?r.:-,.rr)
LIBRARY OF
WELLE5LEY COLLEGE
PURCHASED FROM
LIBRARY FUNDS
CATALOGUE OF PRINTED MUSIC
PUBLISHED BETWEEN 1487 AND 1800
NOW IN THE BRITISH MUSEUM
BY
W. BARCLA.Y SQUIRE, M.A., F.S.A,
Assistant in the Department of Printed Books.
VOL. II.
L— Z
AND
FIRST SUPPLEMENT.
PRINTED BY ORDER OF THE TRUSTEES
Sold at the British Museum; and by Longmans & Co., 39, Paternoster Row, E.G.;
Bernard Quaritch, 11, Grafton Street, W. ; Asher & Co., 14, Bedford Street,
Covent Garden, W.C, ; Henry Frowde, Oxford University Press, Amen Corner, E.C, ;
Breitkopf & Hartel, Leipzig.
1912
[All rifjlils reserved]
LC H i\vU :
LONDON :
PRINTED BY WILLIAM CLOWES AND SONS, LIMITED,
DUKE STREET. STAMFORD STREET, S.E., AND GREAT WINDMILL STREET, W.
1^0 7 35-
CATALOGUE OF OLD MUSIC
PRINTED DOWN TO THE END OF THE EIGHTEENTH CENTURY.
L * * * *, 71/. Les A Propos dc Socicte ou
chansons de M. L * * * * [P. Lanjon]. (Les
A. Propos de la Folie ou Chansons
Grotesques, e<c.) 3 torn. rPoris,] 1776. 8".
11475. ccc. 13.
With fionlisjneccs, title-pages, etc., bij
Moir.au le Jeune.
[Another copy.] 85. b. 18.
Ij * *, M. dc. Ilecueil de Romances
historlques, teudres et burlesques, tant
anciennes que modernes, avec les Airs
notes. Par M. [Charles] de L^usse].
IParis,'] 17G7. 8". 1081. m. 6.
L., 3/''. Entre I'Amour et le Yin. Duo a
Boirc. Les paroles et la musique sont
de M' L . . . de Ligny. [Pari.s,] 1749. 4^
297. c. 23.
Mercure dc France, Sept., 1749.
Le Nouvel An. Chanson. [Words by]
L. E. Guichard. [Paris,] 1751. s. sh. 4".
298. c. 3.
Mercure dc France, April, 1751.
L * *, D. Tristes regrets, sortez ^e ma
pensee. Romance Tcndrc. (Les Paroles
& la Musique, sont de M. D. L * *.)
Gravee par M'Charpentii'. Imprimc'e par
Tournclle : {Paris,'] 17G0. s. sit. S\
297. d. 22.
Mercure dc France, Feb., 1760.
L., D. Vous jouissez d'une beaute supreme.
Madrigal a il/"^' .4;- * * * dc * * *, etc.
[Paris,] 1746. s. sh. i". 297. c. 5.
Mercure de France, March, 1740.
L., E. A Short Direction for the Perform-
ance of Cathedrall Service. Published for
the Information of such Persons, as are
Ignorant of it, and shall be call'd to
officiate in Cathedralls, or Collegiate
Churches, where it hath formerly been
in use. By Erdwardj L[owe]. William
Hall for Richard Davis: Oxford, 1661.
obl.i". E. Pam."l924. (2.)
Ij., E. M. J. D. Vous troublez les humides
plaines. Air. (Ces Paroles et la Musique
sont de E. M. J. D. L.) [Paris,]
1732. s. sh. 4°. 298. a. 23.
Mercure de France, June, 1782.
VOIi. II.
Ij., J. R. Sweet Nancy. See Assist. Assist
me ev'ry tuneful bard. Sioeet Nancy, etc.
[By J. R. L.] [1756.] 8'
P.P. 5439. ab.
Sweet Namiy, etc. [Song.] [London,
1756.] 8°. 250. c. 3.
Gentleman's Magazine, Vol. XXVL,
p. 85.
L., M. A. V. Fruelings-Mayen. Vondreyssig,
in einem Haussgiirtlein auffgewachsenen,
doch etwas zu frue abgebrochenen Blumen.
Zusammen gebunden, vnd in einem
Heliconischen Geviiss, aufi begehren
dargestellet, durch einen Liebhaber der
Geistlichen G arte n-gesellsc haft
(M[attha,usj AjpellesJ v[onJ L^owensternJ).
[Breslau, 1644.] 8". C. 39. d. 3. (1.)
L., II. Cloe. [Song.] [London,
1758.] s. sh. 8\ P.P. 5439. ab.
New Universal Magazine, July, 1758.
Old England's Glory revived. [Song.]
Set by R. L. [i.e. Richard Langdou ?]
[London, 1759.] 8°. 158. 1. 4.
Tlte London Magazine, 1759, ^>. 674.
L., T. Yankee Doodle. Or The Negroes
Farewell to America. [Song.] The Words
and ^lusic by T. L. C[harles and] S[amucl]
T[hompson : London, 1775 ?] .s. sh. fol.
G. 310. (163.)
L., W. Sec Psalms. [English.] A Collec-
tion of Tunes, suited to the various IMetres
in Mr. Watts's Imitation of the Psalms of
David, etc. [Edited by W. L.] 1719. 18".
A. 620.
LA. La ci darem la mano. Duet.
Sec IMozART (W. A.) [Don Giovanni.]
LAAG (Heinrich) Anfangsgriinde zum
Clavierspielen und Generalbass.
Bei J. W. Schmid : Osnabrilck, 1774. 4".
C. 114.
Fimfzig Lieder und zwar drei und vierzig
von Herru J. C. Lavater und sieben sonst
bekannte Kirchen- Lieder, in Melodien
gebracht und herausgegeben von H. Laag.
In der Waisenliaus-BuclidrucJicrcy : Casscl
und Osnabrilck, 1777. 4". C. 576.
[Another copy.] E. 1754.
LA B ***— L'ABBfi
LA B * * * ( de) 31"'-. La Mere Abandou-
n^e. Romance par M"^ Basile, etc.
Chis Camand : [Pans, 1780?] S".
B, 362. a. (89.)
LABAILLIVE ( ) Madame. Ah ! qu'uue
femme est a plaindre. Ariette, etc.
[Paris, 1780 ?] S". B. 362. a. (81.)
LA BARRE (Joseph de CHABAN-
CEAU DE) Dolorosi peusieri. Air
Italieii d 3 2Mrties, etc. [Paris,
1678.] sh. obi. 4". P.P. 4482.
Nouveau Mercurc Galant, Aug., 1678,
p. 126.
LABARRE (Louis Juliex CASTELS
DE) Trois Duos concertaus pour deux
Violons ... 3" Livre de Duos. [Separate
Parts.] Chez Momigny : Paris,
[1795 ?] fol. g. 421. m. (2.)
LA BARRE (Michel de) Premier
(Deuxieme) Livre de Pieces pour la Flute
Traversiere, avec la Basse-Coutiuue, etc.
Grave par Barlion. 2 Bks. CJiez V Auteur :
Paris, 1710. obi. 4". c. 64.
LABARRE (Trille) See Jacques,
Cousin, pseud. [Lcs Capucins.'] Air des
Gapucins . . . Accompaguement par INP T.
Labarre. [1791.] 8'\ B. 362. b. (169.)
L'ABBE ( ) Choirmaster of St. Jacques,
Dieppe. Amants, quand finiront vos
peiues? Eccit de Basse. [Paris,
1679.] s. sh. obi. 4°. P.P. 4482.
Nouveau Mercure Galant, Feb., 1679.
Decoiffe-moy cette Bouteille. Chanson a
Boire [for two voices, words bv Pageau. :
[Paris,\ 1679. s. sh. obi. 4°. P.P. 4482^.
Nouveau Mercurc Galant, Aug., 1679,
p. 195.
On souffre quand on ayme bien. Air
Nouveau [for two voices, words by de
Merville]. [Paris, 1678.] s. sli. obi. i\
P.P. 4482.
Nouveau Mercurc Galant, Sept., 1678,
p. 19.
Pour boire avec plus de plaisir. Air
Nouveau. [Paris, 1678.J s. sh. obi. 4°.
P.P. 4482.
Nouveau Mercurc Galant, July, 1678,
p. 131.
i'our une jeuuc merveille. Air Nouveau.
[Paris, UJlS.j s. sh. obi. i". P.P. 4482.
Nouveau Mercure Galant, May, 1678,
p. 106.
Si Tirsis est une iuconstautfe]. Air
Nouveau [for three voices . [Paris,]
1679. s. sh. obi. 4". ' P.P. 4482.
Nouveau Mercure Galant, Aug., 1679,
2). 89.
L'ABB;6, le Fits, pseud, [i.e. Joseph
Barnabe Saint-Sevin.] Jolis Airs ajustes
et varies pour un Violon seul . . . CBuvre
Ml". Grave par Mad""= Oger. Cliez M. de
la Chevardiere : Paris, [1776 ?] fol.
h. 1113. a. (2.)
Priucipes du Violon pour apprendre le
doigte de cet instrument et les differends
Agrements dont il est susceptible, etc.
Chez Des Lauricrs : Paris, [1772.] fol.
h. 1113.
Premier (Deuxieme) Recueil d'Airs
Francois et Italiens. Avec des Variations
pour Deux Violons, Deux Pardessus, ou
pour une Flute ou hautbois avec un Violon
. . .Grave par L. Hue. 2 Bks. Chez
rAufetir: [Paris, 1155?] fol. g. 997.
Tlie only composer named in these col-
lections is I'crgolcse.
Souates a Violon seul . . . Gravees par ]\I""=
Leclair. . .CEuvre i"". Chez I Auteur :
Pflm, [1745?] fol. h. 1113. a. (1.)
Six Senates a Violon seul et Basse . . .
CEuvre viii'. Gravees par Louise Leclair
femme Quenet. Cltez V Auteur : Paris,
[1755?] fol. h. 1113. b.
L'ABBE (Anthony) The Prince of Orange.
A New Dance for the Year 1733. By Mr.
Labbe. ]\'ritt bi/ Mr. Pemberton :
[London, 1733.j 4'\ ' h. 801. (4.)
The Prince of Wales's Saraband. A New
Dance for Her Majesty's Birth dav, 1731.
By Mr. Labbe. Writ f by Mr. Pemberton .
[London, 1731.] fol.
h. 801. (3.)
Prince William. A New Dance for His
^Majesty's Birth-day 1721. By Mr. Labbe.
Writt b>i Mr. Pemberton : [London,
1721.] fol. ' h. 801. b. (1.)
The Princess Amelia. A New Dance for
his Maj""' Birth-dav. Compos'd by j\Ir.
L'Abee for the Year '1718. Writ by Mr.
Pemberton : ''Londo)t, 1718.] fol.
h. 801. b. (3.)
The Princess Ann's Chacone. A New
Dance for his jNIaj"" Birth-day. Compos'd
by Mr. L'Abee for the Year 1719. Writ
by Mr. Pemberton : [London, 1119.\ fol.
h. 801. b. (2.)
The Princess Anna, a new Dance for his
Majesty's Birth Day 1716. Compos'd by
Mr. L'Abee. Writ by Mr. Pemberton:
[London, ni6.] fol. h. 801. -(1.)
[Another copy.] h. 801. b. (5.)
[Another edition.] The Princess Anna.
Mr. L'Abee's New Dance for his Majesty's
Birth Day 1716. Engraven in Characters
& Figures for the use of ^Masters.
Printed for I. Walsh and I. Hare :
London, [1716.]" fol. h. 801. a. (1.)
L'ABBE— LA COMBE
L' ABB!^ (A>-thoxy) The Princess Royale,
a uew Dance for his Majestys Birth Day
1715. Compos'd by Mr. L'Abee. Writ by
Mr. Pembcrtoii : [London, 1715. J fol.
h. 801. b. (6.)
[Another edition.] The Princess Royal, a
new Dance for his Majesty's Birth Day,
1715. Gompos'd by Mr. "L'Abee. The
Figure & Characters fairly Engrayeu.
Printed for I. Walsh cO J. Hare :
London, [1715.] fol. h. 801. (2.)
The New Kigadon. Compos'd by Mr.
L'abbee for the Year 1723. [London,
1723.] fol. h. 801. a. (4.)
The Roj'al George. A New Dance. Com-
pos'd by Mr. L'Abee for the Year 1717.
Writ by Mr. Pcvibcrton : [London,
1717.] fol. h. 801. b. (4.)
See Pembektox (E.) An Essay for the
further Improyement of Dancing... To
which is added... A Passacaille by Mr.
L'Abbe, etc. 1711. 4" & fol. 556. e. 16.
LABORDE (Jean Benjamin de) [Les
Bons Amis.] Ariettes detaches des Bons
Amis, etc. [17G1.] 8\
See Bons Amis. C. 407.
Choix de Chansons. . .Ornecs d'Estampes
par J. ]\I. Moreau. . .CTrayees par Moria
ot IMllc. Vendome. 4 Tom. C]icz de
Lormel : Paris, 1778. 8". K. i. h. 18.
T/ic title-i)agc is dated 1773, but some of
tJic illustrations are dated 1774.
Gilles, Gar(^on Peintre, z'Amoureux-t-ct
Hival. [For editions of this work pub-
lished anonymously :] See Gilles, GAR90N
Peintre.
Le mariage a ses peiues.
See infra: [La Menniihx de Gentilly.]
[La Jleuniere de Gentilly.] Die Miillerinu.
Ein Singspiel, etc. [Music by J. B. de La
Borde.] Sec Oi'ehettas. Sammlung der
komischen Operetteu, etc. Band III.
No. 5. 1772. 8".
B. 729.
Le mariage a ses peincs. Air, etc.
(Les paroles sent de M. ^leunier, etc.)
Piecoqiiilliec : [Paris,] 1768. s. .sh. 8'\
297. e. 20.
Mercurc de France, Dec, 1768.
[For editions published anonymously:]
Sec Meuniebe de Gentilly.
Essai sur la Musique Ancienne et IModerne.
[By J. B. de Laborde and P. J. iloussier.j
[For editions of this work published
anonymously :J Sec Essai.
On n'entend plus le chant des amoureux
oiseaux. [Song.] [Paris, 1780? i 8".
B. 362.' b. (11.)
Thetis et Pelee. Tragedie remise en
Musique, etc. [By J. B. de Laborde. Full
Score.] 1765. fol.
See, Thetis et Pelee. I. 315.
LABORDE (Jean Benjamin de) Vols tu
ces Coteaux se noircir. Romance, etc.
[Paris, 1780 ?] S". B. 362. b. (16.)
See also : B . . . , D. L.
See Chansons. Recueil de Chansons,
Ayec un accompagnement de Violou, etc.
TBy J. B. de Laborde.] [1775?] obi. fol.
E. 879.
LABOUR. Labour in yain. [Song.]
See Hudson (R.)
[Another setting.] Labour in yain. Song.
See In. In pursuit of some Lambs, etc.
[1766.] 8\ P.P. 5438. z.
[Another edition.] Labour in yain.
[Song.] See In. In pursuit of some
Lambs. [1775 ?1 s.sh. iol.
G. 309. (128.)
LABOURER. The Labourer's Welcome
Home. [Song.]
See DiBDiN (C.) [The Sjjhinx.]
LABYRINTH. Das Labyrinth. Oper.
See Winter (P. von.)
LACASSAGNE (Joseph ue) Est-il un
encens plus Hatteur. .1 Madame la Dau-
pliine. [Song.] Les Paroles par M. I'Abbe
de I'Attaignaut, etc.
[Paris,] 1773. s. sh. 8". 298. e. 22.
Mercurc de France, July, 1773.
Traite general des Elemens du Chant, etc.
Oicz I'Auteur : Paris, 1766. 8».
C. 359.
LACEPEDE ( ) Count de.
See La Ville-sur-Illon (B. G. E. de)
Count de Lac^pikle.
LA CHAPELLE (Jacques Antoine de)
See MovTE (F. de). Sonetz de P. de Ron-
sard, d'c. [With a dedication by J. A. de
la Chapelle.] 1575. obi. 4\ A. 125.
LACHNITH (Ludwig Wenzel).
See Haydn (F. J.) [Symi)]io)iies. B. cC H.
No. 85.] La Reine de France Overture . . .
arranged for the Piano-Forte. . .by Mr.
Lachnitt. [1795?] fol. h. 2999. (3.)
See Pleyel (I. J.) Trois Quatuors...
arrang^ree pour Clavecin. . .avec accom-
pagnemens de Violou & Basse, par Mr.
Lachnitt. 2 Suittes. [1790 ?] fol.
g. 161. (7-8.)
(See Pleyel (I. J.) Trois Quatuors. . .ar-
rangeae. . .par Mr. Lachnitt. 12th Suitte.
[1790?] fol. g. 85. c. (1.)
LACKNER ( de) Mrs. Second Set of
Six Original German Waltz's, adapted for
the Piano Forte, f/c. E. Bilei/ : London,
[1800?] fol. g. 272. u. (7.)
LA COMBE ( de). Pour les coeurs
delicats. Air Serieux, etc. [Words by]
De Bignicourt. [Paris,] 1735. s. sh. 4".
297. b. 10.
Mercurc de France, Oct., 1735.
B 2
LACORCIA— LADY
LACORCIA (Scipione). Di Scipioue
Lacorcia II Terzo Libro de IMadrigali a
Ciuque Voci. Canto. (Alto.) (Teuore.)
(Basso.) (Quinto.) 5 pts. Per Costantino
Vitale : Napoli, 1G20. 4". K. 3. h. 17.
LACOSTE ( ) Aricie, Ballet [written
by J. Pic]. Represente par I'Acadeniie
Koyale de Musique, etc. Chez C. Ballard :
Paris, 1697. obi. A". B. 743.
LA CROIX (Antoine de) Azile donne a
I'amour. [Song.] See Nina. Dors cher
enfant, etc. (Azile donne a I'aniour.
Musique de LP de la Croix.)
[1800?] fol. H. 346. (25.)
LAD. The Lad wha lilts sae sweetly.
Song. See Hook (J.)
LADIES. Ladies and Beggars. Glee.
Sec Gentle. Gentle Ladies good in
nature, etc. [1775 ?] fol.
G. 316. j. (4.)
The Ladys can not but approve. 0 what
a Bemt, my Granny ivas. [Song.]
Printed for J. Buchinger : London,
[1800?] fol. G. 805. m. (26.)
The Ladies' Case. [Song.]
Sec How. How hard is the Fortune, etc.
[1740?] s.sJi.lol. G. 316. e. (8.)
The Ladies in Vaux-Hall-Gardens to the
British Officers at Dettingen. [Song.]
Sec Gladwin (T.)
The Ladies' Lamentation for y° Loss of
Senisino. [Song.]
Sec As. As musing I rang'd, etc.
[1735 ?] s. sit. fol. G. 316. d. (27.)
The Ladies of rank are so frisky and fine.
Song. See William and Nanny.
LADIES' FROLIC. The Ladies' Frolick.
Comic Opera.
Sec Bates (\V.) and Arne (T. A.)
LADIES' POCKET GUIDE. The
Ladies' Pocket Guide or The Compleat
Tutor for the Guittar, containing Easy
Rules for Learners. . .with a choice Collec-
tion of the most famous Airs, etc. D. Ihdher-
foord: London, [1150 2] 8\ e. 375.
TJie composers named in tliis work are :
Corelli, Snoiv, Ha)idcl and Grano.
LADS. Lads and Lasses, blithe and gay.
A New Dialogue. Sung by Master Adams
and ]\Iiss Carli, at Finch's Grotto-Gardens.
[London, 1763.] 8". P.P. 5441.
Royal Magazine Vol. IX., p. 26'J.
Lads and Lasses, blithe and gay. A Netv
Dialogne. Sung by Master Adams and
Miss Carli, at Finch's Grotto-Gardens.
[London, 1763.] 8°. P.P. 5140.
Lady's Magazine, Vol. Y.,]). 721.
[Another setting.] Lads and lasses blith
and gay. Song.
See Puecell (H.) [Don Quixote. PartIL]
LADS. Lads and Lasses hither come.
Round. See Atterbury (L.)
The Lads and the Lasses. Damon and
Daphne. Song, etc. [London,]
1799. s. sh. 4", P.P. 5141.
Lady's Magazine, June, 1799.
The Lads of the Glen. [Song.]
See DiBDiN (C.) [Christmas Gambols.}
LADURNER (Ignaz Anton) Gaite
militaire. [Song.]. . .Paroles du Cit.
Pillet, etc. Chez hnbault : Paris,
[1795?] 8". B. 362. (171.)
Trois Senates pour Forte-Piano avec
Accompagneinent de Violon et Violoncelle
. . .CEuvre i". Cliez ill'" Boyer : Paris,
[1785?] fol. h. 3212. f. (5.)
The string parts only,
LADY. Six Ballads, with an Accompani-
ment for the Harp, the IMusic by A Lady.
Printed for the Composer :
[London, 18002] fol. G. 356. (1.)
The title-page is signed ' B. S.'
Bless'd be those sweetly shining eyes.
Song. Music bv a Lady. [London,]
1797. s. sh. 4".' P.P. 5141.
Lady's Magazine, June, 1797.
Six Easy Canzonets and Three Duets for
the Piano Forte or Harpsichord. Com-
posed by a Lady. Longman and Broderip,
for the Authoress : London, [1795 ?]
obi. fol. E. 270. (16.)
Emma or the Bough-pot Girl. A favorite
Song composed by a Lady. W. Hodsoll :
London, [1797 ?] fol. G. 356. (32.)
Fair the Face of Orient Day. A Favorite
Song, composed by a Lady. W. Hodsoll :
London, [1797 ?] fol. G. 356. (33.)
French Fraternity. [Song] By a Lady,
composed in Honor of the . . . Naval
Victories, obtained by our Three Gallant
Admirals. T. Skillcrn, for the AiitJtor :
[London, 1797 ?] fol. G. 376. (49.)
The Genie of the Mountains of Balagete.
An Ode, Composed by a Lady [Ann Home,
afterwards Mrs. J. Hunter]. Author of
the Death Song of the Cherokee Indians,
and some other Poetical and IMusical
Attempts, etc. Longman and Broderip :
[London, 1790?] fol. G. 307. (217.)
The Happy Lover. [Song.] Set by a
Lady. [Loiulon, 1745 ?] s. sh. fol.
G. 311. (90.)
[Another copy.] G. 305. (227.)
How gay that air! Song. . .'Music by a
Lady. [London,] 1796. s. sli. 4".
P.P. 5141.
Lady's Magazine, Feb., 1796.
I have found out a Gift for my Fair. A
Ballad [words by W. Shenstone]. . .The
]Music by a Lady. [London,
1797 ?] 5. sh. fol. G. 356. (50.)
LADY— LAEUSIMPELTZ
LADY. Mary Macgie's Dream. [Song.] The
Music by a Lady [Ann Home, afterwards
Mrs. J. Hunter], Author of Canzonets, etc.
Longman and Broderip, for the Author :
[London, mo^ fol. 'G. 311. (162.)
Ode on the Glorious Victory gain'd over
the French Fleet, off the Mouth of the
Nile, by Admiral Lord Nelson, on the
1" of August, 1798. The Music ... by a
Lady. G. Smart : London, [1798.] fol.
G. 376. (47.)
On a Lady weeping. [Song.] Words by
Prior. Music by a Ladv.
[London,] 1797. s. sh. i". P.P. 5141.
Lady's Magazine, May, 1797.
The Proofs of Passion, a favorite Song,
the Words and ]\Iusic by a Lady.
Prcstoii: London, [1189?] fol.
II. 1994. d. (40.)
See, whilst thou weep'st. [Song.] Words
bi/ M. Prior. I\Iusic by a Ladv. [London,]
1797. s. sh. 4°. 'p.p. 5141.
Lady's Magazine, Oct., 1797.
Sighs and tears reliev'd. A Favorite
Song by a Lady. Broderip and Wilkinson :
London, [1799 ?] fol. G. 356. (34.)
The South Sea Ballad. Set by a Ladv.
[London, 1120?] s. sh. io\.
G. 307. (26.)
[Another edition.] The South Sea Ballad.
See Change Alley. Change Alley's so
thin, c^c. [1720?] s. sh. fol.
H. 1601. ^92.)
The second Part of the South Sea Ballad.
Set by a Lady. [Lond'in 1721? t.sh.io
G. 313. (38.
The Lady at her Toilet. Song.
See As. As Frazer at her Toilet sat, etc.
[1720 ?] s. sh. fol. H. 1601. (1.)
The Ladv Devoted. [Song.]
See DuRFEY (T.)
The Lady Devoted. [Song.] Sec One.
One Sundav at St. James's Prayers.
G. 310. (183.)
The Lady of the May. [Song.]
See Pretty. Pretty Wanton come away.
[1750?] s.sh.iol. G. 311. (8.)
A Lady's Advice to her Lover. [Song.]
See Tell. Tell me no more of pointed
Darts. [1750?] s. sh. fol.
G. 316. f. (28.)
A Lady's Advice to her Lover. [Song.]
See Tell. Tell me no more of pointed
Darts, cic. [1758.] 8'\ P.P. 5439. ab.
The Lady's Answer to the Chimney
Sweeper. [Song.] See How. How Dare
such Chimney Sweepers come.
[1720?] s.sh.tol. H. 1601. (201.)
LADY. The Lady's Birth-Day. [Song.]
See Four. Four and twenty Fidlers aU
in a Row, etc. [1720?] s. sh. fol.
H. 1601. (165.)
The Lady's Diary. fSong.]
See DiBDiN (C.) [A Tour to the Land's
End.]
The Lady's Dream. [Song.] See G., S.
The Ijady's Lamentation for y^ absence of
Cap' John. [Song.] See As. As near to
Rosamonda's stream, etc.
[1740.] s. sh. fol. G. 306. (114.)
The Lady's Lamentation for y" Loss of
Senesiuo. [Song.] Sec As. As musing
I rang'd, etc. [1735 ?] s. sh. fol.
G. 316. d. (26.)
The Lady's Repulse. [Song.]
See Hercules. No more invade me.
The Lady's Reimlse, etc. [1715 ?]
s. sh. fol. G. 303. (47.)
The Lady's Toast. [Song.] See Away.
Away ye fantastical Shadows of Grief.
[1710?] s.sh.iol. H. 1601. (28.)
LADY ALICE. Lady Alice. Ballad.
See In. In Scarlet Town where I was
born. Barbara Allen, a7id Lady Alice.
Two... Ballads, <?/c. FISOO?] fol.'
G. 796. (4.)
LADY BAIRD'S REEL. Lady Baird's
Reel made into a Rondo for the Piano
Forte. N. d M. Stewart : Edinburgh,
[1790?] fol. g. 149. (13.)
LADY HARRIOTE. Lady Harriots.
[Song.] See Boyce (W.)
LADY ISABELL. Lady isabell *****
Glee. See Pleyel (I. J.) [Lieder oeym
Clavier zic singen. Th. II. Die frilhe
Licbc]
LADY JANE GRAY. Lady Jane
Gray's Lamentation. [Song.]
See GiORDANi (G.) or (T.)
LADY OF THE MANOR. The Lady
of the ^lanor. Comic Opera. See Hook (J.)
LADY'S TRIUMPH. On a Bank of
Flow'rs. A new Song sung by Mr.
Pack in the Lady's Triumph. [Words by
L. Theobald, music by J. E. Galliard.]
[Lo?idoH, 1718?] s.sh.tol.
H. 1601. (344.)
[Another edition.] On a Bank of Flow'rs.
A neiv Song, etc. [London,
1718 ?] s. sh. fol. G. 316. g. (48.)
[Another edition.] On a Bank of Flow'rs,
etc. [London, 1120?] s.sh.iol.
G. 305. (213.)
[Another copy.] G. 310. (185.)
LAEUSIMPELTZ (Charis) p>seud.
See Tapinsmus (M.) pseud, and Laeusim-
PELTz (C.) pseud. Refutation des Satyri-
schen Componistens, etc. 1678. 4°.
12305. d. 26.
6
LA FEILLEE— LAHOUSSAYE
LA FEILLEE (PRAN901S de) Nouvelle
]\I6thode i^our apprendre facilement les
Regies du Plain-Chant et de la Psalmodie.
Avec des Messes & autres Ouvrages en
Plain-chant figur6 & musical . . .^a voix
seule & en partie. . .Nouvele Edition,
revue, corrigee, & augment^e par un
Eccl^siastique, etc. Chez J. F. Faulcon it
F. Barbier : Poitiers, 1782. 12".
B. 813. a.
L'AFFILLARD (Michel) Principes
tres-faciles pour bien apprendre la
Musique, qui conduiront promptement
ceux qui ont du naturel pour le Chant
jusqu'au point de chanter toute sorte de
Musique proprement, & a Livre ouvert ;
. . . Sixi^me Edition revue, corrigee, &
augment^e.
Chez C. Ballard : Paris, 1705. obi. A".
A. 470.
LA FOND (Jean FRAN901S) A New
System of ]Music, both Theorical and
Practical, and yot not Mathematical,
etc. (Vol. I.) (The Truth of the Twelve
Notes; and one of their great Uses.,,
illustrated in two. . .Preludes. . .And two
other . . . Advantages . . . examplify'd in
Corelli's vi. Sonata, iv. Work, fitted for
those Purposes.) 2 pts. Printed for the
Author : London, 1725. 8" & 4°.
1042. k. 8.
No more published.
[Another copy.] 1042. k. 9.
LA FONTAINE ( de) L'Absence.
Romance, a Nirz6. [Written] Par M.
Courcelles. [Paris, 1785 ?] 8°.
B. 362. a. (95.)
Le Conseil. Ariette, [written] par jM.
Courcelles, etc. [Paris, 1785 ?] 8».
B. 362. c. (5.)
LAGACHE ( ) Ainsi qu'un papillon
volage. Ariette, etc. [Paris,]
nil. s. sh. 8°. 297. f. 16.
Mercure de France, Sept., 1777.
LAGARDE (N. de) ^gle. Ballet en un
Acte. . .Grave par Labass^e. Chfs
VAtUeur : Paris, [1751.] fol. H. 537.
Ah ! le beau temps. Brunette, etc.
Grav^e ixir Labassi^e : [Paris, 1757.]
s. sh. 8". 297. h. 28.
Choix des Anciens Mo-cures, Tom. II.,
p. 168.
Aimons, buvons. Dno, etc. [Paris,
1780?] 8". B. 362. i. (41.)
Aimons, aimons. Duo Parodid sur,
Aimons, buvons, de Mr. de la Garde.
[Paris, 1780 ?] 8". B. 362. e. (44.)
Nouveaux Airs a une et Plusieurs Voix.
1" Livre 2" Edition revue, etc. (Second
Livre.) (Troisi^me Livre.) 3 Liv. Chez
VAuteur : Paris, [1765 ?] obi. 4°.
C. 640. (2.)
LAGARDE (N. de) En^e et Didon,
Cantate, etc. Grav6 par J. Renou.
Chez VAuteur : Paris, [1764.] obi. 4'\
C. 640. (4.)
He! quoi tout sommeille. Chassc,...en
Duo. [Paris, 1180?] 8".
B. 362. e. (45.)
Journal de INIusique, etc. Gravee par L.
Hue. Au Bureau du Mercure ; Paris,
1758. obi. 4'\ C. 640. a. (1.)
llie number for May only.
Premier (Second) Recueil d'Airs a Une,
Deux et Trois Voix, etc. Grav6 par J.
Renou. 2 pts. Chez VAuteur : Paris,
1742(-3). obi. 4". C. 640. a. (2.)
I. (II.) Recueil de Brunettes avec accom-
pagnement de Guittare, de Clavecin ou
de Harpe. (IIP Recueil. . .Avec accom-
pagnement de Violon, Guitare, Clavecin
ou Harpe.) 3 pts. Chez VAiitcur : Paris,
1764. obi. 4". C. 640. (1.)
Quatrieme(-VI'') Recueil de Duo, dc. 3 pts.
ChezVAiiteur : Paris, 1751 (1764). obi. 4".
C. 640. (3.)
Soyez toujours Songes charmans. Ariette,
. . . Avec Accompagne"'' de Guithare par
M-- Guichard. [Paris,] 1779. 8°.
B. 362. g. (77.)
Tendre fruit des pleurs de I'aurore. Ariette.
[Paris, 1770?] 8°. B. 362. e. (59.)
[Another copy.] B. 362. b. (25.)
Tout dit qu'il faut aimer. Chanson.
(Les paroles sont de M. de B. . .etc.)
Gravic par M"'' Leclair la fille : [Paris,]
1756. s. sh. 8°. ' 297. d. 2.
Mercure de France, August, 1756.
Flores Jesssei,
tribus paribus
LAGKHNER (Daniel)
Musicis modulis & fere
adaptati, etc. ^ledia.
In officina typographica Pauli Kauffmanni :
Noiibcrgie., 1606. 4". ' C. 75.
LAGO (Giovanni del) Breue Intro-
duttione di Musica Misurata. . .scritta al
]\Iagnifico Lorenzo Moresino patricio
Venetiano, etc. Ex prselo Brandini ((•
Octauiani Scoti fratrum habcntnr ex-
cussat: Venetiis, 1540. 4°. K. 8. c. 19.
22 fol., without pagination.
LAGUERRE (Elisabeth Claude Jac-
QUET de) See Jacquet de Lagueeee.
LA HA YE ( ) Sec Champein (S.)
[Le Mantcau.] Nos bons parens parlent
sans cesse . . . Accomp' de Guittare par M.
La Haye. [1790 ?] 8°. B. 362. h. (6.)
LAHOUSSAYE (Pieree) Sei Sonate a
Violino solo e Basso . . . Opera prima.
Grav6 par Fouchault. Chez le S'' Sicber :
Paris, [1765 ?j fol. g. 422. a. (4.)
LAISSE— LAMOTTE
LAISSE. Laisse moi gouter le i^laisir.
[Song.] See Campan ( )
Laisse tes Agneaux. Ariette.
See Albanesk ( )
LAISSEZ. Laissez vous sous mes doigts
ployer avec souplesse. Ariette Xouvcllc.
Avec Accopag' de Guitare.
Chez M. Camancl : Paris, ri780?] 8".
b; 362. g. (30.)
LAISSONS. LaissoDS aux chansonniers
du jour. Le Vent de Bine. rSong.l
[Paris, 1780?] 8". B. 362. e. (106.)
Laisson laisson a la gailc'. Vaudeville.
Sec PoioTE Supposi':.
LAKES. The Lakes of Windermere.
[Song.] Sfc DiBDiN (C.) [Tom Wilkins.]
IiALiANDE (Michel Eichard de) Les
III Lemons da Tenebres et le ^liserere a
voix seule. . .Grave par L. Hue.
CJiez Madcm"- Hue : Paris, 1780. fol.
I. 170. a.
INIotets de Feu iP de La Lande . . . Avec un
discours sur la Vie et les CEuvres de
I'Autheur, etc. Grave par L. Hue. i"'(-ix'')
(xr-xV) (xvn''-xviii'') Livre. 16 vols.
Chez le S' Boicin : Paris, 1720. fol.
I. 170.
See Destouches (.\. C.) Les Klemeus. . .
Ballet, etc. [Music by A. C. Destouches
and M. R. de Lalande.] 17:^5. obi. -4".
C. 398.
L'AIiL * * * ♦ ( ) Je le tiens ce nid de
fauvette. I. D'l/lle de M'' Berquin.
IMusique de M' L'all****. [Paris,
1780?] 8». B. 362. b. (13.)
[Another copy.] B. 362. e. (111.)
LALLEMAN ( ) Au matin dans les
pr^s de Flore. Chanson. (Les Paroles et
la ;\Iusique sont de M. Lalleman.)
[Paris,] 1778. 8». 297. f. 28.
Mercure de Fratice, Dec, 1778.
LALIjOIJETTE (.Jean FRAN901S) :Motets
a r. II. et in. voix, avec la Basse-Continue
. . .Livre Premier. Chez I'Aiitetir :
Paris, 172G. fol. L 514.
LA MARRE ( de) Les Chansons pour
Danser et pour Boire. Du Sieur de La
Marre. Robert Ballard : Paris, 1650. 8".
A. 765.
[Another copy.] See Chansons. — 2.
Recueil de differens Livres de Chansons,
etc. Liv. V. 1699. 8». A. 428. (5.)
LAMB. Lamb of God, whose bleeding
Love. Hymn. See E., H.
LAMBARDUS (Hieronymus) Antiphon-
arium Vespertinum Dierum Festorum
Totius Anni iuxta ritum liomani Breuiarij
Pij V. reformati, nunc nuper pulcherrimis
contrapuntis exornatum at<jue auctum a
Reverendo D. Hieronymo Lambardo. . .Ir
tres partes distributum. . .Secuuda Pars.
In Cmnobio Sancti Spiritus ])rope Venetian
1597. fol. K. 9. b. 12.
Vespertina Omnium Solemnitatum Totius
anni Psalmodia Ternis Vocibus decantanda.
Cum duobus Canticis Beatte jNIarie Virginis
...Primus Chorus. Cum Basso ad Or-
ganum, etc. Tenor. (Bassus.) (Bassus ad
Organum.) 3pts. ^re Bartholotnei Magni.
Stampa del Gardano : Venctia, 1613. 4».
D. 110.
LAMBERT ( ) iP". Le Satyre et le
Passant. Fable mise en vers par M' de
la Fontaine, etc. Ch('s Camand : [Paris,
1780?] 8°. B. 362. e. 99.
LAMBERT (]*Iichel) Les Airs du Sieur
Lambert. Grauez par Richer.
Chez Charles de Sercij : Paris,
[1660.] obi. 4". K. 3. f. 14.
Ombre de mon Amant. Air. [Paris,]
1679. s. sh. obi. 4". P.P. 4482.
Xouveau Mercure Galant, June, 1679,
p. 31.
LAMBRANZI (Gkegorio) Neue und
Curieuse Theatrialische Tantz-Schul.
2 Th. Vcrlegts Johan Jacob Wolrab :
Nurnbcrg, [1715.] fol. L. P.
K. 8. g. 5.
Engraved by J. G. Puschner.
Neue und Curieuse Theatrialische Tantz-
Schul. In Kupffer gebracht iind verlegt
von Johann Georg Puschner: Nurnberg,
(1716.) fol. K. 8. g. 4.
Part I. 0)ilij.
LAMENTATION. Lamentation of Marie
Antoinette. [Song.] See Stokacb (S.)
LAMENTATIONS. [The Lamentations,
for Holv Week. Soprano and Contralto
Parts.] 'Brazzini: [Florence, 1700?] i".
C. 2.
LAMENTED. Lamented Maid, what
cruel fate. Song. See Hudson (R.)
LAMENTO DI MARIA ANTONI-
ETTA. Lamento di Maria Antonietta,
Eegina di Francia. Cantata.
Sec RossELLi (A.)
LAMENTO DI OLIMPIA. II Lamento
di Olimpia. [Madrigals.]
See Rossetto (S.)
LAMIRA. Lamira and Virnus together
have join'd. Song. See Walker (T.)
LAMOTTE HOUDAR. Lamotte
Houdar, com6die anecdotique en un acte
et en prose, mel6e de vaudevilles. Par les
citoyens Piis et Auger. . .avec la musique.
Chez le Libraireau ThMtredu Vaudeville :
Paris, An viii [1800]. 8°.
11738. 1. 19. (6.)
8
LAMOTTE— LAMPE
LAMOTTE (Franz) A Solo for the
Violin and a Bass for the Harpsichord or
Violoncello. Printed for W. Forstcr :
London, [1783 ?] fol. "h. 1608. (12.)
LAMPADIUS (Auctor) Compendium
Musices, tam figurati quam plani cantus
ad formam Dialogi,. . ,ex eruditis : Music-
orum scriptis...congcstu,...Adiectis etiam
regulis Concordantiarum & componendi
Cantus artificio. . .Pmeterea addita3 sunt
formule intonandi Psalmos, cic. [With a
preface by Eberhardus a Riimlango.]
Per Mathiam Apiariuvi : Bernae Hclvct:
1537. 8°. 1042. e. 1. (1.)*
LAMPARELLI (Antonio) La Montague
d'Amour. [Song.] [B. Viqneric : Paris,
1800?] fol. G-. 548. (55.)
No. 21, 2* Ann^.e of the ' Journal de la
Lyre d'Orph^e.'
Tu m'aimes encor, ma Lesbie ! Bomancc.
Chez B. Yiguerie : Paris, [1800 ?] fol.
G. 548. (54.)
No. 21, 2" Ann/'e of the ' Journal de la
Lyre d'Orphi'e.'
LAMPE (Charles John Frederick)
Britannia's Invitation to her Sons, to
partake of the Glory of the intended
Expedition. [Song.] The words by Mr.
Wignell, etc. Printed for M. Whitakcr :
London, [1760 ?] fol. G. 316. (94.)
Six English Songs as sung by Mr. Lowe
& Mrs. Lampe Jun'' at IMary-bone
Gardens. Printed for C. Jones : London,
17G4. fol. G-. 808. g. (21.)
See Catches. A Second Collection of
Catches by. . .Dr. Arne. . .Mr. Lampe, etc.
[17G6 ?] obi. 4". A. 756. a. (2.)
LAMPE (JoHANN Friedrich) Advice to
the Unwary, etc. [Song.] [London,
1738.] 8". 249. e. 8.
Gentleman'' s Magazine, Vol. VIII.,
p. 430.
The Art of Musick. Printed for C. Corhett :
Ijondon, 1740. 8". 1042. h. 6. (4.)
The Batchelor's Advantage. [Song.]
See As. As Thomas and Harry one Mid-
summer Day, etc. [Music by J. P. Lampe.]
[1730?] s.sh.iol. G. 306. (36.)
Bright Cynthia's Pow'r.
Sec infra : [OroonolxO.']
British Melody ; or, the Musical Magazine.
Consisting of a large Variety of. . .English
and Scotch Songs Airs, &c. ... Set to
Musick by the most Eminent Masters . . .
The Whole curiously Engrav'd on Three-
score Folio Copper Plates ; . . .revis'd and
corrected and one Fourth Part of them
set to Musick by J. F. Lampe... each
Plate.. .Embellish'd with a New Head-
Piece, etc. Printed for. . . B. Cole :
London, 1739. fol. H. 1364.
The covifoscrs named in this collection
are : Lampe, Bamondon, Philips, C.
Young, M. Greene, S. Alabbat or
Mobbot, Carey, Stanley, B. Graves,
Pcspusch, Galliard, Hatchdosam and
Handel.
But shall I go mourn for that my Dear.
[Song.] Set by Mr. Lampe from Shake-
spear['s ' Winter's Tale ']. [London,
1745 ?] s. sh. fol. G. 306. (251.)
A Cantata and Four English Songs.
Printed for I. Walsh: London,
[174G?] fol. G. 221. (5.)
[Columbine Courtezan.] A Collection of
all the Aires, Pastorells, Chacoons, Entre,
Jiggs, Minuets and Musette's in Columbine
Courtezan, and all the late Entertain-
ments. . .To which is Prefix'd, the Original
Medley Overture. The whole fitted for a
Violin, German Flute, & Harpsicord, etc.
Printed for I. Walsh: London,
[1735.] ohl. fol. e. 60. (1.)
The Complaint.
Sec infra : [The Despairing SJtejJierd.]
The Cuckoo, a Celebrated Concerto : in
Five Parts, viz. Traversa, Violin 1,
Violin 2, Tenor, Violencella, and Bass.
[Harpsichord Part.]
Printed for J. Wilcox : London,
[1740?] fol. G. 221. (1.)
The Celebrated Cuckoo Concerto. Com-
posed by C. F. [or rather F. J.] Lampe.
[1798.] See Periodical Publications. —
London. The Piano-Forte Magazine.
Vol. IV. [No. 6.] [1797-1802.] 8".
D. 854.
The Declaring Lover. [Song.]
[London, 1740?] s. sh. fol.
G. 310. (133.)
[Another copy.] G. 305. (168.)
The Despairing Shepherd. [For editions
of this song published anonymously :]
See Cleon. Cleon, whose heart foretold
despair, etc.
[The Dragon of Wantley.] Songs and
Duetto's in the Burlesque Opera, call'd.
The Dragon of Wantley. [Written by
H. Carey] . . . Composed and Carefully
Corrected by Mr. J. F. Lampe, etc. [Full
Score.] Printed for J. Wilcox: London,
1738. fol. P. 5.
Engraved by B. Cole.
Songs and Duetto's in... The Dragon of
Wantley, in Score, etc.
Printed for I. Walsh: London,
[1746?] fol. G. 221. (2.)
Tliis is the same as the edition of 1738,
ivith a nctv title-page.
The Songs, Duettos and Trio in the
Dragon of Wantley . . . Dispos'd properly
for the Harpsicord & Voice, and may be
accompanied with a Violin or German
Flute & Violoncello. W. Smith :
London, [1762.] obi. fol, F, 5. ^,
LAMPE
Female Advice.
[Lomhn, 1750?]
Go
Mr
lovely Rose.
Waller.
LAMPE (JoHANN Friedrich) [Fatal
Falsehood.] Whilst endless Tears and
Sighs declare. A Song in the new Tragedy
[by J. Hewitt] of Fatal Falsehood. . .Sung
bvMrs.Clive. [London, 1134:.] s.sh.iol.
I. 530. (82.)
[Song.]
s. sh. fol.
G. 307. (161.)
[Song.] The Words hij
[London, 11 iO?] fol.
G. 308. (19.)
[Another copy.] G. 305. (162.)
The Inconstant. SeeWuES. When fading
Beauty does decay. Tlte Inconstant. [Song,
music by J. F. Lampe.]
[1730?] s. s/(. fol. G. 313. (150.)
Ladies' Amusement : being a new Col-
lection of Songs, Ballads, &c. With
Symphonies and Thorough-Bass. J. Hoey,
for the Author : Dublin, [1748 ?] fol.
H. 1625. b.
Imperfect, wanting pp. 19-22.
The Lady's Lamentation for y" absence of
Cap' John.
See As. As near to Rosamonda's stream.
[1740.] s. sh. fol. G. 306. (114.)
A Lass there lives upon the green.
See infra : [Oroonoko.]
Love and Honour. [Song.]
Sec I. I wish and long for that which
I, etc. [IMusic by J. F. Lampe. ^
[1740?] s.sh.iol. G. 309. (115.)
The Lover's Address. [Song.]
See Charmer. Charmer permit me to
make a Surrender, etc. [Music by J. F.
Lampe.] [1730?] s.sh.iol.
G. 307. (47.)
The Maid's Request, etc. [Song.]
See Glide. Glide swiftly on thou Silver
Stream, etc. [By J. F. Lampe.]
[1735?] s. sh. fol. G. 316. d. (159.)
[Another edition.] The Maid's Request,
etc. S«> Glide. [1740?] s. .s/(. fol.
G. 310. (200.)
[Margery. Overture and Chorus's in the
Burlesque Opera called ^Margery, being a
Sequel to the Dragon of Wantley, etc.
Words by H. Carey. Full Score.]
[Printed for J . Wilcox: London,
1739.] fol. G. 221. (3.)
Wanting the title-page.
Lampe's Original Medley Overture.
[Orchestral Parts.] [London, lliO?'} fol.
g. 474. a. (14.)
A Plain and Compendious Method of
Teaching Thorough Bass... With Proper
Rules for Practice. The Examples and
Lessons. . .Engraved on Copper Plates.
Printed for J. Wilco.x : London, 1131. 4°.
558*. e. 22.
LAMPE (.JoHANN Friedrich) The Modest
Concealment. [Song.] Sec Dear. Dear
Collin prevent my warm Blushes, etc.
[1733 ?] s. sh. fol. G. 307. (130.)
[Oroonoko.] Bright Cynthia's Pow'r,
divinely great. .-1 Song i)i Oroonoko.
[Words by T. Cheek.]
[Lo)!fZLi«,"l730?] s. sh. fol.
G. 306. (244.)
[Another copy.] I. 530. (80.)
A Lass there lives upon the green.
Song in Oroonoko, Sung bv ]Mrs. Lampe.
[London, 1130?] s.sh.iol.
G. 316. c. (25.)
The Parent Bird. A Song, etc. [London,
1747.] 8". P.P. 5438. z.
Universal Magazine, Vol. I., p. 184.
Paternal Love. [Song.] See Parent.
The Parent Bird whose little Nest, etc.
[Music bv J. F. Lampe.] [1745?] s.sh.iol.
H. 1994. b. (64.)
[Another edition.] See Parent. The
Parent Bird whose little Nest, etc. [IMusic
by J. F. Lampe.] ^1745 ?] s. sh. fol.
G. 305. (240.)
The Perfections of true Love. [Song.]
Sec There. There liv'd long ago in a
Country place, etc. [Music by J. F.
Lampe.] [1730 ?] s. sh. fol.
G. 312. (86.)
A Preservative against Love. [Song.]
See How. How frail alas ! we mortals
are, etc. [By J. F. Lampe.]
[1740.] s. sh. fol. G. 308. (97.)
Pyramus and Thisbe : a ]\Iock-Opera.
The Words taken from Shakspeare['s
'Midsummer Night's Dream,' as altered
in 1716 by R. Leveridge. Full Score,] etc.
Printed for I. Walsli : London,
[1745.] fol. ■ G. 221. (4.)
[Another edition.] Pyramus and Thisbe :
etc. Printed for I. Walsh: London,
[1746?] fol. G. 193. (5.)
Tills edition contains an additional song,
beginning: '' Su'cet Moon I thank
thee."
Ruscelletto Infidele, or, The false
Shepherd. [Song.] [London,
1740 ?] s. sh. fol. G. 360. (59.)
This is No. V. of 'British Melody,'
witli alterations in Cole's engraving.
[The Sham Conjurer.] The Grand
Concerto, Favourite Songs, Dueto's,
Trio & Chorus in the New Masque call'd
the Sham Conjurer, etc. [Full Score.]
Printed for I. Simpson: London,
[1741.] fol. G. 221. (6.)
The Shepherd's Invitation. [Song.] Sung
by Mr. Sullivan . . . The Words by Mr. Ayre.
\ London, 1130 r^ s.sh.iol. I. 530. (81.)
10
LAMPE— LAMPLTGNANI
Ij A M P E (JoHANN Friedrich) The
Shepherd's Invitation. [Song.] Sung by
Mr. Sullivan. . .The Words by Mr. Ayre.
[London, 1744.] 8". 157. 1. 6.
London Magazine, 1744, p. 510.
The Shepherd's Invitation. [Song.]...
The Words by ]\Ir. Ayre. [London,
1745.] 8". 249. c. 15.
Gentleman's Magazine, Vol. XV., p.
217.
[Another edition.] The Shepherd's Invita-
tion, etc. [London, 1750?] s. sh. 4".
H. 1994. c. (53.)
Plate LXXIX of the Agreeable Amuse-
ment.
The Spring Wish. [Song.] [London,
1730 ?] s. sh. fol. I. 530. (83.)
[Another edition.] The Spring Wish, etc.
[London ? 1740 ?] s. sh. fol.
G. 316. d. (87.)
Tho' rude Rebellion rears its Head. Tlie
occasional Song as it is now perform' d at j
the Theatre Royal in Covent Garden, etc.
[London, 1745.] fol. G. 312. (15.)
To Sylvia. [Song.] Sung by Mr. Sullivan
at the Theatre in Drury Lane . . .the
Words by Mr. Garrick. [London,
1745 ?] s. sh. fol. G. 309. (25.)
The True Briton. A Two Part Song, etc.
[London, 1740 ?] s. sh. fol. I. 530. (84.)
[Another edition.] The True Britton. A
two part Song. See Come. Come Drawers
more Wine, etc. [By J. F. Lampe.]
[1740 ?] s. sh. fol. G. 307. (73.)
Upon the Taking of Chagre Castle by
A dm' Vernon. [Song.] See Ye. Ye
Brittons draw near, etc. [Music by J. F.
Lampe.] [1740.] s. sh. fol. G. 314. (56.)
Whilst endless Tears and Sighs declare.
See supra : [The Fatal Falsehood.]
The Wish. [Song.] Sungby Mr. Sullivan,
etc. [London, 1740 ?] s. sh. fol.
G. 307. (20.)
[Another copy.] I. 530. (85.)
Wit Musically Embellish'd. Being a
Collection of Forty New English Ballads ;
the Words by divers Eminent Hands, set
to IMusick with a Thorough Bass for the
Harpsichord . . . The Tunes all Transpos'd
for the Flute. Engraved d Printed for
the Author : London, [1731.] fol.
H. 1625. a.
Engraved by T. Cobb, witJi an engraved
title-page.
[Another copy.] Wit Musically Em-
bellish'd : Being a Collection of Eight
[or rather Forty] New English Ballads, etc.
Vol. I. Engrav d and Printed by T. Cobb :
London, [1731.] fol. H. 1625.
This work appeared in parts of eight
Ballads each. It was advertised in
the Grub Street Journal for 5 Aug.,
1731. This copy is complete, but lias
no preface nor list of subscribers, and
the title-page is the printed one issiied
with the first part .
Wit Preferable to Beauty. [Song.]
Sec Though. Tho' here at Bath you
make a Rout, etc. [Music by J. F. Lampe.]
[1730 ?] s. sh. fol. G. 312. (87.)
See Arne (T. A.) Six Medley or Comic
Overtures in Seven Parts ... by Dr. Arne,
Lampe, etc. [1760 ?] fol. g. 100. e.
See Fly. Fly Care to the Winds, etc.
[Duet, music loy J. F. Lampe.]
■ [1740?] s. s;;.fol. G. 307. (238.)
See Hymns. [English.] Hymns on the
Great Festivals, etc. []\Iusic by J. F.
Lampe.] 1746. 4°. P. 5. b.
See Hymns. [English.] Hymns on the
Great Festivals . . . The Second Edition.
[Music by J. F. Lampe.] 1753. 4".
E. 1498. j.
See Summer's Tale. The Summer's Tale.
A Musical Comedy . . . The Music by Abel
. . . Lampe, etc. [1765.] obi. fol.
D. 273. (1.)
See Thesaurus Musicus. Thesaurus
Musicus. A Collection of . . . Part Songs . . .
by... Lampe, f/c. [1743?] fol. H. 73.
LAMPLIGHTER. The Lamplighter.
[Song.] See Dibdin (C.) [The Oddities.]
The Lamp-Lighter. Cantata.
Sec MozE (J. H.)
LAMPUGNANI (Giovanni Battista)
[Alceste.] The Favourite Songs in the
Opera call'd Alceste, etc. Printed for
I. Walsh : London, [1744.] fol.
G. 206. a. (4.)
Alessandro nell' Indie. [A Pasticcio,
chiefly by G. B. Lampugnani and G.
Cocchi.] See Delizie. Le Delizie dell'
Opere, etc. Vols. 4, 11, 12. [1776.] fol.
G. 159.
[Alfonso.] The Favourite Songs in the
Opera call'd Alfonso, etc. Printed for I.
Walsh : London, [1744.] fol.
G. 190. (6.)
[Songs in L' Ingratitudine Punita. A
Pasticcio, by Hasse, Lampugnani, etc.]
See Delizie. Le Delizie dell' Opere,
etc. Vol. 5. [1776.] fol. G, 159.
[Songs in Semiramide. A Pasticcio, by
Hasse and Lampugnani.] See Delizie.
Le Delizie dell' Opere, etc. Vol. 5.
[1776.] fol. G. 159.
[Siroe.] The Favourite Songs in the
Opera call'd Siroe, etc. (The Two favourite
Songs in. . .Siroe, sung by Sign'^' Mingotti.)
[Short Score.] 2 Nos. Printed for
I. Walsh : London, [1755.] fol.
G. 201. (3.)
LAMPUGNANI— LANFRANCO
11
LAMPUGNANI (Giovanni Battista)
rSiroe. Another copy.]
H. 348. e. (1, 10.)
Six Sonatas for Two Violins, with a
Through Bass for the Harpsicord or
Violoncello ... Opera Prima. [Separate
Parts.] Printed for I. Walsh: London,
[1745?] fol. g. 420. c. (8.)
Six Sonatas for two Violins and a Thorough
Bass. [Separate Parts.] Printed for
C. d- S. ThomiKon : London, [1765 ?] fol.
g. 409. (7.)
Nos. 1 to ■i of this set arc Nos. 6, 3, 2 and
1 of Op. I.
See Ezio. The Favourite Songs in...
Ezio. With some Songs [by J. A. Hasse
and G. B. Lampugnani] in Ipermestra, etc.
[1755.] fol. G. 173.
Sec Hasse (J. A.) Farinelli's Celebrated
Songs, dx. (Galuppi, Hasse, Vinci,
Lampugnani ... & Pescetti's Chamber
Aires. . .Collected out of all their late
Operas.) [173G-175G?] fol. g. 444.
See Summer's Tale. The Summer's Tale.
A Musical Comedy... The Music by Abel
... Lampugnani e^c. [1765.] 06/. fol.
D. 273. (1.)
LAMPUGNANI (Giovakni Battista)
and SAN MARTINI (Giovanni Bat-
tista) Six Sonatas for Two Violins with
a Through Bass for the Harpsicord or
Violoncello. Composed by Sig' G. B.
Lampugnani and St. Martini of IMilan.
Opera Prima. Printed for J. Walsh :
London, [1750 ?] fol. " g. 480. (1.)
This work is the same as the Si.v Sonatas
published under LampugnmiVs name
alone as Op. 1.
Six Sonatas for Two Violins, with a
Through Bass for the Harpsicord or
Violoncello. Compos'd by Sig' G. B.
Lampugnani and S' JMartini of ]\Iilan.
Opera Seconda. [Separate Parts.]
Printed for I. WalsJi .- London,
[1750?] fol. g. 480. (2.)
LANCETTE. La Lancete. [Song.]
See Je. Je suis excellent chirurgien, etc.
[1780?] 8°. B. 362. j. (17.)
LANCETTI (Salvador) Sec Lanzetti.
LAND. The Land of Gold. Song.
Sec Sanderson (J.) [Harlequin Mariner.]
The Laud we live in. [Song.]
Sec Reeve (W.) [Harlequin and Oheron.']
LANDEN ( ) The Hazel-ey'd Maid, etc.
[Song.] [London, 1753.] 8°. 249. c. 23.
The Gentleman' s Magazine, Vol. XXIII. ,
p. 191.
LANDI (Stefano) Arie a Una Voce, etc.
Appresso Bartholomeo Magni. Stampa
del Gardano : Venetia, 1620. fol.
K. 8. g. 14.
LANDI (Stefano) La INIorte d' Orfeo.
Tragicomedia Pastorale con le Musiche. . .
Opera Seconda. Appresso Bartolomeo
Magni. Stampa del Gardano : Venetia,
1619. fol. K. 8. g. 10.
II S. Alessio. Dramma Musicale, etc. [Full
Score.] Apresso Paolo Masotti : Boma,
1634. fol. K. 8. g. 8.
LANDLORD. The Landlord he looks
very big. A good Ale thou art my Darling.
[Song.] L[ongman. and] B[rodeiip :
London, 1785 ?] s. sh. fol. G. 312. (118.)
LANDONO (Francesco) Sec Spoglia
Amoeosa. Spoglia Amorosa. Madrigali,
etc. [With a Dedication bv F. Landono.]
1584. 4\ " D. 202.
LANDRIN ( ) Maitre de Danse. Pot-
pourri Francois des Contre-Danse
Ancienne, tel, qu'il se danse chez la Reine.
Arrange, et mis au Jour, par M' Landrin,
etc. (Potpourri Nouveau avec I'Explication
des Figures, vu et corrige, telle que je les
enseigne au public.) 24 Nos.
Chez Landrin : Paris, [1785? etc.] 8".
e. 57. (1.)
Engraved throughout. There is a MS.
index of the contredanses.
1" Receuil d'Airs Figur^e [sic] tel qu'il se
joue aux Woxhall de la foire S' Germain,
etc. (2""' Receuil de jMenuet mel^e de
Petit Airs, avec les Preludes dans les tons
les plus usites, etc.) (3'"° Receuil de
Menuet inel(^e de Petit Airs, etc.) (4'"°
Receuil de Menuet de M' Lahante . . . Mis
au Jour par il' Landrin, etc.) (5"""= Receuil
d'Anglaise arrang^es avec leurs Traits, etc.)
5 Nos. Chez Landrin : Paris,
[1785 ? etc.] 8". e. 57. (3.)
Engraved throughout. The folloiving
coniposers' names occur in this collec-
tion : Denis, Lahante, La Loycan,
Dficherc [Fisher?], Dauvergne, Cana-
va.^e and Fauveau.
LANDSCAPE. The Landscape. [Song.]
See How. How pleas'd ^^^thin my native
bowers, etc. [1761.] 8". P.P. 5441.
[Another setting.] The Landscape.
[Song, begins : ' How pleas'd within my
native bow'rs.'] See Yates (W.)
LANEARE (Nicholas) See Lanier.
LANFRANCO (Giovan Maria) da
Tercntio. Scintille di Musica . . . che
mostrano a leggere il Canto Fermo &
Figurato, Gli accideti delle Note Misurate,
Le Proportioni, I Tuoni, II Contrapunto,
Et la diuisione del Monochordo, Co la
accordatura de uarii instrumenti, etc.
Per Lodouico Britannico : Brescia,
1533. obi. 4°. K. 1. g. 12.
12
LANG— LANCtLE
LANG (J. C.) Three Sonatas, for the
Piano Forte or Harpsichord, with Accom-
pagniment for a Violin. . .Opera 3.
Tlic Author : London, [1795?] obi. fol.
e. 100. (2.)
LANG (JoHANN Georg) Concerto Pastorale
per il Cembalo, due Violini, Viola e Basso,
Due Flauti, due Corni ad libitum. . .Opera
V. [Separate Parts.] Prcsso G. Andn' :
Offenbach, [1780 ?] fol. g. 79. a. (2.)
Concerto per il Cembalo, Due Violini,
Due Flauti traversi obligati, Due Corni
ad libitum, Viola e Basso, etc. Longman
and Broderij) : London, [1785 ?] fol.
h. 82. a.
The Cembalo part only.
Two Excellent Solos for the Violin, con
Violoncello obligato. Longman, Liikcy
and Co. : London, [1775 ?] fol.
g. 422. h. (3.)
[Another copy.] g. 420. b. (3.)
Sei Senate per il Cembalo Violino e Violon-
cello. . .Opera vi. [Separate Parts.]
Presso G. Andrd : Offenbach, [1780?] fol.
h. 82.
LANGDON (Richard) A Collection of
Songs, i{-c. [Op. 2.]
Printed for J. Jolinson : London,
[1755?] fol. G. 805. a. (8.)
[Another edition.] A Second Collection
of Songs, etc. [Op. 2.]
Printed for J. Johnson: London,
[1755?] fol. G. 424. d. (5.)
This is the same as ' A Collection of
Songs,' with an altered title-page.
Cupid and Chloe. A Cantata.
[J. Johnson : London, 1755?] fol.
G. 808. e. (18.)
Printed from the plates of pp. 34-43 of
Langdoii's ' Ten Songs and a Cantata.'
Divine Harmony ; being a Collection in
Score of Psalms and Anthems, with several
other Pieces of Sacred Music composed
by the most eminent Masters . . . Selected
and . . . revised by R. Langdon, etc. [Op.
5.] Longman, Lukey d Compy., for the
Editor : London, 1774, fol.
H. 879. a. (1.)
The composers named arc : Morley,
Ravenscroft, Milton, W. Harrison,
Wainwright, J. Tomkins, Croft,
W. Cranfield, Handel, J. Bennet,
E. Blanks, J. Farmer, R. Palmer,
R. Allison, M. Pierson, M. Cavendish,
Coiirteville, Lowland, R. Langdon,
Farnaby, Tallis, Kerby, Hooper,
T. Tomkins, Carissimi, M. Wise,
W. Blake, C. King, Aldricli ancl
T, Langdon.
Twelve Glees for three and four Voices
... Op. VI. J. Bland :
London, [Vim'i] fol. G. 424. d. (4.)
I LANGDON (Richard) I told my nymph.
An admired Song of Mr. Shenstone's . . .
sung at Ranelagh by Mr. Hudson.
R. Falkener: London, [1775?] s. sli. fol.
H. 1994. a. (38.)
Six Sonatas for the Harpsichord . . . Opera
Terza. Printed for Cha" and Sam'
Thompson : London, [17C5.] obi. fol.
e. 5. f. (6.)
Ten Songs and a Cantata, etc. [Op. 1.]
J. Johnson, for the Author : London,
[1754?] fol. G. 805. e. (2.)
Twelve Songs and Two Cantatas . . .
Opera iv. Messrs. Tliompson, for the
Author : London, \VilQ'>] fol. 1.376.
Sweet are the banks when Spring per-
fumes. A Glee, etc. L[ongman], L[ukey'\
(& B[roderip : London, 1775 ?] s. sJt. fol.
G. 311. (138.)
See Arne (T. A.) [Lyric Harmony . Oj). 4.]
The Fond Appeal. Quartetto . . . Har-
monized by R. Langdon. [1800?] fol.
G. 353. (22.)
See Arne (T. A.) [The Merchant of Venice.
To keep my gentle Jessy.] Quartetto . . .
harmonized by R. Langdon, etc.
[1800?] fol. G. 353'. (21.)
See Arne (T. A.) [Vocal Melody. VII.
The Agreeable Musical Choice. To Delia.']
Trio . . . Harmonized by R. Langdon, etc.
[1800?] fol. G. 352. (28.)
See also : L., R.
LANGI. Langi rivolgo. Venetian Ballad
[for two voices], etc.
[London, 1776.] s. sh. 4". P.P. 5141.
Lady's Magazine, Feb., 177G.
LANGLE (HoNORio Francois Marie)
Corisandre, ou les Foux par Enchante-
ment. Op6ra Ballet. Paroles de * * * [de
Linieres and A. F. Lebailly. Full Score].
CMs Le Due : Paris, [1791.] fol.
G. 143.
Trait6 d'Harmonie et de Modulation.
Chez Boyer : Paris, [1798.] fol.
G. 835. a.
Traits de la Basse sous le Chant, precede
de toutes les Regies de la'Composition, dc.
Chez Nadcrman : Paris, [1798.] fol.
H. 2186.
Triomphe ! de nos droits c616brons la
conquete. Hymne cl la Libert(', par T,
Desorgues.
Du Magazin de Musique a Vusagc dcs
fetes Nationals : Paris, [1795.] 8°.
E. 1717. b. (17.)
See Agus (H.) Solfe'ges pour servir a
I'etude dans le Conservatoire de Musique
a Paris par . . . Agus . . . Langle, etc.
[1795?] fol. H. 2851.
LANGO— LANZA
13
Quinta
Pataviae,
C. 261.
LANGO LEE. Lango Lee. Song.
See There. There lives a sweet lovely
dear Girl, etc. [1775?] s. sh. fol.
G. 316. j. (12.)
Lango Lee. Soug. Sec You. You Lads
of Hybernia that's fond of true pleasure.
[1775?] s.sh.iol. G. 314. (108.)
New words to Lango Lee. [Song.]
Sec I. I'm an Irish young Fellow.
[1777 ?] s. s/(.. fol. H. 1601. a. (83.)
LANGREDER (Martin) Canticum
Gloriosse Deiparse Virginis ]\Iarise, Sex
Vocibus, super varia — ut vocant — Madri-
galia, non ita pridem artificiosissime
modulatum, a R. F. Martino Langreder
. . . lam vero post immaturum illius
obitum typis evulgatum, opera & studio
R. D. Michaelis Hererii, etc.
(Sexta) Vox. 2 pts.
Matthssus Ncnningcr :
1602. 4".
Honora Medicum [Motet for 5 voices.] . . .
Nobili . . . Viro loanni Hiltprando . . .
dedicatum. [5 Parts.] Matthxus
Nenninger: Patavix, 1602. 4°. B. 293.
LANGUAGE. The Language of the
Eyes. ;Song.] See Words. Words but
faintlv can impart, etc.
[1770'?] s. sh. fol. G. 313. (245.)
LANGUEUR. Une langueur extreme
occupe tons mes sens. Air par Algcbrc.
[For three voices. ^
IParis, 1679.] s. sh. obi. i\ P.P. 4482.
Nouveau Mcrcurc Galant, Feb., 1679,
p. 196.
LANGUISHING. The Languishing
Lady. [Ballad.] Sec Welcome. Wel-
come Death, etc. [1695?] s. sh. fol.
Case 39. k. 6. (52.)
The Languishing Shepherd. [Ballad.]
See When. When my kids and my
lambs, etc. [1695?] s. sh. fol.
Case 39. k. 6. (5.)
The Languishing Swain. Song.
See Happy. Happy's the ]\Ian that's free
from love, etc. ri090?] s. sli. fol.
Case 39. k. 6. (62.)
LANIER (Nicholas) See Playfobd (J.)
Select Ayres and Dialogues . . . Composed
by ... N. Laneare . . . and other Masters
of Musick. 1659. fol. G. 82. (1.)
See Playford (.J.) Select IMusicall Ayres
and Dialogues ... by ... Mr. Nicholas
Lanneare, etc. 1653. fol. F. 51. a.
LANJON (Pierre) See L* * * *, M.
LANLA. Les Lanla. [Song.]
Sec Fournier ( ).
LANNEARE (Nicholas) Sec Lanier.
LANSEL ( ) See Blin de la Godre
(M. S.) Si I'Amour est peint volage . . .
Accompagnement de M. Lansel, etc.
[1785?] 8\ B. 362. g. (1.)
LANTERNE VERIDIGUE. Onblasme
a tort notre fai^'on. Vaudeville, etc.
[Paris,] 1732. s. sh. i". 298. a. 25.
Mercnre dc France, Sept., 1732.
LANVAL ET VIVIANE. Souvent
plus d'une enchanteresse. Vaudeville de
Lanval et Viviane [words by A. de Mur-
viUe, music by S. Champein]. Avec
Accompagnement de Guittare par ]M.
Chaudet, f/c. Chez Imbault : Paris,
[1788.] 8". B. 362. c. (66*.)
Souvent une erreur passagere. Romance
de Lanval et Vivians [words by A. de
Murville, music by S. Champein]. Avec
Accompagnement de Guittare par ]\I.
Chaudet, etc. Chez Imbault : Paris,
[1788.] 8". B. 362. c. (66.)
LANZA (Francesco Giuseppe) Twelve
Italian Ariettes, for a Single Voice, with
an Accompaniment for the Harp or Piano
Forte... Op. 1.
B. BircJtall, for the Author : London,
[1794.] obi. fol. E. 532. b. (1.)
Twelve Italian Ariettes, for a Single Voice
with an Accompaniment for the Harp or
Piano Forte. . .Op. iv.
B. Birchall, for the Author : London,
[1794.] obi. fol. E. 270. (17.)
Ten Italian Ariettes, for a Single Voice,
and a Favorite Duet. With an Accom-
paniment for the Harp or Piano Forte . . .
Op. X. B. Birchall, for the Author:
London, [1800?] obi. iol E. 532.
Six Canzonettas, two Duetts & one Trio,
for the Voice, with an Accompaniment for
the Harp or Piano Forte. . .Op. 6.
B. Birchall, for the Author : Londun,
[1794.] obi. fol. E. 532. b. (2.)
Six Canzonettas, two Duetts & one Trio
for the Voice with an Accompaniment
for the Harp or Piano Forte. . .Op. 7.
B. Birchall, for the Author : London,
[1796.] obi. fol. E. 532. b. (3.)
Six Canzonettas, two Duetts & one Trio,
for the Voice with an Accompaniment for
the Harp or Piano Forte . . . Op. 8.
B. Birchall, for the Author : London,
[1796.] obi. fol. E. 532. b. (4.)
Six Italian Duetts for Two Voices with
an Accompaniment for the Piano Forte . . .
Op. 5. B. Birchall, for the Author :
London, [1794.] obi. fol. E. 270. (18.)
Eight Italian Duets and a Favorite Trio,
with an Accompaniment for the Harp or
Piano Forte. . .Op. xi.
B. Birchall, for the Author: London,
[1800?] obi. iol. E. 532. a.
The Celebrated Stabat I\Iater, for two
Soprano Voices. Op. 12. [Full Score,
with P. F. accompaniment.]
B. Birchall, for the Author : London,
[1800?] fol. G. 908.
14
LANZA— LARK
LANZA (Gesualdo) Blow gentle Winds.
A Canzonet. . .The Words by Kannie.
Friiitt'd for G. Walker: London,
[1800?] fol. G. 808. b. (27.)
The Cinder King. A favorite Glee for
Two Sopranos & a Bass.
R. Birchall, for the AutJior : London,
[1800 ?] obi. fol. D. 402. (20.)
Lovely Susan. A Canzonet, etc.
Printed for G. Walker: London,
[1800?] fol. G. 808. b. (28.)
LANZETTI (Salvatoee) Six Solos after
an Easy & Elegant Taste for the Violon-
cello with a Thorough Bass, for the Harpsi-
chord. Printed for C. Heron : [London,
1760?] fol. g. 514, b. (3.)
Six Solos for two Violoncellos or a German
Flute and a Bass . . . Opera Seconda.
Printed for I. WalsJt : London,
[1740.] fol. g. 270. 1. (6.)
[Another copy.] g. 500. (2.)
[Another edition.] VI. Solos for two
Violoncello's with a Thorough Bass for
the Harpsichord. [Op. 2. Nos. 6, 3, 1, 2,
4 and 5.] Printed for J. Johnson :
LondoH, [1745?] fol. g. 510. (3.)
LAPIS (Santo) Miss Mayer. A new
Cxuittar Book in 4 Parts, viz. Italian,
French, English Airs, and Duets for the
Voice accompanied with the Guittar and
a Thorough Bass for the Harpsicord . . .
Opera xvi. Mr. Liessem, for the Author :
London, 1759. fol. G. 809. c. (16.)
Engraved by W. Smitli.
X. Solos for the Violoncello with a
Thorough Bass. . .Opera xv. [Londo)i,
1760?] fol. g. 801.
The title-page is mounted.
La Stravaganza per il Cembalo. Of voor-
stelling van verandering van sleutels voor
het Clavier, etc. [Amsterdam,
1765 ?] obi. fol. e. 5. i. (5.)
LAPLAND. The Lapland Swain, who
half the year. Tlie Lapland Swain.
[Song.] Composed by a young Lady seven
years old. . .The Words by a Lady.
Broderip and Wilkinson: London,
[1799?] fol. G. 356. (35.)
LAPLANDER. The Laplander's Song.
See Relfe (J.)
LAPORTE ( ) See Ahlequin-Sentik-
ELLE. Arlequin - Sentinelle, Comedie-
Parade, etc. [With the Music of a Vaude-
ville by — Laporte.] [1798.] 8".
11738. e. 1. (2.)
LAPPI (PiETRo) Hymni per tutto I'Anno
a Quattro Voci con il Basso per 1' Organo
. . . Nouamente stampati, etc. Alto.
(Tenore.) (Basso Continuo.) 3 pts.
Appresso Bartolomco Magni. Stampu del
Gardano : Venetia, 1628. 4\ C. 265. b.
LAPPI (PiETRo) Petri Lappi . . . ]\Iissarum
Octonis [Vocibus] Liber Pr[imus] etc.
Ten[or Secundi Chori]. [Angelo Gardano ?
Venice, 1601 ?] 4°. C. 265. a.
The title-page and page 1 are mutilated.
Sacrge IMelodiaj Una, Duabus, Tribus,
Quatuor, Quinque et Sex Vocibus. Una
cum Symphoniis & Basso ad Organum.
Tenor. (Bassus.) (Bassus ad Organum.)
3 pts. Ex Officina Petri PhalesiJ :
Antucrpiai, 1622. 4". C. 265.
Basso Principale per 1' Organo della Terza,
et Litanie si della B. Vergine come de
Santi, Et Hinno Te Deum, a otto voci, etc.
Appresso Alessandro Eaverii : Venetia,
1607. fol, G. 20,
LAKD, Lard how men can Claret drink.
A Dialogue between a Good Fellow and a
Beau, to the Tune of the old Cibell
[attributed to J. B. Lulli]. The words by
Mr. Estcourt. [London, 1707 ?] s. sh. fol.
G. 305. (208.)
[Another copy.] G. 310, (3,)
[Another edition.] Lard how men can
Claret drink, etc. [London,
1720 ?] s. sh. fol. H, 1601. (268,)
LARDEAU ( ) Lorsquc de Jupiter les
foudroyantes armes, Et'cit de Basse, etc.
[Paris,] 1730. s. sh. i". 298. a. 14.
Mcrcure de France, Dec, 1730.
LARDENOIS (Antoine) Paraphrase des
Pseaumes de Dauid, en vers fran(;ois. Par
A. Godeau . . . Nouuellement mis en
musique. . .par A. Lardenois. hnprime
aux despens de I'Autheur. 1655. 12".
843. f. 5,
Les Pseaumes de Dauid, mis en rime
Francj'oise, par C. Marot, et T. de Beze.
Reduits nouuellement a vne brieue &
facile methode pour apprendre le chant
ordinaire de I'Eglise, par A. Lardenois.
A. Cellier : Charenton, 1659. 12^
C, 46. a. 6. (2.)
LA RICHERIE ( ke) Sommeil, viens
sur mes sens. Duo, etc. [Paris,]
1746. s. sh. 4°. 297. c. 8.
Mercure de France, Se2)t., 1746.
LARK. The Lark's shril Notes. [Song.]
Sung by Mrs. Vincent at Vaux-hall.
[London, 1765 ?] fol. H. 1994. a. (2.)
[Another edition.] The Lark's shrill
Notes. [Song.] Sung by Mrs. Vincent,
etc. [London, mo?] fol. G. 297. (9.)
The Lark was up, the J\Iorn was grey.
TJie Camp medley. [Song.] Longman
and Broderip : London, [1780 2] fol.
G. 312. (211.)
LARKEN— LASHED
15
LARKEN ( ) As Cloe came into the
room t'other day. A Song from Prior,
etc. [London, 1748.] 8^ 249. c. 18.
Gentleman's Magazine, Vol. XVIII.,
21. 181.
The Incredulous Maid. [Song.] [London,
1730?] s.sh.iol. G. 305. (119.)
Mutual Love, c^c. [Song.] [London,
1748.] 8". P.P. 5438. z.
Universal Magazine, Vol. II., p. 38.
Stella and Flavia united. [Song.]
[London, 1750 ? I s. sli. fol.
G. 316. f. (10.)
To a young Lady richly drest. [Song.]
. . .Witliin Compass of the German Flute.
[London, 11 iOT] s.sh.iol.
^ G. 316. a. (33.)
LA ROSE-FONBRUNNE (G. de)
Sappho au Promontoire de Lucate. —
Sappho's Complaint on the Kock of
Lucate. Romance. Sec Pleyel, Coep.i
& DussEK. Pleyel, Corri and Dussek's
MusicalJournal, f^c. [Vocal Part.] No. 1.
1797. fol. G. 356. (12.)
LAROUSSELLE ( de) Ah! que j'ai
de regret. CJkdisou, pour une Basse
taille, etc. lUcognilliec : [Paris,]
1770. s. sh. 8". 297. e. 30.
Mercure de France, Feb., 1770.
L'ARPA (Ctiovanni Leonardo Di) Cauzon ,
Napolitaue a Tre Voci, Libro Second© Di
L'arpa. Cesaro Todiuo, loan Dominico
da Nola. Et di altri Musici, etc. Basso.
Apprcsso Girolanio Scotto : Yinvgia, .
1.5G6. 8". A. 247. 1
The composers )ianiecl in this collection
are: Lando, Di Nolla, Ferrcllo, Todino,
Don Fiolo, Zelanno, lioiccerundct, Le
lioij, De Nola, loan Dominico Fior and
Mattec. The dedication is signed
' Nicola Eoicccraiidet Borgognonc'
See Pkimavera (G. L.) II Primo Libro
de Canzone. . .Con Alcune Napolitane di I.
L. di L'arpa, etc. 156G. 8". A. 194.
LARRY GROGAN. Larry Grogau, or
the London Rake's Delight. [Song.]
See Come. Come Boys let's be jollv, etc.
[1750?] s.sh.iol. 1.530.(31.)
LA RUE (PiERBE de) Misse Petri de la
Rue. Beate virginis. Puer natus. Sexti.
Ut fa. Lomme arme. Nuqua fue pena
niaior. S[uperius:,. (A.) (T.) (B.) 4 pts.
Per Octauianum Petrutiu ,-> ; Venctijs,
1503. obi. i". K. 1. d. 1.
See Fevin (A. de) Misse . . . Quart! toni.
Pier zon [i.e. P. delaRue]. 1515. obi. -i".
K. 1. d. 12.
See Masses. Missarum diuerso"^ auctoruS
Liber primus . . . De sancto Antonio Piero
de la rue. 1508. obi. 4". K. 1. d. 8.
LARUETTE (.JEA^- Louis) Le Boulevard.
Opera-Comique Ballet, etc. [Words by
Anseaume, music by Laruette.] 1753. 8".
See Boulevard. 11738. b. 15. (6.)
Cendrillon, Opera-Comiquc de M' An-
seaume ; . . . avec la jNIusique [by J. L.
Laruettej. 1759. 8°. See -Cendrillon.
11738. b. 13. (4.)
De quel bruit efirayant retentisseut ces
airs. Eecit de Basse Taille Nouveau.
[Paris,] 1755. s. sh. 8°. 298. c. 26.
Mercure de France, Nov., 1755.
La Fausse Aventuriere.Opera-Comiquecn
deux Actes . . . Avec la ]\Iusique [by J.
L. Laruette]. 1757. 8°. See Fausse
AVENTURIERE. 11738. b. 13. (1.)
Le Guy de Chesne, ou La Feste des
Druides. Comedie en un acte. . .meslee
d'Ariettes, avec un Divertissement ; par
M. de Junquieres le fils, etc. Chez
Duchesne : Paris, 1763. 8^ 86. b. 15.
Part of the 'Supplement aux Parodies du
ThMtre Italicn,' etc. torn. 2.
Le Guy de Chesne. Comedie en un Acte,
etc. rWords by J. de Junquieres. Full
Score^and Parts.] Chez M'- De la
Chevardiere : Paris, [1763.] fol. H. 452.
Engraved by P. L. Charpcnticr.
L'Heureux D^guisement, ou la Gouver-
nante Supposee. Opera-Comique en deux
actes, melee d'Ariettes, [written] Par M.
de MarcouviUe, etc. (Recueil des Ariettes
de I'Heureux Deguisement, etc.) 2 pts.
1758. See Theatre. Nouveau Theatre
de la Foire, etc. Tom. 4. 17G3. 8".
11735. d. 2.
Opera-Comiquc
M. Anseaume. . .
Le Medecin de 1' Amour.
en un Acte, [words] par
avec les petits Airs, etc.
Chez N. B. Duchesne : Paris, 1758. 8".
11738. b. 13. (3.)
L'Yvrogne Corrige, Opera-Comique en
deux Actes ; [Words] par Mrs. Anseaume
****;.. .avec les petits Airs.
Chez Duchesne : Paris, 1759. 8".
11738. b. 13. (5.)
See Docteur Sangrauo. Le Docteur
Sangrado. Opera-Comique . . . avec la
Musique [by E. R. Duni and J. L,
Laruette]. 1758. 8".
11738. b. 13. (2.)
LAS ALL E D'OFFEMONT ( de)
Marquis. Bertholdc a, la Ville. [For
editions of this opera published anony-
mously:] See Bertholde a la Ville.
LA SERRE ( de) Le Temps Pugitif.
Air. 'Paris,] 1732. s. sh. 4°.
298. a. 26.
Mercure de France, Nov., 1732.
LASHED. Lash'd to the Helm. Song.
See Hook (J.)
16
LAS INFANTAS— LASSO
LAS INFANTAS (Fernando de)
Sacrarum Varii Styli Cantioiium Tituli
Spiritus Saucti Liber ii. cum Quiuque
Vocibus. (Tenor.) (Quintus.) 2 pts.
Aptid lueredcm Hieronymi Scoti : Vcnctijs,
1578. 4". C. 47.
LASS. The Lass at the Brow of y« Hill.
rSong.] Sec At. At the Brow of a Hill,
etc. [1735?] s. s7i. fol. H. 1994. b. 6.
The Lass of Broomhall Green. [Song.]
Sec Fkoude ( )
The Lass of Humber Side. Ballad.
See Blewitt (J.)
The Lass of Kensworth Dale. Ballad.
See Moulds (J.)
The Lass of Pattie's ]\Iill. [Song, from
A. Ramsay's ' Gentle Shepherd.']
Cross : {London, 1725 ?] s. sh. fol.
H. 1601. (471.)
[Another edition.] The Lass of Patie's
Mill. [Song.] [London, 1730 ?] s.sh.lol.
^ G. 312. (55.)
[Another edition.] The Lass of Patie's
Mill, cfc. [London, 1735?] s. s7/. fol.
G. 316. f. (37.)
[Another edition.] The Lass of Peatie's
Mill. [Song.] For Two Voices. [London,
1765?] s.sh.iol. H. 1994. a. (223.)
The Lass of Peatie's INIill with Variations
for the Harpsichord or Piano Forte also
for the German Flute or Violin. Printed
for Straight and Skillcrn : London,
[1780?] fol. g. 271. a. (47.)
The Lass of Peatie's ]\Iill, with Variations.
Wantinrj the title-page. [1801.]
See Periodical Publications. — London.
The Piano Forte Magazine. Vol. XIII.
[No. 6a.] [1797-1802.] 8". D. 854.
The Lass of Richmond Hill. Ballad.
Sec Hook (J.)
The Lass of St. Osyth. [Song.]
Sec Howard (S.)
The Lass of the Brook. Song.
See On. On a Brook's
[1750 ?] s. sh. fol.
The Lass of the Brook.
See On. On a Brook's
[1755.] 8".
The Lass of the Brook.
See On. On a Brook's
[1755.] 8".
The Lass of the Brook.
See On. On a Brook's
[1756.] s. sk. 8".
The Lass of the Hatch. ^
See Let. Let Poets of learning.
[1785?] fol. G. 310. (48.)
The Lass of the Hill. See At. At the
Brow of a Hill, etc. [1740 ?] s. sh. fol.
H. 1994. b. (7.)
glassy brink, etc.
G. 316. (106.)
Song.
grassy Brink, etc.
157. 1. 17.
Song.
grassv Brink, etc.
P.P. 5438. z.
[Song.]
grassy brink, etc.
P.P. 5439. ab.
[Song.]
[Song, begins:
LASS. [Another setting.] The Lass of
the Hill. [Song, begins : " At the brow
of a hill."] See Howard (S.)
The Lass of the ]\Iill. [Song, begins:
" Who has e'er been at Baldock."]
See Festing (M. C.)
The Lass of the Mill.
" Dan Gay first in vogue."]
See Howard (S.)
A Lass that was loaden with care. A
Scotch Song. \ London, 1740?] s. sh. fol.
G. 306. (49.)
[Another edition.] A Lass that was loaden
with Care, etc. Printed for J. Simpson :
[London, 1745?] s. sh. fol.
H. 1994. b. (48.)
A Lass there lives upon the Green. Song.
Sec CouRTiviLLE (R.) [Oroonoko.}
A Lass there lives upon the green. [Song.]
See Lampe (J. F.) [Oroonoko.']
The Lass with the delicate Air. [Song.]
Sec Arne (M.)
[Another setting.] The Lass with the
delicate Air. [Song.] Sec Young.
Young INIoUy who lives at the Foot of the
Hill. [1760?] s.sh.iol.
G. 316. f. (134.)
The Lass with the Velvet. [Song.]
See There. There was a Buxom Lass.
[1710?] s. sh. fol. G. 305. (26.)
LASSER (JoHANN Baptist) VoUstiindige
Anleitung zur Siugkunst, sowohl fiir den
Sopran, als auch fiir den Alt, etc.
Beym Yerfasser : Miinchen, 1198. ohl. ^\
C. 365.
LASSES. The Lasses with obliging care.
TJtc WJiite Cockade. A favorite Air to
which is added two fashionable Dances
adapted for the Harpsichord, Violin, Ger:
Flute and Guitar. T. Skillcrn : London,
[1790?] fol. G. 808. c. (22.)
LASSO. Lasso ch' io t' ho perduta. [Song.]
See Vespasiano.
LASSO (Ferdinando di) Magnificat.
See Lasso (0. di) — 5. /. — Liber Primus.
Cantioucs Sacrse Magnificat . . . His
accesserunt quatuor ab . . . Ferdinando de
Lasso compositee, etc. 1602. fol.
K. 2. i. 14.
See Lasso (0. di) — 6. — Tertium opus
Musicum, continens Lcctiones Hiob et
Motetas seu Gantiones Saras. . .AdditcC
sunt. . .aliquot pise Ferdinand i Lassi can-
tilemo, etc. 1588. obi. i". A. 331. b.
LASSO (Ferdinando di) and (Rodolfo di)
See Lasso (0. di) — 5. c. — Magnum Opus
Musicum Orlandi de Lasso ... A Ferdi-
nando. . .& Rudolpho. . .Authoris filijs. . .
collectum, & impensis eorundem Typis
mandatum, etc. 1604. fol. G. 121.
LASSO
17
LASSO (Oblando di)
Akrangement.
1. Chansons, ilelanges and Tresor de
IMusique,
2. Madrigals and Villanelles.
3. INIagnificats.
4. Masses.
a. Collections.
b. Single Works.
5. Motets, under various titles.
a. Jeremia3 Lamentationes.
b. Lectiones (Quiritationes) Sacrse.
c. Magnum Opus Musicum.
d. Moduli.
e. Motets.
f. Sacrse Cantioues.
i. Books 1-8.
ii. Other Editions.
g. Selectissimse Cantiones.
6. Opus Musicum.
7. Patrocinium IMusices.
8. Psalms.
9. Teutsche Lieder.
TJte titles under each sub-division are
arranged in chronological (yrdcr.
1. Chansons, Mklanges and Tbesor de
MUSIQUE.
Tiers Livre des Chansons a quatre cincq
et six parties. . .de nouveau plus correcte-
ment que cy dcuant imprimees & emendees,
conuenables tant aux instrumens comme
a la voix. Superius. Pierre Phalese :
Lovain, 15G2. obi. 4". A. 337. a.
Mellauge d'Orlande de Lassus, contenant
plusieurs Chansons, tant en Vers Latins
qu'en Ryme Francoyse. A Quatre, Cinq,
Six, Huit, Dix Parties. Superius. (Contra.)
(Tenor.) (Bassus.) (Quiuta et Sexta
Pars.) 5 pts. Adrian le Hoy it Robert
Ballard : Paris, 1570. obi. 4".
A. 337. d. (1.)
[Another copy. Bassus.] A. 336. b. (7.)
Wanting the title-page, which has been
supplied in manuscript .
Liure de Chansons Nouuelles a Cine
Parties, auec Deux Dialogues : a Huict,
etc. Superius. (Contra.) (Tenor.) (Bassus.)
(Quinta Pars.) 5 pts. Adrian le Roy d
Robert Ballard : Paris, 1511. obi. A".
A. 337. d. (2.)
[Another copy. Bassus.] A. 336. b. (8.)
7^' Imperfect, wanting the title-page.
]\Iellange d'Orlande de Lassus. Contenant
plusieurs chansons, a Quatre parties.
Desquelles la lettre profane a este changee
en spirituelle. Contratenor. P. Haultin :
La Rochellc, 1575. obi. i". A. 337. e.
Les oSIeslanges d'Orlande de Lassus. Con-
tenantz plusieurs Chansons a iiii, v, vi,
VIII, X, Parties : reueuz par luy, et
augmentez. Superius. (Contra.) (Tenor.)
(Bassus.) 4 pts. Adrian le Roy, it Robert
Ballard : Paris, 157G. obi. 4". A. 337. f.
VOL. II.
LASSO (Orlando di) Chansons Nouuelles
a Cine Parties, auec Deux Dialogues : a
Huict, etc. Superius. (Contratenor.)
(Tenor.) (Bassus.) 4 pts. Adrian le Roy,
(£■ Robert Ballard : Paris, 1576. obi. 4".
A. 337. f. (2.)
Thresor de ]\Iusique d'Orlande de Lassus,
contenant ses Chansons a quatre, cinq &
six parties. Superius. [Pierre de Saint-
Andrd : Paris,] 1576. obi. 4".
A. 337. h.
Liure de Chansons a Cine Parties : auec
Deux Dialogues : a Huit. Superius.
Adrian le Roy, d Robert Ballard : Paris,
1581. obi. 4". A. 337. i.
Meslanges de la IMusique d'Orlande de
Lassus. A 4. 5. 6. & 10 parties. Superius.
Adrian le Roy cO Robert Ballard : Paris,
1586. obi. 4°. A. 337. j.
La Fleur dcs Chansons d'Orlande de
Lassus . . . Contenant vn Eecueil de ses
Chansons Francoises, & Italiennes, a
Quatre, Cine, Six & Huit parties, accom-
modees tant aux Instrumens comme a la
Voix : Toutes niises en ordrc conucnable
selon leurs Tons. Superius. (Contratenor.)
(Quinta et sexta pars.) 3 pts.
Chez Pierre Phalese, cC chcz Jean Bellere :
Anuers, 1592. obi. 4". A. 337. b.
Le Thresor do Musique d'Orlande de
Lassus. . .Contenant ses chansons Fran-
coises, Italiennes, & Latines, a quatre,
cinq & six parties : Keueu & corrige . . .
en ceste troisicme Edition. Contra Tenor.
[Pierre de Saint-Andri : Paris,]
1594. obi. 4°. A. 337. g.
La Fleur des Chansons d'Orlande de
Lassus a Quatre, Cinq, Six et Huit
Parties, etc. Superius.
De V Imprimcric de Pierre Phalese :
Anuers, 1596. obi. i". A. 337. c.
Imperfect, wanting pp. 45-49.
Continuation du Melange d'Orlande do
Lassus. A 3. 4. 5. 6 & 10 parties. Su-
perius. Adrian le Roy, tO la veufuc
R. Ballard, 1596. ohl. 4". A. 337. k.
See Chansons. — 2. — Disieme Liure de
Chansons a quatre parties, d'Orlande de
lassus & autres, etc. 1570. obi. 16".
K. 2. b. 4. (9.)
See Chansons. — 2. — Dousieme Liure de
Chansons a quatre & cinq parties,
d'orlande de lassus & autres autheurs, etc.
1569. obi. 16". K. 2. b. 4. (11.)
See Chansons. — 2. — Tresieme Liure do
Chansons a quatre parties, d'Orlande de
lassus & autres, etc. 1570. obi. 16".
K. 2. b. 4. (12.)
See Chansons. — 2. — Quatorsieme Liure
de Chansons, a quatre, & cinq parties,
d'Orlande de lassus, & autres, etc.
1571. obi. 16". K. 2. b. 4. (13.)
C
18
LASSO
LASSO (Orlando di) Sec Chansoks.— 2.—
Quiuziemc Liure de Chansons, a quatrc,
cinq, & six parties, d'Oiiandc de lassus,
& autres, etc. 1571. obi. 16".
K. 2. b. 4. (14.)
See Chansons.— 2.— Sesieme Livie clo
Chansons a quatre & cinq parties
d'Orlande de Lassus, & autres, etc.
1573. obi. 16^ K. 2. b. 4. (15.)
See Chansons. — 2.— Dixsetieme Liure de
Chansons a quatre & cinq parties,
d'Orlande de lassus, etc. 1570. obi. 16°.
K. 2. b. 4. (16.)
iSee Chansons. — 2. — Dixhuictieme Liure
de Chansons a quatre & cinq parties,
d'Orlande de lassus, etc. 1570. obi. 16^
K. 2. b. 4. (17.)
See Chansons.— 2.— Dix ueufieme Liure
de Chansons a quatre & cinq parties,
d'Orlande de lassus, & autres, etc.
1570. obi. 16°. K. 2. b. 4. (18.)
Sec Chansons. — 2. — Vingtieme Liure de
Chansons, a quatre, cinq, & six parties,
d'Orlande de lassus, etc. 1571. obi. 16".
K. 2. b. 4. (19.)
See Chansons. — 4. — Le Quatoirsiesme
Liure a quatre parties contenant Dix
Huyct Chansons Italiennes, Six chansons
francoises, & Six Motetz. faictz (a la
Nouuelle composition d'aucuns d'ltalie)
par Rolando di Lassus, etc.
1555. obi. 4". K. 3. a. 13.
2. 1\Iadrigals and Villanelles.
Di Orlando di Lassus il Primo Libro di
IMadrigali a cinque Voci, uouamente per
Antonio Gardano ristanipato. Cantus.
(Altus.) (Tenor.) (Bassus.) (Quintus.)
5 pts. A^JiJiTsso di Anto)Lio Gardano :
Venetia, 1557. obi. 4°. A. 338.
Di Orlando di Lassus il Secondo Libro
di Madrigali a cinque Voci, Nouamente
per Antonio Gardano stampato. Canto.
(Alto.) (Tenore.) (Basso.) (Quinto.)
5 pts. Apprcsao di Antonio Gardano :
Venetia, 1559. obi. 4°. A. 338. a.
This work also contains madrigals by
A. Barre, Viduc and P. Animuccia.
Di Orlando di Lassus il Primo Libro di
INIadrigali a Quatro uoci Nouamente per
Antonio Gardano Ristampati, etc. Basso.
Aprcsso di Antonio Gardano: Venetia,
1565. obi. 4°. A. 338. f.
Di Orlando di Lassus il Secondo Libro de
]Madrigalli a Cinque Voci, Nouamente
ristampati. Quinto.
Apprcsso Girolamo Scot to : Vincgia,
1573. 4°. D. 20. b.
Libro de Villanelle, Moresche, et altre
Canzoni, a 4. 5. 6. & 8. voci, etc. Alto.
Per Pictro Phulcsio & Giovanni Belle ro :
Ativersa, 1582. obi. 4°. A. 337.
LASSO (Orlando di) Di Orlando Lasso
. . .11 Quarto Libro de Madrigali a Cinque
Voci, Nouamente . . . ristampati. Canto.
(Alto.) (Tenore.) (Basso.) (Quinto.) 5 pts.
Ap>p)resso Angela Gardano : Venetia,
1584. obi. 4«. A. 338. b.
Di Orlando di Lassus II Primo Libro de
Madrigali a Quatro Voci Nouamente...
ristampati. Canto. (Alto.) (Tenore.)
(Basso.) 4 pts. Apprcsso
Giacomo Vincenci d Bicciardo Amadino
Compagni : Venetia, 1584. obi. 4".
A. 338. e.
TJds work contains compositions by
Lasso, G. Lochcmburgo, G. D. di
Nola, F. Bosselli and C. Porta.
]\Iadrigali : a Quattro, Cinque et Sei
Voci, novameute composti, etc. Tenor.
In officina typograpliica Catharinw
GerlacUiiv : Noribcrgae, 1587.. obi. 4°.
A. 338. c.
Di Orlando di Lassus il Primo Libro di
Madrigali a Quattro Voci, Nouamente. . .
Ristampati. Alto. (Basso.) 2 pts.
Apprcsso Antjelo Gardano: Venetia,
1592. obi. 4°. A. 338. d.
See Gardano (Angelo) Musica di Tredici
Autori. . .Nella quale si contengouo . . .
Madrigali. . .delli infrascritti Autori. . .0.
di Lassus, etc. 1589. 4°. K. 3. g. 11.
See Prima Stella. Prima Stella. De
Madrigali. . .Di Orlando Lasso, etc.
1570. 4°. D. 13.
3. ]Magnificats.
Magnificat Octo Tonorum, Sex, Quinque,
et Quatuor Vocum, nunc primum excusa,
etc. Altus. (Tenor.) (Bassus.) (Va-
gaus.) 4 pts.
Apud Thcodoricmn Gerlatzcmim, in
officina loannis Montani pi;e mcinori;i' :
Noribergn; 1567. obi. 4°. A. 339.
Beatissimse Virginis JMaritc Octo Cantica
Modis Tonorum octo quaternisque voci-
bus distincta. Adiectis adhsec duplici
Salve Regina. IMissa Quinti toni. Veni
Creator. Te Deum laudamus. Adoramus
te Christe. 3. & 4. voc. & Tibi Laus, etc.
Tenor. A2>ud Adrianum le Boy, tfi
Bobcrtuvi Ballard : Lutetve Parisiormn,
1586. 4". D. 20. f. (6.)-
4. Masses.
a. Collections.
b. Single Works.
a. Collections.
Missffi Orlandi Lassi cum Quinque et Sex
Vocibus canende, nuperrimc impresse, etc.
Sextus. Apud Angelum Gardanum :
Venetijs, 1591. 4". D. 20. a
Orlandi de Lasso. . .Missae Posthumae,
Ritu Veteri Romano Catholico, in Modos
qua Senos, qua Octonos temperatse. Hac-
tenus ineditse ; et omnium, quas edidit,
LASSO
19
lectissimfe : vulgatse denium affectu,
studio sumtu superstitis filij Rudolphi di
Lasso, etc. Ex typorji-aphcio musico
Nicolai Henrici : Monad, 1610. fol.
K. 9. b. e.
b. Single Works.
Missa. Ad Imitationem JNIoduli Beatus
qui intelligit. . .cum sex vocibus.
Apud Adiiamim h Roy, iC
Bobertum Ballard : Lutctiac, 1587. fol.
K. 9. b. 9. (4.)
Missa ad Imitationem ^loduli Credidi. . .
cum quinque vocibus. Ex Officina
Petri Ballard : Lutctiac, 1G08. fol.
K. 10. b. 1. (16.)
[Auotber copy.] K. 10. b. 2. (2.)
j\Iissa. Ad Imitationem ^Moduli Dixit
Joseph . . . cum sex vocibus. Ex Officina
Petri Ballard : Lutctiie, 1607. fol.
K. 9. b. 9. (1.)
Missa. Ad Imitationem ^loduli In die
tribulationis . . . cum quinque vocibus.
Ex Officina Petri Ballard : Lutcthe,
1007. fol. K. 10. b. 2. (1.)
Missa. Sex Vocum. Ad Imitationem
Moduli In Te Domine speraui, etc.
Ex Officina Petri Ballard : Parisiis,
1613. fol. K. 9. b. 9. (2.)
INIissa Quatuor Vocum ad Imitationem
Moduli, lager, etc. Ex Officina Christo-
phori Ballard : Parisiis, l6'87. fol.
K. 10. b. 1. (15.)
Missa. Ad Imitationem Moduli Locutus
sum. . .Cum sex vocibus. Apud Adrianmn
le Roy, (& Robcrtum Ballard: Lutetiac,
1587. fol. K. 9. b. 9. (3.) ;
Missa. Quinque Vocum. Ad Imitationem
jNIoduli Sydus ex claro, etc. Ex Officina
Petri Ballard : Lutetix, 1614. fol.
K. 10. b. 2. (3.)
Missa super Standomi uu giorno.
,sV« Baccusi (I.) Hippolyti Baccusii
IMissarum . . . Liber Primus . . . Missa
(super) Standomi vn giorno (di Orlando).
1570. 4\ D. 30.
5. Motets, uxder various titles.
a. Jeremise Lamentationes.
b. Lectioues (Quiritationes) Sacrae.
c. jMagnum Opus ^Musicum.
d. Moduli.
e. Motets.
f. Sacrse Cantiones.
i. Books 1-8.
ii. Other Editions.
g. Selectissima; Cantiones.
a. Jeremise Lamentationes.
Hieremiae Prophetae Lamentationes, et
alite Pise Cantiones : nunquam antehac
visae. Ab ipso autore . . . recens . . .
compositre, & in lucem. . .editse. Quin-
que Vocum. Discantus. (Altus.) (Bassus.)
(Quinta Vox.) 4 pts. Adamus Berg :
Monachii, 1585. obi. 4°. A. 332.
LASSO (ORLA^-o di) leremiae Prophetse
. . . Lamentationes, una cum Passione
Domini Dominicse Palmarum, quinque
vocum, etc. Tenor. Apud Adrianiim
le Roy, d- Robertum Ballard: Luteti!>'
Parisiorum, 1586. 4". D. 20. f. (8.)
Imperfect, containing 11 leaves only,
much mutilated.
b. Lectiones (Quiritationes) Sacrse.
Sacrtfi Lectiones Nouem ex Propheta lob,
Quatuor Vocum. Discantus. (Altus.)
(Tenor.) (Bassus.) 4 pts. Apud
Theodoricum Gerlatzcmim, in ^ Officina
loannis Montani pi;e mcmoriiv : Noribergn',
1567. obi. 4". A. 331.
Nouem Quiritationes Diui lob. Quaternis
Vocibus . . . modulatiB, etc. Superius.
(Tenor.) (Contratenor.) (Bassus.) 4 pts.
Apud Adrianum le Roy, cC Robertum
Ballard : [Paris,] 1572. obi. 4\
A. 336. a. (7.)
[Another copy. Bassus.] A. 336. b. (6.)
Wanting the title-page.
Lectiones Sacrte Nouem, ex Libris Hiob
excerpts?, Musicis Numeris iam recens
compositae, nee non aliec nonnuUte pitc
Cantiones, omnibus qui tam viute vocis
quam Instrumentorum ]\Iusicorum cantu
non imperite vtuntur, apprime accom-
modfc. Quatuor Vocum, etc. Discantus.
(Altus.) (Bassus.) 3 pts. Adamus Berg :
Monuchij, 1582. obi. 4\ A. 331. a.
Nouem Quiritationes Diui lob, bis quidem,
sed diuersis raodis Icntiorique concentu
quaternis vocibus modulantes . . . Adiectis
(]uibusdam ex officio DefEunctorum Re-
sponsorijs. Tenor. Apud Adrianum
le Roy, (t Robertum Ballard: Lutetin-
Parisiorum, 1587. 4". D. 20. f. (7.)
c. IMagnum Opus Musicum.
Magnum Opus IMusicum Orlandi dc Lasso
. . ."Complectens Omnes Cantiones quas
]\Iotetas vulgo vocant, tam antea editas
quam hactenus uondum publicatas ii. in.
IV. v. VI. VII. iix. IX. X. XII. vocum.
A Ferdinando...& Hudolpho. . .Authoris
filijs . . . collectum, etc. Cantus. (Altus.)
(Tenor.) (Bassus.) (Quinta Vox.) (Sexta
Vox.) 6 pts. Ex typographia Nicolai
Henrici : Monachii, 1604. fol. G. 121.
d. Moduli,
iloduli Quinis Vocibus Nunquam Hac-
tenus Editi i\Ionachii Boioarite compositi,
etc. Superius. (Contratenor.) (Tenor.)
(Bassus.) (Quinta Pars.) 5 pts.
Apud Adrianum le Roy, it
Robertum Ballard : Luteti;r Parisiorian,
1571. obi. i". A. 337. d. (3.)
[Another copy. Superius. (Contratenor.)
(Bassus.) (Quinta Pars.)] 4 pts.
A. 336. a. (3.)
[Another copy. ■ Bassus.] A. 336. b. (3.)
20
LASSO
LASSO (Orlando di) Moduli Quatuor et
Octo Vocum, etc. Superius. (Contra,)
(Bassus.) 3 pts.
Ajmd Adrianum le Roy, &
Robcrtum Ballard : Lutctin' Farisiorum,
1572. obi. 4". A. 336. a. (4.)
[Another copy. Bassus.]
A. 336. b. (4.)
Imperfect, wanting the title-xmge, lohicli
]ias been supplied in manuscript.
Tertius Liber Modulorum, Quinis Vocibus
constantium, etc. Superius. (Contra.)
(Tenor.) (Bassus.) (Quinta Pars.) 5 pts.
Apud Adrianum le Roy &
Robertum Ballard : Ltitetin' Parisiorum,
1573. obi. 4». A. 336. a. (2.)
[Another copy. Bassus.] A. 336. b. (2.)
Imperfect, ivanting the titlc-piagc, which
has been supplied in manuscript.
Moduli Sex Septem et Duodecim Vocum,
etc. Superius. (Contra.) (Bassus.)
(Quinta Pars.) 4 pts, Apud Adrianum
le Roy, (£ Robertum Ballard : Lutcti;v
Parisiorum, 1573. obi. 4°.
A. 336. a. (5.)
[Another copy. Bassus.] A. 336. b. (5.)
]\Ioduli nondum prius editi Monachii
Boioarise Ternis Vocibus . . . Compositi.
Superius. (Tenor.) (Bassus.) 3 pts.
Apud Adrianum le Roy, £
Robertum Ballard : Lutetiiv Parisiorum,
1576. obi. 4°. A. 336. d.
Moduli. Quatuor 5. 6. 7. 8. et Nouem-
Vocum, etc. Superius. (Contra.) (Bassus.)
(Quinta Pars.) 4 pts. Apud Adrianum
le Roy, cC Robertum Ballard : Lutetin'
Parisiorum, 1577. obi. 4".
A. 336. a. (6.)
Moduli Quatuor et Octo Vocum, etc.
Tenor. Ajjud Adrianum le Roy, d-
Robertum Ballard : Lutetiiv Parisiorum,
1588. 4". D. 20. f. (4.)
Moduli Quinque Vocum, etc. Tenor.
Apud Adrianum le Roy, d-
Robertum Ballard : Lutcti;e Parisiorum,
1588. 4". D. 20. f. (2.)
]\roduli Sex Vocum, etc. Tenor. Apud
Adrianum le Roy, d Robertum Ballard :
Lutetiiv Parisiorum, 1588. 4".
D. 20. f. (3.)
e. Motets.
Di Orlando di Lassus il primo libro de
mottetti a cinque & a sei voci nuouamente
posti in luce. Superius. Per loanne
Latio : Anucrsa, 1556. obi. 4". A. 330.
Orlandi de Lasso . . . Liber Mottetarum,
Trium Vocum, Quse cum Viuse Voci, turn
omnis generis Instrumentis IMusicis . . .
applicari possunt . . . nunc primum in
lucem eeditse. Superius. Excudebat
Pctrus Phalcsius, sibi d loanni Bcllcro :
Louanii, 1575. obi. 4". A. 330. a.
LASSO (Orlando di) Mottetta, Sex
Vocum, typis nondum uspiam excusa...
Quibus tam voces humanie, quam cuiusuis
generis Instrumenta IMusica concentu...
applicari possunt, etc. Discantus. (Altus.)
(Tenor.) (Bassus.) (Quinta (Sexta) Vox.)
6 pts. Adamzis Berg : Monachij,
1582. obi. 4". A. 334. 1.
Mottetti et Ricercari ... a Due Voci,
Nouameute . . . llistampati. Libro Primo.
Canto. (Alto.) 2 pts. Appresso Angela
Gardano : Venetia, 1585. obi. 4".
A. 330. b.
Pp. 7, 8 of the Canto part are wanting.
f. Sacree Cantiones.
i. Books 1-8.
Orlaudi Lassi Sacrae Cantiones . . . Quinque
Vocum, Tum viua voce, Turn omnis gen-
eris instrumentis cantatu commodissimse.
Liber Primus. Altus. Apud Angelum
Gardanum : Venctijs, 1586. obi. i".
A. 334. j. (1.)
Liber Primus. Cantiones Sacrse Mag-
nificat vocant V. et vi, Vocum . . . His
accesserunt quatuor ab . . . Ferdinando
de Lasso compositse, jam primum in
lucem editse. Discantus. (Altus.) (Tenor.)
(Bassus.) (Quinta Vox.) (Sexta Vox.)
6 pts. Nicolaus Henricus : Monachii,
1602. fol. K. 2. i. 14.
Orlandi Lassi Sacras Cantiones. . .Quinque,
et Sex Vocuni, Tum viua Voce tum omnis
generis Instrumentis cantatu commodis-
sime. Liber Secundus. Altus.
Apud Angelum Gardanum: Venetijs,
1584. obi. 4". A. 334. j. (2.)
Orlaudi Lassi Sacrae Cantiones . . . Quinque,
et Sex Vocum, Tum viua voce tum omnis
generis Instrumentis cantatu commodis-
simse. Liber Tertius. Cantus. (Altus.)
(Tenor.) (Bassus.) (Quiutus.) 5 pts.
A2)ud Angelum Gardamim : ^'cnctijs,
1578. obi. 4". A. 334. m.
Orlandi Lassi Sacrae Cantiones . . . Quinque,
et Sex Vocum, Tum viua voce tum omnis
generis Instrumentis cantatu commodis-
sim^. Liber Tertius. Altus.
A2}ud Angelum Gardanum : Venetijs,
1587. obi. 4". A. 334. j. (3.)
Orlandi Lassi Sacrae Cantiones . . . Sex et
Octo Vocum, Tum uiua Voce, Tum omnis
generis Instrumentis cantatu commodis-
simffi. Liber Quartus. Altus.
Apud Antonium Gardanum : Venetijs,
1569. obi. 4^ A. 334. j. (4.)
Orlandi Lassi Sacrae Cantiones . . . Sex et
Octo Vocum, Tum Viua Voce, Tum omnis
generis Instrumentis cantatu commodis-
simae. Liber Quartus. Altus.
Apud Angelum Gardanum : Venetijs,
1579. obi. 4". A. 334. n.
LASSO
21
LASSO (Orlasdo di) Orlandi Lassi Sacvse
Cantiones. . .Quinque Sex et OctoYocum,
Turn uiua Voce, turn omnis generis
Instrumetis cfitatu comodissimse. Liber
Quiiitus. Altus. Apud Antonium
Gardanum : Venetijs, 1569. obi. 4".
A. 334. j. (5.)
Orlandi Lassi Sacrse Cantiones. . .Quinque
Vocum, Turn viua voce turn omnis generis
Instrumentis cantatu commodissimse.
Liber Sextus. Altus.
Apud Angelum Gardanum : Venetijs,
15S6. obi. 4". A. 334. j. (6.)
Orlandi Lassi Sacrse Cantiones . . . Quinque
Vocum, Tum viua Voce Tum omnis gen-
eris Instrumentis cantatu commodissimae.
Liber Septimus. Altus.
Apud Angelum Gardanum : Venetijs,
1584. oU. 4°. A. 334. j. (7.)
Orlandi Lassi Sacrse Cantiones . . Sex
Vocum, Tum Viua Voce, Tum omnis gen-
eris instrumentis cantatu commodissimse.
Liber Octauus. Altus.
Apud Angelum Gardanum : Venetijs,
15S4. obi. 4". A. 334. j. (8.)
ii. Other Editions.
Sacrae Cantiones Quinque Vocum, tum
Viua Voce, tum omnis generis instrumentis
cantatu commodissimse. Discantus. (Al-
tus.) (Tenor.) (Bassus.) (Vagans.) 5 pts.
Impressum
in Officina Typographica Ulrici Ncuberi :
Norinbergx, 1569. obi. 4°. A. 334. i.
Cantiones Aliquot Quinque Vocum, tum
Viua Voce, tum omnisgeneris instrumentis
cantatu commodissimse. lam primiim
in lucem. . .editae, etc. Discantus. (Al-
tus.) (Tenor.) (Bassus.) (Quinta Vox.)
5 pts. Adamus Berg : Mondci,
1569. obi. 4°. A, 334.
Viginti Quinque Sacrse Cantiones, Quinque
Vocum, tum Viua Voce, tum omnis gen-
eris instrumentis cantatu commodissimse,
etc. Discantus. (Altus.) (Tenor.) (Bassus.)
(Quinta Pars.) 5 pts.
Ap>ud Theodoricum Gerlatzemim,in officina
loannis Montani pix memorix : Noriberga',
1570. obi. 4°. A. 334. k.
Selectiorum Aliquot Cantionum Sacrarum
Sex Vocum fasciculus, adiunctus in fine
tribus Dialogis octo vocum, Quorum nihil
adhuc in lucem est editum, etc. Discantus.
(Altus.) (Tenor.) (Bassus.) (Quinta Vox.)
(Sexta Vox.) 6 pts. Adamus Berg :
Monachij, 1570. obi. 4\ A. 334. a.
[Another copy.] 6 pts. A. 334. b.
Fasciculus Aliquot Cantionum Sacrarum,
Quinque Vocum, nunc primum in lucem
editus, etc. Discantus. (Altus.) (Tenor.)
(Bassus.) (Quinta Pars.) 5 pts.
Adamus Berg : Monachij, 1572. obi. 4'\
A. 336. e.
LASSO (Orlando di) Sex Cantiones
Latinse Quatuor, adiuncto Dialogo Octo
Vocum. Sechs Teutsche Lieder mit vier,
sampt einem Dialogo mit 8. stimmen.
Six chansons Francoises nouuelles a quatre
voix, auecq vn Dialogue a huict. Sei
Madrigali nuoui a quatro, con vn Dialogo
a otto voci. Summa diligentia compositse
...& nunc primum in lucem seditse, etc.
Tenor. Adamus Berg : Monachij,
1573. obi. i". A. 334. e.
Cantiones Orlandi di Lassus : Selectee in
vsuni Argentoratensis Academise. Sex
vocum. Altus. (Tenor.) (Sexta Vox.)
3 pts. Nicolaus Wyriot : Arqentorati,
1580. obi. 8". K. 1. c. 23.
At the end of each part are MS. Can-
tiones in a contemporary handwriting ,
Sacrse Cantiones, Quinque Vocum, Quse
cum Viuse Voci, tum omnis generis in-
strumentis musicis commodissime appli-
cari possunt. Opus plane nouum, nunquam
alijs Typis excusum, etc. Discantus. (Al-
tus.) (Tenor.) (Bassus.) (Quinta Vox.)
5 pts. Adamus Berg : Monachij,
1582. obi. 4\ A. 334. d.
Orlandi Lassi . . . Fasciculi Aliquot
Sacrarum Cantionum cum quatuor,
quinque, sex & octo vocibus, antea
quidem separatim excusi, nunc vero
auctoris consensu in unum corpus re-
ducti. Altus. (Tenor.) (Bassus.) (Quinta
Vox.) (Sexta Vox.) 5 pts.
In Officina Gerlachiana : Koribergae,
1582. obi. 4\ A. 334. e.
j Wanting the last leaves of the Altus and
Tenor parts.
Cantica Sacra, recens numeris et modulis
musicis ornata, nee uUibi antea typis
I euulgata. Sex et Octo Vocibus, etc.
Discantus. (Altus.) (Tenor.) (Bassus.)
I (Sexta Vox.) 5 pts. Adanms Berg :
Monachii, 1585. obi. 4°. A. 334. h.
Orlandi Lassi . . . Sacrse Cantiones : antehac
1 uunquam nee visas nee typis uspiam
j excusae. Quatuor Vocum. Recens...
j compositse, & in lucem. . .editse. Dis-
cantus. (Altus.) (Tenor.) (Bassus.) 4 pts.
I Adamus Berg : Monachii, 1585. obi. 4°.
A. 334. g.
I Sacrarum Cantionum Moduli Quatuor
Vocibus Contexti, etc. Tenor.
1 Apud Adrianum le Boy, <& Eobertum Bal-
lard : Lutetise Parisioncm, 1587. 4°.
I D. 20. f. (1.)
I [Orlandi Lassi. . .Fasciculi Aliquot Sac-
I rarum Cantionum cum Quatuor, Quinque,
I Sex & Octo Vocibus, etc. Bassus.]
\In Officina Gerlachiana: Norbergae,
1589.] obi. 4°. _ A. 334. f.
Imperfect, luanting the title-page.
Nouse aliquot et ante hac non ita usitatse
ad duas voces Cantiones suavissimse,
00
LASSO
omnibus Musicis summi; vtiles . . . Summa
diligentia correctoe, & nunc primum in
lucem editpe. Cantus. (Bassus.) 2 pts.
Thomas Este : Londini, 1598. 4°.
K. 3. m. 9.
Imperfect, ivanting fol. C. and Cii. of
the Bassiis imrt, which have been re-
placed by the corresponding leaves of
the Cantus.
g. Selectissimae Cantiones.
Selectissimsecantiones, quasvulgo Motetas
vocant, partim omnino nouae, partim uus-
quana in Germania excusae, Quinque et
Quatuor Vocibus compositae, etc. Dis-
cantus. (Altus.) (Tenor.) (Bassus.)
(Vagans.) 5 pts. Apud Thcodoricum
Gerlatzenum, in Officina loannis Montani
vix memorix : Noribergie, 1568. obi. 4°.
A. 333.
[Another copy. Altus. (Bassus.) (Vagans.)]
3 pts. A. 333. a.
SelectissiniEe Cantiones, quas Vulgo ]\Iote-
tas vocant partim omnino noute, partim
nusquam in Germania excusae, Sex & pluri-
bus uocibus compositae, etc. Discantus.
(Altus.) (Tenor.) (Bassus.) (Quinta (Sexta)
Vox.) 6 pts. Apud Theodoricum Gerlat-
zenum, in Officina loannis Montani pi%
mem&risi : Norimbergx, 1568. obi. 4°.
A. 333. b.
The Discantus alone has the spelling
' Norimbergse ' : the other parts have
' Noribergii'.' The tvoirls ' Quatuor,
Quinque, Sex & pliiribus uocibus '
are added incorrectly to the title of
the Tenor part.
[Another copy. Bassus.] A. 333. c.
Altera Pars Selectissimarum Cantionum,
Quas Vulgo jMotetas Vocant, Quinque et
Quatuor Vocibus . . . Aucta & restituta,
etc. Discantus. (Altus.) (Tenor.) (Bassus.)
(Quinta A^ox.) 5 pts. In officina typo-
graphica Catliariniv Gerlachix : Noribergse,
1587. obi. 4°. A. 333. d. (2.)
[Another copy. Altus. (Tenor.) (Bassus.)
(Quinta Pars.)] 4 pts. A. 333. e.
Selectissimpe Cantiones, quas uulgo IMote-
tas vocant, partim omnino noute, partim
nusquam in Germania excusae. Sex & pluri-
bus vocibus compositae. . .Posteriori huic
editioni accessere omnes Orlandi Motette,
quse in veteri nostro Thesauro j\Iusico
impressfe contiuebantur, cum . . . aliis . . .
Omnia denuo multo quam antehac cor-
rectius edita. Discantus. (Altus.) (Tenor.)
(Bassus.) (Quinta Vox.) (Sexta Vox.) 6 pts.
In officina typographica Catharinee Ger-
lachix : Noribergx, 1587. obi. 4°.
A. 333. d. (1.)
The Discantus is imperfect, ivanting pp.
4 and 5, ivhich have been supplied in
manuscript.
LASSO (Orlando di)
6. Opus Musicum.
Tertium opus Musicum, continens Lec-
tiones Hiob et Motectas sen Cantiones
Sacras, Quatuor, Quinque et Sex Vocum,
antea quidem tribus fasciculis seorsim
excusas, nunc vero in volumen unum re-
dactas . . . Additse sunt . . . aliquot pite Fer-
dinandi Lassi cantilense, nunc primum in
lucem editffi. Altus. (Bassus.) (Quinta
Vox.) (Sexta Vox.) 4 pts.
Li officina typographica Cathcirinae Ger-
lachix : Noriberg;e, 1588. obi. 4°.
A. 331. b.
[Another copy. Quinta Vox.]
A. 331. e.
7. Pateocinium Musices.
Patrocinium Musices. Orlandi de Lasso
. . .Cantionum, quas Mutetas vocant, Opus
Novum. Prima Pars. . .D. Guilhelmi. . .
Bavarise Ducis liberalitate in lucem editum .
Adamus Berg : Monachij, 1573. fol.
K. 9. b. 1.
Patrocinium Musices. Orlandi de Lasso
. . . Cantionum Quatuor, Quinque & Sex
Vocum, quas IMutetas vocant. Opus nouum,
etc. Superius. (Contratenor.) (Tenor.)
(Bassus.) [Quinta & Sexta Pars.] 5 pts.
Cornelius Phalcsius : Louanii,
1574. obi. 4°. A. 339. a.
Imperfect, ivanting the title-page and pp.
9-13 of the Quinta et Sexta Pars.
Patrocinium IMusices. Orlandi de Lasso
. . . Missae aliquot Quinque Vocum. Se-
cunda Pars . ' . D. Guilhelmi . . . Bavariae
Ducis liberalitate in lucem editum.
Adamus Berg : Monachij, 1574. fol.
K. 9. b. 2.
Patrocinium Musices. Orlandi de Lasso
. . . Passio quinque vocum : Idem Lec-
tiones lob, & Lectiones Matutinae de
Natiuitate Cbristi, quatuor vocum. Quarta
Pars...D. Guilhelmi ... Bavariae Ducis,
liberalitate in lucem editum.
Adamus Berg : Monachij, 1575. fol.
K. 9. b. 4.
Patrocinium Musices. Orlandi de Lasso
. . .Magnificat aliquot, Quatuor, Quinque,
Sex, & Octo vocum. Quinta Pars . ._.
D. Guilhelmi. . .Bavariffi Ducis, liberali-
tate in lucem editum. Adamus Berg :
Monachij, 1576. fol. K. 9. b. 5.
Patrociuium Musices. Orlandi de Lasso
. . . Officia aliquot, de Praecipuis Testis
Anni, 5. Vocum, nunc primum in lucem
editae. Tertia Pars...D. Guilhelmi...
Bavariae Ducis, liberalitate in lucem
editum. Adamus Berg : Monachij,
1588. fol, K. 9. b. 3.
Patrocinium Musices. Beatissimte, Dei-
paraqj virginis Marite canticum INIagnifi-
cat. Quattuor, quinqj, & sex vocibus, ad
LASSO— LATES
23
imitationem cantileDaruni quarundam,
singular! coucentus hilaritate excellen-
tium, etc.
Aimd Adaminn Berg : Monachij,
1587. fol. K. 9. b. 7.
^lissse aliquot
Adanuis Berg :
K. 9. b. 8.
Patrocinium ^Musices.
Quinque Vocum, etc.
Monacliii, 1589. fol.
8. Psalms,
Psalmi Dauidis Pcenitentiales, Slodis
Musicis redditi, atque antehac nunquam
in Lucem pediti. His accessit Psahnus :
Laudate Dominum de Coelis. Quinque
Vocum, etc. Altus. (Bassus.) (Quinta Vox.)
3 pts. Adanius Berg : Mo)inchii,
1584. obi. 4\ A. 329.
[Another copy. Altus.] A. 329. a.
Cinquante Pseaumes de Dauid, auec la
musique acinq parties d'Orlande de Lassus.
Vingt autres Pseaumes a cinq et six
parties, par diuers excellents Musiciens de
nostre temps. Superius. (Contratenor.)
(Tenor.) (Bassus.) (Quinta Pars.) (Sexta
Pars.) G pts. De Vimprimcrie de Jerosvie
Commelin : [Heidelberg], 1597. obi. 4"
K. 2. a. 4.
In addition to Orlando di La.'mo the
following composers are named in this
collection: Pevernage,Maletty, Alfonse
Flores, Gondimel, Faicjnient, Mancnti,
Felis, Macque, Sabin and Baccusy.
9. Teutsche Lieder.
NeweTeutscheLiedlein mitfiinff stimmen,
wiilche gantz lieblicli zu singen vnnd auf!
allerley Instrumenten zugebraucheu. Von
Orlando di Lassus. . .componiert, vnd von
jhm selbst Corrigiert, vnd inn druck ver-
fertiget worden. Discantus. (Altus.)
(Tenor.) (Bassus.) (Die fiinffte stim.)
5 pts. Adam Berg : MiuicJten,
1569. obi. 4°. A. 335.
Orlandi Lassi. . .Teutsche Lieder mit fiinff
Stimmen, zuuor vnterscbiedlich, jetzvmd
aber. . .inn ein Opus zusammen getruckt.
Discant. Durch Katharinam Gerlachin,
iind Jolianns vom Berg Erben : Niir)ibcrg,
1583. obi. 4°. A. 335. a.
Newe Teutsche Lieder, geistlich vnnd
Weltlich, mit vier Stimmen, etc. Tenor.
Gedruckt . . .bey Catharina Gerlachin :
Nilrmberg, 1589. obi. 4». A. 335. c.
Imperfect, icanting all after fol. d 4.
Orlandi Lassi . . . Teutsche Lieder mit
fiinff Stimmen, zuvor vnterscbiedlich,
jetzund aber... in ein Opus zusammen
getruckt. Discant. (Altus.) (Tenor.)
(Bass.) (V. Stim.) 5 pts.
Gedruckt clurcli Catharinie Gerlachin
Erben : Niirnberg, 1593. obi. 4".
A. 335. b.
LASSO (Orlando di) and (Rodolfo di)
Cantiones Sacrse, ab Orlando de Lasso et
I huius Filio, Rudolpho de Lasso, Sex
Vocibus Compositse, Typis iam primo
subiectae & in lucem editse. Discantus.
1 Nicolaus Henricus : Monachii, 1601. 4°.
D. 20. e.
LASSO (Rodolfo di)
{ .SVe Lasso (0. di)— 5. c. — IMagnum Opus
I Musicum Orlandi de Lasso ...a Ferdinando
... & Rudolpho . . . Autboris filijs . . . CoUec-
tum, & impensis eorundem Tj'pis manda-
tum, etc. 1604. fol. G. 121.
See Lasso (0. di)— 4. a.— Orlandi de Lasso
. . . jMissae Posthumae . . . vulgatse demum
affectu, studio sumtu . . . Rodolphi de
Lasso, etc. 1610. fol. K. 9. b. 6.
See Lasso (0. di) and (R. di). Cantiones
Sacrse, ab Orlando de Lasso et huius
Filio, Rudulpho de Lasso. . .Composite,
etc. 1601. 4\ D. 20. e.
LASSUS. See Lasso.
LASSUSIUS. See Lasso.
LAST. Last Night a Dream came into
my Head. The Comical Dreamer. [Song,
written by T. Durfey.] \London,
1715?] s.sh.lol. H. 1601. (265.)
The Last Shilling. [Song.]
^ee Dibdin (C.) [Torn WilUns.']
Last Valentine's Day. Black Sloven,
A New Song. [London, 1771.] 8'.
P.P. 5438. z.
The Universal Magazine, Vol. XLYIII.,
p. 95.
Last Whitsunday they brought me.
Song. ,SVt' Linley (W.) lYortigern.']
LAST OF THE FAMILY. The Last
of the Family. [Comedy.]
See Kelly (M.)
LATE. Late as by Jesse I did sit. Song.
See B., G., Esq.
LATES (Charles) A favorite Sonata
for the Piano-Forte or Harpsichord, etc.
Printed for the Author: London,
[1800?] obi. fol. e. 104. (9.)
LATES (.Tames) Six Solos for a Violin
and Violoncello, with a Thorough Bass
for the Harpsichord. . .Opera Terza.
Printed for C. and S. Thompson:
London, [1775?] fol. g. 422. g. (1.)
Six Sonatas for Two Violins, or a German
Flute and Violin, with a Thorough Bass
for the Harpsichord. Opera Quarta.
Printed for C. d S. Thompson :
London, [1775 ?] fol. g. 449.
Six Trios for a Violin, Violoncello Obligato,
& Bass, with a thorough bass for the
Harpsichord . . . Opera 5. [Separate Parts.]
C. & S. Thompson, for the Author :
London, [1775?] fol. g. 449. a.
24
LATILLA— LAUDI
LATILLA (Gaetano) [Songs in Don
Calascione. Comic Opera, partly by G.
Latilla.] See Delizie. Le Delizie dell'
Opeve,ctc. Vol.6. [1776.] fol. G. 159.
LA TOUR ( de) Ah, que je sens
d'inquietiide ! Air Kouvcau. [Words by
Madame Des Houlieres.] [Paris,
1678.] s. sh. obi. 4". P.P. 4482.
Nouvcaii Mercure Galaiit, Feb., 1678,
1). 86.
LA TOUR (G. D. C. de) Airs de I'lnven-
tion de G. D. C. S"^ de La Tour, de Caen,
sur plusieurs poemes saints et chretiens,
recueillis de diuers auteurs, & diuisez en
trois parties . . . Liure second, a quatre
parties. Superius. Chez Icujiies Mangcant :
Caen, 1593. obi. 8'\ K. 8. i. 14.
LATOUR (T.) In my Cottage near the
Wood. A favorite Song. The Words
. . .by Miss Calcraft. . .The Variations for
the Piano Forte. . .by Mr. Latoar.
Bland & Weller : London, [1800 ?] fol.
G. 796. (21.)
The Rising of the Sun, a Welsh Air,
arranged as a Rondo for the Piano Forte,
etc. Bland d- Weller: London,
[1800 ?] fol. g. 270. j. (18.)
Twelve Favorite Rondos for the Harpsi-
chord or Piano Forte, etc.
A. Bland d Weller : London, ^1796?] fol.
g. 140 (41.)
A New Rondo as Performed by Made-
moiselle Parisot, and Danc'd by ^Madame
Laborie ... in the Favorite Ballet [by
D'Egville and Bossi] of Renaldo and
Leonora, etc. Bland d Weller : London,
[1800.] fol. g. 272. u. (8.)
Three Sonatas for the Piano Forte or
Harpsichord with an Accompaniment for
a Violin and Violoncello . . . Op. 1.
[Separate Parts.] A. Bland £■ Weller :
London, [1796 ?] fol. g. 161. b. (9.)
Two Sonatas for the Piano Forte,. . .with
an Accompaniment for a Flute or Violin
, . .Op. 2. [Separate Parts.]
A. Bland d- Weller: London [1796?] fol.
g. 186. (6.)
Two Sonatas for the Piano Forte. . .with
an Accompaniment for a Flute or Violin
...Op. 3. [Separate Parts.]
A. Bland d Weller : London,
[1796?] fol. g. 186. (7.)
LATROBE (Christian Ignatius) Dies
Ira5 &c., an Ancient Hymn on the Last
Judgment, translated. . .by. . .the Earl of
Roscommon . . . Adapted for the Piano
Forte, and Four Voices. R. Birchall, for
the Author: London, 1199. fol.
G. 503. (5.)
Three Sonatas for the Piano Forte . . . Op.
III. J. Bland, for the Author : Londmi,
[1790?] fol. ■ g. 148. (5.)
LATTRE (Claude Jean de) See Chansons.
— 3. — Tiers. . .Liure des Chansons, etc.
(Sixiesme Liure des Chansons. . .mises en
musicque par ilaistre lehan de Latre, etc.)
1555. obi. 4". K. 3. a. 15.
LAU (Christoph Heinrich) See Rei-
MANN (J. B.) J. B. Reimaus. ..Choral-
buch. . .gestochen und verlegt [with a
preface! von C. H. Lau. [1747.] obi. 4".
^ b. 339.
LAUDI. [I)^ chronological order.'] Libro
Primo delle Laudi Spiritual! da Diuersi
.. .Autovi, etc. 1563. 4'\
See Razzi (S.) K. 8. f. 10.
II Primo Libro delle Laude Spirituali a
Tre Voci, stampata ad iustanza delli...
Padri della Congregatione deUo Oratorio.
(II Secondo Libro delle Laude Spirituali,
etc.) 2 bks. Per Alessandro Gardano :
Roma, 1583. 4". D. 33.
II Terzo Libro delle Laudi Spirituali a
Tre e a Quattro Voci, etc. [Edited by
F. Soto.] Per Alessandro Gardano. Ad
instantia d'lacomo Tornieri, 1588. 4'\
D. 33. a.
Libro delle Laudi Spirituali. Done in
vno sono compresi i Tre Libri gia stampati.
E ridutta la ]\Iusica a piu breuita e facilita :
con r accrescimento delle parole, e con
r aggiunta de molte Laudi nuoue, etc.
[Edited by F. Soto.] Per Alessandro
Gardano, Ad instantia de lacomo Tornieri :
Roma, 1589. 4°. D. 33. b. (1.)
[Another copy.] D. 33. c. (1.)
Lodi denote per uso della Dottrina Christ-
iana. Apprcsso Girolamo Bartoli : Genoa,
1589. 12\ 1354. a. 35. (4.)
II Quarto Libro delle Laudi a Tre et
Quatro Voci, etc. [Edited by F. Soto.]
Apud Ale.vandrum Gardanum. Lnpensis
Ascanij d Hieronymi Donangeli : Roma,
1591. 4". D. 33. b. (2.)
[Another copy.] D. 33. e. (2.)
II Quinto Libro delle Laudi Spirituali, a
tre, & quattro voci. Del Reuerendo P.
Francesco Soto, etc. Apprcsso Vittorio
Baldini : Ferrara, 1598. 4^
D. 33. b. (3.)
Santuario di Laudi . . . Per le feste di
ciaschedun santo, etc. 1609. 4".
See Razzi (S.) 11427. ee. 25.
Laude Spirituali. . .per uso delle Congre-
gazioni di S. Filippo Neri, etc. 1703. 8'\
See CoRTi (S.) A. 191.
Corona di Sacre Canzoni o Laude
Spirituali, etc. 1710. 12°. See Corona.
A. 571.
Laudi Spirituali per la Dottrina Cristiana.
Raccolte da varij Autori, etc. 1722. 12°.
See Santini (P.) 3435. flF. 34.
LAUGH— LAURO
25
LAUGH. Laugh at the Times. [Song.]
See From. From the Hill of Parnassus,
etc. [1763.] s. sh. fol. G. 307. (251.)
A Laugh at the World. [Song.]
See DiBDiN (C.) [The SiJUnx.]
LAUGHING. The Laughing Baccha-
nalian. [Song.] See As. As the Mind is
disturb'd," e/c. [1770?] s.sh.fol.
G. 306. (108*.)
Laughing prohibited. [Song.] See Dibdin
(C.) [.4 Tour to tJie Land's End]
L AUGIER (Marc Antoise) See Rousseau
(J.J.) [Lettre siir la Musiqne Fraru;oise.]
Apologie de la IMusique Franq-oise, etc.
[By M. A. Laugier.^ 1754. 8".
1103. b. 22. (10.)
LAURA. Laura. Ballad [begins : ' Ah
listen to the plaintive Song '].
See PiERCY (H.)
Laura. Sonnet [begins : ' Gentle Zephir
as you kiss ']. Sec Pitman (A.)
Laura. [Song, begins : ' Lovely are the
kindling blushes.'] See Ware (G.)
Laura. [Song.] See Whex. When
beauteous Laura's gentle Voice.
[1778.] s. sh. fol. G. 313. (196.)
Laura forsworn. Ballad.
See Shield (W.)
LAURA ET LENZA. Laura ct Lenza.
Ballet. See Bossi (C.)
LAUREL. The Laurel. [Songs.]
Sec Baildon (J.)
The Laurel and the Willow. Canzonett.
Sec Mozart (W. A.) [SehnsucJit nach
devi Frilhlinge.]
LAUREMBERGIUS (Petrus) Muso-
machia id est Bellum !Musicale. Ante
quinque lustra Belligeratum in gratiam
Er[asmi] Sarrtorii] : nunc denuu institu-
tum a primo ejus auctore Petro Laurem-
bergio, etc. [J. Hallcvord : Rostock,!
1G39. 8". 7896. a. 12^
Musomachia, id est Bellum ^Nlusicale, etc.
[J. Hallcvord : Rostock,] 1612. 8°.
7897. a. 35.
LAURENCINUS, Romamis.
See Besardus (J. B.) Thesaurus Har-
monious diuini Laurencini Romani, etc.
1603. fol. G. 25.
LAURENTIUS [i.e. Johann :Martin], of
Sclinliffis, a Capuchin. Dess ^liranten,
eines Welt- und hoch-verwirrten Hirtens
nach der Ruhseeligen Einsamkeit Wunder-
licher Weeg, etc. David Rauft :
Costantz, 1690. 8". 11517. a. 26. (2.)
IMirantische Maul-Trumel, oder Wohlbe-
denckliche Gegen-Satze boser, und guter
Begirten. . .Mit schonen Sinnbilderen, und
auff eine neue Art anmiithigen ^Melodeyen
geziehrt, dx. Leonhard Parens:
Costanz, 1698. 8°. X1525. df. 16.
LAURENTIUS [i.e. Johann Martin],
^lirantische ^layen-Pfeiff. Oder Maria-
nische Lob-Yerfassung, in welcher Clorus,
ein Hirt, der. . .Mutter Gottes Mariae. . .
anmuthigbesingt . . . ilit schonen Kupffei'u,
und gantz neuen ^lelodeven gezihrt, etc.
Bey J. C. Bencard: DiUingpn, 1692. S\
11517. bbb. 48.
Mirantische Wald-Schallmey, oder : Schul
wahrer Wcisheit, welche einem Jungen
Herrn und seinom Hof-^Ieister . . .in einem
Wald irr-geritten, von zweyen Einsidlern
gehalten worden, etc, David Hautt :
Costantz, 1688. 8". 11517. a. 26. (1.)
Mirantisches Flotlein. Oder Geistliche
Schafferey, in welcher Christus, under
dem Namen Daphnis, die in dem Siinden-
Schlaff vertieffte Seel Clorinda zu einem
bessern Leben aufferweckt, etc. In der
Fiirstl. Bischiiffl. Dnickcret/, Bey D. Hautt :
Costantz, 1G82. 8". '11517. b. 22.
