Sleutel  gestelt,  volgens 
de  correctie  van  C.  de  Leeuw.  Mitsgaders 
De  Christelicke  Catechismus,  etc.  2  pts. 
lohannes  van  Cappel : 
Gai-inchem,  1666.  12".     3049.  b.  10.  (2.) 

De  CL  Psalmen  Des  Propheten  Davids, 
. . .  overgeset  door  Petrum  Dathenum ; 
En  ...  op  eenen  Sleutel  gestelt,  volgens 
de  correctie  van  C.  de  Leeuw.  ]\Iitsgaders 
De  Christelicke  Cathechismus,  etc. 
2  pts.  lohannes  van  Capx:icl : 

Gcn-incliem,  1669.     12".     1411.  b.  2.  (2.) 

De  CL  Psalmen  Des  Propheten  Davids, 
Met  eenige  andere  Lofzangen :  Uyt  den 
Francoyschen  in  Nederlandtschen  dichte 
overgeset  door  Petrum  Dathenum :  En 
tot  gemack  des  Sangersgeheelop  Musijck- 
Noten  en  eenen  Sleutel  gestelt,  etc. 

Dordrecht,  By  Hendrick-  en  Jacob- 
Keur,  gedruckt  voor  Jan  Jacobsz  Schipper, 
u-oonende  V  Amsterdam,  [1670  ?]     12". 

335.  b.  4.  (2.) 

[Another  copy.]  166.  d.  14.  (2.) 

This   copy,   bound    in   tortoiseshell  and 

silver,    formerly     belonged     to     King 

William  III. 

De  CL  Psalmen  Des  Propheten  Davids, 
. . .  overgeset  door  Petrum  Dathenum  . . . 
op  eenen  Sleutel  gestelt,  volgens  de  cor- 
rectie van  C.  de  Leeuw.  Mitsgaders  De 
Christelicke  Catechismus,  etc.     2  pts. 

Helmich  en  Johannes  van  Cappel : 
Gorinchem,  1671.     16".     219.  a.  14.  (2.) 


[Another  copy.] 


3049.  aa.  9.  (2.) 


De  CL.  Psalmen  Davids,  in  Nederduytsch 
Gedicht  gestelt,  door  W.  van  Haecht. 
Mitsgaders  De  Lofsangen,  ende  Geestel- 
lijcke  Liederen,  die  de  Christelijcke 
Gemeynten  . . .  zijn  gebruyckende,  etc. 

Christoffel  Cunradns :  Amstclrcda7n, 
1671.    8".  3040.  b.  19.  (2.) 


Davids  Psalmen,  op  de  gewoonelikke 
wysen,  gerymt  door  Joannes  Six  van 
Chandelier.  Jakob  Lescalje  : 

Amsterdam,  1674.    12".       3433.  de.  32. 

De  CL  Psalmen  Des  Propheten  Davids 
. . .  overgeset  door  Petrum  Dathenum ; 
En... op  eenen  Sleutel  gestelt,  volgens 
de  correctie  van  C.  de  Leeuw.  Mitsgaders 
De  Christelicke  Catechismo,  etc. 

Hendrick-  en  Jacob-Kenr  : 
Dordrecht,  1675.     12".       1411.  b.  3.  (2.) 

Uytbreyding  Over  de  Psalmen  Des  Pro- 
pheten Davids.  Na  de  Fransche  dicht- 
mate  van  C.  Marot,  en  T.  de  Beze.  Door 
D.  Camphuyzen,  Voor  Jan  Rieuioertz, 

en  Pictcr  Arentsz. :  Amsterdam,  1679.   12". 
11555.  b.  35.  (2.) 

De  CL.  Psalmen  Des  Propheten  Davids, 
. . .  Overgeset,  door  Petrum  Dathenum. 
En. ,  .op  Musijck-Nooten  en  eenen  Sleutel 
gestelt,  Door  C.  de  Leeuw  . . .  En  na  dc 
correctste  Copije  Gecorrigeert.  Mitsgaders 
De  Christelicke  Catechismus,  etc. 

Pieter  van  Reyschotcn,  Meyndert  Bout, 
Joannis  Schot,  Abraham  van  der  Putte, 
en  haer  Compagnie :  Amsterdam,  1683.  12°. 

3436.  aaaa.  18. 

De  CL  Psalmen  Des  Propheten  Davids, 
. . .  overgeset  door  Petrum  Dathenum  ; 
En  ...  op  eenen  Sleutel  gestelt,  volgens 
de  correctie  van  C.  de  Leeuw.  Mitsgaders 
De  Christelicke  Catechismo,  etc. 

Hendrick-  en  Jacob-Keur  : 
Dordrecht,  1683.     12".       1411.  b.  4.  (2.) 

De  CL  Psalmen  Des  Propheten  Davids 
.  .  .  overgeset  Door  Petrum  Dathenum  ; 
En  ...  op  eenen  Sleutel  gestelt,  door  C. 
de  Leeuw.  Mitsgaders  De  Christelicke 
Catechismus,  etc.  Abraham  Wolfgangh, 
Hendrick  en  de  Wedttioe  van  Dirck  Boom  : 
Amsteldam,  1690.     4".         463.  b.  3.  (2.) 

[Another  copy.]  1411.  k.  12.  (2.) 

De  CL  Psalmen  Davids,  .  .  .  overgeset 
Door  Petrum  Dathenum.  Met  den  Duyt- 
schen  Text  op  de  kant,  na  de  nieuwe 
Oversettinge. .  .Mitsgaders,  de  Christelijko 
Cathechismus  . . .  Alle  de  voysen  der  Psal- 
men zijn  op  een  G  sleutel  gestelt  door 
P.  Matthysz.  2  pts.  Door  ordre  van  d' Ed. 
. . .  Betvindbebberen  der  Oost  Indische  Com- 
pagnie, by  d'Erfg.  van  Panlus  Matthysz., 
gedrukt :  Amsterdam,  [1695  ?]     16". 

1110.  a.  38. 

De  CL.  Psalmen  Des  Propheten  Davids, 
. . .  Overgeset  Door  Petrum  Dathenum. 
En  . . .  de  Musijcknoten  op  eenen  Sleutel 
gestelt,  en  gecorrigeert  na  de  correctste 
Copije  van  C.  de  Leeuw.  IMidtsgaders  Den 
Christelicken  Catechismo,  etc. 

Casparus  Loots-Man : 
Amsterdam,\16'd&.']  16".    3035.  a.  26.  (2.) 


PSALMS  [3.  DUTCH,  1700?-1734J 


315 


J.  Bloems  Stigtelyke  Zeede-Verssen.  Ge- 
past  op  alle  de  Zang-Wyzen,  begreepen  in 
de  Hondert  en  Vyftig  Psalmen  Davids  . . . 
Geheel  op  Nooten  gestelld  . .  .  door  H.  G., 
etc.    [1700?]     12°.     6'eeG.,  H.     A.  137. 

De  CL.  Psalmen  Davids,  In  Nederduytse 
Sang-versen,  Oude  en  Nieuwe  Rymen : 
Begrypende  d'  Oude,  .  .  .  eertyds  gerymt 
Door  W.  van  Haagt :  En  die  Nieuwe  . . . 
Door  J.  V.  Duisberg.  Aldus  geheel  op 
bekende  Sang-wysen,  Benevens  Alle  de 
gewone  Geestelyke  Liederen  . . .  En  Met 
enige  Nieuw-geapprobeerde  Liederen  ver- 
meerdert,  etc.  Dirk  en  Hendrik 

Brioyn,  voor  Jan  van  Duisberg :  Amsterdam, 
1701.    12".  3040.  aa.  14.  (2.) 

De  CL  Psalmen  Des  Propheten  Davids. .  . 
overgeset  door  Petrum  Datheuum :  En 
. . .  al  de  Musijck-noten  op  eenen  Sleutol 
gcstelt,  en  gecorrigeert  na  de  Copie  van 
C  de  Leeuw.  Mitsgaders  De  Cbristelicke 
Cathechismus,  etc.  2  pts.  Johannes  dc 
Geer,  in  Compagnie  met  De  Weduice  van 
Gijshert  de  Groot,  en  Pieter  vayi  Ryschoten : 
Dcn-drecht,  1705.     8°.      3040.  b.  15.  (2.) 

Enchuyser     Lied  -  Boeksken,    behelfende 
eenige  Bruylofts-Psalmeu,  etc. 
Meynard  Mid  :  Enchtiysen,  [170G  ?]  24°. 

1077.  a.  39. 

Den  Hoonig-Raat  der  Psalm-Dichten  ofte 
Davids  Psalmen  met  d'  andere  Lof-sangen, 
gestelt  op  Sangmaate  . . .  door  H.  Ghysen. 
Geheel  op  nooten,  en  op  een  sleutel 
gestelt,  naukeurig  gecorrigeert,  etc.  2  pts. 
By  de  Wed:  Gysbert  de  Groot : 
Amsterdam,  1708.  12°.      1411.  b.  5.  (2.) 

Euchuyser     Lied  -  Boeexken,    behelfende 
eeuighe  Bruylofts-Psalmen  ...  Op  niemvs 
. . .  vermeerden  ende  verbetert,  etc. 
Ian  Palensteyn  :  Enchuyscn,  [1708  ?]  24°. 

1077.  a.  43. 
De  CL  Psalmen  Des  Propheten  Davids, 
.  .  .  overgeset  door  Petrum  Dathenum : 
En  .  .  .  al  de  Musijck-noten  op  eenen 
Sleutel  gestelt,  en  gecorrigeert  na  de  Copie 
van  C.  de  Leeuw.  Mitsgaders  De  Cbriste- 
licke Catechismus,  etc.  2  pts.  Anthoni 
Hasebrocck,  Nicolaas  Burgers,  Johannes 
van  Hcekercn,  Bastiaan  van  Beaumont, 
Abraham  van  der  Putte,  En  hare  Com- 
pagnons  :  Amsterdam,  1711.     8°. 

3040.  b.  20.  (2.) 
De  CL  Psalmen  Des  Propheten  Davids, 
.  .  .  overgeset  door  Petrum  Dathenum ; 
En  ...  op  eenen  Sleutel  gestelt,  volgens 
de  correctie  van  C.  de  Leeuw.  Mitsgaders 
De  Cbristelicke  Catechismo,  etc. 

Jacob- en  Pieter-Keur : 
Dordrecht,  1712.     18°.     1411.  a.  28.  (2.) 

Davids  Psalmen,  in 't  Nederduits  berijmd. 
[For  the  use  of  the  Baptists  at  Haarlem.] 
Uaak  Enschedi  :  Haarlem,  1713.     12°. 

A,  511.  i. 


De  CL  Psalmen  Des  Propheten  Davids. 
. . .  overgeset  Door  Petrum  Dathenum ; 
En  ...  op  eenen  Sleutel  gestelt,  door  C. 
de  Leeuw.  Mitsgaders  De  Cbristelicke 
Catechismus,  e^c.  2  pts.  I.  van  der  Putte, 
Wed.  J.  van  Hekkcren,  H.  Burgers, 
P.  Verschueren,  C.  Oterlyk,  P.  Losel,  en 
J.  Spanseerder :  Amsterdam,  [1715.]    4°. 

3035.  c.  8.  (2.) 

De  CL  Psalmen  Des  Propheten  Davids, 
.  .  .  overgeset  door  Petrum  Dathenum ; 
En  ...  op  eenen  Sleutel  gestelt,  volgens 
de  correctie  van  C.  de  Leeuw.  J\Iits- 
gaders  De  Cbristelicke  Catechismus,  etc. 
Pieter  Keur :  Dordrecht,  1720.     12°. 

1159.  d.  1.  (2.) 

De  CL.  Psalmen  des  Propheten  Davids 
. . .  Overgeset,  Door  Petrum  Dathenum. 
De  Musijck  -  Nooten  op  eenen  Sleutel 
gesteldt  door  C.  de  Leeuw  . . .  Mitsgaders 
de  Christelijke  Catechismus,  etc.     2  pts. 

Jacobus  Konynenberg : 
Amstelreda77i,  [1720  ?]  16".    3089.  a.  27. 

Nieuw  verbetert  Psalm-  en  Gezang-Boek, 
Of  de  Hondert  en  Vijftig  Psahnen  Davids, 
En  alle  de  gewoone  Geestelyke  Liederen, 
Eertijts  berijmt  Door  W.  van  Haagt  En 
naderhand  op  bekender  Zang-wysen  ge- 
bracht  Door  J.  van  Duisberg  ...  By  dese 
druk  sijn  alle  Psalmen  en  Liederen  met 
de  eerste  vers  op  nooten  verrijkt,  en  gestelt 
op  de  sleutel  (Beraol  en  Beduur)  . . .  soo 
als  deselve  nu  te  Amsterdam  in  de  Lutherse 
Kerken  gesongen  werden.  Ook  is  bier  by 
gedrukt  De  Catechismus  Lutberi,  etc. 

Samuel  Schoonwald  : 
Amsterdam,  1725.    4°.      3035.  c.  7.  (2.) 

De  CL  Psalmen  Des  Propheten  Davids, 
.  .  overgeset  door  Petrum  Dathenum ; 
En  ...  op  eenen  Sleutel  gestelt,  volgens 
de  correctie  van  C.  de  Leeuw.  Mitsgaders 
De  Cbristelicke  Catechismo,  etc.     2  pts. 

Pieter-  en  Jacob-Keur  : 
Dordrecht,  [1727.]    12°.     1411.  a.  8.  (2.) 

De    Zangwysen    van     de    CL.    Psalmen 

Davids,  dc.     [1730?]    ohl.lol. 

See  WiTVOGEL  (G.  F.)  e.  1207. 

De  CL.  Psalmen  Davids,  In  Nederduytse 
Sang-versen,  Oude  en  Nieuwe  Eymen  : 
.  .  .  d'  Oude,  .  .  .  gerymt  Door  W.  van 
Haagt :  En  die  Nieuwe,  ...  op  bekende 
Kerk-sangwysen  gestelt  en  gerymt,  Door 
J.  V.  Duisberg.  Aldus  geheel  op  bekende 
Sang-wysen,  Benevens  Alle  de  gewone 
Geestelyke  Liederen . . .  Met  eenige  Nieuw- 
geapprobeerde  Liederen  vermeerdert,  etc. 
2  pts.  Antoni  en  Hendrik  Bruyn : 

Amsterdam,  1734.  12°.     3040.  b.  22.  (2.) 

De  CL  Psalmen  Des  Propheten  Davids, 
.  .  .  overgeset  door  Petrum  Dathe- 
num ;  En  ...  op  eenen  Sleutel  gestelt, 
volgens  de  correctie  van  C.   de  Leeuw, 


316 


PSALMS  [3.  DUTCH,  umiTiS] 


IGt^aden  De  Christelicke  Catecluamiu,  ' 
etc.    2  pts.  I 

By  S  Wed.  J.  van  HeeTieren,  G.  Boutnan,  ] 
J.ut»derPutte,  C.  Oterlyk  en  Compagnie  : 
Amsterdam,  1737.     ISr.    1411.  d.  19.  (2.)   ' 
[Another  copy.]  3040.  b.  16.  i2.t 

[Anotlier  edition.]  De  CL  Psalrr^en  De.-. 
Propheten  Davids, . . .  overges^::  doer  Pe- 
tmm  Datheniun ;  En  ...  op  eenen  Sleu:*;: 
gestelt  Tolgens  de  correctie  vari  C.  di 
Leeaw.  Mitsgaders  De  Chri^t'ilicre  Ca:^- 
chismo,  «te.  Fitter-  en  Jacol-Eeur : 

Dordrecht,  1737.  12*.  3040.  a.  15.  (2.) 
De  ex.  Psalmen  Des  Propheten  Davids, 
, . .  overgeset,  door  Petrum  Dathectun, 
En  . . .  de  Mosieknoten  op  eenen  Slentel 
gestelt,  na  de  correctie  van  C.  de  Leeaw ; 
Mits^tders  De  Christelyke  Catechismcs, 
etc.  Willem  Kroon,  Pieter  Muntendam, 
Johannes  Evelt  en  Steven  X&aulme : 
Utrecht,  L174L]     12*.        1411.  b.  6.  .2.1 

De  CL.  Psahnen  van  David,  in  2^'eder- 
duitse  Zang-verzen ;  En  alle  de  ge^oone 
Greestljke  liederen,  oude  en  nieuwe  rym : 
.  ,  .  d'  Onde,  .  .  .  gerymt.  Door  W.  van 
Haagt ;  En  de  Nieuwe,  .  .  .  Door  J.  van 
Doisberg,  Met  eenige  Nienw  -  geappro- 
beerde  Liederea  vermeerdert,  etc. 
H.  Burgers,  F.  Lozel,  H.  Brandt,  D.  onder 
de  Linden,  O.  van  Grafhcrrst,  C.  Oterlyk, 
G.  d  Grooikeur,  En  hunne  Compagnie : 
Amsteldam,  1751.  12*.  1411.  d-  3.  (2.) 
Nieuw  verbetert  Psalm-  en  Gezang-Boek, 
Opde  Hondert  en  Vijftig  Psalmen  Davids, 
Ein  alle  de  gewoone  Geestelyke  Liederen, 
Eertijts  berijmt  Door  W.  van  Haagt  En 
naderhand  op  bekender  Zangwyzen  ge- 
bracht  Door  J.  van  Doisberg,  . . .  By  deze 
dmk  zijn  alle  Psalmen  en  Liederen  met 
de  eerste  vers  op  nooten  verrijkt,  en 
gestelt  op  de  slentel  (Eemol  en  Bedaur) 
. . .  zoo  als  dezelve  nn  te  Amsterdam  in 
de  Lutherse  Kerken  gezongen  worden. 
Ook  is  hier  by  gedrnkt  De  Catechismns 
van  Lntherus,  etc.  P.  Losel,  H.  Brandt, 
D.  Onder  de  Linden,  O.  van  Grafhcrst, 
G.  de  Groot,  F.  Schouten,  en  Campagnie  : 
Amsterdam,  11  ol.    4\     3041.  g.  12.  i2.. 

De  CL.  Psabnen  des  Propheten  Davids, 
.  .  .  overgeset  door  Petrom  Dathennm ; 
En  ...  op  eenen  Slentel  gestelt,  Door  C. 
de  Leenw.  Jlitsgaders  De  Christelyke 
Catechismns,  etc.  J.  Batelband, 

en  J.  Bouirer :  Amsterdam,  "1759?'     12*. 

14il.  d.'4.  [2.) 
De  CL  Psalmen  Des  Propheten  Davids, 
. . .  overgeset   Door  Petrum   Dathenum  ; 

En op  eenen  Sleutel  gestelt,  door  C.   ■ 

de  Leeuw.  Mitsgaders  De  Christelicke  i 
Catechismns,  etc.     2  pts.  P.  Losel,   i 

H.  Brandt,  D.  Onder  de  Linden,  O.  van  ■ 
Grafhorst,  G.  de  Groot,  P.  Schouten,  en  . 
Comp.  :  Amsterdam,  [1761.'     4'. 

1411.  k.  14.  ^2.)  i 


Het  Boek  der  Psalmen;  nevens  de  Ge- 
zangen,  by  de  Horormde  Kei^  ingebndk : 
aHen,  volgens  de  gewoone  zangwyzen,  op 
memr  in  dichtmaat  gebzagt  dmx  een 
Knustgeraootsch^  m^r  de  ziuspieak, 
Laos  Deo,  sains  popolo.  Pieter  Meijer  : 
Amsteldam,  176L     12*.     1411-  b.  7.  (2.) 

De  CL.  PsiJmen  Davids,  in  Nederdnitsche 
ZangvetsBen,  Oode  en   Nieuwe   Bymen, 

begrypoide  d'  Oode eertyds  gerymt  door 

W.  van  Haagt :  en  de  Nieuwe  ...  op  be- 
kende  Kerkzangwyzen  gestelt  en  gerymt 
door  J.  T.  Duisberg.  AMtis  geheel  op  be- 
kende  Zangwyzen,  Benefiens  Alle  gewoone 
Geestelyke  Liederen,  .  .  .  ilet  eenige 
Nienw-geapprobeerde  Liederen  vermeer- 
dert,  etc.     3  pts.  P.  Losel,  H.  Brandt, 

D.  Onder  de  Lirjden,  O.  van  Grafliorsi, 
G.  de  Groot,  P.  Schouten.  en  Compagnie : 
Amsterdam,  1761.    12*.    i41L  a.  9.  (2.) 

Het  Boek  der  Psalmen,  nevens  de  Ge- 
zangen  bij  de  Hervormde  Kerk  van 
Nederland  in  gebruik,  etc.    2  pts. 

H.  Brandt,  D.  Onder  de  Linden, 
P.  Schouten,  de  Wed.  O.  van  Grafhorst, 
J.  de  Groot,  en  Compagnie:  Amsterdam, 
1773.    12*.  141L  IJ.  a  (2.) 

Het  Boek  der  Psalmen,  nevens  de  Ge- 
zangen  bij  de  Hervormde  Kerk  van 
Nederland  in  gebruik ;  door  last  van  de 
Hoog  Mogende  Eeeren  Staaten  Generaal 
der  Vereenigde  Nederlanden,  uit  drie 
berijmingen,  in  den  jaare  1773,  gekooren, 
met  de  noodige  daar  in  gemaakte  veran- 
deringen.  2  pts.  By  de  Erven  de  Wed. 
J.  Batelband,  en  J.  Bouicer  :  Amsterdam, 
1773.    12».  3436.  £  34. 

'Another  edition.]  Het  Boek  der  Psalmen, 
nevens  de  Gezangen  bij  de  Hervormde 
Kerk  van  Nederland  in  Gebruik,  etc. 
2  pts.  By  de  Erven  de  Wed. 

■J.  Batelbarul,  en   J.  Bouicer:  Amsterdam, 

1773.  12*.  3041.  aa.  23.  (2.) 
Tiiis  edition  is  smaller  in  size  and  has 

smaller  type  than  the  other  one  issued 
by  the  same  printers  in  1773. 

Het  Boek  der  Psalmen,  nevens  de  Ge- 
zangen bij  de  Hervormde  Kerk  van 
Ne&rland  in  gebruik,  etc.    2  pts. 

H.  Brandt,  D.  onder  de  Linden, 
P.  Schouten,  J.  de  Groot,  en  Compagnie : 
Amsterdam,  1774.    8*.     1411.  h.  10.  (2.) 

'Another  edition.]  Het  Boek  der  Psalmen, 
nevens  de  Gezangen  bij  de  Hervormde 
Kerk  van  Nederiand  in  gebrtuk,  etc. 
■2  pts.      Pieter  van  Thol :  'S  Gravenhage, 

1774.  4'.  1411.  k.  13.  (2.) 

Het  Boek  der  Psalmen,  nevens  de  Ge- 
zangen bij  de  Hervormde  Kerk  van 
Nederland  in  gebruik,  etc.     2  pts. 

By  de  Erven  de  Wed.  J.  Puitelband, 
en  J.  Bouicer :  Amsterdam,  li  i5.     12'. 

3040.  b.  23.  (2.) 


PSALMS  '3.  DUTCH,  1776-1797:— :4.  ENGLISH,  1562-1563] 


317 


Het  Boek  der  Psalmen,  nevens  de  Ge- 
zangen  bij  de  Hervonnde  Kerk  van  ^STeder- 
land  in  gebruik,  etc.  H.  Brandt, 

D.  onder  de  Linden,  P.  Schouten,  de  Wed. 
O.  van  Grafhorst,  J.  de  Groot,  en  Com- 
vagnie  :  Amsterdam,  1776.     12'. 

1411.  b.  21.  (2.) 
Het  Boek  der  Psalmen,  nevens  de  Ge- 
zangen  bij  de  Hervormde  Kerk  van  Neder- 
land  in  gebruik  . . .  Mitsgaders  de  Chris- 
telijke  Catechismus,  etc.    2  pts. 

Johannes  Enschede  en  Zoonen  : 
Haarlem,  1776.    12^.  Case  65.  g.  6.  (2.) 

Het  Boek  der  Psalmen  nevens  de  Ge- 
zangen  bij  de  Hervormde  Kerk  van  2>eder- 
land  in  gebruik,  etc.  By  de  Erven  de  Wed. 
J.  Ratelband,  en  J.  Bouicer :  Amsterdam, 
1776.     12-.  1411.  b.  9.  (2.) 

Het  Boek  der  Psalmen  nevens  Christ^lyke 
Gezangen,  Ten  gebruike  der  gemeente 
toegedaan  de  onveranderde  Augsburgsche 
Geloofsbelydenis,  op  nieuw  in  Dichtmaat 
gebracht, clfc.  (Kerkboek.)  2pts.  H.Brandt, 
P.  Schouten,  J.  de  Groot :  en  A.  Losel : 
Amsterdam,  ^778.]     8". 

3035.  aa,  8.  (2.) 

Het  Boek  der  Psalmen,  nevens  de  Ge- 
zangen bij  de  Henormde  Kerk  van 
Nederland  in  Gebruik  . . .  Mitsgaders  De 
Christelijke  Catechismus,  etc. 

Johannes  Enschede  en  Zoonen  : 
Haarlem,  1778.     12'.      3040.  b.  18.  (2.) 

Het  Boek  der  Psalmen,  nevens  Christe- 
lyke  Gezangen,  ten  gebruike  der  Gemeente 
toegedaan  de  onveranderde  Angsburgsche 
Geloot^belydcnis,  etc.  (Kerk-Boek.)  2  pts. 
Pieter  Meijer,  Joh.  Strander,  en  Ant. 
EichJiom :  Amsterdam,  1779.     8". 

3090.  ccc.  26. 
Het  Boek  der  Psalmen,  nevens  de  Ge- 
zangen bij  de  Hervormde  Kerk  van 
Nederland  in  gebruik  .  .  .  Mitsgaders  De 
Christelijke  Catechismus,  etc. 

Johannes  Enschede  en  Zoonen  : 
Haarlem,  1780.  12».  3041.  aa.  6.  (2.) 
Het  Boek  der  Psalmen,  nevens  de  Ge- 
zangen bij  de  Hervormde  Kerk  van 
Nederland  in  gebruik,  etc.  By  de  Erven 
de  Wed.  J.  Ratelband,  en  .J.  Bouicer: 
Avu^terdam,  1786.    8'.     3041.  aa.  1.  (2.) 

Het  Boek  der  Psalmen,  nevens  de  Ge- 
zangen bij  de  Hervormde  Kerk  van 
Nederland  in  gebruik ;  .  .  .  IMitsgaders 
De  Christelijke  Catechismus,  etc. 

Joh.  Enschede  en  Zoonen  : 
Haarlem,  1787.     12^.      3040.  a.  19.  (2.) 

Het  Boek  der  Psalmen,  nevens  de  Ge- 
zangen bij  de  Her>ormde  Kerk  van 
Nederland  in  gebruik,  etc.  By  d'  Erven 
Hendrik  van  der  Putte  :  Amsterdam,,  etc. 
1788.    4'.  3434.  e.  18.  (1.) 

There  is  a  second  [engraved)  title-page, 
dated  1774. 


Het  Boek  der  Psalmen,  nevens  de  Ge- 
zangen bij  de  Hervormde  Kerk  van 
Nederland  in  gebruik  .  .  .  Mitsgaders 
De  Christelijke  Catechismus,  etc. 

Johannes  Enschede  en  Zoonen  : 
Haarlem,  1789.     12«.       1411.  b.  11.  (2.) 

Het  Boek  der  Psalmen,  nevens  de  Ge- 
zangen bij  de  Hervormde  Kerk  van 
Nederland  in  gebruik,  etc.  H.  Brandt, 
D.  onder  de  Linden,  J.  de  Groot,  en  X.  T. 
Gravius  :  Amsterdam,  1792.     12'. 

3061.  b.  30.  (2.) 

Het  Boek  der  Psalmen,  nevens  de  Ge- 
zangen bij  de  Hervormde  Kerk  van 
Nederland  in  gebruik,  etc.  By  de  Erven 
de  Wed.  J.  Ratelband,  en  J.  Bouicer: 
Amsterdam,  1792.     12". 

3040.  aa.  3.  (2.) 

Het  Boek  der  Psalmen,  nevens  de  Ge- 
zangen bij  de  Hervormde  Kerk  van 
Nederland  in  gebruik,  etc.    2  pts. 

J.  de  Groot,  N.  T.  Gravius, 
J.  Brandt,  en  de  Erve  D.  onder  de  Linden, 
en  Compagnie  :  Amsterdam,  1794.     12^. 

1411.  b.  12.  (2.) 

Het  Boek  der  Psalmen,  nevens  de  Ge- 
zangen bij  de  Hervormde  Kerk  van 
Nederland  in  gebruik,  etc.  J.  Bouicer 

en  de  Wed.  J.  Puitelband :  Amsterdam, 
1795.    8".  3035.  a.  6.  (2.) 

Het   Boek   der  Psalmen,  nevens   de   Ge- 
zangen   bij     de     Hervormde     Kerk    van 
Nederland  in   gebruik  ;    .  .  .   Mitsgaders 
De  Christelijke  Catechismus,  etc. 
Johannes  Allart :  Amsterdam,  170^.     12r. 

1411.  b.  22.  (2.) 

4.   EXGLISH. 

^The  Whole  Booke  of  Psalmes,  collected 
into  Englysh  metre  by  T.  Stamhold  I. 
Hopkins  &  others:  conferred  with  the 
Ebrue,  with  apt  Notes  to  synge  thf; 
withal.  Faithfully  perused  and  alowed 
according  to  thordre  appointed  in  the 
Queues  maiesties  Iniunctions  .*.  ^  Very 
mete  to  be  vsed  of  aU  sortes  of  people 
priuately  for  their  solace  &  comfort : 
laying  apart  all  vngodly  Songes  and 
Ballades,  which  tende  only  to  the  nor- 
ishing  of  vyce,  and  corrupting  of  youth, 
etc.  MS.  SOTE  'bv  Francis  Fry]. 
[John  Day  :  Lo'don,  1-562.^     4". 

Case  25.  g.  3. 
Imperfect,  wanting 43  leaves  {li^land  8; 
A— 9  leaves  ;  B  1-8;  C  1,  3,  4-6,  8 ; 
D  1-8;  L  1,  7,  8  and  Et  1-7)  sup- 
plied in  facsimile,  also  Ee  8  (probably 
blank).  »i<  7  is  mended  and  restored 
{partly  in  facsimile). 

Contra  Tenor  (Tenor)  (Medius)  (Bassus)  of 
the  whole  psalmes  in  foure  partes,  whiche 
may  be  song  to  al  musicaU  instrumentes, 
set  forth  for  the  encrease  of  vertue :  and 


318 


PSALMS  [4.  ENGLISH,  1563-1576] 


abolishyng   of   other   vayue   and    triflyng 
ballades.    4  pts.  John  Day  : 

London,  1563.     ohl.  4".  K.  1.  e.  2. 

The  Contra  Tenor  is  imperfect,  wanting 
the  last  two  leaves.  The  folloiviitg 
composers  arc  navied :  B.  Brimle, 
W.  Parsons,  T.  Caustun,  N.  Souther- 
ton,  J.  Hake,  Talys,  R.  Edivards  and 
Shepherd. 
[Another  copy.     Tenor.]  K.  1.  e.  3. 

[Another  copy.     Medius.] 

Case  40.  m.  9.  (2.) 

Imperfect :  tuanting  all  but  title,  pp.  71- 

72,  75-78,  145,  146. 

The  Whole   Booke   of  Psalmes  collected 

into   Englyshe    Meter,    by   T.    Sternhold 

J.   Hopkins,   and   others,    .  .  .   with   apt 

Notes  to  sing  them  -witlial  .  .  .  whereunto 

is  added  a  short  introduction  to  learne  to 

sjTig  the  Psalmes,  etc.  John  Day  : 

I^ondon,  1564.     8".  Case  36.  a.  14. 

[The  Courte  of  Vertu  :  contayninge  many 

holy  or  spretuall  songes,  Sonettes,  psalmes, 

ballettes  shorte  sentences  as  well  of  holy 

scriptures  as  others.]    B.  L.     [Written  by 

John  Hall.]  Thomas  Marshe  : 

London,  1565.    8".         Case  57.  aa.  33. 

Wanting  all  quire    A    except    the   tico 

inmost    leaves.      The    title,  which  is 

also  missing  in  both  the  other  knoivn 

copies,  is  here  given  from  the  entry  in 

the  Stationers'  Registers. 

The  Whole  Booke  of   Psalmes,  collected 

into    English    Meter    by    T.    Sternhold, 

I.  Hopkins  and  others :  c6f erred  with  the 

Hebrue,   with   apt  Notes   to   syng  them 

withall.     Faithfully  perused  and  allowed 

accordyng  to  the  Queues  Maiesties  Iniunc- 

tions,  etc.  John  Day  : 

London,  1565.    fol.     Case  12.  i.  1.  (3.) 

The  whole  booke  of  Psalmes,  collected 
into  Englishe  Meter  by  T.  Sternhold, 
J.  Hopkins  and  others,  .  .  .  with  apt 
Notes  to  sing  them  withaU.  Newly  set 
forth  and  allowed  to  be  song  in  all 
Churches,  of  all  the  people  together, 
before  &  after  morning  &  euenyng  prayer : 
as  also  before  and  after  the  Sermo,  and 
moreouer  in  priuate  houses  for  their 
godly  solace  and  comfort,  laying  aparte 
all  vngodly  songes  and  balades,  which 
tend  onely  to  the  nourishing  of  vice,  and 
corrupting  of  youth,  etc.  John  Dai/ : 

London,  [1567.]     fol.         3407.  e.  7.  (2.) 
Waiiting  all  after  sig.  Sii. 

The  Whole  Psalter  translated  into  Eng- 
lish Metre  [by  Archbishop  Parker],  which 
contayneth  an  hundreth  and  fifty  Psalmes, 
etc.  [With  four-part  settings  of  the  eight 
Tunes  by  T.  Tallis.]  John  Daye  : 

London,  [1567  ?]    4°.  Gren.  12025. 

424  nnmbcrcd  pages,  preceded  by  25 
unnumbered  leaves.  Page  424  is  fol- 
lowed by  24  unnumbered  leaves.    This 


ivork  teas  never  published,  a  few  pre- 
sentation   copies     only     having    been 
distributed. 
[Another  copy.]  Case  10.  a.  3. 

Imperfect ;  luatiting  the  last  eight  leaves. 

[Another  copy.]  Case  24.  a.  5. 

Imperfect ;   wanting   the   title-page  and 

first   six    leaves.      The   title   and   six 

stanzas  of  the  address   to   the  reader 

are  supplied  in  MS. 
[The  Whole  Booke  of  Psalmes  collected 
into    English    Meter    by    T.    Sternhold, 
J.  Hopkins  and  others,  etc.']       lohn  Day  : 
London,  1569,     16".  3090.  aaaa.  4. 

Imperfect ;   ivanting   tJie   title-page  and 

fol.  a.  viii. 
The  Whole   Booke  of  Psalmes,  Collected 
into    Englishe    Metre    by   T.    Sternh.    I. 
Hopkins  and  others,  .  .  .  with  apt  Notes 
to  sing  them  withall,  etc.  lohn  Daye  : 

London,  1572.     4°.  3434.  d.  2.  (2.) 

This  edition  is  printed  ivith  Day's  '  new 

Print  of  Note,'  ivitJi  letters  '  ioyned  by 

euery  Note.' 
The  Whole  Booke  of  Psalmes,  Collected 
into  Englishe  Metre  by  T.  Sternh.  1.  Hop- 
kins and  others,  .  .  .  with  apt   Notes  to 
sing  them  withall,  etc.  lohn  Daye  : 

London,  1573.     4".  337.  b.  3.  (2.) 

Printed  witli,  Day's  '  netv  Print  of  Note.' 

Imperfect,  ivanting  all  after  p.  62. 

[The  Whole  Booke  of  Psalmes  .  .  .  with 
apt  Notes  to  sing  them  withall,  etc.] 
[J.  Day  :  London,  1573  ?]     fol. 

Case  25.  m.  4.  (3.) 

Imperfect,  ivanting  sig.  A  i  and  all  after 

sig.  P  Hi. 

The   Whole  Booke  of  Psalmes  Collected 

into   Englishe    Metre    by   T.   Sternh.   I. 

Hopkins  and  others,  .  .  .  with  apt  Notes 

to  sing  them  withall,  etc.         lohn  Daye  : 

London,  1574.     4°.  337.  b.  4.  (2.) 

Imperfect,  ivanting  sig.  Hij,  pp.  97,  98 

and  all  after  106. 

The   Whole   Boke   of    Psalmes    collected 

into    Englishe    Metre    by   T.   Sternhold, 

W.  Whitingham,  I.  Hopkins,  and  others, 

.  .  .  with  apt  Notes  to  syng  them  withall, 

etc.     lohn  Daye  :  London,  [1575  ?]     4". 

3405.  b.  11.  (2.) 
Wanting    the    last    leaf:    pp.   1-4    are 
mutilated. 

The  Whole  Booke  of  Psalmes,  collected 
into  englishe  meter  by  T.  Sternh.  I.  Hop- 
kins and  others,  .  .  .  with  apt  Notes  to 
sing  them  withall,  etc.  lolin  Day  : 

London,  1576.     fol.  347.  c.  5.  (2.) 

The  Whole  Booke  of  Psalmes,  Collected 
into  Englishe  Metre  by  T.  Sternh.  I. 
Hopkins  and  others,  .  .  .  with  apt  Notes 
to  sing  them  withall,  etc.  lohn  Daye  : 

London,  1576.     8°.  3434.  e.  45. 

Imperfect,  wanting  all  after  p.  101. 


PSALIMS  [4.  ENGLISH,  1578-1587] 


319 


The  Whole  Books  of  Psalmes,  collected 
into  Englishe  Metre  by  T.  Sterh.  [sic]  I. 
Hopkins  and  others,  .  .  .  with  apt  Notes 
to  sing  them  withall,  etc.  lohn  Daye  : 

London,  1578.     4^  465.  a.  4.  (2.) 

Imperfect,  ivanting  H  1  ami  all  after  sig. 
HI. 

The  Psalmes  of  David  in  English  meter 
with  Notes  of  foure  partes  set  vnto  them 
by  Guilielmo  Daman,  etc.  Tenor.  (Bassus). 
2  pts.     1579.     obi.  4^     See  Damon  (W.) 

K.  4.  c.  5. 

The   Whole   Boke   of    Psalmes,   collected 
into  Englishe  IMetre  by  T.  Sternhold,  W. 
Whitingham,  I.  Hopkins,  and  others  :  . . . 
with  apt  Notes  to  sing  them  withall,  etc. 
lohn  Dane  :  London,  1579.     4". 

3434.  c.  11. 

The  Whole  Booke  of  Psalmes,  collected 
into  englishe  meter  by  T.  Sternh.  I. 
Hopkins  and  others,  . . .  with  apt  Notes  to 
sing  them  withall,  etc.  lohn  Day  : 

London,  1580.     fol.         3406.  e.  11.  (2.) 

The  Whole  Booke  of  Psalmes,  collected 
into  English  meter  by  T.  Sternhold,  I. 
Hopkins  and  others,  . . .  with  apt  Notes 
to  sing  them  withall,  etc.  lohn  Daye  : 

London,  1580.     4\  347.  a.  3.  (2.) 

[Another  copy.]  218.  e.  19.  (3.) 

The   Whole  Booke  of   Psalmes   collected 
into   English   meeter,   by  T.  Sternehold, 
I.   Hopkins,   and    others  :  .  .  .  with    apte 
notes  to  sing  them  withall,  etc. 
lohn  Daye  :  London,  1581.     8°. 

Case  36.  b.  18. 

The  Whole  Booke  of  Psalmes,  collected 
into  English  meter  by  T.  Sternh.  I. 
Hopkins  and  others,  .  .  .  with  apt  Notes 
to  sing  them  withall,  etc.  lohn  Day  : 

London,  1583.     fol.  3434.  g.  9. 

[Another  edition.]     The  Whole  Booke  of 
Psalmes,  collected  into  englishe  meter  by 
T.  Sternh.  I.  Hopkins  and  others,  . .  .with 
apt  Notes  to  sing  them  withall,  etc. 
lohn  Day  :  London,  1583.     fol. 

342.  b.  2.  (2.) 
Imperfect,  wanting  sig.  I  Hi,  iv,  and  all 
after  I  v. 

[Another  edition.]     The  Whole  Booke  of 
Psalmes :   Collected   into   english   meeter 
by  T.  Sternhold,  I.  Hopkins  &  others  :  . . . 
with  apt  Notes  to  sing  them  withall,  etc, 
John  Day  :  London,  1583.     8°. 

3434.  f.  25. 

[Another  edition.]     The  Whole  Booke  of 
Psalmes.     Collected  into   english   meeter 
by  T.  Sternhold,  I.  Hopkins  &  others  :  . . . 
with  apt  Notes  to  sing  them  withall,  etc. 
John  Day  :  London,  1583.     4°. 

675.  e.  18.  (2.) 


Seuen  Sobs  of  a  SorrowfuU  Soule  for 
Sinne :  Comprehending  those  seuen 
Psalmes  of  .  .  .  Dauid,  commonly  called 
Poenitentiall :  . . .  reduced  into  meeter  by 
W.  Hunnis,  etc.  1583.  12\ 
See  Hunnis  (W.)  Case  37.  a.  7. 

The  Whole  Booke  of  Psalmes,  collected 
into  Englishe  Metre  by  T.  Sternhold,  W. 
Whitingham,  I.  Hopkins,  and  others  :  . . . 
with  apt  Notes  to  sing  them  withall,  etc. 
lohn  Daye  :  London,  1584.     4°. 

Case  65.  1.  2.  (2.) 

[Another  edition.]     The  whole  Booke  of 
Psalmes,  Collected  into  English  Metre  by 
T.  Stern.  I.  Hopk.  and  others,  .  .  .  with 
apt  Notes  to  sing  them  withall,  etc. 
lohn  Daye  :  London,  1584.    8". 

3433.  bbb.  5. 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  meter  by  T.  Sternh.  I. 
Hopkins  and  others,  . . .  with  apt  Notes  to 
sing  them  withall,  etc. 
Printed  by  the  assignes  of  Bichard  Day : 
London,  1585.     fol.  3425.  dd.  3. 

[Another  edition.]  The  Whole  booke  of 
Psalmes.  Collected  into  English  meeter 
by  T.  Sternh.  I.  Hopkins  and  others,  . . . 
with  apt  notes  to  sing  them  withal,  etc. 
Printed  by  the  Assignes  of  Richard  Day  : 
London,  1585.     4°.       Case  27.  f.  8.  (2.) 

[Another  edition.]  The  Whole  Book  of 
Psalms... by  T.  Sternhold,  I.  Hopkins, 
etc.]  [The  Assignes  of  Bichard  Day?: 
London,  lb8£>?]     16".  3405.  a.  17. 

Imperfect,  ivanting  sig.  A  1  and  all  after 
Hh&. 

Musike   of  Six,   and  Fiue  partes.     Made 
vpon  the  common  tunes  vsed  in  singing 
of  the  Psalmes,  etc.     1585.    obi.  4°. 
See  CosYN  (J.)  K.  8.  b.  6. 

The  Whole  Booke  of  Psalmes,  collected 
into  English  meeter  by  T.  Sternhold,  I. 
Hopkins  and  others,  . . .  with  apt  Notes  to 
sing  them  withaD,  etc.  lohn  Wolfe, 

for  tlie  Assigns  of  Bichard  Day  :  London, 

1586.  fol.  468.  b.  11.  (3.) 
Wanting  all  after  p.  194. 

[Another  edition.]  The  whole  booke  of 
Psalmes,  collected  into  English  Metre  by 
T.  Sternhold,  I.  Hopkins,  and  others,  . . . 
with  apt  notes  to  sing  them  withall,  etc. 

I.  Wolfe  for  the  Assignes  of  B.  Day  : 
London,  1586.     8°. 

Harl.  MS.  987.  flf.  261-315. 

The  Whole  Booke  of  Psalmes,  Collected 
into  English  meetre  by  T.  Sternhold,  I. 
Hopkins,  and  others,  .  .  .  with  apt  Notes 
to  sing  them  withall,  etc.  lohn  Wolfe, 

for  the  Assignes  of  Bichard  Day  :  London, 

1587.  4°.  3436.  i.  14. 


320 


PSALMS  [4.  ENGLISH,  1587-1599?] 


Seuen  Sobs  of  a  Sori-owfall  Soule  for 
Sinne :  Comprehending  those  seuen 
Psahnes  of .  .  .  Daiiid,  commonlie  called 
Pceuitentiall :  . . .  reduced  into  meeter  by 
W.  Hunnis,  etc.  1587.  12". 
Sec  Hunnis  (W.)  Case  39.  a.  59. 

The  Whole  booke  of  Psalmes  Collected 
into  English  meetre  by  T.  Sternhold, 
J.  Hopkins,  and  others,  . . .  with  apt  Notes 
to  sing  them  withall,  etc.  Printed  for 
the  Assignes  of  Richard  Dai/ :  London, 
1538.     4°.  3089.  ff.  18. 

The  whole  booke  of  Psalmes,  collected 
into  English  Metre  by  T.  Sternhold,  I. 
Hopkins,  and  others,  .  .  .  with  apt  notes 
to  sing  them  withall,  etc.  lohn  Wolfe, 

for  the  Assignes  of  Richard  Day  :  London, 
1591:     8».  3435.  bb.  29. 

The  former  Booke  of  the  ]\Iusicke  of 
Mr.  William  Damon  .  .  .  conteining  all 
the  tunes  of  Dauid's  Psalmes  . . .  composed 
into  4.  parts.  In  which  Sett  the  Tenor 
singeth  the  Church  tune,  etc.  (The  second 
Booke  ...  In  which  .  .  .  the  highest  part 
singeth  the  Church  tune,  etc.)  Cantus. 
2  pts.     1591.     4".     See  Damon  (W.) 

K.  3.  m.  4. 
The  Whole  Booke  of  Psalmes.  Collected 
into  English  meter  by  T.  Sternh.  I.  Hopkins 
and  others  :  .  .  .  with  apt  Notes  to  sing 
them  withall,  etc.  lohn  Windct,  for  the 
Assignes  of  Richard  Day :  London, 
1592.    fol.  3408.  i.  10.  (2.) 

[Another  edition.]  The  Whole  Booke  of 
Psalmes.  Collected  into  English  meetre, 
by  T.  Sternhold,  J.  Hopkins,  and  others, . . . 
with  apt  Notes  to  sing  them  withall,  etc. 
John  Windet  for  the  Assignes  of  Richard 
Dayc  :  London,  1592.     4".     3433.  d.  10. 

The  Whole  Booke  of  Psalmes  :  with  their 
Wonted  Tunes,  as  they  are  song  in 
Churches,  composed  into  fourc  parts  :  All 
which  are  so  placed  that  foure  may  sing, 
ech  one  a  seueral  part  in  this  booke. 
Wherein  the  Church  tunes  are  carefully 
corrected,  and  thereunto  added  other 
short  tunes  vsually  song  in  London  .  .  . 
Compiled  by  Sondry  Authors,  etc.  [With 
a  Dedication  and  Preface  by  T.  Est.] 

T.  Est,  the  assignc  of  W.  Byrd : 

London,  1592.     8".  K.  2.  c.  7. 

TJie  composers  named  arc :  I.  Farmer, 

W,  Cobbold,  E.  Blancks,  E.  Hooper, 

G.   Kirby,   I.    Douland,   R.    Allison, 

M.    Cavendish    E.  Jhonson  and    G. 

Farnaby. 

The  Whole  Booke  of  Psalmes  :  With  their 

Wonted  Tunes,  .  .  .  composed   into  foure 

parts  . . .  Compiled  by  X.  Sondry  Authors, 

etc.    Thomas  Est,  assignc  of  William  Byrd  : 

London,  1594.     8°.  Gren.  12151. 

Songs  and  Psalmes  composed  into  3.  4. 

and  5.  parts,  etc.     1594.     4°. 

See  MuNDY  (J.)  K.  2.  a.  3. 


The  Whole  Booke  of  Psalmes.  Collected 
into  English  meetre,  by  T.  Sternhold, 
J.  Hopkins,  and  others,  .  .  .  with  apt 
Notes  to  sing  them  withall,  etc. 
John  Windet  for  the  Assignes  of  Richard 
Dayc  :  London,  1594.     4°. 

1411.  e.  1.  (3.) 
The  Whole  Booke  of  Psalmes,  Collected 
into  English  meeter  by  T.  Sternhold, 
I.  Hopkins  and  others,  .  .  .  with  apt  Notes 
to  sing  them  withall,  etc,  lohn  Wiiulet, 
for  the  Assignes  of  RicJiard  Day  :  London, 
1595.     fol.  468.  b.  10.  (3.) 

Lnperfect,  wanting  all  (tfter  fol.  P  G. 
[Another  copy.]        Case     25.  m.  5.  (1.) 

Lnperfect,  luanting  all  after  p.  149, 
The  Whole  Booke  of  Psalmes.  Collected 
into  English  meetre,  by  T.  Sternhold, 
J.  Hopkins,  and  others,  . . .  with  apt  Notes 
to  sing  them  withall,  etc.  John  Windet 
for  the  Assignes  of  Richard  Daye  :  London, 
1595.     4°.  3433.  ce.  2.  (1.) 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  meeter  by  T.  Sternhold, 
I.  Hopkins  and  others,  . . .  with  apt  Notes 
to  sing  them  withall,  etc.  lohn  Windet, 
for  the  Assignes  of  Richard  Day  :  London, 

1597.  fol.  464.  e.  5.  (3.) 
Lnperfect,  wanting  all  after  p.  90. 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  meetre,  by  T.  Sternhold,  J. 
Hopkins,  and  others,  .  .  .  with  apt  Notes 
to  sing  them  withall,  etc.  .John  Windet 
for  the  Assignes  of  RicJiard  Daye  :  Lo)idon, 

1598.  4".  3051.  ce.  6.  (3.) 
Lnperfect,  wanting  tlie  last  leaf. 

[Another  edition.]  The  Whole  booke  of 
Psalmes  collected  into  English  meetre  by 
T.  Sternhold,  W.  Whittingham,I.  Hopkins, 
and  others  . . .  with  apt  notes  to  sing  them 
withall,  etc.  lohn  Windet,  for  the  Assignes 
of  Richard  Daye  :  London,  1598.     4". 

Case  25.  h.  7.  (2.) 
[Another  edition.]  The  Whole  booke  of 
Psalmes.  Collected  into  English  meetre 
by  T.  Sternhold,  W.  Wittingham,  I. 
Hopkins,  and  others  .  .  .  with  apt  notes 
to  sing  them  withall,  etc. 
lohn  windet,  for  the  Assignes  of  RicJiard 
Daye  :  London,  1598.     4°.      1220.  f.  29. 

Wanting  7  leaves  at  tJie  end,  containing 
prayers  and  tJie  table. 
[The  Whole   Book  of  Psalms  ...  by  T. 
Sternhold,  J.  Hopkins,  and  others,  etc.] 
[J.  Windet  ?  :  London,  1598  ?]     fol. 

Case  25.  1.  10.  (2.) 

Lnperfect,  loanting  all  before  fol.  9  and 
after  S  iiii. 
The  Whole  Booke  of  Psalmes.  With  their 
woonted  Tunes,  as  they  are  sung  in 
Churches,  composed  into  foure  parts. 
Compiled  by  sundrie  Authors,  etc, 

W.  Barley,  tJie  assigne  of  T.  Morley  : 
London,  [1599  ?]     16".  3434.  a.  47. 


PSALMS  [4.  ENGLISH,  1590-1604] 


321 


The  whole  Booke  of  Psalmes.  Collected 
into  English  meeter  by  T.  Sternehold,  L 
Hopliins,  and  others :  .  .  .  with  apt  Notes 
to  sing  them  withall,  etc.  lohn  Windct, 
for  file  (tssigites  of  Richard  Day :  London, 
1599.    32°.  Case  18.  a.  19. 

The  Bookc  of  Psalmes:  Collected  into 
English  Meeter,  by  T.  Sternhold,  I. 
Hopkins,  and  others,  .  .  .  with  apt  Notes 
to  sing  them  withall,  etc.  "Deimfies  of 
Christopher  Barker  > :  London,  159J  ?]    4". 

1111.  h.  16.  |2.) 
[Another  copy.]  1111.  h.  1.  (3.) 

[Another  edition,  j  The  Booke  of  Psalmes : 
Collected  into  English  Meeter,  by  T.  Stern- 
hold,  I.  Hopkins,  and  others  :  . .  .  with  apt 
Notes  to  sing  them  withall,  etc. 
\ Deputien of  Cliribtopher Barker'! :  London, 
1599  ?J     1".  346.  a.  5.  (2.) 

Printed  icith  red  lines  on  eaeJi  page. 

[Another  edition.  The  Booke  of  Psalmes  : 
Collected  into  English  IMecter,  by  T, 
Sternehold,  I.  Hopkins,  and  others  ;  . . . 
with  apt  Notes  to  sing  them  withall,  etc. 
{Deputies  of  Christopher  Harker? :  London, 
1599 '?j     4"".  3051.  d.   11.  (2.) 

[Another  copy.]  3053.  e.  2.  (2.) 

The  Psalmes  of  Dauid  in  dieter.  The  plaine 
Song,  being  the  common  tunne  to  be  sung 
and  plaide  vpon  the  Lute,  Crpharyon, 
Citterne  or  Base  Violl,  seuerally  or  alto- 
gether, the  singing  part  to  be  either  Tenor 
or  Treble  to  the  Instrument,  according  to  ; 
the  nature  of  the  voyce,  or  for  fowre 
voyces :  With  tenne  short  Tunnes  in  the 
end,  to  which  for  the  most  part  all  the 
I'salmes  may  be  vsually  sung  .  .  .  By 
Kichard  AUison,  etc.  Willia')n  Barley, 

the  Assigne  of  Thomas  Men-ley  :  London, 
1599.     fol.  K.  7.  f.  10. 

The  Booke  of  Psalmes :  Collected  into 
English  fleeter,  by  T.  Sternehold,  I. 
Hopkins,  and  others  :  . . .  with  apt  Notes 
to  sing  them  withaU,  etc.  [Deputies  of 

Christopher  Barker  ?  ;  London,  1600  ?]   4". 
3052.  bb.  18.  (2.) 
[Another  copy.]  03051.  f.  2.  (2.) 

[Another  copy.]  337.  b.  10.  (2.) 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  mcetre,  by  T.  Sternhold,  -J. 
Hokms  [_sic'],  and  others,  .  .  .  with  apt 
Notes  to  sing  them  withall,  etc. 
John  Windet  for  the  Assignes  of  liieltard 
Daye  :  London,  1001.     4". 

3052.  cc.  9.  (4.) 
[Another  edition. J  The  whole  booke  of 
Psalmes,  collected  into  English  Metre  by 
T.  Sternhold,  I.  Hopkins,  and  others,  . . . 
with  apt  notes  to  sing  them  withall,  etc. 
lohn  Windet,  for  the  Assignes  of  Richard 
Day  :  London,  1601.     8". 

3408.  bb.  5.  (2.) 

VOL.    II. 


The  CL.  Psalmes  of  David  in  ^Mcter,  with 
the  Prose.  For  the  vse  of  the  Kirk  of 
Scotland,  etc.  Richard  SeJtilders  : 

Middelburgli,  1602.  8".  Case  25.  c.  11. 
The  Psalmes  of  David  in  IMetre,  with 
Divers  Notes,  and  Tunes  augmented  to 
them.  Also  with  the  prose  on  the  margen, 
( tc.  Richard  Schildcrs  :  Middelburgli, 

1602.    8".  Gren.  20001. 

The  Whole  booke  of  Psalmes,  collected 
into  English  ^Ictre  by  T.  Sternhold,  I. 
Hopkins,  and  others,  .  . .  with  apt  notes 
to  sing  them  withall,  etc.  lohn  Windet, 
for  the  Assignes  of  Richard  Day  :  London, 
'1602.     8".  339.  a.  4.  (2.) 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  mcetre,  by  T.  Sternhold. 
J.  Hopkins,  and  others  . . .  with  apt  Notes 
to  sing  them  withall,  etc.  John  Windet 
for  the  Assignes  of  Richard  Dai/e  :  I^ondon, 

1602.  4".  3434.  f.  26. 
The  Whole  Booke  of  Psalmes,  Collected 
into  English  meeter  by  T.  Sternhold,  I. 
Hopkins  and  others,  . . .  with  apt  Notes 
to  sing  them  withall,  etc.  lohn  Windet, 
for  the  As.'iignes  of  Richard  Day  :  London, 

1603.  fol.  ■  3405.  d.  5.  (2.) 
Wanting  all  after  sig.  Q  3. 

[Another  copy.]  3408.  i.  12. 

Imperfect ;  wanting  sigs.  A  5,  B  5,  C  1, 
E  l",  M  2-5,  O,  and  all  after  F  6. 
The  Whole  Bookc  of  Psalmes.  Collected 
into  Pmglish  meetre  by  T.  Sternhold,  J. 
Hopkins,  and,  others,  . . .  with  apt  Notes 
to  sing  them  withall,  etc.  John  Windet 
for  the  Assignes  of  Richard  Daye  :  London, 

1603.  4".  340.  b.  11.  (3.) 
Wa^iting  all  after  sig.  G  6. 

The  W^hole  booke  of  Psalmes,  collected 
into  English  Metre  by  T.  Sternhold,  I. 
Hopkins,  and  others,  .  . .  with  apt  notes 
to  sing  them  withall,  etc.  lohn  Windet, 
for  the  Assignes  of  Richard  Day  :  London, 

1604.  8».  3433.  b,  10. 
The  Whole  Booke  of  Psalmes.  Collected 
into  English  meeter  by  T.  Sternh.,  1. 
Hopkins  and  others,  .  .  .  with  apt  notes  to 
sing  them  with  all,  etc.  Thomas  Este 
for  the  Companie  of  Stacioners :  London, 
1604.  4°.  Case  25.  h.  13. 
The  W'hole  Booke  of  Psalmes.  Collected 
into  English  meeter  by  T.  Sternhold,  J. 
Hopkins,  and  others,  . . .  with  apt  Notes 
to  sing  them  withall,  etc.  lohn  Windet 
for  the  Company  of  Stationers  :  London, 
1604.  4".  1214.  e.  2.  (2.) 
The  Whole  Booke  of  Psalmes:  With  their 
Wonted  Tunes,  .  .  .  composed  into  foure 
parts :  Being  so  placed,  that  foure  may 
sing  each  one  a  seuerall  part  in  this 
booke  . . .  Compiled  by  X.  Sundry  Authors, 
etc.  Tliomas  Este,  for  the  companie  of 
Stacioners  :  Lomlon,  1604.     8". 

3433.  b.  11. 


322 


PSALMS  [4.  ENGLISH,  1605-1612] 


The  Whole  Booke  of  Psalmcs.  Collected 
into  Euglish  mecter  hy  T.  Stcnihold,  J. 
Hopkius,  aud  others,  ...with  apt  Notes 
to  slug  them  withall,  etc.  Impintcd  for 
the  Comitany  of  Stationers :  Loiidoii, 
1605.     4\  ■  3433.  d.  11. 

The  colophon  is  elated  1607. 

The  Psalmes  of  David  in  Meetie,  With 
diners  Notes  and  Tunes  augmented  to 
them,  etc.  Fruited,  for  the  ComjMnie  of 
Stationers:  London,  IG05.     8". 

3433.  b.  12. 

Tlie  Whole  Book  of  Psalmes,  Collected 
into  English  meeter  by  T.  Sternhold, 
I.  Hopkins  and  others,  . . .  with  apt  Notes 
to  sing  them  withall,  etc.  Printed  for 

Hie  Coinixinic  of  the  Stationers  :  London, 

1605.  fol.  3434.  g.  10. 

The  Whole  Booke  of  Psalmes,  Collected 
into  English  meeter  by  T.  Sternhold, 
I.  Hopkins  and  others,  .  . .  with  apt  Notes 
to  sing  them  withall,  etc.  Printed  for 

the  Company  of  Stationers:  London, 
1C06.     fol.  3434.  g.  11. 

Wanting  sigs.  P  1  and  all  after  P  5. 

The  ^Yhole  Booke  of  Psalmes.  Collected 
into  English  IMeeter  by  T.  Sternhold, 
I.  Hopkins  and  others,  .  .'.  with  apt  Notes 
to  sing  them  withall,  etc.  Imprinted 

for  the  Company  of  Stationers:  London, 

1606.  4".  Case  47.  f.  2.  (2.) 

The  Whole  Book  of  Psalmes  :  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,  . . .  with  apt  notes 
to  sing  them  withall,  etc.  Printed  for 

the  Companic  of  Stationers :  London, 
1606.    8".  335.  a.  11. 

[Another  edition.]  The  Whole  booke  of 
Psalms  collected  into  English  ^Meetre  by 
T.  Sternhold,  I.  Hopkins,  aud  others,  . . . 
with  apt  notes  to  sing  them  withall,  etc. 

Printed  for  the  Companie  of  Stationers  : 
Londmi,  1606.     8°.  3436.  aaa.  26. 

The  Whole  Booke  of  Psalmes,  Collected 
into  P^nglish  meeter  by  T.  Sternhold, 
I.  Hopkins  and  others,  . . .  with  apt  Notes 
to  sing  them  withall,  etc.  Printed  for 

the  Company  of  Stationers:  London, 
lfi07.     fol.  3425.  n.  9. 

The  Whole  booke  of  Psalmes  collected 
into  English  meetre  by  T.  Sternehold, 
W.  W'hittingham,  I.  Hopkins,  aud  others 
.  . .  with  apt  notes  to  sing  them  withall, 
etc.  Printed  for  the  company  of  Stationers  : 
London,  1607.     4°.  3433.  d.  12. 

The  Booke  of  Psalmes.  Collected  into 
English  ]\Ieetre  by  T.  Sternhold,  I.  Hop- 
kins aud  others,  . . .  with  apt  Notes  to 
Sing  them  withall,  etc.  Printed  for  the 
Companic  of  Stationers  :  London,  1608.  4". 

3433.  f.  7. 


The  whole  booke  of  Psalmes  collected 
into  English  meeter  by  T.  Sternhold  I. 
Hopkins,  W.  \Vhitiugham,  and  others, 
. . .  with  apt  notes  to  siugc  them  withall, 
etc.  Printed  for  the  companicof  Stationers  : 
London,  1608.     16°.  3435.  a.  44. 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  I\Ieeter,  by  T.  Sternehold, 
I.  Hopkins,  and  others  . . . ,  with  apt  Notes 
to  sing  them  withall,  etc.  Printed  far 

tlie    Companie    of    Stacioners :    London, 

1609.  4°.  3433.  f.  8. 
2'hc  colophon  is  dated  1627. 

The  Booke  of  Psalmes,  Collected  into 
English  meeter,  by  T.  Sternhold,  I. 
Hopkins,  and  others  :  . . .  with  apt  Notes 
to  sing  them  withall,  etc.  Printed  for 

the    Companic    of    Stationers:     London, 

1610.  4».  3433.  d.  13. 

Tlie  Whole  Booke  of  Psalmes.  Collected 
into  English  meeter  by  T.  Sternhold 
I.  Hopk.  aud  others :  . . .  with  apt  notes 
to  sing  them  withall,  etc.  Printed  for 

the  Company  of  Stationers :  London, 
1610.    8".  3435.  aa.  36. 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others.  Imprinted  for 
the     Company    of    Stationers:     London, 

1610.  32".  ■  Case  27.  a.  32. 

The  Whole  Book  of  Psalmes :  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,  .  .  .  with  apt  notes 
to  sing  them  withall,  etc.  Printed  for 

the    Companic    of    Stationers :     London, 

1611.  8".  339.  a.  6.  (2.) 

The  Whole  Booke  of  Psakues.  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins  and  others, . . .  with  apt  Notes 
to  Sing  them  withall,  etc.  Printed  for 
the    Company     of    Stationers:    London, 

1612.  fol.  341.  d.  9.  (2.) 

The  Booke  of  Psalmes,  Collected  into 
English  :\leetre  by  T.  Sternhold,  I.  Hop- 
kins and  others :  . .  .  with  apt  Notes  to 
sing  them  withall,  etc.  Imprinted  for  the 
Companie  of  Stationers  :  London,l&12.  4". 

3433.  g.  3. 

The  \Vhole  Booke  of  Psalmes.  Collected 
into  English  Meeter,  by  T.  Sternehold, 
I.  Hopkins,  and  others,  . . .  with  apt  Notes 
to  sing  them  withall,  etc.  Printed  for 
tlie  Company  of  Stationers :  London, 
1612.     4».  464.  b.  1.  (3.) 

Wanting    all    after   p.    84    [xohich    is 
mutilated). 

The  Book  of  Psalmes :  Englished  both  in 
Prose  and  Metre.  With  Annotations  . . . 
By  H.  A.  (Henrv  Ainsworth.)  Giles  Thorp  : 
Amsterdam,  1612.     4".  3436.  ce.  35. 


PSALMS  [4.  ENGLISH,  1612-1619] 


823 


The  Whole  Book  of  Psalmes :  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,  .  .  .  with  apt  notes 
to  sing  them  withall,  etc.  Printed  for  the 
Companic  of  Stationers  :  London,  l6l2.  8". 

3433.  c.  25. 
The  Whole  Booke  of  Davids  Psalmes. 
Both  in  Prose  and  ^leetre :  With  apt 
Notes  to  sing  them  withall.  Printed  fur 
the  Companii  of  tlic  Stationers:  London, 
1612.     16".  Case  65.  b.  13. 

The  Whole  Book  of  Psalmes :  Collected 
ipto  English  IMeeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,  . . .  with  apt  notes 
to  sing  them  withall,  etc.  Printed  for  the 
Companic  of  Station<;rs  :  London,  161-3.  8". 

3434.  b.  5. 
[Another  copy.]  Case  65.  1.  6.  (3.) 

[Another  copy.]  1004.  b.  6.  (2.) 

[Another  copy.]  3053.  b.  9.  (2.) 

Wanting  pp.  09-102. 
[Another  edition. J  The  Whole  Booke  of 
Psalmes  . . .  collected  into  English  IMeeter 
hy  T.  Sternhold,  I.  Hopkins,  and  others: 
. . .  with  apt  Notes  to  sing  them  withall, 
etc.  Printed  for  the  Canipany  of  Stationers  : 
London,  1613.     8°.  1221.  d.  17. 

Wanting  the  last  leaf  of  the  table. 
[Another  copy.]  3437.  cc.  12. 

The  Whole  Booke  of  Psalmes :  Collected 
into  English  meeter,  by  T.  Sternhold, 
I.  Hopkins,  and  others :  .  .  .  with  apt 
Notes  to  sing  them  withall,  etc.  Printed 
for  the  Companic  of  Stationers  :  London, 

1614.  fol.  3406.  e.  6. 
Wanting  all  after  fol.  sig.  QS. 

The  Booke  of  Psalmes,  Collected  into 
Knglish  Meetre  by  T.  Sternhold,  I.  Hop- 
kins and  others  :  . . .  with  apt  Notes  to 
sing  them  withall,  c<c.  hnprintcd  for  the 
Companic  of  Stationers  :  London,  IGli.  4". 

1008.  c.  12.  (4.) 
Watiting  all  after  fol.  sig.  Hi. 

[Another  edition.]  The  Whole  Booke  of 
Psalmes,  Collected  into  English  meetre 
by  T.  Sternehold,  W.  Whittingham,  I. 
Hopkins,  and  others  . . .  with  apt  notes  to 
sing  them  withall,  etc.  Printed  for  the 
Company  of  Stationers  :  London,  1614.  4". 

3406.  c.  9.  (2 ) 
The  Psalmes  of  David  in  Scottish  meter : 
After  the  forme  that  they  are  vsed  to  be 
song  in  the  Kirk  of  Scotland. 
Andro  Hart :  Edinburgh,  1614.     8°. 

3053.  bbb.  32.  (2.) 
The  Whole  Booke  of  Davids  Psalmes, 
Both  in  Prose  and  Meetre :  With  apt 
Notes  to  sing  them  withall.  Printed  for 
the  Company  of  the  Stationers :  London, 

1615.  16".  Case  65.  a.  2.  (2.) 
Wanting  all  after  fol.  sig.  E26,  [j).  453.] 

[Another  copy.]  1410.  a.  24.  (2.) 

Wcuiting  all  after  p.  384. 


[Another  edition.]  The  Whole  Book  of 
Psalmes  :  Collected  into  English  fleeter 
by  T.  Sternhold,  I.  Hopkins,  and  others, 
. . .  with  apt  notes  to  sing  them  withall, 
etc.  Printed  for  the  Companie  of  Sta- 
tioners :  London,  1615.     S".     1220."  d.  4. 

The  CL.  Psalmes  of  David,  in  Prose  and 
IMeeter :  With  their  whole  vsuall  Tunes, 
newly  corrected  and  amended,  etc. 
Andro  Hart:  EdinburgJi,  1615.     8". 

Case  65.  k.  6. 

Sacred  Hymns.     Consisting  of  Fifti  Select 
Psalms  of  David  and  others  . . .  set  to  be 
sung  in  Five  parts,  etc.     1615.     4". 
See  Tailour  (R.)  K.  2.  h.  14. 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  Meeter,  by  T.  Sternehold, 
I.  Hopkins,  and  others,  . . .  with  apt  Notes 
to  sing  them  withall,  etc. 

Printed  for  the  ComjKiny  of  Stationers  : 
Loiulon,  1614.     4».  1411.  e.  2.  (4.) 

Wanting  all  after  fol.  sig.  G  7. 

[Another  edition.]  The  Whole  Booke  of 
Psalmes,  Collected  into  English  Meeter, 
by  T.  Sternehold,  I.  Hopkins,  and  others, 
.  .  .  with  apt  Notes  to  sing  them  withall, 
etc.  Pri ntedfor  the  Compa n  y  of  Stationers : 
London,  1616.     4'.  341.  b.  6.  (3.) 

^\'anting  all  after  fol.  sig.  (1  5. 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  Meeter,  by  T.  Sternehold, 
I.  Hopkins,  and  others,  .  .  .  with  apt 
Notes  to  sing  them  withall,  etc. 

Printed  for  the  Company  of  Stationers  : 
London,lGn.     4".  3435.  f.  19. 

The  Whole  Book  of  Psalmes  :  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,  . . .  with  apt  notes 
to  sing  them  withall,  etc. 

Printed  for  the  Companie  of  Stationers  : 
London,  1617.     8".  3433.  c.  26. 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  Meeter,  by  T.  Sternhold, 
I.  Hopkins,  and  others,  . . .  with  apt  Notes 
to  Sing  them  withall,  etc. 

Printed  for  the  Companie  of  Stationers  : 
Lofidon,  1618.     fol.  346.  d.  2.  (4.) 

The  Whole  Booke  of  Psalmes :  Collected 
into  English  IMeeter  by  T.  Sternhold, 
I.  Hopkins,  W.  Whittingham,  and  others, 
. .  .with  apt  notes  to  sing  them  withall,  etc. 
Printed  for  the  Companie  of  Statio)ters  : 
London,  1618.     12".        3408.  a.  43.  (2.) 

The  Booke  of  Psalmes.  Collected  into  Eng- 
lish IMeeter,  by  T.  Sternhold,  I.  Hopkins, 
and  others :  . . .  with  apt  Notes  to  sing 
them  withall,  etc. 

Printed  for  the  Company  of  Stationers  : 
Loiulon,  1619.     4".  14ll.  e.  3.  (2.) 

Another  copy.]  Case  47.  g.  4.  (3.) 

[Another  copy.]  1409.  i.  1.  (2.) 

Y  2 


324 


PSALMS  [4.  ENGLISH,  1019-1624] 


[Auothcr  cdition.J     The  Booke  of  Psalmes.    I 
Collected    into    English    IMccter,    hy    T. 
Sternehold,  I.   Hopkins  and   otheus :  . .  .    i 
with  apt  Notes  to  sing  them  withall,  etc. 
Imprinted  for  the  Company  of  Stationers  : 
London,  1G19.   4°.     Case  45.  e.  15.  (4.) 
Wanting  all  after  p.  110.  | 

The  Whole  Booke  of  Psalmes.     Collected,   1 
into    English    Meeter,  By  T.    Sternhold,    | 
I.    Hopkins,   and    others:  .  .  .  with    apt 
Notes  to  Sing  them  withall,  etc. 

Printed  for  the  Companie  of  Stationers  : 
London,  1619.  fol.  3406.  e.  14.  (3.) 
The  Whole  Book  of  Psalmes:  Collected 
into  English  ]\Ieetei-  by  T.  Sternhold,  | 
I.  Hopkins,  and  others,  . . .  with  apt  notes 
to  sing  them  withall,  etc. 

Printed  for  tlie  Companie  of  Stationers  : 
London,  1619.     8".        3408.  bbb.  1.  (2.) 

[Another  edition.]     The  Whole  Booke  of 
Psalmes.     Collected  into  English  meeter   ; 
by  T.  Sternhold,  I.  Hopk.  and  others :  . . . 
with  apt  notes  to  sing  them  withall,  etc. 

Printed  for  the  Companij  of  Stationers  :    j 
[London,  1619.]     8".  3435.  b.  21. 

The  Whole  Booke  of  Psalmes :  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  W.  Whittingham,  and  others, 
. . .  with  apt  notes  to  sing  them  withall,  etc. 
Printed  for  the  Companie  of  Stationers  : 
London,  1619.     24".  3051.  a.  5.  (2.) 

The  Whole  Book  of  Psalmes  :  Collected 
into  English  meeter,  by  T.  Sternhold, 
I.  Hopkins,  and  others  .  .  .  :  with  apt 
notes  to  sing  them  withall. 

Printed  for  the  Companie  of  Stationers  : 
London,  1620.    4".     Case  66.  e.  17.  (2.) 

The  Whole  Book  of  Psalmes  :  Collected 
into  English  ]\Ieeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,  .  .  .  with  apt 
notes  to  sing  them  withall,  etc. 

Printed  for  tJie  Companie  of  Stationers  : 
London,  1620.     8".  3051.  b.  20.  (3.) 

The  Whole  Book  of  Psalmes :  Collected 
into  English  meeter,  by  T.  Sternhold, 
I.  Hopkins,  and  others  .  . .  :  with  apt 
notes  to  shig  them  withall. 

T'rinted  for  the  Companie  of  Sfati<jners  : 
London,  1621.  4".     Case  64.  del.  1.  (3.) 

Wanting  all  after  fol.  S'J. 

The  Whole  Booke  of  Psalmes:  with  the 
Hymnes  Evangelicall  . . .  Composed  into 
4.  parts  by  sundry  Authors,  r/f.  1621.  8'\ 
See  Ravenscroft  (T.)  K.  8.  c.  23. 

[Another  copy.]  K.  8.  c.  24. 

The  Whole  Booke  of  Psalmes :  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  W.  Whittingham,  and  others, 
. .  .  with  apt  notes  to  sing  them  withall,  etc. 
Printed  for  the  Companie  of  Stationers  : 
London,  1621.    12".     Case  65.  i.  1.  (2.) 


The  Whole  Booke  of  Psalmes ;  Collected 
into  English  meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,  . . .  with  apt  notes 
to  sing  them  withall,  etc. 

Printed  for  the  Company  of  Stationers  : 
Loiulon,  1621.     16".  3437.  a.  12. 

The  Whole  Book  of  Psalmes:  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,  . . .  with  apt  notes 
to  sing  them  withall,  etc. 

Printed  for  the  Companie  of  Stationers  : 
London,  1622.     8".  3433.  b.  13. 

Another  edition.]  The  Whole  Book  of 
Psalmes:  Collected  into  English  Meeter 
by  T.  Sternhold,  I.  Hopkins,  and  others, 
. . .  with  apt  notes  to  sing  them  withall,  etc. 
Printed  for  the  Companie  of  Stationers  : 
London,  1622.     8".  3090.  i.  9. 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  Meeter,  by  T.  Sternhold, 
I.  Hopkins,  and  others,  .  .  .  with  apt 
Notes  to  sing  them  withall. 

Printed  for  the  Company  of  Stationers  : 
London,  1622.     12".  1016.  d.  18. 

The  Whole  Booke  of  Psalmes:  Collected 
into  English  Meeter,  by  T.  Sternhold, 
I.  Hopkins,  and  others,  .  .  .  with  apt 
Notes  to  sing  them  withall,  etc. 

Printed  for  the  Companij  of  Stationers  : 
London,  1623.     4°.  1008.  c.  13.  (4.) 

The  Whole  Booke  of  Psalmes :  Collected 
into  English  Metre,  with  apt  Notes  to 
sing  them  withall,  etc.  Cantrell  Legge  : 
Cambridge,  1623.     8".  1016.  d.  19. 

The  Whole  Book  of  Psalmes:  Collected 
into  English  IMeeter  by  T.  Sternhold, 
T.  Hopkins,  and  others,  .  .  .  with  apt 
notes  to  sing  them  withall,  etc. 

Printed  for  the  Companie  of  Stationers  : 
London,  1623.     8".  3090.  i.  8. 

[Another  edition.]  The  Whole  Booke  of 
Psalmes,  with  the  Prose  on  the  TMargin. 
Collected  into  English  Meeter  byT.  Stern- 
hold, I.  Hopkins,  and  others  . . .  with  apt 
notes  to  sing  them  withall,  etc. 

Printed  for  the  Companij  of  Stationers  : 
London,  1623.    8".  Case  47.  c.  20. 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  Meeter,  by  T.  Sternehold, 
i.  Hopkins,  and  others, .  . .  with  apt  Notes 
to  Sing  thom  withall,  etc. 
Imprinted  for  the  Companie  of  Stationers  : 
London,  1624.     fol.     3052.  eee.  11.  (2.) 

The  Whole  Booke  of  Psalmes  :  Collected 
into  English  Meeter,  by  T.  Sternehold, 
I.  Hopkins,  and  others,  . . .  with  apt  Notes 
to  sing  them  withall,  etc. 

Printed  for  the  Company  of  Stationers  : 
London,  1624.     8°.  3089.  ff.  14. 

[Another  edition.]  The  Whole  Booke  of 
Psalmes.     Collected  into  English  meeter 


PSALMS  [4.  ENGLISH,  1624-1629] 


325 


by  T.  Sternhold,  I.  Hopk.  and  others :  . . . 
•with  apt  notes  to  sing  them  withall,  eic. 

Printed  for  the  Company  of  Stationers  : 
\_Lo7idon,]  1624.      8".- 

3090.  aaaa.  3.  (3.) 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  meeter,  by  T.  Sternhold, 
I.  Hopkins,  and  others :  .  .  .  with  apt 
Notes  to  sing  them  withall,  etc. 

Printed  for  the  Companie  of  Stationers  : 
London,  1625.  fol.  Case  25.  m.  10.  (2.) 

The  Whole  Book  of  Psalmes  :  Collected 
into  English  meeter,  by  T.  Sternhold, 
I.  Hopkins,  and  others  .  .  .  :  with  apt 
notes  to  sing  them  withall. 

Printed  for  the  Companie  of  Stationers  : 
London,  1625.     4».  3437.  g.  38. 

[Another  edition.]  The  Whole  Booke  of 
Psalmes.  Collected  into  English  Meeter, 
bv  T.  Sternhold,  I.  Hopkins,  and  others, 
.".  .  with  apt  Notes  to  sing  them  withall, 
etc.  Printed  for  the  Company  of  Stationers : 
London,  1625.     4".  3089.  ff.  17. 

The  Whole  Booke  of  Davids  Psalmes. 
Both  in  Prose  and  Meetre.  With  apt 
notes  to  sing  them  withall. 

Printed  for  the  Company  of  Stationers  : 
London,  1625.     16".  3090.  a.  19. 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  Meeter,  by  T.  Sternhold, 
I.  Hopkins,  and  others,  .  .  .  with  apt 
Notes  to  sing  them  withall,  etc. 

Printed  for  the  Company  of  Stationers  : 
London,  1626.    4».  1411.  e.  5.  (4.) 

Imperfect,  wanting  all  after  fol.  sig.  G  7. 

The  Whole  Book  of  Psalmes:  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,  . . .  with  apt  notes 
to  sing  them  withall,  etc. 

Printed  for  the  Companie  of  Stationers  : 
London,  1626.     8".  217.  a.  7.  (2.) 

[Another  edition.]  The  Whole  Book  of 
Psalmes:  Collected  into  English  ]Meeter 
by  T.  Sternhold,  I.  Hopkins,  and  others, 
. . .  with  apt  notes  to  sing  them  withall,  etc. 
Printed  for  the  Companie  of  Stationers: 
London,  1626.     8".       3405.  bb.  24.  (2.) 

The  Whole  Booke  of  Psalmes  ;  Collected 
into  English  meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,  . . .  with  apt  notes 
to'sing  them  withall,  etc. 

Printed  for  the  Compami  of  Stationers  : 
London,  Hd2&.    16".  '    "  3437.  b.  9. 

[Another  copy.]  Case  65.  i.  6. 

Li  this  copy  the  colophon  is  dated  1627. 

The  Whole  Booke  of  Psalmes:  Collected 
into  English  IMeeter  by  T.  Sternhold, 
I.  Hopkins,  W.  Whittiugham,  and  others, 
. . .  with  apt  notes  to  sing  them  withall,  etc. 
Printed  for  the  company  of  Stationers  : 
Lor.don,  1626.     24°.  3436.  a.  19. 


The  Whole  Booke  of  Psalmes.  Collected 
into  English  meeter,  by  T.  Sternhold, 
I.  Hopkins,  and  others  :  . . .  with  apt  Notes 
to  sing  them  withall,  etc. 

Printed  for  the  Companie  of  Stationers  : 
London,  1627.     fol.  3434.  g.  12. 

The  Whole  Book  of  Psalmes  :  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,  . . .  with  apt  notes 
to  sing  them  withall,  etc. 

Printed  for  the  Companie  of  Stationers  : 
London,  1627.     8".  3050.  a.  43.  (4.) 

The  Whole  Booke  of  Psalmes :  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  W.  Whittingham,  and  others, 
. . .  with  apt  notes  to  sing  them  withall,  etc. 
hnprintcd  for  the  Company  of  Stationers  : 
London,  1627.      24". 

Case  65.  i.  7.  (1.) 

The  Whole  Booke  of  Psalmes.     Collected 
into    English    meter    by    T.    Sternhold, 
I.  Hopkins,  and  others. 
hnprinted  for  the  Company  of  Stationers  : 
London,  1627.     32».  3434.  a.  49. 

The  Whole  Booke  of  Psalmes :  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,  . . .  with  apt  notes 
to  sing  them  withall,  etc. 

Printed  for  the  Companie  of  Stationers  : 
London,  1628.     8".  3407.  a.  14.  (2.) 

Wanting  pp.  93-4. 
The  Whole  Book  of  Psalmes:  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others  . . .  with  apt  notes 
to  sing  them  withall,  etc. 
Printed  by  the  Printers  to  the  Universitie 
of  Cambridge  :  [Cambridge,']  1628.     8". 

3436.  bbb.  44. 
The  Whole  Booke  of  Psalmes :  Collected 
into  English  IMeeter  by  T.  Sternhold, 
I.  Hopkins,  W.  Whittingham,  and  others, 
. . .  with  apt  notes  to  sing  them  withall,  etc. 
hnprinted  for  the  Co^npany  of  Stationers  : 
London,  1628.     12".  Case  48.  a.  3. 

The  Whole  Booke  of  Davids  Psalmes, 
Both  in  Prose  and  JNIeetre.  With  apt 
Notes  to  sing  them  withall. 

Printed  for  the  Company  of  Stationers  : 
London,  1628.     16".  3435.  a.  42. 

The  Whole  Book  of  Psalmes:  Collected 
mto  English  Meeter,  by  T.  Sternhold, 
J.  Hopkins,  and  others,  . . .  with  apt  notes 
to  sing  them  withall,  etc. 

Thomas  and  John  Buck  : 
Cambridge,  1629.     fol.  4.  d.  9.  (2.) 

[Another  copy.]  3035.  e.  3.  (3.) 

The  Whole  Booke  of  Psalmes:  Collected 
into  English  Meeter,  by  T.  Sternhold, 
I.  Hopkins,  and  others :  .  .  .  with  apt 
Notes  to  sing  them  withall,  etc. 

Printed  for  the  Company  of  Stationers  : 
Lmdcm,  1629.     fol.         1896.  a.  13.  (3.) 


326 


PSALMS  [4.  ENGLISH,  1629-1632] 


The  Whole  Booke  of  Psalmes.  Collected 
into  English  meeter,  by  T.  Sternhold, 
I.  Hopkins,  and  others:  .  .  .  with  apt 
Notes  to  sing  them  withall,  etc. 

Printed  for  the  Comixmie  of  Stationers  : 
London,  1629.  fol.  3406.  e.  15.  (2.) 
The  Whole  Booke  of  Psalmes.  Collected 
into  English  IMeeter,  by  T.  Sternhold, 
I.  Hopkins,  and  others,  .  .  .  with  apt 
Notes  to  sing  them  withall,  etc. 

Printed  for  the  Company  of  Stationers  : 
London,  1629.     4".     Case  47.  f.  13.  (4.) 

The  Whole  Booke  of  Psalmes,  with  the 
Prose  on  the  Margin.  Collected  into 
English  Meeter  by  T.  Sternhold,  I.  Hop- 
kins. Set  forth  ...  to  be  sung  in  all 
Churches,  etc.  Printed  for  the 

Comnanii of  Stationers:  London,  1629.    8". 
^      '  1221.  d.  20. 

The  '  Prose  on  the  Margin  '  has  been  cut 
by  the  binder  throughout. 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  W.  Whittingham,  and  others, 
. . .  with  apt  notes  to  sing  them  withall, 
etc.  Imprinted  for  the  Company  of 

Stationers  :  London,  1629.     12". 

Case  38.  b.  40.  (2.) 

[The  Whole  Booke  of  Psalmes.  Collected 
into  English  meeter,  by  T.  Sternhold, 
J.  Hopkins,  and  others  . . .  with  apt  notes 
to  sing  them  withall,  etc.]  [Printed  for  tlie 
Company  of  Stationers  :  London, 16292]  4". 

1220.  h.  18.  (2.) 

Wanting  tho  title-page  and  all  after  sig. 

KG.    Tlris  edition  closely  resembles  the 

quarto  of  1630  (3433.  d.  14),  but  some 

pages  arc  differently  set  tip. 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  meeter,  by  T.  Sternhold, 
I.  Hopkins,  and  others :  with  apt  Notes 
to  sing  them  withall,  etc. 

Printed  for  the  Companie  of  Stationers  : 
London,  1630.     fol.  3434.  g.  13. 

The  Whole  Book  of  Psalmes:  Collected 
into  English  meeter,  by  T.  Sternhold, 
J.  Hopkins,  and  others,  .  . .  with  apt  notes 
to  sing  them  withall,  etc. 

Thomas  and  John  Bucl< : 
Cambridge,  1630.     4".      3051.  cc.  7.  (4.) 

The  Whole  Booke  of  Psalmes ;  Collected 
into  English  meeter.  By  T.  Sternhold, 
I.  Hopkins,  and  others  .  .  .  with  apt  notes 
to  sing  them  withall,  etc.  Printed  for  the 
Company  of  Stationers:  Ij(>ndo)i,16'S0.    4". 

3433.  d.  14. 

The  Whole  Book  of  Psalmes:  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,  . . .  with  apt  notes 
to  sing  them  withall,  etc.  Printed  for  the 
Companie  of  Stationers  :  TMudon,  WW    8". 

3435.  e.  10. 


[Another  edition.]  The  Whole  Book  of 
Psalmes:  Collected  into  English  Meeter 
by  T.  Sternhold,  I.  Hopkins,  and  others, 
. . .  with  apt  notes  to  sing  them  withall, 
etc.  [Printed  for  the 

Companie  of  Stationers:  J^ondon, 162,0.]  8". 

1005.  b.  3.  (6.) 
Wanting  the  last  leaf.     The  titk-page  is 
mutilated. 
The  Whole  Booke   of   Psalmes   Collected 
into    English    Meeter    by  T.   Sternhold, 
I.    Hopkins,   W.    Whittingham  ;  . . .  with 
apt  notes  to  sing  them  withall,  etc. 
Imprinted  for  the  Companij  of  Stationers  : 
London,  1630.     12".     Case  65.  b.  8.  (2.) 
Wanting  pp.  178-182. 

[Another  copy.]  Case  65.  i.  2.  (2.) 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  meeter,  by  T.  Sternhold, 
I.  Hopkins,  and  others :  .  .  .  with  apt 
Notes  to  sing  them  withall,  etc. 

Printed  for-  the  Companie  of  Stationers  : 
London,  1631.     fol.  3434.  g.  14. 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  Meeter,  by  T.  Sternhold, 
I.  Hopkins,  and  others,  , . .  with  apt  Notes 
to  sing  them  withall,  etc.  W.  S.,foi-  the 
Company  of  Stationers :  London,  1631.    4". 

3053.  dd.  8.  (3.) 
Wanting  all  after  fol.  sig.  6  6. 

The  Whole  Booke  of  Davids  Psalmes, 
Both  in  Prose  and  Meetrc.  With  apt 
Nots  [sic]  to  sing  them  withall. 

W.  S.,  for  the  Ccnnpcmy  of  Stationers  : 
London,  1631.     16".  3434.  a.  50. 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others.  Imprinted  for  the 
Cmipany  of  Stationers :  London, 16S1.  32". 

Case  65.  a.  6. 
The  colophon  is  dated  1632. 

All  the  French  Psalm  tunes  with  English 
words.  Being  a  Collection  of  Psalms 
Accorded  to  the  verses  and  tunes  generally 
vsed  in  the  Reformed  Churches  of  France 
and  Germany,  etc.  Thomas  Harper,  n-ith 
permission  of  the  Compiany  of  Stationers  : 
London,  1632.     12".  3435.  aaa.  27. 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  IMeeter  by  T.  Sternhold, 
1.  Hopkins  and  others,  . . .  with  apt  Notes  to 
Sing  them  withall.  etc.  P.  Badger  for  the 
Cmnpann  of  Stationers :  London,  16S2.    fol. 

341.  d.  7.  (2.) 
[Another  copy.]  344.  a.  8. 

Wanting  the  last  leaf. 

[Another  copy.]  3405.  g.  11.  (3.) 

With  red  lines  on  each  page.     Wanting 
the  last  leaf. 


[Another  copy.] 


1894.  a.  7.  (4.) 


PSALMS  [4.  ENGLISH,  1632-1636] 


327 


The  Whole  Book  of  Psalmes:  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,  . . .  with  apt  notes 
to  sing  them  withall,  etc.  G.  M.  for  the 
Companie  of  Stationers  :  Loiulon,  1632.    8". 

3433.  d.  15. 

[Another  copy.]  3052.  b.  23.  (3.) 

Wanting  pp.  85-94. 

[Another  edition.]  The  Whole  Book  of 
Psalmes  :  Collected  into  English  ^Nleeter 
by  T.  Sternhold,  I.  Hopkins,  and  others, 
. . .  with  apt  notes  to  sing  them  withall, 
etc.  Printed  for  the  Companie  of  Stationers  : 

London,  1632.    8".  3434.  d.  35.    \ 

! 

The  Whole  Booke  of  Psalmes.     Collected   \ 
into    English    meeter,   by   T.   Sternhold, 
I.  Hopkins,  and  others  :  . . .  with  apt  Notes 
to  sing  them  withall,  etc.      Printed  for  the 
Companie  of  Stationers :  London,lG3'd.  fol. 

3405.  d.  4.  (2.) 

The  Booke  of  Psalmes,  Collected  into 
English  Meeter,  by  T.  Sternhold,  I.  Hop- 
kins, and  others  :  . . .  with  apt  Notes  to 
sing  them  withall,  etc.  I.  L.  for  the 

Company  of  Stationers  :  Tjondon,  1633.    4". 
■    "  1411.  e.  10.  (4.) 

The  Whole  Booke   of   Psalmes :  . . .  Com- 
posed into  4.  parts  by  sundry  Authors  . . . 
Newly  corrected  and  enlarged,  etc. 
1633.     8".     See  Ravenscroft  (T.) 

B.  520.  a. 

[Another  copy.]  3434.  b.  9. 

The  Whole  Book  of  Psalmes:  Collected 
into  English  jMeeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,  . .  .  with  apt  notes 
to  sing  them  withall,  etc.  (r.  M.  for  the 
Companie  of  Stationers :  London,  1633.    8". 

3090.  de.  20. 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  meeter  by  T.  Sternhold,  I. 
Hopkins,  and  others.  Imprinted  for  the 
Company  of  Stationers  :  London,  1633.  32". 

Case  17.  b.  27. 
In  an  embroidered  binding  and  bag, 
with  a  silk  bookmarker  icith  woven 
jwrtraits  of  Charles  I.  and  the 
inscription  :  '  Frcnn  Prison  Bring 
Youre  Captive  King.'"  A  pair  of 
embroidered  gloves  of  the  period,  ac- 
quired at  the  same  time  as  the  Psalter, 
are  kept  tcith  it. 

The  Psalms  of  David,  in  Prose  and  Metre  : 
With  the  Forme  of  Discipline,  and 
Prayers,  according  to  the  Church  of  Scot- 
land, etc.  Edward  Raban, 
For  David  Melvill :  Aherdcne.  1633.     S°. 

221.  c.  7. 

[Another  copy.]  473.  a.  1. 

[The  Whole  Book  of  Psalms :  collected 
into    English    metre    by    T.    Sternhold, 


J.  Hopkins,  and  others  . . .  with  apt  notes 
to  sing  them  withall,  etc.} 
Imprinted  for  the  Company  of  Stationers  : 
London,  1634.     4".  340.  b.  7.  (4.) 

Wanting  title-page,  sig.  G4  and  5. 
The  Whole  Booke  of  Psalmes  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  W.  Whittingham,  and  others ; 
. .  .with  apt  notes  to  sing  them  withall,  etc. 
Imprinted  for  the  Company  of  Stationers: 
London,l(JU.  12".  Case  36.  a.  28.  (2.) 
[Another  copy.]        Case  65.  a.  15.  (2.) 

In  a  chased  silver  binding. 
The  Whole  Book  of  Psalmes:  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,  . .  .  with  apt  notes 
to  sing  them  withall,  etc.  G.  M.  for  the 
Companie  of  Stationers  :  London,  l&M.  8". 

335.  b.  1.  (4.) 
The  CL  Psalmes  of  David,  in  Prose  and 
Meeter:  with  thir  whole  usuall  Tunes 
newly  corrected  and  amended. 

The  Heires  of  Andrew  Hart : 
Edinburgh,  1634.     16".  3433.  a.  13. 

The  Psalmes  of  David  in  Prose  and 
Meeter.  With  their  whole  Tunes  in  foure 
or  mo  parts,  and  some  Psalmes  in  Reports, 
etc.  The  Heires  of  Andreiv  Hart : 

Edinburgh,  1635.    8".  3433.  c.  27. 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  Meeter,  by  T.  Sternhold, 
I.  Hopkins  and  others,  .  . .  with  apt  Notes 
to  sing  them  withall,  etc.  A.  G.  for  the 
Company  of  Stationers  :  London,  1635.    4". 

3434.  f.  27. 

[Another  edition.]  The  Whole  Booke  of 
Psalmes:  Collected  into  English  meeter. 
By  T.  Sternhold,  I.  Hopkins,  and  others 
. .  .  with  apt  notes  to  sing  them  withall, 
etc.  T.  P.  for  the  Company  of  Stationers  : 
London,  1635.     4".  3433.  d.  16. 

The  Whole  Booke  of  Davids  Psalmes,  Both 
in  Prose  and  INIeeter.  With  apt  notes  to 
sing  them  withall.  T.  C.  for  the 

Company  of  Stationers :  London,  \&i5.  16°. 
Case  46.  a.  19.  (2.) 
[Another  copy.]  Case  27.  a.  33. 

The  Booke  of  Psalmes,  Collected  into 
English  Meeter,  by  T.  Sternhold,  I.  Hop- 
kins and  others :  .  . .  with  apt  Notes  to 
sing  them  withall,  etc.  I.  L.  for  the 

Company  of  Stationers :  London,  163  i.     4". 
^      "^  1215.  h.  7.  (2.) 

Wanting  the  last  leaf. 
[Another  copy.]  341.  b.  1.  (4.) 

With  red  lines  on  each  page. 
The  Whole  Book  of  Psalmes.     Collected 
into    English    Meeter,    By    T.  Sternhold, 
I.  Hopkins  and  others  . . .  with  apt  notes 
to  sing  them  withall.  Printed  for  the 

Company  of  Sta  fiuners  :  London ,  1636.     4". 
^      '  3407.  c.  16.  (2.) 

[Another  copy.]  3405.  bbb.  3. 


328 


PSALIMS  [4.  ENGLISH,  1636-1638] 


[Another  copy.] 
[Another  copy.] 
[Another  copy.] 


The  Psalmes  of  King  David:  translated 
by  King  James.  TJionias  Harpi'r  : 

London,  1686.     fol.     Case  36.  g.  2.  (3.) 

6.  d.  1. 

Gren.  12088.  (3.) 

Case  36.  g.  1. 

[The  Whole  Book  of  Psalms.  Collected 
into  English  metre  by  T.  Sternhold,  J. 
Hopkins,  and  others. .  .with  apt  notes  to 
sing  them  withall,  etc.]  [London, 

1636?]     fol.  468.  b.  12.  (3.) 

Wanting   the    title-page    and  all    after 
p.  145. 

The  Whole  Book-  of  Psalmes  :  Collected 
into  English  Meeter  by  T.  Sternhold,  I. 
Hopkins,  and  others,. .  .with  apt  notes  to 
sing  them  Vi'ithall,  etc. 

Ct.  M.  for  tlie  Companie  of  Stationers  : 
London,  1636.     8".  3020.  aaa.  12. 

[Another  edition.]  The  Whole  Book  of 
Psalmes  :  Collected  into  English  Meeter 
by  T.  Sternhold,  I.  Hopkins,  and  others, 
.  .  .with  apt  notes  to  sing  them  withall, 
etc.  G.  M.  for  the  Companie  of  Stationers  : 
London,  1636.     8".  3433.  d.  17. 

The  Whole  Booke  of  Psalmes.     Collected 
into  English  Meeter  by  T.  Sternhold,  I. 
Hopkins,  W.  Whittiugham,  and  others 
...with  apt  Notes  to  sing  them  withall, 
etc.  hnprinted  for  the  CompcDnj 

of  Stationers  :  London,  16oG.     24". 

Case  65.  i.  3.  (2.) 

[Another  edition.]  The  Whole  Book  of 
Psalmes :  Collected  into  English  metre, 
by  T.  Sternhold,  J.  Hopkins,  and  others, 
...with  apt  notes  to  sing  them  withall, 
etc.  B.  L.  Tlic  printers  to  the  Univer- 
sitie  of  Cambridge  :   [Cambridge,']  16S1.  4". 

3405.  c.  1.  (2.) 

The  Whole  Book  of  Psalmes  ;  Collected 
into  English  metre,  by  T.  Sternhold,  J. 
Hopkins,  and  others,. .  .with  apt  notes  to 
sing  them  withall,  etc.  Thomas  Buck, 

and  Roger  Daniel :   Cambridge,  1637.     4". 

3052.  cc.  7.  (2.) 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  Meeter,  by  T.  Sternhold,  I. 
Hopkins  and  others. .  .with  apt  notes  to 
sing  them  withall. 

Printed  for  the  Company  of  Stationers  : 
London,  1637.     4".  472.  a.  10.  (2.) 

[Another  edition.]  The  Whole  Booke  of 
Psalmes.  Collected  into  English  Meeter, 
by  T.  Sternehold,  J.  Hopkins,  and  others, 
. .  .with  apt  Notes  to  sing  them  withall, 
etc.     B.  L. 

A.  G.  for  the  Company  of  Stationers  : 
London,  1637.     4".  3053.  e.  1.  (4.) 


The  Whole  Book  of  Psalmes :  Collected 
into  English  Meeter  by  T.  Sternhold,  I. 
Hopkins,  and  others,. .  .with  apt  notes  to 
sing  them  withall,  etc. 

G.  M.  far  the  Companie  of  Stationers  : 
London,  1637.     8".      Case  15.  a.  7.  (5.) 

[Another  edition.]  The  Whole  Book  of 
Psalmes:  Collected  into  English  Meeter 
by  T.  Sternhold,  I.  Hopkins,  and  others, 
with  apt  notes  to  sing  them  withall,  etc. 

G.  M.  for  the  Companie  of  Stationers  : 
London,  1637.     8°.  3406.  b.  10.  (2.) 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  Meetre  by  T.  Sternhold,  I. 
Hopkins,  and  others  :. .  .with  apt  notes  to 
sing  them  withall,  etc.     B.  L. 

Printed  for  the  Company  of  Stationos  : 

[Londo}i,]  1637.     8°.  3022.  e.  3.  (2.) 

The  colophon  reads  :    '  London.  Printed 

bii  T.  P.  for  the  Compahyof  Stationers, 

1637.' 

The  Whole  Booke  of  Psalmes ;  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,. .  .with  apt  notes 
to  sing  them  withall,  etc. 

Printed  for  tJie  Companii  of  Stationers  : 
London,  1637.     16".  "     "  3435.  a.  7. 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  meeter  by  T.  Sternhold,  I. 
Hopkins,  and  others. 

Imprinted  for  the  Companii  of  Stationers  : 
London,  1637.     32".  Case  65.  h.  5. 

Wanting   the   last   leaf,   contaitiing   the 
coloplion. 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  Meeter  by  T.  Sternehold, 
J.  Hopkins  and  others,. .  .with  apt  Notes 
to  Sing  them  withall,  etc.  E.  Griffin  and 
I.  Raicortlt,  for  the  Compani/  of  Stationers  : 
London,  16:38.     fol.  466.  g.  2.  (5.) 

The  Whole  Book  of  Psalmes,  Collected 
into  English  metre,  by  T.  Sternhold, 
J.  Hopkins,  and  others,  . . .  with  apt  notes 
to  sing  them  withall,  etc. 

Thomas  Buclc  and  Roger  Daniel : 
Cambridge,  1638.     fol.      3053.  g.  9.  (3.) 

The  Whole  Book  of  Psalmes.  Collected 
into  English  ]Meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others  :. .  .with  apt  notes 
to  sing  them  withall,  etc. 

I.  H.  for  the  Company  of  Stationers  : 
London,  1638.     fol.  3434.  g.  8. 

Wanting  fol.  sig.  Q  1  and  all  after  Q  3. 

The  Whole  Book  of  Psalmes:  Collected 
into  English  ]Meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,. . .  with  apt  notes 
to  sing  them  withall,  etc. 

G.  M.  for  the  Companie  of  Stationers  : 
London,  1638.     8".  676.  a.  2.  (2.) 


[.\nother  copy.] 


3050.  b.  37.  (3.) 


PSALMS  [4.  ENGLISH,  1638-1642] 


[Another  edition.]  The  \Vhole  Book  of 
Psalmes :  Collected  into  English  IMeeter 
by  T.  Sternhold,  I.  Hopkins,  and  others, 
. . .  with  apt  notes  to  sing  them  withall,  etc. 
G.  M.  for  the  Companie  of  Stationers  : 
London,  1638.     8°.  1409.  e.  18.  (2.) 

[Another  copy.]  3050.  b.  36.  (3.) 

[Another  copy.]  Case  65.  1.  4.  (3.) 

The  Whole  Booke  of  Psalmes  :  Collected 
Into  English  Meter  by  T.  Sternhold, 
J.  Hopkins,  W.  Whittingham,  and  others, 
. .  .with  apt  Notes  to  sing  them  withall,  etc. 
Imprinted  for  the  Covipany  of  Sfatioiicr.'i: 
London,  1638.     24".        3405.  aa.  5.  (2.) 

A  Paraphrase  upon  the  Psalmes  . . .  Set  to 
new  Tunes,  etc.     1638.     fol. 
,sv,,-  Lawes  (H.)  3104.  c.  8. 

The  Whole  Book  of  Psalmes,  Collected 
into  English  metre,  by  T.  Sternhold,  J. 
Hopkins,  and  others,  , . .  with  apt  notes  to 
sing  them  withall,  etc.  Thomas  Buck  and 
Roger  Daniel:  Cambridge,  IG'dd.     4". 

3433.  d.  19. 
The  Booke  of  Psalmes,  Collected  into 
English  Meeter,  by  T.  Sternhold,  1. 
Hopkins  and  others  :  . . .  with  apt  Notes  to 
sing  them  withall,  etc.  Printed  fir 

the  Company  of  Stationers:  London, 
1639.     4".  3049.  d.  1.  (2  ) 

The  Whole  Book  of  Psalmes :  Collected 
into  English  Meeter  by  T.  Sternhold, 
1.  Hopkins,  and  others,  .  . .  with  apt  notes 
to  sing  them  withall,  etc.  G.  M.  for 

the     Companie    of    Stationers:     London, 

1639.  8".  "  339.  a.  11.  (4.) 
[Another  edition.]  The  Whole  Booke  of 
J'salmes.     Collected  into  English  Meeter 

Sternhold,  I.  Hopkins,  and  others, 
. .  with  apt  notes  to  sing  them  withall,  c/r. 
G.  M.  for  the  Companie  of  Stationers  .- 
London,  1639.     8".  3433.  c.  28. 

The  Whole  Booke  of  Psalmes.  Collected 
into  English  IMeeter  by  T.  Sternhold, 
I.  Hopkins,  and  others :  . . .  with  apt 
notes  to  sing  them  withall,  etc. 

E.  G.  for  the  Company  of  Stationers  : 
London,  1640.  fol.  3434.  g.  15.  (2.) 
[Another  copy.]  3407.  e.  8.  (3.) 

[Another  copy.]  Case  61.  k.  5.  (2.) 

The  Whole  Book  of  Psalmes.  Collected 
into  English  Meeter  By  T.  Sternhold, 
I.  Hopkins,  and  others  . . .  with  apt  notes 
to  sing  them  withall.  Printed  for 

the     Company    of     Stationers:     London, 

1640.  4°.  692.  d.  5.  (2.) 
The    coloplion    gives   the    name   of    the 

printer,  I.  Okes. 

The  Whole  Book  of  Psalmes  :  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,  . . .  with  apt 
notes  to  sing  them  withall,  etc. 

G.  ]\f.  for  Oie  Ctmpanie  of  Stationers  : 
London,  1640.    S\  339.  a.  10.  (3.) 


byT 


The  Whole  Book  of  Psalmes:  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others  :  . . .  with  apt  notes 
to  sing  them  withall,  etc.  B.  Bishop 

for  the  Company  of  Stationers :  London, 

1640.  8".  219.  g.  13.  (3.) 
The  Whole  Book  of  Psalmes,  in  Prose 
and  Meeter,  etc.  (The  CL.  Psalmes  of 
David,  In  Prose  and  IMeeter :  With  their 
whole  usuall  Tunes  newly  corrected  & 
amended.)  2  pts.  James  Bryson  : 
Edinburgh,  1640.  16".  843.  c.  8. 
The  Whole  Booke  of  Psalmes:  Collected 
into  English  Meter  by  T.  Sternhold, 
J.  Hopkins,  W.  Whittingham,  and  others, 
. . .  with  apt  Notes  to  sing  them  withall,  etc. 

I.  L.for  the  Company  of  Stationers: 
London,  1640.     24°.  3433.  a.  14. 

A  Psalme  of  Thanks-giving  to  be  sung  by 
the  Children  of  Christs  Hospitall  on 
jMonday    in    the    Easter    Holy-dayes  .  . . 

1641.  1641.  s.sh.iol.  .SV-tiWHKN.  When 
exil'd  Hagars  waters  fail'd. 

669.  f.  4.  (5.) 

A  Psalme  of  Thanks-giving  to  be  sung  by 
the  Children  of  Christs  Hospitall,  on 
Tuesday  in  the  Easter  Holy-dayes  .  . . 
1641.  1641.  .s.i7(.fol.  .SwWhkx.  When 
lacobs  heires  thou  didst  direct. 

669.  f.  4.  (6.) 

The  whole  Booke  of  Psalmes,  Collected 
into  English  Meeter,  by  T.  Sternehold, 
I.  Hopkins,  and  others,  . . .  with  apt  Notes 
to  sing  them  withall,  etc. 

E.  G.  for  tlui  Company  of  Stationers  : 
Lotulon,  1641.    4».  346.  a.  1.  (3.) 

The  Whole  Book  of  Psalmes.  Collected 
ini.->  English  Meeter,  By  T.  Sternhold, 
I.  Hopkins,  and  others  . .  .  with  apt  notes 
to  sing  them  withall. 

Printed  for  the  Company  of  Stationers  : 
London,  1641.     4°.  473.  a.  10.  (2.) 

Th^  colophon  reads  :  '  Printed  by  I.  Okes, 
for  the  Company  of  Stationers  1640.' 

The  Whole  Book  of  Psalmes:  Collected 
into  English  IMeeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,  . . .  with  apt  notes 
to  sing  them  withall,  etc. 

G.  il/".  for  the  Companie  of  Stationers  : 
London,  1611.     8\  683.  e.  13.  (4.) 


[Another  copy.] 


335.  b.  5.  (2.) 


The  Whole  Booke  of  Psalmes  :  Collected 
into  English  Meter  by  T.  Sternhold, 
J.  Hopkins,  W.  Whittingham,  and  others, 
.  .  .with  apt  Notes  to  sing  them  withall,  etc. 
M.  F.  for  tJie  Company  of  Stationers  : 
Londmi,  1641.     24°.  Case  65.  i.  9. 

The  Whole  Booke  of  Psalmes  :  Collected 
Into  English  Meter  by  T.  Sternhold, 
J.  Hopkins,  W.  Whittingham,  and  others, 
. .  .with  apt  Notes  to  sing  them  withall,  etc. 
^[.  F.  for  the  Company  of  Stationers. 
1642.     24". '  3434.  a.  51, 


330 


PSALMS  [4.  ENGLISH,  1643-1654] 


A  Psalme  of  thanks-giving,  to  be  sung  by 
the  Children  of  Christs  Hospitall,  on 
Munday  in  the  Easter  Holy  dayes  . . .  1643. 
1643.  s.  sh.  fol.  See  By.  By  teares  spent 
Mothers  in  distresse,  etc. 

Case  20.  f.  4.  (42.) 

The  Whole  Book  of  Psalmes :  Collected 
into  English  Meeter  by  T.  Sternhold, 
I.  Hopkins,  and  others,  . . .  with  apt  notes 
to  sing  them  withall,  etc. 

G.  M.  for  the  Companie  of  Stationers : 
London,  1642.    8°.       3021.  aa.  17.  (2.) 

The  Whole  Booke  of  Davids  Psalmes 
Both  in  Prose  and  Meeter.  With  apt 
notes  to  sing  them  withall. 

R.  C.  for  the  Company  of  S^t^ationcrs  : 
London,  1643.     16".  3436.  a.  45. 


[Another  copy.] 


Case  17.  a.  24. 


The  Booke  of  Psalmnes  :  Englished  both 
in  Prose  and  Metre.     With  Annotations, 
. .  .By  H.  Ainsworth.     2  pts. 
TJiomas  Staffoixl :  Amsterdam,  1644.     8". 

3089.  bb.  6. 

The  Whole  Book  of  Psalmes :  Collected 
into  English  metre,  by  T.  Sternhold, 
I.  Hopkins,  and  others,. .  .with  apt  notes 
to  sing  them  withaU,  etc.  Roger  Daniel : 
Cambridge,  1645.     4°.      3050.  ee.  4.  (2.) 

The  Book  of  Psalms  in  IMetre,  lately 
translated,  with  many  whole  ones,  and 
choice  Collections  of  the  old  Psalms  added 
to  the  first  Impression  . . .  And  now  much 
augmented ...  all  following  the  common 
Tunes  at  this  day  used  in,  and  about 
London. .  .By  William  Barton,  etc. 
Printed  for  G.  M. :  London,  1645.     12". 

3436.  bbb.  4. 

The  Book  of  Psalms  in  Metre,  Lately 
translated ...  Now  much  augmented  and 
amended  with  the  cream  and  flower  of 
the  best  Authors,  all  following  the  common 
Tunes  at  this  day  used  in,  and  about 
London. .  .By  W.  Barton,  etc.  G.  M.  : 

London,  1645.     12".  3436.  bbb.  4. 

The  WHiole  Book  of  Psalmes,  Collected 
into  English  Meeter  by  T.  Sternhold,  I. 
Hopkins,  and  others,. .  .with  apt  notes  to 
sing  them  withall,  etc.  G.  M.  for  the 

Companie  of  Stationers  :  London,  1646.  8°. 

3433.  bbb.  6. 

[Another  edition.]  The  Whole  Booke  of 
Psalmes.  Collected  into  English  Meetre 
by  T.  Sternhold,  I.  Hopkins,  and  others: 
with  apt  notes  to  sing  them  withall,  etc. 

I.  L.  for  the  Company  of  Stationers  : 

[London,]  1646.     8°.  3434.  de.  3. 

Tlie  colophon  reads:  'London,  Printed 

by  W.   Wilson,  for  the   Company  of 

Stationers,  1646/ 


The  Whole  Booke  of  Psalmes :  Collected 
into  English  Metre  by  T.  Sternhold,  I. 
Hopkins  and  others . . .  with  apt  notes  to 
sing  them  withall,  etc.  E.  G.  for  the 

Company  of  Stationers :  London,  1646.  16°. 

Case  65.  hh.  3. 

The  colophon  reads  :  '  London,  Printed 

by    W.    Wilson,  for  the  Company  of 

Stationers,  1646.'     hi  a  contemporary 

embroidered  binding. 

The  Whole  Book  of  Psalmes  :    Collected 

into    English    Meeter   by    T.    Sternhold, 

I.  Hopkins,  and  others,. .  .with  apt  notes 

to  sing  them  withall,  etc.        A.  M.  for  the 

Companie  of  Stationers  :  London,  16^7.  8". 

3053.  aaa.  25.  (3.) 

[Another  edition.]     The  Whole  Booke  of 

Psalmes.      Collected   into  English  Metre 

by  T.  Sternhold,  I.  Hopkins,  and  others  . . . 

with  apt  notes  to  sing  them  withall,  etc. 

I.  L.  for  the  Company  of  Stationers  : 
London,  1647.     8".  3433.  b.  16. 

Choice  Psalmes  put  into  Musick,  for  Three 
Voices,  etc.     1648.     4°. 
See  Lawes  (H.)  and  (W.)       K.  3.  h.  18. 

A  Paraphrase  upon  the  Psalmes  of  David,  by 
G[eorge]  S[andys].     Set  to  new  Tunes,  etc. 

1648.  8°.  See  Lawes  (H.)  11623.  e.  6. 
The  Whole  Book  of  Psalmes:  Collected 
into  English  Meeter  by  T.  Sternhold,  I. 
Hopkins,  and  others,. .  .with  apt  notes  to 
sing  them  withall,  etc.  A.  M.  for  the 
Companie  of  Stationers :  London,  1648.  8". 

3433.  b.  17. 
The  Whole  Book  of  Psalmes :  Collected 
into  English  Meeter,  by  T.  Sternhold, 
J.  Hopkins  and  others,  etc.  Printed  for 
the    Companie    of    Stationers:     London, 

1649.  8".  3435.  ce.  2. 
All  the  French  Psalm  tunes  with  English 
Words.  Being  a  Collection  of  Psalms 
According  to  the  verses  and  tunes  gener- 
ally vsed  in  the  Reformed  Churches  of 
France  and  Germany,  etc.  [London'!'] 
1750.  16".  3438.  ee.  25. 
The  Psalmes  of  David,  from  The  New 
Translation  of  the  Bible  Turned  into 
Meter :  To  be  Sung  after  the  Old  Tunes 
used  in  the  Churches.  Ed.  Gri  ftin  : 
London,  1651.     12".          E.  Pam.  1280. 

With  a  second  {engraved)  title-page. 
The  Whole  Book  of  Psalmes  :   Collected 
into   English  ]\Ieeter  by  T.  Sternhold,  I. 
Hopkins,  and  others,  etc.        A.  M.  for  the 
Companie  of  Stationers  :  London,  1653.    8". 

1407.  g.  7.  (3.) 
The  Book  of  Psalms  in  Metre. .  .trans- 
lated by  W.  Barton.  To  be  sung  in  usuall 
and  known  Tunes.  Fitted  for  the  ready 
use,  and  understanding  of  all  good  Chris- 
tians. By  W.  Barton,  etc.  R.  Daniel 
and  W.  Du-Gard  ;  London,  1654.     12". 

3434.  b.  12. 


PSAL]MS  [4.  ENGLISH,  1656-1700] 


331 


Choice  Musick  to  the  Psalmes  of  Dauid 
for  Three  Voices  with  a  continuall  Base, 
etc.     1656.     ohh  12°.     Sec  Child  (W.) 

K.  a  a.  11. 

The  Whole  Booke  of  Psalmes  Collected 
into  English  JMeeter  by  T.  Sternhold,  J. 
Hopkins,  and  others  :. .  .with  apt  notes  to 
sing  them  withall,  etc.  S.  G.  foi-  the 

Company  of  Stationers  :  Lo)idon,  1661.  fol. 

3406.  e.  17.  (2.) 

The  whole  Book  of  Psalms  Collected  into 
English  Mooter  by  T.  Sternhold,  J.  Hop- 
kins, and  others:. .  .with  apt  Notes  to 
Sing  them  withall,  etc.  T.  N.  for  the 

Company  of  Stationers :  Lotidon,  1669.  fol. 
'    ■  468.  b.  13.  (3.) 

Psalms  &  Hymns  in  Solemn  Musick  of 
Foure  Parts  on  the  Common  Tunes  to  the 
Psalms  in  Jletre,  etc.     1671.     fol. 
See  Playford  (.J.)  K.  1.  i.  19. 

A  Paraphrase  upon  the  Psalms ...  By  G. 
Sandys.  Set  to  New  Tunes . . .  And  in  this 
Edition. .  .Revised  and  Corrected. .  .by  J. 
Playford.     1676.     8°.     See  Lawes  (H.) 

1076.  m.  7. 

The  Whole  Book  of  Psalms... in  Three 
Parts,  etc.     1677.     8".     See  Playford  (.T.) 

C.  6. 

The  Psalms  of  David  in  iletre.  Newly 
Translated.  With  Amendments  :  By  W. 
Barton,. .  .And  Sett  to  the  best  Psalm- 
Tunes  In  Two  Parts,  viz.  Treble  and  Bass  ; 
...By  T.  Smith,  t'/c.  J.  Brent 

and  S.  Powell:  Dublin,  [1680?]     12". 

3438.  e.  59. 

The  Book  of  Psalms  in  Metre... To  be 
sung  in  usual  and  known  Tunes.  Newly 
Translated  with  Amendments  .  .  .  By 
William  Barton,  e/c.  2  pts.  Printed  for 
the  Company  of  Stationers  :  London, 
]6S2.     12".  3434.  b.  15. 

[Another  copy.     Pt.  l.J  1411.  b.  15. 

A   New  and   Easie   INIethod  to  Learn  to 
Sing   by  Book  . . .  furnished  with  variety 
of  Psalm  Tunes  in  Parts,  etc.     1686.     8°. 
See  Mkthod.  1042.  d.  13. 

The  whole  Book  of  Psalms.  Collected 
into  English  IMeter,  by  T.  Sternhold, 
J.  Hopkins,  and  others  . . .  with  apt  Notes 
to  Sing  them  withal,  etc. 

J.  M.  for  the  Company  of  Stationers  : 
London,  1687.     fol.  "  3434.  h.  2. 

The  Whole  Book  of  Psalms,  As  they  are 
now  sung  in  the  Churches :  with  the 
Singing  Notes  of  Time  and  Tune  Set  to 
every  Syllable,  etc.  [With  a  Dedication 
signed  :  T.  M.]  R.  Everingham 

for  the  Company  of  Stationers  :  London, 
1688.     12".  3433.  b.  22. 

The  Whole  Book  of  Psalms  . . .  The  Second 

Edition,  Corrected  and  Amended. 

1695.    8\     Sec  Playford  (J.)       C.  6.  a. 


The  Book  of  Psalms  in  Metre.  Close 
and  Proper  to  the  Hebrew  :  Smooth  and 
Pleasant  for  the  Metre.  To  be  Sung  in 
Usual  and  Known  Tunes.  Newly  Trans- 
lated ...  By  W.  Barton,  etc. 

Tho.  Snowden,  for  the  Company  of 
Stationers  :  London,  1696.  12°.  843.  f.  2. 
The  Whole  Book  of  Psalms  . . .  The  Third 
Edition,  Corrected  and  Amended. 

1697.  8".  See  Playford  (.J.)  C.  6.  b. 
The  Whole  Book  of  Psalms  . . .  The 
Fourth  Edition,  Corrected  and  Amended. 

1698.  8".  See  Playford  (J.)  C.  6.  c. 
The  Psalms  of  David,  in  English  I\Ietre  ; 
Translated  from  the  Original,  And  Suited 
to  all  the  Tunes  now  Sung  in  Churches  : 
with  the  Additions  of  several  New.  By 
L.  Milbourne,  etc.  Printed  for 
W.  Boners,  etc.  :  London,  1698.     12°. 

3434.  b.  21. 

The  Psalms  of  David  in  ^letre :  Fitted  to 
the  Tunes  used  in  Parish-Churches.  By 
J.  Patrick,  etc.  (The  Tunes  of  the  Psalms.) 
2  pts.  Printed  for 

A.  and  J.  Churchill  . . .  and  L.  Meredith  : 
London,  1698.     12".  3434.  bb.  37. 

[Another  copy.]  3434.  aaa.  29. 

Wanting  pp.  225-6. 
[Another  copy.]  3433.  b.  25. 

A  New  Version  of  the  Psalms  of  David, 
Fitted  to  the  Tunes  Used  in  Churches. 
By  N.  Tate  and  N.  Brady.  The  Second 
Edition  corrected.  (The  Tunes  of  the 
Psalms.)     2  pts. 

M.  Clark,  for  the  Company  of  Stationers  : 
London,  1698.     12°.  3434.  bbb.  59. 

The  '  Tunes  of  the  Psalms  '  arc  '  Printed 

by  J.  Heptinstall  f(yr  Henry  Playford.' 

[Another  copy.]  3434.  b.  20. 

Wanting  pp.  xiii,  xiv,  xxiii  and  xxiv. 
The  Whole  Book  of  Psalms  . . .  The  Fifth 
Edition,  Corrected  and  Amended. 

1699.  8°.  See  Playford  (.J.)  C.  6.  d. 
The  Psalm-Singer's  Necessary  Compa- 
nion :  Being,  A  Collection  of  most  Single 
and  Double  Psalm-Tunes  now  in  Use, 
with  Full  Directions  how  to  Sing  them ; 
with  the  Bassus,  Counters,  Trebles  and 
Medius's.  Composed  by  able  blasters  . . . 
The  Second  Edition. 

J.  Heptinstall,  for  Henry  Phodrs  : 
London,  1700.     8°.  A.  620.  w. 

A  Choice  Collection  of  Psalm-Tunes  . . . 
Taught  by  W.  Anchors.  [1700?]  obi.  8". 
See  Anchors  (W.)  A.  1019. 

The  Psalme  Tunes.  In  Four  Parts . . .  the 
fourth  Edition,  etc.  (The  Second  Book. 
Containing  the  Treble  and  Conter-Tenor, 
etc.)  2  pts.  1700.  12°.  Sec  Barber  (A.) 
3406.  aaaa.  23.  (2.) 
The  Whole  Book  of  Psalms  .  . .  The  Sixth 
Edition,  Corrected  and  Amended. 

1700.  8°.     See  Playford  (J.)       C.  6.  e. 


332 


PSALMS  [4.  ENGLISH,  1701-1718] 


The  Psalms  of  David  in  Metre ;  fitted  to 
the  Tunes  used  in  Parish-Churches.  By 
J.  Patrick,  etc.  (The  Tunes  of  the  Psalms.) 
Printed  for  L.  Meredith:  London, 
1701.     12°.  218.  b.  9. 

The  Whole  Book  of  Psalms  . . .  The 
Seventh  Edition,  Corrected  and  Amended. 

1701.  Q\  See  Playford  (J.)  C.  6.  f. 
A  Supplement  to  the  New  Version  of 
Psalms  by  Dr.  Brady  and  Mr.  Tate ;  Con- 
taining, The  usual  Hymns,  Creed,  Lords 
Prayer,  Ten  Commandments,  with  their 
Tunes  :  Hymns  for  the  H.  Sacrament,  &c. 
Psalms  of  Particular  iMetre's  with  Tunes 
and  Gloria  Patri's.  Also  a  Collection  of 
the  Proper  and  Common  Tunes  . . .  The 
3d  Edition  Corrected  and  Enlarg'd. 

W.  Pearson,  for  Daniel  Broivn  : 
London,  1702.     12".      '  A.  620.  u. 

The  Whole  Book  of  Psalms  ...  The  Eighth 
Edition,  Corrected  and  Amended. 

1702.  8°.     See  Playford  (J.)       C.  6.  g. 

The  Metre  Psalm  Tunes,  etc. 
1702.  oU.  4°.  See  Wanlebs  (T.)  a.  121. 
The  Christians  Daily  Manual  of  Prayers 
and  Praises.  In  Two  Parts  . .  .  The 
Second  containing  a  Course  of  Select 
Psalms  and  Hymns,  with  their  Proper 
Tunes,  etc. 

J.  Hcptinstall  for  Tho.  Neichoroiigh  : 
London,  1703.  12°.  3457.  d.  29.  (1.) 
The  Book  of  Psalms  in  English  ]\Ietre. 
The  Newest  Version  fitted  to  the  Common 
Tunes.     By  C.  Darby,  etc.  S.  Bridge, 

for  T.  Parkhiirst :  London,  1704.     12°. 

3436.  g.  18. 
Select  Psalms  and  Hymns  for  the  Use  of 
the  Parish-Church  and  Chappel  of  St. 
James's,  Westminster.  The  Sixth  Edition. 
J.  Heptinstall,  for  the  Canqyanij  of  Sta- 
iioners:  London,  llOi.     12°.     A.'Sll.  g. 

The  Book  of  Psalms  in  IMetre ...  To  be  sung 
in  usual  and  known  Tunes.  Newly  trans- 
lated, with  Amendments  . . .  By  William 
Barton,  etc.  Ann  Sinncden,  for  the  Com- 
panii  of  StationeiH  :  London,  110[).     12°. 

Case  65.  e.  12. 
The  Psalms  of  David  in  Metre  . . .  Newly 
Translated  ...  By  W.  Barton  ...  Set  to 
the  best  Psalm-Tunes,  In  Two  Parts,  Viz. 
Treble  and  Bass ;  . . .  The  Second  Edition, 
Corrected  and  Amended.  With  the 
Basses.  By  T.  Smith,  etc.  J.  Brocas,  for 
E.  Dcrpson,  T.  Servant  . . .  and  P.  Law- 
rence:  Dublin,  1106.  12°.  3425.  aa.  11. 
A  Supplement  to  the  New  Version  of 
Psalms  by  Dr.  Brady  and  Mr.  Tate ; 
. . .  The  Sixth  Edition,  Corrected,  and 
much  Enlarged :  With  the  Addition  of 
Plain  Instructions  . . .  near  30  New  Tunes, 
composed  by  several  of  the  Best  Masters ; 
and  a  Table  of  Psalms,  etc.  JoJin  Nntt : 
[London,]  1708.     8".  1220.  g.  4.  (2.) 


The  Divine  Companion  . . .  Being  a  Choice 
Collection    of    New    and    Easy   Psalms, 
Hymns     and      Anthems  . .  .  The      Third 
Edition,  etc.     1709.     8°. 
See  Playfobd  (H.)  B.  655.  a. 

The  Whole  Book  of  Psalms  . . .  The  Tenth 

Edition,  Corrected  and  Amended. 

1709.     8°.     Se<'.  Playford  (J.)         C.  6.  j. 

A   Sett   of  New  Psalm   Tunes,   in   Four 

Parts,  etc.     [1710  ?]     8°. 

See  Bishop  (J.)  of  Winchester.        C.  523. 

A  Collection  of  Psalm  Tunes  in  Four 
Parts.  Fitted  to  the  Old  or  New  Version. 
With  Five  Anthems  in  Four  Parts. 
Cantus.  (Counter  Tenor.)  (Tenor.) 
(Bassus.)     4  pts.     London,  1711.     8°. 

C.  524. 

The  Devout  Singer's   Guide ;   containing 
all  the  Common  Tunes  now  in  Use,  with 
Select  Portions  of  the  Psalms  adapted  to 
each  Tune,  etc.     1711.     8°. 
See  Warner  (D.)  A.  468. 

A  Supplement  to  the  New  Version  of 
Psalms  by  Dr.  Brady  and  Mr.  Tate  ;  con- 
taining the  Psalms  in  Particular  Measures  ; 
the  usual  Hymns  . . .  with  Gloria  Patri's, 
and  Tunes  (Treble  and  Bass),  proper  to 
each  of  them  ...  The  Seventh  Edition, 
Corrected,  etc.  J-  Nntt  : 

In  the  Savoy  [London],  1712.     18°. 

3434.  b.  2.  (2.) 

The  Whole  Book  of  Psalms  .  . .  The 
Twelfth  Edition,  Corrected  and  Amended. 
1713.     8°.     See  Playford  (J.)        C.  6.  1. 

The  Whole  Book  of  Psalms  .  .  .  The 
Thirteenth  Edition,  Corrected  and 
Amended.     1715.     8".     ,Sa'  Playford  (J.) 

C.  6.  m. 

The  Whole  Book  of  Psalms  .  .  .  The 
Fourteenth  Edition,  Corrected  and 
Amended.     1717.     8°.     ,§«' Playford  (.1.) 

C.  6.  n. 

A  Supplement  to  the  New  Version  cf 
Psalms  by  Dr.  Brady  and  Mr.  Tate; 
. . .  The  Eight  Edition,  Corrected,  etc. 

Eliz.  Nntt :  hi  the  Savoy  [London^, 
1717.     12".  3433.  aaa.  11. 

[Another  edition.]  A  Supplement  to  the 
New  Version  of  Psalms.  By  Dr.  Brady 
and  Mr.  Tate  ;  ...  the  Eighth  Edition, 
Corrected,  c/c.  B.  Ware:  London, 

[1717?]     8".  3434.  e.  46. 

The  Psalms  of  David  in  Metre  :  Fitted  to 
the  Tunes  used  in  Parish-Churches.  By 
J.  Patrick,  etc.  Printed  fur 

W.  Churchill,  etc. :  London,  1718.     12". 

3433.  aaa.  12. 

The  Psalm-Singer's  Necessary  Companitn. 
Containing  .  .  .  above  Sixty  . . .  Psalm- 
Tunes  in  Two  Parts,  etc.     1718,     8°. 

a.  95. 


PSALMS  [4.  ENGLISH,  1718-1730?] 


333 


A  Book  of  Psalmody,  containing  Variety 
of  Tunes  for  all  the  Common  Metres  of 
the  Psalms  in  the  Old  and  New  Versions 
.  .  .  All  set  in  Four  Parts  ...  By 
J.  Chetham.  1718.  8". 
Sec  Chktham  (J.)  B.  611.  f. 

A  Collection  of  Tunes,  suited  to  the  various 
Metres  in  IMr.  Watts's  Imitation  of  the 
Psalms  of  David,  or  Dr.  Patrick's  Version  ; 
...  To  which  is  added  an  Introduction  to 
I'salmodv,  . . .  with  several  Tunes  never 
before  Published.  [Edited  by  W,  L.] 
W.  Pearson,  for  J.  Clark,  etc.:  London, 
1719.     IS".  A.  620. 

The  Whole  Book  of  Psalms  . . .  The  Fif- 
teenth Edition,  Corrected  and  Amended. 
1719.  8".  iSVcPLAYFORD  (J.)  C.  6.  o. 
A  Further  Guide  to  Parish  Clarks :  . . . 
Being  a  full  account  of  all  the  Psalm 
Tunes,  and  what  Psalms  are  sung  to  each 
oi  them,  etc.  2  pts.  [1720 ?]  8'. 
Sec  Warnkk  (D.)  K.  4.  c.  17. 

:Melodies  Proper  to  be  Sung  to  any  of  the 
Versions  of  y"  Psalms  of  David,  Figur'd 
for  the  Organ ;  . . .  the  Treble  of  each 
Melody  Transpos'd  for  the  Flute.  [Edited 
by  P.  Hart. J  Printed  and  Sold  at  the 

Mtisick-Shops  :  London,  [11 'lO.      12". 

a.  120. 
TJic    compi.>iiers   na)ned   are  :    P.    Hart, 
Dr.    Crofts,    J.    Milton,    S.    Stubbs, 
Courtivill,  T.Ravenscroft,  J.  Doicland, 
G.  Farnaby  and  Eerhii. 
[Another  copy.]  a.  120.  a. 

Melopeia  Sacra  or  a  Collection  of  Psalms 
and  Hymns  by  Mr.  Addison  and  S'  John 
Denham,  etc.  "[1721.|     fol. 
Sec  Po>EK  (A.)  L  198. 

The  Divine  Companion  .  .  .  The  Fourth 
Edition,  with  large  Additions.  1722.  8". 
See  Playfokd  (H.)  B.  655.  b. 

The  Whole  Book  of  Psalms  .  .  .  The  Six- 
teenth Edition,  Corrected  and  Amended. 
1722.     8".     Sec  Playford  (J.)       C.  6.  p. 
A  Book  of  Psalmodv,  etc.     1723.     S'\ 
See  Barp.kr  (R.)  and  (J).  C.  492.  b. 

An  Introduction  to  Psalmody  ...  To  which 
is  added  a  select  Number  of  y'=  best  Psalm 
Tunes  extant,  etc.     [1723  ?]     8». 
Set-  Church  (-1.)  B.  834. 

The  Christian  Sacriiice  of  Praises,  Con- 
sisting of  Select  Psalms  and  Hymns,  with 
.  .  .  Proper  Tunes.  For  the  Use  of  the 
Religious  Society  of  Romney.  Collected 
by  the  Author  of  the  Christian's  Daily 
Manual.  William  Pearson,  for  John  Wijat : 
London,  172-1.     12°.  3434.  cc.  6. 

[Another  copy.]  3457.  d.  29.  (2.) 

The  Psalms  of  David  in  ]\Ietre  :  With  the 
Tunes  used   in   Parish  Churches.     By  J. 
Patrick  .  .  .  The  Seventh  Edition. 
Printed  for  D.  Brown  :  London,  1724.    12". 

1018.  k.  6. 


A  Book  of  Psalmody,  etc.  The  Third 
Edition.     1724.    8".    ' See  Chetham  (J.) 

B.  611. 

An  Introduction  to  the  Skill  of  I\Iusick 
.  .  .  Anthems,  Hymns  and  Psalm-Tunes, 
etc.  1721.  4".  See  Bktts  (E.)  B.  376. 
The  Spiritual  Man's  Companion.  Con- 
taining .  .  .  Tunes  fitted  to  all  the  difierent 
]Measurcs  of  Psalms,  etc.  [1724  ?]  4". 
See  HoLDROYD  (I.)  B.  639. 

The  Whole  Book  of  Psalms  .  .  .  The  Seven- 
teenth Edition,  Corrected  and  Amended. 
1724.  8".  .See  Playford  (J.)  C.  6.  q. 
A  Supplement  to  the  New  Psalm  Book, 
etc.   [1725. 1    Sec  Bishop  (J.)  of  Winchester. 

B.  616. 

The  Divine  Musick  Scholar's  Guide,  with 
the  Famous  I\Ir.  Tho.  Ilavenscroft's  Psalm 
tunes  ...  To    which    is   added    a   Choice 
Collection  of  new  Psalm  tunes,  etc. 
[1725?]     oW.  4".     6fee  TiMBRELL  (F.) 

A.  980. 

A  Book   of   Psalmody,   Containing  ...  a 
select  number  of  Psalm-tunes,  etc. 
[1725  ?]     obi.  4".     See  Wilkins  (M.) 

A.  992.  a. 

The  Psalm  Singer's  choice  Companion,  etc. 

1727.  8".     See  Barbkii  (H.)  at  Castlcton. 

C.  492  a.  (1.) 

A  Choice  Collection  of  i'salm-Tunes,  etc. 

1728.  8".     Sec  Birch  (J.)  Psalmodist. 

B.  615. 

The  Psalms  of  David,  Imitated  in  the 
Language  of  the  New  Testament  .  .  .  By 
I.  Watts  .  .  .  The  Seventh  Edition.  (Tunes 
in  the  Tenor  Part  Fitted  to  the  Several 
^Metres,  etc.)  Printed  for  J.  Clark  .  .  . 
li.  Hett  .  .  .  and  li.  Ford  :  London. 

1729.  12".  3437.  f.  4. 
The  tu)ics  are  engraved  and  have  separate 

pagination. 
The  Pious  Recreation  :  containing  a  New 
Sett  of  Psalm-Tunes,  in  Three  Parts,  etc. 
1729.     8".     See  Richardson  (W.) 

C.  496. 
The  Whole  Book  of  Psalms  .  .  .  The 
Eighteenth  Edition  .  .  .  Corrected  and 
Amended.     1729.     8".     .SVc  Playford  (J.) 

C.  6.  r. 

A  Book  containing  groat  Variety  of  An- 
thems .  .  .  likewise,  a  Sett  of  Psalm-Tunes, 
etc.     [1730  ?]     8°.     See  Street  (J.) 

C.  102.  a. 

A  Book  of  Psalmody,  Containing  a  choice 
Collection  of  Psalm-Tunes,  etc. 
ri730?l     obi  4".     See  Wilkins  (M.) 

A.  992. 

Harmonia  Perfecta :    A  .  .  .  Collection  of 
Psalm  Tunes,  etc.     1730.     8". 
See  Gawthorn  (N.)  C.  708. 

A  New  Book  of  Psalmody,  etc.  [1730  ?]  8". 
Seelii-Li.(J.)ofLijdd.  E.  1385. 


334 


PSALMS  [4.  ENGLISH,  1730?-1745?] 


Select  Psalms  and  Hymns  for  the  Use  of 
the  Parish-Church,  and  Chappels  belonging 
to  the  Parish  of  St.  James's  Westminster. 
With  proper  Tunes  in  three  Parts. 

W.  Pearson,  fur  the  Covqmnij 

of  Stationers  :  London,  [1730  ?J     fol. 

''  C.  566.  gg. 

A   Book     of    Psalmody  .  .  .  The    Fourth 

Edition,  etc.    1731.  8°.     See  Chetham  (J.) 

B.  611.  a. 
Psalmody  Epitomiz'd :  Being  a  Brief 
Collection  of  . . .  Psalm-Tunes  ...  In  Four 
Parts  . . .  The  Second  Edition,  etc. 

1731.     8°.     See  Stanfield  (E.) 

C.  732.  h. 

The  Spiritual  Man's  Companion  . . .  Con- 
taining . . .  Tunes  fitted  to  . . .  the  different 
^Measures   of    the   Psalms  . . .  The    Third 
Edition,  etc.     1733.     4". 
See  HoLDROYD  (I.)  B.  639.  a. 

The  Psalms  of  David  ...  By  I.  Watts  . . . 
The  Ninth  Edition.  (Tunes  in  the  Tenth 
Part  Fitted  to  the  Several  ]\Ietres,  etc.) 

MS.  ADDITIONS. 

Printed  for  R.  Ford  . . .  and  li.  Heit : 

London,  1734.     12".  3433.  bb.  10. 

The  tunes  are  engraved  and  Imve  separate 

imgination. 

A  Book  of  Psalmody. .  .The  Fifth  Edition, 

etc.     1736.     8".     See  Chetham  (J.) 

B.  611.  b. 

Divine  Recreations,  Being  a  Collection  of 

Psalms,   Hymns,   and    Canons,   in   Two, 

Three,  and  Four  Parts :  with  Easy,  Grave, 

and  Pleasant  Tunes   adapted  to  each  of 

them.       To     bo     continued      Quarterly. 

Part  I.(-III.)  etc.     3  pts.  A.  Pearson  : 

London,  173G(-7).     8°.  C.  478. 

The  ixigination  is  contimious.     The  only 

composers  named  are  H.  Purcell,  W. 

Bird,  Jeremiah   Clarke,  St.    Jefferis, 

Creighton  and  Tallis. 

The  Psalms  of  David  ...  By  I.  Watts  . . . 

The   Eleventh    Edition.      (Tunes   in   the 

Tenor  Part  Fitted  to  the  Several  Metres, 

etc.)  Printed  for  R.  Ford  . . . 

and  R.  Rett :  London,  1737.     12". 

3436.  bbb.  10. 
Tlie  tunes  are  engraved  and  have  separate 
pagination. 
A     Book     of     Psalmody  . . .  The     Ninth 
Edition,  etc.     1738.     8".     Sec  Green  (J.) 

C.  73.  a. 

A  Sett  of  New  Psalm-Tunes,  etc. 

1738.     8".     Sec  Knapp  (W.)      B.  647.  d. 

The     Whole     Book     of     Psalms  . . .  The 

Nineteenth     Edition  . . .  Corrected     and 

Amended,  etc.     1738.     8". 

See  Playford  (J.)  C.  6.  s. 

Sacred  Mirth  :  or  The  Pious  Soul's  Daily 

Delight.     Being,   a   Choice  . . .  Collection 

of  Psalms,  etc.     1739.     8°. 

Sec  Tans'i'R  (W.)  C.  101. 


A  Choice  Collection  of  Twenty-four  Psalm- 
Tunes  .  . .  Collected  ...  by  ]\I.  Broome,  etc. 
ri740  ?1     ol)l.  4".     See  Broome  (M.) 

A.  902. 

The  Divine  Companion  . . .  Being  a  Choice 
Collection  of  Psalms,  etc.     [1740  ?]     8". 
See  Divine  Companion.  C.  111. 

The  Divine  Musick  Scholar's  Guide. 
Being  a  Choice  Collection  of  Psalm-Tunes, 
etc.     1740.     8".     See  Srbeve  (J.) 

B.  677. 
The  Psalms  of  David  in  Metre.  Collected 
out  of  the  principal  Versions  now  in  Use. 
To  which  are  Added,  Hymns,  particularly 
designed  for  the  Lord's-Supper. 

S.  Powell,  for  A.  Bradley  :  Dublin, 
1740.     12".  3436.  g.  24. 

Select  Psalms  and  Hymns  for  the  Use  of 
the  Parish-Church,  and  Chapels  belonging 
to  the  Parish  of  St.  James  Westminster. 
With  proper  Tunes  in  three  parts. 
B.  Crcake,  for  the  Company  of  Stationers  : 
London,  iniO^     12".  3437.  c.  30. 

A  Supplement  to  the  New  Version  of 
Psalms,  by  Dr.  Brady,  and  Mr.  Tate  . . . 
The  Tenth  Edition,  Corrected,  etc. 

A.  Pearson,  for  R.  Ware:  Loiuloa, 
[1740.]     12".  3433.  b.  7. 

[Another  copy.]  3405.  aaa.  2.  (3.) 

The  Compleat  Psalmodist,  etc.  1741.  8". 
See  Arnold  (J.)  C.  380.  h. 

The  Psalms  of  David  in  ]\Ielre :  With  the 
Tunes  used  in  Parish-Churches.  By  J. 
Patrick  . . .  The  Eighth  Edition.     2  pts. 

Printed  for  J.  WaWioo,  etc. :  London, 
1742.     12".  7437.  c.  17. 

A  Compleat  ^Melody :  ...  In  Three  Books. 
Containing  ...  II.  The  Psalms  of   David 
New  Tun'd,  etc.     1743.     obi.  4". 
See  Tans'ur  (W.)  A.  479.  e. 

A  Book  of  Psalmody  .  . .  The  Seventh 
Edition,  e^c.    1745.    8".    Sec  Chetham  (J.) 

B.  611.  g. 
A  Collection  of  Church  IMusick,  etc. 
[1745  ?1     obi.  4".     See  Wilkins  (E.) 

A.  904. 

A  Collection  of  Psalm  Tunes  with  Basses 
fitted  for  the  Voice  and  figured  for  the 
Organ,  for  the  Use  of  Gosport  in 
Hampshire.  [With  a  dedication  by  C. 
Woodmanson.]  J.  Simpisoii : 

London,  [1745  ?]     8".  B.  370.  r.  (1.) 

A  Collection  of  Tunes  in  three  Parts,  tliat 
are  now  us'd  in  the  several  dissenting 
Congregations  in  Loudon  fit  to  bind  up 
with  Dr.  Watts's  Psalms,  Together  with 
an  Introduction  for  the  use  of  Learners. 

Printed  for  . . .  Tlios.  Knibb  :  London, 
[1745?]     8".  A.  511.  e. 

Psalmody  :  or  a  Collection  of  Psalm  Tunes, 
etc.     [1745  ?]     obi.  4°. 
Sec  Alcock  (J.)  Doctor  in  Music. 

A.  1014. 


PSALMS  [4.  ENGLISH,  1746-1755] 


335 


The   Spiritual   Man's   Companion :    Con- 
taining. .  .Tunes  fitted  to. .  .the  different 
^Measures  of   the  Psalms  . . .  The   Fourth 
Edition,  etc.     1746.     4". 
See  HoLUKOYD  (I.)  B.  639.  c. 

A    Book    containing     great     Variety    of 
Anthems  . . .  Likewise    a    Set   of    Psalm- 
Tunes,    in    Four    Parts  . . .  The    Second 
Edition,  with  Additions.     1746.     8". 
See  Stbeet  (J.)  C.  102. 

The  Whole  Book  of  Psalm-Tunes,  in  Four 
Parts,  and  the  Names  of  the  several 
Authors  who  composed  Them.  Collected 
hy  T.  Ravenscroft. .  .Newly  done  in  a  Fair 
Large  Character  :  the  Whole  being  drawn 
out  in  Score. .  .corrected  from  several 
gross  Errors  in  the  former  Edition.  By 
W.  Turner.  To  which  is  added,  An 
Historical  Account  of  Music  in  General, 
etc.  Printed  for  J.  Btickla)id  : 

London,  1746.     4\  C.  112. 

The  Psalms  of  David ...  By  I.  Watts . .  . 
The  Fifteenth  Edition.  With  the  Preface 
and  Notes.  (Tunes  in  the  Tenor  Part 
Fitted  to  the  Several  Metres,  etc.) 
Printed  fur  J.  Oswald. .  .and  J.  Buckland  : 
London,  1748.     12°.  3436.  h.  22. 

The  tunes  are  engraved  and  Juive  separate 
pagination. 
A  Book  of  Psalmody, etc.     [1750 ?j     obi.  4". 
See  Beesly  (M.)  A.  1023. 

The  Second  Edition  of  the  First  Book  of 
the  Voice  of  Melody,  etc.      (The  Second 
Book   of   the   Voice   of   Melody,    being  a 
Collection  of. .  .Psalm-Tunes,  etc.) 
1750.     obi.  r.  A.  914. 

The  Psalm  Singer's  Pocket  Amvisement, 
Being  a  Collection  of  Psalm  Tunes  in  two 
Parts,  c^c.     [1750?]     8".     Sec  Milnek  (A.) 

A.  414.  a. 
The  Whole  Book  of  Psalms,  for  one,  two, 
three,  four  and  five  Voices  with  a  Thorough 
Bass  for  the  Harpsichord,  etc. 
[1750?]  fol.  Sec  Travers  (J.)  G.  104. 
The  Psalms  of  David... By  I.  Watts... 
The  Seventeenth  Edition,  etc.  (Tunes  in 
the  Tenor  Part  Fitted  to  the  Several 
]\Ietres,  etc.)  Printed  for  T.  Longman,  etc.  : 
London,  1751.     12".  3436.  bbb.  37. 

The  tunes  are  engraved  and  have  separate 
pagination. 
A  Compleat  Book  of  Psalmody,  etc.     1751. 
See  EvisoN  (J.)  C.  494. 

A    Book     of    Psalmody  ...  The    Eighth 
Edition,  etc.     1752.     8". 
See  Chetham  (J.)  B.  611.  c. 

The  Psalm-Singer's  Compleat  Tutor,  etc. 
The  Second  Edition.     [1752.]     obi.  8°. 
Sec  Moore  (T.)  of  Glasgoio.        A.  1043. 
Select  Psalms,  for  the  Use  of  the  Parish- 
Church  of  New  S'  Michan's  in  Dublin. 
S.  Powell :  Dublin,  1752.     12°. 

1220.  c.  23. 


A  Collection  of  twenty-eight  Psalm  Tunes 
. .  .by  several  Authors,  etc.     1753.     8°. 
Sec  Broome  (M.)  D.  866. 

The  Divine  Psalmist's  Companion.  Being, 
in  three  Parts,  A  Collection  of  the  best . .  . 
Tunes  now  extant :  made  more  fitt  for 
publick  Worship,  by  the  Alteration  of  the 
most  difficult  Or  less  harmonious  Notes 
in  each  Part . . .  adapted  to  Dr.  Watts's 
Psalm's,  etc.  Printed  for  John  Clipsham  : 
3P'  Harborongh,  1753. '  obi.  4°. 

A.  511.  f. 
The  Psalms  of  David... By  L  Watts... 
The  Eighteenth  Edition.  (Tunes  in  the 
Tenor  Part  Fitted  to  the  Several  Metres.) 
R.  Taylor :  Bcnvick,  1753.     12". 

3090.  i.  11. 
The  tunes  are  engraved  and  Jiave  separate 
pagination. 
The  Psalms  of  David... By  I.  Watts... 
The  Eighteenth  Edition.  (Tunes  in 
the  Tenor  Part  fitted  to  the  Several 
Metres.)  Printed  for 

W.  Charnlrij  :  Newcastle,  [115-6? ]     12". 

3433.  aaa.  13. 
T}ie  tunes  are  engraved  and  have  separate 
pollination. 
A  New  and  Correct  Set  of  Church  Tunes 
...The  Third  Edition,  t'/c.     1753.    oW.  12". 
See  Tait  (A.)  A.  529. 

A  New  Version  of  the  Psalms  of  David, 
by  N.  Tate  &  N.  Bradv,  etc.     1753.     4». 
StvTBIEMER  (J.  Z.)  E.   1472. 

[Another  edition.]     A  New  Version  of  the 
Psalms  of  David,  etc.     1753.     12". 
See  Triemer  (J.  Z.)  3434.  cc.  7. 

The  Spiritual  Man's  Companion. .  .Con- 
taining..  .IV.  A  Set  of  Psalm-Tunes... 
The  Fifth  Edition,  with  large  Additions, 
etc.     1753.    4".     See  Holdroyd  (I.) 

B.  639.  b. 
The  Psalms  of  David,  Imitated  in  the 
Language  of  the  New  Testament . . .  By  I. 
Watts.  The  Eighteenth  Edition.  (Tunes 
in  the  Tenor  Part  fitted  to  the  several 
Metres.)     2  pts. 

Printed  for  T.  Jjongman,  etc. : 
London,1753.   12°.     3434.  aaaa.  2.  (1.) 

New  Church  Melody ;  being  a  Set  of 
Anthems,  Psalms,  Hymns,  &c.  1754.  8°. 
See  K>-APi'  (W.)  B.  647. 

The  Sacred  Melody. .  .Containing a  Select 
number  of  Psalm-Tunes,  etc. 
1754.     obi.  4".     See  East  (W.) 

A.  914.  a. 
A  Set  of  New  Psalms  and  Anthems  in 
Four  Parts. .  .The  Sixth  Edition,  etc. 
1754.  8°.  See  Knapp  (W.)  B.  647.  b. 
Divine  Harmony,  or  the  Psalm-Singer 
instructed.  Containing  ...  II.  A  Select 
Collection  of  Church-Musick,  consisting 
of  Fifty-five  Psalm-Tunes,  etc.  1755.  8°. 
See  Orisp  (W.)  C.  493. 


336 


PSALMS  [4.  ENGLISH,  1755-1765?] 


The  Psalm-Siuger's  Pocket  Companion,  t>/c. 

1755.     8".    Srt'DAVKNroRT(U.)     C.  519. 

The  Royal  I\Ielody  Compleat  . . .  Coutaia- 

ing  . . .  A  New  . . .  Body  of  Cburch-iliTsick, 

adapted  to  the  most  select  Portions  of  the 

Book  of  i'salms,  etc.     1755.     ubl.  4". 

See  Taks'uk  (W.)  A.  479.  b. 

A   Set  of  Anthems  and  Psalm  Tunes  in 

Four,  Five,  &  Six  Parts,  etc. 

ri755?l     obi.  lo\.     i.Vc  Pkatt  (-J.) 

"-  E.  556.  c. 

[A  Ibt]  Set  of  Services,  Anthems  &  Psalm 
Tunes,  etc.     (Book  the  Second.     Contain- 
inf  Twelve  Anthems  and  Twelve  Psalm 
Tunes,  etc.)     2  pts.     [1755?]     fol. 
See  Smith  (J.)  of  Market  Lcnnngtoii. 

H.  3272.  a. 

The  Psalms  of  David  ...  By  I.  Watts  . .  . 
The  Twentieth  Edition,  etc.  (Tunes  in  the 
Tenor  Part  fitted  to  the  Several  Metres.) 

Frinted  for  T.  Longman,  etc. :  London, 
1766.     12".  3433.  d.  28. 

The  tunes  are  engraved  and  have  separate 
IKLgination. 
The    Whole    Book    of    Psalms   .  .  .  The 
Twentieth  Edition,  Corrected,  j^ith  con- 
siderable Improvements,  etc.     1757.     S". 
See  Playford  (J.)  C.  6.  t. 

A  Collection  of  Psalm-Tunes  in  Fcur 
Parts.  Neatly  engraved  on  Copper.  To 
which  is  prefixed,  A  short  Introduction, 
<0c.  [With  a  preface  by  W.  Gray.] 
Sands,  Donaldson,  Murray,  and  Cochran, 
for  Gray  and  Peter  :  Edinburgh, 1158.  8", 
■'  -^  A.  620.  z. 

The    Psalm-Singer's    Pocket   Companion 
. . .  Second  Edition.     1758.     8". 
See  Davenport  (U.)  C.  519.  a. 

The  Young  Psalmsinger's  Complete  Guide 
Containing  ...  A  Set  of  Psalm-Tunes, 
etc.     175'J.     obi.  4°.     Sec  French  (J.) 

A.  1027. 

The  Leicestershire  Harmony.  Contain- 
ing a  Set  of  . . .  Psalm-Tunes,  etc. 
1759.  8".  See  Arnold  (J.)  C.  380.  f. 
The  Psalmist's  New  Companion  . . .  The 
Sixth  Edition  . . .  corrected  by  A.  Adams, 
etc.     [1760?]     old.  A".     .SVr  Adams  (A.) 

A.  Loo* 
A  Collection  of  Tunes,  etc. 
ri760  ?  1     obi.  4".     See  Ashworth  (C.) 
^  A.  891. 

The    Psalmodists   Exercise,    or   a   Set   of 

Psalm  Tunes,  dc.     [1760?]     fol. 

See  Cole  (W.)  of  Witnesham  ?      H.  832. 

Harmonia-Sacra,  or  a  choice  Collection  of 

Psalm  and  Hymn  Tunes,  etc. 

ri760''l     o5/..  fol.     Sec  Harmonia  Sacra. 

^  -^  A.  629. 

A  Choice  Collection  of  Psalm  and  Hymn 
Tunes  set  for  the  Cetra  or  Guitar,  etc. 
[1760  ?]    obi.  4".    Sec  Hintz  (F.)     A.  861. 


A   Third   Set   of   Services,    Anthems  and 
Psalm  Tunes,  etc.     [1760  ?]     fol. 
See  Smith  (J.)  of  Market  Lavington. 

G.  517.  h.  (3.) 
A  Small  Collection  of  Psalms  to  the  Old 
Tunes,  sung  by  the  Charity  Children  of 
the  City  of  Chichester,  etc.  ms.  additions. 
W.Faden:  London,  1161.     8". 

B.  370.  d. 

A  Choice  Collection  of  Church  IMusic  .  . . 
containing  Twenty  Psalm-Tunes,  etc. 
1761.     obi.  8".     Sec  Catchpole  (R.) 

C.  116. 

A  Collection  of  Psalm  and  Hymn-Tunes 
As  they  are  performed  at  the  Magdalen 
and  Foundling  Chapels,  Properly  set  fur 
the  Organ,  Harpsichord  and  Guittar  by 
Several  Eminent  .Masters.  John  PJiillips  : 
London,  [1762  ?]     8".  D.  620.  b. 

This  is  the  pirated  edition  referred  to  in 
the   preface    to    T.    Call's    Magdalen 
Hymns. 
The  Tunes  &  Hymns  as  they  are  used  at 
the  IMagdalen  Chapel,  etc.     [1762.]     4». 
See  Call  (T.)  D.  577. 

The  Psalm-Singer's  Delightful  Pocket 
Companion,  Containing. .  .between  Three 
and  Fourscore  of  the  best  Psalm-Tunes,  etc. 
[1762?]     8".     See  MooKK  CV.)  of  Glasgow. 

B.  651. 
Parochial   :Music    Corrected  ...  To  which 
are  added,  A  Scarce  and  Valuable  Collec- 
tion of  Psalm  Tunes,  etc.     1762.     4". 
See  Rilev  (W.)  556.  c.  18. 

The  Psalms  of  David  ...  By  I.  Watts  . . . 
The  Twenty-Fifth  Edition,  etc.  (Tunes 
in  the  Tenor  Part  fitted  to  the  Several 
Metres.)  Printed  for  T.  Longman,  etc.  : 
London,  1764.     8".  3436.  bbb.  26. 

TJie  tunes  are  engraved  and  have  separate 
pfogination. 
[Another  copy.]  3436.  bbb.  13. 

The  Royal  Melody  Compleat  . . .  Con- 
taining ...  II.  A  New  . . .  Body  of  Church- 
Musick,  adapted  to  the  most  select  Por- 
tions of  the  Book  of  Psalms,  etc.  The 
Third  Edition.  1764.  obi.  4". 
See  Tans'ur  (W.)  A.  479. 

The  Psalms  of  David  ...  By  I.  Watts  . . . 
The  Twenty-Sixth  Edition.  (Tunes  in 
the  Tenor  Part  fitted  to  the  Several 
Metres.)  Printed  for  J.  Buckland,  etc.  : 
London,  1765.     12".  3535.  ccc.  22. 

The  tunes  are  engraved  and  Jiave  se^mratc 
pagination. 
Church  ilusic  Reformed  . .  .  Containing 
...  II.  Select  Portions  of  the  Psalms  of 
David,. . .  adapted  to  a  Set  of  grave  and 
solemn  Psalm-Tunes,  etc.  1765.  8". 
See  Arnold  (J.)  C  380.  j. 

Psalms  Hymns  &  Spiritual  Songs,  etc. 
[1765  ?]     fol.     See  Broderip  (J.) 

G.  517.  b.  (1.) 


tSALMS  [4.  ENGLISH,  1765?-1772] 


337 


Harmonia-Sacra,  or  a  choice  Collection  of 
Psalm  and  Hvmu  Tunes,  etc. 
[1765  ?]    obi.  "tol.     Sec  Harmonia  Sacra. 

B.  771.  a. 
A   Set   of  Hymns   and  Psalm  Tmies   in 
Three  and  Four  Parts,  etc. 
[1765?]     obl.M.     Sec  Hahwood  (E.) 

E.  1404. 
A  Second  Collection  of  Psalms  and  Hymns 
used  at  the  IMagdalen  Chapel,  etc. 
[1765  ?]     S\     See  AR^E  (T.  A.) 

E.  602.  y.  (1.) 
An  Introduction  to  Singing  ...  To  which 
is  added  ...  a  Collection  of  . . .  Psalm 
Tunes,  etc.     1765.     8^     See  Hewitt  (J.) 

E.  594. 
The  Psalm  Singers  Help,  heing  a  Collection 
of  Tunes  in  three  Parts,  that  are  now 
us'd  in  the  several  dissenting  Churches 
&  dissenting  Congregations  in  London, 
with  a  Thorough  Bass  for  the  Harpsicord 
or  Organ,  etc.  [1765  ? ,  12". 
See  Knibb  (T.)  '  A.  857. 

A  New  Version  of  the  I'salms  of  David, 
hy  N.  Tate  &  N.  Brady,  etc.     1765.     i". 
See  Teiemer  (J.  Z.)        3090.  e.  41.  (1.) 

[Another  edition.]     A  New  Version  of  the 
Psalms    of    David,    hy    N.    Tate    &    N. 
Brady,  etc.     (Hymns  adapted  to  Christian 
Worship,  etc.)     2  pts.     1765.     12". 
Sec  Triejier  (J.  Z.)  3436.  f.  33. 

The     Universal     Psalmodist,    etc.       The 

Third  Edition,  etc.     1765.     obi.  4°. 

Sec  Williams  (A.)  A.  622. 

A  Collection  of  Church-Music  ;  consisting 
of  new  Setts  of  the  Common  Psalm-Tunes 
. . .  adapted  to  the  Several  Metres  in 
the  Version  authorized  by  the  General 
Assembly,  etc.  1766.  obi.  4". 
See  HoLDEN  (J.)  C.  657. 

A  Collection  of  Psalm  Tunes,  etc. 
[1766.]     obi.  fol.     See  Wainwright  (J.) 

D.  461. 
A  Book  of  Psalmody  . . .  the  Ninth 
Edition,  e^c.    1767.    8".    Scf  Chetham  (J.) 

B.  611.  d. 
A  Collection  of  Melodies  for  the  Psalms 
of   David,   According   to   the   Version   of 
C.  Smart  ...  By  the  most  Eminent  Com- 
posers of  Church  Music.  Printed  for 
I.  Walsh  :  London,  [1768  ?]    fol.     E.  485. 
The  composers  named  arc :  S.  Howard, 
Boyce,  J.  Stanley,  J.  Baildon,  S.  Long, 
B.  Cooke,  Nares,  Randall,  E.  Ayrton, 
T.  Wood,  J.  Bennett  and  G.  Berg. 

The  Psalms  of  David  ...  By  I.  Watts  . . . 
The  Twenty-eighth  Edition.  (Tunes  in 
the  Tenor  Part  fitted  to  the  Several 
Metres.)  Printed  for  H.  Woodfall,  etc. : 
London,  1768.     12".  1220.  d.  3.  (1.) 

The  tunes  are  engraved  and  have  separate 
pagination. 

VOL.    II. 


A  Collection  of  Psalm  and  Hymn  Tunes, 
etc.     [For  the   use  of   the  Chapel  of  the 
Lock  Hospital.]     [1769.]     obi.  iol. 
See  :Madan  (M.)  E.  1429. 

Sacra  Concerto :  or  the  Voice  of  ]Melody. 
Containing. .  .forty-one  Psalm-Tunes,  etc. 
The  Second  Edition,  etc.     1769.     4". 
See  West  (B.)  D.  591. 

The  Psalms  of  David  . . .  By  I.  Watts,  etc. 
(Tunes  in  the  Tenor  Part  fitted  to  the 
Several  ^Metres.)  Printed 

for  J.  and  F.  IHviiigton,  etc.:  London, 
1770.     12".  3437.  aaa.  49. 

The  tunes  arc  engraved  and  have  separate 
pagination. 

The     Psalm     Singer's     Help,     being    a 
Collection  of  Tunes,  in   three  parts  . . . 
A  New  Edition.     [1770?]     12". 
See  Knibb  (T.)  A.  620.  b. 

A   Collection   of   Psalm   Tunes   in   three 

Parts,  etc.     [1770  ?]     obi.  8". 

See  Smith  (I.)  A.  621. 

The    Universal    Psalmodist   .  .  .   Fourth 

Edition,  etc.     (1770.)     obi.  4". 

Sec  Williams  (A.)  A.  622.  b. 

Williams's  New  Universal  Psalmodist  . . . 
The  Fifth  Edition,  etc.     (1770.)     obi.  4". 
See  Williams  (A.)  A.  622.  d. 

The  Psalms  of  David  ...  By  I.  Watts,  etc. 
(Tunes  in  the  Tenor  Part  fitted  to  the 
Several  iletres.)  Printed 

for  J.  and  F.  Pdvington,  cic.  :  Loiuloii, 
1772.     12".  3437.  aaa.  34. 

Tlie  tunes  are  engraved  and  have  separate 
pagination. 

Church  Harmony :    or,   Psalm-Tunes,   in 

Four  Parts,  etc.     1772.     8". 

See  Bremner  (R.)  a.  108. 

A     Short     and     Easy    Introduction     to 
Psalmody :    with   a    Collection   of    Plain 
Psalm-Tunes . . .  Designed  for  the  Use  of  a 
Society  of  Protestant  Dissenters. 
1772.     8".     See  Introduction. 

A.  620.  y. 

Melodia  Sacra  :   or  the  Devout  Psalmist's 
New  Musical  Companion.     Being  a  Choice 
Collection    of    Psalm-Tunes    for    Divine 
Service. .  .The  Second  Edition,  etc. 
1772.     obi.  12".     See  Tans'ur  (W.) 

A.  479.  e. 

A  New  Version  of  the  Psalms  of  David, 
by  N.  Tate  &  N.  Brady.     Together  with 
some  Hymns ...  as   used   in   the  English 
established  Church  in  Amsterdam,  etc. 
1772.     4".     See  Triemer  (J.  Z.) 

3050.  eee.  9.  (2.) 

[Another  edition.]     A  New  Version  of  the 
Psalms   of   David,   by   N.   Tate    and    N. 
Brady,  etc.     1772.     12". 
See  Triemer  (J.  Z.) 

3436.  ccc.  1.  (1.) 


338 


PSALMS  [4.  ENGLISH,  1773-1779] 


The  Psalms  of  David. .  .By  I.  Watts,  cic. 
(Tunes  in  the  Tenor  Part  fitted  to  the 
Several  ]\Ietrcs.) 

Printed  for  J.  and  F.  Bivington,  etc. : 

London,  1773.     12°.  3436.  e.  27. 

The  tunes  are  engraved  and  have  separate 

pagination. 
Divine  Harmony ...  a  Collection  in  score 
of  Psalms  and  Anthems,  etc.     1774.     fol. 
See  Langdon  (R.)  H.  879.  a.  (1.) 

The    Gentleman     and     Lady's     Musical 
Companion.       Containing    a    Variety   of 
Excellent  Anthems,  Psalm  Tunes,  &c. 
[1774.]     ohl.  4°.     See  Stickney  (J.) 

A.  849. 

Psalms,  Hymns  &  Anthems,  used  in  the 

Chapel   of   the   Hospital    for   the    ]\Iain- 

tenance     &     Education    of    Exposed    & 

Deserted  Young  Children. 

\London,'\  1774.     8°.  D.  596.  a. 

Tlic     composers     named    arc :     Smith, 

Evance,  Heighington,  Green,  Worgan, 

Cook,  Byrd,  Stanley,  Heron  and  Gren- 

ville. 

The  Psalms  of  David,. .  .By  I.  Watts,  etc. 
(Tunes  in  the  Tenor  Part  fitted  to  the 
Several  Metres.) 

Printed  for  J.  and  F.  Bivington,  etc. : 
London,  1775.     12°.  3436.  e.  34. 

The  tunes  arc  engraved  and  have  separate 

-    pagination. 
The   Psalmist's   New   Companion  . . .  The 
Tenth  Edition.     [1775?]     o6L  4°. 
See  Adams  (A.)  A.  133.  a. 

The  Organist's  Universal   Companion... 
Containing,    a     New. .  .Collection    of... 
Psalm-tunes,  etc.     1775.     ohl.  8'\ 
Sec  Chapman  (T.)  B.  580.  i.  (2.) 

The    Complete    Organist's   Pocket    Com- 
panion, containing  a  choice  Collection  of 
Psalm-Tunes,  etc.     [1775  ?]     ohl.  4". 
See  Goodwin  (S.)  b.  326. 

Sixteen   Psalms   selected   from    the  Rev. 
Mr.  Merrick's  new  Version,  etc. 
[1775  ?]     ohl.  fol.     See  Hayes  (W.) 

E.  217.  f. 
The  First  Twelve  Psalms  in  Four  Parts  ; 
Composed  by. .  .Claude  le  Joanc . . .  Adapted 
to  the  English  Versions,  etc.  [1775  ?]  fol. 
See  Le  Jeune  (C.)  G.  807.  a.  (8.) 

Psalmody   Improved :    in  a  Collection  of 

Psalm  Tunes  and  Anthems,  etc. 

1775.     8°.     See  Newtok  (J.  W.)     C.  565. 

Church    Harmony    Sacred   to   Devotion. 
Being  a  choice   Set  of  New  Anthems  & 
Psalm  Tunes,  etc.     The  4"^  Edition. 
[1775  ?]     fol.     See  Stephenson  (J.) 

H.  3288. 
Williams's  New  Universal  Psalmodist . . . 
The  Sixth  Edition,  with  Additions. 
[1775?]     ohl.'k\     fc'ee  Williams  (A.) 

A.  622.  c. 


The  Psalms  of  David. .  .By  I.  Watts,  etc. 
(Tunes  in  the  Tenor  Part  fitted  to  the 
Several  Metres.) 

I'rinted  for  J.  Btickland  and  T.  Longman  : 
London,  1776.     12°.  3433.  bbb.  8. 

The  tunes  are  engraved  aiid  have  separate 
pagination. 

[Another  edition.]  The  Psalms  of  David 
...By  I.  Watts... A  New  Edition,  Cor- 
rected. (Tunes  in  the  Tenor  Part  fitted 
to  the  Several  Metres.) 

Collins  and  Johnson  : 
Salisbtiry,  1776.     12°.         3434.  bb.  39. 
The  tunes  are  engraved  and  have  separate 
pagination. 

Sacred  ]\Iusic . . .  being  an  entire  new  . . . 
sett  of  Psalm  and  Hymn  Tunes,  etc. 
[1776.]     ohl.  8".     See  Pearce  (S.) 

B.  584. 

An  Abridgment  of  the  New  Version  of  the 
Psalms,  for  the  Use  of  Charlotte-Street 
and  Bedford  Chapels :  With  proper  Tunes 
adapted  to  each  Psalm;...  by  M' Alison, 
D'  Bowland  [or  rather,  Dowland],  D' 
Crofts,  INP  Cortiville,  M'  Carey,  M'  Jer. 
Clark,  M'  Dupuis,  D'  Gibbons,  D'  Howard, 
]\P  Handel,  M'  Kirby,  D'  Nares,  M'  Ravens- 
croft,  W  Wm.  Wheale  and  other  . . . 
Masters.  With  Bases ...  figured  for  the 
Organ  and  Harpsichord,  etc.  [Edited 
with  a  Preface  by  T.  Johnson.]  TJwmas 
Johnson  :  London,  [1777.]     8°. 

A.  511.  d. 

The  Psalms  of  David. .  .By  I.  Watts,  etc. 
(Tunes,  in  the  Tenor  Part,  fitted  to  the 
several  Metres.)  Printed  for  J.  Coote  : 

London,  1777.     12".  3436.  a.  47. 

The  tunes,  without  pagination,  are  in- 
serted between  sig.  A  4  aiid  A  5. 

[Another  edition.]  The  Psalms  of  David 
. .  .By  I.  Watts,  etc.  (Tunes  in  the  Tenor 
Part.) 

Printed  for  J.  F.  and  C.  Bivington,  etc. : 
London,  i777.     12°.        3090.  aaaa.  10. 
Tltc  tunes  are  engraved  and  have  separate 
pagination. 

Parochial  Harmony,  etc.     1777.     fol. 
See  Alcock  (J.)  the  Younger. 

H.  866.  (2.) 

The  Psalm  Singer's  Assistant,  or  a  Key  to 
Psalmody.     Containing  .  .  .  a  .  .  .  Collec- 
tion of  Psalm  Tunes,  etc.     1778.     ohl.  4°. 
See  Crompton  (J.)  A.  1020. 

Psalmody  in  Miniature.     In  III  Books . . . 
A    New    Edition,    etc.      (Supplement   to 
Psalmody  in  ]\Iiniaturc,  etc.)     4  Bks. 
1778.    ohl.  32°.     See  Williams  (A.) 

A.  622.  a. 

The  Harmony  of  Sion,  or  a  Collection  of 
. . .  Psalm-Tunes,  etc.     [1779.]     8°. 
Sec  Alcock  (J.)  Doctor  in  Music. 

E.  343.  d. 


PSALMS  [4.  ENGLISH,  1780-1789] 


339 


The  Psalms  of  David  ...  By  I.  Watts,  etc. 
(Tunes  in  the  Tenor  Part.)  Printed  for 
J.  F.   and   C.    Rivington,   etc.  :    London, 

1780.  12°.  1216.  a.  26.  (1.) 
Tlie  tiuies  are  engraved  and  have  separate 

pagination. 
Amphion  or  the  Chorister's  Delight,  con- 
taining a  Select  number  of  Psalm  Tunes, 
etc.     [Compiled   by   J.    Burger   ,Jun'  and 
C.  Tiebout.]     [1780?]     obi.  i". 
See  Amphion.  A.  828. 

Psalmody  Improved,  containing  upwards 
of  seventy  Portions  of  the  Psalms  of 
David  . . .  adapted  to  . . .  old  &  modern 
Melodies  .  .  .  The  Words  .  .  .  chiefly 
selected  from  the  Version  of  Tate  & 
Brad}',  etc.  [1780  ?j  obi.  8". 
See  Gresham  (W.)  A.  838. 

A  Collection  of  Psalms  and  Hymns  for  the 
Use  of  Parish  Churches,  etc.     [1780  ?J     4". 
See  Hellendaal  (P.)  the  Elder.    E.  588. 
Twelve  Psalm  Tunes  . . .  for  four  Voices. 
[1780?]    obl.i".     Sec  Jackson  (T.) 

A.  511.  b.  (2.) 
Select  Harmony.  Containing  ...  a  Collec- 
tion of  Psalm  Tunes,  Hymns  and  Anthems, 
etc.     [1780  ?]     obi.  4°.     See  Law  (A.) 

A.  816. 
The  Psalm-Singer's  Amusement,  etc. 

1781.  obi.  4".     Sec  Billings  (W.) 
Harmonia    Sacra.     Or,    a    Collection    of 
Psalm  Tunes,  etc.     1781.     obi.  4" 

See  Gawler  (W.)  B.  440.  (5.) 

Songs,  Hymns,  and  Psalms,  . . .  adapted 
to  . . .  the  Religious  Part  of  the  Education 
of  the  Scholars  of  the  County  Naval  Free- 
Schools,  etc.     1783.     fol.     See  H.,  J. 

I.  231. 
Select  Psalms  for  the  use  of  Portman- 
Chapel,  etc.  J.  liivinglon,  Junr. : 

Clerkemoell,  1784.     8".  E.  556.  k. 

Sacred  Harmony,  or  a  Collection  of  Psalm 
Tunes,  Ancient  and  Modern,  etc. 
[1784-91.]     o6Z.  4\     See  Harbison  (R.) 

B.  632. 
The  Psalmist's  New  Companion  . . .  the 
Eleventh  Edition,  efc.  [1785?]  obi.  ^\ 
See  Adams  (A.)  A.  133.  b. 
The  Essex  Harmony  Containing  . . .  the 
. . .  Rules  of  Psalmody.  To  which  are 
annexed,  a  variety  of  plain  and  fugeing 
Psalm  and  Hymn  Tunes,  etc. 

1785.    obi.  i".     See  Bayley  (D.)  the  Elder. 

A.  134. 
The  Psalm-Singer's  Companion  . . .  Third 
Edition.     1785.     8°. 

See  Davenpobt  (W.)  C.  519.  b. 

The   Hymns    and    Psalms    used    at   the 
Asylum  . . .  for  Female  Orphans. 
[1785.]     4".     See  Gawleu  (W.)     E.  585. 
A  Verse  Anthem  ...  To  which  are  added 
Ten  New  Psalm  Tunes,  etc.     [1785  ?] 
See  Marsh  (J.)  H.  2815.  d.  (3.) 


A  Collection  of  Anthems  . . .  likewise  a 
Set  of  Psalm-Tunes,  in  four  Parts  . . .  The 
Third  Edition,  with  Additions.  1785.  8°. 
See  Street  (J.)  C.  102.  b. 

Twenty  Psalms,  set   to   Music   for   Two, 
Three  and  Four  Voices,  etc. 
[1785  ?]     obi.  fol.     See  Tremain  (T.) 

E.  602.  f.  (4.) 
Thirty  Psalm  Tunes  in  four  Parts,  with 
Symphonies,  Interludes,  and  an   Instru- 
mental Bass,  etc.     [1785  ?]     obi.  i". 
See  Valentine  (J.)  B.  440.  (2.) 

Select  Portions  of  the  Psalms  of  David  . . . 
The  Music  from  the  most  approved  Com- 
positions. The  Second  Edition.  In  which 
are  inserted  Words  selected  from  the  New 
Version,  and  adapted  to  the  several  Tunes. 
Printed  for  H.  Gardner:  London, 
178G.     obi.  4".  5.  a.  21. 

The  composers  named  are :    J.    Clark, 

Croft,     W.    Hayes,    Puivenscroft,     T. 

Tomkyns,     Courtiville,     B.     Allison, 

^[.  Luther  and  Gilding. 
[Another  copy.]  B.  370.  n. 

Select  Psalms  and  Hymns,  for  the  use  of 
the  Parish  Church  of  Cardinfjton,  in  the 
County  of  Bedford.  J.  W.  Gaktbin  : 

London,  1786.     8".  C.  566.  j. 

[Another  copy.]  3437.  g.  17. 

[Another  copy.]  C.  732.  b. 

A  Book   of    Psalmody  . . .  The   Eleventh 
Edition,  etc.     1787.     8". 
See  Chetham  (J.)  B.  611.  e. 

A  Psalm  of  Thanksgiving  to  be  sung  by 
the  Children  of  Christ's  Hospital,  etc. 
1787.     s.  sh.  fol.     Sec  Hudson  (R.) 

I.  600  (133.) 
Select  Psalm  and  Hymn  Tunes,  etc. 

1787.  obi.  4>\     See  JIacVity  (J.) 

A.  1046. 
Select  Psalms  and  Hymns  for  the  use  of 
the  Parish  Church  of  Cardington,  in  the 
County  of  Bedford.  W.  Smith  : 

Bedford,  1787.     16".  3437.  e.  19. 

The  New  Harmony  of  Zion. .  .To  which  is 
added... A  choice  Collection  of ..  .Psalm 
and  Hymn  Tunes,  etc.     1788.     obi.  i". 
See  Bayley  (D.)  the  younger.        A.  452. 
Twenty  Psalms  and  Hymns,  etc, 
[1788  ?]     fol.     See  Dalmer  (W.) 

H.  1187.  o.  (1.) 
Hill's  Church  Music,  containing  Psalm 
Tunes  and  Anthems,  etc.  [1788-91.]  fol. 
See  Hill  (J.)  of  Paigby.  H.  3117. 

The  Worcester  Collection  of  Sacred  Har- 
mony . . .  Containing  ...  A  large  Number 
of  . . .  Psalm  and  Hymn  Tunes,  etc. 

1788.  obi.  4°.  See  Thomas  (I.)  A.  854. 
A  Psalm  of  Thanksgiving  to  be  sung  by 
the  Children  of  Christ's  Hospital,  etc. 

1789.  s.  sh.  fol.     See  Hudson  (K.) 

I.  600.  (18.) 
z  2 


340 


PSALMS  [4.  ENGLISH,  1789-1794] 


Select  Psalms  of  Duvid,  iu  the  Old  Version, 
set  to  Music  iu  two  Parts,  Tenor  and 
Bass,  etc.  W.  Harrod  : 

Stamford,  1789.     4".  C.  732.  a. 

The  composers  named    are :    Croft,    J. 

Clark,    Handel,    J.    Boioland    \_Doio- 

land],  H.  Parcel  and  Bloiv. 
Psalmodia    Christiana,    a    Collection    of 
Sacred    Music  .  .  .  Containing    200  .  .  . 
Psalm     Tunes  .  .  .  Harmonized     &  .  .  . 
composed  by  W.  Dixon,  etc. 
ri789.]     obi.  i°.     See  Dixon  (W.) 

B.  775. 

A  New  Sett  of  Hymns  and  Psalm  Tunes, 
etc.     [1789.1     obi.  4».     See  Leach  (J.) 

B.  844.  (1.) 

Sacred  Harmony :  or  A  choice  Collection 
of  Psalm  and  Hymn  Tunes,  etc. 
ri789.]    8".     See  Sacred  Haemony. 

B.  483. 

[Another  edition.]  Sacred  Harmony,  etc. 
[1789  ?]    8".     See  Sacred  Harmony. 

B.  483.  a. 
Psalmodia   Evangelica.     A  Collection   of 
Psalm  &  Hymn-Tunes,  etc. 
1789.     obi.  4°.     Sec  Williams  (T.) 

A.  811.  a. 

The  Psalmist's   New  Companion  . . .  The 
Twelfth  Edition,  dc.     [1790?]     obi.  i". 
See  Adams  (A.)  A.  133.  c. 

Bland's  Collection  of  Divine  Music,  con- 
sisting of  Psalms,  Hymns  &  Anthems, 
etc.     [1790?]     fol.     See  Bland  (J.) 

H.  817. 
Twelve  Psalm  Tunes  (in  four  Parts),  etc. 
[1790  ?]     fol.     Sec  Cooke  (M.) 

G.  517.  b.  (4.) 
The    Hymns   and  Psalms    used    at    the 
Asylum  . . .  for  Female  Orphans,  etc. 
[1790?]     8°.     See  Gawler  (W.) 

E.  585.  a.  (1.) 
Sixteen  Psalms,  etc.  Selected  from 
Merrick's  Version,  etc.  [1790?]  obi.  fol. 
See  Hayes  (P.)  E.  218.  b. 

Parochial  Music   Corrected  . . .  Being  . . . 
Rules    for  .  .  .  the  .  .  .  Performance    of 
Psalmody  . . .  with   Psalms,  Hymns,  and 
Anthems,  etc.     1790.     4°. 
See  Heron  (H.)  D.  437.  (2.) 

The  Psalms  of  David  for  the  use  of  Parish 
Churches,  etc.     [1790.]     8°. 
Sec  Miller  (E.)  E.  402. 

Divine  Harmonv  :  a  Collection  of  Hymn 
and  Psalm  Tunes,  efc.     [1790?]     fol. 
See  Peace  (J.)  H.  1187.  o.  (4.) 

Four    Setts    of    new    Psalm   and   Hymn 

Tunes,  etc.     [1790  ?]     obi.  fol. 

See  Radigek  (A.)  E.  1477. 

The  Divine  Harmonist's  Assistant,  being 
a  Collection  of  Psalm  Tunes,  etc. 
[1790  ?]     obi.  4".     See  Riley  (W.) 

B.  788.  (2.) 


A  Collection  of   Psalm   Tunes  in   Three 
Parts. .  .Fifth  Edition,  etc. 
[1790?]     obi.  4:°.     Sec  Smith  (I.) 

A.  621.  a. 

The   Essex  Melody. . .  comprising  ...  Six 

Psalm  Tunes,  etc.     [1790  ?]     fol. 

See  Weight  (J.)  G.  973. 

The  Psalm  Tunes  and  Hymns  used,  and 

taught  by  the  Editor,  in  Bedford  Chapel, 

etc.  Printed  for  the  Editor  :  London, 

[1791.]    8".  1018.  k.  33.  (2.) 

The  Psalms  of  David  for  the  Use  of  Parish 

Churches,  etc.     1791.     fol. 

Sen  Arnold  (S.)  and  Callcott  (J.  W.) 

H.  1174. 

The  Psalms  of  David  in  Metre  . . .  the 
Words  selected  from  the  New  Version  of 
Tate  &  Brady. .  .&  others. .  .The  Music. . . 
Selected  &  Adapted  by  H.  Bond,  etc. 
[1791  ?]  4".  See  Bond  (H.)  E.  579. 
A  Selection  of  Psalms  and  Hymns. .  .for 
the  Use  of  Bedford  Chapel,  etc. 
(1791.)    i".     See  Costellow  (T.) 

C.  725. 

A  Selection  of  Psalm  and  Hymn  Tunes, 
etc.     [1791  ?]     obi.  4".     See  Rippon  (J.) 

A.  481.  (1.) 
Twelve  Psalm  &  Hymn  Tunes. 

1792.  obi.  4°.     See  Banister  (C.  W.) 

B.  451.  (3.) 

A  new,  and  improved  Edition  of  the 
Collection  of  Psalm  and  Hymn  Tunes 
sung  at  the  Chapel  of  the  Lock  Hospital, 
etc.     [1792.]     obi.  fol.     Sec  Madan  (M.) 

E.  1429.  a. 
The  Book  of  Common  Prayer  reformed 
according  to  the  plan  of  the  late  D' 
Samuel  Clarke.  Together  with  the  Psalter 
or  Psalms  of  David. .  .The  Fourth  Edition. 
(Psalm  Tunes.)  Printed  for  J.  Johnson  : 
London,  1793.     12°.  843.  e.  3. 

The  tunes  are  engraved  and  have  separate 
pagijiation. 
Four    Anthems  ...  To   which  are   added 
Sixteen  Psalm  or  Hymn  Tunes,  etc. 
(1793.)    obi.  fol.     See  Beaumont  (J.) 

F.  964.  a. 

A  Selection  of  Twelve  Psalms  and  Hymus, 
Set  to  Music  according  to  the  Rules  laid 
down  for  the  Church,  etc.     (1793.) 
See  Bertie  (W.)  Earl  of  Abingdon. 

E.  577. 
A  Select  Collection  of  Psalm  and  Hymn 
Tunes,  etc.     [1793.]     obi.  8°. 
See  Boyd  (H.)  A.  909. 

The  Psalm-Singer's  Assistant,  etc. 

1793.  8".  See  Gilmoue  (R.)  A.  1026. 
A  Selection  of  Twelve  Psalms  and  Hymns, 
etc.     [1793.]     obi.  fol.     See  Monzani  (T.) 

E.  1334. 

A    Second   Sett   of    Hymns    and    Psalm 

Tunes,  etc.     [1794.]     obi.  4°. 

See  Leach  (J.)  B.  844.  (2.) 


PSALMS  [4.  ENGLISH,  1794-1800  ?]— [5.  FRENCH,  1554,  1555] 


341 


A  Collection  of  Psalm  &  Hymn  Tunes, 
etc.    1794.    ohl.  12°.     See  Randall  (J.) 

A.  742. 

Improved  Psalmody.     Vol.  I,  the  Psalms 
of  David,  from  a  Poetical  Version  by. . . 
J.  Merrick. .  .with  New  Music   collected 
from  the  most  Eminent  Composers,  etc. 
1794.     ohl.  fol.     See  Tattebsall  (W.  D.) 

5.  a.  18. 
Select  Portions  of  Psalms  and  HjTnns  Set 
to  Music  with  the  Thorough  Basses . . . 
arranged  for  the  Organ  or  Piano  Forte,  as 
sung  at  Oxford,  Welbeck  &  Portland 
Chapels,  S'  ]Mary-le-Bone.  The  Second 
Edition,  etc.  [With  a  dedication  signed  : 
Jane  Clarke. J  R'  Birchall : 

London,  [1795  ?]     8".  T.  550.  d. 

Federal    Harmony ;     containing  .  .  .  the 
Rudiments  of  Psalmody  ;  together  with  a 
Collection  of  Church  ilusic,  etc. 
[1795  ?]     ohl.  4".     See  Besham  (A.) 

A.  636.  (1.) 
Portions  of  Psalms,  Selected  from  The 
Version  of  Brady  and  Tate ...  adapted  to 
Fifty  Tunes  ...  by. . .  J.  Broderip  . . .  and 
R.  Broderip,  etc.  [1795  ?J  ohl.  4". 
See  Broderip  (J.)  and  (R.)  B.  593.  (1.) 
Select  Portions  of  the  Psalms  . . .  The 
Tunes  selected,  arranged,  and  composed 
by  M.  Cooke,  e^c.  [1795?]  8". 
Sec  Cooke  (M.)  D.  582. 

A  First  Collection  of  Four  Anthems  & 
Eight  Psalms  arranged  for  Four  Voices, 
etc.     [1795  ?]     fol.     See  Figg  (W.) 

G.  503.  (2.) 
Parochial  Harmony,  consisting  of  a  Collec- 
tion of  old  Psahn  Tunes  harmonized  for 
Four  Voices,  etc.     [1795  ?]     fol. 
Sec  Friend  (J.)  H.  3078. 

Eight  Tunes ...  Adapted  to  the  Selection 
of  Psalms. .  .of  Ebury  Chapel,  etc. 
[1795  ?^,    obi.  fol.     Sec  Smith  (T.) 

E.  1498.  g.  (5.) 
Twenty-Four  Tunes. .  .Composed  chiefly 
to  D'  Watts's  Psalms  and  Hymns. 
[1795  ?]     ohl.  fol.     See  Stanley  (S.) 

C.  853.  (1.) 
Sacred    Melody,    being    Fiftv    Psalm    & 
Hymn  Tunes,  etc.     [1796  ?!     fol. 
See  ]Moreton  (J.)  G.  503.  (6.) 

Social  Harmony  :  containing. .  .The  Rudi- 
ments of  Psalmody,  etc.     (1798.)     ohl.  4". 
See  Benham  (A.)  A.  636.  (2.) 

Divine   Harmony,  being  a   Collection  of 
Psalm  &  Hymn  Tunes,  etc.     1798.     8". 
See  Henley  (P.)  and  Sharp  (T.)    E.  481. 

The  Psalms  &  Hymns  with  the  Ode  or 
Anthem  sung  at  the  ]Magdalen  Chapel, 
adapted  for  the  Voice,  Harpsichord,  &c. 
A  New  Edition,  etc.     2  pts. 

Printed  for  Henry  Thompson  : 
London,  [1800  ?]     8°.  E.  1498.  1. 

The  pagination  is  ccntinucns. 


A  Selection  of  Psalms  &  Hymns  as  set  on 
the  Organ,  the  Gift  of... the  Marquis  of 
Buckingham,  to  the  Parish  Church  of 
Stowe,  etc.  Flight  cfi 

Eobson  :  London,  [1800  ?]     16°. 

3435.  g.  24. 

The  Anthems,  Hymns,  Psalms  and  Sen- 
tences suug  at  the  Asylum  Chapel,  etc. 
[1800  ?]     See  Callcott  (J.  W.) 

H.  894.  a. 

The  Portsmouth  Harmony,  containing 
Fifty  Psalm  Tunes,  etc.  See  Cuzens  (B.) 
[1800?]    ohl.  4°.  a.  109. 

The    IMelksham     Harmony,     containing 
Fifty  original  Tunes  adapted  to  the  New 
Version  Psalms,  etc.     [1800  ?]     ohl  i". 
See  Harvey  (W.)  B.  466. 

An  Original  Anthem.  .  .with  a  Selection 
of  Thirty-eight. .  .Psalm  Tunes,  etc. 
[1800?]     fol.     ,sVe  HowGiLL  (W.) 

H.  879.  k.  (2.) 
Eight  Anthems ...  Book  I.  (Seven  An- 
thems... Book  II.)  (Five  Anthems... 
Twenty  Psalm  Tunes.  .  .Book  III.)  (Five 
Anthems. .  .Ten  Psalm  Tunes. .  .Book  IV.) 
[1805  ?-1800  ?  1     fol.     Sec  Key  (J.) 

G.  521. 
Sacred  jMelody :    a  General  Collection  of 
Psalm     &     Hymn    Tunes,    etc.      Ninth 
Edition.     ri800?]     ohl.  i". 
See  Major  (S.)  A.  621.  b. 

A  Selection  of  Psalm  and  H>Tnn  Tunes, 
etc.     [1800?]     8°.     See  Peaston  (W.) 

B.  580.  a. 
Psalmodia  Britannica,  or  a  Collection  of 
Psalm  Tunes,  etc.     [1800  ?]     ohl.  4°. 
See  Rider  (C.)  a.  263. 

Ancient  Church-Music  :  being  a. .  .Selec- 
tion of  the  best. .  .Psalm-Tunes,  drawn 
from  the  works  of  the  most  esteemed  old 
INIasters  .  .  .  and  set  in  three  parts, 
etc.     [1800?]     8°.     See  Sampson  (R.) 

C.  522. 
Nineteen  Psalm,  Hymn  &  Charity  Hymn 
Tunes,  etc.     [1800  ?]     ohl.  fol. 
See  Stanley  (S.)  C.  853.  (2.) 

Sacred  Harmony . . .  Consisting  of  a  variety 
of  New  Psakn  &  Hymn  Tmies,  etc. 
[1800  ?]    ohl.  4°.     See  Welsh  (J.) 

B.  469. 
5.  French. 

Pseaulmes  LXXXIII  deDauid. .  .aquatre 
parties,  etc.  1554.  ohl.  16'"°. 
See  Bourgeois  (L.)  K.  8.  i.  4.  (16.) 
Le  Second  Liure  [de]s  Pseaulmes  [et] 
Sentences,  tirees  tant  du  Psau[tier]  Royal 
que  des  autres  Saincts  Prophetes  :  Mib[es 
en  Musique]  en  forms  de  Motetz,  par 
diuers  [excellens  Llusiciens].  (Tiers 
Liure.  Ou  sont  contenues  Plusievrs 
Chansons  tirees  du  Recueil :  des  meiUeures 
Tant  anciennes  que  modernes,  composees 
de  diuers  excellens  Musisciens :  desquelles 


342 


PSALMS  [5.  FRENCH,  1555-15G9] 


auons  change  la  verbe  lubrique,  en  lettre 
spirituelle  &  chrestienne.  Le  tout  a 
quatre  parties,  &  en  quatre  liures.) 
Superius.  [With  dedicatory  verses  by 
P.  Vallete.]  2  Bks.  Simon  du  Bosc,  ct 
GxdUaume  Gneroult.    1555.     obL  16'"". 

K.  8.  i.  10. 
The  editor's  name  occurs  in  the  dedica- 
tory verses  in  Livre  II.  The  composers 
named  in  Livre  II.  are  :  F.  Gindron, 
G.  Goudimel,  ArchadcU  and  B.  le  Bel. 
No  names  occur  in  Livre  III.  The 
title-page  of  Livre  II.  is  mutilated. 

La  Bible,  etc.  (Pseaumes  de  David,  mis 
en  rime  par  C.  Marot  et  T.  do  Besze.) 
(La  forme  des  prieres  ecclesiastiques.) 
3  pts.  Dc  Vlmprimcrie 

de  F.  lariuy,  A.  Dauodeau,  d  I.  Bourgeois  : 
[Geneva,]  1560.     4°.  3022.  i.  1. 

Premier      Liure       conteuant      Soixantc 
Pseaumes  de  Dauid,  etc.     1561.     oil.  12". 
See  Champion  (T.)  called  Mithou. 

K.  1.  a.  4. 

Le  Nouueau  Testament,  e/c._  (Les 
Pseaumes  mis  en  Rime  Francoise,  par 
C.  INIarot,  et  T.  de  Beze.)     2  pts. 

Frangois  Pcrrin : 
[Geneva,]  1562.     fol.  464.  b.  7. 

Les  Pseaumes  mis  en  rime  Franc^oise,  par 
C.  Marot,  &  T.  de  Beze.     (La  forme  des 
Prieres  Ecclesiastiques,  etc.)     2  pts. 
Ian  de  Tournes.     Pour  Antoine  Vincent: 
Lyon,  1563.     8".  3433.  c.  63. 

La  Bible,   etc.     (Les  Pseaumes    mis    en 
Rime  Francoise,  par  C.  Marot,  and  T.  de 
Beze.)     (Prieres  Ecclesiastiques.)     2  pts. 
Francois  Pen-in  :  Geneve,  1564.     8°. 

1159.  d.  6. 
Wanti7ig    sigs.   FF    1,   8,   HH  8,   and 
probably  three  leaves  at  the  end ;  sig. 
MM  4  is  mutilated. 

Les    CL.   Pseaumes    de   Dauid,   mis    en 
Rime  Francoise,  par  C.  Marot,  et   T.  de 
B^ze,  etc.     15G4.     obi.  i". 
See  Jambe  de  Feb  (P.)  A.  63. 

Pseaumes  de  Dauid,  mis  en  rime  francoise. 
A  sauoir,  Quarantenetif  par  Clement 
Marot,  auec  le  Catique  de  Simeon,  Les 
dix  Commandemcs,  &  le  Cautique  de 
]\Ioyse.  Et  Le  reste  des  autres  Par 
Theodore  de  Besze  de  Vezelay  en 
Bourgongne.  (Pierre  Vallete  a  tousFidelles 
desirans  chanter  les  louanges  du  Seigneur, 
etc.)  (La  Forme  des  Prieres  ecclesiastiques, 
etc.)     2  pts.     [1565  ?]     8".        690.  a.  12. 

The   last  four   leaves   of  Part    II.   are 
mutilated. 
Les   Pseaumes    mis   en   Rime   Francoise 
par  C.  Marot,  &  T.  de  Beze.     (La  Forme 
des  Prieres  Ecclesiastiques.)     2  pts. 

lean  Bonnefoy.     Pour  Antoine  Vincent : 
[Lyons,]  1566.    16°.  1018.  a.  2. 


La  Bible,  etc.  (Les  Pseaumes  mis  en 
Rime  Francoise,  par  C.  Marot,  et  T.  de 
Beze.)  (La  Forme  des  Prieres  Ecclesias- 
tiques.) (Confession  de  Foy,  etc.)  2  pts. 
Loiis  Babier  :  Orleans,  1566.     8". 

3022.  cc.  2. 
The   '  Confession  de  Foy '  has  a  title- 
page  dated  1567. 

La  Bible,  etc.  (La  Forme  des  Prieres 
Ecclesiastiques.)  (Les  Pseaumes  mis  en 
Rime  Francoise,  par  C.  Marot,  &  T.  dc 
Beze.)     3  pts.  Zacharie 

Durant :  Geneve,  1566.    8". 

Case  48.  d.  13. 

La  Bible,  etc.  (Les  Pseaumes  mis  en 
Rime  Francoise  par  C.  Marot  &  T.  de 
Beze.)  (La  Forme  des  Prieres  Ecclesias- 
tiques, etc.)  2  pts.  Francois 
Perrin,  pour  Antoine  Vincent  :  [Geneva,] 
1566.     8".                                    1105.  c.  5. 

Les  CL.  Pseaumes  de  David,  mis  en  rime 
francoise  par  C.  Marot,  &  T.  de  Besze. 
(La  Forme  des  Prieres  Ecclesiastiques,  etc.) 
Abel  Clemence  :  [Orleans,]  1566.     16". 

3433.  a.  7. 

Pseaumes  mis  en  Rime  Franpoise,  par  C. 
Marot,   et   T.    de   Beze.     (La  Forme  des 
Prieres  Ecclesiastiques,  etc.) 
Thomas  G our teaii,  pour  Antoine  Vincent  : 
[Lyons,]  1566.     24°.  3434.  a.  38. 

Printed  in  caractires  de  civiliti'. 

La  Bible,  etc.  (Les  Pseaumes  mis  en 
Rime  Francoise  par  C.  Marot,  &  T.  de 
Beze.)  (La  Forme  des  Prieres  Ecclesias- 
tiques, etc.)  3  pts.  Franqois 
Estienne  :  [Geneva,]  1567.     8". 

676.  a.  5.  (2.) 

This  copy  has  the  arms  and  monogram 

of  J.  A.  de  Thou  and  his  second  loife, 

Gasparde  de  la  Chastre,  stamped  on  the 

binding. 

La    Bible,   etc.     (Les    Pseaumes  mis   en 
Rime   Francoise   par  C.   Marot   &   T.  de 
Beze.)     (La  Forme  des  Prieres  Ecclesias- 
tiques, etc.)     3  pts.  Frangois 
Perrin,  pour  Antoine  Vincent :    [Lyons,] 
1567.     8°.                                    1409.  e.  1. 
Wanting  pp.  1-81  of  Part  II.  {containing 
the  Apocrypha)   and  3   leaves  at  the 
end. 
Les  Pseaumes  mis  en  Rime  Francoise,  par 
C.  Marot,  &  T.  de  Besze.  lean 
Baptistc    Pinercul.      Pour  Antoine    Vin- 
cent :  [Geneva,]  1568.     16°. 

1410.  a.  27.  (2.) 

La  Bible,  etc.  (Les  Pseaumes  mis  en 
Rime  Francoise  par  C.  Marot,  et  T.  de 
Beze.)  (La  Forme  des  Prieres  Ecclesias- 
tiques, etc.)  3  pts.  lean  Marescal :  Lyon, 
1569.    8°.  1409.  e.  2. 

Part  II.  (the  Neio  Testament)  is  jmnied 
by  Pierre  Bernard, 


PSALMS  [5.  FRENCH,  1570-1615] 


343 


La    Bible,   etc.     (Les   Pseaumes   mis    en 

Rime  Francoise   par  C.  Marot,   et  T.  de 

Beze.)     (La  Forme  des  Prieres  Ecclesias- 

tiques.e^c.)  3pts.  Pour Estienne Armstase : 

{Geneva,^  1570.     8\  3025.  b.  21. 

The  title-page  of  tlu  Neto  Testament  has 

the   imprint    '  Par    Pierre    Bernard, 

1569.'     Wa7iting  16  leaves  at  the  end, 

sig.  li  S-Kk  10. 

La  Bible,   etc.      (Les   Pseaumes  mis  en 

Rime  Fran<;oise.     Par  C.  Marot,  &  T.  de 

Beze.)     (La  Forme  des  Prieres  Ecclesias- 

tiques, etc.)  3pts.  Pour  SehastienHonorati: 

Geneve,  1570.    16».     Case  36.  a.  29-31. 

Les    Pseaumes   de   David,   Mis  en   rime 

Francoise  par   C.  l\Iarot,   &   T.  de  Beze. 

Avec  la  prose  eu  marge,  &  vne  Oraison  a 

la  fin  d'vn  chacun  Pseaume,  etc. 

Abel  Riuenj  :  Geneve,  1577.     16». 

3090.  aa.  20. 
Cent  Cinquante  Pseaumes  de  Dauid,  etc. 
1583.     ohl.  4°.     See  L'Estocart  (P.  de) 

A.  62. 

Les  CL.  Pseaumes  de  David  mis  en  Rime 
Francoise,  Par  C.  Marot,  &  T.  de  Beze. 
Avec  la  Forme  des  Prieres  Ecclesiastiques, 
etc.  leremie  des  Planches  :  Geneve, 

1587.    8°.  1409.  e.  5.  (2.) 

[Another  copy.]  Case  48.  d.  16.  (2.) 
[Another  copy.]  Case  46.  c.  23.  (2.) 
Les  Pseaumes  de  Dauid,  mis  eu  Rime 
Francoise.  Par  C.  ^Marot  &  T.  de  Beze. 
(La  Forme  des  Prieres  Ecclesiastiques,  etc.) 
Hierosmc  Haultin  :  La  Bochclle, 
1590.     12°.  1220.  b.  1. 

Les  CL.  Pseaumes  mis  en  Rime  Frau(^oise, 
par  C.  IMarot,  &  T.  de  Beze,  etc.  Pierre  de 
Saint-Andri  :  Geneve,  1592.  8°.  B.  367. 
Cinquante  Pseaiimes  de  Dauid,  auec  la 
musique  a  cinq  parties  d'Orlande  de 
Lassus.  Vingt  autres  Pseaumes  a  cinq  et 
six  parties,  etc.  1597.  ohl.  4". 
See  Lasso  (0.  di)     [8.  Psalms.'] 

K.  2.  a.  4. 

Les  Pseaumes  Mis  en  Rime  Francoise. 
Par  C.  Marot  &  T.  de  Beze.  Mis  en 
Musique  a  quatre  parties,  etc.  (La  Forme 
des  Prieres  Ecclesiastiques,  etc.)  (Con- 
fession de  Foy,  etc.)  1602.  8". 
See  GouDiMEL  (C.)  K.  8.  i.  11. 

Premier  Liure,  Contenant  Cinquante 
Pseaumes  de  Dauid,  Mis  en  Musique  a 
III.  Parties,  etc.  Moienue.  (Basse.) 
2  pts.     1602.     ohl.i".     Sec  Le  Jecne  (C.) 

B.  283.  a. 

Cinquante  Pseaumes  de  Dauid... a  4,5, 
6,  &  7  parties,  etc.  1604.  ohl.  4°. 
See  SwEELiNCK  (J.  P.)  K.  2.  e.  1.  (1.) 
Les  CL.  Pseaumes  de  David  mis  eu  Rime 
Francoise,  par  C.  Marot,  &  T.  de  Besze. 
Avec  la  Forme  des  Prieres  Ecclesiastiques, 
etc.  Matthieu  Berjon  :  Geneve,  1605.  8°. 
Case  65.  1.  4.  (2.) 


Les  Pseaumes  de  Dauid,  mis  en  rime 
FrauQoise,  par  Marot,  &  T.  de  Beze. 
(La  Forme  des  Prieres  Ecclesiastiques, 
etc.)  Pour  Estienne 

Gamonct :  [Geneva,]  1606.     8». 

3025.  b.  23.  (2.) 
Les  Pseaumes  de  David,  mis  en  Rime 
Francoise.  Par  C.  Marot  &  T.  de  Beze. 
(La  Forme  des  Prieres  Ecclesiastiques, 
etc.)  Chez 

Thonms  Estienne  :  Diepe,  1606.     12°. 

3438.  ee.  36. 
Pseaumes  en  Vers  meziu-ez  mis  en  Musique, 
a  2.  3.  4.  5.  6.  7.  &  8.  parties,  etc.  Haute- 
Contre.  (Taille.)  (Basse-Contre.)  3  pts. 
1606.     obi.  4°.     See  Le  Jeune  (G.) 

B.  283.  b. 
Cinquante  Pseaumes  de  Dauid,  mis  en 
vers  Francois  par  P.  Dcs-Portes. .  .Et  mis 
en  Musique  a  3.  4.  5.  6.  7.  &  8.  xmrties,  etc. 
Basse-Contre.  1607.  8°. 
See  Caigxet  (D.)  B.  737. 

Les  CL.  Pseaumes  de  Dauid,  mis  en  rime 
par  C.  ]\Iarot,  &  T.  de  Besze.  Auec  les 
XVI.  Cantiques  du  Vieil  &  Nouuean 
Test.  Po7ir  Mat. 

Berjon:  [Geneva,']  WOS.     16". 

03025.  de.  7.  (2.) 

Second  Liure,  Contenant  Cinquante 
Pseaumes  de  Dauid,  Mis  en  INIusique  a 
III.  Parties.  Haute.  (Movenne.)  (Basse.) 
3  pts.     1608.     obi.  4°.     See  Le  Jeuxe  (C.) 

B.  283.  f. 
Troisieme  Liure  des  Pseaumes  de  Dauid, 
mis    en     Musique    a    III.    Parties,    etc. 
Haute.     (Movenne.)     (Basse.)     3  pts. 
1610.    obi.  4".     See  Le  Jeune  (C.) 

B.  283.  g. 
Les  Pseaumes  de  David,  IMis  en  rime 
Fran(,'oise  par  C.  IMarot  &  T.  de  Beze.  (La 
forme  des  Prieres  Ecclesiastiques,  etc.) 

lean  de  Tournes  : 
[Lyons,]  1611.    8".  Case  30.  c.  14. 

Pseaumes,  Hymnes  et  Cantiques.  Usitez 
en  I'Eglise  francoise  de  Francfort  sur  le 
Mein . . .  Mis  en  rime  fran(;'oise,  selon  la 
rime  &  melodies  AUemandes.  Par  M. 
Matthieu  Barthol,  etc. 
Erasnie  Kempffer  :  Francfort  sur  le  Mein, 
1612.     16°.      '  3425.  a.  4. 

Liure  Second  des  Pseaumes  de  Dauid. . . 
a4,5,  6,  7,  8,  parties,  e/c.     1613.     obi.  A': 
See  SwEELiNCK  (J.  P.)      K.  2.  e.  1.  (2.) 

Liure  Troisieme  des  Pseaumes  de  Dauid 

. .  .a  4,  5,  6,  7,  8,  parties,  etc. 

1614.    obi.  4°.     See  Sweelinck  (J.  P.) 

K.  2.  e.  1.  (3.) 
La  Bible,  etc.  (Les  Pseaumes  de  David. 
Mis  en  rime  Francoise,  par  C.  Marot,  & 
T.  de  Beze.)  (La  Forme  des  Prieres 
Ecclesiastiques,  etc.)     3  pts. 

Les  Heritiers  de  Hierosme  Haultin  : 
Geneve,  1615.    fol.  3022.  1.  2. 


■du 


PSALMS  [5.  FKENCH,  161G-1G65J 


La  Bible,  etc.  (Les  Pseaumes  mis  en 
Rime  FraiK^oise,  par  C.  Marot,  &  T.  do 
Bezo.  Avec  la  forme  des  prieres  Ecclcsi- 
astiques,  etc.)  3  pts.  Corncille  Hcrtvian  : 
La  Rochclle,  1616.    8°.  676.  b.  19. 

La  Bible ...  Auec  les  Indices  des  editions 
precedentes. .  .Item  les  Pseaumes  en  rime 
[by    C.   Marot   and    T.   de   Beze],   &   les 
prieres  ecclesiastiques.     3  pts. 
Thomas  Portau  :  Saunuir,  1619.     fol. 

3015.  g.  11. 
XXI.  Pseaumes  de  Dauid,  Accommodes 
pour  chanter  &  jouer  du  Luth  ensemble, 
etc.     1619.     obi.  i".     Sec  Vallkt  (N.) 

K.  3.  g.  2. 
Regia  Pietas  hoc  est  Psalmi  Dauidici  con- 
cinne  aptati  ad  modulantes  fides.  (Piete 
Royalle  c'est  a  dire :  Les  Cent  Cinquante 
Pseaumes  de  Dauid,  accommodez  pour 
iouer  sur  le  lath,  etc.)  1620.  obi.  4°. 
See  Yallet  (N.)  K.  4.  b.  14. 

La  Bible,  etc.  (Les  Pseaumes  de  David 
mis  en  Rime  Francoise  par  C.  Marot,  & 
T.  de  Beze.)  (La  Forme  des  Prieres 
Ecclesiastiques,  etc.)     3  pts. 

Imprimi^  lionr  Pierre  d  laques  Clwuet : 
Geneve,  1622.     4°.  464.  b.  8. 

Les  Pseaimies  de  David,  INlis  en  rime 
FranQoise,  Par  C.  Marot,  &  T.  de  Beze. 
(La  Forme  des  Prieres  Ecclesiastiques,  e^c.) 
Pierre  Pii  cle  Dicu  :  La  Bochelle, 
1623.     16".  3022.  d.  13.  (2.) 

Les  Pseaumes  de  Dauid,  mis  en  Musiqne 
a     quatre     &     cinq    parties.       Superius. 
(Haute  contre.)     (Tenor.)     (Basse  centre.) 
(Cinqiiiesme  partie.)     5  pts.     1627.     4". 
See  Le  Jeunk  (G.)  K.  3.  i.  1. 

Les  Pseaumes  de  David,  mis  en  Rime 
Franc^oise.  (La  Forme  des  Prieres 
Ecclesiastiques,  etc.)  lean  lannon  : 

Sedan,  1633.     16".  3090.  de.  21. 

La  Bible,  etc.  (Les  Pseaumes  de  David, 
mis  en  Rime  Francoise  par  C.  Marot,  et 
T.  de  Beze.)  (La  Forme  des  Prieres 
Ecclesiastiques,  etc.)     3  pts. 

Chez  Henri  Laurcnts  : 
Amsterdam,  1635.  8°.  1409.  e.  6.  (2.) 
Les  Pseaumes  de  David,  mis  en  Rime 
Francoise,  Par  C.  Marot  &  T.  de  Beze. 

Antlioine  CcUier : 
Paris,  1645.     12".  3433,  b.  61. 

Les  Pseaumes  de  David  en  rime,  Reueus 
par  I.  Diodati.  Pierre  Coiiei  :  Geneve, 
1646.     12".  3090.  i.  39. 

Les  Pseaumes  de  David,  IMis  en  rime 
Fran(^oise,  Par  G.  Marot,  et  T.  de  Beze. 
(La  Forme  des  Prieres  Ecclesiastiques, 
etc.)     2  pts.  Pierre  Des-Hayes  : 

Charenton,  1647.  12".     3049.  aa.  19.  (2.) 
Les  Cent  Cinquante  Pseaumes  de  Dauid, 
mis   en    Musique   a   quatre   parties,   etc, 
Basse-contre.     1650.     obi.  12°. 
See  Le  Jeune  (C.)  A.  143.  a. 


Airs  a  Quatre  Parties,  sur  la  Paraphrase 
des  Pseaumes  de  Messire  Antoine  Godeau, 
etc.     1650.     obi.  8".     See  Gouy  (J.) 

K.  3.  b.  14. 

Paraphrase  des  Pseaumes  de  Dauid,  en 
vers  francjois.     Par  A.  Godeau,  etc. 
1655.     12".     See  Lardenois  (A.) 

843.  f.  5. 

Les  CL  Pseaumes  de  David.  Mis  en 
Rime  Francoise,  par  C.  Marot,  et  T.  de 
Beze.  Les  Nottes  de  la  Musique  sont 
mises  sur  un  Clef.  (La  Forme  des  Prieres 
Ecclesiastiques,  etc.)  Chez  la  vive  de  Paul 
de  Bavcstcyn  :  Amsterdam,  1659.     16°. 

3090.  a.  26. 
Paraphrase   des   Pseaumes  de  David,  en 
Vers  Francois,  par  A.  Godeau. .  .Cinqui- 
eme  Edition,  reueue  &  corrig6e. 
1659.   12".    See  Gobeet  (T.)     1410.  d.  1. 
Les   Pseaumes   de    Dauid,   mis   en   rime 
Francoise  par  G.  Marot  et  T.  De  Beze. 
Reduits. .  .ii  vne  bri^ue  et  facile  methode 
pour    apprendre    le    chant   ordinaire   de 
I'Eglise,  etc.     1659.     12°. 
See  Lardenois  (A.)    Case  46.  a.  6.  (2.) 
Les  Pseaumes   de    David,   Mis   en   rime 
Fran(;oise,  par  G.  Marot,  et  T.   de  Beze. 
(La  Forme  des  Prieres  Ecclesiastiques.) 
Anthoine  Cellier  :   Charenton,  1660.     12°. 
Case  65.  c.  24.  (2.) 

Les   Pseaumes   de   David,   Mis   en    rime 
Francoise,  par  G.  Marot,   et  T.  de  Beze. 
(La  Forme  des  Prieres  Ecclesiastiques.) 
Anthoine  Cellier  :  Charenton,  1661.     12°. 

3025.  e.  7.  (2.) 

[Another  copy.]  1159.  d.  10.  (2.) 

Les   Pseaumes   de   David,    Mis   en    rime 
Francoise,  par  C.   Marot  et  T.  de  Beze. 
(La  Forme  des  Prieres  Ecclesiastiques.) 
Estienne  Lucas  :  Charenton,  1662.     12°. 
3022.  aaa.  19.  (2.) 

Les  Pseaumes  de  David,  Mis  en  rime 
Francj-oise,  par  C.  Marot,  et  T.  de  Beze. 
Auec  vn  Calendrier  Historial,  &  Figures 
en  Tallies  donees.  (La  Forme  des  Prieres 
Ecclesiastiqvies.)  2  pts.  Louis  Vendosme 
(Anthoine  Cellier) :  Charenton,  1664.    12°. 

1016.  c.  3. 
There  is  a  second  (engraved)  title-page. 
The  Psalms  have  a  separate  title-page, 
on  ivhich,  as  on  the  engraved   title- 
page,  A.  Cellier'' s  name  apjxars. 
Les  Pseaumes  de  Dauid,  Rime  &  Prose. 
(La   Forme   des   Priere    Ecclesiastiques.) 
2  pts.  Anthoine 

Cellier  :   Charenton,  1665.     4". 

463.  b.  6.  (2.) 
La  Bible,  etc.  (Les  Pseaumes  de  David, 
]Mis  en  rime  Francj'oise,  par  C.  ]\Iarot,  & 
T.  de  Beze.)  (La  Forme  des  Prieres 
Ecclesiastiques.)  3  pts.  Pour  lean  Ant. 
(C-  Samuel  De  Tournes  :   Geneve,  1665.     4°. 

3022.  h.  10, 


PSALMS  [5.  FRENCH,  1665-1688] 


345 


Les  Pseaumes  de  David,  Mis  en  Rime  par 
C.  ]\Iarot  et  T.  de  Beze,  Les  Notes  de  la 
Musique  y  sont  ajust^es  a  chaque  mot  des 
Pseaumes  pour  en  faciliter  le  chant.  (La 
Forme  des  Prieres  Ecclesiastiques.)  2  pts.   | 

CJicz  Philippe  de  Cro-Y :  Lcyden, 
1665.     12".  1409.  e.  7.  (2.) 

Les   Pseaumes   de   David,   Mis   en   rime   ! 
Fran(;oise,  Par  C.  Marot,  et  T.  de  Beze. 
(La  Forme  des  Prieres  Ecclesiastiques.) 
Esticnnc  Lucas  :  Clmrenton,  1666.     12°. 
Case  65.  c.  25.  (2.) 

Les  Pseaumes  de  David,  Mis  en  Rime 
Fran(;oise,  par  C.  M[arot]  et  T.  D[e] 
B[6ze].  (La  Forme  des  Priores  Ecclesias- 
tiques.) Anthoine 
Ccllier:  Charenton,  1667.     12^ 

1109.  b.  10.  (2.) 
Les  Pseaumes  de  David,  ]\Iis  en  Rime 
Franvoise,  par  C.  M[arot]  et  T.  D[e] 
B[eze].  (La  Forme  des  Prieres  Ecclesias- 
tiques.) Anthoine 
Ccllier:  Chaienton,  16(jfi.     12". 

3025.  b.  8.  (2.) 

Les  Pseaumes  de  David,  ilis  en  rime 
Fran(,'oise,  par  C.  Marot,  et  T.  de  Beze. 
(La  Forme  des  Prieres  Ecclesiastiques.) 
2  pts.  Antoinc 

Ccllier :  Charenton,  1669.     32". 

Case  65.  a.  7. 

Les  Pseaumes  de  David,  I\Iis  en  rime 
Fran9oise,  par  C.  Marot,  et  T.  de  Beze. 
(La  Forme  des  Prieresi  Ecclesiastiques.) 
2  pts.  Antoinc  Ccllier  :   Charenton, 

1675.     12".  1409.  a.  20.  (2.) 

Les   Pseaumes   de   David,   Mis   en   rime 
Frau^oise,  par  C.  Marot,  et  T.   de  Beze. 
(La  Forme  des  Prieres  Ecclesiastiques.) 
Esticnnc  Lucas  :  Charenton,  1675.     12°. 

843.  e.  6.  (2.) 

Les    Pseaumes   de   David,   Mis   en    rime 
Fran^oise,  par  C.  Marot,  et  T.  de  Beze. 
(La  Forme  des  Prieres  Ecclesiastiques.) 
Antoinc  Ccllier  :  Charenton,  IGIB.     12". 

3425.  aa.  1. 

La  Sainte  Bible . . .  On  a  ajoute  en  cette 

derniere  Edition  les  Pseaumes  de  David, 

mis   en  rime  Fran9oi£e  par  C.  IMarot,  & 

T.  de  Beze.     3  pts.  Chez  L.  Cho7iet : 

Geneve,  1678.     fol.  3015.  g.  12. 

There  is  a  second  {engraved)  title-page, 

witli    the    name    of    Jean    Anthoine 

Chouet  as  publisher. 

Les  Pseaumes  de  David,  ]\Iis  en  rime 
Fran^oise,  par  C.  Marot,  et  T.  de  Beze. 

Par  la  Veuve  Philippe  Bureau  :  Nyort, 
1678.     12°.  3406.  a.  6.  (2.) 

Les   Pseaumes  de   David,  Mis   en   Rime 
Francoise,   par    C.   M[arotJ    et    T.    D[e] 
B[eze].     Avec  la  Prose  mise  a  cost6.     (La 
Forme  des  Prieres  Ecclesiastiques.) 
Alt toine  Cell ier  :  Cliarenfon,  IGIO.     12°. 

1409.  g.  8.  (2.) 


Les  Psaumes  En  vers  Fran(,'ois,  Retouchez 
sur  I'ancieune  version  de  G.  Marot  &  T. 
de  Beze.  Par  M.  V.  Conrart  . . .  Revu  & 
corrig6  de  nouveau.  Robert 

Le  Tourneur :  Quevilly,  1679.     12°. 

1409.  f.  10. 

[Les  Pseaumes  de  David,  mis  en  rime 
fran(;oise  par  C.  Marot  et  T.  de  Beze,  etc.] 
(La  Forme  des  Prieres  Ecclesiastiques, 
etc.)    2  pts.     [1680  ?J     12°.      1016.  a.  4. 

Wanting  the  title-page. 
Le  Nouveau  Testament  . . .  Edition  fort 
exacte  tant  a  regard  du  corps  du  Nouveau 
Testament,  qu'il  I'egard  des  Pseaumes  en 
rime,  du  Catechisme,  &  de  la  Liturgie. 
2  pts.  CJtcz  Uieromc  Swecrts,  Jean  ten 
Hoorn,  Jean  Bouman,  <0  Daniel  a  Dalcn, 
en  Comvagnie  :  Amsterdnm,  1682.     8". 

3022.  bb.  2. 

Pseaumes  qui  se  chantent  les  Jours  de 
Cene,  etc.  Esticnnc 

Lucas :  Charenton,  1682.     12°. 

1018.  e.  30.  (4.) 

Les    Pseaumes   de   David,   ilis   en   rime 

Fran^oise,  par   C.  IMarot  et  T.  de   Beze. 

(La   Forme   des   Prieres   Ecclesiastiques, 

etc.)     2  pts.  Esticnnc  Lucas: 

Charenton,  1682.     32°.  1220.  a.  25. 

7?i  this  copy  a  firinted  slip   containing 

the  imprint  '^Amsterdam,  Chez  Pierre 

Brunei,'"  etc.,  is  pasted  at  the  foot  of 

the  title-page. 

Les   Pseaumes   de   David,  mis   en   Rime 

Franvoise,  par  C.  Marot,  et  T.  de  Beze. 

(La  Forme  des  Prieres  Ecclesiastiques.) 

Chc2  la  Veuve  De  Schippers  : 
Amsterdam,  1683.  12°.  219.  a.  1.  (3.) 
La  Sainte  Bible,  etc.  (Les  Pseaumes  de 
David,  IMis  en  rime  Fran(,'oise,  par  C. 
]\Iarot,  &  T.  De  Beze.)  (La  Forme  des 
Prieres  Ecclesiastiques,  etc.)     3  pts. 

Chez  Samuel  de  Tourncs  : 
Geneve,  1684.     i".  1412.  i.  1. 

La  Sainte  Bible  . . .  Avec  les  Pseaumes  de 
David,  mis  en  rime  Fran^oise  par  C. 
Marot,  &  T.  de  Beze.  (La  Forme  des 
Prieres  Ecclesiastiques,  etc.)     3  pts. 

Cliez  lean  Anioine  Chouet  : 
Geneve,  1685.     4°.  3022.  h.  11. 

Paraphrase  des  Pseaumes  de  David,  en 
Vers  Francois,  par  A.  Godeau.  1686.  12". 
Set  GoBERT  (T.)  3433.  bbb.  55. 

Les  Pseaumes  de  David,  Mis  en  rime 
Frau(;oise,  par  C.  Marot,  et  T.  de  Beze. 
(La  Forme  des  Prieres  Ecclesiastiques.) 
Imprime  par  R.  Everingham,  &  se  vend 
chez  R.  Benteley  . . .  Et  chez  J.  J.  Hind- 
marsh  :  Londres,  1686.     12°. 

1004.  a.  18.  (2.) 

Les  Pseaumes   de   David,   mis  en  Rime 
FranQoise,  par  C.  Marot,  &  T.  de  Beze. 
R.  Everingham  :  Londres,  1688.     8°. 

3406,  c.  7.  (2.) 


346 


PSALMS  [5.  FRENCH,  1G90-1711] 


Les  Pseaumes  de  David,  Mis  en  rime 
Francoise,  par  C.  Marot,  et  T.  de  Beze. 
Reduits  nouvellement  a  une  brieve  & 
facile  methodo  pour  apprendre  le  chant 
ordinaire  de  I'^glise.  (La  Forme  dcs 
Prieres  Ecclesiastiques,  etc.) 
P.  ct  I.  Blaeu  :  Amsterdam,  1690.     12°. 

3022.  aaa.  18.  (2.) 

Le  Nouveau  Testament,  etc.  (Les 
Pseaumes  de  David,  Mis  en  rime 
rran(;oise,  par  C.  Marot,  &  T.  de  Beze.) 
(La  Forme  des  Prieres  Ecclesiastiques, 
etc.)  2  pts.  Chez  Daniel  Du  Cliemin  : 
Londrcs,  1693.     8°.  1109.  h.  3. 

La  Sainte  Bible  ...  On  a  ajout6  en  cette 
derniere  Edition  les  Psaumes  de  David, 
mis  en  rime  Franc^oise  par  C.  Marot, 
&  T.  de  Beze.  (La  Forme  des  Prieres 
Ecclesiastiques,  etc.)     3  pts. 

Chez  J.  A.  Cramer  &  P.  Pcrachon  : 

Geneve,  1693.     fol.  349-  d.  3. 

Imperfect,  wanting  all  the  preliminary 

leaves  of  the  dedication  following  fol.  2. 

Les  Pseaumes  de  David,  Mis  en  rime 
FranQoise,  par  C.  Marot,  et  T.  de  Beze. 
Eeduits  nouvellement  a  une  brieve  & 
facile  methods  pour  apprendre  le  chant 
ordinaire  de  I'eglise.  (La  Forme  des 
Prieres  Ecclesiastiques.) 
P.  et  I.  Blaeu:  Amsterdam,  1697.     12°. 

3025.  c.  5.  (2.) 

Les  Pseaumes  en  Vers,  Avec  la  Prose,  et 
La  Liturgie  ...  des  Eglises  Reform^es. 
Nouvelle  Edition  retouch^e  une  derniere 
fois,  sur  toutes  celles  qui  ont  pr^ced^. 

CJiez  Pierre  Brunei :  Amsterdam, 
1698.     12°.  850.  d.  1. 

There  is  a  second  (engraved)  title-page. 

Les    Psaumes    de    David,   Mis    en    vers 
Francois.      [By  V.   Conrart.]      Revus   & 
Aprouvez  par  les  Pasteurs  &  Professeurs 
de  I'Eglise  &  de  1' Academic  de  Geneve. 
Pottr  Vincent  Miege  :  Geneve,  1699.     32°. 

1159.  b.  11. 

Les  Psaumes  de  David  Mis  en  Vers 
Franc^ois  [by  V.  Conrart]  Revus  & 
aprouvez  Par  Les  Pasteurs  &  Les  Pro- 
fesseurs de  I'Eglise  &  de  I'Academie  de 
Geneve.  Pour  Louys 

Durant :  Geneve,  [1700  ?]     32°. 

3089.  aa.    15. 

Les  CL.  Pseaumes  de  David,  Mis  en  rime 
Fran(;oise,  par  C.  Marot,  et  T.  de  Beze. 
(La  Forme  des  Prieres  Ecclesiastiques, 
etc.)  Chez  Pierre 

Mortier:  Amsterdam,  [1100?]     82°. 

3433.  a.  25. 

[Another  copy.]  1159.  a.  1. 

Witho2it  the  '  Avertissement  aux  Lccteurs 

touchant  le  Catechisme.' 

Les      Pseaumes     de     David.        (Prierea 

Ecclesiastiques.)  Chez  A.  Dusarrat : 

Berlin,  1701.    12°.  3434.  a.  40. 


Les  Pseaumes  de  David  en  Vers.  Nouvelle 
Edition  Retouch^e  une  derniere  fois,  sur 
toutes  celles  qui  ont  pr6c6d6.  (Prieres.) 
(La  Forme  des  Prieres  Ecclesiastiques.) 
3  pts.  Chez  Robert  Eager  :  Berlin, 

1701.  12°.  3090.  aa.  27. 
Tliere  is  a  second  (engraved)  title-page. 

La  Sainte  Bible  . . .  On  a  ajout6  en  cette 
derniere  Edition  les  Pseaumes  de  David  ; 
mis  en  rime  Fran(,'oise  par  C.  ]Marot,  &  T. 
de  Beze.  (La  Forme  des  Prieres  Ecclesi- 
astiques.) Aux 
depens  de  la  Compagnic  .  .  .  chez  Pierre 
Mortier  et  J.  Louis  de  Lorme :  Amsterdam, 

1702.  fol.  3035.  cc.  5. 
La  Sainte  Bible  . . .  Avec  les  Psaumes  de 
David,  mis  en  Vers  Fran<;!ois.  (La  Forme 
des  Prieres  Ecclesiastiques,  etc.)     3  pts. 

Pour  la  Compagnic  des  Libraires  : 
Geneve,  1705.     4°.  3025.  g.  10. 

Les  Pseaumes  de  David,  mis  en  Rime 
Fran(;oise  par  C.  Marot  et  T.  de  Beze. 
Nouvelle  Edition  reveue  et  corrig^e.  (La 
Forme  des  Prieres  Ecclesiastiques.) 

Chez  J.  van  Hekeren,  A.  Hasebroek,  la 
Veuve  de  G.  de  Groot,  B.  Bcaumond  & 
Conip. :  Amsterdam,  1708.     12°. 

3025.  a.  8.  (2.) 
Les  Psaumes  de  David,  mis  en  Vers 
Francois,  Revus  &  approuvez  par  Les 
Pasteurs  &  les  Professeurs  de  I'Eglise  & 
de  I'Academie  de  Geneve.  Avec  les 
Cantiques  qui  se  chantent  dans  I'Eglise 
de  Geneve.  Pour  la 

Compagnic  des  Libraires :  Amsterdam, 
1708.     16°.  3434.  aa.  65. 

Les  Pseaumes  de  David,  Mis  en  Rime 
Fran(;oise  par  C.  Llarot,  et  T.  de  Beze. 
Nouvelle  Edition  revile.  Et  corrige'e. 
(La  Forme  des  Prieres  Ecclesiastiques.) 
Chez  J.  van  Heckcren,  A.  Hasebroek,  La 
veuve  de  G.  de  Groot,  B.  van  Beaumont,  A. 
van  der  Putte  :  Amsterdam,  [1710  ?]    24°. 

3433.  aa.  51. 

There  is  a  second  (engraved)  title-page. 
Les  Pseaumes  de  David,  Mis  en  rime 
Fran(;oise,  par  C.  Marot  et  T.  de  Beze. 
Reduits  nouvellement  a  une  brieve  et 
facile  methode  pour  apprendre  le  chant 
ordinaire  de  I'Eglise.  (La  Forme  des 
Prieres  Ecclesiastiques.) 

Chez  les  Wetsteins  :  Amsterdam, 
1710.     12°.  3434.  aaa.  40. 

The  title-page  is  engraved. 
Les  Pseaumes  de  David,  Mis  en  rime 
Fran(;oise,  par  C.  Marot,  et  T.  de  Beze. 
(La  Forme  des  Prieres  Ecclesiastiques.) 
Par  G[uillaume']  B[_edmayne'\  :  Londres, 
1710.     12°.  3433.  a.  26. 

Les   Pseaumes   de   David,   Mis   en   rime 
Fran(;oise,   par   C.  Marot  &  T.   de  Beze. 
(La  Forme  des  Prieres  Ecclesiastiques.) 
Gnillaume  Bedmannc  :  Londres,  1711.    S". 

1409.  k.  16.  (2.) 


PSALMS  [5.  FRENCH,  1712-1747] 


347 


La  Sainte  Bible,  etc.  (Les  Psaumes  de 
David,  en  Vers  Francois.)  (La  Forme 
des  Prieres  Ecclesiastiques,  etc.)     4  pts. 

Chez  Fabri  c(-  Barrillot :  Geneve, 
1712.     fol.  343.  a.  2. 

La  Sainte  Bible,  etc.  (Les  Pseaumes  de 
David.)  (La  Forme  des  Prieres  Ecclesias- 
tiques.) 3  pts.  Chez  Pierre 
Mortier,  ct  Pierre  Brunei :  Amsterdam, 
1712.     4°.                                     1412.  i.  5. 

There  is  a  second  {engraved)  title-page. 
Les  Pseaumes  de  Dauid  en  Vers,  Nouvelle 
Version  par  F.  Rivasson,  etc.  (Cantiquos 
Sacrez. .  .que  Ton  chante  en  public  dans 
I'Eglise  de  Geneve,  par  B.  Pictet,  etc.) 
2  pts.       Chez  Francois  Halma  :  Lcicarde, 

1715.  12".  1109.  a.  18. 
Les  Pseaumes  de  David,  Mis  en  Rime 
Fran(,-oise  par  C.  Ma  rot  &  T.  de  Beze. 
Nouvellement  retouchez  par  MM.  D.  J. 
&  . .  Chez  Steenhouwcr  d  Uytivcrf : 
Amsterdam,  1716.  12°.  3436.  f.  20. 
Les  Psaumes  de  David,  &c.  mis  en  vers 
Franvois,  par  C.  Marot,  &  T.  de  Beze, 
retouchez  par  T.  de  Blanc,  etc. 

Jobst  Heinrich  Baak  :  Hamburg, 

1716.  12\  1409.  b.  23. 
Les  Psaumes  de  David,  ]\Iis  en  Rime 
Franvoise  par  C.  Marot.  et  T.  de  Beze. 
Nouvelle  Edition  revue  &  corrig^e.  (La 
Forme  des  Prieres  Ecclesiastiques.) 
Chez  J.  de  Hekeren,  la  Veuve  G.  de  Groot, 
A.  Hasebroek,  P.  de  Ei/sschoten,  £  leurs 
Associez  :  Amsterdam,  1716.     12°. 

3022.  bb.  6.  (2.) 
Th^'re  is  a  second  (engraved)  title-page. 
Les  Pseaumes  de  David.     (La  Forme  des 
Prieres  Ecclesiastiques.) 

Chez  Henry  Dcsbordes  :  Amsterdam, 
[1720?]     12°.  3406.  aaa.  1.  (2.) 

The  title-page  is  engraved. 
La  Sainte  Bible,  etc.     (Les  Pseaumes  de 
David.)     (La  Forme  des  Prieres  Ecclesias- 
tiques, etc.)     3  pts.     Chez  Pierre  Brunei : 
Amsterdam,  1722.     4°.  3022,  h.  14. 

There  is  a  second  [engraved)  title-page. 
Les  Psaumes  de  David,  en  Vers  Franpois  ; 
Revus  &  Aprouvez  par  les  Pasteurs  &  les 
Professeurs  de  I'Eglise  &  de  I'Academie 
de  Geneve.  (La  Forme  des  Prieres 
Ecclesiastiques.)  Chez  Fabri  d  Barrillot : 
Geneve,  1723.     16°.  3435.  bbb.  33. 

Les  Pseaumes  de  David,  Mis  en  rime 
Fran(;oise  par  C.  Marot  et  T.  de  Beze. 
(La  Forme  des  Prieres  Ecclesiastiques.) 
2  pts.  Chez  les  Libraires  Francois  : 

Londres,  1728.     8°.  3022.  d.  7.  (2.) 

Les  Pseaumes  de  David,  Mis  en  Vers 
Francois,  Revus  et  Approuvez  par  le 
Synode  Walon  des  Provinces-Unies. 
Nouvelle  Edition.  (La  Forme  des  Prieres 
Ecclesiastiques,  etc.)  Chez  Herman 

Uvtwcrf :  Amsterdam,  17'29.     4°. 

1412.  k.  17. 


Les  Pseaumes  de  David,  j\Iis  en  Vers 
Fran(;ois,  Revus  et  approuvez  par  le 
Synode  Walon  des  Provinces-Unies. 
Nouvelle  Edition.  (La  Forme  des  Prieres 
Ecclesiastiques.)  Aiix  d(^pens  de 

VEglise  Francoise  de  Londres :  Amsterdam, 
1729.     12°.  1109.  b.  18. 

[Another  edition.]  Les  Pseaumes  de 
David  . .  Approuvez  par  Le  Synode  Walon 
des  Provinces-Unies.     Nouvelle  Edition. 

Aux  dipens  de  VEglise  Francoise  de 
Londres :  Amsterdam,  1729.     12°. 

846.  c.  25. 
Les  Pseaumes  de  David  Mis  en  vers 
Fran(;ois,  avec  La  Liturgie,  le  Catechisme, 
&  la  Confession  de  Foi  des  Eglises 
Reformees.  Nouvelle  Edition  corrigee 
sur  les  Precedentes.     2  pts.  Chez 

S.  Poiccll,  Aiix  d('pens  de  G.  Risk, 
G.  Etving,  G.  Smith  &  A.  Bradley: 
Dublin,  1731.    8°.  3436.  i.  13. 

Les  Pseaumes  de  David,  mis  en  vers  Fran- 
Qois,  Revus  &  approuvez  par  le  Synode 
Walon  des  Provinces-Unies.  Nouvelle 
Edition.  (Formulaire  des  Prieres  Eccle- 
siastiques.) Chez  P.  Gossc  &  J.  Neatdme : 
La  Haye,  1731.  12°.  3406.  aaaa.  3.  (2.) 
[Another  copy.]  3025.  c.  3.  (2.) 

La  Sainte  Bible,  etc.  (Les  Psaumes  do 
David  [translated  in  verse  by  V.  Conrart, 
and  corrected.].)  (Les  Liturgies,  etc.) 
3  pts.  Chez  Jean  Eandolphe  Im-Hoff : 

Basle,  1736.     4°.  349.  b.  7. 

Heures      Chretiennes      ou     Occupations 
Saintes,  contenant  les  Cantiques  Spirituels 
et     les     Pseaumes  . . .  qu'on     chante     la 
plupart  dans  les  Eglises  lutheriennes,  etc. 
1740.     8°.     See  Hymns.     [5.  French.] 

3436.  i.  23.  (1.) 
Les  Pseaumes  de  David  en  Vers,  [trans- 
lated by  V.  Conrart,]  Nouvelle  Edition, 
retouchee  . . .  sur  toutes  celles  qui  ont 
precede.  Et  augmentee  de  quelques 
Cantiques  Sacrez,  etc.  (La  Forme  des 
Prieres  Ecclesiastiques.)  Chez  la  Veuve 
Laurent :  Berlin,  1740.  32°.  3089.  a.  28. 
Les  Pseaumes  de  David,  Mis  en  Vers  Fran- 
(^ois,  revus  et  approuvez  par  le  Synode 
Wallon  des  Provinces-Unies.  Nouvelle 
Edition.  (La  Forme  des  Prieres  Ecclesi- 
astiques.) Chez  J.  C&vens  £  C.  Mortier  : 
Amsterdam,  1742.  4°.  349.  a.  4.  (2.) 
[Another  copy.]  3025.  g.  4.  (2.) 

Livre   de   Clavecin  et  d'Orgues,  pour  les 
Pseaumes     et     Cantiques,     de     I'Eglise 
Reformee,  eic.     1745.     4°. 
See  BlankenburCt  (Q.  van)  e.  175. 

Les  Pseaumes  de  David,  mis  en  vers 
Francois,  revus  et  approuvez  par  le 
Synode  Walon  des  Provinces  Unies. 
Nouvelle  Edition.  (Formulaire  des 
Prieres  Ecclesiastiques.)  Chez  D.  Onder 
de  Linden  :  Amsterdam,  1747.     12°. 

1109.  b.  17.  (2.) 


348 


PSAL5IS  [5.  FRENCH,  1747-1796] -[7.  GERMAN,  1524-1526] 


[Another  copy.]  1409.  b.  20.  (2.) 

[Another  copy.]  3025.  c.  6.  (2.) 

Les  Pseaumes  de  David,  mis  en  Vers 
Fran<;'ois,  Revus  &  approuves  par  le 
Synode  Walon  des  Provinces-Unies. 
Nouvelle  Edition.  (Formulaire  des 
Prieres  Ecclesiastiques.)  Chc2 

Z.Chatelaind-Fils:  Amsterclam,lim.   12°. 

1409.  f.  20. 

Les  Pseaumes  de  David,  IMis  en  Vers 
Fran<;ois ;  Revus  et  approuvez  par  le 
Synode  Wallon  des  Provinces-Unies. 
Nouvelle  Edition,  toute  en  Musique,  avoc 
la  Basse.  (La  Forme  des  Prieres 
Ecclesiastiques.)  Chez  J.  Paroissicn  : 

Lotidres,  1757.     8".  D.  605.  a. 

Les  Psaumes  de  David,  mis  en  Vers 
Francois,  et  les  Cantiques  Sacres,  revus  & 
approuves  par  les  Pasteurs  &  Professeurs 
de  Geneve.  Avec  la  Musique  tout  au  long. 
Nouvelle  Edition,  Enrichie  des  Liturgies 
&  Prieres  publiques  etc.  Ches  Jean 

Eodohihe  Im-Hof :  Basle,  1700.     8°. 

3433.  bb.  20. 

Les  Pseaumes  de  David,  Mis  en  Rime 
Fran(;oise  par  C.  Marot  et  T.  de  Beze. 
R^duits  nouvellement  a  une  brieve  &  facile 
m^thode  pour  apprendre  le  Chant  ordinaire 
de  I'Eglise.     Avisterdavi,  1762.     12°. 

Case  65.  c.  18.  (3.) 

Les  Pseaumes  de  David,  i\Iis  en  vers 
Francois,  Revus  &  approuvez  par  le 
Synode  Walon  des  Provinces-Unies. 
Nouvelle  Edition.  (Formulaire  des  Prieres 
Ecclesiastiques.)  Chez 

H.  Bakhuyzen  :  La  Haye,  1762.     12°. 

3025.  b.  20.  (3.) 
Les  Pseaumes  de  David.  ]\Iis  en  Vers 
Francois.  Revus  &  approuves  par  le 
Synode  Walon  des  Provinces  -  Unies. 
Nouvelle  Edition.  Marc-Michel  Eeij  : 

Amsterdam,  1768.     12°.  3090.  de.  5. 

Les   Psaumes   de   David.      Mis   en   Vers 
Francois,   Revus    et    Approuves.       (Can- 
tiques Sacr6s,  etc.)     (Prieres,  etc.) 
Chez  P.  A.  ChenehU  :  Vcvey,  1769.     12". 

3408.  aaaa.  20. 
Wanting  pp.  421-2. 

Les  Pseaumes  de  David,  Llis  en  vers 
Fran(;'ois,  Revus  &  approuvez  par  le 
Synode  Walon  des  Provinces-Unies. 
(Formulaire  des  Prieres  Ecclesiastiques.) 
Chez  Z.  Chatclain  &  Fils, 
Arhstie  &  Merlms,  Marc  Michel  Reij : 
Amsterdam,  1770.     12°.     1410.  e.  6.  (2.) 

Les  Psaumes  de  David,  Mis  en  Vers 
Francois,  Revus  et  approuves  par  les 
Pasteurs  et  Professeurs  de  I'Eglise  et  de 
I'Acad^mie  de  Geneve.  Nouvelle  Edition, 
exactemeut  corrig^e.  (Prieres,  etc.) 
Chez  Bormant  d  Both  :  Geneve,  1775.     10°. 

3437.  a.  14, 


Cantiques  tir^s  en  partie  des  Pseaumes . . . 

Par  J.  Dumas,  etc.     1775.     8°. 

See  Hymns.     [5.  French.']     3455.  dd.  4. 

Les  Psaumes  de  David,  mis  en  vers 
fran<;ois ;  &  les  Cantiques  Sacr6s,  revus  & 
approuves  par  les  Pasteurs  et  Professeurs 
de  Geneve,  avec  la  musique  tout  au  long. 
Nouvelle  Edition,  enrichie  des  Liturgies 
&  Prieres  publiques,  &  de  particuli^res 
sur  divers  sujets. 

Chez  La  Sociiti  Typographique  : 
Gen&vc,  1780.     12°.  K.  3.  a.  17. 

Les  Pseaumes  de  David,  mis  en  vers 
Fran(,^ois,  revus  et  approuves  par  le  Synode 
Walon  des  Provinces  Unics.  Nouvelle 
Edition.  (Formulaire  des  Prieres  Ecclesi- 
astiques.) Chez 
D.  Ondcr  de  Linden  d;  Fils  :  Amsterdam, 
1784.     12".                    3022.  bbb.  6.  (2.) 

Les  Pseaumes  de  David,  ]Mis  en  Vers 
Fran(^ois,  Revus  et  approvives  par  le 
Synode  Walon,  des  Provinces  -  Unies. 
Nouvelle  Edition.  Matthieu  Alexandre  : 
Jersey,  1786.     8".  3408.  bbb.  5.  (2.) 

Les  Psaumes  de  David,  mis  en  vers,  revus 
et  approuves.  Nouvelle  Edition,  on  la 
Musique  est  tres-exactement  corrig^e. 
(Les  Prieres  Ecclesiastiques,  etc.) 

Chez  Chenehie  d  Lurfscher  : 
Vevey,  1790.     12°.  A.  511.  a. 

Les  Pseaumes  de  David  mis  en  Vers. 
Nouvelle  Edition,  revue  &  approuvde,  oil 
la  ]Musique  est  tres-exactement  corrig6e. 

Chez  Carteret  et  M'Leran  : 
Giierncsey,  1791.     8".  B.  580.  g. 

[Another  copy.]  C.  735. 

Les    Pseaumes    de   David,   IMis   en  Vers 

Francois.     Revus   et    approuvez    par    le 

Synode     Walon     des     Provinces    Unies. 

Nouvelle  Edition.  (Formulaire  des  Prieres 

Ecclesiastiques.) 

Chez  F.  G.  Onder  de  Linden  :  Amsterdam, 

1796.     12°.  3022.  aaa.  10.  (2.) 

6.  Feench  and   Dutch. 

Les  CL.  Pseaumes  de  David,  Mis  en  rime 
Fran^oise  par  CI.  Marot,  et  Th.  de  Beze. 
— De  CL.  Psalmen  Davids,  Uyt  den 
Francoyschen  Dichte  in  Nederlandtschen 
overgeset  door  Petrum  Dathenum. 

Joannes  van  Ravestcyn  :  VAmstelredam, 
1660.    12°.  1004.  a.  16.  (2.) 

7.  Geeman. 

Etlich  Christliche  lyeder  Lobgesang,  vnd 

Psalm,  etc.     1524.     4°. 

See  Hymns.     [6.  German.']     1220.  f.  26. 

Enchiridion  goystlicher  gesenge  vn  psalme 
so   man  itzt  (Got  zu  lob)  yn  der  kirchc 
singet,  etc.     1526.     8°. 
See  Hymns.     [G.  German.] 

gase  38.  c  33. 


PSALMS  [7.  GERMAN,  1542-1597] 


349 


Der  gautz  Prialfcer  Dauids,  iu  gsaugsweyse 
gestelt,  durch  Hauseu  Gamersfelder. 
Also,  das  sich  die  Psalmen  alle  durch  aus, 
in  manigfeltiger  Melodey  heruach  auge- 
zeicht,  fein  vn  lieblich  singeu  lassen.  Jlit 
sambt  audern  Geystlicheu  Liedern,  vnd 
Gesaugeu  mer,  so  hie  zu  end  discs  Psalters, 
hinzu  gesetzet  siud. 

Juhan  vom  Berg,  vnd  Ulrich  Neither  : 
Niirmberg,  1542.     8°.  1407.  g.  21. 

Ettliche  Psalm  sampt  dem  Symbols  odder 
Bekentuis  Sancti  Athanasij,  Deu  Christ- 
lichen  Gemeinen  zu  nutz,  Vnd  sonderlich 
auff  bitte,  der  Kircben  zu  Hall :  jnn 
Gesang  bracht  vud  zugericht. 

Gedruckt  durch  Georgen  FJiaic  : 

Wittemberg,  1544.     4".  K.  3.  g.  1. 

Geystliche   Lieder,   etc.       (Psalmen    vnd 

Geistlicbe    lieder,    welche    von    fromen 

Christen  gemacht  vnd   zusamen   gelesen 

sind.)     2  pts.     1545.     8". 

See  Luther  (M.)  3437.  e.  51. 

Psalmen  vnd  Geistliche  lieder,  welche  von 

fromen   Christen  gemacht  vud   zusamen 

gelesen  sind.        Valentin  Babst :  Leipzig, 

1547.    8".  3433.  aaaa.  6. 

This  is  the  second  part  of  a  reprint  of 

'  Geystliche  Lieder.     Mit  cincr  neicen 

vorrhedc,  D.  Mart.  Liith.,'  etc.,  1545. 

Der  Psalter,  In  News  Gesangsweise,  vnd 
kiinstliche  lleimen  gebracht,  durch  Bur- 
carduni  Waldis.  ]Mit  icder  Psalmon  bc- 
sondern  Melodien,  etc.  Bci  CJir.  Egcnolff : 
Franckfurt,  1553.     8°.  3436.  f.  32. 

Enchiridion  Geistlicher  Lieder  vnd  Psal- 
men, etc.     1556.     8".     See  Luthkr  (^L) 

3425.  e.  20. 

Geystliche  Lieder,  etc.  (Psalmen  vnnd 
Geistliche  lieder.  . .  Aufis  newe  vbersehen, 
gebessert  vnd  gemehret.)     2  pts. 

1557.  8°.     Sec  Luther  (M.) 

1221.  b.  32. 

Geystliche  Lieder,  etc.  (Psalmen  vnnd 
Geystliche  Lieder  .  .  .  Auffs  newe  vber- 
sehen, gebessert  vnd  gemehret.)     2  pts. 

1558.  8".     See  Luther  (M.) 

1221.  b.  33. 
Geistliche  Lieder  vnd  Psalmen,  etc. 
1567.     8".    See  Leisextrit  (J.)     A.  255. 
[Another  copy.]  3433.  bbbb.  35. 

Der  gantz  Psalter  Dauids,  wie  derselbig 
in  Teutsche  Gesang  verfasset,  mit  vier 
Stimmen. .  .von  newen  gesetzt,  etc. 
1569.  obi.  4°.  See  Hemmel  (S.)  A.  229. 
Geystliche  Lieder  D.  Martin  Luthers... 
Mit  vil  schonen  Psalmen  vnd  Liedern 
gemehret,  etc.  1570.  8".   Sec  Luther  (M.) 

1221.  b.  52. 
Di  Psalmen  Davids  In  Teutsche  gesang- 
reymen,  nach  Franzosischer  melodeien 
unt  sylben  art. .  .gebracht  von  ]\Ielisso,  etc. 
Michael  Schiral  :  Haidelberg,  1572.     8". 

3089.  a.  22. 


Der  Psalter  dess  Koniglicheu  Propheteu 
Dauids,  In  deutscho  reymen ...  gebracht, 
. . .  Durch  . . .  Ambrosium  Lobwasser  , . . 
Und  hieriiber  bey  einem  jeden  Psalmen, 
seine  zugehorige  vier  stimmen,  etc. 

Hanss  Steinmann.     Ti/jns  Voegelia)iis  : 
Leipzig,  1573.    8°.         Case  65.  bb.  13. 

Geistliche  lieder  vnd  Psalmen . . .  zusamen 
bracht,  gemehret  vnd  gebessert. .  .Durch 
. . .  J.Leisentrit,c^c.     1573.     8". 
See  Leisentrit  (J.)  1221.  b.  56. 

Der  Zwolffte  vnd  Vier   vnd  zwautzigste 
Psalm  Dauids . . .  AufEs  newe   in   ettliche 
Stimmen  gesetzet,  etc.     1576.     obi.  4°. 
See  Schroeter  (L.)  A.  415.  a. 

Gesangbiichlin  von  Psalmen . . .  vnd  Gaist- 
lichen  Lidern  .  D.  Mar.  Luthers,  etc. 
1576.    8".     See  Luther  (]M.) 

Case  25.  b.  29. 
Gesangbiichlein  Geistlicher  Psalmen, 
Hymnen,  Lieder  vnd  Gebett,  Durch 
etliche  Diener  der  Kirchen  zu  Bonn... 
Zusammen  getragen.  Zum  Dritten  auffs 
new  gemehret,  etc.  8  pts.  1577.  12". 
See  Hymns.  [6.  German.']  A.  620.  o. 
Psalmen,  geystliche  Lieder  vnd  Gesiinge, 
sambt  etlichen  Gebetcen.  D.  Mar.  Luth. 
Auch  Anderer  Gottscliger  Lehrer  vnnd 
Manner, ...  in  eyne  richtige  ordnung 
gebracht.  Gedruckt. .  .durch 

Theodosium  RiJiel:  Strassburg,  1578.     8". 

3090.  cc.  6. 
Die  Psalmen  Dauids  in  allerlei  Teutsche 
gesangreimen  bracht :  Durch  Casparum 
Ulenbergium.  Gedruckt. .  .durch 

Gcrwinum  Calenium  vnd  die  Erbcn  Juhan 
Qucntels  :  Coin,  1582.  8".  3433.  de.  22. 
Newe  Teutsche  Liedlein,  aus  den  zwOlff 
ersten  Psalmen  Dauidis  . . .  mit  dreyen 
Stimmen  gemacht,  etc.  1585.  obi.  4". 
Sec  Dedekind  (E.)  A.  9. 

Christliche  Psalmen,  Lieder,  vnd  Kircheu- 

gesenge,  etc.     1587.     4°. 

See  Selneccerus  (N.)         3425.  cc.  36. 

Cantica  Sacra. ..  ad  daodeciiu  modos  ex 
doctriua  Glareani  accommodata  . . .  ab 
Francisco  Elero  . . .  Accesserunt  in  fine 
Psalmi  Lutheri,  &  aliorum  ejus  seculi 
Doctorum,  itidem  Modis  applicati. 
1588.  8^  Sec  Elbrus  (F.)  K.  i.  b.  9. 
Gesangbuch  :  Christlicher  Psalmen,  vnd 
Kirchen  Lieder,  D.  Martini  Lutheri,  vnd 
anderer  frommen  Christen,  etc.  2  Th. 
1594  (1593).     i".     See  Fritzsch  (M.) 

3435.  g.  20.  (2.) 
Der  Psalter  des  Kouiglichen  Propheten 
Dauids  nach  Frantzosischer  art  vnd 
Melodey  in  Deutsche  reimen  gebracht. 
Durch  Ambrosium  Lobwasser . .  .  Mit  vier 
stimmen  vnterschiedlich  gedruckt  . . . 
Und  ist  in  diesem  Buch  gefiihret  der  Bass. 
hi  vorlegung  Henning  Grossen  : 
FAsslehen,  1597.     16".  1221.  a.  3. 


350 


PSALMS  [7.  GERMAN,  1598-1619] 


Psalmeu  Dauids,  nach  Frantzosischcr 
Melodey  vnd  Reyiiieu  art  in  Teutsche . . . 
gebracht  Durch  Ambrosium  Lobwasser . . . 
Sampt  etlicheii  andern  Psalmen  vnd 
geistlichen  Liedera,  etc.  (Catechismus, 
etc.)  2  pts.  Gedruckt. .  .durch  Chrisiof 
Eaben:  Herboru,  1598.    8°.    3090.1.24. 

Geistliche  Psalmen  vnd  Lieder,  wie  sie . . . 
zu  Weickersheim  . . .  gebraucht  werden, 
7c.  mit  vier  Stimmen  componirt,  etc. 
1604.  8".  See  Widmann  (E.)  A.  187. 
Musse  Sionise  Michiielis  Praetorij  _  C. 
Darinuen  Deudsche  Psalmen  vnd  geist- 
liche Liedei-  . . .  gesetzet  sein.  (Erster 
Theil,  etc.)  1G05.  4°. 
See  Praetoeius  (M.)  B.  372.  i. 

[Another  copy.]  B.  272.  b. 

Psalmen  Dauids,  wie  die  hiebeuor . . .  in 
Teutsche  Gesang-reimen  durch  .  .  . 
CasparumUlenbergium  bracht :  Nachmals 
aber  . . .  mit  vier  Stimmen  gesetzt,  Vnd 
. .  .auffs  New. .  .vbersehen  und  Corrigiert 
. .  .Durch  Cunradum  Hagium,  etc. 
1606.  fol.  See  Hagius  (C.)  3434.  h.  7. 
Psalmen  Dauids,  Nach  Frantzosischcr 
Melodey  vnd  Reymen  art  in  Teutsche 
Reymen . . .  gebracht  Durch  Ambrosium 
Lobwasser  .  .  .  Sampt  etlichen  andern 
Psalmen  vnd  geistlichen  Liedern,  etc. 

Gedruckt. .  .durch  Christoff  Babcn  : 
Herboru,  1606.  8°.  Case  15.  a.  7.  (2.) 
766  Geistliche  Psalmen,  Hymnen,  Lieder 
vnd  Gebet  . . .  Durch  . . .  Martin  Luther, 
audi  audere  .  .  .  Lehrer  .  .  .  gemacht. 
Alles  . . .  von  neuem  iibersehen,  corrigirt, 
alle  Psalmen  desz  gantzen  Psalters  gesetzt 
vnnd  vermehrt,  etc.  Valentin  Fuhrmann  : 
Niirnbcrg,  1607.     8".  3425.  aaa.  25. 

Psalmen  vnd  Christliche  Gesang,  mit  vier 
Stimmen,    auff    die    Melodeyen   fugweis 
componiert,  etc.     1607.     4". 
See  Hassler  (H.  L.)  C.  68.  b. 

MusEe  Sionise  Geistliche  Concert  Gesange 
vber  die  f  iirnenibste  Deutsche  Psalmen . . . 
mit  VIII.  vnd  xii.  Stimmen  gesetzet... 
Ander  Theil.     1607.     4°. 
See  Praetorius  (M.)  B.  372.  e. 

Musse  Sionise  Geistliche  Concert  Gesange 
vber  die  fiirnembste   Deutsche   Psalmen 
vnd     Lieder... mit    viii.     ix.    vnd     xii. 
Stimmen  gesetzet.  .  .Dritter  Theil. 
1607.     4°.     See  Praetorius  (IM.) 

B.  272.  d. 

Musse  Sionise  Geistliche  Concert  Gesange 

vber   die  fiirnembste   Deutsche   Psalmen 

vnd  Lieder. .  .mit  viii.  Stimmen  gesetzet 

...Vierdter  Theil.     1607.     4". 

See  Praetorius  (M.)  B.  272.  e. 

IMusse  Sionife . . .  Geistlicher  Deutscher . .  . 

Kirchen. .  .Lieder  vnd   Psalmen  mit   ii. 

III.  IV.  V.  VI.  vii.  viii.  Stimmen.     Fiinfftcr 

Theil.     1607  (1608).     4". 

Sec  Praetorius  (M.)  B.  272.  f. 


Herrn    D.   Martini    Lutheri  . . .  Psalmen 
vnnd  Geistliche  Lieder... in  vier  Stimm 
gebracht.      Durch   M.   Gothardum   Ery- 
thrseum,  etc.     1608.     4°. 
See  Erythr^:us  (G.)  C.  704. 

Psalmen  Davids  Nach  Frantzosischer 
Melodi  vnd  reimen  art :  Durch  D.  Ambros. 
Lobwasser.  Sampt  etlichen  andern 
Psalmen  vnd  Geistlichen  Liedern,  etc. 

Gedruckt. .  .durch  Michael 
Forstern  :  Amberg,  1608.     12". 

3433.  de.  23. 

Kirchenges'i'ing  :  Psalmen  vnd  geistliche 
Lieder,  auH  die  gemeinen  Melodeyen  mit 
vier  Stimmen  simpliciter  gesetzt,  etc. 
Cantus.     1608.     4".     See  Hassler  (H.  L.) 

B.  92.  a. 

Musse  Sionise. .  .Deutscher  Geistlicher. . . 
Psalmen  vnd   Lieder,  ]\Iit   iv.  Stimmen. 
Siebender  Theil.     1^09.     4". 
See  Praetorius  (M.)  B.  272.  h. 

Musse  Sioniaj. .  .Deutscher  Geistlicher.  .  . 
Psalmeu  vnd  Lieder,  Sechster  Theil. 
1609.     4\     See  Praetorius  (M.) 

B.  272.  g. 

[Psalmen    Davids,    nach    Frantzosischer 
JMelodey   vnd   Reymen   art    in    Teutsche 
Reymen  artig  gebracht,  efc.]     1612.     fol. 
See  Maurice,  Landgrave  of  Hesse-Casscl. 

F.  1089. 

Ecclesiodiaj     das     ist    Kirchen    Gesang. 
Nemblich    die    gebriiulichsten    Psalmen 
Davids  .  .  .  Mit    4.    5.    vnd    6.     Stimeu 
componirt,  etc.     1614.     4°. 
See  Walliser  (C.  T.)  D.  240. 

Psalmen  Davids,  Nach  Frantzosischer 
melodei  vnd  reimen  verstendlich  vnd 
deutlich  gebracht  durch  Ambrosium 
Lobwasser  . . .  Und  hieriiber  bey  einem 
jeden  Psalmen  seine  zugehorige  vier 
stimmen.  Sampt  etlichen  Psalmen  xr\d 
geistlichen  Liedern,  so  von  Herrn 
D.  Luthero  vnd  andern  gotseligen  leuten 
gestellet.     (Catechismus,  etc.)     2  pts. 

Gedruckt. .  .durch  Christoff 
Baben  :  Herbwn,  1615.     i°. 

3035.  bb.  1.  (2.) 

Geistlichen  INIusicalischen  Lustgartens 
Erster  Theil :  Darinnen  allerley  .  .  . 
Harmonien,  von  Psalmen,  etc.  1616.  4". 
See  Franck  (M.)  C.  193.  y. 

Der  Psalter  Davids  Gesangweis,  Auff  die 
in  Lutherischen  Kirchen  gewohnliche 
Melodeyen  zugerichtet,  Und  wieder  auffs 
new  vbersehen,  durch  Cornelium  Becker, 
etc.  Gedruckt  bcij 

Lorentz  Kober.  In  Verlegung  BartJiulo- 
mwi  Voiqts  :  Leipzig,  1619.     16°. 

1111.  b.  44. 

Psalmen  Davids,  sampt  Etlichen  Moteten 
vnd     Concerten     mit     Acht    vnd    mehr 
Stimmen,  etc.     1619.     fol. 
See  Schuetz  (H.)  G-  483. 


PSALMS  [7.  GERMAN,  1621-1674] 


351 


Der  Psalter  Davids  Gesaugweis,  Auff  die 
iu  Lutherischen  Kircheu  gewohnliche  | 
Melodeyen  zugerichtet  durch  Cornelium 
Becker,  etc.  Bey  Ahraliam  Lamberg.  In 
veiiegtmg  Bartholomxi  Voigts :  Leipzig, 
1621.     8".  3090.  i.  28. 

Psalmen  Dauids,  Nach  Frantzosischer 
ilelodey  vnd  Reymen  art  in  Teutsche 
Reymeu  . . .  gebracht  durch  Ambrosium 
Lobwasser  .  .  .  Sampt  etlichen  anderu 
Psalmen  vnd  geistlichen  Liederu,  etc. 
Gedruckt  . . .  durch  Christoff  Raben  Erhen  : 
Herborn,  1623.     8°.  466.  a.  14.  (2.) 

Wantiiig  fol.  G  8-L  1. 
Ambrosij  Lobwassers  . . .  Psalmen  Davids 
nach  Frantzosischer  Llelodey  in  Teutsche 
Reimen  gebracht  . . .  Item  :  D.  Martin 
Luthers  vnd  anderer  gottseliger  Leuth 
geistlichen  Liedern  vnd  Kirchen-Gesiingen, 
etc.  4  pts.  Gedruckt  in  Verlag  Joliann 
Carl  Unckels :  Franckfurt  am  Mayn, 
1623.     8".  1220.  g.  16. 

Psalter  Des  H.  Propheteu  Dauids  vnter 
allerley  j\Ielodeyen  in  Teutsche  Gesaug- 
reimen  bracht.  Durch  Casparum  Vlen- 
bcrgium  . . .  Mit  sampt  andern  newlich 
beygefiigten  Lobsengen,e/c.  Gedruckt..  . 
Durch  JoJiannem  Kreps  :  Coin,  1630.    12". 

3436.  c.  1.  (1.) 
Psalmodia  Regia,  das  ist :  Ausserlesene 
Spriiche  aus  den  ersten  25  Psalmen  . . .  mit 
2.  3.  4.  vnd  5.  Stimmen  . . .  componirt  . . . 
Erster  Theil,  etc.  1632.  4°. 
Sec  Michael  (S.)  C.  232. 

Newes    Geistliches    Musicalisches   Wein- 
Giirtlein,  ...  so    von   den  .  .  .  Psalmen 
Davids,    vnd    andern    Geistreichen  .  .  . 
Liedern  . . .  gepflanzet,  etc.     1633.     4". 
See  PuLsiTivA  (J.)  pseud.  B.  122. 

Kirchen  Gesiing :  Psalmen  vnd  geistliche 
Lieder  von  weiland  Herrn  J.  L.  Haszler 
. . .  auff  die  gemeinen  Melodeyen,  mit  vier 
Stimmen  simpliciter  gesetzt.  Nun  . . . 
mit  andern  Kirchen  Gesiingen  vermehret, 
durch  Sigmund  Theophilum  Staden,  etc. 
Cautus.  (Altus.)  (Tenor.)  (Basis.)  4  pts. 
1637.     4".     See  Hassler  (H.  L.) 

B.  92.  d. 
Die  Psalmen  Davids.  Nach  den  Frant- 
zosischen  Weisen  gesetzt.  Durch  M. 
Opitzen.  Jetzo  auffs  newe  verbessert. 
Martin  Wagiicr,  in  verlag  Ludwig  Konigs  : 
Basel,  1640.     12".  3425.  e.  10. 

Triumphus  Musicus  Spiritualis  :  Das  ist : 
Newe  Geistliche  Triumph  Lieder,  darunter 
. . .  Trostreiche  Psalmen  . . .  Mit  6.  vnd  8. 
Stimmen  sampt  dem  Basso  Continue,  etc. 
Cantus  I.  (Cantus  ii)  (Altus)  (Bassus) 
Chori  Superioris.  (Altus  (Tenor  i)  (Tenor 
ii)  (Bassus)  Chori  Inferioris.)  8  pts. 
1640.     4".     Sec  Movius  (C.)  B.  106. 

Cantional,      oder      Gesang-Buch      Augs- 
purgischer  Confession,  etc.     1645.     8". 
See  ScHEiN  (J.  H.)  B.  133.  f. 


Geistliche  Kirchen-^Melodieu,  Uber  die. . . 
Gesange  und  Psalmen,  etc.     1649.     4°. 
See  Crueger  (J.)  B.  114.  d. 

Harmonisches  Chor-  vnd  Figural  Gesang- 
Buch  .  .  .  Worinnen    die    Psalmen    vnd 
Geistliche  Lieder  . . .  D.  Martin  Luthers, 
vnd  andere  . . .  Lehrer  begriSen,  etc. 
1651.     8".     See  Erhardi  (L.)        B.  299. 

Johann-Wilhelm  Simlers  Teutsche  Ge- 
dichte  :  darinnen  i.  Haubtbegriffliche 
Inhiilte  der  Psalmen  Davids  . . .  enthalten 
sind,  etc.     1653.     8".     See  Simler  (J.  W.) 

11517.  bbb.  6. 
Psalmen  Davids,  nach  Frantzosischer 
melodei  vnd  reimen  art  in  Teutsche  reimen 
. .  .gebracht  durch  Ambrosium  Lobwasser 
. .  .Und  hieriiber  bey  einem  jeden  Psalmen 
seine  zugehorige  vier  stimmen.  Sampt 
etliche  Psalmen  vnd  geistlichen  Liedern, 
so  von  Herrn  D.  Luthero  vnd  andern 
gotseligen  leuteu  gestellet.  (Catechismus, 
etc.)  2  pts.  Gedruckt. .  .durch  Christoff 
Rabcn  Erhen  :  Herborn,  1654.     4". 

3035.  bb.  4.  (2.) 
Dressdenisch  Gesangbuch  Christlicher 
Psalmen  und  Kirchenlieder. .  Jetzo  aulTs 
neue  revidirt,  etc.    1656.    4".     3408.  f.  7. 

Psalmodia  Sacra,  Das  ist :  Des  Koniges 
...Davids  Geistreiche  Psalmen,  durch 
Ambrosium  Lobwasser  ...  in  Deutsche 
Reim-Art  versetzet :  Denen  auch  des 
H.  D.  Lutheri  und  Anderer. .  .Leute. . . 
Lieder. .  .beygefiiget,  etc.  2  pts. 
See  Crueger  (J.)     1658,  57.     8". 

B.  114.  a. 
Psalmen     Davids,    nach     Frantzosischer 
Melodey  in  Deutschen  Reimen  gebracht, 
durch  D.  Ambros.  Lobwasser.     3  pts. 
Joachim  Nosche  :  Amsterdam,  1659.     12°. 

1407.  a.  2. 
Psahnen  Davids,  hiebevor  in  deutsche 
Reime  gebracht  durch  D.  Cornelium 
Beckern,  etc.  1661.  fol.  See  Schuetz  (H.) 

G.  483.  b. 
Konigliche  HarfE  des... Sanger  Fiirsten 
Davids.  Nach  Lobwasserischer  Reim-art 
...mit  4.  Vocal  und  pro  Complemento 
3.  Instrumental-Stimen  nebenst  General- 
Bass  auffgesetzet,  etc.  1663  (1662).  8". 
See  Crueger  (J.)  B.  114.  b 

Johann  -  Wilhelm      Simlers      Teutscher 

Gedichten  die  Dritte. .  .Aussfertiguug  :  in 

sich    halteud    I.    Aller   Psalmen   Davids 

HaubtbegrifE,  etc.     1663.     8". 

See  Simler  (J.  W.)  11526.  cc.  20. 

Gross     Kirchen-Gesang-Buch,     darinnen 

ausserlesene,  reine,  Geistliche  Lieder  und 

Psalmen,  etc.     1664.     fol. 

See  Hymns.    [6.  German.]     3405.  g.  16. 

Konigs    Davids    Goldnes    Kleinod,    oder 
Hundert  und  Neunzehender  Psalm,  etc. 
1674.     4".      See  Dedekind  (C.  C.) 

C.  205. 


352 


PSALMS  [7.  GERMAN,  1674-1707] 


Johanii  Frauckens  Geibtliches  Sion,  das 
isfc:  Neue  Geistl.  Lieder,  mid  Psalmen, 
etc.    1674.   8".    See  Franck  (J.)  of  Guhen. 

3425.  g.  30. 

lAist-  und  Artzeney-Garten  des  Konig- 
lichen  Propheten  Davids.  Das  ist  Der 
gautze  Psalter  in  teutscho  Verse  iibersetzt 
. .  .Da  zugleich  jedem  Psalm  eine  beson- 
dere  neue  Melodey,  niit  dem  Basso  Con- 
tiuuo  [composed  chiefly  by  H.  Graden- 
thaler] . . .  beygefiigt  wordeu ...  in  Druck 
gegebeu  durch  ein  Mitglide  der  Hochlobl. 
Fruchtbringonden  Gesellschaft  [J.  L. 
Prasch].  2  pts.  Gedruckt  bei  C.  Fischern. 
Ill  Verlcgung  G.  S.  Freysingers  des  ciltern, 
und  J.  Conrads  :    Ecgenspiirg,  1675.     8". 

Case  66.  b.  19. 

Psalmodia  Davidis  in  Templis  Hassiacis 

usitata,  etc.     1675.     4". 

.sve  Brandaw  (J.  G.)  C.  108. 

Geistrciches  Gesang-Buch,  an  D.  Cornelij 
Beckers  Psalmen  und  Lutherischen 
Kirchen-Liedern,  mit  ihren  Melodeyen 
unter  Discant  und  Basso,  samnit  einem 
Kirchen-Gcbeth-Buche,  etc.  (Der  Psalter 
Davids,  nach  bekannten  Kirchen-Melodien 
durch  D.  Cornelium  Beckeru  verfasset, 
aufs  neue  aber,  mit  H.  Schiitzens  . . . 
eigencn  Gesang-Weisen  aufgeleget.)  (Neu- 
eiugerichtetes  Gesang-Buch,  Herrn  D. 
Martini  Lutheri,  und  Anderer. .  .Christen 
gebriiuchlicher  Kirchen-Lieder,  mit  ihren 
Melodeien,  unter  Discant  und  Basso.) 
(Kirchcu-Gcbcth-Buch.)  [With  a  preface 
by  C.  Bernhard.]     3  pts. 

P.  A.  Hamann  (C.  Bcmmann) : 
Dresden,  1676.     4°.  3425.  m.  18. 

Heilige  Palmeu,  und  Christliche  Psalmen, 

etc.     1680.     8°. 

See  Arkschwanger  (J.  C.) 

3438.  ff.  26.  (1.) 

Neu  Leipziger  Gesangbuch ...  in  welchem 
. .  .des  sel.  Herrn  D.  Lutheri. .  .Gesange, 
Ijateinische  Hvmni  und  Psalmen  . . .  zu 
linden,  etc.    1682.    8".     See  Vopelius  (G.) 

C.  5. 

Die  Psalmen  Davids,  In  Teutsche  Reymen 
gebracht  durch  Ambrosium  Lobwasser 
. . .  Denen  beygefiigt  seyn  Anderer  Psal- 
men, geistliche  Lieder,  und  der  Catechis- 
mus,  1c.  Frank  Sas  : 

Diiisburg  am  Bhein,  1684.     8". 

3041.  ccc.  3.  (2.) 

Joachimi    Neandri    Glaub-    und    Liebes- 
Ubung:   auffgemuntert  durch. .  .Bundes- 
Lieder  und  Danck-Psalmen,  etc. 
1686.     8°.     See  Hymns.     [6".  German.'] 

3434.  b.  45. 

Johann  -  Wilhelm      Simlers       Teutscher 
Gedichten    die    Vierte  . . .  Aussfertigung : 
In  sich  haltend  I.  AUer  Psalmen  Davids 
Haubtbegriff,  etc.     1688.     8°. 
See  SiMLER  (J.  W.)  3434.  ce.  47. 


Der  Psalter  dess  H.  Propheten  Dauids 
vnter  allerley  Melodeyen  in  Teutsche 
Gesang  Reimen  gebracht  durch  Casparum 
Ulenbergium. .  .Mit  sampt  ersetzten  und 
Verbessertc  Noten  auch  Uhralten  bewahrr- 
Lob-  und  Kirchen  Gesiingcn,  etc.  (Anhang 
dess  Psalmen-Buchs,  Sozu  Aachen  . . . 
gebriiuchlich,  etc.)  2  pts. 
Beii  Johan  Odendall :  Ciillen,  1694.     12". 

1159.  c.  12. 

Die  Psalmen  Davids  nach  Frantzosicher 
Melodey  in  Teutsche  Reymen  gebracht 
durch  Ambrosium  Lobwasser.  Auch 
andern  Psalmen  und  Geistliche  Lieder, 
etc.     3  pts.  Heinrich  Wetstein  : 

Am.sterdam,  1G91.     12°.     218.  b.  19.  (2.) 
Part  II.  is  dated  1696. 

Joachimi    Neandri    Glaub-   und    Liebes- 
Ubung:    Auffgemundert  durch   einftiltige 
Bundes-Lieder  uud  Danck-Psalmen,  etc. 
1698.     8".     Sec  Hymns.     [0'.  German.'] 

3434.  b.  55. 

Des  Konigs. . .  Davids  Geistreiche  Psalmen 
...vormals  mit  4.  Vocal- und  3.  Instru- 
mental -  Stimmen  nebst  dem  Basso 
continue  aufgesetzct. .  .Itzo. .  .iibersehen, 
und  in  4.  Vocal-Stimmen,  zum  Druck 
befordert . . .  Cantus  &  Bassus.  3  pts. 
1700.     8".     See  Crueger  (J.) 

3425.  bbb.  28. 

Die  Psalmen  Davids,  Nach  Frantzosischer 
Melodey  in  Teutsche  Reymen  gebracht 
durch  D.  Ambrosium  Lobwasser,  auch 
Andere  Psalmen  und  Geistliche  Lieder, 
etc  Heinrich  Wetstein : 

Amsterdam,  1101.  12".    3040.  aa.  6.  (2.) 
Forming  part  of  ' Biblia — Teutsch... 
Samt    angefilgtem    volstdndigen    Ge- 
sang-Buch,'' etc. 
Die  Harp fe. .  .Davids. .  .angestimet    und 
mit. .  .Fest-  und  Haussgesangen  begleitet, 
etc.     1701.     8°.     See  Hardmeyer  (J.  K.) 

B.  983. 

Davids  Kleinod,  bestehend  aus  Hundert 
und  funflzig  Psalmen,  etc.    1703.     4". 
See  MOELLER  (C.)  C.  270. 

Die  Psalmen  Davids,  nach  Frantzosischer 
Melodey  in  Teutsche  Reymen  gebracht 
durch  D.  Ambrosium  Lobwasser.  Auch 
andere  Psalmen  uud  Geistliche  Lieder, 
etc.  Bey  Heinrich  Wetstein  : 

Amsterdavi,  1704.     12°.  1216.  b.  25. 

Forming  part  of  '  Biblia. . .  Teutsch. .  . 

Samt  angefitgtem  Vollstandigcn   Ge- 

sang-Bjich,'  etc. 
Joachimi  Neandri  Vermehrte  Glaub-  und 
Liebes-Ubung,  Auffgemuntert  durch  ein- 
faltige Bundes-Lieder,  und  Danck-Psalmen 
. . .  vermittelst  dieses  Siebenden  Drucks, 
nach  . . .  neu-componirten  . . .  Sing-Weisen 
eingerichtet. .  .Durch  G.  C.  Strattner,  etc. 
1707.     8".     ASec  Hymns.     [6.  German.] 

3425.  b.  11. 


PSAL]\rS  [7.  GERMAN,  1717-1758] 


353 


Des  Koniglichen  Propheten  Davids  Geist- 
reiche  Psalmen  nach  Frantzos.  Melodey 
in  teutsche  Reymeu  gebracht,  durch 
D.  Ambros.  Lobwasser,  samt  einem 
geistreicben  Gesang-Biicblein  ...  In  drey 
Blichern  abgefasset  . .  Zum  dritten  mal 
aufgelegt,  und  .  .  .  vermehret.  (Neu- 
vennebrtes  Gesang-Biichlein,  geistreicher 
. .  .Kirchen-Lieder,  Herrn  Doct.  Martin 
Lutbers  und  anderer  Gottesgelebrten 
Manner,  rfc.)     3  pts.  J.  Lorentz  : 

Berlin,  1717  (1716).     12". 

3425.  bbb.  2.  (1.) 

Yollstiindige  Kircbeu-   und   Haus-Music, 
darinneu  ausserleseue  Gesiinge,  Psalmen 
und  Hymni,  <'/c.     [1720?]     8". 
Sec  Hymns.    [6".  German.']     3425.  e.  24. 

Die  Psalmen  Davids,  zum  Cbristlicben 
Gesang  in  Reimen  gebracbt,  von  D. 
Ambrosio  Lobwassern  ;  . . .  welcben  Hn. 
Joacbimi  Neandri  Geistreicbe  Bundes- 
Lieder  und  Danck-Psalmen  mit  beyge- 
fiiget,  etc.     3  pts. 

Bey  Hcnrich  Wilhelm  Meyers  sel.  Wiifice  : 
Lemgo,  1727.     8".  1003.  e.  27.  (2.) 

Neu-aufgesetztes,  voUstiindiges,  Psalm- 
und  Choral-Bucb,  etc.  Zweyte  Auflago. 
1735-G.     4".     See  Mueller  (J.  M.) 

D.  604.  (1,  2.) 

Des  Kouigs  luid  Propbeten  Davids  Geist- 
reicbe Psalmen,  nach  Frantzosiscben 
iMelodicn  in  Teutscbe  Reimen  gebracbt, 
diircb  D.  Ambros.  Lobwasser,  Samt 
einem  geistreicben  Gesang-Biicblein ; . . . 
Nebst  dem  Cbur-  Pfiiltziscben  Catecbismo 
. .  .In  drey  Biichern  abgefasset,  etc.     3  pts. 

Gcdriicld . . .  von 
Johann  Lorentz  nachgelassenen  Witt  we: 
Berlin,  1786.     12".  3425.  e.  9. 

Printed  in  agenda  form. 

Neu-eingericbtetes  Gesang-Bucb,  welcbes 
in  sicb  bait  Die  Psahnen  Davids,  Nach 
Frantzosiscber  Melodie  durch  D.  Amb. 
Lobwasser  in  Teutscbe  Reimen  gebracht, 
etc.  1737,  1736.  8^ 
Sec  Hymns.     [«.  German.'] 

845.  a.  3.  (1,  2.) 

Harmonischer  Lieder-Schatz,  oder  Allge- 
meines  Evangelisches  Choral  -  Buch, 
Welches  die  Melodieu  derer . . .  biss  bieher 
eingefiibrten  Gesiinge  uusers  Teutsch- 
landes  in  sicb  halt. .  .Ferner. .  .die  Melo- 
dien  derer  Hundert  und  Funftzig  Psalmen 
Davids,  wie  solcbe  in  denen  Gemeindcn 
der  Reformirten  Kirche  gesungen  werden, 
etc.     1738.     obi.  i".     Sec  Koenig  (J.  B.) 

B.  115. 

Neu-verbessertes     Kircben-Gesang-Bucb , 
verfassend   die   150.  Psalmen   Davids,  in 
Deutsche  Reimen  gebracbt  von  Ambrosio 
Lobwasser,  etc.     1738.     8°. 
See  Hymns.     [6.  German.] 

Case  25.  g.  1. 

VOL.   II. 


Vermehrter  Anbang  zu  dem  Miillerischen 
Psalmen-  und  Choral-Bucb,  etc. 
1741.    4°.     See  Mueller  (J.  JI.) 

D.  604.  (3.) 

Die  Psalmen  Davids  nach  D.  Ambrosii 
Lobwassers  Uebersetzung  . . .  Wie  auch 
Alte  und  Neue  auserlesene  Geistreicbe 
Lieder . . .  Nebst  dem  Chur-Pfaltzischen 
Catecbismo,  etc.     3  pts.  Gedrnckt  bey 

Emanuel  Schneiderii :  Halle  hn  Magdc- 
biirgischen,  1745.  8".  3425.  bbb.  29. 
Fart  3  is  imperfect,  icanting  all  after 
i).  92. 
Die  Psalmen  Davids,  ...  in  Reimen 
gebracbt  von  D.  Ambrosio  Lobwassern; 
Samt  denen  gebriiucblicben  alten  und 
neuen  Kircben-Gesiingen  verschiedener 
Gott-gelebrten  Manner. .  .Welcben  Hn. 
Joacbimi  Neandri  Geistreicbe  Bundes- 
Lieder  .  .  .  mit  beygefiiget,  nebst  dem 
Heydelbergischen  Catecbismo,  etc.     3  pts. 

Gedruckt  und 
Verlcgt  von  Johann  Hcinrich  Meyern : 
Lemgo,  1749.     8".  1219.  c.  29.  (1.) 

Die  Psalmen  Davids . .  .in  Reimen  gebracbt 
von  D.  Ambrosio  Lobwassern  ; . . .  Welcben 
Hn.  Joacbimi  Neandri. .  .Bundes-Lieder 
und  Danck-  Psalmen  mit  beygefiiget, 
etc.  Gedruckt. .  .von  Johann 

Heinrich  Meyern  :  Lemgo,  1753.     8". 

846.  c.  26. 

VoUstiindiges  Hessen-Hanauiscbes  Choral 
Bach,   welches  ...  die   Melodieu   der  150 
Psalmen  Davids. .  .in  sicb  lasset,  etc. 
1754.     4".     Sec  Mueller  (J.  D.) 

D.  603. 

Vierstimmiges  Psalmbucb,  das  ist,  D' 
Ambrosij  Lobwassers  Psalmen  Davids, 
transponiert  durch  J.  U.  Sulzberger  . . . 
Mit  Verbesseniug  der  undeutlicben  Re- 
densarten,  samt  neuen  Festgesangen, 
etc.  In  Uoch- 

Oberkeitl.  Drtickerci/ :  Bern,  1757.     8". 

A.  511.  c. 

Neu-verbessertes     Kircheu-Gesang-Buch, 
Verfassend   die    150  Psalmen  Davids,   in 
teutscbe  Reimen  gebracht  von  Ambrosio 
Lobwasser,  etc.    2  pts.     1757.     8". 
See  Hy'mns.     [6.  German.] 

3040.  aaa.  6.  (2.) 

D.  Ambrosias  Lobwassers  Psalmen  Davids. 
Mit  einem  . . .  vermehrten  Gesang-Buche  ; 
.  .  .  Auf  .  .  .  Verordnung  des  .  .  .  Herrn 
Victor  Friederichs  . . .  Fiirsten  zu  Anhalt 
...  in  alien  Gemeinden  dero  Fiirstl. 
Lande  zu  gebrauchen.  (D.  Martin  Lutbers 
und  anderer  Gottseliger  Manner  Geistliche 
Lieder  und  Psalmen,  anjetzo  noch  mit 
Joacbimi  Neandri  .  .  .  Bundes-Liedern 
vermehret,  auch  mit  denen  nothigsten 
Melodeyen  verseben,  etc.  3  pts. 
Zu  fttulen  bey  J.  L.  Starcken  :  Bernhurg, 
1758  (1757).    8°.  3425.  bbb.  31. 

2  A 


354 


PSALMS  [7.  GERMAN,  17G6-1788]— [10.  HUNGARIAN,  1607-1730J 


Anhalt-Dessauischos  Gesang-Buch,  darinn 
die  Psalmen  Davids  nacli  einer  neuen  . .  . 
Uebersetzung,  etc.  3  pts.  176G.  8". 
See  Hymns.  [6.  German.]  3425.  h.  1. 
Neues  Bremisches  Psalm-  und  Gesangbuch 
. . .  berausgegeben  von  dem  Breiniscben 
Ministerio.  Bey  sel.  H.  E.  Jani  Witttve 
und  Dicdrich  Meier :  Bremen,  1767.     8". 

3425.  g.  10. 

Neues  Bremiscbes  Psalm-  und  Gesang- 
bucb  zur  offentlicbeu  und  besonderen 
Erbauung  der  Reformirten  Stadt-  und 
Landgemeinden  .  .  .  berausgegeben  von 
dem  Bremiscben  Ministerio.  (Zwote 
Auflage.)  Bey  sel.  H.  C.  Jani  Wittwe 

und  D.  Meier :  Bremen,  1769.     8°. 

3425.  aaa.  23. 

Herrn  Doctor  Cramers  libersetzte  Psalmen 
mit     lilelodien     zum    singen    bey    dem 
Claviere.     1774.     obi.  fol. 
See  Bach  (C.  P.  E.)  F.  324.  e. 

Gesang-Bucb,  darinn  die  Psalmen  Davids 
und  alte  und  neue  Lieder . . .  enthalten  sind, 
etc.     1774.     8". 
See  Hymns.     [6.  German.]     3425.  la..  2. 

Psalmen  und  Cbristlicbe  Gesiinge,  mit 
vier  Stimmen,  auf  die  Melodien  fugenweis 
componirt,  etc.     See  Hassler  (H.  L.) 

I.  507. 

Des  Konigs  und  Propbeten  Davids  geist- 
reiebe  Psalmen,  nacb  franzosiscben  Melo- 
dien in  Teutscbe  Reimen  gebracbt,  durcb 
D.  Ambros.  Lobwasser,  samt  einem  neu 
vermebrten  Gesangbucb  auserlesener  geist- 
reicber  Lieder,  nebst  dem  Cbur-Pf  alziscben 
Catecbismo,  etc.  3  pts.  C.  F.  Rellstab  : 
Berlin,  1778.    12".  3425.  aa.  35. 

Printed  in  agenda  form. 
Des  Neu-verbesserten  vierstimmigen  Kir- 
cben-Gesang-Buebs    verfassend    die     150 
Psalmen    Davids,    in    deutscbe    Reimen 
gebracbt  von  Ambrosio  Lobwasser,  etc. 
3  pts.     1787-85-86.     8°. 
See  Hymns.     [6.  German.]      3425.  g.  2. 

Neu-verbessertes      Kircben-Gesang-Bucb 
verfassend   die   150   Psalmen    Davids   in 
deutscbe  Reimen  gebracbt  von  Ambrosio 
Lobwasser,  etc.     4  pts.     1788.     8". 
See  Hymns.     [6.  German.]      3425.  i.  2. 

8.  German  and  French. 

Das  Newe  Testamet  . . .  Teutscb  vnd 
Frantzosiscb.  Sampt  dem  Gesangbucb, 
etc. — Le  Nouueau  Testamet  . . .  Allemand 
&  Francois  :  Auec  les  Pseaumes  de  Dauid, 
Cantiques,  Prieres  ...  &  Catecbisme,  de 
I'AUemand  mis  en  Frau(?ois  pour  I'vtilite 
de  la  leunesse.  (Psalmen  Dauids  in 
Teutscb  vnd  Frantzosiscbe  Reymen  artig 
gebracbt  sampt  Andern  Psalmen  vnd 
Geystlicbe  Liedern,  etc.)  2  pts. 
Thomas  Willier,  vnd  Johan  le  Clercq : 
Hanaiv,  1612.    8°.  3049.  bb.  19. 


9.  Greek. 

'Va\Ty]pi>iv  vpo(pr]Tov  (coi  6a(TiAfws  rov  AaviS. 
— Davidis  regis  ac  propbetae  Psalmorum 
Liber,  secundum  exemplar  Vaticanum, 
Romae  editum,  Parisiensis  Ecclesiae  usibus 
accommodatum ;  cui  accedunt  Hymni 
nonnuUi,  necnon  &  Modus  ministrandi  & 
respondendi  in  Missa,  e  Latino  in  Grsecum 
translati.  Exbibet  Joannes-Mauricius 
Sucre  du  Plan,  etc.  Ex 

Typograpliia  Philippi-Dionysii  Pierres : 
Parisiis,  1786.     12».        1407.  c.  12.  (1.) 

10.  Hungarian. 

Psalterium  Ungaricum.  Szent  David 
Kiralynac  es  Propbetanac  szaz  otven 
Soltari  az  Franciai  notdknac  6s  verseknec 
modgyokra  most  uyorman  Magyar  versekre 
forditattac  es  rendeltettec,  az  Szenci 
]\Iolnar  Albert  altal.  Hodos 

Christof:  Herbornaban,  1607.     12°. 

3434.  a.  1.  (1.) 

Szent  Davidnac  Soltari,  az  Franciai 
notaknac  es  verseknec  modgyokra  Magiar 
versekre  forditattac  6s  rendeltettec  az 
Szenci  Molnar  Albert  altal.  Hanoviaban  : 
1608.     4°.  1411.  k.  15.  (2.) 

Szent     Davidnac     Soltari     az     Franciai 

notaknac  es  verseknec  modgyokra  Magyar 

versekre    forditattac    es    rendeltettec    az 

Szenci  Molnar  Albert  Altal,  etc.         Galler 

Hieronymus  :  Oiipenhemiumban,  1612.    8°. 

Case  15.  a.  7.  (1.) 

Forming  Part  III.   of  tlie  Hungarian 

Bible  of  1612. 

Szent  David  Kiralyuak  es  Profetanak  szaz 
otven  Soltari  a'  Franciai  notaknak  es 
verseknek  modgyokra  Magyar  versekre 
forditattak  es  rendeltettek.  Szenci 
IMolnar  Albert  altal.  Jansonius  Janos  : 
Amstelodamban,  1645.     8°. 

1410.  c.  11.  (2.) 

Szent  David  Kiralynak  6s  Profetanak  szaz 
otven  Soltari  a'  Francziai  N6t4knak  e's 
Verseknek  modjokra  Magyar  Versekre 
fordittattak  6s  rendeltettek,  Szentzi 
Molnar  Albert  dltal.  Kis 

Miklds  :  Amstelodambaji,  1686.     12°. 

3061.  b.  29. 

Magyar  Biblia,  etc.  (Szent  DAvid  Kird- 
lynak  es  Prof6t4nak  szAz  otven  Soltari. 
A'  Francziai  N6tAk  's  Versek  szerint 
Magyar  Versekre  fordittattak  's  rendel- 
tettek Szenci  ]\Iolndr  Albert  Altai.)  2  pts. 
[Leyden,  1719.]     8°.  1410.  c.  12. 

Szent  David  Kiralynak  6s  Profetanak  szaz 
otven  Soltari  a'  Francziai  Notaknak  6s 
Verseknek  modjokra  IMagyar  Versekre 
fordittattak  63  rendeltettek,  Szentzi 
Molnar  Albert  altal. 
Anselmus  Muntendam :  Ultrajectumban, 
1730.     8°.  463.  a.  12.  (2.) 


PSALMS  [10.  HUNGARIAN,  1737-1792]— [13.  LATIN,  1486-1494]  355 


Szent  David  Kiralynak  es  Profetanak  szaz 
otven  Soltari  a'  Frantziai  Notaknak  es 
Verseknek  modjokra  Magyar  Versekre 
fordittattak  es  rendeltettek.  Szentzi 
Molnar  Albert  altal.  Rcers  W.  Jdnos  : 

VUrajectumban,  1737.     8". 

3061.  c.  2.  (2.) 
Szent  David  Kiralynak  6s  Profetanak 
szaz  otven  'Soltari,  a'  Frantziai  Notaknak 
es  Verseknek  modjokra,  MagA-ar  Versekre 
fordittattak  es  rendeltettek  Szentzi  Mol- 
nar Albert  altal'. 

Recrs  W.  Jdnos  :   Ultrdjcdumban, 
1765.    8".  3061.  c.  6.  (2.) 

Szent  David  Kiralynak  es  Profetanak  szaz 
otven  'Soltari.  A'  Frantzia  Notaknak  es 
Verseknek  modjokra,  Magyar  Versekre 
fordittattak  6s  rendeltettek  Szentzi  Mol- 
nar Albert  altal.  Mellyeket  e'  formaban 
Leg-Eloszor  Ki-nyomtattott  P[ethe]  F. 

Altheer  Janos  :   Ultrajcktomban, 
1792.     8".  1410.  c.  13.  (2.) 

11.  Icelandic. 

Morgun  Psalmar  og  Kvolld  Psalmar,  til 
sierhuors  Dags  i  Vikuiie,  med  siv>  Ydranar 
Psalmu  Kongs  Davids.  Samansetter  aa 
r>anskt  Twngumaal  af... Thomas  Kingo 
. .  .Efi  aa  vort  Islendskt  Moodurraaal. . . 
wtsetter  af. .  .Stephan  Olafssine  . .  .  Med 
ffigrum  Tonum  og  listelegum  IMclodiis,  etc. 
[Skdlholt,  1686.]  8°.  3433.  aaaa.  4. 
Wanting  the  title-page. 

Pess  Konunglega  Spaamaiis  Davids 
Psaltare  a  Lioodmsele  settur,  af  Gudh- 
r?eddum  . . .  Sr.  lone  Thorsteinssyne  . . . 
med  Fyrer-S(ignum  Ambrosii  Lobwassers 
Yfer  Sierhv0rn  Psalm.  Editio  2.  Hall- 
dore  Erikssyne  :  a  Hooluin  i  Hiallta-Dal, 
1746.     8".  868.  f.  6. 

Wanting  all  after  p.  238. 

See  also  Hymns.     [Icelandic] 

12.  Italian, 

Sessanta  Salmi  di  David,  tradotti  in  rime 
volgari  Italiane . . .  Col  cantico  di  Simeone, 
&  i  dieci  Comandamenti  della  Legge : 
ogni  cosa  insieme  col  canto. 

Appresso  Giovan  di  Tomes  :  [Geneva  ?] 
1607.    16".  3089.  a.  1. 

[Another  copy.]  3089.  c.  5. 

Sessanta  Salmi  di  David,  tradotti  in  Rime 
volgari  Italiane . . .  Col  Cantico  de  Simeone, 
&  i  dieci  Comandamenti  della  Legge : 
ogni  cosa  insieme  col  canto. 

Appresso  Matteo  Berjon  :  [Geneva], 
1621.     16°.  3090.  de.  14. 

Salmi  di  David.  Ridotti  in  rime  alia 
maniera  Inghlese.  Et  accommodati  alii 
toni  pin  communi  della  Chiesa  Anglicana  : 
Per  uso  della  Chiesa  Italiana. 
M.  F.  per  Rodolfo  Bounthioaite  :  Londra, 
1644.     12°.  3436.  ee.  23.  (1.) 


Sessanta  Salmi  di  David,  tradotti  in  rime 
volgari  Italiane . . .  Col  Cantico  di  Simeone, 
&  i  dieci  Comandamenti  della  Legge : 
Ogni  cosa  insieme  col  canto. 

Appresso  Stefano  Miege  :  Geneva, 
1650.     12».  1006.  a.  26. 

I   Sacri   Salmi  di  David   messi   in   rime 
volgari     italiane.      Da    G.    Diodati...et 
Composti  in  Musica  da  A.  G.     1664.     8°. 
Sec  G.,  A.  1220.  b.  3. 

Cento  Salmi  di  David,  tradotti  [40  by 
G.  Diodati]  in  rime  volgari  Italiane... 
Col  Cantico  di  Simeone,  &  i  dieci  Com- 
andamenti della  Legge :  Ogni  cosa  in- 
sieme col  canto.  Appresso 
Samuel  de  Tourncs  :  Genevra,  1683.     12°. 

1159.  d.  16. 

[Another  copy.]  3436.  ee.  35. 

Li  CL.  Sacri  Salmi  di  Davide.  Ed 
alcuni  Cantici  Ecclesiastici  piu  necessari 
e  comuni.  Tradotti  ed  accomodati  alle 
Melodic  di  A.  Lobvasser  da  A.  Ct.  Planta, 
etc.  (Preghieri  Sacre,  etc.)  2  pts. 
Giovanni  Jamwtto  :  Strcula,  1740.     8°. 

3090.  de.  12. 
[Another  edition]  Li  Cencinquanta 
Sacri  Salmi  di  Davide  ed  alcmii  Cantici 
Ecclesiastici. .  .Tradotti  ed  Accordati  alle 
Melodic  di  A.  Lobvasser  da  A.  G.  Planta, 
etc.     2  pts.  Gio.  Jannetto  : 

Strada,  1740.     8°.  845.  b.  1. 

Li  Salmi  di  David  in  Metro  Toscano,  etc. 
(Cauti  Spirituali  per  Diverse  Feste,  et 
altre  occasioni.  Con  alcuni  Salmi  sopra 
^lelodie  Nove.)  2  pts.  lacomo  Gadina  : 
Scoglio,  1753.    8".  3022.  cc.  4. 

Li  Salmi  di  Davide  in  metro  Toscano. 
Edizione  Seconda,  etc.  (Cantici  Spirituali 
che  contengono  testimonianze  della 
Redenzione  fatta  da  Gesu  Cristo  in  salute 
del  genere  umano.)  (Preghiere,  etc.) 
3  pts.  Giuseppe  Bisazzi  :  Vicoso2)7-a7io, 
1790  (1789).    8°.  3090.  de.  10. 

13.  Latin. 

Begin,     [fol.  1  recto :   TjE  deu  laudamus, 

etc.      [Fol.   1   verso :]    Psalterium   Dauid 

secundum  ordinej  saucti  Ambrosii.     [Fol. 

94  recto :]  Psalteriil  Ambrosianii  cii  hym- 

nis  oiuj  sco"^  notatis  castigatis  ac  diligeter 

emedatis,  etc.     G.  L.  Impssui  mii 

[Mediolani]p  Leoiiardui  pacliel  t  Aldericu 

sciztzeller  Ipesis  ptri  Gasparis  lapugnani, 

etc.     1486.     4°.  I.B.  26533. 

94  leaves,  loithout  title-page  or  pagination. 

Sig.  a-l  in  eights,  m,  four  leaves.     29 

lines  to  a  full  page.    Perhaps  wanting 

a  calendar  at  the  beginning. 

Psalteriu  ad  vsum  Parisiensem  cum 
Inuitatorijs  antiphonisq?  omibus  per- 
pulchre  1  emedate  notatis.  Vigilie  mor- 
tuorum  notate  vnacum  Recommendationi- 
bus.      Hymni   ad  longum  itidem  uotat. 

2  A  2 


356 


PSALMS  [13.  LATIN,  1494-1554] 


Hore  beate  virginis  cum  notis.  Toui 
quoqj  ocs  ad  queuis  psalmil  intonandum 
addiscetibus  (^  maxime  comodi.  [fol.  23G 
recto :]  Psalterii  opus  egregiu  vnacii 
Hymnis  1  reliquis  in  primo  folio  positis  : 
diligcter  1.  emedate  notatis  line  sumpsit, 
etc.  [fol.  237  recto  :]  In  nati.  vni  apl'i  vel 
plurimo'^  ad  vesperas  super  psalmos 
feriales  Antiphona.  [fol.  280  verso :] 
Finit  comuue  sanctoY  ad  vsum  Parisi- 
euse...Deo  Gratias  [fol.  281  recto:]  Be 
sancto  spiritu.     Introitus.     G.  L. 

Inqjressimi. .  .O^a  M.  Udalrici 

gcring   .   "%   .   Mgri    Berchtoldi     Eenbolt 

socijs:  Parisins,  1494.     4".     LB.  40675. 

292  leaven,  30  lines  to  a  full  page.     Sig. 

+  (red)  8  leaves:    +'  G  leaves;  a-z, 

A-D,  in  eights ;  c,  6  leaves  ;  A-  E  {red) 

ill  eights;    F  {red)   4   leaves;    aa  8 

leaves  ;    bb  4  leaves  ;  ff.  185-221  are 

numbered  1-37. 

2^  Folium.  I.     Begin  :    BEatus  vir  Ps.  i. 

qui  non  abijt  in  cosilio  impio*5i  etc. — 130* 

Begin :    In    aduentu    [stave    for    music] 

COnditor  alme,  c^c— IGO""  End  :. .  .regnas 

per  omne  seculum.     Amen.     G.  L. 

[J.  Pryss  ? 
Sfrasbiirg  ?,  1498  ?]     4".  LB.  1748. 

IGO  leaves  reg.  sigs.  a-o^,  ]}-r^,  [*4]  s/^ 
v^".      Tlie    staves   for  the  music  are 
j)rinted  in  red,  the  notes  ixirtly  filled 
in  in  ■manuscript. 
Psalterium  chorale   cil   suis  Autipbonis : 
CoUectis :    Precibus:    Et  hymnis   [fol.  2 
recto  :]  In  nomine  dni  Incipit  psalterium 
chorale  scd'm  ritum  insignis  eccl'ie  Con- 
stantieu.     G.  L.      [J.  Pryss  :  Strasbiirg  ? 
1500?]    fol.  Case  52.  g.  9. 

TJie  staves  arc  printed  in  red  througliotU, 
the  notes  {in  black)  are  only  partly 
inserted. 
Begin,     [fol.  1    recto :]    Diiicis  diebj   post 
festu  trinitatis,  etc.  [line  4 :]    Beatus  vir 
qui  nu  abijt  in  consilio  impioY,  etc.     End. 
[P]Reseus     psalmoru     codex     venustate 
capitaliu    decora t»  ...  ad    eusebiam    dei 
Industrie  est  cHsumatus,  etc.    G.  L.     Per 
Petrtl  Schofferde  Gcrnszherm:  innobiliurbe 
maguntind,  1502.     fol.       Case  24.  d.  9. 
A  reprint  of  the  lib-leaved  issue  of  the 
Psalter  of  1457,  with  the  spaces  for 
music  filled  in  with  printed  staves  <fi 
those  for  liturgical  additions  filled  in 
according  to  the  use  of  Mentz ;    the 
section  from  the  end  of  fol.  23  recto  to 
fol.  36  verso  is  transferred  to  ff.  102- 
115.      TIic   plain,  chant  is  partially 
inserted  in  MS.  on  the  printed  staves. 
The  numeration  of  the  folios  is  irregu- 
lar,anddiscontinucd  after  fol.  144  [143]. 
At  the  beginning  is  a  leaf  on  vellum, 
belonging   to   another   edition,   and   a 
duplicate  of  fol.  166  is  inserted    at 
fol.  176,  with  tivo  facsimiles  to  supply 
defects.    Fol.  1  is  mutilated. 


Psalterium  fm  more  1  osuetudine  sancte 

Romane  ecclesio  :  cuius  cautus  ^. .  .fratrc 

Franciscude  brugis  ordis  mino"^ . . .  reuisi : 

atqj . .  .emedati,  vna  cil  integro  defiicto-f 

officio :    uec  no  gi'iose    virgis    atiphonis 

fmotatis  :  earuq}  vsiculis  post  copletorium 

modulandis.    ff.  285.     G.  L.     on  vellum. 

impesis  Luceantonij  de  giuta  Floretini  : 

Yenetijs,  1507.     fol.  Case  41.  k.  7. 

Begin,      [fol.   1   recto  .-^   au.  Seruite   deo. 

Euouae.        BEatus    vir   q   no    abijt,   etc. 

G.  L.  J-  Schoffer  : 

Magntie,  1516.     fol.  3.  e.  1. 

A   reprint  of   the  Benedictine    Psalter 

printed  at  Mentz  in  1459,  but  with  the 

spaces  for  music  filled  in  with  printed 

staves,  on  which  the  notes  are  inserted 

in  manuscript.   At  the  end  of  this  copy 

are   14    imgcs   of  antiphons,   dx.,  in 

manuscript. 

Psalterium  cum  Hymnis  ad  usum  insignis 

Ecclesie  Sarii  et  Eboracen,  etc.     G.  L. 

Vemindant'ur  Londonij  apud  Petrum 
Kactz :  opcre  et  industria  Christophori 
Buremunden  . . .  impressum  :  Antioerpic, 
1524.    8°.  Case  35.  b.  3. 

Hymni,  Psalmi  :    Versiculi,  &  Benedica- 
mus,  pro  paruulis  ecclesiasticis  cantanti- 
bus  mancipatis  &  admissis,  etc. 
[1540  ?]     8".     fice  Hymns.     {_10.  Latin.'] 

3425.  aa.  9.  (2.) 

[Vesperarum      Precum     Officia     Psalmi 

Periarum  et  Dominicalium  Dierum  Tocius 

Anni,  etc.']     [1540.]    obi.  4\ 

See  Rhau  (G.)  K.  4.  d.  13. 

Tomus  Tertius    Psalmorum    Selectorum 

Quatuor   &   Quinqj,  &   qui  dam   plurium 

uocum.      Tenor.      (Discantus.)      (Altus.) 

(Bassus.)      [With  a  dedication  signed:  G. 

Forsterus.]     4  pts.       Apud  lo.  Petreium  : 

Norimbergse,  1542.     ohl.  4".        A.  620.  1. 

The  composers  named  are  :  Josquin,  Fr. 

de  Layolle,  L.  Senfel,  L.  Lemblin,  B. 

Duds,  B.  Arthopius,  B.  UnterJwltzer, 

J.     Waltherus,     Claudin,     Lerithier 

alias     Verdeloth,     Loyset,     Gombert, 

Jachet,  Lupus,  Champion,  L.  Pamin- 

ger,  Heugel  and  Gosse. 

Psalteriii   chorale    fratrii.    s.    Dnici :    c_u 

"^siculis,  IViis  horarum,  Afiis  nocturnali- 

bus,  Psalmis,  Hymnisq?  oib»,  catu  1  litera, 

. . .  recognitu,  1  emtdatu :   in  hac  parua 

forma  . .  redactum,  etc.     G.  L.      i  officina 

hercdu  Luceantonii  Ji'ite,  Ven^tijs,1551.  4». 

3090.  ccc.  17. 
Psalmorum  Selectorum  a  prsestantissirnis 
huius  nostri  tcmporis  in  arte  musica 
artificibus  in  harmouias  quatuor,  quinque, 
et  sex  vocum  redactum.  Tomus  Primus. 
Qui  cum  fere,  ut  reliqui  Tres,  uouos,  & 
hactenus  in  publico  non  conspectos  uel 
auditos  Psalmos  contineat,  etc.  (Tomua 
Secundus  (Tertius)  [Quartus]  Psalmorum 
Selectorum,     etc.)       Tenor.       (Discantus 


PSALMS  [13.  LATIN,  1554-1587] 


357 


(Altus)    (Bassus)   Tomi    Primi   (Secundi) 
(Tertii)  (Quarti).)    4  vols.     (16  pts.)      Ex 
officinalommis  Montani,i£  Ulrici  Ncuberi  : 
Noribergx,  1553-4.     obi.  4°.     A.  620.  m. 
Wanting    the    title-page   of    the    Tenoi- 
and     the     last    leaf    of     the    Altns 
of  Tom.   IV.,  which   have    been  sup- 
plied in  MS.     The  coinposers  named 
are:    Clandin,    A.   de    Silva,   J.  dii 
Frees,     N.    Qombert,     Clemens    non 
Papa,  M.   Wolff,  Bichafort,  Tinders, 
Ileydenhaymer,  P.  Wucst,  Tluldericus 
Pratelius  ^ or  Bretcllius,    T.    Stoltzer, 
Crequilon,  C.  Canis,  Morel,  J.  Hewjel, 
H.  Walrant,  Jachet,  L.  Senpffel,  W. 
Nordimig,   Go^nbert,   Concilium,  Ccr- 
ton,  Maralis,  Giiyon,   A.  Willart,   P. 
Manchicourt,  L.  Paminger,  B.  Duds, 
Jacotin,  M.  Gosa,  J.  Mouton,  Benignus 
Siben.,  Carpentras,  Layole,  D.  Phinot 
or  Finot,  N.  Payen,  Lupus,  G.  Bore, 
J.  Lupi,    L.    Nartais,    C.  Prcdhome, 
M.    Eckel,   Benedictus,   N.    Baldwin, 
P.  de  la  Btie,  Bruviel,  M.  Lasson,  M. 
Maistre,   V.   Scamotulinus,  Gascogne, 
Cwtois,  N.  Schaffen,  and  Verdelot. 

I  Sacri  et  Santi  Salmi  . . .  Che  si  Cantano 
nella  Santa  Romana  Chiesa  all'  hora  di 
Vespero,  in  Oanto  Figurato,  etc. 

1554.  obi.  4°.  Sec  Rore  (C.  de)  and 
Jachet,  of  Mantua.  A.  70.  p. 

I  Sacri  e  Santi  Salmi  che  si  cantano  a 
Vespro  et  Compieta  . . .  Composti  ...  a 
uno  Choro  &  a  quatro  uoci,  etc. 

1555.  obi.  4°.     See  Willaert  (A.) 

A.  569.  a. 

Psalteriu  Davidis  iuxta  translationem 
veterem,  alicubi  tamen  emendatam  et 
declaratam,  &  accuratius  distinctam 
iuxta  Ebraicfi  Veritatem,  additis  etiam 
singnlorum  Psalmorum  breuibus  Argu- 
mentis.  (P.salmi  seu  cantica  ex  sacris 
Uteris,  in  ecclesia  cantari  solita,  cum 
hymnis et  collectis. .  .in  vsum  Ecclesiarum 
&  iuueututis  Scholasticse,  etc.)  [Edited, 
with  a  preface,  by  Paulus  Eberus.] 
2  pts.  In  Officina  Laurcntii 

Sclmcnck:   Witebcrnae,  1565  (156i).     fol. 

333.  e.  6. 
Part  II.  has  a  separate  title-page  {dated 
1564)  and  pagination. 

Gasparis   Pratoncrii  . , .  Harmonia   super 
aliquos  Dauidis   Psalmos  ...  ad  vesperas 
decantandos  cum  sex  vocibus,  etc. 
1569.    4°.    See  Peatoneri  (G.)    D.  88.  a. 

Septem  Psalmos  Poenitentiales  adiunctis 
ex  Prophetarum  Scriptis  Orationibus 
eiusdem  argumenti  quinque,  ad  dode- 
cachordi  modos  duodecim  . . .  aptissima 
tarn  viuse  voci,  quam  diuersis  Musicorum 
instrumentorum  generibus  harmonia 
accommodati,  etc.  1570.  ohl.  4". 
See  UtenthaIj  (A.)  A,  553. 


Psalterium  (dispositum  per  hebdomadam, 
etc.)  (Officium  Defunctorum.)  [Hymni 
Totius  Anni,  etcl 

Ex  Officina  Christoph.  Plantini  : 
Antuerpiae,  1571.     fol.  3366.  i.  9. 

Salmi  Suauissimi  et  Deuotissimi  a  Cinque 
Voci,  etc.     1574.     4°.     See  Ruffo  (V.) 

D.  36. 

Vespertina  Omnium  Solemnitatum 
Psalmodia. .  .cum  Quatuor  Vocibus,  etc. 

1578.  obi.  4".     See  Asola  (G.  M.) 

A.  36.  e. 
Psalmi  Davidis  a  G.  Buchanano  versibus 
express! ;  nunc  primum  modulis  iiii.  v.  vi. 
VII.  et  VIII.  vocum  . . .  decantati.     Bassus. 

1579.  obi.  4°.     Sec  Servincs  (J.) 

K.  8.  c.  25. 
Psalmodia      ad      vespertinas      Omnium 
Solennitatum   Horas  octonis   vocibus  in- 
fractis  decantanda,  etc.     1582.     4". 
See  AsoEA  (G.  M.)  B.  30.  a. 

Vespertina  Omnium  Solemnitatum 
Psalmodia  .  . .  cum  Quatuor  Vocibus,  etc. 

1582.  obi.  i".     See  Asola  (G.  M.) 

A.  36.  c. 

Secundus  Chorus  Vespertinae  Omnium 
Solemnitatum  Psalmodiae  .  .  .  vocibus 
Quatuor  paribus  concinendus. 

1583.  obi.  4°.     Sec  Asola  (G.  M.) 

A.  36.  d. 

Andree  Gabrielis  . . .  Psalmi  Dauidici,  qui 
Poenitentiales nuncupantur. .  .Sex Vocum, 
etc.     1583.     4".     Sec  Gabrieli  (A.) 

D.  168.  g. 
Psalterium  Chorale,  vua  cu3  Hymnario 
toto :  Secundum  morem  1  consuetudinem 
Sacrosancte  Ecclesie  Romane :  Disposi- 
tum per  hebdomadam  iuxta  ordinem  noui 
Breuiarij,  ex  decreto  Sacrosancti  Concilij 
Tridentini  restituti  . . .  Addito  integerrime 
Cantu  cmnium  Antiphonarum  1  Respon- 
sorioru5  breuiu3  .  .  .  ac  Hymnorum,  etc. 
(Hymni  Fratrum  Eremitarum  Sancti 
Augustini.)  (Hymni  Fratru  Minorum 
S.  Francisci.)  MS.  notes.  G.  L. 
Ex  Officina  Petri  Liechtenstein  :  Vcnctijs, 
1585."  fol.  Case  52.  k.  1. 

The  tuv  appendices  are  in  duplicate. 

Omnes  at  Vesperas  Psalmi,  qui  Falso  .  .  . 
Bordouio    concini    possunt  .  .  .  Quatuor 
Vocibus,  etc.     1585.     4°. 
Sec  Isnaedi  (P.)  D.  997. 

Vespertina  Omnium  Solemnitatum  Psal- 
modia. .  .Cum  Quatuor  Vocibus,  etc. 

1586.  4".  See  Asola  (G.  M.)  D.  248. 
Noua  Vespertina  Omnium  Solemnitatum 
Psalmodia  . . .  Octonis  Vocibus,  etc. 

1587.  4".     See  Asola  (G.  M.)     B.  30.  e. 

Salmi  di  Dauid  ...  a  cinque  voci,  .  .  ._ 
nuouamente  ristampati,  con  alcnni  Salmi 
che  mancauano,  etc.     1.587.     Sc<  Faa  (H.) 

D.  985. 


858 


PSALMS  [13.  LATIN,  1587-1610.] 


Psalmi  Vesperarum  .  .  .  Liber  Secundus, 
etc.     1587.    i".     See  Marino  (A.) 

C.  266.  a. 
Psalmorum  Dauidis  Paraphrasis  poetica 
Georgii  Buchanani  .  .  .  Argumentis  ac 
melodiis  explicata  atque  illustrata,  Opera 
&  studio  Nathanis  Chytrsei. 
Herborn.v,  1588.     12".  3089.  a.  23. 

Cantica   Sacra  .  .  .  Accesserunt    in    fine 
Psalmi   Luther i,   &   aliorum    ejus   seculi 
Doctorum,  etc.     1588.     8". 
See  Elbrus  (F.)  K.  1.  b.  9. 

Ad  Vesperas  in  Totius  Anni  Solemnitati- 
bus.     Dauidica  Psalmodia  Quaternis  con- 
cinenda  vocibus,  etc.     1588.     4°. 
See  Zappannus  (H.)  D.  1070. 

Gasparis  Pratonerii  .  .  .  Harmonia  super 
omnes  Dauidis  Psalmos. .  .in  solemnitati- 
bus  ad  vesperas  decantandos,  cum  Sex 
Vocibus.     1589.     4°.     See  Pratoneri  (G.) 

D.  88. 
Hieronymi  Vespae  .  .  .  Psalmi  Vespertini 
in  omnibus  solemnitatibus  per  totum 
annum  occurrentes,  Falsi  Bordones  super 
tonos  . . .  Quinque  vocibus  modulantibus, 
etc.  1589.  4°.  See  Vespa  (G.)  D.  251. 
Vespertina  Omnium  Solemnitatum  Psalm- 
odia. .  .Cum  Quatuor  Vocibus,  etc. 
1590.  4°.  See  Asola  (G.  M.)  B.  30.  g. 
Psalmi  Omnes  ad  Vesperas  .  .  .  Quatuor 
Vocum,  etc.  1590.  obi.  4". 
See  IsNARDi  (P.)  A.  241.  a. 

Psalmorum  Dauidis   Paraphrasis  poetica 
Georgii    Buchanani  .  .  .  Argumentis    ac 
melodiis  explicata  atque  illustrata  Opera 
&  studio  Nathanis  Chytrpei. 
Herbormv,  1592.     12".  1351.  a.  30. 

Psalmodia  Vespertina  .  .  .  viuctis  aliquot 
.  .  .  Canticis   Quatuor   &  quinqj  vocibus 
compositis,  etc.     1594.     obi.  4°. 
See  PiCTORius  (J.  F.)  A.  198. 

Reverendi  D.  IMichaelis  Varoti  .  .  .  Psalm- 
odia Vespertina  in  Dialogo  Octouis 
vocibus,  alternatis  Choris  decantanda,  etc. 
1594.  4".  See  Varotus  (M.)  D.  32.  a. 
Intonationes  Vespertinarum  Precum  una 
cum  Singulorum  Tonorum  Psalmodiis 
(qupe  vulgo  Falsi  bordoni  dicuntur) 
Quatuor  Vocum,  etc.  1594.  fol. 
See  Zachariis  (C.  de)  K.  9.  b.  11. 

Salmi  a  Quattro  Voci,  etc.    Canto.    (Alto.) 

2  pts.     1595.     obi.  i". 

See  Patarino  (G.  M.)  A.  318. 

Psalmodia  Vespertina    Integra   Omnium 

Solemnitatum  Quinis  vocibus  decantanda, 

Una  cum  duobus  Canticis  B.  M.  Virg.     A 

diuersis   in   arte  Musica  excellentissimis 

Viris  nunc  in  lucem  edita.     Altus. 

Apud  hfcredes  Francisci,  &  Simonis  Tini : 

Mediolani,  1596.     4°.  D.  1015. 

The  composers  of  this  collection  are :  M. 

Varotus,   C.   Porta,   J.   C.   Gabutius, 

J.  Cavatius,  0.  VecchiuSj  J.  D,  Bog- 


nomis,  A.  Saviola,  S.  Limichis,  O. 
Bariola,  L.  Quintianus,  P.  Pontius, 
T.  Masainus,  H.  Bacusus,  S.  Can- 
tontis,  R.  Tropheus,  H.  VeccMiis  and 
V.  Bona. 

Psalmorum  Dauidis . . .  Paraphrasis  metro- 
rhythmica.ad  Melodias  Gallicas. .  .accom- 
modata.  Cum  .  .  .  quatuor  vocum  sym- 
phonia,  e^c.     1596.     12".     S^eSPETHE  (A.) 

A.  634. 
Asprilii  Pacelli . . .  Llotectorum  et  Psalm- 
orum qui   Octonis   Vocibus  concinuntur, 
Liber  Primus,  etc.     1597.     4°. 
See  Pacelli  (A.)  D.  19. 

Psalmi  ad  Vesperas  .  .  .  Quinque  Vocibus, 
etc.    1598.    4".     See  Belli  (G.) 

D.  21.  a. 
Motetti  et  Salmi  a  Otto  Voci,  composti 
da  Otto  Eccellentiss.  Autori,  etc. 
1599.    4".     See  Motets.  [10.]        C.  121. 

Thomse  Ludouici   de   Victoria  .  .  .  Missfe 
Magnificat,   Motecta   Psalmi,  &  alia  qua 
plurima,  etc.     1600.  4". 
See  Victoria  (T.  L.  de)         K.  2.  g.  14. 

Psalterium  Romanum  dispositum  per 
hebdomadam  ad  normam  Breuarij,  ex 
decreto . . .  Concilij  Tridentini  restituti  . . . 
Cum  omnibus,  quae  pro  Psalmis,  Hymnis, 
Autiphonis  . . .  ac  Responsoriis  . . .  modu- 
landis,  necessaria  sunt,  prsecipua  nuper 
cura  emendatum,  &  excusum. 

Apud  Bernardum  luntam  :  Venetiis, 
1606.     fol.  3356.  d.  10. 

Basso   Generale   per   1'  Organo   di    Salmi 
Vespertini  a  Sei  Voci,  etc.     1607.     4". 
See  Belli  (G.)  D.  21.  d. 

Musarum    Sionar:    Motectae    et    Psalmi 
Latini  .  .  .  iv.  v.  vi.  vii.  viii.  ix.  x.  xii. 
xvi.  vocum,  Choro  &  Organis  accommo- 
datse.     I.  Pars.     1607.     4". 
See  Praetorius  (M.)  B.  272.  k. 

Psalmi  Septem,  qui  inVesperis  ad  Con- 
centus  Varietatem  interpouuntur.  Qua- 
ternis Vocibus  cum  Basso  ad  Organum, 
etc.     1609.     4°.     See  Cifra  (A.) 

D.  64.  1. 
Recueil  des  Psalmes,  Hymnes,  et  Motets 
qu'ou  a  Coustume  de  Chanter  es  Chap- 
pelles  des  Penitens  Seculiers.  Mis  en 
faux-bourdons  &  pleine  Musique  a  Quatre 
Voix  Par  diuers  excellens  Musiciens. 
Premiere  Edition,  etc.  lean  Didier  (Ex 
officina  Typographica  lacobi  Mallet,  <t 
Petri  Marniolles) :  Lyon,  1610.     fol. 

K.  1.  h.  19. 

Psalmi     ad    Vesperas    Solemnitatum  . . . 

Octonis  Vocibus  decantandi,  etc. 

1610.     4°.     See  Gussago  (C.)  D.  52. 

Altus.  Primo  Choro  (Cantus.  Secondo 
Choro)  a  quattro  voci  del  Secondo  Libro 
delle  Messe,  Salmi,  Magnificat,  etc.  1610. 
See  Mortaro  (A.)  D.  65. 


PSALMS  [13.  LATIN,  1610-1633] 


359 


Missa  Psalmi  ad  Vesperas,  et  Motecta 
Sexdecim  Vocibus  Concinenda,  etc. 

1610.  4°.     See  Villani  (G.)     D.  213.  e. 

Psalmi  Omnes,  qui  per  Annum  ad  Vesperas 
Decantari    consueuerunt  .    .    .  Duodecim 
Vocibus.     Liber  Tertius.     1610.     4°. 
See  ViLLANi  (G.)  D.  213.  a. 

Primus  (Secundus)  Chorus  Psalmorum  ac 
Magnificat  quorum  usus  in  Vesperis  fre- 
quentior  est,  etc.     1611.     4°. 
See  Agazzari  (A.)  C.  30.  n. 

Psalmi  Septem,  Qui  in  Vesperis  ad  Con- 
centus  Varietatem  interponuntur.  Quater- 
nis  Vocibus,  cum  Basso  ad  Organum,  etc. 

1611.  4».     See  Cifra  (A.)  D.  64.  e. 

Concerti  Ecclesiastici  alia  Moderna  doue 
si  contengono  Messa,  Salmi  per  il  Vespero, 
e  Compieta,  etc.     1611.     4". 
See  KuBicoNi  (G.)  D.  93. 

Psalmi  Omnes  qui  per  Annum  ad  Vesperas 
Decantari  consueuerunt  . . .  Octo  Vocibus. 
Liber  Quintus,  etc.     1611.     4°. 
See  ViLLANi  (G.)  D.  213.  b. 

Psalterium  Davidis,  .  .  .  juxta  veterem 
translationem  alicubi  emendatum,  cum 
Canticis  selectis  Veteris  &  novi  Testa- 
menti,  ad  usum  S.  Metropolitanse  Magde- 
burgensis  Ecclesise,  etc.  Typis  Andrcie 

Bezeli:  Magdeburgi,  l(il2.     fol. 

3366.  h.  13. 

Salmi  a  Quattro  Chori  per  cantare  e  con- 
certare  nelle  gran  Solennita  di  tutto 
r  Anno,  etc.     1612.    4".    See  Viadaxa  (L.) 

D.  212.  a. 

Salmi  Campagnoli  a  Quattro  Voci.  Per 
cantare  e  variare  ne  gran  concerti.  etc. 

1612.  4«.     See  Viadana  (L.)        D.  212. 

Vespertina  Omnium  Solemnitatum  Totius 
anni    Psalmodia    Ternis  Vocibus  decan- 
tanda,  etc.     1613.     4°. 
See  Lambardus  (H.)  D.  110. 

lulii  BeUi  . . .  Pt-almi  ad  Vesperas . . .  Octo 
Voc,  etc.    1615.     4".     See  Belli  (G.) 

D.  21.  c. 

Raccolta    de'    Salmi    a    Otto   de    diuersi 
Eccellentissimi  Autori,  etc.     1615.     4°. 
See  CosTANTiNi  (F.)  D.  62.  b. 

Salmi  Passaggiati  per  Tutte  le  Voci  nella 
maniera  che  si  cantano  in  Roma  sopra  i 
Falsi  Bordoui  di  tutti  i  Tuoni  Ecclesiastici, 
etc.    1615.    obi.  12°.     See  Sevehi  (F.) 

K.  3.  f.  8. 

R.  P.  Angeli  Terzachi  .  .  .  Psalmi  Vesper- 
arum  . . .  Quatuor  Vocum,  etc.  1615.  4", 
See  Terzachus  (A.)  C.  113. 

Salmi  Intieri  a  Quattro  Voci  Concertati, 
etc.    1616.    4°.     See  Piccioni  (G.) 

C.  42. 


Psalmi  et  Hymni  Ecclesiastici,  cum  Officio 
Defunctorum.  Ad  Romani  Breuiarii 
nuperrime  correcti  quod  cantu  in  ecclesiis 
peragitur,  officii  usum  accommodati.  ms. 
additions.  Apitd  Johannem 

Mommartium  :  Bruxellse,  1618.    4". 

3366.  e.  8. 

The  title-page  is  eyigraved.     The  staves 

alone  are  printed,  the  music  is  partly 

inserted  in  manuscript. 

Psalmus  LI.     Id  est,  Ardentissima  Oratio 

pro  Remissione  Peccatorum  .  .  .  Quinque 

Vocum.    Cantus  Inferior.    (Altus.)    2  pts. 

Tjjpis  loannis  Udalrici  Schcenigij  : 

Augusts  Vi7idelicorum,  1619.    4°. 

B.  375.  c.  (4.) 
Psalterium  Cantica,  et  Hymni,  Aliaque 
DiuinisOfficijsRitu  Ambrosiano  Psallendis 
Communia  Modulationibus  opportunis 
notata,  etc.  Apnd  hn-r.  Pacifici  Pontij,  tC 
loanncm  Baptistam  Piccaleiim :  Mcdiolani, 
1619.    4».  Case  52.  f.  5. 

Psalterium  Romanum  dispositum  per 
hebdomadam  ad  normam  Breuiarii  .  .  . 
Concilij  Tridentini  restituti  .  .  .  Cum 
omnibus,  que  pro  Psalmis,  Hymnis,  Anti- 
pbonis  .  .  .  ac  Responsorijs,  ceterisque  in 
Diuino  Officio  modulandis  necessaria  sunt, 
precipua  nuper  cura  emendatum,  t.  ex- 
cusum,  etc.  G.  L.  ms.  additions. 
Apicd  Juntas  :  Venctiis,  1621.     fol. 

3366.  h.  12. 
Imperfect,  wanting  fol.  187.    The  manu- 
script additions  consist  of  hymns  for 
the  use  of  a  Franciscan  community, 
written  in  1669, 
Rodiani  Barerae . . .  Sacra  omnium  solem- 
nitatum   Vespertina    Psalmodia  . . .  Qua- 
tuor vocibus  canenda.     1622.     4". 
See  Barera  (R.)  E.  1341. 

Psalmorum  Dauidis  Paraphrasis  Poetica 
Georgii  Buchanani  .  .  ,  Argumentis  ac 
melodiis  explicata  atque  iUustrata  opera 
&  studio  Nathanis  Chytrsei.  (In  Georgii 
Buchanani  Paraphrasin  Psalmorum  Col- 
lectanea Nathanis  Chytraei,  etc.).     2  pts. 

Apud  Hxredes  Christoph.  Corvini  : 
Hcrborniv  Nassouiorum,  1624.     12°. 

3425.  a.  6. 
Part  II.  has  a  separate  title-page  and 
pagination. 
Psalmi  Octonis  Vocibus  una  cum  Basso 
Continue  pro  Organo,  etc.     1624.     4°. 
See  Bernardi  (S.)  C.  169.  c. 

Psalmi    Integri    Quatuor    Vocibus,   cum 
Basso  ad  Organum,  etc.     1630.     4°. 
See  Caldanus  (G.)  D.  108. 

Salmi  Intieri  a  Quattro  voci  per  il  Vespero, 
etc.    1630.     4°.     See  Diruta  (A.) 

D.  977.  a. 

Psalmi  Vespertini    Ternis    Vocibus  .  .  . 

Liber  Secundus,  etc.     1633.     4°. 

See  Diruta  (A.)  P.  977 


360 


PSALMS  [13.  LATIN,  1634-1666] 


Psalmi    Vespertini  ,  .  .  Quinis    Vocibus 
Modulandi,  etc.     1634.     4°. 
See  Gagliano  (G.  B.  da)  D.  51. 

Psalmi  Vesperarum  et   Magnificat,  Qua- 
tuor  Vocum. .  .Editio  Secunda,  etc. 
1637.     4°.     Sec  Mabino  (A.)  C.  266. 

Psalmorum  Davidis  Paraphrasis  Poetica 
Georgii  Buchanani  Scoti :  Argumentis  ac 
melodiis  explicata  atque  illustrata  OperS, 
&  studio  Nathanis  Chytrsei. 

Apud  Echo.  Griffinum : 
Londini,  1640.    24".  3438.  de.  43. 

Messa  e  Salmi.     Parte  concertati,  a  3.  5. 

6.  7.  &  8  voci,  etc.     1640.     4". 

Sec  EiGATTi  (G.  A.)  D.  3.  a. 

Psalmi    Vespertini   Omnes  cum  ii.  Mag- 
nificat  Concertationibus   Musicis  per  vi. 
Voces  et  Basso  Continuo,  etc.     1640.     4". 
See  Stadlmayr  (J.)  B.  138.  a. 

Salmi  Concertati  a  Due  Voci,  etc. 

1640.  4".      See  Valvasensis  (L.) 

E.    121. 

Psalterium  Davidis,  Una  cum  Hyninis 
Ecclesiasticis,  &  Officio  Defuuctorum, 
iuxta  Breviarii  Bomani  usum  accommo- 
datum.  Hac  postrema  Editione,  caracteri 
tersiori  expositum,  &  accentibus  ubique 
interpunctum. 

Ex  Officina  luannis  Mcmwiarti  : 
Brnxellr,  164l',  42.     4''.        3355.  b.  17. 
The  staves  alone  arc  xwinted,  for  tlir 
insertimi  of  the  music  in  manuscript. 

Salmi  Concertati  a  Cinque  et  Sei  Voci,  etc. 

1641.  4".    See  RovETTA  (G.)     D.  197.  f. 

Salmi  a  Tre,  et  Quattro  Voci  . . .  Tutto 
Concertato  con  doi  Violini,  cfc.  1642.  4". 
See  RovETTA  (G.)  D.  197.  e. 

Messa  e  Salmi  Ariosi  a  Tre  Voci,  etc. 
1643.    4°.    St'cRiGATTi  (G.  A.)     D.  3.  b. 

Salmi   Diuersi    di    Conipieta   in  Dinersi 

Generi  di  Canto,  a  Una,  Due,  Tre  & 
Quatro  Voci,  etc.     1646.     4". 

See  RiGATTi  (G.  A.)  D.  3. 

Psalmi    ad    Completorium  .  .  .  Quatuor 
Vocibus,  . . .  Adiuncto  . . .  Psalmo    In   te 
Domine  speraui,  etc.     1647.     4". 
See  Taediti  (H.)  D.  225.  a. 

Psalmorum  Davidis  Paraphrasis  Poetica 
Georgii  Buchanani  Scoti :  Argumentis  ac 
melodiis  explicata  atque  illustrata.  Opera 
&  studio  Nathanis  Chytrsei.  (In  Georgii 
Buchanani  Paraphrasin  Psalmorum  Col- 
lectanea Nathanis  Chytrsei,  etc.)     2  pts. 

Apiid  Edw.  Griffinum  :  Londini, 

1648  (1647).     24°.  3090.  a.  21. 

The  seccmd  part  has  a  separate  title-page, 

dated    1647,    6«i    the  pagination    is 

continuous. 

Virgilii  Mazzocchii  . . .  Psalmi  Vespertini 
Binis  Choris  Conciuendi,  etc.     1648.     4". 
See  Mazzocchi  (V.) 


Messe  a  Cinque  Voci . . .  Con  alcuni  Salmi 
a  Tre,  a  Quattro  e  a  Cinque  Concertate, 
con  Instrumenti,  e  senza,  etc.     1648.     4°. 
See  Tarditi  (H.)  D.  225.  b. 

Complete  Concertate  a  3.  4.  5.  e  6  voci  & 
alcuni  Salmi  con  Instromenti,  etc. 
1650.     4°.     See  Gheraedi  (B.)      D.  102. 
Messa  e  Salmi  A  3.  4.  voci,  etc.     1653.    4°. 
See  Gandino  (S.)  D.  235. 

Salmi   da   Capella    a    Quatro    Voci,   con 
altri   Salmi   a   Tre,  Quatro,  e  Cinque  si 
placet,  Concertati,  etc.     1656-7.     4°. 
See  Porta  (F.  della)  C.  58. 

Salmi  Concertati  a  cinque  voci,  etc.  1660. 
Sec  Fabri  (S.)  D.  71. 

Sacrte  Laudes  complectentes  Tertiam, 
Missam  Psalmosquc  Dominicales  Quinquc 
Vocibus,  f/c.    1660.    4".    Sec  Ziani  (P.  A.) 

D.  1071. 
Fasciculus  Psalmorum,  Cancionumque 
aliarum  vesperis  atque  horis  diurnis 
seruientium  ritui  &  normse  Romani 
Breuiarij  conformis,  vna  cum  Hymnis 
nouis  a  . . .  Urbano  viii.  recognitis.  In 
usum  iuuentutis  choro  addictse.  Editio 
noua  auctior  et  corrcctior  prioribus,  etc. 

Ex  Typographia  loanuislacobi  Bockleri. 
Sumptihtis  Michaclis  Speckhner :  Fribiirqi 
Brisgoim,  1661.     S".  3395.  c.  15. 

Psalmi  de  Beata   Maria   Virgine...A   5. 
vel  6.  Vocibus  &  2.  Violinis  concertantibus, 
cum  Viola  ad  libitum,  etc.     1662.     4". 
Sec  AR^-OLD  (G.)  B.  60.  a. 

]\Iessa  e  Salmi  dedicati  al .  . .  Abbate  del . . . 
jNIonastero  a  SS.  Udalrico  &  Afra,  etc. 
1662.     4".     See  IMasses.  D.  1010. 

Salmi    da    Capella   per   Tutto   1'  Anno   a 
quattro  voci,  etc.     1663.     4". 
See  Cazzati  (M.)  C.  41.  d. 

Salmi  a  Otto,  Ariosi,  etc.     1663.     4". 
Sec  Vesi  (S.)  C.  56. 

Psalmorum  Davidis  Paraphrasis  poetica 
Georgii  Buchanani  Scoti :  Argumentis  ac 
melodiis  explicata  atque  illustrata  opera 
&  studio  Nathanis  Chytrsei.  (In  Georgii 
Buchanani  Paraphrasin  Psalmorum  Col- 
lectanea Nathanis  Chytrsei,  etc.)  2  pts. 
Hcrhornm  Nassovioi-um,  1664.     12°. 

3089.  aaa.  17. 

Part  II.  has  a  separate  title-page  and 
pagination. 

La  Danza  delle  Voci  regolata  ne  Salmi  di 
Terza,  e  di  Compieta  in  vn  Tedeum,  nelle 
Tanie  della  Beatissima  Vergine  a  otto 
voci,  altri  Salmi,  a  voce  sola,  a  tre... 
Opera  Nona.     1664.     4.°     See  Reina  (S.) 

D.  244.  b. 

Psalmi  Vespertini  .  .  .  tribus  vocibus 
concert.  cuu\  organo  decantandi,  etc. 

1665.  4°.  See  Duponchel  (J.)  C.  287. 
R.  D.  Bonifacii  Gratiani  . . .  Psalmi  Ves- 
pertini Quinque  Vocibus  C'onoinendi,  etc. 

1666,  4".     See  Gratiani  (B.)    D.  48.  d. 


PSALMS  [13.  LATIN,  1668-1797] 


361 


Salmi  di  Terza  a  otto  Voci  da  Capella,  etc. 
1668.     4".     See  Ivani  (G.  B.)         D.  107. 
Salmi  di  Terza,  etc.     1669.     4». 
Sec  Cazzati  (M.)  C.  41.  c. 

Salmi   a   Cinque    Voci    Brevi    per   tutto 
1'  Anno,  etc.    1670.    4°.    See  Filippiki  (S.) 

D.  46. 
Psalmi  Vespertini  Binis  Choris,  etc.  1670. 
See  Geatiani  (B.)  D.  48.  e. 

Vespertina  Psalmodia  .  . .  Tribus  vocibus, 
etc.     1673.     4°.     See  Cima  (T.)         D.  43. 
Sirena  Sacra.     Mottetti,  Messa,  et  Salmi 
per  li  Vesperi. .  .a  Cinque  Voci,  etc. 
1674.    4".     See  San  Romano  (C.  G.) 

E.  1464. 
Harmonia  Sacra  Dedota  dal  Concerto  di 
Salmi  ...  &   Antifone    a   Voce    sola   con 
violini,  etc.     Voce.     1675,     4". 
See  ]\IATTI0LI  (A.)  D.  237. 

Salmi  per  Tutto  1'  Anno  a  Otto  Voci 
Breui,  etc.     1680.  4".     See  Cazzati  (M.) 

C.  41.  a. 

Salmi  Brevi... a  otto  Voci,  e/c.  1681.  4". 
See  COLONNA  (G.  p.)  D.  40.  f. 

II  Secondo  Libro  de  Salmi  breui  a  otto 
voci,  c/c.    1681.    4".     <SV<- COLOSNA  (G.  P.) 

D.  40.  c. 

Sacri  Coneentus,  Psalmorum  ...  ex  sola 
voce  &  diuersis  lustrumeutis,  etc. 
1681.     4".     See  Mayr  (R.  I.)  C.  71. 

Centum  et  Quinquaginta  Psalmos  .  .  . 
canendos  Ecclesiae  Christianse  Latino 
versu  offert  J.  van  Aelhuysen.  Ea  etiam 
Cantica,  qu?e  publicum  in  nostris  templis 
usum  habent,  .\uthor  addidit. 

Apud  Cornelium  Boutensteijn : 
Ijiiqdnni  Datavorum,  1683.     8". 

A.  511.  p. 

Salmi  Vespertini  a  quattro  Voci  concertati, 
e  breui  con  1'  Orgauo. .  .di  Diuersi  Excel- 
lentissimi  Autori,  etc.     1683.     fol. 
See  Caifabiu  (G.  B.)  C.  171. 

Salmi  Brevi  a  Otto  voci,  etc.     1636. 
See  FiLippiNi  (S.)  C.  44. 

Psalmi  ad  Vesperas  Musiois  Trium,  et 
Quattuor  Vocum  Concentibus  Accommo- 
dati  cum  quattuor  Instrumentis  Musi- 
calibus,  etc.    1693.    4°.     Sec  Vannini  (E.) 

D.  231. 
Psalmi  ad  Vesperas.  Musicis  trium, 
quatuor  &  quinque  Vocum  concentibus, 
etc.     1694.     4".     See  Colonna  (G.  P.) 

D.  40.  e. 
Psalmi  Octo  Vocibus  ad  ritum   Ecclesi- 
asticae  Musices  concinendis  . . .  accommo- 
date    Liber  Tertius,  etc.     1694.     4". 
See  COLONNA  (G.  P.)  D.  40.  d. 

Psalterium  dispositum  per  hebdomadam, 
secundum  regulam  Sancti  Benedicti,  cum 
Ordinario  Officii  de  tempore.  (Commune 
Sanctorum,  f/c.)  [1700?]  fol.  464.  h.  8. 
Title-page  wanting.  The  '  Cmimime 
Sanctonan '  dc,  Jicis  a  separate  pacjination. 


Psalmodia  Vespertina  Totius  anni,  duplici 
choro  . . .  concinenda,  etc.     1710.     4°. 
See  Baroni  (F.)  D.  26. 

Salmi  Pieni  per  tutto  1'  Anno  a  otto  voci 
con  Violini  ad  libitum,  etc.  1710.  4°. 
See  Stefanis  (G.  de)  D.  95. 

Salmi  Spezzati  a  quattro  Voci  da  Capella 
per  le  Domeniche  della  Quaresima,  etc. 
1715.     4°.     Si-e  Zanata  (D.)  D.  91. 

Salmi  a  Quattro  Voci  a  cappella  da  can- 
tarsi  ne'  Vespri  dell'  anno,  etc.  1717.  4", 
See  GiANETTiNi  (A.)  D.  94. 

Salmi  Brevi  per  Tutto  1'  Anno  a  otto  voci 
pieni,  etc.     1718.     4°. 
See  Bellinzani  (P.  B.)  C.  157. 

Psalmi  Vespertini  pro  totius  anuifaestivita- 
tibus,cfc.  1719.  4".  ,SVcIngegnieri(T.  A.) 

D.  92. 
P.salmodia  Vespertina,  complectens  Qua- 
tuor Vesperas  Integras  . . .  item  Psalmos 
Residuos  per  Annum  passim  occurrentes, 
etc.     1732.     fol.     See  Rathgeber  (V.) 

G.  934.  b. 
Psalterium  Romanum  dispositum  per 
hebdomadam,  ad  normam  Breviarii  ex 
decreto  . . .  Concilii  Tridentini  restituti, 
.  .  .  Cum  omnibus,  quaj  pro  Psalrnis, 
Hymnis,  Antiphonis  . . .  ac  Responsoriis, 
necessaria  sunt  . . .  emendatum,  etc.  MS. 
NOTES  and  index.  Apiul  Nicolaum  Pez- 
zana :  Venetiis,  1739.  fol.  1894.  f.  5. 
P.salmi  longiores,  &  breves  in  Vesperas 
de  Dominica,  B.  V.  M.,  Apostolis  &c.  & 
Sabbatho,  distributi,  cum  reliquis  Psal- 
rnis, per  annum  occurrentibus,  etc. 
1746.  fol.  See  Kayser  (I.)  G.  905.  b. 
Psalterium  Diurnum,  continens  Psalmos 
tam  ad  Horas  Minores  per  totam  Hebdo- 
madam, quam  ad  Vesperas  in  Dominica, 
et  per  omnes  Perias,  ad  usum  Monasterii 
Tegernseensis  . . .  Noviter  impressum,  etc. 
Tvnis  Monasterii  Tegernseensis,  1760.   fol. 

3395.  f.  14. 
Unum  in  Trinitate,  seu  Opus  Complectans 
Tres  Vesperas :  quarum  i.  et  ii.  de  Do- 
minica, III.  de  B.  V.  Maria,  una  cum 
Psalmis  de  Apostolis  . . .  Opus  i.  1768.  fol. 
See  Tegdrini  (  )  Padre.  H.  3294. 
Fiinf  Vespern  samt  fiinf  andern  Psalmen, 
etc.     1780.     fol.     See  Lederer  (J.) 

H.  3160.  a. 
Psalterium  Monastico-Benedictinum.  8 
pts.  ex  Officina  TypograjMca  Francisci 
V  Serstevens  :  Bruxellis,  1182.     fol. 

Tlie  title-page  is  engraved.     3356.  h.  1. 
Fiinf  Vespern,  samt  fiinf  andern  Psalmen 
. . .  Zwote  Auflage.     1789.     fol. 
See  Lederer  (J.)  H.  3160 

XXXII.  Psalmi  Vespertini. .  .Pro 4.  Voci- 
bus ordinariis;  concinnentibus  2.  Vio- 
linis,  Alto-Viola  &  Organo  obligatis :  2. 
Obois,  Flautis  seu  Clarinetis  vero,  2. 
Clarinis  seu  Cornibus,  &  Tympanis,  etc. 
1797.     fol.     See  Pausch  (E.)      H.  3215, 


362  PSAMIS  [14.  LATIN  AND  DUTCH,  1540-1613]-[20.  ROMANSCH] 


14.  Latin  and  Dutch. 
Souter  Liedekens  Ghemaect  ter  eeren  Gods, 
op  alle  die  Psalmen  vfi  Dauid  :  tot  sticht- 
inghe,  eii  een  gheestelijcke  vermakingbe 
van  alien  Christc  mensche,  etc.  [Trans- 
lated by  W.  van  Zuylen  van  Nyevelt.] 
Sumon  Cock  :  Thanttuerpen,  1540.    8". 

K.  8.  a.  1. 

[Another  copy.]  K.  8.  a.  2. 

[Another  edition.]  Souter  Liedekens 
Ghemaect  ter  eeren  Gods,  op  alle  dye 
Psalmen  van  Dauid,  etc.  Symon  Cock  : 
Thantivcrpcn,  1540.     8".  K.  8.  a.  3. 

Souter  Liedekens  Ghemaeckt  ter  eeren 
Gods  op  alle  die  Psalmen  van  Dauid,  etc. 
Men  vercoopt  se  .  .  .  by  Jan  de  Laet : 
Thantiocrpen,  1559.     8".  K.  8.  a.  4. 

Souter  Liedekens  Ghemaeckt  ter  eeren 
Gods,  op  alle  die  Psalmen  van  Dauid,  etc. 
Claes  vanden  Wouwere :  Thantwerpen, 
1564.    8°.  K.  8.  a.  5. 

Souter   Liedekens   Ghemaeckt   ter  eeren 
Gods  op  alle  die  Psalmen  van  Dauid,  etc. 
Hans  de  Laet :  Thantioerpen,  1564.     8". 

K.  8.  a.  6. 

Souter    Liedekens,   gemaeckt    ter    eeren 
Gods  op  alle  die  Psalmen  van  Dauid,  etc. 
Hans  de  Laet :  V  Hantivcrpen,  1584.     8°. 

K.  8.  a.  7. 
Souter    Liedekens,   gemaeckt    ter    eeren 
Gods  op  alle  die  Psalmen  van  Dauid,  etc. 
Salomon  de  Boy  :  V  Utrecht,  1598.     8°. 

K.  8.  a.  8. 

Souter  Liedekens,  gemaeckt  ter  eeren 
Gods,  op  alle  die  Psalmen  van  David,  etc. 
Eerst  V  Hantwerpcn  by  Symon  Keck. 
Ende  mi . . .  herdruct . . .  by  Herman  van 
Borculo  :  VUtrecU,  1613.  8°.  K.  8.  a.  9. 
[Another  copy.]  K,  8.  a.  10. 

15.  Latin  and  German. 

Cithara  Christiana  Psalmodiarum  Sacra- 
rum  Libri  Septem:  Authore  lohanne 
Lauterbachio  .  .  .  Christliche  Harpfien 
Geistlicher  Psalmen  vnd  Lobgeseng,  etc. 
MS.  additions.  Hans  Stcinman  : 

Lipsiac,  1586.     8°.  3425.  aa.  49. 

The  colophon  is  dated  1585. 

Harpffen   Dauids   mit   Teutschen  Saiten 

bespanuet  .  .  .  Gesangweiss    angerichtet. 

(Melodeyen  der  Harpffen  Dauids.) 

Gednickt  . . .  bey  Veronica  Apergerin  : 

Augspiirg,  1659.     12°.  3425.  a.  7. 

The  translation  is  stated  in  the  colophon 

to    be  '  von  eincm  atiss  der   Societct 

Jesu.^     The  tunes  arc  engraved,  and 

inserted  between  fol.  Miii  and  Miiii. 

Harpffen  Davids  mit   Teutschen   Saiten 
bespanet . . .  Gesangsvveiss  angerichtet  (von 
einem  auss  der  Socitet  Jesu),  etc. 
Simon  Utzschneider :  Augspurg,  1069.  12". 

3090.  i.  19, 


[Hundert  sex-  und  fixnffzig  sehr  anmuthig- 
und  liebliche  neue  Sing-Weisen,  zu  dem 
Davidischen  Jesus-Psalter  von  einem 
Davidischen  Musik-Freund  aufgesetzet, 
und  zusamt  einem  Anhang  . . .  Bernardin- 
ischer  Jesus-Lieder,  und  einem  Morgen- 
und  Abendlied,  . . .  eingerichtet.] 
[Atigsburg?  1670.]     fol.  G-.  531. 

Wanting  the  title-page,  which  has  been 
supplied  in  MS.,  and  fol.  2. 

16.  Lettish. 

Lettisch  Vade  mecum.     Handbuch,  dar- 
innen    folgende  . . .  Stiicke    begriffen  . . . 
4.  Geistliche  Lieder  vnd  Psalmen,  etc. 
1681[-^1636?]     4°.    ,See  Hymns.     {U.  Let- 
tish.^ 3040.  e.  23. 

17.  Malay. 

SJixr  segala  Mazmur  p  Da^'dd,  dan  pudji 
^j  an  jang  lajin,  etc.  [The  Psalms  trans- 
lated into  Malay  verse.] 

DJ.  Weti/istcjn,  Pcnard  y,  Kompanijd : 
'Aihisterdam,  1735.     4°.  3089.  g.  5. 

18.  Polish. 

Psalmy  Dawidowe.  Przekladdnia  X.  Md,- 
cieja  Rybinskiego.  (Psalmy . . .  Na  Melodie 
Frdncuskie  uczynione.)  (Hymni  41bo 
Piesni  Duchowne  zwycdine,  k  niektore  z 
Niemieckich  przetlumdczone,  etc.)  2  pts. 
G.  L.  Drukowal  Andrzyi  Hunefeldt ; 

tve  Gdansku,  [IG32?]     8".      1017.  k.  12. 
The  title-page  is  engraved. 

[Another  copy.]  Case  51.  c.  4.  (2.) 

Wanting  the  title-page. 

19.   POBTUGUESE. 

Os  CL.  Psalmos  d'el  Rey  e  Propheta 
David ;  Como  taubem  os  Canticos  espiri- 
tuaes  usados  na  Igreja  Reformada  Belgica. 
Compostos  para  uso  d'a  Igreja  Portuguesa 
'nesta  cidale  de  Batavia  em  Java  Mayor, 
por  Jacobo  op  den  Akker,  etc. 

For  Andre  Lamberto  Lodcro  :  Batavia, 
1703.    8°.  3434.  c.  12. 

20.    ROMANSCH. 

a.  Of  the  Lower  Engadine. 

lis  Psalms  de  David,  segond  Melodia  de 
A.  Lobvasser  [or  rather  C.  Goudimel]  : 
SCO  eir  otras  iisadas  Pestales,  &  Spirituals 
Canzuns  :  con  pliis  adjuuctas  sur  diversa 
materia,  iu  las  Melodias  dad  alchiins 
moderns  Authurs.  Tuot  componii  &  miss 
in  rima  volgare  tras  V.  de  Nicolai,  etc. 

Stampa  tras  Jacobo  Gadina  d  Schender 
Andri  J.  Saroth  :  Scuol,  1762.     12°. 

885.  e.  15. 

b.  Of  the  Oberland. 

lis  Psalms  d'ilg  Soinc  Prophet  a  Reg 
David:  suenter  las  melodias  Franzosas, 
cuu  I.V,  vuoschs  da  cantar  . . .  Messi  giu 


PSALMS  [20.  EOMANSCH]— PTOLOMY 


363 


enteu  vers  Rumonschs  da  la  Ligia  Grischa 
tras  J.  Grass,  etc.  Tras  David  Gcssner  : 
Turig,  1688.     12°.  885.  d.  15. 

With  a  second  title-page,  engraved. 
lis   Psalms   d'ilg   Soinc   Prophet   a    Reg 
David  . . .  Messi  giu  enten  vers  Rumonschs 
. . .  tras  J.  Grass,  etc.     (Canzuns  da  Du- 
menigias,  etc.)     2  pts.  Bernard  Otto  : 

Cuera,  1790.     12°.  A.  620.  p. 

[Another  copy.]  885.  a.  30. 

c.  Of  the  Upper  Engadiue. 
lis  Psalms  da  David,  suinter  la  melodia 
francesa,  schantseda  eir  in  tudaisch  trses 
Dr.  Ambrosium  Lobvasser.  Eir  alchiins 
da  'Is  medems  Psalms  ils  pii  usitos,  con 
bgerras  bellas  canzuns  Ecclesiasticas  & 
Spirituselas  suainter  la  melodia,  &  veglia 
versiun  tudaischa  da  Dr.  Martin  Luther, 
e  d'oters  6t  illetros  homens.  Da  noef 
vertieus  &  schantos  in  vers  romaunschs 
da  cantar,  trsRS  L.  Wietzel  . . .  Cun  tin 
cuort  . . .  intraguidamaint  per  imprender 
I'art  da  cantor,  etc.     2  pts. 

lis  hertevels  da  Joh.  Jacob  Genath  : 
Basel,  1661.    12°.  3090.  aa.  24. 

Ils  Psalms  da  David,  suainter  la  melodia 
franctsa,  schantaeda  eir  in  tudaisch,  ii 
4  Vuschs...2da  Editiun.  AugmentEeda 
da  bgerras  novas  melodias,  etc.  1733.  4". 
See  GONZEXBACH  (J.  J.)  and  (B.) 

3089.  bb.  7. 
lis  Psalms  da  David,  suainter  la  ^Melodia 
Francesa,  etc.  (Alchuns  Psalms  da  David, 
ils  pii  usitos  suainter  la  veglia  melodia  & 
versiun  tudaischa.  Canzuns  Ecclesias- 
ticas &  spirituffilas,  da  cantser  siin  las 
feistas  &  da  tuot'  oters  temps,  in  Baselgia 
&  eir  ourdvart  aquella.  Con  tin  cuort  & 
simpel  intraguidament  per  imprender  I'art 
da  cantser,  etc.)     2  pts. 

Resquitscho  parte,  tras  J.  N.  Gadina,  et 
2mrtc  tras  Joh.  Pfeffer  d  parte,  tras  Bern. 
Otto  :  iZernez),  1776  (1775).    8°. 

3433.  bb.  22. 
Wanting    the    ^Intraguidament.''      The 
'  Alchnns  Psalms  '  have  separate  title- 
page  and  pagination,  and  are  dated 
1775. 

21.  Swedish. 

Nagre  Psalmer,  Andelige  Wijsor  och  Lof- 
songer,  vthsatte  af  Laurentio  Jon?e  Ges- 
tritio,  etc.    1619.    8°.    See  Rhezelius  (H.) 

3090.  aa.  22. 
Konung  Davidz  Psaltare.  [Translated  by 
A.  Kempe  and  C.  Gyldenhjelm.]  Effter 
■wanligh  Melodie.  Henrich  Keiser : 

Stokholm,  1650.    4°.       3433.  bb.  2.  (1.) 

22.  Welsh. 
Llyfr  y  Psalmau,  wedi  eu  cyfieithu,  a'  i 
cyfansoddi  ar  fesur   cerdd,  yn  Gymraeg. 
Drwy  waith  Edmwnd  Prys,    etc.     B.  IL. 
Llundain,  1621.     4°.  3434.  e.  53. 

Wanting  the  last  leaf. 


Llyfr  y  Psalmau,  wedi  eu  cyfieithu,  a'  i 
cyfansoddi  ar  fesur  cerdd,  yn  Gymraeg, 
etc.  [Robert  Barker :] 

Llundain,  1630.    8°.     Case  36.  d.  2.  (3.) 

Llyfr  y  Psalmau,  wedi  eu  cyfieithu,  a'  i 
cvfansoddi  ar  fesur  cerdd,  yn  Gymraeg, 
etc.     Llundain,  1638.    4°.    3435.  ce.  41. 

Llyfr   Gweddi   Gyffredin,   etc.      (Llyfr  y 
Salmau,  wedi  eu  c)iieithu,  a'  u  cyfansoddi 
ar  fesur  cerdd,  yn  Gymraeg,  etc.)     2  pts. 
J.  Archdeacon :  Caer-Graivnt,  1770.     8°. 

3405.  bb.  7.  (2.) 
[Another  copy.]  222.  g.  9.  (2.) 

PSELLUS  (Michael  Constantine)  [Ttjs 
MovatKris  l,vi'o\f/is.~\  See  Alardus  (L.) 
Lamp.  Alardi  .  .  .  De  Veterum  Musica 
Liber  singularis  :  in  fine  accessit  Pselli 
. .  .Musica  e  Greeco  in  Latinum  sermonem 
translata,  etc.     1636.     12°.       1042.  a.  2. 

PSICH;6.  Guverture  et  Airs  du  Ballet  de 
Psiche  arranges  pour  le  Clavecin  ou  Forte 
Piano  avec  Accompagnement  de  Violon 
par  M'  Korner.  CJiez  hnbault : 

Paris,  [1790.]     fol.  h.  16.  (3.) 

Wajiiing  the  Violin  part. 

Psiche.     Cantatille.     See  Lemaire  (L.) 

PSYCHE.     Psyche.     Opera. 
See  Locke  (M.) 

PTOLOMiEUS     (Claudius)        KAai/5iou 

riToAe/xaioi/  'Ap/xoviKOoi>  BiP\ia  V'.  Claudii 
Ptolemsei  Harmonicorum  Libri  Tres . . . 
Johannes  Wallis  .  .  .  Recensuit,  Edidit, 
Versione  &  Notis  illustravit,  &  Auctarium 
adjecit.     Gr.  &  Lat. 

E  Theatro  Sheldoniano  : 
Oxonii,  1682.    4».  557*.  e.  2. 

[Another  copy.]  61.  e.  5. 

See  Aristoxenus.  Aristoxeni  .  .  .  Har- 
monicorum Elementarum  Libri  iii.  CI. 
Ptolemsei  Harmonicorum,  sen  de  Musica 
lib.  Ill,  etc.    1562.     4°.  557*.  c.  16. 

See  Davy  (C.)  Letters,  addressed  chiefly 
to  a  Young  Gentleman  ...  including. . . 
an  Explanation  of  the  Greek  Musical 
Modes,  according  to  the  Doctrine  of 
Ptolemy,  etc.    1787.    8°.       1086.  d.  10. 

See  Keppler  (J.)     loannis  Keppleri  Har- 
monices  Mundi  Libri  v. .  .Appendix  habet 
comparationem   hujus   Operis  cum   Har- 
monices  CI.  Ptolemsei  libro  iii,  etc. 
1619.     fol.  785.  L  21.  (1.) 

See  WA.I.I.IS  (J.)  Johannis  Wallis  .  .  . 
Operum  INIathematicorum  Volumen  Ter- 
tium.  Quo  continentur  Claudii  Ptolemsei 
Harmonica . . .  Grsece  &  Latine  edita,  etc. 
1699.     fol. 

PTOLOMY.    Ptolomy.    Opera. 
See  Haendel  (G.  F.)     [Tolomeo.} 


:36i 


PUEHLER— PULSITIVA 


PUEHLER  (Johann)  Schoner,  ausser- 
lessner,  Geistlicher  vnd  Weltlicher  Teut- 
scher  Lieder  xx.  von  beriimbten  diser 
Kunst,  mit  Vier  Stimmen  gesetzt . . .  Durch 
loanuem  Piihlerum  .  .  .  zusam  CoUigirt 
vnd  in  Truck  vei-fertigt.  Tenor. 
Adam  Berg  :  Milnchen,  1585.     obi.  4°. 

^  A.  252. 

The  composers  named  are  :  M.  Schram, 

Walterns,  B.  Donato,  N.   Le  Fehvre, 

A.    Utendale,   L.    Lecliner,    Meldart, 

O.  Aichinger  and  A.  Scandelhis. 

See  HOLLANDUS  (C.)  Christiani  Holland! 
. . .  Triciniorum . .  .Fasciculus.  CoUectus 
&  in  lucem  teditus  studio  &  opera  loannis 
Puhleri,  etc.     1573.     obi.  4".  A.  354. 

PUGNANI  (Gaetano)  Six  Diverti- 
mentos for  two  Violins  and  a  Bass,  com- 
posed ...  by  Pugnani,  Vachon,  Borghi  & 
Aprile.  [Separate  Parts.]  W.  Napier  : 
London,  [1780  ?]     fol.         g.  409.  b.  (2.) 

XII  Favourite  IMinuets  in  3  Parts,  com- 
pos'd  for  .  .  .  the  King  of  Denmark's  Mas- 
querade ...  for  the  Harpsichord,  Violin, 
or  Ger.  Flute.     [Score.]  Wekker  : 

London,  [1768.]  fol.  h.  1568.  b.  (20.) 
[Nanetta  e  Lubino.]  The  Favourite 
Songs  in  the  Comic  Opera  Nanetta  e 
Lubino.  [Words  by  C.  F.  Badini.  Full 
Score.]     Welcker :  London,  [1769.]     fol. 

H.  1248.  b.  (4.) 

Overture,  etc.      [Orchestral   Parts.] 

Welcker  :  London,  [1770  ?]     fol. 

g.  474.  a.  (5.) 

[Another  copy.]  g.  474.  (29.) 

Six  Overtures  in  Eight  Parts.  [Separate 
Parts.]     Welcker  :  London,  [1770  ?]     fol. 

g.  474.  (10.) 
[Six  Overtures.  Set  i.  No.  5.]  The 
Periodical  Overture  in  8  Parts  . . .  No.  xix. 
[Separate  Parts.]  R.  Bremner  : 

London,  [1185?]     fol.  h.  3210.  (25.) 

A  second  Sett  of  Six  Overtures  in  eight 
Parts  .  .  .  Opera  viii.     [Separate  Parts.] 
Welcker :  London,  [1775  ?]     fob 

g.  474.  (11.) 
Tre  Quartetti  a  Due  Violini,  Alto  Viola  & 
Basso  Continue.     [Separate  Parts.] 

Cliez  J.  F.  Hummel  : 
Amsterdam,  [1180?]  fol.  g.  687.  a.  (1.) 
A  Second  Sett  of  three  Quartetts  for  two 
Violins,  a  Tenor  &  Bass.  [Separate 
Parts.]     Welcker:  London,  [1163.]     fol. 

g.  687.  a.  (2.) 
Six  Solos  for  a  Violin  and  Bass,  etc. 

Printed  for  W.  Napier  : 
Lmidon,  [1775  ?]     fol.  g.  687.  b. 

[Another  copy.]  g.  422.  e.  (3.) 

Six  Easy  Sonatas  for  two  Violins  and  a 
Bass.     Opera  i.     [Separate  Parts.] 
Welcker:  London,  [1165?]     fol. 

g.  687.  c. 


PUGNANI  (Gat.tano)  Six  Sonatas  for 
two  Violins  and  a  Bass  .  .  .  Opera  Seconda. 
[Separate  Parts.]  R.  Bremner  : 

London,  [1765  ?]     fol.  g.  687.  (1.) 

Sei  Sonate  a  Violino  Solo  e  Basso  .  .  . 
Gravies  par  M"^  Leclair.     Opera  iii. 

Chez  M.  de  la  Chcvardiere  : 
Paris,  [1760  ?]     fol.  f.  230. 

Sei  Sonate  a  Violino  e  Basso  . . .  Opera  iii. 
Printed  for  R.  Bremner: 
London,  [1780 '?]     fol.  g.  422.  e.  (4.) 

Six  Sonatas  or  Duets  for  Two  Violins  .  .  . 
Opera  iv.     [Separate  Parts.] 
A.Hummcll:  London,  [1110^     fol. 

g.  687.  (2.) 

Sei  Sonate  a  Violino  e  Basso  .  .  .  Opera  7*. 
Welcker  :  London,  [1775 '?]  fol.  h.  31. 
[Another  copy.]  g.  422.  b.  (5.) 

Wanting  the  Dedication. 
Six  Trios  for  two  Violins  and  a  Violon- 
cello .  .  .  Opera  ix,  etc.     [Separate  Parts.] 
Welcker:  London,  [1111?]     fol. 

g.  409.  g.  (3.) 

See  Ferigo  (S.)     VI.  Trii  per  due  Violini 
6  Violoncello  .  .  .  uno  di  G.  Pugnani,  etc. 
[1760.]     fol.  g.  695. 

PUISQUE.  Pnisque  chacun  court  a  la 
gloire.  Les  Deux  I-'endans,  [Song,  written] 
par  M'  RouUand.  Air  :  Vous  qui  voulez 
des  Chansonettes. 

Chez  les  fr^res  Savigny  : 
[Paris,  1780  ?]     8".  B.  362.  j.  (10.) 

[Another  copy.]  B.  362.  b.  (142.) 

Puisque  le  grand   Louis   en   bornant   ses 
exploits.     Air  a  Boire.     See  Pi,igaut  (       ) 

PUISSANT.     Puissant    Roi    de    France. 
Le  Cri  de  la  Reconnaissance.     [Song.] 
[Pan's,  1784.]    8°.  B.  362.  a.  (71.) 

PUJOL  AS  (J.)  Three  Concertante 
Duettos  for  two  German-Flutes  .  .  .  cor- 
rected &  revised  by  J.  Wragg,  etc.  [Separ- 
ate Parts.]  Printed  for  J.  Wragg  : 
London,  [1800?]     fol.      li.  250.  b.  (12.) 

PUIilTI  (Gabriello)  Baci  Ardenti. 
Secondo  Libro  de'  Madrigali  a  Cinque 
Voci,efc.  Canto.  (Alto.)  (Tenore.)  (Basso.) 
4  pts.  Apipresso  Giacomo  Vi7icenii  : 

Venetia,  1609.     4°.  D.  216. 

PULSITIVA  (Johann),  pseud. _  [i.e. 
JosAPHAT  Weinlein.]  Newcs  Geistliches 
Musicalischcs  Wein-Gartlein,  Auss  wel- 
chem  .  .  .  ein  Lab-  vnd  Trosttraublein 
mag  abgebrochen  . . .  werden,  so  von  den 
. . .  Psalmen  Davids,  vnd  andern  Geist- 
reichen  Trostspriichen  vndLiedern,  mit  3. 
vnd  4.  Stimmen,  sampt  dem  General  Bass, 
theils  auff  Viadanische,  theils  Madrigal- 
ische  vnd  Instrumentalische  Art,  besonders 
7.U  Fiolen  gerichtet,  vnd  . . .  gepflanzet, 
YOU  Johaune   Pulsitiva,  der  Jlusic  Lieb- 


PUNCH— PURCELL  (D.) 


3G5 


habern.     Secunda.     (Tertia.)    (Partitura.) 
3  pts.  Gedrnckt  vnd  verlegt  durch 

Jacobum  Mollyn :  Botcnburg ob  der  Tanbfr, 
1633.     4°.  B.  122. 

PUNCH.  Punch  an  Emblem  of  the 
Medium  of  Life.  [Glee.l  See  You.  You 
ask  me  dear  Jack.     [1780?]     fol. 

G.  314.  (41.) 

Punch    upon    Earth.     Song.     See    Gods. 
The  Gods  and  the  Goddesses,  etc. 
[1780?]     fol.  H.  1601.  a.  (42.) 

PUNCHIONEIjLO.  Punchionello. 
[Song.]  See  Trade.  Trade's  awry,  and 
so  am  I,  e<c.     [1725?!     s.  sli.  fol. 

G.  312.  (48.) 

PUNTO  (GiovAXNi),  pseud,  [i.e.  Johann 
Stick.]  Six  Trios  for  a  German  Flute, 
Violin  and  Bass  or  two  Violins  and  a  Bass. 
[Separate  Parts.]  Printed  for  W.  Napier: 
London,  [1790?]     fol.    h.  2852.  a.  (10.) 

PUPILLE.     Pupille  sdegnose.     [Song.] 

St-e  MUZIO  SCEVOLA. 

Pupille  venose  del  caro  mio  bene.     Song. 
See.  Tarchi  (A.)     [Virginia.] 

PURCELL  (Dakiel)  Accept,  ]\raria,  of  a 
Heart.  A  Song.  Sung  by  Mr.  Leveridge, 
etc.    [London,  n007]    fol.   G.  315.  (24.) 

Alass !  when  Charming  Sylvia's  gone. 
See  infra:  [Tlie  Spanish  Wives.'] 

[Alexander  the  Great.]  Phillis  talk  not 
more  of  Passion.  A  Song,  etc.  [London, 
1701.]    s.  sh.  fol.  G.  304.  (122.) 

All  the  Pleasures  Himen  brings. 
See  infra  :  [The  Island  Princess.] 

[Amalasont.]  In  a  Grove's  forsaken  Shade. 
A  Song  in  the  Tragedy  call'd  Amalasont 
Queen  of  the  Goths  or  Vice  Destroys  it 
Self  [by  J.  Hughes]  . . .  Sung  by  Mrs. 
Erwin  and  exactly  engrav'd  by  T.  Cross. 
[London,  1697  ?]     s.  sh.  fol. 

K.  7.  i.  2.  (41.) 

In    a    Grove's    forsaken    Shade.     A 

Sunn,  etc.     [London,  1700  ?]     s.  sh.  fol. 

G.  304.  (80.) 

[The  Bath.]  Where  oxen  do  low.  A 
Country  Dialogue  [from  '  The  Bath,  or  the 
Western  Lass ']  made  by  IMr.  Tho.  Durfey, 
etc.     [London,  1705  ?]     s.  sh.  fol. 

G.  313.  (54.) 

[Another  edition.]     Where  Oxen  do 

low,  etc.  See  Where.  Where  Oxen  do 
low,  etc.     [By  D.  Purcell.1 

[1705  ?]    s.  sh.  fol.  H.  1601.  (481.) 

[Another  copy.]        G.  316.  f.  (75.) 

[The  Beaux'  Stratagem.]  The  Trifle:  A 
new  Song,  etc.  [Words  from  G.  Farqu- 
har's  '  Beaux'  Stratagem.'  I  [London, 

1707  ?]    s.  sh.  fol.  H.  1601.  (47.) 

Beneath  a  gloomy  Shade. 
See  infra :  [The  Humour  of  the  Age.] 


PURCELL  (Daxiee)  [Brutus  of  Alba.] 
The  Single  Songs,  with  the  Dialogue,  sung 
in  the  New  Opera,  call'd  Brutus  of  Alba  : 
or,  Augusta's  Triumph.  J.  Heptinstall, 
for  H.  Plaijford  and  S.  Scott :  London, 
1696.     fol.  G.  111. 

[The  Campaigners.]  Phyllis  has  such 
charming  Graces.  A  Song  in  the  Cam- 
paigners [by  T.  D'Urfey]  . . .  Sung  by  the 
new  Bov  and  exactly  engrav'd  by  T.  Cross. 
[London,  1698?]     s.  sh.  fol. 

K.  7.  i.  2.  (39.) 

[Another  copy.]  G.  315.  (138.) 

[Another  copy.]  G.  304.  (123.) 

[Another  edition.]     Phillis  has  such 

charming  graces.  Set  by  Mr.  Daniel 
Purcell :  Sung  at  the  Theatre  Royal  by 
Mr.  Carey.     [Lo^idon,  1715  ?]     s.  sh.  fol. 

G.  303.  (3.) 
Six  Cantatas  for  a  Voice  with  a  Through 
Bass,  two  of  which  are  accompanied  with 
a  Violin ;  compos'd  (after  the  Italian 
]\Ianner)  by  Mr.  Daniel  Purcell  none  of 
which  were  ever  before  Publisb't.  By  the 
Author's  direction  carefully  Engrav'd  on 
Copper  Plates  by  T.  Cross.  Printed  for 
J.  Cullen  :  London,  [1710  ?]  fol.  H.  04. 
Cease  gentle  Swain. 
,S'<?e  infra:  [Macbeth.] 
Cease  ye  Rovers. 

See  infra:  [The  Island  Princess.] 
Chronos,  Chrouos,  mend  thy  Pace. 
See  infra :  [The  Pilgrim.] 
Celestial  Harmony  is  in  her  Tongue.     A 
Song  . . .  exactly  engrav'd  by  T.  Cross. 
[Lorulon,  1695  ?]     s.  sh.  fol. 

G.  315.  (67.) 
[The  Constant  Couple.]  Thus  Damon 
knock'd  at  Celia's  Door.  TJie  Serenading 
Song  in  the  Constant  Couple ;  or  a  Trip  to 
the  Jubilee,  written  by  Mr.  George 
Farquhar  . . .  Sung  by  Mr.  Freeman,  and 
exactly  engrav'd  by  T.  Cross.  [Lmidon, 
1700?]    s.  sh.  fol.  K.  7.  i.  2.  (40.) 

[Another    edition.]      Poor    Damon 

kuock't  at  Celia's  door.  A  Song  in  y' 
Constant  Couple  . . .  within  y'  Compass  of 
y"  Flute.     [Lo7idon,  1705  ?]     s.  sh.  fol. 

G.  304.  (121.) 
Corinna  with  a  Gracefull  Air. 
See  infra  :  [The  Refwmed  Wife.] 
Cupid  make  your  Virgins  tender.    A  Song 
. . .  Sung  at  the  Theatre  Royall  in  Drury 
Lane,  and  exactly  engrav'd  by  T.  Cross. 
[London,  1700?]     s.  sh.  fol. 

K.  7.  i.  2.  (37.) 
[Another  copy.]  G.  315.  (142.) 

rAnother  edition.]  Cupid  make  your 
Virgins  tender,  etc.  [London, 

1705?]     s.sh.iol.  G.  304.  (42.) 

Daphnis  and  Pastorella,  etc.  [Dialogue.] 
[London,  1110?]     s.sh.iol. 

H.  1601.  (401.) 


366 


PURCELL  (D.) 


PURCELTj  (Daniel)     Far  from  thee  be 

anxious  Care.     See  infra:  [The  Judgment 

of  Paris.'\ 

Fixt  on  the  fair  ]\Iiranda's  Eies. 

See  infra :  [The  Humour  of  the  Age.l 

Fly  from  my  sight. 

See  infra :  [Ihrahim.'] 

Fond  Woman  with  mistaken  Art. 

See  infra:  [The  Reformed  Wife] 

For  Rurall  and  Sincerer  Joys. 

See  infra  :  [Love  makes  a  Man.] 

Forbear,  0  Goddess  of  desire. 

Sec  infra  :  [The  Judgment  of  Paris.] 

[The    Funeral.]      Let    not  Love   on  me 

bestow.     A  Song  in  the  Comedy  [by  Sir 

B.  Steele]  call'd  the  Funeral.     Sung  by 

Mrs.  Harris,  etc.  [London, 

1702?]    s.sh.  fol.  G.  304.  (91.) 

On    yonder   Bed    supinely  laid.     A 

Song  [in  '  the  Funeral,'  written  by  Sir  R. 
Steele],  c^c.     [London,  1102?]    fol. 

G.  304.  (116.) 

Ye  jMinutes   bring  y«  Happy  Hour. 

A  So7ig  in  the  Comedy  [by  Sir  R.  Steele] 
call'd  the  Funeral,  sung  by  Mrs.  Campion, 
etc.     [London,  1702  ?]     s.  sh.  fol. 

G.  304.  (185.) 

[The  Grove.]  Songs  in  the  New  Opera, 
call'd  The  Grove  or  Love's  Paradise. 
[Words  by  J.  Oldmixon.]  I.  Walsh  : 

London,  [1700.]     fol.  G.  112. 

Where,  where's  my  Pan.     A  Song  in 

the  New  Opera  . . .  Sung  by  Mrs.  Linsey, 
etc.  [Words  by  J.  Oldmixon.]  [London, 
1700.]     s.  sh.  fol.  G.  315.  (134.) 

Help  me,  Hermes. 

See  infra  :  [The  Judgment  of  Paris.'] 
Hither  turn  thee  gentle  Swain. 
,s\v.  infra :  [The  Judgment  of  Paris.] 
[The  Humour   of  the  Age.]     Beneath  a 
gloomy   Shade.     [Song.]     Sung    by    Mr. 
Boxvcn  in  the  Play  [by  T.  Baker]  call'd 
The  Humors  of  the  Age.     [Full  Score.] 
[London,  1701.]     fol.  G.  304.  (22.) 

The  words  of  this  song  arc  not   in  the 
printed  edition  of  the  play. 

[Another  copy.]         G.  316.  g.  (9.) 

Fixt   on    y°   Fair    Miranda's    Eies. 

[Song.]  Sung  by  Mr.  Bowen  in  y"  Comedy 
[by  T.  Baker]  call'd  the  Humor  of  v''  Age. 
{London,llQl.']    s.sh.lol.    G.  304.  (55.) 

The  ivords  of  this  song  are  not  in  the 
printed  edition  of  the  play. 

[Ibrahim.]  Fly  from  my  sight.  A  Dia- 
logue suppos'd  to  be  between  a  Eunuch 
Boy,  and  a  Virgin.  Sung  by  Bowen  and 
]\Irs.  Cross  in  a  New  Play  [by  Mrs.  Pix] 
call'd  Ibrahim. .  .Written  by  Mr.  Durfey 
and  exactly  engrav'd  by  Tho.  Cross. 
[London,  1698.]     fol.  G.  315.  (56.) 

In  a  Grove's  forsaken  Shade. 
See  supra :  [Amalasont.] 


PURCELL  (Daniel)  [The  Inconstant.] 
Since  Celia  'tis  not  in  our  Power.  A 
Song  in  y"  Comedy  [by  G.  Farquhar] 
call'd  y"  Inconstant  or  y  way  to  win  him. 
Sung  by  Mr.  Hughes,  c^c.  [London, 

1702.]    s.  sh.  fol.  G.  304.  (134.) 

[Iphigenia.]     Morpheus  thou  gentle  God. 
A    Song   in  Iphigenia  [a  Tragedy,  by  J. 
Dennis,]  Sung  by  Mrs.  Erwin,  etc. 
[London,  1700.]     fol.  G.  304.  (106.) 

[The  Island  Princess.]  All  y''  Pleasures 
Himen  brings.  A  Song  in  y°  2"*  act  of  y'' 
Island  Princess,  etc.  [Words  by  P.  A. 
Mottenx.]     [London,  1700.]     s.  sh.  fol. 

G.  304.  (73.) 

Cease  ye  Rovers.     A  Tivo  Part  Song 

[in  the  Island  Princess,  words  by  P.  A. 
Motteux],  etc.    [London,  1700.]    s.  sh.  fol. 

G.  307.  (33.) 

Cease  ye  Rovers.    A  Two  Part  Song, 

etc.     [London,  1760  ?]    s.  sh.  fol. 

H.  1994.  a.  (159.) 

The  Jolly,  Jolly  Swains.    A  So7ig. . . 

Sung  by  ]Mrs.  Lindsey,  and  exactly 
engrav'd  by  T.  Cross.  [Words  by  P.  A. 
Motteux.]     [London,  1700.]     s.  sh.  fol. 

K.  7.  i.  2.  (36.) 

[Another  edition.]   The  Jolly  Swains. 

A  Song,  c^c.  Printed  for  I.  Walsh: 

[London,  1704.]      s.  sh.  fol. 

G.  304.  (147.) 
'  The  V  Weekly  Song  for  Thursday  y^ 
7""   of  Septem''  [1704]  to  be  continued 
tJie  Yeare  Bound.^ 

Lovely   Charmer,   dearest  Creature. 

A  Song. .  .Sung  by  Mr.  Magnus's  Boy  and 
exactly  engrav'd  by  T.  Cross.  [Words  by 
P.  A.  Motteux.]  [London, 

1700.]    s.  sh.  fol.  K.  7.  i.  2.  (34.) 

[Another  edition.]    Lovely  Charmer, 

etc.     [London,  1700  ?]     s.  sh.  fol. 

H.  1601.  (272.) 

[Another  edition.] 

[London,  1705  ?] 


etc. 


[Another  copy.] 

[Another  edition.] 
T. 
s.  sh.  fol. 


Lovely  Charmer, 
s.  sh.  fol. 

G.  304.  (93.) 
G.  310.  (19.) 

Lovely  Charmer, 
etc.  T.  Clucr  :  [Londo7i, 

1710  ?]    s.  sh.  fol.  G.  316.  g.  (41.) 

Rouse  ye  Gods  of  y=  Main.     [Song.] 

Sung  by  IMr.  Pate,  etc.     [Words  by  P.  A. 
Motteux.]     [London,  1700.]     fol. 

G.  304.  (131.) 
Jolly  Bacchus  I  love.  A  Drinking  Song, 
etc.     [London,  1718  ?]     s.  sh.  fol. 

H.  1601.  (237.) 
[Another  edition.]  Jolly  Bacchus  I  love. 
A  Drinking  Song,  etc.  [London, 

1720  ?]     s.  sh.  fol.  G.  309.  (79.) 

The  Jolly,  JoLly  Swains. 

See  supra  :  [The  Island  Princess.] 


PURCELL  (D.) 


367 


PURCELL  (Daniel)  The  Judgment  of 
Paris.  A  Pastoral.  [Words  by  W.  Con- 
greve.]  Composed  for  the  Music-Prize, 
etc.  [Full  Score.]  Printed  for  I.  Walsh  : 
London,  [1701.]    fol.  I.  325. 

Far  from  thee  be  anxious  Care.    The 

31  Verse  of  Venus  in  the  Prize  ^lusick,  etc. 
[London,  1701.]     s.  sh.  fol. 

K.  7.  i.  2.  (31.) 

Forbear,  0  Goddess  of  desire.    Paris 

last  vers  in  the  Prize  Jlusick,  etc. 

Tho.  Cross :  [London,  1701.]     s.  sh.  fol. 

K.  7.  i.  2.  (26.) 

Help  me,  Hermes.     T/ic  2'  Verse  of 

Paris  in  the  Prize  ^Musick. .  .being  within 
the  Compass  of  the  Flute.  Tho.  Cross  : 
[London,  1701.]     s.  sh.  fol. 

K.  7.  i.  2.  (29.) 

Hither    turn    thee    gentle    Swain. 

Ventis'  P'  Verse  in  the  Prize  IMusick,  etc. 
Tho.  Cross  :  ['London,  1701.]     s.  sh.  fol. 

K.  7.  i.  2.  (30.) 

Nature  fram'd  thee  sure  for  Loving. 

Venus  in  the  Prize  Musick  . . .  exactly 
engrav'd  by  Tho.  Cross. 

[London,  1701.]     fol.       K.  7.  i.  2.  (32.) 

0,  Ravishing  Delight !     Tlie  1'  Vers 

of  Paris  in  the  Prize  IMusick,  etc. 
Tho.  Cross:  [London,  1701.]     s.  sh 


Stay,  lovely  Youth. 


fol. 
7.  i.  2.  (27.) 
Venus  2''  vers 
Tho.  Cross : 


in  the  Prize  ]Musick,  etc. 
[London,  1701.]     s.  sh.  fol. 

K.  7.  i.  2.  (25.) 

This   way   Mortal    bend   thy   Eyes. 