P. F. Laurentii, von Schniiffis. . .Mirant-
isches Fliitlein. . .Yierte Auflage. Darin-
nen alle ]Melodien zu drey Stimmen saint
einem Rittornello auffgesetzet, zugleich
ein Anhang Neuer Liedern, etc.
Bey E. und J. R. Thurnci/sen :
Franckfurt, 1139. 8". 11517. b. 23.
LAURETTE. Laurette. Op^ra-Comiquc.
See Haydn (F. J.) [La Vera Costanza.]
LAURO SECCO. II Lauro Secco. Libro
Primo di ^ladrigali a Cinque Yoci di
Diuersi Autori. Basso. (Quinto.) 2 pts.
Yittorio Baldini : Ferrara, 1582. 4".
D. 156.
Imperfect, wanting fol. A21, .413 and pp.
lS-32oft]ic Basso part. This collection
contains comjjositions by L. Marcnzio,
H. Fiorino, C. Porta, L. Bertani, G.
d'Wert, G. Eremita, L. Liizzaschi, A.
Gabrieli, A. Millevillc, R. Giovanelli,P,
Isnardi, T. Massaini, C. da Correggio,
A. Striggio, A. Zuilo, I. Alberti, P.
Virchi, F. Manara, A. daV Occa, N.
Peruve, V. Fronti, B. Spontone, G. B.
Mosto, G. Belli, H. Vecchi, M. A. In-
gegnieri, A. Stabile, F. Pigna, G.
Bardi and G. di Macque.
LAURO VERDE. II Lauro Yerde,
Madrigali a Sei Yoci di diuersi Autori.
Quinto. Vittorio Baldini :
Ferrara, 1583. 4". D. 155.
This collection contains Madrigals by
L. Maremio, C. Porta, G. B. Luca-
telli, G. dc Macque, F. di Mo7ite, L.
Meldcrt, L. Bertani, A. Orlandini,
G. M. Nanino, G. d'Wert, A. Stabile,
F. Rovigo, L. Luzzaschi, S. da Reggio,
F. Soriano, N. Peruve, R. Giovanelli,
B. Roy, H. Vecchi, A. Trombetti, H.
Fiorino, P. Virchi, A. Milleville, G.
B. Moscaglia, P. Isnardi, J. Corsini,
G. Cavaccio, L. Mira, P. Bellasio, A,
Ruotta and F, Nicoletti,
26
LAURO— LAWES
LAUR.O VERDE. II Lauro Verde.
Madrigali a Sei Voci Comi^osti di Diuersi
Eccellentissimi Musici. Aggiontoui di piu
doi IMadrigali a Otto voci, I'vno d' Ales-
sandro Striggio, & di Gio. Gabrieli. Canto.
(Alto.) (Quinto.) (Basso.) 4 pts.
Axyprcsso I'ictro Phalcsio if- Giouanni
Bcllero : Annersa, 1591. ohl. 4". '*
A. 277. e.
A reprint of the Ferrara edition, with
tioo additions by A. Striggio and
G. Gabrieli.
LAURO (DoMENico) Missse Tres Octonis
Vocibus Decantandffl, Ac omnium instru-
mentorum generis accomodate. Addite
partes infimse pro Organo, etc. Bassus
Primi Chori.
Apud Bicciardum Amadinum : Venctijs,
1G07. 4'\ C. 81.
LAUS. Laus Dei in Ecclesia Sanctorum.
[Psalms.] See. Kobrich (J. J. A. B.)
LAUSKA (Franz Srraphinus) Grande
Sonate pour le Clavecin oi; Piano-Forte. . .
Oeuvre i. CJu's Giinther £ Bijhme :
Havibonrg, [1795.] obi. fol. e. 58. (1.)
Grande Sonate pour le Clavecin ou le
Piano Forte. . .Oeuvre iv. Clu's Giinther
ctBlihmc: llambonrg, [Y!91.] obi. io\.
c. 58. (2.)
Sonate pour le Clavecin ou Piano-Forte . . .
Oeuvre vi. CJiez Giinther et Bohvic :
Hambonrg, [1797.J obi. fol. c. 58. (3.)
Grande Sonate pour le Forte-Piano.
Oiluvre 9. CJie.t J. A. Bohme : Hambonrg,
[1800?] oR fol. e. 284. e. (4.)
Grande Sonate pour le Forte-Piano . . .
CEuvre 10. C7u's J. A. Bohme :
Hambonrg, [ISOO?] obi. fol.
e. 284. e. (5.)
LAVENDER. The Lavender Girl. [Song.]
,SVe Reeve (W.) [Mirth's Mnsenm.]
LA VILLE-SUR-ILLOK" (Bernard
Germain Etienne de) Connt de Laci'jiede.
La Poetique de la Musique, dr. 2 Tom.
De Ulmprimeria de Monsienr : Paris,
1785. 8". 1042. h. 13.
La Poetique de la IMusique, etc. 2 Tom.
Paris, 1787. 12". 12206. ddd. 33.
Part of the ' BibliotMqtie Univcrselle
des Dames.'
[Another edition.] La Poetique de la
Musique, etc. 2 Tom. Paris, 1787. 12".
1042. a. 11.
LAVINIA. Lavinia. [Cantata.]
See Billington (T.)
LAVINIA A TURNO. Lavinia a
Turno. Cantata. See Graun (C. H.)
LA VOYE MIGNOT ( de) Traits
de Musiqu'e pour bien et facilement ap-
prendre a Chanter & Composer, tant pour
les Voix que pour les Instruments. Divise
en trois parties, etc. P. Ballard : Paris,
165G, 4", 557*. d. 19.
LAW. Law, Phisick & Divinity. [Song.]
See Three. Three rosy fac'd Topers as
ever was known. [1770?] s. sh. io\.
G. 316. (142.)
Law, Physic and Divinity. Song.
See Three . Three rosy fac'd Topers as ever
was known. [1772.] 8". P.P. 5438. z.
LAW (Andrew) Select Harmony. Con-
taining. . .the Rules of Singing : Together
with a Collection of Psalm Tunes, Hymns
and Anthems. [London ? 1780 ?] obi. 4".
A. 816.
LAWES (Henry) Ayres and Dialogues,
for One, Two, and Three Voyces...The
First Booke. few ms. notes.
T. H.,for John Playford : London,
1653. fol. F. 2. (1.)
The Second Book of Ayres, and Dialogues,
for One, Two, and Three Voyces. T. H. for
Jo. Playford : London, 1655. fol.
F. 2. (2.)
Ayres and Dialogues, for One, Two, and
Three Voyces. The Third Book.
IF. Godbid for John Playford : Tendon,
. 1658. fol. F. 2. a.
The portrait has been cut ont of the title-
page.
A Paraphrase upon the Psalmes of David.
By G[eorge] S[andj's]. Set to new Tunes
for private Devotion : and a thorow Base,
for Voice, or Instrument. John Legatf :
London, 1638. fol. 3104. e. 8.
Farming part of Sandys' 'Paraphrase
vpon the Divine Poems.'
A Paraphrase upon the Psalmes of David,
by G[eorge] S[andys]. Set to new Tunes,
etc. [London r] 16^8. 8". 11623. c. 6.
Forming petrt of Sandys' 'Paraphrase
npon the Divine Poems'
A Paraphrase upon the Psalms of David.
By George Sandys. Set to New Tunes. . .
And in this Edition. . .Revised and Cor-
rected. . .by John Playford. W. Godbid,
for Abel Roper : Loudon, 1676. 8".
1076. m. 7.
Forming part of Sandys' ' Paraphrase
7ipon the Divine Poems.'
The Treasury of Musick : containing Ayres
and Dialogues to Sing to the Theorbo-
Lute or Basse- Viol. Composed by Mv.
Henry Lawes . . . and other Excellent
Masters. In Three Books. [With pre-
faces by J. Playford.] William Godbid
for John Playford : London, 1669. fol.
G. 81.
This is a reissue, wider a general title,
of PlayforcVs First and Second Books
of " Select Ayres and Dialogues " and
H. Lawcs's Third Book of " Ayres and
Dialogiies."
See Playford (J.) Select Ayres and Dia-
logues to Sing to the Theorbo-Lute or
Basse-Viol . . . Composed by Mi: Henry
Lawes, etc. 1669. fol. G. 82. (2.)
LAWES— LEACH
27
LAWES (Henry) See Playford (J.)
Select Ayres and Dialogues. . .Composed
by. . .H. Lawes, etc. 1659. fol.
G. 82. (1.)
See Playford (J.) Select Musicall Ayres
and Dialogues. . .by. . .H. Lawes, etc.
1652. fol. F. 51.
See Playford (J.) Select JIusicall Ayres
and Dialogues. . .by. . .IMr. Henry Lawes,
etc. 1653. fol. F. 51. a.
See Stevens (R. J. S.) Seven Glees...
and two Glees from INIelodies, by H. Lawes,
etc. [1800 ?] obi. fol. E. 319. (4.)
LAWES (Henry) and (William) Choice
Psalmes put into Musick, for Three
Voices. The most of which may properly
enough be sung by any three, with a
Thorough Base . . . With divers Elegies,
set in Musick by sev'rall Friends, upon
the death of W. Lawes. And . . . nine
Canons . . . made by William Lawes.
(Cantus primus.) (Cautus secundus.)
(Bassus.) (Thorow Base.) 4 pts.
James Young, for Humphrcij Moscley :
London, 1648. 4". K.' 3. h. 18.
Tlie composers of the Elegies are :
H. Laives, D'' John Wilsoii, John
Taylor, John Cob, Edm. Foster,
Simon Ivc, John Jinkins and John
Hilton.
[Another copy.] 4 pts. C. 110.
The Cantus Primus wants fol. E 4: (a
blank leaf); the Cantus Sccundtis a
similar leaf (P 4), a7id the Bassus
fol. Aa.
LAWES (William) Gather sweet rose-
buds. Favourite Glee, for three voices,
etc. [London,] 1794. s. sh. 4"
P.P. 5141.
Tlie Lady's Magazine, May, 1794.
Gather your rosebuds while you may.
See Gather. Gather your Rose-buds,
etc. [Music by W. Lawes.]
[1780 ?] s. sh. fol. G. 308. (32.)
Sec Lawes (H.) and (W.) Choice
Psalmes put into ^lusick, for Three
Voices, etc. 1648. 4". K. 3. h. 18.
See Playford (J.) Select Musicall Ayres
and Dialogues. . .by. . .Mr. William Lawes,
etc. 1653. fol. F. 51. a.
See Playford (J.) Select Ayres and
Dialogues . , . Composed by . . . W. Lawes
. . .and other. . .Masters of Musick.
1659. fol. G. 82. (1.)
LAWFELT. La Lawfielt. Fanfare.
See Dampierre ( de) Marguis.
LAWFUL. Lawful Love. [Song.]
See 'Tis. 'Tis true the Law I do profess.
[1780?] s.sh.iol. G. 312. (170.)
LAWTON (D.) The Leeds Volunteer's
IMarch. . . [Full Score and] Arranged for
the Organ or Harpsichord, with a Varia-
tion. Longman and Broderip, for the
Author : London, [1794 ?] fol.
g. 133. (35.)
LAWYER. The Lawyer's Duel. [Song
and Chorus.] Sec After. After a pauze
of great Guns loud salute, etc.
[1655?] fol. Harl. 5936. (399.)
The Lawyer's Glee. See Woman. A
W^oman having a settlement, etc.
[1799.] fol. G. 809. e. (72.)
LAY. Lay aside the reap-hook. [Song.]
See Leveridge (R.) [The Mountebank.]
LAYLAND (Thomas) Ah Damon, dear
Shepherd adieu. A Favorite Elegy, etc.
G[eorge] S[mart : London,
1780 ?] s. sh. fol. G. 306. (93.)
LAZARI (Alberto) Armouie Spirituali
Concertate a 1. 2. 3. 4. 5. & 6. voci con le
Lettanie della B. Vergine a 4. & 8. si
place, con il Basso Continuo . . . Libro
Secondo. Opera Secouda, etc. Canto.
(Alto.) (Tenore.) (Basso.) (Quinto e
Sesto.) (Settimo, e Ottauo.) (Organo.)
7 pts. Apresso Bartolomeo Magni :
Venetia, 1637. 4°. D. 50.
LAZARUS. Lazarus, oder die Feyer der
Aufstehung. Ein musikalisches Drama.
See RoLLE (J. H.)
LE. L'avcz vous vu mou bien aime.
Ronde. See Fee Urgele.
L'on vous dit tons les ans. Air.
See DuBUissoN ( )
Le connais-tu, ma chere Ele'onore. Ari-
ette Nouvelle. [Paris, 1780 ?1 8".
B. 362. a. (151.)
[Another copy.] B. 362. e. (32.)
Le connais tu, ma chere Kleonore. Ari-
ette, avec Accompagne'"' de Guithare, par
M' Comien. Chez Frere :
[Paris, 1785 ?] S". B. 362. e. (18.)
Le voici ce beau jour. Anniversaire de la
chute du dernier Roi des Franrais . . .
[Song, words] Par le Ci. Perrin.
Chez Frere : [Paris, 1794 ?] 8".
E. 1717. b. (27.)
LEACH ( ) Organist at Cheshunt. The
Hertfordshire Yeomanry Cavalry. A New
Song, etc. Longman and Broderip,
for the Author : London, [1796 ?] fol.
G. 376. (23.)
LEACH (James) A New Sett of Hymns
and Psalm Tunes . . . with Accompani-
ments, & a Thoro' Bass, the whole figured
for the Organ, Harpsichord or Piano-Forte.
Preston £ Son, for the Author : London,
[1789.] obi. 4". B. 844. (1.)
A Second Sett of Hymns and Psalm
Tunes, etc. Preston d: Son, for the
Author : London, [1794.] obi. i".
B. 844. (2.)
28
LEACH— LE BCEUF
LEACH (3.) Go gentle Breezes to yon
vei'clant Grove. Glee. See Herscheld
(F. W.) The favorite Eccho Catch, and
the preceeding Glee [by S. Leach], etc.
[ITSO.j obi. fol. F. 607. y. (8.)
• LEANDER (Henry) By those Eyes. A
Favorite Duett for Two Voices. . .with an
Accompaniment for a Pedal Harp, or
Piano Forte, f^c. London, [1800?] fol.
G. 805. h. (27.)
See DuFRESNOY ( ) Madame. A Favorite
Sonata... for the Harp. . .arranged with
Accompaniments for Two French Horns
. . .by H. Leander. [1800 ?] fol.
h. 1480. h. (7.)
LEANDRE. L^andre chez Colinette un
jour. Suite dc la Lanterne Magique.
Air, Philis defmande] son portrait [by
Albanesel. [Paris, 1780?] 8".
B. 362. a. (160.)
LEANDRE CANDIDE. En fixant
notre pianette. Vaudeville de Leandrc
Ccmdide, . . .Swv I'Air de Figaro.
[Paris, 1784.] 8". B. 362. c. (27.)
LE ANDRE ET HERO. Leandre et
Hero. Tragedie [words by Lefranc de
Pompignan], mise en Musique par
I'Auteur du Ballet de 1' Empire de
I'Amour [i.e. the Marquis Eeue de Beam
Brassac], etc. Partition . . . Gravee par
Labass^e. Cites M""^ Boivin, etc. :
Paris, 1750. fol. I. 322.
LiiANDRE NANETTE. Leandre
Nanette, ou le Double Qui-pro-quo.
Parade en un acte, en vers et en Vaude-
villes, etc. [By C. F. Ragot de Graudval.
With the music of an Air and a Vaude-
ville.] Cliqnanco'urt, 1756. 8".
11738. f. 39. (9.)
LEAP YEAR. Leap Year. [Song,
begins : ' Come round me ye lasses.']
See DiBDiN (C.) [Christinas Gambols.']
Leap Year. [Song, begins : ' Won't you
hail the leap year.']
See DiBDiN (C.) [Private Theatricals.]
Leap Year. [Song, begins: ' A Shepherdess
one Morning fair.'] Sec T., J.
LEARNED. The Learned Pig. Comic
Song. See Since. Since London's the
place, etc. [1780 ?] fol. H. 1994. (59.)
LEAVE. Leave me shephard. Song.
See Stanley (J.)
Leave yo'' Folded Flocks in Peace. A
neio Song by an Eminent Master [i.e. H.
Carey]. [London, 1720?] s. s7i. fol.
H. 1601. (294.)
Leave your folded Flocks in Peace to
sleep. Pastoral. [By H. Carey.]
[LoHfZo'n, 1740?] s. sh. io\.
G. 316. a. (34.)
.4 leaf from Vol. I. of Carey's ' Musical
Century.'
LEAVES. The Leaves so green. [Song.]
See Arnold (S.) [TJie Castle of Anda-
lusia.]
LE BEGUE (Nicolas Antoine) Les
Pieces de Clauessiu compos6es par Mr. le
Begue, etc. Chez le S'' Baillon : Paris,
1677. obi. fol. K. 10. a. 14.
Second Livre de Clavessin, etc. Chez le
Sieur Lcsclop : Paris, [1680 ?] ohl. fol.
K. 10. a. 15.
Premier Liuro des Pieces d'Orgues. . .auec
les Varietez, les agreements, et la maniere
de toucher i'Orgue apresant Sur tons les
Jeux, etc. Chez le Sieur Lesclop : [Paris,
1676 ?] obi. fol. K. 10. a. 13.
LEBEUF (Jean) Trait6 Historique et
Pratique sur le Chant Ecclesiastique. Avec
le Directoire qui en contient les principes
& les regies, suivant I'usage present du
Diocese de Paris, & autres. Precede d'une
Nouvelle Methode, etc. Chez C. J. B.
Herissant : Paris, 1711. 8°.
1042. d. 15.
LEBLANC ( ) LaFolleGageure.Com^-
die, en un Acte et en prose, melee d'Ari-
ettes. . .Paroles de M. Leger, etc.
Chez Caillcau cC Fits : Paris, 1790. 8°.
11738. h. 13. (3.)
Containing the voice part of a few songs
only.
Gabrielle et Paulin. [For songs, &c., pub-
lished anonymously :]
See Gabrielle et Paulin.
Nieod^me dans la Lune. [Folic in prose,
with songs, &c. Words and music by
Cousin Jacques, accompaniments by Le-
blanc. For songs, &c., published anony-
mously :] See Nicodeme dans la Lune.
[La Noce B6arnaise.] Roder, veiller, sans
cesse etre aux aguets. Ariette, etc.
[1787.] 8°. See Noce Bearnaise.
B. 362. c. (72.)
LEBLANC (Didier) Airs de Plusieurs
Musiciens. Sur les Poesies de Ph. Des-
portes & autres des plus excellants Poetes
de nostre terns. Reduiz a 4. parties, Par
M.D.Le Blanc. Superius. (Tenor.) 2 pts.
Adrian le Roy, d; Robert Bcdlard : Paris,
1582. obi. 16". K. 2. b. 7.
Second Livre d'Airs des plus excelants
Musiciens de nostre tems. Reduiz a
quatre parties. Par M. Di. Le Blanc.
Superius. Adrian le Roy, cC Robert.
Ballard : Paris, 1579. obi. 16".
K. 2. b. 6.
LE BCEUF ( ) Traits d'Harmonie et
Regies d'Accompaguement servaus a la
Composition, suivant le Sisteme de M.
Rameau, etc. An Bureau Musical :
Paris, [176S.] obi. fol. e. 358.
LE BRUN— LECLAIR
29
LE BRUN (Franziska) Six Sonatas,
for the Harpsichord or Piano Porte with
an Accompaniment for a Violin, etc.
[Op. 1.] Printed for the Ant Jior : London,
[1778?] fol. h. 1689. (1.)
Six Sonatas. . .Op. 1. [Separate Parts.]
J. Bland : London, [1785 ?] fol.
h. 1480. c. (13.)
Six Sonatas for the Piano Forte or Harpsi-
chord with an Accompanyment for a Violin
. . .Op. II. The Author : London,
[1778?] fol. h. 1689. (2.)
LE BRUN (LuDWiG August) The Favor-
ite Dances for the Year 1782 called Armida.
J. Blundcll : London, [1782.] obi. 4".
b. 51. d. (3.)
Six Trios pour Deux Violons et Violoncello
. . . Oeuvre 1". [Separate Parts.]
Chez M: Goetz : Mannheim, ni80?] fol.
g. 420. d. (7.)
LE CERF DE LA VIEVILLE (Jean
Louis) Comparaison de la ^Musique Itali-
enne & de la jMusique Fran(,'oise. See
HiSTOiHE. Histoire de la Musique, etc.
[Vols. II-IV by J. L. Le Cerf de la
Vieville.] 1725. 12\ 1042. f. 7. 8.
LE CHEVALLIER (Amedke) Scelta
delle pill belle Ariette, e Canzocine Itali-
ane, de' piu famosi Autori. . .Accommo-
date al suoiio di Flauto, Violino, & altri
Stromenti, racolte d' A. Le Chevallier.
(Violino Primo.) (Basso Continuo.) 2 pts.
P. cC- J. Blaeu : Amsterdam, 1G91. obi. 4'\
C. 404. (3.)
See LuLLi (G. B.) Les Trios des Opera
de Monsieur de LuUy, mis en ordre pour
les concerts, etc. [Arranged, with a pre-
face, by A. Le Chevallier.]
1690. (1691.) obi. W C. 404. (1.)
See RosiERS (C.) Pieces Choisies. . .Mises
en ordre par A. Le ChevaUier, etc.
1691. obi. 4". C. 404. (2.)
See Rousseau (J.) 2ilethode Claire . . .
pour apprendre a chanter la ]\Iusique . . .
Le tout mis en ordre par A. Le Chevalier,
etc. 1691. obi. 4°. 785. a. 7.
LECHNER (Leonhard) Harmonite mis-
cellte Cantionum Sacrarum, ah Exquisi-
tissimis yEtatis Nostrie ^lusicis cum
Quinque & Sex vocibus concinnatfe. . .
editce studio Leouardi Lechneri, etc.
Cantus. (Altus.) (Tenor.) (Basis.) (Quinta
(Sexta) Vox.) 6 pts. Typis
Gcrlachianis : Noriberga-, 1583. obi. 4°.
A. 249. c.
The Tenor part alone is dated. The com-
posers named in this collection are :
0. de Lasso, P. de Monte, C. de Bore,
Hannibal Paduano, I. P. Pninestimis,
1. de Wert, A. Gabrieli, F. de Lasso, C.
Porta, M. A. Lujegnerius, H. Stabilis,
I. Guami, A. Gabrieli, A. Morari, L.
Lechner, Don Ferdinaiulus de las In-
fantas, G. Prevost, A. Gorswinus, T.
Biccius, G. Florins, A. Fcrabosco, H.
Baccusiiis and H. Meloni.
[Another copy. Cantus. (Altus.) (Tenor.)
(Basis.) (Sexta Vox.)] 5 pts. A. 249. f.
Liber Missarum Sex et Quinque Vocum. . .
Adjunctis aliquot Introitibus in prrecipua
festa. . .iisque Sex & Quinque vocum, etc.
Cantus. (Altus.) (Basis.) (Quinta & Sexta
Vox.) 4 pts. Tijpis Gcrlachianis :
Norimbergae, 1584. obi. 4". A. 249. d.
Motectse Sacrse, Quatuor, Quinque, et Sex
Vocum, ita compositae, ut non solum viua
voce commodissime cautari, sed etiam ad
omnis generis instrumenta optime adhi-
beri possint . . . Addita est in fine Slotecta
octo vocum, e/c. Altus. Lnjyresste . . .iii
Officina typographica Katharinte, Theo-
dorici Gerlachij relictte Vidtuv, cC Hurc-
dum loannis Montani : Noriberg;>',
1576. obi. 4". A. 249.
Sacrarum Cantionum, Quinque et Sex
Vocum, Liber Secundus, etc. Altus.
In Officina Catharime Gerlachin, d Hiere-
dum lohannis Montani : Koribergm,
1581. obi. 4". A. 249. b.
Newe Teutsche Lieder, mit Vier vnd Fiinff
Stimmen, Welche ganz lieblich zusingen,
auch auff allerley Instrumenten zuge-
brauchen, etc. Discant. (Altus.) (Tenor.)
(Basis.) (Quinta Vox.) 5 pts. Gedruckt
durch Nicolatim Knorrn : Xiirnbcrg,
1577. obi. 4". A. 249. a.
Neue lustige Teutsche Lieder, nach art
der Welschen Canzoneu, mit vier Stimmen
componirt. . .Slit etlichen ncuen Composi-
tionen. . .gemehret. Secunda Vox.
Gedruckt durch Katharinam Gerlachin :
Nilrmberg, 1588. obi. 4". A. 249. e.
See Regxabd (.J.) Newe Teutsche Lieder,
...mit fiinff Stimmen gesetzet, durch
Leonardum Lechnerum, etc.
1579. obi. 4". A. 369. c.
LECLAIR (Jean IMarie) Six Concerto e
Tre Violini, Alto e Basso per Organo a
Violoncello. Composes par ^NP Le Clair
I'Aine. Graves par son Epouse ... Pre-
miere Partie. CEuvre vii"'". [Separate
Parts.] Chez V Auteur : Paris,
[1740?] fol. g. 220. c.
Scylla et Glaucus. [For airs published
anonymously :] See Scylla et Glaucus.
Sonates a Deux Violons sans Basse . . .
Gravees par ]\1"= L. Roussel. Troisieme
Ouvrage. Chez VAuteiir : Paris,
1730. fol. g. 220. b.
Premier Livre de Sonates a Violon Seul
avec la Basse Continue. . .Gravees par
L. Hue, etc. Chez le S'' Boivin : Paris,
1723. fol. i. 8. a. (1.)
30
LECLAIR— LEE
LECLAIR (Jean Marie) Second Livrc
flc Senates pour le Violon et pour la
Flute Traversiere avec la Basso Continue
. . .Gravees par W' Louise Roussel.
Chez VAuteur: Paris, [1725?] fol.
i. 8. a. (2.)
Troisieme Livrc de Senates a Violon Seul
avec la Basse Continue. . .Gravees par
M""= Leclair. . .GEuvre v. Chez VAuteur :
Paris, [1735?] fol. g. 220. a.
Quatrieme Livre de Sonates a Violon
Seul avec la Basse Continue. . .Gravees
par M'"" Le Clair. . .Oi^uvre ix.
Chez VAuteur: Paris, [11 4:5^] fol. i. 8.
Imperfect, wanting pp. 4, 5, u-hicli have
been suppVied in MS.
[Quatrieme Livre de Sonates. CEuvre ix.
N"' 1, 12, 4, 3, 5 and 6.] Six Solos for a
Violin with a Bass for the Harpsichord
or Violoncello. Opera Secouda.
Printed for I. Walsli : London,
[1755?] fol. g- 220.
LECLERC (Jean) Premier Recueil de
Contre Danses . . . avec la Basse Continue
et chiffree. Receuilly et mis en ordre par
M' Le Clerc. Gravees par M"° Le clair.
Chez Lc &•'■ Le clerc : Paris, [1729.] fol.
h. 422.
LECLERC (Jean Baptiste) Essai sur
la Propagation de la IMusique en France,
sa Conservation, et ses Rapports avec le
Gouvernement.
De VImprimeric Nationale : Paris, An iv
[17%]. 8\ 557*. d. 35. (1.)
LE CLERE (Victoire) Madame. The
Virgin's First Love. A Favorite Ariette.
With an Accompaniment for the Harp
or Piano Forte and German Flute. The
Melody by ^ladame V. Le Clere, adapted
to English Words & t)ie Accompaniments
by an Eminent Composer. L. Lavenu :
London, [1800?] fol. G. 800. m. (37.)
LE9ON. La Le(,;on Galante. [Song.]
See Dkcouvrez. Decouvrez un tendre.
mistere. [1785?] 8\ B. 362 e. (109.)
LECONS. Lecons d'Epicure, ou I'Aim-
able Philosophic. [Song.] Sec Amour.
L' Amour est un bien supreme, etc.
[1785?] 8". B. 362. a. (182.)
LE COQ, ( ) of Arras. Le Parfait
Biberon. Cbanson. . .Les paroles sont de
M-^ Bracheu. [Paris,'] 1745. s. sh. 4".
297. c. 4.
Mercure de France, Dec, 1745.
L^DA. L6da. Cantatille.
See Mouret (J. J.)
LEDERER (Joseph) Fiinf Vespern samt
f iinf andern Psalmen . . . einem besondern
Magnificat, und einem Stabat Mater...
bestehend in Discant, Alt, Tenor, Bass,
zvveyen Violinen, zweyen Waldhornern,
Orgel und Violone, etc. 10 pts.
Zu finden hey clem Author : Ulm,
1780. fol. H. 3160. a.
Fiinf Vespern. . . Zwote Aufiage. 10 pts.
Bey J. J. Lotter tmd Sohn : Augsburg,
1789. fol. H. 3160.
LEDUC (Simon) Second Livrc de Sonates
pour le Violon. . .Oeuvre iv.
Chcs M-- le Due : Paris, [1770?] fol.
g. 422. a. (5.)
LEDUC (Simon) and GOSSEC (Francois
Joseph) Trois Sinfonies a deux Violons,
Taille et Basse, Flutes ou Hautbois &
Cors de Chasse. . .CEuvre i. [Separate
Parts.] J. Schmitt : Amsterdam,
[1770?] fol. g. 257. a. (2.)
LEE (Peter) A Conversation Piece, for
two Persons to Sing and Play together,
on one Harpsichord or Piano Forte.
Printed for the Author: [London,
1790 ?] obi. fol. e. 108. (10.)
Damon and Delia. A Favorite Rondou,
etc. [London, 1785 ?] fol.
H. 1653. (34.)
[Another edition.] Damon and Delia,
etc. The Author : Putney, [1785 ?] fol.
H. 2818. (14.)
A Small Collection of Hymns for the
Organ or Harpsichord. . .The Words by
D' Watts. Holland iC C", for the Author :
London, [1785 ?] obi. 4^ B. 788. (3.)
The Jolly Fellow. [Song.]
See infra : The Tar in Distress.
Six Progressive Lessons for the Harpsi-
chord or Piano Forte, containing many
Usefull passages, with the manner of
fingering them. Printed for the Author :
Wandsimrth, [1785 ?] obi. fol.
e. 101. (5.)
Three Sonatas for the Harpsichord or
Piano Forte, with an Accompanymeut
for a Violin or German Flute. . .Op. 2''.
Priiited for the Author: [London,
1786?] fol. h. 60. (5.)
The Tar in Distress. A Glee for 3 Voices,
also adapted for the Piano Forte . . .
Written and Composed by P. Lee. (The
Jolly Fellow. [Song.]) Printed for the
Author: London, [1790?] fol.
G. 806. f. (45.)
[Another copy.]
G. 808. e. (30.)
William & Mary, two favorite Rondos
with an Accompaniment for a Violin, or
German Flute . . . Written and Composed
by P. Lee. Printed for the Author :
London, [1788 ?] fol. G. 366. (28.)
LEEUW— LEFEVRE
31
LEEUW (CoRNELis de) See Pees (D. P.)
Bellerophoii, of Lust tot Wysheyt. . .op 't
uieuw. . . vermeedert . . .De Musijck door
C. de Leeuw gecorrigeert. 1669. 8".
C. 64. b. 16. (1.)
[For editions of the Dutch Psalter as
corrected by Cornelis de Leeuw and first
published in 16G2 :] See Psalms. [Duich.]
LEEVES (William) Auld Robin Gray.
See Since. Since Jenny she has married.
Jamie's Complaint, or the Sequel to Auld
Robin Gray. [Song.] Set to the Original
Air [by W. Leeves] etc. [1870 ?] fol.
G. 311. (159.)
See When. When the Sheep are in
the fauld. Auld Robin Gray, etc. [Bv W.
Leeves.] [1780?] fol. G. 313. (177.)
[Another edition.] Sec When. When
the Sheep are in the fauld, etc. [By W.
Leeves.] [1782?] fol. G. 383. i. (47.)
[Another edition.] See When. When
the sheep are in the fauld, etc.
[1785?] fol. G. 383. i. (48.)
[Another edition.] See When. When
the Sheep are in the fauld, etc. [By. W.
Leaves.] [1790?] fol. H. 1651. b. (61.)
. [Another edition.] See Young. Young
Jamie lov'd me weel. Auld Robin Gray,
with the new. . .Tunc. TBv W. Leeves.]
[1785 ?] s. sh. fol. H. 1601. a. (69.)
The Pigeon. [Song.] See Why. Why
tarries my Love?... By the Author of
Auld Robin Gray [W. Leeves].
[1790?] fol. G. 296. (16.)
LEFEiBURE (Andre) L' Amour Protec-
teur. Cautatillc avec Sjinphonio, etc.
Chez I'Auteur: Paris, [1755?] fol.
H. 56. (2.)
Dans cc sejour. Idee, tircc du Temple
de Gnidc. Sur I'Air de la ]Musette de
M. Lefebvre : Dans ce Verger, mon Berger
&c. [Words] Par M. Du. :M.
IParis,] 1760. s. sh. 8\ 297. d. 24.
Mercure de France, July, 1760.
L'Heureux Dcpit. Cautatillc a Voix scule
avec Simphoiiic. Chez VAuteur : Paris,
[1755?] fol. H. 56. (1.)
La Peiisee. Cautatillc a Voix Seule avec
Simphonic, c^c. Cliez VAuteur: Paris,
[1755?] fol. H. 56. (3.)
La Retraite dc Boree. Cautatillc, a Yoix
seule avec Simphonie, etc.
dies I'Auteur : Paris, [1755 ?] fol.
H. 56. (4.)
LEFEBURE (Louis FRAN901S Henri)
Bevues, Erreurs et meprises de difierens
Auteurs celebres, en jMatieres IMusicales.
Clicz Knapcn Fits : Paris, 1789. 12^
1042. d. 20. (2.)
liE FEBVRE (Francois) Le Dieu Gard
de la Ville de Paris, a IMonseigueur de
Guise. . .a son retonr de la prise de Calais,
par Sonnets heroiques. Autheur Fran(;'ois
Habert de Berry. Auec vne chanson en
I'houeur de mondict Seigneur de Guise,
mise en musique par Fran(,'ois Le Febure.
De Vimprimerie de la vefue de P. Attaing-
nant : Paris, 1558. 8°. 238. m. 3. (4.)
LE FEVRE (Jacques) o/j^taji;Zes. [Musica
libris demonstrata quatuor.] Begin. In
hoc opere contenta . . . ^lusica libris demon-
strata quattuor, etc. Sig. f I : Jacobi Fabri
Stapulensis Elementa Musicalia, etc.
Joanyies Higmanus et Vulgang Hopilius :
Parhisij, 1490. fol. Case 14. b. 14.
[Another copy.] IB. 40140.
Imperfect, quanting all but sigs. fl-h YI.
[Another copy.] IB. 40141.
Imperfect, loanting the last tioo leaves.
Begin. In hoc opere contenta : ...Musica
libris quatuor demostrata, etc.
Hcnricus Stephanas : Parisiis, 1514. fol.
8532. fF. 13.
Begin. Petri Cirueli Darocesis questiucula
prcuia in INIusicam speculatiuam Diui
Scuerini Boetii. (Sig. a ii : lacobi Fabri
Stapulensis Elementa Musicalia, etc.) End.
Quarti Elementorum Musices Finis, etc.
Sec Cirvelo (P.) Cursus quattuor mathe-
maticarum artiu liberaliu, etc. [Part iv.]
1516. 4'. 8534. e. 24.
Begin. Petri Cirueli. . .questiuncula preuia
in ilusicam speculatiuam Diui seuerini
boetii. (Sig. a ii : lacobi Fabri Stapulensis
Elementa Musicalia, etc.) Sec Cirvelo
(P.) [Cursus quattuor mathematicarum
artia libcralin, etc. Pt. IV.] Petri Cirueli
.. .questiuncula, e?c. 1528. 4".
7896. f. 26.
Musica libris quatuor demonstrata.
A2yud Gulielmum Cuuellat : Parisiis,
1551. 4". 557*. c. 13.
[Another copy.] 556. c. 25.
LEFEVRE (Jean Xavier) Mere com-
mune des humaius. Hymne a V Agricul-
ture, par Coupigny. Au Magasin de
Musique a l' usage des Fetes Nationales :
[Paris, 1796.] 8". E. 1717. b. (32.)
LEFEVRE (Joseph) A Concise Method
to attain the Art of playing on the Cistre,
etc. Longman and Broderip : London,
[1790?] fol. h. 1176.
LEFEVRE (Simon) A. J. Zederymen,
bestaande in Zangen en Gedigten. Ver-
(;iert met Nieuwe Muzijk, etc.
Ian Rieuivertsz : V Amsterdcmi, 1656. 8".
i A. 1167.
3'2
LEFEVRE— LEGOUX
IiEFEVRE (Theodoke) [Caroline.] Un
Jour pur eclairoit mon ame. Romance.
ri789. 1 8". See Caboline.
^ B. 362. a. (93.)
Le Prix, ou I'Embarras du Choix. [For
songs, &c., published anonymously:]
See Prix.
LE FROID ( ) Pourquoy veuir troubler
le repos de ma vie. Air Nouveau.
[Paris, 1678.] s. sh. obi. i". P.P. 4482.
Nouveau Mercure Galant, May, 1678,
Xy. 45.
Que sert a mon amour. Air Nmiveatt.
[Paris,] 1679. s. sh. obi. 4". P.P. 4482.
Nouveau Mercure Galant, June, 1679,
p. 131.
LEGAI ( ) Lorsque sur ta musette.
Musette, etc. Gravee
par Labassec. Imprimee par Tournclle :
[Paris,] 1757. s. sh. 8". 297. d. 8.
Mercure de France, July, 1757.
LEGARD ( ) Recueil d'Airs Francois,
et Italiens, avec un Accompagnement de
Harpe ou de Clavecin, etc. To be had at
M>- Yoqler's : London, [1770 ?] fol.
G. 295. a. (4.)
This collection contains songs by Gluck,
Piccini, Rauzzini, Albanese, Millico,
Gretry, Bcrtoni, Edclman, Sacchini,
Gazzaniga, ColUzzi, PaesicUo, Dcs
Aides, d' Arondcau and Salieri.
LEGAT DE FURCY (Antoine)
L'Amant Indecis. Chanson. (Les paroles
de M. P. M. B. L., etc.)
[Paris,] 1767. s. sh. 8°. 297. e. 6.
Mercure de France, March, 1767.
Autrefois aux pieds de Themire. Air, etc.
Gravi par M"" Labasst'e. Imprime par
Tournellc : [Paris,] 1758. s. sh. 8".
297. d. 12.
Mercure de France, March, 1758.
En vain de coquettes Beautes. Chanson.
(Les Paroles sont de M. Guichard, etc.)
[Paris,] 176-2. s. sh. 8". 298. d. 1.
Mercure de France, Jan., 1762.
En vain un cceur bien euflamme. Pas-
torale, etc. Gravi^ par
M" CharpentitK Imprime par Tournellc :
[Paris,] 1760. s. sh. 8". 297. d. 25.
Mercure de France, August, 1760.
Un matin sur son chalumeau. Air, etc.
Gravt^ par ill"*' Labasst^c. Tmprimf par
Tournclle : Paris, [1757.] s. sh. 8".
297. d. 10.
Mercure de France, Nov., 1757.
Oeconomie du Plaisir. Ronde de Table.
(Les Paroles de M. P * * *.) Gi-av,! par
M<- Charpentu'. Imprim^ par Tournellc :
[Paris,] 1762. s. sh. 8". 298. d. 3.
Mercure de France, June, 1762.
LEGAT DE FURCY (Antoine)
Le Pour et le Centre, Romance, etc. (Les
paroles sont de M. le Chevalier de Juilly
Thomassin, e^c.) Grav6 par
il/'- Charpentii. Imprinn' par Tournclle :
[Paris,] 1760. s. sh. 8". 297. d. 26.
Mercure de France, Dec, 1760.
On peut encor dans la prairie. Chanson.
Grave par M"" Labassee :
[Paris, 1757.] s. sh. 8\ 297. h. 31.
Choix des Anciens Mercures, Tom. VIII. ,
p. 121.
Que je vous aime ! Air, etc. Gravf par
M"'- Labasst'e. Imprivu^ par Tournellc:
[Paris,] 1758. s. sh. 8". 297. d. 12.
Mercure de France, April, 1758.
Sans frayeur dans ce bois. Air, etc.
Gravf par M"" Labassie :
[Paris, 1757.] s. sh. 8". 297. h. 30.
Choix des Anciens Mercures, Tom. VI.,
p. 144.
Nouveaux Solfeges ou Lemons de Musique
dans le Genre moderne . . . Graves par
Gerardin. Chez M>- Bouin :
Paris, [1787.] fol. G. 494.
Vos yeux du tendre Amour. Air, etc.
(Les Paroles sont de M. de INIurville.)
[Paris,] 1778. 8". 297. f. 26.
Mercure de France, Oct., 1778.
Vous chantes lorsque tout sommeille.
Petit Air, etc. [Paris, 1785 ?] 8".
B. 362. b. (9.)
LEGER (PRAN90XS Pierre Auguste)
Ziste et Zeste. . .Folic en un Acte, eic.
[With music to the concluding Vaudeville,
by F. P. A. Leger.] [1796.] 8".
See Ziste et Zeste. 11738. h. 11. (6.)
[Ziste et Zeste.] Plein de la plus vive
ardeur. Vaudeville . . . Paroles et Musique
du C"' Leger. Chez la C'" Lcbeau :
[Paris, 1796.] 8". B. 362. (111.)
LEGERDEMAIN. Legerdemain.
[Song.] See Dibdin (C.) [Tom WilJdns.]
LEGGIADRE NIMPHE. Lcggiadre
Nimphe a Trc Voci. Alia Napolitana.
De Diuersi Eccellentissimi Autori. Noua-
mente Con diligentia Stampate. Canto.
(Tenore.) 2 pts.
Apprcsso Angelo Gardano, £ I ratelli :
Venetia, 1606. 4". D. 191.
Tim composers named in this collection
are : Luigi Francese del Liuto, 0.
Vecchi, Sabino and B. Donato.
LEGOUX (L. R.) Lovely Sally. A
Favorite Ballad for the Piano Forte.
The Words and Music by L. R. Legoux.
Printed for the Author : London,
[1800?] fol. H. 1653. (35.)
LE GRAND— LEISENTRIT
33
IjE grand (Nicolas Feedikand)
A. Alewyns Harderszangen. I\Iet Zang-
kunst verrykt door N. P. Le Grand.
Opera Seconda. Tot gemak der Speelers
op de G. sleutel gesteld. De tweede Druk.
Gedruki by de Wed:
Hennanus van Hulkenroy : Haarlem,
1716. 4". B. 331.
See SwEERTS (C.) K. Sweerts Mengel-
zangen en Zinne Beelden. (Tweede Deel
der Mengel-Zangen. . .op !Muzyk gestelld
door F. Le Grand, etc.) (1G95.) 4^
B. 586.
LEGRENZI (Giovanni) Cantate, e
Cauzonette a Voce Sola . . . Opera Duo-
decima, etc. Per Giacomo Monti :
Bologna, 1676. ohl. 4". B. 315.
Complete con le Lettanie & Antifone della
B. V. a 5 voci. . .Opera vii. Canto. (Alto.)
(Teuore.) (Basso.) (Quinto.) (Basso Con-
tinuo.) 6 pts.
A'ppresso Francesco Magni detto Gardano :
Vcnetia, 1662. 4". D. 68. b.
Wanting all the title-pages except tJiose
of the Basso and Quinto,
Sacri e Festivi Concent! Messa e Salmi a
due Chori con stromenti a beneplacito. . .
Opera Nona. Canto (Alto) (Tenore) (Basso)
. Primo Ch. (Canto (Alto) (Tenore) (Basso)
Sec. Ch.) [Basso Contiuuo.] (Violiuo
Primo.) (Violiuo 2.) (Tenore (Alto) Viola.)
(Basso Viola da brazzo.) 14 pts.
Appresso Francesco Magni Gardano :
Yenetia, 1667. 4°. D. 68.
Only the voice parts and the Alto Viola
have title-pages.
Sentimenti Devoti. Espressi con la-
Musica di Duo e Tre Voci . . . Libro Secondo.
Opera Sesta. Prima (Seconda) Parte.
(Basso Continue.) 3 pts.
Presso i Heredi di P. Phalesio : Anversa,
1665. i\ D. 68. a.
LEGROS (Joseph) D'une voix timide
et sincere. Arietta Nouvellc, etc.
[Paris, 1780?] 8°. B. 362. c. (21.)
L'Olympe est-il sur la terre. Pondcait.
(Les paroles de M. Mantelle, etc.)
[Paris,] 1767. s. sh. 8°. 297. e. 9.
Mercure de France, July, 1767.
LEIGH {Sir Samuel Egerton) The
Genius of England's Invocation to Bri-
tannia, [Song on the restoration to health
of George III.,] as sung by Mr. lucledon
. . .at Vauxhall Gardens, etc.
G. Goulding : London, [1789.] fol.
G. 360. (31*.)
The Grove. A favorite Song and Duett
. . . properly adapted for the Voice, Harp,
Harpsichord, Flute & Guitar.
London, [1190?'} fol. G. 354. (22.)
It's Henry I love. A Favorite Song, etc.
A. Bland : London, [1790 ?] fol.
G. 808. e. (31.)
VOL. II.
LEIGH {Sir Samuel Egeeton) The
New Hours of Love, containing Slorning,
Noon, Evening and Night ; [Songs,]
written by a Young Lady ... set to
Music . . . for the Piano Forte, Violin,
Ger"^ Flute & Guittar. Fentuni : London,
1789. obi. fol. D. 392. (8.)
LEIGHTON" {Sir William) The Teares
or Lamentacions of a SorrowfuU Soule :
Composed with Musicall Ayres and Songs,
both for Voyces and diuers Instruments.
Set foorth by Sir William Leighton
Knight. . .And all Psalmes that consist of
so many feete as the fiftieth Psalme, wiU
goe to the foure parts for Consort.
William Stansby : London, 1614. fol.
K. 1. i. 9.
Bound in tvhite vellum, stamped in gold
ivith the arms of Charles I., when
Prince of Wales, to whom the book
is dedicated. The composers are :
Sir W. Leighton, J. Dmvkmd, J. Mil-
ton, R. Johnson, T. Ford, E. Hooper,
Pi,, Kindersley, N. Gyles, J. Cuperario,
J. Biill, W. Byrde, F. Pilkington,
T. Lupo, R. Jones, M. Pcerson, 0.
Gibbons, T. Weelkes, J. Warde, A.
Ferrabosco, J. Wilbye, and T. Thopull.
LEISENTRIT (Johann) Kurtzer
Aufzug : Der Christlichen vnd Cathol-
ischen Gesiiug, des . . . Herrn Joaunis
Leisentritij . . .Auss Beuelch des. . .Herrn
Veiten, BischofEen zu Bamberg . . . fiir
derselbigen . . . Stifft also auss zuziehen
vnd zusingen verordnet.
Gedruckt. . .durch Sebaldiim Mayer :
Dilingen, 1575. 8". 3425. e. 12.
Catholicum Hymuologium Germauicum
Orthodoxse vereque Apostolicje Ecclesite
. . .iam denuo reuisum auctum & elabora-
tum. (Das Ander Theil. Christlicher
Catholischer Gesengen von der aller-
heiligsten Jungfrawen Maria... auffs new
ubersehen gemehret vnd gebessert, etc.)
2 pts. Michael Wolrab : Budissin,
1584. 8". 1221. d. 36.
Geistliche Lieder vnd Psalmen, der alten
Apostolischer recht und warglaubiger
Christlicher Kirchen . . . Auffs tieissigste
und Christlichste zusamen bracht. Durch
Johann: Leisentrit, etc. (Das ander Theil
Geistlicher lieder von der allerheiligsten
Jungfrawen Maria, etc.) 2 pts.
Hans Wolrab : Budissin, 1567. 8".
A. 255.
[Another copy.] 3433. bbbb. 35.
Geistliche lieder vnd Psalmen . . . zusamen
bracht, gemehret vnd gebessert . . . Durch
...J. Leisentrit, etc. (Das Ander Theil
Geistlicher lieder von der allerheiligsten
Jungfrawen ilaria, etc.) 2 pts.
Michael Wolrab : Budissin, Ibid, 8",
1221. b. 56.
34
LEISTER— LE JEUNE
LEISTER (Franz) Fantaisie pour la
Flute. . .Oeuvre 7. Artaria d Comp. :
Vienna, [1800 ?] fol. g. 71. (10.)
LEJEUNE ( ) D'une fleur a peine
i'close. [Song.] Paroles de M. D. G. D.,
etc. [Paris,] 1769. s. sh. 8". 297. e. 25.
Mercnre de France, July, 1769.
LE JEUNE (Cecile)
See Le Jeune (Claude) Airs a iii., iiii.,
V. at VI. Parties. [With a dedication by
C. Le Jeune.] 1608. ohl. 8°. A. 143.
Sec Le Jeune (Claude) Les Cent
Cinquante Pseaumes de Dauid, mis en
Musique a quatre parties, etc. [With a
dedication by Cecile Le Jeune.]
1650. ohl. 12". A. 143. a.
See Le Jeune (Claude) Les Pseaumes
de Dauid, mis en Musique a quatre &
cinq parties. [With a dedication by
Cecile Le Jeune.] 1627. 4», K. 3. i. 1.
See Le Jeune (Claude) Premier Liure,
Contenant Cinquante Pseaumes de
Dauid, etc. [With a dedication by Cecile
le Jeune.] 1602. obi. 4°. B. 283. a.
See Le Jeune (Claude) Second Liure,
Contenant Cinquante Pseaumes de Dauid,
etc. [With a Dedication by Cecile Le
Jeune.] 1608. ohl. 4°. B. 283. f.
See Le Jeune (Claude) Octonaires de la
Vanity, et Inconstance du Monde, etc.
[With a dedication by C6cile Le Jeune.]
1606. oU. 4°. B. 283. c.
See Le Jeune (Claude) Pseaumes en
Vers mezurez, etc. [With a Dedication
by Cecile Le Jeune.] 1606. ohl. 4".
B. 283. b.
LE JEUNE (Claude) Airs a iii. iiii. v.
et VI. Parties. [With a Dedication by
Cecile Le Jeune.] (Second Livre des
Airs, etc.) Cinquiesme. Pierre Ballard :
Paris, 1608. ohl. 8°. A. 143.
Dodecacorde Selon les Douse Modes, a ii.
HI. nil. V. VI. et vii. Voix . . . Sous
lesquels ont est6 mises des paroles
Morales. Dessus. (Haute - Contre.)
(Taille.) (Basse-Contre.) (Cinquiesme.)
(Sixiesme.) 6 pts. Pierre Ballard :
Paris, 1618. ohl. 4". B. 283. j.
Meslanges de la Musique. . . A 4. 5. 6. 8. &
10. parties. (Superius.) (Haute-Contre.)
(Tenor.) (Bassus.) (Quinta Pars.) (Sexta
Pars.) 6 pts. Adrian le Roy, d: Robert
Ballard : Paris, 1586. obi. 4°. B. 283.
The title-page and fol. A ii of the Su-
perius are mutilated.
IMeslanges de la Musique de Clau. Le
leuue. A 4. 5. 6. 8. & 10. parties. Haute-
Contre. (Taille.) (Basse-Contre.) 3 pts.
Pierre Ballard : Paris, 1607. ohl. 4°.
B. 283. d.
The Haute-Contre part wants fols. 2-8,
which are supplied in MS.
LE JEUNE (Claude) Second Liure des
Meslanges de CI. Le leune, etc. [With a
Dedication by Judith Mardc] Haute-
Contre. (Taille.) (Basse-Contre.) 3 pts.
Pierre Ballard : Paris, 1612. ohl. 4".
B. 283. i.
Missa ad Placitum. . .cum v. & vi. voci-
bus. Ex Officina Petri Ballard :
Lutetix, 1607. fol. ' K. 10. b. 3.
Octonaires de la Vanite, et Inconstance
du IMoude. Mis en musique a 3. & a 4.
j>arties, etc. [With a Dedication by C6cile
Le Jeune.] Dessus. (Haute-Contre.)
(Taille.) (Basse-Contre.) 4 pts.
Pierre Ballard : Paris, 1606. ohl. 4°.
B. 283. e.
Octonaires de la Vanitd et Inconstance
du blonde, mis en Musique a 3. & a 4.
parties, etc. [Dessus.] (Haute-Contre.)
(Taille.) (Basse-Contre.) 4 pts.
Robert Ballard : Pans, 1641. ohl. i".
B. 283. k.
Imperfect, wanting the Dessus part,
loliich is supplied in MS.
Premier Liure, Contenant Cinquante
Pseaumes de Dauid, Mis en Musique a
III. parties, etc. [With a Dedication by
Cecile Le Jeune.] Moienne. (Basse.)
2 pts. Par la Vcufue R. Ballard, d son ■
Fils Pierre Ballard : Paris, 1602. ohl. 4".
B. 283. a.
Second Liure, Contenant Cinquante
Pseaumes de Dauid, Mis en LIusique
a III. Parties. [With a . Dedication by
Cecile Le Jeune.] Haute. (Moyenne.)
(Basse.) 3 pts. Pierre Ballard :
Paris, 1608. obi. 4°. B. 283. f.
[Another copy. Haute. (Moyenne.)
(Basse.)] 3 pts. B. 283. e.
The Haute part is imperfect, wanting
the last four leaves.
Troisiesme Liure des Pseaumes de Dauid,
Mis en Musique a iii. Parties, etc. [With
a Dedication by Judith Mardo.] Haute.
(Moyenne.) (Basse.) 3 pts.
Pierre Ballard : Paris, 1610. ohl. 4°.
B. 283. g.
[Another copy. Moyenne.] B. 283. h.
Les Cent Cinquante Pseaumes de Dauid,
mis en Musique a quatre parties, etc.
[With a Dedication by Cecile Le Jeune.]
Basse-Contre. Robert Ballard :
Paris, 1650. ohl. 12°. A. 143. a.
Pseaumes en Vers mezurez mis en
Musique, a 2. 3. 4. 5. 6. 7. & 8. parties.
[With a Dedication by Cecile Le Jeune.]
Haute-Contre. (Taille.) (Basse-Contre.)
3 pts. Pierre Ballard :
Paris, 1606. obi. 4". B. 283. b.
Les Pseaumes de Dauid, mis en INIusique
a quatre & cinq parties. [With a Dedica-
tion by Cecile Le Jeune.] Superius.
LE JEUNE— LEMAIRE
35
(Hautecontre.) (Tenor.) (Bassecontre.)
(Cinqiiiesme partie.) 5 pts.
Francois le Fehure : Genive, 1627. 4".
K. 3. i. 1.
TJie Cinquicsme partie hears the impi-int
' A Genive, pour lean de Tournes.'
The First Twelve Psalms in Pour Parts
, . . adapted to the English Versions by a
Professor of Music. Longman,
Lukejj d- Co. : Lomlon, [1775 ?] fol.
G. 807. a. (8.)
LELU ( ) C'est dans cette fete civique.
Hijmne chante par le Peuple dans le
Pantheon devant les manes de Barra et
Viala. ParoUes et Musique de Lelu, etc.
Chez Imbaidt : [Paris, 1794.] 8°.
B. 362. d. (50.)
C'est en vain que le nord enfante. Chant
B4piiblic(iin sur la Battaille de Fleurus,
par Lebrun. Chez Imbault : [Paris,
1794.] 8". E. 1717. b. (47.)
0 fiUe de I'Etre supreme. Hymne a
V£galiti. Paroles du 0"° Malingre, etc.
Chez Itnbault : Paris, [1794 ?] 8".
B. 362. d. (42.)
0 toi dont la sagesse a rempli. Hyvvie a
VEternel. . .Paroles du C'" Huard, etc.
Chez Imbault : Paris, [1793 ?] 8".
B. 362. d. (40.)
LEMAIRE (Louis) Apres avoir tant bu.
Air a Boire, etc. [Paris,] 1737. s. sh. 4".
297. b. 18.
Merctcre de France, March, 1737.
Ariane. Cantatille Nouvelle, avec Ac-
compagnement de Fluttes, Yiolons et
Hautbois. . .Gravee par Dumont.
Chez VAuicur, etc. : Paris, 1732. obi. fol.
C. 124. (3.)
L'Aurore, Cantatille Nouvelle, Avec Ac-
compaguement de Flutes, Violons &
Haut-bois, etc. J. B. C. Ballard :
Paris, [1734.] obi. fol. C. 124. (4.)
La Bergere Impatiente. Cantatille
Nouvelle. Avec Accompagnement de
Flutes, "Violons & Haut-bois, etc.
J. B. C. Ballard : Paris, [1734.] obi. fol.
C. 124. (5.)
La Constance. Cantatille Nouvelle . . .
avec Accompagnement de Flutes, Violons
et Hautbois . . .Gravde par M'"« Louise
Roussel. Ch£z VAuteur, etc. : Paris,
[1730.] obi. fol. C. 124. (2.)
Les Effets de I'Absence. Cantatilles
Nouvelle, Avec Accompagnem' de Flutes,
Violons et Hautbois. . .Gravee par L. Hue.
(Les Paroles sont de Mr. B. * * *.)
Ches L'Aziteur, etc. : Paris,
1735. obi. fol. C. 124. (7.)
Epithalame. Cantatille Nouvelle. Avec
Accompagnem' de Flutes, Violons et
Hautbois, etc. Chez VAuterir, etc. :
Paris, 1738. obl.iol. C. 124. (9.)
LEMAIRE (Louis) Heb6. Cantatille
Nouvelle [Words by Laffichard], Avec
Accompagnement de Flutes, Violons &
Haut-bois, etc. J. B. C. Ballard : Paris,
[1734.] obi. fol. C. 641. a.
Pp. 57-78 of the 2nd Vol. of Cantatilles.
L'Hyver des ans a blanchi mes cheveux.
Air a Boire, etc. [Words by] L'Affichard.
[Paris,] 1740. s. sh. 4". 298. b. 7.
Mercure de France, Oct., 1740.
II n'est point volage. Air badin, etc.
[Paris,] 1733. s. sh. 4°. 297. b. 1.
Mercure de France, Dec, 1733.
n n'est point volage. Air, etc.
[Paris,] 1748. s. sh. 4°. 297. c. 16.
Mercure de France, May, 1748.
L'Inconstance. Cantatille Nouvelle, Sans
Accompagnement, etc. Chez VAuteur,
etc. : Paris, 1738. obi. fol. C. 124. (10.)
L'Indiiierence. Cantatille Nouvelle, Sans
accompagnement, etc. Chez VAuteur,
etc. : Paris, 1741. obi. fol. C. 124. (13.)
Je vols sortir du Ciel. Chanson, etc.
[Paris,] 1733. s. sh. i". 298. a. 30.
Mercure de France, August, 1733.
Le Jour. Cantatille Nouvelle, Avec
accompagnement de Violons et Flutes,
etc. Chez VAuteur, etc. : Paris,
1743. obi. fol. C. 124. (15.)
Nous nous plaignons que la Parque.
Chanson, etc. [Paris,] 1736. s. sh. 4".
297. b. 13.
Mercure de France, May, 1736.
Orphee. Cantatille ... Pour un Dessus,
Avec accompagnement de Violons et
Flutes. . .Gravee par M="<^ Bertin.
Chez VAuteur, etc. : Paris, 1743. obi. fol.
C. 124. (16.)
Pere du jour, quitte le sein de TOnde.
Air de Basse, etc. [Paris,] 1731. s. sh. 4°.
298. a. 17.
Mercure de France, May, 1731.
Les Plaisirs Champetres. 2"" Musette.
Cantatille Nouvelle. Avec Accompagne-
ment de Musette, Vieille, Fliites, Violons,
(£c. Chez L'Anteur, etc. : Paris^
1738. ohl. fol. C. 124. (8.)
Psich^. Cantatille Nouvelle, Avec ac-
compagnem' de Violons et Flutes, etc.
Chez VAuteur, etc. : Paris,
1741. obi. fol. C. 124. (12.)
Qu' ai-je done fait aux Dieux ! Air, etc.
[Paris,] 1748. s. sh. 4°. 297. c 16.
Mercure de France, May, 1748.
Que t'ay-je fait, cruel Amour? Air
sirieux, etc. [Paris,] 1731. s. sh. 4".
298. a. 17.
Mercure de France, May, 1731.
Quel bruit aSreux. Recit de Basse, etc.
[Paris,] 1748. s. sh. 4°. 297. c. 16.
Mercure de France, April, 1748.
D 2
36
LEMAIRE— LEMOINE
LEMAIRE (Louis) Quoi ! toujours des
Chausous a boire 1 CJianson a Manger.
IParis,] 1735. s. sh. 4°. 297. b. 8.
Mercure da France, March, 1735.
Recueil d'Airs Seiieux et a Boire, Melez
de Vaudeville, Ronde de Table, Duo,
Recit de Basse, Airs tendres, et chansons
a danser. Chez VAutenr : Paris,
1738. ohl. fol. C. 641.
Le Rendez-vous Pastoral. Cautatille
Nouvelle, Sans Accompagnem', etc.
Chez VAuteur, etc. : Paris, 173S. obi. fol.
C. 124. (11.)
Reviens, cher objet que j'adore. Air
Sirieux, etc. \_Paris,'] 1741. s. sh.. 4".
298. b. 12.
Mercure de France, August, 1741.
Le Sacrifice d' Amour. Cantatille Ncuvelle
. . . Gravez par M""" Louise Roussel. Chez
VAuteur, etc. : Paris, [1728.] obi. fol.
C. 124. (1.)
Sapho. Cantatille . . . Avec accompagnem'
de Violons et Pliites, etc. Chez VAuteur,
etc. : Paris, 1741. obi. fol. C. 124. (14.)
Le Sommeil de Climene. Cantatille
Nouvelle, Avec Accompagnement de
Flutes, Violons & Haut-bois, etc. (Les
Paroles sout de Monsieur Laffichard.)
J. B. C. Ballard : Paris, [1734.] obi. fol.
C. 124. (6.)
Votre gaite me desespere. Brunette, etc.
[Paris,] 1748. s. sh. 4". 297. c. 18.
Mercure de France, Sept., 1748.
LEMAIRE (Nicolas) Six New Cottillons
and Six Country Dances with three favorite
Minuets, {"^c. Printed for It. Wornum :
London, [1773 ?] obi. 4". a. 9. e. (7.)
LE MAISTRE (Matth.eus) Catechesis
Numeris ilusicis Inclusa, et ad Puerorum
Captum Accomodata, tribus uocibus
composita. . .Pars infima. In Officina
loannis Montani, d Ulrici Neubcri :
Noribergm, 1559. obi. 16".
K. 8. i. 4. (18.)
[Geistliche vnd weltliche teutsche Gesang
mit vier und fiinf Stimmen.] Bassus.
Johan Schivertel : Wittcmbergk,
1566. obi. 4". A. 130.
Tlie full title is printed in the Tenor part
only.
See Epithalamia. Epithalamia. . .Com-
posita per. . .Matthasum le Maistre, etc.
1568. obi. i". A. 18.
LE MAITRE ( ) Dans nos hameaux
tout nous engage. CJianson en Musette.
[Paris,] 1726. s. sh. 4°. 297. a. 24.
Mercure de France, Nov., 1726.
Une maitresse trop austere. CJianson, etc.
[Paris,] 1727. s. sJi. 4». 297. a. 29.
Mercure de France, Oct., 1727.
LE MAITRE ( ) Que j'aymea voir Iris.
Air gracieux, etc. [Paris,] 1729. s. sJi. 4".
298, a. 8.
Mercure de France, Dec, 1729.
Quels af^reux Tourbillons ! Air, etc.
[Paris,] 1730. s. sJi. 4". 298. a. 12.
Mercure de France, Aug., 1730.
LEMAN (James) A New ]\Iethod of
Learning Psalm-Tunes, with an Instru-
ment of Musick call'd the Psalterer.
G. SmitJi, for tJic AutJior : London,
1729. 4°. 7897. bb. 59.
TJiis loorJi contains Psalm tunes by
J. CJiurch, J. W. [JoJin Weldmi?],
Mr. Hart, J. ClarJi and W. Croft.
LEMARCHAND ( ) See Gluck
(C. W. von) Alma sedes. Motet .. .Mis
au Jour par M' Lemarchand, etc.
[1785?] fol. H. 1187. f. (a)
LEMENU DE SAINT PHILBERT
(Christophe) [Premier Livre de Canta-
tilles. Six Cantatilles en Simphonie.
Engraved by Labassee.] CJiez L Auteur,
etc. : Paris, [1742 ?] fol. H. 1034. (2.)
EacJi Cantatille Jias a separate title-
page [Ariane, La Viele, Hypom^ne et
Atalante, L'Lnpatience, L'^tincelle,
L'Himen), biU tJie pagination is con-
tinuous. TJiere is no general title-
page, but tJie volume is advertised in
tJie composer's Motets as ' Premier
Livre de Cantatilles.'
Motets sur les principales fetes de I'Ann^e.
A une et deux Voix, avec et sans Sim-
phonie.. .Graves par Labass6e. Seconde
Edition augmentee. CJi4s VAuteur :
Paris, [1740 ?] fol. H. 1034. (1.)
Principes de Musique, courts et faciles.
CJu'z VAuteur : Poris, [1740?] obi. iol.
D. 644.
LEMIERE DE CORVEY (Jean
Frederic Auguste) La Reprise de
Toulon. [For songs, &c., published anony-
mously :] See Reprise de Toulon.
LEMOINE (Antoine Marcel) La Com-
paraison. Chansonnette, Avec Accom-
pagnement de Guitare, par le Citoyen
Lemoine. CJicz ImbauU : Paris,
[1795?] 8". B. 362. c. (24.)
[Another copy.] B. 362. g. (67.)
Sec Boieldieu (F. A.) [BeniowsJii.] De
I'amitie daigne entendre la voix. Air. . .
Accomp' de Guitarre par Lemoine.
[1800.] 8°. E. 1717. (59.)
See Dalayrac (N.) [Nina] Quand le
bien aime reviendra. . . Accp' de Guitarre
par M-- Le Moine, etc. [1786.] 8°.
B. 362. f. (41.)
See Devienne (F.) L'Innocence Re-
connue . . . Accomp' de Guittare par le
C"' Lemoine. [1795 ?J 8\
LEMOINE— LEONORA
37
LEMOINE (Antoine Maecel)
Sec Ferrari (G. G.) L'Amant malheureux
et constant . . . Accomp* de Guittare par
M. Le Moine, f^c. [1790?] 8^
B. 362. b. (197.)
,9eeGAVEAUx(P.) [U Amour filial] Jeunes
amants, cueilles des fleurs. . . Accompagne-
ment de Guittare par M. Le Moine.
[1792.] 8". B. 362. a. (50.)
See GossEC (F. J.) [Le Camp de Grand-
Pr(^.'] Yous aimables fiUettes. . . Accom-
pamement de Guitarre du C. Lemoine.
[1793.] 8°. B. 362. a. (43.)
See GossEC (F. J.) [Rosine:] Aujourd'hui
cesse la fete. Vaudeville. . .Accompagne-
ment de Guitarre, par M. Lemoine, etc.
[1786.] 8°. B. 362. h. (9.)
Sfe Pleyel (I. J.) Loin de nous le vain
delire. Hymnc a la Libert^. . .Accom])*
de Guittare par M. Le Moine. [1791.] 8".
B. 362. d. (23.)
See QuAiSAiN (A.) [La Ve7ida7ige'] Ah !
comme I'amour vous tracasse. . .Accom-
pagnement de Piano par le C. Lemoine.
[1798.] fol. G. 554. a. (41.)
LE MOYNE (Jean Baptiste) Electre.
Tragedie, en Trois Actes . . . Grav^e par
Dupre. [Full Score.] ChczVAuieur :
Paris, [1782.] fol. G. 641. a.
[Louis IX. en Egypte.] Du Fran^ais
asservi j'ai s^u briser les chaines. Air de
Louis IX. [by J. B. Le IMoj-ne] etc.
[1790.] 8°. .See Louis IX.
B. 362. h. (35.)
[Miltiade a Marathon.] Mon fils vole aux
champs de I'honneur. Air, etc. [By J. B.
Le Moyne.] [1793.] 8". See Miltiade
a Marathon. B. 362. d. (7.)
Nepht^. Tragedie en Trois Actes [written
by F. B. Hoffmann] . . . Grav^e par Huguet,
etc. [Full Score.]
Paris, [1789.] fol.
Phedre. Tragedie
Grav6e par Huguet,
Paris, [1786.] fol.
Chez VAutcur
G. 641. c.
en Trois Actes. . .
etc. Chez Le Due :
G. 641.
Les Pommiers et le IMoulin.
[For songs, &c., published anonymously:]
See Pommiers et le Moulin.
Les Pritendus. Com^die Lirique . . .
Gravee par Huguet, etc. [Full Score.]
Chez I'Auteur : Paris, [1789.] fol.
G. 641. b.
Ouverture. See Mezger (F.) Ouver-
ture des Pretendus [by J. B. Le Moj-ne],
Arrang6e. . .par M' Mezger. [1789.] fol.
g. 2'72. r.
[For songs published anonymously ;]
See Pretendus.
LEND. Lend your aid now my muse.
Taste Alamode. A New Song. [London,
1765.] 8°. P.P. 5441.
Boyal Magazine, Vol. XII., p. 269.
LENORE. Lenore. [Cantata.]
See Andre (J.)
G. A. Biirgers Lenore. [Cantata.]
See Paradis (M. T.)
LENTON (John) Mr. Lentous Musick
in the Comedv call'd y' Gamester. First
Treble. (Second Treble.) (Tenor.) (Bass.)
4pts. [Walsh? London, 1103.'] fol.
g. 15. (1.)
See P., H. Wit and Mirth: or, Pills to
Purge Melancholy, etc. (Wit and Mirth
..The Second Edition ... Corrected by
J. Lenton. Vol. IV.) 1707 (1709). 12».
1346. a. 28-31.
See Songs. A Third Collection of New
Songs. . .bv. . .J. Lenton, ei'c. 1685. fol.
G. 152. (2.)
LENZ. Der Lentz belebet die Natur.
Duetto.
See Mueller (W.) [Die Zauhcrzitter.']
LEONARD ( ) Entends ma voix gemis-
sante. Romance, etc. [Peois, 1790?] 8°.
B. 362. e. (14.)
LEONARDA (Isabella)
,See Isabella Leonarda.
LEONARDUS NERVIUS, a Capuchin.
Fasciculus Cantionum Sacrarum Quatuor,
Quinque, et Sex Vocum. Additis Litaniis
Lauretanis Quatuor & Sex Vocum. Cum
Basso Generali ad Organum. Cantus.
(Altus.) (Tenor.) (Sextus.) 4 pts.
Ex Officina Petri Phalesii : Antuerpise.
1628. 4°, C. 89. a.
R. P. Leonardi Neruii Ord. Cappuc,
S. Francisci, Missse Decem Quatuor
Quinque, Sex et Septem Vocum, cum
Basso pro Organo. Cantus. (Altus.)
(Tenor.) (Sextus.) 4 pts. Apud Petrum
Phalcsium : Antiierpiae, 1618. 4°. C. 89.
LEONI ( ) of Naples. A Complete Intro-
duction to the Art of playing the INIando-
line. Containing the most essential Rules
...To which are added. . .Airs, Lessons^
Duets & Sonatas. Composed and . . .
arranged ... by Sig"' Leoni of Naples, Master
of the ^Mandoline to the Duke de Chartres.
Longman and Broderip : London,
[1785 ?] ohl. 4». b. 123.
LEONI (Benedetto) Six Lessons for the
Harpsichord, etc. H. Fougt : London,
[1768?] fol. h. 528.
LEONI (Leon) II Primo Libro de Madri-
gali a Cinque Voci, etc. Canto. (Alto.)
(Tenore.) (Basso.) 4 pts. Appresso
Anqclo Gardano : Venetia, 1588. obi. 4°.
A. 250.
II Terzo Libro de IMadrigali a Cinque
Voci, etc. Tenore. Appresso Ricciardo
Amadino : Venetia, 1595. obi. 4°.
A. 250. a.
LEONORA. Leonora. Ballad.
See Reichardt (J. F.)
38
LEONORE— LESSIG
LEONOEE D'URGEL. Leonore
d'Urgel. Romance. See P., D. L.
LE PEINTRE ( ) Rien icy bas n'est
ferme uy durable. Air a Boirc, etc.
[Paris,'] 1735. s. sh. i\ 297. b. 7.
Mcrcure de France, Feb., 1735.
LE R * * * ( ) M"". Cessez, charmante
Iris. Air, etc. Bicoqiiilliie : [Paris,]
1770. s. sh. 8". 298. e. 1.
Mercure de France, Dec, 1770.
LE REDDE ( ) Ah, que I'Hyver est
ennuyeux. Air Nouveazi. (Les Paroles
sent de jVP Noel, etc.) [Paris,
1679.] s. sh. obi. 4°. P.P. 4482.
Nouveau Mercure Galant, March, 1679,
p. 22.
LE ROUSSAU (P.) A Chacoon for a
Harlequin. With all the Postures, Atti-
tudes, Motions of the Head and Arms,
and other Gestures proper to this Character
. . . Compos'd writt in Characters and
engraved by F. Le Roussau, Dancing-
master. Sold by If Author. . .and
at iH'' BarretVs musik-sliop : London,
[1780?] fol. K. 1. i. 13.
LE ROY (Adrian) A briefe and plaine
Instruction to set all Musicke of eight
diuers tunes in Tableture for the Lute.
With a briefe Instruction how to play on
the Lute by Tablature, to conduct and
dispose thy hand vnto the Lute, with
certaine easie lessons for that purpose.
And also a third Booke containing diuers
new excellent tunes. All first written in
French by Adrian Le Roy, and now trans-
lated into English by F. Ke. Geutelman.
Ihon Kyngeston for lames Eoivbotliame :
London, 1574. obi. i". K. 1. c. 19.
Leaves 1, 2, 3, 77 and 78 are mutilated.
The pagination (1-78) is continuous,
but each book has a separate title-
page.
Premier Liure de Tabulature de Guiterre,
Contenant plusieurs Chansons, Fantasies,
Pauanes, Gaillardes, Almandes, Branles,
tant simples qu'autres, etc.
Adrian le Roy d- Robert Ballard :
Paris, 1551. obi. 4«. K. 2. h. 12. (1.)
The folloiving names of composers ap-
pear in this collection : Maillard and
Boyvin.
Second Liure de Guiterre, contenant
Plusieurs Chansons en forme de voix de
ville: nouuellement remises en tabulature,
etc. Adrian le Roy, it Robert Balard :
Paris, 1555. obi. 4°. K. 2. h. 12. (2.)
Tiers Liure de Tabulature de Guiterre,
contenant plusieurs Preludes, Chansons,
Basse-dances, Tourdions, Pauanes, Gail-
lardes, Almandes, Bransles, tant doubles
que simples, etc. Adrian le Roy, d
Robert Ballard : Paris, 1552. obi. 4».
K. 2. h. 12. (3.)
LE ROY (Adrian) Quart Liure de Tabula-
ture de Guiterre, contenant plusieurs
Fantasies, Pseaulmes, & Chansons : auec
L'alouette, & la Guerre, Composees par
M. Gregoire Brayssing deaugusta.
Adrian le Roy, £ Robert Balard : Paris,
1553. obi. i\ K. 2. h. 12. (4.)
Cinqiesme Liure de Guiterre, contenant
Plusieurs Chansons a Trois & quatre
parties, par bons & excelens Musiciens:
Reduites en Tabulature par A. le Roy.
Adria7i le Roy, £ Robert Balard :
Paris, 1554. obi. 4". K. 2. h. 12. (5.)
The folloiving composers' names occur in
this collection: Bonard, Arcadet, De
Bussy, Ccrton and A. Le Roy.
LE SAGE (Alain Rene) and ORNEVAL
( d') Le Theatre de la Foire, ou
rOpera Comique, contenant les meilleures
Pieces qui ont 6te representees aux Foires
de S. Germain & de S. Laurent. . .avec une
Table de tons les Vaudevilles & autres Airs
gravez notez a la fin de Chaque Volume.
10 Tom. Chez Z. Chatelain :
Amsterdam, Paris, 1722(-37). 12'.
241. 1. 18.
The composers mentioned in this collec-
tion are : de Ch-andval, Gillier, Mdlle.
de Languerre, de la Croix, Aubert,
Bernier, de la Coste and des Rochers.
LESBEA. Lesbea's smiles shall ne'er
deceive me. Love's Conqiiest over Reason.
rSong.l [London, 1715 ?] s. sh. fol.
^ ° G. 316. g. (37.)
LESBIA. Lesbia's Cruelty. [Song.] See
She. She whom above my self I prize, etc.
[By G. Vanbrughe.] [1730?] s. sh. io\.
^ ^ G. 303. (85.)
LESCOT (C. F.) La Negresse. [For
songs, &c., published anonymously:]
See Negresse.
L'ESGII (J.) Affreux Rochers, demeures
sombres. Air Nouveau.
[Paris, 1678.] s. sh. obi. 4». P.P. 4482.
Nouveau Mercure Galant, Oct., 1678,
p. 171.
Pendant que nos braves Guerriers. Air
Nouveau. [Paris, 1678.] s. sh. obi. 4'\
P.P. 4482.
Nouveau Mercure Galant, May, 1678,
p. 109.
Si vous voulez charmer. Air Nouveau.
[Paris, 1678.] s. sh. obi. 4». P.P. 4482.
Nouveau Mercure Galant, June, 1678,
p. 37.
LESSIG ( ) Sechs Schottische 6-tourig6
Angloisen von G. L. Klemm, Tanzmeister,
mit voUstimiger Musik vom ]\Iusicus
Lessig. (Violino i.) (Violino ii.) (Flauto
I.) (Flauto 11.) (Corno i.) (Corno ii.)
(Basso.) (Touren.) 8 pts. Bey dem
Autor: Leipzig, [llbO'!] obi i". b. 62.
LESSON— LET
39
LESSON. A Lesson for a Lover. [Song.]
See Pbelleur (P.)
LESSONS. Lessons for the Recorder.
[London? 1680?] s. sh. fol. '
I. 600. b. (81.)
Periodical Lessons. [P. F.] 4 N^'S
'^ Bland: ILondoii, 1190?] fol. g: 149. (7.)
Six Lessons for the Harpsichord, by...
Bach . . . Benda. . .Graun. . .Wagenseil. . .
Hasse . . .Kernberger. Welckei- :
London, [1770 ?] obi. fol. e. 5. d.
[Tweh'c Lessons for the Harpsichord.]
ILondon, 1780?] obi. fol. e. 282. c. (10.)
Imperfect, wanting the title-page.
Progressive Lessons for the Piano Forte
or Harpsichord, etc. 2 Books. B. Birchall :
LonJoH, [1795?] obi. iol. e. 470.
Select Lessons, or a Choice Collection of
Airs neatly contriv'd for Two German
Flutes or Two Violins. And Extracted
from the Works of. . .Handel, Weideman,
Turner, De Fesch, Peschetti, Festing.
The Whole being never before Publish'd.
[Separate Parts.] Dan' Wright ct
D. Wright Jim'': London, [1735?] obi. 4\
b. 30. (2.)
This collection also contains compositions
by Dubonrg and Deperr.
L'ESTOCART (Paschal de) Cent Cin-
quante Pseaumes de Dauid, mis en Rime
Francoise par Clement Marot et Theodore
de Besze, et mis en Musique a Quatre,
Cinq, Six, Sept et Huit Parties, par
Paschal de L'Estocart, etc. [Superius.]
Tenor. [Contratenor.] 3 pts. Chez
Barthelemi Vincent : Lyon, 1583. obi. i\
A. 62.
Imperfect, the Superius wanting all but
pp. 161-164, and the Contratenor all
but pp. 61-64, 153-156 and 169-176.
LESUEUR (Jean FRAN901S) La Caverne.
Drame Lyrique en Trois Actes. [Libretto
bv A. F. bercy. Full Score.]
[Imbault : Paris, 1793.] fol. G. 290. b.
Wanting the title-page.
II y a cinquante ans et plus. Air, etc.
[Paris, 1793.] 8^ B. 362. (110.)
Le pauvre terns, le pauvre terns. Air,
etc. [Paris, 1793.] 8". B. 362. (109.)
II y a cinquante ans et plus.
See supra : [La Caverne.']
Expose d'une Musique, une, imitative, et
particuliere a chaque solemnite ; 011 I'Au-
teur donne aussi le Plan d'une Musique
propre a la Fete de I'Assomption.
Chez la Veuve Herissant : Paris,
1787. 8". 1042. k. 27. (4.)
Exposed d'une Musique, une, imitative, et
propre a chaque solemnite, oil Ton donne
. . .le Plan d'une Musique particuliere a
la Solemnity de la Pentecote. Suite de
I'Essai. Chez la Veuve Herissant :
Paris, 1787. 8\ 1042. k. 27. (3.)
LESUEUR (Jean FRAN901S) Expose d'une
Musique une, imitative, et particuliere a
chaque solemnite ; ou Ton donne . . . le
Plan d'une Musique propre a la Fete de
Noel, etc. Chez la Veuve Hirissani:
Paris, 1787. S". 1042. k. 27. (1.)
Suite de I'Essai sur la Jlusique Sacree et
Imitative, ou Ton donne le Plan d'une
Musique propre a la Fete de Paque.
Cliez la Veuve Wrissant : Paris,
1042. k. 27. (2.)
nous, un Tribun perfide. Chant
Thermidor. Paroles de T. Des-
Du Magazin de Musique a
des fetes Nationales : [Paris,
8°. E. 1717. b. (15.)
Yirginie (ou le Triomphe de la
Drama Lyrique en Trois Actes
de I'Auteur d'Iphigenie en
Piccinni [A. Du Conge Du-
1787.
Levons
du IX.
orgues.
Vtisage
1794.]
Paul et
Vertu).
. . . Paroles
Tauride de
breuil] . . . Grav6 par Huguet, etc. [Full
Score.] Chez H. Nadermann : Paris,
[1794.] fol. G-. 292. a.
[For songs, &c., published anony-
mously :] See Paul et Yirginie.
Le pauvre terns, le pauvre terns.
See supra : [La Caverne.]
Quand des montagnes de Pyrene. Le
Chant des Triomphes de la Bipubligue
Frangaise. Ode par La Harpe, etc.
An Magazin de Musique a Vusage des
Fetes Nationales : Paris, [1794.] fol.
F. 69*. (4.)
[Another edition.] Quand des montagnes
de Pyrene. Le Chant des Triomphes de
la B(^publique Frangaise. Ode par
Laharpe. Du Magasin de musique,
a V usage des Fetes Nationales : [Paris,
1794.] 8". E. 1717. b. (9.)
Telemaque dans I'lsle de Calypso, ou le
Triomphe de la Sagesse. Tragedie Lyrique
en trois Actes. . .Paroles de P. Dercy...
G-rav^ par Huguet, etc. [Full Score.]
- ■ [1796.] fol.
G. 292.
Chez H. Naderman : Paris
See Agus (H.) Solf^ges pour servir a
I'etude dans le Conservatoire de Musique
a Paris par. . .Agus. . .Le Sueur, etc.
[1795?] fol. H. 2851.
LET. Let Ambition fire thy Mind. Song.
See Weldon (J.) [The Judgment of
Paris.]
Let an empty flatt'ring Spirit. Advice to
the Ladies. [Song.] The words by a
Gent" of Exeter.
L[ongman] d; B[roderip : London,
1780?] fol. G. 310. (49.)
[Another setting.] Let an empty flatter-
ing spirit. Rondo. See Shield (W.)
Let Braves, who to the army go. Beauty
more powerfull than War. [Song.]
[London, 1715 ?] s. sh. fol.
•^ H. 1601. (280.)
40
LET
LET. Let Britons in triumphant praise.
Song. Sec Amateue.
Let Burgundy flow. Joy after Sorrow
made to tlie Duke Aumond's Minuet by
T. D[urfey]. [Song.] Daniel Wright :
\_London, 1715.1 s. sh. fol.
H. 1601. (266.)
[Another edition.] Let Burgundy flow.
Joy after Sorrow. A new Song. The
words made to the D'Aumonds Minuet by
T. D[urfey]. [London, 1715.] s. sh. fol.
G. 310. (30.)
Let but love and wine befriend me.
Song. See Bates (W.)
Let Csesar and Urania live. [Duet.]
See PcECELL (H.) [Sound the Trumpet.']
Let Eloquence boast of her Pow'r. Song.
See Arse (M.) [Tristram Shandy.]
Let Epicures boast of their delicate
Feasts. The Generous Soul. A favorite
new Song. P. E[vans : London,
1780 ?] s. sh. fol. G. 310. (41.)
Let e'ery Face be fill'd w"" Joy. On the
Prospect of Peace. [Song, words and
music by H. Carey.] Cross : [London,
1728?] s. s7i. fol. G. 310. (65.)
Let ev'ry Martial Soul advance. A Nciv
Song in Honour of the King of Prussia.
Sung by Mr. Kear. [Music by J. Bryan.]
[London, 1758.] s. sh. 8°.
P.P. 5439. ab.
Neiv Universal Magazine, Dec, 1758.
Let every Martial Soul advance. Song.
See Bryan (J.)
Let fusty old Greybeards of Apathy boast.
The Nod Wink and Smile. [Song.] Sung
by I\Ir. Vernon.
S[amuer\A'nnand'] P[eter] T\hompson :
Lo7ifZo7i, 1785 ?] s.sh.iol. 1.530.(89.)
Let Heroes boast of Deeds of Arms.
Patt. A New Song, sung at Saddlers-
Wells. [London,] 1761. 8°. 158. 1. 6.
London Magazine, 1761, p. 45.
Let me sink to the regions of Shade.
Elegy. See Alcock (J.) the Younger.
Let me wander not unseen. [Song.]
See Haendel (G. F.) [U Allegro.]
Let nature henceforward neglect. Song.
Sec Galliard (J. E.) [Circe.]
Let not Age. Cantata.
See GiORDASi (T.)
Let not Love on me bestow. Song.
Sec PuRCELL (D.) [The Fimeral.]
Let not Rage. [Song.] See Artaxerxes.
Let other Bards in lofty Verse. Polly
Gi-een. [Song.] [London,
1750?] s.sh.iol. G. 310. (64.)
Let other Men envy the Pomp of the
Great. The Happy Fellow. A New Song.
[London, 1765.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XXXVII. ,
p. 208.
LET. Let others for beauties the city
explore. Miss Snoio : a New Song.
[London, 1765.] 8". P.P. 5441.
Royal Magazine, Vol. XIII., p. 46.
Let others sing in loftier Lays. Polly of
the Plain. A New Song [by W. Defesch].
Sung by Mrs. Chambers, at Mary-le-Bon
Gardens. [London, 1754.] 8°.
P.P. 5438. z.
Universal Magazine, Vol. XV., p. 125.
Let Others sing in Rustic Lays. Fanny
of the mil. [Song, by J. Hook.] Sung
by Mr. Vernon at Vauxhall.
[Printed for C. and S. Thompson :
London, 1768 ?] fol. G. 310. (50.)
From Thompson's Second Book of
Hook's Vauxhall and Marylebone
Songs.
Let others to Loudon go roam. [Song.]
See Arne (T. A.)
Let Parties and Rage awhile quit the
Stage. The British Hector, or the Taking
of Pondichery. [Song.] [London,
1779?] s.sh.iol. 1.530.(88.)
Let Pleasure's gay Queen. The Court of
Vauxhall. [Song.] Written for and Sung
by Mr. Vernon, 1778 and 1779. Set to
Musick by the Author.
S[anmel and] A[nn] T[hompson :
London, 1779.] fol. G. 310. (54.)
Let Poets and Historians. The Gregorian
ConstitxUion Song. [Words and music by
H. Carey.] [London, 1735 ?] s. sh. fol.
G. 316. e. (64.)
Let Poets boast of Egypt's Queen. The
Toast. A new Song.
[London, 1756.] 8°. 158. 1. 1.
London Magazine, 1756, p. 604.
Let Poets of Learning. The Lass of the
Hatch. [Song.]
L[ongman and] B[_roderip : London,
1785?] fol. G. 310. (48.)
Let prentice Bards poetic scribble. Btin-
tinella. [Song.] The words by G. A.
Stevens. Sk[illern : London,
1780?] s.sh.iol. G. 310. (43.)
Let's banish Strife and Sorrow. Round.
See Atterbury (L.)
Let's be Jolly, fill our Glasses. The
Charms of the Bottle, [Song] the words by
Mr. Estcourt.
[London, 1720 ?] s. sh. fol.
H. 1601. (281.)
Let's drink and be merry. The Good
Felloiv. [Song, by G. Vanbrughe.]
[Walsh : London, 1713 ?] fol.
G. 303. (24.)
Pp. 26-27 of Vanbrughe s ' Mirth and
Harmony.'
LET— LETHE
41
LET. [Another edition.] Let's drink and
be merry. The Good Felloic. [Song.] Set
for the German Flute. [By G. Vanbrughe.]
[London, 1720 ?] s. sh. fol.
G. 316. e. (75.)
Let's talk of Bow or Dart no more.
Song. See Frasck (J. W.)
Let's tie the Knot, my Sally. Song.
See Hook (.J.)
Let's tope and be merry. The Jolly
Bacchanal. [Song.] [London,
1740 ?] s. sh. fol. G. 316. e. (60.)
Let soft desires your Heart engage. Song.
See Levekidge" (R.) [The Island Prin-
cess.']
Let Soldiers fight for Prey or Praise. A
iieic Drinking Song, etc. [London,
1765 ?] s. sh. fol. H. 1994. (40.)
Let the daring Advent'rers be toss'd on
the Main. What ivill make every man
rich. [Song, words from Shadwell's play
'The Womau-Captain.'] fol.
Printed for J. Bland :
[London, 1180?] s. sh. io\. G. 310. (38.)
Let the declining Damask Rose. Song.
See Hudson (R.)
Let the dreadfull Engines. Song.
See PURCELL (H.) [Don Quixote. Part L]
Let the French hop and sing. British
Freedom. A Favourite Song. Set by an
Eminent Master. S'traight' d- Sk'illcrn :
London, 1775 ?] fol. G. 310. (72.)
Imperfect, icanting the second leaf.
Let the Goblet sparkle high. Song.
See Duns (J.)
Let the Nymph still avoid. [Song.]
See Reprisal.
Let the Nymph, who designs. Seasonable
advice to Maidens. [Song.]
[Lotidon, 1720?] s. sh. fol.
H. 1601. (285.)
Let the slave of ambition and wealth.
Song. See Giokdani (T.)
Let the social Can go round. An easy
Duo for Tivo Voices. T. G. Williamson :
London, [1191-7] fol. G. 354. (52.)
Let the Souldiers rejoyce. Song.
See Purcell (H.) [Dioclesian.]
Let the tempest of war. The Tempest of
War. A New Song. [London, 1761.1 8°.
P.P. 5441.
Royal Magazine, Vol. IT., p. 195.
[Another edition.] Let the Tempest of
War. A Song. [London . 1165 T s. sh. iol.
H. 1994. b. (49.)
Let the ^Yaiter bring clean Glasses. [Song,
adapted to "II Tricerbero humiliato,"
by G. F. Handel.] [London,
1790?] s. sh. fol. G. 805. i. (9.)
Let those who wou'd wish to hear reason.
To Day a favourite Song. W. PJandall :
London, 1770?] s. sh. fol. G. 310. (57.)
LET. Let Truth and spotless Faith be thine.
Frc-e Mason's Song. (Der alte Landmann
an seinen Sohn.) [Words] By Holty.
C. Geisiceiler : [London,]
1800. s. sh. obi. 4°. 266. 1. 30.
German Museum, August, 1800.
[Another setting.] Let Truth and spotless
Faith be thine. [Glee.]
See Callcott (J. W.)
Let us advance the Good Old Cause. An
Excellent Neto Hymne To the Mobile,
exhorting them to Loyalty the Clean
contrary Way. 'To the Tune or [sic] 41, Or
Hev Bovs up go We. Kath. Thompson :
London, 1682. s. sh. fol.
1871. e. 9. (70.)
Let us dance, and sing in chorus. St.
David's Day. Welch Air ""for three voices].
Skillern : Lcmdon, '1800 ?' fol.
G. 809. b. (16.)
Let us dance, let us sing. [Song.] Sung
by Mr. Shuter in the character of a
Sailor. [London, 11^,0 T, s. sh. iol.
G. 316. e. (61.)
[Another setting.] Let us dance, let us
sing. Song. See Purcell (H.)
Let us fill the circling Glass. Love and
Opportunity. [Song.] Sung by Mr.
Vernon. S[amuel and] A[nn' T'hompson :
London, 1119?] s. sh. tol G. 310. (39.)
Let us revel and roar. Two Part Song.
See EccLES (J.) [The Lover's Luck.]
Let us, the sheep by Jesus nam'd. Hymn.
[Words by J. Cennick.]
[London, 1778.] 8". P.P. 716. b.
Gospel Magazine, Dec, 1778
Let Wine
Song. See Hudson (R.)
Let youthful bards, in wanton verse.
Miranda. A New Song [bv J. Wogan".
[London, 175-3.] 8°. ^ P.P. 5438. z.
Universal Magazine, Vol. XIII., p. 1-34.
LETHE. The Card invites. [Song.]
Sung bv Mrs. Clive in Lethe. [Words by
D. Garrick.] [London, 1760 ?] s. sh. fol.
I. 530. (87.)
Ye mortals whom fancies and troubles
perplex. A Song in Lethe. Sung by Mr.
Beard, in the Character of Mercury.
[Written bv D. Garrick.]
[London, 1749.] 8^ 249. c. ^19.
Gentleman's Magazine, Vol. XIX., i). 323.
Ye mortals whom fancies and troubles
perplex. Song in Mr. Garrick's Lethe.
Suug by Mr. Beard. [London, 1749.] 8°.
157. 1. 11.
Londo7i Magazine, 1749, ^j. 36.
Y'e Mortals whom Fancies and Troubles
perplex. A Song in Lethe. [Written by
D. Garrick.] Sung bv Mercurv.
[London, 1750 ?] s. sh. fol. G." 295. (20.)
[Another copy.] H. 1994. a. (19.)
to social Joys give Birth.
42
LETHE— LEVERIDGE
LETHE. [Another edition.] Ye Mortals
whom Fancies and Troubles perplex. A
Song in Lethe, etc. [London, 1755 ?]
s. sh. fol. H. 1994. b. (109.)
[Another edition.] Ye Mortals whom
Fancies and Troubles perplex. A Song in
Lethe. [Written by D. Garrick.] Sung
by Mr. Beard in the Character of Mercury.
Within Compass of German Flute.
See Chloe. Chloe, or the ]\Iusical Maga-
zine, etc. No. 61. [1760 ?] fol. G. 433.
LETTRE. La Lettre, Comedie en un
acte, en prose et Vaudevilles, par C. J.
Lceuillart-Davrigni ; . . . Avec la Musique
[of the concluding Vaudeville]. Cltez le
Libraire, au Theatre du Vaudeville :
Paris, An Troisieme [1795]. 8".
11738. ce. 12. (2.)
Lettre a une Dame d'un certain age, sur
r^tat present de I'Opera. [By Baron P.
H. D. von Holbach.] En Arcadie, [Paris,]
1752. S\ 1103. b. 21. (2.)
LEUCIPPO E ZENOCRITA. The
Favorite Songs in the Opera Leucippo
and Zencciita [a Pasticcio], for the Voice
and Harpsichord, etc. Pi. Brcinncr :
London, [1764.] fol. G. 805. r. (5.)
The composers named are Vento, Hasse
and Giardini.
LEURS. Leurs petits sont pour les
oiseaux. Air.
See Geoeges et Geos Jean.
LE VASSEUR ( ) Doux Messagers
dujour. Air, etc. [Words by] Lombard.
[Paris,] 1729. s. sh. i\ 298. a. 5.
Mercure de France, June, 1729.
LEVERIDGE (Richaed) A CoUectiou of
Songs ... In Two Volumes. Printed for
the Author ; London, 1727. 8°. C. 371.
[Another copy.] C. 371. a.
Wanting the frontispiece.
A New Book of Songs, Engraven, Printed
and Published for R. Leveridge.
[London, ITdO?] fol. H. 41.
[Another copy.] H. 82. (2.)
Advice. [Song.] [London,
1730 ?] s. sh. fol. G. 310. (88.)
[.^sop.] Shou'd I once change my Heart.
A Song in the Comedy [by Sir John
Vanburgh] calVd JSsop . . . Sung by Mrs.
Cross and exactly engrav'd by T. Cross.
[London, 1697.] fol. K. 7. i. 2. (65.)
[Another edition.] Shou'd I once
change^my Heart. A Song in . . . ^sope.
etc. [London, 1700 ?] fol.
[Another copy.]
G. 304. (140.)
G. 311. (46.)
Awake, my Eyes, awake. A Song, etc.
G. 304. (16.)
LEVERIDGE (Richaed) [The Beau
Demolished.] Whilst I'm carrouzing . . .
So7ig . . . [composed] by Mr. Leveridge.
[1715 ?] s. sh. fol.
See Beau Demolished. G. 313. (130.)
The Biter Bit. [Song.] [London,
1720?] s. sh. fol. H. 1994. b. (97.)
Black-Ey'd Susan to Mr. Leveridge's tune.
For the Flute. [London,
1720?] s.sh.idY. G. 305. (177.)
Sec Caeey (H.) [Black-eyed Susan.]
Sweet William's Farewell to Black-Ey'd
Susan, etc. (Mr. Leveridge's Tune.)
[1720?] s.sh.iol. H. 1601. (24.)
[Another edition.] Sec Caeey (H.)
[Black-eyed Susa)i.] Sweet William's
Farewell, etc. (The Tune by ]\Ir.
Leveridge.) [1725 ?] s. sh. fol.
G. 316. g. (2.)
See, Carey (H.) [Black-eyed Susan.]
All in the Downs, etc. (Mr. Leveridge's
Tune.) [1750?] s.sh.iol.
G. 806. r. (11.)
Blythe Jockey, young and gay. [Song.]
Sung by the Boy. [London,
1700?] s.sh.iol. G. 306. (234.)
[Another copy.] G. 304. (26.)
[Another edition.] Blythe Jockey, young
and gay. A Scotch Song, etc. [London,
1710?] s. s/(. fol. H. 1601. (67.)
[Caligula. Tho' over all ilankind.] A
Song made for the Entertainment of Her
Royal Highness . . . Sung by Mrs. Lindsey,
in Caligula [by J. Crowne] ; and exactly
engrav'd by T. Cross. [London,
1698.] fol. K. 7. i. 2. (66.)
[Another edition. Tho' over all
Mankind.] [London, 1100?] fol.
G. 315. (50.)
Wanting p>p. 1-3.
Chloe brisk and gay appears. A Song . . .
exactly engrav'd by T. Cross. [London,
1698 ?] fol. K. 7. i. 2. (68.)
[Another edition.] Cloe brisk and gay
appears. [London, 1710 ?] s. sh. fol.
G. 305. (23.)
[Another edition.] Chloe brisk and gay
appears. A Song . . . exactly engrav'd by
D. Wright. [London, 1715 ?] s. sh. fol.
H. 1601. (105.)
Come fair one be kind.
See infra : [Tlie Becruiting Officer.]
The Contented Man. [Song.] [London,
1740 ?] s. sh. fol. G. 308. (8.)
[Another copy.] s. sh. fol. G. 315. (17.)
Cry'd Celia to a Reverend Dean. [Song.]
[London, 1730 ?] s. sh. fol.
G. 307. (42.)
[Another edition.] Cry'd Celia to a
Reverend Dean. [Song.] [Loyidon ?
1730 ?] s. sh. fol. G. 316. d. (95.)
LEVERIDGE
43
LEVERIDGE (Richaedj The Cuckow.
[Soug, the words by W. Shakespeare.]
iLoiidon, 1725 ?] s. s/j. fol. G. 313. (62.)
Cupid my Pleasure. A tico part Song.
The words & Music by ^Nlr. Leveridge.
[London, 1750 ?] s. sh. fol.
G. 316. (95.)
[Another copy.] H. 1994. a. (23.)
The Cure of all Grief. [Song.] [London,
1730?] s.sh.toL G. 307. (199.)
Drinking Excus'd. [Song.] [London,
1725 ?] s. sh. fol.
[Another copy.]
Early in the Dawning.
by Mr. Penkdhman,
1700 ?] s. sh. fol.
[Another copy.]
The fair Aurelia's gone
G. 313. (5.)
G. 303. (87.)
[Song.] Sung
[London,
G. 304. (51.)
I. 530. (52.)
astray. [Song.]
1707.
See Fakewej.l Folly. H.
The Fickle Fair. [Song,
Smith.] [London, YimT]
Words by a Person of Quality. [London,
1720?] s.sh.iol. G. 305. (25.)
[Another copy.] G. 312. (43.)
[Farewell Folly.] The ^Mountebank Song
[begins "Here are People and Sports"],
Sung by Dr. Leverigo and his Merry
Andrew Pinkanello, in Farewell to Folly
[words by P. A. ilotteux], etc. [London,
1707.] s. sh. fol. G. 305. (24.)
[Another copy.] G. 305. (60.)
The Mountebank, a Song [begins :
" See Sirs, see here,"] in the Quacks or
Farewell Folly. [Words by P. A. Motteux.]
Set and sung by Mr. Leveridge. [London,
1707.] s. sh. fol. G. 305. (20.)
[Another copy.] G. 315. (137.)
[Another edition.] The Mounte-
bank. A Song, etc. 1707. s. sh. fol.
" 1601. (383.)
Words by J.
s. sh. fol.
G. 308. (67.)
Fly from hi> chirming Language. [Song.]
Sung by Mm. Lindsey. [London,
1710?] s.sh.iol. G. 305. (209.)
Foolish Swain thy Sighs forbear. A
Song set and sung by Mr. Leveridge at
the Theatre Rovall. [London,
1715 ?j s.sh.iol. H. 160i. (160.)
[Another edition.] Foolish Swain thy
Sighs forbear. A Song, etc. [London,
1720 ?] s. sh. fol. G. 305. (22.)
[Another copy.] G. 307. (191.)
From good Liquor ne'er shrink. Chanson
a Boire. [London, 1720?] s. sh. fol.
G. 307. (181.)
Good Advice. A Song set and sung by
Mr. Leveridge at the New Play-house.
[London, 1700 ?] s. sh. fol.
H. 1601. (286.)
[Another edition.] Good Advice, etc.
[London, 17157] s.sh.iol. G. 310. (28.)
LEVERIDGE (Richard) [Another
edition.] Good Advice, etc.
Cluer : [Lojidon, 1720?] s.sh.iol.
G. 316. g. (36.)
A Health to the best in Chrisendom.
[Song.] See Boast. Boast no more of
nice Beautvs, etc. [By R. Leveridge.]
[1710 ?] s. sh. fol. H. 1601. (74.)
Hold, John, e'er you leave me.
See infra : [The Island Princess.']
If to Love or good Wine. A New Song,
etc. [London, 1715 ?] fol. G. 309. (50.)
Iris beware when Strephon pursues you.
^•1 Song sett and sung by I\Ir. Leveridge at
the Theatre. [London, 1720?] s. 67;. fol.
G. 309. (77.)
[The Island Princess.] The Prologue . . .
Set and Sung by Mr. Leveridge and
exactly engrav'd by T. Cross. '[London,
1700.] s. sh. fol. G. 315. (100.)
Hold, John, e'er you leave me. A
Dialogue in the Island Princess. Set by
Mr. Leveridg. Sung by him & Mr. Pate.
[Words by P. A. Motteux.]
[London, 1700.] fol. H. 1601. (188.)
[Another edition.] Hold, John, e'er
you leave me. A Dialogue in y" 3'* Act
of y° Island Princess, etc.
[London, 1700.] fol. G. 304. (72.)
[Another edition.] Hold, John, e'er
you leave me. A Dialogue . . . Newly
Transpos'd for the Flute.
[London, 1700.] fol.
G. 308. (87.)
Let soft desires your Heart engage.
A Song, in the Opera called the Island-
Princess . . . Sung by Mrs. Campion, and
exactly engrav'd by T. Cross. [Words by
P. A. Motteux.] [London, 1700.] s. sh. fol.
K. 7. i. 2. (64.)
[Another edition.] Let soft desires
your Heart engage. A Song in the new
Opera, etc. [London, 1700.] s. sh. fol.
G. 304. (94.)
Oh cease, urge no more. An En-
thusiastich Song in the Island Princess.
Set and Sung by Mr. Leveridge. [Words
by P. A. Motteux.] [Lojidon, 1700.] fol.
G. 310. (291.)
Jenny long resisted. [Song.] Sung by
Mrs. Campion. I. Walsh, I. Hare & I.
Young: London, [1100 ?] s. sh. fol.
G. 304. (85.)
[Another copy.] G. 309. (62.)
Jogging on from j'onder Green. [Song.]
Sung by Mrs. Lindsey.
[Lo7idon, 1700 ?] s. sh. fol. G. 304. (79.)
[Another copy.] G. 309. (78.)
[Jupiter and Europa.] This great World
is a Trouble. [I\Iusic by R. Leveridge.]
[1723.] s. sh. fol.
See JuPiTEE AKD EuEOPA. G. 312. (47.)
44
LEVERIDGE
LEVERIDGE (Richard) [The Lady in
Fashion.] Tell me, Belinda, prithee do.
A Song in [Woman's Wit or] the Lady
in fashion . . . Sung hy ]Mrs. Gibber and
exactly engrav'd by T. Cross. [Words by
C. Gibber.] [London , 16dS ?]
s. sh. fol. K. 7. i. 2. (67.)
[Another edition.] Tell me Bellinda,
etc. [Song, words from C. Gibber's
' Woman's Wit ' . . . Music by R. Leveridge.]
[1697 ?] fol. See Tell. H. 1601. c. (5.)
Lay aside the reap-hook.
See infra: [The Mountebank.']
Let soft desires your Heart engage.
Sec supra : [T]ic Island Princess.']
[Love and a bottle.] When Cupid from
his Mother fled. Songs in the new
Comedy [by G. Farquhar] call'd Love and
a Bottle. Sung by Mrs. AUinson.
[London, 1699.] s. sh. fol. G. 304. (172.)
[Another edition.] When Cupid from
his ]\Iother fled. A Song . . . exactly en-
grav'd by T. Cross. [London,
1699 ?] s. sh. fol. G. 315. (150.)
The Lusty Young Blacksmith, etc. [Song.]
[London, 1705?] s. sh. fol.
Gren. 559. (22.)
[Another edition.] A lusty young Smith
at his Vice stood a filing. A Song . . .
exactly engrav'd by D. Wright.
[London, 1705 ?] s. sh. fol.
H. 1601. (45.)
[Another edition.] A lusty young Smith
at his Vice stood a filing. A Song, etc.
[London, 1705 ?] s. sh. fol. G. 304. (8.)
[Another edition.] The Lusty Young
Blacksmith, etc. [London,
1710 ?] s. sh. fol. G. 316. d. (15.)
Marinda's face like Cupid's bow. A new
Song . . . Sung att the Theater in Dublin.
[London, 1700 ?] fol. G, 304. (105.)
[Masaniello.] Of all the World's enjoy-
ments. The Fishcrmans So7ig in the
First Part of Massaniello [by T. Durfey],
Set and Sung by Mr. Leveridge, and
exactly engrav'd by T. Cross.
[London, 1700.] s. sh. fol.
H. 1994. c. (54.)
■ [Another edition.] Of all the World's
enjoj'ments. The Fishermans Song in
Massaniello, etc. [London,
1700.] s. sh. fol. G. 304. (115.)
[Another copy.] G. 310. (173.)
[Another copy.] G. 305. (185.)
[Another edition.] Of all the World's
enjoyments. The Fishcrmans Song, etc.
Sec Of. Of all the Worlds enjoyments,
etc. [Bv R. Leveridge.] [1700.] s.s7(.fol.
H. 1601. (353.)
The Miser's Pursuit, etc. [Song, words by
the Rev. S. Wesley.] [Londoti,
1725 ?] s. sh. fol. G. 313. (36.)
LEVERIDGE (Richard) The Mounte-
bank. Sec supra : [Farewell Folly.]
[The Mountebank.] Lay aside the reap-
hook. [Song.] Sung by Mr. Randall, in
the Farce calVd the Mountebank or tJie
Country Lass. [London, 1715.] s. sh. fol.
G. 305. (133.)
Different from the hiterludc of the same
name in ' FareiocU Folly.'
[Another copy.] G. 310. (23.)
[Another edition.] Lay aside the
reap-hook, etc. [London, 1715.] s. sh. fol.
H. 1601. (273.)
Now Roger and Harry. [Song.]
Sung by Mr. Jones in the Farce call'd the
Mountebank or the Country Lass, etc.
[London, 1715.] s. sli. fol.
H. 1601. (314.)
[Another edition.] Now Roger and
Harrv, etc. [London, 1715.] s. sh. fol.
G. 310. (133.)
[Another copy.] G. 305. (13.)
Now Roger and Harry.
See supra: [The Mountebank.]
Observations on a Gentlewoman, working
by an Hour-Glass. [Song.] The Words
by Ben Johnson. [London, 1753.] 8".
P.P. 5438. z.
Universal Magazine, Vol. XIII., p. 271.
Of all the World's enjoyments.
See supra : [Masaiiiello.]
Of good English Beer our Song let's raise.
A Song in Praise of Old English Beer.
[London, 1740 ?] s. sh. fol.
G. 310. (198.)
[Another copy.] G. 303. (70.)
[Another edition.] Of good English Beer
our Song let's raise, etc. [London,
1745 ?] s. sh. fol. G. 316. e. (101.)
Oft I'm by the Women told. An Ode in
Anacrcon. [Translated by A. Cowley.]
Printed for J. Simpson:
[London, 1735 ?] s. sh. fol. G. 315. (3.)
[Another edition.] Oft I'm by the
Women told. An Ode in Anacreon.
[London, VJ^O"!] s. sh. lo\.
G. 310. (179.)
Oh cease, urge no more.
See supra : [Tlie Island Princess.]
Oh Death think on the Words you gave.
A Dialogue betiocen Death and a Dying
Person . . . The Words by Mr. Parrat.
[London, 1740.] 8°. 239. e. 10.
Gentleman's Magazine, Vol. X.,p. 88.
Old Poets have told us, when they were
grown mellow. [Song.] [London,
1720 ?] s. sh. fol. I. 530. (90.)
On Sunday after Mass. [Song.] Sung
by Mrs. Mills. [London, 1700 ?] s. sh. fol.
G. 304. (113.)
[Another copy.] G. 310. (182.)
LEVERIDGE
45
LEVERIDGE (Richard) On Sunday
after Mass. [Another copy.] I. 530, (92.)
[Another edition.] On Sunday after ]\Iass.
A Song, etc. [London, 1710?] s.sh.iol.
H. 1601. (350.)
[Plot and no Plot.] When Chloe I your
Charms survey. A Song in the Plot and
no Plot [words by T. Cheek], Set and
Sung by Mr. Leveridge and exactly en-
grav'd by T. Cross. [London,
1698.] s. sh. fol. K. 7. i. 2. (69.)
[Another edition.] When Chloe I
your Charms survey. [London,
1705 ?] s. sh. fol. G. 304. (170.)
[Another edition.] When Chloe I
your Charms survey, etc. [London,
1710?] s. s7i. fol. H. 1601. (511.)
[The Quacks.] To gentle Strei^hon tell
your grief. A Song in the Play call'd the
Quacks, or Lov's the Physitian, [adapted
by 0. Mac Swiney from Moliere's
' Li' Amour Medecin,'] Sung by the Boy.
[London, 1705.] fol. G. 315. (9.)
[The Recruiting Officer.] Come fair one
be kind. A Song . . . Sung by ]\Ir. Wilks
in the Comedy call'd the Recruiting
Officer. [Words by G. Farquhar.] With-
in Compass of the Flute. [London,
1705.] s. sh. fol. G. 307. (1.)
[Another copy.] G. 305. (19.)
The Reproach. [Song, Words by Dr.
Donne.] See Young (A.) The Reproach,
etc. (]\Ir. Leveridge's Tune.)
[1720?] s.sh.iol. G. 311. (76.)
[Another edition.] The Reproach.
See Young (A.) The Reproach, etc. (Mr.
Leveridge's Tune.) [1720?] s.sh.iol.
H. 1601. (405.)
Resolution. [Song.] ^London,
1725?] s.sh.iol. G. 310. (15.)
The Roast Beef Song [begins : " When
mighty Roast Beef was the Englishman's
Food "] ... by a Lady of Quality.
[London, 1735 ?] s. sh. fol.
G. 313. (135.)
[Another copy.] 1. 530. (177.)
[The Roast Beef Song.] See By. By the
blessing of God we have Conquer'd at
last, etc. [To the tune of the Roast Beef
of Old England, by R. Leveridge.]
[1782.] s. sh. fol. G. 306. (190.)
Should I dye by y" Force of Good Wine.
A Song Sett and Sung by Mr. Leveridge
at the Theatre. [London,
1720?] s.sh.iol. H. 1601. (395.)
[Another edition.] Should I dye by y"=
force of good Wine. A Song, etc.
T. Cluer : [London, 1720 ?] s. sh. fol.
G. 316. g. (55.)
[Another edition.] Should I dye by y=
force of good Wine, etc. [London,
1720?] s. sh. fol. G. 311. (81.)
LEVERIDGE (Richard) [Another
edition.] Should I dye by the Force of
good Wine, etc. [London,
1730?] s.sh.iol. G. 316. e. (134.)
Shou'd I once change my Heart.
See supra : [.^sop.]
The Sun was just setting. A new Song,
etc. H. Plaijford : [London,
1700 ?] s. sh. fol. " G. 312. (28.)
[Another copy.] G. 304. (149.)
[Another edition.] The Sun was just
setting, etc. [London, 1710 ? ] s. sh. fol.
H. 1601. 429.
Sure ne'er was a Dog so wretched. A
Song . . . Set for the German Flute.
[London, 1735 ?] s. sh. fol.
G. 316. e. (144.)
Sweet are the Charms of her I love. A
New Ballad. The Words by Mr. Barton
Booth, etc. [London, I'ilO?] s.sh.iol.
H. 1601. (404.)
[Another edition.] Sweet are the Charms
of her I love. A New Ballad, etc.
I. Jones : [London, 1710 ?] s. sh. fol.
L 530. (91.)
[Another edition.] Sweet are the charms
of her I love. A Netv Song, etc.
[London, 1710 ?] s. sh. fol.
G. 305. (217.)
[Another copy.] G. 311. (52.)
[Another copy.] G. 316. g. (61.)
[Sweet are the Charms of her I love.]
See Fair. Fair soft and easy Celia walks
... to the Tune of Sweet are the Charms
&c. [By R. Leveridge,] etc.
[1720 ?] s. sh. fol. H. 1601. (140.)
Tell me, Belinda, prithee do.
Sec supra : [The Lady of Fashion. '\
Thus Damon knock't at Celia's Door. A
Song . . . sung at the Theater. [Words
from G. Farquhar's ' Constant Couple.']
[London, 1700 ?] s. sh. fol.
H. 1601. (448.)
[Another edition.] Thus Damon knock't
at Celia's door. A new Song . . . Sung at
y" Theater in Dublin. [London,
1710 ?] s. sh. fol. G. 304. (155.)
Time Anticipated. [Song.] ^London,
1725 ?] s. sh. fol. G. 303. (5.)
The Tippling Philosophers. [Song, words
by E. Ward.] Set and Sung by Mr.
Leveridge at the Theatre in Lincoln's Inn
Fields. I. Jones : [Loudon,
1710 ?] s. sh. fol. Gren. 559. (17.)
[Another edition.] The tippling Philo-
sophers, e^c. [London, 1715?] s.sli.lol.
H. 1601. (136.)
To gentle Strephon tell your Grief.
Sec supra : [The Quacks.]
46
LEVEEIDGE— LIBERTA
liEVERIDGE (Richakd) The Wheel of
Fortune. See Wheel. The Wheel of
Life is turning quickly round ... A Song
rcompoFed and] Sung by Mr. Leveridge,
etc. [1725?] s.sh.iol G. 312. (21.)
When Chloe I your Charms survey.
See supra : [Plot and no Plot.]
When Cupid from his Mother fled.
Sec supra : [Love and a Bottle.']
When Sawney first did woe me. A new
Song . . . Sung at y° Theater in Dublin.
[London, 1710 ?] s. sh. fol.
G. 304. (173.)
[Another edition.] When Sawny first
did woe me. A Scotch Sorig, etc.
[London, 1710 ?] s. sh. fol.
H. 1601. (503.)
[Another edition.] When Sawny first did
woe me, A Scotch Song, etc. [London,
1715 ?] s. sh. fol. G-. 313. (64.)
[Another copy.] G. 305. (6.)
Why do you with disdain refuse. A Song,
the Words by a Person of Quality . . .
exactly engrav'd by T. Cross. [London,
1700?] s. sh.iol. I. 530. (93.)
A Yorkshire Tale. [Song.] [London,
1720 ?] s. sh. fol. G. 307. (6.)
[Another edition.] A Yorkshire Tale, etc.
[London ? 1720 ?] s. sh. fol.
h. 316. d. (93.)
Young Cupid I find. A Song. Set and
Sung by Mr. Leveridge at the Theatre.
[London, 1120?] s.sh.iol.
^ G. 305. (152.)
Sec Habmonia Anglic ana. Harmonia
Anglicana ... A Collection of . . . Songs
. . . by . . . Leveridge, etc. [1765 ?] fol.
^ G. 103. b.
See Shield (W.) [The Crusade.] The
Songs . . . in the . . . Crusade, [a Pasticcio,]
composed by . . . Carolan, Leveridge, etc.
[1720.] obi. fol. D. 293. b.
See Thesaueus Musicus. Thesaurus
Musicus. A Collection of . . . Part Songs
. . . by . . . Leveridge, etc. H. 73.
LEVESQUE (Peter) XII. Canzonetts
for One, Two and Three Voices, Adapted
for the Harpsichord and Piano Forte,
with Accompanymeuts. Opera Secunda.
Printed for the Author by Thos. Straight :
London, [1790?] obi. fol.
F. e07. z. (2.)
LEVONS. Levons nous, un Tribun per-
fide. Chant. See Lesueub (J. F.)
LEVY ( ) Bacchus, dans ce repas tu
vas perdre ta gloire. Becit de Basse.
Les paroUes sont de M' le Chevalier de
Lauret, etc. [Paris,] 1751. s. sh. i".
298. c. 3.
Mercure de France, May, 1751.
LlSVY ( ) La Bagatelle. Vaudeville.
Les paroles sont de M"' Mesl4, etc.
[Paris,] 1751. s. sh. 4°. 298. e. 5.
Mercure de France, Sept., 1751.
LEWIS (Matthew Gbegoey) Evelina's
Lullaby. A Favorite Ballad Sung ... at
. . . Drury Lane by Mrs. Bland. The
Poetry and Music by ]M. G. Lewis, etc.
Monzani & Cimador, for Mrs. Bland :
Lo«(7o7!, [1800?] fol. H. 2831. a. (14.)
LEYDING (Johakn Dietrich) Zwolf
italicenische Arietten ausden dramatischen
Wercken des Herrn Abts Metastasio . . .
in Music gesetzt von J. D. Leyding.
Erster Theil. Bey G. C. Gnmd :
Hamburg, [1765?] obi. fol. D. 357.
Oden und Lieder mit ihren eigenen
Melodien. Bey D. Iversen :
Altona, 1757. 8'\ D. 357. a.
LEYERMANN. Der Leyermaun. [Song.]
See HiMMEL (P. H.)
L'HOSTE (Spirito) De 1' Hoste da
Reggio 11 Primo Libro de ]Madrigali a Tre
Voci . . . Nouamente da lui fatti, corretti,
& posti in luce. Alto.
Appresso di Francesco et Simone Moscheni :
Milano, 1554. obi. 4°. A. 262.
LIBER (Anton Joseph) Six Senates en
Trio pour le Clavecin avec Accompagne-
ment de Violon et Basse. [Separate
Parts.] Chez S'' Glitz : Mannheim,
[1775?] fol. g. 79. a. (3.)
LIB]6rA. Le Libera de la Bourbonnoise.
[Song.] See Dans. Dans Paris grande
ville. [1785?] 8°. B. 362. i. (40.)
LIBERATI (Antimo) Lettera scritta dal
Sig. Antimo Liberati in risposta ad vna
del Sig. Ovidio Persapegi, che gli fa istanza
di voler vedere, ed' essaminare i Componi-
menti di Musica, fatti dalli cinque Con-
correnti nel Concorso per il posto di
IMaestro di Cappella della Metropolitana
di Milano, etc. Per il Mascardi :
Buma, 1685. 4°. 556. c. 8.
LIBERAZIONE DI RUGGIERO. La
Liberazione di Ruggiero dall' Isola d' Al-
cina. Balletto. See Caccini (Francesca)
LIBERIA. Liberia's all my Thought
and Dream. Song.
See Barrett (J.) Organist.
LIBERTA. La Liberta. Canzonetta.
Sec GiAEDiNi (F.)
La Liberta. Canzonetta.
See Herbain ( d') Chevalier.
La Liberta a Nice. [Duetto.]
See Cherubini (M. L. C. Z. S.)
LIBERTY— LIE
47
LIBERTY. Liberty. [Song, begins :
' Since ev'ry Charm on Earth combines.']
Sec Hudson (R.)
Liberty. Two-Part Song. [Begins : ' Happy
Britain ! '] See R., J.
Liberty. Song. See Since. Since ev'ry
Charm on Earth combines, etc. [By R.
Hudson.] [1766.] 8°. P.P. 5438. z.
Liberty regain'd. Ode. See Basili (A.)
LIBERTY HALL. Liberty HaU. Comic
Opera. Sec Dibdin (C.)
Liberty-HaU. [Song.] See Old. Old
Homer, but what have we with him to do ?
[1775 ?] s. sh. fol. H. 1994. a. (76.)
LICAS. Licas adorait Oriane. Romance.
See Philidor (F. A. Danican)
Licas Amant d'Aminte. Ah ! s'ils s'iveil-
loieiit. [Song.] Air, Tandis que tout
someille [by A. E. M. Gretrv].
ChezCamand: [Paris, 1789?] 8".
B. 362. a. (192.)
Licas aupres de ma Bergere. Musette.
[Paris,] 1751. s. sh. 4°. 298. c. 6.
Mercure de France, Dec, 1751.
LICHFILD (Henry) The First Set of
Madrigals of 5. Parts : apt both for Viols
and Voyces. Cantus. (Altus.) (Tenor.)
(Bassus.) (Quintus.) 5 pts.
Printed for M[atthcxo] L[_owncs'], /[o/oi]
B[rowne~\ and T\_liomas'] S[nodha7}i] the
Assignes of W. Barley : London, 1613. 4".
K. 8. f. 5.
The last two leaves of the Altus are
loanting, hut have been supplied in
facsimile.
LICKL (Georg) III. Grands Quatuors
concertans pour deux Violons, Alto et
Violoncelle. Oeuvre 1. [Separate Parts.]
Chez J. Andre' : Offenbach s. M.,
[1800?] fol. g. 410. a. (9.)
LICORIS. Licoris Bouquetiere. [Song.]
Sec Je. Je suis jeune bouquetiere.
[1780?] 8". B. 362. b. (145.)
LIDARTI (Cristiano Giuseppe) Six
Duetts for a Violin and Violoncello.
[Separate Parts.] Welcker :
London, [1775?] fol. g. 421. d. (9.)
Six Sonatas for two German Flutes or
Violins with a Thorough Bass for the
Harpsichord. [Separate Parts.]
Welcker : London, [1770 ?] fol.
g. 242. (4.)
[Another copj-.] h. 2852. a. (12.)
Sei Trii per Due Violini con Basso . . .
Opera iii. [Separate Parts.]
Ati Bureau d' Ahonnemcnt Musical :
Paris, [1770 ?] fol. g. 1003.
See Galeotti (S.) Six Sonatas for Two
Violins, with a Thorough Bass . . . one bv
Sig' C. G. Lidardi. [1768?] fol.
g. 516. a.
LIDARTI (Giovanni Battista) Sei Trii
per due Violini e Basso, etc. [Separate
Parts.] Stampati a spese di G. Sodcrini :
{London, 1780 ?] fol. g. 409. e. (2.)
LIDEL (Andreas) Six Duettos, for the
Violin and Tenor, with a separate part for
the Violoncello . . . Opera 3*.
Printed by the Author :
London, [1779.] fol. g. 421. (13.)
[Another edition.] Six Duettos . . . Opera
S*. [Separate Parts.] 15'. Forster :
London, [1180 7] iol. h. 219. (5.)
A Second Sett of Six Duettos, three for
Violin and Tenor, and three for Violin and
Violoncello . . . Op. vi. [Separate Parts.]
Printed by the Author :
London, [1785 ?] fol. g. 421. (12.)
A Third Sett of Six Duettos for Two Violins
or Violin and Violoncello . . . Opera viii.
[Separate Parts.] Printed by tJie Author :
London, [1785 ?] fol. g. 426. b.
In vain you tell your parting Lover. A
Favorite Song. The Words by Prior.
Printed for the Author :
London, [1780 ?] fol. G. 309. (101.)
Six Quartettos, Three for two Violins,
Tenor & Violoncello, and three for Flute,
Violin, Tenor & Violoncello Obligato . . .
Opera 2*^. [Separate Parts.] Printed for
the Author : London, [111^1] fol.
g. 426.
Three Quintettos for a Flute, Violin, two
Tenors and Violoncello Obligato . . . Opera
V. [Separate Parts.] W. Forster :
Lo7idon,[nS4:?] fol. g. 426. a.
Six Sonatas for Violin, Tenor & Violon-
cello . . . Opera 4'". [Separate Parts.]
Printed by the Author :
London, [lim 7] fol. g. 416. (1.)
[Another edition.] Six Sonatas for Violin,
Tenor & Violoncello . . . Opera 4'\ [Sepa-
rate Parts.] Printed for W. Forster :
London, [1780 ?] fol. g. 420. c. (7.)
Six Trios for a Violin or Flauto, Violino
Secondo, and Violoncello Obligato . . .
Opera 1™". [Separate Parts.] Longman,
Lxilicy and Brodcrip : London, [1778.] fol.
g. 409. (8.)
LIDEL (Francis) Music the fiercest
Grief can charm. A favorite Glee, etc.
I[ohn] F[entu]7n : [London, 1780 ?] fol.
G. 310. (109.)
LIDL (Andreas) See Lidel.
LIE. Lve on, while my revenge shall be.
Glee. See Bates (W.)
Lie still my little Heart. Song.
Sec WiLLSON (.J.)
Lie still my trembling Heart. Duetto.
See Reeve (W.) [Joan of Arc]
48
LIEBE— LILIES
LIEBE AUF DEM LANDE. Die
Liebe iiuf dem Lande. Comische Oper.
See HiLLER (J. A.)
LIEBER. Lieber Casper lehr'michs doch.
Duetto. See Mueller (W.) [Die Zau-
hcrzitter.']
Lieber kleiuer Gott der Liebe. Aria.
See LIuELLEE (W.) [Das neu Sonntags-
kind.]
LIED. Das Lied von Treue. Ballade.
See ZuMSTBEG (J. R.)
LIEDER. [Fiiuff uud sechzig teiitscher
Lieder, vormals \n truck nie ussgangen]
Y[agans]. [Apud Petrum Schoeffer. Et
Mathiam Apiariuvi : Argentorati, 1536.]
obi. 4". K. 8. i. 9.
The title occurs only in the Tenor part.
The following names of composers are
given in MS. : Ludioig Senfiin
[Senffel], Si.vt. Die[trich'], P. Wiest,
T. Sparer, Cosmas Alderinus, W.
Grdfinger, M. Greitter, C. Alderinus,
Bar. Arthopius, Hid. Pratel [Brcit-
tellius'], Joh. Wa7inenmac[her'], T.
Stoltzcr, A. de Brilgk, B. Ducis, M.
Eckel, Laza. Spenglcr and Wil.
Braittengraser. Other composers are
St. Mahu and P. Hoffhaimer.
Lieder der Deutschen mit Melodieu.
Erstes(-Viertes) Buch. 4 pts.
Bev G. L. Winter : Berlin, 1767-S. 4".
85. g. 13.
Lieder eines Magdehens, beym Singeu
und Claviere. Bey P. H. Perrenon :
Milnster, 1774. obi. fol. C. 750.
LIFE. Life is chequered. [Song.]
See Greene (jNI.)
The Life of a Beau. [Song.]
See Carey (H.) [The Coffee House.']
The Life of a Belle. [Song.]
See Carey (H.)
Life's a Pun. [Song.] See Dibdin (C.)
[Private Theatricals.]
Life's chequer'd scene of light and shade.
Glee [for three voices]. As Perform'd at
the Pantheon j\Iasquerade, etc.
P. H[odqson: London, 1780?] s. sh. fol.
G. 310. (56.)
LIFE'S VAGARIES. I can dance and
sing ... A Favorite Song sung by ]\Irs.
Lee, in the new Comedy of Life's Vagaries
. . .The Words by J. O'Keefe.
Preston <£ Son : London, [1795.] fol.
G. 249. (38.)
LIGARIUS (Johannes) See Psalms.
[Dutch.] Dat Woerdische Sangboeck, etc.
[With a preface by J. Ligarius.]
1647. 12°. 3433. de. 33. (1.)
LIGHT. Light as thistle down. Song.
See Shield (W.) [Rosina.]
LIGHT. The Light Horse Volunteers.
Song. See Schroeder (H. B.)
LIGHT (Edward) The Art of Playing
the Guitar. . .To which is added a variety
of. . .Lessons, Airs, Divertimentos, Songs
&c. . . . adapted for that Instrument.
J. Preston: Londo7i, [1185 7] 8". e. 321.
A First Book, or Master and Scholar's
Assistant, being a Treatise on, and an
Instructor for Learning ]\Iusic. . .with. . .
Practical Lessons in progressive order
... in Three Numbers. Composed &
arranged by B. Light, etc. [No. 1.]
Printed for the AutJior : London,
[1794.] fol. h. 3213. g. (6.)
The Ladies' Amusement, being a Collec-
tion of Favourite Songs and Lessons
within Compass of the Guitar, etc. No. 1.
Printed for the Author : London,
[1780 ?] obi. 4». a. 76. (3.)
Low in a Vale young Willy sat. A
Favourite Scotch Song. The Words by a
young Gent". Str[aight] <.(; Sk[illern :
London, 1775 ?] s. sh. fol. I. 530. (95.)
LIGHT (Robert) An Air with Variations
and Accompaniments for Flute and Violin
obligati, etc. [Separate Parts.]
T. Williamson, for the Author : London,
[1800?] fol. h. 117. (25.)
LIGHTEN. Lighten our Darkness, we
beseech thee 0 Lord. [Anthem.]
See Jansen (L.)
LIGHTLY. Lightly o'er the Village
Green. Cxlee. See Spofforth (R.)
LIKE. Like gentle Turtles cooing. The
Happy Sivain. The Words by Mr. A. Brad-
ley, a New Song. [London, 1720 ?] fol.
H. 1601. (293.)
[Another edition.] Like gentle Turtles
cooing. Tlie Happy Swain. The Words
by Mr. A. Bradley, etc. [London,
1725 ?] s. sh. fol. G. 316. g. (40.)
[Another copy.] G. 305. (295.)
Like sparkling Champaigne. [Song.]
See Battishill (J.) [Tlie Foundling.]
LIKENESS. Likeness without Flattery.
[Song.] Sec Hook (J.)
LILIES. The lillies of France and the
fair English rose. The Soldier's Song.
[London, 1756.] 8\ P.P. ^5438. z.
Universal Magazine, Vol. XIX., p>. 183.
The Lillies of France and the fair English
Rose. Tlie Soldier's Song. [Song.]
[London, 1756.] 8". 158. L 1.
London Magazine, 1756, p. 500.
The Lillies of France & the fair English
Rose. Soldier's Song. [London,
1756.] s. sh. fol. G. 315. (76.)
LILIES— LINDNER
49
LILIES. [Auother editiou.] The Lillies
of France aud the fair English Hose.
Soldier's Song. [London, 175G.] s. sli. fol.
G. 312. (77.)
The Lillies of France aud the fair English
Hose. TJie Lillies of France. A Favorite
Soldier's Song. Printed for
H. Andrcics : London, ri797 ? ; s. sli. fol.
G.360. (50.)
Lilies ! sweet Lilies, buy ! Ballad.
Sec Denman (H.)
LILLA. Lilla oder Schonhcit und Tugeud.
[Opera.] iSVc Martin y Solak (V.) [Una
Cosa Buret.]
Lilla niia dove sei. Arietta.
See JIartin y Solar (V.) [Una Cosa
Bar a.]
LILLIPUTIAN. The Lilliputiou. [Song.]
See Snibsox (J.)
LILY. The Lily. [Song, begins: 'In
vale retir'd.'] Sec Hudson (U.)
The Lilly. Song. [Begins: ' Sheltcr'd
from the biythe ambition.']
See Pring (J. C.)
The Lily and the blushing Hose. Song in
Braise of Women. Set to ]\Iusic by a
Correspondent [of the Lady's ^lagazinej.
[London, 177G.] s. sh. 4». P.P. 5141.
Lady's Magazine, Sejit., 1770.
The Lily of the Vale. [Song.]
See Hudson (K.)
LINCO. Linco found Damon lying.
Linco's Advice to Damon. [Song.J
[London, 1730 ?J s. sJi. fol.
G. 316. e. (72.)
[Auother edition.] Linco found Damon
Iving. Linco's Adcicc to Damon.
[1740 ?J s. sh. fol. G. 310. (22.)
LINGO'S TRAVELS. I'll never go
abroad again. Favourite Song in Lincu's
Travels. [By J. Vernon.] [Dublin,
1770?] s. sh. fol. G. 808. f. (35. b.)
I saw sprightly France. Linco's Travels.
[Song, by ^l. Arne.] Taken from a Favour-
ite Interlude of that name, etc. [Dublin,
1770 ?] s. sh. fol. G. 808. f. (35. a.)
Welcome Linco, welcome home. [Song
and Chorus by J. Vernon.] Linco's
Travels, as Sung by Mr. King. S. Lee :
[Dublin, 1110 ■>] s.sh.lol.
G. 808. f. (35. c.)
Linco's Travels. [Songs.]
Sec Arnk (M.) aud Vkrnon (J.)
LINDELL (Johan) Cantileuarum selec-
tiorum editio nova, in gratiam Scholarium
Notis Musicis, Distinctis Strophis aliaque
adhibita emendatione evulgata a Joh:
Lindell,c^c. [.46o,] 1776. S". B. 438. a.
Engraved throughout.
VOL. II.
LINDENERUS (Fridekicus)
See Lindner.
LINDLEY (Robert) Throe Duets, for
Two Violoncellos . . . Op. 1'"*. [Separate
Parts.] Printed for Mon::ani <£ Cimador :
London, [1800 ?] fol. h. 219. (9.)
[Another copy.] g. 421. k. (5.)
LINDNER (Friedrich) Bicinia Sacra,
ex Variis Autoribus in Usum luventutis
Scholasticse . . .coUecta : Quibus adjuncta
est compendiaria in artem canendi Intro-
ductio . . . Zweystimmige Gesiingleiu,
sampt einem kurtzen vnterricht, wie man
soil lernen singen, fitr die jungen Schuler
ueulich im druck aussgangen. Vox In-
ferior. Li officina typographica Catharinai
Gcrlachix : Noribergac, 1591. obi. 4".
A. 251. c.
The navKS of the composers arc : O.
di Lassus, Lupi, A. Scandcllus, J.
Beinerus, Jachet Berchem, Finot, Ccr-
ton, V. Buffi, T. Massaino, Gomperth,
J. Handl, A. Gosioinus, Josguin,
Jovan Nasco, B. di Lasso, M. Schram,
J. Guami, G. de Antiquis, G. B.Pace,
Tarquinio Papa, G. F. Palumbo, F.
Facciola, S. Felis, C. M. Pizziolis,
G. F. Capoani and C. V. Fanelli.
CoroUarium Cantiouum Sacrarum Quin-
que. Sex, Septem, Octo, ct Plurium
VocumdeFcstisPrfficipuis Anni. Quarum
qusedam antea, a prsestantissimis uostrte
Eetatis Musicis, in Italia separatim editie
sunt, quaedam vero nuperrimc concinnatBe
... at nunc in unum quasi corpus redactae
studio . . . Friderici Linducri,<7c. Cantus.
(Altus.) (Tenor.) (Bassus.) (Quiuta Vox.)
(Sexta Vox.) G pts. Li officina typo-
graphica Catharinie Gcrlachix : Nori-
bergac, 1590. obi. 4^ A. 251. b.
The coviposers namedarc : G. Aichinger,
J. Cartarius, O. Columbanus, J.
Corfinus, J. Florius, A. and G. Ga-
bricli, M. A. Ligigncrius, B. Klin-
genstein, D. Latirus, 0. di Lasso, B.
del Mel, C. Merulus, P. de Monte,
Sylla Pefraluysius, J. P. A. Praencs-
tinus [J. P. Aloisius), A. Scandcllus,
A. Stabile and A. Trombetti.
[Another copy. Altus. (Bassus.) (Sexta
Vox.)] 3 pts. A. 251. f.
Gemma Musicalis : Selectissimas varii
stili Cantiones (vulgo Italis Madrigali et
Napolitane dicuntur) Quatuor, Quinque,
Sex et Plurium Vocum Coutinens : Qua2
ex diversis . . . IMusicorum libellis . . . uni
quasi corpori iusertte & in lucem editse
sunt, studio . . . Friderici Lindneri . . .
Liber Primus. Canto. (Quinto.) 2 pts.
Li officina typographica CatJiarinx
GerlachisB : Noribergac, 1588. obi. 4".
A. 251. d.
The com2)osers named are : L. Bertani,
B. Donato, A. Ferabosco, A. Gabrieli,
B
50
LIN DNER— LINGKE
G. Gabricli, 0. di Lasso, J. de Macquc,
L. Marcnzio, C. Mcrulo, G. B. Mos-
cuglia, G. M. Nanino, B. Paluvicino,
Gioanctto da Palcstiina, C. de liore,
F. Soriano, A. Striggio, H. Vccchi,
H. Waelrant, J. WcrUi and A. Zoilo.
Liber Secundus Gemmae IMusicalis : Se-
lectissimas varii stili Cantiones, quae
]\Iadrigali et Napolitaiie Italis dicuutur,
Quatuor, Quiuque, Sex & pluiium vocum,
contineus . . . Editte studio . . . Friderici
Lindneri, etc. Canto. Ex Tijpographia
Musica Catliarinac Gcrlachiac : Nori-
bergae, 1589. obi. 4°. A. 251. g.
The co7n.poscrs named are : G. Gabrieli,
A. Gabricli, G. Croce, L. Marcn.vio,
0. Vccchi, G. de Wcrth, Cav. Antinori,
H. Sabino, G. Ferrctli, P. de Monte,
G. Biffi, C. da Correggio, G. Convcrsi,
G. Pallavicino, C. Antcgnati, N. Faig-
nicnt caul F. Anerio.
Tertius Gemmae Musicalis Liber : Se-
lectissimasdiversorum Autorum cantiones,
Italis Madrigali & Napolitanedictas, Octo,
Septem, Sex, Quinque & Quatuor vocum
coutinens. Nunc primum iu lucem editus
studio . . . Friderici Lindneri. Canto.
In officina typographica Cathcuinx
GerlachicX : Noribcrgac, 1590. obi. 4".
A. 251. h.
TJic composers 7mmed arc: G. Wcrtli,
G. Eremita, P. Due, B. Spontoni, O.
Vecchi, B. Pallavicino, G. G. Gastoldi,
G. Eenaldi, Scssa, d'Aranda, P. de
Monte, A. Coma, P. Marni and F.
Cedraro.
IMaguificat, Beatissimse Deipareeque Vir-
giuis MariaeCanticum, Quinque et Quatuor
vocibus, — secundum octo vulgares musicse
modes, a diversis uostrse setatis musicis
compositum, ... in lucem editmu opera
. . . Friderici Lindneri. Cantus. (Altus.)
(Tenor.) (Bassus.) (Quinta Vox.) 5 pts.
In officina Musica Catharine Gerlachise :
Nori'bcrgse, 1591. fol. K. 4. h. 5.
The composers' names are : J. M. Asula,
H. Faa, T. Riccius, M. Varotto, V.
Buffius and F. Guerrero.
Missse Quinque, Quinis Vocibus, a diuer-
sis et setatis nostrse prsestantissimis musi-
cis compositae : Ac in usum Ecclesiee Dei
nuperrime editse, studio & opera Friderici
Lindeneri. Cantus. (Altus.) (Tenor.)
(Bassus.) (Quinta Vox.) 5 pts.
In officina tijpograjihica Catharime
Gerlacliiss : Noribergae, 1590. obi. 4°.
A. 251. e.
The Masses are by Palcstrina, P. de
Monte, G. Guami, P. di Lasso and
G. Florius.
Sacrse Cantiones, Cum Quinque, Sex et
Pluribus Vocibus, de Fastis Praecipuis
Totius Anni, a praesfcantissimis Italiae
Musicis nuperrime coucinnatae ... in
uuum Corpus redactte, studio . . . Friderici
Lindneri, e/c. Discantus. (Altus.) (Tenor.)
(Bassus.) (Quinta Vox.) (Sexta Vox.) 6 pts.
In officina typographica CathariuBe.
Gerlachise : Noribergx, 1585. obi. 4".
A. 251.
The composers named arc : J. A. Cardillo,
J. Corfi}uis, S. Corncttus, N. Doratus,
N. Faignicnt, A.Fcrabosco, J. Guamus,
Don Ferdinando de Las Infantas, S.
Marazzius, T. Massainus, C. Merulus,
Gioannctto da Palcstrina, J. Penne-
quinus, J. P. A. Pracnestinus and P.
Zallamclla.
Continuatio Cantionum Sacrarum Qua-
tuor, Quinque, Sex, Septem, Octo et
Plurium Vocum, de Festis Praecipuis
Anni, a prsostantissimis Italia3 Musicis
nuperrime concinuatarum ... in unum
corpus redactfc, studio . . . Friderici Lind-
neri, etc. Cantus. (Altus.) (Tenor.) (Bassus.)
(Quinta Vox.) (Sexta Vox.) 6 pts.
In officina typographica CatharinsB
Gerlachice : Noribergae, 1588. obi. 4".
A. 251. a.
Tlic composers named are : F. Anerius,
J. A. Cardillus, A. and G. Gabrieli, J.
C. Gabutins, J. L. Haslcr, Don F. de
las Infantas, L. Marcnzio, B. del Mel,
N. Parma, G. Porta, V. Ruffus, J. de
la Sala, and A. Stabile.
LINDOR. Lindor's Sonnet on the De-
parture of Rosalie. [Song.]
See Carnaby (W.)
LINE. The Line was form'd. [Song.]
See Glorious First of Juke.
LING (William) The Loyal Briton, a
much admired Song, etc. Longman and
Broderip: London, [1108'?] fol.
G. 376. (24.)
The Rising of the Lark. A Favorite
Welsh Song with an Accompaniment for
the Piano Forte or Harp, also Arranged
with Variations for the Piano Forte by
W. Ling. W. Eolfe : London,
[1800?] fol. G. 805. k. (7.)
[Another copy.] G. 796. (13.)
A Second Sett of Three Duetts for Two
German Flutes, in which are introduced
Favorite National Airs . . . Op. 3''.
[Separate Parts.] W. Rolfc :
London, {1800^ fol. g. 225. (5.)
Three Senates for the Harpsichord or
Piano Forte one with an Accompaniment
for a Flute Obligate and two with an
Accompaniment for a Violin. . .Opera V"°.
[Separate Parts.] Printed by the
Author: London, 11195?] fol.
g. 161. e. (8.)
LINGKE (Georg Friedrich) George
Friedrich Lingkens . . . Kurze j\Iusiklchre,
iu welcher nicht alleiu die Verwandschaft
aller Tonleitern, sondern auch die jeder
LINCtKE— LINLEY
51
zukommetden harmonischen Satze ge-
zeigt, und mit praktischen Beyspielen
erlautert werden. [With a Preface by J.
A. Hiller.] Bey J. G. I. Brcitkopf :
Leipzig, 1779. 4\ 7897. cc. 7.
Die Sitze der IMusikalischeu Haupt-
Siitze in eiuer harten und weichen Tonart
und wie man damit fortschreitet uud
ausweichet in Zwo Tabelleu eutworffen,
erklart uud mit Exempeln erlautert, etc.
B. C. Brcitkopf und Solin:
Leipzig, 1766. 4". 7897. cc. 6.
LINK-BOY. The Link-Boy. Song.
Sec Moulds (J.)
LINLEY (Francis) Thirty Familiar Airs
for Two German Flutes ... To which are \
added Remarks on the utility of this
Work, etc. Messrs. Hamilton, for the
Editor : London, [17U0 ?J obi. 4".
b. 60. (4.)
A Christmas Box, containing Six Can-
zonettino's for One, Two or Three Voices,
with an Accompaniment for the Piano
Forte. Composed by the late F. Linley.
Book 1. E. Riley : London,
[1800?] fol. H. 1650. j. (5.)
Three Solos for the German Flute. . .with
an Accompaniment for the Violoncello
ad libitum ... by the late F. Linley.
[Separate Parts.] G. Walker: London,
[1800?] fol. g. 280. g. (17.)
Through Groves and Flow'ry Fields. A
Favorite Song, the Words by T. Duttou.
Lewis, Houston (C Hi/de : London,
[1796?] fol. G. 808. e. (32.)
When Angry Nations. A Favorite Song
. . . Written by T. Dutton.
Printed for Lewis, Houston & Hyde:
London, [1796 ?] fol. G. 808. e. (33.) I
LINLEY (Thomas) the Elder. Twelve
Ballads, etc. Printed for A. Portal :
London, (1780.) obi. fol. E. 271. (10.)
The Camp, an Entertainment, c/c. [Words !
partly by K. TickelL] Printed fur S. iC" A.
Thompson : London, [1778.] obi. fol.
E. 82. b. (2.)
The Camp. A Musical Entertainment,
etc. [1800.] hnpcrfect, ivanting all after
p. 22. See Periodical Publications. —
London. The Piano-Forte Magazine.
Vol. IX. [No. 7.] [1797-1802.] 8". i
D. 854.
The Carnival of Venice, a Comic Opera
... for the Voice and Harpsichord.
[Words by R. Tickell.]
Printed for S. A. cC P. Thompson :
London, [1781.] obi. fol. E. 82. e.
In my pleasant Native Plains. The
Favourite Roundelay, etc.
Printed for S. A. d P. TJiompson :
London, [1781.] fol. G. 309. (98.)
LINLEY (Thomas) the Elder.
[Another copy.] G. 296. (6.)
[Another copy.] G. 297. (11.)
Young Lubin was a Shepherd Boy
. . . Song, etc. Printed for S. A. cfi P.
Thompson : London, [1781.] fol.
G. 297. (14.)
[For songs, &c., published anony-
mously;] See Carnival OF Venice.
Cheerly my Hearts of Courage true,
[Song,] . . . Written by R. B. Sheridan,
etc. Preston : London, [1797 ?] fol.
H. 2830. f. (93.)
Come my Jolly Lads.
See infra : [Robinson Crusoe.]
The Duenna, a Comick Opera . . . Com-
posed by Mr. Linley [and T. Linley, Junr.].
[1798.] See Periodical Publications. —
London. The Piano-Forte IMagazine.
Vol. V. No. 1. [1797-1802.] 8".
D. 854.
Sec Duenna. The Dueima, etc.
[Music selected and composed by T. Linley
and T. Linley, Jun.] [1775.] obi. fol.
E. 100. (2.)
Elegies for throe Voices with an Accom-
panyment for a Harpsichord and Violon-
cello. P. Wclcker, for the Aiithor :
London, \lTiO'^ fol. H. 1192. a.
[Another copy.] G. 385. (2.)
[Fortunatus.] The Favorite Song [by T.
Linley] sung ... in the revived Panto-
mime of Fortunatus, e/c. [1780?] fol.
See Fortunatus, etc. H. 1648. a. (2.)
[The Generous Impostor.] A Pastoral
Interlude . . . perform'd in the Comedy
[by T. L, Obeirne] of the Generous Im-
postor, etc. S. A. tC P. Thompson :
London, [1780.] obi. fol. E. 601. a. (9.)
[The Gentle Shepherd.] The Overture,
Songs & Duetts in the Pastoral Opera of
the Gentle Shepherd, etc. [Words adapted
from A. Ramsay by R. Tickell. Music by
T. Linley.] [1781.] obi. fol.
Sec Gentle Shepherd. E. 82.
The Gentle Shepherd. A Pastoral Opera,
etc. [1800.] hnpcrfect, icanting pp. 19
aiul 20. See Periodical Publications.
— London. The Piano-Forte ilagazine.
Vol. X. No. 1. [1797-1302.] 8".
D. 854.
[The Glorious First of June.] The Mid-
Watch. [For editions of this song pub-
lished anonymously :]
Sec Glorious First op June.
[The Glorious First of June. The :Mid-
Watch.] When 'tis Night and the Mid-
Watch is come. [For editions of this song
published anonymously :] See When.
In my pleasant Native Plains.
Sec supra : [TJie Carnival of Venice.]
E 2
52
LINLEY
LINLEY (Thomas) the Elder. Love iu
the East, or Adventures of Twelve Hours,
a Comic Opera [written by J. Cobb]
. . . The Music composed & compiled by-
Mr. Liuley, for the Harpsichord and
Voice. Printed for S. A. lO P. Thompson:
London, [1788.] ohl. fol. E. 82. d.
The ilid-Watch.
See supra: [The Glorious First of June.]
Ne'er ah ne'er let sorrow's sting.
See infra : [Sclima and Azor.']
No Flow'r that blows.
See infra : [Scli7>ia and Azor.]
Richard Coeur de Lion, an Historical
Romance . . . Music by Monsieur Gretry,
adapted ... by Mr. Linlcy. [1801.]
See Pekiodical Publication's. — London.
The Piano-Forte Magazine. Vol. XIV.
[No. 9.] [1797-1802.] 8\ D. 854.
Sec Gretry (A. E. IL) [Richard
Cccur de Lion.] The Songs, Duets, Trios &
Chorusscs of. . .Richard Cccur de Lion. . .
Adapted ... by Mr. Linlcy.
[1786 ?] oM. fol. E. 135.
[Robinson Crusoe] Come my Jolly Lads.
Tlic Song Sung by Mr. Gaudry in the
New Pantomime of Robinson Crusoe, etc.
[Words ascribed to R. B. Sheridan.]
[London, 1781.] fol. Gr. 307. (62.)
The Royal IMerchant. A Comic Opera . . .
The Words by Mr. Hull. Wclclcer :
London, [17G8.] oU. fol. E. 82. c.
Sally. A favorite Song. [Begins : " Prim-
roses deck the bank's green side."]
E. Bhavies : Dublin, [1780 ?] s. &7(. fol.
H. 1601. b. (95.)
Selima and Azor, a Persian Tale, etc.
[Opera, the words imitated from the
French of Marmontel by Sir G. Collier.]
Printed for C. and S. Tlwmpson :
London, [1776.] obi. fol. E. 82. b. (1.)
Overture, etc. [P.F.] G. Walker :
London, [1800?] fol. g. 272. b. (44.)
Ne'er ah ne'er let sorrow's sting.
An Additional Favourite Song sung by
Miss Romanzini, etc.
Printed for S. A. tC- P. Thompson :
London, [1788.] fol. G. 806. c. (25.)
No Flow'r that blows, etc. [Song.]
S[amucl] A[nn and] Pieter] T[hompson :
■ London, lim?] fol. G. 310. (152.)
[No Flow'r that blows.] Sec Carter
(C. T.) The celebrated song of the Rose
with Variations, c^c. [1780 VJ fol.
g. 271. (18.)
[The Spanish Rivals.] The Overture,
Songs, Duetts, &c., in the Spanish Rivals,
a Musical Farce, etc. [Written by ]\L
Lonsdale.]
Printed for S. A. tC P. Thompson:
London, [1784.] obi. fol. E. 100. a. (5.)
LINLEY (Thomas) the Elder. The
Strangers at Home, a Comic Opera
[written by J. Cobb] . . . Selected & Com-
posed by T. Linlcy.
Printed for Longman (C Broderip :
London, [1786.] obi. fol. E. 100. a. (6.)
[The Triumph of Mirth.] The Tunes,
Songs, Glee, &c., iu the Pantomime of
The Triumph of ]Mirth, or Harlequin's
Wedding . . . Composed and Selected by
Mr. Linlcy.
Printed for S. A. cC P. Thompson :
London, [1782.] obi. fol. E. 82. a.
The Overture is by T. Linlcy the
Younger,
When war's alarms entic'd my Willy from
me. Wars alarms entic'd my Willy, etc.
[Song, music by T. Linlcy the Elder.]
[1770?] s.sh.ioh 6'cc When.
L 530. (179.)
When War's Alarms. Sec Smart (T.)
When War's Alarms. [By T. Linley.]
With Variations, etc. [1790 ?] fol.
h. 141. a. (17.)
The Woodman. [Song.] Written by W.
Pearce, etc. Preston iC Sou : London,
[1795?] fol. H. 2821. (19.)
Young Lubin was a Shepherd Boy.
See supra : [IVic Carnival of Venice.]
See Paisiello (G.) [II Barbiere di
Siviglia. Saper bramatc.] For tender-
ness form'd. A Favourite Song in. . .the
Heiress. . .Adapted. . .by Mr. Linlev.
[1786.] fol. H. 131. (40.)
LINLEY (Thomas) the Elder and (Thomas)
the Younger. The Posthumous Vocal
Works of ]Mr. Linley and IMr. T. Linley,
Consisting of Songs, Duetts, Cantatas,
Madrigals and Glees. In two Volumes.
[Published by I\Irs. Linley.]
Preston, for the Proprietor : London,
[1800?] fol. ^ H. 1192.
LINLEY (Thomas) the Younger. The
Duenna, a Comick Opera . . . Composed
by Mr. Linley [and T. Linley, Junr.].
[1798.] See Periodical Publications.—
London. The Piano-Forte Magazine.
Vol. V. No. 1. [1797-1802.] 8".
D. 854.
Sec Duenna. The Duenna, etc.
Music selected and composed by T. Linley,
and T. Linlcy, Junr.] [1775.] obi. fol.
E. 100. (2.)
See Linley (T.) the Elder and (T.) the
Younger. The Posthumous Vocal Works
of Mr. Linlcy and Mr. T. Liuley, etc.
[1880?] fol. H. 1192.
LINLEY (William) Six Canzonetts,
with an Accompaniment for the Piano
Forte or Harp. Broderip d Wilkinson :
London, [IQOOl] oW. fol.
E. 600. n. (6.)
LINLEY— LIRE
53
LINLEY (William) Flights of Fancy,
in Six new Glees for four Voices, etc.
Thompson : London, [1797 ?] obi. fol.
D. 401. (7.)
Last Whitsunday they brought me.
ScciuirsL: [Vortigeyn.']
The Night was dark.
Sec infra : [A Trip to the Kore.']
She sung whilst from her Eye ran down.
&Vc infra: [Vortigcrn.]
[A Trip to the Nore.] The Night was
dark. A much admired Song sung by ^Irs.
Bland in A Trip to the Nore [words by A.
Franklin], etc. Longman and Brodcnp :
[London, 1797.] fol. G. 250. (24.)
[Vortigern.] Last Whitsunday they
brought me. Miss Leake's Favorite Song
in Vortigern [words by W. H. Ireland],
etc. Longman (i- Broderij) : London,
[179G.] fol. G. 250. (27.)
She sung whilst from her Eye ran
down. Mrs. Jordan's Favorite Song in
Vortigern [words by W. H. Ireland], etc.
Lo)tgman (f Broderij^ : London,
[1796.] fol. G. 250. (26.)
See Glees. A Selection of Glees from
the MSS. of the Coucentores, being the
Compositions of. . . W. Linley, etc.
[1800 ?] oil. fol. E. 207. a. (1.)
See Sale (J.) A Collection of New Glees
, . .To which are added Four Others. . .by
Dr. Arnold, Messrs. Webb[e", Callcott and
Lindley, f/f. [1800?] oW. fol.
E. 600. r. (6.)
LINNET. The Linnet. [Song, begins :
' As passing by a shady Grove.']
See Heevk (W.)
The Linnet. [Song.] Sec Warblixg.
The warbling Linnet from his ]\Iate.
[1740.] s. sh. fol. G. 312. (130.)
A Linnet's nest with anxious care. Ballad.
See DiBDiN (0.)
LINNETS. The Linnets. [Song] See As.
As bringing home the other Dav, etc.
[17G0?] s.sh.iol H. 1994. a. (166.)
The Linnets. [Song.] Sec At. At setting
Sun, tho' half afraid.
[1780?] s.sh.iol G. 306. (110.)
LIONEL AND CLARISSA. A School
for Fathers ; a Comic Opera : as performed
at tho Theatre-lloyal, in Drury-Lane.
The Words and ]\Iusic by the Author
[I. Bickerstaife] and Composer [C. Dibdin]
of the Padlock. [A Pasticcio, arranged
by C. Dibdin.] Printed for J. Johnston :
J^ondon, [1768.] obi. fol. ' D. 279. a.
The composers named in this work are :
Dibdin, Scolari, Galiij:!}^, Vento, Dr.
Arne, Vinci and Potenza,
LIONEL AND CLARISSA. Lionel
and Clarissa, or A School for Fathers,
a Comic Opera as perform'd at the
Theatre-Royal. [Words] By the Author
of Love in a Village [I. Bickerstaffe].
The j\Iusic composed by Eminent Masters.
[Arranged by C. Dibdin.]
J. Johnston, for the Author : London,
[1770?] 06/. fol. D. 279. (2.)
This edition is the same as that issued
as ' A School for Fatlicrs,' with the
exception of the title-xiage.
Lionel and Clarissa; or a School for
Fathers. A Comic Opera, etc. [1799.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. VI.
No. 6. [1797-1802.] &". D. 854.
Lionel and Clarissa. . .Adapted for the
German - Flute Violin Hautboy and
Guittar. I. Johnston, for the Anthor :
Lo?!f7on, [1770?] o6Z. 4°. a. 19. (3.)
Hope and Fear. [Song, by C. Dibdin.]
Sung by Miss Macklin in,.. Lionel and
Clarissa. [Jjondon, 1773.] s. sh. 4°.
159. n. 5.
Jjondcm Magazine, Oct., 1773.
Hope and Fear. [Song, by C. Dibdin.]
Sung by ^liss Ashmore, in Lionel &
Clarissa." S. Jjcc : [Dublin,
1775 ?] .•;. sh. fol. G. 316. (96.)
Oh dry those Tears. A Favorite Song in
Lionel and Clarissa. . .by Gailuppi.
J. Lee: [Dublin, 1780?] fol.
G. 383. j. (19.)
LIPPARINO (GuGLiELMO) Sacri Cou-
certi a Cinque Voci con il suo Basso per
r Urgano. . .Libro Primo. Opera Unde-
cima, etc. Canto. (Alto.) (Tenore.)
(Basso.) (Quinto.) (Basso per 1' Organo.)
6 pts. Appresso Alcssandro Vincenti :
Venctia, 1629. 4\ D. 1000.
LIPPIUS (Joannes) Synopsis Musicre
Novte omuino verte atque INIethodicse
uniuersse, in omnis Sophia; Pr?egustum
nappfyoos inventse disputatse & propositse
omnibus Philomusis a M. Joanne Lippio,
etc. Impcnsis Pauli J.edertz, Typis
Caroli Kirffer : Argentorati, 1G12. 8".
7898. aa. 40.
LIQUORISH (William) The first Regi-
ment of Royal Tower Hamlets iMilitia,
March and Quick Step, . . . [Full Score]
and Adapted for the Piano Forte, etc.
11'. Hodsoll : J.ondon, [1796 ?] fol.
g. 133. (36.)
The Loyal Hampstead Association March
and Quick Step, . . . [Full Score] and
Adapted for the Piano Forte, etc.
W. Hodsoll: LoHfZoji, [1796?] fol.
g. 133. (37.)
LIRE MA9ONNE.
Recueil de Chansons.
and Do Bois ( )
La Lire Mac^onne,
Sec ViGNOLES ( "^
54
LIROUX— LISTENIUS
LIROUX (Jean rRAN90is Espic de)
Alise ct Arseme. Ilomance. (Paroles de
M. de la Place, etc.). [Paris,] 1782. 8".
298. f. 16.
Mercure de France, June, 1781, ^x 101.
Explication du Systeme de I'Harmonie, etc.
Chez Merigot : Londrcs, 1785. 8".
1042. i. 20.
LISBIA. Lisbia. Canzonet.
Sec Graeff (J. G.)
LISE. Lise chantoit dans la prairie.
Ariette. Sec Dezede (N.) [Blaise et
Babet.}
Lise d'une main alerte. Le Verrou, ott la
Sage iin'caution. [Song.] Air: [Coeurs
sensibles] du Mariage de Figaro.
Chez Camand: [Paris, 1790?] 8°.
B. 362. e. (93.)
Lise, entends tu I'orage. Ariette.
See Albanese ( )
Lise fut voir un Medecin. Le Mai d'Avan-
tiire. [Song.] Air : du Confiteor, etc.
[Paris, 1785 ?J 8°. B. 362. (228.)
Lise m'aimoit. Chanson. See Dugue (P.)
Lise par fantaisie un jour. UArith-
ini>tiqiie. Air Anglais, adress6 a M. de
B. . . (Par D. G. J.) [Paris, 1790 ?] 8°.
B. 362. a. (135.)
Lise Penitente. Eomance. Sec IMoN.
]\Ion pere je viens devant vous, etc.
[1785?] 8". B. 362. e. (70.)
Lise voyoit deux pigeons se caresser.
Ariette. Sec Albanese ( )
LISE ET COLIN. Lise et Colin. Op^ra.
See Gaveaux (P.)
LISETTE. Lisette a un joli rosier. Lcs
Abricots, ou le Easier di'flcuri. [Song.]
Air, Pliillis demande son portrait.
Chez Camand : Paris, [1785 ?] 8".
B. 362. f, (25.)
Lisette, belle Lisette. Air. See Croisee.
Lisette est faites pour Colin. Colin et
Lisette. Vaudeville. [Paris, 1790?] 8°.
B. 362. e. (72.)
[Another copy.] B. 362. b. (112.)
Lisette et Lubin. [Song.] See Petit.
Le petit Dieu charmant, etc. [1780?] 8».
B. 362. e. (88.)
Lisette ne possedait rien. [Song.] Le
Ciq)idon de Lisette, [words] par M. Deduit.
Air : du Tonnelier. [By N. M. Audinot.]
Chez Bayer : Paris, [1775 ?] 8°.
B. 362. j. (1.)
LISIA. Un Espagnol qui voit venir. Air
de Lisia [words by Monnet, music by E.
Scio] avec Accompagnement de Guitarre.
[Paris, 1793.] 8". B. 362. g. (87.)
XjISIS. Lisis avait de la jeunesse. [Song.]
See Candeille, afterwards Simon, after-
yrards Perie (A. J.)
LISLE ( de) Sec Delisle.
LISMORE ( ) Le Maitre d'Ecole.
Op6ra-Comique mesle d'Ariettes, etc.
[Words by Anseaume, music by Lismore.]
1760. 8". 11738. b. 15. (4.)
LISON. Lison avec son cher Colin.
Deuxiihne Fanx-Pas ; ou lcs Avians satis-
faits. Parodie de " Colin disoit a Lise un
iour." [Song.] [Paris, 1780?] 8".
B. 362. b. (109.)
Lison dormoit dans un bocage. Ariette.
See Julie.
Lison guettoit une fauvette. Le Trihiichet.
[Song.] [Paris, 1780?] 8°.
B. 362. b. (118.)
Lison, jeune et timide. Air.
See Dalayrac (N.) [L'A'clipse Totale.']
Lison revonant seulette. L'Heureiise
Rencontre. Ronde a danser.
[Paris, 1780 ?] 8°. B. 362. g. (84.)
Lison revenoit au Village. Le Soir.
Ariette Nouvelle. [Paris, 1780 ?] 8°.
B. 362. b. (102.)
LISTEN. Listen to the carol'd ditty.
[Song.] Sec Spencer (J.)
Listen to the Voice of Love. Glee.
See Geary (T. A.)
Listen, listen, to the Voice of Love. Song.
See Hook (J.)
LISTENIUS (NicoLAUs) Rudimenta
]\Iusicse, in gratiam studios^ inuentutis
diligeter comportata, etc. Per Henricmn
Steyner : Augustse Yindelicorum, 1536. 8".
785. b. 47.
Rudimenta ]\Iusicse,e/c. Henricns Steyner:
Augustas Yindelicorum, 1537. 8°.
785. b. 38.
]\Iusica Nicolai Listenii, ab Authore denuo
recognita, multis^j nouis rcgulis & ex-
emplis adaucta. Aj^iud lohan. Petreium :
Norimbergce, 1541. 8°. 7898. e. 30.
]\Iusica Nicolai Listenii, ab Authore denuo
recognita, multisq^ nouis regulis exemplis
adaucta. Per . . . Michaclem Blum :
Lvpsise, 1543. 8". 785. a. 47.
Musica Nicolai Listenii. Ab authore
denuo recognita, multi^qj nouis Regulis &
Exemplis adaucta. Apud Georgium
Bhau : Yitebcrgn-, 1548. 8°. K. 4. A. 12.
Musica Nicolai Listenii, ab Authore denuo
recognita, multisq^ nouis regulis et exem-
plis adaucta. Aptid lohan. Petreium :
Norimbergc'e, 1549. 8°. 51. b. 30.
Musica Nicolai Listenii, denuo recognita,
multisque nouis regulis & exemplis adauc-
ta, ac correctius quam antea edita.
E.rcndcliatur, in Officina Katharinx Ger-
lachin, if Hterediim lohannis Montani :
Noribergse, 1577- 8°, 1042. e. 4.
LISUART— LOBWASSEK
S6
LISUART UND DARIOLETTE.
Lisuart und Dariolette, oder die Frage
und die Antwort. Romantisch-comische
Oper. See Hillee (J. A.)
LITANIES. Litaniffi Septem Deiparae
Virgini I\Iusice decantandae.
Pctnis Phalesius : Antuerpise, 1598. S".
K. 8. e. 16.
LITANY. A New Littany, desigu'd for
this Lent, f/c. See Fno^i. From Counsels
of Six, etc. 1684. s. sh. fol.
1872. a. 1. (128*.)
LITTLE. The Little Beggar Girl. [Song.]
See Denning (T.)
Little Bess the Ballad Singer. Song.
See Arnold (S.)
Little Bingo. [Song.] See Farmer. The
Farmer's Dog leapt o'er the Stile, etc.
[1780?] s. s7i. fol. G. 312. (178.)
Little Bird with Bosom rod. [Glee.]
Sec Hook (J.)
Little Boy Blue. Glee. Sec Abrams (H.)
The Little Butcher Boy. Song. Sec If.
If you'll attend I'll sing a Song.
[1799.] s. sh. fol. G. 249. (56.)
Little Colin and little Phillis. [Song.]
See Happy. The Happy Hour is almost
come, etc. [1800.] s. sh. 4". P.P. 5141.
The Little Coquette. [Song.] S^'c Though.
Tho' still so Young and scarce Fifteen,
etc. [1770?] s. s/(. fol. G. 312. (136.)
Little Dermot one IMorn. The Irish
Lover's Morning Walk. [Song.] The
Words by A. Smith. The Music an
Original Irish Tune. Oleorqe] S[mart :
Lo7idoH, 1780?] s.sh. lol. G. 310. (55.)
Little Fairy succour lend. Fairy Song.
Sung by j\Irs. Warrel at Vauxhall.
S[amiicl and] A[nn] T[hompson ;
London, 1778.] s. sh. fol. G. 310. (40.)
Little Jack Horner. A Favorite Duett or
Trio . . . Adapted for Juvenile Performers.
Printed for J. Dale : London, [ISOOV fol.
G. 352. (17.)
Little Kitty. Song. See Sanderson (J.)
[Tlic Jew and the Oentilc.]
Little Piggy. Duetto. See Sale (J. B.)
A Little pretty Creature. The -p^-ettij
Creature. [Song.] {Londo^i,
1730?] s.sh.iol. G. 306. (119.)
Little Bobin Red-Breast sat upon a Tree,
a Song for the Nursery, with an Accom-
paniment for the Piano Forte. [By E. S.
Biggs.] B. Birchall :
London, [1800?^ fol. H. 1250. (11.)
The Little Sailor Boy. Ballad.
See Carr (B.)
Little Sue. Ballad. See Cope (W. P. R.)
LITTLE. Little Syren of the Stage. The
Syren of the Stage. [Song, the words
addressed to Signora Cuzzoni by A.
Phillips : the music by H. Holcombe.]
[London, 1128?] s.sh.iol. G. 305. (46.)
[Another copy.] G. 310. (2.)
Little Taffline. Song. See Storage (S.)
[T]ie Three and the Deuce]
The Little Waist defended. Song.
See Hook (J.)
LITTLE PEGGY'S LOVE. Little
Peggy's Love. Ballet. See Bossi (C.)
LITURGIES. [Liturgical works contain-
ing music are catalogued in the General
Catalogxie under the heading Liturgies.]
LIVERPOOL PRIZE. A cruizing we
will go. A Song rto the tune of ' The
dusky night rides down the sky '] sung at
the Theatre Royal at Covent Garden in
the Liverpool Prize. [Words by F. Pilon.]
A. Portal: [London, 1119.'] s.sh. fol.
G. 306. (196.)
LIVERY RAKE. Tho Livery Rake, and
Country Lass. An Opera [written bv E.
Phillips] . . . With the Musick prefix'd to
each Song. Printed for J. Watts :
London, 1733. 8". 843. h. 2. (1.)
[Another copy.] 161. f. 23.
Come be free my lovely lasses. [Song.]
Sung in the Livery Rake. [Words by E.
Phillips.] [Lo7uZo7!, 1733?] s. sh. io\.
I. 530. (30.)
[Another edition.] Come be free, my
lovely Lasses. Sung in the Livery Rake,
etc. [LojjrfoH ? 1735?] s. sh. lo\l
G. 316. d. (84.)
LIVREZ. Livrez-vous, belle Jeunesse.
Chansonnette. See Bouvard (F.)
LIVRONS. Livrons-nous a la gaite. Air.
See Desaugiers (M. A.)
Livrons-nous a la tendresse. Musette.
Sec Bouvard (F.)
LO. Lo conosco a quegli occhietto. Duett.
See Paisiello (G.) [La Serva Padrona.]
Lo ! he Cometh, countless Trumpets.
Hymn. [Words by J. Cennick.]
[London, 1778.] 8". P.P. 716. b.
Gospel Magazine, Jan., 1778.
Lo tuovai per accidente. Quartetto.
See Paisiello (G.) [La Locanda.]
LOB DER MUSIK. Lob der Musik.
Kantate. Sec Schuster (J.)
LOBWASSER (Ambrosius) Sec Psalms.
[Italian.] Li Cencinquanta Sacri Salmi
di Davide. . .Accordati alle Melodie di A.
Lobvasser, etc. 1740. 8". 845. b. 1.
56
LOBWASSER— LOCKE
LOBWASSER (Ambuosius) See Psalms.
[Italian.'] Li CL Sacii Salmi di Davide
. . . accomodati alle Llelodie di A. Lob-
vasser, etc. 1740. 8°, 3090. de. 12.
iSee PsAL:\rs. [Ro^navscli, of the Tjourr
Engadine.] lis Psalms de David, segoud
]\Ielodia de A. Lobvasser, etc. 1762. 12".
885. e. 15.
LOCATAIRE. Le Locataire. Op^ra
Comique. See Gaveaux (P.)
LOCATELLI (Pietro Antonio) L'Arte
del Violino. XII Concerti, cio^, Yiolino
Solo, con XXIV Caprieci ad Libitum . . .
Violino Piimo, Violino Secondo, Alto,
Violoncello Solo, e Basso . . . Opera Terza.
[Separate Parts.] M. C. Le Cene :
Amsterdam, [1733.] fol. g. 294. e.
L'Arte del Violino. XII Concerti con
XXIV Caprieci ad libitum. . .Opera Terza.
Violino Solo. Chez Des Laxtriera :
Paris, [1780 ?] fol. h. 1663. b.
XII. Concertos in Eight Parts, for Violins
and other Instruments ; with a Through
Bass for the Harpsichord . . . Opera Prima.
[Separate Parts.] Printed for I. Walsh:
London, [1736 2} fol. g. 294. a.
XII. Sonate a Flauto Traversiere Solo e
Basso . . . Opera Seconda.
Appresso VAutore : Avisterdam, [1732.] fol.
g. 294. b.
[XII. Sonate. Op. 2. Nos. 2, 1, 9, 10, 4
and 7.] Solos for a German Flute or
Violin with a Through Bass for the Harpsi-
cord or Bass Violin . . . Opera Seconda.
Printed for I. Walsh: LonrfoH, [1736?] fol.
g. 280. i. (5.)
Six Sonatas or Duets for Two German
Flutes or Violins . . . Opera Quarta.
Printed for I. Walsli :
London, [1745 ?] fol. g. 225. a. (2.)
Sei Sonate a Tre, o Due Violini, o Due
Flauti Traversieri, e Basso per il Cembalo
. . . Opera Quinta. [Separate Parts.]
AppressoVAufore : A7nsterdam,[n'i6.] fol.
h. 1663.
[6 Sonate a Tre. Op. 5.] VI Sonatas
for two German Flutes or two Violins
with a Thorough Bass for the Harpsicord
or Violoncello . . . Opera Terza. [Separate
Parts.] Printed for I. Walsli :
London, [1745 ?] fol. g. 241. (5.)
XII. Sonate a Violino Solo e Basso, da
Camera. . .Opera Sesta. A2)presso VAutore :
Amsterda7n,(ni6.) fol. h. 1663. a.
XII. Sonate a Violino Solo e Basso da
Camera . . . Opera Sesta. Gravees par De
Gland, etc. Chez il/'' Le Clerc le Cadet :
Paris, [1750 ?] fol. g. 294.
See Pagin (A. N.) Six Solos . . . for a
Violin . . . by . . . Locatelli, dc.
[1750?] fol. g. 422. g. (3.)
LOCATELLO (Giovanni Battista)
Primo Libro de Madrigali a Due, Tre,
Quattro, Cinque, Sei, et Sette Voci. Con
il Basso Continuo per sonar il Clauecim-
balo, & altri stromenti simili, e^e. Basso.
(Basso Continuo.) 2 pts. Appresso
Alessandro Vincenti: Venetia, 162S. 4".
D. 184.
LOCCIOLETTE. Locciolette che andate
di notte. Cavatina. See Marescial ( )
liOCHABER. Lochaber. Song.
See Bach (J. C.)
[Another setting.] Lochaber. Glee.
See Calixott (.J. W.)
[Another setting.] Lochaber. A Two
Part Song. See Farewell. Farewell to
Lochaber. [1750?] s. sh. iol.
G. 316. d. (149.)
[Another edition.] Lochaber. [Two-Part
Song.] See Farewell. Farewel to
Lochaber, e/c. [1770?] s. sh. iol.
H. 1994. a. (81.)
[Another setting.] Lochaber. Glee.
See Knyvett (W.)
LOCHON ( ) Motets en ]\Iusique . . .
S(;avoir, Neuf a Vois seule. Un a deux
Voix. Deux a trois Voix, avec la B-C.
Et un Oratorio, a six Parties, piece particu-
liere. Livre Premier. Chez Christophe
Ballard : Paris, 1701. fol. H. 7.
LOCK. The Lock and Key. [Song.]
See Good. Good mother, if you please
you may, e/c. [1780?] .s. ,s7;. fol.
H. 1994. (30.)
LOCK AND KEY. The Lock and Key
Musical Farce. See Shield (W.)
LOCKE (IMatthew) Matthew Locke his
Little Consort of Three Parts : containing
Pavans, Ayres, Corants and Sarabands, for
Viols or Violins. In two several Varieties :
The first 20 are for Two Trebles and a
Basse : The last 20 for Treble, Tenor &
Basse. To be performed either alone or
with Theorbo's and Harpsecord. Treble
and Tenor. W. Godbid for John Play ford :
Jjondon, 1656. ol>l. 4". a. 30.
The English Opera ; or the Vocal Musick
in Psyche, [words by T. Shadwell], with
the Instrumental therein Intermix'd. To
which is Adjoyued the Instrumental
Musick in the Tempest. London,
T. liatcUffandN. Thompson for the Author :
London, "1675. 4". K. 2. a. 10.
[Macbeth.] The Original Songs, Airs,
and Choruses which were introduced in
the Tragedy of INIacbeth, in Score . . .
Revised & Corrected by Dr. Boyce. [The
words chiefly taken from Middleton's
Tragi-Comedy of " The Witch."]
I. lohnston : London, [1770?] fol.
Or. 242. (2.)
LOCKE— LOEHLEIN
57
LOCKE (Matthew) [INIacbeth.] The
Original Songs, Airs & Choruses, which
were introduced in the Tragedy of Mac-
beth, in Score ; . . . Eevised & corrected by
Dr. Boyce, etc. /?. Birchall :
LoHcZo?;, [1795?] fol. G. 149.
Melothesia : or Certain General Rules for
Playing upon a Continued-Bass. With a
choice Collection of Lessons for the
Harpsicord and Organ of all Sorts . . .
All carefully reviewed by ]\L Locke . . . The
First Part. Printed for J. Carr :
London, 1G73. ohl. 4°. K. 4. a. 3.
The composers named in this work are :
M. Locke, Chr. Preston, J. Poberts,
W. Gregorie, W. Hall, P. Smith, J.
Banister, J. il/b.ss and G. Diesnet.
Modern Church-IMusick Pre-accus'd, Cen-
sur'd, and Obstructed in its Performance
before His Majesty, Aprill 1. 1G66. Vin-
dicated by the Author M. Lock, etc.
[London, ICGG.] fol. K. 10. b. 23.
Observations upon a Late Book,entituled,
An Essay to the Advancement of Musick.
&c. Written by Thomas Salmon, etc.
'Wlilliam'] G[odbid] : London, 1G72. 8^
1042. d. 36. (3.)
Psyche.
See supra : The English Opera, etc.
See Derixo (R.) Cantica Sacra . . . both
Latine and English... by R. Dering. . .
M. Locke, and others, etc. 1C74. fol.
K. 3. m. 6.
See Salmon (T.) A Vindication of an
Essay to the Advancement of Musick,
from ^Ir. ^latthew Lock's Observations,
etc. 1672. 8". 1042. d. 55,
liOCKHART (Charles) An Epitha-
lamium or Nuptial Ode, written by the
Rev' ^Ir. ]\roses Browne . . . Set to Music
for the Voice and Harpsicord, etc.
Printed for the Author : London,
[1775.] fol. G. 805. r. (1.)
Female Advice, a Favorite .Song.
Printed for W, Cope: Loudon,
[1795?] fol. G. 366. (30.)
Hobbinol. [Song.] Sung by Mr. Keene
at Sadler's- Wells, etc.
[London, 1766.] 8". P.P. 5441.
Poyal Magazine, Vol. XV., 2). 213.
A March ... in Honor of the Lambeth
Loyal Association, etc. [P. F.]
Printed for W. Cope: London,
[1795?] fol. g. 133. (39.)
Prince Ernest's March. [P. F.]
TF. Co2)e : London, [1795 ?] fol.
g. 133. (38.)
The Rural Giit. A Favorite Song.
W.Copie: London, [1196?] fol.
G. 366. (29.)
A favorite Sonata for the Harpsichord or
Forte-Piano. W. Cope : L^ondon,
[1795?] fol. g. 141. (22.)
LOCKHART (Chables) Four Songs and
a Hunting Cantata . . . for the Voice and
Harpsichord, etc. Printed for the Author :
London, [1775?] fol. G. 424. d. (6.)
LODI. Lodi Devote. Sec Laudi.
LODI (Joseph Ludwio) Grand Concerto
pour le Pianoforte ou Clavecin avec deux
Violons, deux Altos, deux Hautbois, deux
Flutes, deux Cors, deux Bassons et Basse
. . . Oeuvre x. [Separate Parts.]
Chez I. C. Gomhart et Camp. :
Augshourg,[Ytdb'>] fol. h. 70. a. (2.)
LODOISKA. Overture to Lodoiska. [Bv
R. Kroutzer. P. F.] Printed for I. Dale':
London, [1794.] otA. fol. e.' 104. (19.)
Celebrated Overture to Lodoiska [by R.
Kreutzer]. Arranged as a Duett for Two
Performers on one Piano Forte.
I'rintcd for A. Hamilton: London,
[1800?] fol. g. 272. p. (7.)
[La douce clart^ de I'Aurore.] Adieu, my
Floreski, for ever, a Favorite Romance,
as sung by Mrs. Crouch, in Lodoiska
[words by I. P. Kemble, music by R.
Kreutzer i. Printed for J. Dale :
London, [1794.] fol. G. 250. (55.)
Lodoiska. ComMie hfroique.
See Cherubini (M. L. C. Z. S.)
Lodoiska. [Opera.] See Kreutzer (R.)
Lodoiska. Musical Romance.
See Storage (S.)
LOE (R.) [A Trip to the Jubilee.]
See Come. Come bring us Wine in
plenty. A Song to a Tune call'd a Trip
to the Jubillee. [By R. Loe.]
[1705 ?] s. sh. fol. G. 304. (35.)
LOEHLEIN (Georg SnroN) G. S.
Lohlein's Anweisung zum ^'iolinspielen
mit praktischen Beyspieleu und . . . mit
zw()lf kleinen Duetten erliiutert, zum
dritten ^lahl mit Verbesserungen und
Zusiitzen audi mit zwolf Balletstiicken
aus der Oper Andromeda und der Oper
Brenno vernaehrt herausgegeben von J. F.
Reichardt. Bey F. Frommann :
Leipzig und Ziillichau, 1'797. ohl. 4".
7896. aa. 6.
G. S. Lohleins Clavier-Schule, oder kurze
und griindliche Anweisung zur Jlelodie
und Harmonic, &c. Auf Kosten
der WaisenJiaus- nnd Frommannischen
Buchhandlung : Leipzig nnd Ziillichau,
1765. o6i. 4". b. 165.
Trois Concertos, pour le Clavecin, ou
Piano-Forte. Avec Accompagnement de
Deux Violons, et Basse . . . CEuvre vii.
[Separate Parts.] Chez Guera : Lyon,
[1770?] fol. h. 3590,
53
LOEHLEIN— LOHR
LOEHLEIN (Georg Simon) Six Senates
pour Ic Clavecin ou Piano Porte. Trois,
avee Accompagnement d'un Violon et
Violonc : ad libit: . . . Oeuvre Sixieme.
Chez VAuteur : Leipsic, [1770 ?] obi. fol.
c. 59.
Wanting the accompaniments.
See Knecht (J. H.) Erkliirung einiger
. . . Grundsatze aus der Voglerschen
Theorie . . . Nebst angoliangten Anmerk-
ungen iiber Herrn Lohleins Einleitung
in den zweyten Theil seiner Clavierschule.
1785. 4°. 7897. ee. 37.
LOEILIjET (Jean Baptiste) of Ghent.
Sonatas or Solos for a Flute with a
Through Bass for the Harpsicord or
Bass Violin. . .Parte Prima.
Printed for J. Walsh & J. Hare :
London, {lllOl] fol. i. 26. (1.)
XII. Sonatas or Solos for a Flute with a
Thorough Bass for the Harpsicord or
Bass Violin. . .Opera 2'*'.
Printed for I. Walsli and I. Hare :
London, [1715 ?] fol. i. 26. (2.)
XII. Sonatas or Solos for a Flute with a
Thorough Bass for the Harpsicord or Bass
Violin . . . Opera Terza.
Printed for I. Walsh and I. Hare :
London, [1715 ?] fol. i. 26. (3.)
VI. Sonates a une Flute Traversiere, un
Haubois ou Violon & Basse Continue . . .
Ciuquieme Ouvrage, Livre Premier.
Chez Jeanne Roger : Amsterdam,
[1725 ?] fol. g. 685. b. (2.)
VI. Sonates a deux Flutes Traversieres,
Haubois ou Violons . . . Cinquieme Ouvrage,
Livre Second. [Separate Parts.]
Chez Jeanne lioger : Amsterdam,
[1725?] fol. g. 685. b. (3.)
Six Sonatas of two Parts, Fitted and
Contriv'd for two Flutes. [Separate Parts.]
Printed for I. Walsh and I. Hare :
London, [1715 ?] fol. g. 71. e. (9.)
LOEILIiET (John) of London. Sonata's
for Variety of Instruments Viz. for a
Coinon Flute a Hoboy or Violin also for
two German Flutes with a Bass for the
Violoncello and a Thorougli Bass for y""
Harpsicord . . . Opera prima. [Separate
Parts.] Printed for hio. Walsh and-
Messiers hi" and Joseph Hare : Jjondon,
[1725 ?] fol. g. 685. b. (1.)
[Another copy.] h. 17. (6.)
The Thorough Bass part only.
XII Sonatas in three Parts. Six of
which are for two Violins and a Bass
three for two German Flutes and three
for a Hautboy & common Flute with a
Bass for the Violoncello and a Thorough
Bass for the Harpsicord . . . Opera
Seconda. [Separate Parts.]
Printed for I. Walsh and In" and Joseph
Hare : London, [1725 ?] fol. g. 685.
LOEILLET (John) of J^ojidon. XII Solos.
Six for a Common Flute and Six for a
German Flute with a Thorough Bass for
the Harpsicord or Bass Violin. . .Opera
Terza.
Printed for J. Walsh and Jos. Hare :
Jjondon, [1725 ?J fol. h. 3845. a.
[Another edition.] Solos for a German
Flute or Violin with a Thorough Bass for
the Harpsicord or Bass Violin. . .Opera
Terza.
Printed for I. Walsh and Joseph Hare :
Jjondon : [1726 ?] fol. h. 3845.
Six Suits of Lessons for the Harpsicord or
Spiunet, in most of the Keys with Variety
of Passages and Variations throughout
the Work.
J. Walsh and I" d; Joseph Hare : London,
[1725?] fol. g. 685. a.
LOESSENER (Abraham) Etzliche
Schone Trostspriiche, aus dem Alten vnd
Newen Testament, mit vier vnd fiinff
Stimmen componirt, etc. Tenor. (Dis-
cantus.) (Altus.) (Bassus.) 4 pts.
[Wittemhcrg,'] 15G4. o6Z. 4°. K. 2. h. 1.
The title occurs in the Tenor part only.
The Quinta Vox part is printed with
the Tenor. A presentation copy from
the composer.
LOEWE (JoHANN Jacob) Johann-Jacob
Liiwen . . . Synfonien, Intraden, Gagliarden,
Arien, Balletten, Couranten, Sarabanden,
mit 3. Oder 5. Instrumenten. Violino
Primo. (Violino Secoudo.) (Viola da
Braccio Prima.) (Viola da Braccio Se-
cunda ad placitum.) (Basso pro Viola 6
Fagotto.) (Basso Continuo.) C pts.
Bey Jacob Kolilern: Bremen,
1658 (1657). fol. g. 22.
The Second Viola da Braccio d- Basso
Contimio parts are dated 1657.
LOEWENSTERN (Matthaeus Apelles
VON) See L., M. A. v.
LOGAN. Logan Braes. Song.
See Hook (J.)
LOHR (Michael) Newe Teutzsche Kir-
chen Gesiinge, so nicht allein zusingen,
sondern auch auff allerhaud Instrumenten
jederzeit fiiglichen zugebrauchen, sampt
einem Basso continuo, mit 7. vnd 8.
Stimmen, etc. Cautus (Altus) (Tenor)
(Bassus) I. & Superioris Chori. (Cantus
(Altus) (Tenor) (Bassus) II. & Inferioris
Chori.) 8 pts. Georg Hoffman :
Freybergk, 1629. 4°. D. 100. 5.
Wanting the title-pages to the Cantus
and Altus of the 1st Choir and the
Bassus of the 2nd Choir,
LOHR— LOMBARDINI
59
LOHR {]\riCHAEL) Ander Theil. Newer
Teutscher vnd Lateinischer Kirchen Ge-
siinge vnd Concerten, so nicbt allein zu
singen, sonderu auch auflt allerhand In-
strumenteu zugebrauchen, sampt eiuem
Basso Continuo. Mit 5. 6. vnd 8. Stina-
men, etc. Tenor (Bassus) I et Superioris
Chori. (Cantus (Altus.) (Tenor) II et
Inferioris Chori.) (Bassus Contiuuus, etc.).
G pts.
Gcclruck hexj Wolff Seyffert, in verlegung
des Alitor is : Dressden, 1637. 4".
D. 1005. a.
[Another copy. Tenor (Bassus) I. et
Superioris Chori. (Tenor II. et Inferioris
Chori.)] 3 pts. D. 1005. b.
LOI. Une loi formelle et precise. [Song.]
See Au Retour.
LOIN, Loin d'ici froide indifference.
Meniict. [Paris,] 1736. s. sli. 4".
297. b. 15.
Mercure de France, August, 173C.
Loin de ces lieux. Air.
See MouRET (J. .T.)
Loin de I'amant que j'adore. Les Re-
grets d\me Bergere. [Song.] Air : Dans
ces desertes campag". Avec ace' de Guit*.
Chez Frire: [Paris, 1790?] 8'\
B. 362. e. (8.)
Loin de I'objet de ma tendresse.
Vaudeville. See Sorcier.
Loin de nous le vain d61ire. Hymne.
See Plf.yel (I. J.)
Loin de succomber a ses peines. Air.
See F£te de Flore.
Loin des soucis, des allarmes. [Song.]
See TONNELIER.
Loin du Berger que j'ayme. Brunette.
[Paris,] 1733. s. sh. 4°. 298. a. 30.
Mercure de France, Sept., 1733.
Loin du hameau sans peine et sans
allarmes. Romance. Chez Bignon :
[Paris, 1785 ?] 8^ B. 362. b. (172.)
Loin du tendre Berger qu'ou aime. Chan-
son. See DoBET ( )
LOISEAU ( ) Canons, tambours, trom-
pettes. Air sitr la Paix [for three voices,
words by Chesnon]. [Paris,
1G79.] s. sh. obi. 4». P.P. 4482.
Nouvcau Mercure Galant, Jan., 1679,
_2J. 40.
LOLLI (Antonio) L.'t.cole du Violon en
Quatuor . . . Opera viii. [Separate
Parts.] [London, 1785 ?] fol. h. 3846.
Six Solos for a Violin with a Thoro' Bass
for the Harpsicord . . . Opera Primo.
Longman d Brodcrip :
London, [1785 ?] ohl. fol. e. 730.
Sei Senate a Violino e Basso . . . Opera
Seconda. Chez J. J. Hummel :
Amsterdam, [I'll 5 7] fol. h. 219. e. (5.)
LOLLI (Antonio) Sei Sonate a Violino
solo col Basso . . . Opera Terza. Grave
par M"'' Vendome et le S' Gloria.
Ches M-" dc la Chevardicre :
Paris, [1770?] fol. g. 422. a. (2.)
Six Sonates pour le Violon et Basse . . .
CEuvre 5". Chez Af Le Due :
Paris, [1785 ?] fol. g. 510. a. (5.)
Six Sonates pour Violons . . . CEuvre 9""'.
Chez le S-" Sieber : Paris, [1790?] fol.
g. 422. a. (3.)
LOLLI (LuiGi BiCHi) Three Easy Diver-
timentos for Violoncello & Bass, etc.
Monza}ii £ Cimador, for the Author :
London, [1800 ?] fol. h. 204. b. (7.)
LOLLY (Antonio) See Lolli.
LOLOTTE ET FANE AN. Amis, ne
craignons point les blancs. Chanson des
Cara'ibes dans Lolotte et Fanfan. Avec
Accomp' de Guittare. Chez Imbaiilt :
Paris, [1795 ?] 8". B. 362. c. (46.)
0 fleur d'amour. Romance N^gre dans
Lolotte et Fanfan. Avec Accomp* de
Guittare. Chez Imbault :
Paris, [1795 ?j 8°. B. 362. c. (46<=.)
0 Soleil 1 prete moi tes flammes. C«?i-
tique des Ca'iciens dans Lolotte et Fanfan.
Avec Accomp' de Guittare.
Chez Imbault : Paris, [1795 ?] 8».
B. 362. c. (46b.)
O vous belle dormeuse. Romance Nocturne
dans Lolotte et Fanfan. Avec Accomp'
de Guittare. Chez Imbault :
Prtris, [1795?] 8". B. 362. c. (46<i.)
Oh! que n'ai-je asses delarmes. Romance
du ,SoZi/anT dans Lolotte et Fanfan. Avec
Accomp' de Cxuittare. Chez Imbault :
Paris, [1795 ?] 8*. B. 362. c. (46«.)
Oiseaux qui gazouill^s. Romance des
Enfans dans Lolotte et Fanfan. Avec
Accomp' de Guittare. Clirz Imbault :
Pfljjs, [1795?] 8\ B. 362. e. (46^)
LOMBARDINI, afterwards SYRMEN
(Maddalena Laura) Six Concertos for
the Harpsichord or Piano Forte . . .
adapted for the Harpsichord by Sig'
Giordani. Printed for Longman (f
Bruderip : London, [1785 ?] fol. h. 73.
Six Duetts for two Violons, etc. [Separate
Parts.] Printed for W. Ncqjier :
London, [1775 ?] fol. g. 421. r. (12.)
[Another copy.] g. 421. s. (7.)
[Another copy.] h. 2910. (5.)
Six Trios a deux Violons et Violoncello
oblic6 . . . Oeuvre Premiere. [Separate
Parts.] Welcker: London, [1110?] fol.
g. 471.
See Syrmen (L.) and Lombardini, after-
wards Sybmen (M. L.)
60
LOMNICKf— LONG
liOMNICK"^ (Simon) Kaiicyonal aneb :
Pijsnic Nowe llystorycke, na dni obzw-
lasstnij Swatecnij pfes cely Eok, zwlasst'
ktei-j se od starodawna w Cyrkwi Bozij,
a w teto Krestiausk6 C/.eske "Zemi Swetj
. . . w nowe . . . wydau6 : od Ssimona
Lomnick ^'ho. Wijtisstrno . . .v Gifijla
Nygrina z Ntjgropontu : w.. . Stairm Ulestr
PraM:(?m, 1595. 4". C. 52. d. 15.
liONBONANGE. La Lonbonange [i.e.
Lontananza]. Cauzonett.
See Erbaci (A. G.)
LONDON, A Set of London Cries for
three Voices. See Gentleman.
The London Ditty. [Song.] See O. Oh
London is a fine Town. [1710?] .s. sh. fol.
H. 1601. (327.)
The London Hunt. [Song.] See Though.
Tho' far from Field Si^orts, etc.
[1780?] s.sh.iol G. 312. (139.)
The Loudon Lass. [Song.]
See Bach (J. C.) \ Carat taco. l<!on <' vcr
cJi'assise in trono.]
Loudon Lasses. Song. See With. With
the Rlorniug's Dawn we wake, etc.
[1773.] s. sh. i". 159. n. 5.
LONDON'S GLORY. London's Glorv,
or, The Lord Mayor's Show.
Se6 Jordan (T.)
LONE, Lone Dweller of tho Eock.
[Glee.] See C'allcott (J. W.)
LONG, Long at thy altar, God of love.
Affectation a Ciire for Love. [Song.]
[Lomlon, 17G3.] 8". P.P. 5438, z,
Univcrud Magardne, Vol. XXXTI.,
p. 157.
Long by an idle passion tost. The Power of
Reason. A New Song. [IMusic by Sappho,
fseud.'] [London, 1757.] 8". P.P. 5438.
Literary Magazine, Vol. II., i^. 94.
Long by an Idle Passion tost. Song.
See Sappho, psend.
Long Cold Nights, wheu Winter-Frozen.
Tlte Scotch Lasses Choice, or, Jennys
Luve for Jockey's Kindnes : An Excellent
New Song ... to a pleasant New Scotch
Tune. Printed fur J. Deacon : [London,
1687?] s.sh.tol. Case 39, k, 6. (26.)
The tune is represented by an incorrect
series of notes.
Long cold Winters when Storms were past.
A Scotch So)ig. [London,
1710?] s.s/(. fol. G. 310. (33,)
Le long d'un bois Colin passoit. [Song.]
See Sara.
Le long de ce coteau. N''"" Chasse.
[Song.] [Paris, 1780 ?] 8".
B, 362. b, (15.)
Long from y"" Force of Beauty's Charms.
A Ncic Song. [London, 1140?] s.sh.iol.
G. 316. e, (73.)
LONG, [Another setting.] Long from
the force of beauty's charms. Ttte Con-
(piest. A New Song. [London, 1755.] 8".
P.P, 5438. z.
Universal Magazine, Vol. XVII.,
p. 174.
Long had the foes of England joined.
Tlie Naval Prince. [Song.] Written on
the Glorious Victory obtain'd over the
Spanish Admiral Don Juan Langara by
. . . Admirals Rodney, Ross, Digby, & the
Royal Prince William Henry near Cape
Vincent. Sk[iUern : London,
1782.] s. sh. fol. G, 310, (59.)
Long had the French Navy with that of
proud Spain. An.w)i and Warren. [Song.
Words by Lockman, music by L. C. A.
Granom.] [London, 1750?] s. sh. fol.
G, 316, (97.)
Long had the French Navy with that of
proud Spain. Anson and ]yarrcn. A
Song. [By L. C. A. Granom.] [London,
1753.] 8^ 157. 1. 15,
London Magazine, 1753, ^j. 135,
Long has Amintor been the swain. The
fair Example. [Song.] [London,
1750?] s. .s/;. fol. H, 1994, (41.)
Long life and happiness. Song and Glee
sung at The Ladies Catch & Glee Concert by
jMessrs. Harrison, Knyvett & Bartleman.
Longman d Brodcrip :
London, [1795 ?] obi. fol. D, 400, (8.)
Long Life is sure a Blessing, Sir, Song.
See Walsh (W.)
Long life to each Brother. TJie Honorary
Free Mason's Song. [London, 1720 ?] fol,
G. 303. (293,)
Long, long I despair'd, Willy. [Song,]
sung by Miss Stevenson. [London,
17G0?] s. s7(. fol. G, 316. e, (59,)
Long time a Swain had courted Sue. The
Crying Shepherd. [Song, by J. Potter.]
Sung bv ^Ir. Vernon. [11'. Bandall :
Lo«(7o«, 1775?] fol. G. 310, (46.)
Printed from the pilates of Potter's
' Favonrite Collection of New Songs
sung at Vauxhall Gardens.'
Long time have I strove. Tlic Slighted
Lover. [Song.] [London,
1725.] s. sh. fol, H, 1601, (284,)
Long time I serv'd young Rosalind,
[Song, by T. A. Arne.] Sung by Mr. Jagger
at Vauxhall. [London, 1762.] 8".
P.P, 5140,
Lady's Magazine, Vol. IV., p. 271.
Long time I serv'd young Rosalind.
[Song, by T. A. Arne.] Sung by Mr.
Jagger at Vauxhall. [London, 1762.] 8'\
P.P, 5441,
Boyal Magazine, Vol. VIL, p. 259.
Long time I serv'd young Rosalind.
[Song.] See Arne (T. A.)
LONG— LOUD
61
LONG. Long time iu anguish and despair.
The Ki6S . . . [Song.] The Words by a
Lady. [Lvndon, 1800?] s. s7(. fol.
G. 383. h. (66.)
Long time my heart had rov'd. A Song
[by W. Dcfeschl. [Londun,
1750?] s. sh. fol. G. 310. (6.)
Long young Jockey toy'd and sported.
Cotillon Song. The Words by i\Iiss Swift
of Worcester. [London, 1770 "?] s. sh. fol.
G. 316. j. (13.)
LONG (Samuel) Four Lessons and two
Voluutarys for the Harpsichord or Organ.
C. (0 S. Thompson, for the Widow :
London, [1770?] obi. fol. e. 5. g. (7.)
Wanting Ulc Voluntaries.
^lay the I\Iothcr of Love, etc. [Song.]
[London, 1703?] s. sh. fol.
G. 312. (121.)
[Another edition.] ]\Iay the Mother of
Love, etc. [Song.] [London,
17G5?] s.sh.lol. H. 1994. c, (55.)
I\ray the ^Mother of Love. [For editions
published anonymously :] Sec Vikgix.
The Virgin when softned by May, etc.
Ye Foplings & Smarts. Song fur the
Mall, 1761. [London, 1761.] s. sli. fol.
G. 316. f. (127.)
Sec lliLEY (W.) Psalms and Hymns for
the Use of the Asylum . . . for Female
Orphans . . . The Music by . . . Long, etc.
[1765?] 4". E. 482.
LONGMAN AND BRODERIP. Long-
man and Broderip's Collection of Original
IMusic for the Grand and Small Piano
Forte. No. I(-IO). 10 Nos. [Separate
Parts.] Longman d Broderip :
London, [1105?] fol. g. 192. (4.)
Longman and Broderip's Compleat Col-
lection of 100 of the most favorite ^Minuets
. . . set for the Harpsichord, Violin, Haut-
boy or Ger" Flute. Vol. 1. The Editors :
London, [1775 ?] obi. 4". a. 228.
Lougmau and Broderip's Pocket Com-
panion for the German Flute, Containing
. . . Airs, ^linnets, Marches, Duets and
Songs, etc. Vol. I. The Editors :
London, [1790?] obi. i". A. 872.
This work contains the following na)ncs
of composers : Bcrtoni, Nofcri, Gior-
dani and Thco. SmitJi.
Longman & Broderip's Selection of Music
for the Pedal Harp . . . including . . .
Compositions of the following . . . Au-
thors : Krumpholtz, Haydn, Elouis, Pe-
trini, Dussek, Cardou, Pleyel, Hinner,
Seybold, Delaval, &c. &c. No. 1.
Longman d Broderip :
London, [1795 ?] fol. h. 3200. (5.)
LONGMAN AND BRODERIP.
Longman and Broderip's Selection (Second
— Fifth Selection) of the most favorite
Country Dances, Reels &c. with their
proper Figures, for the Harp, Harpsichord
and Violin, etc. 5 Books.
Longman and Broderip :
London, [1790 ?] obi. 8". b. 63.
Lnperfcct, wanting pp. 9, 10 of the
Secotul, 19, 20, 23, 24 of the Third,
and 13, 14 of the Fifth-Selection.
[Another copv. Fourth Selection.]
b. 55. (6.)
LOOK. Look down, triumphant God of
War. On Prince Eugene's Victory over
the Turks. [Song.] The Words by ]Mr.
H. Huddy, etc. [London,
1717.] s.sh. fol. H. 1601. (283.)
Look ere you leap. Serenata.
See Hook (J.)
Look from your Window, my Dear.
[Song.] 6'cc Beau Demolished.
Look, Neighbours, look. Catch.
See Hakingtox (H.)
Look, Swains within that gloomy Grove.
Advice to the Swains. A New Soiig.
[London, 1720 ?J s. sh. fol. G. 310. (20.)
LOOSE. Loose were her Tresses. Song.
See GiOKDAM (T.)
LOOTENS (W.) Six Divertimentos for
the Piano Forte. Broderip it Wilkinson :
Londun, [1800?^ fol. g. 141. (10.)
LOPEZ (IsiDKo) Sec Pehez Calderon
(M.) Explicaciou de Solo el Canto- llano
. . . Todo lo que ... ha dispuesto v da a
luz el P. Fr. Isidro Lopez, etc.
l'T9. 4". 7898. bb. 20
LOPEZ DE VELASCO (Sebastian)
See MoxTAXos (F. de) Arte dc Canto
Llano . . . enmendado por S. Lopez de
Velasco, etc. 1648. 4". K. 1. f. 6*.
LORD. Lord, I am thine, but thou wilt
prove. Hijmn. [Londun, 1779.] 8".
P.P. 716. b.
Gospel Magazine, 1779.
Lord, I would spread my sore distress.
Hymn. See E., H.
The Lord is King. Solo Anthem.
Sec PURCELL (H.)
The Lord is risen ! A Hymn fur Easter.
[London, 1763.] 8". p.p. 324. n.
The Christian's Magazine, April, 1763,
p. 182.
The Lord is my Shepherd. A Divine
Pastoral, from Psalm xxiii.
lLo7ulon, 1762.] 8\ P.P. 324. n.
The Christian's Magazine, Nov., 1762,
p. 517.
62
LORD— LORSQUE
LORD. The Lord ib risen. Anthem.
Sec Wainwkight (J.) or (R.)
Lord Mayor's Day. [Song.]
Sec DiBDiN (C.) [Will of the Wis}:).']
The Lord of Glory is my light. Hymn.
[Words by Dr. Watts.]
[London, 1779.] 8". P.P. 716. b.
Gospel Magazine, 1779.
The Lord of the Castle. Ballad.
See Winter (I. d')
Lord! what's come to my Mother. Song.
See Claekk (J.) [The Bath.]
Lord, when I cry. Psalm xli. [Words]
By Sir J. Denham. [London, 1763.] 8".
P.P. 324. n.
The Christian's Magazine, Feb., 17G3,
p. 88.
LORD CHIEF JEFFERY DUNCAN.
Lord Chief JefEery Duncan, Cantata.
See On. On Ludgate Hill, etc.
[1780?] fol. G. 310. (242.)
LORD MAYOR'S DAY. The old
Woman under the Hill. Sung ... in
Lord INIayor's Day [or a Flight from
Lapland. A Pantomime, words by
J, O'Keefie, music selected and composed
by W. Shield]. Bland : [London,
1782.] s. sh. fol. H. 1601. b. (20.)
[Another copy.] G. 312. (188.)
The Rolling Tailor. [Song.] Sung . . .
in Lord Mayor's Day [or a Flight from
Lapland. A Pantomime, words by J.
O'Keeffe, music selected and composed by
W. Shield.] Bland: [London,
1782.] s. sh. fol. G. 309. (125.)
The Lord IMayor's Day. Pantomime.
Sec Shield (W.)
LORD OF THE MANOR. Rest
Beautious Flowr's. A favourite New
Song, sung by Mrs. Johnston in the Lord
of the Manor. [By W. Jackson, of Exeter.]
Joshua Stokes : Dublin, [1782 ?] s. sh. fol.
H. 1601. a. (1.)
The Lord of the Manor. Comic Opera.
See Jackson (W.) of Exeter.
LORD WARKWORTH. Lord Wark-
worth. [Song.] See Granom (L. C. A.)
LORD (John) Two Sonatas for the Piano
Forte, with an Accompaniment for a
Violin ... To which is annexed a Favorite
Selected Sonata. B. Birchall, for the
Author: London, [1192-?] fol.
g. 188. (11.)
LORDLY. Lordly Gallants. Glee.
See Callcott (J. W.)
LORDS. Lords and Ladies, who deal in
the Sport. Tlte Pleasures of Belsize.
[Song.] [London, 1120?] s. sh. lol.
H. 1601. (291.)
LORENTE (Andres) El Porque de la
Musica, en que se contiene los quatro
artes de ella, Canto llano. Canto de
Organo, Contrapunto, y Composicion, etc.
Nicolas de Xamares : Alcala de Uenares,
1672. fol.
558*. c. 20.
hnperfect, ivanting the frontispiece, one
or more of the jireliminary leaves, and
pp. 587-90.
LORENZITI (Antonio) Sei Duos a due
Violini . . . Mis au jour par M'' Heina.
Opera viii'. Grave par M"= Fleury.
[Separate Parts.] Chez M'' Heina :
Paris, [1175?] fol. g. 218. d. (4.)
Saggio per ben sonare il Flautotraverso,
etc. Per Francesco Modena : Viccnza,
1779. i". 7897. h. 3.
LORITXJS (Heneicus) Glareanus.
Glareani AcoSeKaxopSoi/, etc.
Per Henrichum Petri: Basileae, 15il. fol.
785. m. 6. (1.)
[Another copy.] few ms. notes.
786. 1. 23.
Uss Glareani Musick eiu vssug, mit ver-
williging vfi hilff Glareani, alien Christe-
liche kilchen alt vn Gijtlicli gsang ze
lernen, ouch zu verstau gantz nutzlich
vii denen zu hilff, so der Mathematick vn
villicht dor Latinschen sprach nitt gantz
vnderricht. ms. notes. Hcinrich Petri :
Basel, 1557. i". K. 1. e. 17.
Isagoge in Musicen Henrici Glareani . . .
e quibusq; bonis authorib' latinis & grsecis
ad studiosorii utilitate multo labore elabo-
rata, etc. [Basel,] 1516. i".
K. 1. h. 12.
Musics Epitome sive Compendium ex
Glareani Dodecachordo [made by J.
Wonnegger]. Per Henricum Petri :
Basilese, 1557. 4°. 785. b. 44.
See BoETHius (A. M. T. S.) Anitii Manlii
Sevcrini Boethii . . . Opera, quic extant,
omnia . . . Inter quos . . . Henrichus
Loritus Glareanus Arithmeticam & ^Musi-
cam demonstrationibus & figuris auctio-
rem redditam suo pristine nitori restituit,
etc. 1546. fol. 524. i. 13.
See BoETHius (A, M. T. S.) Anitii I\Ianlii
Severini Boethi . . . Opera omnia . . .
Praeter reliquos doctiss. uiros, Henricus
Loritus Glareanus, Arithmeticam & Musi-
cam demonstrationibus & figuris auctiorem
redditam, suo pristine nitori restituit, etc.
1570. fol. 673. i. 7, 8.
LORSQUE. Lorsque dans uue tour
obscure. Romance. See Peisonnier.
Lorsque de dieu la main feconde. Lc
Mouvement et le liepos. [Song.] Air:
Avec les jeux. [Paris, 1875 ?] 8".
B. 362. (176.)
LORSQUE— LOUIS
63
LORSQUE. Lorsque de Jupiter les fou-
droj'antes armes. Recit. >S(e Laedeau ( )
Lorsque j'estois ayme de la jeune Lisette.
Air. >SVe Gouet ( )
Lorsque je fis present a la jeune Lizette.
iluzette. See Adnin ( )
Lorsque sur ta musette. Musette.
SecD***, M"".
Lorsque sur ta musette. Musette.
Sec Legai ( )
Lorsque Tircis me parut infidelle. Air.
See Brie { de)
Lorsque tu m'etois fidele. La Bergerc
Sensible. [Song.] Avec Accompagne"" de
Guithare. Chez Fr^re : [Paris, 1780 ?] 8".
B. 362. e. (17.)
LOSS. The Loss of lunoccucc. [Song.]
See Williamson (T. G.)
The Loss of the Royal George. Song.
See Toll. Toll for the Brave. [1795 ?]
H. 2830. f. (94.)
LOSSENER (Abraham) See Loessener.
LOSSIUS (Lucas) Erotemata Musics
Practicie, ex probatissimis quibusquc
huius . . . artis scriptoribus, . . . selecta, &
exemplis ad pucrilem institutionem pra-
cipue accommodatis illustrata. Ad usum
scholffi Luneburgensis . . . olim a Luca
Lossio in lucem edita: iam vero recens
ab eodem diligeutcr rccognita. Cum
Tabella crudita summara contincnte artis
Musicaj, autore Christophoro Preetorio,
etc. Ill Officina Tlicodorici Gerlatzeni :
Noribercjx, 1570. 8\ 1042. e. 5. (2.)
Psalmodia, hoc est, Cantica Sacra Veteris
Ecclesise selecta, cic.
ApucL Hxr. Gcorgij Rhaa:
Witebcrga^^, 1561. 4". C. 76. a.
Psalmodia, hoc est, Cantica Sacra Veteris
Ecclesiffi selecta . . . recens . . . recognita,
& multis . . . cantionibus aucta, etc.
loll. ScJuvcrtclius : Witbergie, 1569. 4".
556. a. 8.
Psalmodia, hoc est, Cantica Sacra Veteris
Ecclesiae selecta. Quo ordinc, & IMelodijs
per totius anni curriculum cantari vsitate
solent in templis . . . Iam primum ad
Ecclcsiarum, & Scholarum vsum . . .
coUecta, & breuibus ac pijs Scholijs illus-
trata, per Lucam Lossium . . . Cum Prse-
fatione Philippi Melanthonis.
Ajyud Gabrielem Hai/n :
Noribergx, 1553. fol. E. 1425.
Wanting pp. xxvii-xxxiv.
Psalmodia, hoc est, Cantica Sacra Veteris
Ecclesiae selecta ... In Libros quatuor
apte distincta, etc. Antoniiis Schon :
Witebergx, 1579. 4^ C. 76.
LOST. Lost, in anxious doubts torment-
ing. Song. Sec Bianchi (F.)
Lost is my love. Cantata.
See CoKBETT (W.)
LOST. Lost is my quiet forever. A Favorite
Song with an Accompaniment for the
Piano-Forte or Harp : also, adapted for
Three Voices. Printed for J. Dale :
London, [1800 ?] fol. G. 805. h. (29.)
[Another setting.] Lost is my Quiet for
ever. [Duet.] Sec Puecell (H.)
The Lost Shepherd. [Song.]
See Oswald (.J.)
Lost to the World alone I pine. Song.
See Holder (.J. W.)
LOTARIO. The Favourite Songs in the
. Opera call'd Lotarius [by G. F. Hacndelj.
Printed for I. Walsh and loseph Hare :
London, [1729 ?J fol. L 49. (3.)
Lotharius. Opera. St'c Haendel (G. F.)
LOT ERIE. La Loterie ambulante.
[Song.] See A. A certaino loterie, etc.
[1785?] 8". B. 362. (201.)
Chanson de La Loterie Royalle. [Song.]
See Du. Du jeu de la Loterie, etc.
[1789?] 8". B. 362. (200.)
LOTHARIA. Lotharia. [Song.]
See Arne (T. A.)
LOTHARIUS. See Lotario.
LOTTCHEN AM HOFE. Lottchenam
Hofc. Comische Oper. See Hiller (J. A.)
LOTTERY. The Lottery. A Farce.
[Words by Henry Fielding, music chiefly
by — Seedo.] As it is Acted at the
Theatre-Royal in Drury-Lane . . . With
the Musick prcfix'd to each Sont^.
Printed for J. Watts: London, 1132. S\
11775. c. 66.
Songs in the Lottery ... the Tunes proper
for the German Flute, Violin & Common
Flute. The Musick Shojis :
London, [1731.] 8". A. 869. a. (2.)
Engraved throughout. This tvork bears
Walsh's nuviber, (300).
The Lottery. [Song.] See 1. I am a
young Damsel, c^c. [1760?] s.sh.io\.
G. 316. e. (51.)
LOTTI (ANim-io) Duetti, Tcrzetti, e
Lladrigali a piu Voci, etc. Appresso
Antonio Bortoli : Venezia,n05. fol. H. 8.
LOUD. The Loud Alarms of War must
cease. [Duet.] See Eccles (J.) [TJic
Mad Lover.]
The Loud Wind roar'd. Song.
See Dale (Joseph)
LOUET (Alexandre) La IMarmotte en
vie. Celebre Chanson Savoyarde . . .
Imprime par permission de M"' A. de Baus-
set. Pi. Wornum: Londres, [1800?] fol.
H. 2815. f. (21.)
LOUIS IX. Du Fran(;ais asservi j'ai S(,'U
briser les chaines. Air de Louis IX. [by
J. B. Le Moyne]. Avec Accomp' de Guit-
tare. Chez Imbault : Paris, [1790.] 8"
B. 362. h. (35.)
64
LOUIS— LOVE
LOUIS XVI. Louis XVI. a sou Pcuple.
[Soug.J See Beecke (I. vou)
Louis tlio Sixteeuth's Lamentation.
[Soug.] See Steve>son {Sir J. A.)
LOUIS FERDINAND, Prince of
Prussia. Quatuor pour le Piauo Forte,
Violou, Viole et Violoucelle. [Op. G.
Separate Parts.] Chez BrcitJcopf d Hdrtel :
Lciimc, [1800 ?J fol. h. 2793. a.
LOUIS ( ) Madame. See Bayon, after-
wards Louis ( ) Madame.
LOUISA. Louisa. Soug.
Sec Brooks (J.)
Louisa. Ballad. See Moulds (J.)
LOUISE. Louise. Opcrette.
See Bbnda (P. L.)
LOULIE (Etienne) Elements ou Priu-
cipos de Musiquc mis dans un nouvel
Ordre . . . divisez en Trois Parties . . .
Avec I'Estampe, la Description & I'Usage
du Chronometre, etc. Chez E. Iloger :
Amsterdam, 1G98. 8". 1042. e. 12.
LOUP. Lc Loup Apprivoisc. [Song.]
Sec Quel. Quel enibarras, helas que
faire. [1780?] 8". B. 362. a. (129.)
LOVE. Love. Song [begins : ' 0 Love,
soft Love 'J. See Kimbault (S. F.)
Select Songs. No. 8.
Love. Song. Sec To. To thiue altar O
love,t>/c. [1780?] s.sh.ioX. G. 312. (101.)
Love alone can here alarm us. Love's
Fights. A New Song. [Words from
Motteux's " Loves of Mars and Venus."]
[London, 1710?] s. sh. fol. G. 310. (61.)
Love alone shall here alarm you. Song.
Sec Pkelleuu (P.)
Love and a Bumper, or Fanny's Delight.
A new Medley Song. Adapted to the
German Flute. Sec Chloe. Chloe, or
the Musical Magazine, etc. No. 57.
[1760?] fol. G. 433.
Love and Beauty. [Song.] SecFoBGiVE.
Forgive me Ctelia if I prove, etc.
[1735 ?J s. sh. fol. H. 1994. (24.)
Love and Beauty. Song [begins : ' Ador'd
Fancelia ']. SccLulman (C.)
Love and Folly were at Play. Love and
Folly. A Neiv Song. Sung by 3Iiss
Ste2}henson at Vaux-Uall.
[LoHfZo», 1750?] fol. H. 1994. b. (50.)
[Another edition.] Love and folly were
at play. IjOvc and Folly. Sung by Miss
Stevenson at Vaux Hall.
[London, 17G0 ?] s. sh. fol. G. 310. (7.)
[Another edition.] Love and Folly were
at Play. Love and Folly, etc See Chloe.
Chloe, or the Musical Magazine, etc. No. 2.
[1760?] fol. G. 433.
[Another setting.] Love and Folly were
at play. [Song.J See Barrett (J.) Organist.
LOVE. [Another setting.] Love and Folly
were at play. Song, ^'ct Wesley (S.)
Love and Freedom. [Song.] See Freedom.
Freedom is a real treasure.
[1756.] s. sh. 8". P.P. 5439. ab.
Love and Friendship. Song.
Sec Oswald (J.)
Love and Honour. [Song, begins: 'Of
all the joys in life possessed.']
Sec Cooke (S.)
Love and Honour. [Song.] Sec I. I
wish and long for that which I.
[1740?] s. 67(.fol. G. 309. (115.)
Love and Innocence. Song. Sec Akgelic.
Angelic fair, beneath yon pine, etc.
[1760.] 8". P.P. 5438. z.
Love and Innocence. Ballad.
See Angelic. Angelic fair beneath yon
Pine.e^c. [1770?] s.sh.M. G. 306. (147.)
Love and Innocence. Song. Sec My.
My days have beeu so wondrous free.
[1710?] s.sh.tol. H. 1601. (309.)
Love and Innocence. [Song, begins :
' Wanton pleasures far away.']
See Smart (T.)
Love and Loyalty. [Song.] /S'ceCiRAVES (J.)
Love and IMusic. [Song.]
See COSTELLOW (T.)
Love and Opportunity. [Song.] See Let.
Let us fill the circling Glass.
[1779?] s. s7i. fol. G. 310. (39.)
Love and Reason. [Song.]
See Oswald (J.)
Love and Satire. Soug. Sec When.
When Pli.?ebus does rise, eie.
[1715?] s.sh. fol. H. 1601. (497.)
Love and Sparkling Wine. Glee.
See Peck (J.)
Love and war. Song. Sec Blewitt (J.)
Love and Wine. [Song, words] By C.
F. \Yeisse. See All. All bereft of Love
and Wine, etc. [1800.] s. sh. obi. i".
266. 1. 29.
Love and Wine, an Excellent Drinking
Song. [Begins : ' A Plague on IMiss Chloe.']
See Chloe. Chloe, or the ]\Iusical Maga-
zine, etc. No. 47. [1760 ?J fol. G. 433.
Love and Wine united. [Song.] Sec When.
When we drink, my charming Phillis.
[1725?] s. sh. fol. G. 316. f. (102.)
Love at Fifty. [Song.] Sec Dibdin (C.)
[Christmas Gambols.}
Love at first Sight. [Song.] See 'Twas.
'Twas once on a Time, etc.
[1730?] s. 67(. fol. G. 312. (150.)
Love can disturb the steady Soul. TJtc
liesolution. A New Song. [London,
1750?] s.sh.iol. G. 316. a. (35.)
Love for Love. [Song.] Sec Sue. Sue
venal Belinda, etc. [1756.] s. sh. 8\
P.P. 5439. ab.
LOVE
65
LOVE. Love for Love. [Song.] See Sue.
Sue venal Belinda, etc.
[1760?] s.sh.lol. G. 311. (125.)
Love from those bright eyes. Song.
See Mozart (W. A.) [An Chloe.]
Love grows fiercer by denials. A New
Song. Sung by Mr. Bartholomew Piatt
at Sadlers Wells. [Words by P. A. Mot-
teaux, adapted to ' Ch'io lasci mai
d'amare/ from Handel's ' Amadigi.']
[London, 1720?] s. sh. io\.
H. 1601. (292.)
Love has possess'd my heart. [Song.]
See Stanley (J.)
Love, Honour and Truth. Song.
See Webbe (S.) the Elder.
Love I defy thee. Cantata.
See PuRCELL (D.)
Love in Disguise. Song. See At. At
Totterdown hill there dwelt an old pair,
etc. [1768.] 8". P.P. 5438. z.
Love in Disguise. [Song.] See At. At
Totterdown Hill there dwelt an old pair,
etc. [1770 ?] s. sh. fol.
H. 1994. a. (149.)
Love in her Bosome end my Care. Song.
See Weldon (J.) [The Agreeable Dis-
appointmcnt.']
Love in her eyes sits playing. Song.
See Haendel (G. F.) [Acisand Galatea.']
Love in the Groves. Song. Sec One.
One Evening as I lay, etc.
[1710?] s. s7i. fol. H. 1601. (337.)
Love in thine Eyes. Canzonet.
See Jackson (W.) of Exeter. [12 Cayi-
zonets. Op. 13. No. 7.]
Love in thy youth, fair maid be wise.
Glee. See Cooke (M.)
Love is a God, whose charming Sway.
Song. Sec Eccles (J.) [Women will have
their Wills.]
Love is all Fancy. A new Song. The
words by Mr. H. F. Within compass of
the Flute. [London, 1720 ?] s. sh. fol.
H. 1601. (287.)
Love is an empty airy name. Song.
See Eccles (J.) [The City-Lady.]
Love is lost. [Song, music by T. Brown.]
[London, nib?] fol. G. 310. (11.)
[Another copy.] G. 315. (21.)
Love is lost. Song. See Brown (T.)
Song- Writer.
Love is now become a Trade. Song.
See Barrett (J.) Organist.
Love, ]\Iusic and Friendship. Glee.
See Amateur.
Love never more shall give me Pain.
[Song, words by R. Crawford,] Sung by
Mr. Loiue. [London, 1755 ?] s. sh. fol.
H. 1994. b. (51.)
VOL. II.
LOVE. [Another edition.] Love never
more shall give me Pain. My Peggie if thou
die. Sung by Mr. Lowe at Marybon Gar-
dens. See Chloe. Chloe, or the Musical
Magazine, e^c. No. 51. [1760?] fol.
G. 433.
[Another edition.] Love never more shall
give me Pain. My Peggie if thou die.
[Song.] Sung by Mr. Lowe at ]\Iarybon
Gardens. [London, 1765 ?] s. sh. fol.
G. 316. e. (74.)
[Another setting.] Love never more
shall give me Pain. A Favorite Scotch
Song. Sung by Mr. Vernon at Vauxhall.
J[oh7i] B[utherford : London,
1775 ?] s. sh. fol. G. 310. (73.)
This is a different song from that sung
by Lowe at Marylebone Gardens.
Love of no Party. Song. See One. One
Aprill ]\Iorn w" from the Sea.
[1705 ?] s. sh. fol. G. 305. (275.)
Love, our greatest Blessing. [Song.]
See Deprived. Depriv'd of Love and all
it's Joys. [1760?] fol. G. 316. d. (106.)
Love preferable to Liberty. [Song.]
See Howard (S.)
[Another edition.] Love preferable to
Liberty. [Song.] See Markwell ( )
Love relaps'd. [Song.] See Arne (T. A.)
Love Rewarded. [Song.] See With.
With Phsebus I often arose.
[1750?] s.sh.iol. G. 313. (172.)
Love shall be my Guide. Song.
See Hook (J.)
Love sounds th' alarm. Song.
See Haendel (G. F.) [Acis and
Galatea.]
Love sounds the Trumpet of Joy. Song.
See Reeve (W.)
Love sweet poison. See Haendel (G. F.)
[Alcina. Verdi prati.] i
Love thou pleasing teazing Power. Song.
See Pleyel (I. J.)
Love thou Sweet Passion. Song.
See Hayden (G.)
Love to Madness. Song.
See Stevenson {Sir J. A.)
Love Triumphant. [Song.] See When.
When I beheld Clarinda's Eyes, etc.
[1715 ?] s. sh. fol. G. 313. (42.)
Love when 'tis true needs not the aid.
Indifference excused. [Song, the words by
Sir C. Sedley.] [London,
1730 ?] s. sh. fol. G. 305. (151.)
[Another copy.] G. 310. (67.)
Love, Wine, & Friendship. Song.
See Busby (T.)
Love, Wine, and ]\Iusic. Song.
See Since. Since love such extacy can
give, e^c. [1769.] 8°. P.P. 5438. z.
66
LOVE
LOVE. Love would invade me. [Song.]
See Thomyris.
Love's a Bubble. [Song.] Sung by Mrs.
Warrel at Vauxhall.
S{amiiel and] A{:nn] T\Jiompson : London,
1778.] s. sh. fol. G. 310. (44.)
Love's a distemi^er. Song.
See Barrett (J.) Organist.
Love's a gentle gen'rous Passion. The
Constant Lover. [Song.] Set for y"
German-Flute. [Words from Carey's farce,
" The Honest Yorkshireman."] [London,
1740 ?] s. sli. fol. G. 310. (66.)
[Another setting.] Love's a gentle
gen'rous Passion. [Song.] See Carey (H.)
Love's a sweet and soft IMusician. Song.
See Musical Lady.
Love's a vain deluding joy. [Song.]
See Hudson (R.)
Love's Bacchanal. [Song.]
See Vincent (J.)
Love's but the frailty of the Mind. Song.
See EccLES (J.) {The Way of the World.]
Love's Conquest over Reason. [Song.]
See Lesbea. Lesbea's smiles shall ne'er
deceive me. [1715 ?] s. sh. fol.
G. 316. g. (37.)
Love's Fights. Song. See suj^ra : Love
alone can here alarm us, etc.
[1740?] s.s^. fol. G. 310. (61.)
Love's Force on the Heart. Song. See To.
To ease my heart, etc. [1790 ?] fol.
H. 1653. (32.)
Love's Goddess in a myrtle Grove. Bonny
Jean. [Song, words by A. Ramsay.]
[London, 1730 ?] s. sh. fol. G. 310. (4.)
[Another copy.] G. 303. (19.)
[Another edition.] Love's Goddess in a
INIyrtle Grove. Bonny Jean. [Song.]
[London, 1735 ?] s. sh. fol.
G. 316. e. (71.)
Love's Lesson. [Song.] See Dibdin (C.)
[The General Election.]
Love's Likeness. [Song.]
See Dibdin (C.) [Will of the Wis}).]
Love's Passion never knew till this. Song.
See Franck (J. W.)
Love's Probation. [Song.]
See Dibdin (C.) [The Sphinx.]
Love's the Devil. [Song.] See Than.
Than Summers Suns more bright I own.
[1760?] s.sh.lol. G. 312. (182.)
Love's true Object. [Song.]
See Aene (T. A.)
Love's Victim. [Song.]
See Mattox ( )
LOVE AND MONEY. Love and
Money. [Musical Farce.]
See Arnold (S.)
LOVE AND WINE. Wine's a INIistress
gay and easy. [Song.] Sung by Mr.
Leveridge in the Entertainment of Love &
Wiyie. [London, 1720 ?] s. sh. fol.
H. 1601. (528.)
[Another edition.] Wine's a Mistress
gay and easy. Bass Song, etc.
London, [1725?] s. sh. fol.
G. 305. (29.)
LOVE FINDS THE WAY. How
dear I love her. [Song.] Sung by INIrs.
Farrel in " Love finds the Way." [Words
by T. Hull.] Sk\illcrn :
London, 1777.] s. sh. fol. G. 308. (131.)
Oh Love thou Delight. [Song.] Sung
by Mrs. Farrel in " Love finds the Way"
[Words by T. Hull]. Sk[illern :
London, 1777.] s. sh. fol. G. 310. (269.)
LOVE IN A CAMP. Love in a Camp.
Comic Opera. See Shield (W.)
LOVE IN A FOREST. What shall he
have that kill'd the Deer. The Hunts-
mans Song in Love in a Forest. [Words
from Shakespeare's ' As you like it,'
altered by C. Johnson, music by H.
Carey.] [London, 1723 ?] fol.
H. 1601. (524.)
[Another edition.] What shall he have
that kill'd the Deer. The Huntsman's
Song, e^c. [Lonc^o??, 1723?] s. sh. iol.
G. 313. (49.)
LOVE IN A RIDDLE. Love in a
Riddle. A Pastoral. As it is Acted at
the Theatre-Royal . . . Written by Mr.
Gibber. (The Tunes to the Songs, etc.)
Printed for J. Watts : London,
1719 [1729.] 8°. 841. d. 32. (2.)
The date 1719 is a misprint.
Love in a Riddle. A Pastoral . . . Written
by Mr. Cibber. (The Tunes to the Songs
in the foregoing Pastoral.) Printed for
J. Watts : London, 1729. 8».
841. d. 32. (2.)
[Another copy.] 841. f. 55. (1.)
[Another copy.] T. 1678. (4.)
[Another copy.] 643. h. 12. (2.)
LOVE IN A VILLAGE. Love in a
Village. A Comic Opera. . .The Music by
Handel, Boyce, Arne, Howard, Baildon,
Festing, Geminiani, Galuppi, Giardini,
Paradies, Agus, Abos. For the Harpsi-
cord, Voice, German Flute, or Violin.
Printed fen- 1. Walsh: London,
[1763.] ohl. fol. D. 269.
Love in a Village . . . Set for a German
Flute, Hoboy or Violin, etc. Printed for
I. Walsh : London, [1768.] 8".
D. 269. a.
Wanting pp. 5 and 6.
LOVE
67
LOVE IW A VILLAGE. A New
Edition of Love in a Village. A Comic
Opera . . . The music by Abel, Agus,
Dr. Arae, Baildou, Dr. Boyce, Carey,
Festing, Galuppi, Geminiani, Giardini,
Handel, Dr. Howard, Oswald, Paradies,
Weldon, &c. To which is added the . . .
Bravura Song introduced by IMrs. Billing-
ton. Composed by Sig"' Giordani.
Printed for B. Birchall : London,
[1795?] fol. H. 108.
Love in a Village. A Comick Opera . . .
The Musick by Handel, Boyce, Arne,
Howard, Baildou, Festing, Geminiani,
Galuppi, Giardini, Paradies, Agus, Abos,
&c., for the Piano Forte, Voice, German
Flute or Guitar. [1797.] See Periodical
Publications. — London. The Piano-
Forte Jlagaziue. Vol. I. No. 9. [1797-
1802.] 8°. D. 854.
Cease, gay Seducers. A Favourite Air in
Love in a Village. The JIusic lately in-
troduced and sung by Sliss Catley.
[London, 1773.] s. sh. 4°. 159. n. 5.
London Magazine, April, 1773. Li
some editions the composition of this
song is attributed to Anne Catley. It
is different from the setting in the early
editions of the opera and also from that
by T. A. Arne tvhich appeared later.
Cupid God of soft Persuasion. [Song, by
F. Giardini.] Sung by Miss Hallam in Love
in a Village. [London, 17G5 ?] s. sh. fol.
H. 1994. a. (194.)
Cupid God of soft Persuasion. [Song.]
Sung by Miss Hallam, in Love in a
Village. Set by Sig' Giardini. [London,
1765?] s.sh.iol. G. 316. j. (10.)
Hope, thou Nurse. [Duet, the music by
J. Weldon.] Sung by ]\Iiss Brent and
INIiss Hallam in Love in a Village. For
the Harpsicord, and Guittar.
[London, 1780 ?] fol. G. 296. (15.)
How blest the Maid. [Song, adapted to
' La pastorella al prato,' music by B.
Galuppi.] Sung by Miss Brent in Love
in a Village. [London, 1180 ">] s.sh.iol.
G. 296. (13.)
How much Superior Beauty. [Song.]
Sung by Mr. Mattocks in Love in a
Village. Set by Mr. Howard. [London,
1765 ?] s. sh. fol. G. 308. (107.)
How much superior Beauty awes. [Song.]
Sung by Mr. Mattocks, in Love in a
Village. Set by Mr. Howard.
R. Falkcner : London, [1775 ?] s. sh. fol.
H. 1994. a. (47.)
In Love shou'd there meet a fond Pair.
Sung by Miss Brent, in Love in a village.
Set by Mr. Barnard. B. Falkener :
London, [1775 ?] s. sh. fol.
H. 1994. a. (87.)
LOVE IN A VILLAGE. [Another
edition.] In Love shou'd there meet.
Sung by Miss Brent in Love in a Village.
[Music by — Barnard.]
Sk[illern : London, 1775 ?] s. sh. fol.
G. 309. (163.)
In vain I ev'ry Art essay. [Song.] Sung
Mr. Mattocks . . . Set by Dr. Arne.
[London, 1765?] s.sh.iol.
H. 1994. c. (7.)
My Dolly was the fairest thing. [Song.]
Sung by Mr. Beard in Love in a Village.
[Adapted to ' Let me wander not unseen,'
from Handel's ' L' Allegro. 'J [London,
1770?] s. s7i. fol. G. 310. (122.)
0 ! had I been by fate decreed. [Song, by
S. Howard.] Sung by Mr. Mattocks, etc.
[London,'] 17G3. 8". P.P. 5441.
Boyal Magazine, Vol. VIII., p. 155.
0 ! had I been by fate decreed. [Song, by
S. Howard.] Sung by Mr. Mattocks, etc.
[London, 1763.] 8°. P.P. 5140.
Lady's Magazine, Vol. IV., p. 357.
0 ! had I been by Fate decreed. [Song.]
Sung by ]\Ir. JIattocks in Love in a
Village. Set by jMr. Howard. [London,
1765?] s.sh.iol. G. 310. (251.)
0 ! had I been by fate decreed. [Song]
. . . Set by ]Mr. Howard. B. Falkener :
London, [ITi 5'!] s.sh.iol.
H. 1994. c. (48.)
Oh had I been by fate decreed. A
favorite Song [by S. Howard] sung by
Sir. Incledon in . . . Love in a Village.
G. Walker : London, [1800 ?] fol.
G. 383. h. (68.)
Oh ! how shall I in Language weak. Song
by Mr. Mattocks ... Set [to ' The Power
of Beauty,'] by Mr. Carey. B. Falkener :
London, [1770 ?] 5. sh. fol.
H. 1994. a. (208.)
[Another edition.] Oh ! how shall I.
Sung by Mr. Mattocks, etc. [London,
1770 ?] s. sh. fol. H. 1994. b. (60.)
Oh ! how shall I in Language weak, etc.
[Song, the words by I. BickerstafEe,
adapted to H. Carey's ' Power of Beauty.']
[London, 1797 ?] fol. G. 805. i. (10.)
Still in hopes to get the better. A Song
in Love in a Village. Sung by Mr.
Mattocks. Set by Dr. Arne. [London,
1765?] s.sh.iol. G. 311. (144.)
'Tis not Wealth. [Song.] Sung by Mrs.
Pinto in Love in a Village. Set by Sig'
Giardini. [London, 1770 ?] s. sh. fol.
G. 312. (142.)
Under the Hose. [Song.] Sung by Mr.
Beard in Love in a Village. Set by
Dr. Arne. B. Falkener: London,
[1775?] s. sh. fol. H. 1994. a. (207.)
p 2
68
LOVE— LOVER
LOVE IN THE CITY. Love in the
City, a Comic Opera . . . for the Voice,
Harpsichord, or Violin. [Libretto] By
the Author of Love in a Village [I. Bicker-
staff e]. [Music arranged and compiled by
C. Dibdin.] J. Johnston, for the Arithor :
London, [1767.] ohl. fol. D. 282. (5.)
The composers named in this work are :
Vento, Cocchi, Galuppi, Picini, Bar-
thelemon, H. M. K. P., Dibdin,
Pergolcsi and Jomclli,
LOVE IN THE EAST.
East. Comic Opera.
See LiNLEY (T.) the Elder.
Love in the
LOVE'S TRIUMPH. Songs in the New
Opera, call'd Love's Triumph, as they are
perform'd at the Queen's Theatre. [Words
adapted from the Italian of Cardinal Otto-
boui by P. A. Motteux, music by C. P.
Cesarini and F. Gasparini.] I. Walsh
and I. Hare : London, [1708.] fol.
H. 227.
Gay, kind and airy sweet. [Song.] S^mg
by Mrs. Lindse in the Opera call'd Love's
Triumph. ILondo^ii, 1708.] s. sh. fol.
G. 305. (155.)
[Another copy.] H. 1601. (169.)
[Another copy.] I. 600. (58.)
Kindly thus my Treasure. A Fauorite
Song in the Opera call'd the Tryumphs of
Love. [London, 1708.] s. sJi. fol.
H. 1601. (263.)
LOVELIEST. Loveliest Charmer. A
Song by Mr. Bob'' Brereto7i being an Invi-
tation to a Lady in y" Spring. [London,
1740 ?] s. sh. fol. G. 316. e. (63.)
LOVELY. Lovely beauty, close those
eyes. Song. Sec Haendel (G. F.) [The
Triiimph of Time and Truth.]
Lovely Bett. [Song.] See Crome (R.)
The Lovely Cselia. Song.
See DiEUPART (C.)
Lovely Charmer, dearest Creature. Song.
See PuRCELL (D.) [The Island Pririccss.]
The Lovely Charmer. Song [begins:
' Wilt thou ever ']. See Vanbrughe (G.)
Lovely cruel charming fair. A Neio Song
after the Italian Manner. [London,
1715 ?] s. sh. fol. H. 1601. (282.)
Lovely Delia. [Song.] See Dale (Joseph)
Lovely Goddess, sprightly May. Song.
See Barnes (J.)
Lovely Harriote. A Crambo Song.
See Burney (C.)
A lovely Lass to a Fryar came. TJie
Fryar and the Nnn. [Song.] [London,
1710 ?] s. sh. fol. H. 1601. (26.)
[Another edition.] A lovely Lass to a
Fryar came, c?c. [London, 1715?] s. sJi. fol.
G. 305. (31.)
LOVELY. A Lovely Lass to a Fryar
came, etc. [Another copy.]
G. 306. (56.)
Lovely Mira. [Song.] See Day (J. K.)
Lovely Nan. [Song.] See Dibdin (C.)
[Great Neios.]
Lovely Nancy with Variations for the
Harpsicord. Printed for
Longman, Lukey d Brodcrip : London,
[1778 ?] s. sh. fol. g. 272. p. (8.)
Lovely Nancy, with Variations. Sec How.
How can you lovely Nancv.
[1760?] s. sh. fol. H. i994. a. ( 172.)
Lovely Nymph, asswage my anguish.
Song. See Midas.
Lovely Peggy. [Song.] See Once.
Once more I'll tune the Vocal shell.
[1750?] s.sh.ioX. 1.530.(124.)
Lovely Peggy. [Song.] See To. To you,
fair Nymph I tune the Lyre. [1780 ?] fol.
G. 312. (200.)
Lovely Polly. [Song.] See Hayes (P.)
Lovely Ruler of my Heart. Song.
Sec Carey (H.) [The Contrivances.]
Lovely Sally. Ballad. See Legoux (L. R.)
Lovely seems the Moon's fair Lustre.
[Song.] See Adams (J. B.) A New Air,
etc. No. 4.
The Lovely Spring. [Song.]
See BoRGHi (L.)
Lovely Susan. Canzonet. See Lanza (G.)
LOVER. The Lover. [Song, begins:
' Long by some fair one.'] See Dibdin (C.)
[King and Queen.]
The Lover. [Song, begins : ' If love be a
fault.'] See Howard (S.)
The Lover. Canzonet [begins : ' In vain
the wary lover tries ']. See Mozart (W. A.)
[Das Traumbild.]
The Lover and the Friend. A New Song.
[Words by E. Moore, music by J. Worgan.]
See Chloe. Chloe, or the Musical Maga-
zine, etc. No. 90. [1760 ?] fol. G. 433.
The Lover and the Friend. Song.
Sec Worgan (J.)
The Lover for the Favour presses. [Song.]
See Myrtillo.
The Lover of Liberty. [Song.]
See Howard (S.)
The Lover with Reason. [Song.]
See Ramondon (L.)
The Lover's Absence. Song. See Had.
Had I but the wings of a dove, etc.
[1749.] 8°. 157. 1. 11.
The Lover's Address. [Song.] Sec Char-
mer. Charmer permit me to make a
Surrender, etc. [1730?] s. sli. fol.
G. 307. (47.)
The Lover's Address. Song [begins :
' Beloved, each anxious fear '].
See Essex (M.) Select Songs. No. 6.
LOVER— LOYAL
69
LOVER. The Lover's Catechism. Song.
See Hook (J.)
The Lover's Complaint, a New Song, etc.
[Begins : ' Cruel Amynta, can you see.']
See Chloe. Chloe, or the Musical Maga-
zine, e^c. No. 85. [1760?] fol. G. 433.
The Lover's Complaint. [Song.] Sec Hark.
Hark ! the Trumpets sounds to Arms.
[1720 ?] s. sh. fol. G. 305. (267.)
The Lover's Complaint. [Song.] Sec When.
When I to Sleep address my Mind, etc.
[1738.] 8^ 249. c. 8.
The Lover's Complaint. [Song.]
Sec While. While pensive on the
Lonely plain. [1760 ?] s. sh. fol.
G. 316. (158.)
The Lover's Declaration. [Song.]
Sec Olive (J.)
The Lover's fatal Jom'iiey. Ballad.
See Sanderson (-J.)
The Lover's Litany. [Song.] See By.
By that Mole on thy Bosom.
[1740?] s. s7i. fol. G. 316. d. (60.)
The Lover's Petition. [Song.]
See Arne (T. A.)
The Lover's Prayer. [Song.] See Gentle.
Gentle Cupid, ever roving.
[1750?] s.sk.iol. G. 308. (21.)
The Lover's Prayer. [Song.] See 0. O
my fairest you're my Dearest.
[1730 ?J s. sh. fol. G. 310. (255.)
The Lover's Progress. [Song.]
See Stanley (J.)
The Lover's Resolution. [Song.]
See A., J.
The Lover's Treasure. [Song.]
See HOLDEN (F.)
The Lover's Wish. Song. See Ye. Ye
ruling Pow'rs, etc. [1765.] 8°.
P.P. 5438. z.
LOVER HIS OWN RIVAL. The
Lover his own Rival. A Ballad Opera.
As it is Perform'd at the New Theatre in
Goodman's-Pields. By Mr. Langford.
Printed for J. Watts : London, 1736. 8".
11775. e. 2. (1.)
The Lover his own Rival. A Ballad
Opera, etc. Printed for J. Watts :
London, 1753. 8». 162. i. 41.
LOVER'S OPERA. The Lover's Opera
...[Written] By Mr. Chetwood. . .The
Third Edition, with... the Musick pre-
fix'd to each Song. Printed for J. Watts :
London, 1730. 8". 841. d. 17. (2.)
[Another copy.] 82. e. 36.
LOVERS. The Lovers' Quarrel. Dialogue.
See Hook (J.)
The Lovers' Toast. Part Song.
See Stevenson (J. A.)
LOVERS. Lovers, who listen to Reason's
persuasion. Song. See Storage (S.)
[Tim Pirates.']
LOVESICK. Lovesick Jockey. Song.
See Croft (W.)
The Love-Sick Soldier. [Ballad.]
See Why. Why did the God of Love
wound a Commander, etc.
[1693 ?] s. sh. fol. Case 39. k. 6. (45.)
LOW. Low down in the Broom. Song.
See My. My Daddy is a canker'd Carle,
etc. [1760.J 8". 158. 1. 5.
Low down in the broom. [Song.]
See My. My Daddy is a cross old man.
[1770?] fol. I. 530. (104.)
Low in a Vale young Willy sat. Song.
See Light (E.)
LOW (Thomas) See Banister (J.) and
Low (T.) New Ayres and Dialogues...
Together with Lessons for Viols or Violins,
etc. 1678. 8". K. 2. a. 6.
LOWE (Edward) Sec L., E.
LOWENSTERN (^^Iatthaeus Apelles
von) Sec Loewenstern.
LOWLAND. Lowland Cot. Song.
See Offley (H. P.)
The Lawland Lads think they are fine.
The Highland Laddie. [Song, by IM.
Arne.] \_London, 1750.] 8^
P.P. 5438. z.
Universal Magazine, Vol. VII., p. 25.
The Lawland lads think they are fine.
The Highland Laddie. [Song.] Written
...by Allan Ramsay, and now sung at
Ranelagh and all the other Gardens, etc.
[By M. Arne.] [London, 1750.] 8^
249. c. 20.
Gentleman's Magazine, Vol. XX., p. 325.
The Lawland Lads think they are fine.
The Highland Laddie. [Song, by M.
Arne.] [London, 1770?] s. sh. fol.
I. 530. (86.)
The Lawland maids go spruce and fine.
The Highland Lassie. A New Song.
[London, 1751.] 8". 157. 1. 13.
London Magazine, 1751, p. 468.
[Another setting.] The Lawland Maids
gang trig and fine. The Highland Lassie.
[Song.] Str[aight] & Sk[illern :
London, 1775 ?] s. sh. fol.
G. 312. (180.
Lowland Willy. Song. See Hook (J.)
LOYAL. The Loyal Briton. Song.
See Ling (W.)
The Loyal Cobler. Comic Song.
See Reeve (W.)
70
LOYAL— LUCINI
LOYAL. The Loyal Health. [Song.]
Sec Ye. Ye Monarchy haters, etc.
1684. fol. 11630. ff. 2. (9.)
The Loyal Highland Lass. Song.
Sec To. To Hanover from Edinbro'.
[1715?] s.sh. fol. G. 312. (92.)
The Loyal London IMilitary Association.
[Song.] See Olive (J.)
The Loyal Scot. [Song.] See Bread.
Bread of Geud! I think the Nation's
mad, etc. [1682 ?] s. sh. fol.
Case 38. i. 25. (15.)
The Loyal Sherifs of London and Middle-
sex. [Song.] See Now. Now at last the
Matter is dicided, etc. 1682. s. sh. fol.
Case 38. i. 25. (14.)
The Loyal Sherifs of Loudon and Middle-
sex. Upon their Election, etc. [Ballad.]
Sec Now. Now at last the Matter is
Dicided, etc. 1682. s. sh. fol.
1872. a. 1. (44.)
The Loyal Swain: or. The Happy Pair.
[Ballad.] Sec Ianthe. lanthe the Lovely,
etc. [1705?] s.sh.iol.
Case 40. m. 9. (98.)
The Loyal Tar. [Song.]
See Cartee (C. T.)
The Loyal Tars. Song.
Sec Reeve (W.) [Don Juan.]
The Loyal Toasts. [Song.] Sec Six. Six
Subjects as loyal. [1760?] s.sh.iol.
^ G. 316. e. (131.)
Loyal Volunteers. [Song.]
See Ball (S.)
LOYALIST. The Loyalist. [Song.]
Sec When. When Britain first her fair
domain. [1795?] fol. G. 385. c. (15.)
LOYALTY. Loyalty. Song.
Sec Bleavitt (J.) [Fashionable Ballenj.]
Loyalty Triumphant, or Phanaticism
Display'd. [Song.] See Ye. Ye Mon-
archy haters, etc. 1684. fol.
11630. if. 2. (9.)
LUBIN. Lubiu's Return. Ballad.
See Williamson (T. G.)
LUCARIUS. (Joannes Jacobus) D.
loannis lacobi Lucarii Conceutuura qui
uulgo Motetta nuncupantur. Liber Primus
Quatuor Vocum. Tenor.
Ajmcl Antonium Gardane : Venetijs,
1547. obi. 4". K. 3. c. 3.
The last two motets are headed ' Tomasi
cimclli' and ' Alchali sepinatis.'
LUCAS. Lucas, ayant le coeur joyeux.
[Song.] Sec R., M>\
Lucas, du Cabaret sortant. Air.
See BouvARD (F.)
Lucas pret [sic] de mourir. [Song.] Eecit
de Basse. [Paris,'] 1745. s. sh. 4°.
297. e. 2.
Mercicre de France, July, 1745.
LUCAS, of Mechlin, a Caimchin. See
Hymns. [Dutch.] Den Boeck der ghee-
stelijcke Sanghen bedeelt in twee deelen.
Den Blijdcn Requiem eude Geluckighe
Uyt-vaert van een Salighe Side... Door
cenen Religieus van d' Oorden van Sinte
Francois [i.e. Lucas of Mechlin], etc.
1631. 8". A. 567.
LUCETTE. Lucctte avoit dcja quinze
ans. L'Hciireuse Di^couvcrte. [Song, writ-
ten] Par M' Letang de Margeanville.
[Paris, 1780?] 8". B. 362. b. (171.)
LUCETTE ET LUCAS. Lucette et
Lucas. Comedie.
See Z., D., Mademoiselle.
LUCILE. Lucile, Comedie en un Acte,
meslee d'Ariettes, etc. [Words by J. F.
Marmontel, music by A. E. M. Gretry.]
Chez Merlin : Paris, 1769. 8".
164. f. 61.
This edition only contains the voice-parts
of the Finale.
Lucile, Comedie en un Acte, etc. 1774.
See Recueil. Recueil general des Opera
Bouffons, etc. Tom. ?>. 1777. 8".
11735. b. 2.
Ariettes de Lucile [by A. E. M. Gretry].
[Paris, 1780?] S\ B. 362. h. (34.)
Chantons deux epoux. Ronde de Lucile
[by A. E. M. Gretry].
[Paris,] 1773. s. sh. 8". 298. e. 23.
Mcrcurc de France, August, 1773.
Ou pent on etre mieux. Quatuor de
Lucile [by A. E. U. Gretry].
[Paris, 1780?] 8". B. 362. (39.)
Qu'il est doux de dire en aimant. Air
chante dans Lucile [by A. E. IM. Gretry].
Recoquilliic : [Paris,] 1769. s. sh. 8".
297. e. 24.
Mercure de France, May, 1769.
Lucile. Comedie.
See Gbetry (A. E. M.)
LUCINDA. Luciuda. Song.
See Bryan (J.)
Lucinda by a secret art. Song.
See Strollgbr (J.)
Lucinda is bewitching fair. Song.
See PURCELL (H.) [Abdelazor.]
Lucinda is quite forgotten now. Song.
See COTTERELL (J.)
Lucinda Mira. Song. Sec Graves (J.)
Lucinda's Name with sweetest Sound.
[Song.] See Howard (S.)
Lucinda's Wish. [Song.] Sec Come.
Come, Strephon, come, etc.
[1710?] s.sh.iol. H. 1601. (108.)
LUCINI (Francesco) See Gemme. Le
Gemme, IMadrigali a Cinque, etc. [With
a dedication by P. Lucini.] 1590. 4°.
C. 215.
LUCIO— LULLI
71
LUCIO VERO. The Favourite Songs
in the Opera call'd Lucius Verus. [Words
by Apostolo Zeno, music by Attilio
Ariosti.] Printed for I. Walsh and
Joseph Hare : London, [1727.] fol.
G. 206. c. (3.)
Lucius Yerus. Opera.
See Haendel (G. F.)
Lucio Vero. Opera.
See Sacchini (A. M. G.)
LUCIUS VERUS. See Lucio Veeo.
LUCKLESS. Luckless Love. [Soug.]
Sec CORFE (J.)
The Luckless Lover. Song.
Sec Abikgton (L.)
LUCKY. The Lucky Escape. [Song.]
Sec DiBDiN (C.) [Private Theatricals.]
LUCRETIA. Lucretia. [Song.]
See Betts (E.)
LUCY. Lucy. A New Song.
Sec Fields. The Fields are green, etc.
[1761.] 8°. P.P. 5441.
Lucy. Song. See Fields. The iields
are green, etc. [1761.] 8°. P.P. 5140.
Lucy and Collin. [Song.] See Of. Of
Linster fam'd for Maidens fair, etc.
[1735 ?] s. sh. fol. G. 316. e. (104.)
Lucy, or Fixt Air. Cantata.
See BuBLETTi ( ),pset(d.
LUCY GRAY. Lucy Gray of Allendale.
Song. See Hook (J.)
LUD. Lud don't you keep teaziug me so.
[Song.] See When. When Strephon the
rover, e/c. [1780?] s. sh. fol.
G. 313. (191.)
LUDUS DIANAE. See Diana.
LUDUS MELOTHEDICUS. Ludus
Melothedicus, ou Le Jeu de Dez Har-
monique, Contenant plusieurs Calculs
par lesquels toute personne composera
diiiereuts Meuuets avec raccompagnem'
de Basse en jouant avec deux Dez meme
sans s(,'avoir la Musique, etc. Grave par
J. P. Oger. Chez HP de la Chevardicre :
Paris, [1760?] fol. f. 105.
LUETGERT (F. H.) See Telemach Peinz
VON Ithaca. Euch ihr Herren mit stolzen
Blicken. Arie...fvirsCla\'ier...eiugerichtet
von F. H. Liltgert. [1800 ?] ohl. fol.
E. 1766. c. (4.)
LUFF. Luff, thus, Nonnear. A Sailor's
Song, set for the Gennan Flute. [Loitdon,
1750?] s. sh. fol. G. 316. e. (65.)
LUIS (David) The Youth's Desire.
[Song.] [London, 1150?] s. sh. io\.
G. 316. d. (129.)
LUKAS UND BAERBCHEN. Lukas
undBarbchen. Operette.
See Benda (G.)
LUKEWARM. The Lukewarm Lover.
[Song.] See Whilst. Whilst I gaze on
Chloe trembling. [1750?] s. sh. iol.
G. 316. a. (56.)
LULLI (Giovanni Battista) [Achille et
Polixene. Act i.] .See Colasse (P.)
Achille . . . le premier Acte par feu
M" J. B. de Lully, etc. 1687. fol.
L 316.
Acis et Galatee, Pastorale Heroique, etc.
[Words by J. G. de Campistron. Full
Score.] C. Ballard : Paris, 1686. fol.
L 306. 1.
Ouverture, Passacaille & Tous les
autres Airs a jouer de I'Opera d'Acis &
Galat6e, etc. [String Parts.]
Aiix depens d'E. Roger : Amsterdam,
[1700 ?] obi. 4». a. 148. (5.)
Alceste. Trag^die [written by P. Quiu-
ault] . . . Premiere Edition. Grange par
H. de Baussen. Paris, 1708. fol.
I. 306. c.
Ouverture & Tous les autres Airs a
jouer de I'Opera d' Alceste, etc. [String
Parts.] Azcx depens d'E. Roger :
Amsterdam, [1715 ?] obi. 4".
a. 148. (10.)
Amadis. Tragc^die, etc. [Written by
P. Quinault. Full Score.] C. Ballard :
Paris, 1684. fol. ^ I. 303. a.
Amadis . . . Nouvelle Edition. OEuvre xiv.
De V Imprimerie de J. B. C. Ballard :
Paris, 1725. fol. I. 303.
Ouverture avec tous les Airs a jouer
de rOp6ra d' Amadis, etc. [String Parts.]
CJiez E. Roger : Amsterdam,
[1720 ?] oU. 4°. a. 148. (2.)
Armide. Tragedie, etc. [Words by P.
Quinault. Full Score.]
Christophe Ballard : Paris, 1686. fol.
I. 306. g.
Armide. Seconde Edition. Grav^e par
H. de Baus§en. Paris, 1710. fol.
I. 305. a.
Armide ... Nouvelle Edition, ffiuvre xviii.
De I'hnprimerie de J. B. C. Ballard :
Paris, 1725. fol. I. 305.
Ouverture, Chaconne & Tous les
autres Airs a jouer de I'Opera d' Armide,
etc. [String Parts.]
Aux depens d'E, Roger : Amsterdam,
[1710?] obl.i". a. 148. (6.)
Atys. Trag^die . . . [written by P. Quinault.]
Grauee par H. de Baussen. Seconde
Edition. Paris, 1708. fol. H. 500.
Ouverture. Avec tous les airs a
jouer de I'Opera d'Atis, etc. [String
Parts.] Chez E. Roger : Amsterdam,
[1720?] oU. 4°. • a. 148. (11.)
72
LULLI
IiULLI (Giovanni Battista) Bell^ro-
phon. Tragedie, etc. [Words by T. Cor-
neille, Fontenelle and Boileau. Full
Score.] C. Ballard :
Paris, 1679. fol. I. 306. f.
Bellerophon. . .Seconde Edition. Chez
C. Ballard : Paris, 1714. fol. I. 306.
Ouverture avec tons les Airs a jouer
de rOp6ra de Bellerophon, etc. [String
Parts.] Chez E. Roger : Amsterdam,
[1720?] ohl. 4". a. 148. (7.)
[Cadmus et Hermione.] Ouverture avec
tous les airs a jouer de I'Opera de Cadmus,
etc. [String Parts.] Chez E. Bogcr :
Amsterdam, [1720?] obi. 4". a. 148. (8.)
L'Eglogue de Versailles.
See infra ; Idylle sur la Paix, etc.
Idylle sur la Paix [words by J. Racine],
avec I'Eglogue de Versailles [words by
P. Quinault], et plusieurs Pieces de
Symphonic, etc. [Full Score.]
C. Ballard : Paris, 1685. fol. I. 306. a.
Isis. Tragedie. [Words by P. Quinault.
Full Score.] [C. Ballard :
Paris, 1677.] fol. I. 306. e.
Wa7iting the title-page.
Ouverture. Avec tous les Airs a
jouer de I'Op^ra d'Isis, etc. [String
Parts.] Chez E. Roger : Amsterdam,
[1720 ?] obi. i". a. 148. (4.)
Lessons for the Harpsichord or Spinet,
viz' Almands, Corants, Sarabands, Airs,
Minuets & Jiggs. D. Wright : London,
[1700?] obi. fol. e. 132.
The Old Cebell. See Lard. Lard, how
men can Claret drink. A Dialogue ... to
the Tune of the old Cebell [attributed to
G. B. Lulli], c/c. [1707?] s. sh. iol.
G. 305. (208.)
The Old Cebell. See Pray. Pray now
John let Jug prevail. A Dialogue ... to
the Famous Old Cebell [attributed to G. B.
Lulli]. [1710?] s.sh.tol.
H. 1601. (372.)
Pers^e, Tragedie, etc. [Written by P.
Quinault. Full Score.] C. Ballard:
Paris, 1632. fol. I. 302.
Ouverture avec tous les airs a jouer
de rOpera de Pers^e, etc. [String Parts.]
Chez E. Roger : Amstcrda-)n,
[1720 ?] obi. 4°. a. 148. (12.)
Phaeton, Tragedie, etc. [Written by P.
Quinault. Full Score.] C. Ballard :
Paris, 1683. fol. I. 306. k.
Ouverture. Avec tous les Airs a jouer
de rOpera de Phaeton, etc. [String
Parts.] Ches E. Roger : Amsterdam,
[1720?] obi. 4". a. 148. (9.)
Proserpine, Tragedie, etc. [Written by
P. Quinault. Full Score.] C. Ballard :
Paris, 1680. fol. H. 500. c.
LULLI (Giovanni Battista) Proserpine,
Tragedie, etc. Ouverture avec tous les
airs a jouer de I'Op^ra de Proserpine,
etc. [String Parts.] Chez E. Roger :
Amsterdam, [1720 ?] obi. 4".
a. 148. (13.)
[Psyche.] Ouverture. Avec tous les Airs
a jouer du Ballet de Psich6, etc. [String
Parts.] Chez E. Roger : Amsterdam,
[1720?] obi. 4». a. 148. (3.)
Roland, Tragedie, etc. [Written by P.
Quinault. Full Score.] C. Ballard :
Paris, 1685. fol. I. 301.
Roland . , . Gravee par H. de Baussen.
Seconde Edition. Paris, 1709. fol.
I. 306. i.
Witlt, the arms of Prince Maximilian
Joseph of Bavaria on the covers.
Ouverture. Avec tous les Airs a
jouer de I'Op^ra de Roland, etc. [String
Parts.] Chez E. Roger : Amsterdam,
[1720 ?] obi. 4°. a. 148. (1.)
Ballet du Temple de la Paix, etc. [Written
by P. Quinault. Full Score.] C. Ballard :
Paris, 1685. fol. I. 306. d.
- Ouverture avec tous les airs a jouer
rOpera du Temple de la Paix, etc.
de
[String Parts.]
Amsterdam, [1720 ?]
Chez E. Roger :
obi. 4".
a. 148. (14.)
Thes6e. Tragedie, etc.
Quinault. Full Score.]
Paris, 1688. fol.
[Words by P.
C. Ballard :
I. 306. h.
Thesee . . . Seconde Edition. CEuvre iv.
De VTmprimerie de J. B. C. Ballard :
Paris, 1720. fol. I. 304.
Les Trio des Op6ra de Monsieur de Lully,
mis en ordre pour les concerts. Propres
a chanter, & a jouer sur la Flute, le Violon,
& autres Instruments. Premier Dessus.
(Basse.) [Arranged, with a preface, by
A. Le Chevallier.] 4 pts. P. & J. Blaeu :
Amsterdavi, 1690 (1691). obi. 4".
C. 404. (1.)
Les Trio des Opera de Monsieur de Lully,
mis en ordre pour les concerts. Propres
a chanter, & a jouer sur la Flute, le
Violon, & autres Instruments. (Second
Dessus.) 2 pts. Chez C. Ballard :
Paris, [1690 ?] obi. i\ C. 404. a.
Le Triomphe de I'Amour, Ballet Royal
[written by J. de Benserade and P.
Quinault. Full Score]. C. Ballard :
Paris, 1681. fol. K. 7. i. 1.
The arms and monogram of the composer
are on the binding.
See Anglebert (J. H. d') Pieces de
Clavecin . . . Diverses Chaconnes, Ouver-
tures, et autres Airs de Monsieur de Lully
mis sur cet lustrum', etc. [1689.] obi. fol.
e. 382.
LULLI— LUSTY
73
LULLI (Giovanni Battista)
See COLASSE (P.) Ballet des Saisons...
Seconde Edition augment^e de toute la
Musique de feu Monsieur de Lully qui
manquoit dans la premiere.
1700. obi. 4". C. 396. a.
LULLY (Jean Louis de)
See Lully (L. de) and (J. L. de)
LULLY (Louis de) and (Jean Louis de)
Zephire et Flore. Op^ra, etc. [Written
by M. Duboulay. Full Score.]
C. Ballard : Paris, 1688. fol. I. 300.
LULMAN (Charles) As gentle Strephon
kept his Sheep. A Pastoral Sonnet, by a
Gentleman of Norwich, etc. [London,
1720?] s.sh. fol. H. 1601. (10.)
[Another edition.] As gentle Strephon
kept his sheep. A Pastoral Sonnet, etc.
T. Cross : [London ? 1725 ?] s. sh. fol.
G. 316. h. (30.)
Love and Beauty. A New Song, etc.
[London, 1120?] s. sh. io\.
H. 1601. (17.)
[Another copy.] G. 305. (157.)
LULY (Baptiste) See Lulli (G. B.)
LULY (Jean)
See LoEiLLET (J. B.) of Ghent.
V
LUMIERE. La Lumiere la plus pure.
LaLumi^re. [Song.l W. Forster :
[London, ll'^O?] s.s'h.lol. 0.310.(60.)
LUNA ( ) See JIinuets. Eighteen
New Spanish Minuets. . .Compos'd by. . .
Sig' Luna, etc. [1760 ?] obi. 4°.
a. 25. (1.)
LUNATIC. The Lunatic. [Song.]
Sec Holder (J. W.)
LUNGI. Lungi dal caro bene. Cavatina.
See Sarti (G.) [Giulio Sabine]
LUPACCHINO DAL VASTO (Ber-
nardino) Lupacchino a Cinque. II Primo
Libro di Madrigali a Cinque uoci noua-
meute composto, etc. Bassus.
A^yresso dl Antoiiio Gardane : Venetia,
1547. obi. 4'. K. 3. e. 4.
LUPACCHINO DAL VASTO (Ber-
nardino) and TASSO (Giovanni Maria)
Di Bernardino Lupachino, et di loan
Maria Tasso. II Primo Libro a due
Voci. Con r Aggiunta di alcuni Canti di
diuersi Autori. Et in questa vltima im-
pressioue emendato dal Canonico Florido
de Siluestris da Barbarano. Canto.
(Tenore.) 2 pts. Per Andrea Fci, ad
i7istama di G. D. Franzini : Bracciano,
1642. 4". D. 157.
LUPI (Gemignano Capi) See Capilupi.
LUPUS (Joannes) See Morales (C.) and
Lupus (J.) QuinqueMissarumHarmouia
cum Quinque Yocibus quarum nomina
subsequuntur . . .loanuis Luppi. Surrexit
Pastor bonus. Veni sponsa Christi, etc.
1565. obi. 4". A. 296. b,
LUSCINIUS (Ottomarus)
See Nachtgall (0.)
LUSINGA. Lusinga del mio core.
[Song.] See Idaspe.
LUSINGHE. Lusinghe vezzo si di speme.
[Song.] Sec Arminio.
LUSITANO (ViNCENTio)
Sec Vicente, Lusitano.
LUSORIUM. The Lusorium ; Being a
Collection of Convivial Songs, Lectures,
&c. . . . with Music, Cuts, &c. &c. The
Second Edition. [By W. O'Brien.]
C. O'Brien : Stratford, 1783. 16".
1079. i. 8.
LUSSE (Charles de) Le Chevalier et la
Fille du Berger. Romance Ancienne.
(Paroles de M. D. La P****.) [Paris,]
1705. s. sh. 8". 298. d. 30.
Mercure de France, Dec, 1765.
Pour nous faire un destin aimable. Duo
Bacchique, etc. [Words] Par M. Laffichard.
[Paris,] 1744. s. sh. 4°. 298. b. 24.
Mercure de France, Feb., 1744.
Le Tombeau de Laure, ou les Regrets de
P^trarque, Romance, etc. [Paris,]
1765. s. sh. 8". 298. d. 30.
Mercure de France, Nov., 1765.
See also L * * ( de)
LUSSY ( ) See Du Lussy.
LUSTIG (Jacob Wilhelm) Inleidiug tot
de Muziekkmide ; Tweede Druk : in
bevalliger vormen gegooten, etc.
By Hindrik Vcchnerns, voor den Auteur :
[Groningen,] 1771. 8". 1042. i. 17.
Muzykaale Spraakkonst ; of Duidelyke
Aanwyzing en Verkl.iariug van allerhande
weetenswaardige dingen, die in de geheele
Muzykaale Practyk tot eenen grondslag
konnen verstrekken, etc. A. Olofsen :
Amstcldam, 1754. 8°. 7897. f. 12.
See Mahaut (A.) Maendelyks IMusikaels
Tydverdryf , etc. (Verfolg van bet IMusikaels
Tydverdryf, bestaande in Drie Stukjes . . .
in 't Muzvk gebragt . . . door J. W. Lustig,
etc.) (1751-2.) 4". F. 653,
See Werckmeister (A.) Orgel-Proef, . . .
uit het Hoogduitsche vertaald . . . door
J. W. Lustig, etc. [1755.] 12".
7899. aa. 7.
LUSTIGE SCHUSTER. Der Lustige
Schuster. Comische Oper.
See HiLLER (J. A.)
LUSTY. The Lusty Young Blacksmith.
[Song.] See Leveridge (R.)
74
LUTE— LUTHER
LUTE. The Lute of Lisette.
See Bryan (M. A.)
Canzonet.
LUTHER (John Christian) A Set of
Easy Familiar Introductory Lessons, cal-
culated for the use of Young Performers
on the Harpsichord or Piano Forte.
Printed for the Author: London,
[1780 ?] oU. fol. e. 284. a. (9.)
A Favourite Set of Easy and Familiar
Songs . . . The Words chiefly written by
T. S. Dupuis. Sold by the Author :
London, [1785?] fol. H. 2818. d. (6.)
Eight Sonatas for the Harpsicord or
Piano Forte, etc. Printed for the Author :
London, [1780 ?] ohl. fol. e. 5. f. (7.)
Two Sonatas for the Harpsichord or
Piano-Forte, etc. G. Smart, fm- the
Author : London, [1785 ?] oU. fol.
e. 217. f. (3.)
Eight Easy and Familiar Songs . . . The
words chiefly written by T. S. Dupuis.
[1800.] See Periodical Publications. —
London. The Piano-Forte Magazine.
Vol. XIII. [No. 1.] [1797-1802.] 8°.
D. 854.
See Bach (J. C.)— 3. b. Quartets.— Four
Sonatas . . . adapted for the Harpsichord
. . . with Accompaniment for a Violin, by
J. C. Luther. [1785 ?] fol. h. 60. (2.)
LUTHER (Martin) Deudsche Messe vnd
ordnung Gottis diensts. Wittemberg.
{Michael Lotter .•] Witte7nberg, 1526. 4°.
K. 8. c. 10.
24 leaves ; sig. A-F, loitliozit pagination.
[Another edition.] Deutsche Messe vnd
Ordnug Gotes diensts, zu Wittemberg,
fiirgeuomen. 1526. [1526?] 4°.
K. 8. e. 13.
25 leaves, sig. A-G. This is probably a
South German reprint.
[Another edition.] Deudsche Messe vnd
ordnung Gottes diensts, zu Wittemberg,
fiirgenomen. [Wittemberg 7'] 1526. 4°.
Gren. 11895.
26 leaves ; sig. A-E in fours, F in two,
G in four, ivithoxit pagination. The
last leaf is blank.
[Another edition.] Deudsche Messe vnd
Ordnunge Gottes diensts. Wittemberg.
Wolfgang Meyerpeck : Zwickaw,
[1526?] 4°. K. 8. e. 11.
24 leaves, sig. A-F, xvithoxU pagination.
[Another edition.] Deudsche Messe vnd
ordnunge Gottis diensts. Wittemberg.
{Wittemberg 7 lb2&'>^ 4°. K. 8. e. 12.
20 leaves ; sig. A-E, ivithout pagination,
Geistliche Lieder zu Wittemberg, etc.
[With a preface by M. Luther.] 1543. 8°.
See Hymns. [Germaji.] 1220. b. 2.
LUTHER (Martin) Geystliche Lieder.
Mit eiuer newen vorrhede, D. Mart. Luth.,
etc. (Psalmen vnd Geistliche lieder,
welche von fromcn Christen gemacht vnd
zusamen gelesen sind.) 2 pts. Valentin
Babst : Leipzig, 1545. 8°. 3437. e. 51.
Wanting sig. E 1 of Part I.
Enchiridion Geistlicher Lieder vnd
Psalmen, durch D. Mart. Luth. vnd
andere frome Christen, auffs newzugericht.
J. Eichorn : Franckfiirt an der Oder,
1556. 8°. 3425. e. 20. (1.)
Geystliche Lieder. Mit einer newen
Vorrede D. Mart. Luth., etc. (Psalmen
vnnd Geistliche Lieder, welche von from-
men Christen gemacht vnd zusamen
gelesen sind. Auffs newe vbersehen,
gebessert vnd gemehret.) 2 pts.
Valentin Bapst : Leipzig , 1557 . 8".
1221. b. 32.
Geystliche Lieder. Mit einer newen
Vorrede D. Mart. Luther, etc. (Psalmen
vnnd Geystliche Lieder . . . AuSs newe
vbersehen, gebessert vnd gemehret.) 2 pts.
Gedruckt . . . durch Gabrielem Heyn :
Niinnberg, 1558. 8". 1221. b. 33.
Geystliche Lieder D. Martin Luthers, von
newem zugericht, mit vil schonen Psalmen
vnd Liedern gemehret, etc. Valentin
Neivber: Niirnberg, 1510. 8".
1221. b. 52.
Gesangbiichlin von Psalmen, Kirchenge-
sangeu, vnd Gaistlichen Lidern. D. Mar.
Luthers. Auch viler anderer Gotseligen
Leut : ... inn ain bekomlich Handbiich-
lin zusamen geordnet, vnd aufs neu vber-
sehen vnd gemehret. [Compiled by
I. P. G. M., i.e. Johann Fischart genannt
Mentzer.] Bci Bernhart Jobin :
Strasburg, 1576. 8°. Case 25. b. 29.
Neu-eingerichtetes Gesang-Buch, Herrn
D. Martini Lutheri, und Anderer . . .
Christen Gebrauchlicher Kirchen-Lieder,
mit ihren Melodeien, unter Discant unci
Basso. See Psalms. — German. Geis-
treiches Gesang-Buch, an D. Coruelij
Beckers Psalmen, etc. 1676. 4".
3425. m. 18.
Gesangbuch : Christlichen Psalmen, vnd
Kirchen Lieder, D. Martini Lutheri, vnd
anderer frommen Christen, etc. (Der
Ander Theil : Die Gebreuchlichsten . . .
Gesenge, D. Mart. Luth. vnd anderer
frommen Christen, etc.) 2 pts.
1594 (1593). 4°. Sec Fritzsch (M.)
3435. g. 20. (2.)
Neu-vermehrtes Gesang-Biichlein, Geist-
reicher . . . Kirchen-Lieder, Herrn Doct.
Martin Luthers und anderer Gottesgelehrt-
en Manner, etc. 1716. Sec Psalms.
[German.'] Des Koniglichen Propheten
Davids . . . Psalmen . . . Zum dritten mal
aufgelegt, etc. 1717. 12°.
3425. bbb. 2. (1.)
LUTHER— LYTTICH
75
LUTHER (Martin) D. Martin Luthcrs
uud auderer Gottseliger Planner Geistliche
Lieder und Psalmen, anjetzo noch mit
Joachimi Neandri . . . Bundes-Liederu
vermehret, auch mit denen nothigsten
Melodeyenversehen,dc. 1757. 6'ee Psalms.
[German.'] D. Ambrosius Lobwassers
Psalmen Davids, etc. 1758, etc. S".
3425. bbb. 31.
Harmonia Cautionum Ecclesiasticarum.
Kirchengescnge, vnd Geistliche Lieder,
D. Lutheri vnd anderer frommen Chri.sten,
etc. 1598. 8". See Calvisius (S.)
A. 59.
See Bkandaw (J. G.) Psalmodia Davidis
in Templis Hassiacis usitata . . . darinneu
alle Psalmen und Gesange D. INIartini
Luthers und anderer Gottfiirchtige Christ-
en in . . . zweystimmige partitur . . .
bcfindlich, etc. 1675. 4". C. 108.
See Cruegkr (-J.) Geistliche Kirchen-
Melodien, Ubcr die von. . .D. Luthero. . .
auffgesetzte Gcist- und Trost-reiche Ge-
siinge und Psalmen, etc. 1619. 4".
B. 114. d.
See Gbueger (J.) Des Konigs . . . Davids
Geistreiche Psalmen, nach Frantzosischen
Melodien in Deutsche lleimen gebracht
durch D. Ambrosium Lobwasser, denen
auch des Hrn. D. Lutheri . . . Lieder und
Psalmen beygefiiget, etc. 1700. 8".
3425. bbb. 28.
See Grueger (-J.) Praxis Pictatis ^lelica.
Das ist : Ubung der Gottseligkeit in Christ-
lichen . . . Gesangen . . . Martini Lutheri,
etc. 1656. 12". 3438. ee. 62.
Sec Crueger (J.) Psalmodia Sacra, Das
ist : Des Koniges. . .Davids. . .Psalmen. . .
Denen. . .des H. D. Lutheri. . .so wol alte
als neue Lieder. . .beygefiiget, etc.
1658. 8". B. 114. a.
Sec Hymns. [German.] Yollstiiudige Kir-
chen- und Haus-Music . . . Durch D. Martin
Luthern, und andere. . .Manner gestellet,
etc. [1720?] 8^ 3425. e. 24.
Sec ScHEiN (J. H.) Cautional ... in
welchem des Herrn D. ]\Iartini Lutheri . . .
Lieder vnd Psalmen, etc. 1645. 8".
B. 133. f.
See VoPELius (G.) Neu Leipziger Gesang-
buch...in welchem. . .des sel. Herrn D.
Lutheri . . .Cxesange . . . zusammen getrag-
eu, etc. 1682. 8". C. 5.
See Walther (J.) Lob vnd preis, Der
Himlischen Kunst Musica : jMit einer . . .
Vorrede des. . .Doctoris ilartini Lutheri,
etc. 1564. 4". 7899. aaa. 45.
LUZZASCHI (LuzzASCo) Quinto Libro
de' Madrigali a Cinque Voci, etc. Canto.
(Tenore.) 2 pts. Appresso Vitforio
Baldini : Ferrara, 1595. 4°. C. 225. a.
LUZZASCHI (LuzzASCo) Secondo Scelta
delli Madrigali a cinque voci dello Zascho
Luzzaschi. Canto. (Alto.) (Tenore.)
(Basso.) (Quinto.) 5 pts.
Appresso Gio. Giacomo Carlino : Najmli,
1613. 4°. C. 225.
LYNDON (.James) Six Solos for a Violin,
and Thorough Bass, etc. Michael Broome :
Birmingham, 1751. fol. f. 83.
LYON (Thomas) Six Canzonets, for the
Voice with an Accompaniment for the
Harpsichord or Piano Forte, and a Glee
for 4 Voices, etc. Pri)itcd for the Author :
London, [1795 ?] fol. G. 358. (7.)
LYRA BRITANNICA. Lyra Britan-
nica. Songs. See Boyce (W.)
LYRA DAVIDICA. Lyra Davidica :
or, a Collection of Divine Songs and
Hymns. Sec Hymns. [English.]
LYRIC. The Lyric Test. [Song.]
Sec DiBDix (C.) [The Sp>hinx.]
LYRIC POEMS. Lyric Poems; being
Twenty Four Songs (Never before Printed :)
by the late Matthew Prior ; Set to Music
by Several Eminent Masters. Printed for S.
Harding : [London,] mi. fol. F. 1566.
TJie composers named are : De Fesch,
Smith, *** and C. B.
LYS. Le lis par sa blancheur efface. Air.
See MouRET (J. J.) [Zcjyhire ct Flore.]
LYTTICH (-Johann) Applausus Musicus,
(ex lib. Sap.) 8 Vocum harmonia donatus
et houori . . . Dominorum Philosophisp,
Candidat: . . .Cum ijsdem in . . . Academia
Lipsensi. . .summus in Philosophiagradus
25. die Januarij Anno 1610. . .Conferretur,
etc. 4 pts. [Leipzig, 1610.] 4". B. 117. (2.)
Braut Lied . . . zu Hochzeitlichen Ehren,
. . . Johaunis Schneidern . . . vnd . . .
Margarethfe, des . . . Herrn Lucas Bayers
. . .Tochter. Mit acht Stimmencomponirt,
etc. 4 pts. Gedruckt durch Valentin :
[Leipzig,] 1610. 4». B. 117. (1.)
Musicalische Streitkrantzlein : hiebevorn
von den allerfiirtrefilichsten vnnd berhiim-
testen Componiste in Welscher sprach . . .
mit 6. Stimmen auffgesetzt, vnd dannen-
hero Triumph! di Dori. . .genennet . . .
niit . . . Teutschen Texten . . . auffgesetzt,
vnd in Druck verfertiget, durch Johannem
Lyttichium, etc. Cantus. (Tenor.) (Basis.)
(Sexta Vox.) 4 pts. Gedruckt durch
A. Wagemann, in verlegung D. Kauff-
manns : Niirnberg, 1612. 4". B. 117."a.