Pallas  1''  Vers  with  a  Trumpet  in  the 
Prize  Musick. .  .being  within  the  compass 
of  the  Flute.  Tho.  Cross  :  [Loiidon, 

1701.]    s.  sh.  fol.  K.  7.  i.  2.  (28.) 

Let  not  Love  on  me  bestow. 

Sea  supra  :  [The  Funeral.^ 
Love  I  defy  thee.     A  Cantata   after   the 
Italian  Stile.    [London,  1705  ?]    s.  sh.  fol. 

G.  305.  (80.) 
[Love  makes  a  Man.]  For  Rurall  and 
Sincerer  Joys.  A  Song  in  the  Comedy 
[by  C.  Cibber]  of  Love  makes  the  man. 
Sung  by  Mrs.  Shaw,  etc. 
[London,  1701.]     fol.  G.  304.  (60.) 

Ofelia's  Aire,  her  Meen  her  Face.    A 

Song  in  the  Comedy  [by  C.  Cibber]  of  Love 
makes  the  ISlan,  sung  by  I\Ir.  Huges,  etc. 
[London,  1701.]     fol.       H.  1601.  c.  (3.) 

[Another    edition.]       Ofelia's    Aire, 

her  Meen,  her  Face,  etc.  [London, 

1701.]    s.  sh.  fol.  G.  304.  (111.) 

Lovely  Charmer,  dearest  Creature. 
See  supra  :  [The  Island  Princess.] 

[Jilacbeth.]    Cease  gentle  Swain.     A  Song 
Sung  by  ilr.  Mason  in  I\Iagbeth,  etc. 
[LoHfZon,  1704  ?]     s.  s/i.  fol. 
^  G.  307.  (24.) 


PURCELL  (Daniel)  [Massaniello.] 
Whilst  wretched  Fools  sneak  up  and 
down.  A  Dialogue  between  a  Town 
Sharper  and  his  Hostes.  Sung  by  Mr. 
Leveridge  &  Mr.  Pate  in  y=  First  Part  of 
Massaniello,  etc.  [Words  by  T.  Durfey.] 
[London,  1700.]     s.  sh.  fol. 

G.  304.  (183.) 
Mezena  does  my  Heart  inspire.  A  Song 
sung  by  Mrs.  Shaw  at  the  Theatre  Royall, 
etc.     [London,  nOO?]     fol. 

G.  304.  (103.) 

Morpheus  thou  gentle  God. 
See  supra :  [Ii^higenia.] 

Nature  fram'd  thee  sure  for  Loving. 
See  supra  :  [The  Judgment  of  Pans.'\ 

0,  Ravishing  Delight ! 

See  supra  :  [The  Judgment  of  Paris.} 

Ofelia's  Aire,  her  Meen,  her  Face. 
See  supra  :  [Love  makes  a  Ma7i.\ 

Olinda  turne. 

See  infra  :  [Tlie  Unhappy  Conqticror.] 

On  yonder  Bed  supinely  laid. 
Sec  supra  :  [The  Funeral.] 

Phillis  talk  not  more  of  Passion. 
See  supra  :  [Alexander  the  Great.] 

Phyllis  has  such  charming  Graces. 
See  supra:  [TJie  Campaigjiers.] 

[The  Pilgrim.]  Chronos,  Chronos,  mend 
thy  Pace.  Janus.  Sung  by  Mr.  Freeman 
in  y""  Pilgrim,  etc.  [Words  by  J.  Dryden.] 
[London,  1701.]     s.  sh.  fol. 

G.  315.  (154.) 

■ With  Horns  &  with  Hounds.    Diana. 

[Song.]    Sung  by  Mrs.  Erwin  in  y''  Pilgrim, 
etc.     [Words  by  J.  Dryden.     Full  Score.] 
[London,  1701.]     s.  sh.  fol. 

G.  304.  (177.) 
Poor  Damon  knock't  at  Celia's  door. 
See  supra:  [Tlie  Constant  Ccniple.] 

The  Psalms  set  full  for  the  Organ  or 
Harpsicord  as  they  are  Plaid  in  Churches 
and  Chappels  in  the  maner  given  out ;  as 
also  with  their  Interludes  of  great  Variety, 
etc.  Printed  for  I.  Waish  :  London, 

[1715  ?]     obi.  fol.  c.  20. 

With  a   second   (illustrated)    title-page, 
'  Musick  for   the    Organ   and   Harp- 
sicord, Printed  for  I.   Walsh  and  L 
Hare.' 
[The  Reformed  Wife.]      Corinna  with  a 
GracefuU  Air.     A  Song  in  the  Reform'd 
Wife  or  the  Lady's  Cure.     Sung  by  ]\Ir. 
Cooper,  etc.     [Words  by  C.  Burnaby.] 
[London,  1700.]     s.  sh.  fol. 

G.  304.  (40.) 

• Fond  Woman  with  mistaken  Art.     A 

Song  in  the  Reform'd  Wife  or  the  Lady's 
Cure.  Sung  by  Mrs.  Erwin,  etc.  [Words 
by  C.  Burnaby.]  [London, 

1700.]     s.  sh.  fol.  G.  304.  (57.) 


3G8 


PURCELL  (D.) 


PURCELL  (Daniel)  [The  Reformed 
Wife.]  Sabiiia  has  a  thousand  Charms.  .1 
Song  iu  the  Comedy  [by  C.  BLirnaby] 
caird  the  Reforra'd  Wife  ; . . .  Sung  by  Mr. 
Bourdon,  and  exactly  engrav'd  by  T.  Cross. 
[London,  1700.]     s.  sh.  fol. 

K.  7.  i.  2.  (35.) 

Rouse  ye  Gods  of  the  ]\Iain. 

See  supra  :  [Tlie  Islatid  Princess.] 

Sabina  has  a  thousand  Charms. 
See  supra  :  [The  Bcformcd  Wife] 

Since  Celia  'tis  not  in  our  Power. 
See  supra:  [Tlic  Inconstant.] 

So  fair  young  Celia's  Charms. 

See  infra:  [The  Triumphs  of  Virtue.] 

Six   Sonatas,   three   for   two   Flutes  &  a 
Bass,  and  three  Solos  for  a  Flute  and  a 
Bass,  etc.     [Separate  Parts.] 
Printed  for  J.  Walsh  d  J.  Hare  :  London, 
[1710?]    fol.  h.  250.  c.  (3.) 

[The  Spanish  Wives.]  Mass  1  when 
Charming  Sylvia's  gon.  Song  in  the 
Farce  [by  Mrs.  Pix]  call'd  the  Spanish 
Wives.  Sung  by  Mr.  James  Bowen,  and 
exactly  engrav'd  by  Tho.  Cross.  [London, 
1697.]    s.  sh.  fol.  K.  7.  i.  2.  (38.) 

Stay, lovely  Youth. 

See  supra  :  [The  Judgment  of  Paris.] 

[The  Taming  of  the  Shrew.]  'Twas  in 
the  INIonth  of  May,  Jo.  A  Neiv  Scotch 
Song.  [Words  by  J.  Lacy,]  .  .  .  Sung  in 
the  last  Reviv'd  Play  call'd,  the  Taming  of 
the  Shrew,  or,  Sawny  the  Scot.  Sung  by 
j\Irs.  Harris.  William  Pearson  : 

London,  1699.     s.  sh.  fol.     G.  315.  (15.) 

[Another    edition.]      'Twas    in    the 

Mouth  of  May,  Jo.     A  Scotch  Song,  etc. 
[London,  1705  ?]     s.  sh.  fol. 

G.  304.  (150.) 

[Another  copy.]  G.  312.  (54.) 

[Another    edition.]      'Twas    in    the 

Month  of  ]\Iay,  Jo,  etc.  [London, 

1710  ?]     s.  sh.  fol.  H.  1601.  (443.) 

[The  Tender  Husband.]  While  gentle 
Parthenissa  walks.  A  Song  sung  by  tho 
Boy  in  the  Tender  Husband  .  .  .  Within 
the  Compass  of  the  Flute.  [Words  by 
Sir  R.  Steele.]  [London, 

1704.]     s.  sh.  fol.  G.  313.  (52.) 

This  way  Mortal  bend  thy  Eyes. 
Sec  supra  :  [The  Judgment  of  Paris.] 

Thus  Damon  knock'd  at  Celia's  Door. 
Sec  supra:  [The  Constant  Couple] 

To  Cynthia  then  our  homage  pay. 
See  infra:  [The  World  in  the  Moon.] 

The  Town  Rakes. 

Sec  infra:  [The  Younger  Brother.] 

The  Trifle. 

See  supra :  [Tlie  Beaux'  Stratageyn.] 


PURCELL  (Daniel)  [The  Triumphs  of 
Virtue.]  So  fair  young  Celia's  Charms. 
.4  Song  to  a  Grotmd  .  .  .  Sung  at  the 
Theatre  in  Drury-Lane  by  Mr.  Magnus's 
Boy ;  and  exactly  engrav'd  by  Tho.  Cross. 
[London,  1697.]     s.  sh.  fol. 

K.  7.  i.  2.  (33.) 

'Twas  in  the  Month  of  May. 

Sec  supra:  [The  Taming  of  the  Shrew.] 

[The  Unhappy  Conqueror.]     Olinda  turne. 
A  Song  in  y^  Unhappy  Conquerer  or  Vertue 
neglected.     Sung  by  y"  Boy,  etc. 
[London,  1696.]     s.  sh.  fol. 

G.  304.  (114.) 
[Virtue  in  Danger.]  Mr.  Dan'  Purcells 
Musick  in  y"  reviv'd  Play  call'd  Vertue  in 
Danger.  First  Treble.  (Second  Treble.) 
(Tenor.)     (Bass.)     4  pts.  [Walsh:'; 

London,  1708.]     fol.  g.  15.  (6.) 

Wanton  Cupids  cease  to  hover.  A  Song, 
etc.  [The  words  of  the  first  verse  by  H. 
Carey.]     [London,  1118?]     s.sli.M. 

H.  1601.  (507.) 
What  garrss  the  foulish  mayde  complain. 
.1  Scotch  Song,  etc.  [London, 

1705?]    s.sh.iol.  G.  313.  (69.) 

When  Daphne  first  her  Shepherd  saw.  A 
Song,  etc.     [London,  1705.]     fol. 

G.  304.  (179.) 
Where  Oxen  do  low. 
See  supra  :  [Th<;  Bath.] 

W^here,  where's  my  Pan. 
Sec  supra:  [Tlie  Grove.] 

WHiilc  gentle  Parthenissa  walks. 
Sec  supra:  [The  Tender  Hiishand.] 

Whilst  wretched  Fools  sneak  up  and  down. 
See  supra  :  [Massaniello.] 

Why  should  Aurelia  sleep  secure.  A  Song, 
etc.     [London,  1705  ?]     s.  sh.  fol. 

G.  305.  (79.) 

[Another  copy.]  G.  313.  (30.) 

With  Horns  and  with  Hounds. 
See  supra :  [The  Pilgrim.] 

[The  World  in  the  Moon.]  To  Cynthia 
then  our  homage  pay.  [Duet.]  Sung  by 
Mrs.  Magnus  and  a  Boy,  etc.  [London, 
1097.]     s.  sh.  fol.  G.  304.  (157.) 

See  PuRCELL  (D.)  and  Clarke  (J.) 

The  Single  Songs  in. .  .The  World  in  the 
Moon,  etc.     1697.     fol.  G.  111.  a. 

[For  songs,  &c.,  in  the  World  in  the 


Moon  published  anonymously  :  j 
See  World  in  the  Moon. 

Ye  Minutes  l)ring  the  Happy  Hour. 
See  supra  :  [TJic  Funeral.] 

Y'oung  Philander  woo'd  me  long.     ^-1  Song, 
etc.     [Words  by  T.  Durfey.]  [London, 

1710?]    s.sh.iol.  H.  1601.  (534.) 

[Another  copy.]  Q.  305.  (282.) 


PURCELL  (D.)~PURCELL  (H.) 


369 


PURCELL  (Daniel)  [The  Youuger 
Brother.]  The  Town  Rak's.  A  Song. 
[Words  by  P.  A.  Motteux]  .  .  .  Sung  by 
Mr.  Edward's  in  [Mrs.  Behn's  Play]  the 
Younger  Brother  or  the  Amorous  Jilt,  and 
exactly  Engrav'd  by  Tho.  Cross.  [London, 
1696?]     s.  s/(.  fol.  G.  3i5.  (88.) 

[Another  edition.]     The  Town  Rakes, 

etc.     [London,  1710  ?]     s.  sh.  fol. 

H.  1601.  (479.) 
See  Finger  (G.)  and  Purcell  (D.)     Six 
Sonatas   or   Solos   for   the    Flute   with  a 
Through  Bass  for  the  Harpsichord. 
[1710?]     fol.  h.  17.  (2.) 

See  Thesaurus  Musicus.  Thesaurus 
Musicus.  A  Collection  of  .  .  .  Part  Songs 
... by... D.  PurceU,  c/c.     [1713?!     fol. 

H.  73. 

PURCELL  (Daniel)  and  CLARKE 
(Jeremiah)  [The  World  in  the  Moon.] 
The  Single  Songs  in  the  New  Opera, 
call'd,  the  World  in  The  IMoon.  Sett  by 
Mr.  Daniel  Purcell,  and  Mr.  Clark. 
J.  Heptinstall,  for  H.  Playford :  London, 
1697.     fol.  G.  111.  a. 

The  World  in  tho  Moon.  [For  songs,  &c. 
in  tho  World  in  the  IMoon,  published 
anonymously  :]  See  World  in  the  Moon. 

PURCELL  (Henry) 

Arrangement. 

1.  Collections  and  Selections. 

2.  Vocal  IMusic. 

a.  Sacred. 

b.  Choral  Odes, 
c    Dramatic. 

d.  Catches,  Duets  and  Single  Songs. 

3.  Instrumental. 

1.  Doubtful  and  Spurious  Works. 

5.  Appendix. 

6.  Index. 

1.  Collections  and  Selections. 

A  Collection  of  Ayres,  compos'd  for  the 
Theatre,  and  upon  other  Occasions,  etc. 
Violino  Primo  (Secundo).  (Tennor.) 
(Bassus.)     4  pts. 

J.  Heptinstall,  for  Frances  Purcell,  etc.  : 
London,  1697.     fol.  K.  4.  i.  10.  (1.) 

A  Collection  of  the  most  Celebrated  Songs 
&  Dialogues  composed  by  y'  late  famous 
]\Ir.  Henry  Purcell.  Printed  for  B.  Meares : 
London,  [1705  ?]     fol.  G.  103.  c. 

Harmonia  Sacra  or  Select  Anthems  in 
Score  for  one,  two  and  three  Voices,  etc. 

Printed  for  I.  Walsh: 
London,  [1730  ?]    fol.  H.  101.  a. 

[Another  copy.]         Add.  MSS.  17,818. 

Orpheus  Britannicus.  A  Collection  of  all 
the  Choicest  Songs  for  One,  Two,  and 
Three  Voices,  compos'd  by  Mr.  Henry 
Purcell.  Together  with  Symphonies  for 
Violins  or  Flutes,  were  by  Him  design'd 

VOL.   II. 


for  any  of  them  :  and  a  Through-Bass  to 
each  Song  ;  figur'd  for  the  Organ,  Harpsi- 
chord, or  Theorbo-Lute.  All  which  are 
I)laced  ill  their  several  Keys  according  to 
the  Order  of  the  Gamut.  (Orpheus 
Britannicus  . . .  The  Second  Book,  which 
renders  the  First  Compleat.)  2  Books. 
/.  Heptinstall  {W.  Pearson),  for  H.  Play- 
ford  :  London,  1698  (1702).    fol.    G.  100. 

Orpheus  Britannicus  .  .  .  The  Second 
Edition  with  Large  Additions,  etc.  (Or- 
pheus Britannicus. .  .The Second  Book. .  . 
The  Second  Edition  with  Additions.) 
2  Books.  W.  Pearson  {for  S.  H.)  : 

London,  1706  (1711).     fol.  G.  101. 

Orpheus  Britannicus. .  .The  Third  Edition 
with  Large  Additions ;  and  placed  in  their 
several  Keys  according  to  the  order  of  the 
Gamut.  2  Books.  Willia^n  Pearson,  for 
S.  H. :  London,  1721.       fol.     G.  100.  a. 

Orpheus    Britannicus.     A     Collection    of 

Choice   Songs   for   One,  Two,  and   Three 

Voices    with    a    Through    Bass    for    the 

Harpsicord.  Printed  for  I.  Walsh  : 

London,  [1745  ?]     fol.  "  G.  102. 

TJiis  tvork  is  merely  a  collection  of  single 

sheet    sotigs    engraved     at     different 

periods  about    the    begiyming  of  the 

18th  century. 

M'  Hen'  Purcell's  Favourite  Songs  out  of 
his  most  celebrated  Orpheus  Brittauicus 
and  the  rest  of  his  Works  the  whole  fairly 
Engraven  and  carefully  corrected. 

Printed  for  In"  Walsh  .  .  .  and  hi"  d 
Joseph  Hare  :  London,  [1725  ?]     fol. 

G.  102.  a. 
2.  Vocal  Music. 

a.  Sacred. 
[Behold,  I  bring  you  glad  tidings.] 
St'e  Anthems.     Six  Select  Anthems ...  by 
Dr.  Croft,  . . .  H.  Purcell,  etc.     [No.  1.] 
[1770?]     fol.  G.  517.  n.  (1.) 

The  Lord  is  King.     Solo  Anthem. 

See  Anthems.     Six  Select  Anthems,  etc. 

No.  6.     [1781  ?]     fol.  H.  3006. 

Te  Deum  &  Jubilate  for  Voices  and 
Instruments  made  for  St.  Csecilia's  Day 
1G94.  [Full  Score."  J.  Heptinstall,  etc.  : 
London,  1697.    fol.    Add.  MSS.  31,444. 

Te  Deum  et  Jubilate,  for  Voices  and 
Instruments,  perform'd  before  the  Queen 
.  .  .at  the  Cathedral-Church  of  St.  Paul, 
on  the  Thanksgiving-Day,  for  the  Glorious 
Successes  of  Her  Majesty's  Army  the  last 
Campaign.  .  .The  Second  Edition. 

J.  Walsh,  J.  Hare  and  P.  Randall : 
London,  [1708.]     fol.  G.  99. 

Sec     Crompton    (J.)      The     Psalm 

Singer's  Assistant,  or  a  Key  to  Psalmody. 
Containing.  .  .A   Variety   of    curious   An- 
thems. .  .with. .  .Purcell's  Te  Deum,  etc. 
1778.     ohl.  4°.  A.  1020. 

2  B 


370 


PURCELL  (H.) 


[Full   Score] 

[B.  Goodison  : 

H.  101.  (3-5.) 

a. 


PURCELL  (Henry) 

b.  Odes. 
Odes   and   Choral   Songs 
3  nos. 
Lowrfon,  1790  ?]     fol. 

[Another  copy.]  I-  465 

Commemoration  Ode  performed  at  Christ- 
Church  in  Dublin  Jan''  9,  169|.  [Full 
Score.]  See  supra:  Odes  and  Choral 
Songs.     No.  2. 

[Ode  for  King  James  II's  Birthday.  1687.] 
Let  Ceesar  and  Urania  live.  A  Two  Part 
Song.     [London,  1720?]     s.  sh 


1994. 


fol. 
a. 


(184.) 

Ode    on    the     Queen's    Birthday    [1693. 

Celebrate  this  festival.     Full  Score]. 

Sec  supra  :  Odes  and  Choral  Songs.   No.  3. 

Celebrate    this    Festival.      .4    Song 

sung  before  the  late  Queen.     [Words  by 
N  Tate.l     [London,  1100?]     s.sh.iol. 

H.  1601.  (110.) 

[Another    edition.]      Celebrate  this 

Festival,  etc.     [London,  1705  ?]    s.  sh.  fol. 

G.  307.  (22.) 

Celebrate    this 


festival, 
1710  ?] 


[Another    edition.] 


.4  Song,  etc. 
s.  sit.  fol. 


G. 
G. 


[Another  copy.] 

Kindly  treat  Maria's 

. . .  The  Words  by  N.  Tate. 
London,  1693.     4°. 


[Itondon, 
316.  h.  (26.) 

316.  d.  (85.) 

day.  ^4  Song 
ii.  Parker  : 
P.P.  5255. 


Gentleman's 
133-135. 


Journal,  April,   1693,  j^P- 


PURCELL  (Henry)  The  Song  per- 
formed at  The  Yorkshire  Feast,  1689. 
[Words  by  T.  D'Urfey.  Full  Score.] 
See  supra  :  Odes  and  Choral  Songs.  No.  1. 

^ And  in  each  track  of  Glory  since.    A 

Two  part  Song,  etc.  ^J^°'"'!i°JJ'l 

1700?]     s.  s7;    fol.  H.  1601.  (57.) 

[Another    edition.]       And    in    each 

track ,  etc.     [London,  17 10  ?]     s  sh  fol. 

G.  304.  (lo.) 

[Another    edition.]      And    in    each 

Track,  etc.     [London,  1720?]     s.  sh.  fol. 

G.  316.  d.  (43.) 

[Another    edition.]       And    in    each 

track,  cte.  11.  Falkcncr :  London, 

[1775  ?]    s.  sh.  fol.        H.  1994.  a.  (62.) 

c.  Dramatic  Music. 


[Ode  for  Queen  Mary's  Birthday.  1694.] 
Strike  the  Viol,  touch  the  Lute.  A  Song, 
etc.  Printed  for  H.  Rhodes  : 

London,  1694.     4°.  P.P.  5255. 

Gentleman's    Journal,   May,    1694,  j'i^- 
137-139. 

[Ode  for  S'  Cecilia's  Day,  1683.  Welcome 
to  all  the  pleasures.]  A  Musical  Enter- 
tainment perform'd  on  November  xxii. 
1683.  It  being  the  Festival  of  S'  Cecilia, 
etc.  [Words  by  C.  Fishburn.  Full  Score.] 
J.  Plat/ford  Junior  :  London,  1684.     4°. 

C.  180. 

[Ode  for  S'  Cecilia's  Day.  1692.]  The 
Fife  and  all  the  Harmony  of  War.  A 
Favourite  Song,  etc.  [Words  by  N.  Brady. 
Full  Score.]     [London,  1710  ?]     fol. 

H.  1601.  (462.) 

'Tis  Nature's  Voice.     A  Song  Set  by 

Mr.  Henry  Purcell  and  Sung  by  himself 
at  S'  Cascilia's  Feast,  and  exactly  engrav'd 
by  Tho:  Cross.     [Words  by  N.  Brady.] 
[London,  1693  ?]     s.  sh.  fol. 

K.  7.  i.  2.  (18.) 


Abdelazer. 
Luciuda  is  bewitching  fair. 

sung  in  Abdclazar,  etc. 
[London!  1695?]     s.  sh. 


A  new  Song 


fol. 

G.  316.  h.  (4.) 


A 
To 


the  Songs, 


Amphitryon. 
Amphitryon ;    or    the    Two    Sosia's. 
Comedy... Written   by  Mr.  Dryden. 
which  is  added,  the  Musick  of 
etc.      (Tho    Songs    in    Amphitryon,   etc.) 
2  pts.  Printed  for  J.  Tonson  and 

M.  Tonson  :  London,  1691  (1690.)     4". 

643.  h.  18.  (12.) 

Each  iiart  has  a  separate  title-page  and 

pagination.       The    songs    arc    dated 

1690  and   printed  by  J.  Heptinstall 

for  Jacob  Tonson. 

[Another  copy.]  T.  1945.  (3.) 

[Another  copy.]  644.  g.  72. 

Aureng-Zebe. 
I  see  she  flyes  me.     A  Song  in  the  Play 
[by  J.  Dryden]  call'd  Oranzebe. .  .sung  by 
Mrs.  Alyff.  [T.Cross:  London, 

1695 ?]    s.  sli.  fol.  K.  7.  i.  2.  (19.) 

[Another  edition.]  I  see  she  flyes  me.  A 
Song,  etc.     [London,  1100  7]     s.sh.iol. 

H.  1601.  (246.) 
[Another  edition.]  I  see  she  flyes  me,  etc. 
[J.  Walsli :  London,  1710  ?]     fol. 

G.  316.  g.  (27.) 
Printed  from  the  same  plates  as  Walsh's 
'  Orpheus    Britannicus,'    but  tuithout 
pagination. 

Bonduca. 
The  Favorite  Songs,  Duetts  and  Chorusses 
. .  .in  Bonduca. .  .Sung. .  .at  the  Theatre 
Royal  Drury  Lane.     [Full  Score.] 

J.  Bland :  London, 
[1780?]     fol.  H.  101.  h.  (1.) 

Jack  thou'rt  a  Toaper.  A  Catch  sung  by 
the  Roman  Souldiers  in  the  Tragedy  of 
Bonduca.     [London,  1710?]     s.  sh.  fol. 

H.  1601.  (230.) 


PURCELL  (H.) 


371 


PURCELL     (Henry)      Jack,    thou'rt    a 
Toper.    A  Favourite  Catch,  etc. 

R.  Falkcncr  :  London, 
[1775?]     s.sh.iol.        H.  1994.  a.  (55.) 

Oh  lead  me  to  some  peaceful!  Gloom. 
A  Song  in  the  Tragedy  of  Bonduca  . . . 
Sung  by  IMiss  Cross  and  exactly  engrav'd 
by  Tho.  Cross.    [Lojidoii,  1696.]    s.  sh.  fol. 

K.  7.  i.  2.  (20.) 

[Another  edition.]  Oh  lead  me  to  some 
peacefull  Gloom,  etc.  \ London, 

1705  ?]     s.  sh.  fol.  H.  1601.  (335.) 

[Another  copy.]  G.  315.  (65.) 

[Another  copy.]  G.  315.  (31.) 

To  Arms  and  Britains  strike  home  ;  two 
Songs  in  Bonduca  . . .  Within  the  Com- 
pass of  tho  Flute.     [LoHc/o»,  1710?]     fol. 

G.  303.  (52.) 

[Another  edition.]  To  Arms.  A  Song,  etc. 
[London,  1710  ?J     s.  sh.  fol. 

H.  1601.  (449.) 

[Another  edition.]  To  Arms.  A  Song,  etc. 
Clucr  :  [London,  1720  ?]     s.  sh.  fol. 

G.  316.  g.  (66.) 

[Another  edition.]  To  Arms  &  Britains 
strike  home  . . .  for  the  German  flute  & 
Common  flute.   [London,  1730  ?]   s.  sh.  fol. 

G.  312.  (22.) 

[Another  edition.]  To  Arms,  and  Britons 
strike  home  . . .  Within  Compass  of  the 
Flute.  Printed  for  J.  Simpson: 

[London,  1735  ?]     s.  sh.  fol. 

H.  1994.  c.  (59.) 

[Another  edition.]     To  Arms,  and  Britons 

strike  hom.e,etc,  [London,  1740?]  s.  sJi.  fol. 

H.  1994.  a.  (154.) 

[Another  edition.]  To  Arms,  &  Britains 
strike  home,  etc.  [London, 

1740?]     s.  sh.  fol.  G.  316.  f.  (53.) 

[Another  edition.]     To  Arms,  &  Britons 
strike  home.     [Duett  and  Chorus.] 
[London,  1105?]     fol.  H.  2821.  (1.) 

The  Conquest  of  Granada. 

Celemene  pray  tell  me.  A  Dialogue  in 
the  Second  Part  of  the  Conquest  of 
Granada.  The  Words  by  Mr.  T.  D'Urfey 
. . .  Sung  by  the  Boy  &  Girl,  and  exactly 
engrav'd  by  Tho.  Cross.  [London, 

1700?]    fol.  K.  7.  i.  2.  (13.) 

[Another  copy.]  G.  304.  (43.) 

Dido  and  .^neas. 

[Fear  no  danger.]  See  Willis  (  )  Two 
Catches  for  Three  Voices  . . .  also  a  Song 
in  the  Play  call'd  Measure  for  Measure 
[as  altered  by  C.  Gildon],  Set  by  Mr. 
Henry  Purcell.     [1700.]     s.  sh.  fol. 

G.  304.  (54.) 


PURCELL  (Henry)  Fear  no  Danger  to 
ensue.  Glee  for  three  voices.  [London,] 
1792.     8.  sh.  4".  P.P.  5141. 

Lady's  Magazine,  Jan.,  1792. 

Fear  no  danger  to  ensue.     Glee. 
[London,  1800  ?]     s.  sh.  fol. 

G.  805.  g.  (39.) 

Dioclesian. 

The  Vocal  and  Instrumental  ]\Iusick  of 
the  Prophetess,  or  the  History  of  Dio- 
clesian. [Pull  Score.]  J.  Heptinstall, 
for  the  Author  :  London,  1691.     fol. 

H.  101.  d. 

Let  the  Souldiers  rejoyce.  A  Song  in 
Dioclesian,  etc.  [London,  1700  ?]  s.  sh.  fol. 

H.  1601.  (278.) 
Sound  Fame,  thy  Brazen  Trumpet.  A 
Song  in  Dioclesian  .  .  .  Sung  to  a  Trumpet, 
by  Mr.  Freeman,  and  exactly  engrav'd 
by  Tho:  Cross.  [London, 

1691  ?]    s.  sh.  fol.  K.  7.  i.  2.  (10.) 

[Another  copy.]  G.  304.  (137.) 

[Another  edition.]  Sound  Fame,  thy 
brazen  Trumpet.  A  Song  .  . .  Sung  to  a 
Trumpet.     [London,  1700  ?]     s.  sJi.  fol. 

H.  1601.  (392.) 

[Another  edition.]  Sound  Fame.  A 
Song  . . .  within  the  Compass  of  the  Flute. 
[London,  1710  ?]     s.  sh.  fol. 

G.  315.  (84.) 

Don  Quixote.     Part  I. 

Let  the  dreadfuU   Engines.     A    So)ig  in 
the  first  part  of  Don  Quixote  . .  .  Sung  by 
Mr.  Bowman   &  exactly  engrav'd  by  T. 
Cross.     [Words  by  T.  D'Urfey.] 
[London,  1694.]     fol.      K.  7.  i.  2.  (16.) 

[Another  copy.]  G.  304.  (98.) 

[Another  edition.]  Let  the  DreadfuU 
Engines.     A  Song,  etc.  [London, 

1710?]     fol.  G.  315.  (6.) 

Sing,  all  ye  Muses.  A  Song  sung  at  the 
Knighting  of  Don  Quixote.  [Words  by 
T.  D'Urfey.]     [London,  11  iO?]     fol. 

H.  1994.  a.  (119.) 

Don  Quixote.     Part  II. 

Genius   of    England.      A    Song    xoith    a 
Trumpet,  etc.     [Words  by  T.  D'Urfey.] 
[London,  1700  ?]     fol.      H.  1601.  (167.) 

Genius  of  England.  A  Song  with  a 
Trumpet,  etc.     [London,  1110  ^     fol. 

G.  316.  g.  (30.) 
Pp.  16-17  of  an  imidentified  collection. 

[Another  edition.]  Genius  of  England. 
A  Song  with  a  Trumpet,  etc.  Printed  for 
Eliz.  Hare  :  [London,  1735  ?]     fol. 

H.  1994.  c.  (60.) 
Genius  of  England.    [London,  1780 ?]   fol. 

H.  1601.  b.  (55.) 
2  B  2 


372 


PURCELL  (H.) 


PURCELL  (Henby)  Lads  and  Lasses 
blith  and  gay.  A  Scotch  Song  in  the 
Second  part  of  the  play  [by  T.  D'Urfey] 
call'd  Don  Quixote  sung  by  IMrs.  Hud- 
son, etc.  [London, 
1694.]  s.  sh.  fol.  G.  315.  (25.) 
The  loords  of  this  song  are  not  in  the 
printed  play. 

[Lads  and  Lasses.]    See  Within.    Within 
an  Arbor  of  delight.     .4  Poole  at  Pickett. 
[Song.]     The  Words  made  and  Set  to  a 
tune  [by  H.  Purcell]  by  Mr.  D'Urfey. 
[1710  ?]     s.  sh.  fol.  L  530.  (51.) 

Since  Times  are  so  bad.  A  Dialogue,  etc. 
[Words  by  T.  D'Urfey.]  [London, 

1705?]     fol.  H.  1601.  (384.) 

[Another  copy.]  11621.  i.  1.  (81.) 

[Another  copy.]  Gr.  315.  (58.) 

Imperfect,  wanting  fol.  2  and  3. 

Don  Quixote.     Part  III. 

[From  rosy  Bowers.]     See  Don  Quixote. 
New  Songs  in  the  Third  Part  of  . . .  Don 
Quixote  . . .  Being  the  last   Piece   set   to 
Musick  by  . . .  Mr.  Henry  Purcell,  etc. 
1696.     fol.  G.  150.  a. 

From  rosie  Bow'rs.  [Cantata]  Set  by 
Mr.  Henry  Purcell,  etc.  [Words  by  T. 
D'Urfey.     [London,  1700  ?]     fol. 

H.  1601.  (161.) 

From  Rosie  Bow'rs,  etc.  [London, 

1710?]     fol.  G.  316.  g.  (23.) 

Pp.  6-9  of  an  unidentified  collection. 

Rosy  Bowers.     The  last   Song  that  was 
Set  by  . . .  Mr.  Henry  Purcell,  It  beiug  in 
his  Sickness.     See  Chloe.     Chloe,  or  the 
Musical  Magazine,  etc.     No.  68. 
[1760?]     fol.  G.  433. 

From  Rosy  Bow'rs.  Printed  for  J.  Bland : 
[London,  VJQO'i']     s.sh.lol. 

H.  1601.  b.  (85.) 

The  Fairy  Queen. 

Some  Select  Songs  as  they  are  Sung  in 
the  Fairy  Queen.  J.  Heptinstall,  for  the 
Author:  London.     1692.     fol.         G.  98. 

Come  let  us  leave  the  Town.  A  Song  for 
2  Voices,  etc.    [London,  1700  ?J    s.  sh.  fol. 

K.  7.  i.  2.  (12.) 

[Another  copy.]  G.  304.  (39.) 

If  Love's  a  sweet  Passion.     [Song.] 
[London,  1740  ?]     s.sh.iol. 

G.  316.  e.  (28.) 

Now  the  Maids  and  the  Men.  A  Dialogue 
. . .  Sung  by  Mr.  Reading  and  Mr.  Pate  in 
Womans  habit,  and  exactly  engrav'd  by 
Tho:  Cross.     [London,  1695.]     fol. 

K.  7.  i.  2.  (15.) 

[Another  copy.]  G.  304.  (110.) 


PU-RCELL  (Henry) 

The  Fatal  Marriage. 
The  Danger  is  over.     A  Song  in  the  Fatal 
Marriage,  by  Mr.  Southerne,  etc. 

Printed  for  H.  Rhodes  : 
London,  1694.     4".  P.P.  5255. 

Gentleman's  Journal,  March,  1694,  pp. 
65-68. 

A  Fool's  Preferment. 
A  Fool's  Preferment,  or.  The  Three  Dukes 
of  Dunstable.  A  Comedy  . . .  Written  by 
Mr.  D'urfey.  Together,  with  all  the 
Songs  and  Notes  to  'em,  Excellently 
Compos'd  by  Mr.  Henry  Purcell,  etc. 
(New  Songs  sung  in  The  Fool's  Preferment, 
etc.)     2  pts.  Printed  for  J.  Knight, 

and  F.  Saunders  :  [London,]  1688.     4°. 

643.  i.  20.  (3.) 

Each  part  has  separate  title-page  and 

piagination.     The  songs  are  '  Printed 

by  E.    Jones,  for  J.  Knight  and  F. 

Saunders,'  etc. 

[Another  copy.]  644.  h.  20. 

[Another  copy.]  81.  c.  5. 

The  Indian  Queen. 
The  Songs  in  the  Indian  Queen  :  as  it  is 
now  Compos'd  into  an  Opera,  etc. 
J.  Heptinstall :  London,  1695.     fol. 

G.  98.  a. 
The  Indian  Queen.  [An  Opera,  adapted 
from  the  play  by  Sir  R.  Howard  and 
J.  Dryden.  Full  Score.]  [B.  Goodison  : 
London,  1790?]     fol.  H.  101.  (2.) 

I  attempt  from  Love's  sickness  to  Ily. 
^4  Song  in  the  Indian  Queen  :  as  it  is  now 
Compos'd  into  an  Opera.  Sung  by  Mrs. 
Cross  and  exactly  engrav'd  by  Tho:  Cross. 
[London,  1695?]     s.sh.iol. 

K.  7.  i.  2.  (11.) 
You  twice  ten  hundred  Deities.  The 
Conjurer's  Song  in  the  Indian  Queen . . . 
Sung  by  Mr.  Leveridge. 
[London,  1700  ?]  fol.  H.  1601.  (537.) 
[Another  edition.]  You  twice  ten  hundred 
Deities.  Tlie  Conjurer's  Song,  etc. 
[London,  1110?]  fol.  G.  304.  (191.) 
[For  songs,  &c.,  published  anonymously  :J 
^'ee  Indian  Queen. 

King  Arthur. 
The  Songs  Airs  Duetts  and  Chorusses,  in 
the  Masque  of  King  Arthur  .  . .  Compos'd 
by  Purcell  and  Dr.  Arne. 

Printed  for  Longman,  Lukey  &  Co.  : 
London,  [1773  ?]     fol.  G.  231.  (2.) 

Come  if  you  dare,  etc.  [Song  and  Chorus.] 
[1802.]  See  Periodical  Publications. — 
London.  The  Piano-Forte  ]\Iagazine. 
Vol.  XVI.  No.  7.  [1797-1802.]  S".  D.  854. 
Fairest  Isle.  ^4  Song  . . .  sung  by  IMrs. 
Scott,  etc.  R.  Falkener  :  London, 

[1775  ?]     s.  sh.  fol.        H.  1994.  a.  (83.) 


PURCELL  (H.) 


373 


PURCELL  (Henry)     Fairest  Isle,     Glee 
for  Three  Voices. 

[London,']  1787.    s.  sh.  4".         P.P.  5141. 
Lady's  Magazine,  Jan.,  1787. 

Purcel's  Fairest  Isle,  sung  by  Mrs. 
Munday,  with  Accompaniments  by  Dr. 
Hayes.     [Full  Score.] 

Printed  for  the  Author  :  London, 
[1790  ?]     fol.        '  G.  360.  (22.) 

I  call  I  call  you  all.  A  Song,  etc.  TWords 
byj.  Drvden.l     [LondoH,  1710  ?1     fol. 

H.  1601.  (251.) 

Your  Hay  it  is  mow'd.  A  Neiv  Song  in 
the  Dramatick  Opera.  Written  by  ^Mr. 
Drydeu.     •  London,  1G92?]     s.  sh.  io\. 

G.  304.  (183.) 

The  Maid's  Last  Prayer. 
Tell  me  no  more  I  am  deceiv'd.     A  Song 
. .  .the  Words  bv  Mr.  Congreve. 
R.  Parker:  London,  1693.     4". 

P.P.  5255. 
Gentleinan's  Journal,  Jamiary,  1G92-3, 
pj).  27,  28. 
Tho'  you  make  no  return  to  my  passion. 
A  Song. .  .the  Words  bv  ]Mr.  Soutbernc. 
R.Parker:  T^ondon,  IG'Jd.  4".  P.P.  5255. 
Gentleman's  Journal,  January,  1692-3, 
pp.  29-31. 

The  Marriage-Hater  Match'd. 
As  soon  as  the  Chaos.     A  Two  part  Song 
. .  .sung  by  Mr.  Pate  &  Mv.  Leveridge. 
[London,  1700  ?]     fol.        H.  1601.  (14.) 

The  Married  Beau. 
See  where  repenting  Cselia  lies.  A  Song 
in  the  last  New  Comedy  call'd  y  -  Married 
Beau  or  the  Curious  Impertinent.  Sung 
by  Mrs.  Aliff,  etc.  [Words  by  J.  Crowue.] 
[London,  1695.]     s.  sh.  fol. 

K.  7.  i.  2.  (23.) 

The  Massacre  of  Paris. 
Thy  Genius  lo !     A  Song  in  the  Massacre 
of  Paris  [written  by  N.  Lee]  . . .  Sung  by 
the  Boy  and  exactly   engrav'd   by   Tho: 
Cross.     [London,  1697  ?1     s.  sh.  fol. 

K.  7.  i.  2.  (24.) 

The  Mock  ^Marriage. 
'Twas  within  a  fourlong  of  Edenborough 
toun.      A    Scotch   Song.      [Words   by   T. 
D'Urfey.]    Sung  by  the  Girl,  in  the  Mock 
Marriage  [by  T.  Scottl,  etc.  [London, 

1696.]     s.  sh.  fol.  G.  312.  (51.) 

[Another  copy.]  G.  315.  (164.) 

The  Richmond  Heiress. 
Behold   the    ilan    that    with    Gigantick 
Might.      The   Mad  Dialogue.      Sung  by 
Mr.  Leveridge  and  Mvs.  Lynsey.     [Words 
by  T.  D'Urfey.]     [Lomlon,  170 J?]     fol. 

G.  306.  (177.) 
[Another  copy.]  G.  315.  (83.) 

Imperfect :  fol.  1  only. 


PURCELL  (Henry) 

The  Rival  Sisters. 
Celia  has  a  thousand  Charms.  A  Song  in 
the  Play  call'd  the  Rival  Sisters ...  Sung 
bv  the  Boy  and  exactly  engrav'd  by  Tho: 
Cross.  [Words  bv  R.  Gould.]  [London, 
1696.]    s.  sh.  fol. "  K.  7.  i.  2.  (17.) 

[Another  edition.]  Celia  has  a  thousand 
Charms,  c^c.     [London,  11 10  ?]     s.  sh.  io\. 

H.  1601.  (117.) 
[Another  edition.]     Celia  has  a  thousand 
Charms. .  .Transposed  for  y  Flute. 
[London,  1715  ?]     s.  sh.  fol. 

G.  304.  (41.) 

[Another  edition.]  Celia  has  a  thousand 
charms,  etc.  Cluer  :  [London, 

1720?]     s.sh.iol.  G.  316.  g.  (16.) 

Take  not  a  Woman's  anger  ill.  A  Song, 
in  the  last  new  Tragedy  of  the  Rivall- 
Sisters . . .  Sung  by  Mr.  Leveridge.  [Words 
by  R.  Gould.]    [London,  1696.]    s.  sh.  fol. 

G.  304.  (154.) 

The  Spanish  Friar. 

Whilst  I  with  grief.  A  Neio  Song  in  the 
Play  "by  J.  Dryden]  call'd  the  Spanish 
Fryer".  .  .  Sung  by  a  boy,  and  exac[t]ly 
Engraven  by  T.  Cross.  T.  Cross  : 

r  London,  1696?]     s.sh.iol. 

H.  1601.  e.  (4.) 

[Another  edition.]  Whilst  I  with  greif 
did  on  you  look.  A  Neio  Song.  Sung  in 
the  Spanish  Frier,  etc.  Engraven  for 

I.  Walsh  :  [London,  1696.]     s.  sh.  fol. 

G.  304.  (182.) 

The  Tempest. 
The  Musick  in  the  Comedy  of  the  Tempest 
in  Score,  etc.  [Opera,  adapted  from  Shake- 
speare by  Davenant,  Dryden  and  Shad- 
well.]  Printed  for  Harrison  &  Co. : 
London,  [1785  ?]     obi.  fol.       D.  282.  (2.) 

The  Tempest.     [Full  Score.] 

[JB.  Goodison  :  London,  1790  ?]     fol. 

H.  101.  (1.) 

[Another    edition.]     The    Music    in   The 

Tempest,  etc.     [Full  Score.] 

[B.  Goodison  :  Lomlon,  1790  ?]     fol. 

H.  130.  (6.) 

This    edition    contains    a   preface    [by 

Goodison]. 

The  Music  in  the  Tempest.     [Full  Score.] 

Printed  for  Messrs.  Longman  and 

Broderip  :  London,  [1190?]     fol. 

H.  101.  h.  (2.) 
A  New  Edition  of  the  .  .  .  music  in  the 
Tempest  .  .  .  Revised  and  Corrected  by 
Doctor  Busby.  Broderip  &  Wilkinson  : 
London,  [1800?]     fol.  H.  101.  f. 

Dear  pretty  youth.  A  Song  sung  by  the 
Girl  in  the  Tempest  .  .  .  and  exactly 
engrav'd  by  Tho:  Cross.  [London, 

1696?]    s.'s/i.  fol.  K.  7.  i.  2.  (21.) 


374 


PURCBLL  (H.) 


PURCELL  (Henry)     [Another   edition.] 
Dear  pretty  Youth,  etc.  [London, 

1700?]     s.sh.lol.  H.  1601.  (130.) 

[Another  edition.]      Dear   pretty   youth, 
etc.     [London,  1105  7]    s.  sh.  io\. 

G.  304.  (46.) 
Theodosius. 

Theodosius :  or,  The  Force   of   Love.     A 
Tragedy . .  .  Written  by  N.  Lee.     With  the 
Musick  betwixt  the  Acts.     1680.     4°. 
Sec  Theodosius.  841.  f.  50. 


[Hail   to   the  myrtle  shade. _ 
Hail   to   the   Knight  of  the  Post 


See  Hail. 
Titus 
Tell-Troth  . . .  Song.  To  the  Tune  of, 
Hail  to  the  Myrtle  Shades  [by  H.  Purcell]. 
1682.    s.  sh.  fol.         Case  38.  i.  25.  (6.) 

Timon  of  Athens. 

Come  let  us  agree.  A  two  part  Song 
between  Cupid  &  Bacchus,  etc.  Words 
by  P.  A.  Motteux.]  [London, 

1700?]     s.  s7t.  fol.  G.  307.  (13.) 

Tyrannick  Love. 

Ah  !  how  sweet  it  is  to  love.  A  Song  sung 
by  Mrs.  Aliff  in  the  Playcall'd  Tyraunick- 
Love,  etc.     [Words  by  J.  Dryden.] 

G.  306.  (17.) 
[Another  copy.]  K.  7.  i.  2.  (22.) 

[Another  copy.]  G.  304.  (15.) 

[Another  copy.]  G.  315.  (5.) 

[Another  copy.]  G.  315.  (14.) 

[Another  copy.]  G.  315.  (44.) 

[Another  edition.]  Ah  !  how  sweet  it  is 
to  love,  etc.     [London,  1710?]     s.  sh.  fol. 

H.  1601.  (55.) 

Hark  my  Daridcar.  See  Hark.  Hark 
myDaridcar.     [1730?]     fol. 

H.  1994.  a.  (118.) 

d.  Catches,  Duets  and  Single  Songs. 

Ah   me !    to   many   Deaths   decreed.      A 
Song. .  .the  Words  by  ]Mr.  J.  Crown. 
Printed  for  li.  Parker  :  London,  1692.    4". 

P.P.  5255. 
Gentleman's  Journal,  August,  1692,  pp. 
27-30. 

Ask   me  to  love  no  more.      A  Song  .  .  . 
the  Words  by  A.  Hammond,  Esq. 
Printed  for  H.  Rhodes  :  London,  1694.   4". 

P.P.  5255. 
Gentleman's   Jotirnal,   April,  1694,  pp. 
104-108. 
Bess  of  Bedlam,  etc.     [Song.] 
[London,  1710  ?]     fol.      H.  1601.  (152.) 
[Another  edition.]     Bess  of  Bedlam,  etc. 
[London,  17207]     fol.      G.  316.  g.  (29.) 
[Another  edition.]     Bess  of  Bedlam,  etc. 
[Song.]     [London  7  1720  ?]     fol. 

G.  316.  h.  (33.) 
Pp).  14, 15  of  some  tmidentified  collection. 


PURCELL  (Henry)  [Another  edition.] 
Bess  of  Bedlam.  A  Celebrated  Old  Song, 
etc  J-  <£"  E.  Lee  : 

Dublin,  [1790  ?]    fol.     H.  1601.  b.  (69.) 

[Four  Catches  for  three  and  four  Voices.] 
[London  7  1740  ?]     s.  sh.  fol. 
^  L  600.  (114.) 

A  sheet  of  catches,  numbered  51-54,  in- 
tended to  be  cut  tip  in  oblo7ig  quarto  size. 

Catch,  A  3  voice.    [Begins  :  '  Jack  thou'rt 
a  Toper.']     Catch,  A  4  voice.      [Begins: 
'  Soldier,  soldier,  take  off  thy  wine.'] 
[LowfZon,  1740  ?]     s.  sh.  io\. 

G.  316.  h.  (28.) 
Celia's  fond  ;  too  long  I've  lov'd  her.  A 
Song  ...  the  Words  fitted  to  the  Tune  by 
Mr.  M[otteux].  Printed  for  H.  Rhodes  : 
London,  1694.     4°.  P.P.  5255. 

Ge7itleman' s  Journal,  July,  1694,  pp. 
21.3-216. 
Celladon  when  Spring  came  on.  A  Song 
by  Mr.  Durfey  to  a  Tune  of  the  late  Mr. 
Purcells.  [The  Words  from  D'Urfey's 
'  The  Old  Mode  and  the  New.'] 
[London,  1709.]     s.  sh.  fol. 

H.  1601.  (116.) 

Corinna  is  divinely  fair.     A  Song' . . .  the 
Words  by  a  Person  of  Honour. 
Printed  for  R.  Parker  :  London,  1G92.    4°. 

P.P.  5255. 

Gentleman's  Journal,  December,  1G92, 
pp.  27-31. 
Crown  your  Bowles  :  An  Ode  on  the  King's 
happy  returne  from  abroad,  the  words  by 
Mr.  Durfey.  To  a  Sebell  of  Mr.  Henry 
Purcell.     [London,  1700  ?]     s.  sh.  fol. 

G.  305.  (36.) 
[Another  edition.]  Crown  your  Bowles. 
A  Song  the  words  by  Mr.  Durfey  to  Mr. 
H.  Purcell  Sebell.  [I^ondon, 

1700?]     s.sh.iol.  H.  1601.  (106.) 

Dulcibella,  a  [Two-Part]  Song,  etc. 
R.  Baldioin  :  London,  1694.     4". 

P.P.  5255. 

Gentleman's    Journal,    Oct.   and   Nov., 

1694,  pp.  277-282. 

Dulcibella  when  e'er  I  sue.     A  Song  for 

tivo  Voices.  [J.  Walsh  : 

Lojidon,  1710  ?]     fol.       G.  316.  g.  (13.) 

Printed  from  the  same  plates  as  Walsh's 
'  Orpheus  Britannicus,'  but  without 
pagination. 
Fair  Cloe  my  breast  so  alarms.  A  Song 
[for  two  voices,  words  by  J.  Glanvil,]  .  .  . 
exactly  engrav'd  by  Tho:  Cross. 
[London,  1695  ?]  fol.  K.  7.  i.  2.  (14.) 
[Another  edition.]  Fair  Cloe  my  Breast 
so  alarms.  A  Song  . . .  for  two  voices. 
Within  Compass  of  y'  Flute.  [London, 
1710?]     s.sli.iol.  G.  305.  (94.) 

[Another  edition.]     Fair  Cloe  my  Breast 
so  alarms,  etc.  [London, 

1735  ?]     s.  sh.  fol.  H.  1994.  a.  (13.) 


PURCELL  (H.) 


375 


PURCELL  (Henry)     Fill  all  the  Glasses. 
.4  2hvo  Part  Song,  etc.  [London, 

1740?]    s.sh.iol.  H.  1994.  a.  (37.) 

Fly  swift  ye  Hours.     A  Song,  etc. 
[J.  Walsh :  London,  1710  ?]     fol. 

G.  316.  g.  (19.) 

Printed  from  the  same  plates  as  Walsh's 

'  Orpheus   Britannicus,'   hut  withmct 

pagination. 

For  Love   ev'ry  Creature   is  form'd.      A 

two  Part  Song,  etc.  [London, 

1720?]    s.sh.iol.  G.  316.  (115.) 

Fye,  nay,  pr'ythee  John.  Sec  Fyf..  Fye, 
nay,  pr'ythee  John.  A  Favourite  Catch, 
etc.  [By  H.  Purcell.]  [1775  ?]  s.  sh.  fol. 
H.  1994.  a.  (18*.) 
Gentle  Shepherds,  you  that  know.  A 
Pastoral  Elegy  on  the  Death  of  Mr.  John 
Playford.     The  Words  by  ilr.  Tate. 

Printed  for  H.  Playford  :  Jjondon, 
1687.     fol.  G.  109.  (1.) 

Here  lies  Tom  Short-hose.     A   Catch  for 
Three  Voices.  R.  Falkener  :  London, 

[1775  ?]     s.  sh.  fol.       H.  1994.  a.  (55*.) 

I  envy  not  a  jMonarch's  Fate.     A  Song, 
etc.     R.  Parker  :  London,  1693.     4". 

P.P.  5255. 

Gentleman's   Journal,    September,  1693, 

pp.  315,  316. 

If  IMusic  be  the  food  of  Love.     A  Song 

. . .  the  words  by  Colonel  Heveningham. 

Printed  for  R.  Parker  :  London,  169^.    4". 

P.P.  5255. 
Gentleman's   Journal,   June,   1692,  pp. 
27-29. 
If  jMusick  be  the  food  of  Love.     A  Song, 
etc.     [Words  by  Col.  Henningham.] 
[London,  1105?]     fol.  G.  309.  (51.) 

Let  us  dance,  let  us  sing.     A   Song,  etc. 
Printed  for  R.  Parker  :  London,  1692.    4°- 

P.P.  5255. 

Gentleman's     Jotcrnal,     October,    1692, 

jyp.  32-34. 

Lost  is  my  Quiet  for  ever.     A  Song  for 

two  Voices,  etc.  [London, . 

1700  ?]    s.  sh.  fol.  H.  1994.  (52.) 

Mad  Bess.    [Song.]    [LojkZom,  1790?]    fol. 

H.  2818.  b.  (71.) 
New  reformation,  begins  thro  y"  Nation. 
A  Song  in  the  Campaigners,  the  words  by 
Mr.  Tho:  Durfey,  to  a  tune  of  Mr.  Henry 
Purcels  and  exactly  engrav'd  by  Dan: 
Wright.     [London,  1698  ?]     s.  sh.  fol. 

H.  1601.  (316.) 
[Another    edition.]      New    Reformation, 
begins  through  the  Nation,  etc. 
[London,  1698?]   s.  sh.  fol.   G.  303.  (58.) 

No  Watch,  dear  Celia,  just  is  found.     A 
Song,  etc.     R.  Parker  :  London,  1093.   4°. 

P.P.  5255. 
Gentleman's  Journal,  February,  1692-3, 
pp.  32-34. 


PURCELL  (Henky)  Once,  twice,  thrice. 
A  Catch  a  3  voc.  See  Catches.  [Four 
Catches,  efc.    No.  4.]    [1740?]    s.  sh.  io\. 

G.  316.  e.  (109.) 

Prithee,  ben't  so  sad  and  serious.  A 
Catch,  etc.  R.  Falkener  :  London, 

[1775?]     s.sh.  fol.      H.  1994.  a.  (95*.) 

[Another  copy.]         H.  1994.  a.  (204*.) 

Sawney  is  a  bonny  Lad.     A  Song. .  .Sung 
at  an  Entertainment  for  Prince  Lewis  of 
Baden.     [Words  by  P.  Motteux.] 
Printed  for  H.  Rhodes  :  London,  1694.   4". 

P.P.  5255. 
Gentleman's     Journal,     January     and 
February,  1694,  pp.  33,  34. 

Since  from  my  dear  Astrea's  Sight.  A 
Song,  etc.  (The  words  by  the  Earl  of  ^I.) 
R.  Parker  :  London,  1693.     4°. 

P.P.  5255. 
Gentleman's   Journal,   December,   1693, 
pp.  426-428. 

Stript  of  their  green  our  Groves  appear. 
A  new  Song,  etc.  [Words  by  P.  jNIotteux.] 
R.  Baldivin  :  Tjondon,  1692.     4°. 

P.P.  5255. 
Pp.  57-62  of  the  Gentlenmn's   Journal 
for  Jan.,  1691-2. 

Sum  up  all  the  delights.  A  Catch  for 
Three  Voices.  R.  Falkener  :  Tjondon, 

[1775?]    s.  s7t.  fol.      H.  1994.  a.  (41*.) 

There's  not  a  Swain.  A  Song,  tho  Notes 
by  Mr.  Henry  Purcell.  The  Words  fitted 
to  the  Tune  by  N.  Henley  Esq. 

Printed  for  H.  Rhodes  : 
London,  1694.     4°.  P.P.  5255. 

Gentleman's   Journal,   April,   1694,  pp. 
101-103. 

We  now,  my  Thyrsis.    A  Song,  etc.     (The 

words  fitted  to  the  Notes.)         R.  Parker  : 

London,  1693.     4°.  P.P.  5255. 

Gentleman's    Journal,   June,   1693,  jJ2^. 

205-208. 

When  first   I  saw  the  bright   Aurelia's 

Eyes.     A  Song,  etc.  R.Parker: 

London,  1693.     4°.  P.P.  5255. 

Gentleman's   Journal,  December,   1693, 

pp.  421-425. 

When   my   Acmelia   smiles.     A  Song... 
exactly  engrav'd  by  Tho:  Cross. 
[Zyowdoji,  1700  ?]     s.sh.iol. 

G.  315.  (149.) 

When  Myra  sings.  A  Song  for  two 
Voices,  etc.  [Words  by  Lord  Lansdowne.] 
[London,  1710  ?]     fol.         G.  304.  (180.) 

3.    iNSTBUMENTAIi. 

Purcell's  Ground.  See  infra:  [Doubtful 
and  Spurious  TForfcs.] 


37G 


PURCELL  (H.) 


PURCELL  (Henry)  A  Choice  Collection 
of  Lessons  for  the  Harpsichord  or  Spin- 
net,  etc.  Printed  on  Copper  Plates  for 
Mrs.  Frances  Purcell  . . .  a/nd  . . .  Sold  by 
Henry  Pla II ford:  London,  1696.    obi,  4:°. 

K.  1.  c.  5. 
Bound  up  at  the  end  of  the  volume  are  a 
MS.  Overture  {to  the  Virtiious  Wife), 
Ayrc  [frovi  Abdelazer)  and  Jegg  in 
Gamut  i),  and  an  Ahnain  and  Borry 
in  D  sol  re  by  H.  Purcell,  in  a  con- 
teviporary  handwriting. 

A  Choice  Collection  of  Lessons  for  the 
Harpsichord  or  Spiunet  .  .  .  The  third 
Edition  with  Additions,  etc.  Printed  on 
Copper  Plates  for  Mis.  Frances  Purcell, 
etc. :   Westminster,  [1700  ?]  ohl.  4°.     a.  35. 

Sonnata's  of  III.  Parts  :  Two  Viollins  and 
Basse  :  to  the  Organ  or  Harpsecord,  etc. 
[Separate  Parts.]    I.  Playford  and  I.  Carr, 
for  the  Author  :  London,  1G83.     fol. 

e.  768. 
Ten  Sonatas  in  Four  Parts.  [Separate 
Parts.]  J.  Heptinstall,  for  Frances 

Purcell :  London,  1697.     fol. 

K.  4.  i.  10.  (2.) 
— —  [No.  IX.]  That  Excellent  Sonata  in 
E.  for  Violins  in  3  Parts  call'd  the  Golden 
Sonata,  etc.  [Separate  Parts.]  [London,] 
1704.     fol.  g.  25.  a. 

Part  of  a  monthly  series  of  instrumental 
music. 

[No.   IX.]     See   Harmonia   Mundi. 

Harmonia  Mundi.  Consisting  of  Six... 
Sonata's  collected  out  of  the. .  .Works  of 
. .  .Mr.  H.  Purcell,  etc.     [1710  ?]     fol. 

g.  419. 

4.  Doubtful  and  Spurious  Works. 

Purcell's  Ground  for  the  Harpsichord. 
An  excellent  Lesson  with  Variations,  etc. 

Printed  for  Straight  and  Skillern  : 
London,  [1775  ?]  fol.  g.  271.  b.  (20.) 
Purcell's  Ground,  for  the  Harpsichord, 
etc.  Printed  for  T.  Straight : 

London,  [YiQb'>]  fol.  h.  2999.  (13.) 
Purcel's  Ground  for  the  Piano  Forte,  or 
Harpsichord,  with  additional  Variations 
by  J.  Dale.  Printed  .  .  .  at  his  Musical 
Circulating  Library  :  London,  [HQQ'}']  fol. 

h.  62.  (18.) 
Purcell's  Ground,  with  Variations  for  the 
Piano  Forte  or  Harpsichord,  to  which  is 
added  the  Gamut  in  the  Treble  &  Bass 
Cliffs,  etc.  Printed  for  G.  Goulding  &  Co. : 
London,  [1800  ?]  fol.  H.  2819.  (32.) 
Purcell's  Ground.  An  excellent  Lesson 
with  Variations,  etc. 

Broderip  d-  Wilkinson  : 
London,  [1800?]     fol.       g.  271.  b.  (21.) 

Mad   Tom,   an  admir'd   Song  .  .  .  lately 

revived.     John  Lee  :  Dublin,  [1730?]    fol. 

H.  1601.  a.  (99.) 


PURCELL  (Henry)  Old  Chiron  thus 
preach'd  to  his  Pupil  Achilles.  A  Two 
part  Song  .  .  .  within  compass  of  the 
Flute.  [London, 

1705?]     s.sh.iol.  H.  1601.  (351.) 

Li  Playford' s  "  Catch  that  Catch  can, 
or  the  Second  Part  of  tlie  Musical 
Companion  "  (1685),  this  duet  is  as- 
cribed to  Michael  Wise. 

Old  Chiron   thus   preach'd   to   his   Pupil 
AchiUes.     A  Two  part  Song,  etc, 
[London,  1730  ?]     s.  sh.  fol. 

G.  305.  (100.) 

Old-  Chiron.     A  Two  Part  Song,  etc. 
[London,  1740?]     s.sh.iol. 

H.  1994.  a.  (25.) 

5.  Appendix. 

See  Apollonian  Harmony.  Apollonian 
Harmony:  a  Collection  of. .  .Glees.  .  .by 
...Purcell,  e/c.     [1790?]     8".        E.  255. 

See  Blow  (J.)  and  Purcell  (H.)  Three 
Elegies  upon  the  . . .  Loss  of  .  . .  Queen 
Mary,  etc.     1G95.     fol.  G.  107. 

See  Blow  (J.)  and  Purcell  (H.)     Songs 
Compleat. .  .set   to  Musick    by  Dr.   John 
Blow,  Mr.  Henry  Purcell,  and  other... 
Masters. .  .written  by  Mr.  D'Urfey. 
1719.     8°.  238.  g.  35,  36. 

See  Bond  (H.)  The  Psalms  of  David . . . 
The  Music  consisting  of . .  .Tunes. .  .bv. . . 
Purcell,  etc.     [1791  ?]     4°.  E.  579. 

See  Catch  Club.  The  Catch  Club  .  .  . 
being  a  Choice  Collection  of  Catches  .  .  . 
compos'd  by  the  late  Mr.  H.  Purcell,  etc. 
[1720?]     obi.  4°.  B.  355. 

See   Catch   Club.     The   Catch   Club,   or 
Merry  Companions.     A  Collection  of  .  .  . 
Catches  ...  by  H.  Purcell,  etc. 
[1760?]     obi.  fol.  E.  137.  d. 

See  CoRFE  (J.)    Nine  Vocal  Trios  arranged 
from  .  .  .  Airs  and  Duetts  of  Purcell,  etc. 
[1800?]     obl.iol  E.  607.  z.  (1.) 

Sec  Harmonia  Anglicana.  Harmonia 
Anglicana  ...  A  Collection  of  .  .  .  Songs 
...  by  H.  Purcell,  etc.     [1765?]     fol. 

G.  103.  b. 
See  Jovial  Companions.  The  Jovial 
Companions  ...  a  Choice  Collection  of . . . 
Catches  .  .  .  together  with  the  most  Cele- 
brated Catches  ...  by  ...  H.  Purcell,  etc. 
[1710?]     fol.  G.  108. 

See  Joyful  Cuckoldom.  [Joyful  Cuckol- 
dom  ...  A  Collection  of  New  Songs  .  .  . 
by  H.  Purcell,  etc.^     [1690  ?-0  ?]     4°. 

C.  180.  a. 
Sec  Musical  Companion.  The  Second 
Book  of  the  Pleasant  Musical  Companion 
.  .  .  Compos'd  by  .  .  .  Mr.  Henry  Purcell, 
and  other  Eminent  Masters,  etc. 
1701.    obi.  4°.  A.  412.  e. 


PURCELL  (H.) 


377 


PURCELL  (Henby)  See  Musical  Com- 
panion. Supplement  of  New  Catches,  to 
the  Second  Book  of  the  Pleasant  Musical 
Companion.  Containing  the  Choicest 
Catches  by  .  .  .  Mr.  Henry  Purcell,  etc. 
1702.     obi.  4".  A.  412.  g. 

See  Playford  (H.)  Harmonica  Sacra : 
. . .  The  First  Book.  The  2'»  edition  . . . 
also  four. .  .Anthems  of. .  .Mr.  H.  Purcell's 
never  before  Printed,  etc.     170.3.     fol. 

G.  84.  a.  (1.) 
Sec  Playford  (J.)  An  Introduction  to 
the  Skill  of  Jlusick  .  .  .  The  Twelfth 
Edition.  Corrected  and  Amende;!  by 
:\Ir.  Henry  Purcell.     1694.     8". 

1042.  e.  11.  (1.) 
See   Shield   (W.)     The    Prophet  ...  An 
Opera . . .  Composed  by  [or  rather,  selected 
from  the  works  of]  ...  Purcell,  etc. 
[1788.]    obi.  fol.  E.  108.  a.  (2.) 

See  Songs.  A  Choice  Collection  of  Two 
Three  &  Four  Part  Songs,  compos'd  by 
Purcell,  f/c.     Book  2".     [1775?]     fol. 

G.  788.  a. 
See  Songs.     A  Third  Collection   of   New 
Songs  ...  by  ...  H.  Purcell,  etc. 
1685.     fol.  G.  152.  (2.) 

See  Thesaurus  Musicus.  Thesaurus 
:Musicus.  A  Collection  of  .  . .  Part  Songs 
...  by  ...  H.  Purcell,  etc.     [1743  ?]     fol. 

H.  73. 
See  Williams  (A.)  Royal  Harmony  . . . 
Containing  .  .  .  Anthems  ...  by  ...  H. 
Purcel,  etc.  [1765  ?]  obi.  fol.  E.  1492. 
See  Williams  (T.)  Harmonia  Coelestis 
...  a  Collection  of  .  .  .  Anthems  .  .  .  by 
PurceU,  etc.     1780.     fol.  G.  970. 

See  WiLLOUGHBY  (R.)  Sacred  Harmony 
.  .  .  selected  from  the  Works  of  .  .  . 
Purcell,  etc.     [1795  ?]     obi.  4'\     A.  1095. 

6.  Index. 

Ah  !  how  sweet  it  is  to  love. 
See  [Tyrannick  Love.] 
And  in  each  track  of  Glory  since. 
See  [The  Yorkshire  Feast  Song.] 

As  soon  as  the  Chaos. 

See  [The  Marriage-Hater  Match'd.] 

Behold    the    Man    that    with   Gigantick 

]\Iight.     See  [The  Richmond  Heiress.] 

Britons  strike  home.     See  [Bondiica.] 

Celemene  pray  tell  me. 

See  [The  Conquest  of  Granada.] 

Celia  has  a  thousand  Charms. 

See  [The  Rival  Sisters.] 

Come  if  you  dare.     See  [King  Arthur.] 

Come  let  us  agree.    See  [Timon  of  Athens.] 

Come  let  us  leave  the  Town. 

See  [The  Fairy  Queen.] 

The  Danger  is  over. 

See  [The  Fatal  Marriage.] 

Dear  pretty  youth.     See  [The  Tempest.] 


PURCELL  (Henry)     Fairest  Isle. 
Sec  [King  Artltur.^ 
Fear  no  danger  to  ensue. 
See  IDido  and  uEneas.] 
The  Fife  and  all  the  Harmony  of  War. 
See  [Ode  for  S'  Cecilia's  Day.     1692.] 
From  rosy  Bowers. 
.See  [Don  Quixote.     Part  iii.] 
Genius  of  England. 
Sec  [Don  Quixote.     Part  ii.] 
I  attempt  from  Love's  Sickness  to  fly. 
See  [The  Indian  Queen.} 
I  call,  I  call  you  all.     See  [Ki^ig  Arthur.] 
I  see  she  flies  me.     See  [Aureng-Zehe.] 
If  Love's  a  sweet  Passion. 
See  [The  Fairy  Queen.] 
Jack  thou'rt  a  Toper.     See  [Bonduca.] 
Kindly  treat  Maria's  Day. 
See  [Ode  for  Queen  Mary's  Birthday.  1693.] 
Lads  and  Lasses  blith  and  gay. 
See  [Don  Quixote.     Part  ii.] 
Let  Caesar  and  Urania  live. 
See  [Ode  for  King  James  II's  Birthday.] 
Let  the  dreadfull  Engines. 
See  [Don  Quixote.     Part  i.] 
Let  the  Souldiers  rejoyce. 
See  [Dioclesian.] 
Lucinda  is  bewitching  fair. 
See  [Abdclazer.] 

:\Iad  Tom. 

See  [Doubtful  and  Simrious  Works.] 

Now  the  Maids  and  the  I\Ien. 

See  [The  Fairy  Queen.] 

Oh  lead  me  to  some  peacefull  Gloom. 

See  [Bonduca.] 

Old  Chiron   thus   preach'd    to    his   Pupil 

Achilles. 

See  [Doubtful  and  Spurious  Works.} 

The  Prophetess.     See  [Dioclesian.] 

See  where  repenting  Cselia  lies. 

See  [The  Married  Beau.] 

Since  Times  are  so  bad. 

See  [Don  Quixote.     Part  ii.] 

Sing,  all  ye  Muses. 

See  [Don  Quixote.     Part  i.] 

Sound  Fame,  thy  brazen  Trumpet. 

See  [Dioclesian.] 

Strike  the  Viol,  touch  the  Lute. 

See  [Ode  for  Queen  Mary's  Birthday.  1694.] 

Take  not  a  Woman's  anger  ill. 

See  [The  Rival  Sisters.] 

TeU  me  no  more  I  am  deceiv'd. 

See  [The  Maid's  Last  Prayer.] 

Tho'  you  make  no  return  to  my  passion. 

See  [The  Maid's  Last  Prayer.] 

Thy  Genius  lo ! 

See  [The  Massacre  of  Paris.} 

'Tis  Nature's  Voice. 

See  [Ode  for  S'  Cecilia's  Day.     1692.] 

To  Arms.     See  [Bonduca.] 


378 


PURCELL  (H.)— QUAKER 


PURCELL  (Henry)    'Tvvas  within  a  four- 
long  of  Edenborougli  Toun. 
Sec  \_The  Mock  Marriage] 

Welcome  to  all  the  pleasures. 

Sec  [Ode  for  S'  Cecilia's  Day.     1G83.] 

Whilst  I  with  grief  did  on  you  look. 

See  [The  Spanish  Friar.] 

You  twice  ten  hundred  Deities. 

Sec  [The  Indian  Queen.] 

Your  Hay  it  is  mow'd.    See  [Ki7ig  Arthur.'] 

PURKIS  (John)  Brave  comrades  all  hail. 
Song  for  the  British  Volunteer.  Written 
by  W.  Bazing,  etc.  W.  Hodsoll  : 

London,  [1797  ?]     fol.  G.  376.  (30.) 

PURPLE.     The  Purple  Morn.     [Song.] 
See  Atheidates.      [See  the  fiirplc  morn 
arise.] 

The  purple  vi'let  crowns  the  hill.  Annette 
the  Village  Bose,  a  Ballad.  The  Words 
by  G.  Male.  H.  Hi)nc  :  Liverpool, 

[1795?]     fol.  G.  356.  (57.) 

PURSE.  The  Purse,  or  Benevolent  Tar. 
IMusical  Entertainment.     Sec  Reeve  (W.) 

PURSUING.       Pursuing     beauty     men 
descry.     Female  Advice.     A  New  Song. 
[London,  1764.]     8°.  158.  1.  9. 

London  Magazine,  17G4,  p.  49. 
PUSH.    Push  about  the  brisk  bowl.    Song. 
See  BoYCE  (W.)     [The  Chaplet.] 


PUSH.  Push  the  bottle  about.  Tlic 
Union.     [Song.]     [London,  1767.]     8". 

158.  1.  12. 
Lady's  Magazine,  1767,  p.  644. 
Push  the  jovial  Bowl  about.     Song. 
See  Barthelemon  (F.  H.) 

PUTEANUS  (Erycius)  Errici  Puteaui 
...Modulata  Pallas,  sine  Septem  Discri- 
miua  Vocum,  ad  Harmonicse  Lectionis 
Nouum  &  Compendiarium  vsum  aptata  & 
contexta,  etc.  Apnd  Pontianos  : 

Mediolani,  1599.  8".  1125.  a.  19.  (2.) 
Eryci  Puteaui  INIusatheua,  sine  Notarum 
Heptas,  ad  HarmonicEe  Lectionis  Nouum 
&  Facilem  vsum.  Eiusdem  Iter  Nonia- 
num.  Dialogus,  Qui  Epitomen  Musa- 
thente  comprehendit,  etc.  Tijpis  Weche- 
lianis,  apud  Claudium  Marnium  &  hcredcs 
loan.  Aubrii :  Hanotiix,  1602.     S". 

1084.  g.  14.  (3.) 

PUZZLE.  The  Puzzle.  Glee.  ,See  Ball  (J.) 

PYGMALION.  Pygmalion.  Monodrama. 

See  Benda  (G.) 

Pygmalion.    Opera.    See  Cimador  (G.  B.) 

[Pimmalione.] 

PYRAMUS  AND  THISBE.    Pyramus 
and  Thisbe.     A  Mock-Opera. 
See  Lampe  (J.  F.) 

PYRRHUS  AND  DEMETRIUS. 

See  PiRRO  E  Demetrio. 


QUA.     Qua  si  trova  dir  dovrete.     [Song.] 
Sre  Paisiello  (G.)     [La  Locanda.] 

QUAGLIA  (Giovanni  Battista)  Motetti 
Sacri  a  Voce  Sola  . . .  Libro  ii. 

Per  li  Figliuoli  di  Marc'  Antonio  Rossi : 
Bergamo,  1675.     obi.  4".  A.  145. 

QUAGLIATI  (Paolo)  Canzzouette  . . . 
a  Tre  Voci  per  Souare  et  Cantare. .  .Libro 

'  Primo.  [With  a  dedication  by  G.  L. 
Conforto.]  Canto.  Appresso  Alessandro 
Gardano  :  Roma,  1588.     8".     B.  256.  (1.) 

Canzzonette. . .  a  Tre  Voci  per  Sonare  et 
Cantare  .  .  .  Libro  Secondo.  [With  a 
dedication  by  G.  L.  Conforto.]     Canto. 

Appresso  Alessandro  Gardano : 


Roma,  1588.     8°. 


B.  256.  (2.) 


This  tuork  contains  a  Canzonet  by  G.  L. 
Conforti  [Conforto]. 

Carro  di  Fedelta  d'  Amore  rappresentato 
in  Roma  da  Cinque  Voci  per  Cantar  Soli, 
et  Insieme . . .  Dato  in  luce  dal  Sig.  Oberto 
Fidati,  con  aggiunta  di  alcune  Arie  dell' 
istesso  Auttore,  a  vna,  doi,  &  tre  voci,  etc. 
Gio.  Battista  Robletti  :  Roma,  1611.     fol. 

K.  8.  h.  15. 


QUAGLIATI  (Paolo)  Motecta  Octonis 
et  Psalmus  Dixit  Dns.  Duodenis  Vocibus. 
Una  cum  Basso  ad  Organum.  Cantus  ii. 
Chori.  Apud  lo:  Baptistam  Robletum  : 
Romac,  1512  [i.e.  1612].     4°.  D.  117. 

TJie  title-page  is  engraved. 

QUAISAIN  (Adrien)  [La  Vendange.] 
Ah  !  comme  I'amour  vous  tracasse.  Air 
de  la  Vendange.  Chants  par  le  C.  Bosquet 
Gavaudan.  Paroles  du  C.  Joigny  .  .  . 
Accompagnement  de  Piano  par  le  C. 
Lemoine.  CJiez  Chapelle  :  Paris, 

[1798.]     fol.  G.  554.  a.  (41.) 

QUAKER.  The  Quaker,  a  Comic  Opera 
[by  C.  Dibdin] . .  .Adapted  for  the  German 
Flute.  Longman  &  Broderip  :  London, 
[1785  ?]     obi.  4°.  B.  386.  b.  (2.) 

I  lock'd  up  all  my  Treasure.     A  favorite 
Song  in  the  Quaker  [by  C.  Dibdin]. 
Longman  &  Broderip  :  London,  [111 b.]  fol. 

G.  383.  i.  (17.) 
While  the  Lads  in  the  Village.  ^VIlile 
the  Lads  of  the  Village.  [Song.]  Sung 
by  Mr.  Bannister  in  the  Quaker.  [By  C. 
Dibdin.]  J[ohn]  J[ohnston  :  London, 

1775.]     s.  sh.  fol.        H.  1994.  b.  (104.) 
[Another  copy.]  G.  424.  ii.  (48.) 


QUAKER— QUAND 


379 


QUAKER.     The  Quaker.     Comic  Opera. 
See  DiBDiN  (G.) 

The  Quakers  Comical  Song.    See  Amongst. 

Amongst  the  pure  Ones  all,  etc. 

[1705?]     s.  sh.  fol.  G.  316.  g.  (4.) 

QUAKER'S  OPERA.  The  Quaker's 
Opera.  As  it  is  Perform'd  at  Lee's  and 
Harper's  Great  Theatrical  Booth  in  Bar- 
tholomew-Fair. With  the  Musick  pre- 
fix'd  to  each  Song.  [Words  by  T.  Walker.] 
Printed  for  J.  W[atts]  :  London, 1128.    8". 

82.  c.  48. 

QUAL.  Qual  diletto  iusiem  m'  inonda. 
Cavatina.  See  Winter  (P.  von)  [I  Due 
Fratelli  BivalL] 

Qual  anelante.     Duet. 
Sec  Marckllo  (B.) 

QUAND.  Quand  Colinet  me  fait  la  cour. 
Romance  avec  Accomp'  de  Violon  ou  Alto 
Viola.    ChezCamand:  [Pam,  1790?]   8". 

B.  362.  a.  (139.) 
Quand  d'amour  je  re(;us  la  loi.  Romance 
Nouvelle.  Accompagnement  de  Guittare. 
Chez  M'"'  Lcbeau  :  Paris,  [1780  ?J     8". 

B.  362.  b.  (84.) 

[Another  copy.]  B.  362.  g.  (56.) 

Quand  dans  la  plaine.     Arietta. 
See  Barbier  de  Seville. 

Quand  de  la  nuit  le  voile  tut61aire.  Duo. 
Sec  Dalayrac  (N.)     [Primerosc.'] 

Quand  de  ses  feux  un  jeune  cceur.  Vaude- 
ville.     See  GiLLiER  (J.  C.)      [Les  Deux 
Suivantes.'] 
Quand  des  IMontagnes  de  Pyr^ne.    Chant. 

See  Lesueur  (J.  F.) 

Quand  il  nous  peint  une  rose  nais- 
sante.  Air.  See  Mayer  (A.)  \_Daphni'  et 
Apollon.^ 

Quand  j'ai  bien  bu.     Parodie. 
[Paris,']  1748.     a.  sh.  4'\  297.  c.  17. 

Mercure  de  France,  Jiilij,  1748. 

Quand  j'ai   m6rit6   ta  haine.     Romance. 
[Words]  Tiree  d'Oph^lie,  Koman  traduit 
de  I'Anglois.     [Paris,]  1704.     s.  sh.  8". 
[Paris,]  1764.     s.  sh.  8".  298.  d.  19. 

Mercure  de  France,  July,  1764. 

Quand  j'avais  le  coeur  d'Annette.  L'Amant 
Malhcureux.     Romance   avec   Accompag' 
de  Guitare  pr.  ftP  Alberti. 
Chez  M'-  Camand :  Paris,  [1780  ?]     8°. 

B.  362.  g.  (29.) 
Quand  je  lis  Descartes,  Newton.  Chanson. 
[Paris,]  1753.     s.  sh.  4".  298.  c.  16. 

Mercure  de  France,  Nov.,  1753. 

Quand  je  rencontre  un  Porteur  d'Eau. 
Duo.     [Paris,]  1738.     s.  sh.  4°. 

297.  b.  22. 
Mercure  de  France,  March,  1738. 


QUAJSTD. 

Tend  re. 


Quand   jc  revc   la   nuit.     Air 
Paris,]  1746.     s.  sh.  4». 

297.  c.  7. 
Mercure  de  France,  June,  1746. 

Ouand  je  reviens  du  cabaret.    Air  a  boire. 
[Paris,  1780  ?]     8\  B.  362.  a.  (58.) 

Quand  je  soupire  a  tes  genoux.     Duo. 
See  Collet  (    ) 

Quand  je  t'entends,  chere  guitarre.     Bru- 
nette.    -See  DoBET  (    ) 
Quand    je   te   vols  mon  cher   Silvandre. 
[Song.]     See  Bouvin  (    ) 
Quand  je  vais  au  hois  seulette.     Romance 
Nouvelle.     [Paris,  1785  ?]     8°. 

B.  362.  b.  (39.) 

Quand  je  vais  au  bois  seulette.     Romance 

Noibvellc  avec  accompagnement  de  guitare 

par  M'  Alberti.  Chez  M>-  Camand  : 

Paris,  [1785  ?]     8".  B.  362.  g.  (45.) 

Quand  je  vols  Fanchette.     Arietta. 

See  ToNKELiER. 

Quand  je  vous  parle,  Egl6.     Air. 

See  DuPERiER  (    ) 

Quand  jc  vous  vis.     La  Defense  Inutile. 

[Song.]. .  .Paroles  de  R.  Duferol,  Guitarre 

d' Alberti.     Air  :  Du  haut  en  has. 

Chez  Camand  :  Paris,  [1785  ?]     8°. 

B.  362.  f.  (14.) 
Quand  jeune  veuve  en  sa  d^tresso.  Vau- 
deville. See  Faux  Sermest. 
Quand  I'age  vient  I'amour  nous  laisse. 
Ariette.  See  Fausse  Magie. 
Quand  I'Amour  couvre  de  ses  ailes.  ^a 
m'fait  plaisir.  [Song,  words]  Par  M' 
Prechac.  Air  :  du  Vaudeville  des  Deux 
Morts.  Chez  les  freres  Savigny  :  [Paris, 
1781?]     8».  B.  362.  j.  (5.) 

Quand  I'Amour  est  content.     Duo. 
See  Albanese  (    ) 

Quand  I'Amour  naquit  a  Cithere.  La 
Cour  de  Vtinus.  [Song.]  Chez  hnhault  : 
Paris,  [1795  ?]     8°.  B.  362.  a.  (99.) 

Quand  I'amour  nous  appelle.     Air. 
See  Fete  de  Flore. 

Quand  1' Aquilon  s'irrite.  Le  Coin  du  Feu. 
Chanson  [by  F.  Guichard,  written]  par 
M'  Framery.  Chez  hnhault :  [Paris, 

1785?]    8".  B.  362.  a.  (147.) 

Quand  I'Ete  dans  mon  cabinet.     [Song.] 
See  Deux  Tuteurs. 
Quand  I'ombre  de  Lucas  parut.     Air. 
See  Duchemin  (     ) 

Quand  la  beaute  seule  seduit.    Vaudeville. 
See  Grakdval  (N.  Ragot  de)  [Zineide.] 
Quand  le  bien-aime  reviendra.    Romance. 
See  Dalayrac  (N.)     [Nina.] 
Quand  le  destiu  jaloux.     Air. 
See    Mereaux    (J.    N.    Le    Froid    de). 
[Alexandre  aux  hides.] 
Quand  le  Dieu  Mars.     Vaudeville. 
See  Confederation  du  Parnasse. 


380 


QUAND— QUART-D'HEURE 


QUAND.     Quand   le   Guerrier    vole    aux 
combats.     Air.     See  Euphrosine. 

Quand  le  Rossignol  du  bocage.     [Song.] 
See  lioaikiiK  de  Salenci. 

Quand     Iq9.     oiseaux    de     nos    boccages. 
Chanson.     [Words]  Par  M.  Ball. . . ,  etc. 
[Paris,]  1758.     s.  sh.  8".  297.  d.  13. 

Mercure  de  France,  May,  1758. 

Quand  on  a  bu  la  tete  tourne.  Chanson 
Noiicelle.     [Paris,  1712.]     s.  sh.  obi.  i". 

P.P.  4486. 

Mercure  Galant,  Tom.  V.,  p.  204. 

Quand  on  est  belle.     Romance. 
Sec  GRiiTRY  (A.  E.  M.) 

Quand  on  fait  charmer.     IMusette. 
See  P  *  *  *  *,  D.  L. 

Quand  on  veut  faire  une  chanson.  Les 
Quand-On,  ou  les  Mangeurs  de  Fromage. 
[Song,  written]  Par  M'  D6duit.  Air  : 
Ce  fut  par  la  faute  du  sort  [by  ]M.  A. 
Desaugiers]  ou  Non  uon  Doris. 

Chez  les  Fr^res  Savigin/ :   [Paris, 
1790?]     8".  B.  362.  (242.) 

Quand  pour  le  grand  voyage.     Ariettc. 

See  Markchal  Ferrant. 

Quand    pour    te   plaire,   belle    Hortense. 

Chanson.     See  J  *  *  *. 

Quand  pr^s  de  moi  Colin  soupire.    Ariettc. 

[Words]  Par  M.  A.  Castrcs. 

[Paris,]  1767.     s.  sh.  8".  297.  e.  8. 

Mercnre  de  France,  May,  1767. 
Quand   sur   nos   charmans    rivages.     Air 
Nouveau.     [Paris,  1678.]     ,s.  sh.  obi.  4'\ 

P.P.  4482. 

Nouveau  Mercure  Galant,  May,  1678, 
p.  88. 
Quand  un  Auteur  tr^s  ordinaire.  Ah  I 
comme  it  vient,  [Song,  written]  Par  ]\I. 
Roulland.  Air,  du  Vaudeville  du  faux 
serment  [by  P.  D.  Deshayes]. 
Chez  lesfr^res  Savigny :  Paris,  [1786  ?]    8". 

B.  362.  b.  (119.) 
[Another  copy.]  B.  362.  j.  (16.) 

Quand  un  berger  vif  et  constant.  Chanson. 
[Paris,]  1766.     s.  sh.  8".  297.  e.  3. 

Mercure  de  France,  Oct.,  1766. 
Quand  un  coeur  sort  de  I'esclavage.     Lc 
Charmc  de  la  liberie.     [Song.] 
[Paris,  1780  ?j     8°.  B.  362.  b.  (66.) 

Quand  un  cceur  tendre.     Air. 
See  Chaix  (    ) 

Quand  vous  riez,  jeune  Glycere.  Le 
Souhait,  [Song,]  paroles  de  Mr.  R.  Duferol. 
Guitarre  del  Sig"  Alberti.     Air :  Avec  les 

C]icz  Camand : 
B.  362.  (182.) 


jeux  dans  le  Village. 
Paris,  [1785  ?]     8°. 


QUANDO.      Quando    ben    finisce    il    di. 
Glee.    See  Callcott  (J.  W.) 
Quando  penso  a  quell'  istante.  Canzouetta. 
See  Mayer  (J.  S.) 


QUANDO.    Quando  sani  quel  di.    [Song.] 
See  Gresnick  (A.  F.)     [Alceste.] 
Quando  vien  lo  sposo  avanti.     [Song.] 
See  Paisiello  (G.)     [La  Locanda.] 

QUAND-ON.       Les    Quand-on,    ou    les 
Mangeurs  de  Fromage.      [Song.] 
See   Quand.     Quand   on    veut   faire   une 
chanson,  <'?c.     [1790?]     8°. 

B.  362.  (242.) 

QUANTS  (JoHANN  Joachim) 
See  Quamtz  (J.  J.) 

QUANTZ  (JoHANN  Joachim)  Easy  and 
Fundamental  Instructions  whereby  either 
vocal  or  instrumental  Performers. .  .may 
. .  .learn  how  to  introduce  Extempore 
Embellishments  or  Variations  as  also  Or- 
namental Cadences . . .  Translated  from  a 
famous  Treatise  on  Music.  Longman  and 
Broderip:  London,  [1190  ?'\   fol.   G.  493. 

Neue  Kirchen-Melodien  zu  denen  geist- 
liclien  Liedern  des  Herrn  Professor  Gel- 
lerts  welche  nicht  nach  den  gewohnlichen 
Kirchen-Melodien  konnen  gesungen  wer- 
den.  [By  J.  J.  Quantz.  Edited  by 
S.  F.  S.]  G.  L.  Winter :  Berlin, 

1760.     8°.  B.  581. 

Solos  for  a  German  Flute  a  Hoboy  or 
Violin  with  a  Thorough  Bass  for  the 
Harpsicord  or  Bass  Violin,  etc.     [Op.  1.] 

Printed  for  I.  Walsh:  London, 
[1730?]     fol.  g.  281. 

Solos  for  a  German  Flute  a  Hoboy  or 
Violin,  with  a  Thorough  Bass  for  the 
Harpsicord  or  Bass  Violin  .  .  .  Opera 
Seconda.  Printed  for  I.  Walsh: 

London,  [1730?]     fol.  g.  1090.  (1.) 

VI.   Senates   a  une  Flute   Traversiere   et 
Basse-Continue.     Opera  Prima. 
Amsterdam,  [114:0?]     fol.  g.  281.  a. 

Six  Sonatas  for  two  German  Flutes  or 
two  Violins  with  a  Thorough  Bass  for  the 
Harpsicord  .  .  .  Opera  Terza.  [Separate 
Parts.]  Printed  for.  .  .1.  Walsh: 

London,  [1733.]     fol.  g.  241.  (7.) 

Six  Sonatas  or  Duets  for  two  German 
Flutes  or  Violins . . .  Opera  Quinta. 

Printed  for  I.  Walsh  :  London, 
[1760?]     fol.  g.  280.  b.  (9.) 

J.  J.  Quautzens  .  .  .  Versuch  einer  Anwei- 
sung  die  Plote  traversiere  zu  spielen  .  .  . 
Dritte  Auflage.  Bey  J.  F.  Korn  dem 

dltern  :  Breslau,  1789.     4°.     7897.  ec.  1. 

QUARLES   (Charles)     Lesson.     [P.  P.] 
[B.  Goodison  :  London,  1790?]     fol. 

H.  103.  (1.) 
QUART-D'HEURE  DE  RABELAIS. 

Le  Quart-d'Heure  de  Rabelais,  Come'die 
en  un  acte,  en  prose,  melde  de  Vaudevilles. 
Par  les  CC.  Dieu-la-Foy  et  Pr6v6t-d'Iray 
...avec  9  Airs  not^s.  Chez  le  Libraire 
au  TJiMtre  du  Vaudeville  :  Paris,  An  VII 
[1799].     8".  11738.  d.  31.  (6.) 


QUARTETTS— QUE 


381 


QUARTETTS.  Six  Miscellaneous  Quar- 
tette's for  two  Violins,  a  Tenor  and  Bass, 
or  a  Flute,  Violin,  Tenor  and  Bass.  Con- 
sisting of  the  most  Favourite  Airs  selected 
from  the  English,  Scotch,  Irish,  German, 
Italian  &  French  Music;  composed  adapted 
&  arranged  by  the  most  Eminent  masters. 
Set  1st.  [Separate  Parts.]  Printed  for 
W.  Napier :  London,  [1780  ?]     fol. 


g- 


411.  a.  (4.) 
Vaclion  and 


The  composers  named  arc  : 
Barthelemon. 

QU ARTIER  G:6]Sri!RAIi.  LeQuartier 
General.  Piece  nouvelle  en  un  Acte,  a 
1 'occasion  de  la  Bataille  gagnee  sur  les 
Anglais  par  I'armee  du  Roi.  Par  I\Irs. 
Quetant  &  Achard,  etc.  [With  the  music 
of  the  concluding  Contredanse  and  Vaude- 
ville.]    Chez  Duchesne  :  Paris,  1757.     8". 

11738.  m.  1.  (3.) 
Le  Quartier  General,  etc.     1757. 
See  THE.tTRE.     Nouveau  Theatre   de   la 
Foire,  dc.     Tom.  3.     1763.     8". 

11735.  d.  2. 

QUATRE.     Les  Quatre  Ages  de  I'Amour. 
[Song.]     See  Bedard  (J.  B.) 
Les  Quatres  Especes.     [Song.] 
See   HoMMES.     Les   Hommcs   pcrdeut  la 
raison,  e/c.     [1780?]     8".    B.  362.  j.  (4.) 
Les  Quatre  Saisons.     [Song.] 
See  Ajiant.     L'Amant  leger  dc  Flore,  etc. 
[1780?]     8".  B.  362.  e.  (6.) 

Les    Quatre    Saisons.       Air.      See    Que. 
Qu'au  milieu  des  frimats,  etc. 
1759.     s.  sh.  8°.  297.  d.  17. 

QUATRIJEME.  Quatritme  ct  dernier 
Faux-Pas.  [Song.]  SVt-  Fillette.  Fil- 
lette  ne  jure  de  rien.     [1780  ?]'   8". 

B.  362.  e.  (38.) 

QUATTRO.       Quattro,    nove,    tutti    sei. 
Trio.    See  Martin  y  Solar  (V.)    [L'  Isola 
del  Piaccre.'] 
QUE.     Qu'a  uos  voix  I'echo  resonne.     La 
Dauphine.     Fanfare. 
{Paris,']  1717.     s.  sh.  4".  297.  c.  10. 

Mercure  de  France,  Jan.,  1717. 
Qu'ai-je  done  fait  aux  Dicux  !     Air. 
See  Lemaiee  (L.) 

Qu' Amour  et  la  tendresse.     [Song.] 
See  BoNONCiNi  (G.  B.) 
Qu'au  milieu  des   frimats.      Les   Quatre 
Saisons.    Air  de  Basse  Taille  en  Rondeau. 
Gravi  par  P.  L.   Charpenticr.     Imprimi 
par  Tournelle  :  [Paris,]  1759.     s.  sli.  8". 

297.  d.  17. 
Mercure  de  France,  Feb.,  1759. 
Qu'elle  est  belle,  la  Nature.     Aria. 
See  TissiER  (    ) 

Qu'elle   est   belle !    qu'elle   a   de    graces ! 
Chanson.     [Paris,]  1759.     s.  sh.  8". 

297.  d.  18. 
Mercure  de  France,  June,  1759. 


QUE.  Qu'elle  est  douce,  touchante  et  vive. 
RovMnce.  De  V Imprimcrie  de  Ricoquilliie  : 
[Paris,]  1768.     s.  sh.  8".  297.  e.  18. 

Mercure  de  France,  Sept.,  1768. 

Qu'elle  est  douce,  touchante  et  vive.     La 
Beauti  naive.     [Song.] 
[Paris,]  1778.     s.  sh.  8\  2.91.  f.  20. 

Mercure  de  Frarice,  Feb.,  1778. 

Qu'en  amour  je  suis  malheureux.  Air  a 
Boire.     \Paris,]  1750.     s.  sh.  4". 

297.  c.  28. 
Mercure  de  France,  August,  1750. 

Qu'est  ce  done  que  ct'  Amour.  Ronde  a 
danser.     [Paris,  1785  ?]     8". 

B.  362.  g.  (82.) 

Qu'il  est  cruel  d'aimer.     [Song.] 
See  EvENEMENS  Impbevus. 

Qu'il  est  doux  de  dire  en  aimant.     Air. 
See  LuciLE. 

Qu'il  est  doux,  qu'il  est  charmant.  Ro- 
mance.    See  Gavinies  (P.) 

Qu'il  est  heureux  notre  ami  Bechc. 
Chanson  de  B^che.  Air,  trop  de  petulance. 
[Pans,  1780?]     8°.         B.  362.  b.  (114.) 

Qu'il  sera  beau  le  jour  de  d'main.  Vaude- 
ville.    See  Rosier. 

Qu'ils  sont  charmans,  qu'ils  sont  aimans. 
Air.     See  Faucon. 

Qu'ils  sont  jolis.     Les  Moineaux.     [Song, 

words]  Par  M.  Sant  *  *  *. 

[Paris,  1780  ?]     8°.  B.  362.  b.  (4.) 

Qu'on  ne  me  parle  plus  d'armes.  [Two- 
part  Song.]     See  Du  Parc  (    ) 

Qu'on  souffre,  helas.   La  Perle  des  Femmcs, 

[Song,  written]  par  le  M'"  de  Ch n 

. . .  Air  :  Daigne  ecouter  I'amant,  dx.  [By 
M.  A.  Desaugiers.]  Chez  les  frircs 

Savignu  :  \ Paris,  1795  ?j     8". 

B.  362.  f.  (56.) 

Qu'uu  amant  a  sa  maitresse.     Le  Pierrot 
de     Jeannette.       [Song.]       Air    ['  Coeurs 
sensibles ']  de  Figaro. 
Chez  Mr.  Camand  :  Paris,  [1791  ?]     8\ 

B.  362.  (199.) 

[Another  copy.]  B.  362.  e.  (77.) 

Qu'un  autre  chante  la  foret.     La  Riviere. 
[Song.]     Air  :  Salut  a  Mr.  Robineau. 
[Paris,  1780?]     8".        B.  362.  b.  (167.) 

Qu'une  fete  ici  s'apprete.     Air. 
See  Camp  de  Grand-Pee. 

Qu'une  meme  ardeur  nous  enfiammc. 
Duo.     [Paris,]  1724.     s.  sh.  4°. 

297.  a.  8. 
Mercure  de  France,  June,  1724. 

Qu'une  meme  ardeur  nous  enflamme. 
Duo.     [Paris,]  1734.     s.  sh.  4". 

297.  b.  2. 
Mercure  de  France,  Jan.,  1134:. 


382 


QUE 


QUE.  Que  ce  jour  a  pour  nous  d'attraitsl 
Hymnc  on  I'Honneur  do  Bordier  et  Jour- 
daui.  A  la  Rehabilitation  de  leur  memoire 
a  Rouen  .  .  .  Air  :  dc  la  Croisee  [by  G.  G. 
Cambini]  C^"'^  hnbault : 

Paris,  [1793.]    8".  B.  362.  a.  (21.) 

Que  CCS  minois  jolis.     Rondo. 
Sec  Gaveaux  (P.)     [La  Partie  Carrie] 
Que  chacun  de  nous  sc  livre.     Gavotte. 

Sec  BOUVAllD  (P.) 

Que  chacun  ici  gambade.     Branle. 

See  Grandval  (N.  Ragot  de) 

Que  chacun   reinplisse   son  averre.— Fill 

ev'ry  Glass.— yl  Drinking  Song  in  Praise 

of   our  three  Fam'd  Generalls  translated 

from  the  French  by  Mr.  Durfey. 

\Lonclon,  1710  ?j     s.  sTi.  fol. 

'  H.  1601.  (151.) 

[Another  edition.]  Que  chacun  remplisse 
sou  verrc.— Fill  every  Glass.— .4  Drinking 
Sonn,&c.     \Lo7idon,niOr]     s.sh.iol. 

■^  G.  307.  (210.) 

Que  d'esprit,  que  d'attraits  !     Air. 
Sec  BouvARD  (F.) 

Que  de  caprices  en  ce  jour.  La  Moniche, 
ou  la  Chatte  Cherie.  [Song,  words] 
Anonime.  Air:  Ce  fut  par  la  faute  du 
sort  [by  M.  A.  Desaugiers],  ou  Nou,  non 
Doris.     [Paris,  1790?]     8". 

^  B.  362.  (247.) 

Que   de   gens   remplis   d'Esperance.      Le 

Triomphc    clu    Vent.      [Song.]      Air:     II 

n'est  qu'un  pas  du  mal  au  bien. 

[Paris,  1783.]     8».  B.  362.  a.  (77.) 

Que  de  IMars  ct  de  Bellonne.    Lc  Nouveau 

Sans-Souci.       [Song.]       Paroles     de    M. 

Deduit.  Chez  le  Sieitr  de  Lafosse  : 

Paris,  [11807]    8\  B.  362.  a.  (66.) 

Que  de  maux  loin  de  toi  j'eprouve. 

See  CoRSAiRE. 

Que  devient  I'ardeur  intrepide.     Air. 

See  Camp  de  Grand-Pee. 

Que  j'aimeavoir  Iris.  Printemjys.  [Song.] 

[Paris,]  1729.     s.  sh.  4°.  298.  a.  5. 

Mercure  de  France,  May,  1729. 
[Another  setting.]     Que  j'aime  a  voir  Iris. 
Air.     See  Le  Maitre  (        ) 
Que    je    crains   de   Tircis.     Air    Scrieux. 
[Paris,-]  1723.     s.  sh.  4".  297.  a.  4. 

Le  Mercure,  October,  1723. 
Que  je  vous  aimc.     Air. 
^See  Legat  de  Furcy  (A.) 
Que  r Amour  flate  doucemeut !     Air. 
See  Berthet  (P.) 

Que     I'Amour     presente     de     charmes. 
Gavotte.     See  Bouvard  (F.) 
Que  I'Amour  seul  soit  votre  maitre.     Air. 
Sec  Zais. 

Que  I'amour  soit  un  Dieu  perfide.     Air, 
See  Cloz  *  *  *  (        ) 
Que  Ton  chante.     Air. 
See  MoNTARiN  (        ) 


QUE.       Que    Ton    disc    ce    qu'on    voudra. 
Vaudeville.     Sec  Fausse  Soubrette. 
Que  Ton  goiitc  icy  de  plaisirs.     Chanson. 
[Paris,  1780?]     8".  B.  362.  c.  (9.) 

Que  la  Dauphinc  ct  le  Dauphin.     Vaude- 
ville.    See  Mesle  (        ) 
Que    la    M^tempsicose    a    de    charmes. 
[Song.]     See  Miroir  (        ) 
Que   le    Grand    Roi   des   Hulans.     Petite 
Gaietd  Patriotique.     [Song.]     Air  :  Que  le 
Sultan  Saladin  [by  A.  E.  M.  Gretry]. 
ChezhnhauU:  P«ris,  [1795?]     8". 

B.  362.  (65.) 
Que  le  Jeu  du  Flageolet.  Le  Flageolet. 
[Song.]  Air,  Que  lc  Sultan  Saladin  [by 
A.  B.  M.  Gretry].  Chis  Camand  : 

[Paris,  1785?]     8".  B.  362.  (66.) 

Que  le  Pampre  orne  notre  tete.     Hymne. 
See  Jadin  (L.  E.) 

Que  le  plaisir  est  peu  de  chose.     Chanson. 
See  TissiBR  (        ) 
Que  le  pur  Crystal.     Air. 
See  Myrtil  et  Lycoris. 
Que  le  Soleil  dans  la  plainc.     Ariette. 
See  Roi  et  le  Fermier. 
Que  le  Sultan  Saladin.     Air. 
See  Gretry   (A.  E.  M.)     [Richard   Cceur 
de  Lion.] 

Que  mon  sort  est  digne  d'envie.     Air. 
Sec  Mangot  (        ) 
Que  ne  dois-je  pas  a  Bacchus  ?     Air. 
See  Dutartre  (J.  B.) 

Que  ne  suis-je  encor  inconstant.    Clianson. 
[Paris,]  1759.     s.  sh.  8".  297.  d.  18. 

Mercure  de  France,  May,  1759. 
Que  ne   suis   je   encore  un   enfant.      La 
Curiosite  indiscrHe.     Romance  Nouvelle 
avec  accompagnement  de  guitare. 
[Paris,]  1778.     8°.  B.  362.  g.  (3.) 

[Another  edition.]     Que  ne  suis  je  encore 
un  enfant.     Eomancc  Nouvelle. 
[Paris,  1780?]     8".  B.  362.  b.  (37.) 

Que  nos  voix,  nos  lyres  altieres.     Chant. 
See  Martini  (G.)  pseiid. 
Que  notre  sort  est  rigoureux.     Chanson. 
See  Anerit  (         ) 
Que  sert  a  mon  amour.     Air. 
See  Le  Froid  (        ) 

Que  sont  les  grandeurs  sur  la  terrc.     Air. 
Sec  Faucon. 

Que  t'ay-je  fait,  cruel  Amour  ?     Air. 
Sec  Lemaire  (L.) 

Que  ta  liqueur  enchanteresse.     Gavotte. 
Sec  Bouvard  (P.) 

Que  vols  je  en  cette  vaste  enceinte. 
Hym[n]e  et  Station  ou  Serment  de  la  Re- 
publique  Pranvaise  . . .  au  Champ  de  la 
Federation  I'Aniversaire  du  10.  Aoust 
1793.  Par  le  Citoyeu  Buard  Fils.  Air: 
De  rHym[)i]e  des  Llarseillois  [by  C.  J. 
Rouget  de  Lisle,]  e/c.  [Paris,  1794?]  8°. 
Fr.  Pam.  1060.  (14.) 


QUE— QUELLE 


383 


QUE.     Que  vois-je  '?  6  ciel !     Air. 
See  Renout  (        ) 
Que  vous  etes  heureux !     Air. 
Sec  Anselme  (J.  B.) 

QUEEN.    Queen  of  Citty's  raise  thy  head. 
Tlic  Silver  Thames,  etc.     [Song.] 
[Londuii,  1720?]     s.  sh.  fol. 

G.  311.  (29.) 
The  Queen  of  Flowers.     Song. 
Sec  Carver  (        )  Miss. 
The  Queen  of  France.     [Song.] 
See  Miller  (W.  E.) 

The  Queen  of  Hearts  she  made  some 
Tarts.  [Song,  adapted  to  the  air  of  "  In 
infancy  our  hopes  and  fears,"  from  Arnc's 
'  Artaxerxes.']  [W.Bailey: 

London,  1775  ?]  s.  sh.  fol.     G.  312.  (153.) 
The    Queen    of     May.       [Song,    begins  : 
'  Young  Molly  who  lives  at  a  neighbouring 
mill.']     See  Allen  (G.  S.) 
The    Queen   of    May.      Song.      [Begins : 
'  Hither  trip  it.']     Sec  Mukphy  (S.) 
The  Queen   of   the   May.     Song  [begins : 
'  Ev'ry  Nymph  and  Shepherd  bring.'] 
Sec  Oswald  (-J.) 

QUEEN  MAB.  The  Comic  Tunes  in 
Queen  Mab.  As  they  are  perform'd  at  the 
Theatre  Royal  in  Drury  Lane.  Set  for  the 
Violin,  German  Flute  or  Hoboy  with  a 
Thorough  Bass  for  the  Harpsicord ; 
Compos'd  by  the  Society  of  the  Temple  of 
Apollo,  etc.  Printed  for  J.  Oswald  : 

London,  [1751.]     obi.  8".  a.  155.  (2.) 

The   Songs  in  Queen  Mab.     As  they  are 
perform'd  at  the  Theatre  Royal  in  Drury 
Lane.     Compos'd   by  the    Society  of   the 
Temple  of  Apollo  :  sung  by  Mr.  Vernon. 
J.  Oswald:  [London,  1751.]     fol. 

G.  316.  (116.) 
Overture  to  Queen  ilabb.     [P.  F.] 

Printed  for  U.  Tliorowgood  : 
[London,  1753  ?]     fol.       g.  272.  u.  (18.) 
Queen  Mab.     Cantata. 
See  DiBDiN  (C.)     [The  Jubilee.^ 
Queen  Mab,  or  the  Fairies  Jubilee.     Can- 
tata.    See  Shield  (W.) 

QUEEN    MARY.      Queen    Mary's    La- 
mentation.    [Song.] 
See  GiORDANi  (G.)  or  (T.) 

QUEEN  OF  THE  MAY.     The   Queen 
of  the  May.     Musical  Entertainment. 
Sec  Hook  (J.) 

QUEER.  The  Queer  Mouth'd  Family. 
[Song.]  Sec  Ye.  Ye  Lovers  of  Ditties 
attend,  ere.     [1780?]     s.  s7i.  fol. 

G.  314.  (90.) 

QUEHL  (HiERONYMUS  Floeentinus)  Der 
zur  Beforderung  Gottlicher  Ehre  .  .  . 
Erstere  Musicalische  Versuch.  Besteheud 
in  zweyen  Choralen  mit  . . .  Variationen, 
etc.  Lorenz  Biding :  Niirnberg, 

[1734.]    obi.  fol.  e.  32. 


QUEL.     Quel  amant  sous  vos  loix.     Air. 
Sec  Zelindor. 

Quel  beau  jour  se  dispose.     Ariette. 
Sec  RosiERE  de  Salenci. 

Quel  bel  volto.     Arietta. 
See  Stuck  (J.  B.) 

Quel  bianco  sen.     Barcarolle  Veniticnne. 
[Paris,  1754.]     s.  sh.  obi  4".      267.  a.  1. 

Journal  Stranger,  April,  1754. 
Quel  bianco  sen.     Barcarolle  Venitiennc. 
[Paris,]  1771.     s.  sh.  8".  298.  e.  3. 

Mcrcure  de  France,  Feb.,  1771. 
Quel  bruit  a  frapp6  mes  oreilles.  Strophes. 
See  Berton  (H.  M.) 
Quel  bruit  affreux.     [Song.] 
See  Lemaire  (L.) 

Quel  bruit !  quel  murmure  confus.     Air. 
See  Paulin  (     ) 

Quel     carillon,    quel     murmure    confus. 
Trio.     See  Guedon  (    ) 
Quel  embarras,  helas  que  faire.     Le  Loup 
A2)2)riiois(^.     Chanson  Nouvelle  avec  Ac- 
comp'  de  Guitare.  Chez  M.  Camand  : 

[Paris,  1780  ?]     8".        B.  362.  a.  (129.) 
Quel  heureux  jour.     Vaudeville. 
See  Constitution. 
Quel  labbro  vezzoso.     [Air.] 
See  Tarchi  (A.)     [La  Gencrositd  d'Alles- 
sandro.] 

Quel  labro  adorato.     [Song.] 
See  Gresnick  (A.  F.)     [Alceste.] 

Quel  oseletto,  Nina.     Barcarole. 

[Paris,  1754.J     s.  sh.  obi.  i".     267.  a.  2. 

Journal  Etranger,  July,  1754. 
Quel  plaisir  d'une  main.     Le  Bonheur  de 
la  vie.     Romance  avec  accomp'  de  Gui- 
tare, par  M.  Alberti.       Cltez  M.  Camand: 
Paris,  [1780?]     8".  B.  362.  g.  (40.) 

[Another  edition.]  Quel  plaisir  d'une 
main.  Le  Bonheur  de  la  vie.  Romance. 
[Paris,  1780  ?]     8°.  B.  362.  c.  (34.) 

Quel  spectacle  effrayant   pour  mon  aine 
^perdue  !     Air  a  Boire.  [Paris,] 

1731.    s.  sh.  4".  298.  a.  16. 

Merciire  de  France,  March,  1731. 

QUELLE.        Quelle     amante     dans     sa 
flamme.     Rondeau.     See  Sarti  (G.) 
Quelle    ardeur    coule    dans    mon   cceur ! 
Parodie.     Sec  Prothee. 
Quelle   douce   vapeur,   quel   parfum  pre- 
cieux.     Recit  de  Basse.  [Paris,] 

1782.     s.  sh.  4°.  298.  a.  24. 

Mercure  de  France,  August,  1732. 
Quelle  etrange  folie.     Becit  de  Basse. 
[Paris,]  1747.     s.  sh.  4".  297.  c.  11. 

Mercure  de  France,  April,  1747. 
Quelle  musique   agreable.     Air  Nouveau 
[for  three  voices].  [Paiis, 

1679.]     s.  sh.  obi.  4".  P.P.  4482. 

Nouveau  Mercure  Galant,   Jan.,   1679, 
p.  122. 


384 


QUELS— QUINTILIANUS 


QUELS.     Quels  accens  !  quels  transports. 
Hymuc.     See  Giroust  (F.) 
Quels  aSreux  Tourbillous  !     Air. 
See  Le  Maitre  (    ) 

Quels  charmes  pros  dc  ma  Bergere.     Air. 
Sec  BouvAKD  (F.) 
Quels  jours  brillants.     [Song.] 
See  Hexri  Quatre. 

Quels  sous  I'Echo  repete.  La  Fontenoi. 
Fanfare.     IParis,']  1745.     s.  sh.  4\ 

297.  c.  2. 
Mercurc  de  France,  June,  1745. 

QUENTIN"  (.Jean  Baptiste)  Sonates  a 
Violon  Seul  &  Basse-Continue  .  . .  Livre 
1".     Chez  VAuteur:  Paris,  V12i..     fol. 

g.  e4L 

QUERCU  (Simon  de)  Opusculum  Musices 
Perquam  Breuissimum :  De  Gregoriana 
et  Figuratiua  atqj  contrapuncto  simplici 
percomode  tractas,  etc.  Impressum 

.  .  .  in  officina  .  .  .  loannis  Winterbiirg : 
Vienne,  1509.     4".  K.  1.  g.  22. 

Opusculn  Musices  perc]3  breuissimum :  de 
Gregoriana  et  Figuratiua  atq?  contra- 
puncto simplici,  vna  cum  exemplis  idoneis, 
percomode  tractans,  etc. 

Joan.  Wei/S!<enbiirger : 
Xttrcnbenje,  lolB.  4°.  K.  1.  g.  20. 

QUESTA.      Questa  bella  d'  amor  nemica 
c  mia.     [Song,  words  by  ^Menage.] 
[Paris,  1678.]    s.  sh.  obi.  4^     P.P.  4482. 
Nouveaii  Mercure  Galant,  March,  1678, 
J}.  133. 
Questa  non  era  O  cara.     rSong.] 
See  Sabti  (G.) 
QUESTION.     A   Question   and   Answer. 
[Song.]     See  Graves  (J.) 

QUESTIONS    HARMONIQUES. 

Questions  Harmoniques.  Dans  lesquelles 
sont  contenues  plusieurs  cboses  remar- 
quables  pour  la  Pbysique,  pour  la  Morale, 
&  pour  las  autres  sciences.  [By  M.  I\Ier- 
senne.]  Chez  laqiies  Tiller y  :  Paris, 

1634.    8".  1135.  e.  2. 

QUESTO.  Questo  vago  giovinetto.  [Song.] 
See  Paisiello  (G.)     [La  Locanda:\ 

QUI.  Qui  connoit  bien  le  sort  des  Grands. 
Anette  Nouvclle.     rpans,  1785  ?]     8°. 

B.  362^  a.  (88.) 
Qui  la  voit  un  jour  seulement.  Chansoi. 
[Paris,]  1749.     s.  sh.  4°.  297.  c.  23. 

Mercure  de  France,  August,  1649. 
Qui  n'a  point  vu  mon  aimable  Maitresse. 
Stances  Anacriontimies.  [Paris,]  1779.  8". 

297.  f.  33. 

Mercure  de  France,  May,  1779. 
Qui  ne  connoit  pas  ma  Suzon.  Le  Por- 
trait de  Suzon  [Song,  written]  par  Mr. 
Godard.  Air :  Chantez,  dansez,  amusez 
vous  [bv  A.  E.  M.  Gretrv].  Chez  Camand  : 
Paris,  [1780  ?]     8".  B.  362.  (167.) 


QUI.  Qui  syait  s'inquieter  sur  un  sort 
incertain.     [Song.]     See  Bokan  (     ) 

Qui  trouve  au  Bois  belle  endormie.  Ro- 
mance Noiivelle.     [Paris,  YiSbT]     8". 

B.  362.  a.  (176.) 

Qui  voit  le  cercle  d'un  beau  jour.     Chan- 
son.   [Paris,]  1759.    s.  sh.  8°.    297.  d.  16. 
Mercure  de  France,  Jan.,  1759. 

QUID.     Quid  arma  quid  bella.     [Motet.] 
Sec  Bassaxi  (G.  B.)     [Earmonia Festiva.] 

QUIETUS.     The  Quietus.     [Song.] 
See  DiBDiN  (C.)     [The  Quizes.'] 

QUILICI  (Gaetaxo)     a  Fourth  Book  of 
Six  Italian  Duets  for  two  Voices,  etc. 
Welcker  :  London,  [1775  ?]     obi.  4°. 

B.  429. 

Six  Favorite  Canzonets  for  the  Voice  and 
Harp,  Harpsichord,  or  Piano  Forte  .  .  . 
Op.  X.  J.  Blundell :  London, 

[1780?]     obl.iol.  E.  600.  u.  (5.) 

Duetts  and  Songs  with  Accompaniments 
...  Op.  XIII.  Printed  for 

Birchall  d  Andreivs :  London,  [1785 '?] 
obi.  fol.  E.  244.  e.  (2.) 

Six  Italian  Songs,  with  a  Thorough  Bass 
for  the  Harpsichord,  etc.  Sig.  Quilici : 
[London,  1165?]    obi.  io\.  E.  246. 

Six  Sonatas  for  the  Harpsichord. 
Printed  for  the  Author:  London,  [1770?] 
obi.  fol.  e.  5.  h.  (6.) 

Five  Songs,  with  an  Accompaniment  for 
the  Harp  or  Piano  Forte  and  a  Duett  . . . 
Op.  XVIII.  Printed  for  G.  Gouldinq  : 

London,  [1790?]     fol.      "  H.  417. 

Four    Songs     and    Recitatives    with    an 
Accompaniment   for   the   Harp  or  Piano 
Forte :  and  Two  Duetts  ...  Op.  19. 
Printed  for  R.  Wornum:  Lo«(7o»,  ^1790?] 
fol.  H.  2831.  h.  25. 

QUINART    (Jean)      Missa    Sex   Vocum, 

ad  Imitatiouem  Moduli,  Surge  propera,  etc. 

Ex  Officina  Eobcrti  Ballard  : 

Parisiis,  1665.     fol.      K.  10.  b.  1.  (19.) 

QUINTIANI  (LucREZio)  Musica  .  .  . 
Quatuor  Vocum,  in  lutroitus  Missarum 
super  cantu  piano,  qute  in  solemnitati- 
bus  Sanctorum  omnium  toto  anno  cele- 
brantur,  etc.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)     4  pts.  Ajpud  hxr.  Simonis 

Tini,  d-  Franciscum  Besutium :  Mcdiolani, 
1599.     4°.  D.  217. 

QUINTILIANUS  (Aristides)  'Ap,<7T6i8oi; 

KolvT i\tavov  TTfpi  Moi/(T(K7)s  .  .  .  Arlstldls 
Qiiintiliani  de  Musica  .  .  .  Marco  Mej- 
bomio  interprete.  See  Meibomius  (M.) 
AntiquiB  Musica?  Auctores  Septem,  etc. 
Vol.  II.     1652.     4^  55.  b.  18,  19. 


QUI^'TIX— R. 


385 


QUINTIN   BUEE   (A.)     Three   Sonatas 
for  the  Piano  Forte,  the  Third  for  Two 
Perfoi-mers  on  One  Instrument. 
Hodsoll,  for  the  Author  :  London,  [1797  ?] 
fol.  g.  143.  (12.) 

QUINTO  FABIO.  Quinto  Fabio.  Opera. 
,sVe  Bertoni  (F.  G.) 

QUIS.     Quis  multa  gracilis.     [Song.] 
See  Wright  (T.) 

QUITSCHREIBEE  (Georg)  Accla- 
matio  Musicalis  Gratulatoria,  cum  . . .  Dn. 
Joannes  Ernestus,  Junior,  Dux  Saxonise, 
. . .  Gubernationem  Territorii,  &  adminis- 
trationem  . . .  susciperet  ...  8.  Yocibus  ex 
veris  Musicae  .fundamentis  concinnata, 
etc.  8  pts.  Typis  Johannis  Weidnerii : 
Jenx,  [1615.]     4".  B.  126. 

QUITTER.      Quitter    le    vin,    quitter 
I'amour.     Chanson  Nouvelle. 
[Paris,  1780  ?]     8".  B.  362.  a.  (59.) 

QUITTEZ.     Quittez,   doux  Eossignol. 
Chanson.     See  Chatelain  (         )  Abb^. 
Quittez  vos  houlettes.    Air. 
.See  Anselme  (J.  B.) 

QUIZES.     The  Quizes.     Entertainment. 
See  DiBDiN  (C.) 

QUOD.     Quod  Vis.     [Song.] 
See  Wennixgtox  (W.) 

QUODLIBETUM.  Quodlibetum  BeUi- 
cum  Latino-Germanicum.  Das  ist,  Ein 
newes  Soldaten-Lied,  etc.  See  Hec.  Heu 
Martis  alea,  etc.     1639.     8\  A.  246. 

QUOI.     Quoy?    de   I'eau  dans   ce   verre? 
Air.     See  Bellon  (        ) 
Quoy  !  deux  ans  sont  passez.     Air. 
[Paris,]  1725.     s.  sh.  A".  297.  a.  12. 

Mercure  de  France,  Jan.,  1725. 
Quoy  done!  dangereuse  rivale.     Chanson. 
[Words]  Par  M.  Moraine,  etc.         [Paris,'] 
1735.    s.  sh.  4».  297.  b.  11. 

Mercure  de  France,  Dec,  1735. 


QUOI.     Quoi  jeune  et  douce  Bergere.    Air 
Ajiglois  [Words  by]  D'Azemar,  etc. 
[Paris,]  1770.    s.  sh.  8'.  297.  e.  33. 

Mercure  de  France,  July,  1770. 
Quoy !  pleuvra  t'il  toujours.     Air  a  boire. 
Rondeau  Recit  de  Basse.  [Paris,] 

1723.     s.  sh.  40.  297.  a.  1. 

Le  Mercure,  January,  1723. 
Quoy,  rien  ne  pent  vous  arrester  ?     Air. 
-See  Chahpextier  (M.  A.) 

Quoi  I  toujours  a  mes  desirs.     Romance. 
See  Gaveaux  (P.)     [Ernesta.] 
Quoi  1  toujours  des  Chansons  !     Air. 
See  BouvARD  (F.) 

Quoy  !  toujours  des  chansons  !     [Song.] 
See  Catix  (J.  B.) 

Quoi  !    toujours   des   Chansons   a   boire  ! 
Chanson.     See  Leiiaire  (L.) 
Quoi  tu  fuis  tu  chere  Amintas.   La  Bergere 
Ddaissi'e.     Romance  .  .  .  Air  de  Nina  rby 
N.  Dalayrac.     Words]  Par  M"«  Dist. 

Cliez  lesfrires  Savigny  :  [Paris, 
1790?]     8°.  B.  362.  (1.) 

Quoy  ?  vous  partez.     Air. 
See  Dctartre  (J.  B.) 

Quoi  vous  planez  loin  de  la  terre.  Les 
Globes  a  la  Mode.  [Song.]  Air :  De  nos 
moutons  le  nombre  augmente  [from 
'Melide,  ou  le  Navigateur,'  by  F.  A. 
Danican  Philidorl.     [Paris,  1783.]     8". 

B.  362.  a.  (75.) 

Quoi !  vous  pouvez  dormir  encore.  Con- 
seils  Pafriotiqiies.  Dedi^s  a  la  jeunesse 
Francjaise  Republicaine  .  .  .  [Words]  Par 
Perrin  .  .  .  Air  des  Marseillais  [by  C.  J. 
Rouget  de  Lisle].  Chez  hnbault : 

Paris,  [1795  ?]     8".  B.  362.  a.  (8.) 

QUOIQUE.      Quoiqu'il    semble    qu'entre 

epoux.     Chanson.     A  ma  femme,  pour  le 

jour  de  Sainte  Anne.  [Paris,]  1752. 

s.  sh.  4°.  298.  c.  11. 

Mercure  de  France,  Dec,  1752. 


E  *  *  *,  Mr.  Cruels  momens  qui  me 
p6netres  I'ame.  Romance  de  IMr.  R  *  *  *. 
[Paris,  1785  ?]     8\  B.  362.  b.  (70.) 

R.,  Mr.  Lucas,  ayant  le  cceur  joyeux. 
Recit  de  Basse,  etc.  [Paris,]  1729. 

s-  sh.  4°.  298.  a.  6. 

Mercure  de  France,  July,  1729. 

R  *  *  *,  Mr.  Pourrois  tu  trahir  ta  pro- 
messe.     Air  de  Mr.  R  *  *  *_  [Paris 

1785?]     8°.  B.  362.  b.  (71.) 

B.  *  *  *  *    (  de)     Clievalier.       France 

autrefois  si  fortunee.  Roviance  dediee  a 
la  Nation  Anglaise  par  le  Ch'  de  R[oyer 
de  ViUerie]  *  *  *  *.  chez  VAuteur : 

[London,  1795  ?]     fol.  H.  1681.  (2.) 

VOL.    II. 


R.,  D.     Ye  rakes  &  and  ye  Beaus.     A  Loyal 
Song.     The  words  &  Musick  by  D.  R. 
[London,  1759.]     s.  sh.  fol. 

H.  1994.  (53.) 

R.,  I.     A  Set  of  Marches  for  two  Clarinets, 
Hautboys,  or  German  Flutes,  Two  Horns, 
&  a  Bassoon  :  Inscribed  to  . . .  Lady  Am- 
herst by  I[ohn]  R[eid]  Esqr.,  etc. 
B.  Bremner  :  London,  [1770  ?]     obi.  4». 

b.  79.  (1.) 

A  Sett  of  Minuets  and  Marches.  In- 
scribed to  . . .  Lady  Catharine  ilurray  by 
I[ohn]  R[eid]  Esqr.  R.  Bremner  : 

London,  [1775  ?]    obi.  4°.  b.  79.  (2.) 

2  c 


386 


K.— RAGONDE 


K,,  I.  Six  Solos  for  a  German  Flute  or 
Violin  with  a  Thorough  Bass  for  the 
Harpsicord.  Inscrib'd  to  the  Countess  of 
Aielsbury  by  I[ohn]  R[eid]  Esqr.  A 
Member  of  the  Temple  of  Apollo. 

Printed  for  J.  Osicald  :  London, 
[1755  ?]     obi.  fol.  e.  1290.  c.  (1.) 

[Another  edition.]  Six  Solos  for  a  German 
Flute  or  Violin  with  a  Thorough  Bass  for 
the  Harpsichord,  etc.  Printed  for 

Wm.  Bandall :  London,  [1770  ?]     obi.  fol. 

e.  1290.  c.  (3.) 
A  Second  Sett  of  Six  Solos  for  a  German 
Flute  or  Violin,  with  a  Thorough  Bass  for 
the  Harpsichord.  By  I[ohn]  R[eid]  Esqr. 
A  Member  of  the  Temple  of  Apollo. 
Printed  for  J.  Osivald  :  London,  [1755  ?] 
obi.  fol.  e.  1290.  c.  (2.) 

Li  a  later  edition  these  Solos  are  ascribed 
to  James  Osivald. 

Six  Solos  for  a  German  Flute  or  Violin 
with  a  Thorough  Bass  for  the  Harpsicord, 
etc.     [Second  Set.] 

Printed  for  Wm.  Bandall:  London,  [1770?] 
obi.  fol.  e.  1290.  c.  (4.) 

The  title-page  is  that  of  the  1st  Set. 

K.,  J.  The  Highland  Character.  For  the 
Highland  March.  [Song,  begins  :  "  In 
the  garb  of  old  Gaul."]  By  Jfohn]  E[eid] 
Esqr.  B.  Brem[ner  :  London,  1780?] 

s.  sh.  fol.  I.  530.  (132.) 

[Another  copy.]  G.  800.  m.  (46.) 

Liberty.  A  Two  Part  Song.  Set  by 
J.  R.     [London,  1773.]     8°. 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  LIII.,p.  372. 

R.,  T.  Deuteromelia :  or  the  Second  Part 
of  Musicks  melodie,  or  melodius  IMusicke. 
Of  Pleasant  Roundelaies  ;  K.  H.  mirth,  or 
Freemens  songs.  And  such  delightfull 
Catches,  etc.  [With  Preface  signed':  T.  R., 
i.e.  Thomas  Ravenscroft.]  Printed  for 

Thomas  Adams  :  London,  1609.    4°. 

K.  1.  e.  10. 
TJie  initials  T.  B.  at  the  end  of  the 
preface  do  not  appear  in  all  copies  of 
this  edition.  Several  catches,  dx.,  by 
E.  Nelhain,  J.  Hilton,  etc.,  are  inserted 
in  a  contemporary  handioriting . 

Melismata.  Musicall  Phansies  fitting  the 
Court,  Citie  and  Countrey  Humours.  To 
3,  4,  and  5.  Voyces.  [Dedication  signed 
T.  R.  B.  M.,  i.e.  Thomas  Ravenscroft, 
Bachelor  of  Music]  William  Stansby  for 
Thomas  Adams  :  London,  1611.     4°. 

K.  1.  e.  11. 

RACCOMMODEMENT.      Le    Racom- 
odement.     Cantatille. 
See  MouEET  (J.  J.) 

RACCOMMODEMENT     COMIQUE. 

Le  Raccommodement  Comique.  Cantate. 
See  Jacquet  de  Lagueere  (E.  C.) 


RACE.     The   Race.     [Song.]     See  If.     If 
from  the  Lustre  of  the  Sun. 
[1770  ?]     s.  sh.  fol.  G.  309.  (136.) 

RACHELINA.  La  Rachelina  molinarina. 
Cavatina.       See     Paisiello     (G.)       [La 

Molinara.'] 


Racking  thoughts  of   what 


Song.     See  Coueteville  (R.) 


RACKING, 

is  past 

RADAMISTO.  Radamistus  [by  G.  F. 
Handel]  for  a  Flute.  Containing  the 
Overture  Songs  Symphonys  and  Aditional 
Aires  curiously  Transpos'd  and  fitted  to 
the  Flute  in  a  Compleat  maSer,  etc. 

Printed  for  I.  Walsh  &  I"  & 
Joseph  Hare  :  London,  [1725  ?]    obi.  4». 

a.  206.  a.  (6.) 
Ombra  cara  ombra,  [Song,]  as  sung  by 
Madame  Dusseck,  in  Radamistus  [by 
G  F.  Handel].  Printed  for  B.  Birchall : 
London,  [1795  ?]     fol.  G.  811.  (25.) 

II  Radamisto.     Opera. 
See  Haendel  (G.  F.) 

RADIGER    (Anton)     Three    Duetts    for 
Two  Violins. .  .Op.  4.     [Separate  Parts.] 
A.  Bland  &  Welter  :  London,  [1796  ?]    fol. 

g.  218.  (10.) 

Four  Setts  of  new  Psalm  and  Hymn 
Tunes  in  3  and  4  Parts  . . .  The  Words  by 
Dr.  Watts  and  other  Authors. 

Longman  d;  Broderip,  for  the  Author  : 
Lotidon,  [1790  ?]    obi.  fol.  E.  1477. 

Two  Favorite  Sonatas  for  the  Piano  Forte 
or  Harpsichord  with  Accompaniments  for 
a  Violin  and  Violoncello  obligate.  Opera  5. 
[Separate  Parts.] 

Longman  and  Broderip  :  London, 
[1797?]     fol.  g.  161.  b.  (11.) 

RADOLT  (Wenzel  Ludwig  von)  Die 
AUer  Treueste  Verschwigneste  vnd  nach 
so  wohl  Frolichen  als  .Traurige  Humor 
sich  richtente  Freindin,  Vergesellschafft 
sich  mit  anderen  getreuen  Fasalen  Unserer 
Inersten  Gemiets  Regungen.  Erste 
Lauten.  (Op.  1.)  J.  N.  Nestler  sculpsit : 
Wienn,  1701.  obi.  fol.  K.  10.  a.  21. 
Jn  the  preface  the  author  states  that  the 

complete  ivork  consists  of  5  books,  i.e. 

Lute  J  and  JJ,  Violin  or  Flute,  Gamba 

and  Bass. 

RAGE.  The  Rage.  [Song,  begins:  'Ex- 
ample is  all.']  See  Dibdin  (C.)  [Tom 
Wilkins.'] 

The  Rage.  Song.  See  Fly.  Fly  merry 
News.  The  Bage,  or  Prevailing  Game  of 
Up  Tails  All,  etc.     [1780?]     s.  sh.  fol. 

G.  307.  (249.) 

RAGONDE.     Ragonde.     [Opera.] 
See  MouEET  (J.  J.) 


RAGUE— RAMEAU 


387 


RAGUE  (Louis  Charles)  [L' Amour 
Filial.]  Un  sentiment  cher  et  paisible. 
Air,  etc.    [Paris,']  1786.    8".     297.  g.  29. 

Mercure  de  France,  May,  1786,  p.  4. 
Un  sentiment  cher  et  paisible. 
See  supra  :  \_U Amour  Filial.] 

RAGUENET  (FRAN901S)  [Parallele  des 
Italiens  et  des  FranQois  en  ce  qui  regarde 
la  Musique  et  les  Operas.]  A  Comparison 
between  the  French  and  Italian  Musick 
and  Opera's.  Translated  from  the  French, 
etc.     See  Comparison.     1709.     8°. 

641.  f.  15.  (2.) 
[Parallele  des  Italiens  et  des  Francois  en 
ce  qui  regarde  la  Musique  et  les  Operas.] 
La  Paix  de  I'Op^ra,  etc.  [From  F. 
Raguenefs  '  Parallele,'  etc.']  1753.  12». 
See  Paix  de  L'Opeba.    1103.  a.  11.  (7.) 

RAILERS.     The  Railers.     [Song.] 
See  Behold.     Behold  on  the  brow. 
[1770  ?]     s.  sh.  fol.  G-.  306.  (201.) 

RAIMONDI  (iGNAzio)  A  Duett  for  a 
Violin  and  Tenor.     [Separate  Parts  ] 

Printed  for  the  Author  :  London, 
[1790?]    fol.  g.  421.  i.  (4.) 

[Another  copy.]  g.  421.  (11.) 

[Another  copy.]  g.  470.  b.  (2.) 

Six  Grand  IMarches,  for  a  i\Iilitary  Band, 
and  adapted  for  a  Piano  Forte  or  Harp, 
etc.  Printed  for  the  Author  :  Londo)i, 

[1785  ?]    obi.  fol."  e.  108.  (12.) 

The  Favorite  Grand  Piece  called  the 
Battle,  adapted  for  the  Piano  Forte,  by 
the  Author,  with  Accompaniments  for  a 
Violin,  &  Violoncello  ad  libitum.  [Sepa- 
rate Parts.]  Printed  for  the  Author  : 
London,  [1785?]  fol.  g,  161.  c.  (10.) 
Trois  Quatuors  Concertants  a  Flute  Tra- 
versiere,  Violon,  Alto  &  Violoncello... 
Oeuvre  vii.  [Separate  Parts.] 
CMs  J.  J.  Hummel :  Berlin,  [1780?]     fol. 

h.  2826. 
Six  Quartetts  for  the  German  Flute,  Violin, 
Tenor  and  Violoncello. .  .Opera  x.  [Sepa- 
rate Parts.]  Printed  for  the  Author : 
London,  [1790  ?]  fol.  g.  470.  b.  (1.) 
Six  Sonates  a  Deux  Violons  . . .  Oeuvre 
Quatrieme.     [Separate  Parts.] 

Chez  J.  J.  Hummel :  Amsterdam, 
[1776?]    fol.  g.  421.  r.  (10.) 

Six  Sonatas  for  two  Violins  and  a  Violon- 
cello.    [Op.  1.     Separate  Parts.] 
WeUker  :  London,  [1775  ?]     fol.     g.  470. 

Six  Trios  a  Deux  Violons  et  Violoncello 
. .  .Oeuvre  Premiere.     [Separate  Parts.] 

Chez  J.  J.  Hummel :  Amsterdam, 
[1770?]     fol.  g.  417.  (3.) 

Six  Trios.    Trois,  a  Deux  Violons  &  Basse, 
&  Trois,  a  Un  Violon,  Taille  &  Violoncello 
Obliges. .  .Oeuvre  v.     [Separate  Parts.] 
CMs  J.  J.  Hummel :  Berlin,  [1775  ?]     fol. 

g.  417.  (4.) 


RAIMONDI  (Ignazio)  Three  Trios  Con- 
certante  for  a  Violin,  Tenor  &  Violoncello 
. .  .Op.  12.     [Separate  Parts.] 

B.  Birchall :  London, 
[1800?]    fol.  h.  2851.  i.  (3.) 

RAIMUNDUS  (ViCTORius)  Victorii  Rai- 
mundi  . . .  Missarum  III.  Liber  Primus, 
Quinque  Vocibus.  Cantus.  (Tenor.) 
(Quintus.)     3  pts.  Apud  lacobum 

Vinccntium,    cC     Biciardum    Amadinum, 
socios :  Vejictiis,  1584.     i".  D.  1030. 

RAISE.  Raise  the  Song  and  strike  the 
Harp.     Glee.     See  Cooke  (M.) 

[Another  setting.]     Raise  the  Song  and 
strike  the  harp.     Glee. 
See  Stevenson  (Sir  J.  A.) 

RAISON.  La  Raison  du  Sage.  Chanson. 
See  Devienne  (P.) 

La  raison  nait  du  sentiment.     Romance. 
See  Desaugiers  (M.  A.)    [La  Jeime  Veuve 
Curieuse.] 

RAKES.     The  Rakes  of  Mallow.     [Song.] 
See  Beauxing.     Beauxing,  belling,  etc. 
[1740?]     s.sh.     fol.         G.  316.  d.  (47.) 

RALPH.  Ralph's  Ramble  to  London. 
[Song.]     See  Potter  (J.) 

RAM  AH    DROOG.     Ramah  Droog;   or 
Wine  does  Wonders.     Comic  Opera. 
See  Mazzinghi  (J.)  and  Reeve  (W.) 

R.^MANEE.     Ramanee.     [Song.] 
See  Williamson  (T.  G.) 

RAMBACH  (Xaver  Max.)  Six  Duets 
for  two  Violins  . . .  Opera  vi.  [Separate 
Parts.]     Welcker  :  London,  [1775  ?]     fol. 

g.  421.  q.  (2.) 

RAMBLE.     The  Ramble.     [Duet.] 
See  Essex  (T.) 

RAMBLING.  The  Rambling  Lady's 
Passion  fixt.  [Song.]  See  To.  To  little 
or  no  Purpose.     [1735  ?]     s.  sh.  fol. 

G.  316.  f.  (17.) 

RAMBOOZE.     Rambooze.     [Song.] 
See  DiBDiN  (C.)     [Great  Netvs.] 

RAMEAU  (Jean  FRAN901S)   Le  Calendrier 
des  Vieillards,  Op^ra  Comique  en  un  Acte 
. .  .avec  la  Musique  [by  J.  P.  Rameau]. 
See  TheItre.     Nouveau    Theatre  de  la 
Foire,  etc.     Tom.  1.     1768.     8°. 

11735.  d.  2. 

RAMEAU   (Jean    Philippe)      Castor   et 
Pollux,  Tragedie,  dx.     [Written  by  Gentil 
Bernard.     Short  Score.  1 
Chez  Praultfils  :  Paris,  [1737.]    obi.  fol. 

E.  110.  e. 
2  c  2 


388 


RAMEAU 


RAMEAU  (Jean  Philippe)  Castor  et 
Pollux,  Trag6die  .  .  .  Representee  pour 
la  premiere  fois  . . .  le  24  Octobre  1737. 
Refondu,  et  remis  au  Theatre  au  Mois  de 
Decembre  1754.  Grav^e  par  le  S'  Hue. 
[Short  Score.]  ChezVAutcur:  Pans, 

[1754.]     obi.  fol.  E.  110. 

Code  de  Musique  Pratique,  ou  Methode 
pour  apprendre  la  Musique. .  .pour  former 
la  voix  &  I'oreille,  pour  la  position  de  la 
main  . . .  sur  le  Clavecin  &  I'Orgue,  pour 
I'Accompagnement  ...  &  pour  le  Prelude, 
etc.  (Exemples  du  Code  de  Musique 
Pratique.)     2  pts. 

De  V Imvrimeric  Royalc  :  Paris,  17G0.     4". 

557*.  f.  1. 
[Another  copy.]  59.  a.  15. 

Wanting  the  examples. 

Dardanus,  Nouvelle  Tragedie,  mise  en 
Musique, . . .  et  representee  pour  la  premiere 
fois  . . .  le  7  Avril  1744.  [Written  by  La 
Bruere.  Short  Score.]  Chez  I'Auteur  : 
Paris,  [1745  ?]     obi.  iol.  E.  110.  b. 

Demonstration  du  Principe  de  I'Har- 
monie,  servant  de  base  a  tout  I'Art 
Musical,  etc.  Chez  Durancl :  Paris, 

1750.     8°.  1042.  i.  7.  (1.) 

Dissertation  sur  les  differentes  Metodes 
d'Accompagnemeut  pour  le  Clavecin,  ou 
pour  rOrgue  ;  avec  le  plan  d'une  nouvelle 
Metodo,  etc.  Chez  le  Siciir  Boivin  : 

Paris,  1732.     4°.  7895.  ee.  29. 

Erreurs  sur  la  Musique  dans  I'Encyclo- 
pedie.     [By  J.  P.  Rameau.]     1755.     8°. 
Sec  Ereeues.  1042.  d.  17.  (1.) 

Les  Petes  d'Hebee,  ou  les  Talents 
Liriques.  Ballet  [written  by  Gaultier  de 
Moudorge]  .  .  .  representee  pour  la  pre- 
miere fois  .  .  .  au  Mois  de  May,  1739. 
[Short  Score.]  Chez  I'Auteur  :  Paris, 

[1739?]     obi.  fol.  E.  110.  c. 

Les  Festes  de  I'Hymen  et  de  I'Amour,  ou 
Les  Dieux  d'Egypte,  Ballet  Heroique  . . . 
Represente  pour  la  premiere  fois  sur  le 
grand  Theatre  de  Versailles  le  15  Mars 
1747  &  par  I'Academie  Royale  de  Musique, 
le  5  Novembre  1748.  [Short  Score.] 
Chez  I'Auteur:  Paris,  [1749  ?]     obi.  fol. 

E.  110.  f. 
Generation  Harmonique,   ou    Traite    de 
Musique  theorique  et  pratique. 
Chez  PrauUfils:  Paris,  1737.     8°. 

1042.  i.  5. 

[Another  copy.]  1042.  i.  6. 

Hippolite  et  Aricie.     Tragedie  [written  by 
S.    J.    Pellegrin]  .  .  .  Representee  .  .  .  le 
Jeudy  Premier  Octobre  1733.     Partition 
. . .  Grave  par  De  Gland.     [Short  Score.] 
Chez  I'Haittcur  :  Paris,  [1733  ?]     fol. 

I.  317. 
[For  songs  published  anonymously  :] 


See  HippoLYTE  et  Aeicie. 


RAMEAU  (Jean  Philippe)  Les  Indes 
Galantes,  Ballet  [written  by  L.  Fuzelier,] 
reduit  a  quatre  grands  concerts  :  avec  une 
nouvelle  Entree  complette.  [Short  Score.] 
CJiez  M.  Boivin  :  Paris, 
[1740  ?]     obi.  fol.  D.  320. 

Pour  jamais  I'amour  nous   engage. 

Le  beaux  Trio  . . .  de  I'Acte  des  Incas,  etc. 
[Voice  parts  only.]     [Paris,  1780  ?]     8". 

B.  362.  e.  (46.) 

Observations  sur   notre  Instinct  pour  la 
Musique,  et  sur  son  principe,  etc. 
Chez  Prault  Ills.  :  Paris,  1754.     8°. 

557*.  d.  30.  (8.) 
[Another  copy.]  1103.  b.  23.  (1.) 

Pieces   de  Clavessin,  avec   une   Methode 
pour  la  Mechanique  des  Doigts,  etc. 
Gravd  par  Louisse  Eoussel.     Chez   C.  E. 
Hochereau  :  Paris,  (1724.)     obi.  fol. 

e.  1300.  a. 

Wanting  pp.  24-33. 
Pieces  do  Clavecin,  avec  une  Table  pour 
les  Agremens.  CJiez  Boivin  :  Paris, 

1731.     obi.  fol.  e.  1300.  (2.) 

[Pieces    de   Clavecin.]      A   Collection   of 
Lessons  for  the  Harpsicord  . . .  Opera  3^"-. 
Printed  for  I.  Walsh  :  London, 
[1760  ?]     obi.  fol.  e.  101.  a.  (6.) 

[Pieces  de  Clavecin.]  Les  Tendres  Plaintes 
. . .  Parodie.  [Song,  begins  :  '  Non,  Licas, 
ne  suis  plus  mes  pas.'  Words]  Par  M.  D. 
L.  P.      {Paris,']  1762.      s.  sh.  8". 

298.  d.  6. 

Mercure  de  France,  Dec,  1762. 
Pieces  de  Clave<;in  en  Concerts,  avec  un 
Violon  ou  une  Flute,  et  une  Viola  ou  un 
deuxieme  Violon.     Grave  par  Hue.    [Full 
Score.]  Chez  I'Auteur:  Paris, 

1741.     fol.  and  A".  g.  82.  a. 

[Pieces  de  Clavecin  en  Concerts.]  Five 
Concertos  for  the  Harpsicord  .  .  .  Ac- 
companied with  a  Violin  or  German  Flute 
or  two  Violins  or  Viola,  with  some  Select 
Pieces  for  the  Harpsicord  alone.  [Full 
Score.]  Printed  for  I.  Walsh  :  London, 
[1755?]     fol.  g.  82. 

Pigmalion.  Acte  de  Ballet,  [words  by 
La  Motte  and  Ballot  de  Sovot,]. .  .execute 
pour  la  premiere  fois  . . .  le  27  Aout  1748. 
[Short  Score.]  Ches  I'Auteur  :  Paris, 

[1750?]     oW.  fol.  F.  866.  a. 

Platee.  Comedie-Ballet,  [libretto  by 
J.  S.  d'Autreau,  altered  by  Ballot  de 
Sovot,]  . . .  donnee  . . .  pour  le  Carnaval  de 
1749  le  4  Fevrier  meme  annee.  [Short 
Score.]  Chez  I'Auteur  :  Paris, 

[1750?]     obi.  fol.  E.  110.  g. 

Pour  jamais  I'Amour  nous  engage. 
See  supra :  [Les  Indes  Galantes.'] 
Reponse  de  M.  Rameau  a  MM.  les  Editeurs 
de  I'Encyclopedie  sur  leur  dernier  Aver- 
tissement.      Chez  S.  Jovry :  A  Londres  et 
a  Paris,  1757.     8°.  1042.  d.  17.  (2.) 


EAMEAU— EAaiONDON 


389 


RAMEAU  (Jeak  Philippe)  Nouvelles 
Suites  de  Pieces  de  Claveciu  .  .  .  avec 
des  remarques  sur  les  diff^reus  genres 
de  Musique.  Gravees  par  il"*  Louise 
Roussel.  Chez  VAideur: 

Paris,  [1735  ?]     obi.  fol.        e.  1300.  (1.) 
[Another  edition.]     Nouvelles   Suites  de 
Pieces  de  Clavecin  . . .  avec  des  remarques 
sur  les  differens  genres  de  Musique,  etc. 
Chez  I'Auteur:  Paris,  [1735?]     ohl.  fol. 

e.  1300.  b. 
[Nouvelles  Suites  de  Pieces.]  A  Collection 
of  Lessons  for  the  Harpsicord  . .  .  Opera 
Seconda.  Printed  for  I.  Walsh  :  London, 
[1760  ?]     ohl.  fol.    ■  d.  36. 

Nouveau  Sj'steme  de  ilusique  Theorique 
. .  .  pour  servir  d'Introduction  au  Traite 
de  I'Harmonie,  etc.  J.  B.  C.  Ballard  : 

Paris,  1726.     4".  557*.  e.  4.  (2.) 

Traits  de  rHarmonie,  reduite  a  ses  Prin- 
cipes  naturals  ;  divise  en  quatre  livres,  etc. 
J.  B.  C.  Ballard  :  Paris,  1732.     4°. 

557*.  e.  4.  (1.) 
[Traits  de  rHarmonie.  Liv.  iii.]  A 
Treatise  of  Music,  contaiuiug  the  Prin- 
ciples of  Composition  . . .  Translated  into 
English  from  the  Original,  etc. 
Printed  for  J.  French :  London,  '"1737.]  8". 

7895.  ee.  24. 
[Traite  de  I'Harmonie.  Liv.  in.]  A 
Treatise  of  Musick,  containing  the  Prin- 
ciples of  Composition  . . .  Translated  into 
English  from  the  Original  in  the  French 
Language,  etc.  B.  Broicn,  for  the 

Proprietor :  London,  1752.  4".  557*.  e.  5. 

[Traits  de  I'Harmonie.  Liv.  iv.]  A 
Treatise  on  Harmony,  in  which  the  Prin- 
ciples of  Accompaniment  are  fully  ex- 
plained &  illustrated  by  a  variety  of 
Examples.  Translated  ...  by  G.  Jones, 
etc.  Longman  and  Broderip  :  London, 
[1795?]     fol.  g.  302.  (2.) 

Zais,  Ballet  Heroique,  [written  by  L.  de 
Cahusac,]  .  .  .  execute  pour  la  premiere 
fois  . . .  le  29  Fevrier  1748.  [Short  Score.] 
Chez  I'Atiteur  :  Paris,  [1748  ?]     obi.  fol. 

E.  110.  d. 
[For  songs,  &c.,  published  anony- 
mously :]  See  Zais. 

Zoroastre,  Tragedie  [by  L.  de  Cahusac] 
mise  en  musique  . . .  Kepr^sentee  pour  la 
premiere  fois  . . .  le  2.  Decembre  1749. 
[Short  Score.]  Chez  la  Veuve  Boivin  : 

Paris,  [1750  ?]     obi.  fol.  E.  110.  a. 

See  Elemens.  Elemens  de  Musique  . . . 
suivant  les  Principes  de  M.  Rameau. 
[By  J.  le  R.  d'Alembert.]     1752.     8". 

1042.  k.  14.  (1.) 
See  EsTEVE  (P.)  Nouvelle  Decouverte  du 
Principe  de  I'Harmonie,  avec  un  Examen 
de  ce  que  M.  Rameau  a  public  sous  le 
titre  de  Demonstration  de  ce  principe,  etc. 
1752.     8°.  1042.  i.  7.  (2.) 


RAMEAU  (Jean  Philippe)  See  Mar- 
PURG  (F.  W.)  P.  W,  Marpurgs  .  .  . 
Versuch  iiber  die  musikalische  Tem- 
peratur,  nebst  einem  Anhang  iiber  den 
Rameau-  und  Kirnbergerschen  Grundbass, 
etc.     1776.     8".  7897.  bbb.  22. 

RAMIREZ  DE  ARELLANA  (Aloxso) 
Sanctus.  Canon  Recte  &  Retro  for  48 
Voices.    Welcker  :  London,  1165.  s.sli.iol, 

I.  600.  (2.) 

RAMIS  DE  PAREJA  (Bartolomeo) 
See  Spataro  (G.)  Errori  de  Franchino 
Gafurio  .  .  .  Da  Maestro  loane  Spatario 
. . .  i  sua  deiiensione  :  &  del  suo  preceptore 
Maestro  Bartolomeo  Ramis  Hispano : 
Subtilemente  demonstrati.     1521.     4°. 

K.  1.  f.  14. 

RAMONDON  (Lewis)  All  you  that 
must  take  a  leap  in  the  dark.  A  Hymn 
upon  the  Execution  of  two  Criminals,  etc. 
[London,  n  10-?]     s.  sh.  io\. 

H.  1601.  (62.) 
As  Amoret  with  Phillis  sate.  A  neio 
Song  . . .  Sung  at  the  Theatre.  [Words 
by  Sir  0.  Sedley.]  [London, 

1703  ?]    s.  sh.  fol.  G.  306.  (1.) 

[Another  copy.]  G.  315.  (38.) 

At    noon    in    a    Sultry    Summer's    day. 
[Song,  words  by  the  Earl  of  Dorset.] 
[Londoii,  1715.]     s.  sh.  fol. 

H.  1601.  (43.) 
The  Beau's  Character. 
See  infra  :  [Hampstead  Heath.] 
The  Complaint,  etc.     [Song.]        [Loiidon, 
1715  ?]     s.  sh.  fol.  H.  1601.  (305.) 

[Another  edition.]     The  Complaint. 
[London,  1720  ?]      s.  sh.  fol. 

G.  310.  (89.) 

The  Constant  Warrior,  etc.     [Song.] 
[London,  1120?]     s.  sh.  iol. 

G.  307.  (188.) 
[Another  copy.]  G.  305.  (183.) 

[Another  copy.]  H.  1601.  (153.) 

[Hampstead  Heath.]  The  Beau's  Charac- 
ter [Song]  in  the  Comedy  [by  T.  Baker] 
call'd  Hampsted  Heath :  Sett  and  Sung 
by  Mr.  Ramondon.  [London, 

1706  ?]    s.  sh.  fol.  H.  1601.  (37.) 

The  Lover  with  Reason.     [Song.] 
[London,  1120 -l]     s.sh.iol. 

G.  308.  (86.) 
The  Song  Part  of  "  Pernicious  Traytor  "  : 
the  Words  and  Tune  by  the  Late  Famous 
Mr.  Ramondon.     [London,  1120?]     fol. 

H.  1601.  (362.) 

The  Precaution'd  Nymph.     [Song.] 
[London,  1715  ?]     s.  sh.  fol. 

G.  308.  (13.) 
She  Woud  and  She  Woud  not.  A  New 
Song,  etc.     [London,  1705  ?]     s.  sh.  fol. 

H.  1601.  (53.) 


390 


RAMONEDA— RAREE 


RAMONEDA  (Ignacio)     Arte  de  Canto- 

Llauo  en  Compendio  breve,  etc. 

Pedro  Marin  :  Madrid,  1778.     4°. 

1042.  g.  37. 
RAMPINI     (GiACOMo)      Sec    Concerti. 

Concerti  a  Cinque  .  .  .  del  .  .  .  Signori  G. 

Valentini. .  .G.  Rampin,  etc. 

[1730?]     fol.  g.  35. 

RAMSAY  (Allan)     The  Gentle  Shepherd, 
etc.     [With  illustrations  by  D.  Allan  and 
music  to  some  of  the  songs.]     3  pts. 
A.  Foulis:  Glasgoiv,  etc.,  1788.     4°. 

644.  1.  23. 
The  Gentle  Shepherd.  A  Pastoral  Comedy. 
[With  illustrations  by  D.  Allan  and  music 
to  some  of  the  songs.]     3  pts. 
Andreiv  Foulis  :  Glasgoiv,  1796.     fol. 

11641.  1.  9. 
RANDALL  (John)  A  Collection  of  Psalm 
&  Hymn  Tunes  some  of  which  are  new  & 
others  by  Permission  of  the  Authors,  with 
Six  Chants  and  Te  Deums  .  .  .  The  whole 
revised  &  Harmonized  by  Dr.  Randall. 

A.  Macintosh',  for  W.  Hague  and 
J.  Peppercorn :  Cambridge,  1794.     obi.  12". 

A.  742. 

The    composers    named    are :    Randall, 

Millgrove,     WheaU,    Green,    Handel, 

Shrubsole,    Coombs,    Luther,   Smith, 

H.    Carey,   King  James,    Oliver,  Dr. 

Heighington,     Dr.     Hayes,    Haiveis, 

Eavenscroft,      Thorley,      Bach,     Dr. 

Howard  and  Wainwright. 

The  Happy  Swain.     [Song.]  London, 

[1750  ?]     s.  sh.  fol.  G.  306.  (34.) 

The  Hopeless  Lover.     [Song.]      [London, 

1735  ?]     s.  sh.  fol.  G.  303.  (33.) 

[Another  copy.]  G.  305.  (167.) 

The  Neglected  Lover.     [Song.]     [London, 

1740  ?]     s.  sh.  fol.  G.  310.  (93.) 

When  thy  Beauty  appears.     [Song.] 

[London,  1740  ?]     s.  sh.  fol. 

G.  313.  (134.) 

RANDALL  (Richard)     The   Shepherd's 

Wedding.      [Song.]      The   Words  by  Mr. 

Parmenter,  etc.  [London, 

1760  ?]     s.  sh.  fol.  G.  305.  (71.) 

R  A  N  I  S  H  (John  Frederick)  VIII. 
Sonatas  or  Solos  for  a  German  Flute  with 
a  Thorough  Bass  for  y"  Harpsicord  . . . 
Opera  Prima.  3''  Edition.  J.  Simpson, 
for  the  Autlm- :  London,  [1740  ?]    fol. 

f.  15. 
XII.  Solos  for  the  German  Flute  with  the 
Thorough  Bass  for  the  Harpsicord  .  .  . 
Opera  Secmida.  Printed  for  Jno.  Walsh  : 
London,  [1740  ?]     fol.  g.  73. 

RANNIE  (John)  Mark  with  what  grace 
the  Rose  tree  shews.  [Song.]  The  Poetry 
written  and  the  Melody  composed  by  J. 
Rannie.  Longman  &  Brodcrip  : 

London,  [1795  ?]     fol.      G.  806.  d.  (64.) 


RANNIE  (John)  0  Scenes  of  Youth,  a 
Favorite  Song  as  sung  by  Mr.  Dignum 
. .  .the  Words  &  Melody  by  J.  Rannie. 

Longman  d  Brodcrip,  for  the  Author : 
London,  [1795  ?]     fol.      G-.  806.  d.  (65.) 

RAOUL  DE  CREQUI.  Je  brule  de 
voir  ce  chateau.  Air  de  Baoul  de  Crigtii 
[by  N.  Dalayrac].  Chez  FrAre  : 

[Paris,  1790  ?]     8".  B.  362.  (95.) 

See  NicoDEME  dans  la  Lune.   Ma  foi, 

c'est  agir  sans  fatjon,  etc.  [Air  :  Je  brule 
de  voir  ce  chateau,  from  N.  Dalayrac's 
'Raoulde  Cr6qui.']     [1791.]     8°. 

B.  362.  (100.) 
Un   Jour  Lisette  allait  au   champ.      Air 
de  Raoul  de   Crequi    [by  N.   Dalayrac]. 
Avec  Accomp'  de  Guittare. 
Chez  hnbault :  Paris,  [1790  ?]     8". 

B.  362.  (94.) 

Raoul,  Sire  de  Crequi.     Comedie. 
See  Dalayrac  (N.) 

RAOUL  (Jean  Marie)  Methode  de 
Violoncello.  Contenant  une  Nouvelle 
Exposition  des  Principes  de  cet  lustrum' 
. . .  Opera  4.  Chez  Pleyel : 

Paris,  [1800  ?]     fol.  g.  348. 

RAPE  OF  PROSERPINE.  Flights  of 
Cupids  hover  round  me.  [Song.]  Sung 
by  Mr.  Leveridge  in  the  Rape  of  Proserpine. 
[Words  by  L.  Theobald,  music  by  J.  E. 
GaUiard.]     [London,  1725  ?]     s.  sh.  fol. 

G.  307.  (192.) 
Fortune  often  wooes  us.  [Song.]  Simg 
by  Mr.  Legar  in  the  Rape  of  Proserpine 
[by  J.  E.  GaUiard].  [London, 

1725  ?]     s.  sh.  fol.  G.  307.  (195.) 

O   Raree  Show.     [Song.]  Sung   by   Mr. 

Salway  in  the    Rape   of  Proserpine   [by 

J.  E.  GaUiard].  [London, 

1725  ?]     s.  sh.  fol.  G.  306.  (10.) 

[Another    edition.]       The    Raree    Show. 
[Song.]     Sung  by  Mr.  Selway,  etc. 
D.  Wright :  [London,  1725  ?]     s.  sh.  fol. 

H.  1994.  b.  (90.) 

RAPTURE.     The  Rapture.     [Song.] 
Sec  Whilst.     Whilst  on  thy  dear  Bosom 
lying,  e^c.     [1743?]     s.  sh.  tol. 

G.  313.  (120.) 

RARA.     The  Rara  Avis.     [Song.] 

See  DiBDiN  (C.)     [Private  Theatricals.] 

RAREE.  The  Raree  Show.  [Song, 
begins :  '  Now  you  shall  see  what  you 
shaU  see.']  See  Dibdin  (C.)  [Great  Neivs.] 
The  Raree  Show  BaUad,  or  the  English 
Missisippi.  See  O.  0  Raree  Show,  O 
bravee  Show.     [1720  ?]     s.  sh.  fol. 

G.  305.  (212.) 

The    Raree    Show.      [Song,    begins :    '  A 

very  pretty  fancy.'] 

See  Rape  of  Proserpine. 


RASELIUS— RAUPACH 


391 


RASELIUS  (Andreas)  Hesachordum 
seu  Questiones  jMusicse  Practica3,  sex 
capitibus  comprehensse,  etc. 

In  officina  typographica  Gerlachiania : 
Norihergse,  1589.     8°.      1042.  d.  11.  (1.) 

RASSERENA.     Rasserena  il  vago  Ciglio. 
[Song,  by  V.  Rauzzini.] 
{London,  1790?]     fol.  G.  760.  f.  (1.) 

Rasserena  il  mesto  ciglio.     Song. 
See  Gluck  (G.  W.  von)     lArtametie.'] 
Rasserena  il  mesto  ciglio.     Rondo. 
See  RossELLi  (A.) 

RASSEREWI.  Rassei-eni  amico  amore. 
Trio.     See  Paisiello  (G.)     [Elfrida~] 

RASTELIj  (John)  Printer.  [Fragment, 
containing  part  of  the  music  and  the  last 
four  stanzas  ot  a  Ballad,  possibly  entitled 
'  Away  mornynge,'  and  perhaps  written 
by  Rastell,  the  printer.]  i5.  il. 
J.  Blastell :  London,  1520?]     s.  sh.  i". 

K.  8.  k.  8. 

The  last  statiza  begins :  '  I  haue  her  lost . 

For  allmycost .  yet  for  all  that  Itrowe\ 

I  haue  jgchaucc  .   A  fayre  ryddance  . 

And  am  guyt  of  a  shrew.' 

RAT.     The  Rat  tat  too.     [Song.] 
,SVt'  Reeve  (W.)     [TJie  Baft.] 

RATHGEBER  (Valentix)  Holocausto- 
ma  Ecclosiasticum  Coelo  et  Mundo  ob- 
latum  coutinens  Offertoria  Festivalia  per 
Annum  Occurrentia  ...  in  Tres  Partes 
divisum.  Pars  i.  complectitur  Offertoria 
XX.  ab  Adventu  usque  ad  Pascha  exclusive, 
cum  Appendice  vi.  Antiphon.  Stella 
Coeli  &c.  de  B.  V.  Maria,  a  Canto,  Alto, 
Tenore,  Basso,  ii.  Violinis  &  Organo 
necessariis,  Violoncello,  Tubis  vel  Lituis,  \ 
ac  Tympano ...  ad  Libitum  adhibendis  ... 
Opus  XIV.     11  pts. 

Typis  . . .  Joannis  Jacobi  Lotteri  : 
AuQUstx  Vindelicorum,  1734.     fol. 

G.  934.  c. 

Holocaustomatis  Ecclesiastic!  Pars  ii. 
complectens  Offertoria  Festivalia  xx.  a 
Paschate  usque  ad  Festum  Assumptionis 
B.  v.  Mariae  exclusive,  cum  Appendice 
6.  Antiphon.  Stella  Coeli  &c.  de  B.  V. 
Maria  pro  peste  avertenda  a  Canto,  Alto, 
Tenore,  Basso,  ii.  Violinis  &  Organo 
necessariis.  Violoncello,  Tubis  vel  Lituis, 
ac  Tympano  in  soleunioribus  Festis  ad 
Libitum  adhibendis  vel  omittendis  .  .  . 
Opus  XIV.     11  pts. 

Typis  . . .  Joannis  Jacobi  Lotteri : 
Auqustx  Vindelicorum,  1734.     fol. 

G.  934. 

Psalmodia  Vespertina,  complectens  Qua- 
tuor  Vesperas  Integras  . . .  item  Psalmos 
Residues  per  annum  passim  occurrentes, 
et  Completorium,  a  4.  Voc.  ord.  partim  2. 
Violin,  partim  Violino  unisono,  Organo, 


ac  Violoncello,  Tubis,  vel  Lituis  ex  C.  . . . 
pro  libitu  adhibendis  . . .  Opus  ix.  Canto. 
(Alto.)  (Basso.)  (Violino  i.)  (Violon- 
cello.) (Clarino  i.  (ii.).)  (Tympano.) 
8  pts.  Typis  .  .  .  Joannis  Jacobi  Lotteri : 
Augustae-Vindelicorum,  1732.     fol. 

G.  934.  b. 

Sacra  Anaphonesis  per  Viginti  Quatuor 
Offertoria  ...  in  Duas  Partes  distributa,  a 
IV.  Vocibus  .  .  .  C.  A.  T.  B.  ii.  Violinis 
necessariis,  ii.  Tubis  vel  Lituis  ...  ad 
libitum  adhibendis,  cum  duplici  Basso 
Continuo  . . .  Opus  iv.  Canto.  (Tenore.) 
(Basso.)  (Violino  i.  (ii.).)  (Violoncello.) 
(Tuba  vel  Lituo  i.  (ii.).)  (Organo.)  9  pts. 
Typis  . . .  Joannis  Jacobi  Lotteri : 
Augustae-Vindelicorum,  1726.     fol. 

G.  934.  a. 

RATIONAL.  Rational  Vanity.  [Song.] 
See  DiBDiN  (C.)     [Tom  WilUns.'] 

RATTI  (Bartolomeo)  Amorosi  Fiori,  colti 
in  uago,  &  delitioso  Giardino,  Madrigali  a 
Quatro  Voci,  con  uno  a  otto  in  fine,  com- 
posti  in  stil  di  Canzonette,  etc.  Canto. 
(Alto.)     (Tenore.)     (Basso.)     4  pts. 

Appresso  Bicciardo  Amadino : 
Venetia,  1594.     4°.  K.  3.  k.  4. 

RATZ    (Abraham)       See     Regnaed    (J.) 
Threni  Amorum  .  .  .  Verfertiget  und  in 
druck  gegeben  durch  A.  Ratzen. 
1575.    obi.  4°.  A.  369.  i. 

RAUCH  (Andreas)  Thymiaterium  Musi- 
cale,  das  ist  :  IMusicalisches  Rauchfasslein 
mit  dem  edlesten  vnnd  Gott  dem  Herrn 
angenemsten  Rauchwerk,  das  ist,  sehn- 
lichen  seuff tzen  vnnd  Gebetlein . . .  welche 
. .  .mit. .  .Harmonia  mit  4.  5.  6.  7.  vnd  8. 
Stimmen,  sampt  dem  Basso  continuo 
geziert  vnd  geschmuckt  sindt,  etc.  Cantus. 
(Altus.)  (Tenor.)  (Basis.)  (Septima  & 
Octava  Vox.)     (Basis  Generalis.)     6  pts. 

Abraham  Wagenmann  : 
Niirmberg,  1625.     4".  C.  324. 

RAULT  (Felix)  Three  Duetts,  Concer- 
tanti  for  Two  Flutes. .  .Op.  1.  [Separate 
Parts.]  Printed  for  Corri,  Dussck  S  Co.  : 
London  &  Edinburgh,  [1797  ?]     fol. 

g.  225.  (11.) 

Six  Easy   Duetts,   for  Two  Flutes,  in  a 
Singular  Style.     [Separate  Parts.] 

Printed  for  Corri,  Dussek  d  Co. : 
London  &  Edinburgh,  [1797  ?]     fol. 

g.  225.  (12.) 

A  Grand  Solo  for  the  German  Flute,  etc. 
Fentum:  London,  {YidOl']     fol. 

g.  70.  b.  (13.) 

RAUPACH  (Hermann  Friedeich)  Six 
Sonates  pour  le  Clavecin  avec  Accom- 
pagnement  de  Violon  . . .  CEuvre  i". 

Chez  M.  de  la  Chevardiere :  Paris, 
[1776?]     fol.  g.  645. 


392 


EAUZZINI 


RAUZZINI     (Yenanzio)       Ah  !     dearest 
Laura.     A  Favorite  Song.     Sung  by  ]Mr, 
Nield  ...  at  the  Bath  Concerts. 
Preston  d  Son  :  London,  [1797.]     fol. 

G.  364.  (40.) 

Ah  perche  mai  1'  ingrato.  [Recitative  and] 
Sospiri  miei  dolenti.  A  Favorite  Song, 
sung  ...  at  Bath  by  IM"^  Tenducci,  ac- 
companied on  the  Hautboy  by  ]\I''  Fischer, 
and  on  the  Piano  Forte  by  Miss  Guest. 
The  Hautboy  and  Piano  Forte  Parts 
composed  by  Sig"'  Rauzzini.  [Full  Score.] 
/.  Preston  :  London,  [1782  ?]     fol. 

H.  1648.  a.  (6.) 

Ah,  touch  again  that  plaintive  strain.     A 
favorite   Song;   with  an  Accompaniment 
for  the  Harp  or  Piano  Forte. 
Lonqman  tC  Broderin :  London,  [1796  ?]  fol. 

G.  364.  (36.) 

[Le  Ali  d'  Amore.]  The  Favorite  Songs, 
Rondeaus,  Duetts  &  Chorus,  in  .  .  '  Le 
Ali  d'  Amore  ' . .  .Opera  S*.  [Full  Score.] 
Welcker:  London,  [111 &.']     fol. 

H.  2263.  a. 

The  Birth-Day  of  Laura,  a  Favorite  Can- 
zonet with  an  Accompaniment  for  a  Piano 
Forte.  Longman,  dementi  &  Compy.: 

London,  [1799  ?]     fol.  G.  364.  (37.) 

Six  Italian   Canzonets,  with  an  Accom- 
panyment  for  the  Piano-Forte,  etc. 
J.  Bland  :  London,  [1785  ?]     obi.  fol. 

E.  601.  k.  (11.) 
Cease  to  blame  my  melancholy.  A 
Favorite  Song  with  an  Accompaniment 
for  the  Piano-Forte.  Sung  at  the  Bath 
Concerts,  etc.     [Words  by  Sir  J.  Moore.] 

Longman  d)  Broderip  :  London, 
[1797?]     fol.  G.  364.  (39.) 

Clora    behold    that   beauteous  Rose.     A 
Favorite  Song.     Sung  by  Mr.  Nield  at  the 
Bath  Concerts.     [Short  Score.] 
Preston  &  Son  :  London,  [1797.]     fol. 

G.  364.  (38.) 
A  Periodical  Collection  of  Vocal  Music . .  . 
consisting  of  Italian  and  English  Songs, 
Duetts,  Terzetts,  Recitatives,  Canzonetts, 
Ballads,  &c. ...  In  two  Volumes. 
G.  Steart  (A.  C .  Farthing) ,  for  the  Author  : 
Bath,  etc.  [1797.]     fol.  G.  355. 

The  Dirge  in  Cymbaline,  harmonized  by 
M'  Rauzzini :  and  Performed  at  the  Bath 
Concerts  .  .  .  Adapted  for  the  Harp  or 
Piano  Porte,  by  M'^"  de  Ronssecy.  With 
an  Accompaniment  ad  Lib.  S.  Straight : 
Lo7idon,  [1800?]     fol.  H.  2819.  (9.) 

A  Favorite  Duett  for  the  Harpsichord  or 
Piano  Forte  . .  .  Op.  15.  Gotdding  d  Co.  : 
Lo7idon,  [1800?]     fol.       g.  272.  u.  (19.) 

Four  Favourite  Italian  Duets  for  the 
Voice  with  an  Express  Accompaniment 
for  the  Harpsichord  or  Piano-Forte : .  .  . 
also  Four  Easy  Airs  with  an  Accompani- 


ment for  the  Harpsichord,  Piano  Forte  or 
Harp  .  .  .  Opera  xiii.  R.  Birchall  : 

London,  [1790  ?]     obi.  fol.    E.  600.  L  (8.) 

In  vain  does  dewy  Morn  disclose.  A 
Favorite  Duettino ;  with  a  Harp  or  Piano 
Forte  Accomp'.  Longman  d  Broderip  : 
London,  [1788  ?]     fol.  G.  354.  (26.) 

Jeryis  &  Duncan,  Or  The  Year  Ninety 
Seven.  A  Song  .  .  ,  Sung  by  Mr.  Taylor 
...  at  the  Bath  Concerts.  The  words  by 
W.  Meyler.     [Bath  ?  1797.]     fol. 

G.  376.  (31.) 
Old  Oliver,  or  the  Dying  Shepherd.  A 
Cantata,  written  by  P.  Pindar  and  sung 
at  the  Bath  Concerts  by  Mr.  Braham. 

Longman  &  Broderip  :  London, 
[1796?]     fol.  G.  364.  (35.) 

[Piramo  e  Tisbe.]  A  Selection  from 
Pyramus  and  Thysbe,  a  Cantata,  etc. 
[Full  Score.]  E.  Brcmncr  .-  London, 

[1775.]    fol.  G.  355.  a. 

Six  Quartettes  for  two  Violins  a   Tenor 
and  Bass  .  .  .  Opera  ii.     [Parts.] 
J.  Welcker :  London,  [1777  ?]     fol. 

h.  2800. 
Rasserena  il  vago  Ciglio.     [Song.] 
[1790?]    fol.     See  Rasserena. 

G.  760.  f.  (1.) 
La  Regina  di  Golconda,  a  Serious  Opera, 
etc.  [Short  Score.]  Longman £•  Broderip  : 
London,  [1784.]     fol.  G.  760.  c.  (1.) 

Vive  Alina  sol  per  te.     Duetto,  etc. 

[London,  1784.]    fol.  G.  811.  (26.) 

Six  Favourite  Sonatas  for  the  Piano  Forte 
or  Harpsichord,  with  an  accompaniment 
for  a  Violin  .  .  .  Opera  Prima. 

S.  A.  &  P.  Thompson  :  London, 
[1780?]    fol.  g.  292.  a.  (1.) 

Six  Sonatas  for  the  Piano  Forte  or 
Harpsichord  with  an  Accompanyment 
for  a  Violin  .  .  .  Op.  8.  Welcker : 

London,  [1780?]     fol.  g.  292. 

Three  Sonatas  and  a  Duet  for  the  Harpsi- 
chord or  Piano-Forte  with  an  Accompany- 
ment for  the  Violin  ad  libitum  .  .  . 
Opera  xv.  Birchall  and  Andreivs : 

Lojidon,  [1785  ?]     fol.         g.  292.  a.  (2.) 

Six  Favourite  Sonatas,  for  the  Piano 
Forte.  [1799.]  See  Periodical  Publi- 
cations. —  London.  The  Piano-Forte 
Magazine.  Vol.  VIII.  [No.  5.]  [1797- 
1802.]     8°.  D.  854. 

The  Village  Maid.  [Song.]  Printed  for 
G.  Walker  :  London,  [1800  ?]     fol. 

H.  2835.  d.  (19.) 
Vive  Alina  sol  per  te.  See  supra :  [La 
Regina  di  Golconda.] 

Why  my  Julia  why  this  Care.  Rondo 
with  an  Accompaniment  for  a  Piano 
Forte,  etc.     [Short  Score.]  Preston  d- 

Son  :  London,  [1800  ?]    G.  805.  m.  (29.) 


RAUZZINI— EAVENSOROFT 


393 


RAUZZINI  (Vexakzio)  See  Barthele- 
MOK  (P.  H.)  The  Celebrated  Opera 
Dances.  Performed  ...  at  the  King's 
Theatre  .  .  .  1783  .  .  .  Composed  by  M"- 
Barthelemon,  Sig'  Rauzzini,  &  others. 
Book  I.     [1783.]     obi.  4°.  b.  51.  (1.) 

See  Ghillini  di  Asuni  (  )  A  Valuable 
Collection  of . .  .  Songs  . . .  from  .  .  .  Opera's 
. . .  by  . . .  Rauzzini,  etc.     [1776.]     fol. 

g.  421.  a.  (1.) 

RAVENNA  (Baetolomeo  da)     II  Primo 

Libro  della  Raccolta  di  Napolitane  a  tre 

voci,   di   diuersi    Eccellentissimi  IMusici. 

[With  a  dedication  signed :  Bartholameo 

da  Raueuua.]    Appresso  Girolamo  Scotto  : 

Vincgia,  1570.     8".  A.  192. 

The  cmnposers  nained  are  :  Meo  Fior[cn- 

titio],  Anselmo  Peru[gino],  Archan.  da 

Beggio,  Ghinolfo  Dattarri,  B.  Castel- 

l[i7io],  Arcanio  {Tromhcttt]  Bolonese, 

Marc'  Antonio  Bomano,  il  Franzosino, 

Zolini   Bol[ognese'],    Fiesco  and  Es- 

senga. 

RAVENSCROFT  (John)  Foolish  Woman 
fly  mens  Charms.     A  Scmg,  etc. 
[London,  1725  ?]     s.  sh.  fol. 

G.  315.  (162.) 
Sonate  a  tre,  doi  Violini,  e  Violone,  6 
Arcileuto,  col  Basso  per  1'  Organo  .  .  . 
Opera  Prima.  Violino  Primo.  (Yiolino 
Secondo.)  (Violone,  o  Arcileuto.)  (Or- 
gano.) 4  pts.  Per  il  Mascardi  :  Boma, 
1695.     4».  K.  3.  m.  (15.) 

RAVENSCROFT  (Thomas)  A  Briefe 
Discourse  of  the  true  (but  neglected)  vse 
of  Charact'riug  the  Degrees,  by  their  Per- 
fection, Imperfection,  and  Diminution  in 
Measurable  Musicke,  against  the  Common 
Practise  and  Custome  of  these  Times. 
Examples  whereof  are  exprest  in  the 
Harmony  of  4.  Voyces,  concerning  the 
Pleasure  of  5.  vsuall  Recreations.  1. 
Hunting,  2.  Hawking,  3.  Dauncing,  4. 
Drinking,  5.  Enamouring.  Edio.  Allele 
Jor  Tho.  Adams  :  London,  1614.     4°. 

K.  1.  e.  8. 

This  ivorh  contains  compositions  by  J. 
Benet,  E.  Piers  and  T.  Bavenscroft. 
[Another  copy.]  K.  1.  e.  7. 

Deuteromelia :  or  the  Second  part  of 
Musicks  melodie,  or  melodius  Musicke. 
Of  Pleasant  Roundelaies  ;  K.  H.  mirth, 
or  Freemens  Songs.  And  such  delightfull 
Catches,  etc.  [With  Preface  signed  :  T.  R., 
i.e.  T.  Ravenscroft.]    1609.   4°.     See  R.,  T. 

K.  1.  e.  10. 
The  Mariners  .  .  .  Glee,  etc. 
\_London,']  1790.     s.  sh.  4°.        P.P.  5141. 

Lady's  Magazine,  Sept.,  1790. 
Melismata.     Musicall  Phansies  ...  To  3, 
4,  and  5.  Voyces.      [Dedication    signed : 
T.  R.,  i.e.  T.  Ravenscroft.]     1611.     4'\ 
See  R.,  T.  K.  e.  111. 


RAVENSCROFT  (Thomas)     Pammelia. 
Musicks  Miscellanie,  or  Mixed  Varietie  of 
Pleasant  Roundelayes,  etc.     [Collected  by 
T.  Renscroft.]     1G09.     4°. 
See  Pammelia.  K.  1.  e.  9. 

[Another  edition.]     Pammelia,  etc. 

1618.     4".     See  Pammelia.       K.  3.  k.  3. 

The  Whole  Booke  of  Psalmes:  with  the 
Hymnes  Euangelicall,  and  Songs  Spiri- 
tuall.  Composed  into  4.  parts  by  sundry 
Authors,  with  such  seuerall  Tunes  as  haue 
beeue,  and  are  vsually  sung  in  England, 
Scotland,  Wales,  Germany,  Italy,  France, 
and  the  Nether-lands  . . .  Also  :  A  briefe 
Abstract  of  the  Prayse,  Efficacie,  and 
Vertue  of  the  Psalmes.  Newly  corrected 
and  enlarged  by  T.  Rauenscroft,  etc. 

For  the  Company  of  Stationers  : 
London,  1621.     8°,  K.  8.  c.  23. 

The  composers  named  in  this  work- 
are  :  T.  Tallis,  J.  Doioland,  T. 
Morley,  G.  Farnaby,  T.  Tomkins, 
J.  Tomkins,  M.  Peirson,  W.  Parsoris, 
E.  Hooper,  G.  Kirby,  E.  Blancks,  B. 
Allison,  J.  Farmer,  M.  Cavendish, 
J.  Bennet,  B.  Palmer,  J.  Milton,  S. 
Stubbs,  W.  Cranjord,  W.  Harrison 
and  T.  Bavenscroft. 

[Another  copy.]  K.  8.  c.  24. 

The  Whole  Booke  of  Psalmes  .  .  .  Com- 
posed into  4.  parts  by  sundry  Authors 
Newly  corrected  and  enlarged  by  T. 
Rauenscroft,  etc.  T.  Harper  for  the 

Company  of  Stationers  :  London,  1633.  8". 

B.  520.  a. 

[Another  copy.]  3434.  b.  9. 

See  Apollonian  Harmony.  Apollonian 
Harmony :  a  Collection  of . . .  Glees  ...  by 
.  .  .  Ravenscroft,  etc.   [1790  ?]   8°.   E.  255. 

See    Church    (J.)      An   Introduction   to 
Psalmody  ...  To  which  is  added  ...  a  Col- 
lection, containing . .  .  some  Anthems  and 
Hymns  by  Mr.  Tho:  Ravenscroft,  etc. 
[1723?]     8".  B.  834. 

See  Gawthorn  (N.)     Harmonia  Perfecta  : 
a  .  . .  Collection  of  Psalm  Tunes  . . .  Taken 
.  . .  chiefly  from .  . .  Ravenscroft,  etc. 
1730.     8°.  C.  708. 

See  Milker  (A.)  The  Psalm  Singer's 
Pocket  Amusement . . .  consisting  of  the 
Most  Valuable  Part  of  Raven  scroft's  Book 
of  Psalmody,  t'^c.     [1750?]     8". 

A.  414.  a. 

See  Psalms.  [English.]  An  Abridgement 
of. .  .the  Psalms. .  .with. .  .Tunes. .  .by. . . 
Mr.  Ravenscroft,  etc.     [1777.]     8°. 

A.  511.  d. 
See  TiMBRELL  (F.)     The  Divine   Musick 
Scholar's  Guide,  with. .  .the  Famous  Mr. 
Tho.  Ravenscroft's  Psalm  tunes,  dx. 
[1725  ?]     obi.  4°.  A.  980. 


394 


RAVISHED— REASONABLE 


RAVISHED.  The  Ravish'd  Lover. 
[Song.]  See  When.  When  Fanny, 
Blooming  fair,  etc.     [1736  '?]     s.  sh.  fol. 

a.  313.  (108.) 

RAWLINGS  (Thomas  A.)  Ah  within 
my  hosom  beating.     [Song.] 

Printed  for  the  Aiothor  :   London, 
[1794?]     fol.  G.  366.  (58.) 

A  Cantata  on  the  Death  of  the  late  un- 
fortunate Marie  Antoinette,  Queen  of 
France. .  .The  Words  by  a  Lady. 

Published  by  the  Author:  [London, 
1794.]     fol.  G.  366.  (57.) 

A  Grand  J\Iilitary  March  in  Score,  adapted 
for  the  Piano  Forte,  etc. 

Printed  for  the  Author  :  [London, 
1795?]     fol.  g.  133.  (48.) 

Three  Sonatas  for  the  Harpsichord  or 
Piano  Forte  with  an  Accompaniment  for 
a  Violin  Obligato  . . .  Op.  1.  [Separate 
Parts.]  Printed  for  the  Author  : 

London,  [1800  ?]     fol.  g.  161.  f.  (6.) 

Six  New  Waltzes,  for  the   Piano  Forte, 
with   an   Accompaniment   for   the    Tam- 
bourine &  Triangle. .  .Op.  2. 
The  Author  :  [London,  1800  ?]     fol. 

g.  231.  (6.) 

EAWTHMELL  (Alexander)     Musick's 

a  Crotchett.     [Song.]     The  Words  by  E. 

Ward.     [Z/0)kZo«,  1710?]     s.  s7i.  fol. 

H.  1601.  (303.) 
RAYMOND  AND  AGNES.    Raymond 

and  Agnes.     Entertainment. 

Sec  Reeve  (W.) 

RAYMOND  (S.)  Three  sonatas  for  the 
Harpsichord  or  Piano  Forte,  G.  Smart : 
London,  [1790  ?]     fol.  h.  62.  (8.) 

RAYNER  (Lloyd)  Tender  Passions,  etc. 
[Song.]  L[oncjman\  L[ukey  and  Co. : 

London,  1775  ?]     fol.  G.  312.  (208.) 

RAYS.  The  Rays  of  dear  Clarinda's  Eyes. 
Song.     See  Akeeoyde  (S.) 

RAZZI  (Seeafino)  Libro  Primo  delle 
Laudi  Spiritual!  da  Diuersi  . . .  Autori, 
Antichi  e  Moderni  composte.  Le  quali  si 
vsanocantare  inFirenze. .  .Con  la  propria 
Musica  e  modo  di  cantare  ciascuna  Laude 
. .  .Raccolte  dal  R.  P.  Pra  Serafino  Razzi 
. .  .Nuouamente  stampate. 
Per  Francesco  Bampazetto,  ad  instanzi  de 
gli  heredi  di  Bernardo  Giunti  di  Firenzc  : 
Vcnetia,  1563.     4°.  K.  8.  f.  10. 

The  arms  of   Pope    Clement    XI.   are 
stamped  on  the  covers. 

Santuario  di  Laudi,  o  Vero  Rime  Spiritu- 
al!, per  le  feste  di  ciaschedun  santo, 
solennemente  celebrate  per  tutto  1'  anno 
da  S.  Chiesa :   con  eziandio   quelle   delle 


Feste  Mobil! :  e  di  alcune  da  cantarsi  nel 
vestire  di  Monache,  etc. 

Appresso  Bartolommeo  SermateUi,  e 
Fratelli  :  Firenze,  1609.     4°. 

11427.  ee.  25, 
Tlic  only  composer  named  is  Verdelotto. 

RE  ALLA  CACCIA.  II  Re  alia  Caccia. 
Opera.     See  Alessandri  (F.) 

RE  PASTORE.     II  Re  Pastore.     Opera. 
See  Hasse  (J.  A.) 

RE  TEODORO  IN  VENEZIA.    II  Re 

Teodoro  in  Venezia.     Opera. 
See  Paisiello  (G.) 

READING  (John)  of  Winchester.  Dulce 
Domum.  See  Fischer  (J.  C.)  An  Old 
Favorite  Air  Dulce  Domum  [by  J.  Reading] 
with.  ..Variations,  e^c.     [1790?]     fol. 

H.  2821.  (6.) 

See  Joyful  Cuckoldom.  [Joyful  Cuckol- 
dom...A  Collection  of  New  Songs... by 
...  J.  Reading,  etc.]     [1690  ?-96  ?J    4". 

C.  180.  a, 

READING  (John)  Organist  of  St.  John's^ 
Hackney.  A  Book  of  new  Anthems. 
Containing  a  Hundred  Plates  fairly  En- 
graven with  a  Thorough  Bass  figur'd  for 
the  Organ  or  Harpsichord  with  proper 
Retornels,  etc.     (London,)  [1715  ?]     4°. 

E.  473. 
Presented  to  the  British  Museum,  ioith 
an    autograph     inscription,     by     F. 
Novello. 

A  Book  of  New  Songs  (after  the  Italian 
manner)  with  Symphonies  and  a  Through- 
Bass  fitted  to  the  Harpsichord,  &c.  All 
within  y'^  Compass  of  the  Flute,  and  fairly 
Engraven  on  Copper  Plates,  etc. 

Printed  for  y"  Author  :  London, 
[1710?]     fol.  H.  1606. 

See  Voluntaries.     Ten  Voluntarys. .  .by 

Dr.  Green. .  .Reading,  etc. 

[1770?]     obl.iol.  e.  108.  a.  (5.) 

REAL.     Real  Beauty.     [Song.] 
See  Webb  (J.) 

REASON.  Reason  and  Friendship.  [Song.] 
See  Gardiner  (P.) 

Reason  for  Loving.     [Song.] 
See  Festing  (M.  C.) 

Reason,  what  art  thou.     Song. 
See  Weldon  (J.) 

REASONABLE.  The  reasonable  Liber- 
tine. [Song.]  See  Man.  The  Man,  who 
in  his  Breast  contains.    [1750?]    s.  s7i.  fol. 

G.  303.  (46.) 

The  Reasonable  Lover.     [Song.]     See  I. 
I  seek  not  at  once  in  a  Female  to  find. 
[1750  ?]     s.  sh.  fol.  G.  316.  c.  (23.) 


REBEL— REELS 


395 


REBEL  (FEAN901S)  and  PRAIirCCEUR 

(FEAN901S)     Ballet  de   la   Paix.     Mis  en 
■  Musique  par  Mrs.  Rebel  et  Francoeur,  etc. 
Chez  le  Sieur  Francceur  :  Paris, 
[1738  ?]     obi.  fol.  E.  50. 

Ismene.  Pastorale  Heroique  .  .  .  Les 
Paroles  sont  de  il'  de  Moncrif,  etc. 

Chez  les  Aziteurs,  etc.  :  Paris, 
[1750.]     obi.  fol.  E.  50.  c. 

Pirame  et  Thisbe.  Trag^die  mis[e]  en 
Musique  par  Mrs.  Rebel  et  Francoiur,  etc. 
[Words  by  J.  L.  I.  de  La  Salle.] 

Chez  le  Sieur  Francoeur,  etc.  :  Paris, 
[1726.]     obi.  fol.  E.  50.  b. 

Tarsis  et  Zelie,  Tragedie  mise  en  musique, 
etc.  J.  B.  C.  Ballard :  Paris. 

1728.     obi.  fol.  C.  406. 

Le  Trophee.  Divertissement  a  I'occasion 
de  la  Victoire  de  Fonteuoi.  Mis  en 
Musique  par  Mrs.  Rebel  et  Francoeur. . . 
Les  Paroles  sont  de  INIr.  de  Moncrif. 
Grave  par  Le  S'  Hue. 

Clicz  Madame  Baivin  :  Paris, 
1745.    obi.  fol.  E.  50.  a.  (1.) 

Zelindor  Roi  des  Silphes.  Divertissement 
...Mis  en  Musique  par  ]\Irs.  Rebel  et 
Francoeur  . . .  Les  Paroles  sont  de  INlr.  de 
Moncrif.     Paris,  1745.     obi.  fol. 

E.  50.  a.  (2.) 

[For  songs,  &c.,  published  anony- 
mously :]  Sec  Zelixdor. 

REBEL  (Jean  Ferry)     Ulysse,  Tragedie 
[written    by  —  Guichard]  . . .  representee 
pour  la  premiere  fois  . . .  le  vingt  jour  de 
Janvier  1703.     [Short  Score.] 
Chez  C.  Ballard  :  Paris,  1703.     obi.  4°. 

B.  340. 

REBHUN  (Paul)  Ein  Geistlich  spiel, 
vu  der  Gotf urchtigen  vn  keuschen  Frawen 
Susannen,  gantz  lustig  vud  fruchtbarlich 
zu  lesen.  [With  the  music  of  the 
choruses.]  Wolffgangk  Mei/erpeck  : 

Zwickaw,  1536.     4°.     "  11745,  e.  6. 

RECEVEZ.  Recevez  discret  amoureux. 
Lai  tire  du  Roman  de  Perce  Foret.  Ace. 
par  M'  Porro.  Chez  Baillon  :  Paris,    , 

1784.     8^  B.  362.  g.  (95.) 

Recevez  favorablement.     Rondeau. 
See  Bailleul  (     ) 

RECOLLECTION.  Recollection.  Can- 
zonet. See  Haydn  (F,  J.)  [Canzonets. 
Set  I.     No.  2.] 

RECOMPENSE.  The  Recompence  of 
Constancy.  [Song.]  See  Dibdin  (C.) 
[The  Quizes.'] 

RECONCILEMENT.  The  Reconcile- 
ment. [Song.]  See  Come.  Come,  let  us 
now  resolve,  etc.    1760.    8°.     P.P.  5441. 

RECONCILIATION.  The  Reconcilia- 
tion. [Song,  begins :  '  With  scorn  re- 
puls'd.']     See  French  (R.) 


RECONCILIATION.     The   Reconcilia- 
tion.   Dialogue.    See  While.    While  with 
a  gentle  Smile  you  strove,  etc. 
[1770?]    fol.  G.  313.  (252.) 

RECONCILIATION  VILLA- 
;  GEOISE.  La  Reconciliation  villageoise. 
I        Comedie  Ij-rique.     See  Tarade  (     ) 

RECONNAISSANCE.     La   Reconnais- 
[       sance.    [Song.]    See  De.    De  tes  bienfaits 
la  douce  image,  etc.     [1785  ?]     8°. 

B.  362.  f.  (42.) 
RECOVERY.  The  Recovery.  [Song, 
begins :  '  See,  Stella,  as  your  health 
returns.']  Set  by  an  Eminent  Master. 
See  Chloe.  Chloe,  or  the  Musical  Maga- 
zine, etc.  No.  79.  [1760  ?]  fol.  G.  433. 
The  Recovery.  Song.  [Begins :  '  When 
prostrate  first.']     See  Kilbuen  (J.) 

RECRUITING  SERJEANT.  The  Re- 
cruiting Serjeant.  Musical  Entertain- 
ment.    See  Dibdin  (C.) 

RECUEIL.  Recueil  d'Airs,  etc.  See  Airs. 
Recueil  de  Chansons,  etc.  See  Chansons. 
Recueil  g6n6ral  des  Opera  Boufions  qui 
ont  ete  represent^s  a  Paris,  avec  les  Ariettes 
en  Musique.  10  Tom.  CJicz  F.  J.  Desoer  : 
Liege,  1777.     8°.  11735.  b.  2. 

A  collection  of  separate   libretti  xcith  a 
general  title  to  eacJi  vohime. 

RED.     Red  and  White.     [Song.] 
See  Battishill  (J.) 
The  Red  Cross  Knight.     Glee. 
See  Callcott  (J.  W.) 

REDBREAST.  The  Redbreast.  Can- 
tata.    Sec  Stanley  (J.) 

REDEEMER.  The  Redeemer  gave  the 
Word.     Anthem.     Sec  Russell  (W.) 

REDENDE    GEMAEHLDE.       Das 

redende  Gemiihlde.     Comische  Oper. 
Sec  Stegmann  (C.  D.) 

REDEN-RYCKER.  DerReden-Ryckers 
stichtighe  tsamenkomste.  [Poems  and 
music]  Sec  Academies,  etc. — Schiedam. — 
Reden-Ryck  Camer"bydeRoode  Roosen." 

REDINGOTTE.      La   Redmgotte   a 
I'Anglaise.    [Song.]    See  Honneur.    Hon- 
neur  aux  modes  d'apresent,  etc. 
[1780  ?]     8^  B.  362.  j.  (6.) 

REDOUTEZ.      Redoutez     I'eclat    du 
tonnerre.     Recit  de  Basse. 
[Paris,]  1750.     s.  sh.  4».  297.  c.  25. 

Merctcre  de  France,  March,  1750. 
[Another    setting.]     Redoutez  I'eclat   de 
tonnerre.     Chanson.     See  Fremeaux  (    ) 

REELS.  A  Collection  of  Scots  Reels  or 
Country  Dances.  With  a  Bass  for  theVio- 
lincello  or  Harpsichord,  etc.  Preston  and 
Son :  London,  [1790  ?]    obi.  4°.    b.  58.  a. 


396 


REELS— REEVE 


REELS.  A  Collection  of  the  Newest  and 
Best  Reels  or  Country  Dances.  Adapted 
for  the  Violin  or  German  Flute  with  a 
Bass  for  the  Violincello  or  Harpsichord. 

Printed  for  Neil  Stewart:  Edinburgh, 
[1761-1763  ?" j    ohl.  8°.  a.  27.  b. 

Lady  Baird's  Reel  made  into  a  Rondo  for 
the  Piano  Forte.  N.  (0  M.  Stewart : 

Edinburgh,  [1790?]     fol.       g.  149.  (13.) 

Lord  Alexander  Gordon's  Reel  made  into 
a  Rondo  for  the  Piano  Forte. 

N.  d-  ill.  Steiuart:  Edinbtirgh, 
[1790?]     fol.  g.  149.  (14.) 

REEVE  (William) 

Aeeangement. 

1.  Operas,  Entertainments,  Ballets,  &c. 

2.  Single  Songs. 

3.  Appendix. 

4.  Index  of  Songs  in  Operas,  &c. 

1.  Opeeas,  Enteetainments,  Ballets,  &c. 

The  Apparition. 

The  Apparition,  a  Musical  Entertainment 
. . .  written  by  J.  C.  Cross.  [P.  F.  Score.] 
Preston  cC  Son  :  London,  [1794.]     obi.  fol. 

D.  286.  (6.) 
Bantry  Bay. 

Bantry  Bay.  A  Musical  Entertainment, 
etc.  [Written  by  G.  N.  Reynolds.  P.  F. 
Score.]  Preston  &  Son  :  London, 

[1797.]     fol.  H.  129.  (8.) 

The  Charity  Boy. 

The  Favorite  Overture  to  the  Charity  Boy, 
etc.     [P.  P.]  Printed  for  G.  Walker  : 

London,  [1796.]  fol.  h.  1480.  t.  (31.) 
The  Tar's  Sheet  Anchor,  a  favorite 
Ballad.  Sung  by  Mr.  Sedgwick  at  .  . . 
Drury  Lane  in  the  Charity  Boy.  The 
Words  by  J.  C.  Cross. 

Longman  and  Broderip : 
\_London,  1796.]     fol.  G.  810.  (54.) 

Don  Juan. 

The  Jolly  Tar.  A  favorite  Song,  sung  by 
Mr.  Arrowsmith  at  the  Royalty  Theatre, 
etc.  Longman  and  Broderip  : 

[London,  1787.]     fol.  H.  131.  (42.) 

The  Loyal  Tars,  or  Naval  Excursion,  a 
Favorite  Song.  Sung  by  Mr.  Darley 
. . .  at  . . .  Covent  Garden. .  .The  Words  by 
T.  Goodwin.  Printed  for  W.  Campbell : 
London,  [1789.]     fol.  Q.  377.  (48.) 

See  that  pretty  Creature  there.  A 
favorite  Serenade  sung  by  ]\Ir.  Delpini 
at  the  Royalty  Theatre,  etc. 

Longman  and  Broderip  : 
[London,  1787.]     fol.  H.  131.  (44.) 

[For  songs,  &c.,  in  Don  Juan,  a  Panto- 
mimical  Entertainment  arranged  by 
Delpini,  with  music  by  Reeve  and  Gluck, 
published  anonymously  :j  Sec  Don  Juan. 


REEVE  (William) 

The  Double  Jealousy. 

The  Je  ne  scjai  quoi.  A  favorite  Song, 
sung  at  Astley's  Amphitheatre  in  a 
Burletta  called  The  Double  Jealousy. 

Longman  and  Broderip  :  [London, 
1787.]     fol.  H.  131.  (45.) 

Still  we  sigh  for  Something  more.  A 
favorite  Rondo  sung  at  Astley's  Amphi- 
theatre in  a  Burletta  called  the  Double 
Jealousy.  Longman  and  Broderip : 

[London,  1787.]     fol.  H.  131.  (43.) 

Embarkation. 

Embarkation,  a  Musical  Entertainment 
in  Two  Acts,  etc.  [Written  by  A.  Franklin. 
P.  F.  Score.] 

Goulding,  Phipps  d  D'Almaine : 
London,  [1799.]     fol.  H.  119.  a. 

The  Evening  Brush. 

The  Desponding  Negro.  A  favorite  New 
Song,  written  by  Mr.  Collins,  and  sung 
by  him  ...  in  his  New  Embellished 
Evening  Brush  at  the  Lyceum. 

Longman  and  Broderip) :  [London, 
1792.]     fol.  a.  806.  r.  (30.) 

The  Prophetical  Pig.  A  favorite  Comic 
Song  written  by  Mr.  Collins  and  sung 
by  him. .  .in  his  new  Embellished  Evening 
Brush  at  the  Lyceum. 

Longman  and  Broderip  : 
[London,  1792.]     fol.       H.  2818.  e.  (3.) 

The  Glorious  First  of  June. 

The  Old  Commodore,  A  Favorite  Song,  etc. 
[London,  1794.]     fol.  G.  809.  c.  (3.) 

Harlequin  and  Oberon. 

Overture  to  the  .  .  .  Entertainment  of 
Harlequin  &  Oberon,  etc.     [P.  F.] 

Longman  and  Broderip  :  London, 
[1796.]     fol.  g.  137.  (5.) 

[Another  edition.]     Overture,  cfc.     [P.P.] 

Muzio  Clementi  d  Co.  :  London, 

[1800?]     fol.  g.  271.  e.  (24.) 

The  Laud  we  live  in.  [Song.]  Sung  by 
Mr.  Bowden,  etc.  M.  Clementi  d  Co. : 

London,  [1799  ?]    fol.    H.  2830.  g.  (47.) 

0  !  who  has  seen  the  Miller's  Wife.     The 

Gypsies'  Glee,  etc. 
i  Longman,  Clementi  d  Co. : 

,       London,  [1798  ?]    fol.    H.  2815.  c.  (41.) 

[Another     edition.]      0 !    who    has    seen 

the  Miller's  Wife.     The  Gipsies'  Glee,  etc. 

M.  Clementi  d  Co. :  iMidon,  [1799  ?]     fol. 

G.  805.  g.  (41.) 

Harlequin  and  Quixotte. 

The  Favorite  Overture  to  Harlequin  & 
Quixotte,  c^c.  [Pantomime,  by  J.  C.Cross. 
P.  F.l    G.  Goulding  :  London,  [1797.]  fol. 

g.  443.  h.  (18.) 


REEVE 


397 


REEVE  (William)  Cliicka  Ching,  a 
favorite  Ballad.  Sung  by  Miss  Sims  . . . 
written  by  J.  C.  Cross.  [P.  F.  &  Short 
Score.]  Printed,  for  G.  Goulding  : 

London,  [1797.]     fol.      G-.  805.  m.  (30.) 

Harlequin's  Eeturn. 

The    favorite    Overture    to    the    Panto- 
mime of  Harlequin's  Return,  etc.    [P.  F.j 
Longman  and  Broderip  :  [Londo)i, 
1798.]     fol.  g.  137.  (13.) 

Come  buy  my  Eartheu  Ware,  a  favorite 
Song  sung  by  jNIrs.  Clendining  ...  in  the 
Pantomime  of  Harlequin's  Return.  The 
Words  by  I.  C.  Cross.     [Short  Score.] 

Longman  and  Brodtrip : 
[London,  1798.]     fol.  G.  249.  (7.) 

Hither  haste  the  Young  &  Gay.  A 
favorite  Air  sung  by  Mrs.  Martyr  ...  in 
the  Pantomime  of  Harlequin's  Return. 
The  Words  by  I.  C.  Cross.  [Short  Score.] 
Longman  and  Broderip  : 
[London,  1798.]     fol.  G.  249.  (6.) 

Natty  Sammy.  A  Comic  Duett  sung  by 
Mr.  Simmons  and  ]\Ir.  Bologna  Sen' 
...  in  the  Pantomime  of  Harlequin's 
Return.  The  Words  by  I.  C.  Cross.  [Short 
Score.]  Longman  and  Broderip  : 

[Lo7idon,  1798.]     fol.  G.  354.  (27.) 

The  Wind  blew  fresh,  a  favorite  Sea 
Ballad  sung  by  Mr.  Townsend  in  the 
Entertainment  of  Harlequin's  Return. 
The  Words  by  J.  C.  Cross. 

Longman  and  Broderip  : 
[London,  1798.]     fol.  G.  249.  (5.) 

Hercules  and  Omphale. 
Grand  Overture,  La  Chasse,  to  Hercules 
and  Omphale,  etc.  [P.  F.]  Preston  &  Son  : 
London,  [1794.]     fol.        g.  443.  h.  (17.) 

Hero  and  Leander. 

Overture  to  Hero  and  Leander.     [P.  F.] 
G.  Gouldinq  :  [London,  1787.]     fol. 

g.  272.  d.  (6.) 

Come,  come  my  sweet  love,  a  favorite 
Duet,  sung  by  Mr.  Arrowsmith  and  Mrs. 
Fox  ...  in  Hero  &  Leander  [a  bmiesque, 
by  I.  Jackman].  Printed  for  G.  Goulding  : 
London,  [1787.]     fol.       G.  808.  e.  (39.) 

Hark !  the  Trumpet  sounds  afar,  a  favorite 
new  Song  sung  by  Mr.  Bannister  in  Hero 
and  Leander.     [Words  by  I.  Jackman.] 

Printed  for  G.  Goulding  : 
London,  [1787.]    fol.       G.  808.  e.  (40.) 

Hobson's  Choice, 

Oh !  what  a  misfortune  befel  me  to-day. 
The  Favourite  Drunken  Song  sung  . .  .in 
the   Entertainment    of    Hobsous    Choice 
[by  W.  Reeve].     [1790?]     fol. 
See  HoBso^-'s  Choice.     G.  805.  li.  (21.) 


REEVE  (William) 

Honest  Thieves. 


The  Tight  Irish  Boy.  A  favorite  Song. 
Svmg  by  Mr.  Johnstone  in  the  Enter- 
tainment of  Honest  Thieves.  The  Words 
by  J.  C.  Cross.  Longman  and  Broderip : 
[London,  1797.]     fol.  G.  250.  (35.) 

Joan  of  Arc. 

Joan  of  Arc,  or  the  Maid  of  Orleans.  The 
Favorite  Overture  to  that  Grand  Ballet, 
etc.     [P.  F.]  Longman  &  Broderip  : 

London,  [1798.]    fol.  g.  137.  (7.) 

Affection  warms  the  Heart.  A  favorite 
Song  sung  by  Mrs.  Mountain. .  .in  the 
Grand  Ballet  called  Joan  of  Arc  . . .  the 
Words  by  J.  C.  Cross.      [Short  Score.] 

Longman  and  Broderip : 
[London,  1798.]     fol.  G.  249.  (8.) 

Hang  War,  hang  care,  a  Favorite  Air 
and  Chorus,  sung  by  ]\Ir.  Incledon  .  .  . 
in  . . .  Joan  of  Arc . . .  Accompanied  on  the 
Harp  by  ilr.  Wieppart. 

Longman  and  Broderip : 
[^London,  1798.]     fol.  G.  249.  (10.) 

In  Realms  of  Bliss.  A  favorite  Air 
sung  by  Miss  Sims  ...  in  Joan  of  Arc,  etc. 
[Short  Score.]  Longman  and  Broderip  : 
[London,  1798.]     fol.  G.  249.  (12.) 

Lie  still  my  trembling  Heart,  the  favorite 
Dialogue  Duetto  sung  by  Mrs.  J\Iountain 
and  Miss  Sims. .  .in  Joan  of  Arc,  etc. 

Longman  and  Broderip  :  [^London, 
1798.]     fol.  G.  249.  (11.) 

Victorious  La  Pucelle.  A  favorite  Song 
sung  by  Mrs.  Clendining  ...  in  Joan  of 
Arc,  etc.     [Short  Score.] 

Longman  and  Broderip : 
[London,  1798.]     fol.  G.  249.  (13.) 

Your  Minstrel  asks  a  Subject's  Tear,  a 
Favorite  Air  and  Chorus  sung  by  Incledon 
. . .  in  . . .  Joan  of  Arc  . . .  Accompanied  on 
the  Harp  by  Mr.  Wieppart. 

Longman  and  Broderip  : 
[London,  1798.]     fol.  G.  249.  (9.) 

The  Maid  of  the  Mill. 

The  Begging  Gipsey,  a  favorite  Song  sung 
by  Miss  Sims  ...  in  the  INIaid  of  the  Mill 
.  .  .  The  Words  by  Mr.  Cross.  [Short 
Score.]  Preston  &  Son  : 

London,  [1797.]     fol.       G.  805.  k.  (22.) 

[Another  copy.]  H.  2830.  g.  (46.) 

Merry  Sherwood. 

The  Overture,  Songs,  Comic  Tunes  and 
Finale  in  the  . . .  Pantomime  called  Merry 
Sherwood  or  Harlequin  Forester  .  .  .  The 
Words  by  Mr.  O'Keefe.     [P.  F.  Score.] 

Longman  and  Broderip : 
London,  [1795.]     fol.  H.  119.  c. 


398 


REEVE 


EEEVE  (William)  The  celebrated  Over- 
ture to  Merry  Sherwood  or  Harlequin 
Forester  .  .  .  Accompanied  on  the  Harp 
by  Mr.  Wieppert.     [P.  P.] 

Longman  and  Broderip  :  [London, 
1795.]     fol.  g.  137.  (11.) 

The  Beggar.  A  favorite  Song  sung  by 
Mr.  Townsend  in  the  new  Pantomime 
called  Merry  Sherwood  or  Harlequin 
Forester.     The  Words  by  Mr.  O'Keefe. 

Longman  and  Broderip : 
[London,  1795.]     fol.  G.  249.  (15.) 

The  Bellman.  A  favorite  Song  sung 
by  Mr.  Pawcett  in  .  .  .  Merry  Sherwood, 
etc  Longman  and  Broderip  : 

[London,  1795.]     fol.  G.  249.  (18.) 

The  Bugle  Horn.  A  favorite  Song  sung 
by  Mr.  Bowden  in  the  new  Pantomime 
called  Merry  Sherwood  or  Harlequin 
Forester.     The  Words  by  Mr.  O'Keefe. 

Longman  and  Broderip : 
[London,  1795.]     fol.  G.  249.  (14.) 

The  Friar.  A  favorite  Song  sung  by 
Mr.  Bowden  in  .  . .  Merry  Sherwood,  etc. 

Longman  and  Broderip  : 
[London,  1795.]     fol.  G.  249.  (20.) 

Hey  downl  adown.  A  favorite  Song 
sung  by  Mrs.  Clendining  in  . . .  Merry 
Sherwood,  etc.  Longman  and  Broderip  : 
[London,  1795.]     fol.  G.  249.  (16.) 

My  Doe  is  my  Dear.  A  favorite  Song 
sung  by  Mr.  Incledon  in  . . .  Merry  Sher- 
wood, etc.  Longman  and  Broderip  : 
[London,  1795.]     fol.  G.  249.  (21.) 

The  Tanner.  A  favorite  Song  sung  by 
Mr.  Richardson  in  .  .  .  Merry  Sherwood, 
etc  Longman  and  Broderip  : 

[London,  1795.]     fol.  G.  249.  (19.) 

The  Tinker.  A  favorite  Song  sung  by 
Mr.  Knight  in  .  . .  Merry  Sherwood,  etc. 

Longman  and  Broderip : 
[London,  1795.]     fol.  G.  249.  (17.) 

The  Witch.  A  favorite  Song  sung  by 
Mrs.  Martyr  in  . . .  Merry  Sherwood,  etc. 

Longman  and  Broderip : 
[London,  1795.]     fol.  G.  249.  (22.) 

[For  songs,  &c.,  published  anonymously  :] 
See  Mebhy  Sherwood. 

Mirth's  Museum. 

The  Antiquity  of  Bulls.  Sung  by  Mr. 
Masters  at  the  Lyceum.  Composed  by 
Mr.  Reeve  for  his  new  Entertainment 
called  Mirth's  Museum.  Longman  and 
Broderip  :  [London,  1794.]     fol. 

G.  367.  (3a.) 

Ben  Block,  or  the  Sailor's  Friend.  Sung 
by  Mr.  Masters  at  the  Lyceum,  etc. 

Longman  and  Broderip  : 
[London,  1794.]     fol.  G.  367.  (3.) 


REEVE  (William)  The  Goddess  of  the 
silver  Stream.  [Song.]  Sung  by  Mr.  Gray 
at  the  Lyceum,  etc.  Longman  and 

Broderip  :  [London,  1794.]     fol. 

G.  367.  (3g.) 

The  Huntsman's  Rhapsody,  or  the  De- 
lights of  the  Field.  [Song.]  Sung  by 
Mr.  Gray  at  the  Lyceum,  etc. 

Lcmgman  and  Broderip : 
[London,  1794.]     fol.  G.  367.  (3f.) 

Knowing  Joe  and  the  Shew  Folk.  [Song.] 
Sung  by  Mr.  Masters  at  the  Lyceum, 
etc.  Longman  and  Broderip  : 

[London,  1794.]     fol.  G.  367.  {3^.) 

The  Lavender  Girl.  [Song.]  Sung  by 
Mrs.  Reeve  at  the  Lyceum,  etc. 

Longman  and  Broderip  : 
[London,  1794.]     fol.  G.  367.  (S^.) 

The  Market  Lass.  [Song.]  Sung  by  Mrs. 
Reeve  at  the  Lyceum,  etc. 

Longman  and  Broderip : 
[London,  1794.]     fol.  G.  367.  (3^.) 

My  Journey  is  Love.  [Song.]  Sung  by 
Mr.  Gray  at  the  Lyceum,  etc. 

Longman  and  Broderip  : 
[London,  1794.]     fol.  G.  367.  (3i.) 

The  Vestry  Dinner.  [Song.]  Sung  by 
Mr.  Masters  at  the  Lyceum,  etc. 

Longman  and  Broderip : 
[London,  1794.]    fol.  G.  367.  (3°.) 

Oscar  and  Malvina. 

The  Overture,  Favorite  Songs,  Duetts  & 
Chorusses  in  the  Grand  Pantomime  Ballet 
of  Oscar  &  Malvina  as  performed  .  .  . 
at  .  . .  Govent  Garden.  Together  with  a 
Selection  of  the  most  favorite  Scots 
Airs  &  the  Battle  Piece.  The  whole 
adapted  &  the  new  Music  composed  by 
W.  Reeve.     [P.  F.  Score.]  Longman 

and  Broderip  :  London,  [1791.]     fol. 

H.  2821.  (8.) 


Paul  and  Virginia 

[Song.] 


Sung  by  Mr.  Munden 

Goulding  d  Co. : 

fol.       H.  2818.  c.  (7.) 


Ackee-0. 

etc. 

London,  [1800.] 

The  Wealth  of  the  Cottage  is  Love.  A 
favorite  Song,  sung  by  Mr.  Incledon,  etc. 
Goulding  &  Co. :  London,  [1800.]     fol. 

G.  796.  (27.) 

A  Picture  of  Paris. 

Paddy  Bull's  Expedition.  A  favorite 
Irish  Song  Sung  by  Mr.  Rock  at .  . .  Covent 
Garden  in  the  Pantomime  Entertain- 
ment called  A  Picture  of  Paris.  Written 
by  Mr.  Collins  .  .  .  Adapted  by  W.  Reeve. 
Longman  and  Broderip  : 
[London,  1790.]     fol.       H.  2818.  c.  (6.) 


REEVE 


399 


HEEVE  (William) 

The  Purse. 

The  Purse,  or  Benevolent  Tar,  a  musical 
entertainment .  .  .  The  Poetry  by  J.  C. 
Cross.     [P.  F.  Score.]  Preston  d  Son  : 

London,  [1794.]     ohl.  fol.        D.  286.  (7.) 

The  Galley  Slave,  a  Favorite  Song,  etc. 
{London,  1794.]     fol.         G.  805.  i.  (17.) 

[Another  edition.]    The  Galley  Slave,  etc. 
Preston:  London,  [1795?]     fol. 

G.  805.  c.  (25.) 

The  Raft. 

Overture  to  the  Raft,  etc.     [P.  P.] 

Longman  and  Broderip : 
ILondm,  1798.]     fol.  g.  137.  (10.) 

Britons  glory,  a  favorite  Song  sung  by 
Mr.  Townshend  ...  in  the  Raft.  The 
Words  by  I.  G.  Cross. 

Longman  atid  Broderip  : 
{London,  1798.]     fol.  G.  376.  (34.) 

The  Rat  tat  too.  [Song.]  Sung  by  Mrs. 
Martyr  ...  in  the  Raft  .  .  .  The  Words 
by  I.  C.  Cross.  Printed 

for  Longman  and  Broderip :  [London, 
1798.]    fol.  G.  376.  (33.) 

Ramah  Droog. 

See  Mazzinghi  (J.)  and  Reeve  (W.) 
Ramah  Droog  ...  A  Comic  Opera,  etc. 
[1798.]     B".  H.  121.  (1.) 

Raymond  and  Agnes. 

The  Favorite  Overture  Songs  &  Glees  in 
the  Entertainment  of  Raymond  &  Agnes, 
4itc.     [P.  F.  Score.]  Preston  <£•  Son  : 

London,  [1797.]     fol.  H.  129.  (7.) 

The  Round  Tower. 

The  Favorite  Overture,  Songs,  Duetts  & 
Choruses  in  the  new  Ballet  Pantomime 
called  the  Round  Tower  or  the  Chief- 
tains of  Ireland,  etc.  (Written  by  J.  C. 
Cross.)     [P.  F.  Score.] 

Longman  d:  Broderip  : 
London,  [1797.]     fol.         H.  230.  a.  (5.) 

The    Favorite    Overture    to    the    Round 
Tower.     Accompanied  on  the  Harp,  etc. 
W.  Hodsoll :  London,  [1800  ?]     fol. 

g.  272.  d.  (2.) 

Thomas  and  Susan, 

Thomas  and  Susan  or  The  Fortunate  Tar, 
£i  musical  Entertainment,  etc.  [P.  P. 
Score.]  Loyigman  and  Broderip  : 

London,  [1787.]     fol.  H.  130.  (7.) 

Tippoo  Saib. 

The  Overture  Favorite  Songs  and  Finale 
in  the  Musical  Entertainment  of  Tippoo 
Saib  . . .  The  Words  by  Mr.  Lonsdale. 
[P.  F.  Score.]  Longman  and  Broderip  : 
London,  [1792.]     fol.  G.  367.  (40.) 


REEVE  (William) 

The  Turnpike  Gate. 

See  Mazzinghi  (J.)  and  Reeve  (W.)    The 
Turnpike  Gate.      A  Comic  Opera,  etc. 
[1799.]     fol.  H.  121.  (2.) 

The  Favorite  Overture  . . .  Composed  and 
arranged  for  the  Piano  Forte.  .  .byW. 
Reeve.  Goulding,  Phipps  &  D'Almaine  : 
London,  [1799.]     fol.        g.  443.  b.  (25.) 

2.    SiKGLE   SO>-GS. 

The  Enamoured  Shepherdess.     [Song.] 

J[ohn]  P[rcston :  London, 
1785  ?]     s.  sh.  fol.  G.  312.  (168.) 

The  Equivalent,  a  Favorite  Comic  Song. 
Sung  by  IMr.  Fawcett,  at  . . .  Freemasons 
Hall.  Preston  d  Son  :  London, 

[1796?]     fol.  G.  367.  (5.) 

Fancy's   Festival,  [Song,]   sung   by  Mrs. 
Mountain  . . .  The  Words  by  INIr.  Cross. 
Preston  d  Son  :  London,  [1796  ?]     fol. 

"  G.  367.  (10.) 
The  Happy  Milkman.  [Song.]  I[ohn] 
P\reston  :  London,  1786  ?]     s.  sh.  fol. 

G.  306.  (99. 

The  Linnet.  [Song.]  Jlohn]  P[reston  : 
London,  1785  ?]  s.  sh.  fol.    G.  306.  (103.) 

Love   sounds    the   Trumpet   of   Joy.      A 
Favorite  Trumpet  Song,  sung  ...  by  Miss 
Daniels,  . .  .Written  bv  Mr.  Upton. 
Bland  d  Wcller  :  London,  [1800?]     fol. 

G.  424.  u.  (25.) 
The  Loyal  Cobler,  a  favorite  Comic  Song, 
sung  by  Mr.  Dighton  at  Sadlers  Wells  . . . 
Written  by  jNIr.  Lonsdale. 

Printed  for  Messrs.  Thompson: 
Ivondow,  [1795  ?]    fol.      G.  385.  c.  (12.) 

A  lilan  an't  a  Horse.  An  Irish  Song. 
Sung  by  ^Mr.  Johnstone,  at  the  Readings 
&  :Music,  Theatre  Royal,  Haymarket, 
written  by  Mr.  Cross.  Preston  d  Son  : 

London,  [1796  ?]     fol.  G.  367.  (9.) 

Nothing  but  a  Place.  A  Comic  Song,  sung 
by  Mr.  Wathen,  at  the  Readings  & 
Music,  Theatre  Royal,  HajTnarket,  written 
by  Mr.  Cross.  Preston  d  Son  : 

London,  [1796  ?]     fol.  G.  367.  (8.) 

Ode  to  the  Harp,  written  by  C.  1.  Pitt  . . . 
Sung  by  Miss  Gray,  accompanied  on  the 
Harp  by  Mr.  Wieppart. 

Gladman,  for  the  Author  : 
Loyidon,  [1795  ?]     fol.         "     G.  365.  (7.) 

Oft  I'd  wet  the  t'other  eye.  [Song.] 
S'ong  by  Mr.  Munden  ...  the  Words  by 
Mr.  Cross.  Printed  for  G.  Goulding  : 

London,  [1794.]  fol.  H.  2818.  c.  (9.) 
Old  Ben  Bowling,  a  Favorite  New  Sea 
Song.  Sung  by  Mr.  Incledon  at  the 
Readings  &  Music,  Free  Masons'  Hall. 
The  Words  by  J.  C.  Cross.  A.  Bland  d 
Weller:  London,  [1796?]  fol.  G.  367.  (7.) 


400 


REEVE 


REEVE  (William)  The  Picture  Shop. 
A  favorite  Comic  Song,  sung  by  Mr. 
Dighton  at  Sadlers  Wells.  Written  by 
T.  Dibdin.  Longman  and  Brodcrip  : 

[London,  1794.]     fol.  G.  367.  (41.) 

Remember  Jack,  a  favorite  Sea  Ballad, 
sung  by  Mr.  Fawcett,  at  the  Readings  & 
IMusic,  Freemasons  Hall .  .  .  The  Words 
by  Mr.  Cross.  Preston  &  Son  : 

London,  [1796  ?]     fol.  G.  367.  (6.) 

The  Sailor's  Joke.  A  Favorite  Sea  Ballad. 
Sung    by    Mr.    Wathen  .  .  .  Written    by 


J.  C.  Cross.  A. 

London,  [1800  ?]     fol. 


Bland  cO  Weller : 
G.  249.  (66.) 


The  Splendid  Jorum,  etc.     [Song.] 

Broderip  and  Wilkinson : 
London,  [moo?]     fol.  G.  356.  (16.) 

The  Tipsey  Hibernian.  A  New  Song, 
sung  by  Mr.  Johnstone  . . .  the  Words  by 
J.  C.  Cross.  A.  Bland  d  Weller : 

London,  [1800.]     fol.  G.  249.  (69.) 

Volunteer  Making,  etc.  [Song,  with  Tri- 
angle and  Tambourine  Accompaniment.] 

Brodcrip  and  Wilkinson  : 
London,  [1800  ?]     fol.  G.  376.  (32.) 

The  Waiter,  a  Comic  Song  sung  by  Mr. 
Fawcett  at  the  Readings  &  Music,  Free- 
masons Hall.  .  .The  Words. .  .by  Mr.  Cross. 
Preston  &  Son  :  London,  [1796.]     fol. 

G.  367.  (4.) 
The  Welch  Quack.  A  New  Comic  Song. . . 
Sung  by  Mr.  Williams  . . .  The  Words  by 
J.  C.  Cross.  A.  Bland  £  Weller  : 

London,  [1800.]     fol.  G.  249.  (67.) 

Woman  is  Match  for  Man,  a  favorite 
Ballad,  sung  by  Mrs.  Martyr,  etc. 

Printed  for  G.  Goulding  :  London, 
[1790?]     fol.  H.  28i8.  c.  (11.) 

3.  Appendix. 

See  Feast  of  Apollo.  The  Feast  of 
Apollo,  containing  . . .  Lessons  . . .  and. . . 
Songs  by. .  .Reeves,  e^c.     [1788.]     fol. 

G.  351.  (2.) 
See  Orpheus  and  Eurydice.  Orpheus 
and  Eurydice,  a  Grand  Serious  Opera . .  . 
with  new  Additional  Music  by  W.  Reeve. 
[1792.]     obi.  fol.  E.  91.  e.  (1.) 

See  Pleyel  (I.  J.)     [My  little   blithsom 
Sparrow.]     The  Maid  I  love  . .  .  Song  .  .  . 
Adapted  from  Pleyel,  by  W.  Reeve. 
[1797?]    fol.  G.  377.  (49.) 

4.  Index  of  Songs  in  Operas,  &c. 

Affection  warms  the  Heart. 
See  [Joan  of  Arc.] 

Ackee-0.     See  [Paul  and  Virginia.'] 

The  Antiquity  of  Bulls. 
See  [Mirth's  Museum.] 

The  Beggar.     See  [Merry  Slierivood.] 


REEVE  (William)     The  Begging  Gipsey. 
See  [The  Maid  of  the  Mill.] 

The  Bellman.     Sec  [Merry  Sherwood.] 

Ben  Block.     See  [Mirth's  Museum.] 

Britons  Glory.     See  [The  Raft.] 

The  Bugle  Horn.     Sec  [Merry  Sherwood.] 

Chicka  Ching. 

See  [Harlequin  and  Quixotte.] 

Come  buy  my  Earthen  Ware. 
See  [Harlegmn's  Return.'] 

Come,  come  my  sweet  love. 
See  [Hero  and  Leander.] 

The  Desponding  Negro. 
See  [The  Evening  Brush.] 

The  Fiiar.     See  [Merry  Sherwood.] 
The  GaUey  Slave.     See  [The  Purse.] 

The  Goddess  of  the  silver  Stream. 
See  [Mirth's  Museum.] 

Hang  War,  hang  Care.    See  [Joan  of  Arc] 

Hark  1  the  Trumpet  sounds  afar. 
See  [Hero  and  Leander.] 

Hey  down  !  adown. 
See  [Merry  Sherwood.] 

Hither  haste  the  Young  &  Gay. 
See  [Harlequin's  Return.] 

The  Huntsman's  Rhapsody. 

See  [Mirth's  Miiseu7n.] 

In  Realms  of  Bliss. 

See  [Joan  of  Arc] 

The  Je  ne  seal  quoi. 

See  [The  Double  Jealousy.] 

The  Jolly  Tar.     See  [Don  Juan.] 

Knowing  Joe  and  the  Shew  Folk. 

See  [MirtJi's  Museum.] 

The  Land  we  live  in. 

See  [Harlequin  and  Oberon.] 

The  Lavender  Girl. 

See  [Mirth's  Museum.] 

Lie  still  my  trembling  Heart. 

See  [Joan  of  Arc] 

The  Loyal  Tars.      Sec  [Don  Juan.] 

The  Market  Lass.    See  [Mirth's  Museum.] 

My  Doe  is  my  Dear. 

See  [Merry  Sherwood.] 

My  Journey  is  Love. 

See  [Mirth's  Museum.] 

Natty  Sammy.    See  [Harlequin's  Return.] 

0  !  who  has  seen  the  Miller's  Wife. 

See  [Harlequin  and  Oberon.] 

The  Old  Commodore. 

See  [The  Glorious  First  of  June.] 

Paddy  Bull's  expedition. 

See  [A  Picture  of  Paris.] 

The  Prophetical  Pig. 

See  [The  Evening  Brush.] 

The  Rat  tat  too.     See  [The  Raft.] 


REEVE  — REGNARD 


401 


REEVE  (William)    See  that  pretty  Crea- 
ture there.     See  [Doti  JuanJ] 

Still  we  sigh  for  Something  more. 
See  [TJie  Double  Jealousy.'] 

The  Tanner.     See  {Merry  Sherwood.] 

The  Tar's  Sheet  Anchor. 
See  [Tlte  Charity  Boy.] 

The  tight  Irish  Boy. 
See  {Honest  Thieves.] 

The  Tinker.    See  [Merry  Sherivood.] 

The  Vestry  Dinner. 
Sec  {Mirth's  Museum.] 

Victorious  La  Pucelle. 
See  {Joan  of  Arc.] 

The  Wealth  of  the  Cottage  is  Love. 
See  {Paul  and  Virginia.] 

The  Wind  blew  fresh. 
See  {Harleg^iiin's  Return.] 

The  Witch.   See  {Meiry  Sherwood.] 

Your  Minstrel  asks  a  Subject's  Tear. 

See  {Joan  of  Arc.] 

REFFLEY   SPRING.     Reffley   Spring. 
Cantata.     See  Arne  (T.  A.) 

REFLECTING.     The  Reflecting  Swain. 
[Song.]     Sec  D.  T. 

REFLECTION.     Reflection.     Ariette. 
See  H.,  S.  M. 

REFLECTIONS.     Reflections   of  IMarie 
Antoinette.     [Song.]     See  Attwood  (T.) 

REFLEXION.     Reflecxion  sur  les  Red- 
ingottesal'Anglaise.    [Song.]    Sec  Modes. 
Les  Modes  iusques  a  present,  etc. 
[1775?]    8^  B.  362.  b.  (166.) 

R:6FLEXI0NS.    Reflexions  lirlques.    [In 
verse,  on  French  and  Italian  IMusic] 
{Paris,]  1753.     8".        1103.  b.  21.  (11.) 

Reflexions  sur  la  ]Musique  en  general,  et 
sur  la  jMusique  Fran(;oise  en  particulier. 
[By  the  Abbe  Arnaud.]    {Paris,]  1754.    8". 

557*.  d.  30.  (6.) 

REFORMED.        The     Reform'd     Rake. 

[Song.]     See  It.     It  was  my  Sad  Mishap. 

[1720  ?]     s.  sh.  fol.  G.  309.  (32.) 

REGARDS.     Regards  vifs  et  joli  menton. 
[Song.]     See  MoissoN. 

REGGIO  (PiETRo)     Songs  set  by  Signior 
Pietro  Reggio.     2  pts. 
{London,]  1680.     fol.  I.  353. 

REGINA  DI  GOLCONDA.    La  Regiua 
di  Golconda.     Opera.      See  Rauzzini  (V.) 

REGNARD  (FRAS901S)     Poesies  de  P.  de 

Ronsard  &  autre  Poetes  mis  en  Musique 

a  Quatre  &  Cinq  Parties,  etc.     Tenor. 

Adrian  le  Roy,  d  Robert  Ballard  :  Paris, 

1579.    obi.  4°.  K.  1.  e.  4. 

VOL.   II. 


REGNARD  (Jacques)  Di  lacomo  Reg- 
nart  ...  II  primo  libro  dells  Canzone 
Italians  a  Cinque  Voci,  nouamente  poste 
in  luce.  Superius.  (Altus.)  (Tenor.) 
(Bassus.)  (Quinta  Parte.)  5  pts. 
Noribergm,  1580.     obi.  4°.  A.  369. 

The  Tenor  iMrt  alone  is  dated. 
[Another  copy.  Superius.]  A.  369.  k. 
IMariale,  hoc  est :  Opusculum  Sacrarum 
Cantiouum  pro  omniljus  Beatissimre  Vir- 
ginis  Marias  Festiuitatibus,  cum  quatuor, 
quinq5,  sex  &  octo  vocibus,  etc.  Altus. 
(Tenor.)  (Bassus.)  (Quinta  Pars.)  4  pts. 
Joannes  Paur  :   (Eninonti,  1588.     obi.  4". 

A.  369.  h. 
Missse  Sacrse  ad  Imitationem  Selectissi- 
marum  Cantionum  Suauissima  Harmonia 
a  Quinque,  Sex,  &  octo  vocibus  iam  recens 
elaboratse,  etc.  Quinta  (Sexta)  Vox.  2  pts. 
Aimd  Wolfganguni  Richtcrum, 
impensis  Nicolai  Stcinii :  Francofarti, 
1602.     obi.  4".  A.  369.  m. 

Newe  kurtzweilige  Teutsche  Lieder,  mit 
fiinff  stimmen,  welche  gantz  lieblich  zu 
singen,  vnd  auff  allerley  Instrumenten 
zugebrauchen,  etc.  Discantus.  (Altus.) 
(Tenor.)     (Bassus.)     (Vagans.)     5  pts. 

Gedruckt  durch  Eatharinam  Gcrlachin, 
vnd  Johanns  vom  Berg  Erhen  :  Nilrmberg, 
1580.     obi.  4".  A.  869.  j. 

Neue  kurtzweilige  Teutsche  Lieder,  mit 
fiinff  stimmen,  etc.     Vagans. 

Gedruckt  durch  Katharinam  Gcrlachin  : 
Nilrmberg,  1586.     obi.  4".  A.  369.  g. 

Newe  Teutsche  Lieder,  Erstlich  durch . . . 
Jacobum  Regnart. .  .Componirt  mit  drey 
stimmen,  nach  art  der  Welschen  Villa- 
nellen.  Jetzund  aber ...  mit  fiinff  stimmen 
gesetzet,  durch  Leonardum  Lechnerum 
Athesiuum.  Con  alchuni  madrigali  in 
lingua  Italiana.  Discantus.  (Altus.) 
(Tenor.)     (Vagans.)     (Basis.)     5  pts. 

Gedruckt  durch  Katharinam  Gcrlachin 
und  Johanns  vom  Berg  Erben  :  Nilrmberg, 
1579.    obi.  4".  A.  369.  c. 

[Another  copy.     Vagans.]         A.  369.  d. 

Neue  Teutsche  Lieder,  Erstlich  durch . . . 
Jacobum  Regnart. .  .Componirt  mit  drey 
stimmen,  nach  art  der  Welschen  Villa- 
neUen.  Jetzund  aber. .  .mit  fiinff  stimmen 
gesetzet,  durch  Leonardum  Lechnerum 
Athesinum.  Con  alchuni  madrigali  in 
lingua  Italiana.     Altus. 

Gedrilckt  durch  Katharinam  Gcrlachin  : 
Niinnberg,  1586.     obi.  4".  A.  369.  f. 

Sacrte    aliquot    Cantiones,   quas    Moteta 
vulgus  appellat,  Quinque  et  Sex  Vocum, 
etc.  Discantus.  (Altus.)  (Tenor.)  (Bassus.) 
(Quinta  et  Sexta  Vox.)     5  pts. 
Adamus  Bern  :  Monachii,  1515.     obi.  4.". 

A.  369.  a. 

The  first  four  leaves   of  the  Tenor  part 
are  wanting. 

2  D 


402 


REGNARD— REICHARDT 


REGNARD  (Jacques)  lacobi  Regnardi, 
. .  .Teutsclie  Lieder,  mit  drcyen  stimmeu, 
uach  art  dor  Neaiwlitanen  oder  Welschen 
Villanellen  :  Zuuor  Vuderschidlich  in  drey 
Theil  aussgangen,  an  jetzt  aber...in  ein 
Opus  zusamen  druckt.     Discantus. 

Adam  Berg  : 
Miinchen,  1583.    ohl.  4".  A.  369.  e. 

Der  erste  (ander)  Theyl,  Scliouer  kurtz- 
%yeiliger  Teutsclier  Liedor,  zu  dreyen 
Stimmen,Nach  art  der  Neapolitanen  oder 
Welschen  Villanellen  . . .  compouirt,  &c. 
Discantus. 

Gedriickt  diirch  Katharinam  GcrlacJiin, 
und  Johanns  vom  Berg  Erben  :  Nurnbcrg, 
1578.  obi.  4°.  A.  369.  b. 

Threni  Amorum.  Der  erste  (ander)  Theil 
Lustiger  wcltlicher  lieder  mit  fiinff  stim- 
men,  . . .  von  . . .  Jacobo  Regnarto  ...  in 
Wallischer  sprachen  gesatzt :  Nun  aber  mit 
anderen  . . .  Teutschen  . . .  darunter  appli- 
cierteu  Texten  also  gemacht,  das  sie... 
nicht  allein  auff . .  .Instrumenten,  sondern 
auch  mit  menschlicher  stimm . . .  zuge- 
braucheu  :  . . .  Verfertiget  vnd  in  druck 
gegeben  durch  Abraham  Ratzen,  eic. 
Altus.     2  pts. 

Gedruckt  in  der  Gerlachischen  Truckercy, 
durch  Pauluvi  Kmiff'mann :  Niirmberg, 
1595.    obi.  4°.  ■  A.  369.  i. 

Tricinia.  Kurtzweilige  teutsche  Lieder, 
zu  dreyen  stimmen,  nach  art  der  Nea- 
politanen oder  Welschen  Villanellen,  etc. 
Discantus. 

Gedruckt. .  .durch Katharinam  Gerlachin : 
Niirnberg,  1588.     obi.  i".  A.  369.  1. 

REGNART  (Jacques)     See  Regnaed. 

REGNE.     Regne  Amour.     Canon. 
See  Charles  (    ) 

REGNEZ.  Regnez  Printems.  Printems. 
[Song.]     [Paris,']  1745.     s.  sh.  4°. 

297.  e.  1. 

Mercure  de  France,  May,  1745. 

REGRET.     Le  Regret.     Ariette. 
See  Vidampieere  (      de)  Countess, 

REGRETTER.  Regretter  un  perfide 
Amant.    Air.     See  Fete  de  Flore. 

REGRETS.  Les  Regrets  d'une  Berg^re. 
[Song.]  See  Loin.  Loin  de  I'amant 
que  i'adore,  dc.    [1790?]    8°. 

B.  362.  e.  (8.) 

REGULA.     Regula  Musice  plane,  etc. 
See  Bonavektuea,  de  Brixia. 

REGULA.  Regule  Cantus  Plani.  (g.  IL. 
lYcnicel  1500?]     8°.  7897.  a.  33. 

Four  leaves  witliout  ]pagination. 


REICHA  (Anton)  Douze  Fugues  pour  le 
Piano  . . .  dediees  aux  Citoyens  ]\I6hul, 
Cherubiui,  Gossec,  Le  Sueur  et  Martini, 
etc.     Chc2  Imbault :  Paris,  \_1800?]     fol. 

g.  314.  a. 

REICHARDT  (Johann  Friedrich) 
Amors  Guckkasten.  See  infra  :  Hanschen 
und  Gretchen,  etc. 

J.  F.  Reichardt  an  das  musikalische 
Publikum  seine  franzosischen  Opern 
Tamerlan  und  Panthee  betrefiend. 

B.  G.  Hofmann  :  Hamburg, 
[1787.]    8".  07807.  e.  4.  (1.) 

[Andromeda.]  Rondeau  sur  I'Air  des 
Hesperides  dans  I'Opera  '  Andromeda  '.  . . 
arrange  pour  le  Piano-Forte  par  I'auteur 
meme.  B.  Werckmeistcr  :  Berlin, 

[1800?]     obl.iol.  e.  5.  m.  (9.) 

Sinfonia   dell'  Opera   '  Andromeda  ' 


composta  ed  aggiustata  pel  Cembalo  da 
G.  F.  Reichardt,  etc.  Bellstab  : 

Bcrlino,  [1790  ?]     fol.  g.  1045.  a. 

Ariadne  auf  Naxos.      Fine   Cantate  von 

Herrn  von  Gerstenberg,  etc.    [Full  Score.] 

Im  ScMuickcrtschen  Vcrlagc  :  Leipzig, 

1780.     obi.  fol.  E.  119.  c. 

Brenuo.     Opera  seria,  etc.     [Full  Score.] 
Prcsso  VAutorc  :  Bcrlino,  [1787.]     fol. 

H.  329. 

Overtura,    Arie,  e  Balli  dell'  Opera 


Brenno  .  .  .  aggiustato  pel  Clavicembalo 
overo  Piano-Forte.  Stampato. . . 

nel  Negozio  nuovamcnte  eretto :  Berlino, 
[1787.]     obi.  fol.  E.  119.  g. 

Brief e  eines  aufmerksamen  Reisenden  die 
Musik  betreffend,  etc.     2  Th. 

Frankfurt  itnd  Leipzig  {Brcslau), 
1774(1776).     8".  11795.  b.  46.  (2.) 

Ciicilia,  etc.  Erstes(-Drittes)  Stiick.  [A 
Collection  of  Sacred  Music]     3  pts. 

Im  Verlagc  des  Autoris  :  Berlin, 
[1790-91.]    4°.  G.  434.  a. 

Cantus  lugubris  in  obitum  Friderici  INIagni 
Borussorum  Regis  ad  voces  alternas  mag- 
uamque  Orchestram  accomodatus,  etc. 
[Full  Score.] 

Opiis  sumtu  Auctoris  aeri  incisum  : 
(Berolini,)  1787.     fol.  G.  434.  e. 

Cephalus  und  Prokris,  im  Klavierauszuge. 
Ein  Melodrama  von  K.  W.  Ramler,  etc. 

Im  Schiuickertschen  Vcrlage  :  Leipzig, 
1781.     obi.  fol.  F.  190. 

Concerto  per  il  Clavicembalo  accompag- 
nato  da  Violino  Primo,  Violino  Secondo, 
Viola  e  Basso,  etc.     [Parts.] 
Presso  G.  F.  Hartknoch :  Riga,  1773.    fol. 

g.  48. 


EEICHARDT 


403 


REI  CHARD T  (JoHANN  Feiedrich) 
Six  Concerts  pour  le  Clavecin  ou  Piano 
Forte  a  I'ussage  du  beaux  Sexe,  avec 
raccompaguements  de  Deux  Violons, 
Taille  et  Violoncello ...  Op.  l■"^  [Parts.] 
Chez  J.  Bctz :  Londrcs,  [1785  ?]     fol. 

h.  70.  a.  (3.) 

Erwin  und   Elmire.     Ein   Singespiel    in 
zwey  Acten  von  Gothe. . .  Clavierauszug. 

Tm  Verlage  dcr  ncitcn  Bcrlinisclicn 
Musihhandlung  :  Berlin,  (1793.)     fol. 

G.  434.  b. 

Gedichte  von  K.  C.  L.  Rudolphi.  Erste 
Sammlung.  Herausgegeben  und  mit 
einigen  Melodien  begleitet  von  J.  F. 
Beicbardt.  Zweite  verbesserte  Auflage. 
(Gedicbte  . . .  Zweite  Sammlung  . . .  Her- 
ausgegeben von  J.  H.  Campe.)  2  pts. 
In  Commissioyi  dcr  Schulbiichhandlung  : 
Wolfcnbuttd,  1787.     8".      11525.  ee.  35. 

Die   Geister   Insel.     Ein   Singspiel   in  3 
Akten  von  J.  F.  Gotter  nach  Sbakespear's 
Sturm,  etc.     [P.  F.  Score.] 
In  der  neuen  herlinischcn  Musikhandliing : 
Berlin,  [1799.]     fol.  G.  434.  d. 

Deutsche  Gesange  mit  Clavierbegleitung. 

Bey  G.  J.  Goschen :  Leipzig, 

1788.     obi.  fol.  E.  119. 

Gesange  der  Klage  und  des  Trostes. 
Bci  J.  F.  Unger:  Berlin,  1797.     4". 

E.  119.  f.  (2.) 

Gesange  fiirs  schone  Gescblecht. 

Bey  F.  W.  Birnsticl:  Berlin, 
[1775.]     obi.  fol.  C.  593.  c. 

Hanscbeu  und  Gretchen,  und  Amors 
Guckkasten,  zwey  Operetten  von  einem 
Aufzuge.     [P.  F.  Score.] 

Bey  J.  F.  Hartknoch  :  Biga, 
1773.     obi.  fol.  C.  593.  b. 

Einige  Hexenscenen  aus  Schackespear's 
Macbeth  nach  Biirgers  Verdeutschuug. . . 
fiirs  Clavier  ausgezogeu,  etc.  Im  Verlage 
der  Bellstahschen Musikhandliing  :  Berlin, 
[1789.]     fol.  G.  806.  g.  (15.) 

In  this  copy  p.  20  is  followed  by  four  I 
pages  numbered  25-23  containing  a  ' 
reprint  of  pp.  1-4.  I 

Ino.      Ein    musikalisches     Drama    von  ' 

Brandes,  etc.     [P.  F.  Score.]  j 

Im  Schwickcrtschen  Verlage:  Leipzig,  ' 
1779.     obi.  fol.                            E.  119.  d. 

[Kennst  du  das  Land.]  Kuow'st  thou 
the  Land.     Song,  [words]  by  Gothe.  j 

[C  Gcisweiler  :  London,    \ 
1800.]     s.  sh.  obi.  4°.  266.  1.  30. 

Tlie  German  Museum,  July,  1800.  ! 

Leonora,  a  Ballad  from  the  German   of   ■ 
Biirger,  translated  by  the  Author  of  the 
German  Erato,  etc.  IT.  Frdlich  :    j 

Berlin,  1800.     4°.  G.  806.  g.  (16.) 

[Another  copy.]  F,  425.  a.  (4.)   | 


REICHARDT  (Johann   Friedrich) 

Burgher's   celebrated   Ballad  of  Leonora, 

newly  translated   by  Mr.    Beresford,  etc. 

Broderip  and  Wilkinson  :  London, 

[1800  ?]     fol.  G.  806.  d.  (68.) 

[Lieb'  und  Treue.]  Lieder  aus  dam 
Liederspiel,  Lieb'  und  Treue.  Zweyte 
vermehrte  Auflage.  Bei/  J.  F.  Unger  : 

Berlin,  1800.     8°.  C.  738.  i.  (1.) 

Lieder  der  Liebe  und  der  Einsamkeit  zur 
Harfe  und  zum  Clavier  zu  singen.  2 
Samml.  Bei  G.  Fleischer  dem  Jilngcrn: 
Leipzig,  [1798.]     4".  E.  119.  a. 

Lieder  fiir  die  Jugend.  Erstes  (Zweites) 
Heft.     2  pts.  Bei  G.  Fleischer  dem 

jiingern :  Leipzig,  [1799.]    4".  C.  593.  e. 

[Another  copy.     Erstes  Heft.] 

C.  756.  a.  (2.) 
Lieder  fiir  Kinder  aus  Campos  Kiuder- 
bibliothek  mit  Melodien,  bey  dem  Klavier 
zu  singen,  etc.     4  Th. 

In  dcr  Heroldschen  Buchhandlung  : 
Hamburg,  1781-1790.     obi.  fol.      C.  593. 
Theil  1  and  2  arc  dated  Hamburg,  1781 ; 
Theil  3 :   Wolfcnbilttel,  iji  der  Schul- 
biichhandlung,  1787  ;    and   Theil   4  : 
Braunschweig,  in  der  Schulbuchhand- 
lung,  1790. 
Lieder  geselliger  Freude.     Herausgegeben 
von   J.  F.  ilcichardt.     2  Abth.     (lustru- 
meutalmusik   zu   den  Liedern   geselliger 
Freude  ;    bestehend  aus  2  Violiueu   oder 
Clarinetten,  Hoboeu   und   Floteu,  einem 
Violoucell    Oder    Fagott,    und    2    Wald- 
hornern,  etc.)     Bei  G.  Fleischer:  Leipzig, 
1796-97.     8».  &  obi.  4°.  B.  725. 

The  five   instrumental  parts   arc   in    a 
separate  case. 

Geistlicho  Lieder  von  Lavater  und  Reich- 
ardt.  Beim  Klavier  und  auch  in  Chor  zu 
singen.  Bey  Steiner  £  Comp.  : 

Wintcrthur,  [1790.]     obi.  fol.    C.  593.  d. 

jMonolog  aus  Gothe's  Iphigenia,  als  eino 
Probe  musikalischer  Behandlung  jeues 
IMeisterwerks  . . .  Aus  dem  zweiten  Theile 
der  Lieder  der  Liebe  und  der  Einsamkeit 
. .  .besonders  abgedruckt. 

Bei  G.  Fleischer  dem  Jiingern:  Leipzig, 
[1800?]     4°.  F.  636.  q.  (9.) 

Musik  zu  Gothe's  Werken.     2  Bde. 
Im  Verlage  der  Neuen  Berlinisclien  Musik- 
handliing :  Berlin,  (1793.)  fol.  G.  434.  e. 
Each  vol.  Jias  a  second  title-page.    Band 

I.    comprises    '  Erwin   und   Elmire  '; 

Band  II.  '  Gothe's  Lyrische  Gedichte 

mit  Musik,'  etc. 
Musikalische    Blumenlese   fiir   das    Jahr 
1795.    Herausgegeben  von  J.  F.  Eeichardt. 
In  der  neuen  Berlinischen  Musikhandlung, 
[1795.]     4°.  C.  593.  a. 

Containing  songs,  dc,  by  J.  F.  Beichardt, 

L.  A.  Kungcn,  Zeltcr,  Gronland,  F.  L. 

Seidel,  Wessely  and  Gluck. 

2  D  2 


404 


REICHARDT— REINA 


KEICHARDT    (Johann    Friedeich)    i   R 

IMusikalischer   Almanach,  herausgegeben   | 
von  J.  F.   Reichardt.     Mit  12  neueu  in    j 
Kupfer  gestochenen  Liedern. 
Bcii  J.  F.  Ungcr :  Berlin,  179G.     16". 

P.P.  1945.  c. 
Ode  an  die  Unsclinld.  Ein  Gegenstiick 
zu  Schillei-s  Ode  an  die  Freude.  Von  H. 
Schmidt.     [Solo  and  Chorus.] 

In  Giinthcrs  NotcnstccJierci  :  Berlin, 
[1800?]     obl.tol.  P.  636.  w.  (8.) 

Oden  uud  Lieder  von  Klopstock,  Stolberg, 
Claudius  und  Holty.  Mit  Melodien 
beym  Klavier  zu  singen.     3  Th. 

Bc7/  JoacJiim  Pauli  :  Berlin, 
1779-81.     obi.  fol.  T>.  728. 

Part  II.  is  dated  1780. 
[Oden  und  Lieder.    Th.  I.    Lebenspflich- 
ten.]     Strew  the  way.     Song,  [words]  by 
Holty.  C.  Gcisiocilcr  :  ^London, 

1800.]     s.  sh.  obi.  4°.  266.  1.  29. 

Tlie  German  Museum,  May,  1800. 

Deux  Odes  de  Fr6deric  le  Grand  mises  en 
musique,  etc.  [Solos  and  Chorus.  P.  F. 
Score.l  Chez  J.  F.  Unger:  Berlin, 

1800.     fol.  G.  434.  g.  (1.) 

[Protesilao.]    Ouverture  dell'  Opera  Prote- 
silao.  .aggiustata  pel  Cembalo,  etc. 
Eellstab  :  Berlino,  [1779.]     fol. 

g.  442.  a.  (16.) 
Romances  d'Estelle,  par  M.  Florian,  etc. 

Au  Nouveau  Magazin  de  Musigue  : 
Berlin,  [1794.]     4°.  E.  119.  f.  (1.) 

Romantische  Gesange.  [Words  by  Gothe.] 
A.  Kilhncl :  Leipzig,  [1800  ?]     obi.  fol. 

P.  636.  w.  (7.) 
SchrcibcD  liber  die  Berlinischen  Musik  an 
Herrn  L.  v.  Sch.  in  M[ainz],  etc. 
-  Ben  C.  E.  Bohn  :  Hamburg,  1775.     8". 

7898.  ee.  46.  (2.) 
YI.  Sonata  per  il  Violino  Solo  e  Basso. 

Ajypresso  Augusta  Myliua  : 
Berlino,  1778.     fol.  g.  1045. 

Sonnetti  e  Canzoni  di  Petrarca  posti  in 
Musica,  etc.    Libro  I. 

Presso  L.  W.  Wittich  : 
Berolino,  [1195?]  fol.  G.  434.  g.  (2.) 
Strew  the  way.  See  supra:  [Oden  und 
Lieder.  Th.  I.  Lebenspflicliten.'] 
[Tamerlau.]  Gesaenge  aus  der  Oper 
Tamerlan,  etc.  [P.  F.  Score.]  [Berlin'} 
1786.]    obi.  4°.  B.  725.  e.  (1.) 

Maersche  und  Taenze  fiirs   Clavier 

aus  der  Oper  Tamerlan. 
[BcWin?  1785.]  obl.^\  B.  725.  c.  (2.) 
Traucrcautate  auf  den  Tod  Friedrichs  des 
Zweyten,  im  Clavierauszuge.  In  der  ncucn 
Berlinischen  Musikhandlung :  Berlin, 
[1786.]     fol.  G.  434.  h.  (2.) 

Six  Trios  for  two  Violins  and  a  Violon- 
cello .  .  .  Op.  1.     [Separate  Parts.] 
F.  Schlims  :  London,  [1180?]     fol. 

g.  420.  e.  (9.) 


EICHARDT  (Johann  Fkiedeich) 
Trois  Trios  a  Violon,  Viola  et  Violoncelle 
.  .  .  Oeuvre  Quatrieme.  [Separate  Parts.] 
Ches  J.  J.  Hummel :  Berlin,  [1780  ?]   fol. 

h.  3213.  j.  (12.) 
Six  Variations  pour  le  piano  sur  I'entr^e 
d'Ariel  dans  l'0p6ra  de  I'lsle  des  Esprits, 
etc.  Chez  M""  Erard  : 

Paris,  [1800?]     fol.  g.  442.  i.  (3.) 

J.  F.  Reichardt  iiber  die  Deutsche 
comische  Oper  nebst  einem  Anhange 
eines  freundschaftlichen  Briefes  liber  die 
musikalische  Poesie.  Bey  C.  E.  Bohn  : 
Hamburg,  1774.  8".  11795.  b.  46.  (1.) 
[Another  copy.]  7898.  ee.  46.  (1.) 

Ueber  die  Pflichteu  des  Ripien-Violinisten. 
Bey  G.  J.  Decker :  Berlin  und  Leipzig, 
1776.    8".  7897.  aa.  7. 

Vermischte  Musicalien.  Bey  J.  F. 

Hartknoch  :  Riga,  1773.  fol.  G.  434. 
Weinachts-Cantilene  von  IM.  Claudius. 
[P.  F.  Score.]  Auf  Kostcn  des  Autors  : 

Berlin,  1786.     obi.  fol.  P.  424.  (2.) 

See  Cramer  (0.  F.)  Flora.  Erste  Sam- 
lung.  Enthaltend :  Compositionen  .  .  .  von 
. . .  Reichardt,  etc.  1787.  obi.  fol.  D.  776. 
See  Gulden  (H.  W.)  Leben  des  berlihm- 
ten  Tonkiinstlers  H.  W.  Gulden,  etc. 
[By  J.  F.  Reichardt.]     1779.     8". 

10708.  aa.  3. 
See  Loehlein  (G.  S.)  G.  S.  Lohlein's 
Anweisung  zum  Violinspielen  .  .  .  mit 
Verbesseruugen  und  Zusiitzen  .  .  .  ver- 
mehrt  herausgegeben  von  J.  F.  Reichardt. 
1797.    obi.  4°.  7896.  aa.  6. 

REICHARDT  (Johann  Friedeich)  and 
(Luise)     XII  Deutsche  Lieder,  etc. 
Bei  C.  C.  Mcnzel :  Zcrbst,  [1800.]     4°. 

B.  725.  b. 
REICHARDT  (Luise) 

See   Reichardt   (J.   F.)   and    (L.)      XII 
Deutsche  Lieder,  etc.     [1800.]     4°. 

B.  725.  b. 
REID  (John)     See  R.,  I. 

REIGNY  (Louis  Abel  BEFPROY  DE) 
See  Jacques,  Cousin,  pseud. 

REIMANN  (Johann  Balthasar)  J.  B. 
Reimaiis  .  .  .  Saiiilung  alter  und  neuer 
IMelodien  Evangel.  Lieder,  gestochen  und 
verlegt  [with  a  preface]  von  C.  H.  Lau. 
[C.  H.  Lau:  Hirschberg?  1747.]     obi.  4». 

b.  339. 
Engraved  throughout. 

REIWA  (SisTo)  Armonicas  Cantiones  Una, 
Binis,  Ternis,  Quaternis,  ct  Quinque  Vo- 
cibus  concinendse,  cum  Missa,  IMagnificat, 

Litaniis  Beatiss.  M.  V Opus  Tertium, 

etc.     Bassus  ad  Organum.   (Canto.)   2  pts. 
Apud  Gcorgium  Eollam  : 
Mediolani,  1651.     4°.  D.  244. 

Tlie  Canto  is  imperfect,  wanting  the  title- 
page  and  fol.  A 1. 


KEINA— REINHARD 


405 


REINA  (SiSTo)  La  Danza  delle  Voci  rego- 
lata  ne  Salmi  di  Terza,  e  di  Compieta  in  vn 
Tedeum,  nelle  Tauie  della  Beatissima  Ver- 
gine  a  otto  voci,  altri  Salmi,  a  voce  sola, 
a  tre,  con  li  suoi  violini,  le  quattro  Anti- 
fone,  di  Compieta,  a  quattro  voci,  e  in  due 
Sonate,  a  quattro  violini  .  .  .  Opera  Nona, 
etc.  Alto  Secondo  Ch. 
Apprcsso  Francesco  Magni  detto  Gardano  : 
Vcnetia,  1664.     4°.  D.  244.  b. 

La  Pace  de  Numeri  publicata  con  1'  Ar- 
monia  di  Cinque  Voci  nel  Vespro  del 
Signore  nelle  Laudi  della  Beatissima 
Vergine,  nel  Tantum  ergo,  e  nell'  Hinno 
delle  Grazie . . .  Opera  Ottaua,  etc.  Violino 
Secondo.  Appresso  Francesco  Magni  dctto 
Gardano :  Yenetia,  1662.    4°.     D.  244.  c. 

REINAGIjE  (Alexaxdeb)  Six  Sonatas 
for  the  Piano-Forte  or  Harpsichord  with 
an  Accompaniment  for  a  Violin. 

Printed  for  the  Author: 
London,  [1780  ?]     fol.         g.  137.  a.  (3.) 
Wanting  the  Violin  part. 

REINAGLE  (Hugh)     Six  Favorite  Solos 
for  the  Violoncello  .  .  .  Op.  ii. 
R.Birchall:  London,  [1800  ?J     fol. 

h.  1864. 

REINAGLE  (Joseph)  Six  Easy  Duetts 
for  two  Violoncellos  (in  which  several 
favorite  Scotch  and  Welch  Airs  are  in- 
troduced), etc.  Printed  for  F.  Linleij : 
London,  [1796  ?]  fol.  h.  122.  (6.) 
New  Grand  Medley  Overture,  consisting 
of  the  most  favorite  English,  Scots,  Irish 
&  German  Airs,  adapted  for  the  Piano 
Forte,  etc. 

Goulding,  PJtipps  d  D'Almainc  :  London, 
[1800?]     fol.  g.  270.  j.  (24.) 

To  the  Colonel,  OflScers  and  other  Gentle- 
men of  the  Oxford  University  Volunteers 
the  following  March  is  .  .  .  dedicated. 
[Full  Score  and  P.  F.] 

Goulding  li  Co.,  for  the  Author  : 
London,  [1800?]     fol.      g.  272.  u.  (20.) 

REINARDS  (William)  Amusement  pour 
Deux  Flutes  Traversieres,  consistant  en 
Dix  Sonatines  . . .  Oeuvre  premiere.  2  Liv. 
[Separate  Parts.]  Cliez  J.  J.  Hummel : 

Amsterdam,  [1775  ?]  obi.  4'\  b.  72.  (1.) 
Six  Duets  for  Two  German  Flutes  or 
Violins.     Welcker  :  London,  [1168.]     fol. 

h.  2140.  d.  (4.) 
[Another  copy.]  g.  421.  a.  (2.) 

A    Sett     of     Duetts     containing     Thirty 
Different  Movements  expressly  made  for 
such  as  intend  to  Learn  to  Play  in  Con- 
cert for  Two  German  Flutes  or  Violins. 
Welcker :  London,  [1770  ?]     fol. 

g.  421.  a.  (3.) 
A   Sett   of    Duets  .  .  .  made  for   such   as 
intend  to  Learn  to  Play  in  Concert,  etc. 
J,  Preston  :  London,  [1785  ?]     fol. 

g.  280.  b.  (10.) 


REINARDS  (William)  A  third  Sett  of 
Six  easy  Duetts  for  two  German  Flutes 
or  two  Violins . . .  Opera  iv.  Welcker  : 

London,  [1772  ?]     fol.  g.  421.  a.  (4.) 

Six  Sonatas  for  one  German  Flute,  one 
Violin  and  a  Bass.     [Separate  Parts.] 
Welcker:  London,  [1110  2]     fol. 

g.  409.  g.  (4.) 
Sei  Sonate,  a  Flauto  Traversiero  Solo  e 
Basso  Continue.     Opera  Seconda. 

Printed  for  J.  Fentum  : 
London,  [1770  ?]     fol.  g.  70.  c.  (4.) 

Six  Sonatines  a  Deux  Flutes  Traversieres 

.  .  .  Oeuvre  Quatrieme.     [Separate  Parts.] 

Chez  J.  J.  Hummel : 

Amsterdam,  [1775  ?]     ohl.  4°.    b.  72.  (2.) 

REINE.     Reine,  dans  les  transports  d'une 
joye  eclatante.     Cantatille. 
See  Blamont  (F.  Collin  de) 

REINER  (Adam)  Sec  Rhau  (G.)  Pos- 
tremum  Vespertini  Officii  Opus,  etc. 
(^Magnificat  Octo  Tonorum.  Moralis  His- 
pani  et  Adami  Reneri,  etc.)    1544.    ohl.  4". 

K.  4.  d.  14. 

REINER   (Ambeosius)      Sacrarum    Can- 

tionum  Liber  [Secundus]  Tertius  Octonis 

Vocibus   Concinendarum,   etc.  .  .  .  Bassus 

Generalis.     2  pts. 

Typis  Michaelis  Wagncri : 
(Uniponii,  [1647]  1648.     4°.  C.  49. 

Wanting  the  title-page  of  Lib.  II. 

REINER  (Jacob)  Liber  Cantionum  Sa- 
crarum, Quinque  et  Sex  Vocum,  quse  cum 
viua  voce,  turn  omnis  generis  Instrumentis 
Musicis  commodissime  applicari  possunt, 
etc.  Discantus.  (Altus.)  (Tenor.)  (Bas- 
sus.) (Quinta  et  Sexta  Vox.)  5  jpts. 
Adamus  Berg  :  Monachii,  1579.     obi  4". 

A.  363. 
Liber  INIottetarum  sive  Cantionum  Sacra- 
rum  Sex  et  Octo  Vocum ;  voci  et  instru- 
mentis accomodatarum,  etc.  Discantus. 
(Altus.)  (Tenor.)  (Bassus.)  (Quinta 
Vox.)     (Sexta  Vox.)     6  pts. 

Apiid  Nicholawn  Henricum  : 
Monachii,  1600.     4°.  C.  323. 

Liber  Mottetarum  sive  Cantionum  Sacra- 
rum  Sex  Vocum  Voci  et  Instrumentis 
accommodatarum,  c^c.  Discantus.  (Altus.) 
(Tenor.)  (Bassus.)  (Quinta  Vox.)  (Sexta 
Vox.)     6  pts.  Adamus  Meltzer  : 

Dillngse,  1603.    4\  C.  323.  a. 

Sacrarum  Missarum  Sex  Vocum.  Ad 
Imitationem  Selectissimarum  quarundam 
Cantionum  compositarum.  Liber  Primus, 
etc.     Quinta  Vox.  Adamus  Meltzer  : 

Dilingae,  1604.    4°.  C.  323.  b. 

REINHARD  (Leonhabd)  Kurzer  und 
deutlicher  Unterricht  von  dem  General- 
Bass,  etc.  J.  J.  Loiters  seel.  Erben  : 
Augspurg,  [1750.]    obi.  4°.  B.  815. 


406 


REININGER— RELFE 


REININGEE,  (Joannes)  Delicise  Sacrse 
Musicse  . . .  Quas  ex  lectissimo  lectissimo- 
rum  nostri  sevi  musicorum  penu,  quaternis 
vocibus,  cum  basso  ad  organum  applicato, 
suauissime  modulandas  exprompsit  . . .  ac 
. . .  publice  posuit,  Joannes  Reininger,  etc. 
Cantus.  (Tenor.)  2  pts.  ex  Typograplieo 
Musico  Gregorii  Emnlini:  Ingolclstadii, 
1626.     4°.  C.  92. 

The  following  composers  are  named  :  I. 
de  Fossa,  I.  Riedeliiis,  A.  A.  Gazzarius, 

A.  Montnrius,  I.  B.  Cescna,  D.  Borgus, 
G.  Zuchinius,  M.  Caesar,  H.  Pfend- 
nerus,  A.   Gualtiertis,   A.   Brunclhis, 

B.  Borlasca,  L.  Viadana,  A.  Crottus, 

C.  Keufferer,  R.  de  Lasso,  I.  L.  Hasler, 
A.  Banchieriiis,  A.  Cifra,  I.  N.  Mezzo- 
gorus,  I.  P.  Nodarius,  L.  Lconius,  T. 
Cecchinus,  H.  Naldus,  I.  Finetus,  L. 
Crivellus,  I.  Ghizzolus,  G.  Plautzius, 
A.  Buxonius,  S.  Bernardus,  L.  Ur- 
sinus,  C.  Satzl,  I.  Croce,  G.  Aichinger, 
I.  Damascenus,  I.  Aicliniiiller,  H. 
Vechuis,  A.  Borsarius,  I.  Poschius, 
I.  Lucacih,  S.  Gallus,  I.  B.  Bacci- 
netus,  A.  Lemes,  I.  F.  Capellus,  G. 
Alegr2ts,  G.  Fattorinus,  B.  Leva,  A. 
Bendinellus,  C.  Erbacli,  B.  Viadana, 
G.  Zuchinius,  G.  Erumper,  U.  Loth, 
M.  A.  Serra,  A.  Blancus,  G.  Yictorinus, 
0.  de  Lassso  and  B.  Widman. 

REJECTED.     The  Rejected  Lover. 
[Song.]     See  Bryan  (J.) 

REJOICE.  Rejoice,  ye  Righteous,  in  the 
Lord.  Psalm  XXXIII.  Paraphrased, 
etc.     ^London,  1761.]     8".     P.P.  324.  n. 

Christian's  Magazine,  Oct.,  1761,  p.  531. 

[Another  setting.]     Rejoice,  ye  Righteous, 
in  the  Lord.     Psalm  XXXIII. 
[London,  1763.]     8".  P.P.  324.  n. 

Christian'' s  Magazine,  Sept.,  1763, ^j.  423. 

RELENTING.  The  Relenting  Shep- 
herdess.    [Song.] 

See  In.     In  a  secret  wish'd  for  bow'r. 
[1780?]     s.sh.ioh  G.  309.  (139.) 

RELEE  (John)     Ah  !  lonely  shade. 

[Song.]  Printed  for  J.  Relfe  : 

[London,  1795  ?]     fol.  G.  366.  (59.) 

Come     thou     laughter-loving     Power,    a 

favorite  Cantata. .  .with  Accompaniments. 

Printed  for  G.  Goulding  : 

London,  [1790  ?]     fol.  G.  377.  (51.) 

Six  Divertimentos  for  the  Piano  Forte  . . . 
Op.  8.  The  Ajithor  : 

London,  [1800  ?]  fol.  g.  272.  q.  (7.) 
Edwin  and  Angelina,  or  the  Hermit  of  the 
Dale ;  set  to  Music  . . .  for  a  single  Voice, 
with  an  Accompanyment  for  the  Harp- 
sichord or  Piano  Forte.     Opera  2''^. 

Printed  for  the  Author : 
London,  [1795 ?]     fol.      G.  807.  d.  (64.) 


RELFE  (John)  Embosom'd  oft  the  Sullied 
Gem.  [Song,  with  accompaniment  for 
String  Quartet  or  P.  F.] 

Longman  and  Broderip  : 
London,  [1790  ?]    fol.  G.  377.  (50.) 

The  Gardener.      [Song.]  . . .  Arranged  for 
one  or  two  Voices. 

Printed  for  the  Author  : 
London,  [1790  ?]  fol.  H.  2818.  f.  (38.) 
The  Laplander's  Song.  The  Words. .  .by 
Sir  Matthew  White  Ridley  [or  rather 
G.  Pickering]. .  .with  Accompanyments. 

Longman  d  Broderip) : 
[London,  1790  ?]     fol.  H.  131.  (47.) 

Lessons,  Songs,  and  Duetts  for  the  Piano 
Forte,  etc.  Longman  &  Broderip  : 

London,  [1790  ?]     fol.  h.  122.  (8.) 

Mary's  Death  at  Sandy's  Tomb.     [Song.] 
Set  to  music  with  Accompanyments,  etc. 
Printed  for  the  Author  :  [1795  ?]     fol. 

H.  131.  (46.) 
Mary's  Dream,  or  Sandy's  Ghost,  etc. 
[Song.]  Longman  and  Broderip  : 

London,  [1794  ?]     fol.  G.  426.  (6.) 

[Another  copy.]  G.  297.  (23.) 

My  Native  Vale.  [Song,  words  altered 
from  S.  Rogers.]  Printed  for  J.  Belfc  : 

[London,  1795  ?]     fol.,  G.  366.  (60.) 

An  Overture  and  Song  for  the  Harpsichord 
or  Piano  Forte  with  Accompanyments. 

Printed  for  the  Author  : 
London,  [1795  ?]  fol.  g.  272.  w.  (23.) 
A  Select  Set  of  Airs  for  the  Harpsichord 
or  Piano-Forte,  etc. 

Printed  for  G.  Goulding: 
London,  [1787.]  ohl.  fol.  e.  284.  c.  (8.) 
A  Set  of  Grand  Lessons  for  the  Harpsi- 
chord or  Piano  Forte. .  .in  different  Stiles 
of  Composition,  etc. 

Printed  for  the  Author  : 
I/0?ido»,  [1790?]    ol>l.io\.  e.  473. 

A  Second  Set  of  Six  Progressive  Sonatas 
for  the  Harpsichord  or  Piano  Forte. 

Printed  for  G.  Goulding: 
io»fZon,  [1790?]  ohl.iol.  e.  284.  e.  (9.) 
The  Seventh  Sonnet,  from  the  Collection 
written  by  Mrs.  Charlotte  Smith,  set  to 
IMusic  with  AccompanjTnents,  etc.  [Full 
Score  ]  Printed  for  the  A^ithor  : 

London,  [1795  ?]  fol.  G.  807.  d.  (65.) 
Variations  on  the  Madrigal.  [P.  F.] 
London,  [1800  ?]  fol.  g.  272.  u.  (21.) 
The  Virgins  first  love.  [Song.]  Set  to 
Music  with  Accompanyments,  etc.  [Pull 
Score.]  Longman  d  Broderip  : 

[London,  1790  ?]  fol.  H.  1653.  (42.) 
When  lovely  Woman  stoops  to  folly. 
[Song.]  The  Words  by  Dr.  Goldsmith. 
Set  to  Music  with  Accompanyments,  etc. 
[Full  Score  &  P.  F.] 

Longman  and  Broderip) : 
[London,  1790?]     fol.  H.  131.  (48.) 


RELFE— RENDEZ-VOUS 


407 


RELFE  (John)  See  Feast  of  Apollo. 
The  Feast  of  Apollo,  containing  .  . .  Songs 
by  . . .  Relfe,  etc.     [1788.]     fol. 

G.  351.  (2.) 

RELFE  (Lupton)     Hymns,  composed  for 

the  use  of  the  Chapel  of  the  Royal  Hospital 

for  Seamen,  at  Greenwich. 

J.  W.  Galabin :  London,  1789.     4°. 

D.  437.  (1.) 
RELIEF.     The  Releif.     [Song.] 

See  IMoNRO  (G.) 

RELIEVE.  Releive,  the  fair  Belinda  said. 
Song.  See  Eccles  (J.)  [The  Lucky 
Younger  Brother.'] 

RELLSTAB  (Johann  Carl  Friedeich) 
Versuch  iiber  die  Vereinigang  der  musi- 
kalischen  und  oratorischen  Declamation 
. .  .mit  erlauternden  Beyspielen,  etc. 

Irn  Verlagc  . . .  dcs  Verfassers  : 
Berlin,  [1786.]     fol.  7896.  ff.  15. 

See  Bach  (C.  P.  E.)  C.  P.  E.  Bach's 
Anfangsstiicke,  mit  einer  Anleituug  .  .  . 
von  J.  C.  F.  Rellstab,  etc.     [1790  ?]     fol. 

g.  48.  e. 
See   Gluck   (C.   W.    von)      Iphig6nie   en 
Tauride.      Trag^die  .  .  .  arrang6e  pour  le 
Clavecin  par  J.  C.  F.  Rellstab,  etc. 
[1790?]    obi.  fol.  C.  442. 

See  Naumann  (J.  G.)  Le  Sort  de  Med^e. 
.  .  .  Ballet  .  .  .  Arrange  pour  le  Clavecin 
par  I.  C.  F.  Rellstab,  etc.     [1788.]     fol. 

g.  59. 

REMARKS.      Remarks   for    the   French 

King.     Song.     See  Grand.     Grand  Lewis, 

let  pride  be  abated,  etc.   [1709  ?]   s.  sh.  fol. 

H.  1601.  (170.) 
Remarks  on  Mr.  Avison's  Essay  on 
Musical  Expression.  Wherein  the  Char- 
acters of  several  great  Masters  .  .  .  are 
rescued  from  the  INIisrepresentations  of 
the  above  Author  ...  In  a  Letter  from  a 
Gentleman  in  London  to  his  Friend  in 
the  Country.     [By  W.  Hayes.] 

Printed  for  J.  Robitison  : 
London,  1753.     12°.  7897.  b.  17. 

REMBT  (.Johann  Ernst)  Funfzig  vier- 
stimmige  Fugetten  fiir  die  Orgel,  dc. 

hi  der  Brcitkopfischen  Buchhandlung  : 
Leipzig,  (1791.)     obi.  fol.  c.  91. 

REMEMBER.      Remember  Damon  you 
did  tell.     The  Irish  Howl.     [Song.] 
[London,  1740  ?]     s.  sh.  fol. 

G.  316.  e.  (121.) 
[Another    edition.]       Remember   Damon 
you  did  tell.     Tlie  Irish  Howl. 
[London,  1745  ?]     s.  sh.     fol. 

H.  1994.  b.  (68.) 
[Another  setting.]  Remember  Damon 
you  did  tell.     [Song.]     See  Smith  (T.) 

Remember  Jack.    Ballad. 
See  Reeve  (W.) 


REMORDS.  Les  Remords  de  David. 
Romance.     See  Phillis  (J.  B.) 

REMY  (  )  Mr.  The  Rosy  Fair,  etc. 
[Song.]  E.  Bhames : 

[Dublin,  1180  ?]     s.  sh.  iol. 

H.  1601.  b.  (94.) 
See  Feast  of  Apollo.  The  Feast  of 
Apollo,  containing  . . .  Songs  by  . . .  Remy, 
etc.     [1788.]     fol.  G.  351.  (2.) 

RENALDI  (GiULio)  Di  Giulio  Renaldi 
Padoauo  Madregali  et  Canzoni  alia  Napo- 
litana  a  Cinque  Voci  novamente  da  lui 
posti  in  luce,  etc.     Quinto. 

Appresso  Angelo  Gardano  : 
Venctia,  157G.     obi.  4°.  A.  365. 

RENAUD.      Barbare    Amour !      Air    de 
Renaud,  etc.     [By  A.  M.  G.  Sacchini.] 
[Paris,']  1783.     8°.  298.  f.  38. 

Mercure  de  France,  May,  1783,  p.  100. 

D6ja  la   trompette  guerri^re.     Ariette  de 
Renaud  [by  A.  M.  G.  Sacchini]. 
C1ie2  Camand  :  [Paris,  1783.]     8". 

B.  362.  h.  (22.) 

Renaud.     Trag^die  lyrique. 
See  Sacchini  (A.  M.  G.) 

RENAUD     D'AST.  Comment    goiiter 

quelque  repos.     Air  de  Renaud  d'Ast  [by 

N.  Dalayrac].  Chez  Imbault : 

Paris,  [1787.]     8".  B.  362.  c.  (75.) 

II  nege,  il  vente,  il  gele.  Couplets  de 
Renaud  d'Ast  [adapted  by  N.  Dalayrac  to 
L.  V.  Simon's  '  II  pleut,  il  pleut,  bergere  ']. 
Avec  Accompag'  de  Guittare.  Chez  Fr^re : 
[Paris,  1787  ?]     8\  B.  362.  (128.) 

Vous  qui  d'amoureuse  avanture.     Air  de 
Renaud  d'Ast  [by  N.  Dalayrac]. 
Chez  Lnbault :  Paris,  [1787.]     8". 

B.  362.  a.  (165.) 
Renaud  d'Ast.     Comedie. 
See  Dalayrac  (N.) 

RENAUD   ET   ARMIDE.     Renaud  et 
Armide,   Comedie ;    representee    pour    la 
premiere  fois  le  12  Juin  1697.     [By.  F.  C. 
Dancourt,  with  music] 
[Paris,  1760.]     12°.  241.  c.  5. 

Part  of  '  Les  CEuvres  de  Theatre  de  M. 
D'Ancorirt,'  etc.,  torn.  5. 

RENCONTRE.     Une    rencontre,     amy, 
nous  mene  au  Cabaret.     Duo. 
See  GuiLLON  (H.  C.) 

RENCONTRE    EN    VOYAGE.       La 

Rencontre  en  A^oyage.     Comedie. 
See  Bruni  (A.  B.) 

RENCONTRE  IMPREVUE.    La  Ren- 
contre  Imprevue.     Op6ra  BoufEon. 
See  Gluck  (C.  W.) 

RENDEZ-VOUS     PASTORAL.      Le 

Rendez-vous  pastoral.     Cantatille. 
See  Lemaire  (L.) 


408 


RENDEZ-VOUS— RP:SERV0IR 


RENDEZ-VOUS  SUPPOSE.     Le  Ren- 
dez-Vous  Suppose.     Vaudeville. 
Sec  Berton  (H.  M.) 

RENDS.      Rends    moi    ton    coeur,    ta 
couliance.     [Song.]     See  Danaides. 


Rends-moi  ton  coeur. 
See  Dard  (    ) 


Parodie. 


RENERUS  (Adamus)     Sec  Reiner. 

RENO  (Jacobus  de)  Dyalogus  de  sene  et 
iuuene  de  amore  disputantibus.  (Tractatus 
breuis  ...  in  laudem  musice  artis  Et  de 
eius  vtilitatibus.)  <B-  ?L.  2  pts.  few  ms. 
notes. 

Imprcssum  .  .  .  ^  .  .  .  Gcrarda  leonis  : 

Antioerpic,  1491.     8".  lA.  49834. 

36  leaves,  ivitliout  pagination.    Sig.  a-c  ; 

24  lines  to  the  full  page.     Title-page 

slightly  mutilated. 

RENOUT  (  )  Que  vois-je  ?  6  ciel !  Air 
a  boire.  Les  paroles  sont  de  M"'  Dommey, 
etc.     [Paris,]  1751.     s.  sh.  4°.     298.  e.  5. 

Mercure  de  Frarbce,  August,  1751. 

REPLY.  The  Reply.  [Song.]  Sec  In. 
In  vain  fond  youth,  etc.    [1759.]    s.  sh.  8". 

P.P.  5439.  ab. 

I 

REPONSE,  Reponse  aux  Couplets  a  ma 
Belle.  [Song.]  See  Si.  Si  comme  toi 
ma  plume  delicate,  etc.     [1785  ?]     8°. 

B.  362.  a.  (174.) 

Reponse  d'un  Jeune  Berger  a  une  Jeune 
Demoiselle.     [Song.]     See  Gonnin  (     ) 

R6ponse  du  Coin  du  Roi  au  Coin  de  la 
Reine.  [Relative  to  a  dispute  between 
rival  factions  at  the  Paris  Opera.  By 
C.  H.  Fus^e  de  Voisenon.]  Seconde 
Edition  . . .  augmentee.     \_Faris,~\  175-3.   8° 

1103.  b.  21.  (6.) 

REPOSITORY.  The  Repository  of  Scots, 
&  Irish  Airs,  Strathspeys,  Reels,  &c.  for 
the  German  Flute,  Violin  or  Fife. 

Printed  for  G.  Goulding : 
London,  [1785  ?]    ohl.  4°.        a.  9.  b.  (7.) 

REPRISAL.     The  Reprisal.     [Song.] 
Sec  Valton  (P.) 

Let  the  Nymph  still  avoid.  [Song.]  Sung 
by  Miss  Macklin  in  y  Reprisal.  [Words 
by  T.  Smollett.]  [London, 

1757  ?]   s.  sh.  fol.  Q.  310.  (69.) 

Let  the  nymph  still  avoid.  A  New  Song. 
Sung  by  JNIiss  Macklin  in  the  Reprisal 
[words  by  T.  Smollett].  [London, 

1757.]     8°.  P.P.  5438. 

Literary  Magazine,  Vol.  II.,  p.  396. 

The  Tars  of  Old  England,  [Song,]  Sung 
by  Mr.  Beard,  in  the  Reprisal,  etc.  [Words 
by  T.  Smollett.]  [London, 

1757.]     s.  sh.  fol.  H.  1994.  (54.) 


REPRISE  DE  TOULON.   Malgr6 
I'orage  et  les  frimats.     Air  de  la  Reprise 
de   Toulon.      [By   J.   P.   A.   Lemiere  de 
Corvey].     Avec  Accomp'  de  Guittare. 
Chez  Imbault :  Paris,  [1794.]     8". 

B.  362.  a.  (47.) 
On  vante  partout  les  Anglaises.  Rondeau 
de  la  Reprise  de  Toulon.  [By  L.  P.  A 
Lemiere  de  Corvey.]  CJicz  Lnbatili : 

Paris,  [1794.]     8".  B.  362.  a.  (47^.) 

Pardonnez-moi  cette  faiblesse.     Air  de  la 
Reprise  de  Toulon.     [By  J.  F.  A.  Lemiere 
de  Corvey.]     Avec  Accomp'  de  Guittare. 
Chez  Imbault :  Paris,  [1794.]     Q\ 

B.  362.  a.  (47^.) 

REPROACH.      The    Reproach 
begins  :     '  Send    back    my 
Eyes.']     Sec  Leveridge  (R.) 
The   Reproach.     [Song, 
talk  no  more  of  Passion.'] 
Sec  IMoNRO  (G.) 

[Another  setting.]  The  Reproach.  [Song, 
begins :  '  Send  back  my  long  stray'd 
Eyes.']  See  Young  (A.)   H.  1601.  (405.) 


long 


begins ; 


[Song, 
stray'd 

Phillis, 


REPUBLICAINS.  R^publicains 
chantons  Victoire.  Himnc  des  Ennemis 
des  Rois  [adapted  to  the  Marseillaise,  by 
C.  J.  Rouget  de  Lisle].  Chez  Imbault : 
Paris,  [1793  ?]     8".  B.  362.  a.  (10.) 

R^publicains  dont  le  genie.     Hymne. 
See  Mehul  (E.  N.) 

REPUBLIQUE.  Une  Republique 
naissante  paroit.  Hymne  Sans-Culotidc 
en  I'Honneur  de  I'^tre  Supreme.  Pour 
la  Fete  du  20.  Prairial  . . .  [Words]  Par  le 
Cit.  Moline  . . .  Sur  I'air  des  Marseillois 
[by  C.  J.  Rouget  de  Lisle].  Chez  Frfire  : 
[Paris,  1794.]     8".  B.  362.  d.  (4.) 

REPULSE.     The  Repulse.     Song. 
See  Shield  (W.) 

REQUENO     (Vincenzo)       Saggi     sul 
Ristabilimento   dell'    Arte   Armonica   de' 
Greci  e  Romani  cantori,  etc.     2  Tom. 
Per  li  Fratclli  Gozzi :  Parma,  1798.     8°. 

274.  d.  21,  22. 

REQUEST.    The  Request.    [Song,  begins: 
'  Spring  is  Nature's  Charms  renewing.'] 
See  Adams  (J.  B.)     [A  Collection  of  Songs. 
No.  2.] 

The  Request.     [Song.] 
See  Awake.     Awake  Calisto  !  etc. 
[1760?]     s.sh.iol.  G.  316.  d.  (2.) 

The  Request.     Song.     [Begins  :  '  Tell  me 
babbling  Eccho.']     See  Vogler  (Gerard) 
The  Request  to  the  Nightingale.     [Song.] 
See  Haendel  (G.  F.)     [Alcina.     Overture. 
Musette.'] 

RESERVOIR.  Le  Reservoir  d' Amour. 
[Song.]  See  Du.  Du  joli  reservoir 
d'amour.    [1785?]    8\       B-  362.  f.  (3.) 


RESIGNATION— RETOUR 


409 


RESIGNATION.  Resignation.  [Song.] 
See  Webbe  (S.)  the  Elder. 

RESINARIUS  (Balthasae)  Responsori- 
orum  Numero  Octoginta  de  Tempore  et 
Festis  iuxta  seriem  totius  anni  Libri  duo, 
etc.  Tenor.  (Discantus.)  (Altus.)  (Bassus.) 
4  pts.  Apud  Georginm  Rhmi : 

Wittembergae,  1543.    obi.  A\     K.  3.  f.  (3.) 
The  full  title  only  occurs  in  the  Tenor 
part. 

RllSISTE.  Resiste  moi,  belle  Aspasie. 
Le  Bon  Gout.    [Song.]    [Paris,  1780?]  8". 

B.  362.  b.  (151.) 
Resiste   moins,  belle  Victoire.     UAniant 
Exigeant.    Parodie.     Air,  Resiste  moi. 
Chez  M>-  Camand  :  [Paris,  1780?]     8". 

B.  362.  b.  (154.) 

[Anotber  copy.]  B.  362.  f.  (34.) 

RESOLVE.   The  Resolve.  Song.  [Begins  : 
'  Witb  thee  thro'  dreary  wilds.'] 
See  Bird  (W.  H.) 

The  Resolve.  [Song,  begins  :  '  Since 
Sallinda's  my  Foe.']     See  Cabey  (H.) 

RESOLVED.  The Resolv'd  Swain.  [Song.] 
Sec  Hook  (J.) 

RESOLUTION.    The  Resolution.    [Song, 
begins  :  '  How  giddy  is  Youth.'] 
See  Holmes  (    ) 

The  Resolution.     [Song,  begins  :    '  Cease, 
Cupid,  cease.']     See  Howard  (S.) 
Resolution.      [Song,   begins  :    '  Love   and 
Beauty.']     See  Leveridge  (R.) 
The  Resolution.    Song.    See  Love.    Love 
can  disturb  the  steady  Soul. 
[1750?]     s.sh.iol.  G.  316.  a.  (35.) 

RESOUND.     Resound  ye  Hills.     Song. 
See  Callcott  (J.  W.) 

RESSOURCE    COMIQUE.      La    Res- 
source  Comique.     Piece. 
See  Mereaux  (F.  N.  Le  Froid  de) 

RESSOURCE  DES  THEATRES.     La 

Ressource  des  Theatres,  Piece  en  un  Acte. 
Par  M.  G  "^  *  *  [F.  A  de  Chevrier]. .  .avec 
la  IMusique.  Chez  Duchesne  :  Paris, 

1760.     8".  11738.  c.  6.  (1.) 

Tlte  words  and  music  of  the  concluding 
Vaudeville  arc  by  Favart. 

REST.     Rest,  beauteous  Flow'r.     Song. 
See  Jackson  (W.)  of  Exeter.     [The  Lord 
of  the  Manor.] 

RESTA.     Resta  ingrata.     [Song.] 
See  ]\Iortellari  (]\I.)     [Armida.'] 
Resta  ingrata  io  parto.     [Song.] 
See  Sacchini  (A.  M.  G.)     [Armida.'] 

RESTLESS.  Restless  to  pass  the  tedious 
day.  Henry  to  Emma.  A  Song.  The 
Words  by  a  Gent".  Set  by  a  Person  of 
Quality.     [London,  1720  ?]     s.  sh.  fol. 

a  311.  (31.) 


RESTONS.  Restons  longtems  dans  ce 
reduit.     Couplets.     See  Mouret  (J.  J.) 

RETALIATION.  Retaliation.  [Song.] 
See  Nelson  (J.) 

RETIRE.     Retire  my  love.     Glee. 

Sec  HORSLEY  (W.) 

RETIREMENT.  Retirement.  Glee. 
[Begins  :  '  Beneath  the  silent  rural  cell.'] 
See  Harington  (H.) 

The  Retirement.     [Soug,  begins  :  '  Silvia,  . 
in  these  sequester'd  Scenes.'] 
See  aroNRO  (G.) 

Retirement.   [Song.]    Set?  Others.  Others 

fame  or  wealth  pursuing. 

[1750?]    s.  sh.  fol.         G.  316.  e.  (110.) 

Retirement,  a  New  Song.     See  Others. 

Others  fame  or  wealth  pursuing. 

1760.     8°.  P.P.  5441. 

RETORT.     The   Retort.     [Song,   begins: 
'  Ye  Fair,  from  IMan's  insidious  Love.'] 
See  Arne  (T.  A.) 

The  Retort.  [Song.]  See  Ye.  Ye  Cox- 
combs and  Beaux,  etc.    [1754?]    s.  sh.  fol. 

G.  314.  (61.) 

RETOUR.  LeRetour  auLogis.  Chanson. 
See  Revaxt.  Revant  a  mon  amour,  etc. 
[1780?]    8°.  B.  362.  c.  (28.) 

Le  Retour  d'Iris.     Musette. 
See  Bouvard  (F.) 

Le  Retour  de  I'Age  d'Or.     Chanson. 

See  0.     0  tems  heureux,  etc. 

1744.     s.  sh.  4°.  298.  b.  29. 

Le  Retour  du  Bien  Aim6.     [Song.] 
See  Tu.     Tu  m'appelle  chere  Nina,  etc. 
[1786?]     8".  B.  362.  h,  (29.) 

Le  Retour  du  Printems.     Chanson.     [Be- 
gins :  '  Voici  la  saison  des  belles.'] 
See  Blainville  (C.  H.  de) 

Le  Retour  du  Printems.     Ode.     [Begins  : 
'  Quel  bruit,  quel  charmant  murmure.'] 
Sec  Durand  (     ) 

Le  Retour  duPrintemps.     Musette.     [Be- 
gins :  '  Printemps,  a  ton  retour.'] 
See  Gcedon  de  Presles  (     )  M"". 

Le  Retour  du  Roi.  [Song.]  See  Ah, 
Ah  !  quels  plaisirs  pour  des  Monarques,  etc. 
[1786?]    8^  B.  362.  a.  (72.) 

RETOUR  A  BRUXELLES.  Le  Retour 
a  Bruxelles.  Opera  Comique  en  un  Acte, 
mele  de  Prose,  par  le  C.  Desprez  . . .  Avec 
la  Musique.  Chez  le  Libraire,  au  Theatre 
du  Vaudeville :  Paris,  An  Troisieme 
[1794].     8'.  11738.  d.  14.  (12.) 


RETOUR  AU  VILLAGE. 

au  Village.     Op6ra  Comique, 
See  PuNi  (E.  R.) 


Le  Retour 


410 


RETOUR— EfeVEILLEZ 


RETOUR  DE  LA  PAIX.  Le  Retour 
de  la  Paix,  Divertissement  militaire 
dans  le  gout  grivois.  Op6ra  Comique 
Ballet,  en  un  Acte  precede  d'un  Prologue. 
[With  the  voice  parts  of  fifteen  songs.] 

Chez  Pierre  Gosse  Junior  :  La  Haye, 

1751.     8°.  242.  g.  21. 

Part  of  the  '  TMatre  do  la  Haye,'  torn.  4. 

RETOUR  DE  LA  TENDRESSE.     Le 

Retour  de  la  Teudresse.     Comedie. 
See  Meeeaux  (J.  N.  Le  Froid  de) 

RETOUR  DES  OFEICIERS.  Le  Re- 
tour  des  Officiers,  comedie ;  representee 
pour  la  premiere  fois  le  19  Octobre  1697. 
[By  F.  G.  Dancourt,  with  music  by  J.  C. 
Gillier.]  [Paris,  1760.]  12°.  24l!  c.  6. 
Part  of  '  Les  OEuvres  de  Theatre  de  M. 
D'Ancojui,'  etc.     torn.  6. 

RETOUR  DU  GOUT.     Le   Retour   du 
Gout,  Com6die  en  un  Acte  en  Vers  libres  ; 
avec  un  Divertissement,  par  M.  de  Chevrier 
. .  .avec  la  Musique  [of  two  Airs]. 
Chez  Duchesne  :  Paris,  1754.     8". 

11738.  c.  6.  (7.) 

RETRAITE  DE  BOREE.     La  Retraite 
de  Boree.     Cautatille. 
See  Lefebdre  (A.) 

RETURN".     Return  blest  Days.     Glee. 
See  Smith  (J.  S.) 

Return  enraptured  Hours.     Sonnet. 
See  Andre  (J.)  Major. 
Return  fair  Maid.     IMinuet.     See  Poro. 
Return  my  lovely  Nymph.     [Song.] 
See  Brown  (T.)  Song-Writer. 
Return,  return,  sweet  Peace.     [Song.] 
See  Holmes   (    )  of  the  King's  Theatre, 
London. 

Return  to  order  and  your  Country  save. 
[Song.]  iSee  Shield  (W.)  {The  Surrender 
of  Toulon.] 

RETZEL  (Anton)  Sei  Sonate  a  Tre,  Due 
Violini  o  Due  Flauti  Traverso,  Violoncello 
e  Basso  Continuo  .  .  .  Opera  Prima. 
[Separate  Parts.] 

Stavipate  a  Spese  di  G.  F.  Groncman  : 
Amsterdam, [ITtO^    fol.    g.  420.  g.  (3.) 

RETZEL  (August  Johann)  Six  entire 
New  Minuets  for  Two  Violins  and  a  Bass, 
etc.  Printed  for  Ja"  &  Jn"  Simpsoyi's  : 

London,  [1780  ?]  ol>l.  4".  b.  400.  (10.) 
Six  Sonatas  or  Duets  for  two  German 
Flutes  or  Violins.     [Separate  Parts.] 

Printed  for  James  and  Jolin  »S'j?m^jsoh.s  ; 
London,  [1180?]     fol.         g.  421.  q.  (3.) 

REUCHLIN  (Johann)    loannis  Reuchlin 
Phorcensis  Scenica  Progymnasmata  :  hoc 
est :    Ludicra  preexercitamenta.      [With 
music  of  the  choruses.] 
I.  Bergman  de  Olpe  :  [Basel,]  1498.     4°. 

166.  e.  2.  (2.) 


REUCHLIN  (Johann)  Joannis  Reuchlin 
.  .  .  Ludicra  proeexercitamenta.  [With 
music  of  the  choruses.] 

hi  edibus  Thome  Anshehni :  Phorcc, 
1508.     4°."  '     1342.  1.  21.  (1.) 

loannis  Reuchlin . . .  Ludicra  prseexercita- 
menta.  [With  music  of  the  choruses.] 
copious  MS.  notes.  In  xdihus  Hieronymi 
Vietoris  &  loannis  Singrenii :  Viennfe, 
1514.    4°.  Case  28.  i.  8. 

Joannis  Reuchlin  . . .  ludicra  preexercita- 
menta.    [With  music  of  the  choruses.] 
hnprcssum  per  lacohum  Thanner  Herbipo- 
litanu  :  Liptzk,  1515.     4°.      1342.  g.  30. 

REUSCHEL  (Johann  Georg)  Decas 
Missarum  Sacra  a  4.  5.  6.  7.  8.  10.  11.  12. 
13.  14.  15.  16.  17.  &  18.  Voc.  ...  in  usum 
Ecclesise  . . .  Evangelicse  prelo  subjecta. 
Canto  Primo.  (Alto.)  (Tenore.)  (Basso.) 
(Canto  Secundo.)  (Alto  Secundo  ad 
chorum  pleniorem.)  (Tenore  Secundo  ad 
chorum  pleniorem.)  (Basso  Secundo  ad 
chorum  pleniorem.)  (Complementum 
Primum  (Secundum)  (Tertium)  (Quartum) 
(Quintum).)  (Violino  6  Cornetto  Primo.) 
(Violino  6  Cornetto  Secundo.)  (Violon  6 
Fagotto.)     (Continuo.)     17  pts. 

Typis  (&  Sumpitibiis  Georgii  Bcutheri  : 
Freybergm,  1667.     fol.  H.  3242. 

There  is  a  duplicate  Continuo  part. 

REUSSNER  (EsAiAs)  Hundert  Geistliche 
Melodien  Evangelischer  Lieder,  welche 
auf  die  Fest-  und  andere  Tage . . .  gesungeu 
werden  :  Gott  allein  zu  ehren  . . .  nach 
itziger  Manier,  in  die  Laute  gesetzet... 
zum  Kupfer  befodert,  und  verleget  von 
Esaia  Reusnern,  etc.     [Berlin,  1676.]    fol. 

G.  479. 

REV  ANT.      Revant   a   mon   amour.     Le 
Ectour  au  Logis.    Chanson  Nouvelle  avec 
accompagnement  de  Guitare  par  Alberti. 
Chez  M.  Camand  :  Paris,  [1780  ?]     8°. 

B.  362.  e.  (28.) 
[Another  copy.]  B.  362.  g.  (28.) 

REVE.  Reve  du  Cli^'  '  de  Boufflers.  [Song.] 
See  Jeune.  Jeune  Iris,  pourri^s  vous 
bien  croire,  etc.     [1785  ?]     8°. 

B.  362.  (183.) 

REVEIL.       Le    Reveil     a     Contre-Tems. 
[Song.]     See  0.     0  nuit  trop  agreable. 
[1790?]     8°.  B.  362.  (147.) 

La  [sic]  Reveil  du  Peuple.     [Song.] 
See  Gaveaux  (P.) 

REVEILLilE.     The  Reveill^e.     Sonnet. 
See  Hook  (J.) 

REVEILLES.  Reveilles  toi,  mon  fils. 
Chant  Funebre,  d'une  Mere  sur  le  Tombeau 
de  son  Fils  mort  pour  la  Liberie.  Air  : 
Pauvre  Jacques.  CJicz  Lnbault : 

Paris,  [1795  ?]     8\  B.  362.  d.  (31.) 

REVEILLEZ.  Reveillez-vous,  ma  mu- 
sette.    [Song.]     See  Nebon  (    ) 


REVENGE— RHAU 


411 


REVENGE  OF  ATHRIDATES. 

Revenge  of  Athridates.     Pasticcio. 
See  Athridates. 


The 


REVERENCE.  La  Reverence.  [Song.] 
See  Toucher.  Toucher  un  coeur,  c'est 
un  grand  bien,  c^c.     [1785?]     8°. 

B.  362.  f.  (4.) 

REVIENS.     Reviens,  aimable  Themire. 
Chanson.     See  Papavoine  (    )  M''"". 

Reviens,  cher  objet  que  j'adore.     Air. 
Sec  Lemaire  (L.) 

Reviens  reviens  Bergere.  Stcite  de  la 
Pastorale :  II  pleut  Bergere  [by  L.  V. 
Simon].     Meme  Air.  Chez  Frdre  : 

[Paris,  1790?]     8".  B.  362.  e.  (7.) 

Revien,  revien,  ma  voix  t'appelle.    Ariette. 

Sec  SORCIER. 

REWARD.  The  Reward  of  Fidelity. 
[Song.]  See  Dibdin  (C.)  [Private  Theat- 
ricals.] 

REY  (Jean  Baptiste)  See  Agus  (H.) 
Solfeges  pour  servir  a  I'etude  dans  le  Con- 
servatoire de  Musique  a  Paris  par . . .  Agus 
...Rey,  e/'c.     [1795?]     fol.  H.  2851. 

REY  (Jean  Baptiste)  and  (Louis 
Charles  Joseph)  [Apollon  ct  Coronis.] 
Dans  nos  champs.  Air,  etc.  Parole  de 
M.  Fuselier,  etc.     [Paris,]  1781.     8". 

298.  f.  16. 
Mercure  de  France,  June,  1781 ,  p.  52. 

Dans  nos  champs. 

See  supra  :  [Apollon  et  Coronis.] 

REY  (V.  P.  S.)  Tablature  Gen^rale  de  la 
]\lusique.  Pour  servir  a  I'lntelligence  du 
Systeme  dans  tout  I'eusemble  de  la  ]\Iu- 
sique,  etc.  Gravee  par  Vanjxem.  (Systeme 
Harmonique,  etc.)  Chez  Sieber  Fils  : 

Paris,  [1795.]     fol.  H.  2902.  (2.) 

REYNOLDS  (  )  Mr.  The  Disappoint- 
ment. [Song.]  Wordsby  Mr.  Shenstone, 
etc.     [London,]  1797.     s.  sh.  4°. 

P.P.  5141. 

Lady's  Magazine,  July,  1797. 

REYNOLDS   (Maria  Hester)      To   the 
Countess  of  Uxbridge,  These  Sonatas  for 
the   Harpsichord   or    Piano    Forte    [and 
Violin]  are  Dedicated,  etc. 
[London,]  1785.     fol.  h.  74. 

RHAU  (Georg)  Secundus  Tomus.  Bi- 
cinia,  Gallica,  Latina,  Germanica,  et 
Quaedam  Fugae.  Superior  Vox.  (Secundus 
Tomus  Biciniorum,  quae  et  ipsa  sunt 
Gallica,  Latina,  Germanica  ex  prsestan- 
tissimis  Symphonistis  collecta,  et  in 
Germania  typis  nunquam   excusa.      Ad- 


ditae  sunt  quaedam 


Fugse,  etc.    In- 


ferior Vox.)     [With  a  preface  by  G.  Rhau.] 

2  pts.  Apud  Gcorgium  Rhaw  : 

Wittemhergae,  1545.     ohl.  4".     K.  2.  e.  3. 

The  foUoiving    composers    are  named : 

Barta,  J.  Brand,  A.  Brumel,  Ccrton, 

Claudia,  S.  Dietrich,  A.  Fcvin,  J.  H., 

H.  Isaac,   Jacotin,  Josquin,   Layolle, 

Maillart,      Manchicourt,     Mittantier, 

Mornable,  J.  Mouton,  Obrccht,  P.  R., 

P.  de  la  Rue,  H.  Scotus,  Verdeloth  and 

Adrien  [Willaert], 

[Newe  Deudsche  Geistliche  Gesenge  cxxiii. 
Mit  vier  vnd  fiinff  Stimmen,  fiir  die  ge- 
meinen  Schulen,  .  .  .  aus  vielen  erleseu, 
der  zuvor  Keins  im  Druck  ausgangeu.] 
Discantus.  Der  newen  deudscheu  geist- 
lichen  lieder. 

Gedruckt  dilrch  Georgen  Rhaiv  : 

Wittemberg,[154.\:.]     obl.i".    K.  2.  c.  4. 

The  full  title  only  occurs  in  the  Tenor 

part,  wliicli  also  contains  a  preface  by 

G.    RJuiu.      The  following   composers 

are  named :  M.  Agricola,  H.   Bratel, 

A.  de  Bruck,  S.  Dieterich,  B.  Ducis, 
G.  Forster,  V.  Hauck,  W.  Heintz, 
L. Hellingk,  S.  Mahu, Nicolaus P[a£n], 

B.  Resinarius,  T.  Stoltzer,  L.  Senffel, 
J.  Stalil,  G.  Vogelhuber  and  J.  Wein- 
man. 

Enchiridion  Musices  ex  Variis  IMusicorum 
libris  depromptu  rudibus  huius  artis 
Tyronib'  sane  q^  frugiferum. 

Ex  selibus  Valentini  Schuman  : 
Lipsiie,  1518.     8°.  K.  8.  c.  1. 

40  fol.,  tvithout  pagination.  Register: 
sigs.  A-K,  in  fours. 

Enchiridion  Utriusqj  Musice  Practicg  a 
Georgio  Rhauuo  congestum.  ^  Isagoge 
loannis  Galliculi  De  catus  Compositioue. 
(Enchiridion  Musicse  Mensuralis,  etc.) 
(Isagoge  loannis  Galliculi  de  Composicione 
Cautus.)     3  pts. 

Ex  xdibus  Valentini  Schuman : 
Lipsiir,  1520.     8".  K.  8.  c.  2. 

Each  part  has  a  separate  title-page 
and  register.  Part  I. :  52  fol.  Reg. 
A  in  eight,  B-m  in  fours.  Part  II. : 
56  fol.  {the  last  blank).  Reg.  A  in 
eight,  B  N  in  fours.  Part  III. :  28 
fol.  Reg.  A  in  eight,  B  -D  in  fours, 
E  in  three. 

Enchiridion  Utriusque  Musicse  Practicse, 

a   Georgio   Rhauo,   ex  varijs   musicorum 

libris  congestum.     (Enchiridion   ]\Iusicae 

Mensuralis.)     2  pts.  [G.  Rhau  :] 

Wittebergae,  [15]31.  K.  8.  c.  3. 

Each  part  has  a  separate  title-page  and 

register.     Part  I.  :  40  fol.     Reg.  A-E, 

in  eights.     Part  II. :  32  fol.    A-D,  in 

eights. 

Enchiridion  Utriusque  Musicse  Practicse. 
A   Georgio    Rhau,  ex   varijs    musicorum 


412 


RHAU— RHEZELIUS 


libris  congestum.     (Enchiridion  Musicae 

Mensuralis.)     2  pts.  [G.  Rhatt :] 

Yifcbcrgx,  [15]32.     8".  K.  8.  c.  4. 

Each  jMii    has    a    separate    title-page 

and  register.     Part  I. :  40  fol.     Reg. 

A-E,  in    eights.      Part  II.  :    32  fol. 

Beg.  a-cl,  in  eights. 

Enchiridion  utriusque  Musicse  Practicse  a 

Georgio  Rhaw,  ex  uarijs  Musicorum  libris, 

pro   pueris   in    Schola   Vitebergonsi   con- 

gestum.       (Enchiridion     Mnsicae     Llen- 

suralis.)     2  pts.       Apud  Georgium  Rhau  : 

Yifebergae,  1536.     8°.  K.  8.  c.  5. 

Each  part  has  a  separate  title-page  and 

register.    Part  I.  :  51  fol.     Reg.  A-G, 

in  eights,  except  E,  which  is  in  four, 

and  G,  which  is  in  seven.    Part  II. : 

32  fol.     Reg.  a~d,  in  eights. 

Enchiridion  Utriusque  Musicse  Practicse 

&    Georgio    Rhau  ex  uarijs    IMusicoruna 

libris,  pro  pueris  in  Schola  Vitebergensi 

congestum.      (Enchiridion  Musicae  ]\Ien- 

suralis  a  Georgio  Rhau  congestum.)    2  pts. 

Apud  Georgium  Rliau : 

Vitehergae,  1538.     8°.  K.  8.  e.  6. 

Each  part  has  a  separate  title-page  and 

register.    Part  I. :  52  fol.     Reg.  A-G, 

in    eights,    except     E,    ivhich    is    in 

four.    Part  II. :  32  fol.     Reg.  a-d,  in 

eights. 

Enchiridion  Utriusque  Musicae  Practicse 
a  Georgio  Rhauo,  ex  varijs  Musicorurn 
libris,  pro  pueris  in  Schola  Vitebergensi 
congestum.  (Enchiridion  Musicae  Men- 
suralis a  Georgio  Rhauo  congestum.) 
(Libellus  de  Compositione  Cantus.  loannis 
Galliculi.)  3  pts.  Apud  Georgium  Rhau  : 
Vitebergae,  1546.     8°.  K.  8.  e.  7. 

Each  part    has    a    separate   title-page. 

Part  III.  has  also  a  separate  register. 

Parts  I.  and  II. :  Si  fol.    Reg.  A-E,  in 

eights,  L  in  four.     Part  III.  :  20  fol. 

Reg.  a-B,  in  eiglits,  c  in  four. 

Enchiridion  vtriusque  musicae  practicae. 

etc.     Ex  Officina  Exredum  Georgij  Rhau : 

Witebergae,  1553.     8°.      K.  8.  c.  7*.  (1.) 

A  print  of  Dilrefs  '  Satyr  Family,''  by 

Hieronymus  Hopfer,  is  inserted  in  this 

copy. 

[Offi.cia  Paschalia.  De  Resurrectioue  et 
Ascensione  Domini.  Tenor.  With  a  pre- 
face by  G.  Rhau.]  (Discantus.)  (Altus.) 
(Bassus.)  4  pts.  ^Apud  Georgium  Rhauu  : 
Vitebergae,  1539.]  K.  3.  e.  17. 

Wanting  the  Tenor  part,  which  is  supplied 
in  modern  MS.  The  composers  named 
are:  J.  Alectorus,  G.  Forster,  J.  Galli- 
culus,  A.  Reiner,  C.  Rein,  T.  Stoltzer, 
J.  Walther  and  J.  Zacharias. 

Primus  Tomus  Noui  Operis  Musici,  con- 
tinentis    Officia    de  Natiuitate,    Circum- 


cisione,   Epiphania   Domini,   &   de  Puri- 
ficatione  Beatae  Mariae  Virginis.    Bassus. 
Aptul  Georgium  Bhaio  :   Wittembcrgae, 
[1545.]     obi.  4°  K.  4.  d.  17. 

Tlie  Tenor  part  alone  is  dated,  and  con- 
tains a  dedication  signed  by  Rhau.  The 
following  composers  are  named :  T. 
'stoltzer,  A.  Reneri,  L.  Senffel,  I.  Galli- 
culus,  S.  Dieterlch,  H.  Isaac,  H.  Finck, 
A.  de  Bruck,  B.  Resinarius,  N.  Copxis, 
J.  Lupus  and  Morales  Hispanus. 

[Opus  Decern  Missarum  Quatuor  Vocum 
.  .  .  Collectum   a   Georgio    Rhawo,   etc.'] 
Discantus.     (Altus.)     2  pts.       [(?.  Rhau  : 
Wittenberg,  1541.]     obi.  4".        K.  3.  f.  4. 
Tlte  title  occurs  in  the  Tenor  part  only. 
The  composers  named  are :   Brumel, 
H.  Isaac,   Pipelare,   A.   Reneriis,    P. 
Roselli,  Sampson,  L.    Scnfel  and   J. 
Stahel. 
[Vesperarum     Precum     Officia      Psalmi 
Feriarum  et  Dominicalium  Dierum  Tocius 
Anni,   cum   Antiphonis,    Hymnis   et  _Re- 
sponsoriis  . . .  quatuor  vocibus  ab  optimis 
. . .  Musicis  compositi,  etc.]     Discantus. 

[Apud  Georgium  Rhaw  : 

Vitebergae,  1540.]    obi.  4°.      K.  4.  d.  13. 

Wanting  fol.   12,  15-18  ;  the   last  four 

are  supplied  in  MS.    The  full  title  and 

imprint  only  occur  in  the  Tenor,  which 

contains  a  preface  by  G.  Rhau  and  an 

index  of  composers. 

Postremum      Vespertini     Officii      Opus, 

Cuius    priores    partes,   iam    antea    typis 

nostris    seditaj     sunt.       Magnificat    Octo 

Modorum  sen  Touorum  Numero  xxv.,  etc. 

[With  a  dedication  by  G.  Rhau.     Tenor.] 

(Magnificat  Octo  Tonoram.     INIoralis  His- 

pani  et  Adami  Reneri.  Discantus.  (Altus.) 

(Bassus).)    4  pts.    Apud  Georgiimi  Rhaio  : 

Wittembcrgae,  1544.     obi.  4°. 

K.  4.  d.  14. 
The  composers  named  are:  Moralis,  Richa- 
fort,  Tugdual,  lachet,  Loiset  Pieton, 
A.  Renerus,  A.  de  Fcvin,  Pipelare,  A. 
Divitis,  P.  de  la  Rue,  I.  Galliculus  and 
P.  Verdclot. 


[Another  copy.]     Discantus. 
2  pts. 


(Bassus.) 
A.  20. 


RHEINECK  (Chbistoph)  Lieder  mit 
Clavier-Melodien,  etc.  In  Comission  der 
Christoph  Weiglischen  Kunst-Handlung : 
Niirnberg,  [1780.]     fol.  F.  597.  (1.) 

Zweite     Lieder-Samlung     mit     Klavier- 
Melodien,  etc.  Jakob  Meyer  : 

Mcmmingen,  1780.     fol.  F.  597.  (2.) 

RHEZELIUS.  (Haquinus)  Nagre 
Psalmer,  Andelige  Wijsor  och  Lofsonger, 
vthsatte  af  Laurentio  Jonse  Gestritio  . . . 
Och  nu  med  Noter  afisatte,  och  aff 
Trycket  vthgangne  aS  Haquino  Laurentii 
a  Rhezelio,  etc.  Hoos  Ignatium  M.  : 

Stockholm,  1619,    8°.  3090.  aa.  22- 


RHODES— RICCIOTTI 


413 


RHODES  (John)  Lessons,  adapted  for 
Juvenile  Performers  on  the  Piano  Forte, 
or  Harpsichord,  etc. 

Printed  for  the  Author  : 
London,  {imQ^    fol.  g.  132.  (11.) 

Moggy  &  Jemmy,  or  the  Union  Feast,  etc. 
[Ballet  for  P.  F.]  E.  Riley  : 

London,  [1799.]     fol.  g.  443.  g.  (5.) 


EICCI  (F.  Pasquale)  Trois  Simphonies 
Concertantes  . , .  Op.  ix.,  etc.  [Separate 
Parts.]  Chez  ill''  Van  Laack  :  a  La 

Haye,  [1775  ?]     fol.  g.  279.  c.  (1.) 

Tre  Sinfonie  con  Oboe,  e  Trombe  Obbli- 
gate,  dedicate  al  .  .  .  Barone  Don  Carlo 
Boetzelaer,  etc.     [Separate  Parts.] 

Presso  M''  Van  Laak  :  Nell'  Aja,  etc., 

e. 


RHODES  (Richard)     The  Sylvan  Oracles, 
&  the   Sylphids:    Two    Songs   containing 
four   Airs   for  the  Voice,  Harpsichord  or 
Violin. .  .The  Words  by  T.  Noble. 
Preston  and  Son:  London,  [119S?]     fol. 

G.  369.  (8.) 

RH^ME.     Le  Rhume.     [Song.] 
See  GuiLLON  (H.  C.) 

Le  Rhume  gudri  par  le  Viu.     Air. 
See  Bouvard  (F.j 

RIBEIRO  (Maxoel  da  Paixao) 
See  Paixao  Ribeiro. 

RIBON  (        )     Parodies  Bachiques,  sur  las 
Airs  et  Symphonies  des  Opera.    Recueillies 
&  raises   en  ordre   par   Monsieur  Ribou. 
Seconde  Edition,  revue  &  augmentee. 
Chez  C.  Ballard  :  Paris,  1G96.     12°. 

A.  771. 

RICCARDO  PRIMO.  Richard  the 
First.     Opera.     Sec  Haendel  (G.  F.) 

Overture   in   Richard   the   1"'   [by  G.   F. 

Haendel.     Orchestral  Parts].  [Walsh: 

Lomlon,  1730?]     fol.  h.  3211.  (5.) 

Some  of  the  parts  are  in  manuscript. 

Rice  ATI  (Giordano)  Delle  Corde  ovvero 
Fibre  elastiche  schediasmi  fisico-mate- 
matici,  etc.  Nella  Stamperia  di  San 

Tommaso  d' Aquino  :  Bologna,  17G7.     4°. 

61.  d.  19. 


Saggio 


sopra  le 
etc. 
Castcl-Franco 


Leggi  del  Contrappunto, 

Per  Giulio  Trcnto : 

1762.     4°.        557*.  c.  28. 


[Another  copy.] 


52.  d.  32. 


RICCI  (Angiol   Maria)      La  Guerra   de' 
Ranocchi  e  de'    Topi.     Tradotta  in  rime 
anacreoutiche  da  A.  SI.  Ricci .  .  .  Con  . . . 
un'  Appeudice  di  piacevoli  Poesie,  etc. 
Gactano  Abbizzini :  Fircnze,  1741.     8". 

237.  k.  12. 
T]ie     Appendix    contains    5    Drinking 
Songs. 

RICCI  (F.  Pasquale)  Sei  Quartetti  a  due 
Violini,  Viola,  e  Basso  . . .  Opera  viii. 
[Separate  Parts.]  Aja  [The  Hague, 

1775?]    fol.  h.  2830.  (7.) 

Six  Simphonies  a  Deux  Violons,  Taille  et 
Basse,  deux  Hautbois  et  deux  Cornes  de 
Chasse  .  .  .  Opera  Secouda.  [Separate 
Parts.]  Chez  J.  J.  Hummel : 

Amst&i-dam,  [1770  ?]    fol.  g.  279.  a. 


g.  279.  e.  (2.) 

No.  1.]      Sinfonia   Peri- 
[Separate  Parts.] 
fol.  g.  474.  (30.) 

(The  Periodical  Overture 

Number  xxiv.)     [Separate 

li.  Bremner :  London, 

h.  3210.  (30.) 


[1775  ?]     fol. 

[Tre   Sinfonie. 
odica.     No.  i. 
[Paris,  1775  ?] 

Sinfonia  xxiv. 
in  8  parts  . . . 
Parts.] 
[1780?]     fol. 

Six  Sonates  a  Clavecin,  Violon,  et  Violon- 
cello-Obligato. .  .Opera  iv.  Welckcr  : 

London,  [17G8.]     fol.  g.  279.  b. 

Cembalo  part  only. 
Sei  Trio  i^er  Due  Violini  e  Violoncello 
Obligato . . .  Opera  Terza.  [Separate  Parts.] 
Presso  B.  Hummel  .•  NelV  Aja 
[The  Hague,  YllO?]  fol.  g.  420.  e.  (12.) 
[Another  copy.]  g.  409.  f.  (2.) 

[Another  copy.]  h.  2851.  e.  (2.) 

[Another  copy.]  g.  242.  (6.) 

Six   Trios   a  Violon,   Viole   et    Basse... 

Opera  x.     [Separate  Parts.] 

[The  Hague?  nib?]     fol.  g.  279. 

See   Chiesa   (M.)     Sei   Trio,   etc.     [With 
a  Dedication  by  P.  Ricci.]     [1775  ?]     fol. 

g.  274.  a.  (3.) 
See  Webbe  (S.)  the  Elder.    A  Collection 
of  Masses. .  .with  others. .  .by  Ricci,  etc. 
(1792.)     obi.  4".  A.  480. 

RICCIO  (Teodoro)  II  Primo  Libro  delle 
Canzone  alia  Napolitana  a  Cinque  Voci, 
con  alcune  Mascharate  nel  fine  a  Cinque 
et  a  VI,  etc.  Canto.  (Alto.)  (Tenore.) 
(Basso.)     (Quinto.)     5  pts. 

Appresso  Catharina  Gerlachin  &  Heredi 
di  Giouanni  Montano  :  Norimberga, 
1577.     obi.  4°.  A.  388. 

Magnificat  Octo  Tonorum,  Quatuor,  Quin- 
que.  Sex  et  Octo  Vocum  recens  in  lucem 
aedita,  etc.  Altus.  (Tenor.)  (Bassus.) 
(Quiutus  et  Sextus.)  4  pts.  In  officina 
Georgij  Ostcrbergeri :  Begiomonti  Borus- 
six,  1579.     obi.  4°.  A.  326.  a. 

Liber  Primus  Missarum  Quatuor  Quinque 
et  Sex  Vocum,  etc.  Altus.  (Tenor.) 
(Bassus.)  (Quinta  et  Sexta  Pars.)  4  pts. 
Jn  officina  Georgij  Ostcrbergeri  : 
Beqiomonti  Borussix,  1579.     obi.  4". 

A.  326. 
RICCIOTTI  (Carlo  Bacciccia)  VI  Con- 
cert! Armouici  a  Quattro  Violini  obligati, 
Alto  Viola,  Violoncello  obligato  e  Basso 
continuo.  [Separate  Parts.]  Printed  for 
I.  Walsh:  London,  [11  bb?}    fol,     h.  53. 


4U 


RICCIUS— BICHMOND 


mCCIUS  (Theodorus)     See  Riccio. 

RICCO  (Antonio  del)  Urania  Armonica, 
Cantate  a  Voce  Sola  . .  .  Libro  Primo. 
Opera  Prima.  Nella  Stamperia 

di  S.  A.  S.  alia  Condotta :  Firenzc, 
1G86.     ohl.  4".  K.  2.  c.  11. 

RICHARD       COEUR      DE      LION. 

Richard  Cceur  de  Lion,  a  Favorite  Opera 
[by  A.  E.  M.  Gr6try]  . . .  Adapted  for  the 
German  Flute.  [Words  by  L.  Macnally.] 
Longman  and  Brodcrip  :  London, 
[1787  ?J     ohl.  4".  B.  387.  b.  (4.) 

Richard  Coeur  de  Lion.  A  Favorite  Opera 
[by  A.  E.  M.  Gretry.]  . . .  Adapted  for  the 
Guitar,  etc.  Longman  and  Brodcrip: 

London,  [1787  ?]     ohl.  4".      B.  385.  (6=.) 
Un  Bandeau   couvre  les   ycux.     Arrictte, 
etc.     [By  A.  E.  M.  Gretry.] 
Chez  Camand  :  [Paris,  1785  ?]     8°. 

B.  362.  h.  (23.) 
Chantons,  celebrons  ce  bon  menage. 
[Chorus.]  De  Richard  Coeur  de  Lion. 
[By  A.  E.  M.  Gretry.]  Chez  Camand : 

[Paris,  1785  ?]  8".  B.  362.  li.  (23°.) 
[Another  copy.]  B.  362.  (68.) 

La  dance  n'est  pas  ce  que  j'aime.  [Song.] 
De  Richard  Coaur  de  Lion  [By  A.  E.  ]\I. 
Gretry].  Chez  Bignon  :  [Paris, 

1785?]     8".  B.  362.  (57.) 

Une   fievre   hrulante.      Air    de    Richard 
Coeur  de  Lion  [by  A.  E.  M.  Gretry]. 
Chez  Camand :  [Paris,  1785  ?]     8°. 

B.  362.  (61.) 

[Another  copy.]  B.  362.  h.  (23^.) 

He  zic  et  zac.  Air,  etc.  [By  A.  E.  M. 
Gretry.]  Chez  Camand  :  [Paris, 

1785  ?]     8".  B.  362.  li.  (23d  ) 

[Another  edition.]  He  zic  et  zic.  [Song.] 
De  Richard  Cccur  de  Lion  [by  A.  E.  M. 
Gretry.]     [Paris,  1785  ?]     8". 

B.  362.  (69.) 
O  Richard  1  o  mon  Roi.  [Song.]  Dc 
Richard  Ccetir  de  Lion  [by  A.  E.  M. 
Gr6try].  Chez  Bignon:  [Paris, 

1785?]     8".  B.  362.  (62.) 

Que  le  Sultan  Saladin.  Air,  etc.  [By 
A.  E.  M.  Gretry.]  Chez  Camand :  Paris, 
[1785?]     8°.  B.  362.  h.  (23=^.) 

[Another  copy.]  B.  362.  (64.) 

Si  rUnivers  entier.  Arictte  de  Richard 
Coeur  de  Lion,  dans  la  Prison.  [By 
A.  E.  M.  Gretry.]  Chi's  Camand  : 

[Paris,  1785  ?]     8°.  B.  362.  (63.) 

Richard  Coeur  de  Lion.     Comedie. 
Sec  Ghetey  (A.  E.  M.) 

RICHARD  IjOEWENHERZ.  Richard 
Loewenherz.     [Opera.] 
See  Gretey  (A.  E.  M.)      [Richard  Canir 
dc  Lion.] 

RICHARD  THE  FIRST.  Richard  the 
First.  Opera.  See  Haendel  (G.  F.) 
[Riccardo  Primo.l 


RICHARD  (FRANgois)  Airs  de  Cour  a 
quatre  parties,  etc.  Haute-Contre.  (Basse- 
Contre.)     (Taille.)     3  pts.  Par  Pierre 

Ballard:  Paris,  1637.    ohl.  12°.     A.  419. 

RICHARDS  (David)  The  Beauty  of 
Buttermere  . . .  [Song,]  The  words  by  a 
Lady  of  Fashion. 

Brodcrip  and  Wilkinson :  London, 
[1800?]     fol.  G.  383.  i.  (19.) 

RICHARDSON  (B.  J.)  Jenny  May.  A 
favorite  Ballad  . . .  The  Words  by  the 
Author  of  "  Auld  Robin  Gray  "  [Lady  Anne 
Lindsay].  Longman  and  Brodcrip: 

[London,  1785  ?]     fol.        H.  1653.  (43.) 

RICHARDSON  (J.  B.)    IMaria,  a  favorite 
Sonnet,  written  by  a  Nobleman,  etc. 
Preston  &  Son  :  Lo^idon,  [1790  ?]     fol. 

H.  1994.  d.  (52.) 

RICHARDSON  (.J.  S.)    Hope,  a  Favorite 
Song,  The  Words  by  W.  Bristow,  etc. 
The  Author  :  Kensington,  [18C0?J     fol. 

G.  806.  d.  (69.) 

RICHARDSON  (Vaughan)  A  Collection 
of  New  Songs,  for  One,  Two  and  Three 
Voices,  accompany'd  with  Instruments, 
etc.  William  Pearson,  for  the  Autlwr : 

London,  1701.     fol.  G.  299. 

RICHARDSON  (William)  Lessons  for 
the  Harpsichord  or  Spinet ;  Containing 
an  Overture,  a  Ground,  and  a  Chacoon, 
with  several  Almands  and  Airs. 

T.  Cross  Jiui''  Scalp,  for  y  Author  : 
London,  1708.     ohl.  fol.  '  c.  79.  a. 

[Another  copy.]  c.  79. 

The  Pious  Recreation  :  containing  a  New 
Sett  of  Psalm-Tunes,  in  Three  Parts. 
With  Six  Hymns  . . .  Likewise  Anthems 
for  two  and  three  Voices  . . .  with  proper 
Symphonys,  etc.  William  Pearson  : 

London,  1729.     8".  C.  496. 

RICHER  (Andre)  Cher  Lucas,  e'en  est 
fait.     Air,  etc.     [Paris,']  1734.     s.  sh.  4". 

297.  b.  2. 

Mercurc  de  France,  Fch.,  1734. 

Je     reprochois     a     ma     tendre     bergere. 

Chanson  galante.     Paroles  de  M.  Meslin, 

etc.    [Paris,]  1768.   s.  sh.  fol.   297.  e.  16. 

Mercure  de  France,  June,  1768. 

RICHER  (Louis  Augustin)  Richer's 
Hornpipe.  Arranged  with  Variations  for 
the  Piano  Forte  by  G.  Nezot,  etc. 

Brodcrip  and  Wilkinson  :  London, 
[1800?]     fol.  g.  271.  e.  (22.) 

RICHEST.  Richest  Gift  of  lavish  Nature. 
[Song.]     See  Drax  (T.) 

RICHMOND.       The    Richmond.       (The 
Rondeau.)     [2  Dances,  by  Mr.  Isaac] 
[London,  1705  ?]     4^  785.  k.  7.  (6.) 

Richmond  Hill.  [Song.]  See  Bryan  (J.) 
[Another  setting.]  Richmond  Hill. 
[Song.]     See  Tibbs  (T.) 


RICHMOND— RIDENTE 


415 


RICHMOND  HEIRESS.  Maiden  fresh 
as  a  Rose.  [Song.]  Sung  by  Mr.  Pack 
acting  a  Quaker  in  the  Richmond  Heiress 
the  Words  by  Mr.  Durfey.  [London, 

1705?]     s.sh.lol.  H.  160i.  (306.) 

[Another  edition.]  Maiden  fresh  as  a 
Rose,  etc.     [London,  1705?]     s.  sh.  fol. 

G.  310.  (80.) 

[Another  edition.]  Maiden  fresh  as  a 
Rose,  etc.  Done  for  Richard  C7-oss  : 

[London,  1710  ?]     s.  sh.  fol. 

I.  530.  (133.) 

Of  noble  race  was  Shinkin.  A  Song  in 
the  Flay  calld  the  Richmond  Heiress  the 
words  by  ]\Ir.  Durfey  sung  by  Mr.  Bow- 
man.    [London,  1695  ?]     s.sh.iol. 

H.  1601.  (330.) 

[Another  edition.]  Of  noble  race  was 
Shinkin.     A  Song,  etc.  [London, 

1695  ?]     s.  sh.  fol.  G.  310.  (188.) 

RICHTER  (Gael  Gottlob)  Concerto  I. 
per  il  Cembalo  Concertato  accompagnato 
da  Due  Violini,  Violetta  e  Basso.  [Separ- 
ate Parts.]  Presso  G.  F.  Hartknoch  : 
Riga,  1772.     fol.  i.  78.  (1.) 

Concerto  II.  per  il  Cembalo  Concertato 
accompagnamento  da  Due  Violini,  Vio- 
letta e  Basso.     [Separate  Parts]. 

Presso  G.  F.  Hartktwch  : 
Riga,  1772.     fol.  i,  78.  (2.) 

Concert  pour  le  Clavecin  avec  I'Accom- 
pagnement  do  Deux  Violons,  Deux  Cors, 
Deux  Flutes  de  Travers,  Viole  et  Basse. 
[Separate  Parts.]  Chez  J.  F.  Hartknoch  : 
Riga,  1785.     fol.  g.  79.  a.  (4.) 

RICHTER  (Franz  Xaver)  Six  Con- 
certo's for  the  Harpsicord  with  Accom- 
paniments, etc.  J.  Lotigman  and  Co.  : 
London,  [mo?]      obi.  io\. 

E.   600.  j.  (6.) 

[Six  Concertos.  No.  .3.]  A  Concerto. .  .for 
the  Piano  Forte.  [1798.]  See  Periodical 
Publications.  —  London.  The  Piano- 
Forte  Magazine.  Vol.  IV.  [No.  7.]  [1797- 
1802.]     8".  D.  854. 

Six    Duo    pour    Flutes    Traversieres    ou 
Violons.     [.Separate  Parts.] 
Chez  le  Siciir  Borclly:  Paris,  [1780?]  fol. 

g.  280.  h.  (7.) 

A  Third  Set  of  Six  Favourite  Overtures  in 
Eight  Parts  For  two  Violins,  two  Oboes, 
two  Horns,  Viola,  and  a  Figured  Bass  for 
the  Harpsicord.  [Separate  Parts.] 
Printed  for  J.  Johnston  &  Longman,  Lukey 
(&  Broderi}} :  London,  [1775  ?]     fol. 

g.  474.  a.  (4.) 

Six  Quartetto's  for  Two  Violins,  Tenor 
and  Violoncello.     [Separate  Parts.] 

Printed  for  J.  Longman  ci  Co.  : 
London,  [1765  ?]    fol.  g.  673.  a. 


RICHTER  (Franz  Xaver)  Six  Sym- 
phonys  in  Eight  Parts  for  Violins,  Hoboys, 
and  French  Horns  with  a  Bass  for  the 
Harpsicord  and  Violoncello  .  .  .  Opera 
Seconda.     [Separate  Parts.] 

Printed  for  I.  Walsh : 
London,  [1765  ?]     fol.  g.  673.  b. 

Wanting  the  Horn  jiarts. 
Sei   Sinfonie   a   Otto,   Due  Violini,   Due 
Oboe  o  Flauti,  Viola,  Basso  e  Due  Corni 
. .  .Opera  vii.     [Separate  Parts.] 

Aa  Bureau  d' Abonnement  Musical: 
Paris,  [1770  ?]     fol.  g.  474.  (12.) 

[Sei  Sinfonie  a  Otto.  Op.  vii.  No.  5.] 
The  Periodical  Overture  in  8  Parts.  No. 
xviii.  [Separate  Parts.]  R.  Bremncr  : 
London,  [1780  ?]  fol.  h.  3210.  (24.) 
Six  Solos  for  a  German  Flute  or  Violin, 
with  a  Thorough  Bass  for  the  Harpsicord 
or  Violoncello.  Printed  for  I.  Walsh: 

London,  [1760  ?]     fol.  g.  71.  f.  (3.) 

Six  Sonatas  for  the  Harpsicord  with 
Accompanyments  for  a  Violin  or  German 
Flute  and  Violoncello.     [Separate  Parts.] 

Printed  for  I.  WalsJi  ; 
London,  [1160?]     fol.  g.  673. 

Six  Sonatas  for  Two  Violins  and  Violon- 
cello, with  a  Thorough  Bass  for  the  Harp- 
sichord.    [Separate  Parts.] 

Printed  for  Tliompson  and  Sons: 
Londo7i,  [1764  ?]     fol.  h,  2900.  (5.) 

A  Second  Set  of  Six  Sonatas  for  two 
Violins  and  a  Violoncello  with  a  Thorough 
Bass  for  the  Harpsichord  . . .  Opera  iv. 
[Separate  Parts.]  Printed  for  C.  and 

S.  Thompson  :  London,  [1770  ?]     fol. 

g.  274.  b.  (6.) 
See  Summer's  Tale.  The  Summer's 
Tale.  A  Musical  Comedy... The  Music 
by  Abel...Richter,  c^c.     [1765.]     obi.  iol. 

D.  273.  (1.) 
See  Syjiphonies.      Sei   Sinfonie  a   Otto 
Stromenti . . .  Cornposta  d'  Alcuni  Famosi 
Maestri  cioe  di  Graun,  Richter,  etc. 
[1770?]     fol.  g.  973. 

RICIMERO.     Ricimero.     [Opera.] 
Sec  Galupi'i  (B.) 

RICKMAN  (Thomas  Clio)    Man's  Rights 
thro'  the  World.     A  new  Song. 
[London,  1795  ?]     fol.      G-.  807.  c.  (49.) 

RID  (Cheistophorus)  See  Faber  (H.) 
Compendium  ^Musicte  ...  a  M.  Christo- 
phoro  Rid  in  vernaculum  sermonem  con- 
versum,  etc.     1591.     4°.  785.  h.  48. 

RIDDELL  (John)  A  Collection  of  Scots 
Reels,  Minuets,  &c.  for  the  Violin,  Harp- 
sichord or  German  Flute . . .  The  Second 
Edition,  greatly  improved.  J.  Aird  : 

Glasgow,  [1782  ?]     obi.  4".  a.  219. 

RIDENTE.     Ridente  la  Calma.     Aria. 
See  Mozart  (W.  A.) 


416 


EIDER— RIGATTI 


RIDER  (Charles)  Psalmodia  Britannica, 
or  a  Collection  of  Psalm  Tunes,  Selected 
from  Various  Composers,  and  adapted  to 
the  Different  IMetres  used  in  English 
Psalmody,  etc.  2  vols. 
[London?  1800  7]     obi.  i".  a.  263. 

Engraved  throucjhotU. 

RIDLEY  (     )     The  morning  is  charming, 

all    nature    is    gay.      A    Hunting    Song. 

[Words]  By  C[harles]  L[eigh]  Esq.,  etc. 

[London,  1747.]     8'\  249.  c.  17. 

Gentleman's  Magazinc,Vol. XVII., p. Hi. 

RIEDT  (Friedrich  Wilhelm)  Versuch 
liber  die  musikalische  Intervalleu,  in  An- 
sehung  ihrer  wahren  Anzahl,  ihres  eigent- 
lichen  Sitzes,  und  natiirlichen  Vorzugs  in 
der  Composition,  [ms.  notes  by  C.  P.  E. 
Bach.]  Bey  A.  Haude  und  J.  C.  Spcner  : 
Berlin,  1753.     i".  556.  b.  18. 

RIEL    (         de)      Hastez-vous,    amoureux 

Bergers.    Av-  Nouvcau.    [For  two  voices.] 

[Paris,  1G78.]     s.  sh.  obi.  4°.     P.P.  4482. 

NoHveau      Mercurc      Galant,     August, 

1678,  p.  190. 

RIEN.       Rien    icy    has    n'est    ferme    uy 
durable.     Air.     See  Le  Peintre  (        ) 
Rien  n'egale  dans  la  Nature.     Chanson. 
See  Friz  ON  (        ) 

Rien  n'est,  quand  on  calcule.    Vaudeville. 
See  OiSEAU  Perdu. 

Rien  ne  nous  doit  plus  allarmer.     Duo. 
See  D.,  M'-. 

Rien  ne  plait  tant  aux  yeux  des  belles. 

[Song.]     See  Gretry  (A.  E.  M.)     [L\i7ni 

de  la  Maison.] 

Rien,  tendre  Amour.     Romance. 

Sec  Dalayrac  (N.)     [Gulnare.] 

RIENS.      Les  Riens.      [Song.]      See  De. 
D'un  rien  depend  tout  mou  bonheur,  etc. 
[1785?]     8".  B.  362.  (223.) 

Les    Riens.      Chanson.      [Begins:    'Des 
faux  biens  dont  le  sort.'] 
See  GuiCHARD  (F.) 

RIEPEL    (Joseph)      Anfangsgriinde    zur 

musikalischen  Setzkunst . . .  De   Rhythm- 

opoiea,    oder    von    der    Tactordnung  . . . 

Zweite   Auflage.     (Grundregelu  zur  Ton- 

ordnung    iusgemein.        Abermal  .  .  .  mit 

musicalischen   Exempeln   abgefasst,   etc.) 

(Griindliche   Erklarung  der  Tonorduung, 

etc.)    (Erliiuterung  der  betriiglichen  Ton- 

ordnung,  etc.)     (Fiinftes  Capitel.     Unent- 

behrliche  Anmerkungen  zum  Contrapunct, 

etc.)    5  pts.       J.  L.  Montag  :  liegensburg, 

1754-1768.     fol.  7896.  h.  21. 

Eacli part  has  a  separate  title-page  and 

pagination.     Part  I.  is  dated   1754 ; 

Part  II.— 1755 ;  Part  III.— 1757 ;  Part 

ir.— 1765,  and  Part  1^.-1768.    Part 

IV.  is  published  at  Augsburg  by  J.  J. 

Lotter,  Part  V.  at  Begensburg  by  J.  C. 

Krippner. 


RIEPEL  (Joseph)  Bassschliissel,  das  ist, 
Anleitung  fiir  Anfiinger  und  Liebhaber 
der  Setzkunst . . .  herausgegeben  von  J.  K. 
Schubarth,  etc.  Bey  J.  L.  Montags : 

Begensburg,  1786.    fol.  7896.  h.  14. 

Erliiuterung  der  betriiglichen  Tonordnung, 
namlich  das  versprochene  vierte  Capitel. 
Abermal ...  mit  musicalischen  Exempeln 
abgefasst  und  Gespriich-weise  vorgetragen, 
etc.     J.  J.  Lotter:  Augsburg,  1765.     fol. 

h.  3780. 
Griindliche  Erklarung  der  Tonorduung 
insbesondre,  zugleich  aber  fiir  die  mehr- 
esten  Organisten  insgemein.  Wieder 
durchaus  mit  musikalischen  Exempeln 
abgefasst  und  Gesprachweise  vorgetragen, 
etc.     Frankfurt,  etc.,  1757.     fol. 

li.  3780.  a. 
Harmonisches  Syllbenmass.  Dichtereu 
melodischer  Werke  gewiedmet,  und  ange- 
henden  Singcomponisten  zur  Einsicht 
mit  platten  Beyspielen  gesprachweise 
abgefasst.  Der  este  Theil  von  dem  Re- 
citativ.  Bey  J.  L.  Perile  : 

Begensburg,  1776.     fol.  7895.  h.  12. 

RIEZ.  Ri6s,  chantez,  jeunesse  aimable. 
Air.     See  Buttier  (         ) 

RIGACCI  (Giuseppe)     Raccolta  di  Varie 

Canzoni  sopra  diversi  leggiadri  soggetti. 

A. . . Myledy  Walpole.  F.  Moiicke : 

Firenze,  1739.     12".  11429.  aa.  35. 

The  composers  named  are:  G.  Orlandini, 

F.  Vcracini,  A[bate'\  B[anicro']  G[ap- 

poni]  and  C.  Arrigcmi.     The  names  of 

the  autJiors  of  the  poems  are  given 

in  manitscript. 

Raccolta   di  Varie  Canzoni  sopra  diversi 

leggiadri    soggetti.      A  . . .  Mylady   Sofia 

Farmer.     B.  Paperini :  Firenze, 11 AO.  12". 

11421.  d.  13. 
The  composers  named  are:  G.  Orlandini, 
N.  N.  and  C.  Arrigoni. 

RIGADOOH".  The  Rigadoon  Royal.  Mr. 
Isaac's  New  Dance  made  for  Her  lilajesty's 
Birth  Day.  1711.  Engraven  in  Charac- 
ters &  Figures  for  y'  use  of  Masters. 
Writ  by  ]\Ir.  de  la  Garde,  etc. 

Printed  for  I.  WalsJi  &  I.  Hare  : 
[London,  1711.]     fol.  h.  993.  (5.) 

RIGATI  (Giovanni  Antonio) 
See  RiGATTi. 

RIGATTI  (Giovanni  Antonio)  Messa 
e  Salmi  Ariosi  a  Tre  Voci  Concertati, 
&  parte  Con  li  Ripieui  a  beneplacito 
. . .  Nouamente  Ristampati.  Tenore  Primo 
(Secondo).  [Basso.]  (Basso  Continue.) 
4  pts.  Appresso  Bartolameo  Magni : 

Venetia,  1643.     4".  D.  3.  b. 

The    title-page    of    the    Bass    part    is 
wanting. 


EIGATTI— RILEY 


417 


EIGATTI  (Giovanni  Antonio)  Messa 
e  Salmi.  Parte  Concertati,  a  3.  5.  6. 
7.  &  8.  voci  con  due  Violini,  &  altri 
Istromenti  a  beneplacito  &  parte  5.  a 
Capella,  etc.  Alto  Primo  (Secondo). 
2  pts.  Appresso  Bartolomco  Magni  : 

Venetia,  1640.    4°.  D.  3.  a. 

Primo  Parto  de  Motetti  a  2.  .3.  4.  Voci. 
Con  alcune  Cantilene,  con  suoi  Ripieni  a 
Beneplacito,  etc.  Canto.  (Alto.)  (Tenore.) 
(Basso.)     4  pts.  Appresso  Bartolamco 

Magni  :  Venetia,  1634.     4".  T>.  3.  c. 

TJie  Bass  part  is  inutilated  througliout. 

Salmi  Diuersi  di  Compieta  in  Diuersi 
Generi  di  Canto,  a  Una,  Due,  Tre,  & 
Quatro  Voci,  Parte  con  Instromenti,  & 
Parte  senza,  con  tutte  le  Antiphone  dell' 
Anno,  che  si  cantano  nel  fine  della  Com- 
pieta, etc.  Canto.  (Alto.)  (Tenore.) 
(Basso.)     4  pts.  Appresso  Alessandro 

Vincenti :   Venetia,  1646.     i".  D.  3. 

RIG-AUD  (Louis  de)  Sieur  clc  Fonlidon. 
Airs  faits,  et  mis  en  tablature  de  Luth. 
Pierre  Ballard  :  Paris,  1623.     4". 

K.  1.  g.  14. 

RIGAUT    (  )       Gillot,    Janin,    deux 

biberous.     Air  a  Boire.  [Paris, 

1678.]     s.  sh.  obi.  4".  P.P.    4482. 

Nouveaii  Mercure   Galant,   Dec,   1678, 

p.  25. 

Puisque  le  grand  Louis   en   bornant  ses 

exploits.     Air  a  Boire.  {Paris, 

1678.]     s.  sh.  obi.  4».  P.P.  4482. 

Nouveau  Mercure   Galant,   May,  1678, 

p.  163. 

RIGEL  (Heinrich  Joseph)  Estelle  et 
N^morin,  Melo-Drame  pastoral  en  deux 
Actes,  en  prose,  tir^  du  Roman  de  M.  le 
Cbevalier  de  Florian  . . .  Paroles  de  M. 
Gabiot,  etc.  Che?  Cailleau  : 

Paris,  1788.     8".  11738.  f.  19.  (4.) 

Le  Manage  comme  il  y  en  a  peu.  Couplets 
du  C""  Person,  etc.  Chez  Imbault : 

[Paris,  1793.]     8°.  B.  362.   a.  (86.) 

Ouverture  du  Jokei  [by  J.  P.  Soli6]  pour 
le  Clavecin  ou  Forte-Piano,  arrangee  par 
Rigel  pere.  Chez  Leblanc  : 

Paris,  [1796  ?]     fol.  g.  543.  u.  (17.) 

Rosanie.  [For  songs,  &c.,  published 
anonymously :]  See  Rosanie. 

Le    Savetier    et    le     Financier.       Op6ra 
Comique  en  Deux  Actes,  etc.     [Libretto 
by  Lourdet  de  Santerre.     Full  Score.] 
Chez  Des  Lauriers  :  Paris,  [1778.]     fol. 

G.  148. 

Toi,  dont  le  bras  tirannicide.  Hymne  a 
la  Liberti.  Chant  de  Triomphe,  par 
Baour  Lormian.  Du  Magazin  de 

Musiqiie  a  Vusage  des  fetes  Nationales: 
[Paris,  1795.]     8°.  E.  1717.  b.  (19.) 

VOL.   II. 


RIGEL  (Henei  Jean)     Trois   Senates  de 

difi^rens  genres  pour  le  Piano  Forte... 

ffiuvre  II*.     Gravies  par  la  Cit°'=  Le  Roy. 

Alt  Magasin  de  Musiqtie,  Faubourg 

Poissoniire  :  Paris,  [1795  ?]    fol.    g.  496. 

RIGHINI  (ViNCENZO)  Twelve  Italian 
Ariettes  with  an  Accompaniment  for  the 
Piano-Forte  or  Harp.  Composed  for  the 
Princess  of  Prussia,  etc. 

Longman  and  Broderip  : 
London,  [1795  ?]    obi.  fol.      D.  370.  (4.) 
Armida.   Dramma  con  IMusica  .  .  .  Aggius- 
tato  per  il  Cembalo.    It.  &  Germ. 
N.  Simrock  :  Bonna,  [1799.]     obi.  fol. 

E.  720.  a. 

Enea  nel  Lazio.  Dramma  eroi-tragico  . . . 
Aeneas  in  Lazium,  heroisch-tragische 
Oper  .  .  .  Klavierauszug.     It.  &  Germ. 

Bey  Brcitkopf  £  Hdrtcl :  Leipzig, 
[1793  ?]      obi.  fol.  E.  720.  c.  (1.) 

[Tigrane.]  Heldengesauge  aus  der  Oper  : 
Tigranes  .  .  .  jMit  italienischem  und 
deutschem  Texte.  Fiir  das  Pianoforte 
ausgezogen  von  M.  G.  Fischer.  —  Der 
deutsche  Text  ist  von  D.  C.  Schreiber. — 

Brcitkopf  und  Hartel : 
Leipzig,  [1799  ?]     obi.  fol.         E.  720.  d. 

Overtura  .  .  .  ridotta  per  il  Piano- 
forte. Brcitkopf  e  Hartel : 
iijjsia,  [1800  ?]    oR  fol.       e.  368.  (18.) 

RIGUEURS.     Les  Rigueurs  de  Climene. 
Chansonette.   See  Bouvaedinska  (    )  W^". 
Les  Rigueurs  de  I'Absence.     Chanson. 
See  Depuis.     Depuis  que  j'ai  quitt6  les 
lieux.     [1780?]     8".         B.  362.  g.  (36.) 

RIGUEURS  DU  CLOITRE.     Ou  fuir, 
on    me  cacher.     Air    des     Rigueurs    du 
Cloitre.     [By  H.  M.  Berton.] 
Chez  Imbault :  Paris,  [1790.]     8". 

B.  362.  e.  (64.) 

Pour  d^sarmer  celui  dont  I'injustice. 
[Vaudeville,  from]  Les  Rigueurs  du  Cloitre. 
[By  H.  M.  Berton.]  Chez  Imbault: 

Paris,  [1790.]     8°.  B.  362.  c.  (64^.) 

Les  Rigueurs  du  Cloitre.  Drama  Lyrique. 
See  Beeton  (H.  M.) 

RILEY  (Edward)    Riley's  Collection  of 
24  Country  Dances.    With  proper  Figures 
for  the  German  Flute  or  Violin,  etc. 
E.  Riley  :  London,  (1798.)     obi.  8°. 

a.  9.  c.  (1.) 

RILEY   (William)     [The   Country  Wed- 
ding.]    Roger  of  the  Dale.     A  Favourite 
Song  in  the  late  new  Ballad  Opera  of  one 
Act,  call'd  the  Country  Wedding,  etc. 
[London,  1750  ?]     s.  sh.  fol. 

G.  316.  f.  (142.) 

[Another    edition.]     Roger    of    the 

Dale.     See  Ye.     Ye   gentle   Winds   that 
fan  the  Sea,  etc.     [Music  by  W.  Rilev.] 
[1750?]     s.sh.iol.  G.  314. "(25.) 

2  E 


418 


RILEY— RINALDO 


EIIiEY  (William)  The  Divine  Harmo- 
nist's Assistant,  being  a  Collection  of 
Psalm  Tunes,  by  the  most  approved 
]\Iasters  ancient  &  modern.  Compiled 
by  the  late  Mr.  Riley,  etc. 

Longman  &  Brodcrip,  for  the  Wido^o  : 

London,  [1790  ?]     obi.  4».        B.  788.  (2.) 

The  composers  named  are :  Stanley,  J. 

Percy,  Eoivard,  Handel,    Olive,  Bat- 

tishi'll,    Baildon,    Bennett,   Moze,    S. 

Jarvis,  S.  Long  and  Riley. 

Parochial  Music  Corrected.  Containing 
remarks  on  the  Performance  of  Psalmody 
in  Country  Churches  ...  To  which  are 
added,  A  Scarce  and  Valuable  Collection 
of  Psalm  Tunes  by  the  late  Dr.  Blov7,  Dr. 
Croft,  and  Mr.  Jeremiah  Clarke ;  with  .  ,  . 
New  Tunes  in  Three  and  Pour  Parts  .  .  . 
Composed  ...  for  this  Work  by  some  of 
the  Principal  Composers  and  Organists 
in  London.  (Parochial  Harmony,  etc.) 
2  pts.  Printed  for  the  Author  : 

London,  1762.     4".  556.  c.  18.  (1.) 

Eacli  part  has  a  separate  title-page  and 
pagination.  The  composers  named 
are  :  Bloiv,  Croft,  J.  Clark,  B.  Alli- 
son, W.  WJieall,  Nares,  J.  Worgan, 
J.  Soaper,  S.  Long,  E.  Gilding,  J. 
Baildon,  T.  Wood,  J.  Green  Junr., 
S.  Hoivard,  J.  Battishill,  W.  Selby, 
H.  Heron,  H.  Duncalf,  M.  Hussey 
and  W.  Biley. 

Psalms  and  Hymns,  for  the  Use  of  the 
Chapel  of  the  Asylum,  or  House  of  Refuge 
for  Female  Orphans ;  .  .  .  The  Music  by 
S.  Arnold  .  .  .  Battishill,  Howard  Long, 
Dr.  Nares,  J.  Worgan,  &c.  &c.  The  whole 
collected  by  W.  Riley,  etc.  The  Asylum  : 
London,  [1765  ?]     4°.  E.  482, 

Roger  of  the  Dale.  See  supra:  [The 
Country  Wedding.'] 

RIMBAULT  (Stephen  Francis)  Ah ! 
why  shou'd  Love  with  Tyrant  Sway.  A 
Favorite  Rondeau  for  the  Piano  Forte. 
Sung  by  Miss  Newman,  etc. 

Printed  for  tlic  Author  : 
London,  [1796  ?]     fol.  G.  364.  (42.) 

The  Popular  Air  of  La  Pipe  de  Tabac, 
arranged  as  a  Rondo  by  S.  F.  Rimbault. 
[P.  F.]  W.  Hodsoll : 

London,  [1800  ?]     fol.  g.  140.  (47.) 

Alas  1  the  much-lov'd  Palmer  is  no  more. 
A  much  admired  Elegiac  Canzonet  written 
by  Mr.  Fox,  on  the  Death  of  Mr.  John 
Palmer  Senr.  [the  Comedian] ;  descriptive 
of  the  last  Words  he  spoke,  etc. 

W.  Hodsoll,  for  the  Author  : 
[London,  1798.J     fol.  G.  364.  (43.) 

The  Ballad  Singer,  [Song,]  .  .  .  Words  by 
T.  P.     See  infra  :  Select  Songs.     No.  3. 


RIMBAULT    (Stephen  Francis)     The 
Hero   of  the  Nile,  or  Nelson  Victorious. 
A  Song  on  that  Glorious  Event. 
T.  Preston  :  London,  [1798.]     fol. 

H.  2831.  a.  (48.) 
Love,  [Song,]  etc. 
See  infra  :  Select  Songs.     No.  8. 
The  Maid  of   the  IMill.      A  favorite  Air, 
composed   by  Mr.  Shield,  arranged  as  a 
Rondo  for  the  Piano  Forte  by  S.  F.  Rim- 
bault. R-  Birchall  : 
London,  [1800  ?]     fol.        g.  232.  f.  (28.) 
The  IManiac,  [Song]  .  .  .  Words  by  T.  P. 
See  infra  :  Select  Songs.     No.  2. 
A   Pastoral    on    the    Death  of    Stephen 
Storace,  written  by  T.  Redder. 
See  infra :  Select  Songs.     No.  4. 
The  Pilgrim,  [Song,]  written  by  P.  Pindar, 
etc.     See  infra :  Select  Songs.     No.  1. 
Poor  Anne  who  died  for  Love.    A  Favorite 
Ballad  .  .  .  The  words  by  R.  Andrews. 
T.  Preston  :  London,  [1800  ?]     fol. 

G.  800.  m.  (48.) 

The  Power  of  Music,  [Song,]  written  by  a 
Lady,  etc.  See  infra  :  Select  Songs.  No.  6. 
Rouze  ye  aspiring  Britons  bold.  A 
Favorite  Song,  written  by  Mr.  Fox,  etc. 

Printed  for  the  Author  : 
[London,  1800  ?]  fol.  G.  383.  i.  (20.) 
The  Shepherd  and  his  Dog,  [Song,]. ..Words 
by  T.  P.  See  infra :  Select  Songs.  No.  7. 
Select  Songs,  etc.  8  Nos.  W.  Hodsoll : 
London,  [1800?]     foh  G.  364.  (41.) 

See  Mozart  (W.  A.)       [6.  Doubtful  and 
Spurious  Works.]     Strew  the  Way  with 
fairest    Flowers  .  .  .  with   Variations    for 
the  Piano  Forte  by  S.  F.  Rimbault. 
[1800?]     fol.  g.   139.  (37.) 

See  Pleyel  (I.  J.)  [8.  Symphonies.]  A 
Favorite  Overture  . . .  Adapted  for  the 
Piano  Forte  with  an  Accompan'  for  the 
Violin  by  Mr.  Rimbault.     [1800  ?]     fol. 

g.  272.  e.  (23.) 
RIMONTE  (Petrus)    Missse  Sex  iv.  v.  et 
VI.  Vocum,  etc.    Cantus.    (Altus.)   (Tenor.) 
(Bassus.)     (Quintus.)     (Sextus.)     6  pts. 

Ap>ud  Petrum  Phalesium :  Antuerpiie, 
1614.     4°.  D.  218. 


[Another  copy.     Bassus.] 


D.  218.  a. 


Content,  [Song,]  etc. 
See  infra :  Select  Songs. 


No.  5. 


RIWALDO.  Rinaldo.  [Opera,  by  G.  F. 
Handel.]  Curiously  fitted  &  contriv'd  for 
a  single  Flute,  with  their  Symphouys 
Introduc'd  in  a  Compleat  maner,  the 
whole  fairly  Engraven,  etc.  [Walsh  :] 

London,  [1711  ?]  obi.  4°.  a.  206.  a.  (7.) 
The  imprint  on  the  title-page  is  mutilated. 
[Bel  iDiacere.]  The  Rover.  [Song.]  Sung 
by  Md'"  Isabella  Girardau  in  the  Opera  of 
Rinaldo  [by  G.  F.  Handel].  Within  the 
Compass  of  the  Flute.  In  Italian  and 
English.     [London,  1711  ?]     s.  sh.  fol. 

H.  1601.  (387.) 


RINALDO— RIST 


419 


KINALDO.  II  Tricerbero  humiliato. 
Rinaldo.  [Song.]  Sung  by  Sign.  Nicolini 
in  the  Opera  of  Rinaldo  [byG.  F.  Handel]. 
In  Italian  and  English.  [London,  1711  ?] 
s.  sh.  fol.  H.  1601.  (267.) 

Rinaldo.     Opera.     See  Haendel  (G.  F.) 
Rinaldo.     Opera. 
See  Sacchini  (A.  M.  G.) 

HINALDO,  da  Capua. 

See  Capua  (R.  da) 

RINALDO  AND  ARMIDA.  The  Jolly, 
Jolly  Breeze.  A  Song  in  Pdnaldo  and 
Armida.  [Music  by  J.  Eccles  ;  the  Words 
by  J.  Dennis.]  [Londoji, 

1700?]     s.sh.iol.  H.  1601.  (430.) 

RINALDO  UND  ARMIDE.  Rinaldo 
und  Armide.     Cantate.     See  Petri  (C.) 

RING.     Ring  the  Barr  Bell  of  the  World. 
TJie  Bacchanalian  Club,  or  Linco's  Globe. 
[Song,  the  words]  By  A.  Bradley. 
[London,  1730  ?]     s.  sh.  fol. 

G.  311.  (32.) 
[Another  edition.]  Ring  the  Barr  Bell  of 
the  World.  The  Bacchanalian  Club,  or 
Linco's  Globe,  etc.  [London, 

1730?]     s.sh.iol.  G.  316.  e.  (122.) 

RIO  (Antonio  Ventura  Roel  del) 
See  Roel  del  Rio. 

RIOT-NIGHT.  The  Riot  Night.  [Song.] 
Sec  Aldrich  (B.) 

RIPERT   (  )      Amis,  je  ne  veux  plus 

boire.     (Le  Moment.     Vaudeville,  sur  une 
Gavotte  de  M.  Ripert,  etc.) 
[Paris,']  1728.     s.  sh.  4".  297.  a.  33. 

Mercure  de  France,  June,  1728. 
Prenons  tous  le  verre  en  main.     Couplets 
.sur    une    Gavotte    en    Rondeau,   de    M. 
Ripert,  etc.     [Paris,']  1728.     s.  sh.  4°. 

298.  a.  1. 
Mercure  de  France,  Oct.,  1728. 

RIPPON  (John)  A  Selection  of  Psalm 
and  Hjnnn  Tunes,  from  the  best  Authors, 
in  Three  and  Four  Parts  ;  adapted  princi- 
pally to  Dr.  Watts's  Hymns  and  Psalms, 
and  to  ]Mr.  Rippon's  Selection  of  HjTnns, 
containing  .  . .  the  most  approved  compo- 
sitions which  are  used  in  London. .  .also, 
many  original  tunes,  etc.  [With  a  Brief 
Introduction  to  Psalmody,  by  T.  Walker.] 
Sold  by  Mr.  Eippon  :  [London, 
1791  ?]     obi.  4°.  A.  481.  (1.) 

RISE.  Rise  bonny  Kate,  the  Sun's  got  up 
high.  Bonny  Kate.  A  Scotch  Song. 
[Words  by  D'Urfey,  music  by  W.  Mount- 
fort.]     \_London,  1715  ?]     s.  sh.  fol. 

H.  1601.  (374.) 
Rise  Cynthia  rise.     Glee. 
See  Cooke  (M.) 
Rise,  Glory,  rise.     [Song.] 
See  Arne  (T.  A.)     \_Rosamond.] 


RISE.     Rise  0  Sunn.    Song. 
See  PiRRO  E  Demetrio. 

The  Rise  of  Pedigree.     [Song.] 

See  Beggar.     A  Beggar  got  a  Beadle,  etc. 

[1705  ?]     s.  sh.  fol.  H.  1601.  (50.) 

Rise,  rise  my  Soul.    A   Hymn  on  God's 
Eternity.     [London,  1762.]     8". 

P.P.  324.  n. 
Christian's  Magazine,  Dec,  1762,  p.  563. 

RISING.     The  Rising  Aurora.     Song. 
See  Stevenson  (Sir  J.  A.) 
The  Rising  of  the  Lark.     Song. 
See  Ling  (W.) 

The  rising  Sun  thro'  aU  the  grove.     The 
Parting.     [Song.]  [London, 

1765?]     s.sh.iol.  G.  312.  (112.) 

RISO.     II  Riso.     Canone. 

See  Martin  y  Solar  (V.)     [La  Scuola 
de'  Maritati.] 

RIST  (Johann)  Das  Priedejauchende 
Teutschland,  welches,  Vermittelst  eines 
neuen  Schauspieles,  theils  in  ungebund- 
ener,  theils  in  gebundener  Rede  und 
anmuhtigen  Liederen  mit  neuen,  von 
Herrn  ]\Iichael  Jakobi,  .  .  .  gesetzten 
^lelodeien,  denen  . . .  Teutsch  und  treu- 
meinentlich  vorstellet  J.  Rist. 

In  Verlegung  Wolffgang  dess  Jilngern 
und  Johann  Andrex  Endtern  :  Nilrnberg, 
1653.     8°.  1314.  c.  12. 

With  a  second  [engraved)  title-page. 

Frommer  und  Gottseliger  Christen  AU- 
tagliche  Hauszmusik . . .  Bestehend  in  . . . 
Geistlichen  Liederen  und  Gesangen  . . . 
deroselben  grossester  Theil  auf  bekante 
. .  .siimtlich  aber  auf  gar  neue,  von  dem 
. .  .weitberiihmten  Musico,  Herren  Johaii 
Schopen,  wol  . . .  gesetzte  Melodien  . . . 
gesungen  und  gespielet  werden. .  .hervor 
gegeben  von  J.  Rist,  etc. 
Bei  J.  H.  Stern:  Li'ineburg,  1654.     8°. 

A.  188. 
'With  a  second  {engraved)  title-page. 

Johann    Risten  . . .  Himlischer     Lieder 
mit  sehr  anmuthigen,  von  Herrn  Johann 
Schopen  . . .  gesetzten   Melodeyen.      Das 
Erste  (-FiinSte  und  letzte)  Zehn.     5  pts. 
Bey  Joliann  U7id  Heinrich  Sternen  : 
Liineburg,  1649-51.     8".        3438.  e.  20. 
Parts  I.  and  F.  are  dated  1650 ;  Parts  II. 
and  III,  1651 ;  Part  IV.,  1649. 
Johann    Risten    Himlische    Lieder,   mit 
sehr  lieblichen  .  .  .  von  dem  .  ,  .  weitbe- 
riihmten H.  Johann  Schojj,  wolgesetzeten 
Melodeien . . .  auffs   neue   wiederum  iiber- 
sehen. .  .und. .  .verbessert,  etc. 
Die  Sternen :  Liineburg,  165S.    8". 

3433.  bbbb.  22.  (2.) 
With    a    second    (engraved)    title-page, 
dated  1652. 
[Another  copy.]  7897.  a.  63.  (1.) 

2  e  2 


420 


EIST— EIVANDER 


HIST  (Johann)  Neuer  Himlischer  Lieder 
Sonderbahres  Bucb,  In  sich  begreiffend 
I.  Klaag-  und  Buhsslieder.  ii.  Lob-  uud 
Danklieder.  m.  Sonderbabre  Lieder. 
IV.  Sterbens  und  Gericbtslieder.  v.  Hol- 
len-  und  HiiSelslieder.  Welche  so  wol 
auf  bekante  . . .  Weisen,  alss  auf  gantz 
Neue,  und  von  etlicben . . .  Meistern  der 
Singekunst  wolgesetzte  ]Melodeien  konnen 
gesungen  und  gespielet  werden  .  .  .  auss- 
gefertiget  und  bervorgegeben  von  J.  Rist. 
Bei  Johann  und  Heinrich,  die  Sterne  : 
Liinebitrg,  1657.     8°. 

3433.  bbbb.  22.  (1.) 
With  a  second  (engraved)  title-xmgc. 

Neue  Musikalische  Fest  -  Andacbten, 
bestebende  in  Lebr-  Trost-  Vermabnungs- 
und  Warnungsreicben  Liederen,  iiber  AUe 
Evangelien. .  .welcbe  Jabrlicb,  an  boben 
.  ..Feirtagen,  in  den  Evangeliscben  Kir- 
cben  werden  .  .  .  ausgeleget.  _  Die  den 
grossern  Tbeils  auf  gewobnlicbe .  . .  Alle 
aber  auf  gantz  Neue,  von  Herren  Tboma 
Sellio.  .  .  wolgesetzete  Melodyen  konnen 
gespielet  und  gesungen  werden . . .  abge- 
fasset  und  zum  Drukke  iibergeben  von 
J.  Eist.  Bci  Johann  und  Heinrich  Stern  : 
Liineburg,  1655.     8°.  A.  188.  a. 

With  a  second  title-page  and  frontispiece, 
both  engraved. 

Neue  Musikaliscbe  Katecbismus  Andacbt- 
en, bestebende  in  Lebr-  Trost-  Vernian- 
ung-  und  Warnungs-reicben  Liederen 
. . .  welcben. .  .zwolf  . .  .Gesange  iiber  die 
Cbristlicbe  Haustaf!el  sind  beigefiiget  die 
den  alle,  so  wol  auf  bekante. .  .als  aucb  auf 
gantz  neue,  von  Herrn  Andreas  Hammer- 
scbmid  . . .  wolgesetzete  Melodien  konnen 
gespielet  und  gesungen  werden. .  .abge- 
f asset. .  .von  Jobann  Rist,  etc. 
Die  Sternen  :  Liineburg,  1656.     8". 

1220.  d.  15. 
There  is  a  second  (engraved)  title-page  and 
frontispiece. 

Neue  Musikaliscbe  Kreutz-  Trost-  Lob- 
und  Dank  Scbuble,  worinn  befindlicb 
unterscbiedlicbe  Lebr-  un  Trostreiebe 
Lieder  . . .  Welcbe  grosseren  Tbeils  auf 
bekante,  .  .  .  alle  mit  einauder  aber,  auf 
gantz  neue,  von  .  .  .  Herrn  Micbael  Ja- 
kobi  .  .  .  gesetzete  Melodien,  kdnnen  ge- 
spielet und  gesungen  werden  .  .  .  auf- 
gericbtet  und  angeordnet  von  J.  Rist,  etc. 
Die  Sternen :  Liineburg,  1659.     8°. 

1220.  d.  14. 
With  a  second  (engraved)  title-page. 

Neues  Musikaliscbes  Seelenparadis,  in 
sicb  begreiffend  die  allerfiirtreflicbste 
Spriicbe  der  beiligen  Scbrifit  .  .  .  in  .  .  . 
Trostreicben  Liederen  .  .  .  welcbe  so  wol 
auf  bekante  ...  als  aucb  gantz  Neue,  von 
.  .  .  Herren  Cbristian  Plor  .  .  .  gesetzete 
Melodien  konnen  gespielet  und  gesungen 


werden  .  .  .  abgefasset  .  .  .  und  .  .  .  bervor 

gegeben  von  J.  Rist.     2  pts. 

Die  Sternen:  Liineburg,  1660-2.     8". 

1221.  b.  35. 
Each  part  has  a  second  (engraved)  title- 
page  and  portrait. 

■  Sabbatiscbe  Seelenlust,  Das  ist :  Lehr- 
Trost-  Vermabnung-  und  Warnungsreicbe 
Lieder  .  .  .  welcbe  so  wol  auf  bekante  .  .  . 
alss  aucb  gantz  Neue,  vom  Herren  Thoma 
Sellio  . . .  wolgesetzete  Melodeien  konnen 
gesungen  und  gespielet  werden,  .  ._ .  abge- 
fasset und  berausgegeben  von  J.  Eist. 
Die  Sternen  :  Liineburg,  1651.     8°. 

1220.  d.  13. 

See  also  Daphnis,  aus  Cimbrien,  pseud. 

RITSON"  (Joseph)     Ancient  Songs,  from 
tbe  Time  of  King  Henry  tbe  Tbird,  to  tbe 
Reformation.     [Edited  by  J.  Ritson.] 
1791.     8°.     See  Songs.  239.  1.  18. 

A  Select  Collection  of  Englisb  Songs,  etc. 
[Edited,  witb  an  Essay  on  National  Song, 
by  J.  Ritson.]     1783.   8'\ 
See  English  Songs.  239.  L  37-39. 

Scotisb    Song,    etc.       [Edited,    witb    an 
Historical  Essay,  by  J.  Ritson.] 
1794.    8".     See  Scotish  Songs. 

239.  1.  11. 

BITTER  ROLAND.  Ouverture  und 
Gesange  aus  der  komiscben  Oper  der 
Ritter  Roland.     See  Haydn  (F.  J.) 

RIVA  (Giuseppe)  [Avviso  ai  composi- 
tori.]  See  Mizlee  (L.)  Musikaliscber 
Staarstecber  ...  Als  eiu  Anbang  ist  des 
Herrn  Riva  .  .  .  Nacbricbt  vor  die  Com- 
ponisten  und  Sanger  beygefiiget,  etc. 
(1740.)     8°.  7897.  aaa.  18. 

RIVAL.     Tbe  Rival's  Complaint  to  Some- 
body.    [Song.]      See    Triple.     A   Triple 
Alliance,  in  Love  none  can  boast. 
[1726?]     s.sh.iol.  G.  306.  (11.) 

RIVAL    CANDIDATES.      Tbe    Rival 
Candidates.     Comic  Opera. 
See  Caeter  (C.  T.) 

RIVAL    CONFIDENT.      L'age    a   squ 
boruer  nos  desirs.     Ronde  clu  Rival  Con- 
fident [by  A.  E.  jNI.  Gr6try],  etc. 
Chez  hnbault :  Paris,  [1790  ?]     8". 

B.  362.  c.  (84.) 

Le  Rival  Confident.     Com^die. 
See  Geetey  (A.  E.  M.) 

RIVALI  DELUSI.  I  Rivali  Delusi. 
Opera.     See  Saeti  (G.) 

RIVANDER  (Paul)  Prati  Musici. 
Ander  Tbeil,  Darinnen  Newe  Weltlicbe 
Gesang,  von  3.  4.  5.  vnd  8.  Stimmen.  .  . 
Benebens  etlicben  Paduanen,  Intraden, 
Currenten  vnd  Tiintzen,  nach  allerbandt 


RIVANDER— ROBINSON 


421 


Instrunienten,  sonderlich  aber  auff  Violen 
zugebrauchen.  [Cantus.]  Altus.  (Tenor.) 
(Bassus.)     (Quinta  Vox.)     5  pts. 

Gedruckt  diircli  Paulum  Buhcm  : 
Onoltzbach,  1613.     4°.  B,  295. 

Imperfect,  ivanting  sheets  A  and  F  of 
the  Cantus  part,  sheet  F  of  the  Alttis, 
and  fol.  Fir  of  the  Tenor.  The  im- 
perfections in  the  Tenor  and  Altus  are 
supplied  in  MS.  TJie  title-page  of 
the  Bassus  is  mutilated.  The  date 
occurs  in  two  chronograms. 

HIVES  (Bernard)  Six  Senates  a  Violon 
seul  et  Basse. .  .Opera  Prima. 

Printed  for  William  Napier  :  London, 
[1775?]     fol.  g.  87. 

RIVIERE.     La  Riviere.     [Song.] 
See  Que.     Qu'un  autre  chante  la  foret. 
[1780?]     S'\  B.  362,  b.  (167.) 

RIVIERE  DU  FRESNY  (Charles) 
Des  climats  Champenois.  Chanson. 
[Words  and  music  by  C.  Riviere  du 
Fresny.]     [Paris,  1710.]    s.  sh.  obi.  4". 

P.P.  4486. 
Merctire  Galant,  Tome  I.,  p.  40. 
Venez  admirer  ma  science.     Chanson. 
[Paris,']  1725.     s.  sh.  4°.  297.  a.  14. 

Mercure  de  France,  June,  1725. 

ROAST.     The  Roast  Beef  Song.     [Begins  : 
'  When  mighty  Roast  Beef.'] 
See  Leveridge  (R.) 

The  Roast  Beef  Cantata.  See  'Twas. 
'Twas  at  the  Gate  of  Calais  Hogarth  tells. 
[1765?]     fol.  G.  316.  (146.) 

ROBART  (William)  Sylvia,  I'll  on.  A 
Song,.  .  .Sung  by  the  Cxirl,  at  the  new 
Theater,  and  exactly  engrav'd  by  Tho. 
Cross.     [London,  1695?]     s.  sh.  io\. 

H.  1600.  (103.) 

ROBERTO  (  )  Au  penchant  qui  nous 
eutraine.  Chanson,  etc.  Les  paroles  sont 
de  M.  Dallet,  etc.  Gravi  par 

W^  Labassee.  Imprime'  par  Tournelle  : 
[Paris,]  1758.     s.  sh.  8°.  297.  d.  13. 

Mercure  de  France,  July,  1758. 

ROBERTSON  (        )  Mrs.,  of  Lady  Kirk. 

The  Ridicule,  a  Reel,  as  a  Medley.    [P.  F.] 

See    Gow    (N.)      The    Countess   of    Dal- 

housie's  Strathy  . . .  and  the  Ridicule  . . . 

by  Mrs.  Robertson,  etc.     [1800  ?]     fol. 

h.  1480.  a.  (20.) 
ROBIN.      Robin's     Complaint.       [Song.] 

See    Did.     Did    ever    Swain    a    Nymph 

adore.     [By  M.  Greene.] 

[1720?]     s.sh.iol.  H.  1601.  (124.) 

[Another  setting.]  Robin's  Complaint. 
[Song.]     See  Oswald  (J.) 

ROBIN  HOOD.  Robin  Hood.  An  Opera. 
As  it  is  Perform'd  at  .  .  .  Bartholomew- 
Fair.  With  the  Musick  prefix'd  to  each 
Song.  Printed  for  J.  Watts  : 


London,  1730.     8". 


161.  e.  41. 


ROBIN  HOOD.     As  blyth  as  the  Linnet 
sings  in  the  green  Wood.     [Song.]     Sung 
by  Mr.  Beard.     [Words   by  M.   Mendez, 
music  by  C.  Burney.] 
[London,  1750.]    s.  sh.  fol.    G.  306.  (65.) 

As  blyth  as  the  Linnet,  etc.  Robin  Hood. 
[Words  by  ?.I.  Mendez,  music  by  C. 
Burney.]     [London,  1755.]     B". 

157.  1.  17. 
London  Magazine,  1755,  p.  444. 

When  gen'rous  Wine,  etc.  An  admired 
Song  "by  J.  Probin],  sung  by  Mr.  Bowdeu 
in  Robin  Hood.  J.  Hill :  Dublin, 

[1790?]     fol.  G.  383.  i.  (23.) 

Robin  Hood,  or  Sherwood  Forest.  Comic 
Opera.     See  Shield  (W.) 

Robin  Hood's  Hill.  Song.  See  Ye.  Ye 
Bards  who  extol  the  gay  Valleys  and  glades. 
[1780  ?]     s.  sh.  fol.  G.  314.  (53.) 

ROBINEAU  (       )     Lettre  d'un  Parisien 
[i.e.  —  Robineau].       Contenaut    quelques 
reflexions  sur  celle  de  ]\I.  Rousseau. 
1754.     8°.     See  Parisien. 

1103.  b.  22.  (3.) 

ROBINEAU  (Alexandre)  Sonates  a 
Violon  seul  et  Basse  .  .  .  Gravees  par 
P.  L.  Charpentier,  etc. 

Aux  Adresses  Ordinaires  de  Musique  : 
Paris,  [1770  ?]     fol.  h.  218.  (5.) 

ROBINSON    CRUSOE.      Overture    in 
the  Pantomime  of  Robinson  Crusoe.     [By 
W.  Shield.     P.  F.] 
[London,  1782  ?]     obi.  fol.     f.  65.  b.  (10.) 

Come,  come,  my  joUy  Lads  . . .  Song  in 
Robinson  Crusoe,  A  new  Pantomime,  etc. 
[By  W.  Shield.]  /.  Bice  : 

Dublin,  [1185  ?]     s.sh.iol. 

H.  1601.  b.  (25.) 

Robinson  Crusoe.     Comic  Song. 

See    When.      When  I  was   a    Lad,   etc. 

[1797  ?]     fol.  G.  367.  (29.) 

ROBINSON  (Daniel)  An  Essay  upon 
Vocal  Musick  . . .  Set  forth  by  way  of 
Dialogue,  etc.  J.  Collyer, 

for  the  Author  :  Nottingham,  1115.    8". 

786.  b.  33. 

ROBINSON   (Thomas)      New    Cithareu 

Lessons,    with    perfect    Tunings   of    the 

same,  from  Foure   course   of   Strings   to 

Fourteene  course,  euen  to  trie  the  sharpest 

teeth  of  Enuie,  with  Lessons  of  all  sortes, 

and     methodical!     Instructions     for    all 

Professors     and     Practitioners     of     the 

Citharen.  William  Barley : 

London,  1609.    4".  K.  2.  d.  2. 

48  leaves,  luithout  pagination.    Fol.  B^ 

contains  MS.  music  in  a  contonporary 

handwriting. 


422 


KOBINSON— RODIO 


ROBINSON  (Thomas)  The  Schoole  of 
Musicke :  wherein  is  taught,  the  Perfect 
Method,  of  True  Fingering  of  the  Lute, 
Pandora,  Orpharion,  and  Viol  de  Gamba ; 
with  most  infallible  generall  rules,  both 
easie  and  delightfuU.  Also,  a  method, 
how  you  may  be  your  owne  instructer  for 
Prick-song,  by  the  help  of  your  Lute, 
without  any  other  teacher :  with  lessons 
of  all  sorts,  for  your  further  and  better 
instruction. 

Printed  by  Tho.  Este,  for  SimonWatersoii : 
London,  1603.     fol.  K.  2.  d.  1. 

28  leaves  without  pagination. 

ROBSARD  (        )     Je  ne  viens  plus  dans 
ces  Deserts.    Air  Nouveau. 
{Paris,  1678.]     s.  s7i.  ohl.  4°.    P.P.  4482. 

Nouveau  Mercurc  Galant,  August,  1678, 
p.  61. 

ROC  CIA  (Dattilo)  Di  Dattilo  Roccia 
. . .  il  Primo  Libro  de  Madrigali  a  Quattro 
Voci.     Tenore.  Per  Gio. 

Giacomo    Carlino,   cC  Costantino    Vitale : 
Napoli,  1608.     4°.  B.  296. 

This  ivork  contains  two  madrigals   by 
G.  B.  Petrilli. 

ROCHARD    (        )     Au   bord   d'un   clair 

ruisseau.     Vaudeville  en  Musette,  etc. 
[Paris,']  1748.     s.  sh.  4°.  297.  c.  19. 

Mercure  de  France,  Dec,  1748. 

ROCHEFORT  (Jean  Baptiste)  Priere 
a  I'Etre  Supreme.  Chantee  a  I'Op^ra- 
National.     Paroles  du.  Cit.  Fabre-Olivet. 

Chez  Frire  : 
{Paris,  1794  ?]     8°.  B.  362.  d.  (5.) 

ROCK  (William)  Alone,  thro'  unfre- 
quented Wilds.  A  favorite  Glee  for  five 
Voices,  etc.  [Words  translated  from 
Metastasio  by  E.  Carter.]  Longman  arul 
Broderip  :  London,  [1790  ?]     obi.  fol. 

E.  207.  (4.) 

ROCKEMAN  (       )  and  ALTERS  (       ) 

Sis  Sonatas,  in  5  parts  for  two  Clarinets, 
two  Horns  and  Bassoon,  as  performed  in 
the  Militia.     [Separate  Parts.] 

Printed  for  G.  d  S.  Thompson  ; 
Loyidon,  [1775  ?]     obi.  4°.  b.  206. 

ROCKY.     Rocky  Seaton.     Song. 

See  Hayes  (P.)     {Adieu  to  Seaton  Cliffs.'] 

RODE  (Jacques  Pierke  Joseph)  Premier 

Concerto  pour  le  Violon.  [Separate  Parts.] 

Chez  Brcitkopf  d;  Hcirtcl : 

Leipsic,  [1800  ?]     fol.  h.  1666.  (1.) 

Imperfect,  luanting  the  Viola,  Flute  and 

Oboe  II.  parts. 

Troisi^me  Concerto  de  Violon,  etc. 
[Separate  Parts.]  Chez  Cochet : 

Paris,  [1800?]     fol.  h.  1666.  (2.) 

Imperfect,  wanting  the  Flute  part. 


RODE  (Jacques  Pierre  Joseph)  Ooncerb 
[No.  4]  pour  Violon  Principal  accompagne 
de  deux  Violons,  Taille,  Basse,  deux 
Flutes,  deux  Hautbois,  deux  Bassons, 
2  Cors  &  Trompe. .  .Oeuvre  18.  Clics- 

J.  J.  Hummel :  Berlin,  [1800  ?]     fol. 

h.  1666.  a.  (1.> 

Cinqui^me  Concerto  pour  le  Violon,  etc 

[Separate  Parts.]  Chez  Imbault : 

Paris,  [1800  ?]     fol.  h.  1666.^  (3.) 

Imperfect,  loanting    the  Second    Violin 

part  of  the  Rondo. 

Sixieme  Concerto  a  Violon  principal,  etc 
[Separate  Parts.]  Chez  Imbault : 

Paris,  [1800  ?]     fol.  h.  1666.  (4.) 

RODELINDA.  The  Favourite  Songs  in 
the  Opera  call'd  Rodelinda.  [Libretto  by 
N.  Haym,  music  by  G.  F.  Handel.] 

Printed  and  Sold  at  the  Musick  SJiojjs  : 
London,  [1725.]     fol.  G.  192.  (3.) 

[Overture.  Minuet.]  Strephon  in  vain 
thou  Courtest.  A  Song  made  to  a  favour- 
ite Minuet  in  Rodelinda  [by  G.  F.  Handel]. 
{London,  1725  ?]     s.  sh.  fol. 

G.  311.  (53.) 

[Another  copy.]  G.  315.  (51.) 

Scacciato  dal  suo  nido.  [Song.]  Sung 
by  SigW  Senesino  in  Rodelinda  [by  G.  F. 
HandelJ.     {London,  1725  ?]     fol. 

G.  305.  (61.) 

Rodelinda.    Opera.     /See  Haendel  (G.  F.) 

RODER.     Roder,  veiller,   sans  cesse  etre 
aux  Aguets.     Ariette. 
See  NocE  Bearnaise. 

RODGERS  (James)  An  Anthem  for 
Christmas  Day  as  sung  at  S'  John  the 
Baptist's  Church,  Peterborough ;  the 
Eighty  first  Psalm, . . .  and  the  Twenty 
third  Psalm.  To  which  are  added  a 
Sauctus  and  Kyrie  Eleeson . . .  The  Whole 
in  Score. .  .Published  by  H.  Burdett,  etc. 
Longman  and  Broderip),  for  the  Editor  : 
London,  {Vim  7]     fol.      H.  2815.  i.  (1.) 

RODIL  (Anionic)  Sei  Sonate  a  Solo  per 
Flauto  Traversiero  e  Basso,  etc.  Welcker  : 
London,  [1775  ?]     fol.  g.  280.  c.  (4.) 

RODIO  (Rocco)  Regole  di  Musica  di 
Rocco  Rodio  sotto  breuissime  risposte 
dubij  propostigii  . . .  intoruo  alle  varie 
opinioni  de  Contrapontisti  con  la  Dimos- 
tratione  de  Tutti  i  Canoni  sopra  il  Canto 
Fermo  .  .  .  aggiontaui  un'  altra  breue 
Dimostratione  de  dodeci  Tuoni...Et  di 
nuouo  da. .  .G.  B.  Olifante  aggiontoui  un 
Trattato  di  Proportioni. .  .e  ristampato. 

Per  G.  G.  Carlino,  e  C.  Vitale  : 
Napoli,  1609.     obi.  4°.  785.  a.  6. 


[Another  copy.] 


785.  a.  5. 


EODIO— ROGERS 


423 


RODIO  (Rocco)  Regole  di  Musica... 
Aggiontoui  un  altra  breue  Dimostratione 
de  Dodeci  Tuoni  Regolari,  Finti,  e  Tras- 
portati.  Ed  di  nuouo  da  Don  G.  B. 
Olifante  aggiontoui  vn  Trattato  di  Pro- 
portioni  necessario  a  detto  Libro,  e  ris- 
tampato :  &  altre  cose  di  nouo  poste  dal 
detto  Olifante  per  complimento  di  detto 
Libro,  etc.  Per  Anibrosio  Magtictta  : 

Napoli,  1626.     obi.  4°.  A.  465. 