■This German version of the ' Trionfo di
Dori ' does not contain the madrigals
in the original by F. A)ierio, L. Balbi,
L. Bertani, P. E. Bonini, G. Costa,
G. Florio, G. G. Gastoldi, B. Giovan-
elli, L. Lconi, Palestrina, C. Porta,
A. Striggio and G. Zerto.
76
M— MA
M. See Haydn (F. J.) [Sy))iphonies. B.
& H. N" 53. Andante.] Je ne vous
dirai pas. Romance du Fat Dupi . . .
Accomp' par M. [1800 ?] fol.
G. 547. (6.)
M * * *, Comtessc dc. Six Romances, pour
une voix, avec Accompagnoments de Forte
Piano, etc. Printed for the Authoress :
London, [1800?'] obi. lol E. 270. (19.)
M* *, M. de. Je croyois trouver le bonheur.
Air Nonveau. [Words] Par M. de C * * *.
[Paris,] 1768. s. sh. 8". 297. e. 14.
Mercure de France, March, 1768.
M. . ., If'"". Sur le Mot Quatrc. Chanson
sur le Nomhre Quatre, par M' H * * *.
Musique de M'"° M. . . [Paris, 1780 ?] 8".
B. 362. b. (28.)
M., B. DE. Petite Brunette. Ariette. (Les
paroles sont de M. de M.)
[Paris,] 1724. s. sh. i". 297. a. 7.
Mercure de France, April, 1724.
M., F. The Constant Tarr. [Song.]
[London, 1720 ?] s. sh. fol. G. 310. (36.)
M., F. X. A. Prototypon Longo-Breve
Organicum, exhibens super Tonos figuratos
. . .Fugas et Prseambula, etc. [By F. X.
A. Murschhauser.] 2 pts. Sumtibus
Wolfgangi Mauriiij Endteri : Noribergir,
[1700.] o6^. fol. _ c, 24.
r/tc composer's initials are given in a
monogram on the title-page of the first
part.
M., J. The Budget. [Song.] [London,
1780?] s.sh.tol. G. 306. (153.)
A Set of Easy Lessons for the Harpsichord
. . . Opera Trentesima Prima. [With a
Preface signed : J.iM.] Printed for J. Hill :
London, [1770 ?] obi. fol. e. 5. e. (5.)
The New Somersetshire March, etc. [P. F.]
. . . Compos* by J. M[athews]. Printed
for J. Matheivs : Bath, 1797. fol.
g. 133. (73.)
M., L. See Union Villageoisb. Amis
prenons nous par la main. Ronde . . .
Avec Accompagncmeut de Guittare par
L. M. [1793?] 8". B. 362. d. (13.)
See Union Villageoise. Citoyens pour
qui JG vais voir renaitre. Air . . . Avec
Accompagncmeut de Guittare, par L. M.,
etc. [1793?] 8". B. 362. d. (13*.)
M., M. Partition de Felix, ou I'Enfant
Trouv^. Comddie en trois Actes, en Vers,
et en Prose [by M. J. S^daiue] . . . Mise
en Musique par M[onsieur] M[onsigny],
etc. Chez M'- Bailkux : Paris, [1781.] fol.
G. 288. a.
M., R. Medulla Musicae ; Being a Choice
Collection of Airs . . . Extracted from the
Works of . . . Corelli, Bomporti, Torelli,
Tibaldi, Albinoni, Bononcini, Pepusch,
S' Helenc &c. In two Volumes, Treble &
Bass. The Bass Figur'd for the Harpsi-
chord . . . CoUigit R. M. Philomusicus.
Clucr : London, [1727 ?] 8". c. 25.
TJie following composers arc also named :
Masciti, Purccll and Scarlatti.
M., T. Will you come to the Bow'r. A
. . . New Song with an Accompaniment
for the Piano Forte. Written and com-
posed by T[homas] M[oore] Esq.
Hime : Dublin, [1798.] fol. G. 356. (3.)
See Psalms. [English.] The Whole
Book of Psalms . . . : with the Singing
Notes . . . Set to every Syllable, etc. [With
a Dedication signed T. M.] 1688. 12".
3433. b. 22.
MA. Ma Barque legere. Ariette.
See RosiERB di Salenci.
Ma belle avec un air severe. Couplets a
ma Belle. Air: des Deux Jumeaux, La
Foy que vous m'avez promise. [By M. A.
Desaugiers. Words] Par M. Baudier.
Chez les Fr^res Savigmj :
Paris, 1782.] 8". B. 362. b. (148.)
Ma belle Coquette. Song. Sec Hook (J.)
Ma charmante petit[e] fiUe. Ballad.
See Moulds (J.)
Ma chere Amie. Song. See Hook (J.)
Ma chere Ursule. Le Scrupule. [Song.]
Parodie de I'Air Italien, Cola sul Prati-
cello. [Paris, 1760 ?] 8°. 640. e. 22. (6.)
Ma femme te paroit aymable. Chanson.
See Feemeaux ( )
Ma fiUe avec componction. Le Mia Culpa.
[Song.] Air : du Confiteor.
[Paris, 1780 ?] 8". B. 362. c. (29.)
Ma fille, je vais vous punir. La Pleureuse.
[Song.] Avec Accomp' do Guitare par
Alberti. Chez M. Camand :
Paris, [1785?] 8°. B. 362. g. (15.)
Ma foi, c'est agir sans faijon. Duo.
See Nicodeme dans la Lune.
Ma foi ! vive Marseille. Chanson Nou-
velle. [Paris, 1780 ?] 8°.
B. 362. a. (80.)
Ma foy 1 si Diamantine. Couplets.
See GiLLiER (J. C.) [La Princesse da la
Chine.']
Ma mere je viens devant vous. La Ten-
dresse rejetti>e. Couplets Dialogues. Air
de Lise [fut voir uu M(5decin].
[Paris, 1790 ?] 8". B. 362. c. (30.)
Ma raison veut que je me vauge. Air.
See Gouet ( )
MAASMANN— MACKINTOSH
77
MAASMAJfl'N (Alexa>'DEb) A Compleat
Suite of Lessons for the Harpsicord, as
Overture, Allemand, Saraband, Corant,
Gavott, Chacoon, Jigg & Minuett, etc.
Printed for I. Walsh and I. Hare :
London, [1708?] fol. g. 16.
MACARONI. The ilacaroni. [Song.]
See Ye. Ye Bell's and Beau's of London
Town. [1775?] s.sli.iol. 0.316.(167.)
MACBETH. Einige Hexenscenen aus
. . . Macbeth. Sec Reichaedt (J. F.)
MAC DONALD (Malcolm) A Second
Collection of Strathspey Reels, &c. with a
Bass for the Violoncello, or Harpsichord.
Printed for the Author:
Edinburgh, [1789.] fol. g. 229. a. (2.)
MACDONALD (Patrick) A Collection
of Highland Vocal Airs ... To which are
added a few . . . Country Dances or Reels
of the Northern Highlands, & Western
Isles : and some Specimens of Bagpipe
INIusic, etc. Printed for the Publisher :
Edinburgh, [1784.] fol. h. 726. i. (15.)
MACE (Denis) Recueil des Chansons a
Danser et a Boire de D. Mace, etc.
Sec Chansons.— 2. — Recueil de Differens
Livres de Chansons pour Boire et pour
Danser. Livr. in. 1699. 8".
A. 428. (3.)
MACE (Thomas) Musick's Monument;
or, a Remembrancer of the Best Practical
Musick, both Divine and Civil . . . Divided
into Three Parts, etc. T. Ratcliffc and
N. Thompson, for the Author : London,
1676. fol. 785. 1. 24.
MACG. (J.) The Strathspey Fencibles
March, etc. [P. F.] N. Stewart d Co. :
Edinburgh, [1795?] fol. g. 272. z. (14.)
MAC GIBBON (William) A Collection
of Scots Tunes for the Violin or German-
Flute and a Bass for the Violoncello or
Harpsichord . . . With some Additions by
R. Bremner. Book i(-iv). B. Bremncr :
London, [1770 ?] ohl. 4". b. 66.
A Collection of Scots Tunes. Some with
Variations for a Violin Hautboy or Ger-
man Flute. With a Bass for a Violincello
or Harpsichord. 3 bks. N. Stcicart :
Edinburgh, [1195 7] obi. iol. e. 343. (1.)
Six Sonatas for two German Flutes.
Printed for J. Simjjson :
London, [1745 ?] 8». e. 463.
MAC GIBBON (William) and OS-
WALD (James) A Favourite Collection
of Scots Tunes & Highland Airs for the
Violin or German Flute. With a Bass
for the Violoncello or Harpsichord. By
W. MacGibbon, J. Oswald & Others.
Book 1st. MS. NOTE [by A. Moffat]. 2 pts.
A. Mc. Goun : Glasgoio, [1795.] obi. 4°.
b. 66. a.
MAC GLASHAN (Alexander) A Col-
lection of Reels, consisting chiefly of
Strathspeys, Athole Reels, &c., with a
Bass for the Violoncello or Harpsichord.
N. Stewart : Edinburgh, [1781.] obi. fol.
e. 265. (3.)
[Another edition.] A Collection of Reels,
consisting chiefly of Strathspeys, Athole
Reels, etc. N. Stewart & Co. :
Edinburgh, [1795?] obi. iol.
e. 265. a. (2.)
A Collection of Scots Measures Hornpipes
Jigs Allemands Cotillons and . . . Country
Dances. With a Bass for the Violoncello
or Harpsichord. N. Stewart for the
Publisher: Edinbitrgh, [1118.] obi. iol.
e. 265. (2.)
A Collection of Strathspey Reels, with a
Bass for the Violoncello or Harpsichord.
N. Stewart, for A. JWGlashan :
Edinburgh, [1778.] obi. fol. e. 265. (1.)
[Another edition.] A Collection of Strath-
spey Reels, c?c. N. Stewart : Edinburgh,
[1795 ?] obi. fol. e. 265. a. (1.)
MAC INTOSH (^NIary) Six Easy Airs
calculated for the Voice and Harpsichord
or Piano Forte. Printed for the
Aicthoress: [London, 1790?] fol.
G. 296. (30.)
[Another copy.] H. 2831. h. (17.)
MACKENZIE (Joseph) Be calm my
Soul, a Canzonet, with an Accompani-
ment for the Piano Forte. E. Pdley,
for the Author: London, [1800?] fol.
G. 798. (31.)
MAC KERRELL (John) The Circle. A
favorite Song. Longman & Broderip,
fur the Author: London, [1795?] fol.
G. 366. (26.)
A Familiar Introduction to the First
Principles of ]\Iusic, to which is added
Twenty-Four Progressive Lessons ... on
the Harpsichord or Piano Forte. Opera ll"*.
Longman, Clementi & Co., for the
Author: [London, 1800?] oW. fol.
e. 140. (5.)
Three Sonatas for the Harpsichord or
Piano Forte. . .Opera Prima. J. Preston,
for the Author : [London, 1785?] fol.
h. 820.
The title-page is signed by the composer.
MACKINTOSH (Robert) Captain
O'Kaine. A Favourite Irish Air, with
Variations for the Piano Forte, etc.
J.Hamilton: Edinburgh, [1800 ?] fol.
g. 139. (32.)
Lady Charlotte Campbells Reel . . . Ar-
ranged as a Rondo by L. Jansen. [P. F.]
J. & H. Cauljield : London, [1800 ?] fol.
h. 1480. X. (14.)
[Another copy.] g. 140. (37.)
78
MACKINTOSH— MADAM
MACKINTOSH (Robert) Lord Kelly's
Strathspey. With Variations for the
Piano-Forte or Harp, etc. J. Hamilton :
Edinburgh, [ISOO?] fol. g. 139. (31.)
Sixty eight New Reels, Strathspeys and
Quicksteps. Also some slow Pieces with
variations for the Violin & Piano Forte,
with a Bass for the Violoncello or Harp-
sichord, etc. Printed foi- the Author :
Edinburgh, [1792.] fol. g. 229. (3.)
A 3* Book of Sixty eight New Reels and
Strathspeys. Also above forty old Famous
Reels for the Violin and Piano Forte,
with a Bass for the A^ioloncello or Harpsi-
chord. Compiled and composed by R.
Mackintosh, etc. Printed for the Author :
Edinburgh, [1793.] fol. g. 229. (4.)
MACKLEAN (Charles) See INIacLean.
MAC LEAN (Charles) A Collection of
Favourite Scots Tunes with Variations
for the Violin &c. and a Bass for the
Violoncello & Harpsichord. By the Late
Mr. C. McLean and other Eminent
Masters. Pri7ited by N. Stewart :
Edinburgh, [1770?] obi. fol.
e. 343. (2.)
Twelve Solo's or Sonatas for a Violin and
Violoncello, with a Thorough Bass for the
Harpsichord . . . Opera Prima.
E. Cooper, for the Author : Edinburgh,
1737. fol. g. 683.
MAC LEAN (J.) The Bagshot Quick
March, etc. [Full Score and Harpsichord.]
Longman and Broderip : London,
[1795?] fol. h. 3213. k. (9.)
[Another copy.] g. 133. (40.)
The Bagshot Slow March, etc. [Full
Score and Harpsichord.]
Longman and Broderip : London,
[1795?] fol. h. 1568. b. (10.)
[Another copy.] g. 133. (41.)
The Brighton Camp March, etc. [Full
Score and Harpsichord.]
Longman and Broderip) : London,
[1795?] fol. g. 133. (42.)
The Brighton Camp Quick March, etc.
[Full Score and Harpsichord.]
Longman and Broderip : London,
[1795 ?] fol. g. 133. (43.)
MACPHERSON (James)
See Gray (T. B.) McPherson's Collection
of Ancient ]\Iusic, in the Poems &
Songs of Ossian . . . Adapted by T. B.
Gray, dc. [1800?] fol. G. 376. (60.)
MACQUE (Giovanni di)
See Macque (J. de)
MACQUE (Jean de) Di Giovanni de
Macque II Secondo Libro de IMadrigali
a Sei Voci, nouamente composti & dati in
luce. Quinto. Appresso
Anqelo Gardano : Venctia, 1589. obi. 4".
A. 276.
MACQUE (-Jean de) Di Giovanni de
iSIacque ... II Terzo Libro de Madrigali a
quattro Voci. Alto.
Nella Stampa di G. B. Gargano, d
L. Nucci : Napoli, [1610.] 4". C. 289.
MAC VITY (John) Select Psalm and
Hymn Tunes, adapted to the Use of
Public Congregations and Private Fami-
lies . . . The Second Edition . . . Enlarged
and improved. George Bonham : Dublin,
1787. obi. 4°. A. 1046.
MAD. Mad Bess. [Song.]
See Purcell (H.)
The Mad Family. [Song.] See There.
There was a Mad Man, etc.
[1780?] s.s/i. fol. G-. 312. (193.)
IMad Loons of Albany. Song.
Sec Corbett (W.)
The Mad Lover. [Song, begins : ' I love
to madness.'] See De la Sale ( )
The Mad Lover. [Song, begins : ' What
if I'm mad.'] See Dibdin (C.) [The
General Election.]
Mad Maudlin. Song. See To. To find
my Tom of Bedlam, etc. [1790 ?] fol.
G. 800. m. (57.)
Mad Peg. [Song.] See Dibdin (C.)
[Will of the Wisp.]
Mad Tom. [Song, begins: 'In my tri-
umphant Chariot hurl'd.']
See Hayden (G.)
Mad Tom. Song. [Begins: ' Forth from
my dark and dismal cell.']
See Purcell (H.) [Doubtful and Spuri-
ous Works.]
Mad with the Plunder of the World.
British Blood ; a National Song, by the
Author of the Tipling Deities [T. Combe].
Goulding : London, [1799 ?] fol.
G. 376. (55.)
MAD LOVER. Ah how lovely sweet
and dear. A Song in tJic Mad Lover.
[Words by P. A. Motteaux, music by J.
Eccles.] [London, 1715 ?] fol.
G. 304. (117.)
In John Eccles' ' Collection of Songs,'
p. 115, this song is given as part of ' A
Dialogue betioeen Acis and Galatea.'
Proud Woman I scorn you. A Dialogue
in the Mad Lover, between Mr. Bowman
and Mr. Dogget in Women's Cloaths.
[Words by P. A. Motteux, music by J.
Eccles.] [London, 1701 ?] fol.
H. 1601. (361.)
The Mad Lover. [Opera.]
See Eccles (J.)
MADAM. Madam, as you did me the
Honour. Mr. Decamp's Letter and im-
promtu Verses to my Lady . [Song.]
[London, 1720 ?] fol. G. 316. g. (42.)
Madam Ime just come from Colledge.
Dialogue. See Manley ( )
MADAM— MADRIGALS
79
MADAM. Madam, old Homer. Song.
See CoRELLi (A.) [Sonate da Camera.
Op. 2. No. 11. Giga.]
MADAM VANDERCROUT. iladam
Vandercrout. [Soug.] See Dibdin (C.)
[Tom Wilkins.]
MADAME VETO. Madam Veto avait
promis. La Carmagyiole des Iloijalistes.
[Song.] Chez le Citoyen Imbault :
Paris, [1793 ?] 8". B. 362. a. (14.)
MAD AN" (aiAETiN) A Collection of Psalm
and Hymn Tunes, etc. [For the use of
the Chapel of the Lock Hospital. Edited,
with a dedication signed by M. Madan.]
ILondon, 1769.] obi. fol. E. 1429.
T]ie composers are indicated by initials
only. They are: M. M[adan] ; F.
[Giardini] ; W. B. ; F. E. ; J. B. ;
J. W{prgan]; I. B. ; D'- H. ; C.
B[urney] ; M. V{_ento'] ; I. W. ; T. H. ;
C.L[ockhart]; W.I.; S.A[rnold]and
F. A[lessandri].
A new, and improved Edition of the
Collection of Psalm and Hymn Tunes
sung at the Chapel of the Lock Ho.:-iiial,
with considerable additions.
Printed for the Benefit of the Charity :
London, [1792.] obi. fol. E. 1429. a.
A Sonata for the Harpsichord or Piano
Forte, etc. H. Holland : London,
[1895?] fol. g. 272. w. (15.)
The Spacious Firmament on high.
[Hymn, written by] Mr. Addison.
[London, 111 b'>] fol. G. 295. (11.)
See Jesu. Jesu, Lover of My Soul, etc.
[Music by M. Madan.] [1776.] 8\
P.P. 716. b.
See Salvation. Salvation ! 0 the joyful
Sound, etc. [Tune ascribed to M. Madan.]
[1774.] 8°. P.P. 716. b.
MADELON. Madelon gardant son trou-
peau. Le Mai d' Amour. [Song.] Air :
Chantez, dansez [by A. E. M. Gr^try].
[Paris, 1780?] 8». B. 362. (170.)
MADLSEDER (Nonnosus) Miserere V.
et Stabat Mater I. pro Tempore Quadra-
gesimali a 4. Vocibus ordinariis, Violinis
duobus, Viola obligata, Clarinis, Cornibus,
& tribus Trombis ad libitum, cum duplici
Basso. . .Opus III. [Separate Parts.]
Sumptibiis Matthxi Rieger d Filiorum :
Augustse Vindelicorum, 1768. fol.
G. 914. a.
OSertoria XV. Solemnia de Festis Sanc-
toriun in Communi a Quatuor Vocibus
ordinariis, Violinis duobus obligatis, Viola
obligata, Clarinis vel Cornibus ad libitum,
cum duplici Basso . . . Opus ii. fSpparate
Parts.]
Sumptibus Matthxi Rieger & Filiorum :
Augiistx Vindclicortcm, 1767. fol.
G. 914. b.
MADLSEDER (Nonnosus) Ofiertoria
XV. pro Priucipalioribus Festivitatibus
Domini a Quatuor Vocibus ordinariis,
Violinis duobus obligatis, Viola obligata,
Clarinis vel Cornibus ad libitum, cum
duplici Basso . . . Opus i. [Separate
Parts.] Sumptibus Matthmi Rieger :
Augustie Vindelicorujn, 1765. fol.
G. 914.
Wanti7ig the 1st Trumpet part.
[Arranged chronologi-
MADRIGALS.
cally.]
[For anonymous collections published
under a distinctive heading, e.g., ' Amorosi
Ardori,' ' Dolci AfEetti' :] See under the
heading required.
II Secondo Libro de li Madrigali de
Diversi Ecclentissimi Autori a misura di
Breve novamente stampato. A Quattro
Voci. Bassus. Apud Antonium Gardane :
Venetijs, 1543. obi. 4". A. 277. d.
This collection contains CMnpiositions by
Archadelt, Alfonso, Lamberto, Cor-
teggia, J. Gero, and C. Fcsta.
II Vero Terzo Libro di Sladrigali de
Diuersi Autori a note uegre, Composti da
Eccellentissimi ]\Iusici, con la canzon di
cald' arrost, nouamente dato in luce. A
Quatro Voci. Tenor.
Apprcsso Antonio Gardane : Venetia,
1549. obi. i\ A. 277. g.
This collection contains compositions by
Archadelt, H. Scaffen, I. Gero, Yuo,
Cimello, II Conte, Tiberio Fabrianese,
Anselmo de Reulx, Adriano, C. Fcsta,
V. Ferro, G. Nasco, V. Ruffo, I.
Contino, Pcrissone and lagues de
Ponte.
II Primo Libro de Madrigali, a Quatro
Voci. De Diuersi Autori. A notte negre.
Con la Giouta di Quatro Madrigali, Noua-
mente Ristampato, &...coretto. Tenor.
(Bassus.) 2 pts. [Girolamo Scoto :
Vinegia,] 1558. obi. 4". A. 277. a.
The composers named in this collection
are: Jachet Berchem, C. Festa, F.
Rosello, Ubert Naich, Archadelt, An-
selmo de Reulx, Yvo, Ferabosco,
laques de Ponte, Adriano [Willaert],
Jaqices Buus, P. Brachario, Verdelot
and C. Porta.
Madrigali a Cinque Voci, Nouamente
posti in luce. [By Guglielmo Gonzaga,
Duke of Mantua.] Canto. (Alto.) (Tenore.)
(Basso.) (Quinto.) 5 pts.
A2)X>resso Angelo Gardano : Venetia,
1583. obi. 4». K. 3. g. 8.
De Floridi Virtuosi d' Italia. II Terzo Libro
de IMadrigali a Cinque Voci, etc. [With a
dedication by G. Vincenzi.] Quinto.
Presso G. Vincenzi, d R. Amadino,
compagni : Venetia, 1586. 4°. C. 123.
Tlie composers najned in this collection
are : G. A. Dragoni, G. M. Nanino,
80
MADRIGALS
A. Zoilo, N. Parma, G. Belli, 0.
Vccchi, A. Striggio, H. Sabitio, B.
Pallavicino, F. Anerio, M. Carrara,
D. Micheli, G. P. L. Palestrina, A.
Griffi., P. Masenclli, A. Coma, B. Spon-
ton, G. B. Mascaglia and C. Accelli.
JNIadrigali a Otto Voci. De Diuersi Eccel-
lenti et Famosi Autori. Con alcuni Dia-
loghi, & Echo, per Cantar & Sonar a Due
Chori. Nouamente Kaccolti & dati in
luce. [With a dedication by Pietro
Phalesio.] Tenore. Appresso Pietro
Phalesio : Anuersa, 1596. obi. 4°.
A. 234.
TJie composers of this collection are :
Andrea Gabricli, A. Striggio, G.
Gabrieli, C. Verdonch, G. G. Gastoldi,
F. di Monte, G. M. Nanino, R.
Giovanclli, H. Vecchi, J. Corsini, C.
Porta, Claudio Correggio, 0. Lasso,
Giulio Eremita, M. A. Ingcgneri, P.
Philippi, Alfonso Preti, F. A7icrio, L.
Mareuzio, Hippolito Sabino and
Cesare Carlctti.
IMadrigali a Tre Voci de Diversi Eccellen-
tissimi Autori. Nouamente con ogni
diligenza ristampati. Libro Primo. Basso.
Appresso Angela Gardano : Venetia,
1597. obi. 4°. A. 277. f.
The composers of this collection are: A.
Willaert, C. Bore, Lupacchino, I. Gcro,
G. Nasco, — Olivier, Ayiimuccia, — Na-
dale, V. Buffo, B. Donato, G. Bcrchcm,
V. Ferri, H. GhibelU, F. Portinaro and
Archadelt.
De Floridi Virtuosi d' Italia Madrigali a
Cinque Voci ridotti in un Corpo. Nuoua-
mente. . .Stampati & seguendo 1' ordine de
suoi Toni posti in Luce. [With a dedi-
cation by Pietro Phalesio.] Tenore.
(Basso.) 2 pts. Appresso Pietro
Phalesio: Anuersa, 1600. obi. 4°. A. 233.
The verso of the last leaf of the Basso
contains a French song in MS. The
composers of this collection are : G. M.
Nanino, O. Vecchi, A. Orologio, P.
Masnelli, A. Zoilo, V, Bell'haver,
L. Bertani, N. Pcruve, N. Parma,
A. Coma-, B. Palavicino, C. Verdonch,
G. Palestina, B. Mosto, G. Gabrielli,
C. Accelli, H. Baccusi, G. P. L. Pre-
nestini, B. Sponton, G. Cavaccio, M.
Cararra, J. Massaino, O. Griffi,
F. Anerio, A. Striggio, H. Sabino, G.
Belli, G. A. Dragoni, G. de Macque,
G. Bassano, G. Eremita, G. B. Mos-
caglia, G. B. Mosto, L. Marenzio and
D. Micheli.
Ghirlauda di Madrigali a Sei Voci, di
Diuersi Eccellentissimi Autori de nostri
Tempi. Raccolta di Giardini di Fiori
odoriferi Musicali, etc. [With a dedica-
tion by Pietro Phalesio.] Canto. (Alto.)
(Tenore.) (Basso.) 4 pts. Appresso
Pietro Phalesio : A^mcrsa, 1001. obi. i".
A. 232.
TJie composers of this collection are : II.
Sabino, G. Croce, P. Vinci, G.
Eremita, C. Carletti, G. P. Sxueling,
C. Za7iotti, G. Cavaccio, L. Bertani,
P. Virchi, C. Verdonch, L. Marenzio,
0. Tigrini, G. Guami, P. Vecoli, B.
Palavicino, P. Philippi, H. Baccusi,
C. Malvegis, Rinalde del Mclle, G. G.
Gastoldi, F. de Monte, A. Coma, L.
Bali and A. Ferabosco.
II Primo Libro de Madrigali. Senza
Nome. A Cinque Voci. Nouamente Ris-
tampato. [By A. Fontanelli. With a
preface by 0. Vecchi.] Canto. (Basso.)
2 pts. Afipresso Angelo Gardono :
Venetia, 1G03. 4". C. 123. a.
The composer's name appears in the
signature.
Madrigali a Cinque Voci. Libro Primo
(-Quarto). Nouamente Ristampato. [By
Carlo Gesualdo, Prince of Venosa. Books
I. and II. with dedications by S. Stella,
Books III. and IV. by H. Gesualdo.] Canto.
(Alto.) (Tenore.) (Basso.) (Quinto.) 5 pts.
Appresso Angelo Gardano, d Fratelli :
Venetia, (1603-)1607. 4°. D. 232.
Book I. is dated 1607 ; Books II. and III.,
1603; Book IV., 1604. The printer
of Books II.-IV. is Angelo Gardano.
Madrigali a Cinque Voci. [By Carlo
Gesualdo, Prince of Venosa. Book 11. ,
Edited by Scipione Stella.] Tenore.
(Quinto.) 2 pts. Stampato in Ferrara,
ct ristampato in Napoli, Per Costantino
Vitale. Ad istanza di Stefano Colacurcio,
1604. 4°. D. 232. a.
Madrigali Pastorali a Sei Voci descritti da
Diuersi et posti in Musica da altri tanti
Auttori di nouo stampati. Tenore.
Appresso Pietro Phalesio : Anuersa,
1604. obi. 4°. A. 277. e.
Tlie composers named in this collec-
tion are : A. Striggio, B. Pallavicino,
O. Lasso, G. B. Mosto, A. Rota,
G. Florio, H. Baccusio, H. Vecchi,
C. Porta, G. M. Nanino, G. Cavaccio,
B. Spontone, L. Balbi, L. Bertani, M.
A. Ingegneri, L. Leoni, C. Zanotti,
G. Croce, S. Felio, P. A. Bonini and
G. Wert.
Two Favorite IMadrigals for Three Voices.
1". Jack & Jill went up a Hill. 2".
There was a Little Man & he wood a
Little Maid. A. Bland ct Wcller :
London, [1795 ?] fol. G. 808. g. (22.)
Madrigali Ariosi a Quattro Voci. [For
editions of this series, also published as
Le Muse :] See Muse.
MADROUX— MAGPIE
81
Die ^laeiiuei taugeu all'
MADROUX ( ) Buvons, amis, a tasse
pleiue. Chanson, etc. [Words] Par uu
Bourgeois de ]Montmartre.
[Paris,'] 1765. s. sh. 8". 298. d. 29.
Mcrcurc de France, Oct., 1765.
MAECHTIGSTER. Machtigster, Hei-
ligster. Kautate. See Mozakt (W. A.)
MAEDCHEN". Das IMaedchen au ihren
Geliebten. [Soug.] See Hueka (F. F.)
Die ^liidcheu die Lieb' uud der Wein.
Ariette. Sec ^Muellkr (W.) [Die Zau-
bcrzitter.l
MAENNER
uicht vicl. Polouoise
See EuLE (C. D.) [Der Unsichtbare.]
MAESTRINO (Nicolo) See Mestrixo.
MAGALANICUS (Philippus) Cantum
Ecclesiasticum Prajcibus apud Deum
Animas juvaudi, corporaque bumandi
Defmictorum Otticium. . .juxta Breviarij,
Missalisque Komani novissimam recog-
uitioiiem. Coiificiebat Philippus iMaga-
lauicus . . . Nuuc denuo in hac postuma
editione U mendis. . .castigatum, etc.
Apud Henricum Aertssens : Anttierpix,
1691. 4". 3356. bb. 5.
D. 449.
D. 449. a.
[Another copy.]
[Another copy.]
MAGALHAENS (Felipe de)
See JIagalamcus.
MAGAZIN DES MODERNES. Le
Magaziu des Modernes, Opora-Comique
en un Actc. [Written] Par M. Pauard,
etc. 1758. Sec Theatre. Nouveau
Theatre de la Foire, etc. Tom. i.
1763. 8°. 11735. d. 2.
MAGGIE LAWDER. :\Iaggie Lawder,
with Variations for the Harpsichord or
Piano Forte, etc. C. d S. Thompson :
London, [mo?] fol. g. 442. j. (29.)
MAGIC CAVERN. The IMagic Cavern.
Entertainment. See Shield (W.)
MAGIC CESTUS. Old England to thy-
self be true. Sailor's Song at the Rock
of Gibraltar, sung. . .in the Entertainment
of the Magic Cestus.
Longman tC Broderip : London,
[1781.] fol. G. 383. i. (2.)
MAGIC OAK. The Magic Oak, or Harle-
quin Woodcutter. [Pantomime.]
See Attwood (T.)
MAGICIAN. The IMagician. [Panto-
mime.] Sri: Harlequin Director.
MAGICIAN NO CONJUROR. The
Magician no Conjuror. Comic Opera.
See Mazzinghi (J.)
VOL. II.
MAGIUS(HiERONYMUs) Hieronymi Magii
. . . De Tiutiunabulis Liber Postumus.
Franciscus Sweertius. . .Notis illustrabat.
Editio uovissima, aucta, emendata, &
tiguris . . . exornata.
Sumptibus Andrea} Frisii : Ainstelodami,
1661. 12". 1042. a. 5.
JIagnanimity.
lA Tour to the
[Soug.]
MAGNANIMITY.
[Song.] Sec DiBuiN (C.)
Land's End.]
MAGNANT (Peter) The Advice
[London, 1750?] s. sli. fol.
G. 316. e. (87.)
[For other editions published anony-
j mously :] See LIan. Man on Creation, etc.
On Jenny Benson, etc. [Song.]
[Loiidon, 1757.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XX., p. 223.
The other Day young Strephon met. A
New Song, etc. \ London,
1750?] s.sh.iol. G. 303. (63.)
[For other editions published anony-
mously :j Sec Other.
M AGNETISME. Le Maguetisme regnera.
[Song.] See DocTEVRS Modernes.
MAGNIFICAT. Octo Cantica Diu*
Mariic Virginis, quae vulgo Manilicat
[sic] appellantur, secundum singulos octo
tonorummodos, singula qua ternis vocibus,
& simplici, propequse syllabico concentu
contexta. His accesserunt, Responsoria
ad prefationes Misse. Versus, 0 salutaris
hostia. Symbolum Constautinopolita-
num. . .Psalmi, In exitu, & De profundis.
Canticum Zacarie. . .Canticum Simeonis
...& Canticum D. D"'""' Ambrosij. . .Sin-
gula quoque vocibus quaternis, & pari
syllabici coucentus modulatione confecta.
Tenor. Aj^ud Adrianum le. lioij, it
llobertum Ballard: Lutctue Parisiorum,
1584. 4". D. 20. f. (5.)
TJie composers named in this collection
are : Claude de Serinisi and Di. Le
Blanc.
MAGNIFIQUE. Le Magnifique. Come-
dio. See CtRetry (A. E. 'SI.)
MAGO AND DAGO. The Overture
"from Grcty's ' Kvenements Imprevus'],
Songs &c in the . . . Entertainment of
Mago and Dago. . .The New Airs com-
posed by D"" Aylward, M' Atterburv, IM"'
Spofforth, M^ Howard, and M^ Shield, the
rest compiled by T. Goodwin. rWords by
M. Lonsdale.] Preston it Son :
London, [1791.] fol. H. 129. (10.)
This pasticcio also confaiiis music by
W. Reeve.
MAGPIE. The Magpye. [Song.]
See Good. Good people draw near, etc.
[1780 ?] s. sh. fol. G. 308. (33.)
G
■82
MAHAUT— MAID
MAHAUT (Amon) Macudulyks Musi-
kaels Tydvcrdryf; bestacndc in Nieuwe
HoUandschc CauzQnettcii of Zaiig-
Ijiedcreii op d' Italiaensche traiit iu 't
Musiek gebragt : mot eeu Basso Contiuuo.
Meede zeer bckwaem om op de Clavo-
Cimbael, Viool, Dwars-fiuit, Hoboo en
andere Instrumenteu gespeelt te worden,
iu digtmaat door K. Elzevier. (Verfolg
vau het Musikaels Tydverdryf, bestaaudo
ill Drie Stukjes. . .in 't Muzyk gebragt. . .
door Jacob Wilhelm Lustig, etc.) 12 pts.
Bii A. Olofscn: Amsterdam, (1151-2.) 4".
F. 653.
VI. Sonata a Flauto Traversiere Solo o
Basso. . .Opera Prima.
G. F. Witvoqel :
Amsterdam, [1740?] fol. g. 71. e. (10.)
Six Sonatas or Duets for Two German
Flutes or Violins, etc.
I. Walsh : London, [1760.]
MAHMOUD. Overture,
Storacc.] [Londoti, 1797.]
Printed for
fol. g. 464.
etc. [By S.
obi. fol.
e. 104. (16.)
Mahmoud. Opera. Sec Storage (S.)
MAHO (Antonio) Sec Mahaut.
MAHON (John) Hope thou cheerful Ray
of Light. A Favorite Song introduced
by Mrs. Second in the Opera of The Wood-
man, etc. Longman and Broderip :
Lmdon, [1796.] fol. G. 250. (28.)
MAICHELBEK (Fkanz Anton) Die
auf dcm Clavier lehrende Ctecilia, welche
guten Unterricht ertheilet, wie man nicht
allein im Partitur-Schlagen mit 3. und 4.
Stimmen spielen, sondern auch, wie man
aus der Partitur Schlag-Stiick verferti-
gen, und allerhand Liiuff erfinden kunne.
Darneben auch die lleglen zum com-
poniren. . .mit Beyfiigungvieler Exempeln
...in Drey Theil abgetheilet. . .Opus ii.
(Der auf dem Clavier lehrenden Ccecilia
Dritter Theil, etc.) 3 pts. J. J. Latter :
Augsburg, 1738. obi. fol. d. 174.
MAID. The Maid I love. Song.
See Pleyel (I. J.) [Mij little hlithsom
S parr 010.']
The IMaid in Bedlam. [Song.] See One.
One Morning very early.
[1772 ?] s. sh. fol. G. 310. (278.)
The Maid is Blest. Song.
Sec Denson (K.)
The Maid is blest that will not hear.
Virtue's lleioard. [Song. ]\Iusic by
R. Denson.] [London, llbOr] s.sh.iol.
G. 312. (127.)
The Maid of Fashion. Song. Sec Now.
Now Pride usurps each female heart, etc.
[1768.] 8". P.P. 5438. z.
The Maid of Fashion. [Song.] Sec Now.
Now pride usurps each Female heart.
[1770?] s.sh.iol. G. 310. (158.)
MAID. The :\[aid of IMarlivale. Song.
See CooKE (M.)
The Maid of ]Martindalc. Song.
See Hook (J.)
The I\Iaid of Seaton Vale. Ballad.
Sec Boss (J.)
The Maid of the Cot. Song.
Sec Blewitt (J.)
The Maid of the Green, Pretty Sally.
Song. See Hook (J.)
The IMaid of the Mill. Song. See Attend.
Attend all ye shepherds, etc. [1767.] 8",
P.P. 5438. z.
The Maid of the Mill. Dialogue [begins :
' I've kiss'd and I've prattled '].
Sec Shield (W.) \_Iiosina.']
The ]\Iaid of the Mill. [Song, begins :
' While over-nice Critics.'] Sec W^hile.
While overnice Critics, etc.
[1765 ?] s. sh. fol. G. 313. (204.)
The Maid of the Rock. Song.
Sec DiGNUM (C.)
The Maid of the Sky Light. Song. Sec I.
I'll tell you a story, etc. [1785 ?] fol.
H. 2832. g. (24.)
The Maid of Wooburn. Ballad.
See Bryan (M. A.)
The j\Iaid that's made for Love and me.
[Song.] See Oswald (J.)
[Another edition.] The Maid that's made
for Love and me. [Song.]
,sVe Saint Germain ( de) Count.
The Maid to my IMind. Song.
See Hook (J.)
A Maid there where and her name it was
Sue. A New Song. Sung by Mr. Atkins
at Sadlers Wells. [London,
1765 ?] s. sh. fol. G. 305. (70.)
The INIaid's Complaint. [Song.]
,SVe Turner (W.)
The Maid's Husband. Song.
See Carey (W.) [Ttic Contrivances.]
The Maid's Lesson. [Song.]
See To. To play upon a Viol.
[1710?] s.sh. fol. H. 1601. (451.)
The Maid's Petition. [Song.]
See Cruel. Cruel Creature, can you
leave me, etc. [1720 ?] s. sh. fol.
I. 530. (39.)
The Maid's Prayer. A New Song.
[Words by S. Boyce, music by J. Foulis.]
Sre Chloe. Chloe, or the JMusical Maga-
zine, etc. No. 19. [1760 ?] fol. G. 433.
The Maid's Prayer. [Song.]
See Foulis (J.)
The Maid's Request. [Song.]
See Glide. CUido swiftly on thou Silver
streams, etc. [1735 ?] s. sh. fol.
G. 316. d. (159.)
MAID—MAITRE
83
MAID. The Maid's Twitchcr. [Song.l
See Dajiskl. a Damsill I'm told, etc.
[1700?] s.sh.iol. H. 1601. (12.)
MAID IN THE MILL. A Bonny Lad
there was. A Song sung by I\Irs. Prince
in the Maid in the Mill. [London,
1705 '?] s. sh. fol. G. 304. (4.)
[Another copy.] G. 306. (51.)
How long shall I pine for Love. The 1*'
Song. Sung by ]\Irs. Prince in the IMaid
in the Mill. [Words by J. Fletcher.]
[London, 1705'.'] s.sh.iol.
G. 304. (65.)
I'm like Inconstant Chance. T]ic 3'' Song.
Sung by ]\Irs. I'rince in the IMaid in the
Mill. [London, 1705?] s. sh. fol.
G. 304. (82. )
MAID OF BATH. The Birks of Ender-
may. [Song.j Sung by IMrs. Jewell in
the Maid of Bath. Sk[illey)i : London,
1775?] s.sh.iol. H. 1994. b. (73.)
[Another copy.] G. 312. (171.)
[Another edition.] The Birks of Inver-
may. [Song.] Sung by Mrs. Jewell in
the Maid of Bath.
[11. Falkcncr : Londo)i, lllo?] s. sJi. iol.
H. 1994. a. 200.
[Another edition. The Birks of Ender-
niay.] The smiling j\Iorn, the breathing
Spring. A Favorite Scotch Song. Sung
by Mrs. Jewell in the Maid of Bath.
[London, YiQOl^ s.sh.iol.
G. 316. j. (11.)
MAID OF THE MILL. The Maid of
the Mill,. . .for the Voice, Harpsichord, or
Violin. [The words by I. Bickerstaffe.]
Pi. Brcmncr : London, ri7G5.] obi. fol.
D. 273. (3.)
Tlie composers named in tJiis pasticcio
are : the Karl of Kellij, Binaldo di
Caima, Abos, the Elector of Sa.runi/,
Ciampi, LascJti and Philidor, Picini,
Gallnpi, Pergolese, Monsignicr, Vinci,
Scarlatti, Arnold, CoccJii, Bach, Hasse,
Dunij, Giardini,Jomelii and Martini.
The Maid of the IMill : a Comic Opera, etc.
Lnperfect, wanting pp. 25-50. [1798.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. VI.
No. 1. [1797-1802.] 8". D. 854.
MAID OF THE OAKS. Come rouse
from your Trances. A Favourite Hunting
Song... in the Maid of the Oaks. [By
F. H. Barthelemon.] ' [London,
1775?] s.sh.iol. G. 307. (110.)
Come sing around my favorite Tree. A
favorite Song in the 'Slaid of the Oaks.
[By F. H. Barthelemon.] Longman and
B rude rip : London, [ns^}?j fol.
G. 808. e. (19.)
The Maid of the Oaks. [Opera.]
See Barthelemon (F. H^)
MAIDEN. Maiden fresh as a Rose.
[Song.] See Richmond Heiress.
The Maiden jDleas'd. [Song.]
See Fair. Fair Cloris in a Pigstye lav, etc.
[1720 ?] s. sh. fol. H. 1601. (141.)
The Maiden's Choice. Song.
See If. If ever, oh Hymen, etc.
[1757.] 8\ 158. 1. 2.
The Maiden's desire. [Song.] See As.
As Celia was walking one day in a grove.
[1700?] s.sh.iol. H. 1601. (3.)
The Maiden's Dream. [Song.]
Sec Graves (J.)
The Maiden's Hopes in the Lottery.
[Song.] See I. I am a Young Damsel,
etc. [1758.] s. sh. 8". P.P. 5439. ab.
The Maiden's Resolution. [Song.]
Sec Vincent (T.)
The Maiden's Resolve. Song.
See Carey (H.)
MAIDENS. Maidens beware ye. Can-
tata. See Hook (J.)
jMaidens wou'd you know. Song.
See Hook (J.)
MAIDS. IMaids and Bachelors. [Song.]
Sec DiBDiN (C.) [The SpiJiinx.]
Maids despise a sighing Swain. Cantata.
See Hook (J.)
MAIERUS (Michael) Atalanta Fugiens,
hoc est, Emblemata Nova de Secretis
Naturse Chyinica, Accommodata partim
oculis & intellectui, figuris cupro incisis,
adjectisquo scntentiis, Epigrammatis &
notis, partim auribus & recreationi animi
plus minus .50 Fugis ^lusicalibus trium
Vocum, quarum dun' ad unam simplicem
melodiam distichis cenendis peraptam,
correspondeant, etc.
Kx tijpograpliia Hieronymi Galleri, sump-
tibns Joh. Thcodori de Bri/ : Oppenheiinii,
1018. 4". ' 1033. k. 7.
MAINERIO (Giorgio) See Mayner (G.)
MAISON A VENDRE. Maison a
Vendir. Comedie. Sec Dalayrac (N.)
MAITRE. Le IMaistre des Novices dans
I'Art de Chanter. See Carre (R.)
MAITRE ADAM. IMaitre Adam, Men-
uisior de Nevers, Come'die en un Acte, en
prose, melee de ^'audevilles ; par les
CC. Christian-le-Prevot et Philipon, etc.
NVith the music of the concluding Vaude-
ville, by — Wicht.] Che^ les Libraircs :
Paris, An iv [1796]. 8".
11738. 1. 7. (3.)
MAITRE D'ECOLE. Le Maitre
d'Ecole. Opera-Comique mesle d'Ari-
ettes ; Parodie du ]Maitre en Droit...
avcc la I\Iusique. [Words by Anseaume,
music by Lismorc]
Clicv N. B. Diidiesne : Paris, 17G0. 8".
11738. b. 15. (4.)
u 2
84
MAITKE -MALCOLM
MAITRE EN DROIT. Lc aiaitic eii
Droit. Upcra Bouffou cii deux Actcs,
[libretto by P. K. Lemouuier,] mis eu
Musiquo par Monsieur "** [i.e. P. A.
Mousiguy. Full Score.] Chez le S'' Hne:
Paris, [1760 ?J fol. H. 467.
Le Maitro en Droit, Opcra-Comique en
deux Actes...Avec la Musique. (Airs
detaches du Maitre en Droit, etc.) [Li-
bretto by P. R. Lemonnier, music by
P. A. IMonsigny.] 2 pts. 1760.
See Thkatke. Nouveau Theatre de la
Foire, etc. Tom. 5. 1763. 8".
11735. d. 2.
MAITRESSE. Unc maitressc trop
austere. Chanson. See Le Maitke ( )
MAJER (Joseph Frieukich Bebnhard
Caspar) J. F. B. C. Majers Neu-
eroffueter Theoretisch und Pracktischer
Music-Saal, das ist : Kurze, doch voU-
stiindigo Methodc, so wohl die Vocal- als
Instrumental-Music griindlich zu erlerncu,
etc. Zweyte und viel-vermehrte Auliage.
J. C. Cremer : Nilniberg, llil. obi. i".
7898. ee. 15.
MAJO (Giovanni Francesco di) Torno
la mia speranza. A favorite Italian
Arieit, etc. Printed for J. Fielding :
London, [1782.] 8». 2II7. c.
European Magazine, Jan., 1782.
MAJOR PALMER. Le Major Palmer.
Opera. See Bkuni (A. B.)
MAJOR (Joseph) Annabel, a Favorite
Ballad. . .The Words by IMr. Wennington.
Ciilliford, Rulfe & Barrow : London,
[1797?] fol. G. 364. (29.)
Ben Bluff, a favorite Ballad, etc.
Printed for Culliford, Bolfe and Barrow :
London, [1796 ?] fol. G. 364. (32.)
Fairies, on the twilight Green. A favorite
Sonnet . . . The Poetry by Mr. Wennington.
Preston tO Son : London, [1797 ?] fol.
G. 364. (30.)
Far o'er the Western Ocean, a Ballad,
the Words by R. C. Dallas, etc.
Printed for tJie Author : London,
[1800?] fol. G. 798. (32.)
From thy Roseate Bow'rs, Aurora. A
Favorite Rondeau. . .Words by Mr. Wen-
nington. Longman tl; Brodcrip :
London, [1797.] fol. G. 364. (33.)
[Another edition.] From thy Roseate
Bow'rs, Aurora. See Amateur. From
thy Roseate Bow'rs. . .Rondeau. Com-
posed by an Amateur [i.e. J. Major], etc.
[1797?] fol. G. 356. (21.)
Soft on Beds of Vi'lets lying. A Favorite
Sonnet. . .Words by Mr. Wennington.
Ciilliford, Bolfe £ Barrow : London,
[1797.] fol. G. 364. (31.)
MAJOR (S.) Sacred IMelody : a General
Collection of Psalm & Hymn Tunes...
Containing all the original compositions
of P Smith, etc. Ninth Edition.
S. Major : London, [1800 ?] obi. 4°.
A. 621. b.
See Smith (I.) A Collection of Psalm
Tunes. . .with. . .Additions by S. Major.
[1790 ?] obi. i". A. 621. a.
MAKE. Make Hay whilst the Sun
shines. See Hudson (R.)
Madelon gardant son
MAL. Le Mai d'Amour. [Song.]
See Madelon.
troupeau, f^c. [1780?] 8"
B. 362. (170.)
Le Mai d'Avanture. [Song.] See Lise.
Lise fut voir un Medocin, etc.
[1785?] 8". B. 362. (228.)
Le Mai de Coeur de CTcrondo. [Song.]
See Trop. Trop fort le plaisir abonde.
[1785?] 8\ B. 362. f. (49.)
MALADIE. La Maladie Amoureusc.
Ariettc. See Alberti (F.)
La Maladie de Monseigueur le Dauphin.
Romance. See Chauvigny ( de)
MAIiBRANCQ ( ) La Tourterclle.
[Song.] [Paris, 1780 ?] 8°.
B. 362. b. (31.)
[Another copy.]
B. 362. e. (84.)
MALBROUG. Malbroug s'eu va t'en
guerre. Chanson de M'' D'malbroug ou
le petit page. \Paris, 1775 ?J 8°.
B. 362. e. (40.)
jNIalbroug s'en va t'en guerre. Chanson
de M' UMalbroug on le Petit Page.
J.Flcntu'jm: [London? 1700?] fol.
H. 346. (20.)
Air de ]\Ialbroug. Pour Nanine de cinq
ans a jouer sur lc Clavecin de sa Soeur.
[Song.] See Pour. Pour ma ptite
Nanine. [1780?] 8°. B. 362. (215.)
MALBROUK. Malbrourk s'en va t'en
guerre. Couplet, sur la viort de M''
Chez Bignon : [Paris,
Mabrourh.
1785 ?] 8".
B. 362. (205.)
MALCOLM (Alexander) A Treatise of
Musick, Speculative, Practical and His-
torical. Printed for the Author:
Edinburgh, 1121. 8". 54. b. (20.)
Malcolm's Treatise of Music. . .Corrected
and Abridged, by an Eminent ]Musician.
Printed for J. French : London, 1110. 8".
7899. f. 3.
Malcolm's Treatise of Music. . .Corrected
and Abridged, etc. Printed for
J. Murray : London, 1779. S".
7897. g. 47.
:\rALDERE— ]\rAN
85
MALDERE (Pierre van) La Bagarre,
Op^ra Bouffon en un Acte ; pau M. Poin-
sinet. . . avec la Musiqne. Chez Duchcane :
raris, 17G3. 8". 11738. 1. 27.
This edition only contains the voice-part
of some of the songs.
Six favourite Overtures in 8 Parts for
2 Violins, 2 Oboes, 2 Horns, Viola, and a
figured Bass for the Harpsichord . . . Opera
4"'. [Separate Parts.] I. lohnston :
London, [1770 ?] fol. g. 474. (13.)
[Op. IV. N" 1.] A Select Overture
in 8 Parts. (Overture i.) [Separate Parts.]
Printed for J. Johnston : London,
[1775?] fol. ■ g. 474. b. (15.)
[Op. IV. N" 3.] A Select Overture
in 8 Parts. (Overture iii.) fSeparate
Parts.] Longman ff Broderip : London,
[1780?] fol. g. 474. b. (16.)
A Select Overture in 8 Parts. (Sinf^ viii.)
(Separate Parts.] Printed for
J. Johnston : Lonrlon, mi^?] fol.
g. 474. a. (17.)
[Another edition.] A Select Overture in
8 Parts. (Sinf' viii.) [Separate Parts.]
Longman and Broderip : London,
[1780?] fof. g. 474. b. (17.)
VI. Sonatas for Two Violins with a
Bass for the Harpsicord, or Violoncello.
[Separate Parts.] Printed for T. Walsh :
i,o?!fZoH, [17G0?]" fol. ■ g. 277.
MALECOT (.7.) A New Song made on
board y"" Salamander Privateer, etc.
H. Wai/lett: [London, 1755?] s. sh. fol.
G. 316. d. (90.)
MALGRE. Malgre Forage et les frimats.
Air. See Reprise de Toulon.
MALIDOR ( de) Le Printemps.
Ariette. Paroles de M. la Richerie, etc.
[Paris,] 177C). s. sh. S'\ 297. f. 4.
Mercure de France, March, 177G.
Si vous voulez de la vie. Ariette. Paroles
de M. D * * * , etc. [Paris,] 176G. s. sh. 8".
297. e. 4.
Mercure de France, Nov., 17GG.
MALINTHA. IMalintha, cease my Love
to blame. Song. ^London,
1750?] s.sh.iol G. 316. c. (26.)
MALME (George) A Set of Practical
Essays for the Harpsichord or Piano
Forte, ... to which is added a Short Intro-
duction to j\Iusic, etc. The Author :
Westminster, [1795 ?] obi. 4'.
B. 423. (2.)
A Set of Solfeggios for the Voice, with an
Accompaniment for the Piano-Forte or
Harpsichord, etc. Tlic Author :
Westminster, [1795 ?] obi. 4°.
B. 423. (1.)
MALPIED (N.
Danse, etc.
[1790 ?] 8».
Fngraved throughout.
MALVAUX ( ) Vous,
re(,-u I'atteinte. Boniance.
sont de M. de Beuvrv.)
[Paris,] 1756. s. sh. 8".
Mercure de France, Dec,
Traite sur I'Art de la
Chez M'' Bouin : Paris,
7913. f. 5.
dont I'ame a
(Les paroles
Tournelle :
297. d. 4.
175G.
MAMAN.
Pomancc.
Maman sous
[Paris, 1780 ?]
ce
8'\
feuillage.
B. 362. e. (3.)
INIaman, vous me dites sans cesse. Chan-
son. See Rousseau ( ) of Versailles.
MAMMA. IMamma mia non mi gridate.
Mamma mia, a Favorite Italian Song."
Sung by Sig' Vigauoni, etc.
Printed for Monzani A: Cimador :
[LoHfZox, 1800?]" fol. G. 811. a. (23.)
No. 17 of ' A Collection of Periodical
Italian Songs,' etc.
MAN. The :\ran. [Song.] See It. It's
he who's unaw'd bv the sound of a Name,
etc. [1780?] s.sh.iol. G. 309. (94.)
.A Man an't a Horse. Song.
See Reeve (W.)
A Man in Favour. [Song.] See Would.
Would you be a IMan in Favour ?
1G88. .s. sli. fol. C. 38. i. 25. (1.)
The ISIan of Reason. [Song.]
See Smith (A.)
Man on Creation. Tlie Advice. .\ New
Song. [Bv P. IMagnant.] [London,
1757.] 8\ P.P. 5438.
Literary Magazine, Vol. II., p. 203.
The ]Man that is drunk is void of all Care.
T]ie Delighted Toper. [Song.] [London,
1730?] s.sh.iol. G. 305. (118.)
[Another edition.] The ^lan that is drunk-
is void of all Care. The Delighted Toper.
[London, 1730?] .s. sh. fol.
G. 316. f. (48.)
A ;Man that's neither high nor low. A Neio
Song. The words bv a lady. [London,]
1759. 8". " 158. 1. 4.
London Magazine, 1759, p>- 445.
The ]\lan to my Mind. [Song.]
See BuRNEY (C.)
The Man to my Mind. rSong.]
See While. While fashion prevails, etc.
[1775?] s.s/(. fol. G. 313. (208.)
The Man, who in his Breast contains.
Tlic reasonable Libertine. [Song.]
[London, 1750 ?] s. sh. fol. G. 303. (46.)
The Man who loves best. [Song.]
See. Holmes ( )
The Man who seeks to win the fair.
Plain Truth. A new Hong, etc. \: London,
1750?] s.sh.iol G. 316. (98.)
86
MAN— MANDINI
MAN. The man who seeks to win tlic fail
Plain TiHtJi. A new Song.
249. e. 23.
Vol. XXIII.,
[London, 1753.] 8".
(k'nilcman's Magazine,
p. 91.
The Man's Delight. [Song.] -
iSVr How. How lovely is a Woman.
[1735?] s. s/(.. fol. G. 316. e. 23
Man's Rights thro' the World. Song.
See RiCKMAN (T. C.)
MAN SIEHT NIEMALS ALLES
VORAUS. " Man sicht niemals alles
Yoraus," [On ne s'avise jamais de tout,]
ein Singspiel in einem Aufzuge aus dem
Franzosischen iibersetzt. [IMusic by P. A.
Monsigny.] See Operettas. Sammlung
der komischen Operetten, etc. Band II.
No. 3. 1772. 8". B. 729.
MANCHICOURT (Pierre de)
,sVe Chansons.— 4. Le Neufiesme Liure
des Chasons a quatre parties, auquel sont
contenues Yingt et Neuf Chansons...
Compos^es par . . . P. de Manchicourt, etc.
1545. obi. 4". K. 3. a. 9.
See Motets. Liber Quintus Cantionum
Sacrarum . . . Quinque et Sex Yocum a
. . . Petro Manchicurtio . . . nunc primum
in lucem editus, etc. 1558. obi 4".
K. 3. e. 12.
MANCHON. Le INIanchon. [Song.]
Sec Chapelle (P. D. A.)
Le Manchon de Luc6tte. [Song.]
Sec Saison. La saison a grands pas
R'avance, etc. [1780 ?] 8'\
B. 362. c. (25.)
MANCINEIiIjI (Domenico) Eight Duets
for Two German Flutes, or Violins, or a
German Flute & Violin. . .Opera ir'.
Printed for Longman, Lukey <f- Co. :
7/0»fZo»,[1775?] fol. g. 520. (2.)
[Another copy.] g. 421. a. (8.)
Six Duetts for two German Flutes or
Violins. . .Opera vi. Printed for S. Babh :
London, [1780 ?] fol. g- 520. (3.)
A Fifth Sett of Twelve Easy Duets for two
German-Flutes or Violins.
Printed for C. and S. Tliomp^on :
London, [1115 7] io\. g. 520. (4.)
Twenty Four Duetto's in an Easy Pleasing
Stile, for two German Flutes or Violins.
Printed for J. Fentum : London,
[1780?] fol. g. 421. a. (7.)
[Another edition.] Twenty Four Duetto's,
etc, J. Lee : Dublin,
[1785?] fol. g. 520. (6.)
Six Notturnos, for two German Flutes or
Violins . . . Book I. Longman .f Broderip :
London, [IISO 7] fol. g. 520. (1.)
Six Sonatas for two Gorman Flutes, or
Violins. . .Opera iii. [Separate Parts.]
Longman, Lnkey d- Broderip : London,
[1778?] fol. ' g. 520. (5.)
MANCINELLO (DowENico)
Sec ]Mancinelli.
MANCINI (Francesco) Idaspe. [For
songs, &€., in Hydaspes published anony-
mously :] See Idaspe.
[Idaspe.] Overture. [Orchestral Parts.]
See Overtures, <f-e. [No. 4.]
[1720?] fol. h. 3211. (1.)
XII. Solos for a Violin or Flute. . .Which
Solos are Proper Lessons for the Harpsi-
eord. Sold by lohn Barrett and
ir™ Smith : London, [1725?] fol.
g. 680.
XII. Solos for a Violin, with a Thorsugh
Bass . . . Which Solos are Proper Lessons
for the Harpsicord. . .Revis'd and Corected
by Llr. Geminiani. Printed for I. Walsh
and los. Hare : London, [1730?] fol.
i. 11.
MANCINI (Giambattista) Pensieri, e
Biflessioui Pratiche sopra il Canto
Figurato. Ghclen : Vienna, 1774. 4".
556. b. 10.
Reflexions pratiques sur le Chant figure ;
. . . traduites sur la troisi^me Edition
italienne. Chez Dn Pont : Paris, L'An
Troisieme [1795], etc. 8».
1042. k. 29. (1.)
Tu te plains de ta Climene. [Song.]
Sur un air del Signor Mancini.
[Paris,-] 1776. 8°. 297. f. 6.
Mercurc de France, May, 1776.
MANCINI MAZARINI (Louis Jules
Barbon) Duke of Kivernois. The Black-
bird. A favorite Song, with the Italian
Words as sung by Sig' Tenducci.
E. Rhames : Dublin, [1775?] s. sli. fol.
H. 1601. b. (76.)
MANCINUS (Thomas) Das erste Buch
Newer Lustiger, vnd Hofflicher Weltlicher
Lieder, mit vier vnd fiinff Stimmen, etc.
Tenor. Qedruckt durch Jacohum Liicium :
ITclmstadt, 1588. obi 4". A. 299.
Passio Domini nostri Icsu Christi : Das
Leyden vnud Sterben vnsers Herren .Jesu
Christi: Mit Personen. In welchem der
Text, so der Evangelista vnd die andere
Personen singen, choraliter : der ander
Text aber, den dor gantze Chorus prcesen-
tiret, 4. Stimmen figuraliter gesetzt ist. . .
Jetzo . . . revidiret. Gedruckt . . .durch
Eliam Holwcin : Wolffenbilitet, 1620. 4".
B. 118.
This work contains the Pasisions ac-
cording to S. Matthew and S. John.
Fol Oi is mutilated.
MANDINI (Stepfano) Three Favorite
Canzonetts, arranged with an Accompani-
ment for the Piano Forte or Cxuitar, the
Words & Music. . .by S. Mandini.
Printed for R. Birchall : T.ondon,
[1800?] oblioi, E. 600. n. (7.)
MANEFREDINI— MARASTONI
R7
MANEFREDINI (Francesco)
See Maxfeedixi.
MANENTI (Giovanni Piero) INIadrigali
...a Sei Voci. Nouamente composti &
dali in Luce. Libro Primo. Cauto.
Apprcsfto li Figliuoli di Antonio Gardauo:
Venetia, 1574. obi. 4'. A. 257.
MANFREDI (Alessandro)
Sec Fux (.J. J.) Salita al Parnasso . . .
trasportata dal Latino uell' Idioma
Italiano dal Sacerdote A. IManfredi, etc.
1761. fol. 785. m. 11.
MANFREDINI (Francesco) Six Son-
atas for Two Violins and a Violoncello :
with a Thorough Bass for the Harpsi-
chord. [Separate Parts.]
Printed for C. and S. Thompson: London,
[1770?] fol. g. 274. b. (2.)
MANFREDINI (Giuseppe) Sei Arie
con istromenti. Printed for the Author :
London, 1752. obi. fol. E. 83.
MANFREDINI (Vincenzo) Difesa della
IMusica j\Ioderna e de' snoi celebri ese-
cutori, etc. Per la Stamperia di C. Trenti :
Bologna, 1788. S'\ 1042. d. 22.
Regole Armoniche o sieno Precetti ragion-
ati per apprendere i principj della IMusica,
dc. Apprcsso G. Zerlctti : Venezia,
1775. 4'. 7895. f. 12.
MANGOT ( ) Que mon sort est digue
d'envie. Air gratieii.v, etc. [Words] Par
M. Campan, etc. [Pari.i,'} 1743. s. sli. i".
298. b. 21.
Merciire de France, July, 1743.
MANIAC. The IMauiac. Song.
See RI^^BAULT (S. F.) Select Songs.
No. 2.
MANIE. La Mania des Fommes. [Song.]
See Vous. Vous qui pour les enflammer,
etc. [1785?] 8". B. 362. b. (176.)
MANINI (A.) Six Divertimentos for
two Violins. Longman, Lukey <f-
Brodcrip : London, [1778 ?J fol.
h. 2910. (2.)
MANLEY ( ) Madam I'lne just como
from Colledge. A Dialogue Between a
Poor Scholar and his ^Mistress. [London,
1720?] s. .s/(. fol. H. 1601. (307.)
MANLY. The Manly Heart. [Duet.]
See Mozart (J. C. W. A.) [Die Zauber-
fliJte. Bci Mdancrn, welche Jjicbe filhlen.']
MANN" (Percival) The Moon with bor-
row'd lustre, a much admired Song,
written by W. Heseltine. J. Davica :
London, [1800 ?] fol. G. 366. (31.)
MANNELLI (Carlo) Sonate a Tre, Dui
Violini, e Leuto, 6 Violoue con il Basso
per r Organo ... Opera Seconda. Violino
Primo. (Organo.) 2 pts. fi. A. Mufij :
Boma, 1G82. A". c. 4.
MANNHEIMER MONATSCHRIFT.
See Periodical Publications.— Jl/f(»H-
Jtcim.
MANSION. The ilansion of Peace.
[Song.] See Webbe (S.) the Elder.
MANTEL (John Christian) Six Con-
certo's for the Organ or Harpsichord, with
Instrumental Parts. . .Op. iii.
Peter Thompson, for the Author: London,
[1755?] fol. ' g. 646.
Wanting the accompaniments.
Six Solos for a Violin or Harpsichord
with a Thorough Bass . . . Opera 2''\
W. Smith, for tite Author: London,
[1750?] fol. ' g. 422. g. (2.)
MANTO LA FEE. ISIanto la Fee.
Opera. Sec Stuck (J. B.)
MARA (Gertrude Elisabeth) High
rolling seas that bear afar. .4 Favorite
Air sung. , .at j\Ir. Salomon's Concert, at
the Theatre Roj-al Covent (Wirden in...
Artaxerxes and at the Bath Concerts
...The Words by P. Hoare, etc. [Full
Score.] The Author : London,
[1797.J obi. fol. D. 392, (9.)
Say can you deny me, A Favorite Air . . .
the words by P. Hoare, etc. [Full Score.]
The Author: London, [1193.] fol.
G. 364. (34.)
See Idalide. Ah che nel petto io sento.
rSong.] . . . Harp Accompaniment by
i\Iadam ]\Iara for rather bv J. I\razzinghi].
[1791.] fol. ^ ' G. 199. (26.)
MARAIS (:\rARix) Alcione, Trag^die, etc.
[Words by A. Houdart de la ^Motte.]
Chez V Autheur : Paris, 170G. oW. fol.
D. 318
Ariane et Bacchus, Tragedie, etc. [Words
by — Saint .Jean.] CJiez C. Ballard :
Paris, 1G96. obi. fol. B. 333.
Pieces a vne ct a deux Violes. (Pieces de
Viole, f/c.) 5 Books. CJier T Autheur :
Paris, 1G86(-1729). obi. fol. c. 19.
Wanting Liure II. and the title-page of
Litre IV. The date of Liv. I. is
1686; Liv. III. 1711; Liv. IV. 1729,
and lAv. V. 1725. The imprint of
Liv. IV. is ' CJiez la Veuve Marais.^
Pieces en Trio pour les Flutes, Violon &
Dessus de Viole. 2me Dessus.
Chez V Autheur : 7Vrm, 1692. oW. 4\
a. 33.
MARASTONI (Antonio) ]\Iadrigali Con-
certati a Due, e Tre Voci. . .Opera Sexta.
Canto ouer Tenore Primo (Secondo).
(Basso Continue.) .3 pts.
Stampa del CInrdano. Appresso 77. ]\Iagni :
Venetia, 1028. 4", E, 122.
88
TklARAZZI— MARCHES
MARAZZI (Silvio) Di D. Silvio
Mai-azzi, il Primo Libro de' Madrigali a
Tre Voci. Nuouamente posti in luce.
Canto. (Tenore.) (Basso.) 3 pts.
App>rf>!to Srtli Vioto : Parma, 1517. 4".
K. 3. i. 2.
D. Silvii IMarazzi . . . Motecta Quinque
Vocum Liber Primus. Bassus.
Ainid Angelum Gardannvi : Tcnptijs,
15R1. obi. 4". A. 281.
MARBECK (John-) Sec Mkrbecke.
MARC ( ) Hylas. Air. Chante au
Concert de Reims le 4 Mav 1770.
"Prtn.s,] 1770. s.sh.S". 297. e, 32.
Mcrcnrc de France, June, 1770.
Six Senates a Yiolon Seul avee une Basse
Chiffree, etc. Gravies par Ribart.
MaiUet: Paris, [1110?] fol. h. 28.
MARCAILLE (Richard de) lis sont
domptes ces fiers anglais. Chansons sure
Ja jjrise de Toulon, etc.
Chez la Citoyenne Lebcau : 'Paris,
1793.] 8". ' B. 362. d. (19.)
MARCEIjIjO (Alessandeo)
See CoscERTi. Concerti a Cinque... del
Signori G. Yalentini,. . .A. Marcello, etc.
[1730?] fol. g- 35.
MARCELLO (Benedetto) Canzoni
Madrigalesche et Arie per Camera a due,
tre, 6 quattro Voci. . .Opera Quarta.
Per Giuseppe Antonio Silrani : Bologna,
1717. obi. fol. K. 10. a. 19.
Estro Poetico-Armonico. Parafrasi sopra
li primi (second!) venticinque Salmi.
Poesia di G. A. Giustiniaui, etc. S tom.
Apprcsso Domenico Lovisa : Vcnezia,
1724-6. fol. I- 10.
[Estro poetico-armonico.] The First Fifty
Psalms, Set to jMusic by Benedetto Mar-
cello . . . and adapted to the English
Version, by J. Garth. [With Remarks
bv C. Avisou.] 8 vols. Printed for
J. Johnson : London, 1757. fol. I. 10. b,
[Psalm xLii.] Qual anelante. The
Favorite Duet sung by INIrs. Billington
& Mr. Harrison, etc. Printed for
n. Birchall : London, [1795 ?] fol.
G. 800. (9.)
XII. Solos for a German Flute or Violin
with a Thorough Bass for the Harpsicord
or Bass Violin. . .Opera Primo.
Printed for I. Walsh: London,
[1733.] fol. g- 1008.
Six Solos for a Violoncello with a Thorough
Bass for the Harpsicord . . . Opera Seconda.
Printed for I. Walsh : London,
[1740?] fol. g. 500. (4.)
MARCHAL ( ) Six Duo pour Violons
. . .CEuvre 1. [Separate Parts.]
Chez le S'- Borrelli/ : Paris, [1770?] fol.
g. 421. r. (6.)
MARCHAND ( ) As Persians stretch
their Votive Arms. [Song.] The Words
by a Person of Quality [i.e. the Earl of
Gainsborough] .
[London, 1130-?] s.sh.M. G. 303. (1.)
In Ancient Greece when Sappho sung.
On a Lady of Qnalitii. fSong.J
[London, limT] fol.
G. 303. (41.)
Nouvelle Suitte d'Airs pour deux Tam-
bourins, 2ilusettes ou Vielles, etc.
Grav^c jmr D. Vincent. Chez Vauteur :
Paris, [1735?] fol. K. 7. f. 15. (6.)
MARCHAND D'ESCLAVES. Au nom
do ton pere. L^o"g-] -0" Marchand
d'Esclaves. Air: Le Cure de Dole.
[Paris, 1784.] 8". B. 362. e. (79.)
Les Beautes que j'amene. [Song.] Du
Marchand d'Esclaves. Air : ^Malbrmck
s'en vat en querrc. \ Paris, IIQ^^T^ 8".
B. 362. (213.)
Parcourez les Cieux desormais. Vaude-
villes du M* d'Esclaves. Air, de la
^^leuniere. [Paris, 1784.] 8".
B. 362. c. (79*.)
MARCHAND DE SMYRNE. Le
Marchand de Smyrne. [Ballet. j
See Bossi (C.)
MARCH ANDE. La T^Iarchande d' Amour.
[Song.j See Je. Je suis la marchande
d'amour, c/c. [1780?] 8°. B. 362. (18.)
MARCHANDES DE LA HALLE.
Les :\larchandes de la Halle, Comedie
en un Acte et en Vaudevilles . . . avec la
Musique. Chez le Libraire,au Theatre du
Vaudeville : Paris, An troisieme [1795]. 8°.
11738. bbb. 8. (6.)
MARCHE. Marche d'Alcide. Scene heroi-
lyrique. Sec Royer de Villerie ( )
MARCHES. [Arranged clironologically .]
Prince Eugene's ilarch. See Hark.
Hark ! the loud Drum. Great Britain for
ever ! A Ballad. . .Tune, Prince Eugene's
March. [1745?] s.sh. fol.
G. 308. (79.)
Thirty Favourite Marches which are now
in Vogue, set for the Violin, German
Flute or Hautboy ; by the most Eminent
Masters. Printed for Thompson and Son :
London, [17G0?] *8\ e. 453.
Bellisle March. As it was Perform'd...
before his ^Majesty in Hyde Park ou the
27th of June, 1763. ' [London,
1763.] s. sh. fol. H. 1994. a. (215.)
Bellisle March and the Retreat, as they
was perform'd. . .before his Majesty. . .on
the 27th of June 1763. [London,
1763.] s. sh. fol. G. 316. d. (166.)
The Duke of Glosters ]\Iarch, as Perform'd
before his Majestv at the Review in Hyde
Park. [London, 1163?} s. sh. io\.
H. 1994. a. (214.)
IMARCHES
89
MARCHES. Captain Keed's or the Third
Regiment of Guards !March. [London,
1770 ?] s. sh. fol. H. 1994. a. (176.)
Coldstream or Second Regiment of Guards
March. [London, 1110?] s.sh.iol.
H. 1994. a. (180.)
The Dorsetshire iMarch, for two German
Flutes and a Bass. [London,
1770?] s.sh.iol H. 1994. a. (177.)
A Second Collection of XXIV. Favourite
IMarches in 7 Parts as they are Performed
by His ^Majesty's Foot and Horse Cruards.
Set for two Clarinetts Violins German
Flutes or Hautboys and two French
Horns and Bass. [Separate Parts.]
Printed for C. and S. Thompson: London,
[1775 ?] obi. 4°. a. 226.
]\Iarch of the XV"' Regiment. [Song.j
See How. How fearful the sound to poor
mothers and wives, c/c. [1775?] ,s. .'.7/. fol.
a. 308. (120.)
New Coldstream ]\Iarch. For the Harp-
sicord. [London '> IIQQ?] s.sh.io\.
H. 1601. a. (111.)
!March of General Lotton's Regiment in
Berlin. [P. F., Guitar or Flute.l
[London 'i limT} s.sh.iol.
H. 1601. a. (110.)
March of the Thirtv-fifth Regiment. [Full
Score.] [Lonrfon? 1780?] s. sh. lo].
I. 600. d. (110.)
The Middlesex March. [Full Score.]
[London? 1180?] s. ,s7;. fol.
H. 1601. a. (113.)
The Prince of Brunswick's March. [Full
Score.] [London? 1180 ?'\ s.sh.iol.
H. 1601. a. (114.)
Two Slow and two Quick Marches, recom-
men[d]ed to the Volunteer Corps of the
County of Down, etc. John Lee : Dublin,
[1780?] s. s7i. fol. H. 1601. a. (115.)
The Duke of York's ]March. As Per-
form'd by his Royal Highnesses new
Band in the Coldstream Reg' of Guards.
[P. F. and Flute.] Printed for
T. Skillern : London, [1785 ?] fol.
G. 297. (33.)
[Another copy.] h. 62. (17.)
The Milanese ^Nlarch. See :SIy. "Sly
fair one Adieu... to the Tune of the
Milanese ]\Iarch. [1785 ?] s. sh. fol.
G. 310. (98.)
The Duke of Clarence's IMarch, adapted
for the Harpsichord, Violin, German
Flute, or Guitar. Printed for
T. Skillern : London, [1790?] fol.
G. 297. (34.)
A Russian March, for the Piano Forte,
composed on General Suvorofi's taking
Ismael. T. Skillern, for the Author :
London, [1790?] fol. ' g. 133. (69.)
[1797 ?j
MARCHES. Marche des Marseillois.
See Allons. Allous, enfans de la patrie, etc.
[1793?] fol. H. 1250. (37.)
The Duke of York's March, etc. [P. F.]
/. Dale: London, [1795?] fol.
g. 271. e. (28*.)
[Another edition.] The Duke of York's
:\rarch, etc. [P. F.] Printed for
H.Andrews: Lambeth, [1105?] fol.
G. 795. (5.)
Grand IMarch & Trio, with a Quick Step
for H.M. 78th Regiment. [P. F.]
T. Williamson: Lo7idon, [1195?] fol.
g. 133. (70.)
The Arch Duke Charles of Austrias ?*Iarch,
for the Piano Forte and a Full Band.
Longman and Broderip : London,
fol. g. 133. (72.)
The New Royal Wirtemberg ]March, com-
posed in Honor of the late Nuptials.
[P. F.] Printed for J. Dale : London,
[1797.] fol. ■ g. 133. (71.)
General Suwarrow's March & Quick Step
. . .To which is added five Russian Dances,
etc. Gow d- Shepherd : Edinburgh,
[1798?] fol. h. 1568. b. (11.)
The Egyptian ^March, for a ^Military Band,
also adapted for the Piano Forte.
T. d- W. 21/. Cahusac: London,
[1800?] fol. h. 1568. b. 13.
Flancken-^NIarsch der Hamburger Biirger-
garde f iir's Piano-Forte. J. A . Bijhme :
Hamburg, [1800?] obi. iol.
e. 217. f. (4.)
Marche des Royalistes. [Song.] .'npcContrr.
Centre inos cruels ennemis, etc.
[1800?] fol. H. 2831. (26.)
[Another setting.] Marche des Royalistes.
[Song.] See Mugnie (J.)
Marches, Airs & Minuets, selected from
the Works of the best Authors, arranged
for two German Flutes or Violins and
many with Basses for the Violoncello or
Piano-Forte. I're.^ton : London,
[1800?] ohl.8''. b. 78. (1.)
The composers named in tJtis collection
are: Felton, Hngh Clerk, Martini,
Corbet, Knerler, Pasquali, Handel,
Humphrij, Castrutti, Geminiani, Mac-
Gibbon and Caporali.
The Grand Neapolitan ]\Iarch, for a
Military Band, also adapted for the Piano
Forte. T. d W. M. Cahusac: London,
[1800?] fol. h. 1568. b. (12.)
Two Favorite New Marches, 1»'. Lord Corn-
wallis's, 2''. The Duke of Brunswick's, for
the Piano-Forte or Harpsichord. Pyintcd
for the Author: London, [1800?] fol.
g. 272. i. (2.)
Marche du Siege de Lille. [Song.]
See Jadin (H.)
Sec Airs. A Collection of Airs and
Marches, e^c. [1765?] obi. 8". b. 41.
90
IMARCHERI— MARENZTO
MARCHESI (LuiGi) Sei Ariettc, with
an Accompanyment for the Piano Forte
or Harp, etc. Ijongnian tC Jhodcrvp, for
the Author: London, [1795?] ul>l. fol.'
E. 601. m. (4.)
[Another edition.] Sei Ariette, with an
Accompaniment for the Piano Forte or
Harp. . .First Bet. R. Birchall : London,
[1800?] fol. H. 2827. f. (23.)
Six Ariettes, with an Accompanyment for
the Piano-Forte, or Harp. . . Opera Seconda.
Lonqman i(- Broderip : London,
[1795 ?] ohl. fol. E. 600. z. (4.)
See Sarti (G.) [Giulio Sabino.] Lmigi
dal caro, etc. (Aria... coll' accompagna-
mento d' Arpa dal Sig"' L. INIarchesi.)
[1790?] fol. G. 196. (14.)
MARCHIORE [de Barberiis], da
Padova. See Merchiore.
MARCO ANTONIO [Cavazzosi], of
Bologna. Recerchari INIotetti Canzoni
Com'posti per Marco antonio di Bologna.
Lihro Primo.
AjJiid Bernardinmn Vercelenscm :
Venetiis, 1523. obi. 4". K. 8. b. 8.
MARDO (Judith) See Le Jeune (C.)
Second Liure des IMeslanges, etc. [With
a dedication hv Judith Mardo.]
1012. obl.i".' B. 283. i.
See Le Jeune (C.) Troisiesme Liure des
Pseairnies, etc. [With a dedication by
Judith Mardo.] IGIO. obi. i'.
B. 283. g.
MAR:6cHAIi. Le Mar^chal des Logis.
[Song.] See Chahtons. Chantons la
noble avanture, etc. [1785 ?] 8'\
B. 362. f. (40.)
MARECHAL FERRANT. Le IMar-J-
chal Forrant. Op6ra Comique en deux
Actes, etc. [With the music, by F. A.
Danican Philidor, of some of the Songs.]
De rimprimerie de C. Ballard, etc. :
[Paris,] 1702. S". 11738. m. 1. (1.)
[L' Amour se plait.] .S^-^ Docteurs
MoDERNES. Ce secret qui fait tant de
Men... Air du Vaudeville du INIar^chal.
[By F. A. Danican Philidor.] 1784. 8".
B. 362. (193*.)
Sec Embarquez. Embarqu6s vous
fiers matelots . . . Air du Vaudeville du
]\rar6chal [Ferrant, by F. A. Danican
Philidor]. [1785?] 8°. B. 362. (21.)
Quand pour le grand voyage. Ariettes,
detachi's du Man'chal Ferrant [by F. A.
Danican Philidoi-n. [Prtcis, 1705?] 8".
B. 362. (20.)
Le Mar^chal Ferrant. Opera Comique.
See Philidor (F. A. Danica^')
mar:6chal ferrant de la
VILLE D'ANVERS. Le :Marechal
Ferrant dc la Ville d'Anvers, Pi^ce anec-
dotique en un Acte et en prose, melt'e de
Vaudevilles, par le C. Maurice S[eguier]
. . .avec la jNIusiqne. C'/;c,-: le Librairr :
Paris, An vii" [1799]. 8°.
11738. n. 15. (6.)
Containing songs bij Gthard, Doche and
Kall.brenncr.
MARELLA (Giovanni Battista)
See Catches. A Collection of Catches by
. . .Dr. Arne,. . .Sigr. Marella. etc.
[1704?] o6Z. 4°. A. 756. a. (1.)
See Modern Catch-Club. The ]\Iodern
Catch-Club. . .a Collection of Catches...
bv . . . Marella, etc. [1770 ?] obi. 4°.
A. 756.
MARELLA (J. B.) See :\rARELLA (G. B.)
MARELLI (J. B.) See Marella (G. B.)
MARENZIO (Luca)
Arrangement.
1. Canzonets and Villauelles.
2. ]\Iadrigals (Secular).
a. Collected editions.
b. For six voices.
c. For five voices.
d. For four voices.
3. IMadrigals (Sacred).
1. Canzonets and Villanelles.
[II Prirao Libro dalle Villanelle et Arie
alia Napolitana, a Tre Voci, etc. Basso.]
[Appyresso Giacomo Vincenti? :
Venctia, 1584.?] 8\ B. 270. n. (1.)
Wanting the title-page and pp. 13-10.
II Primo Libro delle Villanelle a Tre
Voci . . . Nouamente ristampate. Terza
Impressione. Canto. Presso
Giacomo Vincenzi : Venetia, 1580. 8",
B. 270. k. (1.)
[Another copy. Canto.] B. 270. m. (1.)
II Primo Libro delle Villanelle et Arie
alia Napolitana a Tre Voci . . . Di nouo
Ristampate, & Corrette. Canto. (Tenore.)
2 pts. Appresso Angelo Gardano :
Venetia, 1000. 4". C. 210. f. (1.)
II Primo Libro delle Villanelle et Arie
alia Napolitana, a Tre Voci . . . Nouamente
ristampate, & corrette. Tenor. (Basso.)
2 pts. Appresso Giacomo Yincenti :
Venetia, 1005. 8". B. 270. 1. (1.)
Lnperfect, wanting 2>P- 5-0 and the last
leaf of the Toior part.
II Secondo Libro delle Canzonette alia
Napolitana a Tre Voci . . . Raccolte per
Attilio Gualtieri & nouamente poste in
luce. Canto. Presso Giacomo Vincenzi, <(■
j Ricciardo Amadino compaqni : Venetia,
I 1585. 8". B. 270. m. (2.)
MABENZIO
91
MARENZIO(Luca) II SecondoLibrodelle
Canzonet te alia Napolitana a Tre voci, . . .
RaccolteperAttilioGualtieri,&uouaniciiHfe
ristampate. Seconda Impressione. Canto.
(Tenore.) 2 i)ts. Prcsso
Giacoino Vinccn.ii : Vc )icti(i, 15S7. 8".
B. 270. k. (2.)
II Secondo Libro delle Villanelle a Tre
Voci, . . . Raccolte per Attilio Gualtieri.
Nuouamente Ristampate & . . . corrette.
Tenore. (Basso.) 2 pts. ApiJvcsso
Giacomo Vincenti : Ycnetia, 1592. 8".
B. 270. 1. (2.)
In earlier editions this work was called
Canzonctte alia Napolitana.
[Another copy. Basso.] B. 270. n. (2.)
The title-piage is mutilated.
II Secondo Libro delle Villanelle et Arie
alia Napolitana a Tre Voci . . . Di nouo
Ristampate, & con diligenza Corrette.
Canto. (Tenore.) 2 pts. Appi-csso
Angela Gardano : Venetia, IGQO. 4°.
C. 210. f. (2.)
II Terzo Libro delle Villanelle a Tre Voci
composte . , . nel modo che hoggidi si usa
cantare in Roma. Raccolte da Christoforo
Ferrari, & di nuouo date in Luce. Canto.
Appresso Alcssandro Gardano :
noma, 1585. 8". B. 270. m. (3.)
II Terzo Libro delle Villanelle a Tre Voci
... Nuouamente ristampate. Canto.
(Tenore.) 2 pts. Presso
Giacomo Vincenzi : Ycnetia, 1587. 8".
B. 270. k. (3.)
II Terzo Libro delle Villanelle a Tre Voci
. . . Raccolte per Christoforo Ferrari.
Nuouamente Ristampate, & . . . corrette.
Tenore. (Basso.) 2 pts. Appresso
Giacomo Vincenti : Ycnetia, \5Q2. 8'\
B. 270. 1. (3.)
[Another copy. Basso.] Appresso
Giacomo Vincenti : Venetia, 1592. S".
B. 270. n. (3.)
II Terzo Libro delle Villanelle et Arie
alia Napolitana a Tre Voci . . . Di nouo
Ristampate, & con diligenza Corrette.
Canto. (Tenore.) 2 pts. Ap>2yresso
Angela Gardano : Venetia, 1000. i".
C. 210. f. (3.)
II Quarto Libro delle Villanelle a Tre
Voci . . . Raccolte per Attilio CUialtieri
Nuouamente poste in luce. Canto.
(Tenore.) 2 pts. Prcsso
Giacomo Vincenzi : Venetia, 1587. 8".
B. 270. m. (4.)
II Quarto Libro delle Villanelle a Tre
Voci, . . . Raccolte per Attilio Cxualtieri.
Nuouamente Ristampate, & . . . corrette.
Basso. Ajjjjresso Giacomo Vincenti :
Venetia, 1592. 8°. B. 270. 1. (4.)
[Another copy. Basso.] B. 270. n. (4.)
The title-page is mutilated.
MABENZIO (Luca) 11 Quarto Libro delle
Villanelle et Arie alia Napolitana a Tre
Voci . . . Di nouo Ristampate, & con dili-
genza Corrette. Canto. (Tenore.) 2 pts.
Appresso Angelo Gardano :
Venetia, 1600, 4". C. 210. f. (4.)
Di Luca jNIarentio il Quinto Libro delle
Villanelle a tre voci con vna a quattro.
Raccolto da Attilio Gualtieri. Nuoua-
mente poste in luce. Canto. Appresso
V Hcrede di Girolamo Scotto : Vinegia.
1587. 8". B. 270. k. (4.)
[Another copy. Canto.] B. 270. m. (5.)
Di Luca JNIarentio il Quinto Libro delle
Villanelle a tre voci con vna a quattro.
Raccolto da Attilio Gualtieri. Noviamente
ristampate. Tenore. (Basso.) 2 pts.
Appresso l' Herede di Girolamo Scotto :
Vinegia, 1591. 8". B. 270. 1. (5.)
[Another copy. Basso.] B. 270. n. (5.)
Tlie title-page is mutilated.
II Quinto Libro delle Villanelle et Arie
alia Napolitana a Tre Voci . . . Di nouo
Ristampate, & con diligenza Corrette.
Canto. (Tenore.) 2 pts. Aj)presso
Angelo Gardano : Veiietia, 1000. 4".
C. 210. f. (5.)
Ausszug auss Lucae Marentii vier Theilen
seiner Italianischen dreystimmigen Villa-
nellen und Napolitanen. . .mit Teutschen
Texten gezieret, vnnd inn Truck publiciert
von Valentino Haussmanno Cxerbipol.
Cantus. (Tenor.) 2 pts.
Diirch Panhtm Kantjmann : Kiirmherg,
IGOG. 4'. ■■ C. 210. h.
2. Madrigals (Secular).
a. Collected editions.
Di Luca Marenzio . . . !Madrigali a Sei
Voci, in un corpo ridotti. Nuouamente
posti in luce, & con ogni diligentia
eorretti. Aggiunto vi di piu vno IMadrigale
del istesso Authore a Dieci Voci. Canto.
(Alto.) (Tenore.) (Basso.) (Quinto.)
(Sesto.) 6 pts. Pietro Phalesio d-
Giovanni Belle ro : An uersa, l^Oi. ofeZ. 4°.
K. 3. f. 15.
Di Luca Marenzio . . . il Primo, Secondo,
Terzo, Quarto & Quinto Libro de ]\Iadri-
gali a Cinque Voci. Nuouamente ristam-
pati & in vn Corpo ridotti. Canto.
(Alto.) (Tenore.) (Basso.) (Quinto.)
5 pts. A.2)2>resso Pietro Phalesio :
Amursa, 1G09. ohl. 4". B. 270. e.
[Another copy. Tenore. (Basso.)] 2 pts.
B. 270. f.
Di Luca :Marenzio . . . il Sesto, Settimo,
Ottauo et Nouo Libio, il suo Testamento
de r^Iadrigali a Cinque Voci. Nuouamente
Stampati & in vn Corpo ridotti. Tenore.
(Basso.) 2 pts. Appresso Pietro Phalesio :
Anuersa, 1C09. ohl. 4". B. 270. h.
92
MARENZIO
MARENZIO (Luca)
b. For six voices.
II Primo Libro de ]\Iadrigali a Sei Voci,
, . . Nouamente Ristampato. Canto.
(Alto.) (Basfio.) (Quiuto.) 4 pts.
Appirsno Anqclo Gnrdano :
Ynietia, 1584. 4". " C. 210, a.
Di Luca ]\Iarenzio 11 Terzo Libro de
Madrigali a Sei Voci. Nouamente com-
posto et dato in Luce. Quinto.
Apprcsso V Hcrcdc di Girohimo Scotto :
Viucgia, 1585. 4". C. 210. 1.
Di Luca Marenzio il Terzo Libro de ]Madri-
gali a Sei Voci. Nouamente ristampati.
Canto. Ajyprcsso l' Hcrrdc di Girolamo
Ycneiia, 1589. 4". C. 210. r.
Di Luca Marenzio il Terzo Libro de ^Nladri-
gali a Sei Voci. Nouamente Ristampato.
Alto. (Tenore.) (Basso.) (Quinto.) (Sesto.)
5 pts. Appre^!<o Angcio Gardano :
Vnictia, 1594. 4". C. 210. s.
II Quarto Libro de Madrigali a Sei Voci
. . . Nouamente Ristampato. Alto.
Apprcaso Angela Gardano :
rc7ictia, 159.3. 4". ' C. 210. n.
Di Luca Marentio il Quinto Libro de
]\Iadrigali a Sei Voci. Nouamente ristam-
pato. Alto. Appypsso Angela Gardano :
Venetia, 1595. 4". " C. 210. d.
Di Luca Marentio, il Sesto Libro de
Madrigali a Sei Voci. Nouameute Com-
posto, & dato in luce. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) (Sesto.)
6 pts. AppresRO Angela Gardano:
Venetia, 1595. 4". ' C. 210. m.
[Another copy. Alto.] C. 210. e.
Di Luca Marenzio ... II Sesto Libro de
Madrigali a Sei Voci. Nouameute stam-
pati and dati in luce. Tenore. Ajijyrcsso
Pietro Phalesio : Amicrsa, 1610. obi. 4".
B. 270. j.
c. For five voices.
Di Luca ]\Iarenzio il Primo Libro de
Madrigali a Cinque Voci. Nouamente. . .
ristampati. Alto. Appresso
Angela Gardano : Venetia, 1582. obi. 4".
A. 294. b.
Di Luca ]Marenzio il Primo Libro de
Madrigali a Cinque Voci, nouamente . . .
ristampati. Tenore. Pressa
Giacomo Vincenzi, & Ricciarda Amadino
compagni : Venetia, 158G. 4". C. 210. o.
Di Luca Marenzio il Primo Libro de
Madrigali a Cinque Voci. Nouamente . . .
ristampati. Canto. (Alto.) (Tenore.)
(Quinto.) 4 pts. Aj^i^resso
Angela Gardano : Venetia, 1587. obi. 4°.
53. a. 20-23.
Di Luca Marenzio il Primo Libro de
Madrigali a Cinque Voci. Nouamente
ristampati. Basso. (Quinto.) 2 pts.
Ajyjrres.to V Herede di Gierolamo Scoto :
Venetia, IGOO. 4". C. 210. p.
MARENZIO (Luca) Di Luca Marenzio
il Secoudo Libro de Madrigali a Cinque
Voci, Nouamente Ristampati. Alto.
^2)j);r.sso Angela Gardano :
Venetia, 1583. obi. 4°. A. 294. a.
Di Luca INIarenzio il Secondo Libro de
INIadrigali a Cinque Voci, Nouameute
Ristampati. Canto. (Alto.) (Tenore.)
(Quinto.) 4 pts. AppreRso
Angela Gardano: Venetia, 159.3. obi. 4".
53. a. 20-23. (2.)
Di Luca Marenzio il Terzo Libro de
INIadrigali a Cinque Voci, nouamente
Composti, & dati in luce. Quinto.
AppreKsa Angela Gardano :
Venetia, 1582. abl. 4°. ' B. 270.
Di Luca INIarenzio il Terzo Libro de
Madrigali a Cinque Voci, Nouamente
Ristampati. Canto. (Alto.) (Tenore.)
(Quinto.) 4 pts. App)re!ifio
Angela Gardano : Venetia, 1595. obi. 4".
53. a. 20-23. (3.)
Di Luca Marenzio il Quarto Libro de
Madrigali a Cinque Voci. Nouameute
Ristam]Dato. Canto. (Alto.) (Tenore.)
(Quinto.) 4 pts. Ai^preRfta
Angela Gardano : Venetia, 1594. obi. 4".
53. a. 20-23. (4.)
Di Luca jMarenzio il Quinto Libro de
Madrigali a Cinque Voci. Nouamente
compostoet dato in luce. Canto. (Tenore.)
2 pts. Apprefiso V Ilerede di Girolama
Scotto : Vinegia, 1585. 4". C. 210. b.
Di Luca IMarentio il Quinto Libro de
]\[adrigali a Cinque Voci. Nouamente
ristampato. Basso. (Quinto.) 2 pts.
Appresso V Herede di Girolamo Seotta :
Venetia, 1588. 4". C. 210. q.
Di Luca Marenzio il Quinto Libro de
^Madrigali a Cinque Voci. Nouamente
ristampato. Canto. (Alto.) (Tenore.)
(Quiuto.) 4 pts. Appresso
Angcio Gardano : T>)iffirt, 1594. o6/. 4".
53. a. 20-23. (5.)
Di Luca INIarenzio il Sesto Libro de
INIadrigali a Cinque Voci, Nouamente
posto in luce. Canto. (Alto.) (Tenore.)
(Quiuto.) 4 pts. Appresso
Angela Gardano : Venetia, lb^\. abl. i".
53. a. 20-23. (6.)
Di Luca INIarenzio il Sesto Libro de Madri-
gali a Cinque Voci. Nouamente Ris-
tampato, etc. Canto. (Tenore.) (Basso.)
3 pts. Appresso Angela Gardano:
Venetia, 1603. obi. 4". A. 294.
Di Luca Marenzio il Sesto Libro de
INIadrigali a Cinque Voci. Nouamente
ristampato. Canto. (Alto.) (Tenore.)
(Basso.) (Quinto.) 5 pts. Stampa del
Gardano. JEre Bartholomsei Magni :
Venetia, 1614. 4". C. 210. j.
[Another copy. Basso.] C. 210. k.
MARENZIO— MARIA
93
MARENZIO (Luca) Di Luca Marenzio
il Settimo Libro cle Madrigali a Ciuque
Voci, Nouamente Composto & dato in luce.
Canto. (Alto.) (Tenore.) (Basso.) (Quiuto.)
5 ptb. Appresso Angela Gardcuio:
Vcnctia, 1505. ubl. 4.". B. 270. b.
Di Luca Mareuzio il Settimo Libro de
jMadrigali a Cinque Voci. Di nouo ristam-
pati, & Corretti. Canto. (Alto.) (Teuore.)
(Basso.) (Quiuto.) 5 pts. Ajij^-csso
Angelo GardcDio : Vcnctia, 1600. obi. i°.
B. 270. d.
[Another copy. Canto. (Alto.) (Teuore.)
(Quinto.)] 4 pts. 53. a. 20-23. (7.)
Di Luca Maronzio 1' Ottauo Libro de
INIadrigali a Cinque Voci. Nouamente
Composto, & dato in luce. Canto. (Alto.)
(Basso.) (Quinto.) 4 pts. Aju^resso
Angela Gardano : Vcnctia, 15'J8. abl. 4".
B. 270. c.
[Another copy. Alto. (Teuore.) -2 pts.
53. a. 22, 23. (8.)
Di Luca ^Nlarenzio il Nono Libro de
Madrigali a Cinque Voci. Di nouo
Ristampato, & Corretto. (Quiuto.
Appresna Angela (iarddno:
Vcnctia, 1601. abl. 4". A. 294. c.
d. For four voices.
IMadrigali a Quattro Voci . . . Nouamente
. . . ristampati. Libro Primo. Canto.
(Teuore.) (Alto.) (Basso.) 4 pts.
Appresbo Angelo Gardano :
Venesia, 1592. 4". C. 210. c.
^ladrigali a Quattro Voci . . . Nouamente
. . . ristampati. Libro I'rimo. Canto.
(Alto.) (Tenore.) (Basso.) 4 pts.
Ajyjn-csso Angela Gardano:
Vcnctia, 1603. obi. 4". C. 210. i.
INIadrigali a Quattro Voci . . . Novamcute
. . . ristampati. Canto. (Alto.) 2 pts.
Paulas Kautf'inannus :
NoribergK, 1603. 4". C. 210. g.
Madrigali a Quattro Voci. . .Nuouamente
Ristampati. Tcnorc. (Basso.) 2 pts.
Apprcsao Fictro Fhulcsio :
Anuersa, 1607. abl. 4". B. 270. g.
3. Madeigals (Sacked).
Madrigali Spirituali ... a Ciuque Voci.
Nouamente stampato &, dato in luce.
Libro Primo. Canto. (Tenore.) 2 pts.
Per Alessandro Gardano:
Roma, 1584. 4". C. 210.
Di Luca Marenzio . . . de' ?*Iadrigali
Spirituali a Ciuque Voci. Nouamente
stampati. Tcnorc. (Basso.) 2 pts.
Appresso Pietro PJialcsio :
Anuersa, 1610. obi. 4'. B. 270. i.
MARESCIAL ( ) Locciolette che
andato di notte. Cavatina, etc.
[Paris,] 1778. 8". 297. f. 22.
Mcrcurc de France, June, 1778.
MARGARINA (Chkistophorus)
S<^e Anekio (Ct. F.) Litaniae Deiparae
Virginis ... A Christophoro Jlargarina in
vnum collectte, & in lucem editte, etc.
1611. 4^ D. 229.
MARGATE. The Margate Ballad.
[Song.] See Fkoji. Prom court aud from
country, etc. [1760.] 8". P.P. 5438. z.
The Margate Hoy. [Song.]
See DiBDiN (C.) " [Christmas Gambols.]
MARGERY. ^largerv. [Opera.]
S,r La.mpk (J. F.)
MARI RETROUV:^. Airs de la
Comedie du Mary Retrouvc. [By J. C.
Gillier. Words by P. C. Daucourt.]
[1698.] See Aiks. Airs lo la Comedie
Francoise. [No. 14.]
[1696-]1705. obi. 8". B. 319.
Le Mari Retrouvc, Comedie. Repre-
sentee pour la premiere fois, le 25 Octobre
1698. [By P. C. Dancourt, with music
by J. C. Gillier.] [Paris, 1760. 12".
241. c. 6.
Part 0/ ' Les (iJnvrcs de Theatre de
M. D'Ancourt,' etc. tarn. 6.
MARIA. Maria. An Elegy [begins:
' Maria lovely Maid is dead 'j for the
Harpsichord or Piano-Forte. Catharine
Fentuni, for the Author: London,
[1775?] fol. G. 310. (105.)
Maria. [Song, begins: 'As from above
the genial dews.'] See Ada.ms (J. B.)
:\Iaria. [Song, begins : ' When first JIaria
smil'd on me.'] See Richakdson (J. B.)
:\raria. Song. [Begins : ' Assist me all vc
Pow'rs above.'] Sec Weale (G.)
Maria. Glee [begins : 'Maria! ah listen '1.
Sec Webbe (S.) the Elder.
Maria hilff. [Hymns.]
See Hym>s. [Gertnan.]
Maria prithee don't destroy. [Song.]
See Coueteville (R.)
IMaria rein dcin Klag allcin. Plunctus
Bcatic Mariw Virgi)iis, Das ist, Unser
liebeu Prawen Klag vnd Hertzeulcid . . .
Im Thon Maria zart von edler Art, etc.
Durch Andream Angermayer : Innolstatt,
1613. 8". 11517. bbb. 8.
Part of C. I etter's ' Paradeissvogei; etc.
:Maria when my Sight you bless. The
Milk-Maid. [Soug.j Bv Mr. W. B
[Landan, 1730?] s. sh. fol.
G. 316. e. 82.
Maria's Evening Service to the Mrgin.
[Song.] Sec Billikc.ton (T.)
MARIA ANTONIA WALPURGIS
[of Bavaria], Consort of Charles Frede-
rick Christian Augustus Francis, Elector
of Saxony. See A., E. T. P., p)scud.
See Kammel (A.) Six Overtures in Eight
Parts by . . . ly. Princess Royal of Saxony.
etc. [1770?] fol. g. 474. (7.)
94
MARIA— MARIAGES
MARIA STUART. :Maria Stuart. Bal-
lade. SvC ZUMbTEKlr (J. Iv.)
MARIA UND JOHANNES. IMaiia
unci Johauues. Passions-Oratorium.
Sec ScHULZ (J. A. p.)
MARIA (DoMENico Della)
Sec Della Maria.
MARIJE3. Maribe Heimbsuochuug.
rilpiin.J Sec Hymns. [German.]
MARIAGE. Le mariage a ses peiues.
Air. See Laborde (J. B. de) [La
Mcuniirc dc Gentilly.]
MARIAGE A LA MODE. Le Mariage
a la ilodo. Comcdic eu un acte, et^ eu
vers; par M. Fardeau. Ciuquieme Edi-
tion, etc. [With the music of a song.]
Chcs VAuteur : Paris, 1778. 8".
11738. aa. 8. (3.)
MARIAGE D' ANTONIO. Des les
premiers jours du priutems. VaudevUlc
du Manage cV Antonio [by L. Gretry].
Chez Fnh-e : [Paris, 1786.] 8".
B. 362. e. (98.)
Le Mariage d' Antonio. Divcrtisemeut.
Sec Gretry (L.)
MARIAGE DE FIGARO. La Folle
JouruL'O, ou Le :Mariage de Figaro.
Comedie en Cinq Actes, en Prose, par
j\Ir. Carou de Beaumarchais . . . Kouvelle
edition. . .avec les Airs notes, etc.
Paris, 1785. 8°. 640. f. 8.
[Another edition.] La Folle Jouruee ou
le JMariage de Figaro, etc. Amsterdam,
1785. 8". 841. e. 2. (2.)
Coeurs sensibles, ca3urs fidelles. Vaude-
ville da Mariage de Figaro . . . de M. de
Beaumarchais. Chez Caviand :
[Paris, 1784.] 8". B. 362. (186.)
See A.. A certaine Coterie . . . Air.
Cceur [sic] Sensibles. [1785 ?] 8".
B. 362. (201.)
See De. D'un dauseur du haut
parage. . .Air ; Figaro. [1789 ?] 8".
B. 362. e. (26.)
See De. De la plus charmante ville.
Le Tableau dc Paris. Air du Vaudeville
de Figaro. [17^5 ?] 8'. B. 362. (204.)
See Dis. Dis-moi done quelle est
la cause. La Coq u el icot. . .Aiv du ^lari-
agede Figaro. [1785?] 8".
B. 362. f. |22.)
See Du. Du Jeude la Loteric. . .Air
de Figaro. [1789 ?] 8°. B. 362. (200.)
.See Folle Soiree. Sans redouter
la Satire. . .Air du INIariage de Figaro.
[1790?] 8". B. 362. (187.)
Sec II. II est un Dieu tutelaire . . .
Air -. du Vaudeville de Figaro.
[1780?] 8". B. 362. f. (6.)
MARIAGE DE FIGARO. Creurs sen-
sibles, coiurs fidelles. Sec Jadis. Jadis
on voyoit Thalic ... Air de Figaro.
[1785?] 8". B. 362. (189.)
See Leandke Candide. En fixant
notro pianette. Vaudeville . . . Sur 1' Air de
Figaro. [1784.] 8". B. 362. c. (27.)
■ Sec LiSE. Lisc d'une main alerte
. . . Air : du Mariage de Figaro.
[1790 ?j 8".
B. 362. e. (93.)
Sec NicoDiiME dans la Luke. Oui,
Messieux, tout I'monde en France. . .Air :
de Figaro. [1791.] 8^ B. 362. (191.)
Sec Pour. Pour atteindre a la
fortune. L'Aritlimrtiquc a la Mode . . .
Air : Vaudeville du M^" de Figaro, etc.
[1785 ?] 8". B. 362. (197.)
Sec Que. Q'un amant a sa maitresse
...Air de Figaro. [1791?] 8".
B. 362. (199.)
See Sous. Sous une Gaze legere. . .
Air : du Vaudeville dc Figaro.
[1785?] 8". B. 362. j. (13.)
See Trop. Trop fort le plaisir abonde.
Le Mai dc Cceur de Geronde. Air: de
Figaro [1785 ?] 8". B. 362. f. (49.)
See Vive. Vive les nuits etoilees.
LjCS Soirees du Palais Eoijal. Sur I'air
du Mariage de Figaro, e/e. [1785?] 8'.
B. 362. g. (69.)
Mon Courcier hors d'haleine. Eomance,
du petit Page. Du Mariage de Figaro.
Par M. de Beaumarchais. Chez Bignon :
Paris, [1785.] 8". B. 362. (206.)
Tlic mclodij is that of ' Malbrook sen
va t'cn guerre'
]Mon Courcier hors d'haleine. Piomancc
du petit Page. Dans le Mariage de
Figaro, avec Accompaguement de Gui-
tarre. Longman it Brodcrij) : London,
[1790?] fob G. 800. m. (38.)
MARIAGE DU VAUDEVILLE. Le
^Mariage du Vaudeville et de la Morale.
Comedie en un Acte, en vers, melee de
Vaudevilles ; [Written] par le Citoyen Piis.
[With the music of the final Vaudeville.]
Cliez le Libraire, aa Tliedtrc du Vaude-
ville: Paris, An Deuxieme [1794]. 8".
11738. L 18. (9.)
MARIAGE PAR ESCALADE. Le
Mariage par Escalade, Opera-Comique, a
I'occasion de la prise du Port-Mahon . . .
Nouvelle edition, augmentee de couplets
. . . & de Vaudevilles . . . avec les airs notes.
Chez Duchesne : Paris, 1757. 8".
164. d. 21.
MARIAGES SAMNITES. L'Amour
folatre alors qu'il blesse. Aricttc des
Samnitcs [by A. E. M. Gretry].
[Paris, 1780 ?] 8'\ B. 362. i. (42.)
Dieu d' Amour. CJueur et Marchc des
filles Sam''\ [By A. E. U. Gretry.]
[Paris, 1780 ?] 8". B. 362. i. (43.)
MARIAGBS— MARISSAL
95
MARIAGES SAMNITES. Dieu
d'Amour. Clueurs des Sainiiitcs 'bv A.
E. M. Gretry. [1780?] 8'.
B. 362. (44.)
Les Mariag«s Samuites. Drame Lyrique.
Sec Gretry (A. E. M.)
MARIAN. The Brauch of the Willow.
[Soug.] Sung by Mrs. Billiiigtou, iu the
new Opera of Mariau. [Bv W. Shield.]
J. (t- E. Lcc : Dublin, Ti'SOT s. a7(. fol.
H. 1601. b. (1.)
No Language but that of the Heart. A
favourite Song ... in the new Opera of
Marian. 'By W. Shield.! /. cC E. Lcc :
Z>«WiH, riT'jo ?j A'. s7(. fol.
H. 1601. b. (3.)
Patty Clover. A favorite Song iu the
new Opera of IMarian. [By W. Shield. '
J. it E. Lcc : Dublin, ri7'J0?] s. sh. fol.
H. 1601. b. (2.)
Who can suspect. A favourite Song . . .
in the new Opera of ^Marian. [Bv W.
Shield.] J. ci- E. Lcc: Dublin,
[17'J0?] s. ah. fol. H. 1601. b. (4.)
IMarian. Opera. See Shikld (W.)
Marian's Complaint. [Song.]
Sec PiTJiAX (A.) [Three Amorosos. Op.
VI. Nu. 1.
MARIANA. IMariana. Song. Scc'Eacu.
Each Hour, [Mariana, etc. [176G.] 8°.
P.P. 5438. z.
Mariana's Charms wound niv Heart.
Song. SceB.,\Y.
MARIANNE. Marianne. Comedie.
Sec Dalaykac (N.)
MARIE VON MONTALBAN. IMaric
von ]Montalban. [Opera.]
Sec Winter (P. von)
MARIECHEN. :\Iariechen. Operette.
See Bend A (F. L.)
MARIN ( ) the Elder. Cher Philcne.
Musette. [Paris,] 173G. s. sh. 4".
297. b. 15.
Mcrcure de France, Aug., 1786.
MARIN (Marie Martin MARCEL DE)
Viscount. Essay upon an Air of Molina-
reUa [i.e. " Nel cor pin," by Paisiello],
varied in all the known Styles of [Music
. . . also God save the King and Four
Favorite Scotch and Welsh Airs, adapted
for the Harp.. Opera llth. J. Longman,
Clcmcnti it Co., for the Author: London,
[1800.] fol. g. 188. (7.)
Two Sonatas, for the Harp. Op. G.
J. Longman, Clcmenti it Co., for the
Author : London, [1800.] fol.
g. 198. (6.)
Three Sonatinas for the Harp. . .Op. 10.
J. Longman, Ckmenti it Co., for the
Author: Lo«f/oH, [1800.] fol.
g. 301. (12.)
MARIN (Marie Martin MARCEL DE)
Viscount. Sec Mozart (W. A.) [Sclec-
ti.o)ts.] Two Trios selected from the
Works of Mozart, arranged by V de
Marin. [1799.] fol. g. 192. a. (20.)
MARINDA. Marinda's face like Cupid's
bow. Song. Sec Leveridge (R.)
MARINELLI (Guilio Cksake) Via
Retta della Voce Corale, oucroOsscruationi
intorno al Retto Esercitio del Canto
Fermo, diuise in cinque parti, V/c.
Per Giacomo Monti : Bolugnu, 1G71. i\
7897. e. 2.
MARINER. The Mariner. Sea Song.
Sec Moulds (J.)
MARINERS. The [Mariners. [Musical
I'lutcrtaiumeut. See xAttwood (T.)
The Mariners. Glee.
Sec Ravensckoft (T.)
MARINI (Carlo Antonio) See [Making.
MARINI (P. L.) Lc Pastre. Romance.
Paroles de Lab . . . Lcs Frcres Gavcau.v :
i'rtns, [1800?] fol. G. 548. (40.)
MARINO (Alessandro) Psalmi Vesper-
arum et [Magnificat, Quatuor Vocum. Cum
Basso Contiuuo ad Organum, etc. Editio
Secunda. Tenor. (Bassus.) (B. Con-
tinuus.) 3 pts. Apud Heredes Petri
Phalcsii : Antucrpiw, 1637. 4". C. 266.
Psalmi Vesperarum . . . Liber Secundus,
etc. Tenor. Apud Hxredem Hicroni/ini
Scoti : Venctiis, 1587. 4'. C. 266^ a.
MARINO (Carlo Antonio) Balletti,
Correnti, Gighe, e Miuuetti Diuersi a
Trc, due Violini, Violoncello, o Spinetta
. . . Opera Seconds. Violino Secondo.
Da Gioseppc Sala : Venctia , Hj9-2. 4".
d. 6.
Sonate a Tre, Due Violino, Violoncello
Obligato con il Basso per 1' Organo . . . Opera
Settima. Nouvelle Pxlition corrigee de
Plus de 300 fautes. [Separate Parts.]
Chez P. Mortier : Amsterdam, [1730 ? ful.
g. 1009.
Suouate alia Francese a Tre . . . Opera
Quinta. (Violino Primo.) Chez Estioinc
Uoger: Amsterdam, [1100?] obl.i^h. 3.
Sonate da Camera a tre Strumenti . . .
Opera Prima, etc. Violino Primo (Se-
condo). (Violone.) (Spinetta.) 4 pts.
Per Giacomo Monti : Bologna, 1687. 4".
d. 12.
MARISSAL (Antonics) Floros Melodici,
sive Cantiones Sacrte v. vi .viii. et Plurium
Vocvim, pro Festis priecipuis totius Anni,
tam Vocis vivie quam omnibus Instru-
mentis accommodatse, etc. Superius.
(Contratenor.) (Tenor.) (Bassus.) (Quinta
Vox.) (Secundus Bassus.) G pts. Ti/pis
loannis Bogardi : Duaci, IGll. obi. 4".
A. 184.
96
MARK— MARPUECt
MARK. 'Mark the sweet Rosebud. Song.
Sec AXTEKBLKY (L.)
i\Iark with what grace the Rose tree
shews. [Song.] Sec Ra>'nik (J.)
MARKET. The Market Lass. [Song.]
Sec Reeve (W.) [Mirth's Musexim.']
MARKORDT (J.) The Overture, Songs,
Duetts, tt Choruses, in Tom Thumb [as
altered from H. Fielding by K. O'Hara]
. . . Composed & Compiled by J.
]\Iarkordt, in which is Printed. . .the much
admired Song sung by Mrs. Kennedy ;
Composed by Dr. Arne. J. Preston :
London, [1780.] obi. fol. D, 282. (7.)
MARKWELL ( ) The Declaimer.
[Song.] [London, ll-kOl} s.sh.iol.
I. 530. (97.)
Love preferable to Liberty. [Song.j
The Words bv R. Courtivil, etc.
[London, VI 4£iT\ s.sh.iol. 1.530.(96.)
J;i some editions this song is ascribed
to S. Howard.
To a Young Lady of Eighteen courted by
• a Man of Threescore. [Song, begins :
" Dear Chloe attend." 1 [London '?
1740?] s.sh.tol. 'G. 316. d. (119.)
In some editions this song is ascribed to
S. Howard.
MARLBOROUGH. The Marlborough,
a New Dance Compos'd by ]Mr. Isaac.
Perform'd at Court on Her ]Majestie's
Birthday. Feb' y 6"' 17 . Printed for
I. WalsJi, I. Hare, and P. Bandall :
M A R P U R G (Feieurich Wilhelm)
[Abhandlung von der Fuge.] Traitc de
la Fugue et du Coutrepoint, divise eu
deux parties. Chc2 Haudc et Spencr :
London, [1703-? J fol.
h. 993. (17.)
MARMONTEL (Jeax FiiANyois) Essai
Kur Ics Revolutions de la INIusique en
France. [Paris, 1777.1 8".
1042. k. 14. (3.)
MARMOTTE. La Marmotte. [Song.]
Sec FiLLE. Fille qui quitte son pavs.
[1790?] 8°. B. 362. (138.)
La Marmotte en Vie. [Song.] See Ce.
C'est la marmotte en vie. [1790?] 8°.
B. 362. (139.)
La IMarmotte en vie. Chanson Savoyard
[begins : ' Je quittai la IMontague '].
Sec LOUET (A.)
MAROTTA (Eeasmo) Amiuta :Musicale
... II Primo Libro de IMadrigali a Cinque
Voci, con un Dialogue a Otto, etc. Canto.
(Bassus.) (Quiuta.) 3 pts. Appresso
Angela Gardano : Venetia, 1600. obi. 4".
A. 282.
M A R P U R G (Priedkicu \Viliielm)
Abhandlung von der Fuge uach den
Grundsatzen und Exompeln der besten
. . . Meister . . . Nebst lxii. Kupfertafeln.
2 Thle. Bejj A. Haudc unci J. C. Spcncr :
Berlin, 1753(-1754). 4\
Exempel in lxii. und lx. Kupfertafeln.
Bci A. Kiihncl: Leipzig, [1806.] ohl. fol.
1762. a. 8.
Berlin, 1756. l".
558*. c. 25.
Aufangsgriinde der Theoretischeu Musik.
Bey J. G. I. Breitkopf : Leipzig, 1757. 4".
7896. aaa. 13.
F. W. Marpurgs Anleitung zur Musik
iiberhaupt, und zur Singkunst besonders,
mit Uebungsexempeln erliiutert, etc.
Bey A. Wever : Berlin, 1763. 8\
7895. b. 17.
Anleitung zum Clavierspielen . . . Zweyte
verbesserte Auflage.
Bey Haudc und Spcncr : Berlin, 1765. 4".
7895. b. 16.
Anleitung zur Singconiposition.
G. A. Lange: Berlin, 1758. 4".
556. e. 10.
Clavierstiicke mit einem practischen
Unterricht fiir Anfauger und Geiibtere.
3 Samm. Bey Hcnide und Spcncr :
Berlin, 1762, 3. obi. fol. c. 23. a.
Fugen-Sammlung. Erster Theil.
Bey G. A. Lange : Ber Un, 1758. fol.
I. 44.
Tlie following composers' names arc
added in manuscript : Kirnberger,
C. P. E. Bach, and Graun.
Fughe e Capriccj pel Clavicembalo 6 per
r Organo . . . Opera Prima.
Chez J. J. Hummel : Berlin, [1777.] fol.
h. 55.
M'unting the preface.
Haudbuch bey dem Generalbasse und der
Composition, etc. 8 Th. In Verlag
J. J. Schiitzens Wittwe {G. A. Lange) :
Berlin, 1755(-1758). 4\ c. 23.
Th. I. is dated 1755, Th. 11. 1757 a7id
Th. III. 1758.
Handbuch bey dem Generalbasse . . .
Zweyte, vcrmehrte und verbesserte Auf-
lage. (Anhang zum Handbuclie bey
dem Generalbasse, etc.) 4 Th.
G. A. Lange : Berlin, 1762, etc. 4".
556. c. 12.
Th. I. is dated 1762, Th. 11. Vibl,
Th. III. 1758, and the Anhang, 1760.
[Another copy.] 556. c. 13.
Historisch - Kritische Beytriigc zur Auf-
nahme der IMusik. 5 Bde. In Verlag
J. J. Schiitzens scl. ^Vittwc {G.A. Lange) :
Berlin, 1755-1760. 8". P.P. 1945. af.
TIte publisher of Band 2-5 is Lange.
Kritische Briefe iiber die Tonkunst, etc.
[By F. W. Marpurg.] 1760-1764.
See Periodical Publications. — Berlin.
Kritische Briefe, etc. 1760-1764
P.P. 1945. ag.
MARPURG— MARSH
97
MARPURG (FBIEDRICH \VILHEL^t)
Kritische Eiuleitung in die Geschiciite
und Lehrstitze der alteu und neuen IMusik
. . . Nebst acht Kupfertabellen.
Bey G. A. Langc: Berlin, 1759. 4".
556. c. 11.
Die Kunst das Clavier zu spielen, durch
den Verfasser des critischen Musicus an
der Spree [F. W. Marpurg]. 2 Th.
1751-Gl. 4". .See Kunst. 7897. b. 2.
Die Kunst das Clavier zu spielen . . .
Dritte . . . Auflage. 2 Th. 1760-61. 4".
See Kunst. 7896. c. 8.
Neue ]Methode allerley Arten von Tem-
peraturen deni Claviere aufs bequemste
mitzutheileu, etc. Bey G. A. Ijuncje :
Berlin, 17'J0. 4". 7897. bbb. 20.
Principes du Clavecin . . . Avec viugt
planches. Cliez ] fa tide et Spcncr :
Berlin, 1756. 4". 7896. bb. 23. (2.)
Raccolta delle j)iu nuove composizioni di
Clavicembalo di differenti maestri ed
autori. Per I'auno 1756 (1757). Fatta
stampare dal Sig. F. G. Marpurg. 2 vol.
Frcsso G. G. I. Brcithopf:
Lipsia, [1756-7.] ohl. fol. f. 37.
The composers of this collection are :
Marpurg, Seijfarth, Rakemann, Kirn-
berger, Agricola, C. F. E. Bach,
Sack, Martini, Nichelmann, Feoricr,
Bameau, Bidder, Silbermann, Du
Bhli, F. G. Zaccarie, Schalc and
Graun.
Versuch in figurirten Choralen, sowohl
fiir die Orgel, als fiir das Clavichord.
Beij J. J. Hummel : Berlin luid Amsterdam,
[1785?] fol. h. 55. a.
F. W. Marpurgs . . . Vi>rsuch liber die
musikalische Temperatur, nebst einem
Anhang iiber den Rameau- und Kirnberg-
erschen Grundbass, und vier Tabellen.
Bey J. F. Korn : Breslau, 1776. 8".
7897. bbb. 22.
See Alembert (J. le R. d') [EU'mcns dc
Musique.'] Hrn. d'Alembert . . . Syste-
matische Eiuleitung in die Musicalische
Setzkunst . . . iibersetzt und . . . vermehrt
von F. W. Marpurg. 1757. 4".
7896. aaa. 11.
Sae SoRGE (G. A.) Herrn G. A. Sorgens
Anleitung zum Generalbass . . . Mit An-
merkungen von F. W. Marpurg, etc.
1760. 4'. 1400. i. 41.
MARQUIS OF GRANBY. The
Marquis of Granby. [Song.]
See Though. Tho' Austria and Russia.
[1762.] s. sh. fol. G. 316. f. (22.)
MARQUIS TULIPANO. Le Marquis
Tulipauo. Opera Bouffon.
See Paisiello (G.)
MARRE ( DE la) See La Makre ( de)
VOL. II.
MARRIAGE. :\rarriage. Song.
S<-e Chaplyn (R.)
IMarriage has its Pleasures various. Two
Part Song. S<-e ^Iathews (J.)
The Marriage Pretty 'tween John &
Betty. [Song.] ,sVe Thank. Thank God
at last, etc. [1770 ?] fol.
G. 305. (254.)
The ^larriage Whim. Song.
See Graves (J.)
MARRIED. The Married Man. [Song.]
See Hudson (R.)
MARS, aiars and Bellona. Song.
See Dennis (W.)
IMars ct I'Amour. Vaudeville.
See GiLLiER (J. C.) [La Repetition
Inter romp ue.']
jNIars, qui se plait au bruit des Armes.
Chanson. See Du Vigneau ( )
MARS (.J. de) Ciel, quel orage affreux.
Air, etc. [Paris,] 1733. s. sh. 4°.
297. b. 1.
Mercure de France, Dec, 1783.
Ciel quel orage affreux ! Air. [By J.
de Mars.] 1734. s. sh. fol. See Ciel.
297. b. 4.
MARSDEN (Thomas) A Collection of
Original Lancashire Hornpipes, old and
new. Containing Divisions upon each.
For the Treble Violin. Being the First
of this Kind. W. Pearson, for H. Play ford :
London, 1705. obi. i". ' K. 1. c. 24.
MARSEILLES. The Marseilles March.
S<-e Allons. Allons, enfans de la patrie,
etc. [1795?] fol. H. 2821. (28.)
MARSET (Joseph) Contradanzas Nuevas
con sus Musicas, y Explicacion de Figuras,
para el auo de 1774 . . . van adjuntas las
de los Anos antecedentes, y 6. IMinues, etc,
Joachin Ibarra : Madrid, [111 i.] obi. 12".
K.' 8. i. 13.
MARSH (John) Six Anthems, in Four
Parts, with a Verse Sanctus & Kyrie
Eleeson.
Longman & Brodcrip, for the Author :
London, [1790?] fol. ' H. 3170.
The Christian's Glorious Triumph. Pope's
. . . Ode, The Dying Christian to his
Soul, set to Music, for a Single Voice and
Piano Forte. Printed for Cnlliford,
Rolfe and Barrow : London, ^1795 ?] fol.
H. 2818. b. (28.)
The City Feast, or ■Man of True Taste, a
favorite Glee and Chorus with Instru-
mental Parts. Preston d Son :
London, [1190?] fol. H. 2818. b. (27.)
An Overture and Eight Sonatinas, for the
Pianc-Forte, with Accompaniments for a
Violiu and Violoncello, etc. [Seimrate
Parts.] Longman & Brodcrip,
for the Author : London, [1795 ?] fol.
g. 161. b. (10.)
t)8
LIARSH— MARTIN Y SOLAR
MARSH (John) Au Overture & Six
Pieces for the Organ. Preston :
London, [ITUl.] obi. fol. d. 210. (1.)
A Quartetto for two Violins, Tenor and
Bass, composed in imitation of tlie Stile
of Haydn's Opera Prima. [Separate
Parts.] Printed for the Author :
London, [11 9b '>] fol. g. 410. (4.)
A Favorite Symphony in Thirteen parts,
for a Grand Orchestra, etc. No. 6.
Culliford <(• Co. : London, [1795 ?] fol.
h. 3210. (16. a.)
The Flauto part only.
A Verse Anthem in four Parts, from the
150"' Psalm, with an Accompaniment
for the Organ ... To which are added Ten
New P.salm Tunes . . . also Five Chants
& Three Hymns in one of which (being
for a Funeral) is a part for the Great Bell
of a Church, c/c. Printed for the Author :
London, [1785 ?] fol. H. 2815. d. (3.)
Eighteen Voluntaries for the Organ.
... To which is prefix'd an Explanation
of the . . . Stops . . . With a few Thoughts
on Style, Extempore Playing, etc.
Preston i& Son : London, [17U1.] ohl. 4°.
b. 162. a. (1.)
Twenty Voluntaries for the Organ . . .
Second sett. T. Preston :
London, [1795?] ohl. 'i". b. 162. a. (2.)
See Haendel (G. F.) [Selections and
Arrangements, b. histrumental.'] Handel's
Hallelujah . . . and Grand Coronation
Anthem ; to which are prefix'd Two New
Fugues ; ... for 2 Performers on one
Organ or Harpsichord, by J. Marsh.
[1780?] fol. H, 2815. d. (4.)
(SVc Haydn (F. J.) [Symphonies. B.d'-H.
No. 74.] A favorite Symphony. . .Adapted
for the Harpsichord . . . with an Accom-
panyment for a Violin by J. Marsh.
[1790?] fol. h. 61. (14.)
MARSHALL (Samuel) Three Songs, etc.
D. Wright: [London, 1110 ?] fol.
H. 1602.
MARSHALL (William) Kinrara [and
other Scotch tunes]. Urbani ct' Liston :
Edinburgli, [1800?] fol.
h. 1568. b. (14.)
MARTHE. Marthe et Colin se sont mis
en menage. Duo.
[Paris,] 1737. s. sh. 4°. 297. b. 18.
Mcrcurc de France, May, 1737.
MARTHESIE, PREMltiREi REINE
DES AMAZONES. Marth^'sie, Pre-
miere Reine des Amazones
See Destouches (A. C.)
MARTILLA. Martilla. Song.
See Barrett (J.) Organist.
MARTILLO. Martillo. Song [begins:
' Martillo whilst you patch your Face'].
Sec Clarke (T.)
Tragedie.
MARTILLO. Cantata [begins: 'A
Cypress Grove whose melancholly
shade '].
SV'cHayden (G.) [Three Cantatas. No. 1.]
MARTIN, Peu d' Argent.
See Peu d'Argent (M.)
MARTIN (FRAN901S) Rossignols, que
pretendez-vous. Chanson. [Paris,
1678.] s. sh. obi. i". P.P. 4482.
Nouveau Mcrcurc Galanf, April, 1678,
p. 38.
MARTIN (Jean Blaise) Amants, craignes
de perdre un jour.
Sec infra : [Le Cabriolet Jaime.]
[Le Cabriolet Jaune.] Amants, craignds
de perdre un jour. Air du Cabriolet
Jaunc. [Opera Bouffon.] Paroles de
Segur. . .Arrange pour Piano par H. Jadin.
Chez hnbault : Paris, [1800.] fol.
G. 390. a. (4.)
MARTIN (Jonathan) The Address to
Sleep. [Song.] The Words by N. Rowe,
etc. [London, 1739.] 8°. 249. e. 9.
Gentlema7i's Magazine, Vol. IX., p>- 44.
MARTIN (ViNCENz)
Sec Martin y Solar (V.)
MARTIN Y COLL (Antonio) Arte de
Canto Llano, y Breve Resumen de sus
principales Reglas para Cantores de Choro ;
dividido en dos Libros : . . .Y afiadido en
esta segunda impression con algunas ad-
vertencias ; y el Arte de Canto de Organo,
etc. Bernardo Peralto : Madrid, 1719. 4°.
1042. g. 36.
Slightly mutilated. Containing com-
positions by C. Carcsano and F. Vals.
MARTIN Y SOLAR (Vicente) Un
alma costante. Sec infra : [L' Isola del
Piacere.]
L' Arhore di Diana. Der Baum der
Diana. Eiue comische Oper in 2 Acten . . .
Fiirs Clavier eingerichtet von C. G. Neefe.
Bei N. Simrock : Bonn, [1790 ?] obi. fol.
E. 244. d.
Pieta, pieta di noi. The Favorite
Quartett, etc. L. Lavenu : London,
[1797.] fol. G. 424. (12.)
[Pieta, pieta di noi.] See Elouis (J.)
Pieta. The favorite Quartett ... [by
V. Martin y Solar], for the Harp, etc.
[1800?] fol. G-. 272. k. (10.)
[Sereuo Raggio.] See Haunted
Tower. Love from the Heart. A favourite
Rondo [by V. INIartin y Solar], etc.
[1790?] fol. H. 1601. b. (7.)
Der Baum der Diana.
Sec supra : L' Arbore di Diana,
Blest was my vernal day. See infra:
[Una Cosa Bara. Mi parve un di.]
MARTIN Y SOLAR
99
MARTIN Y SOLAR (Vicente) Uu
Bi'iccone scnza core.
See infra : [ Una Cosa Puira.]
Twelve Favorite Italian Canons for Three
Voices with an Accompaniment for the
Piano Forte or Harpsichord (by B. Sperati),
etc. Longman and Brodeyip : London,
[1794?] obi. fol. D. 370. (10.)
XII. Canzonette Italiane accompagnate
col Cembalo o Arpa o Chitarra, etc.
Longman (C Brodcrip : London,
[1790?] ohl. fol. E. 244. e. (1.)
Six Italian Cauzonetts with English Trans-
lations.. .With an Accompaniment for
the Piano-Forte or Harp... The Italian
by Del Ponte, the English by W. R.
Lawrence. I'lintcd for Corri <£■ Dussck :
Edinbnrgh, [1105?] fol. G. 424. a. (25.)
Three Italian Canzonetts and Three
Duetts, with an Accompaniment for the
Piano Forte, etc. F. Linlcy : London,
[1797.] obi. fol. E. 244.
[La Capricciosa Corretta.] Ouverture und
Gesiiuge aus der Oper : Die gebesserte
Eigensinnige. . .im Klavieranszug, etc.
N. Simrock : Bonn, [1800?] ohl. fol.
E. 244. e.
The first form of this opera was ' Gli
Sposi in Contrasto,' produced at
St. Petersburg about 1788. The
Libretto, by Lorenzo da Ponte, was
rewritten as ' La Capricciosa Cor-
retta ' for Martini in London and
produced there as ' La Scuola de'
Maritaii' on Jan. 27, 1795. It 7cas
IKrformcd at Lisbon in 1797 as ' La
Capricciosa Corretta.'
[For songs, &c., from this work as
performed nndcr the name ' Gli Sposi in
Contrasto ' :] See infra : \Gli Sposi in
Contrasto.]
[For songs, &c., from this work as per-
formed under the name ' La Scuola de' IMari-
tati ' :] See infra : [La Scuola de' Maritati.]
Consola le pene.
Sec infra : [Una Cosa Rara.]
[Cna Cosa Rara.] Lilla oder Schonheit
undTugend. Clavicrauszugv. A. Streicher,
etc, J. M. Giitz : Mimic, etc.
[1788 ?] ohl. fol. E. 244. f.
[Una Cosa Rar^i. Another edition.]
Lilla, etc. Atto L^ /. M. Giitz :
Munic,etc. [1788?] oW. fol. E. 244. b.
Una Cosa Rara o sia Bellezza ed Onesta.
Lilla. Dramma giocoso in due atti . . .
Ridotto i)er il Cembalo dal C. D. Steg-
mann. N. Simrock : Bonna,
[1800?] obi. fol. E. 244. a.
Overture, etc. [P. F. and Violin.]
See Opera Overtures. No. 1(-5) of the
Opera Overtures, etc. No. 5.
[1789.] fol. h. 61. (11.)
MARTIN Y SOLAR (Vicente) Una
Cosa Rara o sia Bellezza ed Onesta.
Un briccone senza core. The Favorite
Duet. . .in. . .La Cosa Rara. Pi. Birchall :
London, [1795 ?] fol. H. 2815. c. (26.)
Consola le pene. [Song.] Sung by Sig"
Delicati, in. . .La Cosa Rara. Composed
by I\Iess" IMartin & ]\Iazzinghi. [Full
Score.] Longman and Brodcrip : London,
[1789.] fol. G. 196. (4.)
This song is not in the German and
Italian editions of the opera. It ivas
pirobably introduced by Mazzinghi in
tlie London production.
• The favorite Trio of Diro che perfida,
with the celebrated Canone of Per pieta
non vi sdegnate. . .in. . .La Cosa Rara.
U. Birchall : London, [1800 ?] fol.
G. 806. f. (47.)
[Dolce mi parve un di.]
See Siege of Belgrade. Blithe as the
Hours of May. [Song, by V. IMartin y
Solar], etc. [1791.] fol. G. 807. d. (71.)
Lilla mia dove sei. Arietta, etc.
Longman and Brodcrip : [London,
1788.] fol. H. 345. (15.)
[Mi parve un di.] Blest was my
vernal day. [Song.] Sung by Sig'''
Storace in the Siege of Belgrade. . .the
Words by Mr. Rannie. Printed for
G. Goulding : London, [1791.] fol.
G. 806. c. (33.)
[Pace caro mio sposo.] See Comus.
Oh thou was born to please me... Duet
[adapted from ' Pace caro mio sposo,'] etc.
[1788.] fol. G. 354. (54.)
See Storage (S.) The Siege of
Belgrade, etc. [Partly arranged from
V. Martini's ' Cosa Rara.'] 1791. obi. fol.
D. 289. (4.)
[For detached numbers, &c., published.
anonymously :] See Cosa Rara.
Diru che perfida che falsa sei.
See supra : [Una Cosa Rara.]
La Donna ha dolce il core.
Sec infra : [La Scuola de' Maritati.l
Die gebesserte Eigensinnige.
See supra : [La Capricciosa Corretta.]
Gia vicin e quel di.
See infra ; [La Scuola de' Maritati.']
Guardami un poco.
Sec infra : \_La Scuola de' Maritati.]
Hal a hili hahamini.
Sec infra : [U Isola del Piacere.].
Ho inteso su quel salice.
See infra : [L' Isola del Piacere.]
In questo secolo.
See infra : [La Scuola de' Maritati.']
H 2
100
MARTIN Y SOLAR— MARTIXENGO
ULABTIN Y SOIiAR (Yice>t:e) X' Isola
del Piacere.] Uu alma costante, a favorite
Air as sung by Sig" Morichelli, etc.
J.Dale: London, 'lido.' fol.
G. 199. [9.)
Hala hili hahaniiui, a favorite duett
as sung by Sig"' MoreUi it Sig' Cipriani,
etc. J. Dale : London, [1795. fol.
G. 198. (13.)
Ho inteso sn quel salice, a favorite
Duett as sung by Sig" Morichelli & Sig''
Morelli, etc. ' J. Dale : London,
■:i795.] fol. G. 198. (12.1
Nel caro seno, a favorite Air, as sung
bv Sig''-' Morichelli, etc. J. Dale :
London, :i795.] fol. G. 199. (7.)
Quattro, nove, tutti sei. a favorite
Trio as sung bv Sig'^ Morelli, Sig' Brida it
M-' Kellv, etc. ' -J. Dale :
London, :i795.] foL G. 198. ^19-^
Spun to una rosa, a favorite Romance
as sung bv Sig''^ Morichelli, etc. J. Dale :
London, ;i79o.] fol. G. 199. (8.)
Lilla niia dove sei.
See supra; 'Una Cosa Rara.J
!Mirate, mirate.
See infra : 'La Scnola de' Maritati.']
TSe\ caro seno.
See supra : 'L'Isola del Piaccre."^
Nel cor mi sento im giubilo.
See infra : [La Scnola de' Maritati.'^
Occhietto furbetto. See Vyr.r.^vET.T.A
Kapita. Occhietto furbetto. Tlie Favorite
Duett [bv Y. Martin v Solar"... in the
Opera Yillanella Rapita. '1789 ?^ fol.
G. 197. (6.)
Per pieta non vi sdegnate.
See supra : [ Una Cosa Rara.J
Pieta. pieta di noi.
See supra: 'L' Arbore di Diana.]
Quattro, nove, tutti sei.
See supra : [L' Lsola del Piacere.'}
n Riso.
See infra: [La Scnola de' Maritati.'j
[La Scuola dei Maritati.] AHor che da
pazzo sposai. See ELOtns (-J.) Allor che
da pazzo. . . . [by Y. Martin y Solar[,
arranged for the Harp, etc. '1800 ?" fol.
g. 2'72. k.' (12.)
La Donna ha dolce il core. Pollacca
as sung by Signora Morichelli at the King's
Theatre, etc. Printed for J. Dale :
London, [1795.] fol. G. 811. (17).
'Another edition. La donna ha dolce
il core, etc." Printed for the Author :
[London, 179o.[ fol. ' G. 199. (10.)
Gia vicin e quel di, a favorite Air, as
snng bv Sig' Brida, etc. J. Dale :
London, [1795.[ fol. G. 199. (13.)
Guardami un poco, [Song,[ as simg
by Signora Morichelli, etc.
Printed for the Author : 'London.
1795.] fol. G. 199. (11.1
MARTIN Y SOLAR (Yicente) [La
Scuola Dei Maritati^ Guardami un poco.
See Steibelt (D.) Steibelfs Eighteenth
Pot-Pouri ... in which is introduced
Martini's Air of 'Guardami un poco.'
[1800 •?[ fol. g. 457. (5.)
In questo secolo, a favorite Duett
as sung by Sig' Morelli & Sig' Rovedino,
etc. J. Dak : London, '"1795.^ fol.
G. 198. (9.)
Mirate, niirat«, a favorite Duett
sung by Sig'' Morichelli & Sig. Morelli,
etc. j' Dale : London, [1195.' fol.
g: 198. (10.)
Nel cor mi sento un giubilo, a favorite
Air as sung by Sig'-* ^Morichelli, etc.
■J. Dale : London,
[1795.[ fol. G. 199. (12.)
II Riso. A Canone, etc. [Begins:
' Yadasi via di qua.'[ Performed ... in
the Opera called ' La Scuola dei Maritati,'
etc. Printed for the Author : London,
[1795.[ fol. " G. 352. (29.)
Tliis trio seems to have been introduced
at the end of Scene XII., Act I. The
words are not in the Libretto, as
printed at Lisbon in 1797.
Yedret* che Allegria, a favorite Duett
as snng by Sig'-" Morichelli, & Sig'
Cipriani, etc. J. Dale : London,
[1795.1 fol. G. 198. (11.)
Sereno raggio. Aria for the Piano Forte
and Yoice. Longman aiid Broderij) :
[London, 1190?: fol. H. 345. (28.)
n Sogno. Cantata a tre voci . . . Publi-
cata con una traduzione in Tedesco, e
messa in ristretto per il Cembalo da
G. G. Schicht.— Der Traum, etc. Ital. &
Ger. In der Breitkopfischen
Buchhandlung : Leipzig, [1790 ?"* obi. fol.
P. 456.
'Gli Sposi in Contrastc] Overtura [and
i:3 detached numbers[ del Opera Gli Sposi
in Contrasto per Clavicembalo. 11 Nos.
Artaria e Comp. : Vienna,
[1800 ■?[ ohl. fol. E. 244. g.
This work is a version of- La Capricciosa
Corretta.' Xos. 114 to 128 of ' Raccolta
d' Arie.' Each number has a separate
title and pagination.
Spunto tma rosa.
See supra : [L' lsola del Piacere.}
Yedrete che allegria.
.<ee supra: La Scuola de' Maritati.']
See Shield (W.) [The Crusade.] The
Songs... in the. . .Crusade, [a Pasticcio,]
composed by . . . Martin, etc.
[1790.[ obi. fol. D. 293. b.
MARTINUNGO (Giovanni Battista)
Concert! Ecclesiastici a Una, Due, e Tre
Yoci, e con Yiolini ... Opera Prima, etc.
Canto. Per Gio. Francesco, ct frafelli
Camagni : Milano, 166S. 1. E.'l441.
MARTINEZ— MARTINI
101
MARTINEZ DE BIZCARGUI (Gox-
9AL0) Arte de canto llauo y contrapunto
y canto de organo co proporciones y
modos breuemente copuesta, etc. (Intona-
ciones segu vso de los modernos : que hoy
cantan z intonan enla yglesia Romana.
Corregidas y remiradas por G. martinez
de Bizcargui, etc.) 2 pts. G. L.
[Gcorg Coci ;] CaragO'-a, 1550. 8".
K. 8. f. 7.
MARTTNT ( ) :Martini's favorite Minuet.
As performed by His Majesty's Guards, etc.
I[oJi7!j E'lithcrford : Loiulou.
1775?] s.sh.iol. " g. 232. e. (6.)
See Hook (J.) Martini's ^liuuet,
with Variations, ffc. ^1775?" fol.
g. 271. a. (27.)
See Taylor (R.) Martini's favorite
Minuet with Variations for the Harpsi-
cord or Piano Forte. [1775 ?] fol.
g. 271. b. (42.)
MARTINI (GiovANKi) il Tedcsco, j^seitd.
[i.e. Johann Paul .Egidius Schwartzen-
dorf] L'Amour est un enfant trompeur.
Air. . . Avec Accomp' de Guittare.
Clicz Imbault : [Paris, 1785 ? S\
B. 362. g. (80.)
In Martini's ' Troisithw lieciwil d^
Petits Airs' tJtis sonci is calk'd 'La
Fillc Curicuse.'
[Another copy.] B. 362. a. (100.)
Sec Amoir. L'Amour c>L un enfant
Trompeur, etc. [By G. Martini.]
[1795?] fol. G. 796. (2.)
See Amovk. L'Amour un jour cher-
choit partout . . . Air : L'Amour est un
enfant trompeur [bv G. Martini .
[1785?] 8". ' B. 362. g. (51.)
See Ce. Ce petit Dieu, qu'on nomme
amour. . .Suite ct meme air do I'Amour
est un enfant trompeur. TBv G. Martini.]
etc. [1790 ?] 8". B. 362. g. (57.)
L'Amoureux de Quinze Ans, on La Double
Fete, Com^die en trois Actes et en Prose,
melee d'Ariettes. . .Les paroles sont de
M. Laujon . . . Avec la Musique [of the
concluding Ronde]. 1774.
See Recueil. Recueil general des Opera
Bouffons, etc. Tom. 7. 1777. S\
11735. b. 2.
L'Amoureux de Quinze Ans, ou la Double
Fete. Comedie en trois Actes et en Prose
melee d'Ariettes . . . Les paroles sont de
Mr. Laujon, etc. ffiuvre vii'\
All Bureau d'Abonnemcnt viusical :
Poris, [1775?] fol. G. 266.
Annette et Lubin, Op^ra Comique en mi
Acte. . .Paroles de JI. Favart. Grave par
Huguet, etc. [Full Score.] Porro :
Paris, [1789.] fol, G. 266. d.
Doux sommeil de I'indifference.
Sec infra: [La Matinee d'unc Jolie
FcJJivie.]
MARTINI (GiovAN-xi) i7i Tedcsco, pseud.
Le Droit du Seigneur. Comedie en trois
Actes et en Prose, etc. TFuU Score.]
Chez Bruru^t: Paris, [1783.] fol.
G. 266. a.
Airs du Droit du Seigneur et Trois
Romances Nouvelles avec Accompagne-
ment de Harpe ou Forte Piano, etc.
Chez Des L'auriers : Paris, '1784.] fol.
G. 266. e. (1.)
Vous enflammez, et pour longtems.
Chanson, etc. (Parol, de 'M. Desfontaines.)
[Paris,] 1784. 8°. 297. g. 6.
Mercure dc France, Feb., 1784, p. 102.
'For songs, &c., published separately :]
See Droit dv Seigneur.
La Fille aux Trois Rois. Air... Avec
Accomp' de Guittare. Chez Imbault :
i'aris, [1780?] S". B. 362. b. (85.)
Henry iv. Drame Lyrique en Trois
actes et en Prose mel6 d'Ariettes. Re-
presents pour la premiere fois...le 14
Novembre 1774, etc. [Libretto by B.
Farmian de Rosi.] Grav6 par ^I. Huguet.
[Full Score.] Chez Ic S' Si<-bcr : Paris,
[1785?] fol. G. 266. c.
[Overture.] A Collection of Over-
tures and Symphonies. By. . .Martini, etc.
[No. 3.] [1797.]
See Periodical Publications. — Londoii.-
The Piano-Forte ^Magazine. Vol. 11.
No. 5. [1797-1802.] 8". D. 854.
Ouverture et Entreacte d' Henry iv.
a Grande Orchestro, etc. [Separate Parts.]
Longman and Broderip : London,
[1790?] fol. g. 212. (8.)
Pour un peuple aimable et sensible.
Bonde, etc. [Paris,] 1775. s. sh. S".
298. e. 34.
Mercure de France, Jan., 1775.
[Pour un peuple aimable.]
See Depuis. Depuis que la France respire
. . .Chanson parodiee sur la Ronde d' Henri
IV. [1775?] 8". B. 362. (28.)
[For songs, &c., in Henri Quatre,
published anonymously :]
See Henri Quatre.
[La Matinee d'une Jolie Femme.] Doux
Sommeil de I'indifftTence. Romance...
Avec Accomp' de Guittare.
Chez Imbault : Paris, [1794 ?] 8^
B. 362. b. (178.)
Doux sommeil de I'indifference.
Bomance, etc. [Words by L. J. B. E.
Vig6e. Full Score.] Chez Prault I'aini :
Paris, 1794. 8^ 11738. o. 32. (5.)
Publislied at tJw end of Vigc'e's Comedy^
icith separate pagination.
102
MARTINI
MARTINI (Giovanni) il Tedesco, pseud.
Melopee Moderne ou I'Art du Chant,
r^duit en Principes, dc. Chez M'' Boycr :
Paris, [1792 ?] fol. G. 266. e. (4.)
Le Novice de La Trappe. [Song.]
[Words] Du Ch" de Florian. [Paris,
1790?] 8". B. 862. a. (102.)
Plaisir d' Amour.
[For editions of this song published
anonymously :] See Plaisir.
Sec Naderman (P. J.) Deuxieme
Pot-Pourri suivi de Plaisir d' Amour varie,
etc. [1800?] fol. h. 173. b. (12.)
Pour un peuple aimable et sensible.
See supra : [Henri Quatre.]
Priere pour le Roi, a Grand Orchestre, etc.
[Full Score.] Imiyrimec et puhliie par M.
de Curt. . .chez Birchall : [London, 1793.]
fol. H. 1677. (35.)
Que nos voix, nos lyres altieres. Le
Chant du 1"" VendtHniaire, sur la fondation
de la Republique, par ]\I. J. Chenier.
Au Magasin dc Mnsiquc a V usage des Fetes
Nationales : [Paris, 1798.] 8°.
E. 1717. b. (42.)
11"'" Recueil de Petits Airs de Chant avec
Accompagnement de Piano-Forte ou de
Harpe, c^c. Clicz Des L'anricrs : Paris,
[1785?] fol. G. 266. e. (2.)
Troisieme Recueil de Petits Airs de Chant
avec Accompagnement de Piano-Forte ou
de Harpe, etc. Chez M>' Boyer : Paris,
[1790?] fol. G. 266. e. (3.)
Rondes, Ariettes et Romances, avec
Accompagnements de Piano Forte, etc.
Puhliepar M. de Curt : [London,
1790?] obl.iol. E. 600. z. (5.)
This work contains three songs by Count
A. de Bausset.
Sapho, Tragedie en trois Actes...par la
Citoyenne Pipeler . , . Grave par le C"
Lobry. [Full Score.] Chez VAuteur :
Paris, [1794.] fol. G-. 266. b.
Sinfonia a piu Stromenti Obligati, etc.
[Separate Parts.] Chez Cousincau :
Paris, [1780 ?] fol. g. 474. (26.)
Source de I'existence. Hymne a V Agricul-
ture, paroles de la Citoyenne Pipelet.
Au Magasin de Musique a V usage des Fetes
Nationales : [Paris, 1796.] 8".
E. 1717. b. (33.)
Sei Trio a Grand' Orchestra. . .Opera vi.
[Separate Parts.] Au Bureau d'Abonne-
vient Musical : Paris, [1775 ?] fol.
g. 1010.
Vous enflammez, et pour longtems. See
supra: [Le Droit du Seigneur.']
See Agus (H.) Solf6ges. . .pour servir a
r^tude dans le Conservatoire de Musique
a Paris par . . . Agus . . . Martini, etc.
[1795?] fol. H. 2851.
MARTINI (Giovanni) il Tedesco, pseud.
See Shield (W.) [The Crusade.] The
Songs... in the. . .Crusade, [a Pasticcio,]
composed by. . .Martini, etc.
[1790.] obi. fol. D. 293. b.
MARTINI (Giovanni Battista) Sessan-
tuno Canoni a due, tre, e quattro voci, etc.
[Bologna, 1780 ?] 8". E. 225. b.
Compendio della Teoria de' Numeri per
uso del Musico. [Bologna,] 1769. 4\
557*. c. 21. (9.)
A presentation copy from the author.
Duetti da Camera, etc. Volpe :
[Bologna, 1763.] obi. fol. E. 225.
TJie last leaf is mutilated.
Esemplare o sia Saggio Foudamentale
Practico di Contrappunto sopra il Canto
Fermo, etc. 2 pts. Per Lclio dalla Volpe :
Bologna, 1774[-5]. 4°. F. 171.
Contaiyiing compositions by G. Ani-
muccia, A. Cifra, G. B. Corvo, P.
Falconio, G. C. Gabusso, G. Minarti,
C. Morales, J. Navarro, G. Nitrami,
M. Olstani, D. Ortiz, G. P. Palestrvna,
B. Pasquale, P. Pontio, C. Porta,
A. Rota, A. Willaert, T. Tj. Yittoria.
G. Zarlino, P. Agostino, L. Barbieri,
F. Baroni, 0. Bencvoli, G. A.
Bernabci, C. Caresana, F. Foggia,
C. Gesualdo (Prince of Venosa), A.
Lotti, B. Marcello, L. Marenzio, C.
Monteverde, A. Pacchioni, G. A.
Perti, C. Piochi, A. Predieri, G. A.
Biccieri, A. Scarlatti, A. Stradclla,
A. Steffani, and F. Tuvini.
[Another copy.] 785. 1. 27.
Lettere del P. M. Giambatista Martini
. . .e del P. D. Giovenale Sacchi. . .intorno
alle Quinte successive nel Contrappunto.
G. Marelli : Milano, 1782. 4°.
981. h. 5.
Part of Tom. V. of ' Opuscoli scelti sulle
scienze e sulle arti, etc'
Litaniae atque Antiphonae Finales B.
Virginis Marite . . . Quatuor Vocibus con-
cinendse cum Organo, & Instrumentis ad
libitum. . .Opus primum. Cantus. (Altus.)
(Tenor.) (Bassus.) (Violiuus Primus
(Secundus).) (Organum.) (Bassus Con-
tiuuus.) 8 pts. Ex Typographia Luiii a
Yulpe : Bononix, 1734. 4°. D. 238.
[Another copy.] D. 238. a.
Senate d' Intavolatura per 1' Organo, e '1
Cembalo, etc. M. C. Le Ccnc :
Amsterdam, [1742.] fol. g. 67.
Storia della Musica, etc. 8 Tom.
Per Lclio dalla Volpe : Bologna,
1757(-1781). 4". 557*. e. 9.
Vol. II. is dated 1770.
:»IAETINI— MASCITTI
103
MARTINI (Giovanni Battista) Storia
della Musica, dc. 2 Tom. L. P.
Fer Lclio dalla Volpe : Bologna,
1757 (-1770). fol. 129. h. 7.
In this edition there is an engraved
frontispiece, and each page is sur-
rounded by an ornamental border.
[Another copy.] 556. g. 13.
See CoEFE (Joseph) Sacred Music . . .
Consisting of. . .Anthems. . .adapted to. . .
Music of. . .Martini, etc. [1800?] fol.
I. 250. a.
See DoNi (G. B.) lo. Baptistse Doni...
Lyra Barberina, etc. (De' Trattati di
IMusica . . . Tomo Secondo . . . Aggiuntovi
un Lessico delle voci musiche, e 1' iudice
generale, per opera e studio del P. Slaestro
G. B. Martini, etc.) 17G3. fol.
558*. e. 15.
See ExiMEXO (A.) Duhbio. . .sopra il
Saggio di Contrappunto del... Padre G.
Martini. 1775. 4'. 557*. f. 4. (2.)
See Zanotti (F. M.) Lettere. . .del Pad.
G. Martini ... Nelle quale si . . . risolvono
alcuni dubbj appartenenti al trattato :
Delia divisione del Tempo, etc. 178:2. 4".
557*. e. 6. (2.)
MARTINI (Giuseppe San)
Sec San Mabtini.
MARTINI (ViNCENzo)
See IMaktin y Solar.
MARTINIS (Joannes Martinus ex)
See SiMLER (J. W.) Philomela, quai ais
Canzuns Spirituales. . .Sun eir adjuoctas
alchiiuas Canzuns ant co huossa componi-
das da meis Rev: chiar Bap. ^lartino ex
Martinis, etc. 1G14. 12". 3433. aa. 35.
MARTINO (FiLLipo) Sonate da Camera
a Violoncello Solo, col Basso Continue. . .
Opera 1*. . .Grav6 par M"'= Estien. Chez le
S'- Le Clcrc : Paris, [1745 ?] fol.
g. 225. b. (5.)
Wanti)ig pp. 1 and 2. TJie last iivo
leaves are mutilated.
MARTYN (Bendall) Fourteen Sonatas
for Two Violins with a Bass for the
Violoncello and a Through Bass for the
Harpsichord. [Separate Parts.]
Printed for I. Walsh: London,
[1765?] fol. g. 242. (2.)
MARTYR. ]Martvr de la Liberte. Chant.
See GossEC (F. J.)
MARY. Mary. Ballad [begins: ' Tho'
keen the wind ']. See Biggs (E. S.)
Mary I believ'd thee true. Song.
See Stevenson (Sir J. A.)
Mary of Castle Cary. Song.
See Saw. Saw ye my wee thing, etc.
[1795?] fol. G. 356. (66.)
Mary of the Mead. [Song.]
Sec Hook (J.)
MARY. Marv, the Beauty of Buttermere
Vale. [Song.] See Hook (J.)
Clary's Bower. Song.
See Hook (J.)
Mary's Death at Sandy's Tomb. [Song.]
See Relfe (J.)
Mary's Dream. [Song.]
See Relfe (J.)
Mary's Tomb. Ballad. See FisiN (J.)
MARY MAGGIE. Mary Macgie's Dream.
[Song.] See Lady.
MARY SCOT. Mary Scot. [Song.]
See Happy. Happv's the Love that meets
return. [1730?] s.'sh.iol. G. 308. (43.)
MARY THERESA LOUISA [of Savoy
Carignan], Princess de Luniballe. Ro-
mance composee par Madame la Princesse
de Lamballe. Avec un Rondeau de A. C.
Furtado, etc. Chez M'' Bouin : Paris,
•1791.] obi. fol. e. 104. (7.)
MARYBONE. :\Iarybone Fair. [Song.]
See Would. Would you please gentle
Neighbours, etc. [1770.] s. sh. fol.
G. 313. (231.)
MARZIS (Pasqualino de)
Sec I'ASgiALINI DE INLVRZI.
MASCARADE DU PARNASSE. La
^lascarade du Parnasse, Comedie en un
acte & en vers . . . Par ^lonsieur Pesselier.
[With the voice-parts of the concluding
I)ivertissement.] Chez Prault pi-re :
Paris, 1737. 8". 163. d. 20.
MASCHERA (Florentio) Libro prime
de Canzoni da sonare, a Quatro Voci . . .
Nouamente. . .ristampate. Canto. (Alto.)
(Tenore.) (Basso.) 4 pts.
Appresso Picciardo Amadino : Venetia,
1588. 4". K. 1. k. 5.
MASCITTI (Michele) Solos for a Violin
with a Thorough Bass for the Harpsicord
or Bass Violin. Opera Prima.
Printed for I. Walsh (ۥ I. Hare :
London, [1110 '>} fol. g. 422. (3.)
Twelve Solos for a Violin with a Thorough
Bass for the Piano Forte or Violoncello . . .
Opera Prima and Seconda. Revised and
Corrected. Printed for J. Sturge :
Bristol, [1800 ?] fol. g. 672. a.
Solos for a Violin with a Thorough Bass
for the Harpsicord or Bass Violin . . .
Opera Quarta. Printed for I. Walsh (&
I. Hare : London, [1710?] fol.
g. 422. (4.)
Solos for a Violin with a Thorough Bass
for the Harpsicord or Bass Violin . . .
Opera Sexta. Printed for I. Walsli and
L Hare : Lo7idon, [1715?^ fol. g. 672.
Sonate a Violino Solo col Violino [sic] o
Cimbalo . . . Opera Prima. Libro Prime.
Chez E. Roger : Amsterdam,
[1704 ?] obi. fol. e. 368. c. (7.)
104
IIASCITTI— MASQUERADE
MASCITTI (JIichelk) Senate a Due
Violini Violoncello e Basso Contiiiuo...
Opera Prima. Libro Secondo. [Separate
Parts.] CJicz K. Bogcr :
Amsterdam, [llOi?] fol. g. 274. c. (2.)
Sonate da camera a Violino Solo col
Violone o Cimbalo. . .Opera Seconda.
Chez E. Bogcr : Amsterdam,
[1705 ?] obi. fol. e. 26.
Sonate da Camera a violino solo col
violone o cembalo. . .Opera Terza. . .Grave
par H. de Bausseu. Che.? Foucaut :
Farigi, 1707. [1731.] obi. fol. e. 26. a.
The privilege at the end is dated 1731.
Sonate a Due Violini, Violoncello e Basso
Continuo. . .Opera Quarta. Libro Secondo.
[Separate Parts.] Chez E. Roger :
Amsterdam, [1704 ?] fol. g. 672. c.
Sonate a Violino solo e Basso . . . Opera
Quinta. Fuucault : Parigi, 1714. fol.
h. 197. (1.)
XII. Sonate a Violino Solo e Basso
Continuo. . .Opera Quinta.
Chez E. Roger: Amsterdam, [1720?] fol.
g. 672. e.
Sonatas of three Parts, for two Violins &
a Bass with a thorough Bass for y Organ
Harpsicord or arch Lute. . .Opera Quinta.
[Separate Parts.] Printed for J. Walsh
d J. Hare : London, [1710 ?] fol.
g. 672. b.
Sonate a Violino solo e Basso . . . Opera
Sesta. Ce Sixieme Livre renferme quiuze
Sonates. La derniere est a trois parties
dont la seconde est faite pour estre jouee
par la Basse de Viole ou par le Violoncello.
Boivin: Parigi, 1122. fol. h. 197. (2.)
Sonate a Violino Solo col Violone o Cim-
balo. . .Opera Sesta. CJiez Roger (C
M. C. le Ccnc : Amsterdam, [1725 ?] fol.
g. 672. d.
[12 Sonatas for Violin Solo, with an ac-
companiment for the Harpsichord.]
[London? 1730?] fol. g. 420. a. (2.)
Wantingthe title and pp. 1-2. Probably
Op. 1, 8 or 9.
MASI (G1ROLA.M0) Twelve Original Ger-
man Waltzes for the Piano-Forte or Harp
with an Accompaniment for the Tam-
bourine, Triangle, &c. arranged by G.
INIasi. Broderip £ Wilkinson : London,
[1799?] fol. g. 231. (4.)
MASON (George) and EARSDEN
(John) The Ayres that were sung and
played, at Brougham Castle in Westmer-
land, in the Kings Entertainment : Giuen
by the Right Honourable the Earle of
Cumberland, and His Right Noble Sonne
the Lord Clifford. Thomas Snodham :
London, 1618. fol. K. 8. h. 7.
MASON (John) The Admiring Lover.
[Song.] [London, nm?] s. sh. iol.
G. 315. (153.)
MASON (U.) Three Duetts for a Violin
and Violoncello, in which are introduced
some favorite Airs... Op. iv. [Separate
Parts.] L. Lavenu, for the Author :
London, [1800 ?] fol. "g. 421. e. (5).
Six Solos for the Violoncello. TJie Author :
London, [1795 ?] fol. g. 513.
MASQUE OF FLOWERS. The
INIasque of Flowers. Presented by the
Gentlemen of Graies-Inne, at the Court
of White-Hall, . . . vpon Twelfe night, 1613.
Being the last of the solemnities. . .which
were performed at the marriage of the . . .
Earle of Somerset, and the Lady Francis
daughter of the Earle of Suffolke, etc.
[By I. G., W. D. and T. B. With the
vocal music, by J. Coprario ?]
N. 0., for Robert Wilson: Jjondon,
1614. 4". Case 34. b. 33.
The music of this masque (here for four
voices) is also pi-intcd in Br. Wil-
son's "Chce^full Ayres or Ballads set
for three voices," Oxford, 1G60 ; but,
altho7igh there bearing his name, it can
hardly have been composed by him so
early as 1618.
161. a. 57.
[Another copy.]
[Another copy.]
Gren. 11215.
MASQUERADE. The King of Denmark's
]\Iasquerade. [IMusette and Minuet. P. F.]
[Lo7(do», 1766?] s.sh.ioL
H. 1994. a. (161.)
The Masquerade. [Song, begins : ' See
to join the revel rout.']
Sec DiBDiN (C.) [Great Neivs.]
The ]\Iasquerade. Catch.
See Do. Do you know me ? etc.
[1780?] fol. G. 307. (174.)
The Masquerade, [^oiig-]
See Once. Once Jupiter's Lady, call'd
Juno the Scold. [1780 ?] s. sh. fol.
G. 310. (265.)
The Masquerade. Song.
Sec While. While none but the Great
can conveniently go. [1775 ?] s. sh. fol.
G. 313. (207.)
The ^Masquerade Ballad.
See 0. 0, a Masquerade's a fine Place.
[1720 ?] s. sh. fol. H. 1601. (345.)
The Masquerade Song.
See Ye. Ye ]Medley of Mortals, etc. [By
W. Defesch.] [1749 ?] s. sh. fol.
G. 305. (174.)
The Masquerade Song.
Sec Ye. Ye Medley of Mortals, etc. [By
W. Defesch.] [1749.] 8°. P.P. 5438. z.
The Masquerade Song.
Sec Ye. Ye Medley of Mortals, etc. [By
W. Defesch.] [1749.] 8". 249. c. 19.
MASSAINO— MASSES
105
MASSAINO (TiBUETio) II Terzo Libro
de Madrigali a Cinque Voci. . .Nouamente
Composto, & dato luce. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) 5 pts.
Apprcsso Angdo Gardano : Vcnetia,
1587. obi. 4". A. 283. b.
II Quarto Libro de ]Madrigali a Cinque
Voci . . . Nouamente composto & dato in
luce. Canto. (Alto.) (Tenore.) (Basso.)
(Quinto.) 5 pts.
Apprcsso Angelo (uirdano : Venctia,
1594. obi. 4". A. 283. c.
Tiburtii Massaini . . . IMotectorum cum
Quinque, et Sex Vocibus Liber Primus, etc.
Cantus. (Altus.) (Bassus.) (Quintus.) 4 pts.
Apud loscphnm Guiglielnium : Venctiis,
157G. obi. 4". A. 283.
Wanting 2)p. 15-30 of the Cantus, wJiicJi
have been supplied in MS.
]\Iotectorum Quinque Vocum . . . Liber
Tertius. Cantus.
Ajjud Angclum Gardanuvt : ]'cnefiis,
1590. 4'\ C. 226.
Musica per Cantare con 1' Organo, ad Una,
Due, & Tre Voci . . . Opera Trentesima
seconda. Nouamente Composta, etc.
Soprano. (Tenore.) (Basso.) 3 pts.
Apprcsso Alessandro liauerij : Vcnetia,
1607. 4". D. 56. a.
Tiburtii Massaini. . IMusica super Threnos
leremie Prophete in maiori Hebdomada
decantandas. Quinque \'ocibub. Cantus.
(Altus.) (Quintus.) 3 pts.
Apud liicciarduui Amadiuum : Vcnctijs,
1599. 4". D. 56. b.
Sacri Cantus Quinque Paribus Vocibus
concinendi . . . Liber Secuudus. Cantus.
(Altus.) (Bassus.) (Quintus.) 5 pts.
Apud Angclum Gardanum : Vcnctijs,
1580. obi. 4'\ A. 283. a.
Sacrae Cantiones Sex Vocibus Gantandae
. . .Liber Secundus, etc. Sextus.
Apud Uicciardum Amadiuum : Vcnctijs,
1596. 4°. D. 56.
Tiburtii Massaini Sacri Modulorum Con-
centus. Qui, Senis, 7, 8, 9, 10, ac Duodenis
vocibus in duos tresue Choros coalescentes,
non minus Instrumentorum, quam vocum
barmouia suauiter concini possunt, etc.
Cantus. (Cantus sec.) [Pp. 25-27 of Ten. &
Bass, sec.] 3 pts.
Apud Angclum Gardanum : Vcnctijs,
1592. 4". C. 226. a.
MASSANUS (Joannes Feanciscus)
Sec GuiDETTi (G.) Directorium Chori. . .
auctum & emendatum a Joanne Francisco
Massano, etc. 1604. 8». A. 218.
MASSENZIO (DoMEXico) Sacri Mottetti
a Due, et a Piu Voci... con la sequenza
di pentecoste, & Letanie, & in fine 0
Gloriosa Domina, con il Basso Continue
per r Organo . . . Libro Quinto, Opera
Decima. Canto Prime. (Canto Secondo.)
(Alto.) (Basso per 1' Organo.) 4 pts.
Apprcsso Paolo Masotti : Roma,
1631. 4". D. 55.
MASSES. [Arranged chronologically.^
IMissarum diuerso"^ auctoru5 Liber
primus. Si dedero Oberth [i.e. Hobrecht].
Defra3a. Philippus basiron. Dringhs
Brumel. Nastu pas Gaspar. De sancto
Antonio Piero de la rue. (Libri primi
missa,^ Diuersoru5 auto';^; A (T) (B).)
4 pts. per Octauiani'i Petrutiu^, Vcnctijs,
1508. obi. 4". K. 1. d. 8.
Liber Quindecim Misfarum Electarum
quae per Excellentissimos Musicos com-
positae fueruut.
|> Andream Antiquu de Mutona Sociora
suinptibus : Eo7nc, 1516. fol.
K. 9. a. 12.
This collection contains 15 masses for
four voices by Brumel, Fevin, Josquin,
Jo. Mouton, Pierre de la Rue, Pippclare
and Petrus Rosselli.
]Missarum Liber primus. T[enor].
[Andreas Anfiquus : Venice,
1520 ?] obi. 8". K. 8. b. 7. (1.)
Containing two itnnamcd masses by
Joannes Mouton and Aiulreas de
Sylva. 10 leaves, jmged 13-22.
^lissarum diuersorum authorum Liber
Secundus. Tfenor]. [Andreas Antiquus :
Venice, 1520 ?J obi. 8°. K. 8. b. 7. (2.)
Containing masses by J. Mouton, ' Supra
verbum bonum,' and by Gascogne,
' Supra Benedictus.' 12 leaves, paged
13-24.
Liber Quindecim IMissarum, a Praestant-
issimis IMusicis compositarum,f/c. Tenor.
(Discantus.) (Contrateuor.) (Bassus.)
4 pts. Apud lolian. Pctrcium :
Norimbcrgae, 1539. obi. 4". K. 3. c. 6.
TJie full title only occurs in the Tenor
part. The composers of this collection
are: Josquin, A. Brumel, H. Isaac,
Lupus, P. de la Rue, F. de Layolle,
G. Braitengrasscr, J. Ockekem and
P. Molu.
Sex Misse. Liber Primus IMissarum Sex.
Cum Quatuor Vocibus ex Diuersis Author-
ibus Excellentissimis nouiter in unum
congestus, etc. Tenor.
Apud Antonium Gardanc : Vcnctijs,
1544. obi. 4". A. 61. a.
The date has been altered in MS. to
1594. The composers arc: Lupus,
Verdelot, Jachet Berchcm, Hcdin and
Finot.
Liber Secundus missarum Quatuor Vocum
a Prestantissimis Musicis. Nempe loan.
Lupo hellingo. & Thoma Cricquillione, etc.
lOG
:MASSES— MATHEWS
Superius. (Contra Tenor.) (Tenor.)
(Bassus.) 4 pts.
Apnd Tielmannum Sitsato: Antuerjne,
1545. 4°. K. 2. e. 5. (2.)
TJiis collection contains tioo masses by
Hellinc, three hij Cn'quilloii, cnid one
by A. Barbe.
Liber Primus IMissarum Quinque Vocum,
a Diuersis musicis Compositarum, etc.
Superius. (Contra Tenor.) (Tenor.)
(Bassus.) (Quinta Pars.) 5 pts.
Apud Tylmannnm Siisato : Antneviniv,
154G. 4". K. 2. e. 5. (1.)
This collection contains four viasscs by
Tylman Siisato, T. Criquillon and
P. de Manchicoart.
Liber Tertius ]\Iissaruin Quatuor Vocum,
a Diuersis Musicis Compositarum, etc.
Superius. (Contra Tenor.) (Tenor.)
(Bassus.) 4 pts.
Apnd Tylmannnm Susato: Antue}pi:i\
1546. 4°. K. 2. e. 5. (3.)
This collection contains five masses by
Lupus Hellinc, J. Eichafort, J. Mouton,
T. Creq^uillon and P. de Manchicoart.
Quinque Missarum Harmonia Diapente
id est Quinque Voces Referens, etc. Su-
perius. (Altus.) (Tenor.) (Bassus.)
(Quintus.) 5 pts.
Apud Antonium Gardane : Venetijs,
1547. obi. 4". K. 3. e. 5.
Containing five masses by Morales,
Jachet BercJiem and Lupus.
Missa in Octaua S. Dionysii Areopagitte,
et Sociorum Martyrum. Ad vsum Regalis
Ecclesiie eiusdem S. Dionysij in Francia,
etc. MS. NOTES. Ex Ojficiui
Bobcrti Ballard : Parisiis, 1658. 4".
K. 8. e. 21.
Messa e Salmi dedicati al Eeuerendissimo
Signor Bernardo. . .Abbate del...Monas-
tero a SS. Udalrico & Afra, etc. [With a
preface signed by the ' Choro de' Musici
a S. Udalrico.'] Canto i. (Alto concert.)
(Tenore concert.) (Basso concert.) (Or-
gano.) 5 pts.
Appresso A. Erfurt. Ad instanza di
G. Weh: Augusta, 1662. 4". D. 1010.
MASSON (Charles) Nouveau Traite des
Regies pour la Composition de la ]Musique
. . .Troisieme Edition, revue & corrig^e.
Chez G. Ballard : Paris, 1705. S''.
7898. a. 14. (1.)
Nouveau Traite des Regies pour la Com-
position de la Musique . . . Quatrieme
Edition, revue & corrigee. Aux depens
d' E. Roger: Amsterdam, [1710?] 8".
1042. k. 13. (2.)
MASSONNEAU (Louis) Trois Duos Con-
certants pour Violon et Violoucelle . . .
CEuvre ix. [Separate Parts.] Chez
Mutzenbechcr : Hambourg, [1800 ?] fol.
f. 132. (5.)
MASSONNEAU (Louis) Trois Quatuors
pour deux Violous, Alto et Violoncelle . . .
Oeuvre 4'"". [Separate Parts.]
J. Andre': Offenbach snr le Mein,
[1795?] fol. ■ h. 79. (1.)
Six Quatuors Concertants pour Deux
Violous, Alto Viola & Violoncelle . . .
Oeuvre viii. [Separate Parts.]
J.Schmitt: Amsterdam, [1795?] fol.
h. 79. (2.)
MATAUSCHEK (Antox) Trois Sonatas
pour le Clavecin ou Piano-forte. . .Oeuv. 14.
Liv. 3"'^ Chez T. Weigl: Vienne,
[1800?] obi. fol. e. 458.
MATCH. A Match at Stool-Ball. Song.
See Come. Come all, great, small, etc.
[1715 ?] s. sh. fol. H. 1601. (120.)
The :\Iatch Boy. Song. See Hook (J.)
MATCHLESS. Matchless as when
Venus. 'fJic Acrostick. [Song.] Set for
the German Flute. [London,
1760?] s.sh.iol. H. 1994. (42.)
The IMatchless Fair. [Song.]
See When. When Beauteous Fair
Camilla deigns. [1745?] s. s/(. fol.
G. 305. (242.)
The Matchless Fair. [Song.]
See When. When beauteous fair Camilla
deigns. [1747.] S'\ P.P. 5438. z.
MATCHLESS MAID OF MORPETH.
The Matchless Maid of Morpeth. [Can-
tata.] See Moulds (J.)
MATERNAL. ]\Iaternal Tenderness.
Canzonet. See Jacob (B.)
MATHEO, de Aranda. Tractado S cato
llano nueuamente compuesto, etc. German
Gallarde : Lixboa, 1533. 4°. K. 1. f. 2.
38 leaves, without p)agination.
fl[ Tractado de canto mcsurable : y contra-
pucto : nueuamete cupuesto, etc.
German Galhard : Lixboa, 1535. 4'\
K. 1. f. 3.
86 leaves, without pagination.
MATHEWS (J.) The Glorious Fifteenth
of May. A Loyal Glee, to perpetuate the
late providential Escape of the King, etc.
J. Matheios : Bath, [1800.] fol.
G. 352. (30.)
Howe and the Glorious First of June. A
new Song, written by Earl IMulgrave.
The Air composed ... by J. Mathews.
Arranged for the Harpsichord or Piano
Forte bv R. Peck, etc. J. Mathews :
Bath, [1794.] fol. G. 376. (25.)
IMarriage has its Pleasures various, a New
Two Part Song, etc. J. Mathews :
Bath, [1795 ?] fol. G. 354. (23.)
Nelson & the Tars of Old England, a New
Song [on] . . . Sir Horatio Nelson's Victory
over the French Fleet, etc. J. Mathews :
Bath, [1798.] fol. G. 376. (26.)
MATHEWS— MATTEIS
107
MATHEWS (J.) The Pleasures of Spring.
A Favorite Duett Original. 1800, etc.
Dale, etc. : London, [1800.] fol.
G. 354. (50.)
The Western Volunteer. A New Song,
adapted for the Piano Forte, Guitar,
German Flute, One, or Two Voices, etc.
Frintcd for I. Matlunrs :
Bath, [1800 ?] fol. G. 366. (32.)
See Cease. Cease, Leonora, cease to
mourn . . . Duett, adapted with a Bass by
the Author of the Pleasures of Spring
[J. Mathews]. [1800 ?] fol.
G. 354. (48.)
See also : M., J.
MATHIAS (Hermann) La Battaglia
Taliana. . .Con Alcune Villotte Piaceuole
Nouamente. . .Sstampate & Corrette, e/c.
Superius. Ajorcsso di Antonio Gaidanc :
Vcncfia, 1549. obi. 4". A. 260.
Cantuum Quinque Vocum — quos ilotetta
vocant — . . . Liber Primus. Nunc primum
in lucem editus, etc. Bassus.
Ajnid Francisciim et Simonem Moschoiios :
Mediolani, 1555. obi. 4". A. 260. a.
MATHIEU (Mathias) D. R. Karap-
huyzens Stichtelyke Rymen...vermeerdert
met eenige nieugecomponeerde wijzen
door M. Mathieu, etc. 1G8H. 8".
6VeCAMPHUYZEN(D. R.) 11555. aaa. 1.
MATIELLI (Giovanni Antonio) Sei
Senate per il Cembalo. Nuovamente com-
poste. . .ed approvate dal. . .Sig. Cavaliere
de Gluck, etc. C. Tonicclla : Vienji.-f,
[1783.] ubl. fol. e. 5. j. (2.)
MATILDA. Jlatilda's Address to the
Fowler. [Song.] See 0. O Fowler, cast
thy Gun behind, etc. [1772.] 8°.
P.P. 5438. z.
MATIN. Un Matin brusquement par des
Tambours eveillee. Air Noiivcau.
[Paris, 1185?] 8". B. 362. e. (114.)
Un matin sur son chalumeau. Air.
Sec Legat de Furcy (A.)
MATINEE DE CATINAT. Une
Llatinee de Catinat. Comedie.
See Dalayeac (N.)
MATINES. Les IMatines de Cythere.
[Song.] Sec Chantons. Chantons les
Matiues de Cythere. [1780 ?] 8'.
B. 362. a. (122.)
MATRIMONTAIj. :\Iatrimonial Deaf-
ness. [Song.] See P., J.
MATEIMONIO per EAGGIRO. II
]Matrimonio per Raggiro. Opera.
See CiMAROSA (D.)
MATEIMONIO SEGEETO.
monio Segreto. Opera.
See CiMAEOSA (D.)
II Matri-
MATEIMONY. 3Iatrimony. Song.
.SW' From. From Conjugal Ties, etc.
[1780 ■?] s. sh. fol. G. 307. (232.)
MATEON. The :Matron's advice. [Song.]
See Yates (W.)
MATTEI (Filippo) [iluzio Scevola. Act I.]
The Most Favourite Songs in the Opera
of Muzio Scaevola. Compos'd by Three
famous Masters [viz. : F. Mattel, G. B.
Bononcini and G. F. HandelL
[1721.] fol. See Muzio SceVola.
G. 192. (2.)
MATTEIS (Nicola) Sen' Nicola's first
and Second Book's of Aire's in 3 Parts.
Containing Preludes Allemand's Sara-
band's Corrant's ilmuett's and Jigg's with
divers Fancye's and Vollentary's in every
Key for two Violins and a Bass, etc. (The
Second Booke of Aire's . . . more Difficult
then the Former for the Improvement of
the Hand on the Violin, etc.) [Separate
parts.] Printed for I. Walsh and I. Hare:
iMidon, [1710?] obi. fo\. 6.66.
Ayrs for the Violin. Preludes Allmands
Sarabands Courantes Gigues Diuisions and
double Compositions fitted to all hands
and Capacities. . . . The first Part. (Other
Ayrs Preludes Allmands Sarabands &c.
with full stops for the Violin . . . the
Second Sett.) (Ayres for the Violin . . .
And likewise other Passages, Introduc-
tions, and Fuges, for Single and Double
stops: with Divisions, somewhat more
Artificial. For the Emproving of the Hand,
upon the Basse Viol or Harpscchord. The
Third and Fourth Parts.) (Other Ayres
and Pieces for the Violin Bass-Viol and
Harpsechord somewhat more Difficult and
Artificial then the former . . . the Fourth
part.) 4 pts. [London,] 1685. obi. 4".
K. 1. f. 10.
The fly-leaf to Parts I. and II. bears the
autograph of Dr. Diipuis. The bind-
ing of Parts III. and IV. bears the
inscriptioyi : "All iW^'J Sig'' Mar-
chese Pietro Capponi Inviato del
Sep'" Gran Duca di Toscana alia
Maesta delta Gran Bretania,'' i.e. at
the coronation of James II. Parts
III. and lY. are engraved by T. Green-
hill. The date occurs in a coronet on
the title-page.
The Second Treble of the Third and
Fourth Parts. Preluds Fuges Allemands
ec' with some Additions and new Tunes.
[London], 1687. obi. 4". K. 1. f. 11.
Arie Diverse per il Violino ; Preludij Ale-
mande Sarabande Correnti Gighe Fantasie
sminuite ed altri Toccate a due Corde . . .
Libro Primo. (Altre Arie Preludij Ale-
mande Sarabande &c. Piu difficile e
Studiose per il Violino . . . Libro Secondo.)
2 pts. [London,] 1688. obi. 4^
K. 1. f. 12.
lOS
MATTEIS— MATTHESON
MATTEIS (Nicola) When e're I gaze
on Sylvia's Face. .-1 Song, etc. [Words
by P. Motteux.] Printed for R. Parker :
London, 1G92. 4°. P.P. 5255.
Gentleman' s Journal for Feb. 1691-2,
pp. 33-34.
MATTHAEI (Conrad) Neue Hertzens-
Freude Welche, als der . . . Wolgelarte
Hen- Friederich Stegemann . . . Seinen
Tauff - Nahmens - Tag feyeiiich ])egmg
Auszdienstlicher Schuldigkeit etliche gute
Freunde. . .angestellet, inderoselbenNah-
men aber eilend aufEs Papier gebracbt von
Conrad IMatthaei.
Gedriickt hey PascJien Mense :
Eonigsberg, 1650. fol. G. 93.
MATTHESON (.Johann) Behauptung
der Himmlischen Musik aus den Grilndeu
der Vernunft, Kirchen-Lehre und heiligen
Schrift. C. Herold : Hamburg, 1747. 8".
7897. a. 70.
Das Bescliiitzte Orchestre, oder desselben
Zweyte Eroffnung, worinn . . . die . . .
deutlichste Vorstellung musicalischer Wis-
senscbafben . . . ertbeilefc, etc.
Im Schillcrischen Buchladcn : Hamburg,
1717. 12\ 785. b. 37.
Mattbesons bewaurte Panacea, als eine
Zugabe zu seinem musikalischen Mithri-
dat, iiberaus beilsam wider die leidige
Kacbesie. . .gottloser Schiinder der Ton-
kunst, etc. 3 pts. Bey J. A. Martini :
Hamburg, 1750 (1751). 8". 785. b. 58.
Each part has a different title-page and
separate pagination.
[Bewiibrte Panacea. Pt. 3.] Sieben
Gespriicbe der Weisbeit und Musik samt
zwo Beylagen ; als die dritte Dosis der
Panacea, mitgetbeilet von IMattbeson.
Bey J. A. Martini : Hamburg, 1751. 8".
8404. b. 3.
Der Braucbbare Virtuoso, welcber sicb. . .
mit zwolff neuen. . .Kanimer-Sonaten, auf
der Flute Traversiere, der Violine und
dem Claviere bey Gelegenbeit boren
lassen mag, etc. Im Schiller- und
Kissnerischcn Buch -Laden : Hamburg,
1720. fol. h. 52. b.
Critica Musica, d.i. Grundricbte Unter-
such- und Beurtbeilung, vieler. . .Einwiirffe,
so in alten und neuen . . . Musicaliscben
Scbrifften zu finden. . . Stiick-weise beraus.
gegeben von Mattbeson. 2 Bd.
Auf Unkosten des Autoris
(bey. . . T. von Wierings Erben) : Hamburg,
1722 (1725). 4". ' 556. b. 6. (1.)
[Anotber copy. Bd. I.] 556. a. 11. (1.)
Les Doigts Parians. See infra: [Die ivol-
kiingcnde Finger-Sprachc.]
Das Erlauterte Selah, nebst einigen
andern niitzlicben Anmerkungen und
erbaulicben Gedanken, iiber Lob und
Liebe, von ]M(attbeson), als eine Fortsefcz-
ung seiner vermiscbten Werke.
C. Herold : Hambtirg, 1745. 8".
7897. a. 71.
Exemplarische Organisten-Probe im Arti-
kel vom General-Bass. Welcbe mittelst
24. . . . Exempel . . . Anzustellen ist, das
eiuer, der diese 48. Prob-Stiicke rein
trifft. . .sicb. . .riibmen moge: Er say ein
]\Ieister im accompagniren . . . 'Mit . . .
Erlauterungen und Anmerckungen, bey
jedem Exempel, und mit einer . . .
Tbeoretischen Vorbereitung, etc.
Ln Schiller- und Kissnerischcn Buch-
Laden : Hambzirg, 1719. 4°.
556. a. 10.
Das Forscliende Orcbestre, oder desselben
Dritte Eroffnung. Darinn Sensus Vin-
dicise et Quartse Blanditite. . .untersucbet,
und ... in ibr recbtes Licbt gestellet
werden. Bey B. Schillers Wittire, und
J. C. Kissner: Hamburg, 1721. 12".
7897. a. 64.
Jobann Mattbesons Grosse General-Bass-
Scbule. Oder: Der exemplariscben
Organisten-Probe zweite, verbesserte und
vermebrte Auflage, etc. Zu finden in
J. C. Kissner' s Buchladen : Hamburg,
1731. 4". 556. b. 7.
Jobann Mattbeson's . . . Kleine General-
Bass-Scbule, etc. Bey J. C. Kissner:
Hamburg, 1735. 4". 7895. bb. 20.
[Anotber edition.] Jobann Mattbeson's
. . .Kleine General-Bass-Scbule, etc.
Bey J. C. Kissner : Hamburg, Vli5. 4".
7895. e. 3.
1)1 this edition the title-page is printed
entirely in black. Without the portrait.
G. F. Handels Lebensbescbreibung, nebst
einem Verzeicbnisse seiner Ausiibungs-
■werkeund deren Beurtbeilung; iibersetzet,
aucb mit einigen Anmerkungen ... verseben
vom Legations-Ratb Mattbeson.
Auf Kosten des Uebersetzcrs : Hamburg,
1761. 8°. 10761. aa. 44,
Sieben Gespriicbe der Weisbeit und ISIusik,
etc. See supra : [Bewdhrte Panacea. Pt. 3.]
Grundlage einer Ehren-Pforte, woran der
Tiicbtigsten Capellmeister, Compouisten,
Musikgelebrten, Tonkiinstler &c., Leben,
Werke, Verdienste &c. erscbeinen soUen,
etc. In Verlegung des Verfassers :
Hamburg, 1740. 4°. 556. a. 13.
Harmoniscbes Denckmabl.
See infra : \_Pieces de Clavecin.']
Kern Melodiscber Wissenscbaft, bestebend
in den auserlesensten Haupt- und Grund-
Lebren der musicaliscben Setz-Kunsb
oder Composition, als ein Vorliiuffer des
VoUkommenen Capellmeisters, etc.
C. Herold : Hamburg, 1737. 4".
7895. bb. 19.
MATTHESON
109
MATTHESON (Johann) Matthesons
Mitbridat wider den Gift einer welschen
Satyre [by Salvatoi- Eosa], genannt : La
Musica. Im Verlagc dcs Vcrfasscrs :
Hamburg, 1749. 8". 785. b. 55.
Der ]Musicaliscbe Patriot, welcber seine
griindlicbe Betracbtungen, iiber Geist-
und Welti. Haiinonien. . .in angenehmer
Abwecbselung. . .mittbeilet, etc.
Hamburg, 1728. 4". 1042. i. 37.
Die nenangelegte Freuden-Akademie, zuni
lebrreicben Vorscbmack unbescbreiblicher
Herrlicbkeit in der Veste gottlicher
Macbt, c>fc. 2 Bd. J.A.Martini:
Hamburg, 1751 (1753). 8".
4372. aaa. 16.
DasNeu-Eroffnete Orcbestre, oder Univer-
selle und griindlicbe Aiileitung, wie ein
Galant Homme einen vollkommenen
Begrifi vou der Hobeit und Wiirde der
edlen IMusic erlangen . . . moge . . . j\Iit
beygefiigten Anmerckungen Herrn Capell-
Meister Keisers.
Aiif Vnliostcn dcs Aatoiis : Hamburq,
1713. 8". 7897. a. 44.
Die neueste Untersucbung der Singsi)iele,
nebst beygefiigter musikaliscben Ge-
schmacksprobe, liefcrt liiemit Aristoxenus,
der jiingere (J. ]\Iattbesou). C. UryoJd :
Hamburg, 1744. S". 11795. bb. 10.
Mattbesons Philologisches Tresespiel, als
ein kleiner Beytrag zur Kritiscben Ge-
sebicbte der deutscben Spracbe, voruebm-
licb aber, mittelbt gescbeuter Anwendung,
in der Tonwissenscbaft niitzlicb zu gebrau-
cheu. Subiuncta uouissima editions
Scbediasmatis de Eriiditione Jlusica. 2
pts. Bey J. A, Martini : Hamburg,
1752. 8". 12963. b. 18.
[Another copy.] 12962. aaa. 35.
Pieces de Clavecin en Deux Volumes Con-
sistant des Ouvertures, Preludes, Fugues,
Allemandes, Courantes, Sarabandes,
Giques et Aii-es. Printed for I. D. Fletcher :
London, 1714. fol. h. 52.
[Pieces de Clavecin.] JIattbesons Har-
moniscbesDenckmabl.auszwolf erwiiblten
Clavier-Suiten, bestebend in Ouverturen,
Sympbonien, Fugen, Boutaden, Preludieu,
AUemandeu, Couranten, Sarabauden,
Giquen, Arien und ]Menuetten, nebst
ibren Doublen oder Variationen . . .
erricbtet. Audi mit einer... Vor- oder
Anrede. . .loco Frontispicii verseben.
Printed for I. D. Fletcher : London,
1714 (1715). fol. h. 52. a.
This is the English ' Pieces de Clavecin '
witli a German title and a preface
dated 1715.
Mattbesonii Plus Ultra, ein Stiickwerk
vou neuer und mancberley Arct, etc. 3
pts. J.A.Martini: Hamburg,
1754(-1756). 8". 1401. f. 11.
785. c. 43.
Weicbmann,
le Genseric
(C. F.) C. P.
MATTHESON (Johaxk) :\Iatthesonii
Plus Ultra, ein Stiickwerk von neuer und
mancberley Arct, etc. [Anotber copy.
Pts. 1 & 2.] 7898. k. 44.
[Anotber copy. Pts. 1 & 2.]
[Reponse faite a Monsieur
sur sa lettre . . . toucbant
reforme.] See Weichmaxn
Weicbmauns Teutscbe Anmerkungen iiber
Herrn Mattbesons Antwort auf sein am
28 Julii. . . abgelassenes Scbreiben, etc.
1722. 4'. 556. a. 11. (4.)
XII. Senates a Deux & Trpis Flutes sans
Basse. . .Premier Ouvrage Edition corrigee
. . . sur la Partition par E. Roger.
[Separate Parts.] Che.-. E. lioger :
Amsterdam, [1708.] fol. f. 84.
Der Vollkommene Capellmeister, das ist,
Griindlicbe Anzeige aller derjenigen
Sacben, die einer wissen...und vollkom-
men inne baben muss, der eine Capelle
mit ebren. . .vorsteben will, etc.
C. Herald: Hamburg, 1739. fol.
7896. h. 20.
Die wol-klingende Finger-Spracbe, in
Zwolff Fugen, mit zwey biss drey Sub-
jecten, entworffen. . .Erster Tbeil.
hn Verlagc des Vcrfassers : Hamburg,
1735. fol. K. 10. b. 6.
[Die wol-klingende Finger-Spracbe.] Los
Doits Parians en Douze Fugues doubles
a deux et trois Sujets pour le Clavessiu
. . .Seconde Edition. Aux depens de
J. U. Haff'ner : Nuremberg, 11 iO. fol.
K. 10. b. 5.
A re-issue of ' Lie wol-klingende Finger-
Sprache ' with a neiv title-page.
See Blyvers (G.) Andere Antwort, auf
Monsieur Weicbmanus Scbreiben be-
treffend dessen iiber den Herrn Capell-
Meister M(attheson). . .gefiilleten Urtbeile.
1722. 4°. 556. a. 11. (2.)
See BUTTSTETT (J. H.) Ut, Mi, Sol, Re,
Fa, La, Tota Musica et Harmonia .<Eterna
...entgegen gesetzt Dem neu-eruffneten
Orcbestre [by J. Mattbesonl, etc.
[1716.] 4". " 785. e. 39.
See Meyer (J.) Der anmasslicbe Ham-
burgiscbe Criticus siue Crisi entgegen
gesetzet dem so genannten Gottingiscben
Epboro J. Mattbesons, etc. 172S. 8".
7898. aaaa. 7.
See NiEDT (F. E.) F. E. Niedtens
Musicaliscbe Handleitung zur Variation
des General-Basses. . .Die Zweyte Auflage
...verseben durcb J. Mattbesou, etc.
(F. E. NiedteusMusicaliscber Handleitung
— Dritter. ..Tbeil . . . Deme beygefiiget
Veritophili . . . Beweis-Griinde, worauf der
recbte Gebraucb der Music bey des in den
Kircben und ausser denselben berubet . . .
mit einer Vorrede zum Druck befordert
vou Mattbeson.) 1721 (1717). oil. 4".
7895. a. 66.
110
MATTH Y S Z—IM AY-DAY
MATTHYSZ (Paulus) See Psalms.
[Dtddi.] De CL Psalmen Davids, . . .
Alle de voyseu der Psalmen ziju op eon G
sleutel gestelt door P. Mattbysz, etc.
[1695?] IG". illO. a. 38.
MATTIOLI (Andrea) Hannonia Sacra
Dedota dal Concerto di Salmi. Motetti,
Inni & Autifoue a Voce sola con violini, etc.
Voce. Stampa del Gardano :
Ycnetia, 1675. 4°. D. 237.
MATTOX ( ) Love's Victim. [Song.]
Ye words by Mr. Monlass. [London,
1720 ?] s. sli. fol. G. 315. (102.)
MAUDIT. Maudit Amour. Song.
See Jones (E.) Bard.
MAURER (Georg) Three Sonatas for
the Harpsichord or Piano Forte with an
Accompany' for a Violin ad libitum . . .
Op. 1. [Separate Parts.]
Longman d Broderip :
London, [1785 ?] fol. h. 726. e. (7.)
Three Sonatas for the Harpsichord or
Piano Forte with an Accompany' for a
Violin ad libitum . . , Op. 2. [Separate
Parts.] Longman d Broderip :
London, [1785 ?] fol. h. 726. e. (8.)
MAURICE, Landgrave of Eesse-Cassel.
[Psalmen Davids, Nach Frautzosischer
INIelodey vnd Reymen art in Teutsche
Reymen artig gebracht, Durch Ambrosium
Lobwasser . . . Aufi befehl Des . . . Fiirsteu
. . . Herrn IMoritzen, Landgrafeu zu
Hesseu . . . jetzo auffs newe gedruckt :
Und haben ihre F. Gu. die iibrige Psalmen
30 nicht eigeue Melodias gehabt, mit
andern . . . ]\Ielodiis . . . gezieret, vnd
mit vier Stimmen componiret, welche . . .
beyds zu singen vnd auff allerley Instru-
menten zugebrauchen.] IWiUiehn Wcssel ;
Cassel, 1612.] fol. F. 1089.
Imperfect, wanting the title-page. Many
of the leaves are mutilated.
See Geuck (V.) Novum et Insigne Opus
continens Textus IMetricos Sacros :
Festorum, Dominicarum, et Feriarum,
... ex ]\Iandato . . . Principis . . . D.
]\Iauritii, Landgravii Hassite, &c. a
Valentino Geuckio . . . Octo Sex & 5.
vocibus inceptum. Denique . . . Suae
Gels. Opera . . . perfectum & absolutum,
etc. 1603-4, 4°. B. 86.
MAURUS, of Palermo. Sacrarum Can-
tionum, quae Octo, tum Vocibus, turn
varijs Instrumentis chorisq3 coniunctis,
ac separatis concini possunt. Liber Primus.
Cantus. Chorus Primus. (Cantus. (Altus.)
(Bassus.) Chorus Secundus.) 4 pts.
Apiud Riciardum Amadinnm :
Venctiis, 1590. 4'\ C. 54.
MAXWELL (Francis Kelly)
See Essay. An Essay upon Tune, etc.
[By F. K. Maxwell.] 1791. 8".
52. b. 21.
MAY. Le jMay. Vaudeville.
,Sf>eALLONS. Aliens gay, etc. [1780?] 8°.
B. 362. b. (94.)
May. [Song.] See Away. Away to the
Woodlands awav, etc. [1770?] s. sh. fol.
G. 306. (107.)
May. [Song.] See Gentle. Gentle
Muse now lend thy Aid.
[1780 ?] s. sh. fol. G. 308. (30.)
INIay. [Song, begins : ' The Hawthorn is
sweetly in bloom.'] See Hook (J.)
May. [Song.] See Thrice. Thrice
welcome sweet Mav. [1779?] s. sJi. fol.
G. 312. (146.)
May balmy peace. Song.
See Haendel (G. F.) [Occasional
Oratorio.^
May I never be married. Song.
See Kiss. The Kiss that he gave, etc.
[By J. Hook.] [1785.] s. sh. fol.
H. 1601. b. (44.)
May our Navy for ever Old England
protect. Duet. Sec Shield (W.)
May the Beauties of England. Song.
See Carter (C. T.)
jMay the Mother of Love. [Song.]
See Long (S.)
]\Iay this good Company. Mirth and
Friendship. A two part Song [to the
tune of God save the King] . . . very
proper to be sung at the Conclusion of
any Publick or Private Comimny.
[London, 1160 '>] s. sh. io\.
H. 1994. a. (86.)
May we live all the Days of our Lives.
[Song.] Sec Hook (J.)
MAY-DAY. How can my heart rest.
[Song.] Sung by Mr. Vernon in May-Day
or the Little Gypsy. [By T. A. Arne.]
P. H[odnson : London, 1775]. fol.
G. 308. (145.)
What's a poor simple Clown to do. [Song.]
Sung by Mr. Bannister in May-Day or
the Little Gypsy. [By T. A. Arne.]
P. H[odqson : London, 1775]. fol.
G. 313. (266.)
Wou'd Women do as I do. [Song.] Sung
by ]\Irs. Wrighten in INlay Day or the
Little Gypsy. [By T. A. Arne.]
P. H[odqson: London, 1775]. s. sh. fol.
G. 313. (142.)
Yes I'll give my Heart away. [Song.]
Sung by Mr. Vernon in May Day or the
Little Gypsy. [By T. A. Arne.]
P. H[odqson : London, 1775]. s. sh. fol.
G. 314. (83.)
INIay Day, or the Little Gypsy. [IMusical
Farce.] See Arne (T. A.)
MAYELLUS— MAYNER
111
MAYELLUS (Joanxes Vittorius) Liber
Primus ^Mottectorum Duabus Yocibus
cum Magnificat in fine. Et cum Organo
Partitione, etc. Canto. (Basso.) 2 pts.
Ex TijpogrcqiJiia lo. Baptisfx Gargani,
d- Lucrctij Nucij : Ncapoli, 1610. 4".
C. 55.
MAYER (Aston) [Daphne et Apollon.]
Quand il nous peiut une rose naissante.
Air, etc. (Paroles de M. Pitra, etc.)
{Paris,'] 1782. 8". 298. f. 31.
Mercurc de France, Oct., 1782,2'. 51.
Quand il nous peiut une rose naissante.
/S'ee supra : [Daplini et Apollon.']
MAYER (JoHANN Baptist) Three Duos
Concertaut for 2 German Flutes . . .
Opera 5"'. [Separate Parts.]
Longman and Brodcrip :
London, [1795 ?] fol. g. 225. (6.)
Three Duos Concertaut for Two German
Flutes . . . Opera 6"'. [Separate Parts.]
Longman and Brodcrip :
London, [1795 ?] fol. g. 225. (6*.)
Complete Instructions for the Harp . . .
Exemplified by Progressive Preludes &
Airs ... To which is added the . . . Prin-
ciples of Thorough Bass, etc.
Printed for R. Birchall :
London, [1800 2] fol. h. 3200. a. (17.)
Three Grand Sonatas for the Harp . . . Op. 7.
Ijongman £ Brodcrip :
London, [1797.] fol. g. 198. (10.)
Three Grand Sonatas for the Harp . . . Op. 8.
Printed for the Author :
London, [1798.] fol. g. 198. (11.)
Twelve Songs. Six English & Six
Italian, with an Accompaniment for the
Harp or Piano Forte . . .Op. 9.
W. Napier, for the Author :
London, [Vim'>] fol. G. 198. (6.)
MAYER (JoHANN Simon) A Bettina.
N'c Pek. Per carita Bettina, etc. . [By
J. S. Mayer.] [1800.] fol.
G. 811. a. (12.)
Twelve Yenetian Ballads. Composed &
Arranged for the Yoice and Piano Forte
by. . .S. Mayer, and Dedicated. . .to. . .the
Dutchess of York, by. . .C. Salvini.
L. Lavenu : London, [1797.] ohl. fol.
E. 270. (20.)
El Consegio, A Bettina, e La Stracauata.
Three Yenitian Canzonets, with Harp or
Piano Forte & Tamborine Accompani-
ments.. .Op. 1.3. Book 2.
Printed for Mon-ani and Cimador :
London, [IQQO-l] fol. G. 424. (7.)
El Consegio. Canzonetta Yeneziana.
Printed for Monzani ((• Cimador :
London, [1800 ?] fol.
H. 2831. a. (19.)
El Consegio. See Se. Se amor mai da
vu, etc. [By J. S. Mayer.] [1800.] fol.
G. 811. a. (38.)
MAYER (JoHAXN Simon) Contento il cor
nel seno. A Polacca. Composed. . .for. . .
Luigi Marchesi & sung. . .on the Continent
and in this Country by Madam Salvini.
At Madam Salvini's : ^Vesfminster,
[1797] fol. G. 199. (14.)
La Farfaletta, 1' Amore, e la Primavera.
Three Italian Canzonets, with Harp or
Piano Forte & Tamborine, to one,
Accompaniment. . .Op. 12. Book 1.
Printed for T. Monzani: London,
[1800 •?] fol. G. 424. (6.)
Grazie agli inganni tuoi, Canzonetta, with
a Harp, or Piano Forte, Accompaniment,
etc. Printed for T. Monzani:
London, [1800?] fol. G. 424. (10.)
No. 10 of ' A Collection of Periodical
Italian Songs,' etc.
Quando penso a quell' istante. Canzon-
etta. Printed for Monzani tf Cimador :
London, [ISOOI] fol. H. 2831. a. (20.)
[La Stracavata.] Sec Catina. Catiua
belina graziosa vu se, etc. [With Harp or
Piano & Tambourine Accompaniments.
By J. S. Mayer.] [1800?] fol.
G. 811. a. (11.)
Vecchiarello, vecchiarello. Duetto.
Printed for Monzani if Ciniador :
London, [1800?] fol. G. 424. (13.)
MAYER (Philipp Jacob) Sei Sonate a
Solo per r Harpa. . .Opera Terza. Grave
par JI"" Fleury.
Au Bureau d'ahonnement nmsical:
Pons, [1770?] fol. G. 272. L (2.)
MAY-EVE. May-Eve, or Kate of Aber-
deen. [Song.] See Battishill (.J.)
i.Iay-Eve, or Kate of Aberdeen. [Song.]
[For anonymous settings] : See Silvek.
The silver moon's enamour'd beam, etc.
MAYING. The Maying. [Song.] See As.
As I rambled one Morning a maving.
[1770?] fol. G. 306. (218.)
MAYNARD (.John) The XII. Wonders
of the World. Set and Composed for the
Yioll de Gambo, the Lute, and the Yoyce
to Sing the Yerse, all three ioyntly, and
none seuerall : also Lessons for the Lute
and Base Yioll to play alone : etc. [Words
by Sir John Davies.]'
Thomas SnodJiam for loJin Broivnc :
London, 1611. fol. K. 8. h. 6.
MAYNER (Giorgio) II Primo Libro de
BaUi a Quatro Voci. Accommodati per
cantar et sonar d' ogni Sorte de Istro-
menti. . .Nouamente stampati & dati in
luce. Alto (Tenore). 2 pts.
Appresso Angela Gardano :
Venetia, 1578. obi. 4".
53. a. 32, 33. (3, 4.)
112
MAYNER— MAZZINGHI
MAYNER (Giorgio) Magnificat Octo
Touorum . . . uvinc primum excussa. Gum
Quatuor Vocibus. Cantus. (Altus.)
(Tenor.) (Bassus.) 4 pts.
Apiid loannem Bcrilettum :
Tcmiiis, 1574. obi. 4". K. 4. c. 13.
MAYNEEIUS (Geohgius) See ]\Iaynkr.
MAYONE (AscANio) Primo Libro di
Diuersi Capricci per Sonare, etc.
Per Constantino Vitale :
Napoli, 1G03. ubl. 4". K. 4. b. 6.
MAYR (JoHANN Simon) See Mayeb.
MAYR (Rupert Ignatius) Sacri Con-
ceutus, Psalmorum, Antiphonarum, Pia-
rum Cantionum, ex sola voce & diversis
Instrumentis. . .Opus III. Voce. (Violino
Primo.) (Violino Secundo.) (Viola da
Braccio, 6 Trombone.) (Basso di Viola.)
(Basso Coutinuo.) 6 pts.
Sitnqytibus Authovis. Typis Pauli Daln-
stcincri : Eatisbonac, 1681. 4". C. 71.
MAYR (Simone) See Mayer (J. S.)
MAZET. Cxasouillez petits oiseaux. [Song.]
De Mazet [by E. R. DuniJ.
[Paris, 1770?] 8". B. 362. b. (3.)
Mazet. Com^die. See DuNi (E. R.)
MAZZAFERR AT A (Giovanni Battista)
11 Primo Libro delle Cantata da Camera a
Voce Sola . . . Opera Quinta, etc. [With a
preface by G. A. Silvani.] Per Giucomo
Monti : Bologna, 1677. obi. 4°. B. 316.
II Primo Libro delle Senate a Due Violini
con un Bassetto Viola se place. . . . Opera
Quinta. Nouamente Ristampata. Violino
Primo (Secondo). (Bassetto Viola.)
(Bass Continuo.) 4 pts. Per G. Monti ;
Bologna, 1678. fol. g. 14.
MAZZANTI (Ferdinando) Six Duettos,
for two Violins ... Op. 1""\ [Separa,te
Parts.] Longman d; Broderip,
for the Autlior : London, [1780?] fol.
g. 421. t. (12.)
Six Italian Canzonets for Tavo Voices . . .
Op II Printed for tJic AutlLor :
London, [1180?] obl.iol. D. 753. (1.)
Tlie title-page is signed by the composer.
Six Italian Canzonets for Two Voices . . .
Op III. Printed for tJic Author :
London, [1780 ?] obi. fol. D. 753. (2.)
The title-page is signed by the composer.
MAZZELLA (Salvatoke) Balli, Cor-
reuti, Gighe, Sarabande, Gauotte, Brande,
e Gagliarde, con la misura giusta per
ballare al stile Inglese, con la giunta della
Folia di Spagna, Passagagli per dui Tuoni
con molte partiti ; dui Ciaccone, vna
Spagnola, e 1' altra Italiana . . . aggiuntaui
molte partite sopra la Tarantella. A Dui,
Violino, e Viola, o Cimbalo . . . Opera
Prima. Nclla Stampcria di G. A. Mutij :
noma, 1689. obi. 4°. K. 4. b. 7.
MAZZINGHI (Joseph) Admiral Lord
Nelson's Victory. A Sonata for the Piano
Forte ... In Commemoration of the
Glorious 1" of August, 1798.
Goulding, Phipps dD'Almaine: London,
[1799.] fol. h. 726. c. (26.)
[L'Amour et Psiche.] The Favorite
Opera Dance of L'Amour et Psiche, for
the Year 1788, . . . Composed for the Piano-
Forte, Flute and Violin . . . Act i.
Longman and Broderip: London,
[1788.] obi. 4". a. 9. b. (5.)
[Another copy.] b. 50. (3.)
The Favorite Opera Dance of L'Amour
et Psiche for the Year 1788, . . . for the
Piano-Forte, Flute and Violin . . . Act ii.
Longmayi and Broderip : London.
[1788.] obi. 4". b. 52. (7.)
[La Bella Arsene.] The Songs, Duetts
&c. in the Favorite Opera ' La Bella
Arsene,' etc. [Words by L. Da Ponte.]
2 Bks. G. Goulding : London,
[1795.] fol. H. 144.
A Blessing on Brandy and Beer.
See infra : \_Tlic Magician no Conjuror.]
[The Bouquet.] The favorite Divertis-
ment, the Bouquet, Composed by Sig'
Onorati, as danced at the Kings Theatre,
selected & composed by I. IMazzinghi.
Op. 22. [P. F.] G. Goulding ;
London, [1795 7] fol. g. 442. a. (11.)
Che bel spassetto. The Favorite Air,
Introduced & Sung by Sig''' Storace in
the Comic Opera [by V. Martini] L'Albero
di Diana. G. Goulding : London,
[1798?] fol. H. 2830. g. (2.)
Concertante for the Piano Forte, Flute,
Two Violins, Tenor, and Violoncello . . .
Op. 42. [Separate Parts.]
Goulding, I^hipps it D'Ahnainc : London,
[1800 ?] ' fol. g. 458. (7.)
[A Day in Turkey.] The Songs, Duets
and Chorusses ... in the Comedy ... of
A Day in Turkey . . . the Poetry by Mrs.
Cowley. Printed for G. Goulding:
London, [1792.] obi. fol. E. 81.
Les D^lassements Militaires. The
Favorite Divertisment, ... by Mon'
Gallet, as danced at the King's Theatre,
adapted for the Piano Forte by J.
Mazzinghi. G. Goulding : London,
[1797.] fol. h. 726. 1. (7.)
According to contemporary advertise-
ments the music of litis Ballet icas
composed by C. Bossi.
Dolce mi parve un di. [Song.] Sung by
Signora Delicati in the Opera [by V.
Martini] of La Cosa Rara, etc. [Full
Score.] Longman and Broderip :
London, [1789.] fol. G-. 196. (5.)
This is a ncio setting of the song in
Martini's opera, loritten for the per-
formance in London.
MAZZINGHI
113
MAZZINGHI (-Joseph) Eliza ou le
Triompho de la Natuie, A Pastoral Ballet
by M. Gallet ... Op. 32. [P. F.]
Goulding, Pliq^ps d D'Almaine :
London, [179S.] fol. g. 272. 1. 3.
Grandi o vei- son le tue pene. [Song.]
Sung by Sig" Giuliani, in the Opera
' Olimpiade,' [a Pasticcio,] composed by
Sig"" J. Mazzingbi. [Full Score.]
Longman and Broderip :
[London, 1788.] fol. G. 196. (21.)
Happy were the days.
See infra : [Ramah Droog.]
The ^Magician no Conjuror. A Comic
Opera in 3 Acts, etc. [Written by R.
Merry.] Printed for G. Goulding :
London, [1792.] obi. fol. E. 91. (1.)
A Blessing on Brandy and Beer, a
favorite Drunken Song, sung ... in the
Magician no Conjuror. . .the Poetry by
Dela Crusca. Printed for G. Goulding :
Lo7idon, [1792.] fol. H. 2818. b. (29.)
Oh what can match the pleasure,
[Song,] sung ... in the JIagician no Con-
juror . . . the Poetry by Dela Crusca.
Printed for G. Goulding :
London, [1792.] fol. H. 2818. b. (32.)
Those ruby I.ips, | Song,] sung ... in
the Magician no Conjuror, etc.
Printed for G. Goulding :
London, [1792.1 fol. G. 808. e. (36.)
Grand March in the Opera [by L. Cheru-
bini] Ifigenia in Aulide, etc. [Full Score.]
Longman and Broderip:
London, [1789.] fol. g. 133. (44.)
No more, no more by Fears opprest. A
Favorite Duetto. Sung at the Opera
House Gala. [Full Score.]
Longnmn <C- Broderip :
London, [1792.] fol. G. 354. (24.)
Oh what can match the pleasure.
I>ee supra : [Tlie Magician no Conjuror.']
The favorite Opera Dances performed at
the King's Theatre . . . 178G. Selected
and adapted for the Piano Forte or
Harpsichord by Sig' IMazzinghi. 4 Bks.
Longman and Broderip :
London, [1786.] obi. 4'\ b. 51. (3.)
The Favorite Opera Dances, performed at
the King's Theatre . . . 1787 . . . Composed,
Selected and adapted for the Piano Forte
Flute or Violin by J. Mazzingbi. 3 Bks.
Longynan and Broderip :
London, [1787.] obi. 4". b. 51. (4.)
The Favorite Opera Dances for the Year
1788. Performed at the King's Theatre
. . . Composed, selected & adapted for the
Piano Forte, Flute or Violin, by J. ;Maz-
zinghi. 2 Bks. Longman tC" Broderip :
London, [1788.] obi. i". b. 51. (5.)
VOL. II.
MAZZINGHI (Joseph) The Favorite
Opera Dances for the Year 1788, per-
formed at the King's Theatre . . . Com-
posed, selected & adapted for the Piano-
Forte, Flute or Violin, by J. Mazzingbi.
Book III. Longynan d; Broderip :
London, [1788.] obi. 4". b. 52. (8.)
The Favorite Opera Dances for the Year
1789 . . . Composed, selected & adapted for
the Piano-Forte, Flute or Violin by J.
Mazzingbi. Book i.
Longman & Broderip :
London, [1789.] ohl. 4>. b. 51. c. (2.)
The Favorite Opera Dances for the Year
1789, performed at the King's Theatre . . .
Composed, selected & adapted for the
Piano-Forte, Flute or Violin by J. Maz-
zingbi. Book II. Longmayi d: Broderip :
London, [1789.] obi. i\ b. 52. (9.)
The Celebrated Opera Dances as per-
formed at the Theatre Royal, HajTuarket,
1792, for the Piano Forte, Violin or Flute.
Compos'd by M' ^lazzinghi, and other
eminent Composers. 3 Bks.
T. Sldllern, for the Proprietors :
Loyidon, 1792. obi. i"
a. 150.
Paul et Virginie, the Favorite Grand
Ballet . . . composed by Sig' Onorati, tho
Music by J. Mazzingbi. Op. 17.
Printed for G. Goulding:
London, [1795.] fol. g. 272. i. (4.)
Pizarre, the Favorite Grand Ballet ... by
Mon"' Gallet, Adapt'd for the Piano Forte
by J. Mazzingbi. G. Goulding :
London, [1797.] fol. g. 458. a. (1.)
Le Premier Navigateur or the Force of
Love, a Grand Pantomime Ballet, by Mods'
Gardel . . . Selected and adapted for the
Piano Forte or Harpsichord by Sig' Maz-
zingbi. 2 pts. Longman and Broderip :
London, 1786. obi. 4". b. 50. (1.)
Three Quartetts for a Piano Forte, Flute,
Violin & Tenor . . . Op. lit. [Separate
Parts.] Longynan and Broderip :
Lo7idoH, [1785?] fol. g. 458. b.
[Ramah Droog.] Happy were the days.
[Song,] sung by jNIiss Waters in Ramah
Droog, etc. Goulding £ Co. :
London, [1798.] fol. G. 806. c. (43.)
Ramah Droog. Comic Opera.
See MAZZINGHI (-L) and Reeve (W.)
Three Favorite Scotch Airs composed by
Nabbaniel Gow, arranged as Rondo's for
the Piano Forte. . .by J. Mazzingbi.
Gouldiyig, Phipps d- D'Almaiyie : London,
[1799?] fol. g. 272. V. (13.)
The Siege of Bangalore. . .for the Piano
Forte, with an Accompanyment for a
German Flute or Violin . . . Op. 8.
[Separate Parts.] Printed for
G. Goulding : London, '1192?] fol.
h. 1480. p. (9.)
114
MAZZINGHI
MAZZINGHI (Joseph) Three Sonatas
for the Piano Forte or Harpsichord with
an Accompaniment for a Violin... Op. 1.
2 sets. Printed for G. Goulding :
London, [178S ?] ohl. fol. f. 65. b. (8.)
Six Sonates pour Clavecin ou Piano-
Forte avec accompagnement d'un Violon
. . .CEuvre i. Chez Imhault : Paris,
[1790?] obi. fol. d. 159.
Three Sonatas for the Piano Forte with
an Accompanyment for a Violin or
German Flute . . . Op. 2.
Longman and Broderip : London,
[1788?] fol. h. 60. (6.)
Three Sonatas for the Piano Forte, with
Accompaniments for a Violin and Violon-
cello... Opera Quinta. [Separate Parts.]
Printed for the Author : Lotidon,
[1790?] fol. g. 161. (6.)
Three Sonatas, for the Piano Forte with
an Accompanyment for a Violin or Flute
. . .Op. 9. [Separate Parts.]
Printed for G. Goulding : London,
[1792?] fol. g. 418. b. (4.)
Three Sonatas for the Piano Forte with
an Accompanyment for the Violin or
German Flute . . . Op. 10. [Separate
Parts.] Printed for G. Goulding :
iwidow, [1792 ?] fol. g. 418. b. (5.)
Three Sonatas for the Piano-Forte. . .and
an Accompaniment for a Flute or Violin
. . .Op. 14. [Separate Parts.]
Goulding, Phipps <& D^ Ahnainc : London,
[1800?] fol. g. 272. i. (5.)
[Another copy.] g. 271. e. (13.)
Wanting the accompaniment.
Three Sonatas for the Piano Forte, . . .
with an Accompaniment for a Flute or
Violin, ad libitum. . .Op. 15. [Separate
Parts.] J. Ball : London, [1795 ?] fol.
g. 186. (8.)
[Another edition.] Three Sonatas . . .
Op. 15. G. Gcnilding : London,
[1799?] fol. g. 271. e. (12.)
Wanting the Pianoforte part.
Two Sonatas arranged as Duetts for the
Piano Forte, with or without the Ad-
ditional Keys. Selected from the favorite
Works of J. Mazzinghi. Op 27.
G. Goulding : London, [1799 ?] fol.
g. 543. (18.)
Three Sonatas for the Harp or Piano
Forte, and an Accompanyment for a
Flute and Violin, and Two French Horns,
ad libitum. . .Op. 30. Printed for
Goulding, Phipps d D' Almaine : London,
[1800?] fol. h. 3200. (12.)
Wanting the accompaniments.
Two Grand Sonatas for the Piano-Forte
with Accompaniments for a Flute or
Violin and Violoncello. . .Op. 39. [Sep-
arate Parts.] Goulding, Phipps d
D'Almaine : London, [1800 ?] fol.
g. 458. a. (2.)
MAZZIWGHI (Joseph) Those ruby Lips.
See supra : [The Magician no Conjuror. '[
Second Book of Tiro Musicus, being a
Complete Introduction to the Piano Forte,
with Six Progressive Lessons . . . Op. 25.
G. Goulding : London, [1795 ?] fol.
g. 272. 1. (4.)
Tom Starboard.
See infra: {The Turnpike Gate.]
Les Trois Sultanes. [Ballet.] Performed
at the King's Theatre, composed by Sig'
Onorati, arranged for the Piano Forte or
Harp, the Music chiefly new. . .Op. 20.
G. Goulding : London, [179G.] fol.
g. 442. a. (12.)
The Turnpike Gate. Comic Opera.
See Mazzinghi (J.) and Reeve (W.)
[The Turnpike Gate.] Tom Starboard.
A Favorite Song, sung by Mr. Incledon
in the Opera [by J. INIazzinghi and W.
Reeve] of The Turnpike Gate, etc. [Words
by T. Knight.] Goulding & Co. :
London, [1799.] fol. G. 250. (29.)
Zemire et Azor, a Grand Pantomime
Ballet performed at the King's Theatre,
Haymarket. . .adapted for the Harpsichord,
Piano Forte or Violin. 2 Bks.
Longman and Broderip :
London, 1787. obi. 4". b. 50. (2.)
See CAMPBELti (W.) The Princess of
Wales's Strathspey . . . arrang'd as a
Rondo ... by J. Mazzinghi. [1796 ?] fol.
g. 140. (45.)
See Hope. Hope told a flattering Tale . . .
with the Celebrated Harp Accompaniment
... by Mr. Mazzinghi. [1793.] fol.
G. 363. (16.)
See Idalide. Ah che nel petto io sento
[Song.] . . . Harp Accompaniments by
Madam Mara [or rather by J. Mazzinghi].
[1791.] fol. G. 199. (26.)
See Martin y Solar (V.) [Una Cosa
Eara.} Consola le pene. [Song.] Sung
... in the Opera of La Cosa Rara. Com-
posed by iMessrs. IMartin [i.e. V. Alartin y
Solar] & Mazzinghi. [1789.] fol.
G. 196. (4.)
Sec Opera Overtures. Number l(-5)
of the Opera Overtures adapted for the
Harpsichord . . . with an Accompaniment
for a Violin. [Nos. 1, 8 and 4 arranged
by J. Mazzinghi.] [1789.] fol.
h. 61. (7-11.)
See Pleyel (I. J.) [Lieder bcijm Clavier
zu singen. Th. II. Die friihe Liebe.]
Lady Isabell . . . adapted to Sir. Pleyel's
. . . Air ... as a Glee . . . bv J. Mazzinghi.
[1795?] fol. ' G. 353. (23.)
Sec Storage (S.) The Favorite Operas of
Mahmoud & The Iron Chest, . . . Adapted
... by J. Mazzinghi. [1797.] obi. fol.
E. 115. a.
MAZZINGHI— MEDERITSCH
115
MAZZINGHI (Joseph) and REEVE
(William) Ramah Droog or Wine does
Wonders. A Comic Opera, etc. [Words
by J. Cobb.] Goulding, Phipps d
D'Almaine: London, [11 98.] fol.
H. 121. (1.)
The Turnpike Gate, a Comic Opera in
Two Acts . . . The Poetry by Mr. Knight, etc.
Goulding, Phipps & Ff Almaine :
London, [1799.] fol. H. 121. (2.)
MAZZINGHI (ToMMASo) Six Solos for
the Violin with a Thorough-Bass for the
Harpsichord . . . Opera i. P. Welcker, for
the Author: Loyidon, [1763.] fol. i. 15.
MAZZOCCHI (DoMEXico) La Catena
d'Adone. [Opera, words by Ottavio
Tronsarelli.] Appresso Alessandro
Vincenti : Venetia, 1626. fol.
K. 8. g. 9.
Partitura de' Madrigali a Cinque Voci, e
d' altri varij Concerti. Appresso Francesco
Zannctti : Eoma, 1638. obi. 4".
K. 3. f. 16.
Musiche Sacre e Morali. A Una, Due, e
Tre Voci. us. note, by W[illiam]
A[yrton]. Lodouico Grignani :
Roma, 1640. fol. K. 8. g. 15.
TJie last leaf is mutilated.
MAZZOCCHI (ViRGiLio) Virgilii Maz-
zocchi . . . Psalmi Vespertini Binis Choris
Concinendi. Cantus (Altus) (Tenor)
(Bassus) (Nonus) Primi Chori. (Cantus
(Altus) (Tenor) (Bassus) Secundi Chori.)
(Organum.) 10 pts. Ex Typographia
Ludouici Orignani : Bomx, 1648. 4".
D. 243.
MAZZOLINI (Carlo Andrea) Sonata
per Camera a' Tre, Due Violini e Claui-
cembalo 6 Tiorba. . .Opera Prima, etc.
Violino Primo (Secondo) (Clauicembalo o
Tiorba.) 8 pts. Per G. Michcletti :
Bologna, 1687. A". d. 11.
MAZZONE (Marco Antomo) Corona
delle Napolitane a Tre et a Quattro Voci,
di diuersi eccellentissimi Musici, etc.
[Edited by M. A. Mazzone.] Canto.
Appresso Girolamo Scotto :
Yincgia, 1570. 8". A. 193.
The composers named in this collection
are : M. A. Mazzone, G. D. di Nola,
G. L. del Arpa, E. Bodia £ S. Lando.
ME. M' ha detto la mia Mamma. [Glee.]
See Biggs (E. S.)
/^
ME. Me me i^heuges. Song.
See Saudford (J.)
ME. Me prier ne sert de rien. [Song.]
See Au Retour.
Me seroit-il permis de dire. [Two-part
Song.] Sec Bordier (L. C.)
MEA. Le Mea Culpa. [Song.]
See Ma. Ma fille avec componction.
[1780 ?] 8". B. 362. c. (29.)
MEADS. The meads and the groves in
fresh Verdure shone gay. A Song to an
Air in au Organ Concerto [by J. Worgan].
For Vaux-Hall Gardens.
[London, 1746.] 8". 249. c. 16.
Gentleman's Magazine, Vol. XVI., p. 269.
The I\Ieads and the Groves in fresh Ver-
dure shone gay. ^4 Song to an Air in an
Organ Concerto [by J. Worgan] for Vaux-
hall Gardens.
[London, 1750 ?] s. sh. fol.
G. 312. (67.)
[Another copy.] G. 305. (225.)
[Another edition.] The Meads and the
Groves in fresh Verdure shone gay, etc.
[London, 1755 ?] s. sh. fol.
G. 303. (28.)
MECHANTS. Mechans disent Tarare.
Le Croquis de Tarare. Air : Oui noir
mais pas si diable [by A. E. Gr6trv. The
words] Par Deduit. [Paris, 1787.] 8".
B. 362. f. 11.
MEDEA. Medea.
See Benda (G.)
[Melodrama.]
MEDECIN DE L' AMOUR. Le Mede-
cin de I'Amour. Op6ra-Comique.
See Laruette (J. L.)
MEDEE. :\I6d6e Trag^die.
See Chakpentier (M. A.)
Med6e. Op6ra.
Sec Cherubini (M. L. C. Z. S.)
M]6d:6e et JASON. M6d6e et Jason.
Tragedie en Musique. See Salomon ( )
MEDER (JoHANN Gabriel) [La Contesa
e la Pace. Overture.] Symphonic
P^riodique, No. I, a Deux Violons, Taille,
et Basse, Deux Hautbois, et Deux Cors
de Chasse . . . Ouverture de la Cantata
Italienne . . . compost k I'occasion da
I'illustre Mariage du Prince Stadhouder
& de la Princesse de Prusse. [Separate
Parts.] Chez I'A'Utcur : Amsterdam,
[1770?] fol. g. 474. (27.)
Symphonie P6riodique, No. II, a Deux
Violons, deux Tallies, et Basse, deux
Hautbois, et Deux Cors de Chasse. Qui
a 6t6 faite & execute a I'occasion de
I'Entr^e de LL. AA. S. & R. le Prince
Stadhouder & ... La Princesse a la Maison
de Ville d'Amsterdam, le 30 Mai 1708.
[Separate Parts.] Chez I'Auteur :
Amsterdam, [YJIQ^ fol. g. 474. (28.)
MEDERITSCH (Johann) called Gallus.
II. Quiutetts pour Forte-piano, Flute,
Violon, Alto et Violoncelle. [Separate
Parts.] Chez Hoffmeistcr :
Vienne, [1795 ?] ohl. fol. e. 738.
I 2
11!>
MEDEEITSCH— MKHUL
MEDERIT8CH (Johann) called Gallus,
and WINTER (Peter von) Babilons
Piramidcn. Eine gi'osse horoisch-kom-
icshe Oper von E. Schikancder iu Jlusik
gesetzt der erste Auszug von J. Gallus,
der zweyte Auszug von P. Winter... Fiir
das Forte Piano iibersetzt von J. Henne-
herg, etc. E. Schikancder : Wicii,
1797. obi. fol. F. 46. a.
Babilons Piramiden. Eine grosse lieroisch-
komische Oper. Der erste Aufzug von
J. Gallus, der zweite von P. Winter in
Musik gesetzt. Im Clavierauszuge.
Til der Brcitkopf & HdrtelscJien M^isiJ:-
liandlunq : Leipzig, [1800?] obi. fol.
F. 46.
MEDIATION. The Mediation. [Song.]
retty Ladies.
s. sh.. fol.
See Do. Do you pretty Ladies.
[17G0?] s. sh. fol. G. 316. d. (111.)
MEDIOCRITY. ]\Iodiocrity. [Song.]
See In. In a neiglibourlv way, etc.
[1780?] s. sit. fol. " G. 309. (93.)
MEDIUM. The Medium of Life. Glee.
See Aene (T. A.)
MEDLERS. Medlers out of Season.
[Song.] See Come. Come Lads, ne'er
plague vour heads. [1735 ?] .s. sh. fol.
G. 316. d. (70.)
MEDLEY". What think ye my Masters.
Tlie Innkeeper's Song. Sung by Mr.
Keen at Sadlers Wells in the Medley, or
Cupid's Frolick. [London,
17G0 ?] s. sh. fol. G. 313. (221.)
A Medley or the Cries of London.
See See. See the happy Country Lass.
[1775 ?] fol. G. 316. j. (6.)
MEDONTE. The Favourite Songs in the
Opera Medonte. [A Pasticcio.]
R. Brcmner : London, [1782.] fol.
G. 316. e. (27.)
The composers named are : Bertoni and
Ottani.
MEG. Meg of Wapping. [Song.]
See DiBDiN (C.) [The General Election.^
MEGLI (DoMiNico Maria) Le Prime
Musiche di Dominico IMaria Megli . . .
Nelle quali si contengono Madrigali, et
Arie a Una & due Voci. Per Cautare nel
Chittarone, Clauicembalo, & altri Instro-
menti. Nouamente ristampate & corette.
Appresso Giacomo Yinccnti :
Venctia, 1003. fol. K. 7. g. 5.
MEHAIjA. Mehala, die Tochter Jephtha.
Ein musikalisches Drama.
See Rolle (J. H.)
MEHUL (Etienne Nicolas) [Adrien.
C6sar vous m'evitez.] Air de Flaminius
. . .arrange pour le Piano par I'Auteur.
Chez Fleyel : Paris, [1799.] fol.
H. 2831. h. (20.)
MEHUL (IvriENNE Xicolas) Ariodaut.
Opera en 3 Actes, paroles d'Hoffman, etc.
IPuU Score.] Chez Imbaulf :
Paris, [1800.] fol. G. 275.
Cesar, vous m'evitez.
iSVe supra : [Adrien. ■
Le Chant des Victoires. Hymne de
Guerre, par Chenier, etc. Du Magasin de
Musique, a Vnsoge des Fetes Nationalcs :
[Paris, 1791.] 8'. E. 1717. b. (4.)
[Another copy.] E. 1717. b. (38.i
Le Chant du Depart. Hymne de Guerre,
par * * * * [i.e. M. J. Chenier].
Du Magasin de Musique, d I' usage des
Fetes Nationalcs : [Paris, 1794.] 6\
E. 1717. b. (3.)
[Another edition.] Le Chant du Depart.
Hymne de Guerre, etc. [Voice and
(Vuitar.] [Paris, 1794.1 8'.
B. 362. d. (1.)
Le Chant du Betour, par M. J. Chenier.
All Magasin de Musique a Vusage des fetes
Nationalcs : [Pans, 1797.] 8°.
E. 1717. b. (41.)
Chant Funebrc a la me'moire du Repre-
scntant du Peuple Ferraud assassine a
son Poste le 1" Prairial An 3'' de la
Republique. Paroles de Baour Lormian,
cic. A V hnprimerie de
Musique de Vinstitut National : [Paris,
1795.] s. sh. 4'\ 808. 1. 14. (14.)
Chant National du 14 Juillet 1800, execute
dans le Temple de INIars le 25 Messidor an 8,
etc. [Full Score.] Gravi par Mad" Le
Ron : Paris, An viii [1800]. fol.
H. 2005. a.
Le 18. Fructidor. [Song.] . . . Paroles de
Lebrun-Tossa. Au Magasin de Musique,
a r usage des fetes Nationales : [Paris,
1797.] 8". ' E. 1717. b. (50.)
Euphrosine, ou le Tyran corrige. Comedie
en Trois Actes et en Vers par F. Hoffman,
etc. [Full Score.]
Cliez les C'"^ Cousineau, P^re et Fits :
Paris, [1790.] fol. H. 630. d.
[For songs, &c., published anony-
mously :] See Euphrosine.
; Le Faucon.] Qu'ils sont charmans, qu'ils
sont aimans. [By E. N. Mehul.]
[1794.] 8". See Faucon.
^ B. 362. h. (14b.)
Horatius Codes. Acte Lyrique, Paroles du
Citoyen Arnault, etc. [Full Score.]
Chez les Citoyens Cousineau, Pire et FiU :
Paris, [1794.] fol. H. 630. g.
Le Jeune Sage ct Ic Vieux Fou. Comedie
en un Acte en Prose par Hoffmann . . .
Grave par Huguet. [Full Score.]
Chez Cousineau Pire et Fits : Parts,
ri793.] fol. G- 275. c.
MEHUL— MELIDA
117
MEHUL (Etien^;e Nicolas) Melidore
et Phrosine. Drame Lyrique en trois
Actes. Paroles du Citoyen Arnault, . . .
Grave par Huguet, etc. TFuU Score.]
Chez les Citoyenn Cousincau Pere et Fils, :
Paris, [1794. J fol. H. 630. e.
Rt'publicains dont le g^nie. UHijmne dcs
Vingt Deux, 'pav 31. J. Chenier. [In com-
memoration of the Girondins executed in
October, 1793.] Da 3Iaga-jin de Musiqitc
a Vusage des fi:tes Nationales : [Paris,
1795.] 8". E. 1717. b. (22.)
Salut, Neuf TLermidor. Hymnc du IX.
Thcrmidor, par M. J. Ch^nier, etc.
Au Magasin de Musique a Vusage des
Fetes Nationales : [Paris, 1795.] 8".
E. 1717. b. 45.
Stratonice. Comedie heroique on un Actc
et en Vers, par ]\Ir. Hoffmann. . .Gravee
par Huguet, etc. [Fall Score.]
Chez les G. Coimncau Pere et Fits: Pari.'i,
[1792.] fol. G. 275. b.
Sec Agus (H.) Solfeges pour servir a Tctude
dans le Conservatoire de ]\Iusique k Paris
par... Agus... M6hul,f/r. [1795?] fol.
H. 2851.
MEI (GiROLAMO) Discorso sopra la musica
antica, e moderna, etc.
Appresso Gio. liattista Ciotti : Venetia,
1G02. 4°. 7898. k. 9.
MEIBOMIUS(Marcis) Autiqiia; :Musici^
Auctores Septem. Graeco et Latine. Mar-
cus Meibomius restituit ac Notis ex-
plicavit. 2 vol. Apud Lndovicum
Elzcvirium : Amstelodami , 1652. 4".
65. b. 18, 19.
[Another copy.] 683. f. 4.
MEILAND (Jacob) Cantiones Sacrse
(^)uinqueet SexVocumharmonicis numeris
in gratiam musicorum compositse, etc.
Discantus. (Bassus.) (Vagans.) 3 pts.
In Officina Typographiea Vlrici Ncuberi :
Norinbergx, 15G9. ubl. i'. A. 286.
Cantiones Sacrte Quinque et Sex Vocum
...iam denuo auctiores multumqj quam
antea correctiores in lucem editse, etc.
Altus. (Tenor.) (Quinta Vox.) 3 pts.
In Officina Theodorici Gcrlachij :
Nurimbergn', 1573. obi. i". A. 286. b.
Sacra; aliquot Cantiones Latinse et Ger-
manicae, Quinque et Quatuor Vocum, etc.
Altus. [Bassus.] 2 pts.
Apud Gcorgiuvi Coruinum etSigismundnm
Feycrabend : Francofnrti ad Moenum,
1575. obi. 4". A. 286. c.
Wanting sig. ana 1-3 of tJic Bassus.
Selectse Cantiones Quinque et Sex Vocum,
tum viva voce, turn omnis generis instru-
mentis cantatu commodissimse, etc. Dis-
cantus. (Altus.) (Tenor.) (Bassus.)
(Vagans.) 5 pts. In officina Dictericlii
Gerlacij : Noribergtr, 1572. obi. 4".
A. 286. a.
MEILAND (Jacoi) See Musculus (B.)
Sacra Cithara, das ist : Achtzig. . .Geist-
liche Gesiing . . . Auctoribus, Balthasare
^Musculo, Horatio Veccho, jacobo Mei-
lando. etc. 1G25. 12'. A. 242.
MEIN. :slem Hertze, lege dich. [Hymn
for 4 voices.] M. Eolirlach :
Brcsslau und Licgnit.-, 1730. s. sh. 4".
3425. b. 5. (2.)
Inserted in Benjamin Sclwiolck's ' Heili-
gcr Schau-Platz dcr Liebe.'
Mein IMundt der siugt. Das Vierdfe. Ein
Weyhcnacht Gsanglein. In seiner aignen
Melodey. [Hymn for 2 voices.]
\_Ct. Ildnlin : Inqoldstadt,]
1737, [1037]. 12'\ 11522. de. 19. (2.)
MEXj (Rixaldo del) Madrigaletti a Tre
Voci . . . Nouamente Ristampati. Libro
Secondo. Canto. (Basso.) 2 pts.
Appresso Angelo Gardauo :
Venetia, 1G04. obi. 4». A. 292. a.
II Primo Libro de Madrigali a Sei Voci,
di Rinaldo del ]Mel, Nouamente da lui
Composto & dato in luce. Quinto.
Apjyresso Angela Gardano :
Venetia, 1584. 4". D. 57.
Di Rinaldo del Mel. . .11 Secondo Libro do'
j Madrigali a Sei Voci . . . Quinto.
I Appresso Giacomo Vincenti :
Venetia, 1593. obi. 4". A. 292.
MELANDE (Georgio) pseud, [i.e. Georg
Philipp Tclemann.] Solos for a Violin
with a Thorough Bass for the Harpsicord
or Bass Violin . . . Opera i^rima.
Printed for I. Walsk <0 In'^ <C losepli
Hare: London, [V125'>'] fol.
g. 422. j. (1.)
Solos for a Violin with a Thorough Bass
for the Harpsicord or Bass Violin . . .
Opera Seconda. Printed for I. Walsh d-
In'> d- Io.seph Hare: London, [1125?] fol.
g. 422. j. (2.)
MELANI (Alessaxdro) Delectus Sa-
crorum Concentuum Binis, Ternis, Qua-
ternis, Quinisque vocibus Concinendus
. . . Liber Secundus. Altus.
I'yins Mascardi : Roinse, 1G73. 4".
D. 239. a.
Mottetti Sagri a Due, Tre, Quattro e
Cinque Voci . . . Opera Prima, etc. Canto
Secondo. Nella Stainparia di lacomo
Fei d' Andrea figl. : Boma, 1G70. 4^
D. 239.
MELFIO (Giovanni Battista) II Primo
Libro de gli Madrigali, a quatro Voci, etc.
Alto. Apud Hieronymuni Scotum :
Venetiis, 155G. obi. 4°. A. 289.
MELICO (Giuseppe) Sec Millico.
MELIDA. Melida. Singspiel.
See RoLLE (J. H.)
118
MELIDE— MELTON
MELIDE. De nos moutons le nombre
augmente. Romance da Navigatcur [by
F. A. Danicau Philidor].
[Paris, 1775 ?j 8". B. 362. b. (17.)
M^lide. ComMie mel^e d' Ariettas.
See Philidor (P. A. Danican).
MELIDORE ET PHROSINE. M61i-
dore et Phrosine. Drame Lyrique.
See Mehul (E. N.)
MBLII (PiETRO Paolo) Di P. P. Melii . . .
Intauolatura di Liuto Attiorbato Libro
Secondo. Nel quale si contiene Corrente
Volte Gagliarde, Preludi & vna Tastata.
Un Capricio, vna Corrente, & vna volta
Cromatiche. Vn' Aria di Firenze passeg-
giata dair Autore, vn Prelude, & vna
Corrente per la Tiorba, & nel fine del
Libro tre Canzoni, & vna Corrente Con-
certate a due Liuti. Dopo 1' Opera aggiun-
toui vna Volta, & vna Gagliarda, etc.
Ai^presso Giacomo Vincenti :
Venctia, 1614. fol. K. 2. i. 15. (1.)
Di P. P. Melii . . . Intauolatura di Liuto
Attiorbato Libro Terzo. Nel quale si
contiene varie senate in vna cordatura
diSerente dall ordinaria& differente ancora
da quella cbe gia quattro Anni io mandai
alle stampe nel fine del mio Primo libro,
etc. Appresso Giacomo Vincenti :
Venetia, 1616. fol. K. 2. i. 15. (2.)
MELINDA. Meliuda cou'd I constant
prove. Song,
Sec Barrett (J.) Organist.
Melinda's Complaint. [Song.]
See By. By tbe side of a glimmering fire.
[1730 ?J s. sh. fol. G. 316. d. (53.)
MELISMATA. Jlelismata. Musicall
Pbansies. See R., T.
MELISSA Melissa. [Song.]
See Sweet. Sweet Melissa, etc.
[1788?] fol. G. 377. (17.)
MELISSOMELOS. Melissomelos or Bee's
Madrigall. See Butler (C.)
MELLICO (Giuseppe). See Millico.
HELLISH ( ) Captain. Pour la vie je
suis a vous. A favorite Gl-ee for tbree
Voices. J. F{entu']yn : [London,
1780?] s. sh. fol. a. 311. (27.)
MELLISH ( ) Miss. My Phillida, adieu
love. A favorite Ariette.
Broderip and Wilkinson : London,
[1800?] fol. H. 2815. a. (9.)
MELODI.E. Melodise Prudentianas et in
Virgilium magna ex parte nuper natae,
and per Nicolaum Fabrum Typographum
expressse. [Hymns.]
L^psise. Mense Octobri. [1532 ?] 8".
K. 1. f. 15.
Most other knoivn copies of this work are
dated ' Mense Aprili. 1533.' A mis-
print on the title-page of the present
copy points to its being an earlier
edition. The composers named are L.
Hordisch and S. Forster.
[Another copy.] K. 8. b. 13.
IMelodise Prudentianse et in Virgilium
magna ex parte nuper natse, etc. [Hymns.]
Lipsics. Mense Ar>rili. 1533. 8°.
K. 8. b. 14.
MELODIEN. ]\Ielodien fiir Klavier oder
Pianoforte zu den gesellschaftlichen Lie-
dern im Kirmesbiichlein.
[Frohbtirg, 1800?] obi. 4°. B. 731.
The composers named are : Himmel,
Zelter, Pleyel, Zumsteg, Mozart, W.
Mailer, Tag, Kwnze, BeyicUi and
Nawnann.
MELODY. Melody— the Soul of Music :
an Essay towards the Improvement of the
Musical Art : with an Appendix, contain-
ing an account of an Invention [of a violin
with double strings in Octaves].
The Courier Office : Glasgow, 1798. 4»
557*. e. 19. (11.)
M:f!LOMANIE. 0 des Dieux le plus bel
ouvrage. Romance de la Melomanie. [By
S. Champein.] Chez Bignon :
[Paris, 1781.] 8". B. 362. c. (102.)
Sans chanter peut-on vivre un jour. Air
de la Melomanie [by S. Champein]. Avec
Accomp' de Fort6-Piano.
ChezFrere: [Paris, 1790?] fol.
G. 557. (38.)
[Another copy.] G. 546. (63.)
La Melomanie. Op6ra Comique.
See Champein (S.)
MELONI (Anxibale) II Desiderio, ouero
De Concerti Musicali di varij Instrumenti.
Dialogo di Annibale Meloni. Nel quale
si ragiona della xjarticipatione di essi
stromenti, & di molte cose partenenti
alia Musica. [By E. Bottrigari, edited by
G. M. Artusi.]
Appresso li Starnpatori Archiepiscopali
Milano, 1601. 4°. 557*. c. 18. (2.
This edition consists of a title-page and
7 fol. [A-B] followed by a second title-
page : ' II Desiderio . . . Dialogo, di
Alemanno Benelli...In Venetia ap-
presso Ricciardo Amadino, 1594,' 5
ummmbered leaves and pp. 1-51. In
some copies the name ' Alemanno
Benelli ' at the top of the pages has
been covered by a printed slip with the
name ' Annibale Meloni.' The edition
was issued by Arttisi to claim the
anthorship for Meloni.
MELOPEIA SACRA. Melopeia Sacra.
Psalms and Hymns. See Roner (A.)
MELTON. Melton Oysters. [Song.]
Set There. There was a clever likely Lass.
[1775?] s. sh. fol. G. 806. r. (37.)
MflME— MERCHANT
119
MBME. ]\Ieme aupres d'une aimable
Spouse. L'Hotninc comme U y en a trop.
Air : Avec les jeux dans le village [from
' Les Amours d'Et6 ']. [Paris, 1785 ?J 8°.
B. 362. (178.)
MENAGE, Jlenage, cber Amant. Air.
See DuMONT Marquks ( ).
MENAGE. Le Manage comme il y en a
pen. Couplets. See Rigel (H. J.)
MENAGERE. La Menagere. [Song.]
SeeOui. Qui, i'aime a boire. ^780?] 8°^
B. 362: b. (129.)
MENAULT (Pierre Richard) Missa
Sex Vocibus ad Imitationem IModuli, Date
lilia, etc. Ex Officina Christophori
Ballard : Parisiis, 1692. fol.
K. 10. b. 1. (17.)
MENESINI (Bartolomeo) Six Sonatas
for Two Violins aud a Bass, etc. [Separate
Parts.] H. Fougt : London,
[1767.] fol. g. 222. (13.)
MENESTRIER (Claude FRAX901S) Des
Ballets Ancieus et Modernes selon les
regies du Tb^atre. Chez R. Gidgnard :
Paris, 1682. 8". 840. c. 7.
The author's name is in the privilege.
Des Representations en ilusique anciennes
et modernes. Chez H. Gidgnard :
Paris, 1681. 8». 1042. f. 2.
The author's name is in tlie privilege.
[Anotber copy.] 840. c. 6.
MENGOLI (PiETRo) Speculationi di
^lusica, etc. Per I' Hcredc del Benacci :
Bologna, 1670. 4°. 1042. k. 4. (1.)
The author's name is in the privilege .
MENGOZZI (Bernardo) Con un moto.
[Song.] Sung by Sig' Morelli in tbe
Opera [by G. Paisiello] of Gli Scbiavi per
Amore, etc. [full Score.]
Lonfjman atid Broderip :
[London, 1787.] fol. H. 345. (6.)
Donne, Donne cbi vi crede. [Song.]
Sung by Sig' Morelli in tbe Opera [by G.
Paisiello] of Gli Scbiavi per Amore.
[Full Score.] Longman and Broderip :
[London, 1787.] fol. G. 297. (3.)
[Anotber copy.] H. 345. (9.)
MENSCHING (R. L.) Serenade pre-
sentee a S. M. R. de Prusse par les
Etudients de Francfourt sur I'Odre, La
veille du jubiMe . . . le 25. d'Avril 1706.
[Full Scorn.] [Frankfurt on the Oder,
1707.] fol. 732. I. 4. (1.)
10 leaves, ivithoiit pagination, between
pp. 148 and 149 of Pars II of ' Secu-
laria Sacra, Academiie Ecgise Via-
drimr,' etc.
[Anotber copy.] 130. g. 12.
MEPRISE. La Meprise de I'Amour
Romance. See Amour. L' Amour avoit
perdu sa mere. [1780?] 8°.
B. 362. e. (4.)
La Meprise de I'Amour. Romance.
See Amour. L' Amour un jour cbercboit
partout, etc. [1785?] 8".
B. 362. g. (51.)
m:eprises par ressembl ance.
Les M6prises par Ressemblance. Comedie.
See Gretry (A. E. M.)
MERASPE. Tbe Favourite Songs in tbe
Opera call'd Meraspe o 1' Olimpiade. [A
Pasticcio.] Printed for I. Walsh:
London, [1742.] fol. H. 348. e. (6.)
The composers named are : Pergolesi,
Scarlatti, Lampugnani, L. Leo and
F. Feo.
MERAUT ( ) See Mereaux (J. N.
Le Froid de).
MERBECKE (John) Tbe booke of
Common praier noted. ([By] Jobn ]\Ier-
becke.) [fol. 2 :] In tbis l30oke is con-
teyned so mucb of tbe Order of Commo
prayer as is to be song in Cburcbes, etc.
B. L. Richard Grafton : [London,']
1550. 4". Uase 10. a. 11.
68 leaves, without pagination. The com-
poser's name occurs at the end of the
work.
[Anotber copy.] K. 1. g. 17.
Imperfect ; loanting the last leaf, tvhich
has been supplied in MS.
MERCADIER (Jean Baptiste) Nou-
veau Systeme de Musique tb^orique et
pratique. CJiez Valade :
Paris, 1777. 8". 1042. 1:. 21.
MERCATO DI MALMANTILE. 11
Mercato di Malmantile. [A Pasticcio.]
See Delizie. Le Delizie dell' Opere, etc.
Vol. X. [1776.] fol. G. 159.
MERCHANT OF VENICE. Haste
Lorenzo, baste away. Jessica's Song in
the Merchant of Venice. [Music by J.
Baildon.] [London, 1110?] s.sh.M.
G. 308. (124.)
[Anotber edition.] Haste Lorenzo, baste
away. Jessica's Song, etc. [Music by
J. Baildon.] [London, 1770 ?] s. sh. fol.
H. 1994. a. (153.)
My Bliss too long my Bride denies. The
Serenade. Sung by Mr. Mattocks in tbe
Mercbant of Venice. [Words from an
ode in tbe Spectator by Sir R. Steele,
music by T. A. Arne.]
[Loyidon, 1770 ?] s. sh. fol.
G. 310. (124.)
To keep my gentle Jessy. A Favourite
Song in tbe Mercbant of Venice. [Music
by T. A. Arne.] [London , 1790 ?] s, sh. fol.
H. 2818. (26.)
12U
MERCHI— MEREAUX
MERCHI (GiACOMo) Twelve Diverti-
mentos for two Guittars or a Guittar and
Violin . . . Opera 21". Wdcker :
Londo7i,[1115?] fol. h, 259. a. (7.)
Quatro Duetti a Due Chitarre e Sei
Minuetti a Solo con Variationi . . . Opera
Tersa. Chez VAuteur :
Paris, [1753 ?J fol. g. 421. r. (8.)
Scclta d' Arietta Francesi, Italians ed
Inglesi, con Accompagnamento di Chi-
tarra. Opera xv. Printed for the Author :
London, [ino?] fol. g. 660. (1.)
Dodici Suonate per la Chitarra, Sei a due
Ohitarre o con Accompagnamento di
Yiolino e Sei a Solo. . .Opera xvi.
Printed for tlic Author :
Lo7idon,[ll'iO?] fol. g. 660. (2.)
MERCHIORE [de Barberiisj, da
Padova. /SteFEViu (A. de) Intabulatura di
Lautto, Libro Quarto, de la Blessa di A.
Fevino . . . Intabulata . . . dal Reuerendo
messer pre Marchiore di barberijs da
Padoua . . . con alcuni altri suoi recercari,
etc. 15i6. cbl. 4". K. 1. c. 14. a.
MERCK (Daxikl) Compendium Musice
Instrumentalis Chelicac. Das ist : Kurtzer
BegrifE, welcher Gestalteu die Instru-
mental-Music auf der Violin, Pratschen,
Viola da Gamba und Bass. . .zu erlernen
seye . . . Erster Theil.
In Verleguncj dess Authoris . . . Druckta J.
C. Wagtic7' : Augsj^urg, 1695. 4".
7895. aaa. 49.
MERCURE. Mercure, jMars, ct le Maitre
des Dieux. Chanson.
[Paris,'] 1737. s. sh. 4°. 297. b. 20.
Mercure de France, Sept., 1737.
MERCURIUS MUSICUS. Mercurius
IMusicus : or, The Monthly Collection of
New Teaching Songs, Compos'd for the
Theatres, and other Occasions ; With a
Thorow Bass for the Harpsichord, or
Spinett : The Songs being Transpos'd for
the Flute, at the end of the book. For
•Tauuary(-December) 8 pts. [Edited by H.
Playford.] William Pearson, for
Henry Playford, J. Hare (and J. Young) :
London, (1699.) obi. 4". K. 1. c, 6.
The comjMscrs of tJiis collection are : S.
Ackcroyde, J. Bloiv, D. Purcell, J.
Church, Pi. King, H. Hall, FranHs,
J. Ecclcs, W. Crofts, W. Turner, J.
Clark, J. Barett, f. Willis, M. Snow,
Gouge, W. Richardson, Bercnclow,
P. Conrfevil, Morgan, G. Finger,
Nicola and. H. Purcell.
Mercurius Musicus : or, The Monthly
Collection of New Teaching Songs, — for
the Year, 1700 — Compos'd for . . . the
Theatres. . .With an addition of Two Part
Songs; and a Thorough Bass to each
Song, for the Harpsichord, Spinett, or
Bass- Viol, etc. For January and February .
(March and April.) (May.) (June and
July.) (August.) (September and Octo-
ber.) (November and December.) (Mer-
curius Musicus. . .Being the single Songs
in the New Opera, call'd — The Mad Lover
— . . .Compos'd by J. Eccles. . .For Janu-
ary and February.) (Mercurius Musicus
. . .For March and April (May and June)
(July and August) (September, October,
November and December).) 2Bks. 12 pts.
W. Pearson, for D. Browne and H. Play-
ford : London, llOC(-nOl). fol. G. 92.
The luigination of eacli year is con-
tinnous. The composers named in this
collection are : Nicola, B. Elford, J.
Eccles, H. Hall, S. Akcroyde, Leve-
ridge, Goudge, Frances, J. Barrett,
D. Purcell, Wilford, Church, J. Clark,
T. Wroth, W. T., W. Bichardson,
Bcrenclow, B. Harris, J. Wcldo^i.
Courtivell, W. Robart and W. Croft. '
MERCY (Louis) Six Solos for a Flute
with a Thorough Bass for the Harpsicord
or Violoncello, etc.
Printed for J. Walsh and I. Hare :
London, [1725 ?j fol. g. 524.
VI. Sonata a Fagoto 6 Violoncello col'
Basso Continuo. . .Opera Terza.
.S'. Weaver lO J. Jolinson, for the Author :
London, [11 .15:'] obi. M. e. 368. c. (8.)
MERE. La ]Mtre Abaiidouu&'. Romance.
Sec La B * * * ( de) M"'-
^lere commune des humains. Hymne.
See Lefevek (J. X.)
MERE JALOUSE. Vicille qui prend
jeunemari. Vaudccille deV Opfra Comiqiie .
[Paris,'] ViZl. s. sh. 4». 298. a. 25.
Mercure de France, Oct., 1782.
MEREAU ( ) Organist of S' Sauvcur.
Ariiettes de la Feste Donnas a Monsieur
de La Garde . . . Les Parolles par M' * * *
[P. A. Quetant ; . . . Grave par IM"'" Fleurv.
Bicoquilliie : [Paris, 1770.] 8".
11738. m. 2. (1*.)
MEREAUX (Jj:ax Nicolas LE FROID
DE) [Alexandre aux Indes.] Quand le
destin jaloux. Air, etc. 1784. 8".
Si'e Alexaxdee aux Indes.
B. 362. h. (39.)
La Ressource Comique, Pi^ce en uu Acte,
melee d'Ariettes ; precedee d'un Prologue.
[Words] Par IM. Anseaume, etc.
Che::; la Veuve Duchesne :
Paris, 1772. 8". 11738. b. 15. (5.)
Lc Retour de la Tendresse, Comedie en
un Acte et en vers, mel6e d'Ariettes, etc.
[Words by Anseaume.]
Chez la Veuce Duchesne : Pans, 1774. 8".
11738. b. 15. (2.)
^[ERELLE- MERSENNE
121
MERELTjE ( ) Mademoiselle. Les
Folies d'Espagne. Avec cle nouvelles
Variations pour la Harpc, etc.
Broderip and Wilkinson :
London, [1800?] fol. h. 118. (29.)
New and Complete Instructions for the
Pedal Harp in Two Books, etc.
Printed for Brodcrip <£• Wilkinson :
Lomion, [1800?] fol. g. 301. (2.)
Petitcs Pieces pour le harp, etc.
Broderip (d Wilkinson ; London,
"1800?] fol. g. 301. (14.)
MERIEUX ( ) Amis, puisque Bacchus
nous assemble en ce jour. Air Koiivcan.
IParis, 1G78.] s. sh. obi. 4". P.P. 4482.
Nouveau Mercurc Galant, Sept., 1678.
.Si mes rigueurs te font mourir. Air
Nouveau. [Paris, 1679.1 .<-•. sh. obi. 4".
P.P. 4482.
Nouveau Mercure Galant, Feb., 1G7'J,
p. 26.
Si mes rigueurs te font mourir.
Sec'Ai. Si rues rigueurs, f<c. TByMerieux.]
1757] 8' 297. h. 30.
MERODE. [Songs in Mcrode. A Pasticcio.]
Sec Delizie. Le Delizie dell' Opere, cfr.
Vol. IV. [1776.] fol. G. 159.
MEROPE. Merope. Opera.
Sec BiAHCHi (F.)
MERRIWAGG, Dr. pseud, [i.e. Thomas
Vandernan. j Splenetick Pills, or Mirth
Alamode. Being a Collection of humorous
Songs adapted to the modern Taste of
the Choice Spirits the Words by the
celebrated Poet -lohn Rumfish, Esq. Set
to Music by Dr. Mcrriwagg.
Printed for TIios. Vandernan : London,
1750.] obi. fol. E. 271. (13).
MERRY. The :\Ierry Archers. [Song.]
See DiBDiN (C.) [Castles in the Air.\
The Merry Baccanallian. [Song.]
Sea Come. Come here's to the Nymph
that I love. [1740?] s. sh. fol.
H. 1994. (11.)
The Merry Bells. [Song.]
See Sandeksox (J.) [Harlccpiin Mariner.]
The Merry Christ'ning. [Song.]
Sec Come. Come listen a while.
ri780 ?] s. sh. fol. H. 1601. b. (61.)
The Merry Cuckoo, messenger of Spring.
Sonnet. See Greene (^I.) [Spenser's
Amoretti. Sonnet VI.]
The Merry Dancer. [Song.] See I. I
am a merry Mortal. [1775 ?] s. sh. fol.
G. 309. (149.)
The Merry Gypsies. Glee.
See Smart (Sir G. T.)
Merry, merry, were the Days. Duet.
See Hook (J.)
The Merry Mortalls. Song.
See Every. Ev'ry ^lan his Sceptre take.
[1740?] s. .sA. fol." H. 1601. a. (43.)
MERRY, The :\rerry Peal. Song. See
Daxby (J.)
^ilerry Wakefield Town. [Song.] See
Down. Down in the North Country, etc.
[1780?] s.sh.io]. G. 307. (164.)
The Merry Wives of Windsor. [Song.]
See We. We merry Wives of Windsor, etc.
!'1700?] s. s;(. fol. G. 313. (22.)
MERRY COBLER. The Merry Cobler :
or, the Second Part of the Devil to Pay.
A Farcical Opera of One Act. . .[Written]
By Mr. Coffey. [With the music of the
Songs.] Printed for J. Watts: London,
1735. "8". 643. g. 7. (12.)
[Another copy.] 161. h. 13.
MERRY MOUNTEBANK.
Mountebank. Songs.
See Tulip (T.) pseud.
The Merry
j MERRY MUSICIAN. The Merry
Musician ; or, A Cure for the Spleen :
being a Collection of. . .Songs and. . .Ballads,
set to Musick... Together with a curious
Compound of State Pills, to allay the
^lalady of Malcontents. ..Part I. (The
r^Ierry Musician. ..Vol. II.) (The Merry
Musician... .4 Collection of. ..Songs and
Ballads, set to the Violin & Flute...
Vol. Ill (IV).) 4 pts. //. Meere, for J.
Walsh, etc. : Lonaon, 1716[-1733 ?] 12'.
B. 353.
Vols. II.-IV. are engraved tJiroughout.
Vol. II. is published by I. Walsh, los.
Hare and I. Yo7ing, Vols. III. and II '.
brj I. Wcdsh. The following composers
are named : L. Ilamondon, Lcveridge,
Barret, Wilford, J. Weldon, D. Purcell,
C. Manley, Hendcll [Handel], W.
Davis, W. Elford, W. Goi-toii, J. Eccles,
B. Aldrich, King, Damascene, Blow,
Vanbrughe, N. Haym, Tenoe, Gouge,
Galliard, Greene, Bvrgcs, H. Purcel,
Carey, Dicupart, I. SJieeles, Pepusch,
Trevers, James V. of Scotland, G. Arnet,
Webber, Monro, Vincent, Bavcnscroft,
A. Whiehcllo, Holcombc, Hemming, D.
Rizzio and A. Young.
MERRY SHERWOOD. I am a Friar
of Orders gray. . .Song in Merry .Sherwood
[by W. Reeve], for the Piano ITorte &
German Flute. [Lo)ifZa», 1795?] fol.
G. 383. i. (4.)
^lerry Sherwood or Harlequin Forester.
Pantomime. See Reeve (W.)
MERSENNE (Marin) F. Marini Mer-
senni. . .Harmonicorum Libri [12]. In
quibus agitur de Sonorum Natura, causis,
& efEectibus : de Consonantiis, Disso-
nantiis. . .Compositione, orbisque totius
Harmonicis Instrumentis, etc. 2 pts.
Sumpitibus Guillelmi Baudry : Lntcti'-r
Parisiorum, 16-35. fol. 558*. e. 9.
122
MEESENNE— MES
MERSENNE (Mabin) Harmon icorum
Libri xii . , . Editio Aucta. Sumptibiis
Giiillelmi Bandry : Lutctix Parisiorum,
1648. fol. 558*. e. 10.
Hannonie Universelle, conteuant la
Th^orie et la Pratique de la Musique, etc.
2 Tom. Par Pierre Ballard :
Paris, 1636(-7). fol. 558*. e. 11.
Tliis work is divided into nineteen books,
each with separate pagination.
[Another copy.] 558*. e. 12.
Imperfect; containing only Div. 1-6 of
the ' Traits des Instrumcns a Chordes,'
Div. 1-4 of the ' Traitez des Conson-
nanees,' Div. 1,2' De la Nature. . .du
Son,'' etc., and Div. 1,2 ' De la Voix,'
etc.
Harmonie Universelle, etc. 2 Tom. Chez
Sebastien Cramoisy : Paris, 1636(-7). fol.
47. g. 14.
The title-page of Tom. I. is p^-iyited in
black and red. This copy is otherwise
identical with P. Ballard's edition.
Hydraulica Pneumatica ; Arsque Navi-
gandi. Harmonia Theorica, Practica, et
Mechanica Phsenomena, etc. 2 pts.
Siimptibus Antonii Bertier : Parisiis,
1644. 4°. 1396. i. 25.
Questions Harmoniques. Dans lesquelles
Eont contenues plusieurs choses remarqu-
able pour la Physique, pour la IMorale,
& i)our les autres sciences. [By M.
Mersenne.] 1634. 8". See Questions
Harmoniques. 1135. c. 2.
Tractatus de Musica Hebrseorum et ex-
plicatio locorum Scripturse Sacrse, quae de
Musica, et vi souorum loquuutur, excerp-
tus ex Qufest. et Comment in Geuesion,
Marini Merseni. Apiid Joannem
Gabrielem Hertz, et Sebastiannm Colctti :
Venctiis, 1767. fol. 686. 1. 12.
Part of Vol. 32 q/" Tltcsauriis Antiqui-
tatnm Sacrarum . . . Autore Blasio
Ugolino,' etc.
See also : Sermes, Sieur de, pseud.
MERTELIUS (Elias) Hortus Jlusicalis
Novus, fragrantissimis . . . flosculis . . .
testudine carpendis. . .consitus : In cuius
hac Parte Prima continentur Prseludia. . .
plusquam ducenta : Phantasife item &
Fugae complures. . .ex optimis quibusa
authoribus Germanicis, Italicis, Gallicis,
Anglicis, constructus, etc. Sumptibus . . .
AutJwris, per Antonium Bertramum :
Argcntorati, 1615. fol. K. 7. f. 13.
MERULA (Tarquinio) Di Tarquinio
Merula. . .11 Primo Libro delle Canzoni a
Quattro voci per sonare con ogni sorte de
stromenti Musicali. Aggiontoui due Ale-
mane, & vna Corrente. Basso Generale.
Stampa del Gardano, Barthohmco Magni :
Venetia, 1615. 4°. D. 159.
MERULA (Tarquinio) Libro Secondo
de Concerti Spirituali con Alcune Sonate
a Due, Tre, Quattro, et Cinque Voci, etc.
Basso Principale. Apprcsso Alcs'sandro
Vincenti : Venetia, 1628. 4\ D. 159. a.
MERULO (Claudio) Di Claudio Merulo
... II Primo Libro de Madrigali a Tre
Voci, Nouamente composti, & dati in luce.
Canto. (Tenore.) (Basso.) 3 pts.
Appresso Angela Gardano :
Venetia, 1580. obi. 4". C. 211.
II Primo Libro de' Madrigali a Cinque
Voci di Claudio [JNIerulo] da Correggio.
Nuouamente posti in luce. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) 5 pts.
Appresso Claudio da Correggio,
<& Fausto Bethanio Compagni : Venetia,
1566. obi. 4°. A. 321.
Di Claudio Merulo ... II Primo Libro de
IMottetti a sei Voci Nouamente Composti.
& dati in luce. Tenor.
Appresso Angelo Gardano : Venetia,
1583. 4°. C. 211. a.
Toccate d' Intavolatura d' Organo . . .
Nuouamente . . . date in luce, et con ogni
diligenza corrette. Libro Primo.
Appresso Simonc Verouio : Roma,
1598. fol. K. 8. h. 21. (1.)
Toccate d' Intauolatura d' Organo . . .
Nuouamente . . . date in luce, et . . . cor-
rette : Libro Secondo.
Apprcsso Simone Verouio : Roma,
1G04. fol. K. 8. h. 21. (2.)
See Gardano (Angelo) Musica di Tredici
Autori . . . Nella quale si contjugono . . .
Madrigali . . . delli infrascritti Autori . . .
C. Merulo da Correg., etc. 1589. 4".
K. 3. g. 11.
See Orso (F.) II Primo Libro de' Madri-
gali ... Con Due Madrigali Cromatici nel
Fine, nuouamente posti in luce da Claudio
1567. obi. 4".
A. 304.
See Palestrina (G. P. da) II Primo
Libro de' IMadrigali a Quattro Voci ... da
M. Claudio Merulo . . . con ogni diligenza
corretto. 1574. obi. 4". A. 343.
See Porta (C.) Constautii Portae . . .
LIusica in Introitus IMissarum . . . nunc
primum a Claudio Coregiate in lucem
edita. 1566. obi. 4°. A. 345.
See Verdelot (P.) I JMadrigali del Primo
et Secondo Libro . . . corretti da Claudio
da Coreggio. 1566. obi. 4'. A. 443. b.
MES. Mes soupirs font mes plaisirs.
Rondeau. See Bailleul ( ).
MES (Ghebardus) Souter Liedekens.
V(-VIII.) Het achste (negeste) (thienste)
(elfste) musyck boeck luit vier Partien,
waer iune begrepen syn xxxi (xxxi)
(xxxxiij) (xxviij) Psalmen van Dauid,
da Correggio, etc.
MES— METALLO
123
GhecompoDeert by Gherardus mes. . .Seer
lustich om singen . . . ende te speclen op
diuersche Instrumenten, etc. Superius.
(Contra Tenor.) 8 pts. TMchnan Susato :
Anficcrpcn, 1561. obi. 4°. K. 8. a. 12.
MESLE ( ) Que la Dauphine et le
Dauphin. Vaudeville sur la Naissance de
Monseigneur le Due de Eourgogne, etc.
[Paris,] 1751. s. sJi. 4". 298. c. 5.
Merc we de France, Oct., 1751.
MESM^IRIANA. Le Mesm^riana. [Song.]
See II. II est un Dieu tutelaire, etc.
[1780?] 8». B. 362. j. (12.)
MESSIAH. Comfort ye my People.
Messiah. (Ev'ry Vally.) [Recitative and
Air, by G. F. Haendel.] Printed for
F. Linley : [London, 1197 7] fol.
G. 424. u. (41.)
l\Iessiab. Oratorio. See Haendel (G. F).
MESSIEURS. J\Iessieurs sur votre re-
connaissance. Vaudeville. See Chapelle
(P. D. A.) [Le Bailly Bienfaisant.]
MESTA. Mesta mi lagno qual tortorella.
Duett. See Guglielmi (P.) [L' A})ior
tra le Vcjidetntnie.l
MESTRINO (NicoLu) The Celebrated
Capricio Arpeggio for Two Violins.
[Separate Parts.] Printed for
A. Hamilton : London, [1795 ?1 fol.
h. 2910. b. (13.)
Concerto pour le Violon avec Accomp'
d'Orcbestre . . . No. 4. [Separate Parts.]
Cli£z Sieber pdre : Paris, [17i)0 ?] fol.
h. 1613. a. (14.)
Concerto in B a Violino Principale,
Violino Primo e Secondo, due Oboi, due
Corni, Viola e Basso, etc. [Separate
Parts.] Chez J. II. Naclermann :
Paris, [1790?] fol. h. 192. (2.)
6^ Concerto a Violon principal, etc.
[Separate Parts.] Chez Imbault :
Paris, [1790?] fol. h. 192. (1.)
Three Duets Concertante for Two Violins.
[Separate Parts.]
Printed for A. Hamilton: London,
[1795?] fol. h. 2910. b. (4.)
A Grand Solo, for the Violin, with an
Accomjjaniment for a Violoncello (ad
libitum). Printed for J. A. Hamilton :
London, [1800?] fol. g. 422. c. (6.)
Wanting tlie Violoncello part.
METALLO (Grammatio) Del :\retallo . . .
Magnificat a quattro, & a cinque, Con
le quattro Antifone, Hymno, & vn Motetto
. . . con diuersi Canoni, e/c. Canto. (Alto.)
(Tenore.) (Basso.) 4 pts.
Appresso I' Hercde di Gierolamo Scoto :
Venetia, 1603. 4". D. 78. f.
Del IMetallo Messa, Motetti, et vn Mag-
nificat a Cinque Voci, con vn' altro
Magnificat et Motteti a Sei, & vn Circolo
Musicale ... Opera xxi. Canto. (Alto.)
(Tenore.) (Basso.) (Sesto.) 5 pts.
Apjnxsso Giacomo Vincenti :
Venetia, 1611. 4°. D. 78. k.
Del Metallo. . .Messe a Cinque Voci con
doi Motetti. . .Con il Basso per sonar
nell' Orgauo. . .Opera xvii. Canto. (Alto.)
(Tenore.) (Basso.) (Basso per sonar nell'
Organo.) 5 pts. Appresso Giacomo
Vincenti : Venetia, 1610. 4". D. 78. h.
Del Metallo Messe Comodissime a Quattro
Voce Pari. Nouamente composte . . . Libro
Sesto. Canto. (Alto.) (Tenore.) (Basso.)
4 pts. Appresso Giacomo Vincenti :
Venetia, 1602. 4". D. 78. g.
Del Metallo Motetti a Cinque Voci con
vna ^Magnificat a Dieci, et il Basso per
sonar nell' Organo. . .Opera xviii. Canto.
(Alto.) (Tenore.) (Basso.) (Basso per
sonar 1' Organo.) 5 pts.
Appresso Giacomo Vincenti : Venetia,
1610. 4°. D. 78. i.
Del Metallo IMotetti per Tutte le Solennita
deir Anno, divisi in Doi Parte, a Quattro
Voci, Con vna Regina Coeli a Otto Voci . . .
Prima Parte. Opera xix. (Opera xx.
Seconda Parte.) Canto. (Alto.) (Tenore.)
(Basso.) 8 pts. Appresso Giacomo
Vincenti : Venetia, 1610. 4^ D. 78. j.
Del Metallo Motetti ]\Iagnificat et Madri-
gali Spirituali a Tre Voci. Et nel fine doi
Motetti air antica moderna, & licentiosi
quali tutti si possono Cantare a vna, due,
& tre voci. Con il suo Basso per I'Organo.
Libro Terzo. Opera xxv. Canto. (Tenore.)
(Basso.) 3 pts. Ajjpresso Giacomo
Vincenti : Venetia, 1613. 4°. D. 78. 1.
Del Metallo Ricercari a Due Voci. Per
Sonare et Cantare. Nuouamente ri-
stampati, & di nuoua agiunta accresciuti
Canto. Appresso Ricciardo Amadino :
Venetia, 1605. 4". D. 78. e.
Del Metallo Ricercari a Due Voci . . .
Nouamente ristampati, & di nuoua
agiunta accresciuti. Canto.
Appresso Eicciardo Amadino : Venetiay
1609. 4". D. 78. m.
Del MetaUo Ricercari a due Voci. Per
Sonare, e Cantare. Accresciuti di noua
Aggiuuta. Et da D. Florido Canonico
de Siluestris da Barbarano emendati.
Tenor. Andrea Fei: iJracciano, 1643. 4".
D. 78.
Del Metallo Ricercari a Due Voci Per
Sonare, e Cantare. Nouamente Ri-
stampati, accresciuti, e corretti da Pro-
spero Chiocchia da Poll. . .Con 1' aggiunta
delle Chiaui corrispondenti all' altre
Chiaui generali, etc. Tenore.
Per Vitale Mascardi : Boma, 1654. 4".
D. 78. b.
124
IMMTALLO -MEYEJ{
METALTjO (GitAMM.vrio) Del iMetallo
Kiccrcari a Duo Voci, Per Soiiare, e
Cantarc. Nouameiitenstampati, e corretti
Da Prospero Chiocchia da Poll ... In
(juesta nuoua Editionc si sono messi per
ordine ... & accrcsciuti due Ricercari, e
due Cauoni molto studiosi. Canto.
(Tenore.) 2 pts. Nclla Stamparia di
lacomo Fei d'Aitdr. fu/l. : Roma, 1665. 4".
D. 78. a.
litis edition contains tioo Bicercari by
Don Giovanni Salvatorc, and {in the
Tenor part only) an Enigmaion Octo
Vocum and Canon by Christoforo
Sforza de Rossi.
Del Metallo Ricercari a Due Voci. Per
souare & cantarc. Nuouamente Ri-
stampati, coreti, Et di noua agiunta
accresciuti. Tenore.
Appresso Alessandro Yincenti : Venctia,
1G65. 4°. D. 78. e.
Del Metallo Ricercari a Due Voci Per
sonare, e cantarc. Nouamcnte ristampati,
accresciuti, e corretti da Prospero Chioc-
chia da Poli. . .Con I'aggiunta delle Chiaui
corrispondenti all' altre Chiaui generali,
& ordinarie per bcneficio de' Principianti,
etc. Canto. (Tenore.) 2 pts.
Fer il Mascardi : Roma, 1674. 4".
D. 78. d.
Jn the Canto part are tn'o Ricercari by
Don Giovanni Salvatorc.
METAMORPHOSIS. The Meta-
morphosis. Con lie. Opera.
See Jackson (W.) of Exeter.
The Metamorphosis of John Bull and his
]\I — st— rs. [Song. J
See John Bcll. John Bull we know.
■"1790?] s.sh.iol. G. 309. (86.)
METASTASIO (I'iktro Antonio Do-
MKNico BoNAVEXTUBA) Cauoni, etc.
Fre.'iso Artaria Cump. :
Vienna, 1782. obi. 4". A. 288.
METHINKS. ]\rethinks I hear the full
celestial choir. (Hee. See Crotch (W.)
METHOD. A New and Easie Method to
Learn to Sing by Book : . . . Design'd
chiefly for, . . . the promoting of Psalmody ;
and furnished with variety of Psalm
Tunes in Parts, etc.
Printed for William Rogers :
London, 1686. 8\ " 1402. d. 13.
METRALCOURT (Charles) Twenty
Four Country Dances, with proper Direc-
tions to each Dance, etc.
I'rinted for the Author :
London, [1792 ] obi. 4'. ' b. 55. (7.)
MEUM. Meum and Tuum. [Song.]
See DiBDiN (C.) [Private Theatricals.]
MEUNIER. Le IMeunier de Coignac.
[Song.] See PiiS (A. P. A. de)
MEUNIER. LeMeunierGalan. Chanson.
See Jkune. Une jeune fillctte voulant
moudre son 1)1M, c/c. [1780?] 8".
B. 362. b. (120.)
MEUNIER ( ) L'Amitie voyant le
niondc. Petit Air, etc. [Paris, 17802} 8".
B. 362. e. (51.)
MEUWIERE. La Meuniere. [Song.]
See En. En revenant de St. Florent.
[1790?] 8'. B. 362. e. (91.)
MEUNIERE DE GENTILLY. La
Meuniere de Clentilly. Comedie en un
Acte en prose, . . . Gravee par M"° Vendome
et le &"■ IMoria. [Words by Lc Monnier,
music by J. B. de La Bordo. Full Score, j
Atix Adresses ordinaircs de Musique :
Pans, 1768. fol. H. 469.
La Meuniere de Gentilly, Comedie cu
un Acte, mcslee d'Ariettes ; par ]\I. IjC
IMonnier . . . avec la Musique [by J. B. de
La Bordei. Chc3 Vente :
Paris, 1768. 8". 11738. h. 23. (6.)
[Another edition.] La Meuniere de
Gentilly, etc. See Recueil. RecueiL
general des Opera Bouffons, etc. Tom. 2.
1777. 8". 11735. b. 2.
MEURSIUS (Joannes) See Aristoxenus.
Aristoxenus. Nicomachus. Alypius. Auc-
tores ]\Iusices antiquissimi, hactenus non
editi. loannes Meursius. . .Notas addidit.
1616. 4". 519. b. 27.
MEUSEL (Godfrey) Rural Poetry, or a
Hymn on the Month of May taken from
Milton, to which are added Several . . .
Songs taken from IMr. Pope's Works, etc.
Printed for the Author :
London, [11 AO?] fol. G. 233.
MEUSNIER DE QUERLON (Anne
Gaiuuei,) ^lemoire Historique sur la
Chanson en general, et en particulier sur
la Chanson Eranvoise.
See IMONNET (J.) Anthologic Fran(,'oise,
etc. 1765. 8". 85. e. 23.
' MEYER (Bernhard) Organist. Trauer-
! und Lob-Gedichte, welches, als die
I Durchlauchtigste Fiirstin. . .Erau Sophia
Augusta, verwittibte Fiirstin zu Anhalt
... in der Fiirstlichcn Schloss-Kirchen
. . . l)eygesetzet wurde.aussehr betriibteni
Hcrtzen . . . entworffen, und mit einer
schlechten Sangweise beleget worden, von
Bernhard IMcyern. Matthaeus HencJiel :
Wittenberg, ri682. < fol.
10704. 1. 11. (8.)
MEYER (F. G.) See Piccini (N.) [Roland.]
Je vivrai si c'est votre euvie . . . Accomp'
de F. G. Mever. [1795 ?] fol.
G. 548. (18.)
MEYER (Franciscus Josephus Leon-
Tius) Ecclesia Triumphans in Campo, et
Choro. Sen Te Deum Laudamus, Tantum
Ergo, Vidi Aquam, Asperges, et Stella
MEYER— MEZGER
125
Coeli ... A 4. Vocibus, 2. Violiuis, Violii,
& duplici Basso necessariis, nee uon 2.
Tromb. aut Coruibus & Tyiupano ad
libitum . . . Opus iii. Soprano. (Tenore.)
(Basso.) {Violiuo ii.) (Tromba i.)
(Tromba ii.) (Organo.) 7 pts.
'Ti/2)is Pri)ici2>alis
Monaatciii S. GaUi,Im. VoIcki J. Smnm. . . :
Untcr-Amcnjau, 1753. fol. " H. 3176.
MEYER (-Joachim) Der anmassliche
Hamburgische Criticus sine Crisi entgegen
gesetzet dem so genannten Gottiugischen
Ephoro J. Matthesons, uud dessen ver-
meyntlicher Belehrungs Ungrund in
Verthadigung der Theatralischen Kirchen-
Music gewiesen, etc. Ijonqo, 1728. S\
7898. aaaa. 7.
See D., J. j\I. Uuvorgreiffliehe Gedanken
iiber die Neulich eingerissene Theatral-
ische Kirchen-]\Iusic . . . vou .J'oachiml
M[eyer] D[oetorl. 172G. S".
7896. a. 5.
MEYER (Philipp Jacob) tlie Elder. A
Choice Collection of French Songs, Duetts
and Trios, selected from the favourite
Operas, adapted for the Harp, Piano-Forte
or Harpsichord, by P. J. Clever.