RODNEY.  Rodney  Triumphant.  [Song.] 
See  Come.  Come  my  boys  we've  beat  the 
Foe,  etc.     [1781.]     s.  sh.  fol. 

G.  316.  (37.) 

Rodney's  Triumph.     [Song.] 

See  Sound.     Soundthy  Trumpet,  0  Fame. 

[1780.]    s.  sh.  fol.  I.  530.  (147.) 

RODOLPH.  Rodolph  in  paternal  Hall. 
Ballad.  (Albrecht  und  Agnes.  Eine 
Ballade  [words]  von  Graf  Stollberg.) 

C.  Geisweiler  :  [London, 
1800.]     s.  sh.  obi.  4".  266.  1.  29. 

German  Museum,  March,  1800. 

RODOLPHE  (Jean  Joseph)  L'Avcugle 
de  Palmyre,  Com^die-Pastorale  en  deux 
Actes,  en  vers,  mesMe  d'Ariettes. .  .Par 
M.  Desfontaines . . .  avec  la  Musique  [of  the 
concluding  Vaudeville].  1770.  8". 
See  Recueil.  Recueil  general  des  Op^ra 
Bouffons,  etc.     Tom.  1.     1777.     8". 

11735.  b.  2. 

Des  Simples  jeux   de   son  enfance. 

Air.  [1767  ?]  8^  See  Aveugle  de 
Palmyre.  B.  362.  (31.) 

Theorie  d'Accompagnement  et  de  Com- 
position a  I'usage  des  Eleves  de  I'Ecole 
Royale  de  Musique,  etc.  (Euvre  ii™. . . 
Grav6e  par  F.  Le  Roy.  F.  Lc  Roy  : 

Paris,  [1785  ?]     fol.  H.  2196.  (1.) 

ROEIj  del  RIO  (Antonio  Ventura) 
Reparos  IMusicos,  precisos  a  la  Llave  de 
la  Modulacion,  &c.  del  P.  Fr.  A  Soler,  etc. 
A.  Munoz  del  Valle  :  Madrid,  1764.     4°. 

7897.  e.  22.  (1.) 

See  Soler  (A.)  Satisfaccion  a  los  Reparos 
precisos  hechos  por  D.  Antonio  Roel  del 
Rio,  a  la  Llave  de  la  Modulacion,  por. . . 
A.  Soler,  etc.     1765.     4". 

7897.  e.  22.  (2.) 

ROESER  (Valentin)  Twelve  Easy 
Lessons  for  the  Piano  Forte  or  Harpsi- 
chord. .  .Opera  vi.  Welckcr  : 
London,  inSO?]    obi.  iol.       e.  5.  e.  (6.) 

Twelve  Easy  Lessons,  for  the  Piano  Forte. 
Opera  6.     [1799.] 

Imperfect,  ivanting  all  after  p.  42. 
See  Periodical  Publications. — London. 
The    Piano-Forte    Magazine.       Vol.    IX. 
[No.  2.]     [1797-1802.]     8°.  D.  854. 


ROESER  (Valentin)  XII.  Senates  tres 
faciles  pour  le  Clavecin  ou  le  Forte  Piano. 
CEuvre  vi.  Ch^s  Pierre  den 

Hetigst:  Amsterdam,  [11 85?]     obi.  iol. 

e.  5.  c.  (6.) 

Sous     les     loix    de    la    jeune    Hortense. 
Romance. .  .les  Paroles  de  M.  H.  D.  L. 
IParis,']  rrn.     s.  sh.  8".  297.  f.  14. 

Mercure  de  France,  June,  1777. 

ROESLER  (Gregorius)  Melodrama 
Ecclesiasticum,  in  Quiudecim  Scenas 
divisum,  id  est,  XV.  Ofiertoria,  Festis 
aliquibus  Domini  &  Communi  Sanctorum 
accommodata,  a  4.  Vocibus,  2.  Violiuis 
obligatis,  2.  Clarinis  vel  Cornibus,  & 
Tympanis  ad  Libitum,  cum  duplici  Basso 
continue,  dc.     Opus  1.     11  pts. 

Sumptibus  Philippi  Ludovici 
Klaffschenckelii :  Augusts  Viiulelicorum, 
1748.     fol.  G.  68. 

ROGER.     Roger  and  Nell.     [Song.] 

See.  Young.  Young  Roger  of  the  Vale. 
[1730  ?]    s.  sh.  fol.  G.  314.  (15*.) 

Roger  and  Sue.  [Song.]  See  One.  One 
morn  sweet  Sue,  c/c.     [1750?!     s.  sh.  iol. 

G.'310.  (219.) 

Roger  of  the  Dale.     Song. 

/See  Riley  (W.)     [The  Country  Wedding.} 

Roger  sortant  de  I'lsle  d'Alcine.  Romance. 
See  Sombre.  Sombre  Foret,  ouvre-moi 
ta  retraite,  etc.     1783.     8".         297.  g.  3. 

Roger  upon  the  Grass.  [Song.]  See  As. 
As  Roger  was  laid.     [1710  ?]     s.  sh.  fol. 

G.  306.  (78.) 
Roger's  Courtship.     [Song.] 
See  Carey  (H.) 

Roger's    Llistress.      [Song.]      See    Only. 
The  Only  Lass  that  I  do  Love,  etc. 
[1710?]     s.  sh.  fol.  G.  305.  (30.) 

ROGER-BONTEMS.  Roger-Bontems 
et  Javotte.  Parodie  d'Orphee  et  Euridice ; 
Piece  en  un  Acte,  mel6e  d'Ariettes,  par 
MM.  Moline  &  D'Orvigny  . . .  avec  la 
Musique  [of  one  Song].  1775. 
See  Recueil.  Recueil  general  des  Opera 
Bouffons,  etc.     Tom.  8.     1777.     8". 

11735.  b.  2. 

ROGERS  (Benjamin)  Come  come  all 
Noble  Souls.  A  Favorite  Glee.  Babb: 
[London,  1780  ?]     s.  sh.  fol. 

G.  307.  (111.) 

Come,  come,  all  noble  Souls.  Glee  for 
three  voices.     [London,]  1789.     s.  sh.  4°. 

P.P.  5141. 
Lady's  Magazine,  Nov.,  1789. 

See  Dering  (R.)  Cantica  Sacra... both 
Latine  and  English... by  R.  Dering... 
D"-  B.  Rogers,  etc.     1674.     fol. 

K.  3.  m.  6, 


424 


ROI— ROLLE 


ROI.     Le  Roi  de  la  Feve. 
See  AusELiNE  (J.  B.) 

LeRoi  passoit.     Ariette. 


Chauson. 


See  Deserteur. 


ROI  ET  LE  FERMIER.     Le  Roy  et  le 

Fermier.  Comedie  en  Trois  Actes . . . 
[Written  by  P.  J.  S(5daine,  music]  Par 
M.  *  *  *  [i.e.  P.  A.  Monsigny]  Grav6  par 
Le-S'Hue.     [Full  Score.] 

Cli(}s  C.  Herissant : 
Paris,  [1762.]     fol.  H.  616.  (1.) 

Le  Roi  et  le  Fermier,  Com6die  en  Trois 
Actes,  mel6e  de  niorceaux  de  Musique. . . 
Par  M.  Sedaine, .  .avec  la  Musique  [of 
two  Songs,  by  P.  A.  IMonsigny.]  1770. 
See  Recueil.  Recueil  general  des  Op6ra 
Boufions,  etc.     Tom.  3.     1777.     8°. 

11735.  b.  2. 
Un  fin  chasseur  qui  suit  a  pas  de  loup. 
Ariette,  du  PmI  et  clu  Fermier  [by  P.  A. 
Monsigny].     ^Paris,  1762.]     8". 

B.  362.  (30.) 

Ne  perdons  jamais  I'esp^rance.  Vaude- 
ville, du  Roi  et  du  Fermier  [by  P.  A. 
Monsigny].     [Paris,  1762.]     8°. 

B.  362.  e.  (114.) 
Que  le  Soleil  dans  la  plaine.  Ariette  die 
Roi  et  chi  Fermier  [by  P.  A.  Monsigny]. 
[Paris,  1762.]     8".  B.  362.  (29.) 

ROI   THlSODORE    A   VENISE.     Le 

Roi  Theodore  a  Venise.     Opera. 
See  Paisiello  (G.) 

ROIERI  (Claudio)   XII.  Senate  a  Violino 
solo  e  Basso.  London,  1740.  fol.    g.  1047. 

ROIS.     Les  Roys.     Ronde  de  Table. 
See  Du  Vigneau  (    ) 

ROLAND.     Roland.     Romance. 
See  CzARTORYSKA  (      de)  Princess. 
Roland.     Tragedie.     See  Lulli  (G.  B.) 
Roland.     Opera.     See  Piccini  (N.) 
Roland.     Opera.     See  Stepfani  (A.) 
Roland  a  Roncevaux.     Air.     See  Ou.     On 
courent  les  peuples  epars.     [1790  ?]     8". 

B.  362.  a.  (4.) 

ROLPE  (William)  William  Rolfe's... 
Fashionable  collection  of  24  Country 
dances  for  the  Violin  or  German  Flute 
with  proper  figures  as  they  are  Danced  at 
.  .  .all  public  assemblies  for  the  Year  1799. 
Printed  for  William  Rolfe  : 
London,  [1799.]     obi.  4°.  a.  9.  c.  (4.) 

ROLL.        Roll     liquid     Mountains     roll. 
Song.     See  Bruguier  (D.) 

ROLLA     (Alessandro)      Due    Quartetti 
per  Plauto,  Violino,  Viola  et  Violoncello 
...Op.  2.     [Separate  Parts.] 
Presso  G.  Cappi :   Vienna,  [1800?]     fol. 

h.  2801.  a.  (2.) 


ROLLE  (Johann  HeinrichI  Abraham 
auf  Moria,  ein  musikalisches  Drama,  in 
Musik  gesetzt  und  als  ein  Auszug  zum 
Singeu  beym  Klaviere  herausgegeben  von 
J.  H.  Rolle . . .  Zweyte  und  verbesserte 
Ausgabe.  /.  G.  I.  Breitkopf : 

Leipzig,  1785.     obi.  fol.  F.  384.  e. 

Die  Befreyung  Israels,  ein  musilialisches 
Drama,  in  Musik  gesetzt  und  als  ein 
Auszug  zum  Singen  beym  Klaviere 
herausgegeben  von  J.  H.  Rolle,  etc. 

hn  Scliwickertschen  Verlage : 
Leipzig,  [1784.]     obi.  fol.  F.  384.  a. 

David  und  Jonathan.  Eine  musikalische 
Elegie,  etc.     [Cantata.] 

Bey  B.  C.  Breitkopf  und  Sohn  : 
Leipzig,  1773.     fol.  H.  il87.  o.  (5.) 

Davids  Sieg  im  Eichthale,  ein   musikal- 
isches Drama,  in  Musik  gesetzt   und  als 
ein   Auszug  zum    Singen   beym  ICaviere 
herausgegeben  von  J.  H.  Rolle. 
G.  E.  Hemmerde  :  Halle,  1776.     obi.  fol. 

D.  436.  c. 

Gedor,  oder  das  Erwachen  zum  bessern 
Leben,    [Cantata]    von    Herrosee  ...  In 
Clavierauszug  gebracht  von  Zachariji,  etc. 
Schwickert :  Leipzig  tend  Magdeburg, 
1787.    obi.  fol.  F.  384.  f. 

Sechzig    auserlesene     Gesiinge    iiber    die 
Werke  Gottes  in  der  Natur,  etc. 
G.  H.  Hemmerde  :  Halle,  1775.     obi.  fol. 

D.  436.  b. 

Herrmanns  Tod,  ein  musikalisches  Drama, 
in  Musik  gesetzt  und  als  ein  Auszug  zum 
Singen  beym  Klaviere  nebst  sechs  Liedern 
herausgegeben  von  J.  H.  Rolle,  etc. 

hn  Scliwickertschen  Verlage  : 
Leipzig,  [1784.]     obi.  fol.  F.  384.  b. 

Idamant,  oder  das  Geliibde,  ein  musikal- 
isch  Drama,  in  Musik  gesetzt  und  als  ein 
Auszug  zum  Singen  beym  Klaviere,  nebst 
einer  Senate,  herausgegeben  von  J.  H. 
Rolle.  hn  Sclnvickertschcn  Verlage  : 

Leipzig,  [1782.]     obi.  fol.  F.  384. 

Lazarus,  oder  die  Feyerder  Auferstehuug, 
ein  musikalisches  Drama,  in  Musik  gesetzt, 
und  als  ein  Auszug  zum  Singen  beym 
Klaviere  herausgegeben  von  J.  H.  Rolle, 
etc.  Bey  J.  G.  I.  Breitkopf : 

Leipzig,  1779.     obi.  fol.  F.  384.  h. 

Mehala,  die  Tochter  Jephtha,  ein  musikal- 
isches Drama,  in  Musik  gesetzt  und  als 
ein  Auszug  zum  Singen  beym  Klaviere 
herausgegeben  von  J.  H.  Rolle,  etc. 

Bey  J.  G.  I.  Breitkopf : 
Leipzig,  1784.     obi.  fol.  F.  384.  d. 

Melida,  ein  Siugspiel  in  drey  Aufziigen 
[Libretto]  von  Sucre,  etc.     [P.  F.  Score.] 

hi  Ccnnmission  bey  Schwickert : 
Leipzig,  1785.     obi.  fol.  F.  384.  g. 


ROLLE— ROMBERG 


425 


HOLLE  (JoHANX  Hei>'bich)  Sammlung 
Geistlicber  Lieder  fiir  Liebhaber  eines 
ungekiinstelten  Gesangs  und  leicbter 
Clavierbegleitung,  etc. 

Bey  B.  C.  Breitkopf  tind  Sohn  : 
Leipzig,  1775.     ohl.  fol.  D.  436.  a. 

Saul,  Oder  die  Gewalt  der  Musik,  ein 
musikaliscbes  Drama  in  Musik  gesetzt 
und  als  ein  Auszug  zum  Singen  beym 
Klaviere  berausgegeben  Ton  J.  H.  Rolle. 

Bey  B.  C.  Breitkopf  unci  Sohn  : 
Leipzig,  1776.     obi.  fol,  D.  436.  d. 

Simson,  ein  musikaliscbes  Drama,  in 
Musik  gesetzt  und  im  Klavierauszug  zum 
Singen  berausgegeben  vou  J.  H.  Rolle. 

Ln  Schidckcrtschen  Verlagc  : 
Leipzig,  [1785.]     obi.  fol.  F.  384.  i. 

Tbirza  und  ibre  Sobne,  ein  musikaliscbes 
Drama,  in  Musik  gesetzt  und  als  ein 
Auszug  zum  Singen  beym  Klavier  beraus- 
gegeben vou  J.  H.  Rolle,  etc. 

Bey  J.G.I.  Breitkopf : 
Leipzig,  1781.    obi.  fol.  F.  384.  c. 

Der  Tod  Abels,  ein  :Musikaliscbes  Drama, 
etc.     [Words  by  Patzke.     P.  F.  Score.] 

Bey  B.  C.  Breitkopf  und  Sohn  : 
Leipzig,  1771.     obi.  fol.  D.  436. 

EOLLET  (     )     Methode   pour  apprendre 
la  Musique  sans  transposition,  avec  Quatre 
Vingt  Le(;ons  a  deux  Parties,  etc. 
Chez  3/'-  Le  Menu  :   Paris,  [1780.]     fol. 

G.  839. 

ROLLI  (GiovANSi)     Six  Italian  Cantatas 
&    Six   Lessons    upon   tbe    Harpsicbord, 
consisting  of  Fugbe,  AUemande,  Gavotte, 
Sarabande,  Gigbe  e  Minuetti,  etc. 
London,  1733.    obi.  fol.  E.  231. 

KOLLI  (Paolo)  Di  Canzonette  e  di 
Cantate  Libri  Due.  Presso  T.  Edlin  : 

Londra,  1727.     8".  1062.  1.  28. 

ROLLING.  The  Rolling  Sailor.  Song. 
See  Sailoes.  Sailors  tbey  get  all  tbe 
money.     [1780?]     s.sh.iol. 

G.  316.  (119.) 

Tbe  Rolling  Tailor.     [Song.] 

See  Lord  Mayor's  Day. 

Tbe  rolling  wbeele.     Sonnet. 

See   Greene   (:M.)      [Spenser's  Amoretti. 

Sonnet  1'.] 

ROMAIN"   DE   BRASSEUR  (    )      Sei 

Sonate  da  Camera  a  Violiuo  solo  col 
Basso . . .  Opera  Prima.  Grav6  par  M^"" 
Bertin.  Chez 

M''  Gaviqnies  :  Paris,  [1750  ?]     fol. 

g.  1048. 

ROMANO  (Alessandro)  Di  Alessandro 
Romano  II  Primo  Libro  delle  Ca[n]zoni 
alia  Napolitana,  a  cinque  voci  Nuoua- 
mente  ristampate.     Tenore. 

Appresso  V  Herede  di  Girolamo  Scotto : 
Vineggia,  1579.     4°.  D.  173. 


ROMANO  (Alessandro)  Di' Alessandro 
Romano... il  Secondo  Libro  delle  Napo- 
litane  a  cinque  voci  con  vna  canzone  del 
medesimo  nel  fine.  Nuouamente  ristam- 
pate. Alto.  (Tenore.)  (Quinto.)  3  pts. 
Appresso  V  Herede  di  Girolamo  Scotto : 
Vinegia,  1575.     4°.  D.  173.  a. 

Di  Alessandro  Romano  Le  Vergini  a 
Quatro  Voci  con  la  gionta  di  alcuni 
INIadrigali.  Nouamente  per  Antonio 
Cxardano  Ristampate,  etc.     Basso. 

Appresso  di  Antonio  Gardano  : 
Venetia,  1562.     obi.  i".  A.  356. 

ROMANO  (Remigio)  Prima(-Quarta) 
Raccolta  di  Bellissime  Canzonette  Musi- 
cali,  e  raoderne,  di  Autori  grauissimi  nella 
Poesia,  &  nella  Musica.     4  pts. 

Appresso  G.  B.  dc  Rossi  : 

Paula,  1625.     12°.  11422.  aaa.  6. 

Each  part  has  separate   title-page  and 

pagination.     The  anonymous  music  is 

in  Guitar  tablature. 

ROMANS.  Les  Romans.  Ballet  Heroique, 
,sVe  Niel  (J.  B.) 

Tbe  Romans  in  England  they  once  did 
sway.  The  Chapter  of  Kings.  A  celebrated 
Historical  Song  Written  and  Sung. .  .by 
Mr.  Collins,  author  of  tbe  Brush. 

Longman  and  Broderip  : 
[London,  1195 '>]     fol.  G.  360.  (14.) 

[Another  edition.]  The  Romans  in 
England  they  once  did  sway.  The  Chapter 
of  Kin<is . . .  Song. .  .Sung. .  .by  ilr.  Dignum, 
etc.  Longman  and  Broderip  : 

[London,  1797  ?]  fol.  H.  2821.  (10.) 
[Another  edition.]  The  Romans  in 
England  tbey  once  did  sway.  The  Chapter 
of  Kings,  etc.  M.  dementi  d  C"  : 

London,  [1800?]     fol.       G.  383.  i.  (24.) 

ROMANZEN.  Romanzenmit  Melodien, 
und  einem  Schreiben  an  den  Verfasser 
derselben  [J.  F.  Loewen].  Bamburg 

und  Leipzig,  1762.     8°.  A.  1106.  a. 

Romanzen  mit  Melodien.  Bey  B.  C. 

Breitkopf  und  Sohn  :  Leij^zig,  1768.    8". 

11525.  b.  (2.) 

Romanzen  mit  Melodien.  Zweyte  Auflage. 

Bey  B.  C.  Breitkopf  und  Sohn  : 

Leipzig,  1768.     8°.  A.  1106. 

ROMARIN.     Le  Romarin.     [Song.] 
See   De.      D'un   Bouquet    de    Romarin. 
[1785?]     8\  B.  362.  a.  (153.) 

ROMBERG  (Andreas) 
See  Romberg  (A.  J.) 

ROMBERG  (Andreas  Jacob)  Trois 
Duos  pour  Yiolon  et  Yioloncelle.  CEuvre 
2.     [Separate  Parts.]  Chez  Plcyel : 

Paris,  [1800  ?]     fol.  b.  2813.  a.  (2.) 

Oden  und  Lieder  fiirs  Clavier,  etc. 
G.  Welsch  :  Bonn,  [1793.]     obi.  fol. 

E.  447.  a. 


426 


ROMBERG— RONTANI 


ROMBERG-  (Andeeas  Jacob)  and  (Bern- 
hard  Heinrich)  Trois  Duos  concertans 
pour  Violon  et  Violoncello. .  .Oeuv.  ii.  des 
Duos.     [Separate  Parts.] 

Chez  Brcitkopf  &  Hdrtel : 
Leipsic,  [1800.]     fol.         li.  2813.  a.  (1.) 

ROMBERG-  (Bernhard  Heinrich) 
See  Romberg  (A.  J.)  and  (B.  H.)     Trois 
Duos  concertans,  etc.     [1800.]     fol. 

h.  2813.  a.  (1.) 

ROMEO  ET  JULIETTE.  Romeo  et 
Juliette.     Opera.     See  Steibelt  (D.) 

ROMEO  UND  JULIE.  Romeo  und 
Julie.     Oper.     See  Benda  (G.) 

ROMER  (        )  Vocalist.     [Modern  Eccen- 
tricities.]     Benignity ;     [Song,]     written 
&  composed  by  ]Mr.  Romer,  etc. 
T.  Gladman  :  London,  [1800  ?]     fol. 

G.  807.  b.  (54.) 

The  Chair  Mender,  a  Favorite  Ballad, 

written  &  composed  by  ]\I'  Romer,  etc. 
E.  Riley  :  London,  [1800  ?]     fol. 

G.  807.  b.  (54*.) 
The  Modern  Lover,  written  &  com- 
posed by  Mr.  Romer,  etc.  E.  Pdlcy  : 
London,  [1800  ?]     fol.       G-.  807.  (54**.) 

The  Village  Festival,  [Song,]  written 

&  comx^osed  by  ]\lr.  Romer,  etc. 

T.  Gladman:  Lo»f?o».,  [1800  ?]     fol. 

G.  808.  e.  (41.) 

ROMERO  DE  AVILA  (Geronimo) 
Arte  de  Canto-Llano,  y  Organo,  6  Promp- 
tuario  Musico,  dividido  en  quatro  partes, 
etc.     Joseph  Doblado  :  Madrid,  1785.     4". 

7897.  m.  5. 

ROMP.     The  Romp.     [Song.] 
See  Carey  (H.) 

RONCALLI  (Ludovico)  Count.  Capricci 
Armonici  sopra  la  Chitarra  Spagnola . . . 
Opera  Prima.  Sebastian  Casetti  hitagl. : 
Bergamo,  1692.     ohl.  4°,         K.  2.  c.  12. 

RONDEAU.      Rondeau.      Perform'd   on 
the  Hautboy  by  Mr.  Fischer  at  Vauxhall. 
Adapted  also  for  the  Harpsicord  &  Trans- 
pos'd  for  the  German  Flute.     2  Nos. 
[London,  1785  ?]     fol.      h.  141.  a.  (18.) 

RONDINIUS  (Cheysostomus)  Cantiones 
Sacrse  Binis  ac  Ternis  Vocibus  cantanda^, 
cum  Basso  Continuo  ad  Organmn.  Auc- 
tore  D.  Chrysostomo  Rondinio  Abbate 
Olivetano.  Nunc  primum  in  lucem  editte. 
Tenore.     (Bassus.)     2  pts.  Petrus 

Phalesius  :  Antuerpise-,  1624.  4°.     C.  325. 

RONDOS.  A  Favourite  Collection,  of 
Familiar  Rondos ;  for  the  Piano-Forte. 
[1799.]  See  Periodical  Publications. 
— London.  The  Piano-Forte  Magazine. 
Vol.  VII.     No.  4.     [1797-1802.]     8°. 

D.  854. 


RONER  (Andrew)  Melopeia  Sacra  or  a 
Collection  of  Psalms  and  Hymns  by  M' 
Addison  and  S"'  John  Denham  &c.  Set  to 
Musick  in  a  New  Method,  etc.     2  vols. 

W.  Smith,  for  the  Author  :  London, 
[1721.]     fol.  I.  198. 

RONG  (WiLHELM  Ferdinand)  Versuch 
einer  Elementar-Lehre  fiir  die  Jugend  am 
Klavier,  in  Frage  und  Antwort  aufgelost 
mit  Tabellen,  etc.  Bcij  clem  Verfasser  : 

Potsdam,  1793.     4".  '    7897.  cc.  13. 

RONSARD  (Pierre  de)  [Les  Amours 
de  P.  de  Ronsard  Vandomoys.  Ensemble 
le  Cinquiesme  [livre]  de  ses  Odes.  With 
an  Appendix  containing  musical  settings 
by  P.  Certon,  C.  Goudimel,  M.  A.  Muret 
and  C.  Jannequin.]  2  pts.  [Clies  la  veufve 
M.  cle  la  Porte  :  Paris,]  1552.     S". 

Case  57.  a.  31.  (1.) 
Wanting  the  title-page. 

RONSSECY  (  de)  Madame.  Andan- 
tino.  The  Variations  by  I\Id.  de  Ronssecy. 
[Har^J.]  S.  Straight :  London, 

[1800?]     fol.  H.  2819.  (18.) 

Lullaby  [by  S.  Storace]  adapted  for  the 
Harp,  with  Variations  by  M''"  de  Ronssecy. 
S.  Straight :  London,  [1800  ?]     fol. 

H.  2819.  (6.) 
Scotch  Air.  The  Variations  by  Mde.  de 
Ronssecy.     [Harp.]  S.  Straight : 

London,  [1800  ?]  fol.  H.  2819.  (16.) 
Scotch  Tune.  The  Variations  by  Mde.  de 
Ronssecy.  [Harp.]  S.  Straight :  London, 
[1800?]     fol.  H.  2819.  (15.) 

Shepherds  I  have  lost  my  love.  A  Scotch 
Tune.  The  Variations  by  Mde.  de  Rons- 
secy. [Harp.]  S.  Straight :  London, 
[1800?]  fol.  H.  2819.  (3.) 
See  Krumpholz  (J.  B.)  Minuetto  . . .  the 
Variations  by  Mde.  de  [Ronssecy]. 
[1800?]  fol.  H.  2819.  (17.) 
See  Rauzzini  (V.)  The  Dirge  in  Cymba- 
line . . .  adapted  for  the  Harp  or  Piano 
Forte  by  Mde.  de  Ronssecy,  etc. 
[1800?]     fol.  H.  2819.  (9.) 

See  also  D.,  Madame. 

RONTANI  (Rafpaello)  Le  Varie 
]Musiche  di  RaSael  Routani  a  Una  Due 
e  Tre  Voci  per  Cantare  nel  Clauicembolo, 
et  Chitarrone,  Libro  Primo.  Nouamente 
poste  in  Luce,  etc.  Apprcsso  Zanobi 

Pignoni  :  Fiorenza,  1614.     fol. 

K.  1.  i.  5*. 

Le  Varie  Musiche  di  Rafaello  Rontani  a 
Una  Due,  e  Tre  Voci.  Per  Cantare  nel 
Cimbalo,  o  in  altri  stromenti  simili,  con 
L'  Alfabeto  per  la  Chitarra  Spagnola  in 
quelle  piu  a  proposito,  per  tale  stromento. 
Libro  Primo.  Appresso  Gio.  Battista 

Eoblctti.  Ad  instantia  di  Antonio  Poggioli : 
Boma,  1623.     fol.  K.  1.  i.  5.  (1.) 


EONTANI— RORE 


427 


RONTANI  (Rafpaello)  Le  Varie  Mu- 
siche  a  Una  a  Due,  e  Tre  Voci.  Per 
Cantare  Nel  Grauicembalo,  ouero,  nella 
Tiorba,  &  altri  stromenti  simili. .  .Libro 
Secondo.  Opera  Sesta.  Appresso  Gio. 
Battista  Bobietti  :  Boma,  1623.     fol. 

K.  1.  i.  5.  (2.) 

Le  Varie  Musiche  di  Raffaello  Rontani  a 
Una  et  Due  Voci  per  Cantare  nel  Cimbalo, 
o  in  altri  stromenti  simili  con  1'  alfabeto 
per  la  Chitarra  in  quelle  piu  a  proposito 
per  tale  stromento.  Libro  Terzo.  Opera 
Settima.  Per  Luca  Aiifoiiio  Soldi  : 

Roma,  1619.     fol.  K.  1.  i.  5.  (3.) 

Varie  ^Musiche  a  Una,  e  Due  Voci. .  .Per 
cantare  nel  Cimbalo,  e  nella  Tiorba... 
Libro  Quarto.  Opera  Ottaua.  Appresso 
Gio.  Battista  Bobietti.  Ad  Instantia  di 
Antonio  Poggioli  :  Boma,  1620.     fol. 

K.  1.  i.  5.  (4.) 

Varie  Musiche  a  Una  e  Due  Voci. .  .Per 
cantare  nel  Cimbalo,  e  nella  Tiorba... 
Libro  Quinto.  Opera  Nona.  Apinesso 
Gio.  Battista  Bobietti.  Ad  Instantia  di 
Antonio  Poggioli :  Boma,  1620.     fol. 

K.  1.  i.  5.  (5.) 

Le  Varie  Musiche  ...  a  Una,  et  Duo 
Voci.  Per  cantare  nel  Cimbalo,  o  in 
altri  stromenti  simili.  Libro  Sesto. 
Opera  Undecima.  Appresso  Gio.  Battista 
Bobietti.  Ad  instantia  d'  A ntonio  Poggiol : 
Boma,  1622.     fol.  K.  1.  i.  5.  (6.) 

ROOLEEUW  (Reinier)  Schriftuurlyke 
Gezangen,  gerymt,  en  op  nieuwe  Zang- 
wyzen  gesteld  door  Dr.  Reinier  Rooleeuw. 
Den  vierden  druk.  KorncUs  vandcr  Sys  : 
Amstddam,  1725.     12°.       3435.  bbb.  7. 

ROOM.     Room  for  a  Rover. 
See  Paisible  (J.) 

ROOME  (Francis)  See  Alcock  (J.) 
Doctor  in  Music.  The  Harmony  of  Siou 
. . .  selected  by  F.  Roome,  etc.     [1779.]    8°. 

E.  343.  d. 

ROOYEN  (G.  van)  A  Selection  of  Hymns 
for  the  use  of  the  English  Presbyterian 
Church  in  Rotterdam.  Adapted  for  the 
Organ  and  Piano  Forte,  etc.  L.  Plattner, 
for  the  Author  :  Botterdam,  [1790  ?]     4°. 

E.  1456. 

RORE    (CiPRiANO   de)     Lamento   di   Di- 
done  ad  Enea,  per  sua  partenza. 
See  Striggio  (A.)     II  Cicalamento   delle 
Donne   al    Bucato  . . .  con    un    Lamento 
di  Didone  . . .  di  C.  Rore,  etc.       1567.     4". 

C.  254.  1. 

Di  Cipriano  II  Primo  Libro  de  Madregali 
Cromatici  a  Cinque  Voci  con  una  Nona 
Gionta  del  Medesmo  Autore.  Nouamente 
Ristampato  &  da  infiniti  errori  emen- 
date. Libro  Primo  a  cinque  Voci.  Cantus. 
Apud  Antonium  Gardane  :  Venetijs. 
1544.    obi.  i".  A.  70.  a. 


Song. 


RORE  (Cipriano  de)  Di  Cipriano  Rore 
il  Primo  Libro  de  Madrigali  Cromatici  a 
Cinque  Voci  Nouamente  . . .  Ristampato, 
etc.     Altus.  Appresso  di  Antonio 

Gardane  :   Vcnetia,  1552.     obi.  4°. 

A.  70.  q. 

Di   Cipriano   de   Rore  il  Primo  Libro  di 
Madrigali  Cromatici  a  Cinque  Voci  Noua- 
mente . . .  Ristampato,  etc.     Quinto. 
Appresso  di  Antonio  Gardano :    Venetia, 
1563.    obi.  4°.  A.  70.  y. 

Di  Cipriano  de  Rore  il  Primo  Libro  di 
Madrigali  Cromatici  a  Cinque  Voci  Noua- 
mente Ristampato,  etc.  Tenore.  (Quinto.) 
2  pts.  Appresso  Francesco  Bampazetto  : 
Venetia,  [1565  ?]     obi.  4".  A.  70.  t. 

Di  Cipriano  de  Rore  il  Primo  Libro  de 
Madrigali  Cromatici  a  Cinque  Voci  Noua- 
mente . .  .  Ristampato,  etc.  Canto.  (Alto.) 
(Tenore.)     (Basso.)     4  pts.  Appresso 

Anqelo  Gardano  :  Venetia,  1576.     obi.  4". 
•"  A.  70.  k. 

Di  Cipriano  il  Secondo  Libro  de  Madrigali 
a  Cinque  Voci  insieme  alcuni  di  M.  Adriano 
[Willaert]  et  altri  Autori  a  misura  comune 
Nouamente  posti  in  luce,  etc.  Cantus. 
(Altus.)  (Tenor.)  (Bassus.)  (Quintus.) 
5  pts.  Ap>ud  Antonium  Gardane  :  Venetijs, 
1544.    obi.  4°.  A.  70.  b. 

This  collection  also  includes  compositions 
by  Adriano  [Willaert'],  H.  Naich, 
Pierresson,  Jachet  Berchem,  L.  Barre, 
H.  Parabosco,  Archadelt  and  Fera- 
bosco. 
[Another  copy.     Cantus.]  A.  70.  c. 

Di  Cipriano  de  Rore  il  Secondo  Libro  de 
[Madrigali  a  Cinque  voci  insieme  Alcuni  de 
M.  Adriano  [Willaert]  &  altri  Autori 
Nouamente  Ristampato,  etc.     Altus. 

Apresso  di  Antonio  Gardane  :   Venetia, 

1551.  obi.  4°.  A.  70.  r. 

Di  Cipriano  de  Rore  il  Secondo  Libro  di 
Madrigali  a  Cinque  Voci  insieme  alcuni 
di  M.  Adriano  [^Yillaert]  &  altri  Autori 
Nouamente  Ristampato,  etc.  Canto. 
(Alto.)  (Tenore.)  (Basso.)  (Quinto.)  5  pts. 
Appresso  di  Antonio  Gardano  :  Venetia, 
1563.     obi.  4".  A.  70.  g. 

Di    Cipriano    Rore    il    Terzo    Libro    de 
Madrigali   A  cinque  uoci   Done    si   Cou- 
tengono    Le   Vergine,  &   altri   Madrigali 
Nouamente  . . .  Ristampato,  etc.     Altus. 
Appresso  di  Antonio  Gardane  :    Venetia, 

1552.  obi.  4°.  A.  70.  s. 
This  edition  also  contains  madrigals  by 

Nicolo  Dorati  and  Adriano  [Willaert]. 

Di  Cipriano  Rore  Li  Madrigali  a  Cinque 
Voci,  il  Terzo  Libro  Done  si  contengono 
le  Vergine,  et  altri  madrigali,  nouamente 
ristampati,  &  . . .  coretti.  Canto.  (Alto.) 
(Tenore.)  (Basso.)  (Quinto.)     5  pts. 

Appresso  Girolamo  Scotto  :  Vinegia, 
1562.     obi.  4°.  A.  70.  f. 


428 


EOEE 


EORE  (CiPBiANO  de)  Di  Cipriauo  de 
Roic  il  Quarto  Libro  di  IMadrigali  a 
Cinque  Voci  con  uno  Madregale  a  sei  & 
uno  Dialogo  a  otto,  Nouameute  Ristam- 
pato,  etc.  Quinto.  Apprcsso  di  Antonio 
Gardano  :  Venctia,  1563.     obi.  4°. 

A.  70.  w. 
TJic  co)n2Msers  named  in  this  collection 
are:   C.  do  Rore,  Adriano  [Willaert], 
G.  Nasco,   N.  Alberti,    Sandrino,   G. 
Contino,  P.   Taglia,  B.  Donato  and 
F.  Portinaro. 
Di  Cipriano  de  Rore  il  Quarto  Libro  de 
Madrigali    a   Cinque   Voci,    Nuouamente 
Ristampato.      Canto.      (Alto.)     (Teuore.) 
(Basso.)  4  pts.   Angela  Gardano  :   Venctia, 
1580.     ohl.  4°.  A.  70.  1. 

This  edition  contains  'madrigals  by  C.  de 
Rore,  Adriano  [Willaert],  G.  Nasco 
and  P.  Taglia. 
Di  Cipriano  de  Rore  il  Quinto  Libro  di 
Madrigali  a  Cinque  Voci  insieme  Alcuni 
de  Diuersi  Autori.  Nouamente  per  An- 
tonio Gardano  stanipato  &  dato  in  Luce. 
Quinto.  A2}presso  di  Antonio  Gardano  : 
Venctia,  1566.     obi.  i\  A.  70.  v. 

The  composers  named  in  this  collectio7i 
arc  :  C.  de  Rore,  Sabino,  G.  Nasco, 
Orlando   [de    Lasso],  Adriano   [Wil- 
laert], Gianetto  da  Palestina  and  B. 
Spontoni. 
Di  Cipriano  de  Rore  II  Quinto  Libro  di 
Madrigali  a  Cinque  Voci  insieme  Alcuni  de 
Diuersi  Autori  Nouameute. .  .Ristampato, 
etc.     Canto.     (Alto.)     (Tenore.)     (Basso.) 
(Quinto.)    5  pts.     Apprcsso  Li  Figliiioli  di 
Antonio  Gardano  :  Fenc^ia,  1574.     o6L  4". 

A.  70.  i. 

This     edition     contains    madrigals    by 

C.  de  Rore,  Sabino,  G.  Nasco,  G.  da 

Palestrina,  A.  Gabrieli,  B.  Spontoni 

and  an  anonymous  composer. 

II  Primo  Libro  delle  Fiamme  Vagbe  et 
Diletteuoli  Madrigali  ...  a  Quattro  et 
Cinque  Voci,  Nuouamente  ristampati,  & 
. . .  corretti.  Basso.  Appresso  Girolamo 
Scotto  :  Vinegia,  1569.     4°.  D.  199. 

Di  Cipriano  de  Rore  il  Primo  Libro  de 
Madrigali  a  quattro  Voci  Nouameute  . . . 
Corretti  &  Ristampati.  Tenor.  (Bassus.) 
2  pts.  Ap>ud  Hieronymum  Scotum : 

Venctiis,  1554.     obi.  4».  A.  70.  z. 

Di  Cipriano  de  Rore  il  Primo  Libro  di 
Madrigali  a  quatro  Voci,  Nouamente  per 
Antonio  Gardano  .  .  .  Ristampato,  etc. 
Basso.  Ai^piresso  di  Antonio  Gardano  : 

Venctia,  1564.     obi.  4°.  A.  70.  x. 

Di  Cipriano  de  Rore  II  Primo  Libro  de 
Madrigali  a  quattro  Voci,  Nouamente  . .  . 
ristampato,  etc.  Canto  (Alto.)  (Tenore.) 
(Basso.)  4  pts.  AppressoAyigelo  Gardano  : 
Venctia,  1575.     obi.  4°.  A.  70.  n.  1. 

,    [Another  copy.     Basso.]  A.  70.  j. 


RORE  (CiPBiANO  de)  Di  Cipriano  de 
Rore  II  Secondo  Libro  de  IMadrigali  A 
Quatro  Voci,  Con  vna  Canzon  di  Gianetto 
[i.e.  Palestrina] ;  sopra  di  Pace  non  trouo, 
Con  quatordeci  stanze.  Nouamente  .  . . 
Ristampato,  etc.  Canto.  (Alto.)  (Tenore.) 
(Basso.)     4  pts. 

Apresso  li  Figliuoli  di  Antonio  Gardano  : 
Venetia,  1571.  -  obi.  4".         A.  70.  n.  (2.) 

[Another  copy.  Canto.  (Alto.)  (Basso.)] 
3  pts.  A.  70.  m. 

Cipriani  Musici  Eccellentissimi  cum 
Quibusdam  Aliis  Doctis  Authoribus 
Motectorum  nunc  primum  maxima 
diligentia  in  lucem  exeuntium  Liber 
Primus.  Quinque  Vocum.  Cantus.  (Altus.) 
(Tenor.)  (Cipriani. .  .Motectorum  nuper- 
rime  maxima  diligentia  in  lucem  aedit- 
orum  Liber  Primus.  Quinque  Vocum. 
Bassus.)     (Quintus.)     5  pts. 

Ajnid  Antonium  Gardane  :  Venetijs, 

1544.  obi.  fol.  A.  70. 
This   collection    contains   motets    by    C. 

Rore,  Adriano  [Willaert],  Jachet[Ber- 
them],  L.  Barre,  C.  Canis,Pierresson, 
Ferabosco,  J.  de  Billon,  Jarsin,  Certon 
and  Gardane. 

Cypriani  Rore . . .  Motetta  Nunc  Primum 
Summa  Diligentia  in  Lucem  Prodita. 
Quinque  Vocum.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)  (Quintus.)     5  pts. 

Apud  Antoninm  Gardane  :  Venetijs, 

1545.  obi.  4".  A.  70.  d. 

[Another  edition.]  Cypriani  Rore  . . . 
Motetta  Nunc  Primum ...  in  Lucem  Pro- 
dita. Quinque  Vocum.  Bassus.  (Quintus.) 
2  pts.  Apud  Antonitim  Gardane  : 

Venetijs,  1545.    obi.  4°.  A.  70.  e. 

The  Quintus  alone  has  the  printer's  name 
and  device.  This  edition  also  differs 
from  the  other  one  of  the  same  year  in 
the  absence  of  the  dedication  to  B. 
Fcria  on  the  verso  of  the  title-page. 

Motetta  D.  Cipriani  de  Rore  et  Aliorum 

Auctoruni     Quatuor     Vocibus     Paribus 

decanenda,  cum  Tribus  Lectionibus,  pro 

Mortuis,  losepho  Zerlino  auctore.     Tenor. 

Apucl  Hieronynviim  Scottum  :   Venetiis, 

1568.    obi.  4°.  A.  70.  o. 

The  date  has  been  altered  in  MS.  to  1594. 

This  collectio7i  contains  the  names  of 

Cipriano    Rore,    laches    de    Vuerth; 

Pauliis    Animuccia,    Giovan.    Nasco, 

Antonius  Barges,   Constantixis  Pmia, 

Joscphus  Zarlinus  and  lachet  Mantme. 

Cypriani  de  Rore . . .  Sacrge  Cantiones  seu 
]\Ioteta  (ut  vocant)  non  minus  Instru- 
mentis  quam  Vocibus  aptse.  Liber  Unus. 
Superius.  (Tenor.)  (Bassus.)  (Quinta 
Pars.)     4  pts. 

Excudebat  Petrus  Phalesius,  sibi  & 
loanni  Bellero  Bibliopolm  Antuerpiensi  : 
Louanii,  1573.     obi.  4".  A.  70.  h. 


RORE— ROSE 


429 


RORE  (CiPBiAKO  de) 

/Sec  Gardano  (Angelo)  Musica  di  Tredici 
Autori  . . .  Nella  quale  si  contengono  . . . 
Madrigali  . . .  delli  infrascritti  Autori.  C. 
de  Rore,  etc.     1589.     4°.        K.  3.  g.  11. 

See  Monte  (F.  di)  La  Ruziua,  Canzone 
. . .  insieme  Un'  altra  di  Cipriano  de  Rore, 
etc.     1591.     4°.  D.  160.  j. 

See  TiBURTiNO  (G.)  Fautesie  con  la 
Giunta  di  alcuni. .  .Recerchari  et  Madri- 
gali a  tre  Voce,  Composti  da  . .  .  Cipriano 
Rore,  etc.     1549.     ohl.  4 ".         K.  3.  b.  4. 

See  WiLLAEBT   (A.)     Fantasie  ...  a    Tre 
Voci  . . .  Con   due   Regina  celi,  1'  uno  di 
Adriano  &  1'  altro  di  Cipriano,  sopra  uno 
medesimo  Canto  Fernio,  etc. 
1593.     oU.  4°.  A.  569.  c. 

RORE  (Cipriano  de)  and  ANNIBALE, 

Padovano.  Di  Cipriano  et  Annibale 
IMadregali  a  Quatro  Voci  insieme  altri 
Eccellenti  Autori  nouamente. .  .stampati 
&  dati  in  Luce,  etc.     Basso. 

A])prcsso  di  Antonio  Gardano  :   Venetia, 
1561.     obi.  4".  A.  70.  u. 

The  composers  named  in  tliis  collection 
are  :  Cipriano  [de  Rore],  A.  Padoano, 
Perissone  [Cambid],  Giachet  Bercliem, 
F.  de  Monte,  J.  Contino,  Claudio  da 
Correggio,  F.  Londariti,  Jacobo  de 
Eerie,  Spef  in  Dio  Bertoldo  and  A. 
Striggio. 

Di  Cipriano  et  Annibale  Madrigali  a 
Quattro  Voci  insieme  Altri  Eccellenti 
Autori,  nuouamente  Con  nuoua  Gionta 
Ristampati,  etc.  Canto.  (Alto.)  (Tenore.) 
(Basso.)     4  pts. 

Appresso  liFigliuoli  di  Antonio  Gardano: 
Venetia,  1575.  obi.  4°.  A.  70.  n.  (3.) 
The  composers  named  in  tliis  edition  arc : 
Cipriano,  A.  Padoano,  Claudio  da 
Correggio,  Perissone,  G.  Berchem, 
I.  Continuo,  A.  Striggio  C.  Porta,  A. 
Gabricli  and  Gio.  d' Andrea  Gabrieli. 

RORE  (Cipriano  de)  and  JACKET,  of 

Mantua  [Jachet  Collebaudi].  I  Sacri 
et  Santi  Salmi  di  Dauid  Profeta,  Che  si 
Cantano  nella  Santa  Romana  Chiesa 
air  hora  di  Vespero,  in  Canto  Figurato. 
Composti  da. .  .Cipriano  Rhore,  e  lachet 
da  Mantoa.  Con  li  suoi  Magnificat  a  vno 
Choro.  A  Versi  a  Quatro  Voci,  Noua- 
mente post'  in  Luce,  etc.     Tenor. 

Apud  Hieronymum  Scotum  :  Venetiis, 
1554.     obi.  4°.  A.  70.  p. 

ROSA.     Rosa  and  Henry.     Song. 

See  Secret. 

ROSA  (Salvatoe)  See  Mattheson  (J.) 
ISIatthesons  IMithridat  wider  den  Gift 
einer  welscher  Satyre  [by  S.  Rosa], 
genannt :  La  Musica.     1749.     8°. 

785.  b.  55. 


ROSA  DA  CAIRANO  (Onobato) 
Regole  del  Canto  Fermo  detto  Gregoriano 
spogliate  dell'  antica  loro  oscurita,  e 
registrate  con  brevita  e  chiarezza,  dal 
R.  P.  F.  Onorato  Rosa  da  Cairano,  etc. 

Nella  Stamperia  degli  Eredi  di  Moro : 
Napoli,  1783.    4".  7897.  f.  37. 

ROSALIND.  Rosalind.  Song  [begins: 
"When  Rosalind,  that  blooming  nymph"]. 
See  Hudson  (R.) 

Rosalind.      [Song.]      See    Silly.      Silly 
swain,  no  longer  dwell.     [1758.]     8\ 

P.P.  5438.  z. 

ROSALINDA.     Rosalinda.     [Song.] 
,SVf  Butler  (     ) 

ROSAMOND.     Was    ever    Nymph    like 
Rosamond     so    fair.       [Song]     Sung    by 
Miss  Arne  in  Rosamond.     [Words   by  J. 
Addison,  music  by  T.  A.  Arne.] 
[London,  1734  ?]     s.  sh.  lo\. 

G.  305.  (132.) 

Rosamond.     Opera.     See  Clayton  (T.) 

ROSANIE.     Cher  Amant,  sois  constant. 
Air  de  Rosanie.     [By  H.  J.  Rigel.] 
[Paris,']  1780.     8°.  298.  f.  7. 

Mercure  de  France,  Sept.,  1780,  p.  59. 

ROSARY.     The  Rosary.     Ballad. 

See  Shield  (W.)  [T}ie  Midnight  Wan- 
derers.] 

ROSCELLI  (Francesco) 

See  Prima  Stella.  Prima  Stella.  De 
Madrigali  .  . .  di  Francesco  Roscelli,  etc. 
1570.     4".  D.  13. 

ROSE.  The  Rose.  [Song.]  See  Arise. 
Arise,  arise,  thou  blushing  Rose,  etc. 
[1778.]     s.  sh.  fol.  a.  306.  (144.) 

The  Rose.  [Song,  begins  :  "  Sweet  are  the 
flow'rs."]     See  Burgess  (H.)  the  Elder. 

The   Rose.     [Song.]     See  Child.      Child 

of  the  summer,  charming  rose. 

[1775  ?]     s.  sh.  fol.  a.  307.  (108.) 

[Another    setting.]      The    Rose.      [Song, 

begins  :  "  Child  of  the  Summer."] 

See  Holroyde  (.J.) 

The   Rose.      [Song,   begins  :    '  Lately  on 

yonder  swelling  bank.']     See  Gentleman. 

The  Rose.  [Song.]  See  Go.  Go  happy 
Flow'r  to  her  Hand.     [1756.]     s.  sh.  8". 

P.P.  5439.  ab. 

The  Rose.  Song.  See  Go.  Go,  happy 
flow'r,  to  her  hand,  etc.     [1756.]     8°. 

P.P.  5438.  z. 

The  Rose.     [Song,  begins  :    '  Sweet  rose, 

Aurora's  early  care.'] 

See  Porter  (S.)  the  Younger. 

La  Rose.  [Song.]  See  Pees.  Pres  de 
Daphnis,  etc.     [1780  ?]     8°. 

B.  362.  (124.) 


430 


ROSE— ROSENMAEDCHEN 


HOSE.     The  Rose.    Song.    [Begins  :  '  Yes, 
ev'ry  flow'r  that  blows.']    See  Peing  (J.  C.) 
The  Rose.     [Song.]      See  See.     See  that 
beauteous  blooming  Rose. 
[1770?]     s.  s/(.  fol.  G.  311.  (147.) 

La  Rose.  Ariette.  See  Vermeille.  Ver- 
meille  Rose,  etc.     [1780  ?]     8°. 

B.  362.  b.  (26.) 
The  Rose.     Cantata.     [Begins  :    '  0  listen 
while  I  sing.']     See  Webbe  (S.)  the  Elder. 
Rose  ch6rie.     [Song.] 
See  Zemire  et  Azor. 
La  Rose  Emblematique.     [Song.] 
See  Pees.     Pres  d'un  joli  bouton  de  rose, 
etc.     [1780?]     8°.  B.  362.  b.  (14.) 

Rose   est    des   dieux    la    fleur    choisi[e]. 
Chanson  [words]  de  ]\P  de  IMoncrif. 
[Pfl?is,  1765?]     8°.  B.  362.  e.  (34.) 

La  Rose  et  la  belle  Parisot.  [Two  airs  in 
P.  P.  compressed  score.] 

Printed  for  Longman  d  Broderip  : 
London,  [1795  ?]     fol.  g.  141.  (24.) 

The  Rose  had  been  wash'd.     Ballad. 
See  Knowles  (    ) 

[Another  setting.]      The   Rose   had  been 
wash'd.     [Song.]     See  Milgrove  (B.) 
[Another   setting.]     The  Rose   had    been 
washd.    Song.    See  Webbe  (S.)  the  Elder. 
The  Rose  that  weeps.     Canzonet. 
Sec  HORSLEY   (W.) 

[Another  setting.]      The  Rose  that  weeps. 
Sonnet.     See  Spoffoeth  (R.) 
Une  rose  vient  d'dclore.     [Song.] 
Sre  C  *  *  *,  il/'"'^ 

ROSE  ET  COLAS.  Rose  et  Colas, 
Coniedie  en  uu  Acte  [by  M.  J.  S6daine] . . . 
[Music]... Par  Mr.  ***  [i.e.  P.  A.  Mon- 
signy].  Grav6  par  Le  S'  Hue.  [Full 
Score.]  Chez  C.  Herissant : 

Paris,  [1764.]     fol.  G.  288.  (1.) 

Rose  et  Colas,  Com^die  en  un  Acte,  Prose 
[by  M.  J.  S^daine]  et  Musique  [by  P.  A. 
Monsigny]  . . .  avec  la  Musique  [of  two 
Songs].  1770.  See  Recueil.  Recueil 
general  des  Opera  Bouffons,  etc.  Tom.  2. 
1777.     8".  11735.  b.  2. 

Demandez  moi  pourquoi  cette  colore. 
Ariette  de  Rose  et  Colas  [by  P.  A.  Mon- 
signy]. With  an  Accompanyment  for  the 
Harp  by  S.  P.  Seybold.  Printed  for 

J.  <£  G.  Vogler  :  London,  [1770  ?]     fol. 

G.  800.  m.  (50.) 
Fournissez  un  canal  au  Ruisseau.  Vaude- 
ville. De  Rose  et  Colas  [by  P.  A.  Mon- 
signy]. [Paris,  1780?]  8°.    B.  362.  (50.) 

ROSE  ET  PICARD.     Air  et  Vaudeville 
de  Rose  et  Picard  [by  N.  Dalayrac].  Avec 
Ac.  de  Guittare  par  le  Citoyen  Gui chard. 
Chez  Lnbault :  Paris,  [1794.]     8°. 

B.  362.  d.  (14.) 
Rose  et  Picard.     Com^die. 
See  Dalaxeac  (N.) 


ROSE  (J.  H.)  Tay  Side  Fencibles  Slow 
and  Quick  March  for  two  Clarinetts,  Two 
Horns,  Trumpet  and  Bassoon.  Also 
adapted  for  Piano  Forte,  Violin,  German 
Flute  &  Fife,  etc.  Printed  for  the  Author : 
Edinburgh,  [1795  ?]     fol.      g.  133.  (50.) 

ROSEINGRAVE  (Thomas)  Six  Can- 
tatas. Humbly  inscribed  to . .  .Lord  Lovell. 
[Short  Score.]     [London,  1735  ?]     fol. 

K.  10.  b.  15. 
[Another  copy.]  G.  808.  h.  (37.) 

Lnperfect,  wanting  pi:).  36-39. 
Celia   conscious   of  her  beauty.     [Song.] 
The  Words  by  Major  Pack.  [London, 

1720?]     s.sh.iol.  G.  316.  g.  (15.) 

A  Celebrated  Concerto  for  the  Harpsicord, 
etc.  Printed  for  C.  and  S.  Thompson  : 
London,  [1770  ?]  fol.  g.  271.  b.  (24.) 
Six  Double  Fugues  for  the  Organ  or  Harp- 
sicord. .  .To  which  is  added,  Sig.  Dominico 
Scarlatti's  Celebrated  Lesson  for  the 
Harpsicord,  with  several  Additions  by  Mr. 
Roseiugrave.  Printed  for  I.  Walsh: 

London,  [1750  ?]     obi.  fol. 

e.  174.  m.  (17.) 
XII.  Solos  for  a  German  Flute,  with  a 
Through  Base  for  the  Harpsichord,  etc. 
B.  Cooke  :  London,  [1730  ?]  fol.  g.  1049. 
Eight  Suits  of  Lessons  for  the  Harpsicord 
or  Spinnet  in  most  of  the  Keys ;  with 
Variety  of  Passages  &  Variations  through- 
out the  Work,  etc.  Printed  for  I.  Walsh 
and  Joseph  Hare  :  London,  [1725  ?]     fol. 

h.  145.  (1.) 
This  mercenary  Age  despise.  A  Song,  etc. 
[London,  1720  ?]     fol.  G.  312.  (30.) 

Voluntarys  and  Fugues  made  on  purpose 
for  the  Organ  or  Harpsicord,  etc. 

Printed  for  I.  Walsh  d;  Joseph  Hare  : 
London,  [1730  ?]     fol.  h.  145.  (2.) 

See  Scarlatti  (D.)  [Narciso.]  Songs  in 
the  New  Opera  call'd  Narcissus. .  .With 
the  Additional  Songs  compos'd  by  Mr. 
Roseingrave.     [1720.]     fol.  H.  315. 

,See  ScAELATTi  (D.)  Forty  two  Suits  of 
Lessons  for  the  Harpsichord . . .  revised . . . 
[by]  T.  Roseingrave.     [1748  ?]     obi.  fol. 

e.  32. 

ROSENBAUM  (Christian  Eenst) 
Scherzhafte  Lieder  mit  Melodieu. . .  Zwote 
Auflage.  Bey  David  Ivcrsen  :  Altona, 

1772.     obi.  fol.  C.  646. 

ROSENFEST.  Das  Rosenfest.  [Operetta.] 
See  Wolf  (E.  W.) 

ROSENMAEDCHEN.  Das  Rosenmad- 
chen  [La  Rosiere  de  Salenci],  oder  das 
Fest  der  weiblichen  Tugend,  ein  Singspiel 
in  drey  Aufzugen  aus  dem  Franzosischen 
libersetzt.  [Music  by  A.  E.  M.  Gretry.] 
1772.  8°.  <SVe  Operettas.  Sammlung 
der  komischen  Operetten,  etc.  Band  II. 
No.  5.  B.  729. 


ROSENMUELLER— EOSIEKE 


431 


BOSENMUELLER  (Johakx)  Kern- 
Sprliche,  mehrentheils  aus  heiliger  Schrifft 
Altes  uud  Neues  Testaments,  theils  aucii 
aus  etlichen  alten  Kirchenlehrern  genom- 
men,  und  in  die  Music  mit  3.  4.  5.  6.  und 
7.  Stimmen  samt  ihrem  Basso  Continuo 
...mit  und  ohne  Violen  gesetzet,  etc. 
Prima  (Secunda)  (Tertia,  Quarta  &  Quiuta) 
Vox.  (Violin  i.)  (Violin  ii.)  (Bassus 
Continuus.)     6  pts.  In  Yerlegung  dcs 

Autoris  . . .  Gedruckt  bey  Fried.  Lancki- 
schen  sel,  Erhcn  :  Leipzig,  1648.     fol. 

E.  239.  (1.) 

[Another  copy.]  6  pts.  E.  239.  a.  (1.) 
Andere  Kern-Spriiche, ...  in  die  I\Iusic  mit 
3.  4.  5.  6.  und  7.  Stimmen,  samt  ihrem 
Basso  Continuo  . .  .mit  und  ohne  Violen 
gesezzet,  etc.  Prima  (Secmida)  (Tertia, 
Quarta  &  Quinta)  Vox.  (Violino  i.)  (Vio- 
lino  II.)  (Bassus  Continuus.)  6  pts. 
Auff  Kosten  Zacliar.  Hertels  . . .  drukts. . . 
ChristoplwrusCellarius:  Leipzig, l&b2.  fol. 

E.  239.  (2.) 

[Another  copy.]     6  pts.      E.  239.  a.  (2.) 
The    Secunda    Vox   part    is    imperfect, 
tcanting  the  title-page. 

EOSENROTH  (Christian  Knorr  vox). 
See  Knoer  von  Rosenroth. 

ROSES.     The  Roses.     [Song.] 
See  Arne  (M.) 

The  Roses  of  Thirtj'-One.     [Song.] 
See  Truant.      A  Truant   Tar  the   world 
I've  rang'd,  etc.     [1785  ?]     fol. 

G.  807.  d.  (77.) 

ROSE-TREE.  A  Rose  Tree  full  in  bear- 
ing.    [Duet.]     See  Poor  Soldier. 

ROSETTE.  Rosette  est  jeune,  a  mille 
appas.  Le  Portrait  de  Rosette.  [Song, 
adapted  to  '  Je  le  compare  avec  liouis,'  bv 
N.  Dezede.]     [Paris,  1780  ?]     8". 

B.  362.  e.  (112.) 

[Another  copy.]  B.  362.  (77.) 

ROSETTI  (A.)  Four  Sonatas,  for  the 
Piano-Forte  or  Harpsichord.  Composed 
and. .  .dedicated  to  Miss  Carey  by  Sig'  A. 
Rosetti.     Neapolitan. 

Lmigvian  and  Broderip : 
London,  [1795  7]    fol.    h.  1480,  p.  (12.) 

ROSETTI  (Antonio)     See  Rosetti  (F.  A.) 

ROSETTI  (Franz  Anton)  Three  Favorite 
Divertissements  for  the  Harpsichord  or 
Piano  Forte  with  an  Accompanyment  for 
the  Violin  &  Violincello ...  Op.  2".  [Separ- 
ate Parts.]  J.  Cooper : 
Londmi,  [1790  ?]  fol.  h.  1480.  s.  (8.) 
Three  Favourite  Divertisements  for  the 
Piano  Forte.  Op.  2.  [1799.]  See  Peri- 
odical Publications. — London.  The 
Piano-Forte  Magazine.  Vol.  IX.  [No.  1.] 
[1797-1802.]     8°.  D.  854. 


ROSETTI     (Franz     Anton)       Quatuors 
Concertants    a    Deux    Violons,    Alto    et 
Basse. .  .Oeuvre  4.     [Separate  Parts.] 
Chez  le  S''  Sieber  :  Paris,  [1785  ?]     fol. 

h.  78.  (1.) 
Sei   Quartetti  per   Due   Violini,  Viola,  e 
Violoncello . . .  Opera  vi.    [Separate  Parts.] 
Presso  Artaria  Compagni : 
Yieiina,  [11802]     fol.  h.  2830.  (8.) 

Six  Quatuors  Concertants  pour  Deux 
Violons,  Alto  et  Basse  . . .  Oeuvre  vii. 
[Separate  Parts.]  Chez  le  S''  Sieber  : 

Paris,  [1790  ?]     fol.  h.  78.  (2.) 

Deux  Simphouie  a  Deux  Violons  deux 
Alto  et  Basse  uue  flute  Deux  Hautbois 
Deux  Cors. .  .CEuvre  6.  [Separate  Parts.] 
CJiez  le  S'-  Sieber  :  Paris,  [1785  ?]     fol. 

h.  3210.  (35.) 
Der  Sterbende  Jesus.  Ein  Oratorium,  etc. 
[Words  by  Zinkernagel.     Full  Score.] 

Bey  Artaria  Compagnie  : 
ne?m,[1785?]     oW.  fol.  E.  1671. 

ROSETTUS  (Blasius)     See  Rossettus. 

ROSETUS  (Stephanus)     See  Rossetto. 

ROSIER.     Le  Rosier.     Opera  Comique. 
See  Bonesi  (B.) 

Une  fille  du  voisinage.  Bomance  da  Rosier. 
[By  B.  Bonesi.]  Avec  Accomp'  de  Guittare. 
Chez  Imbault :  Paris,  [1784  ?]     8". 

B.  362.  c.  (96.) 
Qu'il  sera  beau  le  jour  de  d'main. 
Vaudeville  du  Bosicr.  [By  B.  Bonesi.] 
Avec  Accomp'  de  Guittare.  Cliez  Lnbault : 
Paris,  [1784  ?]     8".         B.  362.  c.  (96*.) 

ROSIERE  DE  SALENCI.  La  Rosiere 
de  Salenci,  Comedie,  en  trois  actes,  mel§e 
d'Ariettes  ;  par  M.  Favart.  [With  the 
music  of  one  song  and  the  concluding 
Vaudeville.]  Cliez  la  Veuve  Duchesne  : 
Paris,  1770.     8".  164.  d.  26. 

This  is  not  Gr^try's'Bosi^re  de  Salenci.' 
Chant^s,  danses,  amuses  vous.  Vaudeville 
de  la  Bosiere  [de  Salenci,  by  A.  E.  IM. 
Gr^try],     [Paris,  1780  ?]     8^ 

B.  362.  (163.) 
Colin  quel  est  mon  crime.  Duo  de  la 
Bosiere  [de  Salenci,  by  A.  E.  M.  Gretry]. 
[Paris,  1780  ?]     8°.  B.  362.  i.  (47.) 

Du  poids  de  la  vieillesse.  [Song.]  De  la 
Bosiere  [de  Salenci,  by  A.  E.  M.  Gretry]. 
[Paris,  1780?]     8".  B.  362.  (54.) 

J'ai  tout  perdu.     [Song.]     De  la  Bosiire 
[de  Salenci,  by  A.  E.  M.  Gretry]. 
[Paris,  1780  ?J     8°.         B.  362.  c.  (112.) 
Ma    Barque    legere.      Ariette,   etc.      [By 
A.  E.  M.  Gretry.]     [Paris,  1780  ?]     8°. 

B.  362.  e.  (112b.) 
Quand  le  Rossignol  du  bocage.  [Song.] 
De  la  Bosiere  [de  Salenci,  by  A.  E.  M. 
Gretry].     [Paris,  1780  ?]     S". 

B.  362.  c.  (112'\) 


432 


EOSIERE— ROSS 


ROSIERE  DE  SALENCI.     Quel  beau 
jour  se  dispose.     Aricttc,  de  la  Rosiere  de 
Saleuci  [by  A.  E.  M.  Gretry]. 
Chez  Camancl:  Paris,  [1780?]     8\ 

B.  362.  (55.) 
La  Rosiere  de  Salenci.     Pastorale. 
See  Gretry  (A.  E.  M.) 

ROSIERS  (Andrk  de)  Sieicr  de  Beaulicu. 
Alphabet  de  Chansons  pour  Danser  et 
pour  Boire.  1646.  Sec  Chansons.  Re- 
cueil  de  differens  Livres  de  Chansons, 
etc.  Liv.  IV.  1699.  8°.  A.  428.  (4.) 
XIII.  Liure  des  Libertez  d'Andr6  de 
Rosiers,  etc.  R.  Ballard  : 

Paris,  1665.     8".  A.  769. 

XVI.  Liure  des  Libertez  d'Andr^  de 
Rosiers,  etc.  B.  Ballard  : 

Paris,  1672.     8°.  A.  769.  a. 

ROSIERS  (Charles)  Pieces  Choisies  a 
la  maniere  Italienne . . .  Propres  a  jouer  sur 
la  Flute,  le  Violon  &  autres  Instruments. 
Mises  en  ordre  par  A.  Le  Chevallier. 
(Flauto  Primo.)  (Basone.)  2  pts. 
P.  d  J.  Blaeu  :  Amsterdam,  1691.     ohl.  4°. 

C.  404.  (2.) 

ROSILLA.  RosiUa  and  Adonis.  [Song.] 
Sec  Snibson  (J.) 

ROSINA.     Rosina.     Comic  Opera. 
Sec  Shield  (W.) 

ROSINE.  Rosine  ton  ceil  devient  dan- 
gereux.     Ariette  de  M''  *  *  *.  {^Paris, 

1780?]     8°.  B.  362.  c.  (23.) 

ROSS    (Daniel)      Ratlin    roarin'   Willie. 

A  Favorite  Air  with  Variations. .  .for  the  I 

Piano  Forte.  Printed  for  J.  Brysson  :  | 

Edinburgh,  [1800  ?]     fol.      h.  122.  (32.)  | 

ROSS  (John)  The  Aberdeen  Volunteers, 
[Song,]  written  by  Mr.  Ewen,  etc. 

Longman  &  Broderijj,  for  the  Antlior  : 
London,  [1797  ?J     fol.  G.  366.  (67.) 

Ance  I  was  as  blythe  as  Simmer.  A 
Favourite  Scots  Song  with  an  Accompani- 
ment for  the  Piano  Forte.  Written  by 
Mr.  Rannie,  etc.  J.  Hamilton  : 

Edinburgh,  [1795  ?]     fol.      G.  366.  (63.) 
Busk    ye,   busk   ye,  a   Scotch  Air,   with 
Variations  for  the  Piano  Forte,  etc. 
B.  Birchall :  London,  [1800  ?]     fol. 

h.  122.  (34.) 
A  Select  Collection  of  Ancient  &  Modern 
Scottish  Airs.  Adapted  for  the  Voice, 
with  Introductory  and  Concluding  Sym- 
phonies &  Accompaniments  for  the  Piano 
Forte  ...  by  J.  Ross  . . .  Vol.  I. 
J.Hamilton:  Edinburgh,  [1795  7]     fol. 

H.  1629.  a. 
Come  Cynthia  to  thy  Shepherd's  Vale. 
A  Canzonet  with  an  Accompaniment  for 
the  Piano  Forte . . .  The  Poetry  from  the 
Piudariana.  Broderip  and  Wilkinson  : 
London,  [1800  ?]     fol.  G.  799.  (14.) 


ROSS   (John)     Crazy   Jean,    [Song,]   with 
an  Accompaniment  for  the  Piano-Forte. 
Written  by  M.  G.  Lewis,  etc. 
J.Hamilton:  Edinburglt,  [1800?]     fol. 

G.  806.  d.  (70.) 
Cynthia  thinks  of  me  no  more,  [Song,] 
with  an  Accompaniment  for  the  Piano 
Forte,  Written  by  J.  Rannie,  etc. 

Longman,  dementi  £  Co  : 
London,  \im07]  fol.  G.  806.  d.  (71.) 
Duncan  Gray  came  here  to  woo.  [Song.] 
.  . .  The  Svmphonies  &  Accompaniments 
...by  Mr.  Ross.  [1800?]  fol. 
J.  Hamilton  :  Edinburgh,  [1800  ?]     fol. 

H.  2820.  (5.) 
Ellen  of  the  Dee.  [Song.]. .  .The  Words 
by  ]\Ir.  Rannie,  etc.  Longman  &  Broderip  : 
London,\rt'db7]     fol.     G.  800.  m.  (51.) 

Erin  go  bragh.  A  Favourite  Irish  Air 
with  Variations  for  the  Piano-Forte. .  .by 
J.  Ross,  etc.  J.  Hamilton  : 

Edinburgh,  [1800?]     fol.       g.  139.  (40.) 
Go  pull  the  Rose.     A  Favourite  Song  set 
for  the  Voice,  Piano-Forte,  or  German- 
Flute.     Written  by  J.  Hamilton,  etc. 
J.  Hamilton  :  Edinburgh,  [1795  ?]     fol. 

G.  366.  (62.) 
The  Green  Willow  Grove,  [Song,]  with  an 
Accompaniment  for  the  Piano  Forte, 
written  by  ]\Ir.  Rannie,  etc.  Longman, 
Clemenii  d  Comp;/  :  London,  [1799  ?]    fol. 

G.  366.  (66.) 
Henry's  Return,  the  Sequel  to  Crazy  Jane, 
[Song,]  Written  by  Mr.  Rannie,  etc. 
Preston  :  London,  [1800  ?]     fol. 

G.  806.  d.  (72.) 
I  ask  not  thy  Pity.  Canzonet,  with  an  Ac- 
companiment for  the  Piano  I'orte  or  Harp 
. .  .The  Words  by  Mr.  Jones.  Preston  : 
London,  [1800  ?]     fol.  G.  810.  (58.) 

The   Maid    of    Seaton   Vale,   a    Scottish 
Ballad  written  by  jMr.  Rannie,  etc. 
Preston  :  London,  [1795  ?]     fol. 

G.  793.  (23.) 
My  Heart  lovely  Mary  is  thine.  A  Ballad 
. .  .with  an  Accompaniment  for  the  Piano 
Forte. .  .The  Poetry  by  J.  Rannie. 

Broderip  and  Wilkinson:  London, 
[1799?]    fol.  G.  366.  (70.) 

My  Heart  with  joy  is  thrilling.  A  Favorite 
Duetto  with  an  Accompaniment  for  the 
Piano  Forte,  written  by  Mr.  Rannie,  etc. 

Longman,  dementi  &  Compy  :  London, 
[1799?]     fol.  G.  366.  (69.) 

My  Jockey  is  a  gentle  Youth,  [Song,] 
written  by  Mr.  J.  Rannie,  etc.  Longman 
&  Broderip,  for  the  Author :  London, 
[1790?]     fol.  G.  366.  (68.) 

The  Negro  Mother.     A  Ballad. .  .with  an 
Accompaniment  for  the  Piano  Forte,  etc. 
Printed  for  Broderip  and  Wilkinson ; 
London,  [1799  ?]     fol.  G.  366.  (72.) 

[Another  copy.]  G.  799.  (13.) 


ROSS— ROSSETTO 


433 


ROSS  (John)  O  open  the  door  thou  dear 
unkind.  A  Favourite  Song  with  au  Ac- 
companiment for  the  Piano  Forte.  Writ- 
ten by  Mr.  Rannie,  etc.  J.  Hamilton  : 
Edinburgh,  [1795  ?]     fol.     G.  366.  (65.) 

O  strew  the  sweet  Flower,  a  Favorite 
Song  sung  by  Master  Welsh,  etc.  [Short 
Score.]  Lewis,  Houston  &  Hyde  :  London, 
[1797?]     fol.  G.  798.  (44.) 

Orra  Moor,  A  Favorite  Song  with  an 
Accompaniment  for  the  Piano  Forte, 
written  by. .  .Mrs.  Rove,  etc.  Longman, 
dementi  cO  Comp.'/  :  London,  ''1799?]     fol. 

G.  366.  (64.) 

Oscar's  Tomb,  [Song,]  with  an  Accompani- 
ment for  the  Piano-Forte,  Written  by 
J.  Rannie,  etc.  Longman,  dementi  £  C', 
for  the  Author  :   London,  [1790  ?]     fol. 

G.  806.  d.  (73.) 

A  Second  Set  of  Nine  Songs,  with  an 
Accompaniment  for  the  Piano-Forte  or 
Harp. .  .Op.  4.  Longman  <£•  Broderip  : 

Lotidon,  [1792  ?]     fol.  G.  358.  (9.) 

A  Third  Sett  of  Songs.  With  an  Accom- 
paniment for  the  Piano  Forte  or  Harp. . . 
Op.  7"'.  J.  Hamilton  :  Edinburgh, 

[1795?]     fol.  G.  358.  (10.) 

The  Seventh  of  November,  a  Scotch  Air, 
arranged  as  a  Rondo  for  the  Piano  Forte, 
etc.     R.  Birchall:  Lo7ulon,[lS00?]     fol. 

h.  122.  (34*.) 

The  Soldier's  Return.  A  favorite  Scots 
Air,  with  Variations  for  the  Piano  Forte, 
etc.  J.  Hamilton :  Edinburgh,  [1800  ?J  fol. 

g.  139.  (39.) 

Three  Sonatas  for  the  Piano-Forte  or 
Harpsichord,  with  an  Accompaniment  for 
a  Violin,  in  which  are  introduced  for  the 
Subjects  of  the  Slow  movements,  favorite 
Scots  Songs . . .  Op.  5.  Prcstoii  ct  Son  : 

London,  [1795  ?]     fol.       g.  443.  e.  (27.) 

A  Sonata  in  which  is  introduced  a  favorite 
Scots  &  Irish  Air,  for  the  Piano  Forte, 
■with  an  Accompaniment  for  the  Violin  or 
Flute,  etc.    Preston  :  London,  [1800  ?]    fol. 

g.  271.  b.  (25.) 
Wanting  the  accompaniincnt. 

Tho'  Grief  had  nipp'd  her  early  bloom,  a 
Favorite  Ballad  . . .  The  Poetry  by. . .  T. 
Russell,  c^c.  Broderip  and  Wilkinson: 

London,  [1799  ?]     fol.  G.  366.  (73.) 

Thy  blue  waves  0  Carron.  A  Favorite 
Ballad. .  .with  an  Accompaniment  for  the 
Piano  Forte. .  .The  Poetry  by  Mr.  Rannie. 
Broderip  and  Wilkinson  :  London, 
[1799?]     fol.  G.  366.  (71.) 

Six  Favorite  New  Waltzes  for  the  Piano 
Forte.  Op.  9'\  [Book  II.]  J.  Hamilton : 
Edinburgh,  [1800?]       fol.     g.  229.  (12.) 

VOL.    II. 


ROSS  (John)  While  the  IMoon-Beams  all 
bright.  [Song.]  Written  by  Mr.  J. 
Rannie,  etc.  Longman  &  Broderip, 

for  the  Author  :  London,  [1195  ?]     fol. 

G.  366.  (74.) 

ROSSELLI  (Agrippino)  Ten  Ariettes 
and  Two  Duetts  for  One  &  Two  Voices, 
with  an  Accompaniment  for  the  Piano- 
Forte,  etc.  Printed  for  the  Author  : 
London,  [1795  ?]     obi.  fol. 

E.  600.  u.  (6.) 

Bella  dea.  A  Favorite  Song, ..  .sung. . . 
in  the  Opera  of  AUessandro  e  Timoteo. 
[Full  Score.]  [1800.]  fol.  See  Alessan- 
DRO  E  Timoteo.  G.  811.  a.  (4.) 

Two  Easy  Duetts  for  Two  Voices  with  an 
Accompaniment  for  the  Piano -Forte,  etc. 
L.Lavcnu:  London,  [1195?^     fol. 

G.  805.  m.  (35.) 

Lamento  di  INIaria  Antonietta,  Rogina  di 
Francia,  Cantata ...  a  voce  sola,  e  Cori.  La 
Poesia  e  di  S.  Buonaiuti.     [Full  Score.] 

T.  Skillern,  a  spcse  delV  Autorr  : 
Londra,  [1794  ?]     ohl.  fol.  E.  529. 

Rasserena  il  mesto  ciglio.  A  Favorite 
Rondo,  with  an  Accompaniment  for  the 
Piano  Forte,  etc.  Printed 

for  tlie  Author  :  London,  [1795  ?]     fol. 

G.  805.  m.  (36.) 

ROSSETER  (Philip)  A  Booke  of  Ayres, 
Set  foorth  to  be  song  to  the  Lute, 
Orphcrian  and  Base  Violl,  by  Philip 
Rosseter  Lutenist  [and  Thomas  Campion], 
etc.  Printed  by  Peter  Short,  by  the  assent 
of  Thomas  Morley  :  London,  1601.     fol. 

K.  2.  i.  3. 

ROSSETTI  (Antonio) 
See  RosETTi  (F.  A.) 

ROSSETTO  (Stepano)  II  Lamento  di 
Olimpia  di  Stefano  Rossetto  . . .  Con  vna 
Canzone  Del  medesimo,  a  quattro,  a 
cinque,  a  sei,  a  sette,  a  otto,  a  none,  & 
died  voci,  etc.     Basso. 

Appresso  Girolamo  Scotto  : 
Vinegia,  1567.     4".  D.  198. 

II  Primo  Libro  de'  Lladrigali  a  Sei  Voci, 
etc.  Canto.  (Alto.)  (Tenore.)  (Basso.) 
(Quinto.)     (Sesto.)     G  pts. 

Appresso  Claudio  da 
Correggio,  d-  Fausto  Beihanio  Compagni  : 
Vinetia,  15G6.     obi.  4°.  K.  3.  f,  5. 

Nouse  Qusedam  Sacrse  Cantiones  quas 
vulgo  Motetas  vocant.  Quinque  et  Sex 
Vocum,  itacompositas,  ut  ad  omnis  generis 
instrumenta  attemperari  possint,  etc. 
Discantus.  (Altus.)  (Bassus.)  (Vagans.) 
4  pts.  Li  Officina' Theodorici 

Gerlazeni  :  Noribergx,  1573.     obi.  4°. 

A.  400. 
2  F 


434 


ROSSETTUS— ROTA 


ROSSETTUS  (Blasius)  Blasii  Rossetti 
Veroneiisis  Libellus  de  rudimentis  Mu- 
sices.  Dg  triplici  musices  specie.  De  modo 
debits  soluC'di  diuinii  peasum.  Et  de 
auferendis  nonnullis  abusibus  in  dei 
templo,  etc.  Per 

Stcphanuni,  d-fratrcs  de  Nicolinis  de  Sabio, 
sumptio  d;  requisitione  D.  Blasii  Rosctti  : 
Veron^,  1529.     4".  K.  1.  g.  11. 

52  leaves,  loithout  pagination,  29  lines  to 
the  full  page. 

ROSSETUS  (ViNCENTius) 

See  Vanneus  (S.)     Recanetum  de  Musica 
Aurea . . .  Vincentio  Rosseto . . .  Interprete. 
1533.     4".  K.  2.  g.  17. 

ROSSI  (Giovanni  Battista)  Organo  de 
Cautori  x^er  intendere  da  se  stesso  ogni 
passo  difficile  che  si  trova  nella  INIusica, 
et  anco  per  imparare  Coutrapuuto.  Con 
alcune  Cantileue  a  Dae,  Tre,  Quattro,  & 
Cinque  Voci,  etc.  Staynpa  del 

Gardano.  Appresso  Bartholomco  Magni  : 
In  Venetia,  1618.     fol.  G.  842. 

ROSSI  (Lemme)  Sistema  Musico  ouero 
Musica  Speculatiua.  Doue  si  spiegauo  i  piu 
Celebri  Sistemi  di  tutti  i  tre  Generi.  Nella 
Stampa  Episcopate ,  per  Angela  Laurenzi : 
Perugia,  1666.     4".  557*.  e.  1.  (1.) 

ROSSI  (Michel  Angelo)  Erminiasul  Gior- 
dano.     Dramma  IMusicale  rappresentato 
nel   Palazzo  dell'   illustrissimo . .  .  Signore 
D.  Taddco  Barberino,  etc.     Appresso  Paolo 
Masotti:  Roma,imi.    fol.     K.  8.  h.  20. 
This  copy  contains  five  engravings    by 
F.   Greutcr  after   A.  Camasse,   repre- 
senting scenes  in  the  Opera. 
[Another  copy.]  K.  8.  h.  16. 

Imperfect,  loaniing  the  frontispiece,  title- 
page  and  dedication. 

ROSSI  (Salomone) 

'7  "I  'n  '1  nizrbtzrb  np^Diam  ]i:!3n 
.itabK   .'2-\  mbip  'n 

Appresso  gli  Illust.  Sig. 
Pictro    e    Lorenzo    Brag[adini  :     Venice, 

1623J.    2"ZW  nS'i^TTI    fol.    1977.  g.  7. 
The  Alto  part  only. 

ROSSIGNOL.  Le  Rossignol,  Opera 
Comique  eu  un  Acte,  de  Messieurs  ****** 
[i.e.  G.  C.  de  I'Attaignant  and  R.  Fleury] 
. .  .avec  la  Musique.  (Airs  choisis  du 
Rossignol.)  Chez  Duchesne  :  Paris, 

1756.     8".  11738.  e.  33.  (5.) 

[Another  copy.]  164.  g.  7. 

[Another  edition.]  Le  Rossignol,  Op6ra 
Comique  en  un  Acte,  de  Messieurs  ****** 
[i.e.  G.  C.  de  I'Attaignant  and  J.  Fleury], 
etc.  (Airs  choisis  du  Rossignol.)  1756. 
jS'ceTHEATRE.  Nouveau Theatre  de  laFoire, 
etc.     Tom.  1.     1768.     S".       11735.  d.  2. 


ROSSIGNOLS.       Rossignols,     que    pre- 
tendez-vous.     Chanson.     See  Martin  (F.) 
Les  Rossignols  Spirituels.     [Hymns.] 
See  Philips  (P.) 

ROSSINO  (Francesco  di)     Grammatica 

Melodiale  Teorico-Pratica  esposta  par 
Dialoghi,  nella  quale  con  metodo  chiaro. . . 
insegnasi  il  modo  d' imparare  . . .  il  vero 
Canto  Ecclesiastieo,  o  sia  Canto  Fermo. . . 
Divisa  in  Tre  Parti . . .  Con  in  fine  un 
Appendice,  etc.  Presso  Lazzarini  : 

Roma,  1793.     4°.  7896.  ff.  8. 

ROSTHIUS  (Nicolaus)  Cantiones  Selec- 
tissimse,  Vulgo  Motectae  Appellatae. .  .in 
lucem  Sex  octoq;  vocum  concentu  pro- 
ductse,  etc.  Cantus  primus.  (Cantus  ii.) 
(Altus.)  (Tenor  i.)  (Tenor  ii.)  (Bassus.) 
6  pts.  Impensis  Johannis 

Spiessii  :  Gerx  ad  Elystrum,  1613-14.     4°. 

B.  128. 

The  title-pages   of  the  Tenor  parts  are 

dated  1613,  and  differ  from  those  of 

the  other  parts.    The  Tenor  II.  part  is 

imperfect,  wanting  all  sheet  C. 

ROSY.     Rosy  Bowers.     Song. 

See  PuRCELL  (H.)  {Don  Quixote.  Part 
III.] 

The  Rosy  Bowl.  [Song.]  See  When. 
When  I  drain  the  rosy  Bowl.    [1779.]    fol. 

G.  313.  (263.) 
The  Rosy  Cheek.     Song.      See  Twiss  (    ) 
The  Rosy  Fair.     [Song.]     See  Remy  (     ) 
Rosy  Hannah.     Song.     See  Hook  (J.) 
The  rosy  morn  lukes  bleeth  and  gay.    Tlie 
Rosy  Morn.     A  Scotch  Song.     [IMusic  by 
Jeremiah  Clarke,  sung  in  D.  Crawfurd's 
comedy  '  Love  at  First  Sight.'] 
Cross  sculp. :   [London,  1710?]     s.  sJi.  iol. 

H.  1601.  (470.) 

[Another  edition.]  The  rosy  morn  lukes 
bleeth  and  gay.  Tlie  Rosy  Morn,  etc. 
[By  J.  Clarke.]  [London,  1720  ?]  s.  sh.  fol. 

G.  312.  (49.) 
The  Rosy  Morn  unbar'd  her  Gate.  The 
am'rous  Kiss.     [Song.]  [London, 

1750?]     s.sh.iol.  G.  316.  a.  (40.) 

Rosy  Morning.     [Song.] 
See  Carter  (C.  T.) 

ROTA  (Andreas)  Andreae  Rotae...Mis- 
sarum  cum  Quatuor,  Quinque,  ac  Sex 
Vocibus.  Liber  Primus,  etc.  Quintus. 
(Sextus.)     2  pts.  Aptid 

Angelum  Gordanum  :  Venetijs,  1595.     4°. 

D.  28. 
Wanting  the  title-page  of  the  Sextus. 
Andreae  Rotse . . .  IMotectorum  Liber  Pri- 
mus qua;  Quinque,  Sex,  Septem  &  Octo 
Vocibus  concinuntur.  Tenor.  (Quintus.) 
(Sextus.)     3  pts.  Apud  Angelum 

Gardanum  :    Venetiis,  1584.      4°. 

T>.  28.  a. 


ROTA— ROUSE 


435 


ROTA  (Andreas)  Andreae  Rotae  . . . 
Motectorumquse  Quinque,  Sex,  Septem, 
Octo  &  Decern  Vocibus  concinuntur. 
Liber  Secundus.  Nunc  denuo  in  lucem 
ffiditus.  Cantus.  (Altus.)  (Tenor.)  (Bas- 
sus.)  (Quintus.)  (Sextus.)  6  pts.  Apud 
Angclum  Gardanum:   Fcjic^iis,  1595.     4". 

C.  32. 

ROTH  (Christian)  Couranten  Lustgart- 
lein,  in  welchen  Vier  vnd  Siebentzig 
Couranten. .  .zu  finden,  welche  auff  aller- 
hand  Musicalischen  lustrumenten  gantz 
lieblich  vnd  lustig  konneu  gebraucht  wer- 
den. .  .mit  4.  vnd  5  Stimmen  componiret, 
etc.     Altus.     (Quinta  Vox.)     2  pts. 

Bey  Wolff  Sciffertcn  [Gcdruck  in. . . 

Freybergk,  bey  Gcorg  Hoffman) :  Dressden, 

1624.     4".  ■  B.  127. 

Also  containing  compositions  by  Albert 

Grant  z. 

ROTH  (WiLHELM  August  Teaugott) 
Liedcr  aus  der  Wochenschrift :  Der 
Freund,  mit  Mclodicn  von  W.  A.  T.  Roth. 
Bey  G.  L.  Winter:  Berlin,  1757.    o6Z.  fol. 

E.  601.  h.  (17.) 

ROTTA  (Antonio)  Intabolatura  de  Lauto 
..  .di.  .  .Messer  Antonio  Rottadi  Recercari 
Motetti,  BalJi,  IMadrigali.  Canzon  fran- 
cese  da  lui  coniposti,  &  Intabulati,  &  noua- 
mente  posti  in  luce.  Libro  Piimo. 
[A.  Gardane  :]  Venetiis,  1546.     obi.  4". 

K.  1.  c.  22.  (1.) 
Containing  also  compositions  by  Jacket, 
J.  Mouton,  Adr.  Vtiigliar  [Willaert] 
and  Gonib[ert]. 

ROUALLE    DE    BOISGELOU    (      ) 

Conseil  a  M""  I'Ev. . .   de  la  Rav. . .     Im- 
promptu Poetique  &  Musical,  etc. 
[Paris.-]  1756.     s.  sh.  8".  298.  c.  27. 

Mercure  de  France,  Jan.,  1756. 

ROUGET  DE  LISLE  (Claude  Joseph) 
Aux  prodiges  de  la  Victoire.  Uymne 
Dithyrauibique  sur  la  Conjuration  de 
Robespierre  et  la  Revolution  du  9. 
Thermidor,  etc. 
Chez  Imbault :  [Paris,  1794.]     8". 

E.  1717.  b.  (2.) 
La  iMarseillaise.  [For  editions  published 
anonymously :]  See  Allons.  AUons, 
enfans  de  la  Patrie. 

La  Marseillaise.  See  A.  A  tant  de 
siecles  d'imposture. .  .sur  I'air  des  Mar- 
seillois,  etc.     [1793.]     8\ 

B.  362.  a.  (12.) 

See    Aloft.      Aloft    your    Banners 

spread  behold.  TJie  British  Call  to  Glory, 
etc.  [Adapted  to  the  Marseillaise,  etc.] 
[1800?]     fol.  H.  2831.  (2.) 

See  Awake.      Awake !    to   arms   ye 

have  protectors.  A  Loyal  Hymn.  Air, 
the  Marseilles  March,  e^c.     [1800?]     fol. 

H.  2831.  i.  (2.) 


ROUGET  DE  LISLE  (Claude  Joseph) 
La  ^larseillaise.  See  Citoyens.  Citoyens, 
la  trompette  sonne. .  .Air  des  ]Marseillais, 
etc.     [1793.]     8".  B.  362.  a.  (7.) 

Sec  Citoyens.     Citoyens,  c'est  pour 

votre  gloire.  Chanson  Sur  I'air  de  la 
marche  des  Marseillois.     [1793  ?]     8". 

B.  362.  a.  (9.) 

St'f  Etre.    Etre  infini,  que  I'Homme 

adore . . .  Air  :  Allons,  Enfants  de  la  Patrie. 
[1794?]     8".  B.  362.  a.  (13.) 

See  Nos.      Nos  triomphes  sont  ton 

ouvrage.  CoiLplcts  .  .  .  sur  I'air  de  la 
Marseilloise.     [1792.]     8". 

B.  362.  a.  (11.) 

Que.       Que   vois-e   en    cette  vaste 

enceinte.  Hyme...ou  Serment  de  la 
llepublique  Franvaise.  .  .I'Aniversaire  du 
10.  Aoust  1793  ...  Air :  De  I'Hymo  des 
Marseillois,  etc.     [1795  ?]     8°. 

F.  1060.  (14.) 

Sec    Quoi.       Quoi !     vous    pouvez 

dormir  encore.  Conscils  Patriothjites. . . 
Air  des  ]\Iarseillois.     [1795  ?]     S'\ 

B.  362.  a.  (8.) 

See  Republtcains.       Republicains 

chantons  Victoire.     Himne  des  Enncmis 
des  Hois.     [Adapted  to  the  JIarseillaise.] 
[1793?]     fol.  B.  362.  a.  (10.) 

See  Republique.     Une  Republique 

naissante  paroit.  Hymne  Sans-Culotide 
.  ..Sur  I'air  des  Marseillois.     [1794.]     8^ 

B.  362.  d.  (4.) 

See  Ye.     Ye  Sons  of  France  awake 

to  Glory,  etc.  [By  C.  J.  Rouget  de  Lisle.] 
[1792?]     fol.  G.  360.  (58.) 

Paul  and  Virginia,  a  Romance. 

Sec  Pleyel,  Corri  &  Dussek.  Pleyel, 
Corri  and  Dussek's  Musical  Journal,  etc. 
[Vocal  Part.]     No.  2.     1797.     fol. 

G.  356.  (12.) 

ROUND.  Round  Arthur's  gay  Table. 
The  Buck's  Comfort.  [Song.]  The  Words 
by  G.  A.  Stevens.  P.  H[odgson  : 

London, 1180?]    s.sh.M.     G.  311.  (41.) 


ROUND  TOWER. 

Ballet  Pantomime. 


The  Round  Tower. 
See  Reeve  (W.) 


ROUSE.     Rouse,  Britons,  rouse,  and  face 

the  foe.     A  Netv  Song,  in  Honour  of  the 
King  of  Prussia.     [By  R.  Crome.] 
[London,  1758.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XXIIL,p.  199. 
Rouse  Britons  rouse  and  face  the  Foe. 
Song.  See  Crome  (R.) 
Rouse  Britannia's  Warlike  throng.  Bouse 
Britannia.  [Song.]  Sung  by  iNIr.  Vernon. 
[London,  118Q)'>]     fol.  G.  311.  (37.) 

Rouse,  rouse,  jolly  Sportsmen.    A  Favour- 
ite Hunting  Song.     [London,  1769.]     8". 

159.  n.  1. 

London  ^[agazine,  1769,  ^j.  48. 

2  F  2 


436 


ROUSE— ROUSSEAU 


ROUSE.      Rouse,  rouse,  jolly   sportsmen. 
The  Chace  is  begun.     A  New  Song. 
ILondon,  1770.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XLVII.,  p.  43. 

Rouse,  rouse,  jolly  Sportsmen.  The  Chase 
is  begun.     [Song.]  [London, 

1770?]  s.sh.iol.  H.  1994.  a.  (192.) 
Rouse  !  Rouse  !  LatliargicBrittons.  House 
Brittons.     [London,  1756.]     s.  sJt.  8". 

P.P.  5439.  ab. 
New  Universal  Magazine,  Vol.  X.,  /S'"JJ- 
plenient. 
Rouze  ye  aspiring  Britons  bold.     Song. 
RiMBAULT  (S.  F.) 

Rouse  ye  Gods  of  the  Main.     [Song.] 
See  PuRCELL  (D.)     [The  Island  Priiiccss.] 

ROUSED.  Rous'd  Europe  now  is  up  in 
Arms.  .4  Loyal  Song.  The  Words  by 
Mr.  H.  Rodes.     [London,  1757.]     s.  sli.  8". 

P.P.  5439.  ab. 

New  Universal  Magazine,  Sept.,  1757. 

Rous'd  Europe   now  is  up   in   arms.      A 
Loyal  Song.     [London,  1757.]     8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XX.,  p.  272. 

ROUSSEAU  (     )  of  Versailles.      Maman, 
vous  me  dites  sans  cesse.     CJianson,  etc. 
[Paris,]  1755.     s.  sh.  8°.  298.  e.  24. 

Mercure  de  France,  June,  1755. 

ROUSSEAU  (Jean)  Methode  Claire, 
Certaine  et  Facile,  pour  apprendre  a 
chanter  la  Musique . . .  Le  tout  mis  en 
ordre  par  A.  Le  Chevalier,  suivant  la 
copie  de  J.  Rousseau,  etc.  P.  tC  J.  Blacu  : 
Amsterdam,  1691.     obi.  4".  785.  a.  7. 

Imperfect,  wanting  all  after  p.  56. 

Methode  Claire,  Certaine  et  Facile  pour 
apprendre  a  chanter  la  IMusique  .  .  . 
Cinquieme  Edition  reveue,  augment^e  & 
mise  dans  un  meilleur  etat.  Chez  P. 

Mortier:  Amsterdam,  [1110?]    8°. 

1042.  1.  6.  (1.) 

Traite  de  la  Viole,  etc.  Cliristoplie 

Ballard  :  Paris,  1687.     8°.       786.  b.  34. 

ROUSSEAU  (Jean  Jacques) 

Arrangement. 

I.  Musical  Works. 
II.  Writings  on  Music. 

I.  Musical  Works. 

Au  fond  d'une  sombre  Vallee.  Bomance. 
[Words  translated  from  the  English  of  D. 
Mallet.]     [Paris,  1780  ?]     8°. 

B.  362.  a.  (113.) 

Les  Consolations  des  Miseres  de  ma  Vie, 

ou  Recueil  d'Airs,  Romances  et  Duos,  etc. 

Chez  De  lioullcde  de  la  CJievardierc  : 

Paris,  1781.     fol.  H.  543.  b. 


ROUSSEAU  (Jean  Jacques)  Les  Con- 
solations des  Miseres  de  ma  Vie,  ou 
Recueil  de  Romances.  (Recueil  des 
(Euvres  de  Musique  de  J.  J.  Rousseau. 
Tome  l"".)     L.  P.  [Poincot : 

Paris,  1788-1793.]     4".  96.  e.  18. 

Tom.  37  of  '  CEuvrcs  completes  de  J.  J. 
Rousseau.  Nouvelle  ^Edition,  classdo 
par  ordre  de  matieres,  etc' 

[Another  copy.]  D.  322.  a. 

Imperfect,  xoanting  the  first  title-page  and 
last  leaf. 

Dans  les  bosquets  de  Cythere. 

See  infra  :  [Le  Devin  du  Village.    Scene  8. 

Pantomime.] 

[Daphnis  et  Chloc.]  Fragmens  de  Daphnis 
et  Chloe,  composes  du  premier  Acte,  de 
I'Esquisse  du  Prologue,  et  de  difierens 
Morceaux  prepares  pour  le  second  Acte  et 
le  Divertissement.  Paroles  de  M.  *  *  *. 
[Full  Score.]  CJiez  Espru  : 

Paris,  1779.     fol.  I.  327. 

Le  Devin  du  Village.     Interm^de  r6pr6- 
sente  a  Fontainebleau...les  18  et  24  Octobre 
1752  et  a  Paris  . . .  le  1"  Mars  1753 . . .  Grave 
par  M'"'=  Vandome,  etc.     [Pull  Score.] 
Chez  M''"'"  Boivin  :  Paris,  [1753  ?]     fol. 

H.  543. 

Le  Devin  du  Village,  Intermede,  etc. 
[Libretto,  with  the  voice-part  of  the  songs, 
etc.]  Chez  Pierre  Gosse  : 

Geneve,  1760.     8".  11735.  e.  39. 

Le  Devin  du  Village.  Intermede.  [Li- 
bretto, with  voice-part  of  the  Songs.  1760.] 
See  Theatre.  Nouveau  Theatre  de  la 
Foire,  etc.     Tom.  1.     1763.     8". 

11735.  d.  2. 

Le  Devin  du  Village.  Intermede. .  .Avec 

I'Ariette   ajoutee    par  M'    Philidor,   etc. 

[Full  Score.]  Chez  Le  Clerc  : 

Paris,  [1765?]     fol.  H,  543.  c. 

[Le  Devin  du  Village.]  The  Cunning-Man, 
a  Musical  Entertainment  in  Two  Acts 
. . .  Taken  from  the  Devin  du  Village  of 
J.  J.  Rousseau,  and  adapted  to  his  Original 
Music  by  C.  Burney.  R.  Bremncr  -. 

London,  [1766.]     obi.  fol.        D.  281.  (1.) 

The  Comic  Tunes  in  Le  Devin  du  Village 
or  Cunning  Man. .  .For  the  Harpsichord, 
Violin,  German-Flute,  or  Hoboy.  Printed 
for  B.  Bremner :  London,  [1766.]     obi.  fol. 

D.  282.  (4.) 

Le  Devin  du  Village.  Intermede,  etc. 
[FuU  Score.]  Chis  J.  J.  Htimmel : 

Berlin,  Amsterdam,  (1773.)     fol. 

H.  543.  a. 

Les  Six  Nouveaux  Airs  du  Devin  du 
Village,  etc.  [Full  Score.]  Clirs  Espru  : 
Paris,  1779.     fol.  G.  808.  c.  (21.) 


ROUSSEAU— ROUSSIER 


437 


ROUSSEAU  (Jean  Jacques)  [Le  Devin 
du  Village.]  Ici  de  la  simple  nature. 
Chanson,  etc.     [Paris,]  1753.     s.  sit.  4.". 

298.  e.  13. 
Mercnre  de  France,  April,  1753. 

[Scene  8.     Pantomime.]      Dans  les 

bosquets  de  Cvthere,  NouveUe  Romance, 
etc.     [Paris,  1775  ?j.     8". 

B.  362.  e.  (115.) 

[Another  copy.]       B.  362.  b.  (30.) 

[Scenes.    Pantomime.]    Sec  Sweet. 

Sweet  jMelissa,  lovely  IMaiden  !  [Song.] 
.  .  .  Adapted  [to  the  Tune  of  Rousseau's 
Dream],  <';c.     [1788?]     fol. 

G.  377.  (17.) 

[For  songs,    &c.,    published   anony- 
mously :]  Sec  Devin  du  Village. 
Edwin  et  Emma.     Romance,  etc. 
[Paris,-]  1778.     8°.  297.  f.  27. 

Merctcre  de  France,  Nov.,  1778. 
Ici  de  la  simple  nature. 
See  supra  :  [Lc  Devin  du  Village.] 
Je  I'ai  plante,  je  I'ai  vunaitre.     Romance, 
etc.    [Paris,  1180?]    S".     B.  362.  e.  (16.) 

See  Ciel.      Ciel,  il  etait  si  Patriote 

. . .  Air :    Je   I'ai  plants,   etc.     [By  J.   J. 
Rousseau.]     [1793  ?]     8°. 

B.  362.  d.  (21.) 
Un  papillon  badin  caressoit  une  rose. 
Chanson,  etc.     [Paris,]  1737.     s.  sh.  i". 

297.  b.  19. 

Mercure  de  France,  June,  1737. 
[Que  le  jour  me  dure.]  Air  de  trois  Notes 
.  .  .  avoc  la  parodie  allemaude  par  Gotter 
et  24  Variations  pour  le  Clavecin  ou  le 
Pianoforte  un  Violou  oblige  et  un  Violon- 
cell  par  Baumbach. 

Chis  J.  Morino  et  Compag. : 
Berlin,  [1792.]    fol.  h.  5.  e.  (4.) 

Wanting  the  Violin  and  Violoncello 'parts. 

See  VoGLER  (G.  J.)     Trichordium. 

[Cantata,  on  a  Melody  by  J.  J.  Rousseau.] 
[1800?]     fol.  H.  3311.  b.  (1.) 

II.  Writings  on  Music. 
Ecrits  sur  la  IMusique.     4  tom.     L.  P. 
[Poincet :  Paris,]  1788-1793.     4°. 

95.  e.  19-96.  e.  3. 
Tom.   19-22   of  '  CEuvres   completes    de 
J.   J.    Rousseau.      NouveUe    ^Idition, 
classic  par  ordre  de  matieres,'  etc. 
Dictionnaire  de  Musique,  etc. 
Genive,  1781.     4°.  95.  li.  8. 

Tarn.  9  of  the  '  Collection  complete  des 
CEuvres  de  J.  J.  Rousseax.' 
Dictionnaire  de  IMusique,  etc. 

Chez  la  Veuve  DucJiesne  : 
Paris,  1768.     i".  785.  k.  59. 

[Another  copy.]  48.  d.  17. 

A  Complete  Dictionnary  of  Music. ..Trans- 
lated. .  .by  W.  Waring.      Second  Edition. 
Printed  for  J.  Murray  : 
London,  1779.    8°.'  7897.  1.  17. 


ROUSSEAU   (Jean  Jacques)      Lettre  a 
M.     Grimm     au    sujet     des    R^marques 
ajoutees   a  sa  Lettre  sur  Omphale.     [By 
J.  J.  Rousseau.]     1752.     8°. 
See  Grimm  (F.  M.  von)  Baron. 

557*.  d.  30.  (3.) 
Lettre  sur  la  Musique  Pran(;oise,  etc. 
[Paris,]  1753.     8°.  1103.  b.  22.  (1.) 

Lettre    sur  la   Musique    Fran(,^aise  .  .   . 
Deuxieme  Edition.     [Paris,]  1753.    8". 

557*.  d.  31.  (3.) 

[Another  copy.]  640.  e.  22.  (3.) 

See  B  *  *  *,  M.  Examen  de  la  Lettre 

de  M.  Rousseau,  sur  la  Musique  Fran^oise, 
etc.     1753.     S".  1103.  b.  22.  (6.) 

See    Baton    (C.)       Examen    de    la 

Lettre  de  I\I.  Rousseau  sur  la  Musique 
Francoise,  etc.     1754.     8°. 

557*.  d.  31.  (5.) 

See  Justification.     Justification  de 

la  Musique  Fran^oise.  Centre  la  Querelle 
qui  lui  a  6t^  faite  par  un  AUemand  et  un 
Allobroge  [i.e.  J.  J.  Rousseau],  etc. 

1754.     8°.  1103.  b.  22.  (9.) 

SeePARisiEN.    Lettre  d'un  Parisien. 

Contenant  quelques  reflexions  sur  celle 
de  M.  Rousseau.     1754.     8". 

1103.  b.  22.  (3.) 

Apologie   de   la  Musique   Fran^oise 

contre  Isl.  Rousseau.  [By  1\I.  A.  Laugier.] 
[Paris,]  1754.     8".         1103.  b.  22.  (10.) 

[Another  copy.]      557*.  d.  31.  (4.) 

Lettres   sur   la   ilusique  Fran^oise. 

En  reponse  a  celle  de  J.  J.  Rousseau. 
[By  —  Yso  ?]     Genive,  1754.     8". 

^    ^  1103.  b.  22.  (8.) 

Observations  sur  la  Lettre  de  J.  J. 

Rousseau,  au  sujet  de  la  Musique  Fran- 
Qoise.     [By  J.  Gazette.] 

[Paris,]  1753.     8°.  640.  e.  22.  (4.) 

[Another  copy.]  1103.  b.  22.  (5.) 

See  Visigoth.  Lettre  d'un  Visigoth,  a  M. 
Freron,  sur  sa  dispute  harmonique  avec 
M.  Rousseau.     1754.     8°. 

1103.  b.  22.  (2.) 

See  also  J.,  J. 
ROUSSIER  (Pierre  Joseph)  L'Harnionie 
Pratique,  ou  exemples  pour  le  traite  des 
accords  . . .  Mis  au  jour  par  M.  Bailleux. 
Chez  r^diteur  :  Paris,  (1775.)     8». 

1042.  i.  16. 

Memoire  sur  la  Musique  des  Anciens,  etc. 
Chez  Lacombe :  Paris,  1770.     4«. 

557*.  f.  3. 

Observations  sur  diff^rens  points  d' Har- 
monic etc  Chez  Bailleux  : 
Genive,  1755.  8".  1042.  k.  18.  (2.) 
Observations  sur  dif£6rens  points  d'Har- 
monie,  etc.  Chez  d'Houry  : 
Genive,  1765.     8\            1042.  i.  15.  (1.) 


438 


ROUSSIER— ROYAL 


ROUSSIER  (PiEERE  Joseph)  Trait6 
des  Accords,  et  de  leur  Succession,  selou 
le  Syst^me  de  la  Basse-fondamentale 
.  .  .  Avec  une  M6thode  d'Accompagne- 
ment.      Chez  Duchesne  :  Paris,  1764.     8°. 

1042.  i.  15.  (2.) 
[Another  copy.]  1042.  k.  18.  (1.) 

See  Amyot  (J.)  IM^moire  sur  la  Musique 
des  Chinois  . . .  Avec  des  Notes  . . .  par 
M.  I'Abbe  Roussier,  etc.     1779.     4°. 

557*.  f.  20. 
Sec  EssAi.  Essai  sur  la  Musique,  etc. 
[By  J.  B.  de  la  Borde  and  P.  J.  Roussier.] 
1730.     4°.  557*.  f.  15. 

ROVER.     The  Rover.     [Song.] 
See  Betts  (E.) 

The  Rover.  Song.  See  In.  In  all  the  Sex 
some  Charms  I  find.     [1750  ?]     s.  s]i.  fol. 

H.  1994.  b.  (43.) 
The  Rover.  Song.  See  In.  In  all  the 
Sex  some  Charms  I  find,  etc.     [1750.]     8". 

P.P.  5438.  z. 
The  Rover.  Song.  See  In.  In  all  the 
sex  some  charms  I  find,  etc.     [1751.]     8°. 

157.  1.  13. 
The  Rover.  [Song,  begins :  '  Sweet  our 
Blessing.']  Sec  Rinaldo. 
The  Rover.  See  Tell.  Tell  me  your 
Rover.  [1720?]  s.sh.  fol.  G.  315.  (35.) 
The  Rover  reclaim'd.  [Song.]  See  When. 
When  artless  first  among  y''  Fair.  [1760  ?] 
s.  sh.  fol.  G.  316.  f.  (68.) 

The  Rover  reclaim'd.     Song.     See  When. 
When  artless  first  among  the  Fair,  etc. 
1762.     8".  158.  1.  7. 

ROVETTA  (Giovanni)  Gemma  Musicalis 
Diuersis  Cantionibus  Sacris  Tribus, 
Quatuor,  et  Quinque  Vocibus,  Uti  varijs 
speciosis  coloribus  preciosa,  in  lucem 
edita  Cum  Basso  Continuo  .  .  .  Liber 
Quartus.     Tenor.  A2md  Magda- 

lenam  Phalcsiam  &  cohasredes :  Ayituerpix, 
1649.     4".  D.  197.  b. 

Madrigali  Concertati  a  2.  3.  4.  &  vno  a 
Sei  Voci,  &  due  Violini.  Con  vn  Dialogo 
nel  Fine,  &  vna  Cantata  a  Voce  Sola  . . . 
Libro  Primo.  Opera  Seconda  . . .  Canto 
Primo,  e  Tenore.  Apj^resso 

Bartholomeo  Magni  :  Venetia,  1629.     4°. 

D.  197. 
Madrigali  Concertati  a  2.  8.  4.  &  vno  a 
Sei  voci,  &  due  Violini  Con  vn  Dialogo 
nel  Fine,  &  vna  Cantata  a  voce  Sola  . . . 
Libro  Primo.  Opera  Seconda.  Nova- 
mente  Ristamx^ati.  Canto  Primo,  e 
Tenore.  (Canto  Secondo,  e  Tenore.)  (Alto.) 
(Basso.)     (Basso  Continuo.)     5  pts. 

Typis  Henrici  de  Brni/n  : 
Botterdamo,  1660.     4°.  E.  126. 

Motetti  Concertati  a  Due,  Tre,  Quattro,  & 
Cinque  Voci.  Con  le  Litanie  della  Ma- 
donna, et  Una  Messa  Concertata  a  Voci 


Pari  . . .  Opera  Terza.  Nouamente  Ristam- 

pata,  etc.    Canto.    (Alto.)    (Tenore.)  3  pts. 

Appresso  Alessandro  Vincenti : 

Venetia,  1640.     4".  D.  197.  d. 

Motetti  Concertati  a  Duo  e  Tre  Voci  Con 
le  Letanie  della  ]\Iadona  a  Quattro  . . . 
Opera  Quinta.  Basso.  (Basso  Continuo.) 
2  pts.  Appresso  Alessandro  Vincenti  : 

Venetia,  1639.     4°.  D.  197.  a. 

ilotetti  Concertati  a  Due,  e  Tre  Voci,  Con 
le  Letanie  della  Madonna  a  Quattro  . . . 
Opera  Quinta.  Canto.  (Alto.)  (Basso.) 
(Basso  Continuo.)     4  pts.  Appresso 

Alessandro  Vincenti  :  Venetia,lMQ.     4°. 

D.  197.  c. 
Salmi  Concertati  a  Cinque  et  Sei  Voci  et 
altri  con  Doi  Violini,  con  Motetti  a  Doi  e 
Tre  Voci.  Et  alcune  Canzone  per  Sonar 
k  Tre  e  Quatro  Voci  con  Basso  Continuo 
. . .  Opera  Prima.  Nouamente  ristampati, 
etc.  Canto.  (Alto.)  (Tenore.)  (Basso.) 
(Quinto.)  (Violino  Primo  (Secondo).) 
(Basso  Continuo.)     8  pts.  Appresso 

Bartolomeo  Magni :   Venetia,  1641.     4". 

D.  197.  f. 
The  Sesto  of  the  six-part  compositions  is 
contained  in  the  Quinto  part. 

Salmi  a  Tre,  et  Quattro  Voci,  Aggiontoui 
vn  Laudate  pueri  A  2.  &  Laudato  Dominum 
omnes  gentes  A  voce  sola,  &  nel  fine  vn 
Kyrie,  Gloria,  &  Credo  pur  a  tre  voci ; 
Tutto  Coucertato  con  doi  Violini  . . .  Opera 
Settima.     Violino  Secondo.  Apresso 

Alessandro  Vincenti  :  Venetia,  l&i2.     4°. 

D.  197.  e. 

ROY.     Roy's  Wife  of  Alldivaloch.     [Song, 

by  J.  Watlen.]  J.  Dale  : 

[London,  1795  ?]    s.  sh.  fol.     G.  799.  (15.) 

P.  172  of  "  Dale's  Collection  of  Scot's 

Songs." 

Roy's  Wife  of  Alldivaloch.     Song. 
See  Watlen  (J.) 

ROY  (Adrien  Le)     See  Leroy. 

ROYAL.     The  Royal  Ball.     [Ballad.] 
See   Since.      Since    all    the    World's   in 
Arms.     [1690  ?]     s.  sh.  fol. 

Case  39.  k.  6.  (66.) 
The  Royal  British  Tar.     [Song.] 
See  Arnold  (S.) 

The  Royal  Cottager.     [Song.] 
See  Hook  (J.) 

The  Royal  Disaster.  [Song.]  See  'Twas. 
'Twas  at  the  Birth-night  ball,  Sir,  etc. 
[1782.]     8".  2117.  c. 

The  Royal  George.  Rigodon.  [Engraved 
in  figures  with  music]  {Pemberton  ? 

London,  1717.]     fol.  h.  801.  a.  (2. 

Royal  George  to  Brittain  hasting.  Song. 
See  Pepusch  (J.  C.) 


ROYAL— RUBANS 


439 


ROYAL.  Roj^al  great  Anne  from  us 
Mortals  is  gone.  On  the  Death  of  Queen 
Anne.    [Song.]    [London,  1715.]    .s.  sh.  fol. 

H.  1601.  (376.) 
The  Royal  Hunter's  March.     Ballad. 
See  Since.     Since  Tencin's  Schemes,  etc. 
[1745.]     8^  249.  c.  15. 

The  Royal  Hunter's  March.     [Song.] 
See  Since.     Since  Tencin's  Schemes,  etc. 
[1762?]     s.sh.iol.  G.  315.  (41.) 

The  Royal  Orphan's  Dream.     Cantata. 
See  Hook  (J.) 

The  Royal  Review.  [Song.]  See  While. 
While  France  beats  allarms. 

G.  313.  (141.) 
The  Royal  Soldier.     [Song.] 
See  Hook  (J.) 

The  Royal  Soldier's  Farewell.     Song. 
See  Hook  (J.) 

ROYAL  CHACE.  Tunes  in  the  Royal 
Chace,  or  Merlin's  Cave.  [By  J.  E. 
Galliard.]     [London,  1736.]     obi.  fol. 

e.  5.  k.  (3.) 
Imperfect,  luanting  fol.  2,  4  and  6. 

With  early  Horn.  [Song.]  Simg  by  Mr. 
Beard  in  the  Royal  Chace.  [By  J.  E. 
Galliard.]     [London,  ITdl '!]     s.sh.iol. 

H.  1994.  a.  (188.) 
[Another  edition.]  With  early  Horn. 
[Song.]  Sung  by  Mr.  Beard  . . .  within 
the  Compass  of  the  Flute.  [London, 

1737  ?]     s.  sh.  fol.  G.  315.  (75.) 

[Another  edition.]  With  early  Horn. 
[Song.]     Simg  by  Mr.  Beard,  etc. 

Printed  for  J.  Simjjson  :  [London, 
1737?]     s.sh.iol.         H.  1994.  b.  (105.) 

[Another  copy.]  G.  316.  f.  (70.) 

ROYAL     MERCHANT.       The     Royal 
Merchant.     Comic  Opera. 
See  LiNLEY  (T.)  the  Elder, 

ROYAL  PASTORAL.  TheRoyal 
Pastoral.    Dramatic  Ode.     See  Naees  (J.) 

ROYAL  REVENGE.  Oh,  thou  Con- 
ubial  God.  Epithalamium  in  an  Invoca- 
tion of  Hymen.  Sung  in  the  Play  call'd 
the  Royal  Revenge.  [London, 

1720?]     s.sh.iol.  G.  310.  (178.) 

ROYAL  SHEPHERD.  The  Royal 
Shepherd.     Opera.     See  Rush  (G.) 

R0Y;6  (Joseph  Nicolas  Pancbace) 
See  Royer. 

ROYER  (Joseph  Nicolas  Paxceace) 
Almasis,  Ballet,  represente ...  a  Versailles, 
en  1748  et  1749  et  mis  au  Theatre  de 
I'Acad^mie  Royale  de  Musique,  le  23  Aoust 
1750. .  .GraveeparLabassee.  (Les  Paroles 
sont  de  M'  Moncrif.)  [Full  Score.] 
Chis  VAtiTeur  :  Paris,  [1750  ?]     fol. 

I.  313.  a. 


ROYER     (Joseph    Nicolas    Pancrace) 
Ami,   je   vais  descendre.      Air   a    Boire. 
(Ces  Paroles  sont  de  M.  de  Poernich.) 
[Paris,]  1738.     s.  sh.  4".  297.  b.  22. 

Mercure  de  France,   Jan.,  1738. 

Zaide,  Ballet  H^roique,  . . .  represente . . . 
le  10  Mars  1745  .  .  .  Seconde  Edition. 
Grave  par  L.  Hue.  [Words  by  the  Abbe 
Delamare.  Full  Score.]  Chi?s  VAuteur : 
Paris,  [1746?]     fol.  L  313. 

ROYER  DE  VILLERIE  (     )  Chevalier. 
France,  autrefois  si  fortunee.      Romance 
dediee  a  la  Nation  Angloise,  etc. 
[London,  1793  ?]     fol.        H.  1686.  (39.) 

3Iarche  d'Alcide,  Scene  heroi-lyrique 
dediee  aux  .  .  .  H^ros  Deffenseurs  de  la 
Cause  des  Cieux  des  Rois  et  de  I'Humanit^ 
par  le  Ch'  Royer  de  Villerie,  Auteur  des 
Paroles  et  de  la  Musique. 
[London,  1793.]     fol.  H.  1686.  (38.) 

See  also  R  *  *  *  *  (      ,je)  Chevalier. 

ROZE  (Nicolas)     0  gun^reux  martirs  de  la 
liberty  sainte.     Hymne  aux  Martirs  de  la 
Liberti.    Paroles  du  C.  Le  Gouv6. 
Chez  Imbault :  Paris,  [1793.]     8°. 

B.  362.  a.  (34.) 

ROZELLI  (        )     Ten  Airs  or  Duets  for 

Two    German    Flutes,    or    Two    Violins. 

Compos'd  in  a  pleasing  Taste. .  .Opera  2**. 

Printed  for  Thompson  and  Son : 

London,  [1764  ?]     fol.  g.  225.  a.  (3.) 

Cupid's  Defeat.     [Song.]  [London, 

1745  ?]    s.  sh.  fol.  G.  316.  a.  (41.) 

[Another  edition.]     Cupid's  Defeat. 
[London,  1760  ?]     s.  sh.  fol. 

G.  316.  (117.) 
Twenty  Five  favourite  Minuets  for  Two 
German  Flutes  or  two  Violins,  composed 
in  a  pleasing  Taste,  etc.     [Op.  1.] 

Printed  for  Thompson  &  Son  : 
ioMdow,  [1760?]    obl.^°.     b.  57.  a.  (5.) 

XII.  Sonatas  for  Two  Violins  and  a 
Violoncello,  with  a  Thorough  Bass  for  the 
Harpsichord  .  .  .  Opera  S"*.  [Separate 
Parts.]  Printed  for  C.  and  S.  Thompson  : 
London,  [1765  ?]     obi.  4°.  b.  35. 

Two  Sonatas  for  Three  German  Flutes,  or 

Three  Violins. .  .Op"  v.     [Separate  Parts.] 

Printed  for  C.  and  S.  Thompson  : 

London,  [1766  ?]     foL  g.  418.  (3.) 

See   Zanni    (G.)      Six    Sonatas   for    two 
Violins  and  a  Violoncello  with  a  Thorough 
Bass. .  .by. .  .Sig"'  Rozelli,  etc. 
[1770?]    fol.  g.  409.  a.  (11.) 

RUBANS.  Les  Rubans  de  Jeannette. 
[Song.]  See  An.  L'An  pass6,  ma  chere 
Jeannette,  etc.     [1785  ?]     8". 

B.  362.  f.  (23.) 


440 


RUBEIS— RUGE 


RUBEIS  (Christophoeus  de)  Christo- 
plaori  de  Rubeis  . .  .  Complctorium  Octo 
vocibus  ad  Organum  concertantibus  Con- 
cinuatu.  CauUis  (Altus)  Primi  Chori. 
(Cantus  (Altus)  (Tenor)  (Bassns)  Secundi 
Chori.)     (Bassus  ad  Organum.)     7  pts. 

Apud  Pauliim  Massttnm  : 
Romse,  1635.     4".  ■  D.  61. 

HUBERT  (JoHANN  Martin)  Musicalisclie 
Seelen  Erquickung .  .  .  Mit  1.  2.  3.  4. 
Vocal  Stimmen,  und  2.  8.  4.  5.  6.  Instru- 
menten,  Nebst  dem  Basso  Contin:  auff 
. . .  Dialogen  Arth  gesetzet,  etc.  Bassus 
Violon,  etc.  In  Verlegung  des  Atitoris. 

Gcdruckt  .  .  .  durcli   Joachim   Reuman  : 
Stralsund,  1664.     4°.  C.  50. 

RUBICOTsTI  (Grisostomo)  Concerti 
Ecclesiastici  alia  Moderna  done  si  con- 
tengono  ]\Iessa,  Salmi  per  il  Vespero,  e 
Compieta,  &  Magnificat,  A  Tre,  a  Quattro, 
a  Cinque,  a  Sei,  a  Sette  &  a  Otto. .  .Con  il 
Basso  Continue  per  Sonare  nell'  Organo. 
Opera  Secouda.  Canto  Secondo.  (Alto 
Primo.)     2  pts.  Apprcsso  Giacomo 

Vincenti  :  Venetia,  1611.     4°.  D.  93. 

RUDDY.     The  ruddy  morn  blink'd   o'er 

the  Brae.     'Twas  yes  kind  sir.     A  favorite 

New  Scotch  Ballad.    [By  Mrs.  Wrighten.] 

J.  ci  E.  Lee  :  Dublin,  [1790  ?J     s.  sh.  fol. 

H.  1601.  b.  (56.) 

RUFFO  (ViNCENzo)  Opera  Nona  di 
Musica  lutitolata  Armouia  Celeste,  nella 
quale  si  contengono  xxv.  Madrigali,  pieni 
d'  ogni  dolcezza,  &  soauita  musicale  .  .  . 
Nouamente  ristampato.  A  Cinque  Voci. 
Altus.  Appresso  Francesco  Ranipazetto  : 
Venetia,  1563.     ohl.  4°.  A.  402.  b. 

Di  Vicenzo  Ruffo  II  primo  libro  de  Madri- 
gali, a  quatro  Voci,  a  Notte  Negre,  con  la 
Giuuta  di  Alcuni  Madrigali,  nouamente 
posti  in  luce,  et. .  .Ristampati,  &  Corretti. 
Tenor.     (Bassus.)     2  pts. 

Apud  Hieronynium  Scotuvi  : 
Venetiis,  1556.     obi.  4°.  A.  253.  b. 

Di  Vicenzo  Ruffo  il  Primo  Libro  de 
Madrigali  Cromatici  a  Quatro  Voci  con 
la  Gionta  di  alquanti  Madrigali  del  Mede- 
sinio  Autore.  Nouamente. .  .Ristampato 
&  Corretto,  etc.     Cantus. 

Apresso  di  Antonio  Gardane  : 
Venetia,  1552.     obi.  4°.  A.  253.  d. 

Di  Vicenzo  Ruffo  il  Primo  Libro  di 
Madregali  Cromatici  a  Quatro  uoci  con  la 
Gionta  di  alquanti  INIadrigali  del  Medesimo 
Autore.  Nouamente  .  .  .  Ristampato  & 
Corretto,  etc.     Altus.     (Bassus.)     2  pts. 

Appresso  di  Antonio  Gardano  : 
Venetia,  1556.     obi.  4°.  A.  253.  a. 

[Another  copy.     Bassus.]  A.  253.  c. 

Di  Vincentio  Ruffo  II  Secondo  Libro  di 
Madrigali  A  Cinque  uoci,  Nouamente  . . . 
per    Antonio     Gardano    ristampato,    etc. 


Cantus.  (Altus.)  (Tenor.)  (Bassus.) 
(Quiutus.)     5  pts. 

Apresso  di  Antonio  Gardano  : 
Venetia,  1557.     ohl.  4".  A.  253. 

This   ivork   also   contains  madrigals  bij 
J.  Contin,  Perissone  and  G.  Nasco. 

Di  Vicenzo  Ruffo  II  Terzo  Libro  di  IMadri- 
gali  A  cinque  uoci.  Con  la  Gionta  di 
Cinque  Madrigali  del  medesimo,  et  di 
alcuni  Altri  Diuersi  autori,  Nuouamente 
dato  in  luce,  etc.  Cantus.  (Altus.) 
(Tenor.)     (Bassus.)     (Quintus.)     5  pts. 

Ajrresso  di  Antonio  Gardane  : 

Venetia,  [1555  ?j     obi.  4°.  A.  254. 

Tlie  composers  natnccl  are  :    V.   Buffo, 

Archadelt,    V.  Ferro,   F.   Boselli,    J. 

Pionnier  and  A.  Gabriel. 

lilesse  ...  a  Cinque  Voci  Nouamente  . . . 
composte  &  per  Antonio  Gardano  stam- 
pate,  etc.     Cantus.  - 

Appresso  di  Antonio  Gardano  : 
Venetia,  1557.     obi.  4".  A.  402. 

]Messe  ...  a  Cinque  Voci  Nuouamente 
Ristampate  per  Claudio  INIerulo  da  Cor- 
reggio,  etc.    Bassus.  Venetia, 

1567.    4°.  A.  402.  a. 

II  Quarto  Libro  di  Messe  a  Sei  Voci  .  .  . 
piene  d'  inusitata  dolcezza,  composte  vlti- 
mamente  con  arte  merauigliosa,  conforme 
al  Decreto  del  .  .  .  Concilio  di  Trento,  fra 
le  quali  e  vna  de  Morti  con  la  sua  sequenza, 
etc.  Canto.  (Alto.)  (Tenore.)  (Basso.) 
(Quinto.)     (Sesto.)     6  pts. 

A2:)2yresso  V  Hcrcde  di  Girolamo  Scot  to  : 
Veneggia,  1574.     4°.  D.  34. 

II  Primo  Libro  de  Motetti  a  Cinque  Voci. 
.  .  .  Nouamente  stampati,  etc.  Cantus. 
(Altus.)     (Tenor.)     (Bassus.)     (Quintus.) 

5  pts.  lo.  Antonius  Castilloneus  : 
Medolani,  1542.     obi.  4°.  K.  3.  f.  6. 

Salmi  Suauissimi  et  Deuotissimi  a  Cinque 
Voci,  etc.  Canto.  (Alto.)  (Tenore.) 
(Basso.)     (Quinto.)     5  pts. 

Appresso  V  Herede  di  Girolamo  Scotto  : 
Vineggia,  1574.     4°.  D.  36. 

RUGE  (FiLiPPo)  Au  Desert.  Duetti  per 
due  Voci  in  Soprano  con  1'  Accompagna- 
mento  ad  Libitum  di  due  Flauti  Traversi, 

6  due  Violini,  etc. 

Gravee  par  il/"^'  Venddnie.  Chez  VAuteur  : 
[Paris,  1770  ?]     obi.  fol.  D.  746. 

Six  Solos  for  a  German  Flute  or  Violin 
with  a  Thorough  Bass  for  the  Harpsicord 
or  Violoncello,  etc.  I.  WalsJi : 

London,  [1760 '?]     fol.  g.  79.  d.  (2.) 

Six  Sonatas  in  3  Parts.  Four  for  2 
German  Flutes  or  Violins  and  a  Bass  and 
Two  for  3  German  Flutes  without  a  Bass 
. . .  Opera  2''\     [Separate  Parts.] 

Printed  for  I.  Walsh: 
London,  [1760?]     fol.      h.  2851.  e.  (3.) 


RUISSEAU— RUSH 


441 


RUISSEAU.  Ruisseau,  qui  baignes  cette 
plaino.  Lc  Ruisseau.  Chanson.  [Words 
by  Pacard.]  Gravf.  par  M"  CharppntU. 
hnnvimi  par  Toitrnclle  :  [Paris,]  1759. 
s.  sh.  8".  297.  d.  17. 

Mercure  cle  France,  March,  1759. 
Euisseaux  qui  baigne  cette  plaiue.     Ro- 
mance Nouvelle.     Avec  Accompagnem'  de 
Guitare  par  W  Alberti. 
Chez  31'-  Camancl :  Paris,  [1780  ?]     8". 

B.  362.  g.  (49.) 
Ruisseau,  votre  aimable  murmure.     Air. 
See  MoNCEAUX  (        de) 

RUISSELET.     Le  Ruisselet.     Song. 
See  Gluck  (C.  W.  von) 

RUIZ  DE  RIBAYAZ  (Lucas)  Luz,  y 
Norte  Musical  para  caminar  por  las  Cifras 
de  la  Guiiarra  EspaSola,  y  Arpa,  tafier,  y 
cantar  a  compds  por  canto  de  Organo,  etc. 
Por  Melchor  Alvarez  :  Madrid,  1672.     i.\ 

K.  8.  f.  4. 

RULE.     Rule  Britannia.     [Song.] 
Sec  AR^-E  (T.  A.)     {Alfred.-] 
The  Rule  of  Three.     [Song.] 
Sec  Gentleman. 

RULES.  Rules ;  or  a  Short  and  Com- 
pleat  Method  for  attaining  to  Play  a 
Thorough  Bass  upon  the  Harpsicord  or 
Organ.  By  an  Eminent  Master.  Also 
an  Explanation  of  Pigur'd  Time,  ...  to 
which  is  added,  a  Dictionary  ...  of  such 
Italian  Words  ...  as  are  made  use  of  in 
. .  .Musick.     2  pts.  Printed  for  .  .  . 

I.  Walsh:  London,  [1115?]     8".      d.  39. 

RUPPE  (Christian  Friedrich)  Ro- 
manzes  door  Mr.  Rhynvis  Feith.  Naar 
den  besten  smaak  op  muziek  gebracht, 
etc.  Cornelis  van  dcr  Aa  : 

Haarlem,  1787.     8°.  1209.  b.  8.  (7.) 

RURAL.  Rural  Felicity,  with  Variations 
for  the  Harpsichord  or  Piano  Forte,  etc. 

Printed  for  T.  Skillern  : 
London,  [1790  ?]     fol.  G.  795.  (4.) 

Rural  Felicity.     Song.     See   In.     In  the 
Morn  as  I  walk'd  thro'  the  mead. 
[1775  ?]     s.  sh.  fol.  G.  309.  (142.) 

The  Rural  Gift.     Song. 
See  LocKHART  (C.) 
Rural  Happyness.     Two  Part  Song. 
See  By.     By   shady  Woods   and  purling 
streams,  etc.     [1720?]     s.  sh.  fol. 

G.  306.  (239.) 
Rural  Life.  Song.  See  Free.  Free 
from  noise,  etc.  [1770.]  8°.  P.P.  5438.  z. 
Rural  Life.  [Song,  begins  :  '  How  happy 
is  the  ]Ma.id.']  See  Howard  (S.) 
The  Rurall  Lover.  [Song.]  See  Near.  Near 
Pleasant  Woods  on  lofty  Moiintains. 
[1715  ?]     s.  sh.  fol.  H.  1601.  (321.) 

The  Rural  Retreat.    [Song.]     See  Would. 
Wou'd  I  seek  a  blest  retreat,  etc. 
[1800?]     fol.  G-.  356.  (59.) 


RURAL      HARMONY.       The     Rural 

Harmony.     [Anthems.] 
See  Kimball  (J.) 

RUSCELLETTO.  Ruscelletto  Infidele. 
[Song.]     See  Lampe  (J.  F.) 

RUSCHARDUS  (Ludovicus)  Magni- 
ficat Goto  Tonorum  Sex  Vocum,  etc. 
Cantus  II.     (Tenor  ii.)     2  pts. 

Paulus  Kauffmannus : 
Norihergn',  1G04.     4".  C.  326. 

RUSH  (George)  The  Capricious  Lovers. 
An  English  Comic  Opera,  etc.  [written 
by  R.  Lloyd.     P.  F.  Score].  Welchcr  : 

London,  [1764.]     ohl.  fol.  E.  86. 

The  Favorite  Concerto  for  the  Harpsichord 
or  Piano  Porte  [and  Violin]. .  .No.  1. 

Longman  d  Broderip  : 
London,  [1783  ?]  fol.  g.  418.  a.  (4.) 
[Another  copy.]  g.  443.  d.  (27.) 

A  Second  Concerto  for  the  Harpsichord  or 
Piano  Forte  with  accompanyments  of  two 
Violins  and  a  Violoncello  . . .  Harpsichord 
Part  alone.     London,  [1773.]     obi.  fol. 

e.  5.  a.  (3.) 

A  Third  Concerto  for  the  Harpsicord  or 
Piano  Forte  with  Accompanyments  for 
two  Violins  and  a  Violoncello. 

Printed  for  . . .  Wclcher  : 
London,  [1778.]  obi.  fol.  e.  5.  a.  (4.) 
Six  Easy  Lessons  for  the  Harpsichord, 
calculated  for  the  Improvement  of  young 
Practicioners,  &c.  Printed  for  J.  Cox  : 
London,  [1760  ?]    obi.  fol.       d.  160.  (3.) 

[The  Royal  Shepherd.]  The  Overture, 
Songs,  Ducts  &  Quartets  in  the  Opera  of 
the  Royal  Shepherd  [written  by  R.  Rolt] 
.  .  .  properly  disposed  for  the  Voice  & 
Harpsichord.  Welcker : 

London,  [1764.]     obi.  fol.  C.  391. 

SecAMiNTAS.    Amintas.    An  English 

Opera,  etc.  [Altered  from  Rolfs  '  Royal 
Shepherd '  . . .  Music  by  . . .  G.  Rush,  etc.] 
[1769  ?]     obi.  fol.  E.  899. 

[Overture.]  Three  Celebrated  Eng- 
lish Overtures;  adapted  for  the  Piano 
Forte.  ([No.  l.J  Royal  Shepherd.  [By 
G.  Rush.])  [1798.]  Sec  Periodical 
Publications.  —  London.  The  Piano- 
Forte  Magazine.  Vol.  V.  No.  3. 
[1791-1802.]     8^  D-  854. 

A  First  Set  of  Sonatas  for  the  Guittar, 
with  an  Accompanyment  for  another 
Guittar  or  Violin,  etc.  The  Author  : 

[London,  1165?]     obi.  tol.       e.  377.  (1.) 

A  Second  Sett  of  Sonatas  for  the  Forte 
Piano  or  Harpsichord  with  an  Accom- 
panyment for  a  Violin  or  German  Flute 
. . .  Opera  v.  Welcker  : 

London,  [1770  ?j     obi.  fol.       e.  5.  h.  (7.) 


442 


RUSH— RUSSIAN  IMELODIES 


RUSH  (George)  A  Sett  of  Sonatas  for 
the  Harpsichord  with  an  Accompanyment 

for  the  Violin,  etc.  Wclckcr : 

London,  [1170?]     fol.       g.  271.  b.  (27.) 
This   u'ork    also    contains    Rush's    1st 
Concerto. 

RUSH-LIGHT.  The  Rush-Light.  Song. 
Sec  Arnold  (S.)  [Peeinng  Tom  of 
Coventry.] 

RUSS.  The  Russ  loves  hrandy,  Dutch- 
man heer.  For  the  Honour  of  Old  Eng- 
land.   A  Ball[a]d. 

L[ong7nan]  L[ukey  d  Co.  : 
London,  1755  ?]     s.  sh.  fol. 

G.  312.  (110.) 

RUSSEL  (D.)  The  Butterfly.  Being  a 
variety  of  Songs,  Elegies,  a  double  Canon, 
a  Catch  and  a  Cantata  on  Spring,  entirely 
New,  etc.  Longman,  Lukcy  d  Co. : 

London,  [im?]     fol.         G.  316.  j.  (1.) 
Corydon   and  Phillis.     A  New  Dialogue. 
The  words  by  Mr.  Rob'  Riddell. 
[London,  1765  ?]  s.  sh.  fol.  I.  530.  (134.) 
Female  Fortitude,  etc.     [Song.] 
[Londo)i,  1744.]     8°.  157.  1.  6. 

London  Magazine,  1744,  pp.  94,  95. 
Female  Fortitude.     [Song.] 
[London,  1745  ?]     s.  sh.  fol. 

G.  305.  (289.) 

[Another  edition.]     Female  Fortitude. 
[London,  1750  ?]     s.  sh.  fol. 

G.  314.  (18.) 
Female  Fortitude.     A  Song. 
[London,  1750.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  VI.,  p.  28. 
The   Flying  Fair.      See   When.     When, 
Cloe,  by  your  Slave  pursu'd,  etc.     [Song, 
music  by  D.  Russel.]     [1745  ?]     s.  sh.  fol. 

G.  313.  (123.) 
The  Jealous  Swain,  etc.     [Song.] 
[London,  1743.]     8°.  249.  c.  13. 

Gentleman'' s   Magazine,    Vol.  XIII.,  p. 
660. 
A  Favourite  Lesson  for  the  Harpsichord. 
[London,  1765  ?]     ohl.  fol.       d.  160.  (2.) 
The  Modest  Question,  etc.     [Song.] 
[London,  1742.]     8°.  249.  c.  12. 

Oentleman' s  Magazine,    Vol.    XII.,   p. 
599. 
The   Modest   Question.      [Song.      Words 
by  —  Berkeley.]  [London, 

1750?]     s.  s/i.  fol.  G.  307.  (32.) 

[Another  edition.]     The  Modest  Question. 
[London  ?  1750  ?]     s.  sh.  fol. 

G.  316.  d.  (66.) 
[Another  edition.]  The  Modest  Question. 
[London,  1755  ?]     s.  sh.  fol. 

G.  305.  (252.) 

The   Shepherd's    Complaint  .  .  .  [Song.] 
Sung  by  Mr.  Lowe. 

[London,  1743.]     8°.  157.  1.  5. 

London  Magazine,  Aug.  1743. 


RUSSEL  (D.)  The  Shepherd's  Com- 
plaint. [Song.]  [London, 
1745?]     s.  s7i.  fol.                 G.  311.  (87.) 

[Another  edition.]     The  Shepherd's  Com- 
plaint.    [London,  11  bO?]     s.sh.iol. 

G.  316.  f.  (5.) 
[The  Shepherd's  Complaint.]  Sweet  were 
once  the  Joys  I  tasted.  [Harmonized  for 
4  voices.]  See  E.,  W.  B.  Three  Old 
English  Songs  harmonized  by  W.  B.  E. 
[No.  1.]     [1786?]     fol.         H.  1652.  (4.) 

Soft  God  of  Sleep.     A  Song,  etc. 
[London,  1745  ?]     s.  sh.  fol. 

G.  311.  (51.) 

To  Sylvia.  [Song.]  The  Words  by  ]Mr. 
Garrick,  etc.     [London,  1745  ?]     s.  sh.  fol. 

G.  309.  (27.) 
The  Truth.     [Song.] 
[London,  1745  ?]    s.  sh.  fol.    G.  312.  (91.) 

See  Summer's  Tale.  The  Summer's  Tale. 
A  Musical  Comedy  . . .  The  Music  by  Abel 
...Russel,  e^c.     [1765.]     ohl.  io\. 

D.  273.  (1.) 
RUSSELL.     Russel's  Triumph.     [Song.] 
See  Thursday.     Thursday  in  the  Morn, 
etc.     [1730?]     s.  s7i.  fol.       G.  312.  (84.) 

RUSSELL  (Richard)  Arous'd  by  Threats 
of  Gallic  foe.  Patriotic  Song.  Written 
&. .  .inscribed  to  the  Officers  of  the  Loyal 
Walthamstow  Volunteers  by ...  R.  Russell. 
The  Author :  Walthamstoio,  [1800  ?]     fol. 

G.  376.  (37.) 

RUSSELL   (W.)  Organist  of  Stoke.     The 

Joys  of  the  Sport   is  the   Length  of  the 

Chace. .  .Hunting  Song,  etc.    [Full  Score.] 

Longman  and  Broderip,  for  the  Author  : 

London,  [1795  ?]     fol.  G.  366.  (75.) 

A  favorito  March,  composed  for  the  Guild- 
ford Volunteers.     [Full  Score.] 

Longman  and  Broderip,  for  the  Author  : 
London,  [1795  ?]     fol.  g.  133.  (51.) 

RUSSELL  (William)  [The  Highland 
Camp.]  Overture,  to  the  Favorite  Dance 
of  the  Highland  Camp,  as  perform'd  .  .  . 
at  Sadlers  Wells.  [P.  F.]  W.  Hodsoll : 
London,  [1800  ?]     fol.  g.  137.  (14.) 

The  Redeemer  gave  the  Word.  An 
Anthem  sung  by  Master  Welsh  at  Queen 
Street  Chapel,  etc. 

Printed  for  the  Author : 
London,  [1795  ?]    fol.        H.  879.  q.  (2.) 

RUSSIAN  MELODIES.  A  Collection 
of  Melodies,  chiefly  Russian.  Harmonized 
and  arranged  for  the  Voice,  with  an 
Accompaniment  for  the  Piano  Forte  or 
Harp  [by  E.  S.  Biggs],  the  Words  ...  by 
Mrs.  Opie,  to  which  is  added  The  Cossack, 
a. .  .Ballad  from  the  Ukranian,  by  M.  G. 
Lewis.  P.  Birchall : 

London,  [1800?]     fol.  H.  2170. 


RUSSIAN  SONGS— S. 


443 


RUSSIAN  SONGS.  Codpanie  Pyf•cKIIX^ 
ripoiTMXb    nBcoiii.       «»    iioraMii.       3    MacT. 

Ih'irniKiiio    6inoi)hiMb    miiriiciucMo   an   C/niinn- 
nnarpoijpw,  1782,  78,  79.     4".  E.  878. 

lacmo  1  only  is  of  the  second  edition. 

RUST  (Friedrich  Wilhelm)      Vier  und 

zwanzig   Veranderungen   fiir  das   Clavier 

iiber  das  Lied  :  Bliihe  liebes  Veilchen,  etc. 

Im  Verlage  des  Autors : 

Dessau,  1782.     ohl.  fol.        f.  133.  o.  (1.) 

RUSTIC.     The  Rustic  Orpheus.     [Song.] 
Sec  DiBDiN  (C.)     [The  General  Election.] 

RUTHERFORD  (David)  Rutherford's 
compleat  Collection  of  200  . . .  Country 
Dances. .  .with  y"  newest  . . .  Figures  and 
Directions  to  each  Tune,  by  Mr.  Rose,  for 
y"  Violin  German  Flute  or  Hautboy. 
Voll.  I".  David  D.  Rutherford  :  London, 
[1756  ?J     ohl.  4°.  a.  220. 

Rutherford's  compleat  Collection  of  200 
. .  .Country  Dances  . .  .with  y"  newest  . . . 
Figures  and  Directions  to  each  Tune,  for 
y"  Violin  German  Flute  or  Hautboy.  Voll. 
1"  (Voll.  ^'^).  2  pts.  John  Rutherford  : 
London,  [1775  ?]     ohl.  4".  a.  220.  a. 

Rutherford's  Compleat  Collection  of  one 
hundred  &  twelve  of  the  most  celebrated 
Minuets  with  their  Basses  . . .  which  are 
now  . . .  perform'd  at  Court  . . .  the  Tunes 
are  proper  for  the  German  Flute,  Violin 
or  Harpsicord.  (Rutherford's  Compleat 
Collection  of  One  Hundred  and  Twelve. . . 
Minuets  which  are  now  . .  .  Perform'd  at 
Almacks  and  the  Pantheon,  etc.)     2  vols. 

D.  {John)  Rutherford  :  London, 
[1775  ?-80?]    4".  e.  116. 


RUTHERFORD  (David)  The  Gentle- 
man's Pocket  Guide  for  the  German 
Flute.  Containing  easy  rules  for  Learners 
. .  .With  a  Choice  Collection  .  .  .  of  .  .  . 
Airs  ...  by  the  most  Eminent  Masters, 
With  . . .  Lessons,  in  two  parts,  for  the 
Improvement  of  Young  Gentlemen. 
The  Author  :  London,  [1765  ?]     8". 

e.  116.  a. 
The  composers  named  are  Corelli,  Felton, 
Handel,  Grano  and  B.  Thumoth. 

RUTINT  (Giovanni  Marco)    Sei  Sonate 

per  Cembalo  dedicate  al  Nobile   Signore 

G.  G.  Pizzini  de  Thiirimberg. .  .Opera  l'"'. 

[Niirnberg  ?  1755  ?]     obi.  fol.  f.  97. 

Sei  Sonate  per  Cembalo  dedicate  a  ...  la 

Signora  Contessa  Antonia  de  Wratislaw, 

etc.  Lelio  dalla  Volpe  :  Bologna, 

1770.     ohl.  fol.  d.  161.  e.  (3.) 

This    copy    contains   a  piortrait   of  the 

composer  and  a  letter  from  the  Ahhate 

Mctastasio,  dated  18  Feb.  Ill  I,  printed 

on  a  separate  sheet  and  inserted  before 

sig.  A. 

RUTINI  (Giovanni  Placido)  VI.  Sonate 
per  il  Cimbalo. .  .Op.  m". 

G.  U.  Haffner  :  Norimberga, 
[1757  ?]    obi.  fol.  e.  777. 

VI.  Sonate  per  il  Cimbalo. .  .Opera  v»\ 

G.  U.  Haffner :  Norimberga, 
[1758  ?]     ohl.  fol.  ■  e.  5.  i.  (6.) 

Sei  Sonate  per  Cimbalo. .  .Opera  Sesta. 

G.  U.  Haffner :  Norimberga, 
[1760  ?]    ohl.  fol.  e.  777.  a. 


RUZINA.     La  Ruzina. 
See  Monte  (F.  di) 


Canzone. 


S  *  *  *,  le  C[o77ite]  de.     Vous  me  grondez 
d'un  ton  severe.     Air,  etc. 
[Pans,  1785?]     8°.        B.  362.  a.  (118.) 

S.,  C.  A.  Two  Duettino's  for  Two  Per- 
formers on  One  Piano  Forte,  etc. 

Printed  for  the  Aiithor  :  Londoyi, 
[1796.]    obi.  fol.  e.  108.  (13.) 

S  *  *  *,  D.   L.      Ah,   que  ma   Cloris   salt 
plaire !       Romance    Tendre.      Paroles    & 
musique  de  M.  D.  L.  S  *  *  *. 
[Paris,']  1766.     s.  sh.  8°.  297.  e.  2. 

Mercure  de  France,  Aug.,  1766. 

S.,  F.  H.  E.     The  Adieu  to  Moggy,  [Song.] 
Set  to  Musick  by  S[ignor  ?]  P.  H.  E.  S. 
[London,  1746.]     8°.  157.  L  8. 

London  Magazine,  1746,  p.  640. 

S.,  G.  A.  Vicar  and  Moses.  [Song.]  With 
the  Original  Words  Composed  by  G[eorge] 
A[lexander]  S[tevens],  Esq'. 

L[ongman]  L[ukey  and  Co. :  London, 
1775  ?J     s.  sh.  fol,  G.  312.  (141.) 


S.,  G.  D.  Den  Singende  Swaen :  dat  is. 
Den  Lof-sangh  der  Heyligen,  die  als 
Singende  Swaenen,  de  dood  blygeestigh 
hebben  ontfangen.  Gemaeckt  door  G[uil- 
laume]  D[e]  S[waen]. 

Arnold  van  Brakel :  V  Antioerpen, 
1664.     8".  A.  564. 

Den  Singende  Zwaan  ...  Op  Nieuw  Over- 
gezien,  en  van  veel  Fouten  gesuyvert,  en 
de  Nooten  van  een  Voornaam  ]\Ieester, 
vande  ]\Iusiecq  gecorrigeert  ende  verbetert. 
Frans  de  Does  :  Leyden,  1728.     6". 

11556.  c.  36. 

S.,  I.     To  please  the   beauteous   blooming 
fair.     In  Praise  of  the  Fair  Sex.     [Song.] 
The  Words  by  Mr.  Hawkins. 
Hodgson:  [Lo7idon,  1180?]     s.sh.  fol. 

G.  312.  (229.) 

S.,    L.      See    Heyden    (S.)       Catechistica 
Summula   Fidei    Christianse,  etc.     [With 
Hymns  by  L.  S.,  i.e.  Ludwig  Senfl.] 
1538.    12°.  698.  a.  41.  (7.) 


444 


S.— SABBATINI 


S.,  M.,  S.  J.     Sec  J.,  M.  S.  S. 

S.,  S.  F.    Sfc  QuANTZ  (J.  J.)    NeueKirchen- 
IMelodieu,  etc.     [Edited  by  S.  F.  S.] 
1760.     8°.  B.  581. 

S.,  W.  The  Psalmes  of  David  iu  4  Lan- 
guages [i.e.  Greek,  Hebrew,  English  and 
Latin]  and  in  4  Parts  Set  to  y''  Tunes  of 
our  Church  By  W[illiam]  S[latyer]. 

Printed  by  TJio:  Harper- for  George 

Tito.  Mason  d  Octmdan  Pullen:  London, 

164.3.    12".  E.  Pam.  1111.  (5.) 

With  the  exception  of  the  Epistle  to  the 

Reader,    engraved   throughout.      The 

composers  navied  are   W.  Cohhold,  E. 

Blancks,  G.  Kirhye,  I.   Dojilancl,  R. 

Allison,    T.   Campion,    S.   Sttibbs,  I. 

Milton,  T.  Rauens\_croft~\,   J.   Bennet 

and  W.  Cranford, 

The  Psalmes  of  David  in  4  Languages . . . 
Set   to    y^   Tunes    of    our    Church   with 
Corrections  By  W[illiam]  S[latyer]. 
P.  Stent :  London,  1652.     12°. 

Case  30.  a.  (13.) 
This  edition  contains  an  engraved  por- 
trait of  Slatyer. 

S  A  A  L  (Anton  Wilhelm  Christian) 
XXV.  Stiicke  fiir  die  Harfe  ohne  Pedal, 
etc.    J.  A.  Bdhvie  :  Hamburg,  [1800  ?]    fol. 

h.  184.  c.  (19.) 

SABATJJ?«"I  (Giovanni  Andrea)  Six 
Sonatas  for  Two  Violins  and  a  Bass . . . 
Opera  i.  [Separate  Parts.]  H.  Fougt : 
London,  [1767.]     fol.  g.  222.  (16.) 

[Another  copy.]  g.  409.  (9.) 

SABBATINI  (Galeazzo)  II  Primo 
Libro  de  IMadrigali  . . .  Concertati  a  due, 
tre  e  quattro  voci.  Opera  Prima.  Noua- 
mente  ristampata,  &  corretta,  etc.  Basso. 
(Basso  Continuo.)     2  pts. 

Appresso  Alessandro  Vincenti  :  Venetia, 
1627.     4".  D.  200. 

II  Secondo  Libro  de  Madrigali . . .  Concer- 
tati a  Due,  Tre,  et  Quattro,  Voci.  Con 
la  risposta  a  quattro  voci,  e  due  Violini 
ad  alcuni  versi  che  incominciano  Quando 
la  Donna  si  dismostra  altiera,  Posti  nel 
terzo  de'  Madrigali  a  6.  del  Sig.  Steffano 
Bernard! ...  Opera  Seconda.  Nouamente 
Ristampata.  Basso.  (Basso  Continuo.) 
2  pts.  Ajypresso  Alessayidro  Vincenti  : 

Venetia,  1636.     4".  D.  200.  a. 

Madrigali  Concertati  a  Due,  Tre,  Quattro, 
e  Cinque  Voci.  Con  alcune  Canzoni  con- 
certate,  e  tramezzate  diuersamente  con 
Sinfonie,  e  Ritornelli  . . .  Opera  Quinta. 
De  Madrigali  Libro  Quarto.  Nouamente 
ristampati.cic.  Basso.  (Basso  Continuo.) 
2  pts.  Appresso  Alessandro  Vincenti : 

Venetia,  1637.     4°.  D.  200.  c. 


SABBATINI  (Galeazzo)  Madrigali 
Concertati  a  Due,  Tre,  e  Quattro  Voci. 
Con  alcune  Canzonettc  Concertate  con  In- 
stromcnti  . . .  Opera  Sesta.  De  Madrigali 
Libro  Quiuto  Nuouameute  composte,  e 
dati  in  luce,  etc.  Basso.  (Violino,  e  Basso 
da  Sonaro.)     2  pts. 

Appresso  Alessandro  Vincenti :  Venetia, 
1636.     4°.  D.  200.  d. 

Madrigali  Concertati  a  Cinque  Voci  con 
alcune  Canzoni  Concertate  anc'  esse  diuer- 
samente con  Sinfonie,  e  Ritornelli,  e  nel 
fine  vna  Canzonetta  con  Voci,  &  Instro- 
menti  . . .  Opera  Quarta.  De  Madrigali 
Libro  Terzo  Nouamente  Ristampati,  etc. 
Basso.     (Basso  Continue.)     2  pts. 

Appresso  Alessandro  Vince?iti  :  Venetia, 
1634.     4°.  D.  200.  b. 

Regola  Facile,  e  breue  per  Sonare  sopra 
il  Basso  Continuo,  nell'  Organo,  Mana- 
cordo,  6  altro  Simile  Stromento. .  .Noua- 
mente Ristampata  e  Correta. 

Appresso  Alessandro  Vincenti  :  Venetia, 
1644.     4°.  1042.  h.  32. 

Sacrarum  Laudum  Musicis  Conceptibus 
. . .  Contextarum  Binis,  Ternis,  Quaternis, 
Quinisq;  Vocibus  ad  Organum  conciuen- 
darum  Liber  Secundus.  Opus  Septimum. 
Hac  Editione  a  pluribus,  quibus  scatebat, 
erroribus  expurgatum.     Tenor. 

Tyxiis  Hcredihn  Petri  Phalesii : 
Antuerpise,  1641.     4°.  D.  200.  e 

SABBATINI  (LuiGi  Antonio)  Elementi 
Teorici  della  Musica  colla  Pratica  de'  me- 
desimi,  in  Duetti,  e  Terzetti  a  Canone 
accompagnati  dal  Basso  . . .  Edizione  ii. 
3  pts.  Nella  Stampcria  Pilucchi 

Cracas,  e  Gitiseppe  Rotilj  Socio  :  Roma, 
1795  (1790).     obi.  fol.  D.  639. 

Part  I.  only  is  of  the  2nd  edition. 

La  Vera  Idea  delle  Musicali  Numeriche 
Segnature,  etc.  Presso  Sebastian  Valle  : 
Venezia,  1799.     4°.  785.  1.  30. 

SABBATINI  (PiETRO  Paolo)  Ariette 
Spirituali  a  Una  Doi  e  Tre  Voci  ...  In 
diuersi  stili  da  cantarsi  in  qualsiuoglia 
Instrumento.  Libro  Quinto,  Opera  Vige- 
sima  prima.  Nella  Stamperia  di  lacomo 
Fei  del  q.  Andrea  :  Roina,  1657.     fol. 

K.  7.  f.  2. 

The  verso   of  the  title-page  contains  a 

portrait    of   Pope     Alexander     VII. 

engraved    by    Giovanni    Battista    de 

Rossi. 

Canzoni  Spirituali  ad  Una,  a  Due,  et  a 
Tre  Voci.  Da  cantarsi,  e  sonarsi  sopra 
qualsiuoglia  Istromento.  Libro  Secondo. 
Opera  Decimaterza,  etc. 

Appresso  Lodouico  Grignani  :  Roma, 
1640.     fol.  K.  7.  f.  1.  (2.) 


SABBATINI— SACCHINI 


445 


SABBATINI  (PiETRO  Paolo)  Varii 
Capricci,  e  Canzonette  a  Una  e  Tre  Voci 
da  cantarsi  sopra  qualsiuoglia  Istro- 
mento  con  I'Alfabefco  della  Chittara  Spag- 
nola  . . .  Libuo  Settimo.  Opera  Decima- 
quarta.  Nella  Stamperia  di  Vincenzo 

Biaiichi  :  Roma,  1641.     fol. 

K.  7.  f.  1.  (1.) 
Prima  Scelta  di  Villanelle  a  Due  Voci .  . . 
Da  sonarsi  in  qualsiuoglia  Instromento 
con  le  lettere  accomodate  alia  Chittara 
Spaguola  in  quelle  piu  a  proposito,  etc. 

Appresso  Vitale  Mascardi  :  Roma, 
1652.     fol.  K.  4.  h.  3.  (5.) 

II  Terzo  di  Pietro   Paolo  Sabbatino,  etc. 
[Villanelle  for  1,  2  &  3  voices.] 
Appresso  Paolo  Masotti  :  Roma,lQ>Z\.    fol. 

K.  4.  h.  3.  (6.) 
This  tvork  also  contains  compositions  by 
Simon  Corsi  and  Dante  Assodaw. 
II  Quarto  de  Villanelle  a  Una,  Due,  et 
Tre  Voci,  etc.  NeW  Hospitio  de'  Lettcrati, 
Appresso  Gio.  Battista  Robletti :  Roma, 
1631.     fol.  K.  4.  h.  3.  (7.) 

SABINA.     Sabina.     [Song.] 
Sec  Pitman  (A.) 

Sabina  has  a  thousand  Charms.     Song. 
See  PuRCELL  (D.)    [The  Reformed  Wife.'] 

SABINO  (HiPPOLiTo)  Di  Hippolito  Sabino 
il  Quarto  Libro  de  IMadrigali  a  Quattro, 
Cinque,  Sei,  Sette,  &  Otto  voci,  nouamentc 
composti,  &  dati  in  luce.     Quinto. 

Prcsso  Giacomo  Vincenzi,  cD  Ricciardo 
Amadino,  compagni  :   Venetia,  1585.     4". 

D.  7.  a. 
Madrigali  a  Cinque  Voci. .  .Libro  Secondo, 
etc.  Quinto.  Appresso  Angclo  Gardano  : 
Venetia,  1580.     obi.  4".  A.  403.  a. 

II  Secondo  Libro  de  Madrigali  a  Sei  Voci 
. . .  Con  alcuni  di  Oratio  Crisci ;  nouamente 
composti  &  dati  in  luce,  etc.     Quinto. 

Appresso  Angela  Gardano  :  Venetia, 

1581.     obi.  4°.  A.  403. 

Di  Hippolito  Sabino  II  Settimo  Libro  de 

Madrigali   a   Cinque,    &   a   Sei  voci,  etc. 

Canto.  (Alto.)  (Tenore.)  (Basso.)  (Quinto.) 

5  pts.  Appresso  Giacomo  Vincenti  : 

Venetia,  1589.     4°.  D.  7. 

The  Sesto  partis  printed  with  the  Tenor. 

This  tvork  also  contains  Madrigals  by 

G.  F.  Sabino  and  0.  Crisci. 

SABLE.  The  Sable-clad  Curtains.  Song. 
See  Hook  (J.) 

The  Sable  Night  had  spread  around. 
Cupid  Benighted.  (Anacreon.) ...  A  favo- 
rite Ballad.  Sung  ...  at  Harrison  and 
Knyvett's  Vocal  Concerts.  [London, 

1791?]     fol.  G.  808.  e.  (42.) 

SABOT  PERDU.  [For  songs,  &c.  in 
'  La  Vcillee  Villageoise  ou  le  Sabot 
Perdu '  :]     See  Veillee  Villageoise. 


SABOTS.  Les  Sabots,  Opera-Comique  en 
uu  Acte,  mele  d'Ariettes ;  par  Mrs. 
C[haspoul]  &  Sedaine  . . .  avec  la  Musique 
[of  one  song,  by  E.  R.  Duni]. 
See  Recueil.  Recueil  general  des  Opera 
BoufEons,  etc.     Tom.  1.     1777.     8°. 

11735.  b.  2. 

Les  Sabots.     [Opera.]     See  Duni  (E.  R.) 

SACCHI  (Giovenale)  Del  Numero  e 
delle  i\Iisure  delle  Corde  IMusiche  e  loro 
Corrispondeuze.     Dissertazione,  etc. 

Per  Giuseppe  Mazzncchelli  :  Milano, 
1761.     8°.  1042.  e.  17.  (1.) 

Delia  Divisione  del  Tempo  nella  IMusica 
nelBalloe  nella  Poesia.  Dissertazione  iii, 
etc.  Per  Giitseppe  Mazzucchelli  nella 

Stamperia  Malatesta  :  Milano,  1770.     8". 

52.  d.  31. 

Della  Natura  e  Perfezione   della   Antica 

Musica  de'  Greci. .  .Dissertazioni  iii.,  etc. 

Per  Antonio  Mogni  nella  Stamperia 

Malatesta :  Milano,  1778.     8". 

7898.  aaa.  15. 

Delle  Quinte  Successive  nel  Contrappunto 
e    delle    Regole    degli    Accompanimenti. 
Lettera  del  P.  D.  Giovenale  Sacchi...al 
Sig.  Wincislao  Pichl,  etc. 
Per  Cesare  Orcna  :  Milano,  1780.     8". 

1042.  e.  17.  (2.) 
Don  Placido.  Dialogo. .  .Dove  cercasi  se 
lo  studio  della  musica  al  religioso  convenga 
o  disconvenga.  Presso  Lnigi  Raffaelli  : 
Pisa,  1786.     8°.  4071.  c.  45. 

[Another  copy.]  3902.  f.  8.  (1.) 

Risposta. .  .al  P.  Andrea  Draghetti,  etc. 

Per  Giuseppe  Mazzucchelli  7iella 
Stamperia  Malatesta :  Milajio,  ITil.     8". 

7897.  aaa.  29. 
Juvenalis  Sacci  .  .  .  Specimen  Theorise 
Musicse.  Ex  Typographia  histitttti 

Scientiarum  :  Bononix,  1788.     4°. 

557*.  e.  6.  (2.) 
See  Martini  (G.  B.)  Lettere  del  P.  M. 
Giambatista  Martini .  . .  e  del  P.  Giovenale 
Sacchi  . . .  intorno  alle  Quinte  successive 
nel  Contrappunto.    1782.    4".    981.  li.  5. 

See  Zanotti  (F.  M.)  Lettere  del. .  .Pad. 
G.  Sacchi  . . .  Nelle  quali  si  . . .  risolvono 
alcuni  dubbj  appartenenti  al  trattato : 
Delia  divisione  del  Tempo  nella  Musica, 
etc.     1782.     4°.  557*.  e.  6.  (2.) 

SACCHINI  (Antonio  Maria  Gasparo) 
L'Amoro  Soldato.  Opera  Comica,  etc. 
[Full  Score.]  Prcsso  Roberto  Bremner  : 
Londra,  [1778.]     fol.  H.  330.  a. 

[Another  copy.]  G.  180.  f.  (3.) 

Wanting  pp.  77-106. 

[Armida.]  Resta  ingrata  io  parto,  etc. 
[Song.]  G.  Goulding  :  London, 

[1799?]    fol.  G.  811.  a.  (36.) 

Periodical  Italian  Song,  No.  39. 


U6 


SACCHINl 


SACCHINI    (Antonio    Maria   Gasparo) 

Avaut  que  le  soleil.  Air  . . .  paroles  de 
M.  de  Florian.     [Paris,]  1786.     8°. 

297.  g.  33. 
Mercure  de  France,  Sept.,  1786,  p.  101. 

[L'  Avaro  Deluso.]  Aure  dolci.  See  Avaro 
Deluso.  Aure  dolci,  etc.  [By  A.  M.  G. 
Sacchini.]     [1779  ?]     s.  sh.  fol. 

H.  1601.  a.  (15.) 

Vol  sapete.      See    Avaro    Deluso. 

Vol  sapete,  etc.     [By  A.  M.  G.  Sacchini.] 
[1779?]     s.sh.M.        H.  1601.  a.  (16.) 

Cliimene  ou  le  Cid.  Tragedie  Lyrique  en 
trois  Aetes,  etc.  [Full  Score.]  Ecrit  par 
Ribiere.  Chez  Le  Due:  Paris, 

[1784?]     fol.  H.  330.  b. 

[For  songs,  &c.,  published  anony- 
mously :]  See  Chimene. 

[II    Cid.]     The   Favourite    Songs   in   the 

Opera  II  Cid.     [Full  Score.] 

B.  Bremner :  London,  [1773.]     fol. 

G.  669.  a.  (1.) 

[Another    edition.]      The    Favorite 

Songs  in. .  .11  Cid,  etc.     [Full  Score.] 

J.  Prestmi:  London,  [1785?]     fol. 

G.  180.  e.  (3.) 
La  Colonic.  [For  songs,  &c.,  published 
anonymously  :]     See  Colonie. 

La  Colonic.  6'ec  infra:  [L' Isola  d\imorc .] 

[La  Contadina  in  Corte.  Sento  che  in 
freno  mi  batte.]  See  Contadina  in  Corte. 
Sento  che  in  freno  mi  batte.  The  Favourite 
Rondo  sung. .  .in  the  . . .  Opera,  La  Conta- 
dina in  Corte.  [By  A.  M.  G.  Sacchini.] 
[1780.]    fol.  H.  1601.  a.  (7.) 

[Cresc]      The    Favourite    Songs   in   the 
Opera  Creso,  etc.     [Full  Score.] 
R.  Bremner  :  London,  [1777.]     fol. 

H.  348.  b.  (3.) 

[Another    edition.]       The    Favorite 

Songs  in. .  .Creso,  etc.     [Full  Score.] 

J.  Preston :  London,  [1785  ?]     fol. 

G.  180.  e.  (4.) 
Dardanus.  Tragedie  Lyrique  en  Quatre 
Actes.  Paroles  de  Mr.  Guillard,  etc. 
[Full  Score.]  Chez  Des-Lauriers  : 

Paris,  [1784.]     fol.  H.  330. 

[Didone  Abbandonata.]  Son  regina  e 
sono  amante.  Sung  by  Madam  Mara  in 
[the  Pasticcio]  Didone  Abbandonata,  etc. 
[Full  Score.]  Longmaa  d  Broderip  : 

London,  [1786.]     fol.  H.  345.  (29.) 

[Erifile.]      The   Favourite   Songs   in   the 
Opera.     Erifile,  etc.     [Full  Score.] 
B.  Bremner  :  London,  [177b.]     fol. 

G.  180.  b.  (1.) 

[Another   edition.]      The   Favourite 

Songs  in. .  .Erifile.      [Full  Score.] 

B.  Bremner :  London,  [1778.]     foi. 

G.  669.  a.  (2.) 

[Another  copy.]         G.  180.  d.  (1.) 


SACCHINI    (Antonio   Maria   Gasparo) 
Evelina.     Opera  en  Trois  Actes.     Paroles 
de  Mr.  Guillard,  etc.     [Full  Score.] 
Chez  Lnbault :  Paris,  [1788.]     fol. 

G.  180.  g. 

Sacchini's   Overture    in   the    Opera 

'  Evelina,'  arranged  for  the  Piano-Forte 
by  K.  Kambra.  Birchall,  for  the  Aiithor  : 
London,  [1797  ?]     fol.         "     g,  137.  (9.) 

How  should  we  mortals  spend  our  hours. 
A  favorite  Cxlee.  Printed  for  G.  Walker: 
London,  [1800  ?]     fol.     G.  807.  b.  (56.) 

L'  Isola  d'  Amore.  Intermezzi  a  Quattro 
Voci,  etc.     [Full  Score.]  B.  Bremner : 

London,  [1776.]     fol.  G.  180.  f.  (2.) 

[L'  Isola  d'  Amore.]  La  Colonie.  Opera 
Comique  en  deux  Actes.  Imite  [by  N.  E. 
Framery]  de  I'ltalien  et  Parodie  sur  la 
Musique  del  S"'  Sacchini,  etc.  [Full  Score.] 
Chez  M>-  D'Enouville:  Paris,  [1776.]     fol. 

G.  669. 

La  Colonie,  Com6die  en  deux  Actes, 


imitee  [by  N.  E.  Framery]  de  I'ltalien. 
avec  la  Musique  [of  four  songs]. 
See  Recueil.      Recueil  general  des  Opera 
Bouffons,  etc.     Tom.  9.    1777.     8". 

11735,  b.  2. 

[Lucio  Vero.]  The  Favourite  Songs  in 
the  Opera  Lucio  Vero.  [Full  Score,  with 
the  Overture  for  the  P.  F.]  B.  Bremner : 
London,  [1773.]     fol.         G.  180.  b.  (2.) 

[Another  copy.]         G.  180.  d.  (4.) 

[]\Iitridate.]     The  Favourite  Songs  in  the 
Opera  Mitridate,  etc.     [Full  Score.] 
R.  Bremner  :  London,  [1781.]     fol. 

G.  180.  e.  (2.) 
[ilotezuma.]  The  Favourite  Songs  in 
the  Opera  Motezuma,  etc.  [Full  Score. 
Overture  for  P.  F.]  B.  Bremner : 

London,  [1775.]     fol.  H.  348.  (1.) 

[Another  copy.]  G.  760.  f.  (8.) 


[Another  copy.] 


G.  180.  d.  (2. 


) 


The  Favorite  New  March  as  per- 

form'd  by  the  Coldstream  .  .  .  Guards, 
etc.     [P.  P.]  I.  Blundell :  London, 

[1780  ?]     s.  sh.  fol.  g.  272.  1.  (22.) 

[Nitteti.]  The  Favourite  Songs  in  the 
Opera  Nitteti,  etc.  [Full  Score.  Overture 
for  P.  F.]  B.  Bremner :  London, 

[1774.]     fol.  H.  348.  a.  (1.) 

[Another  copy.]         G.  180.  c.  (1.) 

Non  e  la  mia  speranza. 
Sec  infra  :  [Pcrseo.] 

0  lieto  di.  See  infra:  [CEdipe  d  Colonne. 
0  doux  7noment.] 

CEdipe  a  Colonne.     Opera  en  trois  Actes. 
[Words  by  N.  F.  Guillard.     Full  Score.] 
Chez  LnhauU  :  Paris,  [1787.]     fol. 

G.  180. 


SACCHINI— SACEIFICE 


447 


SACCHINI  (Antoxio  Maria  Gasparo) 
CEdipe  a  Colonne.  Overture,  etc.  [By 
A.  M.  G.  Sacchini.]  [1801.]  See  Periodi- 
cal Publications. — London.  The  Piano- 
Forte  Magazine.  Vol.  XIV.  [No.  13.] 
[1797-1802.]     8°.  D.  854. 

Overture.    [P.  F.]    Sec  Megzer  (F.) 

Ouverture  d'CEdipe  a  Colonne  [by  A.  M.  G. 
Sacchini]  arrangee  pour  le  Clavecin,  etc. 
[1787  ?]     fol.  g.  81.  (12.) 

[0  doux  moment.]     0  lieto  di.     A 

Favorite  Trio  as  Sung  at  the  King's 
Theatre  ...  in  ...  Evelina,  etc.  [Short 
Score.]  Longman  &  Brodcrip  :  London, 
[1797.]     fol.  G.  760.  f.  (7.) 

L'Olympiade,  ou  le  Triomphe  del'Amiti^. 
Drame  Heroique  en  Trois  Actes  et  en 
Vers.  Imile  de  I'ltalien  [of  Metastasio] 
et  Parodie  sur  la  Musique  du  Celebre  Sg' 
Sacchini,  etc.     [Full  Score.] 

Chez  M''  d' li)iouville  :  Paris,  [1777]     fol. 

G.  180.  h. 

Non   mon   coeur   souffre    moins   de 


peine.     Air. .  .Arrange  pour  la  Harpe  par 
M'  Suin.     [1780  ?]    fol.     See  Olimpiade. 

G.  800.  m.  (43.) 

[For   songs,  &c.,    published   anonj'- 

mously :]  See  Olympiade. 

[Perseo.]      The  Favourite    Songs   in   the 
Opera  Perseo,  etc.     [Full  Score.] 
B.  Bremner :  London,  [1774.]     fol. 

G.  180.  c.  (2.) 

[Another  copy.]  G.  200.  (2.) 

Non   e    la    mia    speranza.      [Aria.] 

Sung  by  INIadani  Mara,  etc.     [Full  Score 
and  Cembalo.]  Longman  &  Broderip: 

London,  [1786.]     fol.  H.  345.  (17.) 

Sei   Quartetti,  per   due   Violiui,  Viola   e 
Basso . . .  Opera  2".     [Separate  Parts.] 

Presso  Boberto  Bremner:  London, 
[1775?]     fol.  g.  388. 

Renaud.  Tragedie  lyrique  en  trois  Actes, 
etc.     [Full  Score.]  Chez  Le  Due  : 

Paris,  [1783.]     fol.  G.  180.  a. 

— —  [For   songs,  &c.,  published    anony- 
mously :]  See  Kenaud. 
Resta  ingrata  io  parto. 
See  supra  :  [Armida.^ 
[Rinaldo.]     The  Favourite  Songs  in  the 
Opera  Rinaldo,  etc.     [Short  Score.] 
B.  Bremner :  London,  [1780.]     fol. 

G.  180.  c.  (3.) 

[Another  copy.]         G.  180.  b.  (3.) 

Serba  costante  in  petto.  TJie  Favorite 
Bondo,  composed . . .  for  Signora  Marchetti. 
[Full  Score.]  Printed  for  J.  Bland  : 

Londoji,  [1775  ?]     fol.      G.  807.  d.  (67.) 

A  Second  Set  of  Six  Favorite  Lessons  for 
the  Harpsichord,  or  Piano  Forte,  with  an 
Accompanyment  for  the  Violin . . .  Opera 
4"".  James  Blnndcll :  London, 

[1780?]     fol.  h.  94. 


SACCHINI  (AxTONio  IMaria  Gasparo) 
Six  Sonatas  for  the  Harpsichord,  or  Piano 
Forte  :  with  a  Violin  Accompaniment . . . 
Opera  iii.  B.  Bremner:  London, 

[1780?]     fol.  g.  388.  a. 

Son  regina  e  sono  amante. 

See  supra:  [Didone  Abbaiidonata.'] 

[Tamerlano.]  The  Favourite  Songs  in 
the  Opera  Tamerlano,  etc.  [Full  Score. 
Overture  for  P.  F.]  B.  Bremner  : 

London,  [1773.]     fol.         G.  669.  a.  (3.) 

[Another  copy.]  G.  180.  f.  (1.) 

See  Corfe  (Joseph)  A  Third  Set  of 
Twelve  Glees ...  arranged  from  the  Melo- 
dies of  Sacchini,  etc.     [1800?]     obi.  fol. 

E.  317. 
See  Corfe  (Joseph)    A  Treatise  ou  Singing 
. .  .with. .  .some.  .  .Vocal  Pieces  of  Sacred 
Music,  from  the  Mss.  of. .  .Sacchini,  etc. 
[1800?]    o6Z.  fol.  557*.  e.  22.  (1.) 

See  Ghillini  di  Asuni  (  )  A  Valuable 
Collection  of. .  .Songs. .  .from  . . .  Opera's 
by. .  .Sacchini,  efc.     [1776.]     fol. 

g.  421.  a.  (1.) 
See  Orpheus  and  Eurydice.  Orpheus 
and  Eurydice,  a  Grand  Serious  Opera. . . 
composed  by  Gluck,  Handel,  Bach,  Sac- 
chini, etc.     [1792.]     obi.  fol. 

E.  91.  c.  (1.) 
SACCUS  (luvENALis)     See  Sacchi  (G.) 

SACERDOTE  (David)     Di  Dauid  Sacer- 
dote  di  Roure,  Hebreo,  II  Primo  Libro  di 
Madrigali  a  Sei  Voci,  etc.     Quinto. 
Appresso  li  Figlinoli  di  Antonio  Gardano : 
Venetia,  1575.     obi.  4".  A.  406. 

SACRED.     Sacred  War.     [Song.] 
See  Olive  (J.) 

SACRED  HARMONY.  Sacred  Har- 
mony :  or  A  choice  Collection  of  Psalm 
and  Hymn  Tunes,  in  two  or  three  Parts, 
for  the  Voice,  Harpsicord  &  Organ. 
[Edited  by  J.  Weslev.]  London, 

[1789.]     8°.  "  B.  483. 

[Another  edition.]  Sacred  Harmony :  or 
A  choice  Collection  of  Psalm  and  Hymn 
Tunes,  etc.  G.  Whitfield :  London, 

[1789?]    8".  B.  483.  a. 

Sacred  Harmony.  A  Selection  of  Airs, 
Duos,  Trios,  &c.  Arranged  for  the  Organ, 
Piano  Forte,  or  Harp.  [Philadelphia, 

1800?]     fol.  H.  3340, 

The  composers  named  in  this  collection 

are :    Aladan,  B.    Carr,   Handel,   B. 

Taylor,  Pleyel,  Kent,  Dr.  Greene,  Dr. 

Blake,  Corelli,  Haydn  and  Dr.  Arne. 

Sacred  Harmony.     Psalm  Tunes. 
Sec  Harrison  (R.) 

SACRIFICE  D' AMOUR.  Le  Sacrifice 
d'Amour.     Cantatille.     See  Lemaire  (L.) 


448 


SACRIFICE— SAILOR 


SACRIFICE  OF  IPHIGENIA.    How 

sweet  are  the  flowers.  .4  Favourite  Song, 
in  the  Sacrifice  of  Iphigenia.  [By  T.  A. 
Arne.]    {London,  1751.]    8°.     157.  1.  13. 

London  Magazine,  1751,  p.  420. 
How  sweet  are  the  Flowers.      A  Song  in 
the  Sacrifice  of  Iphigenia,  etc.     [By  T.  A. 
Arne.l     {London,  1754.]     s.  sh.  8". 

P.P.  5439.  ab. 
New    Universal    Magazine,    Vol.    VI., 
Stcpplcment. 
How  sweet  are  the  Flowers.     A  Favourite 
Song  in  the  Sacrifice  of  Iphigenia.     [By 
T.  A.  Arne.]  Printed  for  J.  Phillips  : 

{London,  1755  ?]     s.  sh.  fol. 

G.  316.  (118.) 
How  sweet  are  the  Flowers.  A  Fav'rite 
. . .  Song,  in  the  Sacrifice  of  Iphigenia. 
[By  T.  A.  Arne.]  See  Chloe.  Ghloe,  or 
the  INIusical  Magazine,  etc.  No.  41. 
[1760?]     fol.  G-.  433. 

[Another  edition.]     How  Sweet  are   the 
Flowers,  ete.     [LoncZon,  1765?]    s.  sh.  iol. 
H.  1994.  b.  (37.) 
SAD.     The  Sad  Case.     Song.     See  At.     At 
the  foot  of  a  hill,  etc.     [1757.]     8°. 

P.P.  5438. 

The  Sad  Case.  [Song.]  See  At.  At  the 
foot  of  a  Hill,  etc.     [1760  ?]     s.  sh.  fol. 

G.  316.  c.  (10.) 
Sad  in  the  hostile  Dungeon  pent,  an  easy 
Duo  for  Two  Voices.  T.  G.  Williamson  : 
London,  [1796  ?]     fol.  G.  354.  (55.) 

Sad  Musidora  all  in  woe.  Musidora's 
Complaint,  [Song,]  by  a  Young  Lady  of 
Quality.     [London,  1720?]     s.  sh.  iol. 

G.  316.  g.  (52.) 
[Another  setting.]  Sad  Musidora.  [Song.] 
See  Carey  (H.) 

Sad  was  de  Day.    The  Negro  Girl,  [Song,] 
The  Words  by  R.  W.  J. 
{London,  1800?]    fol.    H.  2832.  g.  (38.) 

SAENGER.     Der  Saenger.     [Song.] 
See  HuRKA  (F.  F.) 

SAFFERY  (Osmond)  An  Introduction 
to  Music,  with  a  Variety  of  Progressive 
Lessons,  Songs  &  Preludes. .  .for  the  Use 
of  Beginners  :  on  the  Piano  Forte. 

Printed  for  the  Author :  London, 
[1800?]     fol.  h.  1480.  m.  (24.) 

Lady  Harriot  Hope's  Reel,  arranged  as  a 
Rondo,  etc.     [P.  F.] 
Printed  for  James  Saffcnj  :  Canterbury, 
[1800?]     fol.  ■    g.  443.  g.  (14.) 

SAGE.     Le  Sage  du  Temps.     [Song.] 
See  P.,  D.  R.  A.  A. 

SAGES.  The  Sages  of  old.  The  true- 
hearted  Englishman.  [Song,  words  by 
T.  D'Urfey.]     {London,  17G5  ?J    s.  sli.  fol. 

G.  312.  (113.) 


SAGGIONE  (Giuseppe  Fedelli)  Songs 
in  the  New  Opera,  call'd  The  Temple  of 
Love.  /.  Walsh  and  I.  Hare  : 

London,  [1706.]     fol.  H.  124.  (2.) 

[For  songs  published  anonymously  :] 

See  Temple  of  Love. 

SAGITTARIUS  (Henricus)  [i.e.  H. 
Schuetz.]  Cantiones  Sacrge  Quatuor 
Vocura  cum  Basso  ad  Organum,  etc. 
Tenor.  Typis  Gcorgii  Hoffmanni  : 

Fribergac  Her mundur arum,  1625.     4". 

B.  134. 
Anderer  Theil  Kleiner  Geistlichen  Con- 
certen  mit  1.  2.  3.  4.  vnd  5.  Stimmen 
Sambt  beygefugtem  Basso  Continue  vor 
die  Orgel,  etc.  Primus.  (Secundus.) 
(Tertius.)  (Quartus.)  (Quintus  et  Ul- 
timus.  Bassus  ad  Organum.)  5  pts. 
Gcdruckt  . . .  durch  Gimcl  Bergens  Scligcn 
Erhen :  Dreszdcn,  1639.     fol.  F.  22. 

See  also  Schuetz  (H.) 

SAILER  (Anton  Franz  Xaver  Sebastian) 
See  Adams  und  Evens  Erschaffung. 
Adams  und  Evens  Erschaffung  .  .  .  Ein 
geistlich  Fastnachtspiel  mit  Sang  und 
Klang,  etc.  [Words  and  music  by  A.  F. 
X.  S.  Sailer.]     1783.     4".      11745.  f.  12. 

SAILER  (Leonard)  Cantiones  Sacrse, 
unius,  duarum,  trium  &  quatuor  Vocum, 
cum  Instrumentis,  &  Basso  Continue,  etc. 
Canto  I.  (ii).  (Alto.)  (Tenore.)  (Basso.) 
(Violino  I  (ii).)     (Organum.)     8  pts. 

Typis  Johann.  Conradi  a  Mechcl  : 
BasiUce,  1696.     4°.  C.   90. 

SAILOR.     A  Sailor  lov'd  a  lass.     Song. 
Sec  Storage  (S.)     {The  Cherokee.] 
The  Sailor's  Adieu.     Ballad. 
See  Broderip  (R.) 
The  Sailor's  Allegory.     Song. 
See  Carey  (G.  S.) 
The  Sailor's  Complaint.     [Song.] 
See  Come.     Come  and  listen  to  my  Ditty. 
[1780  ?]     s.  sh.  fol.  G.  307.  (34.) 

The  Sailor's  Consolation.     [Song.] 
Sec  DiBDiN  (C.)     {Private  Theatricals.'] 
The  Sailor's  Joke.     Ballad. 
See  Reeve  (W.) 
The  Sailor's  Journal.     Song. 
.     Sec  DiBDiN  (C.)     {Will  of  the  Wisp.] 
The  Sailor's  Resolution. 
See  True  Blue. 
The   Sailor's   Return.     Ballad.     [Begins : 
'  Twelve  months  are  past.'] 
Sec  Broderip  (R.) 

The    Sailor's    Return.       [Song,    begins : 
'  Bleak  was  the  morn.'] 
See  DiBDiN  (C.)     {Private  Theatricals.] 

The  Sailor's  Return  from  Cape  Breton. 
[Song.]  See  Stand.  Stand  round  my 
brave  Boys,  etc.     [1758.]     s.  sh.  fol. 

G.  316.  (128.) 


Song. 


SAILOR— SAINT  GERMAIN 


449 


SAILOR.     A  Sailor's   Song.     See   Luff. 

Luff,  thus,  Nonnear,  etc. 

[1750?]     s.sh.  fol.  G.  316.  e.  (65.) 

A  Sailor's  Soul.     See  Moulds  (J.) 

A    Sailor's   Voice   the'    coarse,  can  raise. 

Highland  Nelly.     [Song.]     Sung  by   Mr. 

Vernon  at  Vauxhall. 

Llongmayi]  <£  B\j-oclerip : 

ionJoji,  1780  ?]     fol.  G.  306.  (215.) 

[Another     edition.]       A     Sailor's     Voice 

tho'   coarse   can  raise.     Highland  Nelly. 

An  admir'd  Scotch  Song.  John  Lee  : 

Dublin,  [1185?]     s.  sh.  io\. 

H.  1601.  a.  (65.) 
SAILOR'S  REHEARSAL.    [For  songs, 

&c.,    in    Britons,    strike    Home,    or    the 

Sailor's  Rehearsal :] 

See  Britons,  strike  Home. 

SAILORS.    Sailors  they  get  all  the  money. 
The  Boiling  Sailor.    A  favorite  Song. 
S[kiUern :  London,  1780  ?]     s.  sh.  fol. 

G.  316.  (119.) 

SAINSON  (       de)    Je  m'etois  long-temps 

promis.       Eomance,    etc.      (Les     Paroles 

sont  de  M"  Brunet,  etc.) 

[Paris,-]  1761.     s.  sh.  8\  297.  d.  31. 

Mercure  de  France,  Nov.,  1761. 

SAINT- AMANS  (Louis  Joseph) 

See  ACTEUR  da:ss  son  Menage.  L'Acteur 
dans  son  Menage,  Tableau  Anecdotique, 
mel6  de  Vaudevilles,  par  M'°  J"  BouUault, 
etc.  [With  the  music  of  one  song,  by 
L.  J.  Saint-Amans.]     [1799.]     8". 

11738.  bb.  41.  (4.) 

SAINT     DAVID.       St.     David's     Day. 
[Trio.]     See  Let.     Let  us  dance,  etc. 
[1800?]     fol.  G.  809.  b.  (16.) 

SAINT  DENICHE.  Le  Saint  denich^. 
Opera  Comique.     See  Piis  (A.  P.  A.  de) 

SAINT  G.,  Count.     Gentle  love  this  hour 
befriend  me.     A  New  Song.     [Words  by 
A.  Hill.]     Set  by  Count  S'  G^ermain]. 
[London,  1745  ?]     s.  sh.  fol.    G.  308.  (2.) 

SAINT  GEORGE.  Saint  George  he  is 
our  Patron,  Boys.  A  fighting  he  ivill  go. 
[Song,  words]  By  T.  S.  Sk[illern: 

London,  1778  ?]     s.  sh.  fol. 

G.  311.  (149.) 
[Another  setting.]  Saint  George  he  is  our 
patron,  boys.     Song.     See  Hudson  (R.) 

SAINT  GEORGE  (  de)  Chevalier. 
L'autre  jour  a  I'ombrage.  Romance  Nou- 
velle.  Paroles  et  Musique  de  ]M.  le  Ch" 
de  S*  George.  Avec  Accomp'  de  Guittare. 
Cites  Imbault :  Paris,  [1785  ?]     8°. 

B.  362.  b.  (193.) 
Concerto  a  Violon  Principal,  Premier  et 
Second  Violon,  Alto  et  Basse,  Deux  Haut- 
bois,  deux  Cors,  etc.     [Separate  Parts.] 
Chez  le  S'  Sieber  :  Paris,  [1775  ?]     fol. 

li.  210.  a.  (13.) 

VOL.  II. 


SAINT  GEORGE  (  de)  Chevalier. 
Six  Senates  pour  le  Violon.  QHuvre 
Postume.  1  Livre.  Gravees  par  Richomme. 
Chez  Pleyel:  Paris,  [1800?]     fol. 

g.  422.  f.  (5.) 
SAINT  GERMAIN  (     dy)  Count,  pseud. 
[i.e.  —  Giovanuiui.]    Jove,  when  he  saw 
my  Fanny's  face.     A  new  Song,  etc. 
[London,  1748.]     8°.  249.  c.  18. 

Gentleman's    Magazine,     Vol.    XVIII., 
p.  372. 
The  Maid  that's  made  for  Love  and  Me, 
etc.     [Song.]     [London,  1747.]     8°. 

157.  L  9. 
London  Magazine,  Vlil,  p>p>.  46-7. 
[Another    edition.]       The    Maid   that   is 
made  for  Love  and  me,  etc. 
[London,  1749.]     8".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  IV.,  p.  81. 
The  Maid  that's  made  for  Love  &  me,  etc. 
[Song.]     [London,  Vt  50 '>]     s.sh.iol. 

H.  1994.  c.  (61.) 
[Another  edition.]     The  I\Iaid  that's  made 
for  Love  and  me,  etc.     [Song.] 
See  Chloe.     Chloe,  or  the  Musical  Maga- 
zine, etc.    No.  92.     [1760  ?]     fol. 

G.  433. 
0  wouldst  thou  know  what  kind  of  charm. 
A  New  Song,  etc.     [London,  1747.]    8"=. 

249.  e.  17. 
Gentleman's     Magazine,     Vol.     XVII., 
p.  441. 
0  wotddst  thou  know  what  Sacred  Charms. 
A  New  Song,  'etc.     [Words  by  W.  Hamil- 
ton.]    [Lo7idon,  1745  ?]     s.  sh.  fol. 

G.  305.  (234.) 
[Another  edition.]  0  wouldst  thou  know 
what  Sacred  Charms,  etc.  [London, 

1745  ?]     s.  sh.  fol.  G.  310.  (213.) 

[Another  copy.]  G.  303.  (44.) 

The  Self  Banish'd.  [Song.]  Words  by 
E.  WaUer.]     [London,  1755?]     s.  sh.  fol. 

G.  309.  (19.) 
[Another  edition.]  The  Self  Banish'd,  etc. 
[London,  1760?]    s.sh.iol. 

I.  530.  (136.) 
Seven  Solos  for  a  Violin.  Printed  for 

J.  Johnson:  Loiulon,  [1760?]     fol. 

g.  503.  (2.) 
Six  Sonatas  for  Two  Violins  with  a  Bass 
for  the  Harpsicord  or  Violoncello.  [Sepa- 
rate Parts.]  I.  Walsh  : 
London,  [1755  ?]     fol.  g.  286. 

See  Incostanza  Delusa.  The  Favourite 
Songs  in. .  .L'Inconstanza  Delusa.  [Com- 
posed by  Count  de  S'  Germain  and 
G.  F.  Brivio.]    [1745.]  fol.     G.  193.  (1.) 

See    Summer's    Tale.      The    Summer's 
Tale.     A  Musical  Comedy  .  .  .  The  IMusic 
by  Abel. .  .C.  S'  Germain,  etc. 
[1765  ?]    obi.  fol.  D.  273.  (1.) 

See  also  Saint  G.,  Count. 

2  G 


450 


SAINT  LAMBERT— SALE 


SAINT  LAMBERT  (jMichel  de)  Nou- 
veau  traits  de  rAccompagnement  du 
Clavecin,  de  I'Orgue,  et  des  autres  instru- 
ments. Aux  Dipens  d'Esticnne  Roger  : 
Amsterdam,  [1700?]   8".  1042.  k.  13.  (1.) 

SAINT  MARTINI  (Giuseppe) 

See  San  TiIartini. 
SAINT  OSYTH.     S'  Osyth  at  the  Mill. 

[Song.]      See   At.      At   S'   Osyth   by   the 
Mill.    [1740?]    s.  sh.  fol.  G.  316.  h.  (3.) 

SAINT-S:6VIN  (.Joseph  Barnabe)  called 

L'Abbe,  le  Fils. 

See  L'Abbe,  le  Fils,  pseud. 

SAINT    SIMON   (        de)     La   jeune   et 
tendre    Auctte.      Eomancc.       Paroles    et 
Musique  de  M'  de  S'  Simon. 
Chez  ili"«  Le  Beau  :  [_PariH,  1780?]     8^ 

B.  362.  e.  (17.) 

SAINTE-ALDEGONDE  (  de)  Count. 
Tout  votrc  plaisir,  Hortense.  Couplets  a 
la  plus  belle  et  a  la  plus  savante  des 
Modernes.  (Paroles  de  M.  le  Chevalier 
de  Cubi^res,  etc.)     ^Paris,']  1786.     8". 

297.  g.  28. 
Mercure  de  France,  Api-il,  178G,  p.  G2. 
Voici  done  le  s6jour  paisible.  Romance 
faite  a  Ermenonville,  sur  le  Tombeau  de 
J.  J.  Rousseau.  (Paroles  de  M'^"  la  Com- 
tesse  de  Beauharnais,  etc.) 
[Paris,-]  1782.     8°.  298.  f.  32. 

Mercure  de  France,  Nov.,  1782,  p.  53. 

SAINTE  HiELilNE  (.Jean  Baptiste 
FRAN901S  de)  XII.  Solos  for  a  Violin, 
■with  a  Through  Bass  for  the  Harpsicord, 
etc.  '   Printed  for  the  Author : 

London,  [1725  ?]     fol.  h.  3855. 

See  M.,   R.     Medulla   Musicse;  Being   a 
Choice  Collection  of  Airs  .   .  .  Extracted 
from  the  Works  of . .  .S'  Helene,  etc. 
[1727?]  c.  25. 

SAISON.  La  Saison  a  grands  pas  s'avance. 
Le  Manchon  de  Lucette.  [Song.]  Air : 
Lise  chantoit  dan  la  [prairie.  By  N. 
Dezede].     [Paris,  1780?]     8". 

B.  362.  c.  (25.) 
La  Saison  du  Bel  Age.     [Song.] 
See  MoRLANNR  (      de) 
La  Saison  se  renouvelle.     Air. 
See  Gabrielle  et  Paulin. 

SAISON  S.     Ballet  des  Saisons. 
See  COLASSE  (P.) 

SAIZOI  (P.)     Silvia.     A  Song,  etc. 

[London,  1751.]     8°.  249.  c.  21. 

Gentleman's     Magazine,      Vol.     XXL, 
p.  323. 
Six  Sonatas  for  the  Harpsichord  or  Piano 
Forte,   with    an    accompanyment    for    a 
German  Flute  or  Violin  and  Violoncello. 

R.  Brcmner,  for  the  Author :  London, 
[1770?]    fol.  g.  270.  m.  (2.) 

Wanting  the  accompaniments. 


SALA  (Nicola)  Regole  del  Contrappimto 
pratico,  etc.     2  pts. 

Dalla  Stamperia  Reale  :  Napoli, 
1794.     fol.  556.  h.  10. 

SALE  (PRAN91SCUS)  Dialogismus  8. 
Vocum,  De  Amore  Christi  Sponsi  .  .  . 
Canendus,  etc.  Tenor  i.  &  Altus  (Tenor 
II.  &  Bassus)  Chori  Primi.  (Tenor  & 
Cantus  I.  (Altus  &  Cantus  11.)  Chori 
Secundi.)     4  pts. 

Excusiim  typis  Georgij  Nigrini  :  Pragu', 
1598.     obi.  4".  A.  389.  c. 

Patrocinium  Musices.  Missarum  Solenni- 
orum,  tam  Sanctorum  quim  Festorum 
Officia  Labentis  Auui. .  .harmonice  contra 
punctum  ac  suauissime  concinnata  .  .  . 
Primus  Tomus.  [Adam  Berg  : 

Munich,]  1589.     fol.  K.  9.  a.  1. 

[Patrocinium  IMusices.  In  Natalem 
Domini  Jesu  Christi. .  .Mutetum  Quinque 
Vocum  &  Missa,  ad  eius  imitationem 
composita.]  [Adamus  Berg : 

Monachii,  1598.]     fol.  K.  9.  a.  2. 

Wanting  the  title-page  and  the  last  leaf. 
Francisci  Sale  .  .  .  Officiorum  IMissalium, 
quibus  Introitus,  Alleluia  et  Commuuiones 
de  omnibus  omnium  Sanctorum  per  totu 
anni  circulu,  diebus  festis  &  solennibus 
Quinq3  &  Sex  vocu  cotinentur.  Liber 
Tertius  &  Ultimus.  Altus.  (Tenor.) 
(Bassus.)     (Quin:  et  Sex:  Vox.)     4  pts. 

Excudebat  Georgms  Nigrinus  :  Pragpe, 
1596.     obi.  4°.  A.  389.  a. 

Francisci  Sale  .  .  .  Sacrarum  Cantionum, 
Omnis  Generis  Instrumcntis  Musicis,  et 
VivEB  Voci  Accomodatarum,  hactenusqs 
non  editarum  Liber  Primus.  Discantus. 
(Altus.)  (Tenor.)  (Bassus.)  (Quinta 
(Sexta)  Pars.)     6  pts. 

Tijpis  Georgii  Nigrini  :  Pragae, 
1593.     oM.  4°.  A.  389. 

[Another  copy.     Discantus.     (Altus.)] 
2  pts.  A.  389.  b. 

SALE  (John)  A  Collection  of  New  Glees, 
composed  by  J.  Sale ...  To  which  are 
added  Four  Others  composed  ...  by  D' 
Arnold,  Mess"  Webb[e],  Callcott  and 
Lindley,  etc.  Printed  for  the  Axithor  : 

London,  [1800  ?]  obi.  fol.  E.  600.  r.  (6.) 
See  Dauney  (  )  Doctor.  A  Slow  ]March 
.  .  .  Adapted  for  the  Piano  Forte  by 
J.  Sale.     [1795?]     fol.  g.  133.  (52.) 

SALE  (John  Bernard)  The  Birth  of 
Crazy  Jane.  A  New  Song.  The  Words 
by  H.  J.  Pye...with  an  Accompaniment 
for  the  Harp  or  Piano  Forte,  etc. 

L.  Lavenu,  for  the  Author  :  London, 
[1800?]     fol.  H.  2830.  g.  (55.) 

Little  Piggy.  A  favorite  Duetto.  With 
an  Accompaniment  for  the  Piano  Forte, 
etc.  Broderip  and  Wilkinsmi,  for  the 

Author  :  London,  [1800  ?]     fol. 

G.  354.  (29.) 


SALIERI 


451 


SALIERI  (Antonio)  Armida.  Eine 
tragische  Oper  von  C.  Coltellini  .  .  . 
Herausgegebeu  von  C.  F.  Cramer. 

Gedruckt  by  J.  G.  I.  Breitkopf :  Leipzig, 
1783.     obi.  fol.  F.  10. 

Axur,  Koenig  von  Ormus,  eine  Oper  in 
vier  Aufziigen,  nach  Dr.  Schmieder's 
teutscher  Bearbeitung  uud  nacli  Salieri's 
Musick,  fiirs  Clavier  eingerichtet  von 
C.  G.  Neefe.  Bei  N.  Simrock  : 

Bonn,  [1795  ?]     obi.  fol.  E.  20. 


Cesare  in  Farmacusa. 
per  musica. .  .Op.  120, 


Drama  eroicomico 
[P.  F.  Score.] 

Nella  Stamperia  di 
musica  decjV  Imper.  Reg.  Teatri  di  Corte  : 
Vienna,  [1780.]    obi.  fol,  E.  20.  a. 

[La  Cifra.]  Favoritgesange  nebst  Ouver- 
ture  aus  der  Oper  La  Ciffra — Das  Kiist- 
chen  mit  der  Cbiffer  oder  Der  Aufscbluss 
— fiirs  Clavier,  etc.  Im  Ycrlage  der 

Rcllstabschen  Musikhandlung :  Berlin, 
[1790.]    fol.  G.  665.  a. 

Coppia  si  tenera.     See  infra  :  [Palmira.'] 

Da  questi  lineamenti.  The  favorite 
fortune-telling  Song,  as  sung  at  the 
King's  Theatre.  ..by  Sig"  Storace  in  the 
Comic  Opera  [by  G.  Paisiello]  of  I  Zingari 
in  Fiera,  etc.  [Short  Score.] 
Printed  for  J.  Dale:  London,  [1793.]    fol. 

G.  199.  (29.) 
Les  Danaiides,  Trag^die  Lirique  en  cinq 
Actes,   etc.      [Words  by   Du    KoUet  and 
Tschudi.     Full  Score.] 
Cliez  Des  Lauriers  :  Paris,  [1784.]     fol. 

H.  340.  a. 

Overture.    [P.  F.]    See  Mezger  (F.) 

Ouverture  des   Danaiides   [by   A.   Salieri] 

Arrang6e  pour  le  Clavecin,  etc. 

[1785?]     fol.  g.  81.  (17.) 

Rends  moi  ton  coeur,  ta  confiance. 

[Song.]     See  Danaides.     1784.     8". 

B.  362.  h.  (42.) 
Fragrant  Chaplets.  See  infra :  [La  Scuola 
de'  Gelosi.    Partiro  dal  caro  sposo.] 

La  Grotta  di  Trofonio.     Opera  Comica  in 
due  Atti  Rappresentata  .  .  .  I'anno  1785, 
etc.     [Libretto  by  G.  Casti.     Full  Score.] 
Presso  Artaria  Compagni : 
Vienna,  [1785.]    fol.  H.  340. 

[Overture  in  D.]  Four  Italian  Overtures. 
Arranged  for  the  Piano  Forte  by  L. 
Boutmy.  ([Op.  2.  No.  4.]  Sinfonia. 
Sig'  Salieri.)  [1799.]  See  Pebiodical 
Publications.  —  London.  The  Piano- 
Forte  ]\ragazine.  Vol.  VII.  No.  7. 
[1797-1802.]     8°.  D.  854. 


Palmira  [Opera]. 
C.  Zulehner. 
[1795  ?]     obi.  fol. 


.Clavier  Auszug...von 

Schott :  Mainz, 

E.  20.  b. 


SALIERI  (Antonio)  Palmira.  Ouverture 
uud  15  Favorit  Gesiinge  mit  Italicnisch 
uud  Teutschem  Texte,  fiir's  Clavier  ein- 
gerichtet, c^c.  Bei  N.  Simrock:  Bonn, 
obi.  fol.     [1795.]     obi.  fol.  D.  335. 

Coppia  si  tenera.  Terzetto  ...  ar- 
ranged with  a  Piano-Forte  Accompani- 
ment. Printed  for  Monzani  d  Cimador  : 
London,  [1QIX)'>]     fol.  G.  424.  (2.) 

[Coppia  si  tenera.]    See  Gelinek  (J.) 

VIII.  Variations   pour  le   Clavecin . . .  sur 

le  trio,  Copia  si  tenera,  etc. 

[ISOO  ?]     obi.  fol.  f.  133.  b.  (4.) 

Partiro  dal  caro  sposo. 

See  infra :  [La  Scuola  de'  Gelosi.'] 

[La  Scuola  de'  Gelosi.]  Partiro  dal  caro 
sposo.  Signora  Ferrarese  del  Bene's 
Favorite  Song,  etc.     [Full  Score.] 

Longman  and  Broderip : 
[London,  1786.]     fol.  H.  345.  (19.) 

[Partiro     dal     caro     sposo.]        The 

favorite  Song  of  Fragrant  Chaplets  .  .  . 
The  Words  by  J.  O'Keefe. 

Longman  and  Broderip : 
[London,  1795  ?]     fol.  G.  249.  (45.) 

[Another  copy.]  H.  2821.  (13.) 

Tarare.  Op6ra  en  cinq  Actes  avec  un 
Prologue  .  .  .  Paroles  de  M.  de  Beau- 
marchais.  Seconde  Edition.  [Full  Score.] 
Chezlmbault:  Paris,  [1790?]     fol. 

G.  665. 

[Je  suis  n6  natif  de  Ferrare.] 

See    Cessez.       Cessez     de    vous    flatter 
Glicere. .  .Air  de  Tarare  [by  A.  Salieri]. 
[1790?]     8\  B.  362.  (161.) 

See  Colin-I\Iaillard.  Vie  de  Dandin 

. .  .Air  de  Tarare,  etc.     [By  A.  Salieri.] 
[1790?]     8°.  B.  362.  (162.) 

See  Dans.     Dans   ce   siecle    il    est 

necessaire.  La  Politigue  .  .  .  Air  :  De 
Tarare  [by  A.  Salieri].     [1790?]     8°. 

B.  362.  j.  (23.) 
See  Daks.  Dans  I'hiver,  saison  im- 
portune .  .  .  Air :  de  Calpigi  [i.e.  '  Je  suis 
ne  natif  de  Ferrare,'  from  Salieri's 
'  Tarare,']  eic.     [1790?]     8^ 

B.  362.  f.  (8.) 

See  Ici.    Ici  I'amitie  nous  rassemble, 

etc.  [Adapted  to  '  Je  suis  n6  natif  de 
Ferrare,'  by  A.  Salieri.]     [1787.]     8^ 

B.  362.  (158.) 

[For  airs,  &c.,  published  anony- 
mously :J  See  Tarare. 

See  Shield   (W.)       The    Prophet.       An 
Opera. .  .Composed  by  [or  rather,  selected 
from  the  works  of] . .  .Salieri,  etc. 
[1788.]    obi.  fol.  E.  108.  a.  (2.) 

See  Siege  of  Belgrade.  The  Favorite 
Minuet  [by  A.  Salieri] ...  as  Performed  in 
the  Siege  of  Belgrade.     [1791  ?]     fol. 

g.  442.  j.  (33.) 
2  G  2 


452 


SALINAS— SALPflTRE 


SALINAS  (Francisco  de)  Francisci 
Salinae  .  .  .  de  Musica  libri  Septem,  in 
quibus  eius  doctrinee  Veritas  tam  quae  ad 
Harmoniam,  quam  quae  ad  Rbythmum 
pertinet  .  .  .  ostenditur,  &  demoustratur, 
etc.  Mathias  Gastius  :  Sulmanticie, 

1577.     fol.  786.  1.  24. 

[Another  copy.]  786.  1.  25. 

ImXKrfect,   wanting  six    leaves   betivecn 

the  title-page  and  list  of  errata. 
Francisci  Salinae . . .  de  Musica  libri  sep- 
tem,    etc.      Hxrcclcs    Cornelij    Bonardi 
siimjjtibus   Claudij   Czirlet :    Salmanticx, 
1592.    fol.  K.  8.  e.  6. 

Tlte  title-page  hears  the  date  1592.     The 

colophon  runs  :  "  Sahnanticse.     Typis 

Maihiiv  Gastij,  1577." 

SALLY.       Sally.       [Song,    begins:     'No 
Nymph  that  trips.']     See  Dunn  (J.) 
Sally.     Song   [begins :    '  Primroses    deck 
the  bank's  green  side  ']. 
See  LiNLEY  (T.)  tlie  Elder. 
Sally.     Song.      See  Not.     Not   Semele's 
attracting  Love,  etc.     [1755.]     8°. 

P.P.  5438.  z. 
Sally.  Song.  ,SVe  Not.  Not  Semele's 
attracting  Love.     [1760  ?]     s.  sh.  fol. 

G.  310.  (168.) 
Sally  in  her  own  Cloaths.     [Song.] 
See  Op.     Of  all  the  Manxes  in  the  Land, 
etc.    [1720  ?]    s.  sh.  fol.     H.  1601.  (343.) 

Sally  in  our  Alley  [by  H.  Carey],  with 
Variations  for  the  Harpsichord  or  Piano 
Forte  also  for  the  Violin,  German  Flute 
or  Guittar.  Printed  for  Straight  and 
SUllcrn  :  London,  [1775  ?]     fol. 

g.  271.  b.  (29.) 
Sally  in  our  Alley.  [Song.]  See  Carey  (H.) 
Sally  in  our  alley  to  Billy  in  Piccadilly. 
See  Of.  Of  all  the  Lads  that  are  so 
Smart,  etc.     [1720  ?]     s.  sh.  fol. 

H.  1601.  (324.) 
Sally  of  the  Dale.     [Song.] 
See  Jackson  (J.) 

Sally  Rivald  by  Country  Molly.  [Song.] 
See  Since.  Since  Sally's  Charm  so  long 
hath  been,  etc.     [1720  ?]     s.  sh.  fol. 

H.  1601.  (398.) 
Sally's  Charms.     Song.     See  How.     How 
charming  looks  the  Damask  Rose,  etc. 
[1765.]     8».  P.P.  5438.  z. 

Sally's  Lamentation.    [Song.]    ,S'eeWHAT. 
What  pity  'tis  so  bright  a  thought,  etc. 
[1620?]     s.sh.iol.  H.  1601.  (491.) 

Sally's   new   Answer.     [Song.]     See  And. 
And  is  there  then  a  Lad  so  Smart. 
[1720?]     s.sh.iol.  H.  1601.  (36.) 

SALMON"  (Jacques)  See  Beaulieu 
(G.  de)  and  Salmon  (J.)  Balet  Comique 
de  la  Royne,  etc.  [The  music  by  G.  de 
Beaulieu  and  J.  Salmon.]     1582.     4°. 

Case  33.  1.  3. 


SALMON  (Thomas)  An  Essay  to  the 
Advancement  of  Musick,  by  Casting  away 
the  Perplexity  of  Different  Cliffs.  And 
Uniting  all  sorts  of  Musick  ...  in  one 
Universal  Character.  [With  a  preface  by 
J.  Birchensha.]  J.  Macock  : 

London,  1672.     8°.  51.  b.  21. 

A  Proposal  to  Perform  IMusick,  in  Perfect 
and  Mathematical  Proportions  . . .  With 
Large  Remarks  upon  this  whole  Treatise, 
by  ...  J.  Wallis,  etc.  Printed  for  John 
Lawrence  :  London,  1688.     4°. 

557*.  e.  25.  (4.) 

A  Vindication  of  an  Essay  to  the  Ad- 
vancement of  Musick,  from  ]Mr.  IMatthew 
Lock's  Observations.  By  enquiring  into 
the  real  Nature,  and  most  convenient 
Practise  of  that  Science. 
A.  Maxwell :  London,  1672.     8". 

1042.  d.  55. 

See  Locke  (1M.)  Observations  upon  A 
Late  Book. .  .Written  by  Thomas  Salmon, 
etc.     1672.     8^  1042.  d.  36.  (3.) 

SALOMON  (        )  Medee  et  Jason.     Tra- 
g6die   en   Musique,    etc.      (Supplement    a 
I'Op^ra  de  M6dee  et  Jason,  etc.)    [Libretto 
by  S.  J.  Pellegrin.     Short  Score.]     2  pts. 
GhezVAtiteur:  Paris  [YlVd}.    ohl.  ^\ 

B.  749. 

Theonoe,  Tragedie  en  Musique,  etc. 
[Libretto  by  S.  J.  Pellegrin.  Short 
Score.]  J.  B.  C.  Ballard  : 

Paris,  1715.     ohl.  4°.  C.  451. 

The  arms  of  Philip,  Due  de  Noailles,  are 
on  the  binding. 

SALOMON  (JoHANN  Peter)  Six  Solos 
for  a  Violin  and  Violoncello . . .  Op"  1\ 

W.  Foster :  London,  [1785  ?]     fol. 

g.  422.  f.  (7.) 

Windsor  Castle  [or  the  Fair  Maid  of 
Kent],  an  Opera,  with  the  Masque  of 
Peleus  and  Thetis,  as  perform'd  at  .  .  . 
Covent  Garden... in  honor  of  the  Nup- 
tials of  .  .  .  the  Prince  &  Princess  of 
Wales  [written  by  W.  Pearce],  etc. 

Printed  for  the  Author  : 

[London,  1795.]     obi.  fol.        D.  288.  (3.) 

In  the  advertisements  of  the  day,  tlte 

overture  to  this  opera  is  stated  to  be  the 

composition  of  F.  J.  Haydn. 

Yes!  yesl  be  merciless  thou  Tempest 
dire !  A  Scene  in  Pizarro,  the  words  by 
R.  B.  Sheridan,  etc.  Printed  for  the 

Author :  [London,  1800  ?]     fol. 

G.  383.  i.  (26.) 

SALPETRE.  Le  Salpetre  R^publicain. 
Couplets.  See  Descendons.  Descendons 
dans  nos  souterreins,  etc.     [179.3  ?]     8". 

B.  362.  d.  (34.) 


SALPIETRO— SAMPIERI 


453 


SALPIETRO  (      )      See  Haydn   (F.  J.) 

[3.  d.  Die  Sicben  Wortc  des  Erlusers  am 
Kreuze.]  The  Passion  of  Our  Saviour 
expressed  in  Instrumental  parts  for  a 
grand  Orchestra  .  .  .  Corrected  bv  Mr. 
Salpetro.     [1787.]     fol.  h.  3210.  (6.) 

See  Wanhal  (J.  B.)  Trois  Quintettes. . . 
Corrected  by  Mr.  Salpietro.     1782.     fol. 

h.  2900.  (8.) 
SALT.     A  Salt  Eel  for  aiynheer.     [Song.] 
Sec  DiBDiN  (C.)     [The  Sphinx.'] 

SALTER  (Humphry)  The  Genteel  Com- 
panion ;  being  exact  Directions  for  the 
Eecorder:  with  a  Collection  of  the  Best 
and  Newest  Tunes  and  Grounds  Extant . . . 
Composed  and  Gathered  by  H.  Salter. 
Printed  for  liichard  Hunt  and  Humphry 
Salter  :  London,  1683.    obi.  12". 

K.  4.  a.  6. 

Waiithig  two  leaves  (containing  Nos.  23- 

26).     The  only  composers  named  are: 

Bedding  [Reading],  Fardinel  [Farinel] 

and  Farmer. 

SALUONS.    Saluons,  Compagnons,  I'Hote 
aimable.      Nouvelle   Parodie    du   Menuet 
d'Exodet.     ParM'deR... 
[Paris,  1780  ?]     8".  B.  362.  h.  (64.) 

SALUT.     Le  Salut  de  I'Empire.     [Song.] 
See  Veillons.     Veillons  au  salut,  etc. 
[1794?]    8°.  B.  362.  a.  (166.) 

Salut !  epoque  solemnelle.     Hymne. 
See  Catel  (C.  S.) 

Salut,   Neuf   Thermidor.      Hvmne. 
See  Mehul  (E.  N.) 

SALVATION".     Salvation  1   0  the  joyful 
Sound  !     A  Hymn.     [Words  partly  by  Dr. 
Watts,  tune  ascribed  to  M.  ]\Iadan.] 
[London,  1774.]     8°.  P.P.  716.  b. 

Gospel  Magazine,  April,  1774. 

SALVATORE  (Giovanni)  Ricercari  a 
Quattro  Voci  Canzoni  Francesi,  Toccate, 
et  Versi  per  rispondere  nelle  Messe  con 
r  Organo  al  choro . . .  Libro  Primo. 

Appresso  Ottauio  BcUrano  :  Napoli, 
1641.     fol.  K.  4.  i.  11. 

SALZILLI  (Crescentio)  Amarille.   Libro 
Terzo  delle  Cauzouette  a  Tre  Voci,  etc. 
Per  Lticretio  Nucci  :  Napoli,  1616.     4*. 

K.  3.  h.  5.  (2.) 
La  Sirena.  Libro  Secondo  delle  Canzon- 
ette  a  Tre  Voci,  etc.  Nella  Stampa  di 

G.  B.  Gargano,  d:  di  L.  Nucci :  Napoli, 
1616.    4".  K.  3.  k.  5.  (1.) 

SAMBER  (Joannes  Baptista)  Elucidatio 
Musicae  Choralis.  Dasist:  Griindlich  und 
wahre  Erlauterung,  oder  Uuterweisung, 
wie  die  edle. .  .Choral-Music  fundament- 
aliter  nach  denen  wolgegriindteu  Reglen 


. . .  moge  erlehrnet  werden.  Alles  mit  vilen 
...Figureu  uud  Exemplen  gezieret,  auss 
approbirten  Authoribus,  auch  selbst  eigner 
Praxi. .  .zusammen  getragen. .  .Durch  M. 
Joannem  Baptistam  Samber,  etc. 

Gcdruckt  bey  J.  J.  Mayr  :  Saltzbiirg, 
1710.     obi.  4".  7896.  aa.  5. 

Manuductio ad Organum.  Dasist:  Griind- 
lich- und  sichere  Handleitung  durch  die 
hochst-nothwendige  Solmisation  zu  der 
Edlen  Schlag-Kunst . . .  Sambt  einer  kurtz- 
verfassten  Information  von  den  Kircheu- 
oder  Choral-Toneu. .  .Mit  vilen. .  .Figuren 
und  Exemplen  gezieret,  etc. 
Gednickt  durch  J.  B.  Mayrs  seel.  Wittib 
und  Erb.  :  Saltzburg,  1704.     obi.  4°. 

556.  a.  9.  (1.) 

Continuatio  ad  Manuductionem  Organi- 
cam,  Das  ist :  Fortsetzung  zu  der  Manu- 
ductiou  oder  Hand-Leitung  zum  Orgel- 
Schlagen. .  .auss  vilen  approbirten  Author- 
ibus, auch  eigner  Praxi  zusafaen  getragen 
und  verlegt  durch  M.  Joannem  Baptistam 
Samber,  etc.  Gedruckt  bey 

■J.  B.  Mayrs  seel.  Wittib  und  Sohn : 
Saltzburg,  1707.    obi.  i".     556.  a.  9.  (2.) 

SAMPIERI  (Nicola)  Four  Italian  Airs, 
and  Two  Duetts,  with  Accompanyments 
for  Tv/o  Violins  &  Violoncello,  etc.  Opera 
2*.  Printed  for  the  Author  :  London, 

[1910  ?]     obi.  fol.  E.  600.  z.  (7.) 

Two  of  the  most  Popular  and  National 
Airs,  of  God  save  the  King  and  Rule 
Britannia,  with.  .Variations.  Concluding 
with  a  favorite  Ballad,  called  La  belle 
Catharine,  set  for  the  Piano  Forte  by 
Sig''  Sampieri.     [London,  1795  ?J     fol. 

G.  424.  (14.) 
A  Collection  of  Songs  composed  by  Sarti, 
Cimarosa,  Sampieri  and  Paisiello,  with 
Accompaniments  for  the  Piano  Forte . . . 
dedicated  to  the  Countess  of  Bellegarde 
by  N.  Sampieri.     Op.  6. 

Longman  and  Broderip  :  London, 
[1795  ?]    obi.  fol.  E.  600.  z.  (8.) 

La  FoUia,  Grand  Sonata  Tragique,  for  the 
Piano-Forte  or  Harpsichord. 

Longman  d:  Broderip  :  [London, 
1795?]     fol.  h.  1480.  p.  (13.) 

New  Grand  IMarch,  and  Quick  Step,  inter- 
mixed with  Echos.  [P.  F.]  [London  ? 
1800?]    fol.  h.  1480.  X.  (27.) 

Military  Overture,  etc.     [P.  F.] 

S.  Straight :  [London,  1800  ?]     fol. 

h.  1480.  X.  (26.) 
Three  Overtures  i>erformed  at  the  Private 
Concerts  of  Several  Ladies  &  Gentlemen 
of  the  First  Distinction. .  .Op.  11.  (Sin- 
fonia  III.)  Longman  £  Broderip, 

for  the  Attthor  :  London,  [1795  ?]     fol. 

g.  474.  e.  (4.) 
String  parts  only. 


454 


SAMPIERI— SANDERSON 


SAMPIERI  (Nicola)  Overture  in  Four 
Parts,  Two  Violins,  Tenor  &  Violoncello. 
Calculated  for  Private  Concerts.  [Separ- 
ate Parts.]  Longjnan  &  Brodcrip  : 
[London,  1795  ?]  fol.  g.  474.  c.  (5.) 
A  Novel,  Sublime,  and  Celestial  Piece  of 
Music,  called  Night;  divided  into  Five 
Parts,  viz'  Evening,  Midnight,  Aurora, 
Day-Light,  and  the  Rising  of  the  Sun. . . 
Embellished  with  Five  Plates,  dc.  [P.  F.] 
L.  Lavenu,  for  the  Author  :  London, 
[1799.]  fol.  g.  138.  (17.) 
Three  Easy  Symphonies  in  Eight  parts, 
for  Two  Violins,  Two  Hautboys,  Two 
Horns,  Tenor  &  Violoncello,  etc.  Op.  10. 
[Separate  Parts.]  Longman  £  Brodcrip, 
for  the  Author  :  London,  [1795  ?]     fol. 

h.  2771.  (2.) 
See  Deserter.  The  Deserter, . . .  Overture 
[by  P.  A.  Monsigny]. .  .The  Additions. . . 
by  N.  Sampieri.     [1800?]     fol. 

g.  272.  q.  (17.) 

SAMPSON  (Richard)  Ancient  Church- 
Music  :  being  a... choice  Selection  of... 
the  best. .  .Psalm-Tunes,  drawn  from  the 
works  of  the  most  esteemed  old  Masters 
. .  .and  set  in  three  parts,  by  R.  Sampson 
...To  which  are  added  two  Tunes,  or 
Airs,  from  the  Rev.  W.  D.  Tattersall's 
Improved  Psalmody,  etc.  H.  L.  Galabin: 
London,  [1800  ?]     8\  C.  522. 

Containing  tunes  by  Purcell,  Court villc, 
Hcicjhington,  Eavenscroft,  Croft,  King 
James  I.,  Wlicall,  M.  Luther,  A.  Smith., 
Handel,  J.  Milton,  Hoioard,  J.  Clark, 
S.  Webbe  and  Dr.  Diqmis. 

SAMSON.     Samson.     Oratorio. 
See  Haendel  (G.  F.) 

SANCES    (Giovanni    Felice)      Antifone 
e  Litanie  della  Beatissima  Vergine  a  piu 
voci,  etc.    Canto.    (Alto.)    (Tenore.)    .3  pts. 
Appresso  Bartolomeo  Magni  :  Venctia, 
1640.     4°.  C.  328. 

Motetti  a  2.  3.  4.  e  Cinque  Voci. .  .Con  le 
Letanie  della  B.  V.  a  sei  Voci... Opera 
Quarta  Eclesiastica.     Tenore. 

Appresso  Bartolamco  Magni  :  Venctia, 
1642.    4°.  C.  328.  a. 

SANCHEZ  (Manuel)  _  Regia  de  N.  S.  P.  S. 
Francisco. .  .con  vna  instruccion  para  los 
Novicios  de  la  Religion  de  N.  Padre  San 
Francisco  y  breve  explicacion  del  canto 
llano  . . .  Dispuesta  . . .  por  el  Padre  Fr. 
Manuel  Sanchez,  etc. 

Por  Joseph  Bernardo  de  Hogal :  Mexico, 
1725.    4°.  4061.  e.  32. 

SANCHO  PAN^A.  Sancho  Pan<;a, 
Gouverneur,  comedie  ;  representee  pour  la 
premiere  fois,  an  mois  de  Novembre  1712. 
[By  F.  C.  Dancourt,  with  music  by  J.  C. 
Gillier.]  [Paris,  1760.]  12°.  241.  c.  11. 
Part  of '  Les  CEuvres  de  Ttidatre  dc  M. 
D'Ancourt,'  etc,     torn.  11. 


SANCHO     PAN(^A.       Sancho    Pancja, 
Op6ra  Bouffon. 
See  Philidor  (F.  A.  Danican) 

SANCTA  MARIA  (Tomas  de)  Libro 
llamado  Arte  de  taner  Fantasia,  assi  para 
Tecla  como  para  Vihuela,  y  todo  instru- 
meto,  en  que  se  pudiere  taner  a  tres,  y  a 
quatro  vozes,  y  a  mas,  etc.  2  pts. 
Impresso. .  .por  Francisco  Fernandez  de 
Cordoua  :  Yalladolid,  1565.     fol. 

K.  8.  e.  4. 

SANDELL  (Edmund)  Six  Pieces,  for  the 
Piano  Forte,  etc.     Op.  1.  Preston,  for 

the  Author:  London,  [1800?]     fol. 

g.  270.  (6.) 

SANDER  (F.  S.)    Sechs  leichte  Sonatinen 
furs  Klavier,  d'C.     2  Th. 
Bey  Leuckart  und  Compagnie  :   Bresslau, 
1786(-7).     obi.  4°.  c.  29. 

SANDERSON  (James)  A  Favorite  Air, 
. .  .with  Variations  by  J.  Willson,  etc. 
[P.  F.]      W.  Cope  :  London,  [1796?]     fol. 

g.  139.  (53.) 
[The  Algerine  Corsair.]  Talacoy.  An 
Indian  Ballad  as  sung  by  ]\Irs.  Herbert  in 
the  Algerine  Corsair. .  .at  the  Royal  Circus 
. .  .Written  by  Mr.  Cross.  E.  Biley  : 

London,  [1800  ?]  fol.  G.  807.  b.  (57.) 
[Almoran  and  Hamet.]  The  Favorite 
Overture  to  Almoran  &  Hamet,  as  Per- 
formed at  the  Royal  Circus . . .  Adapted  for 
the  Piano  Forte,  etc. 

Longman,  Clementi  &  Compy  :  London, 
[1800.]     fol.  g.  137.  (4.) 

The   Beauty   our  great   Sovereign's 

choice.  The  much  admired  Duett  sung  in 
the  New  Grand  Oriental  Spectacle  of 
Almoran  &  Hamet,  by  Miss  Gray  &  IMrs. 
Roffey,  with  an  Accompaniment  for  the 
Harp... at  the  Royal  Circus,  written  by 
Mr.  Cross,  etc. 

Longman,  Clementi  £  C" :  London, 
[1800.]     fol.  G.  354.  (30.) 

Now    o'er   the   Globe.      The    much 

Admired  Harp  Song,  sung  by  Mrs.  Rofiey, 
in. .  .Almoran  and  Hamet. . .  .at  the  Royal 
Circus.     Written  by  Mr.  Cross,  etc. 

Longman,  Clementi  £  C"  :  London, 
[1800.]     fol.  G.  367.  (24.) 

Arrah !  Paddy's  my  name.  The  Celebrated 
L-ish  Song,  sung  by  Mr.  Wallack  at  the 
Royalty  Theatre,  etc. 

Longman  and  Broderip  :  [London, 
1790?]     fol.  G.  808.  e.  (44.) 

Arrah  who  can  stand  still.  See  infra : 
[Harleguin  Mariner.] 
The  Beauty  our  great  Sovereign's  choice. 
See  supra  :  [Almoran  and  Hamet.] 
Betsey  Bobbin,  the  favorite  Song  sung 
by  Mr.  Blanchard,  at  the  Royal  Circus. . . 
the  Words  by  Mr.  Cross. 

Printed  for  Culliford,  Bolfe  d  Barroiv  : 
London,  [1797  ?]     fol.  G.  367.  (21.) 


SANDERSON 


455 


SANDERSON  (James)  Black  Beard,  a 
Grand  Ballet  Spectacle.  Performed. .  .at 
the  Royal  Circus.  The  Overture  &  the 
whole  of  the  Music,  entirely  new;.  .  . 
adapted  for  the  Piano  Forte... The  Poetry 
and  Spectacle  by  ^Ir.  Cross.     Op.  3. 

Longman  cO  Broderip  :  London, 
[1798.]     fol.  H.  230.  d.  (3.) 

The    Favorite    Overture    to     Black 

Beard. .  .in  Imitation  of  the  Style  of  the 
Overture  to  Lodoiska. .  .Arranged  for  the 
Piano  Forte,  etc.  Longman  &  Brodcrip  : 
London,  [1798.]     fol.  g.  137.  (6.) 

An   Enemy  appears   in   view.     The 

Pirate's  Glee.  Sung  by  Mr.  Helme,  Mr. 
Pilbrow,  &  Mr.  Herbert. .  .in  Black  Beard, 
etc.  Longman  and  Broderip  :  [London, 
1798.]     fol.  G.  352.  (32.) 

In    the    good    Ship    Revenge.       A 


favorite  Song  sung  by  'Mr.  Helme  ...  in 
Black  Beard,  etc.  Longman  and  Broderip  : 
[London,  1798.]     fol.  G.  367.  (16^.) 

My   Friend,   when    a   Captive.      A 


favorite  Song,  sung  by  Mrs.  Herbert 
in  Black  Beard,  etc. 

Longman  and  Brodcrip : 
[Londo7i,  1798.]    fol.  G.  367.  (16.) 

My  Willy  was  a  Sailor  bold.    [Song.] 

Sung  by  Mrs.  Herbert  ...  in  Black  Beard, 
etc.  Longman  and  Brodcrip  : 

{London,  1798.]     fol.  G.  367.  (16^) 

No  longer  heave  the  heart-felt  sigh. 


The  favorite  Duett  sung  by  Mr.  &  Mrs. 
Herbert  in  Black  Beard,  etc. 

Longman  and  Broderip : 
[London,  1798.]     fol.  G.  354.  (31.) 

The  Slave's  Dances  in  Black  Beard, 

etc.     [P.  F.]  Longman  and  Brodcrip  : 

[London,  1798.]     fol.  g.  230.  (12.) 

[The  Brave  Cossack.]  The  much  admired 
Overture,  to  the  Brave  Cossack,  performed 
...  at  Astley's  Amphitheatre  . . .  Arranged 
for  the  Piano  Forte,  etc. 

Broderip  &  Wilkinson : 
London,  [1800  7}    fol.       g.  272.  d.  (17.) 

The  Broadsword  Hornpipe,  performed  . . . 
by  Miss  Adams,  at  the  Royal  Circus, 
composed  for  the  Piano  Forte,  etc. 

Printed  for  G.  WalJicr  :' 
[London,  1800  ?]    fol.     h.  1480.  x.  (29.) 

Come  blithe  Lads  and  Lasses.    A  Favorite 
Song,  written  by  Mr.  Cross,  etc. 
W.  Hodsoll :  London,  [1797  ?]     fol. 

G.  367.  (28.) 

[Cora.]  The  Favorite  Overture  to  the 
New  Grand  Spectacle  [by  J.  C.  Gross] 
called  Cora,  or  the  Virgin  of  the  Sun  . . . 
Arranged  for  the  Piano  Forte,  etc. 

Longman,  dementi  ct  Comp'J  : 
London,  [1799.]     fol.  g.  137.  (23.) 


SANDERSON"  (James)  [Cora.]  Thus 
balmy  Sleep,  the  much  admired  Air, 
sung  by  ]Miss  Gray,  in . . .  Cora . . .  Written 
by  Mr.  Cross,  etc. 

Longman,  Clementi  &  Compv : 
London,  [1799.]     fol.  G.  367.  (18.) 

Cottage  on  the  Moor.     See  infra :  [Niohe.'] 

[The  Country  Wake.]  The  Jew  Pedlar. 
A  favorite  Comic  Song  sung  by  Mr. 
Hallack  in  the  Country  Wake  ...  at  the 
new  Royal  Amphitheatre  . . .  The  Poetry 
by  Mr.  Upton.  E.  Riley  : 

London,  [1800  ?]     fol.      G.  808.  e.  (45.) 

The  dear  little  Girl  of  his  heart.  [Song.] 
Sung  by  IMr.  Gibous,  at  Vauxhall  Gardens 
. . .  Written  by  Mr.  Upton.  E.  Eilei/ : 

London,  [1800?]     fol.        G.  806.  e.  (3.) 

Three  Duetts,  for  Two  Violins,  etc.  Op.  6. 
[Separate  Parts.]  Fentum  : 

London,  [1795  ?]     fol.         g.  421.  b.  (5.) 

An  Enemy  appears  in  view. 
See  supra :  [Black  Beard.] 

The  Epitaph  of  Crazy  Jane.  [Song.] 
Written  by  Mr.  G.  Fox,  etc. 

Goulding,  Pliipps  cC  UAlmainc: 
Londo^i,  [1799.]     fol.       G.  808.  h.  (38.) 

[Harlequin  Mariner.]  The  Favorite  Over- 
ture to  Harlequin  Mariner  [or  the  Witch 
of  the  Oaks]  as  performed  at  the  Royal 
Circus,. .  .adapted  for  the  Piano  Forte,  etc. 
Printed  for  Cnlliford,  Eolfe  <£•  Barroio  : 
London,  [1796.]     fol.  g.  137.  (3.) 

. Arrah   who   can    stand    stiU.      The 

Clown's  Shivering  Song.  Sung  by  Mr. 
Davis  in  a  Snow  Scene  in  . . .  Harlequin 
Mariner  . . .  Words  by  Mr.  Cross. 

Longman  and  Broderip : 
[London,  1796.]     fol.  G.  367.  (17^.) 

If   a  Body  meet   a  Body.     [Song.] 

Sung  by  Mr.  Henly  . . .  in  . . .  Harlequin 
Mariner.  The  Music  adapted  by  J. 
Sanderson.     The  Words  by  Mr.  Cross. 

Longman  and  Broderip : 
Lo^idon,  [1796.]    fol.  G.  367.  (17°.) 

The  Land  of  Gold.     A  favorite  Irish 

Song  sung  by  Mr.  Davis  in  . . .  Harlequin 
Mariner  . . .  The  Words  by  Mr.  Cross. 

Longman  and  Brodcrip : 
London,  [1796.]     fol.  G.  367.  (17.) 

The  Merry  Bells.     [Song.]     Sung  by 

Mr.Blanchard. .  .in. .  .Harlequin Mariner 
. . .  The  Words  by  Mr.  Cross. 

Longman  and  Brodcrip : 
[London,  1796.]     fol.  G.  367.  (17=^.) 

If  a  Body  meet  a  Body. 

See  supra :  [Harlequin  Mariner.} 

In  the  good  Ship  Revenge. 
See  supra  :  [Black  Beard.] 


45G 


SANDERSON— SANDFORD 


SANDERSON  (James)  [The  Jew  aud 
the  Gentile]  Little  Kitty,  the  favorite 
Song  sung  by  Mr.  Helme,  at  the  Royal 
Circus,  in  the  Burletta  of  the  Jew  and 
Gentile. .  .the  Words  by  Mr.  Gross. 

Printed  for  Culliford,  Bolfe  d:  Barrow  : 
London,  [HQG?]     fol.  G.  367.  (23.) 

The  Jew  Pedlar. 

See  supra:  [Tlie  Country  Wake.] 
Jockey   and  Jenny,   the    much    admired 
Scotch  Ballad,  written  by  Mr.  Upton.., 
and  Sung... by  Mrs.  Bland,  at  Vauxhall 
Gardens.  W.  Hodsoll :  London, 

[1800?]     fol.  H.  1683.  (20.) 

The  Land  of  Gold.  See  supra ;  [Harleq^iim 
Mariner.'] 

Little  Kitty.  See  supra  :  \_Tlie  Jew  and 
the  Gentile.] 

The   Lover's   fatal  Journey.     A  Pathetic 
Ballad.     Written  by  Mr.  Cross,  etc. 
W.  Hodsoll :  London,  [1799  ?]     fol. 

G.  367.  (20.) 
The  Merry  Bells.  See  supra  :  \_Harleq_uin 
Mariner.] 

[The  Mine.]  Poor  little  Adeline.  A 
Favourite  Comic  Ballad  as  sung  by 
Mrs.  Rofiey  in  the. .  .Grand  Spectacle  of 
The  Mine... at  the  New  Royal  Circus, 
Written  by  Mr.  Cross,  etc. 

M.  dementi  and  Co. : 
[London,  1800.]    fol.       G.  807.  d.  (68.) 

Mrs.  Wybrow's  New  Broad  Sword  Horn- 
pipe, danced. .  .at  the  New  Royal  Circus, 
etc.  [P.  F.]  Longman,  dementi  d-  Co. : 
London,  [1800  ?]     fol.  g.  229.  (14.) 

My  Friend,  when  a  Captive. 
See  supra :  [Black  Beard.] 

My  Willy  was  a  Sailor  bold. 
See  supra  :  [Black  Beard.] 

[Niobe.]  Cottage  on  the  Moor,  [Song,] 
Sung  by  Mrs.  Herbert  in  the  Pantomime 
of  Niobe,  written  by  Mr.  Cross.  E.  Riley : 
London,  [1797.]     fol.  G.  796.  (29.) 

[Another  edition.]     Cottage  on  the 

Moor,  etc.  G.  Walker  : 

London,  [1798  ?]     fol.  G.  799.  (17.) 

No  longer  heave  the  heart-felt  sigh. 
See  supra  :  [Black  Beard.] 

Now  o'er  the  Globe. 

See  supra  :  [Almoran  and  Hamet.] 

O'er  Highlands  and  Lowlands,  A  Scotch 
Ballad,  sung  by  Lliss  Daniels,  at  Vauxhall 
Gardens. .  .Written  by  Mr.  Upton. 
.E.  Biley  :  London,  [1800?]     fol. 

G.  809.  c.  (13.) 
The  Pad,  a  Favourite  Song,  written  & 
Sung  by  Mr.  Connell  at  the  Royal  Saloon 
...in  the  Disembarkation  of  the  Light 
Horse  from  on  Board  the  British  Trans- 
ports at  Ostend.  M.  and  J.  Plaits  : 
London,  [1798.]     fol.  G.  367.  (25.) 


SANDERSON  (James)  Pat's  Planxty, 
Descriptive  of  the  Embarkation,  Landing 
&  Success  of  the  Grand  Expedition,  as 
Sung  by  Mr.  Wallack,  at  the  New  Royal 
Circus.     Written  by  Mr.  Cross,  etc. 

Longman,  Clement  I  d  Co.  : 
[London,  1799.]     fol.  G.  376.  (38.) 

Poor  little  Adeline. 
See  supra:  [TJie  Mine.] 

[The  Seasons.]  The  Tuneful  Lark,  a 
Pastoral  Ballad  as  sung  by  Miss  Gray 
in  the  Pantomime  of  the  Seasons,  etc. 

Longman,  dementi  d  Compy  : 
London,  [1799.]     fol.  G.  367.  (19.) 

Talacoy. 

See  supra  :  [TJie  Algerine  Corsair.] 

Thus  balmy  Sleep.     See  supra  :  [Cora.] 

The  Truant  Sheep,  a  Favorite  Song, 
written  by  G.  S.  Carey.  E.  Biley  : 

London,  [1800  ?]     fol.      G.  807.  b.  (58.) 

The  Tuneful  Lark. 

See  supra:  [TJie  Seaso7is.] 

The  Way  to  get  Married.  The  Favorite 
Song,  sung  by  ]\Irs.  Davis,  at  the  Royal 
Circus,  the  Words  by  Mr.  Cross,  etc. 

Printed  for  Culliford,  Bolfe  d  Barrow  : 
London,  [1799  ?]     fol.  G.  367.  (27.) 

Six  Original  German  Waltzes,  for  the 
Piano  Porte ;  with  an  Accompaniment 
for  a  Triangle,  aud  Ladies'  Tamburino, 
etc.     [Separate  Parts.]  Thompson  : 

Lo7idon,  [Vidll]     fol.  g.  231.  (7.) 

Wully  is  a  Bonny  Lad.  A  favorite  Scotch 
Pastoral  Ballad.  Sung  by  IMiss  Randal, 
at  the  New  Royal  Circus,  the  Poetry 
written  by  Mr.  Cross,  etc. 

J.  Longman,  Clement i  d  C' : 
London,  [1799  ?]     fol.  G.  367.  (26.) 

Yard  Arm  &  Yard  Arm.  A  Celebrated 
Song  written  on  the... Action  between 
the  Mars  and  L'Hercule. .  .as  sung  by 
Mr.  Sleigh  at  the  Royal  Circus,  the 
Words  by  J.  C.  Cross,  and  adapted  by 
J.  Sanderson.  Longman  and  Broderip  : 
London,  [1798  ?]     fol.  G.  367.  (22.) 

SANDFORD  (John)     Belinda  see   from 
yonder  Plow'rs.     A  Neio  Song,  etc. 
[London,  1750?]     s.  sh.  fol. 

G.  316.  d.  (48.) 

By  drinking  drive  dull  Care  away.  A 
Birth  Day  Song,  etc.  [London? 

1740?]     s.  sh.to].  G.  316.  d.  (46.) 

Constancy.  A  Song,  written  by... John 
late  Earl  of  Rochester,  etc.  [London, 

1740?]     s.  s7i.  fol.  G.  316.  e.  (47.) 

The  Friendly  Powers.  [Song.]  [London, 
1740?]     s.  sk  fol.  G.  316.  f.  (105.) 

Hopeless  Love  cur'd  by  Derision.  [Song.] 
. .  .Set  for  the  German  Flute.  [London, 
1740  ?]     s.  sh.  fol.  G.  316.  f.  (78.) 


SANDFORD— SAN  MARTINI 


457 


SANDFORD  (John)  An  Invitation  to  a 
Robin  Red  Breast.  [Song.]  The  Words 
by  jNIr.  Bourn,  etc.  [^London, 

1750?]     s.sh.  iol.  H.  1994.  (55.) 

[Another  edition.]  An  Invitation  to  a 
Robin  Red  Breast,  etc.  [London, 

1750?]     s.  sh.  fol.  G.  316.  d.  (109.) 

]\Ie  me  pheuges.     Song  from  Anacreon. 
[London,  1751.]     8°.  249.  c.  21. 

Gentleman's   Magazine,   Vol.   XXI.,  p. 
469. 

Strephon  to  Celia.  [Song.]  The  Words  by 
SI.  Hill,  c^c.     [London,  1150?]     s.  sh.  iol. 

G.  316.  d.  (72.) 
SANDMAN.     Sandman  Joe.     [Song.] 
Si'e  Other.     The  t'other  day  as  Sandman 
Joe.     [1780?]     s.sh.lol.    G.  312.  (134.) 

SANDONI  (PiKTRO  Giuseppe)  Cantata 
da  Camera  e  Sonata  per  il  Cembalo,  etc. 
2  pts.     [London,  1730  ?]     fol.  E.  18. 

Six  Setts  of  Lessons  for  the  Harpsichord. 
B.  Bremner  :  Lo7jfZo7i,  [1765?]     ohl.lo\. 

e.  5.  g.  (10.) 

Sweet  William's  Farewell  to  Black-Ey'd 
Susan.  [Song.]  See  All.  All  in  the 
Downs  the  Fleet  was  moor'd,  etc.  [Music 
by  P.  G.  Sandoni.]     [1730?]     s.  sh.  iol. 

G.  305.  (176.) 
Sweet  William's  Farewell  to  Black-Ey'd 
Susan.  Sec  Carey  (H.)  [Black-eyed 
Susan.]  Sweet  William's  Farewell  to 
Black-Ey'd  Susan,  etc.  (Sig"'  Saudoni's 
Tune.)     [1720?]     s.  s7f.  fol. 

H.  1601.  (24.) 
SANDY.     Sandy.     [Song.] 
See  Potter  (J.) 

SANDYS  (A.)  The  Favorite  Air  of 
the  Dargle  with  Variations  for  the  Piano 
Forte,  etc.  F.  lihamcs  : 

Dublin,  [1800  7]     fol.        g.  272.  x.  (29.) 

SAN  GIORGIO  (PiETRO)  II  Primo 
libro  de  Capricci  a  Due  Voci,  etc.  Canto. 
(Basso.)     2  pts.  Aiipresso  Alessandro 

EaucriJ  :  Teiietia,  1608.     4».  D.  70. 

S ANI  (       )     A  favorite  Solo  for  the  Violin. 

Tjongman,  Lziko/  d-  C°  : 

London,  [1775  ?]     fol.  h.  2910.  (4.) 

SANI  (Giovanni  Battista) 

See   Fabri   (S.)      Salmi   Concertati,    etc. 
[With  a  dedication  by  G.  B.  Sani.] 
1660.    4°.  D.  71. 

SAN  MARTINI  (Giovanni  Battista) 
Six  Easy  Solos  for  a  German  Flute  or 
Violin  with  a  Thorough  Bass  for  the 
Harpsichord.  Printed  for  R.  Bremner: 
London,  [1765  ?]     fol.      g.  280.  b.  (13.) 

Sei    Sonate    di   Cembalo   e   Violino,   etc. 
[With  a  Dedication  by  E.  Ciprandi.) 
Londra,  (1766.)     fol.  h.  57. 


SAN  MARTINI  (Giovanni  Battista) 
Six  Sonatas  for  two  Violins  and  a  Thorough 
Bass,  etc,     [Op.  1.     Separate  Parts.] 

Printed  for  J.  Simpson  : 
London,  [1745  ?]     fol.  h.  57.  c. 

[Another  edition.]  Six  Sonatas  for  two 
Violins  and  a  Thorough  Bass  .  .  .  Opera 
Prima.     [Separate  Parts.] 

Printed  for  J.  Simpson  : 
London,  [1745  ?]     fol.  h.  57.  b. 

In  this  edition  the  words  '  Opera  Prima  ' 
have  been  added  to  the  title-page. 

[Another  edition.]  Six  Sonatas  for  two 
Violins  and  a  Thorough  Bass  .  .  .  Opera 
Prima.     [Separate  Parts.] 

Printed  for  J.  Cox  : 
London,  [1750  ?]     fol.         g.  420.  b.  (5.) 

XII.  Sonate  a  Due  e  Tre  Violini  col  Basso 
...Grav6  par  Labassee.  Opera  Seconda. 
[Separate  Parts.]  Chez  il/'"  Le  Clerc  : 

Paris,  [1745  ?]     fol.  g.  86.  a.  (1.) 

Six  Sonatas  or  Duets  for  Two  German 
Flutes  or  Violins. .  .Opera  Quarta. 

Printed  for  I.  Walsh  : 
London,  [1750?]     fol.        g.  421.  n.  (3.) 

[Another  copy.]  g.  421.  h.  (1.) 

[Another  copy.]  g.  70.  c.  (5.) 

The   title-page  of  this   copy   belongs   to 
Op.  v.,  but  has  been  altered  in  MS. 

Six  Sonatas  or  Duets  for  Two  German 
Flutes  or  Violins,  etc.     Opera  v. 

Printed  for  I.  Walsh  : 
London,  [1755  ?]     fol.  g.  70.  c.  (6.) 

A  Second  Set  of  Six  Sonatas  or  Duets  for 

Two  German  Flutes  or  Violins Opera 

VII.  Printed  for  I.  Walsh  : 

London,  [1755?]     fol.       g.  280.  b.  (11.) 

A  Third  Set  of  Six  Sonatas  or  Duets  for 
Two  German  Flutes,  or  Violins,  etc. 
Opera  x.  Printed  for  I.  Walsh  : 

London,  [1760  ?]     fol.       g.  280.  b.  (12.) 

Six  Sonatas  for  a  German  Flute  and 
Violin  with  a  Thorough  Bass  for  the 
Harpsichord.     [Separate  Parts.] 

Printed  for  A.  Hummel : 
London,  [1765  ?]     fol.         g.  409.  g.  (5.) 

Six  Sonatas  for  two  Violins  with  a 
Thorough  Bass  for  the  Harpsicord  or 
Violoncello.  Compos'd  by  Sig'  Gio. 
Battista  S'  ^Martini  of  Slilan  Sig"^  Brioschi 
&  other  Masters.  3*  Set.  [Separate 
Parts.]  Printed  for  I.  Walsh: 

London,  [1750  ?]     fol.  h..  57.  a. 

See  GiARDiNi  (F.)  and  San  Martini 
(G.  B.)  Four  Overtures  ...  by  Sig''  F. 
Degiardino  and  one  Concerto  with  two 
Violins  &  two  Hautboys  Obligate  ...  by 
Sig--  G.  B.  S«  Martini,  etc.     [1751  ?]     fol. 

g.  264. 


458 


SAN  MARTINI 


SAN  MARTINI  (Giovanni  Battista) 
See  Haendel  (G.  F.)  [2.  Arrangements 
and  Selections. — b.  Instrumental.']  Warlike 
Musick,  Book  i.  Being  a  Choice  Collec- 
tion of  Marches  &  Trumpet  Tunes ...  By 
M'- Handel,  S' Martini,  e^c.     [1760?]     8". 

e.  438.  d. 

See  Jozzi  (G.)  A  Collection  of  Lessons 
for  the  Harpsicord  ...  by  ...  S'  Martini, 
etc.     [1760  ?]     obi.  fol.  f.  20. 

See  Lampugnani  (G.  B.)  and  San  Mae- 
TiNi  (G.  B.)     Six  Sonatas  for  Two  Violins 
with  a  Through  Bass. .  .Opera  Prima. 
[1750?]     fol.  g.  480.  (1.) 

See  Lampugnani  (G.  B.)  and  San  Martini 
(G.  B.)     Six  Sonatas  for  Two  Violins  with 
a  Through  Bass . . .  Opera  Seconda. 
[1750?]     fol.  g.  480.  (2.) 

See  Overtures.    Six  Favourite  Overtures 
in  Six  Parts. .  .by. .  .S'  Martini,  etc. 
[1770?]     fol.  g.  474.  a.  (8.) 

SAN  MARTINI  (Giuseppe)  [8  Over- 
tures, Op.  7,  Concertos,  Op.  8,  N"'  1-3  and 
Op.  9,  N"  1.]  Martini's... Grand  Concertos 
now  first  adapted  for  the  Organ,  Harpsi- 
chord or  Piano  Forte  by  the  Composer  of 
'  Young's  Night  Thoughts  '  [i.e.  T.  Billing- 
ton],  ""a  Vols.  H.  Wright: 
London,  [1795  ?]     fol.  h.  603. 

VI.  Concert!  Grossi  con  due  Violiui,  Alto- 
Viola  e  Violoncello  obligati  e  due  Violini 
e  Basso  di  Einforzo.  Opera  Seconda. 
[Separate  Parts.]  Printed  for  J.  Sim2:ison  : 
London,  [114.5?]    fol.  g.  86.  d, 

Wa7iting  the  Violino  Primo x>arts. 

[Another  copy.]  h.  205.  a.  (4.) 

The  Basso  di  Concerto  part  only. 

[Another  edition.]  Six  Concertos  in 
Seven  Parts  for  four  Violins,  one  Alto 
Viola,  a  Violoncello  and  a  Thorough  Bass 
for  the  Harpsichord,  etc.  Opera  Seconda. 
[Separate  Parts.]  Printed  for  J.  Johnson  : 
London,  [1760?]     fol.  h.  39.  b.  (1.) 

Six  Grand  Concertos . . . Opera  8'". 

See  infra :    Eight  Overtures  .  .  .  And  Six 

Grand  Concertos,  etc. 

G.  S*  Martini's  Concertos  for  the  Harpsi- 
cord or  Organ  with  the  Instrumental 
Parts  for  Violins,  etc.  Opera  Nona. 
[Separate  Parts.]  Printed  for  I.  Walsh  : 
London,  [1755  ?]     fol.  g.  86. 

Eight  Overtures  [Op.  7]  in  Eight  Parts 
for  Violins,  Hoboys,  French  Horns,  &c. 
with  a  Through  Bass  for  the  Harpsi- 
cord or  Violoncello.  And  Six  Grand 
Concertos  for  Violins  [Op.  8]  &c.  [Sepa- 
rate Parts.]  Printed  for  I.  Walsh: 
London,  [1745  ?]  fol.  g.  86.  e. 
The  Concertos  have  separate  title-pages 
and  pagination. 


SAN  MARTINI  (Giuseppe)  Eight  Over- 
tures and  Six  Grand  Concertos  in  Seven 
Parts  for  four  Violins,  a  Tenor,  Violoncello 
and  a  Thorough  Bass  for  the  Harpsichord, 
etc.     Opera  Decima.     [Separate  Parts.] 

Printed  for  John  Johnsoti : 
London,  [1760  ?]     fol.  h.  39.  b.  (2.) 

XII  Sonatas  for  two  German  Flutes  or 
Violins  with  a  Thorough  Bass.  [Separate 
Parts.]  Printed  for  I.  Walsh  : 

London,  [1738.]     fol.  g.  241.  (9.) 

Dodeci  Sonate   a   tre,  cioe  due  Flauti  o 
Violini    e    Basso  .  .  .  date    in    Luce    da 
F.  Barsanti,  etc.     [Separate  Parts.] 
[London,  1740  ?]     fol.  h.  39. 

Sonate  a  Solo,  et  a  due  Flauti  Trauersi 
col  Lord  [sic]  Basso.  Opera  Prima. 
(Parte  Seconda.)  Printed  for  the  Author  : 
London,  [1735?]     fol.  g.  86.  b. 

Sonate  a  Solo,  et  a  due  Flauti  Trauersi 
col  Loro  Basso.  Opera  Prima,  etc.  [Sepa- 
rate Parts.]  Printed  for  the  Author  : 
London,  (1736.)     fol.  g.  274.  h.  (5.) 

Six  Sonatas  or  Duets  for  two  German 
Flutes.  Compos'd  for  the  Temple  of 
Apollo,  etc.     Opera  Prima.     Book  P'. 

Printed  for  J.  Oswald  :  London, 
[1750?]    obl.iol.  d.  161.  a.  (6.) 

Not    the    same    work    as    the    Sonatas 
printed  for  the  author  about  1735. 

XII  Sonate  a  Flauto  Traversiere  Solo  con 
il  Basso.  Opera  Seconda.  Chez  M.  C.  Le 
Gene:  Amsterdam,  [1730?]    fol.     g.  86.  f. 

Six  Solos  for  a  German  Flute  or  Violin, 
with  a  Thorough  Bass  for  the  Harpsicord 
or  Violoncello.  Opera  2*.  Printed  for 
I.  Walsh:  London,  [11^0?]     fol. 

g.  422.  b.  (6.) 

XII.  Sonate  a  due  Violini,  e  Violoncello, 
e  Cembalo,  se  place,  Opera  Terza,  etc. 
[Separate  Parts.]  Printed  for  I.  WalsJi : 
London,  [1740  ?]     fol.  h.  39.  a. 

[Another  copy.]  g.  86.  a.  (2.) 

[12  Sonate.  Op.  iii.]  Concerti  Grossi 
a  due  Violini,  Viole  e  Violoncello  obligati 
con  due  altri  Violini,  e  Basso  di  Ripieuo. 
Opera  Quinta. .  .Composti  dalle  Sonate. . . 
deir  Opera  iii.  [Separate  Parts.]  Printed 
for  I.  Walsh  :  London,  [1750  ?]     fol. 

g.  86.  c. 
Six  Solos  for  a  German  Flute  or  Violin, 
with  a  Thorough  Bass  for  the  Harpsicord 
or  Violoncello,  etc.  Opera  Quarta.  Printed 
for  I.  Walsh  :  London,  [1740  ?]     fol. 

g.  422.  b.  (7.) 

Six  Sonatas  for  two  German  Flutes  or 
two  Violins  with  a  Thorough  Bass  for  the 
Harpsicord  or  Violoncello,  etc.  Opera 
Sexta.     [Separate  Parts.]  Printed  for 

L  Walsh  :  London,  [1745  ?]     fol. 

g.  242.  (5.) 


SAN  MAETINI— SAFER 


459 


SAN"  MARTINI  (Giuseppe)  Six  Solos 
for  a  German  Flute,  Violin  or  Hautboy, 
with  a  Thorough  Bass,  etc.     Op.  xiii. 

Printed  for  J.  Johnson  : 
London,  [1760  ?]  fol.  g.  422.  b.  (8.) 
[Another  copy.]  g.  422.  g.  (4.) 

See  CoNCERTi.  Concert!  a  Cinque ...  del 
...Signori  G.  Valentini . . .  Ct.  S'  Martin, 
etc.     [1730?]     fol.  g.  35. 

SAN  MARTINI  (Pietro)  Sinfonie  a  due 
Violini,  e  Liuto,  e  Basso  di  Viola,  etc. 
Opera  Seconda.  Organo.  Nella  Stam- 
peria  di  S.  A.  S.  alia  Condotta :  Firenze, 
1688.     4°.  d.  4. 

SAN  ROMANO  (Carlo  Giuseppe) 
Sirena  Sacra.  Mottetti,  Messa,  et  Salmi 
per  li  Vesperi  di  tutte  le  solennita  dell' 
Anno,  con  vn  Magnificat,  Ecce  nunc. 
Pater  noster,  Veui  Creator  spiritus,  Te 
Deum  laudamus,  &  le  Letanie  della  B. 
Vergine  Maria,  A  Cinque  Voci. .  .Opera 
Terza.  Basso.  Apprcsso  Francesco  Vigone  : 
Milano,  1674.     4°.  E.  1464. 

SANS.      Sans    amour    une    Belle   est   un 
Priutems  sans  fleurs.     Chanson. 
See  Byetiz  (    ) 

Sans  cesse  aupres  de  men  tr^sor.    Arietta. 
Sec  Deux  Avares. 

Sans  chanter  peut-on  vivrc  uu  jour.     Air. 
See  Melomanie. 

Sans  frayeur  dans  ce  hois.     Air. 
See  Legat  de  Furcy  (A.) 

Sans  I'amour  et  le  vin.     Air. 
[Paris,]  1724.     s.  sh.  4».  297.  a.  11. 

Mercure  de  France,  Dec,  1724. 

Sans  moi  la  plus  superbe  Fete.  Chanson. 
See  Paulin  (    ) 

Sans  que  je  sols  Amazons.     Le  Nouveau 
Combat.    [Song,  written]  Par  Mr.  Prechac. 
Air :  de  la  Fanfare  de  St.  Cloud. 
[Paris,  1780?]     8°.        B.  362.  b.  (147.) 

Sans  redouter  la  Satire.    Vaudeville. 
See  FoLLE  Soiree. 

Sans  repentir,  depuis  le  temps.  Vaudeville. 
\_Paris,]  1724.     s.  sh.  4".  297.  a.  10. 

Mercure  de  France,  Sept.,  1724. 

Sans  un  petit  brin  d' Amour.  Vaudeville. 
Sec  Trois  Fermiers. 

Sans  vouloir  passer  pour  savant.  Lcs 
Deux  Choses,  [Song,  written]  par  M. 
Roulland.  Air:  Je  connois  un  berger 
discret.  Chez  les  Frires  Savigiiy  : 

[Paris,  1780  ?]     8°.         B.  362.  b.  (144.) 

Sans  vous  il  n'est  point  de  festes.  Air  de 
M***.     [Paris,]  1728.     s.  sh.  4°. 

297.  a.  33. 
Mercure  de  France,  May,  1728. 

Sans  vous  ma  chere.     Song. 
See  Moulds  (J.) 


SANSEVERINO  (Benedetto)  II  Primo 
Libro  d'  Intavolatura  per  la  Chitarra  alia 
Spagnuola.  De  Passacalli,  Ciaccoue,  Sa- 
rauande,  Spagnuolette,  Folie  Pauaniglie, 
Pass'emezzi,  Correnti,  et  altre  varie 
suonate  .  .  .  Di  nuouo  ristampato,  con 
aggionta  d'  alcune  Canzonette  dal  Istesso 
Autore,  etc.     Opera  Terza. 

Appresso  Filippo  Lomazzo : 
Milano,  1622.     4°.  K.  1.  g.  13. 

SANTARELIil  (Giuseppe)  Informa- 
zione  del  Cantor  Fra  Giuseppe  Santa- 
relli,  Cappellano  d'  Onore  del. .  .Cardinale 
Alessandro  Albani...in  risposta  ad  un 
Biglietto  di  esso  Eminentissimo,  etc. 

Nella  Stamjwria  di  Komarek  : 
Roma,  1761.    4°.  557*.  c.  21.  (7.) 

SANTEUIL  ET  DOMINIQUE.  San- 
teuil  et  Dominique.  Piece  anecdotique. 
See  Piis  (A.  P.  A.  de). 

SANTINI  (Pietro)  Laudi  Spiritual!  per 
la  Dottrina  Cristiana.  Raccolte  da  varj 
Autori  da  D.  Pietro  Santini,  etc.  2  pts. 
Pi'T  Mattco  Mancinelli  e  Dumenico  Rainini : 
Ancona,  1722.     12°.  3435.  ff.  34. 

SANTIS  (Giovanni  de)  VI  Sonate  da 
Camera  a  Violino  e  Violone  o  Cimbalo. . . 
Opera  Prima.  Imprimi^  aux  depens  de 

Gerhard  Frederik  Witvogcl :    Amsterdam, 
[1740?]     fol.  g.  223.  d.  (1.) 

SANTO  ALESSIO.  II  S.  Alessio. 
Dramma  IMusicale.     Sec  Landi  (S.) 

SANTO  ANTONIO  (Joseph  de)  Ac- 
companhamentos  de  jNIissas,  Sequencias, 
Hymhos,  e  Mais  Cantochao,  que  he  uso, 
e  costume  acompanharem  os  Orgaos  da 
Real  Basilica  de  Nossa  Seuhora,  e  Santo 
Antonio,  junto  a  Villa  de  ]\lafra,  etc. 

No  Mosteiro  de  S.  Vicente  de  Fura  : 
Lisboa,  1761.     fol.  H.  65. 

Pp.  5-6  a7id  21-22  are  mutilated. 

SANZ  (Gaspar)  Instruccion  de  Musica 
sobre  la  Guitarra  Espafiola. .  .con  dos 
Laberintos  ingeniosos,  variedad  de  Sones, 
y  Dan(;-as  de  Rasgueado,  y  Punteado,  al 
estilo  Espafiol,  Italiano,  Frances,  y  Ingles. 
Con  un  breve  Tratado  para  acompafiar, 
etc.  (Libro  Seguudo,  de  Cifras  sobre  la 
Guitarra  Espauola,  con  arte  nuevo  para 
aprender  a  taneiia  sin  IMaestro,  etc.) 
(Libro  Tercero  de  ilusica.  De  Cifras 
sobre  la  Guitarra  Espafiola,  que  contiene 
las  diferancias  mas  primorosas  de  Passa- 
calles,  e/c.)  3  pts.  Por  los  Herederos  de 
Diego  Dormer  :  En  Zaragoca,  1697.  ohl.  fol. 

d.  55. 

SAFER.       Saper     bramate.      Aria.       See 

Paisiello  (G.)     [II  Barbicrc  di  Siviglia.] 


4G0 


SAPIO— SARTI 


SAPIO  (  )  Quatre  Duos,  et  Deux  Cava- 
tine  avec  Accomp'  de  2  Violons  et  d'un 
Basse,  etc.  Longman  d  Brodcrip,  for  the 
Author:  LoHfZon,  [1795?]     ohl.  io\. 

E.  600.  z.  (9.) 
Nos.  2  and  4  of  tins  collection  arc   by 
Millico. 

SAPLING.     The  Sapling  Oak.     Song. 
See  Storage  (S.)     [The  Siege  of  Belgrade.] 

SAPPHO.     Sapho.     Cantatille. 

See  Lemaire  (L.) 
Sapho.     Trag6die. 
See  Martini  (G.)  il  Tedesco. 
Sappho  au  Proniontoire  de  Lucate.     Ro- 
mance.   See  La  Rose  Fonbeunne  (G.  de) 
Sappho  to  Phaon.     [Recitative  and  Aria.] 
See  Callcott  (J.  W.) 
Sappho's    Hymn    to   Venus.      [Cantata.] 
See  WORGAN  (J.)  the  Elder. 

SAPPHO,  pseud.  Damon's  Invitation, 
etc.     [Song.]     [London,  1755.]     8". 

250.  c.  2. 
Gentleman's  Magazine,  Vol.  XXV., p.  466. 

Long  by  an  Idle  Passion  tost.     A  Song. 
Set  by  Sappho.     [London,  1756.]     8°. 

^  P.P.  5439. 

Literary  Magazine,  Vol.  I.,  p.  28. 

SARA.  Sara.  Com6die  melee  d'Ariettes. 
See  Vachon  (P.) 

Le  long  d'un  bois  Colin  passoit.     [Song.] 
De  Sara.     [P«m,  1785?]     8". 

B.  362.  e.  (109.) 
TJiis  song  does  not  occur  in  P.  VacJion's 
'  Sara.' 

SARDENA  (Horatio)  See  Gatto  (S.) 
Motectorum  .  .  .  opus  hoc  Leuidense 
nouiter  CoUectorum,  Autore  Horatio 
Sardeua,  etc.    1604.     4°.  C.  45. 

SARDY  (Joseph)     See  Sabti  (G.) 

SARGINES.  Sargines  on  I'Eleve  de 
TAmonr.     ComMie.     See  Dalayrac  (N.) 

SARIA.  Saria  bello  il  maritarsi.  [Song.] 
See  Paisiello  (G.)     [La  Locanda.'] 

SARRAZIN  (  )  Un  ingrat  m'aban- 
donne.     Ariette,etc.     [Paris,  1780?]     8°. 

B.  362.  b.  (67.) 

Vous   n'avez  pas   humble   fougere.     Air. 

Paroles  de  ]\I.  Rochebrune.    [Paris,']  VJll. 

s.  sh.  8°.  298.  e.  13. 

Mercure  de  France,  April,  1777. 

SARTI  (Giovanni  Vincenzo)  Concerti 
Sacri  A  due,  e  tre  voci  Con  due  para 
di  Litanie  della  B.  V.  a  4  voci  col'  Basso 
per  r  Organo. .  .Libro  Sesto.  Opera  vn- 
decima.  [Canto.]  Alto.  (Basso.)  (Basso 
per  r  Organo.)  4  pts.  Stampa  del  Gar- 
dano.  Apresso  Francesco  Magni  :  Venetia, 
1655.     4°.  D.  100. 

The  Canto  part  wants  fol.  A  1. 


SARTI  (Giuseppe)    Ah  cara  sposo. 
iS't'c  infra  :  [Giiilio  Sabino.] 
Ah  non  sai.     Rondo  with  a  Recitative  as 
sung   by   Miss   Corri,  etc.      [Pull   Score.] 
Printed  for  Corri,  Ditssek  £  Co. : 
London  and  Edinburgh,  [1792  ?]     fol. 

G.  811.  (28.) 
Ah  non  sai.  A  favorite  Rondo.  Arranged, 
with  an  Accompaniment  and  Graces,  by 
D.  Corri. . .  Longman  and  Brodcrip  : 

London,  [1792.]     fol.  G.  199.  (28.) 

Ah  !  proteggete  o  Dei.     Duetto,  etc. 
[B.  Goodison  :  London,  1790  ?]     fol. 

H.  103.  (3.) 
[Alessandro  e  Timoteo.]     Va  dove  cadono 
in  seno  al  Gauge.     Cavatina,  etc. 
[1800.]    fol.    Sec  Alessandro  e  Timoteo. 

G.  811.  a.  (5.) 
Un  Amante  sventurato.  A  Favorite 
Rondo.  Printed  for  J.  Dale  : 

London,  [1185?]     fol.  G.  811.  (29.) 

Cari  Figli,  un  altro  amplesso. 
See  infra:  [Giulio  Sabino.] 

Ciro  Ricouosciuto.     Opera  in  ]\rusica,  etc. 
[Libretto  by  ]Metastasio.     Full  Score.] 
J.  H.  Thick  :  Copenhagen,  [1756.]     fol. 

H.  343. 
Con  qual  core  oh  Dio. 
Sec  infra  ;  [Giulio  Sabino.] 
[Fra  i  due  Litiganti  il  terzo  gode.]  Les 
Noces  de  Dorine,  ou  Helene  et  Francique. 
Opera  en  Quatre  Actes  .  .  .  ParoUes  de 
]^£r  *  *  *_  [Full  Score.]  Chez  le  S''  Sicber : 
Paris,  [1789.]     fol.  G.  209. 

[Overture.]     Four  Italian  Overtures. 

Arranged  for  the  Piano  Forte  by  L. 
Boutmy.  ([Op.  2.  No.  1.]  Sinfonia. 
Sig"'  Sarti.)  [1799.]  See  Periodical 
Publications.  —  London.  The  Piano- 
Forte  Magazine.  Vol.  VII.  No.  7. 
[1797-1802.]     8°.  D.  854. 

Fuga  a  otto  voci  reali.  (Kyrie  Eleison.) 
Partitura.  Pi'csso  Breitkopf  d-  Hcirtel : 

Lipsia,[1195'>]  fol.  H.  li87.  p.  (8.) 
[Another  copy.]  H.  2832.  f.  (21.) 

[Le  Gelosie  Villane.]     Overture.     [P.  F.] 
See  Mezger  (F.)    Ouverture  delle  Gelosie 
Villane.     Arrangee  i^our  Clavecin,  etc. 
[1785?]     fol.  g.  81.  (11.) 

Giulio  Sabino.    Dramma  per  Musica.    Per 
la  prima  volta  rappresentato  in  Venezia, 
1'  Anno  1781,  etc.     [Full  Score.] 
Vienna,  [1782  ?]     obi.  fol.  E.  140. 

Ah  cara  sposa.      Duetto.      Sung  by 

Sig"  Giuliane  and  Sig''  Marches!,  etc. 
[Full  Score.]  Longman  a?id  Broderip  : 
London,  [1788.]     fol.  G.  197.  (12.) 

Cari  Figli,  un'  altro  amplesso.   [Aria.] 

Sung  by  Sig'  Marchesi,  etc.     [Full  Score.] 

Longman  and  Broderip : 

London,  [1788.]     fol.  G.  297.  (4.) 

[Another  copy.]  G.  196.  (16.) 


SARTI— SARTORIUS 


461 


SARTI  (Giuseppe)  Giiilio  Sabino.  Con 
qual  core  oh  Dio.  [Aria.]  Sung  by  Sig" 
Giuliane,  etc.     [Full  Score.] 

Longman  and  Brodcrip : 
London,  [1788.]     fol.  G.  196.  (17.) 

In  quel  barbaro  momento.     Rondo. 

Sung  by  Sig"  Marches!,  etc.     [Full  Score.] 

Longman  and  Broderip  : 
[London,  1788.]     fol.  G.  196.  (15.) 

Lungi  dal  caro  bene.   Cavatina.  Sung 

by  Sig'  Marchesi,  etc. 

Longman  and  Broderip : 
Lotidon,  [1788.]     fol.  G.  297.  (5.) 

Lungi    dal    caro    bene.      Cavatina. 

(Aria  . . .  Coll  accompagnamento  d'  Arpa 
del  Sig"'  Luigi  Marchesi.) 

Longman  &  Broderip : 
London,  \1190'>]     fol.  G.  196.  (14.) 

Giulio  Sabino  e  Epponina.  Sonata  Carat- 
teristica  per  il  Clavicembalo  o  Forte  Piano 
con  Violino. .  .Op.  i. 

Longman  and  Broderip  : 
London,  [1790  ?]     obi.  fol.        e.  100.  (3.) 

[Giulio  Sabino  ed  Epponina.]  Sabiuus  et 
Epponine.  Sonate  Caracteristique  pour 
le  Clavecin  ou  Piano  Forte  Avec  accom- 
pagnement  de  Yiolon  Oblige. .  .Oiluvre  I'^ 
Chez  Lnbault :  Paris,  [1785  ?]     obi.  fol. 

f.  133.  k.  (5.) 
In  quel  barbaro  momento. 
See  supra  :  [Giulio  Sabino.l 
Infelice  sventurata.     A  Favorite  Rondo. 

Printed  for  S.  Babb : 
[London,  1780  ?]    fol.     G.  800.  m.  (53.) 

lutreccio  di  diverse  Idee  d'Opere  Favorite, 
ossia  Sonata  per  Clavicembalo  con  Violino 
obligate. .  .Opera  ii. 

Presso  Artaria  Cornp.  : 
Yienna,  [1790?]     obi.  fol.        e.  5.  p.  (3.) 
Lungi  dal  caro  bene. 
St'c  supra:  [Giulio  Sabino."] 
Les  Noces  de  Dorine.     See  supra  :    [Fra 
i  due  Litiganti  il  terzo  gode.] 
Questa  non  era  o  cara.     [Air.]     Sung  by 
Sig'  Marchesi,  in  the   Opera   Olimpiade, 
etc.     [A  pasticcio.     Full  Score.] 

Longman  and  Broderip  : 
[London,  1788.]    fol.  G.  196.  (20.) 

An  Overture  ...  As  Performed  at  the 
Pantheon,  etc.  (Sinfonia  iii.)  [Separate 
Parts.]  W.  Napier  : 

London,  [1785?]     fol.        g.  270.  p.  (2.) 

Quelle  amante  dans  sa  flamme.  Rondeau, 
etc.  Chez  les  Freres  Savigny  : 

[Paris,  1785  ?]     S".  B.  362.  b.  (72.) 

[I  Rivali  Delusi.]  The  Favorite  Songs 
in  the  Opera  1  Rivali  Delusi.  [P.  F.  and 
Full  Score.]  J.  Preston  : 

London,  [1785.]     fol.  H.  343.  (a.) 

Three  Sonatas  for  the  Harpsichord,  etc. 
E.  Fougt :  London,  [1769.]     fol. 

h.  60.  b.  (5.) 


SARTI  (Giuseppe)  Tre  Sonate  per  il 
Clavicembalo  o  Forte  Piano  Con  Accom- 
pagnamento d'un  Violino. .  .Opera  iii. 

Presso  Artaria  Comp.  : 
Vienna,  [1790?]     obi.  fol.         e.  5.  i.  (7.) 
Wanting  the  Violin  part. 

The  Celebrated  Sonata  composed  by  Sig. 
Sarti.  In  which  all  the  Obligate  Violin 
Passages  are  Adapted  for  the  Piano-Forte. 
T.  Skillern  :  London,  [1795  ?]     fol. 

g.  271.  e.  (30*.) 

See  Aprile  (G.)  and  Sarti  (G.)  Five. . . 
Italian  Duettos. .  .by  Sigr.  G.  Aprile  and 
One  by  Sigr.  G.  Sarti.  '  [1780?]     oil.  4". 

A.  795. 

See  Feast  op  Apollo.  The  Feast  of 
Apollo,  containing  ...  Songs  by. ..  Sarti, 
etc.     [1788.]     fol.  G.  351.  (2.) 

See  Sampieri  (N.)  A  Collection  of  Songs 
. .  .by  Sarti,  etc.     [1795  ?]     obi.  fol. 

E.  600.  z.  (8.) 

SARTORIO  (Paolo)     See  Sartorius. 

SARTORIUS  (Christian)  Unterschied- 
licher  Teutscher,  nach  der  Himmelcron 
zielender  Hoher  Fest-  und  Danck  An- 
dacthen  Zusammenstimmuug.  Mit  1.  2. 
3.  1.  5.  G.  und  S.  nemblichen,  einer,  zwey, 
drey,  auch  fiinff  Vocal-  dann  zwej-en  und 
mehr  Instrumental-Stimmen,  als  Violinen 
Oder  Corneten,  auch  Posaunen.  Sampt 
gedoppelten  Basso  continue,  den  einen 
fur  die  Organisten,  den  andern  fiir  deu 
Violon,  etc.  Cantus  vel  Tenor  Primus 
(Secundus).  (Bassus.)  (Violiuum  Primum 
(Secundum).)  (Bassus  Continuus  fiir  den 
Violon.)     6  pts.  Christoff  Gerhard  : 

Nilrnberg,  1658.     fol.  "        G.  79. 

SARTORIUS  (Erasmus)  Institutionum 
Musicarum  Tractatie  Noua  et  Breuis 
Duobus  Libris  Comprehensa,. .  .Praemit- 
titur  oratio  de  hujus  artis  Inventoribus . . . 
item  aliquot  fugse,  etc.  Jacobus  Eeben- 
linus  :  Hamburgi,  1635.     8".       A.  1410. 

Erasmi  Sartori. .  .Belligerasmus,  id  est 
Historia  BeUi  exerti  in  regno  Musico . . . 
Adjuncta  est  Historia  a  priori  materia  non 
aliena,  de  Capre  subagitante  bonum  quen- 
dam  Virum  N.  Nocturnis  tenebris. 

Lnpensis  Henrici  Carstens  : 
Hambicrgi,  1622.    8°.     12923.  aa.  3.  (2.) 

See  Laurembergius  (P.)  Musomachia 
id  est  Bellum  Musicale.  Ante  quinque 
lustra  in  gratiam  Er[asmi]  Sar[torii]  : 
nunc  denuo  institutus  a  prime  ejus 
auctore,  etc.     1639.     8".        7896.  a.  12. 

SARTORIUS     (Paulus)       Madrigali     a 
Cinque  Voci . . .  Libre  Prime.    Nouamente 
composto,  et  date  in  luce.    Canto.    (Alto.) 
(Tenere.)     (Basso.)     4  pts. 
Anqelo  Gardano  :  Venetia,  1600.     obi.  4". 

A.  405. 


462 


SARTORIUS— SAWNEY 


SARTORIUS  (Paulus)  Neue  Teutsche 
Liedleiu,  mit  vier  Stimmen,  nach  art  der 
Welschen  Canzonette,  auff  alleiiey  Instru- 
menten  zu  gebraucheu,  etc.  Cantus. 
(Altus.)     (Tenor.)     (Bassus.)     4  pts. 

Gedruckt. .  .durch  Paulum  Kauffmann  : 
Nilnnbcrg,  1601.     4°.  D.  1040. 

SATAH".  Satan's  Visit  to  the  Jacobin 
Club.  Song.  See  To.  To  Old  Satan  in 
Hell,  etc.     [1795.]     fol.         G-.  376.  (57.) 

SATIRIST.     The  Satyrist.     [Song.] 
See  SuEE.     Sure  none  but  an  Ass. 
1742.     s.  sh.  fol.  G.  316.  a.  (43.) 

SATYRE.  Le  Satyre  et  le  Passant. 
[Song.]     See  Lambert  (        )  W'-. 

SATZL  (Cheistoph)     Novem  Missse  Novte 
Singulis,  Binis,  Ternis,  Quaternis,  Quinis- 
que   vocibus. .  .concinendse,  etc.      Cantus 
II.     (Pars  Organica.)     2  pts. 
Michael  Wagneriis  :  Ocniponti,  1646.     4°. 

C.  93. 

SAUL.     Saul.     Oratorio. 
See  Haended  (G.  F.) 
Saul,  oder  die  Gewalt  der  Musik.     Musik- 
alisches  Drama.     See  Rolle  (J.  H.) 

SAUNDERS.  Saunders'  Ghost.  [Song.] 
Sec  Haste.  Haste  thee  Saunders,  thy 
Country  calls  thee,  e^c.     [1778.]     s.  sli.  io\. 

Q.  308.  (122.) 

SAUNDERSON  (James) 
See  Sanderson. 

SAVAGE   (Jane)     A   favorite   Duett   for 
two  Performers,  on  one  Piano  Forte  or 
Harpsichord.     Opera  vi. 
Longman  and  Broderip,  for  the  Aiithor : 
London,  [1790  ?]     fol.  g.  130.  (10.) 

Two  Duetts,  for  Voices. .  .Op.  vii. 

Longman  &  Broderij),  for  the  Author  : 
London,  [1790  ?]     fol.  G.  354.  (32.) 

God  save  the  King.  Adapted  as  a  Double 
Lesson.  ..Opera  8'".  [P.  F.]  London, 
[1790?]     fol.  g.  130.  (12.) 

Hall  the  Woodman.  A  Favorite  Song 
. .  .Op.  V.  Longman  &  Broderip,  for  the 
Author:  ioufZo?!-,  [1790?]     fol. 

H.  1653.  (45.) 
Strephan  {sic']  &  Flavia.    A  Favorite  Can- 
tata, written  by  Mrs.  Savage. .  .Opera  iv. 
Longman  d;  Broderip,  for  the  Author  : 
London,  [1790  ?]     fol.        H.  1653.  (44.) 

Six  Rondos  ;  for  the  Harpsichord  or  Piano 
Forte . . .  Opera  iii.  Longman  d  Broderip, 
for  the  Author  :  London,  [1790  ?]     ohl.  fol. 

e.  101.  (7.) 
SAVAGE  (William)     ]My  Fair  is  beauti- 
full  as  Love.     [Song.]     Set  bij  Mr.  Savage. 
[London,  1740?]     s.  sh.  fol. 

G.  310.  (83.) 
See  Catches.     A  Collection  of  Catches  by 
. .  .Dr.  Arne,. .  .Mr.  Savage,  etc. 
[1764  ?]    ohl.  4'\  A.  756.  a.  (1.) 


SAVE.  Save  Women  and  Wine.  The 
Pleasures  of  Life.  A  New  Song  sung  by 
]\Ir.  ]\Ioore  at  Sadlers  Wells.  [Lo7ulon, 
1745  ?]     s.  sh.  fol.  G.  316.  f.  (7.) 

[Another    edition.]       Save    Women    and 
Wine,   there   is    nothing    in   Life.      TJie 
Pleasures  of  Life.     A  new  Song. 
[London,  1750  ?]     s.  sh.  fol. 

I.  530.  (137.) 
SAVETIER.      Le    Savetier    Gaillard. 
[Song.]     See  Je.     Je  suis  excellent  Save- 
tier, c/c.     [1780?]     8".  B.  362.  (76.) 

SAVETIER    ET    LE    FINANCIER. 

Le  Savetier  et  le  Financier.  Opera 
Comique.     Sec  Rigel  (H.  J.) 

SAVEZ.  Savez  vous  la  belle  histoire. 
Ronde  Patriotique.  Chez  Imhanlt : 

Paris,  [1792.]     8°,  B.  362.  d.  (24.) 

Savez-vous  pourquoi,  mes  amis.  Chanson 
de  la  Gamelle.  DMiee  a  la  Nouvelle 
Requisition.  [To  the  tune  of  the  Car- 
magnoUe.]  Chez  hnhault : 

Paris,  [1793.]     3".  B.  362.  d.  (41.) 

SAVILLE  (Jeremiah)  See  Playfoed  (J.) 
Select  Musicall  Ayres  and  Dialogues... 
by. .  .Mr.  Jeremy  Savile,  etc.     1G53.     fol. 

F.  51.  a. 

SAVIOUR.     Saviour,  can'st  thou  love  a 

traitor  ?     A  Hymn.     [London,  1774.]     8". 

P.P.  716.  b. 
Gospel  Magaziiu,  Nov.,  1774. 

SAVOYARD.  The  Savoyard.  [Song.] 
See  DiBDiN  (C.)     [The  Quizes.'] 

SAW.  Saw  ve  John  a  coming.  A  Scotch 
Song.     [London,  1750  ?]     s.  sh.  fol. 

H.  1994.  b.  (69.) 

Saw  ye  my  wee  Thing.  Mary  of  Castle 
Gary.  A  Favourite  Scots  Song.  [Words 
by  H.  Macneil.]  J.  McFadyen  : 

Glasgow  :  [1795  ?]     fol.        G.  356.  (66.) 

Saw  you  my  Father.  A  Favourite  Scotch 
Song.     [Londo7i,  1773.]     8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  LII.,p.  39. 

Saw  you  my  Father,  with  Variations  for 
the  Harpsichord  or  Piano  Forte,  etc. 
Longman  Lukey  and  Broderip  :  London, 
[1775  ?]    fol.  G.  805.  a.  (40.) 

Saw  you  my  Father.  A  Favorite  Scotch 
Song.     [London,  1780  ?]     s.  sh.  fol. 

I.  530.  (138.) 
Saw  you  the  Nymph  whom  I  adore. 
Song.     See  Carey  (H.) 

Saw  you  the  Nymph  whom  I  adore.  Glee. 
See  Hook  (J.) 

SAWNEY.  Sawney  and  Jenny.  Dia- 
logue.    See  Arne  (T.  A.) 

Sawney  is  a  bonny  Lad.     Song. 
See  PuECELL  (H.) 


SAY— SAYS 


463 


SAY.     Say  can  you  deny  me.     [Song.] 
See  Mara  (G.  E.) 

Say,  Chloe,  by  what  secret  art.  A  Nciv 
Song.     [London,  1776.]     8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  LIX.,  p.  94. 

Say,  curious  painter,  can  thy  art.     Song. 
See  Hudson  (R.) 

[Another  setting.]  Say,  curious  Painter, 
can  thy  art.     Song.     See  Tubnee  (E.) 

Say  does  thy  jealous  fears  proceed.  Song. 
See  Hughes  (J.)  Song  Writer. 

Say,  have  you  in  the  village  seen.  Allen 
Brooke  of  Wyndermcr.  A  favourite  New 
Song. .  .The  words  by  G.  S.  Gary.  [Music 
by  J.  Hook.]  J.  Lee  :  Dublin, 

[1785  ?]    s.  sh.  fol.        H.  1601.  b.  (73.) 

Say,  have  you  in  the  Valley  seeu.  Allen 
Brooke  of  Windermere.  A  Ballad,  with 
an  Accompaniment  for  the  Piano  Forte. 
[Words  by  G.  S.  Carey,  music  composed 
or  edited  by  E.  S.  Biggs.]  Printed  for 
B.  Birchall :  London,  [1797  ?]     fol. 

G.  356.  (51.) 
Say,  little  foolish  flutt'ring  thing.  Sivect 
Robin.  [Song.]  R.  Falkener :  London, 
[1775?]     fol.  H.  1994.  a.  (101.) 

Say,  lovely  peace,  that  grac'd  our  isle.     A 
Loyal  Song,  for  two  Voices. 
{London,  1756.]     8».  250.  c.  3. 

Gentleman's    Magazine,    Vol.     XXVI., 
p.  245. 
Say  lovely  Peace  that  grac'd  our  Isle.     .4 
Loyal  Sona  for  two  Voices.  f London, 

1756?]     s.^s/i.  fol.  H.  1994.  (56.) 

[Another  copy.]  H.  1994.  a.  (169.) 

Say  Mighty  Love  and  Teach   my   Song. 
[Song.]     See  Hodson  (W.) 
Say  my  Kitty.     Tlie  Secret.     A  Song  to 
INIrs.  Santlow's  Minuet.  [London, 

1710?]     s.sh.iol.  H.  1601.  (397.) 

[Another  edition.]  Say  my  Kitty.  The 
Secret,  etc.     [London,  Vllb'>]     s.sh.iol. 

G.  311.  (69.) 
Say,  Plato,  why  shou'd  man  be  vain. 
Plato's  Advice,  a  favourite  Song.  J.  Leiver: 
[London,  1755  ?]     s.  sh.  fol. 

G.  316.  h.  (29.) 
Say,  Shepherds  have  you  seen  my  Fair. 
Song.     See  Stevenson  {Sir  J.  A.) 

Say  Sylvia  shaU  I  speak  or  die.  Sylvia. 
A  new  Song.     [Lo7idon,  1750  ?]    s.  sh.  fol. 

G.  316.  a.  (42.) 
[Another    edition.]      Say   Sylvia   shall    I 
speak  or  Die.     Sylvia.     A  new  Song. 
[London,  1750  ?]     s.  sh.  fol. 

G.  316.  f.  (11.) 
[Another  setting.]  Say  Sylvia  shall  I 
speak  or  die.  Sylvia,  [Song.]  Str[aight] 
and Sk[illern'] :  [London,mO?]    s.  sh.  fol. 

G.  316.  (120.) 


SAY.  Say,  who  would  mope  in  joyless 
Plight.  Livitation  to  Joy.  [Aufmun- 
terung  zur  Freude.)  [Song,  words]  By 
H51ty.  C.  Geisweiler  :  [London, 

1800.]     s.  sh.  obi.  4°.  266.  b.  30. 

German  Museum,  Dec,  1800. 

Say  why  a  Blush  o'erspreads  the  Rose. 
Song.     See  Atterbuey  (L.) 

Say  Zephyr  what    jMusick   enchants  the 
gay  Plains.     A  Favourite  Rondo,  etc. 
LF[entu']m:  [Lotidon,  1180?]     s.sh.iol. 

G.  311.  (154.) 

SAYS.     Says  Colin  to  me.     As  Sure  as  a 

Gun.    [Song.]    Sung  by  Mrs.  Wrighten  at 

Vavixhall.     1799.         S[amucl  and]  A[mi\ 

T[hompson,  1779.]     s.  sh.  fol. 

G.  316.  (121.) 
Says  Dicky  to  DoUy.     Song. 
See  Turner  (W.)    [The  Virgin  Sacrifice.] 

Says  his  Grace  to  his  Cook.     Glee. 
See  Olive  (.J.) 

Says    my   Uncle    I    pray    you    discover. 

Molly  Mogg.      [Song]    To   [the   tune   of] 

"  Clarinda's     an     Exquisite     Creature " 

[Words  attributed  to  A.  Pope.]     [London, 

1720  ?]    s.  sh.  fol.  G.  305.  (44.) 

Li  the  Gentleman's  Magazine  for  June 

1755,  this  song  is  said  to   have   been 

written  by  Pope  in  his  11th  year. 

[Another  edition.]  Says  my  Uncle  I  pray 
you  discover.  Molly  Mogg.  A  Song  set 
by  an  Eminent  Master.  [London, 

1725  ?]     s.  sh.  fol.  G.  316.  e.  (136.) 

Says   Plato,   why   should   Man    be   vain. 
Plato's  Advice.     A  favourite  Song. 
[London,  1758.]     s.  sh.  Q\ 

P.P.  5439.  ab. 
New  Universal  Magazine,  June,  1758. 

Says    Plato   why   should    ]\Ian    be  vain. 
Plato's  Advice.     A  favourite  Song. 
[London,  1760  ?]    s.  sh.  fol. 

G.  311.  (58.) 
[Another  edition.]  Says  Plato  why  shou'd 
Man  be  vain.  Plato's  Advice.  A  favourite 
Song.     [London,  1760  ?]     s.  sh.  fol. 

H.  1994.  a.  (198.) 

Says  Pontius  in  rage.  Canzonet.  See 
Travees  (J.)     [18  Canzonets.     No.  7.] 

Says  Roger  to  Will.  The  Wedding,  or  the 
Farmer's  Holiday ;  A  new  Song,  the 
Words  made  to  a  Pleasant  Tune  by  Mr. 
D'urfey.     [London,  1710  ?]     s.  sh.  fol. 

G.  311.  (78.) 
[Another  edition.]  Says  Roger  to  Will. 
Tlie  Wedding,  etc.  [London, 

1715?]     s.sh.iol.  H.  1601.  (389.) 

[Another  edition.]  Says  Roger  to  Will. 
The  Favourite  Song  in  the  Country  Revels. 
See  Country  Revels.     [1750.]    s.  sh.  fol. 

G.  316.  e.  (132.) 


464 


SCACCIA— SCARLATTI 


SCACCIA  (Angelo  Maria)  Concerti  con 
Violiuo  Obligato.  due  Violini,  Alto  Viola  e 
Basso  Contiuuo.  Opera  Prima.  [Separate 
Parts.]  A  SjKsa  di  M.  C.  Lc  Cciie  : 

Amslcrdcnn,  [1735  ?]  g.  1050. 

SCACCIATO.      Scacciato   dal   suo   nido. 

rSong.]       >'(-<;  RODELINDA. 

SCALETTA  (Orazio)  Amorosi  Pensieri. 
II  Secoudo  Libro  de  Madrigaletti  a 
Cinque  voci  . . .  Con  vna  Canzone  Francese 
a  quattro  &  Dialogo  a  Sette  nel  fine. 
Nouamente  Composti,  &  dati  in  Luce. 
Basso.  Appresso  V  hcrede  di  Girolamo 

Scotto:  VeneHa,15dO.  4°.  C.  329.  a. 
This  ivork  contains  madrigals  by  Agostino 
Corona  and  Paolo  Caracciolo. 
Partitura  della  Cetra  Spirituale  a  due,  tre, 
e  quattro  voci  . . .  Nouamente  posta  in 
luce.  Appresso  V  herede  di  Simon  Tini, 
ct  Filippo  Lorenzo,  compagni  :  Milano, 
1606.    4°.  C.  329.  b. 

Scala  di  Musica  molto  necessaria  per 
Priucipianti  .  .  .  Ampliata  di  uouo  in 
questa  Sesta  Impressione,  etc.  Appresso 
Alessandro  Vinccnti :   Venctia,  1626.     4°. 

556.  e.  27. 
Scala  di  Musica.    Quarta  Impressione  di 
nuouo   corretta,   et   ampliata   con   alcuni 
Duo  in  fuga  facile,  etc. 
Appresso  Giorgio  Rolla  :  Milano,  1647.    4°. 

557*.  c.  15.  (5.) 
Scala  di  Musica. .  .di  Horatio  Scaletta. . . 
Dair   istesso   nella  settima   impressione, 
reuista,  corretta,  &  ampliata,  etc. 
Per  il  Mascardi  :  Roma,  1685.     4°. 

7897.  e.  21. 
Vilanelle  alia  Eomana  a  Tre  Voci . . .  Libro 
Primo,  etc.  Basso.  Appresso  Ricciardo 
Amadino :  Venetia,  1590.     4".        C.  329. 

SCALiaERI    DALLA    TRATTA 

(Camillo)  pseud,  [i.e.  Adriano  _  Ban- 
CHiERi.]  La  Xobilissima,  auzi  Asinissima 
Compagnia  deUi  Briganti  della  Bastina. 
Descritta,  &  compilata  da  quattro  Im- 
bastinati  Auttori  .  .  .  Opera  uuoua  .  .  . 
Compositione  di  CamiUo  Scaligeri  dalla 
Fratta  [i.e.  A.  Banchieri],  etc.  Ad 

instanza di  Barezzo  Barezzi.  Per gllHeredi 
diPerin:  Vicenza,  1591 .     4". 

1080.  k.  9.  (9.) 
Containing  three  songs  for  4  voices. 
SCANDEIiLO  (A^-Toxio)  El  Primo 
Libro  de  le  Canzoni  Napoletane  a  iiii. 
Voci,  etc.  Altus.  (Tenor.)  2  pts. 
Ulricus  Neuberus,  d  Theodoricns  Gerlatzen : 
Noribergm,  1566.     obi.  4°.  A.  407. 

Nawe  und  lustige  Weltliche  Deudsche 
Liedlein,  mit  Vier,  Fiinff,  vnd  Seeks 
Stimmen,  auff  allerlej'  Instrumenten 
zugebrauclaen,  vnd  lieblich  zu  singen,  etc. 
Altus.     (Bassus.)     2  pts. 

Gedruckt  durch  Gimcl  Bergen  : 
Dressden,  1575.    obi.  4<".  A.  407.  a. 


SCANDELLO  (Axtonio)  Nawe  schonc 
ausserlesene  Geistliche  Deudsche  Lieder, 
mit  FiinS,  vnd  Sechs  Stimmen,  gantz 
lieblich  zu  singen,  Und  aufi  allerley  In- 
strumenten zugebrauchen,  Sampt  einem 
Dialogo  mit  Acht  Stimmen,  etc.  Tenor. 
(Bassus.)  2  pts.  Gedruckt  durch  Gimel 
Bergen  :  Dressden,  1575.     obi.  4". 

A.  407.  b. 

See  Epithalamia.     Epithalamia  . . .  Com- 
posita  per  Anthonium  Scandellum,  etc. 
1568.     obi.  4".  A.  18. 

SCARAMUCCIA  (Filisteo)  II  Primo 
Libro  di  ^ladrigali  a  quattro,  et  a  Cinque 
Voci  Con  un'  ultimo  a  Sei,  etc.  Canto. 
(Alto.)  (Tenore.)  (Basso.)  (Quinto.) 
5  pts.  Appresso  gli  Heredi  di  Francesco 
Rampazetto  :  Venetia,  1580.     obi.  A". 

K.  3.  f.  18. 

SCARLATTI  (Alessandro)  Thirty  Six 
Arietta's  for  a  Single  Voice  with  a 
Thorough  Bass  for  the  Harpsicord  and 
within  Compass  of  the  German  Flute,  etc. 
J.  Cox,  for  TJios.  Yandernan  : 
London,  [1755  ?]    obi.  fol.    E.  271.  (12.) 

The  Beautious  Melissa.  A  Cantata  by 
Scarlatti.     [London,  1720  ?]     s.  sh.  fol. 

G.  312.  (45. 

VI.  Concertos  in  Seven  parts,  for  two 
Violins  &  Violoncello  Obligato  with  two 
Violins  more,  a  Tenor  &  Thorough  Bass, 
etc.     [Se]3arate  Parts.]  B.  Cooke  : 

London,  [1735  ?]     fol.  g.   1052. 

[Pirro  e  Demetrio.]  Songs  in  . .  .  Pyrrhus 
and  Demetrius,  etc.  [Music  by  A.  Scar- 
latti, with  additions  by  N.  Haym.] 
[1710  ?1     fol.     See  PiRRO  e  Demetrio. 

I.  355. 


[For 

ately      in 


songs,    &c.,   published    separ- 


the  Anglo-Italian  version 
produced  by  N.  F.  Haym  :]  See  Pirro  e 
Demetrio. 

See  Thomyris.  Songs  in  . . .  Thomyris, 
Collected  out  of  the  Works  of  . . .  Scarlatti, 
etc.     [1707.]    fol.  H.  114.  (4.) 

SCARLATTI  (Domekico)  The  Beauties 
of  D.  Scarlatti.  Selected  from  his  Suites 
de  Lemons,  for  the  Harpsichord  or  Piano 
Forte  and  Revised  with  a  Variety  of  Im- 
provements by  A.  Pitman.  Volume  the 
first.     [London,  1785  ?]     obi.  fol. 

e.  5.  g.  (9.) 

Chefs-d'oeuvre,  for  the  Harpsichord  or 
Piano-Forte ;  selected  from  an  Elegant 
collection  of  IManuscripts  in  the  Possession 
of  M.  Clementi.  [Edited  by  M.  Clementi.] 
Printed  for  the  Editor  : 
London,  [1792  ?]  obi.  fol.  e.  104.  (10.) 
Tlie  titic-page  is  signed  by  Clementi. 


SCARLATTI— SCHARMANNUS 


465 


SCARLATTI  (Domenico)  Twelve  Con- 
certo's in  Seven  Parts  for  Four  Violins, 
one  Alto  Viola,  a  Violoncello,  &  a 
Thorough  Bass,  done  from  two  Books  of 
Lessons  for  the  Harpsicord  composed  by 
•  Sig.  Domenico  Scarletti,  with  additional 
Slow  Movements  from  INIanuscript  Solo 
Pieces,  by  the  same  Author  ...  by  C. 
Avison,  etc.     [Separate  Parts.] 

Pi,.  Dcnson,  for  the  Authw : 
London,  1744.     fol.  i.  80. 

Essercizi  per  Gravicembalo,  etc. 
[Madrid,  1740  ?]     obi.  fol.  h.  49. 

Libro   de   XII.   Sonatas   Modernas    para 
Clavicordio,  etc.     [Edited  by  J.  Worgan.] 
J.  Johnson,  for  the  Editor  : 
London,  [1752.]     fol.  g.  47. 

Libro  de  VI.  Sonatas  ^Modernas  para 
Clavicordio  . . .  Libro  VI.  John  Wckkcr  : 
London,  [1115?]     obi.  lo\.  e.  32.  a. 

[Narciso.]  Songs  in  the  New  Opera  caU'd 
Narcissus  . . .  With  the  Additional  Songs 
compos'd  by  Mr.  Roseingrave.  [Short 
Score.]  Printed  for  I.  Walsh  d  I.  Hare  : 
London,  [1720.]     fol.  H.  315. 

Pieces  Choisies  pour  le  Clavecin  ou  I'Orguc 
.  .  .  Opera  Prima.  Chez  Madame  Boivin  : 
Paris,  [1745  ?]     fol.  h.  49.  c. 

Six    Sonatas    for    the    Harpsichord  .  .  . 

Vol.  III.  Printed  for  John  Johnson  : 

London,  [1750?]     obi.  fol.  e.  32.  b. 

The    42    Suites  edited    by   Eoseingravc 

form  Vols.  I.  and  II. 

Forty-two  Suits  of  Lessons  for  the  Harpsi- 
chord .  .  .  revised  .  .  .  [by]  T.  Rosein- 
grave. 2  vols.  Printed  for  J.  Johnson  : 
London,  [1748  ?]     obi.  fol.  e.  32. 

■See  Roseingrave  (T.)  Six  Double  Fugues 
...  To  which  is  added,  Sig.  Dominico 
Scarlatti's  Celebrated  Lesson  for  the 
Harpsicord,  with  several  Additions  by 
Mr.  Roseingrave.     [1750?]     obi.  fol. 

e.  174.  m.  (17.) 

SCELERATS.  Scelerats,  traitres, 
assassins.  Couplets  sur  la  Reprise  de 
Toidon  .  .  .  Avec  Accomp'  de  Guittare. 
Air :  c'est  ce  qui  me  console  [i.e.  '  On  doit 
soixaute  mille  francs,'  from  S.  Champein's 
'  Les  Dettes.']  CJiez  Imbault : 

Paris,  [1793.]     8°.  B.  362.  (155.) 

SCENDI.     Sceudi  propizia.     [Duet.] 
See  Paisiello  (G.) 

SCHADAEUS  (Abrahamus)  Promptuarii 
^lusici,  Sacras  Harmonias  sine  ]\Iotetas  V. 
VI.  VII.  &  VIII.  Vocum,  e  Diuersis  .  .  . 
autoribus  .  .  .  coUectas  exhibentis,  Pars 
Prima(-Quarta)  :  .  .  .  CoUectore  Abra- 
hamo  Schadaeo  .  .  .  Cui  Basin  vulgo 
Generalem  dictam,  &  ad  Organa  musicaqj 
Instrumenta  accommodatam  .  .  .  addidit 
Caspar  Vincentius,  etc.     Cantus.     (Altus.) 

VOL.    II. 


(Tenor.)    (Bassis.)    (V.  (VI.)  (VII.)  (VIII.) 

Vox.)     8  pts.  Typis  Caroli  Kieffcri 

{Anthonij    Bertrami),    Sumptibus    Pauli 

Ledcrtz  :  Argentinse,  1611-17.     4".     E.  7. 

The  Cantus,  Altus  and  T'.  Vox  parts  of 

Pars   I-III    arc    wanting,    but    have 

been  supplied  in  MS.     For  the  names 

of  the  composers  represented  see  Eitncr, 

Bibliographic  der  Musik-Satnmclwerke 

(1811),  pp.  252-3. 

[Another  copy.    Pars  Prima(-Quarta),  etc. 

Tenor.]  E.  7.  a. 

SCHADE  (Abbaham)     Sec  Schadaeus. 

SCHADENFREUDE.  Die  Schaden- 
freude.    Singspiel.     See  Kellner  (.J.  C.) 

SCHAEFFER  (Johann  Wilhelm) 
Chorus  iSIarianus.  Dasist:  DieMelodyen, 
oder  Weisen  iiber  den  Marianischen  Reyen, 
Sambt  beygefiigten  Rittornellen  a  2 
Violinis.  Von  neuem  .  .  .  erfundeh  und 
auflgesetzt  durch  J.  W.  Schjiffer,  etc.. 
J.  G.  Salomon  :  Uberlingcn,  1694.     8". 

11517.  bb.  11.  (2.) 

S  C  H  A  G  E  N  (Gerrit  Janszoon) 
See  Chansons.  [-5.]  Liure  Septieme  des 
Chansons  Vulgaires  a  Quatre  Parties  .  .  . 
avons  adjoust6  certaines  chansons,  comme 
de  .  .  .  ]\Iaistre  G.  I.  Schagen,  etc. 
1608.    obi.  i".  A.  315.  b. 

SCHALE  (Christian  Friedbich)  Sei 
brevi  Sonate  per  Cembalo,  etc.  (Sei  brevi 
Souate  .  .  .  parte  secunda.)     2  pts. 

Alle  sp)cse  delta  Vedova  di  B.  ScJunid  : 
Norimb.,llllo?]    obi.  fol.  c.  69.  a. 

Leichte  Vorspiele  fiir  die  Orgel  und  das 
Clavier.  E.  Fclisch  : 

Berlin,  [1780?]     obi.  fol.  c.  69. 

SCHALL  (Claus)  Dix  Chansons  tirees 
des  CEuvres  de  Mr.  Leonard,  mis  en 
Musique  pour  le  Piano-Forte  ou  Harpe, 
etc.  CIk's  J.  A.  Bohmc  : 

Hambourg,  [1800?]  fol.  G.  807.  c.  (50.) 
Grand  Solo  pour  le  Violon  avec  Accom- 
pagnement  d'une  2'^"  Violon  .  .  .  Oeuv.  I. 
[Separate  Parts.]  Clu's  J.  A.  Bohnw  : 

Ha7nbourg,  [ISOOVj   fol.     g.  421.  m.  (5.) 

SCHARMANNUS  (Stephancs)  Suavissi- 

morum  !ModuIorum   Selectissimae  Canti- 

ones  Sacrae,  expraestantissimis  quibusdam 

musicis  collectae,  Quatuor,  Quinque,  Sex 

et  Octo  Vocum,  cum  viva  voce,  turn  omnis 

generis  instrumentis  cantatu   commodis- 

sime.     His  adiunctus   est   Missa  .  .  .  sex 

vocum.       Nunc  ...  in     lucem     emissae, 

per  Stephauum  -Scharmannum.      Tenor. 

(Altus.)    (Bassus.)     (Quinta  Vox.)    (Sexta 

Vox.)     5  pts.       Excudcbat  Adamus  Berg  : 

Monachii,  1590.     obi.  4°.  A.  633.  n. 

The   editor's   name   only  ocmrs    in   the 

Tenor  part,  wJiich   also   contains   an 

autograph  inscription  by  him,  signed 

'  StejJiaiius  Scliormannus.'    TJiereare 

no  names  of  composers. 

2  H 


466 


SCHAUSPIELDIREKTOR— SCHEIN 


SCHAUSPIELDIREKTOR.     Der 

Schauspieldirektor.  Komodie  mit  ]Musik. 
See  Mozart  (W.  A.) 

SCHEIBE  (JoHANN  Adolph)  Eine  Ab- 
handlung  von  deu  Musicalischen  Inter- 
valleu  uud  Geschlechten,  £c. 

Atif  Eosten  dcs  Vcrfassers : 
Hamburg,  1739.     8".  7897.  b.  25. 

Johann  Adolph  Scheibens  .  .  .  Abhaudlung 
vom  Urspruuge  uud  Alter  der  Musik, 
insonderheit  der  Vokalmusik  .  .  .  Mit 
einer  historischeu  uud  critischeu  Vorrede 
verseheu,  etc.  In  der 

Kortisclien  Bucliliandlung :  Altona  und 
Flenshurg,  1754.    8°.  785.  d.  55. 

Johann  Adolph  Scheibens  .  .  .  Critischer 
Musicus.  Neue,  vermehrte  uud  verbes- 
serte  Auflage.  Bey  B.  C.  Brcitkopf : 

Leipzig,  1745.     8".  1042.  1.  3. 

Tragische  Kautaten  fiir  eine  oder  zwo 
Siugestimruen  und  das  Clavier.  Niimlich  : 
des  Herrn  von  Gerstenbergs  Ariadne  auf 
Naxos,  und  J.  E.  Schlegels  Prokris  und 
Cephalus  .  .  .  nebst  eincm  Sendschreiben, 
worinnen  vom  Eecitativ  iiberhaubt  und 
von  diesen  Kautaten  insonderheit  geredet 
wird,  etc.  In  der  Minnmisclien 

Bucliliandlung :  Koppenliagcn undLeipzig, 
1765.     fol.  F.  660. 

[Tragische  Kautaten.]  Herrn  von  Gel- 
stenbergs  .  .  .  Ariadne  auf  Naxos,  und 
Johann  Elias  Schlegels  Prokris  und 
Cephalus  .  .  .  fiir  das  Clavier  und  eine 
oder  zwo  Siugestimruen,  nebst  einem 
Sendschreiben  iiber  das  Recitativ  und  die 
Deklamation  .  .  .  Erneuerte  Ausgabe. 

In  der  Hellmannisclien  Bucliliandlung  : 
Altona,  1779.    fol.  G.  713. 

Ueber  die  Musikalische  Composition. 
Erster  Theil.  Die  Theorie  der  Melodie 
und  Harmonie.  Im  ScJnvickersclicn 

Verlagc  :  Leipzig,  1773.    4".   7895.  c.  43. 

No  more  puhlislied. 

See  Freemasons'  Songs.     Vollstandiges 
Liederbuch   der   Freymaurer  . . .  [Bd.   1]. 
Herausgegeben  von  einem  alten  Mitgliede 
der  Logs  Zorobabel  [i.e.  J.  A.  Scheibe]. 
1776,  etc.     4°.  D.  714. 

SCHEIDEMANN  (David) 

Sec  Hymns.  [6.  German.}  Melodeyen  Ge- 
sangbuch.  Darinn  D.  Luthers . . .  Gesenge 
. . .  durch  . . .  Davidem  Scheidemannum 
...  in  vier  stimmen  vbergesetzt,  begriffen 
sind,  etc.     1604.     8".  1221.  b.  34. 

SCHEIDLER  (Johann  David)  Die  Hand 
der  Geliebten.  [Song,  words  by  H.  A.  0. 
Reichard.]     Gotha,  1783.     s.  sh.  4°. 

11522.  f.  28. 
Fart  of  Beichard's  '  Gedichte.' 


SCHEIDT  (Samuel)  Cantioues  Sacr^, 
Octo  Vocum,  etc.  Cautus.  (Altus.) 
(Tenor.)  (Bassus.)  (Quinta  (Sexta)  (Sep- 
tima)  (Octava)  Vox.)  8  pts.  Excudehat 
Paulus  Langius,  Sinnpiihus  Michaelis 
Heringii  :  Hamburgi,  1620.  4".  E.  162. 
Pars  Prima  Concertuum  Sacrorum,  II. 
III.  IV.  V  .VIII.  et  XII.  Vocum  adiectis 
Symphoniis  et  Choris  Instrumcntalibus. 
Cum  Basso  continuo  . . .  pro  Organo,  etc. 
Cautus.  (VIII.  Vox.)  (Cantus  (Tenor) 
(Bassus)  (V.  (VI.)  (VII.)  (VIII.)  Vox) 
Instrumentalis.)  9  pts. 
Typis  Hcringianis  :  Hamburgi,  1022.     4". 

C.  94. 
Newe  Geistliche  Concerten,  mit  2.  vnd  3. 
Stimmen,  Sampt  deiu  General-Bass  . . . 
In  Vier  vnterschiedene  Theil  componirt, 
etc.  Prima  Pars.  Vox  Prima  (Secunda) 
(Tertia).     (Bassus  Generalis.)     4  pts. 

Bey  Friedcrich  Lanckisclien  S.  Erben  : 
Leipzig,  1631.     4".  C.  94.  a. 

[Another  copy.  Prima  Pars.  Vox  Prima 
(Secunda.)  (Tertia.)]  3  pts.  C.  94.  b. 
Geistlichcr  Concerten,  mit  2,  3,  vnd  mehr 
Stimmen,  sampt  den  General  Bass,  etc. 
Ander  Theil.  Vox  I  (II)  (III).  (Bassus 
Generalis.)  4  pts.  In  Verlcgung  Johann 
Birckncrs  . . .  und  Melcliior  Oclschlegcls  : 
Erffurdt,  Hall  in  Saclisen,  1634.     4°. 

C.  94.  c. 
[Another  copy.  Vox  I  (II)  (III).  (Bassus 
Generalis.)]     4  pts.  C.  94.  d. 

Geistlicher  Concerten,  mit  2.  3.  vnd  mehr 
Stimmen,  sampt  den  General  Bass,  etc. 
Dritter  Theil.  1.  (2.)  (3.)  (4.)  (5.)  (6.)  Vox. 
(Bassus  Generalis.)  7  pts.  In  Melcliior 
Oelsclilcgcls  . . .  Druckerey  . . .  Verfertiget : 
Hall  in  Saclisen,  1635.     4°.  C.  94.  e. 

[Another  copy.  1.  (2.)  (3.)  (4.)  (5.)  (6.) 
Vox.     (Bassus  Generalis.)]     7  pts. 

C.  94.  f. 
Geistlicher  Concerten,  mit  2.  3.  4.  5.  vnd 
6.  Stimmen,  sampt  dem  General-Bass,  etc. 
Vierter  Theil.  I.  (II.)  (III.)  (IV.)  (V.) 
(VI.)  Vox.     (Bassus  Generalis.)     7  pts. 

Gedruckt  bei  Henning  Klilern  : 
Leipzig,  1640.     4°.  C.  94.  g. 

SCHEIN  (Johann  Hermann)  Cantional, 
oder  Gesang-Bucli  Augspurgischer  Con^ 
fession,  in  welchem  des  Herrn  D.  Martini 
Lutheri,  vnd  auderer  . . .  Christen,  auch 
des  Autoris  eigene  Lieder  vnd  Psalmen, 
sampt  etlichen  Hj-muis  vnd  Gebetlein, 
&c.  So  in  Chur-  vnd  Fiirstenthiimen 
Sachsen  . . .  brauchlich.  Verfertiget,  vnd 
mit  4.  5.  vnd  6.  Stimmen  componiret  von 
Johan-Herinano  Schein  . . .  Zum  audern 
mal  gedruckt,  vnd  . . .  vermehret. 

In  Verlcgung  Jacob  Schusters,  Gedruckt 
bey  Timotheo  Bitzschen,  1645.     8".  1 

B.  133.  f. 
[Another  copy.]  B.  133.  h. 


SCHEIN— SCHEYRER 


467 


SCHEIN  (JoHANN  Hermann)  Cymba- 
lum  Siouium,  sive  Cantiones  Sacrse,  5.  6. 
8.  10.  &  12.  vocum.  Cantus.  (Altus.) 
(Teuor.)  (Bassus.)  (Quinta  (Septima)  (Oc- 
tava)  Vox.)     7  pts. 

Sumtibus  Abrahami  Lambcrfji  : 
Lipsim,  1615.     4".  B.  133.  e. 

Fontana  d'lsrael.  Israer.s  Briinlein.  Aus- 
erlesener  Krafft-Spriichlin . .  .Von5.  vnd6. 
Stimmeu,  sambt  dem  General  Bass  auf 
eine  sonderbar  aumiitige  Italian  INIad- 
rigalische  Mauier  .  .  .  Componirt,  etc. 
(Altus.)  (Tenor.)  (Bassus.)     3  pts. 

In  Verleginig  dcs  Aiitoris  : 
Leipzig,  1623.     4".  B.  133.  d. 

Fontana  d'lsrael.  Israelis  Briiulcin. 
Auscrlescne  Krafft-Spriichlin  .  .  .  von  5. 
oder  6.  Stimmen,  sambt  dem  General 
Bass,auff . .  .Italian  ]Madrigaliscbe  Manior, 
. . .  componirt,  etc.  (Cantus  2.)  (Altus.) 
[Tenor.]  (Bassus.)  (Bassus  Contiuuus.) 
5  pts.  In  Vcrlcg ling  Jacob  Sctutsleys  : 

Leipzig,  1651.     4°.  B.  133.  g. 

The  Tenor  part  wants  fol.  AAA. 

Opella  nova,  Geistlichcr  Concerten,  mit  3. 
4.  vnd  5.  Stimmen  zusampt  dem  General- 
Bass,  aufE  Italianische  Invention  com- 
ponirt, etc.  (Canto  I.)  (Canto  II.)  Tenor. 
(Basso.)  (Basso  Continouo.)  5  pts.  In  Ver- 
Icgnng  dcs  Antoris.  Gedruckt  daselbsten 
bey  Lorcntz  Kuhcr  :   [Leipzig,]  1618.     4". 

B.  133.  b. 

Opella  Nova,  Ander  Theil,  Geistlicher 
Concerten,  mit  3.  4.  5.  vnd  6.  Stimmen 
zusampt  dem  General  -  Bass,  aufE  .  .  . 
Italianische  Invention  componirt,  etc. 
Canto  I.  (Canto  II.)  (Tenor.)  (Basso.) 
(Basso  Continue.)     5  pts. 

1)1  Verlcgung  dcs  Antoris,  etc.  : 
ILcipzig,']  1626.     A\  B.  133.  c. 

[Another  copy.     Canto  I.]  B.  133. 

Venus  Kriintzlein,  ]\Iit  AUerley  Lieblichcn 
vnd  schonen  Blumen  gezieret  vnnd  ge- 
wuuden.  Oder  Newe  Weltliche  Lieder 
mit  5.  Stimmen.  Neben  etzlichen  In- 
traden,  Galliarden  vnd  Canzonen,  etc. 
Tenor.  In  verlegung 

Thorn.  Schiirers  . . .  Gedriickt  durch  Johan 
Gorman  :   Wittemberg,  1609.     4". 

B.  133.  a. 

See  VoPELius  (G.)  Neu  Leipziger  Ge- 
sangbuch  in  welchem  . . .  des  sel.  Herrn 
D.  Lutheri  . . .  Gesange  . . .  Mit  4.  5.  bis 
6.  Stimmeu,  deren  Melodeyen  theils  aus 
J.  H.  Scheins  Cantional,  und  andern  . . . 
Autoribus  zusammen  getragen,  etc. 
1682.     8".  C.  5. 

SCHEME.  A  Scheme  whereby  the 
Symmetry  of  the  Pulses  ranged  in  musical 
proportion  appears.     [London,  IGll  ?]    4". 

557*.  e.  25.  (2.) 


SCHEMELLI  (Geoeg  Christian) 
Musicalisches  Gesang-Buch,  darinnen  954 
. . .  Lieder  und  Arieu,  mit  . . .  Melodien, 
in  Discant  und  Bass,  bciindlich  sind ; 
. . .  mit  einer  Vorrede  . .  .  F.  Schulzens  . . . 
herausgegeben  von  G.  C.  Schemelli,  etc. 
(Die  . . .  Melodien  sind  von  . . .  J.  S.  Bach 
.  .  .  theils  ganz  neu  componiret,  theils 
audi  von  Ihm  im  General-Bass  verbessert, 
etc.)     B.  G.  Breitkopf:  Leipzig,  nm.     8". 

B.  854. 
With  a  separate  engraved  title-page. 

SCHERZA.  Schcrza  il  nocchier  talora. 
[Song.]     See  Geesnick  (A.  F.)     [Alceste.] 

SCHETKY  (J.  G.  Christoph)  Six  Duets 
for  two  German-Flutes  . . .  Opera  Quinta. 
II!.  Bremner  :  London,  [1775  ?]      fol. 

g.  421.  s.  (6.) 

Twelve  Duetts,  for  Two  Violoncellos,  with 
some  Observations  &  Rules  for  playing 
that  Instrument  .  .  .  Op.  7.  [Separate 
Parts.]  Preston  <(;  Son : 

London,  [1790?]     fol.         h.  204.  a.  (9.) 

[Another  copy.]  g.  421.  e.  (9.) 

[Another  copy.]  g.  421.  k.  (2.) 

Six  Quartettes  for  two  Violins,  a  Tenor  & 
Violoncello  .  .  .  Op.  vi.  To  which  arc 
Prefixed,  Some  Thoughts  on  the  Perform- 
ance of  Concert-Music,  by  the  Publisher 
[R.  Bremner].  [Separate  Parts.] 
II.  Bremner:  London,  (1777.)     fol. 

e.  2830.  (9.) 

Six  Solos  for  the  Violoncello  .  .  .  Opera 
Quarta.  U.  Bremner  : 

London,  [117 5?]     fol.  g.  511.  (2.) 

[Another  copy.]  g.  514.  a.  (6.) 

Six  Solos  for  a  Violoncello  &  Bass  . . . 
Op.  13.     J.  Bland:  London,  [1785?]     fol. 

g.  221.  (5.) 

[Another  copy.]  g.  24.  a.  (8.) 

Six  Sonatas  for  the  Harpsichord  or  Piano 
Forte  with  an  Accompaniment  for  a  Violin 
. . .  Opera  viii.  J.  Wclcker  : 

London,  [1780  ?]     fol.  g.  89. 

Six  Trios  for  two  Violins  and  a  Violoncello 

. . .  Opera  1.     [Separate  Parts.] 

B.  Bremner  :  London,  [1770  ?]     fol. 

g.  274.  b.  (7.) 

SCHEYRER  (Bernardus)  Musica 
Choralis  Theoro-Practica,  Das  ist :  Ein 
nutzliche  Underweisung,  wie  man  das 
Choral  Gesang  durch  leichtes  speculieren 
oder  Nachdencken  auch  wiircklich  in 
kurtzer  Zeit  ergreiffen  moge.  Auss 
vnderschidlichen  .  .  .  Authoribus  .  .  .  zu- 
sammen getragen  .  . .  durch  P.  F.  Ber- 
nardum  Scheyrer,  etc. 
Johann  Jiicldin  :  Miinchen,  1663.     4°. 

7896.  aa.  7. 
2  H  2 


468 


SCHIATTI— SCHMELTZEL 


SCHIATTI  (G.)  Sei  Senate  a  Tre,  Due 
Violini  &  Basso  Coutinuo  .  .  .  Oeuvre 
Premiere.     [Separate  Parts.] 

Chez  J.  J.  Hummel : 
Amsterdam,  [1770  ?]     fol.     g.  420.  g.  (4.) 

SCHIAVA.  La  Schiava.  Opera  Comica. 
Sec  PicciNi  (N.) 

La  Schiava.  Overture  [to  N.  Piccini's 
Opera.     P.  F.l.     [London,  1768  ?]     fol. 

g.  271.  b.  (31.) 

SCHIAVI  PER  AMORE.  Gli  Schiavi 
per  Amore.     Opera.     Sec  Paisiello  (G.) 

Amare  tacere.  [Duet.]  Sung  by  Sig" 
Storace  and  Sig''  Morelli  in  the  Opera  of 
Gli  Schiavi  per  Amore.  [By  G.  Paisiello. 
Full  Score.]  Longman  and  Broderip  : 

[London,  1788.]     fol.  G.  197.  (5.) 

SCHICHT  (JoHANN  Gottfried)  Amynts 
Freuden  liber  die  Wiederkehr  der  Lalage, 
ein  Singstiick  f iir  die  Discant-  oder  Tenor- 
stimme  ...  in  einem  Clavierauszuge  ...  in 
Musik  gesetzt,  etc.  Bey  J.  F.  Junius : 

Leipzig,  1778.     obi.  fol.  E.  682.  b. 

Amynts    Freuden.       [Orchestral   Accom- 
paniments :  separate  parts.] 
J.  F.  Junius  :  [Leipzig,  1778.]     ohl.  fol. 

f.  246.  a.  (12.) 

Die  Feyer  der  Christen  auf  Golgotha. 
Ein  Oratorium  von  C.  0.  H.  Rost  . . .  als 
ein  Auszug  zum  singen  beym  Klaviere, 
etc.  Chez  Hoffmeister  ct  Kilhnel : 

Leipzig,  [1799  ?]  ohl.  fol.  E.  682.  a. 
Preis  der  Dichtkunst,  ein  musikalisches 
Gedicht  vom  .  .  .  Domherrn  .  .  .  von 
Nostitz,  etc.     [Cantata.     P.  F.  Score.] 

hi  der  Breiikopfischcn  Musikhandlung  : 
Lei2)zig,  [1800?]     oW.  fol.  F.  383. 

See   Martin    y    Solar    (V.)     II    Sogno. 
Cantata  .  .  .  messa    in    ristretto    per    il 
Cembalo  da  G.  G.  Schicht,  etc. 
[1790  ?]     ohl.  fol.  F.  456. 

SCHICK  (Ernst)  Concert  pour  le  Violon 
principal  avec  I'Accompagnement  de 
Deux  Violons,  Alto,  Basse,  Deux  Haut- 
bois  &  Deux  Cors  de  Chasse,  etc.  Oeuvre  v. 
[Separate  Parts.]  CMs  J.  J.  Hummel : 

Berlin,  [1785  ?]     fol.  h.  1639. 

SCHICKHARD  (Johann  Christian) 
L' Alphabet  de  la  Musique,  contenant, 
XXIV.  Sonates  -  Solos,  pour  la  Flute 
Traversiere  ou  pour  le  Violon  avec  une 
Basse  Continue,  etc.  xxx.  Ouvrage. 
Londres,  [1735  ?]     ohl.  fol.  e.  203. 

Solos  for  a  German  Flute  a  Hoboy  or 
Violin,  with  a  Thorough  Bass  for  the 
Harpsicord  or  Bass  Violin  ...  20  Overage. 
Printed  for  I.  Walsh  d;  I.  Hare  :  London, 
[1730?]     fol.  h.  3055.  (2.) 

[Another  copy.]  g.  1090.  (3.) 


SCHICKHARD      (Johann     Christian) 
Six  Sonates  a  Une  Fliite,  deux  Haubois, 
une  Viole  do  Gambe  &  Basse  Continue . . . 
Cinquieme  Ouvrage.     [Separate  Parts.] 
Chez  E.  Roger  :  Amsterdam,  [1710  ?]     fol. 

g.  1054. 

Six  Sonatas  for  one  Flute  &  two  Hoboys 
or  two  Violins  with  a  Viol  Bass  and  a 
Thorough  Bass  for  the  Harpsicord  & 
Arch  Lute.     [Op.  5.     Separate  Parts.] 

Printed  for  I.  Walsli  and  I.  Hare  : 
London,  [1730  ?]     fol.         li.  250.  c.  (4.) 

VI.  Sonates  a  une  Flute,  un  Haubois  ou 
Violon,  une    Viole   de  Gambe  .  .   .  Qua- 
torsieme  ouvrage.     [Separate  Parts.] 
Chez  E.  Roger  :  Amsterdam,  [1712  ?]     fol. 

g.  274.  c.  (3.) 

XII.  Sonatas  or  Solos  for  a  Flute  with  a 
Thorough  Bass  for  the  Harpsicord  or  Bass 
Violin. .  .Opera  17.  Printed  for  I.  Walsh 
and  I.  Hare  :  London,  [1730  ?]     fol. 

h.  250,  c.  (5.) 

SCHIFFAHRT.  Die  Schiffarth.  [Song.] 
See  HURKA  (P.  F.) 

SCHIFFSPATROW.  Der  Schiffspatron, 
oder  der  neue  Gutsherr.  Eine  komische 
Oper.    See  Dittersdorf  (C.  Ditters  von) 

SCHI0RRING  (Niels) 

Sec  Bach  (C.  P.  E.)  Zwey  Litaneyen  . . . 
fiir  acht  Singstimmen  . . .  Herausgegeben 
von  N.  Schi0rring.     1786.     ohl.  8». 

D.  619.  j.  (1.) 

SCHLUPPER  (Johann  Heinrich  Fried- 
rich)  Zwanzig  Lieder  zum  Singen  bei 
dem  Clavier  oder  Forte-Piano,  &c. 

Gedrukt  in  der  Breitkopfischcn 
Notendruckerey  :  Leipzig,  (1793.)     ohl.  fol. 

E.  697. 

SCHMELTZEL  (Wolfgang)  Guter, 
seltzamer,  vn  kiinstreicher  teutscher  Ge- 
sang,  sonderlich  ettliche  Kiinstliche  Quod- 
libet,  Schlacht,  vii  der  gleichen,  mit 
vier  oder  fiinfi  stimen,  biss  her,  im  truck 
nicht  gesehen.  Tenor.  (Discant.)  (Alt.) 
(Bass.)     4  pts.  Gcdruckt  durcli  Jo. 

Pctreium  :  Nilrnherg,  1544.     obi.  4". 

K.  2.  h.  13. 
TJie  full  title-page  occurs  in  the  Tenor 
part  only.  The  imprint  is  at  the  end 
of  the  Alto  part.  Schmeltzel's  name 
occurs  in  the  dedication.  The  com- 
posers named  in  this  collection  arc : 
Matildas  Herman  Verrecoiensis,  Leon- 
arclus  Paminger,  Johannes  Puxstallcr, 
N.  and  Veit  Schncllingcr  and  Nicolaus 
Puis. 


[Another  copy.     Tenor.] 


A.  221. 


SCHMELZ— SCHMIEDT 


469 


SCHMELZ  (SiMPEETUs)  Fundamenta 
Musica  Cantus  Artificialis,  das  ist,  Musi- 
calisch-Regular  gestelltes,  Zwey  Theilig- 
Figural-  und  Choral-kiinstliches  Sing- 
Fundament :  fiir  alle  4.  Stimmen  . . . 
Heraus  gegeben  yon  R.  P.  Simperto 
Schmelz,  etc.     Yrrscc,  1752.     ohl.  4". 

B.  820. 
SCHMELZER  (Johann  Heinrich)     Arie 
per  il  Balletto  a  Cavallo.     [Full  Score.] 

Aiypresso  Matteo  Cosmerovio  :  Vienna, 

1667.    fol.  9930.  i.  4. 

Part    of    '  Sieg-Strcit    dess  Lufft  und 

Wassers.     Freuden-Fcst  zu  Pfcrd,'  etc. 

SCHMID  (Balthasar)  Niirnbergiscbe 
alte  und  neue  Kirchen-Lieder  welche  fiir 
das  Clavir  nach  ihren  gewoulichen  ]\Ielo- 
dien  mit  beziefertu  Bass  ...  in  diesen 
bequemeu  Format  gebracht  in  Kupfer 
gestocben  und  ...  an  das  Licbt  gestellt 
worden  von  Baltbasar  Scbmid,  etc. 

[BaWiasar  Sclimid  :]  Niirnherq, 
1748.     ohl.  4°.  A.  149. 

Engraved  throiighoiit. 
[Anotber  copy.]  A.  149.  b. 

Niirnbergiscbe   alte   und   neue    Kircben- 
Lieder. .  .Zweyte  vermebrte  Auflage,  etc. 

Johan  Michael  Schmidt:  Nilrnberg, 
1773.    obi.  i".  A.  149.  a. 

Engraved  throughout. 

SCHMID  (Giovanni  A.)  Six  Rondos  for 
tbe  Harpsicbord  or  Piano  Forte. 

Longman  and  Broderip  :  London, 
[1785?]     fol.  h.  62.  (9.) 

SCHMIDLEIN"  (H.  H.)  See  Hard- 
MEYER  (J.  K.)  Die  Harpf e ...  Davids .. . 
also  angestimet. .  .dass  sie  so  wol  in  denen 
gewonnlicben  Weisen  .  .  .  Martyrers  CI. 
Goudimels  als  in  denen  neuen  . . .  von  H. 
H.  Scbm[idlein]  . . .  beygesezten  Gesang- 
weisen  gesungen  werden  konnen. 
1701.     S°.  B.  983. 

SCHMIDLIN  (Johannes)  Hrn.  Hof- 
prediger  Cramers  geistlicbe  Oden  und 
Lieder,  in  IMusic  gesetzt,  tfc.  Getrnckt  in 
Biirghlischer  Truckcrcy  :  Ziirich,  1767.  4". 

E.  1760. 
Hrn.  Prof.  Gellerts  geistlicbe  Oden  und 
Lieder,  in  Music  gesetzt,  dx.  Getrnckt  in 
Bilrgklischer  Truckerey :  Ziirich, 1161.   4". 

D.  416.  e. 
Hymni  oder  Lob-Gesiinge  auf  Gott.  Zu 
drey  und  vier  Stimmen  in  INIusic  gesetzet, 
samt  einem  General-Bass,  etc.  [Separate 
Parts.]  Bey  David  Gessner  :  Ziirich, 

1758.     fol.  H.  3264. 

Hymnus  oder  Lobgesang  auf  die  Allmacbt, 
Weissbeit  und  Giite  Gottes,  wie  sie  sicb 
in  den  N.  Jabrs-Zeiten,  in  den  3.  Reicben 
der  Natur  und  an  dem  Menscben  ofien- 
babren,  etc.  Gctruckt  in  Bilrgklischer 

Truckcrcy  :  Ziirich,  1761.     4". 

E.  1760.  a.  (1.) 


SCHMIDLIN  (Johannes)  Geistlicbe 
Lieder,  als  ein  Anbang  zu  dem  Singendeu 
und  Spielenden  Yergniigen  reiner  An- 
dacbt,  etc.  Getrnckt  in 

Bilrgklischer  Truckerey  :  Ziirich,  1758.  8". 

C.  437.  b. 
Ein  Hundert  Geistlicbe  Lieder,  zur  Er- 
weckung  und  Starckung  des  inneren  und 
tbiitigen  Cbristentbums,  mit  angenebmeu 
und  leicbten  Melodien,  etc.  Gctruckt  in 
Bilrgklischer  Truckerey:  Ziirich, llGi.  4". 

C.  437.  a. 
INIusikaliscb  -  wocbentlicbe  Ergetzungen, 
bestebend  in  geistlicben  Liedern  zu  zwey 
Cantstimmen  und  einem  Generalbass,  etc. 
Gcdruckt  in  Bilrgklischer  Druckcrey  : 
Ziirich,  1773.     4°.  C.  437.  c. 

Musicalisch-Wocbentlicbe  Vergniigungen, 
Bestebend  in  geistlicben  Gedlcbten  zu 
zwey  Cant-Stimmen  und  einem  General- 
Bass,  mit  untermengten  Soli.  Gctruckt 
in  Bilrgklischer  Truckerey:  Ziirich, 
1758.     4".  C.  437.  e. 

Singendes  und  spielendes  Vergniigen 
reiner  Andacbt,  oder  Geistrcicbe  Gesiinge, 
nacb  der  Wahl  des  Besten  gesammlet, 
. .  .und  mit  Musicaliscben  Compositionen 
begleitet  von  J.  Scbmidlin,  etc.  Dritte. . . 
Auflag.  Getrnckt  in  Bilrgklischer 

Truckerey  :  Ziirich,  1767.     8".       C.  437. 

Scbweizerlicder  mit  Melodien.  [Words 
by  J.  G.  Lavater.]  Des  1'"'  Tbeils  ver- 
mebrte 4'=  Auflage.  [An  arrangement  for 
four  voices  of  Scbmidlin's  tunes.]  ms.  note 
[by  A.  Baron,  dated  1834].  D.  Biirkli : 
Ziirich,  1796.      obi.  fol.  C.  437.  f, 

[Anotber  copy.]  D.  416.  (1.) 

Die  Tages-Zeiten,  in  vier  Cantaten  von 
F.  W.  Zacbaria,  etc.  Gctruckt  in 

Bilrgklischer  Truckerey  :  Ziirich,  1762.   4°. 

E.  1760.  a.  (2.) 

SCHMIDTCHEN  (Christoph  Benjamin) 
Kurzgefasste  Anfangsgriinde  auf  das 
Clavier  fiir  Anfiinger,  dx. 

hn  Schivickcrtschen  Verlage  :  Leipzig, 
1781.    obi.  fol.  e.  368.  c.  10. 

SCHMIEDT  (Siegfried)  Die  Feier  des 
acbtzebnten  labrbunderts.  Ein  bistor- 
iscb-allegoriscbes  IMelodram.  Von  C.  F. 
Scblenkert,  etc.  Bei  Voss  und  Leo  : 

Leipzig,  [1794.]     obi.  fol.  E.  1584. 

Froblicbe  und  GefiiblvoUe  Lieder  am 
Klavier  zu  singen,  etc.  In  der 

BreitkopfiscJicit  Bnchhandlung  :  Leipzig, 
[1794.]     ohl.  fol.  E.  600.  v.  (4.) 

See  DiTTERSDORP  (C.  Ditters  von)  Hiero- 
nymus  Knicker . . .  Im  Klavierauszuge  von 
S.  Scbmiedt.     [1787.]     ohl.  fol. 

F.  743.  a. 

See  DiTTERSDORF  (C.  Ditters  von)  Der 
Scbiffspatron  . . .  Im  Klavierauszuge  von 
S.  Scbmiedt.    [1789.]    ohl.  fol.     F.  743. 


470 


SCHMIEDT— SCHOBERT 


SCHMIEDT  (Siegfried) 

See  Mozart  (W.  A.)  Der  Schauspiel- 
direktor  . . .  Im  Klavierausznge  von  S. 
Schmidt.     [1790?]     obi.  io\.      F.  822.  f. 

SCHMITT  (Joseph)  Six  Quatuor  a 
Deux  Violons,  Taille  &  Basse, .  .Oeuvre 
Cinqviieme.     [Separate  Parts.]  Chez 

J.  J.  Hummel :  Amsterdam,  [1780  ?]     fol. 

g.  427.  (1.) 

Six  Quatuors  a  Une  Flute,  Violon,  Taille 
at  Violoncelle  .  .  .  Oeuvre  x.  [Separate 
Parts.]  Chez  VAuteur  :  Amsterdam, 

[1785?]     fol.  g.  427.  (2.) 

Six  Trios  a  Deux  Vicious  ou  Flutes  et 
Violoncelle . . .  Oeuvre  Septieme.  [Separate 
Parts.]  Chez  r  Authcur  :  Amsterdam, 

[1785?]     fol.  h.  2852.  a.  (6.) 

Six  Trios  pour  la  Flute,  Violon  &  Violon- 
celle .  .  .  Oeuvre  xiii.     [Separate  Parts.] 
G.  A.  Diederichs  :  Amsterdam,  [1790  ?]  fol. 

g.  415.  (9.) 

See  Wendling  (J.  B.)  Six  Duos  pour 
deux  Flutes  .  .  .  Oeuvre  arrang^e  par  J. 
Schmitt.    [1790?]    fol.     g.  280.  b.  (19.) 

SCHMITTBAUER   (Johann   Aloysius) 
Simphonie   a   plusieurs  Instruments  .  .  . 
Oeuvre  ii.     Lib.  ii.     [Separate  Parts.] 
Ch^z  J.  J.  Hummel :  Berlin,  [1790  ?]     fol. 

h.  2771.  (3.) 

SCHMITTBAUE,  (Joseph  Aloys)  III. 
Quatuors.  Deux  a  Flute,  Violon,  Alto 
et  Basse,  et  un  a  Flute,  Deux  Violons 
et  Basse  . . .  Oeuvre  iii.  [Separate  Parts.] 
CJiez  Artaria  £  Compacj. :  Vienne, 
[1775?]     fol.  g.  389. 

SCHMUEGEIj  (Johann  Christoph) 
Preludes,  Fugues  et  Autres  Pieces  pour 
rOrgue . . .  Oeuvre  Premier.  Ches  J.  J. 

Hummel :  Berlin,  [1777  ?]     fol. 

h.  2732.  1.  (2.) 

SCHNEEGASS  (Cybiacus) 

See  Snegassius. 

SCKNEIDER  (Georg  Lorenz) 

See  Mozart  (W.  A.)  [6.  Doubtful  and 
Spurious  Works.  Vergiss  mein  nicht.] 
Forget  me  not. .  .Song. .  .by  IMozart  [or 
rather  G.  L.  Schneider],  etc.    [1795?]    fol. 

h.  321.  j.  (1.) 

See  Mozart  (W.  A.)  [6.  Doubtful  and 
Sjnirious  Works.  Vergiss  mein  nicht.] 
Forget  me  not . . .  Song,  etc.  [By  G.  L. 
Schneider.]  [1800?]  fol.       G.  798.  (35.) 

SCHNITTER.  Die  Schnitter  [Les 
Moissoueurs],  ein  Singspiel  in  drey  Auf- 
Miigen,  aus  dem  Franzosischen  iibersetzt. 
[Music  by  E.  R.  Duni.]  See  Operettas. 
Sammlung  der  komischen  Operetten,  etc. 
Band  II.     No.  4.     1772.     8».  B.  729. 


SCHOBERT  (Johann)  Concerto  (i)  pour 
]e  Clavecin  avec  accompagnement  de  deux 
Violons  Alto  et  Basse  et  deux  Cors  de 
Chasse  ad  Libitum. .  .Op.  xi.  [Separate 
Parts.]  It.  Bremner :  London, 

[1770  ?]     fol.  g.  650.  b.  (11.) 

Concerto  ii.  pour  le  Clavecin,  avec  accom- 
pagnement de  deux  Violons,  Deux  Oboe, 
deux  Cors  de  chasse  ad  libitum,  Alto  et 
la  Basse  .  .  .  Opera  xii.  Grave  par 
M""  Vendome  chez  M.  ]Moria.  [Separate 
Parts.]  Chez  VAuteur : 

Paris,  [1760?]     fol.  g.  79.  d.  (3.) 

The  Harpsichord  and  Violin  2>arfs  only. 

Concerto  ii  pour  le  Clavecin  avec  accom- 
pagnement de  deux  Violons  Alto  et  Basse 
— deux  Oboe  deux  Cors  de  Chasse  ad 
Libitum —  . . .  Op.  xii.  [Separate  Parts.] 
B.  Bremner :  London,  [1770  ?]     fol. 

g.  650.  b.  (12.) 

Concerto  Pastorale  pour  le  Clavecin, 
avec  accompagnement  de  deux  Violon, 
Deux  Cors  de  Chasse  ad  libitum,  Alto  et 
Basse  .  .  .  Opera  xiii.  Concerto  iii. 
Grav6  par  M"'=  Vendome  et  le  S'  Moria. 
Chez  Vautcur  :  Paris,  [1765  ?]     fol. 

g.  79.  d.  (4.) 
The  Violino  jn'imo  only. 

Concerto  iii  Pastorale  pour  le  Clavecin 
avec  accompagnement  de  deux  Violons 
Alto  et  Basse — deux  Cors  de  Chasse  ad 
Libitum —  . . .  Op.  xiii.  [Separate  Parts.] 
Longman  and  Broderip : 
London,  [lim^     fol.       g.  650.  b.  (13.) 

Concerto  iv  pour  le  Clavecin  avec  accom- 
pagnement de  deux  Violons  Alto  et  Basse 
et  deux   Cors  de  Chasse  ad  Libitum  . . . 
Op.  XV.     [Separate  Parts.] 
B.  Bremner :  London,  [1770  ?]     fol. 

g.  650.  b.  (15.) 
Morceau  de  Musique  Curieux  Consistant 
en  un  Menuet  qui  peut  s'executer  de 
differentes  fa^on,  etc. 

Aux  adresses  ordinaires  de  Musique  : 
Paris,  [1765?]     obi.  i".  b.  400.  (11.) 

Trois  Quatuor  pour  le  Clavecin  avec 
accompagnements  de  deux  Violons  et 
Basse  ad  Libitum . . .  Opera  vii.  [Separate 
Parts.]  B.  Bremner : 

London,  [1770  ?]     fol.         g.  650.  b.  (7.) 

[Another  copy.]  g.  650.  (7.) 

Imperfect,  wanting  the  Second  Violin  and 
Bass  accompaniments. 

Trois  Sinfonies  pour  le  Clavecin  avec 
I'Accompagnement  d'un  Violon  &  deux 
Comes  de  Chasse  ad  Libitum . .  .  Oeuvre  ix. 
Printed  for  B.  Bremner: 
London,  [1770  ?]     fol.  g.  650.  (9.) 

Wanting  the  Horn  parts. 

[Another  copy.]  g.  270.  m.  (3.) 

Wanting  t'te  Violin  and  Horn  parts. 


SCHOBERT 


471 


SCHOBERT  (JoHANs)  Trois  Sinfouies 
pour  le  Clavecin  avec  rAccompagnement 
d'un  Violon  &  deux  Cornes  de  Chasse 
ad  Libitum  .  .  .  Oeuvre  ix.  [Separate 
Parts.]  Printed  for  Longman  &  Brodcrip  : 
London,  [1780?]     fol.         g.  650.  b.  (9.) 

Trois  Sinfonies  pour  le  Clavecin  avec 
rAccompagnement  d'un  Violon  &  deux 
Cornes  de  Ghasses  ad  Libitum  . . .  Oeuvre 
X.     li.  Bremner  :  London,  [1770  ?]     fol. 

g.  421.  u.  (9.) 
Waiiting  the  Horn  parts. 
Trois  Sinfonies  pour  le  Clavecin  avec 
rAccompagnement  d'un  Violon  &  deux 
Cornes  de  Chasse  ad  Libitum. .  .Oeuvre  x. 
[Separate  Parts.] 

Printed  for  Longnum  d:  Brodcrip  : 
London,  [1780  ?]     fol.      g.  650.  b.  (10.) 

Deux  Senates  pour  le  Clavecin  avec 
accompagnement  de  Violon  .  . .  ffiuvre  1. 
[Separate  Parts.]  R.  Bremner  : 

London,  [inO?]     fol.  g.  650.  (1.) 

[Another  copy.]  g.  272.  1.  (23.) 

Wanting  the  Violin  part. 
Deux  Sonates  .  .  .  Oiluvre  i.      [Separate 
Parts.]  Longman  and  Brodcrip  : 

Lomlon,  [1780  ?]  fol.  g.  650.  b.  (1.) 
Two  Sonatas,  for  the  Piano  Forte.  [Op.  1.] 
[1798.]  See  Periodical  Publications. 
London.  The  Piano-Forte 
Vol.  V.     No.  7.     [1797-1802.]     8°. 

D.  854. 

Deux  Sonates  pour  le  Clavecin  avec 
accompagnement  de  Violon,. . .  Q3uvre  ii. 


Magazine. 


[Separate  Parts.] 
London,  [1770  ?] 

Deux  Sonates  . 
Parts  1 
London,  [1780 ?] 

Deux    Sonates 


B.  Bremner : 
fol.  g.  650.  (2.) 

.  Q^juvrc  II.      [Separate 

Longman  and  Brodcrip : 

fol.         g.  650.  b.  (2.) 

pour    le    Clavecin    avec 
I'accompagnement  de  Violon  ad  Libitum 
. . .  Opera  iii.     [Separate  Parts.] 
R.  Bremner  :  London,  [1770  ?]     fol. 

g.  650.  (3.) 
Deux  Sonates  . . .  ffiuvre  iii.  [Separate 
Parts.]  Longman  (f-  Brodcrip  : 

London,  [1780?]     fol.         g.  650.  b.  (3.) 

Deux    Sonates,    pour     le     Piano    Forte. 
[Op.  3.]     [1798.]     See  Periodical  Publi- 
cations.—  London.      The    Piano  -  Forte 
Magazine.     Vol.  IV.     [No.  8.] 
[1797-1802.]     8°.  D.  854. 

Deux  Sonates  pour  le  Clavecin  . . .  CEuvre 
IV.     R.  Bremner:  London,  [1770?]     fol. 

g.  650.  (4.) 
Deux  Sonates  pour  le  Clavecin  . . .  CEuvre 
IV.  Longman  and  Brodcrip  : 

London,  \V1^0'>^     fol.         g.  650.  b.  (4.) 

Deux  Sonates  pour  le  Clavecin  avec 
accompagnement  de  Violon  . . .  CEuvre  v. 
[Separate  Parts.]  R.  Bremner  : 

London,  [ITiOri    fol.  g.  650.  (5.) 


SCHOBERT  (JoHANN)    Deux  Sonates. . . 

CEuvre  v.     [Separate  Parts.] 

Longman  £  Brodcrip  : 
London,  [1780?]     fol.         g.  650.  b.  (5.) 

[Deux  Sonates.  Op.  v.  No.  1.]  The 
First  Sonata  from  Mons'  Schobert's  Op. 
the  5""  for  the  Harpsichord.  J.  Bland  : 
London,  [lim^     fol.  g.  456.  (2.) 

Trois  Sonates  pour  le  Clavecin  avec 
accompagnements  de  Violon  et  Basse  ad 
Libitum  .  .  .  Opera  vi.  [Separate  Parts.] 
R.  Bremner  :  London,  [1770  ?]     fol. 

g.  650.  b.  (6.) 

[Another  copy.]  g.  650.  (6.) 

Wanting  the  Bass  part. 
Deux    Sonates    pour    le    Clavecin    avec 
accompagnement   de   Violon  .  .  •  CEuvre 
viii.     [Separate  Parts.]  R.  Bremner  : 

London,  [1770  ?]     fol.  g.  650.  (8.) 

Two  Sonatas,  for  the  Piano  Forte. — Opera 
8.  —  [1801.]      See  Periodical  Publica- 
tions.— London.    The  Piano-Forte  Maga- 
zine.    Vol.  XIII.     [No.  4.] 
[1797-1802.]    8°.  D.  854. 

Deux  Sonates  .  .  .  CEuvre  viii.  [Separate 
Parts.]  Longman  &  Brodcrip  : 

London,  [1780  ?]    fol.         g.  650.  b.  (8.) 

Six   Sonates   pour  le   Clavecin  .  .  .  Opera 
XIV.      Les     parties    d'accoinpagnements 
sonts  ad  Libitum.     [Separate  Parts.] 
R.  Bremner :  London,  [1770  ?]    fol. 

g.  650.  a. 

[Another  copy.]  g.  650.  b.  (14.) 

IV.  Senates  pour  le   Clavecin,  Violon  et 
Basso  .  .  .  Opera  xvi.     [Separate  Parts.] 
R.  Bremner  :  London,  [1770  ?]     fol. 

g.  650.  b.  (16.) 
IV.  Sonates  pour  le  Clavecin  avec  Accom- 
pagnement de  Violon  .  .  .  Opera  xvii. 
[Separate  Parts.] 

Printed  for  R.  Bremner  : 
London,  [ITtO'i^    fol.      g.  650.  b.  (17.) 

IV.  Sonates  pour  le  Clavecin  avec  Accom- 
pagnement de  Violon  .  .  .  Opera  xvii. 
Wclcker:  Lo»fZo»-,  [1780?]     fol. 

h.  3212.  g.  (10.) 
The  Violin  part  only. 

Deux  Sonates  pour  le  Clavecin  ou  Piano- 
Forte,  avec  accompagnement  de  Violon 
.  .  .  CEuvre  xix.     [Separate  Parts.] 

Longman,  Lnlicy  tf  Brodcrip  : 
London,  [1715?]     fol.       g.  650.  b.  (18.) 

II.  Sonates  pour  le  Clavecin,  ou  le  Piano 
Forte.  Avec  accompagnement  de  Violon 
.  .  .  CEuvre  xix.     [Separate  Parts.] 

Chez  T.  A.  Crajenschot : 
Amsterdam,  [1765  ?]  obi.  fol.  e.  5.  c.  (7.) 
Trois  Sonates  pour  le  Clavecin  avec  accom- 
pagnement de  Violin  .  .  .  Oeuvre  xx. 

Longman  &  Brodcrip : 
London,  [1785  ?]    fol.       g.  272.  d.  (18.) 


472 


SCHOBERT-SCHROEDER 


SCHOBERT  (Johann)  [Senates.  Op.  vi., 
No.  1;  Op.  HI.,  No.  2;  Op.  xvi.,  Nos.  1 
and  2.]  Six  Senates  pour  le  Clavecin 
avec  rAccompagnement  d'un  Yiolou  .  .  . 
Oeuvre  ii. 

Cltez  Messrs.  Longman,  Lulxcy  &  Co.  : 
Londres,  [1775  ?]     fol.  g.  456.  (1.) 

The  first  and  third  sonatas  in  this  set 
have  not  been  identified. 

SCHOENHERR  (Gottlob  Feiedbich) 
Gesangstiicke  mit  Begleitung  des  Klaviers, 
etc.  Auf  Kostcn  des  Vcrfassers  : 

Leipzig,  [1799.]     obi.  fol.     F.  607.  c.  (2.) 

SCHOEPFUNG.  Die  Schoepfuug.  Ora- 
torium.     See  Haydn  (P.  J.) 

SCHOLAIl.  A  Scholar  first  my  love 
implor'd.     Song.     Sec  Parsons  {Sir  W.) 

SCHOLASTICA.  Scholastica  die  Schu- 
leriu.  Das  Guldene  A.  B.  C.  Das  ist : 
Ein  newes  Geistliches  Lied  von  der  H. 
Jungkfrawen  Scholastica  .  .  .  Im  Thon  : 
•wie  S.  Benedict.  Oder  :  Ein  newes  Lied 
im  hohen  Thon.     [Munich?]  IGU.     8". 

3437.  aa.  59. 

SCHOLZE  (Johann  Sigismund) 

See  Sperontes,  pseud. 

SCHOOL  FOR  FATHERS.  A  School 
for  Fathers.  Comic  Opera.  See  Lionel 
AND  Clarissa. 

SCHOOL  FOR  SCANDAL.    Here's  to 
the  Maiden  of  bashfull  fifteen.     A  General 
Toast.     By  Mr.  Vernon  in  the  School  for 
Scandal.     [Words  by  R.  B.  Sheridan.] 
Str[aight :  London,  1780  ?]     s.  sh.  fol. 

H.  1994.  b.  (33.) 
Here's  to  the  Girl  of  lovely  Fifteen.  A 
Song  in  the  new  Comedy  of  the  School  for 
Scandal.  Eliz'' Ehames :  [Diiblin, 

1780?]     s.sh.iol.  H.  1601.  a.  (2.) 

SCHOOLMASTER.  The  School  Masters 
Lesson.  [Song.]  See  I.  I  will  fly  into 
your  Arms.     [1720?]     s.  sh.  io\. 

H.  1601.  (253.) 

SCHOPP  (Johann)  Sec  Rist  (J.)  From- 
mer  und  Gottseliger  Christen  Alltagliche 
Hauszmusik  . . .  Bestehend  in  . . .  Geist- 
lichen  Liederen  und  Gesangen . .  .  derosel- 
ben. .  .auf  . . .  neue,  von  . . .  Herren  Johan 
Schopen,  wol  .  .  .  gesetzte  Melodien  .  .  . 
gesungen  und  gespielet  werden,  etc. 
1654.    8".  A.   188. 

See  Rist  (J.)  Himlische  Lieder,  mit 
sehr  lieblichen  .  .  .  von  dem  .  .  .  weit- 
beriihmteu  H.  Johann  Schop,  wolge- 
setzeten  Melodeien,  etc.     1658.     8°. 

3433.  bbbb.  22.  (2.) 
See  Rist  (J.)  J.  Risten  ,  .  .  Himlischer 
Lieder  mit  sehr  anmuhtigen,  von  Herren 
Johann  Schopen  . . .  gesetzten  Melodeyen, 
etc.    1649-51.    8°.  3438.  e.  20. 


SCHORMANNUS  (Stephanus) 

See  SCHARMANNUS. 

SCHRADERUS  (Joannes)  New  ver- 
bessert  und  vollstandig  gantz  Aussfiihrlich 
Kirchen  Formular,  allerhand  Christlicher 
Wort,  und  Ceremonien,  etc.     3  pts. 

hi  Yerlcgung  Christian  Gerlachs  iind 

Simon    Bcckcnstcins :     Franckfurt    und 

Leipzig,  1070.     4".  3425.  d.  21. 

The    title-pages   of  Parts   II.  and   III. 

bear  the  imprint :  Hclmstadt,  gedruckt 

bey  Henning  Milller. 

SCHRAMM  (Melchioe)  Sacrse  Cantiones 
Quinque  et  Sex  Vocum,  tum  Viva  Voce, 
tum  Omnis  Generis  Instrumentis  cantatu 
commodissimEe,  etc.  Discantus.  (Altus.) 
(Tenor.)  (Bassus.)     4  pts. 

1)1  Officina  Typographica  Katharinx 
Theodorici  Gerlachij  rellctx  Vidua',  d: 
Hxredum  lohannis  Montani  :  Noribcrgx, 
1577.     obi.  4°.  A.  408. 

SCHREIBER  (Joannes  Evangelista). 
Adoratio  Dei  per  xv.  Offertoria  Solennia. 
A  4.  Vocib.  Caato,  Alto,  Tenore,  Basso. 
2.  Violin.  Viola  Obligata.  2.  Clarin.  sen 
Corn.  &  Tymp.  ad  libitum,  Violoncello, 
&  Organo  . . .  Opus  iii.  Pars  Prima.  Alto. 
(Tenore.)  (Basso.)  (Viola.)  (Clarino  i.) 
(Clarinoii.)  (Violoncello.)  (Organo.)  8  pts. 
Tiipis  . . .  Principalis  Monasterii  S.  GaUi, 
1754.     fol.  H.  3266. 

SCHREYER  (Gregorius)  Jubilus 
]\Iusicus  per  Jubilaei  Andecensis  Festivam 
Octavam  concentu  harmoniaco  personans 
sive  Missae  viii.  Solennes,  etc.  [For  four 
part  Chorus,  Orchestra  and  Organ.]  13  pts. 
Sumptibus  Matthxi  Eieger  : 
Auqustx  Vindelicorwn,  1756.     fol. 

G.  941.  a. 

Sacrificium  Matutinum,  sen  IMissae  vi. 
Breves  a  Quatuor  Vocibus  ordinariis, 
Violinis  duobus  obligatis,  Clarinis  duobus 
aut  Cornibus  ad  libitum,  cum  duplici 
Basso,  juxta  modernum  stylum,  etc. 
Opus  II.     10  pts. 

Sumptibus  Matthiei  Bieger : 
Augusts  Yindelicorum,  1763.  fol.  G.  941. 

SCHROEDER  (H.  B.)  The  Chace  or 
Royal  Windsor  Hunt.  A  favorite  Grand 
Sonata  for  the  Piano  Forte  or  Harpichord, 
etc.  Longman  and  Broderip, 

for  the  Author  :  LoufZon,  [1795?]     fol. 

g.  138.  (18.) 
Chelsea  Quarters.  Afavorite  Ballad,  sung 
by  Mr.  Darley  at  Vauxhall.  Written  by 
Mr.  Upton,  etc.  Longman  and  Broderip  : 
[London, 1120  ^     fol.      G.  808.  h.  (39.) 

Delays  are  Dangerous.  A  Favorite  Ballad, 
written  by  G.  S.  Carey,  etc. 

Longman  and  Broderip : 
[London,  1797?]     fol.  G.  365.  (8.) 


SCHROEDER— SCHROETER 


473 


SCHROEDER 

a  favorite  Song, 

field. 

[London,  1797  ?] 

[Another  copy.] 

In  vain  we  fill 


(H.  B.)     Deserted   Delia, 

the  Words  by  Miss  Man- 

Longman  &  Broderip  : 

fol.        H.   1653.  (46.) 

H.  1601.  b.  (80.) 

the  Sparkling  Bowl.     A 
Favorite    Anacreontic     Song,     sung    by 
Mr.  Burrows  at  Freemason's  Hall,  etc. 
{London,  1797  ?]     fol.  G.  365.  (10.) 

The  Light  Horse  Volunteers.  A  popular 
Song,  written  by  Mr.  G.  Gilbert,  dc. 

Printed  for  Longman  and  Broderip  : 
London,  [1195?]     fol.      G.  808.  h.  (40.) 

A  favorite  Quick  ]\Iarch  for  a  Military 
Band  .  .  .  Dedicated  to  .  .  .  the  Duke  of 
York  .  .  .  Also  adapted  for  the  Harp  or 
Piano  Forte.  Longman  and  Broderip, 

for  the  Author  :  London,  [1795  ?]     fol. 

g.  133.  (55.) 
A  favorite  Quick  ]\Iarch  for  a  Military 
Band,  Harp  or  Piano  Forte  . . .  Dedicated 
...  to  the  Earl  of  Radnor,  etc. 

Longman  and  Broderip,  for  the  Author : 
London,  [1795  ?]     fol.  g.  133.  (54.) 

Quick  March.  Composed  for  the  Berk- 
shire ^lilitia  .  .  .  and  arranged  for  the 
Harp,  or  Piano  Forte. 

Longman  and  Broderip : 
London,  [1795  ?]    fol.  g.  133.  (59.) 

A  Favorite  Slow  IMarch  for  a  Military 
Band,  Harp  or  Piano  Forte  . . .  Dedicated 
...  to  the  Earl  of  Radnor,  etc. 

Longmayi  and  Broderip,  for  the  Author  : 
London,  [1195?]     fol.  g.  133.  (56.) 

Troop  March.  Composed  for  the  Berk- 
shire Militia  . . .  and  arranged  for  the 
Harp,  or  Piano  Forte. 

Longman  and  Broderip,  for  the  Author  : 
London,  [1195?]     fol.  g.  133.  (57.) 

The  West  London  Quick  March  for  a 
Trumpet,  Horns,  Clarinets,  and  Bassoons 
. . .  and  adapted  for  the  Piano  Forte  or 
Harp,  etc.  Culliford,  Bolfe  d  Barrotv  : 
London,  [1796  ?]     fol.  g.  133.  (58.) 

The  West  London  Slow  March  for 
Trumpet,  Horns,  Clarinets,  and  Bassoons 
. . .  and  adapted  for  the  Piano  Forte  or 
Harp,  etc.  Culliford,  Bolfe  £  Barroto : 

London,  [1196?]     fol.  g.  133.  (53.) 

A  favorite  Sonata  for  the  Piano  Forte  or 
Harpsichord,  etc. 

Longman  and  Broderip),  for  the  Author  : 
London,  [1795  ?]     fol.  g.  143.  (13.) 

Two  Sonatas  for  the  Piano  Forte  or 
Harpsichord  with  an  Accompanyment  for 
a  Violin  . . .  Opera  i. 

Longman  and  Broderip: 
London,  [1790  ?J     fol.  h.  60.  (8.) 

See  Amateur.  Julia  . . .  [Song.]  The  Air 
...  by  an  Amateur,  the  Bass  by  H.  B. 
Schroeder.    [1797?]    fol.       a  365.  (9.) 


SCHROEDER  (J.  B.) 

See  Schroeder  (H.  B.) 

SCHROETER  (Christoph  Gottlieb) 
Deutliche  Anweisung  zum  General-Bass, 
in  bestandiger  Verauderung  des  uns  ange- 
bohrnen  harmonischen  Dreyklanges,  mit 
zulanglichen  Exempeln,  dc. 
Bey  J.  H.  Gross  :  Halbcrstadt,  1772.     4°. 

7897.  bbb.  7. 
[Another  copy.]  7897.  cc.  15. 

C.  G.  Schroters  . . .  Letzte  Beschaftigung 
mit  musicalischen  Dingen.  Nebst  sechs 
Temperatur  -  Planen  und  einer  Noten- 
Tafel.    Nordhausen,  1782.     A". 

7897.  bbb.  12. 
SCHROETER  (Corona  Elisabeth 
Wilhelmine)  Gesaenge  mit  Begleitung 
des  Fortepiano  . . .  Zweyte  Sammlung. 
Li  Commission  bey  dem  Industrie  Comptoir : 
^Vcimar,  1794.   oil.  fol.     E.  600.  y.  (17.) 

Fiinf  und  Zwanzig  Lieder,  etc.     [Words 
by  Holty,  Miller,  Goethe,  etc.] 
Bey  mir  sclbst,  nnd  i?^  der  Hoffmannischen 
Buchhandlung  :   Weimar,  178G.     obi.  fol. 

D.  367. 
SCHROETER  (Johann  Heinrich)     Sis 
Trios  for  a  Violin,  a  Tenor  and  a  Violon- 
cello Obligato.     Op.  III.     [Separate  Parts.] 
Printed  for  W.  Forster : 
[London,  1785  ?]     fol.         g.  270.  n.  (6.) 

SCHROETER  (Johann  Samuel)  Six 
Concertos  for  the  Harpsichord  or  Piano 
Forte  with  an  Accompanyment  for  Two 
Violins  and  a  Bass. .  .Opera  iir.  [Separate 
Parts.]  Printed  for  W.  Napier  : 

London,  [1774.]     fol.  g.  298.  a. 

[Another  copy.]  g.  298.  (2.) 

Wanting  the  Violin  accompaniments. 

Six  Concertos  . . .  Opera  iii. 
Printed  for  J .  Dale  :  London,  [11Q5?]    fol. 

g.  420.  n.  (3.) 
Wanting  the  accompaniments. 

Six  Concertos  for  the  Piano  Forte.  Op.  3. 
[1800.]  See  Periodical  Publications. — 
London.  The  Piano-Forte  Magazine.  Vol. 
XI.  No.  7.  [1797-1802.]  8".  D.  854. 
Six  Concertos  for  the  Harpsichord  or 
Piano  Forte,  with  Accompanyments  for 
Two  Violins,  a  Tenor  and  Bass. .  .Opera  v. 
[Separate  Parts.]  Printed  for  W.Napier: 
London,  [1780?]     fol.  g.  298.  c.  (1.) 

The  Conquest  of  Belgrade,  a  Sonata  for 

the     Harpsichord    or     Piano     Forte    by 

Schroetter.  J.  Bland : 

London,  [1789.]     fol.        g.  272.  v.  (14.) 

T]ie  capture  of  Belgrade  took  place  after 

J.  S.  Schroeter's  death :  this  piece  is 

therefore  probably  by  J.  H.  Schroeter 

or  H.  B.  Schroeder. 

[Another  copy.]  g.  272.  u.  (23.) 

Wanting  the  title-page. 


474 


SCHROETER— SCHUETZ 


SCHROETER  (Johann  Samuel)  [The 
Conquest  of  Belgrade.]  The  Field  of 
Battle,  for  the  Piano  Forte.  [1797.] 
Sec  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  I.  No.  5. 
[1797-1802.]     8°.  D.  854. 

Six    Lessons   from   the    Favourite    Mis- 
cellaneous  Quartetto's,   adapted   for    the 
Harpsichord  by  I.  S.  Schroeter. 
W.  Napier  :  London,  [1785  ?]     obi.  fol. 

e.  5.  e.  (8.) 
Sonata  [in  B|j,  for  Harpsichord,  Violin 
and  Violoncello].  See  Storage  (S.) 
Storace's  Collection  of  Original  Harpsi- 
chord Music.   Vol.  I.    No.  4.    [1790.]    fol. 

g.  122. 
Six  Sonatas  for  the  Piano  Forte  or  Harp- 
sichord.    Opera  i. 

Printed  for  W.  Napier  : 
London,  [177G.]     fol.  g.  271.  f.  (8.) 

Six  Sonatas  for  the  Piano  Forte  or 
Harpsichord  with  Accompanyments  for  a 
Violin  and  Bass  . . .  Opera  ii. 

Printed  for  W.  Napier  : 
London,  [1777  ?]     fol.  g.  298.  (1.) 

Six  Sonatas,  for  the  Piano  Forte.  Op.  2*. 
[1799.]  See  Periodical  Publications. 
— London.  The  Piano-Forte  Magazine. 
Vol.  VI.     No.  5.     [1797-1802.]     8°. 

D.  854. 
Six  Sonatas  for  the  Piano  Forte  or  Harp- 
sichord with  an  Accompanyment  for  a 
German  Flute  or  Violin  .  .  .  Opera  4. 
[Separate  Parts.]  Printed  for  W.  Napier  : 
London,  \Vjm  I']     fol.  g.  79.  d.  (5.) 

Six  Sonatas,  for  the  Piano-Forte.  [Op.  4.] 
[1799.]  See  Periodical  Publications. — 
London.  The  Piano  -  Forte  IMagazine. 
Vol.  VIT.     No.  3.     [1797-1802.]     8". 

D.  854. 
Six  Sonatas  for  the  Piano  Forte  or  Harp- 
sichord with  Accompaniments  for  a  Violin 
and  Violoncello  . . .  Opera  vi. 

Printed  for  W.  Napier: 
London,  [1785  ?]     fol.         g.  420.  o.  (3.) 
Wanting  the  Violoncello  part. 

Three  Sonatas  for  the  Piano  Forte  or 
Harpsichord  with  Accompaniments  for  a 
Violin  and  Violoncello  . . .  Opera  vi.  1"' 
Set.     [Separate  Parts.] 

Printed,  for  R.  Bircliall  : 
London,  [1795  ?]     fol.         g.  298.  c.  (2.) 

[Another  copy.]  g.  298.  b.  (1.) 

Wanting    the    Violin    and     Violoncello 
parts. 

Three  Sonatas  for  the  Piano  Forte  or 
Harpsichord  with  Accompaniments  for  a 
Violin  and  Violoncello  .  .  .  Opera  vi. 
Set  2nd.  Printed  for  B.  Bircliall : 

London,  [1795  ?]     fol.         g.  298.  b.  (2.) 
Wanting    the    Violin    and    Violoncello 
parts. 


SCHROETER   (JohAnn   Samuel)      Two 

Sonatas   for   the    Piano   Forte,    with    an 

Accompanyment  for  a  Violin  . . .  Op.  vii. 

Printed  for  Corri  li  Suthcrlimd  : 

Edinburgh,  [1785  ?]     fol.       g.  147.  (13.) 

Ye  Belles  and  ye  Beaux.  An  Epithalamium 
Occasioned  by  a  Worthy  Pair  celebrating 
the  Fifty-third  Anniversary  of  their 
nuptials.  IF.  N[cqncr : 

London,  1184:'>]     fol.  G.  314.  (71.) 

See  BoRGHi  (L.)  A  favorite  Concerto. .  . 
adapted  for  the  Harpsichord  ...  by  J.  S. 
Schroeter.    [1780  ?]   fol.     g.  271.  b.  (33.) 

SCHROETER  (Leonhart)  Canticum 
Sanctorum  Ambrosii  et  Augustini  Te 
Deum  laudamus,  dx.  IMusicis  Numeris 
ornatum,  dx.  Discantus.  (Altus.)  (Bassus.) 
3  pts.  Andreas  Gchen  : 

Magdebiirgi,  1584.     obi.  4°.  A.  415. 

Der  Zwolffte  vnd  Vier  vnd  zwantzigste 
Psalm  Dauids,  sampt  dem  . . .  Kiuderliede, 
D.  M.  Lutheri,  Erhalt  uns  Herr  bey 
deinem  Wort  .  .  .  Auffs  newe  in  ettliche 
Stimmen  gesetzet,  etc.     Discantus. 

Wolf/gang  Kirchner  : 
Magdeburgk,  1576.     obi.  4°.       A.  415.  a. 

SCHROETER  (Samuel) 
See  Schroeter  (J.  S.) 

SCHUBACK  (Jacob)  Die  Jiinger  zu 
Emaus,  etc.  [Oratorio,  by  J.  Schuback.] 
1778-9.     fol.     See  Juenger  zu  Emaus. 

I.  41. 

SCHUBART  (Christian  Friedrich 
Daniel)  Sec  IMusikalischer  Potpourri. 
]\Iusikalischer  Potpourri  .  .  .  Llit  einem 
Blatt  von  Schubart,  etc.     1790-1.     obi.  4°. 

B.  710. 

SCHUBARTH  (Johann  Kaspar) 

See  RiEPEL  (J.)  Bassschliissel,  das  ist, 
Anleitung   fiir   Anfanger    und   Liebhaber 


der  Setzkuust 
Schubarth,  etc.    1786 


herausgegeben  von  J.  K. 


fol.     7896.  h.  14. 


SCHUBAUR  (Lucas)  Die  Dorfdeputirten 

[Opera]    nach    Goldoni  in  IMusik   gesetzt 

und  im  Klavierauszug  herausgegeben,  etc. 

Ln  Verlage  des  Verfassers  : 

Milnclien,  [1786.]     ohl.  fol.  E.  572. 

Die    Treuen    Kohler,    ein     Singspiel    in 
zween  Aufziigen  von  Hermann,  etc. 
Bey  M.  Gotz:  Mannheim,  [1791.]   obi.  fol. 

D.  336. 
SCHUETZ  (Heinrich)  Zwolfi  Geistliche 
Gesange,  mit  vier  Stimmen  . . .  Benebenst 
dem  Basso  Continuo  nach  bcliebung  . . . 
zugebrauchen  . . .  zum  offentlichon  Druck 
befordert. .  .durch  C.  Kitteln,  etc.  Cantus. 
(Altus.)  (Tenor.)  (Bassus  Contiuuus.)  Opus 
Decimum  Tertium.     4  pts. 

Gcdruckt  in  W.  Scyfferts  Dnickerey  : 
Dreszden,  1657.     fol,  G.  483.  a. 


SCHUETZ— SCHULZ 


475 


SCHUETZ  (Heineich)  Musicalia  ad 
Chorum  Sacrum,  das  ist :  Geistliche  Clior- 
Music,  mit  5.  G.  und  7.  Stimmeu,  beydes 
Yocaliter  und  Instrumeutaliter  zuge- 
brauchen  . . .  Opus  Undecimum.  Erster 
Theil.  Cautus.  (Altus.)  (Tenor.)  (Bassus.) 
(Quintus.)  (Sextus  &  Septimus.)  (Bassus 
Continuus.)     7  pts. 

In  Yciiegimg  Johann  Klcmrncns  .  .  . 
Gedrucht  bey  GimelBcrgcns. .  .Seel.Erhcn  : 
Dreszdcn,  1648.     fol.  F.  22.  a. 

Psalmeu  Davids  Sampt  Etlichen  Moteten 
vnd  Concerten  mit  Acht  vnd  mehr 
Stimmen.  Nebenst  andern  zvreyen  Capel- 
len,  dasz  dero  etlicbe  auff  drey  vnd  vier 
Chor  nach  beliebung  gebraucht  werden 
konnen.  Wis  auch  mit  beygefiigteu 
Basso  Continovo,  etc.  Cantus  (Altus) 
(Tenor)  (Bassus)  I.  Cbori.  (Cantus  (Altus) 
(Tenor)  (Bassus)  II.  Cbori.)  (Capella. 
Prima  (Secunda)  (Tertia)  (Quarta  et 
Ultima)  Pars.)  (Basso  Continovo,  etc.) 
13  pts.  In  Yorlegung  des  Aidhoris. 

In  CJmrf.  S.  Officin  durcli  Gimcl  Bergen  : 
Dreszden,  1619.     fol.  G.  483. 

Psalmen  Davids,  Hiebevor  in  deutschc 
Reime  gebracbt  durcb  D.  Cornelium 
Beckern,  und  nacbmals  mit  EilfE  alten, 
und  Zwey  und  Neuntzig  neuen  ]\Ielodeycn 
von  . . .  Heinrich  Scbiitzen  in  den  Druck 
gegeben,  ietzund  aber  .  .  .  aufis  ueuo 
iibersehen,  auch  .  .  .  mit  so  vielen, 
auf  ieglicben  Psalm  eingcrichtetcn, 
eigenen  Melodeyen,  vermebret,  nach 
genieiner  Contrapuncts-Ahrt,  mit  4. 
Stimmen  gestellet  durch  obgemelten 
Autorem  H.  S.,  etc.  Gednickt  .  .  .  in 

Wolffgang  Seyffcrts  Druckerey  :  Dreszden, 
1661.    fob       ■  G.  483.  b. 

Symphoniarum  Sacrarum  Secunda  Pars. 
Worinnen  zubefiuden  sind  Deutsche  Con- 
certen mit  3.  4.  5.  nehmlich  eiuer,  zwo, 
dreyen,  Vocal,  und  zweyen  Instrumental- 
Stimmen  . . .  Sambt  beygefiigtem  gedup- 
pelten  Basso  Continuo,  etc.  Opus  Deci- 
mum.  Prima  (Secunda)  (Tertia)  Vox. 
(Violiuum  Primum  (Secundum).)  (Bassus 
ad  Organum.)  (Bassus  pro  Violone.)  7  pts. 
Gednickt  .  .  .  bey  Gimel  Bcrgens  .  .  . 
Sel.  Erbcn,  In  Yerlegung  Johann  Klcmmens 
.  .  .  und  Alexander  Herings  :  Dreszden, 
1647.     fol.  F.  21. 

Symphoniarum  Sacrarum  Tertia  Pars. 
Worinnen  zubefinden  sind  Deutsche  Con- 
certen mit  5.  6.  7.  8.  nehmlich,  Dreyen, 
Vieren,  Fiinffen,  Sechss  Vocal-  und  zweyeu 
Instrumental-Stimmen  . . .  Sambt  etlichen 
Complementen,  welche  . . .  nach  Beliebung 
mitgebraucht  werden  konnen  .  .  .  Opus 
Duodecimum.  Prima  (Quarta  et  Ultima) 
Vox.  (Violinum  Secundum.)  (Bassus  ad 
Organum.)  (Altus  Complementi.)  5  pts. 
Christian  und  Melchior  Bergen  : 
Dreszden,  1650.    fol.  F.  22.  b. 


SCHUETZ  (Heinrich)  See  Psalms. 
[7.  German.]  Geistreiches  Gesang-Bucb, 
etc.  (Der  Psalter  Davids,  nach  bekann- 
ten  Kirchen-Melodieu  durch  C.  Cornelium 
Beckern  verfasset,  aufs  neue  aber,  mit  H. 
Schiitzens... eigenen  Gesang-Weisen  auf- 
geleget.)  3  pts.  1676.  4".  3425.  m.  18. 
See  also  Sagittarius  (H.) 

SCHULTHESIUS  (Johann  Paul) 
Three  Sonatas  for  the  Harpsichord  or 
Piano  Forte  with  an  Accompaniment  for 
a  Violin.  [Op.  1.]  Longman  £  Broderip  : 
London,  [1780  ?]     fol.      h.  726.  p.  (10.) 

Tre  Sonate  per  il  Cimbalo  o  Piano-Forte 
con  r  accompagnamento  d'  un  Violino 
obbligato .  . .  Opera  V"\  Sccouda  Edizione 
corretta  dall'  Autore. 

Presso  Banicri  Carboncini  ; 
Livorno,  [1780  ?]    obi.  fol.  c.  3. 

SCHULTZ  (Johann  Abraham  Peter) 
See  ScHULZ  (J.  A.  P.) 

SCHULTZ  (Johann  Wilhem) 

See  Benda  (F.  L.)  Mariechen . . .  Operette 
. . .  fiir  das  Ivlavier  eingerichtet  von  J.  W. 
Schultz.     [1792.]    obi.  fol.  F.  97.  b. 

S  C  H  U  Tj  Z  (Johann  Abraham  Peter) 
Aline,  Heine  de  Golconde,  Opera  en  trois 
Actes,  par  M.  Sedaine,  mis  en  Musique  & 
arrange  pour  le  Clavecin  par  J.  A.  P. 
Schulz  . . .  Public  i)ar  C.  F.  Cramer. 

Chez  S.  SiJnnichscn  : 
Copenhagnc,  1790.    obi.  fol.  F.  327. 

[Athalie.]  Choeurs  d'Athalie  . . .  mis  en 
INIusique,  etc.  [Words  by  Eacine.  Full 
Score.]  Chez  Hoffmann  : 

Hambourg,  1786.     obi.  fol.         F.  327.  f. 

Canticum  Potatorium.  A  Latin  Song  . . . 
Adapted  to  the  Harpsichord  and  Voices 
by  Dr.  Hayes.  Printed  for 

P  Junq.  .  .  0.vford:  London,  [1790?]  fol. 

G.  360.  (29.) 

Entwurf  einer  neuen  und  leichtverstiiud- 
lichen  Musiktablatur,  etc.  Im  Ycrlage 

der  Eellstabschen  Musikhandlung  :  Berlin, 
[1787.]    8°.  7898.  ee.  19. 

J.  P.  Uzens  lyrische  Gedichte  religiosen 
Innhalts  nebst  einigen  andern  Gedichten 
gleichen  Gegenstandes  von  E.  C.  von 
Kleist.  J.  F.  Freyberrn  von  Cronegk,  C.  A. 
Schmid,  und  J.  J.  Eschenburg,  mit  Melo- 
dieu  zum  Siugen  bey  deni  Claviere,  etc. 

Bey  J.  H.  Herold : 
Hamburg,  1784.     obi.  fol.  F.  327.  e. 

Hellige  Sange  forfattede  af  de  Tydske 
Digtere  Uz,  Eschenburg,  Kleist,  Cronegk 
og  Schmid,  med  Capellmesters  Schulzes 
INIelodier ;  i  en  frie  Oversettelse  .  .  .  af 
E.  Storm.  A.  F.  Stein  : 

Ei0bcnhavn,  1785.     fol.  G-  395. 


476 


SCHULZ— SCHtTTZ 


S  C  H  TJ  L  Z  (JoHANN  Abraham  Peteh) 
H0st-Gildet.  Et  Syngespil  i  een  Act,  ved 
T.  Thaarup  . . .  indrettet  for  Klaveret. 

S.  S0nnichsen  : 
Ei0benhavn,  [1790.]  obi.  fol.  F.  327.  g. 
Hymne.  Nach  dem  Danischen  des  Hrn. 
Thaarup  von  J.  H.  Voss.  Im  Clavier- 
auszuge,  e^c.  S.  SiJnnichsen  : 

Kopcnhagen,  [1793.]  obi.  fol.  F.  327.  b. 
Lieder  im  Volkston,  bey  dem  Klavier  zu 
Singen,  etc.  Bey  G.  J.  Decker: 

Berlin,  1782.     obi  fol.  F.  327.  a. 

Lieder  im  Volkston  bey  dem  Claviere  zu 
singen. .  .Erster  Theil.  Zweyte  verbesserte 
Aufiage.  (Zweyter  (Dritter)  Theil.)  3  pts. 
Bey  G.  J.  Decker  (H.  A.  Eoitmann) : 
Berlin,  1785  (1790).  obi.  fol.  F.  327.  c. 
Maria  und  Johannes,  ein  Passions-Ora- 
torium  . . .  Mit  einem  erklarenden  Yor- 
bericht.  [Full  score  in  '  Chiffern  tabu- 
latur.']  S.  Sunnichscn  : 

Eopenhagcn,  1791,     obi.  fol.  C.  474. 

Maria  und  Johannes.     Ein  Passions-Ora- 
torium  von  J.  Ewald,  im  Clavierauszuge 
. . .  Herausgegeben  von  C.  F.  Cramer. 

S.  Sunnichscyi: 
Copenhagen,  1789.  obi.  fol.  F.  327.  h. 
Religiose  Oden  und  Lieder  aus  den  besten 
deutschen  Dichtern  mit  Melodien  zuni 
Singen  bey  dem  Claviere,  dx. 

Bey  J.  H.  Herold  : 
Hamburg,  1786.     obi.  fol.  F.  327.  d. 

Six  Diverses  Pieces  pour  le  Clavecin  ou  le 
Piano  Forte  . .  .  Oeuvre  Premier. 

Ch^s  J.  J.  Hummel : 
Berlin,  [1778.]     fol.  h.  726.  f.  (14.) 

Sonata  per  il  Clavicembalo  Solo  . . .  Opera 
Seconda.  Presso  G.  G.  Hummel : 

Bcrlino,  [1779  ?]     fol.        h.  726.  f.  (15.) 

SCHULZ  (JoHANN  Philipp  Christian) 
Sechs  Volkslieder  mit  Begleitung  des 
Pianoforte  . . .  Op.  v. 

Bey  Breitkopf  und  Hartel  : 
Leipzig,  [1800?}   obi.  iol.    E.  600.  v.  (5.) 

SCHULZ  (M.)  Could  I  fancy,  that  for 
me.     A  favorite  Ballad  on  IMutual  Love. 

Broderip  and  Wilkinson  : 
London,  [1800?]     fol.  G.  365.  (11.) 

Hymn  to  Nature.     [Song.] 

Longman  and  Broderip  :  London, 
[1797  ?]     fol.  G.  805.  k.  (24.) 

Winter.     A  favorite  Song. 

Broderip  and  Wilkinson  :  London, 
[1800?]     fol.  G.  365.  (12.) 

SCHULZE  (J.  A.)  Der  Versuhnungstod, 
Cantate  fiirvier  Singstimmen  mit  Begleit- 
ung des  Orchesters ;  aus  Sechs  Adagio's 
von  J.  Haydn  arrangirt  von  J.  A.  Schulze. 
Der  deutsche  Text  ist  vom  Professor 
Hopfensack.     Partitur. 

Bey  Breitkopf  £  Hartel : 
Leipzig,  [1800?]    fol.  H.  2118. 


SCHULZE  (J.  A.)  See  Haydn  (P.  J.) 
[2.  Vocal  Works,  a.]  Denk'  ich  Gott  an 
deine  Giite.  Kantate. . ,  arrangirt. .  .von 
J.  A.  Schulze.    [1800?]  H.  1051.  g. 

SCHUMANN  (Friedrich  Theodor) 
The  Address.     [Song.]  [London, 

1750?]     s.sh.lol.  G.  312.  (185.) 

Haughty  Strephon.  [Song.]  [London, 
1750?]     s.sh.iol.  G.  316.  f.  (144.) 

A  second  Set  of  Lessons  for  one  and  two 
Guittars  . .  .  Opera  ii.  Printed  for 

J.  Johnson  :  London,  [1760  ?J     obi.  fol. 

e.  377.  (2.) 

Three  Sonatas  for  the  Harpsichord  with 
Accompanyments  for  a  Violin  or  German 
Flute.  Opera  iii.  Printed  for  the  Author  : 
London,  [1760  ?]     fol.        g.  418.  a.  (5.) 

Six  Sonatas  for  the  Piano  Forte  or  Harp- 
sichord . . .  Opera  5th.  Tlie  Author  : 
London,  [YtlO?]    obi.  iol        e.  5.  a.  (1.) 