J. Welcker: London, ri77G? old. 4\
A. 768. (1.)
A Second Collection of French Songs, etc. i
Welcker: London, ^1180?] obi. A".
A. 768. (2.) 1
Tlie composers mentioned are: I>ttnij,
Meyer and Albanese.
Four Original Lessons for the Harp ... \
First Set. I'rintcd for Ii. Birchull : \
London, [1795 ?] fol. H. 2819. (21.)
Two Sonatas for the Harp, with an
Accompaniment for the Piano-Forte, or
Two Violins, Viola and Violoncello, etc.
Printed for Ii. Birchall : London,
[1800 ■?] fol. ■ H. 2815. (9.)
The Pianoforte part only.
See CoswAY (M. C. L.) Mrs. Deux Senates
. . . arrang^es pour Deux Harpe et Clave-
cin . . . par P. J. Meyer, etc.
[1787?] fol. h. 64. (3.)
MEYER (Philipp Jacob) the Elder and
COUARDE (Sebastiex) French Songs
for 1779. Selected from the Operas,
adapted for the Harp, Piano Forte or
Harpsichord by P. J. Clever \- ^Mons'
Couarde. •/. Wclckcr : London,
[1779] fol. H. 1439.
The comjwsers named in tJiis collection
are: Albanese, Mereau, Beaiimarchais,
the Due de Nivernois and ' 3P'
Huron.'
MEYER (Rudolf) Sterbeusspiegel, das
ist sonnenklare Vorstellung menschlicher
Nichtigkeit . . . vermitlest 60. . . . Kupfer-
bliittern, lohrreicher Uberschrifften, und
beweglicher zu vier stimmen aussgesetztcr
TodtengesJiugen. Vor disem angefangen
durch Riidolffen ^leyern S. von Ziirich
. . . Jetzt aber ... zu end gebracht, und
verlegt: durch Conrad Meyern, etc. (An-
liang des Todtendantzes in acht . . . zu
vieren stimmen aussgesetzten . . . Sterb-
gestingen.) Bri/ .J. -J. Bodmcr : Ziirich,
1(550. 8'. ' 1044. f. 1.
MEZENA. Mczena does my Heart in-
spire. Song. Sec PcRCELii (D.)
MEZGER (Fran-z) Ouverture d'CEdipe a
Colonne [bj- A. M. G. Sacchini] arrangee
pour le Clavecin ou le Forte-Piano avec
Accompagiiement de Violon par F. Mezger.
Chez Jf Boycr : Paris, ri787 ?] fol.
g. 81. (12.)
Wanting the ]'iolin part.
Ouverture de Don Quichotte, arrangee
pour Clavecin ou Forte-piano avec Violon
ad Libitum, etc. Chez M^ Boi/cr :
Paris, [lido?] fol. g. 81.'(2.)
Wanting the Violin part. This is prob-
ably the overture to Paisiello's, Pic-
cinni's or Tarchi's ^Don Chisciotto.'
Ouverture de I Viaggiatori Felici [by P.
Anfossi ?] arrangee pour Clavecin ou
Forte-Piano avec Violon ad libitum.
Chez M>- Holier : 7'rtri.s, [1785?] fol.
g. 81. (7.)
Wanting the 1 iolin part.
Ouverture de I'lmpresarioou Du Directeur
dansTEmbarras bvD. Cimarosa] Arrangee
pour Clavecin ou Forte-Piano avec Accom-
pagnement de Violon — ad libitum — par
^I"' Mezger. Chez M'' Boycr : Paris,
1790?] fol. g. 81. (9.)
Wanting the \'iulin 2wrt.
Ouverture de Pierre le Grand [by A. E. ^I.
Gretry] arrangee pour Clavecin ou Forte-
Piano avec Violon ad Libitum.
Chez M'- Boi/er: Paris, [ITJO?] fol.
i . ^ .. S- 81. (15.)
Wanting the 1 iolin part.
Ouverture del Fanatico Burlato [by D.
Cimarosa] Arrangee pour Clavecin ou
Forte-Piano avec Violon ad Libitum par
M'' Mezger. Chez M^ Boycr : Paris,
[1790?] fol. g. 81. (14.)
Wanting the Violin part.
Ouverture della Pastorella Nobile \h\ P.
Guglielmi] arrangee pour Clavecin ou
Forte-Piano avec Violon ad Libitum par
M' ]\Iezger. Chez 31'' Bayer : Paris,
1790?] fol. g. 81. (10.)
Wanting the Violin part.
Ouverture dellc Gelosie Villane fby G.
Sarti] Arrangee pour Clavecin avec Violon
ad libitum par M'' Mezger.
Chez M'- Boycr: Paris, [1785?] fol.
g. 81. (11.)
Wanting the Violin part.
126
MEZGER— MICHEL
MEZGER (Fkanz) Oaverture des Dana-
ides [by A. SalieriJ Arrangee pour le
Clavecin ou le Forte-Piano avec Accom-
pagnemeut de Violon par M"' Mezger.
Chez M<- Boyer : Paris, [1785 ?] fol.
g. 81. (17.)
Wanting the Violin part.
Oaverture des Pr6tendus [by J. B. Le
Moyne], Arrangee pour Clavecin ou Piano
Forte avec Violon ad Libitum par M'
Mezger. [Separate Parts.]
Chez M'- Boycr : Paris, [1789.] fol.
g. 272. r. (25.)
[Another copy.] g. 81. (5.)
Wanting the Violin part.
Ouverture du Philosophe Imaginaire [by
G. Paisiello] pour Clavecin ou Forte-Piano
avec Violon ad Libitum. Arrangee par
M' Mezger. Chez M>' Boyer : Paris,
[1785?] fol. g. 81. (4.)
Wanting the Violin part.
Ouverture du Rival Confident [by A. E. M.
Gretry] arranges pour le Clavecin ou le
Porte Piano et Violon ad Libitum par
M"' Mezger. Chez ill'' Boyer : Paris,
[1790?] fol. g. 81. (16.)
Wanting the Violin part.
Ouverture et Airs de Panurge [by A. E. M.
Gr6try] arrangee pour le Clavecin ou le
Forte Piano avec Violon et Basse ad
Libitum. Chez M'' Boyer : Paris,
[1790?] fol. g. 81. (1.)
Wanting the Violin imrt.
See Cherubini (M. L. C. Z. S.) [Ddmo-
phoon.'] Ouverture. . .arranges. . .par M'
Mezger. [1788?] fol. g. 81. (6.)
.See Ferrari (G, G.) {La Villanclla
Bapita.] Ouverture. . .arrangee. . . par
W Mezger. [1790 ?] fol. g. 81. (3.)
See Paisiello (G.) [GU Schiavi per Amore.]
Ouverture. . .arrangee. . .par J. F. IMezger.
[1785?] fol. g. 81. (8.)
See Vogel (.J. F.) [La Toison d'Or.]
Ouverture. . .arrangee. . .par F. IMezger.
[1786.] fol. g. 81. (13.)
MEZLER (Thomas) Odajum Litteratae
luventutis, in Sex Libros Tributum, etc.
[With tunes in two-part harmony.]
Ex typographla Theodori Meyeri : Fribiirgl
Brisgoix, 1651. 12". 11408. df. 3.
MEZZO. Mezzo mondo ho visitato. Aria,
^'ee CiMAROSA (D.)
MI. Mi brilla, [Song,] in English and
Italian. \London, 1720 ?] fol.
G. 305. (251.)
[Another copy.] G. 306. (176.)
Mi dicon le donzelle. Glee.
.See Webbe (S.) the Elder.
]\Ii dona, mi rende. See Bertoni (F. G.)
[Ezio.']
Mi sento nel mio sen. Rondo.
See GiORDANi (G.) or (T.)
MIA. La mia crudel Tiranna, etc. [Ar-
ranged bv E. S. Biggs.] R. Birchall :
London, [1800 ?] fol. G. 425. (21.)
La mia Dorabella. Trio.
See Mozart (.J. W. A.) [Gosi fan tutte.]
La mia Pastorella. Duetto.
See Guglielmi (P.) [La Pastorella
Nobile.]
La mia Sposa. [Song.]
.See Albertini (G.) [Virginia.]
La mia tenera agnellina. Duett.
.See Guglielmi (P.) [La Pastorella
Nobile.]
MICHAEL (Rogier) See Nitzsch (M.)
Gesangbuch, etc. (Der Ander Theil : Die
Gebreuchlichsten . . . Gesenge D. Mart.
Luth. vnd anderer frommen Christen.
Itzo auffs newe . . . Componieret . . . durch
R. Michael, etc.) 1594 (159-3). 4".
3435. g. 20. (2.)
MICHAEL (Samuel) Psalmodia Regia,
das ist : Ausserlesene Spriiche aus den
ersten 25 Psalmen. . .Mit 2. 3. 4. vnd 5.
Stimmen, Beydes Vocaliter vnd auch In-
strumentaliter zu gebrauchen, componirt
.. .Erster Theil. 1. Discantus. (11. Dis-
cantus.) (Altus.) (Tenor.) (Bassus.)
(Bassus pro Organis.) 6 pts. Bey J.
Francken scl. Erhen vnd S. Scheiben :
Leipzig, 1632. 4°. C. 232.
MICHAEL (Tobias) Musicalischer See-
lenlust, Erster Theil, Darinnen ausserle-
sene . . . Glaubeus-Seufftzorlein, Andacht
vnd Fre\vde...mit 5. Stimmen vnd jhrem
Bass. Contin. componiret, etc. Prima
(-Quinta) Vox. (Bass. Contin.) 6 pts.
Gedrucht. . .bey Gregorio
Bitzschen, in Verlegung Samuel Scheibens :
Leipzig, 1634 (1635). 4°. C. 40. (1.)
The Tenor is dated 1635 and published
In Verlegung Johann Franckens selig.
Erben vnd Samuel Scheibens.
[Another copy. Prima (Quarta) Vox.]
2 pts. C. 40. a. (1.)
Musicalischer Seelen-Lust Ander Theil,
Darinnen, gleichermassen, ausserlesene
. . .Glaubens-Seufftzerlein . . . mit 1. 2. 3.
4. 5. 6. vnd mehr Stimmen, abgewech-
selten Instrumenten, Symphonien vnd
Capelleu gesetzete, doch nur in fiinff
Voces vnd ihrem Bass, contin. eingetheilete
Concert zu befinden, etc. Prima(-Quinta)
Vox. (Bass. Contin.) 6 pts. Li
Verlegung Johann Franckens Sel. Erben
vnd Samuel Scheiben:. [Leipzig,] 1637. 4"
C. 40. (2.)
[Another copy. Prima Vox.]
C. 40. a. (2.)
MICHEL ( ) -See Alpereri ( ) Du
jeune Dieu qu'on adore a Cythere.
Romance. . .Accompaguement de Guittare
de M' Michel. [1790 ?] 8".
B. 362. e. (20.)
MICHEL— MID-WATCH
127
MICHEL (J.) psmd. [i.e. Michel Yost.]
Concerto (ix) pour Clarinette Principale,
Deux Violons, Alto at Basse, Deux Haut-
bois et Deux Cors. [Separate Parts.]
Chez Pleyel : Paris, [1800 ?] fol.
h. 2164. (1.)
[IC] Concerto pour Clarinette Principale,
Deux Violons, Alto et Basse, Deux Haut-
bois et Deux Cors. [Separate Parts.]
Chez Pleyel : Paris, [1800 ?] fol.
h. 2164. (2.)
Concerto (xi) pour Clarinette Principale,
Deux Violons, Alto et Basse, Deux Haut-
bois et Deux Cors. [Separate Parts.]
Chez Pleyel : Paris, [1800 ?] fol.
h. 2164. (3.)
On the inside title this ivork is attributed
to Michel and Vogel.
Concerto (xii) pour Clarinette Principale,
Deux Violons, Alto et Basse, Deux Haut-
bois et Deux Cors. [Separate Parts.]
Chez Pleyel: Paris, [1800?] fol.
h. 2189. e. (1.)
Wanting the first two pages of the Solo
Clarinet part.
Concerto (xiv) pour Clarinette Principale,
Deux Violons, Alto et Basse, Deux Haut-
bois et Deux Cors. [Separate Parts.]
Chez Pleyel: Pans, [1800?] fol.
h. 2164. (4.)
On the inside title tliis ivork is attribtited
to Michel and Vogel. -
Six Duos pour Deux Clarinettes...Op. (6.)
Broderip &: Wilkinson :
Lo7idon, 11800?] fol. h. 3212. b. (4.)
Watiting tJie first Clarinet part.
Six Favorite Duets, for Two Clarinets
never before Published . . . Opera xii.
[Separate Parts.] Printed for J. Kohler :
London, [1800?] fol. h. 2189. c. (4.)
MICHEL CERVANTES. Jeunes
Beaut6s au regard tendre. Air de Michel
Cervantes [by C. G. Foignet]. Avec
Accomp' de Guittare. [Paris, 1794 ?] 8°.
B. 362. (14.)
MICHELE ( ) See Michel (J.) pseud.
MICHELI (DoMESico) II Quinto Libro
de jNIadrigali a Cinque Voci con vno
Dialogo a dieci, etc. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) 5 pts.
Apprcsso Angclo Gardano :
Venetia, 15S1. obi. 4°. A. 293.
MICHELI (Romano) Musica Vaga et
Artificiosa Continente Motetti conoblighi,
& Canoni diuersi...Nouamente composta,
& data in luce. Appresso
Giacomo Vincenti : Venetia, 1615. fol.
K. 4. h. 6.
MICHELL ( ) Mr.
See Michel (.J.) pseud.
MICHON, afterwards BOURDELOT
(Pierre) .See Histoire. Histoire de la
Musique, etc. [Founded on MSS. by P.
Michon, afterwards Bourdelot P. Bonnet,
afterwards Bonnet-Bourdelot, edited and
published by J. Bonnet.] 1715. 12^
1042. f. 3.
MIDAS. Midas. A Comic Opera... For
the Harpsichord, Voice, German Flute,
Violin, or Guitar. [Libretto by K.
O'Hara. Music selected from popular
airs.] Printed for I. Walsh: London,
[1764.] obi. fol. D. 272. (3.)
This copy contaijis a MS. opening
chorus in the handwriting of Dr.
Kitchener.
[Another copy.] D. 271. (1.)
Imperfect, umnting pp. 1-7 and 37-52.
A new edition of The Favorite Burletta of
Midas . . . Adapted for the Harpsichord,
Voice, German Flute or Violin. Printed
for R. Birchall : London, [1795 ?] fol.
H. 230. b. (3.)
Jove in his Chair. [Two-Part Chorus.]
Sung in Midas. C\harles and] S[amuel]
T[hompson : London, 1775?] s. sh. fol.
H. 1994. a. (160.)
Lovely Nymph asswage my anguish. A
Favourite Song sung by Mr. Du Bellamy
. . .in the Character of Apollo in Midas, etc.
{London, 111-2?] s. sh. io\.
G. 805. e. (10.)
[Another copy.] H. 1994. a. (191.)
[Another edition.] Lovely nymph as-
swage my anguish, etc. [London,
1772?] s.sh.iol. H. 1994. d. (41.)
Lovely Nymph. [Song.] Sung by Mr.
Mattocks in Midas, etc.
[London, 1768.] 8". P.P. 5438. z.
Universal Magazine, Vol. XLII.,p. 101.
Lovely Nymph asswage my Anguish. A
Favourite Air. Sung by Mr. Du Bellamy,
in Midas, at the Theatre Royal, in Covent-
Gardeu. [London, 1772.] s. sh. 4^
159. n. 4.
London Magazine, July, 1772.
MIDDLESEX. The Middlesex Farmer.
[Song.] See At. At Night with the
Woodlark I rest. [1770 ?] s. sh. fol.
H. 1994. a. (152.)
The jMiddlesex Freeholders' Resolution.
[Song.] See To. To Freedom dedicate
the Day. [1768.] s. sh. fol.
G. 312. (227.)
MIDNIGHT. A Midnight Thought.
[Song.] See Abington (L.)
MIDST. Midst silent Shades. Song.
Sff- Hammond (J.)
MIDSUMMER. The Midsummer Wish.
Song. See Carey (H.)
MID-WATCH. The Mid- Watch. Song.
See Arne (M.)
128
MID-WATCH— MILKMAI D
MID-WATCH. The Mid-Watch. Song.
See LiNLEY (W.) [The Glorious First of
June.]
MIGHTY. The mighty Bowl. Song.
See Fill. Fill me a Bowl, a mighty
Bowl, efc. [1735?] s.sh.iol.
G. 307. (200.)
The Mighty Bowl. [Song.] See Fill.
Fill me a Bowl, etc. [1757.] s. sli. 8\
P.P. 5439. ab.
MIGNON (Jkan) Missa Quatiior Vocum,
ad Imitatiouem Moduli, Gaudcte in
Domino semper ; . . . Nova Editio. Typis
Joannis Baptistie Christophori Ballard :
Lutetix Parisiorum, 1728. fol.
K. 10. b. 1. (3.)
Missa Quatuor Vocum, ad Imitationem
Moduli, Iterum dico, gaudete . . . Nova
Editio. Typis Joannis Baptisttc Christo-
nhori I'.allard: Tjutcti;r Parisiorum,
1729. fol. K. 10. b. 1. (2.)
Missa Quatuor Vocibus, cui Titulus,
Laetitia sempitcrna, etc. E.v Officina
Cliristopliori Ballard : Parisiis, 1101. fol.
K. 10. b. 1. (4.)
MILAN (Luis) Libro de Alusica de
vihuela de mano. Intitulado El maestro.
El qual trahe el mesmo estilo y ordeu
que vn maestro traheria con vn discipulo
principiante, etc. G. L. Francisco PAaz
Piomano : Valencia, 153G. fol.
K. 8. e. 8.
Tlic date on the title is 1535.
MILANI (Francesco) Vespri per Tutto
r Anno a Quattro Voci con 1' Organo, e
senza, etc. Canto. (Alto.) (Tenore.)
(Basso.) [Basso per 1' Organo.] 5 pts.
Appresso Alessandro Vinccnti : Tcnetia,
1G35. 4". E. 5.
The iitle-paqe of the Organo part is
ivantirig; ' that of the Canto is
mutilated.
MILANUTIUS (Carolus) Sacri Rosa-
rum Flores, tiim Binis, Ternis, turn
Quaternis Vocibus. Liber primus. Opus
Primum. Bass us ad Organum. Apiid
lacobum Vincentimn : Venetiis, 1619. 4°.
C. 233.
MILCENT (Francisco Domingos)
Jornal de IModinhos com acompanha-
mento de Cravo, pelos INIilhores Autores,
etc 24 Nos. Na Real Fabricade Mil zica :
Lisboa, [1793.] fol. G. 1016.
Imperfect, imnting Nos. 1-5, 7-12, 19
and 20.
MIIiCHMAEDCHEN UND DIE
BEIDEN JAEGER. Das IMilchmad-
chen und die beiden Jiiger. [Les deux
Chasseurs et la Laitiere.] Ein Singspiel
in einem Aufzuge aus dem Franzosischen
iibersetzt. []Music by E. R. Duni.]
See Operettas. Sammlung der komischen
Operetten, t'/c. Band 11. No. 1. 1772. 8".
B. 729.
158.
The
(45.)
MILCHMEYER (Johann Petkk) Die
wahre Art das Pianoforte zu spielen, etc.
FEW MS. NOTES. Co-vl Christian
Meinhold : Dresden, lldl. obi. io\.
d.
MILD. !Mild as the op'uiug Dawn.
Charity Boi/, a Favorite Ballad, etc.
W. Cope : London, [ll'Jo?] fol.
G. 365.
MILDLY. .^lildly beam'd the Queen of
Night. Glee. See Wesley (C.)
MILES (Septimus) A New Song. . .writ-
ten & composed by S. Miles. Come come
my Friends be merry.
[Londoti? 1797?] fol. G. 366. (33.)
The Honourable Artillery Company's
Grand Slow ]March and Quick Step,
adapted for the Piano Forte, or two Ger-
man Flutes, cfc. rLoHrfO'R.? 1795?! fol.
G. 133". (45.)
MILESIAN. Britannia's Conquest.
[Song.] Sung. . .in the Melesian. [Words
by J. Jackman, music by C. T. Carter.]
S[amucl and] Alnn] T\Jiompson :
London, 1778.] s. sh. fol. G. 313. (194.)
The Milesian. Comic Opera.
See Carter (C. T.)
MILGROVE (Benjamin) Twelve Hymns
as they are sung at... The Countess of
Huntingdon's Chapel in Bath . . . Ijook
2nd. [Bath ?] 1772. obi. i".
B. 440. (3.)
Twelve Hymns and a Favourite Lyric Poem
written by Dr. Watts ; set to Music for
Ir'our and Five Voices, with Organ Accom-
paniments.. .Book III. Printed for the
Author: Bath, 1181. fol. G. 502. (5.)
The Rose had been wash'd. [Song, the
words by W. Cowper,] as sung. . .by ^liss
Quarman, at the Villa Gardens Bath, etc.
[Full Score.] Printed for the Author :
Bath, [1785.] fol. H. 1653. (36.)
MILICIEN. Le Milicien, Comedie en un
Acte, mesl6e d'Ariettes ; [Music by PI R.
Duni, words] par M. Anseaume. {Chez la
Veuve Duchesne : Paris, 1766.) 8".
11738. b. 14. (3.)
MILKMAID. The Milkmaid. [Song,
begins: 'As I came from Milking.']
See Anglosini ( )
The Milk Maid. Cantata [begins : ' As
Kate one morn ']. »S'ee Arnold (S.)
The Milk Maid. [Song.] See Comini;.
Coming home with mv Milk.
[1760 ?] s. sh. fol. G. 316. (42.)
The Milk Maid. [Song.] Sec Coming.
Coming home with my milk, etc.
[1766.] 8°. P-P
The Milk Maid. [Song, begins
Lark proclaim'd return of Morn.']
See Hook (J.)
5441.
' TLc
MILK3IAID— MILLER
129
MILKMAID. The Milk :Maid. [Soug.]
See Maria. IMaria when my Sight you
bless. [1730?] s. sh. lo\.
G. 316. e. (82.)
The :Milkmaid. [Song, begins : ' A flaxen-
headed Milkmaid.'] See Shield (W.)
[The Farmer. The Plough Boy.]
The Milkmaid singing. [Song.]
See Hark. Hark to yonder IMilkmaid
singing, etc. [1772.] 8^ P.P. 5438. z.
MILLARD. See Miller (:M.)
MILLER. The Miller. [Song.]
See Hudson (R.)
The ^Miller's a-sleep in his Mill. [Song.]
See Christmas Tale.
The Miller's Daughter. [Song.]
See Hook (J.)
The ]Miller's Song. Sec Near. Near the
side of a Pond, etc. [1750 ?] s. sh. fol.
G. 310. (156.)
The Miller's Song. [Song.] See Near.
Near the Side of a Pond, etc. [175.3.] 8°.
157. 1. 15.
The Miller's Song. See Near. Near the
side of a pond, etc. [1753.] 8^
249. c. 23.
The Miller's Wedding. Song [begins:
' Leave Neighbours your Work 'J.
See Harlequin Ranger.
The Miller's Wedding Day. [Song.]
Sec Haste. Haste my Lads your Lasses
bring. [1785?] s. s/(. fol.
G. 308. (129.)
MILLER OF MANSFIELD. How
happy a State does y Miller posses. A
Soug ill the Miller of Mansfield. [Words
by C. Highmore, music by T. A. Arnc.]
[London, 1737?] s. sh. fol.
G. 316. h. (40.)
[Another copv.1
ADD. MSS. 29, 370. fol. 6.
[Another copy.] G. 316. d. (165.)
[Another edition.] How happy a State
does the Miller possess, etc.
[London? 1745?] s. sh. fol. G. 308. (49.)
MILLER (Edward) Twelve Canzonets
for the Voice and Piano Forte . . . Op. 10.
Goiilding, Fliipps (0 D'Ahnaine:
London, [1800?] fol. H. 2832. e. (40.)
A Collection of New English Songs and a
Cantata. J. Johnson :
London, [1755 ?] fol. G. 806. i. (8.)
[No. 2.] The Happy Pair, c^c. [Song,
words by L. Pilkington, music by E.
ililler.] See At. At dewy Dawn, etc.
[1780?] fol. G. 306. (212.)
[No. 3.] The Despairing Shepherd.
See One. One Night when all the Village
slept, etc. []Music by E. IMiller.]
1755?] s.sh.iol. G. 310. (276.)
VOL. II.
MILLER (Edward) [No. 6.] Strephou
and Chloe. See Young. Young Strephon
once, etc. [By E. Miller.] [17G4.] 8\
P.P. 5441.
The Constant Fair.
1765 ?] s. sli. fol.
[Song.] ^London,
H. 1994. (43.)
The Constant Fair. [For editions pub-
lished anonymously :] See I. I'll to
some shady cool retreat, etc.
Elegies, Songs and an Ode of ^Ir. Pope's,
with Instrumental Parts . . . Opera Terza.
Printed for the Author :
London, [1110?] fol. G. 569.
Elements of Thorough Bass and Composi-
tion, in which the Rules of Accompani-
ment for the Harpsichord. . .are rendered
amusing by the Introduction of Eight
Italian, Eight French & Twelve English
Songs collected from the Works of emi-
nent Composers . . . With Proper Lessons
for Practice. . .Opera Quinta. Longman
(& Broderip : London, (1181.) fol.
g. 748. a.
lids work contains songs by H. Purcell,
Giardini, Dr. Arne, E. Miller, Vento,
W. E. Miller Junr., Handel, J. J.
Rousseau, Albanese, Monsigmj, Ra-
meau, Pergolesi, jomelli, Ghillini
di Asuni, Sacchini, Paisicllo and
Mazzinghi.
The New Flute Instructor. Or : The Art
of Playing the German-Flute. . .To which
is added a Selection of popular . . . Tunes
. . .for one, two, and three German Flutes.
Also a Dictionary explaining the usual
terms to be met with in ]Music, etc.
Brodcrip Jb Wilkinson, for the Author :
London, [1800 ?] obi. A". b. 118.
This 2Cork contains compositions by
Lulli, the Duke of Rutland, Haydn,
Edelman, Pleyel, Dr. Harrington,
Wiedeinann, Dr. Miller, [J. C] Bach,
Blanq, Kotzwara, Handel, R. Bride,
Fischer and Dr. Arnc.
Institutes of Music, or easy Instructions
for the Harpsichord ... To which are
added . . . Lessons for Practice, etc.
Ijongman and Broderip :
London, [1771.] fol. g. 748.
This work contains compositions by
Miller, Ranieau, Corelli, Handel,
Stamitz, Agrell, Vcm Malderc, Lully,
Avison, Burton, Edelmann, Dietz,
Paradics, Just, Arne, [J. C] Bach,
Vanhall, Cocchi, Shroeter, Schobert
and the King of Prussia.
The NegTO Boy, who was Sold by an
African Prince, for a IMetal Watch. A
Favorite Soug, etc. Printed for J. Dale :
London, ni90?] fol. G. 360. (32.)
K
130
MILLER— MILLIONI
MILLER (Edward) The Psalms of David
for the use of Parish Churches tlie Words
selected ... by the Rev'' G. H. Drummond.
The Music Selected Adapted & Composed
by E. Miller. (Addenda, containing some
additional favorite Tunes.) IJ'. Miller :
London, (1790.) 8". E. 402.
The Addenda have separate pagination.
Send me back my Heart. [Song.] The
words by Sir John Suckling [or rather
Dr. H. Hughes]. Sk[illcrii : London,
1780 ?] s. sh. fol. G. 309. (134.)
Six Solo? for a German Flute, with a
Thorough Bass for the Harpsichord or
Violoncello. Printed for J. Johnson :
London, [1760 ?] ohl. i". ' c. 106.
Six Sonatas for the Harpsichord ; with
an Accompaniment to three of them, for
a Violin, or German Flute. Wekker :
London, [1765 ?] fol. g. 79. (4.)
MILLER (F. I.) III. Quintettes pour
Clavecin ou piano Forte avec Accom-
pagnement d'un Violon, Flute, Alto et
Basse. [Separate Parts.] Chez
le S'' Go'tz : Mannheim, [1797 ?] fol.
g. 473.
MILLER (M.) Iphigenia in Aulide. A
Grand Pantomime Ballet . . . Composed
expressively by M. Slillard (]Miller), Com-
poser to the Opera at Paris. [P. F.]
2 Bks. Longman and Brodcrip :
London, [1793.] fol. g. 230. (10.)
[Another coi^y. Book ii.] h. 16. a. (7.)
[Iphigenia in Aulide.] The Celebrated
IMarch for a full Band, and adapted for
the Piano Forte, etc. [Pull Score.]
Longman and Brodcrip :
London, [1795.] fol. g. 133. (46.)
Twelve Military Marches . . . for Two
Clarinets, Two French Horns & a Bassoon
with a Trumpet, ad libitum, etc. [Separate
Parts.] Longman and Brodcrip :
London, [1795 ?] ohl. 4". b. 81.
The Celebrated Opera Dances, for the
Year, 1794 ; composed & adapted for the
Piano-Forte, Violin or Flute. . .Book i.
Longman and Brodcrip :
London, [1794.] fol. g. 230. (11.)
MILLER (William Edward) The Queen
of France. [Song.] Words and ]\Iusic by
W. E. IMiller. Longman and Brodcrip :
London, [1793.] fol. G-. 366. (34.)
MILLEVILLE (Francesco) Pompe
Funebri nel IMortoria di Cliristo. Re-
sponsorii delli Matutini la Sera nella
Settimana Santa,. . .A 2. 3. & 4. voci pari,
in Concerto co' 1 Basso Continuo per 16
Clauicembalo, Tiorba, 6 simil' Instro-
meuto . . . Opera xiiii. Canto. (Tenore
Prinao.) (Tenore Secondo.) (Basso.)
(Basso Continuo.) 5 pts. Apprcsso
Alessandro Yincenti : Yenetia, 1624. 4°.
K. 1. k. 6.
MILL ICO (Giuseppe) Sei Ariette
Italiano con parole allcmande per 1' Arpa,
o Piano Forte o Guitarra . . . l''(-lll")
Parte. 3 pts. Presso N. Simrocl: :
Bonna, [1795 ?] obi. fol. E. 64..
Sei Canzoncine coll' AccompagnamentO'
di jjiano-forte. Presso (i. G. Ncghcli :
Zurigo, [1800 ?] obi. fol. E. 636. t. (3.>
A Third Sett of Six Canzonets with an
Accompauyment for the Pedal or Small
Harp, Forte Piano, or Harpsichord, etc.
Longman and Brodcrip) :
London, [1785 ?] obi. 4°. A. 641. (3.)
[Another copy.] B. 699. b. (3.)'
A fourth Sett of . Six Canzonets with aa
Accompauyment for the Pedal, or Small
Harp, Piano Forte, or Harpsichord, etc.
Longman and Brodcrip :
London, [1785 ?1 ohl. 4". A. 641. (4.>
Dormia sul margine. A Favourite Nevx
(SoHgf. . .with an Accompaniment for the
Harpsichord. [London,
1774.] s. sh. 4". 159. n. {6.}
London Magazine, April, 1774.
Musical Trifles. A Collection of Sonatina
for the Harp or Harpsichord . . . Adapted
and Published ... by E. Jones, etc.
Printed for the Editor :
London, [1794 ?] obi. 4". b. 52. (2.>
La Pieta d' Amore. Dramma [written
by A. Lucchesi, Prince of Campofranco,]
messo in musica dal Signor G. ilillico.
[Full Score.] G. M. Porcclli :
Napoli, 1782. fol. F. 139.
Six Songs, with an Accompanymeut for
the Great or Small Harp, Forte Piano or
Harpsichord, etc. E. Bremner : London,.
[1780?] ohl. 4°. A. 641. (1.)
A Second Sett of Six Songs with an
Accompauyment for the Great or Small
Harp, Forte Piano or Harpsichord, etc.
Wclckcr: London, [1180?] ohl. i".
A. 641. (2.).
MILLIONI (Pietro) Seconda Impress-
ione del Quarto Libro d' Intauolatura di
Chitarra Spagnola . . . Con vna aggiunta di
molte sonate, & anco vna regola generals
con la quale si puo 1' imparar' a sonare
ogni sorte di sonate con trilli, etc. Per
Gugliclmo Facciotti : Poma, 1627. ohl. 8°..
K. 4. a. 9.
MILLIONI (Pietro) and MONTE.
(LoDOVico) Vero e facil modo d' imparare
a sonare, et accordare da se medesimo la
Chitarra Spagnola, non solo con 1' Alfabeto,
and accordatura ordinarii ma anco con vn'
altro Alfabeto, & accordatura straordinarij
nuouameute inueutati da P. Millioni, & L.
Monte Compagni. Con vna Regola per
imparare il modo d' accordare sei Chitarre,
per jjoterle sonare insieme in concerto. . .di
nuouo ristampatOjffc. Apprcsso gli Hcrcdi
del Sali(io)ti, d: Agostino Grisci : Roma,
Maccrata, 1637. ohl. 8". K. 4. a. 11^
MILLION!— MINUETS
131
MILLIONI (riETKo) and MONTE
(LoDOVico) Vero e facil modo d' impararo
a sonare, et accordare da se medesimo la
Chitarra Spagnuola . . . Con vna Regola
per imparare il modo d' accordare sei
Chitarra, etc. I'cr Ciacomo Zini :
Venctia, 1G78. obi. 8". K. 4. a. 10. (1.)
MILNER (Abraham) A Collection Revival
and Refining (from the more gross &
obscene Songs) of the old Catch Book
together with a variety of two, & three
Parts Songs from the most Eminent
Masters. London, [1750?! obi. 4'.
A. 414.
The composers named are : T. Holmes,
W. Lawes, Cranford, K. Nelham, W.
Webb, H. Purcell, Dr. Aldrich, Gary,
It. Brown, White, J. Hillon, T. Brewer,
M. Wise, J. Lenton, Hodemonds, J.
Savile, Ives, Playford, K. Coleman, W.
Hoiocs, Cross, H. Lawes, M. Lock,
Wilson, Freeman, J. Eccles, J. Blow,
Marshal, It. Conrtcvil and Dr. Hayes.
The Psalm Singer's Pocket Amusement,
Being a Collection of PsaUn Tunes in two
Parts, Tenor and Bass, consisting of
the ^lost Valuable part of Ravenscroft's
Book of Psalmody, to gather with a Variety
of other new Tunes composed by the Most
Eminent Masters, etc. London, [1750 ?] S".
A. 414. a.
Sacre:! Melody, being a Choice Collection
of Anthems, in Two, Three, and Four Parts,
from the most Eminent blasters.
London, [11 bQr\ obi. i". A. 1039.
The composers nanud arc: J. Church,
Dr. Turner, J. Clarke, It. Kinr/,
Dr. Croft, M. Wise, W. Humfreys,
H. Purcell, Laws and Dr. Blow.
MIIiTIADE A MARATHON. Mon fils
vole aux champs de I'houneur. Air dc
Miltiade a Marathon [by J.B. Le ^Mojnie,]
avec accomp' de Guitarre. Che.: Iml>ault :
Paris, ri793.] 8'\ B. 362. d. (7.)
MILTON. Milton Oj-sters. Song.
See Therk. There was a brisk & sprightly
lass. ri870?] s. sh. fol.
H. 1601. a. (82.)
MINCE PYE. The I\Iince Pye. [Song.]
Sec Alcock (J.) the Younger.
MIND. The mind of bright Sukey's a
jewel. Song. See TuRxon (E.)
Mind the main Chance. Ballad.
See ]\IouLD.s (J.)
MINERVE. ]\Iinerve, () divine sagesse.
Air. See Ecpiirosine.
MINGUET Y YROIi (Pablo) Reglas,
y Advertencias generales que enseuan el
modo de tafier todos los Instrumentos
mejores.. .como son la Guitarra, Tiple,
Vandola, Cythara, Clavicordio, Organo,
Harpa, Psalterio, Bandurria, Violin,
Flauta Travesera, Flauta Dulce, v la
Flautilla, con varies Tanidos, Danzas
Contradanzas, y otras cosas. . .figuradas
en diferentes Laminas finas, por Musica,
y cifra, al estilo Castellano, Italiano,
Catalan, v Frances, etc. 6 pts. Joachin
Ibarra : Madrid, (1752-)1754. obi. 4'\
K. 8. b. (20.)
EacJi part lias a separate title-page.
The title-pages of the parts con'aining
Reglas for tJie Psalterio and for
Flutes are alone dated.
MINIATURE. The iliniature. Song.
Sn; PlKYEL (I. -J.)
MINNELYCKE SANGH-RYMPIES.
IMinnelycke Sangh-Rympies, vermenght
met eenighe Sonnetten, ende and're
Ghedichtes. [Words by J. Krul.]
Ghedrucktby P. I. Slyp : t'Amstehedam,
1634. 4". 638. i. 27.
Part of Krul's collected works entitled
' Eerlycke I'ytkorting,' etc.
[Another copy.] 11556. dd. 32. (2.)
MINSTREL. The IMinstrel. Songs.
S r Hook (J.)
MINUETS. [Arranged chronologically.]
The Prince's Minuet. [Song.]
Sec Clarinda. Clariuda's an Exquisite
Creature ... A Song to the Prince's
Minuet. [1710?] s. sh. fo\.
H. 1601. (104.)
Select Minuets. Collected from the
Operas, the Balls at Court, the IMas-
querades, and all Publick Entertainments.
For the Harpsicord, Violin, or German
Flute. Compos'd by ^.Ir. Handel, Dr.
Greene, ^Mr. ;M. C. Festing, ;Mr. Hudson.
MS. NOTES. Printed for T. Walsh:
London, [1745 ?] obi. 4". a. 26. h.
The composers named are: Hudson,
Glover, Handel, Pescetti, Hasse,
St. Martina, Festing and Wcideman.
Minuets for His Majesty's Birth Day, as
they were Perform'd at the Ball at Court.
For the Harpsicord, Violin, or German
Flute. 1747. Printed for I. Walsh :
London, [1747.] obi. 4'\ a. 26. g. (1.)
Wanting the last leaf. The composers
nained are : Desnoyer, Vincent, Junr.,
Dubourgh and Weideman.
Minuets for His Majesty's Birth Day, as
they were Perform'd at the Ball at Court.
For the Harpsicord, Violin or German
Flute. 1748. Printed for I. Walsh:
London, [1748.] obi. 4°. a. 26. g. (2.)
The only composer named is Dubourgh.
INIinuets Perform'd at Court, the 'Mas-
querades, and all Publick Places. For the
Harpsicord, Violin or German Flute, for
1749. Printed for I. WalsJi : London,
[1749.] obi. 4°. a. 26. g. (3.>
The composers named arc Desnoyer and
St. Martini.
[Another copy.]
a.
300.
k2
(3.>
132
MINUETS
MINUETS. Minuets for His ^Majesty's
Birth Day, as they were Perform'd at the
Ball at Court. For the Harpsicord, Violin
or German Flute. 1750. Printed
for I. Walsh : London, [1750.] obi. 4°.
a. 26. g. (4.)
Minuets Perform'd at Court, the INIas-
querades, and all Publick Places. For
the Harpsicord, Violin, or German Flute,
for 1750. Prmtcdforl. WalsJi : London,
[1750.] obi. 4". a. 26. g. (5.)
Sixteen of the most favourite Minuets with
their Basses . . . neatly fitted for the
German-Flute, Violin or Harpsicord.
D. Rutherford : London, [1750 ?] 4".
b. 53. c. (1.)
Minuets for His IMajesty's Birth Day, as
they were Perform'd at the Ball at
Court. For the Harpsicord, Violin, or
German Flute. 1751. Printed for
I. Walsh : London, [1751.] obi. 4".
a. 26. g. (6.)
Minuets Perform'd at Court, the Mas-
querades, and all Publick Places. For the
Harpsicord, Violin, or German Flute, for
1752. Printed for I. Walsh : London,
[1752.] obi. 4°. a. 26. g. (7.)
[Another copy]
a. 26. e. (1.)
Minuets for His Majesty's Birth Day, as
they were Perform'd at the Ball at Court.
For the Harpsicord, Violin, or German
Flute. 1753. Printed for I. Walsh :
London, [1753.] obi. i". a. 26. g. (8.)
The only composer najned is Sigr.
Palma.
Minuets for His Majesty's Birth Daj'^, as
they were Perform'd at the Ball at Court.
For the Harpsicord, Violin, or German
Flute. 1754. Printed for I. Walsh :
London, [1754.] obi. 4°. a. 26. g. (9.)
Minuets for His Majesty's Birth Day, as
they were Perform'd at the Ball at Court.
For the Harpsicord, Violin, or German
Flute. 1755. Printed for L Walsh :
London, [1755.] obi. i". a. 26. g. 10.
A Collection of Choice jMinuets. As they
are perform'd at the two Theatres. . ., set
for the Violin German Flute or Hautboy
with a Thorough Bass for the Harpsicord.
Book 1st. Printed for I. Oswald:
London, [1755 ?] obi. 4". d. 132.
A Fourth Collection of Sixteen of the
most Favourite Minuets with their Basses,
etc. D. Euthcrford: London, [1155?] 4".
b. 53. e. (2.)
A Minuet ; from Vienna. [Harpsichord.]
[London, 1755.] 8". 250. c. 2.
Gentleman'' s Magazine, Vol. XXV., p. 35.
MINUETS. Minuets for His Majesty's
Birth Day, as they were Perform'd at the
Ball at Court. For the Harpsicord, Violin,
or German Flute. 1756. Printed for
I. WalsJi, : London, [175G.] obi. 4".
a. 26. g. (11.)
The Prince of Brunswick's Minuet.
[Harpsichord.] [London,] 1759. 8".
P.P. 5441.
Royal Magazine, Vol. I., p. 95.
A Collection of new ^Minuets for the Year
1760 Perform'd at Court on His Majesty's
Birth-Day. Set for the Harpsichord,
Violin, German Flute or Hautboy.
Printed for Tliompson d Son: London,
[1760.] obi. 4". a. 26. b. (1.)
[Another copy.] a. 26. (1.)
Wanting the title-page and pp. 77 aiid 79.
A Favourite French-Horn Minuet, w"'
Variations. [London, 1760?] s. sh. fol.
H. 1994. a. (212.)
The Masquerade Minuet, as perform'd
at the Theatre Royal Covent Garden.
[Strings & Flutes.] [London,
1760 ?] s. sh. fol. H. 1994. a. (219.)
The Queen's Jlinuet, as perform'd in the
Masquerade at the Theatre Roj'al in
Drury Lane. [Strings.] [London,
1760 ?] s. sh. fol. H. 1994. a. (4.)
Eighteen New Spanish ]\Iinuets for Two
Violins and a Bass. Compos'd by Sig'
Herrando, Sig' Cabar, Sig"" Camusso,
Sig' Espinosa, Sig" Luna and Sig'
Narcisso. Printed for J. -Johnson :
London, [1760 ?] obi. 4». " a. 25. (1.)
A Collection of new IMinuets for the
Year 1761. Perform'd at Court on His
Majesty's Birth Day. Set for the Harpsi-
chord, Violin and German Flute. Printed
for J. Johnson: London., [1761.] obi. 4".
a. 26. b. (2.)
A Collection of New ]\Iiuuets for the
Year 1763. Perform'd at Court on his
]\Iajesty's Birth Day. Set for the Harpsi-
chord, etc. Printed for Thompson ct Sons :
London, [1763.] obi. 4°. a. 26. f. (1.)
A Collection of New Minuets for the
Year 1764. Perform'd at Court on his
Majesty's Birth Day. Set for the Harpsi-
chord, etc. Printed fur C. <£ S.
Thompson : London, [1764.] obi. 4".
a. 26. b. (3.)
Lady Coventry's Minuet. [P. F. and
Vocal Duet.] [London, 1765 ?] s. sh. fol.
H. 1994. a. (43.)
[Another edition.] Lady Coventry's
Minuet. FP. F. and] Duetto for two
Voices. [London, 1765 ?] s. sh. fol.
G. 311. (70.)
Captain ]Mather's Minuet.
[J^ondon, 1766.] 8°. 158. 1. (11.)
London Magazine, 1766, p. 582.
MINUETS
133
MINUETS. A Collection of New Minuets
for the Year 1766. Perform'd at Court on
his Majesty's Birth Day. Set for the
Harpsichord, dc. Printed for
C.d- S. Thontvson : London, [Yi&&.'] ohlA".
a. 26. (2.)
A Collection of Minuets for the Year
[1767?] Perform'd at Court on His
]\Iajesty's Birth Day. Set for the Harpsi-
chord, etc. Printed for J. Johnson :
Lo»f/o«, [1767?] o5Z. 4". " a. 26. (4.)
The date has been obliterated.
New Minuets for the Y'ear 1770. . .Set for
the Harpsichord, etc. Printed for
Longman d- Co. : London, [1710.] obi. i".
a. 26. (3.)
A Collection of the Newest and best
Minuets. Adapted for the Violin or Ger-
man Flute with a Ba-ss for the Violincello
or Harpsichord. Priyited for U. Steirart :
Edinb7(rgh,iinO'^] obi. r. a. 9. b. (6.)
Fourteen Neopolitan ^Minuets, for Two
Violins and a Bass, etc. J. Lonqman d
Co. : London, ^1770?] obi. 4".
b. 53. a. (6.)
TliC part for Violins only.
Thompson's Compleat Collection of 100
Favourite Minuets. . .Set for the Harpsi-
chord, f^r. 3 Vols. [1770?-1775? oW. 4".
Sec TiiCMPSOx, Music Publishers.
a. 223. d.
Lady Coventry's Minuet. See Tacet (J.).
Ladv Coventry's ]\Iinuet with Variations,
etc. ' [1770?] s. sh. fol. G. 311. (14b.)
A Collection of New Minuets for the Year
1772. . .Set for the Harpsichord, etc.
I'rinied fiT C. d S. Thompson : London,
[177ti.] obi. 4\ a. 26. a. (2.)
Minuet.- as they were Perform'd at the
Ball at Court . . . for the Harpsichord,
Violin and German Flute, for the Year
1772. Printed for T. Straight and
SkiUern : London, [1772.] obi. 4".
a. 26. a. (3.)
Bath New Assembly-Room Minuet.
[P. F.] [London, 1773.] s. sh. 4".
159. n. 5.
London Magazine, April, 1773.
The I'nchess of Cumberland's Minuet.
[P. F.] [London, 1773.] s. sh. 4".
159. n. 5.
London Magazine, June, 1773.
The Hou'"^' Cosmo Gordon's new ^linuet.
[Full Score.] G. Gardom : London,
1773. f. .^/;."fol. h. 141. a. (15.)
Lady Bettv Wood's Minuet. [P. F.]
[Londo'.i, 1773.] s. sh. 4". 159. n. 5.
London Magazine, Nov., 1773.
JMaster IMatthew's Minuet. [P. F.]
[Londo::, 1773.] s. sJi. 4". 159. n. 5.
Londoi Magazine, Feb., 1773.
MINUETS. IMenuet de la Reine Charlotte.
[Song.] Sec Viens. Viens cel^brer la-
Reine, etc. [1773.] s. sh. 4". 159. n. 5.
Blackheath :\Iiuuet. [P. F.]
[London, 1774.] s. sh. 4°. 159. n. 6.
London Magazine, Nov., 1774.
Twelve New IMinuets for the Y'ear 1774
. . .Set for the Harpsichord, c/c.
Longman, Lukey d Co. :
London, [1774.] obi. 4°. a. 26. d.
^liss Boscaweu's Minuet. [P. F.]
[London, 1774.] s. sh. 4". 159. n. 6.
London Magazine, Feb., 1774.
Miss Smith's Minuet. [P. F.]
[Lo7ulon, 1774.] s. sh. 4". 159. n. 6.
London Magazine, Oct., 1774.
Mr. Rogers's Minuet. [P. F.]
[London, 1774.] s. sh. 4°. 159. n. 6.
London Magazine, Sept., 1774.
The Russian I^Iinuet. [P. F.]
London, [1774.] s. s7;. 4". 159. n. 6.
London Magazine, April, 1774.
A Collection of Minuets, in which is that
favourite one danced by Madame Heinel
at the Opera, House in the Hay Market.
Printed for William Napier :
London, [1775 ?] obi. 4". b. 53. b. (3.)
The composers named are : Schroder,
Princess Schuer Liseky, Abel, Stamitz
and Baron Buckholl.
A Collection of New Slinuets, for the Year
1775. . .Set for the Harpsichord, etc.
Printed for Jas. and Jno. Si^nj^son :
London, [1775.] obi. 4°. a. 26. (5.)
The Fete-Champetre IMinuet.
[Londo7i, 1775.] s. sh. 4". 159. n. 7.
London Magazine, Feb., 1775.
i Lady Barriniore's favourite Minuet, per-
form'd at Bath & most polite assemblys,
adapted for the Harpsicord, Violin, Ger-
man Flute and Guitar. [London ?
1775 ?] s. sh. fol. h. 721. f. (32.)
Lady Coventry's ^Minuet with Variations
for the Harpsichord or Piano Forte.
Printed for Longman, Lukey d Broderip :
London, [lllo?] fol. g. 271. (30.)
Lady Tyrconnel's ISIinuet. [Strings and
Flute.] I[ohn] B^ntlierford : London,
1775 ?] s. sh. fol. h. 1568. b. (18.)
^Marshal Saxe's Minuet, the Highland
Laddy, and Lonely Nancy, with familiar
Variations for the Harpsichord or Piano-
Forte, etc. C. d S. Thompson :
London, [1775 ?] fol. h. 726. m. (8.)
^Masquerade Minuet, with Variations for
the Harpsichord or Piano-Forte.
Printed for G. Smart:
[London, 11152] fol. g. 271. b. (2.)
Minuet [from the Overture to Handel's
Alcina]. R. Falkencr : London,
[1775?] s.sh.iol. H. 1994. a. (206*.)
13i
MINUETS
MINUETS. Six Favourite ^Minuets, as
Performed at Bath, for two Violins and
a Violoncello, with a Thorough Bass for
the Harpsichord. Welcker :
Lomlon, [1775 ?] ohl. 4°. b. 53. a. (5.)
Miss Johnsons ]\Iinuet, as perform'd at
Bath. [Harpsichord and Flute.] I. S. I. :
[London? 1775?] s. sh. fol.
h. 1568. b. (16.)
Miss Wade's Minuet as Danced at the
Pantheon, etc. [2 Violins and Bass.]
[Lomlon? mo?] fol. g. 442. j. (30.)
M'' Noverre's Minuet. [2 Violins and
Bass.] W[illiam'] C[ainpbcU : London,
1775 ?] s. sh. fol. g. 442. j. (31.)
]\Irs. Talbot's Minuet. [Harsichord, Flute
and Guitar.] I\ohn'] E[ntherford :
London, 1775 ?] s. sh. fol.
h. 1568. b. (17.)
A Collection of New Minuets for the Year
1778. . .Set for the Harpsichord, etc.
Printed for W. liandall :
London, [1778.] obi. 4". a. 26. (7.)
A favovirite Collection of New Minuets,
for this present Year 1778, as they are
performed at the Castle, etc. MS. notes.
J. Lee : Dublin, [1778.] obi. 4^
a. 26. (6.)
A Collection of New Minuets for the Year
1779. . .Set for the Harpsichord, etc.
Printed for C. d S. Thompson:
London, [1779.] obi. 4". a. 26. (8.)
Minuets for the Y'ear 1779 . . . for the
Harpsichord, elc.
Printed for T. Skillern :
London, [1779.] obi. 4". a. 26. (9.)
A Collection of New Minuets for the Year
1780. . .Set for the Harpsichord, etc.
Printed for C. it S. Tliompson :
London, [1780.] M. 4". a. 26. (10.)
The Devonshire Minuet. Danced by Sig'
Vestris, c'/c. [P. F.] Jolni Lee : Dublin,
[1780?] s. s7;. fol. H. 1601. a. (118.)
The King of Denmark's Minuet. [Strings
and Guitar.] [London, 1780?] s. sh. fol.
h. 141. a. (13.)
The King's Minuet. [Strings, Flutes and
Guitar.] [London, 1780?] s. sh. io\.
h. 141. a. (16.)
Lady Barrimores Minuet. Perform'd at
Bath . . . Adapted for the Harpsichord,
Violin, German Flute, and Guittar.
[London, 1780?] s. sh. fo\.
h. 141. a. (14.)
The celebrated jMinuet de la Cour.
(Juvenile Entertainment, etc.) (Night
Scene, etc.) [P. F.] [London,
1780?] fol. g. 272. p. (27.)
Minuet de la Cour. See Who. Who can
describe the Pow'r of Love . . . [Song]
adapted. . .to the Di la Cour IMinuet, etc.
[3 780?] fol. G. 313. (247.)
MINUETS. :\Iinuct de la Duchesse de
Devonshire. As Danced by Sig' Vestris at
the Opera House. [P. F.] "
G[eorge] S[mart :
London, 1180?] fol. g. 272. w. (18.)
Eight Mhmcts & Four Cotillions adapted
for the Harpsichord with an Accompani-
ment. Selected from the most Phninent
]\Iasters, as performed at Mr. Wills's
Academv, etc. [London ? 1780 ?] obi. 4".
b. 57. a. (4.)
[XII. :Minuets for Strings and Harpsi-
chord, with a Dedication signed ' Musico-
Gratorieo-Politico.'l [London,
1780?] obi. 4". ' b. 57. c. (3.)
Imperfect, wanting the title-page.
A Collection of New Minuets for the Y'ear
1782. . .Set for the Harpsichord, etc.
Printed for S. A. and P. Thompson :
London, [1782.] obi. 4°. a, 26. (11.)
Twe've New Minuets for the Year 1784. . .
Set for the Harpsichord, etc.
Longman <<; Broderip : London,
[1784.] obi. 4". a. 26. (12.)
A Collection of New ^linnets for the Year
1785. . .Set for the Harpsichord, etc.
Printed for T. Skillern : London,
[1785.] obi. 4". a. 26. e. (2.)
Containing Minuets by Hook and Kotz-
wara.
A Collection of New Minuets for the
Year 1788. . .Set for the Harpsichord, etc.
Printed for T. Skillern: Jjondon,
[1788.] obi. 4". a. 26. f. (2.)
A Collection of New IMinuets for the Year
1789. . .Set for the Harpsichord, etc.
I'rinted for S. A. d P. Thompson:
London, [1789.] obi. 4\ a. 26. (13.)
The Devonshire ^linnet, etc. [Strings,
etc.] [London, 1790 ?] fol.
g. 272. u. (13.)
A Second Set of Six Elegant jMinuets.
Danc'd at Bath, adapted for the Harpsi-
chord or Piano-Forte. Printed for J. d
W. Li litem : Bath, [1790.] obi. 4".
b. 53. b. (4.)
^Minuets &c. &c. for the Violin Jlandolin
German-Flule and Harpsichord. Com-
pos'd by an African [G. H. P. Bridg-
tower?!. Book 2nd, ffc. Richard Duke,
for the Author: London, [1795?] old. 4°.
b. 53. b. (1.)
Thompson's Twelve Favorite I\Iinucts for
the Year, 1797, etc. 1797. obi. 4'.
Si'e Thompson, Music Publislicis.
a. 26. f. (3.)
Thomjjson's Twelve Favorite Minuets for
the Year 1798, etc. 1798. obi. 4".
Sec Thompson, Music Publisliers.
a. 26. f. (4.)
[For F. Werner's Collections of ]\Iinuets,
&c. :] See Webneb (F.)
:\1I0— MITTERNACHTSTUNDE
135
MIO. Mio caro ben. [Song.]
See ASTARTO.
II mio cor gli affetti. Rondo.
See CiMAROSA (D.)
II mio garzone il pifaro. Duetto.
See Paisiello (G.) [La Molinara.~\
MION (Jean Jacques Hknri) Nitetis.
Tragedie, etc. [Libretto by Lasserre.]
Gravfc par dc Gland. Chez VAnteuv:
Paris, 1741. ohl. fol. E. 149.
Votre voix, et vos yeux. Bouquet, pour
IMadame la Marquise de * * *. Les paroles
sont de I\I' Fugelier, etc.
[Paris,] 1746. s. sh. 4'\ 297. c. 7.
Mercitre de France, July, 174G.
MIRA. Mira. Song. See Percy (J.)
Mira and Colin. [Song.]
See ^loRX. The morn was fair, etc.
[1766.] 8\ 158. 1. 11.
Mira and Colin. Song.
See ]\IORN. The ]\Iorn was fair, efc.
[1766.] 8". P.P. 5438. z.
Mira and Colin. Song.
See ilouN. The morn was fair, etc.
[1706.
S'"'
p.p. 5441.
MIRACULOUS. The :Miraculous Hen.
[Song.] See At. At Reading there lived
a buxom young Dame. [1780? J s. sit. fol.
G. 306. (98.)
MIRANDA. :\Iiranda. [Song.]
See WoiaiAX (J.)
MIRATE. Mirate, mirate. Duet.
See ;Mautin y Solar (V.) [La Scuola
de' Marilati.]
MIROGLIO (PiETRO CiiovANxi) Six
Siniplionie[sj a Grande Orchestrc pour
Deux Vioions et Basse Alto Viola . . .
Oiluvre X. [Separate Parts.]
Chez VAutenr : Paris, [1770?] fol.
g. 474. (9.)
MIROIR. Le :Miroir du Sioclo. [Song.]
Siv Toi. Toi qui pretends an vrai bonheur,
etc. [1780?] 8". B. 362. b. (149.)
MIROIR ( ) Que la Melempsicose a
de charmes. ^Song.]
[Pans,] 1773. \s. sh. 8". 298. e. 24.
Mercnredc France, Oct., 1778.
MIROIR MAGIQUE. Le Miroir
IMagique, Dptra-Comique en un Acte
[written by J. Fleury.]. . .aveclaMusique.
Chez Duchesne: Paris, 1755. 8".
11738. e. 33. (3.)
[Another copy.]
Sec Theatre. Theatre Nouveau de la
Foire, etc. Tom. 1. 1763. 8".
11735. d. 2.
MIRROR. The :\Iinor, or Harlequin
Everywhere. Pantomime. (b'ccDiBDiN(C.)
MIRTH. Mirth and Friendship. Two
part Song. Sec May. ^lay this good
Company, e^c. [1760?] s. sit. fob
H. 1994. a. (86.)
MISER. The !Miser securely may soon
sit at Home. T]ie hnpartial Adviser. A
new Song. [London, 1754.] 8".
157. 1. 16.
London Magazine, 1754, p. 334.
The Miser's Invitation. Ballad.
See AvARCS. Avarus sent for me to dine.
[1730?] s.sh.iol. G. 316. (13.)
The Miser's Pursuit. [Song.]
See Leveridge (R.)
MISERIES. The Miseries of War. [Song.]
See DiBuiN (C.) [The Quizes.]
MISERO. jMisero, misero pargoletto,
[Song.] See Federici (V.) [L'Usurpator
Innocentc]
MISGROUNDED. The IMisgrounded
Compassion. [Song.] See Yoc. You've
heard it, and read it, a trillion times.
[1770?] s. sh. fol. G. 314. (113.)
MISIiEVECHECK (Jozef)
,bV(' rilvSLIWKCZKK.
MISLIVECECK (Joseph)
See Mysliweczek.
MISLIWECEK (Giuseppe)
See j\I V s 1 . 1 \v ):c z e k .
MISLIWECEK (Joseph)
See ^[ysliweczek.
MISS. :Miss in her Teens. Ballad.
See Arne (T. A.)
MISS MUZ. ]Miss Muz the :Milliner and
Bob the Barber. fSong.]
See DiBDix (C.) [The Sphinx.]
MISS PRUE. ]\Iiss Prue's Plea for a Hoop,
[Song.] .S'ce Nemo (N.) pseud.
MISS SNOW. IMiss Snow. Song.
See Let. Let others for beauties the city
explore, etc. [1765.] 8". P.P. 5441.
MISTAKE. ^Mistake not Nj-mph. Song.
See Barkeit (J.) Organist.
MISTRESS. The Mistress. [Song, begins :
' Cease Damon cease.'] See Arxe (M.)
The Mistress. Song [begins : ' Whatever
your anger-sick lovers may say '].
See Deserter.
MITFORD (Eliza) Jack Latin. With
\'ariations, etc. [P. F.] [London,
1800?] fol. g. 271. b. (3.)
MITRIDATE. [Se spuntan vezzose.]
The disconsolate Lovers : to a favourite
Air in IMitridate [by D. M. B. Terradellas].
The Words by ^Ir. Lockman. [Loidon,
1746.] 6'. sh. fol. G. 315. (121.)
IMitridate. Opera. Sec Sacchini (A. M. G.)
iNIitridate. Opera.
See Terradellas (D. M. B.)
MITTERNACHTSTUNDE. Die
]Mitternacbtstunde. Eine komische Oper.
See DAi.-zi (F.)
136
]\IIZLER^MODERN
MIZIjER (Lorenz Christoph) Anfangs-
Griinde des General Basses nach Mathe-
matischer Lehr-Art abgehandelt, und
vermittelst einer hierzu erfundenen Mas-
chine auf das deutlichste vorgetragen, cic.
Bey clem Verfasser : Lcipnfj, [1739.] 8".
1042. c. 6.
Musikalischer Staarstecher in welchem
rechtschaffener IMusikverstiindigen Fehler
. . . angemerket, eingebildeteu . . . Com-
ponisten Thorheiteu aber lacherlich
gemachet werden. Als ein Anhang ist
des Herrn Riva . . . Nachricht vor die
Componisten und Sanger beygefiiget, und
aus Italienischen ins Deutsche iibersetzet
von L. Mizlern. AufKosten des Yerfassers :
Leipzig, (1740.) 8'\ 7897. aaa. 18.
L. INIizlers . . . Neu eroffnete IMusikalische
Bibliothek, oder Griindliche Nachricht
nebst unpartheyischem Urtheil von alten
und neuen niusikalischen Bilchern und
Schriften, etc. 3 Bd.
Ivi Yevlag des Yerfassers : Leipzig,
1739 (1743-1752). 8". P.P. 1945. a.e.
Bd. I. is in C j^rts, of which Tli. I. is
dated 1736 ; Th. 2 and 8—1737 ; Th. 4,
5 and 6—1738. Bd. II. is in 4 2>(irts
(1740, 1742, 1742 and 1743) ; Bd. III.
is in 4 2Kirts (1746, 1746, 1747 and
1752). Eacli part lias a separate title-
page and pagination.
[Another copy. Erster (Zweyter) Band. . .
2 Bd.] 785. b. 41.
See Fux (J. J.) Gradus adParnassum. . .
Aus dem Lateinischen ins Teutsche
iibersetzt, mit. . . Anmerckungen versehen
und heraus gegeben von L. ]\Iizlern, etc.
1742. 4". 556. b. 8.
See Gespraech. Gespriich von der Musik,
etc. [With a Preface by L. C. Mizler.]
1742. 4". 7897. g. 30.
MOCK DOCTOR. The Mock Doctor:
or The Dumb Lady Cur'd. A Comedy.
Done from IMoliere [by H. Fielding] . . .
With the Musick prefix'd to each Song.
Printed for J. Watts : London, 1132. 8°.
11775. d. 35.
Containing three Songs hy Mr. Seedo.
Songs in tlie Farce call'd the Mock Doctor
. . . Tiie Tunes proper for the German
Flute, Violin & Common Flute. To which
is added y" Aires for the Violin & Harpsi-
chord in the Opera call'd the Devil of a
Duke [by 11. Drury], etc. [London.,
1732.] 8". A. 869. a. (1.)
Engraved throughout.
The Mock Doctor. . .The Fourth Edition,
with Additional Songs and Alterations.
Printed for J. Watts: London, 1153. 8".
11775. d. 37.
The Mock Doctor ... A New Edition. With
Additional Songs and Alterations.
Printed for A. Millar: London, 1761. 8".
11775. d. 38.
MODEL. The Model. Song.
See Hook (J.)
MODERATE. ThelNIoderatelMan. [Song.]
Sec Tory. A Tory, a Whigg, & a IModerate
man, etc. [1705 ?] s. sh. fol.
G. 306. (43.)
MODERATION. IModeration and Altera-
tion. [Song.] .SV^ With. With an old
Song made by an old ancient Pate.
[1775 ?] s. sh. fol. G. 809. c. (70.)
MODERN. The Modern Beau. [Song.]
Sec Carey (H.) [TJie Honest Yorkshire-
num.']
The Modern Lass in high Dress. [Song.]
[1770?] fol. See Come. Come all ye
Bucks and Lads of Fire.
[1770 ?] s. sh. fol. G. 307. (82.)
The Modern Lover. [Song.]
Sec ROMER ( ) Yocalist. [Modern Eccen-
tricities.']
The Modern Rake. [Song.] Sec B., R.
]Modern Taste. [Song.] Sec Give. Give
Chloe a Bushel of Horsehair & Wool.
[1780?] s.sh.tol. H. 1601. b. (62.)
MODERN CATCH-CLUB. The
Modern Catch-Club, being a. . .Choice Col-
lection of Catches, Glees, Canons & Two-
part Songs, by...Arne, Boyce, Baildon,
Battishill, Hayes, Nares, IMarella, Berg,
&c. with Instrumental Basses for a Bas-
soon or Violoncello. J. Cox : Langtoft,
[1770 ?] obi. 4". A. 756.
This collection also contains Catches by
C. Sharp, C. Burneij, E. Gregory,
Dr. Greene, Jenner and Dr. Bogcrs.
MODERN MUSICK-MASTER. The
Modern Musick-Master. . .containing, i.
An Introduction to Singing. . .ii. Direc-
tions for playing on the Flute. . .iii. The
Newest IMethod for Learners on the Ger-
man Flute... IV. Instructions upon the
Hautboy. . .v. The Art of Playing on the
Violin.!. VI. The Harpsichord Illustrated
& Improv'd. In which is included a...
Collection of Airs, and Lessons. . .ex-
tracted from the Works of Mr. Handel,
Bononcini, Albinoni, and other Eminent
Masters. With a Brief History of Musick
...To which is added, a Musical Dic-
tionary.. .Curiously Adorn'd with Cuts
...Finely Engrav'd on above -320 Plates.
[By P. Prelleur.] Engrav'd, Printed,
and Sold at the Printing-Office in Bow
Church Yard : London, 1731. 8". d. 40.
Each part has a separate title-page and
pagination. The following composers
are named: I- Yanbriighe, Handel,.
Boioland Kellegmc, H. Purccll ; II.
Handel, Woodcock ; lil. Bononcini,.
Grano; IV. Handel; V. Albinoni,
Mascitti, St. Helene, Handel, Bonon-
cini; VI. Lully, Babel, Attilio [Ariosti'],
Mattheson.
MODERN— MOI
137
MODERN MUSICK-MASTER.
[The IModeni 3Iusick-]Mastor, etc. By
P. Prelleur.] Engrav'd, Printed and
Sold by W. Diceij. . .also by J. Sivq^son :
London, [1742 ?] ' 8". d. 40. a.
Parts II., III., ir., VI. and VII. only.
wanting the folding plate in Part VI.
Tlie imprint of ' Instructions upon the
Hautboy' is 'Engrav'd, Printed and
Sold by T. Cobb. . .also by J. Simpson ' ;
that of the ' Brief History of Masick '
is the same as in the 1731 edition.
MODERN PROPHETS. Now comes
on, the Glorious year. .4 Song on the En-
siling Campaign. Design'd to be Sung
between the Acts in the Modern Prophets.
Written by Mr. Durfey. \_London,
1709?] s.sh.iol. H. 1601. (315.)
We London valets all are Creatures. The
first Song in the Modern Prophets. Writ-
■[t]en bv I\Ir. Durfey. Sung bv :\rr. Pack.
\_Lond6n,riO\)T\ s.sh.iol. G." 313. (46.)
We Prophets of the Modern race. A Song
in the Modern Prophets written by ]\Ir.
Durfey. [London, 1709 ?] s. sh. fol.
G. 313. (21.)
Wou'd ye have a Young Virgin of Fifteen
Years. Mr. Durfey's Song in the Modern
Proi)hcts. [London, n09?] s.sh.iol.
H. 1601. (515.)
The tune of this song was previously
known as ' Poor Robin's Maggot.'
[Another edition.] Would ye have a
young Virgin of fifteen years. A Song in
the last Act of the Modern Prophets, etc.
[LoHfZu«, 1709?] s.sh.iol.
G. 313. (23.)
MODERNE (Jacques) Tertius Liber
Mottetorum ad Quiuque et Sex Voces.
Opera ac solertia lacobi I\Ioderni, alias
dicti Grand laques, in vuum coactorum
& Lugduni prope phauu diuse virgiuis de
Confort, ab eode Impressoru. Superius.
(Altus.) 'J pts. 1538. obi. 4".
K. 2. a. 1.
The composers of this collection are :
J. Lupi, J. Courtoys, N. Gombert,
Jacquet, Archadelt, L. Paminger,
Mathias, F. de Layolle, A. Villart,
Hurteur, Verdelot, Benedictus and
C. Festa.
MODES. Les Modes au Globe volant.
[Song.] See Aeriene. L'Aeriene plein
j:e(;oit, etc. [1783.] 8". B. 362. a. (197.)
Les modes jusques a present. Beflcc.vioii
sur les Bedingottes d VAnglaise. [Song,
written] Par Mr. Lamy de Blonval. Air :
Salut a Mr. Robiuet. Chez Le Pelleticr :
[Pans, 1715?] 8". B. 362. b. (166.)
MODEST. The Modest Concealment
[Song.] See Dear. Dear Collin prevent
my warm Blushes. [1733 ?^ ,s. sh. fol.
G. 307. (130.)
MODEST. The Modest IMaid's Delight.
[Song.] Sec When. When the Kine had
given a Pale full. [1715 ?] s. sh. fol.
H. 1601. (492.)
The Modest Petition. [Song.]
See BovcE (W.)
The Modest Question. [Song.]
See RussEL (D.)
The Modest Shepherd. [Song.]
See Gaxthoxy (J.)
MODESTY. Modesty's Cap. [Song.]
,SV,> HODbSOX (P.)
MOELLER (Christian) Davids KJeinod,
bestehend aus Hundert und funffzig
Psalmen, wie auch andere Christl. Kir-
chen-Gesiinge, in. . .zweystimmige parti-
tur gebracht durch Miiller, etc. 2 pts.
Be]/ Johann George Stricgel. ..Druckts
Johann Wilhebn Kiirssncr : Franckfurt
und Cassel, 1703. 4". C. 270.
Bound tip icith manuscript 18th cent.
German Psalms.
MGEURS. Les IMojurs du Siecle. Vaudeville,
See Blavet (M.) [Le Jaloux Corrige.]
MOG. :Mog the Brunette. [Song.]
See YouxG. Young Jockey he courted
sweet Mog, e^c. [1770?] s.'sli. iol.
H. 1994. b. (113.)
MOGGY. :\roggy. [Song.]
See DiBDiN (C.) [The Quizes.]
Moggy fuU as blithe and gay. Beaut if ull
Moggy : or Scotch Jemmy's Delight, etc.
[Ballad.] To the Tune of the Female
Trooper. Printed for
P. Brooksby, J. Deacon, J. Blare, and
J. Back: [London, imb?] s.sh.iol.
Case 39. K. 6. (13.)
The music is represented by a meaning-
less succession of notes, etc.
Moggy's Complaint of .Jockey. [Song.]
See Chloe. Chloe, or the Musical Maga-
zine, etc. No. 18. [1760 ?] fol. G. 433.
Moggy's Complaint of Jocky. Song.
See On. On the Tav's verdant banks, etc.
[1748.] 8". " 157. 1. 10.
MOGGY MACBRIDE. Moggy Mac-
bride. Song. See Smethergell (W.)
MOGLIE FEDELE. La Moglie Fedele.
Opera. Sec Alessaxdri (F.)
MOHRHEIM (Friedrich Christian)
A Favourite Lesson, for the Harpsichord
or Organ, etc. Thompson d- Son :
London, [1160?] obi. iol. e. 462.
Solo per il Cembalo, etc. D. Momber :
Danzica, [1760 ?] obi. fol. e. 284. e. (6.)
MOL Moi I'aimer pien le taple. Le
Suisse en belle humeur. [Song.] Paroles
de Mr. P. d'H . . . Accomp' de Guitarre
par Mr. * * *. Air : Oui noir [by A. E. M.
Gretrv]. Chez les fnh-cs Saviqny :
[Paris, 1787 ?J 8". B. 362. f. (13.)
138
MOINEAUX— MOLLER
MOINEAUX. Les ]Moineaux. [Song.]
See QuK. Qu'ils sont jolis, etc.
[1780?] 8". B. 362. b. (4.)
MOISSON". Accoutez I'histoir' de Nanon.
Cluinnon de la Moisson. [Opera-Comique,
words by C. A. B. Scwrin, music by
J. P. Solie.] Ail- : Qu'en dira ma mere ?
Che2 Imbault : Paris, [1793.] 8".
B. 362. c. (51.)
<^a, que la gaiete brille. [Song.] De la
Moisson. [Op6ra-Comique, words by C.
A. B. Sewrin, music by J. P. Solie.] Air:
Si vous aimez la danse. Cites Imbault :
Paris, [1793.] 8\ B. 362. h. (11**.)
[Another copy.] B. 362. a. (42.)
Un Hibou se sentant epris. Itoncle cle la
Moisson. [Opera Comique, words by C.
A. B. Sewrin, music by J. P. Solie.] Air :
I'Age a svu borner nos desirs. Avec
Accompagnement de Guitare.
Chcs: Imbault : Paris, [1793.] 8°.
B. 362. h. 11.
Regards vifs et joli mentou. [Song.] De
la Moisson . . . [Op^ra-Comique, words by
G. A. B. Sewrin, music by J. P. Solie.]
Avec Accompagnement de Guitare.
C]iC2 Imbault : Paris, [1793.] 8".
B. 362. h. 11*.
La Moisson ou le Court Jupon. Ariette.
See Ce. Ce fut au temps de la moisson.
[1780?] 8". B. 362. b. (103.)
MOISSONNEURS. O le bon tems que
la moisson. Eonde, des Moissonneurs [by
E. R. Duui]. Paris, [1770 ?] 8°.
B. 362. c. (55.)
Les Moissonneurs. Comedie.
See Di-Ni (E. R.)
MOLINA (Baetholome dp:) Arte de
canto llano Lux videntis dicba, cic.
Dieqo de Gumiel : Valladolid, 1506. 4».
K. 8. f. 2.
12 leaces without pa cjinat ion.
MOLINARA. La Molinara. Opera.
See Paisiello (G.)
3IOLINAIIO (Simone) Faticbe Spirituali
...Libro Priuio (Secondo) a Sei Voci.
Sesto. 2 pts. Appresso Eicciardo
Amadino: Venetia, 1610. 4". D. 58. a.
The composers of this collection are :
A. Gabrielli, O. Vecchi, S. Molinaro,
A. Bicci, E. del Mel, G. de Macqne,
L. Mureiuio, F. di Monte, G. M.
Nanino, L. Levanto and G. B. dalla
Costena.
Intavolatura di Liuto . . . Libro Primo.
Nel quale si couteugono Saltarelli, Pass'
e mezi, Gagliarde, e Fantasie, etc.
Appresso Eicciardo Ainadino : Venetia,
1599. fol. K. 4. i. 9.
This work also contains compositions bij
(t. B. delta Gostena, G. Costelii \_Cos-
telcij'], T. Crecquillon, O. Lasso, G.
Sevcrino, Clemens non Papa and
G. Guami.
Di Simone IMolinaro II Secondo Libro de
Motetti a otto voci . . . Secondo Goro.
Teuore. Per V hercde di S. Tini. <£•
G. F. Besozzi : Milano, 1601. 4". D. 58.
Sec Gesualdo (G.) Prince of Venosa.
Partitura delli Sei Libri de' Madrigali . . .
fatica di S. Molinaro, etc. 1613. fol.
K. 7. g. 3.
MOLINI ( ) The Fife Hunt, a Favourite
Scotch Air, with Variations for the Piano
Forte. Composed by Sig' Molini. [1799.]
See Periodical Publications. — London.
The Piano Forte Magazine. Vol. VIII.
[No. 3.] [1797-1802.] 8'\ D. 854.
Of noble Race was Shenkin. . .Welch Air,
with Variations for the Piano Forte. . .by
Sig^ Molini. [1799.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. VII.
No. 11. [1797-1802.] S". D. 854.
MOLITOR (FiDELis) Cantionum Sa-
crarum a Voce Sola una cum Duobus
Instrumentis . . . Liber Secundus. Pars
Cantans. (Violino i.) (Organum.) 3 pts.
Sunij)tibns ac Tijpis
Michaelis Wanner : CEniponti, 1664. fol.
G. 281.
jMensa ]\Iusicalis quam Apparatu Piarum
Cantionum Quatuor Vocibus, & duobus
Violinis uecessariis : cum Secundo Choro,
& tribus Instrumentis ad decorem pro
libitu. .Opus Tertium. Altus. (Tenor.)
(Bassus) Concert. 3 pts.
Typis (t sumptibus Michaelis Wagneri :
Oeniponti, 1668. fol. G. 281. a.
MOLL. jMoU in the Wad, a Favorite Irish
Dance arranged as a Rondo for the Piano
Forte. Longman tC Broderip : [London,
1790?] fol. g. 271. h. (25.)
MOLLER (J. C.) A Compleat Book of
Instructions for the Piano Forte, Harpsi-
chord, or Organ, a Set of Progressive
Lessons. . .with Cadences & Preludes...
Op. 6. J. Cooper : London,
[1796?] obi. fol. e. 145.
A Sett of Progressive Lessons for the
Harpsichord or Piano Forte particularly
calculated for the Use. . .of Young Practi-
tioners. . .Opera vi.
Longman and Broderip, for the Author :
London, [1795 ?] obi. fol. e. 101. (6.)
Six Quartettos for two Violins Tenor and
a Violoncello, etc. [Separate Parts.]
Printed for J. Betz : London, [1775?] fol.
h. 2801. b. (2.)
[Twelve ? Easy Sonatas for the Piano
Forte.] [London? 1790?] fol.
G. 297. (7.)
Wanting the title-page and all after p. 18.
MOLLER— MON
139
MOLLER (J. C.) Six Sonatas for the
Forte Piano or Harpsichord with a Violin
& Violoncello accompagneni'. [Se^jarate
Parts.] Carticr, for the Author : London,
[1785?] fol. g. 466.
MOLLER (Joachim) Sec Burck (J. a)
MOLLER (Johajsn) Neiiwe Paduanen,
vnnd darauff gehorige Galliarden, von
fiinff Stimmen : sampt einem neuwen
Quodlibet auff allerley Instrumenten
fiiglich zugebrauchen, etc. Tenor.
Bcij Wolffgang Bichtcrn :
Franckfort a»i Maij)i, 1610. 4". b. 9.
Ein New Quodlibet zu vntertbanigen
Ehren vnd gefallen. . .Hern Philipsen,
Landgraffen zu Hessen. . .Componiret mit
vier Stimmen, etc. Tenor.
Bey Wolffgung Richtcrn :
Franckfort am Mayn, 1610. 4". B. 105.
MOLLIER (Louis de) Les Chansons
pour Danser de L. Mollier, etc. 1640.
Set' Chansons. — 2. Recueil de differens
Livres de Chansons, etc. Livr. i.
1699. 8'\ A. 428. (1.)
MOLLY. IMoUy. Song. See No. No
more sillv Pipe, t'^c. [1760?] s. sh. io\.
G. 316. e. (95.)
]Molly. Song. See Nymph. A Nymph
there lives, c'^c. [1730?] s. sh. lol.
G. 303. (123.)
IMollv. Song. See Nymph. A Nymph
there lives, etc. [1756.] 8".
P.P. 5438. z.
]\Iolly's Charms. [Song.] Set Hudson (R.)
MOLLY CARR. Molly Carr. [Song.]
See When. When I at my Window am
gazing. [1735 ?] s. sJi. fol.
G-. 313. (153.)
:jrolly Carr. [Song.] See When. When
I at inv Window, etc. [1755.] .s. sit. 8".
P.P. 5439. ab.
MOLLY LEPELL. IMolly Lepell.
[Song.] See Muses. The Muses quite
Jaded with Rhiming, etc.
[1725?] s. sti. fol. I. 530. (103.)
MOLLY MOGG. Zilolly Mogg. [Song.]
See Says. Says my Uncle I pray you
discover. [1720?] s. sh. fol.
G. 305. (44.)
MOLTER (JoHANN Melchior) Esercizio
Studioso, coutinente Sei Senate a Violino
Solo e Cembalo. . .Opera Prima. Cliez
M. C. Le Cene : Amsterdam, ri735?l fol.
f. 48.
MOLTERI (Giovanni Melchioere)
See MoLTER (J. M.)
MOMBELLI (DoMENico) Six Italian
Arietts, with an Accompaniment for a
Piano-Forte or Harp. Longman and
Brodcrip : London, [ViQIl] obi. fol.
D. 370. (3.)
MOMENT. Le Moment. Vaudeville.
See RiPERT ( )
The IMoment Aurora peep'd into my
Room. Hark Away, a Favourite Hunting
Song. Eli£'' Bhamcs : [Dublin, 1780 ?]
s. sh. fol. H. 1601. a. (89.)
MOMUS TURNED FABULIST.
Momus turu'd Fabulist : or, Vulcan's
Wedding. An Opera : after the Manner of
the Beggar's Opera... With the Musick
prefix'd to each Song.
Printed for J. Watts : London, 1129. 8".
11775. c. 73.
[Another copy.] 161. e. 77.
MON. Mon amant est fidele et tendre.
See Desacgiers (^I. A.) [Les Deux
Sylphes.'\
Mon amour pres de vous. Duo.
See Andre ( ).
Mon cher Ami. Song. See Gentleman.
Mon cher troupeau. [Song.]
See GiARDiNi (F.)
Mon cceur avoit forme le dessein. Air
Sericux. [Paris,] 1741. .s. sJi. 4".
298. b. 10.
Mercure de France, May, 1741.
Mon cceur dans I'absence soupire. Ron-
deau. See Du Coudray (G.)
Mon Courcier hors d'haleine. Romance.
See Mariage de Figaro.
IMon fils vole aux champs de I'honneur.
Air. Sec JIiltiade a Marathon.
]\Ion flageolet, mon tambourin. Bonde
du Bon I'ere. Avec Accomp' de Guittare.
Chez hnbault : Paris, [1790 ?J 8".
B. 362. e. (59.)
IMon honneur dit que je^serois coupable.
Ariette. See Amours d'Ete.
Mon jeune ccEur palpite. Romance.
See Albanese ( )
Mon pere, Alcindor a genoux. Alcindor
penitent. [Song.l Chez Camand :
[Paris, 1785 ?] 8". B. 362. e. (69.)
[Another copy.] B. 362. (225.)
Mon pere je viens devant vous. Le
Confiteor. rSoug.] [Paris, 1785 ?] 8".
B. 362. (224.)
ilon Pere je viens devant vous. Lise
jjenitentc. Romance.
[Paris, 1785 ?] 8°. B. 362. e. (70.)
Mon pere, on danse au Chateau. Ronde.
Sec OiSEAU Perdu et Retrouve.
Mon P'ti Bijoux. [Song.]
See Je. Je ne veux aimer que Jeannette.
[1785?] 8^ B. 362. (60.)
Mon tendre cceur vient d'eclore. Chanson.
[Words] Par M. Fa...
[Paris,] 1763. s. sh. 8". 298. d. 11.
Merciirc de France, July, 1763.
140
]\ION— MONNET
MOW. IMon ToiTtou, j'cn fais mon
iouiou. Ijc Chicnpcnin. Chanson.
[Pam, 1780?] 8". B. 362. b. (131.)
MONCEAUX ( de) Ruisseau, votre
aimable murmure. Air, dont les paroles
sont de M' D. M., etc.
[Paris,'] 174G. s. sh. 4°. 297. e. 8.
Meraire dc France, Oct., 1746.
MONDE RENVERSE. Le Monde
renverse, Opera Comique en un Acta.
De Mrs. L[e] S[age,] Do[rneval] et
A[useaume] . . . Avec les Airs notes.
Chez Duchesne : Paris, 1753. 8".
164. e. 1.
[Another copy.] 11738. b. 12. (1.)
MOND-NACHT. Mond-Nacht. [Song.]
See Ehkenberg ( )
MONDO ALLA ROVERSA. II ]\Iondo
alia Roversa, ossia le Donne che comandano.
Dramma giocoso. See Galuppi (B.)
MONDO NELL A LUNA. II Mondo
nella Luna. Opera. See Galuppi (B.)
MONDONVILLE (Jean Joseph CAS-
SANEA DE) Bacchus et Erigone.
Sec infra : [Les Fetes de Pafihos. Act. ll.]
Le Carnaval du Parnasse, Ballet Heroiqu
[written by L. Fuzelier]. . .CEuvre vii"
. . .Grave par Le S' Hue. Chez VAitteitr :
Paris, [1749.] fol. G. 653. a.
Daphnis et Alcimadure. Pastorale
Languedocienne . . . Les Paroles et la
Musique sont de M"' Mondonville . . .
CEuvre IX^ . .Grave par Le S'Hue. Chez
rAuieiir: Paris, [115^.] fol. G. 653.
Pour adorer Alcimadure. Air, etc.
(Les vers et la musique sont de ]M. Mon-
donville.) [P«ris,] 1768. s.sh.S".
297. e. 18.
Mercurc de France, August, 1768.
Le Dieu qui se plait a tendre. Chanson,
Parodie d'une Aria de M. D. Mondonville.
[Paris,] 1760. s. sh. 8". 297. e. 25.
Mercure de France, Oct., 1760.
Les Festes de Paphos. Ballet Heroique
. . .CEuvre x''. Grave Le S' Hue.
Chez L'Auteur: Paris, [1758.] fol.
H. 2003. a.
[Les Fetes de Paphos. Act ii.] Bacchus
et Erigone. [For Songs, &c., published
anonymously:] ,S'ec Bacchus et Erigone.
Pieces de Clavecin en Sonates avec accom-
pagnement de Violon . . . CEuvre 3°. Grave
par L. Hue. Chez VAxiteur :
Paris et Lille, [1740 ?] fol. i. 3. (1.)
[Pieces de Clavecin. Op. 3.] Sis Sonates
or Lessons for the Harpsicord which may
be Accompanied with a Violin or German
Flute. Printed for I. Walsh: London,
[1750 ?] fol. g. 79. b. (4.)
[Pieces de Clavecin. Op. 3. Another
copy., g. 248.
MONDONVILLE (Jean Joseph CAS-
SANEA DE) [Pieces de Clavecin.
CEuvre 3^ Sonata v.] Tendre Amour,
sous ton Empire. Parodie. Chanson sur
I'Air de I'Ariette de la scconde Sonate de
M. de Mondonville, etc.
Grave pcir iP Charpentie. Imprime' par
Tournclle : [Paris,] 1701. s. sh. 8".
297. d. 27.
Mercure de France, Jan., 1761.
Pieces de Clavecin avec Voix ou Violon
dediees a . . . L'Evesque de Rennes . . .
CEuvre V. Chez VAuteur:
Paris, [1745 ?] fol. K. 10. b. 9,
Pour adorer Alcimadure.
See supra : [Daphnis et Alcimadure.']
Preferons, mes Amis, la Pinte a la
Bouteille. Air BachiqtiC, etc. [Voice
Part.] [Paris,] 1745. s. sh. 4".
298. b. 30.
Mercure de France, Jan., 1745.
Privelege du Roy. [Solo Cantata, with
orchestral accompaniment. Separate
Parts.] Chez M- Moria : I'aris,
[1755?] fol. K. 7. e. 6.
Les Sons Harmoniques. Sonates a Violcn
seul avec la Basse Continue. . .CEuvre 4".
. .Graveo par L. Hue. Chez VAuteur :
Paris, Lille, [lliO'>] fol. g. 244. (1.)
The arvis of William Hanhunj, Viscount
Bate7nan, are stamped on the bind-
ing.
Tendre Amour, sous ton Empire.
Sec supra: [Pieces dc Clavecin. CEuvre 2>''.
Sonata v.]
[Titon et I'Aurore.] Votre coeur aimable
Aurore. Romance, etc. 1753. s. sh. 4".
Sec Titon et L'Aueoee. 298. e. 13.
MONFERRATO (Natale) Motetti a
Voce Sola. . .Libro Primo. Opera Quarta.
Parte da Cantar. Appresso Alessandro
Vinccnti : Venetia, 1655. obi. 4". B. 34.
MONHERON ( ) L'Amant qui dans
les yeux sait lire. Air de M. Monhi'ron,
Amateur. [Voice Part.]
[Paris,] 1782. 8°. 298. f. 33.
Mercure de France, Dec., 1782, jo. 149.
MONICHE. La Moniche, ou la Chatte
Cherie, etc. [Song.] See Que. Que de
caprices en ce jour, etc. [1790 ?] 8'\
B. 362. (247.)
MONNET (Jean) Anthologie Fran(;'oise,
ou Chansons choisies depuis le 13"" Siecle
jusqu'a present. (IMemoire Historique
sur la Chanson en general, et en particulier
sur la Chanson Fran^oise, par M. ]\Ieusnier
de Querlon.) (Chansons Joyeuses, mises
au jour par un Ane-onyme, onssimei
MONRO— :MONSIGNy
1-11
[C. CoUe]. Nouvelle edition . . . augmentee,
etc.) [Edited by J. Monnet.] 3 Tom.
Paris, 1765. 8". 85. e, 23-25.
The ' Chansons Joijeuses ' have a separate
title-page and pacjination.
MONRO (Gkorge) The Amorous Swaiu's
Complaint. [Song.] [London,
1730 ?] s. sh. fol. G. 306. (18.)
A Bmiesque on Polly. [Song.] [London,
• 1729 ?] s. sh. fol. G. 313. (60.)
The Charms of Wine. [Song.] [London,
1725 ?] s. sh. fol. G. 305. (72.)
[Another edition.] The Charms of Wine.
rSone.] [London, nSO?] s. sh. io\.
"^ ^ G. 313. (119.)
Celia the Fair. See My. My Goddess
Celia Heavenly Fair, etc. [^Music by
G. Mmiro.] [1730?] s.sh.iol.
G. 310. (90.)
Colin's Request. [Song.] t>ee Help.
Help me each Harmonious Grove, etc.
[Music by G. Munro.] [1720?] ,s. sh. fol.
G. 305. (45.)
The Complaining INIaid. [Song.]
Ingrav'd by T. Cross : \' London,
1720?] s.s7(. fol. G. 310. (62.)
The Dying Swan. [Song.] Sec 'Twas.
'Tvvas on a Rivers Verdant Side, etc.
[Music by G. Munro.] [1730 ?] .s. sh. fol.
G. 312. (56.)
Gold, a Receipt for Love. [Song.]
[London, 1730?] s.sh.iol.
G. 313. (116.)
[Another edition.] Gold, a Receipt for
Love. [Song.] [London, 1730 ?] s. .s/(. fol.
G. 316. f. (109.)
Happy Dick. A Song, etc. [London,
1730?] s. .s//.fol. G. 313. (74.)
' Happy Dick ' icas Richard Jones, icho
died hi 1769. See Gentleman's
Magazine, 1769, p. 367.
A :Message from IMars to Venus by Cupid.
[Song.] Sec Thou. Thou little blind
deceiver go, etc. [Music by G. Monro.]
[1730?] s.sh. fol. G. 312. (37.)
On Miss Robinson. [Song.] [London,
1720 ?] s. sh. fol. G. 308. (66.)
The Passionate Lover. [Song.] [London,
1730?] s.sh.iol. H. 1994. (44.)
The Releif , or Power of Drinking. [Song.]
[London,l'i30?] s.sh.iol. G. 311. (61.)
The Reproach. [Song.] [London,
1725?] s. sh. fol. G. 311. (1.)
The Retirement. [Song, the words by
W. Duncombe.] Taken from the .Journal.
[London, ITiO?] s.sh.iol. G. 311. (49.)
[The Temple Beau.] Vain, Belinda, are
your wiles. A Song in the Temple
Bean. [Words by H. Fielding.] [London,
1730.] s. sh. fol. G. 313. (4.)
MONRO (George) Vain, Belinda, are
your wiles.
Sec supra: [The Temple Beau.]
When Rastor strikes the Trembling
Strings. A New Song. . .Sung at Sadlers
Wells. [London, 1730 ?] s. .s/(. fol.
I. 530. (101.)
While the Town agrees that Polly. A Song
i n Praise of Polly . . . Sung at Sadler's Wells.
[London, 1129?] s.sh.iol, G. 313. (59.)
[Another edition.] While the Town agrees
that Polly. A Song, etc. [London,
1729 ?] s. sh. fol. G. 316. f. (97.)
Whilst the Town's brimfull of Folly.
A New Song . . .sxing by Mr. Mounfort at
Sadlers Weils. [London, 1728 ?1 s. s/;.fol.
G. 316. f. (86.)
MONRO (John) The much admired Air
Laura and Lenza [by C. Bossi], arranged
as a Rondo for the Piano Forte.
Goiilding, Phi^ij^s £ D'Alntaine : London,
[1800.] fol. h. 726. c. (27.)
MONSERRATE (Andres de) Arte Breve,
y Compendiosa, de las Dificultades que se
ofrecen en la i\Iusica practica del canto
lla.no, etc. Pedro Patricio Me i/ : Vcdoicia,
1614. 4". K. 8. f. 12.
MONSIEUR PANTIN. :Monsieur Pan-
tin. [Song.] See I. I sing not of Battles,
etc. [1748.] s. sh. fol. G. 309. (29.)
Monsieur Pantin. Song. .SV<; I. I sing
not of battles, etc. [1748.] 8'\
249. e. 18.
MONSIGNY (Pierre Alexandre) Aline,
Reine de Golconde. [For editions and
excerpts published anonymously :]
Sec Aline, Reine de Golconde.
Les Aveux Indiscrets. Intermede, etc.
[Full Score.] [1759.] fol.
See AvEux Indiscrets. H. 617. c.
Le Barbier de Seville. ^For songs in
Beaumarchais' play, attributed to Mon-
signy and published anonymously:]
See Barrier de Seville.
La beaute fait toujours voler a la victoire.
Sec infra : [La Belle Arsaie.']
La Belle Arsene. Comedie Feerie en
quatre actes. [Libretto] Par M"" [Favart],
etc. [1770 ?] See Belle Arsene.
H. 465.
La beaute fait toujours voler a la vic-
toire. See Beaux. Les beaux Arts sont
les dieux du temple de memoire. Parodie.
[Air :] La beaute fait toujours voler a la
victoire [by P. A. Monsigny].
B. 362. a. (120.)
[Non, j'ai trop de fierte.] No, il mio
cor nol suffrira. [Song.] Sung by Sig"
Banti, efc. Printed for
Corri, Dussek & Co. : London, [1795.] fol.
G. 805. d. (17.)
142
MONSIGNY— MONTANUS
MONSIGNY (Pierre Alexandre) La
Belle Ai'seiic. [For songs, &c., published
anonymously :] Sec Belle Arsene.
Le Cadi Dup6. Opera Bouffon. . .Mis en
Musique par IM-- * * * [P. A. Mousigny.]
1761. fol. See Cadi Dupe.
H. 540. a. (2.)
Le Cadi Dupe, Opera-Comique en un Acte ;
par I'Auteur du ]\Iaitre en Droit : [P. R.
Lemonnier] . . . avec les Ariettes & Airs
notes [by P. A. Monsigny]. 1761.
Sec Theatre. Nouveau Theatre de la
Foire, etc. Tom. 5. 1763. 8°.
11735. d. 2.
[Le Deserteur.] The Songs &c. in the
Deserter. A ^Musical Drama [translated
and adapted by C. Dibdin]. . .Composed
by Mess". Monsigny, Philidor, & C. Dibdin.
Printed for J. Johnston it Longman,
Lnkey d- Go. : London, [1773.] obi. fol.
F. 141. b.
[Le Deserteur.] The Songs &c. in the
Deserter. . .with the Additional Songs of
the Miller's Daughter [by C. Dibdin].
Longman and Brodcrip : London,
[1785 ?] ohl. fol. D. 274. (2.)
[Le Deserteur.] The Deserter. A Musical
Drama. . .Composed by Slessrs. Philidor
[Monsigny] & Dibdin. [1800.]
Sec Periodical Publications. — London.
The Piano-Forte Magazine. Vol. X. No. 2.
[17'J7-1802.] 8". T>. 854.
A Select Overture in 8 Parts, etc.
[Orchestral Parts.] Printed for
J. Johnston, etc. : London, [1773.] fol.
g. 474. a. (9.)
The Overture to the Deserter, ar-
ranged as a Rondo for the Piano Forte,
by S. Dussek. Sec Pleyel, Corri and
DussEK. Pleyel, Corri and Dussek's
Musical Journal. No. 2. [P. F. Part.]
1797. fol. g. 137. (21.)
[For editions and excerpts published
anonymously :] Sec Deserteur.
Partition de Felix, ou I'Enfant Trouve.
Comedie en trois Actes en Vers, et en
Prose [by M. J. S6daine], etc. [1781.] fol.
Sec M., M. G. 288. a.
[For songs, &c., published anony-
mously :] See Felix.
Le ]\Iaitre en Droit. Opera Bouffon en
deux Actes. [Libretto by P. R. Lemon-
nier,] mis en musique par ]\lonsieur * * *
[P. A. Monsigny]. [Full Score.]
[1760?! fol. St'c Maitre en Droit.
H. 467.
Le Maitre en Droit, etc. (Airs detaches
du Maitre en Droit.) 2 pts. 1760. See
The.^tre. Nouveau Theatre de la Foire, c^c.
Tom. 5. 1763. 8". 11735. d. 2.
No, il mio cor nol suff rira. See supra :
[La Belle Ars&ne. Non, fai trop de fierti.']
MONSIGNY (Pierre Alexandre) On
ne s'avisc jamais de tout. Opera
Bouffon en un Acte [by IM. J. Sedaine],
mis en musique par jMonsieur * * * [P. A.
Monsigny], etc. [Full Score.] [1702.]
Sec On ne s'avise jamais de Tout.
H. 617.
[On ne s'avise jamais de tout.] ]\Ian sieht
niemals alles voraus, ein Singspiel, etc.
[Music by P. A. ^lonsigny.]
Sec Operettas. Sammlung der komischen
Operetten. Band II. No. 3. 1772. 8'.
B. 729,
Le Roi et le Fermier. [For editions and
songs published anonymously :]
See Roi et le Fermier.
Rose et Colas. [For editions and songs-
published anonymously :]
Sec Rose et Colas.
MONSTER. The Monster. Song.
Sec Hook (J.)
MONTAGNE. La Montague. [Song.]
Sec On. On a mille gouts diff^rends, etc.
[1793?] 8". B. 362. a. (19.)
La Montague d'Amour. [Song.]
Sec Lampaeelli (A.)
MONTANOS (Francisco de) Arte de
Canto Llano. Con entonaciones comunes
de Coro y Altar ; y otras cosas diuersas,
como se vera en la Tabla, etc. Francisco-
de Cea Tcsa a costa de Andres Lopez :
Salamanca, 1610. 4'\ K. 1. f. 6.
Arte de Canto Llano. Con entonaciones-
comunes de Coro, y Altar,. . .Nueuamente
corregido, y enmendado por S. Lopez de
Velasco, etc. En la Imprenfa Beat :
Madrid, 1648. 4". K. 1. f. 6*.
Arte de Canto Llano, con Entonaciones de
Coro, y Altar, &c...y Arte Practico de
Canto de Organo con Motetes, y Lecciones
diversas, nuevamente corregidos : y aora
aumentadas ... en esta vltima Impression
. . . Por Don J. de Torres, etc.
En la hnprenta Beal dc Miisica :
Madrid, 1734. 4". 547*. d. 29.
Arte de ]\Iusica theorica y pratica, etc.
Diego Fernandez de Cordoua y Obiedo :
Yalladolid, 1592. 4°. K. 1. f. 5-
This u-ork consists of five treatises : Arte
de Canto llano ; Dc Canto de Organo ;
De Contra punto ; Dc Compostura ;
De Proporcion; De Lugares. Each
treatise has a separate title-page and
pagination. The register of the five
last parts is continnons. Lnperfect,
toantinq the title-pages of the second
and fifth treatises. Fol. L 2 is
vvutiiaicd. Fol. N 4 contains a n'ood-
cnt of a winged lion bearing a shield.
MONTANUS (Joannes) Sec Motets.—
10. Nouum et Insigne Opus Musicum,
etc. [With dedications signed Joannes
Montanus.] 1558. obi. 4". K. 3. 1. 1.
MONTARIN— MONTE
U3-
MONTARIN ( ) Que Ton chante.
Air P[l]aisa>it, etc.
IParis,] 1729. s. sh. 4". 298. a. 8.
Mcrcnrc de France, Dec, 1729.
MONTE (FiLiPPO Di) Di Filippo di
]\IoDte...Il Primo Libro clelli ]Madrigali,
a Sei voci. Nuouamente ristampato. Alto.
Appresso Girolamo Scotfo :
Tincgia, 1570. 4". D. 160. a.
Di Filippo di Monte... II Primo Libro
delli Madrigali, a Sei voci. Nuouamente
ristampato. Canto. (Alto.) (Teuore.)
(Basso.) (Quinto.) 5 j)t8.
Aj)2^resso I' He rede di Cnrohnno Scufto :
Vincijia, 1574. 4". D. 160. q.
Di Filippo di Monte ... II Primo Libro
delli Madrigali, a Sei voci. Nuouamente
ri.stampato. Canto. (Alto.) (Tenore.)
(Basso.) (Quinto.) (Sesto.) 6 pts.
7/ Heredc di Hieruni/mo Scotfo :
Tinegia, 1582. 4". D. 160. i. (1.)
Di Filippo di Monte... II Secondo Libro
delli Madrigali, ii Sei voci. Di nuouo da
lui Composti & dati in luce. Canto.
(Alto.) (Tenore.) (Basso.) (Quinto.)
5 pts. Appresso Girolamo Scotto :
Yincgia, 15G9. 4". D. 160. r.
[Another copy. Alto.] D. 160.
Di Filippo di Monte... II Secondo Libro
delli Madrigali, a Sei voci. IM nuouo da
lui Composti & dati in luce. Quinto.
Aj'presso Girolamo Scotto :
Yincgia, 1571. 4'. D. 160. p.
Di Filippo di Monte. . .11 Secondo Libro
delli Madrigali, a Sei voci. Di nuouo
ristampati. Canto. Apjvrssor Heredc di
Girolamo Scotto : Vinegia, Ibli'^. 4".
D. 160. d.
Di Filippo di Monte. . .11 Secondo Libro
delli Madrigali, a Sei voci. Di nuouo
ristampati. Canto. (Alto.) (Tenore.)
(Basso.) (Qv;into.) (Sesto.) G pts.
Appresso V Heredc di Girolamo Scotto :
Vcneggia, 1582. 4". D. 160. i. (2.)
Di Filippo de Monte... II Quarto Libro
de Madrigali a Sei Voci. Insieme alcuni
a Sette. Nouamente Composti, & dati in
luce. Canto. Ajijyresso Angela Gardano :
Venetia, 1580. obi. 4'\ A. 125. i.
Di Filippo de !Monte...Il Quinto Libro
de Madrigali a Sei Voci, Nouamente
Composti, 6c dati in luce. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) 5 j)ts.
Appresso Angela Gardano:
Yinetia,15S4:. obi. 4". A. 125. b.
Pp>. 1-6 of the Canto are leanting.
Di M. Filippo di Monte. . .11 Primo Libro
delli Madrigali, a Cinque voci. Tenore.
Appresso Girolamo Scotto :
Venegia, 1570. 4". D. 160. k.
Di Filippo di Monte ... II Primo Libro
delli IMadrigali, a Cinque Voci. Canto.
[Alto.] 2 pts. Apjn-esso V Herede di
Girolamo Scotto : Yine(igiu, 1576. 4".
D. 160. 1.
The Canto is imperfect, wanting all but
sheet A. The first leaf of the Alto is-
mutilated.
Di M. Filippo di jMonte...Il Secondo-
Libro delli Madrigali, a Cinque voci.
Tenore. [Canto.] (Basso.) 3 pts.
Ajjpresso Girolamo Scotto :
Yincgia, 1570. 4°. D. 160. m.-
The Canto is imperfect, icanting sheet A.
Di Filippo di ]Monte...Il Secondo Libro
delli ^Madrigali, a cinque voci. Nuoua-
mente Ristampati. Canto. (Alto.)
(Tenore.) 3 pts. Appresso V Herede di
Girolamo Scotto : Yineggia, 1580. i".
D. 160. f.
Di M. Filippo di Monte ... II Terzo LibrO'
delli IMadrigali, a Cinque voci. Con vno a
sette nel fine. Nuouamente posto in luce.-
Alto. (Tenore.) (Quinto.) 3 pts.
Appresso Girolamo Scotto :
Yincgia, 1570. 4°. D. 160. b.
Di Filippo di Monte... II Terzo Libro
delli Madrigali a cinque voci ... Nuoua-
mente ristampati. Basso.
Appresso Girolamo Scotto :
Yincgia, 1573. 4". D. 160. s.
Di Filippo di Monte. . .11 Terzo Libro
delli Madrigali, a cinque voci. Con vno
a sette nel fine. Nouamente ristampati.
Canto. Appresso V Herede di Girolamo
Scotto: Yineggia, 1581. 4". D. 160, h.
Di Filippo di Monte. . .11 Quarto Libro-
delli Madrigali a Cinque Voci. Nuoua-
mente x>osti in luce. Alto.
Appresso Girolamo Scotto :
Yincgia, 1571. 4". D. 160. t.
Di Filippo de]\ronte...Il Sesto Libro delli
Madrigali a Cinque Voci, Nouamente
Ristampato. Canto. (Alto.) (Tenore.)
(Basso.) (Quinto.) 5 pts.
Ajpprcsso Angelo Gardano :
Yenctia, 1-588. obi. 4°. A. 125. e.
Di Filippo de ]Monte ... II Settimo Libro
delli Madrigali a Cinque Voci, Nouamente
Ristampato. Canto. (Alto.) (Tenore.)
3 pts. Appresso Angelo Gardano :
Yenctia, 1583. obi. 4". A. 125. a.
Di Filippo di Monte ... II Nono libro de
Madrigali a cinque voci. Nouamente
posti in luce. Canto. (Tenore.) (Basso.)
(Quinto.) 4 pts.
Appresso V Heredc di Girolamo Scotto:
Yineggia, 1580. 4°. D. 160. e-
[Another copj-. Quinto.] D. 160. n.
Di Filippo di Monte ... II Decimo Libro-
delli IMadrigali, a cinque voci. Nouamente
posti in luce. Canto. (Alto.) (Tenore.)
(Basso.) (Quinto.) 5 pts.
Appresso V Herede di Girolamo Scotto :
Yineggia, 1581. 4°. D. 160. g^
144
AIONTE— MONTEVERDE
MONTE (FiLiPPO Di) Di Filippo clc i
Monte ... II Quartodecirao Libro delli
Madrigali a Cinque Voci. Nouamente
posti in luce. Quinto. .4p7)resso Angclo
Ganlano : Venctia, 1590. obi. 4".
A. 125. f.
II Quintodecimo Libro de Madrigali a
Cinque Voci . . . Nouamente in luce. Canto.
(Alto.) (Tenore.) (Basso.) (Quinto.) 5pts.
Ajiprcsso Aiigelo Gardano :
Ycndia, 1592. obi. 4". A. 125, g.
Di Filippo di Monte ... II Secondo Libro
de Madrigali Spirituali a Sei & Sette
voci. Nouamente . . . composti, & dati in
luce. [Canto.] (Alto.) (Tenore.) (Basso.)
(Quinto.) (Sesto.) 6 pts.
Ai)x>resso Angclo Gardcnw :
Ymctia, 1589. obi. 4°. A. 125. h.
The Canto ivants the title-page and
pp. 5, 6.
Di Filippo di ]\Ionte ... II secondo Libro
delli ]\Iadrigali, a quattro voci. Nuoua-
mente posti in luce. Tenore.
Appresso Girolamo Scotto :
Vinegia, 1569. 4". D. 160. o.
La Ruzina Canzone di Filippo de Monte,
iusieme Un' altra di Cipriano de Rore,
Et altri Madrigali de diuersi famosissimi
Autori a Sei Voci. Nouamente Stampata
& data in luce. Canto. Appresso
Angclo Gardano : 1591. 4". D. 160. j.
Tills collection also contains comjyositions
by Vccchi, P. A. Bonini, H. Baccusi,
G. GabricU, L. Mira, A. Striggio and
• L. Marenzio.
Philippi de]\Ionte . . . Sacrarum Cantionum
cum quinque vocibus quae vulgo IMotetta
nuucupantur Liber Primus. Nunc primum
ab ipso in lucem teditus. Altus.
Apud Hieronymtim Scotum :
Venctiis, 1572. 4". D. 160. c.
Philippi de INIonte . . . Sacrarum Cantio-
num, cum Sex Vocibus Que vulgo Motecta
nuncupantur. . . Liber Secundus. [Cautus.]
(Altus.) (Tenor.) (Bassus.) (Quintus.)
6 x:)ts. Apud Angclum Gardanmn :
Vcnefijs, 1587. obi. 4°. A. 125. c.
ThcCantus is imperfect, leanting pp. 1-6.
[Another copy. Altus.] A. 125. d.
Sonetz de P. de Ronsard, Mis en Musique
a 5. 6. et 7. Parties, etc. [With a dedica-
tion by J. A. de la Chapelle.] Superius.
(Contra.) (Tenor.) (Bassus.) 4 pts.
Par Adrian le Roy, ci Robert Ballard :
Paris, 1575. obi. 4°. A. 125.
See Gaedais^o (Angelo) Musica di Tredici
Autori . . . Nella quale si contengono . . .
Madrigali . . . delli infrascritti Autori . . .
F. de Monte, etc. 1589. 4".
K. 3. g. 11.
MONTE (LoDOVico) See IMillioni (P.)
and Monte (L.) Vero. . .modod' imparare
a sonare, et accordare. . .la Chitarra Spag-
nola. . .con vn'. . .Alfabeto, & accordatura
straordinarij nouamente inuentati da
P. ]\Iillioni & L. IMonte Compagni, etc.
1637. obi. 8\ K. 4. a. 11.
See MiLLiONi (P.) and IMonte (L.) Vero
e facil modo d' imparare a sonare... la
Chitarra Spagnuola, etc. 1678. obi. S".
K. 4. a. 10. (1.)
MONTECLAIR (:Michkl PIGNOLET
DE) Cantates a une et a deux voix et avec
Sinfonie. . .Second Livre, qui contient six
Cantates Fran(;;oises et une Cantate
Italiene. Gravi par Dii Plessis. Chez
VAuteur: Pflris, [1720.] fol. I. 309. a.
Les Festes de I'Ete, Ballet en Musique. . .
Nouvelle Edition. J. B. G. Ballard :
Paris, 1716. fol. I. 309. b.
Jephte. Trag^die tiree de I'Ecriture
Sainte, mise en IMusique . . . Troisieme
Edition, revue, augmentee et corig6e.
Partition Generalle. Clicz le S'' Boivin :
Paris, [1735?] fol. I. 309.
Principes de Musique. Divisez en quatre
parties, etc. Chez la Veuve Boivin :
Paris, [1740 ?] fol. G-. 834.
Wanting the last leaf, ivhich has been
supplied in vianuscript.
MONTELLA (Giovanni Domenico)
Settimo Libro de Madrigali a Cinqve Voci.
Canto. (Alto.) (Tenore.) (Basso.) (Quinto.)
5 pts. Per Gio. Battista Sottile :
Napoli, 1605. 4^ K. 3. i. 3.
Secondo Libro de Madrigali a Quattro
Voci . . . Raccolti e dati in luci [with a
preface] per G. F. Benna. Tenore.
Nella Stampa di Gio. Battista Sottile, Per
Scipionc Bonino : Napoli, 1607. 4°.
C. 267. a.
MONTERON ( de)" Le Baiser. Air.
[Paris,^ 1781. 8'\
Mercure de France, Nov., 1781, p. 53.
298. f. 21.
MONTEVERDE (Claudio) Canzonette
a Tre Voci. . .Libro Primo. Basso.
Presso G. Vinccnzi, d E. Amadino, com-
pagni : Venetia, 1584. 8". B. 252.
II Secondo Libro de IMadrigali a Cinque
Voci, etc. Quinto.
Appresso Angelo Gardano : Venetia, 1590.
obi. 4°. B. 252. a.
II Secondo Libro de ]Madrigali a Cinque
Voci. . .Nouamente. . .corretto, & ristam-
pato. Canto. (Alto.) (Tenore.) (Basso.)
(Quinto.) 5 pts. Appresso Alessandro
Rauerij : Venetia, 1607. 4\ D. 195. d.
II Terzo Libro de Madrigali a Cinque Voci,
Nouamente ristanapato. Basso.
Aj^piresso Ricciardo Amadino : Venetia.,
1604. 4°. D. 195.
II Terzo Libro de ]\Iadrigali a Cinque
voci. . .Nouamente. . .Ristampata. Quinto.
Stampa del Gardano. Aj^presso B. Maqni :
Venctia, 1621. 4\ D. 195. c.
MONTEVERDE— MONZANI
145
MONTEVERDE (Claudio) II Quinto
Libro de Madrigali a Cinque Voci...Col
Basso continuo per il Clauicembalo Chit-
taronc od altro simile istromento . . . Di
nuouo Corretto, & Ristampato. Canto.
Apprcsso Ricciardo Amadino :
Venetia, 1615. i\ D. 195. e.
Basso Continuo del Quinto Libro do li
Madrigali a Cinque di Claudio jMontevcrdo.
Quale necossariamente andcra souato per
bisogno dc li vltimi sei 3Iadrigali, & per
li altri a bcueplacito. Ap>prcsso Ricciardo
AimcUno : Venetia, 1605. 4». D. 195. a.
Del Signor Claudio Monteverde ... II Sesto
Libro de Madrigali a Cinque Yoci Con un
Dialogo a Settc. Con il Basso continuo
per potersi Concertarc nel Clauicembalo &
altri stromenti. Nouamente Ristampati.
Canto. (Alto.) (Tcnore.) (Basso.) (Quinto.)
(Basso Continuo.) 6 pts. titampa del
Gardano. Appresso Bartholomco Magni :
Venetia, 1620. 4". D. 195. b.
Concerto. Settimo Libro de JIadrigali
a 1. 2. 3. i. & Sei voci, con altri generi de
Canti,. . . Nouamente Ristampato, etc.
Basso Continuo. Stampa del
Gardano. Apprcsso Bartolomco Maqni :
Venetia, 1628. 4'. D. 195. f,
Scherzi Musicali. . .Raccolti da G. C.
Monteverde suo Pratollo, & Nouamente
Ristampati. A Tre Voci, etc. Stampa del
Gardano. Apprcsso Bartolomco Magni:
Venetia, ie-2S. fol. K. 8. li. 17.
Wa)ttinij the last leaf (p. 13).
MONTEVERDE (GiuLio Cesare) Sec
Mo>TEVERDE (C.) Scherzi Musicali...
Raccolti da G. C. Monteverde suo Fratello,
etc. 1628. fol. K. 8. h. 17.
MONTFORT (CoR^-EILLE de)
A'jBlOCKLAXD DE MOXTFORT (C.)
MONTHLY BANQUET. The Monthly
Banquet of Apollo. Songs, etc.
See Hook (J.)
MONTHLY LYRIST. The Monthly
Lyrist or Family Concert. [Songs, etc.]
See DiBDiN (C.)
MONTHLY MASK.
See Periodical Publications. — London.
MONTHLY MUSICAL JOURNAL.
The Monthly ^Musical Journal.
Sec Busby (T.)
MONTIGNY ( de) Amour, cruel
Amour, laisse-moy vivre en paix. Air
Nouvcau. Paris, [1678.] s. sh. ohl. 4".
P.P. 4482.
Nouvcau Mercurc Galant, 1678, July,
p. 18.
L'Amour folatrant I'autre jour. Air
Nouvcau. [For two voices.]
[Paris, 1679.] s. sh. obi. i\ P.P. 4482.
Nouvcau Mercure Galant, May, 1679,
p. 57.
VOL. II.
MONTLAUR (Isidore) Recueil do
Romances avec xAccompaguement de
Forte-Piano, etc. Chez Naderman :
Paris, [1800?] fol. H. 2831. h. (21.)
MONTLIVAULT ( ) Chevalier dc.
Trois Romances avec Accompagnement de
Piano Forte. [London, 1195?] fol.
H. 1677. (58.)
MONTRE. La Montrc a Repetition.
[Soug.] Sec Jour. Uu jour trouvaut
Isabelle. [1785?] 8". B. 362. g. (85.)
MONTUOLI (Giuseppe) Lettioni per
Koteggiare a' Voce Sola con il Suo Basso
continuo, etc. Per Bartolomco Gregori :
Lucca, 1702. ohl. i". B. 318.
MONVILLE ( de) Pour un sunplc
baiser. ^u-...Avec Accomp' de Gnitare
par Alberti. Chez M. Camand : Paris,
[1785?] 8^ B. 362. c. (41.)
MONZA (Carlo) Sei Quartetti, per Due
Violini, Viola e Violoncello . . . Op. 2^.
[Separate Parts.] J. Bland : London,
[1788.] fol. h. 81.
Sei Trio Concertanti per Duo Violini e
Violoncello Obligate, etc. [Separate Parts.]
J. Bland : London, [1785 ?] fol.
g. 222. (14.)
MONZANI (Tebaldo) Three Duetts, for
two German Flutes or a German Flute
& Violin. . .Op. 10. [Separate Parts.]
Preston (C Son : London, [1800?! fol.
g. 280. h. (6.)
A Selection of Twelve Psalms and Hymns,
... to which is prefixed a Print . . . The
Drawing & Engraving by . . . Rigaud and
Gardiner, etc. Monzani :
[London, 1793.] obi. fol. E. 1334.
Six Trios for two Flutes & a Bass, with a
Thorough Bass for the Harpsichord, etc.
[Separate Parts.] Printed for the
Author: London, [11857] fol.
g. 415. (5.)
[Another copy.] h. 2910. a. (8.)
hnperfect, wanting the Bass part.
Four Trios for Two German Flutes &
Violoncello. . .with a Thorough Bass for
the Piano Forte. To which are annexed
Several. . .Songs selected from the Latest
Italian Operas &c....Op. vii. [Separate
Parts.] Printed fur R. Birchall : London,
[1795?] fol. ' g. 409. a. (7.)
Three Trios for Two German Flutes, or
Flute, Violin, and Violoncello. . .Op. 9.
[Separate Parts.]
Printed for Culliford, Rolf c A Barrow :
London, [1798 ?] fol. g. 222. (5.)
Two Trios, [by J. C. Bach and F. C.
Neubaur] for Two Gorman Flutes, or
Flute, Violin and Violoncello, selected by
T. Monzani. [Separate Parts.]
Monzani : London, [1800 ?] fol.
g. 274. b. (3.)
L
146
MONZANt— MOORINGS
MONZANI (Tebaluu) Sec Beetie (W.)
Earl of Abingdon. Six... Vocal Pieces,
. .Arranged. . .by T. Monzani.
[1800?] fol. H. 2824. (5.)
MOON. The INIoon with borrow'd lustre
shone. Song. See IMann (P.)
MOORE (Thomas) of Glascjoio. [Pages
1-24 of a collection of Songs, Catches etc.
edited by T. Moore, & probably forming
part of his work ' The Vocal Concert.']
[Glasgoiv, 1761 ?] 4". D. 385.
The Psalm-Singer's Complcat Tutor and
Divine Companion . . . Containing a Col-
lection of curious Psalm-Tunes, Hymns,
and Canons, etc. The Second Edition.
Vol. II. Frinted for the Author :
London, [1752.] obi. 8°. A. 1043.
This collection includes compositions by J.
Chesham, J. Bishop, P. D., Sheeles^,
Romer, F. Hicks, Jeremiah Clark, G.
Gibbs, J. Church, J. Bloxo, Hacndel,
M. Wise, H. Purccll and W. Tansur.
The Psalm-Singer's Delightful Pocliet
Companion. Containing, A plain . . .
Introduction to Psalmody. . .And between
Three and Fourscore of the best Psalm-
Tunes . . . With variety of curious Hymns
and Canons, etc.. Printed for the
Author : Glasgoiv, [11627] 8". B. 651.
MOORE (Thomas) the Poet. See M., T.
MOOREHEAD (John) Absence, an
admired Ballad, sung by ]\Iiss Daniels, at
Vauxhall, the Poetry by T. Dibdin.
Preston: London, [lld^ 7] fol.
H. 2830. g. (15.)
Arrah fait but the Poet's a fool here.
See infra : [TJie Horse and Widoiv.]
Ben & ]\Iary, a favorite Ballad. Sung . . .
at the Theatre Royal Haymarket by Mr.
Trueman, the Words by T. Dibdin.
Longman dementi d- Co. : London,
[1799.] fol. G. 249. (37.)
[Birds of a Feather.] How can you re-
fuse me, insensible j\Ian ! A favorite
Ballad sung by ^liss Bates in Birds of a
Feather at Sadlers Wells.
Longman if Broderip : \Londo)i,
179G?] fol. G. 367. (45.)
0 Love what the deuce do you
want. A favorite Ballad sung by Mr.
Dighton in Birds of a Feather at Sadlers
Wells. Longman and Broderip :
[London, 1196?] fol. G. 367. (44.)
Constant Kate. A favorite Ballad . . .
The Words by C. J. Pitt.
Longman and Broderip : [London,
1790 ?] fol. G. 383. j. (20.)
Duo Concertante for Violins. No. 1.
[Separate Parts.]
Longman, dementi d C'' : London,
[1800?] fol. g. 421. m. (4.)
Elfin away. See infra : [The Volcano.]
MOOREHEAD (John) Fear not to ask.
See infra : [TJie Volcano.]
The Gallant Forty Second, A Favorite
Scots Ballad, sung by Miss Daniels at
Vauxhall . . . The Poetry by C. Dibdin,
Junr. Preston : London, [1795 ?] fol.
H. 2830. g. (13.)
[The Horse and Widow.] Arrah fait but
the Poet's a fool here. The favorite Song
in The Horse and Widow . . . The Words
by T. Dibdin, etc.
Longman Clementi and Co. : London,
[1799.] fol. G. 249. (36.)
How can you refuse me, insensible man 1
See supra : [Birds of a Feather.]
[The Naval Pillar]. The Overture Songs
Glees and Dance in the New Popular
Entertainment of the Naval Pillar. . .The
Words by T. Dibdin, the New IMusic com-
posed by J. jMoorehead.
Longman, Clementi & Comp'J : London,
[1799.] fol. H. 230. h. (4.)
A Pasticcio, containing music by Moore-
head, Callcott and Linley.
0 Love what the deuce do you want.
See supra : [Birds of a Feather.]
[Speed the Plough.] The favorite Dance
introduced in the New Comedy called
" Speed the Plough "... Arranged as a
1 Rondo for the Piano Forte.
1 J. Lonqman, dementi <0 Co. : London,
[1799.] fol. H. 121. (3.)
I [The Volcano.] The Favorite Overture
with the movements descriptive of the
Volcanic Eruption, in the new popular
Pantomime of the Volcano . . . Arranged
for the Piano-Forte, etc.
Broderip & Wilkinson : London,
[1799.] fol. g. 137. (20.)
Elfin away. Mr. Denman's Song
. . . The Words by T. Dibdin, etc.
Broderip d Wilkinson: London,
[1799.] fol. G. 249. (35.)
Fear not to ask. Miss WJteatley's
Song. . .The Words by T. Dibdin, etc.
Broderip and Wilkinson :
London, [1799.] fol. G. 249. (34.)
The wind in wild tornadoes roar'd. Negro
Song from ]Mungo Parke's Travels, versi-
fied by the Rev" S. S. Colman, etc.
Preston: London, [1800?] fol.
G. 805. k. (10.)
Would you hear a lover's ditty. Trouba-
dour Ballad. The Poetry by C. Dibdin,
Junr. . .Arranged for the Harp and Piano
Forte with an Accompaniment for a Flute
or Violin Preston : London,
[1795?] fol. H. 2830. g. (14.)
MOORINGS. Moorings. [Song.]
See Dibdin (C.) [Will of the Wisp.]
MORALE— MOREAU
147
MORALE. La Morale de Roger Bon-
Tems. [Song.] Sec Nous. {^Another
Edition.] Nous n'avons qu'uu terns .a
vivre, etc. [1785 ?] 8\
B. 362. a. (181.)
La Morale des Republicaius. [Song.]
Sec FBAN9AIS. Fran^ais puisqu'enfiu la
raison, etc. [1792 ?] 8".
B. 362. d. (39.)
MORALES (Ckistoval) Mariae Cantica
uulgo ^Magnificat dicta : Psalmata octo
tetrapliona, per Ghristophorum Moralem,
aliosque ^Musicos. Adiecta Touoruni Octo
singulorum Symphona isometra cantus,
per quatuor voces Harmonia, ad Psalmum
quemlibet accommodabili.
Impressiim. . .per lacobiim Modernum :
Lugduni, 1550. fol. K. 9. a. 10.
Tlie other composers of this collection arc
lacquet and Richafort.
Magnificat Moralis Ispani Cum Quatuor
Vocibus, etc. Cantus (Altus.) (Tenor.)
(Bassus.) i pts.
Apiul Antonium Gardanum : Venetijs,
1559. obi. i\ A. 296. a.
The Altus part is imperfect, wanting
pp. 7-30.
^Magnificat Omnitonum Cum Quatuor
Vocibus. Christophori Jloralis Hispani
Aliorumq3 Excelleutium Virorum in Am-
plissima hac Forma Caractereq; perspicuo
pro Diuini Cultus Decore atq; Commodo.
Summa nuper Diligentia impressum iu
lucem prodit.
Apud Antonium Gardanum : Venetijs,
1562. fol. K. 9. a. 11.
This collection contains settings of the
Magnificat by Morales, Carpentras,
Jachet and Richafort.
Magnificat Moralis Ispani Cum Quatuor
Vocibus, etc. Tenor.
Appresso Francesco Rampazetto : Vcnetia,
1563. obi. i". A. 296. c.
The date {in the colophoyi) has been
entered in manuscript to 1593.
Magnificat Moralis Ispani cum Quatuor
Vocibus, etc. Bassus.
Apud Claudium Correggiatem : Venetiis,
1568. obi. 4\ A. 296.
[Escellentissimi Musici Moralis Hispani
Gomberti, ac Jacheti cum Quatuor Vocibus
Missse, Nouissime. . .in lucem isditse...
Liber Primus. Cantus.] (Altus.) (Bassus.)
3 pts. [Apud Hieronymum Scotum :
Venetiis, 1540.] obi. 4". A. 296. d.
Imperfect, luanting the title-page of the
Cantus. The title-pages of the Altus
and Bassus read : " Missx cum
Quatuor Vocibus, Nouissime omni
diligentia in lucem Kditx. Altus
(Bassus)." The foliation of each part
begins at ru.
MORALES (Cristoval) Sec Alvarez
Frouvo (J.) Discursus sobre a perfeic'am
do Diathesaron e reposta sobre os tres
breves negros de Christovao de Morales, etc.
1662. 4». K. 8. c. 17. (1.)
See GoMBERT (N.) Nicolai Gomberti . . .
Pentapbtbongos Harmonia . . . Additis
nunc eiusdem quoq3 ipsius Gomberti,
necnon lacbetti, & Morales Motettis...
Liber Primus. 1541. obi. 4^ A. 215.
See Motets. — 4. Motetta Trium Vocum
ab Pluribus Authoribus composita quorum
nomina emit. . .Morales Hispanus, etc.
1543. obi. 4". K. 3. d. 7.
See Rhau (G.) Postremum Vespertini
Officii Opus, etc. (Magnificat Octo Tono-
rum. . .Moralis Hispani, etc.)
1544. obi. 4°. K. 4. d. 14.
MORALES (Cbistoval) and LUPUS
(Joannes) Quinque Missarum Harmonia
cum Quinque Vocibus quarum nomina
subscquuntur. Moralis Hispani. Lomme
Arme. Queramus cum pastoribus. De
beata Virgine. loannis Luppi. Surrexit
Pastor bonus. Veni sponsa Cbristi.
Recens in lucem sedita, ac denuo...
recoguita. Altus.
Apud Hieronymum Scotum : Venetijs,
1565. obi. 4". A. 296. b.
MORAND (Pierre de) Justification de
la jMusique Fran(;^oise. Centre la Querelle
qui lui a ijt6 faite par uu Allemand [P. jM.
von Grimm] ct un AUobroge [J. J. Rous-
seau], etc. [By P. de Morand.] 1754. 8°.
,See Justification. 1103. b. 22 (9.)
MORANGE (L.) Fr^degilde, ou le
Udmon familier; Drame a grand spectacle,
en quatro Actes. . .Paroles de J. G. A.
Cuvollier, et do J. B. Hapdd. Musique
arrangee par L. Morange. . .Avec les Airs
not^s. Chez Barba : Paris, An Septieme
[1799.] 8". 11738. c. 40. (8.)
MORE. IMore brigbt tbe sun began to
dawn. A New So7ig. [London, 1757.] 8".
P.P. 5438. z.
Universal Magazine, Vol. XXI., p. 224.
More bright the Sun began to dawn.
A New Song. Sung by Miss Stevenson,
at Vaux-Hall.
[London, 1753.] S". 158. 1. 3.
London Magazine, 1758, p. 44.
MORE (Isabella Theaker) The Walls
of my iprison, a favorite Ballad written
by I. F., etc. Printed for G. Goulding :
London, [1785 ?] fol. G. 377. (37.)
MOREAU ( ) Harpist. A Collection of
Favourite French Songs, with an Accom-
panyment for the Harp or Piano Forte to
which is added a Lesson for the Harp, etc.
Longmayi and Broderip : London,
[1780 ?] obi 4». E. 601. d. (12.)
L 2
148
]\IOREAU— MOBIN
MOREAU (Jean Bapxiste) Clioeurs de
la Tragedie d'Esthor [by J. Racine], Avec
la IMusique, etc. Chez D. Thierry :
Paris, 1689. 4". 640. k. 9. (2.)
MOREL ( ) A I'ombre d'un hetre.
Musette, etc. [Paris,'] 1737. s. sh. 4".
297. b. 17.
Mercurc de France, Jan., 1737.
Aussi prompt qu'un eclair. Aii\ etc.
[Paris,'] 1728. s. sh. 4°. 297. a. 34.
Mercurc cle France, July, 1728.
Buvons tretous, cbers camarades. Air dcs
Mil'wieuf:. (Les Paroles et la Musique
sout de ]M. Morel.)
[Paris,] 1734. s. sh. 4". 297. b. 5.
Mcrcure de France, August, 1784.
Daus le sein du repos. Chanson. (Ces
Paroles sont de INT. Morel, ainsi que la
Musique.) [Paris,] 1734. s. s7(.4\
297. b. 5.
Mercure de France, Oct., 1734.
Un Daupbin, morgue, viaut de naitre.
Chanson Paysanne. (Ces Paroles, aussi-
bien que la Musique, sont de J\I. INIorel.)
[Paris,] 1729. s. sh. 4°. 298. a. 8.
Mercure de France, November, 1729.
Encbaute des yeux de Silvie. Clianson..
Sur uu Amant qui trouva sa Maitresse
mariee au retour d'un voj'age. [Words
and music by Morel.]
[Paris,] 1727. s. sh. 4". 297. a. 25.
Mcrcure de France, Jan., 1727.
L'Hiver, Cbanson. Les Paroles & la
?»Iusique sont de M. Morel.
[Paris,] 1739. s. sh. 4". 298. b. 2.
2Iereure de France, Oct., 1739.
Morgue, Piarrot, morgue. Air Paysan,
du terns. (Les paroles & la Musique...
sont de M. iMorel.) [Paris,] 1728. s. sh. 4".
298. a. 1.
Mercurc de France, Sept., 1728.
Printems en Gavotte, etc. (L'Air & les
paroles sont de M. Morel.)
[Paris,] 1727. s. sh. 4°. 297. a. 26.
Mercure de France, April, 1727.
Primtems, par ton retour. Air, etc.
[Paris,] 1735. s. sh. 4". 297. b. 8.
Mercurc de France, April, 1735.
MOREL (Federic) See Bacciiius,
Senior. Baccbii Senioris. . .Eio-a7to7T;. . .
P. Morellus. . .recensuit. . .Latine vertit,
& Notis illustrauit. 1G23. 8'.
1042. e. 8.
MORETON (John) Sacred Melody, being
Fifty Psalm & Ilynni Tunes, in Four
Parts, witb Entire New IMusic set to
tbe Works of Dr. Watts & Otbers, etc.
The Author : Birmingham, [limi] fol.
G. 503. (6.)
MORETTI (Federico) Priucipios para
tocar la Guitarra de Seis Ordenes, prece-
didos de ios Elemeutos Geuerales de la
INIusica, etc. 2 pts. Orahados par
Josef Rico : Madrid, 1799. obi. fol.
7896. de 32.
MORGAN ( ) Tliougb jocund j\Iay
returns again. A New Song .. .[\Yordis]
From tbe Lady's own IMcmorandum Book
for 1774, etc. Pigg and Cox : [London,
1773.] s. sh. 4'. P.P. 5141.
Lady's Magazine, Supplement, 1773.
See JoYFur, Cuckoldom. [Joyful Cuckol-
dom...A Collection of New Songs. . .by
. . . Mr. Morgan, etc.] [1690 ?-6 ?] 4°.
C. 180. a.
MORGAN (George) By sbady Woods
and purling Streams. Two Part Song.
[By G. Morgan.] [1720 ?] s. sh. fol.
Sec By. G. 306. (239.)
[Anotber edition.] By sbady Woods &
purling Streams. A Two Part Song, etc.
[London, 1730 '?] s. sh. fol.
G. 316. (h. 8.)
Wby sbould Love. A Song, tbe Words
by Mr. Tbeobald.
[London? ITdO?] s.sh.iol.
I. 600. (109.)
MORGUE. Morgoi ! faut il que j' te
riviere. Ah! si j' te fnais, ou la Pay-
sanne difficile. Dialogue Villageois.
[Paris, i785 ?] 8°. B. 362. c. (4.)
iMorgue ! la cbarmante nouvellc. Cban-
son. See Adnin ( )
Morgue, Piarrot, morgue. Air.
See jMorel ( )
MORIAMO. Moriamo mia vita. Song.
See x\nfossi (P.) [Zetiohia in Palmira.]
MORIGI (Angelo) Senate a Violino e
Basso. Opera ii. Printed for J. Joh)ison :
London, [1765 ?] fol. g. 503. (4.)
Six Sonatas for Two Violins witb a
Tborovigb Bass for tbe Harpsicord or
Violoncello. [Separate Parts.]
Printed for I. Walsh :
London, [1160?] fol. g. 278.
MORIN (Jean Baptiste) Cantates Fran-
(,'oises a une et deux voix, melees de
Sympbonies,'. . . Livre Premier . . . Nou-
velle Edition (Livre Second). 2 pts.
Chez C. Ballard :
Paris, 1709, 1707. obi. 4°. B. 335.
La C'basse du Cerf, Divertissement cbante
devant Sa Majesty a Fontainebleau le
25""= jour d'Aoust 1708 . . . mel6 de plusieurs
Airs a boire. Chez C. Ballard :
Paris, 1709. obi. 4". B. 335. a. (1.)
Motets a une et deux Voix, m^lez de
Sympbonies . . . Livre Premier (Second).
2 Liv. Chez C. Ballard :
Paris, 1704(-9). fol. H. 1035.
MOEISON— MORLEY
149
MORISON (John) A CoUection of New
Strathspey Reels, with a few favourite
Marches, for the Piano-Forte, Violin and
Violoncello, etc.
Goto & Shepherd, for the Author :
Edinbtirgh, [1800.] fol. g. 97. (1.)
MORIZOT ( ) Au d^faut de Lrillantes
fleurs. Air Sirieux.
[Paris,} 1737. s. sh. 4". 297. b. 20.
Mercure de France, Oct., 1737.
Vous pr^tendez en vain. Chanson, etc.
[Paris,] 173G. s. sh. 4". 297. b. 13.
Merciire dc France, March, 1736.
MORLANNE ( de) La Saison du Bel
Age. [Song.] Z^lusique de M. de 'Mov-
laune Taiue. Chez Ics Frerrs Saviqny :
[Paris, 1785 ?] 8°. B. 362. f. (44.)
Si vous empruutez 1' air de la Folie.
Impromptu, [Song.] Paroles et Musiquo
de M' de Morlanue I'Ainc.
Chez Ics Fnhcs Scivigny :
[Paris, 1785 ?] 8". B. 362. f. (52.)
[Another copy.] B. 362. b. (137.)
See Blin de la Codre (M, S.) Le Gout dc
bien des gens. Air . . . Accomp' de
GuitarreparM'DeMorlannc. ri785?] 8°.
B. 362. f. (43.)
MORLEY (Thomas) Of Thomas :Morlcy
the First Booke of Balletts to Five Voyces.
Cantus. (Alius.)
(Quintus.) 5 pts.
London, 1595. 4°.
[Another copy.]
Di Tomaso Morlei
(Tenor.) (Bassus.)
Thonas Esie :
K. 3. i. 4.
K. 3. i. 5.
II Primo Libro delle
Ballette a Cinque Voci. Alto.
Appresso Tomaso Estc : TaOndra, 1595. 4".
55. b. 20. (4.)
Of Thomas Jlorley the First Booke of
Balletts to Five Voyces. Cantus. (Bassus.)
2 pts. Thomas Este, the assigne of
Thomas Morley : London, 1600. 4".
K. 3. i. 6.
[First Booke of Balletts.] Now is the
Month of Maving. Glee for five voices.
[London,] 1792. s. sh. 4". P.P. 5141.
Lady's Magazine, Oct., 1792.
Of Thomas i\Iorley the First Booke of
Canzonets to Two Voyces. Cantus.
(Tenor.) 2 pts. Tliomas Este :
London, 1595. 4". K. 3. i. 8.
Of Thomas Morloy the First Booke of
Canzonets to Two Voyces. Cantus.
Thomas Snodham, for Matthew Loivnes
and lohn Browne : London, 1619. 4°.
K. 3. m. 10.
Flora, thou wilt torment me.
Favourite Canzonett, etc. [London,]
1794. s. sh. 4°. P.p. 5141.
Lady's Magazine, April, 1794.
Go ye my Canzonets. A Canzonet
for Two Voices. R. Falkcner : London,
[1775?] s. s/j. fol. H. 1994. a. (75.)
MORLEY (Thomas) [Of Thomas :Morley
the First Booke of Canzonets to Two
Voyces.] Go ye my Canzonets. A Favorite
Canzonet, etc. [London, 1775.] s. sh. 4°.
P.P. 5141.
Lady's Magazine, 1775, Supplement.
Sweet nymph come to thy lover.
A Canzonet for Two Voices.
B. Falkener : London, [1775 ?] s. sh. fol.
H. 1994. a. (49.)
Sweet nymph come to thy lover.
Canzonet, etc. [London, 1783.] s. sh. 4".
P.P. 5141.
Lady's Magazine, June, 1783.
When in the break of morning. A
Favourite Canzonet, etc. [London,
1776.] s. sh. 4°. P.P. 5141.
Lady's Magazine, April, 1776.
Canzonets. Or Little Short Songs to
Three Voyces, etc. Cantus. (Altus.)
Bassus.) 6 pts. Thomas Est, the assign^
of Williavi Byrd : London, 1593. 4°.
K. 3. i. 7.
Canzonets. Or Little Short Songs to
Three Voices ; . . . Now Newly Imprinted
with some Songs added by the Author.
Cantus. (Altus.) (Bassus.) L. P. 3 pts.
Tliomas Este, the assigne of Willia^n
Barley: London, 1G06. 4'\ C." 8. i. 12.
Canzonets. Or Little Short Songs to Three
Voyces . . . Now Newly Imprinted with
some Songs added by the Author. Cantus.
(Altus.) (Bassus.) 3 pts. William Stansby,
Piichard Eaxchings, George Latham :
London, 1&?,1. 4". K. 3. i. 11.
Canzonets. Or Little Short Songs to Foure
Voyces : celected out of the best and
approued Italian Authors. By T. Morley,
etc. Cantus. (Altus.) (Tenor.) (Bassus.)
4 pts. Peter SJiort : London, 1597. 4°.
K. 3. i. 10.
This collection contains compositions by
G. Bassano, G. Croce, F. Anerio, T.
Morley, Ij. Viadana and II. Vecchi.
Canzonets or Little Short Aers to Five
and Sixe Voices. Cantus. (Altus.) (Tenor.)
(Bassus.) (Quintus.) 5 pts. Peter
Short : London, 1597. 4". K. 3. 1. 9.
The First Booke of Consort Lessons, made
by diuers exquisite Authors, for sixe
Instruments to pla}'' together ; viz. the
Treble Lute, the Pandora, the Citterne,
the Base-VioU, the Flute, and the Treble-
Violl. Collected by Thomas Morley,
Gentleman, and now newly corrected and
inlarged.
Thomas Snodham foi' John Browne,
the Assign^ of William Barlcii : London,
1611. 4°. K. 1. i. 7.
The Flute part only.
Go ye my Canzonets. See supra : [First
Book of Canzonets.]
A Plaine and Easie Introduction to Prac-
tical! Musicke, set downe in forme of a
150
MORLF.Y— IMOKNING
dialogue : Diuidod into three partes . . .
With new songs of 2. 3. 4. and 5. parts.
Peter Short : London, 1597. fol.
K. 3. m. 16.
[Another copy.] 59. c. 16.
A Plaine and Easie Introduction to
Practicall ]\Iusicke, Set downe in forme
of a dialogue : Diuided into tlu'ee parts. . .
With new songs of, 2. 3. 4. and 5. parts.
MS. NOTES [by W. Jackson of Exeter].
Hwnfrcy Lowncs : London, 1608. fol.
K. 3. m. 12.
TJtis copy belonged to Thomas Linley,
and contains his autograph.
[Another copy.] few ms. notes [by C.
Burney]. 785. 1. 3.
A Plain and Easy Introduction to Practical
Music ... As Printed in the year 1597, etc.
[With an Appendix of Motets, &c. in score.]
William Randall : London, 1771. 4".
7897. h. 54.
[Another copy.] 59. b. 2.
Madrigalls to Foure Voices newly pub-
lished . . . The Firste Booke. Cantus.
(Altus.) (Tenor.) (Bassus.) 4 pts.
Thomas Est : London, 1594. 4".
K. 3. i. 12.
[Another copy.] K. 3. i. 13.
Madrigals to Foure Voices . . . Now Newly
Imprinted with some Songs added by the
Author. Tenor. (Bassus.) 2 pts.
Thomas Este, the assigne of Thomas Morley :
London, IGOO. 4". K. 3. m. 11.
Madrigals to fiue voyces. Celected out of
the best approucd Italian Authors. By
T. Morley, etc. Cantus. (Altus.) (Tenor.)
(Bassus.) (Quintus.) 5 pts. Thomas
Este : London, 1598. 4". K. 3. i. 14.
Tliis collection contains compositions by
A. Fcrabosco, B. Mosto, G. Fcretti,
N. Giovanclli, H. Tccchi, G. Belli,
A. OroJogio, L. Marenzio, H. Sabino,
Peter PliiUiis, S. Yenturi and G. di
MacqiLC.
Sweet nymph come to thy lover.
See supra : [First Book of Canzvnets.']
Madrigales. The Triumphes of Oriana,
to 5. and 6. voices : composed by diuers
seuerall aucthors. Newly published by
T. Morley, etc. Cantus. (Altus.) (Tenor")
(Bassus.) (Quintus.) (Sextus.) 6 pts.
ThomasEste, thcassigneof Thomas Morley :
London, 1601. 4°. K. 3. i. 15.
The authors of these madrigals are : M.
Este, D, Norcome, T. Morley, E.
Gibbons, J. Benet, J. Hilton, G. Mar-
son, B. Carlton, J. Holmes, B. Nicol-
son, T. TomMns, M. Cavendish, W.
Cobbold, J. Farmer, J. Wilbye, T.
Hunt, T. Weelkes, J. Milton, G.Kirbye,
R. Jones, J. Lisley and E. Johnson.
See Apollonian Harmony. Apollonian
Harmony : a Collection of . . . Glees ... by
...Morley, e^c. [1790?] 8". E. 255.
MORLEY (William) and ISUM (John)
A Collection of New Songs set to Musick
by W. Morley and J. Isum. With a
Tliorough-bass to each Song, all transpos'd
for the Flute: and fairly Engraven on
Copperplates. {London, 11101'] fol.
G. 117.
MORN. The Morn no more with cheerful
ray. Eondo. See Hook (J.)
The Morn of Valentine. [Song.]
See CorE (W. P. R.)
The Morn was fair. Mira and Colin.
[Song.] [London, 1766.] 8". 158. 1. 11
London Magazine, 1766, p. 319.
The IMorn was fair. Mira and Colin. A
New Song. {London, 1766.] 8».
P.P. 5441.
Boycd Magazine, Vol. XIV., p. 321.
The Morn was fair. Mira and Colin. A
New Song. [London, 1766.] 8".
P.P. 5438. z.
Universal Magazine, Vol, XXXVIII. ,
p. 210.
MORNING. Morning. [Song, begins:
' In the Barn, the tenant Cock.']
,^ee Haydn (F. J.) {Symphonies. B. d
H. No. 53. Andante.]
[Another setting.] Morning. Ballad [be-
gins : ' In the barn the tenant cock '].
See Stevenson (Sir J. A.)
The ilorning Air. Song. See Would.
Would you taste the morning air, etc.
[1752.] 8°. P.P. 5438. z.
The IMorning Cloud was ting'd with Gold.
Colin and Dolly. A Song. {London,
1750?] s. s7f. fol. G-. 312. (80.)
London Magazine, 1754.
The IMorning Cloud was ting'd with Gold.
Colin and Dolly. A new Song.
{London, 1754.] 8^ 157. 1. 16.
London Magazine, 1754, j'- 516.
The Morning Cloud was ting'd with Gold.
Collin and Dolly. A New Song.
{London, 1755.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XVI., p. 84.
The Morning Cloud was ting'd with Gold.
Colin and Dolly, etc. [Song.]
{London, 1755.] s. sh. S".
P.P. 5439. ab.
Universal Magazine, April, 1755.
The jMorning Conversation. Song.
See Vainly. Vainly now you strive to
charm me, etc. [1750] 8".
P.P. 5438. z.
The Morning fresh. Duett.
See Know your own Mind.
The Morning Invitation. [Song.]
See FiSHEE (J. A.)
IMOKNING— MORTELLARI
151
MORNING. The Morning Invocation.
Song. See Arise. Arise my Flavia, let
us haste, etc. [1790 ?] fol.
G. 808. f. (4.)
The Morning is charming, all Nature is
gay. A new Hunting Song, the Music by
a Gentleman.
[London, 1745 ?] s. sh. fol.
H. 1994. b. (52.)
[Another edition.] The morning is
charming, all nature is gay. A Hunting
Song. [Words] By C. L. Esq.
[London, 1747.] 8°. 249. c. 17.
Gentleman's Magazine, Vol. XVIL,
p. 39.
[Another setting.] The ]\Ioming is
charming, all nature is gay. Song.
See Ridley ( )
MOEO (GiACOMO) Concerti Ecclesiastici
. . . Nelliquali si contengono Mottetti,
]\Iagnificat, & Falsibordoni A una, Due
Tre, Quattro, Sei, & Otto uoci . . . Con il
Basso continuo per 1' Organo . . . Opera
Ottaua, etc. Tenoro. (Altus. Secondo
Choro.) 2 pts. Ajipresso Ricciardo
Amadino : Vcnetia, 1604. 4". D. 59.
lacobi j\Iori Yiadanse Concerti Ecclesias-
tici I. II. III. et iiii. Vocuni. Cum
Basso Continuo ad Organum. Editio
Altera. Cantus ii. (Bassus.) (Basso
Continuo.) 3 pts. Apud Petrum
riialesium : Antuerpix, 1621. 4°.
C. 268.
The Bassus Part is imperfect, u-antinti
pp. 3-11.
MORPHEUS. :\Iorpheus thou gentle
God. Song.
See PuRCELL (D.) [lpMgenia.'\
MORSOLINO (Antonio) II Primo Libro
delle Canzonettia Tre Voci,. . .Con alcune
altre de diuersi Eccellenti Musici, etc.
Canto I. (Canto ii.) (Basso.) 3 pts.
Appresso Eicciardo Anuidino :
Venetia, 1594. 4". K. 3. i. 16.
TJtis work contains 8 Canzonets by A.
Morsolino, 4 by Hnomo Bnono Morso
lino, 4 by C. Monteverde, 1 by O.
Yecclii and 4 anonymous.
MORTARO (Antonio) Fiammelle
Amorose a Tre Voci . . . Libro Primo.
Nouamente Ristampate. Canto. (Tenore.)
(Basso.) 3 pts.
Appresso Ricciardo Amadino :
Venetia, 1602. 4°. C. 332. (1.)
II Secondo Libro delle Fiammelle Amorose
a Tre Voci . . . Nouamente Ristampate.
Canto. (Tenore.) (Basso.) 3 pts.
Ajjpresso Ricciardo Amadino :
Venetia, 1599. 4°. C 332. (2.
MORTARO (Antonio) Altus. Primo
choro (Cantus. Secondo Choro) a quattro
Voci del Secondo Libro delle Messe,
Salmi, Magnificat, Canzoni da suonare,
& Falsa Bordoni, a xiii., etc. 2 pts.
Appresso Vher. di Simon Tini,
& Filippo Lomazzo : Milano, 1610. 4°.
D. 65.
Antonii I\Iortarii . . . Sacrte Cantiones
Tribus vocibus concinendpo. Nunc denuo
cum alijs nouiter impresse. Cantus ii.
Apud Ricciardum Amadinum :
Vcnctijs, 1603. 4". C. 332. a.
MORTE D' ORFEO. La Morte d'
Orfeo. Tragicomedia. See Landi (S.)
MORTEL. Un mortel qui ne Sijait que
boir. Chanson. See Boban ( )
MORTELLARI (C. M.) Ten Italian
Arietts, etc. Published by Subscriiytioii :
London, [1800?'] oW. fol.
E. 600. r. (4.)
Three Italian Duetts, one composed and
two selected and adapted . . . for Voices
and Piano Forte. Accompaniment by
C. M. INIortellari. Printed for
C. M. Mortcllari: London, [1800?] obi.
fol. E. 600. r. (3.)
The adapted ducts are by Palma and
Farinclli.
Three Sonatas for the Piano Forte, witli
a Violin Accompaniment . . . Op. 3.
[Separate Parts.] Monzani & Cimador,
for the Author : London, [1800 ?] fol.
h. 725. g. (16.)
MORTELLARI (Michele) Ah uon
lasciarmi no bell' Idol mio.
See infra; [Didone Abbandonata.']
Ah tornate 0 Dio serene.
SVc infra : [Armida.']
[Armida.] Overture. [P. F. and Violin.]
See Opera Overtures. No. 1(-5) of the
Opera Overtures, etc. No. 2. [1789] fol.
h. 61. (8.)
Ah tornate 0 Dio serene. [Duett.]
Sung by ]\Iadam Mara & Sig. Rubinelli,
etc. [Full Score.] Lorigman & Broderip :
London, [1786.] fol. G. 197. (9.)
Calma la pena amara. [Song.]
Sung by Sig' Rubinelli, etc. [Full Score.]
Longman d- Broderip : London,
[1786.] fol. H. 345 (3.)
Resta ingrata. Sung by Sig"
Rubinelli in the Opera of Armida. [Full
Score.] Longman & Broderip :
London, [1786.] fol. H. 345. (24.)
Twelve Ariettes, for a Single Voice, with
an Accompaniment for the Piano Forte or
Harp. . .Opera xii. Printed for the
Author : London, [1795 ?] obi. fol.
E. 600. z. (6.)
152
MORTELLARI— MOT
MORTELLARI (Michele) Calnia la
peua amara. [Song.]
See supra : [Armida.]
Six Canzonets with an Accompaniment
lor the Piano Forte or Harp, etc.
Longman and Broderip : London, [1785?]
obi. 4". B. 396.
Eight Canzonets with an Accompaniment
for the Piano Forte or Harp. . .Op. vi.
Lonqman and Broderip : London, [1787 ?]
obi. fol. E. 271. (11.)
[Didone Abbandouata.] Ah non lasciarmi
no beir Idol mio. [Song.] Sung by Madam
Mara in [the Pasticcio] Didone Aban-
donata, etc. [Full Score.] Longman and
Broderip : London, [1786.] fol.
H. 345 (2.)
[The Flitch of Bacon.] No, 'twas neither
Shape nor Feature. A favourite Song
sung by ]\Ir. Johnstone in the Flitch of
Bacon [a Pasticcio, arranged by W.
Shield], etc. Printed for H. Andreios :
[London, 1790 ?] fol.
G. 808. e. (36*.)
No, 'twas neither Shape nor Feature.
See supra : [Tlie Flitch of Bacon.]
Resta ingrata. /See supra: [Armida.]
[Venus and Adonis.] Twelve Pieces of
Music, selected from the Favorite Drama
of Venus and Adouis. Written by J.
Giannini . . . Opera vii. [Full Score.]
Printed for the Author: London, [1790?]
fol. H. 349.
MORTEIjS. IMortels, redoute/.d'approcher.
Chanson sur le sejour de M"" J. ]M. D. V.
en sa Maison de Campagne, etc. [Words
by] Le Chevalier de Montador. [Paris,']
1731. s. sh. 4\ 298. a. 16.
Mercurc de France, April, 1731.
MORTIMER (Frederic) The Sword of
Gideon and the Lord, A Grand National
Air and ilartial Hymn. Printed for
the Author: [London, 1190 '>] fol.
G. 366. (35.)
MOSE (.T. H.) See MozE.
MOSES (JoHAMN Gottfried) Versuch
einiger Oden und Lieder, mit j\Ielodieu
beym Clavier. Li der Yierlingischcn
Bitchhandlnng : Hof, 1783. obi. fol.
C. 590.
MOSS. The Moss Rose. Song. Sec
'TwAS. 'Twas in a Flow'ry sweet retreat.
[1780?] s.sh.iol. G. 312. (140.)
MOSSI (Giovanni) Concerti dedicati all'
eccellentissima Signora D. Vittoria Altieri
Pallavicini . . . Opera Seconda. Libro
Prime (Secondo). [Separate Parts.]
Michele Carlo le Gene : Amsterdam,
[1730?] fol. g. 104.
MOSSI (Giovanni) VI Concerti a G In-
stromenti, 4 Violini, Alto Viola e Basso
Continuo . . . Opera Terza. [Separate
Parts.] Chez Jeanne Pager : Amsterdam,
[1725?] fol. g. 104. a.
Wanting the Violino Secondo Concerto
Grosso part.
Concerto xii° a Quatro Violini e Violon-
cello Obligati. [Separate Parts.] A Spesa
di Michele Carlo le Gene : xhnsterdam,
[1730 ?] fol. h. 3212. g. (4.)
Imperfect, the parts for Violino Terzo,
Violino Quarto, and Violino Quarto
Obligato only.
Sonate a Violino e Violone, o Cimbalo . . .
Opera Prima. Glicz J. Boger : Amsterdam,
[1725 ?] obi. fol. e. 25.
See Pagin (A. N.) Sis Solos ... for a
Violin ... by ... Mossi, etc.
[1750?] fol. g. 422. g. (3.)
MOSTO (Giovanni Battista) Corona de
Madrigali a Sei Voci di Diuersi eccellen-
tissimi Musici . . . Libro Primo. [With a
Dedication by G. B. Mosto.] Canto.
(Basso.) 2 pts. A2Wesso V herede di
Girolcmo Scotto : Vineggia, 1579. 4°.
D. 18. a.
This collection contains madrigcds by
Claudio da Gorrcggio, 0. Lasso, G. B.
Mosto, M. A. Ingegneri, V. Bellauer,
A. Gabrielli, P. Vinci and Striggio.
Di Gio. Battista Mosto ... II Primo Libro
de Madrigali a Cinque Voci, con Ecco a
dieci nel fine. Nouamente posto in luce.
Canto. (Alto.) (Tenore ) (Basso.) (Quinto.)
5 pts. Apipiresso I' herede di
Girolamo Scotto: Vineggia, IblS. 4".
D. 18.
This u-orh contains three madrigals ly
Claudio da Gorrcggio.
Di Gio. Battista Mosto ... II Secondo
Libro de ]\Iadrigali a Cinque Voci, noua-
mente composto, etc. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) 5 pts.
Presso Giacovio Vincenci d
Ricciardo Amadino, covipagni : Venctia,
1584. 4°. D. 18. b.
Di Gio: Battista Mosto ... II Terzo Libro
de Madrigali a Cinque Voci. Nouamente
Composto & dato in luce. Canto. (Alto.)
(Tenore.) (Basso.) 4 pts. Ap>presso
Anqelo Gardano : Venctia, l^BQ. obi. i".
A. 298.
MOT. Le Mot de Delire. [Song.] -See
Petite. La petite Am^lie, etc.
[1790 ?J 8". B. 326. (117.)
Le Mot pour lire. Chanson de Table.
See Bonne. La bonne chere et le bon
vin. [1790?] &: B. 362. (134.)
Le Mot qu'il ne faut jamais dire. Air.
See En. En amour ne jurons pas taut.
[1785?] 8°. B. 362. e. (25.)
MOTETS
153
MOTETS.
[For anonymous collections published
under a distinctive heading, e.g. ' Flos
Florura,' ' Thesaurus ]\lusicus ' :] Hee
under the heading required.
Arrangement.
Collections printed by : —
1. Ottaviano Petrucci.
2. Andreas Antiquus.
3. Jacques jNIoderne.
4. Antonio Gardane.
5. Tiebnan Susato.
G. Hieronimo Scotto.
7. Pierre Phalesc.
8. Hubert Waelrant and Joannes Latius.
9. Simon a Bosco and G. Gu^roult.
10. Various Printers.
1. Ottaviano Petrucci.
Motetti De passione De cruce De sacra-
mento De beatavirgine ethuiusmodi. B.
Impssum . . per Octauianum Petnitiuz :
Yenetijs, 1503. obi. 4°. K. 1. d. 2.
The composers named are : Crisju, Jos-
quin, Caspar, De Orto, Vaqueras,
ObreJit, Brumel, Pc. hiaumont, Com-
piere, Gregoire, Eegis, Agricola and
Jo. marti.
Motetti. C. CTantus].
[Imprcssum per Octauianum Petnduim :
Yenetijs, 1504.] ohl. 4". K. 1. d. 4.
The imprint only occurs in tlie colophon
of the Bass part. The folloxcinf) names
of composers occur : Josquin, Brume I,
and Nic. Craen.
Motetti de la corona. Libro secondo.
[Superius.j (Motetti de la corona. Libro
secondo. A. (T.) (B.).) 4 pts.
Impressum per Octauianum Fetrulium :
Forosempronii, 1519. obl.i". K. 1. d. 14.
TJie imprint occurs only in iJtc Bass
part. The composers named arc :
Therache, lacotin, Acaen, Ricliafort,
Lupus, Maistre Ian, Eusfacliius de
Monte Begali, J. Mouton, Lhcritier
and La faghe.
Motetti de la corona. Libro tertio.
[Superius.] (^lotetti de la corona. Libro
tertio. A. (T.) (B.) ) 4 pts.
Imprcssum per Octauianum Pelrutium :
Forosempronii,lbld. obl.i\ K. 1. d. (15.)
The imprint occurs only in the Bass
part. The cotnp)osers named are :
Josqtiin [Desp>rez], Johannes Lebrung,
J. Mouton, Pre Michael de Verona,
Loyset and Carpentras.
Motetti de la corona. Libro quarto.
[Superius. 1 (Motetti de la corona. Libro
quarto. A". (T.) (B.) ) 4 pts.
Impressum per Octauianum Petrutium :
Forosempronii, 1519. obi. 4''. K. 1. d. 16.
The imprint only occurs in the Bass
part. The composers named are : C.
Festa, Adrianus {^Willaert'\, Josquin
[^Desprez], Carpentras, Joh-annes Le-
brung and Noel Baulduin.
MOTETS.
2. Andreas Antiquus,
Motetti Libro prime. T[enor].
{Impressum opera ct arte Andreae Antiqui :
Venetiis, 1521.] obi. 8". K. 8. b. 7. (3.)
16 foL, paged 1-16. 7 and 8 are omitted,
but the leaf after 11 is iiiut umbered
and followed by a second 11. The
composers named are : Jo. Mouton,
Josquinus, Eichafort, Thomas Martini
and Hottinet Barra.
Motetti libro quarto. T[enor].
[Lnpressum opera et arte Andreae Antiqui :
Veyietiis, 1521.] obi. 8°. K. 8. b. 7. (4.)
14 fol, paged 17-30. The composers
named are : Josquinus, Jo. de la Fage,
Seb. Festa, Const. Festa and Gascoync.
3. Jacques Moderne.
Primus Liber cum Quatuor Yocibus.
Motteti del Fiore. Superius. (.\ltus.)
(Tenor.) (Bassus.) 4 pts. Impressum
. . .per lacobum Modernum de Pinqucnto :
Lugduni, 1532. obi. 4°. K. 10. a. 7.
tlie composers are ; Claiidin, Jo. Courtois,
Domin, Nicolaus Comber t, Hcsdin,
F. de LayoUe, Lhcritier, Lupus,
Hilaire Penet, Loyset Picton, Eicha-
fort, Andreas de iiilva, ^'erdelot, and
Adrianus Villart.
Secuudus Liber cum Quatuor Yocibus.
Motteti del Fiore. Superius. (Altus.)
(Tenor.) (Bassus.) 4 pts.
[Jacques Moderne de Pinguenlo : Lyons,
1532.] obi. 4". K. 10. a. 8.
This collection contains compositions by
N. Gomhert, Archadelt, P. de Manchi-
court, Gosse, Loyset Picton, Lupus,
Verdelot, F. de Layolle, Jo. Lupi,
Lambert, Bcnedictus, P. de Villiers,
J. du Molin, N. Paignier and Adriamis
Villart.
Secundus Lilicr cum Quinque Vocibus.
Superius. (Altus.) (Tenor.) (Bassus.) 4 pts.
Imjjressum. . .per lacobum Modernum de
Pinguenlo: Lugduni, ldS2. obi. 'i".
K. 2. d. 9.
The Fifth Voice part is printed in the
other four part-books. The composers
are : Jo. Courtois, La Fage, Nicolaus
Gombert, Jaquet, Lhcritier, Lupus,
Petrus Mollu or Moullu, Eichafort,
Andreas de Silva, Verdelot and
Adiianus Villart.
4. Antonio Gardane.
Primus Liber cum Quinque Yocibus.
Mottetti del Frufcto. Cantus. (Altus.)
(Tenor.) (Bassus.) (Quinta Pars.) 6 pts.
Antonio Gardane : Venetia, 1538. obi. 4".
K. 3. d. 2.
The composers named are : Lupi. A. Gar-
dane, D. Finot, N. Gombert and lachet.
Secundus Liber cum Quinque Vocibus. . .
Fior de Mottetti tratti daili Motetti del
154
MOTETS
Fiore. Cantus. (Alius.) (Tenor.) (Bassus.)
(Quinta Pars.) 5 pts.
Per Antonio Gardane : Venctla,
1539. obi. 4°. K. 3. d, 6.
TJte coviposcrs are : I. Lupi, Lcritier,
Archadelt, P. Manchicourt, Bichafort,
I. Courtois, N. Gombcrt, Lnpus, A. de
Silva, Verdelot, L. Paminger and I.
du Billon.
Primus Liber cum Quatuor Vocibus. Pior
do Mottetti tratti dalli Motetti del Fiore.
Cantus. (Altus.) (Tenor.) (Bassus.)
4 pts. Per Antonio Gardane : Vcnetia,
1539. obi. 4°. K. 3. d. 5.
The cojHiMscrs are : Leritier, Luptis,
Archadelt, Loyset Pieton, Hilayre
Penet, N. Paignier, Lasson, Gose,
lo. Courtois, N. Gombert, Verdelot,
Dambcrt, F. de Lys, I. Ltqn, P. Ma7i-
chicourt, Bicliafort and A. Vuillart.
Primus Liber cum Quatuor Vocibus.
Mottetti Del Frutto a Quatro. Cantus.
(Altus.) (Tenor.) (Bassus.) 4 pts.
Per Antonio Gardane : Venctia,
1539. obi. 4". K. 3. d. 3.
The conqmscrs arc : Alart, Archadelt,
Ihan de Billon, Certon, Claiidin, Do,
Finot, A. Gardane, Gombert, Gose,
Gnarnicr, Jacquet or Jachet, Mestre
Ihan, Lasson, Lcretier, Ltipi, Loyset,
Pieton, Jaqnes du Pont and Verdelot.
[Another copy.] Altus. (Tenor.) 2 pts.
K. 3. d. 4.
IMotetta Trium Vocum ab Pluribus
Authoribus composita. Quorum nomina,
sunt lachetus Gallicus [i.e. lacbet Colle-
baudi]. Morales Hispanus [i.e. Cbristoval
IMorales]. Constantius Festa. Adrianus
Wilgliardus [i.e. A. Willaert].
Apud Antonium Gardane : Venctijs,
1543. obi. 4°. K. 3. d. 7.
Musica Quinque Vocum que ]\Iaterna
Lingua Moteta Vocantur ab Optimis &
Varijs Authoribus elaborata Paribus
Vocibus Decantanda . . . Ci;m Quinque
Vocibus. Bassus.
Apnd Antaiiinm Gardane : Venctijs,
1549. obi. 4". A. 633. b.
The composers named arc : D. Finot,
Archadelt, Arnoldo and Pierresson.
Musica Quatuor Vocum Que Materna
Lingua ]\Ioteta Vocantur ab optimis &
uarijs Authoribus elaborata, Paribus
Vocibus decantanda Nunc Primum solicit!
cura in Lucem Producta, etc. Superius.
(Altus.) (Tenor.) (Bassus.) 4 pts.
Apnd Antonium Gardane : Venctijs,
1549. obi. 4°. K. 4. d. 4.
The composers named are : Ilian Gero, N.
Gombert, Consilium, lachet, Adriano,
D. Finot, Morales, Yvo and Vento.
5. TiELMAN SUSATO.
Liber Primus Sacrarum Cantionum,
Quinque Vocum, Vulgo Moteta Vocant,
ex optimis quibusqj Huius setatis musicis
Selectarii. Superius. (Contra Tenor.)
(Tenor.) (Bassus.) (Quinta Pars.) 5 pts.
Apiid Tilemanmtm Snsato : Arituerpiiv,
1546. 4". K. 8. k. 1. (1.)
The composers named arc : I. Castilcti,
T. Crccguillon, T. Snsato, P.de Man-
chicoiirt, Clemens 7ionP aim, L.Hellinc,
Benedicttis, Cadiac and I. Gallus.
Liber Secundus Sacrarum Cantionum,
Quinque Vocum, Vulgo Moteta Vocant,
ex optimis quibusqj huius setatis musicis
Selectaru, Superius. (Contra Tenor.)
(Tenor.) (Bassus.) (Quinta Pars.) 5 pts.
Aptid Tilemannum Snsato :
Antuerpiiv, 154G. 4°. K. 8. k. 1. (2.)
The composers named are : T. Crccqnil-
lon, I. Lupi, Clemens non Papa, L.
Helline, P. de Manchicourt, Bene-
dictus, C. Canis, N. Paycnus, I. Cas-
tilcti and Moralis.
Liber Tertius Sacrarum Cantionum Qua-
tuor Vocum, Vulgo Moteta Vocant, ex
optimis quibusq3 huius rctatis musicis
Selectaru. Superius. (Contra Tenor.)
(Tenor.) (Bassus.) 4 pts.
Apnd Tilemannum Snsato:
Antnerpi.r, 1547. 4°. K. 8. k. 1. (3.)
Tlte composers named are : Boucourt,
Clemens non Papa, Petit Ian, T.
Crecquillon, A. Vuillart, P. de Man-
cliicourt, I. Lupi, Hesdin, T. Snsato,
A. Troianus, I. Gallus, L, Helline,
I. Castilcti and I. Courtois.
Liber Quartus Sacrarum Cantionum,
Quatuor Vocum, Vulgo ]\Ioteta Vocant,
ex optimis quibusq3 huius fctatis anusicis
Selectaru. Superius. (Contra Tenor.)
(Tenor.) (Bassus.) 4 pts.
Apnd Tilemannum Snsato:
Antuerpn.r, 1547. 4°. K. 8. k. 1. (4.)
The co^nposcrs named are : Bencdictns,
I. Mouton, T. Crecquillon, I. Clemens
non Papa, P. de Manchicourt, I. Cas-
tilcti, N. Geszin, I. Larchier, Consi-
lium and N. Paycnus.
Liber Primus Ecclesticarum cantionum
quatuor vocum, Vulgo ]\Ioteta vocant,
tam ex Veteri quam ex Nouo Testamento,
ab optimis quibusque huius rctatis Musicis
compositarum, etc. Superior. (Contra
Tenor.) (Tenor.) (Bassus.) 4 pts.
Tilemanmis Snsato :
Antwerpi.r, 1553. obi. 4°. K. 3. d. 9.
The composers are : T. Crecquillon,
Clcve, J. Clemens non Papa, Colin,
J. Guiot alias Castilcti, J. dc Hol-
lande and A. Vtiillart.
Liber Secundus Ecclesiasticarum cantio-
num quatuor uocum Vulgo Moteta uocant,
etc. Superior. (Contra Tenor.) (Tenor.)
(Bassus.) 4 pts. Tilemannus Susato :
Antwerpi.-v, 1553. obi. A". K. 3. d. 10.
Tlie composers named arc : L. Pieton,
J. Clemens non Pafia, L, Helline, T.
MOTETS
ir,o
Crccquillon, C. Soidiart, Petit Ian
Be latere, A. Vuillart, Martinus pea
dargent, C. Canis, I. Scheluius, I.
Valde and Benedictus.
Liber Tertius Ecclesiasticarum cantionum
quatuor vocum Vulgo Moteta vocant, etc.
Superior. (Contra Tenor.) (Tenor.)
(Bassus.) 4 pts. Tilemanmis Susato :
Antv:erpi;n, 1.553. obi. 4". K. 3. d. 11.
The composers named are : P. Manchi-
court, I. Cleniens nan Papa, I. Casti-
leti, P. lordanis, I. de Hollande, I.
Request, L. Hellinc, I. Vaet, Gosen
lonckers, 1. Ckve, P. Messenus, I.
Baston and T. Crccquillon.
Liber Quartus Ecclesiasticarum cantio-
num quatuor uocum Vulgo Moteta uocaut,
etc. Superior. (Contra Tenor.) (Tenor.)
(Bassus.) 4 pts. Tilemannus Susato :
Antwerpi/i-, 1554. obi. 4". K. 3. d. 12.
The composers named are : I. Crispd,
Benedictus Appemeller, N. Oombert,
Goudimcl, I. Castileti, I. Va^-t, Cle-
mens non Pupa, A. Galli, P. de Vuil-
dre. Morel, T. Cricquillon and D.
Curingcn.
Liber Quintus Ecclesiasticarum cantio-
num quinque vocum Vulgo Moteta vocant,
etc. Superior. (Contra Tenor.) (Tenor.)
(Bassus.) (Quinta Pars.) 5 pts.
Tijlemannus Susato :
Antwerpiic, 1553. obi. i". K. 3. e. 1.
The composers named are : I. Clemens
non Papa, C. Hollande, I. Loinoys,
C. Canis, I. Baston, T. Cricquillon,
P. Manchicourt and S. Moreau.
Liber Sextus Ecclesiasticarum cantionum
quinque uocum Vulgo Moteta uocant, etc.
Contra Tenor. (Tenor.) (Bassus.) (Quinta
Pars.) 4 pts. Tilemanm(s Susato :
Antwerjyift', 1553. obi. 4". K. 3. e. 2.
The composers named are : Cobrisc, J.
Clemens non Papa, I. Louys, I. Claux,
S. Moreaii, I. Lupi, E. Barbion,
Brumen, T. Cricqiiillon, G. le Boy
and C. Hollandere.
Liber Septimus Ecclesiasticarum cantio-
num quinque uocum Vulgo Moteta uocant,
etc. Superior. (Contra Tenor.) (Tenor.)
(Bassus.) (Quinta Pars.) 5 pts.
Tilemannus Susato:
AntiocrpiPT', 1553. obi. 4". K. 3. e. 3.
Tlie composers named are : C. Canis,
Benedictus, Clemens non Papa, I.
Lupi, I. Louys, C. Potier, T. Cric-
quillon, I. Castileti, P. Manchicourt,
I. Gallus and C. Hollandere.
Liber Octauus Ecclestiasticarum cantio-
num quinque uocum Vulgo Moteta uocant
. . . Omnes de uno tono, etc. Superior.
(Contra Tenor.) (Tenor.) (Bassus.)
(Quinta Pars.) 5 pts.
Tilemannus Susato :
Antioerpix, 1553. obi. 4°. K. 3. e. 4.
The composers named are : I. Domin, '
T. Cricquillon, C. de Bore, Certon,
Cleynens non Papa, I. Lescuyr, I.
Larchier, I. Louuys, S. Moreau, I.
Baston and C. Canis.
Liber Nonus Ecclesiasticarum cantionum
quinque uocum Vulgo Moteta uocant . . .
Omnes de uno tono, etc. Superior.
(Contra Tenor.) (Tenor.) (Bassus.)
(Quinta Pars.) 5 pts.
Tilemannus Susato :
Antu-erpi:e, 1554. obi. 4°. K. 3. e. 5.
The composers numed arc : Cabbiliau,
I. Crespel, I. Louuys, I. Gallus,
Clemens non Papa, I. Vaet, N. Rogicr,
T. Sjisato, P. Manchicourt and T.
Cricquillon.
Liber Decimus Ecclesiasticarum cantio-
num quinque uocum Vulgo Moteta uocant
. . . De uno tono, etc. Contra tenor.
(Tenor.) (Bassus.) (Quinta Pars.) 4 pts.
Tilemannus Susato :
Antwerpi.r, 1555. obi. 4". KL 3. e. 6.
The composers named are : C. Canis.
I. Clemens non Papa, P. Ghcens, S.
Moreau, Bracquenicr, C. Hollandere,
I. Castilctti, I. Lupi, T. Cricquillon,
I. Scheluius {or Sceluius) and I.
Qallus,
Liber Undecimus Ecclesiasticarum can-
tionum quinque uocum Vulgo Moteta
uocant. . .Unius toni omnes, etc. Contra
Tenor. (Tenor.) (Bassus.) (Quinta Pars.)
4 pts. Tilemannus Susato :
Antwerpix, 1555. obi. 4°. K. 3. e. 7.
The composers named arc : I. Castileti,
Schastclain, Benedicttcs, C. Hollan-
dere, Richafort, T. Cricquillon, I.
Loxiys, Clemens non Papa and C.
Canis.
6. HiEROMMO SCOTTO.
Primo Libro de Motetti a Cinque Voci da
diuersi eccellentissimi Musici composti &
non piu stampati, nouamente posti in
luce, &. . .coretti. Come a' cantanti sara
manifesto. Bassus.
Apud Hieronymum Scottum :
Venetiis, 1549. obi. 4". A. 633. a.
The composers named are : Jacquet, C.
Bore, Andrea di Silva, Jchan du
Billon, Josquin Baston, Claudin, B.
Donato, Mo7-ales, Carcliillicm, Fran-
cisco delta Viola, Zerlinus and Pieri-
son.
Libro Secondo de li Motetti a Tre Voce,
da Diuersi Eccellentissimi Musici com-
posti, etc. Cantus. (Tenor.) (Bassus.)
3 pts. Apud Hiero^iymum Scottum, :
Venetiis, 1549. obi. 4°. K. 3. d. 8.
The composers named are : Claudin,
Certon, H. Scoitus, lacotin, Gosse,
Phinot, Morales, Damianus, M. lehan,
Verdelotto and Adriano.
156
MOTETS
MOTETS. r^Iotetti del Frutto.] Excel-
lentis. Autorum Diuerse Modulationes
que sub Titulo Fructus viagantur per
orbem, a Hieronjiuo Scoto nuper recognite
& edits. Liber Primus cum Quinque
uocibus. Bassus. Apud Hicrmymum
ScoUtmi : Yenetiis, 1549. ohl. 4".
A. 633. c.
7. PiEREE Phal{:se.
Liber Primus Cautionum Sacrarum,
(vulgo Moteta vocant), Quinque vocum ex
optimis quibusq3 Musicis selectarum.
Superius. (Coutratenor.) (Tenor.) (Bassus.)
(Quinta Pars.) 5 pts.
Apud Pctrum Phalesium :
Louanii, 1555. obi. 4°. K. 3. e. 8.
The composers are : Clemens nan Papa,
Cricquillon, S. Hollander, MancJii-
co2irt and Petit Ian.
Liber Secundus Cantionum Sacrarum,
(vulgo Moteta vocant) Quinque & sex
vocum ex optimis quibusq3 ]Musicis
selectarum. Superius. (Contratenor.)
(Tenor.) (Bassus.) (Quinta et Sexta Pars.)
5 pts. Apud Petrum Phalesium :
Louanii, 1555. obi. 4°. K. 3. e. 9.
The composers named are : J. Bultel,
Clemens non Papa, Cricquillon, A.
Feys, Gombcrt and Manchicourt.
Liber Tertius Cantionum Sacrarum vulgo
Moteta vocant, Quinque et Sex Vocum ex
optimis quibusque Musicis selectarum.
Superius. (Contratenor.) (Tenor.) (Bassus.)
(Quinta et Sexta Pars.) 5 pts.
Apud Pctrum Phalesium : Louanii, 1554.
obi. 4°. K. 3. e, 10.
The composers named are : Chasteleyn,
Clemens non Papa, Crequillon, Christi-
anus Hollander, Manchicourt, Tubal
and Vuaclrant.
Liber Quartus Cantionum Sacrarum,
(vulgo Mott[eta] vocant) Quinque et Sex
Vocum ex optimis quibiisque Musicis
selectarum. Tenor. Petrus Phalcsius :
Louanii, 1553. obi. 4°.
Add. MSS. 31,438.
TJie composers named are : Clemens non
Papa, Simon Morcau, Crequillon,
Benedictus, Manchicourt, Eustacliius,
Barbion and N. Vuismes.
Liber Quartus Cantionum Sacrarum,
(vulgo Moteta vocant) Quinque et Sex
vocum ex optimis quibusque Musicis
selectarum. Superius. (Contratenor.)
(Tenor.) (Bassus.) (Quinta et Sexta
Pars.) 5 pts. Petrus PJudesius :
Louanii, 1557. obi. 4°. K. 3. e, 11.
Liber Quintus Cantionum Sacrarum vulgo
Moteta vocant, Quinque et Sex Vocum a
...Petro Mauchicurtio . . . nunc primum
in lucem f ditus. Superius. (Contratenor.)
(Tenor.) (Bassus.) (Quinta et Sexta
Pars.) 5 pts. Apud Petrum Phalesium :
Louanii, 1558. obi. 4°. K. 3. ©• 12.
MOTETS. Liber Sextus Cantionum Sacra-
rum vulgo Moteta vocant, Quinque et
Sex Vocum ex optimis quibusque Musicis
selectarum. Superius. (Contratenor.)
(Tenor.) (Bassus.) (Quinta et Sexta
Pars.) 5 pts. Apud Petrum Phalesium :
Louanii, 1558. obi. 4°. K. 3. e. 13.
The composers named are : Clemens non
Papa, Crequillon, Petit Jan cle Latre,
S. Moreau, A. Vuillart and N. de
Vuismes.
Liber Septimus Cantionum Sacrarum
vulgo Moteta vocant, Quinque et Sex
vocum ex optimis quibusq^ INIusicis select-
arum. Superius. (Contratenor.) (Tenor.)
(Bassus.) (Quinta et Sexta Pars.) 5 pts.
Apud Pctrum Phalesium : Louanii, 1558.
obi. 4° K. 3. e. 14.
The composers named are: E. Barbion,
Benedictus, Certon, Clemens non
Papa, Crespcl, Cricquillon and
Vuismes.
Liber Octauus Cantionum Sacrarum vulgo
Moteta vocant, Quinque Sex Septem et
Octo vocum ex optimis quibusque Musicis
selectarum. Superius. (Contratenor.)
(Tenor.) (Bassus.) (Quinta et Sexta Pars.)
5 pts. Apiud Petrum Phalesium :
Louanii, 1558. obi. 4°. K. 3. e. 15.
The composers are : Clemens non Papa,
Creqjiillon, Petit Lin, Vuismes,
Baston, Larchier and Canis.
Florida Verba. A Celeberrimis Musices
Auctoribus Binis, Ternis, Quaternis,
Quinisque tarn Vocibus quam lustru-
mentis. Suauissimis INIodulis concinnata.
Cantus. (Altus.) (Tenor.) (Bassus Con-
tinuus.) 5 pts. Apud Hrredes Petri
Phalesij : Antuerpiss, ItGi. 4". D. 12.
The co}np)Osers are : A. Vermeren, S.
Durante, C. Cecchclli, C. Bonetti, I.
Carissimi, B. Gratiani, N. Corradi,
A. Leardini, I. OUvati, A. Carpani
and D. Florido.
8. Hubert Waelrant and Joannes
Latius.
Sacrarum Cantionum (Vulgo Hodie
Moteta Vocant) Quinque et Sex Vocum
ad Veram Harmoniam concentumque ab
optimis quibusque INIusicis in pbilomu-
Eorum gratiam compositarum. Liber
primus. Superius. (Contratenor.) (Tenor.)
(Bassus.) 4 pts. Excudebant Hubertus
Waelrandus ct loannes Latius : Antucr-
piae, 1554. obi. 4°. A. 103. (1.)
The composers named are : Clemens non
Papa, Cricquillon, Maillart, Oliver
de Latre, Montanus, Manchicoiirt,
Tubal and Hollandus.
Sacrarum Cantionum (Vulgo Hodie
Moteta Vocant) Quinque et Sex Vocum
MOTETS
167
.. .Liber secundvis. [Superius.] [Contra-
tenor.] (Tuuor.) (Bassus.) 4 pts.
Excudcbant Hubcrlus
Waclrandus it loanncs Latins: Antuer-
inac, 1554-5. obi. 4". A. 103. (2.)
The Cuntratcnor unly is dated 1564.
The coniposersnamed are: Cricijiiilliuii,
Maillart, Cloncns nun Papa, Zacheus,
Petit Ian, A. Tubal, Uombcrt and
HoUandus.
Sacrarum Cautionum (Vulgo Hodic
]\[oteta Vocant) . . . Liber tertius.
(Superius.) (Contratonor.) (Tenor.)
(Bassus.) 4 pts. Excudcbant Hubert as
M'uelrandus it loanncs Latins: Aniucrpiae,
1555. obi. i\ A. 103. (3.)
Tlie composers named are : Cricqnillun,
Clemens non Papa, Ccrfon, Petit Ian
de Latre, N. Ge^in, A. Tubal, Maillart
and Gambert.
Sacrarum Cautionum (Vulgo Hodie
j\roteta Vocant) Quinque et Sex Vocum
...Liber quartus. Superius. (Contra-
tenor.) (Tenor.) (Bassus.) 4 pts.
Excudcbant Hubertus Waclrandus iC
loannes Latins : Aniucrpiae, 155G. obi. 4".
A. 103. (4.)
The Tenor and Bassus are undated.
The composers named arc : Speulanus,
Morales, HoUandus, Hanricq, Clemens
non Papa, Barbion, Cricquillon,
Canis, A. Tubal, Waclrant, Basto)i
and Chastelain.
Sacrarum Cantionum (Vulgo Hodic
^loteta Vocant) quinquo & sex vocum. . .
Liber quintus. Superius. (Coutratcuor.)
(Tenor.) (Bassus.) (Quinta ct Sexta
Pars.) 5 pts. Excndebat Hubertus
Waclrandusd loamies Latins : A ntnerpiav,
[155G.] obi. 4^ A. 103. b.
TJic conqjosers named arc : Clemois non
Papa, A. Tubal, Waelrant, Maillart,
Moreau, Crespel, Marcau, Cricquillon
and Gombert.
[Another copy,
tenor.) (Tenor.)
(Superius.) (Contra-
(Bassus.)l 4 pts.
' A. 103. (5.)
Sacrarum Cantionum (Vulgo Hodie
JMoteta Vocant) Quatuor Vocum... ab
optimis, quibusque ^Musicis . . . composi-
tarum. Liber primus. Contratenor. (Tenor.)
(Bassus.) 3 pts. Excudcbant Hubertus
Waelrandus d- loannes Latins: Antncrpiae,
[1556.] ol)l. 4°. A. 103. a. (1).
The composers named are : Clemens non
Papa, Waelrant, HoUandus, A. Tubal,
Lesclefin, Cricquillon, Bracqnetz and
Hauricque.
Sacrarum Cantionum (Vulgo Hodie
Moteta vocant) Quatuor Vocum, . . . ab
optimis, quibusquo IMusicis . . . composi-
tarum. Liber secundus. Contratenor.
(Tenor.) (Bassus.) 3 pts. Excudebat
Hubertus Waelrandns it loannes Latins :
Antncrpiae, [1556.] obi. 4.".
A. 103. a. (2.)
TIic composers named are : Clemens non
Papa, Vuaelrant, Petit Ian, A. Tubal,
Manchiconrf, Cricquillon, Hanricq
and Chastelain.
9. Simon .\ Bosco.
Tertius Liber !Modulorum, Quatuor,
Quinque et Sex Vocum, (Quos Vulgus
^loteta vocat) 4 quibusuis celeberriniis
authoribus excerptuB, & nunc primum iu
lucem leditus. Superius. Ex Officina
Simonis a, Bosco, it Quilielmi Gneroult,
1555. obL 16". K. 2. b. 10. (1.)
The composers named arc : Clandin,
Pierre Colin, Clemens non Papa,
Maillard, Jean de la Brnguicrc,
Gombert and B. de la Combe.
Quartus Liber Jlodulorum, Quatuor,
Quinque et Sex Vocum, (Quos Vulgus
Moteta vocat) a quibusuis celeberriniis
authoribus cxccrptus, and nunc primum
iu lucem teditus. Superius. Ex Officina
Simonis a Bosco, it Guilichni Gneroult,
15.55. obi. 16". K. 2. b. 10. (2.)
The composers tuimcd are: E. Gindron,
T. Crequillon, C. Goudimel, Clemens
non Papa, D. Phinot and P. Colin.
Quintus Liber Jlodulorum, Quinque
Vocum, (Quos Vulgus ]\Ioteta Vocat) ab
excellcntissimo musico Clemcnte non
Papa nunc primum ... in lucem a>dita.
Superius. (Bassus.) 2 pts. Ex Officina
Simonis a Bosco, 1556. ohl. 16".
K. 2. b. 10. (3.) & K. 2. b. 11. (5.)
Sextus Liber Moduloruni, Quatuor,
Quinque et Sox Vocum, (Quos Vulgus
Moteta vocat) a quibusuis ccleborrimis
authoribus cxccrptus, & nunc primum
in lucem scditus. Superius. (Bassus.)
2 pts. Ex Officina Simonis a Bosco,
1556. obi. 16».
K. 2. b. 10. (4.) & K. 2. b. 11. (6.)
The composers named are: D. Phinot,
M. Gosse, Ville Font, laquet, Mail-
lart, Gombert and Clemens non Papa.
Septimus Liber Modulorum, Quatuor,
Quinque et Sex Vocum, (Quos Vulgus
Moteta vocat) a quibusuis celeberrimis
authoribus excerptus, & nunc primum in
lucem reditus. Superius. (Bassus.) 2 pts.
Ex Offiicina Simonis a Bosco,
1556. ohl. 16".
K. 2. b. 10. (5.) & K. 2. b. 11. (7.)
2'Iic composers named are : Gombert, D.
Phinot, Chastelcyn, F. Lupino, laques
de Pont, Criquillon, Clemens non
Papa and one ' Incerti Anctor.' At
the end are the Treble parts of two
anomymous compositions, ' Converte
Domi7U',' and ' Filia formosa,' in a
contemporary handwriting.
158
MOTETS
MOTETS.
10. Various Printers.
Nouum et Insigne Opus Slusicum, Sex,
Quinque, et Quatuor Vocum, cuius in
Germania hactenus nihil simile usquam
est editum. (Secundus Tomus Noui Operis
IMusici . . . nunc recens in lucem editus.)
[With, dedications signed Joannes Otto.]
Tenor. (Discantus.) (Contratenor.)(Bassus.)
{Quinta'Vox(QuintaetSextaVoces).) 5pts.
Excusum. . .Arte Hieronymi Graphei :
Noribcrgae, 15S1 (1538). obi. 4". K. 3. d. 1.
The full title only occurs in the Tenor
parts. The composers named are :
Josquin de Pres, L. Senfl, Arnoldus
de Bnick, Nicolas Gombcrtus, Lupus,
Vcrdcloth, A. Willart, C. Festa, L.
Paminger, J. Lebrin, J. Heugel, M.
Eckel, Isaac, J. Mourfois, T. Stolzer,
Gallicolus, L. Haydenhaymer, Sam-
son, B. Artopins, Jaqicet, Hermannus,
J. Grefinger, Benedictus, Hesdin,
Natalis Gombertus and P. de la Bue.
Liber Cautus (Vocum Quatuor) Triginta
Nouem Motetos habet, etc. (C[antus].)
(A[ltus].) (T[enor].) (B[assu8].) 4 pts.
Inpressum Ferrarix. In Aedibus Francisci
Bubci, do Valentia, Expensis £ Labore,
loannis de Buglhat, Henrici, de Campis,
Et Anthonii, Hucher Sociontm, etc., 1538.
obi. 4". K. 4. g. 4.
The title-pages bear the single letters,
C., A., T., B. ; on the verso is a fleur-
de-lys, printed m black; on fol. 2 is a
dedication to Hercules II., Duke of
Ferrara, on the verso is the title —
'Liber CantHS,' etc. The comp>osers
named are: Lheriticr, Lupi, A. Vuil-
lart, Jacquct, Archadct, Lupus, Goni-
hert, Maistre Jan, Claudin, Hcdin, Jo.
Gallus, C. Janeguin and Dam. Finot.
]Modulationes Aliquot Quatuor Vocum
Selectissimfe, quas vulgo jNIodetas vocant,
a praostantiss. Musicis compositae, iam
primum typis excusse. Tenor. (Dis-
cantus.) (Contratenor.) (Bassus.) 4 pts.
Apud lohan. Petreium : Norimbergx,
1538. obi. i\ K. 8. b. 12.
The Discard, Contratenor and Bass parts
have only the words ' Discantus,'
' Contratenor ' and ' Bassus ' on their
title-pages. The composers named are :
A. Willacrt, J. Bichafort, Claudin,
C, Bein, H. Isaac, Josguin Dcs Pres,
S. Malm and G. Junckcrs.
[Selectae Harmoniae Quatuor Vocum.
De Passione Domini, etc.] Altus, etc.
[Apud Gcorgium Bhau : Vittcnbcrgac,
1538.] obi. 4". K. 4. d. 15.
The full title and imprint occur only in
the Tenor part. The composers named
are: I. Galliculus, I.Obrccht, Compere,
H. Isaac, I. Walther, L. Senfl,S.Cellar-
ius, M, Eckel, L. Lemlinandl. Stoel.
MOTETS. Tenor. [The Tenor Part of
a Collection of 12 Motets.]
[J. de Buglhat and A. Hucher : Ferrara ?
1540 ?] obi. 4°. K. 8. b. 7. (5.)
Quatuor vocum Musicse modulationes
numero xxvi. ex optimis autoribus dili-
genter selectee, prorsus nouse, atq3 typis
hactenus non excusse. Discantus. (Con-
tratenor.) (Tenor.) (Bassus.). 4 pts.
A2ncd Guilielmum Vissenacum :
Antuerpiae, 1542. obi. 4°. K. 4. g. 3.
' Perch' al visa d'amor,' an anonyinous^
madrigal, is ^vritten on the verso of
the various title-pages. The composers
named are: C. Canis, I. du Pont,
I. Vinders, L. Pieton, T. Susato,
Colin, I. Baston, Arnoldus, I. Lcscuir
(Lescuier), A. Barbe and I. Gallus.
The name of Nicolaus Payen is added
in manuscript.
Sextus Tomus Euangeliorum, et Piarum
Sententiarum. Quatuor, Sex, et Octo
Vocum. Continens historias & doctrinam,
quce in Ecclesia proponi solet : De Poeni-
tentia. Tenor. Apud loannem
Montanum, et Ulricum Neubcrum: Nori-
bergae, [1556.] obi. i°. A. 19.
The date ' 1546 ' appears on the tvood-
cut enclosing the tvord Tenor: this
is the date of the cut and occurs in
other books. This vol. contains com-
positions by Benedictus, J. Boyleau,
J. Buus, C. Canis, Clemens non Papa,
T. Crecguillon, D. Finot, J. Gero, N.
Gombert, Jachet, Mestre Jan, Petit
Jan de Latre, J. Lestainnier, J. J.
Liicarius, P. Manchicourt, P. Mas-
senus. Morales Hispamis, N. Payen,
Andreas de Silva and A. Willart.
Liber Tertius Sacrarum Cantionum Diuer-
sorum Autorum, Quatuor, Quinquo, et Sex
Vocum. [Edited by Martin Pen d'Argent.]
Acuta Vox. (Contratenor.) (Tenor.) (Basis.)
(Quinta Pars.) 5 pts.
Sumjjtibus hxredum Arnoldi Birckmanni
excudebat lacobus Bathenius : Duisseldorpii,
1556. obi. 4". K. 4. g. 8.
This collection forms Book III. of Martin
Pen d' Argent's ' Cantiones Sacrae.'
The composers named are : C. Hol-
landere, A. Tubal, David aiid Johann
Gransyrc, M. Peu d'Argent, H.
Schaffers, N. Conrardi and G. Mes.
Nouum et Insigne Opus Musicum, Sex,
Quinque, et Quatuor Vocum, cuius in
Germania hactenus nihil simile usquam
est editum. Nunc quidem locupletatum
plus centum. . .Carminibus, tum losquini,
tum aliorum . . . Symphouistarum tam
ueterum quam rocentiorum, etc. (Secunda
(Tertia) Pars ISIagni Operis Musici, con-
tinens clarissimorum Symphouistarum
...prsecipue vero dementis non Papse,
Garmina . . . Quinque (Quatuor) Vocum,
MOTETS— MOTLEY
169
etc.). [With dedicatious signed Joannes
Montauus.] Tenor. (Discantus.) (Altus.)
(Bassus.) (Vagans.) (Sexta Pars.) 6 pts.
In Officina loannis Montani, & Vlrici
Netiberi : Noribergx, 1558 (1559). ohl. 4".
K. 3. 1. 1.
The full title only occurs in the Tenor
parts. The composers named are :
Josquin de Pres, L. Pieton, Fevin,
Arton, Jachet, J. Mouton, De La Faige,
Isaac, L. Senffel,N. Gombert,D. Finot,
J. Morales, P. Massenus,J. Chastelain,
Pionier, E. Barbion, Clemens non
Papa, N. Vuismes, L. Pamincjer,
Baston, Crequilon, Manchicourt, J.
Cleve, J. Vaet, Z. vom Brand, C.
Hollander, Verdelot, A. Willaert, C.
lesfa, A. de Bruck, J. Lupus, A.
Caen, Maillart,A. Gallus, J. Continus,
J. Bcrcliem, J. de Bachi, Du Beron,
H. M. Werrecoren, V. Ruffus, D.
Phinot, J. Courtois, Goud'imel, C.
Hollander, C. Morel, J. Castelleti,
Bcnedictus, Consilium and A. Tubal.
Pars II. and III. are dated 1559.
Primus Liber Modulorum, Quatuor et
Quinque Vocum, (quos vulgus i\Iotteta
vocat) a quibusuis celeberrimis authoribus
excerptus. Bassus.
Apud lacobum Arbillium,
[1560?] obi. 16°. K. 2. b. 11. (1.)
The composers named arc : Clemens non
Papa, Pierre Colin, Maillard, Jean
de la Bruguiere, B. de la Combe,
Gombcrt and Claudin. All the com-
positions are to be found in the ' Ter-
tius Liber Modulorum,' printed by
S. a Bosco and G. Gueroult in 1555.
Sccundus Liber Modulorum, Quatuor et
Quinque Vocum, (quos vulgus Motteta
vocat) a Clemonte non Papa. . .excerptus
Bassus. Ajnid lacobum Arbillium,
[1560?] obi. 16". K. 2. b. 11. (2.)
Tertius Liber Modulorum, Quatuor et
Quinque Vocum, (quos vulgus Motteta
vocat) a quibusuis celeberrimis authoribus
excerptus. Bassus. Michaelis Syluij
Typis, [15602] obl.l6\ K. 2. b. 11. (3.)
The compiosers named arc: Crequillon,
Goudimcl, Clemens non Papa, Phinot
and Gosc. The first six of the motets
in this volume occur in the ' Quartus
Liber Modulornm,' published by
S. a Bosco and G. Gueroult in 1555.
Quartus Liber Modulorum, Quatuor et
Quinque Vocum, (quos vulgus Motteta
vocat) a quibusuis celeberrimis authoribus
excerptus. Bassus. K. 2. b. 11. (4.)
Michaelis Syluij Trjpis, [1560 ?] obi. 16".
The composers named are : Clemens non
Papa, Crequillon, G. Domale or Don-
male and Maillart.
Primus Liber suauissimas preestantis-
simorum nostras setatis artificum Italia-
norum cantilenas 4. 5. 6. & 8. vocum conti-
nens, quaj partim Latinis, partim Ger-
manicis, sacris ac pijs textibus ornatae,
etc. — Das Erste Theil Der lieblichstcu
Walschen Gesenge, mit 4. 5. 6. vud 8.
stimmen, etc. Sexta Vox.
Tyjns Georgij Baumanni :
Erphordix, 1587. 4°. B. 375.
The composers nanud arc : A. Gabricli,
O, Vecchi, G. Ferretti and L.
Marenzio.
Motetti et Salmi a Otto Voci, compost!
da Otto Eccellentiss. Autori, con la
parte de i Bassi, per poter sonarli uell'
organo. Tenore Primo Chore. (Alto
Secondo Choro.) 2 pts. Appresso Giacomo
Vincenti : Venetia, 1599. i". C. 121.
The composers named are : R. Giouan-
nelli, C. Schieti, I. Cruce, I. M.
Nanini, I. P7-aenestinus, F. Anerii,
L. Marenzio and J. M. Artusi.
Motetti a voce sola de diuersi Ecceleutis-
simi Autori. Nouamente stampati. Libro
Primo. Partitura,
Alia Stampa del Gardano :
Venetia, 1645. obi. 8°. K. 4. a. 13. (1.)
The composers named are : C. Monte-
verdc, G. Cavati, F. Cavalli, N.
Fontei, G. B. Treviso, P. D. Tambu-
rini and G. Filippi.
Jlotetti Sagri a' Voce Sola con Instru-
ments Raccolta di Diuersi Auttori per
ogni Tempo, etc. Parte che Canta.
(Violino Primo.) (Violino Secondo.)
(Tiorba o Violonc.) 4 pts.
Per Carlo Maria Fagnani :
Bologna, 1695. 4". D. 11.
Tlte comiwsers named are : G. B. Quag-
lia, G. Legrenzi, G. B. Mazzaferrata,
A. Sartorio, F. Pasarini, D. Gabrieli,
G. B. Bassani, G. Aldrovandini, G.
Fabriui and G. A, Pcrti.
MOTEZUMA. Motezuma. Opera.
See Sacchisi (A. M. G.)
MOTHER. The :Mother's Complaint.
Jiomanco. S^e Giaedini (F.)
MOTHER SHIPTON. Mother Shiptou.
Pantomime. See Arnold (S.)
To heal the Smart a Bee had made. A
favourite Song in the Kntcrtainmcnt of
Mother Sh ipton . Sung by Mr. du Bellamy.
[London, 1772.] s. sh. 4». 159. n. 4.
The London Magazine, Oct., 1772. Not
S. Arnold's setting.
To heal the Smart a Bee had made. A
song sung by Mr. Du Bellamy. In the
Entertainment of Mother Shipton.
W. R[andall: London, 1775?] s. sh. iol.
G. 312. (25.)
Not S. Arnold's setting.
MOTLEY (Richard) A Collection of
Ayres, in Three Parts, Containing Forty
Six Tunes, in Eight Sets. First Trebles,
160
MOTLEY— MOULDS
(Tho Bass.) 2 pts. W. Fcarsoii, for tlic
Author : London, 1701, obi. i". A. 20.
Imperfect. Wanting fol. En of the
First Treble and fol. F of the Bass.
Fol. Fi of tho First Treble is muti-
lated.
Draw, Gupid, draw. A So'nrj, etc.
n. Wriqht: [London, n05?} s.sh.M.
H. 1601. (132.)
[Another copy.] G. 305. (296.)
[Another edition.] Draw Cupid : A Song,
etc. {London, 1710?] s. sh. fol.
G. 304. (44.)
[Another copy.] G. 307. (133.)
MOTO. Un moto di gioia mi sento.
Arietta. Sec Mozart (W. A.)
MOTTA (DoMENico) Six Duetts, for Two
Voices, with a Thorough Bass, etc.
Printed for the Author: London,
[1790 ?] obi. fol. E. 270. d. (4.)
Six Italian Songs with an accompany-
ment for the Harpsichord, etc. [London,
1775?] obl.M. E. 601. d. (13.)
Six Songs with an Accompanyment for
the Harp, Forte Piano, or Harpsichord,
etc. The Author : London,
[1780 ?] obi. 4°. B. 365.
MOULDS (John) The Affectionate Soldier.
A Favorite Ballad written by G. S. Carey,
etc. PrestoniiSon: London, [1195'?] fol,
H. 2826. c. (27.)
Betty Pringlc.
Sec infra: [Tlie P]iisioij)W]nisl.]
The Caledonian Maid. [Song.] Written
by P. Pindar. J. Dale :
London, [1795?] fol. G. 360. (37.)
Caroline of Litchfield. A Favorite Song,
etc. F. Linlcy : London, [H9T?] fol.
G. 810. (51.)
The chearful morn beams o'er the Hills.
A Favorite Hunting Song, etc.
Printed for T. Gladman : [London,
1790?] fol. G. 366. (36.)
Clarissa Harlow, or the History of a
Young Lady, Consisting of Four Ballads
in different periods of her Life . . . The
Words, by the Author of the Suffering
Negro. ' Printed for G. Goulding :
London, [1795 ?] obi. fol.
F. 607. y. (14.)
A Collection of Favorite Songs sung by
i\rr. Wilson, at Ranelagh, etc. Printed
for G. Goulding : London, [1181.] fol.
G. 806. i. (9.)
Come who'll buy primroses. See infra :
[The Sultan.]
Cornelia, a favorite Song, etc. Printed
for G. Goulding : London, [1790?] fol.
H. 1994. d. (42.)
Cousin Piemen's Promise. A Favorite
Comic Song, etc. C. Wheatstone ; London,
[1800?] fol. G. 383. (21.)
MOULDS (John) Cowslips of tho Valley,
[Song,] . . . Written and Composed by
J. Moulds. Printed for Culliford,
Bolfc d Barrow : London, [1798?] fol.
G. 249. (32.)
A Description of London, [Song,] Sung
by Mr. Fawcett, etc. W. Cope : London,
[1796?] fol. G. 249. (31.)
The Deserted Hamlet, a favorite Ballad,
written by T. Shapter. Printed for
G. Goulding : London, [1788 ? 1 fol.
G. 360. (34,)
The Deserter, [Cantata,] the Words by
E. Jerningham, etc.
Printed for G. Goulding:
London, [1'190?] obi. io\. D. 392. (10.)
Dr. Goldsmith's Celebrated Poem of The
Deserted Village, set to Music with
Accompaniments, etc. W. Cope : London,
[1795?] fol, G. 368. (12.)
Edwin and Emma, a Celebrated Poem,
written by jNIr. j\Iallet, set to Music with
Accompanyments ... To which is prefixed
. . ,a favourite Sonata, or Lesson for the
Piano Forte, Printed for G. Goulding :
London, [1790 ?] fol, H. 77.
Elenor of Exeter, a favorite Ballad
written by G, S, Carey, etc. Printed for
G. Goulding: London, [1790?] fol.
H. 2826. c. (28.)
The Escape, a favorite Comic Song, etc.
Bland cC Weller : London, [1798 ?] fol,
G. 800, m. (41.)
La Fleur, A favorite Ballad from Steruo
. , .Written & Composed by J. IMoulds.
17. Cope: London, [1796?] fol.
G. 366. (40,)
The Forecastle Sailor or the Guardian
Frigate, [Song,] written by Mr, Shapter,
and Sung by ]\rr, Darley at Vauxhall
Gardens, etc. Printed for G. Goulding :
London, [1189 2] fol. G. 383, j. (21.)
The Handkerchief or Stern's Pledge to
Maria, [Song:] Written by S, Darken,
etc. T. Jones d- Co.: [London, 1195?] fol.
G. 366. (39.)
Hark away my brave Boys to the cry of
the Hounds. ' A favorite Hunting Song
sung by Mr. Wilson at Ranelagh, etc.
Longman and Broderip :
[London, 1786 ?] fol. H. 131. (30.)
How sweet the rosy blush of ]\Iorn. A
favorite Pastoral Ballad sung by Mr.
Wilson at Ranelagh, etc. T^ongman and
Broderip : [London, 1786 ?] fol,
H. 131. (31.)
Jemmy out at sea, A favorite Scotch
Ballad sung by IMr. Wilson at Ranelagh,
etc. Longman and Broderip :
[London, 1186?] fol, H. 131, (36.)
Kate. A favourite Ballad taken from
Cowper's Task, etc. S. A. d P. Thompson :
London, [1785 ?] fol. H. 1650. p. (10.)
MOULDS
161
MOULDS (John) Kate of Aberdovy.
See infra: [Tlie Phisiognomisi.']
Kathriue Oggy. A Favorite Scotch Song.
Sung by Mr. Wilson at Ranelagh. 1785.
J. Fentum : [^London, 1785.] fol.
G. 310. (108.)
The Lass of Kensworth Dale. A favorite
Ballad, sung by ]Mr. Wilson at Ranelagh,
etc. Longman and Brodcrip, [London,
1784 ?J fol. H. 131. (29.)
The Link-Boy. A favorite Song sung and
composed by J. Moulds. G. Gotdding :
[London, 1785 ?] fol. G. 377. (40.)
Louisa, a favorite Ballad written by
Mr. Oswald, . . . and The British Sailor, a
favorite Song. . .by D. Corri.
Printed for G. Goulding : T^ondon,
[1800 •?] fol. G. 798. (34.)
Ma charmante petit[e] fille, a favorite
Ballad, etc. Printed for G. Goulding :
London, [1790 ?] fol. G. 808. e. (37.)
The Mariner. A Celebrated Sea Song,
written and composed by J. ]\Ioulds, etc.
Printed for Culliford, Rolfe d Barrow :
Lomlon, [1798 ?] fol. G. 249. (29.)
The jMatchless Maid of Morpeth, a
Legendary Tale, written by G. S. Carey,
set to ]\Iusic with Accompanyments, etc.
[Cantata.] Longman and Brodcrip :
London, [lldO?] oW.' fol. D. 392. (11.)
Mind the main Chance. A favorite Ballad
sung by ]\Ir. Wilson at Ranelagh.
Jjongman and Brodcrip : lLo)idon,
1786.] fol. H. 131. (32.)
Moulines ]\Iaria. A favourite Ballad taken
from Sterne. Printed for S. A. it P.
Thompson : London, [1785 ?] fol.
H. 1650. j. (6.)
[Another edition.] Moulines Maria, etc.
See 'TwAS. 'Twas near a Thicket's cabn
Retreat, etc. [By J. ]Moulds.l
[1785?] s.sh. fol. H. leO'l. b. (106.)
Nanny of the Mill. A favorite Ballad,
sung by Mr. Wilson at Ranelagh, etc.
[Full Score.] Longman and Brodcrip :
[London, 1786 ?] fol. H. 131. (35.)
Nelson's Cap, or the Badge of Honor, etc.
[Song.] W. Hodsoll : London,
[1798.] fol. G. 366. (37.)
The Nightingale. A Favourite Song, sung
by ]Mrs. Bottarelli at Ranelagh, etc.
Printed for S. A. ct P. Thompson :
London, [17SG 7] fol. H. 131. (39.)
Now when the vernal Sun appears. A
favorite Ballad, sung by Mr. Wilson at
Ranelagh. Longman and Brodcrip :
[London, 1786 ?] fol. H. 131. (33.)
The Nut Brown ]Maid, by M. Prior, set to
music [composed and arranged] by J.
Moulds. [Cantata.] ms. note.
Printed for G. Goulding : London,
1789. obi. fol. E. 112.
This ivork contains music by T. Carter,
VOL. II.
J. Moulds, Carolan, Giordani, Reeve,
Shield and Bocchcrini.
One morning in May, when Spring smil'd
around. A Pastoral Ballad, sung by Mr.
Wilson at Ranelagh, etc.
Longman and Brodcrip :
[London, 1786 ?] fol. H. 131. (34.)
The Peasant, a favorite Ballad, taken from
Sterne, written by T. Shapton, etc.
J. Dale : London, [1795 ?J fol.
G. 360. (35.)
The Peasant of Bantry Bay. A Celebrated
Irish Song, sung. . .by Mr. Johannot. . .
written and composed by J. Moulds.
Printed for W. Cope: London,
[1796?] fol. G. 366. (41.)
[The Phisiognomisi.] Betty Pringle, a
favorite Song, sung and composed by
J. Moulds, etc. Printed for G. Goulding:
London, [1790 ?] fol. ^ G. 377. (39.)
[The Phisiognomist.] Kate of Aberdovy,
a favorite Song, sung and composed by
J. Moulds, etc. Printed for G. Goulding :
London, [1790?] fol. G. 377. (38.)
Poor Jack, a Favorite Ballad, composed &
sung bv J. Moulds. . .at the Lyceum, etc.
Printed for S. A. d P. Thompson:
London, [1790 ?] fol. H. 2831. a. (23.)
Poor Mary the Primrose Girl.
.SVe infra: [TJic Sultan.]
The Printer's Devil, [Song,] written by
Mr. Shapter. Printed for G. Goulding :
Tendon, [1788 ?] fol. G. 360. (36.)
The Retrospector. A Collection of Sonnets
containing Spring, Summer, Autumn and
Winter. The Words by J. Brown.
Longman and Brodcrip : London,
[1785 ?] obi. fol. D. 392. (12.)
A Sailor's Soul, or Sympathetic Fred.
An admired Nautical Song. . .Written by
S. Darken and being the last Composition
of the Celebrated late ]Mr. J. Moulds.
Thompson: London, [ll'dSl] fol.
G. 366. (38.)
Sans vous ma chere, a Favorite Song, etc.
Printed for G. Goulding: Tjondon,
[1785?] fol. G. 808. g. (25.)
She dropt a Tear & cried be true. A
favorite Sea Song, etc.
Printed for G. Goulding : London,
[1790?] fol. H. 2830. g. (16.)
The Silver Stream, [Song,] as Sung by
Mr. Wilson. . .at Ranelagh, 1785, etc.
J. Fentum : London, [1785.] fol.
G. 310. (104.)
Smiling Grog's on board. A favorite
Sea Song, sung and composed by J. Moulds.
G. Goulding : [London, 1100?] fol.
G. 377. (41.)
162
MOULDS— MOURET
MOULDS (John) Three Favorite Sonatas
for the Harpsichord or Piauo Forte "with
an Accompanyment for a Violin. Op. x.
Printed for G. Goulding : London,
[1790?] fol. g. 270. n. (5.)
[The Sultan.] Come who'll buy prim-
roses, [Song,] Sung by Mrs. Bland in the
Sultan, e/c. Printed for
Messrs. Thompson : Lo^idon, [1796 ?] fol.
G. 806. e. (73.)
Poor Mary the Primrose Girl. A
Celebrated Song sung by Mrs. Bland in
the Entertainment of the Sultan, etc.
Printed for J. Dak : London, [1190?] fol.
G. 360. (33.)
When Fancy feeds. The much ad-
mired Song introduced and sung by Mr.
Dignum at the Theatre Royal Drury
Lane in the entertainment of the Sultan ;
written by T. Yaugbau. Printed for
W. Cope: London, [1796?] fol.
G. 249. (30.)
The Zephir's cool Breeze. A Favorite
Song introduced and Sung by Mrs. Bland
in the Entertainment of the Sultan, at
the Theatre Royal Drury Lane. W. Cope :
London, [1796 ?] fol. G. 249. (33.)
When Fancy feeds.
See supra : [The Sultan.']
When Phoebus wakes the rosy hours. A
favorite Hunting Song sung by Mrs.
Stevenson at the Royalty Theatre.
Longman and Broderip : [Ijondon,
1790?] fol. H. 131. (37.)
When sweet and blushing like a Bride.
A favorite Ballad, sung by Miss George at
Ranelagh, etc. [Full Score.]
Longman and Broderip: [London,
1786?] fol. H. 131. (38.)
The Zephir's cool Breeze.
See supra: [T]ie Sulta^i.]
Sen Feast of Apollo. The Feast of
Apollo, containing. . .Songs, by...Staes,
Moulds, etc. [1788.] fol. G. 351. (2.)
MOULET (Joseph Agkicole) 0 sainte
Liberte ! Hijnine a la, Libertt', paroles du
Cit. Aubert, etc. Chez Frerc : [Paris,
1794?] 8". E. 1717. b. (26.)
MOULIN. Le Moulin. [Duet.]
See Amour. L'Amour dans votre moulin.
[1790?] 8". B. 362. e. (79.)
MOULIN DE JAVELLE. Le Moulin
de Javelle, comedie de M'' Dancourt.
(Airs de la Comedie, etc.) [By J. C. Gillier.]
2 pt. T. Guillain : Paris, 1606. 12".
839. c. 4.
Part of ' Lcs CEurres de Mr. Dancourt.'
Tome III.
Le IMoulin de Javelle. Comedie. De
INl"' Dancourt. (Airs de la comedie du
Moulin de Javelle [by J. C. Gillier].)
2 pts. Chez. T. Gnillain : Paris,
1696.
839. c. 4.
MOULIN DE JAVELLE. Le Moulin
de Javelle. Comedie ; representee pour
la premiere fois le 15 Janvier 1696. [By
F. C. Dancourt, with music by J. C.
Gillier.] [Paris, 1760.] 12". 241. c. 5,
Part of ' Les CEuvres de Thiiatrc de
M. D'Ancourt,' etc. Tom. 5.
MOULIN DE SANS - SOUCL Le
Moulin de Sans-Souci, Fait historique en
un Acte, en prose, mele de Vaudevilles. . .
Par le Citoyen Dieu-la-Foy . . . avec la.
Musique. CJiez le Libraire au Theatre du
Taiidevillc : Paris, An vi" [1798.] 8".
11738. d. 31. (5.)
MOULINES. Moulines Maria. Ballad.
See Moulds (J.)
MOULINGHEN (Jean Baptiste) Les-
Nymphes de Diane. Opera Comique du
Sr. Favart . . . avec tous les Airs not^s.
1748. 8°. See Nymphes de Diane.
164. d. 24»
MOULINGHEN (Louis Charles) Sin-
fonia Puriodique a ]piu Stromenti, etc.
No. 1. Gravee par M""" Vendome et le
S"' Moria, etc. [Separate Parts.]
Aiix adresses ordinaires de Musique :
Paris, [1784.] fol. g. 474. (25.)
MOULINIE (Etienne) Airs avec la
Tablature de Luth. (Airs de Cour avec
la Tablature de Luth . . . Second Livre.)
2 Bk. P. Ballard : Paris, 1624 (1625). i\
K. 3. i. 17.
MOUNSEER. Mounseer Nong toug paw.
See DiBDiN (C.) [The General Election.]
MOUNTAGUE. Mountague Walk.
[Song.] See Cabey (H.)
MOUNTAINEERS. The Mountaineers,
[^lusical Play.] See Arnold (S.)
MOUNTEBANK. The Mountebank.
[Song.] See Leveridge (R.) [Fareioell
Folly.]
MOUNTFORT (William) Bonny Kate.
See Rise. Rise bonny Kate, the Sun's-
got up high, etc. [Words by T. D'Urfey,
music by W. Mountfort.] [1715?] s.sh.to\.
H. 1601. (374.).
MOURET (Jean Joseph) Aflreux Hyver^
tu bannis de ces lieux. Air, etc. [Paris,]
1727. s. sh. 4". 297. a. 26.
Mercure de France, March, 1727.
Airs s6rieux et a Boire, a Une et Deux Voix.
avec des Accompagnemens, etc. Grav6
par F. du Plessy. Chez VAuteur .-
Paris, 1719. obi. 4°. B. 335. a. (4.)
L'Amour et I'Hymen. Epitalame, etc..
Gravee par le S'' Hue.
Chc3 la Veuve Mourct : Paris,.
[1740 ?] obi. 4". C. 399. e. (2.)
MOURET
163
MOURET (Jean Joseph) Amour, sur ce
charmant rivage. Air, etc.
[Paris,] 1728. s. sh. 4°. 298. a. (2.)
Mcrcure de France, Dec, 1728.
Les Amours des Dieux. Ballet Heroique,
etc. Chez VAuteur: Paris,
[1727.] ohl. 4^ C. 399. b.
Ariane, Tragedie en Musique, etc.
J. B. Christophc Ballard : Paris.
1717. obi. 4". C. 399. f.
L'Aurore a peine ouvroit les Cieux. Air.
[Words by] Lainey. [Paris,']
1726. s. sh. 4°. 297. a. 22.
Mcrcure de France, July, 1726.
La Bergere que j'aime. Air, etc.
[Paris,] 1728. s. sh. 4\ 297. a. 31.
Mercurc de France, Feb., 1728.
Cher voisin, voul^s vous me croire. Vaude-
ville, etc. [Paris,] 1736. s. sh. 4°.
297. b. 14.
Mercurc de France, June, 1736.
D'un jeune Plumet vif et tendre.
See infra : [U Horoscope Accompli.]
Epitalame. Cantatille Frangoise . . .
Gravije par IM""^ Leclair. Chez I'Auteur :
Paris, [1735 ?] obi. 4". B. 335. a. (3.)
Les Testes, ou le Triomphe de Thalie.
Ballet en Musique, c/c. Chez C. Ballard:
Paris, 1714. obi. 4". C. 399. d.
La Provenvale, nouvelle Entree
ajoiitee aux Festes de Thalie, etc.
J. B. ChristojyJic Ballard : Paris,
1722. obi. i". B. 335. a. (2.)
La Provenvale. [For songs in this
•work (a later addition to the Fetes de
Thalie) published anonymously :]
See PROVEN9ALE.
[La Foire de Besons.] Voici la Foire des
Amours. Vaudeville, etc. [Paris,]
1736. s. sh. i". 297. b. 15.
Mercurc dc France, Oct., 1736.
Les Graces, Ballet Heroique. . .Grave par
M"' Leclair. Les paroles sont de M' Boy.
Chez I'Auteur : Paris, [1735?] obi. 4".
C. 399.
The titlc-pacje bears the autograph of
F. Paer.
[L'Horoscope Accompli.] D'un jeune
Plumet vif et tendre. l-- Vaudeville, etc.
[Paris,] 1727. s. sh. 4". 297. a. 28.
Mercure de France, July, 1727.
Hymne a I'Amour. Cantatille Fran^oise,
etc. Gravee par jM"« Louise Kousseau.
Chez la Vevue Mourct : Paris,
[1740?] obi. 4". C. 399. e. (1.)
II faut recommencer. Etrcnnes, etc.
[Words by] Gallet. [Paris,]
1732. s. sh. 4°. 298. a. 27.
Mercure de France, Feb., 1732.
MOURET (Jean Joseph) Leda. Canta-
tille Francoise, etc. Grav6e par IM^'ne
Leclair. Chez la V" Ma'^ Mourct : Paris,
[1740 ?] obi. 4". C. 399. e. (3.)
Le lis par sa blancheur efface.
See infra : [Ziphire et Flore.]
Loin de ces lieux. Air, etc. [Words] Par
M. Hardouin. [Paris,] 1728. s. sh. 4°.
297. a. 32.
Mercurc de France, April, 1728.
Motets a Une et Deux Voix, avec Sim-
phonie, etc. [N"' 5 and 6.] Graves par
Labassee. Chez la Veuve Mouret :
Paris, 1742. fol. H. 1187. p. (6.)
On donne gratis rOpe'ra. Vaudeville, etc.
[Paris,] 1727. s. sh. 4". 297. a. 29.
Mercure de France, Sept., 1727.
Pan, et Doris. Pastorale Heroique, etc.
Chez VAuteur : Paris, [1738.] obl.^\
C. 399. c.
Petits Oiseaux, est-ce le jour. Air, etc.
[Pans,] 1726. s. sh. 4". 297. a. 23.
Mcrcure de France, Sept., 1726.
Pirithous. Trag^die [by La Serre or
Seguiuault] miso en Musique par Mon-
sieur Mouret . . . Representee pour la
premiere fois. . .le vingt six Janvier 1723.
Chez VAuteur :
obi. 4". C. 399. h.
[Short Score.]
Paris, [1723.]
Priutems, etc.
[Paris,] 1727.
[Song.]
s. sh. 4°.
297. a. 27.
Air,
33.
etc.
Mercure de France, June, 1727.
Le Printemps revient tons les ans.
etc. [Paris,] 1728. s. sh. 4". 297. a
Mercure de France, May, 1728.
La Provenvale.
See supra : [Les Fetes de Thalie.]
Le Racomodement. Cantatille,
Gravee par M""= Leclair.
Oiez la Veuve M'^ Mouret : Paris,
[1740?] obl.i". C. 399. e. (4.)
Ragonde, ou La Soiree de Village, etc
Grave par le S' Hue. Ches le Veuve
Mouret : Paris, [1742.] obi. 4". C. 399. g.
Restons longtems dans ce reduit. Couplets,
Par M. Fuzillier, le fils. [Paris,}
1736. s. sh. 4°. 297. b. 13.
Mercure de France, April, 1736.
Le Triomphe des Sens, Ballet Heroique,
etc. Chez Vauteur : Paris [1TS2.] obi. 4:",
C. 399. a.
Voici la Foire des Amours.
See supra : [La Foire dc Besons.]
[Zephire et Flore.] Le lis par sa blancheur
efiace. Air, etc. (Chantez . . , dans le Di-
vertissement de la Comedie de Zephire
& Flore.) [Paris,] 1727. s. sh. 4'\
297. a. 29.
Mercure de France, Sept., 17i:
M 2
164
MOURN— MOZART
MOURN. Mourn hapless Caledonia. The
Tears of Scotland. [Song.] [Lojidon,
1750?] s.sh. fo\. 1.530.(100.)
MOUSE-TRAP. The Mouse Trap. [Song.]
Sec Of. Of all the simple things we
doe, etc. [1730 ?] s. sh. fol.
H. leOl. (325.)
MOUTH OF THE NILE. The Mouth
of the Nile. Musical Entertainment.
See Attwood (T.)
MOUTON (lOANNEs) Missal? Joannis
mouton . . . Liber primus. ]\Iissa sine
nomine. Alleluya. Alma redemptoris.
Ite5 alia sine nomine. Regina meal^.
[For four voices. The Alto, Tenor and
Bass parts have separate title pages :
Missa2yi Jo. mouton. Liber primus.
A. (T.) (B.)] 4 pts. Impressum per
Octaicianum Petrutium : Foroscmpronii,
1515. obi. 4". K. i. d. 11.
loannis Mouton Sameracensis . . . select!
aliquot moduli, & in 4, 5, 6 & 8 vocum
harmoniam distinct!. Liber Primus. Su-
perius. (Contra-tenor.) (Tenor.) (Bassus.)
4 pts. Ajmcl
Adrianum le Boy, <£ Rohertum Ballard :
Farisiis, 1555. obi. 4°. K. 4. c. 14.
MOUVEMENT. Le Mouvement et le
Repos. [Song.] See Lorsque. Lorsque
de dieu la main feconde. [1785 ?] 8".
B. 362. (176.)
MOVIUS (Caspar) Triumphus Musicus
Spiritualis : Das ist : Newe Geistliche
Triumph Licder, daruuter Ausserlesene
Deutsche Kirchen Gesange, Trostreiche
Psalmen, vnd andere . . . Biblische Spriiche ;
Mit 6. vnd 8. Stimmeu sampt dem Basso
Continue : Also gestellet, dass die. . .ohne
Instrumenten oder einem Corpore, zu
Chor vnd soust daheim gar fiiglich mogen
gesungen werden, etc. Cantus i (Cantus ii)
(Alius) (Bassus) Chor! Superioris. (Altus
(Tenor i) (Tenor ii) (Bassus) Chori In-
ferioris.) 8 pts. Joluin Bichel :
Rostock, 1640. 4". B. 106.
MOZART (JoHANN Georg Leopold) La
Course aux Traineaux. Pi^ce fameuse. . .
arrang^e d'une execution facile pour le
Pianoforte ... La partie de Violon ad
libitum. H. C. Steiip : Amsterdam,
[1795 ?] obi. fol. e. 368. (16.)
Versuch einer griindlichen Violinschule,
. . .mit 4. Kupfertafeln, etc.
In Verlag des Verfassers. Gcdruckt bey
J. J. Lottcr: Augsburg, 1756. 4°. d. 2. a.
Leopold Mozarts . . . griindliche Violin-
schule,. . .Dritte vermehrte Aufiage.
J. J. hotter und Sohn : Auqsburq,
1787. 4°. d. 2.
MOZART (Wolfgang Amadeus)
Arrangement.
1. Sacred Music.
2. Dramatic Music.
3. Songs, &c.
a. Collections.
b. Single Works.
4. Instrumental Music.
5. Selections and Adaptations from two or
more Worlds.
6. Doubtful and Spurious Works.
7. Appendix.
8. Index.
1. Sacred Music.
Davidde Penitente, Cantata, con 1' Orches-
tra... Parte I. Partitura. — Osterkantate,
mit einer Parodie von J. A. Hiller, etc.
Bei A. Kilhnel : Leipzig, [1800?] fol.
G. 260. e.
[Litanite de Venerabili Altaris Sacra-
mento. Koch. Verz. No. 125.] Heiliger
sieh' gnadig hernieder. Kantate ... In
Partitur. [Koch. Verz. Anh. iii. No. 124.]
Bey Breitkopf d Hdrtcl :
Leipzig, 11800?] fol. H. 1120. f. (1.)
[Missa Brevis, in F. Koch. Verz. No.
192.] Messa. . .Spartizione. No. 1.
Hoffmeister d Co. : Vieima, [1800 ?] fol.
G. 537.
[Mass !n C. Koch. Verz. No. 257.]
IMesse a 4 voix avec accompagnement de
2 Violons et Basse, 2 Hautbois, 2 Trom-
pettes, Timbales et Orgue. . .No. ir. Parti-
tion. Breitkopf et Hiirtel :
Lei2}sic, [1800 7] obi. tol. F. 240. f.
[Missa Brevis, in C. Koch. Verz. No.
258.] ]\Iiichtigster, Heiligster &c. Kan-
tate. . .in Partitur. No. 5. [Koch. Verz.
Anh. HI. No. 128.]
Bey Breitkopf d Hiirtel :
Leipzig, [1800 ?] fol. H. 699. j. (2.)
W. A. Mozart! Missa pro Defunctis
Requiem. — W. A. Mozarts Seelenmesse
mit unterlegtem Deutschem Texte.
[Full Score.] Im Verlage der Breitkopf d
Hdrtelschen Musikhandlung : Leipzig,
[1800.] obi. fol. F. 240.
2. Dramatic Music.
La Clemenza di Tito. Opera Seria.
[Libretto adapted from Metastasio by C.
Mazzola] . . . Aggiustata per il Piano-Forte
del Sign. A. E. Miiller.
Presso Giovanni Augusto Bohmc :
Hamburgo, [1795 ?] obi. fol. E. 150. x.
La Clemenza d! Tito. Grande Opera...
arrangee en Quatuors k Deux Violons,
Alto & Violoncelle. [Separate Parts.]
Chez N. Sirnrock: Bonn, [1800?] fol.
g. 1018. a. (1.)
MOZART
165
MOZART (Wolfgang Amadeus) [La
Clemenza di Tito.] Deh prendi un dolce
amplesso. Duetto . . . L' accompagnamento
del Sig' J. B. Cimador.
Printed for Mo7izani & Chnador :
London, [1800 '?] fol. G. 424. (15.)
Cosi fan Tutti. Opurette. Arrang^e en
Quatuors pour Flute ou Deux Yiolons,
Alto & Violoucelle. [Separate Parts.]
Chez N. Svnrock : Bonn, [1800 ?] fol.
g. 1018. a. (3.)
La mia Dorabella, Trio . . . the Accom-
paniment for the Piano Forte by Cimador.
Printed for Monznni d- Cimador :
London, \IBQ0'>] fol. H. 2820. (19.)
Secondate aurette amiche. A
Favorite Duett, etc.
Printed for R. Birchall :
London, [1800 ?] fol. G. 425. (8.)
Soave sia il vento. Trio, . . . L'accom-
pagnamento del Sig' Cimador.
Printed for Monzani (£ Cimador :
London, [1800 ?] fol. G. 424. (16.)
DomGiovaui. Grand Opera., .arrange pour
le Piano-Forte avec un Violon oblige par
C. Zulohner. 2 Bks. [Separate Parts.]
Clu's J. A. BoJimc : Hanibourg,
[1800?] fol. h. 1751. f. (1.)
Fin eh' han dal vino. Dans una fete.
liondeau. . .Paroles . .par N. Carbonel.
Chez les Freres Gaveaux :
Pam, [1800?] fol. G. 555. (47.)
La ci darem. Should worldly cares
oppressing. A duet . . . Adapted by ilr.
Shield. The Poetrv bv ,J. O'Keefe.
[London, 1800 ?] fol. " G. 805. li. (32.)
Die Entfiihrung aus dem Serrail. Ein
komisclics Sing-Spiel in drey Aufziigen
[Libretto by C. F. Bretzner] . . . Der
Klavier-Auszug von Herrn Abb6 Starck,
etc. B. Schott : Mainz, [1785 ?] obi. fol.
C. 445.
St'c PFEFFI^"GER (P. J.) Capricc pour
le Piauo-Forte (sur deux airs de I'Enleve-
ment du Serail), t'/c. [1800?] fol.
g. 491. (2.)
Idomoneo, Re di Creta o sia Ilia e
Idamante. Drama Eroico in tre atti,
etc. [Libretto by G. B. Varesco. Full
Score.] Chez N. Sinnvck :
Bonn, [1195 7] fol. G. 600. a.
Idomeneo, Re di Creta . . . Idomeneus,
Ko-nig von Creta. . .Oper in drey Aufziigen
[P. F. Score.] Ital. & Germ. Bei N.
Simrock : Bonn, [1795 ?] vbl. fol.
E. 150. h.
Idomeneo, Re di Creta. Opera Seria...
aggiustata per il Piano Forte di Giov.
Wenzel. Bey ScJimidt iind Ran :
Leipzig, [1797.] obi. fol. G. 600. d.
With the German words inserted in
manuscript.
MOZART (Wolfgang Amadeus) Ido-
meneo, He di Creta. . .Idomeneus, Konig
von Creta, ernsthafte Oper. . .im Klavier-
auszuge von A. E. Miiller.
Bey Breitkopf itnd Hdrtel :
Leipzig, [1800?] obi. fol. E. 150. i.
Le Nozze de Figaro. Die Hochzeit des
Figaro. Eine Comische Oper in 4.
Auf ziigen . . . Ins Deutsche iibersetzt vom
Baron v. Knigge, und fiirs Clavier ein-
gerichtet von C. G. Neefe. Bei Nicholaics
Simrock : Bonn, [1796.] obi. fol.
E. 150. u.
La Noce de Figaro. . .Opera. . .Arranges
en Quartetti a deux Violons, Alto &
Violoucelle. 2 Livres. [Separate Parts.]
Chez N. Siynrock: Bonn, [1800?] fol.
g. 1018. a. (2.)
Crudel, perche finora. A Favorite
Duett... sung in the Comic Opera [by
G. Gazzaniga] of La Vendemmia. . .by
Sig' Benucci & Sig" Storace. [Full
Score.] Birchall d Andrews, for
S. Storace : [London, 1789.] fol.
H. 1648. a. (7.)
Der Schauspieldirektor, eine komische
Operetta in einem Aufzuge. Im
Klavierauszuge von S. Schmiedt.
In der Breitkopfischcn Musikhandlnng :
Leipzig, [1790?] obi. fol. F. 822. f.
[Thamos, Konig in ^gypten. Gottheit,
iibcr alia miichtig.] Gottheit ! dir sey
Preis und Ehre ! Hymue fiir vier Sing-
stimmenmit BegleitungdesOrchesters. . .
Partitur. N° 3. Breitkopf ttnd Hdrtel :
Leipzig, [ISOO 71 fol. G. 600. b-
[Ihr Kinder des Staubes] Ne pulvis
et cinis superbe. — Ob fiirchterlich tobend
sich Stiirme erhcben, esc. — Motette fiir
vier Siugstimmen mit Begleitung des
Orchesters. . .Partitur. No. ii.
Breitkopf rind Hiirtel :
Leipzig, [1^00?] fol. H. "1120. a. (2.)
[Schon weichet dir.] Splendente te
Deus. — Preiss dir ! Gottheit ! durch alle
Himmel . . . Hymne fiir vier Singstim-
men mit Begleitung des Orchesters...
Partitur. No. 1. Breitkopf und Hdrtel :
Leipzig, [IQm?] fol. H."ll20. a. (1.)
[La Villanella Rapita. Dite almeno in
che maniera.] Che diro che far deggio.
Quartette, as sung in the Opera [by P.
Guglielmi] of La Pastorella Nobile, etc.
I!. Birchall :
London, [1795 ?] fol. G. 808. c. (24.)
[Die Zauberflote.] II Flauto magico.
Dramma Eroicomico in due atti. Aggius-
tato per 11 Cembalo, etc. Breitkopf :
Leipsia, [1794.] obi. fol. F. 822.
166
MOZART
MOZART (W0LFGANC4 Amadeus) Die
Zauberrtote. Grand Opera ridotta in
C^uartetti per due Violini Viola e Basso.
[Separate Parts.] Presso J. M. Gutz :
Mcmnhdm,[l'id5?] fol. g. 1018. a. (4.)
Die Zauberflote. Grand Opera arrange
pour Deux Flutes ou Deux Violous par
I'Autheur, c/c. [Separate Parts.]
Cliez G. Hummcll : Berlin, [1800 ?] fol.
g. 421. p. (7.)
[Another copy.] h. 250. b. (8.)
Mozart's Celebrated Overture and
March, from his Opera of Zauberflote. . .
Arranged for Two Performers on One Piano
Forte, or the Harp and Piano Forte. . .by
M. Cooke, etc. I'lintcd for the Author :
London, [1800?] fol. g. 443. h. (16.)
[Bei Manner u,welche Liebe fUhlen.]
The Manly Heart, A favorite Duett, for
two Voices, with an accompaniment, for
the Piano Forte. T. Preston : London,
[1800?] fol. G. 805. g. (29.)
The Manly Heart, . . . Duett, etc.
W. Bolfe : London, [1800 ?] fol.
G. 424. b. (5.)
The Manly Heart. Duett.
G. Gcisicciler : [London,
1800.] s. sh. ohl. 4°. 266. 1. 30.
German Museum, Nov., 1800.
[Das klinget so herrlich.] A Favor-
ite Duet. . . arranged for the Piano Forte
or Harp, with Variations, by R. Burbidge,
etc. W. HodsoU : London, [1800 ?] fol.
g. 139. (3.)
■ [Das klinget so herrlich.] Away
with ]\Ielancholy . . .Arranged with Varia-
tions for the Harp or Piano Forte. . .by J.
Elouis. Printed for the Author :
London, [1800 '>] fol. g. 139. (23.)
See Away. Away with Melancholy.
A favourite Duet for two eipial voices, etc.
[From W. A. Mozart's Opera, Die Zauber-
flote.] 1800. s. sh. 4°. P.P. 5141.
In diesen heiligen Hallen. . .Within
these sacred Bowers, etc. [Song.]
G. Geisweiler : [London,
1800.] s. sh. obi. 4°. 266. 1. 29.
German Museum, Feb., 1800.
Within these sacred Bowers. A
favoiirite Song, etc. [Lo7idon,~j
1800. s. sh. 4°. P.P. 5141.
Lady's Magazine, April, 1800.
[Konnte jeder brave Mann.] La
Partenza. — Last Adieu. — Canzonetta v.
[Duet.] Printed for Monzani ct Cimador :
London, [1800?] fol. h. 1480. (17.)
No. 138 of " A Collectio)i of Periodical
Italian Songs,^' etc.
[Ein Madchen oder Weibchen.]
See Gelinek (J.) Six Variations pour le
Clavecin. . .sur I'air, Ein ]\Iadchen oder
Weibchen, cic. [1795?] obi. io\.
f. 133. b. (2.)
MOZART (Wolfgang Amadeus) Die
Zauberflote. [Seid uns zum zweitenmal.]
See Gelinek (J.) Six Variations pour le
Clavecin . . . sur le Trio, Seit uns zum
zweitenmal Willkomen, etc.
[1795 ?] obi. fol. f. 133. b. (1.)
Der Vogelfiinger . . . The Fowler,
etc. [Song.] C . Geisweiler :
[London, 1800.] s. sh. obi. 4". 266. 1. 29.
German Museum, Jan., 1800.
The Fowler [Song] out of The Magic
Flute, etc. Broderip and Wilkinson :
[London, 18002] fol. G. 356. (9.)
The Fowler . . . Arranged as a Rondo
for the Piano Forte by G. Nezot, etc.
[London, 1800 ?] fol. g. 140. (46.)
3. Songs, &c.
a. Collections.
]\Iozart's Celebrated English Canzonetts,
with a Piano-Forte Accompaniment.
(The Words by a Gentleman.) No. l(-8).
8 Nos. Monzani it Cimador : London,
[1800?] fol. H. 2831. a. (27.)
XII. Deutsche Lieder mit Clavier-
begleitung . . . 2"^ Sammlung. [Words of
Nos. 2 and 5 by C. F. Weisse.]
Bei N. Simrock : Bonn, [1800?] obi. fol.
F. 307. a. (2.)
Koch. Verz. Nos. 472, 473, 4:-t3, 391, 474,
517, 539, 597, 392, 529, 531, and 468.
11 Canons. Chez N. Simrock:
Bonn, [1800?] obi. iol. F. 307. a. (3.)
Koch. Verz. Nos. 233, 562, 234, 554, 555,
553, 557, 559, 558, 560, and 556.
A Collection of Original Songs with an
Accompaniment for the Piano Forte or
Harp. . .Book 1. The Poetry by P. Pindar.
(Book 2. The Poetry by Mr. Rannie.)
2 Bk. Broderip and Wilkinson :
London, [1800 ?] fol. G. 357. (7, 8.)
Book 1 also contains songs by Ndgeli,
Schulz, and Rcichardt.
b. Single Works.
[An Chloe.] Love, from those bright eyes.
A favorite Song. Broderip and Wilkinson :
London, [1800?] fol. G. 799. (12.)
Un moto di gioia mi sento. Arietta.
[Koch. Verz. No. 579.] Printed for
Monzani lO Cimador : London, [1800?] fol.
H. 2831. a. (26.)
Ridente la Calma. Aria. [Koch. Verz.
No. 152.] Printed for Monzani ii Cimador :
London, [1800?] fol. H. 2831. a. (25.)
4. Instrumental Music.
Air with Variations for the Harpsichord
or Piano-Forte ... No. 1 (-7). [Koch.
Verz. Nos. 264, 353, 455, 398, 352, 360 and
359.] 7 Nos. Printed
for Longman and Broderip : London,
[1790 ?] obi. fol. e. 490. b. (1.)
Nos. 6 and 7 are for Violin and I'. F.
MOZART
167
MOZART (Wolfgang Amadeus) Mozart's
Airs with Variations for the Piano Forte.
[Koch. Verz. Nos. 25, 353, 354, 54, ISO,
179, 360 and 613.] 6 Nos. [1801.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. XIV.
[Nos. 4, 5, 6 and 7J ; Vol. XV. [No. 8' ;
Vol. XVI. No. 3. [1797-1802.] 8'.
D. 854.
Suite d' Airs connus varies pour le Clavecin
ou Piano-Forte, etc. 14 Nos.
Chez J. Aiulre : Offenbach siir le Mein,
[1795?] fol. ■ g. 80.
Koch. Verz. Nos. 354, 613, .353, 455, 265,
398, App. V. No. 285, 264. 359, 180,
360, 179, 352 mid App. V. No. 288.
Wanting the Violin parts of Nos. 9
and 11.
Air [Fischer's Minuet,] with Variations
for the Piano Forte... No. 12. [Koch.
Verz. No. 179.] 1!. Birchall : London,
[1795 ?] fol. g. 270. d. (37.)
Air [' Ah ! vous dirai-je,'j with Variations
for the Piano Forte . . . No. 8. [Koch.
Verz. No. 265.] R. Birchall :
London, [1795 ?] fol. g. 270. d. (36.)
Air [' Je suis Lindor,'] with Variations for
the Piano Forte. . .No. 18. [Koch. Verz.
No. 354.] E. Birchall: Jjondon,
[1795?] fol. g. 270. d. (38.)
Air with Variations for the P.F. [Kuch.
Verz.. No. 382 and Anh. iv. No. 209.]
See Pleyel, Corui and Dcssek. Pleyel,
Corri, and Dussek's Musical Journal,
[P. F. Parti, No. 3. 1797. fol.
g. 139. (34.)
Air with Variations for the Piano Forte
. . .No. 13. [K.ich. Verz. No. 500.]
R. Birchall : London, [1795 ?] fol.
g. 271. e. (15.)
Air avec Variations pour le Piano Forte a
quatre Mains. [Koch. Verz. No. 501.]
Broderip £ Wilkinson : London,
[1800?] fol. h. 322. (20.)
A Favourite Air [by J. P. Duport. Koch.
Verz. No. 573.] adapted with Variations
by W. A. Mozart. [1797.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. III.
No. 1. [1797-1802.] 8". D. 854.
Grand Concert pour le Clavecin ou Forte
Piano avec rAccompagnement de
Plusieurs Instruments, Liv. i., etc.
[Koch. Verz. No. 414.] CJiez J. Schmift :
Amsterdam, [lldO?] fol. g. 443. a. (9.)
12 Deutsche Taenze [Koch. Verz. Nos. 600,
602.] fiir das Clavier iibersetzt welche in
deni K. K. Redouten Saal in Wien aufge-
fiihret worden . . . 2*" Theil. Artaria
Comp. : Wien, [1796?] obl.iol.
d. 64. (2.)
MOZART (Wolfgang Amadeus) [Diver-
timento in F. Koch. Verz. No. 247.]
Grand Sextuor pour deux Violons deux
Cors Alt & Basse . . . No. 2. [Separate
Parts.] Chez Gombart et Comp. : Aiigs-
6o;t/-5f, [1800 ?] fol. g. 1018. (2.)
[Divertimento in E flat. Koch. Verz.
No. 287.] Grand Quintetto per due
Violini due Viole e Violoncello . . . Op. 24.
No. 6. [Separate Parts.] Preston :
London, 'ISOO?] fol. h. 2782. (6.)
[Divertimento in E flat. Koch. Verz.
No. 287.] Grand Sextuor pour deux
Violins, deux Cors, Alt & Basse . . . No. iii.
[Parts.] Chez Gombart et Comp. : Angs-
baurg, [1800 ?] fol. g. 1018. (3.)
[Divertimento in D. Koch. Verz. No. -334.]
Grand Sextuor pour deux Violons, deux
Cors, Alt ife Basse. . .No. 1. [Separate
Parts.] CJiez Gombart et Comp. : Augs-
bonrg, [1800?] fol. g. 1018. (1.)
[Duo in G. Violin and Viola. Koch.
Verz. No. 423.] IMozart's Rondo. [P. F.]
Sre Longman and Broderip. Long-
man and Broderip's Collection of. . .^Insic
for the . . . Piano Forte. No. 1 [b].
[1795?] fol. g. 192. (4.)
Due Duetti per Violino e Viola. . .[Kiich.
Verz. Nos. 423, 424.] Opera 25.^^ S"'"
Livraison. [Separate Parts.] Chez Artaria
etComp.: 7k>«;u-, [1790?] fol.
g. 218. d. (6.)
Fantaisie [Koch. Verz. No. 475j ct Sonate
[Koch. Verz. No. 457] pour le Forte Piano
. . . Op. XI. Longman and Broderip :
Lomlon, [1790 ?] obi. fol. e. 490. b. (2.)
Quartett ^iu G minor. Koch. Verz. No.
478. J for the Harpsichord or Piano Forte
with an Accompaniment for a Violin,
Tenor and Violoncello. [Separate Parts.]
Longman it Jiroderip : London,
[1790?] fol. g. 117. (3.)
Quartet for Piano-Forte, Violin, Tenor
and Violoncello [in E b. Koch. Verz. No.
493.] See Storage (S.) Storace's Collec-
tion of Original Harpsichord Music.
Vol. I. No. 1. [1790.] fol. g. 122.
Trois Quintetti pour Deux Violons deux
Altos et un Violoncel [Koch. Verz. Nos.
593, 407 and 406], etc. [Separate Parts.]
Chez hnbaidt : Paris, [1800 ?] fol.
h. 2880. f.
[Quintett for Strings. Koch. Verz. No.
014.] A Duet for two Performers on one
Piano Forte or Harpsichord. Op. 41.
Printed for R. Birchall: London,
[1795?] fol. g. 272. 1. (11.)
Rondeau. Opera 23. Koch. Verz. No.
485. P. F.] ,S'ee Longman and Broderip.
Longman and Broderip's Collection of . . .
Music for the. . .Piano Forte. No. 3 [b].
[1795?] fol. g. 192. (4.)
168
MOZART
MOZART (Wolfgang Amadeus) Hondo
[in F. Koch. Verz. No. 494*].
tSVe Stoeace (S.) Storace's Collection of
Original Harpsichord IMusic, etc. Vol. I.
No. 4. [1790.] fol. g. 122.
Sonates pour le Clavecin qui peuvent se
jouer avec rAccompagDement de Violon. . .
CEuvre Premiere. [Koch. Verz. Nos. 6
and 7.] Gravees par ]\I"'° Vendome, etc.
[Separate Parts.] A^ix adrcsscs ordin-
aires do Musirpic : Paris, [1763.] obi. fol.
K. 10. a. 17. (1.)
Presented by Leopold Mozart to the
British Museum in 1765, together
with a copy of his son's Op. 2 and a
short chorus, ' God is our Refuge,' in
the autograph of W. A. Mozart, ivhicli
is bound tip icith the Sonatas.
Sonates pour le Clavecin qui peuvent se
•jouer avec TAccompag'"' de Violin . . .
[Euvre ii. [Koch. Verz. Nos. 8 and 9.]
Jrave'es par M""^ Vendonae, etc. [Separate
Parts.] Aiix adrcsscs ordinaires de
Musique : Paris, [1763.] obi. fol.
K. 10. a. 17. (2.)
Four Sonatas for the Harpsichord, with
Accompaniment for a Violin. Composed
b}' Wolfgang Llozart, seven years of age.
[Koch. Verz. Nos. 6-9. Separate Parts.]
London, [1764.] obl.iol. f. 264. a. (11.)
Tlie French Editions of the Sonatas
Op. I. and Op. ii., with an English
title-page.
Six Sonates pour le Clavecin qui peuvent
se jouer avec I'accompagnement de Violon
ou Flaute Traversiere . . . Composees par
I. G. W. Mozart ag6 de huit Ans. Oeuvre
III. [Koch. Verz. Nos. 10-15.] Printed
for the Anthor : London, [1765.] fol.
h. 60. (7.)
Sonate pour le Basson et Violoncelle, etc.
[Koch. Verz. No. 292.] Chez Brntkopf
and Hiirtel : Leipsic, [1800 ?] fol.
h. 2010. (5.)
[Sonatas for P. F. Koch. Verz. Nos. 809,
332 and 284.] The Beauties of INIozart,
consisting of. . .Sonatas, Duetts and Con-
certos, etc. Book 2-'. Preston : London,
[1800?] fol. H. 2815. (U.)
Sonata [in C. P. F. Koch. Verz. No. 330.]
Sec Stoeace (S.) Storace's Collection of
Original Harpsichord Music. Vol II
No. 4. [1790.] fol. g. 122.
Sonate pour le Forte-Piano ou Clavecin
...CEuvre VI". [Koch. Verz. No. 331.]
Hoft'meistcr : Vienne , [ll'db ">] fol.
h. 321. j. (19.)
Sonata [in A] for Piano-Forte with
Accompanyment for Violin or Violoncello.
[Koch. Verz. No. 331.] See Stoeace (S.)
Storace's Collection of Original Harpsi-
chord Music. Vol. I. No. 3. [1790.] fol.
g. 122.
MOZART (Wolfgang Amadeus) Due
Sonate per il Clavicembalo o Forte Piano.
Opera 7. [Koch. Verz. Nos. 333 and 284.]
Presso Artaria Covipagni: Vienna,
[1785 ?J obi. fol. e. 5. m. (8.)
Trois Sonates [Koch. Verz. Nos. 333, 284
and 454] pour ie Clavecin ou Piano Forte.
La Troisieme est Accomp. d'un Violon
oblige Oeuvre vii. [Separate Parts.]
Longman d Broderip : London,.
[1790?] fol. h. 2880. e.
[Sonat:^ in B. flat for P. F. Duet. Koch.
Verz. No. 358.] Duetto. See Stoeace (S.)
Storace's Collection of Original Harpsi-
chord Music. Vol. II. No. 6. [1790.] fol.
g. 122.
[Sonata for Violin and P. F. Koch. Verz.
No. 377 ; P. F. Trios Nop. 548, 496.]
Book 1" of Three Favourite Duetts for
Two Flutes. [Separate Parts.] Printed
forC. Wlicatstone : London, [1800?] fol.
g. 280. g. (20.)
[Sonatas for Violin and P. F. Koch. Verz.
Nos. 378, 376 and 379.] Trois Duos pour
Deux Flutes . . . Oeuvre 74"'° Livre i.
[Separate Parts.] Chez N. Simrock :
Bonn, [1800?] fol. g. 280. a. (11.)
[Sonata. Koch. Verz. No. 381.] A Duefc
for two Performers on one Piano Forte or
Harpsichord. . .Op. 3. Printed for
E. Birchall : London, [1790 ?] fol.
g. 272. 1. (10.>
A Sonata for two Piano Fortes . . . Op. 34.
[Koch. Verz. No. 448.]
Broderip and Wilkinson :
London, \imO^ fol. h. 322. (21.)
IMozart's Favorite Grand Symphony Op.
24 [Koch. Verz. No. 425], arranged as a.
Duet for two Performers on the Piano-
Forte, with an Accompaniment for the
Violin. Printed for B. Birchall : Londony
[1800?] fol. g. 272. X. (26.)
Wanting the Violin part.
Siufonia [in D, Koch. Verz. No. 504] for a
grand Orchestra ..adapted for the Harpsi-
chord or Piano Forte, Violin and Violon-
cello, by C. F. Horn. [Separate Parts.]
Longman d- Broderip :
London, [1790?] fol. g. 161. c.
Trio [in Bc^, for P. F. and Strings. Koch.
Verz. No. 254]. 6Vf Stoeace (S.) Storace's-
Collection of Original Harpsichord IMusic.
No. 4. [1790.] fol. g. 122.
Trio for the Piano Forte or Harpsichord
with Accompaniments for a Violin or
Clarinet and Tenor . . . Op. xiv. [Koch.
Verz. No. 498. Separate Parts.]
Longman d Broderip :
London, [1790?] fol. g, 161. d. (6.)
MOZART
1G9
MOZART (Wolfgang Amadeus) Trio
pour le Piano-Forte, Clarinette ou Violon
& Alto . . . Oeuvre 14. No. 2. [Koch.
Verz. No. 498. Separate Parts.]
Chez N. Simrodc : Bonn, [1795 ?] fol.
h. 3212. c. (9.)
Grand Trio [Divertimento] per Yiolino,
Viola, 6 Basso . . . Op. 19. [Koch. Verz.
No. 563. Separate Parts.]
Broderip (f Wilkinson :
London, [1800?] fol. g. 410. a. (1.)
[Trio in G for P. F., and Strings. Koch.
Verz. No. 564.] Sonata. [P. F. and
Violoncello.] Sec Storage (S.) Storace's
Collection of Original Harpsichord ]Music.
Vol. II. No. 5. [1790.] fol. g. 122.
[Trios for P. F. and Strings. Koch. Verz.
Nos. 54S, 542 and 502.] Three Sonatas
for the Piano-Forte or Harpsichord with
an Accompaniment for a Violin &
Violoncello . . . Op. xv. [Separate Parts.]
Longman and Broderip :
London, [ll'JO?] fol. g. 161. d. (7.)
[Variations for P. F. Koch. Verz. Nos. 352
and 264. IMarche des IMarriages [sic]
Samnites [by A. E. M. Gretry] et I'Air de
Julie [by N. DezedeJ with Variations by
W. A. 'Mozart. [1798.] ,sVf Periodical
Publications. — London. The Pianoforte
Magazine. Vol. III. No. 9.
[1797-1802.] 8°. D. 854.
5. Selections and Adaptations from
TWO OR MORE WoRKS.
[IMissa Brevis. Koch. Verz. No. 220 ; Alma
Dei Creatoris. Koch. Verz. No. 277 ;
Davidde Peniteute. Koch. Verz. No. 469 ;
and Magnificat. Koch. Verz. No. 193.]
Ewiger, erbarme dich. Kantate ... in
Partitur. No. 4. [K5ch. Verz. Auh. in.
No. 127.J Bey Breitkopf d- Harfcl :
Leipzig, [1800?] fol. H. 699. j. (1.)
[Quartetts for Strings. Koch. Verz.
Nos. 421 and 45S ; Divertimento. K5ch.
Verz. No. 563.] Six Pieces arrangees a
Quatres ilains pour le Piano Forte. . .
Op. 28. Broderip it Wilkinson :
London, [1800 ?] fol.
Nos. 1, 3 and 4 are from tJie Quartett
No. 421 ; No. 2 from No. 458 ; No. 5
is iinidentified ; No. 6 is from the
Divertimento.
Two Trios selected [i. Trio (Kiich. Verz.
No. 542) Andante and P. F. Sonata (Koch.
Verz. No. 331) Alia Turca ; ii. Trio (Koch.
Verz. No. 254) Adagio and Violin and P. F.
Sonata (Koch. Verz. No. 481) Allegretto]
from the Works of Mozart, arranged for
the Harp, with an Accompaniment for a
Violin and Violoncello by V de Marin.
[Separate Parts.] J. Longman,
Clcmenti & Co. : London, [1799.] fol.
g. 192. a. (20.)
MOZART (Wolfgang Amadeus)
6. Doubtful and Spurious Works.
Air [by C. Ditters von Dittersdorf] with
Variations for the Piano Forte ... by
Mozart [or rather A. Eberl]. Broderip tC'
Wilkinson : London, [1800 ?] fol.
g. 139. (33.)
Anleitung Englische Contretiinze mit
Zwei Wiirfeln zu componiren so viele
man will, ohne etwas von der Musik oder
der Composition zu verstehen. — Instruc-
tion pour composer autaut de Contre-
dances que Ton veut... — Instruction to
compose... Countrydances. . . — Istruzione
per comporre delle Contradanze oppure
Inglesi, etc. Clu'z N. Sim ruck :
Bonn,[lld5?] fol. g. 270. g. (3.)
Anleitung Walzer oder Schleifer mit zwei
Wiirfeln zu componiren, so viele man will,
ohne etwas von der Musik oder Composi-
tion zu verstehen. — Instruction pour com-
poser autant de Walzer . . . que Ton veut
. . . — Instruction to compose . . . German
Walzer. . . — Istruzione per comporre delle
Walzer, etc. Chiz N. Simrock :
Bonn,[ll\)5?] fol. g. 270. g. (2.)
The last Composition of . . . Mozart, a
Sonata in C minor the Accompaniments
of which were left unfinished and which
were accomplished by ]Mr. Pleyel, the
Proprietor of the ^Manuscript. [Koch.
Verz. Anh. v. No. 284a. By Anton
Eberl, Op. 1. Separate Parts.]
Printed for Corri, Dnssek & Co. :
London it Edinhurgh, [1797.] fol.
g. 161. d. (8.)
General Koskiusko's Grand ]March . . .
Composed and Arranged with Variations
for the Piano Forte, etc. W. Bolfe :
London, [ISOO?] fol. g. 443. b. (23.)
Life let us cherish. (Freut euch des
Lebens.) [Song, by H. G. Naegeli.]
C. Gcisu'eilcr :
[London, 1800.] s. sh. ohl. 4". 266. 1. 30,
German Museum, Oct., 1800.
See dear Maid, a favorite Ballad, with an
Accompaniment for the Harp or Piano
Forte, etc. L. Lavcnu :
London, [1800 ?] fol. H. 2830. g. (18.)
Strew the Way with fairest Flowers, a
Favorite Song by ]\Iozart [or rather
J. F. Reichardt], with Variations for the
Piano Foite by S. F. Rimbault.
W. Hodsoll : London, [1800 ?j fol.
g. 139. (37.)
This soyig is ' Lehenspflichtcn,'' from
BeichardVs ' Odcn und Licdcr,' 1779.
[Vergiss mein uicht. Koch. Verz. Anh. v.
No. 246.] Forget me not. A favorite
Song, composed by Mozart [or rather
G. L. Schneider], f/r. (/. Walker:
Loudon, [ll'Jo?} fol. h. 321. j. (1.)
I
170
MOZART
MOZART (Wolfgang Amadeus) [Vergiss
mein nicht. Koch. Verz. Anh. v. No. 246.]
Forget me not, a Favorite Song, etc. [By
G. L. Schneider.] A. Hamilton :
London, [1800 ?] fol. G. 798. (35.)
Twelve Original German Waltzes for the
Piano Forte or Harp, with an Accompani-
ment for the Tambourine, Triangle, etc.
[Separate Parts.] Broderip d Wilkinson :
London, [1799 ?] fol. g. 231. (5.)
Some of these Walt2:es are adapted from
melodies in ' Die Zauherflute.'
[Another copy.]
H. 2819. (22.)
7. Appendix.
See Cramer (J. B.) Eight Favorite
Waltzes and Rondeaus selected from
Mozart and other Eminent Authors, etc.
[1795?] fol. g. 229. (11.)
8. Index.
Away with Melancholy. Sec [Die Zauher-
flote. Das klinget so licrrlich.]
The Beauties of Mozart. See [Sonatas for
P. F. Koch. Verz. Nos. 309, 332 and 284.]
Bei jMiinnern, welche Liehe fiihlen.
^I'ee [Die Zaubcrflute.']
Che diro che far deggio. See [La Villan-
clla liapita. Dite almeno in che manicra.']
The Coquet. [Die Verschweigung. Koch.
Verz. No. 518.] Canzonett, etc.
See Mozart's Celebrated English Can-
zonetts. No. 4.
Dans nne fete. See [Don Giovanni.'] Fin
ch' han dal vino.
Deh prendi un dolce amplesso.
See [La Clemenza di Tito.]
Dite almeno in che maniera.
See [La Villanella liapita.]
The Fowler. See [Die Zauherflote. Dcr
Yogelfdnger bin ich.]
Ewiger, erbarme dich ! Kantate.
See [Arrangements. Missa Brevis ; Alma
Dei Creatoris ; Davidda Penitento and
Magnificat.]
Fin ch' han dal vino. See [Don Giovanni.]
II Flauto magico. See [Die Zaubcrflute.]
Gottheit ! dir sey Preis und Ehre 1
See [Thames, Kunig in ^^^gijpten.]
The Heart's True Value. [Das Kinderspiel.
Koch. Verz. No. 598.] Canzonett, etc.
See ]\Iozart's Celebrated English Cau-
zonetts. No. 2.
Heiliger sieh' gnadig hernieder. Kantate.
See [Litaniae dc Yencrabili Altaris Sacra-
viento.]
Henry's Fate. [Gesellenreise. Koch.
Verz. No. 468.] Canzonett, etc.
See Mozart's Celebrated English Can-
zonetts. No. 7.
MOZART (Wolfgang Amadeus) The
Laurel and the Willow. [Sohnsucht nach
deni Friihlinge. Koch. Verz. No. 596.]
Canzonett, etc. Sec INIozart's Celebrated
English Canzonetts. No. 6.
Love, from those bright eyes.
See [An Chloc.]
The Lover. [Das Traumbild. Koch,
Verz. No. 530.] Canzonett, etc.
See Mozart's Celebrated English Can-
zonetts. No. 3.
Llachtigster, Heiligster. See [Missa
Brevis. Koch. Verz. No. 258.]
La mia Dorabella. See [Cosi fan tutte.]
The ]Mauly Heart. Sec [Die ZauberfliJte.]
Bei Mannern welche Liebe fiihlen.
Ne pulvis et cinis superbe. See [Thamos,
Kunig in Acgypten. Ihr Kinder des
Staubes.]
Ob fiirchterlich tobend sich Stiirme
erheben. Sec [Thamos, Kunig in JEgyptcn.
Ihr Kinder des Staubes.]
La Partenza. Canzonetta. See [Die
Zaubcrflute. Kunnte jeder brave Mann.]
The Peasant's Cottage. [Die Zufrieden-
heit. Koch. Verz. No. 473.] Canzonett,
etc. See ]\Iozart's Celebrated English
Canzonetts. No. 8.
Preiss dir! Gottheit! See [Thamos,
Kunig in yEgyptcn. Schon weichct dir.]
Secoudate aurette amiche. Sec [Cosh fan
tuttc]
Should worldly cares oppressing.
See [Don Giovanni. La ci clarem.]
Soave sia il vento. See [Cost fan Tutte.]
Splendente Te Deus. Sec [Thamos, Kunig
in JEgyptcn. Schon wcichet dir.]
The Village Eve. [Im Friihlingsanfang.
Koch. Verz. No. 597.] Canzonett, etc.
Sec IMozart's Celebrated English Can-
zonetts. No. 1.
Der Vogelfiinger bin ich.
Sec [Die Zaubcrflute]
Within these sacred Bowers. See [Die
Zauberflutc. In diesen heil'gen Hallcn.]
The Wreath. [Die Zufriedenheit. Koch.
Verz. No. 349.] Canzonett, etc.
See ]\Iozart's Celebrated English Can-
zonetts. No. 5.
MOZART'S GEDAECHTNIS
FEYER. ^Mozart's Gedaechtnis Feyer.
[Cantata.] See Cannabich (Carl).
MOZE (Henry) [The Witches.] A
Favourite Overture for the Harpsicord.
In the Witches, or a trip to Naples.
Printed for C. & S. Thompson : London,
[1770?] fol. g. 272. u. (14.)
[Another edition.] A Favourite Over-
ture for the Harpsicord. Printed for R.
Bride : London, [1795 ?] fol.
g. 271. e. (20.)
MOZE— MUELLER
171
MOZE(Henby) [The Witches.] The Over-
ture to the Entertainment of the Witches
or a trip to Naples, in Eight Parts, etc.
[Separate Parts.] Prijitcd for C. d: S.
Thompson : London, [1770 ?] fol.
g. 1019.
Wanting the Second Violin part.
MOZE (J. H.) Bumpers. [Song.]
[London, 1750 ?] s. sh. fol.
G. 316. f. (52.)
Come Maids of Parnassus and give me a
Song. [La)idon,1160?] s.s]i.iol.
G. 806. c. (79.)
Creator Spirit. Mr. Drydoi's Paraphrase
of Vcni Creator Spiriius, altered.
[London,] 1760. 8°. P.P. 324. n.
Christian's Magazine, August, 1760,
p. 184.
Damon and Cleora. [Song.] The Words
by J. Oakman. [London, 1760.] 8^
P.P. 5140.
Lady's Magazine, Vol. II., p. 81.
Damon and Cleora, etc. [Song.]
[London, 11 mi'] s.sh.ioX.
G. 316. d. (78.)
If the treasur'd Gold could give. Ana-
creon. Ode IStlt. [Song.] [London,
1760 ?] s. sh. fol. I. 530. (102.)
If the treasur'd Gold could give. Ana-
creon. Ode xiii. [Song.] ^Londoti,]
1769. 8". 159. n. 1.
London Magazine, 1709, p. 207.
In Mira all the Charms unite. A New
Song. [London, 1765?] s. sli. iol.
G. 315. (27.)
The Invitation. [Song.] [London,
1761 ?] s. sh. fol. G. 316. d. (79.)
The Invitation. [Song.] [London,
1761.] s. sh. 8". P.P. 5140.
Lady's Magazine, Vol. III., p. 129.
The Invitation. [Song.] [London,]
1761. 8°. P.P. 5441.
Boyal Magazine, Vol. V.,p. 93.
The Lamp-Lighter. A Cantata . . . The
words by a Gent., etc. ^London,
1755?] fol. G. 316. (99.)
Near to a Silver purling Stream. [Song.]
[London, 1760?] s. sh. fol.
G. 806. e. (80.)
Old Care begone. A Bacchanalian Song.
. . .Words bv Mr. A. Smith.
[London, 1760?] s. s7i. fol.
G. 310. (261.)
When Aurora peeps o'er the Derbvshire
Hills. [Song.] [London,
1760?] s.sli.iol. G. 806. c. (81.)
When first I saw the beauteous Fair. A
new Song. [London, 1700?] s. sh. fol.
G. 316. f. (67.)
MOZE (J. H.) White paper's bedaub'd
bv the foul venal Quill. [Song.]
[LoH(fo«, 1760?] s. s7i. fol.
G. 806. c. (82.)
See Prelleur (P.) and Moze (-J. H.)
Divine Melody, c/c. 1758. 8". D. 647. b.
MOZIN (Theodore). See Dalayrac (N.)
[Lcs Deux Petits Savoyards.] Escoutto
d' Jeannetto. . .Accomp' par M. ]\Iozin le
jeune. [1790?] fol. G. 557. (57.)
See SoiRKE Orageuse. II est des amuse-
mens. . .Accomp' par Mozin le jeune.
[1795?] fol. G. 554. a. (29.)
MR. DECAMP. Mr. Decamp's Letter
and impromtu Verses to my Lady .
[Song.] See Madam. Madam, as vou
did me the honour. [1720?] fol.
G. 316. g. (42.)
MUCH. Much I lov'd a charming
Creature, lite bashfull Maid. A New
Song, ete. [London, 1720?] .s. sh. fol.
H. 1601. (300.)
[Another edition.] Much I love a charm-
ing Creature, etc. [London,
1725?] s.sh.tol. G. 310. (79.)
[Another copy.] Much I love a charming
Creature, etc. [London,
1725 ?j s. sh. fol. G. 305. (148.)
MUDGE ( ) Six Concertos in Seven
Parts ... To which is added, Non Nobis
Domine, in 8 Parts. [Separate Parts.]
Printed/or I. Walsli :
London, [1160 7] fol. g. 254.
MUELLER ( ) Six Duos pour deux
Flutes. Composes par Mueller, Maitre de
Concert de S. A. S. Mp' le Comte de !\Ion-
fort. Dedies a M' Jean Graf, Amateur,
par sa Commere. CEuvre viii. [Separate
Parts.] G^(era;I;2/on, [1770?] fol. g. 106.
MUELLER (August Eberhard)
\'I. Deutsche Lieder mit Begleitung des
Forte Piano, etc. Bey Gilnther if Bolnnc :
Hamburg, [1796.] obi. fol. E. 601. f. (7.)
.S'*' Mozart (W. A.) La Clemenza di
Tito. Opera seria . . . Aggiustata per il
Piano-Forte del Sign. A. E. Miiller.
[1795?] o6Lfol. E. 150. x.
See Mozart (W. A.) Idomeneo . . . im
Klavierauszuge von A. E. Miiller.
[1800 ?] obi. fol. E. 150. i.
MUELLER (Christian Heinrich) Drey
Sonaten fiirs Clavier, als Doppelstiicke
fiir zwo Personeu mit vier Hiinden, etc.
Bey F. W. Birnstiel : Berlin, 1182. fol.
h. 12.
MUELLER (Coxrad) and ENGEL-
HARDT (Johaxn) Zwen newe Hoch-
zeit-Gesiinge, . . . zu . . . Ehren . . . Dem
Herrn Johanni-Lucae Spielhausen . . .
Und der. . . Juugfrawen Christinen, Des
. . . Herrn Heinrici Hej'denreichs . . .
172
MUELLER
Tochter . . . Mit 8. Stimmeii componiret
von Cuurado IMullero . . . Unnd Johanne '
Engelhardt, etc. Bey Martin Wittel :
Erffurt, [1G16,] 4". B. 46.
MUELLER (Eenst) Das Hohe Lied des
Konigcs Salomons, wie es . . . nach der
Ordnuug des Textes. . .erkliiret, gesuugen,
und mit. . .kurtzen Schluss-Liedern [by
J. H. SeipJ aussgefiirtiget hat E. Miiller,
etc. Daniel Fievett : Franckfitrtit
am Main, 1656. obi. 8\ 3149. ee, 6.
MUELLER (Ernst Ludwig).
See Krasinsky ( ) pseud.
MUELLER (Gottlieb Friedrich)
Gedauken ilber gewisse musikalische
Meisterstiicke jetziger Zeit, in eiuem
Sendschroiben an Herrn G. P. Miiller, etc.
[Dessazt?] 1761. 4". 7897. f. 31. (1.)
Six Senates pour le Clavecin, etc.
Chez J. G. I. Breitkopf:
Leipzic], 1702. ohl. fol. f. 41.
MUELLER (JoHANN Christian) Six
Fugue... Opera II. [P. F.] Chez
S. Markorclt : Amsterdam, [1790 ?] fol.
g. 543. s. (3.)
MUELLER (Johann Daniel) Vollstiiu-
diges Hessen-Hanauisches Choral-Buch,
welches so wohl die Melodien der 150.
Psalmen Davids, als anderer. . .alten und
neuenLieder in sich fasset. . .eingerichtet
und mit einem . . . Vorbericht heraus-
gegeben, von J. D. Miiller.
Bey Stocks Erhen, Schilling und Wehcr :
Franckfnrt am Mayn, 1754. 4". D. 603.
MUELLER (Johann Leonhard) Joanuis
Leonard! Miiller. . .VI. Missre de Requiem
a Canto, Alto, Basso & Organo obligatis.
2. Violinis & Violoncello ad libitimi.
Opus I. [Separate Parts.]
Typis. . .Joannis Jacobi hotter :
Auqustce Yindelicorum, 1780. fol.
H. 3186.
MUELLER (Johann Michael) Neu-
aufgesetztes, vollstiindiges. Psalm- und
Choral-Buch, In welchem nicht allein
die Hundert und Funffzig Psalmen
Davids, sondern auch beyder Evan-
gelischen Kirchen-Gesiinge. . .nebst des
Neanders Bundes-Liedern, . . . auf das
Clavier mit einem . . . Bass. . .aufs neuo
verschen, mit vielen Melodien vermehrt
und heraus gegeben, von J. jM. Miiller,
etc. Zweyte A ullage. 2 pts.
Bey J. A. Stocks seel. Erben, und
J. G. Schilling: Franckfnrt am Mayn,
1735-6. 4". D. 604. (1, 2.)
Each part has a separate title-pacje and
pagination.
Vermehrter Anhang zu dem INIiillerischen
Psalmen- und Choral-Buch, dc.
Bey J. A. Stocks seel. Erben, und
J. G. Schilling : Franckfort am Mayn,
1741. 4°. D. 604. (3.)
MUELLER (Wenzel) Drehet Riidcheu
drehet euch.
See infra : [Die Zauberzitter.']
Der Fagottist oder die Zauberzither.
See infra : [Die Zauberzitter.]
Es seufzt einmahl um Mitternacht.
See infra: [Das neu Sonntagskind.]
Ich frag obsequialiter.
^'ee infra : [Das ncu Sonntagskind.]
Ich sag es doch immer.
See infra : [Das neu Sonntagskind.']
Ihr guten lieben Leute.
See infra : [Die Zauberzitter.]
Juchhai, juchhai hopsasasa.
See infra : [Die Zauberzitter.]
Der Lentz belebet die Natur.
See infra : [Die Zauberzitter.]
Lieber Casper lehr' michs doch.
See infra : [Die Zauberzitter.]
Lieber kleiner Gott der Liebe.
See infra : [Das neu Sonntagskind.]
Die Miidchen die Lieb' imd der Wein.
See infra : [Die Zauberzitter.]
[Das neu Sonntagskind.] Ouvertura...
per il Clavicembalo, etc. Art aria Comp. :
Vienna, [1793.] obi. fol.
E. 153. b. (1.)
Es seufzt einmahl um Mitternacht-
Aria fiir das Clavier, etc. Artaria Comp. :
Wien, [1793.] obi. fol. E. 153. b. (7.)
Ich frag obsequialiter. Aria fiir das
Clavier, etc. Artaria Comp. : Wien,
[1798.] obi. fol. E. 153. b. (3.)
Ich sag es doch immer es ist ein
Friseur. Aria fiir das Clavier, etc.
Artaria Comp. : Wien, [1793.] obi. fol.
E. 153. b. (4.)
Lieber kleiner Gott der Liebe. Aria
fiir das Clavier, etc. Artaria Comp. :
Wien, [1793.] obi. fol. E. 153. b. (2.)
Wegen meiner bleib d' Freiila nur da.
Aria fiir das Clavier, etc. Artaria Comp. :
Wien, [1793.] obi. fol. E. 153. b. (5.)
Wenn d' Liserl nur wolt. Duetto fiir
das Clavier, etc. Artaria Comp. : Wien,
[1793.] obi. fol. E. 153. b. (8.)
Wer niemals einen Rausch hat
g'habt. Aria fiir das Clavier, etc. Artaria
Comp. : Wien, [1793.] obi. fol.
E. 153. b. (6.)
Das Sonnenfest der Braminen, eine
Komische Oper. . .Im Klavierauszuge. hn
Verlage des Musikalischcn Magazins auf
der Hohe : Braunsdticeig, [lldB.] obi. iol.
E. 153. a.
Ein Walzer er hitzt den Kopf.
See infra : [Die Zauberzitter.]
Wegen meiner bleib d' Freiila nur da.
See supra: [Das ncu Sonntagskind.]
Wenn d' Liserl nur wolt.
See supra : [Das neu Sonntagskind.]
MUELLER— MUFF AT
173
MUELLER (Wenzel) Wer niemals einen
Rausch hat g'habt. See supra : [Das neu
Soniitagskind.]
[Die Zauberzitter.] Ouverture aus der
Oper [Der Fagottist oderj Die Zauber-
zitter, etc. In Hilschcrsclien
Music-Verlagc : Dresden, [1195. '] ohl.lol.
C. 448. (1.)
Drehet Radchen drehet eucb. Chor,
etc. Im Hilschcrsclien Miisic-Vcrlage :
Dresden, [1795.] obi. fol. C. 448. (2.)
Ihr guten lieben Leute. Eomanzc, etc.
Im Hilsclierscheii Miisic-Verlage :
Dresden, [1795.] ohl. fol. C. 448. (3.)
Juchhai,]'uchhai hopsasasa. Aria, etc
Im Hilschcrsclien Music-Verlagc :
Dresden, [1795.] obi. fol. C. 448. (7.)
Der Lentz belebet die Natur.
Duetto, etc. Im Hilschcrsclien Music-
Vcrlage : Dresden, [1795.] ubl. fol.
C. 448. (9.)
Lieber Casper lebr' michs doch.
Duetto, etc. Im Hilscherschcn Music-
Verlagc : Dresden, [1795.] obi. fol.
C. 448 (8.)
Die Madchen die Lieb' uud der Weiu.
Ariette, etc. Im Hilschcrsclien Music-
Vcrlage : Dresden, [1795.] obi. fol.
C. 448. (4.)
Quadrille Allemande, etc.
Im Hilscherschen Mnsic-Verlagc : Dresden,
[1795.] obi. fol. C. 448. (6.)
Ein Walzer er hitzet den Kopf.
Cavatina, etc. Im Hilschcrsclien Music-
Verlagc : Dresden, [1795.] o6Z. fol.
C. 448. (5.)
[Die zwey Schwestern aus Prag.] Walzer
aus der Oper Die zwey Schwestern aus
Prag...fur das Clavier nach der Musik
des Herrn W. Miiller. Im Musikalischen
Magazine aiif der HUhc : Brannscliireig,
[1795.] obi. fol. e. 5. 1. (4.)
MUELLERINK. Die :\Iiillerinn. [La
]Meuniere de Gentilly.] Ein Siugspiel in
einem Aufzuge, aus dem Franzosischen
iibersetzt. [Music by J. B. de da Borde.]
See Operettas. Sammlung der komischen
Operetten, etc. Band III. No. 5.
1772. 8°. B. 729.
MUENNICH ( Johann) Sacrarum
Cantionum i. 5. 6. 8. Vocum ; Sacrte...
Confraternitati Venerabilis Sacramenti. . .
in Cathedrali Ecclesia Spirensi . . . dedi-
catatarum, Liber Primus, etc. Cantus.
(Altus.) (Tenor.) (Bassus.) (QuintaVox.)
5 pts. Apud Jacobum Cercagli :
Venetim, 1611. 4". K. 1. k. 7.
MUENSTER (Joseph .Joachim Benedict)
Musices Instructio in Brevissimo Regulari
Compendio Radicaliter data. Das ist :
Kiirtz, doch -wohl griindlicher Weg, und
wahrer Unterricht die edle Sing - Kunst
. . . zu erlernen. . .Sechste Aufiage, etc.
Johann Jacob Loiters seel. Erbni :
Augspiirg, 1761. obi. 4". A. 1295.
Musices Instructio in Brevissimo Regulari
Compendio Radicaliter data. . .Siebende
Auflage, etc. Johann Jacob Lottcr :
Augspurg, 1764. obi. 4". B. 799.
Sacrificium Vespertinum, sen Vespcrte
Longiores Festivae et de Beatissima
Virgins Maria... pro toto anno methoda
nova, et comico-ecclesiastica elaborattc
a Canto, Alto, Tenore, Basso, duobus
Violinis. . .cum duplici Basso Generali,
etc. Opus I. [Separate Parts.]
Typis. . .Jocnuiis Jacobi Lottcri : Augusts
Vindclicorum, 1729. fol. G. 69.
Scala Jacob Ascendendo, & Descendendo.
Das ist: Kiirtzlich, doch wohlgegriindete
Anleitung, und vollkommener Unterricht,
die Edle Choral-Music. . .zu erlernen..
Zvi^eytc Aufiage. Johann Jacob Lottcrs
seel. Erben : Augspurg, 1756. obi. 4".
556. a. 14.
MUENTER (Balthasak) D. Balthasar
Miinters. . .Erste Sammlung Geistlichcr
Lieder. Mit Melodien von verschiedeneu
Singkomponisten. In der Dijckischcn
Buchhandlung : Leipzig, llTd. obi. io].
E. 632.
TJie composers named are : J. C. F. Bach,
Hertel, Scheibe, Wolf, Kunzen, Hillcr,
C. P. E. Bach, Rolle and Benda.
M U E T H E L (Johann Gottfried)
Auserlesene Oden und Lieder von ver-
schiedenen Dichtern, etc. C. W. Brandt :
Hamburg, 1759. fol. F. 654.
Duetto, fiir 2 Claviere, 2 Fliigel, oder 2
Fortepiano. Beij J. F. Harthnoch :
Riga, 1771. fol. h. 27.
III. Senates et II. Ariosi avec XII. Varia-
tions pour le Clavessiu.
Au.v depcns de J. U. Haffncr :
Nuremberg, [1760?] obi. iol. e. 7.
MUFFAT (Gottlieb) Componimenti
IMusicali per il Cembalo, etc. Scolpit in
rame et fatti Stamparc da G. C. Leopold :
Augusta, [1727.] obi. fol. e. 461.
A facsimile in pen and ink of part uf
the title-page, draion by liussell, a
stationer in the Eoyal Exchange about
the year 1810, and a letter relating to
the bequest of this volume to the British
Museum by J. Groombridge, are in-
serted.