A  Second  Set  of  Six  Sonatas  for  the  Piano 
Forte  or  Harpsichord  . . .  Opera  viith. 
The  Author  :  London,  [1775  ?]     obi.  fol. 

e.  5.  a.  (2.) 
A  Third  Sett  of  Six  Sonatas  for  the 
Harpsichord  or  Piano  Forte  with  an 
Accompanyment  for  a  Violin  . . .  Opera  ix. 
Longman  £  Broderip : 
London,  [1780  ?]     fol.  e.  227. 

Six  Sonatas.  Three  for  a  Violin  &  two 
Violoncellos,  Three  for  a  German  Flute 
&  A^iolin  or  two  Violins  &  Violoncello  . . . 
Oi^era  viii.     [Separate  Parts.] 

Printed  for  W.  Napier: 
[London,  1780  ?]     fol.     h.  2852.  a.  (13.) 

[Another  copy.]  h.  2900.  (6.) 

SCHUSTER  (Joseph)     Lob  der   Musik. 
Kantate  von  Meisner,  etc.     [P.  F.  Score.] 
J.  G.  I.  Breitkopf,  auf  Kosten  des  Autors  : 
Leipzig,  1784.     obi.  fol.  F.  387. 

Musikalische  Todenfeier  den  Manen  Leo- 
polds des  Weisen  geheiligt.  Das  Gedicht 
vom  Hrn.  Prof.  Heydenreich,  etc.  [P.  F. 
Score.]  F.  G.  Batwigartner  : 

Leipzig,  1792.     obi.  fol.  H.  68. 

Ombra  cara,  ombra  tradita.  Sung  by 
Madam  Mara  in  Didone  Abandonata. 
[Pull  Score.]  Longman  d-  Broderip  : 

London,  [1786.]     fol.  G.  811.  (30.) 

See  Freemasons'  Songs.  Gesiinge  fiir 
Maurer  mit. .  .Melodien  von. .  .Schuster, 
etc.     [1782.]     8".  E.  1718. 

Sec  Kriegel  (C.  F.  W.)     ssxvi  Lieder 

. . .  von  . . .  Schuster,  etc. 

[1790-1.]     obi.  fol.  E.  679. 

SCHUTZ  (Heinrich)     See  Schuetz, 


SCmVAIGER— SCHWINDL 


477 


SCHWAIGER  (Georgius)  Fasciculus 
Selectiorum  aliquot  Cantiouum  Sacrarum, 
Quiuque  Vociun,  quffi  ciim  viuae  voci,  tiim 
omuis  generis  Instrumentis  Musicis  com- 
modissiine  applicari  j)ossunt.  Secanda 
Pars,  etc.  Discantub.  (Altus.)  (Bassus.) 
(Quiuta  Vox.)     4  pts.  Adamus  Berg  : 

Monachij,  1519.    obi.  lol.  A.  417.  a. 

Moduli  aliquot  Sacri,  cum  viva  voce,  turn 
Instrumeutorum  sono  cantatu  elegantis- 
sima,  etc.  Discantus.  (Altus.)  (Bassus.) 
3  pts.  Adamus  Berg  ; 

Monachii,  1572.     obi.  i".  A.  417. 

Regii  Prophetae  Davidis  Septem  Psalmi 
Pcenitentiales  Sacratissimi,  Quinque  voci- 
bus  . . .  compositi,  vt  &  voci  viute,  &  oninis 
generis  Musicis  instrumentis  applicari 
commode  queant,  etc.  Discantus.  (Altus.) 
(Tenor.)  (Bassus.)     4  pts.  ^A.  Berg  :] 

Monachii,  1588.     4".  A.  417.  b. 

SCHWANENBERGER  (Johann 
Gotikried)  -SVt'  Cramer  (C.  F.)  Flora. 
Erste  Samlung.  Euthaltend  :  Composi- 
tioneu  .  .  .  von  .  .  .  Schwanenberger,  etc. 


1787.     obi.  fol. 


D.  776. 


SCHWEGLER  (Johanx  David) 

Sec  MusiKALiscHER  POTPOURRI.     Musik- 
aliscber    Potpourri   .  .  .  Dargestellfc  von 
Abeille,  Eidenbenz  und  Schwegler,  etc. 
1790-1.     obi.  4°.  B.  710. 

See  Pleyel  (I.  J.)  Leichte  Stiikc  fiir's 
Gesaug  und  Klavier,  von  Pleyel,  Zumsteeg, 
Schwegler,  etc.     [1790  ?]     obL  i\ 

E.  600.  g.  (4.) 

SCHWEIGL  (iGXAz)  Grundlehre  der 
Violin,  etc.  Erster  Thcil.  Zweyte  ver- 
besserte  Auflage.  (Grundlehre  der  Violin. 
Zweyter  Theil,  etc.)     2  pts. 

Auf  Kosten  des  Verfassers  : 
Wien,  1794-5.    obi.  4\  b.  108. 

SCHWEITZER  (Axton)  Alceste  [Opera], 
von  Wielaud,  dc.     [Short  Score.] 

Im  Schivickcrtschcn  Verlagc  : 
Leipzig,  1774.     obi.  fol.  E.  28.  b. 

Die  Dorfgala.  Eine  komische  Operette 
von  Herrn  Gotter,  etc.     [Short  Score.] 

Im  Sclncickcrfschen  Verlagc: 
Leipzig,  1777.     obi.  fol.  F.  28. 

Elisium,  ein  musikalisches  Drama,  etc. 
[P.  F.  Score.]  Bey  G.  L.  Hartung  : 

Eonigsberg,  1774.     obi.  fol.  C.  454. 

Grabgesang.  [Song.  Words  bv  H.  A.  0. 
Reichard.]     Gotha,  1783.     4°. 

11522.  f.  28. 
Part  of  Beichard's  '  Gedichte.' 
PoljTcena,  ein  lyrisches   !Mouodrama  von 
F.  J.  Bertuch,  etc.     [Full  Score.] 

Im  Verlagc  des  Industrie  Comptoirs  : 
Weimar,  [1793.]     fol.  F.  28.  a. 

SCHWEIZER  (Anton) 
See  Schweitzer. 


SCHWENCKE  (Christian  Friedrich 
Gottlieb)  Carl  Reinhards  Gedichte  in 
Musik  gesetzt  von  C.  F.  G.  Schwencke, 
etc.  Zum  I.  (II).  Bandchen.^  2  pts. 
In  der  neuen  musikalischcn  Verlagsuieder- 
lage  :  Hamburg,  [1725  ?]     fol.       G.  570. 

VI  Fugen  fiir  die  Orgel  zum  Studium 
canonischer  Siitze,  etc. 

Bey  Breitkopf  £  Hartel :  Leipzig, 
[1800?]    oW.  fol.  e.  174.  m.  (19.) 

Drey  Sonaten  fiir  das  Klavier,  etc. 

Auf  Kosten  des  Verfassers  : 
Halle,  1789.     obi.  fol.  f.  42. 

Sec  Della  1\Iaria  (D.)  Le  Prisonnier. . . 
Oper  .  . .  Im  Klavierauszug  von  C.  F.  G. 
Schwencke.     [1800  ?]     obi.  fol.      E.  972. 

SCHWIEGER  (Jacob)  See  Filidor,  der 
Dorfferer,  pseud. 

SCHWINDL  (Friedrich)  Twelve  Duets 
for  two  Violins. .  .Op.  3.  [Separate  Parts.] 
E.  Riley:  London,  [ISQ0'>'\     fol. 

h.  210.  a.  (12.) 

Twelve   Easy  Duets   for   two  Violins  . . . 
Opera  Quarta.     [Separate  Parts.] 
R.  Bremner  :  London,  [1775  ?!     fol. 

g.  '421.  d.  (3.) 

[Another  copy.]  g.  421.  c.  (4.) 

[Another  edition.]  Twelve  Easy  Diverti- 
mentis  or  Duetts  for  two  Violins.  Opera 
Quarta.     [Separate  Parts.] 

Printed  for  Straight  and  Skillern  : 
London,  im5?]     fol.  g.  421.  f.  (2.) 

[Another  edition.]  Twelve  Easy  duets,  for 
Two  Violins  . . .  Opera  Quarta.  [Separate 
Parts.]     E.  Riley:  London,  [1800?]     fol. 

g.  421.  b.  (2.) 

[Another  edition.]  Twelve  Progressive 
Duetts  for  German  Flutes,  or  Violins. 
Op.  4.  G.  Goulding  d  Co.  : 

London,  [ISOO?]    obi.  i".  b.  71. 

Sei  Duetti  per  Violino  e  Violoncello  .  .  . 
Opera  vi.     [Separate  Parts.] 

Chez  Longman,  Lukcy  ct  Co.  : 
Lo7mZo?i,  [1775  ?]     fol.         g.  421.  d.  (7.) 

XXIV.  Menuettos  for  two  Violins  and  a 
Bass.     [Separate  Parts.] 

Printed  for  S.  £  A.  Thompson: 
London,  [1778.]     fol.  g.  409.  c.  (1.) 

Six    Quatuor    a    Deux  Violous    ou   Une 
Flutte    Un    Violon    Taille    &    Basse  . . . 
Oeuvre  vii.     [Separate  Parts.] 
B.  Hummel:  La  Haye,  [1775?]     fol. 

h.  1522.  a 

Six  Quintettes  ou  Trios,  pour  deux  Flutes, 
deux  Violous    et    Figure   Basse    pour   le 
Clavecin  . . .  Op.  x.     [Separate  Parts.] 
Goulding  £  Co. :  London,  [1800  ?]     fol. 

h.  1522.  a. 


478 


SCHWINDL^SCOTISH  SONGS 


SCHWINDIj  (PRiEDEicn)  Six  Simpbo- 
nies  in  Eight  Parts  for  Violins,  Hoboys, 
Horns,  Tenor  and  Bass.  Opera  Prima. 
[Separate  Parts.]  Longman  Ltilicy  £  Co. : 
London,  [1775  ?J     fol.  h.  1522.  b. 

Wanting  the  First  Oboe  part. 

Trois  Simpbonies  a  Deux  Violons,  Taille 
et  Basse,  Deux  Flutes  et  Deux  Cors  do 
Chasse  (ad  Libitum). .  .Oeuvre  Neuvieme. 
Chez  B.  Hummel :  La  Haye,  [1775  ?]    fol. 

h.  1522. 

Six  Sonatas  for  Two  German  Flutes  witb 
a  Thorougb  Bass  for  the  Harpsicbord  . . . 
Opera  iii.     [Separate  Parts.] 
Welckcr :  London,  [1770  ?]     fol. 

g.  71.  f.  (6.) 

Six  Sonatas  for  Two  Violins  and  Bass  . . . 
Op''  5'\     [Separate  Parts.] 
J.  Longman  d  Co.  :  London,  [1770  ?]     fol. 

g.  1055. 

A  second  Sett  of  Six  Sonatas  for  two 
Violins  and  a  Bass. .  .Opera  7.  [Separate 
Parts.]  Longman  Luhcy  and  Co.  : 

London,  [1175'?]     fol.  g.  416.  (3.) 

SCIO    (Etienne)     [Lisia.]      Un   Espagnol 
qui  voit  vcnir.     Air.     [1793.]     8". 
6'ecLisiA.  B.  362.  g.  (87.) 

SCIPIONE.  [Seven  Songs  in  the  Opera 
of  Scipiono,  by  G.  F.  Handel.]  [Walsli: 
London,  1726.]     fol.  H.  230.  f.  (5.) 

Wanting  the  title-page. 

Dimmi,    cara.       [Song.]       Sung    by    Sg' 
Senesino  in  Scipio.     [By  G.  F.  Haendel.] 
[LoHfZo«,  1726  ?]     s.sh.iol. 

Gr.  316.  d.  (121.) 

We  follow  brave  Hanibal.     A  Song  to  the 
March  in  Scipio.     [By  G.  P.  Haudel.] 
[London,  1726?]      s.sh.iol. 

G.  305.  (39.) 

[Another  copy.]  G.  313.  (61.) 

Scipio.    Opera.     See  Haendel  (G.  F.) 

SCIPIONE   IN    CARTAGINE.      Sci- 
pione  in  Cartagine.     Opera. 
See  Galuppi  (B.) 

SCISMAYER  (    )  Signor. 

See  SUESSMAYEE  (F.  X.) 

SCOLA  (Adamo)  Raccolta  di  Gondoliere, 
etc.     [J.  Walsh:  London,  11557]     obl.iol. 

E.  856. 

SCOLARI  (Giuseppe)  See  Corfe  (Joseph) 
Sacred  Music. .  .Consisting  of.  .  .Anthems 
. . .  adapted  to . . .  ]\Iusic  of  . . .  Scolari,  etc. 
[1800?]     fol.  I.  250.  a. 

SCOLD.     The  Scold.     [Song.]     Sec  Some. 
Some  Women  take  delight  in  dress. 
[1780?]    s.  s7i.  fol.  G.  311.  (142.) 


SCORNFUL.  The  Scornefull  Lady.  Song. 
See  POPELY  (W.) 
The  ScornfuU  Lover.     Song. 
See    Thousand.      A   Thousand    Nymphs 
Philander  saw.     [1705  ?]     s.  sh.  fol. 

G.  306.  (29.) 
The  ScornfuU  Maids.     Catch. 
See  Hook  (.J.) 

SCORPIONE  (DoMENico)  Rifiessioni 
Armoniche,  divise  in  Due  Libri  . . .  Opera 
Quinta.  Presso  il  De  Bonis  : 

Napoli,  1701.     fol.  7896.  h.  30. 

SCOTCH.  The  Scotch  Cuckold.  Song. 
See  Twenty.  Twenty  Years  and  mear  at 
Edinborrow,  c^c.     [1720?]     s.sh.iol. 

G.  312.  (50.) 
The  Scotch  Lass  Deceiv'd  by  her  Bonny 
Lad  Jockey.  [Ballad.]  See  Faemer  (T.) 
The  Scotch  Lasses  Choice.  Song. 
See  Long.  Long  Cold  Nights,  v/hen 
Winter-Frozen,  etc.     [1687  ?]     s.  sh.  fol. 

Case  39.  k.  6.  (26.) 
The    Scotch    Shepherd.      Song    [begins : 
'  When  blinking  day  gleams  ']. 
See  Gleve-(V.  de) 

The  Scotch  Shepherd.  Song  [begins: 
'  Behind  yon  hill  where  Stiuchar  flows  ']. 
See  Ebdon  (T.) 

The  Scotch  Wedding,  or  the   Lass  with 
the    Golden  Hair.      [Song.]      See  Now. 
Now  Jockey  and  Moggy  are  readv. 
[1710?]    s.sh.iol.  H.  1601.  (317.) 

SCOTCH  GHOST.     The  Scotch  Ghost, 
or  Little  Fanny's  Love.     [Ballet.] 
See  Capelletti  (G.) 

SCOTCH  SONGS,  A  Collection  of  Ori- 
ginal Scotch  Songs,  with  a  Thorough 
Bass  to  each  Song,  for  the  Harpsicord. 
5  Bks.  Printed  for  I.  Walsh: 

London,  [1732  ?j     fol.  H.  1374.  a. 

A  collection  of  single-sheet  songs,  in- 
cluding songs  by  James  Hawkins, 
William  Corbett,  Henry  Purcell, 
Robert  Cox,  Anthony  Young,  Daniel 
Purcell,  Wilkins,  Froude,  Yoslington, 
Jeremiah  Clark,  Frances,  William  ■ 
Croft,  B.  Lcveridge,  Keen  and 
Richard  Brown,  many  in  duplicate. 

SCOTCH  TUNES.  A  Collection  of  Ori- 
ginal Scotch-Tunes,  (Full  of  the  Highland 
Humours)  for  the  Violin ;  Being  the  First 
of  this  Kind  yet  Printed.  The  second 
Edition  with  Additions. 

William  Pearson,  for  H.  Play  ford: 
London,  1701.     obi.  i".  K.  4.  b.  18. 

SCOTISH    SONGS.      Scotish   Songs  in 
Two    Volumes.      [Edited,   with   an    His- 
torical Essay,  by  J.  Ritson.]     2  vols. 
Printed  for  J.  Johnson:  London,  1794.   8". 

239.  1.  11. 
TJie  title  of  Vol.  I.  reads  '  Scotisli  Song.' 


SCOTLAND— SE 


479 


SCOTLAND.      Scotland's   Good   Wishes 
to  His  Royal  Highness.     Song. 
See  JocKKY.     Jockey  away  ilan,  etc. 
1682.    s.  sh.  fol.        Case  38.  i.  25.  (7.) 

SCOTS   MUSICAL   MUSEUM.      The 

Scots  Musical  Museum.     [Songs.] 
See  JoHNSo:s  (.James) 

SCOTS   REELS.      A   Selection  of   Scots 
Reels,  or  Country  Dances,  for  the  Violin 
or  Flute  with  a  Bass  for  the  Piano  Forte 
or  Violoncello. 
Preston :  London,  [1800 ?J     ohl.  8". 

b.  78.  (2.) 

SCOTS  SONGS.  Thirty  Scots  Songs, 
adai)ted  for  a  Voice  and  HarxMschord. 
The  Words  by  A.  Ramsey.  Book  1" 
(Thirty  Scots  Songs.  .  .Book  2^).  2  Books. 
N.  Stetcart:  Edinburgh,  [1780?]     fol. 

H.  1374.  b.  (1.) 

A  Collection  of  Scots  Songs.     Adai^ted  for 
a  Voice  &  Harpsichord.  Neil  Stewart  : 

Edinburgh,  [1782.]     fol. 

G.  802.  a.  (2.) 


[Another  copy.] 


H.  1374.  b.  (2.) 


SCOTS  TUNES.  A  Curious  Collection 
of  Scots  Tunes,  With  Variations,  for  the 
Violin,  with  a  Bass  for  the  Violincello  or 
Harpsichord.  B.  Bremner  : 

Ediiiburgh,  [1759.]     obi.  fol.  d.  133. 

SCOTT  (JoHs)  Abraham  Newland,  as 
sung  by  I\Ir.  Davis  ...  at  Sadlers  Wells, 
the  Words  by  C.  T.  Dibdiu,  Jun'. 

Longman,  dementi  d  Co. : 
London,  [1800  ?]     fol.  G.  367.  (43.) 

This  is  an  adaptation  to  the  tunc  of  the 
'  Rogues'  March.' 

A  First  Set  of  Glees  for  3  &  4  Voices,  etc. 
T.  d-  W.  M.  Gahusac  : 
LoncZoH,  [1799?]     obl.iol. 

E.  318.  b.  (7.) 

SCOTTO  (GiROLAMo)  Di  Girolamo  Scotto 
I  Madrigali  a  Tre  Voci,  con  alcuni  alia 
Misura  Breue,  etc.  Cantus.  (Tenor.) 
(Bassus.)  3  pts.  A^nid  ipsum  Autorem: 
Venetiis,  1549.     obi.  4°.  K.  3.  f.  7. 

See  Ghibel  (H.)     Di  Heliseo   Ghibel  11 
Primo    Libro    di    IMadrigali  .   .   .  Con   la 
gionta  di  alcuni   altri  Tercetti  bellissimi 
[by  Hieronimo  Scotto],  etc. 
1551.    obi.  4°.  K.  4.  c.  12. 

See  Motets,  [o.  Motetti  del  Frutto.'] 
Excellentis.  Autorum  Diuerse  Modula- 
tiones  que  sub  Titulo  Fructus  uagantur 
per  orbem,  a  Hieronymo  Scoto  nuper 
recognite  &  edite,  etc.     1549.     obi.  4". 

A.  633.  c. 

SCOTTO  (Hieronimo)     See  Scotto  (G.) 


SCOULER  (Alexander)  A  favourite 
Lesson  for  the  Harpsichord  or  Forte 
Piano.  Welckcr : 

London,  [1775  ?]    obi.  fol.     e.  101.  a.  (7.) 

Six  Sonatas  for  the  Harpsichord  or  Piano- 
Forte,   with    an    Accompaniment    for    a 
Violin  . . .  Opera  ii.     [Separate  Parts.] 
J.  Preston:  London,  [1780?]     fol. 

h.  64.  (7.) 

SCRIGNO.  Lo  Scrigno  Armonico. 
[Dances.]     See  Pesori  (S.) 

SCRUPULE.     Le  Scrupule.     [Song.] 
Sec  Ma.     Ma  chere  Ursulo,  etc. 
[1760?]    8".  640.  e.  22.  (6.) 

SCRUTINY.     The  Scrutiny.     [Song.] 
See  Of.     Of  Wilkes  or  of  Halifax  'tis  not 
I  sing.     [1770  ?]     s.  sh.  fol. 

G.  310.  (272.) 

SCUG.     Scug.     [Song.] 

See  DiBDiN  (C.)     [Great  Neios.] 

SCYLLA.     Scylla.     [Opera.] 
Sec  Gatti  (T.  de) 

SCYLLA  ET  GLAUCUS.  Airs  du 
uouvel  Opera  de  Scylla  et  Glaucus  [by 
J.  M.  Lcclair].     [Paris,]  174G.     s.  sh.  4". 

297.  c.  9. 
Mcrcurc  de  France,  Nov.,  1746. 

SDEGNOSI  ARDORI.  Sdegnosi  Ardori. 
[Madrigals.]     See  Gigli  (A.) 

SE.     S'  ho  lasso  il  pie.     [Song.] 
Sec  Dario. 

Se  amor  mai  da  vu.     El  Consegio.     Cau- 
zonetta  Veneziana.     [By  J.  S.  Mayer.] 

Printed  for  T.  Monzani  : 
London,  [180O.]     fol.        G.  811.  a.  (38.) 
No.  13   of  '  A  Collection  of  Periodical 
Italian  Songs,'  etc. 

Se  cerca  se  dice  1'  amico  dov'  e.     Aria. 
See  CiMAROSA  (D.) 

Se  il  ciel  mi  divide.     Aria. 

See  PicciNi  (N.)     [Didonc  Abbandonata.] 

Se  libera  non  sono.     [Song.] 
See  Gresnick  (A.  F.)     [Alceste.] 

Se    lontano,    ben  mio    tu   sei.      Duetto, 
See  Minuets.     Lady  Coventry's  Minuet, 
etc.     [P.  F.  and  as  a  Vocal  Duet.] 
[1770?]    s.sh.iol.        H.  1994.  a.  (43.) 

Se  mai  piii  saro  geloso.     [Air.] 

See  Tarchi  (A.)     [La  Generositd  d'Ales- 

sanfZ/o.] 

Se  mi  credi.     Duett.     Sec  Florio  (C.  H.) 

Se  risolvi  abbandonarmi.     Song. 
See  Haendel  (G.  F.)     [Floridante.'} 

Se  sapeste  quanto  ei  mi  ama,     [Song.] 
See  Weigl  (J.)     [Ginlietta  e  Pierotto.} 


480 


SE— SECRET 


SE.     Se  sol  la  mia  morte.     Song. 
See  Aesace. 
Se  son  lontana.     Song. 
See  Galli  (    )  Signora. 
Se  ti  perdo  amato  oggetto.     Song. 
See  Gasegrandi  (     ) 
Se  ti  perdo,  O  caro  bene.     Rondo. 
Sec  UsuRPATOR  Innocento. 

SEA-SIDE.  The  Sea-Side  Sonnet.  [Song.] 
Sec  Essex  (T.) 

SEA  SONGS.  A  Collection  of  Sea  Songs 
on  Several  Occasions. 

Printed  for  I.  Walsh  and  I.  Hare  : 
London,  [1725  ?j     fol.  H.  35. 

This  cullcction  contains  songs  by  Bedford 
Aldrich,  Vanhrughc,  Levcridge,  Robert 
Bradley,  John  Barrett,  Weldon,  H. 
Purcell,  Ramondon  and  Court ivill. 

SEARCH.  Search  all  the  world  high  and 
low.  The  Grinders  or  More  Grist  to  the 
Mill,  a  celebrated  Comic  Song,  written  by 
C.  Dibdin,  Jun'.  H.  Hine  : 

Liveriwol,  [1800  2]  fol.  G.  368.  (10.) 
SEARCH  AFTER  HAPPINESS. 
The  Search  after  Happiness.  Pastoral 
Drama.  See  Hook  (J.) 
SEASON".  The  Season  for  Love.  [Song.] 
See  In.  In  Spring,  my  dear  Shepherds. 
[1780?]     s.sh.lol.  G.  309.  (87.) 

The  Season  of  Love  is  no  more.     [Song.] 
See  HiNDLE  (J.) 
SEASONABLE.      Seasonable   advice    to 
Maidens.      [Song.]      See   Let.      Let  the 
Nymph,  who  designs.     [1720?]     s.  sh.  fol. 
^     ^  H.  1601.  (285.) 

SEASONS.     The  Seasons.     [Song.] 

Sec  Arne  (T.  A.)  [6.  Doubtful  and 
Spurious  Works.'] 

Thomson's  Hymn  to  the  Seasons.  [Can- 
tata.] Sec  Barber  (R.)  Composer  of  '  The 
Seasons.' 

The  Seasons.     [Songs.]     See  Hook  (J.) 
The  Seasons  of  Love.     [Song.] 
See  Arne  (M.) 
SEATED.       Seated    at    Aminta's    Table. 
The    Senses.      [Song.]      The    Words    by 
R.  D.  Esq'.  J-  F\entu]m : 

[London,  1780  ?]     s.  s7t.  fol. 
^  G.  311.  (139.) 

SEA-WORN.   The  Sea-worn  Tar.    [Song.] 

See  Hook  (J.) 
SEBASTIANI  (Claudics)   Bellum  INIusi- 
cale,   inter   Plani   et    Mensuralis   Cantus 
Reges,  de  Principatu  in  Musicse  Prouincia 
obtinendo,  conteudentes,  etc. 

In  Officina  Pauli  Machxropcci  : 
Argent.,  1563.  'i".  557*.  c.  23. 

[Another  copy.]  53.  b.  24. 

Imperfect,  loanting  sheet  B. 
[Another  copy.]  557*.  d.  7. 


SEBASTIANI  (Johann)  Tanzen  ist  der 
Liebe  Schul.  Braut-Tanz  auii  das  erfreu- 
liche  Myrton-Fest  Herrn  M.  K.  V.  und 
Jungfer  A.  M.  H.  welches  den  29  Augusti 
des  1678  Jahres  .  ;  .  gefeyret  worden. 
[Words  by  j\I.  Kongehl.] 

Gcdruckt  bey  den  Beussnerischen  Erben  : 
Konigsbcrg,  [1688  ?]     8°. 

11521.  de.  36.  (1.) 
Pp.  155-65  of  the  2nd  Part  of  KongehVs 
'  Belustigung  bey  der  Unlust.' 

SECKENDORFF  (Carl  Siegmund  von) 

Baron.     Volks-   und   audere   Lieder,  mit 

Begleitung  des  Forte  piano,  etc.    3  Samml. 

Bey  K.  L.  Hoffmann  : 

Weimar  (Dessau),  1779(-82).     obi.  fol. 

C.  600. 
Sammlung  1  and  2  arc  dated  1779. 

SECOND.  Second  Thoughts  are  best. 
rSong.l  See  Come.  Come  list  to  me,  etc. 
[1790?]     fol.  G.  316.  (33.) 

Second  Thoughts  are  best.   [Song,  begins  : 
'  I  never  shall  survive  it.']    See  Dibdin  (C.) 

[Will  of  the  Wisp.] 

SECOND  (J.)  New  Bath  Dances.  Twelve 
Country  Dances  &  Two  Minuets,  with 
proper  Figures  adapted  for  the  Harp, 
Harpsichord  &  Violins,  etc.  Fentumr. 

[London,  1789.]     obi.  4".  a.  214. 

SECOND  (Mary)  The  Blind  Boy,  a 
Favorite  Song,  as  sung  &  arranged  for  the 
Piano  Forte,  by  Mrs.  Second.  [Words  by 
C.  Cibber.]  L.  Lavenu  : 

London,  [1800?]     fol.     H.  2830.  g.  (58.) 

SECOND  ATE.  Secondate  aurette  amiche 
Duett.  Sec  Mozart  (W.  A.)  [Cost  fan 
tuttc] 

SECOURS.     Le  Secours  Inutile.     [Song.] 
See  Je.     J'adore  une  Demoiselle. 
[1780?]     8°.  B.  362.  b.  (101.) 

SECRET.  Rosa  and  Henry,  the  much 
admired  Song  in  the  New  Comedy  of  the 
Secret,  [words  by  E.  Morris,]  . . .  Properly 
disposed  of  for  the  Harp  or  Piano  Forte, 
the  Music  by  a  Lady  of  Fashion. 

Longman,  Clementi  d  Comp"  : 
London,  [1799.]     fol.  G.  249.  (63.) 

Un   encien   proverbe  nous   dit.      Air   clu 
Secret  [by  J.  P.  Soli6]  des  Italiens. 
[Paris,  1796.]     8".  B.  362.  (107.) 

Le  Secret.     Opera.     See  Solie  (J.  P.) 


The    Secret.     Song. 
Kitty,  eic.     [1710?] 


See   Say.     Say  my 
s.  sh.  fol. 

H.  1601.  (397.) 


Le  Secret  ajoute  au  plaisir.    Romance. 
See  Blin  de  la  Codre  (M.  S.) 


SECRET— SEE 


481 


SECRET   DES    FRAWCS-MAgOlSrS. 

Le  Secret  des  Francs-MaQons,  avec  un 
Recueil  de  leurs  Chansons,  etc.  (Chansons 
Notees  de  la  tres  v6n6rable  Confrerie  des 
Masons  Litres.  Pr6c6dees  de  quelques 
Pieces  de  Poesie  . . .  et  d'une  Marche.  Le 
tout  recueilli  et  mis  en  ordre  par  F"" 
Naudot.)     2  pts.     [Paris  ?]  1740.     12». 

4785.  aa.  27.  (2.) 
The  Second  Part  is  engraved  throughout 
and  dated  1737. 
L'Ordre  des  Francs-Macjons  trahi,  etc. 
(Chansons  .  .  .  des  Francs-Masons.  Pre- 
ced^es  de  quelques  pieces  de  poesie.)  2  pts 
Amsterdam,  1745.     12°.       4783.  aaa.  2^ 

L'Ordre    des    Francs-Macons    trahi,   etc. 

(Chansons,  etc.)     2  pts. 

Amsterdam,  1771.     12°.  1369.  a.  15. 

SEE.     See  a   Nymph   so  brisk  and  witty. 
Song.     See  Dead  Alive. 
See,  Amanda,  a  new  Song.     By  a  Gentle- 
man.    Set  for  y°  German  Flute. 
[London,  ITdo?]  s.sh.iol.    G.  311.  (89.) 
[Another  copy.]  G.  305.  (222.) 

[Another  edition.]  See,  Amanda,  a  new 
Song,  etc.     [London,  1740  ?]     s.  sh.  fol. 

G.  316.  e.  (141.) 
See  bleeding  at  your  feet  there  lies.  Song. 
See  Franck  (J.  W.) 

See,  bonny  Moggv,  at  vour  feet.  A  new 
Scotch  Song.     [Londo7i^  1120?]     s.sh.iol. 

G.  311.  (77.) 
See  brave  Keppel.  Conqtici-ing  Hero.  The 
Hon'''''  Augustus  Keppel,  or  Victory  trium- 
phant o'er  a  Formidable  foe.  [Duet, 
adapted  to  Handel's  '  See  the  conquering 
hero  comes.']  [Longman  and  Bi-odcrip  : 
London,  1779.]     fol.  G.  311.  (151.) 

See  Britannia  leaves  the  Skies.  A  Neiv 
Song,  for  the  Lord  Mayor's  Day.  Written 
extempore,  on  occasion  of  Alderman 
Parsons  being  promoted  to  the  Chair. 
In  compass  of  the  flute.  [London, 

1740?]      s.sh.iol.  1.530.(139.) 

See  dear  Maid.    Ballad. 
Sec  MozAKT   (W.  A.)     [G.    Doubtful  aiid 
Spurious  Works.'] 

See,  from  the  silent  Grove.  Alexis.  A 
Cantata.  [By  J.  C.  Pepusch.] 
[London,  1740  ?]  fol.  G.  316.  e.  (140.) 
See,  gracious  God,  before  thy  throne. 
Hymn.  On  a  National  Fast.  [Words  by 
Anne  Steele.]     [London,  1776.]     8°. 

P.P.  716.  b. 

Gospel  Magazine,  Nov.,  1776. 

See  how  thy  Captive  Lark.      A  new  Song. 

On  a  Young  Lady's  Lark.  [London, 

1740  ?]     s.  sh.  fol.  G.  316.  (122.) 

See  how  thy  captive  Lark.     A  New  Song, 

On  a  Young  lady's  Lark. 

[London,  1751.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  VIII.,  p.  74. 

VOL.  II. 


SEE.     See  I  languish.     The  Borrowed  Kiss. 
[Song.     Words  from  R.  Dodsley's  '  Colin's 
Kisses,'  music  by  J.  Oswald.] 
[London,n4:5?]  s.sh.iol.     G.  311.  (54.) 

[Another  setting.]  See  I  languish.  The 
Borrow'd  Kiss.  [Song,  words  from  R. 
Dodsley's  '  Colin's  Kisses.'] 

C[harles  aiid]  S[amuel]  T[hompso7i : 
London, 1775?]  s.sh.iol.    G.  311.  (127.) 

See,  ]Myra,  see,  the  lilly  fair.  The  Com- 
parison, a  Song,  the  Words  by  a  Young 
Lady.     [London,  1752.]     8°. 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  X.,  p.  125. 

See,  Myra,  see  the  Lilly  fair.  The  Com- 
parison. A  Song,  the  Words  by  a  Young 
Lady.     [London,  1755  ?]     s.  sh.  fol. 

G.  316.  e.  (128.) 

See  Myra,  see  the  Lilly  fair.     The  Com- 
parison.    [Song.]     See  Chlok.     Chloe,  or 
the  Musical  Magazine,  etc.     No.  14. 
[1760?]    fol.  G.  433. 

[Another  setting.]  See  Myra,  see  the 
lilly  fair.     The  Comparisoji.     [Song.] 

L[ongman]  L[ukey]  &  Co.  :  [London, 
1775?]    s.sh.iol.  G.  311.  (129.) 

See  Phillis  yonder  bow'r.  The  Invitation. 
A  Song.     [Londcm,  1758.]     8°. 

P.P.  5438. 
Literary  Magazine,  Vol.  III.,  p.  229. 

See  Royal  Charlotte  come.  God  save  the 
King  and  Queen.  Sung  by  Mr.  Lowe  at 
Vauxhall.     [Lo^idon,']  1761.     8°. 

P.P.  5441. 
Royal  Magazine,  Vol.  V.,  p.  210. 

See  royal  Charlotte  come !     A  new  Song, 
sung  by  ]Mr.  Lowe,  at  Vauxhall  [to  the 
tune  of  '  God  save  the  King  'J. 
[London,  1761.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XXIX., p.  381. 

See  Royal  Charlotte  come  !  God  save  the 
King  and  Queen.  Sung  by  Mr.  Lowe,  at 
Vauxhall.      [London,  1761.]     8°. 

P.P.  5140. 
Lady's  Magazine,  Vol.  III.,  p.  225. 

See,  see  a  Sun.  A  Bacchanalian  Song. 
Written  by  Dr.  Ruttyer  . . .  about  the  year 
1643,  etc.  Bland  :  [London,] 

1782.    s.  sh.  fol.  H.  1601.  b.  (38.) 

See,  see,  my  Boys.     The  Introduction  of 
the  Bowl.     A  Catch.     For  four  Voices. 
[London,  1775.]     s.  sh.  4°.  159.  n.  7. 

London  Magazine,  Feb.,  1775. 

See  see  my  Seraphina  comes.  Song.  See 
Vakbeughe  (G.)     [Seraphina' s  Return.] 

See,  see  that  Insect.      The  Fly,  a  Simile. 
[Song.]     The  Words  by  Thos.  Crick. 
[London,  Yl 50?]     s.  sh.  fol. 

G.  316.  f.  (6.) 
2  I 


482 


SEE— SEHNSUCHT 


SEE.     See,  see  that  Insect  proud  and  vain. 
The  Fly.    A  Simile.     [Song.] 
{London,  1758.]     8°.  158.  1.  3. 

London  Magazine,  1758,  p.  308. 
[Another  edition.]     See,  see  that  Insect, 
proud    and    vain.      The    Fly,    a    Simile. 
[Song.]     The  Words  by  T.  Crick. 
[London,  1760  ?]     s.  s/i.  fol. 

G.  316.  f.  (6.) 

See  see  the  Huge  Bowie.  A  Song  to  be 
sitng  over  a  Boiole  of  Punch.  D.  Wright : 
London,  [1715  ?]     s.  sh.  fol. 

H.  1601.  (413.) 

See     see     yon    fair     Prospect.       [Song.] 
Sung  by  Mrs.  Weichsell,  at  Vauxhall. 
SMillern  :  London,  1780  ?J     s.  sh.  fol. 

G.  311.  (117.) 
See,   Sol    sweetly  smiles  with    his   gold 
beaming  Face.     Song.     See  Blewitt  (J.) 
See,  Stella,  as  your  health  returns.     The 
Congratulation.     [Song.] 
[London,  1745.]     8°.  157.  1.  7. 

London  Magazine,  1745,  p.  356. 
See  Stella  as  your  Health  returns.     The 
Recovery.     [Song.]      Set  by  an  Eminent 
Master.       See    Chloe.       Chloe,    or    the 
Musical  Magazine,  etc.     No.  79. 
[1760?]     fol.  G.  433.   1 

See  Stella,  see  that  Chrystal  Stream. 
Stella.  A  New  Song.  Sung  at  the 
Publick  Gardens.  [London, 

1750?]     s.s/t.  fol.  1.530.(140.) 

See,  Stella,  see  that  crystal  stream. 
Stella.    ANeivSong.     [London,  1153.]  8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XIII.,  p.  27. 
See  that  beauteous  blooming  Rose.     The 
Rose.     [Song.]  [London, 

1770?]     s.s/(.  fol.  G.  311.  (147.) 

See  that  pretty  Creature  there. 
See  Reeve  (W.)     [Don  Juan.] 

See  the  God  of  Wine  appears.     [Song.] 

See  Holmes  (G.)  of  Lincoln. 

See  the  happy  Country  Lass.     A  Medley 

or  the  Cries  of  London. 

[London,  1775  ?J     fol.         G.  316.  j.  (6.) 

See    the    jolly   God    appears.      Precious 

Goblet,  a  favorite  Song,  etc. 

Preston  d;  Son : 

London,  [1795  ?]    fol.     H.  2826.  c.  (32.) 

See  the  kind  indulgent  gales.     Song. 

Sec  Bach  (J.  C.) 

See  the  lovely  Nymph  reposing.     Glee. 

See  Stevenson  (Sir  J.  A.) 

See  the  Morning-Star  appear.     Hymn. 

See  Page  (J.) 

See  the  purple  morn  arise.     [Song.] 

See  Atheidates. 

See!     the     radiant     Queen     of     Night. 

Arethusa,  sung  by  IMiss  Raftor,  etc. 

[London,  1730  ?]     s.  sh.  fol. 

L  G.  316.  f.  (14.) 


SEE.    See  the  wanton  zephyrs  play.    Song. 
See  Hudson  (R.) 

See  the  yielding  fair.     A  tivo  Part  Song. 
Sung  by  ]\Ir.  Legar  and  ]Mr.  Leveridge. 
[London,  1720  ?]     s.  sh.  fol. 

G.  305.  (194.) 

See   what  sweets   this   wreath    compose. 
Cantata.     See  Dunn  (J.) 
See  where  Phyllis  ever  sprightly.     Phyllis, 
[Song,   words]    by   Mr.    Lockman.     To  a 
favourite  Minuet.  Printed  for 

H.  Waylett :    [London,  1750  ?]     s.  sh.  fol. 

G.  316.  f.  (3.) 
See  where  Phyllis  ever  sprightly.  Phillis. 
[Song.]     [London,  1759.]     s.  sh.  8". 

I.  600.  d.  (153.) 
A  cutting  from  the  Lady's  Magazine  for 
October,  1759. 
See  where  repenting  Cselia  lies.     Song. 
See  PuRCELL  (H.)     [The  Married  Beau.] 
See,  whilst  thou  weep'st.     [Song.] 
See  Lady. 

See  yonder  festive.     Song. 
See  Webbe  (S.)  the  Elder. 
See  your  Country  righted.     [Song.] 
See  Come.     Come  ye  lads   who   wish   to 
shine.      [1779.]     s.  sh.  fol. 

G.  307.  (105.) 
SEEDO  (  )  [Hurlothrumbo.]  Pretty 
Ladies,  pretty  Pins.  An  Additional 
Ballad  in  Hurlothrumbo  .  .  .  Sung  by 
Mrs.  Nokes  at  the  New  Theatre  in  the 
Hay  Markett.  [London, 

1780?]     s.sh.  fol.  G.  311.  (10.) 

When  my  Love  the  other  Day.     The  Milk 
Maid's  Song  . . .  Sung  by  Mrs.  Nokes  at 
the  Theatre  in  the  Hay  Market. 
[Lo7idon,  1725  ?]     s.  sh.  fol. 

G.  305.  (50.) 

[Another  copy.]  G.  313.  (80.) 

[Another  edition.]     When  my  Love  the 
other  Day.     The  Milk  Maid's  Song,  etc. 
[London,  1780  ?]     s.  sh.  fol. 

G.  316.  f.  (83.) 

See  Devil  to  Pay.     Ye  Gods  ye  gave  to 
me  a  wife.     A  Song,  etc.     [By  —  Seedo.] 
[1732.]     s.  sh.  fol.  G.  316.  f.  (14b.) 

See  Lottery.     The    Lottery.     A    Farce, 
etc.     [Music  chiefly  by  —  Seedo.] 
17,H2.     8°.  11775.  c.  66. 


SEEK.     Seek  ye  the  Lord 
See  Fisher  (J.  A.) 

SEELEN-MUSIK. 

Music.    See  Hymns. 


Anthem. 


Geistliche    Seelen- 

[6.  German.] 


Sec  Dalayeac  (N.) 
.   .  Arrang6e   pour 
.   .  avec   Accompagnement    de 
parM'Sehnal.     [1800?]     fol. 
H.  538.  f.  (3.) 
SEHNSUCHT.       Sehnsucht    nach    dem 
Friihlinge.     [Song.]     See  Mozart  (W.  A.) 


SEHNAL  (        )  M'-. 
[Alexis.]      Guverture 
Clavecin 
Yiolon  . 


SEHT— SELLIUS 


483 


SEHT.     Seht  man  sagt  mir.     Arie. 
Sec  Paee  (F.)     {Camilla.] 

SEID.  Seid  from  ihr  lieben  Christen  Lent. 
[Hymn.]     See  Petsch  (J.  F.) 

SEIDEL  (Friedeich  Ludwig)  Gesange 
am  Claviere.  In  der  Frankcschen 

BucJihaiullung  :  Berlin,  1793.     obi.  fol. 

T>.  730. 
SEIGNEUR.     Un  Seigneur  pauvre  avoit 
pour  fille.     La  Chatelaine  de  St.-Gilles. 
Romance.     [Paris,]  1788.    8". 

298.  g.  17. 
Mercure  de  France,  Sept.,  1788,  p.  3. 

SEIGNEUR     BIENFAISANT.        Le 

Seigneur  Bienfaisant.     [Opera.] 
See  Floquet  (E.  J.) 

SEIGNEURS.  Seigneurs  Aristoerates. 
Vaudeville  a  I'Ordre  du  Jour.  Imbault : 
Paris,  [1792.]     8°.  B.  362.  a.  (39.) 

SEIP  (JOHANN  HeINRICH) 

See  Mueller  (E.)     Das  Hohe  Lied  des 
Koniges  Salomons. .  .mit  kurtzen  Schluss- 
Liedern  [by  J.  H.  Seip],  etc. 
[1656?]     ohl.  B".  3149.  ee.  6. 

SELBY   (William)      The    Chase    of    the 
Hare.     A  New  Hunting  Song,  etc. 
[London,  ITiOl]     s.sh.iol. 

H.  1994.  a.  (3.) 

O'er  the  Bowl  we'll  laugh  and  sing.  A 
Drinking  Song,  etc.  [London, 

1765  ?]     s.  sh.  fol.  H.  1994.  (57.) 

See  Arne  (T.  A.)  A  Second  Collection  of 
Psalms  and  Hymns  used  at  the  Magdalen 
Chapel  .  . .  The  musick  ...  by  Dr.  Arne, 
W.  Selby,  etc.     [1765  ?]     8". 

E.  602.  y.  (1.) 

Sec  Voluntaries.     Ten  Voluntarys  . . . 

by  Dr.  Green  . . .  Selby,  etc. 

[1770  ?]     ohl.  fol.  e.  108.  a.  (5.) 

SELECT  HARMONY.  Select  Har- 
mony. Third  Collection.  Six  Concertos 
in  Seven  Parts,  for  Violins  and  other 
Instruments,  compos'd  by  Sig'Geminiani, 
and  other  Eminent  Italian  Authors,  etc. 
[Separate  Parts.]  Printed  for  I.  Walsh  : 
Londoti,  [1734.]     fol.  g.  26. 

Select  I  Harmony.    Fourth  Collection.    Six 

Concertos  in  Seven  Parts  for  Violins  and 

other    Instruments.      Compos'd    by    Mr. 

Handel,  Tartini  and  Veracini.     [Separate 

Parts.]  Printed  for  I.  Walsh  : 

London,  [1741.]     fol.  G.  26.  a. 

No.  1  is  by  Handel;  Nos.  2  and  3  are 

jMssibly  by  him,  though  not  included 

in  the  Handel  Society's  edition  ;  No.  4 

is  by  Veracini ;  No.  5  by  Tartini,  and 

No.  6  (though  witJwut  his  name)  also 

by  Tartini. 


SELF-BANISHED.  The  Self-banished. 
[Song.]     See  Oswald  (J.) 

The  Self  Banish'd.     [Song.] 

See  Saint  Germain  (    )  Count,  pseud. 

SELICHIUS  (Daniel)  Opus  Novum, 
Geistlicher  Lateinisch  vnd  Teudscher 
Concerten  vnd  Psalmen  Davidts,  mit  2. 
3.  4.  5.  6.  7.  8.  9.  10.  11.  12.  &c.  Stimmen, 
nebenst  dem  Basso  Continuo  vor  die 
Orgel,  Lauteu,  Chitaron  etc.,  etc.  Cantus. 
(Altus.)  (Tenor.)  (Bassus.)  (Quinta  (Sexta) 
(Septima)  (Octava)  Vox.)  (Bassus  Gener- 
alis.)  9  pts.  Li  Verlegung  dess  Autoris. 
Gedruckt  .  .  .  durch  Eliam  Hohvein : 
Wolff enbilttel,  1624.  {Hamburgk,  1625.)  fol. 

G.  39. 
A  made-up  copy.     The  A.,  T.,  B.,  8"  Vox 
and  Bassus  Generalis  are  published  at 
Hamburg  in  1625  by  M.  Hering. 

SELIMA    AND    AZOR.      Selima    and 
Azor.     [Opera.] 
See  LiNLEY  (T.)  the  Elder. 

SELLE  (Thomas)     See  Sellius. 

SELLIUS  (Thomas)  Concertatio  Castali- 
dum,  H.  E.  Musicalischerstreit,  Welchen 
die  Neun  Gottinnen  bey  dem  Parnasso 
Concertationsweise  vntereinander  einge- 
stellet ...  a  3.  Vocibus  nach  jetziger  Newen 
Manier  Componiret,  etc.  Cantus.  (Tenor.) 
(Basis.)     3  pts.  In  Verlegung  Michael 

Herings  :  Hamburg,  1624.     4". 

B.  124.  a. 

Delicise  Pastorum  Arcadise,  H.  E.  Arca- 
dische  Hirten-Frewd,  darinnen  Zehn  news 
Weltliche  .  . .  Pastorellen  begriffen,  a  8 
Vocibus  nach  jetziger  Invention  Com- 
poniret, etc.  Cantus  Prior.  (Cantus 
Posterior.)     (Basis.)     3  pts. 

In  Verlegung  Miclmel  Herings  : 
Hamburg,  1624.     4°.  B.  124. 

Der  LXV.  Psalm  Davids.  Mit  3.  Vocal- 
und  2.  Instrumental-Stimmen  sampt 
zugehorigem  Basso  Continuo  vor  die  Orgel 
etc.  . . .  Componirt,  etc.  [Separate  Parts.] 
Gedruckt  hey  Michael  Pfeiffern  : 
Hamburg,  1651.     fol.  G.  66. 

See  RiST  (J.)  Neue  musikalische  Fest- 
Andachten,  bestehend  in  . . .  Liederen  . . . 
Die  den  grossern  Theils  auf  gewohnliche 
. . .  Alle  aber  auf  gantz  Neue,  von  Herrn. 
Thoma  Sellio  .  .  .  wolgesetzete  Melodyen 
konnen  . . .  gesungen  werden,  etc. 
1655.    8°.  A.  188.  a. 

See  RiST  (J.)  Sabbatische  Seelenlust. 
Das  ist :  Lehr-  Trost-  Vermahnung-  und 
Warnimgsreiche  Lieder  . . .  welche  so  wol 
auf  bekante  . . .  alss  auch  . . .  Neue,  voni 
Herren  Thoma  Sellio  .  .  .  wolgesetzete 
Melodeien  konnen  gesungen  .  .  .  werden, 
etc.     1651.     Q\  1220.  d.  13. 

2  I  2 


484 


SELNECCERUS— SERIEUX 


SELTSTECCERUS  (Nicolaus)  Christ- 
liche  Psalmen,  Lieder,  vnd  Kircbon- 
gesenge,  etc.  Gedruckt  . . .  ditrch  Johan. 
Beyer  :  Leipzig,  1587.    4°.    3425.  ce.  36. 

SELON.  Selon  la  coutume  au  village. 
Vaudeville.     See  Gabrielle  et  Paulin. 

SEMELE.  0  Sleep  why  dost  thou  leave 
me.  [Song]  From  the  Opera  of  Semele 
[by  G.  P.  Handel].  S.  Falkener  :  London, 
[1780?]     s.sh.iol.  G.  805.  e.  11. 

[Another  copy.]  H.  1994.  a.  (70.) 

S6mele.  Cantate.  See  Destouches  (A.  C.) 
Semele.  [Oratorio.]  See  Haendel  (G.  F.) 
Semele.  Cantate.  See  Jacquet  de  La- 
GUEERE  (E.  G.) 

SEMIRAMIDE.  Semiramide.  Overture. 
[P.  P.]     [London,  1771  ?]     fol. 

h.  726.  m.  (13.) 
Probably  the   Overture    to   G.    Cocchi's 
'  Semiramide  Riconosciuta.' 
Semiramide.     Opera.     See  Hasse  (J.  A.) 

SEMIRAMIS.  Semiramis.  Tragedie  en 
Musique.     See  Destouches  (A.  C.) 

SENAILLE  (Jean  Baptiste)     Sonates  k 
Violon  seul  avec  la  Basse  . . .  Livre  III™^. 
Clicz  Madame  Aveline  : 
Paris,  [1745  ?]     fol.  h.  38. 

Quatrieme  Livre  de  Sonates  a  Violon  seul 
avec  la  Basse.  Chez  VAiiteiir  : 

Paris,  1721.     fol.  h..  38.  a. 

SENAREGA  (Marcelling) 

See     Negro     Santo     Pietro     (G.     de) 

Gl'  Amorosi  Pensieri  .  .  .  Libro  Secondo. 

Raccolte  da  M.  Senarega,  etc.     1607.     4°. 

D.  190. 
SEND.     Send  me  back  my  Heart.     [Song.] 

^ee  JMiLLER  (E.) 

SENF  (H.  C.  L.)     Gedichte  von  Filidor. 

Mit  Musik.  Bei  G.  J.  Goschcn  : 

Leipzig,  [1788.]     8°.  11525.  ee.  16. 

The  music  is  by  J.  G.  Witthauer,  A.  T. 

Grahl  and  Sterkel. 

SENFL  (Ludwig)  See  Hofheimerus  (P.) 
Harmoniae  Poeticae  .  .  .  tum  uocibus 
humanis,  tum  etiam  instrumentis  accom- 
modatissimae,  etc.  (Harmoniae  Poeticae 
Pauli  Hofheimeri,  &  Ludouici  SonfUj,  etc.) 
1539.    8".  1070.  e.  12,  (1.) 

See  also  S.,  L. 

SENSES.     The  Senses.     [Song.] 

See  Seated.     Seated  at  Aminta's  Table, 
etc.     [1780?]     s.  s7i.  fol.     G.  311.  (139.) 

SENSIBLE.     La  Sensible  Jeaunette. 
[Song.]     See  De.     De  I'art  de  plaire,  etc. 
[1790?]    8°.  B.  362.  e.  (9.) 

SENTIMENT.      Un   sentiment   cher   et 
paisible.     Air. 
See  Rague  (L.  C.)     IL'Amoicr  Filial.] 


SENTIR.       Sentir   avec    ardeur    fiamme 
discrete.     Brunette. 
See  Erreur  d'un  Moment. 

SENTO.     Sento  brillarmi  in  sen.     Aria. 
[Paris,]  1725.     s.  sh.  4°.  297.  a.  14. 

Mercnre  de  France,  May,  1725. 

Sento  che  in  freno  mi  batte.     Rondo. 
See  Contadina  in  Corte. 

Sento  che  in  seno.     Rondo. 
See  GiORDANi  (G.)  or  (T.) 

SENZA.  Senza  costrutto  o  cara.  Can- 
zonetta  Veneziana.  Ridotta  a  Duetto  con 
Accompagnamento  di  Arpa  o  Piano 
Forte.  Printed  for  T.  Monzani : 

London,  [1800.]     fol.       G.  811.  a.  (37.) 
No.   8  of   '  A    Collection  of  Periodical 
Italian  Songs,'  etc. 

Senza  il  caro  amato  oggetto.    Rondo. 

See  Naumann  (J.  G.) 

Senza  speranza.     Aria.      See  Weigl  (J.) 

[La  Principcssa  d'Amalfi.] 

SEQUEL.  The  Sequel  to  Crazy  Jaue. 
Song,     See  Poole  (C.) 

SEQUESTERED,  Sequester'd  in  a  lonely 
vale.  The  Complaint.  A  New  Song  [by 
Monsieur  Bennet].     [London,  1770.]     8°. 

P.P,  5438,  z. 
Universal     Magazine,      Vol.     XL  VII., 
p.  815. 

SERAFINA.     Serafina.     Cantate. 
Sec  Wolf  (E.  W.) 

SERAGLIO.     The  Seraglio.     [Opera.] 
See  DiBDiN  (C.) 

SERAPHINA,     Seraphina.     [Song.] 
See  Urbani  (P.) 
Seraphina's  Return.     Song. 
See  Vanbrughe  (G.) 

SERBA.  Serba  costante  in  petto.  Rondo. 
Sec  Sacchini  (A.  M.  G.) 

SERENADE.      The   Serenade,   or   Love- 
sick Polly.     [Song.]     See  Three.     Three 
Days  and  Nights  my  Polly,  etc. 
[1750  ?]    s.  sh.  fol.  G.  312.  (83,) 

The  Serenade.     Song.     See  Waft.     Waft 

to  her  ears,  kind  gentle  breeze. 

[1775  ?]     s.  sh.  fol.  G.  806.  f.  (80.) 

The  Serenade.   [Song,  begins :  '  'Tis  night, 
and  sunk  in  balmy  rest.'] 
See  Wilton  (C.  H.) 

SERENO.     Sereno  raggio.     Aria. 
See  Martin  y  Solar  (V.) 

SERIEUX.  Le  S^rieux  d'Agnes.  [Song,] 
See  Jour.  Uu  jour  assistant  au  festin,  etc. 
[1780?]     8".  B.  362.  a.  (163.) 


SERMES-SEXE 


485 


SERMES,  Sieur  de,  pseud,  [i.e.  Marix 
^IERSE^'NE.]  Traite  de  rHarmonie  Uni- 
verselle.  Ou  est  contenu  la  Musique 
Theorique  et  Pratique  des  Anciens  et 
Modernes,  etc.  2  pts.  Pour  Guillaume 
Baudry :  Paris,  1627.     8°.       1042.  e.  9. 

SERRE  (Jean  Adam)     Essais  sur  les  Prin- 
cipes  de  rHarmonie,  etc. 
Chez  Prault  Fils  :  Paris,  1753.     8". 

557*.  d.  31.  (1.) 

[Another  copy.]  1042.  i.  10.  (1.) 

Observations  sur  les  Principes  de  I'Har- 
monie,  occasiounees  par  quelques  Ecrits 
modernes  sur  ce  sujet,  etc. 

CJiez  H.  A.  Gosse  et  J.  Gosse  : 
Geneve,  1763.     8".  1042.  i.  10.  (2.) 

[Another  copy.]  1042.  i.  14. 

SERRE-TETE.  Le  Serre-Tete.  [Song.] 
See  Est.  Est  il  uu  plaisir  plus  charmant. 
[1790?]     8".  B.  362.  (244.) 

SERRURIER.  Le  Serrurier.  Op^ra 
Bouffon.     See  Kohaut  (C.  von) 

Le  Serrurier,  ou  la  Rencontre  Nocturne. 
[Song.]  See  Dans.  Dans  le  quartier 
Saint  Honors,  etc.     [1770  ?]     8°. 

B.  362.  b.  (141.) 

SERSE.     Xerxes.     Opera. 
Sec  Haexdel  (G.  F.) 

SERVA  PADRONA.  La  Servante 
Maitrcsse.  Comedie  en  deux  Actes, 
melee  d'Ariettes,  parodiees  [by  Baurans] 
de  la  Serva  Padrona,  Intermede  Italieu 
. .  .avec  la  Musique  [of  two  songs  by  G.  B. 
Pergolesil.     \_Paris,  1754.]     8^ 

11738.  bb.  3.  (1.) 

La  Servante  Maitresse,  Comedie  en  devix 
actes,  melee  d'Ariettes,  parodiees  de  La 
Serva  Padrona,  Intermede  Italien ;  repre- 
sentee pour  la  premiere  fois  . . .  le  14  Aout 
1754  .  .  .  avec  la  Musique  [by  G.  B. 
Pergolesi.  Voice  parts  onlv]. 
{Duchesne  :  Paris,  1755.]  8°.  86.  b.  14. 
Part  of  tlie  '  SuppUment  aux  Parodies 
du  Thidtre  Italien,'  etc.     torn.  1. 

La  Servante  Maitresse,  Comedie  en  deux 
Actes,  melee  d'Ariettes,  traduite  de  la 
Serva  Padrona,  intermede  Italien  . . .  avec 
la  Musique  [of  two  songs,  by  G.  B. 
Pergolesi].  1771.  See  Recueil.  Recueil 
general  des  Op6ra  BouSons,  etc.  Tom.  4. 
1777.     S".  11735.  b.  2. 


La  Serva  Padrona. 
See  Pergolesi  (G. 


Intermezzo, 
B.) 


SERVANTE  MAITRESSE. 

Set'  Serva  Padrona. 

SERVINUS   (Joannes)      Psalmi   Davidis 
a  G.  Buchanauo  versibus  expressi;  nunc 


primum  modulis  mi.  v.  vi.  vii.  et  viii. 
vocum  . . .  decantati.     Bassus. 

Apud  Carolum  Pesnot : 

Lugduni,  1579.    obi.  4°.         K.  8.  e.  25. 

The  royal  arms  of  Scotland  arc  stamped 

on  the  covers.       Imperfect,  icanting 

fol.  sig.  B  i,  iv ;    C  Hi,  iv ;    D  Hi; 

E    Hi,    iv ;     F  Hi,  iv ;     G  Hi,   iv ; 

H  i-iii ;    I  i ;    L  i-iii ;    M  Hi,  iv  ; 

P  i,  Hi,  iv ;    Q  i,  iv ;   B  i,  iv ;    S  i, 

H,  iv ;    T  i,  iv  ;    X  i,  ii,  iv ;    Y  i ; 

Bb  Hi,  and  all  after  Bb  iv.      Fol. 

F  Hi,  NH  and  Z  ii  are  mutilated. 

SETAB  (J.)  pseud,  [i.e.  J.  Bates.]  The 
Fife  Hunt,  arrang'd  as  a  Rondo,  in  which 
islntroduc'd  Speed  the  Plough,  Del  Caro's 
Hornpipe  &  the  Invisible  Cousin  Michael. 
Printed  for  H.  Thompson: 
London,  [1800  ?]    fol.       g.  272.  d.  (19.) 

SEUBERLICH  (Daniel)  pseud,  [i.e. 
Friedrich  NicoLAi.]  Eyn  feyner  kleyner 
Ahnauach  vol  sch5nerr  echterr  libUcherr 
Volckslieder,  lustigerr  Reyen  vnndt  kleg- 
licherr  ]\Iordgeschichte,  gesungen  von 
Gabriel  Wunderlich  .  .  .  zu  Dessaw, 
herausgegeben  von  D.  Seuberlich  [i.e. 
Friedrich  Kicolai]  .  .  .  Erster  (Zweyter) 
Jahrgang.     2  pts.  Friedrich  Nicolai  : 

Bcrlynn  vnndt  Stettyn,  1777(-S).     16". 

P.P.  4739.  ca. 

SEVERE.       La    severe    nature    voudroit 
user  de  rigueur.     Les  Bicnfaits  du  Boy. 
[Song.]     Air.     La  Fete  des  bonnes  Gens. 
[Paris,  1785  ?]     8°.         B.  362.  a.  (196.) 

SEVERI  (Francesco)  Salmi  Passaggiati 
per  Tutte  le  Voci  nella  maniera  che  si 
cantano  in  Roma  sopra  i  Falsi  Bordoni 
di  tutti  i  Tuoni  Ecclesiastici  .  .  .  Con 
alcuni  Versi  di  Miserere  sopra  il  Falso 
Bordone  del  Dentice  . . .  Libro  Primo. 
Da  Nicold  Borboni :  Boma,  1615.    obi.  12". 

K.  3.  f.  8. 
Engraved  throughout. 

SEX.      The   Sex.      [Song.]      See   As.      As 
Jockey  was  walking,  etc. 
[1750?]    s.  s7z.  fol.  G.  306.  (63.) 

The  Sex.     Song.     See  As.    As  Jockey  was 
walking,  etc.     [1754.]     8°.         157.  1.  16. 

The  Sex.      [Song.]      See  As.     As  Jockey 
was  walking,  etc.     [1755.]     s.  sh.  8". 

P.P.  5439.  ab. 

SEXE.    Sexe  charmant,  j 'adore  ton  empire. 
Rondeau.   See  Dalayrac  (N.)    [Gulnare.] 

Sexe    charmant    par    qui  nous  soniines. 
Vaudeville.     See  Honorine. 

Sexe    charmant,   pour    vous    mon    cceur 
brule.     Ariette  Nouvelle. 
\       [Paris,  1780?]     8°.  B.  362.  c.  (19.) 


486 


SEXE— SHARP 


SEXE.  Sexe  charmant,  si  ma  chanson. 
Lcs  Caprices  [Song,  written]  par  M.  Minier. 
Air :  Ce  fut  i^ar  la  faute  du  sort  ou  Non 
non  Doris  [by  M.  A.  Desaugiers]. 

Clicz  lesfrires  Savigny : 
[Paris,  1790  ?]     8".  B.  362.  (245.) 

SEYBOLD  (S.  Philip)  Twelve  Airs,  with 
Variations  for  the  Harp.  Irish,  Welsh  & 
French  . . .  Op.  xii. 

Publish'd  by  Subscription : 
[Dublin,  1796  ?]     fol.        li.  184.  c.  (20.) 

Cease  O  cease.     [Song.]     The  Words  by 
Mr.  Layard,  etc. 

I[olin  and]  G[crard']  Y^ogler  : 
London,  1775  ?]     fol.  G,  201.  (63.) 

Seybold's  much  admired  Chasse,  for  the 
Harpsicord,  Harp,  or  Piano  Forte. 
Holland  &  Co. :  London,  [1790  ?]     fol. 

h.  726.  p.  (11.) 

Seybold's  much  admired  Chasse  for  the 
Piano-Forte  or  Harp,  with  an  Accom- 
paniment for  a  Violin.  [Separate  Parts.] 
Printed  for  J.  Dale  : 
London,  [1800?]     fol.       g.  192.  a.  (16.) 

Three  Sonatas  for  the  Harp  or  Piano- 
Forte  .  .  .  with  Accompaniments  for  a 
Violin  and  Violoncello.  Op.  x.  [Separate 
Parts.]  Printed  for  the  Author  : 

London,  [1795  ?]     fol.       h.  184.  e.  (15.) 

Three  Sonatinas  for  the  Harp  or  Piano 
Forte,  with  Accompaniments  for  Violin 
&  Violoncello  .  .  .  Op.  xiii.  [Separate 
Parts.]     Gough:  Dubli7i,  [1800?]     fol. 

h.  184.  e.  (16.) 
See  Aprile  (G.)  Twelve  Favorite  Can- 
zonets . . .  Set  with  Accompanyments  . . . 
by  P.  Seybold.     Op.  iv.    [1785  ?]     obi.  fol. 

E.  600.  1.  (3.) 
See  Rose  et  Colas.  Demandez  moi 
pourquoi  cette  colere  . . .  With  an  Accom- 
panyment  for  the  Harp  by  S.  P.  Seybold. 
[1770?]    fol.  G.  800.  m.  (50.) 

SEYDELMANN  (Feanz)  Arsene.  Sing- 
spiel  nach  Favart  von  A.  G.  Meissuer.  In 
Musik  gesetzt  und  im  Klavierauszug  ge- 
bracht  von  F.  Seydelmann,  etc. 

J.  G.  I.Breitkopf: 
Leipzig,  1779.     obi.  fol.  P.  76. 

Trois  Sonatas  pour  le  Clavecin  ou  Piano- 
forte avec  I'accompagnement  d'un  Violon 
. . .  Oeuv.  III.     [Separate  Parts.] 

Ches  P.  C.  mischer  : 
Dresde,  [1787.]     fol.  and  obi.  fol.      d.  77. 

See  Freemasons'  Songs.  Gesiinge  fiir 
Maurer  mit . . .  Melodien  von  Seydelmann, 
etc.     [1782.]     8°.  E.  1718. 

See  Kriegel  (C.  F.  W.)     XXXVI.  Lieder 

. . .  von  . . .  Seydelmann,  etc. 

[1790-1.]     obi.  fol.  E.  679. 


SEYFRIED  (Ignaz  Xaver  von)  Parade 
Marsch  des  lobl.  zweyten  Biirger  Regi- 
ments, etc.     [P.  F.] 

Im  Vorlage  der  k.k.  priv.  chemischen 
Druckerey  :   Wien,  [1800  ?]     obi.  fol. 

e.  1090.  a.  (2.) 

SEYPRIED  (JoHANN  Chbistoph)  Erster 
Theil  Neuer  Balletten,  AUemauten, 
Arien,  Couranteu  und  Sarabanden,  mit 
zwey  Violinen,  und  einem  geduppelten 
General-Bass. .  .Violino  2.  (Bassus  Con- 
tinuus.)     2  pts.  Li  Verlegung 

Johann    Birckners  .  .   .  Erffurt,    druckts 
Samuel  Krcbs  :  Jehna,  1656.     4".      c.  81. 

SEYVE  (Erasmus  de)    Melodia  Spirituale 

a  Tre  Voci,  etc.     Canto.     (Basso.)      2  pts. 

Appresso  Abrahamo  Wage'imanrio : 

Norimberga,  1614.     4".  B.  135. 

SHADES.     Shades  of  Windsor.     Glee. 
See  Spofforth  (R.)     [Windsor  Castle.] 

SHAKESPEAR'S    GARLAWD 

Shakespear's  Garland.     Songs. 
See  DiBDiN  (C.) 

SHALL.  Shall  Britain's  Sons  disgrace 
their  Sires.  Britons  will  be  Britons  still 
...  A  Favorite  Song  as  sung  by  the  Loyal 
Sons  of  Britain.  Printed  for  ...  J.  Dale  : 
London,  [1798  ?]     fol.  G.  376.  (56.) 

Shall  I  all  the  truth  discover.     Song. 

See  Hudson  (R.) 

Shall  I,  wasting  in  despair.     A  new  Song. 

[Words  by  G.  Wither.] 

[London,  1758.]     8".  158.  1.  3. 

London  Magazine,  1758,  p.  92. 
Shall  I  wasting  in  despair.     What  care  I 
for    whom    she    be.      [Song.]      Sung    by 
Mr.  Vernon.    S[amuel,]  A[nn  and]  P[eter] 
T\hompson  :  London,  1780  ?]     fol. 

G.  311.  (123.) 
[Another  copy.]  G.  808.  f.  (45.) 

SHAM  CONJURER.  The  Sham  Con- 
jurer.    Masque.     See  Lampe  (J.  F.) 

SHAMMELL  (Antonio) 
See  Kammel  (A.) 

SHARP  (Francis)  New  Guida  di  Musica, 
being  a  Complete  Book  of  Instructions  for 
Beginners  on  the  Piano  Forte,  etc.  Op.  6. 
Preston  d-  Son  :  London,  [1790  ?]     fol. 

h.  1094. 

Six  Sonatas  for  the  Harpsichord  or  Piano 
Forte,  Three  with  an  Accompanyment  for 
the  Violin,  etc.  Welcker  : 

London,  [1775  ?]  obi.  fol.  e.  5.  k.  (4.) 
Six  Sonatas  for  the  Piano  Forte  or  Harp- 
sichord, with  accompanyments  for  the 
Violin  (or  Flute)  &  Violincello,  etc.  Opera 
the  Fifth.  Printed  for  the  Author  : 

London,  [1785  ?]    fol.     h.  3212.  g.  (14.) 
Wanting  the  string  accompaniments. 


SHARP— SHENKIN 


487 


SHARP  (Gbanville)  A  Short  Intro- 
duction to  Vocal  Music  . . .  The  Second 
Edition.     London,  1777.     8°. 

701.  e.  16.  (2.) 

SHARP  (Thomas)     See  Henly  (P.)  and 

Sharp  (T.)  Divine  Harmony  ...  to  which 
are  added  :  Four  Psalm  Tmies,  composed 
&  adapted. .  .by  the  late  . . .  T.  Sharp,  etc. 
1798.     8".  E.  481. 

SHAVEBLOCK  (Pasquin)  pseud.     The 
Barking     Barber     or     new    Bow    Wow. 
[Comic  Song.]     By  Pasquin  Shaveblock, 
Esq',  Shaver  Extraordinary. 
T.Williams:  Southwark,  [1190?]     fol. 

H.  2818.  (17.) 

SHAW    (         )      The    Happy    Milkmaid. 

[Song.]  Sk[:illern :  London, 

1775.]      s.  $h.  fol.  G.  306.  (81.) 

SHAW  (Thomas)  The  Four  Saints. 
[Song.]  The  Words  by  C.  Dibdin.  Com- 
piled and  Arranged  for  the  Voice  and 
Piano  Forte,  by  IMr.  Shaw,  etc.  Shmo : 
Edinburgh,  [1800?]     fol. 

H.  2818.  c.  (21.) 
The  Overture,  Songs,  Duets,  Trios  & 
Chorusses  in  the  Comic  Opera  entitled 
The  Island  of  S*  Marguerite,  [the  words 
written  and  the  music  partly  selected  by 
the  Hon.  J.  St.  John]  . . .  Adapted  for  the 
Harpsichord  &  Voice  by  Mr.  Shaw. 

Printed  for  S.  A.  d  P.  Thompson  : 
London,  [1789.]     ohl.  fol.        D.  282.  (8.) 

Three  Sonatas  for  the  Piano  Forte  or 
Harpsichord.  Longman  and  Broderip  : 
London,  [1795  ?]     ohl.  fol.        e.  101.  (8.) 

[The  Stranger.]  To  welcome  Mirth  and 
harmless  Glee.  The  favorite  Duett 
sung  by  Mrs.  Bland  and  Miss  Leak  in  the 
Play  of  the  Stranger  . . .  The  Words  by 
J.  Grubb.     [Full  Score.] 

Longman  and  Broderip  : 
[London,  1798.]    fol.     H.  2830.  g.  (59.) 

[Another  edition.]  To  welcome  Mirth 

and  harmless  Glee,  etc. 

Longman,  dementi  &  Co.  : 
London,  [1800  ?]   fol.     H.  2818.  e.  (22.) 

See  Cavendish   (G.)    Duchess  of  Devon- 
shire.    [I  have  a  silent  Sorrow  here  . . . 
Song  . . .  adapted  by  Mr.  Shaw,  etc.] 
[1798.]     fol.  G-.  249.  (39.) 

SHE.     She  dropt  a  Tear  &  cried  be  true. 
Song.     See  Moulds  (J.) 
She  lives  in  the  Valley  below.     Song. 
See  Hook  (.J.) 

She  sung  whilst  from  her  Eye  ran  down. 
Song.     See  Linley  (W.)     [Voiiigern.] 

She  tells  me  with  Claret  she  cannot 
agree.  The  lolly  Toper,  a  New  Song, 
the  words  by  Mr.  Durfey.  [London, 

1715?]     s.sh.iol.  H.  1601.  (396.) 


SHE.    [Another  edition.]   She  tells  me  with 
Claret  she  cannot  agree,  etc.  [Lcnidon, 

1715  ?]     s.  sh.  fol.  G.  311.  (73.) 

She  that  will  eat  her  breakfast  in  her  bed. 
A  Catch  for  Three  Voices. 
[London,  1784  ?]     s.  sh.  4°.      P.P.  5141. 
Lady's  Magazine,  Feb.,  1784. 

She  whom  above  myself  I  prize.  The 
Liexorable.  [Song,  words  and  music  by 
H.  Carey.]     [London,]  1740.     s.  sh.  fol. 

G.  315.  (73.) 

[Another  setting.]  She  whom  above  my- 
self I  prize.  Lesbia's  Cruelty.  [Song, 
words  by  H.  Carey,  music  by  G. 
Vanbrughe.]     [London, Vi'iO?]     s.sh.iol. 

G.  303.  (85.) 
Fol.    19    of   Vanbrnghc's    'Mirth    and 
Harmony.' 

She  Woud  and  She  Woud  not.     Song. 
See  Ramondon  (L.) 

She  wou'd  not,  and  she  wou'd.     [Song.] 
See  When.     When  Chloe  first  young  Colin 
saw.      [1760  ?]      s.  sh.  fol. 

G.  316.  a.  (52.) 

SHE    WOULD     IF     SHE     COULD. 

Musick  in  the  Comedy  [by  C.  Cibber] 
call'd  She  Wou'd  if  She  Cou'd.  Composed 
by  a  Person  of  Quallity.  [First  Violin 
and  Bass  Parts.]  [London, 

1704?]     obi.  fol.  d.  24.  (20.) 

SHEELES  (John)  Chaste  Lucretia. 
[Song.]  See  Chaste.  Chaste  Lucretia, 
when  you  left  me,  etc.  [Music  by 
J.  Sheeles.]     [1720?]     s.sh.iol. 

G.  307.  (28.) 

Hail  Janus  who  shut'st  out  the  sliding 
Year.  A  Song  .  .  .  The  Words  by  Dr. 
Stukeley.     [London,  1720.]     s.  sh.  fol. 

L  530.  (141.) 

If  a  Lady  vou  doat  on.     A  New  Song,  etc. 

[London,  1720  ?]     s.  sh.  fol. 

^  G.  309.  (49.) 

The  Skylark.  A  Collection  of  all  the 
Divine  Odes  and  Hymns.  Taken  out  of 
the  Spectators,  etc.  [Words  by  A.  Pope, 
J.  Addison,  and  R.  Tickell.] 

Wm.  Smith,  for  the  Author  : 
[London,  1730  ?]     8\  C.  688. 

Suites  of  Lessons  for  the  Harpsicord  or 
Spinnett.  Printed  for  Wm.  Smith  . . . 

M.  Eaivlins  . . .  and  I.  Barret :  London, 
[1725  ?]    obi.  fol.  e.  282.  c.  (12.) 

SHEIN".  Shein  sheis  shuns  lum.  An 
L-ish  Sotig.  Sung  by  IMr.  Abell  at  his 
Consert  at  Stationers  Hall.  [London, 

1714.]     s.  sh.  fol.  K.  2.  g.  15.  (3.) 

SHENKIN.  Shenkin  and  Winny.  [Song.] 
See  Dibdin  (C.)     [The  Wags.] 


488 


SHEPHERD— SHERAKD 


SHEPHERD.     The  Shepherd  and  Cupid,   j 
[Song.]      See   'Twas.     "Iwas   early  on   a 
holiday.     [1748.]     8°.  157.  1.  10.    \ 

The  Shepherd  and  his  Dog.     Song. 

See   RiJiBAULT    (S.    F.)       Select    Songs. 

No.  7. 

The  Shepherd  Boy.     Song. 
See  Hook  (J.) 

The  Shepherd  in  Love.     [Song.] 

See  Tales.     The    Tales '  of   your    loves, 

fellow  Shepherds,  I've  heard,  etc. 

[1770?]     s.sh.tol.  G.  312.  (124.) 

A  Shepherd  once  had  lost  his  Love.  Song. 
See  Stobace  (S.) 

A  Shepherd  sat  him  under  a  thorn.     TJte 
NortJiumbcrland  Bagpipe.     [Song.] 
P.  H[odgson  :  London,  1770  ?j     s.  sh.  fol. 

G.  306.  (141.) 

Shepherd,  seek  not  Wealth  or  Pow'r.  On 
Contentment.  [Song.]  Sung  at  the  Public 
Garden.     \London,']  1762.     8°. 

P.P.  5441. 
Boyal  Magazine,  Vol.  VII.,  p.  41. 

A     Shepherd     wand'ring     in     a     Grove. 
Harmonized  for  3  voices,  with  an  Accom- 
paniment for  the  Piano  Forte. 
R.  Birchall :  London,  [1794  ?]     fol. 

H.  1795.  k.  (5.) 

Shepherd  what  art  thou  pursuing.  Song. 
See  Haendel  (G.  F.)     [Acis  and  Galatea.^ 

Shepherd  wouldst  thou  here  obtain. 
Song.     See  Y.,  E. 

The  Shepherd's  Artifice.     [Song.] 
See  Potter  (J.) 

The  Shepherd's  Complaint.  [Song,  begins : 
'  Ah  whither  alas  shall  I  fly.'j 
See  Atkinson  (    )  Miss. 

The  Shepherd's  Complaint.  [Song,  begins  : 
'  Sweet  were  once  the  joys.'] 
See  RussEL  (D.) 

The  Shepherd's  Complaint.     [Song.] 

See  Slighted.     A  Slighted  Shepherd  in  a 

Vale.      [1730  ?]      s.  sh.  fol. 

I.  530.  (144.) 

The  Shepherd's  Complaint.  [Song,  begins  : 
«  To  feed  my  flock.'] 
See  Stanley  (J.) 

The  Shepherd's  Evening.     [Song.] 

See  Now.     Now  to  pant  on  Thetis'  Breast. 

[1760.]     s.  sh.  fol.  1.  530.  (110.) 

The  Shepherd's  Invitation.     Air  [begins  : 

'  Come  live  with  me  ']. 

See  Ahne  (T.  A.)     [Achilles  in  Petticoats.] 

The  Shepherd's  Invitation.  Song  [begins  : 
'  See,  May  approaches'].     See  Hook  (J.) 

The  Shepherd's  Invitation.    [Song,  begins  : 
'  The  new-flown  birds.'] 
See  Lampe  (J.  P.) 


SHEPHERD.    The  Shepherd's  Invitation, 
[Song,  begins  :  '  Come  live  with  me.'] 
See  Oswald  (J.) 

The  ShexAerd's  Repentance,  A  New 
Song  [by  W.  Defesch],  etc.  See  Chloe. 
Chloe,  or  the  ]\Iusical  Magazine,  etc. 
No.  48.     [1760  ?]     fol.  G.  433. 

The  Shepherd's  Resolution.     [Song.] 
See    Dunn    (J.)       [Six    English    So7igs. 
No.  5.] 

The  Shepherd's  Wedding.  [Song,  begins  : 
'  Vain  mortals  with  their  earthly  pomp.'] 
See  Randall  (R.) 

The  Shepherd's  Wedding.     [Song,  begins  : 
'  Pastora's  come  with  myrtle  crown'd.'] 
See  WoKGAN  (J.) 

SHEPHERD  (William)  A  Collection  of 
Strathspey  Reels,  &c.  with  a  Bass  for  the 
Violoncello  or  Harpsichord,  etc. 

Printed  for  the  Author  : 
Edinburgh,  [1790  ?]     fol.         g.  542.  (4.) 

A  Second  Collection  of  Strathspey  Reels 
&c.  for  the  Piano  Forte  Violin  &  Violon- 
cello, etc.  Gow  (&  Shepherd  : 
Edinburgh,  [1800  ?]     fol.  g.  542.  a. 

SHEPHERD  AND  SHEPHERDESS. 

The  Shepherd  and  Shepherdess.  Cantata. 
See  Battishill  (J.) 

SHEPHERD'S  LOTTERY.  To  dear 
Amaryllis.  A  Neio  Song.  Sung  by 
Mr.  Beard,  in  the  Shepherd's  Lottery. 
[Words  by  M.  Mendez,  music  by  W. 
Boyce.]     [London,  1752.]     8°. 

157.  1.  14. 
London  Magazine,  1752,  p>.  138. 

The  Shepherd's  Lottery.  Entertainment. 
See  Boyce  (W.) 

SHEPHERDS.  Shepherds  I  have  lost 
my  Love.  Anna.  A  Particular  Favourite 
Irish  Song,  etc.  I.  F[entum  :  London, 

1775  ?]     s.  sh.  fol.        H.  1994.  a.  (121.) 

[Another  edition.]     Shepherds  I  have  lost 
my  Love.     Anna,  etc. 
[London,  1175?]     s.  sh.  io\. 

Add.  MS.  20,096.  fol.  108. 

[Another  edition.]  Shepherds  I  have  lost 
my  Love.     Anna,  etc.  I.  F[entti\m  : 

[London,  1775  ?]     s.  sh.  fol. 

H.  1994.  b.  (71.) 
The  Shepherds  in  Clusters.     [Song.] 
See  Gaedineb  (P.) 

Shepherds  seek  not  Wealth.     [Song.] 

L[ongman']  L[tikey']  d  Co. :  [Lo7idon, 
1775?]     s.sh.tol.  G.  311.  (112.) 

Shepherds  would  you  hope  to  please  us. 
Aria.     See  Palma  (F.) 

SHERARD  (GiACOMO) 
See  Sheeard  (J.) 


SHERARD— SHIELD 


489 


SHERARD  (James)  Sonate  a  Tre,  doi 
Violiui,  e  Violone  col  Basso  per  1'  Organo 
. . .  Opera  Prima.     [Separate  Parts.] 

Chez  Estienne  Roger  : 
Amsterdam,  [1115?]     4^  f.  24.  (1.) 

Sonata  a  Tre,  doi  Violine,  Violoncello  e 
Basso  continuo  .  .  .  Opera  Seconda. 
[Separate  Parts.]  Chez  Estienne  Roger  : 
Amsterdam,  [1725?]     4".  f.  24.  (2.) 

SHIELD  (John)   The  Approaching  Season. 
[Song.]     The  Words  by  T.  Godwin,  etc. 
[London,  1782.]     s.  sh.  4°.        P.P.  5141. 

Ladt/s  Magazine,  March,  1782. 
Cross  Purposes.     [Song.]      The  words  by 
Mr.  Vint,   adapted  to  a  favourite   Scot's 
Reel,  by  J.  Shield. 
[Lo)idon,']  1791.     s.  sh.  4^        P.P.  5141. 

Lady's  Magazine,  July,  1791. 
Jenny  of  the  Glen.     A  Scotch  Song.     The 
Words  by  Mr.  Vint. 
[Lojidon,  1783.]     s.  sh.  4".        P.P.  5141. 

Lady's  Magazine,  Aug.,  1783. 
O  the   blissful  joys   of   wooing.     A  New 
Song.     The  Words  by  J.  Elwood,  etc. 
[London,  1780  ?]     s.  sh.  4". 

G.  316.  (123.) 
0  !   the  blissful  joys  of  wooing.     A  New 
Song.     The  Words  by  J.  Elwood,  etc. 
[London,  1784.]     s.  sh.  4".        P.P.  5141. 

Lady's  Magazine,  Dec,  1784. 

SHIELD  (William) 

Arrangement. 

1.  Operas,  Pantomimes,  Entertainments, 

&c. 

2.  Songs,  Duets,  Glees,  &c. 

a.  Collections. 

b.  Single  Works. 

3.  Instrumental  and  Theoretical  Works. 

4.  Appendix. 

5.  Index  of  Vocal  Numbers. 

1.  Operas,  Pantomimes,  Entertain- 
ments, &c. 

Abroad  and  At  Home. 
Abroad  and  At  Home.      A  Comic  Opera 
.  .  .  Composed    by    [and    selected    from] 
Gr6try,  Gioruovichi,  &c.    and  W.  Shield 
. . .  The  Poetry  by  G.  Holman. 

Longman  d-  Brodcrip  : 
London,  [1796.]     oU.  fol.        D.  287.  (2.) 
Imperfect,  wanting  pp.  1  and  2. 

The  Choleric  Fathers. 
The  Choleric  Fathers,  a  Comic  Opera,  etc. 
Opera  4.     [Words  by  T.  Holcroft.] 
[London,  1785.]     obi.  fol.        E.  100.  (1.) 

The  Choleric  Fathers  . . .  Adapted  for  the 
German  Flute,  etc. 

Longman  and  Brodcrip : 
London,  [1785.]    obi.  4°.    B.  387.  b.  (1.) 

The  Crusade. 
The    Songs,    Dialogue,    Duetts,    Trio    & 
Marches,  in  the   Historical   Romance  of 


the  Crusade,  [a  Pasticcio,  written  by  F. 
Reynolds,]  composed  by  Dr.  Arne,  jMartini, 
Martin,  Cimarosa,  Duny,  Carolan,  Leve- 
ridge,  and  [adapted  by]  Mr.  Shield. 

Longman  and  Brodcrip  : 
London,  [1790.]     obi.  fol.         D.  293.  b. 

The  Czar  Peter. 

Hey  ho  chivey,  hark  forward  Tantivy.     A 

favorite  Hunting  Song.     Sung  ...  by  Mr. 

Incledon    at    the    New    Theatre    Royal, 

Covent  Garden  . . .  Written  by  J.  O'Keefe. 

Longman  and  Brodcrip  :  London, 

[1794?]     fol.  G.  249.  (25.) 

This  song  lias  been  introduced  in  different 

musical  pieces  ;   it  is  also  known  by 

the  nanu  of  "  Old  Towler." 

The  Deaf  Lover. 

The   Songs   in  the  Deaf  Lover,  etc.     [A 

Farce.   Words  by  F.  Pilon.    Short  Score.] 

Printed  for  Wm.  Napier:  London, 

[1780.]     obi.  fol.  E.  601.  k.  (15.) 

The  Divorce. 
Oh  !  force  me  not.     Sung  in  the  Divorce, 
etc.    [Words  by  I.  Jackman.]    E.  Rhames  : 
[Dublin,  1185  7]     s.  sh.  fol. 

H.  1601.  b.  (21.) 

The  Enchanted  Castle. 
The  Pantomime  of  The  Enchanted  Castle 
. . .  The  Poetry  by  M.  P.  Andrews.     The 
Music    Selected    and    Composed    by   W. 
Shield.  Longman  &  Brodcrip  : 

London,  [1787.]    fol.  H.  130.  (8.) 

The  Farmer. 
The  Farmer,  A  Comic  Opera  . . .  Selected 
&  Composed  by  W.  Shield.  The  Words 
by  J.  O'Keefe.  Longman  and  Broderip  : 
London,  [1787.]  obi.  fol.  E.  100.  (3.) 
The  Farmer  . . .  Adapted  for  the  German 
Flute,  etc.  Longman  and  Broderip  : 

London,  [1787.]  obi.  4°.  B.  387.  (1.) 
The  Farmer  . . .  Adapted  for  tbe  Guitar, 
etc.  Longman  and  Broderip  : 

London,  [1787.]  obi.  4°.  B.  385.  (1.) 
Bonny  Bet.  [Song.]  Sung  by  Mr.  John- 
stone, etc.  Longman  and  Broderip  : 
[London,  1788.]  fol.  G.  377.  (56.) 
'Ere  around  the  huge  Oak.  A  favorite 
Song,  sung  by  Mr.  Darley,  etc. 

Longman  and  Broderip : 
London,  [1788.]     fol.  G.  377.  (54.) 

The  Plough  Boy.  Song,  sung  by  Mr. 
Blauchard,  etc.  Longman  and  Broderip  : 
[London,  1788.]     fol.  G.  377.  (52.) 

[Another  copy.]  H.  2818.  (20.) 

See  Flaxen-headed.  A  Flaxen- 
headed  Cow  Boy,  etc.  [Song,  from  W. 
Shield's  Opera,  The  Farmer.] 

[1788  ?]     s.  sh.  fol.         H.  1601.  b.  (64.) 

See  Plough  Boy.     The  Plough  Boy 

[from  W.  Shield's  Opera"',  with  Variations. 
[P.  F.]     [1790  ?]     fol.  h.  62.  (15.) 


490 


SHIELD 


SHIELD  (William)  [The  Plough  Boy.] 
The  Milkmaid.  A  Parody  on  the  Plough- 
boy,  etc.  [Song.]  Lotignian  and  Broderij) : 
^London,  1788.]     fol.  G.  377.  (53.) 

The  Flitch  of  Bacon. 

The  Flitch  of  Bacon.     A  Comic  Opera  . . . 

Part  . . .  Composed  and  Part  Compiled  by 

W.  Shield,  etc.        Printed  for  W.  Napier : 

London,  [1778.]     ohl.  fol.  E.  108. 

The  folloiving  composers  are  named  in 

this  work  :  Shield,  M.  Este,  J.  C.  Bach 

and  Giordani. 

[Another  edition.]  The  Flitch  of  Bacon, 
a  Comic  Opera,  etc.  Printed  for  J.  Dale : 
London,  [1785  ?]     obi.  fol.         D.  293.  e. 

[For  songs,  &c.,  published  anonymously:] 
See  Flitch  of  Bacon. 

The  Follies  of  a  Day. 
Ah  weladay  my  poor  heart.  The  favorite 
Song  of  the  Page.  Sung  by  Mrs.  Martyr  in 
.  .  ,  The  Follies  of  a  Day,  written  by  Mr. 
Holcroft,  etc.  Longman  and  Broderip  : 
[London,  1784.]     fol.  G.  296.  (23.) 

Fontainbleau. 
Fontainbleau,  or  Our  Way  in  France.  A 
Comic  opera  . . .  Written  by  J.  O'Keefe. 
Selected  &  Composed  by  W.  Shield. 
Longman  d  Broderip : 
London,  [1784.]     ohl.  fol.  E.  108.  e. 

The  British  Lion  is  my  sign,  [Song,]  etc. 

The  Polijhymman  Compami :  London, 
[1800?]     s.  sh.  fol.  G.  805.  c.  (45.) 

The  favorite  Song  of  Golden  Treasures. 
Sung  by  Mrs.  Billington,  etc.  Longman 
and  Broderip  :  [London,  1784.]     fol. 

H.  131.  (50.) 
Friar  Bacon. 
Friar  Bacon,  or  Harlequin  Rambler,  a 
Pantomime,  as  performed  ...  at  the 
Theatre  Eoyal,  Covent  Garden  .  .  .  The 
Overture  &  Airs  . . .  adapted  as  Lessons  for 
the  Harpsichord  or  Piano  Forte. 
J.  Bland :  London,  [1784:.']    fol.    H.  115. 

Hartford  Bridge. 
Hartford    Bridge,    or    The    Skirts    of    a 
Camp ;    an  Operatic   Farce  .  .  .  Selected 
&  Composed  by  W.  Shield  . . .  The  Poetry 
by  W.  Pearce.  Longman  d-  Broderip  : 

Londoti,  [1792.]     obi.  fol.        D.  284.  (1.) 

The  Highland  Reel. 
The  Highland  Reel,  a  Musical  Romance 
. . .  Selected  &  Composed  by  W.  Shield, 
The  Words  by  J.  O'Keefe. 

Longman  and  Broderip  : 
London,  [1788.]     obi.  fol.     E.  108.  a.  (3.) 

[For  songs,  &c.,  published  anonymously  :] 
See  Highland  Reel. 

The  Lock  and  Key. 
The  Overture,   Songs,  Duetts  &c.  in  the 
Musical  Farce  of  The  Lock  and  Key  . . . 


Composed  &  Selected  by  Mr.  Shield  . . . 
The  Words  by  P.  Hoare. 

Printed  for  Preston  d-  Son  : 
London,  [1796.]  ohl.  fol.  D.  284.  (2.) 
A  Woman  is  like  to,  [Song,]  sung  by  Mr. 
Fawcett,  etc.  Preston  &  Son  : 

London,  [1796.]     fol.  G.  383.  (25.) 

The  Lord  Mayor's  Day. 

The  Overture,  Songs,  Duett,  Glees,  &c.  in 
the  Pantomime  of  the  Lord-Mayor's  Day 
...  to  which  is  now  added  the  most  favorite 
Comic  Tunes,  &  Marches,  in  the  Pageant, 
Selected  and  Composed  by  W.  Shield. 
[Words  by  J.  O'Keeffe.] 
Printed  for  J.  Bland  :  London,  [1782.']  fol. 

G.  808.  b.  (42.) 
[For  songs,  &c.,  published,  anonymously  :] 
^ee  Lord  Mayor's  Day. 

Love  and  War. 
If  you  would   know  what  pain   it   is  to 
part.     A  favorite  Duet,  sung  in  Love  and 
War,  etc.  Longman  and  Broderip  : 

London,  [1787.]     fol.       G.  807.  d.  (69.) 

Love  in  a  Camp. 
Love  in  a  Camp,  or  Patrick  in  Prussia. 
A  Comic  Opera  . . .  Selected  and  Composed 
by  W.  Shield.     The  Words  by  J.  O'Keefe, 
etc.  Longman  and  Broderip  : 

London,  [1785.]  obi.  fol.  E.  108.  e.  (1.) 
Love  in  a  Camp  .  .  .  Adapted  for  the 
Guitar,  etc.  Longman  and  Broderip : 

[Londcm,  1785.]  obi.  4°.  B.  385.  (4.) 
Love  in  a  Camp  .  .  .  Adapted  for  the 
German  Flute,  etc. 

Longman  and  Broderip  : 
[London,  1785.]     obi.  i".    B.  387.  b.  (2.) 

Love  in  a  Village. 
When  thou  art  absent,  charming  JMaid,  a 
favorite  Song,  written  for,  &  sung  by  Mr. 
Incledon  in  Love  in  a  Village,  etc. 

Longman  and  Broderip : 
[Londo7i,  1795  ?]     fol.  G.  249.  (23.) 

The  Magic  Cavern. 
Overture  [Incidental  Music  and  Songs  in] 
. . .  the     Entertainment     of    the     Magic 
Cavern,  etc.     [Pantomime,   words   by   F. 
Pilon  and  R.  Wewitzer.] 

[Longman  and  Broderip : 
London,  1785.]     fol.  H.  230.  b.  (5.) 

Wanting  the  title-page. 

Marian. 
Marian,  an  Opera  . . .  Compos'd  &  Selected 
by  W.  Shield,  the  Words  by  Mrs.  Brooke. 
Longman  d  Broderip) : 
London,  [1788.]  obi.  fol.  E.  108.  a.  (1.) 
Marian  . . .  Adapted  for  the  German  Flute, 
etc.  Longman  and  Broderip) : 

London,  [1788.]     obi.  4°.         B.  387.  (2.) 
Marian  . . .  Adapted  for  the  Guitar,  etc. 

Lcmgman  and  Broderip : 
London,  [1788.]     obi.  4".         B.  385.  (3.) 


SHIELD 


491 


SHIELD     (William)       Haud    away    wi 
Jamie  . . .  Song,  etc. 

E.  Bhames  :  Dublin,  [1790?]     s.  sli.  fol. 

H.  1601.  b.  (5.) 

The  Heart  chearing  Horn.     An  admired 
Hunting  Song,  etc.  E.  Rhavics  : 

DtihUyi,  [1790?]     fol.       H.  1601.  b.  (6.) 

Patty  Clover,  a  favorite  Ballad   sung  by 
Mr.  Blanchard,  etc. 

Longvian  and  Broclerip  : 
London,  [1788.]     fol.  G.  806.  e.  (9.) 

With  truth  on  her  Lips.  A  favorite  Ballad 
sung  by  jNIr.  .Johnstone,  etc. 

Longman  and  Broderip: 
ILondon,  1788.]    fol.  G.  377.  (55.) 

[For  songs,  &c.,  published  anonymously  :] 
See  Marian. 

The  jMidnight  Wanderers. 

The  Midnight  Wanderers,  a  Comic  Opera 
,  .  .  composed  by  [or  rather,  selected 
from]  Paiesiello,  Gr6try,  and  Shield.  The 
Poetry  by  W.  Pearce.  (Overture  to  the 
Midnight  Wanderers  for  the  Piano  Forte, 
with  a  Violin  Accompaniment,  composed 
by  Nauman  for  the  . . .  Opera  of  Amphion.) 
Longman  tt  Broderip: 
London,  [1793.]     obi.  fol.        D.  287.  (3.) 

The  Rosary,  a  Favorite  Ballad,  etc. 

Broderip  d-  Wilkinson  : 
[London,  1199?]    fol.     G.  805.  h.  (42.) 

The  Rosary.  A  favorite  English  Ballad 
.  .  ,  arranged  as  a  Rondo  by  J.  L.  Dussek. 
See  Longman  and  Broderip.  Longman 
and  Broderip's  Collection  of  . .  .  Music  for 
the  . . .  Piano  Forte.  No.  4  [b]. 
[1795?]     fol.  g.  192.  (4.) 

The  Mysteries  of  the  Castle. 
The  Mysteries  of  the  Castle,  a  Dramatic 
Tale  ...  The  ]\Iusic  Selected  &  Composed 
by  ]\Ir.   Shield.      The   Poetry  by   M.  P. 
Andrews.  Preston  &  Son  : 

London,  [1795.]     obi.  fol.        D.  284.  (3.) 

Netley  Abbey. 
Netley  Abbey.  A  Comic  Opera  ...  partly 
Selected  and  partly  Composed  by  Baum- 
garten,  W.  Parke,  Paisiello,  Howard  and 
[compiled  by]  Shield.  [Words  by  W. 
Pearce.]  Longman  &  Broderip  : 

London,  [1794.]     obi.  fol.        D.  287.  (4.) 

The  Noble  Peasant. 

The    Noble     Peasant.       A     Comic-Opera 
[written  by  T.  Holcroft]. 

Printed  for  W.  Napier: 
London,  [1784.]     obi.  fol.  E.  108.  b. 

The  Nunnery. 
The  Nunnery.     A  Comic  Opera  [written 
by  W.  Pearce]  ..  Selected  &  Composed  by 
W.  Shield.  Longman  d  Broderip  : 

London,  [1785.]     obi.  fol.        E.  100.  (5.) 


SHIELD  (William)      The   Nunnery  .  .  . 
Adapted  for  the  German  Flute. 

Longman  and  Broderip  : 
London,  [1785.]    obi.  i'\    B.  387.  b.  (3.) 

The  Nunnery ...  Adapted  for  the  Guitar. 

Longman  and  Broderip  : 
London,  [1785.]  obi.  4\  B.  385.  (5.) 
This  Lock  of  dear  Selina's  hair.  A 
fa%'orite  Song,  sung  by  Mr.  Johnstone,  etc. 

Longman  and  Broderip  : 
{London,  1785.]    fol.       G.  806.  r.  (33.) 

Omai. 
Omai   or   A   Trip   round   the  World.      A 
Pantomime...  The  Words   written  by  J. 
O'Keefe.  Longman  and  Broderip  : 

London,  [1785.]     obi.  fol.     E.  108.  e.  (2.) 

The  Airs  in  Mr.  Loutherbourgh's  Panto- 
mime of  Omai .  .  .  adapted  for  the  Piano 
Forte  or  Harpsichord. 

Longman  and  Broderip  : 
London,  [1785.]    obi.  i:  b.  52.  (3.) 

The  Picture  of  Paris. 
The  Songs,  Duetts,  Quartetts,  Chorusses 
&c.  &c.  in  the  Picture  of  Paris,. .  .Part  of 
which  is  taken  from  the .  .  .  Opera  of  Am- 
phion, .  . .  bv  the  Sig'  Naumann ;  &  the  rest 
Composed  by  ^Y.  Shield,  etc.  [Words  by 
R.  Merry.] 

Printed  for  Longman  &  Broderip: 
London,  [1790.] '  obi.  fol.     E.  91.  c.  (2.) 

The  Poor  Soldier. 
The    Poor    Soldier,    a    Comic    Opera... 
Selected  and  Compos'd  by  W.  Shield,  etc. 
[Words  by  J.  O'Keeffe.]  J.  Bland  : 

London,  [1782.]    obi.  fol.    E.  108.  e.  (3.) 

The  Comic  Opera  of  the  Poor  Soldier,  for 
the  German  Flute  or  Violin,  etc. 
J.  Bland  :  London,  [1782.]     obi.  A". 

b.  170.  a.  (1.) 
The  Comic  Opera  of  the  Poor  Soldier,  for 
the  Guitar,  etc.  J.  Bland  : 

London,  [1782.]     obi.  4°.  a.  76.  (2.) 

The  Poor  Soldier.     A  Comic  Opera,  etc. 
See  Periodical  Publications. — London. 
The   Piano-Forte   Magazine.      Vol.   XII. 
[No.  2.]     [1797-1802.]    8°.  D.  854. 

The  Twins  of  Latona,  [Song,]  sung  by  j\Ir. 
Bannister. .  .Written  by  Mr.  O'Keefe,  etc. 
J.  Bland  :  London, 
[1785?]    fol.  G.  383.  i.  (32.) 

[For  songs,  &c.,  published  anonymously  :] 
See  Poor  Soldier. 

The  Prophet. 
The  Prophet.  An  Opera . . .  Composed  by 
[or  rather,  selected  from  the  works  of] 
Sacchini,  Purcell,  Giordani,  Irwich,  Cima- 
rosa,  Salieri,  and  W.  Shield.  [Words  by 
R.  Bentley.]  Longman  and  Broderip  : 

London,  [i788.]    obi.  fol.    E.  108.  a.  (2.) 


492 


SHIELD 


SHIELD   (William)      The   Prophet  .  .  . 
Adapted  for  the  German  Flute. 

Longman  and  Broclerii^ : 
London,  [1788.]     oU.  4°.  B.  387.  a. 

Queen  Mab. 

Queen  Mab,  or  the  Fairies'  Jubilee.  A 
Cantata  compos'd  for  the  Jubilee  at  Strat- 
ford upon  Avon. .  .the  Words  and  Musick 
by  the  Author  and  Composer  of  the  Pad- 
lock [i.e.  Isaac  Bickerstaffe  and  W.  Shield]. 
John  Johnston  :  London,  [1769.]     fol. 

H.  1650.  c.  (7.) 

The  Belief  of  Williamstadt. 

Great  Britain  still  her  Charter  boasts. 
[Song.]  Sung  by  Mr.  Incledon  ...  in  the 
Interlude  of  the  Relief  of  Williamstadt, 
the  Words  by  T.  Goodwin. 

Longman  and  Broderip  : 
London,  [1793.]     fol.  G.  363.  (19.) 

Eobin  Hood. 
Robin    Hood    or    Slierwood    Forest.      A 
Comic  Opera,  .  .  .  Composed  &  Compil'd 
by  W.  Shield.     [Words  by   L.  Macnally 
and  E.  Lysaght.]  J.  Bland  : 

London,  [1784.]     obi.  fol.     E.  108.  e.  (5.) 

Robin  Hood.  A  Comic  Opera,  etc.  [1800.] 
Sec  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  XII. 
[No.  3.]     [1797-1802.]     8".  D.  854. 

Charming  Clorinda  ;  a  favorite  Ballad . . . 
Sung  by  Mr.  Bowden,  etc.  [Full  Score.] 
J.  Bland  :  London,  [1786.]     fol. 

H.  131.  (49.) 
Charming  Clorinda,  etc.  E.  liJiamcs  : 

Dublin,  [1790  ?]     s.  sh.  fol. 

H.  1601.  b.  (19.) 
[For  songs,  &c.,  published  anonymously  :] 
See  Robin  Hood. 

Robinson  Crusoe. 

[For  excerpts  published  anonymously :] 
See  Robinson  Ckusoe. 

Rosina. 
Rosina,  a   comic   Opera.     [Words   by   F. 
Brooke] . . .  Composed  and  Selected  by  W. 
Shield.  Printed  for  J.  Dale  : 

London,  [1783.]    obi.  fol.    E.  100.  b.  (6.) 

Rosina,  etc.  [1798.]  See  Periodical 
Publications.  —  London.  The  Piano- 
Forte  Magazine.  Vol.  IV.  [No.  1.]  [1797- 
1802.]     8".  D.  854. 

The  Bud  of  the  Rose.  [Song.]  Sung 
by  Mr.  Bannister,  etc.  J.  Dale  : 

London,  [1783.]     fol.  H.  131.  (51.) 

Light  as  thistle  dov?n.  A  favorite  Song, 
sung  by  Mrs.  Billington,  etc.  J.  Dale  : 

London,  [1791.]     fol.  G.  363.  (17.) 

The  Maid  of  the  Mill  ...  A  favorite 
Dialogue.  Sung  by  Mrs.  Kennedy  and 
Mrs.  Martyr,  etc.  W.  Napier  : 

London,  [1783.]     fol.  G.  296.  (7.) 


SHIELD  (William)  [TheMaidof  the  Mill.] 
See  RiMBAULT  (S.  F.)  The  Maid  of  the 
Mill. .  .arranged  as  a  Rondo  for  the  Piano 
Forte,  e^c.  [1800?]  fol.  g.  232.  f.  (28.) 
When  William  at  Eve.  A  Favorite  Song  ;, 
sung  by  Mrs.  Martyr,  etc.  J.  Dale  : 

London,  [1783.]     fol.  H.  131.  (52.> 

Whilst  with  Village  Maids  I  stray.  A 
favorite  Song,  sung  by  Mrs.  Billington, 
etc.  Printed  for  J.  Dale  : 

London,  [1791.]     fol.  G.  363.  (18.> 

Whilst  with  Village  Maids,  etc.  E.  Eiley  : 
London,  [1800  ?]     fol.  G.  793.  (24.). 

The  Siege  of  Gibraltar. 
The  Siege  of  Gibralter  [sic].  An  Entertain- 
ment [written  by  F.  Pilou]  .  .  .  Selected 
and  Composed  by  W.  Shield. 

Printed  for  W.  Napier : 
London,  [1780.]      obi.  fol.        D.  293.  a. 

Sprigs  of  Laurel. 
A  Glass  is  good  and  a  Lass  is  good.     A 
favorite  Song. .  .Sung  by  Mr.  Munden  in 
the  Comic  Opera  of  Sprigs  of  Laurel,  etc. 

Longman  and  Broderip  : 
London,  [1793.]     fol.  G.  383.  (23.) 

The  Surrender  of  Toulon. 
Return  to  order  and  your  Country  save. 
[Song.]  Sung  by  Mr.  Incledon  ...  in  the 
Scene  of  the  Surrender  of  Toulon.  Written 
by  W.  Pearce,  etc.  Longman  and  Broderip  : 
[London,  1794.]     fol.  G.  249.  (24.) 

The  Travellers  in  Switzerland. 
The  Travellers  in  Switzerland,  a  Comic 
Opera  .  .  .  Selected  &  Composed  by  W. 
Shield. .  .The  Words  by  Mr.  Bate  Dudley. 
Longman  &  Broderip : 
London,  [1794.]     obi.  fol.       D.  284.  (4.) 

The  Wicklow  Mountains. 
The     Wicklow     Mountains.      A    Comic 
Opera:. .  .Consisting  of  National  Airs,  &c. 
Composed    &    Compiled    by   W.    Shield.. 
The  Poetry  by  J.  O'Keefe. 

Longman  &  Broderip  : 
London,  [1795.]     obi.  fol.       D.  284.  (5.) 

The  Woodman. 
The  Woodman,  a  Comic  Opera  .  .  .  com- 
posed chiefly  by  W.  Shielcl.     The  Poetry 
by  Mr.  Bate  Dudley. 

Longman  &  Broderip  :  London^ 
[1791.]     obi.  fol.  E.  108.  a.  (4.) 

Honest  Bob  of  the  Mill.  A  favorite  Song 
sung  by  Mr.  Williamson,  etc. 

Longman  and  Broderip  :  London, 
[1791.]    fol.  G.  806.  e.  (10.) 

The  Streamlet  that  flow'd  round  her  Cot, 
A  favorite  Song,  sung  by  Mr.  Incledon,  etc. 
Longman  and  Broderip  : 
[London,  1791.]  fol.  H.  1994.  d.  (53.) 
'Tis  in  vain  for  succour  calling.  A 
favorite  Song,  etc.  Longman  and  Broderip  : 
[London,  1791.]     fol.        G.  383.  j.  (26.) 


SHIELD 


493 


SHIELD  (William) 

2.  Songs,  Duets,  Glees,  &c. 
a.  Collections. 
A  Collection  of  Canzonetts  and  an  Elegy, 
with  an  Accompaniment  for  the    Piano 
Forte  or  Harp,  etc. 

Longman  &  Brodcrip,  for  the  Autlior  : 
London,  [1790  ?]     fol.  G.  357.  (10.) 

[Collection  of  Canzonets.  No.  6.]  How 
can'st  thou  smile.  An  Admired  Canzonet, 
^tc.     Gough  :  Dublin,  [1795  ?]     fol. 

G.  383.  i.  (31.) 
A  Collection  of  Songs,  sung  at  Yauxhall 
by  Mrs.  WeichseU,  to  which  is  added 
Johnny  and  Mary,  a  Ballad  introduced  by 
Miss  Catley  in  Love  in  a  Village,  and 
Oxfordshire  Nancy,  written  by  the  late 
David  Garrick,  etc.  Printed  for  W.  Napier  : 
London,  [1180?]  fol.  H.  1650.  e.  (6.) 
[Another  copy.]  G.  316.  j.  (3.) 

b.  Single  Works. 
An    Address  to    Lady    Cadogan's    Harp 
(from  the  Bevy  of  Beauties).     A  Canzonet 
for    the    Voice,    Harp,    Harpsichord    or 
Piano  Forte.  W.  Napier: 

iondou,  [1780?]  fol.  G.  311.  (114.) 
Ah  how  vainly  Mortals  treasure.  The 
Favorite  Song  sung.  .  .in  the  Maid  of  the 
Mill ;  with  an  Accompaniment  for  the 
Piano  Forte.  [Words  by  I.  BickerstafEe.] 
Printed  for  W.  Napier  : 
London,  [1785  ?]  fol.  G.  383.  i.  (33.) 
Arria  to  Pectus.  [Song.]  With  an  Ac- 
companyment  for  a  Harpsichord  or  Piano 
Forte.  The  Words  by  Mr.  Holcroft. 
[London,]  178G.     s.  sh.  obi.  fol. 

H.  1994.  c.  (62.) 
Fro77i  the  Lady's  Magazine  for  Ax)ril, 
1786. 
Be  breathless  your  reeds.     A  New  Song, 
etc.     [London,  1778.]     s.  sh.  4". 

P.P.  5141. 
Lady's  Magazine,  Feb.,  1778. 
The  Billet-Doux.     A  Favourite  Ballad .. . 
Written  by  J.  O'Keefe,  etc.        Printed  for 
Harrison  d  Co. :  London,  [1797  ?]     fol. 

G.  806.  e.  (8.) 
The  Captive.     A  Canzonet,  written  by. . . 
H.  Bate . . .  with  an  Accompanyment  for  a 
Forte  Piano,  Harp  or  Harpsichord. 
W.  Napier  :  London,  [1785  ?]     fol. 

G.  383.  i.  (29.) 
Dear  Object  of  each  fond  Desire,  a  favour- 
ite New  Song.  J.  Lee  :  Dublin, 
[1780?]  s.sh.iol.  H.  1601.  b.  (101.) 
The  Disconsolate  Shepherd.  [Song.] 
The  Words  by  J.  Dixon,  etc.  [London, 
1784.]     s.  sh.  4°.  P.P.  5141. 

Lady's  Magazine,  April,  1784. 
Down  the  bourn.     A  Neiu  Song,  etc. 
[London,  1778.]     s.  sh.  4°.        P.P.  5141. 
Lady's  Magazine,  June,  1778. 


SHIELD  (William)  From  Night  till 
Morn  I  take  my  Glass.  A  favorite  Duett 
. .  .The  Accompanyments  by  Mr.  Shield. 

Longman  and  Broderip : 
[London,  Yi^O?}  fol.  G.  806.  r.  (32.) 
Good  Yanki  and  poor  Orra.  A  simple 
Ballad,  written  by  Mr.  Rannie.  Set  to 
music,  and  adapted  for  the  Piano-Forte 
by  Mr.  Shield.     [London,  18C0.]     s.  sh.  4'\ 

P.P.  5141. 

Lady's  Magazine,  Jan.,  1800. 
In  Spring,  my  dear  Shepherds.     A  Song 
in  the  Scots   Taste  . . .  The  Words  by  the 
late  Mr.  Cunningham,  etc. 

Bigg  and  Cox  :  [London , 
1774.]     s.  sh.  4°.  P.P.  5141. 

Lady's  Magazine,  March,  1774. 
It  was  a  Lordling's  daughter. 
See  infra  :  Shakespear's  Duel,  etc. 
Johnny  and  Mary.      [For  editions   pub- 
lished anonymously  ;]  See  Down.     Down 
the  Bourne  and  thro'  the  Mead. 
Mr.    Shield's   favourite   Ballad  of   Laura 
forsworn  . . .  The  words  by  Mr.  Rannie. 
[London,]  1800.     s.  sh.  4".        P.P.  5141. 

Lady's  Magazine,  June,  1800. 

Let  an  empty  flattering  spirit.  The 
favorite  Rondo,  sung  by  Miss  Wheeler  . . . 
in  the  Musical  Lady. 

Printed  for  T.  Skillern  : 
London,  [1784.]  fol.  G.  383.  i.  (34.) 
j\Iay  our  Navy  for  ever  Old  England  pro- 
tect ...  A  favorite  Duet.  Sung  by 
Mr.  Incledon  and  Mr.  Bowden,  etc. 

Longman  and  Broderip : 
London,  [1792  ?]     fol.  G.  354.  (33.) 

O'er  the  Lawns  up  the  hills  as  with  ardor 
we  bound.  A  Nciu  Htmting  Song.  Sung 
by  Mr.  Barnshaw.  The  words  by  .  .  . 
J"  Cunningham,  etc. 

L[ongman]  L[ukey  d  Co.  :  London, 
1775  ?]    s.  sh.  fol.  G.  310.  (274.) 

Once  more  my  Lyre.  A  Particularly 
admir'd  Song,  sung  by  Mrs.  Billington, 
etc.  E.  Lee  :  Dublin,  [1785?]  s.  sh.  fol. 
H.  1601.  b.  (103.) 
The  Repulse.  A  New  Song  . . .  The  Words 
by  Mr.  J.  J — ys.  Bigg  and  Cox  : 

[London,  1174:?]     s.  sh.  i".      P.P.  5141. 

Lady's  Magazine,  Oct.,  1774. 
Shakespear's   Duel    [Song,    begins :    "  It 
was  a  Lordling's  daughter  "]  and  Load- 
stars [Glee,  begins  :  "  O  happy  Fair  "],  etc. 

Preston  &  Son,  for  the  Autlior  : 
London,  [1796  ?]     fol.  G.  352.  (34.) 

Shakespear's  Celebrated  Poor  Barbara, 
[Glee,]  sung  ...  by  Messrs.  Incledon, 
Street,  &c.  Preston  &  Son  : 

London,  [1794  ?j     fol.  G.  353.  (27.) 

A  new  edition  of  Shakespear's  Poor 
Barbara,  etc. 

Preston  d  Son,  for  the  Author  : 
London,  [1795  ?]     fol.     G.  805.  k.  (25.) 


494 


SHIELD 


SHIELD  (William)     The  Smart  Walking 
Jockey.     A   favorite    Song   suug    by  INIr. 
Edwin  . . .  Written  by  Mr.  Cob. 
[London,  1790  ?]     fol.         G-.  313.  (176.) 

Tho' Bacchus  may  boast.  [Song.]  Written 
by  Capt.  Morris,  etc.  E.  Bhames  : 

Dublin,  [1785  ?]    fol.     H.  1601.  b.  (37.) 

The  Waving  Willow.     A  Popular  Ballad. 

Broderip  £  Wilkinson : 
London,  [1800  ?]     fol.     H.  2830.  g.  (60.) 

What  can  be  the  matter  with  Nancy. 
[Song.]  Written  by  the  late  D.  Garrick, 
etc.  Longman  and  Brodcrip  : 

London,  [1785  ?J     fol.  G.  356.  (17.) 

3.  Instrumental  and  Theoretical 
Works. 
Six  Duettos,  five  for  two  Violins  and  one 
for    two    German    Flutes  .   .   .   Opera    i. 
[Separate  Parts.]     Printed  for  W.  Napier  : 
London,  [1775  ?]     fol.         g.  421.  q.  (4.) 

Sis  Duets  for  two  Violins  . . .  Opera  2''. 
[Separate  Parts.]  Printed  for  W.  Napier : 
London,  [1780  ?]  fol.  g.  421.  b.  (1.) 
An  Introduction  to  Harmony. 

G.  G.  &  J.  Robinson,  for  the  Author  : 
London,  [1800.]     4°.  785.  1.  33.  (1.) 

Six  Quartettos,  five  for  two  Violins  a 
Tenor  &  Violoncello  and  one  for  a  Flute, 
Violin,  Tenor,  and  Violoncello  . . .  Op:  in. 
[Separate  Parts.]  Printed  for  W.  Napier  : 
[London,  lim'i]    fol.  g.  417.  i.  (3.) 

Sis  Trios  for  Violin,  Tenor  and  Violon- 
cello, etc.     [Separate  Parts.] 

Longman  £  Broderip,  for  the  Author  : 
London,  1796.     fol.  g.  222.  (17.) 

[Another  copy.]  g.  420.  c.  (10.) 

The  Union  Volunteers.  March,  Troop  & 
Quick  Step  ...  for  the  Piano  Forte  or 
Harp.  T.  Preston,  for  the  Author  : 

London,  [1800?]     fol.       g.  272.  q.  (32.) 

4.  Appendix. 

See  Dalayrac  (N.)    [Nina.']    The  Favorite 
Musical  Entertainment  of  Nina  . . .  Pub- 
lished  by  the   Authority  .  .  .  and   [with 
interpolations  by]  W.  Shield,  etc. 
[1787.]    obi.  fol.  E.  100.  (4.) 

See  Gretry  (A.  E.  ]\I.)  Richard  Cceur  de 
Lion  . . .  Composed  . . .  and  [adapted]  by 
W.  Shield.     [1786  ?]     obi.  fol. 

E.  108.  e.  (4.) 

See  Harlequin's   Museum.     The   Over- 
ture, Songs,  Dances  &c.  in  the  Pantomime 
...  of  Harlequin's  Museum  . . .  The   new 
Music  ...  by  Mr.  Shield,  etc. 
[1792.]     obi.  fol.  E.  108.  d. 

See  Haydn  (F.  J.)  [XII.  Lieder.  Th.  J.] 
Twelve  Ballads  . . .  adapted  to  English 
Words  with  an  Accompaniment  for  the 
Harpsichord  or  Piano  Forte  by  W.  Shield, 
etc.     [1788?]     o6Lfol.  E.  271.  (4.) 


SHIELD  (William)  See  Hyde  (F.  A.) 
A  Miscellaneous  Collection  of  Songs  . . . 
The  Italian  Airs  adapted  by  Mr.  Shield,  etc. 
[1790  ?-8.]     fol.  I.  375. 

See  Mago  and  Dago.  The  Overture^ 
Songs,  &c.  in  .  . .  Mago  &  Dago  . . .  The 
New  Airs  ...  by  Dr.  Aylward  ...  & 
Mr.  Shield,  etc.     [1794.]     fol. 

H.  129.  (10.) 

See  Mozart    (W.    A.)      [Don    Giovanni. 
La  ci  darem.']     Should  worldly  cares  op- 
pressing.    Adapted  by  Mr.  Shield,  etc. 
[1800?]     fol.  G-.  805.  h.  (32.) 

See  Pindar  (P.)  pseud.  The  Triumph 
of  Britons,  .  .  .  the  Accompaniments  by 
Shield.     [1798?]     fol.  G.  376.  (40.) 

See  Pindar  (P.)  pseud.  The  Wandering 
Gipsy,  a  Ballad  . . .  The  Accompaniments 
by  Mr.  Shield.     [1795?]     fol. 

G.  383.  j.  (24.) 

See  Sprigs  op  Laurel.     Sprigs  of  Laurel. 
A  Comic  Opera  . . .  consisting  of  . . .  Airs 
...  by  Handel,  Anfossi  &  Shield,  etc. 
[1793.]     obi.  fol.  D.  287.  (5.) 

5.  Index  op  Songs. 

Ah  weladay  my  poor  heart. 
See  [The  Follies  of  a  Day.] 
Bonny  Bet.     See  [The  Farmer.'] 

The  British  Lion  is  my  sign. 

See  [Fontainbleau.] 

The  Bud  of  the  Rose.     See  [Bosina.] 

Charming  Clorinda.     See  [Bobin  Hood.] 

'Ere  around  the  huge  Oak. 

See  [Tlie  Farmer.] 

A  glass  is  good,  and  a  Lass  is  good. 

»S'ee  [Sprigs  of  Laurel.] 

Golden  Treasures.     See  [Fontainbleau.] 

Great  Britain  still  her  Charter  boasts. 

See  [The  Belief  of  Williainstadt.] 

Hand  away  wi  Jamie.     See  [Marian.] 

The  Heart  chearing  Horn. 

See  [Marian.] 

Heyiao  chivey,  hark  forward  Tantivy. 

See  [The  Czar  Peter.] 

Honest  Bob  of  the  MiU. 

See  [The  Woodjnan.] 

How  canst  thou  smile. 

See  [Collection  of  Canzonets.     No.  6.] 

If  you  would  know  what  pain  it  is  to  part. 

Duet.     See  [Love  and  War.] 

Light  as  thistle  down.     See  [Bosina.] 

The  Maid  of  the  ]Mill.     See  [Bosina.] 

The  Milkmaid.      See  [The  Farmer.     The 

Plough  Boy.] 

0  happy  Fair.    See  Shakespear's  Duel,  etc. 

Oh  !  force  me  not.     See  [The  Divorce.] 

Patty  Clover.     See  [Marian.] 

The  Plough  Boy.     See  [The  Farmer.] 


SHIELD— SI 


495 


SHIELD  (William)     Poor  Barbara. 

Sec  Shakespear's  . . .  Poor  Barbara,  etc. 
J.        Return  to  Order  and  your  Country  save. 
1^      See  \_The  Surrender  of  Toulon.'] 

The  Rosary. 

See  {The  Midniglit  Wanderers.'] 

The  Streamlet  that  flow'd  round  her  Cot. 

Sec  [The  Woodman.] 

This  Lock  of  dear  Selina's  hair. 

See  [Nunnery.'} 

'Tis  in  vain  for  succour  calling. 

See  [Tlte  Woodman.] 

The  Twins  of  Latona. 

See  [The  Poor  Soldier.'} 

When  thou  art  absent,  charming  Maid. 

See  [Lover  in  a  'Village.] 

When  William  at  Eve.     See  [Rosina.] 

Whilst  with  Village  Maids  I  stray. 

See  [liosina.] 

With  truth  on  her  Lips.     See  [Marian.] 

A  Woman  is  like  to. 

See  [The  Lock  and  Key.] 


SHIPWRECK.     The  Shipwreck. 
Opera.     See  Abnold  (S.) 


Comic 


SHIPWRECKED.        The     Shipwreck'd 
Marine  Boy.     Ballad.     See  'Twas.    'Twas 
near  a  Sea-beat  rocky  Shore. 
[1796?]    fol.  G.  356.  (41.) 

SHIRRESS  (Andrew)  Forty  Pieces  of 
Original  Music,  etc.  Printed  for 

tJie  Composer:  Aberdeen,  [1788.]     fol. 

g.  149.  (9.) 

SHOOTING.     A  Shooting  Song.' 

See  Every.     Ev'ry  Mortal  some  favourite 
Pleasure  pursues,  etc.     [1764.]    8'. 

P.P.  5438.  z. 
A  Shooting  Song.  See  Every.  Every 
mortal  some  favourite  pleasure  pursues, 
etc.     [1764.]     B".  P.P.  5441. 

A   Shooting   Song.      Sec    Every.     Ev'ry 
Mortal  some  favourite  pleasure  pursues. 
[1780?]    s.  s7i.  fol.        H.  1601.  a.  (88.) 

SHORE  (William)  Prince  Eugene's 
March  into  Italy  . . .  [Song,]  y  words  by  a 
Person  of  Quality.  [London, 

1700?]     s.sh.iol.  G.  304.  (71.) 

SHOULD.  Should  I  die  by  the  force  of 
good  Wine.     Song.     See  Leveridge  (R.) 

Shou'd  I  once  change  my  Heart.     Song. 
See  Leveridge  (R.)     [^sop.] 

Shou'd  Love  sincere  devoid  of  artless  Joy. 
Song.     See  Oswald  (J.) 

Should  the  rude  Hand  of  Care.     [Song.] 
See  Hook  (J.) 

Should  worldly  cares  oppressing.     Duet. 
See    Mozart   (W.    A.)      [Don    Giovanni. 
La  ci  darem.] 


SHOUT.      The   Shout   is   gone   forth.     A 
Favourite  New  Hunting  Song.  etc. 
Eliz''  Bhames  :  [Dublin,  1780?]     fol. 

H.  1601.  a.  (92.) 

SHRUBSOLE  (William)  See  All.  AU 
hail  the  Pow'r  of  Jesu's  Name,  etc.  [Music 
by  W.  Shrubsole.]     [1779.]     8°. 

P.P.  716.  b. 

SHUN.    Shun  Damon's  faithless  wheedling 
Tongue.     Song.     See  King  (R.) 
Shun  ye  Pair,  each  gay  Deceiver.     Song. 
See  GiOBDANi  (G.)  or  (T.) 

SHUTTLEWORTH  (Obadiah) 

See  CoRELLi  (A.)  [Sonatc.  Op.  5.  Nos.  1 
and  11.]  Two  Concertos  .  .  .  made  into 
Concerto's  by  Mr.  Obadiah  Shuttleworth. 
[1725?]     fol.  h.  202.  c. 

SHY.  The  Shy  Decoyer.  [Song.] 
See  Hail.  Hail  Beauty's  Queen. 
[1760  ?]     s.  sh.  fol.  G.  316.  a.  28. 

The  Shy  l\Iaid.     [Song.]     See  Dunn  (J.) 
The  shy  Shepherdess.     [Song.] 
See  Young  (A.) 

SI.     S'il  en  est   qui  veuillent  un   maitre. 
Ode.     See  Cherubini  (M.  L.  C.  Z.  S.) 
S'il  est  vrai   que   d'etre   deux.      Air  die 
Troubadour  Bearnois.     Avec  Accompagne- 
ment  de  Guitare.  CJiez  Lnbanlt : 

Paris,  [1795  ?]     8°.        B.  362.  a.  (105.) 
[Another  copy.]  B.  362.  g.  (64.) 

S'il  etoit   une  mer  de   ce    nectar   diviu. 
Air  d  Boire ;  rccit  de  Basse. 
[Paris,]  1726.     s.  sh.  4°.  297.  a.  20. 

Mercure  de  France,  April,  1726. 
Si  caro,  si.  [Song.]    Sung  bij  Sig''"  Strada. 
[In  Admeto,  by  G.  F.  Haendel.] 
[LoHrfoM,  1730?]     s.sh.iol. 

G.  315.  (68.) 
Si,  caro,  si.     [Song.] 
See  Haendel  (G.  F.)     [Admeto.] 
Si  comme  toi  ma  plume  delicate.    Riponse 
aux  Couplets  a  ma  Belle.     Air:  Mon petit 
coeur.     [Words]  Par  ]\I.  Trabue. 

Chez  les  Freres  Savignjj :  [Paris,  1785  ?]  8°. 

B.  362.  a.  (174.) 
'       Si  des  galans  de  la  Ville.     [Soug.] 

See  Devin  du  Village. 

Si  deux  coeurs  que  la  nature.     [Song.] 

See  Duval  (    ) 

Si  j'en  juge  d'apres  mon  coeur.     [Song.] 

See  Faut.     Faut  attendre  avec  patience. 

[1780?]     s.sh.iol.  G.  307.  (229.) 

Si  jamais  j'deviens  cher  pere.     Ariette. 

See  Georges  et  Gros  Jean. 

Si  jamais  je  prens  un  6poux.     Air. 

See  Huron. 

Si  I'Amour  est  peint  volage.    Romance. 

See  Blin  de  La  Codre  (M.  S.) 

Si   I'homme,    en    des    fleurs    passageres. 

Chanson.     See  F. 


496 


SI— SICARD 


SI.     Si  Ton  m'offroit  la  liberty.     Rondeau, 
nouvellement  remis  en  Musique. 
[_Paris,-\  1761.     s.  sh.  4°.  297.  d.  27. 

Mcrcure  de  France,  Feb.,  1761. 

Si  rUnivers  entier.     Ariette. 
See  Richard  Cceur  de  Lion. 

Si  la  belle  Egl6  m'est  ravie.     Air. 
See  GossEC  (F.  J.)     \_Thi!see.'] 

Si  la  raison  ramene  la  justice.  PMition 
d'une  Jeune  Infortunfe.  Romance. 
(Parolles  de  Dumoustier.)  Chez  Louis  : 
[Paris,  1795  ?]     8".  B.  362.  d.  (55.) 

Si  Matburin  dessus  I'herbette.     Ariette. 
See  TissiER  (    ) 

Si  mes  rigueurs  te  font  mourir.     Chanson. 
[By  Merieux.l     [Paris,  1757.]     s.  sh.  8°. 
"-    -^  297.  h.  30. 

Choix  dcs  Anciens  Mercurcs,  Tom.  V., 
p.  142. 
Si  mes  rigueurs  te  font  mourir.     Air. 
See  Meeieux  (    ) 

Si  nous  vivions  comme  vivaient  nos  peres. 
Le  Troubadour.  Romance,  avec  Accomp' 
de  Guittare.  Chez  Imbault :  Paris, 

[1785?]     8°.  B.  362.  a.  (103.) 

Si  pour  avoir  veu  seulement.  Air 
Nouveau.  [Words  by  Laussel.]  [Paris, 
1678.]     s.  sh.  obi.  4".  P.P.  4482. 

Nouveau   Mercure   Galant,   Oct.,   1678, 
p.  113. 
Si  sperar  tu  sola.     Aria. 
See  A.,  E.  T.  V.,  pseud. 
Si,  t'  amo  caro.     Song.     See  Teseo. 
Si  t'  intendo.     Song.     See  Numitoe. 
Si  Tirsis  est  une  inconstant[e].     Air. 
See  L' Abbe  (     )  Choirmaster  of  S'  Jacques, 
Dieppe. 

Si  ton  coeur,  aimable  Flore.     Cbanson. 
See  Du  C . . . . 

Si    vous    empruutez    I'air    de    la   Folie. 
[Song.]     See  Moelanne  (      de) 
Si  vous  poursuivez  de  m' aimer.     [Song.] 
[Paris,  1678.]     s.  sh.  obi.  4°.    P.P.  4482. 

Nouveau  Mercure  Galant,  April,  1678, 
i).  77. 
Si  vous  trouvez  dans  la  plaine.     [Song.] 
See  Deux  Chasseurs. 
Si  vous  voul^s  trouver  la  gloire.     Chant. 
See  GossEC  (F.  J.) 

Si  vous  voules  voir  des  Epoux.  Vaudeville 
[from  '  Arlequin  Hulla '].  [Paris,] 

1728.     s.  sh.  4°.  297.  a.  32. 

Mercure  de  France,  March,  1728. 
Si  vous  voulez  charmer.     Air. 
See  L'EsGU  (J.) 

Si  vous  voulez  de  la  vie.     Ariette. 
See  Malidor  (      de) 

Si  vous  voulez  que  je  vous  aime.  Vatide- 
ville.    [Pam,]  1739.   s.  s/t.  4°.     298.  b.  2. 

Mercure  de  France,  Nov.,  1739. 


SICARD  (J.)  Airs  a  Boire  a  Trois  Parties, 
auec  la  Basse-Continue,  etc.  Second 
Dessus.   B.Ballard:  Paris, 1666.  obi.  12°. 

A.  274.  a.  (3.) 
Second  Liure  d'Airs  a  Boire  a  Trois 
Parties,  auec  la  Basse-Continue,  etc. 
Second   Dessus.  R.   Ballard  :  Paris, 

1667.    obi.  12".  A.  274.  a.  (4.) 

Troisiesme    Liure    d'Airs,    a    Boire,    et 
Serieux  a   Trois  Parties,  auec   la  Basse- 
Continue,  etc.    Troisiesme  Partie. 
R.  Ballard  :  Paris,  1668.     obi.  12°. 

A.  274.  a.  (5.) 

Quatriesme    Liure    d'Airs,    a    Boire,    et 
Serieux,  a  Trois  Parties,  auec  la  Basse- 
Continue,  etc.     Troisesme  Partie. 
R.  Ballard :  Paris,  1669.     obi.  12°. 

A.  274.  a.  (6.) 
Cinquiesme  Liure  d'Airs,  a  Boire,  et 
Serieux.  a  Trois  Parties,  etc.  Troisiesme 
Partie.  B.  Ballard  :  Paris,  1670.   obi.  12°. 

A.  274.  a.  (7.) 
Sixiesme  Liure  d'Airs  Serieux,  et  a  Boire, 
a  Trois  Parties,  etc.     Troisiesme  Partie. 
R.  Ballard  :  Paris,  1671.    obi.  12°. 

A.  274.  a.  (8.) 

Septiesme  Liure  d'Airs  a  Boire   a   Trois 
Parties,  etc.     Troisesme  Partie. 
C.  Ballard :  Paris,  1673.     obi.  12°. 

A.  274.  a.  (9.) 
Huiti6me  Livre  d'Airs  Serieux  et  a  Boire, 
ii  2.  &  a  3.  Parties,  etc.  Troisiesme 
Partie.    C.  Ballard  :  Paris,  1674.   obi.  12°. 

A.  274.  a.  (10.) 
Neufi^me  Livre  d'Airs  Serieux  et  a  Boire, 
a  2.  &  a  3.  Parti[es],  etc.  Troisiesme 
Partie.    C.  Ballard  :  Paris,  1675.   obi.  12°. 

A.  274.  a.  (11.) 
Dixi^me  Livre  d'Airs  Serieux  et  a  Boire, 
a  2.  &  a  3.  Parties,  etc.  Troisesme  Partie. 
C.  Ballard  :  Paris,  1676.     obi.  12°. 

A.  274.  a.  (12.) 
Onzieme  Livre  d'Airs  Serieux  et  a  Boire, 
a  2.  &  a  3.  Parties,  etc.  Troisiesme  Partie. 
C.  Ballard  :  Paris,  1677.     obi.  12°. 

A.  274.  a.  (13.) 

Douzi^me  Livre  d'Airs  Serieux  et  k  Boire, 
a  2.  &  a  3.  Parties,  etc.  Troisiesme  Partie. 
C.  Ballard  :  Paris,  1678.     obi.  12°. 

A.  274.  a.  (14.) 
Treizi6me  Livre  d'Airs  Serieux  et  a  Boire, 
a  2.  &  a  3.  Parties,  etc.  Troisesme  Partie. 
C.  Ballard :  Paris,  1679.     obi.  12°. 

A.  274.  a.  (15.) 
Du  Yin,  du  Vin.  [Two-Part  Song.] 
[Paris,  1678.]  s.  sh.  obi.  4°.  P.P.  4482. 
Nouveau  Mercure  Galant,  March,  1678, 
p.  198. 
Vous  qui  d'un  tendre  amour.  Air 
Nouveau.     [Paris,  1678.]     s.  sh.  obi.  4°. 

P.P.  4482. 
Nouveau  Mercure   Galant,   Feb.,  1678, 
p.  164. 


SICK— SIEGE 


497 


SICK.  Sick  of  the  town  at  once  I  flew. 
Song.     See  H — ll  (J.) 

Sick  of  the  World  fair  Delia  flew.     Fair 
Delia.     [Song.]     Sung  by  Mr.  Atkins. 
[London,  1750?]  s.sh.iol.    G.  303.  (87.) 

[Another   edition.]     Sick    of   the    World 
fair  Delia  flew.     Fair  Delia.     A  Song. 
[London,  1750  ?]     s.  sh.  fol. 

G.  311.  (100.) 
Sick  of  the  World  fair  Delia  flew.  Fair 
Delia.    A  new  Song.     [London, 1755.]    6". 

157.  1.  17. 
London  Magazine,  1755, 2>-  492. 

SIEBENHAAR  (Malachias)  Gangel- 
Wagen  der  Jugend  und  Stab  des  Alters. 
Genommen  aus  dem  Siebenzehenden  und 
Achtzehenden  Versiculn  des  Ein  und 
Siebentzigsten  Psalms,  und  ...  in  ein 
Sechs-Stinimiges  Epithalamion,  mit  und 
ohne  Instrumente  fiiglich  zu  musiciren, 
. . .  iibersetzt,  etc.     [Separate  Parts.] 

Gedruckt  bey  Johann  Milllern  : 
Magdeburg,  [16G1.]    fol.    K.  2.  g.  18.  (5.) 

Himmlisch-lechtzendes  Hirschen-Hertz, 
welches  sich  . . .  nach  dem  theiiren  an- 
schauen  Christi  Jesu, . .  .sehnet. .  .In  eine 
Acht-stimmige  Motect  einfeltig  iibersetzt, 
etc.     [Separate  Parts.]  Gedruckt  bey 

Johann  Milllern  :  Magdeburg,  [1663.]   fol. 

K.  2.  g.  18.  (4.) 
Himmlische  und  recht  Gottliche  Liebes- 
Flammen  unter  dem  Bildnus  der  Irrdisch- 
keuschen  Ehe-flammen  .  .  ,  dargestellet 
vom  Kouige  Salomone,  Cantic.  8.  v.  4. 5.  6. 
und. .  .in  eine  Acht-Stimmige  Concert,  als 
drey  Favorit-  und  fiing  mit  SjTnphonien 
Yeranmuhtigte  CapeU-Stimmen,  sampt 
dem  Basso  continuo  mit  und  ohne  Instru- 
mente . . .  zu  musiciren  . . .  iibersetzt,  etc. 
[Separate  Parts.]  Gedruckt  durch 

Johann  Miillern  :  Magdeburg,  1659.     fol. 

K.  2.  g.  18.  (6.) 
Himmelsteigendes  Danck-Opfier  der  Uhr- 
Alten  Stadt  Magdeburg,  . . .  mit  welchen 
sie  Gott  dancket  dass  Er  .  .  .  sich  iiber 
sie  vaterlich  wieder  erbarmet,. .  .in  eine 
Zehen  Stinimige  Concert,  als  drey 
Favorit-  und  sieben  mit  Symphonien 
veranmuthigte  CapeU-Stimmen  sammt 
dem  Basso  continuo,  mit  Trompeten  und 
Heerpaucken  .  .  .  zu  musiciren  iibersetzt 
und  componiret,  etc.     [Separate  Parts.] 

Gedruckt  bey  Johann  Miillern  : 
Magdeburg,  1665.    fol.    K.  2.  g.  18.  (1.) 

Der  Kirchen  Jesu  kostlichster  Seelen- 
Schmuck . . .  Genommen  aus  dem  zehenden 
Versicul  dess  Ein  und  Sechtzigsten  Capi- 
tuls  Esaise,  und. .  .in  eine  Acht-Stimmige 
Concert,  .  .  .  mit  Trompeten  und  Heer- 
Paucken  .  .  .  zu  musiciren,  .  .  .  iibersetzt 
und  componiret,  etc.     [Separate  Parts.] 

Gedruckt  bey  Johann  Milllern  : 
Magdeburg,  1661.    fol.    K.  2.  g.  18.  (7.) 

VOL.   II. 


SIEBENHAAR  (Malachias)  Schuldige 
Pflicht  und  Treii-meinender  Unterricht, 
wie  ein  treiier  Seelen-Hirte  in  seinem. . . 
Ampte,  . . .  sich  . . .  zierlich  .  .  .  verhalten 
sol  .  .  .  Mit  8  Stimmen  musiciret,  etc. 
[Separate  Parts.] 

Gedruckt  bey  Johann  Miillern  : 
Magdeburg,  1662.    fol.    K.  2.  g.  18.  (3.) 

Svaviloquium  Dei  Sionis  mysticum  cum 
sua  r\bVi2  &  nn"'''i2n  Des  lieb-reicheu 
Zions-Gottes  Anmuhtige. .  .Freuden-  und 
Friedens-Stimme  gegen  . . .  Zion  . . .  vom 
.  .  .  Ersten  Propheten  cap.  62.  v.  4.  &  5 
.  .  .  angemercket  und  ...  in  eine  Neun- 
stimmige  Concert,  als  drey  Favorit-  und 
Sechs  mit  Symphonien  veranmuhtigte 
CapeU-Stimmen,  sampt  dem  Basso  con- 
tinuo, mit  Trompeten  und  Heer  Paucken 
.  .  .  zu  musiciren,  iibersetzt  und  com- 
poniret, etc.     [Separate  Parts.] 

Gedruckt  durch  Johann  Milller  : 
Magdeburg,  1667.    fol.    K.  2.  g.  18.  (2.) 

SIEGE.     The  Siege  of  Gibralter.     [Song.] 
See  Since.     Since  the  Fate  of  Gibralter, 
etc.     [1782.]     fol.  G.  311.  (102.) 

The  Siege  of  Valenciennes  [by  M.  P.  King] 
for  the  Piano-Forte  or  Harpsichord  with 
an  Accompaniment  for  a  Violin,  etc. 
[Separate  Parts.]  Longman  and  Broderip  : 
ion<Zo«,  [1794  ?]     fol.  g.  186.  (11.) 

The   Siege  of  Valenciennes.     A  Favorite 
Sonata  for  the  Piano-Forte,  etc. 
Preston  d-  Son  :  London,  [1794  ?]     fol. 

g.  138.  (19.) 

SlilGE  DE  LILIiE.     Ah !  quel  moment 

pour   nioi    s'apprete.      Air  du   Siige    de 

Lille.     [Words  by  Joigny,  music  by  A.  E. 

Trial.]     Chez  Lnbault :  Paris,  [1792.]    8°. 

B.  362.  d.  (8*.) 
La  Carmagnole,  chantee  dans  le  Siege  de 
Lille  ;  [Begins  :  "  Un  jour  le  Francjais  se 
facha."]  Avec  Accompagnement  de  Gui- 
tarre.  Chez  le  Citoyen  Lnbault: 

Paris,  [1792.]     8°.  B.  362.  a.  (16.) 

[For  songs,  &c.,  in  '  Cecile  et  Julien,  ou  le 
Siege  de  Lille,'  published  under  the  first 
title  only  :]  See  CECiiiE  et  Julien. 

SIEGE  DE  THIOlSrVILIiE.  Tout  mon 
sang  est  a  la  patrie.  Air  du  Siege  de 
Thionvillc.  [Drame  lyrique,  words  by 
G.  Saullnier  and  —  Duthil,  music  by  L. 
E.  Jadin.]  Chezlmbault: 

Paris,  [1793.]    8°.  B.  382.  a.  (41.) 

SIEGE  OF  BELGRADE.  Blithe  as 
the  hours  of  May.  [Song,  by  V.  Martin  y 
Solar.]  Sung  by  [Signora]  Storace  in  the 
Siege  of  Belgrade.  J.  Lee  : 

Dublin,  [1791.]     fol.        G.  807.  d.  (71.) 

The  Favorite  Minuet  [by  A.  Salieri],  with 
Variations  for  the  Piano  Forte  or  Harpsi- 
chord with  an  Accompaniment   for   the 

2  K 


498 


SIEGE  OF  BELGRADE-SILVA 


Violin    as    Performed    in    the    Siege    of 
Belgrade.     [By  S.  Storace.] 

Longman  and  Brodcrip : 
Londo7t,  [1191?]     fol.        g.  442.  j.  (33.) 
The  Siege  of  Belgrade.     Comic  Opera. 
See.  Storage  (S.) 

SIEGE  OF  CURZOLA.  The  Siege  of 
Curzola.     Comic  Opera.     See  Arnold  (S.) 

SIEGE  OF  GIBRALTAR .     The  Siege 
of  Gibralter  [sic].     Entertainment. 
See  Shield  (W.) 

SIEVERS  (JoHANN  Fribdrich  Ludwig) 
Oden  und  Lieder  aus  der  Geschichte  des 
Siegwart,  etc. 
Magdeburg,  etc.,  1779.     obi.  fol.     D.  734. 

SIFARI.  The  Favourite  Songs  in  the 
Opera  Sifari.  N°  II.  [A  Pasticcio.  Full 
Score.l     Welcker  :  London,  [1767.]     fol. 

H.  348.  c.  (6.) 
The    composers    named    are :     Gallupi, 
Guglielmi  and  Bach. 

SIGH.    The  Sigh.   Ballad. 
See  CORRi  (D.) 

The  Sigh.     Ballad.     See  Watts  (R.) 
[Another  setting.]     The  Sigh.     Song. 
See  WiLKINS  (J.) 
Sigh  no  more  Ladies.     Glee. 
See  Stevens  (R.  J.  S.) 

SIGHS.     Sighs.     Glee. 
See  Smart  {Sir  G.  T.) 

Sighs    and    Storms    invade    my    Breast. 
Inconstant  Flora.     A  New  Song. 
[London,  1715  ?]     s.  sh.  fol. 

G.  316.  g.  (56.) 

Sighs  and  tears  reliev'd.    Song.    Sec  Lady. 

SIGNOR.  Signor  Cranky  Addio.  [Song.] 
See  Son  in  Law. 

SIGNORETTI  (P.)     See  Traite.     Traite 
du  Contrepoint.     [By  P.  Signoretti.] 
[1765?]    4°.  557*.  e.  19. 

SIGNORINO.  Signorino,  a  parlar schietto. 
[Song.]  See  Paisibllo  (G.)  [La  Locanda.] 

SIGNS.  The  Signs  of  FaithfuU  Love. 
[Song.]     See  Suett  (R.) 

SIGONIO  (Gandolpo)  See  Bottrigari 
(E.)  II  Melone  ...  &  II  Melone  Secondo, 
Considerationi  Musicali  . . .  sopra  vn  Dis- 
corso  di  M.  Gandolfo  Sigonio  intorno  a' 
Madrigali,  &  a'  Libri  dell'  Antica  Musica 
ridutta  alia  moderna  Prattica  di  D.  Nicola 
Vicentino.  E  nel  fine  esso  Discorso  del 
Sigonio.     1602.     4°.        557*.  c.  18.  (4.) 

SILENT.     The  Silent  Admirer,     [Song.] 
See  Essex  (M.) 


SILENT.    The  Silent  Fair.    [Song,  begins  : 
'  From  all  her  fair  loquacious  kind.'] 
See  Arnb  (M.) 

[Another  setting.]  The  Silent  Fair. 
[Song.]  Sec  From.  From  all  the  fair 
Loquacious  kind.     [1740  ?]     s.  sh.  fol. 

G.  307.  (240.) 
[Another  edition.]  The  Silent  Fair. 
[Song.]  See  From.  From  all  the  fair 
loquacious  kind.  [1767.]  8°.  P.P.  5441. 
The  Silent  Flute.  Song.  See  As.  As 
Damon  late  with  Cloe  sate,  etc. 
[1720  ?J     s.  sh.  fol.  G.  305.  (32.) 

The  Silent  Hour  of  Midnight  reigns. 
[Song,]  written  by  G.  Walker  in  the  Novel 
of  Theodore  Cyphon. 

Printed  for  G.  Walker  : 
London,  [1796.]     fol.  G.  356.  (52.) 

Silent  I  tread.     Song.     See  Arnold  (S.) 

SILENUS.     Sileuus  and  Cupid.     [Song.] 
Sec  Cupid.     Cupid  sent  on  a  message  one 
ev'ning,  etc.     [1780  ?J     s.  sh.  fol. 

G.  307.  (120.) 
SILKEN,      The   Silken   Snooded    Lassie. 
[Song.]      See  Coming.      Coming  through 
the  Broom  at  e'en.     [1770  ?]     s.  sh.  fol. 

G.  316.  (43.) 

SILLY.      Silly    swain,   no    longer    dwell. 
Rosalind.     [Song.]     [London,  1758.]     8". 

P.P.  5438.  T. 
Universal  Magazine,  Vol.  XXII.,  p.  93. 

SILVAIN.  Silvain,ein  Singspiel  in  einem 
Aufziige  aus  dem  Franzosischen  iiborsetzt. 
[MusicbyA.E.M.Gretry.]  See  Operettas. 
Sammlung  der  komischen  Operetten,  etc. 
Band  III.  No.  1.  1772.  8°.  B,  729, 
H6  !  comment  ne  pas  le  ch^rir.  [Song.] 
Du,  Silvain  [by  A.  E.  M,  Gretry]. 
[Paris,  1770  ?]     8°.  B.  362.  (32.) 

Je  puis  braver  les  coups  du  sort.     [Song.] 
De  Silvain  [by  A.  E.  M.  Gretry]. 
Chez  Bignon  :  [Paris,  1770  ?]     8°. 

B,  362.  (34.) 

Ne  crois  pas  qu'un  bon  menage.     Airs  du 

Silvain  [by  A.  E.  M.  Gr6try]. 

[Paris,  1770?]     8°.  B,  362.  (35.) 

Tout  le  Village  me  I'envie.     [Song.]     De 

Silvain  [by  A.  E.  M.  Gretry]. 

Chez  Bignon  :  [Paris,  1770  ?]     8". 

B.  362.  (33.) 
Silvain.    Comedie.    See  Gretry  (A.  E.  M.) 

SILVA  LEITE  (Antonio  da)  Estudo  de 
Guitarra,  .  .  .  Dividido  em  duas  partes. 
A  primeira  contem  as  principas  regras  da 
musica,  e  do  accompanhameuto.  A 
segunda  as  da  Guitarra  ;  a  que  se  ajuuta 
huma  CoUeccjao  de  Minuetes,  Marchas, 
Allegros.  ContradauQas,  e  outra  Pepas  .  .  . 
com  accompanhameuto  de  segunda  Gui- 
tarra, etc.  A.  A.  Eibeiro  : 
Porto,  1795.     fol.  7896.  h.  28, 


SILVANI— SILVESTRIS 


499 


SILVANI  (Giuseppe  Antonio)     Cantate 
Morali,  e  Spiritual!  a  1.  2.  e  3.  voci  cou 
Violini,  e  senza  .  . .  Opera  Quinta.  Violino 
Secondo.     (Violine,  6  Tiorba.)     2  pts. 
Per  Marino  Silvani :  Bologna,  1707.     4°. 

D.  246.  b. 

Inni  Sacri  per  Tutto  1'  Anno  a  Voce  sola 
con  Violini  a  beneplacito  .  .  .  Opera 
Seconda.  Organo.  Per  Marino  Siliiani : 
Bologna,  1702.     4".  D.  246.  a. 

Inni  Sacri   Per   tutto   1'  Anno   a   quattro 
voci   pieni,  da   cantarsi  con   1'  Organo,  e 
senza  .  .  .  Opera  Quarta.     Canto.     (Alto.) 
(Tenore.)     (Organo.)     4  pts. 
Per  Marino  Silua7ii :  Bologna,  1705.     4". 

D.  246.  e. 

Motetti  a  Otto  Voci  Pieni  Con  il  Respon- 
sorio  di  S.  Antonio  de  Padoua.  Da  Can- 
tarsi  con  r  Organo  e  senza  .  .  .  Opera 
Ottaua.  Canto  (Alto)  (Tenore)  (Basso) 
Primo  Coro.  (Canto  (Alto)  (Tenore) 
(Basso)  Secondo  Coro.)  (Organo.)  9  pts. 
Per  gli  Ercdi  del  Siluani : 
Bologna,  1711.     4".  D.  246. 

See   Mazzaferrata   (G.   B.)       II   Primo 
Libro     delle    Cantate    da    Camera,    etc. 
[With  a  preface  by  G.  A.  Silvani.] 
1677.     obi.  4°.  B.  316. 

SILVANI  (Marino)  Sacri  Concerti  ouero 
Motetti  a  due,  e  tr^  Voci,  di  diuersi 
Eccellentissimi  Autori ;  Raccolti  e  dati  in 
luce  da  M.  Siluani,  etc.  Canto  Primo 
(Secondo).     (Basso.)     (Organo.)     4  pts. 

Per  G.  3Ionti : 
Bologna,  1668.     4°.  C.  96. 

Tlie  composers  named  in  this  collection 
are :  N.  Monferrato,  F.  Cavalli, 
G.  B.  Volpe  detto  Eovetta,  P.  A.  Ziani, 
M.  Cazzati,H.  Tarditi,  G.  Eovetta,  A. 
Filipucci,  C.  D.  Cossonio,  Trabatone 
and  G.  P.  Colonna. 

See  BoNONCiNi  (G.  M.)  Musico  Prattico, 
etc.     [Edited  by  M.  Silvani.]     1688.     4°. 

785.  h.  52. 

SILVER.     The  Silver  Moon.     Song. 
See  Hook  (J.) 

The  Silver  Moon  that  shines  so  bright. 
The  Pitcher.     [Song.] 

Str[aight  and'\  Sklillem  :  London, 
1770?]   s.  s7j.  fol.  I.  530.  (142.) 

The     silver     moon's     enamour'd     beam. 
May-Eve,  or  Kate  of  Aberdeen.     [Song.] 
{London,  1761.]     8°.  P.P.  5441. 

Royal  Magazine,  Vol.  IV.,  p.  145.  TJm 
is  not  J.  BattishilV s  setting. 

The     silver     moon's     enamour'd     beam. 
May-Eve,  or  Kate  of  Aberdeen.     [Song.] 
[London,  1761.]     8°.  P.P.  5140. 

Lady's  Magazine,  Vol.  II., p.  415.  This 
is  not  J.  BattishilV s  setting. 


SILVER.     [Another  setting.]      The  silver 
moon's  enamour'd  beam.    Song.    Sung  by 
Mr.  Vernon,  at  Vauxhall. 
[London,  1767.]     8°.  250.  c.  14. 

Gentleman's  Magazine,  Vol.  XXXVII. , 
p.  321.     This  setting  is  different  from 
those  in  the  Boyal  and  Lady's  Maga- 
zines for   1761 ;    also  from    that   by 
J.  Battishill. 
The  silver  moon's  inamour'd  beam.    May- 
Eve  ;  or  Kate  of  Aberdeen ;  a  New  Song. 
Sung  at  Ranelagh  and  Vauxhall.     [Words 
by  J.  Cunningham,  music  by  J.  Battishill.] 
[Lotidon,  1768.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XLIL,  p.  147. 

The  Silver  Moon's  enamour'd  Beam. 
May-Eve,  or  Kate  of  Aberdeen.  [Song, 
words  by  J.  Cunningham,  music  by 
J.  Battishill.]    [London,  1770  ?]    s.  sh.  fol. 

G.  312.  (179.) 
[Another  edition.]  The  Silver  Moon's 
enamour'd  Beam.  Kate  of  Aberdeen. 
[By  J.  Battishill.]  [London, 

1775  ?]     s.  sh.  fol.  H.  2818.  (24*.) 

[Another  edition.]  The  silver  Moon's 
enamour'd  Beam.  Kate  of  Aberdeen. 
[By  J.  Battishill.]  [London, 

1775  ?]     s.  sh.  fol.         H.  1994.  b.  (72.) 
The  Silver  Rain,  the  Pearly  Dew.     The 
Disconsolate  Lover's  Bequest.     [Song.] 
I.  E[ut}ierford :  London,  1775  ?J  s.  sh.  fol. 

H.  1994.  (58.) 
The  Silver  Stream.     [Song.] 
See  Moulds  (J.) 

The  Silver  Swan.  A  Catch  for  Three 
Voices.  [Adapted  from  O.  Gibbons' 
madrigal.]  B.  Falkener  :  London, 

[1770?]    fol.  H.  1994.  a.  (136*.) 

The  Silver  Thames.     [Song.]     See  Queen. 
Queen  of  Citty's  raise  thy  head. 
[1720?]     s.sh.iol.  G.  311.  (29.) 

SILVESTRIS  (Florido  de)     R.  Floridus 

Canonicus  de  Syluestris  a  Barbarano,  Has 

alias    Sacras   Cantiones,    Ab   Excellentis- 

simis     Musices     Auctoribus     suauissimis 

Modulis  Binis,  Ternis,  Quaternisque  Voci- 

hus     Concinnatas     in     Lucem     edendas 

Curauit.       Cautus     Primus     (Secundus) 

(Altus)  (Bassus)  (Organum).     5  pts.     Ex- 

p)ensis  Antonij Poggioli.  ..Ex  Typographia 

Ludouici  Grignoni,  1650.     4°.  D.  74. 

This  collection  contains  motets  by  G.  A. 

Carpani,A.  M.  Abbatini,  G.  Carissimi, 

H.  Benevoli,  B.  Gratiani,  F.  Foggia, 

S.  Fabri,  F.  Margarini,  S.  Durante, 

C.    Cecchelli,     G.    A.     Capponi,     G. 

Santucci,  G.  Bicilli,  V.  Giovannoni, 

P.  Tarditi  and  the  editor. 

R.  Floridus  Canonicus  de  Syluestris  a 
Barbarano  istas  alias  Cantiones  Sacras 
ab  Excellentissimis  Musices  Auctoribus 
Tribus  Diuersis  Vocibus  Suauissimis 
modulis  Concinnatas  in  Lucem  Curauit 

2  K  2 


500 


SILVESTEIS— SIMLER 


edendas.   Cantus  Primus  (Secuiidus)  (Ter- 

tius).     (Organum.)     4  i:)ts.     Typis   lacobi 

Fei  Andr.     F.  a  sjpcse  cli  Antonio  Poggioli, 

1668.    4°.  D.  74.  a. 

This  collection  contains   motets   by   G. 

Carissimi,    H.    Bcnevoli,    G.    Corsi, 

M.  Savioni,  N.  Stamegna,  G.  B.  Gen- 

sctti,  F.  Foggia,  G.  Bicilli,  P.  Natali, 

P.  Cesi,   F.   Mangiato,   B.  Gratiani, 

G.  A.  Carpani,  S.  Durante,  A.  Foggia 

and  the  editor. 

See  GuiDETTi  (G.)     Directorium  Chori . . . 

in    hac    postrema    Editione    a   Canonico 

Florido  de  Syluestris  a  Barbarano  emen- 

datum,  etc.     1642.  A.  218.  e. 

See    LupACCHiNO    del  Vasto    (B.)    and 

Tasso  (G.  M.)     Di  Bernardino  Lupachino, 

et  di  loan  Maria  Tasso.     II  Prime  Libro 

a   due   Voci  . . .  emendato   dal    Canonico 

Florido  de  Siluestris  da  Barbarano. 

1642.     4°.  D.  157. 

See  Metallo  (G.)     Del  Metallo  Ricercari 

...  da  D.  Florido  Canonico  de  Siluestris 

da  Barbarano  emeudati,  etc.     1643.     4°. 

D.  78. 
SILVIA.    Sylvia,  or,  the  Country  Burial. 
An  Opera  . . .  With  the  Musick  prefis'd  to 
each  Song.     [Words  by  G.  Lillo.] 

Printed  for  J.  Watts  : 
London,  1731.     8".  841.  d.  32.  (8.) 

Silvia.     Song,     ^^ee  Saizoi  (P.) 
Silvia    bright    Nymph.      A    ncio    Song. 
Sung  by  Miss  Bennet  at  Cupers  Gardens. 
[I/onfZo?i,  1752 ?]    s.sh.iol.  G.  311.  (124.) 
Silvia  Delia  Sweetest  pair.     [Song.] 
See  Young  (A.) 

Silvia  on  her  Arm  reclining.  Silvia's 
Betreat.  [Song.]  Str[aight]  and  Sk[iUern  : 
London,  1777  ?]     s.  sh.  fol. 

G.  311.  (108.) 
An  earlier  version  of  this  song,   witli 
different  words  but  the  same  tune,  was 
knoion  as  '  The  Double- Entendre.' 

Silvia's  Complaint.     [Song.] 

See  Davis  (J.  F.) 

Silvia's  Eeveuge.     [Song.]     See  As.     As 

on  a  Bank  bedeck'd  with  Flowers. 

[1730  ?]     s.  sh.  fol.  G.  306.  (86.) 

Silvia's  Visit.     [Song.]     See  Davis  (T.) 

SIM  AND  RA.  Simandra  wears  a  Grandeur 
in  her  mind.     Song.     See  Hart  (P.) 

SIME   (David)     The   Edinburgh  Musical 
Miscellany :    a    Collection    of    the    most 
approved  Scotch,  English,  and  Irish  Songs, 
set  to  Music.     Selected  by  D.  Sime,  etc. 
2  vols.  Printed  for  W.  Gcrrdon,  etc. : 

Edinburgh,  1792-8.     8».  B.  404. 

Vol.  II.  is  printed  for  J.  Elder,  etc. 

SIMILI  (Vikcenzo)  Canzonette  a  Tre 
Voci  .  .  .  Libro  Primo.  Canto.  (Basso.) 
2  pts.  Appresso  Vittorio  Baldini : 

Ferrara,  1610.     4°.  C.  34. 


SIMLER  (JoHANN  Wilhelm)  Philomela, 
quai  ais  Canzuns  Spirituales  in  part  da 
noev  componidas  &  in  part  our  da  autras 
linguas  vertidas,  drizadas  la  pliipart  a  4. 
vuschs  in  las  melodias  dal  cudesch 
Musical  da  1'  Revd.  Sgr.  I.  W.  Simler  . . . 
Tras  Johannem  INIartinum  .  .  .  Sun  eir 
adjunctas  alchiinas  Canzuns  ant  co 
huossa  componidas  da...meis  Rev:  chiar 
Bap.  ]Martino  ex  ]\Iartinis,  etc.  C.  lanet : 
Tschli?i,  1684.    12".  3433.  aa.  35. 

Philomela  ...  La  II.  Editiun.  Revisa 
dal  Authur  cun  Auctiii  da  amno  47.  novas 
Canzuns  &  60.  novas  Melodias  la  plii  part 
our  dal'  Geistlich  Seelenmusic  dal'  Sgr.  J. 
Hochreutiuer,  etc.  Johan  Bodolph  Simler  : 
Turi,  1702.    8°.  3433.  aa.  36. 

Philomela  .  .  .  cun  I'adjuncta  da  plus 
novas  Chanzuns,  promovli  a  la  Stampa 
dala  III.  Editiun  Tras  Johannem  Jacobum 
Vitalium,  etc. 

Stampa  tras  Jacobo  N.  Gadina  : 
Seuol,  1751.     12\  1220.  b.  4. 

Philomela  . . .  Spera  las  adjunctas  canzuns 
e  melodias  della  II.  e  III.  editiun,  sun  in 
quista  IV.  editiun  in  fine  missas,  etc. 
Bernard  Otto  :  Coira,  1797.     8°. 

3433.  aa.  37. 
Johann-Wilhelm  Simlers  Teutsche  Ge- 
dichte  :  darinnen  I.  Haubtbegriflliche  In- 
halte  der  Psalmen  Davids :  II.  Under- 
schiedliche  .  . .  Gesiinge  :  III.  Allerhand 
erbauliche  tJberschriiiten,  &c.  enthalten 
seind.  Anietz  zum  zweyten  mal  aussge- 
fertiget,  und  mit  einer  neuen  Zugabe 
gehmehret.  Bey  Johann  Jacob  Bodmer  : 
Zurich,  1653.     8°.  11517.  bbb.  6. 

There  is  a  second  {engraved)  title-page. 
The  only  composer  named  is  H.  H. 

Johann-Wilhelm  Simlers  Teutscher  Ge- 
dichten  die  Dritte,  von  Ihme  selbsten  um 
einen ,  Drittheil  vermehrt  .  .  .  Aussferti- 
gung :  in  sich  haltend  I.  Aller  Psalmen 
Davids  Haubtbegriff  ...  II.  Fest-  und 
Unterweisungs  -  Gesiinge  :  III.  Unter- 
schiedliche  .  .  .  Ehren-    und    Loblieder : 

IV.  Neuaussgesetzte  . . .  Musikstiikke  . . . 

V.  Allerhand  erbauliche  Uberschrifiten, 
etc.  In  Verlegung  J.  W.  Simlers  : 
Zurich,  1663.     8°.  11526.  cc.  20. 

There  is  a  second  {engraved)  title-page. 
The  composers  namedare :  C.  D[iebold], 
D.  F[;riderici]  and  A.  Siteigleder']. 

Johann-Wilhelm  Simlers  Teutscher   Ge- 

tichten  die  Vierte,   von    Ihme    selbsten 

und   auss    hinterlassener    Schriiiten   um 

einen  Viertheil  vermehrt-  und  verbesserte 

Aussfertigung,  etc.        In  Verlegung  J.  W. 

Simlers,  durch  Johann  Budolph  Simler  : 

Zurich,  1688.     8°.  3434.  ec.  47. 

Wanting  the  engraved  title-page.     The 

composers  named  are  :  D.  F[7-iderici'], 

A.  B.,  A.  Siteigleder],  A.    T.,  I.   B. 

and  C.  Dlietbold]. 


SIMON— SIMPSON 


501 


BIMOKT  BRODIE.     Simon  Brodie  with 
uiue  new  Variations  for  the  Piano  Forte. 
N.  d-  M.  Stewart :  Edinburgh,  [1790  ?]    fol. 

g.  272.  i.  (15.) 

[Another  copy.]  g.  149.  (12.) 

SIMON  (JoHANN  Caspar)  Leichte  Prae- 
ludia  und  Fugen  durch  die  Tone  :  C.  D. 
E.  F.  G.  A.  B  dur,  welche  so  wohl  auf  der 
■Orgel,  als  auf  dem  Clavicordio  . . .  konnen 
gespielet  werden.  Erster  Theil,  etc. 
Verlegt  von  Joh.  Jac.  Loiters  Seel.  Erben  : 
Augspurg,  [1755  ?]     obi.  fol.      d.  79.  (1.) 

Leichte  und  wohlklingende  Praeludia 
und  Fugen  durch  die  Tone  :  C.  D.  E.  F. 
G.  A.  H  moll,  welche  so  wol  auf  der  Orgcl 
als  auf  dem  Clavicordio  . . .  konnen  ges- 
pielet  werden.     Auderer  Theil,  etc. 

Verlegt  von   Johann  Jacob  Lotters  seel. 
Erben  :  Augspurg,  [1775  ?]     obi.  fol. 

d.  79.  (2.) 

SIMON  (Louis  Victor)  II  pleut,  11  pleut, 

bergere.  Romance,  etc.  [Words  by  P.  F. 
N.  Fabre  d'Eglantine.] 

[Paris,  1787  ?]     8".  B.  362.  (127.) 

[Another  copy.]  B.  362.  e.  (30.) 

See  Ok.     Or,  nous  dites  Glicere  . . . 

Air  :  II  pleut,  il  pleut,  Bergere  [by  L.  V. 
Simon].     [1787  ?]     8".        B.  362.  (130.) 

See  Kenaud  d'Ast.    II  nege,  11  vente, 

il  gele.  Couplets  de  Benaud  d'Ast. 
[Adapted  by  N.  Dalayrac  to  L.  V.  Simon's 
song],  etc.     [1787  ?]    8".     B.  362.  (128.) 

See  Keviens.  Reviens,  reviens,  Ber- 
gere. Suite  de  la  Pastorale :  II  pleut 
Bergere  [by  L.  V.  Simon].  Meme  Air. 
[1790?]    8".  B.  362.  e.  (7.) 

See  VivoNS.     Vivons  6  ma  Julie  . . . 

Air,  II  pleut  il  pleut  Bergere.  [By  L.  V. 
Simon.]     [1790  ?]     8".     B.  362.  e.  (107.) 

SIMONETTI     (Leonardo)       Ghirlanda 

Sacra  Scielta   da   Diuersi   Eccelentissimi 

Compositori  de  varij  Motetti  a  Voce  Sola. 

Libro  Primo.      Opera  Seconda  . . .  Noua- 

mente  Stampata.   Partitura.  Stavwa 

del  Gardano.  Appresso  Bartolomeo  Magni : 

Venetia,  163G.     obi.  i".  K.  8.  i.  5. 

This  copy  belonged  in  1667  to  J.  Play  ford, 

and    contains    his    autograph.      The 

folloiuing  composers  are  named :    C. 

Monteverde,  G.  Priuli,  G.  Boveta,  A. 

Grandi,  G.  B.  Bertti,  G.  P.  Capriolo, 

G.    Finetti,   D.    Castello,   F.    Usper, 

V.    Bovetto,    G.     Pichi,  'A.    Freddi, 

G.    Pozzo,   B.   Pesarino,   D.    Obizzi, 

G.  Massicio,  G.  Locatelo,  G.  G.Arigoni, 

C.  Milannzii,  G.   M.  Sabino,  G.  G. 

Martinengo,    P.    F.    Caletto    Bruni, 

G.    M.    Scorzuto,   L.    Gallerano,    G. 

Bondioli  and  A.  Stella. 


SIMONO  (D.)  Recueil  Nouveau  d'Airs, 
Menuets,  Contredanses,  Gavottes  &  Gigues, 
de  DiSerens  Autheurs,  Italiens,  Francois 
&  Auglois  .  .  .  Mis  en  ordre  pour  Deux 
Flutes  Traversieres,  ou  Deux  Violons,  par 
D.  Simono,  etc. — Nieuwe  Recueil  van 
Arias,  etc.  2  pts.  [Separate  Parts.] 
A.  Olofscn:  Amsterdam,  [1750?]  obi.  4^ 
■'  h.  73. 

SIMONS  (Henry)     See  Weldon  (J.)  and 
Simons   (H.)      A  Collection  of  Aires   for 
two  Flutes  and  a  Bass,  etc. 
[1710?]     obl.iol.  d.  150.  (6.) 

SIMPLICITY.     Simplicity.     BaUad. 
See  HoRSLEY  (W.) 

Simplicity  thou  fav'rite  Child.     Song. 
See  Arnold  (S.)     llnkle  and  Yarico.] 

SIMPSON  (Christopher)     Chelys. 
See  infra  :  [The  Division-Violist.] 

The  Principles  of  Practical  Musick  De- 
livered in  a  Compendious,  Easie,  and  New 
Method  :  for  the  Instruction  of  Beginners, 
either  in  Singing  or  Playing  upon  Instru- 
ments. To  which  are  Added,  Some  Short 
and  Easie  Ayres  Designed  for  Learners. 
Will.  Godbidfor  Henry  Brome  :  London, 
1665.     8".  K.  8.  e.  22. 

This  is  the  first  edition  of  '  A  Compen- 
ditnn  of  Practical  Musick.' 

A  Compendium  of  Practical  Musick,  in 
Five  Parts,  etc.  William  Godbid, 

for  Henrti  Brome  :  London,  1667.     8". 
•^  7897.  aa.  14. 

Wanting  the  portrait. 

A  Compendium  of  Practical  Musick  .  .  . 
Together  with  Lessons  for  Viols,  &c.  The 
Third  Editio.  Henry  Brome,  for  M.  C.  : 
London,  1678.     8°.  52.  e.  30. 

The  Lessons  contain    compositions    by 
J.  B.  and  F.  Forcer. 

A  Compendium :  or.  Introduction  to 
Practical  Musick  . . .  The  Fourth  Edition 
with  Additions  :  Much  more  Correct  than 
any  former,  etc.  W.  Pearson,  for  John 

Cullen :  Loyidon,  1706.     8".     1400.  b.  5. 

A  Compendium:  or  Introduction  to 
Practical  Music  .  .  .  The  Sixth  Edition, 
etc.  W.  P[earson']  for  John  Young  : 

London,  1714.    8°.  7896.  aa.  23. 

A  Compendium  :  or  Introduction  to  Prac- 
tical Musick  ...  the  Seventh  Edition,  etc. 
Printed  for  T.  Astley  :  London,  1727.     8". 

7898.  aaaa.  20. 

A  Compendium:  or,  Introduction  to 
Practical  ftlusic  .  .  .  The  Eighth  Edition, 
with  Additions,  etc.  W.  Pearson, 

fcrr  Arthur  Bettesivorth,  etc.  :  London, 
1732.    8\  785.  b.  12. 


502 


SIMPSON— SINCE 


SIMPSON  (Christopher)  A  Compen- 
dium, or  Introduction  to  Practical  Music 
.  .  .  The  Ninth  Edition  with  material 
Additions,  etc. 

Longman,  Lukcy  and  Go.  :  London, 
[1775?]     obi.  A".  7898.  ee.  49. 

The  Division- Violist :  or  An  Introduction 
to  the  Playing  upon  a  Ground :  Divided 
into  Two  Parts... To  which,  are  Added 
some  Divisions  made  upon  Grounds  for 
the  Practice  of  Learners. 
William  Qodbid  :  London,  1659.     fol. 

K.  1.  i.  11.  (1.) 

[The  Division- Violist.]  Chelys,  Minuri- 
tionum  Artificio  Exornata  :  sive,  Minuri- 
tiones  ad  Basin,  etiam  Extempore  Modu- 
landi  Ratio,  etc. — The  Division-Viol,  or 
The  Art  of  Playing  Extempore  upon  a 
Ground.  Divided  into  Three  Parts  .  .  . 
Editio  Secunda.     Lat.  &  Eng. 

W.  Godhid  for  Henry  Brome  : 
London,  1665.     fol.  785.  I.  23. 

[The  Division- Violist .]  Chelys . . .  IMinuri- 
tionum  Artificio  Exornata,  etc.  —  The 
Division- Viol,  etc.    Editio  Tertia,  etc. 

William  Pearson,  for  Richard  Hears  : 
London,  1712.     fol.  g.  299. 

See  Playfoed  (J.)  A  Brief  Introduction 
to  the  Skill  of  Musick  ...  To  which  is 
added  .  .  .  The  Art  of  Descant  ...  by  Dr. 
Thomas  Campion.  With  Annotations 
thereon  by  Mr.  Chr.  Simpson.  1660.  8". 
E.  Pam.  1795.  (2.) 

SIMPSOW  (Henry  Pukver)  In  the 
midst  of  Life  we  are  in  death.  An 
Anthem,  EespectfuUy  Dedicated  to  all  the 
Societies  for  Preservation  from  Danger 
and  apparent  Death. 

Longman  &  Broderip  :  London,  1796.    fol. 

G.  503.  (16.) 

SIMPSON  (Thomas)  Taffel  Consort, 
Erster  Theil,  von  allerhaud  Newen  Lus- 
tigen  Musicalischen  Sachen,  mit  vier 
Stimmen,  neben  einem  General  Bass  .  .  . 
zusammen  getragen  . , .  Durch  Thomam 
Simpson  Engellander,  etc.  Bassus  Gene- 
ralis.  Bey  Paul  Langen,  hi  verlegiing 

Michael  Herings  :  Hamburg,  1621.     4°. 

C.  97. 
T]ie  composers  named  in  this  collection 
are :  T.  Simpson,  J.  Grabbe,  P. 
Philippi,  J.  Douland,  C.  Topffer, 
N.  Bleier,  M.  Webster,  J.  Erosch, 
A.  Ferabosco,  A.  Chezam,  R.  Johnson, 
C.  Engclmann,  E.  Johnscm,J.  Scherley 
and  R.  B[ateman'], 

SIMSON.  Simson.  Musikalisches  Drama. 
See  RoLLE  (J.  H.) 

SIN".     Sin  not  O  King  !     Song. 
Sec  Haendel  (G.  F.)     [Saul.'} 


SINCE.  Since  all  the  World's  in  Arms, 
The  Royal  Ball :  As  it  was  perform'd  in 
Masquerade  by  Two  Seamen  . . .  [Ballad.] 
To  an  Excellent  New  Tune,  Sung  at  Court. 
Printed  for  P.  Brooksby,  J.  Deacon, 
J.  Blare  and  J.  Bach  :  [London,  ICm  ?] 
s.  sh.  fol.  Case  39.  k.  6.  (66.) 

The  music  is  printed  very  incorrectly. 

Since  artists,  who  sue  for  the  trophies  of 
fame.  TJie  English  Padlock.  [Song.] 
Sung  by  Mr.  Vernon.  [London, 

1768.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XLIII.,  p.  261. 

Since  Artists  who  sue  for  the  trophies  of 
fame.  The  English  Padlock.  [Song.] 
Sung  by  Mr.  Vernon.  [London, 

1770?]     s.  s7i.  fol.  G.  311.  (133.) 

[Another    edition.]       Since    Artists    who 
sue  for  the  trophies  of  fame,  etc. 
[Lo7idon,niO?]     s.sh.M. 

H.  1994.  a.  (216.) 

[Another  edition.]     Since  artists  who  sue 
for  the  trophies  of  fame,  etc. 
[Dublin  ?  1770  ?]     s.  sh.  fol. 

H.  1601.  a.  (37.) 

Since  Celia  'tis  not  in  our  Power.  Song. 
See  PuRCELL  (D.)     [The  Inconstant.'] 

Since   ev'ry  Charm  on  Earth   combines. 
Liberty.     A  New  Song  [by  R.  Hudson]. 
[London,  1766.]     8°.  P.P.  ^5438.  z. 

Universal  Magazine,   FoZ.  XXXIX.,  p. 
148. 
[Another  setting.]     Since  ev'ry  Charm  on 
Earth  combin'd.     [Song.]  [London, 

1760  ?]     s.  sh.  fol.  G.  316.  (124.) 

Since  ev'ry  charm  on  earth  combines. 
Song.     See  Hudson  (R.) 

Since  first  I  saw  your  face.  Glee  for  four 
Voices  [by  T.  Ford].  Preston:  London, 
[1800  ?]     s.  sh.  fol.  G.  805.  g.  (50.) 

Since  first  I  saw  your  Face.     A  favorite 
Glee  for  Four  Voices  [by  T.  Ford]. 
J.  Dale  :  London,  [1800  ?]     fol. 

G.  799.  (19.) 

Since  first  I  saw  your  Face.     Glee. 
See  Ford  (T.) 

Since  Friends  and  Companions.     Glee. 
See  Ddpuis  (T.  S.) 

Since  from  my  dear  Astrea's  Sight.  Song. 
See  Akeeoyde  (S.) 

[Another  setting.]  Since  from  my  dear 
Astrea's  Sight.     Song.     See  Purcell  (H.) 

Since  Gaming's  in  Fashion.  The  Gamester. 
A  New  Comic  Song.  Sung  by  Mr.  A. 
Smith,  at  the  Grotto  Gardens,  etc. 

G[harles  and]  S[amuel  Thompson  : 
London,  1770  ?]     s.  sh.  fol. 

.     G.  807.  b.  (60.) 

Since  in  the  Mirror  of  my  Eyes.  [Song.] 
See  Williamson  (T.  G.) 


SINCE 


503 


SINCE.     Since  in  vain  I  strive  to  gain  you. 
[Song.]     See  Thomyeis. 

Since  Jenny  she  has  married.  Ja7nie's 
Complaint,  or  the  Sequel  to  Auld  Robin 
Gray.  [Song.]  Set  to  the  Original  . . . 
Air  [by  W.  Leeves],  for  the  Harpsichord, 
Violin,  Flute  &  Guittar.  [London, 

1780?]     fol.  G.  3li.  (159.) 

Since  Jenny  thinks  mean  her  heart's 
Love  to  deny.  Willy's  the  Lad  for  vie. 
rSong.]     [London,  1150?]     s.  sli.  iol. 

G.  316.  c.  (33.) 

Since  Jockey  of  late  is  so  kind.  Happy 
Shepherdess.     A  Pastoral.  Sk[illern  : 

London,  1780  ?]     s.  sh.  fol. 

G.  311.  (141.) 

Since  Laws  were  made  for  ev'ry  degree. 
Tijburn-Tree.  [Song,  written  by  J.  Gay.] 
[London,  1760?]    s.  sh.  iol. 

I.  530.  (143.) 

Since  Life's  a  Jest.     Glee.     See  Hook  (J.) 

Since  London's  the  place.     The  Learned 
Pig.     A  Celebrated  Comic  Song,  etc. 
J.  Fentum  :  [London,  1780?]     fol. 

H.  1994.  (59.) 

[Another  copy.]  H.  2818.  (9.) 

Since  love  such  extacy  can  give.     Love, 
Wine,  ayid  Music.     A  New  Song. 
[_London,  1769.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XLIY.,p.  372. 

Since  Mira's  inclin'd.     [Duet.] 
See  Dawson  (J.) 

Since  IMoggy,  I  mun  bid  adieu.  The 
Adieu  to  Moggy.  A  Song  [Words  by 
M.  Prior].     [London,  ll^Q?]     s.  sh.  iol. 

G.  311.  (91.) 

Li  the  London  Magazine  for  December 
1746  this  song  is  attributed  to  S.  F. 
H.  E.  S. 
[Another  copy.]  G.  305.  (277.) 

Since  my  Chloe  you  ask.     Song. 
See  Turner  (E.) 

Since  Pop'ry  of  late  is  so  much  in  debate. 
The  Catholick  Ballad:  or  an  Invitation 
to  Popery,  upon  considerable  Grounds 
and  Reasons.     To  the  Tune  of  88. 

Printed  for  Henry  Brome  : 
London,  1674.     fol.         1871.  e.  9.  (56.) 

[Another  copy.]  Rox.  I.  26. 

The  date  and  place  of  imprint  have  been 
cut  off. 
Since  Pop'ry  of  late  is  so  much  in  debate. 
The  Catholick  Ballad  ...  To  the  Tune  of 
88.  Printed  for  Henry  Brome  : 

London,  1675.   fol.    Case  20.  f.  5.  (106.) 

Since  Pop'ry  of  late  is  so  much  in  debate. 
The  Catholick  Ballad  ...  To  the  Tune  of 
88.  Printed  for  Henry  Brome  : 

London,  1678.    fol.      1872.  a.  1.  (149.) 


SIWCE.  Since  Sally's  Charms  so  long  hath 
been.  Sally  Rivald  by  Country  Molly. 
[Song,  adapted  to  Carey's  tune  of  "  Sally 
in  our  Alley."]  [London, 

1720?]     s.sh.iol.  H.  1601.  (398.) 

[Another  edition.]  Since  Sally's  Charms 
so  long  hath  been.  Sally  rivaVd  by 
Country  Molly.  [London,  1720?]  s.sh.iol. 

G.  316.  g.  (57.) 
Since  Spartan  Heroes  were  so  dull.  Song. 
See  King  (R.) 

Since  Tencin's  Schemes.  The  Royal 
Hunter's  March.  A  Ballad.  Set  to 
Musick  in  Imitation  of  the  Early  Horn. 
[London,  1745.]     8".  249.  c.  15. 

Gentleman's  Magazine,  Vol.  ZF.,^.  664. 
Since  Tencin's  Schemes.  The  Royal 
Hunters  March.  [Song.] 
[Lo»tdo)i,  1762 ?]  s.sh.iol.  G.  315.  (41.) 
Since  the  Dutch  are  so  low.  The  Tarrs 
of  old  England.     [Song.]  [London, 

1775?]    s.sh.iol.  G.  311.  (148.) 

Since  the  Fate  of  Gibralter  attracts  the 
whole  World.  The  Siege  of  Gibralter. 
[Song.]  L[ongman']  and  B[rodcrip  ; 

London,  1782.]     fol.  G.  311.  (102.) 

[Another  edition.]      Since    the    Fate    of 
Gibralter  attracts  the  whole  World.     The 
Siege  of  Gibralter,  a  favourite  New  Song. 
John  Bice  :  Dublin,  1782.     s.  sh.  fol. 

H.  1601.  a.  (117.) 
Since  then  I'm  doomed  this  sad  l^everse 
to  prove.     [Song.]     See  Spoiled  Child. 

Since  Times  are  so  bad.     Dialogue. 

See  PuECELL  (H.)  [Don  Quixote.  Part  I/.] 

Since  we're  depriv'd  of  great  Anna.    Song. 

See  NiCHOLLS  (J.) 

Since   we  went  out   a   Maying.      [Song.] 

Sung  by  Miss  Stevenson  at  Vauxhall,  1757. 

[London,  1757.]     s.  sh.  8°. 

P.P.  5439.  ab. 
Universal  Magazine,  Nov.  1757. 

Since  we  went   out   a  Maying.     A   Neio 
Song.     Sung  by  Miss  Stevenson  at  Vaux- 
haU.     [Lotulon,  1757.]     8°.      P.P.  5438. 
Library  Magazine,  Vol.  II.,  p.  441. 

Since  Wedlock's  in  vogue.     The  Man  to 
my  Mind.  [Song,  words  by  J.  Cunningham, 
music  by  C.  Burney.] 
[London,  1755.]   s.  sh.  8°.    P.P.  5439.  ab. 
Universal  Magazine,  May,  1755. 

[Another   setting.]      Since   Wedlock's   in 
vogue.    A  new  Song.    Sung  at  the  Publick 
Gardens.     [Words  by  J.  Cunningham.] 
[London,  1755.]     8°.  157.  1.  17. 

London  Magazine,  1755,  p.  84. 

[Another  setting.]  Since  wedlock's  In 
vogue.  The  Choice.  A  new  Song.  [Words 
bv  J.  Cunningham.]     [London,  1767  .'j     8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XL.,  p.  262. 


50i 


SINCERE— SISTINUS 


SINCERE.     The  Sincere  Lover.     [Song.] 
Sec  Gauge  (    ) 


SINCERITY. 

Date.     [Song.] 


Sincerity's    now   out    of 
See  Jones  (J.) 


SINDREY  (E.)  Britannia  Triumphant, 
or  The  Destruction  of  the  Tri-Colour'd 
Flag.  A  Favorite  Song  .  .  .  Compos'd  and 
Arrang'd  for  the  Piano  Forte  by  E.  Sindrey. 
^7.  Cope  :  London,  [1798  ?]     fol. 

G.  376.  (39.) 

SING.     Sing,  all  ye  Muses.     Song. 

See  PuRCELL  (H.)    [Don  Quixote.   Part  I.] 

Sing  Jehovah,  man  become.     An  Hymn 
for  Christmas-Day.     [London,  1761.]     8°. 

P.P.  324.  n. 
Christian'' s  Magazine,  Dec.,  1761,2'.  629. 

Sing  whilst  we  trip  it.  An  Excellent  neio 
Song,  Call'd  The  Fairy  Queen,  or  The 
merry  Companions.  T.Moore:  London, 
[1695  ?]    s.  sh.  fol.     Case  39.  k.  6.  (20.) 

SINGENDE  SWAEN.  Den  Singende 
Swaen.     [Hymns.]     See  S.,  G.  D. 

SINGET.  Singet  dem  Herrn  ein  neues 
Lied.     Psalm.     See  Naumann  (J.  G.) 

SION.     Sion  heard  the  Watchman  sing. 
[Sacred  Song,  Duet  &  Chorus.] 
{London,  1697.]     4°.  108.  g.  68. 

Pp.  68-76  of  '  TJieosophical  Transactions 
by  the  Philadelphian  Society.' 

SIPRUTINI  (Emanuel)  Six  Duets  for  a 
Violin  and  a  Violoncello  or  two  Violins 
, . .  Opera  ii"*.     London,  [1764  ?]     fol. 

g.  24.  b.  (6.) 
[Another  edition.]  Six  Duets  for  a  Violin 
and  a  Violoncello  . . .  Opera  Seconda. 

Printed  for  Thompson  and  Sons  : 
London,  [1764  ?]     fol.  g.  504.  (4.) 

Six  Solos  for  a  Violoncello,  or  a  Violin  ; 
with  a  Thorough  Bass,  for  the  Harpsi- 
chord .  .  .  Opera  Prima. 

T.  Bennett,  for  the  Author  : 
London,  [1764  ?]    fol.  g.  24.  b.  (5.) 

[Another  edition.]  Six  Solos  for  a  Violin 
with  a  Thorough  Bass  for  the  Harpsichord 
.  .  .  Opera  Prima.  Printed  for 

Thompson  and  Sons  :  London,  [1764  ?]  fol. 

g.  502.  (1.) 

Six  Solos  for  a  Violoncello  with  a  Thorough 

Bass  for  the  Harpsichord  .  .  .  Opera  Terza. 

C.  and  S.  Thompson,  for  the  Author : 

London,  [1110?]     fol.         "g.  270.  L  (9.) 

Six    Solos    for    a    Violoncello,    with    a 

Thorough  Bass  .  .  .  Opera  v. 

Londo7i,  [1770?]     fol.  g.  24.  b.  (7.) 

[Another  edition.]  Six  Solos  for  a 
Violoncello,  with  a  Thorough  Bass  .  .  . 
Opera  v.     Welcker  :  London,  [1775  ?]    fol. 

g.  518. 


SIPRUTINI  (Emanuel)  Six  Solos  for  a 
Violoncello  with  a  Thorough  Bass  .  .  . 
Op.  [6.]  Printed  for  R.  Wornuni : 

London,  [1775  ?]     fol.  g.  511.  (5.) 

[Another  copy.]  g.  24.  b.  (8.) 

Six  Solos  for  a  Violoncello,  with  aThorough 
Bass  ...  Opera  vii.  Printed  for  the  Author  : 
London,  [1775  ?]     fol.         g.  514.  a.  (2.) 

SIR  COURTLY  NICE.  Three  New 
Songs  in  [J.  Crowne's  Comedy]  Sir 
Courtley  Nice.  [Music  of  Nos.  1  and  2 
by  S.  Akeroyde.] 

Printed  for  J.  Crouch  ...  and  J.  Smith.,  etc.  : 
London,  1685.     fol.  H.  1980.  (20.) 

SIR  HUGH.  Sir  Hugh,  the  pitiful  Fellow. 
Catch.     See  Catch  (J.)  pseud. 

SIR  SIDNEY  SMITH.  Sir  Sidney 
Smith.     Song.     Sec  Hook  (J.) 

SIRBACE.     Sirbace.     Opera. 
See  Galuppi  (B.) 

SIRE  (  )  [La  Magie  a  la  Mode.]  Tu 
me  croiois  parjure.  Romance  de  la  Magie 
a  la  mode,  etc.  Chez  M">^  le  Beau  : 

[Paris,  1782?]  8".  B.  362.  b.  (191.) 
[Another  copy.]  B.  362.  g.  (53.) 

SIRENA.     La  Sirena.     Canzonette. 
See  Salzilli  (C.) 

SIRENE   ADRIATICHE.      Le   Sirene 
Adriatiche.     [Madrigals.] 
See  ViscoNTE  (S.) 

SIRIS  (P.)    -See  Feuillet  (R.  A.)    [Chor^- 
graphie.']     The  Art  of  Dancing  .  .  .  Done 
from  the  French  ...  by  P.  Siris,  etc. 
1706.     4°.  785.  k.  6. 

SIRMEN  (Maddalena  Laura) 

See    LoMBARDiNi,      afterwards     Syrmen 
(M.L.) 

SIROE.  The  Favorite  Songs  in  the  Opera 
Siroe  for  the  Voice  and  Harpsichord. 
[A  Pasticcio.]  R.  Bremncr  : 

London,  [1764.]     fol.         H.  348.  c.  (5.) 

By  F.  Giardini  and  B.  Galuppi. 
Overture    in    Siroe   [by  G.   F.   Haendel. 
Orchestral  Parts].  [Walsh : 

London,  1730  ?]     fol.  h.  3211.  (6.) 

Some  of  the  parts  are  in  manuscript. 
Siroe.     Opera.     See  Haendel  (G.  F.) 
Siroe.     Opera.     See  Hasse  (J.  A.) 
Siroe.     Opera.     See  Lampugnani  (G.  B.) 

SISTINUS  (Theodoricus)  Cantiones 
Trium  Vocum,  ut  et  Vivas  Voci  et  Instru- 
mentis  sint  idonese,  etc.  (Suprema.) 
(Media.)  (Infima.)  3  pts.  Excudehantur 
typis  Philippi  ah  Ohr,  Impensis  Samuelis 
Jauchij  :  Hamhurgi,  1608.  4°.   K.  3.  k.  6. 


SIT— SLEIGH 


505 


SIT.     Sit  down  Neighbours  all.     Boiv  Woiu 

Woiv.     [Song.]     As  Sung  by  Mr.  Hooke  at 

the  Anacreontic  Society.  [New  York  ? 

1783?]     fol.  G.  806.  f.  (72.) 

A  satirical  song  on    Williavi   Pitt   the 

yotmger  and  Henry  Dundas. 

SITOT.      Sitot  qu'not  General.      Chanson 
[words]  Tiree  du  Mariage  par  Escalade. . . 
Air.     La  INIarche  du  Roi  de  Prusse. 
\_Paris,']  1756.     s.  sh.  8".  297.  d.  3. 

Mercure  de  France,  Oct.,  175G. 

Sitot  que  Lubin  m'aima.     Air. 

See  Dezede  (N.)     [^Pironne  Sauvie.'] 

SIX.  Six  Subjects  as  loyal.  The  Loyal 
Toasts.     [Song.  J  \  London, 

1760?]     s.sh.iol.         G.  316.  e.  (131.) 

SIXT    (JoHANN  August)      Sechs  Lieder 
zum  Singen  beim  Clavier,  dx. 
Baiimgdrtner  :  Leipzig,  [1795  ?]     ohl.  fol. 

E.  600.  X.  (9.) 

SIXT  (Wilhelm)  Symphoni£e  Nuptiales 
zu  . . .  Ehren  .  .  .  Johanui  Allbrechten .  .  . 
Und  .  .  .  Margarethse,  dess  .  .  .  Herrn 
Melchioris  Ludovici  Brunners  .  .  .  Tochter 
...  I.  Ein  Epithalamium.  ir.  Auss  dem 
S.  Capitel  dess  Buchs.  der  Weissheit. 
III.  Auss  dem  26.  Capitel  Syrachs .  .  .  mit 
Sechs  Stimmen  Componirt,  etc.  i.  Tenor. 
Getrnckt  in  der  Fiirstlichen  Truckerey, 
durch  Justum  Hauck  :  Coburgk,  1614.    4°. 

C.  114. 

SIXTEEN.  Sixteen  years  old  was  black- 
ey'd  Sue.  [Song.]  Sung  at  Sadler's 
Wells.     [London,  1760?]     s.  sh.  fol. 

G.  316.  f.  (1.) 

SKATER.  The  Skaiter's  March.  [Two- 
part  Song.]  See  This.  This  snell  and 
frosty  Mornuig,  etc.     [1782.]     8°. 

2117.  c. 

SKEATS  (Highmore)  AU  gracious  Free- 
dom, O  vouchsafe  to  smile.  A  Glee  for 
Three  [or  rather,  Four]  Voices.  E.  Palcy  : 
London,  [1800  ?]     fol.       G.  805.  k.  (26.) 

Cease  thy  Carols.     A  Favorite  Song  .  .  . 
The  Words  by  the  Eevd.  Dr.  Morgan,  etc. 
W.Gaivler:  London ,  \1196  7]   fol. 

H.  2831.  a.  (50.) 

A  Collection  of  Songs,  etc.         Printed  for 
the  Author  :  London,  1784.     fol.     I.  364. 

The  Victory  of  Fishguard.  A  favorite 
Song.  The  Words  by  the  Revd.  Dr. 
Morgan,  whose  Countrymen  were  forward 
to  repel  the  French  Invaders,  who  very 
lately  made  a  Descent  in  Wales. 
W.  Gaivler  :  London,  [1797.]     fol. 

H.  2831.  a.  (51.) 

SKILFUL.     The  Skillfull  Lover.     [Song.] 
See  Once.     Once  Damon  &  Cloe,  etc. 
[1720?]     s.sh.iol.  1.530.(121.) 


SKILLERN  (Thomas)  Skillern's  Select 
Collection  of  Catches  and  Glees  for  Three 
and  Four  Voices,  etc.  Printed  for 

T.  Skillern  :  London,  [1795  ?]     ohl.  4°. 

A.  1C63. 
The  coynposers  named  in  this  collection 
are  :  Harrington,  R.  Broderip,  King, 
Dr. Hayes,  Geminiani,  Battishill,Ptir- 
ccll,  Hilton,  Jenkins,  Atterhurij,  Dr. 
Aldrich,  Garth,  J.  S.  Smith,  Valton, 
Travers,  Berg,  Nai-es,  Boyce,  Webhe, 
Lord  Mornington,  Baildon,  W.  Bates, 
Ives,  Marella,  Giardini,  Callcott, 
M.  Estc,  T.  Breicer,  Smart,  Dr.  Arne 
and  Dr.  Cooke. 

SKIMINGTOISr.  The  Skimington. 
[Song.]  See  Good.  Good  people  that 
marrj',  c^c.     [1740?]     s.sh.iol. 

H.  1994.  b.  (28.) 

SKINNER  (Benjamin)  Six  Solos  for  a 
German  Flute  Violin  or  Harpsicord,  To 
which  are  added  some  Pieces  designed  as 
Lessons  for  the  Harpsicord,  etc. 
Printed  for  liichard  Bride,  etc.  :  London, 
[1770?]    obi.  fol.  f.  133.  o.  (2.) 

See  Voluntaries.     Ten  Voluntarys. .  .by 
Dr.  Green,  Skinner,  e/c.     [1770?]    obl.iol. 

e.  108.  a.  (5.) 

SKYLARK.     The  Sky  Lark.     [Song.] 
See  Go.    Go  tunefull  Bird  that  gladst  the 
Skies,  c^c.      [1775?]      s.  s7i.  fol. 

G.  308.  (37.) 

The  Skylark.  [Hymns.]    See  Sheeles  (J.) 

SLATYER  (William)  See  S.,  W.  The 
Psalmes  of  David  in  4  Languages  .  .  . 
Set  to  y°  Tunes  of  our  Church  by 
WriUiam]   Sflatyer].     1643.     12°. 

E.  Pam.  1111.  (5.) 

SLAVE.     The  Slave.      [Song.]      See  "lis. 
'Tis  Sev'n  long  Years  and  more. 
[1795?]     fol.  G.  356.  (48.) 

Slave  bear  the   Sparkling   Goblet  round. 
[Song.]     See  Giordani  (G.)  or  (T.) 

SLAVES.  The  Slaves  beneath  a  fervid 
sky.  Duett.  See  Florio  (C.  H.)  [The 
Egyptia7i  Festival.'] 

Slaves  to  London  I'll  deceive  you.     Song. 
See  Berenclow  (B.  SI.) 
[Another  setting.]     Slaves  to  London  I'll 
deceive  you.     Song. 
See  Comical  Mistakes. 

SLEEPING.  The  Sleeping  Fair.  Song. 
See  To.  To  shun  bright  Sol's  meridian 
heat,  etc.     [1757.]     8°.         P.P.  5438.  z. 

SLEEPY.     The  Sleepy  Fair.     [Song.] 
See  Howard  (S.) 

SLEIGH  (  )  Mrs.  Come  buy  my  sweet 
Flowers.  A  new  Ballad,  written  and 
composed  by  Mrs.  Sleigh. 

Broderip  and  Wilkinson:  London, 
[1800?]     fol.  G.  365.  (13.) 


506 


SLIGHT— SMART  (G.  T.) 


SLIGHT.       The  Slight.      [Song,  begins : 
'  Child  of  Zephyr.']     See  Dunn  (J.) 
The   Slight.      [Song.]      See  Philander. 
Philander  leave  me,  ctc.\ 
[1740?]     s.sh.iol.  L  530.  (128.) 

SLIGHTED.  The  Slighted  Lover. 
[Song.]  Sec  Believe.  Beleive  my  Sighs. 
[1740  ?]     s.  sh.  fol.  G.  306.  (230.) 

The  Slighted  Lover.     [Song.]     See  Long. 
Long  time  have  I  strove. 
[1725  ?]     s.  sh.  fol.  H.  1601.  (284.) 

The  Slighted  Lover's  Resolution.  [Song.] 
See  Foolish.  Foolish  Heart  1  dost  thou 
complain,  ffc.     [1780?]     s.sli.tol. 

G.  307.  (252.) 
A  Slighted  Shepherd,  in  a  Vale.  T]ic 
Shepherd's  Complaint.  [Song.] 
[London,  mo '>^  s.sh.iol.  I.  530.  (144.) 
The  Slighted  Swain.  [Song.] 
See  Chloe.  Cloe  proves  false  but  still  She 
is  charming,  etc.     [1720?]     s.  sh.  fol. 

H.  1601.  (76.) 
The  Slighted  Swain.  [Song,  begins : 
'  Believe  my  sighs.']     Sec  Hudson  (R.) 

SLINGING.  Slinging  the  Bowl.  Song. 
See  Ambrose  (J.) 

SLOW.     Slow  Men  of  London.     [Glee.] 
See  Callcott  (J.  W.) 
Slow  the  limpid  Current  twining.    [Song.] 
See  Johnson  (F.) 

SLOWLY.  Slowly  across  the  distant 
plain.  The  Farewell,  A  favorite  Ballad 
with  an  Accompaniment  for  the  Piano 
Forte  or  Harp.  T.  Preston  : 

London,  [1800  ?]  fol.     H.  2826.  c.  (33.) 
[Another  copy.]  G.  383.  j.  (27.) 

SLUGGISH.  The  sluggish  Morn  as  yet 
undrest.  Phillis  the  Sun's  Rival.  [Song.] 
Sung  by  Mr.  Dodd.  [London, 

1770?]     s.sh.iol.  G.  312.  (122.) 

SLUITER  (Wilhelm)  Psalmen,  Lof- 
Sangen,  ende  Geestelike  Liedekens,  op 
Lees-  ende  Sangh-mate  gerijmt,  ende  op 
alderhande  .  .  .  van  verscheiden  Meesters 
gemaekte  Sangh-geluyden,  met  Bas  ende 
Discant,  gestelt  ende  uytgegeven  door 
Wilhelm  Sluiter,  etc.  Jan  Colomh  : 

Dcventer,  1661.     4°.  3436.  i.  26. 

Tliere  is  a  second  (engraved)  title-piage. 

SLY.     Sly  old  Hodge.     [Song.] 
See  DiBDiN  (C.)     [The  Oddities.'] 

SLY  (R.)  An  Anthem  and  Hymn  for 
Christmas-Day,  for  two,  three  and  four 
Voices.  Longman  and  Broderip  : 

London,  [1770  ?]     fol.      H.  2815.  i.  (6.) 

SMART.  Smart  Doll  of  the  Green.  A 
Favourite  Laughing  Song.  Sung  by  Mr. 
Vernon,  c<c.  E.  Falkcner  :  London, 

[1775  ?]    s.  sh.  fol.       H.  1994.  a.  (73.) 


SMART.  The  Smart  Walking  Jockey, 
Song.     See  Shield  (W.) 

SMART  (George)  Smart's  Annual  Col- 
lection of  Twenty-four  Country  Dances, 
for  the  Year  1795,  . . .  For  the  Violin  and 
German  Flute,  etc.  Smart : 

London,  [1795.]     ohl.  4".       a.  9.  d.  (13.) 

Smart's  Annual  Collection  of  Twenty- 
four  Country  Dances,  for  the  year  1798 
. . .  For  the  Violin  and  German  Flute,  etc. 
Smart:  London,  [1798.]     ohl.  4°. 

a.  9.  d.  (14.) 

Smart's  Collection  of  New  &  Favorite 
Country  Dances,  Waltz's  &  Reels.  Ar- 
ranged for  the  Harp,  Piano-Forte  or 
Violin,  etc.  Smart  ; 

London,  [1800?]     obi.  i".      b.  55.  b.  (3.) 

The  Vocal  Pocket  Companion.     Being  a 
Select   Collection   of  .  .  .  Catches,    Glees 
and  Duetts  for  Two  &  Three  Voices,  etc. 
Printed  for  the  Editor:  London,  [1800?] 

A.  1066. 
Fifty-tico  cards  in  a  case.  Imperfect, 
wanting  Nos.  17,  26,  31,  51.  The  com- 
posers named  are :  H.  Laives,  J.  Hilton, 
J.  Baildon,  Purccll,  T.  Breiver,  Dr. 
Arnc,  M.  C.  Fcsting,  Dr.  Greene,  Good- 
grow,  Byrd,  Dr.  Hayes,  Atterhury,  Dr. 
Wilson,  Dr.  Harrington,  T.  Holmes, 
C.  King,  W.  Laives,  Travers  and  E. 
Gregory. 

SMART   [Sir   George   Thomas)  ■   Awake 
my  soul.    TJie  Morning  Hymn.    Composed 
for  the  Use  of  Brunswick  Chapel. 
Smart :  London,  [1798  ?]     s.  sh.  fol. 

H.  1683.  (59.) 

The  Garland,  A  New  Song,  written  by  S. 
Arnold,  Jun'.  Smart : 

I/ond-on,  [1798  ?]     fol.  G.  365.  (14.) 

The  Merry  Gypsies,  A  Favorite  Glee, 
written  by  Mr.  Arnold.  The  Author  : 

[London,  1198?]    obi.  iol.    D.  402.  (25.) 

Sighs.     A  Glee  for  four  Voices,  etc. 

G.  Smart,  for  the  Author; 
London,  [1800  ?]     ohl.  fol.     D.  402.  (26.) 

Three  Sonatinas  for  the  Piano  Forte,  with 
an  Accompaniment  for  the  Violin,  ad 
libitum.     Smart :  London ,  [1800  ?]     fol. 

g.  132.  (12.) 

See  Haydn  (F.  J.)  [2.  Vocal  Works.— a. 
Sacred.— The  Creation.']  Die  Schoepfung 
. . .  The  Creation,  etc.  MS.  notes  [by  Sir 
G.  T.  Smart].    1800.    fol.    K.  10.  b.  (22.) 

See  Programmes.— London.— Ji/ew  Musi- 
cal Fxmd.  [A  Collection  of  Programmes 
...  of  Concerts  given  in  aid  of  the  New 
Jlusical  Fund,  etc.]  ms.  notes  [by  Sir 
George  Smart].     [1794-1841.]     4°.  &  fol. 

Case  61.  g.  20. 


SMART  (H.)— SMILE 


507 


SMART    (Henry)      Six  Easy  Duetts  for 
Two  Violins  . . .  Op.  1.     [Separate  Parts.] 
Printed  for  G.  Smart: 
London,  [ISOO  ?]     fol.  "g.  218.  (11.) 

A  Duett  for  a  Violin  and  Tenor  Obligato 
. .  .  Op.  2.  [Separate  Parts.]  G.  Smart : 
Lotido7i,  [1800?]     fol.  g.  225.  (19.) 

The  Air  Balloon.  [Song.]  . . .  Words  by 
Mr.  Oakman.  Sk^illcrn  : 

London,  1784.]    s.  sh.  fol.    G.  312.  (154.) 

The  Camps,  or  the  Royal  Review.  [Song.] 
Words  by  Mr.  Oakman.  Sk'illcrn  : 

London,  1779.]     s.  sh.  fol.     G.  307.  (97.) 

Cupid's  Kisses.     [Song.] 

[London,  1785  ?]     fol.  G.  307.  (61.) 

The  Dusky  Night.  A  favourite  Air  with 
Variations  for  the  Harpsichord  or  Piano 
Forte,  also  for  the  German  Flute  or  Violin. 
Printed  for  T.  Skillcrn  : 
London,  [YJQO'>]     fol.       g.  271.  b.  (36.) 

The  Happy  Fellow,  [Glee,]  Sung  by 
Messrs.  Arrowsmith,  Palmer  &  Bannister, 
at  the  Royalty  Theatre. 

S.  A.  d  P.  Thompson  : 
London,  [1790  ?]     fol.      G.  806.  r.  (34.) 

[Another  edition.]  The  Happy  Fellow, 
a  favorite  Trio,  etc.    [London,  17'.)0  ?"    fol. 

G.  805.  k.'(27.) 
Love  and  Innocence.     [Song.] 
[London,  1780  ?]     fol.         G.  313.  (249.) 

Paddy  Whack,  with  Variations  for  the 
Harpsichord  or  Piano  Forte,  also  for  the 
Violin,  or  German  Flute. 

Printed  for  Straight  and  Skillcrn  : 
[LoHfZoH,  1775?]     fol.      g.  271.  b.  (35.) 

The  Squire's  Christning.  A  Comic  Song. 
Sk[illern:  Londoii,  1180  7]     fol. 

G.  307.  (66.) 

Time  and  Care.  [Song.]  P.  EJodgson  : 
London,  1175?]    s.sh.ioL    G.  308.  (29.) 

When  War's  Alarms.  [By  T.  Linley.] 
With  Variations  for  the  Harpsichord, 
Piano  Forte,  Violin,  Ger.  Flute  or  Guittar. 
Printed  for  T.  Straight : 
London,  [17907]    fol.      h.  141.  a.  (17.) 

[Another  copy.]  g.  271.  b.  (37.) 

While  the  Glass  circles  round.  New 
General  Toast.  [Song.]  Words  by  Mr. 
Oakman.  SkiUern  : 

[London,  1776  ?]  s.  sh.  fol.    G.  313.  (213.) 

See  Paphian  Doves.  The  Paphian  Doves 
. . .  The  Songs  &  Music  ...  by  different 
Ingenious  Masters  [i.e.  J.  B.  Adams  and 
T.  Smart].    [1785  ?]   fol.    G.  805.  k.  (14.) 

SMEGERGILL  (William)  alias  Caesar. 
See  Playford  (J.)  Select  Musicall  Ayres 
and  Dialogues  .  .  .  by  .  .  .  Mr.  William 
Smegergill  alias  Caesar,  etc.     165.3.     fol. 

F.  51.  a. 


SMETHERGEIjIj  (William)     Six  Can- 

zonetts  accompanied  with  the  Harpsichord 

or  Piano-Forte.  .  .The  Words  by  J.  Austin. 

Longman,  Lukey  <&  Broderip,  for  the 

Author:  London,  [17187]     fol. 

G.  295.  i.  (2.) 

A  Favorite  Concerto  for  the  Harpsichord 
or  Piano  Forte  with  Accompaniments  for 
Two  Violins  &  a  Violoncello,  etc.  [Separate 
Parts.]  Longman  &  Broderip : 

London,  [1785  ?]     fol.         g.  420.  k.  (3.) 

Six  Concertos  for  the  Harpsichord  or 
Piano  Forte.  With  Accompaniments  for 
Two  Violins  and  a  Violoncello.  [Separate 
Parts.]  Printed  for  the  Author  : 

Londm,  [1775  ?]    fol.  i.  82. 

Six  Duettos,  for  Two  Violins  ...  Op.  12. 
[Separate  Parts.] 

Longman,  dementi,  d  Compu  : 
London,  [1800  ?]     fol.  g.  218.  (12.) 

Six  Lessons  for  the  Harpsichord  or  Forte 
Piano  . . .  Opera  i. 

Printed  for  Henrrj  Thoroivgood : 
Lo>idon,  [11107]    obi.  lol.        d.  160.  (5.) 

Moggy  [Macbride,  a  Favorite  Song,  sung 
by  ]Mrs.  Forrester,  at  Islington  Spa,  Words 
by  Mr.  Forrester.  Printed  for  the  Author  : 
[London,  1190  7]     fol.        H.  1683.  (61.) 

Six  Overtures  in  Eight  Parts  . . .  Opera  v. 
A  Second  Sett.  J.  Preston  : 

London,  [1790  ?]     fol.  g.  212.  (9.) 

Rules  for  Thorough  Bass,  to  which  are 
annex'd,  Three  Sonatas  for  the  Harpsi- 
chord or  Piano  Forte,  with  an  Accompani- 
ment for  the  Violin  . . .  Opera  vii. 

Printed  for  the  Author  : 
London,  [1795  ?]     fol.  g.  302.  (4.) 

Six  Easy  Solos  for  a  Violin,  with  a  Figured 
Bass  for  a  Harpsichord  or  Violoncello  . . . 
Op.  8.     F.  LinUy :  London,  [1797  7]     fol. 

g.  422.  f.  (6.) 
See  JoMELLi  (N.)  JomeUi's  . . .  Overture 
and  Chaconne.  Adapted  ...  by  W. 
Smethergell.     [1800  ?]     fol. 

g.  272.  d.  (23.) 

SMILE.     A  Smile  and  a  Tear.     Song. 
See  Abrams  (H.) 

Smile  Britannia.  A  Favourite  Song  sung 
at  Vauxhall.     [London,  114.8  7]     s.  sh.  fol. 

G.  311.  (96.) 
Smile,  Britannia.  A  favourite  new  Song 
sung  at  Vauxhall.     [London,  1755.]     8°. 

157.  1.  17. 
London  Magazine,  1755,  p.  292. 
Smile,   Britannia,   smile.     A   New   Song. 
Sung  at  Vauxhall.     [London,  1756.]     8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XVIII., p.  323. 

Smile,  0  smile  my  Charming  Fair.  [Song.] 
Made  on  a  Lady  at  Belsize,  set  to  the  Bel- 
size  Minuet.     [London,  1720  ?]     s.  sh.  fol. 

H.  1601.  (416.) 


508 


SMILE— SMITH  (I.) 


SMILE.  [Another  editiou.]  Smile  O 
smile  my  charming  Fair.  On  a  Lady  at 
Belsize,  etc.     {London,  1120  ^     s.  shAo\. 

G.  316.  g.  (58.) 

The  Smile  of  Benevolence.     [Song.] 
See  DiBDiN  (C.)     {Great  News.] 

The  Smile  of  the  Tweed.     [Song.] 
See  King  (M.  P.) 

SMILES.     Smiles  and  Tears.     [Song.] 
See  DiBDiN  (C.)     [A  Tour  to  the  Land's 
End.] 

The  Smiling  Dawn.     [Song.] 
See  Haendel  (G.  P.)     \_Jephtha.] 

Smiling  Grog's  on  board.     Song. 
See  Moulds  (J.) 

Smiling  Health.     Glee. 
See  Atterbuby  (L.) 

The  Smiling  Morn,  the  breathing  Spring. 
The  Birks  of  Endermay.  [Song,  words 
by  D.  Mallet.]  [London, 

1750?]    s.  s/«.  fol.  G.  316.  e.  (80.) 

[Another  edition.]  The  Smiling  Morn, 
the  breathing  Spring.  21ie  Birks  of 
Endermay.     [London,  1760?]    s.sh.iol. 

G.  310.  (87.) 

The  Smiling  Morn,  the  breathing  Spring. 
The  Birks  of  Endermay.     [Song.] 
[Lo7idon,  1771.]     s.  sh.  4°.         159.  n.  3. 
London  Magazine,  Nov.,  1771. 

The  Smiling  Morn,  the  breathing  Spring. 
TJic  Birks  of  Endermay.    A  New  Song. 
[London,  1771.]     8°.  P.P.  5438.  z. 

Universal    Magazine,    Vol.    XLIX.,  p. 
374. 

Smiling  Nan.     Song. 

Sec  Aenold  (S.)     [The  Gnome.] 

SMITH  (Adam)  Damon's  Wish.  [Song.] 
Set  by  Mr.  A.  Smith  and  Sung  by  him  at 
the  Grotto  Gardens.  L[ongman]  L[ukcy  : 
London,  mo?]     s.  sh.  tol. 

H.  1994.  a.  (174.) 

The  Man  of  Eeason.  [Song.]  The 
Words  and  Music  by  Mr.  Adam  Smith, 
&  sung  by  Him  at  the  Theatre  Eoyal 
Richmond  Gr°.  G[corge]  S[mart  : 

London,  nS5?]  s.sh.iol.   G.  310.  (141.) 

What's  all  that  to  me.  [Song.]  Adapted 
for  the  Harpsichord  .  .  .  The  Words  by 
G.  A.  Stevens.  L[ongman]  L[ukey  : 

London,  1115?]     s.sh.iol. 

H.  1994.  a.  (28.) 

See  Aene  (T.  A.)  [1.  Sacred  Mzisic]  A 
Second  Collection  of  Psalms  and  Hymns 
used  at  the  Magdalen  Chapel  . . .  The 
musick ...  by  Dr.  Arne  .  .  .  and  Mr.  A. 
Smith,  etc.     [1765.]    8".    E.  602.  y.  (1.) 


SMITH  (Alexander)  The  Musical  Mis- 
cellany ;  a  Select  Collection  of  the  most 
approved  Scots,  English  &  Irish  Songs, 
set  to  music.  [With  a  Dedication  signed  : 
A.Smith.]     J.Brown:  Perth,  lim.     8°. 

B.  417. 
Wanting  the  frontispiece. 
[Another  copy.]  B.  417.  a. 

Wa7iting  the  dedication. 

SMITH  (Amand  Wilhelm)    Trois  Senates 
pour  les  Amateurs  du  Violou  avec  la  Basse 
Continue  .  .  .  Oeuvre  i. 
Chi's  J.  J.  Hummel :  Berlin,  [1785  ?]     fol. 

li.  1608.  c.  (7.) 

SMITH  (C.)  the  Younger.  Thou  rising 
Sun,  whose  gladsome  Ray.  An  Ode  from 
y=  Spectator  ...  Set  for  y'  German-Flute. 
[Words  by  R.  Steele.]  [London,  1750.] 
s.  sh.  fol.  G.  312.  (65.) 

SMITH  (Clement)  The  Frog  and  Mouse. 
An  Old  Air  arranged  as  a  Rondo  for  the 
Piano  Forte.  Printed  for  the  Authcrr  : 

Londm,  [1795  ?]  fol.  g.  272.  r.  (37.) 
The  Doves.  [Song.]  Blundell :  [Londmi, 
1780?]    s.sh.iol.  G.  312.  (173.) 

Lady  Nelson's  Fancy,  a  favorite  Quick 
Step.  Sec  Tebay  (J.)  The  Bath  Volun- 
teers' March,  etc.     [1800  ?]     fol. 

h.  1568.  b.  (22.) 
Sonata  Capricciosa  for  the  Piano  Forte  or 
Harpsichord.  Longman  and  Broderip, 

for  the  Author  :  London,  [1790?]     obi.  fol. 

e.  104.  (11.) 
See  Glees.     A  Selection  of   Glees   from 
the  MSS.  of  the  Concentores  :  being  the 
Compositions  of .  .  .  Dr.  Smith,  etc. 
[1800  ?]    ohl.  fol.  E.  207.  a.  (1.) 

SMITH   (George)      Chloe's   Absence.     A 
New  Song,  [words]  by  B.  West,  etc. 
[London,  1764,]     8".  P.P.  5441. 

Royal  Magazine,  Vol.  XL,  p.  45. 
Chloe's   Return :   a   New  Song.     [Words] 
By  B.  West,  etc.     [London,  1766.]     8». 

P.P.  5441. 
Boyal  Magazine,  Vol.  XIV.,  p.  213. 

SMITH  (Isaac)  A  Collection  of  Psalm 
Tunes  in  three  Parts ...  to  which  are 
added  2  Anthems  &  2  Canons.  Sold 

by  Mrs.  Davenhill  and  Mr.  Buckland : 
London,  [1770  ?]     obi.  8°.  A.  621. 

The  first  edition,  with  a  supplement  con- 
taining  19   tunes,  2  anthems,  and  a 
Sanctus    by   Orlando   Gibbons.     The 
blank  pages  arc  filled  with  MS.  tunes 
by    J.    Stanley,    C.    Burncy,  M.   P. 
King,     J.    Lucas,    Wainivright    and 
Winter. 
A  Collection   of    Psalm    Tunes  in   three 
Parts  . .  .  Fifth  Edition,  with  . . .  Additions 
by  S.  Major.  S.  Major  : 

London,  [1190?]    o6L  4^         A.  621.  a. 


SMITH  (I.)— SMITH  (J.  S.) 


509 


SMITH  (Isaac)     See  Major  (S.)     Sacred 
Melody  .  .  .  Containing  all  the    original 
Compositions  of  I'.  Smith,  etc. 
[1800  ?J     ohl.  4°.  A.  621.  b. 

SMITH  (John)  o/  Market  Lavington.  [A 
1st]  Set  of  Services,  Anthems  &  Psalm 
Tunes  ...  all  intirely  new.  (Book  the 
Second.  Containing  Twelve  Anthems  and 
Twelve  Psalm  Tunes,  etc.)     2  pts. 

Printed  for  the  Author  : 
London,  [1755  ?]     fol.  H.  3272.  a. 

Book  II.   is  printed   by  the  author  at 
Lavington. 
[Another  edition.]     A  1"  Set  of  Services, 
Anthems  and  Psalm  Tunes  for  Country 
Choirs.     All  entirely  new,  etc. 

Printed  for  J.  Johnson  : 
London,  [1760  ?]     fol.  H.  3272. 

A   Third   Set   of   Services,  Anthems   and 
Psalm  Tunes,  etc.  Printed  for 

J.Johnson:  London,  [IIGO  7]     fol. 

G.  517.  h.  (3.) 
SMITH  (.John)  Theatrical  Composer.  I\Ir. 
Jno.  Smith's  I\Iusick  in  the  Opera  call'd 
[The  Wonders  in  the  Sun  ;  or]  The  King- 
dom of  the  Birds.  First  Treble.  (.Second 
Treble.)  (Tenor.)  (Bass.)  4  pts.  [Walsh^ 
London,  1706.]     fol.  g.  15.  (3.) 

SMITH  (John  Christopher)      Anecdotes 
of  G.  F.  Handel  and  J.  C.  Smith.      [By 
W.  Coxe.]     With  Select  Pieces  of  Music, 
composed  by  J.  C.  Smith,  etc. 
W.  Buhner  and  Co.  :  London,  1799.     4°. 

785.  k.  36.  (1.) 
[The  Chances.  How  cruelly  fated  is 
Woman.]  See  Thalia.  Thalia.  A 
Collection  of  Six  .  .  .  Songs  .  .  .  by .  .  . 
Mr.  Smith,  etc.     [No.  1.]     [1767  ?]     fol. 

G.  320.  (3.) 
The  Enchanter.  A  Musical  Entertain- 
ment, etc.  [Words  by  D.  Garrick.  Full 
Score.]  Printed  for  I.  Walsh:  London, 
[1760.]     fol.  G.  240.  e. 

Overture.     [Separate  parts.] 

See  Abel  (C.  F.)     Abel,  Arne  and  Smith's 
Six  Overtures,  etc.     No.  5.     [1765  ?]     fol. 

g.  30.  e. 
The  Fairies.  An  Opera.  The  Words 
taken  from  Shakespear  &c.  [Adapted 
from  '  A  Midsummer  Night's  Dream  '  by 
D.  Garrick.     Full  Score.]  Printed  for 

J.  Walsh  :  London,  [1755.]     fol. 

G.  240.  a. 

Overture.     [Separate  Parts.] 

See  Abel  (C.  F.)     Abel,  Arne  and  Smith's 

Six .  .  .  Overtures,  etc.    No.  6. 

[1765?]     fol.  g.  30.  e. 

You    spotted    snakes    with    double 

tongues.     A  favourite  Sotig  in  the  Fairies. 

The  Words  by  Shakespear,  etc. 

[Londo7i,  1755.]     8".  250.  c.  2. 

Gentleman's     Magazine,     Vol.    XXV., 
p.  565. 


SMITH  (John  Christopher)     Our  Light, 

our    Saviour.       The   Foundling's   Hymn, 

taken  out  of  Psalm  xsvii. 

[London,  1763.]     8°.  P.P.  324.  n. 

Christian's  Magazine,  Oct.,  1763, ^J.  472. 

Paradise  Lost,  an  Oratorio.     [Full  Score.] 

Printed  for  I.  Walsh :  London, 

[1758.]    fol.  G.  232.  (2.) 

Select  Pieces  of  Music,  .  .  ,  never  before 
publish'd.     [Full  Score.]  Birchall : 

London,  [1796  ?]     fol.  G.  240.  d. 

Suites  de  Pieces  pour  le  Clavecin.     2  vols. 

Printed  for  the  Author:     London, 

[1734  ■?-5  ?]     ohl.  fol.  d.  37. 

Vol.   II.   is   '  Printed  &  sold  by   John 

Walsh,'  etc. 

Six  Suits  of  Lessons  for  the  Harpsicord 
. . .  Opera  Terza.  Printed  for  f.  Walsh  : 
London,  [1755.]     obi.  fol.  e.  5.  (8.) 

The  Tempest.  An  Opera.  The  Words 
taken  from  Shakespear  &c.  [Adapted  by 
D.  Garrick.     Full  Score.]  Printed  for 

I.  Walsh  :  London,  [1756.]    fol.    G.  240. 

Overture.     [Separate  Parts.] 


See  Abel  (C.  F.)     Abel,  Arne  and  Smith's 

Six  .  .  .  Overtures,  etc.     No.  7. 

[1765?]    fol.  g.  30.  e. 

Why  Harry  ?  what  ails  you  ?  A  Two 
Part  Song.     [Londoti,  1735  ?]     .s.  sli.  fol. 

G.  316.  (125.) 

You  spotted  snakes  with  double  tongues. 
See  supra  :  [The  Fairies.} 

SMITH  (John  Stafford)  Anthems,  com- 
posed for  the  Choir-Service  of  the  Church 
of  England.  Printed  for  the  Author  : 

Lojulon,  [1800?]     fol.  H.  81.  a. 

A  Fifth  Book  of  Canzonets,  Catches, 
Canons  &  Glees,  sprightly  and  plaintive, 
with  a  part  for  the  Piano-Forte  subjoined 
where  necessary,  etc.  Printed  for  the 

Author  :  [London,  1794  ?]     obi.  fol. 

D.  401.  (8.) 

A  Select  Collection  of  Catches,  Canons 
and  Glees .  .  .  for  Three  &  Four  Voices, 
etc.  J.  Welcker  :  London,  [1780  ?]   obi.  fol. 

E.  67.  a. 

A  Collection  of   English  Songs,  in  Score 

for   Three  and  Four  Voices.     Composed 

about  the  Year  1500.     Taken  from  MSS. 

of  the  same  Age,  revised  and  digested  by 

J.  S.  Smith.  Printed  for  J.  Bland: 

Londoji,  [1779.]     fol.  H.  1652.  (7.) 

Containing  compositions  by  B.  Fayrfax, 

Th.  Phelyppis,  E.    Turges,   Shenjng- 

ham,  W.  Newark  and  J.  MoiUon. 

A  Collection  of  Glees  for  three,  four,  five 
&  six  Voices,  etc.  Welcker  :  London, 

[1776?]     obi.  fol.  E.  67. 


510 


SMITH  (J.  S.)— SMITH  (T.) 


SMITH  (John  Stafford)  A  Miscel- 
laneous Collection  of  New  Songs,  Catches 
and  Glees,  for  One,  Two,  Three,  Four, 
and  Five  Voices,  particularly  an  Oc- 
casional One... which  gained  the  Premium 
this  Year,  and  a  Cantata  entitled.  The 
Frantic  Lady.  James  Blundell : 

London,  [1780.]   ohl.  fol.    D.  400.  a.  (2.) 

The  Hunter's  Song  or  Hark  the  hollow 
Woods  resounding.  [Words  by  J .  Hughes .] 
With  the  Original  Simphony  now  Play'd 
at  Vauxhall.  Printed  for  J.  Bland  : 

[London,  nSO?']     fol.  G-.  296.  (11.) 

[Another  edition.]  The  Hunter's  Song, 
etc  Printed  for  J.  Bland  : 

[London,  1780  ?]     fol.        G.  308.  (103.) 

Imperfect,  p.  1  only. 

If  Tyrant  Love  with  cruel  Dart.  Venetian 
Ballad.     Sung  at  Ranelagh . 

Printed  for  J.  Bland  :  [London,  1780?] 
s.  sh.  fol.  G.  309.  (170.) 

Eeturn  blest  Days.  A  Favorite  Glee  for 
Four  Voices.     [Words  by  Dr.  Percy.] 

Printed  for  B.  Bircliall :  London, 
[1795?]    fol.  H.  1683.  (66.) 

To  Anacreon  in  Heaven.  [For  editions 
and  adaptations  of  this  song  published 
anonymously  :  ]  See  To. 
See  Amusement  for  the  Ladies.  Amuse- 
ment for  the  Ladies,  being  a  Selection  of 
. . .  Glees  and  Madrigals . . .  by . . .  Messrs. 
Atterbury,  .  .  .  Smith,  etc.  [1791-93.] 
obi.  fol.  E.  61. 

SMITH  (Robert)  Harmonics,  or  the  Phil- 
osophy of  ]\Iusical  Sounds.  J.  Bcntham  : 
Cambridge,  1749.     8°.  1042.  i.  9. 

[Another  copy.]  52.  e.  27. 

[Another  copy.]  55.  b.  22. 

A  Postscript  to  Dr.  Smith's  Harmonics, 
upon  the  changeable  Harpsichord,  etc. 

Printed  for  T.  and  J.  Merrill  :  Lo7idon, 
1762.     8°.  557*.  e.  25.  (11.) 

SMITH  (Theodore)  Six  Arietts  for  the 
Voice,  &  one  Duett  with  an  Accompany- 
ment  for  the  Harpsichord  or  Piano-Forte. 
Henry  Holland,  for  the  Author  :  [London, 
1790?]     ohl.  fol.  F.  686. 

As  the  birds  on  ev'ry  Spray.  Bondo. 
The  Words  by  a  Young  Gentleman. 

Longman  &  Broderip  :  London, 
[1780?]     fol.  G.  806.  e.  (16.) 

As  the  Birds  on  every  Spray.  A  favorite 
Rondo.  Eliz*''  Bhames  :  [Dublin, 

1780?]    fol.  H,  1601.  a.  (61.) 

Six  Concerts  pour  le  Clavecin  ou  le  Piano 
Forte  avec  I'Accompagnement  de  Deux 
Violons  et  Basse  .  .  .  Oeuvre  Quatrieme. 
[Separate  Parts.]  Ches  J.  J.  Hummel : 
Berlin,  [1783  ?]  fol.  h.  3212.  g.  (11.) 
Lnperfect,  the  Harpsichord  and  part  of 
the  Second  Violin  parts  only. 


SMITH  (Theodore)  Three  Favourite 
Duets,  for  Two  Performers  on  one  Harpsi- 
chord or  Piano  Forte.  Dedicated  to... 
Lady  Ann  and  Lady  Sarah  Windsor. 

Longman  d;  Broderip  :  London, 

[1779?]     fol.  g.  131.  (10.) 

This  is   the  same  work  as   the  '  Trois 

Sonates  en  Dtio,'  published  at  Berlin 

as  Op.  1. 

[Another  edition.]    Three  Favourite  Duets 

...Dedicated   to... Lady   Ann  and  Lady 

Sarah  Windsor.        Longman  <&  Broderip  : 

I/OHdoH,  [1780?]     fol.  H.  2818.  (1.) 

[Another  edition.]    Three  Favorite  Duetts 
...Dedicated    to... Lady    Ann,  &    Lady 
Sarah  Windsor. .  .New  Edition,  etc. 
Printed  for  J.  Dale  :  Loyulon,  [1791  ?]    fol. 

g.  131.  (13.) 
A  Second  Set  of  Three  Favorite  Duets,  for 
two  Performers  on  one  Harpsichord  or 
Piano  Forte,  dedicated  to  Miss  Thomson, 
and  Miss  Lucy  Thomson. 

Longman  d  Broderip) :  Londoyi, 
[1780?]     fol.  g.  131.  (11.) 

A  Sixth  Sett  of  Three  Favorite  Duets  for 
two  Performers  on  One  Harpsichord  or 
Piano  Forte.  Dedicated  to  Miss  M. 
Hulse  &  Miss  E.  Hulse.  H.  Holland  : 

London,  [1789  ?J     fol.  g.  131.  (12.) 

Three  Favorite  Duetts,  for  the  Harpsi- 
chord &  Piano  Forte,  adapted  likewise  for 
a  single  Performer,  with  an  accompany- 
ment  for  a  Violin  or  Flute,  and  a  New 
Overture,  etc.  The  Author  :  London, 

[1795?]     fol.  g.  131.  (14.) 

Six  Favorite  Minuets  for  the  Harpsichord, 
German  Flute,  or  Violin. 

Longman  and  Broderip  :  London, 
[1780?]     fol.  h.  1480.  p.  (14.) 

The  Celebrated  Music  which  is  on  the 
Organ  at  Mr.  Coxe's  Museum  Spring 
Garden.  Properly  adapted  for  the 
Harpsichord.  Welcker  :  London, 

[1770?]    obi.  fol.  e,  174.  m.  (20.) 

A  Musical  Directory,  etc.  Welcker  : 

London,  [1780  ?]     4°.  e.  363. 

The   Nosegay.      A   Favorite  Ballad  sung 
by  Mrs.  Smith  at  Ranelagh,  etc. 
Str[aight]    d   Sk[illern :   London,  177G?] 
s.  sh.  fol.  G.  313.  (225.) 

The  Nosegay.     A  favourite  Ballad,  etc. 
B.  Falkener  :  London,  [1780?]     s.  sh.  fol. 

H.  1994.  a.  (80.) 
The  Nosegay.  See  What.  What  Harm 
in  so  simple  a  Token,  etc.  [By  T.  Smith.] 
[1771.]     8".  P.P.  5438.  z. 

Six  Quartette's  for  one  Flute,  or  two 
Violins,  one  Tenor  and  a  Thorough  Bass 
for  the  Harpsichord  or  Violoncello. . . 
Dedicated  to  . . .  the  Earl  of  Berkley. 
[Separate  Parts.]  Welcker  :  London, 

[1770?]    fol.  h.  2801.  a.  (3.) 


SMITH  (T.)— SNOW 


511 


SMITH  (Theodore)     Remember  Damon,   | 
you    did   tell.      [Song.]      Sung  by    Miss 
Harper  at  Marybone  Gardens. 

Strlaiglit]  &  Sk[illcrn  :  London, 
1771?]     s.sh.tol.  G.  311.  (38.) 

Sonata  [in  D.  P.  F.].  See  Lo:sgman  and 
Broderip.  Longman  and  Broderip's  Col- 
lection of. .  .Music  for  the. .  .Piano  Forte. 
No.  7.     [1795  ?]     fol.  g.  192.  (4.) 

Six  Sonatas  for  two  Violins  &  a  Bass. 
[Separate  Parts.]  Welcker  :  London, 

C1770?]     fol.  g.  409.  g.  (6.) 

Trois  Senates  en  Duo,  qui  peuveut  etre 
ex^cut^s  par  deux  personnes  sur  un 
Clavecin  on  Piano  Porte... CEuvre  Premier. 
2  Books.  Chez  J.  J.  Hummel :  Berlin, 
[1775?]     fol.  h.  13.  (1.) 

Trois   Senates  en  Duo,  qui  peuvent  etre 
ex6cut6s    par    deux    Personnes,    sur    uu 
Clavecin  ou  Piano  Forte.     CEuvre  iv. 
J.  J.  Hummel :  Berlin,  [1775  ?]     fol. 

h.  13.  (2.) 
Six  Sonatas  for  the  Harpsichord  with 
Accompanyments  for  a  Violin  or  Flute 
&  Violoncello . . .  Opera  v.  Welcker  : 

London,  (1770.)    fol.  h.  349.  (4.) 

Six  Sonatas  for  the  Harpsichord  or  Piano 
Forte. .  .Opera  vi.  Welcker  :  London, 

[1775  ?]      obi.  fol.  e.  19. 

[Three  Sonatas,  and  an  Overture,  for  P.  F. 
and  Violin,  without  title  page,  but  bearing 
the  name  of  Theodore  Smith  in  Manu- 
script. Separate  Parts.]  [London, 
1790?]  fol.  g.  161.  f.  (7.) 
Three  Sonatas,  &  A  Favourite  IMarch,  for 
the  Piano  Forte  or  Harpsichord,  with  an 
accompauyment  for  the  Violin,  and 
Violoncello.     [Separate  Parts.] 

Longman  &  Broderip,  for  the  Author  : 
London,  \1190'!]     fol.        g.  161.  c.  (11.) 

Three   Sonatas   for  the    Piano   Forte . . . 
Op.  36.  Printed  for  J.  Dale  :  London, 

[1795?]     fol.  g.  141.  (12.) 

The  Favourite  Songs  sung  at  Vaux  Hall 
by  Mrs.  Smith,  with  the  celebrated  Hunt- 
ing Song  sung  by  Mr.  Vernon,  etc.  [Full 
Score.]     Welcker  :  London,  [1775  ?]     fol. 

G.  316.  j.  (2.) 
Tho'  the  winds  are  whistling  round  me. 
A  Favorite  Rondo.  L[ongman'\ 

d  B\roderip  :  London,  1780  ?]     fol. 

H.  1994.  60. 
Eight  Tunes,  Selected,  Composed  for,  and 
Adapted  to  the  Selection  of  Psalms, 
Hymns,  and  Anthems  of  Ebury  Chapel, 
etc.  G.  Goulding  :  London,  [1795  ?] 

obi.  fol.  E.  1498.  g.  (5.) 

Water  parted  from  the  Sea  [from  T.  A. 
Arne's  '  Artaxerxes ']  with  Variations  for 
the  Harpsichord  or  Piano  Forte. 
Welcker  :  Londoji,  [1775  ?]     fol. 

g.  271.  b.  (38.) 


SMITH  (Theodore)  Ye  Virgin  Powers. 
A  favorite  Rondo.  Sung  by  Miss  Harper 
at  the  Publick  Gardens.  [Words  by  Mrs. 
Taylor.     Full  Score.] 

Printed  for  Straight  and  Skillern  : 
London,  [1776  ?]     fol.  G.  314.  (75.) 

SMITH  (Thomas)     The   Psalms  of  David 
in    Metre.     Newly   Translated  ...  By  W. 
Barton, . . .  Sett  to  the  best  Psalm-Tunes 
in  Two  Parts,  etc.     [1680  ?]     12". 
See  Psalms.     [4.  English.]    3438.  e.  59. 

The  Psalms  of  David  ...  By  W.  Barton 
...The  Second  Edition,  Corrected  and 
Amended,  etc.  1706.  12".  See  Psalms. 
[4.  English.]  3425.  aa.  11. 

SMITHFIELD.  Smithfield  Bargains. 
[Song.]     See  Dibdin  (C.)     [The  Sphinx.] 


SMITHS.     Smiths  are  good  fellows. 
Sec  Cobb  (J.) 


Glee. 


SMOOTH.  Smooth  as  the  limpid  Stream. 
[Song.]     See  Broderip  (R.) 

SMUGGLERS.  The  Smugglers.  Musical 
Drama.     See  Attwood  (T.) 

SNEGASSIUS  (Cyriacus)  Isagoges 
]Music£e  Libri  Duo,  lam  Theoricse  quam 
PracticEe  studiosis  inseruire  iussi.  An- 
nexe ad  finem  tractatulo,  ex  Poetica 
desumto :  paucis  q]  de  canendi  elegantia 
obseruationibus. 

Typis  Georgij  Baumanni  : 
Erphordiae,  1591.    8^    1042.  d.  35.  (1.) 

Nona  &  exquisita  Monochordi  Dimensio  : 
ad  usum  tcDi/  <pt\o/jiovffcov. .  .accurate  descripta 
&  euulgata :  Dimensionis  Typo  in  fine 
annexe,  etc.  Georgizis  Bauman  : 

Erphordim,  [15]90.    8°.    1042.  d.  35.  (2.) 

SNIBSON  (.John)  Binson's  Complaint. 
[Song.]  The  Words  and  Musick  by  J. 
Snibson.     [London,  1735  ?]     s.  sh.  fol. 

G.  316.  f.  (123.) 
Hark  our  Warlike  Engins  Thunder.  A 
Song  on  the  Birth  of  the  Princess  Augusta. 
The  Words  and  Musick  by  J.  Snibson. 
[Lojidon,  1137.]    s.sh.iol.     G.  308.  (71.) 

The  Linipution.  [Song.]  Words  &  Music 
by  J.  Snibson.  Ligrav'd  by  T.  Ct'oss,  at 
i/«  Author's  reqtiest :  [London,  1730  ?] 
s.  sh.  fol.  G.  310.  (75.) 

Rosilla  and  Adonis.  [Song.]  The  Words 
and  Musick  by  J.  Snibson.  [Lmidon, 

1735?]     s.sh.iol.  1.530.(145.) 

SNIPE.     The  Snipe.     A  Ballad. 
See  I.     I'll  tell  you  a  Story,  etc. 
[1750?]    s.sh.  fol.  G.  309.  (1.) 

SNOW  (J.)  Fickle  Chloe.  [Song.]  Sung 
by  Master  Herryman  at  Sadlers  Wells,  etc. 
[London,  1765  ?]    s.  sh.  fol.    I.  600.  (59.) 


512 


SNOW— SOFT 


SNOW   (J.)      Variations   for   the    Harpsi- 
cliord  to  a  Minuet  of  Correlli's,  the  Gavot 
in  Otho  [by  G.  F.  Hiindel],  and  the  old 
Highland  Laddie,  etc.  J.  Johnson  : 

iandon,  [1760?]     oW.  fol.       d.  160.  (4.) 

SlSrOWDROP.  The  Snow  Drop.  [Song.] 
Sec  Greene  (M.) 

SNOWS.  The  Snows  from  the  ^Mountains. 
Duet.     Sec  Gkaijom:  (L.  C.  A.) 

SO.     So  brightly,  sweet  fair  Nanny's  Eyes. 
Song.     Sec  Hawdon  (M.) 
So    fair    young    Celia's    Charms.      Song. 
See    PuRCELL    (D.)      [The    Triumphs  of 
Virtue.'] 

So  it  came  to  pass.     Song. 
See  Blewitt  (J.) 

So  many  Charms  were  never  sure.     Song. 
Sec  Whicello  (A.) 
So  well  Corinna  likes  the  Joy.     Song. 
Sec  EccLES  (J.)     [The  She  Gallants.'] 

SOAVE.  Un  soave  gentil  CampaneUo. 
A  Favorite  Terzetto,  etc. 

Printed  for  Longman  £  Broderip  : 
London,  [1795  ?]     fol.  G.  811.  (31.) 

Soave  sia  ii  vento.     [Trio.] 

See  Mozart  (J.  C.  W.  A.)     [_2.  Dramatic 

Music. — Cost  fan  tutte.] 

SO  AVI.     Soavi  acuti  dardi.     Aria. 
See  Weigl  (J.)     [Gli  Amori  Marinari.] 

SOCIAL.     The  Social  Companion.     Song. 
See  Hook  (J.) 
The  Social  Pow'rs.     Song. 
See  Come.    Come  now  all  ye  Social  pow'rs. 
[1770?]     s.  s7i.  fol.  1.530.(33.) 

SOCIAL  HARMONY.    Social  Harmony. 
[Hymns,  &c.]     See  Benham  (A.) 
Social  Harmony.     Songs.     See  Hale  (T.) 

SODALES.  Sodales  ceenantes.  Be7ie- 
dictio  ante  Cxnam  [for  three  voices]... 
inscribed  to  the  Members  of  the  Harmonic 
Society  at  Bath.  Whitley  :  Bath, 

Yl^l.     s.  sh.  fol.  H.  1980.  (212.) 

SODI  (Carlo)  Baiocco  et  Serpilla.  Parodie 
Francjoise  du  Joueur . . .  Les  Paroles  de  cet 
Intermede  ont  ete  faites  [by  C.  J.  Favart] 
sur  la  Musique.  Gravfi  per  M'^"^  Vandome. 
[Short  Score.]  Aux  adresses  ordinaires  : 
Paris,  [1753.]    obi.  fol.  E.  21. 

Baiocco  et  Serpilla,  Parodie  du  Joueur, 
Intermede  en  trois  Actes  [by  C.  S.  Favart] 
...avec  la  Musique.  Sec  Recueil.  Recueil 
g6n6ral  des  Opera  Bouffons,  etc.  Tom.  5. 
1777.    8^  11735.  b.  2. 

Ces  vallons  et  ces  prairies.     [Song.] 
[Paris,]  1773.     s.  sh.  8°.  298.  e.  25. 

Mercure  de  France,  Dec,  1778. 


SOENIUS  (Godfried)  Melodie  per 
Camera,  c'  io  e  XII.  Concertini  Mesco- 
lati  d'Ariette  novelle  a  due :  3,  4,  5,  6,  7, 
Strumenti,  ad  libitum  possono  ancora 
toccarsi  a  voce  sola :  c'  ol  Violoncello  o 
Cimbalo,  etc.  Gedrukt  voor  den  Autheur. 
By  de  'Wed:  H.  van  Hulkenroi,  etc.  : 
Haarlem,  1725.     4°.  B.  575.  (2.) 

Mengelzangen,  zynde  een  gevolg  van 
Nieuwe  Arietten,  AUemandes,  Sarabandes, 
Gavottes  en  Gigues,  voor  hat  Clavecimbaal 
en  de  Stem,  dx.  2  Deel.  Gedrukt  voor 
den  Autheur.  By  de  Wed.  H.  van  Hulken- 
roi, etc. :  Haarlem,  1724.     4°. 

B.  575.  (1.) 

SOFONISBA.  The  Favourite  Songs  in 
the  Opera  Sofonisba.  [A  Pasticcio.  Full 
&  Short  Score.]  R.  Bremner  : 

London,  [1770.]     fol.  G.  200.  (3.) 

The  composers  named  in  this  work  {pro- 
duced in  1766)  arc  :  Vento,  di  Maio 
and  Sacchini. 

[Another  copy.]  G.  180.  e.  (1.) 

This  copy  contains  the  Overture,  arranged 
for  the  harpsichord. 


SOFONISBE. 

See  Paer  (F.) 


Sofonisbe.     Op^ra. 


SOFT.     Soft  as  yon  silver  ray  that  sleeps. 
Air.     Sec  Percy  (J.) 

Soft  he  the  gently  breathing  notes.    Hymn. 
See  Peck  (J.) 

Soft  Desires.     Song.     See  Myetillo. 

Soft  downy  Sleep.     Song. 
See  Worgan  (J.)  the  Younger. 

Soft  God  of  Sleep.     A  Song.         [London, 
1750?]     s.  s7i.  fol.  G.  3li.  (107.) 

[Another   setting.]      Soft    God   of    Sleep. 
[Song.]  I[ohn  ?]  F[entum :  Loyidon, 

1770?]    s.s/(.  fol.         H.  1994.  a.  (32.) 

[Another   edition.]      Soft   God   of   Sleep. 
[Song.]  E.  Falkener :  London, 

[1775  ?]     s.  sh.  fol.        H.  1994.  a.  (50.) 

[Another    setting.]     Soft    God   of    Sleep. 
Song.     See  Russel  (D.) 

Soft  invader  of  my  soul.     [Song.] 

See  Howard  (S.)     [The  Amorous  Goddess. 

Overture.     Musette.] 

Soft  is  the  Zephyr's  breezy  wing.     [Duet.] 

See  Geary  (T.  A.) 

Soft  Music,  let  my  humble  lay.     [Song.] 
Sec  SuBTT  (R.) 

Soft  on  Beds  of  Vi'lets  lying.     [Song.] 
See  Major  (J.) 

Soft  Pity.     [Song.]     See  Bird  (W.  H.) 

Soft  pleasing  Pains.     [Song.] 

See  Arne  (T.  A.)     [Vocal  Melody.     VIL 

The  Agreeable  Musical  Choice.    To  Delia.] 


SOFTEST— SOL 


513 


(8.) 
the 


SOFTEST.     Softest   Charmer,  do  not  fly 

me.      .1    Song.      The  Words   by   Mr.   H. 

Huddy.     [LoncZon,  1720?]     s.  sh.  lol. 

H.  1601.  (403.) 

[Another  edition.]      Softest  Charmer,  do 

not  fly  me.     A  Song,  etc. 

Clncr  :  [London,  1720?]     s.  sh.  fol. 

G.  316.  g.  (59.) 
SOFTLY.     Softly  rise  0  Southern  Breeze. 

Song.     See  Boyce  (W.)     {Solomon.'] 

G.  805.  h. 
SOGER.     The  Soger  Laddie.     [Song.] 

See   ]My.      ]My   Soger  Laddie  is  over 

Seas,  etc.     [1740  ?]     s.  sh.  fol. 

G.  310.  (94.) 

The   Soger    Laddie.      [Song.]      See  My. 

My  Soger    Laddie  is   over   the  Seas,  etc. 

[1750.]    8".  P.P.  5438.  z. 

The  Soger  Lassie.     [Song.]      See  I.      I'll 

pass  no  dull  Inglorious  life,  etc. 

[1780?]     fol.  G.  309.  (106.) 

SOGNO.     II  Sogno.     Cantata. 
Sec  Martin  y  Solar  (V.) 

SOHIER  (  )  VAine.  Six  Senates  a 
Deux  Yiolons. .  .ffiuvre  i\'.  [Separate 
Parts.]  Che:^  M''  Le  Clerc  :  Paris, 

[1750?]     fol.  g.  300. 

SOHREN"    (Petkr)      Sec    Crueger    (J.) 
Johaun  Crugers  uud  Peter  Sohrens  Ubung 
der    Gottseligkeit    in    geist-    lehr-    und 
r  trostreichen  Gesaugen,  etc.     1700.     8". 

3433.  eee.  3. 
SOIGNET    (         )      J'aime    les    champs. 
Air,  etc.     [Pans,]  1786.     8".     297.  g.  31. 
Mercure  de  France,  July,  1786,  p.  98. 

S  O  I  N  S.  Soins  genereux,  celeste  bien- 
faisance.     Air.     Sec  Bruni  (A.  B.) 

SOIR.      Le    Soir.      Ariette.      See    Lisox. 
Lison  revenoit  au  Vilage,  etc. 
[1780?]     8".  B.  362.  b.  (102.) 

Le  soir  a  sa  croisee.  Le  Chit  Chit.  Air  : 
Oui  uoir  &c.  [From  Gretry's  '  L'Amitie 
a  I'Epreuve.']     [Paris,  1790  ?]     8\ 

B.  362.  j.  (9.) 
[Another  copy.] 
[Another  copy.] 
Un  Soir  dans  la  forct. 
See  FoDOR  (J.) 
Un  soir,  dans  un  charmant  festin. 

Sec  POILLEVE  (         ) 

Un  Soir  Lison  au  village.  C'est  si  tut 
fait.  [Song.]  Air ;  de  Remonde.  [Paris, 
1785?]     8^  B.  362.  c.  (31.) 

Un  soir  pour  moi  remarquable.  Chanson 
Noiivelle.     [Paris,  1180?]     8". 

B.  362.  b.  (104.) 
[Another  copy.]  B.  362.  e.  (101.) 

SOIREE.  La  Soiree  du  Bois  de  Boulogne. 
[Song.]  See  Je.  Je  suis  brave  Dragon  de 
France.     [1785?]     8°.       B.  362.  e.  (98.) 

VOL,  II. 


B.  362.  f.  (9.) 
B.  362.  (118.) 

Romance. 


[Song.] 


SOIREE  ORAGEUSE.  Aupres  de  Bar- 
celoue.  Chanson  Niaisc  de  la  Soiree 
Oragcuse.  Avec  Accomp'  de  Guittare. 
[By  N.  Dalayrac]  Che^  Tmbault : 

Paris,  [1790.]     8".  B.  362.  (89.) 

Chantons  I'amour  et  ses  plaisirs.  Air  de 
la  Soin'eorageiise.  Avec  Accomp' de  Guit- 
tare. [By  N.  Dalayrac]  Chez  Imhault : 
Paris,  [1790.]     8".  B.  362.  e.  (60*.) 

Fillette  qui  dans  la  retraite.  Air  de  la 
Soiree  oragcuse.  Avec  Accomp'  de  Guit- 
tare. [By  N.  Dalayrac]  Clicz  hnbault : 
Paris,  [1790.]     8".       B.  362.  c.  (60***.) 

U  est  des  amusemens.  Air  de  la  Soiree 
oragcuse.  [By  N.  Dalayrac]  Avec  Ac- 
comp' de  Guittare.  CJicz  Imhault : 
Paris,  [1790.]     8".         B.  362.  c.  (60**.) 

II  est  des  amusemens.  Air  de  la  Soirt'e 
Oragcuse  [by  N.  Dalayrac].  Accompt. 
par  Mozin  le  jeune.  Chez  B.  Vigueric  : 
Paris,  [1795  ?]     fol.         G.  554.  a.  (29.) 

Part  of  a  Periodical  Publication. 
Vieillard  qui  d'amour  est  epris.     Vaude- 
ville de  la  Soirie  Oragcuse  [by  N.  Dalay- 
rac].    Chez  Frirc  :  [Paris,  1790.]     8\ 

B.  362.  (20.) 
[Another  edition.]  Vieillard  qui  d'amour 
est  epris.  Vaudeville  .. Xxqc  Accomp' de 
Guittare.  Chez  hnbault :  Paris, 

[1790.]     8".  B.  362.  (89*.) 

[La  Soiree  Orageuse.  Vieillard  qui 
d'amour  est  epris.]  See  Heure.  L'Heure 
avauce  on  je  sais  mourir. .  .Air  :  du  Vaude- 
ville de  la  Soiree  Orageuse.     [1794  ?]     8". 

B.  362.  d.  (19.) 
Vous  me  plaiguez  ma  tendre  amie.     xiir 
de  la  Soiree  orageuse.     Avec  Accomp'  do 
Guittare.     [By  N.  Dalayrac] 
Cltcz  hnbault :  Paris,  [1790.]     8\ 

B.  362.  c.  (60.) 
La  Soiree  Orageuse.     Com^die. 
See  Dalayrac  (N.) 

SOIRl^ES.  Les  Soirees  du  Palais  Royal. 
[Song.]  (See  Vive.  Vive  les  units  etoilees. 
[1785?]     8".  B.  362.  g.  (69.) 

SOIREES  DE  LA  COMEDIE 
ITALIENNE.  Suite  des  Soirees  de  la 
Comedie  Italienc,  contenaut  les  Airs 
chautes  sur  cc  Theatre  et  autres.  Avec 
Accompagnement  de  Guittare  par  ]\I. 
Boye,  cfc.  (Journal  de  Guitarre.)  Feuilles 
1-02;  1-5;  1-5.  Chez  M.  de  la 

Chevardierc  :  Paris,  [1783  ?]     8". 

E.  1707. 
lite  three  Suites  arc  paged  separately. 
The  composers  named  in  this  collection 
are  :  De  Monville,  Chiampalanti,  !>'., 
Gluck,  Albanese,  Bartelviont,  D.L.  B. 
and  Gosscc. 

SOL.  Le  Sol  fortune  de  la  France.  [Song.] 
See  Heureuse  Decide. 

2  h 


511 


SOLACE— SOLDIER 


SOLACE.     The  Solace  o£  Life.     Song, 
^(•f  Hook  (J.) 

SOLAGE  (        )     Jcimos  guorriors,  couroz 

a    la   victoiro.      CJianson.      [Words   by] 

M.  de  Villoncuve.  fi'tim,] 

1731.    s.  sh.  1^  297.  b.  6. 

Mcrcurc  de  Franci',  Nov.,  1731. 

SOL  AMEN.     Solamcn   Misciis,  or   Good 
Kows  to  the  Aillieted.     [Song.] 
>V('  Hkuk.    Here   hero   good   Folks,   etc. 
[1720?]     s.  s/(.  fol.  L  530.  (70.) 

SOLANDER  (Daniel)  Sr  Kellxee  (D.) 
Trculicher  Unterricht  im  General-Bass 
. . .  Drittc  Autiage.  IMit  oincr  Vorrede  des 
Hcrru  D.  Solauders,  etc.     1713.     4'\ 

785.  h.  46. 

SOLANO     (FuANCisco    Ii.nacio)       Nova 
Instrucvao  Musical,  ou  Thcorica  Tratica 
da  INIusica  Rythmica,  etc.     (Additameuto 
a'  Nova  lustrucvao,  etc.)     2  pts. 
M.  Manescal  da  Costa  :  Lisboa,  1764.     4". 

7898.  b.  15. 
Novo  Tratado  de  INIusica  Metrica,  e 
Hythmica,  o  qual  cnsina  a  acompauhar 
no  Cravo,  Orgao,  ou  outro  qualquer 
Instrumento,  em  que  sc  possao  regular 
todas  as  Especies,  de  que  se  coiupOe  a 
Harmonia  da  mesma  Musica,  etc. 
Na  Eeqia  Officina  Tupographka  :  Lisboa, 
1779.     4'\     ■  1042.  1.  45. 

SOLDAT     MAGICIEN.        Le     Soldat 
IMagicien.     Opera-Comiquc  en  un  Acte. . . 
Avec  la  I\Iusiquc.     [Words  by  Anseaume, 
music  bv  F.  A.  Danican  Philidor.] 
Chez  Duchesne :  Paris,  I'JOO.     S\ 

11738.  b.  13.  (6.) 
[Another  copy.]     See  Thk.^tre.    Nouveau 
Theatre  de  la"  Foire,  etc.     Tom.  5. 
17G3.    S".  11735.  d.  2. 

[Another  edition.]  Le  Soldat  Magicicn, 
etc.  (Airs  choisis  du  Soldat  Magicien.) 
1775.  See  Recueil.  Rccueil  general  des 
Op^ra  Bouffons,  etc.     Tom.  9.     1777.     8'\ 

11735.  b.  2. 

Le  Soldat  IMagicien.     Opera  Comique. 
i-^cc  Philtdok  (F.  A.  Danican) 

SOLDIER.  A  Soldier  and  a  Sailer.  Bii.voin 
Joan  of  Lymas[i.e.  Limehouse]'s  Love  to 
a  jollrj  Sailer:  Being  Love  for  Love  again. 
[Ballad,  the  first  three  verses  taken  from 
W.  Congreve's  Love  for  Love.]  To  an 
excellent  new  Play-house  tune. 

Printed  for  P.  Brooksbi/ :  London, 
[1693?]    s.  sh.  fol.   Case  39.  k.  6.  (61.) 
The  ttt7t€  is  represented  by  a  meaningless 
succession  of  notes,  etc. 

A  Soldier  and  a  Sailor.    [Song.]    Sung  by 
Mr.  Doggett  at  the  Theatre.   [In  Congreve's 
'  Love  for  Love  ' ;  music  by  J.  Eccles.] 
[London,  1700?]     s.  sh.  fol. 

H.  1601.  (51.) 


SOLDIER.   A  Soldier  and  a  Sailor.   Song. 
See  Eccles  (J.)     [Love  for  Love.] 
The  Soldier  and  his  Dog.     Song. 
See  DiLiNUM  (C.) 

The  Soldier  cncamp'd  on  the  Coast. 
Ballad.  Sec  Dicnum  (C.) 
A  Soldier  for  me.  Song.  See  Hook  (J.) 
A  Souldier  from  Flanders  ho  Travell'd  of 
late.  The  Young  Damsels  Courage  and 
Contiuest  .  .  .  [Ballad.]  Tune  of  'March 
Boys,  &c.  Printed  for  P.  Brooksby, 

J.  Deacon,  J.  Blare,  and  J.' Back :  [London, 
1695?]     s.  sh.  fol.    Case  39.  k.  6.  (27.) 
Tlie  tune  is  represented  by  anieaningless 
succession  of  notes,  etc. 
The  Soldier  tir'd.     [Song.] 
See  AitTAXEKXES. 

Soldier,    whilst    the    flowing    bowl.      .1 
Favourite  Medley  for  the  Light  Infantry. 
Bv  a  Soldier,  written  at  New-York. 
W.Najner:  London,  [11  SO?]     fol. 

G.  311.  (152.) 

The     Soldier's    Adieu.       [Song,     begins: 

'  Adieu  !  my  only  life.'] 

See  DiBDiN  (C.)     [The  Wags.} 

The  Soldier's  Adieu.    Glee  [begins :  '  Adieu 

to  all'].     See  Hook  (J.) 

Soldier's  Bride.     [Song.]      See  Village. 

The  Village  ]\Iaid  when  first   she  hoars, 

etc.     [1790?]     fol.  G.  808.  g.  (33.) 

The  Soldier's  call  to  the  War.     [Song.] 

See    Hark.       Hark     how    the    Trumpet 

sounds,  etc.     [1710?]    s.  sh.  fol. 

H.  1601.  (202.) 

The  Soldier's  Consolation.     Song. 

See  Dignum  (C.) 

Soldier's  Farewell  and  Return.     [Song.] 

^J.c  Dibdin  (C.)     [  Will  of  the  Wisp.] 

The  Soldier's  Farewell  on  the  Eve  of  the 

Battle  of  Quebec.     [Song.] 

See  Cakteu  (C.  T.) 

The  Soldier's  Fuueral.     [Song.] 

^V(!  DiBnix  (C.)     [Castles  in  the  Air.] 

The  Soldier's  Joy.     [Song.]     See  When. 

When  the  shrill  Trumpet  sounds  on  high. 

[1760?]     s.sh.iol.  L  530.  (180.) 

The  Soldier's  last  Retreat.     [Song.] 

See  DiBDiN  (C.)     [Private  Theatricals.] 

The  Soldier's  life  is  always  sweet.     Song. 

See  Cakteu  (C.  T.)    [The  Fair  American.] 

The  Soldier's  Return.     [Song.] 

Sec  Urbani  (P.) 

The  Soldier's  Reward.      See  0.     [Song.] 

O  Blessed  be  the  Day,  etc. 

[1780?]    s.  s7j.  fol.  G.  310.  (285.) 

A  Soldier's  Song.     For  two  Voices. 

See  How.     How  stands  the  Glass  around. 

[1765?]     s.sh.iol.  I.  530.  (76.) 

The  Soldier's  Song.     [Song.]     S,r  Lilies. 

The  Lillies  of  France  and  the  fair  English 

rose.     [1756.J     8'\  158.  I.  1. 


SOLDIER— SOLOS 


515 


SOLDIER.     The  Soldier's  Song. 

.SVe  IjIliks.    The  lillies  of  France  and  the 

fair  English  rose.     [1756.]     8' . 

P.P.  5438.  z. 
SOLiEIIj.      Le  Soleil   baise    sans    nuage. 

Air.     Sec  Gresset  (J.  B.  L.) 

Le  Soleil  se  cachait  dans  I'onde.  L' Enfant 
Trouvf'.  Idylle.  [Song.]  Chez  Bonjoiir : 
Paris,  [1795  ?]     8'.  B.  362.  a.  (92.) 

Lc  Soleil  sur  nos  Champs  trop  longtcinps 
arrestc.  Air  Nouvcau. 
{Paris,  1G78.]  s.  sh.  obi.  4".  P.P.  4482. 
Nuuveau  Mercure  Galant,  July,  1678, 
p.  85. 
Lc  Soleil  trop  ardent  fait  lauguir  la 
Nature.    Air.     See  Bouvabd  (F.) 

SOIi]6r  (Antonio)  Llave  do  la  :\Iodu- 
lacion,  y  Antiguedades  de  la  ^lusica,  en 
que  se  trata  del  fundamento  necessario 
para  saber  Modular :  Theorica,  y  Practica 
para  el  .  .  .  conocimiento  de  qualquier 
cspecie  de  Figuras. .  .con  algunas  Canones 
Enigmaticos,  etc.  Joachim  Ibarra  : 

Madrid,  1762.    4\  7896.  aaa.  22. 

Satisfaccion  a  los  Reparos  jirecisos  hechos 
por  D.  Antonio  Roel  del  Rio,  a  la  Llave 
de  la  Modulacion,  por  su  autor,  el  Padre 
Fr.  A.  Soler,  etc.  Antonio  Marin  : 

Madrid,  1765.    4",  7897.  e.  22.  (2.) 

XXVII.  Sonatas  para  Clave.  /.'.  Birchall : 
London,  [im)!]    obi.  lo\.  e.  475. 

See    Roel    del    Rio    (A.    V.)      Reparos 
Musicos,  precisos  a  la  Llavo  de  la  ^lodu- 
lacion,  etc.  del  P.  Fr.  A.  SoU'r,  etc. 
1764.     4\  7897.  e.  22.  (1.) 

SOLIE  (.Jean  Piekre)  Chapitre  Second. 
Opera  Comique  en  un  Acte.  Paroles  du 
C"  E.  Dupaty ...  Grave  par  Huguet,  etc. 
[Full  Score.]  Chez  Imbaiilt : 

Paris,  [1799.]     fol.  H.  556.  c. 

Le  Chapitre  Second.  Opera  en  un  Acte 
et  en  Prose. .  .Arrange  pour  le  Piano. 

Ches  Mees  Pere  et  Comp" : 
Hambourg,  [1800?]     fol.  G.  277.  b. 

[Le   Faucon.]      Que   sont   les   grandeurs 
sur  la  terre  ?     See  Faucon.     Que  sont  les 
grandeurs,  etc.     [By  -J.  P.  Solie.] 
[1794.]    8".  B.  362.  h.  (14®.) 

Le  Jockei.     Opera  en  un  acte.     Paroles 
d'HoSman,  etc.     [Full  Score.] 
Chez  Lcblanc  :  Paris,  [1796.]     fol. 

G.  277.  c. 
[Overture.   P.  F.]    See  Rig  el  (H.  J.) 


Ouverture  du  Jokei,  pour  lc  Clavecin,  etc. 
[1796.]     fol.  g.  543.  u.  (17.) 

La    Moisson.       [For    songs,   &c.,   in   La 
Moisson  published  anonymously :] 
See  Moisson. 

Le  Secret.     Opera  en  un  Acte.     Paroles 
d'Hofiman,  etc.     [Full  Score.] 
Chez  Imbanlt :  Paris,  [1796.]     fol. 

H.  556.  b. 


SOIjI^IS  (Jean  Pierre)  [Another  edition.] 
Le  Secret,  etc.     [Full  Score.]  Chez 

LehUnc  :    Paris,  [1796.]    fol.       G.  277. 

[For  airs,  &c.,  published  anony- 
mously :]  See  Secret. 

SOLILOQUY.  Sterne's  Soliloquy  on 
hearing  ^laria.     [Song.] 

Sec  BiLLINOTON  (T.) 

SOLIMAN  DER  ZWEITE.  Solimau 
dorZweite.  Oiier.  Sec  Scess.mayer(F.X.) 

SOLIMANO.    The    Favourite    Songs  in 

the  Opera  call'd  Solimano.     [A  Pasticcio. 

Short  Score.]  Printed  for  I.  Walsh  : 

London,  [1758.]     fol.  G.  201.  (4.) 

The  composers  named  arc :  Perez,  Bertoni 

and  Handel. 

The  Favorite  Songs  in  the  Opera  Solimano. 

No.   1.     [A   Pasticcio.     Partly  Full  and 

partly  Short  Score.]  P.  Bremncr  : 

London,  [1765.]     fol.  G.  760.  b.  (2.) 

llic  composers  named  arc :   Vert  to,  Pes- 

cetti,  Giuseppe  de  Majo,  Pergokse  and 

Perez. 

SOLITAIRES.  Solitaires  oiseaux.  Mu- 
sette.    See  Fremeaux  (    ) 

SOLITAIRES  DE  NORMANDIE. 

Pourvu  qu'on  nous  oublie.  Air  des 
Solitaires  de  Normanduj.  Avec  Accomp' 
de  Guittare.  fWords  by  A.  P.  A.  de  Piis.] 
Chi'z  Imbanlt :  Paris,  [1789.]     S\ 

B.  362.  (207.) 

SOLITARY.    The  Solitary  Louer.    [Song.] 
See  Blow.     Blow  on  ye  Winds. 
[1730?]    s.  s7i.  fol.  G.  316.  (23.) 

SOLNITZ  (Anton  Willeji)  VI  Sinfonie 
con  uuoi  Violini,  Alto  Viola,  e  Violoncello 
o  Basso  Continue... Opera  Terza.  [.Separate 
Parts.]  Chez  Nicolas  Selhoff : 

La  Haye,  [1750  ?]     fol.  g.  262. 

Six  Sonatas  or  Two  Violins  with  a 
Thorough  Bass  for  the  Harpsicord  or 
Violoncello.     [Separate  Parts.] 

Printed  for  I.  Walsh: 
London,  {11  bOl]     fol.  g.  274.  (6.) 

SOLOMON.     Solomon.     Oratorio. 
See  Haendel  (G.  F.) 
Solomon.     Serenata.     See  Boyce  (W.) 

SOLOS.  VI  Solos  or  Sonatas  for  a  German 
Flute  &  a  Base  Violoncello,  Collected  & 
Fitted  by  a  Very  Great  Performer  of  y* 
Instrumen'.  Carefully  Ingraved  by  Tho* 
C ross .  Pri n ted  for. .  .Be nja min  Cooke  : 
London,  [17-30  ?]     fol.         g.  225.  b.  (6.) 

[Six  Solos  or  Sonatas  for  Violin  or  Flute 
and  Thorough  Bass.] 

{London,  1750?]    obi.  fol.        e.  5.  1.  (6.) 
Imperfect,  wanting  the  title-page. 

2  L  2 


516 


SOMBRE— SOMMEIL 


SOMBRE.     Sombre  boccagc.     Air. 
See  TouTAiN  (    ) 

Sombre    Foret,    ouvre-moi     ta    retraite. 
Roger  sortant  de  VIsle  cVAlcinc.    Romance 
sur  un  Air  fait  par  ]\I""'  de  *  *  *. 
iParis,\  1783.     8'\  297.  g.  3. 

Mcrciirc  de  France,  Nov.,  1783,  p.  8. 

SOMBRES.     Sombres    forests,    et    vous, 
teudres  Zepbirs.     Air  Nouvcau. 
[Paris,  1679.]    s.  sh.  obi.  4".     P.P.  4482. 

Nouveau   Mercure    Galant,    Jan.,  1679, 
p.  181. 

SOME.     Some  Courtly  Youth  whom  Love 
inspires.     A  Humourous  Cantata. 
[London,  1760?]     s.  sh.  fol. 

I.  530.  (146.) 
Some   cry  up  Gunnersbury.     Strawberrij 
Hill.     A  Song.     [By  J.  Vernon.] 
[London,  1758.]     8°.  P.P.  5438. 

Literary  Magazine,  Vol.  III.,  p.  36. 

Some   cry  up  Gunnersbury.     Strawberry 

Hill.     [Song,  by  J.  Vernon.]         [London, 

1758.]     8".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XXII.,  p.  206. 

Some  ease,  Orinda,  I  should  find.     Song. 
See  Elridge  (R.) 

Some  four  years  ago.  TJie  Bargain  Befused. 
[Song.]     [London,  1754:.]     8".     250.  e.  1. 
Goitleman's     Magazine,     Vol.    XXIV., 
p.  284. 

Some  mournful  j\Iuse  attend  my  Quill.  Un- 
constant  Damon:  or,  Clorinda's Languish- 
ing Lamentation:  [Ballad]  To  a  delightfull 
new  Tune,  or.  He  that  loves  best  must 
suffer  most.  Printed  for 

P.  Brooksby,  J.  Deacon,  J.  Blare,  J.  Bach  : 
[London,  1695  ?]     s.  sh.  fol. 

Case  39.  k.  6.  (64.) 
Tlie  tunc  is  represented  by  a  meaningless 
succession  of  notes,  etc. 
Some  of  my  Heroes  are  low.     Glee. 
See  Stevens  (R.  J.  S.) 

Some  People  may  wonder.  A  neiu  Song 
calVd  the  Dream.  [London, 

1715  ?]     s.  sh.  fol.  H.  1601.  (415.) 

[Another    edition.]      Some    People    may 
wonder.     .4  neiv  Song  call'd  The  Dream. 
[London,  1720?]     s.  sh.  fol. 

H.  1994.  b.  (74.) 
Some  say  that  we  won.  Tlicy  run  and 
we  run.  [Song.]  Written  on  the  late 
Engagement  between  Admiral  Keppel  & 
the  Due  de  Chartres  July  27'"  1778  off 
Ushant.  Sk[illern :  London, 

1778.]     s.  sh.  fol.  G.  311.  (143.) 

Some  say  Women  are  like  the  Seas. 
Song.     See  Graves  (.J.) 

Some  they  may  talk  of  bold  Robin  Hood. 
TJie  Bishop  of  Hereford.     [Ballad.] 
StrUdght:  London,  IISO?}     s.  sh.  fol. 

G.  311.  (126.) 


SOME.     Some  Wives  are  good.     Glee. 
See  Hook  (J.) 

Some  women  take  delight  in  dress.  Tlie 
Scold.  [Song.]  P.  H[odgson :  London, 
1780?]     s.  sh.  io\.  G.  311.  (142.) 

SOMEBODY.     Somebody.     Song. 

See  Were.     Were   I   oblig'd   to   beg  my 

bread.     [1798?]     fol.  G.  798.  (53.) 

Somebody  II.     Song. 

Sec  You.     You  ask  me  why,  etc. 

[1796?]     fol.  'G.  356.  (60.) 

SOMERSETSHIRE.    The  Somerset- 
shire Clown.     Song.      See  Go.     Go  vind 
the  Vickar  of  Taunton  Dean,  etc. 
[1710?]    s.sh.iol.  H.  1601.  (166.) 

SOMETHING.  Something  New.  [Song.] 
See  In.  In  all  mankind's  promiscuous 
race,  etc.     1764.     8".  P.P.  5441. 

Something   that's   vmseeu.      Song.      See 
'TwAS.     'Twas  not  Belinda's  Fa,ce, -etc. 
[1773.]     s.  sh.  4'\  159i  n.  5. 

SOMETIMES.  Sometimes  when  Absent. 
Canzonet.     See  Suett  (R.) 

SOMIS  (Giovanni  Battista)  [Sonata  for 
Violin  and  Harpsichord.]  See  Haendel 
(G.  F.)  Tliree  Solos  for  Flute  and  Bass. 
H.G.XLvn.  A^os.  16-18.]  Six  Solos... 
Compos'd  by  Mr.  Handel.  .  .Sig''  Somis, 
efc.  No.  6.    [1730?]   fol.     h.  2140.  d.  (3.) 

Senate  da  Camera  a  Violino  Solo,  e  Vio- 
loncello, 6  Cembalo  etc.  Chez  M.  C.  Le 
Cenc  :  Amsterdam,  [1725  ?]  fol.     h.  87.  a. 

Sonate  da  Camera  a  Violino  Solo,  e  Vio- 
loncello, 6  Cembalo. .  .Opera  Seconda. 
DalV  istesso  Autore  :  Torino,  1123.     fol. 

h.  87. 

SOMIS   (Lorenzo)     Sonate  da  Camera  a 
Violino  Solo  e  Violoncello,  o  Cembalo . . . 
Opera  Seconda.     Grave  par  De  Gland. 
Chez  la  V-  Boivin  :  Paris,  [1740  ?]     fol. 

g.  422.  a.  (1.) 

SOMMEIL.      Le    Sommeil    de    Myrthe. 
Romance.     See  O.     0  lit  charmant,  etc. 
[1790?]     8".  B.  362.  a.  (94.) 

Le  Sommeil  f  uyait  de  nos  yeux.  Romance. 
See  Croisee.  B.  362.  c.  (90.) 

Le  Sommeil  Interrompu.  Ronde  a  dauser. 
Sec  TouJOURS.  Toujours  grand  soin  avoit 
Lisette.     [1780?]     8".      B.  362.  g.  (86.) 

Sommeil  viens  sur  mes  sens.     Duo. 
See  La  Richerie  (        de). 

SOMMEIL  DE  CLIMENE.     Le  Som- 
meil de  Climene.     Gantatille. 
/S'ce  Lemaire  (L.) 

SOMMEIL    D'ULISSE.      Le    Sommeil 
d'Ulisse.     Cautate. 
See  Jacquet  de  Laguerre  (E.  C.) 


SON— SONGS 


517 


SON".     Le  Son  de  ce  Tambour.     Jlenuet. 
Sec  Charles  {        ) 

SON.  Son  inamorato.  A  Venitian  Duett  & 
a  Favourite  French  Air.  Anne  Lee  : 

[Dublin,  1180?]     s.  sh.  iol. 

H.  1601.  a.  (38.) 

SON.      Son   of    God,   thy  blessing  grant. 

Hymn.    [Words  by  C.  Wesley.]    [London, 

1777.]     8".  P.P.  716.  b. 

Gospel  Magazine,  Sept.,  1777. 

[Another  setting.]  Son  of  God,  Thy 
Blessing  grant.     Hymn.     See  E.  H. 

SON-IN-LAW.  Goddess  of  the  magic 
Cestus.  A  favourite  Song  in  the  Son  in 
Law.  [Words  by  J.  O'Keeffe,  music  by 
S.  Arnold.]  Jolni  Lee  : 

Dublin,  [1780  ?]    fol.     H.  1601.  a.  (33.) 

My  true  Love  far  away.  The  First 
favourite  Song  in  the  Son  in  Law. 
[Words  by  J.  O'Keeffe,  music  by  S. 
Arnold.]  John  Lee  :  Dublin, 

[1780?]    s.sh.loL        H.  1601.  a.  (35.)   | 

Signor    Cranky    addio.      Sung    by    Mrs. 
Daly  in   the   Son   in   Law.      [Words   by 
J.  O'Keeffe,  music  by  S.  Arnold.] 
John  Lee  :  Dublin,  [1780?]     s.  sh.  fol. 

H.  1601.  a.  (32.) 
When  Hairs  are  gray.  [Song.]  Sung... 
in  the  Son  in  Law.  [Words  by  J.  O'Keeffe, 
music  by  S.  Arnold.]  JoJin  Lee  :  Dublin, 
[1780  ?]     s.  sh.  fol.        H.  1601.  a.  (31 .) 

SONATAS.  A  Favourite  Lesson  for  the 
Harpsicord  by  a  Celebrated  Author. 
Sonata.     [London,  1790?]     fol. 

g.  271.  b.  (40.) 
A  Sonata  for  the  Piano  Forte  ...  in 
Imitation  of  the  best  IModern  Authors  as 
they  have  appear'd  within  these  last  20 
Years.  Composed  by  an  Eminent  IMaster, 
to  be  continued  Monthly.  No.  l[-4:]. 
4  Nos.  Printed  for  Culliford,  Eolfe  d 

Barroio  :  London,  [1796  ?]     fol. 

g.  141.  (16-19.) 
Nos.  3  and  4  are  duplicates. 

Sonate  per  Camera  a  Yiolino  e  Violon- 
cello di  vari  Autori.  G.  Buffagnotti  : 
[Bologna?  1G90?]     obi.  fol. 

K.  10.  a.  (10.) 
Each  Sonata  (of  ichich  this  volume  only 
contains  the  Violin  parts)  is  engraved 
in  an  ornamental  border  by  C.  A. 
Buffagnotti.  The  composers  are  :  G.  A. 
Pc'rti,  G.  Aldrovandini,  D.  Marche- 
selli,  G.  lachini,  B.  Laurenti,  C.  Mazo- 
lini,  F.  C.  Belisi,  B.  B[c]rnardi,  A. 
Grimandi  and  G.  Torelli. 

[Six  Sonatas  for  two  Violins  or  two 
Flutes.]     [London,  1750  ?]     fol. 

g.  421.  h.  (4.) 
Wanting  the  title-page. 


SONATAS.  Six  Sonatas,  for  the  Piano 
Forte.  Composed  by  Bach,  Benda,  Gzaun 
[or  rather  Graun],  Wagen[s]eil,  Hasse,  and 
Kernberger  [or  rather  Kirnberger].  [1799.] 
See  Periodical  Publicatioks. — London. 
The  Piano-Forte  Magazine.  Vol.  VII. 
No.  G.     [1797-1802.]     S".  D.  854. 

See  also :  Solos. 

SONG.  A  song  is  ask'd  what  shall  it  be. 
TJie  Feathers.  A  favorite  ]\Iasquerade 
Song.  P.  H[odgson  :  London, 

1775?]     s.  s7(.  fol.  G-.  306.  (105.) 

A  Song  of  Songs.    See  Your.    Your  Poets 
write  Songs  as  their  Fancies  suggest. 
[1710?]    s.sh.iol.  G.  305.  (250.) 

A  Song  to  Celia.     See  Ah.     Ah  tell  me  no 

more  of  your  Dutv,  etc.   [1704.J    s.  sh.  fol. 

^  H.  1601.  (61.) 

SONGE.     Songe.     INIadrigal. 

See  Derosoy  (      ) 
SONGS.    [Arranged chronologically.]  Begin 
[Fol.    1,  recto:]   C  Bassus.     [verso:]   In 
this   boke  ar  ciiteynyd.  xx.  suges.  ix.   of 
iiii.  ptes,  and  xi.  of  thre  ptes,  etc. 

[Wynkynde  Worde  :  London,] 
1530.    obi.  4".  K.  1.  e.  (1.) 

45 /o/.,  without  pagination.  Title-page, 
sigs.  A-L,  in  fours.  The  printed 
notes  stop  on  the  recto  of  fol.  I.  4  ;  the 
verso  contains  printed  lines,  with 
music  in  manuscript.  2  fol.  entirely 
in  MS.  follow,  and  then  4  unsigned  fol. 
ivith  printed  lines  and  MS.  music  ;  a 
blank  leaf  at  the  end.  Bound  up  with 
this  Bassus  2)art  is  the  first  leaf  of  the 
Triplex.  The  composers  named  in 
tliis  collection  are:  Cornysh,  Pygot, 
Ashwcll,  Tavernar,  Gwynneth,  Fayr- 
fax,  Cowper,  Jones  and  Thomas 
Strctton,  the  last-named  in  the  MS. 
portion  only. 
The  Circle,  or  Conversations  on  Love  & 
GaUantry;  originally  in  French  [by... 
De  Montfort].  Now  Englished.  And 
since  Augmented  with  several  New  Songs, 
illustrated  with  Musical  Notes,  both 
Treble  &  Bass.  By  N.  Noel,  etc.  Printed 
for  tlte  Author  :  London,  1016.  8". 
■'  12330.  b.  40. 

The  '  Epistle  to  the  Beader '  states  that 
''the    Musick    was     set     by    several 
good  xinderstanding   Masters  of  that 
Science." 
An  Heroick  Poem  to. .  .the  Duke  of  Y^ork, 
on  his  Return  from  Scotland.   With  some 
choice  Songs  and  Medleyes  on  the  Times. 
[Words]  By  M.  Taubman,  etc. 

Printed  for  John  Smith  : 
London,  1G82.    fol.  1347.  m.  10. 

The  Heroick  Poem  has  no  music. 
The   Newest   Collection  of  the   Choicest 
Songs,  as  they  are  Sung  at  Court,  Theatre, 


618 


SONGS 


IMiisick-Schools,  Balls,  &c.  With  INIusical 
Notes.  T.  II. . .  ly  fur  D.  Brown  and 

T.  Benskin :  London,  1683.  8°.  B.  354. 
Several  New  Songs.  [Words]  By  Tbo. 
D'Urfey  . . .  Set  to  as  many  New  Tunes, 
hy  the  Best  Masters  in  Music. 

J.  Playford,  for  Josci^h  Hindniarsh  : 
London,  1684.     fol.  F.  19. 

Choice  New  Songs  never  before  Printed. 
Set  to  Several  New  Tunes  by  the  Best 
IMasters  of  Music.  Written  by  T.  D'Urfey, 
etc.  John  Playford,  for  Joseph  Hind- 

marsh  :  London, 1684:.  fol.     G.  152.  (1.) 
The  composers  named  are  :  Abel,  Grahue, 
King,  Peasable,  Akeroyd,  Farmer  and 
Monsieur  Baptist. 
Two  New  Songs,  The  Winchester  Christen- 
ing, and  The  Wish. 

J[ohn:]  P[layford]  for  Joseph  Hindmarsh  : 
London,  1685.     fol.  H.  33. 

A  Choice  Collection  of  180  Loyal  Songs, 
aU  of  them  written  since  the  Two  late 
Plots . . .  Intermixt  with  some  New  Love 
Songs. .  .To  which  is  added,  The  Musical 
Notes  to  each  Song.  The  Third  Edition, 
etc.     1685.     8".     See  T.,  N. 

11621.  bb.  23. 
A  Third  Collection  of  New  Songs,  never 
Printed  before.  The  Words  by  Mr. 
D'Urfey.  Set  to  Music  by  the  best 
Masters  in  that  Science,  viz.  Dr.  John 
Blow.  Mr.  Henry  Purcell.  Senior  Baptist. 
Mr.  Courtiville.  Mr.  William  Turner.  ]\Ir. 
Thomas  Farmer.  ]\Ir.  John  Lenton.  Mr. 
Samuel  Akeroyd.  With  Thorow-Basses 
for  the  Theorbo,  and  Bass-Viol. 
J[ohn]  P[layford]  for  Joseph  Hindmarsh  : 
London,  1685.     fol.  G.  152.  (2.) 

A  Collection  of  the  Choy[c]est  and  newest 
Songs.  Sett  by  Severall  IMasters  with  a 
Thorow  Bass  to  each  Song  for  y'=  Harpsi- 
chord Theorbo  or  Bass-VioU.  The  Second 
Book.  Printed  for  John  Crouch  : 

London,  1687.     fol.  K.  2.  g.  5. 

Engraved  throughout.  Tlie  composers 
of  tliis  collection  are  :  Akeroyd,  Read- 
ding,  T.  Farmer,  Baptist,  James  Hart, 
Snow,  George  Hart,  A.  Damascene 
and  John  Trenton. 

A  Collection  of  One  Hundred  and  Eighty 
Loyal  Songs...  The  Fourth  Edition  with 
many  Additions.     1694.     8".     Sec  T.,  N. 

1078.  e.  13. 
[Another  copy.]  Gren.  18,340. 

A  Collection  of  new  Songs.  With  a 
Through  Bass  to  each  Song  for  the  Harp- 
sicord.     Compos'd  by  Several  Masters. 

Sould  by  I.  Walsh  and  I.  Hare  : 

London,  {VJlQ'l}     fol.  G.  316.  b. 

The   composers  named  are :    W.  Crofts, 

J.    Clarke,    W.    Corbett,    H.    Purcell, 

Keen,  D.  Purcell,  Leveridge,  Wilkins, 

Frances,  E.  Brotvn  and  B.  Cox. 


SONGS.      A   Collection    of    the   Choicest 
Songs  &  Dialogues  composed  by  the  most 
Eminent  Masters  of  the  Age.     Printed  for 
I.Walsh:  London,  [11157]    fol.    G.  151. 
A  collection  of  songs  printed  at  different 
dates  with  a  general  title-page.     The 
composers  named  are  :    J.  Clarke,  J. 
Eccles,    W.    Croft    or     Crofts,    Tho. 
Clarke,     J.    Weldon,     B.    Leveridge, 
H.  Purcell,  William  Bobart,  Courte- 
vill,     Bobert    Bradley,    D.     Purcell, 
Edward  Keen,  Finger,  Will.  Gorton, 
Willis,  Jolm  Barrett,  Barrencloe,  Wm. 
I  Shore,  Akeroyde,  Bobert  Cox,  Henry 

Hall,  Gillier,  James  Graves,  J.  Blow, 
Peasable,    John    Isum,    Elford    and 
George  Martin. 
A  Collection  of  Songs  on  Various  Subjects, 
fitted  to  all  Capacities.  Printed  for 

W"  Smith:  London,  1120.     fol.     H.  32. 
A  favourite  Collection  of  English  Songs. 
Sung  by  Mr.  Beard,  Miss  Young  &c.  at 
Ranelagh  Gardens.     1757.     N°  i. 
Printed  for  I.  Walsh:  [London,  11 51.]   fol. 

H.  2815.  a.  (14.) 
The  only  composer  named  is  Mr.  Arne. 
[Another  copy.]  G.  323.  (3.) 

The  New  Songs  sung  by  Miss  Wright  at 
Yauxhall  and  Mr.  Hudson  at  Ranelagh, 
for  the  Voice  and  Harpsichord,  etc. 

Printed  for  C.  and  S.  Thompson: 
London,  [11 0,5  T]     fob  G.  359.  (11.) 

The  only  composer  named  in  this  collec- 
tion is  M.  Ai'ue. 
The  Favorite  Songs  sung  at  Banelagh  for 
the  Voice  and  Harpsichord  also  adapted 
for  the  Guittar.  Printed  for  B.  Brcmncr : 
London,  [1766  ?]     fol.  G.  359.  (12.) 

By  Yento  and  Giardini. 
A  Choice  Collection  of  Two  Three  &  Four 
Part   Songs,  compos'd  by  Purcell,  Blow, 
Handell,   Dr.   Green,  and   Several  other 
Eminent  Masters.     Book  2''. 

Printed  for  C.  and  S.  Thompson: 
London,  [1115?]     fol.  G.  788.  a. 

A  collection  of  reprints  from  old  2'?a^''-s. 
TJie  composers  named  are  :  H.  Purcell, 
I.    Ganthony,   J.    Weldon,   J.   Eccles, 
Carey,   L  A[lcock]   M.B.,  D.  Busscl, 
Dtipuis,  Harrington,  T.  Brewer,  Arne, 
T.  Smart,  Biley,  Travers,  Sig""  Galli, 
Handel  and  I.  Timms. 
Ancient  Songs,  from  the   Time   of  King 
Henry    the    Third,    to    the    Revolution. 
[Edited  by  J.  Ritson.]  Printed  for  J. 

Johnson  :  London,  1791.  8".  239.  1.  18. 
[Another  copy.]  Gren.  13,031. 

A  Select  Collection  of  New  Favourite  and 
Popular  Songs,  by  the  most  celebrated 
Composers.  [1797.]  See  Pekiodical 
Publications. — Lcrndon.  The  Piano- 
Forte  Magazine.  Vol.  II.  No.  6.  [1797- 
1802.]     8'\  D.  854. 

Sec  also  :   English  Songs. 


SONGS— SOEGE 


519 


SONGS.  Sougs  of  Immortal  praise  belong. 
Part  of  Psalm  CIII.    [London,  17G5.]    8". 

P.P.  324.  n. 

Christian's  Magazine,  May,  1765,  p.  233. 

SONGS  OF  THE  OLD  TESTA- 
MENT. The  Songs  of  the  Old  Testa- 
ment,  Translated  into  English  Pleasures 
...  To  euery  Song  is  added  a  new  and 
easie  Tune. .  .[Words]  By  George  Wither. 
1621.     12».     See  Hymxs.     [4.  English.'] 

1076.  c.  15. 

SONNENFEST   DER   BRAMINEN- 

Das  Sonneufest  der  Braminen.    Komische 
Oper.     See  Mueller  (W.)        E.  153.  a. 

SONNETS.  Six  Sonnets  with  an  Accom- 
paniment for  the  Piano-Forte  or  Harp. 

Printed  for  the  Author  : 

London,  (1794.)     fol.  G.  356.  (2.) 

The  title-page  is  signed  J.  H.  D.     The 

dedication  shoics  that  the  composer  xvas 

a  looman. 

SONO.  Sono  Dama  e  sono  Signora.  Cava- 
tina.     See  Giardixi  (F.)     [Ninctta.'\ 

Son  pietosa.     Air.     See  Kraus  (J.  M.) 

Son  prigionier  lo  vedo.     Terzetto. 

See  Tarchi  (A.)     \La  Gcnerositd  d' Ales- 

sandro.] 

Son  regina  e  sono  amantc.     [Scena.] 

See  Sacchini  (A.  M.  G.)     [Didonc  Abhan- 

donata.] 

SOON.  Soon  as  the  Ev'ning  shades  pre- 
vail.    Hymn.     See  Printer  (        ) 

Soon  as  the  IMorn  salutes  your  Eyes.     A 
Thanksgiving  Hijmn. 

Str[aigJtf]  d  Sk[illern  :  London, 
1777?]     s.sh.lol.  G.  311.  (135.) 

SOONER.  Sooner  than  I'll  my  Love 
forego.    Song.     See  Carey  (H.) 

SOPHIA.  Sophia !  name  for  ever  dear. 
Song.     See  Hudson  (R.) 

SOPHIE  ET  MONCARS.  Sophie  et 
Moncars,  ou  I'lntrigue  Portugaise.  Opera. 
,sVe  Gaveaux  (P.) 


Sophrosyne.      [Song.] 


SOPHROSYNE. 

See  Percy  (J.) 

SORCIER.  Le  Sorcier,  Comudie  lyrique, 
meslee  d'Ariettes,  en  deux  Actes...avec 
la  Musique.  [Words  by  A.  A.  H.  Poin- 
sinet,  music  by  F.  A.  Danicau  Philidor.] 
1770.  See  Recueil.  Recueil  general  des 
Opera  BoufEous,  etc.     Tom.  3.     1777.     8°. 

11735.  b.  2. 

Loin  de  I'objet  de  ma  tendresse.  Yazide- 
ville  du  Sorcier  [by  F.  A.  Dauican  Phili- 
dor.]    [Paris,  11652]     8". 

B.  362.  c.  (56\) 


SORCIER.  Nous  etions  dans  cet  age. 
Pomance  detache  du  Sorcier  [by  F.  A. 
Danicau  Philidor].     [PrtHs,  1765  ?J     8". 

B.  362.  c.  (56".) 
Revien,  revieu,  ma  voix  t'appelle.    Ariette 
du  Sorcier  [by  F.  A.  Danicau  Philidor]. 
[Paris,  1765  ?]     8".  B.  362.  c.  (56'=.) 

Sur  le  gazon.  Vaudeville  [or  rather, 
Chanson]  du  Sorcier  [by  F.  A.  Danican 
Philidor].     [Paris,  1765 '?]     8". 

B.  362.  e.  (56'».) 
Le  Vaisseau  vogue  au  gre  d'un  calme.  Tem- 
jjetc  du  Sorcier  [by  F.  A.  Danican  Philidor.] 
[Paris,  1765  ?]     8".  B.  362.  c.  (56.) 

Le  Sorcier.     Comudie  Lyrique. 
See  Philidor  (F.  A.  Danican). 

SORGE  (Georg  Andreas)  Herrn  G.  A. 
Sorgens  Anleitung  zum  Generalbass  und 
zur  Composition.  Mit  Anmerkungen  von 
F.  W.  Marpurg.  Nebst  vier  Kupfcrtafeln, 
Bey  G.  A.  Lange :  Berlin,  1760.     4°. 

1400.  i.  41. 
Anleitung  zur  Fantasie . . .  das  Clavier, 
wie  auch  andere  Instrumente  aus  dem 
Kopfe  zu  spielen,  etc. 

Im  Verlag  des  Verfasscrs  :  Lobenstein, 
[1767.]    4".  7897.  e.  6. 

Georg  Andreas  Sorgens . . .  zuverUissige  An- 
weisung  Claviere  und  Orgeln  behcirig  zu 
temperiren  und  zu  stimmen,  etc.  Bey  dem 
Aiitore,  nnd  G.  F.  Authcnrieth  :  Leipzig 
imd  Lobenstein,  (1758.)   4\   7898.  g.  26. 

Anweisung  zur  Stimmung  und  Temperatur 
sowohl  der  Orgelwerkc,  als  auch  auderer 
Instrumente,  sonderlich  aber  des  Claviers, 
etc.  Gedrnckt  mit  P'iseators  Schriften  : 
Hamburg,  1744.     8».  7807.  a.  2.  (3.) 

Ausfiihrliche  und  deutliche  Anweisung 
zur  Rational-Rechnung. .  Nebst  einer. . . 
Nachricht  von  dem  neuen  Telemanischen 
Intervallen  System,  etc. 

Im  Verlag  des  Verfasscrs  :  Jjobenstein, 
1749.    8\  7897.  aa.  9. 

Ausweichungs — Tabellen  ;  in  welcheu  auf 
vierfache  Art  gezeiget  wird  wie  eine  iede 
Tonart  in  ihre  Nebeu-  Tonarten  ausweichen 
koune,  etc. 

Li  Verlag  JoJiann  TJlrich  Haffners  : 
Nar7iberg,[n[>5?]     fcl.  Ii."l770. 

Compendium  Harmonicum,  oder  Kurzer 
Begrif  der  Lehre  von  der  Harmonie,  dr. 

Tm  Verlag  des  Verfasscrs  :  Lobenstein, 
[1760.]    4\  7899.  e.  18. 

Genealogica  allegorica.  Intervallorum 
Octavae  diatono-chromaticae.  Das  ist : 
Geschlecht-Register  der  Intervallen  der 
diatonisch-chromatischen  Octav  . . .  Nach 
Anleitung  der  Kliiuge  so  das  Grosse  Wald- 
horn  gibt,  etc.  Gedruckt  bey  Johann 

Ernst  Schult.~cn  :  Ilof,  (1741.)     8". 

7896.  a.  14. 
[Another  copy.]  7898.  ee.  29.  (1.) 


.'520 


POKP.E-SOUND 


SORGE  (Gkorg  Andrkas)  Ccspriich 
zwischoii  oincm  Jlusico  thcorctico  uud 
einom  Studioso  musicos  von  der  Priitori- 
aiiischon,  Printzischen,  Worckmcistor- 
ischon,  Noidhiirdtisohcn  und  Silbonnann- 
ischoii  Tomporatur,  wio  Jinch  von  dom 
noucu  Systeinato  Ilorrn  .  .  .  Tolenmnns, 
etc.  Im  Vcrlag  des  Antoris  :  Lobf)istc>)i, 
(1748.)    8".  7807.  a.  2.  (2.) 

Dor  in  der  Rocbcu-  uud  Messkunst  wobler- 
fahrno  Orgelbaumoistcr,  etc.  Atif  Kostcn 
imdim  YiTlagdea  VcrfasKcrs  :  {Lohciistciii, 
1773.)     l".  ■  7808.  bb.  23.  (1.) 

Erste  Lieferung  von  XII.  Sonaten  vor  die 
Orgel  und  das  Clavier  ini  noucrn  Styl 
gcsot/.Qt,  etc.  lUilth.  ScJimitl : 

Nor[imbcrgac,  1745?]     obi.  fol. 

e.  174.  m.  (18.) 

Vorgeraacb  dor  musicalischon  Composi- 
tion, odor  ausfiibrlicbc,  ordcntliclio  uud 
vor  boutigo  Praxiu  binliinglicbe  Anwcisung 
zum  Gonoral-Bass,  etc.     3  Theil. 

Tm  Verlag  des  Autoris  :  TMben.itrui, 

[1745-47.]     4".  7897.  cc.  8. 

The  title-pages  of  each  part  are  different. 

SORIANO  (Francesco)  Di  Francesco 
Soriano  Konuxuo  il  Secondo  Libro  do 
Rladrigali  a  Cinque  Voci.  Nuouamcnto 
da  lui  coniposti  o  dati  in  luce.  Canto. 
(Tonorc.)  2  pts.  Ad  istanza  di  Ascanio, 
i(-  Girolamo  Donangeli.  Per  Francesco 
Coattini  :  lioma,  1502.     4".  D.  220. 

Francisci     Suriani  ,  .  .   Missarum    liber 

primus.     Ajmd  To.  Baptistam  liobblcttvm : 

Jhnia;  IGO'.t.     fol.  K.  9.  a.  16. 

TJic  iitlc-jiagc  is  engraved.     In  a  mag- 

nificent  contemporary  binding  tcitli  the 

arms  of  Paul  V.  on  the  covers. 

SORROWFUL.  Tbc  Sorrowful  Adven- 
tures of  tbe  Dry  Ditcb.  Song.  Sec  I.  I 
sing  two  valiant  loaders,  etc.     [1758.]     8'^ 

P.P.  5438. 

SORROWS.     The  Sorrows  of  Charlotte  at 
the  Tomb  of  Worter.     [Song.] 
iVcllKRON  (H.) 

The  Sorrows  of  Charlotte  at  the  Tomb  of 
Wertor.     [Song.]    See  Percy  (J.) 

Tho  Sorrows  of  -Tulia.     Song. 
Sec  Knyvktt  (W.) 

SORTEZ.  Sortez  do  I'Islo  do  Cythi're. 
Chansonuotte.     Sec  Bouvard  (F.) 

Sortez  do  nia  triste  memoire.  Air  tendrc. 
[Paris,]  1730.     s.  sh.  4".  298.  a.  is! 

Mcrcnre  de  France,  Oct.,  1780. 

Sortez  do  vos  Retraitos.     Song. 
Sec  Carfa-  (11.) 

Sortez  il  faut  que  jo  m'habillo.     L'Abb^ 
Triomphant.     Chanson  dialoou6o. 
[Prtris,  1780?]    8".  B.  362.  j.  (15.) 


SOSARME.     Sosarmos.     Opera. 
See  llAKNDKi.  (G.  F.) 

SOSPIRI.     Sospiri  miei  dolenti.     Song. 
Sec  Rauzztni  (V.) 

SOT.  Un  Sot  qui  vout  fairo  rhabilo. 
(VuDison  a  Boire  [words  by  C.  RiviiTo  Du 
Fresny].     [Paris,  1710.]     s.  sh.  obi.  4". 

P.P.  4486. 
Mercure  Galant,  Tome  I.,  p.  GG. 

SOTO  (Francksco)  See  Laudi.  Libro 
dolle  Laudi  Spiritual!.  Done  in  vno  sono 
compresi  i  Tro  I  libri  gia  stampati,  etc. 
[Edited  by  P.  Soto.]     1589.     4". 

D.  33.  b.  (1.) 
See  Laudi.      II  Terzo  Libro  doUo  Laudi 
Spirituali,  etc.     [Edited  bv  F.  Soto.] 
1588.     4°.  "         D.  33.  a. 

See  Laudi.  II  Quarto  Libro  dolle  Laudi 
a  Tre  et  Quatro  Voci,  etc.  [Edited  by 
F.  Soto.]     1591.    4".  D.  33.  b.  (2.) 

See  Laudi.  II  Quinto  Libro  dello  Laudi 
Spirituali. .  .Del  Keuorendo  P.Francesco 
Soto,  etc.     1598.     4'.  D.  33.  b.  (3.) 

SOUPFRIRONS.        SoufTrirons      nous, 
amis.     Air  a  lioire.     Duo. 
[Paris,]  1723.     s.  sh.  4".  297.  a.  5. 

Le  Merotre,  November,  1723. 

SOUHAIT.   Soubait.   Chanson.    [Begins: 
'  Par  vos  divins  appas.'] 
See  Du  Yignkau  (    ) 
Le  Souhait.    [Song.]    See  Quand.   Quand 
vous  rioz,  jounc  Glyci-re,  f/c.    [17S5?1    8". 

B.  362.  (182.) 

SOUIIAITS.  Souhaits  d'une  Jeune  De- 
moiselle.    [Song.]     See  Caci':  (    ) 

SOULIERS  MORDOR:6s.  Los  Souliers 
I\Iors-dorcs,  ou  I^a  Cordonnicro  Allcmande, 
Com6die  Lyrique  cu  doux  Actes,  etc.  [Book 

by do  Ferriorcs,  with  tho  voice-parts 

of  one  song  and  tho  concluding  vaudeville 
by  A.  ]\r.  A.  Fridzcri.]     177G. 
See  Rkcueil.     llocueil  general  des  Opera 
Bouffons,  etc.     Tom.  9.     1777.     8'. 

11735.  b.  2. 

SOUND.        Sound     Fame,     thy     brazen 
Trumpet.     Song. 
See  Pdrckll  (H.)  [Diocletian.] 
Tho  Sound  of  tho  Harps.     [Glee.] 
Sec  King  (IM.  P.) 

Sound  tho  fife,  boat  tbe  drum.  The 
Female  Captain.  [Song.]  Sung  by  Mrs. 
Wrighten.  Tho  Words  by  Mr.  Wrighten. 
[London,  1775?]     s.  sh.  fol. 

G.  311.  (105.) 
Sound  the  Trumpet.  A  Two  Part  Song 
[by  P.  Hart],  on  the  approaching  Nuptials 
of  the  Prince  of  Orange,  and  the  Princess 
Royal  of  Great  Britain,  etc.  [Fjondon, 

1784.]     .s.  sh.  fol.  G.  305.  (95.) 

TJtis  is  Hart's  so)ig  ivritten  on  tlie  Betnrn 
of  King  William,  tcitli  altered  uvrds. 


SOUND— SPANGENBERG 


521 


SOUND.     Sound  the  Trumpet.     Song. 
See  Hart  (P.) 

Sound  thy  Trumpet,  0  Fame.  Rodney's 
Triumph.  [Song.]  Written  on  the  Naval 
Victory  obtain'd  over  the  Spaniards 
January  the  8th  &  IGth  1780.  Sk'illem  : 
London,  1780.]    s.  sh.  fol.    I.  530.  (147.) 

SOUPER.     Le  Souper  du  Pape.     [Song.] 
Sec  FoLATRK.     Folatre  amour,  etc. 
[1790?]    8".  B.  362.  h.  (1.) 

Le  Souper.  [Song.]  See  Ici.  Ici 
I'amitie  nous  rassemble,  Le  Souper  de 
Tarare,  etc.     [1787.]    8".     B.  362.  (158.) 

SOURCE.   Source  de  I'existence.   llyrane. 

See  :Martin-i  (G.)  il  Tedesco. 

SOURDE.    La  Sourde  Oreille.     [Song.] 
See  FoDOB  (J.) 

SOUS.      Sous   I'amoureuse    loi    Philis   va 
m'onchainer.     Chanson. 
[Paris,']  1759.     s.  sh.  8".  297.  d.  20. 

Mercure  de  France,  Oct.,  llo'J. 
Sous    les    loix    de    la    jeune    Hortense. 
Romance.     See  Roeser  (V.) 

Sous  nos  fenetres  le  soir.  L'Espoir  in- 
certain.  Ariette  avec  accompagnement 
de  guitare.  CJiez  M.  Camand  : 

Paris,  [1780?]     8",  B.  362.  g.  (9.) 

[Another  copy.]  B.  362.  b.  (82.) 

Sous  sa  forme  nouvelle.     Air. 

See  Dalayrac  (N.)     [L'Amanl  Statue.] 

Sous  un  ormeau,  la  jeune  Annette.     Air. 
See  Fete  du  Village. 

Sous  un  saule  dans  la  prairie.     Ariette. 
See  Albanese  (    ) 

Sous  une  Gaze  16gere.  Le  Fichu  Menteur, 
[Song]  par  M'  Roulland.  Air  :  du  Vaude- 
ville de  Figaro.  Chez  les  Fri^res  Savigny  : 
[Paris,  1785?]    8".  B.  362.  j.  (13.) 

[Another  copy.]  B.  362.  (198.) 

SOUSA  VILIiALOBOS   (Mathias  de) 

Arte  de  Cantochuo,  etc. 

Manoel  Eodrigucs  de  Almeyda  : 
Coimbra,  1G88.    4\  7898.  bbb.  17. 

Inchiridion  de  llissas  Solemnes  e  Votivas 
e  Vesporas  das  selebridades,  e  Festas  de 
todo  0  Anno,  com  os  Hymnos  novos,  e 
Cantocham  novamente  emendado,  &  as 
festas  todas,  ad  extensum.  Kyrios,  Glorias, 
Credos,  Sanctus  &  Agnus  Dei,  pera  todas 
as  festas;  Officio  inteiro  pera  toda  a 
Semana  Santa ;  Officio  de  defuntos ;  & 
outras  commemora(;oens  varias  .  .  .  nova- 
mente sahido  a  luz  por  Mathias  de  Sousa 
Villalobos,  etc. 

Manuel  Rodrig7ies  de  Almeyda  : 
Coimbra,  1G91.     fol.  K.  8.  k.  4. 


SOUTH  SEA. 

See  Ladv. 


The  South  Sea  Ballad. 


SOUTHBROOK  (William  E.)  Six  Son- 
nets and  Six  Sonatinas,  with  a  Frontispiece, 
design'd  by  J.  Zoffany,  R.A.,  and  engraved 
by  .J.  Stow.  Printed  for  the  Author : 

Knirjhtsbridge,  1797.  fol.  "  G.  369.  (10.) 
Second  Set  of  Six  Sonnets  &  Three 
Sonatinas,  etc.  T.  Monzani,for  the  Author : 
London,  [l8(Xi'i]    fol.  G.  369.  (9.) 

SOUTHERLY.  A  Southerly  wind,  and 
a  cloudy  Sky.  The  Fox  Chace,  a  favourite 
Hunting  Song,  etc.  Str[aifjht :  London, 
17.S0?:     s.sh.  fol.  G.  306.  (95.) 

SOUTHWELL  (F.  W.)  A  Concerto  for 
the  Piano  Forte,  with  Accompaniments 
for  two  Violins,  two  Flutes,  two  Horns, 
Tenor  and  Violoncello. .  .Op.  iv.  [Separate 
Parts.]  The  Author  :  Lublin, 

[179.5  ?]     fol.  g.  116.  a.  (7.) 

S  O  U  V  E  N  T.     Souvent  plus  d'une  en- 
chanteresse.     Vaudeville. 
Sre  Laxval  et  Viviane. 
Souvent  une  erreur  passagere.     Romance. 
S',<-  Lanval  f.t  Viviaxe. 

SOVEREIGN.  The  Sovereign  of  the  Sea, 
[Song.]    See  Agreeable  Surprise. 

S  O  Y  E  Z.      Soyez    moins    entreprenant. 
Vaudeville.     See  Vexdangecrs. 
Soyez  toujours  Songes  charmans.     Ariette. 
See  Lagarde  (N.  de) 

SPACIOUS.  The  Spacious  Firmament 
on  high.  [Hymn.]  See  Madan  (M.) 
The  Spacious  Firmament  on  high.  The 
lOtli  Psalm,  by  :Mr.  Addison.  Set  to 
Musick  by  an  eminent  JIaster.  "London, 
17G1.]    8°.  P.P.  324,  n. 

Christian's  Magazine,  Feb.,  \l(j\,p.  88. 

SPADA  (ViNCENZO)  II  Prirao  Libro  delle 
Villanelle. .  .A  Tre  voci.  Da  Paolo  Vasti, 
nouamente  poste  in  luce.     Basso. 

Appresso  Giacomo  Vincenti :   Venefia, 
1589.     12'-.  B.  258. 

SPADINA  (Stefan-o)  See  N.  (Stefano) 
called  Spadina. 

SPAN.     The  Span.     [Song.] 
See  Bride  (R.) 

SPANGENBERG  (G.  C.) 

.<(•<;  SvMPnoNiKS.  Sei  Sinfonie  a  Otto 
Stromenti. .  .Composta  d'Alcuni  Famosi 
Maestri,  cioe  di  Graun,  Richter,  Chalon, 
Zebro  e  Spangenberg.     [1770?]     fol. 

g.  973. 

SPANGENBERG  (.Tohakk)  Cantiones 
Ecclesiastical  Latinse. .  .per  totius  Anni 
circulum  cantandaj  ac  preelegendae . . . — 
Kirchengesenge  Deutsch,  auff  die  Sontage 
vnnd  fiimemliche  Feste,  durchs  gantze 
-Jar,  zum  Ampte,  so  man  das  hochwirdige 
Sacrament  des  Abendmals  Christi  handelt, 
...durch  Johan  Spangenberg  verfasset. 
2  pts.     MS.  NOTES.  Michael  Lotther  : 

Magdeburg,  1545.    fol.  K.  4.  h.  8. 


522 


SPANGENBERG— SPEER 


SPANGENBERG  (Joiiaks)  Zwolfi 
Chiistliclie  Lobgescuge  vncl  Lcissen,  so 
man  das  Jar  vber,  jun  der  Gemeine 
Gottes  singt,  auffs  kiirtzte  ausgelegt. 

Gcdnickt. .  .(lurch  Georgcn  Rlian  : 
Wiitcmhcrcj,  1545.     8".  3434.  b.  56. 

Prosodia  in  Usum  iuuentutis  Northusianse, 
etc.  (Sequnutur  Harmonise  Tetracenticae, 
super  quatuor  communiora  carminum 
genera. .  .pro  pueris  compositpe.) 

Exciisum. .  .per  Heiniicinn  Stabler  : 
Angustiv,  1542.    8".  785.  b.  45. 

Quaestiones  Musicse  in  usum  scholfe 
Northusianffi  per  loann.  Spang  . . .  col- 
lectae.  Apud  loJi.  Petrciinn  :  Norivibergn', 
[1536.]    8".  7897.  a.  6. 

SPANISH  BARBER.  Spring  the  Soul 
firing.  A  favorite  Song  in  the  Spanish 
Barber.  [Words  by  G.  Colman,  music 
composed  &  adapted  [from  Monsigny  ?] 
by  S.  Arnold.]  Longman  d  Brodcrip  : 

London,  [1778.]    fol.  G-.  311.  (164.) 

Tell  Tale  Eyes.     A  favourite  French  Air 
sung ...  in  the  Spanish  Barber.     [Words  by 
G.  Colman,  music  composed  and  adapted 
[from  Monsigny  ?]  by  S.  Arnold.] 
Jolni  Lee  :  Dublin,  [1778  ?]     s.  sli.  fol. 

H.  1601.  a.  (30.) 
When  with  Tenderness.  Sung... in  the 
Spanish  Barber.  [Words  by  G.  Colman, 
music  composed  and  adapted  [from  Mon- 
signy?] by  S.  Arnold.]  John  Lee  : 
Dublin,  [1778?]     s.  sh.  fol. 

H.  1601.  a.  (29.) 
The  Spanish  Barber.  [Musical  Comedy.] 
See  Arnold  (S.)  E.  104. 

SPANISH  GUITAR.    [Song.]     See  Obi. 

SPANISH  LADY.  The  Spanish  Lady, 
as  Perform'd  at...Covent  Garden.  Set 
for  the  Harpsichord,  Voice,  German  Flute 
or  Violin.  [Written  by  T.  Hull,  adapted 
to  popular  airs.]  Printed  for  C.  and  S. 
Thompson  :  London,  [17G5.]     obi.  fol. 

D.  271.  (3.) 

SPANISH    RIVALS.    The  Spanish 
Rivals.     ]\lusical  Farce. 
Sre  LiNLEY  (T.)  the  Elder. 

SPARKLING.  Sparkling  Champaigno. 
[Song.]     See  Collet  (J.) 

Sparkling  Champaigne.  [Song.]  See  Ye. 
Ye  dull  thinking  souls,  etc.  [By  J.  CoUett.] 
[17G8]     8".  P.P.  5438.  z. 

SPARROW  (Stephen)  A  Collection,  of 
Sacred  Music,  for  the  use  of  Catholic 
Chapels.  G.  Goulding,for  the  Author  : 
London,  [1795  ?]     fol.  H.  906. 

SPATARIUS  (Joannes) 
See  Spataro  (G.) 


SPATARO  (Giovanni)  Errori  dc  Fran- 
chino  Gafurio  de  Lodi :  Da  Maestro  loane 
Spatario  Musico  Bolognese :  i  sua  deffen- 
sione :  &  del  suo  preceptore  IMaestro 
Bartolomeo  Ramis  Hispano :  Subtile- 
mente  demonstrati.  Lnpressum  per 

Benedict  am  Hectoris  :  Bononi(,  1521.    4°. 

K.  1.  f.  14. 
Tractato  di  Musica...nel  quale  si  tracta 
de  la  Perfectione  da  [sic]  la  Sesqualtera 
Producta  in  la  Musica  IMensurata  Exerci- 
tate,  etc.     Jis.  motes.  Impressa. .  .per 

maestro  Bernardino,  dc  Vitali :  Vinegia, 
1531.     fol.  K.  1.  h.  20. 

See  Gaforus   (F.)      Apologia    Franchini 
Gafurii  adversus   loannem   Spatarium  & 
complices  musioos  Bononienses. 
1520.     fol.  K.  1.  g.  8.  (2.) 

SPAZIER  (JoHANN  Carl  Gottlieb) 
Zwanzig  vierstimmige  Chore,  im  phil- 
antropinischen  Betsale  gesungeu  ...  in 
Partitur  mit  untergelegtem  Klavieraus- 
zuge  herausgegeben,  etc. 
Bei  S.  L.  Crtisius:  Leipzig,  1785.     fol. 

G.  452. 
SPEAK.  Speak  Fame,  if  you   can  tell   a 
Girl.     A  Crambo  on  Miss  Kitty  Case,  the 
words  by  Mr.  S.  j\Iabbat.     [Song.] 
[Londoji,  1760  ?]     s.  sh.  fol. 

G.  316.  (126.) 
SPECHTSHART  (Hugo)  Reutlingensis. 
Flores  ]\Iusice  omnis  Catus  Gregorian!. 

Lnpssum  p  Johannem  prijss  : 
Argentine,  1488.     4".     *  K.  1.  h.  1. 

97  lcaves,icithoiLt pagination.  Register  : 
2  leaves  without  signature,  sigs.  A-L 
in  eights,  M  in  seven.  17  and  30 
lines  to  the  full  jxige.  Wanting  the 
folding  plate  —  Forma  Afmiocordi — 
between  if.  27  and  28. 

Flores  Musice.     [S/ras^jfr;;?  1495  ?]     4", 

K.  1.  h.  2.  (3.) 

84  leaves,  without  pagination  or  place  of 
imprint.  Register  :  Sig.  A  in  eights, 
B-N  in  sixes,  0  in  four.  35  and  18 
lines  to  the  full  page.  On  the  title- 
page  is  a  irood-cut  representing  Tubal 
and  Pythagoras.  The  same  cut  is 
repeated  on  the  verso  of  fol.  A  ri. 
Betivcen  fol.  D  ji  and  D  iii  a  folding 
j^late — Hcc  est  dispositio  Monocordi — 
is  inserted. 

SPEER  (Daniel)  Grund-richtiger,  kurtz- 
Leicht-  und  Nothiger,  jetzt  Wol-vermehr- 
ter  Unterricht  der  Musicalischen  Kunst. 
Oder,  Vierfaches  IMusicalisches  Kleeblatt, 
etc.  Im  Verlag  G.  W.  Kilhnen, 

qedrucM  bey  C.  B.  Kuhnen  Seel.  Erbcn : 
Ulm,  1697.     obi.  4".  B.  822. 

Jubilum  Coeleste.  Oder  Himmlischor 
Jubel-Schall,  bestehend  in  Geistlichen 
Arien,  beydes  in  Lateinisch-  und  Teut- 
schen  Texten  unter  einerley  IMelodey. . . 


SPENCER— SPLENDID 


523 


]\Iifc  2.  Discant  Siug-Stimmen  und  5. 
Violen . . .  samt  dem  General-Bass  gesetzt, 
dc.  Cantus  II.  (Violiuo  I  (II).)  Viola  I 
(II).)  (Bassus  Continuus.)  G  pts. 
Gcdruckt  bey  Melchior  Gerhard  Lorbccrn  : 
Stuttgart,  1692.     i".  C.  95. 

SPENCER  (John)  Listen  to  the  carol'd 
ditty.  [Song.]  A  Christinas  Carol.  The 
Poetry  by  W.  R.  Spencer,  etc. 

Brodcrip  and  Wilkinson  : 
London,  [1800  ?]     fol.  G.  365.  (17.) 

Parisot's  Hornpipe.  Arranged  with  Varia- 
tions for  the  Pianoforte. .  .by  J.  Spencer. 

Printed  for  G.  T.  Smart: 
[London,  18C0?]     fol.  g.  139.  (41.) 

Tabby's  Purraby  to  her  Chicken,  v/hich 
she  had  adopted  after  her  six  Kittens  had 
been  drown'd.  The  Words  by  W.  R. 
Spencer.  G.  Smart : 

London,  [1790  ?]     fol.  G.  368.  (14.) 

The  Favorite  Troop  performed  by  the 
Band  of  the  Oxford  Shire  Militia,  etc. 
[Full  Score.]  (The  Favorite  Oxfordshire 
Troop  adapted  for  the  Harpsichord  or 
Forte  Piano.)  Printed  for  G.  Smart  : 

London,  [1795.]     fol.      h.  1568.  b.  (21.) 
Sec  Duvvis  (T.  S.)     Cathedral   Music... 
Selected. .  .and. .  .Revised  by  J.  Spencer. 
(Organ  Part. .  .Adapted  by  J.  Spencer.) 
[1797.]     fol.  I.  216. 

SPERATI  (B.)  See  Martin  y  Solar  (V.) 
Twelve  Favorite  Italian  Canons. .  .with  an 
Accompaniment  for  the  Piano  Forte... 
(by  B.  Sperati)  etc.     [1794  ?]     obi.  fol. 

D.  370.  (10.) 

SPERONTES,  j^seml.  [i.e.  Johann  Sigis- 
WUND  ScHOLZK  ?]  Spcroutes  Singendc 
Muse  an  der  Pleisse,  in  2.mahl  50  Oden, 
derer  neuesten  und  besten  musicalischen 
Stiicke,     mit     denen     darzu     gehurigen 

Melodien.  Zu  beliebter  Clavier-Ubung 
und  Gemiiths-Ergijtzung,  anjetzo  viel 
verandert  und  verbessert  auch  vermehrt 
ans  Licht  gesteUet,  etc.  (Sperontes  Sin- 
gender  Muse...Erste  (Zweyte)  (Dritte) 
Fortsetzung,  etc.)  4  pts. 
Ijcipzig,  1747  (1742)  (1743)  (1745).     4". 

C.  367.  a. 
[Another  copy.  Erste  (Zweyte)  Fortset- 
zung.]    2  pts.  C.  367. 

SPETHE  (Andreas)  Psalmorum  Dauidis, 
Prophetas  Regii,  Paraphrasis  metro- 
rhythmica,  ad  Melodias  Gallicas,  et 
Rhythmos  Germanicos  D.  Doct  .  .  . 
Ambrosii  Lobwasseri  .  .  .  accommodata. 
Cum. .  .quatuor  vocum  symphoniis,  etc. 

Apud  Pctrum  Mareschallum  : 
Heidelberg,  1596.     12°.  A.  634. 

SPEUY  (Henderick  Justus)  De  Psalmen 
Davids,  gestelt  op  het  Tabulatuer  van  bet 
Orghel  ende  Clavercymmel,  mot  2.  partijen 
...LesPseaumesde David, mis  en  Tableture 


sur  rinstrument  dcs  Orguos  &  do  I'Espin- 

ette,  a  2.  parties  etc.      Pccter  Verhaghen  : 

Dordrecht,  1610.     fol.  K.  1.  i.  14. 

A  presentation  copy  to  James  I.,  to  whom 

the    woi-k    is    dedicated.      Bound  in 

white  vellmn  with  gold  tooling  and 

the  royal  arins. 

SPHINX.  The  Sphinx.  Entertainment. 
See  DiBDiN  (C.) 

SPICKAM    (E.   E.)      Weighing    Anchor. 
A  New  I\rariners  Song,  for  Three  Voices, 
written  &  composed  by  E.  E.  Spickam. 
CiilUford,  Bolfc&Barroio,  for  the  Author: 
LoHfZoji,  [1796?]     fol.         "G.  352.  (33.) 

SPIEGEL    VON   ARKADIEN.     Der 

Spiegel  von  Arkadien.     Opor. 
Sec  SUKSSMAYER  (F.  X.) 

SPIESS  (JoHANN  Martin)  IMusicalische 
Bilx'l-Audachten,  bestehend  in  Auserlese- 
nen  Geistlichen  Gedichten  aus  Rowo, 
Prior,  Canitz  &c.  Zu  Ein,  Zwey,  und 
Dreyen  Stimmen,  samt  dem  General-Bass 
mit  untermengten  Floten-  und  Violin- 
Stiicken,  und  conccrtirenden  Cantaten. 

Herausgegeben  von  cine  Privat-Miisic- 
Gcsellschaft :  Bern,  1762.     4".  D.  97. 

SPIESS  (JIkinradus)  Tractatus  ]\Iusicus 
Compositorio-Practicus.  Das  ist,  INIusi- 
calischer  Tractat,  in  welchem  alle  gute. . . 
Fundamenta  zur  ]\Iusicalischen  Composi- 
tion aus  denen  alt-  und  neuesten  besten 
Autoribus  herausgezogen, . .  .erkliiret,  und 
mit  untersetzten  Exemplen. .  .erliiutert 
werden. .  .Samt  einem  Anbang. .  .Heraus- 
gegeben von  R.  P.  INIeinrado  Spiess... 
Opus  VIII.  Gcdrncl:t  nnd 

verlegt    bey   J.    J.    Jjotters    seel.    Erbcn  : 
Augsjmrg,  1745.     fol.  G.  840. 

[Another  copy.]  7895.  h.  14. 

Waniitig  the  frontispiece. 

SPINNING.  The  Spinning  Lass.  [Song.] 
See  As.  As  I  sat  at  mv  Spinning  Wheel. 
[1740?]  s.sh.iol.  '  1.600.(118.) 
The  Spinning  Lass.  [Song.]  Sec  ]\lv. 
My  Maid  Marv,  e/c.     [1745?]     .s.  ,s/(.  fol. 

G.  316.  e.  (84.) 
The  Spinning  Rock.    [Song.]    See  There. 
There  was  an  auld  Wife. 
[1770?]    s.sh.io].  G.  316.  (138.) 

SPINNING-WHEEL.  The  Spinning- 
Wheel.  Song.  See  To.  To  ease  his 
heart,  etc.     [1762.]     8°.        P.P.  5438.  z. 

SPIRIT.  Spirit;of  my  sainted  Sue.  Song. 
See  Storage  (S.)     [TJie  Haunted  Toiver.] 

SPLENDENTE.  Splendente  te  Deus. 
[Chorus.]  See  Mozart  (W.  A.)  [2.  Dra- 
matic Music.   TJiamos.    Schonwcichet  dir.l 

SPLENDID.      The    Splendid    Jorum. 
[Song.]     See  Reeve  (W.) 
The  Splendid  Shilling.     Song. 
See  Hook  (J.) 


524 


SPOFFORTH— SPONGA 


SPOFFORTH  (Reginald)  The  Banks 
of  the  Tyne,  a  Ballad ...  Written  hy  J. 
Rannie.  Bland  d  Weller  :  London, 

[1799.]     fol.  G.  365.  (21.) 

Six  Favorite  Canzonets  with  an  Accom- 
paniment for  the  Piano  Forte,  etc. 

Longman  and  Brodcrip  :  London, 
[1790?]     fol.  G.  358.  (11.) 

The  Death  of  Amia  !     A  favorite  Ballad . . . 
Written  by  J.  Bayley. . .  .with  an  Accom- 
paniment for  the  Harp  or  Piano  Forte. 
F.  Finley  :  London,  [1798  ?]     fol. 

G.  806,  e.  (19.) 
The  Death  of  Crazy  Jane,  a  Favorite 
Song... with  an  Accompaniment  for  the 
Piano  Forte..  .The  Words  by  J.  Rannie. 
Bland  d- Wdlev :  London,  [1199.']     fol. 

G.  365.  (19.) 
Edward  and  Editha.  A  Favorite  Ballad 
sung  by  Mrs.  Bland,  written  by  G.  S. 
Carey. .  .with  an  Accompaniment  for  the 
Piano-Forte.  Printed  for  tlic  Author  : 

London,  [1795  ?]     fol.  G.  365.  (18.) 

Ellen,  the  Richmond  Primrose  Girl. 
[Song.]  Sung  by  Mr.  Incledou.  .  .Written 
by  W.  Pearce.  A.  Bland  d  Wcllcr  : 

London,  [1800?]  fol.  G.  806.  e.  (20.) 
Julia  to  the  Wood  Robin,  a  Favourite 
Canzonet. .  .with  an  Accompaniment  for 
the  Piano-Forte. 

Longman,  dementi  d  Co. :  London, 
[1800?]     fol.  G.  365.  (23.) 

Lightly  o'er  the  Village  Green,  a  Favorite 
Masonic  Glee  for  3  Voices... The  Words 
by  G.  Dyer.  Longman,  Cdcmenti  d  Co., 
for  the  Author  :  London,  [1799?]     obi.  fol. 

D.  402.  (29.) 
Nelson's  Victory,  a  much  Admired  Song. 
Written  by  Mr.  G.  Fox. 

Longman  and  Broderip  :  [London, 
1798.]     fol.  H.  2818.  f.  (43.) 

The  Newest  Christmas  Box,  containing  a 
Variety  of  Bagatelles  arranged  for  One, 
Two,  or  Three  Voices  and  the  Piano-Forte 
. .  .Op.  2.  Longman  and  Broderip  : 

Luondon,  [1797  ?]     fol.  G.  352.  (35.) 

Oft  let  me  wander.  [Song.]  Sung  by 
Mr.  W.  Elliott,  etc. 

Longman,  Glementi  d  Co.  :  London, 
[1800?]     fol.  G.  806.  e.  (21.) 

One  night  gay  Bacchus.  A  Favorite  new 
Drinking  Song  &  Chorus,  etc.  F.  Linlcy  : 
London,  [1796  ?]     fol.  G.  365.  (22.) 

The  Rose  that  weeps.  Sonnet.  .  .with  an 
Accompaniment  for  a  Piano  Forte.  The 
Words  from  ]\Irs.  RadclifE's  Romance  of 
the  Forest.  Longman  and  Broderip  : 

Tjondon,  [1795  ?]     fol.  G.  365.  (20.) 

Tell  me  the  path,  sweet  wand'rer,  tell.  A 
much  admired  Glee  for  four  Voices. 

Broderip  and  Wilkinson:  Jjondon, 
[1800?]    ohl.iol.  D.  402.  (30.) 


SPOFFORTH  (Reginald)  Valentine 
Day.  A  Serenade  for  2  Voices,  with  an 
Accompaniment  for  the  Piano-Forte. 

Longman,  dementi  d  Co. : 
London,  [1800.]     fol.  G.  354.  (36.) 

[Windsor  Castle.]  Shades  of  Windsor,  a 
favorite  Glee  for  Five  Voices  with  an 
Accompaniment  for  the  Piano  Forte. — 
Written  by  W™  Pearce. — Song... in  the 
Entertainment  [by  J.  P.  Salomon]  of 
Windsor  Castle,  etc. 

Leiois,  Houston  d  Hyde,  for  the  Author  : 
London,  [1795.]  fol.  G.  808.  g.  (29.) 
See  Glees.  A  Selection  of  Glees  from 
the  MSS.  of  the  Coucentores  :  being  the 
Compositions  of  ...  R.  Spofforth,  etc. 
[1800?]     obi.  fol.  E.  207.  a.  (1.) 

See    Mago    and    Dago.      The   Overture, 
Songs    &c.   in... Mago    and    Dago... the 
New  Airs. .  .by. .  .Mr.  Spofforth,  etc. 
[1794.]     fol.  H.  129.  (10.) 

SPOGLIA  AMOROSA.  Spoglia 
Amorosa.  Madrigali  a  Cinque  Voci  di 
Diuersi  Eccellentissimi  Musici.  (Nuoua- 
meute  posti  in  luce.)  [With  a  dedication 
by  F.  Landono.]  Alto.  (Tenore.)  (Quinto.) 
(Basso.)     4  pts. 

Apprcsso  L'Herede  di  Qirolamo  Scotto  : 

Yinegia,  1584.     4°.  D.  202. 

Tlic  Alto  part  is  imperfect,  wanting  pp. 

1,  2,  7  a7id  8.     The  composers  named 

are :    G.  Palestina,  C.  da  Correggio, 

G.  M.  Nanino,  E.  Giovanelli,  C.  Bore, 

F.  di  Monte,  0.  Lasso,  G.  Wert,  G.  D. 

di  Nola,  A.  Striggio  and  L.  Marcnsio. 

Spoglia   Amorosa.      Madrigali   a    Cinque 

Voci,  etc.     Basso. 

Apprcsso  L'Herede  di  Girolamo  Scotto  : 
Venetia,  1588.     4°.  D.  202.  a. 

Spoglia  Amorosa.  Lladrigali  a  Cinque 
Voci. .  .Nouamente  ristampati.  Tenore. 
(Basso.)     (Quinto.)     3  pts. 

Apprcsso  VHerede  di  Girolamo  Scotto  : 
Venetia,  1602.     4°.  D.  202.  b. 

SPOILED  CHILD.  Since  then  I'm 
doomed  this  sad  Reverse  to  prove.  I  am 
a  brisk  and  sprightly  Lad.  [2  Songs.] 
Sung  by  Mrs.  Jordan  in  the  Spoiled  Child. 
[Words  by  I.  Bickerstaffe  ?]  [London, 

1790?]     fol.  H.  2818.  c.  (41.) 

SPOLIA  ^GYPTI.  _  Spolia  ^gypti. 
Musica  e  Praestantissimis  hujus  retails 
Auctoribus  lecta&  Sanctiori  Usui  Reddita 
4.  5.  6.  7.  8.  9.  Vocibus  &  Instrumentis. 
Cantus  II.     Tenor  I.  (II.)     3  pts. 

Typis  Michaelis  Wagneri  :  Oeniponti, 
1650.     4".  B.  136. 

SPONGA  (Francesco)  Ricercari  at  Arie 
Frances!  a  Quattro  Voci,  di  F.  Sponga, 
Discepolo  di  A.  Gabrieli.  Nuouamente 
composte,  e  date  in  luce.     Basso. 

Apprcsso  Giacomo  Vincenti  :  Venetia, 
1595.     4°.  d.  9. 


SPONTONE— SQUIRE 


525 


SPONTONE  (Baktolomeo)  Di 
Bartolomco  Spontone  il  Primo  Libro,  di 
Madrigali  a  Quatro  Voci,  nuouamcnte  da 
lui  composti,  c/c.  Tenore.  (Basso.)  2pts. 
Apprcsso  Girolamo  Scoto  :  Yincqui, 
1558.     obi.  i\  A.  261. 

Sec  Gardano  (Angelo)  Musica  di  Tredici 
Autori . . . Nella  quale  si  contengoiio. .  . 
Madrigali  . .  .  delli  iufrascritti  Autori . . . 
B.  Spontoue,  etc.     1589.     4". 

K.  3.  g.  11. 

SPORTSMAN.     The  Sportsman  in  Style. 
[Song.]     Sec  DiBDiN  (C.)     [Great  Neivs.'] 
The  Sportsman  goes  out.     [Song.]     Sung 
by  IMrs.  Wrighten.     [By  J.  Hook.] 
[London,  1180?]     fol.        G.  316.  (127.) 
The  Sportman's  Rhapsody.     [Song.] 
Sec  Blush.      The   Blush  of  Aurora  now 
tinges  the  Morn.     [1780  ?]     fol. 

G.  312.  (197.) 

SPORTSMEN.  The  Sportsmen  are  called. 
Song.     See  Blewitt  (J.) 

SPOSA.  Sposa  amata  a  questo  addio. 
Rondo.  <See  Federici  (V.)  [UUsiirpator 
Innocente.] 

SPOSA  FIDELE.     The  Favourite  Songs 

in  the  opera  La  Sposa  Fedelc.     No.  I.    [A 

Pasticcio.     Fall  Score.]  B.  Bremner  : 

London,  [1775  ?]     fol.        G.  206.  d.  (2.) 

TJus     pasticcio    was     composed     by    1'. 

Guglielmi,    V.   Eatizzini,    M.    Vcnto, 

etc. 

SPOSI   IN   CONTRASTO.     Gli   Sposi 
in  Contrasto.     Opera. 
See  ]\Iartix  y  Solar  (V.) 

SPOURNI  (Wenceslaus  Joseph)  Six 
Sonatas  pour  Deux  Violoncelles. .  .CEuvre 
IV".     Gravee  par  ISP"'  IMichelon. 

Chez  M>-  Le  Clerc  Ic  Cadet : 
Paris,  [1750  ?]     fol.  g.  103. 

Six  Sonatas  for  a  German  Flute  a  Violin 
and  a  Thorough  Bass  for  the  Harpsichord 
or  Violoncello.  Compos'd  in  a  familiar 
Stile,  etc.     [Separate  Parts.] 

Printed  for  J.  Si7npson  : 
London,  [1745  ?J     fol.  g.  409.  (10.) 

SPRIGHTLY.     The  Sprightly  Horn.     A 
favourite   New   Hunting    Song,  sung  by 
Mr.  Gaudry.     [By  H.  Brewster.] 
John  Lee  :  [Dublin,  1775  ?]     s.  sJi.  fol. 

H.  1601.  a.  (94.) 

SPRIGS  OF  LAUREL.  Sprigs  of 
Laurel.  A  Comic  Opera. .  .consisting  of 
German,  Scotch,  Irish  &  English  Airs, 
one  by  a  Nobleman,  &  others  by  Handel, 
Anfossi  &  Shield.  The  Poetry  by 
J.  O'KeeSe.     [P.  F.  Score.] 

Longman  and  Broderip : 
London,  [1793.]     obi.  fol.        D.  287.  (5.) 

SPRING.     Spring.     [Song,  begins:   'De- 
crepit winter  limpt  away.'] 
Sec  Arne  (T.  A.)    [S.  Songs.] 


SPRING.     The  Spring.     [Song.] 

Sec  FiErj).s.     The  Fields  now  are  looking 
so  gay.    [1765  ?]    s.  sh.  fol.    I.  530.  (56.) 

Spring.  [Song,  begins :  '  Thou  calm- 
ray'd  Spring.']     See  Gildikg  (E.) 

Spring.  Two-Part  Song  [begins  ;  '  Now 
the  rovers  sport  around  'J.     See  H.,  H. 

Spring.       [Song.]       Sec    When.      When 
approach'd  by  the  fair  dewy  Fingers,  etc. 
[1774.]     s.  sh.  4",  159.  n.  6. 

Spring.      Song.      Sec  Whex.     When  ap- 
proach'd by  the  fair  dewv  fingers,  etc. 
[1746.]     8".  "         249.  c.  16. 

Spring  renewing  all  things  gay.  Polly, 
[Song,  music  by  W.  Defesch]  with  Addi- 
tional Alterations.  [London, 
1770?]     s.sh.iol.               G.  311.  (137.) 

[Another  setting.]  Spring  renewing  all 
things  gay.     [Song.]     See  Andrews  (     ) 

[Another  setting.]  Spring  renewing  all 
things  Gay.  Song.  See  Haexdel  (G.  P.) 
[Ezio.     Stringo  al  fine.] 

Spring  renews  the  smiling  Year.  The 
Four  Seasons.     [Song.]  [London, 

1780?]     s.sh.iol  G.  3li.  (111.) 

Spring  returns ;  the  Fawns  advance. 
Daffodil;  or  the  Shepherd's  Complaint, 
Sung  by  Mrs.  Smith.  [Song.]  [London, 
1755  ?]     s.  sh.  fol.  G.  316.  f.  (2.) 

Spring  returns,  the  Fawns  advance. 
Daffodil.  Or  the  Shepherd's  Complaint. 
[Song.]  Sung  by  Mrs.  Smith.  [London, 
1757.]     s.  sh.  8".  P.P.  5439.  ab. 

Neiu  Universal  Magazine,  April,  1757. 

The  Spring  was  return'd.     With  ease  may 
be  guess'd.     A  New  Song. 
[London,  1767.]     8".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XL.,  p.  320. 

The  Spring  Wish.     [Song.] 
See  Lampe  (J.  F.) 

The  Spring's  a  coming.  The  Bath  Medley. 
[Song,  words  by  A.  Aston.]  [London, 

1715?]    s.sh.iol.  H.  1601.  (457.) 

[Another  edition.]  The  Spring's  a  coming. 
The  Medley  or  the  Humours  of  the  Bath. 
A  Song.     [London,  1715?]     s.  sh.  fol. 

G.  316.  g.  (63.) 
SPUNTO.     Spunto  una  rosa.     Romance. 
See  Martin  y  Solar  (V.)     [Z/'  Isola  del 
Piacere.] 

SQUABBLE.     The  Squabble.     [Song.] 
See  On.     On  Ida  one  day,  etc. 
[1780?]     s.s/(.  fol.  G.  310.  (267.) 

SQUIRE.       The     Squire's     Christniug, 
Comic  Song.     See  Smart  (T.) 


526 


SREEVE— STADLMAYR 


SREEVE    (John)      The    DiviDc    Musick 
Scholar's   Guide.      Being   a   Choice   Col- 
lection   of    Psalm  -  Tunes,    Hymns,    and 
Anthems.      Composed  hy   Mr.    J.    Sreevc 
. . .  and  other  Masters  of  Psalmodv,  etc. 
A.  Pearson:  London,  11  iO.    4".     B.  677. 
Tlie  composers  named  arc :    J.   Srccve, 
Wise  and  S.  Parker. 
The    Oxfordshire    Harmony  :     Vol.    III. 
Containing,  a  Select  number  of  Hymns, 
Anthems,   and   Chants,    Canons,  &c.     In 
three  and  four  Parts,  for  Voice  or  Organ, 
etc.  Engrav'd,  and  Printed  by  IP"  Tans'ur, 
for  the  AutJior  :  London,  1741.     obi.  4". 

A.  516. 
Engraved  throucjhout. 

STABILE  (Annibale)  Aunibalis  Stabili 
Sacrarum  Modulationum  . . .  Qute  Quinis, 
Senis  &  Octouis  vocibus  concinuutur. 
Liber  Secundus.  Cantus.  (Sextus.)  2  pts. 
Apiid  Angclum  Gardanum : 
Venctiis,  1585.     4",  C.  27. 

See  Nanino  (G.  M.)  and  Stabile  (A.) 
Madrigali  a  Cinque  Voci  di  G.  M.  Naniuo 
et  di  A.  Stabile,  etc.     1581.     obi.  4°. 

A.  341. 
See  Nanino  (G.  M.)  and  Stabile  (A.) 
Madrigali  a  Cinque  Voci  di  G.  IM.  Nanino 
et  di  A.  Stabile,  etc.     1587.     obi.  4". 

A.  341.  a. 

STABILE  (POMPEO)  Di  Pompeo  Stabile 
il  Primo  Libro  de  Madrigali  a  Sei  Voci, 
etc.  Canto.  Apprcsso  Anaclo  Gardano  : 
Venetia,  1585.     obi.  4".  "  A.  351. 

STAD  (Franz)  Six  Senates  pour  Violon 
et  Basse.  Clicz  le  S'  Sicbcr : 

Paris,  [1780?]     fol.  g.  422.  a.  (6.) 

37  Variations  pour  le  Violon  et  Basse. 
Clu'z  G.  Torricclla  :   Vicnnc,  [1782.]     fol. 

h.  1642. 

STADELMAYR  (Johaxn) 
See  Stadlmaye. 

STADEN  (Johann)  Hauss-Music  Dritter 
Theil  Geistlicher  Gesiing,  Darbey  die 
gewohnlichen  Tisch  Gebetlein,  .  .  .  Mit 
drey  Stimmeu  componirt,  etc.  IMedia 
Vox.  Gedruckt  durcli  Johann  Friderich 
Sartorium  :  [Niirnberg,']  1628.     4°. 

D.  120.  d. 
Hauss-Music  Vierdter  vnnd  letzter  Theil 
Geistlicher  Gesang  . . .  Mit  vier  Stimmen 
componirt,  Sampt  einem  Appendice, 
darinuen  zehen  Fugen  oder  Canones  a  2. 
3.  6.  7.  8.,  e^c.     Cantus.  Gedruckt... 

bey  Johann  Friderich  Sartorio  :  Niirnberg, 
1628.     4".  D.  120.  f. 

Hauss-Music  Geistlicher  Gesang,  darunter 
etliche  aufi  die  fiirnembsten  Fest  dess 
Jahrs. .  .Mit  vier  Stimmen  componirt,  etc. 
Cantus.  Gedruckt  durcli  J.  F.  Sar- 

torium, in  Vcrlcgung  Michael  Kiilssiicrs : 
Niirnberg,  1646.     4'\  D.  120.  e. 

TJiis  edition  contains  the  four  parts. 


STADEN  (Johann)  Jubila  Sancta  Deo; 
per  Hymnum  et  Echo,  in  ecclesia  Nori- 
bergensium  Festum  Evangelico-Jubilgeum 
II.  Novemb :  celebrante,  Octo  vocibus 
decantata.  Cantus  (Cantus  Echo)  (Tenor) 
(Tenor  Echo)  (Basis)  (Basis  Echo)  I. 
Chorus.  (Cantus  (Cantus  Resonantia 
Echo)  (Tenor)  (Tenor  Resonantia  Echo) 
(Basis)  (Basis  Resonantia  Echo)  II. 
Chorus.)     12  pts.  'I'lipis  Balthasaris 

Scherffii :  Nuribcrgtc,  1617.     4". 

D.  120.  a. 
Neue  Teutsche  Lieder,  nach  art  der 
Villanellen,  beyneben  ctlicher  Balletti 
oder  Tiiutz,  Couranteu,  Galliarden  vnd 
Pavanen,  mit  drey,  vier  vnd  f  iinff  Stimmen 
(so  wol  mit  als  ohne  Text)  componiert,  etc. 
Gedruckt  durch  Paulum  KautJmann  : 
Niirmbcrg,  160G.     4\  D.  120. 

STADEN"  (Johann)  and  DRETZEL 
(Valentin)  Zwey  Geistliche  Bet  Gesang, 
zu  dem  Heiligen  Kindlein  Jcsu  .  . .  Mit 
fiinfl  Stimmen  .  .  .  componirt  durch  J. 
Staden,  vnd  V.  Dretzl,  etc.  Cantus. 
(Tenor.)     (Basis.)     (Quinta  Vox.)     4  pts. 

Gedruckt  bey  Abraham  Wagcnmcmn  : 
Niirmbcrg,  1621.     4",  D.  120.  b. 

IMaguificat  odor  Lobgesang  der  H.  Hoch- 
gelobten  Juugkfrauen  JMaricB  . . .  jetzo  zu 
Teutsch  mit  acht  Stimmen  auff  zweu 
Chores . . .  componirt  durch  Johann  Staden, 
vnd  Valentin  Dretzl,  etc.  Cantus  (Tenor) 
(Basis)  I.  Chori.  (Cantus  (Tenor)  (Basis) 
II.  Chori.)     6  pts.  Gedruckt  bey 

Balthasar  Scherffen  :  Niirmbcrg, 1620.    4°. 

D.  120.  c. 
[Another  copy.     Cantus  I.  Chori.] 

D.  120.  g. 

STADEW  (SiGMUND  Gottlieb)    Betracht 
ung  der  kiinfitigeu  Ewigkeit,  auss  sehn- 
lichem  Hertzen,  vff  dem  Siechbetth  an- 
gcstellt,  durch  M.  Johaunem  Saubertum. 
[With  music  for  4  voices.]  Gedruckt 

.  .  .  durcli  Johann  Friderich.  Sartorium : 
Niirmbcrg,  1639.     4°.  11517.  e.  26. 

Rudimentum  Musicum,  Oder  Kurtze 
Unterweisung  dess  Singeus,  filr  die  liebe 
Jugendt,  dabey  etliche  Canones  und 
Bicinia  . . .  Wie  auch  die  8  Toui  chorales 
mit  jhren  differentis  vnd  Responsoriis, 
zusammeu  getragen  durch  Sigmund  Theo- 
philum  Staden,  etc.  Gedruckt  bey  Johann 
Friderich  Sartorio :  Niirmbcrg,  1636.    12°. 

7898.  e.  12. 
See  Hasslee  (J.  L.)  Kirchen  Gesang  . . . 
auffs  new  widerumb  in  Druck  verfertigt, 
Auch  mit  andern  . . .  Kirchen  Gesangeu 
vermehret,  durch  Sigmund  Theophilum 
Staden,  etc.     1637.     4".  B.  92.  d. 

STADLMAYR  (Johann)  Llissaj  Octo 
Vocum  Cum  Duplici  Basso  ad  organum 
accommodate,  etc.     Pars  pro  Organo. 

Apud  loannem  Pnrtorium : 
Augustai  Vindelicorum,  1607.    4".     C.  98. 


STADLHIAYR— STAMITZ  (C.) 


527 


STADLMAYR  (JoHA^-^-)  Odtc  Sacra 
lesu  Christo  Cantatae ...  A  5.  Vocibus  & 
toticlem  Instrumentis  si  placet.     Organo. 

Ex  Officina  Musica  loannis  Gachij  : 
(Eniponti,  1038.     i".  C.  98.  a. 

Psalmi  Vespertini  Omnes  cum  II.  ilagui- 
ficat  CoDcertatioiiibus  Musicis  per  VI. 
Voces  et  Basso  Coiitinuo,  etc.  Cantus  I 
(II).  (Altus.)  (Tenor.)  (Tenor  II.) 
(Bassus.)  (Violon.)  (Bassus  Continuus.) 
8  pts.  Apud  Michaclem  Wagncnim  : 

(Eniimiii,  1040.     4",  B.  138.  a. 

Sacrum  Beatissinipe  Virginis  Mariae  Canti- 
cum,  quod  quinis,  senis,  septenis  &  octonis 
vocibus  concinatur,  etc.  Discantus.  (Al- 
tus.) (Tenor.)  (Bassus.)  (Quinta  (Sexta) 
(Septima)  (Octava)  Vox.)  8  pts.  Adamiis 
Berg  cO  Nicoluus  Hcinricus :  Monachii, 
1G03.     4".  B.  138. 

STAES  (Feedinaxd  Philippe  Joseph) 
Idees  de  Campagne,  for  the  Piano  Forte, 
or  Harpsichord  ;  with  an  Accompauymeut 
for  a  "Violin,  Violoncello,  and  two  Horns. 
Op.  7.  [Separate  Parts.]  Longman  and 
Broderip  :  London,  [1785  ?]     fol. 

h.  70.  (8.) 
Wanting  the  Horn  parts. 
Trois  Sonates  pour  Clavecin  ou  le  Forte 
Piano  avec  Accompagnemens  d'un  Violon 
et  Violoncelle  . . .  Oeuvre  Premier. 
Yanypcn,  Pris  :  Bni.vellcs,  [1115?]     fol. 

g.  443.  b.  (27.) 
Tlic  Pianoforte  part  only. 
A  First  Sett  of  Three  Sonatas,  for  the 
Harpsichord  or  Forte  Piano  :  with  Accom- 
pagnements  for  a  Violin  &  Violoncello  . . . 
Op.  1'""  [Separate  Parts.]  Printed  for 
Bctz  :  London,  [1775  ?]     fol.  g.  472. 

Three  Sonatas  for  the  Piano  Forte  or 
Harpsichord,  with  an  Accompauyment 
for  a  Violin  . . .  Op.  iv.  S.  Babb  : 

London,  [IISO?]     fol.        g.  420.  m.  (4.) 

Wanting  the  Violin  part. 
Three  Favorite  Sonatas  for  the  Forte 
Piano  or  Harpsichord  with  accompauy- 
ments  for  a  Violin  and  a  Violoncello  . . . 
Op.  3.  Longman  and  Broderip  :  London, 
[1780?]     fol'.  g.  420.  m.  (3.) 

Wanting  the  accompaniments. 
Three   Favorite   Sonatas  for  the  Harpsi- 
chord or  Piano-Forte.     With  an  Accom- 
pauyment for  a  A''iolin.     [Op.  iv.] 
J.  Cooper  :  Lcnulon,  [1785  ?]     fol. 

g.  272.  V.  (15.) 
Three  Sonatas  for  the  Piano  Forte  or 
Harpsichord,  with  Accompanyments  for 
a  Violin  and  Violoncello  .  .  .  Opera  v. 
[Separate  Parts.]  Longman  and 

Broderip:  London,  [1180?]     fol. 

g.  472.  a. 
See  Feast  of  Apollo.  The  Feast  of 
Apollo,  containing  . . .  Songs,  by  . . .  Staes, 
etc.     [1788.]     fol.  G.  351.  (2.) 


STAG  -  CHACE.  The  Stagg  Chacc. 
[Song.]  iSVe  I.  I  am  a  Jolly  Hunts- 
man, c^c.     [1720?]     s.  s7(.  fol. 

G.  309.  (38.) 

STAGE  COACH.      Let's  Sing  of  Stage 
Coaches.     Mr.  Dogget's  Comicall  Song  in 
the  Farce  call'd  The  Stage  Coach.    [Words 
by  G.  Farquhar,  music  bv  J.  Eccles.J 
[London,  1110?]     s.sh.lol. 

G.  305.  (207.) 
[Another  copy.]  G.  310.  (31.) 

STALPAERT    VAN    DEE,    WIELE 

(Jan)  loh:  Stalpardi  Extractum  Katho- 
licum  tegen  alle  Gebreken  van  verwardc 
harsencn.  Bernardinus  Masius : 

Loven,  1G31.    8".  B.  137. 

Den   Schat   der   Geestelijcke   Lofsangcn. 
Gemaeckt  op  de  Feestdagen  van  t'  geheele 
Jaer.   Gedicht  door  den  eerwaerdigen  heer 
J[au]  S[talpaert]  v[an  der]  W[ieleJ. 
Jan  Cnobbaert :  Anticerpen,  1634.     H". 

B.  137.  a. 
The  half-title  reads  "  J.  Stalpcrts  (Juldc- 
laers  Feest-Daghcn." 

STAMIGNA  (Nicolo)  Sacrorum  Con- 
centuum  Binis,  Ternis,  Quaternisquc 
Vocibus. .  .Liber  Primus.  Cantus  i  (ii.) 
(Bassus.)     (Organum.)     4  pts. 

E.V  Typographia  lacobi  Fei,  etc.  : 
Bonuv,  1670.     4°.  D.  80. 

The   Altus  part    is   printed    ivith    tJic 
Bassus. 

See  GuiDETTi  (G.)  Directorium  Chori. . . 
in  hac  postuma  Editioue  a  Xicolao 
Stamigna. . .  Accommodatum,  &  Auctum, 
etc.     1GG5.     8".  A.  218.  b. 

STAMITZ  (Anton)  Sei  Quartetti  a  Due 
Violini  Alto  e  I3asso  Concertanti  .  .  . 
CEuvre  xxx.     [Separate  Parts.] 

Chez  M.  de  la  Chevardiere  : 
P«m,  [1780?]    fol.  g.  417.  a.  (7.) 

STAMITZ  (Carl)      Duo  a  un  Violon   et 
Alto  Viola.  Chez  J.  Schmitt : 

A7nsterda7n,[1185?]     fol.        g.  421.  (9.) 

The  Favorite  Duett  for  a  Violin  &  Tenor, 
as  Performed  by  Messrs.  Cramer  &  Cros- 
dUl.     J.  Dale:  London,  [1195?]     fol. 

g.  421.  n.  (5.) 

Six  Duos  a  Deux  Violons.  [Separate  Parts.] 
Chez  J.  Schmitt :  Amsterdam,  [1785  ?]   fol. 

g.  1065.  a. 

Six  Duetts  for  two  German  Flutes  or 
Violins.  [Separate  Parts.]  G.  Gardom  : 
London,  [1185?]  fol.  g.  421.  r.  (11.) 
Six  Duettes  a  un  Violon  et  Alto  Viola . . . 

Opera  Prima.     [Separate  Parts.] 
Chez  J.  Betz  :  Londrcs,  [1780?]     fol. 

h.  3212.  g.  (12.) 

[Another  copy.]  g.  421.  d.  (8.) 


528 


STAMITZ  (C.)— STAMITZ  (J.  C.) 


STAMITZ  (Gael)  Six  Duettos  for  a 
Violin  and  Tenor,  etc.  [Op.  1.  Separate 
Parts.]  Longman  cC  Bvodcvvp  : 

London,  \yiQb^     fol.  g.  421.  i.  (2.) 

Six  Favorite    Duetts    for   a  Violin    and 
Tenor. .  .Op.  xix.     [Separate  Parts.] 
James  Freeman  :  London,  [1780?]     fol. 

g.  421.  (7.) 
Six  Duetts  for  two  German  Flutes  . . . 
Op.  27.     [Separate  Parts.]  Preston  : 

London,  [1785  ?]  fol.  g.  280.  b.  (14.) 
Six  Familiar  Duetts  for  a  Violin  &  Tenor 
. .  .Op.  34.  [Separate  Parts.]  T.  Straight : 
London,  [1785  ?]    fol.  g.  421.  i.  (3.) 

Six  New  Dancing  Minuets  with  Trios,  for 
two  Violins,  two  German  Flutes,  two 
French  Horns  and  Bass.  J.  &  G.  Vogler  : 
London,  [1770  ?]    obi.  4".      b.  53.  a.  (4.) 

Sei  Quartetti  per  Due  Violini  Viola  e 
Basso  i  quali  potrauno  esse  esequili  a 
Grande  Orchestra  .  .  .  Opera  Prima. 
[Separate  Parts.] 

Alt  Bureau  d'Abonnement  musical : 
Pflris,  [1770?]     fol.  g.  413.  (15.) 

Six  Quartettes  for  Two  Violins,  a  Tenor  & 
ViolonceUo  Obligate. .  .Op.  4.  [Separate 
Parts.]  Printed  for  J.  Bctz  : 

London,  [1775  ?]     fol.  g-  1065. 

Six  Quatuors  a  une  Clarinette,  Violon, 
Alto  et  Basse. .  .CEuvre  viii".  [Separate 
Parts.]  Chez  iP  Sieber  : 

Paris,  [1780?]     fol.  g.  1065.  b. 

Six  Sonatas  for  the  Harpsichord  or  Piano 
Forte,  with  a  Violin  accompanj-ment,  the 
Sixth  for  two  Harpsichords. .  .Opera  xv. 
The  Author:  London,  [ilSO?]     fol. 

g.  443.  (4.) 
Wanting  the  Violin  and  2nd  Harpsichord 
parts. 
A  Sonata  for  the  Harpsichord  or  Piano 
Forte.  [1801.]  See  Periodical  Publica- 
tions.— London.  The  Piano-Forte  Maga- 
zine.  Vol.  XV.    [No.  5.]   [1797-1802.]     8". 

D.  854. 
Six  Simphonies  a  Deux  Violous,  Taille  et 
Basse,  Deux  Hauthois  ou  Flutes,  et  deux 
Cornes  de  Chasse.  Les  J\Ieilleures  de  la 
Composition  du  S''Stamitz,c^c.  [Separate 
Parts.]  J-  J-  Hummel : 

Amsterdam,  [1770?]     fol.      h.  2771.  (4.) 

Deux  Simphonies  Concertantes  a  Violino 
Principale  Violino  Primo  &  Secondo  Taille 
Violoncello  &  Basse  Deux  Hauthois  ou 
Flutes  et  Deux  Cors  de  Chasse..  .Oeuvre 
Quatrieme.  [N°'  v  and  vi.  Separate 
Parts.]  Ches  J.  J.  Hummel  : 

Berlin,  Amsterdam,  [1180?]  fol.    h.  1523. 

Six  Symphonies  a  Deux  Violons,  Taille  et 
Basse  Deux  Hauthois  &  Deux  Cors  de 
Chasse. .  .Oeuvre  ix.     [Separate  Parts.] 

Chez  J.  J.  Hummel :  Berlin, 
Amsterdam,  [1780?]     fol.      h.  2771.  (5.) 


STAMITZ  (Carl)  Six  Simphonies  pour 
Deux  Violons,  Alto  Viola,  Basso,  Haut- 
hois &  Cors  de  Chasse  . . .  Oeuvre  ix,  etc. 
[Separate  Parts.]  S.  Markordt : 

Amsterdam,  [1780  ?]  fol.  li.  1523.  a. 
[Six  Simphonies.  Op.  ix.  No.  6.]  A 
Collection  of  Overtures  and  Symphonies. 
By ..  .St&mitz,  etc.  [No.  5.]  [1797.] 
See  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.11.  No.  5. 
[1797-1802.]     8".  D.  854. 

Six  Sinfonies  a  Grand  Orchestre,  deux 
Violons,  alto  et  Basso,  deux  Hauthois  et 
deux  Cors  de  Chasses  ad  Libitum . .  . 
ffiuvrexiii.  [Separate  Parts.]  J.  Preston: 
London,  [1781.]  fol.  h.  2771.  a.  (2.) 
Trois  Simphonies  a  Grand  Orchestre. 
Deux  Violons,  Taille  et  Basse,  Deux 
Hautbois  ou  Flutes  et  Clarinets,  Deux 
Cors  de  Chasse,  Trompettes  &  TymbaUes 
(ad  Libitum) . . .  Oeuvre  xvi.  [N°'  iv-vi. 
Separate  Parts.]  Ches  J.  J.  Hummel : 

Berlin,  Amsterdam,  [1780?]     fol. 

h.  2771.  a.  (3.) 
Wanting  the  Trumpet  and  Drum  parts. 
Six  Trios  a  une  Flutte  ou  deux  Violons 
et    Violoncello     Oblige  .  .  .  CEuvre    xiv. 
[Separate  Parts.]  J.  Welcker  : 

London,  [1180?]     fol.  g.  415.  (8.) 

Six  Trios,  for  two  Violins,  or  Violon- 
cello, or  Tenor  Obligato  . . .  Opera  xvi. 
[Separate  Parts.]  Printed  for  C.  Ganer  : 
London,  [1785  ?]     foL  g.  415.  (7.) 

See  Kammel  (A.)  Six  Overtures  in  Eight 
Parts  by... Stamitz,c^c.     [1770?]     fol. 

g.  474.  (7.) 
STAMITZ    (JoHANN    Carl)      A    favorite 
Concerto    for    the    German    Flute    with 
Instrumental  Parts.     [Separate  Parts.] 
Welcker:  London,  [1170?]     fol. 

g.  474.  a.  (18.) 
Three  Duetts  to  be  play'd  on  One  Violin, 
in  the  manner  of  Capriccios. .  .Opera  2''°. 
B.  Bremner  :  London,  [1765  ?]     fol. 

h.  2973. 
Six  Sonatas  a  trois  parties  concertantes 
qui  sent  faites  pour  executer  ou  a  trois, 
ou  avec  toutes  [sic]  I'Orchestre.  [Op.  1. 
Separate  Parts.]  Chez  VAutcur  :  Paris, 
[1755?]     fol.  h.  2851.  e.  (4.) 

Six  Grand  Orchestra  Trios  .  .  .  Opera 
Prima.  [Separate  Parts.]  Printed  for 
B.  Bremner:  London,  [1165?]     fol. 

g.  415.  (6.) 
Symphonia  a  piu  strumenti  obligati... 
No.  2.  Mise  au  Jour  par  Mr.  Huberty, 
etc.  [Separate  Parts.]  Chez  VEditeur  : 
Paris,  [17G1?]     fol.  g.  98.  (1.) 

Six  Symphonies  a  Quatre  Parties  obligees, 
avec  les  Cors  de  Chasses  ad  libitum... 
]\Iises  au  jour  par  ]\P  Huberti.  CEuvre 
III^  [Separate  Parts.]  Chez  V Editeur : 
Paris,  [1762  ?]     fol.  g.  98.  (2.) 


STAMITZ  (J.  O— STANLEY 


529 


STAMITZ  (JoHANN  Carl)  IV.  Trios  a 
Trois  Parties  Concertantes. .  .Mis  au  jour 
par  M'  Huberti.  Tirai  [sic]  de  son  A^  e  5" 
oeuvre  de  Simphonies  de  Stamitz. .  .pour 
la  commodite  du  Public.  CEuvre  II^ 
[Separate  Parts.]  Chez  I'Editeur: 

Paris,  [1762  ?]  g.  88.  a. 

STAND.  Stand  by !  clear  the  way ! 
[Song.]  See  Carey  (H.)  [The  Provoked 
Husband.'} 

Stand  round  my  brave  boys.  The  Sailor's 
Beturn  from  Cape  Breton.  [Song.] 
Written  by  Mr.  Bovce.  [London, 

1758.]     s.  sh.  fol.    "  G.  316.  (128.) 

[Another  setting.]  Stand  round,  my 
larave  Boys.     Song.    See  Haendel  (G.  F.) 

STANDFUSS  (J.  C.)     See  Hiller  (J.  A.) 
Der  lustige  Schuster,  oder  der  Teufel  ist 
los,  zweyter  Theil.     Eine  comische  Oper 
[music  partly  by  J.  C.  Standfuss],  etc. 
1771.     ohl.  4°.  '  D.  299. 

STANLEY  (John)     Advice   to  Celia,  etc. 

[Song.]     [London,  1738.]    8°.     249.  c.  8. 

Gentleman'' s  Magazine,  Vol.  VIII.,  p.  105. 

As   the   Mole's   silent   Stream.     A   Song. 
[Words]  By  an  eminent  Hand,  etc. 
[London,  1738.]     8^  249.  e.  8. 

Gentleman'' s  Magazine,  Vol.  VIII., p.  318. 

Beauty's  Triumph,  etc.     [Song.] 
[London,  1744.]     8°.  157.  1.  6. 

London  Magazine,  1744,  p.  252. 

The  Blind  Boy.  [Song.]  The  Words  by 
Mr.  Gibber,  etc.  [London, 

1735?]     s.sh.iol.  I.  600.  (119.) 

The  Blind  Boy.     A  Song. .  .corrected  in 

the   Words   and  Notes ;    by  Mr.  Stanley 

himself.     [London,  1738.]    8°.     249.  c.  8. 

Gentleman's  Magazine,  Vol.  VIII. , p.  44. 

The  Blind  Boy.  See  Oh.  Oh !  say  what 
is  that  thing  cal'd  Light,  etc.  [Music  by 
J.  Stanley.]     [1785  ?]     s.  sh.  fol. 

G.  310.  (172.) 
Twelve  Cantatas  for  the  Voice,  Harpsi- 
cord,  and  Violin,  etc.  Printed  for 

Harrison  d  Co. :  London,  [1785?]    obi.  fol. 

E.  1766.  j.  (2.) 
Imperfect,  wanting  pp.  11,  12. 

Six  Cantata's,  for  a  Voice  and  Instru- 
ments, etc.  Printed  for  J.  Stayiley  : 
London,  [1742.]     fol.  'H.  1217.  (1.) 

[Another  copy.]  G.  359.  (8.) 

Six  Cantata's  for  a  Voice  and  Instru- 
ments, etc.  [Second  Set.]  Printed  for 
J.  Stanley  :  London,  [1745  ?]     fol. 

H.  1217.  (2.) 
Three  Cantatas  and  Three  Songs  for  a 
Voice  and  Instruments.  Printed  for  the 
Author:  London,  [17507]     fol. 

H.  2818.  d.  (10.) 

VOL.    II. 


STANLEY  (Johk)  Six  Concerto's  in 
Seven  Parts  for  Four  Violins,  a  Tenor 
Violin,  a  Violoncello  with  a  Thorough 
Bass  for  the  Harpsicord . . .  Opera  Seconda. 
[Separate  Parts.]  Printed  for  the  Author  : 
London,  [1750?]     fol.  h.  2985. 

Six  Concertos  in  Seven  Parts,  etc.  [Op.  2. 
Separate  Parts.]  Printed  for  I.  TT'als/t  .• 
London,  [1755  ?]     fol.  h.  2985.  a. 

Six  Concertos  set  for  the  Harpsicord  or 
Organ.  [Op.  2.]  Printed  for  I.  Walsh  : 
London,  [1755  ?]     fol.  f.  25.  a. 

[Six  Concertos.  Op.  2.]  Six  Solos  for  a 
German  Flute,  Violin  or  Harpsicord. 
Taljen  from  the  Six  Concertos  for  Violins, 
etc.  Printed  for  I.  Walsh  : 

London,  [1755  ?]     fol.  f.  25. 

A  Cure  for  Love,  etc.     [Song.] 
[London,  1739.]     8°.  249.  c.  9. 

Gentleman's  Magazine,  Vol.  IX.,  p.  380. 
The  dull  unanimated  Wretch.     Song. 
[London,  limi]     s.sh.iol. 

G.  316.  c.  (34.) 
Heigh  Ho.     [Song.]  [London, 

1740?]     s.sh.iol.  G.  305.  (126.) 

Heigh  Ho,  etc.     [Song.]  [London, 

1743.]     s.  sh.  8".  157.  1.  5. 

London  Magazine,  Dec,  1743. 
I  feel  new  Passions  rise.     [Song.] 
[London,  1735?]     s.  sh.  fol. 

G.  309.  (30.) 
[Another  edition.]  I  feel  new  Passions 
rise.     A  Song,  etc.  [London, 

1740?]    s.  sh.  fol.  G.  316.  e.  (37.) 

The  Inconstant  Swain,  etc.     [Song.] 
[London,  1738.]     8°.  249.  c.  8. 

Gentleman's  Magazine,  Vol.  VIII., p.  209. 
Leave  me,  shephard.    A  Song,  etc. 
[London,  1740?]   s.  sh.iol.     G.  310.  (25.) 
[Another  edition.]     Leave  me  Shepherd. 
A  Song,  etc.     [London,  1745.]     s.  sh.  fol. 

G.  316.  e.  (62.) 
Love  has  possess'd  my  heart.     [Song.] 
[London,  1740  ?]     s.  sh.  fol. 

G.  310.  (26.) 
The  Lover's  Progress.  [Song.]  The 
Words  bv. .  .Lord  Lansdown,  etc. 

249.  c.  14. 

Gentleman's     Magazine,      Vol.     XIV., 
p.  390. 

A  Minuet,  etc.     [Harpsichord.] 
[London,  1752.]     8°.  249.  e.  22. 

Gentleman's    Magazine,     Vol.     XXII., 
p.  425. 

An  Ode  on  Solitude.  [Words]  By  Mr. 
Pope,  in  his  10""  Year.  For  two  Voices. 
[London,  1738.]     8».  249.  c.  8. 

Gentleman's     Magazine,      Vol.     VIIL, 
p.  377. 
An  Ode  on  Solitude.    See  Happy.    Happy 
the  man,  whose  wish  and  care,  etc.     [By 
J.  Stanley.]     [1744.]     8".  157.  1.  6. 

2  M 


530 


STANLEY— STARVING 


STANLEY  (John)     The  Power  of  Musick 
aud  Beauty.    [Song.]  {Loiidon, 

1740?]     s.sh.ioL  G.  3iO.  (85.) 

The   Power    of    Musick    aud    Beauty . . . 
[Song.]     Sung  by  Mr.  Lowe. 
[London,  1743.]     8°.  157.  1.  5. 

London  Magazine,  Oct.,  1743. 

Musick  and  Beauty,  etc.     [Song.] 
[London,  1744.]     8°.  249.  c.^  14. 

Gentleman'' s     Magazine,      Vol.     XIV., 
p.  673. 

Musick  and  Beauty,  etc.  [London, 

1745  ?]    s.  sh.  fol.  G.  316.  e.  (89.) 

The  Eedbreast,  a  Cantata. .  .The  Words 
by  Mr.  McClellan.  H.  Holland  :  London, 
[1782.]     fol.  G.  359.  (9.) 

[Another  copy.]  G.  296.  (29.) 

The  Shepherd's  Complaint,  etc.     [Song.] 
[London,  1739.]     8°.  249.  c.  9. 

Gentleman's  Magazine,  Vol.  IX.,  p.  100. 
Eight  Solos  for  a  German  Flute,  Violin 
or  Harpsicord. .  .Opera  prima. 

Printed  for  J.  Johnson  :  London, 
[1745?]     ohl.  fol.  e.  17.  (2.) 

Six  Solos  for  a  German  Flute,  Violin,  or 
Harpsicord . . .  Opera  quarto.  Printed  for 
J.  Johnson  :  London,  1745.     obi.  fol. 

e.  17.  (1.) 
Ten  Voluntarys  for  the  Organ  or  Harpsi- 
cord. .  .Opera  Quinto.  Printed  for 
John  Johnson  :  London,  [1745  ?]     obi.  fol. 

e.  5.  n.  (1.) 

Ten  Voluntarys  for  the  Organ  or  Harpsi- 
cord . . .  Opera  Sesta.  Printed  for 
J.  Johnson  :  London,  [1750  ?]     obi.  fol. 

e.  17.  a.  (1.) 

Ten  Voluntarys  for  the  Organ  or  Harpsi- 
cord . . .  Opera  Sesta.  Printed  for 
C.  and  S.  Thomjyson :  London,  [1765?] 
obi.  fol.  d.  210.  (4.) 
Ten  Voluntaries  for  the  Organ  or  Harpsi- 
cord . . .  Opera  settima.  Printed  for 
J.  Johnson  :  London,  [1755  ?]     obi.  fol. 

e.  17.  a.  (2.) 
Zimri.  An  Oratorio.  [Words  by  J. 
Hawkesworth.  Full  Score.]  Printed  for 
I.  Walsh  :  London,  [1760.]     fol. 

G.  232.  (1.) 

See  By.  By  men  belov'd,  how  soon  we're 
mov'd.  A  Song  set  by  an  Eminent 
Master  [i.e.  J.  Stanley].   [1785  ?]   s.  sh.  fol. 

G.  306.  (231.) 

See  Summer's  Tale.  The  Summer's 
Tale.  A  Musical  Comedy... The  Music 
by  Abel. .  .Stanley,  etc.     [1765.]     obi.  fol. 

D.  273.  (1.) 

STANLEY  (Samuel)  Nineteen  Psalm, 
Hymn  &  Charity  Hymn  Tunes,  adapted 
for  the  Organ,  Piano  Forte,  &c. 

Printed  for  the  Author :  Birmingham, 
[1800  ?]     obi.  fol.  C.  853.  (2.) 


STANLEY  (Samuel)  Twenty-Four  Tunes 
in  Four  Parts,  adapted  for  the  Organ  or 
Piano-Forte  &c.  Composed  chiefly  to 
Dr.  Watts's  Psalms  and  Hymns. 

Printed  for  the  Author :  Birmingham, 
[1795?]     obi.  fol.  C.  853.  (1.) 

STANNAED  (A.)  The  Norwich  March, 
adapted  for  the  Violin,  German  Flute 
and  Guittar.  L[ongman']  L[ukey  &  Co.  : 
London,  1770  ?]     s.  sh.  fol. 

H.  1601.  a.  (116.) 

STANSFIELD  (Ely)  Psalmody 
Epitomiz'd  :  Being  a  Brief  Collection  of 
. .  .Psalm-Tunes,  both  Old  and  New.  In 
Four  Parts  : . . .  The  Second  Edition  with 
Additions.  W.  Pearson,  for  T.  Cox  and 
M.  Fielding,  1731.     Q\  C.  732.  h. 

STAE.  Star  of  Beauty,  silver  Light. 
[Song.]     See  Webbe  (S.)  the  Elder. 

STARCK  (        )     Sec  Mozart  (W.  A.) 
[2.  Dramatic   Music.']      Die    Eutfiihrung 
aus    dem    Serrail. .  .Der    Klavier-Auszug 
von  Herrn  Abb6  Starck,  etc. 
[1785.]     obi.  fol.  C.  445. 

STARTER  (Jan  Jakszoon)  Friesche  Lust- 
Hof,  beplant  met  verscheyde  stichtelyke 
Minne-Liedekens,  Gedichten,  ende  Boer- 
tige  Kluchten.  Door  Ian  lansz.  Starter . . . 
Met  schoone  koperefiguerenvercjierd  ;  ende 
by  alle  onbekende  Wysen,  de  Noten,  ofte 
Musycke  gevoeght,  door  M""  laques  Vrede- 
man,  etc.     2  pts.  GedrucU  by  Paulus 

van  Eavesteyn.    Toor  Dirck  Pietersz.  Vos- 
cuvl :  Amstelredam,  1621.     obi.  4". 

Case.  34.  a.  18. 
This    edition    contains   the   imrtrait  of 
Starter,  but  is  without  the  privilege. 
The  'Lust-Hof  is  paged  1-178;   the 
'  Boertighedcn'  at  the  end  occupy  12 
unpaged  leaves. 
[Another  edition.]   Friesche  Lust-Hof,  etc. 
2  pts.  Gedruckt  by  Paulus  van  Eave- 

steyn.    Voor    Dirck    Pietersz.     Voscuyl : 
Amstelredam,  1621.     obi.  4». 

11556.  bbb.  55. 

This  edition   contains  no  portrait,   but 

the  privilege  is  printed  on  the  verso  of 

the    title-page.       The    'Lust-Hof    is 

paged    1-201.       The    '  Boertigheden ' 

occupv  16  unpaged  leaves,  the  4  leaves 

betiocen  C  2  and  C  3  being  added  in  this 

edition, 

[Friesche  Lust-Hof ..  .Den  derden  druck 

op  nieuws  vermeerdert,  etc.]     2  pts. 

[Amsterdam,  1625.]     obi.  4°.      785.  b.  2. 

Imperfect,   zoanting   the    title-page    and 

register.       The   'Lust-Hof   is   paged 

1-206.      The    '  Boertigheden  '    occuyy 

20  unpaged  leaves. 

STARVING.     A  Starving  Life  all  Day  we 
See  Prisoners'  Opera. 


lead. 


Song. 


STATE— STEIBELT 


531 


STATE.  State  aud  Ambition.  A  Meddly, 
compos'd  out  of  several  Songs.  [London, 
1710?]     s.sh.  fol.  H.  1601.  (407.) 

[Another  edition.]     State  aud  Ambition. 
A  New  Medley.     [Song.]  [London, 

1730?]    s.sh.  fol.  G.  316.  e.  (125.) 

[Another  copy.]  H.  1994.  b.  (76.) 

The  State  Jockies.     [Song.]     See  What. 
What  a  rout  has  there  been. 
[1775?]    s.  s7i.  fol.  G.  313.  (228.) 

The  State  Test.     [Song.] 
See  Bertie  (W.)  Earl  of  Abingdon. 

STATIRA.  Statira.  Song.  See  How. 
How  little,  Statira,  your  sex  did  I  know, 
etc.     [1767.]     8".  P.P.  5441. 

STAY.     Stay,  ah  turn.     Song. 

See  EccLES  (J.)     [The  Fair  Penitent.] 

Stay  lovely  Youth.     [Song.] 

See  EccLES  (J.)    [The  Judgment  of  Paris.] 

Stay,  lovely  Youth.     [Song.] 

See  PuRCELL    (D.)      [The    Judgment    of 

Paris.] 

Stay,  0  stay,  thou  lovely  Shade  !     Glee. 

See  Jacob  (B.) 

Stay  silver  Morn.     Roudo. 

See  Da>-by  (J.) 

STEELE    (Joshua)      Sec    Treatise.      A 
Short   Treatise   on    Harmony,   etc.       MS. 
NOTES,  etc.     [By  J.  Steele.] 
1730.    obi.  8".  785.  a.  9. 

STEFANIS  (Gaetaxo  de)  Salmi  Pieni 
per  tutto  r  Anno  a  otto  voci  con  Violini  ad 
libitum  breui,  e  facili,  con  Litanie  della 
Beata  Vergine.  Opera  Terza,  etc.  Canto 
(Alto)  (Tenore)  (Basso)  Primo  Choro. 
(Canto  (Alto)  (Tenore)  (Basso)  Secondo 
Choro.)  (Violiuo  Primo  (Secondo).)  (Vio- 
lone,  6  Tiorba.)  (Organo  Primo  (Secondo).) 
18  pts.  Per  Marino  Siluani :  Bologna, 
1710.     4'.  D.  95. 

The  Tenore  Secondo  Choro  is  imperfect, 
ivanting  pp.  1-8. 

STEFFAN  (Joseph  Anton)  VI.  Diverti- 
menti  da  Cimbalo,  etc. 

Appresso  Agostino  Bernardo  :  Vienna, 
[1765  ?]    obi.  fol.  e.  282.  e.  (5.) 

40  Preludi  per  Diversi  Tuoni. 

Appresso  Agostino  Bernardi  :  Vienna, 
[1762.]     obi.  fol.  d.  78. 

STEFFAJS'I     (Agostino)      Pro     Christo 
affligimur  uunquam  sat.     Motet. 
See  Hindle   (J.)     A  Set   of   Glees... To 
which  ...  is  added  a   Composition  of  . . . 
A.  Steffani,  etc.     [1793  ?]     obi.  fol. 

P.  668. 
Quanta  Certezza  habbia  da  suoi  Principii 
la  Musica.  Et  in  qual  pregio  fosse  percio 
presso  gli  Antichi.  (Risposta  di  D.  A. 
Steffani ...  ad  Una  Lettera  del  S'  March'' 
A.  G.,  etc.)     Amsterdam,  1695.     12°. 

1042.  d.  14, 


STEFFANI  (Agostino)  D.  A.  Steffani 
.  .  .  Sendschreiben,  darinnen  enthalten, 
wie  grosse  Gewissheit  die  INIusik,  aus 
ihren  Principiis  und  Grundsatzen  habe, 
und  in  welchem  Werthe. .  .sie  bey  denen 
Alton  gewesen . . .  ehemals  aus  dem  Italien- 
ischen  ins  Hochdeutsche  iibersetzt,  und 
mit  einigen  Anmerkungen  erlautert  von 
A.  Werkmeister.  Jetz  aber  aufs  neue 
iibersehen  . . .  mit  einer  Vorrede  . . .  ver- 
mehret,  und  zum  Druck  bef order t  von 
J.  L.  Albrecht,  etc.  J.  G.  Brilckner  : 

Milhlhaiiscn,  1760.     4".  7898.  h.  36. 

[Roland.]  Die  ausserlesensten  und  vor- 
nehmsten  Arien  aus  der  Opera  Roland. 
Mit  unterschiedlichen  Instrumenten,  etc. 
Gedruckt  bey  Nicolaus  Spieringk.  In 
Vcrlegung  Johann  Wiedemeyer :  Lilbeck, 
1699.     obi.  fol.  B.  344. 

See  Thomyris.  Farewell  love  and  all  soft 
pleasure,  etc.  [Song,  music  by  A.  Steffani.] 
[1710?]     s.  s7(.  fol.  H.  1601.  (162.) 

STEGMANN  (Carl  David)  Der  Kauf- 
mann  von  Smirna,  eine  komische  Operette, 
in  einem  Aufzuge.     [P.  F.  Score.] 

Bey  G.  J.  Decker  imd  G.  L.  Hartnng  : 
Berlin  tend  Konigsberg,  1773.     obi.  fol. 

C.  453.  a. 
Das  redende  Gemiihlde,  eine  comische 
Oper  in  zwey  Acten,  etc.     [P.  F.  Score.] 

J.  F.Hinz  :  Mitau  und  Eascnboth, 
1775.     obi.  fol.  C.  453. 

Der  Triumpf  der  Liebe,  ober :  das  kiihne 
Abenthcuer,  Eine  Feenoper  in  vier  Auf- 
ziigen  von  Herrn  . . .  Jester ;  in  Musik 
gesetzt  von  C.  D.  Stegmann,  und  von  ihm 
selbst  im  Clavierauszuge  herausgegeben. 

Bey  Fricdrich  Nicolovius  :  Kunigsbcrg, 
[1796.]     obi.  fol.  F.  434. 

See  Martin  y  Solar  (V.)  Una  Cosa 
Rara  .  .  .  Ridotto  per  il  Cembalo  dal 
C.  D.  Stegmann.     [1800  ?]     obi.  fol. 

E.  244.  a. 

STEIBELT  (Daniel)  A  me  tutte  le 
belle,  a  Favorite  Rondo,  [from  Paisiello's 
'  La  Modista  Raggiratrice ']  for  the  Harp 
&  Forte  Piano,  or  for  the  Piano  Forte 
with  Accompaniments  for  Violin  &  Bass, 
etc.     [Separate  Parts.]  Printed  for 

Corri,  Dussek  d;  Co. :  London,  Edinburgh, 
[1796?]     fol.  g.  192.  a.  (21.) 

[Another  copy.]  h.  1480.  a.  (2*.) 

The  Pianoforte  part  only. 

Air  Favori,  du  Ballet  des  Noces  de 
Gamache,  avec  douze  Variations  pour  le 
Piano  Forte.  Chez  ill«"«s  Erard  : 

Pans,  [1800?]     fol.        h.  1480.  p.  (16.) 

Air  Varie—"  Enfant  ch6ri  des  Dames  "— 
pour  Harpe  et  Piano.     CEuvre  32. 
Chez  Pleyel :  Paris,  [1798.]     fol. 

h.  173.  b.  (18.) 
2  M  2 


532 


STEIBELT 


STEIBELT  (Daniel)  Douzo  Bacchanales 
pour  le  Forte-Piano  avec  Accompagne- 
meut  de  Tambourin  ad  libitum. 

Chez  3/''"'-'«  Erard : 
Paris,  [1800  ?]    fol.        h.  1480.  p.  (15.) 

Britannia,  an  Allegorical  Overture  in 
Commemoration  of  the  Signal  Naval 
Victory  obtained  by  Admiral  Duncan 
over  the  Dutch  Fleet  on  the  11"'  of 
October  1797.  Composed  for  the  Piano 
Forte,  etc.  Longman  and  Broderip  : 

London,  [1797.]    fol.  g.  138.  (3.) 

[Britannia.]  Combat  Naval  pour  le  Forte 
Piano. .  .Opera  41..  Chez  hnhaidt : 

Paris,  [1800.]  fol.  h.  1480.  p.  (17.) 
1"  Caprice  ou  Pot  Pourri  d'Airs  connus  et 
autres  pour  le  Clalavecin  [sic]  ou  Piano- 
Forte.  .  .Oeuvre  5.  Chez  Artaria  Comp. : 
Vienne  et  Mayence,  [1792.]     ohl.  fol. 

f.  133.  b.  (14.) 
Nouveau  Concerto  pour  le  Forte  Piano. 
Avec  les  Accompagnements  a  Grand 
Orchestre... Opera  [33  or]  35.  [Separate 
Parts.]     Chez  Pleyel :  Paris,  [1799].     fol. 

h.  3212.  f.  (8.) 
Wanting  pip.  23-26  of  the  Pianoforte  part. 

Combat  Naval.     See  supra  :  [Britannia.'] 

La  Coquette.     [Sonata.     P.  F.] 

See  Longman  and  Broderip.     Longman 

and  Broderip's  Collection  of.  .  .Music  for 

the...  Piano  Forte.     N"  2  [b]. 

[1795?]     fol.  g.  192.  (4.) 

Twelve      Divertisments,     consisting      of 

Marches,    Waltzes     &    Bondos    for    the 

Piano    Forte,   with    an    Accompaniment 

for  a  Tambourine . . .  Op.  38. 

Printed  for  B.  BircJiall : 
London,  [1800?]     fol.  g.  442.  (4.) 

[Another  copy.]  g.  457.  (2.) 

The  Favorite  Duett  of  "  Tink  a  tink  "  sung 
...  in  the  Opera  of  Blue  Beard  [by 
M.  Kelly]  arranged  as  a  Rondo  for  the 
Piano  Forte,  in  which  is  introduced  the 
Favorite  Duett  sung  in  the  Blue  Chamber, 
and  the  Two  Principal  Chorousses  by 
D.  Steibelt.  Longman  d  Broderip  : 

London,  [1798.]     fol.  g.  140.  (50.) 

Grand  Duo  pour  Harpe  et  Piano  ou  deux 
Piano,  etc.  Chez  HM'^^  Erard  : 

Paris,  [1800?]    fol.  h.  173.  b.  (17.) 

Three  Progressive  Lessons  for  the  Piano 
Forte . . .  Op.  40.  Printed  for 

Corri,  Dussek  d  Co. :  London  &  Edin- 
burgh, [1800  ?]     fol.  g.  132.  (13.) 


[Another  copy.] 


g.  457.  a.  (6.) 


La   Grande   Marche    de   Buonaparte    en 
Italic,  compos6e  pour  le  Fort^-piano  avec 
Accompagnement  de  Tambourin. 
Chez  hnhauU  :  Paris,  [1798.]     fol. 

h.  1480.  p.  (18.) 


STEIBELT  (Daniel)  The  Favorite  Over- 
ture to  the  Opera  of  Blue  Beard  [by 
M.  Kelly] . . .  Arranged  for  the  Piano  Forte 
by  D.  Steibelt.  Longman,  dementi  &  Co.: 
London,  [1798.]     fol.  g.  457.  a.  (3.) 

Steibelt's  Eighteenth  Pot-Pouri  for  the 
Piano  Forte,  in  which  is  introduced 
Martini's  Favorite  Air  of  "  Guardami  un 
poco."  Printed  for  J.  Dale  : 

London,  [1800  ?]    fol.  g.  457.  (5.) 

[Another  copy.]  H.  2815.  (4.) 

A  Quintetto  for  the  Piano  Forte,  Two 
Violins,  Tenor,  &  Violoncello ...  Op.  31. 
[Separate  Parts.]  Longman  &  Broderip  : 
London,  [1798.]     fol.  g.  457.  b. 

Borneo  et  Juliette.  Opera  en  trois  Actes, 
en  Prose,  etc.  [Libretto  by  J.  A.  de  S^gur. 
Full  Score.]  Chez  Boyer,  et  Nadermann  : 
Paris,  [1793.]     fol.  H.  535. 

The  Favorite  Overture  &  March  to  Romeo 
and  Juliet,  for  the  Piano  Forte,  with  an 
Accompaniment  for  a  Violin.  [Separate 
Parts.]  W.  Hodsoll : 

London,  [1800  ?]  fol.  g.  457.  a.  (2.) 
Three  Sonatas  for  the  Piano  Forte ...  To 
which  is  added  an  Accompaniment  for  a 
Violin,  newly  arranged  by  the  Author. 
Op.  18.     [Separate  Parts.]  J.  Dale  : 

Londo7i,[1199?]     fol.  g.  178.  (1.) 

Three  Sonatas,  for  the  Piano  Forte,  with 
an  Accompaniment  for  a  Violin. .  .Op.  26. 
[Separate  Parts.]  J.  Dale  : 

London,  [1199  7]     fol.  g.  178.  (2.) 

Trois   Grandes   Senates    pour    le    Piano- 
Forte,  avec  Accompagnement  d'un  Violon 
oblige. .  .CBuvre  27.     [Separate  Parts.] 
Preston  &  Son  :  London,  [1797.]     fol. 

g.  178.  (3.> 
A  Grand  Sonata  for  the  Piano  Forte, 
with  an  Accompaniment  for  a  Violin... 
Op.  XXX.  [Separate  Parts.]  Printed  for 
J.  Dale  :  London,  [1799  ?]     fol. 

g.  178.  (4.) 
A  Grand  Sonata  for  the  Piano  Forte, 
with  an  Accompaniment  for  the  Violin. . . 
Op.  32.     [Separate  Parts.] 

Longman  S  Broderip : 
London,  [1798.]     fol.  g.  178.  (5.). 

Three  Sonatas  for  the  Piano  Forte  with 
an  Accompaniment  for  a  Violin  ad  libitum 
. .  .Op.  35.     [Separate  Parts.] 

Longman  dementi  &  Compv  : 
London,  [1799.]    fol.  g.  178.  (6.) 

Three  Sonatas  for  the  Piano-Forte,  with 
an  Accompaniment  for  a  German   Flute 
or  Violin ...  Op.  36.     [Separate  Parts.] 
J.  Dale  :  London,  [1799  ?]     fol. 

h.  301.  (3.) 

Three  Sonatas  for  the  Piano  Forte,  with 
an  Accompaniment  for  a  Violin  or  German 
flute ...  Op.  38.     [Separate  Parts.] 
Preston  :  London,  [1800  ?]     fol. 

h.  301.  (4.> 


STEIBELT— STEPHENSON 


533 


STEIBELT  (Daniel)  Twelve  Waltzes 
for  the  Piano  Forte,  or  Harp,  with  an 
Accompaniment  for  a  Flute,  Tambourine 

and  Triangle Op.  84.   2  Sets.    [Separate 

Parts.]  Printed  for  J.  Dale  : 

London,  [1799  ?]     fol.  g.  231.  (8.) 

[Another  copy.     1st  Set.]         g.  442.  (5.) 
The  Pianoforte  part  only. 

Twelve  Waltzes,  for  the  Piano  Forte  or 
Harp,  with  an  Accompaniment  for  the 
Tambourine  and  Triangle.  [Separate 
Parts.]  Brodcrip  and  Wilkinson  : 

London,  [1800  ?]     fol.  g.  231.  (9.) 

See  Stoeace  (S.)     [The  Cherokee.']     And 
does  a  fond  Emotion.     The  favorite  Duett 
. .  .with  Variations  by  D.  Steibelt. 
[1795?]     fol.  g.  139.  (43.) 

See  ViOTTi  (G.  B.)     Viotti's  .  .  .  Concer- 
tante,  arranged. .  .by  D.  Steibelt. 
[1800?]     fol.  g.  442.  j.  (24.) 

STEIGLEDER  (Johaxn  Ulrich)  Tabu- 
latur  Buch,  dariSeu  Dass  Vatter  \-nser 
auff  2,  3,  vnd  4  Stimmen  Componirt,  vud 
Viertzig  mal  Varirt  Wiirdt. .  .Auff  Orgeln, 
vnd  alien  andern  Musicalischen  Instru- 
menten  ordenlich  zu  appliciren. 

Marx  von  der  Hcidt :  Strasshtirg, 
1627.     fol.  K.  7.  f.  6. 

The  title-page  is  engraved. 

STEINER  (JoHANN  Ludwig)  Neues 
Gesang  -  Buch  auserlesener,  geistreicher 
Liedern,  zum  Lob  und  Preiss  Gottes... 
Mit  neuen . . . ,  zu  drey  und  vier  Stimmen 
gesetzten  ]\Ielodeyen,  und  einem  .  .  . 
General-Bass  versehen,  etc. 

Bey  Heidegger  und  Eahn  : 
Zurich,  1723.     8°.  B.  308. 

Kurz-  leicht-  und  grundtliches  Noten- 
Biichlein  :  oder  Anleitung  zur  edlen  Sing- 
und  Kling-Kunst. .  .Vormahls  von  einem 
Virtuosen. .  .herausgegeben.  Nun  aber. . . 
vermehrt,  und  zum  Truck  beforderet  von 
J.  L.  Steiner. 

Bey  Heidegger  und  Compagnie  : 
Zurich,  1728.     8°.  A.  678. 

STEINFELD  (Albert  Jakob) 

Sec  Bach  (G.  P.  E.)  Passions-Cantate. . . 
im  Clavier-Auszuge  geliefert  von  A.  J. 
Steinfeld.     1789.     ohl.  fol.     F.  955.  (1.) 

STELLA.     Stella.     [Song.] 

See  Enraptured.    Enraptur'd   that   fair 
Form  I  view.     [1780?]     s.  s7i.  fol. 

G.  307.  (177.) 
Stella.     Song.     See  See.     See,  SteUa,  see 
that  Chrystal  Stream,  etc. 
[1750?]     s.sh.iol.  L  530.  (140.) 

Stella.      Song.     See  See.     See,  Stella  see 
that  crvstal  stream,  etc.     [1753.]     8\ 

P.P.  5438.  z. 
Stella  and  Flavia.     [Song.] 
See  Howard  (S.) 


STELLA.  Stella  and  Flavia  united. 
[Song.]  See  Larken  (  ) 
Stella  darling  of  the  ]\Iuses.  The  Charmer. 
[Song.]  To  a  Celebrated  Air  ['  Semplicetta 
tortorella']  in  Demetrius  [by  G.  B. 
Pescetti].  Set  for  the  German  Flute. 
[London,  1710?]     s.  sh.  fol. 

G.  316.  f.  (13.) 
[Another  edition.]     Stella,  darling  of  the 
Muses.     The   Charmer.     To  a  celebrated 
Air  in  Demetrius.     [By  G.  B.  Pescetti.] 
[London,  1745  ?]     s.  sh.  fol. 

G.  316.  (129.) 

STELLA  (Giuseppe  IMaria)  Breve  In- 
struttioue  all  Giovani  per  imparare  con 
ogni  facilita  il  Canto  Fermo,  divisa  in 
due  parti,  etc. 

Nella  Stampariadi  lacomo  Fei  d'Andr.  F. : 
Eoma,  1665.     4°.  557*.  d.  21. 

STELLA  (Scipione)  Hymnorum  Ecclesi- 
asticorum  Liber  Primus.  In  quo  Novo 
Ordine  Quinque  Yocibus,  artificiosis  con- 
sonantiis,  simul  canendi,  atque  sonandi 
norma  traditur.  [With  a  dedication  by 
Francesco  Stella.]  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)  (Quintus.)     5  pts. 

E.V  Typographia  loannis  lacobi  Cai-lini, 
&  Consiantini  Vitalis  :  Neapoli,  1016.     4°. 

D.  10. 
The  Cantus  part  wants  the  title-page. 
Scipionis   Stella. .  .Motectorum    Quinqua 
Vocibus   Liber  Primus.     Altus.    (Tenor.) 
(Bassus.)  (Quintus.)     4  pts. 
Victorius  Baldimis  :  Ferrarix,  (1595.)    4°. 

D.  119. 

See  jMadrigals.  Madrigali  a  Cinque 
Voci,  etc.  [By  Carlo  Gesualdo,  Prince 
of  Venosa  Books  I  and  II  with  dedica- 
tions by  S.  Stella.]     (1603— )1607.     4°. 

D.  232. 

STEPHANIS  (Gaetano  de)  Messe  a 
Quattro  Voci  .  .  .  Opera  Prima.  Canto. 
(Alto.)  (Tenore.)  (Basso.)  (Organo.)  5  pts. 
Da  Gioseppe  Sala  :   Venezia,  1700.     4". 

D.  206. 

STEPHANOS,  a  Monk  of  the  Military 
Order  of  Christ.  Liber  Passionum  et 
eorum  quse  a  Dominica  in  Palmis,  vsque 
ad  Vesperas  Sabbathi  sancti  inclusiue, 
cantari  solent :  diligentissime  correctus, 
&  locupletissime  actus :  imprimis  singu- 
lorum  verborum  Accentu  studiosissime 
spectato.  Auctore  Fratre  Stephano  ex 
sacra  Jesu  Christi  seruatoris  nostri  Militia, 
etc.  Excudehat  Simon  Lopezius  : 

Olissipone,  1595.     fol.  K.  7.  f.  14. 

STEPHENSON  (Joseph)  Church  Har- 
mony Sacred  to  Devotion.  Being  a  choice 
Set  of  New  Anthems  &  Psalm  Tunes  on 
various  Subjects.  .  .Having  the  Energy  of 
our  English  Words  particularly  express'd, 
with  an  Air  suited  to  each  different  Subject 
...The  4""  Edition.  C.  and  S.  Thompson  : 
Londmi,  [1795  ?]     fol.  H.  3288. 


534 


STEPHENSON— STERKEL 


STEPHENSON  (Joseph)  Here's  a  Health 
to  the  King.  A  neio  Loyal  Health 
to  the  Prince,  Duke,  and  the  Heroic 
King  of  Prussia.  Words  &  Music  by  J. 
Stephenson.  [London, 

1760?]     s.sh.iol.  G.  316.  (130.) 

The  ]\Iusical  Companion,  containing  Te 
Deum  Laudamus  &  Jubilate  Deo  in  Four 
Parts  with  a  Thorough  Bass  for  the  Bass 
Viol  or  Bassoon,  also  Two  Anthems  for 
a  Club  Feast  Day  for  Voices  &  Instru- 
ments &  several  Peices  [_sic]  on  the 
Nativity. .  .for  the  Use  of  Country  Choirs, 
etc.  Murray  1786.  C.  &  S.  Thompson, 
for  the  Author  :  London,  [1775  ?]     fol. 

H.  879.  a.  (2.) 
The  Pipe.  A  Favorite  Ballad... Set  and 
Arranged  for  the  Piano  Forte  by  J. 
Stephenson.  B.  Watts,  for  the  Author  : 
London,  [1800  ?]     fol.        H.  1683.  (91.) 

STERBENDE  JESUS.     Der  Sterbende 
Jesus.     Ein  Oratorium. 
See  RosETTi  (F.  A.) 

STERBENSSPIEGEL.  Sterbensspiegel. 
[Hymns.]     See  Meyer  (R.) 

STERKEL  (JoHANN  Franz  Xaver)  Les 
Petites  Beaut^s  de  J.  P.  Sterkel.  Six 
Pieces  for  the  Harpsichord  or  Piano 
Forte.  [1801.]  See  Periodical  Publica- 
tions.—I/o?ifZou.  The  Piano-Forte  Maga- 
zine.   Vol.  XV.    [No.  1.]  [1797-1802.]    8". 

D.  854. 

Concerto  pour  le  Clavecin  ou  le  Forte 
Piano  avec  Accompagnement  de  deux 
Violons,  Alto,  Basse,  deux  Cors  et  deux 
Hautbois  ad  libitum  .  .  .  CEuvre  18. 
[Separate  Parts.]  Longman  and  Broderip : 
London,  111862]     fol.         g.  116.  a.  (4.) 

A  Favorite  Concerto  for  the  Harpsichord 
or  Piano  Forte  with  Accompaniments . . . 
Op.  20.     [Separate  Parts.] 

Longman  and  Broderip  :  London, 
[1787?]     fol.  g.  116.  a.  (5.) 

A  Favorite  Concerto  for  the  Harpsichord 
or  Piano  Forte  with  Accompaniments. . . 
Op.  24.     [Separate  Parts.] 

Longman  and  Broderip) :  London, 
[1788?]     fol.  g.  116.  a.  (6.) 

Concerto  pour  le  Clavecin  ou  Piano  Forte 
avec  Accompagnement  de  deux  Violons, 
Viola  et  Basse,  deux  Hautbois  et  Cors. . . 
CEuvre  xxvi.     [Separate  Parts.] 

Cliez  Schott :  Mayence, 
[1785  ?]     ohl.  fol.  &  fol.  g.  462.  a. 

Concerto  pour  le  Clavecin  ou  Piano-Forte 
avec  Accompagnement  de  deux  Violons, 
deux  Hautbois,  deux  Cors,  Viole  et  Basse 
...CEuvre  31.     [Separate  Parts.] 

Chez  Artaria  Compagnie  :   Vienne, 

[1790?]    obl.iol.  f.  246.  a.  (17.) 

The  orchestral  parts  are  in  manuscript. 


STERKEL  (JoHANN  Franz  Xaver)  Sei 
Duettini  a  due  Soprani  col'  Accompagna- 
mento  del  Cembalo.  Presso  B.  Schott : 
Magonza,  [1794.]   obi.  fol.  E.  870.  a.  (4.) 

XII.  Lieder  mit  Melodien  beym  Clavier 
zu  singen.  Artaria  Comp.  : 

Wien,  [1790?]     ohl.  fol.    E.  600.  m.  (6.) 

Douze  Pieces  pour  le  Clavecin  ou  Forte 
Piano. .  .Oeuver  Dixieme.  Chez  Artaria 
et  Comp. :  Vienne,  [1785?]     obi.  fol. 

e.  284.  c.  (10.) 
Twelve  Pieces,  for  the  Harpsichord  or 
Piano  Forte.     Op.  10.     [1801.] 

See  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  XIV. 
[No.  14.]     [1797-1802.]     8°.  D.  854. 

Sammlung  neuer  Lieder  zum  Singen  beim 
Clavier..,!.  Theil. 

GestochenvonHofmiisikstecher :  Mainz, 
[1795  ?]    obi.  fol.  E.  600.  m.  (5.) 

Grand    Simphonia.     [In   C,   for    Harpsi- 
chord, Violin  and  Violoncello.] 
G.  Ooulding  :  Londres,  [1799  ?]     fol. 

h.  141.  b.  (10.) 
No.  22  of  '  Le  tout  Eyisemble.'     ^Yanting 
the  accompaniments. 

Simphonie  pour  le  Clavecin  ou  le  Forte 
Piano  avec  Accompagnement  d'un  Violon 
et  d'un  Violoncello. .  .Oeuvre  21.  [Separate 
Parts.]  Longman  &  Broderip  : 

London,  [1787  ?]     fol.  h.  70.  (9.) 

Six   Senates   pour   le  Clavecin   ou   Forte 
Piano  avec  Accompagnement  d'un  Violon 
...CEuvre  3°.     [Separate  Parts.] 
Chez  le  S''  Sieber:  Paris,  [1785  ?]    obi.  fol. 

f.  246.  a.  (16.) 
Three  Favourite  Sonatas  for  the  Harpsi- 
chord or  Piano  Forte. .  .Opera  3'". 

J.  Cooper  :  London,  [1790  ?]     fol. 

g.  272.  V.  (16.) 
Three  Sonates  for  the  Harpsichord  or 
Piano  Forte  with  Accompaniments  for  a 
Violin  &  Violoncello. .  .Op.  4.  [Separate 
Parts.]  Printed  for  J.  Bland: 

London,  [1785  ?]     fol.  g.  462.  (1.) 

Sonata  for  two  Performers  on  one  Harpsi- 
chord or  Forte  Piano. .  .Opera  15. 

Longman  and  Broderip : 
London,  [1785  ?]     fol.  g.  130.  (11.) 

Three  Sonatas  for  the  Piano  Forte  or 
Harpsichord  with  Accompanyments  for  a 
Violin,  and  Violoncello  Obligato.  Opera 
xvii.     2  Books.     [Separate  Parts.] 

Longman  cC  Broderip  : 
London,  [1785  ?]     fol.  g.  462.  (2.) 

[Three  Sonatas.  Op.  xvii.  N''  1.]  A 
Periodical  Sonata  for  the  Harpsichord 
or  Piano  Forte,  etc.  H.  Andreivs  : 

London,  [1790?]     fol.       g.  272.  u.  (25.) 
The  Harpsichord  part  only. 


STERKEL— STEVENS 


535 


STERKEL  (JoHA>-N  Franz  Xaver)    Trois  \ 
Senates  pour  le  Clavecin  ou  Forte  Piano 
avec  Accompagnement   de  Violon   oblige 
...Opera  19.     [Separate  Parts.] 

Longman  and  Broderip : 
London,  [1786  ?]    fol.  li.  70.  b.  (7.) 

Three  Sonatas  for  the  Piano  Forte  or 
Harpsichord  with  an  Accompaniment  for 
a  Violin . .  .Op.  xxii.     [Separate  Parts.] 

Loncjman  d  Broderip : 
London,  [1788  ?]    fol.  h.  70.  b.  (8.) 

STERW.  Stern  Winter  has  left  us.  Jockij 
and  Jenny.  A  Dialogue,  etc.  [N°  4  of 
Book  I  of  J.  Baildon's  '  The  Laurel.'] 
[Londoti,  1155?]  s.sh.iol.  G.  311.  (97.) 
Stern  Winter  has  left  us.  Jockij  and 
Jenny.  A  New  Song.  [By  J.  BaUdon.] 
A  Dialogue  sung  by  Mr.  Lowe  and  INIiss 
Falkner.     [London,  1750.]     8». 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  VII.,  p.  269. 
Stern  Winter  has  left  us.     Jocky  &  Jenny, 
etc.     [By  J.  Baildon.]  [London, 

1755  ?]  s.  sli.  fol.  H.  1994.  b.  (77.) 
Stern  Winter  has  left  us.  Jocky  and 
Jenny.  A  Dialogue,  etc.  [N°  4  of  Book  I 
of  J.  Baildon's  '  The  Laurel.']  See  Chloe. 
Chloe,  or  the  Musical  Magazine,  etc. 
[N»  9.]     [1760  ?]     fol.  G-.  433. 

Stern  Winter  now  forsakes  the  plain. 
Ode  on  Spring.     [Song.]  Str[aight]  ci 

SMillern:  London,  1775?]     s.  sli.  fol. 

G.  311.  (131.) 

STEURIjEIN   (Johank)      Das   Deutsche 
Benedicite  vnd   Gratias.      Vor  vnd  nach 
Tische,  Bethweiss  zu  singen,  Mit  Fiinff 
Stimmen  Componiret,  etc.     Discantus. 
[Erfurdt,  1575  ?]     obi.  4".  A.  433. 

Sieben  vnd  Zwentzigk  Newe  Geistliche 
Gesenge,  mit  vier  Stimmen  Componiret 
. .  .Mit  einer  Vorrede,  des  . . .  Herrn  M. 
CyriaciSchnegas3,e;c.  Discantus.  (Tenor.) 
(Bassus.)     3  pts. 

Gcdruckt. .  .durch  Georgium  Bawman  : 
Erffurdt,  1588.     ohl.  4°.  A.  433.  a. 

STEVENS  (George  Alexander)  Drink 
and  let's  be  jolly.  [Song.]  T.  Sk[illern  : 
London,  1780?]  s.  sh.  fol.  G.  316.  (131.) 
See  also  S.,  G.  A. 

STEVENS  (Richard  John  Samuel)  Al- 
though soft  sleep  death's  near  resemblance 
wears.  Serious  Glee. 
[Londo7i,  1785  ?]  obi.  fol.  E.  319.  (14.) 
Crabbed  Age  and  Youth.  Chearful  Glee 
for  Four  Voices.  The  Poetry  from  Shake- 
speare. Printed  for  the  Author  : 
[London,  1798?]  obi.  fol.  E.  600.  n.  (9.) 
[Another  copy.]  E.  319.  (13.) 
From  Oberon  in  Fairy  Land.  Fairy  Glee 
for  Four  Voices. .  .The  Poetry  attributed 
to  Ben  Johnson.  Printed  for  the  Author : 
[London,  1793.]     obi.  fol.      D.  401.  (11.) 


STEVENS  (Richard  John  Samuel) 
[Another  edition.]  From  Oberon  in  Fairy 
Land.     Fairy  Glee,  etc. 

Printed  for  the  Authoi- : 
[London,  1800  ?]    obl.iol.     E.  319.  (11.) 

Eight  Glees  for  Four  and  Five  Voices . . . 
Opera  8.  Longnmn  and  Broderip  : 

London,  [1790  ?]     obi.  fol.      E.  207.  (6.) 

Eight  Glees. .  .Opera  3. 

Broderip  £  Wilkinson  : 
LonfZo?i,  [1800  ?]  oR  fol.  E.  319.  (1.) 
Eight  Glees,  expressly  composed  for 
Ladies. .  .Op.  iv.  Printed  for  the  Author  : 
Lo/idon,  [1795  ?]    oR  fol.     D.  401.  (12.) 

[Another  copy.]  E.  319.  (2.) 

Ten  Glees  for  Three,  Four,  Five  &  Six 
Voices. .  .Op.  V.  Printed  for  the  Author  : 
London,  [1798  ?]  obi.  fol.  E.  319.  (3.) 
Seven  Glees,  with  a  Witches'  Song  & 
Chorus,  and  two  Glees  from  Melodies,  by 
H.  Lawes. .  .Opera  6. 

Preston,  for  the  AtUhor  : 
Londo7i,  [1800?]    obl.iol.      E.  319.  (4.) 

It  was   a   Lover   &   his   Lass.      Chearful 
Glee  for  5  Voices,  which  gain'd  a  Prize 
Medal,  1786.     [Words  by  Shakespeare.] 
B.  Birchall  :  London,  [1795?]     fol. 

H.  1650.  d.  (26.) 

O  Mistress  mine.  Glee,  for  five  Voices. 
[Words  from  Shakespeare's  'Twelfth 
Night  ']  Longman  and  Broderip  : 

London,  [11^51]    obl.iol.      E.  207.  (5.) 

0  Mistress  mine,  etc. 

Longman,  dementi  d  Co.,  for  the  Author  : 

London,  [ISOO 7]    obl.iol.       E.  319.  (6.) 

0  strike  the  Harp  in  praise  of  my  Love. 

Trio    for   2   Sopranos    and   a   Bass,   (the 

Poetry  from  Ossian,)  with  an  Accompani- 
i       ment   for   2   Performers   on    One    Piano 

Forte  Printed  for  the  Author  : 

I       [LoHfiort,  1798?]     fol.      G.  805.  k.  (28.) 

Prithee  foolish  Boy  give  o'er.     Glee,  for 

Three  Voices.  P-  Birchall : 

\       London,  [IQOOl]     fol.  H.  1797.  (9.) 

j       Sigh  no  more  Ladies.     A  favorite  Song. 
1       Written  by  Shakespear. 

Printed  for  J.  Bland  : 

[London,  1790?]     fol.  G.  377.  (57.) 

Sigh  no  more  Ladies.     A  Duett. 
1       J.  BUnd:  London,  [ll'^O?]    fol. 
I  H.  1994.  d.  (54.) 

Sigh  no  more  Ladies. . .  Duett. 
[London,  1800?]    fol.     H.  2262.  b.  (22.) 

Sigh  no  more  ladies.     [Glee.] 

Longman,  dementi  &  Co.  : 
London,  [IQOO?]  obl.iol.  E.  319.  (5.) 
Some  of  my  heroes  are  low.  Glee  for 
5  Voices,  the  Poetry  from  Ossian,  etc. 

Printed  for  the  Author  : 
[London,  1798  ?]    obi.  fol.     E.  319.  (10.) 


536 


STEVENS— STEVENSON 


STEVENS  (RicHAED  John  Samuel) 
Three  Souatas  for  the  Harpsichord  or 
Piauo-Forte  with  an  Accompauimeut  for 
a  Violin. .  .Opera  Prima. 

S.  A.  c£-  P.  Tlwmpsmi,  for  the  Atitlior  : 
London,  [1786?]^   fol.       g.  271.  e.  (27.) 
Wanting  the  Violin  part. 

Ten  Songs  with  an  Accompaniment  for 
Two  Violins. .  .Opera  ii. 

S.  A.  (&  P.  Thompson,  for  the  Author  : 
London,  [1788  ?]     fol.  G.  796.  (42.) 

To  banish  Life's  Troubles,  an  Anacreontic. 
Song. .  .The  Words  by  Mr.  Oakmau. 

Printed  for  S.  A.  (&  P.  Thompson: 
Lo7idon,  [1790  ?]     fol.      G.  808.  e.  (50.) 

What  shall  he  have  who  merits  most. 
Archer's  Glee,  for  four  Voices.  The 
Words  by  a  Lady,  upon  the  Duke  of 
Clarence's  giving  a  Bugle  Horn  to  be 
Shot  for  by  the  Royal  Surry  Bowmen, 
etc.     [London,  1190?]     obi.  io\. 

D.  401.  (10.) 
[Another  copy.]  E.  319.  (8.) 

When  the  toil  of  Day  is  o'er.  A  Favorite 
Glee  for  4  Voices... The  Poetry  by  Mr. 
Merry,  etc.  J.  Dale,  for  the  Author  : 

London,  [1794  ?]     oU.  fol.      D.  401.  (9.) 

Who  is  it  that  this  dark  Night.  Dialogue 
and  Duetto,  the  Poetry  by  Sir  P.  Sidney, 
etc.  Printed  for  the  Author  :  [London, 

1795?]     fol.  H.  2832.  q.  (39.) 

[Another  edition.]  W' hen  the  toil  of  Day 
is  o'er,  etc.  Printed  for  the  Author  : 

[ionrfow,  1800?]     ohl.iol.    E.  319.  (12.) 

Ye  spotted  snakes  !  Glee  for  four  Voices. 
Words  from  Shakesp(;are. 

Longman,  dementi  d-  Co.  :  London, 
[1800?]     obl.lo\.  E.  319.  (7.) 

See  Amusement  for  the  Ladies.  Amuse- 
ment for  the  Ladies,  being  a  Selection  of 
...Glees    and    Madrigals. .  .by. .  .Messrs. 
Atterbury, . . .  Stevens,  etc. 
[1791-93.]     obi.  fol.  E.  61. 

See  Glees.  The  Professional  Collection 
of  Glees. .  .Composed  by . . . Callcott . . . 
Stevens,  c^c.     [1790?]     oW.  fol. 

E.  207.  (3.) 
See  Howard  (S.)  Ye  ChearfuU  Virgins.  A 
Glee. .  .harmonized  &  made  a  Duetto  by 
R.J.Stevens.     [1790?]     obi.  fol. 

E.  319.  (9.) 

STEVENSON  {Sir  John  Andrew)    Alas  ! 

poor  Lubin,  a   Favorite  Duett,  with   an 

Accompaniment  for  the   Piano  Forte . . . 

Words  by  J.  Atkinson,  etc. 

The  Author  and  Gough  :  Dublin, 
[1798?]     fol.  G.  354.  (2.) 

Alone  on  the  Sea-beaten  Rock,  a  serious 
Glee  for  five  Voices . . .  The  Words  from 
Ossian.  F.  PJiames  :  Dublin, 

[1797?]     fol.  G.  353.  (28.) 


STEVENSON  {Sir  John  Andrew)     And 
will   he   not    come  again  ...  A   Glee   for 
Three  Voices  with  an  Accompaniment  for 
the  Piano  Forte  or  Harp,  etc. 
W.  Power  <&  Co.:  Dublin,  [1800?]     fol. 

G.  352.  (47.) 
As  it  fell  upon  a  Day.     Glee  for  five  voices. 
The  Words  taken  from  Shakespeare. 
B.  Cooke  :  Dublin,  [1795  ?]     fol. 

G.  581.  b.  (1.) 
No.  1  of  an  unidentified  musical  iveekly 
periodical. 
Bards   of   the  Days  of   Old.     A  Glee  for 
Three    Voices,    the    Words    taken    from 
Ossian,  etc.  F.  Rhames  :  Duhliji, 

[1800?]     fol.  G.  352.  (40.) 

Buds  of  Roses,  Virgin  Flowers,  a  chearful 
Glee  for  4  Voices,  the  poetry  translated 
from  Anacreon  by  J.  [or  rather  T.]  Moore, 
etc.     F.  Ehames  :  Dublin,  [1800  ?]     fol. 

G.  353.  (29.) 
By  a  Murmuring  Brook ...  A  Favorite  Song, 
etc.     H.  Hi7?ie:  Liverpool,  [1800?]     fol. 

G.  806.  e.  (26.) 
[Another  copy.]  G.  805.  k.  (30.) 

Twelve  Canzonets,  for  the  Voice  with  an 
Accompaniment  for  the  Piano  Forte,  etc. 
Preston  d-  Son  :  London,  [1795  ?]     fol. 

G.  357.  (11.) 
Come  buy  my  Nosegays  pretty. .  .[Song.] 
The  Words  by  J.  Atkinson,  etc.  Hime  : 
Dublin,  [1795  ?]     fol.  G.  364.  (44.) 

Come  unto  these  yellow  Sands.  Glee,  for 
three  Voices. .  .with  an  Accompaniment 
for  two  Performers  on  one  Piano  Forte. 
The  Words  from  Shakespear.  Hime  : 

Dublin,  [1798  ?]     fol.         H.  1273.  (16.) 

Come  unto  these  yellow  Sands.     Adapted 
from  the   Glee... for  One  Voice  with  an 
Accompaniment  for  the  Piano  Forte. 
Printed  for  Hime  :  Dublin,  [1198  7']     fol. 

G.  364.  (53.) 

Dear  !  in  pity  do  not  speak.  A  Canzonet 
for  two  Voices,  with  an  Accompaniment 
for  the  Piano  Forte  or  Harp,  the  Poetry 
by  T.  Moore,  etc.  Rhames  :  Dublin, 

[1800?]     fol.  G.  354.  (39.) 

Does  the  Harp  of  Rosa  slumber.  A  Can- 
zonet with  an  Accompaniment  for  the 
Piano  Forte  or  Harp,  the  Poetry  by 
T.  Moore.  F.  Rhames  :  Dublin, 

[1800?]     fol.  G.  364.  (51.) 

Twelve  Glees  for  Three,  Four,  and  Five 
Voices,  etc.  M.  Hime,  for  the  Axithor  : 

Dziblin,  [1190?]    fol.  H.  1215.  (2.) 

A  Second  Sett  of  Twelve  Glees  for  Three, 
Four  &  Five  Voices. .  .Op.  5.  J.  Bland  : 
Lo7ido7i,[1195?]  fol.  H.  1273.  c.  (2.) 
Happy  Love,  a  Glee. .  .adapted  to  Ladies' 
Voices,  the  Words  by  H.  B.  C. 
F.  Rhames:  Dublin,  [1800?]     fol. 

G.   352.  (39.) 


STEVENSON— STICKL 


537 


STEVENSON  (Sir  John  Andrew)  Louis 
the  Sixteenths  Lamentation.  [Song.] 
Written  by  W.  C.  Onlton.  Freston  &  Son : 
London,  [1793  ?j     fol.  G.  364.  (47.) 

Love  to  IMadness.  A  Favorite  New  Song. 
Gouqh:  Dublin,  llQOQ'i]     fol. 

G.  581.  b.  (10.) 

The  Lovers  Toast.  A  Three  Part  Song. 
Joshua  Stokes  :  [Dublin,  1180?]     fol. 

H.  1601.  a.  (45.) 

Mary  I  believ'd  thee  true.  Scotch  Song 
-with  an  Accompaniment  for  the  Piano 
Forte  or  Harp.  The  Poetry  by  T.  Moore. 
F.Bhames:  Dublin,  [IQOO'i]     fol. 

G-.  364.  (46.) 

Morning,  Noon,  Evening,  &  Night,  four 
Ballads  for  the  Harpsichord  or  Piano- 
Forte  [the  words  by  J.  Cunningham] .  . . 
Op.  4.     J.  Bland  :  London,  [1793  ?]     fol. 

G.  360.  (44.) 
Raise  the  Song  and  Strike  the  Harp.  The 
Charter  Glee  and  Chorus  of  the  Irish 
Harmonic  Club,  the  Words  selected  and 
composed  by  J [ohn]  W[ilson]  C[roker],  c?c. 
E.  Bhamcs  :  Dublin,  [1800  ?]     fol. 

G.  352.  (36.) 
The  Rising  Aurora.  A  New  Hunting 
Song,  etc.  J.  Lee  :  [Dublin,  1785  ?J 

3.  sh.  fol.  H.  1601.  a.  (96.) 

Say,  Shepherds  have  ye  seen  my  Fair.  A 
New  Scotch  Song. .  .the  Words  by  a  Lady. 
Joshua  Stokes  :  [Dtiblin,  1160  7]     fol. 

H.  1601.  a.  (54.) 
See  the  lovely  Nymph  reposing.  Ladies 
Glee  for  Three  Voices  with  an  Accompani- 
ment for  the  Piano  Forte.  Hime  : 
Dublin,  [1800  ?]     fol.     H.  2818.  c.  (44.) 

Sweet  is  the  Dream.    A  Canzonet  with  an 
Accompaniment  for  the   Piano  Forte  or 
Harp.     The  Poetry  by  T.  Moore. 
F.  Bhames  :  Dublin,  [1800  ?]     fol. 

G.  364.  (50.) 

TeU  me  where  is  Fancy  bred.  A  Duett  for 
Two  Voices  with  an  Accompaniment  for 
the  Piano  Forte  or  Harp,  the  Words  from 
Shakespeare,  etc.  W.  Power  d-  Co.  : 

Dublin,  [1198?]     fol.  G.  354.  (37.) 

Though  Fate,  my  Girl.     A  Canzonet  with 
an  Accompaniment  for  the  Piano  Forte 
or  Harp,  the  Poetry  by  T.  Moore. 
F.  Bhames  :  Dublin,  [1798?]     fol. 

G.  364.  (45.) 

'Tis  Love  that  murmurs  in  my  Breast. 
A  Glee  for  three  Voices.  The  Poetry  by 
T.  Moore,  etc.  F.  Bhames  :  Dublin, 

[1800?]     fol.  G.  352.  (38.) 

Under  the  Hawthorn  trees.     The  Archer's 
Glee,  for  three  Voices,  with  an  accompani- 
ment for  the  Piano  Forte,  the  poetry  by 
'    J.  Atkinson,  etc.  F.  Bhames  :  Dublin, 

[1800?]     fol.  G.  352.  (37.) 


STEVENSON  [Sir  John  Andrew)     Wel- 
come as  the  flowers  in  May.     [Song.] 
...The  Words  by  H.  B.  C.  E.Lee: 

Dublin,  [1101  ?]     fol.  G.  364.  (49.) 

The  Willow.  A  Favorite  Ballad,  as  sung 
by  Master  Heather  . . .  the  Accompani- 
ments by  T.  Costellow.     [Full  Score.] 

Longman  Clementi  d-  Conqnj.  :  [London, 
1800?]    fol.  H.  2818.  c.  (45.) 

With  Delight  will  I  sing.  A  Favorite 
Song,  etc.  H.  Hime  :  Liverpool, 

[1800?]     fol.  H.  2815.  c.  (44.) 

Ye  Shepherds,  give  ear  to  my  Lay.  A 
Pastoral.  S.  Hime  : 

Liverjwol,  [1800?]    fol.     G.  805.  h.  (43.) 

Ye  Zephyrs  where's  my  blushing  Eose. 
A  Favorite  Song  in  answer  to  the  Mansion 
of  Peace.  Preston  d  Son  : 

London,  [1800  ?]    fol.  G.  360.  (43.) 

STEWART  (Neil)  A  Collection  of 
Marches  &  Airs.  For  Violins,  German 
Flutes,  and  Hautboys,  the  most  of  which 
has  Basses  for  the  Violoncello  or  Harpsi- 
chord, Published  in  Twelve  Numbers. 
N.  Stewart :  Edinburgh,  [1761.]     obi.  6". 

b.  42. 
The  composers  named  are :  McLean, 
Martini,  Collett,  Stanley,  McGibbon, 
Nardi7ii,  Humphries,  Jomelli,  Handel, 
Vivaldi,  Smith,  Lockatclli,  Burney, 
D.  Galo,  Bononcini,  Weideman,  Fest- 
ing,  Geminiani,  Horner,  Corelli,  Abel, 
Arne,  Boyce,  Avison,  Lampugnani, 
Hasse,  Green,  Dr.  F.,  Major  Beid, 
Castrucci  and  Cocklin. 

A  Second  Collection  of  Airs  and  Marches 
for    Two   Violins,   German    Flutes,    and 
Hautboys,  all  of  which  have  Basses   for 
the  Violoncello  or  Harpsichord. 
iV.  Stewart :  Edinburgh,  [1770  ?]     obi.  8\ 

b.  42.  a. 

The    composers    named    are :    Stamitz, 

Martini,  Corelli,  Humble,  Abel,  Kam- 

mell,   Avison,   Filtz,  Hasse,  Handel, 

Dr.  Arne,  Haijdn,  Taaffe  and  Bichter. 

STEYER  (Matej  Vaclav)    See  J.,  M.  S.  S. 

STICH  (Johann)     See  Punto  (G.)  pseud. 

STICK.     Stick  a  Pin  there.     [Song.] 
See   When.      When   tutor'd   by  Mother, 
etc.     [1760  ?]     s.  sh.  fol.     G.  316.  (155.) 

STICKL  (Franciscus)  Anglipolitana 
Veneratio. .  .constans  Sex  Missis  Cantatis 
a  Quatuor  Vocibus  Concertantibus,  Nee 
non  lustrumentis  variis  ad  libitum  ad- 
hibendis,  etc.  Organo.  Opus  n. 
Ty2ns  d  sumptibus  loannis  lacobi  Lotteri : 
Auqustx  Vindelicorwn,  1727.     fol. 

^  G.  946. 


538 


STICKNEY— STOP 


STICKNEY  (John)  The  Gentleman  and 
Lady's  Musical  Companion.  Containing 
a  Variety  of  Excellent  Anthems,  Psalm 
Tunes,  dx.  Collected  from  the  best 
Authors,  etc.  Daniel  Bayleij  : 

Newbw-y-Port,  [1774.]    obi.  i".     A.  849. 
Imperfect,  wanting  pp.  97-101  and  all 
after  p.  212. 

STILES   [Sir  Francis    Haskins   Eyles) 
Bart.     An  Explanation  of  the  Modes  or 
Tones  in  the  Antient  Grsecian  Music,  etc. 
London,  1761.     4°.  7897.  h.  15.  (1.) 

STILL.     Still  in  hopes  to  get  the  better. 


Song. 


See  Love  in  a  Village. 


Still   must   I    grieve    for    an    ungrateful 

Swain.     Complaint  in  Recitative. 

See  Peanck  (J.  W.) 

Still  we  sigh  for  Something  more.   Eondo. 

See  Eeeve  (W.)     \_The  Double  Jealousy.'] 

STILLINGFLEET  (Benjamin) 
See  Principles.    Principles  and  Power  of 
Harmony.     [By  B.  Stillingfleet.] 


1771.     4". 


557*.  e.  14. 


STIRLING  (Magdalene)  Twelve  Tunes. 
[P.  P.]     [Edinburgh,  1796.]     fol. 

g.  149.  (24.) 

STIVORIO  (Francesco)  Madrigali  e 
Dialoghi  a  Otto  Voci,  per  cautar,  & 
concertar  con  ogni  sorte  de  istrumenti, 
etc.  Canto  (Alto)  (Tenore)  (Basso)  Primo 
Choro.  (Alto  (Basso)  Secoudo  Choro.) 
6  pts.  Appresso  Bicciardo  Amadino  : 

Venetia,  1598.     4°.  C.  251. 

Madrigali  et  Canzoni  a  Otto  Voci. .  .Libro 
Terzo  de  suoi  Concerti,  etc.  Canto.  (Alto.) 
(Basso.)  Primo  Choro.  (Basso.  Secondo 
Choro.)     4  pts.  Appresso  Bicciardo 

Amadino  :  Venetia,  1603.     4°.  D.  99. 

Musica  Austriaca  nella  quale  Francesco 
Stivorio. .  .spiego  in  parte  gl'  incompara- 
bili  grandezze,  &  virtudi  de  Sereniss'"' 
Priucipi,  e  Principesse  d'  Austria,  dx. 
Canto  (Alto)  (Tenore)  (Basso)  Terzo  Choro. 
4  pts.  Appi-esso  Bicciardo  Amadino  : 

Venetia,  1605.     4".  D.  99.  a. 

STOBAEUS  (Johannes)  Epithalamia. 
Zu  Ehren. .  .dem  Ehrnvesten. .  .Heinrich 
Wessel,  vnd  seiner. .  .Brant. .  .Annse,  des 
. .  .Herren  Georg  Siwerts  . . .  Tochter. . . 
componiret,  etc.  Discantus  i.  (ii.)  (Altus) 
(Bassus)  Chori  i.  (Altus  (Tenor  i.) 
(Tenor  ii.)  (Bassus)  Chori  ii.)     8  pts. 

Typis  Ostcrbergerianis  :  Konigsberg  in 
Preussen,  1610.     obi.  4".  A.  358. 

STOCKING-.     The  Stocking.     Cantata. 

See  Stokes  (T.) 

STOCKING  HALL.      Stocking  Hall  or 
the   Gay   Dragoons.      [Song.]      See   Gay. 
The  Gay  Dragoons  on  Wellaud's  banks. 
[1720?]    s.sh.iol.  G.  312.  (42.) 


STOCKWELL.  The  Stockwell  Wonder. 
Ballad.     Sec  Harlequin  Skeleton. 

STOERL  (JoHANN  Georg  Christian) 
See    Hiller   (F.   C.)      Denck-Mahl    der 
Erkentniss,  Liebe  und  Lob  Gottes...Mit 
musicalischer    Composition   [by  J.  G.  S. 
Storl],  dc.     1711.     8°.     '  3435.  ccc.  30. 

STOICES  (Charles)  The  Oak.  A  Favorite 
Ballad.  W.  Hodsoll : 

London,  [1800  ?]     fol.  G.  365.  (25.) 

STOKES  (Thomas)  The  Stocking.  A 
Cantata. .  .for  the  Violin  Ger"  Flute  or 
Harpsichord,  etc. 

Printed  for  H.  TJioroivgood  : 
London,  [1765  ?]  fol.  H.  1994.  d,  (55.) 
[Another  edition.]  The  Stocking.  A 
Cantata.     [London,  1165  7]     fol. 

G.  295.  (23.) 

STOLEN.     The  Stolen  Kiss.     [Song.] 
See.  On.     On  a  Mossy  Bank  reclin'd. 
[1743?]     s.sh.iol.  G.  310.  (201.) 

The  Stolen  Kiss.  Song  [begins  :  '  Tell  me 
Maria'].     .6'ee  Wilson  (    )  Si7iger. 

S  T  O  L  L  E  (Philipp)  Neu-anmuthiges 
Schau-Spiel,  genahmt  Charimunda,  oder 
Beneideter  Liebes-Sieg.  Nebenst  beyge- 
fiigten  Kunstgesetzten  Melodeyen  derer 
darinnen  befindlichen  Liedergen,  etc. 
In  Verlegung  Johan  Georg  Schivandters 
...gedruckt  bey  Melchior  Oelschlegeln : 
Halle,  1658.    8».       11747.  aaaa.  3.  (1.) 

STONE  (J.)  Absent  Delia,  etc.  [Song.] 
[London,  1779.]     s.  sh.  4°.         P.P.  5141. 

Lady's  Magazine,  April,  1779. 
Gentle  Zephyr,  as  you  fly.     ^4  Translation 
from  Melastasio,  etc.     [Song.]        [London, 
1779.]     s.  sh.  4°.  P.P.  5141. 

Lady's  Magazine,  Oct.,  1779. 

If  gold  could  bribe  the  stroke  of  fate. 
Anacreontic,  etc.    [Song.]  [London,] 

1796.     s.  sh.  4°.  P.P.  5141. 

Lady's  Magazine,  Oct.,  1796. 

Place  me  where  never  summer's  breeze. 
A  Song.  The  Words  an  Imitation 
of  Part  of  the  Twenty-second  Ode  of 
Horace,  etc.     [London,  1780.]     s.  sh.  4°. 

P.P.  5141. 

Lady's  Magazine,  June,  1780. 
The  Power  of  Beauty.     [Song.] 
SMillern  :  London,  1780?]     s.  sh.  fol. 

G.  308.  (117.) 
Where  is  pleasure  ?    A  Neiv  Song,  etc. 
[London,  1778.]     s.  sh.  4°.        P.P.  5141. 

Lady's  Magazine,  Sept.,  1778. 

STOP.      Stop,   Hussey,   stop.     The    Street 

Walker.     A  favourite  Catch  for  3  Voices. 

Str[aight]  d  Sk[illern  :  London, 

1777?]     s.sh.iol  G.  311.  (128.) 

Stop,  0  ye  Waves.     Song. 
See  Weldon  (J.) 


STORAGE 


539 


STORAGE  (Stephen) 

Arrangement. 

1.  Operas,  Entertainments,  Ballet. 

2.  Songs. 

3.  Instrumental  Music. 

4.  Appendix. 

5.  Index  of  Songs. 

1.  Operas,  Entertainments,  Ballet. 

La  Cameriera  Astuta. 
The  Favorite  Overture   in   the   Opera   of 
La  Cameriera   Astuta. .  .adapted  for   the 
Harpsichord  with  an  Accompaniment  for 
the  Violin.  Birchall  cC  Andreivs,  fur 

S.  Storace :  London,  [1788.]    fol. 

h.  61.  (12.) 

Ah  perche  di  quel  Ingrato,  the  Favorite 
Quartette. .  .in  the  Comic  Opera  of  La 
Cameriera  Astuta.     [Full  Score.] 

Birchall  d-  Andrews,  for  S.  Storace  : 
London,  [1788.]     fol.  G.  197.  (19.) 

Beaux  Yeux  and  Jeunes  Coeurs  soyez 
fideUes,  the  Favorite  French  Air  and 
Gavotte... in  the  Opera  of  La  Cameriera 
Astuta.     [Full  Score.] 

Birchall  (&  Andrews,  for  S.  Storace  : 
London,  [1788.]     fol.  G.  297.  (6.) 

[Another  copy.]  G.  196.  (2.) 

E  di  Matti  questo  Mondo,  a  favorite  Air. . . 
in  the  Opera  of  La  Cameriera  Astuta. 
[Full  Score.]  Birchall  d  Aiulrcws,for 

S.  Storace  :  London,  [1788.]     fol. 

G.  196.  (3.) 
The  Cherokee. 
The  Cherokee,  an   Opera   in   Three  Acts, 
[words by  J.  Cobb] . .  .the  Music  principally 
composed  by  S.  Storace.     [P.  P.  Score.] 
J.  Dale  :  London,  [1791.]     obi.  fol. 

D.  288.  (4.) 

Ah  what  avails  the  busy  Care.  A  Favorite 
Song. .  .in  the  Cherokee,  etc.  Printed  for 
J.  Dale  :  London,  [1795  ?]     fol. 

G.  250.  (39.) 

And   does  a  fond   Emotion.     A  Favorite 
Duett  in  the  Opera  of  the  Cherokee. 
J.  Dale  :  London,  [1795  ?]     fol. 

G.  354.  (41.) 

And  does  a  fond  Emotion.  The  favorite 
Duett... with  Variations  by  D.  Steibett. 
[P.  F.]  Printed  for  J.  Dale  :  Lomlon, 

[1792?]     fol.  g.  139.  (43.) 

In    former    times    the    Silent    Bride,    a 
Favorite  Duett ...  in  the  Chej'okee. 
Printed  for  J.  Dale  :  London,  [1795  ?]    fol. 

G.  354.  (41.) 
A  Sailor  lov'd  a  Lass.  A  Favorite  Song. . . 
in  the  Cherokee,  etc.  Printed  for  J.  Dale  : 
[London,  1795  ?]     fol.  G.  250.  (38.) 

A  Shepherd  once  had  lost  his  Love,  a 
favorite  Song ...  in  the  Cherokee,  the 
Words  by  Mr.  Cobb.  J.  Dale  :  London, 
[1795?]     fol.  G.  798.  (47.) 

[Another  copy.]  G.  250.  (36-39.) 


STORACE  (Stephen)     Sweet  Sympathy. 
A  favorite  Song. .  .in  the  Cherokee,  etc. 

Printed  for  J.  Dale  : 
London,  [1795  ?]     fol.  G.  250.  (37.) 

[For  songs,  &c.,  published  anonymously  :] 
See  Cherokee. 

The  Doctor  and  the  Apothecary. 
[For  songs,  &c.,  by  Storace  in  this  adapta- 
tion of  Dittersdorf's  Opera :] 
See  Doctor  and  Apothecary. 

The  Glorious  First  of  June. 
The  Favorite  Airs,  Duett,  Glees,  & 
Chorusses  in  the  New  Musical  Entertain- 
ment, call'd  The  Glorious  First  of  June, 
as  Performed  ...  for  the  Benefit  of  the 
Widows  and  Orphans  of  the  Brave  Meu 
who  fell  in  the  late  Engagements  under 
Earl  Howe.  The  IMusic  Composed  and 
Selected  by  S.  Storace.  [P.  F.  Score. 
Dialogue  ascribed  to  R.  B.  Sheridan  and 
J.  Cobb.  Songs  written  by  the  Duke  of 
Leeds,  the  Earl  of  Mulgrave,  Mrs.  Robin- 
son, Richardson,  Sheridan,  etc.] 

Printed  for  J.  Dale  : 
London,  [1795.]  ohl.  fol.  D.  288.  (6.) 
The  Overture  &  Favorite  Airs  &c.  in... 
The  Glorious  First  of  June  . . .  Adapted 
for  the  German  Flute,  etc. 

Printed  for  J.  Dale  : 
Lmidon,  [1794.]     obi.  4°.  B.  388.  (3.) 

Overture.  [P.  F.]  See  Glorious  First 
OF  June.    Overture,  etc.    [1794.]     obi.  fol. 

e.  104.  (14.) 
He  lives  but  to  Conquer,  &  Conquers  to 
Save.  A  Favorite  Song. .  .in  the  Glorious 
1'*  of  June,  etc.  Printed  for  J.  Dak  : 

London,  [1794.]     fol.  G.  250.  (42.) 

O'er  the  vast  Surface  of  the  Deep.  A 
Favorite  Song  [words  by  the  Duke  of 
Leeds]... in  the  Glorious  First  of  June, 
etc.  Printed  for  J.  Dale  : 

London,  [1794.]     fol.  G.  250.  (41.) 

Oh  stay  my  Love.     A  Favorite  Song... 
in  the  Glorious  First  of  June,  etc. 
Printed  for  J.  Dale  :  London,  [1794.]    fol. 

G.  250.  (40.) 
The  Haunted  Tower. 
The  Haunted  Tower.  A  Comic  Opera  in 
three  Acts  .  .  .  [Words  by  J.  Cobb,]  the 
Music  selected,  adapted  &  composed  by 
S.  Storace.  [P.  F.  Score.]  Printed  for 
the  Author :  London,  1789.     obi.  fol. 

D.  289.  (3.) 

The  Haunted  Tower,  &c.    [P.  F.  Score.] 

Longman  &  Broderip:  London, 
1789.    obi.  fol.  E.  100.  b.  (7.) 

[Another  edition.]  The  Haunted  Tower, 
etc.  [P.  F.  Score.]  Longman  &  Broderip : 
London,  \ll'dO'>]    obi.  iol.  E.  115. 

Spirit  of  my  sainted  Sire.  A  favorite 
Song,  sung  by  Mr.  Kelly,  etc. 

Longman  and  Broderip  : 
{London,  1789.]    fol.    H.  1994.  d.  (56.) 


540 


STORAGE 


STORAGE  (Stephen)  [Will  great  Lords 
and  Ladies.]  See  Clarke,  afterwards 
Clarke  Whitfeld  (J.)  The  Celebrated 
Duett. .  .in  the  Haunted  Tower,  arranged 
for  the  Piano-Forte,  etc.     [1793  ?]     fol. 

g.  139.  (11.) 
The  Iron  Chest. 
The  Iron  Chest.     Opera.     [P.  F.  Score.] 
See  infra :  The  Favorite  Operas  of  Mah- 
moud  &  The  Iron  Chest. 
Overture.      See  Iron    Chest.     Overture, 
etc.     [1796.]     obi.  fol.  e.  104.  (15.) 

Down  by  the  River  there  grows  a  green 
Willow.     A  Favorite  Song... in  the  Iron 
Chest,  the  Words  by  G.  Colman,  etc. 
Printed  for  J.  Dale  :  London,  [1796.]     fol. 

G.  250.  (52.) 

Sweet  little   Barbara,  a   Duett... in  the 
Iron  Chest,  etc.  J-  Dale  : 

London,  [1796.]     fol.  G.  354.  (40.) 

A  Traveller  stopt  at  a  Widow's  Gate.     A 
Favorite  Song. .  .in  the  Iron  Chest,  etc. 
Printed  for  J.  Dale  :  London,  [1796.]    fol. 

G.  250.  (53.) 
Lodoiska. 
Lodoiska,  a  IMusical  Romance,  in  Three 
Acts. .  .the  INIusic  composed  &  selected  by 
S.  Storace.     [Words  by  J.  P.  Kemble.] 

Printed  for  J.  Dale  : 
London,  [1794.]     obi.  fol.  E.  115.  b. 

The  Overture  &  Songs,  &c.in. .  .Lodoiska, 
.  .  .adapted  for  the  German  Flute,  etc. 

Printed  for  J.  Dale  : 
London,  [1794.]  obi.  4°.  B.  386.  a.  (7.) 
The  Favorite  Overture  &  Grand  March  in 
Lodoiska  [by  R.  Kreutzer]. .  .adapted  for 
the  Piano  Forte,  by  S.  Storace. 
Printed  for  J.  Dale :  London,  [1795  ?]    fol. 

g.  271.  e.  (28.) 

Ye  streams  that  round  my  Prison  creep. 
A  Favorite  Song. .  .in. .  .Lodoiska,  etc. 
J.  Dale  :  London,  [1794.]     fol. 

G.  250.  (54.) 
Mahmoud. 
The  Favorite  Operas  of  Mahmoud  &  The 
Iron  Chest,. .  .Adapted  for  the  Piano  Forte 
or  Harpsichord  by  J.  Mazzinghi,  etc. 

Printed  for  Mrs.  Storace  : 
London,  [1797.]     obi.  fol.  E.  115.  a. 

The  Carpet  Weaver.  A  Favorite  Song 
. .  .in  Mahmoud,  etc.  Printed  for  J.  Dale  : 
London,  [1796.]     fol.  G.  250.  (61.) 

From  Shades  of  Night.  A  Favorite  Song 
...  in  Mahmoud,  etc.  Printed  for  J.  Dale  : 
London,  [1796.]     fol.  G.  250.  (58.) 

Oh  hapless  Youth.  A  favorite  Song. .  .in 
Mahmoud,  etc.  Printed  for  J.  Dale  : 

London,  [1796.]     fol.  G.  250.  (59.) 

Tho'   pleasure   swell  the   Jovial   Cry.     A 
favorite  Song. .  .in  Mahmoud,  etc. 
Printed  for  J.  Dale:  London,  [1796.]     fol. 

G.  250.  (60.) 


STORACE  (Stephen)    Toll  toll  the  Knell. 
A  favorite  Song. .  .in  Mahmoud,  etc. 
Printed  for  J.  Dale  :  London,  \119&.'\     fol. 

G.  250.  (56.) 
Where  jealous  Misers  starve.  A  Favorite 
Song. .  .in  Mahmoud,  etc.  Printed  for 

J.  Dale  :  London,  [1796.]     fol. 

G.  250.  (57.) 
[For  songs,  &c.,  published  anonymously:] 
See  Mahmoud. 

My  Grandmother. 

My  Grandmother,  a  Musical  Entertain- 
ment, etc.  [Words  by  P.  Hoare.  P.  F. 
Score.]  Printed  for  J.  Dale  :  London, 

[1796.]     obi.  fol.  D.  288.  (5.) 

]My  Grandmother  .  .  .  Adapted  for  the 
German  Flute,  etc.  Printed  for  J.  Dale  : 
London,  [1796.]    obi.  4».     B.  386.  a.  (6.) 

Are  ye  fair,  as  op'ning  roses.    A  Favorite 
Song. .  .in. .  .My  Grandmother,  etc. 
Printed  for  J.  Dale  :  London,  [1796.]     fol. 

G.  250.  (50.) 
Cruel  fair !  who  secret  anguish.  A 
Favorite  Song. .  .in. .  .My  Grandmother, 
etc.  Printed  for  J.  Dale  :  London, 

[1796.]     fol.  G.  250.  (51.) 

Dicky  Gossip.  A  Favorite  Song.  .  .in  My 
Grandmother.  Printed  for  J.  Dale  : 

London,  [1796.]     fol.  G.  450.  (46.) 

Kever  think  of  Love.  A  favorite  Song 
...  in  My  Grandmother,  etc.  Printed  for 
J.  Dale  :  London,  [1796.]     fol. 

G.  250.  (45.) 
On  the  lightly  sportive  wing.  The 
Favorite  Masqiierade  Song  ...  in  ]\Iy 
Grandmother,  etc.  Printed  for  J.  Dale  : 
London,  [1796.]     fol.  G.  799.  (21.) 

[Another  copy.]  G.  450.  (49.) 

The  Picture  Song  ...  in  ...  My  Grand- 
mother, etc.  Printed  for  J.  Dale  : 
London,  [1796.]  fol.  G.  450.  (47.) 
WeU-a-day !  Lack-a-day !  A  Favorite 
Song. .  .in  My  Grandmother,  etc. 
Printed  for  J.  Dale  :  London,  [1796.]    fol. 

G.  450.  (48.) 

No  Song  No  Supper. 
No  Song  No  Supper.  A  Comic  Opera  in 
Two  Acts  [words  by  Prince  Hoare] . . .  the 
]\Iusic  chiefly  Composed  &  Adapted  for 
the  Harpsichord  or  Piano-Forte  by 
S.  Storace.  [P.  F.  Score.]  Longman  & 
Broderip  :  London,  [1790.J     obi.  fol. 

D.  289.  (2.) 

Go  George,  I  can't  endure  you,  etc. 
[Song.]  Bland  &  Welter  :  London, 

[1795?]     fol.  G.  796.  (33.) 

How  happily  my  life   I   led.     A  favorite 
Song. .  .in. .  .No  Song  No  Supper. 
Bland  d  Welter  :  London,  [1795  ?j     fol. 

H.  2818.  c.  (47.) 


STORAGE 


541 


STORAGE  (Stephen)  With  lowly  suit 
and  plaintive  ditty.  [Song.]  Sung... in 
No  Song  No  Sui^per,  etc. 

Longman  and  Brodcrip  :  {London, 
1790?]     fol.  G.  806.  r.  (35.) 

Le  Nozze  di  Dorina. 
lo  non  era.  The  Favorite  Rondo  sung. . . 
by  Sig'"  Storace  in  the  Opera  of  Le  Nozze 
di  Dorina,  etc.  [A.  Pasticcio.  Full 
Score.]  J.  Dale,  for  the  Author  :  London, 
[1793.]    fol.  G.  199.  (30.) 

The  Pirates. 
The  Pirates,  an  Opera  in  Three  Acts,  etc. 
[Words  by  J.  Cobb.     P.  F.  Score.] 
J.  Dale  :  London,  [1792.]     ohl.  fol. 

D.  289.  (5.) 
[Another  copy.]  E.  91.  (3.) 

The  Pirates. .  .Adapted  for  the  German 
Flute,  etc.  Printed  for  J.  Dale  :  London, 
[1792.]     obi.  4».  B.  388.  (2.) 

As  wrapt  in  Sleep  I  lay.  A  Favorite 
Song. .  .in  the  Pirates,  etc.  Printed  for 
J.  Dale  :  London,  [1792.]     fol. 

G-.  250.  (64.) 
Careful   the   Winding   Path   explore.      A 
Favorite  Song. .  .in  the  Pirates,  etc. 
Printed  for  J.  Dale  :  London,  [1792.]    fol. 

G.  250.  (63.) 
The  Jealous  Don,  a  favorite  Duett... in 
The  Pirates,  etc.  Printed  for  J.  Dale  : 

London,  [1792.]     fol.  G.  354.  (42.) 

The   Childhood's   careless   happy   Day,  a 
Favorite  Song.  .  .in  the  Pirates,  etc. 
Printed  for  J.  Dale  :  London,  [1792.]    fol. 

G.  250.  (65.) 
Lovers  who  listen  to  Reason's  persuasion. 
A  Favorite  Song. ,  .in  the  Pirates,  etc. 

Printed  for. .  .J.  Dale  : 
London,  [1792.]     fol.  G.  250.  (66.) 

No  more  his  Fears  alarming.  A  favorite 
Song. .  .in  the  Pirates,  etc. 

Printed  for. . .  J  Dale  : 
London,  [1792.]     fol.  G.  250.  (67.) 

[Peaceful  slumb'ring  on  the  ocean.] 
Lullaby.  A  Favorite  Air... with  Varia- 
tions for  the  Piano  Forte  by  J.  Dale. 

Printed  for  J.  Dale  : 
London,  [1792  ?]     fol.  g.  139.  (15.) 

See    Elouis    (J.)       Lullaby    [from 

S.  Storace's  Opera  '  The  Pirates ']  avec 
Variations  pour  la  Harpe,  etc. 

[1795?]     fol.  g.  301.  (8.) 

See  Harrison  (S.)     Lullaby. .  .Glee, 

etc.  [The  melody  from  Storace's  Opera  The 
Pirates.]    [1793?]    oW.  fol.     D.  400.  (4.) 

See    RoNSSECY    (        de)    Madame. 

Lullaby  [by  S.  Storace],  adapted  for  the 
Harp,  etc.     [1800  ?]     fol.      H.  2819.  (6.) 
There,    the    Silver'd    Waters     roam.      A 
Favorite  Song. .  .in  the  Pirates,  etc. 
Printed  for  J.  Dale  :  London,  [1792.]    fol. 

G.  250.  (62.) 


STORAGE  (Stephen) 

The  Prize. 
The  Prize,  or  2.  5.  3.  8.     A  New  Musical 
Farce,  etc.     [Written  by  P.  Hoare.     P.  F. 


Score.] 
London,  [1793.] 
The  Prize,  or  2. 
Guitar. 
London,  [1793.] 


Printed  for  J.  Dale  : 
obi.  fol.  E.  91.  (2.) 

5.  3.  8 . . .  Adapted  for  the 
Printed  for  J.  Dale  : 
obi.  4".         B.  388.  (4.) 
Oh  dear  delightful  Skill,  etc.     [Song.] 
Printed  for  J.  Dale  :  [London,  1793.]    fol. 

G.  250.  (69.) 
The  Poor  Black  Boy.  (A  Favorite  Song 
. .  .in  The  Prize,  etc.)  Printed  for  J.  Dale  : 
London,  [1793.]     fol.  G.  250.  (68.) 

The  Siege  of  Belgrade. 
The  Siege  of  Belgrade,  An  Opera  in  Three 
Acts  [words  by  J.  Cobb]  . . .  The  music 
principally  composed  [but  partly  ar- 
ranged from  Martin's  "  Cosa  Rara  "]  by 
S.  Storace.  J.  Dale  : 

London  [1791.]     obi.  fol.        D.  289.  (4.) 
My  Plaint  in  no  one  Pity  moves.    [Song.] 
Sung. .  .in  the  Siege  of  Belgrade,  etc. 
London,  [1791.]     fol.  G.  250.  (70.) 

The  Sapling  Oak.  A  Favorite  Song. . . 
in  the  Siege  of  Belgrade,  etc.  J.  Dale  : 
London,  [1791.]    fol.  G.  798.  (46.) 

[For  songs,  &c.,  published  anonymously  :] 
See  Siege  of  Belgrade. 

The  Three  and  the  Deuce. 
The  Three  and  the  Deuce,  a  Musical 
Entertainment,  etc.  [Words  by  Prince 
Hoare.  P.  F.  Score.]  Printed  for  J.  Dale  : 
London,  [1795.]  obi.  fol.  D.  288.  (7.) 
The  Three  and  the  Deuce. .  .Adapted  for  the 
German  Flute,  etc.  Printed  for  J.  Dale  : 
London,  [1795.]  obi.  i".  B.  388.  (1.) 
Full  many  a  Lad  in  Llowyel's  Vale.  A 
Favorite  Song... in  The  Three  and  the 
Deuce.  Printed  for  J.  Dale  : 

London,  [1795  ?]     fol.  G.  793.  (6.) 

Go  not  my  Love,  a  favorite  Song. .  .in. . , 
the  Three  and  the  Deuce,  etc.  Printed  for 
J.  Dale :  London,  [1795.]  fol.  G.  250.  (72.) 
Little  Taffline,  a  favorite  Song  sung. .  .in 
. .  .the  Three  and  the  Deuce,  etc. 

Printed  for  J.  Dale  : 
London,  [1795.]     fol.  G.  250.  (71.) 

Venus  and  Adonis. 
Venus  &  Adonis,  the  Favorite  Ballet... 
Adapted  for   the   Harpsichord   or  Piano- 
Forte,  etc.  Printed  for  J.  Dale  : 
London,  [1793.]     obi.  fol.       e.  108.  (14.) 

2.  Songs. 
Ah  !  Delia  see  the  fatal  hour.    A  Favorite 
Arrictte.      Translated,    by    Miss    Carter, 
from  part  of  that  beautiful  Canzonette  of 
Metastasio,  called  La  Partenza. 

Longman  and  Broderip : 
lLondo7i,  1785  ?]   fol.    H.  1601.  b.  (75.) 


542 


STORAGE 


STORAGE  (Stephen)  Eight  Canzonetts 
with  an  Accompaniment  for  a  Piano  Forte 
or  Harp.  Longman  d  Broderij^ : 

London,  [1782  ?]  fol.  G.  295.  b.  (4.) 
[Eight  Canzonetts.  No  7.]  Unless  with 
my  Amanda  blest.     Canzonet,  etc. 

Longman  and  Brodcrip  : 
[London,  1185  2]  fol.  H.  1994.  d.  (57.) 
Captivity.  A  Ballad.  Supposed  to  be 
Smig  by... Marie  Antoinette,  during  her 
Imprisonment  in  the  Temple.  The  Words 
by  the  Rev''  M""  Jeans,  etc. 

J.  Dale,  for  the  Author  : 
London,  [1793.]     fol.  G.  363.  (20.) 

[Another  copy.]  H.  2821.  (17.) 

Care  donne  che  bramate.  [Song.]  Sung 
...by  Sig"  Storacc.in  the  Opera  [by 
G.  Paisiello]  of  II  Re  Teodoro  in  Venezia 
. .  .The  Words  by  Badini.     [Full  Score.] 

Birchall  cC  Andrews,  for  the  Author  : 
London,  [1787.]     fol.  H.  345.  (4.) 

Care  donne  che  bramate,  etc.  [Full  Score.] 
Longman  and  Broderi])  : 
Lojidon,  [1787.]     fol.  G.  196.  (9.) 

Lamentation  of  ]\Iarie  Antoinette,  late 
Queen  of  France,  on  the  Morning  of  her 
Execution.     [Full  Score.]  J.  Dale,  for 

the  Author  :  London,  [1793.]     fol. 

G.  356.  (18.) 
O  strike  the  Harp,  for  One,  Two,  or  Three 
Voices,  with  an  Accompaniment  for  the 
Harp  or  Piano  Forte.  The  Poetry  from 
Ossian.  The  Music  from  the  Compositions 
of  S.  Storace.  Printed  for  J.  Dale  : 

London,  [1800  ?]     fol.  G.  352.  (42.) 

3.  Instrumental  ]\Iusic. 
Storace's   Collection  of   Original   Harpsi- 
chord Music.   [Solos  and  Concerted  Music. 
Separate  Parts.]  Birchall  d  Andrews, 

for  S.  Storace  :  [London,  1790.]     fol. 
•'  g.  122. 

The    composers   of  this   collection  arc : 
Kozeluch,    Tanhall,   Mozart,  Storace, 
Schroeter,       Clementi,       Hoffmeister, 
Haydn,  Ativood  and  Krumpholtz. 
Sonata  [in  D]  for   Piano-Forte  with  Ac- 
companyment  for   Violin   &   Violoncello. 
See  supra  :  Storace's  Collection  of  Original 
Harpsichord  Music.     Vol.  I.     No.  3. 
Sonata.     [In  C  minor  for  Violoncello  and 
P.  F.]     See  supra  :  Storace's  Collection  of 
Original    Harpsichord    Music.      Vol.   II. 
No.  4. 

Three  Sonatas  for  the  Harpsichord  or 
Piano  -  Forte,  with  Accompanyments. 
[Separate  Parts.]  Printed  for 

H.  Andreivs  :  London,  [1785  ?]     fol. 

g.  122.  a. 

Sis  easy  and  progressive  Sonatinas  for  the 
Piano  Forte  or  Harpsichord.  Compos'd  for 
the  Improvement  of  Juvenile  Performers. 
Longman  d  Brodcrip,  for  the  Author  : 
London,  [1790.]     fol.  g.  149.  (5.) 


STORACE   (Stephen)      Trio    [in   C,   for 
Harpsichord,  A'iolin  and  Violoncello]. 
See  supra  :  Storace's  CoUectiou  of  Original 
Harpsichord  Music.     Vol.  I.     No.  6. 

4.  Appendix. 
See    CORFE    (Joseph)        A    Third    Set   of 
Twelve  Glees. .  .arranged  from  the  Melo- 
dies of. .  .Storace,  etc.     [1800  ?]     obi.  fol. 

E.  317. 

See  DiTTEESDORF  (C.  DiTTERS  von)  [Dcr 
Apothcker  und  Doktor.']  The  Doctor  and 
the  Apothecary. .  .The  Music  adapted... 
and  composed  by  S.  Storace.  [1788.] 
ohl.  fol.  D.  289.  (1.) 

See  Krumpholz  (J.  B.)  The  Favorite 
Harp  Concerto. .  .adapted  for  the  Harpsi- 
chord ...  by  S.  Storace.     [1790  ?]     fol. 

h.  726.  1.  (6.) 

5.  Index  of  Songs. 
Ah  perche  di  quel  Ingrato. 
See  [La  Cameriera  Astuta.] 
Ah  what  avails  the  busy  Care. 
See  [The  Cherokee]     . 
And  does  a  fond  Emotion. 
See  [The  Cherokee.'} 

Are  ye  fair,  as  op'ning  roses. 
See  [My  Grandmother.'} 

As  wrapt  in  Sleep  I  lay. 

See  [The  Pirates.} 

Beaux  Yeux.    See  [La  Cameriera  Astuta.} 

The  Carpet  Weaver.     See  [Mahmond.} 

Cruel  fair  !  who  secret  anguish. 

See  [My  Ch-andmother.} 

Dicky  Gossip.     See  [My  Grandmother.} 

Down  by  the  River  there  grows  a  green 

Willow.     See  [The  Lvn  Chest.} 

Careful  the  Winding  Path  explore. 

,S'ee  [The  Pirates.} 

B  di  Matti  questo  Mondo. 

See.  [La  Cameriera  Astuta.} 

From  Shades  of  Night.     See  [Mahmoud.} 

Full  many  a  Lad  in  Llewyel's  Vale. 

See  [The  Three  and  the  Deuce.} 

Go  George,  I  can't  endure  you. 

See  [No  Song  No  Supper.} 

Go  not  my  Love. 

See  [The  Three  and  the  Deuce.] 

He  Lives  but  to  Conquer,  and  Conquers 

to  Save.    See  [The  Glorious  First  of  June.] 

How  happily  my  life  I  led. 

See  [No  Song  No  Sripper.} 

The  jealous  Don.     See  [The  Pirates.} 

In  Childhood's  careless  happy  Day. 

See  [The  Pirates.] 

In  former  times  the  Silent  Bride. 

See  [The  Cherokee.] 

lo  non  era.     See  [Le  Nozze  di  Doiina.} 

Jeunes  coeurs  soyez  fidelles. 

See  [La  Cameriera  Astuta.} 


STORAGE— STEEET 


543 


STORAGE  (Stephen)     Little  Taffline. 
See  [The  Three  and  the  Deuce.'} 
Lovers,  who  listen  to  Reason's  persuasion. 
See  [The  Pirates.] 
My  Plaint  in  no  one  Pity  moves. 
See  [The  Siege  of  Belgrade.] 
Never  think  of  Love. 
See  [My  Grandmother.] 
No  more  his  Fears  alarming. 
See  [The  Pirates.] 
O'er  the  vast  Surface  of  the  Deep. 
See  [The  Glorious  First  of  June.] 
Oh  dear  delighted  Skill.     See  [The  Prize.] 
Oh  hapless  Youth.     See  [ilahmaud.] 
Oh  stay  my  Love. 
See  [The  Glorious  First  of  June.] 
On  the  lightly  sportive  wing. 
See  [My  Grandmother.]  | 

The  Picture  Song.   See  [My  Grandmother.]   \ 
The  Poor  Black  Boy.     See  [The  Prize.] 
A  Sailor  lov'd  a  Lass.     See  [The  Cherokee.] 
The  Sapling  Oak. 
See  [The  Siege  of  Belgrade.] 
A  Shepherd  once  had  lost  his  Love. 
See  [The  Cherokee.] 
Spirit  of  my  sainted  Sire. 
,S'ee  [The  Haunted  Tower.] 
Sweet  little  Barbara, 
^ee  [The  Iron  Chest.] 
Sweet  Sympathy.     See  [The  Cherokee.] 
There  the  Silver'd  Waters  roam. 
See  [The  Pirates.] 
Tho'  pleasure  swell  the  Jovial  Cry. 
(See  [Mahjnoud.] 

Toll  toll  the  Knell.     See  [Mahmoud.] 
A  Traveller  stopt  at  a  Widow's  Gate. 
See  [The  Iron  Chest.] 
Unless  with  my  Amanda  blest. 
See  [Eight  Canzonetts.     No.  7.] 
Well-a-day !  Lack-a-day ! 
See  [My  Grandmother.] 
Where  jealous  Misers  starve. 
See  [Mah7noud.] 

With  lowly  suit  and  plaintive  ditty. 
See  [No  Song  No  Supper.] 
Ye  streams  that  round  my  Prison  creep. 
See  [Lodoiska.'] 

STORM.    The  Storm.    [Song.]    See  Cease. 
Cease,  rude  Boreas,  etc.     [1771.]     8\ 

P.P.  5438.  z. 

The  Storm  :  or,  the  Daughter  of  the  Sea, 
etc.  [Song.]  See  Cease.  Cease,  rude 
Boreas.     [1770  ?]     s.  sh.  fol. 

H.  1994.  a.  (202.) 

A  Storm  at  Sea.     [Song.] 
See  Bradley  (R.) 

STOUT-LIMBED.      The   Stout    Limb'd 
Oak.     Glee.     Sec  Danby  (J.) 


STRACAVATA.  La  Stracavata.  Can- 
zonet.    See  Mayeb  (J.  S.) 

STRANGE.  Strange  Reverse  of  Human 
Fate.  Song.  See  Haendel  (G.  F.) 
[Alexander  Balus.] 

STRANGERS  AT  HOME.    The  Stran- 
gers at  Home.     Comic  Opera. 
See  LiNLEY  (T.)  the  Elder. 

STRATFORD.  Stratford  Jubilee.  [Song.] 
See  Come.  Come,  Brothers  of  Stratford, 
etc.    [1770?]  s.s7i.  fol.   H.  1994.  b.  (13.) 

STRATONTCE.  Stratonice.  Com^die 
heroique.     See  Mehul  (E.  N.) 

STRATTNER  (Georg  Christoph) 

See  Hymns.  [6. — German.]  Joachimi 
Neandri  vermehrte  Glaub-  und  Liebes- 
Ubung  . .  .  Eingerichtet  . . .  Durch  G.  C. 
Strattner,  etc.     1707.     8".      3425.  b.  11. 

STRAUBE  (Rudolph)  Three  Sonatas 
for  the  Guittar,  with  Accompanyments 
for  the  Harpsichord  or  Violoncello  . . . 
With  an  Addition  of  two  Sonatas  for  the 
Guittar,  accompanyd  with  the  Violin. 
Likewise  a  choice  Collection  of  the  most 
Favourite  English,  Scotch  and  Italian 
Songs  for  one,  and  two  Guittars,  of 
different  Authors  . . .  Also  Thirty  two  Solo 
Lessons  by  several  Masters. 

Printed  for  M}  Rauche  : 
London,  [1770  ?]     ohl.  fol.  e.  374. 

Due  Sonate  a  Liuto  Solo,  etc. 

In  Yerlegung  des  Autoris  : 
Lijysia,  174G.    obi.  fol.  e.  374.  a. 

STRAVAGANTI.  The  Favorite  Songs 
in  the  Opera  Gli  Stravaganti.  A  Burletta. 
[A  Pasticcio.     Short  Score.]     2  Bks. 

■    B.  Bremner:  Lo7idon,  [17G7.]     fol. 

G.  760.  b.  (1*.) 
Only  one  song  has  the  name  of  Piccini 
as  composer. 

STRAWBERRIES.  Strawberries.  [Song.] 
See  DiBDiN  (C.)  [A  Tour  to  the  Land's 
End.] 

STRAWBERRY     HILL.       Strawberry 
Hill.     [Song.]     See  Some.     Some  cry  up 
Gunnersbury.     [By  J.  Vernon.] 
[1758.]     8°.  P.P.  5438.  z. 

Strawberry  Hill.    [Song.]    See  Vernon  (J.) 

STREAMLET.       The     Streamlet     that 
flow'd  round  her  Cot.     Song. 
See  Shield  (W.)     [The  Woodman.] 

STREET.     The  Street  Intrigue.     Catch. 
See  Aene  (T.  A.) 

STREET  (Josiah)  A  Book  containing 
great  Variety  of  Anthems,  in  Two,  Three 
and  Four  Parts :  likewise,  a  Sett  of 
Psalm-Tunes,  in  Four  Parts. .  .All  entirely 
]s[ew.  William  Pearson : 

I/on^on,  [1730?]     8°.  C.  102.  a. 


544 


STREET— STRIGGIO 


STREET  (Josiah)  A  Book  containing  great 
Variety  of  Anthems,  in  Two,  Tliree,  and 
Four  Parts  :  witti  a  Large  Addition  of  An- 
thems, in  Two,  Three,  Four,  and  Six  Parts : 
and  a  Hvmn  for  Christmas-Day.  And  the 
Chants  at  Large,  all  entirely  New.  Like- 
wise, a  Set  of  Psalm-Tunes,  etc.  The 
Second  Edition,  with  Additions. 
Ilohert  Brown  :  London,  174G.     8". 

C.  102. 

A  Collection  of  Anthems,  in  Two,  Three, 
Four  and  Six  Parts:  with  a  Hymn  for 
Christmas-Day.  And  the  Chants  at 
Large,  all  entirely  New  . . .  Likewise  a  Set 
of  Psalm-Tunes  . . .  The  Third  Edition, 
with  Additions.  Printed  for  F.  JolUe. 

Carlisle :  London,  1785.     8°.      C.  102.  b. 

STREET-WALKER.  The  Street  Walker. 
Catch.     See  Stop.     Stop,  Hussey,  stop. 
[1777?]     s.  s7;.  fol.  G.  311.  (128.) 

STREICHER  (Anton)  Beytrag  zur  Auf- 
nahme  des  Gesangs  aus  den  Wercken  der 
grosten  Tonsezer  gezogen  fiirs  Clavier 
gesezt  von  A,  Streicher,  etc.     12  Hefte. 

J.  M.  Gotz :  Mannheim  u.  Milnchen, 

[1782.]     obi.  fol.  C.  755. 

Each])art  has  a  separate  title-pacje,  hut 

the  pagination    is   continuous.      The 

composers     named     are:     Monsigni, 

Schubaur,    Sarti,   Baron    von    Gotz, 

Ruprccht,  Paesiello,  A.  C.  Brand  and 

Gn'tnj. 

See  Martin  y  Solar  (V.)     [Una   Cosa 

Bara.']     Lilla  .  .  .  Clavierauszug    v.    A. 

Streicher,  etc.     [1788  ?]     obi.  fol. 

E.  244.  f. 

See  VoGLER  (G.  J.)  [Castor  und  Pollux.] 
Sinfonie  ...  in  Clavier-Auszug  gesetzt  von 
A.  Streicher.     1788.     obi.  fol. 

g.  90.  d.  (1.) 

STREPHON.  StrephonandChloe.  [Song.] 
See  Young.     Young  Strephon  once  the 
blithest  swain.     [By  E.  Miller.] 
[1764.]     8°.  P.P.  5441. 

Strephan  [sicl  and  Flavia.     Cantata. 
See  Savage  (J.) 

Strephon  and  Flora.     [Song.] 

See  infra  :  Strephon  with  his  Flora  lying, 

etc.    [1778?]    s.sh.iol.     G.  311.  (109.) 

Strephon  and  Maria.     [Song.] 

See  Gray  (T.  B.) 

Strephon  and  Phoebe.     [Song.] 

See  Arne  (T.  A.) 

Strephon  and  Phyllis.     Dialogue. 

See  When.     When  you  for  me  alone  had 

Charms.     [1730.]     s.  sh.  fol. 

G.  313.  (106.) 

Strephon   and   Sylvia.     [Song.]     See  As. 

As  Strephon  sat  by  Sylvia's  side. 

[1760?]    s.sh.iol.  G.  316.  d.  (41.) 


STREPHON.     Strephon   and    Sylvia. 
[Song,  begins  :  '  Ye  Gods  !  a  youthful  bard 
inspire.']     See  Billington  (T.) 
Strephon  Charm'd,  or  the  Surpriz'd  Fair. 
[Song.]     See  Vincent  (J.) 
Strephon  in  vain  thou  Courtest.     Song. 
See  RoDELiNDA.     [Overture.     Minuet.] 
Strephon  to  Celia.     [Song.] 
See  Sandford  (J.) 

Strephon  when  you  see  me  fly.     [Song.] 
Sung  by  Mrs.  Weichscll.     [By  J.  Hook.] 
[Welcker:  London,  1175.]     fol. 

G.  311.  (153.) 
Printed  from  the  plates  of  pp.  20-21  of 

Hook's  '  Sixth  Book  of  Sojigs  sung  . . . 

at  Vaux-Hall . . .  1775.' 
[Another   setting.]      Strephon  when  you 
see  me  fly.     A  Ballad. 
[London,  1797  ?]     fol.  G.  356.  (42.) 

Strephon  with  his  Flora  lying.     Strephon 
and  Flora.     [Song.] 

L[ongman']  L[ukey]  d  B[roderip  : 
London,  mS?]  s.sh.iol.  G.  311.  (109.) 
Strephon's  Address.  [Song.]  See  By. 
By  that  Eye  which  eclipses.    [1785  ?]    fol. 

H.  1653.  (52.) 
Strephon's  Complaint.     [Song.] 
See  Davis  (J.  F.) 

Strephon's  Complaint  of  love.     [Song.] 
See  Haendel  (G.  F.) 
Strephon's  Perfldy.     [Song.] 
See  Hudson  (R.) 
Strephon's  Request.     [Song.] 
See  Osborne  (R.) 

STRETCHED.     Stretch'd  on  the  Ground. 
The  Forsaken  Sliepherd.     [Song.] 
[LonfZo«,  1730?]   s.sh.iol.    G.  311.  (44.) 
Stretch'd  on  the  Turf  in  silvan   shades. 
A  New  Song  [by  W.  Defesch]. 
[London,  1754.]     8".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XIV.,  p.  270. 
Stretch'd  on  the  Turf  in  Sylvan  Shades. 
Song.     See  Defesch  (W.) 

STREW.     Strew  the  way.     [Song.] 

See  Reichardt  (J.  F.)    [Oden  undLieder. 
Th.  I.    Lebcnspflichtcn.'] 

STRIGGIO  (Alessandro)     [Chi  fara  fed' 

al  ciel'.]     Che  fera  fed  al  cielo  . . .  mis  en 

Tablature  par  P.  Filippe.  [J.  Norton  : 

Frankfort,  1615.]     fol.  535.  1.  23. 

Two  engraved  pages  in  Book  I.  of  S.  de 

Cans' s  '  Les  Raisons  des  Forces  Mou- 

va)ites.' 

II  Cicalamento  delle  Donne  al  Bucato,  et 

La  Caccia  . . .  con  uu  Lamento  di  Didone 

ad  Enea,  per  la  sua  partenza,  di  Cipriano 

Rore,  a  quatro,  cinque,  sei  &  sette  voci. 

Di  nouo  poste  in  luce  per  Giulio  Bona- 

gionta  ...  &  con  ogni  diligentia  corretti. 

Basso.  Appresso  Girolamo  Scotto  : 

Vinegia,  1567.     4°.  C.  254.  1. 


STRIGGIO— STROZZI 


545 


STRIGGIO  (Alessandbo)  II  Cicalamento 
delle  Donne  al  Bucato  et  la  Caccia  . . .  _a 
Quattro  Cinque  Sei  et  Sette  Yoci,  Con  il 
Gioco  di  primiera  a  cinque  voci .  .  . 
Nuouamente  Agiouto.     Tenore. 

Appresso  Girolamo  Scotto  : 
Vincgia,  1569.     4°.  C.  254.  g. 

II  Cicalamento  delle  Donne  al  Bucato  et 
la  Caccia  . . .  Con  il  Gioco  di  primiera  a 
cinque  voci  .  .  .  Nuouamente  Agionto. 
Tenore.  (Basso.)  (Quinto.)  (Sesto.) 
(Settimo.)     5  pts. 

Appresso  V  Herede  di  Girolamo  Scotto  : 
Vinegia,  1584.     4".  C.  254.  k. 

The    Tenor  is  imperfect,   wanting   pp. 
9-20. 

Di  Alessandro  Striggio  ...  II  Primo  libro 
delli  Madrigali  a  Sei  voci,  Nouamente  con 
noua  gionta  ristampato.  Canto.  (Alto.) 
(Tenore.)     (Basso.)     (Quinto.)     5  pts. 

Appresso  Girolamo  Scotto : 
Vinegia,  1566.    4°.  C.  254.  e. 

This    7Vork    contains    a    Madrigal     by 
Claudia  da  Coireggio. 

[Another  copy.  Alto.  (Tenore.)  (Basso.)J 
3  pts.  C.  254. 

Di  Alessandro  Striggio  ...  II  primo  Libro 
de  Madrigali  a  sei  uoci,  Nouamente 
con  una  noua  giunta  Ristampato.  A 
Sei  voci.  Canto.  Appresso  Francesco 
Bampazetto  :  Venetia,  1566.     obi.  4". 

A.  360. 
This  work  contains  also  madrigals  by 
Claudio    da   Corregio  and   Perissone 
Cambio. 

II  Primo  Libro  delli  Madrigali  a  Sei  Voci 
. . .  Nouaraeute  ristampato.     Canto. 

Appresso  V  herede  di  Girolamo  Scotto  : 
Vineggia,  1578.     4".  C.  254.  b. 

Di  Alessandro  Striggio  ...  II  Primo  Libro 
de  Madrigali  a  Sei  Voci,  Nouamente  per 
Angelo  Gardano  .  . .  Ristampato.  Basso. 
(Tenore.)  2 pts.  Appresso  Angelo  Gardano : 
Venetia,  1579.     4°.  C.  254.  e. 

II  Secoudo  Libro  de  Madrigali  a  Sei  Voci. 
Alto.  (Tenore.)     2  pts. 

Appresso  Girolamo  Scotto  : 
Vinegia,  1571.    4°.  C.  254.  a. 

II  Secondo  Libro  de  Madrigali  a  Sei  Voci, 
etc.  Canto.  (Alto.)  (Tenore.)  (Basso.) 
(Quinto.)  5  pts.  Appresso  Girolamo  Scotto: 
Vinegia,  1573.    4°.  C.  254.  d. 

II  Secondo  Libro  de  Madrigali  a  Sei  Voci, 
etc.     Canto. 

Appresso  V Herede  di  Girolamo  Scotto  : 
Vineggia,  1579.    4°.  C.  254.  i. 

II  Secondo  Libro  de  Madrigali  a  Sei  Voci, 
etc.    Basso. 

Appresso  V  Herede  di  Girolamo  Scotto  : 
Vineggia,  1582.     4".  C.  254.  j. 

VOL.    II. 


STRIGGIO  (Alessandro)  Di  Alessandro 
Striggio  ...  II  Primo  libro  de  Madrigali 
a  cinque  uoci,  Nouamente  per  Antonio 
Gardano  con  Noua  gionta  Ristampato,  etc. 
Quinto.  Appresso  di  Antonio  Gardano  : 
Venetia,  1564.      obi.  4°.  A.  360.  a. 

This    ivork    contains    a    madrigal    by 

Gianetto   da  Palestrina  and    tivo    by 

Cipriano  [_de  Bore']. 
Di  Alessandro  Striggio  ...  II  Primo  libro 
delli  IMadrigali  a  cinque  voci.  Nouamente 
con  noua  gionta  ristampato.  Tenore. 
(Basso.)  5  pts.  Appresso  Girolamo  Scotto  : 
Vincgia,  1566.     4°.  C.  254.  f. 

II  Secondo  Libro  de  Madrigali  a  Cinque 
Voci,  etc.  Tenore.  Appresso  Girolamo 
Scotto:  Vinegia,  1511.  4".  C.  254.  h. 
See  Lauro  Verde.  II  Lauro  Verde. 
IMadrigali  a  Sei  Voci  .  .  .  Aggiontoui  di 
piu  doi  Madrigali  a  Otto  voci,  I'vno 
d'  Alessandro  Striggio,  etc.     1591.    obi.  4". 

A.  277.  c. 

STRIKE.      Strike    the    Viol,   touch    the 

Lute.  Song.    See  Pubcell  (H.)   [2.  Vocal 

Music— b.  Choral  Odes.     Ode  for  Queen 

Mary's  Birthday,  1694.] 

STRIPT.     Stript  of  their  green.     Song. 
Sec  Courteville  (R.) 
Stript  of  their  green.     Song. 
See  Purcell  (H.) 

STROBEL  (Valentin)  Valentin  Strobels 
Melodien.  Erster  Theil.  Vber  Teutsche 
Wiiltliche  Lieder,  so  von  vnterschied- 
lichen  Hohen  vnd  Fiirnehmen,  der  Poesi 
Liebhabern  gedichtet.  Sampt  Beyge- 
fiigten  Rittornellen  mit  zvveyen  Violinen 
vnd  einem  Bass.  Beij  dem  Authore. 

Gedruckt    bey    Johan    Heinrich    Mittel  : 
Strassburg,  1652.     fol.  G.  86. 

Wanting  the  instrumental  parts. 

STROLLGER  (James)    Imagination. 
rSong.l     [London,  1740  ?]     s.  sh.  fol. 
^       ^  G.  316.  e.  (9.) 

Lucinda  by  a  secret  art.     A  Song,  etc. 
[London,  1740?]    s.  sh.  fol.  G.  310.  (68.) 
When  modest  Cloe's  downcast  Eyes.     A 
Song,  the  Words  by  Mr.  Bowman. 
{London,  1135'^]     s.  sh.  iol. 

G.  313.  (152.) 

STROZZI  (Barbara)     Cantate,  Ariette  e 
Duetti.     Op.  2.  [Gardano :] 

Venetia,  1651.     fol.  K.  7.  g.  4.  (2.) 

Wanting  the  title-page. 
Cantate  Ariete  a  Una,  Due,  e  Tre  Voci. 
Opera  Terza  . . .  Nouamente  stampate. 

Stampa  del  Gardano  :  Apresso  Francesco 
Maqni  :  hi  Venetia,  1654.     fol. 

K.  7.  g.  4.  (1.) 
STROZZI  (Gregorio)     Capricci  da  Sonare 
Cembali,  et  Organi  . .  .  Opera  Quarta. 
Per  Nouello  de  Boyiis :  Napoli,  1687.    fol. 

K.  7.  f.  12. 
2  N 


546 


STRUTZIUS— SUCH 


STRUTZIUS  (Thomas)  p  11?2T0  .  .  .  H. 
E.  Psalmus  C  in  laudem  Dei  Seculorum 
Conditoris  Optimi  ]\Iaximi,  Anuo  mdcliix 
Gymnasii  Dant :  Jubilteo  et  Seculari,  in 
Actu  publico  . . .  servato  idiomate  primi- 
genio,  h.  e.  Hebrseo,  in  Concentu  Musico 
exhibitus  a  Thoma  Strutzio,  etc. 

David  Fridericus  Eheiius  : 
[Dantzig,  1658.]     4°.  C.  91. 

STUBIiEY  (Simon)     Ami,   je  vois  beau- 
coup  de  bieu.     French  Song,  etc. 
[London,  1753.]     8".  249.  c.  23. 

Gentleman's    Magazine,    Vol.    XXIII., 
p.  288. 
At  Cyntbia's  feet  I  sigh'd.     .4  Song,  etc. 
[Loiidon,  1739.]     8°.  249.  c.  9. 

Gentleman's  Magazine,  Vol.  IX.,  p.  269. 

Blest  as  tb'   immortal  Gods  is   be.      A 
Song,  etc.     [London ,  1TS9  ?]     8°. 

■^  249.  e.  9. 

Gentleman's  Magazine,  Vol.  IX.,  p.  493. 
Cease  Myra  to  suspect  my  love.  ^4  Song, 
etc.  [London,  1744  ?]  8".  249.  e.  14, 
Gentleman's  Magazine,  Vol.  XIV.,  p.  273. 
Cupid !  instruct  an  am'rous  swain.  A 
Song,  etc.     [London,  1740  ?]     8". 

•^  249.  c.  10. 

Gentleman's  Magazine,  Vol.  X.,  p.  252. 
Indulgent   God,   whose    bounteous    care. 
L.    A.'s    Evening    Hymn,    etc.     [Sacred 
Song.]     [London,  1749.]     8\ 

249.   c.   19. 
Gentleman's     Magazine,     Vol.      XIX., 
p.  36. 
The  Ingenuous  Lover,  etc.     [Song.] 
[LoHfZon,  1746].     8°.  249.  c.  16. 

Gentleman's     Magazine,      Vol.      XVI., 
p.  550. 
Minuet.    [Harpsichord.] 
[London,  1753.]     8°.  249.  e.  23. 

Gentleman's    Magazine,    Vol.    XXIII. , 
p.  191. 
The  Power  of  Beauty.     A  Song,  etc. 
[London,  1794.]     8^  249.  e.^  19. 

Gentleman's     Magazine,      Vol.     XIX., 
p.  564. 
When  fumes  of  wine  ascend  into  my  brain. 
A  Song  from  Anacreon,  etc. 
[Lmidon,  1741.]     8°.  249,  c.  11. 

Gentleman's  Magazine,  Vol.  XL,  p.  496. 
While  pensive  on  the  lonely  plain.  Song, 
etc.  [London,  1749.]  8".  249.  e.^  19. 
Gentleman's  Magazine,  Vol.  XIX., 
p.  275. 
See  VoLUNTAEiES.  Ten  Voluntarys  . . . 
by  . . .  Dr.  Green  . . .  Stubley,  etc. 
[1770  ?]    ohl.  fol.  e.  108.  a.  (5.) 

STUCK  (JoHANN  Baptist)  called  Batistin. 
Cantates  Pran(;oises  a  i.  ii.  Voix_  et 
Basse-Continue,  avec  Symphonies.  Livre 
Premier.  Chez  J .  B .  C .  Ballard : 

Paris,  1718.     ohl.  fol.  E.  519.  (1.) 


STUCK  (JoHANN  Baptist)  called  Batistin. 
Cantates  Francjoises  a  Voix  seule  avec 
Symphonies  . . .  Livre  Second.  Nouvelle 
Edition,  etc.  J-  B.  C.  Ballard  : 

Paris,  1719.     ohl.  fol.  E.  519.  (2.) 

Cantates  Francoises  a  i.  ii.  Voix  avec 
Symphonies  . . .  Livre  Troisieme.  Nou- 
velle Edition,  etc.  J.  B.  C.  Ballard  : 
Paris,  1772.  ohl.  fol.  E.  519.  (3.) 
Cantates  Francoises,  et  Italienne[s]  a  i.  ii. 
Voix  et  Basse-Continue,  avec  Symphonies 
Livre  IV.  Chez  G.  Ballard  : 
Paris,  1714.  ohl.  fol.  E.  519.  (4.) 
Manto  la  Fee.  Op6ra,  etc.  [Words  by 
Mennesson.]     [Short  Score.] 

Chez  C.  Ballard  : 
Paris,  1710.     ohl.  4".  E.  519.  b. 

Quel  bel  volto.     Arietta,  etc. 
[Paris,]  1725.     s.  sh.  4°.  297.  a.  12. 

Mercurc  de  France,  Feh.,  1725. 

STUMPF  (JoHANN  Christian)  Six  Sym- 
phonies a  8  parties,  deux  Violons,  Alto, 
Basso,  Hautbois,  ou  Fluttes,  et  Cors  de 
Ghasse  . . .  CEuvre  iii".  Mis  au  jour  par 
M'  de  la  Chevardiere.  Gravees  par  le  S' 
Hue.     [Separate  Parts.] 

Chez  M''  de  la  Chevardiere  : 
Paris,  [1765  ?]     fol.  g.  391.  a.  (2.) 

SUBJECTED.     Subjected  to  the  Power 
of  Love.     The  Happy  Pair.     [Song.] 
[London,  1762.]     8°.  P.P.  5441. 

Royal  Magazine,  Vol.  VII.,  p.  149. 
Subjected  to   the  Power  of  Love.      The 
Happy  Pair.     [Song.] 
[Londoyi,  1762.]     8°.  P.P.  5140. 

Lady's  Magazine,  Vol.  IV.,  p.  175. 
Subjected  to  the   Power   of  Love.      The 
Happy  Pair.     [Song.]  [London, 

1770  ?]     s.  sh.  fol.  H.  1994.  (61.) 

SUBLIME.  Sublime  amour  de  la  patrie. 
Air.     See  Confederation  r>u  Parnasse. 

SUBMISSIVE.     The  Submissive  Swain. 

[Song.]     See  Defesch  (W.) 
SUCCESS.     The  Success  of  Damon's  In- 
vocation to  Chloe.     [Song.] 

See  Wright  (T.) 

Success  to  Holly  and  Ivy.     [Song.] 

See  Election  of  Managers. 

Success  to  old  England.     [Song.]     See  Ye. 

Ye  Britons  so  free,  etc.    [1785  ?]    s.  sh.  fol. 
H.  1601.  a.  (106.) 

SUCCESSFUL.  SuccessfuU  happy 
Charmer.     Song.     See  Whichello  (A.) 

SUCH.  Such  Charms  has  Phillis.  Charm- 
ing Phillis.  [Song]  Set  to  a  favourite 
Masquarade  Minuet.  [London, 

1720  ?]     s.  sh.  fol.  H.  1601.  (385.) 

[Another   edition.]        Such    Charms   has 
Phillis.     Charming  Phillis.  [London, 

1720  ?]     s.  sh.  fol.  G-.  316.  g.  (60.) 


SUCK-SUIVONS 


547 


SUCK  (Charles  J.)  Six  Trios.  Two  for 
a  Hautboy  Violin  and  Violoncello,  two 
for  a  German-Flute,  Violin  and  Violon- 
cello, &  two  for  two  Violins,  and  a 
Violoncello.     [Separate  Parts.] 

Printed  for  the  Author:  London, 
[1790  ?]     fol.  g.  420.  d.  (15.) 

SUE.  Sue  venal  Belinda.  Love  for  Love, 
[Song,  words]  by  J.  T.  [London, 

1756.]    s.  sh.  &\  P.P.  5439.  ab. 

New  Universal  Magazine,  August,  1756. 
Sue  venal  Belinda.  Love  for  Love. 
[Song,  words]  By  J.  E.  [or  rather  T.] 
[London,  ll&O^     s.sh.iol. 

G.  311.  (125.) 

SUESSMAYER  (FRA^-z  Xaver)  To 
parto  mio  bene.  [Song.]  Sung  by  Sig' 
Viganoui,  at  the  King's  Theatre  ...  in 
the  Opera  [by  M.  Portogallo]  of  I  Due 
Gobbi,  composed  by  Sig'  Scismayer. 

Printed  for  R.  Birchall:  London, 
[1796.]     fol.  G.  806.  j.  (60.) 

[Solimann  der  Zweite.]  Ouverture  und 
Gesange  aus  der  Oper  Soliman  der  2'^ 
Klavierauszug  von  C.  Zulehner.  Bei  N. 
Simrock:  Bonn,  [ISOO.]  obi.  tol.  E.  22. 
[Der  Spiegel  von  Arkadicu.]  Ivlayier- 
auszug  aus  der  deutschen  heroisch- 
komischen  Oper,  Der  Spiegel  von  Arka- 
dien,  von  Herrn  E.  Schikaneder  .  .  .  Fiir 
das  Klavier  .  .  .  iibersetzt  von  Herrn  J. 
Henneberg,  etc.  Hoffmcister : 

Wien,  [1794.]     ohl.  fol.  E.  22.  a. 

[Der  Spiegel  von  Arkadien.  Selections.] 
See  Andre  (J.)  Neue  Theater-Gesaenge, 
etc.  Theil  1,  2.  [1797  ?]  ohl.  fol.  E.  59.  b. 
12  Deutsche  Taenze  im  Clavierauszug 
welche  in  dem  K.  K.  grossen  Redouten 
Saal  in  Wien  den  22"-''  Novem"  1795 
aufgefiihret  worden.  Artaria  et  Comp.  : 
TFie/i,  [1796?]     ohl.iol.  d.  64.  (1.) 

Wanting  pp.  3-6,  the  place  of  tvMch  has 
been  siipplied  by  a  leaf  containing 
Dances  IV-IX  of  a  similar  collection. 

SUETT  (Richard)  Six  Canzonets  with 
an  Accompaniment  for  a  Harp  or  Piano- 
Forte,  etc.  Preston  &  Son,  for  the  Author : 
London,  [1794.]  obi.  fol.  E.  600.  n.  (11.) 
Six  Glees  .  .  .  Composed  for  ...  the  .  .  . 
Members  of  the  Ad  Libitum  Society,  etc. 

Printed  for  the  Author :  London, 
1794.    ohl.  fol.  E.  207.  e.  (6.) 

The  Kiss — an  Enigma^,  etc.  T.  Preston : 
London,  [1800  ?]  fol.  H.  2830.  g.  (70.) 
Of  Cruel  Absence.  A  Favorite  Ballad 
with  an  Accompaniment  for  the  Piano 
Forte  or  Harp  .  .  .  written  &  composed 
by  Mr.  Suett.  T.  Preston:  London, 

[1800?]    fol.  H.  2830.  g.  (69.) 

The  celebrated  Pastoral  of  Corin  and  Joan. 
Written  by  P.  Pindar,  etc.  Broderip  and 
Wilkinson  :  London,  [1800  ?]     fol. 

G.  365.  (28.) 


SUETT  (Richard)  The  Signs  of  Faith- 
full  Love,  a  Sonnet,  written  by  E.  Bear- 
croft,  etc.  Preston  :  London, 
[1800?]  fol.  H.  2830.  g.  (68.) 
Soft  Music,  let  my  humble  lay.  [Song.] 
Sung  by  Miss  Farren  in  the  New  Comedy 
of  "False  Colours,"  etc.  [Words  by  E. 
Morris.]  Preston  d  Son  : 
London,  [1793.]     fol.  G.  249.  (64.) 

Three  Sonatas  for  the  Piano  Forte  or 
Harpsichord  with  an  Accompaniment  for 
a  Violin  or  Flute,  etc.  The  Autlior  : 

London,  [1785  ?]     fol.       h.  1613.  c.  (1.) 

Sometimes  when  Absent.  A  Favorite 
Canzonet  .  .  .  The  Words  by  E.  Bearcross, 
etc.    Preston  d  Son  :  London,  [1795  ?]  fol. 

H.  2835.  b.  (43.) 
Sylvia  again  is  true  and  kind.  A  Favorite 
Canzonet  with  an  Accompaniment  for  the 
Harp  or  Piano-Forte,  written  and  com- 
posed by  Mr.  Suet.  Longman  £  Broderip  : 
London,  \lld01~\     fol.  G.  365.  (27.) 

The  Tranquil  Thatch.  A  favorite  Ballad, 
sung  by  Mr.  Incledon,  etc.  Preston  &  Son  : 
London,  [1795?]     fol.     G.  424.  u.  (35.) 

SUEVUS  (Felicianus)  Magnificat  seu 
Vaticinium  Dei  Parentis  .  .  .  Cum  Hymno 
Ambrosiano  &  Falsi  Bordoni  Quaternis 
Vocibus.  Adjuncto  Choro  Secundo  cum 
Violinis  &  Symphonijs  non  necessarijs, 
etc.  Cantus  i.  (Altus  i.)  (Teuor  i.)  (Cantus 
(Altus)  (Tenor)  (Bassus)  Rip.)  (Violino 
Rip.  II.).     8  pts.  Ex  Officina  Musica 

Michaelis  Wagtier :  Oeniponti,  1651.     4°. 

B.  139. 
The  last  two  leaves  of  the  Cantus  I.  are 
mutilated. 

SUICIDE.     The  Suicide.     Ballad. 
Sec  Biggs  (E.  S.) 

SUIN  (         )      See  Oltmpiade.    Non  mon 
coeur  soufEre  moins  de  peines.     Air  .  .  . 
arrange  pour  la  Harpe  par  Mr.  Suin. 
[1780?]     fol.  G.  800.  m.  (43.) 

SUISSE.  Le  Suisse  en  belle  humeur. 
[Song.]  See  Moi.  Moi  I'aimer  pien  le 
taple,  etc.     [1787  ?]     8".   B.  362.  f.  (13.) 

SUITE.     La  Suite  de  J'vous.     [Song.] 
See  II.     II  te  souvient  sans  doute,  etc. 
[1780?]     8".  B.  362.  b.  (111.) 

SUIVEZ.  Suivez  I'Amour  et  la  Folic. 
Chanson.  See  Giraud  (F.  J.)  [Ballet 
dcs  Homnics.'} 

SUIVONS.  Suivons  I'Amour,  allons  en 
vendange.  L' Amour  Vendangeur,  [Song, 
written]  par  M.  IMinier.  Air :  Chantons 
les  Matines  de  Cythere.  Ait  Magazin 
des  Epoux  bien-unis  :  Paris,  [1780?]     8". 

B.  362.  a.  (123.) 

[Another  copy.]  B.  362.  f.  (39.) 

2  N  2 


548 


SUL— SUN 


SUIj.     Sul  margiue  d'un  rio.     Air. 
R.  Birchall:  London,  [1800?]     fol. 

G.  425.  (22.) 

SULIjIVAN  (  )     Gentle  Parthenissa. 

[Song,  the  words  by  Sir  R.  Steele.] 
[Londo7i,  1740?]  s.  sh.  fol.  G.  313.  (92.) 
[Another  copy.]  G.  315.  (139.) 

Gentle  Parthenissa,  etc.     [Song.] 
[London,  1745.]     8".  157.  1.  7. 

London  Magazine,  1745,  'p.  302. 

SULZBERGER  (Johann  Ulrich) 

See  Psi-LMS,  [7.  German.']  Vierstim- 
miges  Psalmbuch,  das  ist,  D'  Ambrosij 
Lobwassers  Psalmen  Davids,  transiDoniert 
durch  J.  U.  Sulzberger,  etc.     1757.     8°. 

A.  511.  c. 

SULZER  (Johann)  Dreissig  Lieder  mit 
Melodieen  zum  Klavier,  etc.  J.  Brentano  : 
Bregenz  am  Bodcnsee,  1793.   8°.     A.  702. 

SUM.     Sum  up  all  the  delights.     Catch. 
See  PuRCELii  (H.) 

SUMMER.  Summer.  [Song,  begins: 
'  The  earth  is  cloath'd  in  chearful  green.'] 
See  Howard  (S.) 

Summer.  [Song.]  See  Now.  Now 
Winter  is  flown.     [1770  ?]     fol. 

G.  806.  f.  (62.) 
Summer.  [Song,  begins :  '  How  sweet  is 
the  morning.']     See  Olive  (J.) 

Summer.  Song  [begins  :  '  Ye  feather'd 
Songsters  of  the  Vale  '].  See  Taylor  (R.) 
of  Marylebone  Gardens. 

Summer  Amusement.     [Songs.] 
See  Arne  (T.  A.) 

The  Summer  Heats  bestowing.     [Song.] 
See  Doctor  and  Apothecary. 

The  Summer's  Day.     [Song.]     See  Up. 

Up  the  hills  sends  the  mist. 

[1780?]     s.sh.  fol.  G.  313.  (9.) 

Summer's  Treasures.     [Song.] 
See  Barthelemon  (P.  H.) 

Summer's  vernal  sweets  abound.  A 
Rondeau.  Sung  by  Mrs.  Weichsell  at 
Vauxhall.  Sk[illern :  London, 

1780?]     s.sh.lol.  G.  311.  (119.) 

SUMMER  AMUSEMENT.  If  I'm  the 
happy  Man,  [Song.]  Sung  ...  in  the 
Summer's  Amusement.  [Music  by  S. 
Arnold.]  S.  A.  [and]  P.  T\}iompson, 

1780?]     s.sh.iol.  G.  309.  (95.) 

Summer  Amusement.     Comic  Opera. 
See  Arnold  (S.)  E.  111.  a. 

SUMMER'S  TALE.  The  Summer's 
Tale.  A  Musical  Comedy.  [By  Richard 
Cumberland.] . .  .The Music  by  Abel,  Arne, 
Arnold,  Boyce,  Bach,  Cocchi,  Ciampi,  C. 
St.  Germain,  Giardini,  Hasse,  Howard, 
Lampe,    Lampugnani,    Richter,    Russel, 


Stanley.  For  the  Harpsichord,  Voice, 
German  Flute,  or  Violin.  Printed  for 

I.  Walsh  :  London,  [1765.]     oU.  fol. 

D.  273.  (1.) 

Besides   tlwse  named  on  the   title-page 

this  Pasticcio  contains  compositions  by 

Baildon,    Bertoni,    Dunn,    Galuppi, 

Granom,  Piccini,  Potenza  and  Vernon. 

Dear  Girl  never  trust  to  thy  Charms.  A 
Song  [by  S.  Howard]  Sung  by  INIrs.  Vin- 
cent, in  the  Summer's  Tale.  [London, 
1765.]     s.  sh.  fol.          H.  1994.  b.  (17.) 

SUN.  The  Sun  being  Set  and  my  work 
being  done.  Tlie  Contented  Shepherd. 
[Song.]     [London,  1780 ?]     s.  s7i.  fol. 

G.  312.  (125.) 

The  Sun  from  the  East  tips  the  Mountains 

with  Gold.     Song. 

See  Apollo  and  Daphne. 

The  Sun  gone  down.     [Song.] 

See  Dale  (J.) 

The  Sun  his  gladsome  beams  withdrawn. 

The  Dejected  Nymph.     [Song]  Written  in 

Winter  by  a  Lady  of  Quality.       [London, 

1765  ?]     s.  sh.  fol.  G.  312.  (114.) 

The  Sun  in  Virgin  Lustre  shone.  Nature's 
Holiday.  [Song.]  Sung  by  Mr.  Lowe 
at  Vaux-Hall.  [London, 

1775  ?]     s.  sh.  fol.  I.  530.  (148.) 

The  Sun  sets  in  night.  The  Death  Song 
of  the  GheroTice  hidians.  An  original  Air, 
brought  from  America  by  a  Gentleman  . . . 
conversant  with  the  Indian  Tribes  . . . 
The  Words  adapted  to  the  Air  by  a  Lady 
[i.e.  A.  Home].  J.  Preston,  for  the  Author  : 
London,  [1780  ?]     fol.  G.  297.  (24.) 

The  Sun  sets  in  Night.  The  celebrated 
Death  Song  of  the  Cherokee  hidians. 
Longman  and  Broderip : 
London,  [1786  ?]  fol.  H.  1653.  (57.) 
[Another  copy.]  G.  297.  (32.) 

The  Sun   thro'  low'ring   Clouds   at   last. 
Charming  Sally.     A  New  Song  sung  at 
]\Iarybon  Gardens.     See  Chloe.      Chloe, 
or  the  ]\Iusical  Magazine,  etc.     No.  39. 
[1760?]     fol.  G-.  433. 

[Another  setting.]  The  Sun,  thro'  thickest 
Clouds,  at  last.     A  Song.  [London, 

1765?]     s.  s7i.  fol.  G.  312.  (117.) 

The  Sun  was  just  setting.     Song. 
See  Leveridgb  (R.) 

The  Sun  was  setting  iu  the  West.  Song. 
See  Allen  (G.  S.) 

The  Sun  was  sleeping  in  the  Main.  [Song.] 
Sung  by  Mr.  Beard.  [London, 

1750?]     s.sh.iol.  G.  312.   (75.) 

The  Sun  was   sleeping   in   the   Main.     A 
New  Song.     Sung  by  Mr.  Beard. 
[London,  1755.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XVI.,  p.  228. 


SUN— SURE, 


549 


SUW.  The  Sun  was  Sunk  beneath  the  Hill. 
The  Poor  SJiephcrd.  [Song.]  The  Words 
by  Mr.  Gay.     [London,  1720  ?]     s.  sh.  fol. 

H.  1601.  (474.) 
[Another   edition.]      The   Sun  was   sunk 
beneath   the  Hill.      The  Poor   Shepherd. 
[Song.]     The  Words  by  Mr.  Gay. 
[Lo7idon,lT30?]   s.  sh.  fol.    G.  305.  (40.) 

[Another  copy.]  G.  312.  (58.) 

[Another  setting.]  The  Sun  was  sunk 
beneath  the  Main.  A  new  Song.  Sung  by 
Mr.  Beard,  etc.     [London,  1754.]     8». 

157.  1.  16. 
London  Magazine,  1754,  p.  132. 
The    Sun   was   sunk   beneath   the    I\Iain. 
[Song.]      Sung  by  Mrs.  Yeates  at  Sadlers 
Wells.     [London,  1765  ?]     s.  sh.  fol. 

G.  316.  (132.) 

SUNBEAMS.  The  Sun  Beams  of  Love. 
Song.     See  Cook  (T.) 

SUPPLICATION.  The  Supplication. 
[Song.]  Sec  Divinest.  Divinest  Fair, 
oh  ease  my  Care,  efc.     [1730?]     s.sh.iol. 

G.  315.  (47.) 

A  Supplication  for  Peace.     [Song.] 
See  DiBDiN  (C.)     [Tom  Wilkins.'] 

SUR.  Sur  ces  Coteauxcharmant[s].  Aricitc 
Nouvellc.     [Paris,  1780  ?]     8". 

B.  362.  b.  (43.) 

Sur  I'esperance  bien  fou  qui  so  fonde. 
Air  dc  M'-  *  *  *.     Paris,  1784.     8". 

B.  362.  g.  (90.) 
Sur  la  fin  d'uu  beau  jour  d'ete.     Romance 
avec  Accomp'  de  Guittarc. 
Chez  ImbauU  :  Paris,  [1790  ?]     8". 

B.  362.  g.  (68.) 

Sur  la  rose  fraiche  et  vermeille.     Air. 

See  GRiiTRY  (A.  E.  M.)     [UEmharras  des 

Bichesses.] 

Sur  la  Sphere  Ae'rostatique.     [Song.] 

See  Globe.     Un  Globe  qui  s'envole,  etc. 

[1783.]    8°.  B.  362.  (210.) 

Sur  le  gazon.    Vaudeville.     See  Sorcieh. 

Sur  le  Mot  Quatre.     Chanson. 
See  M.  .  .  .,  M"''. 

Sur  le  vide  et  le  plein.     Air  a  boire. 
[Paris,']  1724.     s.  sh.  obi.  4".       297.  a.  9. 
Mercicre  de  France,  July,  1724. 

Sur  les  bords  de  la  Seine.     Air. 
See  JouRNEE  Dkrangee. 

Sur  les  debris  du  diademe.  Hymne 
Poi)ulaire,en  I'Honneurde  V  Etre  Supreme. 
Pour  la  Fete  du  20.  Prairial  suivant  le 
plan  pr6sent6  par  David  a  la  Convention 
Nationale  et  d6crete  le  18  Eloreal  de  I'an 
2™°  . . .  Par  le  Cit.  Moline  . . .  Sur  I'air  : 
Veillons  au  Salut  de  I'Empire,  etc.  [By 
N.  Dalayrac]  Chez  Fr^re  : 

[Paris,  1794.]     8".  B.  362.  d.  (3.) 


SUR.  Sur  les  tuiles,  i\Iinette.  L' Esprit  de 
la  Coquete.  [Song.],  Paroles  par  M.  D. 
Air  de  I'Amiti^  a  I'Epreuve  [by  A.  E.  M. 
Gretry].  Chez  les  fr^res  Savigny : 

[Paris,  1190?]     8".  B.  362.  (116.) 

Sur  toute  la  Nature  on  voit  regner  I'amour. 
Chanson.     See  Tete  a  Perruque. 
Sur  un  Globe  rempli  d'Air.   Aux  Amatetirs 
A^riens.   [Song.]  Air  :  La  bonne  avanture. 
Chez  Frire  :  [Paris,  1783  ?]     8°. 

B.  362.  e.  (11.) 
Sur  un  lit  de  gazon,  environne  de  fleurs. 
Chanson,  etc.     [Paris,]  1754.     s.  sh.  4°. 

298.  e.  18. 
Mercure  de  France,  April,  1754. 
Sur   un   Throne   de   fougere.     Vaudeville 
Pastoral.     [Paris,]  1755.     s.  sh.  8". 

298.  c.  22. 
Mercure  de  France,  Feb.,  1755. 
Sur  un   Troph^e,   orn6    par  la    victoire. 
Recit.  de  Basse.     [Paris,]  1745.     s.  sh.  4". 

297.  c.  1. 
Mercure  de  France,  April,  1745. 

SURE.     Sure  a  lass  in  her  bloom.      The 
Nun,  a  New  Song,  etc. 
[London,  1757.]     8".  P.P.  5438. 

Literary  Magazine,  Vol.  II.,  p.  357. 
Sure   a  .Lass  in  her   Bloom.     The   Nun. 
rSong.]     Sung  by  INIiss  Stevenson  at  Vaux 
Hall.     [London,  1757.]     s.  sh.  8". 

P.P.  5439.  ab. 

New  Universal  Magazine,  Oct.,  YJbl. 
Sure   a  lass   in   her   bloom.      The   Nun. 
[Song.]      Sung    by    Miss    Stevenson,    at 
Vauxhall.     [London,  1757.]     8". 

P.P.  5438.  z. 

Universal  Magazine,  Vol.  XXI.,  p.  277. 
Sure  ne'er  was  a  Dog  so  wretched.     Song. 
See  Leveridge  (R.) 

Sure   none   but   an   Ass.      The    Satyrist. 
[Song.]     [London,]  1742.     s.  sh.  fol. 

G.  316.  a.  (43.) 
Sure  t'would  make  a  dismal  story.  Song. 
See  Fire  and  Water. 

SURLY.  A  Surly,  sottish,  peevish  Booby. 
Tit  for  Tat.  [Song.]  Set  for  y=  German 
Flute.     [London  ?  1740  ?]     s.  sh.  fol. 

G.  316.  d.  (36.) 

SURPRISE.     The  Surprise.     [Song.] 
See  Jolly.     Jolly  Tom,  and  Clever  legg'd 
Dick,  c/c.     [1730?]     s.sh.iol. 

H.  1601.  (258.) 

The  Surprise.     [Song.]     See  Once.     Once 
fair  Serena,  etc.     [1725  ?]     s.  sh.  fol. 

I.  530.  (122.) 

SURR  (George)  The  Birds'  Nest.  [Song, 
the  words  by  W.  Shenstone.] 

J[ohn]  P[reston  : 
London,  1780  ?]     s.  sh.  fol.    G.  309.  (85.) 

Daphne.     [Song.]  J[ohn]  P[reston  : 

London,  1780  ?]   s.  sh.  fol.   G.  306.  (130.) 


550 


SURR— SWAYNE 


SUER  (George)    Gentle  Zephyrs.   [Song.] 
JTo/m1  P[reston  :  London,  1780  ?]  s.  sli.  fol. 

G.  306.  (191.) 

Three  Sonatas  for  the  Piano  Forte  or 
Harpsichord  with  an  Accompaniment  to 
the  First  for  a  Violoncello  ...  to  the 
Second  for  a  German  Flute,  and  to  the 
Third  for  a  Violin  ...  Op.  1. 

Printed  for  Calliford,  Eolfe  d  Barrow  : 
London,  [1795  ?]     fol.  g.  142.  (7.) 

Sylvia.     [Song.]  J[ohnr\  P[reston  : 

London,  1180?]     s.  sh.  io\. 

G.  312.  (192.) 

SURRENDEIl.    The  Surrender.    [Song.] 
^ee  Davis  (J.  F.) 

SUSAN".     Susan's  Complaint.     [Song.] 
See  Oswald  (J.) 

SUSANNA.     Susanna.     Oratorio. 
See  Haendel  (G.  F.) 

Susanna.     [Song.] 

See  Jackson  (W.)  of  Exeter. 

SUSANNAH.      Susannah  the  fair.     Su- 
sannah and  the  Elders.     [Song.] 
[London,  1715  ?]     s.  sh.  fol. 

H.  1601.  (420.) 

SUSATO  (Thielman)  Le  Premier  Liure 
des  Chasos  a  Deux  ou  a  Troix  Parties 
contenant  Trente  &  une  nouuelles  Chan- 
sons conueuables  Tant  a  la  Voix  comme 
tiux  Instrumentz,  etc.  Tenor. 
iT.  Susato  :  Antwerp,  1544.]     obi.  4°. 

A.  316. 

See  Chansons.     [4.]     Tiers  Liure   conte- 
nant) XXX  nouuelies  Chansons  .  .  .  Coni- 
pos^es. .  .par  Tielman  Susato,  etc. 
[1550  ?]    obi.  16".  K.  8.  i.  4.  (9.) 

SUSPICION.  Suspicion  like  a  cruel 
Frost.  The  Advice.  [Song.]  [London, 
1760  ?]    s.  sh.  fol.  G.  316.  (133.) 

SUSSEX.     The  Sussex  Toast.     Ballad. 
See  Arne  (T.  A.) 

SUSSMAYER  (Franz  Xaver) 

See  SUESSMAYER. 

SUTER  (Johann  Kaspar) 

See  Crueger  (J.)  Konigliche  Harif  des 
. . .  Sanger  Fiirsten  Davids . . .  Denen  auch 
viel  . . .  Geslinge  . . .  bojgefiiget  von  J.  Iv. 
Sutern,  etc.    1663  (1662).    8°.   B.  114.  b. 


SUZON. 

sonette. 


Chan- 


Suzon  fermoit  son  Coeur. 
[Pa?-is,  1780?]     8°. 

B.  362.  b.  (54.) 

Suzon  fermoit  son  Coeur.  Chansonette. 
Avec  Accompagnem'  de  Guittarre  par 
M'  Alberti.  Chis  Camand  :  [Paris, 

1785?]     8".  B.  362.  g.  (61.) 

SWAEN  (Guillaume  de)     See  S.,  G.  D.j 


SWAIN.     A  Swain,  in  despair.     Song. 
See  Franck  (J.  W.) 

The  Swain  in  Extacy.     [Song.] 

See  Brightest.     Brightest  Sylvia  lovely 

Creature.     [1760?]     s.sh.iol. 

G.  316.  a.  (10.) 

A  Swain  long  slighted  and  disdain'd.  Song. 
See  EccLES  (J.)     [Hamlet.] 

A  Swain  long  tortur'd  with  Disdain.  The 
way  to  loin  her.  A  Song  by  a  Person  of 
Honour,  or  the  Answer  to  I'll  range 
around  the  Shady  Bow'rs.  [Music  by  H. 
Carey.]     [London,  1120  ?]     s.sh.iol. 

H.  1601.  (38.) 
A  Swain   of   Love  despairing.      The  De- 
spairing   Lover.      [Song.]       Set    by   an 
eminent  Hand.     [Original  Setting.] 
[London,  1738.]     8°.       ,  249.  c.  8. 

Gentleman'' s    Magazine    Vol.    VIII.,  p. 

657.     A  different  setting  from  those  by 

J.  Osivald'and  J.  Potter. 
A  Swain  of  Love   despairing.      The   Dc- 
spairifig  Lover,  [Song,]  as  it  was  Originally 
Set.     [London,  1740?]     s.  sh.  fol. 

G.  306.  (35.) 
[Another  edition.]  A  Swain  of  Love 
despairing.  The  Despairing  Lover,  as  it 
was  Originally  Set.  [London, 

1740?]    s.sh.iol.  G.  316.  d.  (18.) 

The  Swain  reprov'd.     [Song.] 
See     Thyrsis.       Thyrsis     unjustly     you 
complain.     [1750?]     s.sh.iol. 

G.  312.  (165.) 
Swain    thy    hopeless     passion    smother. 
Song.     See  Weldon  (J.) 
The  Swain  with  his  Flock.     [Song.] 
Preston  :  [London,  1700  ?]     fol. 

G.  136.  (134.) 

The  Swain's  Request.     [Song.]    See  Why. 

Why  Chloo  with  so  grave  a  face. 

[1778?]    s.sh.iol.  G.  313.  (236.) 

The  Swain's  Revolution.     [Song.] 
See  Dunn  (J.) 

SWART  (Willem)  Den  Lust-Hoff  der 
Nieuwe  Musycke,  mit  aller  welrieckende 
bloemen  verciert,  seer  liefiick  om  singen 
ende  speelen  op  alle  Musicale  Instru- 
menten,  in  vier  eu  vijf  partyen. .  .Waerin 
begrepen  zijn  tseventich  stucken  van 
Hemel  ende  Aerde  tracterende,  in  onse 
Nederduytsche  tale  .  .  .  Gheinventeert, 
ghecomponeert  ende  gestelt  in  Rime,  door 
Willem  Swart  van  Aruhem,  etc.  Superius. 
Gedruckt  t  Amstelredam  ten  Miyse  van 
Willem  Sivart,  1603.     obi.  4°. 

K.  3.  b.  16. 

SWAYNE  (William)  See  Damon  (W.) 
The  former  Booke  of  the  Musicke  of 
M.  William  Damon  ...  Published. .  .by 
W.  Swayne  Gent,  etc.  (The  second  Booke 
of  the  Musicke  of  M.  William  Damon, 
etc.)     1591.     4°.  K.  3.  m.  4. 


SWEELINCK— SWEET 


651 


SWEELINCK  {-Tax  Pieterszoon)  Cin- 
quante  Pseaumes  de  Dauid,  mis  en  Mu- 
sique  a  4,  5,  G,  &  7  parties,  etc.  Cantus. 
<Altus.)  (Tenor.)  (Bassus.)  (Quintus.) 
(Sextus.)     6  pts.  Amsterlcdavi, 

1604.     obi.  4°.  K.  2.  e.  1.  (1.) 

Liure  Second  des  Pseaumes  de  Dauid, 
nouvellement  mis  en  Musique,  a  4,  5,  6, 
7,  8,  parties, . . .  Contenant  sxx.  Pseaumes, 
desquels  aucuns  sont  tout  au  long.  Cantus. 
(Altus.)  (Tenor.)  (Bassus.)  (Quintus.) 
(Sextus.)  6  pts.  Aux  desi)cns  de  Hendric 
Barentsen  {De  V hnprimerie  de  Jean  de 
Tournes)  :  Amstclredam,  1613.     ohl.  4°. 

K.  2.  e.  1.  (2.) 

Liure  Troisieme  des  Pseaumes  de  Dauid, 
nouuellement  mis  en  Musique,  a  4,  5,  G, 
7,  8,  parties, .  .Contenant  sxx.  Pseaumes, 
desquels  aucuns  sont  tout  au  long.  Cantus. 
(Altus.)  (Tenor.)  (Bassus.)  (Quintus.) 
(Sextus.)  (Septimus.)  (Octavus.)  8  pts. 
Aux  despens  de  Hendric  Barentsen 
(De  VImprimcrie  de  Jean  de  Tournes)  : 
Amstelredam,  1614.     ohl.  4". 

K.  2.  e.  1.  (3.) 

See  Chansons.     [3.]     Liure  Septieme  des 
Chansons  Vulgaires . .  .a  Quatre  Parties. . .    • 
Avons  adjouste  certaines  chansons,  comme   I 
de  Maistre  I.  P.  Swellinck,  etc. 
1608.     ohl.  4".  A.  315.  b. 

SWEERTIUS  (Franciscus)  §ee  Magius 
(H.)  Hieronymi  Magi  . . .  De  Tintinna- 
bulis  Liber  Postumus.  Franciscus  Sweer- 
tius. .  .Notis  illustrabat,  c^c.     1664.     12\ 

1042.  a.  5. 

SWEEE-TS  (CoRNELis)  Boertige  en  Ern- 
stige  Minnezangeu.  Neveus  eenige  Puut- 
dichten. .  .Vierde  Druk.  Nu  verrykt  met 
een  Byvoegzel  van  Muzyk  nooit  voor 
dezen  gedrukt.  2  pts.  By  J.  Strander  : 
t'  Amsterdam,  [1695  ?1     8°. 

11555.  bb.  39.  (1.) 
The  composers  mentioned  in  tJtis  collec- 
tion are  :  D.  Petersen,  Anders  and  S. 
do  Koning. 

Nieuwe  Boertige  en  Ernstige  Minne- 
Zangen.  By  C.  Siveerts :  V  Amsterdam, 
1696.     ohl.  4\  A.  328. 

Boertige  en  Ernstige  Minnezangen  .  .  . 
Vyfden  Druk.  Op  nieus  verrykt  met  een 
Byvoegsel,  etc.  2  pts.  By  J.  Strander  : 
t' Amsterdam,  [1100 '>]    8°. 

11555.  bb.  40.  (1.) 

K.  Sweerts  Mengelzangen  en  Ziune  Beel- 
den.  (Eerste  Deal  der  Mengelzangen  en 
Zinne  Beelden,  etc.)  (Yerscheide  Zangeu. 
Door  H.  Anders,  S.  de  Koning  en  andere 
.  .Meestees  op  Muzyk  gestelt.)  (Tweede 
Deel  der  Mengelzangen. .  .Bestaande  in 
Cantus  en  Bassus  Continuus,  mede  om 
op  de  Viool,  Fluit,  en  andere  Instrumenten 


te   konnen   speelen.      Op   Muzyk    gestelt 

door  F.  Le  Grand,  etc.)     3  pts. 

C.  Siveerts:  Avisteldam,  (1695.)     4". 

B.  586. 
The  first  title-pacjc  is  engraved.  Each 
part  has  separate  pagination.  The 
title-page  of  Deel  I.  is  undated,  that  of 
Deel  II.  is  dated  1695.  There  is  a 
second  (engraved)  title-page  to  Deel  II. 

SWEET.  Sweet  Aimie  fra'  the  Sea  Beach 
came.  Song.  See  Greene  (M.) 
Sweet  are  the  Banks  when  Spring  per- 
fumes. The  Sweet  Kisses.  [Song.]  Sung 
by  Mr.  Dubellamyat  Mary  bone  Gardens. 
[By  J.  Hook.]  CHiarles  and]  S[amnel] 
T[hompson  :  London,  1774.]     s.  sh.  fol. 

G.  311.  (140.) 
Printed    from     the    plates    of    Hook's 

"  Second  Collection  of  Songs  sung. . . 

at  Marybonc  Gardens.  .  .1774." 
[Another  setting.]     Sweet  are  the  banks 
when  Spring  perfumes.     Glee. 
See  Langdon  (R.) 

Sweet  are  the  Charms  of  her  I  love. 
Song.  See  Leveridge  (R.) 
Sweet  are  the  Flow'rs  that  deck  the  Field. 
The  Rose,  [A  Song],  taken  from  the  9'\  . . 
of  the  Fables  for  the  Female  Sex  [by  E. 
Moore].  Set  by  an  Eminent  Master  [i.e. 
H.  Burgess,  SenH.  [London, 

1740 '?]     s.  sh.  fol.  G.  305.  (68.) 

Sweet  are  the  Flow'rs  that  deck  the  Field. 
The  Ease,  [Song,]  taken  from  the  9th 
Fable  of  the  Fables  for  the  Female  Sex 
[by  E.  Moore].  Set  by  an  Eminent 
Master  [i.e.  H.  Burgess,  Sen']. 
See  Chloe.  Chloe,  or  the  Musical  Maga- 
zine, etc.     No.  88.     [1760  ?]     fol. 

G.  433. 

Sweet  beauteous  Flow'r  full  fraught  with 
choice  delights.  On  a  Rose  that  died  in 
Clarissa's  Bosom.     [Song.]  [London, 

1770?]     s.sh.tol.  G.  311.  (132.) 

Sweet  Birds  take  back  your  Brood.  Song. 
See  I.  I  have  it  now  this  nest  of  Linnets, 
etc.     [1797?]     fol.  G.  356.  (40.) 

Sweet  Charmer  of  the  Plain.     Song. 
See  CouLTHiRST  (R.) 
The  Sweet  Charms  of  Llusic.     Song. 
See  Amateur. 

Sweet  Companion  of  the  ]Muse.  An  Ode 
to  Solitude.     [Song.]  [London, 

1750?]     s.sh.iol.  G.  316.  f.  (8.) 

Sweet  Davy  0.     [Song.]     See  Jubilee. 
Sweet  Day,  so  cool,  so  calm.     Conjugal 
Love.     [Song,]  Set  for  the  German  Flute. 
[^Yords  by  G.  Herbert.]  [London, 

1730?]    s.sh.iol.  G.  316.  e.  (126.) 

Sweet   Day,  so  cool,  so   calm,  so   bright. 
!       The  Pensive  Stcain.     [Song,  words  by  J. 
Herbert.]     [Londmi,  1760  ?]     s.  sh.  fol. 

G.  316.  (135.) 


552 


SWEET 


SWEET.     Sweet    Girl    Adieu,   'tis   Glory 
calls  afar.     Dialogue.     See  Hook  (J.) 
Sweet  Girl   by  the   Light  of   the   Moon. 
Song.     See  Hook  (J.) 

Sweet  Jane,  I  always  thought  on  you. 
Song.     See  Dignum  (C.) 

Sweet,  if  you  love  me.  A  Dialogue  between 
Sly  and  Lovctt.  Sung  at  Fielding's  Booth 
at  Bartholomew  Fair.  [London, 

1720?]     s.sh.iol.  1.530.(149.) 

[Another  edition.]     Sweet,  if  you  love  me. 
A  Dialogue  between  Sbj  and  Lovett,  etc. 
[London,  nSO?]     s.sh.iol. 

G.  316.  f.  (9.) 

Sweet  is  the  breath  of  Morn.  A  Favorite 
Duett  for  two  Voices.  [Words  by  J. 
Milton,  adapted  to  Jomelli's  Duet  "  Non 
dan  pace."]  Randall : 

[London,  1175?]     fol.         G.  311.  (158.) 
Sweet  is  the  Dream.     Canzonet. 
See  Stevenson  {Sir  J.  A.) 
Sweet  is  the  work,  my  God,  my  King. 
Hymn.     [Words  by  Dr.  Watts.] 
[Lo7idon,  1779.]     8°.  P.P.  716.  b. 

Gospel  Magazine,  1779. 
The  Sweet  Kisses.     [Song.]     See  Sweet. 
Sweet     are     the     Banks     when     Spring 
perfumes,  etc.     [By  J.  Hook.] 
[1774.]     s.  sh.  fol.  G.  311.  (140.) 

Sweet  Lillies  of  the  Valley.     Song. 
See  Hook  (J.) 

Sweet  Linnets  on  every  Spray.     Duet. 
See  Charke  (R.) 
The  Sweet  little  Angel.     [Song.] 
See  Carter  (C.  T.) 
Sweet  little  Barbara.     Duett. 
See  Storage  (S.)     [The  Iron  Chest.] 
The  Sweet  little  Girl  that  I  love.     Song. 
See  Hook  (J.) 

Sweet  lovely  Hose  of  Burford  Dale.  Song. 
See  Hook  (J.) 

Sweet  Maiden  a  Kiss.     [Song.] 
See  Gray  (T.  B.) 

Sweet  Melissa,  lovely  Maiden  !     Melissa. 
[Song.]    The  Words  by  C.  James.    Adapted 
[to  the  tune  of  Rousseau's  Dream]  to  the 
Piano  Forte,  Harp  or  Guitar. 

Printed  for  J.  Dale  : 
London,  [1788?]     fol.  G.  377.  (17.) 

Sweet  Miss  Prue.     Round. 
See  Doyle  (    )  and  Perfect  (    ) 
Sweet  month  of  May.     Duet. 
See  Angier  (J.  H.) 

Sweet  Nan  of  Hampton  Green.     Song. 
See  Hook  (J.) 

Sweet  Nan  of  the  Vale.     Song.     See  In. 
In  a  small  pleasant  Village,  etc. 
[1751.]     8°.  P.P.  5438.  z. 

Sweet  Nan  of  the  Vale.     [Song.]     See  In. 
In  a  small  pleasant  Village,  etc. 
[1751  ?]    s.  sh.  fol.  G.  303.  (25.) 


SWEET.  Sweet  Nancy.  [Song.]  See 
Assist.  Assist  me,  ev'ry  tuneful  bard. 
[By  J.  R.  L.]     [1756.]     s.  sh.  8°. 

P.P.  5439.  ab. 

Sweet  Nanny.     [Song.]     See  L.,  J.  R. 
Sweet  Nelly,  my  heart's  delight.     Charm- 
ing Nelly.     [Song.]  [London, 
1720  ?]     s.  sh.  fol.             G.  316.  f.  (12.) 
Sweet    Nightingales    which    charm    this 
Grove.     Song.     See  Wilpord  (J.) 
Sweet  nymph,  come  to  thy  lover.     Can- 
zonet.    See  MoRLEY  (T.)     [First  Book  of 
Canzonets  to  Two  Voices.] 
Sweet  Nymph  tho'  far  remov'd.     [Song.] 
See  Twiss  (        ) 
Sweet  Passion  of  Love.     [Song.] 
See  Padlock. 

Sweet  Passion  of  Love.  [Song.] 
See  This.  This  cold  flinty  Heart,  etc.  [By 
C.  Dibdin.]  [1771.]  s.  sh.  4".  159.  n.  3. 
Sweet  Poll  of  Plymouth  was  my  dear. 
Sioeet  Poll  of  Plymouth.  [Song,  by  M. 
Arne.]  Anne  Lee  :  [Dublin, 

1785  ?]     s.  sh.  fol.  H.  1601.  a.  (46.) 

Sweet  Poll  of  Plymouth.     [Song.] 
See  Arne  (M.)     [The  Positive  Mail.] 
Sweet  pretty  Nelly.     Dick  and  Nelly.     A 
Dialogue.     [London,  1740  ?]     s.  sh.  fol. 

H.  1994.  b.  (78.) 

The  Sweet  River  Dee.    Song. 

See  Hook  (J.) 

Sweet   Robin.      [Song.]      See  Say.     Say 

little  foolish  flutt'ring  thing. 

[1775  ?]     s.  sh.  fol.      H.  1994.  a.  (101.) 

Sweet  Robinette.     Song.     See  Hook  (J.) 

The  Sweet  rosy  Morning  peeps  over  the 

Hill.     Song.     See  Apollo  and  Daphne. 

Sweet  smells  the  Birk.     Song. 

See  Young.     Young  Jockey  blith  at  early 

dawn,  <?<c.     [1780?]     s.sli.iol. 

H.  1601.  a.  (67.) 
Sweet  Stream  I  that  winds  through  yonder 
glade.     Glee.     See  Amateur. 
Sweet  Summer  is  coming.     Sylvan  and 
Cynthia.     A  Favourite  Dialogue. 
[London,  1764.]     8°.  P.P.  5438.  z. 

Universal     Magazine,     Vol.     XXXIV., 
p.  264. 
Sweet  Summer  is  coming.     Sylvan  and 
Cynthia.     A  Favourite  Dialogue. 
[London,  [1165.]    8".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XXXVI. , 
p.  42. 
Sweet  Summer  is  coming.  Sylvan  d 
Cynthia.  A  favourite  Dialogue.  Sung 
by  Mr.  Adams  and  Miss  Carly  at  Pinch's 
Gardens.     [London,  1770?]     s.sh.iol. 

G.  311.  (134.) 
Swest  Susan  I  am  come  to  take  my  leave. 
Billy  and  Susan.     A  favourite  Sea  Song. 
[London,  1770.]      s.  sh.  fol. 

G.  311.  (110.) 


SWEET— SYLVIA 


553 


SWEET.     Sweet  Sympathy.     Soug. 
See  Storage  (S.)     [The  Cherokee.} 
Sweet  the  Moments,  rich  in  blessing.     A 
Hynui.     [The  words  re-written  from  the 
original   text   of    J.   Allen   by  the   Hon. 
Walter  Shirley.]     [London,  1775.]     8°. 

P.P.  716.  b. 
Gospel  Magazine,  Sept.,  Yllb. 
Sweet  Thrusla.     Glee.     See  Danby  (J.) 
Sweet  Tyrant  Love.     To  Cupid.     [Song.] 
Set  for  the  German  Flute.  [Loiulon, 

1740?]     s.sh.iol.  G.  316.  e.  (124.) 

[Another  setting.]  Sweet  Tyrant  Love. 
The  Bashful  Lover.  [Song.]  [London, 
1745?]     s.  s/(.  fol.  G.  316.  a.  (44.) 

[Another  setting.]  Sweet  Tyrant  Love. 
Song.  See  Aylward  (T.)  I.  530.  (15.) 
Sweet  William.  Song.  See  By.  By  a 
pratt'liug  Stream,  etc.     [1750.]     8". 

P.P.  5438.  z. 
Sweet  William.  [Song.]  See  By.  By  a 
pratt'ling  Stream,  etc.     [1755  ?]     s.  sh.  fol. 

G.  305.  (302.) 
Sweet   William.     [Song.]     Sung   by  Miss 
Stevenson,   etc.     See  Chloe.      Chloe,   or 
the  Musical  Magazine,  etc.     No.  35. 
[1760?]     fol.  G.  433. 

Sweet  William's  Farewell  to  Black-Ey'd 
Susan.  [Song.]  See  Carey  (H.)  [Black- 
eyed  Susan.'] 

Sweet  Willy  0.  [Song.]  See  Dibdix  (C.) 
[The  Jubilee.] 

SWEETER.  Sweeter  than  the  blushing 
Rose.  [Song.]  C[liarlcs  and]  S[amiiel] 
T[liompson :  London,  1775?]     s.  sh.  fol. 

G.  311.  (136.) 

SWEETEST.  The  Sweetest  Fair.  [Song.] 
See  How.  How  blest  the  Day  when  on 
yon  hill.     [1770?]     s.  s7/.  fol. 

G.  308.  (92.) 
Sweetest  of  the  Nightly  Choir.  The 
Ballad  Singer's  Summons  to  her  Love. 
[Song.]  To  an  Excellent  new  Playhouse 
Tune.     [London,  1730  ?]     s.  sh.  fol. 

G.  315.  (140.) 
Sweetest,  sweetest  of  the  fair.     Song. 
See  Hudson  (R.) 

SWELINCK  (.Jan) 
See  SwEELiNCK  (.J.  p.) 

SWIFT  (William)  The  Captive  Slave.  A 
New  Song,  etc.     [London,]  1763.     8°. 

P.P.  5441. 
Eoyal  Magazine,  Vol.  VIII.,  p.  44. 

The  Captive  Slave.    A  New  Song,  etc. 
[London,  1763.]     8°.  P.P.  5140. 

Lady's  Magazine;  Vol.  IV.,  p.  353. 

SWIFTLY.     Swiftly  from  the  ^Mountain's 
Brow.     Glee.     See  Webbe  (S.)  the  Elder. 
Swiftly  glide  the  Hours  away.     Canon. 
See  Porter  (S.)  the  Elder. 


SWORD.  The  Sword  of  Gideon  and  the 
Lord.    [Sacred  Song,]    See  Mortimer  (F.) 

SYFERT  (Paulus)  Canticum  sen  Sym- 
bolum  Divi  Ambrosij  &  Augustini  Te 
Deum  Laudamus  :  composituna  a  1.  2.  3. 
4.  5.  Vocibus  Vivis  &  Instrumentis 
sonandum  cum  Basso  Generali  in  quibus 
permanet  &  resonat  antiqua  eorum 
Choralis  Melodia  in  omnibus  versiculis, 
quae  a  Patribus  nostris  in  omnibus  Christi- 
anis  Ecclesijs  fuit  hue  usqj  decantata,  etc. 
Cantus.  (Altus.)  (Tenor.)  (Bassus.) 
(Quinta  Vox.)  (Bassus  Generalis.)  6  pts. 
Tijins  Gcorgii  Ilhetii  : 
Dantisci,  1642.     obi.  4".  B.  190. 

Pauli  Syferti  .  .  .  Anticribratio  Musica 
ad  Avenam  Schachianam,  hoc  est,  Ocularis 
demonstratio  crassissimorum  errorum, 
quos  Marcus  Schachius,  Author  libri, 
Anno  1643.  Venetijs  editi  quem  Cribrum 
]\Iusicum  ad  triticum  Syferticum  bapti- 
zavit,  passim  in  eo  commisit,  cum  annexa 
Siferti  justa  defensione  honoris  ac  bonse 
famse,  adversus  ampullas  &  falsitates 
Schachianas.  Typis  Georgii  Pih^tii : 

Dantisci,  1045.     fol.  H.  2200. 

[Another  copy.]  H.  2200.  a. 

Wanting  the  second  list  of  Errata. 

SYLPHIDS.     The  Sylphids.     Song. 
Sec  Rhodes  (R.) 

SYLPHS.     The  Sylphs.     Entertainment. 
See  Fisher  (J.  A.) 

SYLVA  (Manoel  Nunes  da) 
See  Nunes  da  Sylva. 

SYLVAN.  Sylvan  and  Cynthia.  Dia- 
logue. Sec  Sweet.  Sweet  Summer  is 
coming,  etc.     [1764.]     8".     P.P.  5438.  z. 

Sylvan  and  Cynthia.     Dialogue. 

See  Sweet.     Sweet  Summer   is   coming, 

etc.     [1765.]     8".  P.P.  5438.  z. 

Sylvan  and  Cynthia.     Dialogue. 

See  Sweet.     Sweet   Summer  is  coming, 

etc.     [1770?]     s.sh.iol.     G.  311.  (134.) 

The  Sylvan  Scene  of  Love.     Arietta. 
See  Bryan  (M.  A.)  Mrs. 

The  Sylvan  Oracles.     Song. 
See  Rhodes  (R.) 

SYLVANDER.  Sylvander  once  the 
Grayest  Swain.     Song.     See  Hart  (P.) 

SYLVANIA.     Sylvania.     [Song.] 

See  Where.  Where  beauteous  Flora 
cloaths  the  Fields.     [1730?]     s.  sh.  fol. 

L  530.  (35.) 

SYLVIA.      Sylvia.      [Song.]     See    Come. 
Come  Sylvia  Iseauty  pride  of  May. 
[1775  ?]     s.  sh.  fol.  G.  307.  (88.) 

Sylvia.     Cantata.     See  Festing  (M.  C.) 


554 


SYLVIA— T. 


SYLVIA.     Sylvia.     Soug.     [Begins:    'Ye 
Mirtle  wreaths  from  fragrant  bowers.'] 
Sec  Jackson  (G.  K.) 

Sylvia.      Song.      See    Say.      Say    Sylvia 
shall  I  speak  or  die.     [1750?]     s.  sh.  fol. 

G.  316.  a.  (42.) 
Sylvia.     [Song,   begins  :    '  Tell  me  Sylvia 
why  so  sad.']     See  Sube  (G.) 
Sylvia  a  May  rolling.     [Song.] 
See  CuEiosiTY.     Curiositv    made    Sylvia 
seek.    [1720?]    s.  sh.  fol.  "  H.  1601.  (99.) 
Sylvia  again  is  true  and  kind.     Canzonet. 
See  SuETT  (R.) 
Sylvia,  I'll  on.     Song.     See  Robaet  (W.) 

SYMBOL.  The  Symbol  of  Life.  [Song.] 
See  DiBDiN  (C.)     [Will  of  the  Wisp.'\ 

SYMPATHIZING.     The   Sympathizing 
Heart.     [Song.]     See  Geminiani  (F.) 
The  Sympathizing  Sigh.     [Song.] 
Sec  Ambrose  (J.) 
The  Sympathizing  Tear.     Ballad. 
See  Calah  (J.) 

SYMPHONIES.  A  Collection  of  Several 
Simphouies  and  Airs  in  Three  Parts ; 
Composed  for  Violins,  Flutes  and  Hoe- 
boys,  Printed  for  all  Lovers  of  Musick. 
(Premier  Dessus. )  (Second  Dessus. ) 
(Basse.)     3  pts.  William  Nott : 

ILondoyi^l  1688.     4°.  K.  2.  e.  4. 

Sei  Sinfonie  a  Otto  Stromenti. .  .Com- 
posta  d'Alcuni  Famosi  Maestri,  cioe  di 
Graun,  Eichter,  Chalon,  Zebro  e  Spangen- 
berg.     [Separate  Parts.]  Stampede  a 

Spese  di  J.  J.  Humviel :  Amstelodamo, 
[1770?]     fol.  g.  973. 


SYMPHONIES.  [Raccolta  delle  megliore 
Sinfonie  di  piu  celebri  Compositori  di 
nostro  Tempo,  accomodate  all'  clavicem- 
balo.]    24  Nos. 

\Presso  G.  G.  I.  Breitkopf : 
Lipsia,  1761(-2.)]     fol.  g.  269. 

Wanting  the  title-page  and  '  Avertissc- 
ment,'  u-hich  are  supplied  in  type- 
turitten  MS.  Each  number  has  sepa- 
rate pagination.  The  composers  of 
this  collection  are  :  Frederick  the 
Gi-eat,  E.  T.P.  A.  [i.e.  Maria  Antonia 
Walpurgis  of  Bavaria],  J.  A.  P. 
Hasse,  G.  A.  H.,  G.  H.  Graun,  J. 
Umstatt,  J.  P.  Kirnherger,  Abel,  J.  A. 
Hiiller,  J.  C.  Bodewald,  G.  F.  Miiller, 
J.  C.  Wiedncr,  G.  C.  Wagenseil, 
Adam,  J.  A.  Hiller,  C.  P.  E.  Bach, 
G.  Benda,  J.  G.  Graun,  J.  G.  L. 
Mozart,  J.  H.  Bolle,  L.  Eofmann, 
G.  Harrcr  and  I.  Holzbaner. 

SYREN.     The  Syren.     Songs. 
See  Aene  (T.  A.) 

The  Syren.     Song.     See  Jenner  (C.) 
The  Syren  of  the  Stage.     [Song.] 
See  Little.    Little  Syren  of  the  Stage, 
etc.     [1728  ?]     s.  sh.  fol.        G.  305.  (46.) 

SYRMEN  (LoDOVico)  and  LOM- 
BARD INI,  afterwards  SYRMEN 
(Maddalena  Lauea)  Sei  Quartetti  a 
Violino  I.  e  II.,  Viola  e  Violoncello  . . . 
Opera  iii.     [Separate  Parts.] 

Chez  Madame  BerauU : 
Paris,  [1769.]    fol.  g.  413.  (14.  a.) 

SYRMEN  (Maddalena  Lauba) 

See    Lombaedini,     afterwards     Sybmen 
(M.  L.) 


T  *  *  *.      Amiable     enfant     de     Cythere. 

Clianson.     Les  Paroles  et  la  Musique  sont 

de  M'  T  *  *  *,  etc.  Becoqidlliie  : 

[Paris,']  1771.     s.  sh.  S".  298.  e.  8. 

Mercure  de  France,  Oct.,  1771. 

T.     See   Ccedes.     Cceurs   trop  sensibles... 
accompaguement  de  M'  T  *  *  *. 
1784.     8".  B.  362.  g.  (89.) 

T.  (  de)  Amour,  fuueste  vainqueiu-.  Air 
Tendre.     L'air  &  les   paroles  sont  de  JM. 

de  T [Paris,]  1724.     s.  sh.  4°. 

297.  a.  7. 
Mercure  de  France,  May,  1724. 

T.  (  de)  W'\  Un  Baiser,  ou  la  Rose. 
[Song,  written]  par  M'  Lieutaud.  INIusique 
de  M"'=  de  T.  Accomp'  de  Guitarre  par 
M'  Ducray.  Chez  les  frercs  Saviqni/ : 

[Paris,  1785  ?]     fol.  B.  362.  f.  (20.) 


T.,  C.  A.  Griind-Regeln  wie  man,  bey 
weniger  Information,  sich  selbst  die 
Fundamenta  der  Music  und  des  Claviers, 
lernen  kan,  beschrieben,  mit  Exempeln 
in  Noten  gezeiget  und  verlegt  von  C.  A. 
T[hielo].     Erster  Theil.  [Copenliagcn, 

1753.]    oU.  4°.  7898.  ee.  14. 

T.,  C.  I.  L.  Sonatinas,  for  the  Piano  Forte, 
. .  .Inscribed  to  Dr.  Burney.  F.  Bland  : 
London,  [1785  ?]     fol.  h.  62.  (3.) 

T.,  G.  E.  Gedanken  iiber  die  Temperatur 
des  Herrn  Kirnberger,  nebst  einer  An- 
weisiing,  Orgeln,  Claviere,  Fliigel,  &c.  &c. 
auE  eine  leichte  Art  zu  stimmen,  von 
G[eorg]  F[riedrich  von]  T[empelhoffJ 
einem  Liebhaber  der  Music. 

Bey  G.  J.  Decker  :  Berlin  und  Leipzig, 
1775.     8".  7898.  ee.  22. 


T.— TAFEL-CONFECT 


555 


T.,  J.  "  Leap  Year  "  or  an  Answer  to  the 
Favorite  Welch  Air  of  Fal  lal  la,  [Song,] 
Sung. .  .by  Mrs.  Bland  in  the  Cherokee. 

Printed  for  Culliford,  Bolfe  &  Barrow  : 

London,  [1794  ?]     fol.  G.  250.  (73.) 

Tout  renait  dans  ce  beau  s6jour.    Air,  etc. 

[Paris,^  1736.     s.  sh.  4".  297.  b.  13. 

Mercure  dc  France,  April,  1736. 

T.,  N.  A  Choice  Collection  of  180  Loyal 
Songs,  all  of  them  written  since  the  Two 
late  Plots  (viz.)  the  Horrid  Salamanca 
Plot  in  1678,  and  the  Fanatical  Conspiracy 
in  1683.  lutermixt  with  some  jSTew  Love 
Songs... To  which  is  added  the  Musical 
Notes  to  each  Song.  The  Third  Edition 
with  many  Additions.  [With  a  Preface 
signed:  N.  T.,  i.e.  Nathaniel  Thompson.] 
N[athaniel]  T[lwmpson] :  London, 
1685.    8".  11621.  bb.  23. 

A  Collection  of  One  Hundred  and  Eighty 
Loyal  Songs... The  Fourth  Edition  with 
anany  Additions.  Richard  Butt : 

London,  1694.     8".  1078.  e.  13. 

[Another  copy.]  Gren.  18340. 

T.,   R.     On   Fidelia's   Mind.     [Song.]     Set 
by  Mr.  R.  T.  of  Deveril,  etc. 
[London,  1773.]     s.  sh.  4".        P.P.  5141. 
Lady's  Magazine,  June,  1773. 

T.,  T.  Nancy  Guy.  A  favorite  Song. 
Words  &  Music  by  T.  T.  T.  T.  ; 

[London,  mo?]   s.sh.iol.    G.  306.  (90.) 

TABBY.  Tabby's  Purraby  to  her  Chicken. 
[Song.]     See  Spencer  (J.) 

TABLE.  Table  demonstrative  pour  ap- 
pendre  a  connoitre  sur  le  champ  la  Basse- 
Fondamentale.     [Pam,  1785?]     s.  sh.  i". 

H.  2196.  (4.) 
Table  pour  composer  des  Menuets  et  des 
Trios  a  I'infini ;  Avec  deux  Dez  a  Jouer  : 
pour  le  Forte-Piano  ou  Clavecin. 
Chez  M'-  Wenck  :  Paris,  [1785  ?]     fol. 

h.  3213.  k.  (13.) 

TABLEAU.    Le  Tableau  de  Paris.    [Song.] 
See  De.     De  la  i)lus  charmante  ville. 
[1785?]     8^  B.  362.  (204.) 

Tableau  du  Siecle,  ou  Les  Erreurs.   [Song.] 
See  Daks.    Dans  le  siecle  d'a  present,  etc. 
[1785?]     8°.  B.  362.  f.  (7.) 

TABLEAU  PARLANT.     Le  Dieu  de  la 

tendresse.  [Song.j  Du  Tableau  Parlant 
[by  A.  E.  M.  Gretry].    [Paris,  1770  ?]    8°. 

B.  362.  (42.) 
H  est  certains  barbons.  [Song]  Du 
Tableau  Parlant  [by  A.  E.  M.  Gr6try]. 
[Paris,  1780  ?J  8".  B.  362.  c.  (108.) 
La  nuit  dans  les  bras  du  sommeil.  [Song, 
from]  Le  Tableau  Parlant  [by  A.  E.  M. 
Gr6try.]  Eicoquilliie :  [Paris,] 

1770.     s.  sh.  8°.  298.  e.  1. 

Mercure  dc  France,  Nov.,  1770. 


TABLEAU  PARLANT.  La  nuit  dans 
les  bras  du  sommeil.  Ariette  du  Tableau 
Parlant  [by  A.  E.  M.  Gretry].  [Paris, 
1770?]     8".  B.  362.  (41.) 

Pour  tromper  un  pauvre  viellard.  Ariette 
du  Tableau  Parlant  [by  A.  E.  M.  Gretrvl. 
[Paris,  1770?]     8".  B.  362.  (40.) 

Le  Tableau  Parlant.  Comedie-Parade 
mel6e  d'Ariettes.      See  Gretry  (A.  E.  M.) 

TABOUROT  (Jehan) 
See  Abbeau  (T.)  pseud. 

TACET  (.Joseph)  A  Collection  of  Italian, 
French  and  English  Favorite  Airs  and 
jNIinuets  with  Variations,  adapted  for  two 
German  Flutes  or  two  Violins  or  two 
Guittars  by  IMr.  Tacet.  Mr.  Tacet : 

London,  [ino?]     obi.  io\.  e.  18.  b. 

The  composers  named  are  :    Baptistin, 
Tacet,  Mondonville  and  Richter. 

Second  Collection  of  Italian,  French  and 
English  Favorite  Airs  and  Minuets  with 
Variations  adapted  for  two  German  Flutes, 
etc.    Mr.  Tacet:  London,  [mo?]    obi.  M. 

e.  18.  a. 
TJie  composers  named  are  :  Tacet,  Exau- 
det,  Barthelemon  and  Fclton. 

Six  Divertimentis  ...  for  the  German 
Flute  . . .  with  a  Thorough  Bass  for  the 
Harpsichord. .  .Opera  4'\ 

Printed  for  the  Author  :  London, 
[1770  ?]    obi.  fol.  e.  340.  (4.) 

Lady  Coventry's  Minuet  with  Variations 
by  Mr.  Tacet  [and  as  a  Vocal  Duet  '  Se 
lontano'].     [London,  1110?]     s.sh.iol. 

G.  311.  (146.) 

Thirty  six  Preludes  in  different  Keys  for 
the  German  Flute,  Hoboy  or  Violin,  with 
iliuuets.  Variations  &c. 

Longman,  Lukeij  &  Co.  :  London, 
[1775  ?]     obi.  4°.  a.  205. 

Six  Solos  for  a  German-Flute  or  Violin, 
with  a  Thorough  Bass  for  the  Harpsichord 
or  Violoncello,  etc.  [Op.  1.]  The  Autltor  : 
Lo)ulon,[mO?]     obl.tol.  e.  18. 

Six  Sonates  pour  Flute  ou  Violon  avec  la 
Basse  Chifiree .  .  Oeuvre  1"  Gravee  par 
M"«  Lobry.  Chez  le  Sieur  le  Marchand  : 
Paris,  [1771.]     obi.  fol.       e.  201.  b.  (5.) 

TACK.     Tack  and  Half  Tack.     [Song.] 
Sec  DiBDiN  (C.)     [Castles  in  the  Air.] 

Tack  and  Tack.     [Song.] 
'      See  DiBDiN  (C.)     [Private  Theatricals.] 

TAPEL  -  CONFECT.  Ohren-vergniig- 
endes  und  Gemiith  -  ergozendes  Tafel- 
Confect ;  Bestehend  in  XII.  kurzweiligen 
Sing-  Oder  Tafel-Stucken  von  1.  2.  oder  3. 
Stimmen,  mit  einem.  Clavier,  oder  Violon- 
cello zu  accompagniren . . .  vorgesetzt  Von 
einem  Recht   gut-meynenden  Liebhaber. 


556 


TAFEL-CONFECT— TALK 


Im   Jahr  Wo   Man  hier  froLICh  VnD 
LVstIg   War.     Cantus  i.      (Cantus    ii.) 
(Bassus.)     (Organum.)     4  pts. 
Augspurg,  [1733.]     4°.  C.  198. 

Andere  (Dritte)  Tracht  des  Ohren-vergnii- 
genden,  und  Gemiith-ergotzenden  Tafel- 
Confect ;  Bestehend  in  15.  Quodlibeticis, 
Oder  Tafel-Stucken,  von  1.  2.  oder  4. 
Stimmen,  Theils  mit  2.  Violin,  ad  libitum 
pro  Ritornello,  oder  obligat.  theils  ohne 
Violin,  mit  einem  Cembalo,  oder  Violon- 
cello . . .  Prsesentiret  . . .  von  einem  uoch 
lebenden,  und  bestandigeu  Musurgo.  Im 
Jahr  Wo  Man  gVt  froLICh  VnD  LVstIg 
War.  Cembalo.  (Canto.)  Canto  ii. 
Alto,  &  Violino  i.)  (Tenore  &  Violino  ii.) 
(Basso.)  10  pts.  Johann  Jacob  Loiter  : 
Augsimrg,  [1737.]     oU.  4°.        C.  198.  a. 

TAFFY.     Taffy  and  Griddy.     [Song.] 
See  DiBDiN  (G.)     {The  Oddities.] 

Taffy  and  the  Birds.     [Song.] 

See  DiBDiN  (C.)     [Castles  in  tJic  Air.'] 

Taffy  in  Unison.     [Song.] 
See  Wennington  (W.) 

Taffi  was  born  in  y"  middle  of  Wales. 
The  Welch  Song,  sung  by  Mr.  Hemskerk 
at  Sadler's  Wells.  [London, 

1745?]     s.  s7i.  fol.  G.  316.  a.  (45.) 

TAG  (Christian  Gotthilf)  Lieder  beim 
Klavier  zu  singen,  etc. 

Bey  F.  G.  Jacobckr  und  Sohn  :  Leipzig, 
1783.     ohl.  fol.  C.  595.  (1.) 

Lieder  beim  Clavier  zu  singen  nebst  einer 
melodramatischen  Szene,  etc.  Zweite 
Sammlung.  Bei  F.  G.  Jacohder:  Leipzig, 
1785.     oU.  fol.  C.  595.  (2.) 

See  Freemasons'   Songs.      Gesange  fiir 
Maurer  mit . . .  Melodien  von . . .  Tag,  etc. 
[1782.]     8°.  E.  1718. 

TAGLIETTI  (Giulio)  Concerti  e  Sinfonie 
a  Tre,  Du[e]  Violini,  Violene  [sic],  o  Cem- 
balo. .  .Opera  Seconda.  [Separate  Parts.] 
Daniel  Wright :  London,  [I12b  1]     fol. 

g.  679. 

Sonate  da  Camera  a  tre  :  Due  Violini,  e 
Violoncello,  6  Cembalo,  etc.  [Separate 
Parts.]  Per  Carlo  Maria  Fagnani  : 

Bologna,  1695.     fol.  f.  16. 

TAILLART  (Constant)    V<^(-VIII'^)    Ee- 

cueil  de  Pieces  Fran9oises  et  Italiennes, 
Petits  Airs,  Brunettes,  Menuets  &c.,  Avec 
des  Doubles,  et  Variations,  accomod^s 
pour  deux  Plvites  Traversieres,  Violons, 
Pardessus  de  Viole  .  .  .  recueilli  et  mis 
en  ordre  par  M  *  *  *.     4  pts. 

De  V hnprimerie  de  Richomine,  Chez  M'' 
Taillart :    Paris,  [1765  ?-1775  ?]     obi.  4". 

a.  158. 


TAILOR.  A  Tailor  I  once  was.  The 
Tailor  done  over.  A  favourite  New  Comic- 
Song.    J.  Lee:  Dublin,  [1785?]    s.  sh.  foL 

H.  1601.  b.  (65.) 

A  Tailor  I  once   was.      The  Tailor  done 

over.     A  favourite  New  Comic  Song. 

[Dublin,  1789.]    s.  sh.  4°.     P.P.  6154.  k. 

Walker's  Hibernian  Magazine,  Feb.,  1189. 

The  Taylor's  Daughter.     [Song.] 
See  DiBDiN  (C.)     [Valentine's  Day.] 

TAILOUR  (Robert)  Sacred  Hymns. 
Consisting  of  Fifti  Select  Psalms  of  David 
. . .  set  to  be  sung  in  Five  parts,  as  also  tO' 
the  Viole,  and  Lute  or  Orph-arion,  etc. 

Thomas  Snodham,  by  the  assignment 
of  the  Company  of  Stationers:  London, 
1615.     4".  K.  2.  h.  14. 

TAIT  (Andrew)  A  New  and  Correct  Set 
of  Church  Tunes. .  .The  Third  Edition,, 
collected  by  A.  Tait,  etc.  James  Chalmers  : 
Aberdeen,  1753.     obi.  12".  A.  529.. 

TAKE.     Take  heed  Bellinda.     Song. 
See  Weldon  (J.) 
Take  me  Jenny.     [Song.] 
See  Arne  (T.  A.) 

Take  not  a  Woman's  anger  ill.     Song. 
See  PuRCELL  (H.)     [The  Rival  Sisters.] 
Take  off  your  Glass.     Song. 
See  Franck  (J.  N.) 

Take,  oh  !   take  those  Lips  away.     [Song, 
with    Accompaniment     for     Harpsichord 
and  Violin,  words  by  W.  Shakespeare.] 
W.  Mapicr  :  London,  1780  ?]     fol. 

H.  1650.  p.  (55.) 

Take  those  Lips  away.     Two-Part  Song. 
See  Alcock  (J.)  the  Younger. 
Take,  oh  take  those  lips  away.     Glee- 
See  GiORDANi  (G.)  or  (T.) 

TALACOY.     Talacoy.     Ballad. 

See     Sanderson     (J.)       [The     Algerine 
Corsair.] 

TALE.     A  Tale  of  Hapless  Love.     [Song.] 
See  Jacob  (B.) 

The  Tale  of  Woe.     A  Winter  Piece. 
See  Hook  (J.) 

TALES.     The   tales  of  your  loves,  fellow 
Shepherds,  I've  heard.     The  Shepherd  in 
Love.     [Song.]      Sung  by  Mr.  Dearl   at 
Finch's  Grotto  Gardens. 
[London,  1770  ?]     s.  sh.  fol. 

G.  312.  (124.) 

TALESTRI.  Talestri.  Dramma  per 
Musica.     See  A.,  E.  T.  E..,  pseud. 

TALK.  Talk  no  more  to  me  of  Glory. — 
Se  risolvi  abbandonarmi. — A  Song  by  an 
Eminent  Master  [i.e.  G.  F.  Haendel,  from 
Floridante].     [I/OwZon,  1725  ?]     fol. 

G.  305.  (91.) 


TALK— TANS' UR 


557 


TALK.  [Another  edition.]  Talk  to  me 
no  more  of  Glory.  A  Song  by  an  Eminent 
Master  [i.e.  G.  F.  Haendel,  from  Flori- 
dante].     [Lwidon,  1T30  ?]     fol. 

G.  312.  (5.) 
Talk  no  more  to  me  of  Glory.  Song. 
See  Floridaxte.  [Se  risolvi.] 
Talk  of  Beauty  no  more.  Friendship  and 
Wine.  Sung  by  Mr.  Dearl  at  Finch's 
Grotto  Gardens.  The  words  by  Mr.  Boyce. 
[London,  1765  ?]     s.  sh.  fol. 

H.  1994.  a.  (182.) 

TALLIS  (Thomas)  Sec  Psalms.  [4.  Eng- 
lish.'] The  whole  Psalter  translated  into 
English  [by  Archbishop  Parker,]  etc. 
[With  four-part  settings  of  the  eight 
tunes  by  T.  Tallis.]     [1567  ?]     4°. 

Gren.  12025. 

TALLIS  (Thomas)  and  BYRD  (William) 
Cantiones,  quae  ab  Argumento  Sacrae 
vocautur,  quiuque  et  sex  partium,  etc. 
Superius.  (Discantus.)  (Tenor.)  (Contra 
Tenor.)     (Bassus.)     (Sextus.)     6  pts. 

Exctidebat  Tliomas  Vautrolleritis  : 
typographus  Londinensis  in  claustro  vulgo 
Blackfriers  cotnmorans,  1575.     obi.  A". 

K.  3.  f.  9. 

TALLY.  TaUyHo.  Song.  See  Ye.  Ye 
Sportsmen  draw  near,  <?/c.     [1780?]     fol. 

H.  1601.  a.  (90.) 

TAMBOURINES.  Tamborines.  Comic 
Song.     See  Dibdin  (Mrs.  C.) 

TAMERLANE.       To    thee    oh!     gentle 
Sleep.      [Song.]      Sung  by  Mr.  Lowe  in 
[Rowe's  "Tragedy]  Tamerlane. 
[London,  1750  ?J     s.  sh.  fol. 

G.  316.  f.  (27.) 
[Another  edition.]  To  thee  oh !  gentle 
sleep.  A  favorite  Song  in  [Rowe's  Tragedy] 
Tamerlane.     [London,  1750?]     fol. 

I.  530.  (150.) 
To  thee,  oh!  gentle  Sleep.  A  Song. 
Simg  by  Mr.  Lowe  in  [Rowe's  Tragedy] 
Tamerlane.     [London,]  1759.     8°. 

158.  1.  4. 
London  Magazine,  1759,  p.  100. 

To  thee  oh  gentle  Sleep !  [Song.]  Sung 
by  Mr.  Lowe  in  [Rowe's  Tragedy]  Tamer- 
lane.    [London,  1759.]     8°. 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XXIV.,  p.  38. 

TAMERLANO.  Bella  Asteria.  [Song.] 
Sling  by  Sig''  Senesino  in  Tamerlane. 
[By  G.  T.  Handel.] 

[London,  1724.]    s.  sh.  fol.     G.  305.  (84.) 
Tamerlane.     Opera. 
See  Haendel  (G.  F.) 
Tamerlano.     Opera. 
See  Sacchini  (A.  M.  G.) 


TANCREDE.     Tancrede. 
See  Gampra  (A.) 


Trag^die. 


TANDIS.  Tandis  que  sur  le  Rhin. 
Marche.     See  Warmbraxt  (    ) 

Tandis  que  dans  nos  bois.     Vaudeville. 
See  Jeliotte  (P.)     [Zelisca.] 
Tandis  que  tout  sommeille.     Ariette. 
See    Gretry     (A.    E.     M.)       [L'Amant 
Jaloux.] 

TANKARD.      The    Tankard    of    Porter. 
Song.     Sec  With.     With  a  cheerful  old 
friend  and  a  merry  old  song,  etc. 
[1780  ?]     s.  sh.  fol.  G.  313.  (173.) 

TANNER.     The  Tanner.     Song. 
See  Reeve  (W.)     [Merry  Sherwood.] 

TANS'UR  (William)  The  Works  of  Mr. 
William  Tans'ur.  In  Two  Parts.  Part  i. 
A  Compleat  Melody :  or,  the  Harmony  of 
Sion ;  In  Three  Books  . . .  Part  ii.  The 
Melody  of  the  Heart :  or,  the  Psalmist's 
Pocket  Companion.     In  Two  Parts,  etc. 

Printed  for  James  Hodges  : 
London,  (1738,  1737).  obi.  4».  A.  479.  f. 
This  copy  consists  of  the  Fourth  Edition 
of  A  Compleat  Melody,  and  the  Second 
Edition  of  the  Melody  of  the  Heart, 
toith  a  new  title-page.  Each  piart  has 
separate  title-pages  and  pagination. 

The  Works  of  Mr.  William  Tans'ur.     In 

Two  Parts,  etc.    Printed  for  James  Hodges  : 

London,  (1743,  1737.)    obi.  4°.    A.  479.  d. 

This  copy  consists  of  the  Fifth  Edition 

of  A  Compleat  Melody  and  the  Second 

Edition  of  the  Melody  of  the  Heart. 
A  Compleat  Melody :  or  The  Harmony  of 
Sion.  In  Three  Books.  Containing:  i. 
A  New  . . .  Introduction  to  the  Grounds 
of  Music  ...  II.  The  Psalms  of  David  New 
Tun'd  . . .  III.  A  New.  and  Select  Number 
of  Divine  Hymns  . . .  The  Whole  is  Com- 
posed in  Two,  Three,  and  Four  Musical 
Parts  .  .  .  The  Fifth  Edition  .  .  .  With 
large  Additions. 

Robert  Broion,  for  James  Hodges  : 
London,  1743.     obi.  4".  A.  479.  c. 

The  Elements  of  Musick  Display'd  ...  In 
Five  Books.  Containing,  i.  An  universal 
Introduction  to. .  .Musick  ...  ii.  Of  Time 
. . .  With  Directions  to  Performance  . . . 
III.  The  Structure  of  Musical  Instruments 
. . .  with  Sacred  Lessons  ;  Songs  in  Parts ; 
and  Tunes  for  Instruments,  iv.  The 
Theory  of  Sound  ...  v.  A  New  Musical- 
Dictionary  .  .  .  The  Whole  .  .  .  collected 
from  the  Greatest  Masters  ...  by  W. 
Tans'ur,  etc.  Printed  for  Stanley  Crowder : 
London,  1772.     8".  c.  16. 

Each    book    has  a  separate    title-page. 

Those  of  Books  II.  and  III.  are  dated 

1767.     Wanting  pp.  121-2. 
Heaven    on    Earth;    or,   the    Beauty   of 
Holiness.      In  Two  Books.      Containing, 
I.  The  Whole   Book   of  the   Proverbs  of 
King    Solomon,    composed     in     English 


55S 


TANS'UR— TARADE 


Verse ;  and  set  to  Musick.     ii.  The  Song 
of  Songs,  which  is  the  Song  of  Solomon. 
Together,  with  various  Hymns,  Anthems, 
and  Canons  . . .  Composed  in  Two,  Three,   ; 
and  Four  Musical  Parts,  etc.  '< 

A.  Pearson  for  S.  Birt : 
London,  1738.     8°.  854.  e.  1. 

Melodia  Sacra :  or  the  Devout  Psalmist's  , 
New  Musical  Companion.  Being  a  Choice 
Collection  of  Psalm-Tunes  for  Divine 
Service  . . .  Correctly  set  in  Four  Musical 
Parts  .  .  .  The  Second  Edition  .  .  .  with 
Large  Additions. 

G.  Bigg,  for  Stanley  Croicder  : 
London,  1772.    obi.  12^  A.  479.  e. 

A  New  Musical  Grammar:   or,  the  Har-  ^ 
monical   Spectator  .  .  .  With  variety  of 
Cuts  correctly  engraved,  etc. 

Jacob  Robinson,  for  the  Author  : 
London,  174G.     8".  1042.  e.  15. 

The  Royal  Melody  Compleat :  or.  The 
New  Harmony  of  Sion.  In  Three  Books. 
Containing  i.  A  New  . . .  Introduction  to 
the  Grounds  of  Musick  .  .  .  ii.  A  New 
.  .  .  Body  of  Church-Musick,  adapted  to 
the  most  select  Portions  of  the  Book  of 
Psalms  ...  III.  A  New,  and  Select  Number 
of  Services,  Chants,  Hymns,  Anthems,  and 
Canons  .  .  .  Set  by  the  greatest  Masters 
in  the  World. .  .with  a  Preface  on  Church- 
Musick,  etc.  B.  Brown,  for  James  Hodges : 
London,  1755.     obi.  4.".  A.  479.  b. 

The  Royal  Melody  Compleat:  or.  The 
New  Harmony  of  Sion.  In  Three  Books. 
Containing  i.  A  New  . . .  Introduction  to 
the  Grounds  of  Musick  ...  ii.  A  New  . . . 
Body  of  Church-Musick,  adapted  to  the 
most  select  Portions  of  the  Book  of 
Psalms  .  .  .  III.  A  New,  and  Select, 
Number  of  Services,  Chants,  Hymns, 
Anthems,  and  Canons  .  .  .  The  Third 
Edition.  B.  Brown,  for  S.  Croicder, 

T.  Longman,  and  M.  Bichardson :  London, 
1764.     obi.  4".  A.  479. 

Book  II.  has  a  separate  title-page,  dated 
1765. 
[Royal  Melody  Compleat.  Sixth  Edition.] 
See  American  Haemosy.  The  American 
Harmony:  or  Royal  Melody  Complete 
.  .  .  Vol.  I.  .  .  .  The  Sixth  Edition,  with 
Additions.  By  W.  Tans'ur,  etc. 
1771.    obi.  4".  A.  479.  a. 

Sacred  Mirth :  or  The  Pious  Soul's  Daily 
Delight.  Being,  a  Choice  . . .  Collection 
of  Psalms,  Hymns,  Anthems,  and  Canons 
on  various  Divine  Subjects  . . .  Composed 
in  Two,  Three,  Four,  Five,  Six,  Seven, 
and  Eight  Musical  Parts  .  .  .  Corrected 
and  Enlarged. 

A.  Pearson,  for  James  Hodges  : 
Londcm,  ]739.     8".  C.  101. 

The  composers  are :  W.  Tans'ur,  R.  S., 
Jeremiah  Clark  and  Henry  Champion. 


TANT.  Tant  d'fiers  a  bras  qu'en  sav'  si 
long.  CJianson  d'un  Sans  Culotte,  sur  la 
prise  de  Toulon  .  .  .  Avec  Accompagne- 
ment  de  Guitarre.  Air  de  la  Carmagnole. 
[Words]  Par  le  Cit.  L.  Chez  Imbanlt : 
Paris,  [1793.]     8».  B.  362.  d.  (32.) 

[Another  copy.]  B.  362.  a.  (18.) 

Tant  que  I'homme  desirera.     Air. 
See  PiBON  AVEC  ses  Amis. 

TANTIVY.     Tantivy.     [Song.] 

See  DiBDiN  (C.)     [Private  TJieatricals.'] 

TANZEN.  Tanzen  ist  der  Liebe  Schul. 
Braut-Tanz.     See  Sebastiani  (-7.) 

TAPIA  (Martin  de)  Vergel  de  Music* 
spiritual  speculatiua  y  actiua,  etc. 

Diego  Fernandez  de  Cordoiia  : 
Burgo  de  Osma,  1570.     4^         K,  1.  f.  8. 
121  pages  preceded    by   4   unnumbered 
leaves. 

TAPINSMUS  (Matz)  pseud,  and  LAEU- 
SIMPELTZ  (Charis)  pseud.  Refuta- 
tion des  Satyrischen  Componistens,  oder 
so  genannten  Phrynis  [of  W.  C.  Printz], 
dem  unpartheyischen  Leser  zu  fernem 
Nachdencken  vorgestellet  von  Denen  in 
aller  Welt  beriihmten  Matz  Tapinsmus, 
sonst  Leyermatz  genannt,  und  Charis 
Lausimpeltz,  Schergeigem,  &c.  Gedrnckt 
in  der  Welt,  1678.     4°.  12305.  d.  26. 

TAPRAY  (Jean  Francois)  Deux  Quatuor 
pour  le  Clavecin  ou  le  Piano  Forte  avec 
Accompagnement  de  Clarinette  ou  Violon 
Alto  et  Basson  . . .  ffiuvre  xvii™". 
Chez  Le  Due  :  Paris,  [1783  ?]    obi.  fol. 

e.  14.  (1.) 

Simphonie  Concertante  pour  le  Clavecin 
et  le  Piano  avec  Orchestre.  Deux  Violons, 
Alto,  Basse,  et  Cors. . .  (Euvre  viii.  Gravee 
par  Richomme.     [Separate  Parts.] 

CJiez  M.  De  Roullede  : 
Paris,  [1780?]    o6Z.  fol.  e.  14.  (2.) 

Deux  Symphonies  pour  le  Clavecin  avec 
Accompagnement  de  deux  Violons  Alto  et 
Basse  les  Cors  et  I'Alto  ad   Libitum  . . . 
CEuvre  xxi*.     [Separate  Parts.] 
Chez  M.  Le  Due  :  Paris,  [1785.]     fol. 

h.  76. 

TAR.     The  Tar  for  all  Weathers.     [Song.] 
See  DiBDiN  (C.)     [The  Oddities.'] 

The  Tar  in  Distress.     Glee.     -See  Lee  (P.) 
The  Tar's  Sheet  Anchor.     Ballad. 
See  Reeve  (W.) 

TARADE  (Theodore  Jean)  La  Recon- 
ciliation Villageoise,  Comedie  Lyrique  en 
uu  acte ;  mise  au  Theatre  par  M.  Poinsinet 
. . .  avec  la  Musique. 

Chez  la  Veuve  Duchesne  :  Paris,  1765.    8". 
11738.  n.  16.  (3.) 


I 


TARARE— TAEDITI 


55'J 


TARARE.  Je  suis  n6  natif  de  Ferrare. 
Air  du  3""=  Acte  de  Tarare  .  .  .  [by  A. 
Salieri]  avec  Accompagnement  de  Giiitare. 
Chez  Imbault :  Paris,  [1787  ?]     S^ 

B.  362.  (157.) 
[Je  suis  n6  natif  de  Ferrare.]      Calpigi. 
A   Favourite   Air   from  .  .     Tarare.     [By 
A.  Salieri.]     Adapted  by  Mr.  Barnes. 
John  McCalley  :  Dublin,  [1790?^  s.  sh.  fol. 

H:  1601.  b.  (10.) 
Tarare.     Opera.     See  Salieri  (A.) 

TARCHI   (AxGELO)     A   quel   cari   amati 

acceuti.     See  infra  :  {II  Desertore.'] 

[II  Desertore.]  A  quel  cari  amati 
accenti.  [Air.]  Sung  by  Sig'  Marchesi 
in  the  Opera  II  Desertore,  etc.  [Full 
Score.]  Longman  and  Broderip  : 

London,  [1789.]     fol.  G.  196.  (13.) 

[La  Generosita  d'  Alessandro.]  Quel  labbro 
vezzoso.  [Air.]  Sung  by  Sig'  ^larcbesi 
in  the  Opera  Generosita  d'  Alessandro, 
etc.  [Words  by  C.  F.  Badini.  Full  Score.] 
Longman  and  Broderip : 
London,[1189.]     fol.  G.  196.  (11.) 

Se  mai  pici  [piu]  saro  geloso.     [Air.] 

Sung  by  Sig'  Marchesi  in  the  Opera 
Generosita  d'  Alessandro,  etc.  [Full  Score.] 

Longman  and  Broderip : 
London,  [1789.]     fol.  G-.  196.  (12.) 

Son  prigionier  lo  vedo.     Terzetto  in 

...  La  Generosita  d'  Alessandro  .  .  .  The 
Words  by  j\I'  Badini.     [Full  Score.] 

Longman  and  Broderip  : 
London,  [1789.]     fol.  G.  197.  (17.) 

Idol  mio  quest'  alma  amante. 

See  infra  :  [Virginia.] 

H  faut  agir  avec  j)rudence. 

See  infra  :  [Le  Trente  et  Quarante.] 

Nel  lasciarti  amato  bene.      [Air.]     Sung 

by  Sig'   ^larchesi   in   the   Opera   [by  L. 

Cherubini]  Iffigeuiea,  etc.     [Full  Score.] 

Longman  and  Brodcrij) : 
London,  [1789.]     fol.  G.  197.  (18.) 

Non,  de  ces  noeuds  que  j'abhore. 
See  infra:  [Lc  Trente  ct  le  Qua7-a7ite.] 
Non  lagrimar  ben  mio. 
(See  infra:  [Virginia.^ 
Porte  il  ton  maitre  ce  portrait. 
See  infra  :  [Le  Trente  ct  Quarante.'] 
Pupille  venose  del  caro  mio  bene. 
See  infra  :  [Virginia.] 
Quel  labbro  vezzoso. 

See  supra  :  [La  Generosita  d'  Alessandro.] 
Le    Trente    et    Quarante  .  .  .  Ouverture 
arrangee  pour  Clavecin  ou  Piano  Forte. 
Chez  Imbault :  Paris,  [1799.]     fol. 

h.  1480.  p.  (20.) 

II  faut  agir  avec  prudence.     Duo  . . . 

Arrang6  pour  Piano  par  H.  Jadin. 

Chez  Imhault :  Paris,  [1799.]     fol. 

G.  808.  a.  (581^.) 


TARCHI  (Akgelo)  [Le  Trente  et  Qua- 
rante.] Non,  de  ces  noeuds  que  j'abhore. 
Trio  du  30  et  40.  Paroles  du  C"  Duval . . . 
Arrange  pour  Piano  ou  Harpe  par  Berteau 
fils,  etc.    Chez  Imbault:  Paris.  ^1799.1  fol. 

G.  808.  a.  (58^) 

Porte    a    ton     maitre     ce    portrait. 

Duo  . . .  Musique  . . .  arraugee  pour  Piano 
ou  Harpe  par  Bertheau. 

Chez  Weissenbruch  :  Bruxelles, 
[1800?]     fol.  G.  808.  a.  (58.) 

Se  mai  piu  saro  geloso. 
See  supra  :    [La  Generosita  d'  Alessandro.] 

Son  prigionier  lo  vedo. 

See  supra:  [La  Generosita  d'  Alessandro.] 

[Virginia.]      Overture.      Adapted    by    J. 
Mazzinghi.     [P.  F.  and  Violin.] 
See  Opera  Overtures.     Nos.  1(-5)  of  the 
Opera  Overtures,  etc.    No.  I.    [1789.]    fol. 

h.  61.  (7.) 

Idol  mio  quest'  alma  amante.     [Air.] 

Sung  by  Sig'  Rubiuelli,  etc.     [Full  Score.] 

Longman  and  Broderip: 
London,  [1786.]     fol.  H.  345.  (11.) 

■ Non    lagrimar    ben    mio.      [Duet.] 

Sung  by  Madam  Mara  &  Sig'  RubineUi, 
etc.  [Full  Score.]  Longman  d-  Broderip  : 
London,  [1786.]     fol.  G.  197.  (13.) 

Pupille  venose   del   caro  mio   bene. 

A  favorite  Song.  .  ..sung  by  Sig' Rubi- 
neUi, etc.     [FuU  Score.] 

Longman  and  Broderip : 
[London,  1786.]     fol.  H.  345.  (21.) 

TARDITI  (Horatio)  Amorosa  Schiera 
d'  Arie  a  Voce  Sola  per  Cantare  sopra  il 
Clauicembalo,  Chitarrone,  Lento,  con  le 
Lettere,  &  lutauolatura  per  la  Chitarra 
alia  S^iagnola  .  .  .  Opera  Sesta.  Nuoua- 
mente  composta,  &  data  in  luce. 

Appresso  Alessandro  Vincoiti : 
Venetia,  1628.     i\  K.  8.  d.  15. 

Canzonette  Amorose  a  Doi,  e  Tre  Voci. 
Per  cantar'  sopra  il  Glauicembalo,  6  Tiorba 
. . .  Nuouamcute  Eistampate.  Prima  (Se- 
conda)  (Terza)  Parte.  (Basso  per  Sonare.) 
4  pts.  Appresso  Alessandro  Vincenti  : 

Venetia,  1647.     i".  D.  225. 

Messe  a  Cinque  Voci  Concertate,  Parte 
con  Instrumenti,  e  parte  senza.  Con 
alcuni  Salmi  a  Tre,  a  Quattro,  e  a  Cinque 
Concertati,  con  Instrumenti,  e  senza  . . . 
Opera  Vigesima  Settima.  Canto.  (Alto.) 
(Tenore.)  (Basso.)  (Quinto.)  (Violino 
Primo.)     (Organo.)     7  pts. 

Apiprcsso  Alessandro  Vincenti : 
Venetia,  1648.     4".  D.  225.  b. 

II  Quarto  Libro  de  Motetti  a  Doi,  Tre,  e 
Quattro  Voci  in  Concerto  con  le  Letanie 
della  Madonna  a  quattro  Voci  Concertate 
. . .  Opera  Decimaterza.  Canto.  (Tenore.) 
(Basso.)     (Basso  per  1'  Organo.)     4  pis. 

Appresso  Alessandro  Vincoiti : 
Venetia,  1637.    4°.  D.  225.  d. 


560 


TARDITI— TASKIN 


TARDITI  (Horatio)  Psalmi  acT  Comple- 
torium  et  Litanie  Beatissimee  Virginis 
Quatuor  Vocibus,  Cum  quatuor  Antifonis 
. . .  Tribus  vocibus.  Adiuncto  . . .  Psalmo 
In  te  Doniine  speraui,  &  Hinno  Te  lucis 
ante  terminum  ad  voces,  &  Instrumenta. 
Omnia  ad  Organi  concertuni  accomodata 
.  .  .  Opus  Vigesimum  Quartum.  Alto. 
(^Basso  Continuo.)     2  pts. 

Apud  Alcssandrum  Vincentium : 
Vcnetiis,  1647.     4".  D.  225.  a. 

[Another  copy.     Basso  Continue.] 

D.  225.  c. 

TARRY.     Tarry  here  with  me  and  love. 
[Song.]     See  DiBDiN  (C.) 
Tarry  Woo,  it's  Tarry  Woo.     Tarry  Woo. 
A  favourite  Scotch  Song. 
[I/oncZow,  1730  ?J  s.sh.iol.   G.  312.  (151.) 

TARS.  The  Tars  of  Old  England.  [Song.] 
See  Repeisal. 

The  Tars  of  old  England.     [Song.] 
See  Since.     Since  the  Dutch  are  so  low, 
etc.     [1775?]     s.sh.iol.     G.  311.  (148.) 

TARSIS   ET   ZELIE.     Tarsis   et   Zelie. 
Trag^die. 
;j;ee  Rebel  (F.)  andFRANCCEUR  (F.) 

TARTARISCHE  GESETZ.  Das  Tar- 
tarische  Gesetz.  Singspiel.  See  Benda  (G.) 

TARTINI  (Giuseppe)  L'  Arte  dell'  Arco, 
o  siano  Cinquanta  Variazioni  per  Violino, 
e  sempre  collo  stesso  Basso,  composte  . .  . 
sopra  alia  piu  bella  Gauotta  del  Corelli 
Opera  v.  Appresso  Lnigi  Marcscalchi : 

iVapoK,  [1750?]     fol.  11.1629.(3.) 

L'  Arte  del  Arco,  ou  1'  Art  de  1'  Archet. 
Contenant  38.  Variations  compos6es  sous 
la  plus  Belle  Gavotte  de  Corelly . . .  Gravees 
par  M'"=  Leclair.  Chez  M.  Leclerc  : 

Paris,  [1780  ?]    obi.  fol.  e.  787.  a. 

II.  Concerti  . . .  Accommodati  per  il  Cem- 
balo da  L.  Frischmuth.  Apresso 
A.Olofsen:  Amsterdamo,[1155?]    obl.iol. 

d.  161.  a.  (1.) 
Sei  Concerti  a  Cinque  e  Sei  Stromenti  . . . 
a  "Violino  Principale,  Violino  Primo  di 
Ripieno,  Violino  Secondo,  Alto  Viola, 
Organo  e  Violoncello  .  .  .  Opera  Prima. 
Libro  Primo  (Secondo).  [Separate  Parts.] 
M.  C.  Le  Gene :  Amsterdam,  [1730  ?]     fol. 

g.  296.  b.  (2.) 
[Another  copy.]  g.  296.  a. 

The  Violino  Primo  di  Ripieno  (Libro  I.) 
wants  all  after  p.  16. 
[Sei  Concerti.     Op.  1.     P'=  1.     Nos.  1  and 
3.]     See  Select  Harmony.     Select  Har- 
mony.    Fourth  Collection,  etc.     (Concerto 

V  (VI).)     [1741.]     fol.  g.  26.  a. 

VI  Concerti  a  Otto  Stromenti,  a  A^iolino 
Princij^ale,  Violino,  Primo,  Violino  Se- 
condo, Violino  Primo  de  Repieno,  Violino 
Secondo  de  Repieno,  Alto  Viola,  Organo, 


e  Violoncello  obligato  . . .  Opera  Secondo. 
[Separate  Parts.] 

Stanipate  a  Spese  di  G.  F.  Witvogel : 
Amsterdam,  [1750  ?]     fol.  g.  296.  d. 

Wanting  the  2nd  Repieno  Violin  Part. 

Six  Concertos  in  four  Parts.  [Separate 
Parts.]  WelcTxer,for  Tommaso  Mazzinghi : 
London,  [1775  ?]     fol.         g.  296.  b.  (1.) 

De'  Principj  dell'  Armenia  Musicale  con- 
tenuta  nel  DiatonicoGenere  Dissertazione, 
etc.  Nella  Stamperia  del  Seininario  : 

Padova,  1767.     4°.  557*.  e.  8.  (2.) 

[Another  copy.]  141,  d.  25. 

Lettera  del  defonto  Signor  Tartini  alia 
Signora  M.  Lombardini,  etc. — A  Letter 
from  the  late  Signor  Tartini  . . .  published 
as  an  important  Lesson  to  Performers  on 
the  Violin.  Translated  by  Dr.  Burney. 
It.  and  Eng  .  Printed  for  R.  Bremner,  etc.  : 
London,  1771.     4°.  785.  k.  41. 

Two  Solos  for  the  Violin. 

Longman  Liikey  db  Co.  : 
London,  [1775  ?]     fol.         g.  420.  b.  (6.) 

XII  Sonatas  for  Two  Violins  and  a  Bass, 
lately  compos'd  by  Sig'  Giuseppe  Tartini, 
etc.     [Separate  Parts.] 

Printed  at  the  Author'' s  Expence  : 
London,  1750.     fol.  g.  296.  e. 

Sonata  a  Violino  e  Violoncello  e  Cimbalo 
. . .  Opera  Prima.  M.  C.  Le  Ccne  : 

Amsterdam,  [1734.]     fol.  g.  296.  c. 

XII.  Solos  for  a  Violin  with  a  Thorough 
Bass  for  the  Harpsicord  or  Violoncello. 
[Op.  1.]  Printed  for  I.  Walsh  : 

London,  [1750  ?]     fol.  g.  296.  (2.) 

Sonate  a  Violino  e  Basso . . .  Opera  Secdnda. 
jRoma?,  [1745  ?]     obl.iol.  e.  787. 

Wanting  the  dedication. 

Six  Solos  for  a  Violin  with  a  Thorough 
Bass  for  the  Harpsicord  or  Violoncello. . . 
Opera  Seconda.  Printed  for  I.  Walsh  : 

London,  [1755  ?]     fol.  g.  296.  (1.) 

This  ivork  is  not  the  same  as  that  pub- 
lished at  Rome  as  Op.  2. 
Trattato  di  Musica  secondo  la  vera  Scienza 
dell'  Armenia.  Nella  Stampieria  del 

Seminario,  Appresso  Giovanni  Manfr^ : 
Padova,  1754.     4".  557*.  e.  8.  (1.) 

[Another  copy.]  557*.  e.  7. 

Wanting  the  portrait. 

[Another  copy.]  59.  a.  12. 

See    Principles.      Principles    and 

Power  of  Harmony.  [Founded  on  Tartini's 
'  Trattato  di  Musica,'  etc.']     1771.     4". 

557*.  e.  14. 

TASKIN  (Joseph  Henri  Pascal)  Le 
Depart.  Air.  Paroles  de  M.  Uzanne 
Fils,  etc.  Chez  Sieber  : 

Paris,  [1800  ?]     fol.       H.  2831.  h.  (26.) 


TASSO— TAYLOR 


5G1 


TASSO  (Giovanni  Mabia) 

See  LuPACCHiNO  dal  Vasto  (B.)  and 
Tasso  (G.  M.)  Di  Bernadino  Lupachino 
et  di  loan  Maria  Tasso.  II  Primo  Libro  a 
due  Voci,  etc.     1642.     4".  D.  157. 

TASTE.     Taste  Alamode.     Song. 

See  Lend.  Lend  your  aid  now  mv  muse, 
etc.     [1765.]     8".  P.P."  5441. 

TATNAL  (G.   P.   F.)      Captain   Monsel's 
Fancy.     Irish  Tune,  etc. 
[Dublin,  1794.]     8".  P.P.  6154.  k. 

Walker's  Hibernian  Magazine,  December, 
1794. 

TATTERSALL  (William  Dechair)  Im- 
proved Psalmody.  Vol.  I.  [Part  1]  Con- 
taining the  first  twenty-five  Psalms,  from 
a  Poetical  Version  ...  by  ...  J.  Merrick 
. . .  with  New  Music  collected  ...  by  . .  . 
W.  D.  Tattersall,  etc.  T.  Skillern,  etc.  : 
[London,]  (1794.)    obi.  fol.  C.  481. 

Improved  Psalmody,  Vol.  I.  The  Psalms 
of  David,  from  a  Poetical  Version. .  .by. .  . 
J.  Merrick. .  .with  New  I\Iusic  collected.  . . 
by.  .  .W.  D.  Tattersall,  etc.  T.  Skillern  : 
London,  1794.     obi.  fol.  5.  a.  18. 

This  copy  consists  of  three  parts ,  with  con- 
tinuous pagination,  and  a  separately 
paged  appendix.  The  composers  named 
are :  It.  Cooke,  Sir  W.  Parsons,  I!. 
Worgan,  Dr.  Cooke,  P.  Hayes,  S. 
Wcbbe,  Handel,  W.  Shield,  B.  J.  S. 
Stevens,  Dr.  Dupuis,  J.  W.  Callcott, 
O.  Wight,  B.  Broderip,  Haydn,  W.  D. 
Tattersall,  I.  S.  Smith,  L.  Atterbury, 
Dr.  Arnold,  B.  Sampson,  T.  D. 
Worgcm,  S.  Webbe,  Jun.,  M.  Cooke, 
Dr.  Harington,  Dr.  Croft,  J.  Clark,  J. 
Milton,  Bavenscroft,  Dr.  Heighington, 
Dr.  Nares,  Bishop),  Witton,  J.  Bennet, 
M.  Peirson  and  D.  Wainivright. 

TATTLING-.       The     Tatling    Shepherd. 
[Song.]     See  Foe.     For  haughty  Phillis. 
[1730?]    s.sh.lol.        G.  316.  d.  (134.) 

TAXJBMAN    (Matthew)      An     Heroick 
Poem  to  . . .  the   Duke   of  York,   on   his 
Eeturn  from  Scotland.     With  some  choice 
Songs  and  Medleyes  on  the  Times,  etc. 
1682.    fol.     Sec  Songs.        1347.  m.  10. 

TAWDRY.  The  Tawdry  Dames  of 
London  Town.  The  Gardener's  Daughter. 
[Song.]     [London,  11  bO^     s.sh.iol. 

G.  316.  f.  (32.) 

TAX.     Tax  on  Old  Maids.     Song. 
See  Aene  (M.) 

TAYLER  (P.  E.)  Mrs.  Twelve  Original 
Contra'  Dances.  [P.  F.]  Preston  &  Son  : 
London,  [1791  ?]     obi.  4°.  b.  52.  (4.) 

TAYLOR  (James)  Had  I  but  the  Wings 
of  a  Dove.  [Song.]  Set  by  Mr.  James 
Taylor  and  simg  by  Miss  Falkner  at 
Marybon  Gardens.  [London, 

1750?]     s.sh.lol.  L  530.  (151.) 

VOL.  II. 


TAYLOR  (James)  [Another  edition.] 
Had  I  but  the  Wings  of  a  Dove,  etc. 
[Song.]     [London,  1750?]     s.sh.iol. 

H.  1994.  c.  (63.) 
Had  I  but  the  Wings  of  a  Dove.  [For 
editions  of  this  song  published  anony- 
mously :]  See  Had. 

TAYLOR  (R.)  of  Marylebone  Gardens. 
The  Advice.     [Song.]  [London, 

1765  ?]     s.  sh.  fol.  G.  316.  a.  (46.) 

The  British  Soldier.  A  Favorite  Song. 
Written  by  Mr.  Lambert.  W.  Hodsoll  : 
London,  [1795  ?]     fol.  G.  365.  (29.) 

A  Collection  of  Favorite  Songs  and  an 
Overture  adapted  for  the  Harpsicord. 
Book  I.  Longman,  Lnkey  &  Co.,  for  the 
Autlwr:  London,  [1175?]     fol. 

G.  808.  i.  (13.) 
The  Full  Flowing  Bowl.     [Song.]     Sung 
by  Mr.  Lowe,  at  ]Marybone  Gardens,  etc. 
[London,  1765  ?]    fol.         G.  312.  (128.) 

[The  Gates  of  Calais.]  The  Favorite 
Symphony  to  the  new  Interlude  of  "The 
Gates  of  Calais,"  . . .  now  performing  . . . 
at  Sadlers  Wells,  Composed  and  Adapted 
for  the  Harpsichord,  G.  Flute,  or  Violin, 
etc.  T.  Williams  :  Southioark, 

[1786.]    fol.  H.  2818.  (10.) 

[The-Guardian  Frigate.]  Jack  the  Guinea 
Pig.  A  favorite  Song  sung  by  Mrs. 
Harlowe  ...  at  Sadler's  Wells  in  the 
Guardian  Frigate  or  English  Heroism. 
The  Words  by  Mr.  Lonsdale. 

Longman  and  Broderip 
[London,  1790.]     fol.        G.  806.  r.  (36.) 

Jack  the  Guinea  Pig. 

See  supra  :  [The  Guardian  Frigate.] 

Summer.     A  Favourite  Song  sung  by  Miss 
Davis  at  Marybone  Gardens.     The  Words 
by  Mr.  Tousey,  etc. 
[London,  1770?]     fol.         G.  316.  (136.) 

Waft  me  some  soft  and  cooling  breeze. 
Scotch  Gavott.  Sung  by  Jlrs.  Vincent  at 
Marybone  Gardens.  [London, 

1765  ?]    s.  sh.  fol.  G.  313.  (104.) 

TAYLOR  (Raynoe)  of  Chelmsford.  The 
Recitatives  Airs  Duet  Trio  and  Chorus  in 
Buxom  Joan,  a  New  Burletta,  etc.  [Words 
by  T.  Willet.     P.  F.  Score.] 

Longmayi  and  Broderip : 
London,  [1778.]     obi.  fol.       D.  283.  (3.) 

Fye !  nay  i^rithee  John.  A  Favorite  Old 
Catch,  with  Variations  for  the  Harpsicord 
or  Pianoforte,  etc. 

Longman,  Lukey  &  Broderip : 
[London,  1775?]    fol.      g.  271.  b.  (41.) 

Martini's  favorite  Minuet,  with  variations 
for  the  Harpsicord  or  Piano  Porte,  etc. 

Longman,  Lukey  c£"  Broderip  : 
London,  [1775  ?]     fol.       g.  271.  b.  (42.) 

2  0 


562 


TE— TELEMANN 


TE.     T'  amo  tanto.     [Song.] 
Sec  Aetaseese. 

Te  bien  aimer  0  ma  chere  Zelie.  Eomauce. 
See  Plantadb  (C.  H.) 
Te,  Diauina  tu  servi.     Quartetto. 
See    Paisiello    (G.)      [_Gli    Schiavi  jpcr 
Ainore.'\ 

TEACH.     Teach  me  Chloe.     The  Advice. 
[Song.]     Sung  at  Sadlcrs  Wells. 
{Lojidon,  1759.]  s.  sh.  8°.  P.P.  5439.  ab. 

Nno  Universal  Magazine,  April,  1759. 
[Another    setting.]       Teach     me     Chloe. 
Song.     See  Giobdani  (G.)  or  (T.) 
Teach  me  0  Lord.     Anthem. 
See  Cheese  (G.  J.) 

TEAR.    The  Tear.    [Song.]    See  Hook  (J.) 
The  Tear  of  Sensibility.     [Song.] 
See  DiBDiN  (C.)     {Castles  in  the  Air.'\ 
The   Tear  that  breaks  for  others'  Woe. 
Canzonet.     See  Cooke  (R.) 

TEARS.     Tears  assist  me.     Song. 
See  Haendel  (G.  F.)     \_Esther:\ 
The  Tears  of  Scotland.     [Song.] 
See  MouEN.     Mourn  hapless  Caledonia. 
[1750?]     fol.  I.  530.  (100.) 

The  Teares  or  Lamentacions  of  a  Sorrow- 
full  Soule.     Sec  Leighton  {Sir  W.) 
Tears,  such  as  tender  fathers  shed.    Song. 
See  Haendel  (G.  F.)     ^Dehorah.'] 
Tears  that  exhale.     Song. 
See  Attwood  (T.)     [The  Prisoner.'] 

TEA  TABLE.      The  Tea  Table.     [Song, 
begins  :  '  The  inquest  is  set.'] 
See  DiBDiN  (C.)     [A  Tour  to  the  Land's 
End.] 

The  Tea  Table.     [Song,  begins  :  '  Musicks 
harmony  all  Sorrows  droun'd.'] 
See  Geaves  (J.) 

The  Tea  Table  Intrigue.    [Song.]    See  At. 
At  a  drinking  Tea,  etc.    [1720  ?]    s.  sh.  fol. 

G.  306.  (30.) 

TEBAY  (J.)  The  Bath  Volunteers'  March 
. .  .to  which  is  added  Lady  Nelson's  Fancy 
(composed  by  C.  Smith).  A  Favorite 
Quick  Step  for  a  Military  Band,  also 
adapted  for  the  Piano  Forte. 

T.  &  W.  M.  Cahusac  :  London, 
[1800?]    fol.  h.  1568.  b.  (22.) 

TEGURINI  (  )  Padre.  Unum  in  Trini- 
tate,  sen  Opus  Complecteus  Tres  Vesperas 
. .  .a  4.  Voci,  2.  Violini  obligati,  2.  Clarini, 
2.  Tympani  a  libito,  con  doppio  Basso 
continuo  . . .  Opus  i.  Soprano.  (Alto.) 
(Tcnore.)  (Basso.)  (Violino  i  (ii).)  (Violon- 
cello.) (Clarino  i  (ii).)  (Tympano.)  (Or- 
gauo.)  11  pts.  Stampato  nel. .  .Monas- 
terio  di  St.  Gallo,  Im  Vcrlaag  des  H. 
Sebastian  Mossner, .  .Freysing,  1768.    fol. 

H.  3294. 


TELEGRAPHE.  The       Telegraphe. 

[Song.]     See  Dibdin  (C.)     [Great  Neivs.} 

TELEMACH  PRINZ  VON  ITHACA. 

Euch,  ihr  Herrn  mit  stolzen  Blicken. 
Arie  aus  der  Oper  Telemach  Prinz  von 
Ithaca  [by  F.  A.  Hofimeister]  fiirs  Clavier 
oder  Fortepiano  eingerichtet  von  F.  H. 
Liitgert.  In  der  Meynschcn  Musikhand- 
lung  :  Hamburg,  [1800  ?]     ohl.  fol. 

E.  1766.  c.  (4.) 

TELEMANW  (Geoeg  Michael)  Beytrag 
zur  Kirchen-Musik,  bestehend  in  einer 
Anzahl  geistlicher  Chore,  wie  auch  fiir 
die  Orgel  eingerichteten  Chorale  und 
Fugen,  etc.  Beij  G.  L.  Hartung  : 

Konigsbcrg  und  Leipzig,  1785.      fol. 

I.  47. 

G.     M.     Telemanns  .  .  .  Unterricht    im 
Generalbass-Spielen,  auf  der   Orgel   oder 
sonst  einem  Clavier-Instrumente. 
M.  C.  Bock  :  Hamburg,  1773.     4°. 

7896.  aaa.  10. 

TELEMAWN    (Geoeg    Philipp)       Tele- 
manns Cauones  a  2,  3,  4. 
[Hamburg?  mo '>]     4».  E.  718. 

Six  Canons  or  Sonatas  for  two  German 
Flutes  or  two  Violins. .  .Opera  Quinta. 

Printed  for  J.  Simpson  : 
London,  [174.5?}     fol.         g.  401.  a.  (1.) 

[VI]  Cantate  [a  Voce  Sola  con  Cembalo]. 
[Hamburg  ?  1740  ?]     fol.  F.  20. 

Engraved  throughout,  loith  a  title-page 
partly  in  MS. 
Du  Tochter  Zion,  freue  dich.  [Cantata.] 
Am  1.  Sonntage  des  Advents.  2.  Trom- 
peten  und  Pauken,  2.  Violinen,  4.  Singe- 
stimmen  und  Orgel.  [Separate  Parts.] 
G.  H.  Tau:  Her msdor ff  unter  dem  Ky nasi 
bev  Hirschbcrc,  etc.     [1735  ?]     fol. 

H.  71.  a. 
The  Organ,  Trumpet,  Drum,  Violin  and 

Chorus  parts  arc  engraved.     The  Full 

Score  and  Solo  Voice  parts  are  in  MS. 

There  arc  also  additional  MS.  parts 

and  3IS.  ivords. 
Fast  allgemeines  Evangelisch-Musical- 
isches  Lieder-Buch,  welches  1.  sehr  viele 
alte  Chorale  nach  ihren  Uhr-Melodien . . . 
herstellet. .  .zugleich  2.  eine  grosse  Meuge 
der  itzt-iiblichen  Abweichungen  anzeiget ; 
hiernachst  3.  den  Bass  also  verfasset 
enthalt,  dass  man  die  Lieder. .  .mit  4. 
Stimmen  spielen  kann,  zu  welchem 
Ende  dann  4.  die  Ziefern. . .  hinzugef iiget 
worden ;  welches  ferner  5.  so  wohl  Chor- 
als Cammer-massig  gebrauchet  werden 
mag,  und  endlich  6.  iiber  2000  Gesange 
in  500  und  etlichen  Melodien  darstellet ; 
zusammen  getragen,  in  die  Harmonie 
gebracht  . . .  und,  nebst  einem  . . .  ange- 
hangenen  Unterrichte  der  .  .  .  zur  vier- 
stimmigen     Composition     und     zum.. 


TELEMANN— TELL 


563f 


General-Basse  anleitet,  in  dieser. .  .Forme 
herausgegeben  von  G.  P.  Telemann,  etc. 
P.  L.  Stromcr :  Hamburg,  1730.     obi.  4". 

K.  3.  g.  3. 
Telemanns  Fugirende  und  veraendernde 
Choraele.     [Hamburg  ?  1740  ?]     obi.  4". 

b.  148. 
Fugues  legeres  &  Petits  Jeux,  a  Clavessin 
seul,  etc.  Chez  I'Auteur  : 

Hambourg,  [1730  ?]     fol.  g.  401.  c. 

Harmonischer  Gottes-Dienst,  oder  geist- 
liche  Cantaten  . . ,  welche  . . .  aus  einer 
Singe-Stimme  bestehen,  die  entweder  von 
einer  Violine,  oder  Hautbois,  oder  Flute 
traverse,  oder  Flute  a  bee,  nebst  dem 
General-Basse,  begleitet  wird,  etc.  (An- 
hang  zum  Harmonischen  Gottes-Dienste, 
etc.)  2  pts.  In  Verlegung  dcs  Autoris  : 
[Hamburg,  1725.]     fol.  H.  71.  b. 

Imperfect,  wanting  the  last  leaf. 

Musicalisches  Lob  Gottes  in  der  Gemeine 
des  Herru,  bestehend  aus  cinem  Jahr- 
gange  liber  die  Evangelien;  fiir  2.  oder 
3.  Singestimen,  zwo  Violinen,  aucb 
Trompetten  und  Paucken  bey  hoheu 
Festen,  nebst  dem  General-Basse,  abge- 
fasset,  etc.  In  Verlegicng  Balth  : 

Schmids  :  Nilrnberg,  (1744.)    fol.   H.  71. 

Six  Quatuors  a  Viollon,  Flute,  Viole  ou 
Violou  de  Celle  et  Basse  Continue  . . . 
Nouvelle  Edition  grav(^e  par  De  Gland, 
etc.  [Separate  Parts.]  Chc2  M'' Le  Clerc: 
Paris,  [1745  ?]     fol.  g.  401.  (1.) 

Nouueaux  Quatuors  en  Six  Suites  a  une 
Flute  Traversiore,  un  Violon,  une  Basse 
de  Viole,  ou  Violoncel,  ct  Basse  Continue 
...Graves  par  D.  Vincent.  [Separate 
Parts.]  Chez  V Autcur  : 

Paris,  [1740  ?]     fol.  g.  401.  (2.) 

XII,   Solos  for  a  Violin  with  a  Thorough 

Bass  for  the  Harpsicord  or  Bass  Violin. . . 

Opera  Prima.  2  pts.  Printed  for  I.  Walsh  : 

London,  [1785  ?]     fol.  g.  422.  i.  (2.) 

These    solos    loere   first    published    by 

Walsh  and  Hare  under   Telemann' s 

psetulonym,  Georgio  Melande. 

Six   Sonatas   or  Duets   for   two   German 

Flutes  or  Violins. .  .Opera  Seconda. 

Printed  for  I.  Walsh  : 
London,  [11  iO'}}     fol.         g.  401.  a.  (2.) 
Sei  Sonatine  per  violino  e  cembalo. 
If.  C.  le  Gene  :  Amsterdam,  [1730  ?]     fol. 

g.  401.  b. 
See  Blyvers  (G.)  Andere  Antwort,  auf 
Monsieur  Weichmanns  Schreiben  .  .  . 
betreffend  dessen  iiber  den . . .  Hn.  Cantor 
T(elemann). .  .gefalleten  Urtheile. 
1722.    4°.  556.  a.  11.  (2.) 

See  Haltmeier  (C.  J.  F.)  Weiland  Herrn 
C.  J.  P.  Haltmeiers  .  .  .  Anleitung :  wie 
man  einen  General-Bass  . . .  transponiren 
kdnne;  zum  Druck  befordert  von  G.  P. 
Telemann,  etc.     1737.     4°.     7897.  f.  20. 


TELEMAISTN"  (Georg  Philipp) 
Sec  also  Melande  (G.)  pseud. 

See  Sorge  (G.  A.)      Ausf iihrliche . . .  An- 
weisung  zur  Rational-Rechnung. .  .Nebst 
einer . . .  Nachricht  von  dem   neuen  Tele- 
mannischen  Intervallen  System,  etc. 
1749.    8".  7897.  aa.  9. 

See  SoRGE  (G.  A.)  Gesprach. .  .von  dem 
neueu  Systemate  Herrn. .  .Telemanns,  etc. 
(1748.)    8".  7807.  a.  2.  (2.) 

TELEMAQUE.     Telemaque.     BaUet. 
See  Egville  (J.  d')  and  Bossi  (C.) 

TFILEMAQUE  DANS  L'ISLE  DE 
CALYPSO.  Telemaque  dans  I'lsle  de 
Calj-pso,  ou  le  Triomphe  de  la  Sagesse. 
Trag^die  lyrique.     See  Lesueur  (J.  F.) 

TELEMAQUE  ET  CALYPSO.     Tele- 
maque et  Calj-pso.     Tragedie. 
See  Destouches  (A.  C.) 

TELEPHE.     Telephe.     Tragedie. 
Sec  Campra  (A.) 

TELL.  TeU  me  BeUinda,  prithee  doe. 
[Song,  words  from  C.  Cibber's  '  Woman's 
Wit,  or  the  Lady  in  Fashion,'  music  by 
R.  Leveridge.]     [London,  1697  ?]     fol. 

H.  1601.  c.  (5.) 
Tell  me,  Belinda.     Song. 
Sec    Leveridge     (R.)       [The    Lady    in 
Fashion.] 

Tell  me  charming  creature.     Rondo. 
See  GiORDANi  (G.)  or  (T.) 

TeU  me   Dear  Celia.     A   Gantata  by  an 
Eminent  Master.     [London,  1725  ?]     fol. 

G.  312.  (13.) 

Tell  me  dear  charmer.     Song. 
See  WiLFORD  (J.) 

Tell  me  Delia  charming  Fair.  Tell  me 
Delia.     [Song.]  P.  H[odgson  : 

London,  1780?]     s.  sh.  tol. 

G.  312.  (158.) 

Tell  me,  fair  one,  teU  me  why.     [Duet.] 
The  Words  bij  Mr.  Henly. 
[io?ifZon,  1760?]     s.sh.iol. 

Gr.  316.  (137.) 

Tell  me  gentle  Hobby  de  hoy.  The 
Effeminate.  [Song,  words  and  music  by 
H.  Carey.]     [London,']  1740.     s.  sh.  fol. 

G.  316.  a.  (47.) 

Tell  me  lasses  have  you  seen.  A  Neio 
Song.  Sung  by  Miss  Stevenson  at  Vaux 
Hall,  1756.  [Words  translated  from  the 
Greek  of  Moschus.]  [London, 

1756.]    s.  sh.  fol.  G.  312.  (183.) 

Tell  me.  Lasses,  have  ye  seen.     A  Song, 
Sung  by  Miss  Stevenson,  at  Vaux-hall. 
[London,  1756.]     8".  P.P.  5438. 

Literary  Magazine,  Vol.  I.,  p.  208. 

2  0  2 


564 


TELL— TEMPEST 


TELL.  Tell  me,  Lasses,  have  ye  seen.  A 
Song.  Sung  by  Miss  Stephenson  at  Vaux- 
Hall.  [London,  1756.]  8°.  250.  c.  ^3. 
Gentlemaii' s  Magazine,  Vol.  XXVI., 
p.  399. 
Tell  me  Lasses,  have  you  seen.  A  new 
Song.  Sung  by  INIiss  Stevenson  at  Vaux- 
Hall.     [London,  1756.]     8°.         158.  1.  1. 

London  Magazine,  1756,  p.  444. 
Tell  me,  lasses,  have  you  seen.     A  New 
Song.     Sung  by  INIiss  Stevenson  at  Yaux- 
hall.    [Lojidon,  1757.]    8".   P.P.  5438.  z. 

Universal  Magazine,  Vol.  XX.,  2^.  30. 
[Another  setting.]     Tell  me  Lasses  have 
you  seen.     [Song.]     Sung  hy  Miss  Steven- 
son at  Vaux-HaU.  [London, 
1760?]     s.sli.io\.             a.  316.  f.  (50.) 
Tell  me,  lovely  Shepherd,  where.      [Song, 
from  W.  Boyce's  '  Solomon.']        [London, 
1750  ?]    s.  sh.  fol.                 G.  312.  (26.) 
Tell  me,  lovely  Shepherd,  where.     Song. 
See  BOYCE  (W.)     [Soloinon.'] 
Tell  me,  my  Delia.     Song. 
See  HowAKD  (S.) 
Tell  me  my  heart  if  this  be  love. 
See  When.      When   Delia   on   the   plain 
appears,  etc.     [1790  ?]     fol.  G.  798.  (52.) 
Tell  me,  my  lovely,  charming  Fair.      The 
Address.     A  New'Soug.  [London, 
1740  ?]     s.  sh.  fol.                G.  305.  (232.) 
[Another  copy.]                     G-.  312.  (72.) 

Tell  me  no  more  I  am  deceiv'd.     Song. 

See   PuRCELL    (H.)      [The    Maid's    Last 

Prayer.'] 

Tell  me  no  more   of  pointed   Darts.     A 

Lady's  Advice  to  her  Lover.     [Song.] 

[London,  11 50 '>]    s.  sh.  iol. 

^  G.  316.  f.  (28.) 

Tell  me  no  more  of  pointed   Darts.     A 
Lady's  Advice  to  her  Lover.     [Song.] 
[London,  1758.]  s.  sh.  S".  P.P.  5439.  ab. 
New   Universal    Magazine,    Vol.   XIV., 
Supplement. 
Tell  me,  0  cruel  maid.     La   Virginella, 
adapted  [with  English  words]  as  a  Lesson 
for   the   Harpsichord.      [The  music  from 
Bertoni's  Opera  "  La  Governante."] 
J.  Dale  :  [London,  1780?]     fol. 

H.  131.  (11.) 
Tell  me  on  what  holy  ground.     Song. 
See  Carnaby  (W.) 

Tell  I  me,    tell    me,    charming    Creature. 
Song.     See  Webber  (-J.) 
TeU  me  the  path,  sweet  wand'rer,  tell. 
See  Spoffobth  (R.) 
Tell  me  Thirsis.     [Dialogue.] 
See  Duke  of  Guise. 

Tell  me  thou  Soul  of  her  I  love.     Ballad. 
See  Dance  (W.) 

Tell  me  thou  Soul  of  her  I  love.     Ballad. 
jSee  GiORDANi  (-J.) 


TELL.      Tell   me   where    is   Fancy  bred. 
Duett.     See  Stevenson  {Sir  J,  A.) 
Tell  me,  ye  happy  Pow'rs  above.     Song. 
See  WiLFORD  (.J.) 

Tell  me  ye  little  wanton  Boy.     Song. 
See  Holmes  (G.)  of  Lincoln. 

Tell  me  you  Rover.     The  Eover.    A  new 
Song.     [Londoyi,  1720  ?]     s.  sh.  fol. 

°      ^  G.  315.  (35.) 

Tell  the  INIaid  I  love  her.     Song. 
See  Hook  (J.) 

TELL  TALE.     The  Tell  Tale.     Song. 
See  Blab.     Blab  not  what  you  ought  to 
smother.     [1740?]     s.  sh.  io\. 

G.  316.  d.  (62.) 

The  Tell  Tale.     [Song,  begins :  '  To   tell 
I'm  in  love.']     See  Yates  (W.) 
Tell-tale     Eyes     can     ne'er     dissemble. 
[Song.]     See  Arnold  (S.)     [The  Spanish 
Barber.'] 

Tell  Tale  Tit.  A  Favorite  Duett.  For 
Two  Voices  adapted  for  Juvenile  Per- 
formers. Printed  for  J.  Dale  : 
London,  [1797  ?]     fol.  G.  354.  (61.) 

TELONIUS  (C.  G.)  [Music  to  two 
poems  in  J.  D.  Schultze's  '  Copien  fur 
meine  Freunde,'  etc.]  Sans  Jacob 

Matthiessen  :  Hamburg,  1785.     8°. 

11517.  cce.  53. 

Oden  und  Lieder  mit  Melodien  Fiirs 
Clavier  gesetzt  uud  herausgegeben  von 
einem  Liebhaber  der  Musik :  C.  G. 
Telonius.  M.  C.  Bock  :  Hamburg, 

1777.    obi.  fol.  D-  358. 

TEMISTOCLE.     The  Favourite  Song  in 
. . .  Temistocle.     [Opera.] 
See  Porpora  (N.  A.) 

TEMOINS.  Temoins  de  ma  vive  con- 
stance.  A  ma  Maitresse  Qui  vouloit  qiie  je 
renonqasse  a  I'amour.  [Song.]  Accomp^ 
de  Guittare  par  M.  Ducray.  Air :  0  toi 
qui  n'eus  jamais  dii  naitre.  Gliez  les 
Frires  Savigny  :  [Paris,  1785  ?]     8". 

B.  362.  I.  55. 

Temoins  de  mon  ardeur  sincere.  Chanson. 
[Paris,]  1753.     s.  sh.  4°.  298.  c.  12. 

Mercure  de  France,  Jan.,  1753. 

TEMPELHOFF  (Geoeg  Feiedrich  von) 
See  T.,  G.  E. 

TEMPEST.     The   Tempest.     The   Ariel's 
Songs  in  the  Play  call'd  the  Tempest.    [By 
J.  Banister,  J.  Hart,  and  P.  Humphrey.] 
[London,  1610?]     fol.  G.  109.  (2.) 

What  new  Delights.  A  favourite  Duet. 
Sung  by  Mrs.  Crouch  and  :Mr.  Kelly  in 
the  Tempest.  [By  M.  Kelly.]  J.  Lee  : 
DubUn,[1190n    -'^- fg;  1,01.  ^.  (8.^ 


TEMPEST— TENDUCCI 


56& 


TEMPEST.  Where  the  Bee  sucks,  Ariel's 
Song  in  the  Tempest.  [Music  by  T.  A. 
Arne.]  W.  E[andall : 

London,  1775  ?]  s.  sh.  fol.  G.  313.  (14.) 
[Another  copy.]  H.  1994.  a.  (44.) 

[Another  edition.]  Where  the  Bee  sucks. 
ArieVs  Song,  etc.  [London, 

1775?]    s.  sh.  fol.  G.  313.  (167.) 

The  iMusic  in  The  Tempest. 
See  PuRCELL  (H.) 

The  Tempest.  Opera.  See  Smith  (J.  C.) 
The  Tempest  of  War.  Song.  See  If. 
If  the  tempest  of  war,  etc.     [1761.]     8°. 

P.P.  5140. 

The  Tempest  of  War.     A  New  Song. 
See  Let.     Let  the  Tempest  of  War,  etc. 
[1761.]     8".  P.P.  5441. 

The  Tempest  of  War.  [Song,  begins : 
'  Let  the  Tempest  of  War.']  See  Orme  (K.) 

TEMPLE.    The  Temple  of  Fame.    [Song.] 
>S'eeDiBDiN(C.)  [A  Tour  to  the  Land' s  End .] 
The  Temple  of  Love.      [Song.]     See  All. 
All  hail  sweetest  Temple,  etc. 
[1784?]     fol.  G.  306.  (161.) 

The  Temple  Rambler.     [Song.] 
See  From.     From  Whitehall  to  v"  Tem- 
ple. [1750?]  s.  sh.  fol.     G.  316.  d.  (127.) 

TEMPLE  DE  LA  PAIX.  Ballet  du 
Temple  de  la  Pais.     Sec  Lulli  (G.  B.) 

TEMPLE   DE    LA    PARESSE.        Le 

Temple  de  la  Paresse,  ou  le  Triomphe  du 
Travail.  Com^die,  en  un  Acte  &  en  Vers  ; 
avec  un  Prologue,  &  un  Divertissement, 
&  des  Airs  nottez  a  la  fin.  Chez  Prault, 
jeicnc  :  Paris,  1753.  8°.  11738.  aa.  6.  (4.) 

TEMPLE  HALL.  The  Temple  Hall 
Legion  or  the  Rioters  Nonsuited.  [Song.] 
See  Come.  Come  hither  ye  Lads  and  ve 
Lasses.    [1780?]    s.  sh.  io\.    G.  307.  (87.) 

TEMPLE  OF  LOVE.  The  Temple  of 
Love.  Opera.  See  Saggione  (G.  F.) 
Ne'er  leave  me  more  my  Treasure.  [Song.] 
Sung  by  Mrs.  Braccgirdle,  in  the  Opera 
call'd  the  Temple  of  Love.  [Words  by 
P.  A.  Motteux,  music  by  J.  Saggione.] 
[Lojidon,  1706.]  s.  sh.  fol.   G.  310.  (134.) 

TEMPS.  Le  Tems  de  Penitence.  [Song.] 
See  II.  II  faut  renoncer  aux  plaisirs,  etc. 
[1785  ?]     8".  B.  362.  (249.) 

Le  Temps  Fugitif.     Air. 
See  La  Serre  (        de) 

Le  tems  present  est  une  fleur.     Air. 
See  Confederation  du  Parnasse. 

TEMPUS.     Tempus  fugit.     Song. 

See  In.     In  vain  the  fleeting  Clouds  we 
chide,  etc.     [1755.]     8".  157.  1.  17. 

TENCH  (Fisher)  An  Address  to  Vulcan. 
[Song,  words  from  Anacreon  by  the  Earl 
of  Rochester.]   [London,  11 10  T]   s.  sh.iol. 

G.  305.  (108.) 


TENDER.     The  Tender  Lover.     [Song.] 
See  Geminiani  (F.) 
Tender  Passions.     [Song.] 
See  Rayner  (L.) 

Tender  virgins  shun  deceivers.  Tender 
Virgins.     [Song.]  E.  Falkener : 

London,  [1775  ?]     fol. 

H.  1994.  a.  (127.) 

TENDRE.  Tendre  Amour,  sous  ton 
Empire.     Chanson. 

See  MoNDONViLLE  (J.  J.  Cassanea  de) 
[Pieces  de  Clavecin.  CEuvre  3".  Sonata  F.] 
La  Tendre  Aurore  vient.  Le  Portrait 
devini'.     Ariette.     [Paris,  1780?]     8". 

B.  362.  c.  (13.) 
Tendre  baiser  sur  bouche  demi  close. 
L'amant  Complaisant.  Romance  Nouvelle 
avec  accomp'  de  guitare.  [Paris,] 

1779.     8".  B.  362.  g.  (4.) 

Tendre  Berger,  jeune  Bergere.  L' Amour 
sans  Fard.     [Song.]  [Paris,] 

1763.     s.  sh.  8".  298.  d.  14. 

Mcrcure  de  France,  Dec,  1763. 
Tendre    fruit    des     pleurs    de    I'Aurore. 
Chanson.     Ode  Anacr^ontique. 
[Paris,]  1750.     s.  sh.  4°.  297.  c.  28. 

Mercure  de  France,  Oct.,  1750. 
Tendre  fruit  des  pleurs  de  I'Aurore.     A  la 
Rose.     Chanson.     [London,  1751.]     8°. 

249.  c.  21. 

Gentleman's     Magazine,     Vol.     XXL, 
i?.  37. 
[Another  setting.]     Tendre  fruit  des  pleurs 
de  I'Aurore.     Ariette. 
See  Lagarde  (N.  de) 
La  Tendre  Union.     Chanson.     See  JouR. 
Un  jour  dans  un  vert  boccage,  etc. 
[1780?]     8".  B.  362.  g.  (17.) 

TENDRES.        Tendres      Amants,      dans 
I'ardeur  qui  vous  presse.     Menuet. 
See  Frary  (    ) 

Les  Tendres  Plaintes.     Parodie. 
See  Rameau  (J.  P.)     [Pieces  de  Clavecin.] 

TENDRESSE.       Tendresse     Bacchique. 
Menuet.     Sec  Bouvaeu  (F.) 
La  Tendresse  d'une  maistresse.    Rondeau. 
See  Berthet  (P.) 

La  Tendresse  rejet^e.  Couplets  Dialogues. 
See  Ma.  Ma  mere  je  viens  devant  vous, 
etc.     [1790?]     8°.  B.  362.  c.  (30.) 

TENDUCCI  (GiusTO  Ferdinando)  A 
Collection  of  new  French  Songs,  with 
a  Thorough  Bass  for  the  Harpsichord, 
etc.  Printed  for  C.  and 

S.  Tlmnpson  :  London,  [1770  ?]     ohl.  fol. 

E.  600.  1.  (10.) 
The  Guardian  Angel.  [Song.]  [London, 
1765  ?]     s.  sh.  fol.  G.  312.  (108.) 

Indeed,  my  Dear,  in  vain  you  strive. 
See    infra :     [Six    Neiv    English    Songs. 
No.  6.] 


566 


TENDUCCI— TES 


TENDUCCI   (GiusTO   Ferdinando)     In- 
struction of  Mr.  Tenducci  to  his  scholars. 
Longman  d  Broderij} :  London, 
[1785  ?]     oU.  fol.  E.  820. 

JVith  portrait. 
[Love  at  First  Sight.]  No  anxious  Care 
my  Heart  can  know.  A  Neio  Song  ...  as 
it  is  Sung  by  Mr.  Vernon  and  Miss  Young 
. .  .in  the  New  BaUad  Farce  [by  T.  King] 
call'd  Love  at  first  sight.  [London, 

1763.]     s.  sh.  fol.  G.  310.  (157.) 

A  favorite  Minuet  &  Country  Dance  for 
the  Piano  Forte  or  Harpsichord. 

Longman  and  Brodcrip  :  London, 
[1785?]     fol.  h.  62.  (13.) 

The  Favourite  Songs  in  the  Opera  of  [the 
Revenge  of]  Athridates  as  Perform'd  at 
the  Theatres  in  Dublin.  Compil'd  from 
the  Works  of  the  most  Eminent  Masters 
by  M'  Tenducci,  adapted  for  the  Voice 
and  Harpsichord .  Printed  for...  John 

Johnston  :  London,  [1767  ?] 

G-.  206.  g.  (4.) 
The  co77iposers  named  are  :  Bach,  Vento, 
Tenducci  and  Bameau. 
[For   songs,   &c.,   published   anony- 
mously :]  See  Athridates. 
Four  Sonatas  for  the  Piano  Forte.   [1801.] 
See  Periodical  Publications.— I/Ow^o». 
The    Piano-Forte    Magazine.     Vol.   XV. 
[No.  3.]     [1797-1802.]     8°.  D.  854.  • 
Six  New  English  Songs  composed  by  F. 
Tenducci  and  to  be  sung  by  him  at  Rane- 
lagh.        Printed  for  the  Author :  London, 
1763.    oU.  fol.  .              E.  600.  n.  (12.) 
[Six  New  English  Songs.   No.  G.]   Indeed, 
my  Dear,  in  vain  you  strive.     A  favourite 
Smg,  etc.    [London,]  1800.    s.  sh.  4°. 
•^                                          P.P.  5741. 
Lady's  Magazine,  Feb.,  1800. 
Three  English  songs  with  an  Accompany- 
ment  for  the  Harp,  Piano  Forte,  or  Harp- 
sichord.                Longman  and  Broderip : 
Lo7idon,[_1784:'>]    obi.  A".  C.  385. 
Six  Favorite  Italian  Songs  performed  at 
Mr.  Bach's   Concert,  and . . .  Inscribed  to 
. .  .the  Queen  of  France,  by  Count  F.  Ten- 
ducci.   [FuU  Score.]    [London,  1778.] '  fol. 

G.  114. 
This    collection    contains    songs   by   G. 
Paisiello,   N.  Piccini,  C.  Monza,  F. 
Bertoni  and  G.  Gazzaniga. 
When  my  Chloe   smiles.     [Song.]     Com- 
posed and  sung  by  M"^  Tenducci  in  Comus. 

[London,  1770  ?]     s.  sh.  fol. 

^  '  '  (J.  313    (155.) 

See  Feast  op  Apollo.  The  Feast  of 
Apollo,  containing  . . .  Songs  by  . . .  Ten- 
ducci, etc.     [1788.]     fol.  G.  351.  (2.) 

[Song.] 


TENEMENT.  A  Tenement  to  Let. 
See  I.  I  have  a  Tenement  to  let. 
[1720  ?]     s.  sh.  fol.  H.  1601, 


(220.) 


TENTERS.  T^niers,  Com6die  en  un  acta 
ct  en  prose,  melee  de  Vaudevilles  ;  . .  .Par 
J.  N.  Bouilly  et  J.  Pain.  [With  the  music 
of  one  song.]  Au  magasin  dc  pieces  de 
Thmre  :  Paris,  An  ix  [1800].     8". 

11738.  k.  31.  (5.) 
[Another  copy.]  11738.  bbb.  2.  (1.) 

TENOE  (        )     Florella.     A  Song,  etc. 
[London,  1720?]     s.sh.iol. 

H.  1601.  (530.) 

[Another  edition.]     Florella.     A  Song,  etc. 
[London,  1720  ?]     s.  sh.  fol. 

G.  316.  g.  (74.) 

TENTATION.  La  Tentation  de  St. 
Antoine.  [Song.]  Sec  Ciel.  Ciel  I'Univera 
va-t-il  done  se  dissoudre.     [1780  ?]     8". 

B.  362.  e.  (6.) 

TERM.  A  Term  full  as  long  as  the  Siege 
of  old  Troy.  '  Tis  time  enough  yet.  [Song.] 
Sung  by  Mr.  Atkins.  [London, 

1760  ?]     s.  sh.  fol.  H.  1994.  (62.) 

TERRADEIiLAS  (Domingo  Miguel 
Barnabas)  Dudici  Arie  et  due  Duetti, 
etc.     [Short  Score.]  Printed 

for  I.  Walsh  :  London,  [1747.]     fol. 
•'  G.  113. 

[Bellerofonte.]  The  Favourite  Songs  in 
the  Opera  call'd  Bellerofonte.  [Short 
Score.]  Printed 

for  L  Walsh  :  London,  [1746.]     fol. 

G.  194.  (5.) 

[Mitridate.]  The  Favourite  Songs  in  the 
Opera  call'd  Mitridate.  [Short  Score.] 
2  Bks.  Printed  for  I.  Walsh:  London, 
[1746.]     fol.  G.  194.  (3.) 

[Another  edition.  The  Favourite  Songs 
in  ...  Mitridate.]  No.  I.  [Printed  for 
I.  Walsh :  London,  1750  ?]     fol. 

H.  348.  e.  (5.) 
Wanting  the  title-page,     hi  this  edition 
the    plates    have    been    re-numbered, 
possibly  for  inclusion  in  the  "  Delizie 
deir  Opere  "  series. 
[Se     spuntan    vezzose.]      The     dis- 
consolate  Lovers :   to  a   favourite  Air  in 
INIitridate,  etc.     [1746.]     s.  sh.  fol. 
See  Mitridate.  G.  315.  (121.) 

TERZACHUS  (Angelus)  R.  P.  Angeli 
Terzachi  Laudensis . . .  Psalmi  Vesperarum 
et  Magnificat  Quatuor  Vocum  cum  Basso 
Continuo  ad  Organum,  et  in  fine  aliquot 
Falsi  Bordoni  cum  Versu  Venerabilis 
Sacramenti.  Altus.  (Tenor.)  (Bassus  Con- 
tinuus.)     3  pts.  Apud 

Pctrum  Phalesium  :  Antuerpin-,  1615.     4°. 

C.  113. 

TES  *  *  *  (        )   A  une  jolie  Femme  jalouse. 
[Song.]     Paroles  de  M.  Sim  . . . ,  etc. 
B6coq^lilliie  :  [ Paris,}  lTi2.     s.  sh.  8vo. 

298.  e.  15. 
Mercurc  de  France,  Sept.,  1772. 


TESEO— TESTORI 


567 


TESEO.  [Piu  non  cerca  liberta.]  Cupid 
once  in  search  of  Prey.  A  Favorite  Song 
in  Theseus.  [Music  by  G.  F.  Handel.] 
The  words  by  Mr.  Leveridge.  [London, 
1720?]    s.sh.iol.  H.  1601,  (115.) 

[Another  edition.]  Cupid  once  in  search 
of  Prey.  A  favorite  Song  in  Theseus,  etc. 
[London,  1720  ?]  s.  sh.  fol.    G.  305.  (190.) 

Si,  t'   amo,   caro.     A  Favourite  Song  in 
the  Opera  of  Thes[ejus.     In  Itallian  and 
English.     [By  G.  F.  Handel.] 
[LoufZou,  1715  ?]     fol.      H.  1601.  (382.) 

[Another  edition.]  Si,  t'  amo,  caro.  A 
Favourite  Song  in  the  Opera  of  Theseus. 
[London,  ni5?]     fol.  G.  311.  (48.) 

[Si,  t'  amo,  caro.]     Fly,  and  his  soft  en- 
chanting.    A  Favorite  Song  in  the  Opera 
of  Theseus,  the  words  by  Mr.  Leveridge. 
[London,  1715  ?]     fol.         G.  305.  (210.) 

TESSARINI  (Carlo)  Easy  and  familiar 
Airs  for  the  Violin  or  German  Flute  with 
a  figur'd  Bass,  etc.  Printed  for  John  Cox: 
London,  [1750  ?]  fol.  li.  219.  e.  (6.) 
Concerti  a  Cinque  con  3  Violini,  Violetta 
Violoncello  6  Basso  Continuo  . . .  Opera 
Prima.     [Separate  Parts.]  Printed  for 

I.  Walsh:  London,  [ITdS?]     fol. 

g.  688.  a. 

Concerti  a  Piu  Istrumenti  con  Violino 
Obligate  e  duo  Violini  Alto  Viola  Violon- 
cello e  Cembalo . .  .  Opera  Terza.  [Separate 
Parts.]  M.  C.  Le  Ccne  :  Amsterdam, 

[1734.]     fol.  f.  122.  a. 

Wanting  the  Violino  Secondo  di  Eipieno 
part. 
II  Maestro,  e  Discepolo.  Diuertimenti  da 
Camera  a  due  Violini  . . .  Opera  Seconda. 
Nclla  Stamperia  delta  Ven.  Capella  del 
S'""  Sagra)7i.  presso  G.  Mainardi :  Urbino, 
(1734.)    obi.  fol.  K.  10.  a.  11. 

An  Accurate  Method  to  attain  the  Art  of 
Playing  y"  Violin,  with  Graces,  in  all 
the  different  Keys,  how  to  make  proper 
Cadences,  &  y=  nature  of  all  y''  shifts,  with 
severall  Duets  and  Lessons,  etc. 
P.  Welcker  :  London,  [1765  ?J     fol. 

h.  210.  i.  (3.) 
II  Placer  del  Amator  di  Mnsica.  Facile 
sonatine  da  Camera  a  due  Violini  e  Basso. 
Con  Canone  al  Fine  ;  nuouamente  Ris- 
tamp.ite  e  ricorette. .  .Opera  Quinta. 
[Separate  Parts.]  Net  adresso  ordinario  : 
Parigi,  [1740  ?]     fol.  g.  274.  c.  (4.) 

Sinfonie  a  Due  Violini  e  Basso  6  Cembalo 
, .  .Opera  Settima.     [Separate  Parts.] 
Ch4s  M'"'  Boivin  :  Paris,  (1744.)     fol. 

g.  274.  c.  (6.) 

XII  Solos  for  a  German  Flute  a  Hoboy 
or  Viclin  with  a  Thorough  Bass  for  the 
Harpsicord  or  Bass  Violin  .  .  .  Opera 
Seconda.  Printed  for  I.  Walsh: 

London,  [1736.]     fol.  g.  688. 


TESSARINI    (Carlo)      Six    Sonatas   or 
Duets  for  Two  Violins . . .  Opera  Seconda. 
Printed  for  J.  Johnson:  London, 
[1750?]     fol.  g.  225.  b.  (7.) 

Six  Sonatas  or  Duetts  and  Canones  for 
two  Violins. .  .Book  2*. 

Printed  for  J.  Osivald  :  London, 
[1755  ?]     fol.  g.  270.  1.  (10.) 

XII  Sonata  [slcl  a  Violino  e  Violone  o 
Cimbalo. .  .Opera  Terzo.  G.  F.  Witvogel : 
Amsterdam,  [1735  ?]  fol.  g.  422.  (5.) 
Senate  a  Violino  Solo  e  Basso . . .  Opera 
Ottava.  Chez  Madame  Boivin  : 

Paris,  [1745?]     fol.  g.  422.  (6.) 

Sonate  a  Due  Flauti  Traversier  6  sia  due 
Violini  e  Basso. .  .Opera  xii.  [Separate 
Parts.]  Chez 

Madame  Boivin :  Paris,  [1745  ?]    fol. 

g.  274.  c.  (7.) 
La  Stravaganza,  Divisa  in  Quattro  Parti, 
e  composta  d'  Overture,  di  Concerti  con 
Oboe,  di  Partite,  Concerti  a  due  Violini 
obbligati,  Sinfonie,  e  Concerti  con  Violino 
obbligato  a  Cinque :  cioe,  tr6  Violini,  Alto 
Viola,  e  Basso  , . .  Opera  Quarta.  Libro 
Primo  (Secondo).  [Separate  Parts.] 
M.  C.  Lc  Ccne  :  Amsterdam,  [1735  ?]     fol. 

f.  122.  b. 
Sei  Trio  a  Due  Violini  e  Basso. .  .Opera 
Sesta.     [Separate  Parts.] 

Aux  adresses  ordinaires  :  Paris, 
[1740?]     fol.  g.  274.  c.  (5.) 

Sec  Harmonia  Mundi.  Harmonia  ^lundi. 
The  2''  collection.  Being  VI  Concertos. . . 
Collected  out  of  the  choicest  Works  of  . . . 
Tessarini,  etc.     [1727  ?]     fol.     g.  419.  a. 

TESSIER  (        )     See  Tissier. 

TESSIER  (Gcillaume)  II  Primo  Libro 
deU'  Arie  Franzesi,  Italiche,  &  Spa- 
gniuole,  a  Quattro,  &  Cinque  voci.  Com- 
poste  nuouamente  da  Guglielmo  Tessieri 
di  Bretagna.     Canto. 

Par  Adrian  le  Roy,  &  Robert  Ballard  : 
Parigi,  1582.     obi.  12°.  K.  2.  b.  8. 

Premier  Liure  d'Airs  tant  Fraugois, 
Italien,  qu'Espaignol,  reduitz  en  Musique, 
a  4.  &  5.  parties,  etc.     Tenor. 

Par  Adrian  le  Roy,  &  Robert  Ballard  : 
Paris,  1582.     obi.  12'.  K.  2.  b.  9. 

The  contents  of  this  edition  are  the  same 
as  that  tvith  the  Italian  title-page, 
except  that  this  one  has  an  Italian 
dedication  to  Queen  Elizabeth  and  tioo 
stanzas  are  lyrinted  on  fol.  29  recto 
instead  of  ten. 

TESTAMENT.  Testament  d'unYvrogne. 
[Song.]     See  Fel  (        ) 

TESTORI  (Carlo  Giovakni)  La  Musica 
Ragiouata  espressa  famigliarmente  in 
dodici  Passeggiate  a  Dialogo,  etc. 

Presso  Giiiseppe  Panialis  : 
Vercelli,  1767.     4°.  557*  e.  13. 


668 


Tl&TE— THEATRICAL 


TETE  A  PERRUQUE.  Sur  toute  la 
Nature  on  voit  regner  I'amour.  Chanson 
tiree  de  la  Tete  a  Perruque  [by  C.  CoUe] 
avec  Accompaguemeut  de  Guithare  par 
M'  Tissier,  etc.     [Paris,]  1779.     8°. 

B.  362.  b.  (201.) 

TETE  A  TETE.     Tete  a  tete.     Soug. 
See  Bewlay  (H.) 

A   Tete  a  Tete   Conversation  between  y" 
French  King  &  his  Minister.     [Song.] 
See  When.     When  Louis  the  proud,  took 
it  into  his  Head,  etc.     [1758?]     s.  sh.  fol. 

G.  313.  (154.) 

TETTAMANZI  (Fabeizio)  Breue  Me- 
todo  per  fondatamente  e  con  facilita 
apprendere  il  Canto  Fermo.  Diuiso  in 
tre  Libri,  etc.  Per  Federico  Agnelli : 

Milano,  1636  [1686].  4°.  557*.  d.  15. 
Breve  Metodo  per  apprendere  il  Canto 
Fermo,  etc.  Per  Beniamino  Sirtori  : 

Milano,  1756.     4°.  557*.  d.  33.  (3.) 

Uffizio  de'  Morti  tutto  in  Canto  Fermo, 
Incomiciando  dal  Vespero  con  I'intona- 
zione  de'  Salmi,  si  come  al  Mattutino  ;  con 
il  modo  di  cantare  le  Lezioni,  e  Responsorj 
con  la  Messa  medema,  etc.  Francesco 

Agnelli  :  Milano,  1715.     4".  D.  588. 

TEVO  (Zaccaeia)     II  Musico  Testore,  etc. 

Apprcsso  Antonio  BortoU : 

Venezia,  1706.     4".  557*.  d.  27. 

TEXTOR  (Heineicus)  See  Feisius  (J.) 
Breuis  Musicse  Isagoge  .  .  .  Accesserunt 
priori  seditioni  omnia  Horatij  carminum 
genera ...  quatuor  uocibus  ad  se quale s,  in 
studiosoruTQ  adolescentum  gratiam  com- 
posita  [by  H.  Tester].     1555.     obi.  4°. 

Gren.  9408. 

TEXTORIS  (Guglielmo)  II  Primo 
Libro  de'  Madrigali  ...  a  Cinque  Voci. 
Nuouamenteposti  inluce.  Canto.  (Alto.) 
(Tenore.)     (Basso.)     (Cuinto.)     5  pts. 

Appresso  Glaudio 

da  Coreggio,  d-Fausto  Bethanio  Compagni  : 

Venetia,  1566,  obi.  4°.  K.  3.  f.  10. 

Wanting  the  title-pageiof  the  Quinto part. 

TEYBER  (Feanz) 

SecKEiEGEL(C.F.W.)  XXXVI . . .  Lieder 
von... Teyber,  c^c.     [1790-1.]     obl.lol. 

E.  679. 

THACKRAY  (Thomas)  Six  Lessons  for 
the  Guittar,  etc. 

Thomas  Haxby,  for  the  Author  : 
York,  [1770  ?]     obi.  fol.         e.  368.  (22.) 

THAIS.     Thais  led  the  way.     Song. 

See  Haendel  (G.  F.)  [Alexander's  Feast.'] 

THAIjESIO  (Pedeo)  Arte  de  Canto 
Chao,  com  huma  breve  Instruccao,  pera  os 
Sacerdotes,  Diaconos,  Subdiaconos,  & 
moQos  do  Coro,  conforme  ao  vso  Romano, 
etc.  Diogo  Gomez  de  Lourcyro  : 

Coimbra,  1618.    4°.  K.  8.  d.  16. 


THALIA.  Thalia.  A  Collection  of  Six 
favourite  Songs. .  .which  have  been... 
Introduced  in  several  Dramatic  Perform- 
ances at  the  Theatre  Royal  in  Drury  Lane. 
The  Words  by  D.  Garrick,  and  the  Musick 
compos'd  by  Dr.  Boyce,  Dr.  Arne,  Mr. 
Smith,  Mr.  M.  Arne,  Mr.  Battishill  and 
Mr.  Barth[e]lemon.  J.  Johnston  : 

London,  [1767  ?]     fol.  G.  320.  (3.) 

THAN.  Than  Summers  Suns  more  bright 
I  own.  Love's  the  Devil.  [Song.] 
[London,  lim7]     s.  sh.  io\. 

G.  312.  (182.) 

THANK.  Thank  God  at  last.  The 
Marriage  Pretty  'tween  John  &  Betty. 
[Song.]  Sung  by  ]\Ir.  Green  at  Sadlers 
Wells.     [London,  11101]     fol. 

G.  305.  (254.) 

THANKSGIVING.         A    Thanksgiving 
Hymn.     [Sacred  Song.]    See  Soon.     Soon 
as  the  Morn  salutes  your  Eyes. 
[1777?]     s.sh.iol.  G.  311.  (135.) 

THAT.  That  Hymen's  easy  silken  rein. 
Advice  to  the  Ladies.  [Song.]  [London, 
1751.]     8".  249.  c.  21. 

Gentleman's  Magazine,  Vol. XXL, p.  515, 
That  Jenny's  my  Friend.  A  new  Song. 
Sung  by  Mr.  Beard  at  Ranelagh  Gardens. 
[Words  by  E.  Moore.]  [London, 

1750?]     s.  s/t.  fol.  G.  312.  (79.) 

That  Jenny's  my  Friend.      A  neiv  So7ig, 
Sung  by  Mr.  Beard.     [London,  1753.]     8°. 

157.  L  15. 

London  Magazine,  1753,  p.  526. 
That  Jenny's  my  friend.      A  Song  :  Sung 
by  Mr.  Beard  at  Ranelagh  Gardens. 
[London,  1753.]     8°.  249.  e.  23. 

Gentleman's    Magazine,    Vol.    XXIII. , 

p.  383. 

That  Jenny's  my  Friend.     A  Neio  Song. 

Sung  by  Mr.  Beard,  at  Ranelagh  Gardens. 

[London,  1754.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XIV.,  p.  111. 
That    scornfuU    Silvia's   Chains   I   wear. 
Song.     See  Akeeoyde  (S.) 
That  you  alone  my  Heart  possess.     Song. 
See  EccLES  (J.)     [Sir  Fopling  Flutter.] 

THEATRE.  Nouveau  Theatre  de  la 
Foire,  ou  Recueil  de  Pieces,  Parodies  & 
Opera-Comiques  ;  Representes  sur  le 
Theatre  de  TOpera-Comique,  depuis  son 
r^tablissement  jusqu'a  present.  Ann^e 
1761.  Avec  les  Airs,  Rondes  &  Vaudevilles 
uot6s.  Nouvelle  Edition.  5  Tom.  Chez 
Duchesne:  Par  is,  1163.    8".     11735.  d.  2. 

THEATRE  OP  MUSIC.  The  Theater 
of  Music  :  or,  A  Choice  Collection  of  Songs. 
See  Playfoed  (H.) 

THEATRICAL  CANDIDATES.    The 

Theatrical  Candidates.     [Opera.] 
See  Bates  (W.) 


THEE— THEEE 


569 


THEE.  Thee  will  I,  Jehovah,  praise. 
Song.  See  Haendel  (G.F.)  [Occasional 
Oratorio.l 

THEIR.  Their  Groves  of  sweet  myrtles. 
Ballad.     See  Ambrose  (J.) 

THEMIRE.       Themire    est    loin   de    ces 

boccages.     Chanson.  Gravi  par 

ir'-  Labassie.      Imprivid  par   Tourndle  : 

[Paris,]  1758.     s.  sh.  8".  297.  d.  14. 

Mercure  de  France,  Sept.,  1758. 

Themire  est  sans  desir.  Ariettc  Kouvdh'. 
[Paris,  1770  ?]     8».  B.  362.  b.  (44.) 

Themire  un  jour  dans  son  boudoir.     Le 

Boudoir.  [Song.]  Air :  Chantez,  dansez 
[bv  A.  E.  M.  Gr^try].     [Paris,  1780?]     8^ 

B.  362.  (169.) 

THEMISTOCLE.  Thdmistocle.  Trag^dic 
Lyrique.     See  Philidor  (F.  A.  Danicam). 

THEN.  Then  cease  ye  fine  Fellows. 
Song.     See  Hook  (J.) 

Then  why  should  we  be  pining,  0'.  [Song.] 
See  'Tis.  'Tis  true  that  ills  attend  on 
man.  [1790?]  s.  sh.  fol.      G.  316.  (140.) 

THEOBALD  IV.,  King  of  Navarre.  Los 
Poesies  du  Roy  de  Navarre,  avec  des 
Notes  &  un  Glossaire  Francois  ;  pr6ced6es 
de  I'Histoire  des  Revolutions  de  la  Langue 
FranQoise  .  .  .  d'un  Discours  sur  I'An- 
ciennet6  des  Chansons  Francoises,  &  de 
quelques  autres  Pieces.  (Chansons 
not^es.)     2  torn.  H.  L.  Gucrin  A  J. 

Guerin  :  Paris,  1742.     8".      1065.  f.  10. 

Gren.  18081-2. 

Gren.  18079  80. 

241.  k.  12. 

687.  d.  29,  30. 


[Another  copy.] 
[Another  copy.] 
[Another  copy.] 
[Another  copy.] 


THEOBALDUS,  of  Constance,  a  Capu- 
chin Monk.  Marianischer  Baum-Garten, 
allwo  die,  in  der  Schmertzhafften  Marian- 
ischen  Einode  herumb  gewanderte  Polym- 
nia  —  die  menschliche  Seele  —  sich  zu 
erlustigen,  Mariam  in  underschidlichhen 
Baum  -  Gewachsen  Gesangs  -  Weiss  be- 
trachtet.  Mit  schonen...Sinn-Bildern,... 
und..  .Historien,  wie  auch  mit  neu  auff- 
gesetzten  Arien,  und  Ritornellen  a  2. 
Violiui  geziehret,  etc.  2  pts.  Leonhard 
Parens  :  Costanz,  1704.     8". 

3457.  df.  11. 

Schmertzhafite  Marianische  Einode,  alwo 
die  Irrende  Polymnia — die  Menschliche 
Seel — durch  den  Echo. .  .eingelocket,  die 
zwey. .  .leidende  Hertzen,  als  den  leyden- 
den  Jesum,  und  dessen  mitleydende  liebste 
Mutter  Mariam  singend  betrachtet.  Mit 
Sinbilderen  auch  neu-aufgesetzten  Arien 
und  Ritornellen  a  2  Violinis  geziert,  etc. 
2  pts.  Leonhart  Parens  :  Costanz, 

1698.    80.  1360.  f.  9. 


THEODORE.  J'aime  encor  et  j'ai  soix- 
ante  ans.  Ariette  de  Theodore.  Avec 
Accomp*  de  Guittare.  [Words  by  Mar- 
sollier,  music  by  J.  B.  Davaux.]  \ Paris, 
1785?]     8".  B.  362.  h.  (21.) 

THEODORE      ET      PAULIN.      [For 
songj,  &c.  in  Theodore  et  Pauliu  :] 
See  Epreuve  Villageoise. 

THEODOSIUS.  Theodosius:  or  the 
Force  of  Love.  A  Tragedy. .  .Written  by 
N.  Lee,  With  the  Musick  betwixt  the 
Acts.     [By  H.  Purcell.]  Printed  for 

E.   Bentley  and  M.    Magnes  :     London, 
1680.     4".  841.  f.  50. 

T  H  ii  O  ]S"  O  !6.  Theono6.  Tragedie  en 
]\Iusique.     See  Salomon  (    ) 

THERE.  There,  from  mortal  cares  retiring. 
Song.     See  Haendel  (G.  F.)     [Sonde.] 
There   is    a    fountain   fill'd   with    blood. 
Hymn.     [Words  by  W.  Cowper.] 
[London,  1179.]     8".  P.P.  716.  b. 

Gospel  Magazine,  1779. 
There  let  Hj-mcn  oft  appear.     Song. 
See  Haendel  (G.  F.)     [U Allegro.] 
There  liv'd  a  Man  in  Ballenocrazy.     Ally 
Croker.     [Song.]  [London, 

1730  ?]    s.  sh.  fol.  G.  303.  (92.) 

[Another  edition.]  There  lived  a  I\Ian  in 
Baleno  Crazy.  Ally  Croaker.  [London, 
1745  ?]  s.  sh.  fol.  H.  1994.  b.  (80.) 
There  lived  a  man  in  Baleno,  crazy.  Ally 
Croaker.    A  New  Song.  [London, 

1753.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XIII.,  p.  174. 
There  liv'd  a  wife  in  our  gate-end.  Drap 
o'  Capie  o.     [Song.]  R.  B\remne]r  : 

[LonfZo?i,  1770?]  s.  s7j.  fol.  G.  312.  (137.) 
There  liv'd  long  ago.  The  Perfections  of 
true  Love.  [Song,  music  by  J.  F.  Lampe.] 
[London,  1730  ?]  s.  sh.  fol.  G.  312.  (86.) 
[Another  edition.]  There  liv'd  long  ago. 
The  Perfections  of  True  Love.  [London, 
1730?]     s.sh.iol.  G.  316.  f.  (16.) 

There  lives  a  sweet  lovely  dear  girl.  Lango 
Lee.  A  favorite  Irish  Song.  B[ichar]d 
B[rid]e  :  [London,  1775  ?]     s.  sh.  fol. 

G.  316.  j.  (12.) 
There  never  was  nor  e'er  will  be.  The 
non  pareille.     [Song.]  [London, 

1740  ?]  s.  sh.  fol.  H.  1994.  b.  (81.) 
There's  a  difference  between.  The  Beggar 
and  the  Queen.  A  favorite  Song. 
[London,llb01]  s.sh.iol.  G.  212.  (191.) 
There's  a  Place  in  this  Town.  Cock-Lane. 
[Song.l     [London,  1761.]     s.  sh.  fol. 

G.  316.  f.  (54.) 

There's  auld  Rob  Morris  that  wins  in  yon 
Glen.  A  Scotch  Dialogue  between  Mither 
and  Doughter.    [London,  1720  ?]  s.  sh.  fol. 

G.  312.  (90.) 


570 


THERE— THESAURUS 


THERE.       There's    Beef    and     Mutton. 
Roast  and  Boil'd.     [Song.] 
See  Trip  to  Coxheath. 
There's     grinders    enough.       TJic     Knife 
Grinder.      [Song.]      Tho   Words    by    H. 
Rhodes.     [London,  1110  "i]    s.  sh.  iol. 

H.  1994.  a.  (181.) 

There's  nae  Luck  about  the  House  . . . 
Song.  See  And.  And  are  ye  sure  the 
news  is  true.     [1770  ?]     s.  sh.  fol. 

G.  306.  (224.) 

There's  not  a  Swain.     Song. 
See  PuBCELL  (H.) 

There's  nought  but  Care  on  ev'ry  ban'. 
Green  groiu  the  Rushes  0.  A  favorite 
Scotch  song  [written  by  R.  Burns]  . .  . 
with  an  Accompaniment  for  the  Harp,  or 
Piano-Forte.  Cahusac  &  Sons  :  London, 
[1798?]    fol.  G.  800.  m.  (56.) 

There  the  brisk  sparkling  nectar  drain. 
Song.  /S'eflHAENDEL  (G.  F.)  \_The  Choice 
of  Hercules.'] 

Tliere  the  Silver'd  Waters  roam.  [Song.] 
See  Storage  (S.).     [The  Pirates.] 

There  was  a  Buxom  Lass.  The  Lass  with 
the  Velvet.     [Song.]  [London, 

1710  ?]     s.  sh.  fol.  G.  305.  (26.) 

[Another  edition.]  There  was  a  buxom 
Lass,  e^c.     [London,  1720?]    s.  sh.  iol. 

H,  1601.  (459.) 

There  was  a  brisk  &  sprightly  lass. 
Milton  Oysters,  a  Much  admir'd  New 
Song  sung  by  Miss  Bland.  Jolm  Lee  : 

Dublin,  [1780  ?]     s.  sh.  fol. 

H.  1601.  a.  (82.) 

There  was  a  clever  likely  Lass.  Melton 
Oysters.  [Song.]  Str[aicjht]  d  Sk[illern  : 
London,  1775  ?]  s.  sh.  fol.    G.  806.  r.  (37.) 

There  was  a  fair  maiden.  The  North 
Country  Lass.  A  New  Song  [by  C.  Dib- 
din].   [Lo7idon,  1769.]   8".     P.P.  5438.  z. 

Universal  Magazine,  Vol.  XLV.,p.  42. 

There  was  a  Lady  came  from  France. 
The  Coal  black  Joke.  [Song.]  [London, 
1730  ?]     s.  sh.  fol.  G.  315,  (99.) 

There  was  a  Little  Boy.     Duet. 
See  Wesley  (S.) 

There  was  a  Little  Man.     [Glee.] 

See  Madrigals.     Two  Favorite  INIadrigals 

...  No.  2. 

There  was  a  little  Woman.     Comic  Song. 

See  Crotchet  Lodge. 

There  was  a  Mad  ]\Ian.     The  Mad  Family. 

[Song]    Sung  by   Mrs.    Marsey  ...  in  the 

"  Devil  to  Pay."  Printed. .  .at  the 

little  a  ;  London,  [1780?]     s.  sh.  fol. 

G.  312.  (193.) 

There  was  a  stout  Friar  who  liv'd  in  a 
Cell.  The  Confessor,  [Song,]  etc.  [Londoii, 
1785?]     fol.  G.  312.  (205.) 


THERE.  There  was  a  Swain  full  fair. 
Song.     See  Barrett  (J.),  Organist. 

There  was  an  auld  Wife.  The  Spinning 
Rock.     [Song.]  R[obcr]t  B[rcmne]r : 

[London,  1770  ?]     s.  sh.  fol. 

G.  316.  (138.) 

There  was  an  old  Man.  A  Wonderful 
Ncio  Ballad  of  a  Wonderful  Old  Man. 

L[ongman]  L[iikei/]  d-  Co. : 
[London,  1775  ?]   fol.    H.  1994.  b.  (83.) 

There  was  3  Jovial  Welshmen.  The  3 
Jovial  Welshmen.     [Song.]  Cross  : 

[London,  1725?]     s.  sh.  fol. 

H.  1994.  b.  (82.) 

THERIN  (  )  C'en  est  fait  pour  jamais. 
Air,  etc.     [Paris,]  1735.     s.  sh.  4°. 

297.  b.  10. 

Mcrcure  de  France,  August,  1735. 

THESAURUS  MUSICUS.  Thesaurus 
Musicus  continens  Selectissimas  Octo, 
Septem,  Sex,  Quiuque  et  Quatuor  Vocum 
Harmonias,  tarn  a  ueteribus  quam  recen- 
tioribus  Symphonistis  compositas,  &  ad 
omnis  generis  instrumenta  Musica 
aceomodatas.  Discautus  (Cantus  Secun- 
dus)  (Altus)  (Altus  Secuudus)  (Tenor) 
(Tenor  Secuudus)  (Bassus)  (Bassus  Secun- 
dus)  Tomi  Primi  continentis  Cantiones 
Octo  Vocum,  etc.     8  pts. 

loanncs  Montanus,  &  Vlricus  Neuberus  : 
Noribergx,  1564.  oU.  4°.  A.  144.  (1.) 
The  title-ixige  of  the  Tenor  jiart  is  jyrinted 
in  red  and  black.  The  Tenor  contains 
a  dedication  {signed  :  "  loliannis 
Montani  Vidua  d  hmredes  ")  to 
Albert,  Count  Palatine  of  the  Rhine. 
The  composers  named  are :  Manchi- 
court,  J.  Liipi,  J.  Mouton,  J.  Vaet, 
J.  de  Bacchi,  T.  Crcquillon,  Clemens 
non  Papa,  Richafort,  F.  de  Cortcctia, 
J.  Crespel,  J.  de  Pontc,  B.  Bcaidaigue, 
F.  de  Rivulo,  J.  Arcadet,  A.  Schwartz, 
Morales,  G.  Danckerts,  A.  Scandcllus, 
L.  Senffl,  S.  Malm,  J.  de  Prate,  D. 
Torquet,  M.  Vcronensis,  N.  Gombcrt, 
Cadeac,  J.  Maillard,  M.  le  Mcistrc, 
Jachct,  A.  Mornable,  Claudin,  L. 
Lemlin,  O.  di  Lasso,  A.  Willaert,  F. 
Bonardi  and  D.  Phinot. 

[Another  copy.  Discantus  (Cantus 
Secuudus)  (Altus)  (Altus  Secuudus) 
(Tenor  Secuudus)  (Bassus).]     6  pts. 

A.  144.  a.  (1.) 

[Another  copy.     Cantus  Secuudus.] 

A.  144.  b.  (1.) 

Thesauri  Musici  Tomus  Secundus  con- 
tinens Optimas  Septem  Vocum  Cantiones 
ex  Variis  Autoribus  collectas.  Discantus 
(Altus)  (Tenor)  (Bassus)  (Quinta  Vox) 
(Sexta  Vox)  (Septima  Vox)  Septem  Vocum 
etc.     7  pts.  Ex  officina  loannis 


THESAURUS— THIEF 


571 


Montani,  <&  Vlrici  Neuhcri :  Norihcrgas, 
15Gi.     ohl.  4°.  A.  144.  (2.) 

The  composers  named  are  :  0.  cli  Lassus, 
Clemens  non  Papa,  Maillard,  J.  Ar- 
cade t,   S.   Theodoricus,  A.   Schwartz, 
D.  Phinot,  B.  Ditcis,  A.  Scandellus, 
G.  Prcnner  and  H.  Venders. 
^Another  copy.   Discantus  (Altus)  (Bassus) 
^Quinta  Vox)  (Sesta  Vox)  (Septima  Vox)  ] 
6pts.  A.  144.  a.  (2.) 

[Another  copy.     Quinta  Vox.] 

A.  144.  b.  (2.) 

Thesauri  Musici  Tomus  Tertius  contineus 

Cautiones    Sacras,    quas    vulgo    Motetas 

vocant,     ex    Optimis     Musicis     selectas. 

Discantus       (Altus)       (Tenor)      (Bassus) 

(Vagans)      (Sexta     Vox).      Sex     Vocum. 

€  pts.  Joannes 

Montamis,  &  Vlriciis  Neuherus :  Noriberga-, 

1564.     obi.  4:".  A.  144.  (3.) 

The    composers    named    arc :    Josquin, 

N.    Gonibert,    O.  di  Lasso,  L.  Lays, 

J.  dc  Bachi,  J.  Vaet  and  F.  de  Bivulo. 

[Another  copy.  Discantus  (Altus) 
(Bassus)  (Vagans)  (Sexta  Vox).]     5  pts. 

A.  144.  a.  (3.) 

[Another  copy.   Vagans.]    A.  144.  b.  (3.) 

Thesauri    Musici    Tomus    Quartus    con- 

fcinens     Selectissimas    Quinque     Vocum 

Harmonias,  quas  \'ulgo   I\Iotetas  vocant. 

Discantus      (Altus)      (Tenor)       (Bassus) 

(Vagans).     5  pts.  E.v  officina  loannis 

Montani,   d-    Vlrici    Ncubcri:    Noribercjx, 

1564.     obi.  4".  A.  144.  (4.) 

The    composers    named    are  :     M.    H. 

Weirecorn,  J.  Vaet,  O.  di  Lasso,  A. 

Gain,  P.  Heilayius,  G.  Prcnner,  J.  de 

Bachi,    F.    de   Bouselle,   J.  Begnart, 

Clemens  non  Papa,    T.    Stoltzer,   L. 

Senfliiis,  C.  Hollander,  F.  de  Bivulo, 

J.    Loys,   L.    Lays,    V.    Buffus,    C. 

Block,  C.  Copus,  H.  Bnineau  and  A. 

Schwartz. 

[Another       copy.         Discantus       (Altus) 

(Vagans).]     3  pts.  A.  144.  a.  (4.) 

Thesauri  Musici  Tomus  Quintus,  et 
Ultimus,  continens  Sacras  Harmonias 
Quatuor  Vocibus  compositas.  Discantus 
(Altus)  (Tenor)  (Bassus)  Quatuor  Vocum, 
etc.     4  pts. 

loannes  Montanus,  &  Vlricus  Nenberus  : 
Noribergx,  1564.  obi.  4°.  A.  144.  (5.) 
T]ie  composers  named  are  :  Clemens  non 
Papa,  Crequillon,  A.  Galli,  J.  de 
Gandavo,  J.  de  Bachi,  0.  di  Lassiis, 
Leo  non  Papa,  L.  Pamminger,  F.  de 
Bivulo,  J.  Vaet,  G.  Prcnner,  Josquin, 
V.  Schamotuliniis,  J.  de  Horto,  A. 
Schwartz,  M.  Lc  Meistre,  J.  de 
Latrc,  M.  Peudargent,  Jacquet  and 
J.  Mcilandus. 


[Another  copy. 


Discantus  (Altus).]    2  pts. 
A.  144.  a.  (5.) 


THESAURUS    MUSICUS.     Thesaurus 

Musicvis.      A    Collection    of    two,    three, 

and  four  Part  Songs  ...   To  which  are 

added    some   choice   Dialogues.      Set    to 

INIusick   by    ...    Dr.   Blow,   H.    Purcell, 

Handel,  Dr.  Green,  Dr.  Purcell,  Eccles, 

Weldon,   Leveridge,    Lampe,   Carey,   &c. 

The    Whole    revis'd  ...  by    a    Judicious 

Master.    [Vol.1.]   PrintedforJ.  Si7npson  : 

London,  [1743  ?]     fol.  H.  73. 

This  collection  also  contains  the  folloicing 

names  of  composers :    Cook,    Gillier, 

Marshall,    B.    Aldrich,    Morgan,   M. 

Wise,  Hayden,  Corelli  and  C.  Mauley. 

Thesaurus  I\Iusicus.     A  Collection  of  two, 

three,   and    four    Part    Songs  . . .  Set    to 

i\Iusick   by  the  most   Eminent   Masters, 

etc.     2  vols.  Printed  for  J.  Siinpson  : 

London,  [1745  ?]     fol.  H.  73.  a. 

hi  this  edition  the  version  of  the  Natio7ial 

Anthem  {on p.  22  of  Vol.  I.)  differs  from 

that  in  the  earlier  edition.     Vol.  II. 

contains    compositions    by    Croft,    J. 

Eccles,    T.    Brewer,    Purcell,   Hicks, 

Lampe,  Morl[e]y,  J.  Allcock,  M.  Lock, 

J.  Corfe,  B.  Lxdly,  Blow,  Travers,  J. 

Graves  and  Morgan. 

Thesaurus  Musicus.     Songs. 
See  HuDGEBUT  (J.) 

THESE.  These  Flow'rs  like  our  Hearts. 
Song.     See  Arne  (M.)     [Cymon.'] 

THESEE.     Thesee.     Trag^die. 

Sec  LULLI  (Ct.  B.) 

THESEUS.     Theseus.     [Opera.] 
See  Teseo. 

THETIS  ET  PELEE.  Thetis  et  Pel6e. 
Tragedie  remise  en  Musique  [by  J.  B.  de 
Laborde]  . . .  Les  Paroles  sont  de  ]M.  de 
Fontenelle.     [Full  Score.]  Gravee  par 

M""  C.  Vendume.  Chez  le  S.  Moria  :  Paris, 
1765.     fol.  I.  315. 

Th6tis  et  Pelee.     Tragedie. 
Sec  COLASSE  (P.) 

THEY.     They  call  me  a  Toper.     Song. 
See  Blewitt  (J.) 

They  run  and  we  run.     See  Some.     Some 
say  that  we  won,  etc.     [1778.]     s.  sh.  fol. 

G.  311.  (143.) 

They  say,  that  on  my  Polly's  Face.    True 
Wisdom  in  a  Lover,  a  new  Song. 
ILondon,  1740  ?]      s.  sh.  fol. 

G.  312.  (186.) 

They  say  that  we  Women.     Song. 
See  Hook  (J.) 

THIEF.     The  Thief.     [Song.] 
See  WoEGAN  (.J.) 

The  Thief  and  the  Cordelier.     [Song.] 
See  Who.   Who  has  e'er  been  at  Paris,  etc. 
[1725?]     s.sh.iol.  G.  313.  (83.) 


572 


THIELO— THOMAS 


THIELO  (Carl  August)     Sec  T.,  C.  A. 

THING.  A  Thing  without  a  Name. 
[Song.]  See  Come.  Come  go  with  me, 
and  you  shall  see.     [1720  ?]     s.  sh.  fol. 

G.  305.  (7.) 

THINK.     Think  Maria  think   how  often. 

Song.     See  Hudson  (R.)     [The  Volunteer 

Befurned.'] 
THIRSIS.     Thirsis  to  Leonora.     [Song.] 

See   While.      While   Leonora's  kind    & 

good.  [1750  ?]  s.  sh.  fol.     G.  313.  (203.) 

THIRSTY.  The  thirsty  Earth  soaks  up 
the  Rain.  A  Drinking  Song  out  of  Cowley. 
[London,  1725  ?]  s.  sh.  fol.  G.  303.  (43.) 
The  Thirsty  Lover.  [Song.]  See  Drink. 
Drink  to  me  only  with  thine  Eyes,  etc. 
[1762  ?]  G.  316.  (55.) 

THIRZA     UND     IHRE     SOEHNE. 

Thirza  und  ihre  Sohne.    Ein  musikalisches 
Drama.     See  Rolle  (J.  H.) 

THIS.  This  cold  flinty  Heart.  Sweet 
Passion  of  Love.  [Song,  from  '  The  Pad- 
lock,' by  C.  Dibdin.]  [London, 
1771.]     s.  sh.  4°.                          159.  n.  3. 

London  Magazine,  Dec.,  1771. 
This  great  World  is  a  Trouble.     [Song.] 
See  Jupiter  and  Europa. 
This    Heart,   dear    Maid,   can    know  no 
Peace.     The  Answer  to  "  Airy  Dreams." 
[Song.]  P.  II[odgson  :  London, 

1780  ?]     s.  sh.  fol.  G.  312.  (190.) 

This  is  the  Day.     [Duet  and  Chorus.] 
See  Carey  (H.) 

This  is  the  day  which  the  Lord  hath  made. 
Anthem.     See  Howard  (S.) 
This  is  the  House  that  Jack  built.     Glee. 
See  Hook  (J.) 

[Another    setting.]     This    is    the    House 
that  Jack  built.     Song.     See  Welsh  (T.) 
This  is  the  month.     [Sacred  Song.] 
See  Carnaby  (W.) 

This  Lock  of  dear  Selina's  hair.     Song. 
See  Shield  (W.)     [The  Nunnery.'] 
This  Love  makes    all    Men  Asses.     TJie 
Force  of  Love.     [Song.]  [London,'] 

1742.     s.  sh.  fol.  G.  316.  a.  (48.) 

This  mercenary  Age  despise.  Song. 
See  Roseingrave  (T.) 
This,  this  and  this  only  is  true  Conjura- 
tion. No  Magic  like  Gold,  or  the  True 
Stockwell  Conjurer.  [Song.]  Sung  by 
Mr.  Bannister,  in  the  Interlude  at  Mr. 
Weston's  Benefit,  the  words  by  G.  A. 
Stevens.  J[ohn]  J[ohnston  :  London, 

1770?]     s.sh.iol.  G.  316.  (139.) 

This  snell  and  frosty  IMorning.  The 
Skaiter's  March.  [Two-part  Song]  Com- 
posed for  the  Skaiter's  Club  at  Edinburgh, 
etc.  Printed  for  J.  Fielding  :  London, 

[1782.]    8°.  2117.  c. 

European  Magazine,  July,  1782. 


THIS.  This  verdant  Green  was  once  my 
Pride.  Absence.  A  New  Song.  The 
words  by  a  Young  Lady.  [London, 

1760  ?]     s.  sh.  fol.  G.  316.  a.  (49.) 

This  way.  Mortal,  bend  thy  Eyes.  [Song.] 
See  EccLES  (J.)  [The  Judgment  of 
Paris.] 

[Another  setting.]    This  way,  Mortal,  bend 
thy  Eyes.      [Song.]      See  Purcell   (D.) 
[The  Judgment  of  Paris.] 
This  World  is  a  Stage.     A  neio  Song. 
[London,  1754.]     8°.  157.  L  16. 

London  Magazine,  1754,  p.  564. 

THOMAS  AND  SALLY.     Thomas  and 
Sally.     Dramatic  Pastoral. 
See  Arne  (T.  A.) 

Come  on  Jolly  Lads.  A  Favourite  Ad- 
ditional Song  sung  by  Mr.  Beard  in 
Thomas  and  Sally.  Set  for  the  Ger. 
Flute.     [London,  1765  ?]     s.  sh.  fol. 

G.  306.  (189.) 

The  tune  of  this  song  is  the  same  as  that 
of  the  Bellisle  March. 
TheEcchoing  Horn.    [Song  by  T.  A.  Arne.] 
In  Thomas  and  Sally.  London, 

[1770?]     s.sh.iol.  1.530.(152.) 

Th'  happy  news  at  length  is  come.  [Song.] 
Sung  by  Mr.  Beard  in  Thomas  and  Sally 
[by  T.  A.  Arne].  The  Words  written  ex- 
tempore by  Mr.  Smith,  on  taking  the 
Havannah.     [London,  1762.]     8°. 

P.P.  544L 

Boyal  Magazine,  Vol.  VII.,  p.  189. 
Tom's    Return,   an    additional    favourite 
Song  in  Thomas  and  Sally  [by  T.  A.  Arne]. 
Sung  by  Mr.  Beard.    [London,  1707.]     8\ 

P.P.  5438.  z. 

Universal  Magazine,  Vol.  XLI.,p.  204. 
The  Way  to  succeed  with  a  Lass.     A  new 
Song,  sung  by  ]\Irs.  Vernon  in. .  .Thomas 
and  Sally.     [By  T.  A.  Arne.]        [London, 
1761.]     8°.  P.P.  5438.  z. 

Universal     Magazine,     Vol.    XXVIII. , 
p.  96. 
The  Way  to  succeed  with  a  Lass.     [Song.] 
Sung  by  Mrs.  Vernon  in... Thomas  and 
Sally  [by  T.  A.  Arne].  [London, 

1761.]     8".  P.P.  5140. 

Lady's  Magazine,  Vol.  II.,  p.  273. 
When  I  was  a  young  one.     A  favourite 
So7ig,  sung  by  Mrs.  Vernon,  in. .  .Thomas 
and  Sally  [by  T.  A.  Arne].  [Londo^i,. 

1760.]     8".  P.P.  5438.  z. 

Universal      Magazine,      Vol.    XXVII., 

p.  375. 

When  late  I  wandered  o'er  y''  Plain.     A 

Favourite  So7ig  in  Thomas  and  Sally.     [By 

T.  A.  Arne.]     [Z/onJon  ?  1760  ?]     s.s7i.  foL 

G.  316.  h.  (37.) 
When  late  I  wander'd  o'er  the  Plain. 
Song  in  Thomas  and  Sally.  [London, 

1761.]     8°.  158.  L  6. 

Lcmdon  Magazine,  1761,  p.  324. 


THOMAS— THOMSON 


573 


THOMAS  AND   SALLY.    When  late 

I  wander'd  o'er  the  plain.     Thomas  and 

Sally,  a   New   Song   [by  T.  A.  Arne,  in 

'  Thomas  and  Sally  '].  [London, 

1763.]     8".  P.P.  5438.  z. 

Universal     Magazine,     Vol.     XXXII., 

p.  322. 

THOMAS  AND  SUSAN".     Thomas  and 

Susan.    Entertainment.    See  Eeeve  (W.) 

THOMAS  (B.)      How  cheerful  along  the 
gay  I\Iead.     Hymn  of  Eve,  in  the  Oratorio 
of  Abel  new  Set  by  B.  Thomas. 
SMillern  :  London,  1780?]     s.  sh.  fol. 

G.  308.  (132.) 

THOMAS  (Isaiah)  The  Worcester  Collec- 
tion of  Sacred  Harmony.  In  three  Parts. 
Containing,  i.  An  Introduction  to  the 
Grounds  of  Musick . . .  ii.  A  large  Number 
of  . . .  Psalm  and  Hymn  Tunes  . . .  iii. 
Select  Anthems,  Fughes  and  Favourite 
Pieces  of  Musick..  .The  Second  Edition, 
with  Large  Additions.  [Edited  by  I. 
Thomas.  Vol.  I.]  I.  Thomas  :  Worcester, 
Massadmsetts,  1788.     ohl.  4\         A.  854. 

THOMIRIS.     See  Thomyhis. 

THOMMEN      (JoHANx)  Erbaulicher 

Musicalischer  Christe-Schatz,  bestehend 
aus  Fiinfhundert  Geistlichen  Liedern.mit 
Zweyhundert  fiinf  und  sibenzig  ]\Ielodien 
. . .  Gesammlet  und 
J.  Thommen,  etc. 
Basel,  1745.     8°. 


herausgegeben    von 

Daniel  Eckensfein : 

C.  729. 


THOMPSON,  Music  Publishers.  Thomp- 
son's Compleat  Collection  of  200  Favourite 
Country  Dances. .  .with  proper  Figures  or 
Directions  to  Each  Tune ;  Set  for  the 
Violin,  German  flute  &  Hautboy.  Vol.  1. 
Printed  for  Peter  Thojnpson  : 
London,  {in07]     ohl.AP.  a.  225. 

Thompson's  Compleat  Collection  of  200 
Favourite  Country  Dances. .  .with  proper 
Figures  or  Directions  to  each  Tune.  Set 
for  the  Violin,  German  flute  &  Hautboy. 
4  Vols.  Printed  for  Charles  and  Samuel 
Thompson  :  London,  [1770-1780.]     ohl.  4\ 

a.  223.  a. 
Vol.  I.  is  a  reprint  of  the  edition  pub- 
lished by  Peter  Thompson  about  1760. 
Thompson's  Compleat  Collection  of  200 
Favourite  Country  Dances . . .  with  proper 
Figures  or  Directions  to  each  Tune,  set  for 
the  Violin,  German-Flute,  &  Hautboy. 
Vol.  4.  Printed  for  Sam^  Ann  &  Peter 

Thovipson  :  London,  [1780  ?]     ohl.  4". 

a.  223.  g. 

A   reprint  of  the  edition  puhlished  by 

Charles  &  Samuel  Thompson. 

Thompson's  Twenty-four  Country  Dances 

{for    the   Year   1799).     With    Figures   to 

each  as  they  are  Performed  at  Court,  etc. 

The  Publishers''  Warehouse  : 

London,  1799.    obi.  4°.      a.  223.  f.  (16.) 


THOMPSON,  Music  Publishers.  Thomp- 
son's Compleat  Collection  of  120  Favourite 
Hornpipes,  etc.  Printed  for  C.  and 

S.  Thompson:  London,  [1775?]     ohl.  i". 

a.  223.  b. 
Thompson's  Compleat  Collection  of  120 
Favourite  Hornpipes,  etc. 

Printed  for  Henry  Thompson : 
I/0«do»,  [1800?]    obl.^\  a.  224. 

A  new  edition  of  the  volume  published 
by  C.  &  S.  Thompson. 
Thompson's    First    Collection   of    Guard 
Marches. .  .for  the  Organ,  Harpsichord  or 
Piano  Forte.  Printed  for  C.  and  S. 

Thompson  :  London,  [1775  ?]     obi.  4". 

a.  223. 
Thompson's  Pocket  Collection  of  Favourite 
Marches  for  Two  German-Flutes,  Violins, 
or  Fifes . .  .Composed  by  the  most  Eminent 
Masters.  Printed  for  S.A.  d  P.  Thompson  : 
London,  [1790?]     obi.  A".  a.  223.  h. 

Thompson's  Compleat  Collection  of  100 
Favourite  Minuets. .  .Set  for  the  Harpsi- 
chord, Violin  or  German  Flute.     3  Vols. 

Printed  for  C.  &  S.  Thompson: 

London,  \\TiQ~15'>'\    ohl.  i".     a.  223.  d. 

The  first  two  volumes   have  illustrated 

title-pages. 

Thompson's  Twelve  Favorite  Minuets  for 

the  Year,  1797,  etc. 

The  Publishers'  Wa7-ehousc  :  London, 

1797.  obi.  4°.  a.  26.  f.  (3.) 
Thompson's  Twelve  Favorite  Minuets  for 
the  Year  1798,  etc. 

The  Publishers'  Warehouse  :  London, 

1798.  obi.  4°.  a.  26.  f.  (4.) 
Thompson's  Pocket  Companion  for  the 
German-Flute,  Containing  a  choice 
Collection  of  Celebrated  Airs,  Minuets, 
JNIarches,  Duets  &  Songs . . .  Composed  by 
the  most  Eminent  Masters.     3  vols. 

Printed  for  S.  d  A.  Thompson  : 
London,  [1780  ?]     obi.  4°.  a.  223.  e. 

Each  volume  lias  a  separate  title-page, 
frontispiece  and  index,  but  the  pagina- 
tion is  continuous. 

THOMPSON  (Nathaniel)     See  T.,  N. 

THOMPSON  (Thomas)  The  Wandering 
Savoyard's  Song,  written  by  Mr.  Dimond 
Junr.,  etc.  Goulding  <&  Co. : 

London,  [1800  ?]     fol.  G.  798.  (50.) 

THOMSON  (Geoege)  A  Select  CoUection 
of  Original  Scotish  Airs  for  the  Voice,  to 
each  of  which  are  added,  Introductory  & 
Concluding  Symphonies,  &  Accompany- 
ments  for  the  Violin  &  Piano  Forte  by 
Pleyel.  With  Select  &  Characteristic 
Verses  by  the  most  admired  Scotish  Poets 
adapted  to  each  Air,  etc.  (A  Select  Col- 
lection of...  Scotish  Airs  . .  .  To  each  of 
which  are  added . . .  Accompanyments . . . 
by  Kozeluch.  With  . . .  verses  . . .  the 
greater  number . . .  written  for  this  work 


574 


THOMSON— THORLEY 


by  Burns,  etc.)  [Edited  by  G.  Thomson. 
Separate  Parts.]  4  Sets.  Preston  li  Son  : 
London,  [1793-1797.]     fol.  G.  370. 

On  the  title-page  of  the  fourth  set  the  ac- 
companiments arc  described  as  '  chiefly 
hrj  Ko^cluch,  and  partly  by  Pleyel.' 

THOMSON  (James)  of  Edinburgh.  The 
Rudiments  of  Music  :  to  which  is  added, 
a  Collection  of  the  best  Church  Tunes, 
Hymns,  Canons,  and  Anthems.     2  pts. 

Printed  for  the  Author  : 
Edinburgh,  1778.     8°.  558*.  c.  45. 

THOMSON  (John)  Organist,  New 
Edinburgh.  Three  Sonatas  for  the 
Harps*  or  Piano-Forte,  with  an  Accom- 
panymeut  for  a  Violin  ...  Op.  1"". 
[Separate  Parts.] 

Corri  and  Siitherland,  for  the  Author  : 
[Edinburgh,  1185  7]     fol.     g.  161.  f.  (9.) 

THOMSON  (]Michael)  Six  Anthems 
performed  iu  Hillsborough  Church. 

Printed  for  tJie  Author: 

Hillsborough,  1786.     obi.  fol.  E.  87. 

THOMSON     (William)     of    Edinburgh. 

Orpheus  Caledonius,   or   a   Collection   of 

the  best  Scotch  Songs,  etc. 

Printed  for  the  Author  : 
London,  [1726.]     fol.  I.  367.  b. 

[Another  copy.]  H.  1630.  a. 

Orpheus  Caledonius :   or,  a  Collection  of 
Scots  Songs,  etc.    2  Vols. 

Printed  for  the  Author  : 
London,  1733.     8".  D.  424.  a. 

[Another  copy.]  I>-  424. 

The  title-page  of  Vol.  11.  of  this  copy  lias 
the    additional    words    '  The    Second 
Edition.' 
THOMSON     (William)    of   Leominster. 
Six  Easy  Lessons  for  the  Harpsichord. 
Welcker  :  London,  [1775  ?]     obi.  fol. 

e.  284.  a.  (13.) 

THOMYRIS.  Songs  in  the  New  Opera 
call'd  Thomyris,  Collected  out  of  the 
Works  of  the  most  Celebrated  Itallian 
Autors,  viz :  Scarlatti  Bononcini  and 
other  great  Masters,  etc.  [Words  by  P.  A. 
Motteux.]  Printed  for 

I    Walsh  .  .  .  and  P.  Randall:    London, 
[1707.]     fol.  H.  114.  (4.) 

This  edition  contains  only  17  numbers, 

without  pagination. 
[Another  edition.]  Songs  in  the  New 
Opera  of  Thomiris,  Queen  of  Scythia. 
Collected  out  of  the  Works  of  the  most 
Celebrated  Italian  Authors,  viz.  Scarlait, 
Bononchini,  Albinoni,  &c.  .  .  .  Fairly 
Ingrav'd  on  Copper-Plates,  and  more 
Correct  then  the  former  Edition,  etc. 

Printed  for  Jolin  Cullen  : 

London,  [limi]     fol.  H.  113.  a. 

This  edition  contains  55  numbers  witli- 

out  the  overture.    In  this  copy  fol.  36 

a7id  37  are  wanting. 


THOMYRIS.     [Another  edition.]     Songs 
in  the  New  Opera,  call'd  Thomyris,  etc. 
Printed  for  I.  Wcilsh  . .  .  and  P.  Bandall : 
Lo7idon,  [1708  7]     fol.  H.  113. 

This  edition  contains  tJie  overture  and 
55  numbers,  with  pagination.    Ln  this 
copy  fol.  52-57  are  wanting. 
Overture.    [Orchestral  Parts.]     See  Over- 
tubes.     Six  Overtures,  etc.     [No.  5.] 
[1720?]     fol.  h.  3211.  (1.) 

Can  you  leave  ranging.  [Song.]  Media. 
Sung  by  Mrs.  Liudsey  iu  y'^  Opera  of 
Thomyris.     [London,  1110'}']     s.  sh.  iol. 

G.  305.  (137.) 
Farewell  love  and  all  soft  pleasure.  [Song.] 
Baldo  sung  by  Mr.  Leveridge  in  the  Opera 
of  Thomyris.  [Music  by  A.  Steffani.] 
[London,1110'!]  s.sh.iol.  H.  1601.  (162.) 
[Another  copy.]  G.  305.  (292.) 

How  blest  is  a  Soldier.  A  Choice  Ad- 
ditional Song  [by  J.  C.  Pepusch]  in  the 
Opera  of  Thomyris.  [London, 

1725  ?]     s.  sh.  fol.  H.  1601.  (200.) 

[Another  edition.]  How  blest  is  a  Soldier. 
A  Choice  Additional  Song,  etc.  [London, 
1730  ?]     s.  sh.  fol.  G.  316.  d.  (164.) 

[Another  edition.]  How  blest  is  a  Soldier. 
A  Choice  Additional  Song,  etc. 
See  Chloe.  Chloe,  or  the  Musical  ]\raga- 
zine,  etc.  No.  89.  [1760  ?]  fol.  G.  433. 
Love  woud  invade  me.  [Song.]  Sung  by 
Mrs.  Tofts  in  the  Opera  call'd  Thomyris, 
etc.     [London,  1710  ?]     s.  sh.  fol. 

H.  1601.  (276.) 
Since  iu  vain  I  strive  to  gain  you.  [Song.] 
Sung  by  Mr.  Laivrance  in  the  Opera  of 
Thomyris.     [London,  1710  ?]     s.  sh.  fol. 

H.  1601.  (402.) 

THORLEY    (Thomas)      Alas!    the    dear 

Clarissa's  gone.  An  Elegy.  On  the  Death 
of  an  Amiable  Young  Lady.  The  Words 
and  Music  by  T.  Thorley  Jun^  [London, 
1775  ?]     s.  sh.  fol.  G.  306.  (142.) 

Angelina ; — Or  The  Poor  Little  Wandering 
Cripple— a  favorite  Pathetic  Ballad,  etc. 

H.  Thompson,  for  the  Author  : 
[London,  1800  ?]  fol.  G.  424.  u.  (37.) 
The  Emperor  of  Russia's  Grand  March. 
Adapted  for  the  Piano  Forte,  Harpsichord, 
or  German  Flute.  TF.  Cope  : 

London,  [1795  ?]     fol.  g.  133.  (60.) 

Hail,   smiling   Summer's    pleasant   days. 
A  Favorite  Song  sung  at  Bagnigge  Wells. 
The  Words  and  Music  by  T.  Thorley. 
G.  S[mart:  London,  1785?]     s.  sh.  fol. 

G.  308.  (118.) 
The  Quarrel.  Being  a  New,  Singular  & 
Affecting  peico  of  Music. .  .Representing 
...by  various  Melodies,  the  different... 
Occurences,  &c.  .  .  .  descriptive  of  its 
Original  &  entertaining  Subject,  etc. 
H.  Thompson  :  London,  [1800  ?]     fol. 

g.  272.  w.  (26.) 


THORLEY— THOUGH 


575 


THORLEY  (Thomas)  Ten  Voluntary's 
for  the  Organ  or  Harpsichord.  Perform'd 
at  the  Cathedral,  Norwich.  Printed  f or 
J.  Bland:  London,  [1180?]     obl.iol. 

e.  5.  h.  (8.) 

THORN.     The  Thorn.     [Song.] 
See  Hudson  (R.) 

THORNOWETS(  )  Sonate  da  Camera 
per  il  Flauto  col  Basso,  etc.  Richard 

Meares  :  Londres,  [1720  ?]  fol.  g.  689. 
Sonate  da  Camera  per  il  Flauto  col  Basso, 
etc.  A  Sjiese  di  Giovanni  Walsli  .  .  . 

e  Giovatuii  Hare  :  Londra,  [1725  ?]     fol. 

g.  280.  b.  (15.) 

THOSE.     Those  ruby  Lips.     [Song.] 
See  Mazzinghi  (J.) 

THOU.     Thou  art  gane  awa.     [Duet.] 
See  Urbani  (P.) 

Thou  art  gone  awa  from  me  Mary.  [Song.] 
[£»»6Zi?i,?  1780?]     s.sh.iol. 

H.  1601.  a.  (68.) 

Thou  calm-ray'd  Spring  whose  blooming 
Pace.      Spring.     A    Song.      Set   for   the 
German  Flute.     [By  E.  Gilding.] 
[London,  1750  ?]     s.  sli.  fol. 

G.  312.  (23.) 

[Another  copy.]  G.  305.  (279.) 

Thou  Flask  once  fill'd  with  glorious  Red. 
Song.     See  Blow  (J.)     [Tlie  Committee.'] 
Thou  hast  run  away.     A  favorite  Scotch 
Song.  I[ohn] 

B[uthcrford  :  London,  1780?]     s.  sh.  fol. 

1.  530.  (154.) 
Thou  like  a  Commet  dost  appear.  [Song.] 
[London,  1740  ?]     s.  sh.  fol. 

G.  315.  (146.) 
Printed  from  the  plate  of  p.  14  of  some 

unidentified  loork. 
Thou  little  blind  deceiver  go.     A  Message 
from   Mars   to    Venus  by  Cupid.     [Song, 
music  by  G.  Monro.]  [London, 

1730  ?]     s.  sh.  fol.  G.  312.  (37.) 

[Another  edition.]  Thou  little  blind  de- 
ceiver. A  Message  from  Mars  to  Venus,  etc. 
[London,  1730  ?]     s.  sh.  fol. 

G.  316.  f.  (47.) 
Thou  only  Darling  I  admire.     [Song.] 
See  Carey  (H.)     [The  Honest  Yorkshire- 
man.] 

Thou  Pope,  oh  Popery  burning  hot.     An 
Answer  to  Duke  upon  Duke,  &c.     With  a 
Key.     Set  to  Musick  by  the  same  Hand. 
F.  Clifton  :  London,  [1725  ?]     s.  sh.  fol. 

11621.  i.  1.  (78.) 
The  music  is  quite  incorrectly  printed. 

The  '  Key '  is  a  woodcut  at  the  end  of 

the  song. 
[Another  edition.]     Thou  Pope,  oh  Popery 
burning   hot.     An  A^iswer  to  Duke  upon 
Duke,  etc.    [Song.]     [London,  1725  ?]    fol. 

1876.  f.  1.  (81.) 


THOU.      Thou   rising   Sun,   whose    glad- 
some Ray.     [Song.] 
^ee  Smith  (C.)  the  Younger. 
Thou  whom  my  Soul  admires.     Hymn. 
See  E.,  H. 

THOUGH.      Tho'    Austria   and    Russia. 
The  Marquis  of  Granby.     [Song.] 
[London,  1762.]     s.  sh.  fol. 

G.  216.  f.  (22.) 
The'  Bacchus  may  boast.      [Song.] 
See  Shield  (W.) 
Tho'  Baucis  and  I.     [Song.] 
See  Baucis  and  Philemon. 
Tho'  Begging  is  an  honest  trade.     A  Song 
in  praise  of  Begging,  or  the  Beggars  rivaVd. 
[Words  by  E.  Ward,  Music  ascribed  (in 
'  Apollo's  Cabinet ')  to  Mr.  Eaton.] 
[London,  mo?]     s.sh.iol. 

H.  1601.  (432.) 

[Another  edition.]  Tho'  Begging  is  an 
honest  trade.  A  Song  in  praise  of  Beg- 
ging, etc.     [London,  1715  ?]     s.  sh.  fol. 

G.  312.  (31.) 
Tho'  bold  De-Grass  long  made  his  brag. 
Huzza  !  for  Old  England,  or  the  glorious 
event  of  the  12th  of  April,  1782.  [Song.] 
Sung. .  .at  Sadlers  Wells.  Longman  £ 

Broderip  :  London,  [1782.]     fol. 

G.  312.  (156.) 
Tho'  Chloe's   out  of  fashion.     The  Non- 
pariel.     A  New  Song.     [By  W.  Boyce.] 
[London,  1749.]     8°.  157.  1.  11. 

London  Magazine,  1749,  p.  281. 

Tho'   Chloe's  out  of  Fashion.     The  Noyi- 
pariel.     [Song.]        Sung  by  Mr.  Beard  at 
Ranelagh.     [Music  by  W.  Boyce.] 
[London,  1750  ?]     s.  sh.  fol. 

G.  316.  c.  (35.) 
Tho'  cruel  you  seem  to  my  Pain.  Ballad. 
See  Carey  (H.) 

Tho'  Cynthia,  with  a  wat'ry  eye.  On  Wet 
Weather.  [Song.]  Sung  by  M'  Lowe,  at 
Mary  bone  Gardens.    [London,  1767.]    8°. 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XLI., 
p.  262. 
Tho'  Cynthia  with  a  wat'ry  Eye.  On 
Wet  Weather.  [Song.]  Sung  by  IMr. 
Lowe  at  Marybone  Gardens.  [London, 
1770?]     s.  s7i.  fol.  G.  312.  (161.) 

Tho'    deck'd  in    beauty's   bright   arrays. 
Song.    See  Hudson  (R.) 
Tho'   envious   old  Age   seem   in   part   to 
impair  me.     [Song.] 
See  Apollo  and  Daphne. 
Tho'  far  from  Field  Sports.     The  London 
Hunt.     [Song.]     The    Words    by    G.    A. 
Stevens.  P.  H[odgson  : 

London,  1780  ?]     s.  sh.  fol. 

G.  312.  (139.) 

Though  Fate,  my  Girl.     Canzonet. 
See  Stevenson  (Sir  J.  A.) 


576 


THOUGH— THREE 


THOUGH.     Tho'  form'd  by  the  tenderest 
Care  of  young  Love.     A  neiv  Song. 
[London,-]  1756.     8°.  158.  1.  (1.) 

London  Magazine,  1756,  p.  239. 
Though  Gold  and  Silk  their  Charms  unite. 
The     Gold    and    Silk    Net-ioork    Purse. 
[Song.]      Written    by    Doctor    Johnson, 
adapted  to  a  popular  Scottish  Air. 
[London,  1800.]     s.  sh.  4°.        P.P.  5141. 

Lady's  Magazine,  Sept.,  1800. 
Tho'  Grief  had  nipped  her  early  bloom. 
Ballad.     See  Ross  (J.) 
Tho'   here   at   Bath  you  make   a  Route. 
Wit  Preferable  to  Beauty.     [Song,  music 
by  J.  F.  Lampe.]  [London, 

1730?]     s.sh.iol.  G.  312.  (87.) 

Tho'  I  have  long  lov'd  you  in  vain. 
Damon's  Complaint.  [Song.]  [London, 
1720?]     s.  s7i.  fol.  G.  316.  g.  (64.) 

Tho'  Jockey  su'd  me  long.     Song. 
See  Byeon  (W.)  Mh  Baron  Byron. 
Though  jocund  May  returns  again.    Song. 
See  Morgan  (        ) 

Tho'  keen  the  wind,  and  dark  the  night. 
Mary !  A  favorite  Ballad,  with  an 
Accompaniment  for  the  Harp  or  Piano 
Forte  .  .  .  The  Words  by  Mrs.  Opie. 
[Music  by  E.  S.  Biggs.]  Printed  for 

B.  Birchall :  Loyulon,  [1795  ?]     fol. 

G.  805.  h.  (44.) 

Tho'  Mars,  still  Friends  to  France. 
Britain's  Maritime  Power.  [Song.]  Writ 
in  honour  of  Admiral  Hawke's  late  Victory 
over  the  French.  The  Words  by  Mr. 
Lockman.  Sung  by  Miss  Gambarini,  at 
her  Concert,  in  Bath.  [London, 

1759  ?]    s.  sh.  fol.  G.  316.  e.  (36.) 

[Another  edition.]  Tho'  Mars  still  friend 
to  France.  Britain's  Maritime  Poiver, 
etc.     [London,  1760  ?]     s.  sh.  fol. 

G.  312.  (24.) 

Tho'  Mirth  our  Object.     [Glee.] 

See  Webbe  (S.)  the  Elder. 

Tho'  over  all  Mankind.     Song. 

See  Levebidge  (R.)     [Caligula.'] 

Tho'  Phillis  you  scorn  my  address.     Song. 

,See  POPELY  (W.) 

Tho'  pity  I  cannot  deny.     Song. 

See  Pleyel  (L  J.)     [10.  Vocal  Music] 

Tho'  pleasure  swell  the  Jovial  Cry.    Song. 

See  Storage  (S.)     [MaJmioud.] 

Tho'  Prudence  may  press  me.     [Song.] 

See  Deserter. 

Tho'  rude  Rebellion  rears  its  Head.    Song. 

See  Lampe  (J.  F.) 

Tho'  Silvia's  cruel  as  she's  fair.     Song. 

See  Turner  (W.) 

Tho'  still  so  Young  and  scarce  Fifteen. 

The  Little   Coquette.     [Song.]     Sung  by 

]Miss  Jameson  at  VauxhaU. 

H[enry]  T[horoiogood :  London, 
1770  ?]     s.  sh.  fol.  G.  312.  (136.) 


THOUGH.  Tho'  the  fate  of  Battle  on 
tomorrow  wait.  The  Tobacco  Box  or 
Soldier's  Pledge  of  Love.  A  favorite  Dia- 
logue. L[ongma7i]  d  B[roderip) : 
London,  1785  ?]     fol.  G.  297.  (16.) 

[Another  copy.]  H.  1994.  b.  (84.) 

Tho'  the  winds  are  whistling  round  me. 
Rondo.     See  Smith  (T.) 

Tho'  weak  my  strains  away  my  fears. 
Ward  Associations.  A  New  Song  written 
...  by  a  ]\Iember  of  the  South  East 
District  of  Loyal  London  Volunteers,  etc. 
T.  Jones  £  Co.  :  London,  [1797  ?]     fol. 

G.  376.  (52.) 

Tho'  Winter's  rude  prospects.  Delia. 
[Song.]     [London,  1760  ?]     s.  sh.  fol. 

G.  316.  f.  (51.) 

Tho'  Wisdom  will  preach  about  joy.  A 
Neio  Drinking  Song.  The  Words  by 
G.  A.  Stevens.  I[ohn]  E[utherford  : 

London,  1780  ?]     s.  sh.  fol. 

G.  316.  (141.) 
Tho'  Women  by  frail   Men  are  scorn'd. 
Advice   to   the  Sex,  or  an  Answer  to  the 
Caution,  [words]  by  a  Lady.     [Song.] 
[London,  1740  ?]     s.  sh.  fol. 

G.  312.  (184.) 

Tho'  you  make  no  return  to  my  passion. 
Song.  See  Purcell  (H.)  [2.  c.  The 
Maid's  Last  Prayer.] 

THOUGHTFUL.         The      Thoughtfull 
Lover.         [Song.]         See       Wherever. 
Wherever  I  am,  and  whatever  I  do. 
[1730  ?]    s.  sh.  fol.  G.  313.  (163.) 

Thoughtful  nights,  and  restless  waking. 
To  Myra.  [Song.]  The  words  by  Lord 
Lansdowu.  I[ohn] 

F[entum:  London,  17607]     s.  sli.  io\. 

G.  312.  (162.) 

THOUSAND.  A  Thousand  Nymphs 
Philander  saw.  The  Scornfull  Lover. 
A  new  Song.     [London,  1705  ?]     s.  sh.  fol. 

G.  306.  (29.) 

THRAENE.  Thrane  der  Wehmuth 
gleite.  Gesang  bei  Charlotte  Corday's 
Urne,  fiir's  Clavier  oder  Pianoforte  mit 
willkiihrlicher  Begleituug  einer  Flote, 
Violine  und  ViolonceUs.  [Separate 
Parts.]     [Leipzig  ?  1793.]     obi.  fol. 

E.  600.  X.  (12.) 

THREE.  Three  Days  and  Nights  my 
Polly.  Tlie  Serenade,  or  Love-sick  Polly. 
[Song,  adapted  from  '  Tre  giorni  son  che 
Nina'  in  V.  Ciampi's  '  Tre  Cicisbei 
Ridicoli.']  The  Words  by  Mr.  Macknol. 
[London,  1750  ?]  s.  sh.  fol.  G.  312.  (83.) 
[Another  edition.]  Three  Days  and 
Nights  my  Polly.  The  Serenade,  or 
Love-sick  Polly,  etc.  See  Ohloe.  Chloe, 
or  the  Musical  Magazine,  etc.  No.  62. 
[1700?]     fol.  G.  433. 


THREE— THUBE 


577 


THREE.  Three  Gents  'tis  said.  Made 
on  three  Sportsmen  loho  shot  a  Robin  Red 
Breast.     [Song.]  Printed  for  the 

Proprietor  :  London,  ri780  ?]     fol. 

il.  1601.  b.  (102.) 
Tiie  three  Goddesses. 
See  Barrett  (J.)  Organist. 
The  3  Jovial  Welshmen.     [Song.] 
See  There.     There  was  3  Jovial  Welsh- 
men.    [1725  ?]     s.  sh.  fol. 

H.  1994.  b.  (82.) 
The  Three  Kings.  [Song.]  See  Old. 
Old  Time  is  my  Name.     [1780?]     s.sh.iol. 

G.  310.  (234.) 
Three  Lads  contended  for  my  heart. 
When  Briton's  Silver  Trumpet  sounds. 
[Song.]  Sung  by  I\rrs.  Wrigbten  at 
Vauxhall.     [London,  1775  ?]     s.  sh.  fol. 

G.  312.  (222.) 
Three  rosy  fac'd  Topers  as  ever  was  known. 
Laiv  Phisick  d  Divinity.     [Song.] 

C[harles  and]  Slamtiel]  Tlhompson : 
London,  mo?]    s.sh.iol. 

G.  316.  (142.) 
Three  rosy  fac'd  Topers  as  ever  was  known. 
Laiv,  Physic  and  Divinity.  A  New  Song. 
{London,  1772.]    8».  P.P.  5438.  z. 

Universal  Magazine,  Vol.  LI.,  p.  3'J. 
Three  Sally's  of  London  Town.     The  Three 
Sallys  of  London.     [Song.]  [London, 

1724  ?J     s.  sh.  fol.  H.  1601.  (464.) 

Three  Weeks  after  Marriage.     Song. 
Sec  Hook  (J.) 

THREE  AND  THE  DEUCE.   The 

Three   and   the   Deuce.     Musical  Enter- 
tainment.    See  Storage  (S.) 

THREE  OLD  WOMEN  WEATHER- 
WISE.  The  Three  Old  Women  Weather 
Wise.  [Songs  in  the  Interlude.]  As 
Performed  at  the  Theatre  Royal  Drury 
Lane.  [Words  by  G.  S.  Carey.] 
J.  Jlphnston  :  London,  1770.]     fol. 

G.  310.  (238.) 
Three  Old  woman  [sic]  Weatherwise,  an 
Interlude  . . .  With  Three  Songs  . . .  the 
Words  by  G.  S.  Carey.  J.  Bland  : 

London,  [1785  ?]     fol.  G.  796.  (35.) 

THREE  WEEKS  AFTER  MAR- 
RIAGE. When  first  the  dear  Youth 
passing  by.  The  Favorite  Song.  Sung 
by  Miss  Brown  in  Three  Weeks  after 
Marriage.  [W^ords  by  A.  Murphy.] 
P  .E[vans  :  London,  1777  ?]     s.  sh.  fol. 

G.  313.  (185.) 

THRICE.     Thrice  happy  the  Nations  that 
Shakespear  has  charm'd. 
See  Harlequin's  Invasion. 
Thrice  happy  the  Nations.     [Song,  from 
'  Harlequin's    Invasion.'      Words    by   D. 
Garrick,  music  by  W.  Boyce.] 
P.  H[odgson  :  London,  1775  ?]     fol. 

G.  316.  (143.) 

VOL.  II. 


THRICE.  Thrice  welcome  sweet  May. 
2Iay.     [Song.]     Sung  by  Mr.  Vernon. 

S[amuel  and]  A[nn]  T[hompson, 
1779  ?]    s.  sh.  fol.  G.  312.  (146.) 

THROUGH.  Thro'  black  boy  Alley 
t'other  day.  The  Hunt  for  the  Jazey  or 
Nancy  my  Wig  is  foimd.  [Song,  to  the 
tune  of  '  Gramachree  Molly.']  Bailey  : 
[London,  1780  ?]     s.  sh.  fol. 

G.  312.  (220.) 
This  is  the  second  part  of  '  Nancy  I  have 
lost  my  Wig.' 

Through  Groves  and  Flow'ry  Fields. 
Song.     See  Linley  (F.) 

Through  my  Life  I  protest.     Sappy  Delia. 
[Song.]     The  Words  by  ]\Ir.  Ingledew. 
[London,  1770  ?]     s.  s/t.  fol. 

G.  312.  (159.) 

Thro'  the  vaUeys  and  dales.  Hunting 
Song.  P.  H[odgson : 

London,  1780  ?]     s.  sh.  fol. 

G.  312.  (149.) 

Thro'  the  wood  laddie,  a  Favorite  Scotch 
Air,  with  Variations  for  the  Harpsichord, 
etc.  Longman,  Lukey  and 

Broderip  :  London,  [1778  ?]     fol. 

g.  271.  b.  (43.) 

Through  the  Wood  Laddie.     [Song.] 

See  As.     As  early  I  walk'd  on  the   first 

day  of  May.    [1720?]    s.  sh.  fol. 

G.  306.  (48.) 

Thro'  the  wood,  Laddie.     [Song.] 

See  0.     Oh  Sandy,  why  leav'st  thou  thy 

Nelly,  etc.     [1765.]     8°.  P.P.  5441. 

Through  the  Wood,  Laddie.     [Song.] 
See  0.      0  Sandy  why  leav'st  thou  thy 
Nelly,  etc.     [1765.]     8°.  158.  1.  10. 

Through  the  Wood,  Laddie.     [Song.] 
See  0.     Oh  Sandy  why  leaves  thou  thy 
NeUy,  etc.     [1765  ?]     s.  sh.  fol. 

G.  310.  (232.) 

Thro'  Waves  &  Wind.     [Song.] 
See  Fair  American. 

Through  Yonder  Glade  and  verdant  Lawn. 
The  Timorous  Fair.  [Song,  words  tran- 
slated from  Horace.]  [London, 
1770?]    fol.                          G.  312.  (209.) 

THROUGHOUT.  Throughout  this  Grove 
'tis  Natiu-e's  Care.  A  New  Song  Set  by 
an  Eminent  Master.  [London, 

1730  ?]     s.  sh.  fol.  G.  312.  (35.) 

THROW.  Throw  an  apple  up  a  hill. 
Song.     See  Hawkins  (A.) 

THRUSH.     The  Thrush.     [Song.] 
See  Arne  (M.) 

T  H  U  B  E  (  )  Aimable  Philosophie. 
Couplet,  etc.     [Paris,]  1779.     8". 

297.  f.  30. 
Mercurc  de  France,  Feb.  1,   1779. 

2  p 


578 


THUMOTH— TIBBS 


THUMOTH  (Burk)  Twelve  Scotch,  and 
twelve  Irish  Airs  with  Variations  Set  for 
the  German  Flute  Violin  or  Harpsichord. 
(Twelve  English  and  Twelve  Irish  Airs 
with  Variations  .  .  .  Book  the  Second.) 
2  pts.  Printed  for  John  Simpson  : 

Loiulon,  [1745  ?]    8°.  e.  341.  b. 

[Another  copy.     Book  I.]  e.  341. 

Forty  Eight  English,  Irish  and  Scotch 
Airs  with  Variations,  set  for  the  Ger.- 
Flute,  Violin,  or  Harpsichord.  Printed 
for  S.  A.  mid  P.  Thompson:  London, 
[1785?]    4°.  e.  341.  a. 

Six  Solos  for  a  German  Flute,  Violin  or 
Harpsichord  . . .  The  Three  last  by  Sig. 
Canaby.  J.  Tijther : 

London,  [1740  ?]     fol.  g.  526. 

THURNMAYER  (Johann)  Avejitinus. 
Begin.  Illustrissimo  Principi  Arionisto 
Utriusque  Boiariae  Duci  Dedicatum. 
(Musicae  Budimenta  Admodum  Breuia, 
etc.)     MS.  NOTES.  Excusa  in  officina 

Millerana  :  Atigustx  Vindelicoru,  1516.  4". 

K.  1.  h.  15. 
17  leaves,  icithont  pagination. 

THURSDAY.  Thursday  in  the  Morn. 
Russel's  Triimiph  [Song,  the  music  by 
S.  Akeroyde.]    [London,  1730?]    s.  sh.  fol. 

G.  312.     (84.) 

Li  D'  Urfey's  '  Pills '  and  other  collections 

this  song  is  attributed  to  Akeroyde. 

[Another  edition.]    Thursday  in  the  Morn. 

Piussclls    Triumph,    [Song,   music    by   S. 

Akeroyde.]     [London,  1765  ?]     s.  sh.  fol. 

Add.  MS.  23,673.  fol.  112,  113. 
[Another  edition.]  Thursday  in  the  Morn. 
RusseVs  Triumph.  [Song,  music  by  S. 
Akeroyde.]     [London,  1770?]     s.  sh.  fol. 

H.  1994.  b.  (85.) 

THUS.     Thus  balmy  Sleep.     Air. 
See  Sanderson  (J.)     [Cora.] 
Thus    Damon    knock't   at   Celia's   Door. 
Song.     See  Leveeidge  (R.) 
Thus  Damon  knock'd  at    Celia's    Door. 
Song.     See  Puecell  (D.)     [The  Constant 
Couple.'] 

Thus  let  departing  Winter  sing.     Song. 
See  Blow  (J.)     [Neiv  Year's  Ode,  1693.] 
Thus   mighty    Eastern    Kings.     A    Free 
Mason's  Song,  with  its  Chorus,  set  by  a 
Brother,  etc.  Engrav'd  by  T.  Cross  : 

[Lo7idon,  1725.]     s.  sh.  fol. 

H.  1601.  (469.) 
Thus  sung  the  fair  maid.  IVie  Banks  of 
the  Dee.  Being  the  continuation  of  the 
Song  beginning  "  It  was  Summer "... 
[written]  by  B.  B.  Sk[illern :  London, 
1780?]     s.sh.lol.  G.  312.  (189.) 

THY.     Thy  absence,  Delia,  from  my  Bow'r. 
Song.     See  Beodeeip  (R.) 
Thy  blue  waves  0  Carron.     Ballad. 
See  Ross  (J.) 


THY.  Thy  fatal  Shafts  unerring  move. 
[Song.]  With  an  Accompaniment  for  the 
Harpsicord  or  Piano  Forte. 

L[ongman]  d  B[roderip : 
London,  1785  ?]     fol.  G.  312.  (203.) 

[Another  setting.]     Thy  fatal  Shafts  un- 
erring move.     [Song.]     See  Hayes  (P.) 
[Another  setting.]     Thy  fatal  Shafts  un- 
erring move.    Air.     See  Oswald  (J.) 
Thy  Father,  away.     [Song.] 
See  Artaxerxes. 

Thy  Genius  lo  !     Song.     See  Pubcell  (H.) 
[The  Massacre  of  Paris.] 

THYRSIS.       Thyrsis.       Glee      [begins: 
'  Thyrsis  when  he  left  me  ']. 
See  Callcott  (J.  W.) 
Thyrsis.   [Song,  begins  : '  In  pity  Thyrsis.'] 
See  Hudson  (R.) 

Thirsis  a  Youth  of  the  Inspired  Train. 
Song.  See  Hart  (P.) 
Thyrsis  afflicted  with  Love  and  Despair. 
Song.  (S'^e  Haendel  (G.  F.)  [2.  Ar- 
rangements, b.  histrumcntal.  Minuets. 
Walsh's  Collection,  p.  32.] 
Thyrsis  unjustly  you  complain.  The  Swain 
reprov'd.  [Song,  words  by  Sir  G.  Sedley.] 
[London,  1750  ?]  s.  sh.  fol.   G.  312.  (165.) 

TI.     T'  amo  si  sarai.     [Duet.] 

See  Haendel  (G.  F.)     [Riccardo  Prima.] 

Ti  consola  amato.     [Song.] 

See  Gazzaniga  (G.) 

Ti  lascio  mio  bene.     Rondo. 

See  BiANCHi  (F.) 

Ti   riverisco.     Air.      See    Paisiello    (G.) 

[I  Ziyigari  in  Fiera.] 

TIB ALDI  (Giovanni  Battista)  Tibaldi's 
Sonata's  or  Chamber  Aires  in  three  Parts 
for  two  Violins  and  a  Through  Bass  . . . 
Opera  Prima.  [Separate  Parts.]  Printed 
for  I.  Walsh,  I.  Hare  and  P.  Randall : 
London,  [1710  ?]     fol.  li.  22. 

Tibaldi's  Sonatas  in  Three  parts  for  two 
Violins  and  a  Through  Bass  . . .  Opera  2^. 
[Separate  Parts.]  Prijited  for  I.  Walsh 
and  I.  Hare  :  London,  [1715  ?]  fol.  i.  85. 
See  Albinoni  (T.)  Senate  a  Violino  Solo 
e  Basso  Continuo  .  .  e  uno  Suario  6 
Capriccio  a  1'  imitationo  del  Corelli  del 
Sig.  Tibaldi.  [1720  ?]  fol.  g.  422.  i.  (1.) 
See  M.,  R.  Medulla  Musicae;  Being  a 
Choice  Collection  of  Airs  . . .  from  the 
Works  of..  Tibaldi,  e^c.    [1727?]  8°.    c.  25. 

TIBBS  (Thomas)  Richmond  Hill.  [Song.] 
The  Words  by  Mr.  Cross.  [London, 

1760?]     s.  s7i.  fol.  G.  305.  (66.) 

TIBBS  (William)  Eight  Songs  in  Score. 
Arranged  for  the  Voice  and  Piano  Forte 
. . .  The  Words  by  Shenstone,  &c. 

Printed  fen-  the  AutJior  :  Richmond, 
[1797?]     fol.  G.  368.  (15.) 

[Another  copy.]  G.  327. 


TIBURTINO— TINTI 


579 


TIBURTINO  (QivhiA^o) 
See  BuoNAUGURio  (G.) 

TIE.     The  Tye  Wig  Volunteers.     [Song.] 
See  DiBDix  (C.)     [The  General  Election.^ 

TIEBOUT  (CoBNELius)  See  Amphion. 
Amphion,  or  the  Chorister's  Delight,  etc. 
[Compiled  by  J.  Burger  Jun'  and  C.  Tie- 
bout.]     [1780  ?]     obi.  i".  A.  828. 

TIGHT.     The  tight  Irish  Boy.     Song. 
See  Reeve  (W.)     [Ho7iest  Thieves.] 

TIGRANE.  The  Favourite  Songs  in  the 
Opera  Tigrane.  [A  Pasticcio.  Full  Score.] 
B.  Bremner :  London,  [1767.]     fol. 

G.  180.  d.  (3.) 
The  only  composer  named  in  this  worlds 
P.  Guglielmi. 

[Another  copy.]  G.  760.  f.  (9.) 

TIGRINI  (Obatio)  II  Compendio  della 
Musica  nel  quale  breuementc  si  tratta  dell' 
Arte  del  Contrapunto,  diuiso  in  quatro 
Libri,  etc.  Appresso  Bicciardo  Amadino  : 
Vcnctia,  1588.     4°.  557*.  c.  15.  (1.) 

II  Compendio  della  Musica  . . .  Di  nouo. . . 
corretto,  &  Ristampato.  Appresso 

Bicciardo  Amadino  :  Venetia,  1602.     4°. 

557*.  c.  18.  (6.) 

TILLIERE  (Joseph  Bonaventure) 
M6thode  pour  le  Violoncelle,  etc.  Chez 
AP  Baillciix  :  Paris,  [1780  ?]     fol. 

g.  514.  a.  (1.) 

TIMBRELL  (Francis)  The  Divine 
Musick  Scholar's  Guide,  with  the  Famous 
Mr.  Tho.  Revenscroft's  Psalm  tuues  in 
four  parts,  Corrected  &  newly  Reviv'd. 
To  which  is  added  a  Choice  Collection  of 
new  Psalm  tunes.  Hymns  &  Anthems  . . . 
Likewise  ...  all  the  Old  common  Psalm 
tunes  . . .  Also  Rules  &  Directions  for 
Playing  on  the  Spinnet,  Harpsicord,  or 
Organ,  etc.     {London  ?  1725  ?]     obi.  4°. 

A.  980. 
The  composers  named  are  :  T.  Bav ens- 
croft,  James  Green,  W.  Wlieal,  E. 
Blanks,  B.  King,  B.  Allison,  J. 
Playford,  J.  Bishop,  J.  Douland,  G. 
Farnaby,  W.  Laivcs,  E.  Johnson, 
J.  Hilton,  T.  Tallis,  Tho.  Clarke,  W. 
Croft,  M.  Wise  and  Fra.  Hicks. 

TIME.     Time.    [Song.]    &e  Pleyel  (I.  J.) 

Time  and  Care.     [Song.]     See  Smart  (T.) 

Time  anticipated.     [Song.] 
See  Leveridge  (R.) 

Time  has  not  thin'd  my  flowing  Hair. 
Canzonet.  See  Jackson  (W.)  of  Exeter. 
[12  Canzonets.     Op.  9.     N-  1.} 

Time  made  Prisoner.  Song.  See  One. 
One  Ev'nijQg  good  Hmnour  took  "SVit  as 
iis  Guest.     [1780?]     s.  sh.  to\. 

G.  310.  (250.) 


TIME.      Tyme  to  pas  with  goodly  sport. 
[Three-part   Song.]     See  Interlude.     A 
new  interlude.  .  .of  the  iiij.  elements,  etc. 
[1539?]    8vo.  Case  39.  b.  17. 

TIMELY.     Timely  Caution.     [Song.] 
See  Arne  (T.  a.) 

TIMIDE.     Une  timide  Bergere.      T'a^^c- 
villc.   [Paris,]  1755.   s.  sh.  8".    298.  c.  25. 
Mcrcure  de  France,  October,  1755. 

TIMIDITE.     La  Timidity.     [Song.] 
See  Je.     Je  voudrois  bien  vous  raconter. 
[1780?]     8°.  B.  362.  c.  (18.) 

TIMIDO.     Timido  Pellegrin.     [Song.] 
Sec  Ormisda. 

TIMMS  (I.)  Admiral  Keppel  Triumphant. 
[Song.]  The  ^Yords  and  Music  by  I.  Timms 
of  Dartford.  S[amnel  and]  A[nn'] 

T[hompson  :  London,  1778.]     s.  sh.  fol. 

G.  314  (87.) 

TIMOROUS.  The  Timorous  Friar  [Song.] 
See  Through.  Through  Yonder  Glade 
and  verdant  Lawn.     [1770  ?]    fol. 

G.  312.  (209.) 

The  Tim'rous  Lover.     [Song.] 
See  Hook  (J.) 

TINCTORIS  (Joannes)  Terminorum 
Music;T3  Diffinitorium.  [Gerardus  de 

Lisa,  de  Flandria  :  Treviso,  1475.]     4°. 

166.  e.  21. 
15  leaves,  without  pagination  or  place  of 
imprint,  28  lines  to  the  full  page. 

TINDAL  (William)  Eight  Ancient 
English,  Spanish  and  Scotch  Ballads, 
with  two  Glees  for  four  Voices. .  .with  an 
Accompaniment  for  the  Piano  -  Forte, 
Violin,  or  Flute. .  .Op.  5.  H.  Wright : 

London,  [1800  ?]     fol.  H.  70.  (2.) 

Six  Vocal  Pieces  for  Two,  Three  &  Four 
Voices,  accompanied.  The  Words  selected 
from  Shakespeare,  Gray,  and  Guariui . . . 
Op.  1"".  Wright  d  C" :  London, 

[1783.]     fol.  H.  70.  (1.) 

TINK.     Tink  a  tink.     [Duet.] 
Sec  Kelly  (M.)     [Blue  Beard.] 

TINKER.     The  Tinker.     [Song.] 
See  I.     I'll  tell  you  my  Neighbours. 
[1780?]     s.sh.to\.  G.  309.  (117.) 

The  Tinker.  Song  [begins :  '  My  Father 
was  a  Tinker's  Son'].  See  Reeve  (W.) 
[Merry  Shenvood.] 

TINKLING.  The  tinkling  Guitar. 
[Song.]     See  Arne  (T.  A.) 

TINT.  The  Tint  on  the  Cheek  of  my  Love. 
[Song.]     Sec  Caster  (C.  T.) 

TINTI  (Salvadobe)     Sei  Quartetti.     Tre 
per  due  Violini,  Viola,  e  Violoncello,  e  tre ' 
per     Flauto,     o     Violino     Secondo,     etc, 
[Separate  Parts.]     Firenze,  [1780  ?]     fol. 

h.  2840. 
2  p  2 


580 


TIPPET— 'TIS 


TIPPET.  The  Tippet.  Song.  See  In.  In 
low'ring  Clouds  the  Day  was  drest,  etc. 
[By  W.  Defesch.]     [1750.]     8°. 

P.P.  5438.  z. 
The  Tippet.  [Song.]  See  In.  In  low'riug 
Clouds,  the  Day  was  drest,  etc.  [By  W. 
Defesch.]     [1750  ?]     s.  sh.  fol. 

G.  309.  (13.) 

TIPPLER.     The  Tipler's  Wish.     [Song.] 
See  DiGARD  (D.) 

TIPPLING-.  The  Tippling  Philosophers. 
Two-part  Song.  See  Diogenes.  Dio- 
genes surly  and  proud.     [1780  ?]     s.  sh.  fol. 

G.  307.  (169.) 

[Another  setting.]     The  Tippling  Philoso- 
phers.    [Song.]     See  Leveridge  (R.) 
The  Second  Part  of  The  Tipling  Philoso- 
phers.    [Song.]     See  Yoslington  (     ) 

TIPPOO.  Tippoo's  Defeat.  Duet  and 
Chorus.  See  Arne  (T.  A.)  [Alfred.  Bule 
Britannia.'] 

TIPPOO  SAIB.  Tippoo  Sahib.  Musical 
Entertainment.     See  Reeve  (W.) 

TIPSY.     The  Tipsey  Hibernian.     Song. 
See  Reeve  (W.) 

TIRCIS.  Tircis  disoit  a  la  jeune  Lisette. 
Air  tendre.     [Paris,]  1729.     s.  sh.  4". 

298.  a.  4. 
Mercnre  de  France,  March,  1729. 
Tircis,  s'il  n'est  qu'un  terns  pour  plaire. 
Chanson  en  Duo.     [Paris,]  1754.     s.  sh.  4°. 

298.  c.  18. 
Mercure  de  France,  Jime,  1754. 
Tircis  voyant  que  sa  Lisette.     Chanson. 
See  D.  .  .ET  (     )  W^'. 

'TIS.  'Tis  a  Maxim  I  hold.  Hake  Hay 
tvhilst  the  Sun  shines.  A  New  Song  [by 
R.  Hudson].     [London,  1772.]     8°. 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  L.,  p.  267. 
'Tis  Archery.     [Glee.] 
See  Webbe  (S.)  the  Elder. 
'Tis   Beauty    commands  me.      A    much 
admir'd  New  Song,  etc.  John  Lee  : 

DiMin,  [1180'^]     fol.     H.  1601.  a.  (62.) 
'Tis  done,  Urania.     Song.     See  King  (R.) 
'Tis  Health  that  gives  Birth.     Glee. 
See  Callcott  (J.  W.) 
'Tis  in  vain  for  succour  calling.     Song. 
See  Shield  (W.)     [The  Wood^nan.] 
'Tis  Love  that  always  strikes   the   Fire. 
Song.     See  King  (R.) 

'Tis  Love  that  murmurs   in  my  Breast. 
Glee.     See  Stevenson  {Sir  J.  A.) 
'Tis     Masonry     unites    mankind.        'Tis 
Masonry.     A  new  Song. 
[London,  1761.]     8°.  P.P.  5438.  z. 

Universal     Magazine,     Vol.    XXVIII. , 
p.  152. 


'TIS.     'Tis  Nature's  Voice.     Song.  ' 

See  PuRCELL  (H.)  [Ode  for  St.  Cecilia's 
Day.     1692.] 

'Tis  not  Age's  sullen  Face.     Song. 
See  Haendel  (G.  F.)     [Susan^ia.] 
'Tis  not  Belinda's  iv'ry  Neck.     Belinda's 
Virtue.    A  New  Song.     [By  R.  Hudson.] 
[London,  1766.]     8".  P.P.  5438.  z. 

Universal  Magazine,    Vol.    XXXVIII. , 
p.  377. 
'Tis  not  in  Sinew  nor  in  Bone.     Song. 
^'ee  Arne  (T.  A.)     [Tom  Thumb.] 
'Tis  not  Love.     [Song.]     See  King  (M.  P.) 
'Tis   not   the   liquid   brightness  of   those 
Eyes.     Song.     See  Festing  (M.  C.) 
'Tis  not  Wealth.     Song. 
See  Love  in  a  Village. 
'Tis  only  thee  dear  Sally.     Dear  Sally,  a 
new  Song.  Engraved  by  T. 

Cross  . . .  Printed  for  D.  Pratt :  [London, 
1690  ?]     s.  sh.  fol.  I.  530.  (155.) 

'Tis  Pity  to  die  an  Old  Maid.     Song. 
See  WiLLSON  (J.) 
'Tis  pleasant  to  sing.     [Hymn.] 
See  Perkins  (R.) 

'Tis  rumour'd  the  French  will  soon  visit 
our  coast.  The  French  Invaders,  a  New 
Song.     [London,  1759.]     8°. 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XXV.,  p.  141. 

'Tis  said  we  young  Ladies.  The  Flirtation 
Answer'd.     [Song.]  [London, 

1760  ?]     s.  sh.  fol.  G.  316.  f.  (24.) 

'Tis  Sev'n  long  Years  and  more.  The 
Slave.     [Song.]  Printed  for  W.  Cope  : 

London,  [1795  ?]     fol.  G.  356.  (48.) 

'Tis  sultry  Weather.     Dialogue. 

See  Clarke  (J.)     [TJic  Island  Princess.] 

'Tis  Taste  now  to  travel.     [Song.] 

S-ee  Yates  (W.) 

'Tis  the   Genius   of  Britain,  ye   Britons 

that    calls.       The    Year    1762.       [Song.] 

Sung  by  Mr.  Andrews  at  Sadlers  Wells. 

[London,  1762.]  s.  sh.  fol.     G.  312.  (181.) 

'Tis  thy  will,  and  I  must  leave  thee. 
Song.     See  Biggs  (E.  S.) 

'Tis  time  enough  yet.     [Song.] 
See   Term.     A   Term  full  as  long  as  the 
Siege  of  old  Troy,  etc.     [1760  ?]     s.  sh.  fol. 

H.  1994.  (62.) 
'Tis  true,  my  Celia,  thou  art  fair.     Song. 
See  Atfield  (J.) 

'Tis  true  that  ills  attend  on  man.     Then 
why  should  we  be  pining,  0  ?     [Song.] 
[London,  1790  ?]     s.  sh.  fol. 

G.  316.  (140.) 

'Tis  true  the  Law  I  do  profess.  Lawful 
Love.    [Song.]    [London, 1180?]   s.sh.iol. 

G.  312.  (170.) 

'Tis  true,  when  first  the  rosy  Dawn. 
Song.     See  Hayes  (P.) 


'TIS— TO 


581 


'TIS.     'Tis  vain  to  shun  Philander's  Pow'r. 
Song.     -See  Hart  (P.) 
'Tis  Wine  that  inspires.     The  Excellency 
of  Wine.     [Song,  written]  By  Mr.  Baker. 
vSet  for  the  German  Flute.  [London, 

1740?]     s.sli.iol.  G.  303.  (51.) 

'Tis  you  Sir.  The  Bad  fclloio.  A  Favour- 
ite Catch  [By  W.  Bates].  [London, 
1790  ?]    s.  sh.  fol.               G.  312.  (147.) 

TISCHER  (JoHANN  NiKOLAUs)  Musica- 
lischc  Zwillinge  in  zwey  Concerten  eiues 
Thons...vor  das  Clavier  oder  Harmon- 
ischer  Freude  auf  klingendcr  Saite,  erste 
(-sechte)  Frucht,  etc.  6  pts. 
InVerlcgiing  Balth  :  Schmids  :  Niirnhcrg, 
[1745  ?J    obi.  fol.  d.  18. 

Wanting  Part  III. 

TISSIER  (  )  L' Amour,  dans  les  yeux 
de  Themire.  Romance.  Paroles  de 
M.  de  Launay,  etc.     [Paris,']  1774.     8". 

298.  e.  29. 
Mercure  de  France,  May,  1774. 
[Another   edition.]      L'Amour,   dans    les 
yeux  de  Themire.     Romance.     Paroles  de 
M.  de  Launay,  etc.     [Paris,]  1774.     8". 

298.  e.  31. 
Mercure  de  France,  August,  1774. 
Depuis  longtems  votre  absence.     Chanson, 
etc.     [Paris,]  1774.     s.  sh.  S\ 

298.  e.  31. 
Mercure  de  France,  Sept.,  1774. 
Inspir6  par  son  humeur  noire.     Chanson. 
Les  paroles  sont  de  I\I.  de  Launav. 
[Paris,]  1774.     8°.  298.  e.  27. 

Mercure  de  France,.Feb.,  1774. 

[Another  edition.]  Inspire  par  son 
humeur  noire.     Air,  etc.  [Paris,] 

1778.     s.  sh.  8".  297.  f.  19. 

Mercure  de  France,  Jan.,  1778. 
Le  Petit  M6nage.     [Song.]     Avec  Accom- 
pagne™'  de  Guithare,  etc. 
[Paris,  1780?]     8°.        B.  362.  b.  (179.) 
Qu'elle     est     belle,    la     Nature.       Aria. 
Paroles  de  M.  de  Launay,  etc.         [Paris,] 

1774.  8°.  298.  e.  32. 
Mercure  de  France,  Oct.,  1774. 

[Another  edition.]  Qu'elle  est  belle,  la 
nature  !  Aria.  ParoUes  de  M'  de 
Launay.     [Paris,]  1777.     s.  sh.  8°. 

297.  f.  12. 
Mercure  de  France,  March,  1777. 
Que  le  plaisir  est  pen  de  chose.     Chanson. 
Paroles  de  M.  Delaunay,  etc.  [Paris,] 

1775.  8".  298.  e.  39. 
Mercure  de  France,  August,  1775. 

Si  Mathurin  dessus  I'herbette.  Ariette 
avec  Accompagne"''  de  Guithare,  etc. 
[Paris,]  1779.  8\  B.  362.  b.  (177.) 
See  Albanese  (  )  La  Comtesse  de  Saulx. 
Romance  .  .  .  avec  accompagnement  de 
Guithare  par  ISP  Tissier.     1779.     8°. 

B.  362.  a.  (111.) 


TISSIER  (  )  See  Des.  Des  Bergeres 
du  Hameau  .  . .  Avec  Accompagne"'*  de 
Guithare,  par  IP  Tessier,  etc.     1779.     8". 

B.  362.  e.  (104.) 
See  Tete  a  Perruque.  Sur  toute  la 
Nature  on  voit  regner  I'amour.  Chanson 
.  .  .  avec  Accompagnement  de  Guithare 
par  M--  Tissier,  etc.     1779.     8'\ 

B.  362.  b.  (201.) 

TIT.      Tit  for  Tat.      Song  [begins  :    '  If  a 
Gentleman  is  kind ']. 
See  Hook  (J.)     [The  Fool.] 

Tit  for  Tat.     [Song,  begins  :  '  Young  Colin 

t'other  day.']     See  Hudson  (R.) 

Tit  for  Tat.    [Song.]    &e  Surly.    A  Surly, 

sottish,  peevish  Booby,  etc. 

[1740?]     s.sh.iol.  G.  316.  d.  (36.) 

Tit  for  Tat.    [Song.]    See  Young.    Young 

Strephon  woo'd  me  long  before. 

[1770?]     s.sh.iol.  G.  316.  (170.) 

TITELOUZE  (Jean)     Hymnes  de  I'Eglise 
pour  toucher  sur  I'orgue,  avec  les  fugues 
et  recherches  sur  leur  plain-chant,  etc. 
Pierre  Ballard  :  Paris,  1624.     obi.  fol. 

K.  10.  a.  12. 

TITIUS  (Erhard)  Ach  du  hoch  betriibtes 
Sachsen.  Aria  a  5.  [Funeral  Ode  for 
Johann  Georg  II,  Elector  of  Saxony.] 
Verlegts  J,  C.  Mieth  . . .  DrucJds  M.  Hart- 
mann  :  Drcssden  und  Zittau.,  1681.     4°. 

10704.  bbb.  51. 
Part  ofC.  Weisc's  '  Zittauishe  Andacht,' 
etc. 

TITO  MANLIO.  The  Favourite  Songs 
in  the  Opera  call'd  Tito  Manlio.  Printed 
for  I.  Walsh  :  London,  [1756.]     fol. 

G.  206.  g.  (5.) 
By  Abbos  and  Lampugnani. 
Tito  Manlio.     [Opera.]     See  Cocchi  (G.) 

TITOISr  ET  L'AURORE.  Votre  coeur 
aimable  Aurore.  Romance  de  Titon  et 
I'Aurore.  [Opera,  by  J.  J.  Cassanea  de 
MondonviUe.]     [Paris,]  1753.     s.  sh.  4°. 

298.  c.  13. 
Mercure  de  France,  May,  1753. 

TITUS     TELL-TROTH.       Titus    Tell- 

Troth.      Song.      See   KMh.     Hail  to  the 

Knight  of  the  Post,  etc.     1682.     s.  sh.  fol. 

Case  38.  i.  25.  (6.) 

TETZ  (August  Ferdinand)  Trois  Duos  a 
Deux  Violons  avec  Romance  &  Rondeaux, 
etc.     [Separate  Parts.]  CJiez 

C.  Torricella:  [Vienna?  1790?]     fol. 

h.  1668. 

TO.     To  a  beautiful  j'oung  Lady  playing  on 
the  Organ.     [Song.]     See  When.     When 
fam'd  Cecilia  on  the  organ  play'd,  etc. 
[1748.]    8°.  249.  e.  18. 

To  a  Lady  curling  her  hair.     [Song.] 
See  Defesch  (W.) 


582 


TO 


TO.  To  a  Lady  who  endeavour'd  to  conceal 
her  Love.  [Song.]  See  In.  In  vain, 
dear  Chloe,  etc.     [1775  ?]     s.  sli.  fol. 

G.  309.  (137.) 
To  a  Nightingale.     [Song.] 
See  Haendel  (G.  F.)     [Alciyia.    Overture. 
Musette.] 

To  a  Statesman  if  you  for  a  Favour  apply. 
Call  again.     A  New  Song.  [London, 

1773.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  LII.,p.  147. 
To  a  Young  Lady  of  Eighteen  courted  by 
a  Man  of  Threescore.     [Song.] 
See  Mabkwell  (    ) 

To  a  young  Lady  richly  drest.     [Song.] 
See  Larken  (    ) 

To  all  ye  Ladies,  now  in  Town.     Glee. 
See  Holder  (J.  W.) 
To  all  you  Ladies  now  at  Land.     Song. 
See  Callcott  (J.  W.) 
To  Amanda.     [Song.]     See  Howard  (S.) 
To  an  Arbor  of  Woodbine.    [Song.]    Sung 
by  Mr.  Beard,     [In  Eobin  Hood,  words  by 
M.  Mendez,  music  by  G.  Burney.] 
{London,  1751.]    s.  sh.  fol.    G.  312.  (74.) 
To  an  Arbor  of  Woodbine.     A  Neio  Song. 
[By  G.  Burney.]     [London,  1754.]     8°. 

P.P.  5438.  z. 

Universal  Magazine,  Vol.  XV.,  p.  323. 
To  an  Arbor  of    Woodbine,   etc.  [By  G. 
Burney.]     [Lo7idon'>  1155  7]     s.sh.iol. 

G.  316.  h.  (27.) 
To  an  Arbor  of  Woodbine.  [Song.]  Sung 
by  Mr.  Beard.  [By  C.  Burnev.]  [London, 
1755.]     s.  sh.  8°.  P.P.  5439.  ab. 

Neiu  Universal  Magazine,  March,  1755. 

To  an  Arbor  of  Woodbine  ye  both  shall  be 
led,  etc.     [G.  Burney.]  [Londoyi, 

1756.]     s.  sh.  8".  P.P.  5439.  ab. 

Neiv  Universal  Magazine,  March,  1756. 

To  Anacreon  in  Heav'n.  The  Anacreontic 
Song  as  Sung  at  the  Crown  and  Anchor 
Tavern. .  .The  Words  by  R.  Tomlinson,  etc. 
[Music  by  J.  S.  Smith.]  Longman  and 
Broderip:  [London,  IIQO^]     fol. 

G.  383.  i.  (38.) 
To  Anacreon  in  Heav'n.  The  Anacreontic 
Song.  As  Sung  at  the  Grown  and  Anchor 
Tavern. .  .London,  etc.  [Music  by  J.  S. 
Smith.]  Anne  Lee : 

[Dublin,  1180?]    s.sh.iol. 

H.  1601.  a.  (40.) 
To  Arms.     [Duet.] 
See  PuRCELL  (H.)     [Bonduca.] 

To  Arms,  to  Arms.     The  Oracles  for  War 
...  To  a  New  Play-House  Tune. 
S.  Deacon:  [London,  1Q90?]     s.sh.iol. 

1876.  f.  1.  (37.) 
The  tune  is  represented  by  a  meaningless 
succession  of  musical  notes. 
To  banish  Life's  Troubles.     Song. 
See  Stevens  (R.  J.  S.) 


TO.       To    Bath    a    gallant    Lover    came. 
Damon's  Mistake.     [Song.]  [London, 

1750  ?]    s.  sh.  fol.  G.  312.  (27.) 

[Another  copy.]  G.  305.  (102.) 

To  be  Lordly  whether  he  ride  or  run. 
Be  Lordly  Willie.  A  Song  [written]  by 
Mr.  Mitchell.     [London,  11 20?]    s.sh.iol. 

H.  1601.  (461.) 
To  be  sure  I  woud.     [Song.] 
See  Agreeable  Surprise. 

To  Bettsy's  Praise  I  tune  the  Lyre.  On 
Miss  Betsy  Ball.    A  new  Song,  etc. 

Printed  for  C.  Schuchart ;  [London, 
1750?]     s.  s7i.  fol.  G.  312.  (225.) 

[Another  edition.]     To  Bettsy's  Praise  I 
tune  the  Lyre.     On  Miss  Betsy  Ball,  etc. 
[London,  1750  ?]     s.  sh.  fol. 

G.  316.  f.  (44.) 

To  Celia.     Song  for  two  Voices.     [Begins  : 

'  If  the  quick  spirit.']     See  Bride  (R.) 

To  Celia.     [Song.]     See  Drink.     Drink  to 

me  only  with  thine  Eyes,  etc. 

[1765?]     s.  s7(.  fol.  G.  307.  (150.) 

To   Celia.      [Song,  begins  :    '  Why,   cruel 

creature.']     See  Flackton  (W.) 

To  Celia.     [Song.]     See  If.     If  I  my  Celia 

could  perswade.     [1750?]     s.sh.iol. 

G.  309  (126.) 
To  Celia.  Song  [begins  :  '  Forgive,  thou 
fairest  of  thy  kind '].     See  Turner  (E.) 

To  Cselia  thus  fond  Damon  said.  Damon 
to  Cxlia.  A  New  Song.  Sung  by  Mr. 
Lowe  at  INIarybon  Gardens.  [London, 

1750.]     8°.  157.  L  12. 

London  Magazine,  1750,  p.  469. 
To  Caelia  thus  fond  Damon  said.     A  neiu 
Song.      Sung  by  Mr.  Lowe  at  Marybon- 
Gardens.     [London,  1150?]    s.sh.iol. 

G.  311.  (101.) 
[Another   edition.]     To   Cselia  thus  fond 
Damon  said.     A  New  Song,  etc. 
[London,  1150?]     s.sh.iol. 

H.  1994.  b.  (86.) 
[Another  edition.]  To  Cselia  thus  fond 
Damon  said.  Damon  to  Cselia.  [Song.] 
Sung  by  Mr.  Lowe  at  Marybon  Gardens. 
See  Chloe.  Chloe,  or  the  Musical 
Magazine,  etc.     No.  45.     [1760  ?]     fol. 

G.  433. 
To  Chace  o'er  the  Plain  the  Fox  or  the 
Hare.     TJie    Joys    of   Hunting.     [Song.] 
Sung  by  Mr.  Vernon  at  VauxhaU. 
Sk[illern  :  Londo^i,  1780  ?j     fol. 

G.  312.  (199.) 
To  Chloe.  [Song.]  See  Ah.  Ah  cruel 
Nymph,  etc.     [1760  ?]     s.  sh.  fol. 

G.  316.  d.  (20.) 
To    Chloe.      [Song,    begins :    '  0    lovely 
Maid.']     See  Defesch  (W.) 
To   Chloe.     [Song.]      See  When.     When 
fond,  you  Damon's  charms  recite,  etc. 
[1754.]     8°.  250.  c  1. 


TO 


583 


TO.     To  Chloris.    Song.    See  Come.    Come 
Chloris,  leave  thy  wand'ring  Sheep,  etc. 
[1755.]     8".  157.  1.  17. 

To  Chlfiris  all  soft  Charms  agree.     Song. 
See  Elford  (R.) 

To  Cloe.     Song.     See  Dear.     Dear  Cloe  is 
my  sole  delight,  etc.     [1715  ?]      s.  sh.  fol. 

H.  1601.  (125.) 
To  Cloe.  Song.  See  When.  When  e'er, 
my  Cloe,  I  begin,     [1745  ?]     s.  sh.  fol. 

G.  316.  f.  (61.) 
To  Convent  Streams.     [Song.] 
See  BuswELi,  (    ) 

[Another  setting.]     To  Convent  Streams. 
Song.     See  Courteville  (R.) 
To  court  me  young  Colin  came  many  a 
mile.     Yoting  Colin.      [Song.]     Sung  by 
Mrs.  Weichsell  at  Vauxhall  1779. 
[Lmdun,  1779.]    s.  sh.  fol.   G.  312.  (230.) 
To  Crassius  on  his  Marriage  with  Stella. 
[Song.j      See    Why.      Why    should    the 
gen'rous  Youth  restrain, 
[1740?]     s.sh.lol.  G,  313,  (237.) 

To   Cullies  and   Bullies   of  Country  and 
Town.     A  So7ig  the  words  by  INIr.  D'urfey, 
to  a  Tune  made  by  a  Person  of  Quality 
and  exactly  engrav'd  by  T.  Cross. 
[Lmdon,  1700  ?]     s.  sh.  fol. 

G.  304.  (152.) 
To  Cupid.  [Song.]  See  Sweet.  Sweet 
Tyrant  Love,  etc.     [1740?]     s.  sh.  fol. 

G.  316.  e.  (124.) 
To  Cynthia  then  our  homage  pay.  [Duet.] 
See  PuECELL  (D.)  [The  World  in  the 
Moon.] 

To  dear  Amaryllis.     Song. 
Sec  Shepherd's  Lottery. 
To  Delia.    [Song.]    SfC  Howard  (S.)    [The 
Amorous  Goddess.     Overture.     Musette.] 
To  ease  his  heart.     The  Spinning -Wheel : 
a  new  Song.     [Lmidon,  1762.]     8°. 

P.P.  5438.  z. 

Universal      Magazine,      Vol.      XXXI., 
p.  45. 
To  ease  my  heart.     Love's  Force  on  the 
Heart.     A  favourite  Song  by  the  Author 
of  the  Busy  Bees  [E.  Harwood]. 
J.  B.  Pye  :  Liverpool,  [1785  ?]     fol. 

H.  1653.  (32.) 
To  excel  in  Bon  Ton  as  Genius  and  Critic. 
The  Connoisseur.  [Song.]  The  Words  by 
G.  A.  Stevens.  P.  E\odgson  :  London, 

1780  ?]    s.  sh.  fol.  G.  312.  (237.) 

To  fair  Fidele's  grassy  Tomb.     [Song.] 
See  Akne  (T.  A.) 

To  Fanny  Fair  I  would  impart.     Fanny, 
[Song.]     \_London,  1750  ?]     s.  sh.  fol. 

G.  303.  (59.) 
To  Fanny  fair  I  would  impart.  Fanny. 
A  new  Song.     [London,  1754.]     8°. 

157.  1.  16. 

London  Magazine,  1754,  p.  470. 


Song. 


TO.    To  Favonius.    [Song.]    See  Favonius. 
Favonius  come,     [1760  ?]     s.  sh.  fol, 

G.  316.  a.  (23.) 
To  find  my  Tom  of  Bedlam.  Mad  Maudlin. 
A  Favorite  ^lad  Song,  with  an  Accompani- 
ment for  the  Piano  Forte  or  Harp,  the 
Music . . .  bv  a  Lady  of  Fashion.  Preston, 
for  the  Proprietor  :  London,  [1790?]     fol. 

G.  800.  m.  (57.) 
To  fix  a  Woman's  ]Mind. 
See  Italian. 
To  Flavia.     [Song.] 
Sec  Alcock  (J.)  Doctor  in  Music. 
To  fly  like  a  Bird  from  Grove  to  Grove. 
The  Prudent  Fair.     A   Favourite   Song. 
Sung  by  i\Iiss  Jameson  at  Vauxhall, 

I[ohn]  B[utherford :  London, 
1775  ?]     s.  sh.  fol,  G.  312.  (103.) 

[Another  edition.]     To  fly  like  bird  from 
grove  to  grove.     The  Prudent  Fair,  etc. 
B.  Falkener  :  London,  [1775  ?]     s.  sh.  fol. 

H.  1994.  a.  (53.) 
To  Fortune  lost,  my  Native  Shore,  Song, 
See  Attwood  (T.) 

To  Freedom  dedicate  the  Day.     The  Mid- 
dlesex Freeholders'  Resolution.     [Song.] 
[London,  1768.]  s,  sh.  fol,    G.  312.  (227.) 
To  gentle  Strephon  tell  your  Grief.    Song, 
See  Leveridge  (R.)     [The  Quacks.] 
To  George  and  Charlott.     [Duet.] 
See  Haendel  (G.  F.)    [Judas  Maccabseus. 
See  the  conquering  hero.] 
To  Handel's  pleasing  Notes  as  Chloe  sung. 
SoJig  on   a    Goldfinch   flying   out   at  the 
Window  while   a   Lady  was    playing    & 
singing  Dear  Liberty,  [London, 

1730?]     s.sh.lol.  G.  312.  (100.) 

To  Handel's  pleasing  notes  as  Chloe  sung. 
On  a  Goldfinch  flying  aivay  ivhile  a  Lady 
teas  playing  Dear  Liberty.     A  New  Song. 
[London,  1756,]     8vo,  P.P.  5438. 

Literary  Magazine,  Vol.  I.,p.  480. 
To  Hanover  from  Edinbro',     The  Loyal 
Highland  Lass.    A  Scotch  Song. 
[London,  1715  ?]   s.  sh.  fol.     G.  312,  (92,) 
To  heal  the  Smart  a  Bee  had  made.     The 
Bee.     A  New  Song  sung  by  Mr,  Lowe. 
[London,  1760  ?]     s,  sh.  fol. 

H.  1994.  b.  (87.) 
[Another  edition.]     To  heal  the  Smart  a 
Bee  had  made,     [Song.] 
See  Mother  Shipton, 
To  Health,     [Song,]     See  Hudson  (R.) 
To  hear  the  jar  of  noisy  War,     The  Hat 
and    Feather.     [Song,]     Words    by    Mr. 
Dobey,  Sk[illern:  Londoyi, 

1780?]    s.  s7i,fol.  G.  312.  (102.) 

To  Horse,  brave  boys  of  Newmarket, 
Neiomarket  Horse  Pace.  [Song,  words  by 
T,  D'Urfey,]     [London,  1720  ?]     s.  sh.  fol. 

G.  312,  (59.) 

[Another  copy.]  G.  315.  (106.) 


584 


TO 


TO.     To  keep  my  gentle  Jessy.     Quartette. 
See  Abne  (T.  A.)  [The  Merchant  of  Venice  .A, 

To  little  or  no  Purpose.  The  Bambling 
Lady's  Passion  fixt.  [Soug.l  [London, 
1735  ?]    s.  sh.  fol.  G.  316.  f.  (17.) 

To    Lordings    proud    I    tune    my   Song. 
Dttke  upon  Duke,   &c.      [Song.      Words 
by  J.  Swift,  music  by  H.  Holcombe.] 
[Loyulon,  1723.]     fol.       1876.  f.  1.  (94.) 
This    song    was    written  on  a  quarrel 
between  Lord  Lechmere  and  Sir  John 
Guise. 
To  love  and  to  languish.     Song. 
See  Hart  (P.) 

To  love  thee  0  my  Emma.     Glee. 
See  Crotch  (W.) 

To  Lysander.  [Song.]  See  Defesch  (W.) 
To  make  me  feel  a  virgin's  charms.  A 
New  Song,  sung  at  Mary-le-Bon  Gardens. 
[By  W.  Defesch.]     [London,  1752.]     8°. 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  X.,p.  30. 
To  make  me  feel  a  virgin's  charms.     .1 
New  Soyig.     Sung  at  Marybone  Gardens. 
[By  W.  Defesch.]     [London,  1751.]     8". 

157.  1.  13. 
Lmidon  Magazine,  1751,  p.  517. 
To    make    me    feel    a  Virgin's    Charms. 
[Song.]     See  Defesch  (W.) 
To  make  the  Man  kind.     [Song.] 
[Londmi,  1750'?]     s.sh.iol. 

G.  316.  c.  (37.) 
To  make  the  man  kind.     A  Song,  etc. 
[London,  1753.]     8°.  249.  c.  23. 

Gentleman's    Magazine,    Vol.    XXIII., 
p.  581. 
To  make  the  most  of  fleeting  time.     Now 
or  Never.     [Song.]     Sung  by  Mr.  Vernon. 
[By  J.  Hook.]     [London,  1775.]     s.  sh.  foL 

G.  312.  (228.) 

No.   1   of  Hook's    Vauxhall   Songs  for 

1775. 

To    make    the    wife    kind.     The    Happy 

Happy  He.     A  New  Song. 

[London,  1748.]     8°.  157.  1.  10. 

London  Magazine,  1748,  pp.  472-3. 
To   make   the  wife  kind.     A    Neio    Song, 
sung  at  Ranelagh-house. 
[London,  1748.]     8".  249.  e.  18. 

Gentleman's    Magazine,    Vol.    XVIII., 
p.  468. 
To  make  the  Wife  kind.  The  Happy  Happy 
He.    A  new  Song  sung  at  Ranelaugh. 
[London,  1765  ?]     s.  sh.  fol. 

G.  316.  f.  (21.) 
[Another  edition.]  To  make  the  Wife 
kind.     A  New  So7ig.  [London, 

1765  ?]     s.  sh.  fol.  H.  1994.  b.  (88.) 

[Another  edition.]      To   make   the    Wife 
kind.     Tlie  happy  happy  He,  etc. 
[London,  1770 'i]     s.sh.iol. 

I.  530.  (156.) 


TO.     To  me  a  Smiling  Infant  came.     Song. 
See  Ambrose  (J.) 

To  me  your  attention  ye  Batchelors  give. 
Advice  to  the  Batclielors.  [Song.]  The 
words  by  G.  C.  D'Almaine.  [London, 

1780?]     fol.  H.  2818.  e.  (49.) 

No.  3  of  the  'Feast  of  Apollo.' 
To  meet  with  contentment.     The  Content- 
ment.    [Song.]     [London,  1756.]     8". 

P.P.  5438.  z. 

Universal  Magazine,  Vol.  XVIII. ,  p.  80. 

To  melancholy  thoughts    a    prey.      The 

Desponding  Shepherd.    [Song.]     [London, 

1752.]     8°.  249.  e.  22. 

Gentleman's    Magazine,     Vol.     XXII., 

p.  528. 

To  Miss  E—  M— .     [Song.]     See  Whilst. 

Whilst  Celia's  Eyes.     [1740?]     s.sh.iol. 

G.  316.  f.  (77.) 

To  Mr.  H[enr]y  C[a]rey  Ballad  maker, 
and  Ballad  setter.  [Song.]  See  To.  To 
please  y'  Friends,  etc.     [1725  ?]     s.  sh.  fol. 

I.  530.  (158.) 
To  Myra.  [Song.]  See  Thoughtful. 
Thoughtful  nights,  and  restless  waking, 
etc.  [1780  ?]  s.  sh.  fol.  G.  312.  (162.) 
To  Nancy :  persuading  Him  to  visit 
Clifton-Wells.     [Song.]     See  Boyce  (W.) 

To  Old  Satan  in  Hell.  Satan's  Visit  to 
the  Jacobin  Chib,  or  Britannia  Trium- 
phant. A  new  . . .  Song,  written  by  E. 
Nairne,  etc.  [To  the  air  of  "  To  Anacreon 
in  Heaven  "  composed  by  J.  S.  Smith.] 

Longman  and  Broderip,  for  the  Author  : 
London,  [1795.]     fol.  G.  376.  (57.) 

To  Phillis.  [Song.]  See  Phillis.  Phillis 
why  shou'd  we  delay.     [1760  ?]     s.  sli.  fol. 

G.  311.  (21.) 

To  Phyllis  and  Chloe.  Bacchus  trium- 
p^hant,  or.  The  Lover's  Adieti  to  the  Fair 
Sex.    A  new  Song.     [London,  1755.]     8". 

157.  1.  17. 
Loudon  Magazine,  1755,  pi.  388. 

To  play  upon  a  Viol.  The  Maid's  Lesson, 
being  Instructions  for  a  Young  She 
Beginner.  A  Spick  and  Span  New  Song. 
[London,  1710?]     s.sh.iol. 

H.  1601.  (451.) 
[Another  edition.]  To  play  upon  a  Viol, 
etc.     [London,  17107]     s.sh.iol. 

Gren.  559.  (18.) 
To  please  y"  Friends,  y'  work  defies.  To 
Mr.  H[cnr]y  C[a]rey  Ballad  maker,  and 
Ballad  setter,  etc.     [Song.]  [London, 

1725  ?]     s.  sh.  fol.  I.  530.  (158.) 

To  proclaim  King  George  the  Second.  A 
Song  on  Proclaiming  his  Majesty  King 
George  the  Second.  [London, 

1727.]     s.  sh.  fol.  G.  312.  (7.) 

To  rival  the  Miser.  Til  laugh  and  be  fat. 
[Song.]  Sung  by  Mr.  Vernon.  [London, 
1790?]     fol.  G.  808.  g.  (31.) 


TO 


585 


TO.      To  Eodocleas.      [Song.]      See  I.     I 
search'd  the  Fields  of  Ev'rv  kind,  etc. 
[1771?]    s.sh.iol.  G-.  309.  (127.) 

To  Sacharissa.     Song.     See  Hayes  (H.) 
To  see  thee  so  gentle.     Song. 
See  Kelly  (M.) 

To  shun  bright  Sol's  meridian  heat.  The 
Sleeping  Fair ;  A  New  Song.  The  Words 
by  Mr.  T.  Crick.     [London,  1757.]     8°. 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XXI.,  p.  12S. 
To    Silvia.      Song.     See    When.     When 
Silvia  first  I  saw.     [1740  ?]     s.  sh.  fol. 

G.  316.  f.  (73.) 
To  Silvia's  Charms  a  Captive  made.  Song. 
See  Weldon  (J.) 

To  sing  of  Love's  Passion.     Song. 
Sep.  Haydn   (F.  J.)     [2.  Vocal  Work^.  b. 
XII.  Lieder.  Th.  1.     An  Iris.'] 
To   some  petty   Sinner    go   wheedle   and 
whine.     A  drinking  Song.  [London, 

1760?]     s.sh.iol.  G.  316.  (144.) 

To  soothe  my  Cloe's  pensive  grief.  Song. 
See  Geanom  (L.  C.  A.)  j 

To    speak,   my  muse,   sweet    Charlotte's  I 
praise.     Song.     See  Hudson  (E.)  ' 

To  speer  my  Love,  with  glances  fair.     To 
the  Oreemcood  gang  with  me,  a  favourite 
New   Song   [by  J.  Hook]   sung   by   Miss  I 
Francis.  John  Lee  :   ! 

Dublin,  [1790  ?]     s.  sh.  fol. 

H.  1601.  a.  (75.)   | 

To    suck    the    flow'r   sweet.      Tlie  Fatal  \ 
Wound.     A  New  Song.  [London,  1 

1769.]     8°.  P.P.  5438.  z. 

Universal      Magazine,       Vol.      XLV., 
p.  209. 
To  Sylvia.     Three  part  Song.     See  Faie. 
Fair  Son  of  Venus.     [1740  ?]     s.  sh.  fol. 

H.  1994.  b.  (20.) 

To  Sylvia.     [Song,  begins  :  '  If  truth  can 

fix.']     See  Howaed  (S.) 

[Another    setting.]      To    Sylvia.      [Song, 

begins  :  ♦  If  truth  can  fix.'] 

See  Lampe  (J.  F.) 

[Another    setting.]     To    Sylvia.      [Song, 

begins  :  '  If  truth  can  fix.'] 

See  Eussel  (D.) 

To  Sylvia.  [Song.]  See  What.  Whats 
Celias  Shape,  etc.     [1770  ?]     s.  sh.  4°. 

1.  530.  (172.) 

To  take  in  good  part  the  squeeze  of  the 
hand.     The    Cock  and  a  Bull.     [Song.] 
Sung  by  Mr.  Beard  at  Eanelagh. 
[London,  1756.]     8°.  158.  1.  1. 

London  Magazine,  1756,  p.  348. 

To  take  in  good  part,  the  squeeze  of  the 
hand.      A    Cock  and  a  Bull,   [song]   as 
Sung  by  ]\Ir.  Beard  at  Eanelagh. 
I.  Walsh  :  [London,  1756  ?]     s.  sh.  fol. 

G.  312.  (76.) 


TO.     To  take  in  good  part  the  squeeze  of 
the  hand.     A  Cock  and  a  Bull,  [Song,]  as 
sung  by  Mr.  Beard  at  Eanelagh. 
[Lotidon,  1757.]     8".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XX.,  p.  1-32. 
To  the  conscious  Groves   I   hie   me.     .1 
Favorite  Song  sung  at  Eanelagh. 

L[ongman'\  &  B[roderip  : 
London,  1785  ?]     fol.  G.  312.  (201.) 

To  the  Copse  lead  along.     [Song.] 
See  Wennington  (W.) 
To  the  Genius  of  England.     [Song.] 
See    While.     While    Gallia    does    with 
Threats  invade.     [1780?]     s.sh.iol. 

G.  313.  (215.) 
To  th'  Gin  Shop  let  us  go.  The  Basket 
Women.  [Song.]  The  Words  by  A. 
Bradley.     [Lo7idon,  1720  ?]     s.  sh.  fol. 

G.  305.  (196.) 

[Another  edition.]  To  the  Gin  Shop  let 
us  go.  The  Basket  Women,  etc.  [London, 
1720?]     s.sh.iol.  H.  1601.  (465.) 

To  the  Greenwood  gang  wi'  me.     Song. 
See  Hook  (J.) 

To  the  Greenwood  gang  with  me.     Song. 
See  To.     To  speer  my  Love,  with  glances 
fair,e/c.    [By  J.  Hook.]    [1785?]   s.sh.iol. 

H.  1601.  a.  (75.) 
To  the  Hundreds  of  Drury  I  write.     The 
Soman  Priggs  Farewell.     [Song.] 
[London,  1750  ?]   s.  sh.  fol.   I.  600.  (113.) 

To  the  Maid  I  love  best.     Song. 

See  Hook  (J.) 

To  the  Nightingale.     [Song.] 

See  WoEGAN  (J.) 

To  the  restless  !\Iain  we'll  bend  our  Sails. 

Song.     See  Hook  (.J.) 

To   the  sweet  chanting  w^arbling  Throng. 

Jeany's   Complaint.      A  favourite  Scotch 

Song,  sung  at  Bath.  [London, 

1774.]    s.  sh.  i".  159.  n.  6. 

London  Magazine,  Dec,  1774. 
To  the  sweet  Chanting,  Warbling  Throng. 
Jeany's   Complaint.     A   Favorite   Scotch 
Song,  etc.  G[eorge]  S[mart : 

London,  1785?]     s.  sh.  fol. 

G.  312.  (104.) 
To  the  Wood  Eobin  Eed  Breast  is  flown. 
Peggy.  [Song.]  Sung  by  Mrs.  Dennis  at 
Sadlers  Wells.    [London, 1160?']   s.sh.iol. 

G.  312.  (232.) 
To  the  wood  robin  redbreast  is  flown. 
Peggy ;  a  New  Song.     [Londo7i,  1763.]     8". 

P.P.  5438.  z. 
Universal     Magazine,     Vol.     XXXII. , 
p.  213. 
To  the  Words  that  I  sing.     Song. 
See  Aeke  (T.  A.) 

To  thee  my  little  blooming  Fair.     Wine 
more poicerfull  than  Love.    A  Song. 
[London,  1715  ?]     s.  sh.  fol. 

G.  316.  g.  (68.) 


586 


TO— TODINO 


TO.     To  thee  0  !  Gentle  Sleep.     [Glee.] 
See  Danby  (J.) 

[Another   setting.]       To    thee,    0    gentle 

Sleep.     Song. 

See  Elfoed  (R.)     [Tamberlain.'] 

[Another  setting.]  To  thee  oh !  gentle 
Sleep.     [Song.]     See  Tamerlane. 

To  thine  altar  0  love.  Love.  A  favorite 
Song.  P.  H[odcjson  :  London, 

1780?]     s.  s/f.fol.  G.  312.  (101.) 

To  think  of  one's  Follies  sometimes  is  hut 
Right.     The  four  Misses.     [Song.] 
Sk{illern  :  London,  1780?]     s.  sh.  fol. 

G.  312.  (177.) 
To  thy  Cliffs  rocky  Seaton  adieu.  Adieu 
to  Seaton  Cliffs.  [Song.]  . . .  The  Words 
&  Melody  ...  by  a  Gentleman  of  Oxford, 
at  whose  request  D'  P.  Hayes  added  a 
Bass  and  the  Accompaniments.  [Full 
Score.]  Printed  for  the  Author. .  .by  S.  A. 
ct  P.  Thompson:  London,  [1785?]     fol. 

G-.  810.  (63.) 
To  Tom  Paine  in  France.  True  Justice, 
or  The  Reward  of  a  Traitor.  A  Song  on 
the  Times.  [To  the  tune  of  '  To  Anacreon 
in  Heaven,'  composed  by  J.  S.  Smith.] 
B.  Firth  :  Oxford,  [1795  ?]     fol. 

G.  360.  (51.) 
To  Tom  Paine  in  Hell.  The  kna  vc's  Neck- 
lace, or,  Every  Rogue  a  Halter.  A  New 
Anacreontic,  the  Words  by  a  Gentleman, 
Sung  ...  to  the  Tune  of  "  To  Anacreon  in 
Heaven"  [composed  by  J.  S.  Smith],  etc. 
Printed  for  P.  Jung  :  London,  [1795  ?]    fol. 

G.  360.  (52.) 
To  touch  your  Heart.     Song. 

See  GOURTEVILLE  (R.) 

To   welcome   Mirth   and    harmless   Glee. 

Duett.     See  Shaw  (T.)     [The  Stranger.] 

To  woo  me  and  win  me.     Collin's  Success. 

A  Song  [by  W.  Defesch]. 

[Z/onfZo»,  1754.]     8".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XV.,  2^.  72. 
To  Woods  and  Dells  where  Echo  dwells. 
Ballad.     See  Blewitt  (J.) 

To  yonder  Beeches  friendly  Shade.     [Reci- 
tative and  Song.]     Sung  by  Mr.  Andrews. 
At  Sadlers  Wells. 
[London,  1765  ?]  s.  sh.  fol.    G.  312.  (231.) 

To  yonder  sweet  delicious  shade.     Song. 
See  King  (R.) 

To  you  fair  Ladys  now  at  Land.  A  Ballad 
by  the  late  L"*  Dorset  when  at  Sea  never 
before  printed.  [London,  1707  ?]  s.  sh.  fol. 

G.  305.  (180.) 
[Another  copy.]  G.  312.  (1.) 

[Another  copy.]  G.  315.  (105.) 

[Another  edition.]  To  you  fair  Ladys  now 
at  Land.  A  Ballad  by  the  L''  Dorset 
when  at  Sea.     [London,  1707  ?]     s.  sh.  fol. 

H.  1601.  (428.) 


TO.  To  you  fair  Nymph  I  tune  the  Lyre. 
Lovely  Peggy.  An  Imitation.  [Song.] 
[London,  VlQQ'i']  fol.  G.  312.  (200.) 
To  Zephyrus.  [Song.]  See  Howard  (S.) 
[TJie  Amorous  Goddess.  Overture.  Minuet.] 

TOAST.     The  Toast.     [Song.] 

See  Come.     Come  let's  hae  mair  Wine. 
[1750?]     s.  s7i.  fol.  G.  316.  d.  (97.) 

The  Toast.     Glee  [begins:    'Fill,  fill  the 
•  Glasses'].     See  Beckett  (J.) 
The  Toast.     A  Catch  [begins:   'Give  the 
toast'].     (Sec  Dennis  (W.) 
The  Toast.     Song.     See  Let.     Let  Poets 
boast  of  Egypt's  Queen,  etc.     [1756.]     8°. 

158.  1.  1. 
Toast  All.  [Song.]  See  Dinner.  Dinner 
o'er  and  Grace  said.     [1790?]     s.  sh.  fol. 

G.  307.  (156.) 

TOBACCO.    The  Tobacco  Box,  or  Soldier's 
Pledge  of  Love.     See  Though.     Tho'  the 
fate  of  Battle  on  to-morrow  wait. 
[1785?]     fol.  G.  297.  (16.) 

Tobacco  is  an  Indian  Weed :  Tobacco.  A 
Song,  etc.  L[ongman']  L[ukey  :  London, 
1775  ?]     s.  sh.  fol.  G.  316.  h.  (1.) 

[Another  setting.]  Tobacco  is  an  Indian 
Weed.     3  Part  Song.     See  Wesley  (S.) 

Tobacco's  the  weed.  Tobacco's  the  Theme. 
[Song.]  J.  Welcker  :  [London, 

1780?]     s.  s7i.  fol.  G.  312.  (138.) 

TOBERNE.  Toberne,  ou  le  P^cheur 
SuMois.     Op6ra.     See  Bruni  (A.  B.) 

TOBY.  Toby  reduc'd.  Song.  See  Dear. 
Dear  Tom  this  brown  jug,  etc.    [1754.]    8°. 

250.  c.  1. 

TOC.     Toe,  toe,  ouvrez,  s'il  vous  plait.     Le 
Bouquet  du  Mois  de  May.     Rondeau  avec 
Accompag'  de  Guitare  pr.  Alberti. 
Chc2  M.  Camand:  Paris,  [1780?]     8°. 

B.  362.  a.  (136.) 
[Another  copy.]  B.  365.  g.  (35.) 

TOD  ABELS.  Der  Tod  Abels.  Ein 
musikalisches  Drama.     See  Rolle  (J.  H.) 

TOD  JESU.     Der  Tod  Jesu.     Kantate. 
Sec  Graun  (C.  H.) 

Der  Tod  Jesu.     Kantate. 
See  Kreusser  (G.  A.) 

TO-DAY.     To  Day.     [Trio,  begins  :   '  This 
Day  we  graft  on  yesterday.'] 
See  BoRTOLAZzi  (B.) 

To  Day.     Song.     See  Let.     Let  those  who 

wou'd  wish  to  hear  reason. 

[1770?]     s.sh.iol.  G.  310.  (57.) 

TODINO  (Cesare)  See  L'Arpa  (G.  L.  di). 
Canzou  Napolitanc  .  .  .  Libro  Secondo. 
Di  L'arpa.    Cesaro  Todino,  etc.    1506.    8°. 

A.  247. 


TODTEN— TOLLIUS 


587 


TODTEN  DANTZ.     Todten  Dantz  oder : 
Klaglied,  gesungen,  nach  dem. .  .Hintritt, 
der  . . .  Kayserin  Leopoldinae,  etc. 
See  Alle.     All  Menschen  herkommen  auss 
Erden,  etc.     [1649.]     12". 

11517.  b.  36.  (2.) 

TOEPFER.     Dei-  Toepfer.     Oper. 
See  Andre  (J.) 

TOESCHI     (Carlo     Giuseppe)      Six 
Quartettes    for    a    Violin    and    German 
Flute,  Tenor  and  Violoncello  obligate  .  . . 
Opera  Prima.     [Separate  Parts.] 
Welcker:  London,  \lTiO'>'\     fol. 

g.  413.  (16.) 

Six  Quatuor  Dialogue's  tl  4.  et  ciuq 
Instruments.  Pour  un  Violon,  Flutte, 
Alto  et  Basse  . . .  Mise  au  jour  par  M'  do 
la  Chevardiere.  Graves  par  Le  S'  Hue. 
[Separate  Parts.] 

Chis  M""  De  la  Chevardiere  : 
Paris,  [1775?]     fol.  g.  417.  d.  (1.) 

Six  Symphonies.  Dont  les  4.  premieres 
peuveut  se  jouer  a  8.  et  en  Quatuor  et 
les  deux  autres  a  grand  Orchestre  oblig6 
. . .  Gravecs  par  ]\I"°  Vandome.  [Separate 
Parts.]  Chez  ilf  dc  la  Chevardiere : 

Paris,  [1770?]    fol.  g.  391.  a.  (1.) 

Sinfonia  a  piu  Stromenti  Obligati  .  .  . 
Prima.     [Separate  Parts.] 

Au  Bureau  d' Ahonnement  Musical : 
Paris,  [1775  ?]     fol.  g.  474.  (31.) 

Sinfonia  a  piu  Stromenti  Obligati  .  .  . 
Seconda.     [Separate  Parts.] 

Au  Bureau  d" Ahonnement  Musical : 
Paris,  [1775  ?]     fol.  g.  474.  (32.) 

Six  Conversation  Sonatas  for  two  Violins 
and  a  Bass.  [Separate  Parts.]  Welckcr  : 
London,  [1770  ?]     fol.       h.  2851.  d.  (9.) 

Six  Souates  a  Deux  Violons  . . .  Oeuvre 
Second.     [Separate  Parts.] 

Chez  J.  J.  Hummel : 
Amsterdam,  [1760  ?]     fol.        g.  391.  (2.) 

Six  Duetts  for  two  Violins.  [Op.  2. 
Separate  Parts.]  Printed  for  B.  Wornum  : 
Lo?!fZoH,  [1770?]     fol.  g.  391.  (1.) 

TOESCHI  (GiovAKNi  Battista)  Six 
Senates  en  Trio  pour  deux  Violons  et 
Basse,  etc.     [Separate  Parts.] 

Chez  M.  de  la  Chevardiere  : 
Paris,  [1775?]     fol.  h.  2851.  a.  (4.) 

TOESCHI  (Joseph).     See  Toeschi  (C.  G.) 

TOGETHER.  Together  let  us  range  the 
Fields.  A  Favorite  Duett  [by  W.  Boyce], 
sung  by  Mr.  Harrison  and  Mrs.  Billington, 
etc.  Bland  d-  Weller :  London,  [1790  ?]  fol. 

H.  2826.  b.  (54.) 

TOGLITI.  Togliti  agli  occhi  miei.  Duet. 
See  BiANCHi  (F.)     [Ines  de  Castro.] 


TOI.   Toi,  dont  le  bras  tirannicide.   Hymne. 
See  Rigel  (H.  J.) 

Toi  que  j'aimai,  que  j'aime  encore.  Adieux 
de  la  Prisidente  de  Tourvel  au  Chevalier 
de  Valmont.  Avec  Accomp'  de  Guittare. 
[Song.]   Chez  Lnbault :  Paris,  [1790  ?]  8". 

B.  362.  a.  (109.) 
Toi  qui  d'Emile  et  de  Sophie.     Hymne. 
See  GossEC  (F.  J.) 

Toi  qui  pretends  du  vrai  bonheur.  Le 
Miroir  du  Siicle.  [Song.]  Air:  Mou 
pere  etoit  pot.  Chez  lesfreres  Savignij  : 
[Paris,  1780?]     8°.         B.  362.  b.  (149.) 

TOILETTE  DE  VENUS.     La  Toillette 
de  Venus  dress6e  par  1' Amour.     [A  Collec- 
tion of  Songs.]     l'=(-10'=)  Partie. 
Chez  Madame  Boivin  :  Paris,  [1746-7].   8". 

B.  760. 

TOINON  ET  TOINETTE.  Toinon  et 
Toinette,  Comedie  en  deux  Actes. .  .meslee 
d'Ariettes.  Representee  pour  la  premiere 
fois  . . .  le  20  Juin  1707  .  . .  avec  les  Airs 
notes.  [Words  by  J.  A.  JuUien  Des  Boul- 
miers,  music  by  P.  J.  Gossec]  Chez  la 
Veuve  Duchesne  :  Paris,  1767.     8°. 

86.  b.  16. 
Part  of  tlie  '  SuppUment  des  Parodies 
du  Thidtre  Italien,'  etc.     torn.  3. 

Toinon  et  Toinette,  Comedie  en  deux 
Actes  en  prose  [by  J.  A.  JuUien  Des 
Boulmiers],  meslee  d'Ariettes  . . .  avec  la 
Musique  [of  the  final  Vaudeville,  by  F.  J. 
Gossec].  1770.  See  Recueil.  Recueil 
g6n6ral  des  Operas  Bouffon,  etc.  Tom.  1. 
1777.    8".  11735.  b.  2. 

TOISON  D'OR.  La  Toison  d'Or. 
Trag^die  Lyrique.     See  Vogel  (J.  C.) 

TOKEN.     The  Token.     Song. 

See  DiBDiN  (C.)     [Castles  in  the  Air.] 

TOL.     Toi  de  rol  de  rol.     [Song.] 
See  DiBDiN  (C.)     [The  Sphinx.] 

TOLL.  Toll  for  the  Brave  1  The  Loss  of 
the  Boyal  George.  A  favorite  Song  with 
an  Accompaniment  for  the  Piano  Forte. 
The  Words  by  Cowper.  B.  Birchall, 

for  the  Author  :  London,  [1795  ?]     fol. 

H.  2830.  f.  (94.) 

Toll  toll  the  Knell.     Song. 
See  Stoeace  (S.)     [Mahmoud.] 

TOLLET  (George)  Toilets  Ground 
[Violin  and  Ground  Bass.]  [London, 

1720?]     s.sh.tol.  G.  315.  (124.) 

TOLLIO  (Giovanni)     See  Tollius  (J.) 

TOLLIUS  (Jan)  Madrigali  a  Sei  Voci, 
etc.  Canto.  (Alto.)  (Tenore.)  (Basso.) 
4  pts.  Appresso  Girolamo  Commelino  : 

[Heidelberg  ?J  1597.     obi.  4°.  A.  352. 


588 


TOLOMEO— TOMICH 


TOLOMEO.       Overture   in   Ptolomy    [by 
G.  F.  Haeudel.     Orchestral  Parts]. 
[Walsh:  London,  nSO 7]     fol. 

h.  3211.  (7.) 

Some  of  the  xxirts  are  in  manuscript. 

The  Favourite  Songs  in  the  Opera  call'd 
Tolomeo.     No.  i.     [Short  Score.] 

Printed  for  I.  Walsh  : 
London,  [17G2.]     fol.  H.  300.  a. 

The  composers  of  the  Pasticcio  na7ned  in 
this  collection  are :  Cocchi,  Galuppi 
and  Ciampi. 

Ptolomy.     Opera. 

See  Haendel  (G.  F.)     [Tolomeo.'] 

TOLOU  {A.)  VI.  Senates  pour  les 
Musettes  et  Vielles,  avec  uue  Flute  seule 
.  .  .  Livre  Premier.  GravA  par  LabassAe. 
Chez  VAuteur  :  Paris,  1741.     fol. 

K.  7.  f.  16.  (1.) 

TOM.     Tom  a  Bedlam.     [Song.] 

See  Forth.      Forth   from  my  dark   and 
dismall  cell,  e^c.     [1720?]     s.sh.iol. 

G.  315.  (130.) 
Tom  o'  Bedlam.     [Song.] 
See  Barefoot.    Bare-Foot  and  Head-bare, 
etc.     [1775  ?]     s.  sh.  fol.     G.  306.  (202.) 

Tom    loves    Mary    passing    well.      Cross 
Purposes.     [Song.]     Sung  [and  composed] 
by   Mr.   Beard    at    Ranelaugh    Gardens. 
[The  words  imitated  from  Moschus.] 
[London,  1748  ?]     s.  sh.  fol. 

I.  530.  (157.) 
Tom's  Return.     Song. 
See  Thomas  and  Sally. 


TOM  CARELESS. 

^'ee  Hook  (J.) 


Tom  Careless.    Song. 


TOM  HALLIARD.  Tom  Halliard.  Song. 
See  Abrams  (H.) 

TOM    HICKATHRIFT.      Tom   Hicka- 
thrift.       [Song.]       See    When.       When 
Richard  the  first  rul'd  in  this  Isle. 
[1775  ?]     fol.  G.  316.  j.  (5.) 

TOM  JONES.  D'un  Cerf  dix  cors  j'ai 
conuoissance.  [Song.]  De  Tom-Jones. 
[Opera,  words  by  Poinsiuet,  music  by  F. 
A.  Danican  Philidor.]  Chez  Bicpwn  : 

[Paris,-]  1769.     8°.  B.  362.  c.  (113.) 

Je    vous    obtiens.       Vaxideville   de   Tome 
Jonnes.       [Opera,    words    by    Poinsinet, 
music  by  F.  A.  Danican  Philidor.] 
[Paris,  1766  ?]     8".       B.  362.  e.  (113*.) 

Tom  Jones.     Com6die  Lyrique. 
See  Philidor  (F.  A.  Danican) 

TOM  STARBOARD.  Tom  Starboard. 
Song.    See  Mazzinghi  (J.)    [The  Turnpike 

Gate.] 

TOM  STAYSAIL.  Tom  Staysail.  Song. 
Sen  Vaughan  (T.)  ■ 


TOM  TACKLE.     Tom  Tackle.     [Song.] 
See  DiBDiN  (C.)     [Castles  in  the  Air.] 

TOM  THUMB.  The  ]\Iost  Celebrated 
Aires  in  the  Opera  of  Tom  Thumb.  [By 
T.  A.  Arne.]  Printed  for  Benjamin  Cooke : 
London,  [1733.]     fol.  G.  226.  e. 

Engraved  by  Cross. 

To  have  my  bold  Actions  in  soft  Musick 
told.  Tom  Thumb.  By  Master  Arne. 
In  the  Opera  of  Tom  Thumb.  [By 
T.  A.  Arne.]  Printed  for  J.  Simpson  : 

[London,  1735  ?]     s.  sh.  fol. 

H.  1994.  c.  (12.) 

Tom  Thumb.    Opera.     See  IMarkoedt  (J.) 

TOM     TRUELOVE.       Tom    Truelove's 

KneU.     [Song.] 

See  Dibdin  (C.)     [Great  Ncivs.] 

TOMWILKINS.  ToniWilkins.  Enter- 
tainment.    See  Dibdin  (C.) 

TOMASI  (Antonio  Francesco) 

See   ToMASi    (B.)     Quaranta   Concerti   di 
Biasio  Tomasi  . . .  Compresi  in  essi  alcuni 
di  Antonio  Francesco  suo  Fratello,  etc. 
1615.     4".  C.  59. 

TOMASI  (BiASio)  Quaranta  Concerti  di 
Biasio  Tomasi .  .  .  Secondo  Libro  de  Sacri 
Fiori  a  1.  2.  3.  4.  5.  6.  8.  voci.  Con  il 
Basso  Continuo.  Compresi  in  essi  al- 
cuni di  Antonio  Francesco  suo  Fratello  . .  . 
Opera  Quarta.  Canto.  (Tenore.)  (Basso.) 
(Quinto.)  (Basso  per  1'  Organo.)  5  pts. 
Stampa  del  Gardano :  Vcnetia,  1615.     4°. 

C.  59. 

TOMBEAU.  Le  Tombeau  d'Eucharis. 
[Song.]     See  Gaveaux  (P.) 

Le  Tombeau  de  Laure.     Romance. 
See  LussE  (C.  de). 

TOMBS.  The  Tombs  in  Westminster 
Abbey.  [Song.]  ,SV(^  Here.  Here  lies 
William  of  Valence,  etc.     [1775  ?]     fol. 

G.  308.  (146.) 

TOMEONI  (Florido)  Th^orie  de  la 
]\Iusique  Vocale,  ou  des  dix  regies  qu'il 
faut  connaitre  et  observer  pour  bien 
chanter,  etc.  Chez  VAuteur:  Paris, 

An  vii  [1799].     8°.  1042.  k.  29.  (2.) 

TOMICH  (Francesco)  Three  Sonatas  for 
the  Piano  Forte  or  Harpsichord  with 
Accompaniments  for  a  Violin  and  Violon- 
cello, etc.     [Op.  1.]     [Separate  Parts.] 

Longman  and  Brodcrip : 
London,  [1795  ?]     fol.       g.  161.  e.  (12.) 

See  Pleyel  (I.  J.)  [6.  String  Quartets. 
Op.  I.  Nos.  1  and  4 ;  Op.  n.  No.  4.] 
Three  Duetts  for  the  Piano  Forte  . . . 
adapted  by  F.  Tomich.     [1788  ?]     fol. 

g.  131.  (9.) 


TOMICH— TONNOLINI 


589 


TOMICH  (Feancesco)  See  Pleyel  (I.  J.) 
[8.  Symphonies.']  A  Favorite  Overture 
[No.  II,  in  F]  ...  arranged  for  the  Piano- 
Forte  or  Harpsichord  with  an  Accom- 
paniment for  the  Violin  by  F.  Tomich. 
[1790?]     fol.  g.  147.  (10.) 

See  Pleyel,  (I.  J.)    [8.  Symphonies.    No.  9, 
in    E   flat.']      A    Favorite    Overture  ... 
arranged  for  the  Piano-Forte  or  Harpsi-   | 
chord  with  an   Accompaniment  for  the 
Violin  bj'  F.  Tomich.     [1790  ?]     fol.  I 

g.  147.  (11.)   i 
i 
TOMKINS  (Thomas)     Musica  Deo  Sacra   | 
&  Ecclesite  Anglicause :  or,  Musick  dedi- 
cated to  the  Honor  and  Service  of   God, 
and   to   the  Use  of  Cathedral  and  other 
Churches   of   England,  especially   of    the 
Chappel-Royal  of  King  Charles  the  First. 
Medius.  (Contratenor.)  (Tenor.)  (Bassus.) 
4  pts.  William  Godbid  : 

London,  1668.     fol.  G.  5. 

Songs  of  3.  4.  5.  and   0.  parts.     Cautus. 
(Tenor.)     (Bassus.)     (Sextus.)     4  pts. 

Printed  for  M.  Loiunes,  I.  Broivne,  and 
T.  Snodham  :  London,  1022.     4°. 

K.  3.  k.  7. 

TOMLINSON    (Kellom)       The    Art    of 

Dancing     explained     by    Heading     and 

Figures ;  ...  In   Two   Books.      [With   37 

plates.]  Printed  for  the  Author  : 

London,  1735.     4°.  '      K.  8.  k.  7. 

A  portrait  of  the  author  by  F.  Morcllon 

la  Cave,  after  B.  van  Blceck,  dated 

1754,  is  inserted. 

Six    Dances    compos'd    by    Mv.    Kellom 

Tomlinsou.     Being  a  Collection  of  all  the 

Yearly  Dances,  publish'd  by  him  from  the 

Year  1715  to  the  present  Year,  viz.  i.   The 

Passepied.  Round  0.  ii.  The  Shepherdess. 

III.    The    Submission,      iv.    The    Prince 

Eugene.       v.    The     Address.      vi.     The 

Gavot.c^c.    [With  3G  plates.]    The  Author  : 

[Lo^idon,  1720.1     4°.  K.  8.  k.  6. 

The  six  original  editions,  tuith  a  general 

title-page  and  dedication.    In  this  cop>y 

the  dances    are    arranged  in  reverse 

order   of   the    dates.     The  composers 

named  are  :  Kellom  [To7nlinson],  Ba- 

bell  and  Loeillet. 

TOMOmiOW.     Tomorrow.    [Song.] 
See  I.     I   heed   not  while   Life's   on   the 
Wing,  etc.     [1775  ?]     s.  sh.  fol. 

G.  309.  (138.) 
To-Morrow.  [Song,  begins :  '  A  bankrupt 
in  trade.']     See  Kelly  (M.) 

TON.     The   Ton.     Song.     See  Too.     Too 
long  the  Ehimesters  of  the  age,  etc. 
[1777.]     fol.  G.  312.  (99.) 

Ton  amour,  0  fille  cherie.     Air. 
See  AzEMiA. 


TON.     Ton  terns  est  passe,  vieille  coquette. 
[Song,  words  by]  M.  du  Fresni. 
[Pans,]  1726.     s.  sh.  4°.  297.  a.  20. 

Mercure  de  France,  March,  1726. 

Ton  troupeau,  Sylvie.     Air  Nouvcau. 
[Paris,  1678.]     s.  sh.  obi.  4".     P.P.  4482. 
Nouvcau,  Mercure   Galant,  Jan.,   1678, 
p.  120. 

TONINI  (Bernardo)  Suonate  da  Chiesa 
a  Tre.  Duo  Violini,  &  Organo,  Con  Violon- 
cello ad  libitum  .  .  .  Opera  Seconda. 
[Separate  Parts.]  Gioscppe  Sala  : 

Venetia,  1697.     4°.  d.  19. 

TOTTIOLI  (Vlsceszo)  Sei  Duetti  a  Due 
N'iolini.  [Separate  Parts.]  G.  Walker  : 
Londra,  [1800?]     fol.       h.  2910.  c.  (7.) 

TONNEXjIER.      Le   Tonnelier.      Op6ra- 
Comique,    mel6    d'Ariettes.      Repr6sent6 
. .  .  le  16  IMars  1765  . . .  avec  la  Musique. 
[Altered  from  Audinot's  '  Le  Tonnelier.'] 
Chez  Duchesne  :  Paris,  1765.     8". 

86.  b.  16. 
Part  of  the  '  Supplement  dcs  Parodies 
du  TMdtrc  Italien,'  etc.     Tom.  3. 

Le  Tonnelier.  Opera  Comique  en  un  Acte. 
Mis  en  musique  par  Messieurs  ***... 
Grave  par  Gerardin.  [Words  by  F.  A. 
Qu6tant  and  N.  M.  Audinot,  music  by 
N.  ]M.  Audinot.     Full  Score.]  Chez 

Le  Clerc  :  Paris,  [mo?]  fol.  G.  635. 
Imperfect,  wanting  pp.  19,  20,  51 
and  52. 
Le  Tonnelier,  Opera-Comique  mesle  d'Ari- 
ettes . . .  Nouvclle  edition  augmentee  . . . 
avec  la  Musique.  [Words  by  F.  A.  Qu^tant 
and  N.  M.  Audinot,  music  by  N.  M. 
Audinot.]  Oiez  la  Veuve  Duchesne  : 

Paris,  [1770.]     8°.  11738.  m.  1.  (6.) 

Le  Tonnelier,  Opera-Comique  mel6  d'Ari- 
ettes . . .  Nouvelle  Edition,  Augment6e  . . . 
avec  la  Musique.     See  Recueil.     Recueil 
general  des  Opera  Boufions.     Tom.  1. 
1777.    8".  11735.  b.  2. 

Loin   des  soucis,   des   allarraes.     [Song.] 
Du  Tonnelier.     [By  N.  M.  Audinot.] 
[Paris,  1770  ?]     8°.  b.  362.  (19.) 

Quand  je    vols    Fanchette.      Ariettc    du 
Tonnelier.     TBy  N.  M.  Audinot.] 
[Paris,  1770?]    8".  B.  362.  (16.) 

Un  Tonnelier  vieux  et  jaloux.     [Song.] 
Da  Tonnellier.     [By  N.  M.  Audinot.] 
[P«ns,  1770?]     8°.  B.  362.  (17.) 

TONNOLINI  (Giovais-niBattista)  Salmi 
a  Otto  Voci . . .  Con  una  Lode  al  Glorioso 
S.  Carlo.  Et  col  Partito  delli  doi  Bassi. 
Nouamente  Composti  &  dati  in  luce . . . 
Primo  Choro.     Tenore.     (Basso.)     2  pts. 

Stampa  del  Gardano.     Ajjpresso 
Bartholomeo  Magni  :  Venetia,  1616.     4^ 

D.  121. 


590 


TONSOR— TORELLI 


TONSOR  (Michael)  Sacrse  Cautiones 
Plane  Nouaj,  Quatuor, Quinque  et  Plurium 
Vocum,  ita  compositae,  ut  ad  omuis  generis 
instrumenta  accommodari  possint,  etc. 
Discantus.  (Altus.)  (Bassus.)  (Qninta 
et  Sexta  Vox.)     4  pts. 

In  Officina  Theodorici  Gcrlachij  : 
Norimhergx,  1573.     ohl.  4°.  A.  43.  a. 

Selectse  Qusedam  Canfciones  Sacrse,  Modis 
IMusicis  Quinque  Vocum  recens  compositse 
...Discantus.  (Altus.)  (Tenor.)  (Bassus.) 
4  pts.  In  Officina  Theodorici  Gelatzeni : 
Noribcrgx,  1570.     obi.  4°.  A.  43. 

TOO.     Too  late  for  Redress.     A  New  Song 
. . .  Sung  by  Mr.  Lowe  at  Vaux-ball. 
[London,  1749.]     8".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  V.,  p.  184. 
Too  late  for  redress.     A  Song,  etc. 
[London,  1749.]     8\  249.  c.  19. 

Gentleman's  Magazine,  Vol.  XIX., p.  425. 
Too  late  for  redress.     A  New  Song. 
[Lo7idon,  1750.]     8°.  157.  1.  12. 

London  Magazine,  1750, 2^.  277. 
Too  late  for  redress.     A  Song.      [London, 
1750  ?]     s.  sh.  fol.  G.  312.  (82.) 

[Another  copy.] 

Add.  MSS.  29,  370.  f.  4.  v. 
Too  late  for  redress.  Tlie  Discerning 
Lover.  A  new  Song.  See  Ghlob.  Chloe, 
or  the  Musical  Magazine,  etc.    [1760  ?]    fol. 

G.  433. 
Too  long  a  giddy  wand'ring  youth.     A 
Song. .  .The  words  by  Mr.  Boyce. 
[Londoji,  1754.]     8°.  250.  e.  1. 

Gentleman's     Magazine,     Vol.    XXIV., 
p.  331. 
Too  long  the  Rhimesters  of  the  age.     The 
Ton.     A  favourite   Song.     Sung   by  Mrs. 
Wrighten  at  Vauxhall. 
W[illiam]  B[andall :  London,  ITll.]     fol. 

G.  312.  (99.) 
Too  long  thou  Tyrant  love  Ive  borne. 
Song.     -See  H.,  H. 

Too  long  to  the  beauty  of  Delia.  Damon 
and  Delia.     [Song.]  B.  Falkener  : 

London,  [1775.]     s.  sh.  fol. 

H.  1994.  a.  (157.) 
Too  lovely  and  Fair.     [Song.] 
See  PiERO  E  Demetrio. 
Too  lovely  fair  one  I  confess.     Song. 
See  Phillips  (T.) 

TOO  CIVIL  BY  HALP.  Too  Civil  by 
Half.     Farce.     See  Hook  (J.) 

TOODLE.     Toodle  Roodle  Roo.     Song. 
See  Highland  Reel. 

TOPHAM    (William)      Six    Sonatas    or 
Solos,    for   the   Flute.     With   a  Through 
Bass  for  the  Harpsicord.    [Separate  Parts.] 
I.  Walsli  and  I.  Hare  :  London, 
[1700  ?]     ohl.  fol.  d.  150.  (5.) 

[Another  copy.]  c.  105.  a.  (5.) 


TOPHAM  (William)  Six  Sonatas  or 
Solos  for  the  Flute,  with  a  Through  Bass 
for  the  Harpsicord  .  .  Opera  Secunda. 
[Separate  Parts.]  Printed  for  I.  Walsh, 
I.  Hare  and  P.  Randall :  London, 
[1710  ?]     ohl.  fol.  e.  105.  a.  (6.) 

TOPPING  (Michael)  Twelve  English 
Songs  for  a  Voice  Violin  &  Harpsi- 
chord, etc.  Randal  &  Abel,  for 
the  Author  :  London,  [1767  ?]     ohl.  fol. 

E.  601.  g.  (8.) 

TOPSAILS.  The  Topsails  shiver  in  the 
wind.     [Song.]     See  Arne  (M.) 

TORELLI  (Giuseppe)  Concert!  Grossi. 
Con  vna  Pastorale  per  il  Santissimo  Natale 
.  .  .  Opera  Ottaua,  etc.  Violino  Primo 
(Secondo)  di  rinforzo.  (Violino  Secondo 
del  Concertino.)  (Violone,  6  Arcileuto.) 
4  pts.  Per  Marco  Sihiani  :  Bologna, 

1709.     fol.  g.  50.  a. 

Concertino  per  Camera  a  Violino,  e  Violon- 
cello. .  .Opera  Quarta.     [Separate  Parts.] 
Marino  Siluani  :  [Bologna,  1690  ?]     fol. 

K.  2.  i.  12. 
Etched  throughout  by  C.  A.  Biiffagnotti. 

Sinfonie  a  2.  3.  e.  4.  Istromenti  .  .  .  Opera 
Terza.  Violino  Primo  (Secondo).  (Alto 
Viola.)  3  pts.  Per  Gioseffo  Micheletti  : 
Bologna,  1687.     4°.  d.  31. 

Sinfonie  a  Tre  e  Concerti  a  Quattro... 
Opera  Quinta.     (Organo.)     2  pts. 

Chez  Estienne  Roger  :  Amsterdam, 

[1700?]     fol.  g.  50.  b. 

Senate    a   Tre   Istromenti    con    il   Basso 

Continue.     Opera  Prima.     Violino  Primo 

(Secondo).   (Violoncello.)   (Organo.)   4 pts. 

Per  Henrico  Acrtssens  :  Anversa, 

1695.     fol.  g-  50. 

The  title-page  of  the  Organ  part  differs 

slightly  from  the  others.     This  volume 

has  been  successively  in  the  possession 

of  William  Corbett,  Sir  John  Hawkins, 

and   J.  S.    Smith,  and  contains   the 

signattires  of  all  three. 

See  Bernardi  (B.)  VI.  Sonatas  ou  Con- 
certs a  4,  5  &  6  Parties.  Compos^es  par 
M"  Bernard!,  Torell!  &  autres  fameux 
Auteurs,  etc.     [1710  ?]     fol.  g.  914. 

See  BiTTi  (M.)  Concerts  a  5,  6  &  7  Instru- 
mens...  ;  Composez  par  Messieurs  Bitti, 
Vivaldi  &  Torelli,  etc.     [1715  ?]     fol. 

g.  917. 
See  Harmonia  Mundi.    Harmonia  Mundi. 
Consisting  of  Six. .  .Sonata's  collected  out 
of  the. .  .Works  of. .  .Sign'  Torelli,  etc. 
[1710?]     fol.  g-  419. 

See  M.,  R.  Medulla  Musicse  ;  Being  a 
Choice  Collection  of  Airs  .  .  .  from  the 
Works  of . . .  Torelli,  etc.     [1727  ?]     8". 

c.  25. 


TORMENTING— TOURMENT 


591 


TORMENTING-.     Tormenting    Jealousy 
begon.     Song.     See  Weldon  (J.) 

TORNI.    Torni  serena  1'  alma.    Polouoise. 
See  \Ykigl  (J.)     [Gli  Afnori  Marinari.} 

TORNIOLI  (Maec'  Antokio)    Canzonette 

Spirituali   a   Tre   Voci  . . .  Libre    Prime. 

Canto  Prime  (Secendo).     (Basse.)     3  pts. 

Apprcsso  Angela  Gardano,  <&  Fratelli  : 

Venetia,  1607.     4°.  D.  207. 

This  work  also  contaitis  a  Canzonet  by 

G.  B.  Cenni. 

TORNO.  Torno  la  mia  sperauza.  Ariett. 
See  ]\rAJO  (G.  F.  di) 

TORRES       MARTINEZ        BRAVO 

(Joseph  de)  Reglas  Generales  de  Acem- 
pafiar,  en  Organo,  Clavicerdio,  y  Harpa, 
con  solo  saber  cantar  la  parte,  6  vn  baxo 
en  Canto  figurado.  Distribuidas  en  Tres 
Partes,  etc.  En  la  Imprcnta  de  Mvsica  : 
Madrid,  1702.     4».  K.  8.  f.  13. 

Reglas Generalesde  Acompanar . . . Afiadido  : 
aora  un  nuove  Tratado,  donde  se  explica  i 
el  mode  de  acompanar  las  Obras  de  I 
Musica,  segun  el  estilo  Italiano,  etc.  < 

En  la  Imprcnta  de  Musica  :  Madrid, 
1736.    obi.  fol.  7895.  aa.  60. 

See  MoNTANOS  (P.)  Arte  de  Canto  Llano, 
con  Entonaciones  de  Core. .  .nuevamente 
corregidos  :  Y  aora  aumentadas. .  .en  esta 
vltima  Impression . .  .  Per  Den  J.  de  Torres, 
etc.     1734.     4°.  557*.  d.  29. 

See  Nassare  (P.)  Fragmentes  Musicos 
. . .  Sacalos  a  Luz  Don  Joseph  de  Torres, 
etc.     1700.     4°.  1042.  k.  6. 

TORTORITI  (Gabriele)  Advice  to  Sylvia, 
etc.  [Song.]  Printed  for  John  Tyther  : 
[London,  1740  ?]     s.  sh.  fol. 

H.  1994.  (63.) 
[Another  edition.]     Advice  to  Sylvia. 
[London,  1750?]     s.  s7t.  fol. 

G.  316.  f.  (4.) 
Six  Sonatas  for  two  German  Flutes  or 
Violins  and  a  Bass.     [Separate  Parts.] 

Printed  for  I.  Walsh:  London, 
[1745?]     fol.  g.  241.  (8.) 

[Another  copy.]  g.  70.  c.  (7.) 

TORY.  A  Tory,  a  Whigg,  &  a  Moderate 
Man.  The  Moderate  Man:  [Song,]  the 
words  by  Mr.  Durfey  to  a  pretty  French 
Tune.     [London,  1705  ?]     s.  sh.  fol. 

G.  306.  (43.) 
In  Durfey's  songs,  the  music  is  said  to 
be  by  Corelli. 

[Another  copy.]  G.  304.  (1.) 

[Another   edition.]      A   Tory  a  Whigg   & 
a  Moderate  Man.     The  Moderate  Man. 
[London,  1705  ?]     s.  sh.  fol. 

H.  1601.  (32.) 


TORY.  A  Tory  came  late  through  West- 
miuster-hall.  A  Neiv  Song  made  by  a 
Person  of  Quality,  and  sung  befor  His 
IMajesty  at  Winchester.  To  the  Tune  of. 
Cook  Lawrel.     London,  1683.     s.  sh.  fol. 

806.  k.  16.  (90.) 

TOSI  (PiETRO  Feaxcesco)  Observations 
on  the  Florid  Song ;  er  Sentiments  on 
the  Ancient  and  Modern  Singers  .  .  . 
Translated  into  English  by  Islr.  Galliard, 
etc.  Printed  for  J.  Wilco.v  : 

London,  1742.     12°.  '  1042.  d.  16. 

0]3inioni  de'  Cantori  Antichi,  e  Moderni  o 
sieno  Osservazioni  sopra  il  Canto  Figurato, 
etc.  Per  Lelio  dalla  Volpc  : 

Bologna,  1723.     8".  1042.  d.  56. 

TOSSED.  Tossed  on  a  Sea  of  Doubts  and 
Fears.     [Song.]     See  Amateur. 

TOST.  Tost  in  doubts  and  fears  I  rove. 
The  Bover.  [Song,  the  music  bv  E.  Betts.] 
[Lwidon  ?  1730  ?]   s.sh.iol.    0.^312.  (34.) 

TOTAL.     Total  eclipse.     Song. 
See  Haendel  (G.  F.)     [Samson.'] 

TOUCHER.  Toucher  un  cceur,  c'est  un 
grand  bieu.  La  Bivirence,  mise  au  jour 
par  Mr.  Rayer.  [Seng.]  Air  :  On  comp- 
terait  les  diamants.     [Paris,  1785  ?]     8°. 

B.  362.  f.  (4.) 

[Another  copy.]  B.  362.  a.  (31.) 

TOUCHSTONE.  Yauxhall  Watch. 
[Seng.]  Sung  by  Mr.  Mahon  in  the 
Touchstone.  [Words  and  music  by  C. 
Dibdin.]  S.  A.  d  P.  T[hompson  : 

London,  1779.]     s.  sh.  fel.  G.  310.  (115.) 


The  Touchstone. 
See  Dibdin  (C.) 


[Opera.] 


TOU JOURS.  Toujours  grand  soin  aveit 
Lisette.  Lc  Sommeil  Interrompu.  Rende 
a  danser.     [Song.]     [Paris,  1780  ?]     8°. 

B.  362.  g.  (86.) 
Toujours  joyeux.     [Air.] 
See  Deux  Jumeaux  de  Bergame. 

Toujours,  tonjours,  il  est  toujours  le  meme. 
Chanson  Neuvelle  [Words]  De  M"'  De 
B***  j^j;  **♦♦♦*_     [Paris,  1785  ?]     8". 

TOULAIN  (  )  Venus  me  livre  la  guerre. 
Clianson.  Les  paroles  sent  de  M  *  *  *,  etc. 
[Paris,]  1756.     8°.  298.  e.  27. 

Mercure  de  France,  Feb.,  1756. 

TOUR    TO    THE  LAND'S  END.      A 

Tour  to  the  Land's  End.  Entertainment. 
See  Dibdin  (C.) 

TOURMENT.  Le  Tourment  de  1' Amour. 
[Song.]  -See  Pour.  Pour  vous  plaire, 
jeune  Constance,  etc.     [1785  ?]     8°. 

B.  362.  f.  (47.) 


592 


TOURNER— TEADE 


TOURNER.  Tourner  ainsi  la  tete.  Air. 
See  Prix. 

TOURS  (Jacob)  Three  Grand  Sonatas  for 
the  Harpsichord  or  Piano  Forte,  with  an 
Accompaniment  for  a  Violin  .  .  .  Op.  6. 
[Separate  Parts.]  Printed  for  J.  Bland  : 
London,  [1190?]  fol.  g.  418.  a.  (6.) 
Trois  Sonatas,  pour  le  Clavecin  ou  Piano 
Forte  Avec  un  Accompagnement  pour 
un  Violon  Obligate  ...  Op.  3.  [Separate 
Parts  ]  Printed  for  J.  Bland  : 

London,  [1785  ?]    fol.  h.  70.  b.  (9.) 

TOURTERELLE.     La  Tourterelle. 
[Song.]     See  Malbra:sCQ  (     ) 
La  Tourterelle  et  les  Pigeons.     [Song.] 
See  Essex  (T.) 

TOUS.  Tons  ces  Fraucjais  que  loin  de 
nous.  Air  de  la  Suite  de  la  Confederation. 
Avec  Accomp'  de  Guittare.  Chez  Imhault : 
Pans,  [1793?]     8°.  B.  362.  a.  (35.) 

Tous    cetix    qui    n's'ront    pas    contents. 
Vaudeville.     See  Nicodeme  dans  la  Lune. 
Tous  les  hauts  faits  qu'on  lit  deja.     Air. 
See  Confederation  du  Paenasse. 
Tout  Isic']    les    pas   d'un   discret  Amant. 
Ariette.     See  Femmes  Vengees. 

TOUT.     Tout  ce  que  vols.     [Song.] 
See  Duv  *  *  (    )  Mademoiselle. 
Tout    ce  qui    dut    me    rendre   heureux. 
Ariette.     -See  Chimene. 
Tout  dit  qu'il  faut  aimer.     Chanson. 
See  Lagaede  (N.  de). 
Tout  en  badiuant  dit-on.     1  une  Jeune 
Fille,  a  qui  I'Auteur  avait  pris  un  Certain 
\nneau,  qu'on  appelle  J'appartiens.     Air  : 
Du  Sultan  Saladin  [by  A.  E.  M.  Gr^try]. 
CMS  Camand  :  [Paris,  1785  ?]     8°. 

B.  362.  (67.) 

Tout  est  change.     Vaudeville. 

See  Peevot  d'Eximb  (    ) 

Tout    est    charmant    chez   Aspasie.      Le 

Boudoir  cV Aspasie.     Chanson. 

[Paris,  1790  ?]     8°.  B.  362.  e.  (81.) 

Tout    le    jour    est    fait    pour    I'ouvrage. 

[Song.]     See  Au  Retoub. 

Tout  le  village  me  I'envie.     [Song.] 

See  SiLVAlN. 

Tout  mon  sang  est  a  la  patrie.     [Song.] 

See  Siege  de  Thionvilee. 

Tout  renait  dans  ce  beau  sejour.     Air. 

See  T.,  J. 

Tout  s'enyvre  i(;i  has.     Air. 

See  Baudau  (     ) 

Tout  votre  plaisir,  Hortense.     Couplets. 

See  Sainte-Aldegonde  (      de)  Count. 

TOUTAIN  (  )      Sombre  boccage,  ou 

regne  une  profonde  paix.     Air. 
iParis,-\  1738.     s.  sh.  4».  297.  b.  25. 

Mercurc  de  France,  Oct.,  1738. 


TOUTE.  Tout  fille  a  son  tresor.   Romance. 
See  Elouis  (J.) 
Toute  ma  Vie.     Romance. 
See  Chapelle  (P.  D.  A.) 

TOVAR  (Peancisco)  Libro  de  musica 
pratica,  etc.  hnprimida  . . .  por  maestre 
Jolian  Rosebach  :  Barcelona,  1510.     fol. 

K.  1.  f.  1. 
All  the  musical  notes  and  clefs  are  in 
MS.  Fol.  xxi.  is  damaged.  Register  : 
four  leaves  toitliout  signature,  sig.  a, 
four  leaves,  b-e  in  eights.  The  last 
leaf  blank.     40  lines  to  the  full  page. 

TOWN.     Town  and  Country.     [Song.] 
See  As.      As  town  bitten  bards  bred   in 
fashion  &  noise,  etc.     [1790  ?]     fol. 

G.  809.  a.  (34.) 

Town  and  Country.     Song.     ,S'ee  In.     In 

London  I  never  know  what  to  be  at,  etc. 

[1795  ?]     fol.  G.  808.  e.  (26.) 

The  Town  Crier.     [Song.] 

See  DiBDiN  (C.)     [Will  of  the  TTisp.] 

The  Town  Rakes.     Song. 

See  PuECELL  (D.)    [The  Younger  Brother .'\ 

TOZZI  (ViNCENZo)  II  Primo  Libro  de' 
Concenti  Ecclesiastici  a  Due,  Tre,  Quattro, 
e  Cinque  Voci,  etc.  Canto  Primo  (Se- 
condo).  (Alto.)  (Tenore.)  (Basso.) 
(Organo.)  6  pts.  lacomo.  Fei  d'And.  F.  : 
Roma,  1662.     4°.  D.  247. 

There  is  a  second   [engraved)   title-page 
to  each  part-book. 

TRABACI  (Giovanni  Maeia)  Di  Gio. 
Maria  Trabaci  ...  II  Secondo  Libro  de 
Ricercate,  &  altri  varij  Capricci,  Con 
Cento  Versi  sopra  li  Otto  finali  Ecclesi- 
astici, etc.  Gio.  Giocomo  Carlino  : 
Napoli,  1615.  fol.  K.  4.  i.  13. 
VillaneUe,  et  Aria  alia  Napoli  tana,  a  tre, 
&  a  quattro  voci.  Con  vn  Dialogo  nel 
fine  . . .  Nouamente  . . .  composte,  &  date 
in  luce.     Libro  Primo.     Tenore. 

Apprcsso  Gio.  lacomo  Carlino: 
Napoli,  1606.     4".  B.  298. 

TRACCOLLO.     TracoUo.     Intermezzo. 
See  Peegolesi  (G.  B.) 

TRACT  AMANTI.  I  Traci  Amanti. 
[Opera.]     See  Cimaeosa  (D.) 

TRACTATUS  MUSICES.  Tractatus 
Musices.     See  Compendium  Mdsices. 

TRACY  (       )  Tracy's  Collection  of  favorite 
Country  Dances  for  the  present  Year,  with 
proper  Basses  &  Figures  for  Dancing. 
Hime  :  Dublin,  [1795  ?]     fol. 

g.  270.  g.  (6.) 

TRADE.  Trade's  awry,  and  so  am  I. 
PuncMonello.  [Song.]  Sung  by  Mr.  Piatt 
at  Sadler's  Wells.  [Lo)idon, 

1725  ?]     s.  sh.  fol.  G.  312.  (48.) 


TRADING— TRAVERS 


593 


TRADING.     The  Trading  D— chesses  or 
Female    Canvassers.       [Trio.]      See   We. 
We  be  three  gay  Duchesses,  etc. 
[1784.]     fol.  G.  808.  f.  (48.) 

TRAEG  (Andreas)  Fautaisie  pour  uue 
Flute  ...  Op.  2.  Chez  lean  Traeg  : 

Vicnne,  [1800?]     fol.  g.  71.  (15.) 

TRAETTA  (Tommaso)  Antigono.  Over- 
ture. [P.  F.]  [R.  Brcmner  : 
London,  1776.]  fol.  g.  272.  u.  (27.) 
Printed  frorn  the  plates  of  "  The 
Favourite  Songs  in  . . .  Antigono,^'  a 
pasticcio,  by  Traetta,  Hasse  and  Vento. 
Six  Italian  Duets  with  a  Bass  for  the 
Harpsichord  . . .  The  Words  from  Metas- 
tasio.  Peter  Welckcr  :  London, 
[1770?]  ohl.lo\.  E.  600.  1.  (11.) 
Who  gave  the  Sun  his  light,  a  Hymn  to 
the  Creator,  written  to  a  celebrated  Melody 
of  Trajetta's  by  Mrs.  Opie,  harmonized  and 
arranged  with  an  Accompaniment  for  the 
Piano  Forte,  by  Mr.  Biggs.  P.  Birchall : 
London,  [1800  ?]     fol.        H.  1662.  (53.) 

TRAGEDIES  SAINTES.  Tragedies 
Sainctes.  Dauid  combattant.  Dauid 
triomphant.  Dauid  fugitif.  Par  Louis 
Des-Masures  Tournisien.  [With  Hymns 
for  four  voices.]  Par  Nicolas  Soolmans  : 
Anuers,  1582.     8".  839.  b.  32. 

TRAGICAL.  The  Tragical  History  of 
the  Life  and  Death  of  Billy  Pringle's  Pig. 
[Song.]     See  Gejiiniani  (F.) 

TRAITE.  Traits  Critique  du  Plain-Chant, 
usite  aujourd'ui  dans  I'Eglise,   etc.     [By 

—  Cousin  de  Contamine.]  Chez  P.  G.  L. 
Mercier :  Paris,  1749.  12°.  786.  c.  28. 
Traite  de  la  IMusette,  avec  une  nouvelle 
Methode,  pour  apprendre  de  soy-mesme  a 
jouer  de  cet  Instrument,  etc.  [By  C.  E. 
Borjon.]  Cliez  I.  Gerin,  d-  B.  Riviere  : 
Lyon,  1672.  fol.  7895.  f.  7. 
Traict^  de  Musique,  contenant  une  som- 
maire  instruction  pour  methodiquement 
pratiquer  la  composition.  Pierre  Ballard  : 
Paris,  1616.  4".  556.  c.  28. 
[Another  edition.]  Traicte  de  Musique, 
etc.     Pierre  Ballard  :  Paris,  1617.     4". 

557*.  d.  (6.) 
Trait6  duCoutrepoint.     [Interleaved  with 
examples  in  MS.     By  P.  Signoretti.] 
[Paris,  1765  ?]     4°.  557*.  e.  19. 

Trait6  du  Melo-Drame  ou  Reflexions  sur 
la  Musique  Dramatique.  [ByL.  Garcin.] 
Chez  Vallat-la-Chapelle  :  Paris,  1772.    8". 

1042.  h.  8. 
[Another  copy.]  786.  c.  29. 

See  Observations.    Observations  sur 

un  ouvrage  nouveau  [by  L.  Garcin]  intitule : 
Traits  du  Melo-Drame,  etc.  [By  Francois 
Jean,  Marquis  de  Chastellux.]     1771.     8^ 

839.  d.  10. 

VOL.  II. 


TRAITE.  Traite  Theorique  et  Pratique 
du  Plain-Chant,  appelle  Gregorien,  etc. 
[By  L.  Poisson.] 

Chez  P.  N.  Lottin,  &  J.  H. 
Butard :  Paris,  1750.     8°.        1042.  1.  4. 

TRAITE  NUL.  Le  Trait6  Nul,  Opera. 
See  Gaveaux  (P.) 

TRAJETTA  (Tommaso)    See  Tbaetta. 

TRANQUIL.  The  Tranquil  Thatch. 
Ballad.     See  Suett  (R.) 

TRANSFORMATION.     The  Transfor- 
mation.     Song.      .See    Of.      Of    all    the 
Animals  on  Earth  I  see. 
[1730?]    s.sh.iol.  G.  310.  (174.) 

TRANSILVANO.  II  Transilvano. 
Dialogo.     See  Diruta  (G.) 

TRANSIT.  The  Transit  of  Venus.  [Song.] 
See  Come.  Come  ye  lads  and  lassies  with 
speed.     [1774  ?]     s.  sh.  fol. 

G.  307.  (125.) 

TRANSPORTING.  Transporting 
Charmer.  Song,  ^'ee  Floridante.  Finche 
lo  strale. 

TRAUER-LIED.  Trauer-Lied,  Bey 
seeligen  Absterben  .  .  .  Dess  .  .  .  Herrn 
Johann  Woliigang  Griinewalds.  See  AcH. 
Ach  Traurigkeit,  etc.     1684.     4". 

12301.  dd.  6.  (16.) 

TRAUMBILD.  Das  Traumbild.  [Song.] 
See  ilozART  (W.  A.) 

TRAVELLER.     The  Traveller.     Song. 
See  Amateur. 

A  Traveller  stopt  at  a  Widow's  Gate.  Song. 
See  Storage  (S.)     [The  Lvn  Chest.] 

TRAVELLERS  IN  SWITZER- 
LAND. The  Travellers  in  Switzerland. 
Comic    Opera.     See  Shield  (W.) 

TRAVENOL  (Louis)     SeeD**  *.     His- 
toire  du  Theatre  de  I'Academie  Royale  de 
IMusique  . . .  Seconde   Edition,   etc.      [By 
L.  Travenol  and  J.  Durey  de  Noinville.] 
1757.     8°.  1042.  h.  3. 

TRAVERIA  (Daniel)  Ensayo  Gre- 
goriano,  6  Estudio  Pratico  del  Canto- 
Llano  e  Figurado  en  Metodo  facil  . . , 
Dividido  en  tres  Partes,  etc.  En  la 

Lnprenta  de   la  Viuda  de  Don    Joachin 
Ibarra  :  Madrid,  1794.     4°.  C.  348. 

[Another  copy.]  C.  348.  a. 

TRAVERS  (John)  The  Whole  Book  of 
Psalms,  for  one,  two,  three,  four  and  five 
Voices  with  a  Thorough  Bass  for  the 
Harpsichord,  etc.     2  vols.  Printed  for 

J.  Johnson :  London,  [1750  ?]  fol.     G.  104. 

2  Q 


594 


TRAVERS— TREATISE 


TRAVERS  (John)  Bright  Author  of  my 
present  Fkime.  [Song,  the  words  by  A. 
Robertson  of  Struan.J  Sung  by  Mr. 
Lowe,  etc.     [London,  1750  ?]     fol. 

G.  305.  (103.) 

[Another  copy.]  G-.  306.  (174.) 

[Another  copy.]  G.  315.  (143.) 

[Another  edition.]     Bright  Author  of  my 
present  Flame,  etc.     [London,  1750  ?]     fol. 

G.  316.  d.  (51.) 
Eighteen  Conzonets,  for  Two,  and  three 
Voices:  (The  Words  chiefly  by  M.  Prior), 
etc.  John  Simi^son,  for  the  Autlior  : 

London,  [1745  ?]     fol.         G-.  805.  e.  (1.) 

Eighteen  Canzonets,  etc. 

John  Johnson,  for  the  Author  : 
London,  [llbO^     fol.  G.  385.  (1.) 

[No.  1.]      I  like  a  Bee.      Canzonette 

for  Two  Voices.  [London, 

1760?]     s.sh.iol.  G.  309.  (129.) 

[No.  1.]   I  like  a  Bee.    Canzonette  for 

Two  Voices.      [London,  1775  ?]     s.  sh.  fol. 

H.  1994.  a.  (33.) 

[No.  4.]  Bibo.  A  Favourite  Canzonet 

for  Two  Voices.         B.  Falkener  :  London, 
[1775?]     fol.  H.  1994.  a.  (132.) 

[No.  4.]  Bibo.  A  favourite  Canzonett 

for  2  Voices.     Longman,  Clcmenti  it  Co.  : 
[London,  1780  ?]     fol.     G.  805.  g.  (56.) 

[No.  5.]     I  my  dear  was  born  to  day, 

etc  Printed  for  J.  Bland  : 

London,  [1780  ?]     fol.         G.  309.  (104.) 

[No.  7.]     Says  Pontius  in  rage,  etc. 

Printed  for  J.  Bland  : 
[London,  1780  2]  fol.  G.  311.  (115.) 
— —  [No.  7.]  Says  Pontius  in  rage.  Can- 
zonet.    [London,]  1792.     s.  sh.  4°. 

P.P.  5141. 
Lady's  Magazine,  March,  1792. 

[No.  12.]     Haste,  my  Nanette,  etc. 

Bland  £  Welter  : 
London,  [1795  ?]     fol.  G.  295.  (3.) 

On  Windsor  Castle.  See  Hail.  Hail 
Windsor  crown'd  with  lofty  Tow'rs,  etc. 
[By  J.  Travers.]     [1742  ?]     s.  sh.  fol. 

G.  305.  (130.) 

Plenty,  Mirth,  and  gay  Delights.  A 
favourite  Two  Part  Song.  [London,] 

1789.     s.  sh.  4°.  P.P.  5141. 

Lady's  Magazine,  Jiine,  1789. 
Plenty,  Mirth  and  gay  Delight. 
See  Plenty.      Plenty,   Mirth,   etc.     [By 
J.  Travers.]     [1725?]     s.sh.iol. 

G.  316.  e.  (118.) 

XII.  Voluntaries  for  the  Organ  or  Harp- 
sichord, etc.  Printed  for  C.  cfi  S. 
Thompson  :  London,  [1770  ?]     obi.  fol. 

e.  174.  h.  (9.) 
When  Vernal  Airs  perfume  the  Fields. 
A  Favourite  Song  .  .  .  Sung  by  Miss 
Formantel.     [London,  1160?]     fol. 

G.  316.  (145.) 


TRAVERS  (John)    See  Apollonian  Har- 
mony.   Apollonian  Harmony :  a  Collection 
of  . . .  Glees  . . .  by  . .  .Travers,  etc. 
[1790?]     8°.  E.  255. 

See  Catches.  A  Second  Collection  of 
Catches  by. .  .Dr.  Arne,  .  .  .  Mr.  Travers, 
etc.  [1766?]  obl.i".  A.  756.  a.  (2.) 
See  Catches.  Three  Catches,  etc.  [By 
J.  Travers,  etc.]     [1775.]     s.  sh.  4°. 

P.P.  5141. 

See  Coree  (J.)  Nine  Vocal  Trios  arranged 
from. .  .Airs  and  Duetts  of. .  .Travers,  etc. 
[1800?]     obl.tol.  F.  607.  z.  (1.) 

See  Voluntaries.     A  Collection  of  Volun- 
taries. .  .by  Dr.  Green,  Mr.  Travers  &  . . . 
other. .  .Masters.     Book  i.,  etc. 
[1777  ?-1780  ?]     obi.  fol.  e.  1089. 

See  Willoughby  (R.)  Sacred  Harmony 
. .  .selected  from  the  Works  of.  .  .Travers, 
etc.     [1795?]     obl.i".  A.  1095. 

TRAVERSA  (Gioacchino)    Six  Quatuors 
Coucertans   pour   deux   Violons,   Alto   et 
Basse.     Dedies   a   lilonsieur  le  Baron  de 
Bagge,  etc.     [Separate  Parts.] 
Chez  M'-  Le  Due  :  Paris,  [1780  ?]     fol. 

g.  428.  a.  (1.) 
Six  Quatuors  Concertants  pour  Deux 
Violons,  Alto  et  Basse  ;  dedies  a  . . .  Mon- 
seigneur  Charles  Eugene  de  Lorraine 
Prince  de  Lambese,  etc.  [Separate  Parts.] 
Ch^z  le  S'-  Sieber :  Paris,  [1785  ?]     fol. 

g.  428. 

Six  Quatuor  Dialogues  pour  Deux  Violons, 
Alto  et  Basse,  composes  sur  des  Airs 
connus  .  .  .  Graves  par  Le  Roy  I'aine. 
[Separate  Parts.]  Chez  M.  de  la 

Chevardi^re  :  Paris,  [1775  ?]     fol. 

g.  428.  a.  (2.) 
TREACHEROUS.        The     Treacherous 

Fair.  [Song.]  See  Hudson  (R.) 
TREATISE.  A  Short  Treatise  on  Har- 
mony. Containing  the  Chief  Rules  for 
Composing  in  Two,  Three  and  Four  Parts. 
Dedicated  to  all  Lovers  of  Musick,  by  an 
Admirer  of  This  Noble  and  Agreeable 
Science  [i.e.  J.  C.  Pepusch].  J.  Watts  : 
London,  1730.     obi.  8".  785.  a.  8. 

This  treatise  was  written  by  Dr.  Pepusch 
for  the  use  of  his  pupil  James,  Lord 
Paisley  (afterwards  Earl  ofAbercorn), 
and  published  without  the  knoivledge 
of  the  author. 
[Another  copy.  ms.  notes,  etc.,  by  Joshua 
Steele.]  785.  a.  9. 

A  Treatise  on  Harmony  .  .  .  Dedicated  to 
all  Lovers  of  Musick,  by  an  Admirer  of 
this  Agreeable  Science  [i.e.  J.  C.  Pepusch]. 
The  Second  Edition,  Alter'd  Enlarg'd, 
and  Illustrated  by  Examples  in  Notes, 
etc.     W.  Pearson  :  London,  1731.    obi.  8°. 

785.  a.  10. 

[Another  copy.]  785.  a.  11. 

[Another  copy.]  53.  a.  25. 


TREATISE— TKIAL 


595 


TREATISE.  A  Treatise  on  the  Theory 
and  Practical  System  of  Music.  To  which 
is  added  ...  a  few  Observations  on  Minor 
Keys,  etc.  G.  Cawthorn  :  London, 

1798.    8°.  1042.  k.  22.  (4.) 

1042.  k.  23. 


[Another  copy.] 


(3.) 


A  Treatise  on  the  Transposition  of  Music, 
with  a  new-invented  circular  Sliding  Scale, 
etc.  Printed  for  the.  Atitlior  : 

London,  [11857]     8".     557*.  e.  19.  (12.) 

TREATY.  The  Treaty  of  Commerce. 
[Song.]  See  Troth.  Troth  Mister  Bull, 
etc.     [1785.]     fol.  G.  312.  (244.) 

TREBUCHET.     Le  Trdbuchet.      [Song.] 
See  LisON.     Lison  guettoit  une  fauvette. 
[1780?]     8°.  B.  362.  b.  (118.) 

TREES.     The  Trees  begin  to  bud.     Song. 
See  Hook  (J.) 

TREIBER  (JoHANN  Philipp)  Der  Accu- 
rate Organist  im  General-Bass.  Das  ist  : 
Neue,  deutliche  und  voUstandige  Anwei- 
sung  zum  General-Bass,  etc.  [By  J.  P. 
Treiber.]  1701.  fol.  See  Accurate  Or- 
C4ANIST.  7896.  g.  33. 

TREIMER  (Sewalt)     See  Triemer  (.J.  Z.) 

TREMAIN  (T.)  The  Brown  Jugg.  Can- 
zonet for  two  Voices.  [Words  by  F. 
Fawkes.]    Sk[illern  :  London,  1780  ?]    fol. 

G.  307.  (173.) 

Thirteen  Canzonets  for  Two  Voices  .  .  . 
Op.  5.  Longman  and  Broderip  : 

London,  [1785  ?]     fol.  H.  1652.  (8.) 

Past  Twelve  o'clock.  [Song.]  The  Words 
by  Mr.  Selway,  etc.    [London,  1780  ?]    fol. 

G.  310.  (236.) 

Phillis.     A  Canzonet  for  3  Voices. 
Sk'illern:  London,  11807]     fol. 

G.  307.  (171.) 

Twenty  Psalms,  set  to  Music  for  Two, 
Three  and  Four  Voices.  T.  Skillcrn  : 

London,  [1185  7]    obl.iol. 

E.  602.  f.  (4.) 

Six  Sonatas,  for  the  Harpsichord  or  Porte- 
Piano,  with  an  Accompaniment  for  the 
Violin. .  .Opera  iv.  Longman  and 

Broderip :  London,  [1785  ?]     fol. 

g.  442.  a.  (18.) 

Six  Sonatas  Spirituale  or  Voluntarys  for 
the  Organ  or  Harpsichord. .  .Op.  vii. 
Preston  d  Son  :  London,  [1800?]     fol. 

h.  2732.  1.  (3.) 

TREMAIS(       de)  Sonates  pour  le  Violon 
et  pour  la  Flute  avec  la  Basse  Continue. . . . 
CEuvre  P^  Gravees  par  le  S'  Hue,  etc. 
Chez  M"'^  Boivin:  Paris,  1736.     fol. 

h.  1633. 


TRENTO  (Vittorio)  Brillar  il  cor  mi 
sento.  [Song.]  Sung  by  Sig"  Morichelli 
...  in  the  Opera  [by  V.  Martin  y  Solar] 
of  II  Burbero  di  Buon  Core.  Arranged 
for  the  Piano  Forte  with  ornaments  by  D. 
Corri.  Printed  for  Corri,  Dnssek  &  Co. : 
London  &  Edinhiirgh,  [1794.]     fol. 

G.  805.  d.  (23.) 

[La  Forza  dell'  Amore.]  The  Favorite 
Dance  of  the  Triumph  of  Love . . .  composed 
by  Sig'  Gentili,  etc.  [P.  F.]  Longman 
&  Broderiji :  London,  [1797.]     fol. 

h.  16.  b.  (3.) 

TRESTED  (Thomas)  The  Hair  Dresser's 
Address  to  the  Ladies,  by  Oliver  Oddfish 
Esq',  etc.     [Song.]  J[o}in]  P[reston  : 

London,  1780  ?]    s.  sh.  fol.    G.  307.  (93.) 

TRESTI  (Flaminio)  II  Primo  Libro  delle 
Canzonette  a  Tre  Voci  .  .  .  Nouamente 
composte,  &  date  in  luce.     Basso. 

Apprcsso  Angela  Gardano  :  Venczia, 
1591.     4".  D.  226. 

II  Primo  Libro   de   Madrigali   a  Cinque 

Voci . . .  Nouamente  posti  in  luce.    Quinto. 

Apprcsso  Angelo  Gardano:  Venetia, 

1585.    obi.  4\  A.  327. 

II  Secondo  Libro  de  Madrigali  a  Cinque 
Voci.  .Nouamente  composto,  &  dato  in 
luce.  Quinto.  Apprcsso  Angelo  Gardano  : 
Venetia,  1587.     obi.  4".  A.  327.  a. 

II  Terzo  Libro  de  Madrigali  a  Cinque  Voci 
. .  .Nouamente  composto,  &  dato  in  luce. 
Quinto.  Apprcsso  Angelo  Gardano  : 

Venetia,  1590.     obi.  4».  A.  327.  b. 

II  Quarto  Libro  de  Madrigali  a  Cinque  Voci 
. .  .Nouamente  composto,  &  dato  in  luce. 
Canto.  (Alto.)  (Tenore.)  (Basso.)  (Quinto.) 
5  pts.  Apprcsso  Angelo  Gardano : 

Venetia,  1596.     obi.  4°.  A.  327.  c. 

TREUEN  KOEHLER.  Die  Treuen 
Kohler.     Singspiel.     See  Schdbaur  (L.) 

Die  Treuen  Kohler.     Operette. 
See  Wolf  (E.  W.) 

TREVISANI  (Giuseppe)     Senate  a  Vio- 

lino,  e  Violoncello  e   Cembalo  che  acom- 

pagna. .  .Opera  Prima.     [Separate  Parts.] 

Bruxelles,  1706.     obi.  fol.  e.  29. 

Wanting  the  title-page  of  the  Violoncello 

part.     The  Violin  part  is  engraved  by 

Davidt  Vleughels,  the  Violoncello  by 

Lud.   Phil,  de  Heicqueville  and    the 

Cembalo  by  Berterham. 

TRIAD.     The  Triad  Alliance.     Ballad. 
See  NussEY  (G.) 

TRIAL  (Armand  Emmanuel)  Cecile  et 
Julien,  ou  Le  Siege  de  Lille.  [For  airs, 
&c.,  by  A.  E.  Trial,  published  anony- 
mously :]  See  Cecile  et  Julien. 

^  2  Q  2 


596 


TRIAL— TEIEIMER 


TRIAL    (Armand    Emmanuel)     C6cile   et 
Julieu,   ou  le  Siege  cle  Lille.     [For  airs, 
&c.,  by  A.  E.  Trial,  published  anonymously 
under  the  second  title  of  this  work  :] 
^ee  Siege  de  Lille. 

See    Dalayrac    (N.)      [Unc   Journde    de 
Catinat.]      Adieu  monsieur   Firmin  .  .  . 
Arrange  pour  Piano  . . .  par  A.  E.  Trial. 
[1800?]     fol.  G.  808.  (55.) 

See  Dalayrac  (N.)  [Maison  a  Vcnclrc.'] 
Fies  vous  .  .  .  Arrang6  pour  Piano  ou 
Harpe  par  A.  E.  Trial.     [1800?]     fol. 

G.  390.  a.  (1.) 

See  Dalayrac  (N.)     [Maison  a  Vendre.'] 
Trop  malheureux  Dermont  .  .  .  Arrange 
pour  Piano  ou  Harpe  par  A.  E.  Trial. 
[1800?]    fol.  G.  390.  a.  (7.) 

See  Gaveaux  (P.)  [Le  Trompeur  Trompi.'] 
Ces  beaux  galans,  ces  jeunes  gens.  Couplets 
.  .  .  Arrange  pour  Piano  .  .  .  par  A.  E. 
Trial,  etc.     [1800  ?]     fol. 

G.  554.  a.  (40.) 

TRIAL  (Jean  Claude)     L' Amour  aucien 
et  I'Amour  moderne,  etc.     [Song.] 
[Paris,-]  1771.     s.  sh.  8".  298.  e.  5. 

Merciire  de  France,  May,  1771. 

La  Fete  de  Flore.  [For  songs,  &c.,  pub- 
lished anonymously  :]  See  FeSte  de  Flore. 

II  faut  voir  Annette.     Ariette,  etc. 
[Paris,  1770  ?]     8°.  B.  362.  b.  (65.) 

TRIBUT  DE  LA  TOILETTE.     Tribut 
de  la  Toillette.     [Songs.]     2  vols. 
Chez  Madame  Boivin  :  Paris,  [1745  ?]    8°. 

C.  402. 

The  pagination  is  contimious. 

TRICERBERO.  II  Tricerbero  humiliato. 
[Song.]    See  Haendel  (G.  F.)    [Binaldo.'] 

TRICINIA.  [Tricinia.  Turn  veterum  turn 
recentiorum  in  arte  musica  symphonist- 
arum,  Latina,  Germanica,  Brabantica  & 
Gallica,  ante  hac  typis  nunq3  excusa, 
Obseruata  in  disponendo  Tonorum  ordine, 
quo  utentibus  sint  accomodatiora,  etc.'] 
Bassus  Triciniorum. 

[Apud  Georgiuni  Rhau  : 
Wittembergse,  1542.]     ohl.  4".  A.  562. 

The  full  title  only  occurs  in  the  Tenor. 
The  composers  named  in  this  part  are, : 
Th.  Stoltzer,  S.  Dietrich,  A.  Eenerus, 
P.  de  la  Rue,  M.  Pipelare,  B.  Duels, 
L.  Compere,  J.  Walther,  A.  de  Bruck, 
H.  Isaac,  A.  Agricola,  J.  Obrecht, 
O.  Forster,  J.  de  Billon,  Clatidin, 
J.  Ghiselin,  Noel  B.,  Hilariiis,  F.  de 
Layolle,  J.  Lehrun,  P.  Hofheymcr, 
T.  Sparer,  J.  Mouton,  Richafort  ancl 
Josquin. 

Selectissimorum  Triciniorum  Discantus 
(Bassus). — (Discantus  (Bassus)  Tricini- 
orum.    In  Secundo  Tomo  contentorum.) 


—(Superior    (Inferior)    Cantus   in  Tertio 
Tomo  Triciniorum.)     3  Books.     6  pts.  _ 

In  officina  loannis  Montani,  <& 

Vlrici     Neuberi     sociorum :     Noribergx, 

[1559-60.]     obi.  16°.  K.  8.  i.  1. 

Book    I.    contains   compositions    by    T. 

Stoltzer,   J.   Mouton,    Concilium,    B. 

Ducis,   J.    Gero,    H.   Isaac,   Jacotin, 

Janequin,    P.    Molu,    Richafort,    R. 

Unterholtzer  and  A.  Willart ;  Book II. 

by     Verdelot,     Clemens     non    Papa, 

Morales,     Phinot,     Jacotin,     Certon, 

Claudin,    Daviianus,      L.  Paminger, 

C.  Canis,  Jo.  Baston,  T.  Crecguilon,  N. 

Govibcrt,  C.  Jamicquiii  and  Benedic- 

tus ;  Book  III.  by  Wolfgang  Figulus. 

Book  I.  is  undated,  Book  II.  is  dated 

1560,  and  Book  III.  has  the  folloiving 

colophon:   "  Gedruckt  zu  Niirnberg  \ 

durch  Johann  vom  Berg  \  vnd  Ulrich 

Neuber.    Anno  1559." 

[Another  copy.     Bassus.     Book  I.] 

K.  8.  i.  4.  (13.) 
TRICK  FOR  TRICK.     Trick  for  Trick. 
A  Comedy  of  Two  Acts  ...  by  E.  Fabian. 
[With  the  music  of  the  Songs.] 
Printed  for  J.  Watts  :  London,  1735.     8°. 

161.  i.  49. 
TRICK   UPOISr   TRICK.      Trick  upon 
Trick.     Pantomime.     Sec  Hook  (J.) 

TRICKLIR     (Jean    Balthasar)         Six 
Senates  pour  le  Violoncel,  etc. 
Chez  Imbault :  Paris,  [1785  ?]     fol. 

g.  422.  h.  (4.) 

514.  a.  (3.) 


[Another  copy.] 


g- 


TRIEMER  (Johann  Zewalt)  VI  Sonata 
a  Violoncello  Solo  con  Basso  continue  . . . 
Oeuvre  Premier.  Gravies  par  J.  L. 
Reuou.  Chez  M''  Le  Clcrc  : 

Paris,  [1745  ?]     fol.  g.  506. 

VI  Solos  for  a  Violin  with  a  Thorough 
Bass  for  the  Harpsicord  or  Violoncello  . . . 
Opera  Seconda.  Printed  for  J.  Johnson  : 
London,  [1750  ?]  fol.  g.  420.  b.  (7.) 
A  New  Version  of  the  Psalms  of  David, 
by  N.  Tate  &  N.  Brady.  And  set  to 
IMusick  by  J.  Z.  Triemer.  (Hymns 
adapted  to  Christian  Worship,  etc.)  2  pts. 
Antony  Bruyn  :  Amsterdam,  1753.     4°. 

E.  147^. 

The  pagination  is  continuous. 
[Another  edition.]     A  New  Version  of  the 
Psalms  of  David,- c^c.     (Hymns  adapted  to 
Christian  Worship,  etc.)     2  pts. 
Antomi  Brmin  :  Amsterdam,  1753.     12°. 

3434.  ce.  7. 
A  New  Version  of  the  Psalms  of  David, 
by  N.  Tate  &  N.  Brady.  And  set  to 
Musick  by  J.  Z.  Triemer.  (Hymns 
adapted  to  Christian  Worship,  etc.)  2  pts. 
Antony  Brtcyn,  d-  Son  :  Amsterdam, 
1765  (1753).     4°.  3090.  e.  41.  (1.) 

The  hymns  are  dated  1753. 


TRIEMER— TRIP 


597 


TRIEMER  (JoHANN  Zewalt)  [Another 
edition.]  A  New  Version  of  tlie  Psalms  of 
David,  etc.  (Hymns  adapted  to  Christian 
Worship,  etc.)     2  pts. 

Antony  Bruyn,  £  Son  : 
Amsterdam,  1765.     12".  3436.  f.  33. 

A  New  Version  of  the  Psalms  of  David, 
by  N.  Tate  &  N.  Brady.  Together  with 
some  Hymns  adapted  to  Christian  Wor- 
ship,. .  .as  used  in  the  English  established 
Church  in  Amsterdam,  etc. 
Henry  Gartman  :  Amsterdam,  1772.     4". 

3050.  eee.  9.  (2.) 
[Another  edition.]  A  New  Version  of  the 
Psalms  of  David  . . .  Together  with  some 
Hymns  adapted  to  Christian  Worship  . . . 
as  used  in  the  English  established  Church 
in  Amsterdam,  etc.  Henry  Gartman  : 

Amsterdam,  1772.     12". 

3436.  eee.  1.  (1.) 

Sec  Pagin  (A.  N.)      Sis  Solos  ...  for  a 
Violin  ...  by  ...  Sewalt  Treimer,  etc. 
[1750?]     fol.  g.  422.  g.  (3.) 

TRIFLE.     The  Trifle.     Song. 

See  PuRCELL  (D.)  [T/ie  Beaux'  Stratagem.] 

TRIGG.     Trigg  for  Ever.     Song. 

See  Now.     Now  the  Spring  is  fresh  and 
fair.     [1735  ?]     s.  sh.  fol.      G.  303.  (71.) 

TRIMMERS.  The  Trimmers.  Ballad. 
See  Ye.  Ye  lovers  of  frolick  come  list  to 
my  tale.     [1775?]     s.  sh.  io\. 

G.  314.  (81.) 

TRINITY.  The  Trinity  Tax.  Ballad. 
See  In.  In  a  beggarly  state  that  is  held 
up  to  scorn.     [1783.]     s.  sh.  fol. 

G.  309.  (132.) 

TRIO.  A  Favorite  Trio  for  a  German 
Flute,  Oboe  and  Violoncello,  performed 
by  Messrs.  Weiss,  Fischer,  &  Crosdil  at 
the  Concert  Rooms  Hanover  Square. 
[Separate  Parts.]  Longman  di  Broderip  : 
London,  [1790  ?]     fol.       g.  420.  d.  (13.) 

TRIOMPHE.  Le  Triomphe  de  la  Beaute. 
[Song.]  See  Infidele.  InfideUe  a  son 
triste  6poux,  etc.     [1780  ?]     S". 

B.  362.  e.  (63.) 
Triomphe !    de    nos    droits    c616brons   la 
conquete.     Hymne. 
See  Langle  (H.  F.  M.) 
Le  Triomphe  du  Palais  Royal.     [Song.] 
See  Alloks.     AUons  vite  en  diligence,  etc. 
[1785?]     8".  B.  362.  a.  (183.) 

Le  Triomphe  du  Vent.     [Song.] 
See  Que.     Que  de  gens  remplis  d'Esp^r- 
ance.     [1783.]     8°.  B.  362.  a.  77. 

TRIOMPHE     DE      L'AMOUR.       Le 

Triomphe  de  1' Amour.     Ballet  Royal. 
See  LuLLi  (G.  B.) 

TRIOMPHE      DE      L'HARMONIE. 

Le  Triomphe  de  rHarmonie,     Ballet. 
See  Geenet  (F.  L.) 


TRIOMPHE    DE    L'lNTERi^lT.      Le 

Triomphe   de   I'lnteret.     Comedie  en  un 
Acte.     Par  l'Abb(5  Des-Fontaines.     [With 
the  music  of  the  concluding  Couplets.] 
Chez  A.  van  Dole  :  a  la  Haye,  1731.    8°. 

164.  d.  31. 

TRIOMPHE    DE    LA    FOLIE.      La 

Comedie     du     Triomphe     de     la     Folie. 

[Divertissement.]     See  Campra  (A.) 

TRIOMPHE  DE  LA  REPUBLIQUE. 

Le   Triomphe    de    la   Republique    ou    le 
Camp  de  Grand  Pr6.     Divertissement. 
See  GossEC  (F.  J.) 

TRIOMPHE   DE   THEMIS.     Le   Tri- 
omphe do  Themis.     Ballet. 
See  Bossi  (C.) 

TRIOMPHE     DES     SENS.       Le    Tri- 
omphe  des  Sens.     BaUet  h6roique. 
See  MouHET  (J.  J.) 

TRIONFO  DELLA  CONTINENZA. 

II  Trionfo  della  Continenza.     Opera. 
See  Galuppi  (B.) 

TRIONFO      DELLA      COSTANZA. 
II  Trionfo  della  Costanza.     Opera. 
Sec  Anfossi  (P.) 

TRIONFO    DELLA    FEDELTA.      II 

Trionfo  della  Fedelta.  Dramma  pasto- 
rale.    See  A.,  E.  T.  P.,  pseud. 

TRIONFO  DI  CAMILLO.  II  Trionfo 
di  Camilla.     [Opera.]     Sec  Ciampi  (L.  V.) 

TRIONFO  DI  DORI.  II  Trionfo  di 
Dori,  Descritto  da  Diuersi,  Et  posti  in 
Musica,  da  altretanti  Autori.  A  Sei  Voci. 
Canto.     (Alto.)     (Tenore.)     3  pts. 

Appresso  Pietro  Phalesio  : 
Anuersa,  1614.    ohl.  4°.  A.  258. 

This  collection  contains  madrigals  by 
A.  Striggio,  A.  Preti,  A.  Stabile,  C. 
Porta,  F.  Anerio,  F.  de  Monti,  G. 
Costa,  G.  Zetto,  G.  Cavaccio,  G. 
Croce,  G.  Florio,  G.  Gabrieli,  G.  de 
Macque,  G.  Palestrina,  G.  G.  Gastoldi, 
G.  M.  Asola,  G.  Eremita,  H.  Baccusi, 
H.  Sabino,  S.  Bertani,  L.  Leoni, 
L.  Marenzio,  L.  Balbi,  0.  Columbano, 
O.  Vecchi,  P.  Bozi,  P.  A.  Bonini,  T. 
Massaino  and  B.  Giovanelli. 

See  Lyttich  (J.)  Musicalische  Streit- 
krantzlein :  hiebevorn  ...  in  Welscher 
sprach  .  . .  auffgesetzt,  vnd. .  .Triumph!  di 
Dori .  .  .genennet,  e^c.     1612.     4". 

B.  117.  a. 

TRIP.  A  Trip  to  Hounslow  Camp.  [Song.] 
See  Come.  Come  listen  lack  I'll  tell  to 
thee.     [1740.]     s.sh.iol. 

H.  1994.  b.  (14.) 

A  Trip  to  Northern  Fallgate.     [Song.] 
See  Geayes  (.J.) 


598 


TRIP— TRIUMPHS 


TRIP  TO  COXHEATH.  There's  Beef 
and  Mutton  Roast  and  Boil'd.  [Song.] 
Su7ig  by  Mr.  Heryman  at  Sadlers  Wells 
in  the  Favorite  Interlude  call'd  a  Trip  to 
Cox  Heath.  S[amud  and]  A[nn.] 

Tfhompson  :  London,  1778.]     s.  sh.  fol. 

G.  312.  (145.) 

TRIP  TO  PORTSMOUTH.    The  Music 
in  the  Trip  to  Portsmouth. 
See  Akne  (T.  A.)  and  Dibdin  (C.) 

TRIP  TO  THE  WORE.  'Twas  on  an 
Autumn  day.  A  favorite  Scotch  Air,  sung 
by  Mr.  Dignum  in  "  A  Trip  to  the  Nore." 
[Words  by  A.  Franklin.] 

Longman  and  Broderip  :  [^London, 
1797.]     fol.  G.  250.  (25.) 

TRIPLE.  A  Tripple  Alliance  in  Love 
none  can  boast.  The  Bival's  Complaint 
to  Somebody.     [Song.]  [London, 

1726?]     s.  s7i.  fol.  G.  306.  (11.) 

TRISOBIO  (FiLiPPo)  La  Scuola  del 
Canto,  or  A  new. .  .method  of  acquiring 
perfection  in  Singing,  according  to  the 
most  modern  Italian  stile,  to  which  are 
added  Six  Airs,  Four  Duets,  &  Two  Trios, 
etc.  Leivis,  Houston  th  Hyde,  for  the 

Autlior  :  London,  [1795.]     obi.  fol. 

557=^.  e.  22.  (2.) 

TRISTABOCCA     (Pasquale)        Missse 

Quatuor    Vocibus    luxta   Formam   Sacri 

Concilii  Tridentini  Compositse,  etc.    Tenor. 

Apud  Hxredem  Hicronymi  Scoti  : 

Venetiis,  1591.     4°.  D.  1050. 

TRISTARELLA.  Tristarella  tu  non 
m'  intendi.  Duett.  See  Feeraei  (G.  G.) 
[Li  Due  Svizzeri.'] 

TRISTE.     La  Triste  Philosophic.     Duo. 
See  Blamont  (F.  Collin  de) 
Triste  raison,  j'abjure  ton  empire.    Arictte 
Nouvellc.     [Paris,  1780  ?]     8". 

B.  362.  a.  (150.) 

TRISTES.     Triste  6chos.     Romance. 
See  Peau  (    ) 

Tristes    regrets,    sortez    de    ma    pens^e. 
Romance.     See  L  *  *,  D. 

TRITONIUS  (Pbtrus)  Harmonie  Petri 
Tritonii  super  odis  Horatii  Flacci,  etc. 

Demio  impresse  per  Erhardum  ceglin  : 

Aitgustn',  1507.     4°.  K.  4.  d.  6. 

22  leaves  loithout  pagination.    Register : 

sig.  A  in  eight,  B  in  si.v,  G  in  eight. 

The  recto  of  C  8  bears  the  colophon, 

the  verso  foxir  lines  of  music  staves, 

without  notes. 
Melopoise  sive  Harmonise  tetracenticse 
super  XXII.  genera  carminum  Heroicoru 
Elegiacorii  Lyricorum  &  ecclesiasticoru 
hymnoru  per  Petrum  Tritonium  et  alios 
doctos  sodalitatis  Litterarite  nostrse  mu- 
sicos  secundii  naturas  &   tempora   syUa- 


baru  et  pedum  compositse  et  regulate 
ductu  Chunradi  Celtis  fceliciter  impresse, 
etc.  Lnprcssum  ingenio  &  industria 

Erhardi  Oglin  Expcnsis  loannis  Eiman  : 
Augusta  uindclicoru7n,  1507.    fol. 

K.  1.  i.  17. 
10  leaves  without  pagination  or  register. 
The  recto  of  fol.  2  has  a  ivoodcut  of 
Apollo  seated  under  a  laurel,  playing 
the  violin  and  surrounded  by  various 
groups.  The  recto  of  fol.  10  7ms  a 
looodcut  of  Apollo,  Mercury,  Pallas 
and  Jtipiter,  surrounded  by  the  Muses, 
playing  on  different  instruments. 

TRITTA  (GiACOMo)     See  Tritto. 

TRITTO  (GiACOMo)  Perche  semio  tu  sei. 
The  favorite  Terzetto  as  performed. .  .in 
the  Opera  [by  P.  Guglielmi]  of  La  Bella 
Pescatrice,  etc.  [Score.]  G.  Goulding  d 
T.  Skillern,  for  the  Proprietors  :  London, 
1790.    fol.  H.  1648.  a.  (4.) 

Part  of  the  "  Kings  Theatre,  Pantheon. 
Opera  Register." 

TRIUMF.  Triumf!  ik  zie  den  Brit  ver- 
tsagen.  Zcgezang.  Ter  verjaringe  der 
Overwinning  op  de  Doggersbank,  den  5'''^" 
van  Oogstmaaud  1781. .  .Tweede  Druk. 

G.  van  Hoogcveen,  Junior  :  Leyden, 
1782.     8°.  1209.  b.  8.  (5.) 

TRIUMPP  DER  LIEBE.  Der  Triumpf 
der  Liebe,  oder :  das  kiihne  Abentheuer. 
Feenoper.     See  Stegmann  (0.  D.) 

TRIUMPH.     The   Triumph   of  Bacchus. 

[Song.]     See  Goodwin  (W.) 

The  Triumph  of  Britons.     Song  [begins  : 
'  Rejoice,  Britannia's  Sons  ']. 
See  Philpot  (G.) 

The  Triumph  of  Britons.     Song  [begins  : 
'  Again  we  begin  '].    See  Pindae  (P.)  pseud. 

The  Triumph  of  true  Liberty  and  Loyalty 
over  Anarchy  and  Discord.     Song, 
See  Weeth  (F.) 

TRIUMPH  OF  BEAUTY.  The  Triumph 
of  Beauty.     Musical  Entertainment. 
See  Hook  (J.) 

TRIUMPH  OF  MIRTH.  The  Triumph 
of  Mirth,  or  Harlequin's  Wedding.  Pan- 
tomime.    See  LiNLEY  (T.)  the  Elder. 

TRIUMPH  OF  TIME  AND  TRUTH. 

The  Triumph  of  Time  and  Truth.  Oratorio. 
See  Haendel  (G.  F.) 

TRIUMPHS  OF  LOVE.  The  Tryumphs 
of  Love.     [Opera.]    See  Love's  Teiumph. 

TRIUMPHS  OF  ORIANA.     The   Tri- 
umphes  of  Oriana.     Madrigals. 
See  MOELEY  (T.) 


TEIUMPHUS— TROPHEE 


599 


TRIUMPHUS    CUPIDIlSriS. 

j)hus  Cupidinis.     [Songs.] 
See  YsERMANS  (J.) 


Trium- 


TROC.  LeTroc.  Opera-Comique,  Parodie 
des  Trocqueurs  [by  Faraiu  de  Hautemer] 
. . .  Avec  toute  la  Musique.  Cliez  Duchene  ; 
Paris,  1756.     8°.  11738.  e.  33.  (7.) 


[Another  copy.] 


164.  g.  20. 


TROIANO  (Massimo)   l\Iusica  de'  Virtuosi 

della  Florida  Capella  dell'  Illustrissimo . .  . 

Duca  di  Baviera.     A  cinque  voci,  con  le 

rime   Del   S.   Antonio    Minturno.     Libro 

Primo.       [With     a    Dedication    signed : 

Massimo  Troiano.]    Alto.    (Basso.)    2pts. 

Appresso  Girolamo  Scotto  :  Vincgia, 

1569.     4°.  D.  208. 

This  collection   contains    madrigals   by 

O.  Lasso,  G.  da  Lticca,  S.  Gatto,  F. 

Cornazzani,  F.  da   Lucca,  G.  B.  da 

Cremona,  A.  Cossuvino,  I.  de  Vcnto, 

G.  B.  Romano,  L.  Meldaert  and  M. 

Troiano. 

Di  Massimo  Troiano  . .  .  il  quarto  libro 
delle  sue  Rime,  &  Canzoni  alia  Napolitana 
a  tre  voci.  Con  vn'  aria  alia  Spagnola  a 
quattro  voci.  Nouamente  posto  in  luce. 
Tenor.  Appresso  Girolamo  Scotto  : 

Vinegia,  1569.    8".  A.  186.  a. 

Di  Massimo  Troiano  ...  II  Terzo  Libro 
delle  sue  Rime,  e  Canzoni  alia  Napolitana 
a  tre  voci  coUa  battaglia  della  Gatta,  e  la 
Cornacchia,  &  vna  Amascharata  alia 
Turchesca  a  cinque  voci,  &  vna  Moresca 
nouamente  fatta  &  date  in  luce.     Canto. 

Appresso  Girolamo  Scotto:  Vinegia, 
1568.     8°.  A.  196. 

TROIS  COUSIWES.  Airs  de  la  Comddie 
des  Trois  Cousines.  [Words  by  F.  C. 
Dancourt,  music  by  J.  C.  Gillier.]  [1700.] 
See  Airs.  Airs  de  la  Comedie  Francjoise. 
[No.  13.]    [1696-]1705.    obi.  8°.     B.  319. 

Les  Trois  Cousines,  comddie  ;  representee 
pour  la  premiere  fois,  le  18  Octobre  1700. 
[Written  by  P.  C.  Dancourt;  with  the 
music  of  the  Divertissements  by  J.  C. 
Gillier.]  [Paris,  1760.]  12°.  241.  e.  8. 
Part  of  '  Les  CEicvrcs  de  Theatre  de 
M.  D'Ancow-t,'  etc.     Tom.  8. 

TROIS  COUSIN'S.  Les  Trois  Cousins, 
Comedie  en  deux  Actes  et  en  prose. .  .Par 
le  Citoyen  Levrier-Champ-Rion.  [With 
the  music  of  a  Vaudeville  by  A.  L. 
Baudron.]  Chez  Cailleau : 

Paris,  1792.     8°.  11738.  h.  24.  (7.) 

TROIS    DiJESSES    RIVALES.       Les 

Trois  D6esses  Rivales,  ou  Le  Double  Juge- 
ment  de  Paris.     Comedie  lirique. 
See  Pbopiac  (C.  J.  F.  Giraed  de). 


TROIS     FERMIERS.       Ouverture    des 
Trois  Fermiers,  arrangee  pour  deux  Vio- 
lons,   Alto,  et   Basse   par   M.  *  *  *.     [i.e. 
N.  Dezede.     Separate  Parts]. 
Chez  M'=  Jolivct :  Paris,  [1780  ?]     fol. 

g.  417.  a.  (8.) 
Le  bon  Seigneur  de  not'  Village.     Ariette 
des  Trois  Fermiers  [by  N.  Dezede]. 
[Paris,  1777  ?]     8°.  B.  362.  (80.) 

Colette   un  jour  dit   a   Colin.      Duo  des 

Trois  Fermiers  [by  N.  Dezede]. 

[Paris,  1777  ?]     S".  B.  368.  (79.) 

Des  I'instant  que  je  vis  le  jour.     Romance 
des  Trois  Fcrmier  [by  N.  Dezede]. 
[Paris,  1780  ?J     8°.  B.  362.  e.  (54.) 

Je  le   compare   avec   Louis.     Ariette  des 

Trois  Fermiers  [by  N.  Dezede]. 

[Paris,  1777  ?]     8°.  B.  362.  (74.) 

Sans  un  petit  briu  d'Amour.     Vaudeville 
des  Trois  Fermiers  [by  N.  Dezede]. 
[Paris,  nil  ?]     8°.  B.  367.  (78.) 

Les  Trois  Fermiers.     Comedie. 
See  Z.,  D.,  Monsieur. 

TROMBETTI  (Ascanio)  IMusica . . .  fatta 
sopra  le  Conclusioni  di  Legge,  difese  dall' 
illustre  Sig.  A.  Viustini,  etc.     [A  Madrigal 


for  i  voices.] 
1587.     4". 


Per  G.  Rossi :  Bologna, 
K.  8.  c.  20. 


TROMLITZ  (JoHANN  Georg)  Ausfiihr- 
licher  und  griindlicher  Unterricht  die 
Flote  zu  spielen,  etc.  A.  F.  Bohme  : 

Leipzig,  1791.     4°.  7896.  de.  1. 

Kurze  Abhandlung  vom  Flotenspielen. 
J.  G.  I.  Breitlwpf:  Leipzig,  1786.     4°. 

7897.  f.  31.  (3.) 
Ueber  die  Floten  mit  mehrern  Klappen, 
dereu  Anwendung  und  Nutzen.  Nebst 
noch  einigen  andern  dahin  gehorigen 
Aufsatzen  von  J.  G.  Tromlitz  .  .  .  Als 
Zweiter  Theil  zu  meinem  ausfiihrlichen 
. .  .Unterricht  die  Flote  zu  spielen. 
A.  F.  Bohme  :  Leipzig,  1800.     4^ 

7897.  cc.  16. 

TROMPEUR  TROMPE.    Le  Trompeur 
Trompe.     Opera  comique. 
*;ee  Gaveaux  (P.) 

TROP.     Trop  fort  le   plaisir   abonde.     Le 
Mai  de  Caur  do  G&ronde.     [Song.]     Air  : 
[Coeurs  sensibles,]  de  Figaro. 
[Paris,  1785  ?]     8°.  B.  362.  f.  (49.) 

La  trop  innocente   Colette.     Les  Amans 
curieux.    Romance,  avec  accompagnement 
de  guitare  pr.  M.  Alberti. 
Chez  M.  Camand  :  Paris,  [1785  ?]     8°. 

B.  362.  g.  (7.) 
Trop  malheureux  Dermont.     Air. 
See  Dalayrac  (N.)     [Maison  a  Vendre.] 

TROPHEE.  Le  Trophee.  Divertisse- 
ment.    See  Rebel  (F.)  and  Francceur  (F.) 


600 


TROQUEURS— TRUST 


TROQUEURS.       Les     Troqueurs. 
term^de.     See  Dauvergne  (A.) 


In- 


TROST  (Caspae)  Davidicum  Deum  lau- 
dandi  incitamentum,  id  est:  Psalmus 
cxvii.  7.  Vocibus  cum  Basso  Continuo 
adornatus :  Quo,  .  .  .  Viris  .  .  .  Dn.  Jo- 
hanne  Gerhardo  . . .  Dn.  M.  Hieronymo 
Prsetorio  . . .  Dn.  Georgio  Samueli  Hopff- 
enstocken  .  .  .  Decorare  &  honorare 
benvolentise  ergo  voluit  Casparus  Trosfc, 
etc.     8  pts.  Typis  Johannis  Weichieri  : 

Jenie,  [1621.]     4°.  B.  51. 

The  date  is  given  in  a  chronogram. 

Trawer  Gesang  aufi  das  Christliche  Ab- 
scheiden  des . . .  Herrn  David  Hopff erns . . . 
mit  fiinff  Stimmen  componirt,  etc.  (ii. 
Tenor  a  5.  Voc.)  Johann  Weichicr  : 

JeJma,  1623.     4",  C.  103. 

TROTH.  Troth  Mister  John  Bull.  TJte 
Treaty  of  Commerce.  [Song.]  Sung  at 
Willis's  Rooms.  [To  the  Tune  of  Balin  a 
mone.]  '   Printed  for  T.  Skillern  : 

London,  [1785.]     fol.  G.  312.  (244.) 

TROU.  Le  Trou  de  ma  Bouteille.  [Song.] 
See  Beau.  Beau  petit  trou,  mes  plus 
cheres  d^lices,  etc.     [1785  ?]     8". 

B.  362.  a.  (173.) 

TROUBADOUR.  Le  Troubadour. 
Romance.  See  Si.  Si  nous  vivions 
commevivaientnosp6res,efc.    [1785?]    8^ 

B.  372.  a.  (103.) 
Air  du  Troubadour  B^arnois.     [Song.] 
See  Si.     S'il  est  vrai  que  d'etre  deux,  etc. 
[1795?]     8».  B.  362.  a.  (105.) 

Romance  du  Troubadour  Prisonnier. 

See    Vous.      Vous    qui    savez    ce    qu'on 

endure.     [1790?]     8".      B.  362.  g.  (63.) 


Song. 


TRUANT.     The  Truant  Sheep. 
See  Sandeeson  (J.) 

A  Truant  Tar  the  world  I've  rang'd.  The 
Roses  of  Thirty-One.  [Song.]  Sung  by- 
Mr.  Arrowsmith  at  Vaux-hall.  Written 
by  the  Author  of  "  The  Topsails  shiver  in 
the  Wind."  Longman  &  Bivderip  : 

London,  [1785  ?]     fol.      G.  807.  d.  (77.) 

TRUE.     True    bliss    in    retirement.     TJie 
Banks  of  the  Dee.     [Song.] 
[London,  1758.]     8«.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XXII.,  p.  258. 
True  Blue  'tis  said,  will  never  stain.  A 
Song  made  for  the  True  Blue  Frigate  who 
has  taken  her  Station  on  Tower  Hill  this 
Day  Feb:  29"-  1780  for  the  better  recep- 
tion of  those  Jolly  Tars  that  glory  in 
humbling  the  Pride  of  France  and  Spain. 
Printed. .  .at  the  a  ."  [W.  Bailey  : 
London,  1780.]  s.  sh.  fol.   G.  312.  (166.) 

True  Blue.  [Song.]  See  I.  I  hope 
there's  no  Soul".     [1770?]     s.  s7i.  fol. 

G.  316.  (88.) 


TRUE.  True  Blue.  [Song.]  See  I.  I 
hope  there's  no  Soul.     [1758.]     s.  sh.  8". 

P.P.  5439.  ab. 
True  Blue.     Song.     See  I.     I  hope  there's 
no  soul,  etc.    [1758.]     8°.     P.P.  5438.  z. 
True  Blue.     [Song,  begins :  '  Thro'  all  the 
varied  scenes  of  Life.']     See  Olive  (J.) 
The  True  British  Soldier.     Song. 
See  Ofpley  (H.  F.) 
The  True  Briton.     Two  Part  Song. 
See   Come.     Come  Drawers  more   Wine. 
[By  J.  F.  Lampe.]     [1740  ?]     s.  sh.  fol. 

G.  307.  (73.) 

The  True  Briton.     Two  Part  Song. 

See  Lampe  (J.  F.) 

True  Courage.     [Song.]     See  Dibdin  (C.) 

[A  Tour  to  the  Land's  End.] 

True   Friendship's   the  Cordial   of   Love. 

Song.     See  Paerin  (I.  A.) 

True  Glory.     [Song.] 

See  Dibdin  (C.)     [The  Sphinx.] 

The  True  History  of  Liberty  Tree.     Song. 

See  Biggs  (E.  S.) 

The  True  honest  Heart.     Song. 

See  Hook  (J.) 

True  Justice.     Song.     See  To.     To  Tom 

Paine  in  France,  etc.     [1795  ?]     fol. 

G.  360.  (51.) 

True  Love.     [Song.]     See  Geeene  (M.) 

True  Love,  to[o]  Mighty  to  be  conceal'd. 
A  New  Song,  etc.     See  Chloe.     Chloe,  or 
the  ]\Iusical  Magazine,  etc.     No.  55. 
[1760?]     fol.  G.  433. 

The  True  Lover.     [Song.]     See  Ye.     Ye 

Shepherds  and  Nymphs. 

[1740?]     s.sh.ioL         G.  316.  f.  (117.) 

True  Lovers  Extremity.     [Ballad.]     Seel. 
I  having  an  hour  of  time  and  leisure,  etc. 
[1687?]   s.  sh.  fol.    Case  39.  k.  6.  (56.) 

The  true  use  of  the  Bottle.     [Song.] 
See  Duenell  (    ) 

True  Wisdom  in  a  Lover,     Song. 

See  They.     They  say,  that  on  my  Pollv's 

Face.    [1740?]   s.  sh.  iol.    G.  312.  (186.) 

TRUE  BLUE.  The  Sailor's  Resolution 
or  Tom's  return  with  a  load  of  Doubloons. 
A  favorite  Song  in  True-Blue.  [Words 
and  music  by  H.  Carey.]  Straight : 

[London,  1765  ?]     fol.         G.  310.  (167.) 

True  Blue.     Interlude. 
See  Caeey  (H.)     [JVanc!/.] 

TRUE-HEARTED.  The  true-hearted 
Englishman.  [Song.]  See  Sages.  The 
Sages  of  old,  etc.     [1765  ?]     s.  sh.  fol. 

G.  312.  (113.) 

TRUST.     Trust  not  Man  for  he'll  decieve 
you.       The    Friendly    Adviser.       [Song, 
words  and  music  by  H.  Carey.] 
[London,  1735  ?]   s.  sh.  fol.  I.  530.  (160.) 


TRUST— TUERK 


601 


TRUST.  Trust  the  Ghost  of  Crazy  Jane. 
A  Favorite  Song  with  an  Accompaniment 
for  the  Piano  Forte  or  Harp  by  a  Lady 
of  Fashion.  Printed  for  J.  Dale  : 

London,  [1799  ?]     fol.  G.  356.  (30.) 


H.  2820.  (4.) 


[Song.] 


[Another  copy.] 

TRUTH.     The  Truth. 
See  RussEL  (D.) 

The  Truth  imparted.   [Song.]    See  While. 
While,  Strephon,  thus  you  teize  one. 
[1750?]     s.  s7i.  fol.         "     G.  313.  (206.) 

TRUTOVSKY  (Yasily  Thedorovich) 
CoOpaiiio  pyccKiixb  npocTuxb  ntienici.  iiotumii 
. .  .nc'iaTiiiio  TpeiLiiMi  TiK'nt'iiieMt.    4  naci. 

«5  CunicmnemepvypJh,  1796  (1778,  1779, 
1795).     4".  E.  76. 

The  First  Part  is  of  the  third  edition. 

TRYDELIj  (John)  Two  Essays  on  the 
Theory  and  Practice  of  Music  ...  To 
which  is  added,  a  new  and  short  Method 
of  attaining  to  Sing  by  Note. 

Boulter  Grierson,  for  the  Editor : 
Dublin,  1766.    8°.  557*.  e.  19.  (7.) 

TU.  Tu  m'aimes  encor,  ma  Lesbie. 
Romance.     Sec  Lamparelli  (A.) 

Tu  m.'appelle  chere  Nina.  Le  Retour  du 
Bien  Aimi.  R^ponse  a  la  Romance  de 
Nina  ...  [Song,  written]  par  M.  Godard. 
Air :  Quand  le  bien  aim6  reviendra  [by 
N.  Dalayrac].  Chez  Camand  : 

Paris,  [1786  ?]     8°.  B.  362,  h.  (29.) 

Tu  me  connais,  je  suis  bonn'  mere. 
[Song.]     See  Au  Retour. 

Tu  me  croiois  parjure.     Romance. 
Sec  Sire  (    )     [La  Macjie  a  la  Mode.'] 

Tu  me  demandes  chaque  jour.     Musette. 
See  Fremeaux  (    ) 

Tu  pensi  al  mio  riposo.     Cantata. 
See  Paisiello  (G.) 

Tu  rejette  [_sic]  mes  tendresses.  Le  Prix 
dc  la  Constance.  [Song.]  Air :  Ce  mouchoir 
belle  Raimonde.     [Paris,  1780  ?]     8'\ 

B.  362.  c.  (33.) 
Tu  sai  che  amante.     [Song.] 
See  Paisieleo  (G.) 

Tu  te  plains  de  ta  Climeue.     [Song.] 
See  Mancini  (G.) 

Tu  veux,  mon  aimable  Lisette.     Musette. 
IParis,]  1749.    s.  sh.  4°.  297.  c.  20. 

Mercure  de  France,  March,  1749. 

[Another  setting.]  Tu  veux,  mon  aimable 
Lisette.     Musette.     See  Fremeaux  (    ) 

TUBEL  (Christian  Theophil) 

/See  Feast  of  Apollo.  The  Feast  of 
Apollo,  containing  .  .  .  Lessons  . . .  by  . . . 
Tubel,  etc.     [1788.]     fol.         G.  351.  (2.) 


TUCKER  (Isaac)  Sacred  Music,  con- 
sisting of  Melodies  composed  &  harmonized 
for  3  and  4  Voices,  in  an  Easy  Style,  to 
Hymns,  &c.  selected  from  the  Works  of 
the  late  Dr.  Watts,  and  other  Eminent 
Divines.  James  Ei/mell,  for  the  Axdhor  : 
LoHfZoji,  [1800  ?]     fol.  H.  1041. 

TUDWAY  (Thomas)  [:\Iagnificat  in  A.] 
See  East  (W.)  The  Second  Edition  of 
the  First  Book  of  the  Voice  of  Melody, 
etc.  (The  Second  Book  of  the  Voice  of 
Melody  . . .  with  Variety  of  Hymns  .  .  . 
likewise  . . .  Dr.  Tudway's  Magnificat,  etc.) 
1750.     ohl.  4°.  A.  914. 

TUERK  (Daniel  Gottlob)  Kurze  An- 
weisung  zum  Generalbassspielen,  etc. 

Aicf  Eosten  des  Verfassers  : 
Halle  und  Leipzig,  VJQl.  8°.  7897.  b.  40. 
Anweisung  zum  Generalbassspielen  .  .  . 
Zweyte,  verbesserte  und  sehr  vermehrt 
Auflage.  Aiif  Eosten  des  Verfassers  :  Halle 
und  Leipzig,  180O.  8°.  7897.  bb.  43. 
Kurze  Anweisung  zum  Klavierspielen,  ein 
Auszug  aus  der  grossern  Klavierschule. 

Aiif  Eosten  des  Verfassers  : 
Halle  und  Leipzig,  1792.     8°.  b.  166. 

Sechzig  Handstixcke  fiir  angehende 
Klavierspieler  . . .  Erster  (Zweyter)  Theil. 
2  pts.  Auf  Eosten  des  Verfassers  : 

Leipzig  und  Halle,  1792.    (1795.)    obi.  fol. 

d.  178.  a.  (3.) 
Klavierschule,  oder  Anweisung  zum 
Ivlavierspielen  fiir  Lehrer  und  Lernende, 
etc.  Auf  Eosten  des  Verfassers : 

Leipzig  und  Halle,  1789.  4°.  d.  178. 
Sechs  Klaviersonaten,  grosstentheils  fur 
Kenner  . . .  Erster  Theil. 

Bey  dem  Verfasser  :  Leipzig  und  Halle, 
1789.    obi.  fol.  e.  477.  b. 

Sechs  kleine  Klaviersonaten  . . .  Zweyter 
Theil.  Auf  Eosten  des  Autors :  Leipsicund 
Halle,  1786.     obi.  fol.  d.  178.  a.  (1.) 

Sechs  kleine  Klaviersonaten  .  .  .  Dritter 
Theil.  Auf  Eosten  des  Verfassers  : 

Leivziq  tmd  Halle,  1793.     obi.  fol. 

d.  178.  a.  (2.) 
Sechs  leichte  Klaviersonaten  .  .  .  Erster 
(Zweyter)  Theil.  2  pts.  Auf  Eosten  des 
Autors :  Leipzig  unci  Halle,  1783.   obi.  fol. 

e.  477.  a. 
Lieder  und  Gedichte  aus  dem  Siegwart, 
etc.  Auf  Eosten  des  Autors  :  Leipzig  und 
Halle,  1780.    obi.  4°.  D.  377. 

Sechs  Sonaten  fiir  das  Clavier. 

Li  Commission  bey  B.  C.  Breitkopf  und 
Sohn  :  Leipzig  imd  Halle,  1776.     obi.  fol. 

e.  477. 
Sechs  Sonaten  fiir  das  Clavier  . . .  Zweyte 
Sammlung. 

Li  Commission  hey  J.  G.  I.  Breitkopf : 
Leipzig  und  Halle,  1777.     obi.  fol. 

e.  477.  c. 


602 


TUERK— TURNEE 


TUERK  (Daniel  Gottlob)  Von  den 
wichtigsten  Pflichten  eines  Organisten. 
Eiu  Beytrag  zur  Verbesserung  der  musi- 
kaliscben  Liturgie. 

AufKosten  dcs  Verfassers  :  Halle,  1787.   8°. 

786.  d.  44. 

TUERRSCHMIEDT  (Gael)  50  Duos 
pour  deux  Cors. .  .Oeuvre  iii""'.  [Seimrate 
Parts.]  CMs  VAiiteur  : 

Berlin,  [1795.]     oU.  4°.  b.  86. 

TULIP  (Timothy)  jpseitd.  The  Merry 
Mountebank ;  or  the  Humourous  Quack- 
Doctor  :  Being  a  certain  . . .  Cure  . . .  for 
. . .  Hypochondriac-Melancholy.  Contain- 
ing various  .  .  .  Receipts  against  Spleen 
. . .  exemplified  in  a  choice  Collection  of 
Old  and  New  Songs  . . .  compiled  ...  by 
Timothy  Tulip  . . .  Figur'd  for  the  Harp- 
sichord, and  directed  for  the  Flute  . . . 
Vol.  I.  W.  Peajson,  for  A.  Holbcche,  etc. 
1732.     8°.  C.  381. 

Containing  compositions  by  P.  Prelleur, 
W.  MarkJiam,  Vanbruglie,  H.  Purcell, 
D.  Purcell,  Francisco,  Courtivill, 
Carey,  Gillier,  J.  Welcloji,  Seedo, 
Hayden,  Croft,  Cannington,  Handel, 
J.  Eccles,  Morgan,  Levcridge  and  B. 
Aldrich. 

TUNBRIDGEWALK.  TunbridgeWalk. 
[Song.]     See  I.     I  took  a  ramble,  etc. 
[1730?]     s.sh.iol.  H.  1601.  (260.) 

TUNEFUL.     The  Tuneful  Lark.     Ballad. 
See  Sanderson  (J.)     [The  Seasons.] 

TURCO  (Giovanni  del)   II  Secondo  Libro 

de  Madrigali  a  cinque  voci,  etc.     Canto. 

(Alto.)  (Tenore.)  (Basso.)  (Quinto.)   5  pts. 

Per  Zanobi  Pignoni,  e  Comp.  : 

Firenzc,  1614.     4°.  K.  2.  d.  8. 

TURELU.    Turelu,  turelu,  voila  ma  chan- 
son. Clianson  Burlesque et  Morale.  [Words 
by  C.  Riviere  Du  Fresny.] 
[Paris,  1710.]     s.  sh.  obi.  4°.     P.P.  4486. 
Mercure  Galant,  Tome  L,  p.  295. 

TURK  AND   NO   TURK.      Turk,  and 
no  Turk.     Comic  Opera.    See  Arnold  (S.) 

TURN.      Turn   Amaryllis   to   thy   Swain. 
Madrigal.     See  Brewer  (T.) 

Turn,   fair   Clora.      Damon    d    Clora,    a 
Song  for  two  Voices  [by  H.  Harington]. 
[London,  1780  ?]     s.  sh.  fol. 

H.  1994.  a.  (14.) 
[Another  edition.]  Turn,  fair  Clora. 
Damon  and  Clora.  A  two  Part  Song  [by 
H.  Harington].  [London,  1790  ?]   s.sh.iol. 

G.  312.  (223.) 

Turn,  hopeless  lover.     Song. 
See  Haendel  (G.  F.)     [Se??ieZe.] 

Turn  lovely   Gwen,   be   good   and    kind. 
[Song.]     See  Broderip  (R.) 


TURN.  Turn  o  turn  thee.  [Song.] 
See  ViENi.  Vieni  torna  Idolo  mio. — Turn 
o  turn  thee,  etc.  [Song,  etc.,  from  Handel's- 
'Teseo.']     [1715?]     s.sh.iol. 

H.  1601.  (445.> 

Turn  o'er  a  new  Leaf.     [Song.] 

See  Hudson  (R.) 

The  Turn  of  her  Eye.     [Song.] 

See  Cooke  (J.) 

Turn  thee  Lady,  Lady  sweet.     Ballad. 

See  Kelly  (M.)     [Aurelio  and  Miranda.'] 

TURNER  (Elizabeth)  A  Collection  of 
Songs  with  Symphonies  and  a  Thorough 
Bass.  With  Six  Lessons  for  the  Harp- 
sichord, etc.  Printed  for  the  Author  : 
Londo7i,[1160?]     fol.     H.  1648.  b.  (4.). 

[No.  2.]     Say,  curious  Painter,  can 

thy  art.     Song. . .  words  by  M.  Prior. 
[London,]  1788.     s.  sh.  4°.        P.P.  5141.. 
Lady's  Magazine,  May,  1788. 

[No.   3.]     Not   Cloris   that  I  juster 


am.    ASonq,etc.  [London, 1784:.]   s.sh.A° 

P.P.  5141. 

Lady's  Magazine,  1784,  Supplement. 

[No.  8.]     Not,  Chloris,  that  I  juster 


am.     Song.     Words  by  Sir  Charles  Sedley, 
etc.    [Lo7idon,]  1796.   s.  sh.  4".   P.P.  5141.. 
Lady's  Magazine,  Supplement,  1796. 

[No.   4.]      Drink  to  me   only  with- 

thine  eyes.     A  Song.     The  Words  by  B. 
Johnson,  etc.     [London,  1782.]     s.  sh.  4°. 

P.P.  5141. 

Lady's  Magazine,  Dec,  1782. 
. [No.  6.]     Phyllis,  with  her  enchant- 
ing voice.     Song,  etc. 
[Lo7idon,]  1795.     s.  sh.  4°.        P.P.  5141.. 

Lady's  Magazine,  Sept.,  1795. 

[No.  8.]     Since  my  Chloe  you  ask.. 

A  Favourite  Song,  etc. 

[London,  1785.]     s.  sh.  4°.        P.P.  5141.. 

Lady's  Magazine,  Jan.,  1785. 

[No.  19.]    The  mind  of  bright  Sukey'& 

a  jewel.     A  Favourite  Song,  etc. 
[London,  1783.]     s.  sh.  4°.        P.P.  5141.. 

Lady's  Magazine,  May,  1783. 

Twelve   Songs  with   Symphonies    and    a 
Thorough  bass  for  the  Harpsicord. 

Printed  for  the  Author  : 

London,  [1750  ?]     fol.        G.  805.  e.  (4.). 

To  Celia.     A  New   Song,   etc.     [London,. 

1750.]   8°.  157.  1.  12. 

London  Magazine,  1750,  p.  40. 

TURNER  (William)    Betty's  Panegyrick. 
[Song.]     [London,  11 20 'i]     fol. 
^  L  530.  (161.) 

[Another  edition.]     Betty's    Panegyrick. 

[Song.]     [London,  112,0 '>]    s.sh.iol. 

^       ^  G.  316.  e.  (81.). 

Two  Catches  for  three  Voices,  etc. 
[London,  1110 'i]     s.sh.iol. 

Gren.  559.  (21.) 


TURNER— TUTOR 


603 


TURNER  (William)  Fair  Susan.  [Song.] 
[London,  1720?]    s.  sh.  fol.    G.  315.  (22.) 
If  it  be  true,  as  Wisemen  say.     A  new 
Song  the  words  by  Mr.  Carev,  etc. 
[London,  1715  ?]     s.  sh.  fol. 

H.  1601.  (250.) 
The  Maid's  Complaint.  [Song,  words 
from  F.  Manning's  comedy, '  The  Generous 
Choice.']     [London,  1105?]     s.  sh.  iol. 

G.  307.  (4.) 
[Another  edition.]  The  ]Maid's  Com- 
plaint, etc.     [London,  1710  ?]     s.  sh.  fol. 

H,  1601.  (95.) 
On  decanting  a  Flask  of  Florence.  A 
Song,  etc.     [London,  1720'?]     s.  sli.  fol. 

H.  1601.  (418.) 
On  Mira's  Singing  and  Beauty.  A  Song, 
etc.     [London,  1710  ?]     s.  sh.  fol. 

H.  1601.  (409.) 
Twenty  New  Songs  of  Humour. 
Printed  for  the  Author  . . .  and  D.  Wright: 
London,  [1717  ?]     fol.  H.  49. 

Sound  Anatomiz'd,  in  a  Philosophical 
Essay  on  IMusick.  Wherein  is  explained 
the  Nature  of  Sound  . . .  Contrived  for  the 
Use  of  the  Voice  in  Singing  . . .  Together 
with  a  thorough  Explanation  of  all  the 
different  INIoods*  used  in  ^lusick  ...  To 
which  is  added,  a  Discourse,  concerning 
the  Abuse  of  Musick. 

William  Pearson,   for  the  Author  : 
London,  1724.    4°.  557*.  e.  20.  (3.) 


557*.  c.  21. 


557*.  d. 


(2.) 
28. 


[Another  copy.] 

[Another  copy.] 

Wanting  tlie  title-page. 

[Sound  Anatomiz'd.]  A  Philosophical 
Essay  on  ]\Iusick.  Wherein  is  Explained 
the  Nature  of  Sound  . . .  Contrived  for  the 
Use  of  the  Voice  in  Singing  . . .  Together 
with  a  thorough  Explanation  of  all  the 
different  ]\Ioods  used  in  IMusick  . . .  The 
Third  Edition.  Printed  for  J.  Walsh  : 

[London,  1735  ?]     4°.  7897.  b.  56. 

Tho'  Silvia's  cruel  as  she's  fair.  A  New 
Song,  etc.     [London,  1720  ?]     fol. 

G.  312.  (11.) 

[The  Virgin  Sacrifice.]  Says  Dicky  to 
Dolly.  A  New  Song  in  the  Play  call'd 
The  Virgin  Sacrifice,  etc.  [London, 

1720?]     s.  s7i.  fol.  H.  160i.  (414.) 

[Another  edition.]     Dicky  to  Dolly, 

etc.     [London,  1720  ?]     s.  sh.  fol. 

G.  316.  g.  (53.) 

[Another  copy.]  G.  311.  (79.) 

[Another    edition.]     Says   Dicky   to 

Dolly,  etc.     [London,  1725  ?]     s.  sh.  fol. 

G.  305.  (21.) 

Wanton   Cupids   cease  to  hover.     A  Neio 
Song  sung  by  Mr.  Purbeck  Turner  at  the 
Theatre  Royal,  etc.     [Words  of  the  first 
Stanza  by  H.  Carey.     Short  Score.] 
[London,  1720  ?]     fol.  G.  313.  (48.) 


TURNER  (William)  When  Phsebus  did 
the  Skies  adorn.  A  neio  Song  the  words 
by  Mr.  Hugh  Huddv.  [London, 

1720?]  s.  s7i.  fol.  "  H.  1601.  (493.) 
[Another  edition.]  When  Pha3bus  did  the 
Skies  adorn.  A  Neio  Song,  etc.  [London, 
1720?]     s.sh.iol.  G.  305.  (28.) 

[Woman's  a  Riddle.]  How  unhappy's  the 
Nymph.  A  new  Song  sung  by  Mrs. 
Rubidge  to  Mr.  Bullock  Sen"'  in  Woman's 
a  Riddle,  etc.     [London,  1718  ?]   s.  sh.  fol. 

H.  1601.  (196.) 

[Another  edition.]     How  unhappy's 

the  Nymph.  A  Song  in  the  Comedy 
[by  C.  Bullock]  call'd  Woman's  a  Riddle, 
etc.     [London,  Ills  J]    s.  sh.  iol. 

G.  308.  (70.) 

See  Lessons.     Select   Lessons   for   Two 

German    Flutes.       Extracted    from    the 

Works  of  . . .  Turner,  etc. 

[1735  ?]     obi.  4».  b.  30.  (2.) 

See  Psalms.     [4.  English.']      The  Whole 

Book  of  Psalm-Tunes  . . .  corrected  ...  By 

W.  Turner,  etc.     1746.     4°.  C.  112. 

See  SoxGS.     A  Third  Collection  of  New 

Songs  ...  by  ...  W.  Turner,  etc. 

1685.    fol.  '  G.  152.  (2.) 

TURNIP.  The  Turnep  [sic]  Ground. 
'Song.  1  Sec  I.  I  ow'd  my  Hostess  thirty 
pound,"  c^c.     [1775?]    s.sh.iol. 

G.  309.  (90.) 

TURNPIKE     GATE.       The     Turnpike 
Gate.     Comic  Opera. 
.See  Mazzixghi  (J.)  .and  Reeve  (W.) 

TURNSPIT.     The  Turnspit.     Cantata. 
See  DiBDiN  (C.) 

TURRELL     (William)       Angelina.       A 
Favourite   Ballad.      Written   and   set    to 
Music  by  W.  Turrell. 
[London?  1790?]     fol.         G.  377.  (58.) 

TURTLE.  The  Turtle  Dove  coos  round 
my  Cot.     Rondo.     See  Hook  (J.) 

TUTEUR  AVARE.  L' Amour  est  un 
bien  supreme.  Air  du  Tuteur  Avare. 
[By  G.  G.  Cambini.]  Chez  Le  Due  : 

Paris  [1788?]     fol.  G.  554.  a.  (50.) 

Fille  jeune,  aimable  et  belle.  Air  du 
Tuteur  Avare  [adapted  from  P.  Anfossi 
by  G.  G.  Cambini].     [1788.]     8". 

B.  362.  c.  (73^) 
La  Jeunesse,  le  courage.  Air  du  Tuteur 
Avare  [adapted  from  P.  Anfossi  by  G.  G. 
Cambini].  Chez  Lnbault : 

Paris,  [1788.]     8°.  B.  362.  e.  (73.) 

TUTOR.  The  Compleat  Tutor  for  the 
Fife  .  . .  with  a  Choice  Collection  of  all 
the  Celebrated  Marches  that  are  played 
upon  that  Instrument,  etc. 

Printed  for  Da'^  Rutherfoord  : 
London,  [1750  ?]     4°.  e.  318. 


GOJ: 


TUTOR— 'TWAS 


TUTOR.  The  Compleat  Tutor  for  the 
German  Flute  .  .  .  Translated  from  the 
French.  To  which  is  added  a  Choice 
Collection  of  y"  most  celebrated  Italian, 
English  &  Scotch  Tunes,  curiously  adapted 
to  that  Instrument.  Thompson  and  Son  : 
London,  [1765  ?]     4°.  d.  47.  (2.) 

The  Compleat  Tutor  for  the  Guittar,  con- 
taining the  Best  .  .  .  Instructions  for 
Learners  ...  To  which  are  Added  a  choice 
Collection  of  . . .  Italian,  English  &  Scotch 
Tunes,  etc.  J.  Johnson  : 

London,  [1755  ?]     8°.        ^  d.  47.  (3.) 

Tlie  composers  named  in  this  work  are  : 
Osivaid,  Felton  and  Handel. 

The  Compleat  Tutor  for  the  Violin. 

J.  Johnson  : 
[London,  1750  ?]     8°.  d.  47.  a. 

Wantincj  the  title-page.  The  composers 
named  in  this  collection  are  :  Arigoni, 
[San]  Martini,  Putti,  Vinsoji,  Hasse, 
Collett,  Handel,  Weidiman,  Hum- 
phries, Locatelli,  McLean,  Lully  and 
Barberini. 

The  Compleat  Tutor  for  the  Violin.  Con- 
taining the  Best  .  .  .  Instructions  for 
Learners  ...  To  which  are  added  a  Choice 
Collection  of  the  most  Celebrated  Italian 
English  and  Scotch  Tunes. 

Printed  for  Thompson  &  Son  : 

London, [VJ&b'i]    8°.  d.  47.  (1.) 

The  composers  named  in  this  edition  are  : 

Corelli,    Felton,    Chark,    Lully    and 

Handel. 

The  Compleat  Tutor  for  the  Violin.  Con- 
taining y''  Best  .  .  .  Instructions  for 
Learners  . . .  with  some  useful  Directions, 
Lessons,  Graces,  &c.  by  Geminiani.  To 
which  is  added  a  favourite  Collection  of 
Airs,  Marches,  Minuets,  Song  Tunes,  & 
Duetts. 

Printed  for  . . .  C.  &  S.  Thompson  : 

London,  [1770  ?]     8".  d.  47.  b. 

The    composers    named    are :     Handel, 

Grano,     Abel,    Felton,     Chark     and 

Geminiani. 

A  New  and  Complete  Tutor  for  the 
Violoncello  ...  To  which  is  annexed  . . . 
a  Selection  of  admired  Italian,  French, 
English,  Scotch  &  Irish  Airs.  Also  ...  a 
Drawing  of  the  New  Invented  Patent 
Fingerboard.  Preston  ct  Son  : 

London,  [1785  ?]     ohl.  4°.        b.  102.  (1.) 
Tlie  folloiuing  composers^  names  appear  : 
C.  Claggct,  Gio7-dani  and  W.  Clagget. 

TUTOR.     The  Tutor.     [Song.] 
See  Oswald  (J.) 

TUTORE     E     LA    PUPILLA.       The 

Favourite  Songs  in  the  Opera  call'd  II 
Tutore  e  la  Pupilla.  2  pts.  [A  Pasticcio, 
partly  by  G.  Cocchi.]  Printed  for 

I.  Walsh :  London,  [1762.]   fol.     Q.  179. 


TUTTE.     Tutte  le  piu  vezzose.     [Song.] 
See  Aesaces. 

TUTTO.  Tutto  amabile  e  galante.  Cava- 
tina.  iS'ee  GuGLiELMi(P.)  [La  Pastorella 
Nobile.']  * 

Tutto  da  voi  dipende.     Duetto. 
See  Paisiello  (G.)     [La  Locanda.] 

TUTTO  PER  AMORE.  Tutto  per 
Amore.     Opera.     See  Naumann  (J.  G.) 

TWA.  Twa  bonny  Lads  were  Sawney 
and  Jockey.  Jenny's  Complaint.  [Song.] 
Set  for  the  German  Flute.  [London, 

1740  ?]     s.  sh.  fol.  I.  530.  (162.) 

[Another  edition.]  Twa  bonny  Lads  were 
Sawney  and  Jockey,  etc.  [London, 

1740  ?]     s.  sh.  fol.  G.  316.  f.  (42.) 

TWADDLE.  The  Twaddle.  [Song.] 
See  On.  On  sturdy  stout  Dobbin,  etc. 
[1785  ?]     fol.  G.  808.  f.  (39.) 

'TWAS.  'Twas  at  the  Birth-night  ball, 
Sir.     The  Boyal  Disaster.     [Song.] 

Printed  for  J.  Fielding  : 
London,  [1782.]     8".  2117.  e. 

European  Magazine,  Feb.,  1782. 

'Twas  at  the  foot  of  a  rising  hill.     Song. 
See  CouLTHiRST  (R.) 

'Twas  at  the  Gate  of  Calais  Hogarth  tells. 
The  Roast  Beef  Cantata. 

Printed  for  T.  Straight  and  Skillern  : 
[London,  1765  ?]     fol.         G.  316.  (146.) 

'Twas  by  the  murm'riug  of  a  brook. 
Song.  l[ohn'\  F[entum  :  London, 

1780  ?]     s.  sh.  fol.  G.  312.  (148.) 

'Twas  down  in  a  Meadow  I  chanc'd  for  to 
pass.     [Song.]     Sung  by  Miss  Warren  at 
the  Theatre  Royal,  Lincolns  Inn  Fields. 
[London,  1725  ?]     s.  sh.  fol.     G.  312.  (8.) 

'Twas  down  in  the  meadow  when  flow' rets 
were  springing.  The  Beatitiful  Maid. 
A  Pastoral.     [Song.]  [London, 

1780  ?]     s.  sh.  fol.  G.  312.  (169.) 

'Twas  early  on  a  holiday.  The  Shepherd 
and  Cupid.     [Song.]  [London, 

1748.]     8°.  157.  1.  10. 

London  Magazine,  ll'k8,p.  85. 

'Twas  in  a  Flow'ry  sweet  retreat.  The 
Moss  Bose.     [Song.]  P.  H[odgson : 

London,  1180  7]     s.  sh.  iol. 

G.  312.  (140.) 
'Twas  in  the  Dead  of  Night.  The  Ghaist 
of  Bobin  Gray.     [Song.]  E[lizabeth] 

B[hames  :  Dublin,  1785  ?]     s.  sh.  fol. 

H.  1601.  a.  (71.) 
'Twas  in  the  Land  of  Cyder.     John  and 
Susan.    [Song,  to  the  tune  '  Of  noble  race 
was  Shenkin,'  the  words  by  H.  Hall.] 
Cross  :  [London,  1725  ?]     s.  sh.  fol. 

G.  305.  (111.) 


'TWAS— TWELFTH-NIGHT 


605 


'TWAS.     'Twas    in   the    Land    of   Cyder. 
Brampton  Bryon.     [Song.] 
Sk[_iUern  :  London,  1780 '?]     s.  sli.  fol. 

G.  312.  (221.) 
'Twas  in  the  Month  of  May,  Jo.  Scotch 
Song.  See  Purcell  (D.)  [The  Taming 
of  the  Shrew.'] 

'Twas  in  the  solemn  midnight  hour. 
BaUad.     See  Bland  (M.  T.)  Mrs. 

'Twas  near  a  Sea-beat  rocky  Shore.     The 
Shipwrecked  Marine    Boy.      A    Favorite 
Ballad. .  .sung  by  Mr.  Dignum,  etc. 
W.  Cope  :  London,  [1796  ?]     fol. 

G,  356.  (41.) 

'Twas    near    a    Thicket's    calm   Retreat. 
Moulines  Maria.     A  Favorite  Ballad  taken 
from  Sterne.     [By  J.  Moulds.] 
E.  Bhames  :  [Dublin,  1785  ?]     s.  sh.  fol. 
H.  1601.  b.  (106.) 

'Twas  near  the  flowing  Avon.  TJie  Pea 
Field.  [Song,  to  the  tune  •'  Of  noble  race 
was  Shenkin."]  Printed  at  the  a  ." 

LoufZon,  [1780  ?]     s.  sh.  io]. 

G.  312.  (219.) 
'Twas  night,  and  no  glimmering  light 
could  be  seen.  Crazy  Susan,  a  Glee  for 
Three  Voices.  Printed  for  E.  Birchall : 
London,  [1800?]     fol.      G-.  805.  k.  (33.) 

'Twas  not  Belinda's  Face.  Something 
that's  unseen.  A  New  Song.  [London, 
1773.]     s.  sh.  4°.  159.  n.  5. 

London  Magazine,  June,  1773. 

'Twas  on  a  certain  Day.  Cupid's  Bevcnge. 
A  new  Song.     [London,  1720?]     s.  sh.  fol. 

H.  1601.  (452.) 
'Twas  on  a  Elvers  Verdant  side.  Tlie 
Dying  Swan.  [Song,  music  by  G.  Monro.] 
[London,  1730?]     s.  sh.  iol. 

G.  312.  (56.) 

'Twas  on  an  Autumn  day.     [Song.] 
See  Trip  to  the  Nore. 

'Twas  on  the  Twenty  Eighth  of  May. 
The  Loyal  Ballad  for  the  King's  Birth 
Day,  1724.     [London,  1724.]     s.  sh.  fol. 

G.  312.  (2.) 

'Twas  once  on  a  Time  when  the  Fields 
were  all  gay.  Love  at  first  Sight.  Or  y 
lucky  Foot  Boy.     [Song.]  [London, 

1730?]     s.sh.iol.  G.  312.  (150.) 

'Twas  Paddy  O'Flanaghan  sett  out  one 
Morning.  Blunder  on  Blunder,  or  Paddy 
O'Flanaghan,  An  Entire  New  Comic 
Song,  written  &  sung  by  Mr,  Stevenart 
at  the  Royal  Circus,  etc.  B.  Watts, 

for  the  Author  :  London,  [1797  ?]     fol. 

G.  367.  (30.) 

'Twas  Spring  when  all  nature  look'd 
blooming  and  gay.  The  Wood-Man's  Fair 
Daughter.     [Song.]  Printed  for 

T.  Gladman  :  London,  [1795  ?]     fol. 

G.  356.  (53.) 


'TWAS.     'Twas   Summer.     The  Banks  of 
the  Dec.     A  favorite  Scotch  song. 

Printed  for  G.  Goulding  :  London, 
[1790?]     fol.  G.  796.  (36.) 

'Twas  Sunday  in  the  Morn.  The  Fight 
at  Sea,  [Song,  words  altered]  by  T.  Poynton 
[from  "  Russel's  Triumph,"  the  music  by 
S.  Akeroyde].  Sk[illern  :  London, 

1780.J     s.  sh.  fol.  G.  312.  (167.) 

'Twas  underneath  a  Mayblown  Bush. 
Nancy.  [Song.]  Sung  by  Mr.  Vernon  at 
Vauxhall.     [London,  1770  ?]     s.  sh.  fol. 

H.  1994.  a.  (179.) 
'Twas  when  Summer  was  Rosie  :  A  Song, 
the  words  by  Mr.  Durfey.  [London, 

1715  ?]     s.  sh.  fol.  H.  1601.  (444.) 

[Another  copy.]  G.  305.  (161.) 

[Another  edition.]  'Twas  when  Summer 
was- Rosie,  f^c.  [London, 

1720  ?]     s.  sh.  fol.  G.  312.  (53.) 

'Twas  when  the  Seas  were  roaring.  Song. 
See  What  d'ye  call  it. 

'Twas  when  the  Sun  began  to  shine.     The 

Maiden's  Resolve.    A  new  Song  to  a  New 

Tune  [by  H.  Carey].  [Lomlon, 

1720?]     s.sh.iol.  H.  1601.  (436.) 

[Another  copy.]  I.  530.  (163.) 

'Twas  Wisdom  framed  Britannia's  throne. 

Song.     Sec  Coleman  (.J.) 

'Twas  within  a  fourlong  of  Edinborough 

town.     Song.     See  Purcell   (H.)      [The 

Mock  Marriage.] 

'Twas  yes,  kind  Sir.     Ballad. 

See  Wrighten  (     )  Mrs. 

'Twas    you  alone,   if   you'll   believe   me. 

[Song.]     See  Never.     Never   till  now  I 

felt  love's  dart.     [1770  ?]     s.  sh.  fol. 

H.  1994.  b.  (57.) 
'Twas  you,  Sir.  Admiral  Keppel.  A  New 
Catch,  by  way  of  Sandwich,  or  Bon 
Morceau.  The  Principle  Part  not  by 
S'  Hugh.  [Adapted  to  the  Earl  of  Morn- 
ington's  Catch,  '  'Twas  you,  Sir.'] 

Longman  and  Broderip  :  London, 
[1779.]     fol.  G.  305.  (97.) 

TWEED-SIDE.     Tweed-Side.     [Song.] 
See  What.     What   Beauties   does   Flora 
disclose,  c/c.     [1725?]     s.sh.iol. 

G.  313.  (71.) 
Tweedside.     [Song.]     See  What.      What 
beauties  does  Flora  disclose. 
[1750?]     s.sh.iol.         H.  1994.  a.  (24.) 

TWELFTH-NIGHT.       How    imperfect 

is   Expression.     A  Favourite  Song,  sung 

by  Mrs.  Abington  in  Twelfth-Night. 

[London,  1773.]     s.  sh.  4°.  159.  n.  5. 

London  Magazi^ie,  May,  1773.     This  is 

the    '  French     Air '    printed    in    J. 

Vernon's    '  Neio     Songs    in  .  .  .  the 

Witches'  etc. 


606 


TWELFTH-NIGHT— TYRRELL 


TWELFTH-NIGHT.  How  imperfect  is 
Expression.  Sung  by  Jilrs.  Abiugton  in 
the  Twelfth  Night.  B.  Falkcncr  :  London, 
[1780?]  s.sli.ioX.  H.  1994.  a.  (88.) 
What  wakes  this  new  Pain  in  my  breast. 
[Song.]  Sung  by  Mrs.  Crouch  in  Twelfth 
Night.  The  Words  written  by  L.  Mac- 
nally  . . .  for  the  Comedy  of  Fashionable 
Levities.  [Full  Score.]  Longman  ami 
Broderij),  for  William  Sibbald  :  London, 
[1790?]     fol.  H.  1653.  (58.) 

TWELVE.       Twelve    hundred    years    at 
least.     Song.     See  Clarke  (J.) 
Twelve  of  the  one  and  a  Dozen  of  t'other. 
[Song.]     See  Arne  (M.) 

TWENTY.  Twenty  Years  and  mear  at 
Ediuborrow.  The  Scotch  Cuckold.  A 
New  Song  to  a  Northern  Tune.  The 
Words  by  Mr.  Durfey.  [London, 

1720?]     s.sh.tol.  G.  312.  (50.) 

TWIN.  Twin  Sisters  are  we  loving  Friends. 
A  Middle  [words]  by  M.  M.  The  Solution 
by  J.  E.     [Songs.]  [London, 

1730?]     s.sh.tol.  G.  312.  (152.) 

[Another  copy.]  G.  303.  (65.) 

TWINS.     The  Twins  of  Latona.     [Song.] 
See  Shield  (W.)     [The  Poor  Soldier.'] 

TWISS  (  )      Twelve  Dances  for  Two 

Violins  and  a  Bass.  J.  Fcntum  : 

London,  [1787  ?]     obi.  4°.  b.  53.  (7.) 

Inigo  Jones,  etc.  [Song.]  J.  F[entu'\m  : 
[LoHfZon,  1780?]     s.  s7(.  fol. 

G.  312.  (155.) 
The  Rosy  Cheek,  a  favorite  Song.  [Full 
Score.]  J.  Fentum  :  [London, 

1796?]     fol.  H.  1653.  (47.) 

A  Scotch  Reel  with  Variations,  etc.    [P.  P.] 

Longman  and  Brodcvvp : 
London,  [1796  ?]     fol.  g.  139.  (44.) 

Two  Songs  ["  My  Love  to  War  is  going." 
— "  Y^es,  j-es,  fair  friend  I  freely  Grant  "] 
written  by  Miss  Alderson  [afterwards 
Mrs.  Opie].  Longman  and  Broderip  : 

London,  [1797.]     fol.  G.  365.  (31.) 

Sweet  Nymph  tho'  far  remov'd.  [Song.] 
Written  by  P.  Pindar,  etc. 

Longman  and  Broderip : 
London,  [1797  ?]     fol.  G.  365.  (30.) 

TWITCHER.     The  Twitcher.     [Song.] 
See  Damsel.     A  Damsel  I'm  told,  etc. 
[1710  ?]     s.  sh.  fol.  G.  306.  (14.) 

TWO.  Two  Gods  of  great  Honour.  The 
Agreement  of  the  Gods.  [Song.]  Set  to  a 
Favourite  Air.  [London,  1760  ?]    s.  sh.  fol. 

G.  312.  (233.) 


TWO.  Two  Maidens  sat  complaining. 
Duet.  See  Dittersdorf  (C.  Ditters  von) 
[Der  Apothekcr  unci  Doktor.'] 

The  Two  ]\rilk  white  Doves.     Song. 
See  Hook  (.J.) 

The  Two  Unhappy  Lovers.     [Ballad.] 
See  In.     In  London  there  lived,  etc. 
[1690  ?J     s.  sh.  fol.     Case  39.  k.  6.  (51.) 

TWO  LITTLE  SAVOYARDS.  Down 
in  the  Country  lived  a  Maiden.  Tlie 
favourite  Duet  sung  in  the  Musical  Piece 
of  the  Two  Little  Savoyards  at  Sadlers- 
Wells  . . .  The  Words  by  Mr.  Lonsdale. 
[Music  by  N.  Dalayrac] 

Printed  for  S.  A.  and  P.  Thompson  : 
London,  [1795  ?]     fol.     G.  800.  m.  (58.) 

TWO  MISERS.  The  Two  Misers.  A 
Comic  Opera  in  two  Acts  by  the  Author 
of  Midas  [K.  O'Hara]  .  .  .  The  Music 
selected  from  the  Works  of  the  most 
Celebrated  Composers.  J.  Johnston  : 

London,  [1775.]     oU.  fol.        D.  272.  (2.) 

[Another  copy.]  D.  271.  (2.) 

TWO  TO  ONE.  Two  to  One.  Comic 
Opera.     See  Arnold  (S.) 

TYBURN-TREE.  Tyburn-Tree.  [Song.] 
^ee  Since.  Since  laws  were  made  for 
ev'ry  degree.     [1760  ?]     s.  sh.  fol. 

I.  530.  (143.) 

TYE  (Christopher)  The  Actes  of  the 
Apostles,  translated  into  Englyshe  Metre, 
and  dedicated  to  the  Kynges  most  excel- 
lent Maiestye,  by  Christofer  Tye  . . .  wyth 
notes  to  eche  Chapter,  to  synge  and  also 
to  play  vpon  the  Lute,  very  uecessarye  for 
studentes  after  theyr  studye,  to  fyle  theyr 
wyttes,  and  also  for  all  Christians  that 
cannot  synge,  to  reade  the  good  and 
Godlye  storyes  of  the  lyues  of  Christ  hys 
Apostles.  Wijllyam  Seres  : 

London,  1553.     8°.  K.  4.  c.  4. 

The  Actes  of  the  Apostles,  translated  into 
Englyshe  Metre... wyth  notes  to  eche 
Chapter,  to  synge  and  also  to  play  vpon 
the  Lute,  etc. 

Nycolas  Hyll,  for  Wyllyarn  Seres  : 
London,  1558.     8".  Gren.  12146. 

TYRRELL  (R.)  Wilt  thou  be  my  dearie  ? 
^4  Favorite  Scotch  Song  written  by  R. 
Burn[s],  etc. 

J.  Longman,  Clcmenti  d:  Compy  : 
London,  [1800?]    fol.  G.  365.  (32.) 


UBER— ULYSSES 


607 


UBER  (Christian  Benjamin)  Clarisse, 
oder  das  unbekannte  Dienstraixgdchen, 
eine  comische  Oper  in  drey  Aufziigen,  und 
eiue  Ode  aus  der  Geschichte  der  Miss- 
Fanny  Wilkes  :  Dir  folgonmeiue  Thranen. 
[P.  F.  Score.]  Bey  J.  E.  Meijcr : 

Breslau,  1772.     obi.  fol.  C.  456. 

XTBERTI  (Gratioso)  Contrasto  Musico. 
Opera  Diletteuole,  etc.  Per  Lodouico 

Gregnani :  Roma,  1630.   8°.    7897.  a.  34. 

UCCELIjATORI.  The  Favorite  Songs 
in  the  Opera,  Gl'  Uccellatori.  [A  Pasticcio. 
Full  Score.]  B.  Bremncr  : 

London,  [1770.]     fol.  G.  206.  d.  (3.) 

UCCELLINI  (IMarco)  Compositioni 
arniouiche  sopra  il  Violino  e  diversi  altri 
strumenti  a  Quattro  e  Cinque  . . .  Libro 
Septimo.  Basso  Contin.  e  Basso  Violone. 
Presso  i  Hcredi  de  P.  PJialesio: 
Anversa,  1668.    obi.  i".  a.  36. 

Sinfonie  Boscarecie  a  Violino  Solo,  e 
Basso,  con  1'  agiunta  di  due  altri  Violini 
ad  libitum  .  .  .  Opera  Ottava.  Violino 
Primo  (ii)  (hi).     3  pts. 

Stampato  in  Casa  di  Liica  de  Potter  : 
Anversa,16n.     4°.  C.  5. 

UCELINI  (Marco)     See  Uccellini. 

UDINE  (GiEEOxnio  da) 
See  Casa  (G.  dalla) 

UGOLINI  (ViNCENzo)  Di  Vincenzo  Ugo- 
lini  II  Primo  Libro  de  IMadrigali  a  Cinque 
Voci, etc.  Canto.  (Alto.)  (Tenore.)  (Basso.) 
{Quinto.)     5  pts.  Appresso  Giacomo 

Vincenti  :  Venetia,  1615.  4».  K.  4.  f.  2. 
Di  Vincenzo  Ugolini  II  Secondo  Libro  do 
Madrigali  a  Cinque  Voci,  etc.  Canto. 
(Alto.)  (Tenore.)  (Basso.)  (Quinto.) 
•5  pts.  Appresso  Giacomo  Vincenti : 

Venetia,  1615.     4°.  K.  4.  f.  3. 

Motecta  et  Missae  Octonis  et  Duodenis 
Vocibus,  cum  Basso  ad  Organum  . .  .  Liber 
Secundus.  Cantus  [Altus]  (Tenor)  (Bassus) 
Primi  Chori.  (Cantus  [Altus]  (Tenor) 
[Bassus]  Secundi  Chori.)  (Cantus  (Altus) 
(Tenor)  [Bassus]  Tertii  Chori.)  (Bassus 
ad  Organum.)     18  pts.  Aptid  Lucam 

Antonium  Soldum  :  Romx, 1Q22.  4".  P.  4. 
The  Altus  I.,  Altus  II. ,  Bassus  II.,  Can- 
tus III.  and  Bassus  III.  parts  are  in 
MS. 
Vincentii    Ugolini    Llotecta    siue    Sacrse 
Cantiones  infestis  mobilibus,  &  Sanctorum 
totius  anni. .  .inquatuor  librosdistributae, 
Unica,  Duabus,  Tribus,  et  Quatuor  voci- 
bus, ad  musicos  numeros  modulataa,  simul 
cum  graui  voce  ad  Organi  sonum  accomo- 
datse.       Liber     Primus     Nuper    Editus. 


Cantus  Primus  (Secundus).  (Bassus.) 
(Bassus  ad  Organum.)     4  pts. 

Apud  lacobum  Vincentium : 
Venetiis,  1616.     4».  D.  211. 

Vincentii  Ugolini .  . .  IMotecta  siue  Sacre 
Cantiones  in  festis  mobilibus,  &  Sanctorum 
totius  anni  . .  .in  Quatuor  libros  distribute, 
Unica,  Duabus,  Tribus  &  Quatuor  vocibus, 
ad  musicos  numeros  modulate  Simul  cum 
graui  voce  ad  Organi  sonum  accomodate. 
Liber  Secundus.  Nuper  seditus.  Cantus 
Pri.  (Cantus  Sec.)  (Bassus.)  (Bassus 
Pro  Organo.)     4  pts.  Apud  lacobum 

Vincentium:  Venetijs, 1611.  4°.  D.  211.  a. 

Vincentii  Ugolini  . . .  Motecta  siue  sacre 
Cantiones  in  festis  mobilibus,  &  Sanc- 
torum totius  Anni  tam  proprie  quam  ex 
communi  in  quatuor  libros  distributte, 
Unica,  Duabus,  Tribus  &  Quatuor  vocibus 
ad  musicos  numeros  modulatte  simul  cum 
graui  voce  ad  Organi  sonum  accomodatse. 
Liber  Tertius.  Nuper  ajditus.  Cantus 
Pri.  (Cantus  Sec.)  (Bassus.)  (Bassus 
ad  Organum.)     4  pts.  Apud  lacobum 

Vincendzim:  Venetijs, 1G18.  4".  D.  211.  b. 

Vincentii  Ugolini  . .  .  Motecta,  siue  Sacrae 
Cantiones  in  festis  Mobilibus,  &  Sanc- 
torum totius  anni ...  In  Quatuor  Libros 
distributse.  Unica,  Duabus,  Tribus,  & 
Quatuor  vocibus  ad  Musicos  numeros 
modulatse,  simul  cum  graui  voce  ad 
Organi  sonum  accomodatce.  Liber  Quar- 
tus.  Nuper  editus.  Cantus  Primus. 
(Cantus  Secundus.)  (Bassus.)  (Bassus 
ad  Organum.)  4  pts.  Ex  Typographia 
AndrexPhxi:  Romae,lQ>19.  4".  D.  211.  c. 

UILENBROEK  (Hendrik)  H.  UUen- 
broeks  Christelyke  Gezangen,  wederom 
overgezien,  verbetert,  met  verscheydene 
Nieuwe  vermeerdert,  en  op  Muzijknooten 
gestelt.     Den  achtsten  Druk. 

Voor  Johannes  van  Someren  : 
V  Amsterdam,  1671.     8°.  3435.  flf.  1. 

There  is  a  second  {engraved)  title-page. 

ULICH  (Johann)  Davidisches  Berg-Lied 
.  .  .  An  statt  eines  Taglichen  Denck- 
Danck-  und  Schuld  Opffers  . . .  abgefasset, 
und  .  .  .  mit  absonderlicher  Melodie  be- 
thonet,  etc.  Gedruckt  bey  Matthaeus 

Henckeln  :   Wittenberg,  1687.   4°.    B.  141. 


ULYSSE.     Ulysse. 
See  Eebel  (J.  F.) 


Tragedie. 


ULYSSES.      Ulysses   of   Old,   as   Stories 
have  told.     Betty-Land.     [Song.] 

Strlaighf]  and  Ski\llern  : 
London,  1770  ?]   s.  sh.  fol.    I.  530.  (166.) 


608 


UMLAUFF— UNHAPPY 


UMLAUFF     (Ignaz)      Der    Fassbinder. 
Eiu  Komisches  Divertissment  . . .  fiir  das 
Piano-Forte  eingerichtet,  etc. 
Bexj  L.  Maisch  :   Wien,  [1795  ?]     ohl.  fol. 
"^  e.  1002. 

UN.  L'uu  de  ces  jours  mes  moutons 
s'egarerent.  Chanson.  Avec  accomp'  de 
Guitare.  Chez  Camand  : 

Paris,  [1780?]     8°.  B.  362.  b.  (23.) 

[Another  setting.]      L'Un   de    ces    jours 
mes  moutons  s'egarerent.     Romance. 
See  Amateur. 

Un    jour    dans    le    fond     d'un    bosquet. 
Chanson.     See  Depe 

Un  jour,  je  vis  une  Bergere.     Air. 
See  BouvAED  (F.) 

Un  jour  Iris  dit  a  1' Amour.     Air. 
[Paris,]  1738.     s.  sh.  i\  297.  b.  26. 

Mercure  de  France,  Dec,  1738. 

Un  soir,  dans  la  foret  prochaine.  Romance. 
See  FoDOR  (J.) 

UNANIMITY.  Unanimity  recommended 
to  the  People  of  England.     [Song.] 
See  Ye.    Ye  Britons  so  free,  etc. 
[1780  ?]     s.  sh.  fol.  G.  314.  (80.) 

UNBOUNDED.     Unbounded   Ambition 
thou  turbulent  Maid.     Song. 
See  I>-GRAM  (W.) 

UNCONSCIONABLE.       The     Uncon- 
scionable Gallant.      [Ballad.]     See  Now. 
Now  I  pray  you  attend.    [1690?]    s.  s7i.  fol. 
Case  39.  k.  6.  (55.) 

UNCONSTANT.      Unconstant    Damon. 
[BaUad.]      See    Some.      Some   mournful 
Muse  attend  my  Quill,  etc. 
'      [1695  ?]    s.  sh.  fol.     Case  39.  k.  6.  (64.) 

UNDAUNTED.  The  Undaunted  Britons. 
Song.     Sec  Atterbury  (L.) 

UNDER.     Under  how  hard  a  Fate.    Song. 

See  COURTEVILLE  (R.) 

Under  sweet  Friendship's  Name.  Canon. 
See  Barthelemon  (F.  H.) 

Under  y"  gloomy  shade.     [Cantata.] 
See  Albinoni  (T.) 

Under  the  Greenwood  Tree,  a  Glee  for  8 
Voices.  The  words  from  "  As  you  like 
it."     [By  E.  S.  Biggs.]  B.  Birchall : 

London,  [1800?]    fol.     G.  805.  k.  (34.) 

[Another  edition.]  Under  the  Greenwood 
Tree.     Glee.     See  Biggs  (E.  S.) 

[Another  setting.]  Under  the  Greenwood 
Tree.     [Song.]     See  Hook  (J.) 

Under  the  Hawthorn  trees.     Glee. 
See  Stevenson  [Sir  J.  A.) 


UNDER.   Under  the  Rose.   [Song,  begins  : 
'  Oous  !  neighbour,  ne'er  blush.'] 
Sec  Arne  (T.  a.)     [Love  in  a  Village.'] 

Under  the   Rose.     Song   [begins :    '  Last 
Midsummer  Eve  '].     See  Potter  (J.) 

UNEQUAL.       The    Unequal    Marriage. 
[Song.]     Sec  I.     I  am  an  Old  Man,  etc. 
[1770?]     s.sh.iol.  a.  309.  (118.) 

UNEXPECTED.  The  Unexpected  Re- 
venge.    [Song.]     Sec  Hudson  (J.) 

UNFADING.  Unfading  Beauty.  [Song.] 
See  Essex  (M.) 

UNFORTUNATE.  Unfortunate  PhiUis, 
the  fair  Maid  of  Preston  in  Lancashire. 
Ballad.  Sec  Colin.  Colin,  a  gentle 
Shepherd  Swain,  eic.     [1720?]     s.sh.iol. 

I.  530.  (28.) 
The  Unfortunate  Sailor.     [Song.] 
See  Hook  (J.) 

UNGAR  (Andreas)  Hiipfferling  oder 
Hopfien  -  Konig,  Welchen  einsmals  der 
Schiifer  Corydon  im  Rosenthal  beym 
Hopii-pflicken  gefunden  . . .  Anjetzo  aber 
dem  . . .  Herrn  M.  Casparo  Wirthio  . . . 
Brautigam  :  vnd  . . .  der  . . .  Jungfrawen 
Annen  -  Marien,  des  .  .  .  H.  Johannis- 
Hopneri  . . .  Tochter  . . .  Braut  ...  zu  ... 
Gluckwiinschung  mit  3.  Stimmen  au2 
VillaneUen-Axt  in  die  Music  gesetzet,  etc. 

Gedruckt. . .  bey  Abraham  Lambcrcjs  sel. 
Erben :  Leipzig,  1638.     s.  sh.  fol. 

I.  600.  (5.) 

[Another  copy.]  K.  4.  h.  3.  (4.) 

UNGIUS  (Petrus  Johannes)  Encomium 
Musicae  Petri  Johaunis  Ungii  Calmariensis 
Smol.  Habitum  Upsalias  ...  21.  Maji 
Anno  1637.  Eschilhis  Matthix  : 

Vpsalix,  [1637.]     4°.  7898.  bb.  8. 

UNGRATEFUL.  The  Ungrateful  Bee. 
[Song.]     Sec  Hudson  (R.) 

Ungrateful  Robin  to  complain.  Nanny's 
Reply  to  BoUn's  Complaint.  [Song, 
written]  By  A.  Bradley.  [London, 

1720?]     s.sh.iol.  H.  1601.  (475.) 

[Another  edition.]  Ungrateful  Robin  to 
complain,  etc.    [London,  1725  ?]    s.  sh.  fol. 

G.  313.  (1.) 

UNHAPPY.     The  Unhappy  Lover. 

See  Fluttering.  Flutt'ring  spread  thy 
purple  Pinions.     [1780  ?]     s.  sh.  fol. 

G.  315.  (32.) 

The    Unhappy    Lover.      [Song,    begins : 
'  Return  thou  lovely  fair.'] 
See  Vincent  (T.) 

The  Unhappy  Lovers.     [Song.] 

See  Haendel  (G.  F.)    [6.  Duets  and  Single 

Songs.} 


UNHAPPY— UNNATURAL 


609 


UNHAPPY.  The  Unhappy  Maid.  [Song.] 
See  Howard  (S.) 

The   Unhappy  Swain.     [Song]     See  In. 
In  vain  you  tell  your  parting  Lover. 
[1730  •?]     s.  sh.  fol.  G.  309.  (23.) 


UNIFORME.       L'Uniforme. 
Eroi-comico.     See  Weigl  (J.) 


Dramma 


UNION".    The  Union.    [Song.]    See  Hebe. 
Here's  success  to  their  scheme,  etc. 
[1783.]     s.  sh.  fol.  G.  308.  (136.) 

The  Union.  [Song.]  See  Push.  Push 
the  hottle  about,  (tc.     [1767.]     8". 

158.  1.  12. 
The  Union  of  Love  and  Wine.     [Song.] 
See  Baildon  (.J.) 

The  Union  of  the  Three  Sister  Arts. 
Entertainment.     See  Pepusch  (J.  C.) 

UNION  DE  L'AMOUR  ET  DES 
ARTS.  L' Union  de  I'Amour  et  des  Arts. 
Ballet  h^roique.     See  Floquet  (E.  J.) 

UNION  VILLAGEOISE.  L'Uuion 
Villageoise.  Scene  patriotique,  en  prose 
et  vaudevilles .  . .  [words  by  Radet  and 
Piis].  Seconde  edition,  augmentee  . . . 
avec  la  Musique.  Chez  le  Libraire,  mi 
Theatre  dii  Vaudeville :  Paris,  An  deux- 
ieme,  [1791.]  8^  11738.  b.  37.  (8.) 

Amis,  prenons  nous  par  la  main.  Ronde 
de  Vtfnion  Villageoise.  Scene  mise  a  la 
suitte  du  prix  ou  I'embarras  du  choix. 
Avec  Accompaguement  de  Guittare  par 
L.  M.    Chez  Imbaidt :  Paris,  [1793  ?]    8". 

B.  362.  d.  (13.) 
[Another  copy.]  B.  362.  a.  (46.) 

Citoyens  pour  qui  je  vais  voir  renaitre. 
Air  de  V  Union  Villageoise.  Scene  mise  a 
la  suitte  du  prix  ou  I'embarras  du  choix. 
Avec  Accompaguement  de  Guittare,  par 
L.  M.  Air  ;  jadis  un  celebre  empereur. 
Chez  Imhault :  Paris,  [1793  ?]     8°. 

B.  362.  d.  (13*.) 

UNISSEZ.  Unissez  vos  cceurs  et  vos  bras. 
Ronde.     See  Gretry  (A.  E.  M.) 

UNIVERSA.L.  Universal  Love.  [Song.] 
See  B.,  J.  L. 

UNIVERSAL  HARMONY.  Universal 
Harmony ;  or,  the  Gentleman  and  Lady's 
Social  Companion.  Consisting  of  .  .  . 
English  and  Scots  Songs,  Cantatas,  &c.  &c. 
set  to  music  for  the  Voice  . . .  with  a 
thorough  Bass  for  the  Organ,  Harpsichord, 
Spinnet,  &c.     By  the  Best  Masters. 

Printed  for  the  Proprietors  :  London, 
[1743.]    4".  E.  12.  a. 

In  this  edition  there  is  no  frontispiece  and 
the  title-page  is  pirinted.  Wanting 
pp.  1-3,  18,  21-5,  31,  33,  35-6,  38-9, 
44,  46,  56,  61,  63-6,  81,  and  all  after 
82.     P.  37  occurs  in  duplicate. 

VOL.    II. 


UNIVERSAL  HARMONY.   Universal 

Harmony,  or,  the  Gentleman   &  Ladies' 

Social    Companion :    Consisting   of    .   .  . 

English    &   Scots    Songs,    Cantatas    &c. 

&c.     With  a  Curious  Design,  by  way  of 

Headpiece,    expressive    of    the    sense    of 

each  . . .  Song.     All  neatly  Engraved   on 

Quarto  Copper  Plates,  and  set  to  Music 

for  the  Voice,  Violin,  Hautboy,  German 

&  Common  Flute,  with  a  Thorough  Base 

for  the  Organ,  Harpsich*  Spinet,  &c.     By 

the  Best  Masters,  etc.  Printed  for  J. 

Newbery:  London,  174:5.  4°.    K.  8.  k.  2. 

The  composers  named  in  this  collection 

are  :  Lampc,  Boyce,  Bussel,  Howard, 

Vincent,  Stanley,  Holcombe,    Greene, 

Kilburn,  Jackson,  Leveridge,    Carey, 

Gladwin,  Prelleur,  Anglosini,  Handel, 

Galliard,    Cannington,    Brett,    Wise, 

Weidcman,    Arnc,     Osioald,    Fisher, 

Monro,  Pryn,  Tortoriti,  Chilcot  and  H. 

Purccll. 

Universal  Harmony,  or.  The  Gentleman 
and  Ladies'  Social  Companion :  consist- 
ing of... English  and  Scots  Songs,  Can- 
tatas &c.  &c.  With  a  Curious  Design 
by  way  of  Headpiece . . .  Set  to  Music  for 
the  Voice,  Violin,  Hautboy,  German  & 
Common  Flute,  with  a  Thorough  Base  for 
the  Organ,  Harpsich''  Spinet,  &c.  by  the 
Best  Masters,  etc.  J.  Newbery,  for  the 

Proprietors  :  London,  174G.    i".    E.  364. 

UNIVERSAL  MUSICIAN.     The  Uni- 
versal Musician :    or   Songster's  Delight. 
Consisting  of  the  most  Celebrated  English 
and  Scotch  Songs,. .  .Cantata's,  etc. 
London,  [1737-8.]     8°.  D.  380. 

The  composers  named  are :  Monro, 
Lampe,  Putti,  Vanbrugh,  Turner, 
Leveridge,  Purcell,  Charke,  A.  Young, 
Carey,  J.  Webber,  Galliard,  J.  Sheeles, 
J.  Allcock,  Corelli,  Dr.  Green,  Sand- 
ford,  Stanley,  Handel  atid  Howard. 

UNKIND.     The  Unkind  Fair.     [Song.] 
See    Hudson   (J.)      [As   Granville's    soft 
Numbers.] 

The  Unkind  Parents.    [Ballad.]    See  Now. 
Now  fare  thou  well  my  Dearest  Dear. 
[1690?]    s.  sh.  fol.      Case  39.  k.  6.  (9.) 

UNLESS.  Unless  my  dear  Bridget  ap- 
pease. A  favourite  Song.  Words  by  Mr. 
Greaves.  Sk\_illcrn  :  London, 

1780  ?]     s.  sh.  fol.  G.  313.  (10.) 

Unless  with  my  Amanda  blest.     Song. 
See  Porter  (S.)  the  Younger. 

Unless  with  my  Amanda  blest.  Canzonet. 
See  Storage  (S.) 

UNNATURAL.     The  Unnatural  Parent. 
See  Ye.     Ye  Virgins  who  do  listen,  etc. 
[1750  ?]    s.  sh.  fol.  G.  314.  (26.) 

2  R 


610 


UNNATURAL— URBANI 


UNNATURAL.  The  Uunatural  Parent. 
[Song.]  See  Ye.  Ye  Virgins  who  do 
listen,  etc.  [1752.]  8°.  P.P.  5438.  z. 
The  Unnatural  Parent.  [Song.]  See  Ye. 
Y"e  Virgins  who  do  listen,  etc. 
[1757.]     s.sh.S".  P.P.  5439.  ab. 

UNTERBROCHENE  OPPERFEST. 

Das  Uuterbrochene  Opferfest.     [Opera.] 
See  Winter  (P.  von). 

UNTHANKFUL.    The  Unthankful  Ser- 
vant,  etc.      [Ballad.]      See   Well.     Well 
met,  my  dear  Sister,  etc. 
[1695?]    s.sh.iol.     Case  39.  k.  6.  (8.) 

UNTIL.     Until  my  Love  return.    [Song.] 
See  Doctor  and  Apothecary. 

UNTIMELY.  Untimely  bow'd  by  Fate's 
relentless  hand.  Myra.  A  Pastoral  Elegy 
for  three  Voices,  to  the  Respectable 
Memory  of  a  deceased  Lady. 

Longman  and  Broderip,  for  the  Author  : 
I/ondow,  [1790  ?]    fol.    H.  2826.  e.  (15.) 

UNWILLING.     The    Unwilling  Depar- 
ture.   [Song.]    See  What.    What  pleasant 
Scenes  around  this  Place  appear. 
[1750?]    s.sh.iol.  L  530.  (171.) 

UP.  Up  and  war  them  a'  Willie.  [Song.] 
See  Urbani  (P.) 

Up  the  hills  scuds  the  mist.  The  Summer's 
Day.  [Song.]  P.  H[pdgson :  London, 
1780?]    s.sh.iol.  G.  313.  (9.) 

UPON.     Upon  my  Word  I  did.     Song. 
See  Hook  (J.) 

Upon    Sight    of    Londons   Stately    New 
Buildings.     [Ballad.]     See  0.      O  Thrice 
Illustrious  Famous  City  London. 
1672.    s.  sh.  fol.      Case  20.  f.  4.  (128.) 

URANIA    ARMONICA.      Urania    Ar- 
monica.     Cautate.     See  Ricco  (A.  del) 

URBANI  (PiETEo)  Twenty  Eight  Favorite 
Venetian  Airs  &c.'  Arranged  for  the  Piano 
Forte,  some  of  which  for  the  Harp. 
Urbani  £  Liston  :  Edijibiirgh,  [1800 '>]  fol. 

g.  138.  (7.) 
Bannocks  o'  Barley  Meal.  A  Favorite 
Old  Scots  Song  never  before  in  Print, 
Said  to  have  been  Wrote  by  the  Old  Johu 
Duke  of  Argyle.  Arranged  for  the  Voice 
with  an  accompaniment  for  the  Piano 
Forte  by  P.  Urbani.  Urbani  d  Liston  : 
Edinburgh,  [1800?]  fol.  G.  364.  (58.) 
The  ever  Memorable  Battle  of  Bannock- 
burn,  .  .  .  Wherein  is  inserted  Bruce's 
address  to  his  Troops  ...  by  the  late 
R.  Burns.  The  Introduction  and  Grand 
Chorus  wrote  by  a  Gentleman.  Composed, 
and  Adapted  for  the  Piano  Forte,  with  a 
Violin  Accompaniment. .  .by  P.  Urbani. 
Urbani  &  Liston  :  EdiW,  [1797.]     fol. 

G.  372.  (2.) 


URBANI  (PiETEo)     Bombo.     A  Favorite 

Air  with  Variations,  etc.     [P.  F.] 

Urbani  d  Liston : 
Edinburgh,  [1796  ?]     fol.       g.  139.  (51.) 

Cauld  Kail  in  Aberdeen.  A  New  Rondo, 
etc.     [P.  F.]  Urbani  £  Liston  : 

Edinburgh,  [1796  ?]     fol.       g.  139.  (49.) 

Charlotte  at  the  Tomb  of  Werter.  A 
Favorite  New  BaUad.  Writen  [sic'\  by 
]\Ir.  Atkinson,  etc.  Urbani  and  Liston : 
Edinburgh,  [1800  ?]     fol.     G.  364.  (55.) 

Fare  thee  weel  &c.  [Song.]  Words  by 
R.  Burns,  etc.  Urbani  &  Liston  : 

Edinburgh,  [1795  ?]     fol.      G.  364.  (56.) 

From  thee  Eliza.  A  Favorite  New  Song. 
Words  by  Burns.  Urbani  and  Liston  : 

Edin'-,  [1795  ?]     fol.  G.  364.  (61.) 

Loch  Erroch  Side.  A  new  Rondeau.  Set 
for  the  Harp*  or  Piano  Forte  by  P.  Urbani. 
Urbani  ct  Liston  :  Edinburgh,  [1797  ?]   fol. 

g.  140.  (53.) 
Major  Monro's  March  and  Quick  Step. 
[Full  Score.]  Urbani  d  Liston : 

Edinburgh,  [1795  ?]     fol.      g.  133.  (61.) 

My  ain  kind  Dearie.  With  New  Varia- 
tions for  the  Piano  Forte  or  Harpsichord, 
by  P.  Urbani.  Urbani  &  Liston: 

Edin-",  [1795  ?]     fol.  g.  139.  (50.) 

My  Love  she's  but  a  Lassie  yet.      [Song.] 
With  New  Words  as  Sung  (and  arranged 
for  the  Piano  Forte)  by  Mr.  Urbani,  etc. 
Urbani  &  Liston  :  Edin';  [1800  ?]     fol. 

G.  364.  (59.) 
My  Love  she's  but  a  Lassie  yet.  A  New 
Rondo,  etc.  [P.  F.]  Urbani  d  Liston  : 
Edin'-,  [1195?]     fol.  g.  140.  (54.) 

0  wat  ye  wha's  in  you  Town.  A  New 
Rondo,  etc.  Urbani  d  Liston  : 

Edin'-,  [1795  ?]     fol.  g.  139.  (48.) 

0  Mary  my  deary.     A  favorite  Scots  Song. 
The  words  by  a  Gentl[e]man,  etc. 
Urbani  d  Liston  :  Ediw,  [1800  ?]     fol. 

G.  364.  (62.) 

A  Selection  of  Minuets,  High  Dances, 
Cottilions,  Scots  Airs  &c.  ...  Adapted  for 
the  Piano  Forte  or  Harpsichord,  and  most 
partly  Composed  by  P.  Urbani.  Book  1"'. 
Urbani  d  Liston  :  EdiiV,  [1795  ?]     fol. 

g.  229.  (5.) 

A  Selection  of  Scots  Songs,  Harmonized, 
improved  with  Simple  and  Adapted  Graces 
. .  .Book  l»'(-4"').     4  Bks.  Printed  for 

the  Author  (Urbani d  Liston) :  Edinburgh, 
[1794-5?]     fol.  G.  372.  (1.) 

A  Favorite  Selection  of  Scots  Tunes  .  .  . 
Properly  arranged  as  Duettos  for  Two 
German  Flutes  or  Two  Violins.  2  Bks. 
[Separate  Parts.]  Urbani  d  Liston  : 

Edinburgh,  [1798  ?]     obi.  4°.  b.  69. 


UEBANI— UTENTHAL 


611 


TJRBANI  (PiETEo)   Seraphina,  etc.   [Song, 
words  by  H.  Carey.] 
JJrbani  &  Liston  :  Edin'^limOl]    fol. 

G.  364.  (60.) 

Sic'  a  Wife  as  Willie  had.  A  New 
Rondo,  etc.  [P.  F.]  Urbani  &  Liston  : 
Ediw,  [1797  ?J     fol.  g.  140.  (52*.) 

The  Singers  Guide,  etc.  Urbani <£•  Liston  : 
Ediw,  [1795  ?]     fol.  g.  302.  (5.) 

The  Soldier's  Return.  [Song,]  Words  By 
R.  Burns.  Urbani  cfi  Liston  : 

Ediw,  [1795 '>]    fol.  G.  364.  (57.) 

Six  Sonatas  for  the  Harpsichord  or  Piano 
Forte  with  a  Violin  Accompaniement  . . . 
Opera  5.  Corri  &  Sutherland,  for  the 
Author :  Ediiv,  [1785  ?]     fol.  g.  463. 

Thou    art  gane   awa.     For   two   Voices ; 
arranged  by  P.  Urbani. 
Urbani d- Liston:  Edinburgh,  [1795  7]   fol. 

H.  2820.  (6.) 

Up  and  war  them  a'  Willie,  with  New 
Words,  arranged  as  a  Duett . , .  with  Piano 
Forte  accomp',  etc.  Urbani  d  Liston  : 

Ediw,  [1795  ?]     fol.  G.  354.  (43.) 

The  Weary  Pund  o'  Tow.  A  Favorite 
Scots  Song  Arranged  for  the  Voice  with 
an  accom'  for  the  Harp  or  Piano  Forte. 

Urbani  and  Liston  :  Edinburgh, 
[1800?]     fol.  G.  805.  h.  (45.) 

Why  ask  me,  fairest,  if  I  love  ?  Urbani' s 
celebrated  Rondeau.  [Song.]  {^Aberdeen, 
1791.]     Q".  P.P.  6225. 

Aberdeen  Magazine,  August,  1791. 

Wilt  thou  be  my  Dearie.     [Arranged  for 

two  voices  by  P.  Urbani.] 

Urbani  &  Liston  :  Ediw,  [1795  ?]     fol. 

G.  805.  k.  (35.) 

See  Johnson  (A.)  of  Edinburgh.  A  Col- 
lection of  New  Reels  . . .  Bass  corrected 
by  Mr.  Urbani.     [1790?]     fol. 

g.  229.  (6.) 

See  Campbell  (J.)     A  Collection  of  New 
Reels  &  Highland   Strathspeys  .   .  .  The 
Bass's. .  .corrected  by  P.  Urbani. 
[1800?]    fol.  h.  210.  a.  (2.) 


URGE.     Urge  me  no  more. 
See  King  (R.) 


Song. 


UmO  (Fbancesco  Antonio)  Motetti  di 
Concerto  a  Due,  Tre,  e  Quattro  Voci  con 
Violini,  esenza.  Opera  Prima,  e^c.  Canto 
Primo.   (Organo.)   2  pts.  Nella  Stam- 

peria  di  Gio.  Giacomo   Komarek :  Roma, 
1690.     4°.  D.  1065. 

URSILLO  (Fabio)  Six  Sonata's  for  two 
Violins  and  a  Thorough  Bass.  [Separate 
Parts.]  Printed  for  John  Cox  : 

London,  [1755  ?]    fol.         g.  409.  e.  (1.) 


USEZ.      Usez    mieux,    0    beaut^s    fibres. 
Chanson.     See  Feossaed  (     ) 

USURER.       The     Usurer's     Daughter's 
Reply.     [Ballad.]     See  Now.    Now  young 
tempting  Phaon,  etc.     [1675  ?]     s.  sh.  fol. 
Case  39.  k.  6.  (15.) 

USURPATOR     imsrOCENTE.      Che 

mai  feci   amici   dei.     Cavatina,   sung  by 
Madam  Mara  in  the  Opera  [by  V.  Fede- 
rici]  '  L'  Usurpator  Innocente.'     [Score.] 
Longman  and  Broderip : 
London,  [1790.]     fol.  G.  196.  (23.) 

Se  ti  perdo  0  caro  bene.  Rondo,  sung  by 
Madam  Mara  in  the  Opera  [by  V.  Fede- 
rici]  'L'Usurpator  Innocente.'  [Full 
Score.]  Longman  atul  Broderip  : 

London,  [1790.]     fol.  G.  196.  (22.) 

UTENTHAL  (Alexandee)  Froliche 
newe  Teutsche  vnnd  Frantzosische  Lieder^ 
lieblich  zu  singen,  auch  auff  allerley  In- 
strumenten  zugebrauchen,  nach  sonderer 
Art  der  Music  Componitt  [sic]  mit  vier, 
fiinS,  vnd  mehr  stimmen.  Discantus. 
(Altus.)  (Tenor.)  (Bassus.)  (Vagans.) 
5  pts.  Qedruckt  durch 

Dieterich  Gerlach :  Nilrnberg,  1574.   obi.  4". 

A.  553.  e. 
This  icork  also  contains  compositions  by 
A.  B.  and  Ph.  B. 

Septem  Psalmi  Poenitentiales,  adiunctis 
ex  Prophetarum  Scriptis  Orationibus 
eiusdem  argument!  quinque,  ad  dodeca- 
chordi  modes  duodecim.  .  .  aptissima  tam 
viuge  voci  quam  diuersis  Musicorum  in- 
strumentorum  generibus  harmonia  ac- 
commodati,  etc.  Discantus.  (Altus.) 
(Tenor.)     (Bassus.)     4  pts. 

In  officina  Theodorici  Gerlatzeni  : 
Noribergx,  1570.     obi.  4°,  A.  553. 

Sacrarum  Cantionum,  quas  vulgo  Motetas 
vocant,  .  .  .  tam  Instrumentis  Musicis 
quam  Viuae  Melodise  Quinque  Vocibus 
attemperatarum.  Liber  Primus,  etc.  Dis- 
cantus. (Altus.)  (Tenor.)  (Bassus.) 
(Quinta  Vox.)     5  pts. 

In  officina  Theodofici  Gerlatzeni  : 
Noribergx,  1571.     obi.  i".  A.  553.  b. 

Alexandri  Utendal  Sacrse  Cantiones  (vulgo 
Motecta  appellatse)  Sex,  et  Plurium 
Vocum,  tum  viua  voce  txun  omnis  generis 
Instrumentis  cantatu  commodissimse. 
Liber  Secundus.  Discantus.  (Altus.) 
(Tenor.)  (Bassus.)  (Quinta  Vox.)  5  pts. 
In  officina  Theodorici  Gerlachij  : 
Norimbergx,  1573.    obi.  4".       A.  553.  a. 

[Another  copy.  Altus.  (Tenor.)  (Bassus.) 
(Quinta  Vox.)]     4  pts.  A.  553.  d. 

The  Bassus  part  is  imperfect,  wanting 
sheets  AA-CC. 

2  E  2 


612 


UTENTHAL— VADE 


UTENTHAL  (Alexander)  Liber  Tertius 
Sacrarum  Cantionum,  (quas  vulgo  Mo- 
tetas  vocaut)  .  .  .  Quinq?  &  Sex  vocibus 
ita  compositarum,  vt  tarn  viuse  voci,  quam 
diuersis  Musicoruin  instrumentorum  gene- 
ribus  accommodari  queant.  Discantus. 
(Altus.)     (Bassus.)     3  pts.  In  offic'ma 

Catharinse  Gerlachin  d  Hivredum  lohannis 
Montani :  Noribergie,  1577.     obi.  4". 

A.  553.  c. 


UTTINI  (Feancesco)  Six  Sonatas  for 
Two  Violins  and  a  Bass.  The  Third  and 
Sixth  with  additional  obligate  parts ; 
one  Sonata  for  the  Violoncello,  and  the 
other  for  the  Harpsichord  . . .  Opera  i. 
[Separate  Parts.] 
H.  Fount :  London,  (1768.)     fol. 

h.  2852.  b.  (5.) 


[Another  copy.] 


g.  222.  (20.) 


V  *  *  Dieu  1  que  ma  Zelmire  est  touchante. 
Romance.  (Paroles  de  M.  Masson  de 
Morvilliers,  etc.)     [Paris,']  1779.     8°. 

297.  f.  38. 
Merctire  de  France,  August,  1779. 

v.,  D.  G.  D.  See  Blaise  et  Babet.  Lise 
chantoit  dans  la  prairie.  Chanson  .  .  . 
avec  Accompagnement  de  Harpe  de  IM' 
D.  G.  D,  V.    [1785  ?]  fol.   G.  800.  m.  (9.) 

VA.     Va   dove   cadono   in   seno  al  Gange. 
Cavatina.     See  Alessandro  e  Timoteo. 
Va  pure  in  malora.     Duetto. 
See  CoNTi  (G.) 

Va,  va  mon  pere,  je  te  jure.  Ulnutiliti 
des  Pretres  [Song,  written]  par  le  Citoyen 
Piis,  Air  du  Vaudeville  des  Visitandines 
[by  F.  Devienne].  Cliez  Imbault  : 

Paris,  [1795  ?]     8\  B.  362.  (85.) 

VACANCES.      Les   Vacances,  Com^die  ; 
representee  pour  la  premiere  fois  le  31 
Octobre  1696.     [By  F.  C.  Dancourt,  with 
music  by  J.  C.  Gillier.] 
[Paris,  1760.]     12°.  241.  e.  5. 

Part  of  '  Les  CEuvres  de  TMatre  de  M. 
D'Ancourt,'  etc.     torn.  5. 

VACHOW  (Pierre)  Six  Easy  Duettos 
for  two  Violins  .  .  .  Op.  v.  [Separate 
Parts.]  The  Author : 

I/ondow,  [1775  ?]     fol.  g.  218.  e.  (1.) 

Les  Femmes  et  le  Secret.  Com6die  en 
un  Acte,  mesl^e  d'Ariettes  .  .  .  Par  M. 
Qu^tant . . .  avec  la  musique  [by  P.  Vachon]. 
1770.  See  Recueil.  Recueil  general  des 
Op6ra  Boufions,  etc.    Tom.  3.     1777.     8". 

11735.  b.  2. 
Six  Quartettes,  for  Two  Violins  a  Tenor 
and  Bass  . . .  Opera  v.     [Separate  Parts.] 
W.  Napier  :  Loyidon,  [1775  ?]     fol. 

g.  413.  (18.) 

Six  Quartettes  for  two  Violins  a  Tenor 

and  Bass  . . .  Opera  vi.     [Separate  Parts.] 

Printed  for  W.  Napier  : 

London,  [1775  ?]     fol.  g.  533.  (2.) 


VACHON  (Pierre)  Six  Quartettes  pour 
deux  Violens,  Alto  et  Basso,  etc.  [Op.  7. 
Separate  Parts.]  Printed  for  W.  Napier  : 
London,  [1775?]     fol.  g.  413.  (17.) 

[Another  copy.]  g.  533.  (1.) 

Sara,  ou  La  Fermiere  Ecossoise,  Comedie 
en  deux  Actes  et  en  Vers,  melee  d'Ariettes  ; 
par  M.  C[ollet]  d[e]  M[essiu],  etc.  [With 
the  voice-part  of  one  song.]  1774. 
See  Recueil.  Recueil  general  des  Opera 
Boufions,  etc.     Tom.  8.     1777.     8°. 

11735.  b.  2. 
Six  Senates  a  Violon  Seul  et  Basse  . . . 
Gravies  par  M"'»  Leclair.     ffiuvre  i". 

Chez  M.  de  la  Chevardi^re  : 
Paris,  [1760?]     fol.  h.  1608.  c.  (8.) 

Six  Trios  for  two  Violins  and  a  Thorough 
Bass  for  the  Harpsichord  . . .  Opera  iv. 
[Separate  Parts.]  W.  Napier  : 

London,  [1775  ?]  fol.  g.  409.  b.  (3.) 
See  PuGNANi  (G.)  Six  Divertimentos  for 
two  Violins  and  a  Bass  ...  by  Pugnani, 
Vachon,  etc.    [1780  ?]    fol.    g.  409.  b.  (2.) 

VAD:6  (Jean  Joseph)  CEuvres  de  M. 
Vad6,  ou  Recueil  des  Op6ra-Comiques, 
Parodies  &  Pieces  fugitives  de  cet  Auteur ; 
avec  les  Airs,  Rondes  &  Vaudevilles  notes. 
Nouvelle  Edition.  (CEuvres  Posthumes  de 
M.  Vad6  .  .  .  Avec  les  Airs,  Rondes  & 
Vaudevilles  not6s,  etc.)  4  tem. 
Chez  N.  B.  Duchesne  :  Paris,  1758.     8°. 

86.  b.  1-4. 

Tom.  1-3  have  separate  pagination  and 

generally  separate   title-pages    to    the 

various   Connie   Operas   dc.  contained 

in  them.     The  imprint  of  Tome  IV.  is 

'dLondres  ...4071701.' 

CEuvres    Complettes    de  Vad6,   avec   les 

Airs   notes   a  la   fin   de   chaque   volume. 

4  torn.     Geneve,  1777.     12°. 

11736.  aa.  15. 

CEuvres. .  .Avec  les  Airs,  Rondes  &  Vaude- 
villes Notes.     Nouvelle  Edition.     4  tem. 
Chez  P.  Oosse  :  La  Haye,  1785.     8°. 

11735.  bb.  23. 


VADE— VALENTINE 


613 


VADi^  (Jean  Joseph)  CEuvres  Complettes 
. . .  Avec  les  airs  notes  a  la  fin  du  dernier 
volume.     Derniere  edition.     4  torn. 

Chez  A .  Le  Roy  : 
Lyon,  1787.     8°.  11474.  b.  35. 

VADE     A    LA     GRENOUILLERE. 

Vad6  a  la  Grenouillere.  Folie  poissarde 
en  un  acte  et  en  prose,  melee  de  Vaude- 
villes. Par  les  Citoyens  A.  GouSe  et  G. 
Duval,  etc.  [With  the  music  of  the 
concluding  Ronde.]  Chez  le  Lib.  au  Th. 
des  Troubadours  :  Paj-is,  An  viii  [1800].  8". 

11738.  f.  34.  (3.) 
VAET  (Jacobus)     Tacobi  Vaet  . . .  IModuIa- 
tiones  Quinque  Vocum  . . .  Liber  Primus. 
Bassus.  A2nid  Antonium  Gardamim  : 

Venetijs,  1562.     obi.  4°.  A.  441. 

lacobi  Vaet  .  . .  IModulationes  Quinque  et 
Sex  Vocum  .  . .  Liber  Primus.     Bassus. 

A2ncd  Antonium  Gardanum  : 
Venetijs,  15G2.     obi.  4".  A.  441.  a. 

VAGHI.  Vaghi  luci  amorosette.  Can- 
zonetta.     See  Herbain  (      d')  Chevalier. 

VAGO  ALBORETO.  II  Vago  Alboreto 
de  Madrigali  et  Canzoni  a  Quattro  Voci 
de  Diuersi  Eccellentissimi  Authori : 
Nouamente  Ristampato.  [With  a  dedica- 
tion signed :  Pietro  Phalesio.]  Canto. 
(Alto.)     (Tenore.)     (Basso.)     4  pts. 

Appresso  Pctro  Phalesio : 
Anuersa,  1G20.     obi.  4".  A.  230. 

The  composers  of  this  collection  are  :  R. 
M.  Antonio  Ducto,  O.  Scaletta,  G.  G. 
Gastoldi,  F.  Anerio,  G.  Gabricli,  P. 
Masnelli,  A.  Coma,  B.  Pallavicino, 
H.  Vecchi,  F.  Stivori,  Rinaldo  del 
Melle,  P.  Bosi,  G.  M.  Nanino,  G. 
Croce,  O.  Colombano,  G.  Caimo,  A. 
Ruota,  C,  Porta,  G.  Prcnestini,  C. 
Verdonch,  L.  Marenzio,  A.  Ferraria, 
R.  Giovanelli,  A.  Striggio,  P.  Bellasio, 
M.  A.  Ingegneri,  A.  Crivello,  F. 
Guami  and  Claudin  le  Jeusne. 

"VAILLANTS.  Vaillans  Francois  coures 
aux  armes.     [Song.]     See  Huron. 

VAIN.  Vain,  Belinda,  are  your  Wiles. 
Song.  See  IMoneo  (G.)  [TJie  Temple 
Beau.} 

Vain  is  beauty.     [Song.] 
See  Arne  (T.  A.)     [Judith.'] 
Vain  is  ev'ry  fond  endeavour.     Song. 
See  Chaplet. 
Vain  were  graces.     Song. 
See  Apollo  and  Daphne. 

VAINEMENT.     Vainement  Almaide  en- 
core.    Ariette.     See  Garavane  du  Caire. 
Vainement  je  verse  des  larmes.    Brunette. 
See  Bailleul  (    ) 
Vainement  la  tendresse.     [Song.] 
See  Au  Retour. 


VAINES.  Vaines  fraj'eurs,  sombres  pre- 
sages.    [Air.]     See  Didon. 

VAINLY.  Vainly  now  ye  strive  to  charm 
me.  Lotharia.  A  New  Song.  [By  T.  A. 
Arne.]     [London,  1754.]     8°.    157.  1.  16. 

London  Magazine,  1754,  p.  372. 
Vainly  now  you  strive  to  charm  me. 
The  Mornitig  Conversation.  A  New  Song. 
[Written]  By  Samuel  Foot,  Esq.  [By  T.  A. 
Arne.]  [London,  1750.J  8".  P.P.  5438.  z. 
Universal  Magazine,  Vol.  VI.,  p.  270. 

VAISSEAU.  Le  Vaisseau  vogue  au  gr6 
d'un  calmc.     [Song.]     See  Sorcier. 

VELBIIUN(      )  See  Chapelle  (P.  D.  A.) 
Le    Manchou  .  .  .  Accompagnement    de 
Piano  ou  Harpe  par  le  C.  Valbrun. 
[1800?]     fol.  G.  546.  (45.) 

VALDERRAVANO  (Enriquez  de) 
Libro  de  Mu[sica]  de  Vihuela,  intitula[do 
silva  de]  sirenas.  En  el  qual  se  hallara 
toda  diuersidad  de  mu[sica]  etc. 
Fue  impresso  . . .  por  Francisco  Fernandez 
de  Cordoua  :  Valladolid,  1547.     fol. 

K.  8.  e.  1. 
112  fol.  The  work  is  in  7  Books,  hut 
the  pagination  is  continuous.  Book 
IV.  has  a  separate  title-page.  The 
folloioing  names  of  composers  occur : 
Aneriqucz  [Valderravano'],  Josquin, 
Layole,  Gombert,  Verdelot,  Lupus, 
Sepulvcda,  Loyset,  laquet,  Men-ales, 
Pieton,  Adria7io,  Vicencio  Rufo,  Miguel 
Ortiz,  Archadelt,  luan  Vazquez,  Mou- 
ton  and  Francisco  Milanes.  The  title- 
page  is  mutilated. 

VAIj-DE-VIRE.  Le  Val-de-Vire,  ou  le 
Berceau  du  Vaudeville,  Divertissement  en 
un  Acte  et  en  prose,  mel6  d»3  Vaudevilles, 
par  les  CO.  A.  Gouffe  et  G.  Duval  . . .  avec 
la  Musique.  Chez  le  Libraire,  au  Thidtre 
du  Vaudeville  :  Paris,  An  vii'^  [1799].     8". 

11738.  e.  18.  (5.) 
[Another  copy.]  11738.  f.  34.  (2.) 

VALENTINE.     The  Valentine.     [Song.] 
See  Hudson  (R.) 
Valentine  Day.     Serenade. 
See  Spofforth  (R.) 

Valentine's  Day.  Song.  See  When. 
When  blushes  dy'd  the  cheek  of  morn,  etc. 
[1755.]     8°.  250.  k.  16. 

Valentine's  Train.     [Song.] 
See  DiBDiN  (G.)     [Valentine's  Day.] 

VALENTINE  (Ann)  Monny  Musk  [a 
Scotch  Air,]  arranged  as  a  Rondo  for  the 
Piano  Forte,  etc. 

Cahusac  and  Sons,  for  the  Author  : 
London,  [1798  ?]     fol.  g.  140.  (55.) 

Ten  Sonatas  for  the  Piano  Forte  or  Harp- 
sichord with  an  Accompaniment  for  the 
Violin  or  German-Flute  . . .  Opera  Prima. 
[Separate  Parts.]  Printed  for  the  Author  : 
London,  [1798  ?]     fol.        g.  161.  f.  (10.) 


614 


VALENTINE  (J.)— VALENTINE  (R.) 


VALENTINE  (John)  The  Epitbalamium 
in  the  Tragedy  of  Isabella  or  the  Fatal 
Marriage,     Also  an  Ode  to  Peace,  etc. 

Printed  for  the  Author : 
London,  [1765  ?]  fol.  H.  2815.  a.  (15.) 
Sixteen  Marches  &  Minuetts  &c.  in  Eight 
Parts  for  Two  Violins,  Two  Hautboys,  or 
German  Flutes,  Two  French  Horns,  Tenor 
&  Bass  . . .  Op.  8"\     [Separate  Parts.] 

Printed  for  the  Author  : 
Leicester,  [1785  ?]     obi.  4".  b.  83. 

An  Ode  on  the  Birth  Day  of  . . .  the 
Marquis  of  Granby.  The  Words  by  I. 
Tree.     [London?  1168?]     fol. 

G.  307.  (223.) 
Thirty  Psalm  Tunes  in  four  Parts,  with 
Symphonies,  Interludes,  and  an  Instru- 
mental Bass  . . .  Opera  7. 

Longman  and  Broderip,  for  the  Author: 
London,  [1785  ?]  ohl.  4».  B.  440.  (2.) 
[Another  copy.]  A.  511.  b.  (1.) 

Eight  Easy  Symphonies  lor  two  Violins, 
two  Hautboys  or  German  Flutes,  two 
French  Horns,  a  Tenor  and  Thorough 
Bass ;  with  Solos  for  the  Different  Instru- 
ments. .  .Designed  for,  &  Dedicated  to,  all 
Junior  Performers  and  Musical  Societies 
. .  .Op.  VI.     [Separate  Parts.] 

J.  Bland,  for  the  Author:  London, 
[1785?]     fol.  g.  212.  (10.) 

VALENTINE  (Robert)  Six  Setts  of 
Aires  and  a  Chacoon  for  two  Flutes  &  a 
Bass,  etc.     [Separate  Parts.] 

Printed  for  I.  WalsJi  and  I.  Hare  : 
London,  [1715  ?]  fol.  h.  250.  c.  (6.) 
Seven  Setts  of  Aires  for  two  Flutes  &  a 
Bass  consisting  of  Preludes  AUmands 
Corants  Sarabands  Marches  Minuets  Ga- 
votts  and  Jiggs.  Being  familliar  &  easey 
for  Young  Practitioners  in  Concert... 
Opera  Nona.  [Separate  Parts.] 
I.  Walsh  d  I.  Hare  :  London,  [1720.]    fol. 

g.  297.  (2.) 

Seven  Setts  of  Aires  for  two  Flutes  &  a 
Bass  consisting  of  Preludes  AUmands 
Corants  Sarabands  Marches  Minuets  Ga- 
vots  and  Jiggs.  Being  familliar  and  easey 
for  Young  Practitioners  in  Concert . . . 
Opera  10"'.  [Separate  Parts.] 
Daniel  Wright :  London,  [1720?]     fol. 

g.  297.  (3.) 
Seven  Setts  of  Aires  for  two  Flutes  &  a 
Bass. .  .Opera  Decima.  [Separate  Parts.] 
I.  Walsh  d- 1.  Hare  :  London,  [1720  ?]  fol. 

h.  11.  b. 
XII.  Sonatas  of  three  Parts  for  two  Violins 
&  a  Bass  with  a  through  Bass  for  y°  Organ 
Harpsicord  or  arch  Lute. .  .Opera  Prima. 
[Separate  Parts.] 

Printed  for  J.  Walsh . .  .d  J.  Hare  : 
London,  [1110?]     fol.  h.  11.  c.  (1.) 

[Another  copy.]  h.  11. 

Wa7iting  tlie  Thormigh  Bass  part. 


VALENTINE  (Robert)  XII.  Sonatas 
or  Solos  for  a  Flute  with  a  Through-Bass 
for  the  Harpsicord  or  Bass  Violin  .  .  , 
Opera  ii°.  Printed  for  J.  Walsh  d  J.  Hare  : 
London,  [1710  ?]     fol.  g.  422.  (1.) 

[Another  edition.]  [XII]  Solos  for  a 
Flute  with  a  Thorough  Bass  for  the 
Harpsicord  or  Bass  Violin . . .  Opera  2''^. 

Printed  /cw  I.  Walsh  d  I.  Hare  : 
London,  [111b?]     fol.  h.  11.  a.  (1.) 

XII.  Sonatas  or  Solos. .  .for  a  Flute  with 
a  Through-bass  for  the  Harpsicord  or 
Bass  Violin. .  .Opera  Terza. 

Printed  for  J.  Walsh  d  J.  Hare  : 
London,  [1710?]  '  fol.  h.  11.  a.  (2.) 


[Another  copy.] 


i.  26.  (4.) 


XII  Sonate  a  Flauto  Solo  col  Basso  Con- 
tinuo  .  .  .  Opera  Terza.  Chez  Estienne 
Roger  :  Amsterdam,  [1712  ?]     ohl.  fol. 

e.  22. 

Six  Sonatas  for  Two  Violins  two  Hoboy's 
or  German  Flutes  w'"  a  Thorough  Bass 
for  the  Harpsicord  or  Bass  Violin . . .  Opera 
Quarta.  [Separate  Parts.] 
Daniel  Wright,  for  the  Author  :  London, 
[1715?]     fol.  h.  11.  f. 

Six  Sonata's  of  two  Parts  made  on  pur- 
pose for  two  Flutes  .  .  .  Opera  Quarta. 
[Separate  Parts.]  Printed  for  I.  Walsh: 
London,  [1115?]     fol.  h.  11.  e.  (2.) 

[Another  edition.]  Six  Sonata's  of  two 
Parts  made  on  purpose  for  two  Flutes . . . 
Opera  Quarta. 

Printed  for  I.  Walsh. .  .and  I.  Hare  : 
London,  [1115?]     fol.  h.  11.  d. 

The  Second  Flute  part  only. 

Six  Sonata's  of  two  Parts  for  Two  Violins 
. . .  Opera  Quarta.  (Violino  Prime.)  (Vio- 
lino  Secondo.)  2  pts.  Printed  for  I.  Walsh 
. .  .and  L  Hare  :  London,  [1715 ?]     fol. 

h.  11.  e. 
The  2'"'  Violin  part  is  of  a  later  edition, 
printed  about  1733. 

XII.  Sonatas  or  Solos  for  a  Flute  with 
a  Through  Bass  for  the  Harpsicord  or 
Bass  Violin. .  .Opera  Quinta. 

Printed  for  I.  Walsh  d  I.  Hare  : 
London,  [1715  ?]     fol.  h.  11.  a.  (3.) 

Six  Sonatas  for  2  Violins  &  a  Bass.  Opera 
Sexta.     [Separate  Parts.] 

D.  Wright  d  J.  Young  :  London, 
[1715?]     fol.  h.  11.  g.  (1.) 

Six  Sonatas  of  two  parts  for  two  Flutes 
. . .  Opera  6".     [Separate  Parts.] 

Printed  for  I.  Walsh  : 
London,  [1720?]     fol.  g.  71.  f.  (7.) 

Six  Sonatas  of  two  Parts  for  two  Violins 
. . .  Opera  7'"".     [Separate  Parts.] 
D.  Wright:  London,  [1120?]     fol. 

h.  11.  g.  (2.) 


VALENTINE  (R.)—Y ALETTE 


615 


VALENTINE  (Robert)  Six  Sonatas  of 
two  Parts  for  two  Flutes  . . .  Opera  7"'". 
[Separate  Parts.]  Daniel  Wright  : 

London,  [_ITIQ'>^     fol.  g.  297.  (1.) 

Sonatas  or  Solos  for  a  Flute  with  a 
Thorough  Bass  for  the  Harpsicord  or  Bass 
Violin . . .  Opera  xi"". 

I.  Walsh  and  loseph  Hare  :  London, 
[1730?]    fol.  h.  11.  a.  (4.) 

Sonata  per  il  Flauto  Traversiero,  col  Basso 
che  possono  servire  per  Violino,  Mandola 
et  Oboe,  dedicate  all'  ill™". . . ^"  D.  Gennaro 
.  .  .  Moccia  Duca  dell'  Oratino  ...  da 
Roberto  Valentin!  Inglese.     Opera  xii. 

Licisa  da  Antonio  Cleton  :  Boma, 
(1730.)    obi.  fol.  e.  22.  d. 

Sonatas  or  Solos  for  a  German  Flute  with 
a  Thorough  Bass  for  the  Harpsicord  or 
Bass  Violin. .  .Opera  xiii. 

Printed  for  lohn  Walsh:  London, 
[1735.]    fol.  h.  11.  a.  (5.) 

VALENTINE'S  DAY.  Valentine's  Day. 
Entertainment.     See  Dibdin  (C.) 

VALENTINI  (GiovAKNi)  Musiche  Con- 
certate  con  voci,  &  Istromenti,  a  6,  7,  8, 
9,  &  10.  Con  Basso  Continue.  Canto. 
(Alto.)  (Tenore.)  (Basso.)  (Quinto.)  (Set- 
timo.)  (Ottavo.)  (Nono.)  (Basso  Con- 
tinue.) 9  pts.  Stampa  del  Gardano. 
Appresso  Bartolomeo  Magni  :  Venctia, 
1619.     4°.  D.  4. 

VALENTINI    (Giuseppe)     Allettamenti 
per   Camera   a   Violino    e   Violoncello,    o 
Cembalo.     Opera  Ottava,  etc. 
Chez  E.  Boqer  :  Amsterdam,  [1720  ?]    fol. 

g.  392. 

[Allettamenti  per  Camera.]  XII  Solos 
for  the  Violin  or  Violoncello  with  a 
Thorough  Bass  for  the  Harpsicord... 
Opera  Octava. 

Printed  for  L  Walsh  £  I.  Hare  : 
London,  [1125?]   "fol.  g.  392.  a. 

Bizzarrie  per  Camera  a  Tre,  cio  e  Due 
Violini  e  Violone  6  Cembalo  . . .  Opera 
Seconda.  Edition  corrig6e. .  .sur  la  Par- 
tition par  E.  Roger.  [Separate  Parts.] 
Aux  dcpens  d'E.  Roger  d  M.  C.  Le  Gene  : 
Amsterdam,  [1720  ?]     fol.         f.  534.  (2.) 

Bizzarrie  per  Camera  a  Tre.  Cio  e  Due 
Violini  e  Violone  6  Cembalo  . . .  Opera 
Seconda.     [Separate  Parts.] 

Printed  for  I.  Walsh  d  I.  Hare  : 
London,  [_n 20?-]  "fol.  g.  392.  b. 

XII.  Fantasie  a  tre.  Due  Violini  e 
Violoncello  o  Cembalo  . . .  Opera  Terza. 
Edition  corrigee. .  .sur  la  Partition  par 
E.  Roger.  [Separate  Parts.] 
Anx  depiens  d'E.  Roger  d-  M.  G.  Le  Gene  : 
Amsterdam,  [1720  ?]     fol.         f.  534.  (3.) 


VALENTINI  (Giuseppe)  XII.  Suonate 
a  tre,  Due  Violini  e  Violoncello  o  Basso 
Continue  .  .  .  Opera  Quinta.  [Separate 
Parts.]  Chez  E.  Roger  &  M.  C.  Le  Gene  : 
Amsterdam,  [1720  ?]     fol.  f.  534.  (4.) 

XII.  Sinfonie  a  tre.  Due  Violini  Violon- 
cello e  Basso  Continue  . . .  Opera  Prima. 
Edition  corrigee  . . .  sur  la  Partition  par 
E.  Roger.  [Separate  Parts.] 
Aux  dcpens  d'E.  Roger  d  M.  C.  Le  Gene  : 
Amsterdam,  [1120-^]     fol.  f.  534.  (1.) 

See  CoNCERTi.     Concerti  a  Cinque... del 
Signori  G.  Valentini,  A.  Vivaldi,  etc. 
[1730?]     fol.  g.  35. 

VALENTINI  (Pier  Francesco)  Canone 
nel  Nodo  di  Salamone  a  Nouantasei  Voci 
con  le  sue  Resolutioni. 

App>reso  Paolo  Masotti  :  Roma, 
1631.    s.  sh.  fol.  K.  7.  e.  1.  (2.) 

Illos    tuos    misericordes    oculos    ad    nos 
conuerte.     Canone  . . .  con   le   sue  resolu- 
tioni in  piu  di   Duemilia  Modi  a  due,  a 
tre,  a  quattro,  et  a  cinque  voci. 
Anresso  Paolo  Masotti  :  Roma,  1629.     fol. 

K.  7.  e.  1.  (1.) 
VALENTINI  (Roberto) 
See  Valektine  (R.) 

VALENZOLA  (Pietro)  Madrigali . . .  a 
cinque  Voci,  con  vno  a  sei,  et  vno  Dialogo 
a  otto,  Nouamente. .  .stampati,  et  dati 
in  luce.  Libro  Primo.  Canto.  (Alto.) 
(Tenore.)     (Basso.)     (Quinto.)     5  pts. 

Appresso  Angela  Gardano  :   Venetia, 
1578.     obi.  4".  A.  320. 

VALERIUS  (Adriaen)  Neder-Landtsche 
Gedenck-Clanck.  Kortelick  openbarende 
de  vooniaemste  geschiedenissen  van  de 
seventhien  Neder-Landsche  Proventien .  . . 
tot  den  lare  1625 . . .  Verciert  met . . .  platen, 
ende  Stichtelijcke  Rimen  ende  Liedekens 
. . .  De  Liedekens  . . .  gestelt  op  Musyck- 
noten,  ende  elck  op  een  verscheyden  Vols, 
beneffens  de  Tablatuer  vande  Luyt  ende 
Cyther,  etc.  Gedruct  voor  d'Erfgenamen 
vanden  Autheur  :  Haerlcm,  1626.     obi.  4°. 

C.  60. 

[Another  copy.]  804.  c.  8. 

[Another  copy.]  C.  60.  a. 

This  copy  does  not  contain  the  list  of 
errata. 

VALETTE  DE  MONTIGNI  (  )  ]Mo- 
tets  a  I.  II.  III.  Voix,  avec  et  sans  Instru- 
ments et  Basse-Continue.  Livre  Premier. 
Chez  G.  Ballard  :  Paris,  1711.  fol.    H.  74. 

Motets  a  i.  ii.  et  iii.  Voix.     Auec  Instru- 
ments et  la  Basse  Continue. 

Chez  G.  Ballard.     Qrauis  par  H.  de 
Baussen  :  Paris,  1701.     obi.  fol. 

K.  10.  a.  22. 


G16 


V  ALEURE  UX— VALVASENSIS 


VALEUREUX.  Valeurenx  Liegeois, 
marchez  a  ma  voix.  Marche  Patriotique. 
Chez  Imbault :  Paris,  [179S  ?]     8". 

B.  362.  d.  (26.) 

VALIANT.  The  Valiant  Mariner.  [Song.] 
See  Come.  Come  and  listen  to  mv  Ditty. 
[1740  ?]     s.  sh.  fol.  G.  316.  d.  (89.) 

The   Valiant   Sailor.     [Song.]     See  You. 

You  Gentlemen  of  England. 

[1735  ?]     s.  sh.  fol.  G.  316.  f.  (140.) 

The  Valiant  Sailors.     [Song.]     See  Y^'ou. 

You  Gentlemen  of  England. 

[1780?]     s.sh.lol.  G.  314.  (109.) 

VALiLA  (Georgius)    See  Cleonidas.   Hoc 
in     volumine     hsec     opera    continentur. 
Cleonidce  harmonicum  introductorium  in- 
terprete  Georgio  Valla  Placentino,  etc. 
1497.    8».  IB.  23973. 

VALIjADE  (Johann  Baptist  Anton) 
Musicalische  Gemiiths-Ergotzung,  besteh- 
end  in  xvi.  Fugen  auf  die  Orgel  oder 
Clavier. .  .Zweyte  TheU. 

Auf  Kosten  Johann  Ulrich  Haffners : 
Niirnberg,  [1755  ?]    obi.  fol. 

e.  174.  o.  (19.) 
Engraved  throughout. 

VALLARA  (Feancesco  Maria)  Primizie 
di  Canto  Fermo,  etc. 

Per  Antonio  Capponi  :  Modona,  1700.     4". 

557*.  d.  33.  (4.) 

Primizie  di  Canto  Fermo  . . .  Ristampate, 
corrette,  e  ridotte  in  miglior  forma  daUo 
stresso  Autore.  etc.  Per  Giuseppe  Eosati  : 
Parma,  1724.     4".  E.  788. 

Scuola  Corale.     Nella  quale  s'insegnano  i 
fondamenti  piu  necessarii  alia  vera  cogni- 
zione  del  Canto  Gregoriano,  dx. 
Per  Antonio  Capponi  :  Modcna,  1707.     4°. 

E.  788.  a. 

Teorico-Prattico  del  Canto  Gregoriano, 
etc.  Per  Giuseppe  Rosati : 

Parma,  1721.     4".  7896.  ee.  (4.) 

VAIiLEE  DE  MONTMORENCY.  La 

Valine  de  Montmorency,  ou  Jean  Jacques 
Rousseau  dans  son  Hermitage.  Op6ra- 
Comique  en  trois  Actes,  en  prose,  m616  de 
Vaudevilles.  Par  les  CC.  Piis,  Barre, 
Radet  et  Desfontaines  . . .  Avec  14  Avis 
not6s.  Chez  les  Libraire  au  theatre  du 
Vaudeville  :  Paris,  An  vii  [1799].     8°. 

11738.  b.  38.  (6.) 

VALLET  (Nicolas)  Paradisus  Musicus 
Testudinis,  in  quo  Multse  insignes  et  ante 
hunc  diem  inauditse,  Gallicee,  Germanicse, 
Anglicse,  Hispanicffi,  Polonicas,  cantiones  ; 
Nee  non  Varia  Prseludia  Fantasiae,  Tri- 
pudia  cotinentur.  Prseterea  punctis  turn 
supra    tum    ad    latus   singulis    cuiusque 


tactus  literis  adscriptis,  etc.  Apud  Joanncm 
Janssonium  :  Amstclodami,  1()18.     obi.  4°. 

K.  4.  b.  13.  (1.) 
Engraved  throughout.    The  running  title 
at  the  head  of  each  p)age  is  "  Le  Secret 
des  Muses." 

Le  second  Livre  de  Tablature  de  Luth, 
Intitule  Le  Secret  des  Muses :  Contenant 
plusieurs  belles  pieces  non  encor  ouyes 
par  ci-devant . . .  Ensemble  plusieurs  autres 
pieces  mises  en  Tablature  . . .  entr'autres 
quelques  pieces  mises  pour  iouer  a  quatres 
Luts  difieremment  accordez,  etc.  Chez 
Ian  lansss  :  Amersterdam,  1619.     obi.  4". 

K.  4.  b.  13.  (2.) 
The  music  is  engraved  throughout. 

XXI  Pseaumes  de  Dauid,  Accommodes 
pour  chanter  &  jouer  du  Luth  ensemble. 

Chez  Ian  lanssz  :  Amsterdam, 
1619.     obi.  4».  K.  3.  g.  2. 

The  music  is  engraved  throughout. 

Regia  Pietas  hoc  est  Psalmi  Dauidici 
concinne  aptati  ad  modulantes  fides. 
(Piet6  Royalle  c'est-a  dire :  Les  Cent 
Cinquante  Pseaumes  de  Dauid,  accommod- 
ez  pour  iouer  sur  le  luth,  d'une  nouuelle  et 
tres-facile  mode,  non  encor  veue  ny  ouye 
par  cy  deuant,  etc.)  Chez  I'Autheur  : 

Amstrcdam,  1620.     obl.  4°.      K.  4.  b.  14. 
The  Latin  title-page  and  the  77iusic  arc 
engraved. 

[Another  copy.]  K.  4.  b.  15. 

Imperfect,  ivanting  the  tioo  title-pages, 
tivo  first  leaves,  and  the  engraved  plates 
of  coats-of-arms. 

VALLETE  (Pierre)    Pseaumes  de  Dauid, 
mis  en  rime  Francaise,  etc.    (Pierre  Vallete 
atous  Fideles  desirans  chanter  les  louanges 
du  Seigneur,  eic.)     [1560?]     8°. 
See  Psalms.     [5.  French.]       690.  a.  12. 

Le  Second  Liure  des  Pseaulmes  [et]  Sen- 
tences, etc.      [With  dedicatory  verses  by 
P.  Vallete.]     1555.     obl.  16". 
See  Psalms.     [5.  French.']      K.  8.  i.  10. 

VALOTTI   (Francesco   Antonio)     Delia 
Scienza,  Teorica  e  Pratica  della  Moderna 
Musica  Libro  Primo,  etc. 
Nella  Stamperia  del  Seminario.    Appresso 
Giovanni  Manfre  :  Padova,  1779.     4°. 

557*.  e.  15. 

VALTON  (Peter)    The  Reprisal.    [Song.] 
The  Words  by  Mr.  Lockman  . . .  Sung  at 
Marybone  Gardens  by  Mr.  Lowe. 
Welcker :  [London,  1765  ?]     fol. 

G.  316.  (147.) 

VALVASENSIS  (Lazaro)  Salmi  Con- 
certati  a  DueVoci . .  .Opera  Decima  Sesta. 
Basso  Continue  per  I'Organo. 

Appresso  Bartolomeo  Magni  : 
Vcnetia,  1640.     4".  E.  121. 


VANBRUGHE— VANNEUS 


617 


VANBRUGHE  (George)  Advice  to  a 
Friend  in  Love.  [Song.]  The  Words  by 
Mr.  Carey.     [London,  1715  ?]     s.  sh.  fol. 

H.  1601.  (368.) 
[Another  copy.]  G.  315,  (49.) 

Advice  to  Phillis.     [Song.]  [London, 

1720  ?]     s.  sh.  fol.  G.  305.  (303.) 

Cfelia's  Complaint  or  the  Irish  Howl 
[Song], .  .Within  Compass  of  the  Flute. 

G.  311,  (34.) 
This  song  is  also  published  as''  The  Lish 
Hoivl." 

[Another  edition.]  Cselia's  Complaint, 
etc.     [London,  1720  ?]     s.  sh.  fol. 

G.  316.  g,  (51,) 

The  Consultation.     [Song.]  [London, 

1725  ?]     s.  sh.  fol.  G,  305,  (216,) 

[Another  copy.]  G,  314,  (36,) 

Damon's  Complaint  for  the  Absence  of  his 
Mistress.     [Song.]  [London, 

1725  ?]     s.  sh.  fol.  G,  312,  (44,) 

[Another  copy,]  G.  303,  (29,) 

The  Good  Fellow.     See  Let,     Let's  drink 
and  be  merry,  etc.     [By  G,  Vanbrughe.] 
[1713?]    fol.  G.  303,  (24,) 

Haul,   haul  away,   let   your   Anchors   be 
weighing,     A  New  Sea  Song,  etc. 
[London,  1715  ?]     s.  sh.  fol. 

G.  308,  (77,) 

[Another  copy.]  G,  305,  (57,) 

The  Irish  Howl.     [Song.]  London. 

1710?     s.  s/i.  fol.  H,  1601.  (377,) 

This  song  is  also  published  as  "  Caelia's 
Complaint." 

Lesbia's  Cruelty,  See  She,  She  whom 
above  my  self  I  prize,  etc.  [By  G.  Van- 
brughe.]  [1730?]  s.s/(.  fol.    G.  303.  (85.) 

The  Lovely  Charmer,     A  Song,  etc. 
[London,  1710  ?]    s.  sh.  fol. 

H,  1601,  (519,) 

[Another  edition.]  The  Lovely  Charmer, 
etc.     [London,  1715  ?]     s.  sh.  fol. 

G.  313.  (27.) 

Mirth  and  Harmony.  Consisting  of  Vocal 
and  Instrumental  Musick ;  as  Songs  and 
Ariets,  for  one  and  two  Voices :  and  a 
Cantata . , .  All  fitted  for  the  German  Flute, 
Common  Flute,  Violin,  Hoboy,  Harp- 
sichord, or  Organ,  To  accompany  the 
Voice  or  to  be  play'd  alone.  Printed  for 
lohn  Walsh  :  Lojidon,  [1713  ?]     fol. 

H,  1605,  a, 

[Another  copy.]  H,  1605,  (2.) 

The  title-page  is  mutilated. 

Modern  Harmony  or  a  desire  to  Please. 
Consisting  of  Vocal  and  Instrumental 
Musick  as  Songs  and  Arietts  for  one  and 
two  Voices  and  a  Cantata  together  with  a 
Solo  for  a  Flute  &  a  Bass  and  a  Solo  for 


a  Violin  &  a  Bass  as  also  a  Set  of  Lessons 
for  the  Harpsicord.  Printed  for  J.  Walsh 
d-  J.  Hare  :  London,  [1728  ?]     fol. 

H.  1605.  (1,) 
Old  Adam  it  is  true.     A  Song,  etc. 
[LoTCdow,  1720  ?]     s.  s7t.  fol. 

G.  310.  (187.) 
The  Oxford  Bowlers,  etc.     [Song.] 
[London,  1720  ?]     s.  sh.  fol. 

H.  1601.  (257.) 

[Another  edition.]  The  Oxford  Bowlers, 
etc.     [London,  Vi25'>}    s.sh.iol. 

G.  305.  (136.) 
[Another  copy.]  G.  309.  (36.) 

Parthenissa['s]  Absence.     A  Song,  etc. 
[Lotidon,  1120?]     s.sh.iol. 

G,  303,  (31,) 
Printed  from   the  plate    of  fol.    15    of 
"  Modem  Harmony." 
[Seraphina's  Eeturn.]     See  see  my  Sera- 
phina   comes.      A     Song   the   Words    by 
Mr.  Carey.  [London, 

1715?]     s.sh.iol.  H.  1601.  (394.) 

Seraphina's  Return,  A  Song,  etc. 
[London,  1720  ?]     s.  sh.     fol. 

G.  311.  (75.) 
Printed   from    the  plate    of  fol.   18  of 
"  Modern  Harmony." 
What   tho'  the  Times  are  bad.     A  Song 
on  the  Times,  etc.  [London, 

1710  ?J     s.  sh.     fol.  H.  1601.  (516.) 

Ye  little  Loves  that  hourly  waite. 
A  Sotig,  etc.     [London,  1715  ?]     s.  sh.  fol. 

G.  316,  g,  (77.) 
VANDERHAGEN    (Amaxd    Jean 
FEAN901S  Joseph)     Six  Duos  pour  deux 
Flutes     .  .  8"  Livre   de   Duos   de   Flute, 
[Separate  Parts.]  Cliez  Lnbault  : 

Paris,  [1790?]     fol.  g,  280,  j,  (8,) 

See  KozELUcH  (L.)  Three  Solos  for  the 
German  Flute  , , ,  arranged  by  Vander- 
hagen,     [1790?]     fol.  g.  280,  g.  (6.) 

VANDERMAN  (Thomas) 
Sec  LlERPawAGG  (    )  Dr.,  pseud. 

VANHAL  (Giovanni) 
See  Wanhal  (J.  B.) 

VANHALIi  (C.)     See  Wanhal  (J.  B.) 

VAnSTHALL  (.Jean)     See  Wanhal  (J.  B.) 

VANITY.      The  Vanity  of  Life.     [Song.] 
See  Davis  (J.  F.) 

VANNE.     Vanne  segui'l  mio  desio. 

[Song.]      See  Haendel   (G.   P.)     [Flori- 

dante.'] 

VANNEUS  (Stephanus)  Recanetimi  de 
Musica  Aurea  a  Magistro  Stephano 
Vanneo. .  .nuper  eeditum,  et  solerti  studio 
Enucleatum,  Vincentio  Rosseto  .  .  .  In- 
terprete.  Apiid  Valerium  Doricum  : 

Romae,  1533.     4°.  K.  2.  g.  17. 


618 


VANNINI— YECCHI 


VANNINI  (Elias)  Psalmi  ad  Vcsperas 
]\Iusicis  Trium,  et  Quattuor  Vocum  Con- 
centibus  Accommodati  cum  quattuor 
lustrumentis  Musicalibus  .  .  .  Opus  Ter- 
tiuni,  etc.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)  (Violinus  Primus.)  (Violinus 
Secundus.)  (Violinus  Tertius.)  (Bassus 
Viola.)     (Organum.) 

Typis  Pctri-mariir  Montium  : 
Bonon'uv,  1693.     4°.  D.  231. 

VAPEURS.     Chanson  des  Vapeurs. 

>'^'ee  Je.     J'ai  des  vapeurs  quand  un  galant 
soupire.     [1780?]     8".     B.  362.  b.  (124.) 

VAPEURS.  Les  Vapeurs.  Com6die  en 
un  Acta  &  en  Vers ;  et  des  Vaudevilles 
nottes  a  la  fin.  Chez  Prault,  jeune  : 

Paris,  1753.    8°.  11738.  aa.  6.  (3.) 

VARIETY.     Variety.     Song. 
See  Hook  (J.) 

Variety  I  love  'tis  true.  [Song.]  To  a 
False  fickle  Mistress,  accusing  her  Lover 
of  her  own  Fault ;  Love  of  Change  in 
Love.  Taken  out  of  Wycherley's  Mis- 
cellany Poems.  {London, 
1710?]  s.  s7j.  fol.  H.  1601.  (477.) 
Variety  in  one.  [Song.] 
See  DiBDiN  (G.)     [Great  Neivs.] 

Variety  is   Charming.      [Song.]      See    I. 

I'm  in  Love  with  twentv. 

[1775  ?]     s.  sh.  fol.  "    G.  309.  (144.) 

VAROTUS  (Michael)  Liber  Primus 
IMissarum  Octonis  Vocibus.  Quibus  vna 
adiuncta  est  duodenis  vocibus  decantanda. 
Primus  Chorus.  Cantus.  (Altus.)  2  pts. 
Apiid  haercdes  Francisci,  d  Simonis 
Tini  :  Mediolani,  1595.     4°.  D.  32. 

Reverend!  D.  Michaelis  Varoti  . . .  Psalm- 
odia  Vespertina  in  Dialogo  Octonis 
vocibus,  alternatis  Choris  decantanda. 
Primus  Chorus.  Cantus. 
Apud  haeredes  Francisci,  it  Simonis  Tini  : 
Mediolani,  1594.     4°.  D.  32.  a. 

VASTI  (Paolo)  ,S'w  Spada  (V.)  IlPrimo 
Libro  delle  Villanelle  .  .  .  Da  P.  Vasti, 
nouamente  poste  in  luce.     1589.     12". 

B.  250. 

VAUDEVILLES.  Vaudeville  Menuets, 
Contredanses,  et  Airs  D6tach6s  chant^s 
sur  le  Theatre  des  Com6dies  Francaise 
et  Italienne,  lesquels  se  jouent  sur  la 
Flute,  Vielle,  Musette,  Violon  &c.  10  pts. 
Chez  M"  Boivin  :  Paris,  [1745.]     8°. 

B.  761. 
The   following    composers    are   named  : 
Lavaux,  Colesse,  Quinaii,  Soret  and 
Martini. 

VAUGH  AN  (Thomas)  Six  Songs  English 
&  Scottish.  Written  and  Composed  by 
T.  Vaughan,  etc.  Printed  for  the  Author : 
EfZi/i',  [1795 ?]     fol.  "0.369.(11.) 


VAUGHAN  (Thomas)  Tom  Staysail.  A 
Favourite  Song.  Written  and  composed 
by  T.  Vaughan,  etc. 

G.  Kanntzc,  for  the  Author  : 
London,  [imOl]     fol.  G.  365.  (33.) 

VAUTOR  (Thomas)  The  First  Set: 
beeing  Songs  of  diuers  Ayres  and  Natures, 
of  Fine  and  Sixe  parts :  Apt  for  Vyols 
and  Voyces,  etc.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)    (Quintus.)    (Sextus.)    6  pts. 

Thomas  Snodham,  for  Matthew  Lownes 
and  lohn  Browne  :  London,  1619.     4°. 

K.  3.  k.  8. 

VAUXHALL.     Vauxhall  Ballad. 

See    Now.      Now   the    Summer    months 
come  round.     [1780  ?]     s.  sh.  fol. 

G.  310.  (165.) 

Vauxhall  Watch.     [Song.] 
See  Touchstone. 

VAZ  BARRADAS  MIUTO  PAM  E 
MORATO  (JOAO)  Breve  Resumo  de 
Cantocham  com  as  Regras  mais  Princi- 
paes,  e  a  forma  que  devem  guardar,  o 
Director  do  Coro  para  o  sustentar  firme 
na  corda  chamada  Coral,  e  o  Organista 
quando  o  acompanha,  Ordenado  ao  uso 
Romano.  Na  Officina  da  Musica  : 

Lisboa  Occidental,  1735'.     4".    K.  1.  f.  13. 

VECCHI  (HoEATio)  L'  Amfiparnaso. 
Comedia  Harmonica  .  .  .  Nouamente 
posto  in  luce,  etc.  Canto.  (Alto.)  (Tenore.) 
(Basso.)     (Quinto.)     5  pts. 

Appresso  Angela  Gardano  : 
Venetia,  1597.     4".  K.  2.  b.  1. 

Canzonette  a  Sei  Voci  .  .  .  Nouamente 
Stampate.  Libro  Primo.  Canto.  (Alto.) 
(Tenore.)  (Basso.)  (Quinto.)  (Sesto.) 
6  pts.  Appresso  Angelo  Gardano  : 

Venetia,  1587.     4°.  D.  250.  a. 

[Another  copy.     Alto.]  D.  250.  b. 

Canzonette  .  .  .  Libro  Primo  a  Quattro 
Voci.  Nouamente  Ristampato.  Quinta 
Impressione.  Canto.  (Alto.)  (Tenore.) 
(Basso.)  4  pts.  Appresso  Angelo  Gardano  : 
Venetia,  1591.     4".  D.  250.  (1.) 

Canzonette  a  Quattro  voci  . . .  Le  quali 
per  auanti  sono  in  Venetia  spartatamente 
ite  in  luc^,  &  ora  per  j)iu  comodita  raccolte 
in  sieme.  E  con  aggiunta  di  altre  a  5.  4. 
e  3.  Voci,  etc.     Canto.     (Tenore.)     2  pts. 

Appresso  Paulo  Kauffmann : 
in  Noi-imbergo,  1600  (WOl).    4°.    D.  250.J. 
The  Tenor  part  is  dated  1601. 

Canzonette  . . .  Libro  Secondo  a  Quattro 
Voci,  Nouamente  Ristampate  .  .  .  Terza 
Impressione.  Canto.  (Alto.)  (Tenore.) 
(Basso.)  4  pts.  Appresso  Angelo  Gardano  : 
Venetia,  1585.     4".  D.  250.  (2.) 


VECCHI— VEILLfiE 


G19 


"VECCHI  (Horatio)  Canzonette  . . .  Libro 
Terzo  a  Quattro  Yoci,  Nouamente  Eistam- 
pato  .  .  .  Seconda  Impressione.  Canto. 
(Alto.)  (Teuore.)  (Basso.)  4  pts.  Apprcsso 
Ancjclo  Gardano  :  Ycnctia,lb9'd.     4°. 

D.  250.  (3.) 
'Cauzonette  .  .  .  Libro  Quarto  a  Quattro 
Yoci.  Nouamente  posto  in  luce,  etc. 
Canto.  (Alto.)  (Tenore.)  (Basso.)  4  pts. 
Appresso  Angela  Gardauo  : 
Vemiia,  1590.     4".  D.  250.  (4.) 

Convito  Musicals  ...  A  Tre,  Quattro, 
Cinque,  Sei,  Sette,  &  Otto  Voci.  Noua- 
mente Composto,  &  dato  in  luce,  etc. 
Alto.  Apprcsso  Angela  Gardano  : 

Vcnctia,  1597.     4".  D.  250.  li. 

;[Convito  Musicale.]  Convivium  Musicals 
. . .  Ternis,  quaternis,  quinis,  senis,  sep- 
tenis,  &  octonis  vocibus.  Altus.  (Quinto.) 
:2  pts.  Typis  Paidi  KaiitTninuni : 

Noribcrgn',  1598.     4".  D!  250.  i. 

Dialoghi  a  Sette  et  Otto  Voci  ...  Da  Can- 
tarsi,  &  Concertarsi  con  ogni  sorte  di 
Stromenti,  con  la  Partidura  delli  Bassi 
Continuati.  Nouamente  Stanipati,  &  dati 
in  Luce.  Canto.  (Alto.)  (Tenore.)  (Basso.) 
■(Quinto.)     (Settimo.)     (Ottavo.)     7  pts. 

Apprcsso  Angela  Gardano  et  FrafelU  : 
Venetia,  1608.     4».  D.  250.  k. 

INIadrigali  a  Sei  Voci  .  .  .  Nouamente 
ristampati.  Libro  Primo.  Canto.  (Alto.) 
(Tenore.)  (Basso.)  (Quinto.)  (Sesto.) 
•6  pts.  Apjiressa  Angelo  Gardano  : 

Venetia,  1591.     4°.  '     D.  250.  d. 

[Anotber  copy.     Alto.]  D.  250.  e. 

IMadrigali  a  Cinque  Voci  . . .  Nouamente 
Stampati.  Libro  Primo,  etc.  Canto.  (Alto.) 
{Tenore.)     (Basso.)     (Quinto.)     5  pts. 

Apprcsso  Angelo  Gardano: 
Ven4:tia,  1589.     4".  D.  250.  c. 

Motecta  . . .  Quaternis,  Quinis,  Senis,  & 
•Octonis  Vocibus.  Nunc  Primum  in  lucom 
edita,  etc.  Cantus.  (Tenor.)  (Sextus.) 
.(Septimus.)     (Octavus.)     5  pts. 

Apud  Angelum  Gardanum  : 
Vcnetijs,  1590.     4°.  D.  249. 

[Anotber  copy.     Octavus.]        D.  249.  a. 

Selva  di  Varia  Ricreatione  . . .  Nella  quale 
si  contengono  Varij  Soggetti  a  3.  a  4.  a  5. 
a  6.  a  7.  a  8.  a  9.  &  a  10.  voci,  cioe  Madri- 
gali,  Capricci,  Balli,  Arie,  lustiniano, 
Cauzonette,  Fantasie,  Serenate,  Dialogbi, 
vn  Lotto  amoroso,  con  vna  Battaglia  a 
Diece  nel  fine,  &  accommodatoui  la  In- 
tauolatura  di  Liuto  alle  Arie  . . .  Noua- 
mente ristampata  &  Corretta,  etc.  Ottavo. 
Apprcsso  Angelo  Gardano  : 
Venetia,  1595.     4».  D.  250.  f. 

See  Gastoldi  (G.  G.)  Italiaauscbe  Bal- 
letten  . . .  verrijkt  met  Verscbeide  Pasto- 
rellen,  Cantzonetten,  INIascaraden,  &c.  . . . 
iiit  H.  Vecchi,  etc.    1657.   obi.  4°.   B.  317. 


VECCHI  (Horatio)  See  Madrigals.  II 
Primo  Libro  de  Madrigali.  Senza  Nome, 
etc.  [By  Fontanelli.  Witb  a  preface  bv 
H.  Veccbi.]     1603.     4^  C.  123.  a. 

See  Muscur.rs  (B.)  Sacra  Citbara,  das 
ist :  Acbtzig  .  .  .  Geistlicbe  Gesiing  .  .  . 
Auctoribus,  Baltbasare  Musculo,  Horatio 
Veccbo,  etc.     1625.     12'\  A.  242. 

VECCHI    (Horatio)    and    CAPILUPI 

(Gemignako)  Canzonette  a  Tre  Voci  di 
Horatio  Veccbi,  ct  di  Gemignano  Capi 
Lupi  .  .  .  Nouamente  poste  in  luce,  etc. 
Canto.     (Canto  Sec.)     (Basso.)     3  pts. 

Apprcsso  Angelo  Gardano  : 
Venetia,  1597.     4°.  D.  250.  g. 

VECCHI  (Orfeo)  Orpbei  Veccbii  .  .  . 
IMotectorum  qufE  in  Communi  Sanctorum 
Quatuor  Vocibus  concinuntur.  Liber 
Primus.     Bassus. 

Apud  Augustimim  Tradatinn  : 
Mediolani,  1603.     4».  D.  250.  1. 

VECCHIARELLO.  Veccbiarello,  vec- 
cbiarello.     Duetto.     See  LIayer  (J.  S.) 

VEDRETE.  Vedrete  cbe  allegria.  Duett. 
Sec  lilAHTiN  Y  Solar  (V.)  [La  Scuala 
de'  Maritaii.] 

VEICHTNER  (Franz   Adam)     Cepbalus 
und  Prokris.     Ein   Singspiel  von   K.   W. 
Ramler,  etc.     [Full  Score.] 
Berlin,  1799.     fol.  G.  722. 

Concerto  I.  per  il  Violino  Concertato 
accompagnato  da  due  Violini,  Violotta, 
Basso  Continuo  e  Basso  di  Kipiono. 
[Separate  Parts.]  Prcsso  G.  F.  Hartknoch  : 
Riga,  1775.     fol.  i-  19.  (1.) 

Sympbonio    Russienne    a   deux   Violous, 
Taille    et    Basse,   Fliites    et    Comes    de 
Cbasse,  etc.     [Separate  Parts.] 
Chez  J.  F.  Hartknoch  :  Biga,  1771.     fol. 

i.  19.  (2.) 

VEIL.     Tbe   Veil.      Song   [begins:  'With 
Straw-Hat  and  Spencer ']. 
^(>e  Blewitt  (J.)     [Fashionable  Ballery.] 

Tbe  Veil.  [Song,  begins:  '  Ab  Fasbion 
wherefore  dost  thou. 'J     See  Hook  (J.) 

VEILLEE.     La  Veill^e.     [Song.] 

Sic  Des.     Des  Bergeres  du  Hameau,  etc. 
[1785?]     8°.  B.  362.  (119.) 

VEILLEE  VILLAGEOISE.  C  n'cst 
pas  nion  sabiau.  [Vaudeville,  from] 
La  Veillc'e  Villageoise  ou  he  Sabot  rcrdu. 
[To  the  tune  of  "  Je  ne  saurais  danser  ma 
pantoufle."]     [Prt?-is,  1785?]     8'\ 

B.  362.  h.  (18.) 
[Anotber  copy.]  B.  362.  (122.) 

Chantons  tretous  en  travaillant.     [Song.] 
Du  Sabot  Perdu.     Air.     Cbant^'s   danse's 
[from  Gretry's  '  Rosiere  de  Salenci ']. 
[Paris,  11S5?]    8".         B.  362.  h.  (18*.) 
[Anotber  copy.]  B.  362.  (164.) 


620 


VEILLEE— VENTO 


VEILLEE  VILLAGEOISE.  0  ciel 
que  vois-je  sur  la  neige.  [Song,  from] 
La  VcilUc  Villagcoises.  Air.  Lison  dor- 
mait  [from  '  Julie,'  by  N.  Dezede]. 
[Paris,  1785  ?]  8°.  B.  362.  h.  (18**.) 
[Another  copy.]  B.  362.  (9.) 

La  Veillee  Villageoises.     [Soug.] 
See  Bon.     L'  Bon  Seigneur  de  not'  Village, 
etc.     [1785?]     8\  B.  362.  a.  (145.) 

VEILLONS.  Veillous  au  salut  de  I'Em- 
pire.  Le  Salut  de  rEnqnre.  [Song.] 
Air:  Vous  qui  d'amoureuse  avanture  [by 
N.  Dalayrac].     [Paris,  1794  ?]     8". 

B.  362.  a.  (166.) 

VENCESLAO.  The  Favourite  Songs  in 
the  Opera  call'd  Venceslaus.  [Words  by 
A.  Zeno.     Short  Score.] 

Printed  for  I.  Walsh  and  loseph  Hare : 
London,  [1731.]     fol.  G.  206.  c.  (4.) 

VEWDANGES.  Les  Vendanges,  comMie; 

representee   pour   la   premiere   fois  le  30 

Septembre  1G94.  [By  F.  C.  Dancourt,  with 

music]     [Paris,  1760.]     12^     241.  c.  4. 

Part  of  '  Les  CEuvres  de  TJiiatre  de  M. 

D'Ancourf,'  etc.     torn.  4. 

VENDANGES   DE   SURESNE.      Les 

Vendanges  de  Suresne,  comedie ;  repre- 
sentee pour  la  premiere  fois  le  15  Octobre 
1695.  [By  F.  C.  Dancourt,  music  by  J. 
C.  Gillier.]  [Paris,  1760.]  12».  241.  e.  4. 
Part  of  '  Les  CEuvres  de  Thiatre  de  M. 
D'Ancourt,'  etc.     torn.  4. 

VEWDANGEURS.  Ah  !  qu'il  est  doux 
de  vendanger.  Ariette  ...  des  Vendangeurs. 
[Divertissement,  written  by  A.  P.  A.  de 
Piis  and  P.  Y.  Barre.J     [Paris,  1780.]     8". 

B.  362,  (22.) 

No.  11  of  '  L' Ariette  du  Jour." 

Des  Bergeres  du  Hameau.     (Pour  animer 

nos   Chansons.)      Des    Vandangeurs.      [2 

Songs.]     Chis  Bignon:  [Paris, 1180.']     8°. 

B.  362.  (120.) 
Par  le  malheur  entraines.  [Song.]  Des 
Vendangeurs.     [Paris,  1780.]     8". 

B.  362.  a.  (156.) 
Soyez  moins  entreprenant.  Vaudeville 
des  Vandangeurs.  Chez  Frirc  : 

[Paris,  1780.]     8».  B.  362.  a.  (157.) 

Vous  avez  grand  tort  Colinet.     Vaudeville 
des  Vandangeurs.     Sur  Fair,  je  ne  saurois 
danser  ma  pantoufle  &c. 
[Paris,  1780.]     8".  B.  362.  h.  (16.) 

[Another  edition.]     Vous  avez  grand  tort 
Colinette.     [Song.]     Les  Vendangeurs. 
[Paris,  1780.]     8°.  B.  362.  (123.) 

Part  of  "  L' Ariette  du  Jour." 

VENETIAN  BALLADS.      Twelve  Ve- 
netian   Ballads    for    two   Voices   with   a 
Thorough  Bass  for  the  Harpsichord. 
Welcker  :  London,  [1770?]     obi.  4». 

A.  1100.  (4.) 


VENETIAN  BARCAROLES. 

Sei  Barcarole  Veneziane. 

[London,  1785  ?]     obi.  4°.     B.  699.  b.  (4.) 

VENEZ.     Venez   a   ma   le^on.     Les   For- 
gcrons     de     CytJdre.       Vaudeville     avec 
accomp'  de  Guitare  pr.  M""  Alberti. 
Chez  M.  Camand  :  [Paris,  1785  ?]     8^ 

B.  362.  g.  (13.> 

Venez  admirer  ma  science.     Chanson. 
See  RiVIEEE  DU  Feesny  (C.) 

Venez  aimable  Stephanie.     Duo. 
Sec  Berton  (H.  M.)     [Montano  et  Steph- 
anie.'] 

Venes,  Amour,  venes  embellir  la  nature. 
Air  Gracieux.  Grave  par 

Labassee.  hnprinUpar  Tournelle :  [Paris,] 
1757.     s.  sh.  8".  297.  d.  6. 

Mercure  de  France,  Ap^-il,  VJbl. 

[Another  setting.]     Venez,  Amour,  venez 
embellir  la  Nature.     Air. 
See  F.,  D.  L.  B.  L. 

Venes,  Artiste  et  Poete.     Air. 
See  Peetendus. 

Venez  jouir  d'un  sort  si  beau.     Air. 
See  Peetendus. 

Venez  partager  I'aliegresse.     Air. 
See  BocvAED  (F.) 

Venes  petits  Oiseaux.     Ariette  Nouvelle. 
[Paris,  1780  ?]     8".  B.  362.  b.  (8.) 

Venez  s^avoir  I'histoire.  Histoire  de  Mal- 
brouk,  ou  le  Petit  Page,  a  Celebrated 
French  Song  with  a  new  Accompaniment 
for  the  Harp,  Piano  Forte,  Violin,  Ger: 
Flute  &  Guittar,  by  an  Eminent  Master,, 
as  Sung  by  Miss  George,  etc. 

S.  Babb,  for  the  Proprietor  : 
London,  [1780  ?]    fol.     G.  800.  m.  (59.) 

Venes  tons  dancer  une  Ronde.     Eonde. 
See  Colinette  a  la  Coue. 

VENOSA  (Caelo  Gesualdo  di)  Prince. 
See  Gesualdo  (C.)  Prince  of  Venosa. 

VENT.     Le  Vent  de  Bise.     [Song.] 

See  Laissons.  Laissons  aux  chansonniers 
dujour.    [1780?]    8^     B.  362.  e.  (106.) 

VENTO  (Ivo  de)  Latinse  Cantiones,  quas 
vulgo  Motteta  vocant,  Quinque  Vocum, 
suavissima  Melodia,  etiam  Instrumentis 
Musicis  attemperatse,  etc.  Discantus. 
(Altus.)  (Tenor.)  (Bassus.)  (Quintus.) 
5  pts.  Adamus  Berg  : 

Monad,  1570.     obi.  4°.  A.  442.  a. 

Liber  Mottetorum  Quatuor  Vocum,  nunc 
primum  in  lucem  editus,  etc.  Discantus. 
Adamus  Bern  :  Monachii,  1571.     obi.  4". 

A.  442.  b. 


VENTO  (I.  de)— VENTO  (M.) 


G21 


VENTO  (Ivo  de)  Ivo  de  Vento . . .  Mutette 
aliquot  Sacrse  Quatuor  Vocum,  quae  cum 
viuse  voci,  turn  omnis  generis  Instrumentis 
Musicis  commodissime  applicare  possunt, 
etc.  Discantus.  (Altus.)  (Tenor.)  3  pts. 
Adanms  Berg  :  Monachii,  1574.     obi.  4°. 

A.  442.  c. 
Newe  Teutsche  Lieder,  mit  viern,  fiinff, 
vnd  sechs  stimmen,  wolche  gantz  lieblich 
zusingen  vnd  auS  allerley  Instrumenten 
zugebrauchen,  etc.  Discantus.  (Altus.) 
(Bassus.)     3  pts.  Bey  Adam  Berg  : 

Munchen,  1570.     obi.  4°.  A.  442. 

Newe  Teutsche  Lieder  mit  dreyen  Stim- 
men, welche  lieblich  zu  singen,  vnd  auff 
allerley  Instrumenten  zu  gebrauchen,  etc. 
Discantus.  Bey  Adam  Berg  : 

Milnchen,  1591.    obi.  4".  A.  442.  d. 

VEWTO  (IMattia)  [Artaserse.]  The  Over- 
ture and  favourite  Songs  in  the  Opera  of 
Artaxerxes.  Composed  for  the  Harmonical 
Meeting  in  Soho  Square,  to  which  is  added 
Two  Songs  sung  by  Sign'*  Grassi  in  the 
present  Opera  of  the  same  Name,  etc. 
[Full  Score  &  Short  Score.] 
Printed  f 01-  Welcker :  London,  [1772.]   fol. 

H.  348.  d.  (6.) 
Six  Canzonets,  etc.  Welcker : 

London,  [1110 -l]     obi.  i".  A,  138. 

A  Second  Book  of  Six  Canzonets,  etc. 

Longman  tf  Broderip  : 
London,  [1775  ?]   obi.  8".     B.  512.  g.  (5.) 

A  Collection  of  Favourite  Italian  Songs 
and  a  Duet,  sung  by  Sig"  Salvagni,  Sig' 
Savoy,  and  M'  Leoni  at  the  Pantheon. 
[Short  Score.]  Printed  for  Welcker: 

London,  [1772.]     fol.        H.  348.  d.  (5.) 

[La  Conquista  del  Messico.]  The  Favorite 
Songs  in  the  Opera  La  Conquista  del 
Messico,  etc.  [Full  Score.]  R.  Bremner  : 
London,  [1767  ?]     fol.        G.  760.  d.  (1.) 

[Demofoonte.]  The  Favorite  Songs  in 
the  Opera  Demofoonte.  [Short  Score.] 
2  Nos.  B.  Bremner  : 

London,  [1765.]     fol.  G.  760.  d.  (2.) 

H.  348.  b.  (2.) 

G.  760.  f.  (12.) 

[Lionel  and  Clarissa.]  Oh !  talk  not  to 
me.  A  Favorite  Song  in  Lionel  and 
■Clarissa,  etc.  Longman,  Clementi  &  Co.  : 
London,  [1800?]   fol.     H.  2831.  li.  (27.) 

Oh  !  talk  not  to  me. 

See  supra  :  [Lionel  and  Clanssa.l 

Six  Overtures  in  eight  parts,  etc,  [Separate 
Parts.]  Printed  for . . .  Welcker  : 

London,  [11157]     fol.  g.  114. 

Six  Sonatas  for  two  Violins  and  a  Bass. 
[Separate  Parts.]  Welcker  : 

London,  [1765  ?]    fol.  h.  2900.  (7.) 


[Another  copy.] 
[Another  copy.   No.  1.] 


VENTO  (Mattia)  Six  Sonatas  for  the 
Harpsichord  with  an  Accompanyment  for 
a  Violin  or  German  Flute.  Dedicated  to 
Miss  Blosset.  Printed  for  the  Aictlior  : 
London,  [1765?]     fol.  g.  77.  a.  (1.) 

Six  Sonatas  for  the  Harpsichord  with  an 
Accompanyment  for  a  Violin  or  German 
Flute.  Printed  for  the  Author  : 

London,  [1767  ?]     fol.  h.  210.  f.  (7.) 

Different  from  the  six  sonatas  dedicated 
to  Miss  Blosset. 

A  3"*  Book  of  Six  Sonatas  for  the  Harpsi- 
chord with  an  Accompanyment  for  a 
Violin  or  German  Flute,  etc.  Welcker  : 
London,  [1770  ?]    fol.  g.  77.  a.  (2.) 

[Another  copy.]  g.  79.  b.  (7.) 

A  Fourth  Sett  of  Six  Sonatas,  for  the 
Harpsichord  with  an  Accompanyment  for 
a  Flute  Violin  &  Violincello.  Welcker  : 
London,  [1770  ?]     fol.  h.  349.  (2.) 

[Another  copy.]  g.  77.  a.  (3.) 

A  Fifth  Sett  of  Six  Sonatas  for  the  Harp- 
sichord with  an  accompanyment  for  a 
Violin  or  Flute.  Welcker  : 

London,  [1775?]     fol,  h.  349.  (3.) 

A  Sixth  Book  of  Lessons  for  the  Harp- 
sichord with  an  accompam-ment  for  a 
Flute  or  Violin,  etc.  Welcker  : 

London,  [1115  7]     fol.  g.  77. 

A  Seventh  Sett  of  Six  Lessons  for  the  Harp- 
sichord or  Piano  Forte,  etc.  Welcker : 
London,  [1775  ?]     fol.                 h.  47.  (2.) 

A  Ninth  Book  of  Six  Sonatas  for  the  Harp- 
sichord or  Piano  Forte,  etc.  Welcker  : 
London,  [1775  ?]     fol.                 h.  47.  (1.) 

A  Tenth  Sett  of  Six  Lessons  for  the 
Harpsichord  or  Piano  Forte  with  a  Flute 
obligato,  or  Violin,  etc.  Welcker  : 

London,  [1775  ?]     fol.  i.  40.  (2.) 

[Tenth  Sett  of  Six  Lessons.]  Six  Sonatas 
for  the  Piano  Forte,  with  an  Accompany- 
ment for  the  Flute  or  Violin.  [1801.] 
See  Peeiodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  XVI. 
No.  2.     [1797-1802.]     8°.  D.  854. 

[La  Vestale.]  The  Favourite  Songs  in 
the  Opera  La  Vestale.  Poesia  del  Sig' 
Badini,  etc.  [Full  Score,]  B.  Bremner  : 
London,  [1776.]    fol,  G.  207. 

See  Arnold  (S.)  The  Castle  of  Andalusia. 
A  Comic  Opera. .  .the  Selected  Airs  by. . . 
Vento,  etc.     [1782.]     obi.  fol. 

E.  111.  c.  (2.) 
See  Bach  (J.  C.)     Sei  Ode  di  Oratio... 
messe  in  musica  da. .  .Vento,  etc. 
[1775?]     fol.  G.  136.  c. 

See  Feast  op  Apollo.  The  Feast  of 
Apollo,  containing. .  .Songs  by...  Vento, 
etc.     [1788.]     fol.  G.  351.  (2.) 


622 


VENTUEI— VERACINI 


VENTURI  (PoMPiLio)  II  Terzo  Libro 
delle  Villanelle  a  Tre  Voci,  etc.     Canto. 

Apprcsso  I'  Herede  di  Girolamo  Scotto  : 
Yincgia,  1583.     4".  C.  219.  b. 

VENTUm  (Stefako)  IMadrigali  a  Quatro 
Yoci, etc.  Canto.  (Alto.)  (Tenore.)  (Basso.) 
4  pts.  Appresso  Giacomo  Vincenti : 

Venetia,  1591.     4°.  K.  4.  f.  1. 

II  Terzo  Libro  de  Madrigali  a  Cinque,  etc. 
Canto.     (Alto.)     (Quinto.)     3  pts. 

Appresso  Giorgio  Marescotti  :  Fircnzc, 
1596,    4°.  C.  219.  a. 

This  tvork  also  contains  madrigals   by 
Neri  Albcrti  and  Anton  Bicci. 

VENTURINI  (Feancksco)     Concerti  di 

Camera  a  4,  5,  6,  7,  8  e8  Instromenti . . , 

Opera  Prima,  etc.   2  pts.    [Separate  Parts.] 

Chez  Etienne  Roger  :  Amsterdam, 

[1715?]     fol.  g.  1082. 

VENUS.  V^nus,  amis,  dans  mon  cceur. 
Arictte  Nouvelle.     [Paris,  11807]     8°. 

B.  362.  c.  (15.) 
Venus  and  Bacchus.     Song. 
See  Alcock  (J.)  the  Younger. 
V6nus    appreuant    que   I'amour.       V(!nus 
Pilerine.     [Song.]     [Paris,  1780?]     8°. 

B.  362.  (221.) 

Venus  me  livre  la  guerre.     Chanson. 
See  TouLAiN  (        ) 

Venus  Pelerine.     [Song.]     See  InfidI;le. 
Infidelle  a  sou  triste  Epoux.     [1770?]     8°. 

B.  362.  (220.) 
Venus'  song  to  Cupid  on  his  departure. 
See  IsuM  (J.) 

V^nus  sur  la  moUe  verdure.     Musette. 
See  BouvAED  (F.) 

Venus,    to    sooth    my   Heart    to    Love. 
[Song.]    Sec  Boyce  (W.) 
Venus  unmaskd.    See  Op.    Of  Jolly  Rakes 
and  pleasing  Dames.     [1720  ?]     s.  sh.  fol. 

H.  1601.  (360.) 
Venus,  with   her  train  of  Gossips,  or  y'' 
City-wife,  y*"  best  procurer.     [Song.] 
See  Beight.     Bright  Venus  one  day,  etc. 
[1695?]     s.sh.iol.  H.  1601.  (64.) 

VENUS  AND  ADONIS.  Ah  sweet 
Adonis.  A  Favourite  Song  sung  by 
Mrs.  Barbier  in  Venus  and  Adonis. 
[Words  by  C.  Cibber,  music  by  J.  C. 
Pepusch.]     [London,  1715  ?]     s.  sh.  fol. 

H.  1601.  (60.) 
Beauty  now  alone  shall  move  him.  A 
Favourite  Song.  Sung  by  Mr.  Turner  in 
Venus  and  Adonis.  [Words  by  C.  Cibber, 
music  by  J.  C.  Pepusch.]  [London, 

1715?]     fol.  H.  1601.  (66.) 

How  pleasant   is   ranging  y^   Fields.     A 
Favour  it  Soyig.     Sung  by  Margaritta  de 
L'Epine   in  Venus   and  Adonis.     [Words 
by  C.  Cibber,  music  by  J.  C.  Pepusch.] 
1).  Wright :  London,  [1715  ?]    s.  sh.  fol. 

H.  1601.  (193.) 


VENUS   AND  ADONIS.      Venus   and 
Adonis.     Drama.     See  Mortellaei  (M.) 
Venus  and  Adonis.     IMasque. 
See  Pepusch  (J.  C.) 
Venus  and  Adonis.     BaUet. 
See  Stobace  (S.) 

VENUS  ET  ADONIS.  Venus  et  Adonis.. 
Tragedie.     See  Desmaeets  (H.) 

VERA  CO  STANZA.  La  Vera  Costanza, 
Opera.     See  Gioedani  (G.)  or  (T.) 

VERACINI  (Antonio)  Sonate  a  tre,  due 
Violini,  e  Violone,  o  Arcileuto  col  Basso 
per  r  Orgauo . . .  Opera  Prima.  Violino 
Secondo.     (Basso.)     2  pts.  Nella 

Stamperia  di  S.  A.  S.  per  Antonio  Nauesi : 
Fireme,  1692.     4°.  K.  7.  g.  10. 

The  Violin  part  has  a  second  title-page 
(engraved)  with  apoi'trait  of  the  Grand, 
Duchess  Vittoria  of  Tuscany.  On  the 
covers  are  the  arms  of  Ferdinand  II. 
and  Vittoria  [delle  Bovere],  Grand 
Duke  and  Duchess  of  Tuscany,  im- 
paled. 

VERACINI  (Feancesco  Maria) 
[Adriano.]  The  Favourite  Songs  in  the 
Opera  call'd  Adriano,  etc.  [Words  by 
Metastasio.     Short  Score.] 

Printed  for  I.  Walsh:  London, 
[1735.]     fol.  G.  206.  c.  (5.) 

[Favourite  Songs  in  Rosalinda.  Opera. 
Short  Score.]  See  Delizie.  Le  Delizie 
deir  Opere,  etc.     Vol.  4.     [1776.]     fol. 

G.  159. 

Sonate  a  Violino  solo,  e  Basso. .  .Opera 
Prima.     Dresda,  1721.     obi.  fol.        e.  21. 

XII  Solos  for  a  Violin  with  a  Thorough 
Bass  for  the  Harpsicord  or  Bass  Violin. . . 
Opera  Prima.  Printed  for  I.  Walsh  : 

London,  [1733.]     fol.  h.  1745. 

Sonate  a  Violino   Solo,  e  Basso. .  .Opera 
Prima.     Libro  Primo  (Secondo).     2pts. ^ 
Chez  E.  Roger  £  Le  Gene  :  Amsterdam, 
[1730?]    fol.  e.  21.  b. 

Sonate    Accademiche    a   Violino    Solo   e 

Basso Opera   Seconda.     Per  VAutore, 

a  Londra,  e  a  Firenze,  [1744.]     obi.  fol. 

e.  21.  a. 
With  an  engraving  of  the  composer  by 
J.  June  after  F.  F.  Richter. 
[Another  copy.]  e.  21.  c. 

See  CoNCEETi.  Concerti  a  Cinque... del 
Signori  G.  Valentini. .  .F.  M.  Veracini,  etc. 
[1730?]     fol.  g.  35. 

See  Hasse  (J.  A.)     Farinelli's  Celebrated 
Songs  collected  from  Sig'  Hasse,, .  .Vinci, 
and  Veracini's  Operas,  etc. 
[1736-55?]     fol.  g.  444. 

See  Select  Haemony.     Select  Harmony. 
Fourth  Collection,  etc.     (Concerto  iv.) 
[1741.]     fol.  g.  26.  a. 


VERARDUS— VERITE 


623 


VERARDUS   (Carolus)      Begin   [fol.   2, 
7-ccto ;]    Caroli    Yerardi  ...  in     historiam 
Bseticam  [i.e.  his  Drama  on  the  Conquest 
of  Granada]. .  .Prsefatio.       hnpressum. . . 
per  Magistrum  Euchariuyn  Silber :    alias 
Franck  :  Romie,  1493.     4".       lA.  18975. 
40  leaves,  the  first  blank,  ivithoiit  title- 
page,  pagination  or  signatures.     The 
last   eight    leaves   are   supplied   from 
another  copy.      On  fol.  39,  40  are  a 
Spanish    song    ('  Viva    el    gran    Be 
Fernando')    with    four-part     music, 
printed  from  blocks. 

VERAZI  (Giovanni)  Trois  Senates  pour 
le  Clavecin  ou  Piano  Forte  avec  TAccom- 
pagnemeut  d'un  Violon  .  .  .  CEuvre  1. 
[Separate  Parts.]  Chez  le  S''  GiJtz  : 

Mannheim,  [1790  ?]     fol.  g.  66. 

VERDELOT  (Philippe)  Verdelot  a  Sei. 
Madrigali  di  Verdelot  et  de  Altri  Autori  a 
Sei  Voci  nouamente  con  alcuni  madrigali 
noui  ristampati  &  corretti,  etc.     Cantus. 

Aprcsso  di  Antonio  Gardane  :  Venetia, 
154G.     obi.  4".  A.  443.  c. 

The  composers  named  in  tJiis  collection 
are :      Verdelot,     Nolctto,     Gomberth, 
Maistre    Jhan,    Do.  Finot,    Adriano 
[Willaert],  Archadelt,  Jachet  Berchem, 
Parabosco,   Pierresson   [Ca7nbio]  and 
Const.  Fcsta. 
Madregali. .  .a  sei  insieme  altri  Sladregali 
de  Diuersi  Eccellentissimi  Autori  Noua- 
mente per   Antonio   Gardano   con  Noua 
Gionta  Ristampati.     A  Sei  Voci.     Sesto. 

Appresso  di  Antonio  Gardano  :  Venetia, 

1561.     obi.  4".  A.  443. 

This  collection  also  contains  7nadrigals 

by  Noletto,  G.  Nasco,  Gombcrt,  Maistre 

Jhan,   Jachet  Berchem,  H.   Walrant, 

Parabosco,      Archadelt,      Pierresson, 

Adriano  [^Willaerf],    Costantio   Festa 

and  Stefano  Bossetti. 

Del  primo  Libro  de  Madrigali  di  Verdelotto. 

A[lto].  [Ottaviano  Scoto?  :  Venice? 

1535?]     obl.8\  K.  8.  b.  11. 

This  is  apparently   an  earlier   edition 

of   Verdelot's  Primo  Libro  than  that 

published     by     Scoto    in     1537.       It 

contains     only     28     madrigals,     '  O 

singular  dolcezza '  not  occurring  and 

the  arrangement  being  different  from 

that  in  the  1537  edition. 

I  Madrigali  del  Primo  et  Secoudo  Libro 

di  Verdelot  a  Quattro  Voci ;  nuouamente 

ristampati,  et  . . .  corretti  da  Claudio   da 

Coreggio.     Canto.     (Alto.)     2  pts. 

Presso  Claudio  da  Coreggio  :  Vin^tia, 
1566.    obi.  4°.  A.  443.  b. 

Intauolatura  de  li  Madrigali  di  Verdelotto 
da  Cantare  et  Sonare  nel  Lauto,  intauolati 
per...Messer  Adriano  Vuillaert. .  .Noua- 
mente Stampata.     Et. .  .correta,  etc. 

Aptid  Hieronymum  Scotum  :  Venetiis, 
1540.     obi.  4°.  K.  8.  b.  4. 


"VERDELOT  (Philippe)     Tutti  li  Madri- 
gali del  Primo  et  Secondo  Libro  a  Quatro 
Voci  Nouamente  Ristampati,  etc.    Altus. 
Apud  Hieronymum  Scotum  :  Venetiis, 
1552.     obi.  4°.  A.  443.  a. 

Also  containing  madrigals  by  C.  Fcsta, 
Adriano  {Willacrt'],  L.  Barre  and  S. 
Festa. 

Di  Verdelot  Tutti  li  Madrigali  del  Primo 
et  del  Secondo  libro  a  Quatro  uoci  Noua- 
mente Ristampati,  etc.     Basso. 

Appresso  di  Antonio  Gardano  :  Venetia, 
1565.     obi.  4".  A.  443.  d. 

Tlic  composers  nayned  in  this  collection 
are :  Verdelot,  Tudual,  Constaritio 
Festa,  Jachet  [Bcrchein'],  Adriano 
[Willaert],  Leonardus  Barre  and 
Sebastian  Festa. 

See  Chansons.  [4.]  Le  Dixiesme  Liure 
Contenant  la  Bataille  a  Quatre  de  C. 
launequin,  avecq  la  Cinquiesme  partie  de 
P.  Verdelot  Si  placet,  etc.     1545.     obi.  4". 

K.  3.  a.  10. 

VERDINI  (  )  Dear  SaUy,  thy  Charms 
have  undone  me.  [Song.]  Set  by  Sig'' 
Verdini.     {Londoji,  1750?]     s.  sli.  fol. 

G.  316.  (148.) 

VERDONCK  (Cornelius)  Di  Cornelio 
Verdonch  ^ladrigali  a  Sei  Voci,  etc.  Canto. 
(Alto.)     (Tenore.)     (Sesto.)     4  pts. 

Appresso  Pietro  Phalesio  :  Anucrsa, 
1603.     obi.  4".  A.  439. 

Magnificat.  Quinq3  Vocum.  Antuerpia, 
1585.     s.  sh.  E.  1476. 

An  engraving,  by  J.  Sculler,  after  M.  de 
Vos,  representing  the  Blessed  Virgin 
surrounded  by  angels,  tivo  of  whom 
hold  tablets  containing  the  voice  parts 
of  the  Magnificat.  Bound  iip  ivith  a 
MS.  score  of  the  same  compositio^i. 

Poesies  Francoises  de  Diuerses  Autheurs, 
mises  en  musique. .  .a  cinq  parties.     Auec 
1       vne   Chanson   a   Dix.     Tenor.     (Bassus.) 
2  pts.  Chez  P.  Phalese  :  Anuers, 

1599.     obi.  4".  A.  439.  a. 

VERGEL.     Vergel  de  musica  spiritual. 
See  Tapia  (M.  de.) 

VERGINELLA.    La  Virginella.    [Song.] 
See  Tell.     Tell  me  0  cruel  maid,  etc. 
[1780?]     fol.  H.  131.  (11.) 

La  Virginella.  [Song.]  See  Where. 
Where,  where  dear  Maid,  e^c.    [1780?]    fol. 

G.  313.  (257.) 
La  Verginella  come  la  Rosa.     Song. 
See  Bebtonx  (P.  G.)     \_La  Governante.] 

VERGISS.  Vergiss  mein  nicht.  [Song.] 
See  Mozart  (W.  A.)  [6.  Doubtful  and 
Spurious  Works.'] 

VERITil.  La  Verite  du  Tems.  Chanson. 
See  Depots.  Depuis  que  la  France  respire, 
etc.     [1775.]     8°.  B.  362.  (28.) 


624 


VEKKEHRTE— VEROVIO 


VERKEHRTE    UND    WIEDERBE-    I 
KEHRTE     PRINZ     TUGEND- 
HOLD.     Der   Verkehrte  und  Wiederbe-    ; 
kehrte  Prinz  Tugendhold,  iu  einem  Lust-    \ 
Spiel,... Auf    die   Scliau-Biihue    gefiihret    i 
von  Michael  Kongehl. .  .beygenahmt  Pru- 
tenio.     Uud  dargestellefc  vou  denen  Ler- 
nenden   der  hiesigen  Thum-Scliulen,  Itn 
Jahr. .  .1691,  etc.     [With  the  music  of  the 
songs,  &c.] 

Gcdruckt  bey  den  Reussnerischen  Erhen  : 
Konigsberg,  [1691.]     4°.      11746.  cc.  14. 

VERMEILLE.  Vermeille  Rose  que  le 
Z6phir  vieut  d'entrouvrir.  Ariette,  de  la 
Rose.     [Paris,  1780  ?]     8". 

B.  362.  b.  (26.) 
[Another  copy.]  B.  362.  e.  (60.) 

VERMOOTEN  (Willem)  Govert  van 
INIater's  Kruisgezangen ;  op  het  Lyden 
van  onzen  Heiland  Jezus  Christus,  met 
Zangkunst  verrykt  door  W.  Vermooten. 
Derde  Druk.  De  Erve  Jz.  van 

Hulkenroy  :  Haarlem,  1759.     4°.      C.  84. 

See  Kauwenberg(C.)  and  Vermooten  (W.) 
Dankbaare  Naagedachteu  en  Geboorte 
Gezangen ;  op  de  blyde  en  heilryke  ver- 
schyninge,  van't  licht  gen  Genaade,  Jezus 
Christus:  . .  .Begreepen  in  Twintig  Zang- 
stukken  door  J.  van  Elsland.  Met  Zang- 
kunst verrykt  door  C.  Kauwenburg,  en 
W.  Vermooten,  etc.     1764.     4°.        C.  83. 

VERNIER  (Jean  Aime)    Marche,  arrangee 
et  vari^e  pour  la  Harpe,  X)rec6d6e  d'une 
Introduction. — Seconde  Edition. — 
Chez  Nadcrman  :  Paris,  [1800  ?]     fol. 

h.  173.  e.  (19.) 
Les  Six  premieres  Senates  d'une  difficult^ 
progressive,  pour  la  Harpe  avec  Accom- 
pagnement  de  Violon  .  .  .  Oiluvre  13""= 
Seconde  edition.  Chez  Naderman  : 

Paris,  [1800  ?]     fol.  li.  173.  c.  (21.) 

The  Harp  part  only. 

VERNIZZI  (Ottavio)  Caelestium  Ap- 
plausus. .  .Varijs  cum  Organo  concentibus 
super  Bassi  Generalis  parte  dispositi . . . 
Opus  Quartum.  Canto.  (Alto.)  (Tenor.) 
(Basso.)     (Organica  Reductio.)     5  pts. 

Apud  Giacobiim  Vincentiimi : 
Venetiis,  1612.    4°.  &  fol.  K.  4.  h.  9. 

Octavii  Vernitii. .  .Motectorum  Specimen, 
quse  Quinque,  Sex,  Septem,  Octo,  Nouem, 
et  Decem  vocibus  concinuntur.  Cum 
Parte  Organi  pro  Duplicis  Chori  Motectis. 
Liber  Primus,  etc.     Tenor. 

Apad  Bicciardmn  Amadinum : 
Venetiis,  1603.     4°.  E.  332. 

VERNON  (Joseph)     [Linco's  Travels.] 
See  Arnb  (M.)  and  Vernon  (J.)     Linco's 
Travels.     [Songs.]. .  .Music  by  Mr.   Arne 
&  Mr.  Vernon.     [1767.]     fol. 

G.  808.  e.  (4.) 


VERNON  (Joseph)  The  New  Songs  in 
the  Pantomime  of  the  Witches,  the  Cele- 
brated Epilogue  in  the  Comedy  of  Twelfth 
Night,  a  Song  in  the  Two  Gentlemen  of 
Verona  and  two  Favorite  Ballads  sung  by 
Mr.  Vernon  at  Vaux  Hall. .  .To  which  are 
added  the  New  Comic  Tunes,  in  the 
Witches  and  a  favourite  French  Air  sung  in 
. .  .Twelfth  Night,  by  Mrs.  Abington.  All  pro- 
perly adapted  for  the  Harpsichord,  Violin, 
German  flute  or  Guittar.  J.  Johnston  : 
London,  [1770?]  fol.  G.  378.  a.  (10.) 
Strawberry  Hill.  [Song,  words  by  the 
Earl  of  Bath.]  [London, 

1760?]     s.sh.iol.  G.  315.  (54.) 

[Another  edition.]     Strawberry  Hill. 
[London,  nm'!]   s.sh.iol.    G.  311.  (71.) 

[For  editions  published  anonymously:] 

See  Some.  Some  cry  up  Gunnersbury. 
A  Widow  bewitch'd  with  her  passion. 
Epilogue  to  the  h'ish  Widoiv.  [Song.] 
Sung  by  Mrs.  Barry.  [Words  by  D. 
Garrick.]  (The  Irish  Fair,  a  favorite 
Comic  Dance,  etc.)  J.  J[ohnston  : 

London,  1772.]     fol.  G.  806.  f.  (78.) 

VERON  (  )     Quatre  Senates  pour  la 

Harpe  avec  Accompagnement  de  Violon. 
CEuvre  1".  Grave'  par  M""=  Oger.  [Separate 
Parts.]  Chez  VAuteur  : 

Paris,  [1788.]     obi.  fol.     e.  108.  a.  (11.) 

VEROVIO     (Simone)       Canzonette     A 

quattro      Voci,      Composte      da      diuersi 

Ecc"     Musici,     Con     1' intauolatura     del 

Cimbalo     et     del     Liuto.       Raccolte     et 

stampate  da  Simone  Verouio. 

Roma,  1591.     fol.  K.  8.  h.  23. 

21  leaves,  engraved  throughout,  witliout 

pagination  or  register.     The  composers 

named  are :   F,  Anerio,   P.  Bellasio, 

A.  Barera,    G.  A.  Dragoni,   B.  Gio- 

vanclli,    H.   Griffi,    L.   Mare^itio,    G. 

M.  Nanino,    Gio.  da  Pellestrina,    P. 

Quagliato,  F.  Soriano,  A.  Stabile  and 

P.  Stabile. 

Canzonette   spali   a  3  Voci   composte   da 

diuersi  Eccellenti  Musici . . .  Stampate   et 

raccolte  da  S.  Verouio.    Alto.     S.  Verouio: 

[Borne,  1591.]     8°.  K.  8.  b.  17. 

The  composers  named  are:   G.  Macque, 

F.  Anerio,  L.  Marenzio,  A.  Pacello, 
M.  A.  Ingegneri,  H.  Griffi,  R.  Gio- 
vanelli,  P.  Santini,  [G.  M.  Nanino] 
and  B.  del  Mel. 

II  deuoto  pianto  della  Gloriosa  Vergine, 
et  altro  Canzonette  Spirituali  a  3  voci. 
Composte  nuouamente  da  diuersi  Eccel- 
lenti Musici.  Alto.  [Engraved  and  with 
a  dedication  signed  by  S.  Verovio.] 

In  Parione,  7iel  Collcgio  Nardino, 

Boma,  1592.     8".  K.  8.  b.  18. 

The  composers  jiamed  are :  G.  M.  Nanino, 

G.  B.  Nanino,  A.  Pacello,  B.  Gio- 
vanelli,  P.  Santini,  G.  de  Macgtic,  F 
Anerio  and  B.  del  Mel. 


VEEOVIO— VESPASIANO 


625 


VEROVIO  (Simone)  Diletto  Spirituale. 
Canzonette  A  tre  et  a  quattro  uoci  coiu- 
poste  da  diuersi  ecc™'  Musici.  Eaccolte 
da  Simone  Verouio.  Intagliate  et  stain- 
pate  dal  medesimo.  Con  1'  intauolatura 
del  Cimbalo  et  Liuto.     Eoma,  1586.     fol. 

K.  8.  d.  8. 
23  leaves,  engraved  throiicjliout.  The 
composers  named  are:  F.  Ancrio,  B. 
Giovanelli,  Binaldo  del  Mel,  J.  P. 
A.  Praenestinus,  S.  Vei-ovio,  J.  M. 
Nanino,  F.  Soriano  and  L.  Marenzio. 

Ghirlanda  di  Fioretti  Musical]  Composta 
da  diuersi  Ecc"  Musici  a  3  voci  Con  1'  in- 
tauolatura del  Cimbalo,  et  Liuto.   Eaccolte 
et  stanipate  da  Simone  Verouio. 
Roma,  15S9.     4°.  K.  8.  d.  6. 

25  leaves,  engraved  throughout.  Imper- 
fect, ivantiiig  pp.  40,  41.  The  pages  are 
wrongly  numbered,  there  being  no  34 
and  35.  Most  copies  of  this  tuork  con- 
tain 28  leaves,  with  madrigals  by  L. 
Marenzio  and  A.  Orlandino,  ivhich 
are  not  in  this  copy.  The  composers 
named  are  :  G.  Palestina,  F.  Soi-iano, 
G.  B.  Zucchelli,  A.  Stabile,  J.  Peetrino, 
R.  Giovanelli,  A.  Crivello,  G.  M. 
Nanino,  F.  Ancrio,  J.  Bicordi,  P. 
Quagliati,  G.  Costa  and  G.  B. 
Locatello. 

Lodi  della  Musica  a  3  Voci.  Composte 
da  diuersi  Ecc"  Musici  con  1'  intauolat" 
del  Cimbalo  e  Liuto.  Libro  Primo. 
Eaccolte,  intagliate  et  stampate  da  Simone 
Verouio.    Boma,  1595.    4°. 

K.  8.  d.  7. 
20  leaves,  engraved  throughout,  ivithout 
pagination  or  register.  The  composers 
named  are :  G.  M.  Nanino,  G.  de 
Macque,  B.  Giovanelli,  F.  Anerio, 
Binaldo  del  Mel  and  G.  B.  Nanino. 

VERIIATO  (Giovanni  Maria)  DVerrato 
Insegna  Con  noua  e  Breuissima  inuen- 
tione  facile  per  imparare  per  tutte  le 
Chiaue,  a  leggere  le  notte,  Cantare  & 
portar  la  batuda,  con  cinque  sole  Eegole 
in  Dialogo,  etc. 

Appresso  Bartholomeo  Magni : 
Venetia,  1623.    4".  7896.  e.  40.  (2.) 

An  autograph  letter  from  Dr.  Callcott  is 
inserted  in  this  copy. 

VEimOIJ.  Le  Verrou,  ou  la  Sage  pre- 
caution. [Song.]  See  Lise.  Lisa  d'une 
main  alerte.     [1790  ?]     8°. 

B.  362.  e.  (93.) 

VERSCHWEIGUNQ.  Die  Verschweig- 
ung.     [Song.]     See  Mozart  (W.  A.) 

VERSE.  Verse,  ami,  verse  a  plein  verre. 
Canon.     {Paris,]  1746.     s.  sh.  i". 

297.  e.  7. 
Mercure  de  France,  June,  1746. 

VOL.  II. 


VERSO  (Antonio  il)  Di  Antonio  il  Verso 
il  Decimo  Quinto  Libro  de'  Madrigali  a 
Cinque  Voci... Opera  Trentesima  sesta, 
etc.  Canto.  (Alto.)  (Tenore.)  (Basso.) 
(Quinto.)     5  pts. 

Appresso  Giouan  Battista  Maringo : 
Palermo,  1619.     4".  K.  3.  k.  9. 

VERSOEHNUNGSTOD.  Der  Versoh- 
nungstod.    Cantate.     See  Schulze  (J.  A.) 

VERT  (Jaches  de)     See  Wert. 

VERT-G-ALANT.      Le    Vert-Galant, 
Comedie ;    representee   pour  la   premiere 
fois,   le   18   D^cembre    1699.     [By   P.   C. 
Dancourt,  with  music  by  J.  C.  Gillier.] 
[Paris,  1760.]     12°.  241.  c.  7. 

Part  of '  Les  OEuvres  de  TMatre  de  M. 
D'Ancourt,'  etc.     tom.  7. 

VERTUS.     Les  Vertus  a  I'ordre  du  jour. 
Stances  contre  VAthiisme  [written]  par  le 
Citoyen  Piis.     Air :  du  Vaudeville  de  la 
Soiree  Orageuse  [by  N.  Dalayrac  ?]. 
Chez  Imbanlt :  Paris,  [1794  ?]     8°. 

B.  362.  (90.) 
The  tune  is  not  the  same  as  that  of  the 
vaudeville  in  the  full  score  of  Dalay- 
rac's  '  Soirie  Orageuse.'' 

VESI  (Simeone)  Salmi  a  Otto,  ariosi... 
Opera  Sesta.  Canto  (Alto)  (Tenore)  Primo 
Choro.  3  pts.  Apresso  Francesco  Magni  : 
Venetia,  1663.     4°.  C.  56. 

VESPA  (GiROLAMo)  Hieronymi  Vespae 
...Psalmi  Vespertini ...  Falsi  Bordones 
super  tonos,  ac  Te  Deum  laudamus, 
Quinque  vocibus  modulantibus.  Itemq; 
Canticum  Diue  Mariae,  Quaternis,alterum 
Quinis  vocibus  concinendum,  etc.  Bassus. 
Apud  Biciardum  Amadinum : 
Venetiis,  1589.     4°.  D.  251. 

VESPASIANO.  [Con  forza  ascosa.]  A 
Favourit  Minuet  in  the  Opera  of  Vespasian 
in  English  and  Italian.  [By  A.  Ariosti.] 
{London,  1725.]     s.  sh.  fol. 

H.  1601.  (78.) 
[Another  edition.]  Con  forza  ascosa. 
[Song.]  Sung  by  Sig''  Senesino  in  Ves- 
pasian.    {London,  1725.]     s.  sh.  fol. 

G.  316.  h.  (18.) 
[Con  forza  ascosa.]  Fly  me  not  Silvia. 
Neiv  words  to  a  Favourite  Air  in  the 
Opera  of  Vespasian,  etc.  {London, 

1726  ?]     s.  sh.  fol.  G.  305.  (48.) 

[Another  copy.]  G.  307.  (187.) 

[Another    edition.       Con    forza    ascosa.] 
Fly  me  not  Silvia,  etc.  {London, 

1726  ?]     s.  sh.  fol.         G.  316.  d.  (141.) 

Lasso  ch'  io  t'  ho  perduto.     Sung  by  Mr. 
Senisino  in  the  Opera  of  Vespasiano. 
{London,  1725.]     s.  sh.  fol. 

G.  305.  (88. 
Vespasian.     Opera.     See  Ariosti  (A.) 

2  s 


626 


VESSIE— VIADANA 


VESSIE.     La  Vessie  Globe.     [Song.] 
See  Or.     Or  6coutez  petis  et  grands,  etc. 
[1783  ?]  B.  362.  a.  (76.) 

VESTAIiE.     La  Vestale.     Opera. 
See  Vento  (M.) 

VESTRY.     The  Vestry  Dinner.     [Song.] 
See  Rkeve  (W.)     [Mirth's  Miiseutn.'] 

VETERAN.  The  Vet'ran  Soldier, 
[Song.]     See  Cheese  (G.  J.) 

VETERANS.     The  Veterans.     [Song.] 
See  DiBDiN  (C.)     [Great  Netus.'j 

VETTER  (Daniel)  Musicalische  Kirch- 
und  Hauss-Ergotzlichkeit,  bestehend  in 
denen  gewonlichen  Geistlichen  Liedern, 
so  durchs  gantze  Jahr . . .  gesuugen  warden, 
auS  eine  gantz  angenehme . . .  Manier  in 
Italienische  Tabulatur  gesetzt,  so,  dass 
allemahl  der  Choral... auff  der  Orgel, 
nachgehends  eine  gebrochene  Variation 
auff  dem  Spinet  oder  Clavicordio  zu 
tractiren  folget,  etc.  2  pts.  Zu  finden 
bey  dem  Autore.  Druckts  C.  F.  Bimipff : 
Leipzig,  1709.     ohl.  fol.  b.  345. 

There  is  a  second  title-page,  engraved. 

VEUT.  Veut-on  que  la  bonne  aventure. 
Couplets.  See  Gbetry  (A.  E.  M.)  [La 
Fausse  Magie.} 

VEUVE  INDECISE.  La  Veuve  Inde- 
cise.     Op6ra  Comique.     See  Duni  (E.  E.) 

VEZZOSETTI  FIORI.  Vezzosetti  Fiori 
di  Varii  Eccellenti  Autori,  cioe,  Madrigali, 
Ottave,  Dialoghi,  Arie,  et  Vilanelle,  a  Una 
e  Due  Voci.  Da  Cantarsi  con  il  Cembalo, 
Tiorba,  Chitarra  Spagnola,  &c. 
Aprrresso  G.  B.  Roblctti  :  Roma,  1622.    fol. 

K.  4.  h.  3.  (2.) 
This  collection  contains  compositions  by 
G.  A.  Todini,  F.  Severi,  G.  G.  Porro, 
G.  Veneri,  H.  Torscianello,  N.  Bor- 
boni,  A.  Gi-anata,  F.  Pesce,  P.  P. 
Sabbatino,  A.  Constantini,  P.  Mutij 
and  F.  Grappuccioli. 

VL   Viriverisco.    Trio.    See  Paisiello  (G.) 

[I  Zingari  in  Fiera.] 

VIAJDANA  (LoDOVico)  Cento  Concerti 
Ecclesiastic!  A  Una,  a  Due,  a  Tre,  &  a 
Quattro  voci.  Con  il  Basso  continuo  per 
sonar  nel'  Organo.  Noua  inuentione 
commoda  per  oguisorte  de  Cantori,  &  per 
gli  Organist! ...  Nouamente  in  questa  5. 
impressione  .  .  .  corretti.  Opera  Duo- 
decima.     Canto.  Appresso  Giacomo 

Vincenti :  Venetia,  1607.     4°.     D.  212.  f. 

Cento  Concerti  Ecclesiastic!  A  vna,  a  due, 
a  tre  &  a  quattro  Voci.  Noua  inuentione 
commoda  pro  ogni  sorts  de  Cantori,  &  per 
gli  Organist! . . .  Libro  Primo.  Adiuncta 
insuper  huius  nouse  inuentionis  iustruc- 
tione  &  explicatione  succincta, . .  .in lingua 


Latina,  Italica,  &  Germanica.  Basso 
Continuo  per  sonar  nell'  organo. 

Appresso  Nicolao  Steinio  :  Francoforti, 
1609.     4^  D.  212.  b. 

II  Secondo  Libro  de  Concerti  Ecclesiastic! 
a  vna,  a  Due,  a  Tre,  &  a  Quattro  voci. . . 
Nuouamente  ristampati.  Opera  xvii. 
Basso  per  sonar  nell'  Organo. 

Appresso  Giacomo  Vincenii  :  Venetia, 
1607.     4°.  D.  212.  e. 

Opera  Omnia  Concentuum  Ecclesiasti- 
corum  I.  II.  III.  &  IV.  Vocum,  lam  in 
vnum  corpus  conuenienter  coUecta.  Cum 
Basso  General!  organo  adplicato,  nouaque 
inuentione  pro  omni  geuere  Cantorum  & 
Organistorum  accomodata  .  .  .  Adiuncta 
insuper  in  Basso  general!  huius  nouse 
inuentionis  instructione  Latina,  Italica, 
&  Germanica.  Cantus.  (Altus.)  (Bassus.) 
(Bassus  Generalis.)     4  pts. 

Api4d  Nicolaum  Steinium  :  Francofnrti, 
1613.    4°.  D.  212.  e. 

Bound  up>  with  the  Cantus,  Altus  and 
Basstis  are  MS.  copies  of  the  corre- 
sponding parts  of  the  Antiverp  (1613) 
edition  of  J.  M.  Viadana's  '  Concerti 
Ecclesiastici  '  with  other  compositions, 
inchiding  a   German  setting    of    the 
Passion    according    to    S.    Mattheiv, 
dated  16S8. 
Vent!    Quattro    Credo    a    Canto    Fermo 
Sopra  !   Tuoni    dell!    Hinni,   che    Santa 
Chiesa  vsa  cantare,  col  versetto,  Et  in- 
carnatus  est,  in  ]\Iusica,  a  ch!  place.     Con 
le  Quattro  Antiphone,  della  Madonna  in 
Tuono  Feriale,  etc.     Appresso  Bartholomeo 
Magni :  In  Venetia,  1619.  fol.  K.  10.  b.  8. 

Ludouici  Viadanfe. .  .Missarum  Quatuor 
Vocum.  Cum  Basso  Continuo  ad  Or- 
ganum,  Liber  Primus.  Item  Missa  pro 
Defunctis  Clementis  non  Papse.  Tenor. 
(Altus.)     (Basso  Continuo.)     3  pts. 

Ex  Typographia  Petri  Plialesij, 
Antuerpix:  1625.     4°.  D.  212.  d. 

The  Altus  part  wants  the  title-page  and 
fol.  aaa  4. 
Salmi  a  Quattro  Chor!  per  cantare  e 
concertare  nelle  gran  solennita  di  tutto 
r  Anno,  con  il  Basso  continuo  per  sonar 
neir  Organo . . .  Op.  xxvii,  etc.  Alto  Primo 
Coro  a  cinque.  (Canto.  Sec.  Choro.  Ca- 
pella.)  (Tenore.  Ripieni  del  Quarto  Choro 
Graue  si  placet.)     3  pts. 

Appresso  Giacomo  Vincenti  :  Venetia, 
1612.    4»,  D.  212.  a. 

Salmi  Campagnoli  a  Quattro  Voci.  Per 
cantare  e  variare  ne  gran  concerti,  con  Li 
Sicut  erat  a  otto  si  placet,  &  il  Basso  con- 
tinuo per  r  Organo... Con  dui  IMagnificat  a 
Otto. .  .Nouamente  compost!  e  dat!  in  luce. 
Opera  xxvi.  Altus  Choro  Primo.  (Cantus 
Choro  Secondo.)     2  pts. 

Appresso  V  Herede  di  Angela  Gardano  : 
Venetia,  1612.     4°.  D.  212. 


VIAGGIATORI— VICTORINUS 


627 


VIAGGIATORI  FELICI.  I  Viaggia- 
tori  Felici.     [Opera.]     See  Anfossi  (P.) 

VIAGGIATORI  RIDICOLI.     I  Viag- 
giatori  Ridicoli.     Opera. 
See  GuGLiELMi  (P.) 

VICAR.     The  Vicar  and  Moses.     [Song.] 
See  At.     At  the  sign  of  the  horse. 
[1780  ?]     s.  sh.  fol.  G.  306.  (136.) 

[Another  setting.]  Vicar  and  Moses. 
[Song.]     See  S.,  G.  A. 

The  Humourous  Song  of  the  Vicar  of  Bray. 
See  In.  In  good  King  Charles's  golden 
Days,  etc.     [1735  ?]     s.  sh.  fol. 

H.  1994.  b.  (44.) 
The  Vicar  of  Bray.     [Song.]     See  In.     In 
good  King  Charles's  golden  Days,  etc. 
[1740  ?]     s.  sh.  fol.  G.  316.  e.  (26.) 

VICENDE     DELLA     SORTE.       The 

Favorite  Songs  in  the  opera  Le  Viceude 
della  Sorte.  [A  Pasticcio.  Short  Score.] 
E.  Bremner  :  London,  [1770.]     fol. 

G.  206.  b.  (3.) 
The  composers  named  are  :    Giordani, 
Sacchini  and  Barthelemon. 

VICENTE,  Lusitano.  Introduttione 
Facillissima  et  Nouissima  di  Canto 
Fermo,  Figurato,  Contraponto  Semplice, 
et  Inconcerto.  Con  Regole  Generali  per 
far  Fughe  differenti  sopra  il  Canto  Fermo, 
a  II.  III.  &  mi.  voci,  etc. 

Appresso  Francesco  Rampazetto : 
Venetia,  1561.    4°.  557*.  c.  22. 

Introduttione  FaciUssima,  et  Nouissima, 
di  Canto  Fermo,  Figurato,  Contraponto 
Semplice,  et  Inconcerto,  con  Regole 
Generali  per  far  Fughe  differenti  sopra 
il  Canto  Fermo,  a  ii.  iii.  et  iiii.  voci,  etc. 

Per  Francesco  Marcolini : 
Venetia,  1588.     4°.  K.  1.  g.  19. 

VICENTINO  (Nicola)  L' Antica  Musica 
ridotta  alia  Moderna  Prattica,  con  la 
Dichiaratione,  et  con  gli  Essempi  de  i 
tre  Generi,  con  le  loro  Spetie.  Et  con 
r  Inuentione  di  uno  nuouo  Stromento, 
nel  quale  si  contiene  tutta  la  perfetta 
Musica,  con  molti  Segreti  Musicali,  etc. 

Appresso  Antonio  Barre : 
Roma,  1555.     fol.  785.  1.  11. 

See  BoTTEiGAEi  (E.)  II  Melone.  Dis- 
corso  Armonico ...  &  II  Slelone  Secondo, 
Considerationi  Musicali ...  sopra  vn  Dis- 
corso  di  INI.  Gandolfo  Sigonio  intoruo 
a'  Madrigali,  &  a'  Libri  dell'  Antica 
Musica  ridutta  alia  moderna  Prattica  di 
D.  Nicola  Vicentino,  etc.     1602.     4°. 

557*.  c.  18.  (4.) 

VICTOR  (      )     Come  with  me  and  taste 
of  pleasure.     A  Bacchanalian  Song. 
[London,  1780  ?]     s.  sh.  fol. 

G.  316.  (491.) 


VICTOR  (  )  Twenty  Four  Duetts,  for 
Two  German  Flutes,  or  Two  Violins. 

Printed  for  Jonathan  Fentum  : 
London,  [1775?]  fol.  g.  421.  a.  (5.) 
Hark,  hark  the  Drum  sounds.  A  Neio 
Song.  I.  Flentulm  :  [London, 

1780?]     s.  sh.  fol.  G.  308.  (116.) 

VICTORIA  (TOMAS  Luis  de)  Cantiones 
Sacrse . . .  Quatuor,  Quinque,  Sex,  Octo  et 
Duodecim  Vocum,  nunquam  antehac  in 
Germania  excusse.  Altus.  (Bassus.)  (Sep- 
tima  Pars.)  (Octava  Pars.)  4  pts. 
loannes  Mayer  :  Dilingm,  1589.     ohl.  4°. 

A.  164. 
Thomse  Ludouici  de  Victoria  .  .  .  jNIissse 
Magnificat,  Motecta  Psalmi,  &  alia  qua 
plurima.  Quse  partim  Octonis  alia  Nonis, 
alia  Duodenis  vocibus  concinuntur.  Can- 
tus  I.  (Altus  I.)  (Tenor  i.)  (Bassus  i.) 
Chorus  I.  (Cantus  ii.  (Altus  ii.)  (Tenor 
II.)     (Bassus  II.)     Chorus  ii.)     8  pts. 

Ex  Typographia  Regia : 
Matriti,  1600.     4°.  K.  2.  g.  14. 

VICTORINUS  (Georgius)  Philomela 
Coelestis,  siue  Suauissimfe,  Lectissimteque 
Cantiones  Sacrae  cum  Falsabordonis,  INIag- 
nificat,  Canzonis,  &  Basso  ad  Organum, 
Duarum,  Trium  &  Quatuor  Vocum,  etc. 
Vox  Media.  (Vox  Infima.)  (Partitura.) 
3  pts.  Ex  typographeo  Musico,  Nicolai 

Henrici,  Sumptihus  eitcsdeni  G.  Victor : 
Monachii,  1624.     4°.  C.  258.  a. 

The  composers  named  are  :  R.  de  Lasso, 
G,  Victorinus,  I.  Perlatius,  ^.  Meet, 

F.  de  Lasso,  A.  Cornazzanus,  I. 
Saggitarms,  A.  Imperial,  I.  Priulus, 

G.  Krumper,  W.  Bellicorius,  I.  Schiesl, 
C.  Perckhover,  C.  Topiarius,  I.  Stadl- 
mair,  I.  Laslerus,  I.  Kilrzinger, 
I.  Aichmiiller,  B.  Hartman,  I.  Feldt- 
mair,  P.  Bcmamicus,  A.  Waidman, 
S.  Weich,  G.  Aichinger,  C.  Erbach, 
I.  Stupporius,  P.  Hempher,  C.  Erbach 
Junior,  P.  Holzl,  U.  Loth,  I.  M.  Cxsar, 
G.   Capricius,   B.    Wolck,    P.    Satzl, 

F.  Cornazzinus,  I.  Riedelius,  I. 
Hadelerus,  I.  Herlinus  and  L. 
Petrangelus. 

Siren  Coelestis  Centum  Harmoniarum 
Duarum,  Trium  et  Quatuor  Vocum,  quam 
nouavit  e  principibus,  etiam  nee  dum  vul- 
gatis  auctoribus  legit,  pro  Temporum 
dierumcjj  festorum  diuersitate  concin- 
nauit,  Organis  item  accommodauit,  &  in 
lucem  dedit  Georgius  Victorinus . .  .Editio 
Altera  correctior  &  melior.  Vox  Media. 
(Vox  Infima.)     (Partitura.)     3  pts. 

Ex  TypograpMo  Bergianx  Vidtix, 

Sumptibus  loannis  Hertsroy :    Monachii, 

1622.     4°.  C.  258. 

The  composers  named  are :   I.  Finetus, 

A.  Cornazzanus, L.  Ursinius,A.  Cifra, 

G.  Victorinus,  A.  Agazzarius,  I. 
Bellius,  S.  Bernardiis,  B.  Tomasus, 

2  s  2 


628 


VICTORINUS— VIEUX 


L.  Leonus,  C.  Erhacli,  A.Bianchierus, 
W.  Mayr,  B.  cle  Lasso,  S.  Miserocca, 

E.  Scaleta,  I.  N.  Mczzocjorus,  C. 
Topiarius,  I.  Dcmiascenus,  I.  M. 
Viadana,  I.  Aichmiillcr,  F.  Caioellus, 
A.  Badiiis,  I.  Masiccius,  D.  Brunettus, 
A.  Mortarius,  I.  Piccionis,  G.  Aicli- 
inger,    F.    de    Lasso,    M.    Angelus, 

F.  Galvena,  D.  Ruhinus,  0.  Vernitkcs, 

F.  Anerius,  M.  A.  Torniolus,  C. 
Assandra,  B.  Binagus,  B.  Corsus, 
H.  Montesardus,  L.  Viadana,  A. 
Waidman,  G.  Capriccius,  J.  M.  Caesar, 
P.   Pace,    V.  Puteus,    A.   Bruncllus, 

G.  Giiggamos  and  J.  P.  Nodarius. 
Siren  Coelistis  centum  harmoniai-um, 
duarum,  trium,  &  quatuor  vocum.  Quam 
...in  lucem  dedit,  Georgius  Victorinus 
Monachij.  Eandem,  methodo  doceudi, 
et  discendi  musicam  longe  facillima, . . . 
Willihelmus  Bray-thwaitus  Anglus  .  .  . 
communicavit,  &  commendavit.  Editio 
altera  correctior  &  melior.     Suprema. 

Ex  typograplico  lohannis  Norton  : 
Londini,  1638.     4°.  K.  2.  c.  10. 

Imperfect,  ivanting  all  after  fol.  CI. 

VICTORIOUS.     Victorious  La  Pucelle. 
Air.     See  Reeve  (W.)     [Joan  of  Arc.} 

VICTORY.     Victory.     [Song.] 
See  Bailey  (J.) 

The  Victory  of  Fishguard.     Song. 
See  Skeats  (H.) 

VIDAMPIERRE  (  de)  Countess. 

Le  Baiser.     Ariette,  etc. 
[Paris,-]  1772.    s.  sh.  8°.  298.  e.  17. 

Mercure  de  France,  Nov.,  1772. 
L'Heureuse  S6curit6,  etc.     [Song.] 
[Paris,']  1771.     s.  sh.  8°.  298.  e.  6. 

Mercure  de  France,  July,  1771. 
L'Heureuse  Security,  etc.     [Song.] 
[Paris,]  Yin.    s.  sh.  8°.  298.  e.  15. 

Mercitre  de  France,  August,  1772. 
Le  Regret.     Ariette,  etc. 
[Paris,]  1772.     s.  sh.  8".  298.  e.  17. 

Mercure  de  France,  Dec,  1772. 

VIE.     Vie  de  Dandin.     [Song.] 
See  Colin-Maillard. 

VIEIIjLARD.    Vieillard  qui  d'amour  est 
epris.  Vaudeville.    See  Soiree  Orageuse. 

VIEIIiLE.     Vieille  qui  prend  jeune  mari. 
Vaudeville.     See  Mere  Jalodse. 

VIENI.     Vieni  o  sonno.     Terzetto. 
See  Ferrari  (G.  G.)     [I  Due  Suizseri.] 
Vieni    torna    Idolo    mio.— Turn    0  turn 
thee.     Vieni  torna  [Song]  in  English  and 
Italian.    [From  Handel's  Opera,  Teseo.] 
[London,  1715  ?]     s.  sli.  fol. 
'  H.  1601.  (445.) 

[Another    edition.]      Vieni    torna    Idolo 
mio,  etc.     [London,  1715  ?]     s.  sh.  fol. 

G.  312.  (4.) 


VIEWS.     Viens  a  mon  secours.     Couplets. 
See  Ballet  des  Akglais. 

Viens  (ja  viens  vite  ma  bergere.    L'Almor- 
adine.     Fanfare.      [Song,  words]  Par  M"' 
Pierre  Almoradiu,  Veneur. 
[P«ris,  1780?]     8°.  B.  362.  b.  (91.) 

Viens   cel6brer   la   Reine.      Menuet  de  la 
Eeine    Charlotte.       [Song,    with    instru- 
mental accompaniment.] 
[London,  1773.]     s.  sh.  4°.  159.  n.  5. 

London  Magazine,  Jan.,  1773. 

Viens   c61ebrer  la  Reine.     Menuet  de   la 
Peine  Charlotte. 

[London,  1773.]     s.  sh.  fol.       P.P.  5141. 
Lady's  Magazine,  Feb.,  1773. 

Viens  cher  amant.     Ariette. 
See  Deserteur. 

Viens  dans  ce  boccage.     Chanson. 
See  DoBET  (      ) 

Viens,  dans  nos  champs.     Barcarolle. 
See  Dard  (      ) 

Viens  ma  Rose.,    Ariette. 
See  DoRMEUR  Eveille. 

Viens  mon  aimable  bergere.     Ariette. 
See  Albanese  (      ) 

[Another   setting.]     Viens,  mon  aimable 
Bergere.   Pastourelle.    See  Gillier  (J.  C.) 

VIERDANCK  (Johann)  Geistliche  Con- 
certen,  mit  3.  4.  5.  6.  7.  8.  vnd  9.  Stim- 
meu,  Nebenst  einem  gedoppelten  Basso 
Continue,  Einen  vor  das  Corpus,  den 
andern  vor  den  Directore,  oder  zu  einem 
Violon,  zu  gebraucheu.  Prima(-Quinta) 
Voce.     (Basso  Continouo.)    6  pts. 

Gedrtickt  durch  Johann  Eichel,  hi 
Verlegung  Johann  Hallervords  :  Rostock, 
1643.     4°.  B.  142. 

VIERIilWGr  (Johann  Gottfried)  Choral- 
buch  auf  Vier  Stimmen  zum  Gebrauch 
bey  dem  offentlichen-  und  Privat- 
Gottesdienst,  nebst  einer  Vorrede  [by 
J.  G.  Holtzappel]. .  .herausgegeben  von 
J.  G.  Vierling,  etc. 

Auf  Kosten  des  Verfassers.  Gedrucht. .  .in 
der  Waisenhaus-Buchdruckerey :  Cassel, 
1789.     obi.  4°.  B.  950. 

Acht  und  Vierzig  kurze  und  leichte  Orgel- 
stiicke.  In  der  Brcitkopfischen  Musikhand- 
lung  :  Leipzig,  [1795  ?]     4°.     e.  293.  (2.) 

Sammlung  leichter  Orgelstiicke  nebst 
einer  Anleitung  zu  Zwischenspielen  beini 
Choral.  3  Th.  Bey  Breitkopf  und  Hartel : 
Leipzig,  [1795  ?]     4°.  e.  293.  (1.) 

Sammlung  vermischter  Orgelstiicke. 

Bey  W.  Wohler :  Hesse  Cassel, 
[1800?]    obl.iol.  e.  120.  a.  (2.) 

VIEUX.     Vieux  barbons  qui  passez  la  vie. 
[Song.]     See  Faux  Lord. 


VIEUX— VILLAGE 


629 


VIEUX.      Le   vieux  Lucas,   d'uue   trem- 

blante  main.     Chanson.  GravA par 

Jf ""  LabassAe.      Imprimi  par  Tournellc  : 

[Paris,]  1757.     s.  sh.  8°.  297.  d.  9. 

Mercnrc  de  France,  Oct.,  1757. 

VTEUX  CHATEAU.   Le  Vieux  Chateau, 
ou  la  Rencontre.     Opera. 
See  Della  Maria  (D.) 

VIEUX  EPOUX.  Les  Vieux  Epoux. 
Com^die  en  un  Acta,  melee  de  Vaude- 
villes, par  F.  G.  Desfontaines. .  .avec  la 
musique  [of  the  concluding  Vaudeville]. 
Chez  le  Libraire,  au  Theatre  du  Vaudeville : 
Paris,  An  Troisieme  [1795].     8". 

11738.  d.  17.  (10.) 

VIEUX  SOLD  AT  ET  SA  PUPILLE. 

J'ai  du  plaisir  a  voler  au  village.  Ariette 
du  Vieux  Soldat  et  sa  Pitpillc.  [Words 
by  Maillot,  music  by  Froment.]  Accomp' 
de  Guittare  par  M.  Ducray. 

Chez  les  Fnh-es  Savignij  : 
Paris,  [1785.]     8".  B.  362.  h.  (10.) 

VIEW.   View,  my  Love,  our  little  Charmer. 
The  Comparison.     A  New  Song. 
[London,  1772.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  L.,p.  323. 

VTGIsrOLES  (     de)  and  DU  BOIS  (    ) 

La  Lire  Ma(;'onue,  ou  Recuoil  de  Chansons 

des  Francs-]Ma(?ons.     Revu,  corrige  ...  & 

augments    de   quantity   de    Chansons, . . . 

Avec  les  Airs  not^s,  mit  sur  la  bonne  Clef, 

tant  pour  le  Chant  que  pour  le  Violou  et 

la  Flute.  Chez  B.  van  Laak  : 

La  Haye,  1763.     8".  04785.  f.  1. 

La  Lire  Ma(;onne,  ou  Recueil  de  Chansons 

des   Franc-Masons.      Revu,   corrig6  ...  & 

augments  de  quantite. .  .de  Chansons... 

par  les   Freres  de  Vignolles  et  Du  Bois. 

Avec  les  airs  notes,  mis  sur  la  bonne  Clef, 

tant  pour  le  Chant  que  pour  le  Violon  & 

la  Flute.      Nouvelle  Edition,  revue,  cor- 

rigee  &  augmentee.       Chez  R.  van  Laak  : 

La  Haye,  1766.     12°.        11475.  cec.  14. 

La  Lire  Ma(,^onne,  ou  Recueil  de  Chansons 

des  Francs-JNIa^ons.      Revu,  corrige,... & 

augments  de  quantite  de  Chansons. .  .par 

les  Freres^  de    Vignoles    et    Du   Bois  . . . 

Nouvelle  Edition,  etc. 

Chez  B.  Van  Laak  :  La  Haye,  1787.     12°. 

Case  65.  bb.  17.  (1.) 

VIGNOZ  (       )^66f'.  Auteursdontabonde 

Paris.     Chanson  sur  les  Victoires  du  Boi, 

[words]  par  Madame  Desforges-Maillard, 

etc.     [Paris,]  1745.     s.  sh.  4°.     297.  c.  2. 

Mercure  de  France,  July,  1745, 

VEGONI  (Carlo  Federico)     Nuoua  Rac- 
colta   de   Motetti   Sacri   a  Voce   Sola   di 
diuersi    Eccellenti  Autori.      Dati  in  luce 
da  Carlo  Federigo  Vigoni,  etc. 
Francesco  Vigone  :  Milano,  1681.     obi.  8°. 

K.  2.  e.  2. 

This  collection  contains  compositions  by 

A.   F.    Martinenghi,    A.   Zanetti,   B. 


Castelli,  C.  D.  Cossonio,  F.  Bagatti, 

G.    Zanetti,    D.    M.    C,  P.   Magni, 

G.  Appiano  and  G.  Bivolta. 

Sacre   Armonie    a  voce    sola    di    diuersi 

celebri    Autori,    consacrate    al    nome  . . . 

deir   illustriss  . . .  Sig.    F.   Farsetti  ...  da 

F.  Vigoni.     Appresso  a  Francesco  Vigone  : 

Milano,  1692.     obi.  4°.  K.  1.  e.  20. 

This  collection  contains  compositions  by 

G.  B.  Quaglia,  F.  Ballarotti,  F.  Bossi, 

G.    Bivolta,    B.    Mantclli,    D.   Erba, 

A.    Besozzi,   L.    Caimo,    G.   Zanetti, 

A.   D.   Legnano,    G.    B.    Brevi    and 

P.  A.  Fioretti,  detto  Gulielmino. 

VIGUERIE  (Bernard)    L'Art  de  toucher 
le  Piano-Forte,  etc.  Chez  VAutcur: 

Paris,  [1798.]     fol.  g.  757.  (1.) 

Trois  Senates  prec6d6es  de  Preludes  ou 
Exercices  pour  Forte-Piano.  Avec  Ac- 
compag'  de  Violon  ad  libitum. .  .CEuvre  2°. 
V  Suite.  Chez  P.  Viguerie  : 

Paris,  [1800  ?]     fol.  g.  757.  (3.) 

The  Pianoforte  part  only. 
See  Dalayrac  (N.)    [Gulnare.]    Je  trouve 
une  femme  jolie. .  .Arrange  pour  le  Forte- 
Piano  par  B.  Viguerie.     [1797  ?]     fol. 

H.  538.  f.  (1°.) 
See  Dalayrac  (N.)  [Gulnare.]  Jeunes 
esclaves,  croyez  moi  . . .  Arrange  pour  le 
Forte  Piano  par  B.  Viguerie.    [1797?]   fol. 

H.  538.  f.  (1^.) 
See  Dalayrac  (N.)  [Gulnare.]  Pour 
mieux  te  prouver  mon  amour.  . . .  Ar- 
rangee  pour  le  Forte  Piano  par  B.  Viguerie. 
[1797  ?]     fol.  H.  538.  f.  (1^.) 

See  Dalayrac  (N.)  [Gulnare.]  Rien, 
teudre  Amour. .  .Arrang^e  pour  le  Forte 
Piano  par  B.  Viguerie.     [1797  ?]     fol. 

H.  538.  f.  (1^.) 
See  Dalayrac  (N.)  [Gulnare.]  Sexe 
charmant. .  .Arrange  pour  le  Forte  Piano 
par  B.  Viguerie.     [1797  ?]     fol. 

G.  390.  a.  (8.) 

VILLAGE.     The  Village  Boy.     Song. 
See  Pleyel  (I.  J.) 
The  Village  Eve.     Canzonet. 
See  Mozart  (W.  A.)    [3.  Songs,   a.  Collec- 
tions.   MozarVs. .  .Canzcmetts.    No.  1.    Ivi 
Frilhlingsanfang.] 

The  ViUage  Festival.     [Song.] 

See  RoMER  (    )     [Modern  Eccentricities.] 

The  Village  Maid.     [Song.] 
See  Rauzzini  (V.) 

The  Village  Maid  when  first  she  hears. 
Soldier's  Bride.  [Song.]  Written  by  an 
Officer.     Fentum  :  London,  [1790  ?]     fol. 

G.  808.  g.  (33.) 
The  Village  Maiden.    [Song.]    See  Whek. 
When  first  I  saw  the  Village  maiden,  etc. 
[1790?]     fol.  H.  1651.  a.  (4.) 

The  Village  Spire.     Ballad. 
See  GiORDANi  (T.) 


630 


VILLAGE— VI LLOTTE 


VILLAGE.     The  Village  Wake.     Song. 
See  BoHLius  (J.  F.) 

The  Village  Wedding.     [Song.] 

See  DiBDiN  (C.)     [Castles  in  the  Air.'] 

VILLAGE  OPERA.     The  Village  Opera 
. . .  Written  by  Mr.  Johnson  ...  To  which 
is  Added  the  Musick  to  each  Song. 
Printed  for  J.  Watts  :  London,  1729.     8". 

643.  g.  14.  (5.) 
[Another  copy.]  162.  i.  23. 

VILLAGEOISE.  La  Villageoise  in- 
struite.  Romance.  See  Dans.  Dans  un 
bois  je  vis  I'autre  jour,  etc.     [1780?]     8". 

B.  362.  c.  (42.) 

VILLANELLA  RAPITA.  La  Villan- 
ella  Rapita  ou  la  Villageoise  Enlev6e. 
Opera  Bouffon  en  Trois  Actes,  represents 
au  theatre  de  Monsieur  en  1789.  Musique 
Italienne  de  Dif6rens  GelSbres  Composi- 
teurs, Paroles  Italienne[s]  traduite[s]  en 
Francjaises,  par  M.  D  *  *  *  .  [FuU  Score.] 
Chez  le  S'"  Sieber :  Paris,  [1789.]     fol. 

H.  464. 
The    composers    named    are  :     Ferrari, 
Bianchi,  Mozart,  Paisiello,  Gidielmi, 
Sarti  and  Martini. 

Ouverture,  Airs  &  Duos  della  Villanella 
Rapita  arranges  pour  Clavecin  ou  Piano 
Forts.  Chez  Imhault :  Paris, 

[1789.]    fol.  H.  464.  a. 

Occhietto  furbetto.  The  Favorite  Duett, 
[by  V.  Martin  y  Solar],  sung  by  Sig"'* 
Storace  &  Sig'  Borselli  in  the  Opera 
Villanella  rapita.     [Full  Score.] 

Longman  and  Broderip  :  London, 
[1789?]     fol.  G.  197.  (6.) 

VILLANELLE.  II  Primo  Libro  di 
Villanelle  aUa  Napolitana  ...  a  Tre  Voci. 
Canto.  Apresso  Adriano  el  Be  e  Boberto 
Ballard  :  Parigi,  1565.    obi.  4".     A.  279. 

VILLANI  (Gaspaeo)  Ad  Deum  Opt. 
Max.  ad  Deiparamque  Virginem,  in  . . . 
Alexandri  Farnesii  II.  .  .  .  natali  die. 
Gasparis  Villani  . . .  Gratiarum  actiones. 
Viginti  Vocibus  Concinendse.  Liber 
Quartus.  Altus  Pr.  Cho.  (Cantus  Sec. 
Cho.)     (Tenor  Qua.  Cho.)     3  pts. 

Apud  Angelum  Gardanum,  d  Fratrcs  : 
Venetijs,  1611.     4°.  D.  213.  e. 

Letanie  della  Beata  Vergiue.  Da  cantarsi 
a  Otto  Voci.  Con  la  Parte  Continuata 
perl'  Organo  . . .  Libro  Primo.  Alto  Primo 
Choro.     (Canto  Secondo  Chore.)     2  pts. 

Appresso  Angela  Gardano,  &  Fratclli  : 
Vcnetia,  1610.     4°.  D.  213. 

Missa  Psalmi  ad  Vesperas,  et  Motecta 
Sesdecim  Vocibus  Concinenda,  etc.  Altus 
l.Chor.  (Cantus  2.  Chor.)  (Tenor  4.  Chor.) 
3  pts.  Apud  Angelum  Gardanum,  d 

Fratres  :  Venetiis,  1610.    4°.     D.  213.  c. 


VILLANI  (Gasparo)  Missse  Quinque 
Octonis  Vocibus  Concinendae  .  .  .  Liber 
Sextus.  Altus  P.  C.  (Cantus  S.  C.)  2 
pts.  Apud  Haeredem  Angcli  Gardani  : 
Venetiis,  1612.     4».  D.  213.  d. 

Psalmi  Omnes,  qui  per  Annum  ad  Vesperas 
Decantari  consueuerunt  .  .  .  Duodecim 
Vocibus.  Liber  Tertius.  Altus  1.  Cho. 
(Cantus  2.  Cho.)     2  pts. 

Apud  Angelum  Galr'idanum,  &  Fratres  : 
Venetiis,  1610.     4°.  D.  213.  a. 

Psalmi  Omnes  qui  per  Annum  ad  Vesperas 
Decautari  consueuerunt  . . .  Octo  Vocibus. 
Liber  Quintus.  Altus  1  Cho.  (Cantus 
2.  Cho.)  2  pts.  Apud  Angelum  Gardanum  : 
Venetijs,  1611.     4».  D.  213.  b. 

VILLE.     La  Ville  de  Paris.     [Chorus.] 
See   Britain.     Britain   insulting  France 
and  Spain,  etc.     [1782.]     fol. 

G.  306.  (204.) 

VILLENEUVE  (  )  A  Collection  of 
Cotillons  ...  as  performed  at  all  Publick 
Places,  with  plain  and  easy  Directions. 

Printed  for  Welcker  :  London, 
[1770?]     obi.  4".  a.  9.  h.  (2.) 

VILLENEUVE  (  de)  L'Amy  des 
Femmes,  [Song,]  Paroles  et  M"'""  de  M' 
Devilleneuve,  avec  Accompagnement  de 
Guitarre.     [Paris,  1785  ?]     8". 

B.  362.  f.  (57.) 

VILLENEUVE  (Alexandre  de)    Livre 
de    Musique    d'Eglise,   qui   contient,   les 
neuf  Lemons  de  Tenebres,  le  Miserere,  six 
Motets  pour  le  Saint  Sacrement,  etc. 
Chez  VAuteur  :  Paris,  1719.     obi.  fol. 

D.  587. 

VILLERIE  (Royer  de)  Chevalier. 
See  Royer  de  Villerie. 

VILLE-SAVOYE  (Paul)  Bacchus  de 
vin  nouveau  vient  remplir  nos  caves.  Air 
a  Boire.     [Paris,']  1736.     s.  sh.  4". 

297.  b.  14. 
Mercure  de  France,  Jime,  1736. 

VILLOTTE.     Villotte  alia  Napoletana  a 

Tre  Voci,  De   diuersi  con  vna  Todescha 

non  piu  stampato :    Nouamente  poste  in 

luce.     Basso.     Appresso  Girolamo  Scotto  : 

Vinegia,  1566.     8°.  A.  279.  a. 

Fourteen   of   the   compositions    in    this 

collection    are    to    be   found    in    the 

'  Leggiadre  Nimphe  '  of  1606. 

II  Primo  Libro  de  Villotte  aUa  Padoana 
Con  alcune  Napolitane  a  quattro  Voci, 
Intitolate  Villotte  del  fiore,  Nouamente 
per  Antonio  Gardano  ristampate.  Alto. 
(Tenore.)  (Basso.)  3  pts.  Appresso  di 
Antonio  Gardano  :   Vcnetia,  1564.     obi.  4°. 

53.  a.  32.  (1.),  33.  (1.)  &  A.  573. 
The  composers    named  are :    Ghirardo 

and  11  Caldarino. 


VILLOTTE— VINCI 


631 


VILLOTTE.  II  Primo  Libro  delle  Villotte 
alia  Napoletana  de  diuersi  Eccellentiss: 
Autori,  nouamete  ristapato.  A  Tre  Voci. 
Tenore.  Apprcsso  li  figliioli  di 

Antonio  Gardano  :  Venetia,  1571.     obi.  4°. 

53.  a.  24.  (1.) 
II  Secondo  Libro  delle  Villotte  alia  Napo- 
letana de  diuersi.  Con  due  Moresche 
nouamete  ristapato.  A  Tre  Voci.  Tenore. 
Appresso  li  Figliioli  di  Antonio  Gardano  : 
Venctia,  1571.  obi.  4°.  53.  a.  24.  (2.) 
II  Terzo  Libro  delle  Villotte  alia  Napo- 
letana de  diuersi.  Con  due  Moresche 
nouamente  stampate.  A  Tre  Voci.  Tenore. 

Appresso  di  Antonio  Gardano  :  Venctia, 
1567.    obi.  4°.  53.  a.  24.  (3.) 

II  Quarto  Libro  delle  Villotte  alia  Napo- 
letana de  diuersi.  Con  due  Moresche 
Nouamente  Ristampate.  A  Tre  Voci. 
Tenore.  Apresso  li  Figlioli  di  Antonio 

Gardano  :  Vcnetia,  1571.     obi.  4". 

53.  a.  24.  (4.) 
II  Sesto  Libro  delle  Villotte  alia  Napo- 
letana de  diuersi.  Con  una  Zorziana. 
Nouamente  stampate.  A  Tre  Voci. 
Tenore.  Appresso  li  figliiioli  di  Antonio 
Gardano :  Venetia,  1570.     obi.  4". 

53.  a.  24.  (5.) 

The    only    composers    named    are:     B. 
Donato  and  A.  Gabrieli. 
Villotte     INIantouane     a     Quattro    Voci. 
Nouamente  date  in  luce.    Alto.    (Tenore.) 
2  pts.  Appresso  Angela  Gardano  : 

Venetia,  1583.     obi.  4". 

53.  a.  32.  (2.)  &  33.  (2.) 
VILSMAYR  (JoHANN  Joseph)  Artifici- 
osus  Concentus  pro  Camera,  Distributus 
in  Sex  Partes,  seu  Partias  a  Violino  Solo 
con  Basso  belle  imitante,  etc. 
Barbara  Theresia  de  Lespier  sc. :  Salisb., 
1715.     obi.  fol.  b.  48. 

VIN".     Le  Vin  endort  1' Amour.     Chanson. 
[Paris,  1711.]    s.  sh.  obi.  4\     P.P.  4486. 

Mercure  Galant,  To7n.  III.,  p.  188. 
Le  Vin  nous  fait  aimer.     Chanson. 
[Paris,  1711.]    s.  sh.  obi.  4°.     P.P.  4486. 

Mercure  Galant,  Tom.  III.,  p.  189. 
Le  Vin  nous  fait  parler.     Air  a  Boire. 
[Paris,  1711.]    s.  sh.  obi.  i".     P.P.  4486, 
Mercure  Galant,  Tom.  III.,  p.  89. 

VINAiaRE.  Le  Vinaigre  d' Amour. 
[Song.]  See  Coxtre.  Contre  le  mal  qui 
Yous  obsede,  efc.     [1780?]     S". 

B.  362.  j.  (8.) 

VINCENT  (        ) 

See  Harlequin's  Museum.  The  Overture, 
Songs,  Dances,  &c.  in  .  .  .  Harlequin's 
]\Iuseum  . . .  Compiled  . . .  from  the  Works 
of  . . .  Vincent,  etc.     [1792.]     obi.  fol. 

E.  108.  d. 

VINCENT  (James)  Advice  to  Cupid. 
[Song,  words  by  J.  Howe.]  [London, 

1735  ?]     s.  sh.  fol.  G.  308.  (99.) 


VINCENT  (James)     Delia  Constant,  etc. 
[Song.]     [Lo7idon,niO?]     s.  sh.  tol. 

G.  316.  (151.) 
Love's  Bacchanal.     [Song.]  [London, 

1745  ?]     s.  sh.  fol.  I.  530.  (165.) 

Love's  Bacchanal,  etc.     [Song.] 
[London,  1745.]     S".  157.  1.  7. 

London  Magazine,  1745,  p>-  98. 
On  a  Lady  stimg  by  a  Bee.     [Song.] 
[London,  1754.]   s.  sh.  8".  P.P.  5439.  ab. 

Neio  Universal  Magazine,  Oct.,  1754. 
Strephou  Charm'd,  or  the  Surpriz'd  Fair. 
A  Song,  etc.     [London,  1735  ?]     s.  sh.  fol. 

G.  316.  (150.) 
VINCENT     (Thomas)        The     Maiden's 
Resolution.     [Song.]     The  Words  by  IMr. 
Boyce,  dc.     [London,  17607]     s.sh.iol. 

G.  306.  (120.) 
[For  editions  published  anony- 
mously :]  See  As.  As  Chloe  sat  shelter'd. 
A  Sett  of  Familiar  Lessons  for  the  Harpsi- 
cord .  . .  Opera  2"'''.  John  Cox,  at  Simpson's, 
for  the  Autlwr  :  London,  [1748.]     obi.  fol. 

d.  161.  a.  (3.) 
Six  Solos  for  a  Hautboy,  German  Flute, 
Violin,  or  Harpsicord  with  a  Thorough 
Bass . . .  Opera  Prima.  IF"'  Smith  : 

London,  [1748.]     fol.  g.  535. 

The  Unhappy  Lover.  [Song.]  [London, 
1760  ?]     s.  sh.  fol.  G.  305.  (105.) 

VINCENTI  (Alessandro) 

See  DoNATi  (I.)  Le  Fanfalughe  a  Due, 
Tre,  Quattro,  et  Cinque  Voci. .  .Raccolte 
da  me  Alessandro  Vincenti,  etc.    1630.    4°. 

D.  178. 

See  Pesenti  (M.)  Arie  a  Voce  Sola . . . 
raccolte  da  me  Alessandro  Vincenti... 
Libro  Terzo.     1636.     4".  D.  84.  a. 

VINCENTIUS  (Caspar) 

See  Schadaeus  (A.)  Promptuarii  musici 
. .  .CoUegit  vero  et  Basi  Generali  accom- 
modavit  C.  Vincentius,  etc.     1611-17.     4". 

E.  7. 

VINCENZI  (GiACOMo)  See  Madrigals. 
De  Floridi  Virtuosi  d' Italia.  II  Terzo 
Libro  de  Madrigali,  e^c.  [With  a  dedica- 
tion by  G.  Vinceuzi.]  C.  123. 

VINCI  (Leonardo)  [Artaserse.]  Vo 
solcando.  A  much  admir'd  Song.  Sung 
by  Madam  Mara,  etc.     [Full  Score.] 

Printed  for  H.  Wright:  London, 
[1790?]     fol.  G.  760.  f.  (5.) 

Twelve  Solos  for  a  German  Flute  or  Violin 
with  a  Thorough  Bass  for  the  Harpsicord 
or  Violoncello.  Compos'd  by  Sig'  Leonardo 
Vinci  and  other  Italian  Authors. 

Printed  for  I.  Walsh:  London, 
[1750?]     fol.  g.  280.  b.  (17.) 

See  Agrell  (J.  J.)  Sonatas  ...  for  two 
German  Flutes  or  Violins.  Compos'd  by 
Sig""  G.  Agrell,  F.  Aurelli,  L.  Vinci.  Opera 
Seconda.     [1760?]     fol.  g.  280.  (1.) 


632 


VINCI— VIOTTI 


VINCI  (Leonardo)  See  Elpidia.  The 
Favourite  Songs  in  the  Opera  of  Elpidia. 
[Music  by  L.  Vinci.]     [1725.]     fol. 

G.  206.  e.  (2.) 
See  Hasse  (J.  A.)     Farinelli's  Celebrated 
Songs  collected  from  Sig'  Hasse,. .  .Viuci 
and  Veracini's  Operas,  etc. 
[1736-1755?]     fol.  g.  444. 

See  MusiCA  Curiosa.     Musica  Curiosa  or 
a  Curious   Collection   of   Airs   Compos'd 
by  Messrs.  Granno. .  .Vinci,  etc. 
[1745  ?]     obi.  4°.  b.  30.  (1.) 

VINCI  (PiETRO)  Di  Pietro  Vinci  ...  II 
Primo  Libro  de  Madrigali  a  Sei  Voci. 
Nuouamente  posti  in  luce.     Alto. 

Appresso  Girolamo  Scotto :  Vinegia, 
1571.    4".  D.  177.  a. 

Di  Pietro  Vinci ...  II  Secondo  Libro  de 
]\Iadrigali  a  sei  voci,  Con  vno  dialogo  a 
dodici.   Nouamente  posto  in  luce.   Tenore. 

Appresso  V  herede  di  Girolamo  Scotto  : 

Vimggia,  1579.    4°.  D.  177.  e. 

This  work  contains  a  madrigal  by  P. 

Caracciolo  and  G.  Monino. 

Di  Pietro  Vinci ...  II  Secondo  Libro  de 
Madregali  a  sei  voci.  Con  vno  dialogo  a 
dodeci.  Nuouamente  posti  in  luce.  Canto. 
(Alto.)  (Tenore.)  (Basso.)  (Quinto.)  5pts. 
Appresso  V  Herede  di  Girolamo  Scotto : 
Vinegia,  1583.     4°.  D.  177. 

Di  Pietro  Vinci  ...  II  Primo  Libro  de 
Madrigali  a  Cinque  Voci.  Nouamente 
ristampato,  &  da  molti  errori  emendate. 
Basso.  Appresso  Girolamo  Scotto  : 

Vinegia,  1566.     4°.  D.  177.  c. 

Di  Pietro  Vinci... II  Secondo  Libro  de 
Madrigali  a  Cinque  Voci.  Nouamente 
ristampati.     Tenore.     (Quinto.)     2  pts. 

Appresso  V  Herede  di  Gierolamo  Scotto  : 
Venetia,  1589.     4°.  D.  177.  f. 

Di  Pietro  Vinci  ...  II  Terzo  Libro  de 
Madrigali  a  Cinque  Voci.  Nuouamente 
posti  in  luce.  Alto.  Appresso  Girolamo 
Scotto  :  Vinegia,  1571.     4".       D.  177.  d. 

Di  Pietro  Vinci  ...  II  Primo  Libro  di 
Mottetti  a  Cinque  Voci :  nuouamente 
dato  in  luce.  Basso.  Appresso  G.  Scotto : 
Vinegia,  1558.     obi.  4°.  A.  127. 

Quattordeci  Sonetti  Spirituali  della  lUus- 
trissima. .  .Vittoria  Colonna  d' Avalos  de 
Aquino  Marchesa  di  Pescara.  Messi  in 
canto. .  .a  cinque  voci,  etc.     Quinto. 

Appresso  V  Herede  di  Girolamo  Scotto  : 
Vineggia,  1580.     4°.  D.  177.  b. 

VINCULUM  SOCIETATIS.  Vincu- 
lum Societatis,  or  the  Tie  of  good  Com- 
pany. Being  a  Choice  Collection  of  the 
Newest  Songs  now  in  Use.    With  Thorow 


Bass  to  each  Song  for  the  Harpsichord, 
Theorbo,  or  Bass-Viol,  etc.     3  Books. 

F.  Clark,  T.  Moore,  and 
J.  Heptinstall,  for  John  Garr  and  B.  G. : 
London,  1687  (1688,  1691).     fol.      G.  95. 
The  composers  named  are :  H.  Purccll, 
F.  Forcer,  S.  Ackroyd  or  Akeroyd,  R. 
King,  D.  Purccll,  M.  Snow,  B.  Broion, 
T.  Tedioay  or  Teddnoay,  J.  Blow,  T. 
Shadivell,  Seignior  Baptist,  R.  Court- 
evil     or     Courtevell     or     Ccnirteville, 
Captain  Pack,  J.    Courtevil,  Motley, 
Banister,  Poiuel,  J.  Eagles,  Mumford, 
A.  Damascene,  Manshipp,  B.  King,  J. 
Freeman  and  Keene. 

VINER  (  )  Solos  for  a  Violin  with 
a  Thorough  Bass  for  the  Harpsicord  or 
Bass  Violin.  Compos'd  by  the  late  Mr. 
Viner  of  Dublin.  Printed  for  I.  Walsh  <£• 
I.  Hare  :  London,  [1720  ?]    fol.     g.  1084. 

VIOLA  (Francesco)  Di  Francesco  Viola 
II  Primo  Libro  de  Madrigali  A  quatro 
Voci  Nouamente ...  dal  Proprio  Autore 
corretto  &  dato  in  Luce  &  per  Antonio 
Gardane  stampato,  etc.     Cantus. 

Apresso  di  Antonio  Gardane  : 
Venetia,  1550.     obi.  4°.  A.  362. 

See  WiLLAERT   (A.)     Musica   Noua,   etc. 
(With  a  dedication  by  F.  Viola.) 
(1559.)     4".  K.  3.  m.  14. 

VIOLET.     The  Violet.     Ballads. 
See  Arne  (M.) 

VION  (Charles  Antoine)  L'Amant 
discret.  Romance ...  Parolles  de  M.  *  *  * 
{Paris,  1785  ?]     8°.  B.  362.  i.  (31.) 

VIOTTI  (Giovanni  Battista)  Amanti 
che  nel  Core.  The  Favorite  PoUacca  as 
sung  by  Signora  Banti. .  .in  the  Opera  of 
La  Serva  Padrona. .  .Arranged,  with  an 
Accompaniment  for  the  Piano  Forte  by 
D.  Corri.  Printed  for  Corri, 

Dussek  (&  Co. :  London,  [1794.]     fol. 

G.  385.  c.  (13.) 
[Amanti  che  nel  core.]  Viotti's  Favorite 
Pollacca . . .  A  rranged  as  a  Rondo  for  the 
Piano-Forte,  by  J.  L.  Dussek.  Printed 
for  Corri,  Dussek  d  Co.  :  [London,  and] 
Edinburgh,  [1795  ?]  fol.  g.  140.  (30. ) 
[Another  copy.]  h.  726.  e.  (15.) 

[Amanti  che  nel  core.]  Consola  amato. 
A  Favorite  Italian  Song  adapted  to 
Viotti's  Celebrated  PoUaca.  A .  Hamilton : 
London,  [1800  ?]  fol.  H.  1650.  f.  (36.) 
[ApoUon  Berger.]  The  Favorite  Pas  de 
Trois  danced... in  the  Ballet  of  Apollon 
Berger,  etc.     [P.  F.]  Broderip  <£ 

Wilkinson :  London,  [1798  ?]     fol. 

H.  2819.  (13.) 
Che  gioja  che  contento,  a  Favorite  Polacca, 
as  sung  by  Sig'^  Viganoni,  etc. 

Printed  for  B.  Birchall :  Lojidon, 
[1795?]     fol.  G.  811.  (32.) 


VIOTTI— VIRGIN 


633 


VIOTTI  (GiovAN^ri  Battista)  Yiotti's 
. .  .Concertante,  arranged  for  the  Piano 
Forte,  with  accompaniment  for  two 
Violins,  Tenor,  Bass,  two  Horns  and  two 
Hautboys  ad  libitum,  hj  Steibelt. 
Bland  d  Weller  :  London,  [1800  ?]     fol. 

g.  442.  j.  (24.) 
The  Pianoforte  part  only. 

2*  Concerto  pour  le  Piano-Forte. 
Chez  Imbanlt :  Paris,  [1790  ?]     obi.  fol. 

e,  284.  c.  (12.) 

Viotti's  Grand  Concerto,  in  B  }> :  arranged 
for  the  Piano  Forte... with  Accompani- 
ments for  two  Violins,  Oboe,  Corni,  Alto 
&  Violoncello,  by  Mr.  HuUmandel.  [Sep- 
arate Parts.]  Printed  for  R.  Birchall : 
London,  [1796.]     fol.        g.  116.  a.  (10.) 

A  New  Grand  Concerto  with  Accompani- 
ments— as  performed  at  the  Opera  Concert 
...Adapted  for  the  Piano-Forte,. .  .by 
Mr.  HuUmandel.     [Separate  Parts.] 

Leivis,  Houston  d  Hyde  :  London, 
[1796.]    fol.  g.  lie.  a.  (9.) 

Consola  amato.  See  supra  :  [Amanti  che 
net  core.] 

Six  Duetts  Concertants   for  Two  Violins 
.  .  .1"  Book  of  Duetts.     [Separate  Parts.] 
Longman  and  Brodcrip  :  London, 
[1795?]     fol.  g.  218.  (13.) 

Six  Duo  Concertans  pour  deux  Violons . .  . 
2°  livre  de  Duo.     [Separate  Parts]. 
Chez  M>-  Boyer :  Paris,  [1790  ?]     fol. 

g.  414.  (4.) 

Six  Duetts  Concertants  for  Two  Violins . , . 
2^  Book  of  Duetts.     [Separate  Parts.] 

Longman  and  Broderip  :  London, 
[1795?]     fol.  g.  421.  1.  (1.) 

Three  Duets,  Concertants,  for  Two  Violins 
...Op.  5.     Book  1.     [Separate  Parts.] 

Longman,  Clementi  d  Co. :  London, 
[1800?]     fol.  g.  218.  (15.) 

Three  Duets,  Concertants,  for  Two  Violins 
...Op.  5.     Book  2.     [Separate  Parts.] 

Longman,  Clementi  d  Co.  :  London, 
[1800?]    fol.  h.  1747.  (2.) 

Six  Duets  Concertanti,  for  Two  Violon- 
cellos .  .  .  Op.  6.  Book  1^'.  [Separate 
Parts.]  J.  Longman,  Clementi  d  Co. : 

London,  [1800?]  h.  219.  (8.) 


[Another  copy.] 


g.  421.  k.  (7.) 


Trois  Duos  Concertants  pour  deux  Vio- 
loncelles  .  .  .  P  Livre  [Op.  6.  N"'  1-3. 
Senarate  Parts.]  Chez  Pleyel : 

Paris,  [ISOO?]     fol.  h.  204.  a.  (7.) 

Trois  Nouveaux  Duo  Concertans  pour 
deux  Violoncelles  ...  2®  Livre.  [Op.  6. 
N°'  4-6.  Separate  Parts.]  Chez  Pleyel : 
Paris,  [1800  ?]     fol.  h.  204.  a.  (8.) 


VIOTTI  (Giovanni  Battista)  [Duetts. 
Op.  G.  Book  I.]  Three  Sonatas,  for 
the  Piano  Forte,  with  Accompaniments 
adapted  from  Viotti's  Violoncello  Duetts 
. .  .by  M.  Clementi.     Op.  6. 

J.  Longman,  Clementi  d  Co. :  London, 
[1800?]    fol.  h.  1847.  f.  (39.) 

The  Violoncello  part  only. 

Six  Quatuors  concertants  pour  Deux 
Violons,  Alto  et  Basse  .  .  .  ffiuvre  1. 
[Separate  Parts.]  Chez  le  S''  Sieber  : 

Paris,  [1785?]     fol.  g.  1085. 

Six  Senates  a  Violon  Seul  et  Basse...  ii° 

Livre  de  Senates  de  Violon. 

Chez  Lnbault :  Paris,  [1795  ?]     fol. 

g.  1085.  a. 
Sis  Trios  a  Deux  Violons  et  Basse . . . 
CEuvre  2.     [Separate  Parts.]  Chez  le 

S'-  Sieber  :  Paris,  [1785  ?]     fol. 

h.  2852.  b.  (4.) 
Viotti's  Three  Trios,  arranged  as  Sonatas 
for  the  Piano  Forte  with  Accompaniments, 
for  the  Violin  and  Bass,  by  J.  L.  Dussek. 
[Separate  Parts.]  Printed  for  Corri, 

Dussek  d  Co. :  London,  [1798  ?J     fol. 

g.  150.  (8.) 
The  title-page  of  the  Pianofoi-te  part  is 
signed  by  Viotti. 

Three  Trio's,  for  Two  Violins  Concertanti, 
&    a    Violoncello ...  Dedicated    to    J.    C. 
Hankcy,  etc.     [Separate  Parts.] 
Printed  for  Corri,  Dussek  d  Co. :  London  d 
Edinburgh,  [1796  ?]     fol.      g.  222.  (18.) 

VIRCHI  (Paolo)  II  Primo  Libro  de 
^Madrigali  a  Cinque  Voci,  etc.  Canto. 
(Alto.)  (Tenore.)  (Basso.)  (Quinto.) 
5  pts.  Presso  Giacomo  Yincenzi,  d 

Pdcciardo  Amadino,  compagni :  Venetia, 
158i.     4°.  D.  5. 

Di  Paolo  Virchi...Il  Secondo  Libro  de 
IMadrigali  a  cinque  voci,  etc.  Canto. 
(Alto.)  (Tenore.)  (Basso.)  (Quinto.) 
5  pts.  Appresso  Giacomo  Yincenzi: 

Venetia,  1588.     4°.  D.  6. 


VIRGIN.  A  Virgin  like  me  sure  was 
ne'er  so  distress'd.  The  Virgin's  Com- 
plaint.  A  New  Song.   [London,  1765.]    8". 

P.P.  5438.  z. 
Universal    Magazine,     Vol.     XXXVI. , 
p.  149. 

The  Virgin   Unmasked.     Song.     See  It. 
It  is  I  believe,  etc.     [1763.]     8". 

P.P.  5438.  z. 

The  Virgin  when  softned  by  May.     May, 
the  Mother  of  Love.     [Song,  by  S.  Long.] 
London,  [1763.]     8».  P.P.  5441. 

Royal  Magazine,  Vol.  IX.,  p.  44. 

The  Virgin  when  softned  by  May.     May, 
the  Mother  of  Love.     [Song,  by  S.  Long.] 
London,  [1763.]     8°.  P.P.  5140. 

Lady's  Magazine,  Vol.  V.,p.  549. 


634 


VIRGIN— VITALI 


VIRGIN.    The  Virgin's  complaint.    Song. 

See  supra :   A  Virgin   like  me   sure  was 

ne'er  so  distress'd,  etc. 

The  Virgin's  First  Love.     Arietta. 

See  Le  Clere  (V.)  Madame. 

The  Virgin's  first  Love.     [Song.] 

See  E.ELFE  (J.) 

The  Virgin's  Monitor.     [Song.]     See  Ye. 

Ye  Virgins  of  Britain,  dc.     [1775  ?]     fol. 
H.  1994.  a.  (124.) 
VIRTUE.     Virtue.      [Song,  begins:    'No 

radiant  Pearl.']     See  Clarke,  afterwards 

Clarke-Whitfield  (J.) 

Virtue.  [Song,  begins :  '  The  peasant 
in  his  humble  cot.']  See  Dibdin  (C.) 
[Frivate  TJicatricals.'] 

Virtue.  [Song,  begins  :  '  Virtue  bids  us 
conquer  passion.']  See  Haendel  (G.  F.) 
[Teseo.     Chi  ritonia  alia  mia  mcnte.'] 

Virtue.  [Song,  begins  :  '  Ye  Virgins  and 
youths  of  the  plain.']     See  Murphy  (S.) 

Virtue's    Reward.      [Song.]      See    Maid. 
The  maid  is  blest  that  will  not  hear. 
[1750?]     s.  s7(.  fol.  G.  312.  (127.) 

VIRTUES.  The  Virtues  of  Snuff.  [Song.] 
See  Good.  Good  Neighbours  attend  & 
give  Ear.     [1793  ?]     fol.       G.  360.  (54.) 

VIRTUMNUS.  A'irtumnus,  Flora,  you 
that  bless.  Song.  See  Courtevjlle  (R.) 
iDon  Qui.xote.     Part  III.'] 

VIRTUMNUS  AND  POMONIA.   Vir- 
tumnus  and  Pomouia.     Cantata. 
See  Whichello  (A.) 

VIRTUOUS.  The  Virtuous  Maid.  [Song.] 
See  What.  What  though  I  am  a  Country 
Lass.     [1730?]     s.sh.ioh 

G.  316.  f.  (108.) 

The  Virtuous  Wish.     [Song.] 
See  Howard  (S.) 

VIS-A-VIS.     Le  Vis-a-Vis.     [Song.] 

See  Chansonnier.  Chansonnier  plaisant 
quoique  sage,  etc.     [1785  ?]     8°. 

B.  362.  f.  (24.) 
VISCONTE  (SiSTo)   Le  Sirene  Adriatiche 
a  Tre  Voci . . .  Opera  Terzo.    Canto.    (Canto 
Secondo.)     (Basso.)     3  pts. 

Apprcsso  Giacovio  Vinccnti : 
Venetia,  1615.     4".  K.  3.  k.  10. 

VISCONTI  (Gasparo)     Gasperini's  Solos 

for  a  Violin  with  a  through  Bass  for  the 

Harpsicord  or  Bass  Violin. .  .Opera  Prima. 

Printed  for  I.  WalsJi  and  I.  Hare  : 

London,  [1703.]     obi.  fol.  e.  790. 

VISIGOTH,  pseud,  [i.e.  Jean  Novi  de 
Caveirac]  Lettre  d'un  Visigoth  [i.e. 
J.  Novi  de  Caveirac],  a  M.  Freron,  sur 
sa  dispute  harmonique  avec  M.  Rousseau. 
Septimaniopolis,  1754.     8". 

1103.  b.  22.  (2.) 


VISITANDINES.  A  moins  que  dans  ce 
monastere.  Vaudeville  des  Visitandines 
[by  F.  Devienne].  Avec  Accompag'  de 
Clavecin  par  le  Citoyen  Dreux.  Chez 

Frere  :  Paris,  [1795  ?]    fol.  G.  557.  (12.) 

Gard6s    le    plus     profond     silence. 

Vaudeville  du  3°  Acts  des  Visitandines 
[by  F.  Devienne],  Avec  Accomp'  de 
Guittare.  Chez  Imhault : 

Paris,  [1793?]     8°.  B.  362.  (84.) 

See  CiTOYENS.     Citoyens  malgr6  les 

intrigues  des  fanatiques . . .  Air  du  Vaude- 
ville des  Visitandines  [by  F.  Devienne.] 
[1793?]     8».  B.  362.  (86.) 

See  Va.     Va,  va  mon  pere,  je  te  jure 

. . .  Air  du  Vaudeville  des  Visitandines  [by 
F.  Devienne].  [1795?]  8°.  B.  362.  (85.) 
Enfant  cheri  des  dames.  Rondeau  des 
Visitandines  [by  F.  Devienne].  Avec 
Accomp'  de  Guittare.  Chez  Imhault : 

Paris,  [1793  ?]     8°,  B.  362.    (81.) 

Un  Jour   de   cet    automne.      Bonde  des 
Visita7idincs  [by  F.  Devienne]. 
Chez  Imbaiilt :  Paris,  [1793  ?]     8°. 

B.  362.  (87.) 
Les  Visitandines.     Com^die. 
See  Devienne  (F.) 

VISITE.  La  Visite  du  Jour  de  I'An. 
Vaudeville.     See  Chauvigny  (       de) 

VITALI  (PiLipPo)  L'  Aretusa.  Favola 
in  Musica  rappresentata  in  Roma  in  Casa 
di  Monsignor  Corsini,  etc. 

Appresso  Luca  Antonio  Soldi  : 
Roma,  1620.     fol.  K.  8.  g.  18. 

Concerto  di  F.  Vitali.     ]\Iadrigali  et  altri 
generi  di  Canti  a  1.  2.  3.  4.  5.  &  6.  Voci. . . 
Libro  prime.    Canto.     (Quinto.)     2  pts. 
Stcmipa  del  Gardano.    Appresso  Barlholo- 
meo  Magni  :  Venetia,  1629.    4".     D.  214. 

VITALI  (Giovanni  Battista)  Balletti, 
Correnti,  Gighe,  Allemande,  e  Sarabande 
a  Violino,  e  Violone,  6  Spinetta  con  il 
Secondo  Violino  a  beneplacito  . . .  Opera 
Quarta.  Di  nuouo  Ristampata  con  nuoua 
aggiuntajC/c.  Violino  Primo.  Per  Giacomo 
Monti :  Bologna,  1673.     4°.  d.  5.  a. 

Balletti,  Correnti  aUa  Francese,  Gagliarde, 
e  Brando  per  ballare.  Balletti,  Correnti, 
e  Sinfonie  da  Camera  a  quattro  Stromenti 
. . .  Opera  Terza.  Spinetta,  6  Violone. 
Per  G.  Monti :  Bologna,  1674.  4°.  d.  5.  e. 
Balli  in  stile  Francese  a  cinque  Stro- 
menti, consecrati  alia  Sacra  Real  Maesta 
di  jMaria  Beatrice  d'  Este  Stuarda,  Regina 
della  Gran  Bretagna. .  .Opera  Duodecima. 
Alto  Viola.  Per  Antonio  Vitaliani  : 

Modona,  1685.     4°.  d.  5.  b. 

Sonate  a  due,  tre,  quattro,  e  cinque 
Stromenti  .  .  .  Opera  Quinta.  Violino 
Primo  (Secondo).  (Alto  Viola.)  (Violone.) 
4  pts.  Per  Giacomo  Monti  : 

Bologna,  1677.     4°.  d.  5. 


VITALI— VIVALDI 


635 


VITALI  (Giovanni  Battista)  Varie 
Sonate  alia  Francese,  &  all'  Itagliana  a 
sei  Stromeuti . . .  Opera  Undecima.  Spin- 
etta,  5  Violone.  Per  Gio.  Gasparo  Ferri  : 
Modona,  1684.     4°.  d.  5.  d. 

VITALI  (ToMASO  Antonio)  Sonate  a 
Tre,  Doi  Violini,  e  Violoncello,  col  Basso 
per  r  Organo,  etc.    Violoncello.  Pei- 

Antonio  Eicci :  Modona,  1693.     4".     d.  7. 

VITALIUS  (Johannes  Jacobus) 

See  SiMLER   (J.    W.)     Philomela  .  .  .  cun 
r  adjuncta  da  plus  novas  Chanzuns,  pro- 
movii  a  la  Stampa  dala  iii.  Editiun  Tras 
Johannem  Jacobum  Vitalium,  etc. 
1751.     12°.  1220.  b.  4. 

"VTTO  (  )     Stabat  Mater. .  .consisting 

of  Airs,  Choruses,  &c.  [For  Three  Voices. 
Short  Score.]     [Lotidon,  1783  ?]     fol. 

H.  1026. 

VITTOEIA  (Tojias  Luiz  de) 
See  Victoria. 

VITTOmi  (LoRETo)  Arie  a  Voce  Sola, 
etc.  Apprcaso  Alessandro  Vincenti  : 

Venetia,  1649.     fol.  K.  8.  h.  24. 

La  Galatea.  Dramma  del  Cav^  Loreto 
Vittori. .  .Dal  medesimo  posta  in  Musica, 
etc.  Per  Vincenzo  Bianchi  : 

Roma,  1639.     fol.  K,  8.  g.  11. 

The  title-page  is  engraved. 

VITUS  (EusEBius)  Zwey  Gesang,  deren 
das  Erste,  O  Dolor  &c,  vor  gehaltener 
Fiirstlicher  Leichpredigt,  das  Ander,  Scio 
enim  &c,  nach  volleudung  derselbigen  in 
der  Schlosskirchen  zu  S.  INIichael  gesungen 
■worden,  etc.  Paul  Ledertz  : 

Strasshurg,  1627.     4».  C.  271.  a. 

Threnodise,  welche  bey  hochansenlicher 
Leichbegiingnuss  weyland  der . . .  Fiirstin 
. .  .Frawen  Barbara,  Margriivin  zu  Baden 
. . .  zu  Pfortzheim  in  der  Schlosskirchen 
zu  S.  Michael  gesungen  worden,  etc. 
Paul  Ledertz  :  Strassbtirg,  1621.    4°. 

C.  271. 
VITZTHUMB  (Ignaz)  Premier(-Cinqui- 
eme)  Recueil  d'Ariettes  d'Op^ra,  arrangees 
par  M"'  Vitzthumb  avec  Premier  &  Second 
Violon  &  la  Basse  Continue  sous  le  Chant. 
5  Bks.  Chez  il/"  Van-Ypen  &  Pris  : 

Brtixclles,  [1775-1780.]     fol.       H.  2000. 
The  title  of  Recueil  iv  and  r  is  :  '  Quat- 
rieme     [Cinquie7ne)     Recueil    de    36 
Ariettes    d' Opera    par     annie    avec 
Premier   Second  Violon  et   la  Basse 
continue  sous  le  Chant,'  and  the  en- 
gravers are  Van  Ypen  and  Meddler. 
The  names  of  the  operas  are  given  hut 
only  three  composers  are  named,  viz. : 
Gluc[lc],  Vitzthumb  and  Colla. 
Sinfonia  a   Piu   Stromenti   Obligati,  etc. 
[Orchestral  Parts.] 

Au  Bureau  d'Ahonnement  Musical: 
Paris,  [1770  ?]     fol.  g.  474.  (34.) 


VIUGLIART  (Adriako)     ,See  Willaert. 

VIVA.     Viva  Bacco.     Trio. 
See  Benelli  (A.  P.) 
Viva  le  belle  Giovani.     Song. 
See  Ferrari  (G.  G.)     [Li  Due  Svizzeri.] 
Viva  tutti  le  vezzose.     The  Favorite  Ter- 
zetto. .  .adapted  to  English  Words  [begin  : 
"Here's  a   Health  to  all  good  Lasses"], 
and  Sung. .  .in  the  Entertainment  of  the 
Deserter,  etc.        Longman  and  Broderip  : 
London,  [1788.]     fol.  G.  352.  (54.) 

According   to  Michael   Kelly  {Reminis- 
cences,    11. ,    202)     this     trio    is     by 
F.  Giardini,  but  it  is  also  attributed 
to  Guglielmi. 
Viva   tutti  le  Vezzose.     A  Favorite   Ter- 
zetto. Printed  for  R.  Birchall : 
[London,  1190  •>}    fol.  G.  424.  (11.) 

VIVALDI    (Antonio)      II   Cimento   dell' 
Armenia  e  dell'  Inventione.     Concerti  a 
4   6   5  .  .  .  Opera   Ottava.      Libro   Primo 
(Secondo).     [Separate  Parts.] 
M.  C.  Le  Cene:  Amsterdam,  [1730  ?1    fol. 

g.  33.  c. 

La  Cetra.   Concerti. .  .Opera  Nona.   Libro 
Primo  (Secondo).     [Separate  Parts.] 
M.  C.  Le  Cene :  Amsterdam,  [1730  ?]     fol. 

g.  33.  e.  (1.) 

Two  Celebrated  Concertos  the  one  Com- 
monly called  the  Cuckow  and  the  other 
Extravaganza.     [Separate  Parts.] 

Printed  f 01- 1.  Walsh  and  I.  Hare  : 
London,  [1720  ?]     fol.  h.  43.  a. 

VI.  Concerti  a  Cinque  Stromenti,  tre 
Violini,  Alto  Viola  e  Basso  Continue... 
Opera  Sesta.     [Separate  Parts.] 

Chez  Jeanne  Roger : 
Amsterdam,  [1725  ?]  fol.  g.  33.  d.  (1.) 
Concerti  a  Cinque  Stromenti,  tre  Violini, 
Alto  Viola  e  Basso  Continuo  .  .  .  Opera 
Settima.  Libro  Primo  (Secondo)  etc. 
[Separate  Parts.]  Chez  Jeanne  Roger  : 

Amsterdam,  [1725  ?]  fol.  g.  33.  d.  (2.) 
VI.  Concerti  a  Flauto  Traverse  Violino 
primo  e  Secondo  Alto  Viola  Organo  e 
Violoncello ...  Opera  Decima.  [Separate 
Parts.]  M.  C.  Le  Cene  : 

Amsterdam,  [1730  ?]  fol.  g.  33.  e.  (2.) 
Sei  Concerti  a  Violiuo  Principale,  Violino 
Primo  e  Secondo  Alto  Viola,  Organo  e 
A^ioloncello . .  .Opera Undecima.  [Separate 
Parts.]  M.  C.  Le  Cene: 

Amsterdavi,\lim'>}  fol.  g.  33.  e.  (3.) 
Sei  Concerti  a  Violino  Principale,  Violino 
Primo  e  Secondo  Alto  Viola,  Organo  e 
Violoncello . . .  Opera  Duodecima.  [Separ- 
ate Parts.]  M.  C.  Le  Cene  : 
Amsterdam,  [1730  ?]  fol.  g.  33.  e.  (4.) 
L'  Estro  Armonico.  Concerti  .  .  .  Opera 
Terza.  Libro  Primo  (Secondo).  [Separate 
Parts.]  E.  Roger : 
Amsterdajn,  [1110  7]     fol.  g.  33. 


636 


VIVALDI— VOCAL 


VIVALDI  (Antonio)  [L'  Estro  Ar- 
luonico.]  Vivaldi's  most  Celebrated 
Concertos  in  all  their  parts  for  Violins 
and  other  Instruments  with  a  Thorough 
Bass  for  the  Harpsicord. .  .Opera  Terza. 
[Separate  Parts.]  Printed  for  I.  Walsh 
and  I.  Hare  :  London,  [1730  ?]     fol. 

h.  43. 
L'  Estro  Armonico.  Concerti  .  .  .  Opera 
Terza.  Grave  par  L.  Hue.  [Separate 
Parts.]  Chez  M--  Ic  Clerc  Ic  cadet,  etc. : 
Paris,  [1750  ?]     fol.  g.  33.  g. 

[L'  Estro  Armonico.  Op.  3.  No.  5.] 
See  Agrell  (J.  J.)  A  Collection  of  Easy 
Genteel  Lessons. .  .Book  11.  To  which  is 
added  Vivaldi's. .  .5th  Concerto,  Set  for 
the  Harpsicord.    [1768  ?]   obi.  fol.  e.  4.  a. 

Suonate  da  Camera  a  Tre,  Due  Violini  e 
Violone  o  Cembalo  .  .  .  Opera  Prima. 
[Separate  Parts.]  Chez  E.  Boger  : 

Amsterdam,  [1715  ?]     fol.  g.  33.  b. 

Senate  a  Violino  e  Basso  per  il  Cembalo 
. .  .Opera  Seconda.  E.  Roger  : 

Amsterdam,  [1710?]     fol.  g,  33.  f. 

XII.  Solos  for  a  Violin  with  a  Thorough 
Bass  for  the  Harpsicord  or  Bass  Violin. . . 
Opera  2-^*.  Printed  for  I.  Walsh  &  I.  Hare  : 
London,  [1720  ?]     fol.  g,  33.  h. 

VI.  Sonate.  Quatro  a  Violino  Solo  e  Basso 
&  Due  a  due  Violini  &  Basso  Continuo. . . 
Opera  Quinta,  0  vero  Parte  Seconda  del 
Opera  Seconda.  Chez  Jeanne  Roger  : 

Amsterdam,  [1720?]     fol.    h.  219.  e.  (7.) 

La  Stravaganza.  Concerti  .  .  .  Opera 
Quarta.  Vivaldi's  Extravaganzas  in  Six 
Parts  for  Violins  and  other  Instruments, 
etc.     [Separate  Parts.]  Printed  for 

I.  Walsh  and  losevh  Hare:  London, 
[1730?]    fol.  g.  33.  a. 

See  BiTTi  (M.)  Concerts  a  5,  6  &  7 
Instrumens . . .  ;  Composez  par  Messieurs 
Bitli,  Vivaldi  &  Torelli,  etc.     [1715  ?]     fol. 

g.  917. 
See   Concerti.     Concerti  a  Cinque ...  del 
. .  .Siguori  G.  Valentini,  A.  Vivaldi,  etc. 
[1730?]     fol.  g.  35. 

See  Harmonia  Mundi.  Harmouia  Mundi. 
The  2*  collection.  Being  VI  Concertos . . . 
Collected  out  of  the  choicest  Works  of . . . 
Vivaldi,  etc.     [1727  ?]     fol.         g.  419.  a. 

VIVE.     Vive  Alina  sol  per  te.     Duetto. 
S'eeEAUzziNi(V.)  [LaReginadi  Golconda.] 

Vive  Henri  Quatre.     Vaudeville. 
See  Henri  Quatre. 

Vive  I'amour  et  la  folic.     Couplets. 
See  Blasius  (M.  P.) 

Vive  le  naturalisme.     [Song.] 
See  DocTEURS  Modernes. 

Vive  le  vin  !     Air.     See.  Deserteue. 


VIVE.  Vive  les  Pillettes.  Chansonnette. 
Chez  Bignon  :  \_Paris,  1785  ?]     8°. 

B.  362.  a.  (116.) 
Vive  les  nuits  6toil6es.  Les  SoirSes  du 
Palais  Royal.  [Song.]  Sur  I'air  ['  Coeurs 
sensibles ']  du  Mariage  de  Figaro.  Avec 
Accomp'  cle  guitarre  par  ]M.  Alberti. 
Chez  M.  Camand  :  Paris,  [1785  ?]     8°. 

B.  362.  g.  (69.) 
[Another  edition.]     Vive  les  units  etoile^s. 
Les  Soin'cs  chi  Palais  Royal.    [Song.]   Sur 
I'air  du  Mariage  de  Figaro,  etc. 
Chez  M.  Camand  :  Paris,  [1785  ?]     8". 

B.  362.  (203.) 
Vive  un  amant.     Vaudeville.  [Paris,] 

1727.     s.  sh.  40.  297.  a.  (26.) 

Mcrcure  de  France,  Ajyril,  1727. 

VIVENT.  Vivent  les  noces  pour  danser. 
Ronde.     See  Pretendus. 

VIVI.     Vivi  0  cara.    [Song.]     See  Idaspe. 

VIVOWS.   Vivons  6  ma  Julie.   Les  Baisers 
de  Julie.     [Song.]     Air :  II  pleut,  il  pleut 
Bergere.     [By  L.  V.  Simon.] 
Ches  Camand  :  [Paris,  1790  ?]     8". 

B.  362.  e.  (107.) 
[Another  copy.]  B.  362.  (129.) 

VIVRE.  Vivre  sans  amour,  c'est  hater  la 
viellesse.    [Song.]    See  Gresset  (J.  B.  L.) 

VO.     Vo  solcando.     Song. 
See  Vinci  (L.)     [Artaserse.'] 

VOCAL.     The  Vocal  Grove.     Songs. 
See  Arne  (T.  A.) 
The  Vocal  Grove.     [Song.] 
See  Young  (C.) 

VOCAL  E]SrCHA]S"TIlESS.     The  Vocal 

Enchantress,  presenting  an  Elegant  Selec- 
tion of  the  Most  Favourite  Hunting,  Sea, 
Love  &  IMiscellaneous  Songs . . .  With  the 
Music  prefixed  to  each.     ms.  additions. 

Printed  for  J.  Fielding  :  London, 
[1783.]     12°.  A.  434. 

VOCAL  HARMONIST'S  MAGA- 
ZINE. The  Vocal  Harmonist's  Maga- 
zine.    See  Bremner  (R.) 

VOCAL  MAGAZINE.  The  Vocal 
Magazine.  Containing  a  Selection  of . . . 
English,  Scots,  and  Irish  Songs,  Antient 
and  Modern  :  adapted  for  the  Harpsichord 

or  Violin.     2  vols.  C.  Steivart  d;  Co.  : 

Edinhxtrgh,  1799.     Q\  D.  384. 

The  composers  named  in  this  collection 
are :  W.  Jackson,  Hook,  Pleyel,  S. 
Clarke,  Arnold,  Smith,  Haydn,  Byrd, 
Stevens,  Muschet,  Linlcy,  Fisher, 
Shield,  Arne,  Webbe,  P.  Humphrey, 
Travcrs,  Reinhardt,  Schulz,  Giardini, 
Weldon,  Handel,  N.  Goto,  Giordani, 
Alcock,  Purcell,  Osivald,  Hoivard, 
Geminiani,  Green,  Lord  Kelly  and 
Carey. 


VOCAL— VOGLER 


637 


VOCAL  MUSIC.  Vocal  Music,  or  the 
Songsters  Companion,  containing  a  new 
. . .  Collection  of  . .  .  Songs,  Cantatas  &c. 
with  the  music  prefixt  to  each,  etc.  2  vols. 
Printed  for  Robert  Horsfall :  [London, 
1V70?-1771?]     12°.  A.  889. 

The     title-pages     are    engraved.       The 
following  composers  are  named  :  Lock- 
hart,  Dr.   Arne,    Snow   Jun.,   Boyce, 
Worgan,    W.    Yates,    Howard,   Bride, 
I.  A.  M.  B.  [J.  Alcock  3Ius.  Bac.  ?], 
Dibdin,  G.  Kirshaiv,  Weldon,  Jackson 
of  Exeter,   Baildon,   Harulel,  Gh-een, 
Giardini,    W.   Sniethergell,   Long,   J. 
Gerard,    Carey,  W.  Dudley,  Diqmis, 
Tr avers,  Lampe,  W.  Goodivin,  Hay- 
den,  H.  Purccll  and  B.  Taylor. 
Vocal  Music  :  or  the  Songster's  Companion 
...Adapted  to   the   Violin  and  German- 
Flute ...  Volume  the   First.     The  Second 
Edition  improved.        Baker  and  Galabin, 
for  Robert  Horsfield  :  London,  1772.     Il\ 

A.  889.  a. 
Vocal  Music :  or  the  Songster's  Com- 
panion, etc. 

Baker  and  Galabin,  for  Robert  Horsfield  : 

London,  1775.     12°.  A.  889.  b. 

A  different  collection  from  the  volumes 

published   under  this  title  in  [1770? 

1771?]  and  1112. 

Vocal  Music,  or  the  Songster's  Companion, 

being   a   complete    Collection    of    Songs, 

Cantatas,  &c.  .  .  .  Selected  from  the  first 

and  second  Volumes  of  a  favorite  Work 

formerly  Published  under  that  Title;  to 

which  is  now   added   a   varietj'  of   other 

New  &  choice  Songs,  etc. 

Printed  for  J.  Beio:  [Lonrfon,  1778  ?]    12°. 

A.  889.  e. 
VOELCKEL  (Samuel)  Newe  teutsche 
weltliche  Gesangleiu,  mit  vier  vud  fiinff 
Stimmeu,  auff  Galliarden,  Tautz,  vnnd 
Musicalische  art ;  benebenst  Cuorrauten 
vnd  Galliarden  ohne  Text. .  .componirt, 
etc.     Basis. 

In  verlegung  Georg  Leopold  Fuhrmanns  : 
Nilrnbcrg,  1613.     4°.  B.  143. 

VOGEL  (  )  Signor.  Six  Senates  or 
Duets  for  Two  German  Flutes  or  Two 
Violins.     Compos'd  by  Sig''  Vogel. 

Printed  for  Thompson  <&  Sons  : 
London,  [1163?]     fol.  h.  17.  (4.) 

VOGEL  (JoHAinsf  Christoph)  Demophoon. 
Opera  Lyrique  en  trois  Actes . . .  Paroles  de 
M.  Deriaux . . .  Grave  par  Eichomme.  [Full 
Score.]  Chez  le  S''  Sieber: 

Paris,  [1789.]     fol.  H.  520.  a. 

Six  Duos  pour  Deux  Flutes. .  .CEuvre  2°. 
[Separate  Parts.]  Chez  le  S'  Sieber : 

Paris,  [1785  ?]     fol.  g.  280.  h.  (8.) 

La  Toison  d'Or.  Tragedie  Lyrique  en 
Trois  Actes,  etc.  [Words  by  Desriaux. 
Full  Score.]  Chez  iP  Michaud  : 

Paris,  [1786.]     fol.  H.  520. 


VOGEL  (.ToHANN  Christoph)     [La  Toison 
d'Or.]      Ouverture  .  .  .  Arrang6e    pour  le 
Clavecin  ou   le  Forte-Piano   avec  Violon 
ad  Libitum.     Par  F.  Mezger. 
Chez  M'-  Boyer  :  Paris,  [1786  ?]     fol. 

g.  81.  (13.) 
Wanting  the  Violin  part. 

VOGEL  (Louis)  Three  Duetts,  for  Two 
Flutes. .  .Op.  85.     [Separate  Parts.] 

Printed  for  Corri  Dussek  &  Co. : 
London  (&  Edinburgh,  [1197?]    fol. 

g.  225.  (13.) 
Jenny's  Bawbee,  with  Variations  .  .  . 
Adapted  for  the  Piano  Forte. 

Printed  for  W.  Whytc  : 
Edinburgh,  [1800  ?]     fol.     "  g.  139.  (45.) 

See  Krasinsky  (     )  pseud,  and  Vogel  (L.) 
Six  Duo  concertants,  etc.     [1785  ?]     fol. 

h.  1608.  k.  (6.) 
See  Krasinsky  (  )  pseud,  and  Vogel  (L.) 
Six  Duetts,  etc.     [1800  ?]     fol. 

g.  421.  p.  (1.) 

VOGELFAENGER.  Der  Vogelfauger 
bin  ich.  [Song.]  See  Mozart  (W.  A.) 
[Die  Zauberflote.] 

VOGELSANG  (Joannes)  Musicae  Rudi- 
menta . . .  tarn  fideliter  qua  compendiose 
congesta.  Per  Vale7iti7iwn  Otthmar  : 

Auguste  Vindelicoriim,  (1542.)     8". 

xL.  3.  1.  11* 

VOGLER  (Georg)  Catechismus  in  ausser- 
lesenen  Exempeln,  kurtzen  Fragen, 
schonen  Gesaugern,  Reymen  vnd  Reyen 
fiir  Kirchen  vnd  Schiilen  von  newem 
fleissig  aussgelegt,  etc. 

Bey  Johann  Volmari : 
Wurtzburg,  1625.     8°.  1350.  b.  40. 

Catechismus  in  ausserlesenen  Exempebi, 
kurtzen  Fragen,  schonen  Gesangern, 
Reymen  vnd  Reyen  fiir  Kirchen  vnd 
Schiilen  von  newem  fleissig  aussgelegt, 
etc.  Bey  Elias  Michael  Zinck  : 

Wurtzburg,  1652.     8°.  1354.  a.  3. 

VOGLER  (Georg  Joseph)  [Castor  und 
Pollux.]  Sinfonie  aus  der  Opera  :  Castor 
und  PoUux ...  in  Clavier- Auszug  gesetzt 
. . .  von  A.  Streicher.  I.  ill.  Gotz : 

Mannheim,  etc.     [1788.]     obi.  fol. 

g.  90.  d.  (1.) 
Abt  Vogler's  Choral-System.  In  der 

Haly'sclien  Musikhandlung.  Gedruckt  bei 
N.  Christensen  :  Kopenhagen,  1800.     8°. 

7897.  b.  51.  (2.) 
Imperfect,  wanting  the  examples  in  4°. 

Concerto  pour  Clavecin  ou  Forte  Piano 
avec  Accompagnement  de  Deux  Violons, 
Alto  et  Basse,  Deux  Obo6,  Deux  Cors,  etc. 
Chez  le  S''  Sieber  :  Paris,  [1783  ?]     fol. 

g.  90.  c. 
The  Harpsichord  part  only. 


638 


YOGLER 


VOGLER  (Georg  Joseph)  Deutsche 
Kirchenmusik,  welche  . . .  vom  . . .  Herru 
Vogler,  zu  4  Singstimmen  iind  Orgel 
dann  einer  ■willkiihrlichen  Begleitung 
von  Bogeu-  und  Blasinstrumenten  gesezt 
und. .  .iin  geistlichen  Concerte  zu  Heidel- 
berg . . .  den  ISten  Christmonat  1778. . . 
aufgef iihrt  worden.      [Maim,  1780  ?]     fol. 

H.  3311.  a.  (1.) 
Eintheilung  der  Saite  F  auf  dem  Vogler- 
ischen  Tomnase.  [Mannhcivi, 

1780  ?]     s.  sh.  fol.  g.  90,  a.  (2.) 

Le  Forgeron  Villageois. 
See  infra  :  \_Jaeger-Ballet.'\ 

Gruende  der  Kuhrpfalzischeu  Tonschule 
in  Beyspielen  als  Vorbereitung  zur  Mann- 
heimer  Monatschrift  und  zu  den  Heraus- 
gaben  des  offentlichen  Tonlehrers  Abt 
Vogler.     [Mannheim,  1778.]     fol. 

g.  90.  a.  (5.) 
Clavierauszug  aus  Hermann  von  Unna, 
einem  Schauspiel  in  5  Acten  mit  Choren 
und  Tanzen . . .  welches  am  Geburtsf este 
S.  M.  des  Konigs  von  Dauemark. .  .zu 
Kopenhagen  aufgefiihrt  wurde. 

<S'.  Sonnichsen  :  Kopenhagen, 
[1800.]    oU.  fol.  E.  1297.  a. 

[Jaeger-Ballet.]  Le  Forgeron  Villageois. 
Ballet  Pantomime.  Compos6  pour  la 
Cour  Electorale  et  Arrange  pour  le  Harp 
[sic],  OU  Clavecin. .  .Opera  5. 

John  and  Gerard  Vogler  : 
London,  [1775  ?]     fol.         h.  16.  a.  (12.) 
Probably  the  same  as  '  Le  Rendez-vous 
de  Chasse ,' produced  at  Mannheim  in 
1772. 
Jaeger-Ballet.     [P.  F.  and  Violin.] 
[B.  Schott :  Mainz,  1780.]     fol. 

g.  90.  a.  (3.) 
Part  of  tlie  Wi  Lieferung  of  the  3rd  year 
of  the  '  Mannheimer  Manatschrifi,  re- 
printed with  a  new  title. 

[La  Kermesse.]  On  ne  fait  aucune  alliance. 
Air,  de  la  Kermesse  ou  la  foire  Flamande. 
[Words  by  Patrat,  music  by  G.  J.  Vogler.] 
[1783.]     8°.     See  Kermesse. 

B.  362.  g.  (99.) 

Kuhrpfalzische  Tonschule.     8  pts. 

Bei  Hcrrn  G.  F.  Sclnoan,  etc.  : 

Mannheim,  [1778.]     8°.  7895.  a.  50. 

Pcbrt  II.  consists  of  '  G.  J.  Vogler' s. . . 
Tonwissenschaft  und  Tonsezkunst,' 
dated  1776.  Part  III.  is  '  Nuzbarkeit 
des  Tonmases,'  without  a  separate 
title-page.  Wanting  the  folio  musical 
examples. 

[Another  copy.]  7897.  a.  56. 

Wanting  the  musical  examples.  This 
copy  has  an  additional  title-page,  en- 
graved :  "  Vogler' s  Tonschule,  Ton- 
wissenschaft und  Tonsezkunst.  Nebst 
Beyspielen.  Offenbach  a/M,  bey  Joh. 
Andr4." 


VOGLER  (Georg  Joseph)  [Mannheimer 
Monatschrift  . . .  Edited  and  published  by 
Abt  Vogler.  3  Vols.,  each  in  12  monthly 
parts.]  1778-1781.  fol.  See  PERiODiCAn 
Publications. — Mannheim.  H.  3311.  c. 

Notturno  en  Quatuor  pour  le  Piano  Forte, 
un  Violon,  la  Quinte  et  Violoncelle. .  .La 
seconde  Edition,  eurichie  des  agr6ments 
et  des  chaugements  pour  les  Reprises. 
[Separate  Parts.]  Chis  Bossier : 

Darmstadt,  [1796.]   obi.  fol.     e.  1230.  (4.) 

Pieces  de  Clavecin  faciles,  doigt^es,  avec 
des  Variations  d'une  difficult^  graduelle, 
. . .  Dedi^es  a  Sa  Majesty  le  Roi  Gustave  IV 
Adolphe,  etc. 

De  VImprimerie  de  Musique. .  .du  Boi : 
Stockholm,  [1795.]    obi.  4°.     b.  400.  (12.) 
Wanting  pp.  21-24. 

112  Petits  Preludes  pour  I'Orgue  ou  le 
Clavecin.  [Op.  9.]  Chez  Bernard  Schott : 
Maience,  [1776.]     fol.  g.  90.  b. 

Psalmum  Miserere  decantandum  a  quatuor 
vocibus  cum  Organo  &  Basis. .  .Pio  VI.. . . 
D.  D.  C.  Compositor,  etc.  Bossier  : 

Spirae,  [1785?}    fol.       H.  3311.  b.  (2.) 

Schmied-BaUet.     [P.  F.  and  Violin.] 
[B.  Schott :  Mainz,  1780.]     fol. 

g.  90.  a.  (4.) 

Part  of  tlie  itJi  Licfenmg  of  the  3rd 

year  of  the  Mannheimer  Monatschrift, 

reprinted,  witJi  a  new  title. 

Sei  Senate  facile  di  Cembalo  col'  Accom- 

pagnamento  d'  un  Violino  a  piacere,  etc. 

[Op.  III.]    [Ma7inhcim?  1179.]    fol.    g.  90. 

G.  J.  Vogler's. . .  Stimmbilduugskunst. 

Li  der  Kuhrfilrstlichcn  Uofbuchdruckerei : 

Mannheim,  1776.     12°.  7899.  a.  25. 

G.  J.  A^ogler's  . . .  Tonwissenschaft  und 
Tonsezkunst.  Gedruckt 

in  der  Kuhrfurstlichcn  Hofbuchdrzickerei  : 
Mannheim,  1776.     8°.  7896.  aa.  11. 

This  work  foi-ms  Part   II.  of  Vogler's 
'  Kuhrpfalzische  Tonschidc.' 
Trichordium.     [Cantata,  on  a  melody  by 
J.  J.  Rousseau.    Words  by  Prof.  Meissner. 
Full  Score.] 

Im  Verlage  der  . . .  chemischen  Druckerey  : 
Wien,  [1800?]     fol.  H.  3311.  b.  (1.) 

The  P.  F.  score  of  this  loork  bears  the 
folloiving    title :    "  Trichordium    und 
Trias  Harmonica,  oder  Lob  der  Har- 
monie  vom  Professor  Meissner,  nach 
J.    J.    Bousseau's    Melodic    zu^  drei 
Tonen    komponirt    vom    Abt    Vogler. 
Tres  faciunt  Collegium,  etc." 
Variations  sur  I'air  de  INIalborough  pour 
le  Piano  Forte  avec  un  Accompagnement 
de   2  Violons,  Alte,   Basse,    2   Fluttes,   2 
Fagottes  et  2  Cors  ad  libitum. 
CMs  Bossier:  Spire,  [1791.]     obi.  fol. 

g.  90.  d.  (2.) 
The  Pianoforte  part  only. 


VOGLER— VOLUNTARIES 


639 


ITOGLER  (Geoeg  Joseph) 

See  God  save  the  King.  Kontrapunkt- 
ische  Bearbeitung  des  Englischen  Volks- 
lieds  God  save  the  King.  [Corrections  by 
Abt  Yogler  of  J.  N.  Forkel's  2i  Variations 
on  the  National  Anthem.]     [1793  ?]     fol. 

g.  90.  a.  (1.) 
See  Knecht  (J.  H.)  Erklarung  einiger. . . 
Grundsatze  aus  der  Voglerschen  Theorie, 
etc.     1785.    4".  7897.  cc.  37. 

VOGLER  (Gerard)  The  Request.  A 
favourite  Song  for  the  Harp  or  Piano 
Forte.     The  Words  by  Mr.  Clarke. 

Printed  for  J.  and  G.  Yogler: 
London,  [1775?]  fol.  G-.  312.  (207.) 
The  Request,  a  favorite  Song;  with  an 
Accompaniment  for  a  Piano  Forte  or 
Harp.     J.Preston:  London,  \XIQ5'>^     fol. 

H.  2821.  (21.) 

VOGT  (^Mauritius)  Conclave  Thesauri 
Magnse  Artis  Musicse. 

Typis  Gcorgij  Labaun  : 
Vetero-Pragu;  1719.     fol.         7896.  g.  1. 

"VOL  Vol  amante  che  vedete. — Dearest 
Creature,  of  all  Nature. — Voi  Amante,  or 
Rondeau  [by  F.  Giardini].  [London, 

1760  ?]    s.  sh.  fol.  G.  307.  (168.) 

Voi  amante  che  vedete.     Rondeau. 
See  Giardini  (P.) 

Voi  sapete.    Rondo.     See  Avaro  Deluso. 
Voi  tornate  a  questo  seno.     [Song.] 
See  Paisiello  (G.)     [La  Locanda.'] 

VOICE.  The  Voice  of  Melody.  [Sacred 
Music]     See  East  (W.) 

VOICI.  Voici  done  le  s6jour  paisible. 
Romance. 

See  Sainte-Aldegonde  (      de)  Count. 
Voici  la  Foire  des  Amours.    Vaudeville. 
See  MouRET  (J.  J.)    [La  Foire  de  Besons.'] 
Voici  les  lieus  charmants.     Air. 
See  F.,  D.  L.  B.  L. 

Voici  venir  le  doux  printemps.   Romance. 
See  EsTELLE. 

VOIGT  (JoHANN  Carl)  See  Gespraech. 
Gesprach  von  der  Musik  . . .  Von  einem, 
der  von  Jugend  auf  Christlich  Unter- 
richtet,  und  Oefientlich  die  Wahrheit  an 
den  Tag  gegeben  [i.e.  J.  C.  Voigt]. 
1742.     4°.  7897.  g.  30. 

VOIGTLAENDER  (Gabriel)  Erster 
Theil  AUerhand  Oden  vnnd  Lieder,  welche 
aufi  allerley,  als  Italianische,  Frantzos- 
ische,  Englische,  vnd  anderer  Teutschen 
guten  Componisten,  INIelodien  vnd  Arien 
gerichtet . . .  bey  Clavi  Cimbaleu,  Lauten, 
Tiorben,  Pandorn,  Violen  di  Gamba 
gantz  bequemlich  zu  gebrauchen,  vnd 
zu  singen,  etc.  Gedruckt  auff  der  Konigl: 
Adelichen  Academy,  von  H.  Kritsen : 
Sohra,  1642.     fol.  G.  76. 


VOIGTLAENDER  (Gabriel)  Erster 
Theil,  AUerhand  Oden  vnd  Lieder,  welche 
auff  allerley,  als  Italianische,  Frantzos- 
ische,  Englische,  vnd  anderer  Teutschen 
. . .  Componisten  . . .  ]\Ielodien  vnd  Arien 
gerichtet,  etc.  Bey  Michael  Volcken  : 

Liibeck,  1650.     fol.  F.  437. 

VOILA.      Via    ma    cocarde,   j'prends    la 
tienne.    Vaudeville.     See  Au  Retours. 
Voila,  voila,  la  petite  laitiere.     [Song.] 
See  Les  Deux  Chasseurs. 

VOIS.  Vois  tu  ces  coteaux  se  noircir. 
Romance.     See  Laboede  (J.  B.  de) 

VOISENON  (Claude  Henri  FUSiiE 
DE)  Reponse  du  Coin  du  Roi  au  Coin  de 
la  Reine.  [By  C.  H.  Fusee  de  Voisenon], 
etc.     1753.     8°.     See  Reponse. 

1103.  b.  21.  (6.) 

VOISIN.  Le  Voisin  et  la  Voisine.  [Song.] 
See  Fermier.  Le  Fermier  de  notre  village, 
etc.    [1785?]    8".  B.  362.  e.  (85.) 

VOISIN  (         )     Coule  jus  pretieux.     Air, 
etc.     [Paris,']  1734.     s.  sh.  4".     297.  b.  3. 
Mercure  de  France,  April,  1734. 


VOLCANO.      The    Volcano, 
meut.     See  Moorehead  (J.) 


Entertain- 


VOLE.  Vole  a  ma  Soeur,  heureux  Bouquet. 
Bouguctdma  Sceur.  [Song.]  Air,  J'avois 
toujours  garde  mon  Coeur.  Paroles  et 
Accompague""  de  Guittare  du  Sieur 
Alberti.  CMs  Camand: 

[Paris,  1780  ?]     8\  B.  362.  g.  (59.) 

Vole  a  nos  voix  dans  ces  hois.     Ariette. 
See  Devin  du  Village. 
Vole,  Amour,  Dieu  vainqueur.     Air. 
See  BuTTiER  (        )  W". 
Vole,  Amour,  quitte  Cithere.     Air. 
[Paris,]  1739.     s.  sh.  4".  297.  b.  27. 

Mercure  de  France,  March,  1739. 
Vole,  vole,  heureux  PapiUon.  Air. 
[Paris,]  1724.     s.  sh.  i".  297.  a.  7. 

Mercure  de  France,  April,  1724. 

VOLOGESO.  The  Favourite  Songs  in 
the  Opera  call'd  Vologeso.  [A  Pasticcio. 
Short  Score.]     London,  [1760.]     fol. 

G.  206.  a.  (5.) 
The  composers  named  are :  Perez,  Cocchi 
ayid  Jomelli. 
[Another  edition.  The  Favourite  Songs 
in. .  .Vologeso.  Short  Score.] 
See  Delizie.  Le  Delizie  dell'  Opere,  etc. 
Vol.  IX.     [177G.]     fol.  G.  159. 

VOLUNTARIES.  Ten  Voluntarys  for 
the  Organ  or  Harpsichord. .  .by  Dr.  Green, 
Skinner,  Stubley,  James,  Reading  and 
Kuknan  [or  rather  Kiihnau]. 
Printed  for  C.  and  S.  Thompson:  London, 
[1770  ?]    ohl.  fol.  e.  108.  a.  (5.) 


640 


VOLUNTARIES— VOUS 


VOLUNTARIES.     A  CoUectiou   of 

Voluntaries,  for  the  Organ  or  Harpsicord. 

Composed  by  Dr.  Green,  Mr.   Travers  & 

Several  other  Eminent  Masters.     Book  I. 

(Twelve  Voluntaries  and  Eugues  for  the 

Organ    or    Harpsichord   with    Rules    for 

Tuning  by  .  .  .  Mr.  Handel.     Book   IV.) 

2  Bks.  Longman  Luhey 

(£■  Co.  {Longman  and  Broderip) :  London, 

[1777?-1780?]    obl.tol.  e.  1089. 

Book  II.   of    this    collection    contained 

voluntaries   by  Handel,  Greene,  dc.  ; 

Book  III.  by  Gibbons,  Blow,  Purcell, 

dx.      This  copy  of  Book  IV.  contains 

the    autograph  signatures  of   W.   H. 

Gray,    Eichard    Clark    and    Samuel 

Butler. 

VOLUNTEER.     The  Volunteer.     Song. 
See  Hook  (J.) 

Volunteer  Making.     [Song.] 
Sec  Reeve  (W.) 

VOLUNTEERS.  The  Volunteers'  Medly. 
[Song.]  See  Odd.  O'dd  Zooks  what  a 
sight,  etc.     [1781.]     fol. 

H.  1601.  a.  (108.) 

VON.  Von  Gottes  milder  Vatters-Hand. 
[Hymn.]     See  Kindermann  (J.  E.) 

VONTE.  Vonte  que  la  beauta  s'esconde. 
Air.     See  Proven§ale. 

VOPELIUS  (Gottfried)  New  Leipziger 
Gesangbuch  ...  In  welchem  nicht  allein 
des  sel.  Herrn  D.  Lutheri  .  .  .  Gesange, 
Lateinische  Hymni  und  Psalmen,  Slit  4. 
5.  bis  6.  Stimmen,  deren  Melodeyen  theils 
aus  J.  H.  Scheins  Cantional,  und  andern 
. . .  Autoribus  zusammen  getragen,  theils 
aber  selbst  componiret ;  Sondern  auch  die 
Passion  nach  den  heiligen  Evangelisten 
Matthfeo  und  Johanne  . . .  &c.  Choraliter, 
und  was  sonsten  bey  dem  ordentlichen 
Gottesdienste  gesungen  wird,  zu  finden. . . 
herausgegeben  von  Gottfried  Vopelio . . . 
Mit  einer  Vorrede  D.  Georgii  Moebii,  etc. 
InVerlegung  Christoph  Klingers...Druckfs 
Galbis  Niemanfii:  Leipzig,  W82.  8°.  C.  5. 
Tiie  composers  named  in  this  loork  are  : 

Bodenschatz,  Briegel,  C.  S.  Buchner, 

J.   a   Burck,  Crilger,    C.   Daimi,   M. 

Franck,   Gesius,   Hammer schmidt,   J. 

Handl,    S.    Knilpfer,    T.  Michael,  G. 

Peter,  M.  Praetorius,  Rosenmilller,  H. 

Scheidemanii,  H.   Schein,  J.  Schelle, 

J.  Schop,  H.   Schtltz,    Selneccer  and 

Vopelius. 

VOS.    Vos  Amans  sont  du  Village.    [Song.] 
See  Amours  de  Ghebubin. 
Vos  regards,  belle  Iris.     Air  Tendre. 
[Paris,']  1724.     s.  sh.  i".  297.  a.  10. 

Mercure  de  France,  Sexd.,  1724. 
Vos  yeux  du  tendre  Amour.  Air. 
Sec  Legat  de  Furcy  (A.) 


VOSS  (JoHANN  Heinrich)  Musenalmanacb 
. .  .herausgegeben  von  J.  H.  Voss,  etc. 
See  Periodica!:,    Publications. — Lauen- 
biirg.  p.p.  4739.  db. 

VOTO.     Voto  a  Diana.     Duett. 
See  Ferrari  (G.  G.) 

A 

VOTRE.      Votre    coeur    aimable    Aurore. 
Romance.     See  Titon  et  l'Aurore. 
Votre  cceur  aimable  Flore.     Cavatina. 
See  Viaggiatori  Felici. 
Votre  gaite  me  d^sespere.     Brunette. 
See  Lemairb  (L.) 
Votre  voix,  et  vos  yeux.     [Song.] 
See  MiON  (J.  J.  H.) 

VOULEZ.  Voulez-vous  etre  heureux. 
[Song.]  Paroles  prises  du  Roman  de 
Galat^e,  musique  du  tres-jeune  Amateur 
de  Dreux.    [Pairis,]  1784.   8°.   297.  g.  12. 

Mercure  de  France,  August,  1784,  p.  98. 
Voulez  vous  etre  heureux.     Rornance  de 
Galatie.      Paroles   [translated   from   Cer- 
vantes] de  Mr.  de  Florian.    Avec  Accomp' 
de  Guittare.  Chez  Imbault  : 

[Paris,  1785  ?]     8°.  B.  362.  e.  (44.) 

Voulez-vous  fixer  I'inconstance.    Chanson. 
Gravi  par  M'^  Labassde.     Imprimi  par 
Tournelle:  [Paris,]  1758.     s.  sh.  8". 

297.  d.  16. 

Mercure  de  France,  Dec,  1758. 

Voul6s  vous  savoir,  mes  amis.  Ulncon- 
stant.  [Song.]  Air :  Je  le  compare  avec 
Louis  [by  N.  Dezede].  Avec  Accompagne- 
ment  de  Guitare.     [Paris,  1780  ?J     8°. 

B.  362.  (75.) 
VOULONS.      Voulons     nous    dans     ces 
retraites.     [Song.]    Avec  Accompagnemcnt 
de  Guithare.     [Paris,]  1779.     8°. 

B.  362.  a.  (124.) 
[Another  copy.]  B.  362.  g.  (76.) 

VOUS.     Vous  aimables  fillettes.     Ronde. 
See  GossEC  (F.  J.)     [Le  Camp  de  Grand- 
Pri.] 

Vous  av6s  chants  la  jeunesse.  RijMnce 
de  ikf'»«  de  R..  d  M-'de  R. .  sur  le  Bonjoiur, 
et  Bon  Soir ;  Lors  de  son  Mariage.  Air, 
Bon  Soir  ma  jeune.  Mis  au  jour  par  M"" 
Penet.  Chez  M"<'  Girard  :  [Paris, 

1780?]    8°.  B.  362.  b.  (160.) 

Vous  avez  d'Heb6  la  fraicheur.  Portrait. 
Chanson.     [Paris,]  1751.     s.  sh.  4". 

298.  e.  3. 
Mercure  de  France,  March,  1751. 

Vous  avez  de  I'esprit.     Air  Nouveau. 
[Paris,]  1679.     s.  sh.  obi.  4°.     P.P.  4482. 
Nouveau  Mercure   Galant,    Oct.,   1679, 
p.  162. 

Vous  avez  eu  je  le  sais  bien.     Air. 
See  Confederation  du  Pabnasse. 
Vous  avez  grand  tort  Colinette.     [Song.] 
See  Vendangeurs. 


YOUS 


641 


VOUS.  Vous  avez  les  appas.  Conseils  a 
um  jeune  'persoyme.  Chanson.  {Faris^ 
1751.     s.  sh.  4^  298.  c.  2. 

Mercure  de  France,  Feb.,  1751. 
Vous    chantes    lorsque    tout    sommeille. 
[Song.]     Sec  Legat  de  Furcy  (A.) 
Vous  connoissez,  mes  amis.     [Song.] 
See  Geetry  (A.  E.  M.) 
Vous   craignez  de  me   rendre  hommage. 
Vaudeville.     See  Petii  OiIdipe. 
Vous  demandez  des  Vers.     Air  Nouvecm. 
[Paris,]  1679.     s.  sh.  obi.  i°.     P.P.  4482. 

Nouvcau  Mercure  Galant,  Oct.,  1679. 
Vous   demandez,  Iris,  pourquoy  je   vous 
evite  ?     Air.     Sec  Brossard  (S.  de) 
Vous,     dont     Tame    a    re9u     I'atteinte. 
Romance.     See  Malvaux  (     ) 
Vous  dont  I'ame  est  sensible.     U Innocence 
Eeconnue  ou  la  Verite  Triomphante.    Air, 
O!  ma  tendre  Musette.  Couplets  pour  Marie 
F.  V.  Salmon  . , .  qui  avoit  6te  condamn(§e 
a  etre  brulee  vif,  etc.  Chez  Camand  : 

Pam,  [1780?]     8°.  B.  362.  (152.) 

Vous  dont  la  vertu  guerriere.  Chanson 
Philoso  -  Patriotique,  avec  Accomp'  de 
Guittare.  Chez  Imbanlt :  Paris, 

[1792?]     8".  B.  362.  d.  (25.) 

[Another  copy.]  B.  362.  a.  (167.) 

Vous  enflammez,  et  pour  longtems. 
Chanson.  See  Martini  (G.)  il  Tedesco, 
pseud.     [Le  Droit  du  Seigneur.'] 

Vous  etes  ma  belle  amourette.     Trio. 
S<?e  N  . . .  ,  M. 

Vous     fuyez     sans    vouloir    m'entendre. 
Chanson.     See  Papavoine  (     )  il/'''"e. 
Vous    jouissez    d'une     beaute     supreme. 
Madrigal.     See  L.,  D. 

Vous    I'ordonnez.      [Words    from   Beau- 

marchais's   "  Barbier   de   Seville,"  music 

ascribed  to  Monsiguy.]    To  be  sung  either 

as  an  Air,  Duett  or  Trio.  Babb  : 

[London  ?  1800  ?]     fol.     G.  806.  r.  (26.) 

Vous  rordonne[z].     Air. 

See  Barbier  de  Seville. 

Vous  I'ordonnez.     Romance. 

See  Paisiello  (G.)  [II  Barbieredi  Siviglia. 

Saper  bramate.] 

Vous  m'allez  done  quitter.     Air  Serieux. 

[Paris,]  1725.     s.  sh.  4".  297.  a.  16. 

Mercure  de  France,  Sept.,  1725. 
Vous  m'avez  fait  un  tendre  ccetir.      Ro- 
mance. Gravd  par 
M"  Charpentii.     Imprimie  par  Tournelle  : 
[Paris,]  1760.     s.  sh.  8°.           297.  d.  23. 

Mercure  de  France,  April,  1760. 

Vous  m'  I'ave'z  pris  disait  Jeannette.     Le 
Bijou  pris  et  rendu.     [Song,  written]  Par 
M.  d'Harr^.     Air :   Du  Serin  qui  te  fait 
envie.     Avec  Accomp'  de  Basse. 
Chez  M'-  Houllier :  Paris,  [1785  ?]     8°. 

B.  362.  a.  (178.) 
[Another  copy.]  B.  362.  f.  (21.) 

vol.  II. 


VOUS.      Vous   m'ordonnez   de   la  bruler. 
Romance.     Avec  Accomp'  de  Guittare. 
Chez  hnbault :  Paris,  [1790  ?]     8". 

B.  362.  g.  (66.) 

Vous  me  ditte  qu'en  vain.  Air  Nouveau. 
[Paris,]  1725.     s.  sh.  4°.  297.  a.  13. 

Mercure  de  France,  March,  1725. 

Vous  me  grondez  d'un  ton  severe.     Air. 

See  S  *  *  *,  le  C[onte']  de. 

Vous  me  plaignez,  ma  tendre  amie.     Air. 
See  Soiree  Orageuse. 

Vous  me  quittez,  charmante  Ismene.  Air. 
See  Bouvaed  (F.) 

Vous  n'avez  pas  humble  fougere.     Air. 
See  Sanazin  (      ) 

Vous  par  qui  I'Amour  fait   des  lois.     Le 

Portrait  de  Catcsbi.     [Song.] 

[Paris,  1780  ?]     8".  B.  362.  b.  (27.) 

Vous  plairez-vous  toujours.     Air, 
See  Paulin  (      ) 

Vous  pr6tendez  en  vain.     Chanson. 
See  MoRizOT  (      ) 

Vous  qu'amour  brMe  de  ses  feux.     Ariette 
avec  accompagnement  de  guitbare. 
[Paris,  1780  ?]     8\  B.  362.  c.  (58.) 

Vous  qui  causez  mon  martyre.  Romance. 
See  CsN,  Ml. 

Vous  qui  croyez  qu'a  la  science.  Vaude- 
ville.    See  GuiLLON  (H.  C.) 

Vous  qui  d'amour  sentez  la  douce  flame 
[sic].  Romance  d'lsaie  le  Triste.  (Les 
paroles  sent  d'un  Homme  de  qualite... 
La  musique  est  d'une  jeune  Demoiselle, 
etc.)  [Paris,]  1776.  s.  sh.  8".  297.  f.  9. 
Mercure  de  France,  Oct.,  1776. 

Vous  qui  d'amoureuse  avanture.     Air. 
See  Renaud  d'Ast. 

Vous  qui  d'un  Dieu  rempli  de  charmes. 
Cephale  ct  Procris.  Romance,  [words] 
par  M">^  de  *  *  *.    [Paris,]  1752.    s.  sh.  4°. 

298.  c.  10. 
Mercure  de  France,  August,  1752. 

Vous  qui  d'un  tendre  amour.     Air. 
See  SiCARD  (J.) 

Vous  qui  de  r  amoureuse  y vresse .  Romance 
Nouvelle.     [Paris,  1180?]     8°. 

B.  362.  b.  (198.) 

Vous  qui del'amoureuseyvresse.  Air.  Avec 
Accompagnement  de  Guittare  par  M"'  *  *. 
[Paris,  1785  ?]     8°.  B.  362.  g.  (11.) 

Vous  qui  du  Vulguaire  stupide.  Vaude- 
ville d' £:i>icure.     [Paris,  1780?]     8". 

B.  362.  b.  (50.) 

[Another  copy.]  B.  362.  e.  (113.) 

Vous  qui  parcourez  le  monde.     Couplets. 
[Paris,]  1728.     s.  sh.  4°.  298.  a.  2. 

Mercure  de  France,  Dec,  1728. 

2  T 


642 


VOUS— VULPIUS 


VOUS.  Vous  qvii  pour  les  enflammer. 
La  Manie  des  Fcmnics.  [Song.]  Avec 
Accompagnement  de  Guitare. 
[Paris,  1785?]  8°.  B.  362.  b.  (176.) 
Vous  qui  savez  ce  qu'on  endure.  Bomance 
dit  Troubadour  Prisonnicr.  Romance. 
[Paris,  1790?]     8°.  B.  362.  g.  (63.) 

[Another  copy.]  B.  362.  a.  (104.) 

Vous  qui  versez  avec  courage.  Hijmne  du 
Qen  Person  aux  Braves  Blesses  en  defend- 
ant la  Patrie,  Chant6. .  .pendant  le  repas 
du  23  Ttiermidor . . .  Air :  Veillons  au  salut 
de  la  France.  [By  N.  Dalayrac] 
Chez  Imbault :  [Paris,  1795  ?]     8". 

B.  362.  d.  (45.) 

Vous  qui  voulez  fuir  la  tendresse.     Clian- 
sonnette.     See  Gieard-Raigne  (      ) 
VouS  rassembl^s  en  vous.     Air  tendre. 
[Paris,]  1726.     s.  sh.  4°.  297.  a.  21. 

Mcrcure  de  France,  May,  1726. 
Vous  remplir^s  votre  verre.     Chanson. 
See  Adberge  Isolee. 

Vous  ressemblez  a  la  Rose.     Ariette. 
See  Gluck  (0.  W.  von) 
Vous  savez  tons  que  I'gros  Thomas.  Ronde. 
See  Georges  et  Gros  Jean. 
Vous  seule  r^gnez  dans  mon  ame.     Air. 
See  BouvAED  (F.) 

Vous  troublez  les  humides  plaines.     Air. 
See  L.,  E.  M.  J.  D. 

Vous  voila  done,  aimable  capitaine.  Coup- 
lets. See  Albanese  (  ) 
Vous  vous  plaignez  de  mes  famous.  Chan- 
son Nouvelle.  Tournelle : 
[Paris,']  1756.  s.  sh.  8°.  297.  d.  1. 
Merctire  de  France,  June,  1756. 

Vous  voyez  la  patrie.     Air. 

See  Confederation  du  Paenasse. 

VOYAGES  DE  ROSINE.  A  mon  Exil 
metsdoncunterme.  [Song.]  Des  Voyages 
de  Rosine.  [Op(§ra-Comique,  words  by 
Piis  and  Barr6.]  Air,  Avec  les  jeux  dans 
le  Village.     [Paris,  1783?]     8°. 

B.  362.  (184.) 

Parmi  la  soixantaine.     Ariette  du  Voyage 
de  Bosine.    [Op6ra-Comique,  words  by  Piis 
and  Barr6.]    Air  de  Malbrouk  avec  accom- 
pagnement de  Guitare  par  casimir. 
Chez  M.  Camand  :  Paris,  [1783.]     8°. 

B.  362.  (209.) 

VOYAGEUR.     Un  voyageur  qui  court  le 
monde.     Vaudeville. 
[Paris,]  1727.     s.  sh.  4°.  297.  a.  26. 

Mercure  de  France,  March,  1727. 

VOYEZ.     Voyez  la  belle  besogne.     Air. 
See  Cheeubini  (M.  L.  C.  Z.  S.)  [Lodoiska.] 


VRAI.       Le    Vrai    Bonheur.      [Song.] 
See  Porter.     Porter  son  Nom,  etc. 
[1790?]     8\  B.  362.  e.  (12.) 

Lo  Vrai    Figaro.      [Song.]      See    Jadis. 
Jadis  on  voyoit  Thalie  gais,  etc. 
[1785  ?]     8".  B.  362.  (189.) 

VRAIS.     Les  vrais  plaisirs  habitent  sous 
la  treille.     Parodie.     See  Piccini  (N.) 

VREDEM AW" (Jakob)  SccChansons.  [5.] 
Liure  Septieme  des  Chansons  _  Vulgaires 
. .  .a  Quatre  Parties. .  .avons  adjouste  cer- 
taines  chansons,  comme  de...Maistre  I. 
Vredeman,  eic.  1608.  obi.  i".  A.  315.  b. 
See  Starter  (J.  J.)  Friesche  Lust-Hof 
. . .  Met  schoone  Ijopere  figueren  ver<?ierd ; 
ende  by  all  oubekende  Wysen,  de  Noten, 
ofte  Musycke  gevoeght,  door  M'  laques 
Vredeman,  etc.     1621.     obi.  4°. 

Case  34.  a.  18. 

VUILIjAERT  (Adrian)     See  Willaert. 

VULPIUS  (Melchior)  Canticum  Beatis- 
simas  Virginis  Marise,  Quatuor,  Quinque, 
Sex  et  Pluribus  A^ocibus,  juxta  Vulgares 
Tones,  etc.  Discantus.  (Altus.)  (Tenor.) 
(Bassus.)     (Quinta  (Sexta)  Vox.)     6  pts. 

Typis  Christophori  Lippoldi,  Impeyisis 
Heinrici  Birnstiel :  Genx,  1605.    4°. 

C.  99.  a. 
Erster  Theil  Deutscher  Sontiiglicher  Evau- 
gelischer  Sprilche,  vom  Advent  biss  auff 
Trinitatis,  . . .  mit  vier  Stimmen  gesetzt, 
etc.  Discantus.  (Altus.)  (Tenor.)  (Bassus.) 
4  pts.  Oedruckt  bey  Johann  Bohbock. . . 
In  Verlegung  Joliann  Birckners  :  Erffurdt, 
1619.     4°.  B.  144.  c. 

[Another  copy.     Tenor.]  B.  144.  e. 

Der  ander  Theil.  Deutscher  Sontagiicher 
Evangelischer  Spriiche,  von  Trinitatis  biss 
auf[  Advent. .  .mit  vier,etliche  weuige  mit 
mehren  Stimmeu  Componirt,  etc.  Tenor. 
Gedruckt  zu  Jehna,  bey  Johann  Weidnern, 
in  Verlegung  Johann  Birckners :  Erffurt, 
1617.     4».  B.  144.  f. 

Der  Ander  Theil  Deutscher  Sontagiicher 
Evangelischer  Spriiche,  von  Trinitatis 
biss  auff  Advent,  . . .  mit  vier,  etliche 
wenige  mit  mehren  Stimmen  Componirt, 
etc.  Discantus.  (Altus.)  (Tenor.)  (Bassus.) 
4  pts.  Bey  Philip 

Witteln,  in  Verlegung  Johann  Birckners : 
Erffurdt,  1622.     4°.  B.  144.  d. 

Ein  schon  geistlich  Gesangbuch  Darinnen 
Kirchen  Gesange  und  geistliche  Lieder, 
D.  Mart.  Lutheri  vnd  anderer  frommen 
Christen. .  .begriffen.  Mit  vier,  etliclie 
mit  fiinff  Stimen. .  .Contrapuncts  Weise 
gesetzt.  .  .zum  Andernmal  sehr  vermehrt, 
vnd  gebessert  in  Druck  verfertiget.  Mit 
einer  Vorrede  Doctoris  Antonii  Probi,  etc. 
Gedruckt  durch  Johan  Weidnern  : 
Jehna,  1609.     4°.  C.  99. 


VULPIUS-WAFT 


643 


VULPIUS  (Melchior)  Opusculum Novum 
Selectissimarum  Cautiouum  Sacrarum 
cum  Quatuor,  Quinque,  Sex,  Septem  & 
Octo  Vocibus  compositum,  etc.  Discantus. 
(Altus.)  (Tenor.)  (Bassus.)  (Quinta  (Septi- 
ma)  (Octava)  Vox.)  7  pts.  Per  Martinum 
Wittelium  excusum,  Impensis  Henrici 
Binistilii:  Erf urti,  1610.    4^     B.  144.  b. 

Pars  Prima.  Cantionum  Sacrarum  cum 
Sex,  Septem,  Octa,  et  pluribus  vocibus 
coucinnatarum,  etc.     Discantus.     (Altus.) 


(Bassus.)  (Quinta  (Sexta)  (Octava)  Vox.) 
6  pts.  Apiul  Salomonem  Bichtzenhain  : 
lenx,  1602.     4°.  B.  144. 

Pars  Secunda.  Selectissimarum  Can- 
tionum Sacrarum  cum  Sex,  septem,  octo 
&  pluribus  vocibus  concinnatarum,  etc. 
Discantus.  (Altus.)  (Bassus.)  (Quinta 
(Sexta)  (Octava)  Vox.)     G  pts. 

Excudcbat  Salomon  Bichtzenhain,  Im- 
pensis Henrici  Birnstiel :  lenx,  1603.     4°. 

B.  144.  a. 


W.  Sec  Baumgarten  (C.  G.  von)  Zemirc 
und  Azor . . .  Oper  . . .  Herausgegeben  von 
W[olf].     1775.     ohl.  fol.  C.  439. 

W.,  Le  B.  De.  Discours  Analytique  sur  la 
Coherence  Imperturbable  de  I'Unite  du 
Principe  des  Trois  Premieres  parties  In- 
tegrantes  de  la  Thdorie  Musicale. .  .Par  le 
B[aron]  de  \Y[iese].  Clicz  les  Frdres 

Walther :  Dresde,  1795.    4°.    556.  c.  17. 

W.,  Mr.  Hymen's  Holly-Day.  A  Wedding 
Ode.  [Song.]  The  Words  and  Musick  by 
Mr.  W.     [London,  1765  ?]     s.  sh.  fol. 

G.  316.  (152.) 

Hymen's  Holyday.  See  Nymphs.  Nymphs 
and  Shepherds,  etc.  [Words  and  music 
by  Mr.  W.]    [1772.]    s.  sh.  -1".    159.  n.  4. 

"W.,  E.  Auss  Gottes  Raht  vnd  Willen.  a  4. 
Voc.     Altus.     [Nilrnberg'?  1625?]     4». 

B.  75.  b.  (7.) 
The  Alto  part  of  a  hymn,   by  E.   W. 
[Erasmus    Widmann'>~\,  wanting  the 
title-page. 

W.,  J.  C.  G.     See  Wernich  (J.  C.  G.) 

W.,  T.  Come  smiling  Goddess.  Ode  on 
Liberty.  The  Words  and  Music  by  T.  W. 
[London,  1780?]    s.  sh.  fol.    G.  307.  (94.) 

[Another  copy.]  H.  1994.  a.  (190.) 

W.,  V.  Nancy  Gay.  [Song.]  [London, 
1760  ?]    s.  sh.  fol.  G.  316.  (153.) 

[For  editions  published  anony- 
mously :]  See  Of.  Of  aU  the  girls  I  ever 
saw,  etc. 

W.j  W.     The  Conjuror,  [Song,]  written  and 
adapted  to  Music  by  W.  W.  an  Amateur. 
[London,]  1795.     fol.  G.  356.  (28.) 

WACKER.      Wacker   fuhr   ein  Baur   zu 
Acker.      Helden-Prob,    oder    Ackcrmann- 
isches  Bdren-Bupfen  bey  Synss,  sogeschehen 
den  20.  Tag  Heivmonat,  Anno  1714. 
[Aarau?  1714?]    8".    11522.  df.  94.  (6.) 


"WAEIjIIANT  (Hubert)  Di  Huberto 
Waelrant  II  Primo  Libro  de  Madrigali 
&  Canzoni  Francezi  A  cinque  voci. — De 
Hubert  Waelrant  le  Primier  Liure  de 
Chansons  Fraucoyses  &  Italianes  a  cinq 
voix.  Tenor.  (Contra  Tenor.)  (Bassus.) 
3  pts.  Per  Hubert  Waelrant  d  loan  Latio  : 
Anuers,  1558.     obi.  4°.  A.  559. 

Symphonia  Angelica  di  Diuersi  ExceUen- 
tissimi  ]\Iusici  a  iiii.  v.  et  vi.  Voci, 
nuouamente  raccolta  per  Huberto  Wael- 
rant, etc.  Canto.  (Alto.)  (Tenore.)  (Basso.) 
(Quinto.)     (Sesto.)     6  pts.  Appresso 

Pietro  Phalesio  d  Giouanni  Bellero : 
Anuersa,  1594.     obi.  4°.  A.  559.  a. 

This  collection    contains  madrigals   by 
V.  Buffo,  G.  de  Wert,  M.  A.  Ingegneri, 

C.  Verdonch,  L.  Marenzio,  G.  Nasco, 

D.  Lauro,  A.  Dueto,  Gio.  de  Macgue, 
P.  Animuccia,  B.  Spontone,  H.  Wael- 
rant, G.  Ferretti,  L.  Bertani,  G. 
Pizonni,  G.  Conversi,  G.  M.  Nanino, 
G.  B.  Moscaglia,  Filippo  di  Mcmte, 
H.  Angelini,  Binaldo  del  Mel,  0. 
Vecchi,  P.  Nenna,  G.  G.  Gastoldi,  A. 
Gabrieli,  H.  Baccusi,  M.  Comis  and 
G.  B.  Lucatello. 

[Another  copy.     Alto.]  A.  559.  b. 

Symphonia  Angelica  de  Diuersi  Eccellen- 
tissimi  Author i  a  Quatro,  Cinque  et  Sei 
Voci  . . .  Nouamente  Ristampata.  Canto. 
(Alto.)     (Tenore.)     (Basso.)     4  pts. 

Appresso  Pietro  Phalesio  :  Atiuersa, 
1611.    obi.  4°.  A.  559.  e. 

See  Jardin  Musical.  lardin  Musiqual, 
contenant  plusieurs  belles  Fleurs  de 
Chansons,  etc.  [With  a  dedication  by  H. 
Waelrant.]    [1555?]   obi.  i".    A.  431.  (1.) 

WAFT.  Waft  me  some  soft  and  cooling 
breeze.  [Song.]  See  Taylor  (R.)  of 
Marylebone  Gardens. 

Waft  to  her  ears,  kind  gentle  breeze.    The 
Serenade.     A  Favourite  Song. 
[B.  Falkener  ;  London,  1775  ?]     s.  sh.  fol. 

G.  806.  f.  (80.) 

2  T  2 


644 


WAGENHOFER— WAKEFIELD 


WAGENHOFER  (Lorenz)     Sei  Senate, 
per  il  Violiuo  Solo  con  Basso . .  .  Opera  i. 
Chez  Gucra  :  Lyon,  [1775?]     fol. 

h.  1644. 

■WAGENSEIL  (Georg  Christoph)  Six 
Concertos  for  the  Harpsichord  or  Organ 
with  Accompanyments  for  Two  Violins 
and  a  Bass.     [Separate  Parts.] 

Printed  for  I.  Walsh:  London, 
[1765?]     fol.  g.  481. 

VI.  Divertimenti  da  Cimbalo  . . .  Opera 
Seconda.  Appresso  Agostino  Bernardi  : 
Vienna,  [1735  ?]     obi.  fol.  e.  20. 

Three  Easy  Divertimentos,  for  the  Harp- 
sichord. Printed  for  R.  Brcmner': 
1/072 ^on,  [1770?]  ohl.iol.  e.  5.  h.  (9.) 
Tre  Quartetti  Concertanti  per  Cimbalo  o 
sia  Fort6  Piano,  Violino  Prime,  Violino 
Secondo  et  Basso . . .  Opera  x.  [Separate 
Parts.]  Au  Burcati  d' Abonnement 
Musical:  Paris, [1780?]  fol.  g.  481.  a. 
Six  Simphonies,  a  Quatre  Parties  Obligees, 
avec  les  Cors  de  Chasses,  ad  libitum . .  . 
]\Iises  au  jour  par  M'  Huberti.  CEuvre  iii. 
Gravies  par  J.  Reuou.  [Separate  Parts.] 
Chez  If  Le  Clerc  :  Paris,  [1765  ?]     fol. 

g.  474.  (14.) 
Sinfonia  a  pin  Stromenti  Obligati.  [Sepa- 
rate Parts.]  Au  Bureau  d' Abonnement 
Musical :  Paris,  [1770  ?]     fol. 

g.  474.  (33.) 

Six  Sonatas  for  the  Harpsichord.  With 
Accompaniment  for  a  Violin  .  . .  Opera 
Prima.  Printed  for  A.  Hummel  : 

London,  [1760  ?]    obi.  fol.    f.  65.  b.  (14.) 

The  Harpsichord  part  only. 
[Another  copy.]  f.  246.  a.  (18.) 

The  Harpsichord  part  only. 
Six    Sonatas    for    the    Harpsichord  .   .   . 
Opera  iii.  Printed  for  A.  Hummell : 

London,  [1760  ?]  obi.  fol.  e.  282.  e.  (14.) 
Six  Sonatas  for  Two  Violins,  a  Violoncello, 
or  Harpsichord.     [Separate  Parts.] 

Printed  for  E.  Alderman  :  London, 
[1760?]     fol.  g.  409.  c.  (4.) 

[Sonata  in  D.]  A  Lesson  for  the  Harpsi- 
chord or  Piano  Forte  ...  To  which  is 
added  a  favorite  Irish  Air  Gramachree 
Molly.  Printed  for  C.  and  S.  Thompson  : 
[London,  1775  ?]  obi.  fol.  e.  5.  a.  (5.) 
[Sonata  in  D.]  Six  Sonatas,  for  the 
Piano  Forte.  Composed  by . . .  Wageneil 
[sic],  etc.  (No.  4.)  [1799.]  See  Perio- 
dical Publications.  —  London.  The 
Piano-Forte  Magazine.  Vol.  VII.  No.  6. 
[1797-1802.]     8°.  D.  854. 

See  Lessons.     Six  Lessons  for  the  Harp- 
sichord by . . .  Sig'  Wagenseil,  etc. 
[1770  ?]     obi.  fol.  e.  5.  d. 

WAGENSEIL  (Johann  Christoph) 
Job.  Christophori  Wagenseilii  De  Sacri 
Rom.  Imperii  Libera  Civitate  Noribergensi 
Commentatio.      Accedit,    De    Germanise 


Phonascorum  Von  der  Meister-Singer, 
Origine,  Prsestantia,  Utilitate,  et  Insti- 
tutio,  sermono  vernaculo  liber. 

Typis. .  .Jodoci  Wilhelmi  Kohlesii  : 
Altdorfi  Noricorum,  1697.     4°. 

794.  f.  6.  (1.) 
Bctiveen  pp.  554  and  555  is  '  Der  Meister- 
liche  Hori,  in  vier  cjekrunten  Thonen.^ 
The  composers  are  H.  Mugling,  H. 
Frauenlob,  L.  Marner  and  [B.]  Regen- 
bogen. 
[Another  copy.]  10235.  bb.  1. 

Wanting  the  portrait. 
[Another  copy.]  171.  k.  10. 

[Another  copy.]  573.  e.  11.  (1.) 

WAGNER  (B.)  Sei  Sonata  per  Flauto 
Solo  col  Basso. .  .Opera  I''.  Chez  Madame 
Berault :  Paris,  [1780  ?]     fol. 

g.  280.  h.  (9.) 

WAGNER  (C.)  Six  Pieces  Faciles  et 
Agr^ables  pour  le  Piano  Forte  avec  Ac- 
compagnement  de  Flute  ou  Violon  ad- 
libitum.  Chez  F.  J.  Weygand  :  La  Uaye, 
[1800?]     fol.  g.  272.  g.  (30.) 

The  Pianoforte  part  only. 

WAGNER  (Frederic)  Twelve  New 
English  Songs,  with  a  Thorough  Bass  for 
the  Harpsichord.  Published  by  the 

Author  :  [London,  1770  ?]     obi.  fol. 

E.  90. 

WAINWRIGHT  (.John)  A  Collection 
of  Psalm  Tunes,  Anthems,  Hymns,  and 
Chants,  for  One,  Two,  Three,  and  Four 
Voices,  etc.  Printed  for  the  Author  : 

London,  [1776.]     obi.  4°.  D.  461. 

See  Christians.  Christians  awake,  salute 
the  happy  Morn,  etc.  [Music  by  J.  Wain- 
wright.]     [1795?]     fol.      H.  1250.  (24.) 

WAINWRIGHT  (John)  or  (Robert) 
The  Lord  is  risen.  A  Favourite  Anthem,  or 
Hymn,  for  Easter  Day,  in  Score.  The 
Words  by  Dr.  Byrom,  set  to  Music  by  Mr. 
Waiuwright.  Printed  for 

C.  d  S.  Thompson  :  London,  [1770  ?]    fol. 

H.  2815.  i.  (7.) 

WAINWRIGHT   (Richard)     Our    Top- 
sails atrip.     A  favorite  Sea  Song,  etc. 
J.  B.  Pye  :  Liverpool,  [1790  ?]     fol. 

H.  1653.  (48.) 

WAITER.     The  Waiter.     Comic  Song. 
See  Reeve  (W.) 

WAKE.     Wake !  gentle  Sylvia.     Song. 
See  Hudson  (R.) 

Wake  thou  Son  of  dulness.     [Song.] 
See  Arne  (M.)     [The  Belle's  Stratagem.] 

WAKEFIELD  (W.)  Four  Sonatas  for 
the  Piano  Forte  or  Harpsichord,  with  an 
Accompaniment,  for  a  Violin. 

Printed. .  .for  the  AutJior  :  [London, 
1800?]     foL  g.  144.  (11.) 


WAKEFUL— WALLISER 


643 


'WAKEFUL.     The  Wakefull  Nightingale 
that  takes  uo  rest.     Song. 
See  Weldon  (J.) 

WALDER.     Walder.     Operetta. 
See  Benda  (G.) 

"WALDER  (JoHANx  Jacob)  Gesange  zum 
Clavier.  Bey  J.  C.  Fuessli,  Sohn  : 

Zurich,  1780.     4°  G.  571. 

WALDSTORCH  (Gabriel  Joannes 
Nepomucenus  Feanciscus  de  Paula) 
pseud,  [i.e.  Friedrich  Melchiob  von 
Grimm.]  Le  Petit  Prophete  de  Boeh- 
mischbroda  (G.  J.  N.  F.  de  P.  Waklstorch). 
[Paris?  1753?]  8^  1103.  b.  21.  (5.) 
[Another  edition.]  Le  Petit  Prophete  de 
Boehmischbroda.     [Paris  ?]  1753.     8°. 

12314.  bb.  42. 
Les  Vingt-un  Chapitres  de  la  Prophetie 
de   G.   J.   N.   F.   de   P.   Waldstorch,  dit 
Waldstoerchel,  qu'il  appelle  sa  Vision. 
Prague  en  Boh&me,  [Paris,  1760  ?]     12". 

7896,  a.  9. 
"WALKER  (George)  The  Flowers  of 
Harmony,  being  a  Collection  of . . .  Catches, 
Glees  &  Duets  . . .  Selected  from  the  most 
Eminent  Composers,  etc.  [Edited  by 
G.  Walker.]     4  vols.  G.  Walker  : 

London,  [1800?]     4°.  E.  1716. 

Walker's  name  as  editor  only  appears  on 
vols.  3  and  4.  The  composers  named 
171  this  collection  are :  C.  King,  Dr. 
Hayes,  Greene,  Berg,  Marella,  Lampe, 
Purcell,  J.  Battishill,  Warren,  C. 
Thomas,  Smart,  Tremain,  Hilton, 
Hayden,  Nares,  Boyce,  Dr.  Arne,  L. 
Attcrhury,  Harrington,  S.  Webbc, 
T.  Ford,  S.  Gallcott,  Morgan,  Travers, 
Baildon,  Lord  Morninglon,J.  C.  Pring, 
T.  Morley,  S.  Storace,  Bloio,  Garth, 
M.  Este,  J.  Danhy,  Pepusch,  W.  Bates, 
Hilton,  Ives,  Dr.  Kemp,  Leveridge, 
I.  Dyne,  Haydn,  P.  Valton,  Percy,  M. 
Wise,  E.  Nelham,  J.  Hook,  F.  Ireland, 
J.Alcock,  Jun.,  W.  Shield,  Dr.  Wilson, 
I.  Ashton,  Cobb,  R.  Broion,  J.  Bennet, 
Miss  Abrams,  W.  Laiucs,  J.  Dauby, 
Goodgroome,  E.  Gregory,  Cranford, 
C.  F.  Panormo,  T.  Breioer,  R.  Lang- 
don  and  Dr.  Allcock. 
Walker's  Collection  of  Dances,  etc.  Nos.  1, 
2, 8,  9,  12.     5  Nos.  G.  Walker  : 

London,  [1795-^1807.     fol. 

h.  141.  a.  (19.) 
The  titles  of  the  numbers  vary. 

"WALKER  (Joseph  Cooper)  Historical 
Memoirs  of  the  Irish  Bards.  Interspersed 
with  Anecdotes  of . .  .the  Music  of  Ireland. 
Also,  an  Historical  .  .  .  Account  of  the 
Musical  Instruments  of  the  Ancient  Irish. 
And  an  Appendix,  containing  . . .  Select 
Irish  Melodies.  Printed  for  T.  Payne 

and  Son  :  London,  1786.     4". 

636.  L  20. 


"WALKER  (Thomas)  Britons  beware. 
[Song.]  .  .  .  Inscribed  to  the  Volunteer 
Corps  of  the  Bank  of  England  .  .  .  by  J. 
Boyne.  Printed  for  T[]iomas']  W[alker'] 
and  I[ohn]  B[oyne  :  London,  1800  7]     fol. 

G.  376.  (42.) 

Lamira  and  Virnus  together  have  join'd. 
A  New  Song.  The  words  and  music  by 
Mr.  T.  Walker.     [London,  1751.]     8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  VIII.,  p.  223. 

See  RippoN  (J.)  A  Selection  of  Psalm 
and  Hymn  Tunes,  etc.  [With  a  Brief 
Introduction  to  Psalmody,  by  T.  Walker.] 
[1791?]     obl.i".  A.  481.  (1.) 

WALKING  STATUE.  Come  brave 
boys  letts  stroule  it  away.  A  Song  in  the 
Farce  calVd  the  ivalking  Statue  or  the 
Divell  in  the  Wine  Celler  the  words  made 
and  sung  by  Mr.  Burkhead. 
[London,  1712  ?j    s.  sh.  fol.    G.  307.  (48.) 


[Another  copy.] 


1.  530.  (167.) 


[Another  edition.]  Come  brave  boys  letts 
stroule  it  away.  A  Song  in  .  .  .  the 
toalking  Statue,  etc.  [London, 

1712?]     s.sh.  fol.  H.  1601.  (119.) 

"WALLIS  (John)  Johannis  WaUis  .  .  , 
Operum  ilathematicorum  Volumen  Ter- 
tium.  Quo  continentur  Claudii  Ptolemsei 
—  Porphyrii — Manuelis  Bryennii  —  Har- 
monica .  .  .  Graece  &  Latine  edita,  cum 
Notis,  etc.  E.  Theatro  Sheldoniano  : 

Oxonix,  1699.     fol.  716.  k.  5. 

See  PT0E0M.EUS  (C.)  KKavBiov  nTo\fiJ.atov 
'ApjxoviKQiv  Bj^XiaT'. .  .Johannes  Wallis. . . 
edidit,  etc.     1682.     4\  557*.  e.  2. 

See  Salmon  (T.)     A  Proposal  to  Perform 
Musick,    in    Perfect    and    ilathematical 
Proportions . . .  With  Large  Remarks  upon 
this. .  .Treatise,  by. . .  J.  Wallis,  etc. 
1688.     4°.  557*.  e.  25.  (4.) 

"WALLISER  (Christoph  Thomas)  Eccle- 
siodise  das  ist  Kirchen  Gesang.  Nemblich 
die  gebrauchlichsten  Psalmen  Davids,  so 
nicht  allein  viva  voce,  sondern  auch  zu 
Musicalischen  Instrumenten  Christlich 
zugebrauchen.  Mit  4.  5.  vnd  6.  Stinien 
componirt,  cfc.  Cantus.  '(Altus.)  (Tenor.) 
(Basis.)  (Quinta  (Sexta)  Vox.)  6  pts. 
In  Verlegung  Paiili  Ledcrtz  :  Strassburg, 
1614.     i\  D.  240. 

The  title-page  of  the  Tenor  is  engraved. 

Ecclesiodige  Novae :  Das  ist  Kirchen  Ge- 
sang, Ander  Theil :  Darifi  die  Catechismus 
gesang,  andere  Schrift  vnd  Geistliche 
Lieder,  sampt  dem  Te  Deum  laudamus, 
vnd  der  Litania. . .  So  wol  viva  voce,  als  zu 
Musicalischen  Instrumenten  fiiglich  zuge- 
branchen,  mit   4.  5.  6.   vnd  7.   Stimmen 


646 


WALLISER— WALTON 


gesetzt,  etc.  Cantus.  (Altus.)  (Tenor.) 
(Basis.)     (Quiuta  (Sexta)  Vox.)     6  pts. 

Bey  Marx  von  der  Heyden  :  Strassburg, 
1625.     4°.  D.  240.  a. 

[Another  copy.  Cautus.  (Basis.)  (Quinta 
Vox)].     3  pts.  D.  240.  b. 

Fons  Israelis  Ex  capite  21.  Numerorum 
depromtus  :  Octo  vocum  Harmonia  coron- 
atus:  et  Pro  seculari  Scbolfe  Argentor- 
atensis  Jubilseo  publice  in  Cathedrali 
Templo  celebratus,  etc. 
Argentorati,  1641.     4°.  D.  240.  d. 

Das  Uhralte  Kircben  Gesang  Te  Deum 
Laudamus  Sampt  derselben  Litania 
Teutscb.  Uffs  new,  mit  v.  vnd  vi. 
Stimmen  gesetzt.  Vnd  .  .  .  auS  drey 
vnterscbidlicbe  Cboros  .  .  .  auff  vorsteb- 
endes  Jubelfest,  sonderlicb  im  Miinster 
. . .  zu  Musiciren  angestellt,  etc.  Cantus. 
(Altus.)  (Tenor.)  (Basis.)  v.  (vi.)  Vox.) 
6  pts.  Bey  Niclaxis  Wyriot,  in  verlegiincj 
Pauli  Ledertz  :  Strassburg,  1617.     4". 

D.  240.  c. 

The  Tenor  atomic  has  Ledertz' s  name  in 
the  imprint. 

WALLS.  The  Walls  of  my  Prison.  Ballad. 
See  More  (I.  T.) 

WALOND  (William)  Mr.  Pope's  Ode 
on  St.  Cecilia's  Day.     [Full  Score.] 

Printed  for  the  Author  :  London, 
[1760?]     fol.        ■  G.  1040. 

Voluntaries  for  tbe  Organ  or  Harpsichord 
. .  .  Opera  i.  Printed  fm-  J.  Johnson  : 

London,  [Vl&O^     obl.io\. 

e.  1090.  a.  (4.) 

[Another  copy.]  e.  120.  c.  (4.) 

The  title-page  is  mtitilated. 
Ten  Voluntaries  for  the  Organ  or  Harp- 
sichord . . . Opera  ii.  Printed pr 
J.  Johnson  :  London,  [1760  ?]     obi.  fol. 

e.  1090.  a.  (5.) 
WALSH    (Henry)       The    Heavy  Hours, 
[by  W.  Jackson,  of  Exeter,]  with  Varia- 
tions for  the  Harpsichord  or  Piano  Forte. 
P.  Evans  :  London,  [1780?]     fol. 

g.  271.  b.  (51.) 
WALSH  (William)     Long  Life  is  sure  a 
Blessing.     A   Celebrated  New  Song,  tbe 
words  by  A.  Macclaren. 

Printed  for  the  Author  :  London, 
[1800?]     fol.  H.  1688.  (9.) 

WALTER  (  )  Pupil  of  Michael  Haydn. 
Trois  Senates  a  quatre  mains  pour  le 
Forte  Piano  .  .  .  Par  Walter.  Eleve  de 
]\Iicbel  Haydn.  Chez  M"''  Erard  : 

Paris,  [1800  ?]     fol.  g.  460. 

WALTER    (Ignaz)        See    Dittersdorp 
(C.  Ditters  von)     Die  Liebe  im  Narren- 
haus,  eine    komiscbe    Oper  .   .  .  fiir   das 
Clavier  eingerichtet  von  I.  Walter. 
[1787.]     obi.  fol.  D.  309. 


WALTHER  (Johann)  [Das  Christlich 
Kinderlied  D.  IMartini  Lutheri,  Erbalt 
vns  Herr, etc.  Aufis  new  in  sechs  Stiminen 
gesetzt,  vnd  mit  etlicben  schonen  Christ- 
lichen  Texten,  Latinischen  vnd  Teutschen 
Gesengen  gemebrt,  etc.]  Discant'.  (Va- 
gans.)     2  pts.  Johan  Scliwertel  : 

Wittcmbergk,  1566.  obi.  4".  K.  3.  f.  13. 
The  full  title  only  occurs  in  the  Tenor 
part. 
Ein  schoner  Geistlicher  vn  Cbristlicber 
newer  Berckreyen,  Von  dem  Jiingsten  tage, 
vnd  ewigem  Leben,  AufE  die  Melodey  vnd 
weise,  Hertzlich  thut  micb  erfrewen,  etc. 
Mit  einer  newen  Melodey  gezieret,  etc. 
Gedrtickt  durch  Georgen  Ehawcn  Erben : 
Wittcmberg,  1552.     4».  3436.  k.  9. 

Lob    vnd   preis,   Der   Himlischen  Kunst 
IMusica :  Mit  einer  .      .  Vorrede  des  .   .  . 
Doctoris  IMartini  Lutheri,  vormals  deudsch 
im  Druck  nihe  ausgangeu,  etc. 
Lorcntz  Schwenck  ;    Witteberg,  1564.     4". 

7899.  aaa.  45. 
Wittenbergiscbe  Gsangbiichli  durch 
Johan.  Walthern,  Churfiirstlichen  von 
Sachsen  senger  meystern  vft"  ein  newes 
corrigiert,  gebessert  vnd  gemeret.  T[enor]. 
(A[ltus].)  2  pts.  Apud  Petrum  Schceffer. 
Et  Mathiam  Apiarium :  Argentorati, 
1534.     obi.  4".  K.  1.  c.  15. 

Wittembergisch  deudsch  Geistlicb  Gesang- 
biichlein.  Mit  viervnd  fiinfi  stimmen. . . 
auffs  new  mit  vleis  corrigirt,  vnd  mit 
vielen  schonen  Liedern  gebessert  vnd 
gemehret.  T[enor].  (Discantus  (Bassus) 
(Vagans)  der  Wittembergischen  Deud- 
schen  Geistlicben  Gesenge.)  (Altus.  Wit- 
tembergischer  deudschen  Geistlicben  Ge- 
senge.) 5  pts.  MS.  notes.  Gedruckt... 
durch  Georgen  Rhaiven :  Wittcmberg, 
1551.     obi.  4".  K.  2.  e.  6. 

The    title-page    of   each   part    has    the 

autograph  of  Balthasar  Hildebrand, 

of  Liegnitz. 

WALTHER  (Johann  Gottfried)  Musi- 
caliscbes  Lexicon,  oder  Musicalische  Bib- 
liothec,  etc.  Woljfgang  Deer  :  Leipzig, 

1732.     8".  1042.  g.  3. 

WALTHER  (Johann  Jacob)  Hortulus 
Obelicus,  Uni  Violino  Duabus,  Tribus  et 
Quatuor  subinde  chordis  simul  sonantibus 
harmonice  modulanti. .  .consitus. 
Sumptibus  Ludovici  Bourgeat :  Moguntix, 
1689.     obi.  fol.  c.  17. 

WALTON  (H.)     Phillis.     [Song.] 

L[ongman']  L[_ukey]  d  Co.  :  [London, 
1775?]     s.sh.iol.  G,  311.  (24.) 

Phillis.  [Song.]  B.  Falkencr :  London, 
[1775  ?]     s.  sh.  fol.        H.  1994.  a.  (52.) 

Ye  blithsome  Lads.     [Song.] 

L[ongman]  L[2ikey  and  Co.  : 
1770  ?]     s.  sh.  fol.  G.  314.  (45.) 


WALZER— WANHAL 


647 


WALZER.  Ein  Walzer  erhitzt  den  Kopf . 
Cavatine.    See  Mueller  (W.)    [Die  Zaub- 

erzitter.'] 

WANCZUKA  (Ernst)  Baron.  Trois 
Sinfonies  nationales  a  grand  Orchestre 
arrangees  de  plusieurs  Chansons  Russes, 
Ukrainiennes  et  Polonoises  . . .  Oeuv.  i. 
[Separate  Parts.]  Chis  G.  Spreivitz : 

St.  Petersbotirg,  [1795  ?]     fol. 

h.  1518.  (2.) 
Trois  Sinfonies  a  grand  Orchester  . . . 
Oeuv.  II.     [Separate  Parts.] 

Ch^s  F.  A.  Leuchte  :  St.  Petersbourg, 
[1795?]     fol.  h.  1518.  (1.) 

WANDERING.  The  Wandering  Gipsy. 
Ballad.     See  Pindar  (P.)  pseud. 

The  Wandering  Lamb.     Ballad. 

See  Poole,  afterwards  Dickons  (M.) 

The  Wand'ring  Sailor.     [Song.] 

See  Arnold  (S.)     [Sunmicr  A7)iusement.] 

The  Wandering  Savoyard's  Song. 

See  Thompson  (T.) 

WANHAL  (Jan  Baptist)  Air  Favori 
Varie  pour  le  Clavecin  ou  Piano  Forte  et 
un  Rondeau. .  .Op.  34. 

Longman  and  Broderip  :  London, 
[1790  ?]     obi.  fol.  e.  105.  (6.) 

Arietta  pour  le  ClaveQin  ou  Piano  Forte 
avec  Douze  Variations,  etc.     [Op.  31.] 

Chis  J.  J.  Hummel :  Berlin, 
[1780  ?]    obi.  4^  d.  84.  (1.) 

XXIV  Cadenzen  in  alien  Tonarten  fiir 
Organisten.  Bel  N.  Simrock  :  Bonn, 

[1800  ?]     obi.  fol.  e.  174.  m.  (22.) 

Three  Capricios  for  the  Harpsichord  or 
Piano  Forte. .  .Op:  31  [or  35]. 

Longman  and  Broderip  :  London, 
[1790?]     obl.iol.  e.  105.  (5.) 

Concerto.    [In  D,  for  harpsichord,  strings, 
2  oboes  and  2  horns.     Separate  Parts.] 
See  Storage  (S.)     Storace's  Collection  of 
Original    Harpsichord    IMusic.       Vol.    I. 
No.  5.     [1790.J     fol.  g.  122. 

Concerto.  [In  B  [j,  for  harpsichord, 
strings,  2  oboes  and  2  horns.  Separate 
Parts.]  See  Storage  (S.)  Storace's  Col- 
lection of  Original  Harpsichord  Music. 
Vol.  II.  No.  2.  [1790.]  fol.  g.  122. 
Divertimento  a  Quatro  Mani  per  il  Forte 
piano,  o  Clavicembalo. 

Presso  Hoffmeister :  Vienna, 
[1790  ?]    obi.  fol.  ■      e.  101.  a.  (8.) 

Divertissement  a  quatre  mains  pour  le 
Piano-Forte,  avec  Accompagnement  de 
Flute,  Violon  et  Violoncelle,  ad  libitum 
. .  .L'Accompagnement  a  ete  ajoute  par 
I'Editeur.  Chez  J.  Andri  : 

Offenbach  sur  le  Mein,  [1790  ?]     fol. 

g.  545.  k.  (23.) 
Journal   de    Musique  pour   les   Dames, 
Livre  VII.     Wanting  the  accompani- 
meyits. 


WANHAL  (Jan  Baptist)  Divertissement 
pour  le  Clavecin  ou  le  Porte  Piano  avec 
Accompagnement  d'un  Violon  et  de  la 
Basse  ad  libitum.     [Separate  Parts.] 

Ches  J.  J.  Hummel :  Berlin, 
[1780  ?]     obi.  4°.  d.  84.  (2.) 

Six  Duetts  for  Two  Violins. .  .Op.  xxviii. 
[Separate  Parts.]  S.  Babb  :  London, 

[1780?]    fol.  g.  218.  e.  (2.) 

Three  Duetts  in  an  Elegant  Style  for  two 
German  Flutes  or  Flute  and  Violin,  by 
Messrs.  Vanhall,  Demachi  and  Hoff- 
meister. [Separate  Parts.]  Fentum : 
London,  [1795  ?]     fol,         g.  421.  p.  (4.) 

Duetto.     [In  B  \f  for  harpsichord.] 
See  Storage  (S.)     Storace's  Collection  of 
Original    Harpsichord     INIusic.       Vol.    I. 
No.  6.     [1790.]     fol.  g.  122. 

Sechs  Fugen  fiir  die  Orgel,  oder  Clavier. 
Beij  J.  Cappi :   Wieyi,  [1800  ?]     oU.  fol. 

e.  1090.  (6.) 
Kinderlieder  mit  Begleitung  des  Klaviers. 
Bei  N.  Simrock  :  Bonn,  [1800  ?]     obi.  fol. 

F.  607.  y.  (21.) 
Sis  Quartettos  for  a  Hautboy  or  German- 
Flute,  a  Violin,  Tenor  and  Bass . . .  Opera  7. 
[Separate  Parts.]  Welcker  :  Loyidon, 

[1785?]     fol.  g.  413.  (19.) 

Six  Quatuor  a  Deux  Violons,  Taille  & 
Basse  .  .  .  Oeuvre  Troisieme.  [Separate 
Parts.]  Chiz  J.  J.  Hummel :  Berlin, 

[1780?]     fol.  g.  429.  (1.) 

Six  Quatuors  a  Deux  Violons,  TaiUe  et 
Basse  . . .  Oeuvre  Quatrieme.  [Separate 
Parts.]  Chis  J.  J.  Hummel :  Berlin, 

[1780?]     fol.  g.  429.  (2.) 

Six  Quartettos  for  two  Violins  a  Tenor 
and  Bass.  Selected  from  the  different 
Works  of  C.  Vanhall.     [Separate  Parts.] 

Printed  for  W.  Napier  :  London, 
[1780?]    fol.  g.  429.  b. 

Trois  Quintettos.     Violino,  Viola,  Basso, 
a   Deux  Cors  de   Chasse,  ad  Libitum. . . 
Selected  from  his  Op.  1".     Corrected  by 
Mr.  Salpietro.     [Separate  Parts.] 
J.  Bland  :  London,  1782.     fol. 

h.  2900.  (8.) 

Six  Solos  or  Sonatas  for  a  Flute  or  Violin 
with  a  Thorough  Bass  for  the  Harpsicord 
...Op.  X.  J.Bland:  {London, 

1780?]     fol.  g.  225.  b.  (8.) 

Two  Solos  or  Sonatas  for  a  Flute  or  Violin 
with  a  Thorough  Bass  for  the  Harpsicord 
. . .  Op.  X.  Printed  for  W.  Campbell  : 

London,  [1780  ?]     fol.         g.  280.  c.  (5.) 

A  Second  Set  of  Six  Solos  for  a  Violin 
and   [or    rather,   or]   Violoncello   with   a 
Thorough  Bass  for  the  Harpsichord. 
/.  Kerpen :  London,  [1780  ?]     fol. 

g.  422.  b.  (1.) 


648 


WANHAL— WANNINGUS 


■WANHAL  (Jan  Baptist)  A  Second  Set 
of  Six  Solos,  for  a  Violin  and  Violon- 
cello with  a  Thorough  Bass  for  the  Harp- 
sichord, etc.  Longman  and  Broclerip  : 
London,  [1785  ?]     fol.         g.  225.  b.  (9.) 

Six  Favorite  Sonatas  for  two  Violins  and 
a  Violoncello,  with  a  Thorough  Bass  for 
the  Harpsichord.  ..Op.  xxvii.  [Separate 
Parts.]  James  Freeman  :  London, 

[1780?]    fol.  h.  2851.  e.  (5.) 

Tre  Sonate  per  il  Forte  Piano  6  Clavi- 
cemhalo. .  .Opera  xsx. 

Presso  Artaria  Comp. :  Vienna, 
[1790  ?]    ohl.  fol.  e.  5.  c.  (9.) 

Two  Sonatas  for  Two  Performers  on  One 
Harpsichord  or  Piano  Forte.     Op.  32. 

Longman  &  Broderip  :  London, 
[1790?]     fol.  g.  543.  VL.  (19.) 

Sonata  a  Quatro  Mani  per  il  Clavicemhalo, 
o  Fortepiano.  Hoffmeister  :   Vienna, 

[1790?]    obl.lol.  e.  101.  a.  (9.) 

Six  Favourite  Sonatas,  for  the  Piano 
Forte.  [1800.]  Lnperfcct,  icanting  all 
after  p.  48.  See  Periodical  Publica- 
tions.— London.  The  Piano-Forte  Maga- 
zine.   Vol.  IX.     No.  6.     [1797-1802.]     8°. 

D.  854. 
Sonata  [in  C.     Harpsichord  and  Violin.] 
See  Stobace  (S.)     Storace's  Collection  of 
Original  Harpsichord  Music.  A^ol.  I.  No.  1. 
[1790.]     fol.  g.  122. 

A  Single  Sinfonie. .  .for  Violins,  Hautboys 
or  Flutes,  Horn,  Tenor  and  Violoncello . . . 
Litra  A.     [Separate  Parts.] 

Printed  for . .  .J.  Betz  :  London, 
[1780?]    fol.  g.  474.  h.  (4.) 

A  Single  Sinfonie. .  .for  Violins,  Hautboys 
or  Flutes,  Horn,  Tenor  and  Violoncello 
. .  .Litra  B.     [Separate  Parts.] 

Printed  for  J.  Betz:  London, 
[1780?]    fol.  g.  474.  b.  (13.) 

[Symphony  in  C.     Separate  Parts.] 
See  Kammel  (A.)     Six  Overtures  in  Eight 
Partsby...vi.  Vanhall.e^c.    [1780?]    fol. 

G.  474.  (7.) 
[Symphony.     No.    42.]      The    Periodical 
Overture    in    8    Parts.       Number    xlii. 
(Sinfonia  xlii.)     [Separate  Parts.] 
B.  Bremncr :  London,  [1775  ?]     fol. 

g.  474.  a.  (15.) 

. A   Favorite    Overture    (42)    for   the 

Harpsichord  or  Piano  Forte. 

Longman  cfi  Broderip  :  London, 
[1780  ?]     fol.  g.  272.  u.  (28.) 

The  Favorite  Overture  .  .   .  No.  42 

adapted  for  the  Harpsicord  or  Piano  Forte. 
J.  Bland  :  London,  [1785  ?]     fol. 

g.  270.  d.  (55.) 

A  Collection  of  Overtures  and  Sym- 
phonies. By  Vanhall,  etc.  [No.  1.]  [1797.] 
See  Periodical  Publications.— Z/OHfZo7^. 
The  Piano-Forte  Magazine.  Vol.  II. 
No.  5.     [17„7-1802.]     8°.  D.  854. 


"WANHAL  (Jan  Baptist)  [Symphony. 
No.  45.]  The  Periodical  Overture  in  8 
parts.  Number  XLV.  (Sinfonia  XLV.) 
[Separate  Parts.]  Ti.  Bremner  : 

London,  [1775  ?]     fol.       g.  474.  a.  (16.) 

A    Favorite   Overture    (45)   for   the 

Harpsichord  or  Piano  Forte. 

Longman  &  Broderip  :  London, 
[1780?]     fol.  g.  270.  d.  (56.) 

[Sj-mphony.      No.    47.]      The   Periodical 
Overture    in    8   Parts.      Number    xlvii. 
(Sinfonia  xlvii.)     [Separate  Parts.] 
R.  Bremner :  London,  [1775  ?]     fol. 

g.  474.  b.  (14.) 

Kurze   und   leichte    Terzetten  fiir    zwey 
Violinen  und  Violoncello,  etc.     i'"  Heft. 
Sauer  &  Leidesdorf :   7ic«ne,  [1800?]    fol. 

h.  210.  a.  (15.) 
[Trios.]  A  First  Set  of  Six  Sonatas  for 
the  Harpsichord  or  Piano  Forte,  with  an 
Accompaniment  for  a  Violin  Obligate  and 
a  Violoncello  ad  Libitum.  Printed  for  J. 
Bland:  I;O«fZon,[1780.?]  fol.    g.  443.  (1.) 

The  Harpsichord  part  only. 
Six  Trios  pour  le  Clavecin,  ou  le  Piano 
Forte  avec  accompagnement  d'uu  Violon 
et   Violoncello   ad   libitum  .  .  .  oeuvre   2. 
Gravez  par  M"''  Huberty.  Chez 

M'-  Preudhome  :  Paris,  [1765  ?]  obi.  fol. 
Wanting  the  accompaniments,  e.  792. 
[Trios.]  A  Second  Sett  of  Six  Sonatas 
for  the  Piano  Forte  or  Harpsichord,  with 
Accompaniments  for  a  Violin  &  Violon- 
cello, etc.  [Separate  Parts.]  Lcmgman  <& 
Co. :  London,  [1790  ?]  fol.  g.  429.  a. 
[Another  copy.]  g.  272.  d.  (27.) 

TJie  Harpsicliord  part  only. 
Variations  on  the  Spanish  Ariette,  Viva, 
Viva  la  Regina,  etc.  [Harpsichord  and 
Violoncello.]  See  Storage  (S.)  Storace's 
Collection  of  Original  Harpsichord  Music. 
Vol.  II.  No.  3.  [1790.]  fol.  g.  122. 
See  Feast  of  Apollo.  The  Feast  of 
Apollo,  containing  . . .  Lessons  . . .  by  . .  . 
Vanhall,  etc.     [1788.]     fol.     G.  351.  (2.) 

WANLESS  (Thomas)  The  Metre  Psalm- 
Tunes,  in  Four  Parts.  Compos'd  for  the 
Use  of  the  Parish-Church  of  St.  Michael's 
of  Belfrey's  in  York,  etc. 

J.  Hcptinstall,  for  Thomas  Baxter  : 
London,  1702.     obi.  4°.  a.  121. 

See  King  (R.)  Songs  for  One  Two  and 
Three  Voices,  etc.  MS.  note  [bv  T.  Wan- 
less].     [1695?]     fol.  K.'8.  h.  19. 

WANNINGUS  (Joannes)  Discantus 
(Altus)  (Tenor)  (Bassus)  (Quinta  Vox) 
Sacrarum  Cantionum  Quinque,  Sex,  Sep- 
tem  et  Octo  Vocibus  compositarum,  et 
turn  vivae  voci  turn  Musicis  Instrumentis 
aptatarum,  etc.    5  pts.  Li  Officina 

Catharinx  Gcrlachin  d  Hxredum  Johan- 
nis  Montani :  Noribergie,  1580.     obi.  4". 

A.  558. 


WANTON— WARREN 


649 


■WANTON.       Wanton    Cupids    cease    to 
hover.     The   Importunate   Lover.     [Song, 
words  and  music  by  H.  Carey.] 
[London,  1735  ?]   s.  sli.  fol.   I.  530.  (168.) 
[Another  setting.]     Wanton  Cupids  cease 
to  hover.     Song.     -See  Purcell  (D.) 
[Another  setting.]     Wanton  Cupids  cease 
to  hover.     See  Turner  (W.) 
The  wanton    God    who    pierces   Hearts. 
[Song,  from  T.  A.  Arne's  Comus.]     Siincj 
bu  Mrs.  Clive.    [London,  11  iO"^]    s.sh.iol. 

G.  312.  (89.) 
[Another  edition.]  The  wanton  God  who 
pierces  Hearts,  etc.  [London, 

1750?]     s.sh.iol.  G.  316.  f.  (31.) 

[Another  copy.]  H.  1994.  b.  (92.) 

The    wanton    God    who    pierces    hearts. 
[Song.]     See  Comus. 

The  Wanton  Loves  and  Graces  gay.   Song. 
See  Hook  (.J.) 

Wanton     Shepherd,    prithee     leave     me. 
Song.     See  Green  (    ) 
The  Wanton  Virgins  Frighted.     Song. 
See  You.     You  that  delight  in  a  Jocular 
song,  etc.     [1710?]     s.sh.iol. 

H.  1601.  (539.) 

WAR.  War,  he  sung,  is  toil  and  trouble. 
Song.  See  Haendel  (G.  F.)  [Alexander's 
Feast.] 

War's  alarms  entic'd  my  Willy.     [Song.] 
See  When.     When  wars   alarms   entic'd 
my  Willy,  etc.     [1770  ?J     s.  sh.  fol. 

I.  530.  (179.) 

Warr's  fatal  Alarms.     [Song.] 
See  Akeroyde  (S.) 

WARBLING.   The  Warbling  Linnet  from 

his  Mate.     The  Linnet.     [Song.] 
[London,  1740?]  s.sh.iol.  G.  312.  (130.) 
The  Warbling  Lyre.     [Parody.] 
See  Gently.     Gently  stir  and  blow  the 
Fire,  etc.     [1780  ?]     s.  sh.  fol. 

H.  1994.  b.  (25.) 

WARD.     Ward  Associations.     Song. 
See  Though.     Tho'  weak  my  strains  away 
my  fears,  etc.    [1797  ?]    fol.    G.  376.  (52.) 

WARD  (John)  The  First  Set  of  English 
Madrigals  to  3.  4.  5.  and  6.  parts  apt  both 
for  Viols  and  Voyces.  With  a  Mourning 
Song  in  memory  of  Prince  Henry,  etc. 
Ca'utus.  (Altus.)  (Tenor.)  (Bassus.) 
(Quintus.)  (Sextus.)  6  pts. 
Thomas  Snodham  :  [London,']  1613.     4°. 

K.  3.  k.  11. 

WARE  (George)  Laura.  [Song.]  The 
Words  by  Mr.  Montgomery. 

Broderip  d  Wilkinson  : 
London,  [ISOO?]    fol.  G.  365.  (34.) 

WARE  (William  Henry)  A  Trio  for 
Two  Violins  &  Violoncello,  etc.  [Separate 
Parts.]  Printed  for  the  Author  : 

London,  [1800  ?]     fol.  g.  222.  (21.) 


WARING  (William) 

See  Rousseau  (J.  J.)  A  Complete  Dic- 
tionary of  Music  . . .  Translated  ...  by  W. 
Waring,  etc.     1779.     8".  7897.  1.  17. 

WARMBRANT  (      )     Tandis  que  sur  le 
Ehin.     Chanson.     Marche,  etc. 
[Paris,]  1734.     s.  sh.  4".  297.  b.  4. 

Mercure  de  France,  July,  1738. 

WARNE  (George)  Arise  from  your 
Slumbers.  A  Favorite  Hunting  Song. 
Written  &  composed  by  G.  Warne,  etc. 

Printed  for  the  Author  : 
London,  [1798  ?]     fol.         '  G.  365.  (35.) 

WARNEKE  (Georg  Heinrich)     Lieder 
mit  Melodien  fUrs  Clavier. 
Bey  C.  W.  Ettinger  :■  Gotha,  1780.     fol. 

G.  572. 

WARNER  (Daniel)  The  Devout  Singer's 
Guide ;  containing  all  the  Common  Tunes 
now  in  Use,  with  Select  Portions  of  the 
Psalms  adapted  to  each  Tune,  and  Rules 
for  Singing  Treble  and  Bass  . . .  Recom- 
mended by  Daniel  Warner,  Singing- 
Master.  Edmund  Parker  and  John  Hare, 
fen-  S.  S. :  London,  1711.  8°.  A.  468. 
A  Further  Guide  to  Parish  Clarks :  . . . 
Being  a  full  account  of  all  the  Psalm 
Tunes,  and  what  Psalms  are  Sung  to  each 
of  them,  with  an  Introduction  for  Young 
Beginners,  to  learn  all  manner  of  Tunes 
by  Note,  etc.  2  pts.  Joseph  Marshall : 
London,  [1720?]     8».  K.  4.  c.  17. 

WARNING.     The  Warning.     [Song.] 
See  Hook  (J.) 

WARREN  (Ambrose)  The  Tonometer: 
Explaining  and  Demonstrating  ...  in 
Numbers  and  Proportion,  all  the  32 
distinct  and  different  Notes,  Adjuncts  or 
Suppliments  contained  in  Each  of  Four 
Octaves  inclusive,  of  the  Gamut,  etc. 

J.  Cluer  and  A.  Campbell : 
Westminster,  1725.     4°.     557*.  e.  25.  (5.) 

WARREN  (Edmund  Thomas)     A  Collec- 
tion   (A    Second(-Thirty-second)    Collec- 
tion)  of   Catches   Canons   and   Glees  . . . 
Selected  by  T.  Warren.     32  pts. 
Welcker  :  London,  [1763-1794.]     obi.  fol. 

E.  200. 
The  1st  to  the  16th  Collections  are 
published  by  Welcker,  the  nth  by  J. 
Blundell,  the  18th-31st  by  Longman 
(£  Broderip,  and  the  32nd  by  J. 
Dale.  Pp.  13, 14  of  the  29th  Collection 
are  loanting,  but  have  been  supplied 
in  MS.  The  composers  named  are : 
Boyce,  J.  Battishill,  Savage,  Warren, 
Travers,  G.  Berg,  C.  King,  S.  Long, 
F.  Giardini,  Nares,  Yates,  J.  Haw- 
kins Serf,  .Bosengrave,  W.  Bird,  P. 
Torri,  Hayes,  S.  Ives,  W.  Jackson  of 
Exeter,  0.  Gibbons,  J.  Benet,  B.  San 


650 


WARREN— WATERINIAN 


Martini,  Dr.  Arne,  Trajetta,  Lidarti, 
Cocclii,  H.  Purcell,  Le  Clerc,  J.  B. 
Marella,  Hoivard,  J.  Baildon,  R. 
Woodward  Juw,  T.  Weelkes,  M.  Over- 
end,  J.  B.  Brugnera,  L.  Atterbury, 
C.  Thomas,  C.  Lampe,  T.  Norris,  T. 
Morley,  E.  Mulso,  B.  Cooke,  S.  Webbc, 
W.  Fladon,  M.  Este,  J.  Green,  Dr. 
Harington,  J.  Dyne,  C.  Jenner,  J. 
Cobb,  J.  Hook,  P.  Hellendaal,  T. 
Ayhoard,  J.  Wilbye,  Elton,  Dr.  Alcock, 
G.  B.  Cirri,  W.  Bates,  P.  Yalton, 
M.  Hudson,  J.  Bates,  B.  Hudson, 
J.  Worgan,  F.  H.  Barthelcmon,  J.  S. 
Smith,  F.  Ireland,  Earl  of  Morning- 
ton,  T.  Bavenscroft,  Brodrip  {of  Wells), 
Dr.  Arnold,  G.  Converso,  T.  Ford, 
J.  Hilton,  T.  Brewer,  H.  Laives,  J. 
Alcock  Junr.,  R.  J.  S.  Stevens,  N. 
Freeman,  W.  Paxton,  S.  Paxton,  J. 
'h right,  S toner,  J.  Danby,  Dr.  Wilson, 
L.  Marenzio.  J.  W.  Calcott,  M.  Rock, 
P.  Agostini,  S.  Webbe  Jun.,  T.  Linley, 
J.  King,  B.  Cooke,  W.  Rock,  R.  Gre- 
ville,  A.  Scarlatti,  J.  S.  Bach,  R. 
Spofforth,  J.  C.  Pring,  H.  Waelrant 
and  the  Marguis  of  Blandford. 

[Another  copy.    Collections  27,  28.]    2  pts. 

E.  207.  8.  (89.) 

[A  Set  of  Proof-Sheets  of  a  Collection  of 

Motets  and   Madrigals,  by  Composers  of 

the  15th  and  16th  century,  edited  by  E. 

T.  Warren,  being  the  only  part  engraved  of 

a  work  intended  to  have  been  published  in 

six  volumes.]     MS.  notes  by  E.  T.  Warren. 

[London,  1777.]     fol.  K.  7.  i.  12. 

The   composers    of    this   collection   are : 

H.  Isaac,  P.  de  la  Rue,  Josquin  des 

Pris,  Loyset,  Tylman  Stisato,  Janne- 

guin,  T.  Cricguillon,  J.  Guyot  alias 

Castileti,  Clemens  von  Papa,  J.  Baston, 

Arcadclt,  P.   de   Manchicourt,   P.   de 

Rocourt,  H.  Ghibelli,  C.  de  Rore,  A. 

Ferabosco,  L.  Marenzio,  H.  Vecchi,  J. 

Farmer,  J.  Bennet  and  J.  Wilbye. 

A  Collection  of  Vocal  Harmony  consisting 

of  Catches  Canons  and  Glees. .  .to  which 

are  added  several  Motetts  and  Madrigals 

composed  by  the  best  ]\Iasters,  selected  by 

T.  Warren.  Welcker  :  London, 

[1780  ?]     obi.  fol.  E.  200.  b. 

The  composers  named  are  :  L.  Atterbury, 

G.  Berg,   Dr.  Arne,   J.  Baildon,    W. 

Bates,  Dr.  Nares,  S.  Webbe,  E.  Ayrton, 

P.    Helendaal,   Yento,    J.    S.    Smith, 

G.  Allegri,  Dr.  Alcock,  W.  Flackton, 

T.  Norris,  T.  Aylward,  R.  Langdon, 

R.  Bacon,  J.   Worgan,   J.   Wilbye,  J. 

Benet,  C.  Jenner,  J.  Hilton,  J.  Dyne, 

J.  B.  Brugnera,  A.  Ramire  de  Arellano, 

G.  Combes,  F.  Ireland,  P.  Valton,  Dr. 

Woodivard,    T.     Weelkes,    B.    Cooke, 

J.  P.  A.   Palestrina,   M.  Cavendish, 


Dr.  Boyce,  R.  Langdon,  T.  Morley, 
T.  Ford,  W.  Lavjes,  P.  Petti  and 
A.  Lotti. 

See  Catches.     A  Collection  of  Catches  by 
. . .  Dr.  Arne,  . . .  Mr.  Warren,  &c. 
[1764?]     obi.  A".  A.  756.  a.  (1.) 

See  Wilbye    (J.)      Madrigals   for    three 
voices  . . .  put  into  Score  by  T.  Warren. 
[1790?]     fol.  iH.  1797.  (10.) 

WAS.     Was  ever  Man  possest.     Dialogue. 
See  Devil  to  Pay. 

Was  ever  nymph  like  Rosamond  so  fair. 
[Song.]     See  Rosamond. 

Was  I  a  Shepherd's  Maid.     [Song.] 
See  Padlock. 

Was  I  of  my  fair  possest.  Plaintive 
Swain.  [Song.]  Set  to  a  favorite  French 
Air.  Str[aight]  c&  SMillern  .- 

London,  1777  ?]   s.  sh.  fol.    G.  313.'  (244.) 

Was  Nancy  but  a  rural  ]\Iaid.  Colin's 
Desire.    A  New  Song.    \_London,  1765.]    8". 

P.P.  5438.  z. 
Universal    Magazine,    Vol.    XXXYII., 
p.  327. 

WASSERHUN  (Rudolph)  Rudolphi 
Wasserhuus  .  .  .  Kauff-Fenster,  das  ist : 
Newe  Poetische  Inventiones,  welche  nicht 
die  Jugend  mit  vnniitzen  Buhlen-Liedern 
bezaubern,  sonderu  dieselbe  mit  gebiihr- 
ender  Geschickligkeit  eben  so  sehr,  als 
mit  hofflicher  Liebligkeit  zu  sich  locket, 
aus  meinem  Juristischen,  Philosophischen 
vnd  Historischen  Krahni  zur  Proba  auff- 
gethan.  Bey  Jacob  Rebcnlein  : 

Hamburg,  1644.     8°.  11517.  bb.  28. 

WASTED.     Wasted  with  Sighs.     Song. 
See  EccLES  (J.)     [The  Chances.] 

WATCHFUL.  Watchful  angels,  let  her 
share.       Song.       See   Haendel    (G.    F.) 

[Deborah.] 

WATCHMAN.  The  Watchman.  [Song.] 
See  DiBDiN  (C.)     [Castles  in  the  Air.] 

WATER.    Water.    [Song.]    See  Our.    Our 
Chorus  to  Bacchus,  etc. 
[1780  ?]     s.  sh.  fol.  G.  310.  (264.) 

The  Water  King.     [Glee.] 
See  Callcott  (J.  W.) 

Water  parted  from  the  Sea.     [Song.] 
See  Arne  (T.  A.)      [Artaxerxes.] 

WATER-CRESS.  The  Water-Cress  Girl. 
[Song.]     See  Hudson  (R.) 

WATERMAN.  The  Jolly  Waterman. 
[Song.]  Sung  ...  in  the  Entertainment 
of  the  Waterman  [words  and  music  by 
C.  Dibdin].     [London,  1115?]     s.  sh.  iol. 

G.  306.  (84.) 


WATERMAN— WAY 


651 


"WATERMAN.  Poor  Tom.  [Song, 
begins :  '  Then  farewel  my  trim-built 
Wherry.']     Sung  by  Mr.  Banister,  etc. 

J[ohn]  J\ohnston  :  London, 
1774.]     s.  sh.  fol.  H.  1994.  b.  (79.) 

The  Waterman.     Opera.    See  Dibdin  (C.) 

"WATERS  (Thomas)  Farewell  ungrateful 
Traytor.  A  two  Part  Song.  [Words  from 
Drydens  "  Spanish  Fryar."]  I.  F\_entum  : 
London,  1180?]     s.sh.io\. 

G.  307.  (244.) 
John  and  Kate.     A  favorite  Cantata. 
I.F[entum:  London,  1180?]     fol. 

G.  306.  (170.) 

O  Sleep.  [Song,  the  words  translated 
from  T.  Warton's  (?)  epigram  "  Somne 
levis."]  I-  Flentn^m  : 

[London,  1780?]     fol.         G.  310.  (239.) 

When  snow  descends.      A  Favorite  Song 
sung  by  Mr.  ^leredith  at  Ranelagh,  1778. 
The   Words   [imitated    from   Theocritus] 
from  Hervevs  ]\Ieditations. 
LFlentulni:  [London,  1118.]     s.sh.iol. 

G.  313.  (140.) 

WATERY.     The   Wat'ry  God.      A   Cele- 
brated  Song   written   on   Lord    Hawke's 
Victory  over  Conflans  in  1759. 
John  Lee  :  Dublin,  [1770  ?]     s.  sh.  fol. 

H.  1601.  a.  (102.) 

"WATLEN    (John)      Anna  ...  A   favorite 
Song. .  .the  Words  by  R.  Burns,  etc. 
Cobb  &  Watlen  :  London,  [1795  ?]     fol. 

G.  809.  c.  (55.) 

The  Celebrated  Circus  Tunes  perform'd 
at  Edinburgh  this  Season,  with  the  Addi- 
tion of  some  new  Reels  and  Strathspeys 
set  for  the  Piano  Forte  or  Violin  and  Bass. 
Printed  for  the  Author- : 
Ediw,  [1791  ?]     fol.  g.  365. 

Wanting  the  last  leaf. 

The  Lord's  Prayer.  An  Anthem  for  one 
Voice,  accompanyed  by  the  Organ,  Piano 
Forte  or  Harpsichord,  etc.  The  Author  : 
Edinburgh,  [1795  ?]     fol. 

G.  805.  m.  (41.) 

A  Grand  Sonata  for  the  Piano  Forte  with 
an  Accompaniment  for  a  Violin  or  Flute 
...  Op.  9"'.  Cobb  (&  Watlen  : 

London,  [1800?]     fol.       g.  272.  d.  (31.) 

Sonata  for  the  Piano  Forte  or  Harp*  with 
a  Violin  Accomp'  Obligato,  etc.  [Separate 
Parts.]  Corri  £  Sutlierland, 

for  the  Author  :  Edinburgh,  [1790  ?]      fol. 

g.  161.  f.  (11.) 

Roy's  Wife  of  AUdivaloch.  A  favorite 
Scots  Song,  the  Words  by  Mrs.  Grant  of 
Carron,  etc.  Printed  for  the  Composer  : 
London,  [1795  ?]     fol.  G.  793.  (9.) 

Roy's  Wife  of  AUdivaloch.  [Song,  by 
J.  Watlen.]     [1795?]     s.  sh.     See  Boy. 

G.  799.  (15.) 


WATLEN  (John)  [Roy's  Wife  of  AUdi- 
valoch ]  See  Butler  (T.  H.)  Butler's 
favorite  Sonata  in  F,  in  which  is  intro- 
duced Pvov's  Wife  [by  J.  Watlen],  etc. 
[1797?]     fol.  g.  186.  (2.) 

The  Surrender  of  Toulon  (with  a  Descrip- 
tive View  in  Music  of  a  Ship  weighing 
Anchor,  Storm  at  Sea,  &c.). .  .Set  for  the 
Piano  Forte  or  Harpsichord,  etc. 

Printed  by  the  Axithor  :  EdinUirgh, 
[1795?]     fol.  g.  443.  h.  (25.) 

WATSON  (Thomas)  The  first  sett,  of 
Italian  iladrigaUs  Englished,  not  to  the 
sense  of  the  originall  dittie,  but  after 
the  affection  of  the  Noate.  By  Thomas 
Watson  . . .  There  are  also  heere  inserted 
two  excellent  ]\Iadrigalls  of  blaster  Wil- 
liam Byrds,  composed  after  the  Italian 
vaine,  etc.  Superius.  (Medius.)  (Con- 
tratenor.)  (Tenor.)  (Bassus.)  (Sextus.) 
6  pts.  Thomas  Estc,  the  assigns  of  W. 

Bijrd :  London,  1590.     i".     K.  3.  k.  12. 
Containing  madrigals  by  L.  Marenzio, 
G.  Converso,  G.  M.  Nanino,  A.  Striggio 
and  W.  Byrd. 

WATTS  (R.)     The  Sigh,  a  Favorite  Ballad 

. .  .The  Words  from  Coleridge's  Poems. . . 

Printed  for  the  Author: 

London.,  [1797  ?]     fol.  G.  365.  (36.) 

WAUX-HAAL.      Le  Waux-Haal  d'Et6. 

[Song.]     See  Allons.     Alons  courons  au 

Wauxhaal,  etc.     [1785  ?]     8". 

B.  362.  f.  (36.) 
WAVING.    The  Waving  Willow.    Ballad. 

See  Shield  (W.) 

WAY.     The  Way  to  gain  Her.     [Song.] 
See  Do.     Do  you  fancy  a  Simstress  brisk 
and  gay,  etc.     [1720?]     s.  sh.  fol. 

H.  1601.  (127.) 

The  Way  to  get  IMarried.     Song. 

See  Sanderson  (J.) 

The   Way  to   keep   him.     Song   [begins: 

"  Ye  fair,  possess'd  of  ev'ry  charm  "]. 

See  Arne  (T.  A.) 

The  Way  to  keep  him.     Song.     [Begins  : 

"When   once   the   Maid    is    chang'd    to 

Wife."]     See  Hook  (J.) 

[Another  setting.]  The  Way  to  keep  him. 
Song.  SeeYE.  Ye  fair,  who  shine  through 
Britain's  isle,  etc.     [1760.]     8°. 

P.P.  5438.  z. 

[Another  setting.]  The  Way  to  keep  him. 
[Song.]  See  Ye.  Ye  Fair  who  shine 
thro'  Britain's  Isle.     [1760  ?]     s.  sh.  fol. 

G.  316.  f.  (129.) 
The  Way  to  succeed  with  a  Lass.     Song. 
See  Thomas  and  Sally. 
The  Way  to  win  her.     Song.     See  Swain. 
A  Swain  long  tortur'd  with  Disdain,  etc. 
[1720?]     s.sh.iol.  H.  1601.  (38.) 


652 


WAY— WEBBE 


WAY  TO  KEEP  HIM.     Attend,  all  ye 
Fair.     ^1  Song,  sung  by  Miss  Macklin,  in 
The  Way  to  keep  him. 
[London,  1760.]     8".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XXVI.,  2?.  372. 

WE.     We  are  never  satisfy'd.     [Song.] 
See  Chloe.     Chios,  or  the  Musical  Maza- 
ziue,  etc.    No.  80.     [1760  ?]     fol. 

G.  433. 
We  be  three  gay  Duchesses.  The  Trading 
D-chesses  or  Female  Canvassers.  A  Farce, 
as  now  Performing  in  Public  by  the 
D-chess  of  P-tl-nd,  the  D-chess  of 
B-df-rd,  and  the  D-chess  of  D-v-nshire, 
etc.     [Trio.]     [London,  1784.]     fol. 

G.  808.  f.  (48.) 
We  be  three  poor  Fisherman.     Glee. 
See  Guardian  Peigate. 

We  be  three  poor  Mariners.     A  Favourite 
Glee  for  3  Voices.  Anne  Lee  : 

[Dublin,  1180?]     s.  sh.  iol. 

H.  1601.  a.  (100.) 
We  be  three  poor  Mariners . . .  Glee. 
[London,  1800?]     fol.      G.  805.  g.  (57.) 

We  follow  brave  Hanibal.     Song. 

See  SciPioNE. 

We    have   been   Banter'd    &    Bubbl'd    & 

Cheated  &  Banter'd  &  Bubbl'd.     Song. 

See    Your.      Your    MelanchoUy's    all    a 

foUy,  e^c.     [1712?]     s.sh.iol. 

G.  314.  (34.) 
We  London  valets  all  are  Creatures. 
Song.     See  Modern  Prophets. 

We  merry  Wives  of  Windsor.     TJie  Merry 
Wives  of  Windsor,  etc.     [Song.] 
[London,  1700  ?]     s.  sh.  fol. 

G.  313.  (22.) 
We  now,  my  Th5'rsis.     Song. 
See  PuRCELL  (H.)     [2.  Vocal  Music,     d.] 
We  Prophets  of  the  Modern  race.     Song. 
See  Modern  Prophets. 
We're  gayly  yet.     [Song.]     Sung  by  Mr. 
Beard.     [London,  1750  ?]     s.  sh.  fol. 

I.  530.  (170.) 

[Another  edition.]     We're  gayly  yet,  etc. 
[Looidoti,  1750?]     s.sh.iol. 

G.  305.  (230.) 

[Another  edition.]     We're  gayly  yet,  etc. 
[Lo7idon,n50?]    s.sh.iol.    G.  313.  (88.) 
[Another  edition.]     We're  gayly  yet,  etc. 
See  Chloe.     Chloe,  or  the  Musical  Maga- 
zine, etc.    No.  44.    [1760  ?]    fol.    G.  433. 
We  shall  live  together.  Laddie.     Song. 
See  Hook  (J.) 

We  Soldiers  of  Erin.  Croppies  lie  down. 
A  Favorite  Irish  Song.  [London  ? 

1800?]     fol.  G.  796.  (37.) 

We've  fought,  we  have  conquer'd.  [Song.] 
Sung  by  Mr.  Beard  [in  the  Masque  of 
Alfred,  set  by  C.  Burney].  [London, 

1750.]     fol.  G.  313.  (250.) 


WE.  [Another  setting.]  We've  fought,  we 
have  conquer'd.  [Song.]  See  Arne  (T.  A.) 
[Eliza.] 

We  will  rejoice  in  thy  Salvation.  Anthem. 
See  Worgan  (J.) 

WEALE  (George)  Maria.  A  New  Song^ 
etc.  G.  S[mart :  London, 

1775  ?]     s.  sh.  fol.  G.  306.  (87.) 

On  Spring.     A  new  Song,  the  Words   & 
Music  by  the  Rev*  G.  Weale,  etc. 
G.  S[mart  :  London,  1775  ?]     s.  sh.  fol. 

H.  1994.  (64.) 
The  Young  Man's  Caution.     [Song.]    The 
Words  and  Music  by  Mr.  G.  Weale. 
G.  S[mart :  London,  1770?]     s.  sh.  fol. 

G.  310.  (142.) 

WEALTH.  The  Wealth  of  the  Cottage  is 
Love.  [Song.]  See  Reeve  (W.)  [Paul 
and  Virginia.] 

WEARY.  The  Weary  Pund  o'  Tow. 
Song.     See  Urbani  (P.) 

WEAVE.  Weave  the  crimson  web  of 
War.     Glee.     See  Callcott  (J.  W.) 

WEAVER  (John)  A  Small  Treatise  of 
Time  and  Cadence  in  Dancing. .  .Shewing 
how  Steps,  and  their  Movements,  agree 
with  the  Notes,  and  Divisions  of  Notes, 
in  each  Measure.  H.  Meere  : 

London,  1706.     4°.  785.  k.  7.  (1.) 

See  Feuillet  (R.  A.)  [Chore gra2)hie.] 
Orchesography  .  .  .  Being  an  Exact  .  .  . 
Translation  from  the  French  of  IMonsieur 
Feuillet.     By  J.  Weaver,  etc.     1706.     4°. 

558*.  c.  39. 
WEBB  (         )     A  Favorite  and  Compleat 
Peal   on   Eight    Bells   consisting   of    350 
Changes.     Rung  by  the  College  Youths. 
A.  Bland  :  [London,  1790  ?]     fol. 

g.  272.  r.  (40.) 
WEBB  (John)     Real  Beauty.     [Song.] 

L[ongman]  L[ukey  and  Co.  :  London, 
1775  ?]     s.  sh.  fol.  G.  310.  (161.) 

WEBB  (William)  See  Playford  (J.) 
Select  Musicall  Ayres  and  Dialogues  . . . 
by...W.  Webb,  ei-c.  1652.  fol.  F.  51. 
See  Playford  (J.)  Select  Musicall  Ayres 
and  Dialogues . . .  by . . .  Mr.  William  Webb, 
etc.     1653.     fol.  P.  51.  a. 

,See  Playford  (J.)  Select  Ayres  and 
Dialogues  . .  .Composed  by. .  .W.  Webb,  etc. 
1659.     fol.  G.  82.  (1.) 

WEBBE  (Samuel)  the  Elder.    Address  to 
a  Violet,  etc.     [Song.     Full  Score.] 
J.  Bland  :  London,  [1790  ?]     fol. 

G.  363.  (21.) 

Address  to  the  British  Fair.     [Song.] 
Charles  Clarke  :  London,  1799.     4°. 

12623.  g.  13. 

Published   at  the  end  of  H.  English's 

"  Conversations  and  Amusing  Tales.'' 


WEBBE 


653 


WEBBE  (Samuel)  the  Elder.     All  Day  I   [ 
wander  through  the  Groves.     Duetto,  etc. 
Broderip  <&  Wilkinson  :  London, 
[1800?]     fol.  G.  354.  (44.) 

L'  Amico  del  Priucipiante,  being  Twenty 
Eight    Solfaing    Exercises   for    a   Single 
Voice,  with  a  Bass  Accompanyment,  etc. 
W.  Hodsoll  etc.  :  London,  [1796.]     fol. 

g.  302.  (7.) 
Twelve  Anthems  particularly  calculated 
for  Families,  or  Small  Choral  Societies. 

B.  Birchall,-for  the  Author:  London, 
[1798?]     fol.  G.  503.  (7.) 

Around  my  Fair.     Terzetto,  eYc. 

Broderip  &  Wilkinson  :  London, 
[1800?]     fol.  G.  352.  (43.) 

Aurora  comes  forth  in  her  russet  Array. 
A  favourite  Hunting  Song.  Sung  by  Mr. 
Kear,  at  the  Theatre  Royal  in  Dniry 
Lane.  Jlohn]  J[ohnston  :  London, 

1770?]     fol.  G.  306.  (209.) 

Awake,  awake  and  hail  the  Morn.  Hymn 
for  Christmas  Day.  J.  Bland  : 

London,  [1185?]     fol.  G.  502.  (9.) 

Bid  me  when  forty  Winters.     A  Duet. 
Bland  d-  Wcller  :  London,  [1800  ?]     fol. 

H.  2262.  b.  (26.) 

The  Bird  Call  of  Cupid.  A  Glee  for  Three 
Voices.  Printed  for  E.  Birchall : 

London,  [1800  ?]     fol.      G.  805.  g.  (60.) 

A   third   Book  of    Catches,   Canons   and 
Glees  for  three  and  four  Voices. 
Welcker :  London,  [1775  ?]     obi.  foL 

D.  400.  a.  (3.) 

A  fourth   Book   of   Catches,  Canons   and 
Glees    for    Three,    Four,    Five    and    Six 
Voices,  with  Canzonettes  for  Two  Voices. 
Welcker  :  London,  [1778  ?]     obi.  fol. 

E.  214.  c. 

[Another    edition.]      A    fourth    Book    of 
Catches,  Canons  and  Glees,  etc. 

S.  A.  and  P.  Thompson:  London, 
[1780?]    obi.  fol.  E.  214.  e. 

A  VI  Book  of  Catches,  Canons  and  Glees, 
for  three,  four,  five  &  six  Voices. 
A.  Hamilton:  London,  [1800?]     obi.  fol. 

E.  214.  (1.) 

A  Seventh   Book   of  Catches,   Canons   & 
Glees  for  Three,  Four  and  Five  Voices. 
J.  Bland  :  London,  [1790  ?]     obi.  fol. 

E.  207.  d.  (6.) 
An  Eighth  Book  of  Glees,  Canons  and 
Catches,  etc.  Printed  for  the  Author  : 

London,  [1795  ?]     obi.  fol.       E.  214.  (2.) 

The  British  Navy.  A  Glee  for  Four 
Voices. .  .Words  from  Young. 

Broderip  d  Wilkinson  :  London, 
[1800  ?]     obi.  fol.  D.  400.  a.  (4.) 

British  Sentiments,  a  Glee  for  Four  Voices 
. . .  also  an  Italian  Glee  Mi  dicon  le  don- 
zelle.     2  Nos.  Broderip  d  Wilkinson  : 

London,  [1800  ?]    obi.  fol.     D.  402.  (33.) 


WEBBE  (Samuel)    the  Elder.     Six   Can- 
zonetts  ;  for  Two  Voices.  J.  Bland  : 

I,o>MZo?i,  [1789  ?]  fol.  H.  1687.  (19.) 
A  Collection  of  Masses,  with  an  Accom- 
paniment for  the  Organ,  particularly 
design'd  for  the  use  of  Small  Choirs,  by 
S.  Webbe. .  .with  others  on  the  same  j)lan 
by  Eicci  and  Paxton. 

Printed  for  the  Proprietors  :  London, 
(1792.)     obi.  4°.  A.  480. 

A  Collection  of  Modern  Church  IMusic 
consisting  of  Masses  &c.  Composed  by 
...Webbe,  Paxton,  Ricci,  and  Dr.  Arne. 
Published  bj'  permission  of  Mr.  Webbe  & 
under  his  immediate  inspection. 

T.  Skillern,  for  the  Proprietors  : 
[Lojidon,]  1791.    obi.  4».         A.  481.  (2.) 

Lnperfect,  pp.  1-24  only. 
A  Collection  of  Motetts  or  Antiphons,  for 
1,  2,  3  &  4  Voices,  or  Chorus,  etc. 

Printed  for  the  Proprietors  :  [London,] 
(1792.)     8".  E.  214.  d. 

[Another  edition.]    A  Collection  of  Motetts 
or  Antiphons  for  1.  2.  3.  &  4.  Voices,  etc. 
Printed  for  T.  Jones  :  London,  [1795  ?]    4°. 

E.  214.  a. 

A  Collection  of  Sacred  Music,  as  used  in 
the  Chapel  of  the  King  of  Sardinia,  etc. 

Longman  d  Broderip,  for  the  Author  : 
London,  [1785  ?]     obi.  fol.  E.  214.  f. 

Death  of  Hebe,  [Song,]  with  Accompani- 
ments, etc.  Longman  and  Broderip  : 
London,  [1796  ?]  fol.  G.  365.  (37.) 
[Another  copy.]  H.  2821.  (22.) 
Divine  Cecilia.     Canzonetto  a  Tre. 

Broderip  and  Wilkinson  :  London, 
[1800?]     fol.  G.  352.  (44.) 

Evening  Contemplation,  a  favorite  Can- 
tata, sung  by  Mr.  Harrison  at . .  .  Derby . . . 
Sep'  88,  etc.  J.  Bland  :  London, 

[1789?]    fol.  G.  377.  (60.) 

From  glaring  Shew,  a  Favorite  Song,  etc. 
Printed  for  J.  Bland  :  London, 
[1780?]     fol.  G.  808.  f.  (49.) 

From  glaring  Shew,  etc.  L.  Lavenu  : 

London,  [1800  ?]  fol.  G.  807.  e.  (55.) 
Goddess  of  the  Chearful  Smile.  A  Favorite 
Glee  for  4  Voices,  etc.  Printed  for  J.  Dale  : 
London,  [1796  ?]  obi.  fol.  D.  402.  (34.) 
Great  Father  Bacchus.  A  favorite  Song. 
[FuU  Score.]  J.  Bland  : 

London,  [1787  ?]  fol.  H.  2818.  c.  (59.) 
Hence  all  you  vain  delights.  A  Glee. 
Composed  ...  for  Sir  Watkin  Williams 
Wynn.  [Words  from  Beaumont  and 
Fletcher's  "  Nice  Valour,  or  the  Passionate 
Madman."]     [London,  IIQO?]     obi.  iol. 

E.  214.  b. 
In  humble  Life's  sequester'd  Vale,  [Song,] 
with  an  Accompaniment  for  the  Piano 
Forte  or  Harp  .  .  .  The  Poetry  by  J. 
Rannie.  Broderip}  d  Wilkinsoii : 

London,  [ISOO?]     fol.  G.  365.  (38.) 


654 


WEBBE 


"WEBBE  (Samuel)  the  Elder.  The  Ladies' 
Catch  Book,  being  a  Collection  of  Catches, 
Canons  and  Glees,  the  Words  of  which 
■will  not  offend  the  nicest  Delicacy. 

Printed  for  S.  and  A.  Thompson  : 
London,  [1778.]     obi.  fol.     E.  207.  c.  (7.) 

Love,  Honour  &  Truth.  A  favorite  Song, 
etc.     W.  HodsoU  :  London,  [1797  ?J     fol. 

G.  365.  (39.) 

The  Mansion  of  Peace,  etc.     [Song.] 
A.  Lee:  [Dublin,  1780?]     s.  sh.  fol. 

H.  1601.  b.  (107.) 

The  Mansion  of  Peace  . . .  The  Words  by 
a  Lady.     [Full  Score.]  I.Bland: 

London,  [1790  ?]     fol.     H.  1994.  d.  (59.) 

The  Mansion  of  Peace,  etc.  [Full  Score.] 
A.  Bland  &  Weller :  London,  [1795  ?]    fol. 

H.  2818.  c.  (60.) 

The  Mansion  of  Peace,  a  Favorite  Glee, 
from  the  Celebrated  Song  of  that  Name, 
harmonized  for  Four  Voices,  etc. 
Bland  ct  Weller:  London,  [1800?]     fol. 

G.  805.  g.  (59.) 

Maria.  A  Favorite  Glee  for  4  Voices  . . . 
The  Words  by  Mr.  Robinson.  J.  Dale  : 
London,  [1796  ?]     ohl.  fol.     D.  402.  (35.) 

Mi  dicon  le  donzelle.  See  supra :  British 
Sentiments,  etc. 

Music's  the  Language  of  the  blest  above. 
A  Glee  for  Three  Voices.  Composed  in 
1779,  etc.  Printed  for  E.  Birchall  : 

London,  [1800  ?]     fol.      G.  805.  k.  (38.) 

Non  fidi  al  Mar  che  freme.  See  NoN. 
Non  fidi  al  Mar  che  freme.  The  Chearfull 
Glee  [by  S.  Webbe  the  Elder]  which 
gained  a  Prize  on  the  4th  of  May  1790, 
etc.     [1790.]     obi.  fol.  E.  207.  (7.) 

[The  Nonpareil.]  Six  Favourite  Songs 
. . .  by  . . .  Mr.  Webbe.  The  words  by  Mr. 
Harrison.  (No.  1.)  [1797.]  See  Perio- 
dical Publications.  —  London.  The 
Piano-Forte  Magazine.  Vol.  I.  No.  8. 
[1797-1802.]     8°.  D.  854. 

O  come  0  bella.     Terzetto  e  Coro. 
J.  Bland :  London,  [1780  ?]     fol. 

H.  2831.  h.  (29.) 

0  had  I  the  Wings  of  an  Eagle  I'd  fly. 
A  Favorite  Song.  W.  HodsoU  : 

London,  [1797  ?]     fol.  G-.  365.  (40.) 

O  lead  me  where  the  lonely  Nightingale. 
[Song] . .  .Words  by  a  Lady.  [Full  Score.] 
J.  Bland  :  London,  [1785  ?]     fol. 

G-.  377.  (59.) 

0  Lord  hear  the  Prayer  of  thy  Servants. 

Anthem  for  Three  Voices  and  Chorus,  etc. 

Printed  for  R.  Birchall : 

London,  [1800  ?]     fol.     G-.  805.  k.  (37.) 

Ode,  on  St.  Cecilia,  for  Six  Voices. 

Printed  for  the  Author : 
London,  [1795  ?]     fol.      G-.  805.  k.  (36.) 


WEBBE  (Samuel)  the  Elder.  Pretty 
Warbler  cease  to  hover.  A  favorite 
Glee,  etc.  Longynan  d-  Broderip  : 

London,  [1780  ?]  obi.  fol.  E.  601.  d.  (18.) 
Resignation.  [Song.]  Translated  from 
the  French  found  in  the  Temple  at  Paris, 
in  the  Hand  Writing  of  the  late  Unfor- 
tunate Monarch  Louis  the  Sixteenth  and 
supposed  to  have  been  Written  the  Day 
preceding  His  ]\Iartyrdom.  [Full  Score.] 
Iiongman  and  Broderip : 
London,  [1793.]     fol.  G.  368.  (16.) 

The  Rose.  A  Cantata.  The  Words  from 
Anacreon.  Printed  for  Harrison  and  Co.  : 
London,  [1785  ?]  fol.  G.  808.  c.  (29.) 
The  Rose  had  been  washd,  a  favorite 
Song  . . .  the  Words  by  a  young  Lady  [or 
rather,  by  W.  Cowper.  Full  Score]. 
J.  Bland  :  London,  [1786  ?]     fol. 

H.  131.  (53.) 
See    yonder    festive.      A    favorite    Song. 
Composed  and  Sung  by  Mr.  Webbe. 
J.  Bland  :  London,  [1788  ?]     fol. 

G.  808.  c.  (28.) 
Six  Sonatas  for  the  Forte  Piano  or  Harp- 
sichord. Welcker : 
London,  [1780?]  obi.  fol.  e.  282.  c.  (15.) 
Star  of  Beauty,  silver  Light,  [Song,]  with 
an  Accompaniment  for  the  Piano  Forte 
or  Harp  . . .  The  Poetry  by  J.  Rannie. 

Broderip  A  Wilkinson: 
London,  [1800  ?]     fol.  G.  365.  (41.) 

Swiftly  from  the  Mountain's  Brow.  Prize 
Glee  1788,  etc.  J.  Bland  : 

London,  [1789  ?]     fol.        H.  2831.  (28.) 

Tho'  !Mirth  our  Object.  Epicedium,  to 
the  Memory  of  Sir  Watkin  Williams 
Wynne,  Bart.,  etc.  [Glee  for  four  voices.] 
J.  Bland  :  London,  [1789  ?]     fol. 

G.  353.  (30.) 
'Tis  Archery.  [Glee  for  three  voices,]  . . . 
Dedicated  to  the  Royal  Kentish  Bowmen, 
etc.     J.  Bland  :  Londoti,  [1790  ?]     fol. 

H.  1687.  (21.) 
What  tho'  the  sable  hours.  Glee  for  Four 
Voices  . . .  the  words  by  W.  Havard,  etc. 

Leiuis,  Houston  d:  Hyde  : 
London,  [1795.]     fol.  G.  353.  (32.) 

What  will  not  gen'rous  Wine  produce  ? 
A  Favorite  Glee,  etc. 

Longynan  and  Broderip : 
London,  [1790  ?]     fol.  G.  353.  (31.) 

[Another  copy.]  H.  2815.  c.  (45.) 

Forty  Two  Vocal  Exercises  in  Two  Parts, 
with  a  Bass  Accompanyment.  Designed 
for  the  Assistance  of  those  who  wish  to 
sing  at  Sight  and  as  a  Sequel  to  L'  Amico 
del  Principiante,  etc.  B.  Birchall,  etc. : 
London,  [1798.]     fol.  g.  302.  (6.) 

Ye  Powers  who  taught.  A  Favorite 
Song,e?c.  I.Bland:  London,  [1780 ?]   fol. 

G.  808.  c.  (30.) 


WEBBE— WEDDING 


655 


"WEBBE  (Samuel)  the  Elder.  See  Amuse- 
ment FOR  THE  Ladies.  Amusement  for 
the  Ladies,  being  a  Selection  of . . .  Glees 
and  Madrigals  .  .  .  by  .  .  .  IMessrs.  Atter- 
bury,  . . .  Stevens  &  Webbe. 
[1791-93.]     ohl.  fol.  E.  61. 

See  Apollonian    Harmony.    Apollonian 
Harmony  :    a   Collection    of . . .  Glees  . . . 
by  . . .  Webbe  and  other  . . .  Masters,  etc. 
[1790?]     8°.  E.  255. 

See  Cooke  (B.)  The  Favorite  New  Glees 
Composed  by  Dr.  Cooke  .  . .  Mr.  Webbe, 
etc.     [1792.]    obi.  fol.  F.  193. 

See  Glees.  The  Professional  Collection 
of  Glees  . . .  Composed  by  . . .  Callcott  . . . 
Webbe,  dc.     [1790?]     ohl.  io\. 

E.  207.  (3.) 
See   Glees.     A   Selection   of   Glees  from 
the  MSS.  of  the  Concentores  :  being  the 
Compositions  of  ...  S.  Webbe,  etc. 
[1800  ?]    ohl.  fol.  E.  207.  a.  (1.) 

See  Hyde  (F.  A.)  A  Miscellaneous  Col- 
lection of  Songs. .  .The  Glees  harmonized 
...  by  Mr.  Webbe,  etc.     [1796  ?-8.]     fol. 

I.  375. 
See  Sale  (J.)  A  Collection  of  New  Glees 
...  To  which  are  added  Four  Others  . . . 
by  Dr.  Arnold,  Messrs.  Webbrel,  Callcott 
and  Lindlev,  etc.     [1800  ?]    obi.  fol. 

E.  400.  r.  (6.) 

WEBBE  (Samuel)  the  Elder  and  (Samuel) 
the  Younger.  A  Collection  of  Vocal  Music, 
in  two,  three,  four  and  five  parts  ;  Com- 
posed ...  by  Sam'  W'ebbe,  Sen'  &  Jun', 
Ninth  Book.  Longvmn  d  Brodcrip  : 

London,  [1795  ?]    obi.  fol.   F.  207.  b.  (3.) 

WEBBE  (Samuel)  the  Younger.  Father 
of  Heav'n.  Quartctt  from  the  Epicedium 
on  Mozart  . . .  the  translation  (from  the 
German)  &  the  Music  adapted  by  S. 
Webbe  Jun'.  E.  Birchall  :  London, 

[1795?]     fol.  H.  1687.  (25.) 

Twenty  Pour  Original  Scots  Songs  for  the 
Piano  Forte  and  Voice  . . .  Selected  ...  by 
S.  Webbe  Jun'.  H.  Himc  : 

Liverpool,  [1800  ?]    fol.     G.  805.  k.  (39.) 

Four  Sonatas,  for  the  Harp,  etc. 

Longman,  Clementi  d  Compu  : 
London,  [IQOOl]     fol.       h.  173.  b.  (19.) 

Whose  voice  did  first  inspire  the  Eastern 
Lay.  A  New  Christmas  Ode,  etc.  [Part 
Song  for  four  Voices.]  H.  Hime  : 

Liverpool,  ilQOQ^     fol.        G-.  503.  (17.) 

See  Glees.     A  Selection  of   Glees   from 
the  MSS.  of  the  Concentores :  being  the 
Compositions  of  . . .  S.  Webbe  Jun',  etc. 
[1800?]    ohl.ioi.  E.  207.  a.  (1.) 

See  Webbe   (S.)   the  Elder  and  (S.)  the 
Younger.     A  Collection  of  Vocal  Music. . . 
by  S.  Webbe  Sen'  &  Jun'.     Ninth  Book. 
[1795  ?]    ohl.  fol.  E.  207.  b.  (3.) 


WEBBER  (John)  The  Contented  Peasant. 
[Song.]     [London,  1715  ?]     s.  sh.  fol. 

H.  1601.  (322.) 

[Another      edition.]         The     Contented 
Peasant,  etc.     [Song.]  [London, 

1715  ?]     s.  sh.  fol.  H.  1994.  c.  (64.) 

Tell  me,  tell  me,  charming  Creature.      A 
Song,  etc.     [London,  1750?]     s.  sh.  fol. 

G.  316.  f.  (33.) 

WEBER  (Adam)     Zwolf  Melodien,  etc. 
[Leipzig  ?]  1782.     ohl.  fol.  D.  740. 

WEBER  (Bernhard  Anselm) 

Sec   Fraenzl   (F.)   and   Vv^eber   (B.   A.) 

XII  Lieder  . .  .  Erster  Theil. 

[1795  ?]     obi.  fol.  E.  601.  h.  (9.) 

WEBER  (Georg)  Himmel-steigendes 
Dank-Opffer  welches  dem  Drey-Einigen, 
waaren,  grossen  und  hochgelobten  Gotte 
zu  schuldigen  Ehren  f  iir . . .  gnadige  Erret- 
tung,  auss  drey  erschreklichen  Sturm- 
winden,  grosser  Noht  und  Lebens-gefahr 
auff  dcr  See,  in  15  Tagen,  einer  Reise 
geschehen,  etc.  Gedrukt  dtcrch  Quirin 

Bauchcn.      Bey  S.   Schieben  zu  finden : 
Leipzig,  1652,     8°.  3434.  b.  1.  (2.) 

Sieben  Theile  Wohlricchender  Lebens- 
Friichte  eines  recht  Gott-ergebenen 
Herzen ...  In  uiedriger  Eeina-Ahrt  an  das 
Licht  getragen,  mit  gantz  schlechten 
Melodien  bequemet  und  in  1.  2.  3.  4.  5. 
Stimmen  zusingen ;  mit  etlich  beygefiigten 
Sinfonien  zu  2.  Violinen  und  dem  Basso 
continuo  gesetzet.  7  pts. 
Bey  Jacob  Andreen  :  Danzig,  1649.     8". 

A.  751. 

Each  part  has  a  separate  title-page,  hut 

the  pagination  is  continuous.    Parts 

1-4    are   dated    1648 ;    all  seven  are 

printed  at  Konigsberg  by  J.  Beusner. 


[Another  copy.] 


3434.  b.  1.  (1.) 


WEBSTER   (John)      Twelve    Canzonets, 
composed  in  an  easy,  familiar  Style,  etc. 

Longman  and  Brodcrip  :  London, 
[1785  ?]     ohl.  fol.  E.  270.  d.  (6.) 


WECHSELGESANG. 

der  Mirjam  und  Debora. 
See  Knecht  (J.  H.)  • 


Wechselgesang 
[Duet.] 


WEDDING.     The  Wedding.     Song. 
See  Says.     Says  Roger  to  Will,  etc. 
[1710?]     s.  s^i.  fol.  H.  1601.  (389.) 

The  Wedding  Day.  22  August  1799. 
[Song.]  See  On.  On  circling  hours 
swiftly  borne.      1799.     fol. 

G.  807.  d.  (61.) 
WEDDING  DAY.     In  the  dead  of  the 
Night.     [Song]  As  Sung  by  Mrs.  Jordan 
in  the  Wedding  Day  [written  by  E.  Inch- 
bald].    [London, 119i.]    fol.    G.  295.  (9.) 


656 


WEDDING— WEICHMANN 


WEDDINa   DAY.     In  the  dead  of  the 

night,  etc.  Longman  and  Broderip  : 

London,  [1795  ?J     fol.       G.  383.  i.  (45.) 

In  the  dead  of  the  Night.  A  Favorite 
Song  sung  by  Mrs.  Jordan,  etc. 

Printed  for  Corri  Dussek  d  Co. : 
London  &  Edinburgh,  [1795  ?]     fol. 

G.  424.  b.  (3.) 
WEDDING  RING.    The  Wedding  Ring. 
Comic  Opera.     See  Dibdin  (C.) 

WEDLOCK.    Wedlock.    [Song.]     See  Of. 
Of  all  the  various  states  of  life. 
[1766.]     8°.  P.P.  5441. 

WEELKES  (Thomas)     Ayeres   or  Phan- 
tasticke    Spirites    for    three    voices,    etc. 
Cantus.  (Tenor.)  (Bassus.)     3  pts. 
William  Barley  :  London,  1608.     4°. 

K.  3.  k.  13. 

Balletts  and  ]Madrigals  to  fiue  voyces,  with 
one  to  6.  voyces:  newly  published,  etc. 
Altus.     Thomas  Este  :  London,  1598.     4°. 

55.  b.  20.  (7.) 

Balletts  and  Madrigals  to  fiue  voyces, 
with  one  to  6.  voyces,  etc.  Cantus.  (Altus.) 
(Tenor.)  (Bassus.)  (Quintus.)     5  pts. 

Thomas  Este,  the  assigne  of  William 
Barley  :  London,  1608.    4°.  K.  3.  k.  14. 

[Another  copy.    Cantus.]   55.  b.  20.  (15.) 

Welcome  sweet  pleasure. 

See  Welcome.     Welcome  sweet  pleasure 

. .  .Madrigal  [by  T.  Weelkes],  etc. 

1790.     s.  sh.  4°.  P.P.  5141. 

Madrigals   to   3.  4.    5.    &   6.   voyces,   etc. 
Cantus  Prim'.    (Cantus  Secund').    (Altus.) 
(Bassus.)  (Quintus.)  (Sextus.)     6  pts. 
Thomas  Este  :  London,  1597.     4°. 

K.  3.  k.  15. 
[Another  copy.  Cantus  Prim'.  (Altus.)] 
2  pts.  55.  b.  20.  (5  &  8.) 

Madrigals  of  5.  and  6.  parts,  apt  for  the 

Viols    and    voices,    etc.        Canto.    (Alto.) 

(Tenore.)  (Basso.)  (Quinto.)  (Sesto.)     6  pts. 

Thomas  Este,  the  assigne  of  Thomas 

Morley :  London,  1600.;  4°.   K.  3.  k.  16. 

The  Five  and  Six  Part  Madrigals  have 

separate   title-pages    and  dedications, 

hut  the  register  is  continuous. 

[Another  copy.     Canto.] 

55.  b.  20.  (9,  10.) 

WEEP.  Weep,  weep  for  poor  Anna. 
Ballad.     See  Amateur. 

WEEPING.  The  weeping  Widdows  and 
j'oung  Buxom  Lasses  invitation  to  Durd- 
ham  Down  camp.  [Song.]  See  You. 
You  Girls  so  pretty,  etc.  [1710?]   s.  sh.  fol. 

G.  305.  (11.) 
The  Weeping  Willow.     [Song.] 
See  Callcott  (J.  W.) 

WEERBEKE  (Gaspar  van)   See  Gaspar. 


WEGEN.  Wegen  meiner  bleib  d'  Freiila 
nur  da.  Aria.  See  Mueller  (W.)  [Das 
neu  Sonntagskind.] 

WEGMANN  (Hans  Ulrich)  Choral- 
Buch  cnthaltend  alle  zu  dem  Gesangbuche 
der  Evangelischen  Briidergemeinen  vom 
Jahr  1778  gehorige  Melodien.  [Edited 
with  a  Preface  by  H.  U.  Wegmann.] 
L.  F.  Fues  :  Tubingen,  1794.     obi.  fol. 

C.  79. 
WEGWEISER.  Kurtzer  jedoch  griind- 
licher  Wegweiser,  Vermittelst  welches 
man  aus  dem  Grund  die  Kunst  die  Orgel 
recht  zu  schlagen,  so  wol  was  den  General- 
Bass,  als  auch  was  zu  dem  Gregorianischen 
Choral-Gesang  erfordert  wird,  erlernen 
. . .  kan . . .  Deme  hiuzugef iigt  eiu  in  KupSer 
verfertigter  Ubungs-Plan,  bestehend  in 
allerhand  Prteambulis,  .  .  .  Fugen,  und 
dergieichen,  alle  nach  Ordnung  der  . . . 
8.  ivirchen-Thonen  eingericht,  etc. 

Jacob  Koppmeyer :  Augsburg, 

1689.     obi.  4°.  A.  46. 

This  work  appeared  in  later  editions  as 

'  Herrn    Giacomo     Carissimi     Icichte 

Grun-Regeln  zur  Sing-Kunst,^  etc. 

WEICHMANN  (C.  F.)  C.  F.  Welch- 
manns  Teutsche  Anmerkungen  iiber  Herrn 
Matthesons  Antwort  auf  sein  am  28  Julii 
an  Denselben  abgelassenes  Schreiben,  etc. 
Gedruckt  mit  sel.  G.  KiJnigs  Schriften  : 
Hamburg,  1722.     4°.         556.  a.  11.  (4.) 

See  Blyvers  (G.)  Heftiger  Frosch-Mause- 
Krieg   de   Lana  Caprina,  zwischen  . . .  G. 
Blyvers  und  C.  F.  Weichmann,  etc. 
1722.     4°.  556.  a.  11.  (3.) 

WEICHMANN  (Johann)  Johann  Weich- 
mans  Erster  vnd  Ander  Theil  Newer 
Ballet,  Couranten,  Alemanden  vnd  Sara- 
banden,  mit  2.  Stimmen  nach  newer  Art 
zu  spielen  verfertiget.  Derer  Erster  Theil 
zum  andern  mahl  in  etwas  verbessert, 
nebenst  dem  Andern  und  Letzten  Theil 
aufigeleget  ist.     Canto.  Li  Yerlegung 

Sel.  Peter  Hdndels  Buchhdndl.  Wittiben 
vndErben. . .  Gedruckt  bey  Paschen  Mense : 
Eonigsberg,  1649.     4°.  B.  147. 

Die  FiinfE  Haupt-Stiick  der  Christlichen 
Lehre  in  Flinff  sonderbare  Lieder  oder 
Reimen  verfasset. .  .Derer  Choral  in  ein 
Contrapunct  gebracht,  vnd  also  das  jed- 
weder  Stimme  eine  besonderer  Melodei 
fiihret,  Mit  5.  Stimmen  zusingen  gesetzet, 
etc.  Ycrlegts  Peter  Handel.  Gedruckt  durch 
JoJiann  Beusnern  :  Konigsherg,  1646.    fol. 

G.  75.  a. 
Wanting  the  Bassus. 

Sorgen-Lagerin  das  ist  Etliche  Theile 
Geistlicher  vnd  Weltlicher  zur  Andacht 
vnd  Ehren-lust  dienende  Lieder.  (Erster 
Theil  newer  Geistlicher  vnd  Weltlicher 
Lieder,  welche  theils  allein,  theils  in  ein 


WEICHSELL— WEIDEMAN 


657 


Damon  and  Flavella. 
1745  ?]     s.  sh.  fol. 


Positiv,  Clavicimbel,  Spinet,  Theorbe, 
Harff,  Laute,  Bandoer,  Viole  di  Gamba 
zu  singen,  etc.)  (Ander  Theil  Newer. . . 
Lieder,  welche  in  ein  voUstimmiges  In- 
strument mit  1.  2.  vnd  3.  Stimmeu  zu 
singen,  etc.)  (Dritter  Theil  Newer  .  .  . 
Lieder,  welche  in  ein  vollstimmigges 
Instrument  zu  singen,  etc.)     3  pts. 

Gcdruckt  diirch  Johann  Reusnern  in 
Verlegung  Sel.  Peter  Handels  Witwen : 
Eunigsberg,  1648.     fol.  G.  75. 

WEICHSELL  (Carl)  A  Favorite  Solo 
for  the  Violin  and  Bass,  etc.     No.  1. 

Printed  for  G.  Goulding  :  London, 
[1795  ?J    fol.  g.  422.  h.  (2.)   j 

See  Orpheus  and  Euuydice.     Orpheus  ' 
and  Eurydice,  a  Grand  Serious  Opera, . . . 
composed  by  Gluck,. .  .Weichsel,  etc. 
[1792.]    ohl.  fol.  E.  91.  e.  1. 

WEICHSELL,  afterwards  BILLING- 
TON,  afterwards  EELLISENT  (Eliza- 
beth) Three  Lessons  for  the  Harpsichord 
or  Piano  Forte. .  .by  Elizabeth  Weichsell, 
a  Child  eight  Years  of  Age.  Welcker  : 

London,  [1775  ?j     obi.  fol.       e.  5.  b.  (5.) 

Six  Sonata's  for  the  Piano  Forte  or  Harp- 
sichord .  .  .  Composed  by  Elizabeth 
Weichsel  in  the  Eleventh  Year  of  her  Age 
Opera  2''".  Printed  for  the  Author  : 

London,  [1779  ?]     fol.  h.  726.  1.  (8.) 

The  first  page  contains  Mis.  Billington's 
autograph. 

WEIDEMAN  (Charees  Frederick)  Sis 
Concertos  iu  Seven  Parts  for  One  and 
Two  German  Flutes,  Two  Violins,  a  Tenor, 
with  a  Thorough  Bass  for  the  Violoncello 
and  Harpsichord  .  .  .  Opera  Secouda. 
Publish'd  by  the  Author.  [Separate 
Parts.]  Printed  for  lohn  Walsh: 

London,  [1745  ?]     fol.  g.  674.  a. 

Six  Concertos  in  8  Parts  for  Two  German 
Flutes,  Two  Violins,  Two  French  Horns, 
a  Tenor,  with  a  Bass  for  the  Violoncello 
and  Thro'  Bass  for  the  Harpsicord.  Opera 
Settima,  etc.     [Separate  Parts.] 

Printed  for  I.  Walsh:  London, 
[1765  ?]    fol.  g.  674.  d. 


[Song.]     \^London, 
Or.  313.  (89.) 


[Damon  and  Flavella.]  When  first  by 
fond  Damon.  [Song.]  Sung  by  Mr.  Lowe 
at  Vaux-hall  Gardens.  [London, 

1749.]     8".  P.P.  5438.  z. 

Universal  Magazine,  Yol.  V.,  p.  81. 

[Damon  and   Flavella.]    When    first   by 
fond  Damon.     A  Neiu  Song,  sung  by  Mr. 
Lowe,  at  Vaux-Hall  Gardens,  etc. 
[Lo7idon,  1749.]     8".  157.  1.  11. 

London  Magazine,  1749,  p.  332. 

VOL.    II. 


WEIDEMAN  (Charles  Frederick) 
[Damon  and  FlaveUa.  Another  edition.] 
When  first  by  fond  Damon.  [Song.] 
Sung  by  Mr.  Lowe  at  Vaux-Hall-Gardens. 
[London,  1750?]  s.sh.iol.  G.  305.  (281.) 
When  first  by  fond  Damon.  [Song.]  Sung 
by  Mr.  Lowe,  at  Vaux-Hall  Gardens. 
See  Chloe.  Chloe,  or  the  Musical  Maga- 
zine, e/c.     No.  2P.     [1760?]     fol. 

G.  433. 
Six  Duets  for  Two  German  Flutes  . . . 
Opera  Quarta.  Printed  for  the  Author: 
Lotulon,  [1751.]     fol.  g.  674.  c 

Six   Duets   for   Two   German   Flutes  . . . 
Opera  Sexta.  Printed  for  I.  Walsh: 

London,  [1765  ?]     fol.         g.  674.  c.  (3.) 
[Another  copy.]  g.  280.  b.  (18.) 

The   Garland.      [Song.]      The   Words   by 
Mr.  Prior.     [London,  1750.]     s.  sh.  fol. 

G.  305.  (98.) 
[Another  copy.]  G.  312.  (93.) 

Joy  enlightens  all  mv  senses.     [Song.] 
[London, 1750?]    s.  sh.  fol.    G.  309.  (16.) 
Weideman's    Favorite    Minuet,    for     the 
Harpsicord  Two  German  Flutes  or  Two 
Guittars.     [London,  1770  ?]     fol. 

H.  1994.  a.  (143.) 
Weideman's  New  Minuet.  [London, 

1760?]    s.sh.iol.         H.  1994.  a.  (21.) 
The  Old  Buff's  March.     [FuU  Score.] 

[Londo«,  1770  ?]     s.sh.iol. 

H.  1994.  a.  (218.) 

[Another  edition.]     The  Old  Buffs  March. 

[Full  Score.]    [Lojidan?  1180?]   s.sh.iol. 
H.  1601.  a.  (112.) 

Twelve   Solos  for   a   German   Flute   and 

Harpsicord  . . .  Opera  Quinta. 

Printed  for  I.  Walsh: 

London,  [1755  ?]    fol.         g.  674.  c.  (2.) 

Six  Sonatas  in  three  Parts.    Two  for  Two 

German  Flutes  and  a  Bass  and  Two  for 

Three  German  Flutes  without  a  Bass  . . . 

Opera  Terza.     [Separate  Parts.] 

Printed  for  the  Author  : 

London,  [1751.]    fol.  g.  674.  b. 

XII.  Sonatas  or  Solos  for  a  German  Flute 

with  a  Thorough  Bass  for  the  Harpsicord 

or  Violoncello.        Printed  for  Lv  Walsh  : 

London,  [1745  ?]    fol.  g.  674. 

When  Beauty   we   enjoy.     [Song.]     The 

Words  by  B.  England,  etc. 

[London,n50?]    s.sh.iol.   1.530.(169.) 

When  first  by  fond  Damon. 

See  supra  :  [Da7non  and  Flavella.'] 

See  Lessons.  Select  Lessons  . . .  for  Two 
German  Flutes  Extracted  from  the  Works 
of  . . .  Weideman,  etc.     [1735  ?]     obi.  4^ 

b.  30.  (2.) 
See  MusiCA  Curiosa.     Musica  Curiosa  or 
a  Curious  Collection  of  . . .  Airs  Compos'd 
by  Messrs.  Granno,  Weideman,  etc. 
[1745  ?]     obi.  4°.  b.  30.  (1.) 

2  u 


658 


WEIGH— WEINLEIN 


WEIGH    (John)      Blythe    Strephon    the 
Airiest   of   the   gay   throng.      A   Pastoral 
Ballad   with    an    Accompaniment     for    a 
Violin  or  Harp.     The  Words  by  a  Lady. 
Gouldiyig  d  Co. :  London,  [1799.]     fol. 

G.  808.  h.  (42.) 
Glees,  for  Three  Voices ;  also  adapted  as 
Songs,  etc.  William  Wright, 

for  the  Author :  Newcastle,  [1795  ?]     fol. 

G.  808.  h.  (43.) 

WEIGHING.     Weighing  Anchor.     Song. 
See  Spickam  (E.  E.) 

WEIGL  (Joseph)     A  me,  a  me  credete. 
See  infra  :  \_La  Principessa  d'  Amalfi.] 

Ah  spiegarti  oh  Dio  vorrei. 

See  infra:  [Gli  Amori  Marinari.'] 

Ah  se  un  core  all'  infedele.  Rondo,  con 
Recitativo — Misera  me,  x^er  il  Clavicembalo 
. . .  Cantato  dalla  Sig"  Feraresi  nell  Opera 
la  Pastorella  Nobile  del  Sig'  Guglielmi. 

Presso  Artaria  Comp.  :   Vienna, 
[1795?]    ohl.lol.  E.  1039.  (6.) 

[Gli  Amori  Marinari.]   L'  Amor  Marinaro. 
Duetto  :  Ah  spiegarti  oh  Dio  vorrei. 
[7ienjia?1800?]     ohl.lol.      E.  870.  (7.) 

Pria  che  1'  impegno.  See  Gelinek  (J.) 

12  Variations  pour  le  Clavecin  . . .  sur  le 

Trio,  Pria  che  1'  impegno,  etc. 

[1800  ?]     ohl.  fol.  f.  133.  b.  (5.) 

L'  Amor    Marinaro.        Aria  :    Soavi 

acuti  dardi,  rassembrano  i  suoi  sguardi. 
[Vienna?  1800?]     ob^.  fol.      E.  870.  (9.) 

L'  Amor  Marinaro.  Polonoise  :  Torni 


Serena  r  alma.    [Vienna?  1800  7]    obi.  fol. 

E.  870.  (8.) 
La  cagion  del  vostro  affanno. 
See  infra  :  [La  Principessa  d'Amalfi.] 

Del  mio  cor  1'  acerba  pena. 

See  infra  :  [La  Principessa  d'Amalfi.'] 

Forse  abbastanza. 

See  infra  :  [La  Priyicipessa  d'  Amalfi.] 

[Giulietta  e  Pierotto.]     Se  sapeste  quanto 
ei  mi  ama.  See  Andre  (J.)  Neue  Theater- 
Gesange,  etc.     Theil  2.     No.  8. 
[1797  ?]     obi.  fol.  E.  59.  b. 

In  qual  barbaro  cimento. 

See  infra  :  [La  Principessa  d'  Amalfi.'] 

[La  Principessa  d'  Amalfi.]  Overture  per 
il  Clavicembalo  dell'  Opera  La  Principessa 
d'  Amalfi,  etc.  Presso  Artaria  d  Comp. : 
Vienna,  [1795?]     ohl.  fol.     E.  668.  f.  (1.) 

A  me,  a  me  credete.     Aria  .  . .  per  il 

Clavicembalo,  etc. 

Presso  Artaria  d  Comp.  : 
Vienna,  [1795  ?]     obi.  fol.     E.  668.  f.  (2.) 

La  Cagion  del  vostro  afEanno.  Duetto 

. . .  per  il  Clavicembalo,  etc. 

Presso  Artaria  d  Comp. : 
Vienna,  [1795  ?]     ohl.  fol.     E.  688.  f.  (5.) 


WEIGL  (Joseph)  [La  Principessa  d' 
Amalfi.]  Del  mio  Cor  1'  acerba  pena, 
Rondo . . .  con  Recitativo,  Lungi  s'  en  vada 
per  il  Clavicembalo,  etc. 

Presso  Artaria  d  Comp.  : 
Vienna,  [1795  ?]     obi.  fol.     E.  688.  f.  (7.) 

Forse  abbastanza.      Aria  .  .  .  per  il 

Clavicembalo,  etc. 

Presso  Artaria  d  Comp.  : 
Vienna,  [1795  ?]    ohl.  fol.     E.  688.  f.  (4.) 

In  qual  barbaro  cimento.     Aria  . . . 

per  il  Clavicembalo,  etc. 

Presso  Artaria  d  Comp.  : 
Fienna,  [1795?]     obl.lol.     E.  688.  f.  (6.) 

Senza  speranza.  Aria. .  .per  il  Clavi- 
cembalo, et£.  Presso  Artaria  d  Comp. : 
Vieyma,  [1795  ?]     obi.  fol.     E.  688.  f.  (3.) 

Senza  speranza. 

See  supra :  [La  Principessa  d' Amalfi.] 

Soavi    acuti    dardi,   rassembrano    i    suoi 

sguardi.     Aria. 

See  supra  :  [Gli  Aynori  Marinari.] 

Torni  serena  1'  alma. 

See  supra  :  [Gli  Aynori  Marinari.] 

L'Uniforme.  Dramma  Eroi-comico  in 
tre  Atti.  Poesia  di  G.  de  Carpani  .  .  . 
Ridotto  per  il  Piano-Forte. — Die  Uniform 
.  . .  nach  dem  italienischen  von  Treitschke. 
Ital.  &  Gcr.    T.  Wcigl :  Wien,  [1798.]    fol. 

H.  658. 

WEIGL    (Thaddaeus)      [Der    Jahrmarkt 

zu  Griinwald.]      Ouverture  und  Gesange 

aus  dem  Singspiele  Der   lahrmarckt   zu 

Griinwald  oder  Die  Marionetteubude. 

Ln  Verlage  des  Musicalischen 
Magaziyis  auf  der  Hohe :  BraunscJiweig, 
[1795  ?]     ohl.  fol.  E.  668.  g. 

WEIHNACHT.  Ein  Weyhenacht  Gsang- 
lein.  In  seiner  aignen  Melodey.  [Hymn 
for  2  voices.]  See  Mein.  Mein  Mundt 
der  singt,  etc.     1737  [1637].     12°. 

11522.  de.  19.  (2.) 

WEILAND  (Julius  Johann)  Aevreporo- 
Kos,  hoc  est,  Sacratissimarum  Odarum 
Partus  quern  post  primum  maxim^ 
ponderosis  divorum  patrum,  ut  &  aliorum 
pientissimorum  verbis . . .  accommodatum 
&  concinnd  suavissimarum  Harmoniarum, 
ut  &  amoend  Symphoniarum  gratia  ex- 
ornatum  . . .  exponit  Julius  Weiland,  etc. 
Vox  Prima  (Secunda)  (Tertia).  (Violinum 
Secundum.)  (Bassus  Generalis.)  5  pts. 
Typis  Jacobi  Eohleri  :  Brxnix,  1656.     4°. 

A.  438. 

WEILLAND  (  )  Harmonie  pour,  Deux 
Clarinettes,  Deux  Hautbois,  Deux  Bassons, 
et  Deux  Cors.     [Separate  Parts.] 

Broderip  d  Wilkinson  : 
London,  [1800  ?]     fol.  h.  125.  (20.) 

WEINLEIN"  (Josaphat) 
See  PuLsiTivA  (J.)  pseud. 


WEINLICH— WELCOME 


659 


WEINLICH  (Christian  Ehregott) 
See  Weinlig  (C.  E.) 

WEINLIG  (Christian  Ehregott)  Der 
Christ  am  Grabe  Jesu.  Oratoriuin  nach 
der  Poesie  des  Herrn  .  .  .  Berger,  etc. 
[P.  F.  Score.]  Bey  dem  Verfasscr  : 

Dresden  tiiid  Leipzig,  1788.     obi.  fol. 

F.  388. 
See  Freemasons'  Songs.  Gesauge  fiir 
Maurer  mit  . . .  Melodien  vou  . .  .  ^Yeinlig, 
etc.     [1782.]     8°.  E.  1718. 

See  Kriegel  (C.  F.  W.)     XXXVI.  Lieder 

. . .  von  . . .  Weinlicb,  etc. 

[1790-1.]    obi.  fol.  E.  679. 

WEIPPERT  (John  Erhardt)  Absence. 
A  Favorite  Song,  for  the  Pedal  Harp  or 
Piano  Porte  . . .  written  by  T.  A.  Beckles, 
etc.  Longman  d:  Broderip,for  the  Authoi- : 
London,  [1797  ?]     fol.  G.  365.  (42.) 

Ar  Hyd  y  Nos,  A  Favorite  Welsh  Air,  with 
New  Variations. .  .as. .  .Perform'd  on  the 
Pedal  Harp  at  the  Theatre  Royal  Drury 
Lane,  iu  Harlequin  Amulet,  etc. 
Weippert:  London,  [1800.]     fol. 

H.  2819.  (5.) 
God  save  the  King,  with  Variations  for 
the  Pedal  Harp,  etc.  Kauntzc  &  Hyatt : 
London,  [1800?]     fol.        g.  270.  e.  (27.) 

Four  Sonatas  for  the  Pedal-Harp,  Harp- 
sichord, or  Piano-Forte  ;  with  an  Accomp- 
animent for  the  German-Flute  or  Violin 
&  Violoncello . . .  Op.  ii.  [Separate  Parts.] 
Longman  <&  Broderip,  for  the  Author  : 
ionrfow,  [1796  ?]    fol.       g.  192.  a.  (22.) 

WEIS  (Friedrich  Wilhelm)  Lieder  mit 
Melodien.  Christian  Ivcrsen  und 

Compagnie  :  Liibeck,  1775.     obi.  fol. 

C.  598.  (1.) 

Lieder  mit  Melodien . . .  Zweyte  Samm- 
lung.  Christian  Iversen  und  Compagnie : 
Lilbcck,  1776.     obi.  fol.  C.  598.  (2.) 

Lieder  mit  Melodien. . . Dritte  Sammluug. 

J.  G.  I.  Breitkopf :  Leipzig, 

1779.    obi.  fol.  C.  598.  (3.) 

WEISBECK  (Nicolas)  Vom  Heiligen 
Ehestand  Ein  Christliches  Colloquium  . . . 
Den  beyden  .  .  .  Personen,  Als  dem 
Edlen  .  .  .  Otto  Christof  von  Kerst- 
lingeroda  .  .  .  Breutigam,  Vnd  dann 
der  Edlen  .  .  .  Jungfrawen  Beatae  von 
HopSgarten  . . .  Braut  . . .  Als  sie  auff  den 
14  Martii. .  .Anno  1614. .  .ihr  Christliches 
.  .  .  Beylager  .  .  .  solenniter  celebrirt . . . 
zu  . . .  Ehren  AuS  jr  beyder  Namen  Reim- 
vnd  Gesaugsweise  gerichtet,  vnd  mit  4. 
Stimmen  . . .  zu  singen  ad  eequales  com- 
ponirt,  etc.  Discantus.  (Altus.)  (Tenor.) 
(Bassus.)  (Quinta  Vox.)  5  pts. 
Bey  Martin  Wittel  :  Erffurdt,  1614.     4°. 

B.  149. 


WEISS  (Carl)  Six  Quartettes  for  a  Flute, 
Violin,  or  two  Flutes,  Tenor  and  Bass  .  .  . 
Op"  IV.  [Separate  Parts.]  Printed  for 
the  Author  :  London,  [1782  ?]     fol. 

g.  411.  a.  (2.) 
Six  Solos  for  the  German  Flute  and  Bass 
.  .  .  Opera  iii.  John  Wclckcr  :  London, 
[1780?]     fol.  g.  280.  c.  (6.) 

Six  Solos  for  the  German  Flute  and  Bass 
.  .  .  Opera  iii.  Longman  and  Broderip  : 
London,  [1785?]     fol.       g.  225.  b.  (10.) 

Six  Trios  for  a  German  Flute  a  Violin  & 
Violoncello,  etc.     [Separate  Parts.] 
Welcker:  London,  [1715  7]     fol. 

h.  2852.  a.  (4.) 

Six  Trios  for  a  German  Flute,  Violin  and 

a   Bass  .  .  .  Opera  ii''      [Separate   Parts.] 

Printed  for  W.  Napier:  London, 

[1780?]    fol.  h.  2852.  a.  (5.) 

WEISS  (G.)  Three  Quartetts  for  a  Flute, 
Violin,  Tenor  and  Violoncello  .  .  .  Opera  5. 
[Separate  Parts.]  W.  Miller,  for 

the  Author  :  London,  [1790  ?]     fol. 

h.  229.  (9.) 
See  Neubaur  (F.)  Three  [or  rather  Six] 
Trios. .  .Adapted  for  Three  Flutes  ...  by 
G.Weiss.     [1790?]     fol.         g.  222.  (8.) 

WEISSE  (Michael)  See  Hymns.  [_6.  Ger- 
man.]  Ein  New  Gesengbuchlen.  [With 
a  Preface  by  M.  Weisse.]     1531.     4°. 

3425.  ce.  26. 

WELCOME.  Welcome  all  who  sigh  with 
truth.  Air.  See  Geminiani  (P.)  [Sonate. 
Op.  ir.     No.  5.     Allegro.] 

Welcome  as  the  flowers  in  May.  [Song.] 
See  Stevenson  {Sir  J.  A.) 

Welcome  Damon  to  my  Breast.     Song. 
See  Hayden  (G.) 

Welcome  death,  the  cure  of  all  my  sorrow. 
The  Langiiishiyig   Lady;    or,  the   False- 
hearted    Lovers     Unspeakable     Cruelty. 
.  .  .  [Ballad.]    To  an  Excellent  New  Tune. 
Printed  for  C.  Bates  :  [London, 
1625  ?]     s.  sh.  fol.    Case  39.  k.  6.  (52.) 
The  music  is  represented  by  a  meaning- 
less succession  of  7iotes,  etc. 

Welcome  Linco,  welcome  home.  [Song  & 
Chorus.]     See  Lingo's  Travels. 

Welcome  Nelson  Home  again.     Song. 
See  Never.     Never  yet  in  Ancient  story, 
etc.    [1798.]     fol.  G.  376.  (48.) 

The  Welcome  Retreat  from  the  Storm. 
Ballad.     See  Denning  (T.) 

Welcome  Sun  and  Southern  Show'rs.     A 
Neio  Song.     Wrote  by  a  Lady  on  leaving 
the  Town  for  the  Summer  Season. 
[London,  1758.]      s.  sh.  8°. 

P.P.  5439.  ab. 
Neio  Universal  Magazine,    Vol.   XIII., 
Stipplement. 

2  u  2 


660 


WELCOME— WELDON 


WELCOME.  Welcome  Sun  and  southern 

Show'rs.      A  New  Song,   etc.      [London, 

1759.]     8°.  P.P.  5438.  z. 

Universal  Magazine,      Vol.      XXIV., 

p.  370. 

Welcome    sweet    day    of  rest.       Hymn. 

[Words  by  Dr.  Watts.]  [London, 

1779.]     8°.  P.P.  716.  b. 
Gospel  Magazine,  1779. 

Welcome  sweet  pleasure.  A  Favourite 
Madrigal  [by  T.  Weelkes]  etc.  [London,'] 
1790.     s.  sh.  4°.  P.P.  5141. 

Lady's  Magazine,  Aug.,  1790. 

Welcome  thou  whose  deeds  conspire. 
Duetto.     See  Haendel  (G.  F.)  [JepMlia.] 

Welcome  to  aU  the  pleasures.     Ode. 

See  PoRCELL  (H.)     [Ode  for  St.  Cecilia  s 

Day,  1683.1 

Welcome  welcome  Brother   debtor.     The 

Debtor's    Welcoyne   to    their  Brother,   etc. 

[Song,  words  by  0.  Cofiey.]  [London, 

1730  ?]    s.  sh.  fol.  G.  307.  (34*.) 

[Another  edition.]  Welcome,  welcome, 
Brother  debtor.  The  Debtor's  Welcome  to 
their  Brother.    [London,  1730  ?]    s.  sh.  fol. 

G.  316.  f.  (85.) 
WELDON  (John)  [The  Agreeable  Dis- 
appointment.] Love  in  her  Bosonie  end 
my  Care.  The  Marri[a]ge  Song.  Sung  by 
Mrs.  Hudson  in  [Love  Betray'd,  or]  the 
Agreeable  Disapointment  [a  Comedy  by 
C.  Burnaby],  etc.  [^London, 

1703  ?]    s.  sh.  fol.  G.  310.  (16.) 

An  Amorous  swain  to  Juno  pray'd.  A 
Song,  etc.     [London,  1710  ?]     fol. 

G.  315.  (114.) 
As  a  Tyrant  when  degraded.  A  Song. 
Sung  by  Mr.  Laroon,  etc.  [London, 

1702  ?]     s.  sh.  fol.  G.  306.  (33.) 

As  the  Snow  in  Valleys  lying.  A  So7ig. 
Sung  by  Mrs.  Hudgson,  etc.  [London, 

1702  ?]     s.  sh.  fol.  G.  306.  (32.) 

At  Noon  in  a  sultry  Summer's  day.  A 
Song,  etc.  [Words  by  the  Earl  of  Dorset.] 
[London,  1705  ?]     s.  sh.  fol.    G.  304.  (6.) 

Celia  my  heart  has  often  rang'd. 

See  infra  :  [She  would  and  she  would  7iot.] 

Celia  you  in  vain  deceive  me.  A  Song, 
etc.     [London,  1720  ?]     s.  sh.  fol. 

H.  1601.  (98.) 

Clarinda.     A  Song,  etc.  [London, 

1705  ?]     s.  sh.  fol.  G.  304.  (30.) 

Cloe  thou  Goddess  of  my  Youth.  A  Song, 
etc.     [London,  1705  ?]     s.  sh.  fol. 

G.  304.  (32.) 
A  Collection  of  New  Songs  accompagni'd 
with  Violins  and  Flutes  with  a  Thorow 
Bass  to  each  Song  for  y^  Organ  or  Harp- 
sicord.  Printed  for  I.  Walsh  :  London, 
[1707?]     fol.  G-.  301.  (1.) 


WELDON  (John)  A  Collection  of  New 
Songs  with  a  Through  Bass  to  each  Song 
for  the  Harpsicord  .  .  .  Perform'd  at  his 
Consort  in  York  Buildings.  I.  Walsh  : 
London,  [1101  ?]     fol.  G.  301.  (2.) 

Mr.  Weldon's  Third  Book  of  Songs  be- 
gining  with  single  Songs  Perform'd  at  the 
Consorts  in  York  Buildings  and  at  y" 
Theatres  as  also  Symphony  Songs  for 
Violins  and  Flutes  never  before  Publish'd. 
Carefully  Corrected  by  y"  Author. 
Printed  for  I.  Walsh  :  London,  [1710  ?]  fol. 

G.  301.  a. 

Divine  Harmony.  Six  Select  Anthems 
for  a  Voice  alone  with  a  Thorow  Bass  for 
the  Organ,  Harpsicord  or  Arch-Lute  .  .  . 
Perform'd  by  the  late  Famous  Mr.  Elford, 
etc.  (Divine  Harmony.  The  2*  Collec- 
tion being  Select  Anthems  for  a  Voice 
alone  as  also  some  for  3  and  4  Voices  with 
a  Thorough  Bass  for  y"  Organ,  Harpsicord, 
or  Arch  Lute.  Compos'd  by  Several 
Eminent  Authors  and  perform'd  at  y'' 
Chappel  Royal,  etc.)     2  pts. 

Printed  for  I.  Walsh  and  I.  Hare  : 

Lo7idon,  [1130?]     fol.  H.  820. 

The  composers  of  the  Second  Collection 

are  :  Bloiv,  J.  Clark,  Dr.  P[epusch], 

Norris  and  Goldioin. 

[The  Fair  Unfortunate.]  Ye  words  that 
sighing  fill  the  air.  A  Song  designed  for 
Mrs.  Tofts  in  the  late  Mr.  Charles  Goring's 
Play  call'd  the  Fair  Unfortunate,  etc. 
[London,  1710  ?]  s.  sh.  fol.  G.  314.  (6.) 
This  play  tvas  published  under  the  title 
of '  Irene,  or  the  Fair  Greek.'' 

From  grave  Lessons  &  restraint.  A  Song 
. . .  Sung  by  Mrs.  Bradshaw.  [London, 

1710?]     s.  s7i.  fol.  H.  1601.  (148.) 

[Another  edition.]  From  grave  Lessons 
&  restraint.  A  Song. .  .Sung  by  Mrs. 
Bradshaw.  Cluer :  [London, 

1715?]     s.sh.iol.  G.  316.  g.  (22.) 

Hope,  thou  Nurse.  See  Love  in  a 
Village.  Hope,  thou  Nurse,  etc.  [Duet, 
music  by  J.  Weldon.]     [1780?]     fol. 

G.  296.  (15.) 
[The  Judgment  of  Paris.]  Let  Ambition 
fire  thy  Mind.  Juno['s  Song]  in  the  Prize 
[Music,  i.e.  The  Judgment  of  Paris. 
Words  by  W.  Congreve].  [London, 

1702.]     s.  sh.  fol.  H.  1601.  (270.) 

Let  Ambition  fire  thy  Mind.     Juno 

in  the  Prize,  etc.  Cluer  :  [London, 

1715  ?]     s.  sh.  fol.  G.  316.  g.  (38.) 

-Let  Ambition  fire  thy  mind.   A  Song 

for  Four  Voices,  etc.  [Lo?ifZo«, 

1720  ?]     s.  sh.  fol.  G.  310.  (29.) 

Let   Ambition   fire    thy  Mind.      A 

Song  for  four  Voices  . . .  Engrav'd  from 
the  Original  Copy.  [Lojidon, 

1730?]    s.  s7j.  fol.         H.  1994.  a.  (61.) 


WELDON— WELL 


661 


"WELDON  (John)    Just  Coming  from  Sea. 
The    Saijlors    Song    in    the    Subscription 
.  Musick  . . .  Sung  by  i\Ir.  Doggett. 
lLo7iclon,  n05?]   s.sh.iol.    G.  309.  (74.) 
[Another  copy.]  G.  305.  (175.) 

Let  Ambition  fire  thy  Mind. 
See  supra  :  [The  Judgment  of  Paris.] 
Love  in  her  Bosome  end  my  Care. 
See  supra :  [The  Agreeable  Disappointment.'] 
My  wishing  Eyes.     A  Song,  etc. 
[London,  1700  ?]     fol.         G.  304.  (104.) 
Panthea,  A  Song. .  .Sung by  Mrs.  Campion 
at  the  Theater  Rovall.  [London, 

1700?]     fol.  "  K.  7.  i.  2.  (5.) 

[Another  copy.]  G.  311.  (2.) 

[Another  edition.]     Panthea,  etc. 
[London,  YiOO'i]     fol.         G.  304.  (126.) 

Prithee  Celia  ease  my  Pain.  A  Song,  etc. 
[London,  1702.]     fol.  G.  304.  (125.) 

Reason,  what  art  thou.     A  Song  . . .  The 
Words  by  Capt.  John  Lawrence. 
[London,  1700  ?]     fol.        K.  7.  i.  2.  (7.) 

[Another  copy.]  G.  304.  (130.) 

[She  would  and  she  would  not.]  Celia 
my  heart  has  often  Rang'd.  A  Sojig 
Sung  by  Mrs.  Campion  in  the  Comedy  [by 
C.  Gibber]  call'd  She  wou'd  and  She  wou'd 
not,  f^c.     [London,  1703  ?J     s.  s7;.  fol. 

G.  304.  (29.) 
[Another  edition.]  Celia  my  Heart  has 
often  rang'd,  etc.  [London, 

1703?]     s.sh.iol.  H.  1601.  (114.) 

[Another  edition.]  Celia  my  Heart  has 
often  rang'd,  etc.  Printed  for  Jn"  Cullen  : 
[London,  1106  •?]  s.sh.iol.  G.  303.  (76.) 
Stop,  0  ye  Waves.  A  Song  . . .  sung  by 
Mrs.  Lindsey  &  exactly  engrav'd  by  T. 
Cross.     [Londo7i,  1700  ?]     s.sh.iol. 

H.  1601.  c.  (6.) 
Stop,  0  ye  Waves.  Orpheus'  Song  to  the 
Waves. .  .Sung  by  Mrs.  Linsey.  [London, 
1710?]     s.  s7i.  fol.  H.  1601.  (386.) 

[Another  edition.!  Stop,  0  ye  Waves,  etc. 
[London,  1710?]  '  s.  sh.  fol. 

K.  7.  i.  2.  (4.) 
[Another  copy.]  G.  311.  (65.) 

Swain  thy  hopeless  passion  smother.  A 
Song,  etc.  T.  Cross  jun^' :  [London, 

1700?]     s.  s7i.  fol.  G.  311.  (63.) 

Take  heed  Bellinda.  A  Song  .  .  .  The 
words  by  a  Lady.  Sung  by  l\Irs.  Campion 
att  the  Consort  in  York  Buildings  and 
att  the  Theatre.  [Lo7idon, 

1710  ?]     s.  sh.  fol.  H.  1601.  (435.) 

[Another  edition.]  Take  heed,  Bellinda. 
A  Song,  etc.     [London,  1710  ?]     s.  sh.  fol. 

G.  316.  g.  (62.) 

To  Silvia's  Charms  a  Captive  made.     A 

Song  . . .  Sung  at  the  Theatre. 

[London,  1705  ?]     fol.  G.  305.  (83.) 


WELDON  (John)  Tormenting  Jealousy 
begon.  A  Nciu  Song.  The  Words  by  a 
Lady,  etc.     [London,  1710?]     s.  sh.  fol. 

G.  315.  (28.) 
The  wakefuU  Nightingale  that  takes  no 
rest.  A  Song  . . .  exactly  engrav'd  by  Tho. 
Cross.     [London,  1700  ?]     s.  sh.  fol. 

K.  7.  i.  2.  (1.) 
[Another  edition.]  The  wakefull  Nightin- 
gale that  takes  no  rest,  etc.  [London, 
1705  ?]     s.  sh.  fol.                G.  304.  (141.) 

[Another  copy.]  G.  312.  (40.) 

[Another  edition.]  The  Wakefull  Nightin- 
gale. [Song.]  [London, 
1710?]     s.sh.iol.            H.  1601.  (437.) 

When  your  Angellick  Face  I'd  seen.     A 
Song  on  a  Beauteous  Lady  who  had  bin 
playing,  before  the  Author  came  in,  etc. 
[London,  1700  ?]     s.  sh.  fol. 

G.  304.  (167.) 
Whv  will  Clemene.     A  Song,  etc. 
[London,  1700  ?]     fol.        K.  7.  i.  2.  (6.) 

Ye  winds  that  sighing  fill  the  air. 
See  supra  :  [The  Fair  Unfortimatc.] 

See  Habmonia  Anglicana.  Harmonia 
Anglicana  ...  A  Collection  of  . . .  Songs . . . 
by  . . .  Weldon,  etc.     [1765  ?]     fol. 

G.  103.  b. 
See  Love  in  a  Village.     A  New  Edition 
of  Love  in  a  Village,  a  Comic  Opera  . . . 
The  Music  by  Abel, . . .  Weldon,  etc. 
[1795?]     fol.  H.  108. 

See  Thesaurus  Musicus.  Thesaurus 
Musicus.  A  Collection  of  . . .  Part  Songs 
. . .  by  . . .  Weldon,  etc.     [1743  ?]     fol. 

H.  73. 

See  Williams  (A.)  Royal  Harmony  . . . 
Containing  . . .  Anthems  ...  by  ...  J.  Wel- 
don, etc.     [1765  ?]     obi.  fol.         E.  1492. 

See  Williams  (T.)  Harmonia  Coelestis 
...  a  Collection  of  . . .  Anthems  . . .  by  . . . 
Weldon,  etc.     1780.     fol.  G.  970. 

WELDON  (John)  and  SIMONS  (Henry) 
A  Collection  of  Aires  for  two  Flutes  and  a 
Bass.  Compos'd  by  Mr.  J.  Weldon,  Mr. 
Hen"'  Simons  and  others.  Fairly  En- 
graven. [Separate  Parts.] 
Printed  for  I.  Walsh  and  I.  Hare  :  London, 
[1710?]    obi.  fol.  d.  150.  (6.) 

WELL.     Well  away  cruel  Barbara   Allen. 
Song.     See  Hook  (J.) 

Well!    if    I   continue  but    in   the   same 
Mind.     The  Positive  Fair.     [Song.] 
[London,  1758.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XXIII.,  p.  361. 

Well  met,  Amelia,  beauteous  Maid.  Be- 
linda and  Amelia.  A  favourite  Dialogue. 
[London,  1758.]     8".  P.P.  543::<.  z. 

Universal  Magazine,  Vol.  XXIII.,p.  309. 


662 


WELL— WENDLING 


WELL.     Well  met,  my  dear  Sister,  you're 
grown    very    strange.       The    Unthankful 
Servant :    or   a  Scolding  Match  between 
Two  Cracks  of  the  Town,  . . .  [Ballad]    To 
the  Tune  of  If  Love's  a  siceet  Passion,  etc. 
Printed  for  P.  Brooksby,  J. 
Deacon,  J.  Blare,  and  J.  Back  :  [London, 
1695  ?]    s.  sh.  fol.       Case  39.  k.  6.  (8.) 
The  music  is  represented  by  a  meaning- 
less succession  of  notes,  etc. 

Well  mett  my  more  then  Dearest.  The 
Greeting.  A  Song  sung  bv  Mrs.  Reading. 
{London,  1710  ?]     s.  sh.  fol 

H.  1601.  (512.) 
Well  met   pretty  nymph.      TJie   Country 
Wedding.    A  New  Song. 
[Londo7i,  1756.]     8".  P.P.  5438. 

Literary  Magazine,  Vol.  I.,  p.  367. 
Well  met,  pretty  nymph.     The  Country 
Wedding.     [Song.]     [London,  1756.]     8°. 

250.  c.  3. 
Gentleman's     Magazine,    Vol.    XXVI., 
p.  583. 

WELL-A-DAY.  Well-a-day  1  Lack-a- 
day !  Song.  See  Stoeace  (S.)  [My 
Grandmother.] 

WELL-DISPOSED.  The  well  dispos'd 
Organ  Blow'r.  [Song.]  See  Both.  Both 
old  Men  &  young.     [1730  ?]     s.  sh.  fol. 

G.  316.  d.  (44.) 

WELLESLEY  (Gaerett  Colley)  Earl 
of  Mornington.  Here  in  cool  grott.  The 
last  new  Glee  which  gain'd  the  Prize 
Medal.    A7i7ie  Lee  :  Dublin,  [1779.]     fol. 

H.  1601.  a.  (34.) 
Lord  Mornington's  Favorite  Glee.  Here 
in  cool  grot  and  mossy  cell,  for  four 
Voices.     Preston  :  London,  [1800  ?]     fol. 

G.  805.  g.  (61.) 
['Twas  you.  Sir.]  See  'Twas.  'Twas  you, 
Sir.  Admiral  Keppel.  A  New  Catch, 
etc.  [Adapted  to  the  Earl  of  Mornington's 
Catch.]     [1779.]     fol.  G.  305.  (87.) 

See  Amusement  toe  the  Ladies.  Amuse- 
ment for  the  Ladies,  being  a  Selection  of 
. . .  Glees  and  Madrigals  . . .  by  .  .  .  Lord 
Mornington,  etc.     [1791-98.]     obi.  fol. 

E.  61. 

WELSH.     The  Welch  Quack.     Song. 
See  Reeve  (W.) 

WELSH  AIRS.  Six  Welch  Airs  adapted 
to  English  words  [by  Mrs.  Opie],  and 
harmonized  for  two,  three,  and  four 
Voices,  with  an  Accompaniment  for  the 
Piano  Forte  or  Harp  [by  E.  S.  Biggs]. 

Printed  for  R.  Birchall : 
London,  [1795  ?]    fol.  G.  353.  (33.) 

WELSH  MUSIC.  A  Collection  of  Original 
Welsh  Music  for  the  Harp  Piano  Porte 
Flute  or  Violin.  S.  Holden  : 

'Dublin,  [1798.]     fol.  g.  223.  i.  (1.)    I 


WELSH  (Job)  Sacred  Harmony  . . .  Con- 
sisting of  a  variety  of  New  Psalm  & 
Hymn  Tunes  ...  to  which  is  added  two 
Evening  Services  &  an  Anthem  for 
Christmas  Day.  The  Whole  Composed  & 
Arranged  for  Three  &  Four  Voices,  etc. 

Printed  for  the  Authcn- : 
Lo7idon,  [1800  ?]    obi.  4".  B.  469. 

WELSH  (Thomas)  Crazy  Henry  to  crazy 
Jane,  [Song,]  with  an  Accompaniment 
for  the  Piano  Forte,  etc. 

J.  Longman,  Clcmenti  d  Co.  : 
London,  [1800?]     fol.       G.  806.  e.  (68.) 

Fair  Mary,  a  Favorite  Song,  composed  & 
sung  by  Master  Welsh,  at  Vauxhall  Gar- 
dens. A.  Bland  d-  Weller : 
London,  [1796.]     fol.        G.  383.  j.  (30.) 

The  Gentle  Shepherdess,  [Song,]  written 
by  Mr.  Cunningham,  composed  &  sung, 
by   Master   Welsh,   at    the    Academy    of 
Antient  Music.     [Full  Score.] 
J.  Buckinger :  London,  [1796.]     fol. 

G.  365.  (43.) 
I  do  confess  thee  sweet  and  fair.  A  Song 
with  an  Accompaniment  for  the  Piano- 
Forte,  eic.  Printed  for  F.  Yaniewicz  : 
Liverpool,  [1800  ?]     fol. 

H.  2831.  h.  (30.) 
0  Tommy,  Tommy.  A  Favorite  Song  and 
Glee,  written  by  Mr.  Rannie.  The  Music 
by  Master  Welsh. 

Longman  d  Broderip,  for  the  Author : 
London,  [1796.]     fol.  G.  352.  (45.) 

This  is  the  House  that  Jack  built.    [Song.] 
Composed  by  Master  Walsh. 

Longman  and  Broderip  : 
London,  [1796.]     fol.  G.  365.  (44.) 

WELTGERICHT.  Das  Weltgericht. 
Ein  Singestiick.     See  Kuehnau  (J.  C.) 

WENDELSTEIN  (Johann) 
See  DoBNECK  (J.)  Cochlaeus. 

WENDIUS  (Johannes)  Der  Erste  (Ander) 
Theil  Newer  Teutscher  Geistlicher  Lieder 
. . .  mit  3.  Stimmen  zu  singen  vnd  auff 
allerley  Instrumenten  zu  gebrauchen,  etc. 
Bassus.     2  pts.  Pliilip  von  Ohr  : 

Hamburg,  1597.     4^  B.  145. 

WENDLING  (Johann  Baptist)  A 
Favorite  Concerto  for  the  German  Flute 
or  Oboe  in  five  Parts.     [Separate  Parts.] 

Printed  for  J.  Preston  : 
London,  [1785  ?]     fol.     li.  3213.  j.  (16.) 

Six  Duettes  a  Deux  Fhites  Traversi^res . . . 
Oeuvre  Quatri^me.     [Separate  Parts.] 

Chez  J.  J.  Hummel :  Amsterdam, 
[1780?]     fol.  h.  2140.  a.  (10.) 

Six  Duetts  for  two  German  Flutes  . . . 
Opera  vi.  [Separate  Parts.]  W.  Napier  : 
London,  [11757]     fol.  g.  421.  s.  (8.) 


WENDLING— WERCKMEISTER 


663 


WENDLING     (JoHANN     Baptist)       Six 
Duos  pour  deux   Flfttes-Traversieres  .  .  . 
Oiluvre  IX.     Cette  oeuvre  est  arrang^e  par 
J.  Schmitt.     [Separate  Parts.] 
Ches  J.  Schmitt :  Amsterdam,  [1790  ?]    fol. 

g.  280.  b.  (19.) 

Six  Sonatas  for  two  German  Flutes  or 
Violins,  with  a  Thoro'  Bass  .  .  .  Opera 
Prima.     [Separate  Parts.] 

Longvian,  Lukey  <£  Co. : 
London,  [1775  ?]     fol.         g.  225.  a.  (4.) 

Six  Sonatas  for  a  German  Flute  Violin 
and  Bass  or  two  Violins  and  a  Bass  . . . 
Opera  5.  [Separate  Parts.]  W.  Napier  : 
London,  [1775  ?]     fol.  g.  409.  (12.) 

[Another  copy.]  h.  2852.  a.  (2.) 

A  Third  Sett  of  Six  Sonatas,  for  a  German 
Flute,  Violin  and  a  Bass,  or  Two  Violins 
and  a  Bass . . .  Opera  vii.  'Separate  Parts.] 
J.  Welcker  :  London,  [1776.]     fol. 

h.  2852.  a.  (1.) 

WENKEL  (JoHANN  Fbiedrich  Wilhelm) 
Clavierstiicke  fiir  Fraueuzimmer. 

Bey  B.  C.  Breitkopf  und  Sohn  : 
Leipzig,  1768.     fol.  H.  5.  (1.) 

Fortsetzung  der  Clavierstiicke  fiir  Frauen- 
zimmer.  Bey  M.  C.  Bock  : 

Hamburg,  1771.     fol.  H.  5.  (2.) 

WENN.   Wenn  d'  Liserl  nur  wolt.  Duette. 
See  Mueller  (W.)      [Das  neu  Sonnta^s 

kiiid.] 

WENNINGTON     (William)      AU    the 

World     satisfied.      [Song.]       Written     & 

composed  by  W.  Wennington. 

[London,  1797  ?]     fol.  G.  365.  (55.) 

Cease,  cruel  Love.  A  Glee  for  Three  Voices, 
written  and  composed  by  W.  Wennington. 
[Lo7idon,  1800?]    fol.  G.  352.  (46.) 

The  Confession.    [Song.]    Written  &  com- 
posed by  W.  Wennington. 
[Londo7i,  1797  ?]     fol.  G.  365.  (52.) 

A  Coup  d'CEil  of  Felicity.  [Song.]  Written 
&  composed  by  W.  Wennington. 
[London,  1797  ?]     fol.  G.  365.  (49.) 

-    Four  Dances.     [P.  F.] 

[Londoti,  1800  ?]     fol.  g.  229.  (18.) 

The  Game  of  Skittles.     [Song.]     Written 
&  composed  by  W.  Wennington. 
[Londo7i,  1797  ?]     fol.  G.  365.  (50.) 

Jack  per  Se.     [Song.]     Written  &  set  to 

Musick  by  W.  Wennington. 

[London,  1797  ?]     fol.  G.  365.  (47.) 

Jane    of    Kilda's    Grove.      A    Ballad  . . . 
written  &  composed  by  W.  Wennington. 
[London,  1797  ?]    s.  sh.  fol.    G.  365.  (56.) 

Jessy.      A  Pastoral  Ballad,  written,  and 
set  to  Music  by  W.  Wennington. 
[London,  1797  ?]   s.  sh.  fol.    G.  365.  (46.) 


"WENNINGTON  (William)  _  Two  short 
Progressive  Lessons  for  the  Piano  Forte, 
and  a  Ground,  with  Variations  thereon, 
to  which  is  added  a  Favorite  Ballad ; 
written,  composed,  &  to  . . .  the  Dutchess 
of  York  . . .  inscribed  by  W.  Wennington. 
Printed  for  Mr.  Astor  : 
London,  [nm  7]     fol.  g.  132.  (14.) 

Pleasure.      [Song.]      Written   &   adapted 

to  Music  by  W.  Wennington. 

[London,  1797  ?]    s.  sh.  fol.   G.  365.  (48.) 

Quod  Vis.     [Song.]     Written  &  composed 
by  W.  Wennington.  [London, 

1797  ?]     s.  sh.  fol.  G.  365.  (54.) 

Taffy  in  Unison.   A  Favorite  Song,  written 
&  composed  by  W.  W^ennington. 
[Lo)idon,  1797  ?]     fol.  G.  365.  (51.) 

To  the  Copse  lead  along.    [Song.]    Written 
&  Composed  by  W.  Wennington. 
[London,  1797  ?]    s.  sh.  fol.   G.  365.  (53.) 

WENZEL  (Johann)     See  Mozart  (W.  A.) 
Idomeueo  . . .  Opera   Seria  .  .  .  aggiustata 
per  il  Piano  Forte  di  G.  Wenzel. 
[1797.]     obi.  fol.  G.  600.  d. 

WER.  Wer  niemals  einen  Rausch  hat 
g'habt.  Aria.  See  Mueller  (W.)  [Das 
ncu  Sonntagskind.l 

Wer  wollte  sich  mit  Grillen  plagen.    Lied. 
See  Greenland  (J.  F.) 

WERCKMEISTER  (Andreas)  Andrese 
Werckmeisters  . . .  Cribrum  Musicum  oder 
]\Iusicalisches  Sieb,  Dariuen  einige  Mangel 
eiues  halb  Gelehrten  Componisten  vorge- 
stellet,  und  das  Bose  von  dem  Guten 
gleichsam  ausgesiebet  und  abgesondert 
worden,  in  einem  Sendschreiben  an  einem 
guten  Freund  dargestellet,  . . .  zum  Druck 
befordert  durch  J.  G.  Carln,  etc. 

Verlegts  Theodor.  Philipp  Calvisius  : 
Quedlinburg  und  Leipzig,  1700.     4°. 

7896.  aaa.  3. 
Der  Edlen  Music-Kunst  Wiirde,  Gebrauch 
und  Missbrauch,  so  wohl  aus  der  Heiligen 
Schrifft  als  auch  aus  etlich  alten  und  neu- 
bewahrten  reinen  Kirchen-Lehrern  .  .  . 
erofinet  imd  vorgestellet,  etc. 
Verlegts  Theodoriciis  Philippus  Calvisius ; 
Franckfurt  und  Leipzig,  1691.     4". 

7896.  b.  1. 
Harmonologia  Musica  oder  Kurtze  An- 
leitung  zur  Musicalischen  Composition, 
etc.  hi  Verlegung  Th^odori  Phil.  Calvisii : 
Franckfurth  und  Leipzig,  1702.     4". 

7896.  aaa.  4. 
Hypomnemata  Musica,  oder'Musicalisches 
^Memorial,  Welches  bestehet  in  Kurtzer 
Erinneruug  dessen,  so  bisshero  unter 
guten  Freunden  discurs-weise,  iusonder- 
heit  von  der  Composition  und  Temperatur 
mochte  vorgangen  seyn,  zu  eigner  Nach- 


664 


WERGKMEISTEK— WERNER 


richt  auffgesezzet  .  . .  von  Andrea  Werck- 
meifcter,  etc. 

In  Ycrkgung  Theodri  Philippi  Calvisii  : 
Quedlimburg,  1697.     4°.       7596.  aaa.  2. 

Musicaa  IMathematicse  Hodegus  Curiosus, 
Oder  Richtiger  Musicalischer  Weg-Weiser, 
das  ist  Wie  man  nicht  alleine  die  natiir- 
lichen  Eigenschafften  der  Musicalischen 
Proportiouen,  durch  das  Monochordum, 
und  Ausrechnuug  erlangen,  Soudern  auch 
verniittels  derselben,  natiirliche  und  rich- 
tige  rationes  iiber  eine  Musicalische 
Composition  vorbringen  konne,  etc. 
In  Vcrlegimg  Theodori  Philippi  Calvisii : 
Franckfurt  und  Leipzig.  Gedruckt  hey 
Christian  Gottschicken,  etc.  Mersehurg, 
1686.    4°.  7897.  e.  13. 

Musicalische  Temperatur,  oder  deutlicher 
. . .  Unterricht,  wie  man  durch  Anweisung 
des  Monochordi  ein  Clavier,  sonderlich  die 
Orgel-Wercke,  Positive,  Regale,  Spinetten, 
und  dergleichen  wol  temperirt  stimen 
konne. .  .Mit  vorhergehender  Abhandlung 
von  deni  Vorzuge,  VoUkommen-  und 
■weniger  Wollkommeuheit  der  Musical- 
ischen Zahlen  .  .  .  Benebst  einem  ...  in 
Kupffer  vorgebildeten . .  .]\Ionochordo,  etc. 
In  Vcrlegimg  Theodori  Philippi  Calvisii  : 
Franckfurt  und  Leipzig,  1691.     4". 

7897.  e.  12. 
Musicalische  Paradoxal-Discourse,  oder 
Ungemeiue  Vorstellungon,  wie  die  Musica 
einen  Hohen  und  Gottlichen  Uhrsprung 
habe,  etc.  Thcodor.  Phil.  Calvisius  : 

Qiiedlinburg,  1707.    4°.     7897.  bb.  1.  (6.) 

Die  Nothwendigsten  Anmerckungen,  und 
Regeln  wie  der  Bassus  Continuus,  oder 
General-Bass  wol  konne  tractiret  werden, 
etc.  G.  E.  Struntze  :  Ascherslcben, 

(1698.)    4".  7895.  aaa.  26.  (2.) 

Die  Nothwendigsten  Anmerckungen,  und 
Regeln  wie  der  Bassus  Continuus  . . .  wohl 
konne  tractiret  werden,  etc.  Audere  Auf- 
lage.  G.  E.  Struntze  : 

Aschersleben,  1715.     4°.    557*.  e.  25.  (6.) 

Organum  Gruningense  Redivivimi,  oder 
Kurtze  Bescbreibung  des  in  der  Griining- 
ischen  Schlos-Kircben  Beriihmten  Orgel- 
Wercks  wie  dasselbe  anfangs  erbauet  und 
bescbaffen  gewesen  :  Und  wie  es  anitzo 
. .  .ist  renoviret  und. .  .verbessert  worden, 
etc.  In  Verlag  Gottlob  Ernst  Struntz  : 

Qucdlinburg  und  Aschersleben,  [1705.]    4°. 

7897.  bb.  1.  (2.) 

Andrese  Werckmeisters . . .  Erweiterte  und 
verbesserte  Orgel-Probe  . . .  Jetzo  von  dem 
Autore  selbst  iibersehen,  mit  griindlicben 
Uhrsacben  bekriifftiget,  und  zum  Druck 
befordert.  In  Verlcgung  Theodori 

Philippi  Calvisii  .  .  .  Gedruckt  bey  Joh. 
Heinrich  Sievert:  Quedlinburg,  1698.     4°. 

7895.  aaa.  26. 
There  is  a  second  (engraved)  title-page. 


WERCKMEISTBE,  (Andreas)  Andrew 
Werckmeisters  . . .  erweiterte  und  verbes- 
serte Orgel-Probe,  etc.  In  Verlcgung  Gott- 
lob Ernst  Struntz :  Quedlinburg  und 
Ascherslcben,  1716.     4°.  7897.  e.  23. 

Andreas  Werkmeisters  erweiterte  und  ver- 
besserte Orgelprobe.  Bey  J.  M.  Teubner  ; 
Leipzig,  1754.     8°.  7897.  aa.  59. 

Orgel-Proef,. .  .uit  bet  Hoogduitsche  ver- 

taald. .  .door  J.  W.  Lustig,  etc. 

A.  Olofsen  :  Amsteldam,  [1755.]     12°. 

7899.  aa.  7. 
Andreas  Werckmeisters  erweiterte  und 
verbesserte  Orgelprobe.  Bey  J.  J.  Loiter  : 
Augsburg,  1783.     8°.  7798.  f.  48. 


[Another  copy.] 


7896.  aa.  31. 


See  Steffani  (A.)  D.  A.  Steffani  .  .  . 
Sendschreiben,  darinnen  enthalten,  wie 
grosse  Gewissheit  die  Musik,  aus  ihren 
Principiis  . . .  habe  .  . .  aus  dem  Italieni- 
schen  .  .  ,  iibersetzt,  und  mit  einigen 
Anmerkungen  erlautert  von  A.  Werk- 
meister,  etc.    1760.     4°.         7898.  h.  36. 

WERE.     Were  Celia  kind  as  she  is  Fair, 
A  Song  set  by  an  Eminent  Master. 
iLondon,  1710?]  s.  sh.  fol.    G.  313.  (20.) 

Were  I  oblig'd  to  beg  my  bread.  The 
favorite  Song  Somebody.  As  sung  ...  by 
Mrs.  Second,  etc.     [Full  Score.] 

Longman  and  Broderip  : 
[London,  1798  ?]     fol.  Q.  798.  (53.) 

[Another  edition.]  Were  I  oblig'd  to  beg 
my  Bread.     Somebody,  etc.  J.  Dale  : 

London,  [1798  ?]   fol.    H.  1994.  d.  (60.) 

[Another  edition.]  Were  I  oblig'd  to  beg 
my  Bread.  The  Favorite  Song  So^nebody, 
etc.  Printed  by  Somebody  : 

[London  ?  1800  ?]     fol.    G.  424.  b.  (10.) 

Were  Phillis  kind  as  she  is  fair.     Song. 
See  Hart  (P.) 

■WERLIN  (Johannes)  Irenodise,  Oder 
Friedens-Gesang.  Das  ist :  Newe  Geist- 
liche  Concert, . . . bey  diesen . . .  Kriegslauff- 
ten,  vmb  . . .  Vatterliche  Widerschenck- 
ung  dess  . . .  Friedens  . . .  zu  gebrauchen. 
Auff  jetzo  gebrauchliche  Italianische 
Invention,  mit  2.  3.  vnd  4.  Stimmen, 
neben  dem  Basso  Continue  verfertiget  . . . 
Bassus  Continuus.  In  Verlcgung  Johann 
Gorlins,  gedruckt  durch  Balthasar  Kilhnen: 
Ulm,16ii.     4".  B.  148. 

WERNER  (Francis)  Eleven  Cotillions 
two  Country  Dances  and  two  Minuets, 
with  their  proper  figures,  for  the  Harp, 
Harpsichord  or  A^'iolin,  etc.  Book  xiii., 
for  the  year  1780.  Printed  for 

W.  Campbell :  London,  [1780.]     obi.  4». 

b.  55.  e.  (2.) 


WERNER— WERT 


665 


"WERNER  (Francis)  Eight  Cotillions,  8 
Country  Dances  and  two  Minuets,  with 
their  proper  Figures,  for  the  Harp,  Harp- 
sichord or  Violin,  etc.  Book  xiv.,  for  the 
year  1781.  \_The  Author: 

London,  1781.]  oU.  4°.  b.  55.  c.  (3.) 
8  Favourite  CotiUious  9  Country  Dances 
and  three  Minuets,  with  their  proper 
Figures,  for  the  Harp,  Harpsichord  or 
Violin,  etc.  Book  xv,  for  the  Year  1782. 
The  Author  :  [London,  1782.]     obi.  4'\ 

b.  55.  e.  (4.) 

7  Favourite  Cotillions,  6  Country  Dances 
and  two  Minuets,  with  their  proper 
Figures  for  the  Harp,  Harpsichord  or 
Violin. .  .Book  xvi,  for  the  year  1783. 

Birchall  and  Andrews  :  London, 
[1783.]     obi.  4°.  b.  55.  b.  (4.) 

10  Favourite  Cotillions,  8  Country  Dances 
and    two    Minuets     with     their     proper 
Figures ...  for  the  Harp,  Harpsichord,  or 
Violin. .  .Book  xvii.  for  the  year  1784. 
W.  Campbell :  London,  [1784.]    obi.  4°. 

b.  55.  b.  (5.) 

8  Cottilions,  6  Favorite  Country  Dances 
and  two  Minuets,  with  their  proper 
Figures  for  the  Harp,  Harpsichord  and 
Violin. .  .Book  xviir,  for  the  Year  1785. 

Printed  for  Birchall  and  Andrews  : 
London,  [1785.]     obi.  4°.       b.  49.  a.  (3.) 

[12  Country  Dances.]     Humbly  Dedicated 
to  the. .  .Subscribers  to  Almacks,  &c. 
W.  Campbell :  London,  [1785  ?]     obi.  8^ 

a.  9.  e.  (8.) 
Fourteen  New  Dances  with  their  Proper 
Figuers  for  the  Harpsichord,  Harp  and 
Violin,  etc.     The  fourth  Book.  John 

Rutherford  :  London,  [1780?]     obi.  4". 

a.  221. 

Six  New  Minuets,  with  three  favorite 
Cotillions  and  figures,  for  the  Harp,  Harp- 
sichord, or  Violin,  etc.  The  Author  : 
\_London,  1775  ?]  obi.  4°.  b.  55.  c.  (1.) 
Imperfect,  loanting  the  Cotillions. 

Six  Favourite  New  Minuets  and  a  new 
Cotillion,  for  the  Harpsichord,  Harp  or 
Violin,  etc.  Printed  for  J.  and  G.  Voglcr : 
London,  [1775  ?]     obi.  4".     b.  55.  b.  (1.) 

Three  New  Minuets  with  Six  favorite 
Cotillions  and  figures,  for  the  Harp,  Harp- 
sichord, or  Violin,  etc.     [3*  Book.] 

Printed  for  J.  and  G.  Vogler :  London, 
[1780  ?]     obi.  4".  a.  26.  c.  (4.) 

Three  New  ]\Iinuets  with  Seven  favourite 
Cotillions  and  Figures  for  the  Harp,  Harp- 
sichord or  Violin,  etc.  For  the  Year  1778. 
J.  Rutherford  :  London,  [1778.]     obi.  4°. 

a.  26.  c.  (2.) 
Four  New  Minuets  with  Six  favorite 
Cotillions  and  Figures  for  the  Harp, 
Harpsichord  or  Violin,  etc.  For  the  Year 
1779.  ir.  Campbell : 

London,  [1779.]     obi.  4".       a.  26.  c.  (3.) 


WERISTER  (Francis)  Six  Favorite  New 
ilinuets  taken  from  the  Quadrill's  pub- 
lished bv  F.  Werner  for  the  Harpsichord, 
Harp  or  Violin,  etc.  J.  Rutherford  : 

London,  [1180?]    obi.  iol.     a.  26.  c.  (5.) 

WERNER  (Gregor  Joseph)  Zwey  neue 
und  extra  lustige  musicalische  Tafel- 
Stiicke.  I.  Der  Wiennerische  Tandl- 
marckt.  Mit  4  Singstimmen,  2  Violinen 
und  Basso  ordinario. .  .II.  Die  Bauren- 
Richters-Wahl.  Mit  5  Singstimmen,  2. 
Violinen  und  Basso,  etc.  [Separate  Parts.] 
J.  J.  Lotters  seel  Erben  :  Atigspurg, 
[1750?]     fol.  O.  619. 

No.  I.  only. 

WERNICH     (Johaxx      Carl     Gustav) 
Versuch  einer  richtigen  Lehrart  die  Harfe 
zu  spielen,. .  .von  J.  C.  G.  W(ernich). 
Be\i  G.  L.  Winter  :  Berlin,  1772.     4°. 

7896.  aaa.  12. 

WERT  (GiACHES  de)  Di  Giaches  Wert 
II  Primo  Libro  delle  Canzonette  Villanelle 
a  Cinque  Voci.  Nouamente  Composte,  & 
date  in  luce.  Canto.  (Alto.)  (Tenore.) 
(Basso.)  (Quinto.)     5  pts.  Appresso 

Anqelo  Gardano  :   Venetia,  1589.     4". 

D.  228.  b. 

Di  Giaches  de  Wert  il  Primo  Libro  de 
Madregali  a  Quatro  uoci  Nouamente 
Ristampato,  etc.     Canto.  (Basso.)     2  pts. 

Aprcsso  di  Antonio  Gardano  :  Venetia, 
1564.     obi.  4".  A.  355.  q. 

Di  Giaches  de  Wert  II  Primo  Libro  de 
]Madrigali  a  Quattro  Voci,  Nouamente 
Ristampato.  Canto.  (Alto.)  (Tenore.) 
(Basso.)     4  pts.  Appresso  Angela 

Gardano:  Ve7ietia,1583.  obl.i".  A.  355. 
Di  Giaches  de  Wert  il  Primo  Libro  de 
Madregali  a  Cinque  Voci,  Nouamenti  con 
Noua  Giunta  Ristampati,  etc.  Canto. 
(Quinto.)     2  pts.  Ajvesso  di  Antonio 

Gardano  :  Venetia,  1564.    obi.  4". 

A.  355.  p. 

Di  Giaches  de  Wert  II  Primo  Libro  de 
jNIadrigali  a  Cinque  Voci,  nouamente 
Ristampati.     Alto.  (Basso.)     2  pts. 

A2W^^^"  ^4.ngelo  Gardano  :  Venetia, 
1583.    obi.  4".  A.  355.  a. 

Di  Giaches  de  Wert  il  Secondo  Libro  de 
Madregali  a  Cinque  Voci,  Nouamente  con 
Noua  Giunta  Ristampati,  etc.     Canto. 

Ajypresso  di  Antonio  Gardano:  Venetia, 
1564.     obi.  4°.  A.  355.  o. 

Di  Giaches  de  Wert  II  Secondo  Libro  de 
Madrigali  a  Cinque  Voci,  nouamente 
Ristampati.     Alto.  (Basso.)     2  pts. 

Appresso  Angelo  Gardano  :  Venetia, 
1596.     obi.  4^  A.  355.  b. 

Di  Giaches  de  Wert  il  Terzo  Libro  di 
]\Iadrigali  a  Cinque  Voci,  Nouamente  per 
Antonio  Gardano  ristampato,  etc.     Canto. 

Appresso  di  Antonio  Gardano :  Venetia, 
1566.     obi.  i".  A.  355.  n. 


666 


WERT— WESLEY 


WERT  (GiACHES  de)  Di  Giaches  de  Wert 
II  Terzo  Libro  de  Madrigali  a  Cinque 
Voci,  Nouamente  Ristampato.  Alto. 
(Basso.)     2  pts. 

Appresso  Angela  Gardano  :  Venetia, 
1592.     obi.  4°.  A.  355.  c. 

Di  Giaches  de  Wert  II  Quarto  Libro  de 
Madrigali  a  Cinque  Voci,  Nouamente 
Ristampati.     Alto.  (Basso.)     2  pts. 

Appresso  Angela  Gardana  :  Venetia, 
1583.     obi.  4".  A.  355.  d. 

Di  Giaches  de  Wert  il  Quinto  Libro  de 
Madrigali  a  Cinque,  Sei,  et  Sette  Voci. 
Nouamente  Composti  &  dati  in  Luce. 
Libro  Quinto.  Canto.  (Alto.)  (Tenore.) 
(Quinto.)  4  pts.  Apresso  Li  Figliuoli  di 
Antonio  Gardano  :   Venetia,  1571.     obi.  4°. 

A.  355.  e. 

Di  Giaches  de  Wert  II  Quinto  Libro  de 
Madrigali  a  Cinque,  Sei,  et  Sette  Voci : 
Nouamente  RistamxDato.     Alto. 

Appresso  Angela  Gardano  :   Venetia, 
1580.     obi.  4°.  A.  355.  f. 

Di  Giaches  de  Wert  II  Sesto  Libro  de 
Madrigali  a  Cinque  Voci.  Nouamente 
posti  in  luce.  Canto.  (Alto.)  (Tenore.) 
(Basso.)  (Quinto.)     5  pts.  Ap>presso 

V  herede  di  Girolamo  Scotto :  Vineggia, 
1577.     4«.  D.  228. 

Di  Giaches  di  Wert  II  Sesto  Libro  de 
Madrigali  a  Cinque  Voci.  Nouamente 
ristampati.  Canto.  Appresso  V Herede  di 
Girolamo  Scotto  :  Vinegia,  1584.     4°. 

D.  228.  a. 

Di  Giaches  de  Wert  II  Sesto  Libro  de 
Madrigali  a  Cinque  et  Sei  Voci.  Noua- 
mente Ristampato.  Alto.  (Basso.)  2  pts. 
Apresso  Angela  Gardano  :  Venetia, 
1592.     obi.  4°.  A.  355.  g. 

Di  Giaches  de  Wert  II  Settimo  Libro  de 
Madrigali  a  Cinque  Voci  Nouamente 
Composto,  &  dato  in  luce.  Alto.  (Basso.) 
2  pts.  Appresso  Angela  Gardano  : 

Venetia,  1581.     obi.  4°.  A.  355.  h. 

Di  Giaches  de  Wert  L'  Ottavo  Libro  de 
Madrigali  a  Cinque  Voci,  Nouamente 
Composto,  &  dato  in  luce.  Canto  (Alto.) 
(Tenore.)  (Basso.)  (Quinto.)     5  pts. 

Appresso  Angela  Gardana  :   Venetia, 
1586.     obi.  A".  A.  355.  i. 

Di  Giaches  de  Wert  II  Nono  Libro,  de 
Madrigali  a  Cinque  et  Sei  Voci,  Noua- 
mente Composto,  &  dato  in  luce.  Canto. 
(Alto.)  (Tenore.)  (Basso.)     4  pts. 

Appresso  Angela  Gardana  :   Venetia, 
1588.     obi.  4°.  A.  355.  j. 

Di  Giaches  de  Wert  II  Decimo  Libro  de 
Madrigali  a  Cinque  Voci,  Nouaraenti 
Composto,  &  dato  in  luce.  Canto.  (Alto.) 
(Tenore.)  (Basso.)  (Quinto.)     5  pts. 

Appresso  Angela  Gardana  :   Venetia, 
1591.     obi.  4°.  A.  355.  k. 


WERT  (Giaches  de)  Di  Giaches  de 
Wert  L'  Undecimo  Libro  de  Madrigali  a 
Cinque  Voci.  Nouamente  Composto  & 
dato  in  luce.     Alto.     (Basso.)     2  pts. 

Appresso  Angelo  Gardano  : 
Venetia,  1595.     obi.  4".  A,  355.  L 

laches  Wert  Modulationum  cum  Sex 
Vocibus  Liber  Primus.  Nunc  primuni 
in  lucem  seditus.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)  (Quintus.)  (Sextus.)     6  pts. 

Apud  Hxredem  Hieronymi  Scoti  : 
Ve7ietiis,  1581.     4".  D.  228.  e. 

Jaches  Wert,  Musici  suavissimi,  Modula- 
tionum Sacrarum  Quinque  et  Sex  Vocum 
Libri  Tres,  in  unum  Volumen  redacti. 
Cantus.  (Altus.)  (Tenor.)  (Bassus.)  (5.  Vox.) 
(Sexta  Vox.)     6  pts.  Excudcbant 

Catharina  Gerlachin  &  Hxredes  lohannis 
Montani :  Noribergse,  1583.     obi.  4°. 

A.  355.  m. 
The  Tenor  i^art  alone  is  dated. 
See  Gaedano  (Augelo)  ]\Iusica  di  Tredici 
Autori  . . .  Nella  quale  si  contengono . . . 
Madrigali  . . .  delli  infrascritti  Autori  . . . 
G.  de  Vuert,  etc.      1589.      4°. 

K.  3.  g.  11. 

WERTER.     Werter's  Ghost.     [Song.] 
See  F.,  J. 

Werter's  Sonnet.     [Song.]     See  Cantelo, 
afterwards  Robarts  (J.) 
Werter  to  Charlotte.     [Glee.] 
See  Callcott  (J.  W.) 

WERTH  (Francis)  The  Duke  of  Clarence's 
New  March,  etc.  [P.  F.]  Preston  ct  San : 
London,  [1795  ?]     fol.  g.  133.  (63.) 

The  Prince  of  Wales's  New  March,  etc. 
[P.  F.]  Preston  &  Son  : 

London,  [1795  ?]     fol.  g.  133.  (62.) 

The  Triumph  of  True  Liberty  and  Loyalty 
over  Anarchy  and  Discord,  a  New  Song 
. .  .The  Words  by  J.  Beckley,  etc. 

Preston  tC  Son,  for  the  AutJior  : 
London,  [1795  ?]     fol.     G.  800.  m.  (62.) 

WESALIUS  (Johannes) 

See  Epithalamia.      Epithalamia. .  .com- 
posita  per. .  .loannem  Wesaliimi,  etc. 
1568.     abl.  4°.  A.  18. 

WESLEY  (Charles)  Six  Concertos  for 
the  Organ  or  Harpsichord  with  accom- 
paniment for  two  Violins,  a  Tenor  &  Bass, 
two  Hautboys  &  two  French  Horns . . . 
Opera  ii''.  Printed  for  the  Author  : 

London,  [1180?]    fol.  h.  2752. 

The  Organ  part  only. 
God  save  the  King,  with  New  Variations 
for  the  Organ  or  Harpsichord,  etc. 

Dale,  for  the  A  u  thor  : 
London,  [1798  ?]     fol.  g.  139.  (52.) 

Six  Hymns  .  .  .  Composed  by  Charles 
Wesley,  with  a  Hymn  by  the  late  Dr. 
Boyce.  Printed  for  the  Author  : 

London,  [1795  ?]     abl.  fol.  E.  1688. 


WESLEY— WHAT 


667 


WESLEY  (Charles)  Mildly  beam'd  the 
Queen  of  Night.     Glee  for  3  Voices. 

Printed  for  the  Aiitlior  : 
London,  \imO 2]     ohl.  lo\.    D.  402.  (32.) 
Six  Quartetto's  for  two  Violins,  a  Tenor 
and  Violoncello,  etc.     [Separate  Parts.] 
I.  lohnston  :  London,  [1779.]     fol. 

h.  2830.  (10.) 
VIII.  Songs.     Op.  3. 

Printed  for  the  Aiitlwr : 
London,  [1784.]     fol.  a.  424.  (21.) 

WESLEY  (John)  See  Sacked  Harmony- 
Sacred  Harmony  :  or  A  choice  Collection 
of  Psalm  and  Hymn  Tunes,  etc.  [Edited 
by  J.  Wesley.]     [1789.]     8".  B.  483. 

WESLEY  (Samuel)  Goosy  Gander.  A 
Favorite  Glee.  B.  Birchall : 

London,  [1800  ?]     fol.     G.  805.  k.  (41.)   | 
Love  and  Folly. .  .Song.  W.  Hod  soil  :    \ 

London,  [1800  ?]  fol.  G.  424.  g.  (5.) 
Off  she  goes.  A  Popular  Air,  arranged  as 
a  P.ondo  by  S.  Wesley.  IF.  Hodsoll : 

London,  [ISOQ?]     fol.  h.  286.  (18.) 

Eight  Sonatas  for  the  Harpsichord  or 
Piano  Forte,  etc.  Welcker,  for  the  Author  : 
LoHcZou,  [1780  ?]    oW.  fol.  e.  479. 

Three  Sonatas  for  the  Piano  Forte . . . 
Op.  3.  Birchall  £  Andrcios,for  the  Author  : 
London,  [1185?]  fol.  g.  270.  1.  (11.) 
Four  Sonatas,  and  Two  Duets,  for  the 
Piano  Forte. . . Op.  5.  L.  Lavenu  : 

London,  [1800?]  fol.  g.  272.  u.  (29.) 
There  was  a  Little  Boy.  A  New  Duet,  etc. 
R.  Birchall :  London,  [1800?]     fol. 

G.  805.  k.  (40.) 

Tobacco  is  an  Indian  Weed.  A  3  Part 
Sonq.     \ London,  1800.]     s.  sh.  obi.  fol. 

Add.  MS.  31,764.  fol.  17. 
A  Voluntary  for  the  Organ.  No.  l(-9) . . . 
Op.  6.    W.  Hodsoll :  London,  [1800  ?]   fol. 

h.  2731.  a.  (1.) 
See  Come.     Come  all  my  brave  Boys  that 
want  Organist's  Places.     The  Organ  laid 
open. .  .Song.     [Music  by  S.  Wesley.] 
[1785  ?]     fol.  H.  1650.  c.  (8.) 

WESSELY  (Bernhabd)  Zwolf  Gedichte 
von  ]\Iatthison,  etc.  Li  Commission 

in  der  Schlesingerschen  Lesebibliothek  : 
Berlin,  1793.    obi.  fol.  C.  599. 

WEST  (Benjamin)  Sacra  Concerto:  or 
the  Voice  of  Melody.  Containing  an 
Introduction  to  the  Grounds  of  Llusic  ; 
also,  forty-one  Psalm-Tunes,  and  Twelve 
Anthems  ;  . .  .in  Three  and  Four  Parts. . . 
The  Second  Edition,  etc.  Dryden  Leach, 
for  B.  Laio  :  London,  1769.     4°.    D.  591. 

WESTENHOLZ  (Carl   August  Fried- 
rich)      Die    Hirten    bey   der   Krippe   zu 
Bethlehem.     [Cantata.     Full  Score.] 
Bev  J.  F.  Hartknoch:  Biga,  1774.     fol. 
^  1.  43. 


WESTERN.  The  Western  Sky  was  purpled 
o'er.  A  New  Song.  Sung  by  Mr.  Lowe 
at  Vauxhall.     [Loiidon,  1758.]     8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XXIII. ,  p.  82. 

The  Western  Sky  was  purpled  o'er.  A 
new  Song.     [London,]  1758.     8°. 

158.  1.  3. 
London  Magazine,  1758,  p.  531. 
[Another  setting.]     The  Western  Sky  was 
purpled  o'er.     Song.     See  Broderip  (R.) 
The  Western  Volunteer.     Song. 
See  Mathews  (J.) 

WESTPHALENS    FREUDE.      West- 

phalens  Freude  ihren  vielgeliebten  Konig 
Friedrich  Wilhelm  bey  sich  zu  sehen. 
Cantate.     See  Bach  (W.  F.  E.) 

WESTREY  (Charles)  When  war  is 
wag'd  to  quell  the  Foe.  A  much  admired 
Song  written  by  Mr.  Fox  ...  On  the 
Engagement  between  the  Cobourg  Cutter, 
of  twelve  Guns  . . .  and  La  Revanche,  a 
French  Lugger  Privateer,  of  sixteen  Guns, 
etc.    [London,  1798.]    fol.    G.  376.  (43.) 

WHACK.     Whack  fal  de  ral.     [Song.] 
See  Wives  in  Plenty. 

WHAT.  What  a  Booby  is  this  Sirs 
that's  come  to  our  Town.  A  Dialectical 
Discourse  between  a  Musical  Marrowbone 
Butcher  of  Bath  and  a  Dorsetshire  Clown, 
set  to  music  by  the  Clown,  etc. 

Longman  and  Broderip,  for  the  Author  : 
London,  [1790?]     fol.  G.  360.  (49.) 

What  a  charming  thing  is  Feasting. 
[Song.]  See  0.  Oh  what  a  charming 
thing,  e/c.  [1780?]  fol.  G.  310.  (245.) 
What  a  fine  thing  have  I  seen  today.  A 
Dialogue  between  Miss  MoUy  and  her 
Mother  about  a  Hoop. 
[London,  1110  ?]  s.  sh.  io\. 
^  H.  1601.  (532.) 

Another  edition  of  this  song,  with  different 
tvords,  is  catalogued  under  Nicholas 
Nemo,  pseud. 
What  a  Noise  and  a  bustle  prevails  thro' 
the   Town.      Devon's  fair   Dutchess.      A 
Toast  Sotig.     [Lojidon,  1783.]     s.  sh.  fol. 

G.  313.  (246.) 
What   a  pox  de'  tell  me  of  the  Papists 
design.     A  new   Song,  the  Words   out  of 
M'  Tho:  Browns  Works. 
[London,  1710?]    s.  sh.  fol.   G.  313.  (16.) 

What  a  rout  has  there  been.  The  State 
Jockies.  [Song.]  Str[aight]  £  Sk[illern  : 
London,  1775?]  s.  sh.  fol.   G.  312.  (228.) 

What  are  the  joys  of  white  man  here? 
Bonja  Song.  A  favorite  Negro  Air  for  the 
Piano-Forte,  etc.     [Words  by  C.  F.  D.] 

Broderip  and  Wilkinson: 
London,  [1800  ?]     fol.  G.  799.  (22.) 


668 


WHAT 


WHAT.      What   are   these    Idiots   doing. 
Song.     Sec  Kingdom  of  the  Birds. 
What  Bard  0  Time  discover.     [Song.] 
See  Duenna. 

What    Bard    or   dares   presume   to    tell. 
Kitty's   Vindicatio7i :    [Song,]   Occasion'd 
by  a  Song  in  Praise  of  Peggy. 
[: London,  mo?]     s.  sh.  iol. 

G.  813.  (219.) 
What  Beauties  does  Flora  disclose.  Tivecd- 
Sidc.  [Song,  the  words  by  R.  Crawford.] 
[London,  1725?]   s.  sh.  iol.  G.  313.  (71.) 

[Another   edition.]     What   beauties   does 
Flora  disclose.     Tiveed  Side.     [Song.] 
[London,  1750  ?]     s.  sh.  fol. 

H.  1994.  a.  (24.) 
[Another   edition.]     What   beauties   does 
Flora  disclose.     Tiveed  Side.     [Song.] 
[London,  1770  ?]     s.  sh.  fol. 

H.  1994.  b.  (94.) 
What  Beauty  is,  let  Strephon  tell.     Song. 
Sec  EccLES  (J.)     [The  Fate  of  Capua.] 
What  can  a  Maiden  do  ?     Song. 
See  Blewitt  (J.) 

What  can  be  the  matter  with  Nancy. 
[Song.]     Sec  Shield  (W.) 

What  care  I  for  whom  she  be.     [Song.] 
See  Shall.     Shall  I  wasting  in  despair, 
etc.     [1780?]     fol.  G.  311.  (123.) 

What  Charming  Sounds  are  these.  [Song.] 
See  Newness  (J.) 

What  chear,  my  honest  mess-mates.     A 
New  Song  sung  by  Mr.  Beard. 
[London,  1762.]     8".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XXX.,  p.  318. 
What  cheer  my  honest  Messmates.  Song. 
See  Fair. 

What  Citadel  so  proud  can  say.     Song. 
See  Arnold  (S.)     [hihle  and  Yarico.] 

What  could  a  Man  for  Wonian  do.  Tlic 
Pleasures  and  Plagues  of  Matr'imony,  etc. 
[Song.]     [London,  1120?]     s.  sh.  iol. 

G.  305.  (134.) 
[Another  copy.]  G.  313.  (37.) 

What  dire  Misfortune  hath  befell.     Eng- 
land's Lamentation  for  y  Loss  of  Farinelli, 
[Song,]  set  for  the  German  Flute. 
[London,  1736.]     s.  sh.  fol. 

G.  316.  f.  (89.) 
[Another  edition.]  What  dire  Misfortune 
hath  befell.  England's  Lamentation  of 
y  loss  of  Farinelli,  etc.  Printed  for 

J.  Simpson  :  [London,  1736.]     s.  sli.  fol. 

H.  1994.  b.  (95.) 
What  e'er  I  do,  where  e'er  I  go.  Charm- 
ing Cloe.  A  New  Song  within  y"  Com- 
pass of  y"  Flute.  [London, 
1720?]  s.sh.iol.  H.  1601.  (494.) 
[Another  copy.]  G.  305.  (54.) 
What  finish'd  Toy  new  from  the  Skies. 
Song.     See  Davies  (R.) 


"WHAT.     What   garrs   the  foulish   mayde 
complain.     Song.     See  Purcell  (D.) 
What  Harm  is  so  simple  a  Token  of  Love  ! 
The  Nosegay.     A  New  Song.     [By  Theo- 
dore Smith.]     [London,  1771.]     8". 

P.P.  5438.  z. 
IJyiivcrsal  Magazine,  Vol.  XLIX.,p.  264. 
What   is   that  to  you?     Song.     See  My. 
My  Jenny  and  I  have  toil'd,  etc. 
[1774.]     s.  sh.  4°.  159.  n.  6. 

What  is  the  Language  of  the  Eye.  Song. 
See  Graeff  (J.  G.) 

Vat  mean  you,  shon  English.  Haivkc's 
Triumph,  etc.     [Song.]  Printed  for 

T.  Straight :  London,  [1760  ?]     fol. 

I.  530.  (164.) 
W^hat  med'cine  can  soften  the  bosom's 
keen  smart  ?  See  Chaplet. 
What  Monarch  in  Europe  for  Grandeur 
can  stand.  [Song.]  Sung  by  Mr.  Andrews 
at  Sadlers-wells  in  the  Character  of  a 
Soldier.     [London,  1762  ?]     s.  sh.  fol. 

G.  313.  (218.) 
What  nation  shall  dare.    On  the  Reduction 
of  Martinico.     [Song,  by  J.  Dunn.] 
[London,  1762.]     8°.  P.P.  5140. 

Lady's  Magazine,  Vol.  III.,  p.  505. 
What  nation  shall  dare.    On  the  Reduction 
of  Martinico.     [Song,  by  J.  Dunn.] 
[London,]  1762.     8°.  P.P.  5441. 

Royal  Magazine,  Vol.  VI.,  p.  209. 
What  nation   shall  dare.     A  neio  Song : 
On  the  Reduction  of  Martinico.     [By  J. 
Dunn.]     [London,  1762.]     8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XXX.,  p.  371. 
What   new  delights    invade  my  bosom. 
Duett.     See  Kelly  (M.) 

What  pity  'tis  so  bright  a  thought. 
Sally's  Lamentation,  or  the  Answer  to 
Sally.  [Song,  adapted  to  H.  Carey's  tune 
of  "  Sally  in  our  Alley."]  [London, 

1720?]     s.sh.iol.  H.  1601.  (491.) 

[Another  edition.]  What  pity  'tis  so 
bright  a  thought.  Sally's  Lamentation, 
etc.     [London,  1720  ?]     /.  sh.  fol. 

G.  313.  (39.) 
What  pleasant  Scenes  around  this  Place 
appear.  The  Unioilling  Departure.  [Song.] 
[London,  VI 60  ?']    s.sh.iol. 

I.  530.  (171.) 
What  pleasures  are  found  when  in  search 
of  the  Game.     Song.     See  Blewitt  (J.) 

What  Posies  and  Roses.     [Song.] 
See  Agreeable  Surprise. 

What  raptures  sing  around.     Song. 
See  Blewitt  (J.) 

What's  a  poor  simple  clown  to  do. 
[Song.]     See  May  Day. 

What's  all  that  to  me.     [Song.] 
See  Smith  (A.) 


WHAT 


669 


WHAT.     Whats  Celias  Shape  or  Phebes 
Face.     To  Sylvia.     [Song.]  [London, 

1770?]    s.sh.i".  1.530.(172.) 

What's  Chloe  to  me.  Haughty  Delia. 
[Song.]  Sung  by  Mr.  Vernon,  at  Vaux- 
hall.     [By  W.  Yates.]  [London, 

1768.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XLIII.,p.  44. 
What's  Pleasure  what's  Life.  A  Neio 
Song.     [London,  mo?]     s.sh.iol. 

G.  313.  (139.) 
What's  that  to  you.    Song.    See  Hook  (J.) 
What     scenes    of    approa,ching    delight. 
[Song.]     See  Cobston  (    )      [Jiqyitci-  and  ^ 
Europa.l 

What  shall  he  have  who  kills  the  Deer. 
Glee.     See  Hayes  (P.) 
[Another   setting.]     What   shall  he  have 
that  kill'd  the  Deer  ?     [Song  and  Chorus, 
by  H.  Carey.]     See  Love  in  a  Foeest. 

What   shall  he  have  who   merits  most. 

Archer's  Glee.     See  Stevens  (R.  J.  S.) 

What!  shall  the  brave   Duke   William's 

Honour  lie.     Song.     See  Davis  (A.) 

What  shall  we  sing.     Glee. 

See  Parkin  (I.  A.) 

What  shall  we  sing  now  here  are  three. 

Glee.     See  Harington  (H.) 

What  Shepherd  or  Nymph  of  the  Grove. 

A  Neiv  Song.     [London,  1759.]     8\ 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XXIV.,  p.  101. 
[Another  setting.]  What  Shepherd  or 
Nymph  of  the  Grove.  A  Pastoral.  Sung 
by  Mr.  Hudson  at  Ranelagh.  [Lomlon, 
1763?]     s.shiol.  G.  313.  (181.) 

[Another  edition.]  What  Shepherd  or 
Nymph  of  the  Grove.  A  Pastoral  Song, 
etc.     [London  ?  1763  ?]  s.  sh.  fol. 

G.  805.  e.  (9.) 

What  sport  can  compare.  Hunting  the 
Hare.  [Song.]  C[harles  and}  S[amicel] 
T[hompson  :  London,  1770  ?]     s.  sh  fol. 

G.  806.  f.  (82.) 
What  Sport  can  compare.  Hunting  the 
Hare.     A  New  Song. 

[London,  1772.]     8".  P.P.  5438.  z. 

Universal  Magazine,Vol.  LI.,  p.  262. 

What  tender  Passions.     Song. 

See  Aene  (M.) 

What  think  ye  my  Masters.     Song. 

See  Medley. 

What  think  you  of  Christ  ?     Hymn. 

See  E.,  H. 

What    tho'  a    Swain    of    good    Eenown. 

Song.     See  Garter  (C.  T.) 

What   tho'   I   am  a  Country  Lass.     The 

Country  Lass  :  or  the  Lofty  Shepherdess. 

[A  Song.]     [London,  1725  ?]     s.  sh.  fol. 

G.  313.  (81.) 
[Another  copy.]  G.  303.  (83.) 


WHAT.  [Another  setting.]  What  though 
I  am  a  Country  Lass.  Tlie  Virtuous  Maid. 
[Song.]     [London,  1730  ?]     s.  sh  fol. 

G.  316.  f.  (108.) 
What  tho'  my  Tongue  did  never  move. 
Song.  See  Arne  (M.)  [Tristram  Shandy.'] 
What  tho'  the  bloom  of  spring  be  gone. 
Fanny's  Charms.  [Song.] 
[London,  1764.]     8°.  P.P.  5441. 

Royal  Magazine,  Vol.  X.,p.  101. 
What   tho'   the    blooming    genial    Year. 
Amyntor.    [Song.]    Sung  by  Miss  Spencer 
at  Sadler's  Wells.  [London, 

1760?]     s.sh.iol.  G.  313.  (222.) 

What  tho'  the  sable  hours.     Glee. 

See  Webbe  (S.)  the  Elder. 

What  tho'  the  Times  are  bad.     Song. 

See  Vanbrughe  (G.) 

What  tho'  this  Arm  can't  wield  a  Sword. 

Encore,  or  The  Lady  Volunteer's  Request 

from  the  Isle  of  Wight,  May  26th  1758. 

[London,  1758.]     s.  sh.  fol. 

G.  313.  (220.) 
What  tho'  this  arm  can't  wield  a  sword. 
Encore,  or  the  Lady  Volunteer's  Request 
from  the  Isle  of  Wight.  May  26th  1758. 
A  Song.     [London,  1758.]     8°. 

P.P.  5438. 
Literary  Magazine,  Vol.  III.,  p.  211. 
What  though  my  love  be  gone  afar.     Song. 
See  Olive  (J.) 

What  toils  attend  a  Sailor's  Life.  The 
British  Tar,  or  Peace  and  Loyalty.  A 
favorite  Sea  Song  .  .  .  Written  and  Com- 
posed by  a  Y'oung  Gentleman. 

Longman  and  Broderip,  for  the  Author  : 
London,  [1797  ?]     fol.  G.  376.  (50.) 

What  will  make  every  man  rich.     Song. 
See  Let.     Let  the  daring  advent'rers,  etc. 
[1780?]     s.sh.iol.  G.  310.  (38.) 

What  will  not  gen'rous  Wine  produce. 
Glee.  See  Webbe  (S.)  the  Elder. 
What  wou'd  Europa  whose  shrill  cryes. 
[Song.]  Jupiter  descends  on  his  Eagle. 
Sung  by  ]\Ir.  Leveridge  in  y'=  Musick  of 
the  Peace.     [London,  1697?]     s.  sh.  fol. 

G.  315.  (133.) 

What  would  you  be  at  ?     Song. 

See  Other.    T'other  Day  as  I  went  to  the 

Fair,  etc.     [1764.]     8°.         P.P.  5438.  z. 

WHAT  A  BLUWDER.  What  a 
Blunder.     Comic  Opera.     See  Davy  (J.) 

WHAT  D'YE  CALL  IT.  'Twas  when 
the  Seas  were  roaring.  [Song.]  Sung  in 
the  Comick  Tragick  Pastorall  Farce,  or 
what  d'ye  call  it.  [Words  by  J.  Gay, 
music  attributed  to  Handel.]  [London, 
1725?]    s.sh.iol.  H.  1601.  (427.) 

[Another  edition.]     'Twas  when  the  Seas 
were  roaring,  etc.  [London, 

1730?]    s.sh.iol.  G.  305.  (59.) 


670 


WHATE'ER— WHEN 


W  H  A  T  E  '  E  R .      Whate'er    squeamish 
Lovers  may  say.     The  Bottle,  [Song,]  etc. 
Printed  for  G.  Goulding  : 
London,  [1185  ?]    fol.     H.  2818.  c.  (65.) 

W  HE  ALL  (William)  See  Psalms. 
[4.  English.']  An  Abridgment. .  .of  the. . . 
Psalms,  .  .  .  with  .  .  .  Tunes  ...  by  Mr. 
Wm.  Wheals,  etc.     [1777.]     8°. 

A.  511.  d. 

"WHEATLEY  (William)  Colin  and 
Phyllis.     [Song.]  [London, 

1760  ?]    s.  sh.  fol.  G.  314.  (99.) 

The  Cottager.  [Song.]  . . .  The  Words  by 
Mr.  Ingledew.  [London, 

1780?]     s.sh.iol.  G.  306.  (109.) 

WHEEDLER.     The  Wheedler.     [Song.] 
See  Caeey  (H.) 

[Another  setting.]  The  Wheedler,  [Song.] 
Sec  DiEUPAET  (C.) 

WHEEL.  The  Wheel  of  Fortune.  Song. 
See  Wheel.  The  Wheel  of  Life  is  turning 
quickly  round,  etc.     [1725  ?]     s.  sh.  fol. 

G.  312.  (21.) 

The  Wheel  of  Life  is  turning  quickly 
round.  The  mieel  of  Fortune.  A  Song 
[composed  and]  Sung  by  Mr.  Leveridge  at 
the  Theatre  Eoyall  in  Lincolns  Inn 
Fields.  [Words  altered  from  A.  Robert- 
son of  Struan.]  [London, 
1725?]     s.sh.iol.                  G.  312.  (21.) 

WHEELBARROW.  The  Wheelbarrow. 
Cantata.     See  Oswald  (J.) 

WHEELER  (Richard)  Six  Glees  for 
three  and  four  Voices.  Printed  for  the 

Proprietor :  Cambridge,  [1800  ?]     obi.  fol. 

E.  207.  c.  (8.) 

WHEN.  When  absent  from  y"  Nymph  I 
love.  The  Absent  Lover.  A  Song  sung  by 
S--  F.  B.,  etc.     [London,  1720?]     s.  sh.  fol. 

G.  316.  f.  (74.) 

When  absent  from  thy  much  lov'd  sight. 
Ballad.     See  Neilson  (L.  C.) 

When  all  the  Attic  fire.     [Song.] 
See  Eliza. 

When  all  thy  Mercies,  0  my  God.  A 
Hymn,  by  Mr.  Addison,  set  to  Music  by  an 
eminent  Master.     [London,  1761.]     8". 

P.P.  324.  n. 
Christian's    Magazine,     March,    1761, 
y.  131. 

[Another  setting.]  When  all  thy  Mercies, 
0  my  God.     Hymn.    See  Green  (    ) 

When  all  was  wrapt  in  dark   Mid-night. 
William   and    Margaret,   an   old   Ballad. 
[Words  attributed  to  D.  Mallet.]     3o.  IL. 
[Edinburgh  ?  1723  ?]     s.  sh.  fol. 

1876.  f.  1.  (107.) 


WHEN.  [Another  edition.]  When  all 
was  wrapt  in  dark  Midnight.  William 
and  Margaret.  A  New  Ballad.  [London, 
1725?]     s.sh.iol.  H.  1601.  (521.) 

[Another  copy.]  G.  315.  (18.) 

[Another  copy.]  G.  315.  (104.) 

[Another  edition.]  When  all  was  wrapt 
in  dark  Midnight.  William  and  Margaret. 
A  Ballad.     [London,  1727  ?]     s.  sh.  fol. 

G.  316.  f.  (95.) 
[Another  edition.]     When  all  was  wrapt 
in  dark  INIidnight.     William  and  Margaret. 
A  Ballad.     [London,  1730  ?]     s.  sh.  fol. 
•  G.  313.  (76.) 

When  Angry  Nations.     Song. 
See  LiNLEY  (F.) 

When  anxious  cares  possess  my  breast. 
Betsy.  [Song.]  [S.'\B[a'\bb  :  [London, 
1780?]     s.sh.iol.  G.  313.  (186.) 

When  approach'd  by  the  fair  dewy  fingers 
of  Spring.  Spring;  a  Rural  Song. 
[Words]  By  T.  Brerewood.  [London, 

1746.]     8°.  259.  e.  16. 

Gentleman's     Magazine,      Vol.     XVI., 
p.  157. 
When  approach'd  by  the  fair  dewy  Fingers 
of    Spring.       Spring :     a    new    Pastoral. 
[Song.]     [London,  1774.]     s.  sh.  4°. 

159.  n.  6. 

London  Magazine,  March,  1774. 
When  artless  first  among  y'  Fair.     Tlie 
Rover  reclaim'd.     [Song.]     The  words  by 
Mr.  Oakman.    [London,  1760  ?]    s.  sh.  fol. 

G.  316.  f.  (68.) 
[Another  copy.]  G.  305.  (69.) 

When  artless  first  among  the  Fair.  The 
Rover  reclaimed.  A  New  Song,  the  words 
by  Mr.  Oakman.     [London,]  1762.     8". 

158.  1.  7. 

London  Magazine,  1762,  p.  203. 
When    at    my    Nymph's    devoted    Feet. 
Encore.      [Song.]      Set    by   an   Eminent 
Master.     (London,  1740  ?]     s.  sh.  fol. 

G.  316.  f.  (94.) 

[Another  edition.]  When  at  my  Nymph's 
devoted  Feet.    [London,  VI  bO'>]    s.sh.iol. 

G.  315.  (96.) 

When  Aurora  peeps  o'er  the  Derbyshire 
Hills.  [Song.]  See  Moze  (J.  H.) 
When  Bacchus  jolly  God  invites.  The 
Whisper,  a  favorite  Cantata.  [Words  by 
P.  Whitehead.]  Longman,  Lukey  d:  Co. : 
iondon,  [1775  ?]  fol.  G.  313.  (261.) 
When  Beauteous  Fair  Camilla  deigns. 
The  Matchless  Fair.  [Song.]  [London, 
1745  ?]     s.  sh.  fol.  G.  305.  (242.) 

[Another  copy.]  G.  313.  (125.) 

When  beauteous,  fair  Camilla  deigns.    TJie 
Matchless  Fair.     [Song.] 
[London,  1746.]     8".  157.  1.  8. 

London  Magazine,  1746,  p.  308. 


WHEN 


671 


■WHEN.  When  beauteous  fair  Camilla 
deigus.  The  MatcJdess  Fair.  [London, 
1747.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  I.,  p.  329. 

[Another  edition.]     When  beauteous  fair 
Camilla  daigus.     The  Matchless  Fair. 
[London,  1150?]     s.  sh.  io\. 

G.  316.  f.  (101.) 

When   beauteous   Laura's    gentle   Voice. 
Laura.     [Song.] 

Slarmiel  and]  A[nne]  T[]iompson  : 
London,  1778.]    s.  sh.  fol.    G.  313.  (196.) 

When  Beauty  and  Wit  at  first  did  con- 
spire.     The  Conquest.      A  Song  . . .  Sung 
by  Mr.  Baker  at  Mary-le-bone  Gardens. 
[London,  1750.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  VI.,  2^-  129. 

When  Beauty  and  Wit  at  first  did  con- 
spire.    The  Conquest.     [Song.]     Sung  by 
Mr.  Baker  at  Maribone  Gardens. 
[Lmidon,  1750  ?]     s.  sh.  fol. 

G.  316.  (154.) 

[Another  copy.]  G.  316.  a.  (50.) 

When    beauty   does   her   Power    pursue. 
The  Power  of  Beauty.     A  Song. 
[London,  1725?]   s.  s/i.fol.    G.  305.  (42.) 

[Another  copy.]  G.  313.  (131.) 

When    Beauty    Sorrow's    Livery   Wears. 
Song.     See  Haendel  (G.  F.)     [Hercules.] 

When  Beauty  such  as  yours.     Song. 
See  Akeeoyde  (S.) 

When  Beauty  we  enjoy.     [Song.] 
See  Weideman  (C.  F.) 

When  bending  o'er  the  lofty  Yard.     Song,   i 
See  Fisher  (     )  Actor. 
When  blushes  dy'd  the  cheek    of  morn. 
Valentine's  Daxj.     A  New  Song. 
[London,  1755.]     8°. 

B.   Martin's   Miscellaneous    Correspon- 
dence, etc.     Vol.  I.,p-  6. 

When  bonny  Jenny  first  left  me.     Song. 
See  CoRBETT  (W.)     [As  you  find  it.] 
When   bright   Aurelia    trip't    the   Plain. 
The  Bright  Aurelia.     [Song.]        [London, 
1710?]     s.sh.iol.  H.  1601.  (488.) 

[Another  edition.]  When  bright  Aurelia 
tript  the  plain.  The  Bright  Aurelia. 
[London,  1710  ?]  s.  sh.  fol.  G.  313.  (56.) 
When  Britain  first  at  Heaven's  command. 
Btde  Britannia,  etc.  [Song,  from  '  Alfred,' 
-words  by  Thomson  and  Mallet,  music  by 
T.  A.  Arne.]     [London,  1755.]     8°. 

250.  c.  2. 

Gentleman's     Magazine,     Vol.     XXV., 

p.  131. 

When  Britain  first  her  fair  domain.     The 

Loyalist,   [Song,]    wrote   by  a   Friend   to 

the  King  and  Constitution. 

Printed  for  S.  Thompson  &  Co. : 
London,  [1795  ?]     fol.      G.  385.  c.  (15.) 


WHEN.     When   Briton's  Silver  Trumpet 
sounds.      [Song.]      See    Three.      Three 
Lads  contended  for  my  heart,  etc. 
[1775  ?]     s.  sh.  fol.  G.  312.  (222.) 

When  by  my  Pastorella's  Side.  Pastor's 
Lamentation.  Set  for  y'  German  Flute. 
[Song.]     [London,  VJbOl]     s.sh.iol. 

G.  316.  f.  (57.) 
When    by  the    flowing    Brooks  we    sat. 
Psalm  cxxxvii.    From   Dr.   Watt's   Mis- 
cellaneous Thoughts. 
[London,  1763.]     8".  P.P.  324.  w. 

Christian's  Magazine,  June,  1763, p.  277. 

When   Celia's   heart   unsettled  roves.     A 
7ieiv  Song.    Set  by  an  Eminent  Master. 
[London,  1760  ?]     s.  sh.  fol. 

H.  1994.  (65.) 
When  Celia  strikes  the  warbling  wire. 
Song.     See  Hudson  (R.) 

When  Celia  was  learning.     Catch. 
See  IsuM  (J.) 

When  charming  Celia  does  appear.  A 
Song  sung  by  the  Boy,  at  the  Theatre  in 
Lincoln-Inn  Fields.  [London, 

1710  ?]    s.  sh.  fol.  G.  313.  (40.) 

When   charming   Cloe   gently  walks.      A 

New  Song  Sung  at  the  Publick  Gardens, 

~     C.  A.  Granom,  words 

[London, 

G.  316.  a.  (51.) 

Chloe  gently  walks. 
New  Song.  [By  L.  C.  A. 
[London,  1752.]     8°. 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XL,  p.  269. 

When  charming  Cloe  gently  walks.  Song. 
See  Granom  (L.  C.  A.) 

When  chearfull  Day  began  to  dawn. 
Diana,  a  Favourite  Hunting  Cantata. 
[By  J.  Hook.]  Eliz''  Rhames  : 

[Dublin,  1780  ?]    fol.     H.  1601,  a.  (97.) 

When,  Cloe,  by  your  Slave  pursu'd.  Tlie 
Flying  Fair.  [Song,  music  by  D.  Russel, 
words  translated  from  Horace  by  J.  Glan- 
vUL]     [London,  1745  ?]     s.  sh.  fol. 

G.  313.  (123.) 


etc.     [Music  by  L. 
by  Mr.  Jersey.] 
1740  ?]     s.  sh.  fol. 

When    charming 
Chloe.      A 
Granom.] 


When  Chloe  first  young  Colin  saw. 
wou'd  not,  and  she  wou'd     [Song.] 
[London,  1760  ?]     s.  sh.  fol. 

G.  316.  a. 
When  Chloe  I  your  Charms  survey. 


She 

(52.) 
Song. 
See  Leveridge  (R.)     [Plot  and  no  Plot.] 

When  Chloe  on  the  Spinnet  plays.     Song. 
See  Graves  (J.) 

When     Chloe     try'd     her    Virgins    fires. 
Chloe.     [Song,  words  by  Dr.  Hoane.] 

I[ohn  and]  G[erard]  V[ogler : 
London,  1775  ?]     fol.  G.  313.  (262.) 

[Another  setting.]     When  Chloe  try'd  her 
Virgin  Fires.     Song.     See  Percy  (J.) 


G72 


WHEN 


WHEN".  When  Cloc  we  ply.  The  Artifice. 
rSong.  1  Sung  by  Mrs.  Reding.  [London, 
1720?]     s.  shAol.  H.  1601.  (522.) 

[Another  edition.]  When  Cloe  we  ply- 
The  Artifice,  etc.  [London, 

1720?]     s.  s7i.  fol.  G.  313.  (114.) 

When  Coelia  chants  the  rural  lay.  Coilia 
or  the  Death  of  the  Lark.  [Song.]  As 
Sung  at  ]\Iarybone.  [London, 

1770  ?]     s.  si  fol.  I.  530.  (173.) 

When  Ccfilia  chants  the  rural  Lay.    CcBlia, 
or,  The  Death  of  the  Lark.     A  New  Song. 
[Lojidon,  1772.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  L.,p.  39. 
When    crafty    Fowlers    would     surprize. 
[Song.]     See  Feanck  (J.  W.) 
When  Cupid  from  his  Mother  fled.    Song. 
See  Leveeidge  (R.)     [Love  and  a  Bottle.'] 
When  Damon  languish'd  at  my  Feet. 
Sec  Oswald  (J.)     [The  Gamester.] 
When  Damon  met  Phillis.     [Song.] 
Sec  Defesch  (W.) 

When  Daphne  first  her  Shepherd  saw. 
Song.  See  Purcell  (D.) 
When  Delia  on  the  plain  appears.  Tell 
me  my  heart  if  this  be  love,  a  favorite  Song 
for  the  Harpsichord  or  Piano-Forte. 
[Words  by  Lord  Lansdown.]  Preston  d 
Son  :  London,  [1790  ?]  fol.  G.  798.  (52.) 
[Another  setting.]  When  Delia  on  the 
plain  appears.     [Song.]     See  Hayes  (P.) 

When  descending  from  the  Sky.     Hymn. 
See  E.,  H. 

When  dew-drops  gild  the  weeping  Thorn. 
The  disappointed  Lover.     [Song.] 
[London,  1755.]     8».  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XVIL,  p.  267. 

When  Dolly  sings,  the  wond'ring  Swains- 
Doll  the  Dairy  Maid.  [Song.]  [London, 
1720  ?]     s.  sh.  fol.  H.  1601.  (508.) 

When    Edward    left    his    Native    Plain. 

Song.     See  Hook  (J.) 

When  e'er  I  gase  on  Sylvia's  Face.     Song. 

See  Matteis  (N.) 

When    e'er    the    dear    damsel    appears. 

Song.     See  Hudson  (R.) 

When  embracing  my  Fri[e]nds  &  Quaffing 

Champain.     A   Neio   Song   ]\Iade   by   an 

Eminent  Master,  etc.  [London, 

1720  ?]     s.  sh.  fol.  H.  1601.  (527.) 

[Another  edition.]      When  embracing  my 
Friends  and  quaffing  Champain,  etc. 
[London,  1720  ?]  s.  sh.  fol.   G.  313.  (41.) 

When   fading  Beauty  does   decay.      The 
Liconstant.  [Song,  music  by  J.  F.  Lampe.] 
[Loyidon,  1730  ?]     s.  sh.  fol. 
^  G.  313.  (150.) 

When    fair    Malinda    grac'd    the    Plain. 

[Song.]     [Lorulon,  1710  ?]     fol. 

^       ^^    ^  G.  313.  (47.) 


WHEN.     When  fair  Serena  first  I  knew. 
Song.     Sec  Hudson  (R.) 

When  fam'd  Cecilia  on  the  organ  play'd. 
To  a  beautiful  young  Lady  playing  on  the 
Organ.     [Song.]     [London,  1748.]     8°. 

249.  e.  18. 
Gentleman's    Magazine,    Vol.     XVIII., 
p.  228. 
When  fancy  feeds.     Song. 
See  Moulds  (J.)     [The  Stdtan.'] 

When  Fanny,  blooming  fair.    The  Ravish'd 

Lover.     [Song]  Set  for  the  German  Flute. 

[Words  by  T.  Phillips,  music  by  W.  Boyce.] 

[London,  1736?]   s.sh.iol.  G.  313.  (108.) 

This  so)ig  ivas  ivrittcn  on  Lady  Fanny 

Shirley.       It    has    been    erroneously 

attributed  to  Lord  Chesterfield. 

[Another  edition.]  When  Fanny,  blooming 
fair.  The  Eavish'd  Lover,  etc.  [London, 
1736  ?]     s.  sh.  fol.  G.  305.  (220.) 

When  Fanny  I  saw.  The  Imaginary  Kiss. 
[Song,  words  by  R.  Dodsley,  music  by 
J.Oswald.]     [London,  nid?]     s.sh.iol. 

G.  313.  (118.) 
When  Fanny  to  Woman  is  growing  apace. 
A  Neio  Song.  Sung  by  Mr.  Vernon,  at 
Vauxhall.     [London,  1764.]     8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XXXV.,  p. 'll. 

When  Fanny  to  woman  is  growing  apace. 
A  Neiv  Song.  Sung  by  Mr.  Vernon,  at 
VauxhaU.     [London,']  1765.     8^ 

P.P.  5441. 
Boyal  Magazine,  Vol.  XII.,  p.  45. 

When  first  by  fond  Damon,  Flavella  was 
seen.  [Song.]  Sung  by  Mr.  Beard  at 
Banelagh  Gardens.  [London, 

1760  ?]     s.  sh.  fol.  I.  530.  (174.) 

When  first  by  fond  Damon  Flavella  was 
seen.     [Song.]     Siing  by  Mr.  Loivc,  etc. 
[London,  1756.]  s.  sh.  8".  P.P.  5439.  ab. 

Neiv  Universal  Magazine,  June,  1756. 
[Another  setting.]  When  first  by  fond 
Damon,  [Song.]  See  Weideman  (C.  F.) 
When  first,  by  pow'rful  love  subdu'd. 
The  Eesolv'd  Sivain  :  A  New  Song  [by  J. 
Hook].     [London,  1770.]     8°. 

P.P.  5438.  z. 

Universal     Magazvie,     Vol.     XLVIL, 
p.  263. 
When  first  I  Celia's  face  beheld.     The  In- 
constant.    A  new  Song.  [London, 
1767.]     8°.                              P-P-  5438.  z. 

Universal  Magazine,  Vol.  XL.,  p.  97. 
When  first   I  fair  Coelinda  knew.      The 
Impertinent  Poet.     [Song.]  [London, 

1770?]    s.sh.iol.  I.  530.  (175.) 

When    first    I    gaz'd    on    Kitty's    Face. 
Kitty.     [Song.]     Sung  by  Mr.  Vernon. 
[London,  ITIO  ?]     s.  sh.  fol. 

H.  1994.  (66.) 


WHEN 


673 


WHEW.  When  first  I  left  my  dearest 
Peg.  The  Wooden  Leg.  A  Celebrated  Sea 
Song,  etc.  Printed  for  T.  Skillern  : 

London,  [1780?]     fol.        G.  313.  (147.) 

When  first  I  saw  my  Delia's  face.  Delia. 
[Song.]  Sung  by  Mr.  Lowe  at  Vauxhall. 
ILondon,  1756.]     8°.  250.  e.  3. 

Gentleman's     Magazine,    Vol.    XXVL, 
p.  443. 
When  first  I  saw  my  lovely  ]\Iaid.     Song. 
See  Haendel  (G.  F.)     [Susanna.'} 

When  first  I  saw  the  beauteous  Maid. 
The  Deserted  Sivain.     [Song.] 

C[harles  and]  S[amuel]  T[Jiompson  : 
London,  1775  ?]  s.  sh.  fol.  G.  313.  (188.) 

When  first  I  saw  the  bright  Aurelia's  Eyes. 
Song.     See  Pubcell  (H.) 

When  first  I  saw  the  charming  Maid. 
The  Fairy  Queen,  or  Short  Courtship.  A 
New  Song.  Broderip  A  Wilkijison  : 

[London,  1800  ?]     fol.  G.  356.  (54.) 

When  first  I  saw  the  Village  maiden.  The 
Village  Maiden. .  .[Song,]  written  by  Mr. 
Robson.  [By  J.  Hook.]  Printed  for  S.  A. 
d-  P.  Thompson  :  London,  [1790  ?]     fol. 

H.  1651.  a.  (4.) 

When  first  I  saw  thee  graceful  move. 
[Duet.]  See  Galli  (  )  Signora.  [Se  son 
lontana.] 

When  first  I  saw  thee  graceful  move.  A 
Neio  Song  [for  two  voices,  bv  Signora 
Galli].  [London,n60.']  8^  P.P.  5438.  z. 
Universal  Magazine,  Vol.  XXVL,  p. 
200. 
When  first  my  soul  enlisted.  Hymn. 
See  E.,  H. 

When  first  she  came  to  Town.  The 
Favorite  Duett  of  Jess  Macpharlane  as 
sung  at  the  Dilettanti  Concerts. 

Longman  &  Brodcrip  :  London, 
[1790?]    fol.  G.  354.  (57.) 

[Another  edition.]  When  first  she  came 
to  Town.  The  Favorite  Duett  of  Jess 
Macpharlane  as  Sung... by  Mr.  Dignum 
and  Mr.  Hindle.     [London,  1790  ?]     fol. 

H.  2821.  (20.) 
When  first  simple  Strephon.  How  d'ye  do. 
[Song.]  John  Rice  :  [Dublin, 

1780?]     s.sh.iol.  H.  1601.  a.  (80.) 

When  first  the  dear  Youth  passing  by. 
See  Three  Weeks  after  Marriage. 

When  first  the  East  begins  to  dawn. 
Song.     See  Hook  (J.) 

When  first  this  humble  Roof  I  knew. 
Song.  See  Jackson  (W.)  of  Exeter.  [The 
Lord  of  the  Manor.] 

When  first  to  Helen's  Lute.  [Song.] 
[Dublin,  1794.]      s.  sh.  4°. 

P.P.  6154.  k. 
Walke7''s    Hibernian    Magazine,    May, 
1794. 

VOL.    II. 


WHEW.      When   first    you    courted    me. 
Donald.     A  favorite  Scots  Song. 

L[ong7nan']  &  B[roderip : 
London,  1785  ?]     s.  sh.  fol. 

H.  1994.  b.  (96.) 
[Another  setting.]  When  first  you  courted 
me.  Donald.  A  favorite  Song  to  the 
Original  Scotch  Tune.  [London, 

1790?]     fol.  G.  805.  h.  (46.) 

When  Flora  decks  the  mantling  bow'rs. 
The  Wish  Granted.   [Song,  by  R.  Hudson.] 
C[harles  and]  S[amuel]  T[hompso7i  : 
London,  1771  ?]     s.  sh.  fol. 

G.  313.  (195.) 
When  fond,  you  Damon's  charms  recite. 
To  Chloe.  [Song.]  The  Words  by  Mr. 
Addison.  [London,  1754.]  8".  250.  c.  1. 
Gentleman's  Magazine,  Vol.  XXIV., 
p.  134. 
When  forc'd  from  dear  Hebe  to  go.  Hebe. 
A  New  Song  [by  T.  A.  Arne].  [London, 
1764.]     8°.  P.P.  5438.  z. 

Universal     Magazine,      Vol.     XXXV., 
p.  205. 
When  forc'd  from  dear  Hebe  to  go.     Hebe. 
[Song,  by  T.  A.  Arne.] 
[Lomlon,  1764.]     8°.  P.P.  5441. 

Royal  Magazine,  Vol.  X.,p.  213. 
When  forc'd  from  dear  Hebe  to  go.    Hebe. 
[Song,  by  T.  A.  Arne.]  R.  Falkener  : 

London,  [1775  ?]     s.  sh.  fol. 

H.  1994.  a.  (15.) 

When   fragrant   bloom  of  yellow  broom. 
Willy.     [Song.]     Sung  by  Mrs.  Wrighten. 
S[amuel,]  A[7m  and]  P[eter]  T[hompson  : 
London,  1780  ?]     s.  sh.  fol. 

G.  313.  (183.) 

When  Frenchman  threat.  [Song.]  Bri- 
tannia's Mandate.  T.  Trotter  :  Keio 
Bridge,  [1800  ?]  obi.  fol.  D.  392.  (13.) 
When  fumes  of  Wine  ascend  into  my 
brain.  Wine.  An  Anacreontick. 
P.  H\odqson  :  London,  1780  ?]     s.  sh.  fol. 

G.  313.  (190.) 

[Another  setting.]     When  fumes  of  wine 

ascend  into  my  brain.     Song. 

See  Stublet  (S.) 

When  gay  Philander  fell   a  prize.     The 

Converted    Shepherd.      [Song,   words    by 

James  Moore.]  Cross  :  [London, 

1720?]     s.  s7i.  fol.  H.  1601.  (531.) 

[Another  edition]     When  gay  Philander 

fell  a  prize.     The  Converted  SJiepherd. 

[London,  1120?]     fol.  G.  303.  (84.) 

When  gen'rous  Wine.     Song. 

See  Probin  (J.) 

When  gentle  Parthenissa  walks.     Song. 

See  Arne  (T.  A.)     [The  Tender  Husband.] 

When  glorious  Eliza  was  England's  bright 
Star.     A  Loyal  Song.  L  P[reston  : 

London,  1770  ?]     s.  sh.  fol. 

G.  313.  (138.) 
2  X 


674 


WHEN 


WHEN.  [Another  setting.]   When  glorious 
Eliza  was  England's  hright  star.     Song. 
See  HuDSOK  (R.) 

When  glory  invites,  what  Briton  so  mean. 
Song.     See  Faib. 

When  Hairs  are  gray.     [Song.] 
See  Son-in-Law. 

When  I  am  banish't  the  delight.     Song. 
See  Habeis  (J.) 

When  I  at  my  Window  am  gazing.  Molly 
Carr.     [Song.]  \_London, 

1735?]     s.sh.tol.  G.  313.  (153.) 

When  I  at  my  Window  am  gazing.  Molly 
Carr.     [Song.]  [^Ijondon, 

1755.]     s.  sh.  8\  P.P.  5439.  ab. 

Neio  Universal  Magazine,  Jan.,  1755. 

When  I  beheld  Clarinda's  Eyes.  Love 
Triumphant.  [Song,  arranged  to  a  Minuet 
by  G.  F.  Handel.]  [London, 

1715?]    s.sh.tol.  G.  313.  (42.) 

When  I  drain  the  rosy  Bowl.  The  Rosy 
Boivl.  [Song.]  Sung  by  Mr.  Vernon  at 
Vauxhall,  1779.  [Words  translated  from 
Anacreon  by  Fawkes.]  Sh[illcrn  : 

London,  1779.]     fol.  G.  313.  (263.) 

When  I  languis'd  and  wished.     [Song.] 
See  EccLES  (J.)     [The  Innocent  Mistress.] 
When  I  play'd  on  my  Spanish  Guittar.     A 
favorite  Ballad,  as  Sung  at  Brandenburg 
House,  etc.  J.  Dale  : 

London,  [1800  ?]     fol.  G.  356.  (45.) 

When  I  survey  Clarinda's  Charms.  Song. 
See  Haendel  (G.  F.)  [Mi^itiets.  Walsh's 
Collection,  p.  29.] 

When    I    survey    that    matchless    Face. 
[Song.]     See  Heighington  (M.) 
When  I  to  Sleep  address  my  Mind.     Tlie 
Lover's    Complaint.      [Song.]      Tune,     A 
celebrated  Minuet.     {London,  1738.]     8°. 

249.  c.  8. 
Gentleman's  Magazine,  Vol.  VIII., p.  540. 

When  I  was  a  Lad.  Oh !  poor  Bohinson 
Crusoe.  A  Favorite  Comic  Chaunt,  written 
and  sung  by  Mr.  Cussans,  at  the  Royal 
Circus,  &  Sadlers  Wells,  etc.  [To  the  tune 
of  the  Rogiies'  ]\Iarch.] 
Printed  for  E.  Bates  :  London,  [1797  ?]  fol. 

G.  367.  (29.) 
When  I  was  a  little  Baby.     [Song.] 
See  Caetee  (C.  T.)     [A  Bold  Stroke  for  a 
Husband.] 

When  I  was  a  maiden  of  twenty.     Song. 
Sec  Oswald  (J.) 

When  I  was  a  young  one.     Song. 
Sec  Thomas  and  Sally. 

When  I  was  first  kittened.  Paddy  0' Brian. 
The   Favorite    Irish   Song   sung    by   Mr. 
Johannot,   at   Astley's    Amphitheatre    of 
Arts  . . .  Written  by  Mr.  Upton. 
Printed  for  W.  Cope  :  London,  [1797  ?]  fol. 

G.  367.  (31.) 


WHEN.  When  I  was  near  Manhood  I 
grew  sick  of  Home.  Wholesome  Advice  ; 
or,  A  New  Bundle  of  Proverbs.  [Song.] 
Sung  by  Mr.  IMunden  . . .  Written  by  ]\Ir. 
Fox.  Wright,  for  the  Author  : 

[London,  1800?]    fol.  G.  249.  (59.) 

When  in  the  b)'eak  of  morning.  Canzonet. 
See  IMoRLEY  (T.)  [First  Book  of  Canzonets 
to  Ttvo  Voices.] 

When  in  unbounded  Glory  bright.    CxUa 
in  Mourning.     A  New  Song,  etc. 
[London,  1751.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  IX.,  p.  79. 
When  in  War  on  the  Ocean.    A  Celebrated 
Sea  Song  Sung  by  Mr.  Bannister  at  the 
Anacreontic  Society. 

Printed  for  T.  Skillern  : 
London,  [1785  ?]  fol.  G.  385.  e.  (14.) 
When  Innocent  Pastime  our  Pleasure  did 
Crown.  Jenny  and  Nanny.  [Song.]  Sung 
by  Mrs.  Arne  at  Ranelagh,  and  Master 
Brown  at  Mary-bone  Gardens.  [By  T.  A. 
Arne.]     [London,  1770  ?]     s.  sh.  fol. 

H.  2818.  (34.) 
When  Israel  freed  from  Pharoah's  Hand. 
Psalm  cxiv.  Translated  by  Mr.  Tickell, 
from  the  Spectator.  Set  by  an  eminent 
Master.     [London,  1761.]     8". 

P.P.  324.  n. 

Christian's  Magazine,  May,  1761,^.).  229. 
When  Jockey  first  I  saw.     Song, 
See  Cox  (R.) 

When  Jockey  was  blest  with  your  Love. 
Jockey  and  Jenny.  A  favourite  Dialogue 
sung  by  Mr.  Lowe  and  ]Mrs.  Arne  at  Vaux 
Hall.  [Music  by  J.  Worgan.] 
[Lo7ido7i,  1750?]  s.sh.iol.  G.  313.  (136.) 
When  Jockey  was  blest  with  your  Love. 
Jockey  and  Jenny.  A  New  Song.  Sung 
by  Mr.  Lowe  and  Mrs.  Arne  at  Vaux-Hall. 
[By  J.  Worgan.]  [Lcnidon, 

1750.]     8°.  157.  1.  12. 

London  Magazine,  1750,  p.  372. 
When  join'd  in  the  Chace.  Song. 
See  Arne  (M.) 

When  languor  and  disease  invade.  An 
Hymn,  on  Psalm  104,  . . .  written  ...  by 
the  Rev*  Mr.  Toplady,  etc.  Broad  Hem- 
bury  Tune.     [London,  1796.]     s.  sh.  4°. 

P.P.  717. 

Gospel  Magazine,  April,  1796. 
When   late   I   wander'd    o'er    the   Plain. 
Song.     See  Thomas  and  Sally. 
When,  lately,  I  ofier'd  Miss  Charlotte  to 
kiss.     The   Kiss   refused.     A   New   Song. 
Sung  by  Mr.  Vernon,  at  Vauxhall. 
[London,  1770.]     8".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XLVII.,p.  95. 
When  Louis  the  proud,  took  it  into  his 
Head.  A  Tcte  a  Tete  Conversatio7i  hetivccn 
y  French  King  it  his  Minister,  [Song,] 
the  Words  by  a  Free  Briton.  [London, 
1758  ?]     s.  sh.  fol.  G.  313.  (154.) 


WHEN 


675 


"WHEN.  When  Love  fair  Psyche  made 
his  Choice.  A  Song  in  honour  of  the 
Glorious  Assembly  at  Court  on  the  Queen's 
Birth  day  made  to  a  pretty  Scotch  tune 
by  Mr.  Durfey.  [London, 

1712.]    s.  sh.  fol.  H.  1601.  (487.) 

[Another  copy.]  G.  313.  (43.) 

When  lovely  Berenice  I  view.     Song. 
See  Hart  (P.) 

When  Lovely  Sue  I  left  behind.     Song. 
See  Denman  (H.) 

When  lovely  Woman  stoops  to  Folly. 
Canzonet.     See  Essex  (T.) 

When  lovely  Woman  stoops  to  folly. 
[Song.]  See  Pleyel  (I.  J.)  [4.  Six  pro- 
gressive Sonatinas.  Op.  32.  No.  I.  Adagio.'] 

When  lovely  Woman  stoops  to  foUy. 
[Song.]     See  Relfe  (J.) 

When  Lucinda's  blooming  Beauty.  The 
British  Fhxnix,  or  the  Power  of  Beauty. 
[Song.]     [London,  1770  ?]     s.  sh.  fol. 

I.  530.  (176.) 

When  Lucy  was  Kind.     Song. 
See  Hook  (J.) 

When  Maids  live  to  thirty.     [Song.] 
See  Clarke  (J.)     [The  Cornish  Comedy.'] 

When  Mariana  does  appear.  A  Song 
writ  and  Set  by  a  Gentleman  in  the 
Army,  etc.     [London,  1110?]     s.sh.iol. 

a.  313.  (13.) 

When  May-Day  Buds.  A  New  admir'd 
Song,  etc.  John  Lee  :  Dublin, 

[1780?]     s.sh.  fol.        H.  1601.  a.  (51.) 

When  mighty  Jove  survey'd  mankind. 
Fair  Bellinda.  [Song,  by  W.  Defesch.J 
Sung  by  IMiss  Falkner.  [London, 

1749.]     8°.  157.  1.  11. 

London  Magazine,  1719,  p.  232. 

When  mighty  Sol  at  Noon  of  Day.  Song. 
See  WORGAN  (J.) 

When  modest  Cloe's  downcast  Eyes. 
Song.     See  Stbollgek  (J.) 

When    Molly   smiles    beneath    her    cow. 

The  Ploiuman's  Ditty.     [Song.]     [London, 

1757.]     8«.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XX.,  p.  177. 

When  morn  her  sweets  shall  first  unfold. 
The  Hapinj  Couple.     A  new  Song,  sung  by 
Miss  Falkner.     [By  W.  Defesch.] 
[London,  1751.]     8».  157.  1.  13. 

London  Magazine,  1751,  p.  324. 

When  morn  her  sweets  shall  first  unfold. 
The  Happy  Couple.  A  New  Song,  Sung 
by  Miss  Falkner,  at  Marybon-Gardens. 
[By  W.  Defesch.]     [London,  1752.]     8°. 

157.  1.  14. 
London  Magazine,  1752,  p.  376. 


WHEN.  When  Morn  her  Sweets  shall 
first  unfold.  The  Happy  Couple.  A  New 
Song,  sung  by  Miss  Falkner,  at  Marybon- 
Gardens.  [By  W.  Defesch.]  See  Chloe. 
Chloe,  or  the  Musical  Magazine,  etc. 
No.  36.     [1760?]     fol.  G.  433. 

When  my  Acmelia  smiles.     Song. 
See  Purcell  (H.) 
When  my  Chloe  smiles.     [Song.] 
See  Tenducci  (G.  F.) 
When  my  Kids  and  my  Lambs  I  treated. 
The  Languishing  Shepherd :  or  The  Loss 
of  Fair  Lillia  Lamented,  To  an  excellent 
riew  Tune  much  in  request.      Printed  for 
P.  Brooksby,  J.  Deacon,  J.  Blare,  J.  Back  : 
[Londo7i,  1695  ?]     s.  sh.  fol. 

Case  39.  k.  6.  (5.) 

The  music  is  represented  by  a  meaning- 
less succession  of  notes,  etc. 
When  my  Love  the  other  Day.     Song. 
See  Seedo  (        ) 

When  my  Swain  took  his  leave.  The 
Forlorn  Maid.     [Song.]  [London, 

1760  ?]    s.  sh.  fol.  G.  313.  (156.) 

When  Myra  sings.     [Duet.] 
See  Purcell  (H.) 

When  Nancy  fair  my  Bosom  warms. 
Charming  Nancy.     [Song.]  [London, 

1750?]     s.sh.loX.  G.  313.  (151.) 

When  oer  the  INIoon  a  misty  veil.  The 
Muleteer.  A  favorite  Ballad.  Arranged 
for  the  Piano  Forte,  Harp,  Violin  & 
Guittar.    W.  Cope  :  London,  [1796  ?]    fol. 

G.  356.  (39.) 

When  on  her  Eyes.     Song.     See  King  (R.) 
When  on  thy  bosom  I  recline.     [Song.] 
See  Hudson  (R.) 

When  once  the  Gods  like  us  below.     The 
Flowing  Boivl.     A  favorite  Drinking  Song. 
Str[aight]  &  Sk[illern  :  London, 
1776?]    fol.  G.  313.  (273.) 

When  Orpheus  sweetly  did  complain. 
The  Power  of  Music.  [Song.]  [London, 
1760?]    s.sh.iol.  H.  1994.  (67.) 

[Another  copy.]  G.  316.  a.  (53.) 

When  Orpheus  went  down  to  the  Regions 
below.  An  Answer  to  Orpheus  and 
Euridice.  [Song.]  The  words  by  a  Lady 
[i.e.  S.  Lisle,  imitated  from  the  Spanish. 
Music  by  W.  Boyce].  [London, 

1740?]     s.sh.iol.  G.  305.  (128.) 

[Another  edition.]  When  Orpheus  went 
down  to  the  Regions  below.  Orpheus  and 
Euridice.     A  new  Song,  etc.  [London, 

1745  ?]     s.  sh.  fol.  G.  313.  (86.) 

When  others  strip  the  new  fall'n  snow. 
Je7my  of  the  Green.  A  New  Song.  Sung 
by  Mr.  Lowe  at  Vaux-Hall.  [London, 

1752.]     8°.  157.  1.  14. 

London  Magazine,  1752,  p.  232. 
When    Peace    shall     revisit    the     Land. 
Duet.     See  Hook  (J.) 

2x2 


676 


WHEN 


WHEW.  When  pensive  I  thought  of  my 
Love.  [Song.]  See  Kelly  (M.)  {Blue 
Beard.] 

When  Phillida  with  Jockey.  A  new 
Scotch  Song  or  A  game  at  Pam,  to  a  tune 
call'd  the  Queensborrow  the  words  by  T. 
Durfey.     [London,  1705  ?]     s.  sh.  fol. 

G.  304.  (169.) 
[Another  edition.]  When  Phillida  with 
Jockey.  The  new  Game  at  Pam.  Set  to  a 
pretty  Scotch  Tune.  [Londcni, 

1705?]     s.sh.iol.  H.  1601.  (502.) 

[Another  copy.]  G.  313.  (65.) 

When  Phillis  was  faithful.  Damon  and 
Phillis.  A  Pastoral  Dialogue.  [London, 
1772.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  LL,  ]p.  95. 
When  Phsebus  addrest.    Tlie  Happy  Pair. 
[Song.]     Sung  by  Mr.  Long.         [London, 
1720  ?]     s.  sh.  fol.  H.  1601.  (485.) 

[Another  edition.]  When  Phfebus  addrest. 
Tlie  Happy  Pair,  etc.  [London, 

1720?]     s.sh.tol.  G.  313.  (57.) 

When  Phsebus  begins  just  to  peep  o'er  the 
Hills.  Hark !  to  the  Woods.  A  Hunting 
Song.  [Lojidon,  1771.]  8'.  P.P.  5438.  z. 
Universal  Magazine,  Yol.  XLIX.,p.  147. 
When  Phsebus  did  the  Skies  adorn. 
Song.  See  Turner  (W.) 
When  Phaebus  do[e]s  rise.  Love  and 
Satyr.  A  new  Song  the  Words  by  Mr. 
Durfey.     [London,  1715  ?]     s.  sh.  fol. 

H.  1601.  (497.) 
[Another  edition.]  When  Phsebus  does 
rise.     Love  and  Satyr,  etc.  [London, 

1715  ?]     s.  sh.  fol.  G.  313.  (55.) 

When  Phoebus  the  tops  of  the  Hills  does 
adorn.     A  hunting  Song  for  two  Voices. 
[London,  1740  ?]  s.  sh.  fol.  G.  313.  (93.) 
[Another   edition.]      When   Phoebus   the 
tops  of  the  Hills  does  adorn,  etc. 
[London,  1750  ?]  s.  sh.  fol.   G.  295.  (22.) 

[Another  copy.]  H.  1994.  a.  (40.) 

When  Phcebus  wakes  the  rosy  hours. 
Song.     See  Moulds  (J.) 

When  Rastor  strikes  the  Trembling 
Strings.     Song.     See  Monro  (G.) 

When  Richard  the  first  rul'd  in  this  Isle. 
Tom  Hickathrift.     [Song.]  [London, 

1775  ?]     fol.  G.  316.  j.  (5.) 

When  rising  from  the  Bed  of  Death.  An 
Hymn,  from  the  Spectator.  Set  to 
Music  by  an  eminent  Master.  [London, 
1761.]     8°.  P.P.  324.  n. 

Christia7i's    Magazine,   June,    1761,  p. 
278. 
When  round  yon  verdant  Hill  and  plain. 
The  Innocent  Fair,     [Song.]         [London, 
1770?]     s.  s7i.  fol.  G.  313.  (158.) 

When  sable  Night.     [Song.] 
.  See  Duenna. 


WHEN.     When  Sappho  tun'd  the  raptur'd 

strain.     [Song.]     See  Hayes  (P.) 
When  Sawney  first  did  woo  me.     Song. 
See  Leveridge  (R.) 

When  scenes  of  woe  my  Soul  oppress. 
Hymn.     See  Harington  (H.) 

When  snow  descends.     Song. 
Sec  Waters  (T.) 

[Another  setting.]     When  snows  descend. 
A  favorite  Song.     [Words  translated  from 
the  Greek  of  Theocritus  by  J.  Hervey.] 
P.  H[odgson  :  London,  1778  ?]   s.  sh.  fol. 

G.  313.  (198.) 

When  Strephon  the  rover  first  Phillis 
address'd.  Lud  don't  you  keep  teazing  me 
so.     [Song.]     Sung  by  Mrs.  Wrighten. 

S[amuel]  A[nn  a7td]  P[eter']  T[hovipson  : 
London,  1780  ?]  s.  sh.  fol.  G.  313.  (191.) 
WhenSummer  comes  the  SwainsonTweed. 
TJie  Broom  on  Coiudenknows.  [Song,  the 
words  by  R.  Crawford.]  Sung  at  Sadlers 
Wells.     [London,  1780  ?]     s.  sh.  fol. 

G.  313.  (187.) 
[Another  edition.]  When  Summer  comes 
the  Swains  on  Tweed.  Tlie  Broom  on 
Coivdcnknows.  [London, 

1780  ?]     s.  sh.  fol.  H.  1994.  d.  (61.) 

[Another  edition.]  When  summer  comes 
the  swains  on  Tweed.  The  Broom  on 
Cowdenknoius.     [Song.]  R.  Falkener  : 

London,  [1180?]     s.sh.iol. 

H.  1994.  a.  (7.) 
[Another  copy.]  H.  1994.  b.  (98.) 

When  Sweet  and  blushing  like  a  Bride. 
BaUad.     See  Moulds  (J.) 

When   Sylvia  first  my  Flame   approv'd. 
Damon  and  Sylvia.     A  Dialogue. 
[London,ndO?]  s.sh.  fol.  G.  313.  (149.) 

When  Sylvia  in  Bathing.  A  Song  on  a 
Ladys  going  into  the  Bath  made  by  Mr. 
Durfey.     [London,  1720  ?]     s.  sh.  fol. 

H.  1601.  (504.) 

When  y"=  bright  God  of  day.  The  Vocal 
Grove.  [Song.  Music  by  C.  Young,  words 
by  W.  Monlass.]  '  [London, 

1705  ?]     s.  sh.  fol.  G.  313.  (24.) 

When  the  bright  God  of  Day.  Celia,  in 
a  Jessamine  Boiocr.  [Song.]  See  Chloe. 
Chloe,  or  the  Musical  Magazine,  etc. 
No.  70.     [1760  ?]     fol.  G.  433. 

When  the  buds  first  appear.     Song. 
See  Drury  (T.) 

When  the  chace  of  day  is  done.     [Song.] 
See  Arnold  (S.)     [Inkle  and  Yarico.] 

When  the  dayspring  first  dawn'd.  [Song.] 
See  Hook  (J.) 

When  the  Heart  is  at  ease.     A  favourite 

New  Song,  etc.     [By  J.  Hook.] 

John  Lee  :  Dublin,  [1785  ?]     s.  sh.  fol. 

H.  1601.  a.  (52.) 


WHEN 


677 


WHEN.  When  the  Hills  and  lofty  Moun- 
tains. Charming  Billy.  A  New  Song. 
[Lo7idon,  1725  ?]     s.  sh.  fol. 

H.  1601.  (523.) 
[Another  edition.]     When  the   Hills  and 
lofty  Mountains.      Channing  Billy,  etc. 
[London,  1725  ?]   s.  sh.  fol.    G.  313.  (53.) 

When  the  Kine  had  given  a  Pale  full. 
The  modest  Maid's  delight.  [Song,  words 
by  T.  Durfey.]    [London,  1715  ?]    s.  sh.  fol. 

H.  1601.  (492.) 
When  the  morning  peeps  forth.  A  Hu  nting 
Song.     Sung  by  :^Ir.  Reinhold  at  Mary- 
bone  Gardens  [lay  J.  Hook].    R.  Falkcner  : 
London,  [1775  ?]    fol.    H.  1994.  a.  (134.) 
Another  edition  of  this  song  occurs  in 
Hook's    '  Favourite    Songs    sung    at 
Vaux  Hall  . . .  To  lohich  is  added  y" 
Celebrated  hunting  Song,'  etc. 

[Another  edition.]  When  the  ^Morning 
peeps  forth.  A  favourite  Hunting  Song 
[by  J.  Hook].  Sk'illern  : 

London,  1775  ?]     fol.  G.  313.  (264.) 

When  the  Poor  Dove.     Glee. 
See  Danby  (J.) 

When  the  Sheep  are  in  the  fauld.  Auld 
Eohin  Gray.  A  favourite  Scotch  Song. 
[Words  by  Lady  Anne  Lindsay.]  Set  to 
the  Original  Favourite  Air  [composed  by 
W.  Leeves].     [LwidtMi,  1780  ?1     fol. 

G.  313.  (177.) 
[Another  edition.]  When  the  Sheep  are 
in  the  fauld.  Auld  Robin  Gray.  A 
favourite  Scotch  Song.  Set  to  the  Original 
Favourite  Air  [by  W.  Leeves].  Sung  by 
Mrs.  Kennedv  at  Vaux-hall.  S.  Babb  : 

[London,  1782  ?]  fol.  G.  383.  i.  (47.) 
[Another  edition.]  When  the  Sheep  are 
in  the  fauld.  Auld  Robin  Gray.  A 
favourite  Scotch  Song.  Sot  to  the  Original 
Favourite  Air  [by  W.  Leeves]. 
[London,  1785 '?]  fol.  G.  "383.  i.  (48.) 
[Another  copy.]  G.  296.  (9.) 

[Another  edition.]     When  the  Sheep  are 
in    the    fauld.      Auld    Robin     Gray.      A 
favourite  Scotch  Song.    Set  to  the  Original 
Favourite  Air  [by  W.  Leeves].      Sung  by 
Mrs.  Kennedy  at  Yauxhall. 
[Lo7idon,  1790?]     fol.     H.  1651.  b.  (61.) 
When  the  shrill  Trumpet  sounds  on  high. 
The  Soldier's  Joy.     [Song.] 
[London, 1160?]   s.  sh.  fol.   I.  530.  (180.) 
When  the  shrill  Trumpet's  pleasing  Sound. 
Song.     Sec  Graves  (J.) 
When    the    Soul    is    worn    with    Grief. 
Rondo.     See  Hook  (J.) 
When    the    Sprightly    Fife    and    Drum. 
Song.     See  Hook  (J.) 
When  the  Sun  o'er  yonder  Hills.     Song. 
See  Haendel  (G.  P.)     [Solotnon.] 
When  the  toil  of  Day  is  o'er.     Glee. 
See  Stevens  (R.  J.  S.) 


WHEN.  When  thou  art  absent,  charming 
Maid.  Song.  See  Shield  (W.)  [Love 
in  a  Village.] 

When  thy  Beauty  api)ears.     [Song.] 
See  Randall  (J.) 

When  Thyrsis  leaves  his  Celia's  Arms. 
Song.     See  Crome  (R.) 

When  'tis  Night  and  the  ]\Iid- Watch  is 
come.  [Song,  from  '  The  Glorious  First 
of  June,'  music  by  T.  Linley,  words  by 
R.  B.  Sheridan.]  J.  Lee  :  Dublin, 

[1795  ?]     s.  sh.  fol.        H.  1601.  b.  (33.) 

When  'tis  Night  and  the  mid-watch  is 
come.  A  favorite  Song.  Sung  by  Mr. 
Bannister.  [From  '  The  Glorious  First  of 
June,'  music  by  T.  Linley,  words  by  R.  B. 
Sheridan.]     [Lo7idon,  1795  ?]     fol. 

H.  2821.  (30.) 
When  'tis  Night.     [Song.] 
See  Glorious  First  op  June. 
When  to  the  Sea  the  Sun  returns.     On 
her  Absence.     [Song.]  [London, 

1720?]    s.  s/(.  fol.  G.  313.  (148.) 

When  Trees  did  bud  and  Fields  were 
green.  Doivn  the  burn  Davy  Love.  A 
favorite  Scotch  song  [words  by  R.  Craw- 
ford, music  by  J.  Hook],  sung  at  Vauxhall. 
[London,  1770  ?]  fol.  G.  313.  (251.) 
When  tutor'd  by  Jlother.  Stick  a  Pin 
there.     [Song.]  [London, 

1760  ?]     s.  sh.  fol.  G.  316.  (155.) 

[Another  copy.] 

Add.  MSS.  29,370.  fol.  6. 
When  up  the  Shrouds  the  Sailor  goes. 
The  Can  of  Grog.  A  favourite  Sea  Song. 
[From  C.  Dibdin's  '  Yo  Yea.']  J.  Lee  : 
Dublin,  [1780  ?]     s.  sh.  fol. 

H.  1601.  b.  (32.) 
When  Vernal  Airs  perfume  the  Fields. 
Song.  See  Travers  (J.) 
When  war  is  wag'd  to  quell  the  Foe. 
Song.  See  Westrey  (G.) 
When  war's  alarms  entic'd  my  Willy  from 
me.  Wars  alarms  entic'd  my  Willy. 
[Song.]  Sung  by  Miss  Walpole.  [Music 
by  T.  Linley  the  Elder.]  [London, 

1770  ?]     s.  sh.  fol.  I.  530.  (179.) 

When  we   drink,   my   charming   Phillis. 
Love  and  Wiiie  united.     [Song.] 
[London,  1725  ?]     s.  sh.  fol. 

G.  316.  f.  (102.) 

When  we  dwell  on  the  Lips  of  the  Lass 
we  adore.     Duet.     See  Hook  (J.) 
When  we're  married.     Song. 
Sec  Carter  (C.  T.) 
When  William  at  Eve.     Song. 
See  Shield  (W.)     [Eosina.] 
When  with  Jesse  I  spent  the  long  day. 
Jesse.    A  New  Song.    [LoJidon,]  1760.    8^ 

P.P.  5441. 
Royal  Magazine,  Vol.  III.,  2).  209. 


678 


WHEN— WHERE 


WHEN.    When  with  Tenderness.    [Song.] 
See  Spanish  Barber. 

When  Yanko  dear.     Song. 

See  DiBDiN  (C.)     [T/ie  Islanders.'] 

When  yonder  cooing  Doves  retire.  Delia. 
A  Song.  Sung  by  Miss  Falkner. 
[I/onrfo«,  1750?]  s.sh.iol.  G.  313.  (129.) 
When  yonder  cooing  Doves  retire.  Delia. 
A  New  Song.  Sung  by  Miss  Falkner,  at 
Mary  Bone  Gardens.  See  Chloe.  Chloe, 
or  the  Musical  Magazine,  cic.  No.  G9. 
[1760?]    fol.  G.  433. 

When  you  discover.     Air. 
See  Accomplished  Maid. 

When  you  for  me  alone  had  Charms. 
Strephon  and  Phyllis.  A  Pastoral  Dia- 
logue,    [l/owdori,  1730  ?]     s.sh.lol. 

G.  313.  (106.) 
When  you  tell  me  your  Heart  is  another's. 
A  favorite  Song  with  an  Accompaniment 
for  the  Harp,  or  Piano  Forte. 

Longman  ct  Broderip  ; 
London,  [1795  ?]     fol.      G.  800.  m.  (63.) 

When  you  tell  me  your  Heart  is  another's, 
etc.  Printed  for  R.  Birchall : 

London,  [1800  ?]  fol.  G.  808.  f.  (83.) 
When  you  tell  me  your  Heart  is  anothers, 
etc.     G.  Walker  :  London,  [1800  ?]     fol. 

G.  805.  h.  (48.) 
[Another  setting.]      When  you    tell  me 
your  Heart  is  another's.     Song. 
See  Carter  (C.  T.) 

When  you  told  us  our  Glances.     Ballad. 
See  Haigh  (T.) 

When  young  and  artless  as  the  lamb. 
The  Patriot  Fair  :  A  Song.  [By  W.  Boyce.] 
[London,  1754.]     8°.  250.  e.  1. 

Gentlcrnan' s    Magazine,    Vol.     XXIV., 
p.  283. 
When  young   and  'artless   as    the   lamb. 
Song.     See  Boyce  (W.) 
When    your    Angellick    Face     I'd    seen. 
Song.     See  Weldon  (J.) 

WHENCE.  Whence  comes  it  that  the 
shining  Great.  Neio  Ttmbridge-Wclls  at 
Islington,  or  the  Charms  of  Dishabille.  A 
Song  [words]  by  J.  Lockman  [to  the  tune 
of  the  Black  Joke].  [London, 

1735  ?]  s.  sh.  fol.  G.  313.  (162.) 

WHENE'ER.  When  e'er  for  each  other 
we  feel.     [Song.]     See  Alcock  (J.)  Doctor 

in  Music. 

WHENEVER.      When    green     Myrtles 
afforded  a  Shade.     Tlie  Kiss.     [Song.] 
[LonfZon,  1760?]   s.sh.iol.    G.  316.  (156.) 

WHERE.  Where,  ah !  where  shall  I  my 
Shepherd  find.  O  !  my  poor  Heart  heigh 
ho.  A  Popular. .  .Duet  for  Two  Sopranos, 
with  an  Express  Accompaniment  for  the 
Piano  Forte  or  Pedal  Harp.  R.  Birchall  • 
London,  [1795  ?]     fol.      G.  809.  c.  (64.) 


WHERE.  Where  am  I  ?  0  what  wonders 
rise !  The  Inchantment.  An  Ode.  A 
Person  who  had  never  seen  the  Spring- 
Gardens,  Vauxhall,  being  carried  thither 
in  his  Sleep,  is  suppos'd  to  start  from  it, 
and  to  express  himself  thus.  [London, 

1750?]    s.  sh.  fol.  G.  316.  a.  (54.) 

Where  are  my  jolly  Companions  gone. 
Song.  See  Blewitt  (J.) 
Where  are  you  going,  my  pretty  Maid. 
Song.  See  Biggs  (E.  S.) 
Where  beauteous  Flora  cloaths  the  Frills. 
Sylvania  [song,  words]  by  Mr.  Cos- 
teker.  [London, 

1730  ?]     s.  sh.  fol.  I.  530.  (35.) 

Where  Beauty  with  such  Charms.     A  Two 
Part  Song.     [London,  1730  ?]     s.  sh.  fol. 

G.  316.  f.  (106.) 
Where   Eden's   Streams   are   heard  afar. 
Song.     See  Hook  (J.) 
Where  e'er  you  walk.     Song. 
See  Haendel  (G.  F.)     [Semele.'] 
Where  Helen  lies.    Ballad. 
See  Haigh  (T.) 

Where  is  my  Love,  ah  whither  flown. 
Song.  See  Carter  (C.  T.) 
Where  is  my  soul's  chief  Comfort  flown. 
The  Mzise's  Tears ...  An  Elegiac  Ode  to 
the  Memory  of  that  sober  Ingenious  Youth, 
]Mr.  Richard  Osborne,  etc.  [Words  and 
music  by  H.  Carey.] 

[London,  1737  ?]   s.  sh.  fol.    I.  530.  (181.) 
Where  is  pity's  melting  Eye.     The  Favorite 
Duett,  etc.    [In  the  Revenge  of  Athridates, 
a  Pasticcio,  arranged  by  G.  F.  Tenducci.] 
Bland  :  [London,  1780  ?]     s.  sh.  fol. 

G.  313.  (168.) 
Where  is  pity's  melting  eye.     [Song.] 
See  Athridates. 
Where  is  pleasure  ?     Song. 
See  Correspondent. 

[Another   setting.]      Where   is    pleasure. 
Song.     See  Stone  (J.) 

Where  is  that  tow'ring  Spirit  fled.     Song. 
See  Days  op  Yore. 

Where  jealous  misers  starve.     Song. 
See  Storage  (S.)     [Mahmoud.'] 
Where  new  mo%vn  hay.     Bonny  Jamie  0. 
A  New  favourite  Scotch  Song,  etc. 
John  Lee  :  Dublin,  [1785  ?]     s.  sh.  fol. 

H.  1601.  a.  (74.) 
Where  new  mown  hay.  Bonny  Jamie  0. 
The  favorite  Scotch  Song,  etc. 

S[amuel']  A[nn  and]  P[eter] 
T[hompson  :  London,  1785  ?]     s.  sh.  fol. 

I.  530.  (178.) 
Where  now  are  all  my  fiatt'ring  dreams  of 
Joy.  Song.  See  Busswell  (J.) 
Where  on  the  Stage.  Kitty  the  Female's 
Glory.  A  New  Song,  the  words  by  Mr. 
Yoslington.     [London,  1715  ?]     s.  sh.  fol. 

G.  313.  (18.) 


WHERE— WHILE 


679 


WHERE.  Where  Oxen  do  low.  The 
Country  Dialogue  [from  '  The  Bath,  or 
the  Western  Lass']  made  by  Mr.  Tho: 
Durfey.  [Music  by  D.  Purcell.]  [Londoyi, 
1705  ?]     s.  sh.  fol.  H.  1601.  (481.) 

[Another  copy.]  G.  316.  f.  (75.) 

Where  Oxen  do  low.     Dialogue. 
See  Purcell  (D.)     [The  Bath.] 
Where  peace  waves  her  ensigns.     Song. 
See  Barry  (    ) 

Where's  my  Swain  so  blythe  and  clever. 
A  New  Song.     [London,-]  1758.     8°. 

158.  1.  3. 
London  Magazine,  1758,  p.  475. 
Where's  my  Swain  so  blithe  and  clever  ? 
A  New  Song.     Sung  by  Miss  Stevenson, 
at  Vauxhall.     [London,  1759.]     8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XXIV.,  p.  318. 
Where  shall  a  poor  forsaken  Virgin  fly. 
A  Cantata.  See  Carey  (H.) 
Where  shall  Celia  fly  for  Shelter.  [Song, 
by  S.  Howard.]  Sung  by  Miss  Davies  at 
Vauxhall.     [London,  1764.]     8". 

P.P.  5441. 
Royal  Magazine,  Vol.  XI.,  p.  213. 
Where  shall  Celia  fly  for  shelter.     [Song, 
by  S.  Howard.]     Sung  by  Miss  Davis  at 
Vauxhall.     [London,  1765  ?]     s.  sh.  fol. 

G.  313.  (166.) 

Where  shall  Celia  fly  for  shelter.     Celia, 

etc.     [Song,  by  S.  Howard.]  [London, 

1765  ?]     s.  sh.  fol.  H.  2818.  (28.) 

Where  shall  Celia  fly  for  shelter,  etc.  [Song, 

by  S.  Howard.]         R.  Falkener  :  London, 

[1775  ?J     s.  sh.  fol.         H.  1994.  a.  (46.) 

Where   shall   I   seek  the   charming   fair. 

[Song,  from  Handel's  '  Acis  and  Galatea.'] 

[London,  1740  ?]   s.  sh.  fol.     G.  315.  (61.) 

Where  shall  I  seek  the  charming   fair  ? 

Song.     See  Haendel  (G.  F.)     [Acis  and 

Galatea.] 

Where  the  Bee  sucks.  [Song,  by  T.  A. 
Arne.]  German  Flute  in  the  Symphonies 
and  Solo  Part  of  the  Song.  [London, 

1770  ?]     s.  sh.  fol.       H.  1994.  b.  (101.) 
Where  the  Bee  sucks.     Song. 
See  Tempest. 

Where  the  Jessamine  sweetens  the  Bow'r. 
Colin  and  Phce.be.  [Song.]  Within  Com- 
pass of  the  German  Flute.  [London, 
1760  ?]  s.  sh.  fol.  G.  313.  (164.) 
Where  Virtue  encircles  the  Fair.  The 
Power  of  Nature.  [Song.]  Addressed  to 
the  Fair  Sex.     [London,  1762.]     8°. 

P.P.  5441. 
Royal  Magazine,  Vol.  VI.,  p.  43. 
Where,  where  dear  Maid.  La  Virginella. 
Adapted  [with  English  words]  as  a  . . . 
Lesson  for  the  Harpsichord.  [The  music 
from  Bertoni's  Opera  "  La  Goveruante."] 
[London,  1780  ?]    fol.        G.  313.  (257.) 


WHERE.     Where,  where,  shall  we   hunt 
the  Roebuck  to  day.    Glee.    See  Hook  (J.) 
Where,  where's  my  Pan.     Song. 
See  Purcell  (D.)     [The  Grove.] 

WHEREVER.  Wherever  I  am,  and 
whatever  I  do.  The  Thoughtful  Lover. 
[Song,  words  from  J.  Dryden's  '  Conquest 
of  Granada.']     [London,  1730  ?]     s.  sh.  fol. 

G.  313.  (163.) 

WHICH.  Which  is  the  properest  day  to 
drink.     Glee.     See  Arne  (T.  A.) 

WHICHELLO  (Abiell)  Apollo  and 
Daphne.  A  Cantata.  The  Words  by  Mr. 
Carey.  [London,  VJ'dO'!]  fol.  G.  315.  (7.) 
The  Charms  of  Beauty.  [Song,  words  by 
the  Rev.  T.  Fitzgerald.]  [London, 

1740?]     s.sh.iol.  G.  312.  (60.) 

Contentment,  etc.     [Song.]  [London, 

1747.]     8".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  I.,  p.  234. 
Hast,  hast  dear  youth.    [Song.]    [London, 
1720  ?]     s.  sh.  fol.  G.  303.  (57.) 

A  Heart  that's  Bleeding  with  deep  Dis- 
pair.  A  Song  the  words  by  Mr.  Carey, 
etc.     [London,  VI 201]     s.sh.iol. 

H.  1601.  (30.) 

A  Heart's  that  bleeding  w"'  deep  dispair. 
A  Song  the  Words  by  Mr.  Carey,  etc. 
[London,  1720  ?]    s.  sh.  fol. 

G.  316.  g.  (1.) 

Lessons,  for  the  Harpsichord,  or  Spinett, 
etc.  John  Hare,  for  the  Author  : 

London,  [1705  ?]     ohl.  fol.  b.  27. 

So   many  Charms  were  never   sure.      A 
Sotig  the  Words  by  Mr.  Carey,  etc. 
[London,  niO?]     s.sh.iol. 

H.  1601.  (391.) 

SnccessfuU  happy  Charmer.  A  Song . . . 
the  Words  by  Mr.  Carey.  [London, 

1720?]     s.  s7i.  fol..  H.  1601.  (412.) 

A'irtumnus  and  Pomonia.  A  Cantata . . . 
the  Words  by  Mr.  Carey.  [London, 

1725  ?]     fol.  G.  312.  (3.) 

Ye  Virgin  pow'rs  defend  my  heart.  A 
new  Song,  etc.  [London, 

1720  ?]     s.  sh.  fol.  G.  314.  (8.) 

WHIG.     The  Whig's  Exaltation.     Song. 
.See  Now.     Now,  now  the  Tories  all  shall 
stoop,  etc.     1682.     s.  sh.  fol. 

Case  38.  i.  (25.  5.) 

WHIG-INTEIiLIGENCER.       The 

Whig-Intelligencer  :  or  Sir  Samuel  in  the 
Pound,  etc.  [Ballad.]  See  Hark.  Hark  ! 
the  fatal  day  is  come,  ei!c.     1684.     s.sh.iol. 

1871.  e.  9.  (76.) 

WHILE.     While  at  your  feet  I  Sighing 
lye.     Song.     See  Young  (A.) 
While  beams  the  bright  Morn.     Duet. 
See  Dan  BY  (J.) 

While  blooming  Youth,     [Song.] 
See  Greene  (M.) 


680 


WHILE 


WHILE.  While  Britania  shakes  her 
Lance.  A71  Ode  in  Honoiir  of  the  Society 
of  Free  Britons.     [Song.]  [London, 

1780  ?]     s.  sh.  fol.  G.  313.  (201.) 

While  chearful  the  horn.     Hunting  Song. 
P.  H[odgson  :  London,  1778?]     s.  sh.  fol. 

G-.  313.  (212.) 
While  Fashion  and  Fancy  together  com- 
bine. The  Fairy  Worlds,  or  the  Boyal 
Circus.  [Song.]  The  Words  by  Mr. 
Oakman.     [London,  1783.]     s.  sh.  fol. 

G.  316.  c.  (38.) 
While  fashion  prevails  with  the  Youth  of 
the  Age.  The  Man  to  my  Mind.  [Song.] 
B[ab]b  :  [London,  1775?]     s.  sh.  fol. 

G.  313.  (208.) 
While  France  beats  allarms.  The  Royal 
Bevieiv.     [Song.]  Straight :  [London, 

1780?]     s.  s7t.  fol.  G.  313.  (141.) 

While  from  my  looks,  fair   nymph,  you 
guess.     Song.     See  Howard  (S.) 
While  from  our  Looks,  fair  Nymph,  you 
guess.     Duetto.     See  Buswell  (J.) 

While,  Galathea,  you  design.     Song. 
See  CouETiviLLE  (R.) 
W^hile  Gallia  does  with   Threats  invade. 
To  the  Genius  of  England.     [Song.] 
S[a^miel ancT]  A[n')i]  T[hompson  :  London, 
1780?]     s.sh.iol.  G.  313.  (215.) 

While  Gallia's  Sons  their  Shores  regain. 
Victoria  Augustus  Kej^i^el  . . .  Formidable 
Sir  Hugh  [i.e.  Sir  H.  Palliser]  . . .  Song. 
Tune,  Britannia  [from  Arne's  Alfred]. 
[London,  1778  ?]  fol.  G.  313.  (271.) 
While  gentle  Parthenissa  walks.  Song. 
/SecPuECELL  (D.)    [The  Tender  Husband.] 

While  grave  Divines  preach  up  dull  rules. 
Father  Paul.     [Song.]  Skillern  : 

[London,  1775  ?]     s.  sh.  fol. 

G.  313.  (214.) 
While  I'm  a  pleading,  your  Beauty  to 
gain.]   [Song.]    [London,  11  bO'>]   s.sh.iol. 

I.  530.  (182.) 
While  I'm  at  the  Tavern  Quaffing. 
Bacchanalian  Joys  Defeated  by  a  Pouwrful 
Incentive  to  Love.  [Song.]  L[ongman 
and]  B[rodei-ip  :  London,  1780  ?]    s  sJi.  fol. 

G.  313.  (146.) 
While  I  my  Cinthia's  praises  sing. 
Cinthia.     [Song.]  [London, 

1740?]     s.sh.iol.  G.  316.  f.  (99.) 

While    I    quafi    the  Rosey   Wine.      The 
Bacchanalian.     [Song.]  [London, 

17G0?]     s.sh.iol.  G.  316.  (157.) 

While  I  quaff  the  rosy  wine.     The  Bac- 
chanalian.    [Song.]     [London,  1762,]     8°. 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XXX.,  p.  95. 
While  I  quaff  the  rosy  wine.     The  Bac- 
chanalian.    [Song.]     [London,  1758.]     8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XXII.,  p.  307. 


WHIIjE.      While    joyful    here   we   meet. 
Hymn.     See  Geanom  (L.  C.  A.) 
While  Leonora's  kind  &  good.     Thirsis  to 
Leonora.     [Song.]  [London, 

1750  ?]     s.  sh.  fol.  G.  313.  (203.) 

While  misers  all  night.  The  Happy  Club. 
[Song.]    [London,  1753.]   8".    249.  e.  23. 

Gentleman'' s    Magazine,    Vol.    XXIII., 
p.  435. 
While  misers  all  night.     The  Happy  Club. 
A  New  Song.     [London,  1753.]     8". 

P.P.  5438.  z. 

Universal  Magazine,  Vol.  XII.,  p>.  173. 
While    Misers    all    Night.      The    Happy 
Cliibb.     A  new  Song.  [London, 

1760?]     s.sh.iol.  G.  316.  a.  (55.) 

While  none  but  the  Great  cau  conveniently 
go.  TJie  Masquerade.  A  New  Song.  The 
words  by  I.  Oakman.  B[ichar]d  B[rid]e  : 
[Loiidon,  1715?]  s.sh.iol.  G.  313.  (207.) 
While  o'er  the  broom  I  gang  wi'  thee. 
Song.     See  Hook  (J.) 

While  on  ten  thousand  Charms  I   gaze. 
[Song.]     See  Doctoe  Faustus. 
While  on  those  lovely  Eyes  I  gaze.     The 
fond  Admirer.     A  New  Song.        [London, 
1720?]     s.  sh.  fol.  G.  313.  (31.) 

While  others  sing  in  cheerful  lay.  Will 
of  Aberdeen.  [Song.]  Sung  by  Mrs. 
Hudson  at  Vauxhall.  [London, 

1775  ?]     fol.  H.  1994.  b.  (102.) 

While  others  strip  the  new-fall'n  snow. 
Jenny  of  the  Green,  a  new  Song.  Sung  by 
Mrs.  Lowe,  at  Vauxhall.  [London, 

1752.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  X.,  p.  222. 
While  others  strip  the  new  fall'n  snow. 
Jenny  of  the  Green.     [Song.]     Sung    by 
Mr.  Lowe  at  Vaux  Hall,  etc.         \_London, 
1755?]     s.  s/(.  fol.  G.  313.  (199.) 

[Another  edition.]  While  others  strip  the 
new  fall'n  Snow.  Jenny  of  the  Green,  etc. 
[London,  1760  ?]     s.  sh.  fol. 

H.  1994.  b.  (103.) 
While  others  strip  the  new  Fall'n  Snow. 
Jenny  of  the  Green,  etc.  See  Ghloe. 
Chloe,  or  the  Musical  Magazine,  etc. 
No.  21.     [1760?]     fol.  G.  433. 

While  over  the  Mountain  brow  peeps  the 
young  Morn.     A  Favorite  Hmiting  Song. 
The  Words  by  G.  A.  Stevens. 
P.  H[odgson  :  London,  1770  ?]     s.  sh.  fol. 

G.  313.  (210.) 
While  over  the  Mountain  brow  peeps  the 
young  INIorn.  A  Favourite  Hunting  Song, 
etc.     Jo"  Eice:  [Dublin,  1180?]     fol. 

H.  1601.  a.  (98.) 
[Another  setting.]  While  over  the  Moun- 
tain brow  peeps  the  young  IMorn.  A 
Favoi-ite  Hunting  Diologue  and  Duet. 

L[ongman  and]  B[;yoderip  :  London, 
1780?]     fol.  G.  313.  (269.) 


WHILE— WHILST 


681 


WHILE.  While  overnice  critics,  indulging 
their  Kage.  The  Maid  of  the  Mill.  [Song,] 
The  words  by  Mr.  Oakman.  [London, 

1765  ?]     s.  sh.  fol.  G-.  313.  (204.) 

While  paper's  bedaubed  by  the  foul  venal 
Quill.     [Song.]     See  Moze  (J.  H.) 
While  pensive  on  the  Lonely  plain.     The 
Lover's  Complaint.     [Song.]         {London, 
1760  ?]     s.  sh.  fol.  G.  316.  (158.) 

[Another  setting.]     While  pensive  on  the 
lonely  plain.     Song.     See  Stubley  (S.) 
While  Phillis  refuses  my  Love  to  requite. 
Easy  and  gay.     A  New  Song.       [Lo7idon, 
1772.]     8".  P.P.  5438.  z. 

U7iiversal  Magazine,  Vol.  LI.,  p.  366. 
While  Sighing  at  your  Feet  I  lye.     Song. 
See  Gouge  (    ) 

While  silent  Passion  stole  along.     Song. 
See  King  (R.) 

While  some  for  pleasure  waste  their  health. 
My  Nanny  0.  [Song,  words  by  A. 
Ramsay.]     [London,  1720  ?]     s.  sh.  fol. 

G.  305.  (140.) 
[Another  edition.]  While  some  for 
pleasure  wast  their  health.  My  Nanny  O. 
[Lonf^o?^,  1735  ?]     s.  s7i.  fol. 

G.  313.  (72.) 

[Another  edition.]  While  some  for 
pleasure  waste  their  health.  My  Nanny 
O.     Sung  by  Mr.  Lowe.  [London, 

1750  ?]     s.  sh.  fol.  G.  316.  f.  (63.) 

While  some  in  never-dying  Verse.  A  Song. 
Wrote  by  Mr.  Boyce  on  Sight  of  Fanny 
Murray.  Sung  by  Mr.  Lowe.  [London, 
1750?]     s.sh.tol.  G.  313.  (205.) 

[Another  edition.]  While  some  in  never 
dying  Verse.  A  Song.  Wrote  by  Mr. 
Boyce,  e^c.     [London,  1150?]     s.sh.iol. 

H.  1601.  a.  (48.) 
While  some,  in  never  dying  verse.  A  Song 
wrote  by  Mr.  Boyce  on  Sight  of  Fanny 
Murray.  Sung  by  Mr.  Lowe.  [London, 
1755.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XVII.,  p.  223. 
While  some  to  Clinton,  Rodney  or  Prevost. 
Ode  in  honour  of  the  London  Military 
Association,  with  the  Designs  for  a  Medal 
intended  as  an  honorary  reward  for  their 
exertion  towards  quelling  the  late  . . . 
insurrection . . .  The  Designs  and  Words  by 
O'Brien,  e^c.  W.Bailey:  [London, 

1780?]     fol.  G.  313.  (254.) 

While,  Strephon,  thus  you  teize  one. 
The  Truth  imparted.  [Song.]  [London, 
1750?]     s.sh.tol.  G.  313.  (206.) 

While  the  flowing  bowl  I  see.  Drinking 
Song.  P.  n[odgson :  London, 

1778?]     s.sh.iol.  G.  313.  (211.) 

While  the  Glass  circles  round.     [Song.] 
See  Smart  (T.) 

While  the  Lads  in  the  Village.     [Song.] 
See  Quaker. 


WHILE.  While  the  Moonbeams  all  bright. 
[Song.]     See  Ross  (.J.) 
While  the  sweet  blushing  Spring.     Song. 
See  Aene  (M.)     [The  Fathers.] 
While  the  Town  agrees  that  Polly.     Song. 
See  Monro  (G.) 

While  the  yet  standing  Corn.  A  Favorite 
Shooting  Song.  I.  F[entn]m  :  [London, 
1775?]     s.sh.iol.  H.  1994.  a.  (31.) 

While  Thee  I  seek.     Hymn. 
See  Callcott  (J.  W.) 

While  thro'  the  slipp'ry  Paths  of  Youth. 
Psalm  cxix.     Part  1st  paraphrased,  etc. 
[London,  1761.]     8^  P.P.  324.  n. 

Christian's  Magazine,  July,  1761,  p.  392. 
While  with  a  gentle  Smile  you  strove- 
The  Eeconciliation.  A  Dialogue,  translated 
from  the  9"'  Ode  of  the  3*  Book  of  Horace 
by. . .  J.  Green. .  .Sung  by  Miss  Cassandra 
Fredrick  and  a  Gentleman.  [Loiidon, 

1770?]     fol.  G.  313.  (252.) 

WHILST.      Whilst    a    Captive    to   your 
Charms.     The  Captive.    [Song.]    Sung  by 
Mr.  Vernon  at  Vauxhall. 
S[amueland]  A[nn]  T[hompson  :  London, 
1780?]     s.sh.iol.  G.  313.  (217.) 

Whilst  am'rous  Bards  in  Raptures  sing. 
A  Song.    [London,  1759.]    8".     158.  1.  4. 

London  Magazine,  1759,  p.  212. 
Whilst  am'rous  Bards  in  Raptures  sing. 
A  Favourite  Song.     [London,  1759.]     8". 

P.P.  5438.  z. 

Universal  Magazine,  Vol.  XXIV.,  p.  149. 
Whilst   am'rous   Bards   in  raptures  sing. 
The  Charms  of  Kitty  Fell.     [Song.] 
[Loyidon,  1759.]    s.  sh.  8".   P.P.  5439.  ab. 

Neio  Universal  Magazine,  Jan.,  1759. 
Whilst  Celia's  Eyes.     To  Miss  E—  M—. 
[Song.]     Set  for  the  German  Flute. 
[London,  ViAQ?]     s.sh.iol. 

G.  316.  f.  (77.) 

Whilst  endless  Tears  and  Sighs  declare. 
Song.  See  Lampe  (J.  F.)  [Fatal  False- 
hood.] 

Whilst  Galatea  you  design.     Song. 
See  Courteville  (R.) 
Whilst  happy  in  my  native  Land.     [Song.] 
Sung  by  Mr.  Bannister.  [London, 

1790?]    fol.  G.  808.  e.  (52.) 

Whilst  I  am  scorch'd  with  hot  desire. 
Song.  See  King  (R.) 
Whilst  I  fondly  view  the  Charmer.  Song. 
See  Barrett  (J.)  Organist. 
Whilst  I  gaze  on  Chloe  trembling.  The 
Lukewarm  Lover.  [Song.]  The  Words 
by  a  Person  of  Quality.  [London, 

1750  ?]     s.  sh.  fol.  G.  316.  a.  (56.) 

Whilst  I  gaiz'd  on  Cloe  trembling.  Cloe's 
Admirer.  A  Song.  The  words  by  a 
Parson  of  Quality.  [Music  by  —  Over- 
bury.]     [London,  1720  ?]     s.  sh.  fol. 

H.  1601.  (482.) 


682 


WHILST— WHITHER 


WHILST.  [Another  edition.]  Whilst  I 
gaiz'd  on  Cloe.  Cloe's  Admirer.  A  Song, 
etc.     [London,  1720  ?]     s.  sh.  tol. 

G.  316.  g.  (72.) 
Whilst  I  in  sleep.  The  Dream.  [Song.] 
Compos'd  &  set  to  Musick  by  a  Gentleman 
of  Oxford.     ILondon,  1735?]     s.  sli.  fol. 

G.  316.  f.  (76.) 
Whilst  I'm  carrouzing.     Song. 
See  Beau  Demolished. 
Whilst   I   with   grief    did    on    you  look. 
Song.     See  Purcell  (H.)  [TJie   Spanish 
Friar.] 

Whilst  in  mirth  we  abound.  ^4  Health  on 
the  Duke  of  Marlborogh  and  Prince  Eugene. 
[Song.]     [London,  1710  ?]     s.  sh.  fol. 

G.  313.  (33.) 
Whilst   Majo  and   Mino  thro'  thick  and 
thin.     The  Outs  and  Ins.     [Song.] 
Jlohn]  P[reston :  London,  1780  ?]    s.  sh.  fol. 

G.  313.  (216.) 
Whilst  modest  Celia's  down  cast  Eyes. 
The  Confession  to  Celia.  [Song,  by  W. 
Defesch.]     [London,  llAO?]     s.  sh.  io\. 

G.  313.  (51.) 
Whilst  modest  Celia's  down  cast  eyes. 
The  Confession  [to  Celia].  A  New  Song 
[by  Defesch]  sung  at  Mary-Bone-Gardens. 
See  Chloe.  Chloe,  or  the  Musicall 
Magazine,  etc.    No.  54.     [1760  ?]     fol. 

G.  433. 
Whilst  of  life  we  hold  the  span.  The 
Jovial  Bacchanal.  A  Song  sung  by  Mr. 
Smith,  at  the  Theatre  Royal  on  Rich- 
mond-Green.    [London,  1767.]    8°. 

P.P.  5441. 
Boyal  Magazine,  Vol.  XVII.,  p.  268. 
Whilst   on   forbidden   Fruit   I   gaze,    &c. 
[Song.]     Written    by    a    Gentleman    on 
seeing  a  Lady  in  an  opposite  Window. 
[Dublin,  1787.]    s.  sh.  4°.     P.P.  6154.  k. 

Hibernian  Magazine,  Appendix,  1787. 
Whilst   on   thy  dear  Bosom  lying.     The 
Bapture.     [Song,   music    by   J.   Oswald, 
words  by  R.  Dodsley.]  [London, 

1743  ?]     s.  sh.  fol.  G.  313.  (120.) 

Whilst  Phillis  is  drinking.  A  Song  on  a 
Lady's  Drinking.  [Words  from  "  She 
Gallants "  by  Lord  Lansdown,  music  by 
J.  Eccles.]     [London,  11 00 1}     s.  sh.  io\. 

H.  1601.  (506.) 
[Another  edition.]  Whilst  Phillis  is 
drinking,  etc.    [London,  1705  ?]    s.  sh.  fol. 

G.  304.  (175.) 

Whilst  Strephon  gaz'd  on  Cloe's  Eyes.     A 
New  Song  [words]  by  a  Gentleman. 
[London',  1120?]     s.  sh.  io\. 

H.  1601.  (520.) 
[Another  copy.]  G.  305.  (158.) 

[Another  edition.]     Whilst  Strephon  gaz'd 
on  Cloe's  eyes.     A  New  Song  by  a  Gen'. 
lLo7idon,1120?]     s.sh.iol. 

G.  316.  g.  (73.) 


WHILST.     Whilst  Strephon  on  fair  Cloe 
hung.     Cantata.     See  Anglosini  (    ) 
Whilst  the  French  their  Arms  discover. 
[Song.]     See  Clarke  (J.) 
Whilst   the    Town's    brimfull    of    Folly. 
Song.     See  Monro  (G.) 
Whilst  to  the  distant  Vale  I  wing.     The 
Goldfinch  to  Chloe.     [Song]  Sung  by  Miss- 
Young  at  Ranelagh. .  .Words  by  the  Rev, 
G.  L.     [London,  1755  ?]     s.  sh.  fol. 

G.  313.  (50.) 
Whilst  with  Village  Maids  I  stray.  Song. 
See  Shield  (W.)  [Eosina.] 
Whilst  wretched  Fools  sneak  up  and 
down.  [Duet.]  See  Purcell  (D.)  [Mas- 
saniello.] 

Whilst  you  to  lovely  Arabel.  Arabel.  A 
New  Song  [by  E.  Griff es].  [London, 

1751.]     8°.  157.  1.  13. 

London  Magazine,  1751,  jp.  276. 

WHIM.      The   Whim.      Song.      See   All. 
All  the  worlds  in  strife  and  hurry,  etc. 
[1711  ?]     s.  sh.  fol.  H.  1601.  (34.) 

The  Whim:  or,  The  Miser's  Retreat.  A 
Farce.  Alter'd  from  the  French  of  La 
Maison  Rustique  . . .  With  the  Musick 
Prefix'd  to  each  Song.  Printed- 

for  J.  Watts  :  London,  1734.     8". 

161.  f.  75. 

WHINE.     Whine  not,  pine  not.     [Duet.] 
See  Capricious  Lovers. 

WHISPER.     The  Whisper.     Cantata. 
See  When.      When  Bacchus  jolly   God 
invites.     [1775?]     fol.        G.  313.  (261.) 

WHISTLING.  The  Whistling  Plough- 
man. [Song.]  See  Dibdin  (C.)  [Castles 
in  the  Air.] 

The  whistling  Plowman  hails  y«  blushing 
Dawn.  A  Hunting  Song.  Sung  by  Mr. 
Andrews  at  Sadlers-wells.  [London,. 

1770?]     fol.  G.  806.  e.  (70.) 

[Another  edition.]  The  whistling  Plow- 
man hails  y'^  blushing  Dawn.  A  Hunting 
Sonq,  etc.     [London,  1770  ?]     fol. 

H.  1994.  a.  (142.) 

[Another  edition.]  The  whistling  Plow- 
man hails  the  blushing  dawn.  The 
Whistling  Ploivman.  A  favorite  Hunting 
Song.     [London,  1775  ?J     fol. 

G.  807.  d.  (81.) 

WHITE.     The  White  Cockade.     [Song.] 
See  Lasses.      The  Lasses  with  obliging 
care.     [1790?]     fol.  G.  808.  e.  (22.) 

The  White  Joak.     [Song.]    See  Gay.    Gay 
Myra,  Toast  of  all  the  Town,  etc. 
[1725  ?]     s.  sh.  fol.  G.  308.  (12.) 

The  White  Man.     Ballad.     See  Amateur. 

WHITHER.       Whither,   my    Love,   ah  I 
Whither  art  thou  gone  ?     [Song.] 
Sec  Paisiello  (G.) 


WHO— WHY 


6S3 


WHO.  Who  but  remembers  yesterday. 
Britain's  Isle.  A  new  Song.  On  the 
Death  of, .  .the  Prince  of  Wales.  By  the 
Author  of  Arno's  Vale.  [London, 

1751.]     8".  249.  c.  21. 

Ge7itk)nan's  Magazine,  Vol.  XXI., 
p.  227. 
Who  but  remembers  yesterday.  Britain's 
Isle.  A  New  Song.  Writ  the  Day  after 
the  Demise  of  . . .  Frederick  Prince  of 
Wales.  By  the  Author  of  Arno's  Vale. 
[Lo7ulon,  1751.]     8°.  157.  1.  13. 

London  Magazine,  1751,  p.  152. 
Who  can  describe  the  Pow'r  of  Love. 
Delia's  Appeal  to  the  Libertine.  [Song.] 
Written  by  A.  Smith,  and  adopted  by  him 
to  the  Di  la  Cour  ^Minuet.  Sung ...  at  Vaux- 
hall  in  Birmingham  by  Mrs.  A.  Smith, 
late  Mrs.  Woodman.  Llongnuui]  & 

BWoderip :  London,  1780  ?]     fol. 

G.  313.  (247.) 

Who  can  Dorinda's  Beauty  view.     Song. 
See  Damascene  (A.) 

[Another  setting.]      Who   can   Dorinda's 
beauty  view.     Song.     See  Green  (T.) 
Who  can  suspect.     Song.     See  Marian. 
Who   can  trim  the   foe?      A    Catch  for 
Three    Voices.      On    Admiral     Duncan's 
glorious  Victory.     The  11'"  of  Oct'  1797. 
J.  Dale :  London,  [1797.]     fol. 

G.  352.  (53.) 

Who    cares.      [Song.]      See   Dibdin  (C.) 
IWillofthe  irisp.] 

Who  comes  so  dark  from  Ocean's  roar  ? 
Glee.     See  Cai^lcott  (J.  W.) 
Who'd  know  the  Sweets  of  Liberty.     Glee. 
See  Baker  (G.)  Organist. 
Who,  dear  Fidelia,  who  can  view.     Song. 
See  Franck  (J.  W.) 

Who  gave  the  Sun  his  Light.     [Quartet.] 
See  Traetta  (T.) 

Who  has  e'er  been  at  Baldock.     The  Lass 

of  the  Mill.      [Song,  by  M.   0.  Festing.] 

Sung  by  :Mr.  Beard.     [London,  175.3.]     8". 

°    ^  157.  1.  15. 

London  Magazine,  1753,  pi-  285. 
Who  has  e'er  been  at  Baldock.     The  Lass 
of  the  Mill.    A  New  Song.      [By  M.  C. 
Festing.]     [Loiidon,  1753.]     8°. 

P.P.  5438.  z. 

Universal  Magazine,  Vol.  XIII.,  p.  87. 
Who  has  e'er  been  at  Paris.     The  Thief  d 
Cordelier.      [Song.]      The   Words   by  M. 
Prior,  etc.     [London,  1725  ?]     s.  sh.  fol. 

G.  313.  (83.) 
Who  is  it  that  this  dark  Night.  Dialogue. 
See  Stevens  (R.  J.  S.) 
Who  to  win  a  Woman's  Favour.  [Song.] 
Sec  Columbine  Courtezan. 
Who  wou'd  not  up  to  London  come. 
Song.  See  Arnold  (S.)  [A  Beggar  on 
Horseback.] 


WHOLESOME.        Wholesome     Advice. 
[Song.]     See  When.     When  I  was  near 
Manhood  I  grew  sick  of  Home. 
[1800?]     fol.  G.  249.  (59.) 

WHOSE.  Whose  Voice  did  first  inspire 
the  Eastern  Lay.  [Part  Song.]  See 
Webbe  (S.)  the  Younger. 

WHY.  Why,  alas,  do  you  now  leave  me. 
[Song.]  See  Baptist,  Signor. 
Why  are  my  Eyes  still  flowing?  The 
Happy  Lover :  or,  Celia  icon  by  Aminta's 
Loyalty.  A  New  Song,  etc.  ...  to  an 
Excellent  New  Tune:  or,  Why  are  my 
Eyes,  &c.  Printed  for  J.  Blare  :  London, 
[1680  ?]  s.  sh.  fol.  Case  40.  m.  9.  (96.) 
The  tune  is  represented  by  a  meaningless 
succession  of  notes,  etc. 
Why  ask  me,  fairest,  if  I  love  ?  Eondeau. 
See  Urbani  (P.) 

Why  blushes  so  early  the  rose.  The 
Courtship.  [Song.]  '  Sung  by  Mrs. 
Wrighten,  at  Vauxhall.  Sk[illern  : 

i       7.o?idojt,  1780  ?]     s.sh.M. 

\  G.  313.  (143.) 

Why  Cselia  with  that  coy  behaviour. 
Song.     Sec  P.,  P. 

Why  Cselia  this  constant  upbraiding. 
[Song.]  See  Arne  (T.  A.)  [3.  Songs.  B.] 
Why  Chloe  with  so  grave  a  face.  The 
Sioain's  Request.     [Song.]  L[o7ig- 

man^  lAukey  and}  B[roderip :  London, 
1778  ?]     s.  sh.  fol.  G.  313.  (236.) 

Why,    cruel    creature.       Song    to   Celia. 
[Words]  By. .  .Lord  Lansdowne. 
[London,  nil.-]     8°.  249.  c.  17. 

Gentle7nan's    Magazine,     Vol.     XVII., 

p.  392. 

Why    Delia    ever    when    I    gaze.    _  The 

Despairing  Lover.    [Song,  the  music  by 

S.  Howard.]     [London,  1748  ?]     s.  sh.  fol. 

G.  305.  (124.) 
Why,  Delia,  ever  when  I  gaze.  The 
Despairing  Lover.  A  New  Song.  [By  S. 
Howard.]     [London,  1748.]     8°. 

157.  L  10. 

London  Magazine,  1748,  p.  276. 
Why,  Delia,  ever  when  I  gaze.  Song. 
See  Howard  (S.)  [The  Despairing  Lover.] 
Why  did  the  God  of  love  wound  a 
Commander.  The  Love- Sick  Soldier,  or. 
The  A^aliant  Commander  conquer'd  by  the 
Powerful  Charms  of  Fair  Cynthia's 
Matchless  Beauty. .  .[Ballad.]  Tune  of. 
No,  no  poor  suffering  heart.  Printed  for 
P.  Brooksby  :  [London,  1693  ?]  s.  sh.  fol. 
Case  39.  k.  6.  (45.) 

The  music  is  represented  by  a  ^neaning- 
less  collection  of  notes,  etc. 
Why  do  the  Heathen  vainly  rage  !     Hymn. 
See  Jacob  (B.) 

Why  do  you  with  disdain  refuse.     Song, 
See  Leveridge  (R.) 


684 


WHY— WHYTHORNE 


WHY.  Why  does  my  fairest  Daphne  fly. 
Avollo  and'Daiiline.  [Song.]  [London, 
1725?]     s.sh.iol.  H.  1601.  (501.) 

This    is    not   a    song   from    Galliard's 
'  Apollo  and  Daphne.' 
Why  does  my  Looks  my  Thoughts  betray. 
rSong.]     [London,  1150'^]     s.sh.iol. 

1.  530.  (182*.) 

Why  does  Willy  shun  his  Dear.     Song. 
See  Clarke  (J.) 

Why  dos't  muse  &  fold  thy  Arms.  Claret 
the  best  remedi/  against  Love.  [Song.] 
lLondo7i,  1720  ?]     s.  sh.  fol. 

H.  1601.  (510.) 

Why  dost  thou  fly  me.  A  Song  by  an 
Eininent  Master.  [London, 

1730  ?]     s.  sh.  fol.  a.  303.  (80.) 

Why  droops  this  heart  with  fancy'd  woes 
forlorn  ?  Delia.  [Duet.]  The  Words  by 
Shenstone.  J.  F[entu^m  :  [London, 

1780  ?]     s.  sh.  fol.  G.  313.  (234.) 

Why  fair  Maid  in  ev'ry  feature.  Crazy 
Jane.  A  Favorite  Song.  The  Words  by 
M.  G.  Lewis.  [Music  by  J.  Davy.] 
Adapted  with  an  Accompaniment  for  the 
•  Piano  Forte  or  Harp.  Printed 

for  J.  Dale  :  London,  [1799  ?]     fol. 

G.  356.  (31.) 
Why  Harry,  what  ails  you?     Two  Part 
Song.     See  Smith  (J.  C.) 
Why  has  not  love  reflection's  Eyes  ?    Song. 
See  Fisher  (W.) 

Why  heaves  my  fond  Bosom.  [Song, 
music  by  S.  Howard.]  [London, 

1770?]     s.sh.iol.  G.  316.  (159.) 

Why  heaves  my  fond  Bosom.     [Song.] 
See  Howard  (S.) 

Why  is  Love  so  past  defining.     Glee. 
See  Hook  (J.) 

Why  leaves  my  fair  Phillis  the  joys  of  the 
plain.     Pastoral  Song. 
P.  Syodnson  :  London,  1780  ?]     s.  sh.  fol. 

G.  313.  (233.) 
Why  little  Charmer  of  the  Air.  A  neio 
Song  made  on  a  Bird  by  Mr.  John  Mason. 
[London,  1120  7]     s.sh.iol. 

H.  1601.  (514.) 
Why  lovely  Charmer,  tell  me  why.  A 
Neiv  Song.     [London,  1740  ?]     s.  sh.  fol. 

G.  316.  f.  (103.) 
Why  my  Julia  why  this  Care.     Rondo. 
See  Rauzzini  (V.) 

Why  sliould  a  Heart  so  tender  Break. 
Advice  to  Myra.  [Song.]  Sung  by  J\Iiss 
Falkner,  at  Mary  Bone  Gardens,  set  for 
German  Flutes  and  Violins.  [London, 

1760?]     s.sh.iol.  G.  316.  (160.) 

Why  should  Aurelia  sleep  secure.     Song. 
See  PuRCELL  (D.) 

Why  should  I  fear  the  darkest  hour. 
Hymn.     Sec  E.,  H. 


WHY.     Why  should  Love.     Song. 
See  Morgan  (G.) 

Why  should  the  gen'rous  Youth  restrain. 
To  Crassius  on  his  Marriage  with  Stella. 
[Song.]     [London,  1740?]     s.  sh.  fol. 

G.  313.  (237.) 
Why  should  we  of  humble  state.  Rondo. 
Sung  by  Mrs.  Weichsel.  [London, 

1775  ?]     s.  sh.  fol.  G.  313.  (174.) 

[Another  copy.]  [London, 

1775?]     s.sh.iol.  G.  313.  (267.) 

Why.  stays  my  Love.     Ballad. 
See  PiLBROW  (T.) 

Why    tarries    my    Love?     The    Pigeon. 
[Song.]  ...  By  the  Author  of  Auld  Robin 
•  Gray  [W.  Leeves].  Printed  for  T.  Straight: 
London,  [1790?]     fol.  G.  296.  (16.) 

Why  will  Clemene.     Song. 
See  Weldon  (J.) 

Why  will  Florella  when  I  gaze.     Florella. 

A  Song  by  an  Eminent  Master.    [London, 

1725?]     s.sh.iol.  G.  313.  (109.) 

A  different  setting  from  those  by  Anglo- 

sini,    Tenoe,    Gunn,   G.  Jacksoii  and 

Kilburn. 

Why   will    my    Cselia,    charming    Maid. 

Song.     [Lo7idon,1130?]     s.sh.iol. 

G.  313.  (102.) 

WHYTHORWE  (Thomas)  Cantus. 
(Bassus.)  Of  Duos,  or  Songs  for  two 
voices  ...  Of  the  which,  some  be  playne 
and  easie  to  be  sung,  or  played  on  Musicall 
Instruments,  &  be  made  for  yong  beginners 
of  both  those  Sorts.  And  the  rest  ...  for 
those  that  be  more  perfect  in  singing  or 
playing  ...  all  the  which  be  deuided  into 
three  parts.  That  is  to  say.  The  first. . . 
are  made  for  a  man  and  a  childe  to  sing, 
or  otherwise  for  voices  or  Instruments  . . . 
that  be  of  the  like  compasse  or  distance  in 
sound.  The  second  . . .  are  made  for  two 
children  to  sing.  Also  they  be  aptly  made 
for  two  treble  Cornets  to  ]}la.j  or  sound : 
. . .  And  the  third  ...  be  of  diuers  com- 
passes or  distances,  and  therefore  are  to  be 
vsed  with  voices  or  Instruments  of  Musicke 
accordingly,  etc.  2  pts.  Thomas  Este,  the 
assigne  of  William  Bi/rd :  London, 1590.  4°. 

K.  4.  c.  (3.) 
On  the  verso  of  the  last  leaf  of  each  part 
is  a  portrait  of  the  composer  with  the 
inscription  :  '  Thomas  IMiythorn  anno 
JEtatis  Sum  XL.' 
[Triplex  (]\Iedius)  (Contra  Tenor)  (Bassus), 
of  Songs,  for  five  voyces,  composed  and 
made  by  Tho.  Whythorne,  gent,  the  w"'*' 
songs  be  of  sundry  sorts,  that  is  to  say, 
some  long,  some  short,  some  hard,  some 
easie  to  be  songe,  and  sonae  betwene  both  : 
also  some  solemne,  and  some  pleasant  or 
mery  :  so  that  according  to  the  skill  of  the 
singers  (not  being  Musitians)  and  disposi- 
tion or  delite  of   the   hearers,  they  may 


WIGHT— WIFE 


685 


here  find   Songes   for  their   contentation 
and  liking.]     4  pts.  [John  Daye  : 

London,  1571.]     obi.  4°.  K.  4.  c.  2. 

Wanting  fol.  2  of  tJie  Triplex  part  {ichich 
has  been  supplied  in  MS.)  and  all  the 
title-pages.  The  Meditis  and  Contra- 
tenor  parts  only  contain  tables  of 
contents. 

WIGHT    (      )      See    Adele.      Adele  . . . 
Comedie   . . .  melee     de     Vaudevilles  . . . 
avec  des  Airs  notes  [by  —  Wicht]. 
[1800.]    8°.  11738.  n.  16.  (1.) 

See  Maitee  Adam.  Maitre  Adam,  INIenui- 
sier  de  Nevers,  Comedie,  etc.  [With  the 
music  of  the  concluding  Vaudeville,  by 
—  Wicht.]  [1V96.J  8".  11738.  1.  7.  (3.) 
See  Naufrage  au  Port.  Le  Naufrage  au 
Port,  Comedie  . . .  mel6e  de  Vaudevilles 
. . .  avec  la  Musique  [of  a  song  and  a 
VaudeviUe  by  —  Wicht}.     [1794.]     8°. 

11738.  k.  39.  (4.) 

WICKLOW    MOUNTAINS.     The 

Wicklow  Mountains.     Comic  Opera. 
See  Shield  (W.) 

WIDEBUIlGr       (Michael       Johann 
Friedrich)     See  Wiedeburg. 

WIDERKEHR  (Jacob  Christian 
Michael)  Neuvieme  Simphonie  Con- 
certante  pour  Clarinette,  Flute  et  Basson, 
avec  Accompagnement  de  deux  Violons, 
Alto  et  Basse,  deux  Oboes  ou  Clarinettes 
et  deux  Cors,  etc.  [Separate  Parts.] 
Chez  M"'-''  Erard  :  Paris,  [1800?]     fol. 

h.  2136.  b. 

Neuvieme  Simphonie  Coucertante  pour 
Flute,  Oboe  et  Basson,  avec  Accompagne- 
ment de  deux  Violons,  Alto  et  Basse,  deux 
Oboes  ou  Clarinettes  et  deux  Cors,  etc. 
[Separate  Parts.]  Chez  M"'''>  Erard  : 

Paris,  [1800?]     fol.  h.  2136.  a. 

W I  DM  ANN  (Erasmus)  Geistliche 
Psalmen.vnd  Lieder,  wie  sie  dess  Jars 
vber  auflt'  alle  Fest,  Sonn  vnnd  Feyertag 
zu  Weickersheim. .  .gebraucht  werden. . . 
mit  vier  Stimmen  compouirt,  etc. 
Valentin  Fuhrmann  :  NUrnherg,  1604.    8°. 

A.  187. 
Piorum  Suspiria.  Andechtige  Seufftzen 
vnnd  Gebeti  vmb  den  lieben  Frieden, 
vnd  abwendung  aller  Hauptplagen  vnd 
Straffen :  Cxesangsweiss  gestelt :  Darbey 
auch  etliche,nach  der  newen  Viadanischen 
Art,  gesetzte  Moteten  vnd  Gesiingen  . .  . 
Mit  3.  vnd  4.  Stimmen  componirt,  etc. 
Cantus.  (Tenor.)  (Basis.)  3  pts. 
GedrncJd  vnd  vcrlegt  durch  Simon  Halb- 
mayern  :  Niirnberg,  1629.     4°.       D.  122. 

WIDOW.  A  Widow  bewitch'd  in  a  dream 
we  find.  Cupid  in  a  Camphor  Bag. 
[Song.]  Written  by  a  Person  of  Dis- 
tinction, etc.  H.  Thompson  :  London, 
[1800?]     fol.  G-.  810.  (69.) 


WIDOW.     A  Widow  betwitch'd  with  her 
passion.     [Song.]     See  Verkon  (J.) 

WIDOW  OF  DELPHI.  [Overture.] 
Three  Celebrated  English  Overtures; 
adapted  for  the  Piano  Forte.  [No.  3.] 
[1798.]  See  Periodical  Publications. — 
London.  The  Piano-Forte 
Vol.  V.     No.  3. 


]\Iagazine, 


[1797-1802.]     8°. 

D.  854. 

But  ah  !  he  was  a  Slave.  A  favourite  New 
Song,  etc.  [From  T.  H.  Butler's  '  Widow 
of  Delphi.']  See  His.  His  form  bv  Nature's 
Hand,  etc.     [1785  ?]     s.  sh.  fol.  ' 

H.  1601.  b.  (77.) 

Fair  was  the  Dame.  [Song.]  Sung  by 
]\rrs.  Kennedy  in  the  Widow  of  Delphi 
[by  T.  H.  Butler].  Printed  for 

W.  Warrell :  London,  [1785  ?]     fol. 

G.  807.  d.  (82.) 
His  form  by  Nature's  hand.  A  favourite 
Song  sung  by  Mrs.  Kennedy  in  the  Widow 
of  Delphi  [bv  T.  H.  Butler].  [London, 

1785?]     fol."  G.  308.  (149.) 

Wives  awake.  The  Serenade  in  the  Widow 
of  Delphi  [by  T.  H.  Butler].  W.  Warrell, 
etc. :  London,  [1785  ?J     fol. 

G.  313.  (179.) 
The  Widow  of  Delphi.  [Musical  Comedy.] 
See  Butler  (T.  H.) 

WIDOW  SANDERSON.  The  Widow 
Sanderson.  Duett.  See  Have.  Have  you 
been  to  Abington,  etc.     [1790?]    s.  sh.  fol. 

G.  316.  (78.) 

WIEDEBEIN  (Johann  Mathias)  Oden 
und  Lieder  zum  singen  beym  Clavier. 
Erster  Vorsuch.  Im  Verlage  des  Autors  : 
Braunschweig,  [1779.]     obi.  fol. 

P.  427.  (1.) 

WIEDEBURG  (Michael  Johann  Fried- 
rich)  Der  sich  selbst  informirende  Cla- 
vierspieler,  oder  deutlicher  und  leichter 
Unterricht  zur  Selbstinformation  im  Cla- 
vierspielen,  etc.     B  Th.  hn  Verlag  der 

Buchhandlung  des  Waiscnhauses :  Halle 
und  Leipzig,  1765  (1767)  (1775).     4°. 

7896.  cc.  15. 
[Another  copy.     2  Th.]  7897.  e.  7. 

Vermehrter  practischer  Beytrag  zum  Sich 
selbst  informirenden  Clavier-Spieler,  oder 
...leichte  und. .  .schwerere  Praludia  fiir 
Orgel  und  Clavier,  etc.  Im  Waisenhause  : 
Halle,  1778.     obi.  4°.  b.  120. 

WIESE  (Christian  Ludwig  Gustav  von) 
Baron.     See  W.,  Le  B.  de. 

WIFE.     The  Wife's  Farewell.     Ballad. 
See  Of  Age  To-Moeeow. 

WIFE  FOR   ANY  MAN.      De'el  take 

the   Warr.      A    Song   . . .   the   words    by 
Mr.  Durffey.     [Music  bv  C.  Powell.] 
[London,  1110  I'i     s.  shAol. 

H.  1601.  (128.) 


686 


WIFE— WILKINS 


"WIFE  FOR  ANY  MAN.  De'el  take 
the  Warr.  A  Song  in  a  Wife  for  any 
Man,  etc.     [London,  1720?]     s.  sh.  fol. 

G.  316.  d.  (102.) 

[Another  edition.]     Do'il  take  the    War. 
A  Song  in..  .A  Wife  for  any  Man,  etc. 
[London,  1740  ?]     s.  sh.  fol. 

H.  1994.  b.  (18.) 

WIG.     The  Wig  Gallery.     [Song.] 

See  DiBDiN  (C.)  [4  Tour  to  the  Land's 
End.] 

WIGS.  Wigs,  or  the  Inundation.  [Song.] 
See  DiBDiN  (C.)     [The  Wags.] 

WILBYE  (John)  Flora  gave  me  fairest 
Flowers.  See  infra :  [First  Set  of  Mad- 
rigals.] 

The  First  Set  of  English  ]\Iadrigals  to  3. 
3.  4.  5.  and  6.  voices,  etc.  Cantus.  (Altus.) 
(Tenor.)  (Bassus.)  (Quintus.)  (Sextus.) 
6  pts.     Thomas  Este  :  London,  1598.     4". 

K.  3.  k.  17. 

[Another  copy.     Altus.]     55.  b.  20.  (6.) 

Flora  gave  me  fairest  Flowers.     ]\Iad- 

rigal,  etc.  Printed  for 

S.  Babb  :  [Lo7idon,  1780  ?]     fol. 

G.  307.  (215.) 
The  Second  Set  of  Madrigales  to  3.  4. 
5.  and  6.  i^arts,  apt  both  for  Voyals  and 
Voyces.  Cautus.  (Altus.)  (Tenor.)  (Bassus.) 
(Quintus.)     (Sextus.)     6  pts.  Tho. 

Este  alias  Snodham,  for  John  Broione  : 
London,  1609.     4°.  K.  3.  k.  18. 

[Another  copy.  Altus.]  55.  b.  20.  (16.) 
Madrigals  for  Three  Voices  . .  .  Revised, 
Corrected  and  put  into  Score  by  T. 
Warren. 

Longman  and  Broderip,  for  the  Editor: 
London,  [1190?]     fol.         H.  1797.  (10.) 

WILFFLINGSEDER  (Ambrosius) 
Erotemata  IMusices  Practicss,  continentia 
prfficipuas  eius  artis  prseceptiones  .  .  . 
coUecta  ab  Ambrosio  Wilphlingsdero,  etc. 
MS.  NOTES.  Christophorus  Heussler  : 

Noribergse,  1503.     8°.  1042.  e.  3. 

Musica  Teutsch.der  Jugentzu  gut  gestelt, 
etc.     [D.  Gerlach :  Nilrnbcrg,]  1569.     8°. 

A.  68. 

Lnperfcct,  ivanting  the  last  leaf. 
Musica  Teutsch,  der  Jugent  zu  gut  gestelt, 
etc.      [With   additions    in    contemporary 
MS.,  and  an  unfinished  English  transla- 
tion in  the  autograph  of  R.  L.  Pearsall.] 

Gedruckt  durch  DietcricJi  Gerlatzcn  : 
Niirnberg,  1572.     8°.  K.  7.  h.  1. 

Interleaved. 

WILFORD  (John)  If  we  the  Mace- 
donian's mighty  mind.  A  Song,  th.e\Novds 
Written  under  his  Majesties  Picture 
presented  to  the  Corporation  of  INIaidstone 
. .  .exactly  engrav'd  by  Tho:  Cross. 
[London,  1700  ?]     s.  sh.  fol. 

K.  7.  i.  2.  (81.) 


WILFORD  (John)  [The  Libertine.]  In 
vain  I  hope  to  find  relief.  A  Song,  the 
W^ords  by  a  Lady,  Set  and  Sung  by  Mr. 
John  Wilford,  in  the  Libertine  ;  and 
exactly  engrav'd  by  Tho:  Cross.  [London, 
1700  ?]     s.  sh.  fol.  K.  7.  i.  2.  (77.) 

Sweet  Nightingales  which  charm  this 
Grove.  A  Song  done  out  of  French. . . 
exactly  engrav'd  by  T.  Cross.  [London, 
1700  ?]    s.  sh.  fol.  K.  7.  i.  2.  (78.) 

Tell  me  dear  charmer.  A  Song,  the 
Words  by  Mrs.  Mary  Child... Sung  by 
Mr.  Gouge  at  the  new  Theatre,  and  exactly 
engrav'd  by  Tho:  Cross.  [London, 

1700  ?]    s.  sh.  fol.  K.  7.  i.  2.  (79.) 

Tell  me,  ye  happy  Pow'rs  above.     A  Smig 
. .  .exactly  engrav'd  by  Tho:  Cross. 
[London,  1700?]     fol.      K.  7.  i.  2.  (80.) 
Wou'd  fate  to  me  Bellinda  give.     A  Song, 
etc.     [London,  11101]     s.  sh.iol. 

H.  1601.  (490.) 
[Another  edition.]  Wou'd  Fate  to  me 
Bellinda  give,  etc.  [London, 

1710  ?]     s.  sh.  fol.  G.  313.  (82.) 

[Another   edition.]      Wou'd   fate    to    me 
Bellinda  give.     A  Song,  etc. 
Cluer  :  [London,  1115'?]     s.  sh.  io\. 

G.  316.  g.  (75.) 

WILGLIARDUS  (Adeianus) 

See  WiLLAERT. 

WILKES.     Wilkes's  Release.     [Song.]  _ 
See    Come.       Come    each    true     British 
Heart,  etc.     [1770  ?]     s.  sh.  fol. 

G.  316.  (34.) 

WILKINS  (  )  Jockey  was  a  dawdy 
Lad.  A  Scotch  Song,  etc.  [Words  by 
T.  Durfey.]     [Lo«do?^  1710?]     s.  sh.  iol. 

H.  1601.  (233.) 
Tliis    song    is    also    attributed    to    J. 
Clarke. 
[Another  edition.]     Jockey  was  a  dawdy 
Lad,  etc.     ['London,  1710  ?]     s.  sh.  fol. 

G.  309.  (53.) 

WILKINS  (Elizabeth)  A  Collection  of 
Church  Musick.  In  Two,  Three,  and 
Four  parts  by  the  best  Masters,  with  a 
short  Introduction  to  the  Scale  of  Musick. 
Printed  for  c£-  Sold  by 
E.  Wilhins  of  Great  Milton,  Oxfordshire  : 
[London  2  11^5.]    obi.  i\  A.  904. 

WILKINS  (John)  Three  Ballads  with  an 
Accompaniment  for  the  Piano  Forte,  etc. 

Printed  for  the  Author  :  London, 
[1800?]     fol.  G.  358.  (12.) 

In  yonder  Wilds.  An  Elegiac  Canzonett. 
Longman  and  Broderip : 
London,  [1195'?]  fol.  H.  2821.  (15.) 
The  Sigh,  a  favorite  Song,  with  an  Accom- 
paniment for  the  Piano  Forte,  the  Poetry 
...by  S.  T.  Coleridge,  etc. 

J.  Longman,  Clementi  &  Co.  : 
London,  [1799  ?]     fol.  G.  365.  (57.) 


WILKINS— WILLAERT 


687 


"WILKINS  (Matthew)  A  Book  of 
Psalmody,  Containing  some  easy  instruc- 
tions for  young  beginners  ;  to  w'^''  is  added 
a  select  number  of  Psalm-tunes,  Hymns 
&  Anthems,  in  2.  3.  &  4.  parts.  Collected, 
printed,  taught  &  sold  by  "SI.  Wilkins,  etc. 
Engraved  bij  Tho.  Cross:  f London? 
1725  ?]    obi.  i".  A.  992.  a. 

A  Book  of  Psalmody.  Containing  a 
choice  Collection  of  Psalm-Tunes,  Hymns 
and  Anthems,  in  Two,  Three  and  Four 
parts,  by  the  best  Masters. .  .with  a  Short 
Introduction  to  the  Scale  of  Musick. 
Collected,  printed,  taught  and  sold  by 
M.  Wilkins,  etc.    {London  ?  1730  ?]   obi.  4». 

A.  992. 
Engraved  throughout. 

WILL.     Will  of  Aberdeen.     [Song.] 

See  While.  While  others  sing  in  chear- 
ful  lays,  etc.     [1775  ?]     fol. 

H.  1994.  b.  (102.) 

Will  you  buy  any  tape.  The  Pedlar,  a 
Glee  for  3  Voices.  The  first  Stanza  of  the 
words  from  '  The  Winter's  Tale.'  [By 
E.  S.  Biggs.]  Printed  for  E.  Birchall  : 
London,  [1800  ?]    fol.     G.  805.  k.  (42.) 

Will  you  come  to  the  Bow'r.     Song. 
See  M.,  T. 

Will  you  go  to  the  Fair.     Catch. 
See  Atterbury  (L.) 

Will  you  hear  how  once  repining.     Song. 
Sec  Camidge  (]M.) 

"WILL    OF   THE   WISP.      Will  of  the 

Wisp.     Entertainment.     See  Dibdin  (C.) 

WILLAERT  (Adbiax)  Canzon  Villan- 
esche  alia  Napolitana  di  Messer  Adriano 
[Willaert]  a  Quatro  Voci  Con  la  Canzon 
di  Ruzante,  etc.  Altus.  (Tenor.)  (Bassus.) 
3  pts.  Ai^presso  di  Antonio  Gardane  : 

Venetia,  1553.     obi.  i". 

53.  a.  32.  33.  (8.)  &  A.  569.  b. 

The  composers  named  are :  Adriano  [Wil- 

lacrf],  F.  Silvestrino  and  Pierresson 

[Cambio]. 

Fantasie  Recercari  et  Contrapunti  a  Tre 

Voci,  Di  Adriano  &  de  altri  Autori,  appro- 

priati  per  Cantare  &  Souare  d'  ogni  sorte 

di  Stromeuti,  Con  due  Regina  cell,  1'  uno 

di  Adriano  &  1'  altro  di  Cipriano  [de  Rore], 

Sopra  vno  medesimo  Canto  Fermo.    Noua- 

mente.  .  .Ristampate.      Canto.      (Basso.) 

2  pts.  Appresso  Angela  Gardano  : 

Venetia,  1593.     obi.  4°.  A.  569.  c. 

The    composers     named   are :    Adriano, 

Cipriano,  Antonino  Barges  and  Giro- 

lamo  da  Bologna. 

Musica  Nona  di  Adriano  Willaert  all' 
Illustrissimo  et  Excellentissimo  Signor  il 
Signor  Donno  Alfonso  d'Este,  Prencipe  di 
Ferrara.  [With  a  dedication  by  F.  Viola.] 
Cantus.       (Altus.)       (Tenor.)       (Bassus.) 


(Quintus.)     (SextaPars.)    (SeptimaPars.) 

7  pts.  [Appresso  di  Antonio  Gardano  : 

Venetia,  1559.)     4".  K.  3.  m.  14. 

The  verso  of  the   title-page  contains  a 

portrait  of  Willaert. 

Famosissimi  Adriani  Willaert  . . .  Musica 
Quatuor  Vocum,  (qune  uulgo  Motecta 
nuucupatur)  Nouiter  omni  studio,  ac 
diligentia  in  lucem  edita.  Liber  Primus. 
Quatuor  Vocum,  etc.  (Cantus.)  (Del 
Primo  Libro  dei  j\Iotetti  a  Quattro  Voci 
. .  .Nouamente  posti  in  luce.  A  Quattro 
Voci.  (A(ltus).)  (T(enor).)  (B(assus).) 
4  pts.  [Girola^no  Scotto, 

Venice,]  1539.     obi.  4°.  K.  I.  e.  18. 

Adriani  Willaert. .  .Musica  Quatuor  Vocum 

(IMotecta  uulgo  appellant)  Nunc  denuo . . . 

recognita  ac  in  lucem  exeuntia.     Additis 

etiam  ab  authore  multis  motectis  que  in 

priori    editione    desiderabantur.        Liber 

primus.     Superius  (Altus).     (Famosissimi 

Adriani  Willaert. .  .]\Iusica  Quatuor  Vocum 

(quEe  uulgo  Motecta  nuncupatur)  Nouiter 

...in  lucem  edita... Tenor)  (Bassus).    4  pts. 

Ap)2id  Antonijwi  Gardane  : 

Venetijs,  1545.     obi.  4°.  A.  55. 

The    title-page  of    the  Bassus   part  is 

similar  to  that  of  the  Tenor. 

Adriani  Willaert. .  .Musica  Quatuor  Vocum 
(Motecta  uulgo  appellant).  Nunc  denuo 
summa  diligentia  recognita  ac  in  lucem 
exeuntia.  Additis  etiam  ab  authore 
multis  motectis  que  in  priori  editione 
desiderabantur.  Liber  Secundus.  Su- 
perius. (Altus.)  (Tenor.)  (Bassus.)  4. pts. 
Apud  Antonium  Gardane  : 
Venetijs,  1545.    obi.  4°.  A.  569, 

Famosissimi  Adriani  W'illaert. .  .Musica 
quinque  Vocum  (quae  Vulgo  Motecta 
nuncupautur).  Nouiter ...  in  lucem  sedita. 
Liber  Primus.  Cantus.  (Altus.)  (Tenor.) 
(Bassus.)     (Quintus.)     5  pts. 

Apud  Hieronxjmxim  Scotum : 
Ve7ietiis,  1550.     obi.  4°.  A.  55.  a. 

I  Sacri  e  Santi  Salmi  che  si  cantano  a 
Vespro  et  Compieta.  Con  li  suoi  Himni 
Responsorij  et  Benidicamus.  Composti 
. .  .a  uno  Choro  &  a  quatro  uoci.  Noua- 
mente .  . .  stampati  &  corretti.  Con  la 
gionta  di  dui  Magnificat.  A  Quatro  Voci. 
Bassus.  Apresso  di 

Antonio  Gardano  :  Venetia,  1555.     obi.  4°. 

A.  569.  a. 

See  BuoNAUGURio  (G.)       Fantesie. .  .con 
la  Giunta  di  alcuni. .  .Recerchari  et  Mad- 
rigal! a   tre  Voce,  composti  da  lo  eccel- 
lentiss.  Adriano  Vuigliart,  etc. 
1549.     obi.  4°.  K.  3.  b.  4. 

See  Motets.  [4.]  Motetta  Trium  Vocum 
ab  Pluribus  Authoribus  composita  quorum 
nomina  sunt. . .  Adrianus  W^ilgliardus,  etc. 
1543.     obi.  4:".  K.  3.  d.  7. 


688 


WILLAERT— WILLIAilS 


WILIiAERT  (Adrian)     See  Rore  (C.  di)    ! 
Di  Cipriano  il  Secondo  Libro  de  Madre- 
gali    a    Cinque   Voci    insieme  alcuni   di 
M.Adriano  [Willaert],efc.     1544.     o6Z.  4°. 

A.  70.  b. 

Sec  EoRE  (C.  de)  Di  Cipriano  de  Bore  il 
Secondo  Libro  de  Madrigali  a  Cinque 
Voci  insieme  alcuni  di  ]\I.  Adriano... 
Nouamente  Ristampato,  etc.   1551.  ohl.  4°. 

A.  70.  r. 

See  Rore  (C.  de)  Di  Cipriano  de  Rore 
II  Secondo  Libro  di  Madrigali  a  Cinque 
Voci  insieme  alcuni  di  M.  Adriano... 
Nouamente  Ristampato,  etc.    1563.  nhl.  4°. 

A.  70.  g. 

See  Verdelot  (P.)  Intauolatura  de  li 
Madrigali  di  Verdelotto  da  Cantare  et 
Sonare  nel  Lauto,  intauolati  per . . .  Adri- 
ano Vuillaert,  etc.    1540.     ohl.  4°. 

K.  8.  b.  4. 

■WILLIAM.     William.     [Song.] 
See  Arnold  (S.) 

William.      Ballad.      See  Haydn   (F.    J.) 
[2.  Vocal  Works.     6.] 
William  and  Ann.     Ballad. 
See,  Brooks  (J.) 

William  and  Margaret.     Ballad. 
See  When.     When  all  was  wrapt  in  dark 
]Mid-night,  etc.     [1723  ?]     s.  sli.  fol. 

1876.  f.  1.  (107.) 
William  and  Mary.     Ballad.     See  Hour. 
The  Hour  of  Embarkation's  near,  etc. 
[1800?]     fol.  G.  356.  (36.) 

William  and  Mary.     Rondos  [begin  :  '  Ah 
Mary  why  that  look  '].     See  Lee  (P.) 
William  and  Nancy.     Ballad. 
See  Abeams  (H.) 

William    far    away.       [Song.]      See   My. 
My  William  I  have  lost.  [1780  ?]  s.  sh.  fol. 
H.  1601.  b.  (98.) 
WiUiam  of  AUerton  Green.     Ballad. 
See  DiGNUM  (C.) 
William's  Farewell.     [Song.] 
Set  Guest  (G.) 
William's  Return.     Song. 
See  Ambrose  (J.) 

WILLIAM   AND   WANCY.     William 
and  Nancy.     Pastoral.     See  Hook  (J.) 

WILLIAM  AND  NANNY.  The 
Ladies  of  rank  are  so  frisky  and  fine. 
Tlie  favorite  Irish  Song  sung  by  Mr. 
Moody  in  the  Farce  of  William  and 
Nanny.  [Words  by  R.  J.  Goodenough.] 
J.  F\_entu'\m  :  [London,  1780.]     s.  sJi.  fol. 

G.  312.  (157.) 

[Another  copy.]  I.  530.  (183.) 

WILLIAM  [Gonzaga],  Diike  of  Mantua. 
See    Madrigals.       Madrigali    a    cinque 
Voci,  etc.     [By  Guglielmo  Gonzaga,  Duke 
of  Mantua.]     1583.    obi.  4".     K.  3.  g.  8. 


WILLIAMS  (Aaron)  Comfort  ye  my 
people.  A  Neiu  Christmas  Anthem.  For 
1,  2,  3  &  4  Voices.  With  an  Instrumental 
Bass  for  a  Bassoon  or  Violoncello  &  a 
Thoro'  Bass  for  the  Organ,  &c. 

Longman,  Lukey  d  Co.  : 
London,  [1775  ?]     fol.      H.  2815.  i.  (9.) 

Psalmody  in  Miniature.  In  III  Books. 
Containing  the  Tenor  and  Bass  of  aU  the 
Tunes  generally  used  in  Churches, 
Chaples,  or  Dissenting  Congregations . . . 
A  New  Edition  :  corrected  and  figured  for 
the  Organ,  by  an  eminent  Master. 
(Supplement  to  Psalmody  in  Miniature, 
etc.)     4  Bks.  The  Editor  : 

London,  1778.     obi.  32°.  A.  622.  a. 

Royal  Harmony :  or  the  Beauties  of 
Church  Music.  Containing  Thirty  Favoiir- 
ite  Anthems. .  .by  the  greatest  Masters  viz. 
Dr.  Blow,  H.  Purcel,  Dr.  Croft,  Dr.  Green, 
J.  Weldon,  J.  C[l]ark,  G.  F.  Handel,  J. 
Green  &c.  many  of  which  were  never 
before  Published  ..  .The  whole. .  .set. . . 
for  two,  three,  and  four  Voices... by  A. 
WiUiams.  Printed  for  J.  Johnson  : 

London,  [1765  ?]     ohl.  fol.  E.  1492. 

This  collection  also  contains  compositions 

by  Coates,  A.  Williams,  Wanlcy  and 

Richardson. 

The  Universal  Psalmodist.  Containing, 
I.  A  Compleat  Introduction  to  Psalmody 
...II.  A  Collection  of  Psalm  and  Hymn 
Tunes. .  .The  Third  Edition,  corrected. 

Printed  for  Joseph  Johnson  : 
London,  1765.     obi.  4°.  A.  622. 

The  Universal  Psalmodist  . . .  Originally 
Published  under  the  Name  of  A.  Williams 
...And  now  in  this  Fourth  Edition, 
corrected. .  .by  an  Able  Master,  with  the 
Addition  of  many  Tunes,  etc. 

H.  Fougt,  for  J.  cC  F.  Bivington,  etc. : 
London,  (1770.)     obi.  4°.  A.  622.  b. 

Williams's  New  Universal  Psalmodist. . . 
The  Fifth  Edition,  with  the  addition  of 
two  Anthems,  etc.  Printed 

for  the  Author :  London,  (1770.)     obi.  4°. 

A.  622.  d. 

Williams's  New  Universal  Psalmodist... 
The  Sixth  Edition,  with  Additions. 

Longman,  Lukey  and  Broderip  : 
London,  [1775  ?]     obi.  4°.  A.  622.  e. 

See  American  Harmony.  The  American 
Harmony... In  Two  Volumes,  etc.  (The 
American  Harmony. .  .Containing  a  Choice 
. . .  Collections  of  Psalm  and  Hymn-Tunes 
...by  A.  WiUiams,  c^c.)     1771.     ohl.  ^°. 

A.  479.  a. 

See  Williams  (T.)       Harmonia  Coelestis 
. .  .a   Collection  of. .  .Anthems  . . .  by  . . . 
Eminent  Masters.   Also  Six  New  Anthems 
. .  .by  the  late  Mr.  A.  Williams,  etc. 
1780.     fol.  G.  970. 


WILLIAMS— WILLIAMSON 


689 


WILLIAMS  (C.)  Innocence.  A  favorite 
Song. .  .The  Words  by  Mr.  Concannen. 

Printed  for  Culliford,  Eolfe  d;  Barroio  : 
London,  [1797?]     fol.  G-.  365.  (59.) 

WILLIAMS  (Evan)  See  Pahry  (J.)  of 
Bnahon  and  Williams  (E.)  Antient 
British  IMusic,  etc.     1742.     fol.      h.  146. 

WILLIAMS  (George  Ebenezer)  Crazy 
Jane.  A  Favorite  Song,  the  words  by 
G.  M.  Lewis.  Set  to  Music  with  an 
Accompaniment  for  the  Harp,  or  Piano 
Forte.  T.  d  W.  M.  Cahusac  :  London, 
[1800  ?]     fol.  H.  2815.  p.  (15.) 

WILLIAMS  (Thomas)  Harmonia  Coeles- 
tis. .  .a  Collection  of. .  .Anthems. .  .for  2, 
3,  4  &  5  Voices,  by  Purcell,  Blow,  Croft, 
Weldon,  Clark,  Aldrich,  Wise  &  other 
Eminent  IMasters.  Also  Six  New  Anthems 
...by  the  late  Mr,  A.  Williams.  The 
whole  correctly  figured  for  the  Organ  and 
adapted  for  other  Instruments.  [Edited 
by  T.  Williams.]  T.  Williams  : 

London,  1780.     fol.  G.  970. 

Instructions  in  Miniature  for  learning 
Psalmody  .  .  .  Interspersed  with  proper 
Lessons  and  Examples.  To  which  are 
added,  a  concise  Musical  Dictionary;  anew 
Tune...&  an  original  Canon.  Tlic  Author  : 
Londo7i,  1778.     obi.  32".  785.  a.  87. 

Psalmodia  Evangelica.  A  Collection  of 
Psalm  &  Hymn-Tunes,  in  Three  Parts. . . 
correctly  figured  for  the  Organ.  To  which 
are  prefixed  a  complete  Introduction  &  an 
Historical  Essay  on  Church  IMusic.  2  vols. 
Printed  for  S.  A.  d  P.  Thompson  : 
London,  1789.     obi.  4°.  A.  811.  a. 

WILLIAMS  (William)  Haste,  haste  ye 
Britains.  A  Verse  out  of  a  Musical  Enter- 
tainment on  the  conclusion  of  the  Peace. . . 
Sung  by  M""  Lee  and  exactly  engrav'd  by 
T.  Cross.     [London,  1697.]     s.  sh.  fol. 

G.  315.  (128.) 
A  Sonata  for  a  Single  Flute. .  .engrav'd 
by  Tho.  Cross.     [London,  1700  ?]     fol. 

Add.  MS.  31,466.  fol.  82,  83. 
WILLIAMSON  (T.  G.)     Twelve  Original 
Hindostanee  Airs,  Compiled  &  Harmon- 
ized by  T.  G.  Williamson.     Opera  4. 

W.  Napier,  for  the  Author  : 
London,  [1797  ?]     fol.  g.  138.  (5.) 

Thirty  Little  Airs,  for  Two  Flutes  or 
Violins,  with  a  Violoncello,  ad  libitum, 
...Op.  7.     [Separate  Parts.] 

W.  Napier,  for  the  Author  : 
London,  [1798  ?]     fol.  g.  222.  (7.) 

Twenty  Five  national  airs  for  the  Piano- 
Forte  ;  Being  a  Collection  of  Original 
Melodies  in  the  Scotch,  Welch,  Irish,  & 
English  Stiles ;  &  well  adapted  to  the 
Violin,  with  a  Violoncello' Accompaniment 
of  the  Bass  part.  1"  (2'"')  Part  of  Opera 
3'*.     2  pts.  T.  G.  Williamson  : 

Loyulon,  [1797  ?]     fol.  g.  138.  (4.) 

VOL.    II. 


WILLIAMSON"  (T.  G.)  The  Bachelor's 
Advertisement.  A  New  Ballad  written  by 
jMiss  S.  Wilkinson,  etc.  The  Author  : 

ioHfZon,  [1800?]  fol.  H.  2826.  c.  (39.) 
The  Bird's  Nest.  [Song.]  W.Napier,  for 
the  Author  :  London,  [1797  ?]     fol. 

G.  365.  (64.) 
Entomb'd  within  yon  grassy  IMouud.  A 
Favorite  New  Ballad,  written  &  composed 
by  T.  Williamson.  The  Author : 

London,  [1800  ?]     fol.  G.  365.  (66.) 

The  Gipsey.  [Song.]  Written  by  Miss  S. 
Wilkinson.  T.  Williamson  :  London, 

[1800?]     fol.  H.  2826.  e.  (38.) 

Ten  Easy  Lessons  for  the  Piano  Forte. . . 
Op.  8'-'.  Branston  <&  Lambert,  for  the 

Author :  London,  [1798  ?]     fol. 

g.  132.  (16.) 

Ten  Easy  Lessons  for  the  Piano  Forte . . . 
Opera  9"'.  Branston  &  Lambert,  for  the 
Autlior:  London,  11798?]     fol. 

g.  132.  (17.) 

The  Loss  of  Innocence.     [Song.] 

W.  Napier,  for  the  Autlior  :  London, 
[1797  ?]     fol.  G.  365.  (61.) 

Lubin's  Return,  a  new  Pastoral  Ballad, 
intended  as  a  Sequel  to  Haydn's  Can- 
zonett,  "  My  Mother  bids  me  bind  my 
Hair,"  written  &  composed  by  T.  G. 
Williamson.  W.  Napier, 

for  the  Author  :  London,  [1797  ?]     fol. 

G.  365.  (58.) 

Twenty  Small  Pieces  for  the  Piano-Forte 
Flute  or  Violin,  consisting  of  Waltzes, 
Quick  Steps,  Cotillons,  Dances,  &c.  &c — 
Opera  5.  W.  Napier, 

for  the  AutJwr :  London,  [1797  ?]     fol. 

g.  229.  (20.) 

Pretty  Nell.  [Song.]  W.  Napier,  for  the 
Atithor :  London,  [1797  ?]     fol. 

G.  365.  (65.) 

Ramanee.  [Song.]  Translated  from  the 
Poems  of  Yuqueen,  a  Celebrated  Hindo- 
stanee Author.  TF.  Napier,  for  the 
Authm :  London,  [1797  ?]    fol. 

G.  365.  (62.) 

Since  in  the  Mirror  of  my  Eyes.  [Song.] 
Translated  from  the  Poems  of  Sonda  a 
Celebrated  Hindostanee  Author. 

W.  Napier,  for  the  Author :  London, 
[1797  ?]    fol.  G.  365.  (63.) 

Six  Favorite  Sonatinas  for  the  Piano- 
Forte.  .  .Op.  1.  W.  Napier,  for  the  Author  : 
London,  [1797.]     fol.  g.  132.  (15.) 

Six  Grand  Troops  with  Six  Quick  Steps, 
&  Six  Marches,  for  the  Piano  Forte . . . 
Op  6  TF.  Napier,  for  the  Author  : 

London,  [1798  ?]    fol.  g.  137.  (27.) 

The  Wooden  Leg,  a  favorite  New  Ballad, 
written  &  composed  by  T.  G.  Williamson. 
The  Author  :  London,  [1799  ?]     fol. 

G.  365.  (60.) 
2  Y     • 


690 


WILLING— WILMORE  CASTLE 


WILLING.  The  Willing  Maid.  [Song.] 
See  Defesch  (W.) 

WILLIS  (  )  Two  Catches  for  Three 
Voices,  Set  by  Mr.  Willis,  also  a  Song 
['  Fear  no  danger,'  from  '  Dido  and 
^neas ']  in  y"  Play  call'd  "  Measure  for 
]\Ieasure,"  Set  by  Mr.  Henry  Purcell. 
[London,  1700.]     fol.  G.  304.  (54.) 

Now  my  freedom's  regain'd.  A  Song,  etc. 
[London,  1705  ?]     s.  sh.  fol. 

G-.  304.  (108.) 

WILLMAN  (John)  lerne,  long  for  vertue 
fam'd.  A  Neto  Volunteer  Song.  [Words] 
By  Walter  Burke,  etc.  Joshua  Stokes : 

Dublin,  [1780  ?]     s.  sh.  fol. 

H.  1601.  a.  (107.) 

KiUmain  Volunteers.  [Song,  words]  By 
Mr.  jSI.  Sennett,  etc.  Joshua 

Stokes  :  [Dublin,  1780  ?]     fol. 

H.  1601.  a.  (109.) 

WILLOUGHBY  (Robert)  Sacred  Har- 
mony, in  Parts,  consisting  of  . . .  Anthems, 
and  . . .  Church  Services,  selected  from  the 
Works  of  Doctors  Boyce,  Croft,  &  Green, 
Messrs.  Blake,  Bond,  Clark,  Kent,  King, 
Purcel,  Travers  &c.  The  whole  .  .  . 
arranged  ...  by  R.  Willoughby.     5  pts. 

Printed  for  the  Editor  :  London, 
[1795  ?]     obi.  4°.  A.  1095. 

This  collection  also  contains  compositions 
by  Carter,  Broadrip,  Mason,  Loozmoor, 
Aldrich,  Bennett,  Willoughby,  Weldon, 
Creyghtcm,  W.  Knap,  Handel,  J. 
Arnold,  Weedon,  Waimvright,  Hum- 
pheys,  T.  Purcell,  Barroiu  and  Bird. 

Social  Harmony,  being  a  choice  Collection 
of  Catches,  Glees,  Songs,  &c.  for  two, 
three  &  four  Voices  by  Eminent  Com- 
posers . . .  Selected  by  R.  Willoughby,  etc. 
2  vols.  Printed  for  the  Editor  :  [London, 
1800  ?]     obi.  4:\  B.  424.  a. 

The  composers  named  arc :  J.   Danby, 

Giardini,  Rogers,  Cra^iford,  J.  Eccles, 

Harrington,  J.  Baylcy,  Marcella,  H. 

Purcel,  B.   Cooke,  J.    Travers,  Lord 

Mornington,  S.  Paxton,  P.  Hayes,  S. 

Webbe,  J.  Baildon,  M.  Locke,  Wcelks, 

T.   Morley,   J.  Dine,  T.  Linley,  Dr. 

Alcock,  Aldrich,  Byrde,  Battishill,  Dr. 

Arne,    Stevens,    Waimvright,    J.    S. 

Smith,  Carter,  D)'.  Calcott,  Atterbtcry, 

Gibbons  and  James  Green. 

WILLOW.      Willow,    willow,    willow. 
Ballad  [begins :  '  A  poore  Soule  sat  sigh- 
ing '].     See  GiORDANi  (G.)  or  (T.) 
[Another  setting.]     Willow.     Glee. 
See  Poor.     A  poor  Soul  sat  sighing,  etc. 
[1800?]     fol.  G.  805.  k.  (19.) 

The  Willow.     Song  [begins  :  '  When  the 
Shepherd  asks  my  hand  ']. 
See  DussEK  (J.  L.)     [The  Captive  of  Spil- 
hurg."] 


WILLOW.    The  Willow.    Ballad  [begins  : 
'  To  the  Brook  and  the  Willow ']. 
See  Stevekson  {Sir  J.  A.) 

WILLSIM  (G.)  Recueil  de  24.  Contre- 
dances  Angloise  les  plus  usit6,  enrichie 
d'une  Choregraphie  des  figures  en  Tallies 
douces  .  . .  avec  les  Explication  en  francj'ois 
marqu6z  au  desous  des  figures  et  leur  Airs 
nottis  en  Musique  . . .  GEuvre  Premier. 
[Amsterdam  ?]  1755.  obi.  4°.  K.  8.  i.  3. 
Engraved  throughout. 

WILLSON  (Joseph)     From  the  fall  of  the 
Dew.     A  Favorite    Hunting    Song    sung 
by  Mrs.  Ilifi  at  the  AppoUo  Gardens. 
Eiley  and  Willis :  London,  [1800  ?]     fol. 

G.  360.  (46.) 
Hark   the   Clarion  sounds  afar.     [Song.] 
Sung  by  Mrs.  Iliff  . . .  and  by  Mrs.  Leaver, 
at  the  Spa  Gardens,  Bermondsey,  etc. 
W.  Cove  :  London,  [1796  ?]     fol. 

G.  367.  (32.) 

Harry  of  the  Green.     A   Favorite  Song. 
Song  sung  by  Mrs.    Iliff,    at   the   Apollo 
Gardens  . . .  The  Words  by  Mr.  Powell. 
H.  Hotv  :  London,  [1800  ?]     fol. 

G.  360.  (45.) 

Lie  still  my  little  Heart.  A  Favorite 
New  Song.  Riley  and  Willis :  London, 
[1800?]     fol.  G.  365.  (67.) 

O  yes.  Sir,  if  you  please.  A  Favorite  Song 
sung  by  Mrs.  Leaver  . . .  The  Words  by 
Mr.  Upton.  A.  Bland  &  Welter  :  London, 
[1796?]     fol.  G.  367.  (34.) 

A  Favorite  Sonata  for  the  Piano  Forte  or 
Harpsichord.  Composed  in  a  Familiar 
Style,  etc.    W.  Cope  :  Lcmdon,  [1798  ?]   fol. 

g.  132.  (18.) 
'Tis  Pity  to  die  an  Old  Maid.  A  Favorite 
Song  sung. .  .by  Mrs.  Herbert,  at  the  Spa- 
Gardens  Bermondsey. .  .Written  by  Mr. 
Upton.     W.  Cope  :  London,  [1796  ?]     fol. 

G.  367.  (33.) 
See  Sanderson  (J.)     A  Favorite  Air, . . . 
with  Variations  by  J.  Willson,  etc. 
[1796?]     fol.  g.  139.  (53.) 

WILLY.      WiUy.      [Song.]       See    Long. 
Long,  long  I  despair'd.     [1760  ?]    s.  sh.  fol. 

G.  316.  e.  (59.) 
Willy.     [Song.]     See  When.     When  fra- 
grant bloom  of  yellow  broom,  etc. 
[1780?]     s.sh.iol.  G.  313.  (183.) 

Willy  far  away.     Song.     See  Hook  (J.) 
Willy's  rare  and  Willy's  fair.     [Song.] 
See    With.      With    tunefuU    Pipe,    etc. 
[Music  by  J.  Hook.]     [1780?]     fol. 

G.  313.  (255.) 

Willy's  the  Lad  for  me.     [Song.] 
See  Since.     Since  Jenny  thinks  mean  her 
heart's  Love  to  denv.     [1750  ?]     s.  sh.  fol. 

G.  316.  e.  (33.) 

WILMORE  CASTLE.    Wilmore  Castle. 
Comic  Opera.     See  Hook  (J.) 


WILPHLIXGSEDERUS— WINDLING 


691 


WILPHLIWaSEDERUS   (Ambrosius) 

See  WiLFFLINGSEDER. 

WILSON  (  )  Singer.  My  Spirits  are 
mounting,  a  Favorite  convivial  Song,  etc. 
[Words  by  C.  Morris.]  Printed  for  G. 

Goulding  :  London,  \1Q00'>']     fol. 

H.  2831.  j.  (49.) 
The  Stolen  Kiss,  a  favorite  Song,  etc. 
Longman,  dementi  &  Co.,  for  the  Author : 
LoMfZon,  [1800  ?]  fol.  G-.  805.  k.  (43.) 
See  Feast  of  Apollo.  The  Feast  of 
Apollo,  containing. .  .Songs  bv. .  .Wilson, 
etc.     [1788.]     fol.  G.  351.  (2.) 

WILSON  (John)  Mus.  Doc.  Cheerfull 
Ayres  or  Ballads.  First  composed  for  one 
single  Voice  and  since  set  for  three 
Voices.  (CheerefuU  Ayres  . . .  for  three 
voyces.  Cantus  Secundus  (Bassus).) 
3  pts.  W.  Hall,  for  Ric.  Davis  : 

Oxford,  1660.     obi.  4°.  K.  2.  a.  2. 

Tlie  composers  named  are :    J,  Wilson, 
B.  Johnson  and  N.  Lanneir. 
The  Pedlar.     Glee  a  3  Voci.  [London, 

1790  ?]    s.  sh.  fol.  G.  805.  g.  (63.) 

Psalterium  Carolinum.  The  Devotions 
of  His  Sacred  Majestie  in  his  Solitudes 
and  Sufferings,  rendred  in  Verse  [from  the 
E'lKwv  BaffiKiKTj  by  T.  Stanley].  Set  to 
Musick  for  3  Voices  and  an  Organ,  or 
Theorbo,  etc.     4  pts.  Printed 

for  John  Martin  and  James  Allcstrcy  : 
London,  1657.     fol.  E.  Pam.  1076. 

See  Gretry  (A.  E.  M.)  Richard  Cceur  de 
Lion  . . .  Composed  by  . . .  Gretry  . . .  Dr. 
Wilson,  etc.     [1786  ?]     obi.  fol. 

E.  108.  e.  (4.) 
See  Playford  (J.)  Select  Ayres  and 
Dialogues. .  .Composed  by  J.  Wilson... 
and  other . . .  Masters  of  Musick.     1659.  fol. 

G.  82.  (1.) 
See  Playford  (J.)     Select  Musicall  Ayres 
and  Dialogues. .  .by  J.  Wilson,  etc. 
1652.     fol.  F.  51. 

See  Playford  (J.)  Select  Musicall  Ayres 
and  Dialogues ...  by ...  Dr.  John  Wilson, 
etc.     1653.     fol.  F.  51.  a. 

WILSON  (John)  of  Liverpool.  The  Her- 
mit.    [Song,  words]  By  Dr.  Beattie. 

Printed  for  G.  Goulding  : 
London,  [1790  ?]     fol.      G.  805.  c.  (56.) 

WLLSON  (William)  Twelve  Original 
Scotch  Songs  for  the  Voice  and  Harpsi- 
chord with  an  Accompaniment  for  the 
Violin  or  Flute. .  .Op.  in. 

Longman  and  Broderip,  for  the  Author  : 
London,  [1785  ?]     fol.  G.  326. 

WILT.     Wilt  thou  be  my  dearie  ?     Song. 
See  Tyrrell  (R.) 

[Another  setting.]  Wilt  thou  be  my 
Dearie.     [Duet.]     See,  Urbani  (P.) 


WILTON  (Charles  Henry)     Dear  is  my 
little   native  Vale,  [Song,]  (from  an  Ode 
to  Superstition  [by  S.  Rogers]),  as  Sung 
by  I\Iiss  Harwood,  etc.     FFull  Score.] 
J.  B.  Pye  :  Liverpool,  [1790  ?]     fol. 

G.  377.  (63.) 
The  Death  of  Edwin  and  Emma,  a  favorite 
Song,  sung  by  Miss  Harwood,  etc.  [Full 
Score.]  J.  B.  Pye  : 

Liverpool,  [1790?]  fol.  G.  377.  (64.) 
Six  Duetts  for  a  Violin,  and  Tenor. . . 
Opera  Prima.     [Separate  Parts.] 

Printed  for  J.  Blundell : 
London,  [1780  ?]  fol.  g.  421.  t.  (14.) 
Six  Duetts  for  two  Violins . . .  Op.  2". 
[Separate  Parts.]  Printed  for  the  Author : 
London,  [1794.]     fol.  g.  421.  g.  (3.) 

Three  Duetts,  with  Scots  Airs  for  Two 
Violins. .  .Op.  0.     [Separate  Parts.] 

Printed  for  J.  Buchinger  : 
London,  [1795.]     fol.  g.  421.  g.  (4.) 

The  Musical  Chace,  a  favorite  Hunting 
Song,  as  sung  by  ]Mr.  Meredith,  etc.  [FuU 
Score.]  J.  B.  Pye  : 

Liverpool,  [1790?]  fol.  G.  377.  (62.) 
The  Serenade.     [Song.]  T.  Skillern : 

London,  [1795.]     fol.  G.  796.  (38.) 

A  Set  of  Eighteen  Lessons  for  the  Piano 
Forte  or  Harpsichord. .  .Op*  v. 

Priyited  for  J.  B.  Pye  : 
Liverpool,  [1795  ?]     fol.  g.  149.  (6.) 

Six  Solos  for  the  Violin,  with  a  Thorough 
Bass  for  the  Harpsichord . . .  Opera  in. 
J.  B.  Pye  :  Liverpool,  [1794  ?]     fol. 

g.  221.  (3.) 
Yes  Henry,  yes,  with  thee  I'll  go.  Answer 
to  "Oh  Nanny  wilt  thou  gang  with  me  "  ; 
[Song,]  as  sung  by  Miss  Harwood,  etc. 
[Full  Score.]  J.  B.  Pye  : 

Liverpool,  [1790?]     fol.         G.  377.  (61.) 


WINCHESTER.      The 

Wedding.  Song.  See  At. 
Chester  there  was  a  Wedding. 
[1710?]     s.sh.  fol.  H.  1601 


Winchester 
At     Win- 


(19.) 


WIND.  The  Wind  blew  fresh  and  fair. 
Ballad.  See  Reeve  (W.)  [Harlecpuin' s 
Beturn.] 

Winde,  gentle  evergreens.  A  Catch  for 
Three  Voices.  Epitaph  on  Sophocles. 
[By  W.  Hayes.]  R.  Falkener :  London, 
[1775?]    fol.  H.  1994.  a.  (135*.) 

The  Wind  in  our  favor  does  blow.     Song. 
See  B.,  J.  H. 

The  Wind  in  wild  tornadoes  roar'd.  Negro 
Song.     See  Moorehead  (J.) 

WINDLING  (C.) 
See  Wendling  (J.  B.) 

WINDLING  (JoHANN  Baptist) 
See  Wendling. 

2  Y  2 


692 


WINDS— WINTER 


WINDS.  The  Winds  arise,  the  torrent 
falls.  Tlie  Poor  Wiite  Man,  a  Celebrated 
African  Song,  from  Park's  Travels,  versified 
by  a  Lady.  The  Music... by  a  Lady  of 
Fashion,  adapted  for  one  or  two  Voices 
with  an  Accompaniment  for  the  Harp  or 
Piano  Forte.  Preston,  for  the  Proprietor  : 
London,  [1800?]  fol.  G.  800.  m.  (64.) 
The  Winds  were  loud.  [Glee.] 
See  Callcott  (J.  W.) 

WINE.   Wine.  [Song.]   See  When._  When 
fumes  of  Wine  ascend  into  my  brain. 
[1780  ?]     s.  sli.  fol.  G.  313.   (190.) 

Wine  a  Relief  in  Love.     [Song.] 
See  HussEY  (M.) 

Wine  and  Kisses.     See  Hook  (J.) 
Wine  does  wonders.     The  Buck's  Medley 
Cantata.    By  a  Brother  of  Assyria. 
Smilern:  London?  1780?]     fol. 

H.  2832.  1.  (22.) 

Wine  does  wonders.     [Duet.] 

See  EccLES  (J.)     [The  Morose  Reformer.'] 

Wine   from   Thought  drives  all  Despair. 

The  Jovial  Bacchanals.    A  Two  Part  Song. 

[London,  1750  ?]    s.  sh.  fol. 

^  H.  1994.  a.  (20.) 

Wine  more  powerful!  than  Love.     Song. 
See  To.     To  thee  my  little  blooming  Fair. 
[1715  ?]     s.  sh.  fol.  G.  316.  g.  (68.) 

Wine's  a  Mistress  gay  and  easy.     [Song.] 
See  Love  and  Wine. 

Wine,  wine  is  alone  the  brisk  Fountain. 
The  Bacchanalians.  [Song.]  Sung  by 
Mr.  W.  Howard,  etc.  [London, 

■     1754.]    s.  sh.  8°.  P.P.  5439.  ab. 

Neio  Universal  Magazine,  Nov.,  1754. 
Wine,  Wine  is  the  Cordial.     [Song.] 
See  Hook  (J.) 

Wine,  wine  we  allow.     Woman  for  Man. 
[Song.]     Addressed  to  the  Batchelors. 
[London,  1765.]     8°.  P.P.  5441. 

Boyal  Magazine,  Vol.  XII.,  p.  101. 

WINEFRIDA.     Winefrida.     [Song.] 
See  GiORDANi  (G.)  or  (T.) 

WINSAN.    Winsan  Willy.     Ballad. 
See  Geary  (T.  A.) 

WINTER.     Winter.     [Song.]    See  Adieu. 
Adieu  ye  Groves,  c^c.     [1760?]     s.sh.iol. 

G.  306.  (83.) 
Winter.      Cantata     [begins :    '  It    was    a 
winter's   evening'].     Sec   Clarke,    after- 
wards Clarke  Whitfield  (J.) 
Winter.      Glee     [begins :     '  Hoary     frost 
bestrews  the  ground  '].     See  Guest  (G.) 
Winter.       Song     [begins  :     '  The    heavy 
winter's  blustring  wind ']. 
See  Hudson  (R.) 

Winter.      Song    [begins:    'Now    Winter 
strips  '].     See  Schultz  (M.) 


WINTER.  The  Winter  is  exceeding  cold. 
Wonderful  Neivs  from  the  River  of  Thames. 
[Song.]'  To  the  Tune  of  the  Lord  Russels 
Farewel.  Printed  upon  tlie  Ice  on  the 
River  Thames,  by  Loyal  Young  Printers, 
1683.     s.  sh.  fol.  I.  600.  b.  (35.) 

WINTER'S    AMUSEMENT.      The 
W^inter's  Amusement.     Songs. 
Sec  Arne  (T.  A.) 

WINTER  (I.  D')  The  Beggar  Boy.  A 
Ballad,  written  and  composed  by  I.  D' 
Winter,  etc.  J.  Davies  : 

London,  [1800  ?]     fol.  G.  796.  (39.) 

The  Lord  of  the  Castle.  A  Romantic 
Ballad,  for  Three  Voices,  etc.  J.  Davies  : 
London,  [1800  ?]     fol.        H.  1688.  (43.) 

WINTER  (Peter  von)  Ah  mi  balza  il 
core  in  petto. 

See  infra  :  [I  Due  Fratelli  Rivali.'] 
Babilons  Piramiden.  [Act  ii.]  See 
INIederitsch  (J.)  called  Ct«W«s  and  Winter 
(P.  von).  Babilons  Piramiden.  .  .  Oper. 
Der  erste  Aufzug  von  J.  Gallus,  der  zweite 
von  P.  Winter,  etc.     1797.     obi.  fol. 

F.  46.  a. 

[I  [Due]  Fratelli  Rivali.]  Die  Briider  als 
Nebenbuhler . . .  eine  Oper  in  2  Aufzugen 
. . .  mit  italienisch  und  deutschem  Text, 
in  Klavierauszug  iibertragen  von  Canna- 
bich.  Bei  N.  Simrock  : 

Bonn,  [1792.]     obi.  fol.  D.  345. 

Ah  mi  balza  il  core  in  petto.     The 

Favorite  Duetto,  etc.     [Full  Score.] 

Printed  for  B.  Birchall : 
London,  [1800,]    fol.  G.  134.  a.  (2.) 

Qua!  diletto  insiem  m'  inonda.      A 

Favorite  Cavatina,  etc.     [Full  Score.] 

Printed  for  B.  Birchall: 
London,  [1800.]     fol.  G.  134.  a.  (3.) 

Gesaeuge  beym  Klavier,  e^c.  3pts.  In  der 
Falterischen  Musikhandhmg :  Munchen, 
[1799.]     oU.  fol.  F.  636.  w.  (9.) 

Lithographed  by  J.  A.  Senefelder. 
[Das  Labyrinth.]  Der  Zweyte  Theil  der 
Zauberfiote  unter  dem  Titel  Das  Labyrinth 
Oder  der  Kampf  mit  den  Elementen. 
Eine  grosse  heroisch-komische  Oper  in  2 
Aufziigen  von  E.  Schikaneder . . .  Fiir  das 
Porte-Piano  tibersezt  von  J.  Henneberg, 
etc.  [Vienna,  1794.]  obi.  fol.  E.  165. 
[Another  edition.]  Der  Zauberfioete 
zweiter  Theil:  Das  Labyrinth,  oder  der 
Kampf  mit  den  Elementen.  Eine  grosse 
Oper  . . .  Clavierauszug  von  J.  Henneberg, 
Ben  N.  Simrock  :  Bonn,  [1800  ?]     obi.  fol. 

E.  165.  b.  (2.) 

Marie  von  Montalban.     [Opera.]     Clavier- 

Auszug  von  C.  Zulehner. 

Bey  C.  Zulehner  :  Mainz,  [1798.]     obi.  fol. 

-^  E,  165.  f. 

Ouverture  und  Schonste  Gesange  im 

Clavierauszug,  etc.  Bei  Schoit : 

Mainz,  [1800?]     obl.M.  E,  165,  a. 


WINTER— WITH 


693 


"WINTER  (Peter  von)  Ogus  o  sia  II 
Trioufo  del  bel  sesso  . . .  Ogus  oder  der 
Triumph  der  Frauen,  komische  Oper  in 
zwei  Aufzugeu. .  .Klavierauszug.  Ital.  & 
Germ.  Bei  Brcitkopf  unci  Hartel : 

Leipzig,  [1796  ?]     ohl.  fol.  E.  165.  c. 

Qual  diletto  insiem  m'  inonda. 
See  supra  :  [I  Diie  Fratelli  Bivali.'] 
Das  Uuterbrocheue  Opferfest  .  .  .  [Opera, 
written  by  L.  P.  Huber.]     Ivlavierauszug 
von  G.  Zuleuer.  Chez  N.  Simrock  : 

Bonn,  [1796.]    ohl.  fol.      E.  165.  b.  (1.) 


Der    Wirth    und    die    Giiste. 
See  Bach  (C.  P.  E.)     [i.  Vocal 


WIRTH. 

Singode. 
Music.'] 

WISE.  The  Wise  Man's  Resolution. 
[Song.]  Sec  How.  How  giddy  is  youth. 
[1785.]     s.  sh.  4°.  P.P.  5141. 

Wise  men  flatt'ring.     Song. 
See  Haendee  (G.  F.)  [Judas  Maccabaeus.'] 
Wise  Natm-e  owns  thy  undisputed  Sway. 
Two    Part    Song.      See    Eccles   (J.)    [A 
Hymn  to  Harmony.] 

WISE  (Michael)  Old  Chiron  thus 
preached  to  his  Pupil  Achilles.  [For 
editions  of  this  duet  published  under  the 
name  of  H.  Purcell:]  See  Purcell  (H.) 
See  CoRFE  (J.)  Nine  Vocal  Trios  arranged 
from. .  .Airs  and  Duetts  of. .  .Wise,  etc. 
[1800?]     obl.iol.  P.  607.  z.  (1.) 

See  Williams  (T.)  Harmonia  Coelestis 
. .  .a  Collection  of  . . .  Anthems  . . .  by. . . 
Wise,  etc.     1780.     fol.  G.  970. 

WISE  (Samuel)  Sis  Concertos  for  the 
Organ  or  Harpsichord  with  Instrumental 
Parts,  etc.  Mrs.  Johnson,  for  the  Author  : 
London,  [1770?]     fol.  h.  93. 

The  Organ  part  only. 
Six  Lessons  for  the  Harpsichord,  etc. 

Printed  for  the  Arithor: 
London,  [176-5  ?]     oU.  fol.  e.  5.  (5.) 

WISEMAN  (Charles)  [Sis  Sonatas  for 
a  Flute  or  Violin  with  a  Thorough  Bass 
Accompaniment.]     Boma,  1754.     obi.  fol. 

d.  148. 
Wanting  the  title-page. 

WISEST.     Wisest  and  greatest.     Song. 
See  Haendel  (G.  F.)     ISaul.] 

WISH.      The   Wish.      Canzonet   [begins : 
'  Mine  be  a  Cot '].     See  Ambrose  (J.) 
The  Wish.     [Song,  begins  :  '  Grant  me  ye 
Pow'rs.']     See  Battishill  (J.) 
The  Wish,     [Song,  begins ;  '  Come  gentle 
God.']     See  Lampe  (J.  F.) 
The  Wish  granted.     [Song.] 
See  Hudson  (R.) 

WIT.     Wit  and  Beauty.     [Song.] 
See  DiBDiN  (C.)     [_The  Quizes.] 


WIT.     Wit  Preferable  to  Beauty.     [Song.] 
See   Though.      Tho'   here   at  Bath   you 
make  a  Rout,  etc.     [By  J.  F.  Lampe.] 
[1730?]    s.  s7j.  fol.  G.  312.  (87.) 

WIT  AND  MIRTH.      Wit   and  Mirth, 

or  Pills  to  Purge  INIelancholy.     [Songs.] 

See  P.,  H. 
WITCH.     The  Witch.     Song. 

See-REEVE  (W.)     [Merry  Sherwood.] 
WITCHES.       The    New    Songs    in    the 

Pantomime  of  the  Witches. 

See  Vernon  (J.) 

WITH.  With  a  cheerful  old  friend  and  a 
merry  old  song.  The  Tankard  of  Porter. 
A  favorite  Drinking  Song.  [Words  by 
H.  Carey.]  P.  HTodgson  :  London, 

1780?]     s.s7^.  fol.  G.  313.  (173.) 

With  a  jolly  full  Bottle.     The  Good  Sub- 
jects of  Old  England,  Glee. 

Printed  for  J.  Bland  : 
London,  1779.    fol.  G.  313.  (270.) 

With  an  Old  Song  made  by  an  Old 
Ancient  Pate.  The  Old  and  New  Courtier 
of  the  Queen's.  [Song.]  Within  com- 
pass of  the  Flute.  [London, 
1710?]  s.sh.iol.  H.  1601.  (498.) 
[Another  edition.]  With  an  old  Song 
made  by  an  old  Antient  Pate.  The  Old 
and  Neio  Courtier  of  tJie  Queen's,  etc. 
[London,  1730  ?]     s.  sh.  fol. 

G.  316.  f.  (59.) 

With  an  old  Song  made  by  an  old  ancient 
Pate.   Moderation  and  Alteration.    [Song.] 
C[harles  and]  S[amuel']  T[hompson  : 
London,  Vllb  ?]     s.  sh.  fol. 

G.  809.  c.  (70.) 

With  artfuU  Verse  young  Thirsis.     The 
Ansioer  to  the  WJieedler,  etc.     [Song.] 
[London,  1735  ?]     s.  sh.  fol. 

G.  313.  (170.) 

With    arts    oft    practic'd    and    admired. 

Song.     .See  Young  (A.) 

With  beauteous  Arminta  ranging.     Song. 

See  WORGAN  (J.)  the  Elder. 

With   broken  words,  and  downcast  eyes. 

A  Scotch  Song.     [Words  by  A.  Ramsay.] 

[London,  1725?]   s.  sh.  fol.    G.  313.  (63.) 

With  broken  words  and  downcast  eyes. 

TFoe's   my  Heart  that  ive  shou'd  sunder. 

A  Favorite  Scotch  Song.     W.  C[am2)bel]l : 

[London,  1780  ?]    s.sh.iol. 

G.  313.  (240.) 

With  consent  of  one's  Friends.     Song. 

See  Arne  (M.) 

With  Delia  ever  could  I  stay.     [Song,  by 

W.  Jackson  of  Exeter.]  E.  Rhames  : 

[Dublin,  1780  ?]    fol.     H.  1601.  b.  (99.) 

With  Delia  ever  could  I  stay.     Song. 

See  Jackson  (W.)  of  Exeter.    [12  Songs. 

Op.  4.     No.  11.] 

With  Delight  wiU  I  sing.     Song. 

See  Stevenson  [Sir  J.  A.) 


694 


WITH— WITTENBERG 


WITH.     With  early  Horn.     Song. 

See  Galliaed  (J.  E.)    [The  Borjal  Chace.'] 
With  ease  may  be  guess'd.     Song. 
See  Spring.    The  spring  was  return'd,  etc. 
[1767.]     8°.  P.P.  5438.  z. 

With     Hallelujahs     from     the     Shrine. 
Psalm  cl.     [Words]  By  Mrs.  ToUett. 
[London,  1762.]     8°.  P.P.  324.  n. 

Christian's  Magazine,  May,  1762,  j).  233. 
With  Horns  and  Hounds.     Glee. 
Sec  Hook  (J.) 

With  Horns  and  with  Hounds.     Song. 
See  BoYCE  (W.)     [The  Secular  Masque.} 
With  Horns  and  with  Hounds.     Song. 
See  PuECELL  (D.)     [The  Pilgrim.] 
With    lowly    suit    and    plaintive    ditty. 
[Song.]     See  Storage  (S.)     [No  So7ig  no 
Supper.] 

With  my   Daphne   I'll   repair.     Daphne. 
[Song.]  J[o/i7i]  Flentu^m : 

[London,  1780?]     fol.         G.  313.  (256.) 
With  my  Friend  and  my  Glass.     Song. 
The  Bacchanalian.     A  Bass  Song. 
Straight :  [London,  1780  ?]     s.  sh.  fol. 

G.  313.  (242.) 
With  Myrtle  wreaths  and  Ivy  Berries 
crown'd.  English  Ale.  [Song.]  Sung 
by  ]Mr.  Prentis  at  Sadlers  Wells.  [London, 
1750?]     s.sh.iol.  G.  313.  (169.) 

With  Phsebus  I  often  arose.  Love  Re- 
warded. [Song.]  [London, 
1750?]  s.  s7i.  fol.  G.  313.  (172.) 
With  Phillis  I'll  trip  o'er  the  mead.  The 
Sappxi  Shepherd.  [Song.] 
[London,  1764.]     8".                  P.P.  5441. 

Eoyal  Magazine,  Vol.  XL,  p.  158. 
With    Phillis    I'll  trip   o'er   the   ]\Ieads. 
The  Happy  Shepherd.     [Song.] 
[London,  1772.]     s.  sh.  4°.         159.  n.  4. 

London  Magazine,  Aug.,  1772. 
With  pious  hearts.     Song. 
See  Haendel  (G.  F.)  [Judas  Maccabaeus.] 
With  Pity,  Phillis,  strive  to  love.     Faith- 
full  Strephon,  a  new  Song.  [London, 

1700  ?]    s.  sh.  fol.  G.  313.  (25.) 

With  pleasure  and  comfort.     [Song.] 
See  Astarto.     [L'  esperto  nocchiero.] 
With  pleasure  now  I  tune  my  lay.     Song. 
See  Hudson  (R.) 

With  Songs  &  Honours.  Part  of  Psalm 
cxlvii. 

[London,  1762.]     8°.  P.P.  324.  w. 

Christian's  Magazine,  June,  1762,  jj.  281. 
With  the  leaves  of  the  Vine.     Song. 
See  Bates  (W.) 

With  the  Morning's  Dawn  we  wake. 
London  Lasses.  A  New  Song.  Sung  at 
Saddler's  Wells.  [London, 

1773.]     s.  sh.  4°.  159.  n.  5. 

London  Magazine,  Sept.,  1773. 
With  thee  th'  unsheltered  moor  I'll  tread. 
Song.     See  Haendel  (G.  F.)     [Solomon.] 


WITH.     With  truth  on  her  Lips.     Ballad. 
See  Shield  (W.)     [Marian.] 
With   tuneful   Pipe   and   Merry  glee.     A 
Netu  Scotch  Song.     Sung  by  Mrs.  Redding. 
[London,  1705  ?]     s.  sh.  fol. 

G.  313.  (70.) 

[Another  edition.]  With  tuneful  Pipe  and 
Merry  glee.  A  Scotch  Song.  [London, 
1705  ?]     s.  sh.  fol.  H.  1601.  (489.) 

[Another  setting.]  With  tunefull  Pipe  and 
merry  glee.  Willy's  rare  and  Willy's  fair. 
[Song.]  Smig  by  Mrs.  Wrighten  at  Vaux- 
hall.  [Music  by  J.  Hook.] 
S[anmel,]  A[nn  and]  P[eter]  T[hompson  : 
London,  1180'!]     fol.  G.  313.  (255.) 

With  twenty  Chords  my  Lyre  is  strung. 
Duet.  See  Knyvett  (W.) 
With  Woman  &  Wine,  I  defy  ev'ry 
Care.  The  Union  of  Love  and  Wine. 
[Song.]  Sung  by  Mr.  Lowe  at  VauxhaU. 
[Music  by  J.  Baildon.]  London, 

[1770  ?]     s.  sh.  fol.  G.  316.  (161.) 

WITHERED.     The  Wither'd  Rose.    Bal- 
lad.     Sec    Claeke,    afterwards    Clarke 
Whitfield  (J.) 
The  Withered  Rose.     Song. 
See  Hodgson  (P.) 

WITHIN.  Within  a  mile  of  Edinburgh. 
[Song.]  See  Hook  (J.) 
Within  an  Arbor  of  delight.  A  Poole  at 
Pickett.  [Song.]  The  Words  made  and 
Set  to  a  tune  ['  Lads  and  Lasses,'  by 
H.  Purcell,  from  the  Second  Part  of  Don 
Quixote]  by  Mr.  D'Urfey.  [London, 

1710  ?]     s.  sh.  fol.  I.  530.  (51.) 

[Another  copy.]  G.  313.  (26.) 

Within  these  sacred  Bowers.     Song. 
See   MozAET   (W.   A.)     [Die  Zauberflote. 
hi  dicsen  heil'gen  Hallen.] 

WITHOUT.  Without  affectation,  gay, 
youthful  &  pretty.  The  Batchelor's 
Wife.  [Song.]  Sung  by  ]Mr.  Charke. 
The  words  by  another  hand.  Song  & 
Symphony  in  compass  of  the  German 
flute.  Cross :  [London, 

1720?]    s.  s7i.  fol.  G.  315.  (131.) 

Without  any  envy,  without  any  foes. 
Hannah  and  Will.  [Song.]  Sung  by 
Mr.  Vernon,  at  VauxhaU.  [London, 

1768.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XLIL,  p.  374. 

WITT  (Christian  Friedrich)  Neues 
Cantional  mit  dem  General-Bass,  etc. 
MS.  notes.  Bey  Johann  Andreas  Beyhern : 
Gotha  und  Leipzig,  [1715.]     4°.  C.  7. 

WITTENBERG  (F.  J.)  Six  Trios  a 
Deux  Violons  et  Violoncello... Oil uvre  II. 
[Separate  Parts.]  Chez  B.Hummel  etFils : 
a  La  Have  et  a  Amsterdam,  [1780  ?]     fol. 

g.  409.  e.  (2.) 


WITVOGEL— WOLF 


695 


WITVOGEL  (Geehaed  Feedeik)  De 
Zangwyseu  van  de  CL  Psalmen  Davids, 
met  Eenige  andere  Lofzangen  zoo  als 
deselve  in  de  Gereformeerde  Kerke  alom 
gebruykt  en  Gesongen  worden  in  't  Ligt 
gegeven  en  met  sen  Basso  Continue 
vermeerdert  door  G.  F.  Witvogel,  etc. 

Gedrukt  voar  den  Authcur  : 
Amsterdam,  [1730.]     ohl.  fol.        e.  1207. 

"WITZTHUMB  (Ignaz)     See  Vitzthumb. 

"WIVES.     Wives  Awake.     Serenade. 
See  Widow  op  Delphi. 

WIVES  IN  PLENTY".  Ding  dong, 
Ding  dong.  [Song.]  Sung  by  Sig" 
Storace  ...  in  '  Wives  in  Plenty  or  The 
more  the  merrier.' 

Longman  and  Broderip  : 
London,  [1793.]    fol.  G.  249.  (40.) 

The  music  in  this  conudy  was  selected 
from  Arnold,  Storace,  etc. 
Gentlemen  and  Ladies.  Musical  Medley. 
Sung  by  Sig"  Storace  &  Mr.  Bannister 
Jun' ...  in  the  Comedy  of  '  Wives  in  Plenty,' 
etc.  Longman  and  Broderip  : 

London,  [1793.]     fol.  G.  354.  (60.) 

Whack  fal  de  ral.  [Song.]  Sung  by 
Mr.  Bannister  Jun'...in  the  Comedy  of 
'  Wives  in  Plenty,'  etc. 

Longman  and  Broderip : 
London,  [1793.]     fol.  G.  249.  (41.) 

WIVILL  (Z.)     See  Wyvill. 

WODICZKA  (Wenceslas)  Six  Solos 
for  a  Violin  and  Bass,  etc.     [Op.  1.] 

Printed  for  J.  Simpson  : 
Lojidojz,  [1740?]     fol.  g.  503.  (1.) 

[Another  edition.]  Six  Solos  for  a  Violin 
and  Bass,  etc.     [Op.  1.]  Priiited  for 

J.  Johnson  :  London,  [1750  ?]  fol.  g.  93. 
Sei  Sonate  a  Violino  Solo  e  Basso  .  .  . 
Opera  Prima.  Cliez  M''  Boivin  : 

Paris,  [1739.]      obi.  fol.  e.  796. 

WOE.     Woa's  me  poor  Lass  !     Song. 
See  Akeeotde  (S.) 

Woe's  my  Heart  that  we  shou'd  sunder. 
See    With.      With    broken    words     and 
downcast  eyes,  etc.     [1780  ?]     .s.  sh.  fol. 

G.  313.  (240.) 

WOEFUL.  The  Waefu'  Heart.  [Song.] 
See  Gin.  Gen  living  worth  cou'd  win  my 
heart,  etc.     [1794.]     fol.  G.  356.  (8.) 

WOLAWEK  (Anton)  Die  Spanier  in 
Amerika,  ein  Ballet  in  zwei  Akten  fiirs 
Klavier  oder  Forte  Piano. . . herausgegeben. 
von  K.  Jonne.  Li  Commission  bei 

K.  F.  Kohlcr  :  Leipzig,  [1800?]     obi.  fol. 

e.  1014. 

WOLCOTT  (John)    See  Pindae  (P.)  pseud. 

WOLF  (Ernst  Wilhelm)  Der  Abend  im 
Walde,  eine  comische  Oper  in  zwey  Acten. 
[P.  P.  Score.]  Bey  J.  F.  Hartknoch : 

Biga,  1775.     obi.  fol.  C.  458. 


WOLF  (Eenst  Wilhelji)  Concerto  I. 
per  il  Cembalo  Concertato  accompagnato 
da  Due  Oboi,  Due  Violini,  Viola  e  Basso. 
[Separate  Parts.]  Prcsso  G.  F. 

Hartknoch  :  Riga,  1777.     fol. 

g.  49.  a.  (1.) 
Concerto  II.  per   il   Cembalo  Concertato 
accompagnato   da    Due   Violini,   Viola   e 
Basso.     [Separate  Parts.] 
Prcsso  G.  F.  Hartknoch :  Riga,  1777.     fol. 

g.  49.  a.  (2.) 

Die  Dorfdeputirten,  eine  komische  Oper 
in  drey  Acten,  etc.     [P.  F.  Score.] 

Bey  C.  L.  Hoffmann  : 
Weimar,  ins.     obi.  io\.  D."303.  b. 

Klavierauszug  von  Ehrlichkeit  und  Liebe, 
einem  Schauspiel  mit  Gesang  in  einem 
Akt,  von  C.  J.  Wagenseil,  etc.  Auf  Kosten 
der  Verlagskasse  fur  Gelehrte  und  Kiinstlcr : 
Dessau,  1782.     obi.  fol.  E.  1313. 

Das  Gartnermagdchen,  eine  comische 
Oper  in  drey  Aufziigen,  etc.  [P.  F. 
Score.]  Bey  C.  L.  Hoffmann  : 

Weimar,  1774,     obi.  fol.  C.  458.  a. 

Musikalischer  Unterricht. .  .durch  prak- 
tische  Beyspiele  erlautert  . . .  fiir  Lieb- 
haber  und  diejenigen,  welche  die  Musik 
treiben  und  lehren  wollen,  etc.     2  pts. 

hn  Hillerschen  Musikverlage  : 
Dresden,  1788.    fol.  7896.  h.  3. 

There  is  a  second  title-page,  engraved. 
Ostercantate,  etc.     [Full  Score.]  Auf 

Kosten  der  Verlagscasse  filr  Gelehrte  und 
Kllnstler  :  Dessau,  1782.     fol.     H.  1033. 

Polyxena,  ein  lyrisches  Monodrama,  etc. 
[Full  Score.]  Bey  C.  L.  Hoffmann : 

Leipzig  und  Weimar,  1776.    obi.  fol. 

D.  303.  a. 

Trois  Quatuors  a  Deux  Violons,  Taille  & 
Basse  .  .  .  Oeuvre  Premier.  [Separate 
Parts.]  CMs  J.  J.  Hummel : 

Berlin,  [1778.]     fol.  h.  2829. 

Das  Roseufest.     [Operetta.     4  Songs.] 

Li  der  Eortenschen  Buchhandlung  : 

Flcnsburg,  1776.     obi.  fol.     E.  600.  g.  (2.) 

Theil    1    of    '  Deutsche     Operetten     im 

Ausztige      mit      Musik     der     besten 

deutschen  Componisten.' 
Seraiina,  eine  Cantate,  etc.     [Full  Score.] 

hi  Commission  bey  J.  G.  I.  Breitkopf : 
Leipzig,  1777.     obi.  fol.  D.  303. 

Sechs  Sonaten  fiir  das  Clavier,  etc. 
J.  G.  I.  Breitkopf:  Leipzig,  1779.     obi.  fol. 

g.  49. 
Six  Senates  pour  le  Clavecin  avec  Accomp- 
agnement  d'un  Violonet  Violoncelle,  etc. 
[Separate  Parts.]  Chez  Guera  : 

Lyon,  [1779.]     fol.  g.  49.  b. 

Die  treuen  Kohler,  eine  Operette  in  zween 
Aufziigen,  etc.     [P.  F.  Score.] 

Bey  C.  L.  Hoffmann : 
Weimar,  llli.    obi.  iol.  C."458.  b. 


696 


WOLF— WOMAN 


"WOLF  (Ernst  Wilhelm)  Wiegenlieder- 
chen  fiir  deutsche  Animeu,  mit  INIelodien 
begleitet,  etc.  Bey  J.  F.  Hartknoch  : 

Riga,  1775.     obi.  4°.  B.  708. 

See  also  W. 

WOLF  (Geoeg  Friedeich)  Lieder  mit 
Melodien,  aus  Millers  Leiden  und  Freuden, 
etc.     J.  G.  Hcndel :  Halle,  1786.     4°. 

E.  248. 

Kurzgefasstes  Musikalisches  Lexicon,  etc. 
J.  C.  Hcndel :  Halle,  1787.     8". 

1042.  g.  12. 
Kurzgefasstes  Musikalisches  Lexicon . , . 
Zweite,  verbesserte  und  vermehrte  Auflage. 
J.  C.  Hcndel :  Halle,  1792.     8". 

785.  g,  34.  (2.) 
G.  F.  Wolfs  .  .  .  Unterricht  im  Ivlavier- 
spielen.  Erster  Theil.  Vierte,  verbesserte 
und  vermehrte  Auflage,  (Zweiter  Theil . . . 
Zweite,verbesserte  und  vermehrte  Atiflage.) 
2  pts.     J.  G.  Hcndel :  Halle,  1799.     8". 

785.  g.  34.  (3.)' 

G.  F.  Wolfs  Unterricht  in  der  Siugekunst. 
J.  G.  Hcndel :  Halle,  1784.     8°. 

785.  g.  34.  (1.) 

WOLFF  (Christian  Michael)  Orgel- 
iibung  -  Vorspiele  vor  f unfzig  ilelodien 
bekannter  Kirchen-Gesiinge.  Bey  J.  G.  I. 
_Brcitkopf:  Leipzig,  1182.  obl.iol.  c.  92. 
Sammlung  von  Oden  und  Liedern,  zum 
Singen  beym  Clavier  und  Harpe,  cCc. 

Auf  Kosten  des  Ardors  : 
IStcttin,']  1777.     obi.  fol.  E.  1782. 

WOLFF  (Leopoldus)  Musica  Choralis 
Franciscana  Tripliciter  divisa  in  IMeduUam 
Cantus  Gregorian!,  Sive  ejtisdem  principia 
Generalia :  in  Cantorale  Touorum  com- 
munium  in  Provincia  FF.  Min.  EecoU. 
Coloniensi  Usitatorum :  et  in  Processionale 
Bomanum  &  Ordinis,  etc.  Typis  Gaspari 
Drimborn:  GoloniaiAgrippin;v,V12&.    12". 

A.  556. 
[Another  copy.]  7898.  e.  32. 

Musica  Choralis  Franciscana,  etc. 
Colonix  Agrippinm,  1746.  12".    A.  556.  a. 

WOLLICK  (NicoLAUs)  Enchiridi5 
musices  Nicolai  wollici  Barroducensis  de 
gregoriana  et  figuratiua  atq3  contrapuncto 
simplici  percommode  tractas,  etc. 
Impressus . . .  iinpensis . . .  Johannis  p)ami . . . 
et  Nicolai  Prcuost :  Parisijs,  [1509.]    4". 

K.  1.  h.  8. 
70  leaves,  without  pagination.    The  date 
appears  at  the  end  of  the  prefaces  to 
the  Third  and  Fifth  Books. 
Enchiridio  musices  Nicolai  wollici  Barro- 
ducensis de  gregoriana  et  figuratiua  atq? 
cotrapiicto    simplici    pcommode    tractas, 
etc.     MS.  NOTES.        Impressnm . .  .impcnsa 
. . .  Joliunis  Parui ... 7  Francisci  Regnault : 
Parisii,  1512.     4°.  K.  1.  h.  9. 

82  leaves,  luithout  pagination. 


WOLLICK  (NicoLAUs)  Opus  Aureum. 
Musice  castigatissimix.  de  Gregoriana.  et 
Figuratiua  atcj;  contrapucto  simplici  per- 
c5mode  tractans  oiiiibj  cantu  oblectantibus 
vtile  et  necessarium  e  diuersis  exerptum, 
etc.  Impressiim  . .  .p. . .  Henricu  Quentel, 
etc. :  Colonic,  1501.     4".  K.  1.  h.  5. 

40  leaves,  loithout  pagination. 

Opus  Aureum.  Musice  castigatissimu  de 
Gregoriana  et  Figuratiua  at%  contrapucto 
simplici  perc5mode  tractans,  etc.  ms. 
NOTES.  Impressum...in  cdibiis...Henrici 
Quentell :  Golonie,  1504.    4".    K.  1.  h.  5*. 

40  leaves,  toithout pagination. 
Opus  Aureum.     Musice  castigatissimfi  de 
Gregoriana  et  figuratiua  atcj  contrapucto 
simplici    percomode    tractans,    etc.      ms. 
NOTES.  Impressum. .  .in  officina 

. . .  liberolf.  pie  memorie  Henrici  Quentell : 
Golonie,  1505.     4°.  K.  1.  h.  6. 

40  leaves,  ivithoiit  pagination. 
Opus   Aureum  Musice  castigatissimu  de 
Gregoriana  >l  figuratiua  atq3  contrapucto 
simplici  percomode  tractans,  etc. 

Impressum  . . .  in  officina  . . .  liberoy. 
pie  memorie  Henrici  Quentell :  Golonie, 
1508.     4".  K.  1.  h.  7. 

40  leaves,  loithout  pagination.     TJie  last 
leaf  {blank)  is  wanting. 

WOLLY.  Wolly  of  the  Woodland  Side. 
Song.     See  Gentleman. 

WOMAN.     Woman.     [Song.]     See  Ask. 
Ask  me  not  how  calmly  I,  etc. 
[1747.]     8°.  P.P.  5438.  z. 

Woman.      [Song.]     See  No.     No   longer 
let  whimsical  Songsters,  etc. 
[1755  ?]     s.  sh.  fol.  G.  316.  e.  (93.) 

Woman.     [Song.]     See  No.     No  longer 
let  whimsical  Songsters  compare,  etc. 
1761.     8".  P.P.  5441. 

Woman.     Song.     See  No.     No  longer  let 
whimsical  Songsters  compare,  etc. 
[1761.]     8".  158.  1.  6. 

Woman.     Song.     See  No.     No  longer  let 
whimsical  sougers  [sic]  compare,  etc. 
[1761.]     8'\  P.P.  5438.  z. 

Woman  for  Man.     [Song.]     See  Wine. 
Wine,  wine  we  allow,  etc.     [1765.]     8°. 

P.P.  5441. 

A  Woman  having  a  settlement.  The 
Laivyer's  Glee,  or  Pauper's  Gase.  Set  to 
Music  [for  three  voices]  by  a  Barrister  of 
the  Inner  Temple. 

Goulding  d;  Go.,  for  J.  Michelli : 
London,  [1799.]     fol.        G.  809.  c.  (72.) 
A  Woman  is  like  to.     [Song.] 
See  Shield  (W.)     [The  Lock  and  Key.] 
Woman  is  Match  for  Man.     Ballad. 
Sec  Reeve  (W.) 

De  Voman  torn  us  round  about.     Song. 
See  Carter  (C.  T.)     [Poll  of  Plympton.] 


W0:MAN— WOODWAED 


697 


"WOMAN.  The  Woman's  Man.  [Song.j 
See  Fair.  The  Fair  if  you  \You'd  obtain 
Sir.    [1720?]    s.  sh.  fol.    H.  1601.  (463.) 

WOMEW.  The  Women  all  tell  me  I'm 
false  to  my  Lass.  The  Jolly  Toper.  A 
Song.     [London,  1150?]    s.  sh.  tol. 

G.  312.  (69.) 

[Another  copy.]  G.  315.  (97.) 

[Another  edition.]  The  Women  all  tell 
me  I'm  false  to  my  Lass.  The  Jolly  Toper, 
etc.     [London,  11  oO?]     s.  sh.  iol. 

H.  1994.  b.  (106.) 

[Another  edition.]  The  Women  all  tell 
me  I'm  false  to  my  Lass.  The  Jolly  Toper, 
etc.     [London,  11  bOl]     s.  sh.  iol. 

G.  316.  f.  (30.) 
[Another  edition.]  The  Women  all  tell 
me  I'm  false  to  my  Lass.  The  Jolly  Toper, 
etc.     [I/ondow,  1750  ?]     s.sh.iol. 

H.  1994.  b.  (107.) 
The  Women  all  tell  me  I'm  false  to  my 
lass.     The  Jolly  Toper.     A  New  Song. 
[London,  1751.]     8".        ^    P.P.  5438.  z. 
Universal  Magazine,  Vol.  VIII.,  p.  318. 
Women  form'd  by  Nature  coy.     Song. 
Sec  Prelleur  (P.)     [Harleqicin  Hermit.'] 
Women  when  they  gain  a  Heart.     Song. 
See  Howard  (S.)     [Eobin  Good-Fclloic] 
WOMEN     WILL      HAVE      THEIR 
WILLS.       Bellinda's     pretty,     pleasing 
Form.    A  Song  in  the  Farce  calVd  Women 
will  have  their  Wills.    Sung  by  Mr.  Gouge. 
[Music  by  J.  Eccles.]  [London, 

1700  ?]     s.  sh.  fol.  H.  1601.  (69.) 

WONDERFUL.  Wonderful  Age.    [Song.] 
Sue  Harlequin  Quack. 
The  Wonderful  Change  in  the  Ministry. 
[Song.]      See   Ale.      All   you    that    have 
puzzled  your  Brains,  etc. 
[1783  ?]    s.  sh.  fol.  G.  306.  (137.) 

A  Wonderful  New  Ballad  of  a  Wonderful 
Old  Man.  [Song.]  See  There.  There 
was  an  old  Man.     [1775  ?]     fol. 

H.  1994.  b.  (83.) 

Wonderful    News     from    the     River    of 
Thames.      [Song.]      .See    Winter.      The 
Winter  is  exceeding  cold,  etc. 
1683.    s.  sh.  fol.  L  600.  b.  (35.) 

WONNEGGER  (Joannes) 

See    LoRiTUS    (H.)    Glareanus.      IMusicre 

Epitome,  sive  compendium   ex   Glareani 

Dodecachordo  [made  by  J.  Wonnegger]. 

1557.     4".  785.  b.  44. 

WOOD  (Charles)     A  favorite  Duetto  for 

Two   Performers   on  the  Piano  Forte  or 

Harpsichord,  etc. 

Longman  and  Broderip,  for  the  Author  : 

I/ondon,  [1790  ?]     fol.  g.  130.  (15.) 

A  favorite  Lesson  for  the  Harpsichord  or 

Piano  Forte,  etc. 

Longman  and  Broderip,  for  the  Author  : 

London,  [1190?]     fol.  g.  141.  (23.) 


WOOD  (Charles)  Three  Sonatas  for 
the  Piano  Forte  or  Harpsichord  with  an 
Accompaniment  for  a  Violin. .  .Op.  2"*. 

Longman  tC  Broderip,  for  the  Author  : 
London,  [1790  ?]     fol.  g.  188.  (12.) 

Six  Solos  for  the  Violin  with  a  Bass 
design'd  and  Figur'd  for  the  Harpsicord, 
etc.  Printed  for  the  Author  : 

London,  [ll&O?]  fol.  g.  420.  a.  (1.) 
WOODCOCK  (Robert)  XII  Concertos 
in  Eight  Parts.  The  first  three  for  Violins 
and  one  small  Flute,  the  second  three  for 
Violins  and  two  small  Flutes,  the  third 
three  for  Violins  &  one  German  Flute, 
and  the  three  last  for  Violins  &  one 
Hobov,  etc.  [Separate  Parts.] 
Printed  for  I.  Walsh. .  .and  loseph  Hare  : 
London,  [111Q?]    fol.  i.  120. 

WOODEN.  The  Wooden  Leg.  Song. 
See  When.  When  first  I  left  my  dearest 
Peg.     [1780?]     fol.  G.  313.  (147.) 

The  Wooden  Leg.     Ballad  [begins :  '  ^ly 
Sailor  Lad  is  come  from  Sea ']. 
See  Williamson  (T.  G.) 
The    Wooden    Walls    of    old    England. 
[Song.]     See  Cooke  (M.) 
[Another  setting.]     The  Wooden  Walls  of 
Old  England.     [Song.]     See  Hook  (J.) 
WOODLAND.      The  Woodland  Laddie. 

Song.    See  Arnold  (S.) 
WOODLARK.     The  Woodlark.     [Song.] 
See  Eliza. 

The  Woodlark  is  heard  thro'  the  Grove. 
[Song.]  See  Hook  (J.) 
WOODMAN.  Court  me  not  to  scenes  of 
pleasure.  M"  Blllington's  additional  Song 
introduced  at  the  Theatre  Royal  Covent 
Garden  in  the  Opera  [by  W.  Shield]  of 
the  Woodman.  The  Words  by  B.  Dudley. 
Longman  and  Broderip  : 
London,  [1792  ?]    fol.  G.  796.  (41.) 

The  Woodman.     [Song.] 
See  Linley  (T.)  the  Elder. 
The  Woodman.     Comic  Opera. 
See  Shield  (W.) 

The  Wood-Man's  Fair  Daughter.  [Song.] 
See  'Twas.  'Twas  Spring  when  all  nature 
was  blooming  and  gay.     [1795  ?]     fol. 

G.  356.  (53.) 
WOODMASON  (Charles)  See  Psalms. 
[4.  English.]  A  Collection  of  Psalm 
Tunes  ...  for  the  use  of  Gosport  in 
Hampshire.  [With  a  dedication  signed 
by  C.  Woodmason.]  [1745?]  8^ 
^  B.  370.  r.  (1.) 

WOODWARD  (Richard)  Cathedral 
Music.  Consisting  of  Onecompleat  Service, 
Seven  Anthems,  Several  Chants  and  Veni 
Creator  Spiritus  in  Score,  for  one,  two, 
three,  four,  five  and  six  Voices. .  .Opera 
Terza.  Welckcr,  for  the  Author  : 

London,  [1765  ?]     fol.  G.  498. 


G98 


WOODWARD— WORGAN 


WOODWARD  (Richaed)     See  Catches. 
A  Second  Collection  of  Catches  by... Dr. 
Arne,. .  .Mr.  Woodward  &  others. 
[1766?]    obi.  A".  A.  756.  a.  (2.) 

WOOED.  Woo'd  and  married  and  a'. 
[Song.]  See  Bride.  The  Bride  came  in 
from  the  Barn,  etc.     [1750  ?]     s.  sh.  fol. 

I.  600.  (117.) 

WOOING.     The  Wooing  Days.     [Song.] 
See  Hook  (J.) 

WORD  TO  WIVES.  A  Word  to  Wives. 
Musical  Entertainment.     See  Hook  (J.) 

WORDS.     Words  but  faintly  can  impart. 

21ic  Langiiage  of  the  Eyes.     [Song.] 
[London,  1770  ?]     s.  sli.  fol. 

G.  313.  (245.) 

WORGAN"  (James)  the  Elder.     Sappho's 
Hymn  to  Venus.     [Cantata.] 
[London,  1750  ?]     fol.  G.  577. 

With  beauteous  Arminta  ranging.  A 
Song,  etc.     [London,  11 50  ?]     s.  sh.iol. 

G.  313.  (171.) 

WORGAN  (James)  the  Younger.  Absence, 
a  Favorite  New  Song.  J,  Longman, 

dementi  (&  Co.,  for  the  Author:  London, 
[1800?]     fol.  G.  365.  (71.) 

Bright  Phoebus  arises  the  first  in  the  Morn. 
A  New  Duett,  etc. 

Longman  &  Broderip,  for  the  Author : 
London,  [1795  ?]     fol.  G.  354.  (45.) 

A  Favorite  Carillon  Sonata,  for  the  Harp- 
sichord or  Piauo-Forte,  with  an  Accom- 
paniment for  two  German-Flutes,  ad 
libitum . . .  Opera  Prima. 

Longman  and  Broderip,  for  the  Author  : 
London,  [1785  ?]     fol.  g.  222.  a.  (3.) 

Emma.  A  Pastoral  written  by  Lydia 
Coles,  etc.     [Song.]  J.  Longman, 

Clementi  and  Co.,  for  the  Author  :  London, 
[1800?]     fol.  G.  365.  (70.) 

A  celebrated  French  March.  Revived 
&  set  for  a  Band,  with  Variations  for  the 
Piano-Forte,  etc.     [Full  Score.] 

Broderip  and  Wilkinson,  for  the  Author  : 
London,  [1800  ?]     fol.  g.  139.  (54.) 

A  March  composed  for  the  Loyal  Essex 
Regiment  of  Fencible  Infantry,  etc.  [Full 
Score.]  Broderip)  d  Wilkinson  : 

Lo7idon,  [1199  7]    fol.  g.  133.  (67.) 

Port  and  Sherry,  or  Britons  be  wise  & 
merry.  A  Favorite  New  Song,  Written 
&  Composed  by  J.  Worgan. 

Longman  £  Broderip,  for  the  Author- : 
London,  [1785  ?]     fol.  G.  365.  (68.) 

The  Royalist's  New  March.  [P.  F.  and 
2  Violins.] 

Longman  and  Broderip,  fen"  the  Aiithor : 
London,  [1795  ?]     fol.  g.  133.  (66.) 

Soft  Downy  Sleep.  A  .  .  .  New  Song. 
Written  by  Mr.  Williamson. 

Longman  d;  Broderip,  for  the  Author  : 
London,  [1795  ?]     fol.  G.  365.  (69.) 


WORGAN  (John)  The  Agreeable  Choice. 
A  Collection  of  Songs  sung  by  Miss 
Burchell,  Miss  Stevenson,  and  Mr.  Lowe 
at  Vaux-Hall-Gardens. 

Printed  for  I.  Walsh  : 
London,  [1751  ?]     fol.      G.  378.  a.  (12.) 
Aminta's  Farewell,  etc.     [Song.] 
[London,  1745  ?]     s.  sh.  fol. 

G.  316.  d.  (142.) 
The  New  Ballads  sung  by  Mr.  Lowe  & 
Miss  Stevenson  at  Vaux  Hall. .  .Book  the 
5"',  1756.  J.  Johnson,  for  the  Author  : 

London,  [1756.]  fol.  G.  316.  c.  (39.) 
The  New  Ballads  sung  by  Mr.  Lowe  & 
Miss  Stevenson  at  Vaux  Hall . . .  Book  the 
6"'  1757.     [Short  Score.] 

J.  Johnson,  for  the  Author  : 
London,  [1757.]     fol.  G.  577.  a.  (3.) 

The  New  Ballads,  sung  this  Summer  at 
Vaux  Hall. .  .Book  the  11'"  1770. 
Mrs.  Johnson  :  London,  [1770.]     fol. 

G.  577.  a.  (5.) 
Blest  as  the  Immortal  Gods  is  he.  [Song.] 
Set  hy  Mr.  Worgan.  [Words  translated 
from  Sappho  by  A.  Phillips.] 

Printed  for  J.  Simpson  : 
[Londo7i,  1745  ?]     s.  sh.  fol. 

H.  1994.  c.  (65.) 

Blest  as   th'   Immortal   Gods   is   he,  etc. 
[Music  by  John  Worgan.] 
[1750?]     s.  sh.iol.     St'c  Blest. 

G.  306.  (229.) 
An  English  Cantata  (sung  at  Vaux-Hall 
by  Mr.  Lowe)  and  Three  English  Songs, 
etc.  J.  Walsh  [and]  J.  Simpson :  London, 
[1750?]     fol.  H.  2815.  j.  (2.) 

Six  Canzonets  for  Two  and  Three  Voices. 
Composed  purposely  for  Dilettanti. 

Longman  and  Broderip)  : 
London,  [1785  ?]     ohl.  4°.  B.  395. 

A  Collection  of  new  Songs  and  Ballads 
sung  by  Miss  Burchell,  IMr.  Lowe  &  Miss 
Stevenson  at  Vaux  Hall,  etc. 

J.  Johnson,  for  the  Author  :  London, 
1752.     fol.  G.  807.  a.  (12.) 

A  Collection  of  new  Songs  and  Ballads, 
particularly  the  favourite  Dialogue  (No 
never)  sung  by  Mr.  Lowe  &  Miss  Stephen- 
son at  Vaux  Hall,  etc.     [Short  Score.] 

J.  Johnson,  for  the  Author  : 
London,  [1753  ?]  fol.  G.  577.  a.  (1.) 
A  Collection  of  new  Songs  and  Ballads 
sung  by  Miss  Burchell,  Mr.  Lowe  &  Miss 
Stevenson  at  Vaux  Hall.  [The  words 
chiefly  by  S.  Boyce.]  J.  Johnson, 

for  the  Author  :  London,  1754.     fol. 

G.  378.  a.  (11.) 
A  Collection  of  the  new  Songs  sung  at 
Vaux  Hall  by  Mrs.  Vincent  &  Mr.  Lowe 
. .  .Book  the  X.     1761.     [Short  Score.] 

J.  Johnson,  for  the  Author  : 
London,  [1761.]    fol.         G.  577.  a.  (4.) 
Wanting  pp.  15  and  16. 


WORGAN 


699 


WORGAN  (John)  A  Collection  of  the 
Favourite  Songs  sung  this  Summer  in 
Vaux  Hall  Gardens  by  Mrs.  Weichsell, 
Miss  Jameson,  &  Mr.  Vernon.  Book  the 
13'-'  1771.  M'-'  Johnson  :  London, 

[1771.]    fol.  G.  807.  a.  (13.) 

The  Coquet  Mother  &  Daughter.     [Song.] 
[Lo/ifZon,  1750  ?]     s.sli.iol. 

G.  316.  a.  (59.) 

Cordelia,   or    the    British    Heroine :     On 
Occasion  of  the  menac'd  Invasion   from 
France.  (Address'd  to  the  Ladies.)  [Song.] 
The  Words  bv  Mr.  Lockman,  etc. 
ILondon,  1759.]     fol.  G.  316.  (162.) 

Did  you  see  e'er  a  Shepherd.    [For  editions 
of  this  song  published  anonymously  :] 
See  Did. 

English  Heroism,  against  French  Invaders. 
A  new  Song. .  .[Words]  By  Mr.  Lockman, 
etc.  [London,  1759?]  fol.  G.  316.  (163.) 
The  Fair  Thief ..  .[Song.]  Sung  by  Mr. 
Lowe  at  Vaux  Hall.  Sec  Chloe.  Chloe, 
or  the  Musical  ^lagazine,  etc.  No.  96. 
[1760?]     fol.  G.  433. 

Hannah.  An  Oratorio.  As  perform'd  at 
the  Kings  Theatre . . .  Opera  Prima.  [Words 
by  C.  Smart.     Full  Score.] 

ill"  Johnson,  for  thejiuthor 
London,  1764.     fol. 
The  Happy  Swain.     See 
in  a  Summer's  day,  etc. 
[1750?]     s.  s/(.  fol. 
Hark !   the  loud  Drum. 
neiv  Militia.     To  a 
Drums,   Hautboys 


G.  242.  (1.) 

As.     As  Damon 

[By  J.  Worgan.] 

Q/.  306.  (23.) 

A  Song  for  the 
March  for  Trumpets, 
and   Bassoons  . . .  The 


Words  by  ]\Ir.  Lockman. 

Printed  for  J.  Johnson  : 
[London,  1759]     fol.  G.  308.  (143.) 

Hence,  fly  hence.  A  Trio.  For  Three 
Voices.  With  Instruments.  Sung  by  Miss 
Burchell,  Miss  Stevenson  &  Mr.  Lowe,  in 
Vaux  Hall  Gardens.     [FuU  Score.] 

Printed  fm-  the  Author  : 
London,  1755.  fol.  H.  1650.  a.  (17.) 
I  fill  not  the  Glass.  A  2Iartial  Song.  A 
Song  on  the  taking  of  Montreal.  Sung 
by  Mr.  Lowe . . .  the  words  by  Mr.  Lockman, 
etc.     [London,  1760.]     6\  158.  1.  5. 

London  Magazine,  1760,  p.  660. 
I  fill  not   the  Glass.     A   Song.     On  the 
taking  of  J\Iont-Real  by  General  Amherst 
. .  .The  Words  by  Mr.  Lockman,  etc. 
[London,  1760.]     fol.  G.  309.  (116.) 

Jockey  and  Jenny :  A  favourite  Dialogue 
. .  .sung  by  Mr.  Lowe,  and  JMrs.  Arne,  at 

sh.  fol. 


A^aux-Hall.     [London, 

[For    editions 

mously:]  See  When. 

blest,  etc. 

The    Ijover   and    the    Friend.     A   Song. 

[Words  by  E.  ]Moore.]  [London, 

1760?]    s.sh.iol.  G.  310.  (216.) 


1748.]     s. 

G.  305.  (261.) 

published     anony- 
When  Jockey  was 


WORGAN  (John)  The  Lover  and  the 
Friend,  etc.  [Music  by  J.  Worgan.]  See 
Chloe.  Chloe,  or  the  Slusical  Magazine, 
etc.    No.  90.     [1760  ?]     fol.  G.  433. 

Miranda,  etc.     [Song.]  [London, 

1753.]     8°.  249.  c^  23. 

Gentleman's    Magaziyie,    Yol.    XXIII. , 
p.  335. 
Miranda.     See  Let.     Let  youthful  bards, 
etc.     [By  J.  Worgan.]     [1753.]     8°. 

P.P.  5438.  z. 
Neptune's  Resignation.  [Song.]  Written 
on  the  Naval  Victory  obtain'd  by  Sir 
Edward  Hawke,  Nov'  20"- 1759  off  Bellisle. 
The  Words  by  Mr.  Wignel.  Sk[illern  : 

London,  1759.]  s.  sh.  fol.  G.  312.  (224.) 
The  Nun  and  Frier.  A  Cantata.  The 
Words  by  the  late  Mr.  ]\Ioore. 

Printed  for  J.  Johnson  :  London, 
[1760?]     fol.  H.  2830.  g.  (96.) 

[Another  copy.]  G.  808.  f.  (52.) 

Organ  Pieces  by  the  late  Dr.  Worgan  never 
before  published.  Fentimi :  [London, 

1795?]     ohl.iol.  f.  314.  j.  (11.) 

No.  3  of  Select  Organ  Pieces  by  the  late 
Docf  Worgan  . . .  dedicated  . . .  to  . . .  the 
Dutchess  of  Leeds,  by. .  .James  Worgan. 

Longman  &  Broderip,  for  I.  Worgan  : 
London,  [1790  ?]     ohl.  fol. 

e.  1090.  a.  (6.) 

Pieces  for  the  Harpsichord,  composed... 
for  forming  the  Hands  of  Young  Pupils  to 
that  Instrument,  etc.  TF.  Owen, 

for  the  Autlwr  :  London,  [1770  ?]     fol. 

g.  443.  b.  (30.) 

The  Shepherd's  Wedding,  etc.     [Song]. 
[London,  1748.]     8°.  249.  c.  18. 
Gentlemayi' s    Magazine,    Vol.    XVIII., 
p.  420. 
■    [For     editions     published     anony- 
mously :]  See  Pastora.     Pastora's  come, 
etc. 
Six  Sonatas  for  the  Harpsicord. 

M''  Johnson,  for  the  Author  : 
London,  1769.    obi.  fol.  e.  5.  i.  (8.) 

The  Favourite  New  Songs  that  have  been 
sung  in  Vaux-Hall  Gardens  by  Miss 
Burchell ,  etc.  [Short  Score.]  Printed  for 
the  Author:  London,  [VJ 55 2]     fol. 

G.  577.  a.  (2.) 
The  Thief.  [Song.] . . .  Sung  by  Mr.  Lowe 
at  Vaux  Hall.  [Words  attributed  to  the 
Earl  of  Egremont.]  [London, 

1750  ?]     s.  sh.  fol.  G.  306.  (250.) 

[Another  copy.]  G.  305.  (301.) 

To  the  Nightingale,  etc.     [Song.] 
[London,  1745  ?]     s.  sh.  fol. 
^  G.  316.  (164.) 

We  will  rejoice  in  thy  Salvation.  A  neio 
Anthem  compos'd  for  a  General  Thanks- 
<jivin<y.  J.  Johnson,  for  the  Author  : 

G.  516. 


London,  1759.     fol. 


700 


WORGAN— WOULD 


WORGAN  (John)  When  mighty  Sol  at 
NoouofDay.  [Song.]  SethyMr.Worgan. 
Sung  by  Mr.  Lowe.     [London,  1748.]     8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  III.,  p.  172. 
When   mighty  Sol  at   Noon  of   Day.     A 
New   Song  sung  by  Mr.  Lowe  at   Vaux 
Hall,  etc.     [London,  1750  ?]     s.  sh.  fol. 

G.  313.  (110.) 
[Another  edition.]  When  mighty  Sol  at 
noon  of  Day,  etc.  [London, 

1755  ?J     s.  sh.  fol.  G.  305.  (170.) 

See  BoTTAEELLi  (G.  G.)  Del  Canzoniere 
d'Orazio. .  .Ode  XII.,messe  in  Musica  da' 
piu  rinomati  Professori  Inglesi  [i.e.  T.  A. 
Arne,  J.  Worgau,  etc.'].     1757.     fol. 

G.  242.  (3.) 
See    Cantatas.      Three     New    English 
Cantatas,  &c.     [By  J.  Worgan.] 
[1750?]     fol.  H.  2815.  a.  (2.) 

See  Meads.  The  Meads  and  the  Groves 
in  fresh  Verdure  shone  gay.  A  So?ig  to 
an  Air  in  an  Organ  Concerto  [by  J. 
Worgan]  etc.  [1746.]  8°.  249.  e.  16. 
See  Meads.  The  Meads  and  the  Groves 
in  fresh  Verdure  shone  gay.  A  Song  to  an 
Air  in  an  Organ  Concerto  [by  J.  Worgan,] 
etc.  [1750  ?]  s.  sh.  fol.  G.  312.  (67.) 
See  Riley  (W.)  Psalms  and  Hymns  for 
the  Use  of  the  Asylum  .  .  .  for  Female 
Orphans. .  .The  Music  by...  J.  Worgan, 
etc.     [1765?]     4°.  E.  482. 

See  Scarlatti  (D.)  Libro  de  XII.  Sonatas, 
etc.    [Edited  by  J.  Worgan.]     [1752.]    fol. 

S-  47. 

WORGAN  (Mary)  The  Constant  Lover, 
etc.     [Song.]     [London,  1750?]     s.  sh.  fol. 

G.  316.  a.  (58.) 
The  Dying  Nightingale,  etc.     [Song.] 

Printed  for  J.  Simpson  :  [London, 
1750  ?]     s.  sh.  fol.  H.  1994.  b.  (89.) 

The  Power  of  Gold,  anew  Song.  [London, 
1750  ?]    s.  sh.  fol.  G.  316.  a.  (57.) 

WORLD.     The  W^orld.     Song. 
See  Hoffmann  (J.)  Miss. 
The  world  all  o'er  is  now  deceit.     A  Song. 
Translated  from  the  German. 
[London,  1740  ?]     fol.  G.  312.  (17.) 

The  World  in  each  age  of  some  Patriot  has 
spoke.     The  L-ish  Volunteers.     [Song.] 
J.  Welcker  :  London,  [1780  ?]     fol. 

G.  312.  (243.) 

WORLD  IN  THE  MOON.  Songs  in 
the  New  Opera,  call'd  the  World  in  the 
Moon.  [Words  by  E.  Settle,  music  by 
J.  Clarke  and  D.  Purcell.J  /.  Walsh  and 
L  Hare  :  London,  1697.     fol.  G.  120. 

The  World  in  the  LIoou.     Opera. 
See  PuRCELL  (D.)  and  Clarke  (J.) 

WORMS.     ]Mr.  Pope's  Worms.     Song. 
See  How.     How  much.  Egregious  filoore, 
etc.    [1720?]     s.  s7t.  fol.     H.  1601.  (210.) 


Song, 


WOULD.     Wou'd    Fate   to   me   Bellinda 
give.     Song.     See  Wilfoed  (J.) 

Wou'd  I  seek  a  blest  retreat.     The  Rural 

Bctrcat,   [Song,]  written   by  Mr.  Knight, 

etc.  Bland  &  Wcllcr  : 

London,  [1800  ?]     fol.  G.  356.  (59.) 

Would  we  had  never  met. 

See  FisiN  (J.) 

Wou'd  Women  do  as  I  do.     [Song.] 

See  INIay  Day. 

Wou'd  ye  have  a  Young  Virgin  of  Fifteen 

years.     Song.     See  Modern  Prophets. 

Would  you  be  a  ]\Ian  in  Favour  ?  A  Man 
in  Favour,  or.  The  way  to  Preferment. 
[Song.]  To  the  Tune  of,  Would  you  be  a 
Man  in  Fashion.  Printed  for  J.  H. : 

[London,]  1688.    s.  sh.  fol. 

Case  38.  i.  25.  (1.) 

The  tune  is  7-epresented  by  a  meaningless 
succession  of  notes,  etc. 
[Another  copy.]  Case  39.  k.  6.  (42.) 
Wou'd  you  be  a  Man  of  Fashion.  The 
Complcat  Citt :  or,  The  Man  of  Fashion. 
[Ballad.]  To  the  Tune  of.  Would  you  be 
a  Man  of  Fashion.  Printed  for 

P.  Brooksby  :  [London,'}  1683.     s.  sh.  fol. 
Case  39.  k.  6.  (43.) 

The  music  is  incoiTcctly  printed. 
Wou'd    you    gain    the    tender    Creature. 
[Song.]     See  Haendel  (G.  F.)     [Acis  and 
Galatea.] 

Would  you  hear  a  lover's  ditty.  Trouba- 
dour Ballad.     See  Moorehead  (J.) 

Would  you  I  the  thing  discover.  Song. 
See  Babell  (W.) 

Would  you  know  the  tender  Passion.     A 
Favorite  Bondo,  the  Words  by  Voltaire. 
/.  &  J.  S.  [London,  1775  ?]     fol. 

G.  313.  (268.) 
Would  you  live  a  stale  Virgin  for  ever? 
Betty.  [Song.]  Sung  by  Miss  Shireburn, 
in  Compass  of  the  German  Flute. 
[London,  1725  ?]  s.  sh.  fol.  G.  315.  (72.) 
Engraved  by  Cross. 

Would  you  obtain  the  Gentle  Fair.  Song. 
See  Oswald  (J.) 

Would  you  please  gentle  Neighbours. 
Marybone  Fair.  [Song.]  Written  and 
Compos'd  for  the  Representation  of  the 
Boulevards.  G.  S[mart : 

London,  1776.]    s.  sh.  fol.    G.  313.  (231.) 

Would  you  taste  the  morning  air.  The 
Morning  Air.  A  new  Song.  [By  L.  C.  A, 
Granom.]     [London,  1752.]     8°. 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  XL,  p.  29. 

Would  you  taste  the  noontide  Air- 
[Song.]    'See  Arne  (T.  A.)     [Co7nus.] 

[Another  setting.]     Would   you  taste  the 
Morning  Air.     Song. 
See  Granom  (L.  C.  A.) 


WOULD— WRIGHT 


701 


WOULD.  Wou'd  you  think  it  my  Girl. 
[Song.]     See  Gilding  (E.) 

WOULD'ST.  Would'st  thou  all  the  joys 
receive.  Rondo.  Sung  by  Mrs.  Weichsell 
at  Vauxhall,  1779.  Sk[illern  : 

London,  1779.]  s.  sh.  fol.  G.  313.  (232.) 
[Another  setting.]  Would'st  thou  all  the 
Joys  receive.     [Song.]     See  Defesch  (W.) 

WOUNDED.      The   Wounded    Ghizzard. 
[Song.]     See  Geant  (D.) 
The  Wounded   Liver.     [Song.]     See  Ah  ! 
Ah  !  me,  weU  a  Day  !     [1750  ?]     s.  sh.  fol. 

G.  316.  (3.) 
The  Wounded  Liver.  Song.  Sec  Ah. 
Ah  me,  weU  a  day  !  etc.     [1755.]     8°. 

250.  c.  2. 
The  Wounded  Maid.    [Song.]   See  Gentle. 
Gentle  Love,  to  paint  my  Lover. 
[1740?]    s.sh.iol.  G-.  308.  (22.) 

WRAGG    (J.)      Three    Duettos,   for    two 
German  Flutes . . .  Op.  v.    [Separate  Parts.] 
Printed  for  the  Author: 
London,  [1800?]     fol.  g.  225.  (14.) 

[Another  copy.]  g.  280.  h.  (10.) 

The  Flute  Preceptor  ;  or  The  whole  Art 
of  Playing  the  German  Flute. .  .To  which 
is  added. .  .a. .  .Selection  of  Favorite  Airs, 
etc.  Printed  for  the  Author  : 

London,  [1790.]    obi.  4°.  b.  117.  (1.) 

The  Oboe  Preceptor  ;  or  the  Art  of  Playing 
the  Oboe. .  .To  which  is  added,  an  elegant 
Selection  of ..  .Airs. .  .also  a  Set  of  easy 
Preludes . . .  Op.  iv.  Printed  for  the  Author : 
London,  (1792.)    ohl.  4°.  b.  117.  (2.) 

A  familiar  Solo  for  the  German  Flute, 
accompanied  by  a  Violoncello  or  Piano 
Forte. .  .No.  iv.  Printed  for  the  Author  : 
London,  \yi9b'>']    fol.  g.  221.  (9.) 

A  Fifth  Familiar  Solo  for  the  German 
Flute  or  Hautboy,  with  an  Accompaniment 
for  a  Violoncello  or  Bassoon,  etc. 

Printed  for  the  Author  : 
London,  [ISOO?]     fol.  g.  221.  (10.) 

See  Pleyel  (I.  J.)  [2.  Duets,  a.]  Three 
Concertante  Duettos  . . .  arranged  ...  by  J. 
Wragg.  [1800?]  fol.  h.  250.  b.  (13.) 
See  PujOLAS  (J.)  Three  Concertante 
Duettos  . . .  revised  by  J.  Wragg. 
[1800?]    fol.  h.  250.  b.  (12.) 

WRANGLING.  The  Wrangliug_  Lovers. 
Song.  See  Jockey.  Jocky  and  Jenny  to 
Kirk  went  together.     [1750  ?]     s.  sh.  fol. 

G.  316.  (91.) 

WRANICZKY  (Paul)  III  Divertisse- 
ments en  Quatuor  pour  Forte-Piano, 
Violon,  Alto  et  Violoncelle  obliges  .  .  . 
Oeuvre  34.     Livre  3.  Chez  J.  Andri  : 

Offenbach  s.  If.,  [1800  ?]     obi.  fol. 

d.  75.  (6.) 
The  Pianoforte  part  only. 


WRANICZKY  (Paul)  Sis  Duos  Con- 
certants  pour  Deux  Flutes  .  .  .  CEuvre 
XIII'".  [Separate  Parts.]  Cliez  le  &'■'  Sieber  : 
Paris,  [1790  ?]     fol.  g.  280.  j.  (10.) 

Six  Duos  pour  deux  Fluttes.  CEuvre  xiii^. 
[Separate  Parts.]  Chez  Lnbault : 

Paris,  [1795  ?]     fol.  g.  69.  (25.) 

Six  Duos  Concertants  pour  Deux  Flutes 
. . .  Oeuv.  38.     2  Liv.     [Separate  Parts.] 

Chez  Gombart  ct  Comp.  : 
Augsbourg,  [1800?]   fol.     g.  280.  b.  (21.) 
Oberon,  Konig  der   Elfen,  eine  Operetta 
in  drei  Auf ziigen . . .  im  Clavierauszuge, 
Bei  J.  M.  GiJtz  :   Worms,  [1795  ?]     fol. 

D.  308. 

III.  Quartetti  per  Due  Violini,  Viola  e 
Violoncello. .  .Opera  I.  [Separate  Parts.] 
Presso  Hoffmeister  :  Vienna,  [1790  ?]     fol. 

h.  2828. 

Six  Quatuors  pour  deux  Violons,  Alto  & 
Basse. .  .Oeuvre  23"'^  2  Liv.  [Separate 
Parts.]  Chez  J.  Andri  :  Offenbach  sur  le 
Mein,  [1793.]     fol.  g.  410.  a.  (11.) 

Six  Quatuors  pour  deux  Violons,  Alto  & 
Violoncelle  .  .  .  Oeuvre  30'"°.  Liv.  1. 
[Separate  Parts.]  Offenbach  sur  le  Mein, 
[1794.]     fol.  ■       g.  410.  a.  (13.) 

Quatre  Quintetts  pour  Hautbois,  Flute, 
Deux  Violas  &  Violoncelle . . .  Oeuvre  iii. 
[Separate  Parts.]  Ches  J.  J.  Hummel : 
Berlin,  [1790  ?]     fol.  h.  2828.  a. 

Sei  Sestetti  a  Flauto,  Oboe,  Violiuo,  due 
Viole  e  Violoncello.  [Separate  Parts.] 
Hoffmeister  :  Vienna,  [1795  ?]  fol.  g.  482. 
Grande  Simphonie  a  Plusieurs  Instru- 
ments compos^e  ...  a  I'occasion  de  la 
Restauration  de  la  liberty  hongroise  le 
28  Janvier  1790,  etc.  [Separate  Parts.] 
Chez  Lnbault :  Paris,  [1790.]     fol. 

g.  474.  e.  (6.) 
Grande  Sinfonie  Caracteristique  pour  la 
paix  avec  la  Republique  Francjoise. 
Giluvre  xxxi.     [Separate  Parts.] 

I.  C.  Gombart  et  Comp. : 
Augsbourg,  [1797.]     fol.  h.  2828.  b. 

WRANITZKY  (Paul)     See  Wraniczky. 

WRANIZKI  (Paul)     See  Weaniczky. 

WREATH.     The  W^reath.     [Songs.] 
See  Hook  (J.) 
The  Wreath.     Canzonet. 
See  MozAET   (W.    A.)      [3.    Songs,      a.] 
Mozart's  .  . .  English  Canzonetts.     No.  5. 

WRETCHED.  The  Wretched  Captive. 
[Song.]     See  Anglosini  (      ) 

WRIGHT  (John)  The  Essex  Llelody,  or 
Psalmist's  Recreation,  comprising  Six 
Anthems  and  Six  Psalm  Tunes ;  to  which 
are  added  Two  Hymns  .  .  .  The  whole 
composed  for  Four  Voices  with  a  Thorough 
Bass  for  the  Organ  or  Violoncello,  etc. 

Longman  &  Brodcrip,  for  tlie  Author  : 
London,  [1790  ?J    fol.  G.  973. 


702 


WRIGHT— WYVILL 


"WRIGHT  (T.)  Arise  and  hail  the  sacred 
day.  Hymn  for  Christinas-Day.  The 
Words  by  IMr.  Oats.  Set  to  Musick  by 
Mr.  T.  Wright,  both  of  Devonshire. 


{London,  1748.]     8°. 
Gcntlc7nan's    Magazine, 
p.  516. 


249.  c.  18. 

Vol.    XVIII., 


"WRIGHT  (Thomas)  Ah  1  tell  me  no 
more.  A  Favorite  Song  . . .  The  Words 
by  P.  Pindar.  [Pull  Score.] 
{London,  1795  ?]  fol.  G.  806.  e.  (77.) 
A  Concerto,  for  the  Harpsichord  or  Piano 
Forte,  with  Accompaniments  for  two 
Violins,  two  Oboes,  two  Horns,  a  Tenore 
&  Bass,  etc.     [Separate  Parts.] 

Preston  &  Son,  for  the  Author  : 
I/onfZoTC,  [1795  ?]  fol.  g.  116.  a.  (8.) 
How  happy  was  my  morn  of  Love ;  a 
Favorite  Song. .  .The  words  by  P.  Pindar. 
[Full  Score.]  J.  Bland  :  London, 

[1790?]     fol.  H.  1994.  d.  (63.) 

March  for  Clarinets,  Horns  &  Bassoons, 
also  adapted  for  the  Piano  Forte,  com- 
posed for  the  use  of  the  First  Battalion 
of  West  York  Militia,  etc.  G.  Gouldinq  : 
London,  {imO'>^  fol.  h.  1568.  b.  (24.) 
Two  Marches  for  Clarinets,  Horns  & 
Bassoons,  also  arranged  for  the  Harpsi- 
chord or  Piano-Forte.  Composed  for  the 
use  of  the  East  York  Militia,  etc. 
G.  Goulding  :  London,  [1800  ?]     fol. 

h.  1568.  b.  (23.) 
Quis  multa  gracilis.  The  Fifth  Ode  of  the 
First  Book  of  Horace,  [Song,]  Set  to  Music 
with  a  Harp  or  Piano  Forte  Accompani- 
ment. Printed  for  J.  Dale  : 
London,  [1796  ?]  fol.  G.  199.  (31.) 
Six  Songs  with  a  Thorough  Bass  for  the 
Harpsichord. .  .Opera  i.  Netvcastle  wpon 
Tyne,  [1785  ?]  fol.  H.  1650.  a.  (18.) 
The  Success  of  Damon's  Invocation  to 
Chloe.  [Song,  words]  By  the  author  of 
the  Invocation,  etc. 

{London,]  1791.     s.  sh.  4".        P.P.  5141. 
Lady's  Magazine,  Nov.,  1791. 

WRIGHTEN  (  )  Mrs.  I  could  not 
help  laughing  at  that,  a  Favourite  Ballad, 
composed  and  sung  by  Mrs.  Wrighten, 
etc.  Printed  for  S.  A.  £  P.  Thmnpson  : 
London,  [1785  ?]  fol.  H.  1653.  (49.) 
Kiss  me  now  or  never.  A  favorite  Ballad, 
written,  composed,  and  sung  by  Mrs. 
Wrighten,  etc.  Longjuan  and  Broderipi : 
{London,  1785  ?]     fol.        H.  1653.  (50.) 


WRIGHTEN  (  )  'Twas  yes,  kind 
Sir  and  I  thank  you  too.  A  Favourite 
Scotch  Ballad,  composed  &  sung  by  Mrs. 
Wrighten,  etc.  Printed  for  S.  A.  d  P. 
Thompson  :  London,  [1785  ?]     fol. 

H.  1653.  (51.) 
'Twas  yes,  kind  Sir.  Sec  Ruddy.  The 
ruddy  morn  blink'd  o'er  the  Brae,  etc. 
[By  Mrs.  Wrighten.]      [1790?]     s.  s7i.  fol. 

H.  1601.  b.  (56.) 
Y^'oung  Willy,  a  Favorite  Scots  Song, 
written,  composed  &  sung  by  Mrs. 
Wrighten,  etc. 

Printed  for  S.  A.  cO  P.  Thompson: 
London,   [1785?]     fol.      G.  808.  f.  (53.) 

WSCHEJANSKY  (Philipp)  Praelu- 
dium  fiir  das  Piano  Forte. .  .Oeuv.  5.  hn 
Verlag  der  K-K.pr.  chemischen  Druckereij : 
Wien,  [1800?]     obi.  fol.       f.  65.  b.  (17.) 

WULIiY.     WuUy  and  Georgy.     Song. 
See  Akeroyde  (S.) 
Wully  is  a  Bonny  Lad.     Ballad. 

See  SANDEESOix  (J.) 

"WYNNE  (John)  The  Country  Life,  for 
two  Voices,  etc.  {London, 

1755?]     s.sh.iol.  G.  316.  (165.) 

Ten  English  Songs,  etc. 

John  Johnson,  for  the  Author: 
London,  1754.  fol.  H.  "1650.  a.  (19.) 
Twelve  English  Songs.  J.  Simpson  : 

London,  [1750  ?]     fol.       G.  806.  i.  (14.) 

WYNNE  (Richaed)  Six  Divertimentos 
for  a  Violin  Tenor  &  Violoncello  .  .  . 
Published  by  Lewis  Borghi.  [Separate 
Parts.]  W.  Forsfer: 

London,  [1781  ?]     fol.  h.  5.  d.  (1.) 

"WYVILL  (J.)  Friar  John  in  his  cell 
made  his  exit  of  late.  An  Epigram.  [Two 
Part  Song.]  P.  E{odgson  : 

London,  1780  ?]     fol.  G.  307.  (225.) 

"WYVILL  (Z.)  The  Armed  Yeoman.  A 
new  Song  written  by  Sir  W.  Y'ouug,  the 
Music,  adapted  for  the  Harpsichord  by 
Z.  Wivill,  etc.  Longman  and  Brodcrip, 
for  the  Compiler:  London,  [1795?]     fol. 

G.  376.  (44.) 
The  Berkshire  INIarch  in  8  Parts.  Com- 
posed for  the  Berkshire  IMilitia  at  the 
Desire  of . . .  the  Earl  of  Radnor,  etc.  [Full 
Score.]  Longman  and  Broderip, 

for  the  Author  :  London,  1793.     fol. 

g.  133,  (64.) 


XERXES— YE 


703 


XERXES.     Xerxes.     Opera. 
See  Haendel  (G.  P.)     [Serse.} 

XIMENEZ    (Nicolas)     Six  Solos  for  a 

Violiu,  etc.  Welcker : 

London,  [1770  ?]     fol.         g.  422.  b.  (2.) 

XIMENEZ  DE  CISNEROS  (Feak- 
cisco)  Cardinal.  Passionarium  Toletanum 
(in  quo  cotinentur  .  Quattuor  passiones  . 
Matthei .  Marci .  Luce  et  Joannis  .  Lainen- 


tationes  ieremie  prophete  .  Benedictio 
cerei  paschalis  .  Duo  euangelia  que  can- 
tantur  iu  natiuitate  domini  t,  epiphania. 
Dominica  in  ramis  Llarci  cap.  xxvj.). 
[Edited,  with  a  prefatory  letter,  by 
Cardinal  Frauciscus  Ximenez  de  Cisneros.] 

(B,   iL.      ox  VELLUM.      FEW  MS.  ADDITIONS. 

Impressum. .  .in. .  .acadcmia  Comphitensi. 
in  officina  Arnal  di  guillehni  Brocarij, 
1516.    fol.  Case  35.  k.  10 


Y.,  E.  Shepherd  wouldst  thou  here  obtain, 
a  favorite  Song.     Composed  by  E.  Y. 

Printed  for  G.  Gonlding  : 
London,  {1190 'i]    fol.  G.  810.  (71.) 

YANIEWICZ  (Felix)  A  New  Grand 
Concerto  with  an  Accompaniment  for  a 
Violin. .  .Adapted  for  the  Piano  Forte. . . 
by  I.  L.  Dussek.     [Separate  Parts.] 

Leiuis,  Houston  d  Hyde  : 
London,  [1800?]     fol.         g.  418.  b.  (6.) 


YANKEE    DOODLE. 

[Song.]     See  L.,  T. 


Yankee  Doodle. 


YARD.     Yard  Arm  and  Yard  Arm.    Song. 
See  Sanderson  (J.) 


YARROW.     Yarrow  Yale. 
See  Hook  (J.) 


Song. 


YATES  (William)  Among  the  fond 
Shepherds  Narcissa  the  fair.  [Song,] 
Sung  by  Mr.  Vernon  at  Vauxliall. 
{London,  1780?]  fol.  G.  306.  (213.) 
Colin's  Address.  [Song.]  The  Words  by 
the  Earl  of  Chesterfield.  {London, 

1760?]     s.  sh.  fol.  G.  306.  (118.) 

Collin's    Address.      [Song.]     The    Words 
by  the  Earl  of  Chesterfield.  [London, 

1767.]     8".  P.P.  5441. 

Royal  Magazine,  Vol.  XVII.,  p.  32.5. 
A  Collection  of   Moral   Songs  or  Hymns 
for   a   Voice,   Harpsichord    and    Guittar. 
[Words  by  I.  Watts.]  Printed  for 

Thompson  and  Sons :  London,  [1761  ?]    fol. 

G.  805.  r.  (6.) 
A  Collection  of  Songs  sung  at  Vaux-Hall 
and  Marybone  Gardens. 

C.  and  S.  Thompson,  for  the  Author  : 
London,  [1770  ?]     fol.      G.  378.  a.  (14.) 

[No.  3.]     A  Bacchanalian,  etc. 

See  Bacchus.  Bacchus,  Jove's  delightfuU 
Boy,  etc.  [1770  ?]  fol.  G.  306.  (205.) 
Haughty  Delia.  [Song.]  Sung  by  Mr. 
Vernon  at  Vaux-Hall.  {London, 

1770  ?]    s.  sh.  fol.  G.  313.  (226.) 


YATES  (William)  Haughty  Delia. 
[Song.]  See  What.  What's  Chloe  to 
me,  etc.     [By  W.  I'ates.]     [1768.]     8". 

P.P.  5438.  z. 
The  Landscape.  [Song.]  Words  by  Mr. 
Shenstone  .  .  .  sung  by  Mr.  Vernon  at 
Vauxhall.  R.  Falhcncr  :  London, 

[1775  ?]     s.  sh.  fol.        H.  1994.  a.  (65.) 
The  Matron's  Advice.     [Song.]     Sung  by 
Mrs.  Lampe  at  Sadler's  Wells,  etc. 
{London,  1767.]     8^  158.  1.  12. 

London  Magazine,  1767,  p.  587. 
[The  Novelty.]    Le  Friseur  Francoise  or  y'= 
French    Hair-dresser.     [Song.]     Sung   by 
Master   Herryman   at    Sadlers   Wells,   in 
the  Novelty,  etc.  {London, 

1770?]     s.sh.lol.  G.  312.  (160.) 

Now  the  Summer  advances.  A  Neio 
Musical  Address  to  the  Town  on  the 
Opening  of  Slarybone  Gardens.  Sung  by 
Mr.  Lowe,  Miss  Catley,  Miss  Miles  and 
Miss  Smith.     {London,  1763.]     s.  sh.  fol. 

G.  305.  (1.) 
[Another  edition.]  Now  the  Summer 
advances.  .4  New  Musical  Address  to  the 
Toion,  etc.     {London,  1763.]     s.  sh.  fol. 

G.  310.  (171.) 
Six  Easy  Sonatas  for  the  Harpsichord  . . . 
Opera  iii.  Printed  for  C.  and  S. 

Thompson  :  London,  [1770  ?]     ohl.  fol. 

e.  5.  f.  (9.) 
The  New  Songs  sung  by  Miss  Wearman, 
Mr.  Vernon  and  Mr.  Gibson  at  Vaux-Hall. 
R.  Bremner  :  London,  [1765  ?]     fol. 

G.  378.  a.  (13.) 
The  Tell  Tale.  [Song.]  . . .  Sung  by  Jlr. 
Vernon.     {London,  1770?]     s.  sh.  fol. 

G.  316.  (166.) 
'Tis  Taste  now  to  travel.  [Song.]  Sung 
by  Mr.  Vernon.  The  words  by  G.  A. 
Stevens.     {London,  1775  ?]     fol. 

G.  312.  (210.) 
Ye  Virgins  attend.  [For  editions  pub- 
lished anonymously :]  See  Y"e. 

YE.  Ye  airy  warblers  of  the  grove.  The 
Blooming  Spring.  [Song.]  P.  H[odgson  : 
London,  1780?]    s.  sh.  fol.    G.  314.  (37.) 


704 


YE 


YE.  Ye  Bards  who  extol  the  gay  Valleys  and 
glades.  Eobin  Hood's  Hill.  A  favourite 
Song.  Printed  for  T.  SJiilkrn  :  London, 
[1780?]     s.  s7i.  fol.  G.  314.  (53.) 

Ye  beaus  of  London  City.     The  Eternal 
Beau.     [Song.]     [1720?]     s.  s7(.  fol. 

G.  305.  (249.) 

Ye  Beaus  of  Pleasure.      The  Beauteous 

Fhillis  or  Beans  of  Pleasure  [Song]  the 

words  by  IMr.  Durfey.  [London, 

1715?]     s.  sh.  fol.  G.  316.  g.  (76.) 

[Another  setting.]     Ye  beaus  of  pleasure. 

A  Neiu  Song  sung  by  Mr.  Bartholomew 

Piatt  at  Sadlers  Wells.  [London, 

1730  ?]     s.  sh.  fol.  G.  305.  (285.) 

[Another  copy.]  H.  1601.  (541.) 

Ye  beauteous  Maidens  all  draw  near.     lo 

transformed  into  a  Cow.   [Song.]    [London, 

1710?]     s.sh.tol.  G.  305.  (257.) 

Ye  beauteous  Nymphs.     A  New  Figary. 

[Song,  to  the  tune  of  "  The  Play  of  Love," 

music  by  J.  C.  Pepusch.]    Cross :  [London, 

1728  ?]     s.  sh.  fol.  G.  305.  (306.) 

Ye   Belles   and  Beaux,  attend  my  Song. 

[Song.]    Sung  by  Mr.  Gilson  at  Vauxhall. 

[Music  by  J.  Potter.]  [London, 

1760?]     s.  s7i.  fol.  G.  314.  (78.) 

Ye  Belles  and  Beaux,  attend  my  Song. 

A   Neiu   Song   [by  J.  Potter].     Sung  by 

Mr.  Gilson  at  Vauxhall.  [London, 

1764.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XXXV., 2^- 101. 

Ye  Belles  and  Beaux,  attend   my  Song. 

[Song.]     See  Potter  (J.) 

Ye  Bell's  and  Beau's,  of  London  Town. 

The  Macaroni.     [Song.]     The  Words  by 

Mr.  Oakman.  C[harles  and]  S[a7nuel] 

Tihompson:  London,  1715 7]     s.sh.iol. 

G.  316.  (167.) 
Ye  Belles  and  ye  Beaux.     [Song.] 

See  SCHKOETER  (J.  S.) 

Ye  Belles   and  ye   Flirts.      A    Song  for 
Banelagh.     [Words  by  W.  Whitehead.] 
[London,  1750  ?]    s.  sh.  fol.    G.  314.  (27.) 
Ye  blithsome  Lads.     [Song.] 
See  Walton  (H.) 
Ye  blooming  Virgins.     [Song.] 
See  BoYCE  (W.)      [Solo7non.'} 
Ye  bold  Sons  of  Nimrod.     Song. 
See  Hook  (J.) 

Ye  brave  Boys  and  Tars.     Ballad. 
See  Abell  (J.) 
Ye  Britons  be  bold.     Song. 
See  Hoffmann  (J.)  Miss. 
Ye  Brittons  draw  near.     Upon  the  taking 
of  Chagre  Castle  by  Adml.  Vernon.     [Song, 
Music  by  J.  F.  Lampe.]  [London, 

1740.]      s.  sh.  fol.  G.  314.  (56.) 

Ye  Britons  so  free.  Unanimity  recom- 
mended to  the  People  of  England.  [Song, 
by  B.  Hudson.]  Bland  :  [London, 

1780?]     s.sh.iol.  G.  314.  (80.) 


YE.    [Another  setting.]   Ye  Britons  so  free. 
Success  to  Old  England.     [Song.] 

S[amuel]  A[nn  and]  P[eter]  T[hompson  : 
London,  1785  ?]     s.  sh.  fol. 

H.  1601.  a.  (106.) 
[Another  setting.]      Ye   Britons   so   free. 
Song.     See  Hodson  (W.) 
Ye  Britons  so  free.     Song. 
See  Hudson  (R.) 

Ye  Bucks,  INIale  and  Female.  E.  0. 
[Song].     Sung. .  .at  Sadlers  Wells. 

Longman  and  Broderip : 
London,  [1780  ?]     fol.  G.  314.  (40.) 

[Another  edition.]  Ye  Bucks  Male  and 
Female.     E.  0.,  etc.     [Song.] 

Elizabeth  Rhamcs:  [Dublin^ 
1780?]    s.  sh.  fol.         H.  1601.  a.  (79.) 

Ye  Chearful  Virgins  have  ye  seen. 
Myrtilla.  [Song,  by  S.  Howard.]  Sung 
by  jMr.  Beard  at  Banelagh.  [London, 

1760?]    s.sh.iol.  H.  1994.  a.  (35.) 

Ye  ChearfuU  Virgins.     Glee. 
See  Howard  (S.) 

Ye    Circum     and    Uncircumcis'd.      The 
Hubble  Bubbles.     A  Ballad  by  Mr.  D'urfey, 
to   the   tune   of   O'er   the   Hills   and   far 
away. — Within  Compass  of  the  Flute. 
[London,  1715  ?]     s.  sh.  fol. 

H.  1601.  (542.) 
[Another  edition.]  Ye  Circum  and  Un- 
circumcis'd, etc.  [London, 
1720  ?]     s.  sh.  fol.                G.  305.  (308.) 

Ye  Citizens  wise,  who  gave  Janssen  your 
A'oice.  Foi-  Lord  Mayor's  Day  1734.  A 
Congratulatory  Ballad  to  the  Citizens  of 
London  on  their  Electing  Mr.  Alderman 
Janssen,  Lord  Mayor.  To  the  Tune  of 
which  no  Body  can  deny.  [London, 

1754.]     s.  sh.  fol.  G.  314.  (58.) 

Ye  Classics  pray  talk  not  of  Beauties  of 
yore.     TJie  Xyniph  of  tlie  Hill.     [Song.] 
[London,  1770?]     s.  sh.  fol. 

I.  530.  (184.) 
Ye  Coxcombs  and  Beaus.  The  Retort. 
[Song.]  Within  Compass  of  the  G  Flute. 
[Lo7if7o«,  1754?]    s.  s7i.  fol.    G.  314.  (61.) 

[Another  copy.]  G.  303.  (61.) 

Ye    Critics    above.      All   in   the    Wrong. 
[Song.]     The  Words  by  Mr.  Garrick. 
[London,  1750  ?]     s.  sh.  fol. 

G.  316.  f.  (118.) 
Ye  dear  pretty  Ladies.  The  Flirtation. 
[Song.]     [iondoTC,  1760  ?]     s.sh.iol. 

G.  314.  (38.) 

Ye  dull  thinking  souls.     Sparkling  Cham- 
paigne.     [Song,  by  J.  Collett.]     Sung  by 
Mr.  Lowe,  at  Marybono  Gardens. 
[London,  1768.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XLII.,p.  265. 

Ye  envious  Winds  forbear  to  blow.     Song. 
See  Hart  (P.) 


YE 


705 


YE.    Ye  Pair,  from  Plan's  insidious  Love. 
The  Eetort.    [Song,  by  T.  A.  Arue.]    Sung 
by  Mr.  Lowe  at  Vauxhall. 
[London,  1753.]     8^  157.  L  15. 

London  Magazine,  1753,  p.  432. 
Y"e  fair  marri'd  Dames.     Song. 
See  Aeice  (T.  A.)     [The  Way  to  keep  him.] 
Ye   Fair,  possess'd  of  ev'ry  Charm.     In- 
struction  for  the    Fair.      A  New    Song. 
[By  T.  A.  Arne.]     [London,  1761.]     8°. 

158.  1.  6. 

London  Magazine,  1761,  p.  666. 
Ye   fair  possess'd  of  ev'ry   charm.     The 
Waij  to  keep  him.    A  New  Song  Tby  T.  A. 
Arne].  [London,  1769.]  8\    P.P.  5438.  z. 

Universal  Magazine,  Vol.  XLIV.,p.  208. 
Ye  fair,  who  shine  through  Britain's  isle. 
The  Way  to  keep  him  :  a  New  Song. 
[London,  1760.]     S".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XXVII. , p.  149. 
[Another  setting.]  Y^e  Fair  who  shine 
thro'  Britain's  Isle.  Tlie  Way  to  keep 
him.     [Song.]  [London, 

1760?]     s.  sh.  fol.  G.  316.  f.  (129.) 

Ye  Fair  ye  Lovers  at  my  Call.     [Song.] 
See  Harlequin  Touchstone. 
Ye  famed  witty  Nine.     Song. 
See  Bates  (W.) 

Ye  Foplings  &  Smarts.     Song. 
See  Long  (S.) 

Ye  freeborn  hearts,  that  hold  most  dear. 
A  new  Loyal  Song,  in  two  Parts. 
[London,  1747.]     8".  249.  c.  17. 

Ge7itleman's  Magazine,  Vol.  XVII., 
p.  584. 
Ye  Friends  to  your  Country.  A  New  Song 
on  the  Enlargement  of  lohn  Wilkes,  Esq''. . . 
April  1770.  L[ongman]  Llukey]  d:  Co.  : 
[London,  1770.]  s.  sh.  fol.  |G.  314.  (47.) 
Y^e  gales  that  gently  wave  the  sea.  The 
Bonny  Scot.  [Song,  the  words  by  A. 
Ramsay.]     [London,  1730  ?]     s.  sh.  fol. 

G.  314.  (15.) 

Y'e  gay  sons  of  Bacchus.     Song. 
See  Hawkins  (A.) 

Ye  gentle  gales.     A  Song.  [London, 

1735  ?]     s.  sh.  fol.  G.  316.  f.  (138.) 

[Another  setting.]  Ye  gentle  Gales  that 
fan  the  Air.  A  So^ig.  Sung  by  Mrs. 
Chambers  at  Marybon  Gardens.  [London, 
1755?]     s.s/i.  fol.  G.  305.  (286.) 

[Another  copy.]  G.  314.  (13.) 

[Another  setting.]  Ye  gentle  Gales. 
[Song.]  C[harles  and]  S[amnel] 

Tlhompson:  London,  1110'^]     s.  sh.  iol. 

G.  314.  (51.) 

[Another   setting.]     Ye  gentle  gales  that 
fan  the  Air.     Song.     See  Eccles  (J.) 
Ye  gentle  Winds  that  fan  the  Sea.     Eoger 
of  the  Dale.    A  Favourite  English  Song. 
[Music  by  W.  Riley.]  [London, 

1750?]     s.sh.tol.  G.  314.  (25.) 

VOL.    II. 


YE.     Ye  Gods  hear  my  Pray'rs.     A  Neiu 
Song.    [London,  1764.]    8°.      P.P.  5441. 

Eoyal  Magazine,  Vol.  X.,  p.  322. 
Y'e  Gods  that  round  fair  Celia  wait.    Fair 
Celia.    A  new  Song.  [London, 

1720?]     s.  sh.  fol.  H.  1601.  (546.) 

Ye  Gods  ye  gave  to  me  a  Wife.     Song. 
See  Devil  to  Pay. 

Y^e  good  Fellows  all.  Bumpers  'Squire 
Jones.    A  Drinking  Song.  [London, 

1745  ?]     s.  sh.  fol.  G.  305.  (256.) 

[Another  copy.]  G.  303.  (94.) 

[Another  copy.]  G.  315.  (94.) 

[Another  edition.]  Ye  good  Fellows  all. 
Bumpers  Squire  Jones,  etc.  [London, 

1745  ?]     s.  sh.  fol.  G.  316.  f.  (120.) 

Y"e  happy  Nymphs.  A  Song.  The  Words 
by  Mr.  aianley.  [London, 

1710?]     s.sh.loL  G.  316.  f.  (126.) 

Ye  hardy  Sous.  [Song.]  P.  H[odgson  : 
London,  1180  •>]  s.sh.tol.  G.  314.  (43.) 
Ye  Hearts  of  Oak,  who  wish  to  try.  A 
Neio  So7ig  Sung  at  the  Pantheon  on 
Llonday  Night,  April  the  3'',  and  distri- 
buted by  Mr.  Merlin,  from  his  Sailing- 
Boat.  L[ongman]  &  B[roderip  :  London, 
1780  ?]     s.  sh.  fol.  G.  314.  (89.) 

[Another   edition.]      Ye   Hearts   of   Oak, 
who  wish    to    try.      The    British    Tars. 
[Song.]     [London?  1780?]     s.sh.tol. 
'-       ^  ^  H.  1601.  a.  (101.) 

Ye  Hills.     Song.     See  Hoesley  (W.) 
Y'e   Hunters    so   bold  who   delight   in   a 
Chace.     The  Fox  Ghace.     [Song.] 

S[traight  and]  Sk[illern  :  London, 
1775  ?]     s.  sh.  fol.  G.  314.  (63.) 

Ye    Jacks   of    the    Town,      The   famous 
Ballad  . . .  Written  by  Mr.  D'urfey. 
[Lo7idon,  1711  ?]     s.  sh.  G.  314.  (9.) 

Y'e  Jobbers,  Under  Writers.  A  Favorite 
Song  Sung  by  Miss  Romanzini  ...  at  the 
Royal  Circus.  [Words  and  music  by 
C   Dibdin.]  J.  Welcker:  London, 

[1782?]    fol.  G.  806.  e.  (78.) 

Ye  Jolly  True  Blues  of  the  Main.  Grog 
is  the  Liquor  of  Life.  [Song.]  The 
Words  by  ilr.  Green.  W[iniam]  N[apier  : 
London,  1756  ?]  s.  sh.  fol.  G.  316.  (168.) 
Y^e  Lads  and  ye  Lasses  so  buxom  and 
clever.  Patrick's  Day  in  the  Morning. 
A  favorite  Irish  Song.  Str[aight]  cO 

SMillern  :  London,  Yill  ?]     s.  sh.  fol. 

G.  314.  (52.) 

Y'e  Lads  &  ye  Lasses  y'  live  at  Longleat. 
A  Song  made  on  a  Gentlemans  sitting 
upon  a  Cremona  Fiddle.  [Words  attri- 
buted to  Dean  Swift.]  [London, 
1730?]  s.sh.tol.  G.  305.  (149.) 
[Another  copy.]  G.  314.  (7.) 
[Another  edition.]  Ye  Lads  &  ye  Lasses 
v'  live  at  Longleat,  etc.  [London, 
1730?]     s.sh.  fol.            H.  1601.  (550.) 

2  z 


706 


YE 


YE.    Ye  Lasses  so  gay  who  now  sport  on 
the  Plain.     Ballad.     See  Blewitt  (J.) 
Y''ee  little  Loves  that  hourly  waite.    Song. 
See  Vanbrughe  (G.) 

Y"e  Lovers  of  Ditties  attend.  The  Queer 
Mouth'd  Family  . . .  set  to  the  Old  Woman 
cloathed  in  Gray.  The  Little  a, :  [London, 
1780  ?]     s.  sh.  fol.  G.  314.  (90.) 

Ye  lovers  of  frolick  come  list  to  my  tale. 
The  Trimmers.  A  Humourous  Ballad  . . . 
being  a  true  account  of  the  manner  in 
which  the  Wife  of  the  EeV^  Doctor  *  *  *  * 
was  deprived  of  her  Forelock.  Sir[aight'] 
d-  Sk[illerii:  London,  1775?]     s.  sh.  fol. 

Q.  314.  (81.) 
Ye  maids  our  lesson  bear  in  mind.  Song. 
See  DiBDiN  (0.)  [The  Talisman.] 

Ye  ]Medley  of  Mortals  that  make  up  this 
Throng.      The  Masquerade  Song.      Sung 
by   Mr.   Beard,   at    the   Jubilee   Ball    at 
Ranelagh.     [By  W.  Defesch.] 
[Lo7idoji,  1749.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  V.,  p.  49. 

Ye  medley  of  mortals  that  make  up  this 
throng.  The  Masquerade  Song.  Sung 
by  Mr.  Beard,  at  Ranelagh.  [By  W. 
Defesch.]     [London,  1749.]     8". 

249.  c.  19. 
Gentleman's  Magazine,  Vol.  XIX., p.  371. 
Ye  Medley  of  Mortals  that  make  up  this 
Throng.  The  Masquerade  Song.  Sung 
by  Mr.  Beard  at  Ranelagh.  [By  W. 
Defesch.]     [London,  lli9?]     s.  sh.  iol. 

G.  305.  (174.) 
[Another  copy.]  G.  314.  (24.) 

[Another  edition.]  Ye  Medley  of  Mortals 
that  make  up  this  Throng.  TheMasqucrade 
Song,  etc.  [By  W.  Defesch.]  [London, 
1750?]     s.  s7i.fol.  G.  316.  f.  (119.) 

[Another  copy.]  H.  1994.  b.  (108.) 

Ye  merry  hearts  that  love  to  Play  at 
Cards.     [Song.]  [London, 

1710  ?]     s.  sh.  fol.  G.  305.  (247.) 

Ye  Minutes  bring  the  Happy  Hour.  Song. 
See  PuRCELL  (D.)  [The  Funeral.] 
Ye  Monarchy  haters.  TJie  Loyal  Health: 
occasion'd  by  His  Majesties  most  Happy 
Deliverance  from  the  late  . . .  Conspiracy, 
by  the  Fire  at  Newmarket.  (Joy  to  th' 
bonny  bold  Britains.  Loyalty  Triumph- 
ant:  ox,  Phanaticism  Displayed.)  [Songs.] 
Printed  for  C.  Corbet : 
[London,]  1684.  fol.  11630.  fF.  2.  (9.) 
Ye  mortals  that  love  drinking.  Song. 
See  James  (J.) 

Y^e  Mortals  whom  Fancies  and  Troubles 
perplex.  Song.  See  Lethe. 
Ye  Mortals  whom  trouble  and  Sorrow 
attend.  The  Charms  of  the  Bottle.  [Song.] 
Sung  by  Mr.  Dearl  at  Finch's  Grotto 
Gardens  the  Words  by  Young  D'Urfey. 
[London?-,  1765  ?]    s.sh.iol.     G.  314.  (44.) 


YE.  Ye  Nymphs  and  Rural  Swains.  The 
Force  of  May,  [Song]  to  the  Tune  of  the 
Fairys.  The  Words  by  A.  Bradley. 
[London,  lllbr]  s.  sh.  iol.  G.  314.  (3.) 
Y^e  Nymphs  and  Swains,  come  join  with 
me.  A  Pastoral  Ode  in  Praise  of  Peace. 
The  Words  by  F.  Forrest.  [London, 

1760  ?]     s.  sh.  fol.  G.  316.  (169.) 

Ye  Nymphs  and  Swains  that  attend. 
The  Faivning  Sioain.  [Song.]  Set  for 
the  German  Flute.  [Loyidon, 

1735  ?]     s.  sh.  fol.  G.  316.  f.  (139.) 

Y'e  Nymphs  and  Sylvian  Gods.     Song. 
See  EccLES  (J.)     [Don  Quixote.    Part  II.] 
Ye  njTiiphs  and  ye  shepherds.     Advice  to 
the  Ladies.     [Song.]     [London,Vtm.]     8". 

P.P.  5441. 
Royal  Magazine,  Vol.  XV.,  p.  100. 
Ye  nymphs  who  inhabit  the  plain.     Song. 
Sec  Hudson  (R.) 

Y"e  nymphs  who  to  the  throne   of  love. 
Song.     See  Howard  (S.) 
Y'e  Powers  who  taught.     Song. 
See  Webbb  (S.)  the  Elder. 
Ye   Prigs  who   are    troubled    with   Con- 
science's Qualms.     Song. 
See  Provoked  Wipe. 
Ye    Quid-nuucs   &    Politic    Asses.      The 
Parliament   Man.     [Song.]     Sung  at  the 
Mask'd   Ridotto  at   the   King's   Theatre, 
etc.  A[braha.m]  P[ortal : 

London,  1780  ?]    s.  sh.  fol.     G.  314.  (91.) 

Y'e  Rakes  and  ye  Beaus.    Song.    See  R.,  D, 

Y"e  ruling  Pow'rs.  The  Lover's  Wish.  A  New 
Song.    [London,  1765.]  8".     P.P.^5438.  z. 

Universal    Magazine,    Vol.    XXXVII., 
p.  372. 
Y'e  rural  Swains  who  never  knew.    A  Neio 
Song,  the  Words  by  Mr.  John  D. .  .s  upon 
the  loss  of  his  Mistress.  [London, 

1720  ?]     s.  sh.  fol.  G.  305.  (307.) 

Ye  Sacred  Muses  now  attend.     Song. 
See  Davies  (R.) 

Ye  Saints  and  servants  of  the  Lord.  Hymn. 
[Words  from  Tate  and  Brady's  Version  of 
the  Psalms.]     [London,  1778.]     8°. 

P.P.  716.  b. 

Gospel  Magazine,  Sept.,lllS. 
Ye  Scamps,  ye  Pads,  ye  Divers.     Song. 
See  Choice  of  Harlequin. 
Ye   Shepherds   and   Nymphs.      The   Dis- 
pairing  Shepherd.     A  Song. 
[London,  1758.]     8°.  158.  1.  3. 

Lojidon  Magazine,  1758,  p.  204. 
Ye  Shepherds   and   Nymphs.     The   True 
Lover,  [Song,]  Set  for  y"  German  Flute. 
[London,  1735  ?]     s.  sh.  fol. 

G.  316   f.  (117.) 

Y'e  Shepherds  give  ear  to  my  iay.  The 
faithless  Nrjmph.  [Song,  the  words  by 
W.  Shenstone.]     [London,  1760  ?]     fol. 

G.  314.  (68.) 


YE 


707 


YE.      [Another   setting.]      Ye   Shepherds, 
give  ear  to  my  Lay.     Song. 
See  Stevenson  [Sir  J.  A.) 
Ye   Shepherds  that  frequent  the  Groves. 
A  Pastoral  Elegy.  I.  F[entti~\m  : 

[Lojidon,  11  SO?]   s.sh.iol.    G.  314.  (88.) 
Ye  Shepherds  ye  Nymphs  and  ye  Swains. 
Song.     See  Gaudry  (R.) 
Ye   Silvan  Pow'rs  that   rule   the    Plain. 
Duett.     See  Abeams  (H.) 
Ye  Sluggards.    A  Favourite  Hunting  Song. 
Sung  by  Mr.  Vernon  at  Vairxhall. 
[E.  Falkener :  London,  1775  ?]     fol. 

H.  1994.  a.  (133.) 
Ye  Sons  of  England  take  your  Arms.  A 
British  Allans  Enfans  de  la  Patrie  [Song] 
...Adapted  for  the  Piano  Forte,  Harp, 
Harpsichord,  German  Flute  &  Guitar. 
Printed  for  J.  Dale:  London,  [1798?]    fol. 

G.  376.  (46.) 
Ye  sons  of  France  awake  to  glory.  The 
Marseilles  March,  as  Sung  by  the  Mar- 
seillois  going  to  Battle,  &  by  General 
KeUerman's  Army,  instead  of  Te  Deum, 
being  ordered  so  by  the  National  Conven- 
tion, etc.  [Words  and  music  by  C.  J. 
Rouget  de  Lisle.]  J.  Bland  : 

London,  [1792  ?]     fol.  G.  360.  (58.) 

Ye  sons  of  Israel  now  lament.     Song. 
See  Haendel  (G.  F.)     [Samson.'\ 
Ye  Sons  of  the  Bottle.     Bacchus' s  Invita- 
tion.   [Song.]    The  Words  by  a  Gentleman, 
set  by  an  Eminent  Master.  {London, 

1740?]     s.sh.iol.  G.  314.  (60.) 

Ye   Sons  of  the  Platter  give    Ear.     An 
Excellent  Neiu  Good  Eating  Song. 
[London,  1730  ?]     s.  sh.     fol. 

H.  1994.  b.  (110.) 
Y^e  Sons  of  true  Courage.  The  English 
Heroes.     A  Loyal  Song.  Sk^llern: 

London,  11807]  s.sh.iol.  G.  314.  (54.) 
Ye  Sportsmen  draw  near.  Tally  Ho,  a 
favourite  Hunting  Song,  etc.  Anne  Lee  : 
[Dublin,  1780  ?]  fol.  H.  1601.  a.  (90.) 
Ye  spotted  Snakes.  Glee. 
See  Eaele  (W.  B.) 

[Another   setting.]     Ye    spotted    Snakes. 
Glee.     See  Stevens  (R.  J.  S.) 
Ye   strangers  and   natives,  to  our  Exibi- 
tion.     The  Celestial  Bed.     [Song.] 
ILondon,  1780  ?]   s.  sh.  fol.    G.  314.  (85.) 
Ye  streams  that  round  my  Prison  creep. 
Song.     See  Storage  (S.)     ILodoiska.] 
Ye  swains  that  are  courting  a  maid.     ^-1 
Neiu    Song.     Sung  by  Miss  Stevenson  at 
Vaux-Hall.     [London,  1748.]     8^ 

157.  1.  10. 
London  Magazine,  1748,  p.  376. 
Ye  swains  that  are  courting  a  maid.     A 
Song  .  .  .  Sung    by    Miss    Stevenson,    at 
Vaus-HaU.     [London,  1748.]     8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  III.,  p.  86. 


YE.     Ye  Swains  that  are  courting  a  Maid 
[Song.]     Sung  by  Miss  Stevenson. 
[London,  1760  ?]     s.  sh.  fol. 

G.  314.  (21.) 
Ye  swains  who  possess  the  rich  treasure. 
Song.  See  Hayes  (W.)  [Circe.] 
Ye  thirsty  Souls  who  love  to  drink.  A 
Bacchanalian  Song  [words]  by  Mr.  J. 
James.     [London,  1780  ?]     s.  sh.  fol. 

G.  305.  (131.) 
Ye  tradeful  merchants.     Sonnet. 
See  Greene   (M.)      [Sj^enser's  Ainoretti. 
Sonnet  IV.] 

Ye  true  British  Sportsmen.     Song. 
See  Hook  (J.) 

Ye   true   honest   Britons.     A  Neio   Song. 
Sung  by  Mr.  Beard,  etc. 
[London,  1757.]     8".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XXL,  2}-  87. 

Ye  verdant  HiUs.     A  neio  Song.     [From 

G.  F.  Handel's  '  Susanna.'] 

[Lo7idon,  1756.]     8°.  158.  1.  1. 

Loiulon  Magazine,  1756,  p.  896. 
Ye  verdant  hills.     Song.    » 
See  Haendel  (G.  F.)     [Susanna.] 
Ye  Virgin  Powers.     Rondo. 
See  Smith  (T.) 

[Another  setting.]  Ye  virgin  pow'rs  de- 
fend my  Heart.   [Song.]   See  Howard  (S.) 

[Another    setting.]      Ye    Virgin    pow'rs 
defend  my  heart.     Song. 
See  Whichello  (A.) 

Ye  Virgins  attend.  A  Neio  Song  [by  W. 
Yates].  Sung  by  Mr.  Gilson,  at  Vauxhall. 
[London,  1764.]     8°.  P.P.  5438.  z. 

Universal     Magazine,    Vol.     XXXIV., 
p.  374. 
Ye  Virgins  attend.      A   Neiu   Song,   etc. 
[By  W.  Yates.]     [London,  1764.]     8^ 

P.P.  5440. 

Universal  Museum,   etc..    Vol.   III.,  p. 

589. 

Y^e  Virgins  attend.    A  Neio  Song  [by  W. 

Yates].    Sung  by  Mr.  Gilson,  at  Vaux  hall. 

[London,  1767.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XL.,  p.  150. 
Ye  Virgins  of  Albion  attend.     Song. 
See  Hudson  (R.) 

Ye  Virgins  of  Britain,  who  wisely  attend. 
The  Virgin's  Monitor.     [Song.]     Sung  by 
Mr.  Vernon,  this  season,  at  Vaux  hall. 
E.  Falkener  :  London,  [1775  ?]     fol. 

H.  1994.  a.  (124.) 
Ye  Virgins  who  do  listen.  The  Unnatural 
Parent,  or  the  Virgin's  last  Resolve. 
[Song.]  Sung  by  Mr.  Beard  at  Ranelagh. 
[London,  1750?]      s.  sh.  fol. 

G.  314.  (26.) 
[Another    edition.]     Ye   Virgins  who    do 
listen.     The  Unnatural  Parent,  etc. 
[London,  1750  ?]     s.  sh.  fol. 

H.  1994.  b.  (111.) 
2  z  2 


708 


YE— YON 


YE.  Ye  Virgins  who  do  listen.  The  Un- 
natural Parent,  or  the  Virgin's  last  Resolve. 
[Song.]  Sung  by  Mr.  Beard,  at  Ranelagh. 
[London,  1752.]     8°.         ^    P.P.  5438.  z. 

Universal  Magazine,  Vol.  XI.,  p.  77. 
Ye  Virgins  who  do  listen.    The  Utmatural 
Parent,    or    the     Virgins     last     Resolve. 
[Song.]     Sung  by  IMr.  Beard  at  Ranelagh. 
[London,  1757.]   s.  sh.  8".    P.P.  5439.  ab. 

Neio  Universal  Magazine,  August,  1757. 
Ye  Vot'ries  of  Venus  and  Bacchus  attend. 
Bagniggc  Wells.    A  Song. 
[London,  1759.]     8°.  158.  1.  4. 

London  Magazine,  1759,  p.  332. 
Ye    warblers     sweet     no    longer    roam. 
Florella's  hivocation.      A   Favorite   New 
Pastoral  Song  sung  by  Mr.  Brett. 
J.  Fcntum  :  [London,  1780  ?]     fol. 

G.  314.  (42.) 

Ye  warblers  while  Strephon  I  moan. 
Phillis'  Complaint.  [Song.]  [Lo7idon, 
1750  ?]     s.  sh.  fol.  G.  316.  c.  (40.) 

Ye  warblers,  while  Strephon  I  moan. 
Phillis's  Co^nplaint.     [Song.] 

Printed  for  S.  and  J.  Exshaw  : 
Dublin,  1752.     s.  sh.  8°.  P.P.  5108. 

London  Magazine,  June,  1752. 
Ye    warblers,   while    Strephon    I    moan. 
Phillis's  Complaint.     [Song.]       [London, 
1752,]     8°.  249.  e.  22. 

Gentleman's    Magazine,     Vol.     XXII., 
p.  279. 
Ye  winds  that  sighing  fill  the  air.     Song. 
See  Weldon  (J.)    [The  Fair  Unfortzmate.] 
Ye  Woods  with  grief.     [Trio.] 
See  Beoderip  (R.) 

Ye  works  of  God  on  him  alone.  Part  of 
the  Bcnedicite,  paraphrased  by  M""  Merick, 
Adapted  [for  four  voices]  to  a  French 
Melody.     [London,  1795  ?]     fol. 

G.  807.  a.  (9.) 
Ye  Zephyrs  sweet  that  fan  the  May.  The 
Complaint.  [Song.]  Sung  by  Mrs. 
Weichsell.  S[a.muel  and]  A[nn'] 

T[ho7npson :  London,  1778.]     s.  sh.  fol. 

^       ^  G.  314.  (84.) 

Ye  Zephyrs  where's  my  blushing  Rose. 
Song.     See  Stevenson  {Sir  J.  A.) 

YEAR.  The  Year  Fifty-Nine.  [Song.] 
See  Come.  Come  all  ye  brave  Britons. 
[1759.]     s.  sh.  fol.  G.  316.  d.  (73.) 

The  Year  1762.     [Song.]      See  'Tis.     'Tis 
the  Genius  of  Britain,  etc. 
[1762.]    s.  sh.  fol.  G.  312.  (181.) 

YELIiOW-HAIRED.    The  Yellow  hair'd 
Laddie.     [Soug.]^  See    In.     In   April  w" 
Primroses  paint  y  sweet  plain. 
[1720  ?]     s.  sh.  fol.  H.  1601.  (259.) 

[Another    edition.]      The   Yellow    Hair'd 
Laddie.     [Song.]     See  In.     In  April  when 
primroses  paint  the  sweet  Plain. 
[1765  ?]     s.  sh.  fol.       H.  1994.  a.  (186.) 


YEOMANS  (  )  The  Generous  Swain. 
[Song.]    [London,  1760.]    8°.    P.P.  5140. 

Lady's  Magazine,  Vol.  II.,  p.  177. 
The  Generous  Swain,  etc.     [Song.] 
[London,  1760?]     s.sh.iol. 

G.  316.  d.  (77.) 

YES.  l"es  Cloe  I'm  ty'd  to  obey  your 
Commands.  John  A.  Nokes's  parting 
with  Cloe.     [Song.]  [London, 

1720?]     s.  s7i.  fol.  H.  1601.  (548.) 

Yes,  ev'ry  flower  that  blows.     Song. 
See  Hudson  (R.) 

Yes  Henry,  yes,  with  thee  I'll  go.     [Song.] 
See  Wilton  (C.  H.) 
Yes  I'll  give  my  Heart  away.     [Song.] 
See  May  Day. 
Yes,  I'm  in  Love.     [Song.] 
See    Haendel    (G.    F.)      [6.   Duets  and 
Single  So^igs.] 

Yes,  I  will  go  with  thee  my  love.  [Song.] 
The  Answer  to  0  Nancy  wilt  thou  go  with 
me,  with  an  Accompaniment  for  the  Piano 
Forte  or  Harp.     [By  E.  S.  Biggs.] 

Printed  for  R.  Birchall :  London, 
[1800?]    fol.  G.  805.  k.  (45.) 

Yes  1  my  bonny  Love,  the  Answer  to 
Come  my  bonny  Love,  a  Duett,  with  an 
Accompaniment  for  the  Piano-Forte  [by 
E.  S.  Biggs].  Printed  for  R.  Birchall : 
London,  [1798  ?]     fol.  G.  354.  (58.) 

Yes  these  are  the  Scenes.     [Song.] 
See  Hook  (J.) 

Y"es,  yes,  be  merciless.     Song. 
See  Chaed  (G.  W.)     [Pizarro.'] 
[Another  setting.]    l^es !   yes!   be  merci- 
less.    Scene.     See  Salomon  (J.  P.) 
Yes,  yes,  fair  friend,  I  freely  grant.    [Song.] 
See  Twiss  (     )     Two  Songs.     No.  2. 

YESTERDAY.     Y'esterday.     Ballad. 

See  Haigh  (T.) 
YET.    Yet  awhile  sweet  Sleep  deceive  me. 

[Song.]     See  Cymon. 

Y'et  stay,  fair  Lady.     [Glee.] 

See  Callcott  (J.  W.) 

YEUX.     Les  yens  parlent,  mais  c'est  en 
vain  que  Ton  me  vante.     Chanson  Nou- 
velle.     Air  :  On  compteroit  les  Diamaus. 
[Paris,  1780?]     8°.  B.  362.  c.  (8.) 

YIELDING.     Yielding  Fanny.     [Song.] 
See  Festing  (M.  C.) 

YO.     Yo  1  heave  ho  !     [Song.] 

See  DiBDiN  (C.)     [A  Tour  to  the  Land's 

End.] 

Yo  Yea,  or  the  Friendly  Tars.     [Song.] 

See  DiBDiN  (C.) 

l"o  yo  yo.     Song.     See  Hark.     Hark  the 

Boatswain  hoarsely  bawling,  etc. 

[1780?]     s.  s7i.  fol.  G.  308.  (159.) 

YOW.    Yon  Cot  by  the  Sea.     [Song.] 
See  C,  M. 


YONGE-YOU 


709 


YONGE  (Nicholas)  Musica  Trausalpina. 
Cantus.  (Altus.)  (Tenor.)  (Bassus.) 
(Quiutus.)  (Sextus.)  IMadrigales  trans- 
lated of  foure,  fine  and  sixe  parts,  chosen 
out  of  diners  excellent  Authors,  with  the 
first  and  second  part  of  La  Yerginella, 
made  by  Maister  Byrd,  vpon  two  Stanz's 
of  Ariosto,  and  brought  to  speake  English 
with  the  rest.  Published  by  N.  Yonge, 
in  fauour  of  such  as  take  pleasure  in 
Musick  of  voices.  Thomas  East,  the 

assiqni  of  ^Y.  Byrd  :  London,  1588.    4°. 

K.  3.  k.  19. 

The  composers  of  this    collection    are : 

N.   Faignent,    O.  de  Macque,   G.  P. 

Prenestino,  B.  Donato,  F.  di  Monte, 

M.   A.    Pordenone,   G.   de    Viiert,    C. 

Verdonch,  L.  Marenzio,  0.  di  Lasso, 

A.   Ferabosco,   G.   Ferretti,   S.  Felis, 

G.  Palestina,  B.  del  Melle,  L.  Bertany, 

G.    Conversi,  G.   B.   Pinello  and  W. 

Byrd. 

IMusica    Trausalpina.      Cantus.      (Altus.) 

(Tenor.)     (Bassus.)     (Quintus.)     (Sextus.) 

The  Second  Booke  of   Madrigalles,  to  5. 

and  6.  voices :   translated  out  of  sundrie 

Italian  Authors  &    newly  published    by 

N.  Yonge.    6  pts.    Thomas  Estc:  London, 

1597.     40.  K.  3.  k.  20. 

The    composers  of  this    collection  are : 

H.  Vecchi,  A.  Ferabosco,  G.  Eremita, 

G.  Croce,  L.  Quintiani,  L.  Marenzio, 

G.  M.  Nanino,  S.  Venturi,  B.  Palavi- 

cino,  A.  Fcliciane  and  A.  Bicci. 

YORICK.     Yorick  at  the  Grave  of  Maria. 
[Song.]     See  Carnaby  (W.) 
Yorick's  Fille  de  Chambre.     [Song.] 
See  Haydn   (F.   J.)     [3.  /.    Symphonies. 
B.  £  H.  No.  53.     Minuet.] 

YORK.  York  Waits.  [Song.]  See  In. 
In  a  Winters  Morning.    [1710  ?]    s.  sh.  fol. 

H.  1601.  (247.) 

YORKSHIRE.     A  Yorkshire  Tale. 
[Song.]     See  Leveridge  (R.) 

YORKSHIRE  MUSICAL  MISCEL- 
LANY. The  Yorkshire  IMusical  Miscel- 
lany ;  comprising  an  Elegant  Selection  of 
the  Most  Admired  Songs  in  the  English 
Language,  set  to  Music.  E.  Jacobs  : 

Halifax,  ISOO.     4.".  C.   463. 

YOSLINGTON  (  )  An  Answer  to  the 
Free  Mason's  Health,  from  the  London 
Journal.  [Song,  the  words  by  M.  Burk- 
head.l     [London,  1725  ?]     s.  sh.  fol. 

H.  1601.  (177.) 
0  mine  awn  Jenny.     A  New  Scotch  Song. 
[London,  1720?]     s.  sh.  fol. 
^  H.  1601.  (358.) 

[Another  edition.]     0  mine   awn   Jenny, 
etc.     [London,  1720  •>]     s.  sh.  fol. 

^  G.  310.  (192.) 


YOSLINGTON  (  )  The  Second  Part  of 
the  Tipling  Philosophers.  [Song,  words 
by  E.  Ward.]  ILondon, 

1715?]    s.  sh.  fol.  H.  1601.  (513.) 

Tlie   first  part    loas    composed    by    E. 
Leveridge. 
[Another  edition.]     The   Second  Part  of 
the  Tipling  Philosophers,  etc.       [London, 
1720?]     s.sh.iol.  1.530.(186.) 

YOST  (Michel)     See  Michel  (J.)  pseud. 

YOU.  You  ask  if  her  I  love  the  most. 
[Song,  by  J.  Hook.]  Sung  by  Mr.  Vernon. 
[Welcker:  London,  1115.']     fol. 

G.  314.  (76.) 

Fro7n  Welcker's  Sixth  Book  of  Hook's 

Yauxhall  Songs  for  1775. 

You  ask  me  dear  Jack.    Punch  an  Emblem 

of  the  Medium  of  Life.    [Glee  for  3  voices, 

music  by  T.  A.  Arne.] 

Printed  for  S.  Babb:  [London, 
1780?]     fol.  G.  314.  (41.) 

You  ask  me  why.  Somebody  II.  A  Song, 
with  an  Accompaniment  for  the  Piano 
Forte  or  Harp  ;  the  Words  by  the  author 
of  "  My  Love  to  War  is  going  "  [i.e.  Mrs. 
Opie,  music  by  E.  S.  Biggs].  E.  Birchall : 
London,  [1796 ?]     fol.  G.  356.  (60.) 

You  ay  mon  fifr6,  pren  ton  tambourin. 
Noel.    [Paris,]  1740.   s.  sh.  4".     298.  b.  8. 

Mercure  de  France,  Dec,  1740. 
You  bid  me.  Charming  Celia.     [Song.] 
Sec  Greene  (M.) 

You  bid  me  Fair  conceal  my  Love.  Triie 
Love,  to[o]  Mighty  to  be  conceaVd.  A  New 
Song,  sung  by  Miss  Falkner  at  Mary 
Bone  Gardens.  See  Chloe.  Chloe,  or 
the  Musical  Magazine,  etc.  No.  55. 
[1760?]     fol.  G.  433. 

[Another  setting.]  You  bid  me,  fair, 
conceal  my  love.  Song.  See  Hudson  (R.) 
You  bid  me  write  my  Charming  Dove. 
Flora.  [Song.]  Adapted  for  the  Harpsi- 
cord.  Violin,  German  Flute,  and  Guittar. 
P.  E[vans  :  London,  1780?]     s.  sh.  fol. 

G.  314.  (107.) 
You  have  warlike  Britons.  A  Ncto  Song. 
In  Honour  of. .  .Capt.  Hood,  Commander 
of  the  Vestal  Frigate.    [I/onrfon,  1759.]    S". 

P.P.  5441. 
Eoyal  Magazine,  Vol.  I.,  p.  147. 
You  brave  warlike  Britons.     A  Neio  Song 
in  Honour  of  the  brave  Cap'  Hood,  etc. 
[London,  1759.]     s.  sh.  fol. 

G.  316.  f.  (131.) 

You    Butchers    of    Clare    Market.      The 
Choice  of  all  the  Market.     [Song.] 
[London,  1730  ?]     s.  sh.  fol. 

G.  316.  f.  (153.) 

You  find  from  the  beginning.  TJie  Old 
Batchelofs  advice  to  all  young  Batchelors. 
[Song.]     [LoTCrfon,  1720  ?]     s.sh.iol. 

H.  1601.  (543.) 


710 


YOU— YOUNG 


YOU.     You  fly  and  yet  you  love.     Song. 
See  Baekett  (J.)  Organist. 

Gr.  304.  (184.) 
You  Gentlemen  of  Ingland.  The  Valiant 
Sailor,  etc.     [Lmdon,  1735  ?]     s.  sh.  fol. 

G.  316.  f.  (140.) 
[Another  setting.]  You  Gentlemen  of 
England.  The  Valiant  Sailors.  A 
favourite  Sea  Song.  Sk\illern  :  London, 
1780?]     s.  s7i.  fol.  G.  314.  (109.) 

[Another    edition.]     You    Gentlemen    of 
England.     A  favourite  Sea  Song. 
John  Lee :  DzMin,  [1780  ?]     s.  sh.  fol. 

H.  1601.  b.  (34.) 
[Another  setting.]  You  Gentlemen  of 
England.  Glee.  Sec  Callcott  (J.  W.) 
You  Girls  so  pretty.  A  New  Song  by 
.  Cap'  I.  R.  The  weeping  Widdows  and 
young  Buxom  Lasses  invitation  to  Durd- 
ham  Down  camp.  To  the  Tune  of  ye 
Beaux  of  Pleasure,  [London, 

1710?]     s.sh.M.  G.  305.  (11.) 

[Another  copy.]  G.  314.  (4.) 

You  Lads  of  Hybernia  that's  fond  of  true 
pleasure.  Lango  Lee.  A  favorite  Irish 
Song.  Str[aight]  d  Sk[illcrn :  London, 
1775?]     s.sh.M.  G.  314.  (108.) 

You  Ladyes  who  are  young  and  gay. 
Song.  See  Eccles  (J.)  [The  Morose 
Reformer.'] 

You'll  conquer  your  Man.     Song. 
See  Hook  (J.) 

You'll  wonder  sage  Doctor.  The  Gambler. 
[Song.]  L[ongman]  d;  Blroderijy :  London, 
1780?]    s.sh.iol.  G.  314.  (110.) 

Y"ou  lov'd  and  I  was  blest.     Song. 
See  CosTELLOw  (T.) 

l^ou  may  do  as  you  will.     [Song.]     Sung 

by  Mr.  Vernon  at  Vauxhall. 

B.  Falkener  :  London,  [1775  ?]     fol. 

H.  1994.  a.  (111.) 
You  may  sing  of  your  Waggoners,  Plough- 
boys  and  Watchmen.  The  L'ish  Newsman. 
[Song.]  Sung  by  Mr.  Dighton  at  Sadlers 
Wells. .  .Written  by  T.  Dibdin. 

Longman  and  Broderip  :  London, 
[1795?]     fol.  H.  2818.  f.  (18.) 

You  noble  Lords  of  high  Degree.  Capt. 
Johnsons  last  Fareivel ;  who  ivas  arraigned 
for  being  assisting  in  the  stealing  a  young 
Heiress  [Mary  Wharton]  . . .  [Ballad]  To 
the  Time  of  Russel's  Farewel. 

Printed  for  Charles  Bates  :  [London, 
1690.]  s.  sh.  fol.  Case  39.  k.  6.  (17.) 
The  music  is  represented  by  a  meaning- 
less succession  of  notes,  dc. 
Y^'ou  Nymphs  that  would  true  pleasure 
learn.  T]ic  Country  Wife's  Complaint,  etc. 
[Song.]     [London,  1735  ?]     s.  s/j.  fol. 

G.  316.  f.  (152.) 
You're  welcome,  dear  Youth,  as  the 
Flowers  in  Slay.     Song.     See  Hook  (J.) 


YOU.  Y"ou  shou'd  not  come  near  me. 
Song.     See  Hook  (J.) 

You  spotted  snakes  with  double  tongues. 
Song.  See  Smith  (J.  C.)  [The  Fairies.] 
You  tell  me  Dick  you  lately  read.  A  new 
Song  the  words  by  Mr.  Estcourt. 
[London,  1712  ?]  s.  sh.  fol.  G.  314.  (33.) 
You  tell  me  I'm  handsome.  The  Judicious 
Fair.  A  Song. . .  Sung  by  ]\Iiss  Stevenson. 
[London,  1750.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  VI.,  p).  81. 
Y'ou  tell  me  I'm  handsome.  The  Judicious 
Fair.  [Song.]  Sung  by  Miss  Stevenson. 
See  Chloe.  Chloe,  or  the  Musical  ]Maga- 
zine,  etc.  No.  42.  [1760  ?]  fol.  G.  433. 
You  tell  me  my  Cloe  Inconstant  is  grown. 
The  Constant  Shepherd.     [Song.] 

C[harles  and]  S[amuel]  T[hompson  : 
London,  1770  ?]     s.  sh.  fol. 

G.  314.  (105.) 
You  that  delight  in  a  Jocular  song.  The 
wanton  Virgins  Frighted.  A  New  Song, 
etc.  [Words  by  T.  D'Urfey.]  [London, 
1710  ?]     s.  sh.  fol.  H.  1601.  (539.) 

You  tell  me  that  life  has  its  sorrow.  Neiv 
Song.  Sung  by  Mr.  Owenson,  at  Vaux- 
hall-Gardens.     [London,  1770.]     8°. 

250.  c.  17. 

Gentleman's  Magazine,  Vol.  XL.,  p.  432, 
Y'ou  twice  ten  hundred  Deities.     Song. 
See  PuRCELL  (H.)     [The  hidian  Queen.] 
You've    certainly  heard   of   that    gallant 
Commander.     The  City  Militia.     [Song.] 
P.  H[odgson  :  London,  1780  ?]     s.  sh.  fol. 

G.  314.  (111.) 
You've  heard  it,  and  read  it,  a  Million 
times.  Tlie  Misgrounded  Compassion. 
[Song.]     [lyonJo;;.,  1770  ?]     s.sh.iol. 

G.  314.  (113.) 
Yo[u']ve  told  me  what  Beauty  appears  in 
my  face.  ^4  new  Song.  The  words  by 
Mr.  Boyce.     [London,  1755.]     8°. 

157.  1.  17. 

I-iondon  Magazine,  1755,  ^.  588. 
You've  told  me  what   beauty  appears  in 
mv  face.    A  Song,  sung  by  Mrs.  Hooper 
at'  Sadlers  WeUs.     The    Words    by  Mr. 
Boyce.     [London,  1755  ?]     s.  sh.  fol. 

G.  314.  (112.) 
You  whom  cruel  Sylvia  charms.     Song. 
See  Blow  (J.) 

You  wrong  me,  Sylvia,  when  you  cry. 
Song.     See  Blow  (J.) 

YOULL  (Henry)  Canzonets  to  Three 
Voyces,  etc.  Cautus.  (Altus.)  (Bassus.) 
3  pts.  Thomas  Este,  the  assigneof  William 
Basley:  London,  1608.    4".    K.  3.  k.  21. 

YOUWG.      Y^oung     Arabella,     mamma's 
care.     Arabella  ;  or,  the  Sisters.     [Song.] 
Sung  by  Mr.  Vernon  at  Vaux-Hall. 
[London,  1767.]     8".  P.P.  5441. 

Eoyal  Magazine,  Vol.  XVI.,  p.  269. 


YOUNG 


711 


YOUTsTG.  Young  Arabella,  IMamma's  Care. 
Arabella  or  tlie  Sisters.  [Song.]  Sung  by 
Mr.  Vernon  at  Vaux-Hall.  [London, 

1770  ?J     s.  sh.  fol.  G.  314.  (64.) 

Y'oung    CeUa    once    the    blithest    maid. 
Celia  and  Strephon.     A  New  Song. 
[Londo7i,  1763.]     8°.  P.P.  5441. 

Royal  Magazine,  Vol.  IX.,  p.  100. 
Young    Celia    once    the    blithest    maid. 
Celia  and  Strephon.     A  New  Song. 
[London,  17G3.]     8".  P.P.  5140. 

Lady's  Magazine,  Vol.  V.,p.  585. 
Young  Colin.     [Song.]     See  To.     To  court 
me  Young  Colin  came  many  a  mile. 
[1779.]    s.  sh.  fol.  G.  312.  (230.) 

Young  Colin  once  as  bly  the  'a  Swain.  A 
New  Song.     [London,  1758.]     8°. 

250.  k.  17. 

B.   Martin's    Miscellaneous    Correspon- 
dence, etc..  Vol.  II.,  p.  799. 
Young  Colin  stole  my  Heart  away.     Song. 
See  Fields.     The  fields  were   green  the 
hiUs  were  gay,  etc. 

[1780?]    s.sh.iol.  G.  312.  (119.) 

Young  Colin,  t'other  Day.     Song. 
See  Hudson  (R.) 

Young  Colin  the  blithest  upon  the  gay 
Green.  The  Shepherd's  Resolution. 
[Song.]  Within  Compass  of  the  German 
Flute.     [By  J.  Dunn.]  [London, 

1760  ■?]     s.  s7f.  fol.  G.  314.  (101.) 

Young  Colin  was  the  bonniest  Swain. 
False  Collin.     [Song.]  [London, 

1750?]     s.  sh.  fol.  G.  316.  c.  (41.) 

Young  Colin  was  the  bonniest  Swain. 
A  New  Song.  Sung  by  Miss  BurchaU,  at 
Vauxhall.     [Londoii,  1751.]     8". 

P.P.  5438.  z. 

Universal  Magazine,  Vol.  IX.,  p.  126. 
Young  Corydon  and  Phillis  sat.     [Song.] 
See  Clarke  (J.) 
Young  Cupid  I  find.     Song. 
See  Leveridge  (fl.) 

Young  Damon  once  the  happiest  Swain. 
Ballad.     See  Gbano  (J.  B.) 
Young  Damon  pride   of    all    the    Plain. 
Damon,  a  Scotch  Ballad.  Blundcll : 

[iojuZore,  1780?]   s.sh.iol.     G.  314.  (94.) 
Young  Damon   strives  my  Love  to  gain. 
Young  Damon.     [Song.]     To  a  Favourite 
Air  sung  by  Miss  Brent  at  Vaux-hall. 
[London,  1765  ?]     s.  sh.  fol. 

I.  530.  (187.) 
Young   Damon   strives  my  love  to  gain. 
Young  Damon,  [Song,]  to  a  favourite  Air 
sung  by  Miss  Brent  at  Vaux-hall. 
[London,  1767.]     8°.  P.P.  5441. 

Royal  Magazine,  Vol.  XVII. ,  p.  213. 

Y'oung   Damon   strives   my  love  to  gain. 
Young   Damon,   [Song,]   to    a    Favourite 
Air  sung  by  Miss  Brent  at  Vauxhall. 
[London,  1767.]     8°.  158.  1.  12. 

London  Magazine,  1767,  p.  422. 


YOUNG,  l^'oung  Damon  was  a  shepherd 
boy.  Glee.  See  Brooks  (J.) 
Y^'oung  Damon  was  whistling  brisk  and 
gay.  Song.  See  Hook  (J.) 
The  Yoimg  Damsels  Courage  and  Con- 
quest. [Ballad.]  See  Soldier.  A  Souldier 
from  Flanders,  e^c.    [1695?]    s.sh.iol. 

Case  39.  k.  6.  (27.) 
Young  Dorilas,  an  artless  swain.     Young 
Dorilas.     A  Song.      [Music  by  J.  Dunn, 
words  by  —  Smithies.] 
[1750  ?]     s.  sh.  fol.  G.  314.  (22.) 

Young  Dorilas,  an  artless  swain.     Young 
Dorilas.     A  new  Song  [by  J.  Dunn]. 
[London,  1753.]     8».  157.  1.  15. 

London  Magazine,  1753,  p.  382. 

Y^'ouug  Dorilas,  an  artless  swain.     Young 
Dorilas.     A  Song  [by  J.  Dunn]. 
[London,  1754.]     8".  P.P.  5438.  z. 

Universal  Magazine,  Vol.  XV.,  p.  28. 

[Another  setting.]  Y'oung  Dorilas  an 
artless  Swain.  Dorilas  and  Daphne. 
[Song,  by  J.  Hook.]  [London, 

1770?]    s.  s7i.  fol.  1.530.(188.) 

Y'oung  Dorilas.     [Song.] 
See  Dunn  (J.) 

Y'oung  Hobbinol  (the  blithest  swain). 
Hohbinol,  a  New  Song.  Sung  by  Mr. 
Beard  at  Ranelagh  Garden.  [By  R. 
Davies.]  [London,  1751.]  Q°.  157.  1.  13. 
London  Magazine,  1751,  jj.  179. 

Yormg  Hobbinol,  the  blithest  Swain. 
Hobbinol.  A  New  Song.  Sung  by 
Mr.  Beard,  at  Ranelagh  Gardens.  [By 
R.  Davies.]     [London,  1751.]     8". 

P.P.  5438.  z. 
Universal  Magazine,  Vol.  VIII.,  p.  173. 
Y''oung  I  am  and  yet  unskill'd.     Song. 
See  EccLES  (J.)     [Love  Triumphant.'] 
Young    Innocence  whom    Beauty  arms. 
Song.     See  Hall  (H.) 
Y^oung  Jamie  lov'd  me  weel.     Atdd  Robin 
Gray,  with    the   New  &  much  admir'd 
Tune.     [By  W.  Leeves.] 
John  Lee  :  Dublin,  [1785  ?]     s.  sh.  fol. 

H.  1601.  a.  (69.) 
Young  Jenny  I  lov'd.     Song. 
See  Hudson  (R.) 

Young  Jenny  one  morning  her  pruning 
knife  took.  Alas  !  young  Jenny,  ah !  ivhy 
did  you  fall.     [Song.] 

/.  [d]  G.  V[ogler :  London, 
1770  ?]     s.  sh.  fol.  G.  314.  (82.) 

Young  Jockey  blith  at  early  dawu.    Siveet 
smells  the  Birk.   A  Celebrated  New  Scotch 
Song  sung  by  Mrs.  Kennedy,  etc. 
John  Lee  :  Dublin,  [1780?]     s.  sh.  fol. 

H.  1601.  a.  (67.) 
Young  Jockey  he  courted  sweet  Mog. 
3Iog  the  Brunette.  [Song.]  Sung  by  Mr. 
Dibdon  at  Ranelagh.  [London, 

1770?]     s.sh.iol.        H.  1994.  b.  (113.) 


712 


YOUNG 


YOUNG.  Young  Jocky  he  courted  sweet 
Moggy  so  fair.  Jockij  and  Moggy.  A 
New  Song.     [London,  1764.]     8°. 

P.P.  5438.  z. 
Universal    Magazine,     Vol.     XXXIV., 
p.  318. 
Y^'oung  Jockey  is  the  Lad.     [Song.] 
Sec  By.     By  Tweed's  clear  Stream,  cic. 
[1780?]    s.  sh.  fol.        H.  1601.  a.  (64.) 
Young  Jockey  sought  my  Heart  to  win. 
Prithee  Fool  be  quiet.     Scotch  Song,  etc. 

C[harles  and]  S[anmel]  T[liompson  : 
London,  1770  ?]     s.  sh.  fol. 

G.  314.  (96.) 

Young  Jockey   was    the   blithest   Swain. 
Absent  Jockey.     [Song.] 
S[amuel,']  A\nn  and]  P[etcr]  T[hom]pson  : 
London,  1780  ?]     s.  sh.  fol. 

G-.  314.  (79.) 
Young  Jockey  who  teaz'd  me.     [Song.] 
Siong  by  Miss  Stevenson  at  Vaux-Hall. 
[London,  1750  7]    s.  sh.  tol. 

G.  316.  f.  (121.) 

Young  John  the  Gard'ner.  The  Gardner's 
Delight.     [Song.]  [London, 

1735?]     s.sh.iol.  G.  316.  f.  (149.) 

Young  Lubin  was  a  Shepherd  Boy.  Song. 
See  LiNLEY  (T.)  the  Elder.  [The  Carnival 
of  Venice.] 

Young  maidens  take  care.  Advice  to 
young  Maidens.     [Song.]  [London, 

1730?]     s.sh.iol.  G.  314.  (102.) 

[Another  copy.]  G.  305.  (264.) 

This  coinj  is  mutilated. 
The  Young  Man's  Caution.     [Song.] 
See  Weale  (G.) 

The  Young  Man's  Wish.     [Song.] 
See  GoLLETT  (R.) 

Y'oung  Molly  who  lives  at  the  Foot  of  the 
Hill.  The  Lass  with  the  delicate  Air. 
[Song.]  Sung  by  Mr.  Lowe.  [London, 
1760  ?]     s.  sh.  fol.  G.  316.  f.  (134.) 

[Another  setting.]  Young  Molly  who 
lives  at  the  foot  of  the  hill.  The  Lass 
tvith  the  delicate  Air.  A  new  Song  [by 
M.  Arne].     [London,  1762.]     8°. 

P.P.  5438.  z. 

Universal  Magazine,  Vol.  XXXI.,  }).  95. 

Young  Orpheus  tickled  his  Harp  so  well. 
The  Dcvill Charm' dioith  Twinkum  Twank- 
um  and  Uridice  Released  out  of  Hell  for 
an  old  Song.     [Song.]  [London, 

1735  ?]     s.  sh.  fol.  G.  305.  (160.) 

[Another  copy.]  H.  1601.  (540.) 

[Another  edition.]  Y'oung  Orpheus  tickled 
his  Harp  so  well.  Tlie  Devill  charm'd 
with  Twinkum  Twankum,  etc.  [London, 
1735  ?]     s.  sh.  fol.  G.  316.  f.  (122.) 

Young  Patty.      [Song.] 
See  Defesch  (W.) 

Young  Philander  woo'd  me  long.  Song. 
See  PuECELL  (D.) 


YOUNG.     Young  Phillis  one  morning.    A 

New  Song  [by  W.  Boyce].  Sung  by  Miss 
Davies  at  Vauxhall.     [London,  1763.]    8°. 

P.P.  5140. 

Lady's  Magazine,  Vol.  V.,2^.  673. 
Young  Phillis  one  morning.    ^4  Neio  Song 
[by  W.  Boyce].     Sung  by  Miss  Davies  at 
Vaus-hall.     [London,  1763.]     8'\ 

P.P.  5441. 

Royal  Magazine,  Vol.  IX.,  p.  211. 
Young  Phillis  one  Morning.    A  Neio  Song. 
[By  W.  Boyce.]     [London,  1764.]     8°. 
^    ^  P.P.  5438.  z. 

Universal     Magazine,      Vol.     XXXV., 

■     p.  152. 
Young  Phillis  one  Morning.     [Song.] 
See  Boyce  (W.) 

Y'oung  Philoret  and  Celia  met.     Song. 
See  Carey  (H.) 

Young      Philoret,      the     am'rous     Boy. 
PJiiloret  and  Aurelia,  dc.     [Song.] 
[London,  1750  ?]     s.  sh.  fol. 

G.  305.  (266.) 

Y^oung  Roger  of  the  Yale.  Roger  and 
Nell.     [Song.]  [London, 

1730  ?]     s.  sh.  fol.  G.  314.  (15*.) 

[Another  edition.]  Young  Roger  of  the 
Vale,  etc.     [London,  1730  ?]     s.  sh.  fol. 

G.  316.  f.  (135.) 
Young  Strephon  once  the  blithest  swain. 
Strephon  and  Chloe.  [Song,  by  E.  Miller.] 
[Lojidon,  1764.]     8°.  P.P.  5441. 

Royal  Magazine,  Vol.  X.,p.  45. 
Y'oung  Strephon  once  too  vainly  thought. 
The  Convert.     A  New  Song. 
[London,n66.]     8°.  P.P.  5441. 

Royal  Magazine,  Vol.  XIV.,  p.  269. 

Y'oung  Strephon  once  too  vainly  thought. 
The  Convert.    A  New  Song. 
[London,  nm.]     8°.  ^P.P.  5438.  z. 

Universal    Magazine,    Vol.   XXXVIII., 
p.  150. 
Young  Strephon  the  Gay.     A  Neiv  Song. 
[London,  1760?]  s.  sh.  fol.    G.  314.  (100.) 

Y'oung  Strephon,  who  through  ev'ry  Grove. 
Hymen  in  Chains.  [Song.]  Set  for  the 
German  Flute.    [London,  1735  ?]   s.  sh.  fol. 

G.  316.  f.  (132.) 
Young  Strephon  woo'd  me  long  before. 
Tit  for  Tat.  [Song.]  Sung  by  Mrs. 
Dennis  at  Sadlers  Wells.  [  London, 

1770  ?]     s.  sh.  fol.  G.  316.  (170.) 

Young  Thyrsis.  A  New  Song  [begins  : 
'  Young  Thyrsis,  sure  the  blithest  swain  ']. 
[London,  1772.]     8°.  P.P.  5438.  z. 

Universal  Magazine,  Vol.  L.,p.  204. 
Young  Thirsis,  once  the  JoUiest   Swain. 
The  Lover  of  Liberty.     [Song,  the  music 
by  S.  Howard.]  [Lo^idon, 

1745  ?]     s.  sh.  fol.  G.  314.  (17.) 

[Another  copy.]  G.  303.  (21.) 

[Another  copy.]  G.  305.  (309.) 


YOUNG— YOUTH'S   DELIGHT 


713 


YOUNG.      The  Young   Traviller's   Com- 
plaint. [Song.] 

See  Johnson  (A.)  Song-Writer. 
Young  whining  Fops  [of  Love  complain. 
Advice   to  Fops.     A  New  Song.     [Words 
by  J.  Uarnam,  music  by  —  Fosster.] 
[London,  1725  ?]  s.  sh.  fol.    G.  305.  (265.) 
[Another  copy.]  G.  314.  (35.) 

Young  Willy.     Song. 
See  Wrighten  (      )  Mrs. 

YOUNG    (Anthony)      Belladyna's    blyth 
and  pretty.     ^4  New  Scotch  Song,  etc. 
[London,  1710  ?]     s.  sh.  fol. 

G.  306.  (242.) 

[Another  copy.]  G.  303.  (73.) 

Bright  Teraminta  cross'd  the  Grove,    A 
Cantata  the  Words  by  Mr.  Carey,  etc. 
[London,  1725  ?]     fol.        G.  306.  (178.) 
Give  me  but  a  freind  and  a  Glass,  boys. 
A  New  Song.     [London,  1720?]     s.  s/i.  fol. 

G.  308.  (10.) 
The  Reproach.  [Song.  Words  by  J- 
Donne.]  Set  by  Mr.  Anthony  Young. 
(Mr.  Leveridge's  Tune.)  [London, 

1720?]    s.  sh.ioh  G.  311.  (76.) 

[Another  edition.]     The  Reproach,  etc. 
[Lo7idon,  1720  ?]     s.  sh.  fol. 

H.  1601.  (405.) 

[Another  edition.]     The  Reproach,  etc. 
Cluer :  London,  [1720  ?]      s.  sh.  fol. 

G.  316.  g.  (54.) 
The  shy  Shepherdess,  etc.     [Song.] 
[London,  1720  ?]     s.  sh.  fol. 

H.  1601.  (421.) 
[Another  edition.]  The  shy  Shepherdess, 
etc.     [London,  1725  ?]     s.  sJi.  fol. 

G.  311.  (60.) 

[Another  copy.]  G.  315.  (112.) 

Silvia  Delia  Sweetest  pair.  To  the  Agree- 
able Memory  of  two  Sisters  who  liv'd  and 
died  together.     [Song.]  [London, 

1730?]    s.s7i.  fol.  G.  311.  (72.) 

Suits  of  Lessons  for  the  Harpsicord  or 
Spinnet  in  most  of  the  Keyes  with  Variety 
of  Passages  and  Variations  throughout 
the  Work,  etc. 

Printed  for  I.  Walsh  and  I.  Hare  : 
London,  [1720?]  fol.  g.  443.  b.  (31.) 
While  at  your  feet  I  Sighing  lye.  A  So7ig, 
etc.     [London,  1720  ?]     s.  sh.  fol. 

G.  313.  (32.) 
With  arts  oft  practic'd  and  admired. 
[Song.]  Tlie  Words  by  a  Toimg  Lady, 
etc.     [London,  1715  ?]     s.  sh.  fol. 

G.  313.  (73.) 
YOUNG  (Charles)    A  Pastoral  Courtship. 
[Song.]     The  words  by  Mr.  R.  Dyer,  etc. 
[London,  1710  ?]     s.  sh.  fol. 

H.  1601.  (172.) 
[Another  edition.]  A  Pastoral  Courtship, 
etc.     [London,  niO?]     s.sh.iol. 

G.  316.  g.  (31.) 


YOUNG    (Charles)      The  Vocal   Grove. 
See  When.     When  y=  bright  God  of  day, 
etc.     [Music  by  C.  Young.] 
[1705  ?]     s.  sh.  fol.  G.  313.  (24.) 

[Another   edition.]      The    Vocal    Grove. 
[Song.]     The  Words  by  Mr.  W.  :Monlass. 
[London,1110?]  s.sh.iol.  G.  316.  f.  (72.) 

YOUNG  (i\lATTHEw)  An  Enquiry  into 
the  Principal  Phsenomena  of  Sounds  and 
^Musical  Strings.  Printed  for  G.  Robinson : 
London,  1784.     8°.  1042.  i.  19. 

YOUR.  Your  Bards  of  old.  John  Gilpins 
Journey  to  Bagshot-Hcath  Camp.  Being 
a  New  Ballad  in  the  Old  Stile,  written 
by  G.  S.  Carey,  etc.  J.  Bland  :  London, 
[1792?]     fol.  G.  360.  (56.) 

Your  Eyes,  Belinda,  you  disarm.  Song. 
See  CouRCO  (  )  [The  Ladies'  Visiting- 
Day.-\ 

Your  Hay  it  is  mow'd.     Song. 
See  PuRCELL  (H.)     [King  Arthur.'] 
Your  Melancholly's  all  a  folly.     We  have 
been    Bantered  &  Bubbl'd  ct   Cheated  £ 
Banter'd  cO  Bubbl'd.     A    Song.     [Words 
attributed  to  J.  Swift.]  [London, 

1712  ?]     s.  sh.  fol.  G.  314.  (34.) 

[Another  edition.]  Your  melancholly's 
all  a  folly.  A  Neiv  Song  by  an  Emminent 
Master.     [London,  1112?]     s.sh.iol. 

H.  1601.  (535.) 
Your  jMinstrel  asks  a  Subject's  Tear.     Air. 
See  Reeve  (W.)     [Joan  of  Arc] 
Your  Poets  write  Songs  as  their  Fancies 
suggest.     A  Song  of  Songs.  [London, 

1710  ?]     s.  sh.  fol.  G.  305.  (250.) 

Your  praises  of  London  are  surely  a  joke. 
Country  and  Town.  [Song.]  Sung  by 
Mr.  Dignum. .  .being  an  answer  to  Capt° 
Morris's  "Town  and  Country."  Some- 
times Sung  to  the  same  Tune  of  Derry 
down.  Longman  &  Broderip  : 

London,  [1795  ?]     fol.  G.  249.  (55.) 

Your  words  O  King !     Song. 
See  Haendel  (G.  F.)     [Saul] 

YOUTH.     Youth  and  Age.     Duet. 
Sec  GiORDANi  (G.)  or  (T.) 
Youth  and  Beauty.     [Song.] 
See  Harris  (J.) 

A  Youth,  belov'd  by  all  the  Plain.  Song. 
See  Hudson  (R.) 

Youth  of  the  gloomy  brow.     Glee. 
See  Callcott  (J.  W.) 
The  Youth's  Desire.     [Song.] 
Sec  Luis  (D.) 

YOUTH'S  DELIGHT  ON  THE 
FLAGELET.  Youth's  Delight  on  the 
Flagelet  the  second  part.  Containingthe 
newest  Lessons  with  easier  Directions 
than  any  heretofore.  Being  the  9'"  edi- 
tion with  Additions  of  y=  best  &  newest 
Tunes,  etc.  John  Clarke  : 

[London,  1690  ?]     obi.  16".        K.  4.  a.  8. 


714 


YOUTH'S   DELIGHT— ZACHAKIIS 


YOUTH'S  DELIGHT  ON"  THE 
FLAGELET.  Youth's  Delight  on  the 
riagelet  the  Third  Part.  Containing  y" 
newest  Lessons  with  easier  Directions 
than  any  heretofore.  Being  y""  11''' 
Edition  w"'  Addition  of  y"  best  &  newest 
Tunes.  Printed  for  lolin  Hare  : 

[London,-]  1697.     obi.  IG".        K.  4.  a.  7. 

YSERMANS  (Joak)  Triumphus  Cupidi- 
nis.  In-houdende  veel  schoou  stichtighe, 
en  seer  vermaeckelijcke  Liedekens,  eu 
andere  ghedichten,  etc.  (Encomium 
Matrimonii.  In-houdende  een  Bruy-loft 
Spel,  Epithalamien  ende  sommighe  Liede- 
kens, etc.)    (Nederlantsche  Poemata.    In- 


houdende  sommighe  Sonetten,  Liedekens, 
Graf-dichten  ende  andere,  etc.)     3  pts. 
Byde  Wcduwe  Jacob  Mesens  :  V Antiverpen, 
1628.     obi.  4".  11555.  a.  45. 

There  is  a  general  title  {engraved) 
'  Triumphus  Cupidinis.  Door  loan 
Ysermans.'  Each  part  has  a  separate 
title-page,  but  the  pagination  is  con- 
tinuous. Ysermans  is  tJie  author  of 
the  toords  ;  the  music  consists  of  popu- 
lar tunes. 

YSO    (  )      Lettres    sur    la    Musique 

Fran(;oise.     En   reponse   a   celle  de  J.-J. 
Rousseau.     [By  —  Yso  ?]     1754.     S" 
See  Rousseau  (J.  J.)      1103.  b.  22.  (8.) 


Z.,    D.,    Mademoiselle.     Lucette  &  Lucas. 
Com6die    en   un    acte   en    prose    par   W 
Forgeot. .  .Mise  en  Musique  par  M""  D.  Z. 
[i.e.  Plorine  Dezede.     Full  Score.] 
Chez  Des  Lauriers  :  Paris,  [1781.]     fol. 

H.  455. 

Z.,  D.,  Monsieur.  Alexis  et  Justine.  Com6die 
Lyrique  en  deux  Actes  . . .  par  M.  D.  Z. 
[i.e.  N,  Dezede.  Full  Score.]  Ch4s  Des 
Lauriers  :  Paris,  [1783.]  fol.  H.  522. 
L'Erreur  d'un  IMoment,  ou  la  Suite  de 
Julie.  Comedie  en  un  Acte  par  M.  Monvel, 
mise  en  musique  par  M.  D.  Z.  [i.e.  N. 
Dezede.]  Gravee  par  le  S''  Huguet,  etc. 
[Full  Score.]  Clies  M.  Houbaut : 

Paris,  [1773.]     fol.  H.  522.  b. 

Julie.  Comedie  en  trois  Actes,  par  M. 
Monvel... Mis  en  musique  par  M.  D.  Z. 
[i.e.  N.  Dezede.]  Gravee  par  le  S"  Huguet, 
etc.     [Full  Score.]  Che's  M.  Houbaut : 

Paris,  [1772.]     fol.  G.  637. 

Les   Trois   Fermiers.     Comedie  en  deux 
Actes,   en   Prose  .  .  .  Par   M"   D.   Z.   [i.e. 
N.   Dezede.l     Oeuvre   iv. ...Les    Parolles 
de  M.  Monvel.     [Full  Score.] 
Chez  le  S'  Houbaut :  Paris,  [1777.]     fol. 

G.  637.  a. 

ZACCONI  (LoDOVico)  Pratica  di  Musica 
Utile  et  Necessaria  si  al  Compositore  per 
Comporre  i  Canti  suoi  regolatamente,  si 
anco  al  Cantore  per  assicurarsi  in  tutte  le 
cose  cantabili.  Diuisa  in  Quattro  Libri. 
Nei  quali  si  tratta  delle  Cantilene 
Ordinarie,  de  Tempi  de  Prolationi,  de 
Proportioni,  de  Tuoni,  &  della  conuenienza 
de  tutti  gli  Istrumenti  INIusicali.  S'  insegna 
a  cantar  tutte  le  composition!  antiche,  Si 
dichiara  tutta  laMessadel  Palestina  titolo 
Lome  Arme  con  altre  cose. .  .diletteuole, 
etc.  Apiiresso  Girolamo  Polo  :  Yenetia, 
1592.     fol.  786.  L  43. 

Prattica  di  Musica,  etc.     ms.  notes. 

Appiresso  Bartolomeo  Carampcllo  : 
Yenetia,  1596.    fol.  61.  f.  2. 


ZACCONI  (LoDOVico)  Prattica  di  Musica 
Seconda  Parte.  Diuisa,  e  distinta  in 
Quattro  Libri.  Ne  quali  ...  si  tratta 
de  gl'  Element!  Musical!  . . .  De  Con- 
trapunti  semplici,  &  artificios!  . . .  e  poi 
mostrandosi  come  si  faccino  i  Contrepunti 
doppij  ...  e  ...  Si  mostra  . . .  come  si  con- 
tessino  pin  fughe  sopra  !  predetti  Canti 
fermi,  &  ordischino  Cantilene  a  due,  tre, 
quattro,  e  piu  voci,  etc.  Appresso 

Alessandro  Yincenti  :  Yenetia,  1622.     fol. 

785.  1.  22. 

ZACHARIAE  (Justus  Feiedrich 
Wilhelm)  Night  Thoughts  on  a  Church 
Yard,  by  Zacharite,  from  the  German. 
Originally  Composed  by  the  Author,  and 
brought  into  the  present  form  of  a 
Fantasy,  by  I.  W.  Haessler.  Printed  for 
the  Editor :  London,  [1792  ?]     fol. 

H.  2826.  c.  (19.) 
Sammlung  Einiger  Musicalischeu  Yer- 
suche,  etc.     2  Th.  Braunschiocig, 

(1760-1.)     obi.  fol.  E.  25. 

See  EoLLE  (J.  F.)      Gedor...In  Clavier- 
auszug  gebracht  von  Zacharia,  etc. 
1787.     obi.  fol.  F.  384.  f. 

ZACHARIIS  (C^SAR  de)  lutonationes 
Vespertinarura  Precum  una  cum  Singu- 
lorum  Tonorum  Psalmodiis  (quae  vulgo 
Falsi  bordon!  dicuntur)  Quatuor  Vocum. 
Pra3terea  Hymn!  Quinque  Vocum  de 
Tempore  per  totum  Annum  nuper  numeris 
Musicis  astricti  . . .  Cum  regula  eorundem 
pro  temporis  varietate  accipiendorum. 
Secundum  ritum  Romanum,  Bamberg- 
ensem,  Constantiensem,  &  Augustanum, 
etc.     Primus  Tomus.  \_Adamus  Berg  : 

Monachii,]  1594.     fol.  K.  9.  b.  11. 

Wanting  the  last  leaf,  which  has  been 

supplied  in  MS.     The  Hymns  have  a 

separate    title-page    and    pagination. 

This  volume  is  one  of  Berg's  series 

*  Patrocinium  Musices,' 


ZACHOV— ZANNETTI 


715 


ZACHOV  (Peter)  and  IVEN"  (Hans) 
Klahre  Andeutung,  Und  wahre  Anleitung 
zur  Nachfolge  Christi,  . . .  Aus  des  Thomas 
von  Kempen  dreien  Biichern  .  .  .  ausge- 
fiihret,  Auch  mit  xxxviii  Audachts- 
Liedem,  und  fast  so  viel  neuen  Melodeien 
[by  P.  Zachov  and  H.  Iven]  ausgezieret, 
. . .  Durch  Christian  von  Stokken,  etc. 

Geclrukkt  durch  Tobias  Schmidtcn  : 
Ploen,  1678.    8°.     I.  X.  Germ.  16.  (1.) 

ZADOK.  Zadok  the  Priest.  Coronation 
Anthem.     See  Haendel  (G.  F.) 

ZAENGGEL  (Narcissus)    See  Zanggel. 

ZAIDE.     Zaide.     Ballet  Heroique. 
See  ROYER  (J.  N.  P.) 

ZAi'S.     Un  Amant  doit  tout  se  permettre. 
Air  de  Zais  [by  J.  P.  Rameau]. 
Recoquilliie  :  [Paris,']  1769.     s.  sh.  8". 

297.  e.  26. 

Mercurc  de  France,  August,  1769. 
Que  Tamour  seul  soit  votre  maitre.     Air  j 
de  Zais  [by  J.  P.  Rameau].     RicociuilliAe  : 
{Paris,']  1769.     s.  sh.  8».  297.  e.  26. 

Mercure  de  France,  Sept.,  1769. 
Zais.     Ballet  Heroique. 
See  Rameau  (J.  P.) 

ZALAOR.     Zalaor.    Oper. 
See  ZuMSTEEG  (J.  R.) 

ZALLAMELLA  (Pandulphus)    (Cantus) 
(Altus)     (Tenor)     (Bassus)     (Quintus)     di 
Musica  R.  Domini  Pandulphi  Zallamellae 
Quinque    Canenda    Vocibus     nuper 
impressa.     5  pts.  Apud  Angelum 

Gardanum:  re7ietiis,  1582.    4°.    D.  1069. 

Z  AN  AID  A.     Zanaida.     Opera. 
See  Bach  (J.  C.) 

ZANATA   (DoMENico)     Salmi  Spezzati  a 
quattro  Voci  da  Capella  per  le  Domeniche 
della  Quaresima . . .  Opera  Settima.    Canto. 
(Alto.)     (Tenore.)     (Basso.)     4  pts. 
ba  Gioseppe  Sala  :  Vcnctia,  1715.     4°. 

D.  91. 

Suonate  da  Chiesa  a  3.  Strumenti,  due 
Violini,  e  Violoncello,  col  Basso  per  1' 
Organo  .  .  .  Opera  Prima,  etc.  Violino 
Primo  (Secondo).  (Violoncello.)  (Organo.) 
4  pts.  Per  Pietro  Maria  Monti : 

Bologna,  1689.     4°.  d.  13. 

ZANATTA  (DoMENico)     See  Zanata. 

ZANETTI  (Francesco)     See  Zannetti. 

ZANG-  EN"     SPEEL-OEFFENING. 

Zang-  en  Speel  -  OefEening,  zeer  dienstig 
voor  die  zig  aan  den  Zang  of  Speelkunst 
begeeveu.  Waar  by  gevoegd  zyn  eenige 
fraaije  Zang-  Stukjes.  [By  J.  van  Elsland.] 
H.  van  Hulkenroy  en  .  .  .  Aaron  van 
Etdkenroy  :  Haarlem,  [ll'BO  7]     8". 

11755.  aa.  31.  (1.) 


ZANGGEIj  (Narcissus)  Cantiones  Sacrfe, 
quas  vulgo  Missas  appellant,  Sex  et  Octo 
Vocibus,  cfc.  Discantus.  (Altus.)  (Tenor.) 
(Bassus.)     (Quinta  Vox.)     5  pts. 

Leonhardus  Formica:   Vicnnm  Austrix, 
1602.     obi.  4°.  A.  574. 

ZANGITJS  (NicoLAUs)  Harmonia  Votiva 
pro  Felici  Fato  Illustrissimi  . . .  Domini 
Dn.  Christiani  Secundi  Electoris  Saxoniae, 
etc.  (Cantus  Primus  (Secundus)  (Altus), 
(Bassus)  primi  Chori.)  (Cantus  (Tenor) 
secundi  Chori.)  6  pts.  Nicolaus  Zipserus  : 
Budissime,  1602.    fol.  G.  19. 

Kiirtzweilige  Newe  Teutsche  Weltliche 
Lieder  mit  vier  Stimmen,  etc.  [Prima 
Vox.]  Secunda  (Tertia)  (Quarta)  Vox. 
4  pts.  Gedruckt. .  .durch  Gerardum 

Greuenbruch :  Collen,  1603.   fol.    C,  272. 
The  Prima  Vox  is  imperfect,  ivanti7ig  all 
sig.  A  (4  leaves). 

ZANI  (Andrea)  XII  Sonate  a  Violino 
solo  e  Basso  da  Camera . . .  Opera  Terza. 
Grav6e  par  M"""  Michelon.  Chez  M'-  Le 
Clerc  :  Paris,  [1740  ?]  fol.  g.  29.  (1.) 
Sonate  12  a  Violino  e  Basso  Intitolate 
Pensieri  Armonici. .  .Opera  Quinta. 
Vienna,  1735.     fol.  h..  3860. 

Sonate  a  Violino  e  Basso ...  Opera  Sexta. 
Grave  par  le  S'  Hue.  Chez  Madame 

Boivin  :  Paris,  [1745  ?]     fol.     g.  29.  (2.) 

ZANNETTI  (Francesco)  Sei  Quintetti 
per  Tre  Violini,  Violoncello  Obligate  e 
Basso  Repieno.  ..Opera  Seconda.  [Separate 
Parts.]  P-  Bremner  :  London, 

[1770  ?]     fol.  g-  434. 

Sis  Solos  for  a  German-Flute  or  Violin 
with  a  Thorough  Bass  for  the  Harpsicord. 
Printed  for  Thorowgood  and  Home  : 
London,  [1770?]     fol.  g.  71.  f.  (11.) 

[Six  Solos  for  a  German-Flute  or  Violin. 
No.  III.]  A  Favourite  Solo  for  the 
Violin... as  perform'd  by  Signora  Lom- 
bardini  Sirmen.  Printed  for 

H.  Thoroivqood  :  London,  [1772  ?]     fol. 

g.  420.  b.  (8.) 
Six  Sonatas  for  two  Violins  with  a 
Thorough  Bass  for  the  Harpsichord. 
[Separate  Parts.]  Printed  for 

A.  Hummell :  London,  [1770  ?]     fol. 
j  h.  2851.  e.  (6.) 

I        Six  Sonatas   for  the    Harpsichord    with 
1       Accompaniment  for  a  Violin.        Wclcker  : 
London,  [1775  ?]     fol.  g.  223.  i.  (2.) 

Six  Sonatas  for  Two  Violins  and  a  Bass. 
[Op.  I.  Separate  Parts.]  B.  Bremner  : 
London,  [mo?]     fol.  g.  434.  a. 

[Another  edition.]  Six  Sonatas  for  two 
Violins  and  a  Bass. .  .Opera  I.  [Separate 
Parts.]  Printed  for  R.  Bremner  : 

London,  [1775  ?]     fol.       g.  409.  a.  (10.) 


716 


ZANNETTI— ZAUBERFLOETE 


ZANNETTI  (Feancesco)  Six  Sonatas 
for  Two  Violins  and  a  Bass ...  Opera  iii. 
[Separate  Parts.]  Printed  for  E.  Brcniner  : 
London,  [1770  ?]     fol.  g.  434.  b. 

Six  Sonatas  for  two  Violins  and  a  Bass 
with  a  Thorough  Bass  for  the  Harpsichord 
. .  .Opera  Quarto.     [Separate  Parts.] 
B.  Bremner  :  London,  [1775  ?]     fol. 

g.  420.  g.  (5.) 

ZANNI  (Andrea)     See  Zani. 

ZANNI  (GiOYAN]s"i)  Six  Sonatas  for  two 
Violins  and  a  Violoncello  with  a  Thorough 
Bass  for  the  Harpsichord.  Compos'd  by 
Sig'  Zanni,  Sig'  Zimmerman,  Sig'  Anetti, 
Sig"'  Rozelli  &  Sig"'  Aragoni.  [Separate 
Parts.]  Printed  for  C.  and  S.  Thompson  : 
London,  [1770  ?]     fol.       g.  409.  a.  (11.) 

ZANOTTI  (Camillo)  Madrigalia  tarn 
Italica  quam  Latina,  noua  prorsus, 
Quinque,  Sex,  et  Duodccim  Vocibus  dis- 
criminata,  etc.  Tenor.  (Quinta  Vox.) 
2  pts.  Li  officina  typograpMca  Catharinx 
GerlacMie  :  Noribergi*',  1590.     obi.  4°. 

A.  576. 

ZANOTTI  (Feancesco  Maria)  Lettere 
del  Sig.  Francesco  Maria  Zanotti  del 
Pad.  Giambatista  Martini  ...  del  Pad. 
Giovenale  Sacchi. .  .nelle  quali  si  propon- 
gono,  e  risolvono  alcuni  dubbj  appartenenti 
al  trattato :  Delia  divisione  del  Tempo 
nella  Musica,  nel  Ballo,  e  nella  Poesia 
pubblicato. .  .I'anno  1770. . .  ;  e  all'  altro  : 
Delle  Quinte  successive  nel  Contrappunto, 
6  delle  regole  degli  accompagnamenti, 
pubblicato . . .  I'anno  1780. 

Nella  Stamperia  de'  Fratelli  Pirola  : 
Milano,  1782.     4°.  557*.  e.  6.  (2.) 

ZAPATA  (Maurizio)  Ristretto,  ouero 
Breue  Discorso  Sopra  le  Regole  di  Canto 
Fermo,  etc.  Per  Giuseppe  daW  Oglio, 

e  Ippolito  Eosati  :  Parma,  1682.     4°. 

7897.  f.  14. 

ZAPPA  (Francesco)  Sei  Trio  a  due 
Violini  e  Basso . . .  Opera  prima.  [Separate 
Parts.]     [The  Hague?  1700?]     fol. 

g.  242.  (7.) 
Six  Trios  a  deux  Violons  avec  la  Basse,  etc. 
[Separate  Parts.]  Welckcr  :  London, 

(1765.)    fol.  h.  2851.  e.  (7.) 

Sei  Trio  a  Due  Violini  e  Basso . . .  Opera 
Seconda.     [Separate  Parts.]  Welckcr  : 

London,  [1770  ?]     fol.  h.  2899. 

Six  Trios  a  deux  Violons  avec  la  Basse . . . 
0[e]uvre  iv.  [Separate  Parts.]  Welcker  : 
London,  [1770  ?]     fol.  g.  409.  (12.) 

ZAPP ANNUS  (Hercules)  Ad  Vesperas 
in  Totius  Anni  Solemnitatibus.  Dauidica 
Psalmodia  Quaternis  concinenda  vocibus. 
Cum  Cantico  B.  Virginis,  etc.     Tenor. 

Ainul  Eiciardtim  Amadinum  :  Venetiis, 
1588.     4°.  D.  1070. 


ZAPPASORGO  (Giovanni)  Napolitane 
a  Tre  Voci.  Libro  Primo. .  .Nuouamente 
ristampate.  Basso.  Apprcsso  V  Herede 
di  Hieronymo  Scotto  :  Vineggia,  1588.     8°. 

B.  306.  (1.) 
II  Secondo  Libro  delle  Napolitane  a  Tre 
Voci. .  .Nouamente  ristampate.     Basso. 

Appresso  V  Herede  di  Hieronymo  Scotto  : 
Vineggia,  1582.     8°.  B.  306.  (2.) 

ZARLINO  (GiosEFFO)  De  Tutte  1'  Opere 
del  R.  M.  Gioseffo  Zarlino. .  .ch'  ei  scrisse 
in  buona  lingua  Italiana ;  gia  separata- 
mente  poste  in  luce ;  hora  di  nuouo 
corrette,  accresciute,  &  migliorate,  insienie 
ristampate.  H  Primo  Volume.  Contenente 
r  Istitutioni  Harmoniche,  etc.  (II  Secondo 
Volume.  Contenente  le  Dimostrationi 
Harmoniche,  etc.)  (Sopplimenti  Musicali 
. . .  Terzo  Volume.)  (II  Quarto,  &  Ultimo 
Volume.  Contenente  il  Trattato  della 
Patientia,  etc.)     4  vols.  Appresso 

Francesco  de'  Franceschi  Scncse  :  Venetian 
1589.     (1588.)     fol.  785.  1.  13-14. 

The    '  Sopplimenti    Musicali,'   forming 
Vol.  III.,  is  dated  1588. 
[Another  copy.]  59.  d.  17,  18. 

Dimostrationi  Harmoniche. .  .Nelle  quali 
realmente  si  trattano  le  cose  della  Musica  : 
&  si  risoluono  molti  dubij  d'  importanza, 
etc.  Per  Francesco  de  i  Franceschi  Senese : 
Venetia,  1571.     fol.  7895.  g.  4. 

[Another  copy.]  785.  1.  12.  (2.) 

Le  Istitutioni  harmoniche. .  .Nelle  quali ; 
oltra  le  materie  appartenenti  alia  Musica  ; 
si    trouano    dichiarati    molti    luoghi    di 
Poeti,  d'  Historici,  &  di  Filosofi,  etc. 
Venetia,  1558.     fol.  785.  1.  12.  (1.) 

Le  Istitutioni  Harmoniche,  etc. 

Appresso  Francesco  Senese  :  Venetia, 
1562.     fol.  786.  1.  22. 

Istitutioni  Harmoniche,  etc. 
Appresso  Francesco  de  i  Franceschi  Senese: 
Venetia,  1573.     fol.  7896.  g.  25, 

Sopplimenti  Musicali  . . .  Ne  i  quale  si 
dichiarono  molte  cose  contenute  ne  i  Due 
primi  Volumi,  delle  Istitutioni  &  Dimos- 
trationi..  .Terzo  Volume. 
Ajjpresso  Francesco  de'  Franceschi,  Sancse : 
Venetia,  1588.     fol.  785.  1.  12.  (3.) 

See  Artusi  (G.  M.)  Impresa  del  molto 
R.  M.  Gioseffo  Zarlino,  etc.     1604.     8°. 

557*.  c.  19. 
See  Galilei  (V.)     Discorso. .  .intorno  all' 
opere  di  messer  Gioseffo  Zarlino,  etc. 
1589.    8°.  7897.  aa.  67. 

See  ROEE  (C.  de)  Motetta. .  .cum  Tribus 
Lectionibus  pro  Mortuis,  loscpho  Zerlino 
Auctore.     1503.     ohl.  4°.  A.  70.  o. 

ZAUBERFLOETE.      Die    Zauberfiote. 
[Oi^era.]     *S'c't;  Mozart  (W.  A.) 
Der   Zauberfloete    zweiter    Theil.      Eine 
grosse  Oper.     Sec  Winter  (P.  von)  \_Das 
Labyrinth.'] 


ZAWORKA— ZESEN 


717 


ZAWORKA  (Tobias)  Pisnie  Chwal  Boz- 
skych:  Togest:  Si^ewow^  Swatj  Cj'rkewnj, 
Stafij  y  Nowij,  z  Gradualu,  z  Antyfonafu, 
y  ginych  wssech  Duchownjch  Pisnj,  Latin- 
skych  y  Czeskych. .  .W-nowe. .  .shromaz- 
denj,  sprawenj,  a  slozenj,  od  Kncze  Tobi- 
asse  Zaworky  Lipensk^ho,  etc.     4  pts. 

Wytissteno  to  starA  Prazc,  v  Gifijka  J. 
SacicMio,  1602  (1606).     fol.     1220.  1.  1. 
Fol.  Qqq^  and  Vvv4:  are  slightly  muti- 
lated.     The  date  1606   occurs  in  the 
colophon. 

ZEBELL  (E.  L.)     Trois  Senates  et  Trois 
Divertissemens,  pour  le  Yiolon  avec  Ac- 
compagnement  de  Basse. .  .CEuvre  1". 
Chez  Lobry  :  Paris,  [1800  ?]     fol. 

g.  690. 

ZEBRO  (A.  M.)  See  Symphonies.  Sei 
Sinfonie  a  Otto  Stromenti. .  .Composta 
d' Alcuni  Pamosi  Maestri,  cioe  di  Graun, 
. . .  Zebro,  etc.     [1770  ?]     fol.  g.  973. 

ZEDE  (    )  Monsieur.     See  Dezede. 

ZEDE  (Plorine  De) 
See  Z.,  D.,  Mademoiselle. 

ZEDE  (N.  de)     See  Dezede. 

ZEGEZAWG.     Zegezang.     Ter  verjaringe 
der  Overwiuning  op  de  Doggersbauk,  etc. 
See   Triump.     Triumf!    ik  zie   den   Brit 
vertsagen.     1782.     8°.       1209.  b.  8.  (5.) 

ZEIiIA.     Zelia.     Drame. 
See  Deshayes  (P.  D.) 

ZELINDA.      Zelinda    long    flourish'd    y' 
pride  of  the  Town.     Zelinda.     [Song.] 
[Lo7idon,  1760  ?]     s.  sh.  fol. 

I.  530.  (189.) 

ZELINDOR     ROI     DES     SILPHES. 

Quel  aniant  sous  vos  loix.    Air  de  Zilindor 
[by  Rebel  and  Francoeur].  {Paris'], 

1773.     s.  sh.  8°.  298.  e.  21. 

Mercure  de  France,  Jtine,  1773. 

Z61indor  Roi  des  Silphes.    Divertissement. 
See  Rebel  (P.)  and  Pbakcceur  (P.) 

ZELIS.  Zelis  il  n'est  plus  terns  de  feindre. 
Le  Fruit  deffendu.  [Song.]  Air,  Avec 
les  jeux  dansle  village  [from  '  Les  Amours 
d'Et^  '].     [Paris,  1785  ?]     8°. 

B.  362.  (180.) 

ZELTER  (Carl  Peiedrich)  Zwolf  Lieder 
am  Klavier  zu  singen.  Bey  C.  A.  Nicolai : 
Berlin  und  Leipzig,  [1796.]     obi.  fol. 

F.  424.  (4.) 

ZEMIRE  ET  AZOR.  Zemire  und  Azor. 
Ein  Singspiel  in  vier  Aufziigen  aus  dem 
Pranzosischen  iibersetzt.  [Music  by  A. 
Gr^try.]  See  Operettas.  Sammlung  der 
komischen  Operetten,  etc.  Band  III. 
No.  2.     1772.     8°.  B.  729. 


ZEMIRE  ET  AZOR.     Ah  laisses  moi  la 
pleurer.      A  Favorite   Trio   in   Zemire  et 
Azor.     [Music  by  A.  E.  M.  Gretry.] 
S.  B[abh  :  London,  1775?]     fol. 

G.  306.  (169.) 
Du  moment  qu'on  aime.  A  Favorite 
Air  in  Zemire  et  Azor.  [By  A.  E.  M. 
Gretry.]  S.  B[ahh  :  London, 

1775  ?]     s.  sh.  G.  307.  (165.) 

[Another  copy.]  H.  2818.  (33.) 

Les  esprits  dont  on  nous  fait  peur.  A 
Favorite  Air  in  Zemire  et  Azor.  [By 
A.  E.  M.  Gretry.]  S.  B[abh  :  London, 
1771?]     fol.  G.  310.  (51.) 

La  Pauvette  avec  ses  petits.  La  Fauvette. 
Ariette  de  Zemire  et  Azor  [by  A.  E.  M. 
Gretry].     [Paris,  1775  ?]     8°. 

B.  362.  b.  (12.) 

Rose  chdrie.  Air  de  Zemire  et  Azor  [by 
A.  M.  Gretry].     [Paris,]  1772.    s.  sh.  8". 

298.  e.  10. 
Mercure  de  France,  Jan.,  1772. 
Rose  ch6rie.    A  Favorite  Air  in  Zemire  et 
Azor  rby  A.  E.  M.  Gretry].  S.  B[abb  : 

London,  1780  ?]     s.  sli.  fol. 

G.  311.  (39.) 

Zemire  et  Azor.     Comedie-ballet. 
See  Gretry  (A.  E.  M.) 

ZEMIRE    UND    AZOR.      Zemire   und 
Azor.   Oper.    See  Baumgarten  (C.  G.  von) 

ZENOBIA.     Zenobia.     Opera. 
See  CoccHi  (G.) 

zilPHIRE    ET    FliORE.      Zephire    et 
Plore.     Opera. 

See  LuLLY  (L.  de)  and  (L.  J.  de) 
Zephire  et  Flore.   Op^ra-Comique  [written 
by  Pavart].  ..avec  la  Mnsique.     (Airs  de 
Z'^phire  et  Plore,  etc.)     2  pts.  Cliez 

Duchesne  :  Paris,  1755.  8".  164.  g.  26. 
[Another  edition.]  Zephire  et  Plore. 
Opera-Comique,  etc.  See  Theatre. 
Nouveau  Theatre  de  la  Poire,  etc.  Tom.  2. 
1763.     8\  11735.  d.  2. 

ZEPHYR.      The    Zephir's    cool    Breeze. 

Song.     See  ]Moulds  (J.)     [The  Sultan.'] 

ZERLINO  (GiosEFFO)     See  Zaelino. 

ZESEN  (Philipp  von)     Pilips  von  Zesen 
Dichterisches  Rosen-  und  Liljen-tahl,  mit 
mancherlei     Lob  -  lust  -  schertz  -  schmertz  - 
leid-  und  freuden-liedern  gezieret. 
Bei  Georg  Rcbenlein:  Hamburg,  1670.    8°. 
11522.  df.  86.  (1.) 
The  composers  named  in  this  collection 
are :  P.  Meier,  G.  C.  Nilslcr,  D.  Bdkker, 
J.  Schoqp,  Hr.  Frenstorf,  M.  Siebenhaar 
and  M.  Wekman. 
Pilips  von  Zesen  Schone  Hamburgerin. 
[Georg  Rcbenlein :  Hambu7-g,]1668.    8". 
11522.  df.  86.  (2.) 
M.  Siebenhaar  and  M.  Wekman  are 
named  as  composers  of  the  music. 


(13 


ZESEN— ZIXGAKEIXI 


ZESIEIN   (Phujpp  voic)      Die  Eeinweisse 

Hertzogin, besimgen    durch    F.    von 

Zesen.  I'Gt-erg  Uth >:."<::'•  :  Hamourc." 

166S.    S'._  "  11522.  df.  86.  ^3.1 

M.  T»  tkman  and  II.    Siebenhaar  are  I 
named  as  comvosers  of  the  music.  ' 

ZEUTSCHZNTIR   ^Tobias)     Musicalische 

Kirchen-  rmd  Hans-Frende mit  4.  5. 

und  6.  Vccal-Stimmen  -and  2.  Violinen, 
denen  bevgefugt  3.  Trcmbcnen  tmd  in 
etzlichen '2.  Clarin,  etc.  Cannis  1  (2). 
(Alnis.)  (Tenor.)  (Bassus.)  (Yiolino  1 
(2).)  (Trombon  1  (2j  (3).)  (Bassxis  Con- 
unTitis.)     11  pts.  In  Yerkgung  Ttit 

Jacob  Tresehtrs  . . .  Gedrucki  hey  -Johanr. 
ErichHahn:  Leipzig,  imi.  ^.  B.  153. 
New-Jahrs-Iied,  Aufi  das  1660ste  Jahr 
Christi,  Dem  aUein  unsterblichen  Goti  zn 
Eihxen.  tfc.  [Begins  :  "  Gott  und  Vater 
reicb  ■  :e."     For  lotur  Toices.[ 

'_-  .  -::  durch  Gottfried  Grundem  : 
Bresslatc,  [1660.]  s.  sh.  i\  B.  153.  a. 
ZTAfffT  (PrETBO  Azstdhza)  Sacras  Laudes 
complectentes  Ternam,  Missam  Psalmos- 
que  Dominicales  Qninque  Vocibus,  i 
duobus  instrumentis  partim.  neccessarijs 

4  parnm  ad  libitmn  Decantande Opus 

Sextum.     Cantus.  Apud  Franciscum 

Magni :  Tenetiis,  1660.     4".         D.  1071. 

Imperfect,  icaniing  pp.  IS,  and  after  44. 

Senate   a   Tre,   Quartxo,   Cinque,   et   Sei 

Strcmenti. .  .Opera  Semnaa,  etc.    Yiolino 

Primo  (Secondo).     (Alto.)     (Tenor  Yiola.) 

(Basso.)     (Oi^ano.)     6  pis.  Apprt&so 

Gioseppe  Sola  :  Teneiia,  1673.   loL     g.  57. 

Yoluntarys  and  Fugues  made  on  purpose 

for  the  Organ  or  Harpsichord  bj  Ziani, 

PoUaroli,    Bassani    and    other    Famous 

Authors.     Engraven  in  a  fair  Character. 

Printed  for  J.  WaUh  dt  P.  PuindaU  . . .  d 

J.  Hare  ':  London,   1710  ?j    foL    g.  57.  a. 

TJie  title-page,  which  is  mutilated,  is 

mounted.     The  other  composers  named 

in   this  coBeetion    are  P.  D.   Cfiiava, 

Cotonna  and  Bartholomeo  Monari. 

ZLED.     Zied's  Resolution.     "Song.] 
See  Fxsrs  (J.) 

ZEEGIiEE  (Fsijsciscrst  T.XXXTY.  Inter- 
luaia  sive  Brevlores  Yersictdi  (Fugettae) 
ad  Musicam  Choralem  ubique  necessarii ; 
(Zwevter  TheiL  Eurtzer  und  leichter 
Fugetten,  il  kleiner  ariosen  Yersetten, 
wohl  unter  dem  Choral  zu  produciren, 
etc.)    2  pts. 

Sumptibus  loannis  T7dalrici  Hanneri  : 
Xorimbergx,  [1740  T     4\  <£  197. 

ZEEGIiHR  (Jnwtxx  Cheistoph)  Trauer- 
Ode,  der . . .  Furstin . . .  Sophien  Augusten, 

verwittibten    Furstin    zu   .An halt Bey 

dero Beerdigung  den  S  Fe bruarii  1681 

. .  .geseizet. .  .von  J.  C.  Zieglem,  etc. 

Matthaeus  Henckel :  Wittenberg, 
[16^2.:     8».  10704.  L  11.  {9.) 


ZTEHjCHE  (TTiXs  Heetbich)  Six  Sonates 
a  Flute  Traversiere  et  Basse  . . .  CEuvre 
Premier.  Ches  J.  J.  Hummel : 

Berlin.  Amsterdam.  n'iSOT    foL 

g.  222.  a.  (4.) 

ZIGG-ELER  iA>— o>-ir5)  ilissaa  Breves 
Tribtis  Quatuor  et  Quinque  Yocibus  Con- 
cinendse  cum  duobus  Yiolinis  Sc  Chore 
secimdo  ad  libitum.  Opus  Primum,  etc. 
Yox  Prima  (Tertia).  (Altus  (Tenor) 
n.  Chori.)  (Yiolino  i  (n).)  (Organum.) 
7  pts.  In  Episcopali  Typographia,  apud 
Davidem  Hautt,  juniorem :  Constaiitix, 
1669.     4°.  B.  152. 

ZaZMMEHMAJTW  (A>rro>-)  See  ZAy^  (G.) 
Six  Sonatas  for  two  Yiolins  and  a  Yiolon- 
eello  with  a  Thorough  Bass. .  .bv. .  .Sig' 
Zimmerman,  etc.  g-  409.  a.  (11.) 

ZTM"RT-     Zimri.     Oratorio. 
5--   SrjLNTJEiT  (J.) 

ZEN^CK  ,  Benedict  Friedbich^^  Sim- 
phcnie  a  Grand  Orchestre,  etc.  Separate 
Parts  '_  Ches  J.  J.  Hummel : 

Berlin,  ll-iSO?:    fol.  11.2771.(6.) 

ZTN'CKEISEN'  (ElCHastcs)  See  Hy^ess. 
[6.  Gcm:^2}:.~_  Kirchen  Gesang,  So... in 
den  Kirchen  Augspurgischer  Confession, 
gebraucht  vrerden,  Auss  dem  XVitten- 
bergischen  vnd  andem . . .  Gesangbachem 
gesamlet  .  .  .  vnd  gebessert,  r>urch  .  .  . 
Eucharitun  Zinckeisen,  etc.    1554.    foL 

K.  10.  <L  2- 

See  HxicsB.  jS.  German.'  Eirchen 
Gesang,  So... in  den  Kirchen  Augspurg- 
ischer  Confession,  gebraucht  werden.  Auss 
den  besten  Gesangbuchem . . .  gesamlet, . . . 
corrigieret  vnd  gebessert.  Durch  .  .. . 
Eucharium  Zinckeisen.  etc.    loSo.     12°. 

1221.  a.  1. 
See  Ht^i^s.  '6.  German.'  Kirchen 
Gesang  . . .  -Jetzunder  zum  drittenmal  in 
Truck°geben.     1615.    fol.      K.  10.  d.  3. 

ZESDELEN"  rPHiuPP)  Primitis  Odaran 
rtracrarom  Quatemis  vocibtis  ad  praecipuos 
totius  RTini  Dies  festos  accom-odatae.  Alttis. 
(Bassos.)     2  pts. 

Apud  loannem  Prutorium  : 
Augusts  Yiyidelico:,  1609.  4".  C.  264. 
Traurigs  Klaglied  auss  den  siben  Worten, 
welche  Chris'tus  der  Herr  am  stammen 
dess  heiligen  Creutzes  geredt,  gez-Dgen, 
mit  drev  Stimmen  componiert,  etc.  Erste 
Discant.  (Basstis.)  2  pts.  Bev  Johann 
Sc'- lutes:  Augspurg,  1612.    i\      B.  154- 

ZEN'G-AFIA.     La  Zingara.     [Opera.] 
See  Capla  (E.  da) 

ZTN'G-AHEIjIjI  (Nicolo  Astosio)  Anti- 
gone. Opera  en  Trois  Actes . . .  Paroles  de 
Mr.  MarmonteL     [Ftiil  Score."  Chez 

ImbauU :  Paris,  [1790.]    foL       H.  424- 


ZINGAEI— ZULEHNER 


ri9 


ZINGARI  IN  FLERA.     Ahi  lo  tropiede. 
A  favorite  Air  sung  by  Sig"  Storace. .  .in 
the  Comic  Opera  of . .  .1  Zingari  in  Fiera. 
[Music  by  C.  Paisiello.     Full  Score.] 
J.  DaU  :  London,  [1793.]     fol. 

G.  199.  (25.) 
Irco  deir  Erebo.  A  Favorite  Duett,  as 
sung... by  Mr.  Kelly  &  Sig'  Morelli,  in 
the  Comic  Opera  of  I  Zingari  in  Fiera. 
[By  G.  Paisiello.  Full  Score.] 
Printed  for  J.  Dale  :  London,  ri793.]     fol. 

G."  198.  (17.) 
I  Zingari  in  Fiera.     Opera. 
See  Paisiello  (Ct.) 

ZINK  (Haetnach  Otto  Coxead)  Sechs 
Clavier-Sonaten,  benebst  der  Ode  Kain  am 
Ufer  des  Meeres,  etc. 

In  Commission  der  Heroldschen  Biichliand- 
lung  :  Hamburg,  1783.     ohl  fol.        f.  29. 

ZIOTTI  (A>-deea)     See  Gba>-di  (A.)    Can- 
tade   et  Arie  a  Voce  Sola. .  .Raccolte,   & 
date  in  luce  da  me  Andrea  Ziotti,  etc. 
1626.     4".  C.  339.  e. 

ZIPOLI  (Domexico)  a  Third  CoUection 
of  Toccates,  VoUentarys  and  Fugues  for 
the  Organ  or  Harpsichord  with  particvdar 
Great  Pieces  for  the  Church,  etc. 

Printed  for  I.  Walsh  : 
London,  [1715  ?]    fol.  h.  21. 

Six  Suits  of  Italian  Lessons  for  the  Harp- 
sicord  or  Spinnet,  with  great  Variety  of 
Passages  and  Variations . . .  Opera  Prima. 
Printed  for  I.  Walsh. .  .and  Joseph  Hare  : 
London,  [1725?]     fol.  h.  21.  a. 

ZISTE  ET  ZESTE.  Ziste  et  Zeste,  ou 
Les  Importuns,  Folie  en  un  Acte  et  en 
Vaudevilles,  par  lesCC.  Cailhava  et  Leger, 
etc.  [With  music  to  the  concluding 
Vaudeville,  by  F.  P.  A.  Leger.]  Chez  Us 
Libraires  :  Paris,  An  V.  [1796."!     8". 

11738.  h.  11.  (6.) 

ZOBEIDE.  The  Music  of  the  Epithala- 
mium. .  .in  Zobeide.     See  Fisher  (J.  A.) 

ZOE.     Zoe,  ou  la  Pauvre  Petite.     Opera. 
See  Plax-tade  (C.  H.) 

ZOESCHINGER  (Lcdovicus)  Philomela 
Organica  in  Cymbalis  Canora,  seu  Parthias 
Sex  modemo  stylo,  et  facili  accommodatae, 
etc.  Typis  ct  Stimptibus  Joannis 

Jacobi    Lotteri :    Augustse    Yindclicorum, 
1769.    obi.  fol.  e.  5.  j.  (1.) 

ZOILO    (Asxibale)     [Libro  Secondo]  De 

Madrigali  a  Quattro  et  a  Cinque  Voci,  etc. 

j^to.  -P^''  Antonio  Blado  : 

Boma,  1563.     oU.  4°.  A.  578. 

The  title-page  is  mntilated. 

ZOILO  (Cesaee)  Madrigali  a  Cinque.  II 
Primo.  Aggiuntoui  il  suo  Basso  Continuo 
a  beneplacito,  etc.  Soprano.  (Mezzo- 
soprano.)  (Contralto.)  (Tenore.)  (Basso.) 
(Basso  Continuo.)     6  pts. 

Appresso  Bartholomeo  Magni : 
Venetia,  1620.    4°.  K.  2.  e.  3. 


ZOILO  (Cesaee)  II  Primo  Libro  de' 
Madrigali  a  Cinque  Voci...Di  nuouo  in 
questa  Terza  impressione  coretto.  Canto. 
(Alto.)  (Tenore.)  (Basso.)  (Quinto.)  5  pts. 
Appresso  Ambrosio  Magnetta  : 
Xa2:>oli,  1627.     4".  D.  210. 

ZOLLICOFER  (Caspar)  Himmlisch- 
Gesinnter  Seelen  Himmel-Durchschallende 
L^nd  Unsern  Gott  billich  hoch  verherr- 
lichende  Gebiit-Music,  Das  ist,  Geistreiches 
Gesang-Gebat-Buch,  Bestehend  in  1000. 
...Liederen,  mit. .  .Melodien  zu  2.  3.  4. 
und  5.  Stimmen,  Nebst  einem. .  .General- 
Bass,  e/c.  Buprecht  Weniger : 
St.  Gallen,  1738.  8'.  C.  870. 
SeeHy^iNS.  [6.  Geri7i-aji.']  Neu-vermehrte 
Seelen-Music  . . .  zum  neunten  mahl  auf- 
gelegt . . .  mit . . .  neuen  . . .  Melodie-Stnken 
vemiehret  .  .  .  heraussgegeben  von  C. 
Zollicofer,  efc.  1753.  8°.  B.  709.  b.  (1.) 
Sec  Hy^ixs.  [6.  Gcrman.^  Geistliche . . . 
Lieder . . .  zur  Vermehrung  der  Geistlichen 
Seelen-  !Musick  . . .  herausgegeben  von  C. 
Zollicofer,  etc.   1744.   8".     B.  709.  b.  (2.) 

ZORAIME  ET  ZULTfAR.     Zoraime  et 
!       Zulnar.     Op^ra.     See  Boieldieu  (P.  A.) 

ZORINSKI.     Zorinski.     [Musical  Play.] 

Sec  Akxold  (S.) 

ZOROASTRE.     Zoroastre.     Tragedie. 
See  Rameac  (J.  P.) 

ZSCHIEDRICH      (Kael     August) 

iSTeueste  italianische  Opernmusik  fiir  das 

Pianofort  mit  Originaltexte  und  Verteut- 

schung.  Dbersetzt. .  .von  K.  A.  Zschiedrich. 

Mit  Meinholdischem  Notendruck : 

Dresden,  1797.     fol.  G.  808.  c.  (31.) 

The  composers  of  this  collection  are  Salieri 

and  Winter. 

ZUCCARl   (Carlo)     Sonate  a  Violino,  e 
Basso  6  Cembalo. .  .Opera  Prima.     2  pts. 
IJIikin,  1780  ?]    obi.  fol.  e.  799. 

ZUCCHINIUS  (Gbegorius)  Motectorum 

et  Missariun  Senis,  Septenisqj  Vocibus . . . 

Liber  Secundus.    Altus.    (Sextus.)     2  pts. 

Apiud  lacobum  Yincentium : 

Venetiis,  1611.     4^  D.  209. 

ZUCKERT  (JoHAXN  Feiedeich)  Eight 
Sonatas  or  Trios  for  two  Violins  or  two 
German  Flutes  and  a  Violoncello  with 
a  Thorough  Bass  for  the  Harpsichord. 
Opera  Secondo,  etc.     [Separate  Parts.] 

Printed  for  the  Author : 
London,  [1770  ?]     fol.         'g.  420.  g.  (6.) 

ZUFRIEDENHEIT.    Die  Zufriedenheit. 

rSong.j     Sec  Mozaet  (W.  A.) 

ZULEHNER  (Cael) 

See  Geetey  (A.  E.  31.)  [Bichard  Caur  de 

Lion.']      Richard    Loewenherz  . . .  Clavir- 

.  Auszug  von  C.  Zulehner.    [1790  ?]    obi.  fol. 

D.  315. 


720 


ZULEHNER— ZUMSTEEG 


ZULEHNER  (Carl)  See  IMozart  (W.  A.) 
Dom  Giovani  . . .  arrange  pour  le  Piano- 
Forte  avec  un  Violon  oblige  j)ar  C. 
Zuleliner.  [1800?]  fol.  h.  1751.  f.  (1.) 
See  Salieri  (A.)  Palmira  .  .  .  Clavier 
Ausztig. .  .von  C.  Zulehner. 
[1795  ?]     oU.  fol.  E.  20.  b. 

See  SuESSMAYER  (F.  X.)     [Solimann  der 
Ztvcite.]      Ouverture    und     Gesange  .  .  . 
Klavierauszug  von  C.  Zulehner. 
[1800.]     obi.  fol.  E.  22. 

See  Winter  (P.  von)  Marie  von  Mont- 
alban  . . .  Clavier-Auszug  von  C.  Zulehner. 
[1798.]    obi.  iol.  E.  165.  f. 

See  Winter  (P.  von)  Das  Unterbrochene 
Opferfest . . .  Klavierauszug  von  C.  Zjulener, 
etc.     [1796]     obi.  fol.  E.  165.  e. 

ZUMSTEEG  (JoHANN  Rudolph)  Kleine 
Balladen  und  Lieder,  mit  Klavierbe- 
gleitung.  Erstes(-Sechstes)  Heft.  6  Hfte. 
Bey  Brcitkopf  unci  Hcirtel : 
Leipzig,  [1800-1803.]  obi.  fol.  E.  592.  a. 
Die  Biissende.  Ballade  von  Friedrich 
Leopold  Grafen  zu  StoUberg,  etc. 

Bey  Breitko})/  ct  Hcirtel : 
Leipzig,  [1797.]  obi.  fol.  E.  592.  e.  (1.) 
Colma,  ein  Gesang  Ossians,  von  Goethe, 
mit  IClavierbegleitung. 

Bei  Breitkopf  ii.  Hdrtel : 
Leipzig,  [1794.]     obi.  fol.  E.  593.  b. 

Die  Entfiihrung  oder  Ritter  Karl  von 
Eichenhorst  und  Friiulein  Gertrude  von 
Hochburg.     Ballade  von  G.  A.  Burger,  etc. 

Bey  Breitkopf  &  Hdrtel : 
Leipzig,  \VJ24..']    obi.  iol.    E.  592.  c.  (1.) 


ZUMSTEEG  (JoHANN  Rudolph)  Die 
Geister-Insel.  Ein  Siugspiel  in  3  Akten 
von  J.  F.  Gotter  [after  Shakespeare] . .  .Im 
Klavierauszug.  Bei  Breitkopf  <&  Hcirtel : 
Leipzig,  1799.     obi.  fol.  F.  436. 

Gesange  der  Wehmuth  von  J.  G.  v.  Sails 
und  F.  Matthisson,  etc. 

Bey  Breitkopf  d  Hcirtel : 
Leipzig,  {1191.']  obi.  iol.  E.  592.  e.  (3.) 
Das  Lied  von  Treue.  Ballade  von  G.  A. 
Buerger,  etc.  Bey  Breitkopf  d-  Hdrtel  : 

Leipzig,  1800.  obi.  fol.  E.  592.  c.  (2.) 
Zwolf  Lieder  mit  Clavierbegleitung. 

Bey  Breitkopf  &  Hcirtel : 
Leipzig,  [1797.]     obi.  fol.  E.  592. 

Maria  Stuart.  Ballade  fiir  eine  Singstimme 
mit  Begleitung  des  Forte  Piano. 
Bei  N.  Simrock  :  Bonn,  [1800  ?]     obi.  fol. 

E.  600.  u.  (8.) 
Des  Pfarrers  Tochter  von  Taubenhayn. 
Ballade  von  G.  A.  Biirger,  etc. 

Bey  Breitkopf  d  Hcirtel : 
Leipzig,  [1792.]  obi.  fol.  E.  592.  c.  (3.) 
[Zalaor.]  Ouverture  und  Gesange  aus 
der  Oper . . .  Zalaor . . .  Klavierauszug. 

Bei  Breitkopf  und  Hcirtel : 
Leipzig,  [1800?]  obi.  fol.  F.  436.  b. 
See  Pleyel  (I.  J.)  [iO.  Vocal  Music.'] 
Leichte  Stiike  fiir's  Gesang  und  Klavier, 
von  Pleyel,  Zumsteeg,  etc. 
[1790  ?]     obi.  4°.  E.  600.  g.  (4.) 

See  Musikalischer  Potpourri.  Musik- 
alischer  Potpourri,  etc,  (Zweytes(-Vier- 
tes)  Vierteljahr.  Herausgegeben  von 
Abeille,  Eidenbesiz,  Schwegler,  Zumsteeg.) 
etc.     1790-1.     obi.  4°.  B.  710. 


FIBST    SUPPLEMENT. 


ABEL  (Carl  Friedrich)  Six  Overtures, 
composed  and  adapted  for  the  Piano-Forte 
byC.  F.Abel.  [Op.  1.]  [1798] 
See  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  III. 
No.  8.     [1797-1802.]     8".  D.  854. 

Six  Sonatas  for  the  Piano  Forte,  with  an 
Accompaniment  for  a  Violin. .  .Dedicated 
to  the  Queen.  [1797.]  See  Periodical 
Publications. — London.  The  Piano-Forte 
Magazine.  Vol.1.   No.  3.    [1797-1802.J   S". 

D.  854. 

ABSENCE.     Absence.     A  Song.     See  Ye. 
Ye  Rivers  so  limpid,  etc. 
[1774.]     s.  sh.  obi.  8".  P.P.  6199.  b. 

ADIEU.      Adieu   my  Floreski.      Sung   by 

Mrs.  Crouch  [m  Lodoiska,  words  by  I.  P. 

Kemble,  music  by  R.  Kreutzer]. 

[Dublin,  1795.]     8".  P.P.  6154.  k. 

Walker's    Hibernian    Magazine,    May, 

1795. 

ADIEUX.    Les  Adieux  de  I'infortun^  Louis 
XVI  a  son   Peuple.     [Song.]     See  0.     0 
mon  peuple,  que  vous  ai-je  fait  ? 
[1797.]     8".  P.P.  6154.  k. 

ADMIRAL  KEPPEL.    Admiral  Keppel. 
Catch.     See  'Twas.     'Twas  you,  Sir,  etc. 
[1779.]     s.  sh.  i".  P.P.  6154.  k. 

AGAIN".  Again  the  balmy  Zephyr  blows . . . 
[Song.]  Sung  by  Tilrs.  Weichsell  at  Vaux- 
hall  Gardens.     [Dublin,  1779.]     s.  sh.  4°. 

P.P.  6154.  k. 
Hibernian  Magazine,  May,  1779. 
Again  to  the  Garden.     Ballad. 
See  BOYCE  (W.)     [4.  Songs,     b.] 

AGNES.     Agnes  and  Toby.     [Song.]  . 
See   My.      IMy   true   hearty   fellows,  who 
smoke  with  such  glee,  etc.     [1788.]     8". 

P.P.  6225. 

AGUS  (Giuseppe)  The  Ballet  Champetre, 
a  Comic  Dance,  as  danced  at  the  King's 
Theatre. .  .by  Monsr.  &  Madam  Vallouis. 
[P.  F.]  W.  Napier  : 

London,  [1780?]  obi.  4".  b.  51.  f.  (1.) 
The  Opera  Dances  both  Serious  and  Comic. 
Danced  at  the  King's  Theatre. .  .for  the 
German  Flute,  Violin  or  Harpsichord. 
Book  v.  Longman  and  Broderip  : 

io7icZo»,  [1788?]     obl.^".       b.  51.  f.  (2.) 

VOL.    II. 


AH.  Ah  me,  wretched  Sinner.  TJie  Com- 
plaint.    [Hvmn.]     [London.  1762.]     8". 

P.P.  324.  n. 

Christian's  Magazine,  Jan.,  1762,  p.  41. 
Ah  why  did  Jockey  gang  away.  A  Scoti 
Song.     [London,  1767.]     8°.     P.P.  5440. 

Universal  Museum, etc.,  November,  1767. 
Ah,  why  thus  abandon'd  to  mourning. 
Scotch  Song,  from  the  Hermit,  [written] 
by  Dr.  Beattie.  [Edinburgh, 

1785.]     s.  sh.  4°.  257.  b.  15. 

Edinburgh  Magazine,  Sept.,  1785. 

AIRS.  Thirty  Popular  Airs,  Reels,  Dances 
&c.  adapted  "for  the  Piano  Forte.  [1802.], 
See  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  XVI. 
No.  6.     [1797-1802.]     8".  D.  854. 

Airs  sur  les  Hymnes  Sacrez. 
See  Hymns.     [12.  Latin  and  French.'] 

AL.     Al  suon  scave.     Quintette. 

See  Guglielmi  (P.)    [La  Bella  Pescatrice.'] 

ALBRECHT.    Albrecht  und  Agnes.    Fine 
Ballade  [words]  von  Graf  StoUberg. 
See  RODOLPH.     Rodolph  in  paternal  Hall, 
etc.     [1800.]     s.  sh.  obi.  4°.        266.  1.  29. 

ALCINA.  Three  Celebrated  Italian  Airs 
fromAlcina.  [By  G.  F.  Haendel.]  [1802.] 
See  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  XVI.. 
No.  8.     [1797-1802.]     8".  D.  854. 

ALCOCK  (-John)  the  Younger.     Flutt'ring. 
spread  thy  purple  Pinions.     A  celebrated^ 
Song,  [words]  by  Dean  Swift,  etc. 
[London,  1764.]     8°.  P.P.  5440. 

Universal  Museum,  July,  1764. 

ALEXANDRE  (Charles  Guillaume) 
Le  Petit-Maitre  en  Province,  Comedie,  en 
un  acte  et  en  vers,  avec  des  Ariettes  :  par 
~Sl.  Harny. .  .Representee  pour  la  premier-' 
fois. .  .le  7  Octobre  1765,  etc. 
Chez  la  Veuve  Duchesne  :  Paris,  1765.    8' 

86.  b.  16 
Part  of  the  '  Supplement  des  Parodies  du 
Thidtre  Italien,'  etc.,  torn  3. 

ALL.     All  bereft  of  Love  and  Wine.     Love 

and    Wine.     (Liebe   und   Wein.)      [Song, 

words]  By  C.  F.  Weisse.       C.  Geisiueiler: 

[London,  1800.]    s.  sh.  obi.  4°.     266.  1.  29, 

German  Museum,  June,  1800. 


a 


ALLA— ARNE 


ALL  A.     Alia  stagion  novella. 
Sec  Son-in-Law. 


Soug. 


ALLEMANDES.  The  Admired  AUe- 
luande,  &c.  As  danced. .  .at  Smock-alley 
Theatre.     [Diiblin,  1784.1     s.  sh.  S'\ 

P.P.  6154.  k. 
Hibernian  Magazine,  Jan.,  1784. 
A  Favourite  New  Allemande.     [Violin.] 
[Dublin,  1790.]    s.  sh.  4°.     P.P.  6154.  k. 
Walker's     Hibernian    Magazine,    July, 
1790. 

AM  ANT  DEGUISE.  L'Amant  Deguise, 
Parodie  du  Quatrieme  Acte  des  Elemens, 
ou  Vertumue  et  Pomone  Travestis.  Re- 
presentee .  .  .  le  5  Juin  1754.  Par  Mr. 
D.  Ct.  G.  M.  D.  E.  E.  p.  D.  T.  . . .  avec  la 
Musique.  '         CJtez  Diidiesnc : 

Paris,  1754.     8".  86.  b.  14. 

Part  of  the '  Supplement  aux  Parodies  clu 
Thidtre  Italicn,'  etc.,  torn.  1. 

AMOURS  DE  GONESSE.  Les  Amours 
de  Gonesse,  Comedie  en  uu  acte,  mesle 
d'Ariettes;  par  M"  =•'  *  *.  Repre'sentee 
pour  la  premiere  fois. .  .le  8  Mai  1765. . . 
avec  la  Musique  [by  J.  B.  de  Laborde]. 
Chez  Duchesne  :  Paris,  1765.     8°. 

86.  b.  16. 
Part  of  the  '  Supplement  des  Parodies  du 
Theatre  Italien,'  etc.,  torn.  3. 

AND.     And  are  we  now  brought  near  to 

God.     A  Hymn,  for  the  Sacrament,  sung 

at  the  Magdalen  Chapel.  [London, 

1763.]     8".  P.P.  324.  u. 

Christian's  Magazine,  Nov.,  1763,  p.  520. 

ANGELIC.     [Another    setting.]     Angelic 
fair  beneath  this  pine.     Song. 
See  Swift  (W.) 

Angelic  fair,  beneath  yon  pine.  Angelic 
fair,  etc.  A  celebrated  new  Song,  as  Sung 
at  the  Public  Gardens,  &c.  [Dublin, 

1779.]     s.  sh.  4".  P.P.  6154.  k. 

Hibernian  Magazine,  Nov.,  1779. 

APOLLO'S  COLLECTION.  Apollo's 
Collection,  being  XII  Duettos  for  Two 
German  Flutes  or  Two  Violins  composed 
by  .  . .  Sig"  P.  Geminiani,  S'  Martini,  Sig'' 
N.  Jommelli,  M'  Rameau,  M'  Blavet,  M"' 
Oswald,  Lib.  1"'°  Corrected  and  approv'd 
of,  by  the  Societv.  Printed  for 

J.Oswald:  London,  [llbOl]     fol. 

h.  2052.  (3.) 
Apollo's  Collection,  being  six  Sonatas  or 
Duets  for  two  German  Flutes  or  two 
Violins  . . .  by  . . .  Sig'  Tartini,  Sign-"  N. 
Jommelli,  S'  Martini,  ]\P  Rameau,  M' 
Blavet,  M^  Oswald.  Book  2''.  Printed  for 
J.  Osivald :  London,  [1755?]     fol. 

h.  2052.  (4.) 

APPENZELDER  (Benedictus) 
See  Bekedictus  [Appenzeller]. 


ARISE.     Arise  0  God  of  Grace.     Hymn. 
See  JiIadan  (M.) 

Arise  on  my  benighted  IMind.  A  Hymn 
for  the  Light  of  Faith.  Set  to  Musick  for 
Three  Voices. "  [London,  1762.]     8'\ 

Christian's  Magazine,  Feb.,  1762,  p.  88. 

P.P.  324.  n. 

ARNE    pilCHAEL) 

1.    Ul'ERAS,  IXCLUDIKG  SONGS  AKD  GlEES 

IX  Plays. 
Cymon.  A  Dramatic  Romance,  e?c.  [1798.] 
See  Periodical  Publications. — London. 
The    Piano-Forte    Magazine.      Vol.    III. 
No.  7.     [1797-1802.]     8".  D.  854. 

[The  Winter's   Tale.]      Come,  come,  my 
good  shepherds.     [Song,  by  M.  Arne.] 
[1769.]     S".     Set'  Come.  P.P.  5440. 

2.  SoxGS  AND  Duets. 
B.  Single  Numbers. 

The  Foes  of  Old  England,  (France,  Holland 
and  Spain).  Sojig  in  Praise  of  his  Royal 
Highness  Prince  William.  Sung  at  Vaux- 
hall  bv  IMrs.  Kennedy,  etc. 
[Dublin,  llSl.]  s.sh.i".  P.P.  6154.  k. 
Hibernian  Magazine,  Appendix,  1781. 

The  Foos  of  Old  England,  (France,  Holland 
and  Spain.)  Song  ...  in  praise  of  his 
Royal  Highness  Prince  William. 
[Dublin,  1788.]  s.  sh.  4".  P.P.  6154.  k. 
Walker's  Hibernian  Magazine,  March, 
1788. 
The  Foes  of  Old  England,  France,  Holland 
&  Spain.  Duncan's  Victory,  etc.  [Song, 
by  ]M.  Arne.]     [1789  ?]     fol.     See  Foes. 

H.  2826.  c.  (16.) 

[The  Seasons  of  Love.]  Six  Favourite 
Songs  ...  by  Mr.  Arne  . . .  The  words  by 
Mr.  Harrison.  (No.  3.)  [1797.] 
See  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.1.  No.  8. 
[1797-1802.]     8^  D.  854. 

ARNE  (Thomas  Augustine) 
1.  Sacred  Music. 
[Abel.]      How    chearful    along    the    gay 
j\Iead.     A  Celebrated  Hymn,  etc. 
[London,  1762.]     8°.  P.P.  324.  n. 

Christian' s  Magazine,  April,  1762,2^.178. 

2.  Operas,  Cantatas  and  Dramatic 

Music. 

B.  Single  Works. 

Artaxerxes.  A  Serious  Opera,  etc.  [1797.] 
See  Periodical  Publications. — London-. 
The  Piano-Forte  Magazine.  Vol.  II. 
No.  8.     [1797-1802.]     8".  D.  854. 

[In  Infancy  our  Hopes  and  Fears.] 


Sec  King.  The  King,  0  Lord,  with  Songs 
of  Praise.  Psalm  xxi.  [Adapted  to  'In 
infancy  our  hopes  and  fears,'  from  Arne's 
Artaxerxes.]     [1762.]     8\      P.P.  324.  n. 


ARNE— AS 


ARNE  (Thomas  Augustine)    Comus.     A 
Masque,   etc.      [1797.]      Sec  Periodical 
PUBLICATION'S.  —  Loudoii.       The     Piauo- 
Forte  Magazine.     Vol.  III.     No.  2. 
[1797-1802.]  D.  854. 

The  Fairy  Prince.  A  :Masque,  etc.  [1800.] 
See  Periodical  Publications. — London. 
The  Piano  -  Forts  Magazine.  Vol.  X. 
Ko.  4.     [1797-1802.]     8'.  D.  854. 

3.  Songs,  Glees,  &c. 
B.  Single  Works. 

The  Blooming  Vale,  etc.     [Song.] 

Printed  for  G.  Kcarsbi  :  'London, 
1760?]     s.sh.iol.  I.  600.  d.  (176.) 

Cloe's  Way.  [Song.]  Written  by  a  Young 
Ladv,  etc'  Printed  for  G.  Kcarsly : 

[London,  1160?]     s.  sh.  ioL 

I.  600.  d.  (174.) 

Come,  live  with  me  and  be  my  Love. 
The  New  Scutch  Song.  Sung  by  Miss 
Catlev  at  the  Rotunda.  T.  Walker: 

[Dnblin,  1775.]    s.  sh.  i-.     P.P.  6154.  k. 
Hibernian  Magazine,  Juhj,  1775. 

The  Complaint.  [Song.]  The  Words  by  a 
Young  Lady,  etc.  Printed  for  G.  Kearshj  : 
\ London,  1160 '>]     s.sh.iol. 

I.  600.  d.  (177.) 

The  Mutual  Symptoms,  [Song,]  wrote  by 
a 'Lady,  etc.  Printed  for  G.  Eearsley  : 

[London,  17G0  ?]     s.  sh.  fol. 

I.  600.  d.  (178.) 

An  Ode  to  Love,  etc.  [Begins :  '  Parent 
divine.']  Printed  for  G.  Kcarsly  : 

[London,  1760  P^     s.  y/i.  fol. 

L  600.  d.  (173.) 

Platonic  Love.     [Song.]  Printed  for 

G.  Kcarsly  :  [London,  1760?]     s.  sh.  fol. 

I.  600.  d.  (172.) 

The  Pride  of  May,  etc.     [Song.] 

Printed  for  G.  Kearsh/ :  [London, 
1760?]    ssh.iol.  I.  600.  d.  (171.) 

Strephou  and  Phtebe,  etc.     [Song.] 

Printed  for  G.  Kcarsly  :  [London, 
1760?]    s.sh.iol.  I.  600.  d.  (175.) 

ARNOLD  (Samuel) 

2.  Operas  and  Dramatic  Music. 

The  Agreeable  Surprize.     A  Comic  Opera 
in  Two  Acts,  etc,   [1797.]    See  Periodical 
Publications. — London.      The     Piauo- 
Forte  [Magazine.     Vol.  I.     No.  1. 
[1797-1802.]     8".  D.  854. 

[The  Battle  of  Hexham.]    Moderation  and 
Alteration,  etc.     [Song,  by  S.  Arnold.] 
[1789.]  s.  sh.  4".  Sec  Battle  of  Hexham. 

P.P.  6154.  k. 

The  Castle  of  Andalusia.  A  Comic  Opera, 
etc.  [1799.]  Sec  Periodical  Publica- 
tions.— London.  The  Piano-Forte  Maga- 
zine.   Vol.  VII.    No.  10.    [1797-1302.]    S'\ 

D.  854. 


Masters 
[1800.] 
London. 
Vol.  X. 


ARNOLD  (Samuel)     [Inkle  and  Y'arico.] 
Come  let  us  dance  and  sing.    The  favourite 
Finale,  etc.     [By  S.  Arnold]. 
[1783.]    s.  sh.  4\     Sec  Inkle  and  Yaeico. 

P.P.  6154.  k. 

Peeping  Tom  of  Coventry.  A  Comick 
Opera  in  Two  Acts,  etc.  [1797.] 
Sec  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  II. 
[No.  3.]  [1797-1802.]  8".  D.  854. 
The  Son  in  Law.  A  Comic  Opera,  etc. 
[Words  by  J.  O'Keeffe.]  [1799.] 
Sec  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  VII. 
No.  9.  [1797-1302.]  8".  D.  854. 
[For  songs,  &c.,  published  anony- 
mously :j  Sec  Son-in-Law. 
The  Spanish  Barber.  A  Comic  Opera,  etc. 
[1799.]  See  Periodical  Publications. — 
London.  The  Piano-Forte  Magazine. 
Vol.  VIII.     [No.  4.]     [1797-1802.]     S\ 

D.  854. 

8.  Odes,  Glees,  &c. 

Convivial  Harmony.     Being  a   Favourite 

Collection  of  Catches,  Canons,  and  Glees. 

Selected  from  the  works  of  the  Greatest 

for  the  Voice,  and  Piano  Forte. 

See  Periodical  Publications.— 

The     Piano-Forte     Magazine. 

No.  5.     [1797-1802.]    8°. 

D.  854. 
4.  Songs. 
B.  Single  Works. 
[Vv'illiam.]  Six  Favourite  Songs. .  .by. . . 
Dr.  Arnold . . .  The  words  by  Mr.  Harrison. 
(No.  6.)  [1797.]  See  Periodical  Publi- 
cations.—Lon^wi.  The  Piano  -  Forte 
Magazine.   Vol.1.   No.  8.    [1797-1802.]   S\ 

D.  854. 

5.  Instrumental  Music. 

Three  Concerto's  for  the  Harpsichord  the 
Piano-Forte  or  the  Organ,  with  Accom- 
panyments  for  Two  Violins,  a.  Tenor  &  a 
Violoncello,  in  an  easy  familiar  Stile  . . . 
Opera  xv.     [Separate  Parts.] 

To  be  had  at  the  Authors  house  : 
[London,  1780  ?]     fol.  h.  65. 

Tlic  acco)npaniments  only. 

AS.      As   bringing   home    the   other   Day. 
The  Linnets.     A  New  Song.  [London, 

1767.]     S\  P.P.  5440. 

Universal  Mtiseum,  January,  1767. 
As  Jockey  was  walking  one  ^Midsummer 
Morn.     The  Sex.     [Song,  words]  By  Mr. 
Rolt.     [London,  11  bb'>]     s.sh.iol. 

I.  600.  d.  (179.) 

As  o'er  the  plain  I  took  my  way.  A  New 
Song.  [London,  1764.]  8".  250.  k.  19. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc.,  Tol.  IV.,  i^.  645. 
[Another  setting.]  As  the  Thames'  silent 
Stream.     Song.     Sec  Moze  (J.  H.) 


a  2 


ASIOLI— BACH 


ASIOLI   (BoNiFAZio)      A   Celebrated  Air. 
[P.  F.]     [1798.]     See  Periodical  Publi- 
cations. —  London.       The     Piano-Forte 
Magazine.     Vol.  III.     No.  3. 
[1797-1802.]     8".  D.  854. 

ASSEMBLE.  Assemble  ye  Righteous  in 
Songs  of  Joy  &  Triumph.  A  Parody  to 
the  Latin  Hymn  on  the  Nativity  [Adeste 
fideles],  adapted  to  the  same  Measure. 
Longman,  Ckmoiti  <C  Conip.'/,  fovR.  Guest : 
London,  [1800?]     fol.        H."879.  r,  (1.) 

AT.  At  the  dead  of  the  night.  Katty 
Flannujan.    [Song.]     \_Dublin,']  1796.     8". 

P.P.  6154.  k. 
Walker's    Hibernian    Magazine,    Feb., 
1796. 

ATHRIDATES.  The  Purple  Mora. 
[Song.]  Sung  by  Mr.  Tenducci  in  the 
Opera  of  [The  Revenge  of]  Athridates,  etc. 
[London,  1767.]     8".  P.P.  5440. 

Universal  Museum,  April,  1767. 

ATKINSON  (William)  One  Ev'ning  in 
Spring,  when  the  I\Ieadows  were  gay.  A 
New  Song,  etc.     [London,  1756.]     8°. 

250.  k.  16. 
B.  Martin's   Miscellaneous  Correspond- 
ence, etc.,  Vol.  I.,  p.  431. 
AUGE  (Peter)     New  and   Compleat  In- 
structions   for    the    Small   Harp  ...  To 
which  is  added,  a  Collection  of  the  most 
Favourite     Minuets,     Marches,    Airs,    & 
Songs,   with    Accompanyments,   properly 
dispos'd  for  that  Instrument,  etc. 
J.  Rutherford :  London,  [1775  ?]     obi.  4". 

b.  107. 
AimORA.  Aurora  bedapples  the  gray 
bending  skies.  Tlie  Morning  CJiase. 
[Song.]  The  Words  by  Mr.  J.  Alexander 
. . .  And  the  j\Iusic  adapted  from  the  . . . 
Song  [by  W.  Boyton]  of  Diana  and  Hebe. 
[Dublin,  1797.]     8".  P.P.  6154.  k. 

Hibernian  Magazine,  Feb.,  1797. 

AUXCOUSTEAUX  (Arthur)  Noels  et 
Cantiques  Spirituals.  Sur  les  mysteres 
de  la  Naissance  de  Nostre  Seigneur.  Et 
sur  les  principales  Festes  de  la  Vierge,  etc. 
(Second  Livre  de  Noels  et  Cantiques,  etc.) 
2  bks.     li.  Ballard  :  Paris,  1655.     8°. 

K.  4.  c.  16. 
Book  1  is  undated. 

AVISON  (Charles)  Eight  Concertos  for 
the  Organ  or  Harpsicord  .  .  .  N.B.  The 
1"  &  2''  Repienos,  Tenor,  &  Basso  Repieno 
of  His  Violin  Concertos  [Op.  2],  are  the 
Instrumental  Parts  to  y"  above.  Printed 
for  I.  Walsh:  London,  [1760?]     fol. 

g.  256.  d. 

AWAKE.     Awake  my  Soul,  and  with  the 

Sun.      Tlic   Morning    Hymn,   by   Bishop 

Kenn,  set  to  musick  as  it  is  sung  at  the 

Magdalen  Chapel.        [London,  1763.]     8". 

P.P.  324.  n. 
Christian's  Magazine,  Jan.,  1763,  p.  38. 


AWAKE.     [Another  setting.]     Awake  my 
soul,    and   with    the    sun.      A    Morning 
Hymn,  by  Bishop  Kenn. 
[London,  1765.]     8°.  P.P.  324.  n. 

Christian's  Magazine,  Aug.,  1765,  j).  375. 


BABELL  (William)  [Suits  of  Harpsi- 
cord Lessons.  V6  far  guerra.]  The 
Celebrated  Grand  Lesson  as  adapted  for 
the  Harpsichord  or  Piano-Forte  .  . .  from  a 
Favorite  Air  out  of  the  Opera  of  Rinaldo ; 
.  .  .by  Mr.  Handel.  Printed  for  S.  Babb  : 
London,  [1775  ?]     fol.        h.  726.  p.  (1.) 

BACH  (Carl  Philipp  Emanuel) 
2.  Instrumental  Music. 
c.  Symphonies. 
[Sinfonie.     No.  4.]     Six  Sonatas,  for  the 
Piano-Forte.      Composed    by    Bach,   etc. 
(No.  1.)     [1799.]     See  Periodical  Publi- 
cations. —  London.       The    Piano  -  Forte 
Magazine.     Vol.  VII.     No.  6. 
[1797-1802.]     8".  D.  854. 

4.  Doubtful  and  Spurious  Works. 
[Overture  in  D.]  A  Collection  of  Over- 
tures and  Symphonies.  By  .  .  .  Bach  of 
Berlin,  etc.  [No.  4.]  [1797.]  See  Peri- 
odical Publications.  —  London.  The 
Piano-Forte  Magazine.  Vol.  II.  No.  5. 
[1797-1802.]     8'\  D.  854. 

BACH  (JoHANN  Christian) 

1.  Operas  and  Oratorio. 
The  Favourite  Songs  in  the  Opera  call'd 
Zanaida.     [Full  Score.] 

Printed  for  I.  Walsh  : 
London,  [1763.]     fol.  G.  136.  b. 

2.  Songs  and  Duets. 
B.  Single  Works. 
Let  the  solemn  organ  blow.     An  Anthem 
for  the  Use  of  the  Magdalen  Chapel,  by  the 
Rev.  W.  Dodd,  etc.     [London,  1765.]     8". 

P.P.  324.  n. 
CJtristian's     Magazine,     MarcJi,     1765, 
p.  140. 

3.  Instrumental. 
A.  Concertos. 
[Op.  XIII.,  No.  4.]  Bach's  Celebrated  Con- 
certo, for  the  Piano  Forte,  etc.  [1798.] 
See  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  III. 
No.  6.     [1797-1802.]     8°.  D.  854. 

c.  Sonatas  and  Trios. 
Six  Sonatas  composed  for  the  Harpsichord 
or  Piano  Forte.  Opera  20.  [1801.]  See 
Periodical  Publications.  —  Ljondon. 
The  Piano-Forte  Magazine.  Vol.  XIII. 
[No.  3.]     [1797-1S02.]     8°.  D.  854. 


'BAGLEY— BEE 


BAGIiEY   (        )      Haste,    Phillis,  haste 
while  youth  invites.     .1  Song,  etc. 
[Lo7idon,  1759.]     8".  250.  k.  18. 

B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  III.,  p.  383. 
Miranda.     [Song,  words]  By  S.  G.,  etc. 
[London,  1756.]     S'\  250.  k.  16. 

B.  Martin's  Miscellaneous  Correspond- 
ence, etc.,  Vol.  I.,  p.  285. 
My  Sukey,  while  I  fondly  gaze.     A  Nciu 
Song,  etc.     [London,  1757.]     S". 

250.  k.  17. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  II.,  p.  563. 
Spring  returns,  the  Fawns  advance.      A 
Netv  Song,  etc.     [London,  1757.]     8'. 

250.  k.  17. 
B.  Martin's   Miscellaneous  Correspond- 
ence, etc..  Vol.  II.,  p.  630. 
Tho'  lovely  Delia  thou  art  coy.     A  New 
Song.    [London,  1757.]    8".     250.  k.  17. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc.,  Vol.  II.,  p.  503. 
Whilst   in    the   Grove    Timandra   walks. 
A  Neiu  Song,  etc.     [London,  1758.]     8". 

250.  k.  17. 
B.  Martin's   Miscellaneous  Correspond- 
ence, etc.,  Vol.  II.,  p.  739. 

BAILDON  (Joseph)  IMirtilla  was  hand- 
some.    [Song.]     [London,  1756.'     8". 

P.P.  5439.  b. 
Universal  Visiter  a7id  Monthbj  Memori- 
alist, July,  1756. 
The  Slighted  ^Nfaid.     [Song.] 
[London,  1753.]     8".  P.P.  5439.  b. 

Universal  Visiter  and  Monthly  Memori- 
alist, Oct.,  1756. 
The  Spinning  Wheel.     [Song.] 
[London,  1756.]     8".  P.P.  5439.  b. 

Universal  Visiter  and  Monthly  Memori- 
alist, March,  1756. 

BARBIER  DE  SEVILLE.  [Vous 
Tordonuez.]  The  Favourite  Air,  in  the 
Barbier  de  Seville,  with  Variations  for 
the  Piano  Porte,  by  J.  Chalon.  [1799.] 
See  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  VII. 
No.  1.     [1797-1802.]     8".  D.  854. 

BARKER    (John)    of   Aldborongh.      The 
Pleasures  of  a  Rural  Life,  etc.     [Song.] 
[London,  1763.]     8".  P.P.  5440. 

Universal  Museum,  October,  1763. 

BARRETT  (John)  Organist.  [The 
Generous  Conqueror.]  Mr.  Barretts  Ayres 
in  the  Tragedy  [by  B.  Higgons]  call'd  the 
Generous  Conquerour  or  the  timely  Dis- 
coverry.  [First  Molin  and  Bass  Parts.] 
[London,  1702  ?]     obi.  fol.  d.  24.  (8.) 

[Mary    Queen   of   Scots.]      Mr.   Barretts 
Musick  in  the  Play  call'd  Mary  Queen  of 
Scotts.     [First  Violin  and  Bass  Parts.] 
[London,  1704  ?]     obi.  foL       d.  24.  (18.) 


BARRETT  (John)  Organist.  [The 
Pilgrim.]  Aires  in  the  Comedy  [by  Sir 
J.  Vanbrugh]  call'd  the  Pilgrim.  [First 
Violin  and  Bass  Parts.] 
[London,  l'i02?]  oW.  fol.  d.  24.  (11.) 
[Tunbridge  Walks.]  IMr.  Barretts  Musick 
in  the  Comedy  [by  T.  Baker]  call'd  Tun- 
bridg  walks  or  the  Yeoman  of  Kent. 
[First  Violin  aud  Bass  Parts.] 
[London,  1703  ?]     obi.  fol.       d.  24.  (14.) 

BARTHELEMON"  (FRAN901S  Hippo- 
lyte)  The  Opera  Dances  for  1784.  Com- 
posed &  properly  adapted  for  the  Piano 
Forte,  Harpsichord,  Flute  &  Violin  by 
F.  H.  Barthelemon.     Book  1. 

Longman  d  Broderip,  for  the  Author ; 
London,  [1784.]  obi.  i".  b.  51.  f.  (3.) 
[Orpheus.  Overture.]  Three  Celebrated 
English  Overtures  ;  adapted  for  the  Piano 
Forte.  ([No.  2.]  A  Peep  behind  the 
Curtain.  Barthelemon.)  [1798.]  Sec 
Periodical  Publications.  —  London. 
The  Piano  -  Forte  Magazine.  Vol.  V. 
No.  3.     [1797-1S02.]     8'\  D.  854. 

A  Peep  behind  the  Curtain. 
See  supra :  [Orp>hcus.] 

BASSANI  (Giovanni  Battista)  Res-i 
Armonici  in  Motetti  a  Voce  sola  con 
Violini . . .  Opera  Ottava.  Parte  che  Canta. 
(Violino  Primo.)  (Violiuo  Secondo.) 
(Basso  Continuo.)  4  pts.  Per  Henrico 
Aertssens:  Anver.ia,  1691.    i". 

K.  4.  f.  7. 

BATTISHILL  (Jonathan)  [Red  and 
White.]  Six  Favourite  Songs  . . .  by  . . . 
Sir.  Battishill  .  .  .  The  words  by  Mr. 
Harrison.  (No.  4.)  [1797.]  See  Peri- 
odical Publications.  —  London.  The 
Piano-Forte  IMagaziue.  Vol.  I.  No.  8. 
[1797-1802.]     8^  D.  854. 

BATTLE  OF  HEXHAM.  Moderation 
and  Alteration.  [Song.]  Sung  by  Mr. 
O'Reily  in  the  Battle  of  Hex[h]am.  [By 
S.  Arnold.]     [Dublin,  1789.]     s.  sh.  4°. 

P.P.  6154.  k. 
Walker's  Hibernian  Magazine,  Appen- 
dix, 1789. 

BATTLE  OF  PRAGUE.  The  Battle 
of  Prague,  for  the  Pianoforte.  [By  P. 
Kotzwara.]  [1798.]  See  Periodical  Pub- 
lications.— London.  The  Piano-Forto 
Magazine.  Vol.  III.  No.  4. 
[1797-1802.]     8".  D.  854. 

BEAUTY.      Beauty's    Power.      [Song, 
begins:  "Nature,  for  defence,  aiiords."] 
See  MozE  (J.  H.) 

BEE.  The  Bee.  A  New  Song  sung  by 
Mr.  Lowe.  See  To.  To  heal  the  Smart 
a  Bee  had  made,  etc.     [1750?]     s.  sh.  fol. 

1.  600.  d.  (170.) 


BENDA— BRIGHT 


BENDA  (Georg)  Six  Sonatas,  for  the 
Piano  Forte.  Composed  by  . .  .  Benda, 
dc.  (No.  2.)  [1799.]  See  Periodical 
Publications.  —  Ijondon.  The  Piano - 
Forte  Magazine.  Vol.  VIII.  No.  13. 
[1797-1802.]     8".  D.  854. 

BENEDICTU3  [Appenzelder]  Superius 
(Contratenor)  (Tenor)  (Bassus)  Des  chan- 
sons a  quattre  parties,  coraposez  par 
M.  Benedictus:  M.  de  la  Chapelle  de 
IMadame  la  Eegente,  Douagiere  de  Hon- 
guerie  &c.  4  pts.  Henry  Luijs  d  Iclian 
de  Buiis  :  Anucrs,  1542.     obi.  i". 

■^  K.  4.  f.  5. 

BERTEZEN  (Salvatore)    Six  Songs  with 

an  Accompaniment  for  a  Piano  Forte,  etc. 

Straight,  for  the  Author:  London, 

[1790?]     ohl.iol.  E.  270.  f.  (1.) 

BESIDE.  Beside  where  fam'd  Euphrates 
Hows.  Ode  on  Psalm  ciwxvii.  [Words] 
By  Mrs.  Toilet.     [London,  1765.]     8°. 

P.P.  324.  n. 

Christian's  Magazine,  Feb.,  17G5,  p.  88. 

BESOIN  D' AIMER.  Le  Besoin  d' Aimer. 
Cantatille.     See  Fevrier  (H.  L.) 

BID.       Bid     Painting's,     Pencil's     mimic 

Pow'rs.     T]ie  Mirror.     [Song.    Words  by] 

R.  Philbin,  etc.  [Dublin, 

1784.]     s.  sh.  4°.  P.P.  6154.  k. 

Hibernian  Magazine,  Nov.,  1784. 

BIRTHDAY.  A  Birth-Day  Thought. 
[Hymn.]  See  Can.  Can  I  all  gracious 
Providence,  etc.     [1761.]     8°. 

P.P.  324.  n. 

BITTEN   UND   ERHOERUNG. 

Bitten  und  Erhorung.     Singspiel. 
See  Kaffka  (J.  C.) 

BLAVET  (Michel)  See  Apollo's  Col- 
lection. Apollo's  Collection,  being  XII 
Duettos  for  Two  German  Flutes  or  two 
Violins  . . .  by  . . .  Sig"'  F.  Geminiani  . . . 
M'- Blavet  . .  .  Lib.  1'"",  f/c.     [1750?]     fol. 

h.  2052.  (3.) 
See  Apollo's  Collection.  Apollo's  Col- 
lection, being  sis  Sonatas  .  .  .  for  Two 
German  Flutes  or  Two  Violins  . . .  by  , . . 
Sig"'  Tartini  . . .  M"-  Blavet  . . .  Book  2''. 
[1755?]     fol.  b.  2052.  (4.) 

BLITHE.  Blithe  Sandy.  [Song.]  See 
]\Iy.  ^ly  Sandy  is  the  Sweetest  Swain, 
etc.     [1779.]     s.'sh.  4°.        P.P.  6154.  k. 

BLOOMING.      Blooming,  beauteous, 
fragrant     Flow'r.        The     Rose.       [Song. 
Melody  and  words  only.] 
[London,  1763.]     S".  P.P.  324.  n. 

Christian's  Magazine,  Dec,  1763,  p.  568. 
The  Blooming  Vale.     [Song.] 
See  Arne  (T.  A.) 

BOATIE.    The  Boatie  rows.     Song. 
See    Wilson    (W.)       [Ttcelve  .  .  .  Scotch 
Songs.     Ojj.  III.     No.  S.] 


BORGHI  (LuiGi)     See  Wvnne  (R.)     Six 

Divertimentos  .  .  .  Published    by    Lewis 
Borghi.     [1781?]     fol.  li.  5.  d.  (1.) 

BORSI  (Cesark)  Constante  at  Alcidonis, 
a  Grand  Ballet  . . .  composed  by  M.  Gallet, 
etc.     [P.  F.]  Printed  for  Corri, 

Dussek   d    Co.  :    London    ((:    Edinburgh, 
[1793.]     fol.  li.  16.  e.  (1.) 

The  title-page  is  signed  by  the  composer. 

BOUTMY  (Lacrent  Francois)  Four 
Italian  Overtures.  Arranged  for  the 
Piano  Forte  by  L.  Boutmv.  (fOp.  2. 
No.  1.]  Sinfonia.  Sig'  Sarti.  [No.  2.] 
Sinfonia.  Paisiello.  [No.  3.]  Sinfonia. 
Sig''  Paisiello.  [No.  4.]  Sinfonia.  Sig' 
Salieri.)  [1799.]  See  Periodical  Publi- 
cations.—  London.  The  Piano  -  Forte 
Magazine.  Vol.  VII.  No.  7. 
[1797-1802.]     8".  D.  854. 

BOYCE   William) 

1.  Church  Music  and  Ode. 
The    Lord  my  Pasture  shall  prepare.     A 
Pastoral  Hymn,  by  J.  Addison  . . .  for  Two 
Voices.     [London,  1760.]     8". 

P.P.  324.  n. 
Christian's  Magazine,  May,  1700,  p.  88. 

2.  Solomon. 
Solomon,  a  Serenata  . . .  for  the  Harpsi- 
chord or  Piano  Forte.  [1801.]  See 
Periodical  Publications.  —  London. 
The  Piano-Forte  Magazine.  Vol.  XIII. 
[No.  7.]     [1797-1802.]     Q\  D.  854. 

4.  Songs. 
h.  Single  Songs. 
Again  to  the  Garden.     A  new  Ballad,  etc. 
[Lo7ulon,  1756.]     8°.  P.P.  5439.  b. 

Universal  Visiter  and  Monthly  Memori- 
alist, Feb.,  1756. 
Phyllis.     [Song.]     [London,  1756.]     8". 

P.P.  5439.  b. 
Universal  Visiter  and  Monthly  Memori- 
alist, ■June,  1756. 
Saw  you  Phsebe  pass  this  wav.     -4  Song. 
[London,  1756.]     8".  P.P.  5439.  b. 

Universal  Visiter  and  Monthly  Memori- 
alist, Aug.,  1756. 

BOYTON  (William)     [Diana  and  Hebe.] 
See  Aurora.     Aurora  liedapples  the  gray 
bending  skies  . . .  [Song]  adapted  from  . . . 
Diana  and  Hebe  [by  W.  Bovton]. 
[1797.]     8".  P.P.  6154.  k. 

BRAES.     The  Braes  of  Yarrow.     Song. 

See  Rannie  (J.) 

BRIGHT.  Bright  Chanticleer  proclaims 
the  dawn.  Old  Toivler.  A  favourite 
Hunting  Song  [from  '  The  Czar  Peter,'  by 
C.  Dibdin],  etc.     [Dublin,]  1795.     8°. 

P.P.  6154.  k. 
Walker's    Hibernian    Magazine,    July, 
1795. 


BRIOCHE— CAULD 


BRIOCHE.  Brioche  ;  on  L'Origine  cTes 
Marionettes,  Parodie  de  Pigmalion.  Par 
M.  Gaubier  . . .  Representee  ponr  la  pre- 
miere fois  ...  le  ...  26  Septembre  17-43. . . 
avec  la  :Musique.  Chez  Duchesne  : 

Paris,  1753.     S".  86.  b.  14. 

Part  of  '  Supplement  aux  Parodies   du 
Theatre  Italicn,'  etc.,  torn.  1. 

BRITISH.     The  British  Fair.     [Song.] 
Sre  Phcebus.      Phcebus   meaner  Themes 
disdaining,  etc.     [1765.]    8".     P.P.  5440. 

BRODERIP  (.John)  Six  Glees  for  three 
Voices. .  .Opera  Quinta. 

Longman,  Lukey  &  Co. :  London, 
[1775?]     fol.  H.  1648.  b.  (1.) 

BROOM.     Broom   on   Cowdenknows.     A 
Scotch  Air,  with  Variations.     [1801.] 
See  Periodical  Publications.— LoncZon. 
The   Piano-Forte   ^Magazine.     Vol.  XIV. 
[No.  2  c.]     [1797-1802.]     S".  D.  854. 

BRUCKFIELD  (T.  B.)  Eight  Cotillons, 
Eight  Country  Dances,  &  Two  Favourite 
Minuets  ;  with  Directions  to  each  Dance, 
etc.     Nonoich,  [1780  ?]     obi.  4".         a.  97. 

BRUNI  (Antonio  Bartolommeo)  0  dieu 
puissant.  Hi/nuic  a  VEtrc  Supreme  chante 
par  les  enfans  le  20  praireal  I'an  2""=.  (Par 
J.  M.  Deschamps,  etc.)  [Paris, 

1794.]     fol.  Fr.  Pam.  69*.  (7.) 

BUESSSPORN.      Buesssporn,   Das    ist : 
Ein  schones  newes  Geistliches  Lied. 
See  DoMiNicus,  a  Carthusian. 

BUONA  FIGLIUOIjA.  Overture.  La 
Buona  Figliuola.  [ByN.Piccini.]  [1801.] 
Sec  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  XIV. 
[No.  10.]     [1797-1802.]     8".  D.  854. 

BURMANN  (GoTTLOB  Wilhelm)      :\Io- 
nathliche  Clavier-Unterhaltungen. 
Berlin,  1779.     fol.  g-  830. 

BURTON  (John)  [Ten  Sonatas.  No.  0. 
Moderato.  No.  1.  Allegro.  No.  2.  Rondo. 
No.  8.  Giga  in  Rondeau  Form.]  The 
Courtship,  The  Chace,  and  Tit  for  Tat. 
Three  Favorite  Concertos,  for  the  Piano 
Forte.  [1798.]  See  Periodical  Publica- 
tions.— London.  The  Piano-Forte  Maga- 
zine.   Vol.  III.    No.  12.    [1797-1802.]    8°. 

D.  854. 

BUSBY  (Thomas)  Six  Sonatas,  for  the 
Piano  Forte.  [Op.  1.]  [1799.]  Sec  Peri- 
odical Publications.  —  London.  The 
Piano-Forte  Magazine.  Vol.  VII.  No.  5. 
[1797-1802.]     8°.  D.  854. 

BY.  By  the  stream  so  cool  and  clear.  St. 
Kilda  Song.  [J.  Sibbald  :  Edinburgh, 

1787.]     s.  sh.  4".  257.  b.  18. 

Edinburgh  Magazine,  May,  1787. 


BY.      By    Tweed's    clear    stream.      Young 
Jockey  is  the  Lad.    A  much  admired  Song. 
Set  to  the  favourite  Air  La  Lnrniere. 
[Dublin,  1783.]    s.  sh.  4".     P.P.  6154.  k. 
Hibernian  Magazine,  Oct.,  1783. 


CAMINI  (Antonio)  Six  Sonatas  for  Two 
German  Flutes,  or  Two  Violins,  compos'd 
in  an  easy,  Familiar  Pleasant  Stile,  etc. 

Printed  for  David  Rutherford  : 
London,  [VlbO  2]    obi.  4:".  a.  "iSO, 

TJie  First  Flute  part  only. 

CAN.     Can  I  all  gracious  Providence.     A 
Birth-Dcui  Thought.     [Hymn.] 
[London,\l&l.'\     8''._  P.P.  324.  n. 

Christian's  Magazine,  Supplement,  Jan.- 
June,  1761,  p.  345. 

CARE.  Cara  [sic]  donnesventurate.  Duett. 
See  Fraschetana. 

CARMAGNOLE.      La     Carmagnole,    a 
Favourite   French   Dance.      Parodied    by 
T.   Dutton.     [Song.]      See  Thundering. 
The  thund'riug  cannon  rend  the  skv. 
[1794.]     s.  sh.  i".  P.P.  6154.  k. 

CARNEVAL    VAN    ROOMEN.      De 

Carueval  vaii  Roomen,of  de  Vastenavonds 
Vermaaklykheden.  De  Wed:  H: 

van  Hulkenroy  :  Haarlem,  1718.     8\ 

Print  Room. 

CARTER  (C.  Thomas)  Canons,.  Glees, 
and  Catches  for  Two,  Three,  and  Four 
Voices  . . .  dedicated  to  . . .  the  Duke  of 
Queensberrj'.  [1797.]  See  Periodical 
Publications.  —  London.  The  Piano- 
Forte  Magazine.  Vol.  I.  No.  4. 
[1797-1802.]     8°.  D.  854. 

[Rosy  Morning.]  Six  Favourite  Songs. . . 
bv  . . .  Mr.  Carter  . . .  The  words  by  Mr. 
Harrison.  (No.  5.)  [1797.]  Sec  Peri- 
odical Publications.  —  London.  The 
Piano-Forte  Magazine.  Vol.  I.  No.  8. 
[1797-1802.]     8".  I>.  854. 

See  Haydn  (F.  J.)  [3.  /.  Sijmphonies. 
B.  &  H.  No.  53.']  Haydn's  celebrated 
Overture  adapted  for  the  Harpsichord . . . 
by  T.  Carter.     [1785  ?]     fol. 

li.  726.  p.  (9.) 

CASATI  (Gasparo)  Sacri  Concenti  a 
Voce  Sola. .  .Opera  Seconda.     Parti tura. 

Alia  Stampa  del  Gardano  :   Yenetia, 
1646.     obi.  S".  K.  4.  a.  13.  (2.) 

CAULD.  Cauld  Kail  in  Aberdeen.  [Song.] 
See  There.  There's  cauld  kail  in  Aberdeen, 
etc.     [1788.]     8".  P.P.  6225. 


8 


CAZZATI— CLEMENTI 


CAZZATI  (IMauritio)  II  Primo  Libro  de 
Motetti  a  voce  sola,  cou  il  Pianto  di  S. 
Pietro. .  .Opera  Quinta. 

Alia  Stanifa  del  Gardano  :   Ycnctia, 
1G47.    ohl.  8'\  K.  4.  a.  13.  (3.) 

II  Secondo  Libro  de  Motetti  a  Voce  Sola 
. .  .Opera  Sesta. 

Alia  Stampa  del  Gardano  :   Venetia, 
1648.    obi.  8\  K.  4.  a.  13.  (4.) 

CE.  Ce  que  jo  dis  est  la  verite.  French 
Song.     {Edinburgh,  1785.]     s.  sh.  4". 

257.  b.  14. 

Edinburgh  Magazine,  June,  1785. 

CEASE.  Cease,  fair  Celia,  cease  to  chide 
me.     A  New  Song.     [London,  1764.]     8". 

250.  k.  19. 
B.  Martin's   Miscellaneous  Correspond- 
ence, etc..  Vol.  IV.,  p.  661. 
Cease  fond  Youth.     Song. 
Sec  MozE  (J.  H.) 

■  CESARINI  (Carlo  Francesco)  [Two 
Concertos.  No.  1.]  A  Concerto  .  .  .  for 
the  Piano  Forte.  [1798.]  See  Periodical 
Publications.  —  London.  The  Piano- 
Forte  Magazine.  Vol.  IV.  [No.  5.] 
[1797-1802.]     S\  D.  854. 

CHAIjON  (John)  The  Favourite  Air, 
["  Vous  I'ordonncz  "J  in  the  Barbier  de 
Seville,  with  Variations  for  the  Piano 
Forte,  by  J.  Chalon.  [1799.]  See  Peri- 
odical Publications.  —  London.  The 
Piano-Forte  ilagazine.  Vol.  VII.  No.  1. 
[1797-1802.]     8'.  D.  854. 

Six  Sonatinas  for  the  Piano  Forte.  Op.  3. 
[1800.]  See  Periodical  Publications. — 
London.  The  Piano-Forte  Magazine. 
Vol.  XII.     [No.  4.]     [1797-1802.]     8". 

D.  854. 

CHANSONS. 

1.  Attaignant's  Collections. 
Unziesme  liure  cotenant  xxviii.  Chasons 
nouuelles  a  quatre  parties  en  vng  volume 
■et  en  deux,  etc.    Superius  et  Tenor.    (Con- 
tratenor  et  Bassus.)    2  pts. 

Pierre  Attaingnant  et  Hubert  Juliet : 
Paris,  1541.     obi.  4».  K.  4.  g.  1. 

The  composers  of  this  collection  are : 
Maillard,  Certon,  Gentian,  Vuauquel, 
Claudin,  Certon,  Lupus,  Mornable, 
Gamier,  Ha.rchadelt,  Mittantier, 
Maille  and  Soliier. 

4.  Tylman  Susato's  Collections. 
Vingt  et  Six  Chansons  musicales  & 
nouuelles  conuenables  tant  a  la  uoix 
comme  aussi  propices  a  louer  De  Diuers 
Instrumentz,  etc.  Superius.  (Contra 
Tenor.)     (Tenor.)     (Bassus.)     4  pts. 

Tldlman  Susato  :  Anuers, 

[1541  ?]    obi.  i".  K.  4.  g.  2. 

The  Tenor  Juts  a  different  title-page  and 

a  dedication  in  verse  to  Queen  Mary 

of  Hungary  :    at  the  end  is  '  Fin  die 


Premier  Liure.'  The  fifth  voice  part, 
when  reqtiired,  is  printed  in  one  of  the 
other  parts.  Fol.  1  of  the  Discantus  is 
tvanting,  but  has  been  supplied  in 
manuscript.  The  composers  named 
are :  T.  Crequillon,  J.  Lupi,  J. 
Mouton,  J.  Gallns,  Descaudain,  C. 
Canis,  T.  Susato,  Eichafort  and  J. 
Baston. 

CHARPENTIER  (-Jean  Jacques  Beau- 
varlet)    III°  Recueil  de  petits  Airs  choisis 
et  varies   pour   la   Harpe  le  Clavecin  ou 
Forte  Piano. .  .CEuvre  XI^ 
Chez  Cousincau  :  Paris,  [1780?]     obi.  fol. 

e.  161.  a. 

CHISTOY.      Chistoy  iztochnik   tee   mue 
vseh  crasivey.     Russian  Song. 
[Edinburgh,  1785.]    s.  sh.  4".     257.  b.  14. 

Edinburgh  Magazine,  April,  1785. 

CHLOE.     Chloe,  in  your  mirror  view.     A 

Neiv  Song.     [London,  1759.]     8°. 

250.  k.  18. 
B.  Martin's    Miscellaneous   Correspond- 
ence, etc..  Vol.  III.,  p.  33. 
Cloe's   Way.     [Song.]     See   Arne  (T.  A.) 
[H.  Songs,  dx.     b.  Single  Works.'] 

CIMAROSA  (Domenico)  [Overture  in 
D.]  A  Collection  of  Overtures  and  Sym- 
phonies. By  . . .  Cimorosa  [sic].  [No.  6. 
Violin  and  P.  F.]  [1797.]  Set- Periodical 
Publications.  —  London.  The  Piano- 
Forte  Magazine.  Vol.  II.  No.  5. 
[1797-1802.]     8".  D.  854. 

CIRRI  (Giovanni  Battista)  Deux  Quat- 
tuors  pour  deux  Violons  Violoncelle  oblige 
et  Basse.  [Separate  Parts.]  Printed  for 
the  Author  :  London,  [1770  ?]     fol. 

h.  2801.  b.  (1.) 

CIjAGGET  (Walter)  Six  Solos  for  Two 
Violoncellos.  Printed  for  Thompson  & 

Sons  :  London,  [1763  ?]     fol.     g.  305.  a. 

CLARKE  (Jeremiah)    [All  for  the  better.] 
Mr.    Jer:    Clarke's  Aires   in   the    Comedy 
[by  F.  Manning]  call'd  all  for  the  Better. 
[First  Violin  and  Bass  Parts.]     2  pts. 
[London,  1703  ?]     obi.  fol.       d.  24.  (12.) 

CLEMENTI    (Muzio)     Six   Sonatas,   for 
the  Piano  Forte.     [Op.  1.]     [1798.] 
See  Periodical  Publications. — London. 
The    Piano-Forte    Magazine.      Vol.    VI, 
No.  3.     [1797-1802.]     8".  D.  854. 

Six  Sonatas  for  the  Piano  Forte.  [Op.  4.] 
[1800.]  See  Periodical  Publications. 
— London.  The  Piano-Forte  Magazine. 
Vol.  X.     No.  3.     [1797-1802.]     8". 

D.  854. 
Two  Sonatas  for  the  Piano  Forte.  [Op.  5. 
Nos.  1  and  2.]  [1801.]  See  Periodical 
Publications.  —  London.  The  Piano- 
Forte  Magazine.  Vol.  XV.  [No.  9.] 
[1797-1802.]     8'\  D.  854. 


CLEMENTI— COUNTRY 


CLEMENTI  (]\ruzio)  Three  Sonatas  for 
the  Piano  Forte.  [Op.  7.]  [1801.]  See 
Periodical       Publications.  —  London. 

Vol.    XV. 
D.  854. 


The   Piano-Forte    Magazine. 


No.  11.     [1797-1802.]     8". 

COLIN.     Colin's  Success.     [Song.] 

See   To.     To   woo   me  and  win   me,  etc. 
[By  W.  Defesch.]     [1755?]     s.  sh.  fol. 

I.  600.  d.  (169.) 

COLINET.     Colinet,  etc.     [Song.]  _ 

Sec  Now.     Now  the  happy  knot  is  ty'd, 
etc.     [By  T.  A.  Arne.]     [1759.]     s.  sh.  8". 

I.  600.  d.  (156.) 

COME.  Come  all  hands  ahoy  to  the 
anchor.  Jack  at  the  WindlaiiS.  [Song, 
from  '  The  Quizes,'  written  and  composed 
bv  C.  Dibdin.]     [Dublin,  1794. :     s.  sh.  i". 

P.P:  6154.  k. 

Walker's    Hibernian    Magazine,    May, 
179i. 
Come,  come,  my  good  shepherds.     [Song, 
from  '  The  Winter's  Tale.'     Bv  :\r.  Arne. 
\_London,  17G9.]     8".  P.P.  5440. 

Universal  Magazine,  Feb.,  1769. 
Come  every  ^lan  now  give  his  Toast.    The 
Toast.     [Song,  from  '  Poor  Vulcan,'  words 
and  music  by  C.  Dibdin.]  Dublin, 

1781.]     s.  sh.  4\  P.P.  615 i.  k. 

Hibernian  Magazine,  April,  1781. 
Come  if  you  dare.     [Song.] 
See  PuRCELL  (H.)     [King  Arthur.] 
Come  let  us  dance  and  slug.     [Song.] 
See  Inkle  and  Yarico. 
Come,   live   with   me   and    be   my   Love. 
Song.     See  Arne  (T.  A.)      [•?.  Songs,  dc. 
b.  Single  Works.] 

Come    tell    me,    dear    Phillis.      Phillis. 
rSons.l     [Dublin;]  1778.     s.  sh.  i". 

P.P.  6154.  t. 

Hibernian  Magazine,  July,  1773. 
Come  ye  Nymphs  who're  brisk  and  airy. 
Come    ye    Nymjihs.      [Song.]      For    the 
German  Flute.     [Dublin,  IITJ.]     s.sh.i". 

P.P.  6154.  k. 

Hihernian  Magazine,  April,  1779. 

COMPLAINT.   The  Complaint.   [Hymn.] 
See  Ah.     Ah  me,  wretched  Sinner,  etc. 
[1762.]     8\  P.P.  324.  n. 

The  Complaint.    [Song.]    See  Arne  (T.  A.) 
[3.  Songs,  dc.     b.  Single  Works.] 
The     Complaint.      [Song,     begins :     '  Ah 
Chloe,  thou  treasure.']      See  Moze  (-J.  H.) 

CONSTANTE  ET  ALCIDONIS.  Cou- 
stante  et  Alcidouis.     Ballet. 
See  Bossi  (C.) 

CONVIVIAL  SONGSTER.  The  Con- 
vivial Songster,  being  a  Select  Collection 
of  the  best  Songs  in  the  English  Language 
. .  .with  the  Music  prefixed  to  each  Song. 
Printed  for  John  Fielding  : 
London,  1782.     12°.  1078.  e.  28. 


CORBETT  (William)  [As  you  find  it.] 
:\Ir.  Corbetts  Musick  in  the  Comedy  call'd 
As  you  find  it.  [First  Violin  and  Bass 
Parts.]     2  pts.     [London,  1704  ?]     obi.  fol. 

d.  24.  (15.) 
[The  British  Enchanters.]  Mr.  Corbetts 
Musick  in  the  Opera  [by  Lord  Lansdowne] 
call'd  the  British  Inchanters  or  no  Magick 
like  Love.  [First  Violin  and  Bass  Parts.] 
2  pts.     [London,  1106?]    oW.  fol. 

d.  24.  (22.) 
[Henry  the  Fourth.]  Mr.  Corbet's  Musick 
in  the  Comedy  call'd  Hen>'  the  4'-'  Play'd 
all  the  time  of  the  Publick  Act  in  Oxford. 
[First  Violin  and  Bass  Parts.]  2  pts. 
[LonfZoH,  1704?]     obi.  tol.       d.  24.  (16.) 

CORELLI  (Arcangelo)  [Concert!  Grossi. 
Op.  6.  No.  8.]  Corelli's  Concerto.  Com- 
posed for  the  Celebration  of  the  Nativity. 
[1799.]  Sec  Periodical  Publications. 
—London.  The  Piano-Forte  Magazine. 
Vol.  VII.     No.  2.     [1797-1802.]     S". 

D.  854. 

COREE  (-James)  Six  English  Songs  for 
two  &  three  Voices,  etc.  Printed  for 

John  Johnson  :  London,  [1740  ?]     fol. 

H.  1648.  b.  (2.) 

CORRI  (Domenico)  A  Concerto  [in  A] 
for  the  Piano  Forte.  [1800.]  See  Peri- 
odical Publications.  —  London.  The 
Piano-Forte  IMagazine.  Vol.  XL  [No. 
1  b.]     [1797-1802.]     8".  D.  854. 

CORTECCIA  (Francesco)  Residuum 
Cantici  Zacharia;  Prophetae,  et  Psalmi 
Dauidis  Quinquagesesimi  pro  Secundo 
Choro  .  .  .  Ferijs  omnibus  Maioris  Heb- 
domade  ad  Triduu  Illud  Maxime  appositu, 
nuper  editu.  Apud  Filios  Antonij 

Gardani :   Venctijs,  1570.     fol. 

K.  4.  h.  11. 


Song. 


COTTAGE.     The  Cottage  Boy. 

See  Mora.     Mora  shook  her  locks,  etc. 
[1793.]     s.  sh.  4".  P.P.  6154.  k. 

COULD.  Could  a  man  be  secure.  A 
Favourite  Duet.  [By  Starling  Goodwin.] 
[Dublin,]  1790.     8".  P.P.  6154.  k. 

Walker's  Hibernian  Magazine,  Septem- 
ber, 1790. 

COUNTRY.  The  Country  Rector.  A 
Village  Anecdote.  [Song.] "  See  Parson. 
The  Parson  came,  etc.     [178.3  ?]     fol. 

G.  425.  a.  (15.) 

COUNTRY     DANCES.      The    Art     of 

Sparing.     A  Country  Dance. 
[Dublin,]  1796.     8".  P.P.  6154.  k. 

Walker's  Hibernian  Magazine,  October, 
1796. 
The  Bottle  of  Punch.     A  Country  Dance. 
[Dublin,  1790.]    s.  sh.  i\     P.P.  6154.  k. 
Walker's  Hibernian  Magazine,  December, 
1790. 


10 


COUNTRY 


COUNTRY     DANCES.        The     Brick- 
IMakers.     A  Country-Dance. 
[Londoii,  1756.]     8°.  250.  k.  16. 

B.  Martiii's   Miscellaneous  Correspond- 
ence, etc.,  Vol.  I.,  p.  484. 
The      Carnation.       A      Conntrv      Dance. 
[Ditblin,  1788.]    s.  sh.  4".     P.P."  6154.  k. 
Walker's  Hibernian  Mcujazinc,  October, 
1788. 

The  Cheese-Cake.    A  New  Countrv-Dance. 
[London,  1756.]     8°.  250.  k.  16. 

B.  Martin's   Miscellaneous  Correspond- 
ctc,  Vol.  I.,  p.  270. 

The  City-Mall.     A  New  Countrv-Dauce. 
[London,  1757.]     8°.  250.  k.  17. 

B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  II.,  p.  529. 

A   New  Country-Dance,  called   the   Pan- 
Cake.     [London,  1756.]     8°.     250.  k.  16. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  I.,  p.  372. 

A  Country  Dance.     [London,  1758.]     8". 

250.  k.  17. 
B.  Martin's  Miscllancous  Correspond- 
ence, etc..  Vol.  II.,  p.  878. 
A  New  Country  Dance.  [London, 

1758.]     8\  250.  k.  17. 

B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  II.,  p.  720. 

A  Country  Dance.     [London.  17.59.]     8". 

250.  k.  18. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  III.,  p.  34. 

The    French   in   Confusion.     A    Country- 
Dance.    [London,  1756.]    8".     250.  k.  16. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  I.,p.  394. 

The  French  Retreat.     A  Country  Dance. 
[London,  1757.]     8".  250.  k.  17. 

B.  Martin's  Miscellaneous   Correspond- 
ence, etc..  Vol.  II., p.  566. 
The    Gobhy    0  !      (IMaria.)      A    Country 
Dance.     [Dublin,  1790.]    s.  sit.  4". 

P.P.  6154.  k. 
Walker's     Hibernian    Magazine,    Feb., 
1790. 

Jackson's    Drum.       A    Country    Dance. 
[Dicblin,  1790.]    s.  s/i.  4".     P.P.  6154.  k. 
Walker's  Hibernian  Magazine,  Septem- 
ber, 1790. 

Lough   Erric   Side.      A    Country   Dance. 
[Dublin,']  1796.     8".  P.P.  (8154.  k. 

Walker's   Hibernian  Magazine,  March, 
1796. 

The  Merry  Captain.     A  Country  Dance. 
[DuUin,]  1796.     8".  P.P.  6154.  k. 

Walker's    Hibernian    Magazine,    June, 
1796. 

Miss  Gamble's  Frolick.   A  Countrj'-Dance. 
[London,  1755.]     8".  250.  k.  16. 

B.  Martin's   Miscellaneous  Correspond- 
ence, etc.,  Vol.  I.,  p.  202. 


COUNTRY    DANCES.      The    ]Moying 
Dispensary.     A  Country  Dance. 
[Dublin,]  1196.     8".  P.P.  6154.  k. 

Walker's   Hibernian    Magazine,   Ajyril, 
1796. 
Polly  pouts.     A  Country-Dance. 
[London,  1755.]     8".  250.  k.  16. 

B.  Martin's   Miscellaneous  Correspond- 
ence, etc..  Vol.  I.,  p.  217. 
Princess  Augusta's  Tamborine.     A  Coun- 
try-dance.    [London,  1755.]     8°. 

250.  k.  16. 
jB.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  I.,  p.  60. 
A  Ramble  to  Greenwich.   A  new  Country- 
Dance.    [London,  1757.]    8°.     250.  k.  17. 
B.  Martin's  Miscellaneous    Correspond- 
ence, etc..  Vol.  II.,  p.  608. 
A  Ramble  to  Oxford.     A  Country-Dance. 
[London,  1757.]     8".  250.  k.  17. 

B.  Martin's  Miscellaneous   Correspond- 
ence, etc..  Vol.  II.,  p.  646. 
The  Running  Horse.     A  Country  Dance. 
[Dublin,  1788.]     s.  sh.  4°.     P.P.  6154.  k. 
Wcdker's    Hibernian    Magazine,    July, 
1788. 
Rutland   Lodge.      A  Country  Dafnce. — A 
Trip  to  Italy.     A  Country  Dance. 
[Dublin,  1788.]    s.  sh.  4°.     P.P.  6154.  k. 
Walker's    Hibernian    Magazine,    May, 
1788. 
The  Sow  in  the  Sack.     A  Country  Dance. 
[London,  1755.]     8".  250.  k.  16. 

B.  Martin's  Miscellaneous    Correspond- 
ence, etc.,  Vol.  I.,  p.  153. 
The  Sweet  Conclusion.   A  Country  Dance. 
[London,  1755.]     8°.  250.  k.  16. 

B.  Martin's  Miscellaneous    Correspond- 
ence, etc..  Vol.  I.,  p.  137. 
The  Tabernacle.     A  new  Country-Dance. 
[London,  1757.]     8°.  250.  k.  17. 

B.  Martin's  Miscellaneous    Correspond- 
ence, etc..  Vol.  IL,  p.  505. 
Tatter    the    Road.      A    Country   Dance. 
[Dublin,  1190.]    s.  sJi.  4".     P.P.  6154.  k. 
Walker's    Hibernian    Magazine,    May, 
1790. 
The  Waltz.     A  Country  Dance. 
[Dublin,  1794.]   s.  sh.  4°.     P.P.  6154.  k. 
Walker's  Hibernian  Magazine,  October, 
1794. 
The  Welch-Rabbit.     A  Country  Dance. 
[London,  1755.]     8°.  250.  k.  16. 

B.  Martin's  Miscellaneous   Correspond- 
ence, etc..  Vol.  I.,  p.  1. 
Windsor  Forest.     A  Country-Dance. 
[London,  1757.]     8".  250.  k.  17. 

B.  Martin's   Miscellaneous  Correspond- 
ence, etc..  Vol.  II. ,  p.  487. 
Within   a   Mile   of   Dublin.      A  Country 
Dance.  [Dublin,]  1796.  8".  P.P.  6154.  k. 
Walker's    Hibernian    Magazine,    June, 
1796. 


CREATOR  -  DIBDIN 


U 


CREATOR.     Creator  Spirit.     [Hymn.] 
>v.'  MozE  (J.  H.) 

CREPUNDIA  SACRA.  Crepundia 
Sacra,  nounihil  aucta :  M.  Ludouici 
Helmboldi  . .  .  Christliche  Liedlein  :  an 
S.  Gregorij,  der  Schiiler  Fest  Tage,  vnd 
sonsten.  zu  singen,  mit  vier  Stimmen 
zugericht.     Discantus.     MS.  notes. 

Gednickt. . .  bey  Jacob  Singe, 

In     Verlegiing     Hicromjmi     Eeinhardts  : 

Erfforclt,  1608.    8°.  11517.  aa.  11. 

Tlie    composers   of  this   collection   are: 

J.  Eccart,   J.  a   Biirck   and   J.   Hcr- 

viamiHS. 

CROFT  (William)     [The  Funeral.]     Mr. 

W"  Croft's  Ayres  in  the  Comedy  [by  Sir 

R.   Steele]   call'd   the    Funeral,  or   Grief 

Allamode.     [First  Violin  and  Bass  Parts.] 

2  pts.     [London,  1702?]     obi.  fol. 

^  d.  24.  (7.) 

[The    Lying    Lover.]       Mr.    W"    Croft's 
Musick  in  the  Comedy  [by  Sir  R.  Steele] 
call'd   the   Lying    Lover.      [First   Violin 
and  Bass  Parts.]     2  pts. 
[London,  11017]     oW.  fol.        d.  24.  (17.) 

CROPPIES.       Croppies    lie    down.      An 
Irish  Air,  with  Variations.     [1801.] 
See  Periodical  Publications. — London. 
The   Piano-Forte   Magazine.     Vol.  XIV. 
[No.  2  a.]     [1797-1802.]     S".  D.  854. 

CROTCH  (William)  The  Rose  had  been 
wash'd.     [Song.] 

H.  Holland,  for  the  Author  : 
[London,  1100?]   fol.      H.  1797.  pp.  (6.) 

CULLMAjSTN  (  )  Gedichte  von  J.  J. 
Ihlee,  etc.  [With  four  poems  set  to 
music  by  Cullmann.]  J.  P.  Bayrhoffer  : 
Frankfurt  am  Mayn,  1789.     8". 

11527.  bbb.  80. 

CUZENS  (Benjamin)      Sweeter  than  the 
Blushing  Rose,  etc.     A  Duett,  etc. 
[Dublin,  1788.J    s.  sh.  i".     P.P.  6154.  k. 
Walker's    Hibernian    Magazine,    Dec, 
1788. 


DAMON.   Damon.  [Song,  begins  : 'Young 
Damon  once  the  happiest  Swain.'] 
See  Green  (T.) 

DAPHNIS.  Daphnis's  Complaint.  [Song.] 
SVt  Murphy  (S.) 

DEAR.     Dear  Chloe,  how  blubber'd  is  thy 
pretty  face.     A  Favourite  Song,  etc. 
[London,  1767.]     8».  P^P.  5440. 

Universal  Museum,  July,  1767. 
Dear  Ned,  let  us  taste  the  true  Pleasures 
of  Wine.     Song.     See  Moze  (J.  H.) 


DEFESCH  (Willem)  Colin's  Success. 
[Song.]  Sung  by  Mrs.  Chambers  at 
:\Iarybcn  Gardens.  See  To.  To  woo  me 
and  win  me,  etc.     [1755  ?]     s.  .s7i.  fol. 

I.  600.  d.  (169.) 

DELIGHTFUL.  Delightful  is  a  rural 
Life.     rSong.]     See  Lady  of  the  Manor. 

DENBY  (  )  When  love  hath  charm'd,  a 
favourite  Ballad.  [Aberdeen, 

1791.]     s.  sh.  obi.  8\  P.P.  6225. 

Aberdeen  Magazine,  October,  1791. 

DEZEDE  (N.)  [Julie.  Lisou  dormaitj 
Marchc  des  Marriages  fsic],  Samnites  [by 
A.  E.  M.  Gretryl,  et  I'Air  de  Julie,  with 
Variations  by  W.'  A.  Mozart.  [1798.] 
See  Periodical  Publications.— LojifZovu 
The  Piano-Forte  Magazine.  Vol.  HI. 
No.  9.     [1797-1802.]  D.  854. 

DIBDIN  (Charles) 

1.  Collections,  Vocal  and  Instrumental. 
A  Sonata,  adapted  for  the  Harpsichord  or 
Piano-Forte,  with  an  Accompaniment  for 
the  Violin  or  Flute. .  .being  No.  l(-3)  of  a 
Collection  to  be  publish'd. .  .by  Mr.  Dibdni 
from  the  favorite  Songs  in  his  Wags  & 
Oddities.     3  N•^  The  Author  : 

London,  [1790?]     fol.  g.  151. 

2.   Operas,  Odes,  Entertainments  and 
Single  Songs. 
Castles  in  the  Air. 
Tack  and  half  Tack,  etc.     [Song.] 
[Dublin,  1794.]   s.  sh.  i".    P.P.  6154.  k. 
Walker's    Hibernian    Magazine,    Sept., 
1794. 

The  Deserter. 
The  Deserter.  A  Musical  Drama. .  .Com- 
posed bv  Messrs.  Philidor  [or  rather  ilon- 
signv]  &  Dibdin.  [1800.]  See  Periodical 
Publications.  —  London.  The  Piano  - 
Forte  [Magazine.  Vol.  X.  No.  2. 
[1797-1802.]     8".  L>-  854. 

The  Ephesian  :\Iatron. 
What  ho  !     Charming  Dame,  etc. 
See  Ephesian  !\Iatron.   What  ho  !    Song, 
etc.     [By  C.  Dibdin.]     1779.     s.  sh.  4°. 

^  P.P.  6154.  k. 

Great  News. 
[Lovely  Nan.    Song.]    [Dublin,  1796.]   S\ 
^  P.P.  6154.  k. 

Walker's  Hibernian  Magazine,  January, 
1796.    Imperfect,  ivanting  the  first  leaf. 
A  Play  upon   Words.     [Song.]     Written, 
composed  and  sung  by  Mr.  Dibdin. 
[Dublin,  1795.]     S".  P-P-  6154.  k. 

Walker's    Hibernian    Magazine,   April, 
1795. 
Tom  Truelove's  Knell.     [Song.]     See  Tom 
Truelove.       Tom    Truelove    woo'd    the 
sweetest  fair,  etc.     [By  C.  Dibdin.] 
1796.     8".  P-P-  6154.  k. 


12 


DIBDIN— DONS 


DIBDIN   (Charles)  Little   Ben.     A 

favourite  Song,  etc.  [Dublin, 

1790.]     s.  sh.  4".  P.P.  6154.  k. 

Walkei-'s    Hibernian  Magazine,    June, 

1790. 

The  North  Country  Lass.  See  There. 
There  was  a  fair  Maiden,  etc.  [By  C. 
Dibdin.]     [1769.]     8".  P.P.  5438.  z. 

The  Oddities. 
The   Greenwich   Pensioner.     A   favourite 
Song,  etc.     [Dublin,  1790.]     s.  sit.  4'\ 

P.P.  6154.  k. 
Walker's    Hibernian    Magazine,    May, 
1790. 

The  Padlocli. 
The  Padlock  ;  a  Comic  Opera  :  composed  & 
adapted  for  the  Piano  Forte  by  C.  Dibdin. 
[1798.]  See  Periodical  Publications. 
— London.  The  Piano-Forte  Magazine. 
Vol.  V.   No.  6.    [1797-1802.]   8'\  D.  854. 


[I  was  d'ye  see  a  Waterman.]     Poll  and 
my  Partner  Joe.     A  favourite  Song. 
[Dublin,  1790.]    s.  sh.  4°.     P.P.  6154.  k. 

Walkcr''s    Hibernian    Magazine,    Sept., 
1790. 
Poll  and  my  Partner  Joe.     See  supra  :  [I 
ivas  cVye  see,  a  Waterman.] 

Poor  Vulcan. 
The  Toast.     See  Come.     Come  every  Man 
now  give  his  Toast,  etc.    [Song,  from  '  Poor 
Vulcan,'  words  and  music  bv  C.  Dibdin.] 
[1781.]     s.  sh.  4".  P.P.  6154.  k. 

[For  songs,  &c.,  published  anonymously  :] 
See  Poor  Vulcan. 

The  Quizes. 

Jack  at  the  Windlass.  See  Come.  Come  all 
hands  ahoy  at  the  Anchor,  etc.  [By  C.  Dib- 
din.]    [1794.]     s.  sh.  4.°.      P.P.  6154.  k. 


There  was  a  fair  Maiden.     A  New  Song, 
etc.    [London,  1769.]     8°.  P.P.  5440. 

Universal  Museum,  April,  1769. 

The  Touchstone. 
Gentle  Echo,  c/c.  [Trio.]    [1781.]    s.  sa.  i". 
<Src  Touchstone.  P.P.  6154.  k. 

The  Wags. 
The  Pleasures  of  the  Chase.     A  favourite 
New  Song,  etc.     [Dublin,  1790.]     s.  sh.  4°. 

P.P.  6154.  k. 
Walker's  Hibernian  Magazitie,  Dec. ,1190. 

The  Whim  of  the  Moment. 
Poor  Jack.     A  New  Song,  etc.        [Dublin, 
1790.]     s.  sh.  i'\  P.P.  6154.  k. 

Walker's  Hibernian    Magazine,    April, 
1790. 

Will  of  the  Wisp. 
The  Sailor's  Journal.    [Song.]    See 'Twas. 
'Twas  post  meridian  half   past   four,  etc. 
[By  C.  Dibdin.]  1796.   8'.     P.P.  6154.  k. 


Song. 


DIBDIN  (Charles) 

4.  Index  of  Vocal  Numbers. 
The  Pleasures  of  the  Chase. 
See  [The  Wags.] 

DID.  Did  ever  Swain  a  Nymph  adore. 
Ungrateful  Nancy.  [Song,  music  by  ]\L 
Greene.]     [Edinburgh,  1785.]     s.  sh.  4". 

257.  b.  15. 
Edinburgh  Magazine,  Oct.,  1785. 

DISTRESSED.  The  Distressed  Lover. 
Song.  [Begins  '  Dear  Phillis,  pitty  a  poor 
slave.']     See  Swift  (W.) 

DITHERUM.     Ditherum  doodle. 
See  Poor  Soldier. 

DITTERSDORF  (Carl  DITTERS 
VON)  [Der  Apotheker  und  Doktor. 
Wann  horst  du  auf.]  When  wilt  thou 
cease,  etc.  [Song,  by  C.  Ditters  von 
Dittersdorf.]  [1789.]  s.  sh.  4". 
See  Doctor  and  Apothecary. 

P.P.  6154.  k. 
[Der  Apotheker  und  Doktor.  Zwei  ]Mad- 
chen  sassen  manche  Nacht.]  Two 
]\Iaidens  sat  complaining.  A  Favourite 
Duet,  [by  C.  Ditters  von  Dittersdorf],  etc. 
[1789.]  s.  sh.  4°. 
See  Doctor  and  Apothecary. 

P.P.  6154.  k. 
[Periodical  Overture.  Sinfonia  XXXVIII.] 
A  Collection  of  Overtures  and  Symphonies. 
By.  ..Ditters,  c/c.  [No.  2.]  [1797.] 
See  Periodical  Publications. — London. 
The  Piano  Forte  Magazine.  Vol.  11. 
No.  5.     [1797-1802.]     8".  D.  854. 

DOCTOR  AND  APOTHECARY.  The 

Summer  Heats  bestowing,  &c.  A  favour- 
ite Rondo  [by  S.  Storace],  sung  .  .  . 
in  The  Doctor  and  the  Apothecary. 
[Dublin,  1789.]     s.  sh.  4°.     P.P.  6154.  k. 

Walker's    Hibernian    Magazine,    Aug., 
1789. 
Two  Maidens  sat  complaining.  A  Favourite 
Duet,  [by  C.  Ditters  von  Dittersdorf]  sung 
...  in  The  Doctor  and  the  Apothecary. 
[Dublin,  1789.]    s.  sh.  4".     P.P.  6154.  k. 

Walker's    Hibernian    Magazine,    Sept., 
1789. 
When   wilt    thou   cease,    &c.      [Song,   by 
C.    Ditters   von    Dittersdorf.]     Sung  .  .  . 
in  the  Doctor  and  Apothecary. 
[Dublin,  1789.]     s.  sh.  4'\     P.P.  6154.  k. 

Walker's    Hibernian     Magazine,     Oct., 
1789. 

DOLLY.     Dolly  of  the  Grove.     Song. 
See  Gentle.     Gentle  shepherds  whilst  I 
sing,  etc.     [1766.]     8°.  P.P.  5440. 

DONS     DES     ENFANTS     DE    LA- 
TONE.  Les  Dons  des  Enfans  de  Latone  : 
La   ■\Iusique  et  la  Chasse  du  Cerf,  Poemes 
dedies  au  Roy.     [By  Jean  de  Serre.] 
Chi's  P.  Prault,  etc. :  Paris,  1734.     8". 

1065.  1.  2. 


DOW— EDELMANN 


13 


DOW  (Daxiel)  Atbole  House.  (Country 
Dance.)     [Edinburgh,  1773.]     8\ 

P.P.  6199.  b. 
Edinburgh  Magazine  and  Bevicic,  Dec, 
1773. 
Ossian's  Hall.     A  New  Eeel. 
[Edinburgh,  1774.]     8".       P.P.  6199.  b. 
Edinburgh  Magazine  and  Eevieiv,  Jan., 
1774. 

DOWN.  Down  the  Burn  Davy.  A  Scotch 
Air  [by  J.  Hook],  with  Variations.  [1801.] 
.See  ipERiODiCAL  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  XIV. 
[No.  2  b.]     [1797-1802.]     S".  D.  854. 

DRAMATIC  HARMONY.  Dramatic 
Harmony,  a  Collection  of  Favourite  Songs, 
Airs,  &c.  introduced  in  Popular  Perform- 
ances at  the  Theatres  Royal  in  Drury 
Lane,  Covent  Garden,  and  the  Hay 
Market.  [1801.]  St-e  Periodical  Publi- 
cations. —  London.  The  Piano  -  Forte 
Magazine.  Vol.  XIII.  [No.  2.1 
[1797-1802.]     6".  D.  854. 

DRESSLER  (Ernst  Christoph) 

Stit  Gedichte.  Gedichte  von  P.  Chatterer, 
etc.  [With  music  to  three  songs  bv  E.  C. 
Dressier.]     1778.     IG".  11521.  a.  13. 

DU.     Du  sort  victime  infortuuee.     L' Emi- 
grant.    [Song.]  [Vernor  d- Hood  : 
London,  1798.]     8".  P.P.  3153.  i. 
Ladi/s  National  Museum,  Vol.  I.,p.  162. 

DUENNA.      How   oft    Louisa.      [Song.] 
Sung  by  Anthonio  in  the  Duenna. 
T.  Walker:  [Dublin,  177G.J     s.  sh.  4". 

P.P.  6154.  k. 

Hibernian  Magazine,  March,  1770. 
Tell  me,  my  Lute,  can  thy  fond  Strain. 
The  Song  in  the  Duenna,  sung. .  .by  Mrs. 
Melmoth    in   the  Character    of    Octavia. 
[Melodv  and  words  onlv.]  [Dublin, 

1780.]  's.sh.A".  "       P.P.  6154.  k. 

Hibernian  Magazine,  Dec,  1780. 
What  Bard,  0  Time  !  &c.     [Song.]     Sung 
by  Louisa  in  the  new  Opera  the  Duenna. 
T.  Walker:  [Dublin,  1116.^     s.  sh.  4'\ 

P.P.  6154.  k. 

Hibernian  Magazine,  Aug.,  1776. 
The  Duenna.     Comic  Opera. 
See  LiNLEY  (T.)  the  Elder. 

DUMONT  (Henri)  Cantica  Sacra  II.  III. 
IV.  cum  Vocibus,  turn  et  Instrumentis 
modulata.  Adjectse  itidem  Litanise  2. 
vocib.  ad  libitum  3.  &  4.  voc.  Cum  Basso- 
Continuo...  Liber  Primus.  Tenor.  (Bassus- 
Continuus.)  2  pts.  Ex  Officina  Robcrti 
Ballard :  Parisiis,  1652.    4<     D.  980.  a. 

DUNN  (John)  [Six  English  Songs.  No.  5. 
Another  edition.]  The  Shepherd's  Reso- 
lution. See  Young.  Young  Colin  the 
blithest  upon  the  gay  Green,  etc.  [By 
J.  Dimn.]     [1760  ?]     s.  sh.  fol. 

L  600.  d.  (180.) 


DU  PHLY  (  )  Second  Livre  de  Pieces 
de  Clavecin. .  .Gravees  par  M'""  Vandome. 
Chez  VAuteur  :  Paris,  [1760  ?]     fol. 

h.  92.  a. 

DUPORT  (Jean  Pierre)  A  Favourite  Air 
[by  J.  P.  Duport]  adapted  with  Variations 
by  W.  A.  Mozart.  [1797. J  &Ve  Periodical 
Publications.  —  London.  The  Piano- 
Forte  Magazine.  Vol.  III.  No.  1. 
[1797-1802.]     8".  D.  854. 

DUPUIS  (Thomas  Sanders)  A  Collec- 
tion of  Eight  Songs  for  a  Single  Voice 
with  Accompanyments,  to  which  is  Added 
Six  Glees  or  Songs  for  three  and  four 
Voices. .  .Op.  V.  Printed  for  the  Author  : 
London,  [1785  ?]     fol.         '  H.  37. 

God  save  the  King,  with  Variations  for  the 
Harpsichord  or  Piano  Forte,  etc. 
G.  Smart :  London,  [1780  ?]     fol. 

h.  726.  p.  (5.) 
Nine  Voluntaries  for  the  Organ. ,  .for  the 
Use  of  Juvenile  Organists,  etc 
C.  Wheatstone:  London,  [1800  7]    obi.  iol. 

e.  120.  e.  (1.) 

DYING".     A   Dying  Thrush  young  Edwy 

found.    TIte  Dying  Thrusli.    A  remarkably 

favourite  New  Song.     [By  J.  Hook.] 

[Dublin,  1789.]    s.  sh.  4".     P.P.  6154.  k. 

Walker's    Hibernian    Magazine,    June, 

1789. 


ECCLES  (John)  [The  :\Iad  Lover.]  Ayres 
in  y"  Opera  [by  P.  IMotteux]  call'd  y"  Mad 
Lover,  etc.  [First  Violin  and  Bass  parts.] 
2  pts.  [London, 11012]  oW.  fol.   d.  24.  (1.) 

EDEIiMANN  (E.) 
See  Edelmann  (J.  F.) 

EDELMANN  (Johann  Friedrich)  Six 
Grand  Lessons  for  the  Forte  Piano  or 
Harpsichord  with  an  Accompauyment  for 
a  Violin. .  .Opera  1.  J.  Preston  :  London, 
[1782  ?]     fol.  g.  420.  m.  (1.) 

Wanting  the  Violin  part. 
Edelman's   celebrated    Overture,   for   the 
Harpsichord    or    Piano    Forte    with    an 
Accompaniment  for  a  Violin.      J.  Cooper : 
London,  [1790  ?]     fol.  h.  726.  p.  (6.) 

A  Celebrated  Overture  for  the  Piano  Forte. 
[Op.  IV.]    [1797.]    See  Periodical  Publi- 
cations.—  London.      The     Piano  -  Forte 
Magazine.     Vol.  II.     [No.  1.] 
[1797-1802.]     8".  D.  854. 

Sinf  onie  pour  le  Clavecin  avec  Accompagne- 
ment  de  deux  Violons  deux  Cors  et  uue 
Basse  ad  Libitum. .  .CEuvre  iv.  [Separate 
Parts.]    Chez  VauteiLr  :  Paris,  [1780  ?]   fol. 

g.  420.  k.  (1.) 
Wanting  the  Horn  parts  and  tlie  title- 
page  of  the  Clavecin  part. 


14 


EDELMANN— FLACKTON 


EDEIjMANN  (Johajn-n  Fkiedrich) 
Four  Sonatas,  for  the  Piano  Forte.  Op.  11. 
[1799.]  See  Periodical  Publications. 
— London.  The  Piano-Forte  Magazine. 
Vol.  IX.     [No.  5.]     [1797-1S02.]     8". 

D.  854. 

ELOPEMENT.  Come  haste  to  the  wed- 
ding. Sung  hy  Mrs.  Scott,  and  Mrs. 
Dorman,  in  tlie  New  Pantomime  called 
the  Elopement,  etc.      [London,  17G8.]     8". 

P.P.  5440. 
L'liivcrsal  Museum,  March,  17GS. 

EMIGRANT.  L'Emigrant.  [Song.] 
See  Du.  Du  sort  victime  infortunee. 
[1798.]     S'.  P.P.  3153.  i. 

EPHESIAN  MATRON.  What  ho! 
charming  Dame.  Song  in  the  Ephesian 
Matron.  [By  C.  Dibdin.]  As  sung  by 
Mr.  Glenville.  [Melody  and  words  only.j 
IDuhlin,^  1779.  s.  sh.  4".  P.P.  6154.  k. 
Hibernian  Magazine,  Marcli,  1779. 

ESSER  (Michel)  Sei  Terzetti  per  Due 
Violini  e  Basso . . .  Op.  1'.  [Separate  Parts.] 
Chez  le  S''  BovvelUj  :  Paris,  [1770?]     fol. 

h.  5.  d.  (2.) 

ETERNAL.  Eternal  Fire  !  Enthron'd 
on  high.  ^4  Hymn.  Set  to  INIusick  by  an 
eminent  hand.     [London,  17G1.]     S'\ 

P.P.  324.  n. 
Chridian's  Magazine,  Aug.,  1701,  p.  441. 

EVANCE  (William)  Six  Sonatas  for  the 
Piano  Forte  or  Harpsichord  with  an 
Accompanyment  for  a  Violin  and  Violon- 
cello.    ]\'elc]:er  :  Londo)i,  [1115?]     fol. 

g.  420.  k.  (2.) 


F,,  Mr.     To  celebrate  Thy  praise,  0  Lord. 

A  Hymn  of  TJiankscjiving.     Words  by  Dr. 

T— te.     Set  to  Musick  by  Mr.  F. 

[London,  1761.]     8°.  P.P.  324.  n. 

Cliristian's  Magazine,  Sept.,  1761, ^J.  485, 

PALL.  The  Fall  of  the  Leaf.  A  Sacred 
Ode,  etc.  See  See.  See  the  Leaves  aiound 
us  falling,  etc.     1760.     8".      P.P.  324.  n. 

EALSE   FRIEND.     Ayres   in  the   Play 
[by   Sir   J.    Vanbrugh]    cali'd   the    False 
Friend.    Composed  by  a  Person  of  Quality. 
[First  Violin  and  Bass  Parts.]     2  pts. 
[London,  1702  ?]     obi.  fol.  d.  24.  (9.) 

EANNY.     Fanny  no  more.     [Song.] 
See  Thomson  (M.) 
Fanny's  Worth.     [Song.] 
See  Pleyel   (I.   J.)      [Melodien.     Th.   I. 
Molly's  Werth.] 

FAREWELL.      A    Farewell    to    the 
Summer's  Diversions.     Song. 
See  Moze  (J.  H.) 


FAREWELL.     Farewell    you    moments. 
A  favourite  Duet  for  two  Voices. 
[Dublin,]  1795.     8".  P.P.  6154.  k. 

Walker's  Hibernian  Magazine,  August, 
1795. 

FARMER.  Clad  a  mercy.  [Song.]  Sung 
by  Mv.  Munden  ...  in  The  Farmer  [by 
W.  Shield].     [Dublin,  1793.]     s.  sh.  4". 

P.P.  6154.  k. 
Walkej-''s    Hibernian    Magazine,    July, 
1793. 

FEMALE.     The  Female  Captain.     Song. 

See    Sound.      Sound    the    fife,   beat   the 

drum,  etc.     [1783.]     s.  sJi.  4". 

P.P.  6154.  k. 
FESTIN  JOYEUX.     Festin  Joyeux,  ou 

La  Cuisine  en  IMusique,  en  vers  libres,  etc. 

(Airs    en    IMusique    du    Festin   Joyeux.) 

[Written  by  J.  Lebas.]   3  pts.    Lesclapart  : 

Paris,  1738.     12-.  11475.  bb.  23. 

FESTING  (Michael  Christian) 

See  Minuets.    Select  Minuets . . .  Compos'd 

by. .  .Mr.  M.  C.  Festing,  etc. 

[1745?]     obi.  A".  a.  26.  li. 

FIELDS.  The  Fields  were  green,  the  Hills 
were  gay.  Young  Colin  stole  my  Heart 
away.  [Song.]  As  introduced  in  the 
School  for  Scandal,  and  sung  by  Mrs. 
Johnson.     [Dublin,]  1779.     s.  sh.  4". 

P.P.  6154.  k. 
Hibernian  Magazine,  Feb.,  1779. 

FINGER  (Gottfried)  [Love  makes  a 
Man.]  Mr.  Fingers  Ayres  in  the  Comedye 
[by  C.  Gibber]  of  Love  makes  a  man  or  y" 
Fops  Fortune.  [First  Violin  and  Bass 
Parts.]     2  pts.     [London,  li 01?]     obi.  iol. 

d.  25.  (5.) 
[Sir  Harry  Wildair.]  Mr.  Fingers  Aj'res 
in  the  Comedye  [by  G.  Farquhar]  of 
S''  Hary  Wild  Hair.  [First  Violin  and 
Bass  Parts.]     2  pts. 

[London,  1701  ?]     obi.  fol.  d.  24.  (6.) 

[The   Virgin   Prophetess.]      Mr.    Finger's 
Ayres  in  the  Opera   [by  E.  Settle]  cali'd 
the  Virgin  Prophetess  or  the  Pate  of  Troy. 
[First  Violin  and  Bass  Parts.]     2  pts. 
[London,  1701  ?]     obi.  fol.  d.  24.  (2.) 

FIRST.     The  First  of  May.     Song. 

See  Love.     Love  reigns  this  Season,  etc. 
[1770.]     s.  sh.  4".  P.P.  6154.  k. 

FISCHER  ( JoHANN  Christian)  [Fischer's 
Minuet.]  Fisher's  Celebrated  Rondeau 
with  Variations.  [1800.]  See  Periodical 
Publications.  —  London.  The  Piano- 
Forte  INIagazine.  Vol.  XI.  No.  5. 
[1797-1802.]     8".  D.  854. 

FISHER     (JoHANN    Christian)     Sec 

Fischer. 

FLACKTON    (W^illiam)      The   Morn   is 

past.     The  Evening  Hymn,  etc.     [London,] 

1760.     8".  P.P.  324.  n. 

Christian's  Magazine,  Nov.,  1760,^.  328. 


FLAXEN-HEADED— GENTLE 


15 


FLAXEN-HEADED.     A  flaxen-headed 
cow   boy.     The   Plow   Boy.     [Song,  from   ' 
W.  Shield's  Opera,  The  Farmer. ' 
[Aberdeen,  1789.]     S».  P.P.  6225. 

Aberdocii  Magazine,  March,  1789. 

FLUTTERINa.     Flutt'riug   .spread   thy 
purple  pinions.     Song. 
Sec  Alcock  (J.)  the  Younger. 

FLY.     Fly  swift,  ye  minutes.     Song. 
See  Swift  (W.) 

FOES.     The  Foes  of  old  England,  (France, 
Holland  and  Spain).     Song. 
See  Arxe  (]M.) 

FOR.    For  fragrant  sweets  of  genial  Spring. 

Glee.     See  Overexd  (M.) 

For  Lake  of  Gold.     [Song.]  [DiibUn, 

1789.]     s.  sh.  4°.  P.P.  6154.  k. 

Walker's    Hibernian    Magardne,    June, 

1789. 

FORD  (Thomas)    Musician  lo  Henry  Prince 

of  Wales.   Haste  Thee,  0  Lord.    An  Ancient 

Canon  in  the  Unison. .  .For  Three  Voices. 

[London,  1761.]     8".  P.P.  324.  n. 

CJtristian's  Magazine,  Jan.,  1701,^).  40. 

FRASCHETANA.  Cara  [sic]  donue 
sventurate.  The  much  admired  Duett  [by 
G.  Paisiello],  sung  by  Signior  Pinetti  and 
Signiora  Sestini  in  the  second  Act  of  La 
Fraschetaua.     [Dublin,  Yll'^.'\     s.sJi.i!'. 

P.P.  6154.  k. 
Hibernian  Magazine,  Jan.,  1779. 

FREEDOM.     Freedom.     [Song.] 
See  PoTiER  (    )  Captain. 

FREEMASON.       Free     IMason's     Song. 
[Words]  By  Hblty.     See  Let.     Let  Truth 
and  spotless  Faith  be  thine,  etc. 
1800.     s.  sh.  obi.  4^  266.  1.  30. 

FROM.  From  Clime  to  Clime  my  heart 
does  rove.  From  Clime  to  Clime.  [Song, 
words  by  Sir.  Ingles,  music  bv  W.  Hodson.] 
[London,  1769.]     8".  P.P.  5440. 

Universal  Museum,  March,  1769. 
From    the   chace   in   the   mountain.      A 
favourite  Gaelic  Air,  sung  by  jMrs.  Suther- 
land.    The  Words  by  j\Ir.  Maclaren. 
[Aberdeen,  1791.]     s.  sh.  obi.  8\ 

P.P.  6225. 

Aberdeen  Magazine,  November,  1791. 


G  A  B  L  E  R  (Matthias)  Dor  In&tru- 
mentalton,  eine  physikalische  Abhand- 
lung,  verfasset  .  .  .  als  Pater  Gualbert 
Mittenhueber  .  .  .  aus  der  Weltweisheit 
Gepriifet  wurde.  Im  jMonate  August 
1775.  J.  F.  Lutzenberqer  : 

[Mtmich,  1775.]    4°.  7896.  aaa.  8. 

GAD.    Gad  a  mercy.   [Song.]    Sre  Farmer. 


GALLEY.     The  Cralley  Slave.     [Song.] 
See  O.     Oh  think  on  my  Fate,  etc.    [Song, 
from    W.    Reeve's     Entertainment,    The 
Purse.]     1795.     8".  P.P.  6154.  k. 

GAUDRY  (Richard)  See  Son-ix-Law. 
Alia  stagion  novella.  Tlie  favourite  Song 
in  the  Son-in-Law,  etc.  (Adapted  for  the 
Guittar,  bv  R.  Gaudrv.)    [1781.]    s.  sh.  4". 

P.P.  6154.  k. 

GEARY    (I.)       Six     Canzonets     for     the 
Harpsichord  or  Piano  Forte.     [1801.] 
Set'  Periodical  Publications. — London. 
The   Piano-Forte   Magazine.      Vol.    XIV. 
[No.  8.]     [1797-1802.]     8".  D.  854. 

GEDICHTE.  Credichte  von  P.  Engelhard 
gebohrene  Gatterer.  Zwote  Sammlung, 
etc.  [With  music  by  D.  Weiss  and  C. 
Kalkbrenner.]  J.  C.  Dicterich  : 

Guttingen,  1782.     16'.  11521.  a.  13. 

Cxedichte  von  P.  Gatterer,  etc.  [With 
music  to  three  songs  by  E.  C.  Dressier.] 
J.  C.  Dieterich  :   Guttingen,  1778.     16 '. 

11521.  a.  13. 
GELiINEK  (Joseph)  [Variations  on  Nel 
cor  piu.  No.  7.]  Hope  told  a  flatt'ring 
Tale  [from  La  Molinara,  by  G.  Paisiello], 
with  Variations  by  M:  Gelinek.  [1801. J 
See  Periodical  Pcblicatioxs. — London. 
The  Piano-Forte  i\Iagazine.  Vol.  XIV. 
[No.  12.]     [1797-1802.]     8".  D.  854. 

GEMINIANI  (Francesco)  Two  Con- 
certos to  be  performed  by  the  First  and 
Second  Violins  in  Unison,  the  Tenors  in 
Unison  with  the  Violoncellos  &  other 
Basses  and  particularly  by  a  Harpsichord. 
/.  Johnson  :  London,  [1760?]     fol. 

h.  48.  e. 
A  Supplement  to  the  Guida  Armonica, 
with  examples  shewing  it's  use  in  Com- 
position. J.  Johnson,  for  the  Author  : 
London,  [lllbl^  fol.  g.  240.  e. 
The  verso  of  the  title-jKige  is  signed  by 
the  atithor. 
Senates  pour  leViolon  avecun  Violoncelle 
ou  Clavecin,  lesquelles  ne  sont  pas  moins 
utiles  a  ceux  qui  jouent  le  Violon,  qu'ii 
ceux  que  accompagnent.  [Op.  5.] 
La  Haye,  1746.  fol.  g.  38.  e. 
The  Tender  Lover.  [Song,  words  by  M. 
Prior.]     [Dublin,  1787.]     s.  sh.  4". 

P.P.  6154.  k. 
Hibernian  Magazine,  September,  1787. 
See  Apollo's  Collection.  Apollo's 
Collection,  being  XII  Duettos  for  Two 
German  Flutes  or  Two  Violins. .  .by. . . 
Sig''  Cxemiuiani. .  .Lib.  1'"",  etc. 
[1750?]    fol.  h.  2052.  (3.) 

GENTLE.     Gentle  Echo.     [Trio.] 
See  Touchstone. 

Gentle  shepherds  whilst  I  sing.     Dolly  of 
the  Grove  ;  a  Song.     [London,  1766.]     S". 

P.P.  5440. 
Universal  Museum,  November,  1766. 


16 


GERBER— GRAUN 


GERBER     (Ernst    Ludwig)       [Another 
copy.]    Historisch-Biographisches  Lexicon 
der  Tonkiinstler,  etc.     2  Bde. 
J.  G.  I.  Brcitkopf :  Leipzig,  1790.     S". 

60.  d.  23. 

GIARDINI  (Felice)     For  me  my  fair  a 

wreath  has  wove.     A  Favourite  Madrigal. 

The  Words  by  Garrick,   etc.         [Abcrdrcn, 

1791.]     8°.  P.P.  6225. 

Aberdeen  Magazine,  July,  1791. 

GIORDANI  (Giuseppe)  or  (Tommaso) 
Favourite  Airs  adapted  for  the  Harpsi- 
chord or  Piano  Forte  and  a  German  Flute 
by  Big'  Giordani.  Printed  for  Longman 
and  Broderip  :  London,  [111 5?]     fol. 

h.  726.  p.  (7.) 

This  collection  contains  airs  hy  G.  or  T. 

Giordani  from  '  Antigono '  (1774)  and 

'  La  Marchesa  Giardiniera '  (1775)  and 

from  SaccJiini's  '  Pcrseo  '  (1774). 

Six   Favorite   Songs.     The   Words   taken 

from   the   Reliques   of    Ancient    Englisli 

Poetry,  etc.  Printed  for  Birchall  d 

Andreivs  :  London,  [1188?]     fol. 

G.  666.  a. 
The  Storm  in  the  Ombres  Chinoise[s], 
adapted  for  the  Harpsichord  or  Piano- 
Forte  by  Sig'  Giordani.  Longman  and 
Broderip:  London,  [11  SO?]    fol. 

h.  726.  p.  (8.) 

GIORDANI  (Tommaso)  [The  Elope- 
ment.] Overture. .  .for  the  Piano  Forte. 
[1799.]  See  Periodical  Publications.— 
London.  The  Piano  -  Forte  Magazine. 
Vol.  VII.     No.  8.     [1797-1802.]     8". 

D.  854. 

Loose  were  her  Tresses  seen,  &c.     [Song, 
by  T.  Giordani.]     [1790.]     s.  sh.  4". 
See  Loose.  P.P.  6154.  k. 

Non  dubitare  bell'  idol  mio.  The  Favourite 
liondcau  sung  by  Sig"  Sestini  in  the  Opera 
[by  G.  Paisiello]  La  Fraschetana.  [Full 
Score.]  Longman  &  Broderip,  for  the 

Author  :  London,  [1776.]     fol. 

H.  1648.  a.  (5.) 

Six  Sonatas,  for  the  Piano  Forte.  [Op.  10.] 
[1798.]  Sec  Periodical  Publications. — 
London.  The  Piano  -  Forte  ilagazine. 
Vol.V.  No.  5.  [1797-1802.]  8".  D.  854. 
Six  Sonatas,  for  the  Piano  Forte.  Op.  24. 
[1798.]  See  Periodical  Pttblications. — 
London.  The  Piano -Forte  Magazine. 
Vol.  V.  No.  2.  [1797-1802.]  8".  D.  854. 
Six  Favourite  Sonatas  for  the  Piano  Forte. 
Opera  27.  [1799.]  Sec  Periodical 
Publications.  —  London.  The  Piano- 
Forte  Magazine.  Vol.  VIII.  [No.  1.] 
[1797-1802.]     8".  D.  854. 

GIULIANI  (Francesco)   Six  Sonatas,  for 
the  Piano-Forte.     Op.  G.     [1798.] 
See  Periodical  Publications. — London. 
The    Piano  -  Forte    Magazine.      Vol.    V. 
No.  4.     [1797-1802.]     8°.  D.  854. 


GIVE.  Give  thanks  to  God.  Part  of 
Psalm  cxxxvi.  [Words]  By  Sir  J.  Den- 
ham.  [London,  17G3.]  8".  P.P.  324.  n. 
Christian's  Magazine,  il/fl?/,  1763,  jj.  231. 
[Another  setting.]  Give  thanks  to  God. 
Psalm  cxxxvi.  [Words]  By  Sir  John 
Denham.      [London,  1766.]     8". 

P.P.  324.  n. 
Christian's  Magazine,  July,  1766, ^J.  384. 

GLORY.  Glory  to  Thee  my  God  this 
Night.  The  Evening  Htjmn,  by  Bishop 
Kenn,  as  sung  at  the  Chapel  of  the 
Magdalen-house.  [Composed  bvT.  Tallis.] 
[London,]  1760.     8".  P.P.  324.  n. 

CJtristian's  Magazine,  July,  1760,  p.  138. 

GO.  Go  gentle  Zephyr,  &c.  A  Celebrated 
Duet  for  two  Voices.  [Dublin,  1790.] 

s.  sh.  4'.  P.P.  6154.  k. 

Walker's    Hibernian    Magazine,    Feb., 
1790. 

GOD.  God  of  my  childhood.  Psalm  Ixxi. 
[London,  1765.]     8°.  P.P.  324.  n. 

Christian's  Magazine,  July,  1165,  p.  327. 

GOLDEN  PIPPIN.  The  Golden-Pippin . 
An  English  Burletta.  .  .The  Music  com- 
piled from  the  works  of  the  most  Cele- 
brated Masters.  [1800.]  Sec  Periodical 
Publications.  —  London.  The  Piano- 
Forte  Magazine.  Vol.  X.  No.  6.  [1797- 
1802.]     8".  D.  854. 

GOMES  DA  SILVA  (Alberto  Joseph) 
Sei  Sonate  per  Cembalo . . .  Opera  i. 
[Lisbon  ?  1755  ?]     obi.  fol.  d.  8. 

GOOD.  Good  Father,  be  peaceful.  Song. 
See  Proteus. 

Good  Morrow  to  your  Night-cap.    [Song.] 
See  Poor  Soldier. 

GOODWIN  (Starling)     [A  Collection  of 
Songs.     No.  6.]     Could  a  man  be  secure 
...Duet.     [By  S.  Goodwin.]     1790.     8°. 
See  Could.  P.P.  6154.  k. 

GRAUN  (Carl  Heinrich)  or  (Johann 
Gottlieb)  The  Battle  of  Rosbach.  A 
Favourite  Sonata,  for  the  Piano  Forte 
composed  by  Sig"'  Gzaun  [or  rather  Graun]. 
Printed  for  Harrison  tt-  Co.  :  London, 
[1780?]     8".  f.  133.  j.  (1.) 

The  Battle  of  Rosbach.  A  Favourite 
Sonata  for  the  Piano  Forte.  Composed 
by  Sig''  Gzaun  [or  rather  Graun]. 
See  Periodical  Publications. — Tjondon. 
The  Piano-Forte  Magazine.  Vol.  III. 
No.  5.     [1797-1802.]     8".  D.  854. 

[Sonata  in  F.]  Six  Sonatas,  for  the  Piano 
Forte.  Composed  by. .  .Gzaun  [or  rather 
Graun],  etc.  (No.  3.)  [1799.] 
See  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  VII. 
No.  6.     [1797-1802.]     8".  D.  854. 


GREAT— HAENDEL 


17 


GREAT.  Great  is  our  God.  Psalm 
xlviii.  [Words]  By  Sir  John  Denliam. 
[Lojidon,  1766.]     8".  P.P.  324.  n. 

Christian's     Magazine,     March,     1766, 
p.  160. 
[Anotlier   setting.]      Great    is    our    God. 
Fsalm  xlviii.     [Words]  By  Sir  John  Deu- 
ham,     {London,  1766.]     8". 

P.P.  324.  n. 
Christian's  Magazine,  May,  1766,  p.  273. 

GREEN  (Thomas)     Damon,  etc.     [Song.] 
\_London,  1755.]     8".  250.  k.  16. 

B.  Martin's  Miscellaneous   Correspond- 
ence, etc..  Vol.  I.,  p.  201. 
Young  Streplion,  by  a  lonely  Grove.     A 
Song,  etc.     [London,  1757.]     8'. 

250.  k.  17. 
B.  Martin's  Miscellaneous   Correspond- 
ence, etc..  Vol.  II.,  p.  667. 

GREENE  (Maurice)  [Robin's  Com- 
Ijlaiut.]  Ungrateful  Nancy.  [Song,  music 
by  M.  Greene.]  See  Did.  Did  ever 
Swain  a  Nymph  adore,  etc.  [1785.] 
s.  sh.  i".  257.  b.  15. 

Ungrateful  Nancy. 
See  supra  :  [Robin's  Complaitit.] 
See   Minuets.      Select    Minuets . . .  Com- 
pos'd    by  . . .  Dr.    Greene,    etc.       [1745  ?] 
obi.  4".  a.  26.  h. 

GR]6tRY"     (A^•DEE     Eesest     Modeste) 
Les  ]\Iariages  Samnites. 

Marche  des  Marriages  [.sic]  Samnites,  et 
I'Air  de  Julie,  with  Variations  by  W.  A. 
Mozart.  [1798.]  See  Periodical  Publi- 
cations.— London.  The  Pianoforte  Maga- 
zine.    Vol.  III.     No.  9.    [1797-1802.].    8". 

D.  854. 
Richard  Cceur  de  Lion. 
Richard  Cceur  de  Lion,  an  Historical 
Romance. .  .adapted  to  the  English  words 
by  Mr.  Linley.  [ISOl.]  See  Periodical 
Publications.  —  London.  The  Piano- 
Forte  Magazine.  Vol.  XIV.  [No.  9.] 
[1797-1802.]     8'\  D.  854. 

GUGLIELMI  (PiETEO)     Al  suou  soavc. 
See  infra  :  [La  Bella  Pescatrice.] 
[La  Bella   Pescatrice.]      Al   suon   soave. 
The  favorite  Organ  Quintette,  etc. 

T.  Skillern  and  G.  Goulding,  for  the 
Proprietors  :  London,  1791.     fol. 

H.  1648.  a.  (3.) 
Part  of  the  "  King's  Theatre,  Pantheon. 
Opera  Register." 
The  Four  Favourite  Italian  Overtures  of 
Signior  Gulielmi,  viz.  II  Viaggiotore. 
Orlando.  II  Carnovale  de  Venezia.  II 
Desertore.  [1797.]  See  Periodical  Pub- 
lications.—io7!rfo".  The  Piano -Forte 
Magazine.  Vol.  II.  No.  4.  [1797- 
1802.]     8^  D-  854. 

VOL.  II. 


GUIDO  (Aretinus)  Musica,  Sine  Guidonis 
Aretini,  de  vsu  &  constitutione  Mono- 
chordi,  Dialogus ;  jam  denuo  recognitus, 
ab  Andrea  Reinhardo  Nivimontano. 
MS.  NOTE.  Impensis  lohan.  Rosii :  Lipsin', 
1604.     12".  7898.  aaaa.  8. 

Eight  leaves,  without  pagination. 

GUSTAVUS  IL  ADOLPHUS,  King 
of  Sweden.  GustafE  Adolff  auss  Schwe- 
den.  Ziccy  Klag-  vnd  Traicer-Lieder,  uber 
dem  Ableiben  dess .  . .  Konigs  der  Schweden 
. .  .Gustavi  Adolphi,  etc.     1632.     4". 

11522    d    5    rS  ^ 
The    first    Klag-Lied    ('  Gustaff    Adolff 
anss  Scliwcdeii ')  alone  has  music. 


HAENDEL  (Geoeg  Feiedeich) 

2.  Abeangements  and  Selections. 
b.  Instrumental. 
Eight  Select  Overtures,  from  Oratorios. 
[1798.]  Imperfect,  wanting  all  after  p.  36. 
See  Periodical  Publications. — Lo7idon. 
The  Piano-Forte  JIagazine.  Vol.  IV. 
[No.  8.]     [1797-1802.]     8^  D.  854- 

3.  Church  Music. 
The    Coronation    Anthem.     [Zadok    the 
Priest.]  [1798.]  See  Periodical  Publica- 
tions.— London.    The  Piano-Forte  Maga- 
zine.    Vol.  IV.  [No.  4.]    [1797-1802.]   8". 

D.  854. 
4.  Operas. 
Alcina. 
Three  Celebrated  Italian  Airs  from  Alcina. 
[By  G.  F.  Haeudel.]  [1802.]  See  Periodi- 
cal Publications. — London.     The  Piano- 
Forte  Magazine.     Vol.  XVI.    No.  8. 
[1797-1802.]     &'.  D.  854. 

Rinaldo. 
[V6  far  guerra.]  The  Celebrated  Grand 
Lesson  as  Adapted  for  the  Harpsichord  or 
Piano-Forte  by  Sig'' Babel,  froma  favourite 
Air  out  of. .  .Rinaldo,  etc.  [1775  ?]  fol. 
See  Babell  (W.)  [Suits  of  Harpsicord 
Lessons.]  h.  726.  p.  (1.) 

5.  Oratorios,  &c. 

Acis  and  Galatea. 
The  Overture,  Songs,  Duett  and  Trio,  in 
Acis  &  Galatea,  c/c.    [1799.]     ,!>><?  Periodi- 
cal Publications. — London.     The  Piano- 
Forte  Magazine.     Vol.  VI.     No.  4. 
[1797-1802.]     8".  D.  854. 

L'  x\llegro,  il  Penseroso  ed  il  Moderate. 
L'  Allegro,  il  Penseroso,  ed  il  Moderate,  for 
the  Voice,  Harpsichord  and  Piano-Forte. 
[1801.]  See  Periodical  Publications. 
— London.  The  Piano-Forte  Magazine. 
Vol.  XIV.     [No.  8.]     [1797-1802.]     8°. 

D.  854. 


18 


HAENDEL -HAYDN 


How  long  wilt  Thou 
Set   to  a 


HAENDEL  (Georg  Friedrich) 
Judas  Maccabfeus. 
Judas   Maccabaeus. .  .for    the   Voice,  and 
Piano-Forte.      [1800.]      <S'ee    Periodical 
Publications.  —  London.      The      Piano- 
Forte  Magazine.     Vol.  XI.     No.  4. 
[1797-1802.]     8".  D.  854. 

Messiah. 
The  Overture,  Songs,  and  Recitations,  in 
the  Messiah,  etc.    [1798.]    S<'e  Periodical 
Publications.  —  London.      The      Piauo- 
Forte  Magazine.     Vol.  VI.     No.  2. 
[1797-1802.]     8".  D.  854. 

Saul. 
[Sin  not  0  King  !] 
forget  me.  Lord.     Psalm  xiii 
favourite  Air  of  Mr.  Handel's,  etc. 
[London,]  1760.     &'.  P.P.  324.  n. 

Christian's  Magazine,  Oct.,  17G0,  j).  281. 

Theodora. 
0  worse  than  Death  indeed  !  [Recitative, 
and]  Angels,  ever  bright  and  fair.     Song 
in  the  Opera  of  Theodora,  etc. 
[Aberdeen,  1788.]     8".  P.P.  6225. 

Aberdeen  Magazine,  July,  1788. 

7.  Instrumental. 
VI  Sonates  a  deux  Violons,  deux  haubois 
ou  deux  Flutes  traversieres  &  Basse  Con- 
tinue. Second  Ouvrage.  [Separate  Parts.] 
Printed  for  B.  Coolie  : 
London,  [1735  ?]     fol.  h.  436.  d. 

9.  Appendix. 
See  Minuets.    Select  Minuets.    Collected 
from  the  Operas,  the  Balls  at  Court,  the 
^Masquerades,  and  all  Publick  Entertain- 
ments. .  .Compos'd  by  Mr.  Handel,  etc. 
[1745  ?]    obi.  4°.  a.  26.  h. 

10.  Index  op  Vocal  Numbers. 
How  long  wilt  Thou  forget  me.  Lord. 
See  [Saul.     Sin  not  0  King  .'] 

HAIR  -  POWDER.  The  Hair-Powder 
Tax.  [Song.]  See  Have.  Have  vou  heard 
of  the  tax.     [1795.]     8°.      P.P.  6154.  k. 

HALCYON.      Halcion    Days  now   Wars 
are  ending.     Song. 
See  Purcell  (H.)     [The  Tempest.'] 

HAPPY.     The  Happy  Nymphs.     [Song.] 
See  Swift  (W.) 

HARINGTON    (Henry)      Damon    and 
Clora.     A  Duett.     See  Turn.     Turn,  fair 
Clora,  etc.     [By  H.  Harington.] 
[1778.]     s.  sh.  i".  P.P.  6154.  k. 

HARK.     Hark,  my  Love,  on  ev'ry  Spray. 

The  new  Song  of  Nanny.     Sung  by  Miss 

Jameson  in  the  Rotunda.  T.  Walker: 

[Dublin,  1776.]    s.  sh.  i\     P.P.  6154.  k. 

Hibernian  Magazine,  July,  1776. 


HARLEQUIN'S      INVASION.       Old 

women  we  are.  The  Old  Woman's  Song 
in  Harlequin's  Invasion.  [Words  by  D. 
Garrick,  music  by  M.  Arne.]  [London, 

176S.]     8".  P.P.  5440. 

Universal  Museum,  Jan.,  1768. 

HASSE  (JoHANN  Adolph)  [Six  Concertos. 
Op.  IV.  No.  1.]  A  Favourite  Concerto. 
[1797.]  See  Periodical  Publications. — 
London.  The  Piano-Forte  Magazine. 
Vol.  II.  No.  7.  [1797-1802.]  8^  D.  854. 
[Sonata  in  A.]  Six  Sonatas,  for  the  Piano 
Forte.  Composed  by. .  .Hasse,ei'c.  (No.  5.) 
[1799.]  See  Periodical  Publications. — 
London.  The  Piano-Forte  Magazine.  Vol. 
VII.     No.  6.     [1797-1802.]    S".     D.  854. 

HASTE.     Haste  Thee,  0  Lord.     Canon. 
Sec  Ford  (T.)  2Iusician  to  Henry  Prince 
of  Wales. 

Haste  ye  soft  Gales.     A  Catch.     For  Three 
Voices.     [Dublin,  1779.]     s.  sh.  4'\ 

P.P.  6154.  k. 
Hibernian  Magazine,  Dec,  1779. 

HAUNTED  TOWER.  Hush!  such 
Counsel  do  not  give,  &c.  [Song,  by  G. 
Sarti.]  Sung  by  Mrs.  Crouch  in  the 
Haunted  Tower.    [Dublin,  1790.]    .s.  sh.  4°. 

P.P.  6154.  k. 
Walker's  Hibernian   Magazine,  March, 
1790. 
Tho'  Pity  I  cannot  deny,  &c.     [Song,  by 
I.  J.   Pleyel.]     Sung  by  Mrs.   Crouch  in 
the  Haunted  Tower.  [Dublin, 

1790.]     s.  sh.  4".  P.P.  6154.  k. 

Walker's   Hibernian  Magazine,  March, 
1790. 
HAVE.     Have  you  heard  of  the  tax.     The 
Hair  Poivder  Tax.     [Song.]  [Dublin, 

1795.]     8".  P.P.  6154.  k. 

Walker's  Hibernian  Magazine,  October, 
1795. 

HAYDEN  (George)  The  celebrated 
Song  of  IMad  Tom.  Sec  In.  In  my 
triumphant  Chariot  hurl'd,  etc.  [By  G. 
Hayden.]  [1784.]  s.sh.i".    P.P.  6154.  k. 

HAYDN  (Franz  Joseph) 

2.  Vocal  Works. 
a.  Sacred. 
The  Creation. 
The  IMarvellous  Work  and  With  Verdure 
clad.     Two  Favourite  Airs,  etc.     [1801.] 
See  Periodical  Publications. — London. 
The    Piano-Forte    jMagazine.     Vol.   XVI. 
No.  1.     [1797-1802.]     8°.  D.  854. 

3.  Instrumental  Works. 
d.  Quartetts. 
[Pohl,  Nos.  2,  26  and  29.]  Three  Sonatas 
for  the  Harpsichord  or  Piano  Forte,  or 
Quartettos  for  a  Harpsichord,  Violin, 
Tenor  &  Bass,  cifc.  J.Preston:  London, 
[1784?]     fol.  g.  420.  n.  (1.) 

Tlic  Harpsichord  part  only. 


HAYDN— HOOK 


19 


HAYDN  (Frakz  Joseph)     [Pohl,  No.  25. 
Poco   adagio.]     Werter's  Sonuet,  sung  by 
Jliss  Cantello . . .  the  music  by ...  G.  Haydn 
. .  .from  his  2''  Collection  of  Ballads. 
Preston:  London,  lllUS?]     fol. 

H.  1797.  pp.  (11.) 
Six  Quatuors  Concertants  [Pohl,  N"'  3d- 
38]  a  deux  Violons,  Viola  et  Violoncello 
. .  .Oeuvre  xvi.     [Separate  Parts.] 

CMs  J.  J.  Hummel  :  Berlin, 
Amsterdam,  [1780  ?]     fol.        h.  2872.  c. 

f.  Symphonies. 
[B.  &  H.     No.    5.3.]     Haydn's  celebrated 
Overture  adapted  for  the  Harpsichord  or 
Piano  Forte ;  in  an  easy  style  by  T.  Carter. 
J.  Preston  :  London,  [1785  ?]     fol. 

h.  726.  p.  (9.) 
[B.  &  H.  No.  73.]  The  Celebrated  Over- 
ture, La  Chasse. .  .Adapted  for  the  Piano 
Forte.  [1798.]  See  Periodical  Publica- 
tions.— London.  The  Piano-Forte  ^Maga- 
zine.    Vol.  IV.    [No.  2.]    [1797-1802.]    S^ 

D.  854. 
[B.  &  H.  No.  85.]  La  Reine  de  France, 
a  Sinfonia  Concertante,  arranged  for  the 
Piano  Forte,  etc.  [1801.]  See  Periodical 
Publications. — London.  The  Piano-Forte 
Magazine.  Vol.  XIV.  [No.  11.] 
[1797-1802.]     8".  D.  854. 

g.  Trios. 
1.  Pianoforte  and  Strings. 
[David.  Nos.  22,  23  and  21.]  Three  Sona- 
tas for  the  Piano  Forte.  Op.  40.  [1800.] 
See  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  XII. 
[No.  5.]     [1797-1802.]     8^  D.  854. 

4.  Doubtful  and  Spurious  Works. 
A  Favourite  Lesson  for  the  Piano  Forte. 
[1797.]     See  Periodical  Publications.— 
London.      The     Piano-Forte     Magazine. 
Vol.  I.   No.  7.    [1797-1802,]    8^     D.  854. 

G.  Index  op  Vocal  Numbers. 

Werter's  Sonnet. 

See  [Quartetts.  Pohl,  No.  25.  Poco  adagio.] 

HE.   He  comes,  he  comes.    Ode  to  Judgment. 
Set  to  Music  for  Two  Voices. 
[London,  1762.]     8^  P.P.  324.  n. 

Christian's  Magazine,  Sept.,  1762,  j).  423. 

HEART.    The  Heart.   Song.   Seel.    Ipry- 
thee  send  me  back  my  heart,  etc. 
[1763.]     8".  P.P.  5440. 

HERE.     Here's  a  Health   to   them  that's 

awa.     Honey.     A  Favourite  Scotch  Song. 

[^Duhlin,-]  1796.     8°.  P.P.  6154.  k. 

Walker's  Hibernian  Magazine,  Oci.,  1796. 

HIBERNIA.     Hibernia's  Advice  to   the 
Fair.     Song.     See  Thomson  (M.) 

HIGHLAND.     Highland  Song.     Sec  Se. 
Se  do  mholla,  etc.     [1785.]     s.  sh.  4^ 

257.  b.  15. 


HIGHLAND  REEL.  Cut,  Slash,  Ram 
Damn,  &c.  A  Favorite  Song,  sung  by 
]Miss  Fontenelle  in  the  New  Opera  called 
the  Highland  Reel.  [By  W.  Shield.] 
[Dublin,  1789.]  s.  sh.  4".  P.P.  6154.  k. 
Walker's  Hibernian  Magazine,  Jan., 
1789. 

HILLER  (.JoHANN  Adam)  Anweisung 
zum  musikalisch-richtigen  Gesange,  mit 
hinlanglichen  Exempeln  erlautert,  etc. 

Johann  Friedrich  Jnnins : 
Leipzig,  1774.     4°.  7896.  c.  5. 

Ueber  die  Musik  und  deren  Wirkungen, 
mit  Anmerkungen  herausgegeben  von 
J.  A.  Hiller. 

Friedrich  Gotthold  Jacobder  und  Sohn  : 
Leipzig,  1781.     8^  7897.  aa.  34. 

HODSON    (William)      From    Clime    to 
Clime  my  heart  does  rove.     From  Clime 
to    Clime.     [Song,  words   by   Mr.  Ingles, 
music  by  W.  Hodson.]     [1769.]     8». 
See  From.  P.P.  5440. 

HOLMES  (Valentine  Arnold)  Twenty 
Four  Familiar  Airs,  for  Two  German- 
Flutes,  or  Two  Violins . . .  Opera  Tertia. 

Printed  for  Jonathan  Fcntum  : 
London,  [1765  ?]     fol.  h.  2052.  (1.) 

Six  Sonatas  for   Two  German-Flutes,  or 
Violins . . .  Opera  4'\  Printed  for 

Jonathan  Fentum  :  London,  [11  &b  2]     fol. 

h.  2052.  (2.) 

HONEY.  Honey.  Song.  See  Here. 
Here's  a  Health  to  them  that's  awa,  etc. 
1796.     8°.  P.P.  6154.  k. 

HONOURABLE.  The  Honourable 
Lover.     [Song.]     See  Howard  (S.) 

HOOK  (James) 

1.  Operas,  Interludes,  Dramatic 
Entertainments,  &c. 
The  Double  Disguise,  a  Comic  Opera,  etc. 
[1802.]      See  Periodical   Publications. 
— London.      The   Piano  Forte   jMagazine. 
Vol.  XVI.     No.  9.     [1797-1802.]     8".     - 

D.  854. 

The  Lady  of  the  Manor.     [For  songs,  &c., 

published  anonymously :] 

See  Lady  op  the  Manor. 

2.  Collections  of  Songs. 
b.  Other  Collections. 

The  Aviary.     A  Collection  of  Sonnets.  .  . 

for  the  Voice,  Harp  or  Piano  Forte.    [1801.] 

See  Periodical  Publications. — London. 

The   Piano-Forte  Magazine.      Vol.  XVI. 

No.  4.     [1797-1802.]     8".  D.  854. 

The  Hours  of   Love  .  .  .  [Songs]   for   the 
■      Voice  and  Piano  Forte.     [1799.] 

See  Periodical  Publications.— LowfZo^^. 

The     Piano-Forte    Magazine.      Vol.    IX. 

[No.  4.]     [1797-1802.]     8\  D.  854. 

2 


20 


HOOK-HOW 


HOOK  (James) 

3.  Single  Songs,  Solo  Cantatas,  Dia- 
logues, Glees  and  Songs  intro- 
duced IN  Plays. 

Alone   by   the   Light   of    the    Moon.      A 
favourite  New  Song,  etc.  [Dziblin, 

1790.]     s.  sh.  4°.  P.P.  6154.  k. 

Walker's    Hibernian    Magazine,    Jan., 
1790. 
The    Disconsolate    Sailor.      A    favourite 
New  Song.     [Dublin,  1789.]     s.  sh.  4". 

P.P.  6154.  k. 
Walker's  Hibernian  Magazine,  Oct., 1189. 

Down  the  Burn  Davy.     A  Scotch  Air  [by 
J.  Hook],  with  Variations.     [1801.] 
See  Periodical  Publications. — London. 
The   Piano-Forte   INIagazine.     Vol.  XIV. 
[No.  2  b.]     [1797-1802.]     8°,  D.  854. 

The  Dying  Thrush.    See  Dying.    A  Dying   \ 
Thrush  young  Edwy  found . . .  Song.     [By 
J.  Hook.]     [1789.]     s.  sh.  4°. 

P.P.  6154.  k. 

Hark  away  is  the  Word.  A  favourite  new 
hunting  Song.     [Dublin,  1784.]     s.  sh.  4". 

P.P.  6154.  k. 

Hibernian  Magazine,  June,  1784. 

The  Hermit,  [Cantata,]  A  Poem  by  Dr. 
Goldsmith  ...  for  the  [Voice  and]  Piano 
Forte.  Op.  24.  [1800.]  See  Periodical 
Publications.  —  London.  The  Piano- 
Forte  Magazine.  Vol.  XII.  [No.  1.] 
X1797-1802.]     8''.  D.  854. 

[I  love  them  all.]  Six  Favourite  Songs 
. . .  by  . . .  Mr.  Hook  . . .  The  words  by  Mr. 
Harrison.  (No.  2.)  [1797.]  See  Peri- 
odical Publications.  —  London.  The 
Piano-Forte  Magazine.  Vol.  I.  No.  8. 
[1797-1802.]     8°.  D.  854. 

The  Lass  of  Richmond  Hill.  A  favourite 
Song.     [Dublin,  1789.]     s.  sh.  4". 

P.P.  6154.  k. 

Walker's    Hibernian    Magazine,    Dec, 
1789. 

Second  Thoughts  are  best.  [Song.]  Sung 
by  Mrs.  Wrighten,  at  VauxhaU.  [Dublin, 
1781.]     s.  sh.  40.  P.P.  6154.  k. 

Hibernian  Magazine,  Dec,  1781. 

The  Silver  Moon.  A  favourite  New  Song, 
etc.     [Dublin,  1794.]     s.  sh.  4°. 

P.P.  6154.  k. 
Walker's    Hibernian    Magazine,    Jan., 
1794. 

The   Sportsman   goes   out,  &c [Song.] 

Sung  at  VauxhaU  Gardens  by  Mrs. 
Wrighten.     [Dublin,  1781.]     s.  sh.  4". 

P.P.  6154.  k. 
Hibernian  Magazine,  Nov.,  1781. 

The  Sportsman  goes  out.     [Song.]     Sung 
by  Mrs.  Wrighten.     [By  J.  Hook.] 
[1780  ?]     fol.     Sec  Sportsman. 

G.  316.  (127.) 


HOOK  (James)  Survey  my  fair  that  lucid 
stream.  Nczv  Song,  the  Music  altered  from 
Hook.  [Edinburgh,  1785.]  4".   257.  b.  15. 

Edinburgh  Magazine,  Aug.,  1785. 
The  Wedding  Day. .  .Song,  etc.  See  What. 
What   Virgin  or   Shepherd,   etc.     [From 
J.  Hook's  "  Collection  of  Songs  sung. .  .at 
Vauxhall-Gardens. .  .1784."] 
[1789.]    s.  sh.  4°.  P.P.  6154.  k. 

4.  Instrumental. 

New  Hondo  for  the  German  Flute. 
[Dublin,  1790.]  s.  sh.  4".  P.P.  6154.  k. 
Walker's  Hibernian  Magazine,  April, 
1790. 
Six  Familiar  Sonatas,  for  the  Piano  Forte. 
[1798.]  See  Periodical  Publications. 
— London.  The  Piano-Forte  Magazine. 
Vol.  IV.     [No.  10.]     [1797-1802.]     8°. 

D.  854. 
HORNPIPES.   Astley's  Hornpipe.   [P.  F. 
and  Guitar.]     [Dublin,  1788.]     s.  sh.  4". 

P.P.  6154.  k. 
Walker's    Hibernian    Magazine,    May, 
1788. 

HOSANNA.      Hosanna,  with  a  chearful 

Sound.   A  Hymn,  for  Morning  or  Evening. 

[Londo7i,  1763.]     8°.  P.P.  324.  n. 

Christian's  Magazine,  July, 1163,  p.  323. 

HOW.     How  are  Thy  Servants  blest.     An 
Ode  made  by  a  Gentleman  upon  the  Con- 
clusion of  his  travels,  from  the  Spectator, 
Set  to  IMusick  by  an  eminent  Master. 
[London,  1761.]     8^  P.P.  324.  n. 

Christian's   Magazine,  April,    1761,  p. 
185. 
How   delightful    is    the    morning.      The 
Plaintive  Lover.     [Song.]     The  words  by 
R.  Philbiu,  etc.     [Dublin,  1784.]    s.  sh.  4". 

P.P.  6154.  k. 
Hibernian  Magazine,  June,  1784. 
How  empty  and  vain  were  the  Joys,  &c. 
[Song.]     [Dublin,  1788.]     s.  sh.  4°. 

P.P.  6154.  k. 
Walker's    Hibernian    Magazine,    Dec, 
1788. 
How  happy  was  of  late  each  morn.    Sioeet 
Lavender.     [Song.]     [Dublin,  1795.]    8°. 

P.P.  6154.  k. 

Walker's    Hibernian    Magazine,    Feb., 

1795. 

How   long   wilt    Thou    forget   me   Lord. 

[Duet.]      See  Haendel   (G.  P.)      [Saul. 

Sin  not  0  King  .'] 

How  long    wilt    Thou    neglect.      Psalm 
xiii.     [Words]  By  Dr.  Gibbs. 
[London,  1766.]     8".  P.P.  324.  n. 

Christian's  Magazine,  Jan.,  1767,  p.  45. 
How  poor  are  words,  how  vain  is  art. 
[Song.]     [Dublin,  1793.]     s.  sh.  4°. 

P.P.  6154.  k. 
Walker's    Hibernian    Magazine,    Dec, 
1793. 


HOW— IBLE 


21 


HOW.      How  smoothly   glides    the    Fool 
thro'  life.     A  Song,  etc.  [London, 

1763.]     8°.  P.P.  5440. 

Universal  Mzisetim,  June,  1763. 

How  sweet   the   Breath   of  milky   Kine. 
Glee.     Sec  Ovebend  (M.) 

HOWARD   (Samuel)      The    Honourable 
Lover.     [Song.]     [London,  1756.]     8". 

P.P.  5439.  b. 
Universal  Visiter  and  Monthly  Memo- 
rialist, Sept.,  1756. 

H  Moderato.     [Song.] 

[London,  1756.]     8°.  P.P.  5439.  b. 

Universal  Visiter  and  Monthly  Memo- 
rialist, Nov.,  1756. 

Morning.    [Song.]    The  words  by  a  Lady. 
[London,  1756.]     8".  P.P.  5439.  b. 

Universal  Visiter  and  Montlily  Memo- 
rialist, Jan.,  1756. 

On  an  unfortunate  Maid.     [Song.] 
[London,  1756.]     8".  P.P.  5439.  b. 

Universal  Visiter  and  Montlily  Memo- 
rialist, May,  1756. 

Winter.     [Song.]     The  Words  by  a  Lady. 
[London,  1756.]     8".  P.P.  5439.  b. 

Universal  Visiter  and   Montlily  Memo- 
rialist, Dec,  1756. 
Winter.     [Song.]     The  Words  bv  a  Ladv, 
etc.     [London,  1763.]     8".        P.P.  5440. 

Universal  Museum,  Dec,  1763. 

HUDSON  (.JoHx)     See  Minuets.     Select 
Minuets. .  .Compos'd  by. .  .Mr.  Hudson. 
[1745  ?]     ohl.  4".  a.  26.  h. 

HUDSON  (Robert)      Belinda's   Charms. 
[Song.]      See    'Tis.      'Tis    not    Belinda's 
iv'ry  neck,  etc     [By  R.  Hudson.] 
1795.     8°.  P.P.  6154.  k. 

Thyrsis.     [Song.]  [Dublin, 

1787.]     s.  sh.  4°.  P.P.  6154.  k. 

Hibernian  Magazine,  Appendix,  1787. 

[The  Volunteer  Returned.]     In  the  Year 
fifty  nine.     Song,  etc  [Dublin, 

1784.]     s.  sh.  4\  P.P.  6154.  k. 

Hibernian  Magazine,  Nov.,  1784. 

HUNNIS  (William)  Seuen  Sobs  of  a 
Sorrowful!  Soule  for  Sinue :  Compre- 
hending those  seuen  Psalms  of...Dauid, 
commonlie  called  Poenitentiall ;  framed 
into  a  form  of  familiar  praiers,  and  re- 
duced into  meetre  by  W.  Hunnis  . . . 
Whereunto  are  also  annexed  his  Handful! 
of  Honisuckles . . .  newly  printed  and  aug- 
mented. 

H.  L.  for  the  Company  of  Stationers  : 
London,  1615.     12°.         Case  51.  aa.  8. 

HUSH.  Hush  !  such  Counsel  do  not  give. 
[Song.]     See  Haunted  Tower. 


HYMNS. 

5.  French.i 

Noels   et   Cantiques   Spirituels.     Sur  !es 
mysteres    de    la    Naissance    de    Nostre 
Seigneur,  etc.      (Second   Livre   de  Noels 
et  Cantiques,  etc.)    2  pts.    1655.    8°. 
See  AuxcousTEAUx  (A.)        K.  4.  c.   16. 

Les  Psaumes  de  David . . .  &  les  Cantiques 
sacr^s,  revus  . . .  par  les   Pasteurs  de  . . . 
Geneve. .  .Nouvelle  Edition,  etc. 
1780.     12",     See  Psalms.     [3.  French."] 

K.  3.  a.  17. 

6.  German. 

Crepundia,  Sacra  . . .  !M.  Ludouici  Helm- 
boldi  .  .  .  Christliche  Liedlein:  an  S. 
Gregorij,  der  Schiller  Fest  Tage  . . .  zu 
singen,  mit  vier  Stimmen  zugericht.  Dis- 
cantus.  MS.  notes.  1608.  8". 
See  Crepundia  Sacra.     11517.  aa.  11. 

Schone  Geistliche  Lieder  Vber  alle  Evan- 

gelia,. .  .gerichtet  von. .  .Ludovico  Helm- 

boldo  .   .  .   Itzo    zum    ersten     gedruckt. 

(Das  Ander  Theil  der  Geistlichen  Lieder 

M.    Ludovici    Helmboldi,    etc.)      2    pts. 

MS.  NOTES.  Martin  Wittel, 

Di      verlegung     Hieronymi     Reinliards : 

Erffurdt,  1615.     8".  11517.  aa.  12. 

Fol.  169  of  Th.  I.  is  mutilated;  ivanting 

fol.   14,   15  of  Th.   II.      Containing 

music  by  Joachim  a  Burch. 

HYPPOMENE      ET      ATALANTE. 

Hyppomene  et  Atalante.     Grand  Ballet, 
by  Mr.  Degville.     [P.  F.] 

Printed  for  Monzani  (&  Cimador  : 
London,  [1800.]     fol.  h.  16.  c.  (2.) 


I.  I'd  much  rather  stay.  [Song.]  See  0. 
Oh  Lord,  what  a  terrible  fright  I  am  in, 
etc     [1795.]     8\  P.P.  6154.  k. 

I  love  them  all.     [Song.]     See  Hook  (J.) 

I  prythee  send  me  back  my  heart.     The 
Heart.     A  New  Song  set  to  Music. 
[London,  1763.]     8°.  P.P.  5440. 

Universal  Museum,  Sept.,  1703. 

I  sing  th'  Almighty  Pow'r  of  God.    Praise 
for  Creation  and  Providence.     [Hvmn.] 
[London,  1702.]     8°.  P.P.  324.  n. 

Christian's  Magazine,  Aug.,  1762, p.  377. 

I  sit  o'  my  Sunkie,  an'  spin  at  my  Wheel. 
[Song.]  S^'e  Wilson  (W.)  [Twelve  Original 
Scotch  Songs.     Op.  III.     No.  5.] 

I  travers'd  Judah's  barren  Sand.     Song. 
See  Shield  (W.)     [1.  Operas,  dr.     Robin 

Hood.-] 

IBLE  (W.)     Silvia.     A  New  Song.     Words 
and  Music  by  IMr.  W.  Ible,  etc. 
[London,  1763.]     8".  P.P.  5440. 

Universal  Magazine,  Nov.,  1763. 


22 


IN— KALKBRENNER 


IN.      In   my  triumphant   Chariot   hurrd. 
Tiw  celebrated  Song  of  Mad  Tom.     [By  G. 
Hayden.]      Sung   at   the   Rotunda  . . .  hy 
Mr"  Corry.     [Melody  and  words  only.] 
\_Dahlin,  1784.]     s.  sh.  4".     P.P.  6154.  k. 

Hibernian  Magazine,  Oct.,  1784. 
In  the  Land  of  Hibernia.  [Song.] 
IDublin,]  1796.     S".  P.P.  6154.  k. 

Walker's    Hibernian    Magazine,   April, 
1796. 
In   thee   each   Joy  possessing,   etc.      An 
admired  Duett,  as  sung  hy  ]\Iv.  Kelly  and 
Mrs.  Crouch.     [Dublin,  1787.]     s.  sh.  4°. 

P.P.  6154.  k. 
Hibernian  Magazine,  Oct.,  1787. 
INDOLENT.      The  Indolent   Swain. 
[Song.]     Sec  MozE  (-J.  H.) 

INKLE   AND  YARICO.     Come  let  us 

dance  and  sing,  &c.     The  favourite  Finale, 

in  Inkle  and  Yarico.     [By  S.  Arnold.] 

[Dublin,  1788.]    s.  sh.  i".    P.P.  6154.  k. 

Walker's     Hibernian    Magazine,    Feb., 

1788. 

INNOCENT  RECREATION.  The 
Innocent  Recreation.  Being  a  Choice 
Collection  of  the  Newest  and  best  Tunes 
for  y  Flagelet.  Together  with  plain  & 
easy  directions  how  to  play  on  it,  the 
Second  eddition.  Printed  for  loltn  Miller: 
London,  1699.     obi.  12'.         K.  4.  a.  14. 

ISABEL.     Isabel.     Cantata. 
Sec  Retzel  (A.  J.) 


JACK.    Jack  and  his  airy  Round.    [Song.] 
See  LoED  Mayor's  Day. 
Jack  at  the  Windlass.    [Song.]    See  Come. 
Come  all  hands  ahoy  at  the  anchor,  etc. 
[By  C.  Dibdin.]     [1794.]     s.  sh.  4°. 

P.P.  6154.  k. 

JACKSON  (WiLLiAJi)  of  Exeter.  Twelve 
Canzonets  for  Two  Voices.  [Op.  9.] 
[1797.]  See  Periodical  Publications.— 
London.  The  Piano -Forte  Magazine. 
Vol.  L  No.  2.  [1797-1802.]  8°.  D.  854. 
Twelve  Canzonets  . . .  Opera  13.  [1799.] 
See  Periodical  Publications. — London. 
The  Piano-Forte  ]\Iagazine.  Vol.  VIII. 
[No.  6.]     [1797-1802.]     8".  D.  854. 

[The  Lord  of  the  INIanor.]  Partners  of 
my  toils  and  pleasures,  ^'a7ldelille,  etc. 
[1781.]  s.sh.i'\   SVt' Lord  of  THE  Manor. 

P.P.  6154.  k. 

Twelve  Favourite  Songs.  [Op.  1.]  [1801.] 
See  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  XV. 
[No.  2.]     [1797-1802.]     8°.  D.  854. 

Twelve  Favourite  Songs . . .  Opera  4.  [1799.] 
Sec  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  VII. 
[No.  13.]     [1797-1802.]     8".  D.  854. 


JESUS   CHRIST.     -Jesus  Christ  is  risen 
to-day.      A  Favourite   Hrjmn  for  Easter- 
Day.     For  Three  Voices.  [London, 
1759.]     s.  sh.  8".              I.  600.  d.  (154.) 
A  cutting  from  the  Lady's  Magazine  for 
March,  1759. 
Jesus  Christ  is  ris'n  to-day.     The  Easter 
Hifvin.     For  Two  Voices. 
[London,  1762.]     8^               P.P.  324.  n. 
Christian's     Magazine,     March,     1762, 
p.  133. 

JIG.     The   Press-Gang's  Jigg ;    or,  A  Trip 
to  the  Tender.     [London,  1755.]     8". 

250.  k.  16. 

B.  Martin's   Miscellaneous  Correspond- 
ence, etc..  Vol.  I.,  p.  121. 

JOMELLI  (NicoLo)  See  Apollo's  Col- 
lection. Apollo's  Collection,  being  XII 
Duettos  for  Two  German  Flutes  or  Two 
Violins  . . .  by  . . .  Sig"'  Geminiani  . . .  Sig' 
N.  Jommelli  . . .  Lib.  1"'%  etc. 
[1750?]     fol.  li.  2052.  (3.) 

See  Apollo's  Collection,  Apollo's  Col- 
lection, being  six  Sonatas  .  .  .  for  two 
German  Flutes  or  two  Violins  . . .  by  . . . 
Sig^  Tartini,  Sig'  N.  Jommelli. .  .Book  2''. 
[1755?]     fol.  li.  2052.  (4.) 

JOVIAL  COMPANIONS.  The  lovial 
Companions  cr  Merry  Club  being  A  Choice 
Collection  of  the  Newest  and  most  Divert- 
ing Catches  for  three  &  four  Voices.  To- 
gether with  the  most  Celebrated  Catches 
compos'd  by  the  late  M"'  Hen''  Purcell  & 
D'  Blow  all  fairly  Engraven  &  Carefully 
Corrected.  Printed  for  I.  Walsh  iO 

P.llandall:  London,  [VilOl^     fol. 

G.  310. 
The  composers  named  arc :  J.  Eccles, 
E.  Brou-n,  Willis,  J.  Clark,  Morgan, 
H.  Hall,  H.  Purcell,  Tuchcay,  G.  Day, 
B.  Isaak,  J.  Isum,  I.  Reading,  S. 
Ackeroyd  and  J.  Bloio. 

Favorite 
.  [1798.] 
—London. 
Vol.    III. 

D.  854. 

Favourite 

[1799.] 

London. 
'ol.   VIII. 

D.  854. 


Magazine. 


JUST  (Johann  August)     Just's 
Concerto,    for   the   Piano-Forte 
See  Periodical  Publications. 
The    Piano-Forte 
No.  11.     [1797-1802.] 
[Six    Trios.      Op.    xiii.]      Six 
Sonatas    for   the    Piano    Forte. 
See  Periodical  Publications. - 
The   Piano-Forte    Magazine.     \ 
[No.  2.]     [1797-1802.]     8". 


KALKBRENNER  (Christian) 

Sec  Gedichte.  Gedichte  von  P.  Engel- 
hard, etc.  [With  music  by  D.  Weiss  and 
C.  Kalkbrenner.]     1782.     16". 

11521.  a.  13. 


KAMMEL— LATERE 


23 


KAMMEL  (AxTONix)     Six  Divertimentos 

for   the   Piano   Forte.     Composed  by   A. 

Shammell  [or  rather  Kammel.     Op.  17]. 

[ISOl.]     See  Periodical  Publications. — 

London.       The    Piano  -  Forte    IMagazine. 

Vol.  XV.     [No.  6.]     [1797-1802.]     8\ 

D.  854. 

Six  Sonatas  for  the  Piano  Forte  or  Harp. 
.    Opera  ix.     [1802.]     See  Periodical  Pcb- 

LiCATiONS. — London.       The    Piano-Forte 

Magazine.     Vol.  XVI.     No.  5. 

[1797-1802.]     8".  D.  854. 

KATTY  FLANNIGAN.    KattyFlanni- 
gan.     [Song.]     See   At.     At   the  dead  of   '• 
the  night,  etc.     1796.    8".     P.P.  6154.  k. 

KENNIS  (GuiLLAUME  Gomjiaire)  Six 
Duetts  for  a  Violin  and  Violoncello  . . . 
Opera  ix.  [Separate  Parts.]  Welcker  : 
London,  [1775?]     fol.  g.  107. 

KENNIS  (William)     See  Kennis  (G.  G.) 

KERNBERGEE,  (Johanx  Philipp) 

See  KiRNBERGER. 

KING.  The  King,  0  Lord,  with  Songs  of 
Praise.  Psalm  xxl.  [Adapted  to  '  In 
infancy  our  hopes  and  fears,'  from  Arne's 
'  Artaxerxes.']     [London,  1762."     8\ 

P.P.  324.  n. 
Christian's  Magazine,  July, 1162, p.  324. 

KING  ARTHUR.  Two  Daughters  of 
this  aged  Stream  are  we.  Favourite  Duet, 
sung  by  the  Syrens  in  King  Arthur  [by 
H.  Purcell].  For  two  Voices,  Flutes  or 
Guittars.     [Dublin,]  1779.     .?.  s/;.  1\ 

P.P.  6154.  k. 
Hibernian  Magazine,  Feb.,  1779. 

KIRNBERGER  (.Johaxx  Philipp) 
[Sonata  in  B  flat.]  Six  Sonatas,  for  the 
Piano  Forte.  Composed  bv . . .  Kernberger. 
(No.  6.)  [1799.]  See  Periodical  Publi- 
cations. —  London.  The  Piano-Forte 
Magazine.  A'ol.  VII.  No.  6. 
[1797-1802.]     S".  D.  854. 

KLOEFFLER  (.Johann  Friedrich)  A 
Concerto  for  the  Harpsichord  or  Piano 
Forte  with  Accompaniments  for  Two 
Violins,  Two  Horns,  Two  German  Flutes 
or  Oboes,  a  Tenor  &  Violoncello.  Printed 
for  W.  Napier  :  London,  [17S0  ?"     fol. 

g.  420.  o.  (1.) 
Wanting  the  accompaniments. 

KOTZWARA  (Franz)  The  Agreeable 
Surprize.  A  Favorite  Sonata  for  the  Piano 
Forte.  [1798.]  See  Periodical  Publi- 
cations. —  London.  The  Piano  -  Forte 
Llagazine.  Vol.  III.  No.  10. 
[1797-1802.]     8".  D.  854. 

Six  Trio's  for  Two  Violins  &  a  Bass,  with 
an  occasional  Accompaniment  for  Horns 
. . .  Opera  v.     [Separate  Parts.] 
J.  Blundell:  London,  [1780?]     fol. 

g.  420.  m.  (5.) 
Wanting  the  Horn  parts. 


KOZEIjUCH  (Leopold)  [Concerto  in 
B  flat.  No.  1.]  A  Favorite  Sonata  for 
the  Piaiio  Forte  or  Harp.  [1801.] 
See  Periodical  Publications. — London. 
The  Piano-Forte  Magazine.  Vol.  XV. 
[No.  10.]     [1797-1802.]     8".  D.  854. 

Favourite    Overture,    composed    for    the 
Piano  Forte,  etc.    [1798.]    See  Periodical 
Publications.  —  London.      The     Piano- 
Forte  Magazine.     Vol.  III.     No.  14. 
[1797-1802.]     8'\  D.  854. 

[Trios  for  P.  F.  and  Strings.  Op.  27.] 
Three  Sonatas,  for  the  Harpsichord  or 
Piano  Forte,  etc.  [1801.]  See  Periodical 
Publications.  —  London.  The  Piano - 
Forte  Magazine.  Vol.  XIII.  [No.  5.] 
[1797-1802.]     8".  D.  854. 

KREUTZER  (Rudolph)  [Lodoiska.  La 
douce  clarte  de  I'aurore.]  Adieu  my 
Floreslii,  etc.     [1795.]     8".     See  Adieu. 

P.P.  6154.  k. 

KUHNAU  (.Johann)  Der  Musicalischo 
Quaclv-Salber  ...  In  einer  kurtzweiligen 
und  angenehmen  Historic  . . .  beschrieben 
von  Johann  Kuhnau. 

In  Verlegung  J.  C.  Miethens,  und 
J.  C.  Zimmermanns.  Druckts  J.  Pdedcl  : 
Dresden,  1700.     12".  7898.  e.  8. 


LABORDE    (.Jean    Benjamin    de)      Le.s 
Amours  de  Gonesse,  Comedie  en  un  acte, 
mesle  d'Ariettes,  etc.     [Music  by  J.  B.  de 
Laborde.]     1765.     8". 
See  Amours  de  Gonesse.         86.  b.  16. 

LADY.  A  Lady's  Advice  to  her  Lover. 
[Song.]  See  Tell.  Tell  me  no  more  of 
pointed  darts.     [1759.]     s.  sJi.  &\ 

I.  600.  d.  (155.) 

LADY  OP  THE  MANOR.  Delight- 
ful  is  a  rural  Life,  &c.  [Song.]  Sung  in 
the  new  Opera  [by  J.  Hook]  of  the  Lady 
of  the  Manor,  by  Miss  Brown.  [Dublin, 
1781.]     s.  sh.  \".  P.P.  6154.  k. 

Hibernian  Magazine,  August,  1781. 
The  Sea  Boy  reefs  the  Sail.     A  favourite 
Song   in  the  new  Opera  [by  J.  Hook]  of 
The  Lady  of  the  Manor.  [Dublin, 

1784.]     s.  sh.  4".  P.P.  6154.  k. 

Hibernian  Magazine,  Juhj,  1734. 

LADY'S    MUSICAL    MAGAZINE. 

See  Periodical  Publications.— LoiK/oft. 

LATERE  (Joannes  de) 
See  Lattre  (C.  J.  de) 


24 


LATTRE— LOVE 


LATTRE  (Claude  Jean  dk)  Lamenta- 
tiones  aliquot  leremiae  Music?e  Harmoniffi 
nouitor  adaptatje,  adiectis  aliquot  sacris 
cantionibus,  Trium,  Quatuor,  Quinque,  & 
Sex  vocum.  .  .Acuta  Vox.  (Contratenor.) 
(Tenor.)  (Basis.)  (Quinta  et  Sexta  Pars.) 
5  pts.  lacohiis  Bathenius  : 

Traiccti  ad  Mosam,  1554.     obi.  4°. 

K.  4.  g.  5. 

LE    BLANC    (Hubeet)      Defense    de   la 
Basse  de  Viole  centre  les  Entreprises  du 
Violon  et  les  Pretentions  du  Violoucel. 
Pierre  Morticr  :  Amsterdam,  1740.     12". 

1042.  a.  9. 

LEEVES  (William)     The  Pigeon. 

See  Why.  Why  tarries  my  Love... An 
admired. .  .Song  bv  the  Autlicr  of  Robin 
Gray  [W.  l.ee\e?>y,  etc.     [1784.]     s.  sh.  4». 

P.P.  6154.  k. 

LENDOPFF  (Matthias  Casimir)  Funda- 
menta  Practica  et  Solida  des  General- 
Basses  : . .  .mit  Beyspielen  erliiutert. .  .und 
aufgesetzet  von  Matthia  Casimiro  Len- 
dorff,  etc.  Geclnickt . .  .im  Fiirstlichen 

Gotteshmisc:  St.  Galleii,  1116.     obl.iol. 

d.  173. 

LENTON  (John)  [The  Ambitious  Step- 
mother.] ]Mr.  Lenton's  Ayrs  in  the 
Tragedy  [by  N.  Rowe]  of  the  Ambitious 
Stepmother.  [First  Violin  and  Bass  Parts.] 
2  pts.     [London,  1702  ?]     obi.  fol. 

d.  24.  (4.) 

[Liberty  Asserted.]  Mr.  Lentous  Musick 
in  the  Play  call'd  Liberty  Asserted.  [First 
Violin  and  Bass  Parts.]  2  pts.  [London, 
1704?]     o6Z.  fol.  d.  24.  (19.) 

[The  Royal  Captive.]  Aires  in  the  Play 
calld  the  Royall  Captive,  etc.  [First 
Violin  and  Bass  Parts.]  2  pts.  [London, 
1702?]     obi.  fol.  d.  24.  (10.) 

LEONE  (  )  Cantata  a  voix  seule  et 
Symphonic  dans  le  Genre  Italien . . .  Avec 
les  paroles  Italiennes  et  les  parties  de- 
tach^es.  [Full  score  with  French  words 
only.]     UAuteiir:  [Paris,  11[J0'?^     fol. 

H.  1648.  b.  (3.) 

LET.  Let's  live  and  let's  love.  A  Glee. 
For  Three  Voices.   [Dublin, 1119.]  s.s7h4°. 

P.P.  6154.  k. 

Hibernian  Magazine,  Dec.,  1779. 
Let  the  solemn  organ  blow.     Anthem. 
See  Bach  (J.  C.) 

Let  the  wearied  taste  in  Sleep.     Catch, 
See  OVEREXD  (M.) 

LIBERTY.     Liberty.     Song  [begins :  "In 
vain  I  wish'd  for  Liberty  "]. 
See  Swift  (W.) 

LIGHT.     Light  be  the   Earth  on   Billy's 

Breast.      J\fad    Song,    [words]    from    the 

Man  of  Feeling.  [Edinburgh, 

1785.]     s.  sh.  4".  257.  b.  15. 

Edinburgh  Magazine,  Nov.,  1785. 


Song. 


LIGNIVILLE    (Eugene    de)    Marqtds. 
Stabat  INIater  a  tre  voci  in  canone,  etc. 
{Bologna,  1767.)     obi.  fol.  C.  839. 

LINLEY  (Thomas)  the  Elder.  [Dissipa- 
tion.] Smiling  Love,  to  thee  belong. 
Eoundelay  in  the  Comedy  of  Dissipation. 
[Written  by  ]\L  P.  Andrews.]  Sung  by 
]\Iiss  Field  and  Miss  Wright.  [Dublin, 

1781.]     s.  sh.  4°.  P.P.  6154.  k. 

Hibernian  Magazine,  October,  1781. 
[The  Spanish  Rivals.]    Still  the  Lark  finds 
Repose.     The   favourite   Rondo   sung  by 
Miss  Phillips,  etc. 

Printed  for  S.  A.  d-  P.  Thompson:  London, 
[1784.]     fol.  H.  1797.  pp.  (13.) 

Still  the  Lark  finds  Repose.     See  supra : 
[Tlie  Spanish  Rivals.'] 

LINNETS.    The  Linnets.    Song.    See  As. 
As  bringing  home  the  other  Day,  etc. 
[1767.]     S".  P.P.  5440. 

LITTLE.     Little  Ben. 
See  DiBDiN  (C.) 

LONDON.     London  Town  is  just  like  a 
Barber's  Shop.   TwiggleandaFriz.  [Song.] 
[Edinburgh,llSl.]    s.sh.A\    257.  b.  16. 
Edinburgh  Magazine,  March,  1787. 

LOOSE.     Loose  were  her  Tresses  seen,  &c. 
[Song,  by  T.  Giordani.]     [Dublin,  1790.] 
s.  sh.  i\  P.P.  6154.  k. 

Walker's  Hibernian  Magazine,  Oct.,  1790. 

LORD.  The  Lord  my  Pasture  shall  pre- 
pare.    Hymn.     See  Boyce  (W.) 

LORD  MAYOR'S  DAY.     Jack  and  his 

airy    Round.       [Song.]       Sung    by    Mr. 

Cornelys  in  the  Pantomime  of  The  Lord 

Mayor's  Dav.     [Words  by  J.  O'Keeffe.] 

[Dublin,  1783.]     s.  sh.  4".     P.P.  6154.  k. 

Hibernian    Magazine,    July,    1783.      A 

different  setting  from  that  in  the  folio 

edition  of  the  Pantomime. 

LORD  OF  THE  MANOR.  Partners 
of  my  toils  and  pleasures.  Yaudeville  to 
The  Lord  of  the  Manor.  [By  W.  Jackson, 
of  Exeter.]  Sung  by  Mr.  Ryder,  Mr. 
Johnston,  Mrs.  Johnston,  Mrs.  Richards 
and  Miss  Francis.  [Dublin, 

1781.]    s.  sh.  4".  P.P.  6154.  k. 

Hibernian  Magazine,  June,  1781. 

LOTICHIUS  (Jacobus)  Oratio  de  Musica  : 
Quam.  .  .inRegiaAcademia  Gustaviana. . . 
die  4.  Jan.  Anno  1040. .  .enarrabat  Jacobus 
Lothichius,  etc.  Typis  Acad.  :  Dorpati 

Livonorum,  1040.     4^  7897.  a.  36. 

LOVE.  Love  and  Friendship.  [Song, 
begins  :  "As  pleasing  as  Shades  to  a  way- 
faring Swain."]  See  Moze  (J.  H.) 
Love  reigns  this  Season.  The  First  of 
May.  A  favourite  new  Song  sung  by  INIiss 
Jameson  in  the  Rotunda.  T.  Walker: 

[Dublin,  1116.]     s.sh.i".     P.P^6154.  k. 
Hibernian  Magazine,  July,  1776. 


LOVE— MINUETS 


25 


LOVE.     Love's  subtle  Poison.     Song. 
See  Love  in  a  Village. 

LOVE  IN  A  VILLAGE.    Love's  subtle 
Poison.    A  Quite  New  Song  introduced  by 
Miss  Catley  in  Love  in  a  Village. 
T.  Walker :  [Dublin,  1775.]     s.  sh.  4". 

P.P.  6154.  k. 
Hibernian  Magazine,  April,  1775. 


MADAN  (:Martin)  Arise  0  God  of  Grace. 
Hymn ,  written  by  Dr.  Watts.  H  Holland : 
[London,  1790  ?]     fol.        H.  879.  r.  (5.) 

MAID  OF  THE  MILL.  Trust  me 
wou'd  you  taste  true  Pleasure.  [Song.] 
lutroduc'd  by  Miss  Wewitzer  in  the  ]\Iaid 
of  the  Mill.  T.  Walker:   [Dublin, 

1775.]     s.  sh.  4".  P.P.  6154.  k. 

Hibernian  Magazine,  Dec,  1775. 

MANFREDINI  (Vincenzo)  Regole 
armoniche. .  .Scconda  edizione,  corretta 
ed  accresciuta.  A.  Cesare  : 

Venczia,  1797.     8^  785.  g.  56. 

MARCHES.      Quick    March   of  the   23d 

Regiment.     [P.  F.]  [Dublin, 

1788.]     s.sh.  i".  P.P.  6154.  k. 

Walker' s  Hibernian  Magazine,  Feb. ,1188. 

MARKED.       INIark'd    you    her    Eye    of 

heavenly  blue.     Song.     See  Shield  (W.) 

MARY.  Mary's  Dream.  [Song.]  See  Moon. 
The  moon  had  climb'd  the  highest  hill.e^c. 
[1785.]     s.  sh.  4".  257.  b.  15. 

MAY  (Henry)  The  Sailor's  Invitation. 
The  Words  and  :\Iusic  by  Mr.  H.  :May, 
etc.     [Duet.]     [London,  1756.]     8". 

250.  k.  16. 
B.  Martin's  Miscellaneous  Corresjyond- 
cuce,  etc..  Vol.  I.,  p.  371. 
MEESON   (W.)     See,    Sophia,    how    the 
tinctur'd  Vale.     Song,  etc.  [London, 

175G.]     8".  250.  k.  16. 

B.  Martin's  Miscellaneous   Correspond- 
ence, etc.,  Vol.  L,p-  393. 
MERCHI    (GiACOMo)      Sei    Trio   a    Due 
Violini   e   Basso  . . .  Opera  v.     Grave   par 
Mad""=  Oger.     [Separate  Parts.] 

Aux  adresses  ordinaircs  de  Musiqne  : 
Paris,  [1755  ?]     fol.  g.  105. 

Wanting  the  title-page  of  the  Basso  part, 
u-liich  is  replaced  by  that  of  the  com- 
poser's Op.  IX. 
MERRY.     The  merry  Dance  I  dearly  love. 
Song.      See    Richard    Ccedr    de    Lion. 
[La  danse  n' est  pas  ce  qiiej'aime.] 
MICHEL     (Guillaume)      II.    Livre    des 
Chansons,  etc.  Robert  Ballard  : 

Paris,  1641.     8".  K.  4.  f.  6.  (1.) 

III.  Livre  des  Chansons,  etc. 
Robert  Ballard  :  Paris,  1647.     8". 

K.  4.  f.  6.  (2.) 


MIDAS.      Lovely   nymph   asswage    my 
anguish.      A    Favourite    Song,   sung    by 
Mr.    Du    Bellamy,   this    Season,   in    the 
Character  of  ApoUo,  in  Midas,  etc. 
[London,  1768.]     8".  P.P.  5440. 

Universal  Museum,  August,  1768. 

MINUETS.  [Arranged  chronologically.']  A 
Minuet.    [London,  1755.]   8°.  250.  k.  16. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  HI.,  p.  7. 

A  Minuet.     [London,  1755.]     8". 

250.  k.  16. 

B.  Martin's   Miscellaneous  Correspond- 
ence, etc..  Vol.  I.,  p.  136. 

A  new  Minuet.     [London,  1755.]     8^ 

250.  k.  16. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  I.,  p.  181. 
The   Anti-Jew    jMinuet.    By   a    Brother. 
[London,  1755.]     8".  250.  k.  16. 

B.  Martin's  Miscellaneous   Correspond- 
ence, etc..  Vol.  I.,  p.  202. 
A  new  Minuet.     [London,  1755.]     8". 

250.  k.  16. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  I.,p-  217. 
A  New  Minuet.     [London,  1756.]     8". 

250.  k.  16. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  L,  p.  353. 
A  New  Minuet.     [London,  1756.]     8", 

250.  k.  16, 
B.  Martin's  Miscellaneo7is  Correspond- 
ence, etc..  Vol.  I.,  p.  372. 
]\Iiss  Cotterill's  Minuet.  [London, 

1757.]    8".  250.  k.  17. 

B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  IL,p.  549. 
Lincoln  Minuet.     [London,  1757.]     8". 

250.  k.  17. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  IL,  p-  566. 
A  new  Minuet.     [London,  1757.]     8-. 

250.  k.  17. 
B.  Martin's   MiscellancoJis  Correspond- 
ence, etc..  Vol.  II. ,  p.  596. 
A  new  Minuet.     [London,  1757.]     8". 

250.  k.  17. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  II.,  p-  608. 
A  Minuet.     [London,  1758.]     8". 

250.  k.  17. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc.,  Vol.  11. ,  p.  878. 
A  new  Minuet.     [London,  1758.]     8". 

250.  k.  17. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc.,  Vol.  II. ,  p.  720. 
A  Minuet.     [London,  1755.]     8°. 

250.  k.  18. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  III.,  p.  34. 


2G 


MIRANDA— MY 


MIRANDA.  Miranda.  [Song,  begins: 
"  Miranda's  Graces,  heav'nly  Charms."] 
See  Bagley  (    ) 

MIRROR.     The  Mirror.     [Song.] 

See  Bid.     Bid  Painting's,  Pencil's  mimic 
Pow'rs,  etc.     [1784.]     s.  sh.  4". 

P.P.  6154.  k. 

MIRTILLA.  Mirtilla  was  handsome. 
[Song.]     See  Baildon  (J.) 

MISS  JENNY.  ]\Iiss  Jenny  don't  think 
that  I  care  for  you.  Moll  in  the  Wad. 
[Duet.]  Sung  at  Astley's  by  Johaunot 
and  Mrs.  Decastro.     [Dublin,  1795.]     8'. 

P.P.  6154.  k. 
Walker's  Hibernian  Magazine,  March, 
1795. 

MODERATION.  IModeratiou  and  Altera- 
tion.    [Song.]     Sec  Battle  of  Hexham. 

MODERATO.     II  Moderate.     [Song.] 
Sec  Howard  (S.) 

MOLL.     Moll  in  the  Wad.     [Duet.] 

See  Miss  Jenny.    INIiss  Jenny  don't  think 
that  I  care  for  you,  etc.     [1795.]     8  . 

P.P.  6154.  k. 

MOON.    The  moon  had  climb'd  the  highest 
hill.     Marifs  Dream.     [Song.] 
[Edinburgh,  1785.]    s.  sh.  4".     257.  b.  15. 

Edinburgh  Magazine,  Dec,  1785. 

MORA.      Mora    shook    her    locks.      The 
Cottage  Boy.     A  favourite  Song ;    with  a 
Piano-forte  or  Harp  Accompaniment. 
[Dublin,  1793.]    s.  sh.  4".     P.P.  6154.  k. 

Walker's  Hibernian  Magazine,  October, 
1793. 

MORN.     The  Morn  is  past.     Hymn. 
See  Flackton  (W.) 

MORNING.      INIorning.     [Song,    begins : 
'  See,  from  the  East.']     See  Howard  (S.) 
The  Morning  Chase.   [Song.]   Src  Aurora. 
Aurora  bedapples  the  gray  bending  skies, 
etc.     [By  W.  Boyton.]     [1797.]     8'. 

P.P.  6154.  k. 

MOZE    (J.   H.)      As    the    Thames    silent 
Stream.     A  Neio  Song. 
[London,  1757.]     8".  250.  k.  17. 

B.   Martin's  Miscellaneous   Corrcspond- 
eyice,  etc..  Vol.  II.,  p.  4G8. 
Beauty's    Power.      [Song.]      The   Words 
after  Anacreon,  etc.     [London,  1757.]     8". 

250.  k.  17. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc.,  Vol.  II.,  p.  588. 
Cease  fond  Youth.     A  Song,  [words]  by 
J.  N.,  etc.     [London,  1756.]     8". 

250.  k.  16. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  I.,p>.  234. 
The  Complaint,  etc.     [Song.] 
{London,  1758.]     8°.  250.  k.  17. 

B.   Martin's   Miscellaneous   Correspond- 
ence, etc..  Vol.  II.,  p.  919. 


MOZE  (J.  H.)     Dear  Ned,  let  us  taste  the 
true  Pleasures  of  Wine.     A  Song,  etc. 
[London,  1757.]     8°.  250.  k.  17. 

B.  Martin's  Miscellaneous  Correspond- 
ence, etc.,  Vol.  II.,  p.  547. 
A  Farewell  to  the  Summer's  Diversions. 
A   Song.     The  Words   by  Mr.  J.  Duick, 
etc.     [London,  1755.]     8".        250.  k.  16. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  I.,  p.  180. 
The  Indolent  Swain,  etc.     [Song.] 
[London,  1757.]     8".  250.  k.  17. 

B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  II.,  p.  687. 
Love  and  Friendship,  etc.     [Song.] 
[London,  1758.]     8°.  250.  k.  17. 

B.  Martin's  Miscellaneous  Correspond- 
ence, etc.,  Vol.  II.,  p.  877. 
The  new  flown  birds  the  shepherds  sing. 
A  Song,  etc.     [London,  1757.]     8'\ 

250.  k.  17. 
B.  Martin's  Miscellaneous   Correspond- 
ence, etc..  Vol.  II.,  p.  607. 

On  Friendship,  etc.     [Song.] 
[London,  1758.]     8°.  250.  k.  17. 

B.  Martin's  Miscellaneous  Correspond- 
ence, etc.,  Vol.  II.,  p.  820. 
To  thy  fair  shrine,  0  heav'n-born  maid. 
A  Song,  etc.     [London,  1759.]     8". 

250.  k.  18. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc.,  Vol.  III.,  p.  252. 
When  first  I  saw  my  Fanny's  Face.     A 
Song.     [Words]  Bv  J.  N.,  etc. 
[London,  1755.]     8".  250.  k.  16. 

B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  I.,  p.  216. 
While  from  our  looks,  dear  nymph,  you 
guess.     A  Neiv  Song,  etc. 
[London,  1756.]     8".  250.  k.  16. 

B.  Martin's  Miscellaneous  Correspond- 
ence, etc.,  Vol.  I.,  p.  352. 
Young  Damon  would  often  frequent  the 
green  shade.    A  Song.    [Words]  By  R.  R., 
etc.     [London,  1755.]     8'\        250.  k.  16. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  I.,  p.  166. 

MURPHY    (S.)       Daphnis's    Complaint. 

[Song.]     [Duhlin,~\VilS.     s.  sh.  i". 

P.P.  6154.  k. 

Hibernian  Magazine,  July,  1778. 

MUTUAL.        The     Mutual     Symptoms. 
[Song.]     See  Arne  (T.  A.) 

MY.     My  ain  kind  Deary-0.     Song. 

See  Will.  Will  ye  gang  o'er  the  ley-rigg, 
etc.     [1789.]     8".  "  P.P.  6225. 

My  Chloe  seen.  Love's  transports  stole. 
A  Neiv  Song.  The  Words  by  ISIr.  Vaiighau. 
[London,  1762.]     8".  P.P.  5440. 

Universal  Miiseum,  May,  1762. 


MY— OP 


27 


MY.  My  Jockey  is  the  blithest  Lad.  A 
Favourite  Song.  Sung  by  jMrs.  Baddely, 
at  Vauxhall.     [London,  1767.]     S'. 

P.P.  5440. 
Universal  Museum,  Seiifejuber,  1767. 
My  Laddie   is  gang'd    far    away.      Neiv 
Jockey.     A  Favourite  Scotch  Song,  sung   ; 
by  Miss  Froud,  at  Marybone  Gardens.  j 

[Lotidon,  1768.]     8".  P.P.  5440.    ! 

Universal  Museum,  October,  1768. 
My  Lodging  is  on  the  cold  Ground,  &c. 
[Song.]     As  sung  by  Signior  Rauziui  [sic] 
at  the  Rotunda.    [Dublin,  1783.]   s.  sli.  4". 

P.P.  6154.  k.   ' 
Hibernian  Magazine,  October,  1783. 
My  Sandy  is  the  sweetest  Swain.     Blithe 
Sandy.    [Song.]    [Dublin,  177'J.]    s.  sh.  4". 

P.P.  6154.  k. 
Hibernian  Magazine,  October,  177'J. 
IMy  Sukey,  while  I  fondly  gaze.     Song. 
See  Bag  LEY  (     ) 

]\Iy  true  hearty  fellows,  who  smoke  with 
such  glee.  Agnes  and  Toby :  or,  The 
Pipes  and  the  Jug.  [Song.]— A  Sequel  to 
Garrick's  Brown  Jug. — Written  by  I\Ir. 
T.  B[onnor].     [Aberdeen,  1788.]     S". 

P.P.  6225. 
Aberdeen  Magazine,  Vol.  I.,  September, 
1788. 

MY  GRANDMOTHER.  Dicky  Gossip. 
[Song.]  Sung  by  IMr.  Johannot,  in  the 
new  Opera  of  '  My  Grandmother.'  [By 
S.  Storace.]     [Dublin,  1795.]     8". 

P.P.  6154.  k. 
Walker's  Hibernian  Magazine,  -January, 
17'J5. 
MYRTILLA.     IMyrtilla.     [Song,  begins: 
'  To  heave  her  white  Bosom.'] 
See  Smith  (J.  C.) 


NANNY.     The  new  Song  of  Nanny. 
See   Hark.      Hark,   my   Love,   on   ev'ry 
Sprav,  etc.     [1776.]     s.  sJt.  4' . 

P.P.  6154.  k. 

NEW.      The   new   flown  Birds   the   shep- 
herds sing.     Song.     See  Moze  (J.  H.) 
New    Jockey.      [Song.]       See    I\Iy.      My 
Laddie  is  gang'd  far  away,  etc. 
[1768.]     8^  P.P.  5440. 

The  New  Spinning- Wheel.     [Song.] 
See  One.      One  summer's  eve  as  Nancv 
fair,  etc.     [1768.]     8".  P.P.  5440. 

NICOLAI  (Valentino)  Three  Sonatas 
and  three  Duets  for  the  Harpsichord  or 
Piano  Forte  and  a  Violin  Obligato  . .  . 
Op"  VII.  Longman  and  Bvoderip  : 

London,  [1784?]     fol.        g.  420.  n.  (2.) 
Wanting  the  Violin  part. 


NO.     [A  third  setting.]     No  Glory  I  covet. 
.4  New  Song.     [London,  1758.]     8". 

250.  k.  17. 
B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  II.,  p.  780. 
No  Stars  again  shall  hurt  vou  from  above. 
Duett.    See  Purcell  (H.)"  [The  Tempest.] 

NOELS.     Noels  et  Cantiques  Spirituels. 
See  AuxcousTEAUX  (A.) 

NON.       Nou     dubitare     bell'     idol     mio. 
Rondeau.     See  Giordani  (T.) 
Non  temer  bell'  idol  mio,  &c.    A  favourite 
Italian  Song,  sung  by  Signior  Manzoletto, 
at  the  Rotunda. 

[Dublin,  1781.]    s.  sh.  4'\     P.P.  6154^  k. 
Hibernian   Magazine,   September,  1781. 
This  is  not  the  song  from  Bertoni's 
'  Demofoonte.' 

NOW.      Now   the    happy    Knot    is    ty'd. 
Colinet,  etc.     [Song,  by  t.  A.  Arne.] 
[London,  1759.]     s.  sh.  8". 

1.  600.  d.  (156.) 
A  cutting  from  the  Lady's  Magazine  for 
November,  1759. 


O.  0  come,  sweet  Mary,  come  to  me.  [Song.] 
See  When.  When  night,  and  left  upon 
mv  guard.     [1793.]     s.  sh.  4". 

P.P.  6154.  k. 

O  dieu  puissant.     Hvmne. 
See  Bruni  (A.  B.) 
Oh  Lord,  what  a  terrible  fright 
Td  much  rather  stay.     [Song.] 
Johannot.     [Dublin,  1795.]     8". 

P.P.  6154.  k 


I  am  in. 

Sung  by 


Walker's    Hibernian    Magazine,    Feb., 
1795. 
0  mon  peuple,  que  vous  ai-je  fait  ?     Lcs 
Adieux   de   I'infortune   Louis  XVI  a  son 
Peuple.     [Song!]     [Dublin,  1797.]     8^ 

P.P.  6154.  k. 
Hibernian  Magazine,  March,  1797. 
Oh  Sandy  why  leav'st  thou  thy  Nelly  to 
mourn?     Thro'  the  Wood  Laddie,  as  sung 
by  ]\Iiss  Wright  at  Vauxhall. 
[London,  1765.]     8^  P.P.  5440. 

Universal  Museum,  June,  1765. 
Oh  think  on  my  Fate.     TJie  Galley  Slave. 
[Song,   from  W.  Reeve's  Entertainment, 
The  Purse.]     [Diiblin,  1195.]     8". 

P.P.  6154.  k. 
Walker's  Hibernian   Magazine,  Marcli, 
1795. 

OF.     Of  Ups  and  Downs  we  daily  see.     The 
Ups  and  Doivns  of  Life.     A  favourite  Song, 
from  the  Opera  of  The  Choleric  Fathers 
[by  W.  Shield],  Sung  by  Sir.  Wilson,  etc. 
[Aberdeen,  1788.]     S''.  P.P.  6225. 

Aberdeen  Magazine,  December,  1788. 


28 


OLD— POLL 


OLD.     Old  Towler.     Song.     See  Bright. 
Bright   Chanticleer   proclaims  the  dawn, 
etc.     [By  C.  Dibdin.]     1795.     8\ 

P.P.  6154.  k. 

OM.     Om  Bachus  Du  ar  Qud.     A  Swedish 
Song.     [Edinburgh,  1785.]     s.  sh.  4°. 

257.  b.  14. 
Edinburgh  Magazine,  May,  1785. 

ON".     On  an  unfortunate  Maid.     [Song.] 
See  Howard  (S.) 

On  Friendship.  [Song,  begins  :  "Ye  sacred 
Muses,  aid  my  Song."]  See  Moze  (J.  H.) 
On  tree-topt  hill  or  turfted  green.  Trce- 
topt  Hill.  A  new  Song.  [By  M.  C. 
Festing.]     \_London,  1764.]     8^ 

P.P.  5440. 
Universal  Museum,  March,  1764. 

ONE.     One  eve  to  chace  our  cares  away. 

A  New  Song.     [London,  1764.]     8". 

250.  k.  19. 

B.  Martin's  Miscellaneous  Correspond- 
ence, etc..  Vol.  IV.,  p.  706. 
One   Evening  at  ambrosial   Feast.     True 
Blue ;  or,  Britain's  Glory.     [Song.] 
[Aberdeen,  1789.]     8".  P.P.  6225. 

Aberdeen  Magazine,  July,  1789. 
One  Ev'ning  in  Spring,  when  the  ]\Ieadows 
were  gay.     Song.     See  Atkinson  (W.) 
One   summer's   eve  as  Nancy  fair.     Tlte 
Neiv  Spinning-Wheel.     [Song.] 
[London,  1768.]     8".  P.P.  5440. 

Universal  Museum,  December,  1768. 

OSWALD  (James) 
See  Apollo's  Collection.     Apollo's  Col- 
lection, being  XII  Duettos  for  Two  Ger- 
man Flutes  or  two  Violins. .  .by. .  .Sig""  F. 
Geminiani. .  .Mr.  Oswald.     Lib.  l"-",  etc. 
[1750?]     fol.  h.  2052.  (3.) 

See  Apollo's  Collection.  Apollo's  Collec- 
tion, being  six  Sonatas. .  .for  two  German 
Flutes  or  two  Violins. .  .by. .  .Sig'^  Tartini 
...Mr.  Oswald.     Book  2".     [1755?]     fol. 

h.  2052.  (4.) 

OVEREND  (:Marmaduke)  For  fragrant 
sweets  of  genial  Spring.  A  Glee,  for 
Three  Voices,  adapted  to  be  played  by 
Two  Performers  or  by  One  only,  the  Bass 
. .  .figured  for  the  Accompanyment  of  the 
Harpsichord  or  Piano  Forte,  etc. 

S.  A.  d  P.  Thompson  : 
London,  [1780  ?]  fol.  G.  806.  v.  (2.) 
How  sweet  the  Breath  of  milky  Kine. 
Glee  II.  [For  three  voices,  with  accom- 
isaniments.]  (Let  the  wearied  taste  in 
Sleep.  A  Catch  for  Three  Voices.) 
Messrs.  Thompsons  :  [London,  1785  ?]    fol. 

G.  806.  V.  (3.) 

The    composer's    name   is   given   in   an 

autograph  signature. 

Let  the  wearied  taste  in  Sleep.     A  Catch 

for  Three  Voices,     See  supra  :  How  sweet 

the  Breath,  etc. 


PARTNERS.     Partners  of  my  toils  and 
pleasures.     Vaudeville. 
See  Lord  op  the  Manor. 

PESCH  (Carl  August)     Six  Duetts  for 
Two  Violins.     [Separate  Parts.] 
Welckcr  :  London,  [1770  ?]     fol. 

h.  219.  f.  (6.) 

PHILLIS.       Phyllis.      [Song,     begins 
'  Young  Pliyllis,  one  morning.'] 
See  BOYCE  (W.) 

Phillis.     [Song.]     See   Come.     Come   tell 
me,  dear  Phillis,  etc.     1778.     s.  sh.  4°. 

P.P.  6154.  k. 

PHCEBUS.     Phoebus  meaner  Themes  dis- 
daining.   The  British  Fair.  [Song.]    Sung 
by  jMiss  Wright  at  Vauxhall. 
[Londo7i,  1765.]     8".  P.P.  5440. 

Universal  Museum,  September,  1765. 

PIGEON.     The  Pidgeon.     Song. 

See   Why.     Why    tarries    my    Love,    etc. 
[By  W.  Leeves.]     [1784.]     s.  sh.  4". 

P.P.  6154.  k. 

PIPER.    A  Piper  on  the  Meadows.    [Song.] 
[Dublin,-]  1796.     8».  P.P.  6154.  k. 

Walker's    Hibertiian    Magazine,    Feb., 
1796. 


PLAINTIVE.     The    Plaintive    Lover 
[Song.]     See  How 
morning,  etc.     [1784.]     s.  sh.  4' 

P.P.  6154.  k 


How  delightful  is  the 


PLAISIRS.  Les  Plaisirs  Champetres. 
[Dance  Tune.   P.  F.]     [Dublin,']m6.     8\ 

P.P.  6154.  k. 
Hibernian  Magazine,  June,  1776. 

PLATONIC.     Platonic  Love.     [Song.] 
See  Arne  (T.  A.) 

PLEASURES.  The  Pleasures  of  a  Rural 
Life.     [Song.] 

See  Barker  (.J.)  of  Ahlborough. 
The  Pleasures  of  the  Chase.     Song. 
See  Dibdin  (C.)     [The  Wags.] 

PLEYEL  (Ignaz  Joseph) 

2.  Instrumental  Duets. 
b.  Pianoforte  and  Violin. 
Two  Grand  Sonatas  for  the  Piano  Forte, 
or  Harpsichord,  with  an  Accompanyment, 
for  the  Violin,  ad  Libitum. .  .Op.  7. 
J.  Bland  :  London,  [1790  ?]     fol. 

g.  420.  o.  (2.) 
Wanting  the  Violin  part. 

10.  Vocal  Music. 
Tho'  Pity  I  cannot  deny,  &c.     [Song,  by 
I.    J.    Pleyel.]     Sung... in   the    Haunted 
Tower.    [1790.]    s.  sh.  4".     P.P.  6154.  k. 
Sec  Haunted  Tower. 

POLL.  Poll  and  my  Partner  Joe.  Song- 
See  Dibdin  (C.)  [I  loas  d'ye  see  a  Water- 
man.] 


POOR— QUEEN 


29 


POOR  SOLDIER.  Dithemm  doodle.  A 
favourite  Soug  in  the  new  Opera  of  the 
Poor  Soldier.  [By  W.  Shield.]  Sung  by 
Mr.  Ryder.     [Dublin,  178i.]     s.  sh.  i\ 

P.P.  6154.  k. 

Hibernian  Magazine,  Feb.,  1784. 
Good  Morrow  to  your  Night-cap.     [Song.] 
Sung  by  Mr.  Ryder  in  the  new  Opera  of 
The  Poor  Soldier.     [By  W.  Shield.] 
[Dublin,  1794.]    s.  sh.  4°.    P.P.  6154.  k. 

Hibernian  Magazine,  Feb.,  1784. 

POOR    VULCAN.      Vulcan's    Petition. 
[Song.]      Sung    by  Mr.   Bowles,   in    the 
Character   of    Jupiter,   in    Poor   Vulcan. 
[Written  and  composed  by  C.  Dibdin.] 
[Dublin,  1781.]     s.  sh.  4°. "  P.P.  6154.  k. 

Hibernian  Magazine,  March,  1781. 
Would  you  give  me  leave  to  knock  you 
down.    A  Catch  in  Poor  Vulcan.    [Written 
and  composed  bv  C.  Dibdin.]        [Dublin, 
1781.]    s.  sh.  i'\  P.P.  6154.  k. 

Hibernian  Magazme,  April,  1781. 

POTTER  (    )  Captain.   Freedom.    [Song.] 
Written  ...  by  J.  E.  Moore,  etc. 
[Dublin,-]  1796.     8\  P.P.  6154.  k. 

Walker's    Hibernian    Magazme,    July, 
1796. 

POTTER  (John)  The  Despairing  Lover, 
etc.     [Song.]     [Aberdeen,  1791.]     8°. 

P.P.  6225. 
Aberdeen  Magazine,  June,  1791. 

PRAISE.  Praise  for  Creation  and  Provi- 
dence. [Hymn.]  See  I.  I  sing  th' 
almighty  Pow'r  of  God,  etc.     [1762.]     8°. 

P.P.  324.  n. 

PRIDE.     The  Pride  of  May.     [Song.] 
See  Arne  (T.  A.) 

PROTEUS.  Good  Father,  be  peaceful. 
A  Song.  Sung  by  Mr.  Beard  in  Proteus, 
or  Harlequin  in  China.  [London, 

1755.]     8°.  250.  k.  16. 

B.  Martin's   Miscellaneous  Correspond- 
ence, etc..  Vol.  I.,  p.  27. 

PSALMS. 

4.  English. 
Seuen  Sobs  of  a  SorrowfuU  Soule  for  Sinne : 
Comprehending  those  seuen  Psalms  of  .  . . 
Dauid,  commoulie  called  Poeniteutiall ; 
framed  into  a  form  of  familiar  praiers, 
and  reduced  into  meetre  by  W.  Hunnis, 
etc.    1615.     12\  Case  51.  aa.  8. 

See  Hunnis  (W.) 

12.  Italian. 
Salmi  di  David,  tradotti  in  lingua  volgare 
Italiana,  &  accommodati  al  canto  de  i 
Frances!.  Per  Messer  Francesco  Perrotto. 
Appresso  Giovanni  di  Tonics  : 
[Geneva,]  1603.     16^  3433.  a.  10. 


PSALMS. 

13.  Latin. 
Psalmorum  Davidis  Paraphrasis  Poetica 
Georgii  Buchanani  .  .  .  Argumentis  ac 
]Melodiis  Explicata  atque  Illustrata.  (In 
Georgii  Buchanani  Paraphrasin  Psalm- 
orum Collectanea.  Nathanis  Chytroei,  c^c.) 
Tyjns  S.  G.  Sumptibus  Thomas  Malthiis  : 
Londini,  1683.     24\  3438.  de.  44. 

PURCELL  (Daniel)  [The  Northern 
Lass.]  Mr.  D.  Purcell's  IMusick  in  the 
Comedy  [by  R.  Brome]  call'd  the  Northern 
Lass.  [First  Violin  and  Bass  Parts.]  2  pts. 
[London,  1706  ?]     obi.  fol.       d.  24.  (21.) 

[The  Patriot.]  Mr.  D.  Purcells  Aires  in 
the  Tragedy  [by  C.  Gildon]  call'd  the 
Patriot  or  the  Itallian  Conspiracy.  [First 
Violin  and  Bass  Part.]  2  pts.  [London, 
1703  ?]     obi.  fol.  d.  24.  (13.) 

[The  Unhappy  Penitent.]  Mr.  D:  Purcells 
Ayrs  in  the  Tragedy  [by  Mrs.  Trotter]  of 
the  unhappy  Penitent.  [First  Violin  and 
Bass  Parts.]     2  pts.  [London, 

1701  ?]    obi.  fol.  d.  24.  (3.) 

PURCELL  (Henry) 

2.  Vocal  Music. 
c.  Dramatic  Music. 
King  Arthur. 
Two    Daughters    of    this    aged    Stream. 
Favourite  Duct  [by  H.  Purcell],  etc. 
1779.    s.  s/t.  4".     See  King  Arthur. 

P.P.  6154.  k. 
The  Tempest. 
Halcion     Days    now    wars    are    ending. 
Favourite  Song,  in  the  Music  composed 
for  the  Tempest,  etc.  [Edinburgh, 

1785.]     s.  sh.  4".  257.  b.  14. 

Edinburgh  Magazine,  March,  1785. 
No  Stars  again  shall  hurt  you  from  above. 
Duett,   in   the   Music  composed   for   the 
Tempest,  etc.  [Edinburgh, 

1785.]     s.  sh.  4".  257.  b.  14. 

Edijiburgh  Magazine,  Feb.,  1785. 

d.  Catches,  Duets  and  Single  So7igs. 
Sum  up  all  the  delights.     A  Catch,  etc, 
[By  H.  Purcell.]     See  Sum. 
[1781.]     s.  sh.  4°.  P.P.  6154.  k. 

6.  Index. 
Halcion  Days  now  Wars  are  ending. 

See  [The  Tempest.] 

No  Stars  again  shall  hurt  you  from  above. 

See  [The  Teinpest.] 


QUEEN.     The  Queen  of  Love.     [Song.] 
See  Swift  (W.) 


30 


RAMEAU— SHIELD 


EAMEALT  (Jean  Philippk) 

^Vt'  AroLLO's  Collection.  Apollo's  Col- 
lection, being  XII  Duettos  for  Two  Ger- 
man Flutes  or  two  Violins. .  .by. .  .Sig'  P. 
Geminiani . .  .liP  Rameau  . . .  Lib.  1"'",  dc. 
[1750?]     fol.  h.  2052.  (3.) 

See  Apollo's  Collection.     Apollo's  Col- 
lection,  being  six    Sonatas  .  .  .  for    two 
German  Flutes  or  two  Violins  . . .  by  . . . 
Sig'  Tartini  . . .  :\P  Rameau  . . .  Book  2''. 
[1755?]     fol.  h.  2052.  (4.) 

BANNIE  (John)  The  Braes  of  Yarrow. 
A  new  Scotch  Song.  [Aberdeen, 

1789.]     8".  P.P.  6225. 

Aberdeen  Magazine,  October,  17S'J. 

REELS.  The  Marquis  of  Huntly's  Reel. 
[Song.]  The  Words  by  the  Author  of 
Tullichgorum.  See  Tune.  Tune  your 
fiddles,  etc.     [1789.]     8".  P.P.  6225. 

Mrs.  Stewart's  Reel.     [Dublin,  1795.]     8". 

P.P.  6154.  k. 

Walker's    Hibernian    Magazine,    Jan., 

1795. 

The  Opera  Reel.     [P.  F.]  [Dublin, 

1795.]     8".  P.P.  6154.  k. 

Walker's    Hibernian    Magazine,   April, 

1795. 

EEEVE  (William) 

1.  Operas,  Entertainments,  Ballets,  &c. 

The  Purse. 

The  Galley  Slave.     See  0.     Oh  think  on 

my   Fate,   etc.     [Song,   from  W.  Reeve's 

Entertainment,  The  Purse.]     [1795.]     S". 

P.P.  6154.  k. 

REINHARDUS  (Andreas)     Musica, 
Blue  Guidonis  Aretini,  de  vsu  &  constitu- 
tione  Monochordi,  Dialogus ;   jam  denuo 
recognitus,  ab  Andrea  Eeinhardo,  etc, 
1604.     12".  7898.  aaaa.  8. 

See  GuiDO,  Aretinus. 

HETZEL  (August  Johann)  Isabel.  A 
Cantata,  etc.  Printed  for  James  ((;  John 
Simpson's:  London,  [1180?]     fol. 

G.  806.  V.  (6.) 
EICHARD  CCEUR  DE  LION.  [La 
danse  u'est  pas  ce  que  j'aime.]  The  merry 
Dance  I  dearly  love.  Song  in  Richard 
Cceur  de  Lion,  etc.  [By  A.  E.  M.  Gretry.] 
[Aberdeen,  1791.]     s.  s7;.  obi.  8". 

P.P.  6225. 
Aberdeen  Magazine,  September,  1791. 

ROSE.     The  Rose.     [Song.] 

See  Blooming.  Blooming,  beauteous, 
fragrant  Flow'r.   [17G3.]  8".   P.P.  324.  n. 

[Another  setting.]  The  Rose  had  been 
wash'd.     [Song.]     See  Crotch  (W.) 


SAILOR.  The  Sailor's  Invitation.    [Duet.] 
See  May  (H.) 


SAILOR.  The  Sailor's  Journal.  [Song.] 
>Ve  'TwAS.  Twas  post  meridian  half  past 
four,  etc.     [By  C.  Dibdin.]     179G.     8". 

P.P.  6154.  k. 

SAINT  KILDA.    S'  Kilda  Song.  See  By. 
By  the  stream  so  cold  and  clear,  etc. 
[1787.]     s.  sh.  4".  257.  b.  18. 

SAN  MARTINI  (Giuseppe) 

See  Apollo's  Collection.  Apollo's  Collec- 
tion, being  XII  Duettos  for  Two  German 
Flutes  or  Two  Violins  ...  by  ...  Sig' 
Geminiani,  S'  Martini. .  .Lib.  1"%  etc. 
[1750?]     fol.  h.  2052.  (3.) 

See  Apollo's  Collection.  Apollo's  Collec- 
tion, being  six  Sonatas. .  .for  two  German 
Flutes  or  two  Violins. .  .by. .  .Sig''  Tartini 
. .  .S'  Martini. .  .Book  2''.     [1755  ?]     fol. 

h.  2052.  (4.) 

SARTI  (Giuseppe)    Hush  !  such   Counsel 
do    not    give,    &c.     [Song,   by   G.    Sarti.] 
Sung. .  .in  the  Haunted  Tower. 
[1790.]     s.  sh.  4".  P.P.  6154.  k. 

See  Haunted  Tower. 

SAW.  Saw  you  Phaibe  pass  this  way. 
Song.     See  Boyce  (W.) 

SE.     Se  do  mhoUa.     Highland  Song. 

[Edinburgh, 1185.]    s.  sh.   4°.    257.  b.  15. 

Edinburgh  Magazine,  July,  1785. 

SEA.     The  Sea  Boy  reefs  the  Sail.     Song. 
See  Lady  op  the  Manor. 

SECOND.  Second  Thoughts  are  best. 
[Song.]     See  Hook  (J.) 

SEE.     See,  Sophia,  how  the  tinctur'd  vale. 
Song.     See  ]\Ieeson  (W.) 
See  the  Leaves  around  us   falling.     The 
Fall  of  the  Leaf.     A  Sacred  Ode,  etc. 
[London,]  1760.     8".  P.P.  324.  n. 

The  Christian's  Magazine,  June,  1760, 
p.  86. 

SERRE  (Jean  de)     Les  Dons  des  Enfans 
de  Latone  :  La  Musique  ct  la  Chasse  du 
Cerf,  etc.     [By  J.  de  Serre.]     1734.     8°. 
See  Dons  des  Enfants  de  Latone. 

1065.  1.  2. 

SEX.  [Another  edition.]    The  Sex.    [Song.] 

See    As.     As    Jockey    was    walking    one 

j\Iidsummer  Morn,  c^c.    [1755?]    s.  sh.  fol. 

I.  600.  d.  (179.) 
SHIELD  (William) 

1.  Operas,  Pantomimes,  Entertain- 
ments, &c. 
The  Choleric  Fathers. 
The   Ups   and   Downs   of  Life.     See  Op.  ' 
Of  Ups  and  Downs  wc  daily  see... Song 
from  . . .  The    Choleric   Fathers    [by   W. 
Shield],  etc.     [1788.]     8".         P.P.  6225. 

The  Czar  Peter. 
Old  Towler.     A  favourite  Hunting  Song, 
etc.      [By     C.     Dibdin.]      See     Bright. 
Bright  Chantecleer   proclaims  the  dawn, 
etc.     1795.     8".  P.P.  6154.  k. 


SHIELD— SWEETER 


31 


SHIELD  (WiixiAM) 

The  Farmer. 
The  Plough   Boy.     Sec  Flaxen-headkd. 
A    flaxen-headed   cow    boy,    etc.      [Soug, 
from    W.  Shield's  Opera,"  The    Farmer.] 
[1789.]     S'\  P.P.  6225. 

Gad  a  mercy.  [Soug.]  Sung  by  Mr. 
Munden. .  .in" The  Farmer  [by  W.  Shield]. 
[1793.]    s.  sh.  4t\     See  Farmkk. 

P.P.  6154.  k. 
Marian. 
Patty  Clover.     A  favourite  Song,  etc. 
[Dublin,  1788.]     s.  sh.  4".   P.P.  6154.  k. 
]y'alker's  Hibernian  Magazine,  Oct.,  1788. 

Robin  Hood. 
The  favourite  Song. .  .1  traversal  Judah's 
barren  Sand,  etc.     [Aberdeen,  1789.]     8'\ 

P.P.  6225. 
Aberdeen  Magazine,  April,  1789. 

2.  Songs,  Duets,  Glees,  &c. 
b.  Single  Works. 
Mark'd  you  her  Eye  of  heavenly  blue,  &c. 
A  celebrated  new  Song... The  Words   by 
Mr.  Sheridan.     [Dublin,  1788.]     s.  sh.  4". 

P.P.  6154.  k. 
Walker's    Hibernian    Magazine,    July, 
1788. 
Tbo'  Bacchus  niav  boast,  &c.    An  admir'd 
...Song,  t'^c.     [By  W.  Shield.] 
[1790.]     s.  sh.  4°.  P.P.  6154.  k. 

See  Though. 

5.  Index  op  Songs. 
I  travers'd  Judah's  barren  Sand. 
See  [Robin  Hood.] 
The  Ups  and  Downs  of  Life, 
^ee  [The  Choleric  Fathers.] 

SILVIA.  Silvia.  Song  [begins:  'The 
gladd'ning  sun  returns'].     See  Ible  (\V.) 

SLIGHTED.  The  Slighted  Maid.  [Song.] 
Sfc  Baildon  (J.) 

SMILING.  Smiling  Love,  to  thee  belong. 
Roundelay,     See  Linley  (T.)  the  Elder. 

SMITH  (John  Christopjiku)  Myrtilla. 
[Song.]     [Lo)ulon,  IToG.J     8". 

P.P.  5439.  b. 
Universal  Visiter  and   Monthly  Memo- 
rialist, April,  175G. 

SON-IN-LAW.  Alia  stagion  novella. 
The  facountc  Song  in  the  Son-in-Law, 
sung  by  Mrs.  Daly.  (Adapted  for  the 
Guittar,  by  R.  Gaudry.)  [Dublin, 

1781.]     s.  sh.  4".  P.P.  6154.  k. 

Hibcr)iian  ^fagazinc,  Juli),  1781. 
The  Son  in  Law.     Comic  Opera. 
See  Arnold  (S.) 

SOUND.     Sound  the  fife,  beat  the  dram. 
llic  Female  Captain.     An  admired  Song, 
sung  bv  Mrs.  Wrighten  at  Vauxhall. 
[Dublin,  1783.]    s.  sh.  4".     P.P.  6154.  k. 
Hibernian  Magazine,  July,  1783. 


SPINNING-WHEEL.      The     Spinning 

Wheel.     [Soug.j     See  Baildon  (J.) 

SPORTSMAN.  The  Sportsman  goes  out. 
[Song.]     ^Vt;  Hook  (J.) 

SPRING.  Spring  returns,  the  Fawns 
advance.     Song.     See  Bag  lev  (     ) 

STEVENSON  {Sir  John  Andrew)     The 

Rising  Aurora.    .4  Farourite  New  Hunii)ig 

Song.     Sung  by  Mr.  Tuke.  [Dublin, 

1783.]     s.  sh.  4".  P.P.  6154.  k. 

Hibernian  Magazine,  Dec.,  1783. 

STILL.  Still  the  Lark  finds  Repose. 
Rondo.  See  Linley  (T.)  the  Elder.  [The 
Si)anisJi  liivals.'] 

STOLTZER  (Thomas)  Sec  Hymns. 
[10.  Datin.]  Sacrorum  Hymnorum  Liber 
Primus  —  Centum  &  triginta  quatuor 
Hymnos  continens,  ex  optimis  quibusq} 
Authoribus  musicis  coUoetus,  Inter  quos 
. .  .sunt,  Thomas  Stoltzer,  Henricus  Fiuck, 
etc.     [1542.]     obi.  4".  K.  4.  d.  16. 

STORAGE  (Stephen) 

1.  Operas,  Entertainments,  Ballet. 

Lodoiska. 
Thy  Mistress  bids  thee  haste  away. 
See    Ye.      Ye  streams    that    round    my 
prison  creep,  etc.     [Soug,  from  Lodoiska, 
by  S.  Storace.]     [1795.]     8'\ 

P.P.  6154.  k. 

^ly  Grandmother. 

Dicky    Gossip.      [Song.]      Sung    by    Mr. 

Johannot  in... 'My  Grandmother.'      [By 

S.  Storace.]     [1795."]     8".     P.P.  6154.  k. 

See  ^fV  GHANDMOTIIKT!. 

STRATHSPEYS.  The  I'rince  of  Wales's 
Strathspev.     [P.  F.]     [Dublin,  1795.]     8". 

P.P.  6154.  k. 
Walker's    Hibernian    Magazine,    May, 
1795. 
SUM.     Sum  up  all  the  delights.     A  Catch. 
For  Three  Voices.     [By  H.  Purcell.] 
[Dublin,  1781.]    s.  sh.  4".    P.P.  6154.  k. 
Hibernian  Magazi)ie,  August,  1781. 

SUP.  A  Sup  of  good  Whiskey  will  make 
vou  glad.     [Song.]     [Dublin,  1795.]     8". 

P.P.  6154.  k. 
Walker's    Hiber)iian    Magazi)ie,    Ju)ie, 
1795. 
SURVEY.      Survey    ray   fair    that    lucid 
stream.     Song.     See  Hook  (J.) 

SWAIN.      A   Swain,  undone   by  am'rous 

woe.    A  Neio  Song,  etc.  ^London, 

17G4.]     8".  P.P.  5440. 

Univeisal  Museum,  October,  17G4.         _, 

SWEET.     Sweet  Lavender.     [Song.] 

Ste  How.  How  happy  was  of  late  each 
morn,  etc.  [1795.]  8".  P.P.  6154.  k. 
Sweet  Rosalind.     Song.     See  Swift  (W.) 

SWEETER.  Sweeter  than  the  Blushing 
Rose.     Duett.     See  CuzENS  (B.) 


32 


SWIFT— 'TIS 


SWIFT  (William)     Angelic  fair.     A  Song, 
etc.     \_London,  1755.]     8".        250.  k.  16. 

B.  Martin's  Miscellaneous  Corresiwncl- 
ence,ctc.,  Vol.  I.,  p.  118. 
The  Distressed  Lover.     A  New  Song,  etc. 
[London,  1763.]     8".  P.P.  5440. 

Universal  Museum,  July,  1763. 
Fly  swift,   ye   minutes.      A   Love    Song. 
Addressed  to  Miss  A.  B.  of  Stowe,  etc. 
[London,  1764.]     8".  P.P.  5440. 

Universal  Museum,  October,  1764. 
The  Happy  Nymphs.    [Song.]    The  Words 
by  a  Young  Lady,  etc.  [London, 

1764.]     8°.  P.P-  5440. 

Universal  Museum,  May,  1764. 
Liberty,  a  New  Song,  etc.  [London, 

1766.]     8«.  P-P.  5440. 

Universal  Museum,  April,  1766. 
The  Queen  of  Love,  etc.     [Song.] 
[London,  1767.]     8°.  P.P.  5440. 

Universal  Museum,  August,  1767. 
Sweet  Eosalind.     A  Song,  etc.       [London, 
1764.]     8».  P.P.  5440. 

Universal  Museum,  January,  1764. 
The  Virgin  Unmask'd,  a  New  Song,  etc. 
[London,  1766.]     8".  P.P.  5440. 

Universal  Museum,  Fehrtiary,  1766. 
You  bid  me,   fair,  conceal  my  love.     A 
Neil)    Song.      Addressed    to    Miss    Polly 
Stow,  etc.     [London,  1765.]     8°. 

P.P.  5440. 

Universal  Museum,  February,  1765. 
Young  Damon.     A  New  Song,  etc. 
[London,  1763.]     8^  P.P.  5440. 

Universal  Museum,  August,  1763. 


TALLIS  (Thomas)  See  Glory.  Glory  to 
Thee  my  God  this  Night.  The  Evening 
Hymn,  etc.     [By  T.  Tallis.]     1760.     8^ 

P.P.  324.  n. 

TARTARIAN   AIRS.     Tartarian  Airs. 
[Edinburgh,  1774.]     8°.       P.P.  6199.  b. 

Edinburgh  Magazine  and  Bcvieiv,  Feb., 
1774. 

TARTINI  (Giuseppe)  See  Apollo's 
Collection.  Apollo's  Collection,  being 
six  Sonatas  . . .  for  two  German  Flutes  or 
two  Violins  .  .  .  by  .  .  .  Sig'  Tartini  .  .  . 
Book  2\     [1755  ?]     fol.         h.  2052.  (4.) 

TELL.     TeU  me  my  Lute,  can  thy  fond 
Strain.     Song.     See  Duenna. 
Tell  me  no   more  of   pointed   darts.      A 
Lad-y's  Advice  to  her  Lover.     [Song.] 
[London,  1759.]     s.  sh.  8". 

I.  600.  d.  (155.) 
A  cutting  from  the  Lady's  Magazine  for 
September,  1759. 


THAINY  MENZIES.  Thainy  Menzies' 
bonny  Mary.     [Song.]     See  Wilson  (W.) 

THERE.  There's  cauld  kail  in  Aberdeen. 
Cauld  Kail  in  Aberdeen.  [Song.]  The 
Words  by  his  G[race]  The  D[uke]  of 
G[ordon].     [Aberdeen,  1788.]     8°. 

P.P.  6225. 
Aberdeen  Magazine,  November,  1788. 
There  was  a  fair  Maiden.     Song. 
See  DiBDiN  (C.) 

THOMPSON  (Michael) 
See  Thomson  (M.) 

THOMSON  (Michael)  Fanny  no  more, 
etc.     [Song.]     [Dublin,  1780.]     s.  sh.  4°. 

P.P.  6154.  k. 
Hibernian  Magazine,  Dec,  1780. 
Hibernia's  Advice  to   the  Fair.      A  new 

Song  . . .  The  Words  by  the  Rev.  M 

S [Dublin,  1779.]     s.  sh.  4°. 

P.P.  6154.  k. 
Hibernian  Magazine,  Aug.,  1779. 
Weep,  Britons,  weep.     [Song.J     Epitaph 
on  David  Garrick,  Esq.,  etc.  [Dublin, 

1779.]     s.  sh.  4°.  P.P.  6154.  k. 

Hibernian  Magazine,  June,  1779.    Muti- 
lated. 

THOUGrH.  Tho'  Bacchus  may  boast,  &c. 
An  admir'd  New  Song,  etc.  [By  W. 
Shield.]     [Dublin,  1790.]     s.  sh.  4°. 

P.P.  6154.  k. 
Walker's    Hibernian    Magazine,    July, 
1790. 
Tho'  lovely  Delia  thou  art  coy.     Song. 
See  Bag  LEY  (        ) 
Tho'  Pity  I  cannot  deny.     [Song.] 
See  Haunted  Tower. 
Tho'  wisdom  will  preach   about  joy.     A 
Neio    Drinking     Song.      The    words    by 
G.  A.  Stevens.     [Aberdeen,  1789.]     8". 

P.P.  6225. 
Aberdeen  Magazine,  July,  1789. 

THROUGH.     Thro'  the  Wood  Laddie. 
See  0.     Oh  Sandy  why  leav'st  thou  thy 
Nelly  to  mourn,  etc.     [1765.]     8°. 

^  P.P.  5440. 

THUNDERING.   The  thund'ring  cannon 
rend  the  sky.    La  Carmagnole,  a  Favourite 
French  Dance.     Parodied  by  T.  Dutton. 
[Song.]     [Dublin,  1794.]     s.  sh.  4°. 
^  P.P.  6154.  k. 

Walker's  Hibernian  Magazine,  October, 
1794. 
THY.     Thy  Mistress  bids  thee  haste  away. 
See    Ye.      Ye    streams    that    round_  my 
prison  creep,  etc.     [Song,  from  Lodoiska, 
by  S.  Storace.]     [1795.]     8". 
^  P.P.  6154.  k. 

'TIS.        'Tis     not     Belinda's     iv'ry     neck. 

Belinda's  Charms.    [Song,  by  R.  Hudson.] 

[Dublin,-]  1795.     8°.  P.P.  6154.  k. 

Walker's  Hibernian  Magazine,  August, 

1795, 


TO -WHAT 


33 


TO,  To  celebrate  Thy  Praise,  0  Lord. 
Hymn.     See  F.,  Mr. 

To  heal  the  Smart  a  Bee  had  made.     The 
Bee.     A  new  Song  sung  by  I\Ir.  Lowe. 
[Lcnidm,  1750?]     s.sh.iol. 

I.  600.  d.  (170.) 
To  thy  fair  shrine,  O  heav'u-boru  maid. 
Song.  See  Moze  (J.  H.) 
To  woo  me  and  win  me.  Colin's  Success. 
[Song.]  Sung  by  Mrs.  Chambers  at 
Marybon  Gardens.  [By  W.  Defesch.] 
[London,  1755  ?]     s.  sh.  fol. 

L  600.  d.  (169.) 

TOAST.  The  Toast.  [Song.]  See  Come. 
Come  every  Man  now  give  his  Toast,  etc. 
[From  '  Poor  Vulcan,'  words  and  music  by 
C.  Dibdin.]     [1781.]     s.  sh.  4°. 

P.P.  6154.  k. 

TOM  TRUELOVE.  Tom  Truelove  woo'd 
the  sweetest  fair.  Tom  Trnelove's  Knell. 
[Song,  from  C.  Dibdin's  Entertainment, 
♦  Great  News.']     [Dublin,]  1769.     8°. 

P.P.  6154.  k. 
Walker's    Hibernian    Magazine,    Jan., 
1796. 

TOUCHSTONE.  Gentle  Echo,  &e. 
[Trio.]  Sung  by  Mrs.  Johnston,  Mr. 
Johnston,  &c  in  the  Touchstone.  [Words 
and  music  by  C.  Dibdin.]  [Dublin, 

1781.]     s.  sh.  4".  P.P.  6154.  k. 

Hibernian  Magazine,  Feb.,  1781. 

TREE-TOPT.     Trec-topt  Hill.     Song. 
See    On.       On    tree-topt    hill,   etc.      [By 
M.  C.  Festiug.]    [1764.]    8°.     P.P.  5440. 

TRUE.  True  Blue;  or,  Britain's  Glory. 
[Song.]  See  One.  One  Evening  at 
ambrosial  Feast,  etc.     [1789.]     8". 

P.P.  6225. 

TRUST.     Trust  me  wou'd  you  taste  true 
Pleasure.     [Song.] 
See  Maid  of  the  Mill. 

TUNE.  Tune  your  fiddles,  tune  them 
sweetly.  The  Marquis  of  Huntly's  Reel. 
[Song.]  The  Words  by  the  Author  of 
Tullichgorum.     [Aberdeen,  1789.]     8". 

P.P.  6225. 
Aberdeen  Magazine,  February,  1789. 

TURN.      Turn,   fair   Clora.      Damon  and 
Clora.     A  Duett.     [By  H.  Harington.] 
T.  Walker :  [Dublin,  1778.]     s.  sh.  4". 

P.P.  6154.  k. 
Hibernian  Magazine,  Oct.,  1778. 

'TWAS.     'Twas   post  meridian   half  past 

four.     The  Sailor's  Journal.     [Song,  from 

'  Will  of  the  Wisp,'  by  C.  Dibdin.] 

[Dublin,]  1796.     8°.  P.P.  6154.  k. 

Walker's  Hibernian   Magazine,  March, 

1796. 

VOL.  II. 


'TWAS.  'Twas  you.  Sir.  Admiral  Keppel ; 
A  new  Catch,  by  way  of  Sandwich,  or  Bon 
Morceau.  The  principle  [sic]  Part  not 
by  Sir  Hugh.  [Adapted  to  the  Earl  of 
Mornington's  Catch  '  'Twas  you.  Sir.'] 
[Dublin,  1779.]  s.  sh.  4°.  P.P.  6154.  k. 
Hibernian  Magazine,  July,  1779. 

TWIGGLE.  Twiggle  and  a  Friz.  [Song.] 
See  London.  London  Town  is  just  like  a 
Barber's  Shop,  etc.     [1787.]     s.  sh.  4". 

257.  b.  16. 

TWO.  Two  Daughters  of  this  aged  Stream 
are  we.     Duet.     See  King  Arthur. 


UNGRATEFUL. 

[Song.]      ,sVe   Did. 
Nymph  adore,  etc. 
[1785.]     s.  sh.  4". 


Ungrateful    Nancy. 
Did    ever   Swain    a 
[By  M.  Greene.] 

257.  b.  15. 


UPS.  The  Ups  and  Downs  of  Life.  Song. 
See  Shield  (W.)  [1.  Operas.  The  Choleric 
Fathers.] 


VIRGIN.     [Another  setting.]    The  Virgin 
Unmask'd.     Song,     ^^ee  Swift  (W.) 

VULCAN.     Vulcan's  Petition.     [Song.] 
See  Poor  Vulcan. 


WEDDING.     The  Wedding  Day.     Song. 
See  What.     What  Virgin  or  Shepherd  in 
Valley  or  Grove,  etc.     [By  J.  Hook.] 
[1789.]     s.  sh.  4°.  P.P.  6154.  k. 

WEEP.     Weep,  Britons,  weep.     [Song.] 
See  Thomson  (M.) 

WEISS  (D.)  See  Gedichte.  Gedichtc 
von  P.  Engelhard,  etc.  [With  music  by 
D.  Weiss,  etc.]     1782.     16". 

11521.  a.  13. 

WELLESLEY   (Garrett  Colley)   Earl 
of  Mornington.     'Twas  you.  Sir. 
See   'Twas.      'Twas    you.   Sir.      Admiral 
Keppel;   A  new  Catch,  etc.     [Adapted  to 
the  Earl  of  Mornington's  catch.] 
[1779.]     s.  sh.  4".  P.P.  6154.  k. 

WERTER.  [Another  setting.]  Werter's 
Sonnet.  [Song.]  See  Haydn  (F.  J.)  [5.  d. 
Quartetts.     Pohl,  No.  25.     Poco  adagio.] 

WHAT.  What  ho!  Charming  Dance. 
[Song.]     See  Ephesian  Matron. 


34 


WHAT— YOUNG 


WHAT.  What  Virgin  or  Shepherd  in 
Valley  or  Grove.  The  Wedding  Day.  A 
favourite  Song  [by  J.  Hook]  sung  at 
Astley's  Amphitheatre.  {Dublin, 

1789.]     s.  sh.  4».  P.P.  6154.  k. 

Walker's    Hibernian    Magazine,    July, 
1789. 

WHEN.     When   first  I  saw  my  Fanny's 
Face.     Song.     See  MozE  (J.  H.) 
When  love  hath  charm'd.     Ballad. 
See  Denby  (     ) 
When   night,   and   left   upon   my   guard. 

0  come,  siveet  Mary,  come  to  me.  [Song.] 
[Dubliti,  1793.]   s.  sh.  4».     P.P.  6154.  k. 

Walker's  Hibernian   Magazine,  Decem- 
ber, 1793. 
When  wilt  thou  cease.     [Song.] 
See  Doctor  and  Apothbcaey. 

WHILE.      While    from    our    looks,   dear 
nymph,  yovi  guess.     Song. 
See  MozE  (J.  H.) 

WHILST.  Whilst  in  the  Grove  Timandra 
walks.     Song.     .See  Bagley  (     ) 

WHY.  Why  tarries  my  Love.  The 
Pidgeon.  An  admired  new  Song  by  the 
Author  of  Robin  Gray  [W.  Leeves],  sung 
by  Mrs.  Kennedy.  [Dublin, 

1784.]     8.  sh.  4".  P.P.  6154.  k. 

Hibernian  Magazine,  Jan.,  1784. 

WILL.     Will  ye  gang  o'er  the  ley-rigg.    An 

improved    Set    of    the    favourite    Scotch 

Song,  My  ain  kind  Deary-0.      [Aberdeen, 

1789.]     8°.  P.P.  6225. 

Aberdeen  Magazine,  Augtcst,  1789. 

WILSON  (William)  The  Boatie  rows. 
See  infra :  [Twelve  Original  Scotch  Songs. 
Op.  III.     No.  8.] 

1  sit  o'  my  Sunkie,  an'  spin  at  my  Wheel. 
See  infra:  [Twelve  Original  Scotch  Songs. 
Op.  III.     No.  .5.] 

[Twelve  Original  Scotch  Songs.  Op.  iii. 
No.  3.]  I  sit  o'  my  Sunkie,  an'  spin  at 
my  Wheel.  [Song.]  . . .  The  Words  by  a 
Gentleman  of  Aberdeen  [i.e.  John  Mar- 
shall].   [Aberdeeji,  1788.]    8".    P.P.  6225. 

Aberdeen  MagcLzine,  July,  1788. 

[No.  8.]    The  favourite  Song  of  The 

Boatie  Rows.  The  Words  by  a  Gentleman 
of  Aberdeen.  Adapted  to  Music  by  Mr. 
Wilson.  [Aberdeen,YiSQ.'\  8°.  P.P.  6225. 

Aberdeen  Magazine,  August,  1788. 

[No.    11.]     Thainy   Menzies'    bonny 

Mary.  [Song.]  The  Words  by  a  Gentleman 
of  Aberdeen  [i.e.  John  Marshall].  Adapted 
to  music  by  Mr.  Wilson.  [Aberdeen, 
1788.]     8".  P.P.  6225. 

Aberdeen  Magazine,  November,  1788. 


WILSON  (William)  Thainy  Menzies' 
bonny  Mary.  See  supra :  [Twelve  Original 
Scotch  Songs.     Op.  III.     No.  11.] 

WINTER.      Winter.    [Song,  begins:   'Of 
verdure  stripp'd.']     See  Howabd  (S.) 
The  Winter  its  desolate  Train.     So^ig. 
[Dublin,  1781.]    s.  sh.  4".     P.P.  6154.  k. 
Hibernian  Magazine,  Jan.,  1781. 

WOULD.  Would  you  give  me  leave. 
Catch.     See  Poor  Vulcan. 


YE.      Ye   Heav'ns,   if   Innocence  deserves 
your  Care.     Catch  for  Three  Ladies. 
[Dublin,  1779.]    s.  sh.  4°.     P.P.  6154.  k. 

Hibernian  Magazine,  Oct.,  1779. 
Ye   Rivers  so  limpid.     Absence.     A  Song 
in  the  manner  of   Shenston,  [words]    by 
T.  Blacklock.  [Edinburgh, 

1774.]     s.  sh.  obi.  8°.  P.P.  6199.  b. 

Edinburgh  Magazine  and  Bevieiv,  March; 
1774. 
Ye  streams  that  round  my  prison  creep. 
Thy   Mistress   bids   thee  haste  aioay,   dx. 
[Song,  from  Lodoiska,  by  S.  Storace.] 
[Dublin,  1795.]     8°.  P.P.  6154.  k. 

Walker's    Hibernian    Magazine,    June, 
1795. 

YOU.      [Another   setting.]     You  bid   me, 
fair,  conceal  my  love.     Song. 
See  Swift  (W.) 

YOUNG.  Young  Colin  stole  my  Heart 
away.  [Song.]  See  Fields.  The  Fields 
were  green,  etc.     1779.     s.  sh.  4°. 

P.P.  6154.  k. 

[Another     edition.]       Young     Colin     the 
blithest     upon     the     gay     Green.       The 
Shepherd's     Besohttion.      [Song,     by     J. 
Dunn.]     The  Words  by  Mr.  Bo3^ce. 
[London,  1760?]     s.sh.iol. 

I.  600.  d.  (180.) 
Young   Damon.     Song   [begins :    '  I   met 
young  Damon  '].     See  Swift  (W.) 
Young  Damon  would  often  frequent  the 
green  shade.     Song.     See  Moze  (J.  H.) 
Young  Jockey  is  the  Lad.    Song.    See  By. 
By  Tweed's  clear  stream,  etc. 
[1783.]     s.  sh.  4°.  P.P.  6154.  k. 

Young  Strephon,  by  a  lonely  Grove.    Song. 
See  Green  (T.)