[72 Versetl sammt 12 Toccaten besonders
beim Kirchen-Dienst, Bey Choral-Aemb-
tern und Vesperen dienlich, etc.]
[Vienna, 1726.] obi. fol. e. 461. b.
Wanting the title-page.
MUFFAT (Teofilo) Sec Muffat (G.)
17i
I^IUGNIE— MUSCULUS
MUGNIE (Jean) L' Amour piqu6 par
uiic abeillo, imitation d'Anacreon pour le
Forte Piano, etc. J- LXtvies :
London, [1800'?] fol. g. 138. (16.)
La Colombe reperduc. An Air for the
Piano Forte, efc. J. Davics :
London, [1800 ?] fol. g. 139. (35.)
God save the King, with Eight Variations
including a Grand March with a Violin
or Flute and Violoncello Accompaniment
ad libitum, c^c. Bircliall :
London, [imOl] fol. h. 118. (42.)
Mugni^'s Hornpipe, with Variations for
the Piano Forte. J- Davics :
London, [1800 ?] fol. g. 139. (36.)
INIarche des Royalistes . . . Les paroles ont
6t6 faites sur la Musique par J" B"* De
Gruchent, etc. Longman ct Brodenp :
London, Uan III da liccjnc de Louis
A'TTI[1796]. fol. H. 1677. (71.)
Le Papillou. Caprice pour le Piano
Forte, etc. Chez les Marchancls de
Musique: Londres, [1800 ?] fol.
g. 14L (11.)
Three Sonatas for the Piano Forte with
an Accompaniment for the Flute ad
libitum, etc. [Separate Parts.]
Brodcrip <& Wilkinson :
London, [1800?] fol. g. 186. (9.)
An Original Waltz, for the Piano Forte,
(,1c Lrinted for the Author :
London, [18001] fol. b. 118. (41.)
MUIRLAND. INIuirland Willy. Song.
See Hook (J.)
MULETEER. The IMuleteer. Ballad.
Sec When. When o'er the Moon a misty
veil, ek-. [1796?] fol. G. 356. (39.)
MULLER (G.) Jonas and Nannette, the
Favorite Duet ... The Words by B— p Esq'.
G. Kauntzc : Londo^i, [1795 ?] fol.
H. 2818. f. (32.)
MULLY (J.) A Favorite Sonata for the
Piano Forte or Harpsichord.
Longman d Broderip :
iondon, [1790?] fol. h. 62. (12.)
Six Sonatas for the Piano Forte or
Harpsichord with an Accompaniment for
a Violin . . . Opera 2.
Longman & Broderip :
London, [Y1201] fol. h. 29.
MUNDY (John) Songs and Psalmes
composed into 3. 4. and 5. parts, for the
use and delight of all such as either loue
or learn Musicke. Superius. (Medius.)
(Contratenor.) (Tenor.) (Bassus.) 5 pts.
Thomas Est (the assigne of William
Byrd) : London, 1594. 4". K. 2. a. 3.
MUNRO (A.) A Collection of the Best
Scots Tunes. Fited to the German Flute.
With Several Divisions, & Variations, etc.
At Paris, (1732.) fol. S- 17.
MURET (jNIarc Antoine de)
See RoNSABD (P. de) [Les Amours de
P. de Ronsard. . .With. . .musical settings
by. . .M. A. Muret, etc.] 1552. 8".
Case 57. a. 31. (1.)
MURPHY (S.) By the streams. [Song.]
The Words by Pope. [London,
1750 ?] s. sh. fol. G. 306. (180.)
The Queen of May. A Favorite Song,
etc. T. Williams : London, 1784. fol.
H. 2818. (15.)
Virtue. A favorite Pastoral . . . The
Words by J. Oakman. T. Williams :
Lojidon, [1780 7] fol. G. 808. g. (26.)
MURSCHHAUSER (Franz Xaveb
Anton) Academia Musico-Poetico Bi-
partita. Oder : Hohe Schiil der Musical-
ischen Composition in Zwey Theil einge-
theilt, etc. Erster Theil. Li Verlegung
W. M. Endters. Gedruckt bei J. E.
Adclbuhier : Niirnberg, 1721. fol.
No jnore published. G. 832.
[Another copy.] 7896. g. 32.
Fundamentalische Kurz, und bequeme
Handleithug so wohl zur Figurat- als
Choral-Music aus denen...Vohrnembsten
Kuust - Meisteren Vuderschidlicher Na-
tionen herausgezogen . . . Verfasst, und
heruorgcgeben durch Franz Xaueriu
Antonimn Murschhauser. Li Yerlegmig
des Authoris : Munchen, 1767. obi. fol.
Engraved throughout. C. 1258.
Octi-Touium Novum Organicum, Octo
Tonis Ecclesiasticis, ad Psalmos, & Mag-
nificat, adhiberi solitis, respondens : Ex
diversis INIusici Artificii fontibus deriva-
tum cum Appendice nonnuUarum Inven-
tionmn, ac Imitatitionum pro Tempore
Natalis Domini . . . Opus Primum.
Apud Laurentium Kronigervm, &
Hseredcs Theophili Gmbelij : Augusts
Vindelicorum, 1696. obi. fol. b. 333.
See also : M., F. X. A.
MUSA ET MUSICA. Musa et Musica
or Humour & IMusick being an Extra-
ordinary Collection of Pleasant and merry
humours with Scotch & Love Songs, the
Words by IMr. D'urfey all entirely new.
Printed for L. Pippard :
London, [lllOn fol. H. 82. (1.)
Two of the songs in this collection are
engraved by T. Cross and bear the im-
print : ' Printed for J. Cullcn . . .
1710.'
MUSA NOCTURIA MURNERI-
ANA. Musa Nocturna Murueriana.
[Trio.] See Brumnitzius (N.) pseud.
MUSCULUS (Balthasar) Sacra Cithara,
das ist : Achtzig schone Geistliche Gesiing,
mit 4. vnd 5. Stimmen, vor die Jugend
zusammen getragen. Auctoribus, Bal-
IMUSCULUS— MUSE
175
thasare Musculo, Horatio Yeccho, Jacobo
Meilando, vnd andern. Jetzo von neuem
wider auffgelegt. . .corrigirt vud vennehrt
&c. Sampt eiuem Compendio artis
Musices. Cautus. (Bassus.) 2 pts.
Abraham Wagenmann :
Niinnberg, 1025. 12". A. 242.
Tlic composers named in this collection
arc : P. Nicolai, C. Demantius,
J. Meiland, J. a Burck, J. Christ,
J. Staclen, V. D. and H. Vecclii.
See Cruegeb (J.) Kouigliche HarfE des
...Sanger Fiirsten Davids, etc. (Geist-
lictie Seelen - ]\Iusic, bestehend in...
Gesiingeu auss den . . . Kunstreichesten
Italianisch- und Teutscber Sangermeisteru
. . . Werken coUigirt . . . von Baltbasaro
Musculo, etc.) 1G63 (16G2). 8".
B. 114. b.
MUSE. Die INIuse. Xacbspiel.
See HiLLER (J. A.)
II Primo Libro de le Muse a Cinque Voci
composto da Diuersi Eccellentissimi
]\Iusici Nouamente per Antonio Gardauo
stampati & corretti Con la gionta d' una
Canzon & uno INIadregale a otto uoci, etc.
Cautus. (Tenor.) (Quintus.) 3 pts.
Apresso di Antonio Gardano : Venetia,
1555. obi. 4^ A. 342.
The coviposers named in this collection
arc: Archadelt, Giachet Berchem,
Vincentio Buffo and Antonio Barre.
II Secondo Libro de le Muse a Cinque
Voci composto da diuersi Eccellentissimi
JMusici Con uuomadregale a sei di Ciiouan
Nasco, Et con doi Dialoghi a otto, Noua-
mente stampato, etc. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) 5 pts.
Appresso di Antonio Gardano : Venetia,
1559. obi. 4\ A. 342. a.
The composers named in this collection
are Adriano [}\illaert], F. Bosselli,
G. da Palestrina, G. Lochenburgo, G.
Nasco, A. Striggio, S. Essenga, C.
Porta, P. Taglia and V. Buffo.
[Anotber copy. Quinto.] A. 342. b.
II Terzo Libro delle Muse a Cinque Voci
composto da diuersi Eccellentissimi
Musiei Con uno Madregale a Sei, Et uno •
dialogo a Otto, Nouamente per A. Gar-
dano stampato & dato in Luce, etc. Canto.
(Alto.) (Tenore.) (Basso.) (Quinto.) 5 pts.
Appresso di Antonio Gardano : Venetia,
1561. obi. i". A. 342. e.
The composers named in this collection
are : A. Bomano, 0. di Lassus, F.
Bosselli, G. Nasco, G. da Palestrina,
G. D. de Nolla, B. Donato, I. Ccnsini
and D. Finot.
IMadrigali Aierosi a Quatro Voci Compost!
da Diuersi Eccell. Autori, uuouamente
...stampati. Libro primo delle Muse a
quatro uoci. Tenore. (Basso.) 2 pts.
Appresso Girolamo Scoto : Vinegia,
1558. obi. 4". A. 346,
The composers named in this collection
are : A. Barrc, Archadelt, V.Ferro, G.
Danchers, I. Tostolo, Anselmo \de
Beulx], Liipachino, I. D. di Nolla,
Allesandrino, Lamberto, V. B^iffo, II
Calderino and P. Ariimuccia.
]Madregali Ariosi a Quatro Voci Composti
Da diuersi eccellentissimi Autori. Et
per Antonio Gardano Nouamente . . .
stampatti. Libro Primo delle Muse a
Quatro Voci, etc. Alto. (Basso.) 2 pts.
Apresso di Antonio Gardano :
Venetia, 1559. obi. 4°. A. 346. a.
[Libro Primo delle IMuse a quatro Voci.]
Madregali Ariosi a Quatro Voci, composti
da diuersi Eccellentissimi Autbori, & per
Antonio Gardano Nouamente . . . Kistam-
pati, etc. Basso. Appresso di Antonio
Gardano: Venetia, 1565. obi. i".
A. 346. b.
The names of the composers are the same
as in the 1558 and 1559 editions, with
the addition of G. Nasco.
Secondo Libro delle ]\Iuse, a Quattro
Voci. Madrigali Ariosi, de Diuersi
Eccell'"' Autori, con Doe Canzoni di
Giannetto [da Palestrina], di nuouo rac-
colti et dati in luce. Basso. Appresso
Antonio Barre : Boma, 1558. obi. 4".
A. 346. e.
Imperfect, scanting pp. 29-32. The com-
2)oscrs named in tJiis collection are :
Giannetto [da Palestrina], Lerma,
A. Barri, P. Animuccia, F. Bossello,
G. Berchem, II Bosso, P. de Monte, 0.
di Lassus, I. Matelart, I. D. da Nola,
I. Wertli, Paulo da Fuligno, II Cal-
darino, LupacJiino and Archadelt.
[Secondo Libro delle Muse a Quattro
Voci.] Madregali Ariosi a Quatro Voci
composti da diuersi Eccellentissimi
Autori, Nouamente . . . stamj)atti. Libro
Secondo. Tenor. Appresso di Antonio
Gardano : Venetia, 1560. obi. 4".
A. 346. d.
The composers named are the same as in
the 1558 edition, xcith the omission of
Lerma, Matelart and Archadelt and
the addition of Nicodemus.
II Terzo Libro delle Muse a Quattro Voci.
Madrigali Ariosi, da Diuersi Eccell.
Musiei raccolti, et dati in Luce. Tenore,
(Basso.) 2 pts. Ap>p)rcsso Antonio Barre :
Boma, 1562. obi. 4". K. 3. f. 17.
The composers named in this collection
are: G. Bose, A. Barr^, A. Zoilo, F,
Bossello, A. Maresio, P. di Monte, S.
Lando, I. D. da Nola, V. Biiffo, L,
Dentici, F. Baratto, G. P. L. da
Pallestrina, Lerma, O. di Lassus and
L. Agostini.
17G
MUSE— MUSICS
MUSE. La Muse do TOptsra. Cantata.
See Clerajibault (L. N.)
The Muse's Choice. Songs.
See Bryan (J.)
The Muse's Tears. [Song.] See Where.
Where is my soul's chief Comfort flown,
etc. [1737?] fol. I. 530. (181.)
MUSENALMANACH. Musenalma-
nach fiir das Jahr 177G(-1798).
Sec Periodical Publications. — Laiicn-
biirg.
MUSES. Les Muses. Ballet.
Sco Campra (A.)
The Muses quite Jaded with Rhiming.
Molly Lcpcll. [Song.] Set for the Ger-
man Flute. [London, 1725 ?] s. sli. fol.
I. 530. (103.)
MUSES' DELIGHT. The IMuses De-
light. Au Accurate Collection of English
and Italian Songs, Cantatas and Duetts
. . . With Instructions for the Voice,
Violin, Harpsichord . . . German-Flute,
Common-Flute, Hautboy, French-Horn,
Bassoon, and Bass-Violin: also, a . . .
ilusical Dictionary, and several Hundred
English, Irish and Scots Songs, without
the Music. John Sadler : Liverpool,
1754. 8". E. 872.
Tlie composers named arc : Oswald,
Holcomb, Corfe, Orme, Broderip,
Hoivard, Worgan, Arne, Vincent,
Festing, Handel, Pasguali, Weide-
mann, liussel, Boijcc, Lampe, Stanley,
Gladwin, Greene, St. Germain, Bail-
don, Purcell, Terradellas, Dunn, Bar-
nard, D. Bizzio, Gouge, Kilburne,
Eris, Carey, Harris, Eaton, Galliard,
Monro, Futti, Markwell, Tench,
Fisher, E. Ormc, Master Arne, Crome,
Steemson, Langshaw, Dc Fcsch and
Baildon.
The Muses' Delight. Glees.
Sec Hayes (P.)
MUSIC. INIusick and Beauty. [Song.]
See Stanley (J.)
Music and Mirth. [Song.] -Sec Hook (J.)
]Musick can charm the Human heart.
[Song.] See Davies (R.)
Music charms the ravish'd soul. Duett.
See Gentleman.
Musick has charms and so have I. An
^Enigmatical Song [words] by Mr. H y.
Printed for H. Waylett : [London,
1745 ?] s. sh. fol. G. 316. e. (78.)
Musick has charms, and so have I. An
^Enigmatical Song. [Words] By Mr.
H y. [London,] 1759. 8".
P.P. 5441.
Eoyal Magazine, Vol. I., p. 263.
Music has Charms and so have I. Music
has Charms. [Song.] L[ongman and]
B[roderip : London, 1785 ?] s. sh. fol
H. 1994. b. (53.)
MUSIC. Musick how pow'rfull is thy
Charm : A Song on the Power of Musick
by Mv. Jos. Smith. []\Iusic by J. Hudson.]
[London, 1740 ?] s. sh. fol.
G. 310. (92.)
[Another copy.] G. 303. (91.)
]\rusic purposely Composed for the Harp.
(From the Collection of an Amateur.)
An Hymn to the Deity, from the . . . Sacred
Drama of David & Goliah, by I\Irs.
Hannah ^lore. To which are added a
Selection of Vocal Compositions. . .with
an Accompanyment for the same Instru-
ment. [By T. Jones, of Gaddesden.]
Broderip it Wilkinson : Loiulon,
1800. fol. G. 368. (2.)
Music the fiercest grief can charm. Glee.
See LiDEL (F.)
Music the soul of melody. Glee.
See Perkins (D.)
Musick's a Crotchett. [Song.]
See Rawthmell (A.)
Music's the Language of the blest above.
[Glee.] See Wbbbe (S.) the Elder.
MUSIC MADE EASY. Music Made
Easy, or a New ]\Iusical Vade-Mecum :
being a complete book of Instructions for
Beginners on the Piano-Forte or Harpsi-
chord ... to which are added Eight Pro-
gressive Lessons . . . and Twenty of the
easiest and most favourite Songs, etc.
London, 1798. ohl. fol. e. 140. (7.)
Pp. 1-16 only; it is doubtful lohether
more appeared.
MUSICA. Musica de' Virtuosi della
Florida Capella dell' illustrissimo . . . Duca
di Baviera. [Madrigals.]
See Troiano (M.)
MUSICA CUmOSA. Musica Curiosa
or a Curious Collection of Celebrated Airs
Compos'd by Messrs. Granno, Weidemau,
Hasse, Vinci and other Masters, to which
are added two. . .Sonatas of Sig. Brivio's
and the favourite Concerto of Sig' Hasse's,
all set for two German Flutes or two
Violins and a Bass, etc. [Separate Parts.]
Printed for J. Simpson: London,
[1745 ?] obi. 4°. b. 30. (1.)
This collection contains compositions
by Granno, Weideman, Festing,
B. Thumoth, Handel, Vinci, Hasse
and G. Brivio.
MUSICA DIVINA. INIusica Diviua.
[Madrigals.] See Phalesio (P.)
MUSICA DOMESTICA. Musica
Domestica. [Hymns.] Sec Duerr (M.)
MUSICJE3 SPIRITUS. IMusicte Spiritus,
or a Collection of. . .Airs.
See Haendel (G. F.)
MUSICS— MUSICAL
177
MUSICiE VOCALIS DELICI^.
Music* Vocalis Delicise, being a Collection
of. . .Madrigals, Glees, Catches, Canzonets,
Rounds and Canons . . . Composed b\^ . . .
eminent Masters . . .The Words Consistent
with Female Delicacy. Vol. I.
Printed fen- T. SldlleDi :
London, [1190?] 6". E. 331.
The composers named arc : Rogers,
T. Brewer, Lord Mornlngfon, G. Berg,
Hoivard, T. Ford, Dr. Arne, Battishill,
J. Hilton, H. Purcell, Atterbun/,
Webbe, T. Norris, Dr. Hayes, T.
Wcelkes, Dr. Harrington and Byrd.
MUSICAL. The Musical Chase. [Song.,
See Wilton (C. H.)
The Musical Hodge-Podge. [Song.]
See Old. An Old Woman cloathed in
Grey, c^c. [1730?] fol. G. 305. (150.)
MUSICAL CENTURY. The Musical
Century, in One Hundred English Ballads.
See Carey (H.)
MUSICAL COMPANION. Catch that
Catch Can, or The IMusical Companion.
Containing Catches and Rounds for Three
and Four Voyces. To which is now added
a Second Book containing Dialogues,
Glees, Ayrcs, and Ballads, &c. some for
Two, Three, Foure Voyces. Printed by
W[illiani'] Godbid for J[ohn'] Playford :
London, 1667. obi. 4». A. 412.
This continuation of Hilton's " Catcli
that catch can" is the first edition of
" The Musical Companion." Tlie
Second Part has a separate title-page,
but the pagination is continuous.
The composers named are: J. Hilton,
Cranford, T. Hohnes, W. Lawes,
S. Ive, E. Nelham, T. Breiver, J.
Tailor, Stoner, W. Bird, W. Child,
]V. Hoices, W. Webb, W. Ellis, J.
Smitli, J. Cobb, J. Wilson, Wltite,
T. Pierce, G. Holmes, W. Smegergill,
W. Gregory, J. Savile, N. Freeman,
Lannere, J. Playford, M. Locke, li.
Hill, G. H., H. Lawes, E. Colman,
L. Hodemonte, H. Pursell, J. Banis-
ter, S. Taylor, N. Lanncare, T.
Tempest and H. Cooke.
[Another copy.] A. 412. a.
The ^lusical Companion, in Two Books.
The First Book containing Catches and
Rounds for Three Voyces. The Second
Book containing Dialogues, Glees, Ayres
and Songs for Two, Three and Four Voyces.
Collected... by Jo Playford, etc. Printed by
W[illiam] Godbid for John Playford :
London, 16[72.] obi. 4°. A. 412. b.
The title-page is mutilated. Tlie Second
Book has a separate title-page, but
the pagination is continuous. In
this edition the following composers'
najnes fi rst occur : Jenkins, R.John-
son, J. Goodgroome, J. Banister, G.
VOL. II.
Holmes, Morley, B. Rogers, Campion,
0. Gibbons, Deering, R. Fleckno and
B. WaUington.
MUSICAL COMPANION. The
ilusical Companion, in Two Books. The
First Book containing Catches and
Rounds for Three Voyces. The Second
Book containing Dialogues, Glees, Ayres
and Songs for Two, Three, and Four
Voyces. Collected. . .by J. Playford, etc.
(An Additional Sheet to the Book entitled
The ^lusical Companion.) Printed by
W{illiam] Godbid for John Playford:
London, 1673. (1672.) obi. 4". A. 412. c.
The Second Book has a separate title-
page, dated 1672, but the pagina-
tion is continuous. This edition
differs from that of 1672 in having
two additional leaves after p. 112.
Catch that Catch Can : or the Second
Part of the Musical Companion ; being a
Collection of New Catches, Songs, and
Glees, never printed before. Printed by
J[ohn\ Pilayford the Younger] for John
Playford : London, 1685. 4". K. 3. m. 13.
TJie comjmsers named arc : H. Aldridgc,
H. Purcell, J. Blow, J. Lenton,
W. Turner, M. Wise, J. Jackson,
R. Smith, J. Roffey, F. Forcer,
J. Moss, W. Lawes, J. Reading, S.
Ives, T. I'udway, E. Frost, M. Locke,
J. Hilton, J. Playford and W. Pizing.
The Second Book of the Pleasant Jlusical
Companion. Being a New Collection of
Select Catches, Songs, and Glees for Two
and Three Voices. The Second Edition cor-
rected and much enlarged. (A New Addi-
tional Sheet to the Catch-Book.) Printed
for John Playford : London, 1686. obi. 4°.
A. 412. d.
A presentation copy from Joint Play-
ford, tvitJi his autograph [dated
October, 1685) on the title-page, to
John Jackson, tchose autograph is at
tlw end of the Cambridge Catcli. The
following names in this edition are not
in that of 1685 ; T. Farmer, J. Wilso7i,
B. Isaack, R. BroiV7i, J. Jackson, F.
Farmiloe, J. Banister and R. Broivne.
The Second Book of the Pleasant Musical
Companion : Being a Choice Collection of
Catches for Three and Four Voices...
Compos'd by Dr. John Blow, the late
Mr. Henry Purcell. and other Imminent
Masters. The Fourth Edition, corrected
and much enlarged. William Pearson, for
Henry Playford : London, 1701. obi. 4".
A. 412. e.
The following names of composers occur
in this collection : J. Blow, H. Purcell,
M. Wise, T. Tudway, J. Eccles, J.
Wilson, J. Roffee, Gillier, J. Gilbert, J.
Lenton, J. Beading, B. Isaack, J. Jack-
son, R. Brown aiul S. Ackeroyd.
178
MUSICAL— MUSICUS
MUSICAL COMPANION. Supple-
ment of New Catches, to the Second
Book of the Pleasant Musical Companion.
Containing the Choicest Catches by Dr.
John Blow, and the late ]Mr. Henry
Purcell, and other Eminent ^Masters.
William Pearson, for Henry Playford . . .
and J. Hare : London, 1702. obi. 4".
A. 412. g.
This collection contains ncwied composi-
tions by J.Bloio and J. Clarke.
The Second Book of the Pleasant Musical
Companion... The Fifth Edition, corrected
and much enlarged. Printed by William
Pearson for Henry Playfoixl . . . and
J. Hare : 'London, 1707. obi. 4°.
A. 412. f.
The composers named in tliis edition
and not in that of 1701 are :
J. Isum, J. Clarke, H. Hall, Dr.
Turner, Morgan and Williams.
The Pleasant ^Musical Companion : The
Sixth Edition, corrected and enlarged :
containing above 120 Catches. Printed
by William Pearson, and sold by John
Ycnmg : London, 1720. obi. 4".
A. 412. h.
The new names in this edition are : Dr.
Aldrich, Dr. Cxsar and J. Church.
The Pleasant ^Musical Companion. The
Nineth Edition, Corrected and Enlarged :
Containing above 120 Catches. Printed
by William Pearson, and sold by John
Young : I^ondon, 1726. obi. 4».
A. 412. i.
Imperfect, wanting pp. 9-10.
The Pleasant Musical Companion . . the
Tenth Edition, corrected ; and several
new Catches. J. Johnson : London,
[1740?] obi. 4». A. 412. j.
Engraved throughout.
The ]\Iusical Companion.
See Davis (J. F.)
The ^Musical Companion.
See HowAED (S.)
The ^lusical Companion.
See Stephenson (J.)
MUSICAL COMPASS
Compass. (The Musick Grammar.) [Three
engraved plates, with 4 pages of musical
grammar in rhyme.]
Printed for J. Gillibrand :
[London,'] 1684. 4" 557*. e. 25. (3.)
MUSICAL COURTSHIP. The Musical
Courtship. Dialogue. See Hook (J.)
MUSICAL DOMINO, ilusical Domino,
a new Game. [Instructions and engraved
music] J. Wallis : London, 1793. fol.
558*. c. 36. (4.)
MUSICAL ENTERTAINER. The
Musical Entertainer. [Songs.]
See BiCKHAM (G.)
Songs.
Songs.
[Anthems.]
The Musicall
MUSICAL LADY. Love's a sweet and
soft Musician. A Favourite Song. Sung
by ^Miss Pope, in the Musical Lady.
[Words by G. Colman the elder.]
{London, 1773.] s. sh. 4". 159. ii. 5.
London Magazine, Nov., 1773.
MUSICAL MAGAZINE. The Musical
^Magazine. See Oswald (.J.)
The Musical JNIagazine, or Compleat
Pocket Companion.
S'-e Periodical Publications. — London.
MUSICAL MISCELLANY. The
Musical Miscellany ; being a Collection of
Choice Songs, set to the Violin and Flute,
by the most Eminent Masters. 6 vols.
J. Watts : London, 1729(-1731). 8^
C. 373.
Vols. 1 d- 2 arc dated 1729 ; 3 d 4—1730 ;
5 d 6 — 1731. Tlie cotnjjosers named
are : Galliard, N. Haym, Tenoe,
Leveridge, Weldon, Gouge, Geminiani,
Cole, Carey, Burgess, Greene, Pepusch,
J. Grano, Bamondon, Handel, Munro
or Monro, Webber, J. Sheeles, A.
Whichello, Dicxipart, Holmes, Brails-
ford, Eavenscroft, Bononcini, Barrett,
Vincent, D. Purcell, J. Graves, A.
Young, D. Bizzio, Belts, Flemming,
Croft, Seedo, King James V. of Scot-
land, Charke, Potter, H. Purcell, B.
Aldrich and Trcvers [Tj-avers].
The ilusical Miscellany. [Songs.]
Set Smith (A.)
MUSICALISCHER LEUTHE SPIE-
GEL. Musicalischer Leuthe Spiegel,
Das ist : Ein Extract auss dem Welt-
beriihmten Ertz-Schelmen Judas Tractat,
Welcher Spiegel sich vor Ehrlichen
Leuthen wol darff sehen, und mit 1.
Tenor- Sing-Stimm, nebenst 2. Violinen,
doppelten General-Bass, (auch 2. Violen,
so ad placitum,) horen lassen. Gesetzt
und kerauss gegeben von einem Deutschen
Spaniol in Griechenland, wie auch ge-
druckt daselbsten, etc. 1687. 4".
B. 1150.
Tlie Tenor part only.
MUSICALISCHER ZEIT - VER -
TREIB. ilusicalischer Zeit-Vertreib
welchen man sich bey vergonten Stunden,
auf dem beliebten Clavier, durch Singeu
und Spielen auserlesener Oden, vergnttg-
lich machen kan. Franckfurt und
Leipzig, 1743. 4". D. 718. (2.)
MUSICO-ORATORICO-POLITICO.
See Minuets. [XII. ]\Iiuuets . . . with a
Dedication signed ' ^Nlusico - Oratorico -
Politico.'] [1780 ?] obi. 4°.
b. 57. c. (3.)
MUSICUS AUTODIDAKTOS. Musi-
cus avToSiSaxTos, oder Der sich selbst
informirende Musicus, bestehend sowohl
in Vocal- als iiblicher Instrumcntal-lMusi-
MUSIKALISCHE— MY
179
que, welcher liber 24. Sorten . . . Iiistru-
mente beschreibet . . . ans Licht gestellet
...voneinem Dor in praxi erfahren [i.e.
J. P. Eisel.] Verlegt von J. M. Fanckeii :
Erfurt, 1738. -l". 557*. c. 27.
MUSIKALISCHE UNTERHALT-
UNG-EN. :\Iusikalische Unterhaltungeii .
Erstes Quartal, von Neujahr bis Ostern
1775. Bcij A. F. Bohme :
Leipzig, [1775.] 4°. E. 247.
MUSIKALISCHER POTPOURRI.
Musikalischer Potpourri, fiir Liebbaberin-
nen und Freunde des Gesangs uud
Claviers. Dargestellt von Abeille, Eiden-
benz und Schwegler. Mit einem Blatt
von Schubart. Erstes Vierteljabr. (Musi-
kalischer Potpourri, Zweytes ( — Viertes)
Vierteljabr. Herausgegeben von Abeille,
Eidenbenz, Schwegler, Zumsteeg.) (Musi-
kalischcr Potpourri, Fiinftos Heft.) 5 pts.
Gedrukt bei den Gcbriidern Mdntler :
Stuttgart, etc. 1790-1. obi. 4". B. 710.
Pts. 2-5 are published by Abeille. The
composers tiamcd in this work are :
Abeille, Eidenbenz, Schwegler, ScJiu-
bart, Regnaud, Zumstecg, Boccherini,
Deller, D. Weber, Hay In, Mozart,
C. a. Weber aiul Wetschki.
MUSIQUE. [A Broadside with the head-
ing " IMusique," shewing the various
sounds, intervals and musical signs ;
surrounded by a border in which are
represented various musical instruments.]
[Pai is •? 1650 ?j s. sh. fol.
1801. d. 1. (7.)
Choix de Musique, dedi^ a S. A. S. Mon-
seigneur le Due Regnant des Deux-Ponts.
36 u"\ [Paris,] 1783(-1784.) 4".
E. 367.
A Periodical Publication, containing
vocal a)ul instrumental music by Baron
de Rumling, Dcvienne Jr., G. Andre-
ozzi, Karr, Lachnith V aini, P. Sales,
M^reaic, de Nerciat, B. Mengozzi, de
St. George, Fontaine, H. J. Bigcl,
Bianchi,Abb<i Rose, Toeschi, L. Mayer,
G. Hemerlein, Abt Vogler, Gossee,
Martini, C. Mayer, de Fontenct,
Gritry, Nittel, William, Dizaides,
Paisiello, Sivol, Lenoble, Bartelmont,
Edelmann, Tapray, Foignct, Sacchini,
Piccini, Haydn, Clcmcnti, Blin de la
Codre, Couperin, and Mdlles. Ray,
Potiillard and de Bcauniesnil.
MUSOMACHIA. :Musomachia id est
Bellum !Musicale.
See Laurembergius (P.)
M D SS ARD ( ) Nouvaux Principes pour
apprendre a jouer de la Flutte Traversiere.
Avec des Idees precises . . . des principes
de Musique suivis d'une Collection d'Airs
en Duo, etc. Chez VAuteur :
Paris, [1780?] ohl. ■^\ b. 172.
MUSSINI (NicoLo) Six Romances
(tiroes des Oeuvres de M' de Florian) avec
Accompagnement de Forte-piano et Yiolon
oblige. . .Oeuvre v. Chez VAuteur :
Berlin, [1800?] obi. ioL E. 870. (11.)
MUSSOLINI (Cesare) Six New Songs
and Six Minuets . . . with a New Pastoral
Air. . .Adapted for y' Guittar & Mandolin
with Accompanyments for the Harpsichord
& Violin, etc. Printed. . . by the Author :
London, [1790?] fol. G. 805. k. (11.)
MUST. Must Love that Tyrant of the
Breast. Song. See King (R.)
INIust then a faithful lover go. Song.
See Eccles (J.) [The Mad Lover.]
MUSTAFA. 3Iustafa di Trabisouda.
[Song.]
See Paisiello (G.) [La Locanda.]
MUTUAL. IMutual Love. Song [begins :
' \Yer't thou yet fairer than thou art '].
See Defesch (W.)
^lutual Love. [Song, begins : ' How few
among the thousand pairs.']
>■< e Larken ( )
MUZIO SCEVOLA. The Most Favourite
Songs in the Opera of Muzio Scsevola.
Compos'd by Three Famous Masters [viz.,
F. Mattei, G. B. Bonoucini, and G. F.
Handel ; the words by P. A. Rolli].
Printed for R. Mcares : London,
[1721.] fol. G. 192. (2.)
The favourite Songs in the Opera call'd
Muzio Scsevola. [By F. Mattei, G. B.
Bononcini and G. F. Handel.]
Printed for I. Walsli. . .d: Ino. and Joseph
Hare : London, [1721 ?] fol. G. 158.
Pupille sdegnose. Muzio [Song, by G. F.
Handel] sung by Sign' Senesino in the
Opera of Muzio Scaevola. London,
1722 ?] s. sh. fol. H. 1601. (363.)
MY. My ain kind Dearie, with Variations.
[1801.] .See Periodical Publications. —
London. The Piano-Forte Magazine,
Vol. XIII. [No. 6b.] [1797-1802.] 8".
D. 8571.
My Banks. [Song.] See Arne (T. A.)
My Banks they are furnish'd. [Song.]
The Words by W. Shenstone. [Music by
T. A. Arne.] R. Falkcner : London,
[1775?] s.sh.iol. H. 1994. a. (78.)
:My Bliss too long my Bride denies.
[Song.]
See Ajbne (T. A.) [TJie Merchant of Venice.]
'My brave City Friends. Slierijf Janssen's
Health. A Song to the Tune of Bumpers
Esquire Jones, writ in 1750, (but now
first publish'd) and Sung in Stationer's
Hall, when Mr. Alderman Jaussen was
Master of the Company. [Loiidon,
1755 ?] s. sh. fol. G. 316. e. (90.)
My Breast with tender Pity swells. Song.
See Haendel (G. F.) [Hercules.]
N 2
180
MY
MY. ^ly channel- ! come bless me ! Song.
,-.'»',- Arsace. [Figiirati cstintc]
My Colin leaves fair London Town. A
Favorite Song. Sung at Rauelagb.
Llonqman'] & B[wdcnp : London,
1785?] s. s;;.. fol. G. 310. (112.)
I\Iy Cottage in the lowly Dell. [Song.J
See Ambrose (J.)
My Daddy is a cauker'd Caiie. Low down
in the Broom. A New Song.
[London, 1760.] 8". 158. 1. 5.
London Magazine, 17G0, p. 486.
My Daddy is a cross old man. Loiv down
in the broom. [Song.] Sung by ISIiss
Davies at Marybone. [London,
1770?] fol. I. 530. (104.)
My Daddy 0. Song. See. Hook (J.)
My daddy was gone to the market. [Song.]
Sung by Miss Brown, at Sadler's Wells.
[London, 1763.] 8". P.P. 5438. z.
Universal Magazine, Vol. XXXIII. ,
p. 322.
My days have been so wondrous free.
Love and Innocence. AneioSong. [Words
by T. Parnell.] [London,
1710?] s.sh.iol. H. 1601. (309.)
[Another edition.] My days have been
so wondrous free. Love and Innocence,
etc. [London, 11201^ s.sh.iol.
G. 305. (235.)
[Another setting.] My days were once
so wondrous free. A Song. The Words
by Dr. Parnel. [London, 1739.] 8°.
^ 249. c. 9.
Gentleman's Magazine, Vol. IX., p. 656.
[Another setting.] ^ly days have been
so wond'rous free. [Song.]
See Jackson (W.) of Exeter. [12 Songs,
Op. 1. No. 4.]
My dear Cockadoodle. Song.
See Campaigners.
My dear ^Mistress has a heart. The Fickle
Fair. A New Song [by T. A. Arne], sung
by ]\lr. Lowe at Marvbon-Gardens.
[London, 1751.] 8°. 157. L 13.
London Magazine, 1751. p. 36.
My dear :\listres3 has a Heart. The Fickle
Fair. A new French Horn Song [words
by the Earl of Rochester, music by T. A.
Arne.] Sung by Mr. Lowe ... at ]Mary-
bon Gardens. [London, 1160?] s.sh.iol.
G. 227. (9.)
My dear Mistress has a Heart. The Fickle
Fair, etc. [By T. A. Arne.] .See Chloe.
Chloe, or the Musical Magazine, etc.
No. 50. [1760 ?] fol. G. 433.
[Another edition.] My dear Mistress has
a Heart. The Fickle Fair, etc. [London,
1760?] s. sh. fol. G. 305. (274.)
[Another edition.] My dear Mistress has
a Heart. The Fickle Fair, etc. [London,
1765 ?] s. sh. fol. G. 310. (102.)
MY. My dearest life, were thou my Wife.
The Chaise Marine. [Song.] [London,
1765 ?] s. sh. fol. G. 305. (76.)
My Delia is the blooming Fair. Absent
Delia. [Song.] Blundell :[ London ,
1780?] s. s/i. fol. G. 310. (116.)
My Doe is my Dear. Song.
.See Reeve (W.) [Merry Sherwood.]
]\Iy Dog and my Mistress are both of a
kind. Cherry it Merry. [Song.j Sung
by Mr. Cooke at Sadlers Wells. [London,
1775?] s.sh. fol. G. 316. j. (15.)
My Dolly was the fairest thing. [Song. -
See Love in a Village.
My drowsy pow'rs, why sleep ye so?
Hymn. [Words bv I. Watts.] London,
1778.] 8", ^ P.P. 716. b.
Gospel Magazine, Nov., 1778.
My Eyes may speak Pleasure. Song.
See DiBDiN (C.) [The Christmas Tale.]
My Fair has each enchanting Art. Thr
Fickle Nymph. [Song.]
S[amuel] A[nn and] P[eter] T[hompson :
London, Vim'!] s.sh.iol. G. 310. (95.)
My Fair is beautifuU as Love. [Song.J
See Savage (W.)
My fair one Adieu. A Favorite Song to
the Tune of the Milanese INIarch.
G. S[mart : London, 1785?] s. sit. fol.
G. 310. (98.)
]\Iy fair ye Swains is gone astray. Pliillis.
rSong.] [LoHfZon, 1750?] s. .s7i. fol.
G. 316. c. (28.)
My Fanny long I woo'd and lov'd. Proper
Fanny. A New Song.
[London, 1765.] 8". P.P. 5438.^z.
Universal Magazine , Vol. XXXVI., p. 374.
My Father is King of the Gypsies. The
Fortune Teller. A Favourite Song.
W. C. : [London, 1780 ?] s. sh. fol.
G. 310. (110.)
My Fiddle and Flora. Fiddle and Flora.
rSong.l [LoHcZo?;, 1730?] s.sh.iol.
^ G. 316. e. (83.)
My fond Shepherds of late were so ble>t.
My fond Shciilierds. [Song from T. A.
Arne's Opera, ' Eliza.'] Sung by Sig"
Frasi. [London, 1155?] s.sh.iol.
G. 310. (101.)
My fond shepherds of late were so blest.
Song. In the Opera of Eliza. [By T. A.
Arne.] [London, 1757.] 8". 158. I. 2.
London Magazine, 1757, p. 556.
[Another edition.] My fond Shepherds,
etc. [From T. A. Arne's Opera,' Eliza. "J
[London, 1760 ?] s.sh.iol.
H. 1994. a. (173.)
;iMy fond shepherds of late were so blest.
Song. Sec Eliza.
:My friend and 1 we drank. Bacchus over-
come. [Song.] [London,
1710?] s.sh.iol. H. 1601. (299.)
MY
181
MY. My Friend, when a Captive. Song.
See Saudeksox (J.) [Black Beard.}
My God, now I from Sleep awake. Mul-
night Hijmn, [words] hv Bishop Kenn.
[London, 1763.] 8". " P.P. 324. w.
Christian's Magazine, Aug., 17G3, p. 373.
My Goddess Celia Heavenly Fair. Celia
the Fair. A new Song. [Words in
imitation of Cornelius Gallus by the Earl
of Rochester, music by G. i\Ionro.]
[London, 1130?} s. sh. lo\.
G. 310. (90.)
[Another edition.] ]\Iy Goddess Celia.
Celia the Fair, etc. [London,
1730 ?] s. sh. fol. G. 316. e. (77.)
My Grandmother's Cot. Ballad.
See Arne (M.)
My Heart is devoted dear I\Iary to thee.
Song. See Hook (J.)
;My Heart is ev'ry Beauty's Prey. Song.
.•>ee Danby (J.)
My Heart, lovely Mary, is thine. Ballad.
Sie Ross (J.)
My Heart went to the Fair. Song. See
As. As down the Cowslip Vale I stray'd.
[1780?] s. s/(. fol. G. 306. (126.)
^ly Heart with joy is thrilling. Duetto.
Si'i' Ross (J.)
'My Heart's soft emotions. Bel the
Brunette. A favourite New Song.
J. Lee : Duhlin, [1780 ?] s. sh. fol.
H. 1601. b. (68.)
My Heart's with sweet Peggy O'Brauuau.
Banks of the Sliannon. A favourite Irish
isong. Sk[iUern : London,
1795 ?] s. sh. fol. G. 807. b. (41.)
My Jamie is a bonny Lad. Song.
See Addison (J.)
My Jenny and I have toil'd. Wliat is
that to you ? A favourite Scotch Song,
sung by Mr. Vernon at Vauxhall.
[London, 1774.] s. sh. 4". 159. n. 6.
London Magazine, July, 1774.
;My Jemmy is cross'd quite over the IMain.
Jemmy. A favourite new Scotch Ballad.
J[ohn ?] W[elcker ! : I^ondon,
1780?] s.sh.iol. G. 310. (99.)
My Jockey is a gentle Youth. [Song.]
See Ross (J.)
^ly Jockey is the blithest lad. Jockey, a
favourite new Scotch Ballad, sung by
^Irs. Baddeley, at Vauxhall.
[London, 1767.] S". P.P. 5438. z.
Universal Magazine, Vol. XIjI., p. 156.
My Jockey is the blithest Lad. Jockey.
A Favourite Scotch Ballad.
[London, 1110 -1] s.sh.iol.
G. 305. (73.)
[Another edition.] My Jockey is the
blithest Lad. A Favourite Song, Sung
by Mrs. Baddelv, etc.
[Lomlon, 1770?] s. sh. fol.
H. 1994. a. (165.)
MY. [Another edition.] My Jockey is the
blithest Lad. A Favourite Song. Sung
by Mrs. Baddely, etc.
[London, 1770 ?] s. sh. fol.
G. 310. (123.)
[Another edition.] My Jockey is the
Blithest Lad. Jockey, etc.
[London, 1110?] s.sh.io\.
H. 1994. a. (39.)
My Journey is Love. [Song.]
See Reeve (W.) [Mirth's Museum.]
IMy Laddie is gang'd far away. New
Jockey. A Favourite Scotch Song, sung
by Miss Froud at Marybone Gardens.
[London, 1768.] 8°. 158. 1. 13.
London Magazine, 1768, ^). 603.
My Laura sighs. [Song.]
See Ambrose (J.)
My little blithsom Sparrow. Song.
See Pleyel (I. J.)
My Lodging is on the cold ground. My
Lodging. A Favorite Mad Song. [Words
from ' The Rivals,' an adaptation (attri-
buted to Sir W. Davenant) of ' The Two
Noble Kinsmen.'] Ka[therine] F[entu]'m :
[London, 1780 ?] s. sh. fol.
G. 310. (117.)
[Another edition.] ^ly Lodging is on the
cold ground, etc.
[London, 1785 ?] s. sh. fol.
H. 2818. (30.)
My Lodging is on the Cold Ground.
[Song.] See Harrison (S.)
My Lord and my Lady. A New Song.
[By T. A. Arne ?]
[London, 1750?] s. s7i. fol.
I. 530. (105.)
My Love she's but a Lassie yet. [Song.]
See Urbani (P.)
My Love to War is going. A Song [the
words by Miss Alderson, afterwards Mrs.
Opie] with an accompaniment for the
Piano Forte. [By E. S. Biggs.]
R. Birchall, for the Author : London,
[1795?] fol. G. 356. (55.)
[Another setting.] My Love to War is
going. [Song.] Set Twiss ( ) Two
Songs. No. 1.
My love was once a bonny lad. The
Floioer of Edingburgh, etc. [Song.J
[London, 1749.] 8°. P.P. 5438. z.
Universal Magazine, Vol. IV., p. 175.
My Love was once a bonny lad. The
Floioer of Edinburgh. [Song.] Set for
the German Flute. [London,
1760?] s.sh.iol. 1.530.(106.)
[Another copy.] G. 316. e. (76.)
[Another edition.] My Love was once a
bonny Lad. The Flower of Edinbiirgh.
[London, 1765 ?] s. sh. fol.
H. 1994. b. (55.)
IMy lovely Nymph. [Song.J
See Nicholson (I.)
182
IMY
MY. ily Maid ]\Iary. The Spmning Lass.
rSong.l [ London, nio?] s. sh. lol.
G. 316. e. (84.)
My Maid Mary she minds her dairy. The
Dairy Maid. [Song.]
Str[aight] d Sk[illern : London.
1775?] s.sh.tol. G. 310. (125.)
My mantling spirits mount apace. Duett.
See Cooke (T. S.)
My mother wou'd fain have oblig'd me to
wed. The Girl of Spirit. [Song.] Sung
at Sadlers Wells. [London, 176G.] 8^
P.P. 5441.
Royal Magazine, Vol. XIV., p. 45.
My Mother would fain have oblig'd me to
wed. The Girl of S2)irit. A new Song.
[London, 1766.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XXXVIII.,
p. 99.
My Nanny 0. [Song.] See While.
While some for pleasure waste their
health. [1720?] s. s/(. fol.
G. 305. (140.)
My Native Vale. [Song.] Sec Relfe (J.)
My Own Fire Side. [Song.]
See Ambrose (J.)
My Passion is as mustard Strong. A Netu
Song to old Similies. [Words attributed
to J. Gay, to the tune of ' Rogero.']
[London, 1730 ?] s. sh. M.
G. 310. (91.)
[Another copy.] G. 303. (56.)
[Another copy.] G. 305. (138.)
My Patie is a Lover gay. Corn Biggs are
bonny. [Song, from A. Ramsay's ' Gentle
Shepherd.'] [London,
1740?] s.sh.iol. G. 310. (86.)
[Another edition.] My Patie is a Lover
gay. Corn Biggs are bonny. [Song.]
[LomZoji, 1750 ?] s.sh.iol.
G. 316. e. (79.)
My Patie is a Lover gay. Corn Biggs are
bonny. A New Song. [London, 1772.] 8°.
P.P. 5438. z.
Universal Magazine, Vol. L.,p. 97.
[Another setting.] My Patie is a Lover
gay. Corn Biggs are bonny. [Song.]
Sung by IMiss Jameson, etc. [Music by J.
Hook.] C[harles and] S[a7nuel] T[homp-
son : London, 1774.] s. sli. fol.
G. 310. (126.)
From TJiompson's Second Collection of
Hook's Vauxhall Songs for 1774.
My Peggie, if thou die. [Song.] Sung by
Mr. Lowe, etc. See Chloe. (Jhloe, or the
Musical jNlagazine, etc. No. 51.
[1760?] fol. G. 433.
My Peggie if thou die.
Love never more, etc.
[Song.] See Love.
[1765?] s.sh.iol.
G. 316. e. (74.)
MY. My Peggy is a young thing. Scotch
Song. [Words by A. Ramsay, music by J.
Hook.] Sung by Mr. Vernon at Vauxhall.
C[harles and] S[amucl] T[hompson :
London, 1775 ?] s. sli. fol.
G. 310. (111.)
My Phillida, adieu love. Arietta.
See Mellish ( ) Miss.
My Plaint in no one Pity moves. [Song.]
See Storage (S.) [The Siege of Belgrade.]
My Polly is lovely. Polly. [Song.] The
INIusic by an Eminent INIaster.
A. P[ortal : London, 1780 ?] s. sit. fol.
G. 310. (113.)
My pritty lovely charming Fair. Song.
See Graves (J.)
My Saviour, my Almighty Friend. Hymn .
See E., H.
My Shepherd is gone far away. Absent
Jockey. [Song.] Sung at Marybone
Gardens. B. Falkencr : Ijondon,
[1775?] s.sh.iol. H. 1994. a. (96.)
My Soger Laddie is over the Seas. The
Soger Laddie. [Song, words chiefly
written by A. Ramsay.] [London,
1740 ?] s. sh. fol. G. 310. (94.)
[Another edition.] My Soger Laddie is
over the Seas. The Soger Laddie.
[London, 1150?] s.sh.iol.
H. 1994. b. (56.)
INIy Soger Laddie is over the Seas. TJic
Soger Laddie. [Song.] [London, 11 50.] 8".
P.P. 5438. z.
Universal Magazine, Vol. VII., p. 318.
My Soger Laddie is over the Seas. The
Soger Laddie. [Song.]
See Chloe. Chloe, or the INIusical IMaga-
zine, etc. No. 20. [1760 ?] fol.
G. 433.
[Another setting.] My Soger Laddie is
over the Sea. The Soger Laddie. [Song.]
Sung by Mrs. Ward at Marybone Gardens.
C[harlcs and] S[amuel] T[hompson :
London, 11151] s.sh.iol.
G. 310. (100.)
My Song shall be of Mercy. Solo Anthem.
See Kent (J.)
My Soul, praise the Lord. Part of the
civth Psalm. Set to ]\Iusic for Two
Voices. [London, 1762.] 8".
P.P. 324. n.
Christian's Magazine, Oct., 1762, p. 472.
My soul rejects the thought with scorn.
Song. See Haendel (G. F.) [Saxd.]
My Spirits are mounting. Song.
See Wilson ( ) Singer.
My temples with clusters of grapes I'll
entwine. In Praise of Wo7nan, etc.
[Song.] [London, 1763.] 8".
P.P. 5441.
Boyal Magazine, Vol. IX., p. 157.
]\IY— MYSTERIES
183
MY. My temples with clusters of grapes I'll
entwine. In Praise of Woman. [Song.]
Set for the German Flute. (]Minuet de
Swedois.) \London, 1763.] 8". P.P. 5140.
Lady's Magazine, Vol. V.,pp. 625-6.
[Another setting.] My Temples with
Clusters of Grapes I'll entwine. In
Praise of Woman. [Song.] Sung hy
Mr. Prentise at Sadlers Wells. [London,
1770?] s. s7t. fol. H. 1994. a. (34.)
[Another edition.] My Temples with
Clusters of Grapes I'll entwine. The
Goblet of Wine. [Song.] [London,
1775 ?] s. sh. fol. G. 310. (103.)
[Another edition.] My Temples with
Clusters of Grapes I'll entwine. In Praise
of Wojnen. [Song.] [London,
1780?] s.sh.iol. 1.530.(107.)
My Thyrsis was the gentlest Youth.
Song. See Cooke (J.)
]\Iy time, 0 ye muses, was happily spent.
Song. See Haet (W.)
]My true Love far away. Song,
Sec Son-in-Law.
My Valentine. Ballad.
See HoRSLEY (W.)
:My William I have lost. William far
uivay. [Song.] E. PJiames: [Dublin,
1780?] s.sh.iol. H. 1601. b. (98.)
My Willy was a Sailor hold. [Song.]
See Sanderson (J.) [Black Beard.]
Mv wishing Ej-es. Song.
Sec Weldon (J.)
MY GRANDMOTHER. :\ry Grand-
mother. IMusical Entertainment.
See Storage (S.)
MYRA. Myra. [Song, hegins : ' Say Myra,
why is gentle Love.'] See Howard (S.)
Myra. A Pastoral Elegy for three Voices.
See Untimely. Untimely bow'd by Fate's
relentless hand. [1790 ?] fol.
H. 2826. c. (15.)
Myra of the Vale. Ballad.
See BoHLius (J. H.)
MYRTIL ET LYCORIS. D'une Rose
fraiche eclose. Ariette de Myrtil et Lycoris
[hy L. B. Desormery], avec Accompagne'"'
de Basse. (Que le pur Crystal. Air, du
meme Opera.) [Paris, 1777.] 8".
B. 362. e. (110.)
]\Iyrtil et Lycoris. Pastorale.
See Desormery (L. B.)
MYRTILLA. MyrtiUa. [Song, begins;
' See :Myrtilla heav'nly Maid.']
See Adams (J. B.)
MyrtiUa. [Song.] See Ye. YeChearful
Virgins have ye seen, etc.
[1760 ?] s. sh. fol. H. 1994. a. (35.)
IMyrtilla like time is always a flying.
-■1 Neiu Song. [London,
1720 ?] s. sh. fol. H. 1601. (298.)
MYRTILLO. How happy are we. A
Song in the Mask of Martillo. [Music hy
J. C. Pepusch.] [London,
1716.] s. sh. fol. H. 1601. (207.)
The icords of this song are not in Gibber's
Mask of Myrtillo as printed in 1777.
[Another edition.] How happy are we.
A Song, etc. [London, I'JIO '>] s.sh.iol.
G. 308. (81.)
The lover for the favour presses. A Song
in the Mask caU'd Martillo. [Music by
J. C. Pepusch.] [London,
1716.] s. sh. fol. H. leOi. (455.)
The words of this song arc not in Gibber's
Mask of Myrtillo as printed in 1777.
[Another edition.] The Lover for the
Favour presses, etc. [London,
1716?] s.sh. fol. G. 312. (41.)
0 happy jMartillo. A Song in the IMask
of :Martillo. [Words by C. Gibber, music
by J. C. Pepusch.] [London,
1716.] s. sh. fol. H. 1601. (356.)
[Another edition.] O happy Martillo, etc.
[London, 1716.] fol. G. 310. (289.)
Prepare 0 Love the happy day. A Song
in the mask of Myrtillo, etc. [Music by
J. C. Pepusch.] [London,
1716.] s. sh. fol. H. 1601. (369.)
The tvords of this song are not in Gibber's
Mask of Myrtillo as printed in 1777.
Soft desires. A Song in the Mask of
Myrtillo. [Music by J. C. Pepusch.]
[London, 1716.] s. sh. fol. G. 311. (68.)
The icords of this song arc not in Gibber's
Mask of Myrtillo as piinted in 1777.
MYSLIVECEK (Josef) Six Easy Di-
vertimentos for the Harpsichord or Piano-
Forte. Longman d Broderip : London.
[1780?] o6Z. fol. e. 5. f. (8.)
Six easy lessons for the Harpsichord.
Gorri & Sutherland : Edinburgh,
[1780?] fol. g. 442. a. (15.)
Six Orchestra Trios for two Violins and a
Violoncello. [Separate Parts.] Welcker :
London, [1780?] fol. g. 697.
Six Overtures for two Violins, two Hoboys,
two French Horns, two Tenors, with a
Thorough Bass for the Harpsichord or
Violoncello, etc. [Orchestral Parts.]
Printed for W. Napier : London,
[1775?] fol. g. 474. a. (12.)
[Another copy.] g. 474. (8.)
Six Sonatas for the Piano Forte or Harp-
sichord with an Accompaniment for a
Violin. Printed for G. d; S. Thompson :
London, [1775 ?] fol. g. 697. a;.
See Kammed (A.) Six Overtures. . .by. . .
III. Mislevecheck, etc. [1770 ?] fol.
g. 474. (7.)
MYSTERIES OP THE CASTLE.
The Mysteries of the Castle. Dramatic
Tale. See Shield (W.)
18-4
N— NANETTE
N , . . , M. Vous efces ma belle amourette.
Trio de M. N —Air, a voix seule sur
les mesmes paroles. [Fans,]
1730. s. sh. 4". 298. a. 11.
Mcrcure de France, May, 1730.
N". (Stefano) called Spadina. Sei Sonate
a Due Violini, composte da Stofano N.
detto Spadina, Gintiluomo Dalmatiuo.
Opera Sesta. [Separate Parts.]
Stampate a Spese di J. J. Hummel :
Amstelodamo, [1770?] fol.
h. 3212. g. (5.)
NACHT. Nacht und Nebel. Duett.
See Danzi (F.) [Der Kuss.]
NACHTGALL (Ottmae) Musicae In-
stitutiones Othmari Nactgall Argftini
a nemiue unqua prius pari facilitate
tentate, etc. loannes Knobloucli :
Argcnioraci, 1515. 4°. K. 1. h. 13.
10 leaves, without pagination, 34 lines
to the full page.
Musurgia seu praxis Musicte. Illius
primo quae Instrumentis agitur certa
ratio, ab Ottomaro Luscioio [i.e. 0.
Naclitgall] Argeatino duobus Libris ab-
soluta. Eiusdem Ottomari Luscinij, de
Concentus polyphoni. . .Libri totidem.
Aptid loanncm Schottmn :
Argcntorati, 1536. ohl. 4°. K. 1. h. 14.
102 pages, preceded by 3 and folloived by
2 unnumbered leaves. The title-page
bears the autograph of Dr. Pepusch.
The verso of a 3. has a wood-cut
representing Andreas Silvanus and
Sebastianus Virdung.
NADERMAN (FRAN901S Joseph)
Deuxieme Pot-Pourri suivi de Plaisir
d'Amour [by J. P. E. Martini] varie pour
la Harpe, etc. Chez Nadcrman :
Paris, [1800 ?] fol. h. 173. b. (12.)
Troisieme Pot-Pourri, suivi d'un Air vari^
pour la Harpe, etc. CJiez Naderman :
Paris, [1800?] fol. h. 173. b. (12*.)
Trois Sonates pour la Harpe avec Accom-
paguement de Violon et Violoncelle . . .
ffiuvre 5""^. l''"' Livre de Sonates. No. 3.
Chez Naderman : Paris, [1800?] fol.
h. 173. c. (16.)
The Harp part only.
Grande Sonate pour la Harpe avec Accom-
pagnement de Violon ct Basse. . .CEuvre
11°. [Separate Parts.] Chez Nadcrman :
Paris, [1800 ?] fol. li. 173. b. (10.)
Sonate pour la Harpe avec Accompague-
meut de Violon et Violoncelle, ad-libitum
. . . 1"" Sonate de I'Oeuvre 12". [Separate
Parts.] Chez Naderman :
Paris, [1800?] fol. li. 173. b. (11.)
NAE. Nae Lass] sa blithe as Jenny was
Bannock Burn. A Favorite Scotch Song,
sung by Mrs. Kennedy, at Vauxhall.
Printed for T. Skillern :
London, [1787 7] fol. H. 1653. (55.)
NAEGELI (Hans Georg)
See jMozart (W. A.) [6. Doubtful and
Spurious Works.] Life let us cherish, c^c.
[Song, by H. G. Naegeli.]
[1800.] s. sh. obi. 4". 266. 1. 30.
NAISSANCE. La Naissance de la Rose.
[Song.] See Coebadx (A.)
La Naissance de Monseigneur le Comte
de Province. IMusette. ,S'ee Buey (B. de)
NAISSANTES. Naissantes fleurs. Air.
See Gretry (A, E. M.) [Cepliale ctProcris.]
NAKED. The naked Truth. [Song.]
See Ik. In story of old, etc.
[1740?] s.s/(. fol. H. 1994. b. (45.)
NAN. Nan of the Vale. [Song.]
See Aene (T. A.)
NANCY. The Nancy. [Song, begins :
' Mayhap you have heard.']
See DiBDiN (C.) [Tlte Sj^hinx.]
Nancy. [Song, begins : ' You ask how it
comes.'] See Dibdin (C.) [.4 Tour to the
Land's End.]
Nancy. [Song.] See 'Twas. 'Twas
underneath a Mayblown Bush, etc.
[1770 ?] s. sh. fol. H. 1994. a. (179.)
Nancy dear. [Song.]
See Dibdin (C.) [The General Election.]
Nancy I have lost my Wig ; [Song,] as
Sung by Mr. Parsley at the Amicable
Society, etc. Bailey : [London, 1785 ?]
s.sh.iol. G. 310. (144.)
A parody of ' She2:)herds I have lost my
love,' to the tune of Gramachree Molly.
Nancy of the Vale. [Song.] SeePRiNG (J.)
Nancy, or the Parting Lovers. Llusical
Interlude. See Carey (H.)
NANCY DAWSON. Nancy Dawson.
Song. See Of. Of all the girls in our
town, etc. [1760.] 8". P.P. 5438. z.
Nancy Dawson. [Song.] See Of. Of all
the Girls in our Town. [1760 ?] s. sh. fol.
I. 530. (114.)
NANCY GAY. Nancy Gay. [Song.]
See W., Y.
NANCY GUY. Nancy Guy. Song.
See T., T.
NANETTA E LUBINO. Nanetta e
Lubiuo. Comic Opera. See Pugnani (G.)
NANETTE ET LUCAS. Nanette et
Lucas. Comedie melee d'Ariettes.
See Heebain ( d')
NANINE— NARDINI
185
NANIWE. Nanine, Sceur de Lait de la
Keine de Golcoude ; Pastorale en trois
Actes ; en Ariettes et Vaudevilles choisis.
[By — Gondot.]
Chez la Veuve Duchesne : A Geneve et a
Paris, 1773. S\ 11738. f. 31. (2.)
NANINO (Alessandro) See Nanino
(G. M.) II Primo Libro delle Canzouette
...di G. M. Nanino. Raccolte per A.
Nanini, etc. 1599. 4". D. 196.
H" A N I N" O (Giovanni Bernardino)
Madrigali a cinque . . . Libro Terzo. Basso.
Appresso Bartolovico Zannctti :
Iloma, 1G12. 4". D. 166.
H'ANINO (Giovanni Maria) II Primo
Libro delle Canzonette a Tre Yoci...
Raccolte per A. Nanini, & date in luce.
Nouamente ristampate. Canto. (Tenorc.)
2 pts. Appresso Angela Gardano :
Venetia, 1599. 4°. D. 196.
Di Gio Maria Naniuo. . .11 Primo libro de
INIadrigali a Cinque voci Kouamente
Ristampati, etc. Canto. (Alto.) (Tenore.)
(Basso.) (Quinto.) 5 pts.
Appresso Angela Gardano :
Yenctia, 1579. obi. 4°. A. 341. e.
Wanting pp. 3-6 of the Canto part and
pp. 3-G of the Tenor.
Di Gio. Maria Nanino...il Terzo Libro
de ^ladrigali a Cinque Voci. Nouamente
Composti, & dati in luce. Alto.
Appresso Angela Gardano :
Venetia, 1586. obi. 4". A. 341. b.
See Gardano (Angelo) IMusica di Tredici
Autori . . . Nella quale si contengono . . .
Madrigali . . . delli inf rascritti Autori . . .
G. M. Nanino, etc. 1589. 4^
K. 3. g. 11.
NANINO (Giovanni Maria) and
STABILE (Annibale) Madrigali a
Cinque Voci di G. M. Nanino et di A.
Stabile Nouamente Composti, & dati in
luce. Canto. (Alto.) (Tenore.) (Basso.)
(Quinto.) 5 pts. Appresso Angela
Gardano : Venetia, 1581. obi. 4".
A. 341.
Madrigali a Cinque Voci di G. M. Nanino
et di A. Stabile Nouamente Ristampati.
Canto. Appresso Angelo Gardano :
Venetia, 1587. obi. 4". A. 341. a.
NANNY. Nanny of the Mill. BaUad.
Sec Moulds (J.)
Nanny's Complaint for the Loss of her
Love. [Song.] See 0. 0 mv Nassau,
did vou know. [1735?] s. s/(. fol.
G. 316. e. (106.)
Nanny's Refusal. [Song.] See Come.
Come pretty Nancy, etc.
[1740?] s. s7(. fol. G. 307. (75.)
Nanny's reply to Robin's Complaint.
[Song.] See Ungrateful. Ungrateful
Robin to complain, etc.
[1720 ?] s. sh. fol. H. 1601. (475.)
NAPIER (William) Napier's Selection
of Dances & Strathspeys with new and
Appropriate Basses, adapted for the Piano
Forte, Harp &c. Printed for W. Napier :
[London, 1795 ?] fol. g. 229. b. (3.)
A Selection of the most Favourite Scots
Songs. . .Adapted for the Harpsichord,
with an accompaniment for a Violin, by
Eminent Masters, etc. (A Selection of
Original Scots Songs in Three Parts. The
Harmony by Haydn... Vol. IL (IIL).)
3 Vols. Printed for W. Najner ;
London, [1790-1794.] fol." I. 374.
Vol. III. consists of pp. 1-25 only :
2)robably no mare ivas ptiblislied.
Vol. I. teas arranged by Arnold,
Barthelemon, Carter and Shield.
[Another copy.] I. 374. a.
Wanting Vol. III.
NAPPY, Nappy. [Song.]
See DiBDiN (C.) [Castles in the Air.]
NARBAEZ (LuYs de) El primero
(-sesto) libro del Delphin de musica de
cifras para taner Vihuela. Hecho por
Luys de Narbaez, etc. 6 Books.
Por Diego Herudez de Cordoua :
Valladolid, 1538. obi. 4". K. 2. h. 11.
108 leaves. Fol. k II and k 12 are
blank. Each Book has a separate
title-imge and list of contents, but the
vagination and register are continuous.
Book III. contains compositions by
Joscpiiin, Gombert and Ricafort. Book
V. is printed in red and black.
NARCISO. Narciso. Opera.
See Scarlatti (D.)
NARCISSO ( ) See Minuets. Eighteen
New Spanish Minuets. . .Compos'd by. . .
Sig-- Narcisso, etc. [1760 ?] obi. 4".
a. 25. (1.)
NARCISSUS. The Narcissus. [Song.]
See As. As pendant o'er the limpid
stream. [1775?] s.sh.lol.
G. 306. (143.)
NARDINI (Pietro) Fourteen New
Italian ]\Iinuets for Two Violins & a Bass.
Printed for J. Cox : London,
[1750?] obl.'k\ b. 57. b. (3.)
A Solo for the Violin with a Thorough
Bass for the Harpsichord. /. Duckicorth :
London, 11790?] fol. g. 420. b. (4.)
Six Solos for the Violin, with a Bass : . . .
Opera v. H. Fougt : London, [1770.] fol.
g. 221. (1.)
Sei Sonate per Violino Solo e Basso
[Paris ? 1765 ?] obi. fol. e. 743.
With a 2'ortrait, engraved by G. B.
Cecchi after M. Vestri.
Sis Sonatas for two German Flutes or
two Violins and a Bass. [Separate Parts."!
B. Bremner : London, [1770 ?J fol.
h. 2852. a. (7.)
186
NARDINI— NASSARRE
NARDINI (PiKTRo)
See Harpsichord Miscellany. The
Harpsichord ]\Iiscellany. Book Second.
Composed by Albert! . . .and Nardini.
[1765 ?] obi. fol. e. 140. a. (5.)
NARDINI (PiETRo) and FERRARI
(DoMENico) Six Sonatas or Duets for
Two Violins. . .by Sig. Nardini and Ferari.
Opera Seconda. [Separate Parts.]
Printed for I. WalsJi,: London,
[1765?] fol. g. 218. d. (5.)
NARES (James) A Collection of Catches,
Canons and Glees, etc. Welckcr :
London, [1115'^] obi. iol. E. 1745.
Six Fuges with Introductory Voluntary's
for the Organ or Harpsichord. Welckcr :
London, [1775 ?] obi. fol.
e. 1090. a. (3.)
These Lessons for the Harpsicord with
a Sonata in Score for the Harpsichord or
Organ are humbly dedicated to the
Countess of Carlisle, etc. Opera ii.
Printed for the Author : London,
[1759 ?] obi. fol. e, 135.
A Morning & Evening Service. . .Together
with Six Anthems in Score, etc.
J. Preston : London, 1788. fol.
I. 251. a.
With a portrait by N. Ward after
G. Engleheart.
II Principio or a Regular Introduction to
playing on the Harpsichord or Organ,
etc. Welcker : London, [1760 '?] obi. fol.
e. 135. b.
The Royal Pastoral, a Dramatic Ode.
[Full Score.] Welcker :
London, [1770 ?] fol. H. 125.
Eight Setts of Lessons for the Harpsi-
chord, etc. J. Johnson, for the Author :
London, 1747. obi. fol. e. 135. a.
[Another edition.] Eight Setts of Lessons
for the Harpsichords. J. Johnson :
London, 1757. obi. fol. e. 135. e.
A Concise and Easy Treatise on Singing
. . .with a Set of English Duets, etc.
J. Preston, for the Author :
London, [1780 ?] o6Z. fol. E. 780.
See Apollonian Harmony. Apollonian
Harmony : a Collection of . . . Glees ... by
. . .Nares, efc. [1790?] 8°. E. 255.
See Bond (H.) The Psalms of David. . .
The Music consisting of . . . Tunes . . . by . . .
Nares, etc. [1791 ?] 4°. E. 579.
See Catches. A Collection of Catches by
. . .Dr. Arne. . .Dr. Nares, etc.
[1764 ?] obi. 4". A. 756. a. (1.)
See Modern Catch-Club. The Modern
Catch-Club. . .a Coilection of Catches...
by . . . Nares, etc. [1770 ?] obi. 4°.
A. 756.
NARES (James)
An Abridgment
with . . . Tunes
[1777.] 8".
See Riley (W.)
See Psalms [English.']
of the . . . Psalms, . . .
. by . . . Dr. Nares, etc.
A. 511. d.
Psalms and Hymns for
the Use of the Asylum . . . for Female
Orphans. . .The Music by. . .Dr. Nares, etc.
[1765?] 4". E. 482.
NASCI (Michele) Sonate sei di Cembalo
con Accompagnamento di Violino, etc.
Welcker : London, [1771 ?] fol.
g. 272. e. (5.)
NASCO (Giovanni) Le Canzon et Madri-
gali a Sei Voci con uuo Dialogo a Sette . . .
Nouamente. . .ristampati. Canto.
Apprcsso di Antonio Gardano :
Venetia, 1562. obi. 4". A. 301. a.
Di Giouan Nasco Le Canzon Villanesche
alia Napolitana a Quatro Voci. Noua-
mente. . .composto & dato in luce. Libre
Primo. Canto. Apprcsso Girolamo
Scotto : Vinegia, 1565. 8°. A. 301. b.
Di Giouan Nasco II Segondo Libro d'i
Madrigali a cinque A^oci, done si conten-
gono tutte le macharronee del ditto autore
Nouamente . . . stami)ato, etc. Cantus.
(Tenor.) 2 pts.
Apjiresso di Antonio Gardano :
Venetia, 1557. obi. 4". A. 301.
See Muse. II Secondo Libro de le ^Nluse
a Cinque Voci. . .Con uno Madregale a sei
di Giouan Nasco, etc. 1559. obi. i .
A. 342. a.
See Prima Stella. Prima Stella. De
Madrigali. . .di Giovan Nascho, etc.
1570. i'\ D. 13.
NASIMBENI (Stefano) Concerti Eccle-
siastici a Dodeci Voci diuisi in tre Chori,
etc. Primo Chore. Alto. (Secondo
Chore. Canto.) 2 pts.
Apprcsso Bicciardo Amadino :
Venetia, 1610. 4°. D. 66.
NASSARI ( ) Twelve Minuetfs for
Two Violins & a Bass and Six Venetian
Ballads, etc. Printed for Sig'' Albani :
London, [1775 ?] obi. 4°. b. 53. a. (3.)
NASSARRE (Pablo) Escuela Musica,
segun la practica IModerna, dividida en
Primera, y Segunda Parte, etc. 2 vols.
Por los Heredcros de Diego de Larumbe-:
Zaragoza, 1724 (1723). fol. 7897. k. 1.
TJie Second Part is printed 'Por los
Heredcros de Manuel Roman,' dated
1723.
Fragmentos Musices. Reglas Generales
...para Canto llano. Canto de Organo,
Contrapunto, y Composicion, etc.
Por Tomas Gaspar Martinez :
Zaragoc^a, 1683. 8". 7895. a. 24.
Fragmentos Musicos, repartidos en quatro
Tratados. En que se hallan Reglas gene-
rales, . . . para Canto Llano, Canto de
NATIONS— NAUMANN
187
Organo, Contrapuuto y Composicion . . .
aora uuevemente auadido el vltimo tratado
por el mismo autor. . .Sacalos a Luz...
Don -Joseph de Torres, etc.
En su Iniprcnta de Mnsica :
Madrid, 1700. 4°. 1042. k. 6.
NATIONS. The Nations no longer.
Song. Ste Blewitt (J.)
Nations, who in future story. Song.
See Haesdel (G. F.) [Joshua.]
NATTY. Natty Sammy. Duett.
Sire Reeve (W.) [Harlequin's Return.]
NATURAL. Natural Love. [Song.]
Ste Ask. Ask whv the Miser hoards his
Pelf, etc. [17o6.j" s. sh. 8".
P.P. 5439. ab.
NATURE. Nature and Nancy. [Song.]
See DiBDiN (C.) [Tom Wilkins.]
Nature for Defence affords. [Song.J
See Depesch (W.)
Nature fram'd thee sure for loving.
[Song.] See Eccles (J.) [The Judgment
of Paris.]
Nature fram'd thee sure for Loving.
[Song.] See Purcell (D.) [The Judg-
ment of Paris.]
Nature's Holiday. [Song.] .^Ve SuK.
The Sun in Virgin Lustre shone, etc.
[1775 ?] s. sh. fol. I. 530. (148.)
Nature's Magic Skill. Song.
See Clagget (G.)
NAUDE (L.) A chanter le vaiuqueur des
Dieux. Ode Anacr ^antique, a Mademoiselle
Chevalier. Les vers sont de M' Panard.
[Paris.'\ 1749. .s. sh. 4°. 297. e. 24.
Mercure de France, Nov., 1749.
Nouveaux Airs a une et deux Voix, Ariettes,
et Brunettes. . .Gravees par INI"""" Leclerc
pj-iie jjue) (^M'"" Pradaz) . . .Livre Septieme
(-Dixieme). 4 Bks. Chez L'Auteur :
Paris, a750?-1755?l ofeZ. fol.
C. 642. (4.)
Extrait du Premier, et Second (Troisieme,
et Quatrieme) Livre d'airs, Duo, Brunettes
et Vaudeville, etc. 2 Bks. Ches I'autcur :
Paris, [1750 ?] obi. fol. C. 642. (1.)
Livre I. is imperfect, ivanting pp. 5-8.
La Fileuse, etc. [Song, words bv]
L'Af&chard. [Paris,] 1732. s. sh. 4°.
298. a. 23.
Iflercure de France, June, 1732.
Je veux chanter sur ma Musette. Musette.
[Words] Par M. I'Atfichard. [Paris,]
1780. s. sh. 4". 298. a. 9.
Mercure de France, Feb., 1730.
Pour I'adorable Celimene. Brunette.
[Words] (Par M. I'Affichard.) [Paris,]
1732. s. sh. 4°. 298. a. 26.
Mercure de France, Dec, 1732.
NAUDE (L.) V= Recueil d'Airs a Une et
Deux Voix. De differents Genres. Meslez
de Vaudevilles, etc. Grav6 par M'"'= Ven-
dosme. 2"^ Edition, Revue, et Corigee
Chez M'i« Boivin : Paris, [1750?] obi. fol.
C. 642. (2.)
VP Recueil d'Airs a Une, Deux et Trois
Voix, etc. Grave par J. Renou.
Ches VAuteur : Paris, [1750 ?] obi. fol.
C. 642. (3.)
NAUDET ( ) See Naude (L.)
NAUDOT (Jeas Jacques) Dixieme
CEuvre, contenant vi. Babioles pour ii.
Vieles, Musettes, Flutes-a-bec, Flutes
traversieres, Haubois on Violons, sans
Basse. Chez V Autcur : Paris,
[1730?] fol. K. 7. f. 16. (6.)
[For editions of Freemasons' Songs, edited
and arranged by J. J. Naudot :]
See Secret des Fraxcs-^Ma^oss.
NAUERT (Gottfried Ecsebius) Oden
und Lieder zum Singen bey dem Clavier
. . .Erster Theil. In Verlag Johann
Ulrich Hatfncrs : Niiruberg, [1758.] fol.
G. 629. (1.)
Herrn Gottfried Eusebii Nauerts Oden
und Lieder. Zweyter Theil.
Bey Johan Ulrich Ha ffncr : Xiirnbcrq,
[1764.] fol. " G. 629. (2.)
NAUFRAGE AU PORT. Le Naufrage
au Port, Comedie en un Acte, melee de
Vaudevilles ; par les CC. Pain et Midet. . .
Avec la Musique [of a song and a vaude-
ville by — Wicht]. Chez le Libraire,
au Theatre du Vaudeville : Paris, An
Troisieme [1794]. 8". 11738. k. 39. (4.)
NAUMANN (Giovanni Amadeo)
See Naimann (J. Ct.)
NAUMANN (Johann Amadeus)
See Nacmann (J. G.)
NAUMANN (Johann Gottlieb) Am-
phiou. Eine Oper. [P. F. Score, with a
preface by L. Neumann.]
Herausgegeben vom Verfasser des
Deufschen Textes zur Naumannschen
Oper Cora : [Dresden, 1784.] obi. fol.
F. 382.
See Shield (W.) [The Picture of
Paris :] The Songs ... in the Picture of
Paris . . . Part of which is taken from . . .
Amphion, etc. [1790.] obi. fol.
E. 91. c. (2.)
Six Italian Arietts with an Accompany-
ment for a Harp or Piano Forte.
J. Bland : London, [1790?] obi. fol.
E. 600. V. (3.)
Cora. Eine Oper, etc. [P. F. Score.]
In der Dijkischen Buch Handlung :
Leipzig, 1780. obi. fol. F. 382. a.
IBS
NAUMANN— NE
NAUMANN (JoHANN Gottlieb) [La
Dama Soldato.J Raccolta di Arie, Duetti,
Cori, &c. aggiustata per il Cembalo dell'
Opera La Dama Soldato.
Presso P. C. Hilscher :
Diescla, [1791.] fol. H. 656.
XII. von Elisensgeistlichen Liederu beym
Clavier zu siugeri. Im Hilscherschen
Mufiik-Yerlaqc : Dresden, [1787. j fol.
H. 656. b.
Vierzig Freymiiurerlieder . . . Zweyts
Auflage. ' Bey C. F. Himhurq :
Berlin, 1784. 8". C. 423.
VI. Neue Lieder mit Begleitung des Forte-
Piano Oder der HarfEe, etc.
Ill der Gilnthersclien Notenstecherei :
Berlin, [1795 ?J obi. fol. E. 601. f. (8.)
XXV. Neue Lieder verschiedeuen Inhalts,
von Elisa [von der Recke , etc.
In P. C. Hilschers Music Yerlage :
Dresden, [1799.] ohl. fol. D. 724.
Orpheus und Euridice. Eine Oper ...
Clavierauszug. . . Heraiisgegeben von C. F.
Cramer. Beif dem Herausqeher : \
Kiel, 1787. obi. fol. ' F. 382. b.
I
Trois Quatuors chois[i]es pour le Clavecin
ou Piano Forte avec I'Accompagnement
d'une Flute, Violon et Basse. . .Oeuvre 1.
[Separate Parts.] Ches I. Schmitt :
A77isterdam, [1190?] fol. h. 2784. (3.)
Sammlung von Deutschen, Franzosischen
und Italianis[c]hen Liedern beym Clavier
zu siugeu, etc.
Ill der Brcitkopfischen Mnsikluindlung :
Leipzig, [1794.] 'obi. fol. E. 235. b.
Sammlung von Liedern beym Clavier zu
singen. In drei Abtheilungen.
E. C. Bencke : Pforten, 1784. fol.
G. 749.
Senza il caro amato oggetto. A Rondo
with Recitative as sung by Signora Banti,
in the Opera [by G. Paisiello] of La
Zenobia in Palmira, etc.
Printed for Corri, Diissek £ Co. : London
d- Edinburgh, [1794.J fol. G. 811. (19.)
Deux Simphonies a Grand Orchestre des
operas Cora et Elisa . . . Oeuvre iii.
[Orchestral Parts.] Ches J. J. Hummel :
Berlin, [1185?] fol. h. 1508. a. (4.)
Singet dem Herrn ein neues Lied etc.,
Der 96'" Psalm. . .Partitur.
Bei Breitkopf and Hdrtel : Leipzig,
[1795 '?] fol. H. 2660.
Le Sort de Medee. Grand Ballet Panto-
mime de I'lnventiou du Sieur Lauchery
. . . arrange pour le Clavecin par I. C. F.
Rellstab, etc. Rellstab : Berlin,
[1788.] fol. g. 59.
NAUMANN (.JoHANN Gottlikb) [Tutto
per Amore.j Sinfonia e Arie Scielte
aggiustatc per il Cembalo, dell' Opera
Tutto per Amore, etc. 2 torn.
Presso P. C. Hilscher : Dresda,
[1780?] fol. H. 656. a.
[Another copy. torn. I.] H. 2818. d. (7.)
See Freemasons' Songs. Gesange fiir
Maurer mit. . .Melodien von. . .Naumann,
etc. [1782.] 8". E. 1718.
See Keiegel (C. F. W.) xxxvi. Lieder
.. von. . .Naumann, e?c.
[1790-1.] obi. fol. E. 679.
NAVAL. The Naval First of August,
1798. Song. See Ebdon (T.)
The Naval Prince. [Song.] See Long.
Long had the foes of England joined, etc.
[1782.] s. sh. fol. G. 310. (59.)
Naval Victories. Song.
See DiBDiN (C.) ^Tom Wilkins.]
NAVAL PILLAIl. The Naval Pillar.
Entertainment. See Moobehead (.J.)
NAVAL REVIEW. The Naval Review.
Entertainment. See Chapman (R.)
NAVARRO (Juan) F. loaunis Nauarro
Gaditaui . . . Liber in quo Quatuor Pas-
siones Christi Domini coutinentur [integre
litera, & Cantu iuxta ritum Sancte Romane
Ecclesie] Octo Lamentationes : Oratiocj;
Hieremie Prophete. Nunc primiim. . .in
lucem editus, etc. Apud Didncum Lopez
Daualos: Mexici, WOi. 4". K. 8. e. 7.
The title-page is viutilated.
NAVIGATEUR. [For Songs, &c., in
Melide, ou le Navigateur, published
anonymously :] See Melide.
NE. N'aimes jamais qu'on ne vous aime.
Arietta. See Albanese ( )
N'allez point au bois seulette. Le Dan-
i gers des Bois. [Song.]
I [Paris, 1780 ?] 8°. B. 362. b. (53.)
N'avoir pour objet que sa flame. Vaude-
ville. See BouvARD (F.)
N'estes-vous point cette Armide. Air.
[Paris,] 1729. s. sh. 4". 298. a. 4.
Mercure de France, March, 1729.
N'faut pas danser comm'ca. . .[Song.]
See DucRAY-DuMiNiL (P. G.) [La Danse.]
Ne cherchons qu'a rire et boire. Gavotte.
See Charles ( )
Ne crois pas qu'un bon menage. [Song.]
See SiLVAiN.
Ne croyez pas encore longtems. Couplets.
See Enfant Trouve.
Ne croyez pas, jeune Bcgere. jMenuet.
See Du Parc ( )
Ne donnons jamais a nos femmes. Vaude-
ville. See Philidor (F. A. Danican)
Ne fait pas tant votre embarras. Air.
See Pauvre Femme.
NE— NEEPE
189
NE. Ne feras-tu jamais que des sermens
frivoles. [Song.j See Hebert { )
Ne nous preferons point aux Belles.
Vaudeville. See Guillon (H. C.)
Ne perdons jamais I'esperance. Vaude-
ville. See Roi ET LE Fermier.
Ne point s'engager sur le champ.
jy Amour Veritable. Vaudeville. [Words
by] Pelissier. [Paris,] 17-51. s. sJi. 4".
298. c. 2.
Mercare de France, Jan., 1751.
Ne pourrai-je sortir des fers d'une Infid-
elle. Air a Boire.
[Paris], 1723. s. sit. 4". 297. a. 2.
Le Mercure, June, 1723.
Ne pulvis et cinis superbe. Motette.
See Mozart (W. A.) [Thamos. Ihr
Kinder des Staubcs.]
Ne soyez qu'infidelea. Air.
[Paris,] 1782. 8". 298. f. 29.
Mercure de France, August, 1782, ^». 07.
Ne suis-je pas aussi Captive. Arietta.
See Caravane du Caire.
Ne vous etones pas. Air.
See B ***** *
Ne vous etounez pas, Bergere. Menuet.
[Paris,] 11 ¥1. s. sh. ¥. 297.0.11.
Mercure de France, April, 1747.
NEALE (Richard)
See Pocket Companion'. A Pocket Com-
panion for Gentlemen and Ladies : being
a Collection of the finest Opera Songs &
Airs in English and Italian . . . Corrected
& . . . Figur'd for y Organ, Harpsicord, and
Spinet, bv Mr. K. Neale, etc.
[1725?] >. C. 491.
NEANDER (Alexis) Liber Primus . . .
Sacrarum Cantionum, quas vulgo Motectas
appellant, iv. v. vi. vii. viii. x. et xii.
. . . vocibus concinnatarum, etc. Cantus.
(Altus.) (Tenor.) (Bassus.) (Quinta
(Sexta) (Septima) (Octava) Vox.) 8 pts.
Apud Wolfgangum llichterum, Sumptibus
Nicolai Steinii : Francofurti, 1605. obi. 4°.
A. 302.
nSTEAPOLITAN. The Neapolitan Sol-
dier. [Song.] See BiGGS (E. S.)
NEAR. Near a Hav^thoru I met on the
Plain. Harry and Marij. [Song, by -J.
Hook.] Sung by IMr. Vernon at Vaux-
hall. C[lmrles~'. and S'amuel] T[Jiompson :
London, 1174:.] s.sh.iol. G. 310. (143.)
From Tho^npson's Second Collection of
Hook's Vauxhall and Marijlcbon'e
Songs for 1774.
Near a Neat Little Cot. Song.
See Hook (J.)
Near Pleasant Woods. The Rurall Lover.
A Song. [London, 1715 ?] s. sh. fol.
H. 1601. (321.)
NEAR. [Another edition.] Near pleasant
Woods. The Rurall Lover, etc. [London,
1715 ?] s. sh. fol. G. 316. g. (43.)
Near the Courts of Great Princes. Song.
See Johnson (A.) Song-writer.
Near the side of a Pond. Tlie Miller's
Song. Sung by Mr. Atkins at Sadler's
Wells. [Lo7idon, 1750 ?] s. sh. fol.
G. 310. (156.)
Near the side of a Pond. The Miller's
Song. [Song.] Sung by Mr. Atldns.
[London, 1753.] 8°. 157. 1. 15.
London Magazine, 1753, p. 834.
Near the side of a Pond. The Miller's
Song. [London, 11 53.] &\ 249. c. 23.
Gentleman's Magazine, Vol. XXIII.,
p. 482.
Near to a Silver purling Stream. [Song.]
.See Moze (J. H.)
Near to Porto Bello lying. Hosier's Ghost.
[Song, words by R. Glover, to the tune of
' The Sailor's Complaint.'] Sk[illern :
London, Ills?] s.sli.iol G. 310. (164.)
NECTAR. Le Nectar qu' Hebe verse aux
Dieux. Air.
See Grandval (N. Ragot de)
NED. Ned that died at Sea. [Song.j
See DiBDiN (C.) [Christmas Gambols.]
NEDERLANDTSCHE GEDENCK-
CLANCK. Neder-Landtsche Gedenck-
Clanck. [Songs.] See Valerius (A.)
NEEFE (Christian Gottlob). Die
Apotbeke, eine comische Oper in zween
Acten, etc. [P. F. Score.]
Bey J. F. Jtmius : Leipzig, 1772. obi. 4 '.
C. 591. b.
Der dumme Gartner oder Die beyden
Anton, eiu comisches Singspiel in zwey
Aufziigen fiirs Clavier gesetzt, etc.
Bei N. Simrock: Bonn, [1795 ?J obi. fol.
E. 43.
Die Einspriiche, eine comische Oper in
zwey Aufziigen vom Herrn Michaelis, etc.
[P. F. Score.] In der Schivickertschen
Buchhandhing : Leipzig, 1773. obi. 4".
C. 591. a.
Heinrich und Lyda, ein Drama in eiuem
Aufzuge, etc. [P. F. Score.]
Bey H. W. F. Flittner : Naumburg vnd
Zeiss, nil. obi. 4". C. 591.
Zwolf Klavier-Sonaten, etc.
Bey E. B. Schirickert : Leipzig, 1773. fol.
g. 68. (1.)
Seeks Neue Klaviersonaten, nebst Veran-
derungen iiber die Melodie der Romauze
aus der Jubelhochzeit : Kunz fand einst
einen armen Mann &c. [by J. A. Hiller]
und iiber ein bekanntes Arioso, etc.
Im Schwickertschen Verlage: Leipzig,
1774. fol. g. 68. (2.)
190
NEEFE— NEIDHARDT
NEEFE (CHR1STIA^- Gottlob) [Der Neue
Gutsherr.] Gesiinge aus dem Neuen
Guthsherru, einer Oper in drey Auf-
ziigen, von Dyck und Jiinger ; komponirt
und in einen Klavierauszug gebracht von
Neefe. 2 Lief.
Im Verlage der Dyckischen Buclihandlung :
Leipzig, 1783 (1784). ohl. fol. F. 77.
Oden von Klopstock, mit Melodien...
Zweyte Auflage. hi der Kortenschen
Buchhandlung : Flensburg tend Leipzig,
1779. obi. fol. E. 43. a.
Serenaten beym Klavier zu singen, etc.
Li der Di/kischen Buchhandbmg :
Leipzig, 1777. obi. 4". E. 253. b. (13.)
See :\lARTiN Y Solar (V.) L'Arbore di
Diana . . . Fiirs Clavier eingerichtet von
C.G. Neefe. [1790?] obi. tol.
E. 244. d.
See Mozart (W. A.) Le Nozze de Figaro
Oper . . . fiirs Clavier eingerichtet von
C.G. Neefe. [1796.] obl.ioi. E. 150. u.
Nee Paisiello (G.) [La Molinara.'] Ouver-
ture und favorit Arien . . . Fiirs Clavier
eingerichtet von C. G. Neefe.
[1795?] oW. fol. T>. 371. b.
^'ee Salieri (A.) Axur . . . fiirs Clavier
eingerichtet von C. G. Neefe.
[1795?] obi. fol. E. 20.
NE'ER. Neer a Barrel, the better Herring.
[Song.] -See Ham't. Han't you seen,
Brother Jockev, etc. [1720?] s. sh. fol.
H. 1601. (197.)
Ne'er ah ne'er let sorrow's sting. Song.
See LiNLEY (T.) the Elder. [Selinia and
Azar.'\
Ne're complain that my Flame I discover.
Song. See Baptist, Signor.
Ne'er leave me more my Treasiire. [Song.]
.See Temple op Love.
Ne'er tell me of liquors from Spain.
Burton Ale. [Song.] The Words by
the Editor. Printed for A. Portal :
LwifZott,, [1775 ?] fol. G. 310. (148.)
Ne'er think on To-morrow. [Song.]
See Come. Come push round the bumper.
[1780?] s.sli.iol. G. 307. (102.)
Ne'er till now did I behold. The Charac-
ter of a Young Lady, by Mr. E. Gilding,
[Song,] Within the Compass of Common
Flute, or German Flute. I London,
1750?] s. s/(. fol. G. 316. e. (91.)
Neer yet was a name. Abraham Neicland.
A... Comic Song written by C. Dibdin,
Jun' and sung [to the air of the Rogue's
March] bv Mr. Johannot. H. Himc :
Liverpool, [1193 7] fol. G. 368. (11.)
NEGLECTED. The Neglected Lover.
[Song.] See Randall (.J.)
The Neglected Tar. Song.
See DiGNUM (C.)
NEGLI. Negli Elisi ombra onorata.
Song. See Anfossi (P.)
NEGLIGENTE. II Negligente. [Opera.]
See CiAMPi (L. V.)
NEGRESSE. L'homme dans le change-
ment. Vaudeville de la Negresse [words
by Radet and Barr6, music by C. F.
Lescot]. Chez Imbault :
Paris, [1787.] 8°. B. 362. e. (65.)
NEGRI (Cesare) Nuoue Inuentioni di
Balli . . . Conueneuoli . . . per ogni sorte di
Ballo, Balletto, & Brando d' Italia, di
Spagna, & di Francia. Con figure bel-
lissime in Rame ,& Regole della IMusica,
& lutauolatura, quali si richieggono al
Suono et al Canto. Diuisa in tre Trattati,
etc. Appresso G. Bordone :
Milano, 1G04. fol. 785. m. 8.
[Another copy.] 62. h. 18.
NEGRI (]\Iarc' Antonio) Affetti Amorosi
a Tre Voci . . . Nouameute Composti, &
dati in luce. Col suo Basso C'ontinuo.
Canto Primo (Secondo). (Basso.) S pts.
Apirresso Angela Gardano, & Fratelli:
Ycnctia, 1608. i". D. 189.
NEGRO. The Negro Boy, who was Sold
by an African Prince, for a Metal Watch.
Song. Sec Miller (E.)
The Negro Girl. [Song.] See Sad. Sad
was de Day, eZc. [1800?] fol.
H. 2832. g. (38.)
The Negro Mother. Ballad.
See Ross (J.)
The Negro's Complaint. [Song.]
See Forced. Forc'd from home, etc.
1793. s. sh. 4'\ P.P. 5141.
The Negro's Lamentation. Ballad.
See Howard (W.)
The Negro's Revels. [Song.]
See Ambrose (J.)
NEGRO SANTO PIETRO (Giulio de)
Gl' Amorosi Pensieri. Canzonette \"illa-
neUe et Arie Napolitane a Tre Voci. Da
Sonare, & Cantare su'l Chitarone, Claue-
cimbalo, & altri Stromenti . . . Libro
Secondo. Raccolte da Marcellino Sana-
rega. Nouamente Stampato. Canto
Primo (Secondo). (Basso.) 3 pts.
A]}2>resso Angela Gardano, rf- Fratelli :
Venetia, 1607. 4". D. 190.
NEIDHARDT (Johann Georg) J. G.
Neidhardts. . .Beste und Leichteste Tem-
peratur des Monochordi, vermittelst
welcher das heutiges Tages briiucliliche
Genus Diatonico Chromaticum also einge-
richtet wird, dass alle Intervalla, nach
gehoriger Proportion, einerley Schwebung
iiberkommen, und sich daher die Modi
regulares in alle mid iede Claves, in einer
angenehmen Gleichheit, transponiren
lasseu, etc. Bey Johann Bielcken :
Jena, 1706. 4". 7897. bb. 1. (5.)
NEIDHARDT— NENNA
191
NEIDHARDT (Johann Georg) Gantz-
lich erschijpfte, Mathematische Abtheil-
ungen des Diatonisch-Chromatisclien,
temperirten Canonis ^lonochordi, alwo
...gezeiget wird, wie Alle Temperaturen
zu erfinden, etc.
Christoph Gottfried Eckart :
Klhiigsbcrg, 1732. 4". 7896. b. 8.
On the title-page is tJie autograpJi of C. G.
Neefe.
Sectio Canonis Hamionici, zur volligeu
Richtigkeit der Generum Modulaudi, etc.
In Verlegung Christ. Gottfr. Eckarts :
Konigsberg, 172-i. 4°. 7896. b. 7.
NEIGHBOUR. Neighbour Sly. [Song.]
See DiBDix (C.) [The Quizes.]
NEILSON (Lawrence Cornelius)
See NiELSON.
NEL. Nel caro seuo. Air.
Sec ilARTiN Y Solar (V.) [L' Isola del
Fiacere.']
Nel cor mi sento un giubilo. [Song.]
See Martin y Solar (V.) [La Scuola
de' Maritati.]
Nel cor piu non mi sento. Duetto.
See Paisiello (G.) [La Molinara.]
Nel lasciarti amato bene. Rondo.
See Andreozzi (G.)
[Another setting.] Nel lasciarti amato
bene. [Air.] See Tarchi (A.)
Nel lasciarti in questo istante. Rondo.
.See Gatti (L.)
Nel partir bell' idol mio. Air.
Sec Bach (J. C.) [La Clemenza di
Scipione.]
Nel seno il cor mi palpita. Song.
See Alessandro e Timoteo.
NELSON. Nelson and the Navy. [Song.]
See Dibdin (C.) [A Tour to the LaiuVs
End.]
Nelson and the Tars of Old England.
Song. See Mathews (J.)
Nelson's Cap. [Song.] See Moulds (J.)
Nelson's Victory. Song.
See Spofforth (R.)
NELSON'S VICTORY. Nelson's Vic-
tory. A Sonata for the Piano Forte.
Inscribed to his Lordship by the Author.
Longman it Broderip :
London, [1798.] fol. g. 138. (20.)
NELSON (J.) Retaliation, or an Answer
to ;Mr. Dibdin's Song of Jlounseer Nong
Ton Paw. [Song.] W. Boag :
London, [1797 ?] fol. G. 366. (43.)
NEMO (Nicholas) pseud. Miss Prue's
Plea for a Hoop, by Nicholas Nemo,
Organist of no Town. [Song, begins :
' What a fine Thing have I seen to-day.']
[London, 1710 ?] s. sh. fol.
G. 313. (17.)
NENNA (PoiiPONio) Di Pomponio
Nenna ... II Primo Libro de Madrigali a
Cinque voci. Nouamente dati in luce.
Canto. (Alto.) (Tenore.) (Basso.) (Quinto.)
5 pts. Stampa del Gardano. Appresso
Bartlwlomeo Magni : Venetia, 1617. 4".
C. 290.
Also containing madrigals by S. Fclis.
[Another copy. Basso.]
D. 186.
Di Pomponio Nenna. . .11 Quarto Librp de
Madrigali a Cinque Voci. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) 5 pts.
Appresso Angela Gardano, it Fratelli :
Venetia, 1609. 4". C. 293.
Di Pomponio Nenna... II Quarto Libro
de Madrigali a Cinque voci. Terza Im-
pressione. Basso. Stampa del Gardano.
Appresso Bartholomeo Magni: Venetia.
1617. 4". D. 186. a'
Di Pomponio Nenna. . .^Madrigali a Cinque
voci. Quinto Libro. Nouamente Stampati.
Canto. (Alto.) (Tenore.) (Basso.) (Quinto.)
5 pts. Appresso VHercdc di Angelu
Gardano : Venetia, 1612. 4°. C. 294.
Di Pomponio Nenna. . .11 Sesto Libro de
Madrigali a cinque voci. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) 5 pts.
Nella Stampcria di G. B. Sottile.
Per S. Bonino : Napoli, 1607. 4°.
C. 295. a.
Di Pomponio Ntnna. . .11 Sesto Libro de
Madrigali a cinque voci. Nouamente
Ristampati. Canto. (Alto.) (Tenore.)
(Basso.) (Quinto.) 5 pts. Stampa del
Gardano. A'Jre BartJiolomrei Magni :
Venetia, 1614. 4\ C. 295.
Di Pomponio Nenna. . .11 Settimo Libro
de Madrigali a Cinque Voci. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) 5 pts.
Nella Stampa di G. B. Sottile, per
S. Bonino : Napoli, 1608. 4". C. 296. a.
Di Pomponio Nenna... II Settimo Libro
de Madrigali a Cinque Voci. Terza Im-
pressione. Canto. (Alto.) (Tenore.)
(Basso.) (Quinto.) 5 pts. Stampa del
Gardano. Appresso Bartholomeo Magni :
Venetia, 1616. 4". C. 296.
Di Pomponio Nenna... II Settimo Libro
de Madrigali a Cinque Voci. Quarta
Impressione. Basso. Stampa del
Gardano. Appjrcsso Bartholoyneo Magni :
Venetia, 1624. 4°. D. 186. b.
Di Pomponio Nenna. . .L'Ottauo Libro
de Madrigali a Cinque. Nouamente
. . . dati in luce da F. Archilei, etc.
Canto. (Alto.) (Tenore.) (Basso.) (Quinto.)
5 pts. Appresso G. B. Robletti :
Roma, 1618. 4". C. 297.
This work also contains madrigals by
Gervasio Melcarne and the Prince of
Venosa.
192
NEPHTE— NEVER
Ti-agedie.
[Song.]
[Song.]
[Song.]
Great Britain so
NEPHTil. Nephte.
Sec Le :\Ioyxe (J. B.)
NEPTUNE. Neptune.
See Bach (J. C.) .
Neptune and Britannia. [Duet, begins :
' Banish'd to some hapless Isle.']
Sec Blewitt (J.)
Neptune and Britannia. Cantata.
[Begins : ' As on the Sea-beat Cliff.']
Set" Caeter (C. T.)
Neptune's Command
See Green (G.)
Neptune's Favorite.
See Great Britain
long, etc. [1798.] fol.
H. 2818. f. (44.)
Neptune's Resignation. [Song.]
Sec WORGAN (J.)
NERON ( ) Reveillez-vous, ma
musette. Musette. [Song.] [Paris,]
1726. s. sh. 4". 297. a. 21.
Mercure de France, June, 1726.
NERONE. The Favourite Songs in the
Opera call'd Nerone. [A Pasticcio. ^ Full
Score] Printed for I. WulsJi :
London, [1754.] fol. H. 348. e. (3.)
The composers named are : Pescetti,
Cocchi, Galoppi, Hasse, Abos and
Binaldo da Capua.
NERVIUS (Leonardus)
Sec Leonardus Nervius, a Capacin.
NEUBAUER (Franz Christoph) Fer-
nando und Yariko. Fin Schauspiel mit
Gesang von K. von Ekhartshausen, etc.
[Full Score.] Bey Orell,
Gessner, Fucssli und Compagnie : Zurich,
[1788.] fol. I- 385.
The music is preceded by the play, with
separate pagination.
A Second Set of Three Concertanti Duets,
for Two Violoncellos. . .Op. x. Printed for
W. Forstcr : London, [1795 ?] fol.
h. 219. (12.)
III. Trios pour Flute Violon et Viola...
Oeuvre 14. rSeparate Parts.] Chez J.
Andre: Offenbach s. M., [1800?] fol.
•" g. 694.
Three [or rather Six] Trios . . . Adapted for
Three Flutes,... by G. Weiss. 2 Sets.
[Separate Parts.] Longman and Broderip,
for the Author : London, [1790?] fol.
g. 222. (8.)
[Trio for Two Flutes and Violoncello.
Separate Parts.] Ste. Monzani (T.) Two
Trios [by J. C. Bach and F. C. Nsubaur]
. . .selected by T. Monzani. [No. 2.]
[1800?] fol. g. 274. b. (3.)
NEUBAUER (Johank) Sei Quartetti
per Flauto Traverso, Violiuo, Viola e
Violoncello. [Separate Parts.] Presso
Hoffmeister : Vienna, [1800 ?] fol. g. 467.
NEUBAUR (Franz Christoph)
See Neubauer.
NEUE GUTSHERR. Der Neuo
Crutsheii'. Oper. See Neefe (C. G.)
NEUMANN (Georg)
See Feast of Apollo. The Feast of
Apollo, containing . . . Lessons . . . by. . .
Neuman, etc. [1788.] fol. G. 351. (2.)
NEUMARK (Georg) Betriibt-Verliebter
doch eutlich hocherfrewter Hiirte Filamon
wegen seiner edlen Schiiffer-Nymfen Belli-
flora, das ist, Kurtze Liebes beschreibung
zweyer Hoch-Edlen Personen, ... in ein
Pastoral gebracht, vnd die darin stehende.
Lieder mit Jlelodeyen und Symfonien
aussgeziehrt, etc. 2 pts. Li Yerlegung
Peter Hdndels . . . Gedruckt durch Johann
Beusnern : Konigsberg, 1648. 8°.
12410. b. 14.
There is a separate engraved title-page.
Georg Neumarks. . .Poetisch- und Musik-
alisches Lustwaldchen, in welches erster
Abtheilung. . . Ehren- und Liebeslieder,mit
bevgefiigten Melodien. . .euthalten sind.
Gcdrukkt bey Michael Pfeiffern,
in Verlegung J. Naumanns : Hamburg^
1652. 12". 11517. aa. 5.
NEUSIDLER (Melchior) II Primo
(Secondo) Libro. Intabolatura di Liuto
di Melchior Neysidler oue sono jMadrigali,
Canzon Francesi, Pass' e mezi, Saltarelli
& alcuui suoi Ricercari, Nouamete da lui
posti in luce. 2 Bks. Apipresso di
Antonio Gardano : TVju'fia, 1566. fol.
K. 8. g. 3.
NEVEN (H.) De tons les Gar(,-ons du
Village. Romance, etc.
[Paris,'] 1774. 8°. 298. e. 28.
Mercure de France, April. 1774.
NEVER. Never believe me if I love.
The Careless Lover, [Song, written] by
the late Sir John Suckling. Set for the
German Flute. [London, 1725?] s. sh. fol.
G. 316. (100.)
Never think of Love. Song.
See Storage (S.) [My Grandmother.]
Never till now. Glee. Set Harrison (S.)
Never till now I felt love's dart. 'Twas
you alone, if you'll believe vie. [Song.]
J[ohn and] G[erard] V[ogler :
London, 1770?] s. sh. fol.
H. 1994. b. (57.)
Never till now I knew Love's Smart.
[Song.] Printed for N. Steieart :
[Edinburgh, 1770 ?] s. sh. fol.
I. 530. (108.)
Never yet in Ancient story. Welcome
Nelson Home again. A Favorite Song, set
to Music by a Lady of Fashion. Printed
for J. Dale : London, [1798.] fol.
G. 376. (48.)
NEW— NICHOLLS
193
NEW. New Blessings, new Life. Air.
See Ae^-e (T. A.)
The New blown Rose. [Song.]
See Dale (-Joseph)
A New Figary. [Song.]
See Ye. Ye beauteous Nymphs, etc.
[1728 ?] s. sh. fol. G. 305. (306.)
The new Game at Pam. [Song.]
See When. When Phillida with Jockev.
[1705?] s.sh.ioL H. 1601. (502.)
New Jockey. Song. Sec My. My
Laddie is gang'd far away, etc.
[1768.] 8^ 158. 1. 13.
New Kissing Song. See Anglosiki ( )
New Lango Lee, with Variations for the
Harpsicord or Piano Forte, etc.
Printed for Straight d: Skillern : London,
[1775?] fol. g. 271. b. (9.)
The New Mariners. Glee.
See Callcott (J. W.)
New Reformation begins thro' the Nation.
Song. See Purcell (H.)
The New Soger Laddie. [Song.]
See Hayes (P.)
The New Spinning-Wheel. [Song.]
See One. One Summer's Eve, as Nancv
fair, etc. [1768.] 8". P.P. 5438. z.
The New Spinning Wheel. [Song.]
See One. One Summer's Eve, etc.
1769. 8". 159. n. 1.
The New Taxes. [Song.]
See Budget. The Budget is open, etc.
[1783.] s. sh. fol. G. 312. (172.)
New Tunbridge Wells at Islington. Song.
See Whence. Whence comes it that the
shining Great. [17-35?] s. sh. lol.
G. 313. (162.)
NEW MERRY COMPANION. The
New 3Ierry Companion, or Complete
Modern Songster : being a Select Collec-
tion of . . . Songs, lately Sung at the
Theatres . . . also A Collection of the most
esteem'd Catches and Glees. Set to
Musick. Printed for John ^\lleblc :
London, [1175?] 12". 11622. bb. 12.
The catches and glees alone have the
music.
The New Merry Companion . . . The
second Edition w"" considerable additions.
Printed for Wallis d' Stonchousc, etc. :
Lo7jf?on, [1778?] 12". 11622. aaa. 17.
NEW SPAIN. New Spain. Opera.
.See Arnold (S.)
NEW TREASURY OF MUSICK.
The New Treasury of Musick : or, a Collec-
tion of the Choicest and Best Song-Books
for these Twenty Years last part. The
Words composed by the most Ingenious
Wits of this Age, and Sett to Musick by
the greatest Masters in that Science.
With a Thorow-Bass to most Songs, for
VOL. II.
the Theorbo, Lute or Bass-Viol, Harpsi-
chord or Spinnet. Printed for Henry
Playford : London, 1695. fol. G. 8'7.
Tliis work consists of Books i., n. and ir.
of the ' Theater of Music ' (1685-7) ;
Books ir. and v. of 'Choice Ayres and
Songs' (1683-4), ivith the above neio
title-page. The autographs of William
Shield and Vincent Novello are on the
inside of the cover.
NEWMARKET. Newmarket Horse
Race. [Son?.] See To. To Horse, brave
bovs of Newmarket, etc.
[1720?] s.sh.iol. G. 312. (59.)
NEWNESS (J.) What Charming Sounds
are these. [Song.] The Words made, and
Set by Mr. J. Neivness.
[London, 1100?] s.sh.io\. 1.530.(109.)
NEWTON (James William) Psalmody
Improved : in a Collection of Psalm Tunes
and Anthems, for Two, Three, and Four
Voices ; to which is added a Celebr.ited
Anthem, by G. F. Handel, etc.
Printed for the Author :
Ipsivich, 1775. 8". C. 565.
NEYBAUER (Giovanni)
See Nel'bauer (J.)
NEZOT (Gabriel) See Mozart (W. A.)
[Die Zauberflote. Der Vogelfdnger bin
ich.] The Fowler. Arranged as a Rondo
...byG. Nezot. [1800 ?j fol.
g. 140. (46.)
See Richer (L. A.) Richer's Hornpipe.
Arranged with Variations for the Piano
Forte by G. Nezot, e^c. [1800?] fol.
g. 271. e. (22.)
NI. Ni I'aminte ni la reine. Air.
See DiDON.
NICCOLAI (Valentino) See Nicolai.
NICE. Nice crovoit qu'avant vingt ans.
Chanson Noicvelie. [Pa?7S, 1780 ?] 8".
B. 362. b. (117.)
NICHELMANN (Cheistoph) [Brevi
Sonate da Cembalo. Op. 2.] Six Short
Sonatas or Lessons for the Harpsichord,
etc. Longman, Lukey and Co. : London,
[1770?] o6Z. fol. f. 133. 1. (3.)
NICHOLLS (George) Twenty-five Di-
vertimentos, for two German Flutes or
Violins, etc. [Separate Parts.]
Printed for the Author : Cambridge,
[1792?] fol. g. 225. (7.)
Six Divertimentos, for two German
Flutes, with an Accompaniment for a
Violoncello or Piano Forte . . . Op. ii*.
[Separate Parts.] T. Preston, for the
Author : London, [1780 ?] fol.
h. 120. (15.)
NICHOLLS (John) Since we're depriv'd
of great Anna. A Neio Song, etc.
D. Wright : [London, 1114..] s. sh. fol.
H. 1601. (408.)
o
194
NICHOLSON— NICOLAI
NICHOLSON (I.) My lovely Nymph.
[Soug.] The Words by a young Lady.
C\liarles ami] S[amucl\ T[homi)soii :
London, 1775 ?] s. sJi. fol.
H. 1994. d. (43.)
NICHOLSON (James) A Concise Treatise
on Thorough Bass with Practical Lessons,
selected from the most Eminent Com-
posers, with their Melodies for a Violin,
or German Flute, illustrated with a
Variety of Examples, etc.
W. Cope, for the Author : London,
[1796?] o6Lfol. 785. k. 21. (1.)
The lessons are by Handel, Corclli,
Stanley, Geminiani, Abel and Avison.
NICODEME DANS LA LUNE. A
travailler nous perdons le courage. Choeur
des Paysans. De Nicod^me dans la Lune.
[Words and music by L. A. Beffroy de
Reigny.l Chez Frere : [Paris, 1791.] 8°.
B. 362. (101.)
Colinette au bois s'en alia. Eonde de
Nicodime dans la Lune. Avcc Accompag'
de Guittare. [Words and music by
L. A. Beffroy de Reigny.] Chez Frirc :
[Paris, 1791.] 8^ B. 362. (98.)
See Colinette. Colinette n'i a pas
mal a ca. Beponsc a Colinette dans
d'
Nicodime. [1791.] 8". B. 362. (99.)
Des le premier raiou du jour. [Song.]
De Nicodim[e] dans la Lune. [Words by
L. A. Beffroy de Reigny.] Air d'Azemia
[by N. Dalayrac]. Chez Frhx : [Paris,
1791.] 8". B. 362. a. (144.)
Ma foi, c'est agir sans fa^on. Duo de
Nicodeme dans la L^ine. [Words by
L. A. Beffroy de Reigny. Air : Je brule
de voir ce chateau, from N. Dalayrac's
' Raoul, Sire de Cr^qui.'] Chez Fr^re :
[Paris, 1791.] 8°. B. 362. (100.)
Oui, Messieux, tout 1' monde en France.
[Song.] De Nicodeme dans la Lime.
[Words by L. A. Beffroy de Reigny.] Air :
i' Coeurs sensibles '] de Figaro.
Clwz Frere : [Paris, 1791.] 8°.
B. 362. (191.)
Oui, nous perdons 1' courage. Duo de
Nicodeme dans la Lune [words by
L. A. Beffroy de Reigny, adapted to ' Oui
noir mais pas si diable ' by A. E. M.
Gretry]. Chez Frirc : [Paris, 1791.] 8°.
B. 362. (115.)
Tous ceux qui n' s'ront pas contents.
Vaudeville. De Nicodeme dans la Lune.
[Words by L. A. Beffroy de Reigny.] Air
des Fraise[s], Chez Frere: [Paris,
1791.] 8\ B. 362. a. (37.)
NICOLAI (Feiedeich)
See Seubeelich (D.) pseud.
NICOLAI (G.) Trois Duos pour un
Violoncelle et un Violon . . . Oeuvre Pre-
miere. [Separate Parts.]
Chez J. Schmitt :
Amsterdam, [1797 ?] fol. g. 421. g. (1.)
NICOLAI (JoHANN Gottlieb) Six Trios
pour le Clavecin accompagnes d'un
Violon et d'un Violoncello . . . Oeuvre iii.
[Separate Parts.]
Se vend clu's S. Clement :
Zwoll, [1780 ?] fol. h. 5. c. (3.)
NICOLAI (Valentino) A Favorite Con-
certo for the Piano Forte or Harpsichord
with Accompanyments for Two Violins,
Alto, Bass & Flute... Op. 12. [Separate
Parts.] Longman and Brodcrip :
I/on(?o?i, [1798 ?] fol. g. 116. a. (2.)
A Concerto for the Grand & Small Piano
Forte, with Accompaniments for Two
Violins, Two Flutes, Alto & Violoncello
. . .Op. 14. [Separate Parts.]
Brodcrip d; Wilkinson :
London, [1790?] fol. g. 116. a. (3.)
Six Easy Solos for the Violincello and
Bass. Compos'd for. . .Viscount Galway
. . .Opera viii. Longman and Brodcrip :
[London, 1795 ?] fol. g. 24. (9.)
Six Sonatas for the Piano Forte or
Harpsichord with an Accompaniment for
a Violin. . .Opera iii.
J. Welcker, for the Proprietor :
London, [1775 ?] fol. g. 504. (3.)
Six Sonatas. . .Op. in. J. Dale :
London, [1781 ?] fol. g. 245. (2.)
Six Sonatas, for the Piano Forte. [Op. 3.]
[1798.] See Periodical Publications. —
London. The Piano-Forte Magazine.
Vol. IV. [No. 9.] [1797-1802.] 8°.
D. 854.
[Sonatas. Op. in.] Niccolai's Celebrated
Rondos from Opera in. . . . Adapted for
two Performers on One Piano Forte or
Harpsichord. Printed for J. Dale :
London, [1784 ?] fol. g. 130. (9.)
[No. 1.] Nicolai's favorite Sonata
from Op. 3, etc. [P. F.] J. Bland :
London, [1790 ?] fol. g. 232. e. (16.)
No. b of "■ Bland's Collection of Sonatas,
Lessons, Overtures . . . for the Harpsi-
chord or Piano Forte.''
[No. 1.] Niccolai's Sonata from
Opera in. for the Piano-Forte or Harpsi-
chord with au Accompaniment for the
Violin, etc. J. Dale : London,
[1795?] fol. g. 147. (8.)
Six Sonatas for the Harpsichord or Piano
Forte, with a Violin Accompanj'ment
Obligate. . .Op. v. [Separate Parts.]
Longman and Brodcrip : London,
[1784.] fol. h. 1698.
[Another copy.] g. 272. e. (6.
Wanti7ig the Violin part.
NICOLAI— NIELSON
195
NICOLAI (Valentino) Four Grand
Sonatas for two Performers on the same
Piano Porte or Harpsichord . . . Opera ix.
J. Preston, for the AiitJwr :
London, [1795 ?] fol. h. 1568. d. (3.)
Six Sonatas, for the Piano Forte or
Harpsichord . . . Op. xi.
Longman and Broderip :
London, [1797 ?] fol. h. 62. (7.)
Three Sonatas for the Grand or Small
Piano Forte. With an Accompaniment
for the Violin . . . Op. 1.3. [Separate Parts.]
Broderip & Wilkinson :
London, [1799 71 fol. g. 191. (8.)
Six Trios for the Harpsichord or Piano
Forte with Accompanyments for a Violin
and a Bass obligato. Wclckcr :
London, [1775 ?] fol. g. 274. h. (3.)
Six Trios for the Harpsichord or Piano
Forte with Accompanyments for a Violin
and a Bass obligato.
Longman and Broderip :
I/oridon, [1780?] fol. g. 271. g. (17.)
Wanting the Bass part.
NICOLINI (GUALTERO) The King of
Prussia's March. [Song, begins : " What
Honours are to Fred'rick due."]
[London, 1753.] s. sh. fol.
G. 316. (101.)
NICOMACHUS, Gerasinus. NiKo^dxow
rtpajTTj.'oO . . . 'Ap[ioviKTJs 'E-yx«ipiSiov.
Nicomachi Geraseni , . . Harmonices
Manuale. Marc. Meibomius primus vertit,
ac Notis explicavit. See Meibomius (M.)
Antiqua? Mu.sic£e Auctores Septem, etc.
Vol. I. 1652. 4". 55. b. 18, 19.
NiKO}*.dxov Ftpao-Tivou 'ApjioviKfjs *Eyx«<-'
piSiov. Bi^Xia 8vo. jS'ee Aristoxenus.
Aristoxenas. Nicomachus. Alypius. Auc-
tores Musices antiquissimi, etc. 1616. 4".
519. b. 27.
[Another copy.] See Aristoxencs. Aris-
toxenus. Nicomachus, etc. 52. d. 29.
in:EDT (Friedrich Erhardt) F. E.
Niedtens Handleitung, zur Variation,
wie man den General-Bass, und dariiber
gesetzte Zahlen variiren, artigelnventiones
machen,und aus einen schlechten General-
Bass Proeludia, Ciaconen, . . .Giquen und
dergleichen . . . verfertigen kunne, etc.
Auff Kosten des Autoris . . .beyB. Schillern:
Hamburg, 1706. obi. 4°. a. 31.
F. E. Niedtens Musicalische Handleitung
zur Variation des General-Basses, samt
einer Anweisung, wie man aus einem
schlechten General-Bass allerley Sachen
...erfinden konne. Die Zweyte Auflage
. . .vermehret. . .mit. . .einem Anhang von
mehr als 60 Orgel-Wercken versehen
durch J. Mattheson, etc. (F. E. Niedtens
Musicalischer Handleitung — Dritter und
letzter Tlieil, — . . . Opus Posthumum. Deme
beygefiiget Veritophili deutliche Beweis-
Griinde, worauf der rechte Gebrauch der
Music beydes in den Kirchen und ausser
denselben beruhet . . . mit einer Vorrede
zum Druck befordert von Mattheson.)
2 pts. Bey B. Schillers
Wittwe und J. C. Kissiier : Hamburg, 1721
(1717). obi. 4". 7895. a. 66.
Wanting Part I. 'Veritophili deutliche
Beweis-Grilnde ' lias a separate title-
page and pagination. Part III. is
ptcblished by ' Benjamin Schillers
Erben; in 1717.
[Another copy. Part I.] b. 169.
Musicalisches ABC. Zum Nutzen der
Lehr- und Lerneuden. Bey B. Schillern ;
Hamburg, 1708. obi. 4". A. 677.
Musicalische Sonn- und Fest-Tags-Lust,.
auf alle Sonn- und Fest-Tage durchs gantze
Jahr, welche sich griindet erstlich in
einem . . . auf Concerteu Art mit fiiuff
Vocal- und fiinfE Instrument-Stimmen,
und ferner in einer . . . Arien, mit ii.
Discant und Bass. Welche allemahl
mit einem Chor beschlossen wird, etc.
[Pars I. — Disc. 2 ; Tenor ; Bassus ;
Violino 2 ; Viola 1 ; Viola 2 ; Violon ;
Bassus Cont. Pars ii. — Disc. 1 ; Disc. 2 ;
Altus ; Tenor ; Bassus ; Violino 1 ; Bassus
Cont.] 15 pts. L. H. ScJuJnermarck :
Sondershausen, 1698. fol. H. 26.
NIEL (Jean Baptiste) Les Eomans.
Ballet Heroique [written by M. de Bon-
neval,]. . .Grave par N. Baillieul le Jeune.
[Short Score.] Chez la Veuve Boivin :
Paris. [1736.] fol. I. 318.
NIEIjSON (Lawrence Cornelius) Balmy
Pledge of Love sincere. A favorite
Ballad, with an Accompanyment for the
Piano Forte or Harp. The Words by
. . . L. Booker, etc.
Longman and Broderip : [London,
1785?] fol. H. 1653. (37.)
Croppies lie down ; A Favorite Irish Air.
Arranged as aEondo, for the Piano Forte.
Printed for G. Walker: London,
[1800 ?] fol. g. 272. c. (7.)
Happy the Youth whose favour'd Sight.
A favorite Ballad, with an Accompany-
ment for the Harp or Piano Forte.
Longman and Broderip :
London, [1790 ?] fol. H. 1653. (38.)
Nielsen's Slow IMarch and Quick Step,
for the Piano Forte, etc. Preston •
LoncZwi, [1800 ?] fol. h. 726. i. (16.)
Three Sonatas, for the Harpsichord or
Piano Forte, etc. Preston :
London, [1785 ?] fol. g. 270. g. (4.)
o 2
196
NIELSON— NIVEKS
NIELSON (Lawrence Cornelius) When
absent from thy much lov'd sight. A
favorite Ballad, with an Accompanyment
for the Piano Forte or Harp.
Longman c(: Broderip :
[London, 1790 ?] fol. H. 1653. (39.)
NIGHT. Night. Ballad.
See Stevenson (Sir J. A.)
The Night is come. [Song.]
See Pbanck (J. W.)
The Night Piece. [Song.]
See As. As Caelia to the Covert stray'd, etc.
[1770?] s.sh.ioL H. 1994. a. (79.)
Night Thoughts on a Church Yard. [Song.]
See Zachariae (.J. F. W.)
The Night was dark. Song.
Sec LiNLEY (W.) [A Trip to the Na>-e.]
NIGHTINGALE. The Nightingale.
[Song, begins : ' While in a Bow'r.']
Sec Cabey (H.)
The Nightingale. Cantata [begins : ' Sweet
minstrel ']. See Hook (J.)
The Nightingale. Song [begins : ' When
the Sun with feeble light 'J.
See Moulds (J.)
NIMM. Nimm diesen Frank. Duett.
Sec Danzi (F.) [Der Kuss.]
NINA. Nina. Song. Sec Jones (E.) Bard.
Nina, or the Love distracted Maid, [Opera,]
Translated from the French with all the
original Music [by N. Dalayrac], adapted
for the Voice and Harpsichord ... to which
are added two favorite Airs by Haydn and
Gossec. Frinted for G. Gonlding :
London, [1787.] obi. fol. D. 283. (1.)
Dors cher enfant. Choeur dc Nina. [By
N. Dalayrac] Avec accompagnement de
Clavecin. (Azile donue a I'amour. [Song.]
Musique de Mr. de la Croix.)
Chez Bonjotir : Paris, [1800 ?] fol.
H. 346. (25.)
Feuille p^riodique , No. 3.
O ma Nina. Air de Nina. [By N.
Dalayrac] Chez Lc Due : Paris,
[1790?] fol. G. 561. a. (30.)
Nina ou La Folle par Amour. Com6die.
See Dalayrac (N.)
NINA ET LINDOR. Nina et Lindor.
Intermede. See Duni (E. R.)
NINETTE. La Ninette povercina.
[Song.] See Giardini (F.) [Ninetta.]
NINETTE A LA COUB. Ninette a
la Cour. Com^die. Sec Favart (C. S.)
NINETY THREE. Ninety Three.
[Song.] See Dibdin (C.) [The Qtiizes.]
NINFE. Le Ninfe amorosete. — The foolish
scornful Nymphs. — TJic last Air sung by
Mrs. Robinson at y Theatre. {London,
1720 ?] s. sh. fol. G. 305. (89.)
NINON DE L',ENCLOS. Ninon de
I'Enclos, ou I'Epicureisme. Comedic-
Vaudeville en uu Acte et en prose, par le
C. A. Creuze. . .Avec des Airs notes.
Chez le Libraire au TMatre des
Troubadours : Paris, An viii [1800]. 8".
11738. c. 26. (4.)
NISIUS (Conrad) Zwene Christliche
Psalmen. . . Allen KirchenvndChristlichen
Gemeinen, beydes der Stedte vnd Dorfier
in die Superintendentz Weissensee gehorig
...zu nutze mit sechs Stimmen gesetzt,
etc. I. (ii.) Discantus. (Altus.) (i. (ii.)
Tenor.) (Bassus.) G pts. GedrucM bey
Georgio Baioman, dcm Eltern : Erffnrdt,
1593. obi. i". A. 189.
NITETIS. [Opera.] See Mion (J. J. H.)
NITTETI. Nitteti. Opera.
See Sacchini (A. M. G.)
NIVERNOIS ( ) Duke de.
See Baebon Mazarini Mancini (L. J. H.)
NIVERS (GuiLLAUME Gabriel) Chants
et jNIotets a I'vsage de I'Eglise et Com-
munaute des Dames de la Royale Maison
de S' Louis a S' Cyr. Tome Premier,
contenant les Messes, Vespres, Cere-
monies, avec les Litanies. Le tout Com-
pose par feu M' Nivers. . .Mise en ordre,
et Augment^e de quelques Motets par
M' C16rambault, etc. (Motets, a Une, et
Deux Voix...Tome Second, contenant
tous les ]\Iotets qui se chantent aux Saluts,
Compos(^es par M" Nivers et Clerambault,
etc.) 2 vols. Gr^vie par L. Hue :
[Paris,'] 1733. 8". D. 589.
At the end of Vol. I. is a MS. ' Messc de
S' Yinceiit de Panic.''
Dissertation sur le Chant Gr6gorien, etc.
Aux di'pcns de VAutheur : Paris,
1683. 8". 785. b, 53.
Lamentationes Jeremise Prophetge.
Quarum Modulatio correcta & concinnata,
etc. Typis J. B. Christophori Ballard :
Lutecix Parisiorum, 1719. 8". B. 748.
1. (2.) Livre d'Orgue contenant Cent Pieces
de tous les Tons de I'Eglise, etc. 2 vols.
Chez VAutheur (Gravipar Ludcrs) :
Paris, 1667. obi. 4". K. 8. b. 10.
Motets a Voix Seule, accompagn6e do la
Basse Continue. Et quelques autres
Motets a deux Voix, propres pour les
R61igieuses. Avec I'Art d'accompagner
sur la Basso Continue, pour I'Orgue et le
Clavecin. Chez V Authenr :
Paris, 1689. obi. 4". B. 748. a.
Passiones D. N. J. C. cum Benedictione
Cerei Paschalis ; quarum Modulatio
correcta & concinnata, etc. Typis . . .
Joannis-Baptistti'-Christophori Ballard :
Lutcci^e Parisiorum, 1723. 4". E. 511.
NO
197
NO. No anxious Care my Heart can know.
Song. See Tenducci (G. F.) [Love at
First Sight.]
No Charms, I've heard my Chloo say.
The Address to Chloo. [Song, by W.
Defesch.] See Chloe. Chloe, or the
Musical Magazine, etc. No. 11.
[1760?] fol. G. 433.
No Drury nymph, so smart and gay.
Polli/. A new Song. [London, 1757.] 8".
P.P. 5438. z.
JJyiivcrsal Magazine, Vol. XX., p. 329.
No flow'r that blows. [Song.]
Sep- LiNLEY (T.) the Elder. [Seliina and
Azor.]
No glory I covet. Content hy Raison. A
Duetto. [London, 1740 ?] fol.
G. 315. (147.)
hnpcrfcct, p. 1 only.
[Another setting.] No glory I covet.
Coyiten[t]ment. A new Song. [London,
1745 ?] s. sh. fol. G. 316. e. (92.)
No glory I covet. Contentment ; a new
Song. [London, 1750.] 8". 249. c. 20.
Gentleman's Magazine, Vol. XX., p. 275.
No Glory I covet. Contentment. A New
Song. [London, 1750.1 8".
P.P. 5438. z.
Universal Magazine, Vol. VI., p. 176.
No good without an exception. [Song.]
See DiBDiN (0.)
No Highland lad or dear pantin. The Irish
Lassie. A New Song. [By R. Davies.]
[London, 1751.] 8°. 157. 1. 13.
London Magazine, 1751, p. 228.
No, il mio cor nol suffrira. [Song.]
See MoxsiGNY (P. A.) [La Belle Arscne.
No7i,j'ai trop defierti.']
No Language but that of the Heart. Song.
See Makian.
No Lass on fam'd Hibernia's Plains. The
Plan. A New Song. [London, 1758.] 8".
P.P. 5438. z.
Universal Magazine, Vol. XXIII., p. 31.
No ! let the guilty tremble. Song.
See Haendel (G. F.) [Satil]
No longer heave the heart-felt sigh. Duet.
See Sanderson (J.) [Blackbeard.']
No longer let whimsical Songsters com-
pare. Wojnan. [Song.] Sung by Mr.
Lowe at Vaux-hall. [London, 1761.] 8°.
P.P. 5140.
Lady's Magazine, Vol. III., p. 81.
No longer let whimsical Songsters com-
pare. Woman. A New Song. . .Sung by
j\Ir. Lowe. [London, 17G1.] 8'\
158. 1. 6.
London Magazine, 1761, p. 552.
NO. No longer let whimsical Songsters
compare. Woman. [Song.] Sung by
IMiss Lowe at Vauxhall. [London,]
1761. 8°. P.P. 5441.
Boyal Magazine, Vol. V.,p. 149.
No longer let whimsical songers [sic]
compare. Woman : A New Song, sung
by Mr. Lowe. [London, 1761.] 8".
P.P. 5438. z.
Universal Maxjazitie, Vol. XXIX., p. 95.
No longer lot whimsical Songsters com-
pare. Woman. [Song.] Sung by Mr.
Lowe. [London, 1765 ?] s. sh. fol.
G. 316. e. (93.)
No Magic like Gold. [Song.] See This.
This, this and this only is true Conjura-
tion, etc. [1770 ?] 5. sh. fol.
G. 316. (139.)
No INIaiden sure was ever teaz'd. The
Fickle Stoain. [Song.]
C[harles and] S[amuel] T[hompson :
London, 1775 ?] s. sh. fol.
G. 310. (140.)
No moralist since can blame. T)te Original
Coal-black Joak. [Song.] [London,
1730 ?J s. sh. fol. G. 316. e. (99.)
No more for another my bosom should
glow. Daphne. A New Song. [London,
1757.] 8". 158. L 2.
London Magazine, 1757, p. 452.
No more his Fears alarming. Song.
See Storage (S.) [The Firatcs.]
No more I'll dread Love's fatal dart.
Song. See Hudson (R.)
No more invade me. Song.
See Hercules.
No more my Song shall be. The Highland
Queen. A New Song. [Words by Mac
Vicar.] [London, 1764.] 8».
P.P. 5438. z.
Universal Magazine, Vol. XXXIV.,
p. 207.
No more my Song shall be. The High-
land Queen. [Song.] [London, 1770?]
s. sh. fol. G. 310. (170.)
[Another edition.] No more my Song
shall be. The Highland Queen. [Song.]
[London, VllQl] s. sh. io\.
H. 1994. d. (44.)
[Another edition.] No more my Song
shall be. The Highland Queen. [Song.]
B. Falkcncr : London, [1775 ?] s. sh. fol.
H. 1994. a. (203.)
No more, no more by Fears oppressed.
Duetto. See Mazzinghi (.L)
No more, oh ! then my Soul. A Midnight
Thought. A new Song, etc. [By L.
Abington.] [London, 1753.] 8*.
157. 1. 15.
London Magazine, 1753, p. 85.
198
NO— NOFERI
NO. No more shall Buds or Branches
spring. A Favourite Song sung by Mrs.
Baddely at Ranelagh. W[illiam] Nlcqncr :
London, 1770 ?] fol. H. 1994. d. (45.)
No more shall meads be deck'd with
flow'rs. Alexis; or the Faithful Sioain ;
from a MS. [Song, words by T. Carew.]
[London, 1752.] Q". 249. e. 22.
Gentleman's Magazine, Vol. XXII., p.
574. A different setting from Boyce's
Song ' The Protestation.'
[Another setting.] No more shall IMeads
be deck'd with Flow'rs. The Protestation.
A New Song. C[harles and] S[anmcl]
T[hompson] : London, [1770 ?] s. sh. fol.
G. 297. (30.)
A different setting from that of Boyce.
No more silly Pipe. Molly. A new
Song. [London, 1760 ?] s. sh. fol.
G. 316. e. (95.)
No more the dear, the lovely Nymph.
Song. See Bloav (J.)
No more with Unavailing Woe. Air.
See Bach (J. C.) [Gioas.]
No more, ye swains, no more upbraid.
Tlie Distrest Lover. [Song.]
[London,] 1760. 8". P.P. 5441.
Boyal Magazine, Vol. II., p. 217.
No more, ye Warbling Birds rejoice.
[Song.] See Callcott (J. W.)
No, never hope I'll change my mind.
[Song.] Sec Akeroyde (S.)
No, no, I never love thee less. Rondeau.
Sec King (R.)
No, no, no ; I will no more believe thee.
— No, no, no; non voi piu star in pene.
An Aire sung by the late Mr. Purbeck
Turner at the Theatre in Brury Lane.
[London, 1715 ?] s. sh. fol.
G. 316. g. (44.)
No, no, no, it must not be. Song.
See Hook (J.)
No, no, you'd deceive me. Song.
See Calypso and Tblemachus.
No nymph that trips. A New Song, etc.
[London, 1756.] 8". 250. e. 3.
Gentleman's Magazine, Vol. XXVI.
p. 189.
No nymph that trips. A New Song.
Sung at the publick Gardens, etc.
[London, 1756.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XIX., p. 229.
No Riches from his scanty Store. [Song.]
See Graefp (J. G.)
No Shepherd was like Strephon gay.
A neiv Song. [London, 1755.] 8°.
157. 1. 17.
London Magazine, 1755, p. 243.
No Sport to the Chace can compare.
Song. See Arnold (S.)
NO. No, 'twas neither Shape nor Feature.
Song. Sec Moetellari (M.) [The Flitch
of Bacon.]
No Waist at all. Song. See Hook (J.)
No watch, dear Celia, just is found. Song.
See PuRCELL (H.)
NO SONG NO SUPPER. No Song
no Supper. Comic Opera.
See Storage (S.)
NOBLE PEASANT. The Noble
Peasant. Comic Opera. See Shield (W.)
NOBLE ROTURIER. Le Noble
Roturier, Com6die en un Acte, melee de
Vaudevilles ; par J. B. Radet, etc. [With
music to some of the songs.]
Thi'dtre dtc Vaudeville : Paris, An
deuxieme [1794]. 8°. 11738. m. 4. (9.)
NOBLET (Charles) Agreable sejour,
ou mon ame charmee. Air tendre, etc.
Gravi par JIJ"" Labassee. Imprime par
Tournellc : [Paris,] 1757. s. sh. 8".
297. d. 10.
Mercure de France, Bee, 1757.
Dans un r^dnit d^licieux. Air. [Paris,]
1738. s. sh. i". 297. b. 23.
Mercure de France, April, 1738.
NOBODY. Nobody. [Song.] See I.
I'll sing you a Song, Sirs.
[1770?] s. sh.iol. G. 309. (122.)
NOCE BilARNAISE. Roder, veiller,
sans cesse etre aux aguets. Ariel te de la
Noce Bdarnoise. [Music by Leblanc]
Chez Imbault : Paris, [1787.] 8".
B. 362. c. (72.)
NOCES DE DORINE. Les Noces de
Dorine, ou Helene et Francique. Opera.
See Sarti (G.) [Fra i due Litiganti il
terzo gode.]
NOCES DE VENUS. Les Noces de
Veuiis, ou Les Filets de Vulcain, Opd'ra
Comique en un acte. [Written] Par ]\Ir.
de Hautemer. [With the voice-parts of
nine songs.] CJiez Pierre Gosse Junior :
La Hayc, 1751. 8". 242. g. 21.
Part of the ' Thi'dtre de laHaye,' Tom. 4.
NOD. The Nod Wink and Smile. [Song.]
See Let. Let fusty old Greybeards of
Apathy boast, etc. [1785 ?] s. sh. fol.
I. 530. (89.)
NOEL (Nathaniel) See Songs. The
Circle, or Conversations on Love and
Gallantry. . .Augmented with several New
Songs, etc.
1676. 8". 12330. b. 40.
NOFERI (Giovanni Battista) The Opera
Dances for 1778 including the favorite
Spanish Dance as performed by Mens'
Simonet & Mademoi'" Baccelli. Composed
& adapted for the Harp Guittar Ger"
Flute and Piano Forte, etc. Welcker :
London, [1778.] obi. 4°. b. 51. e.
NOFERI— NON
199
NOFERI (Giovanni Battista) The Opera
Dances for 1779. . . Composed and Adapted
for the Violin, German Flute and Piano
Forte, etc. John Wclckcr : London,
[1779.] ohl. 4". b. 51. a. (6.)
The celebrated Dances performed by the
Mess" Vestris &c. at the King's Theatre
in the Hay Market, 1781. 3 Books.
J. Blundell : London, [1781.] obi. 4°.
b. 57. b. (4.)
Six Duettos, three for two Violins, and
three for a Violin and Violoncello. . .Op.
XIV. [Separate Parts.]
Printed for the Atdhor :
London, [m5-7] fol. g. 669. c.
Six Solos for a Guitar with a Thorough-
Bass for the Harpsichord. . .Opera Terza.
Printed for J. Joltnson :
London, [1765 ?] fol. g. 660. (3.)
Eight Solo's for a Violin with a Bass for
the Harpsichord or Violoncello, etc.
J. Co.v,for the Author :
London, [1760.] fol. g. 669. d.
A presentation copy from the comp)Oscr,
dated 1760.
Six Solos for a Violin and Bass. . .Opera
Seconda. Printed for J. Johnson :
London, [1765 ?J fol. g. 669. a.
Sei Soli di Violino e Basso. . .Opera viii.
{London,'] (1765.) ohl. fol. e. 747.
Six Solos for the Violin and Bass . . .
Opera xi. [LorJ^on, 1770 ?J fol. g. 669.
[Another edition.] Six Solos for the Violin
and Bass. . .Opera xi.
Longman, Lulccij d Co. :
London, [1772 ?] fol. g. 422. e. (5.)
Six Sonatas or Duets for Two Violins. . .
Opera iv. [Separate Parts.] Welckcr :
London, [1770 ?] fol. g. 421. c. (1.)
[Another edition.] Six Duets for Two
Violins. . .Opera Quarta. [Separate
Parts.] Printed for J. Longman d Co. :
London, [1770 ?] fol. g. 421. d. (4.)
Six Sonates a Deux Violons, etc. [Op. iv.
Separate Parts.] Ch4:z B. Hummel :
La Haxje, [1775 ?] fol. h. 2910. (3.)
Six Sonatas for Two Violins and a Bass. . .
Opera vii'"\ [Separate Parts.]
R. Bremner :
London, [1770 ?] fol. h. 2851. e. (1.)
Six Trios for two Violins with a Thorough
Bass for the Harpsichord . . . Op. xiii.
[Separate Parts.]
W. Napier, for the Author :
London, [1775 ?] fol. g. 669. b.
Six Trios, Three for a Violin, Tenor &
Violoncello and Three for Two Violins &
a Violoncello. . .Opera xv., etc. [Separate
Parts.] J. Rutherford :
London, [1780 ?] fol. g. 274. h. (4.)
NOFERI (Giovanni Battista) Six Trios
for two Violins and a Violoncello . . .
Op. 17. [Separate Parts.] J. Blundell :
London, [1780 ?J fol. g. 669. e.
NOIRE. Noire foret, ah ! que j'aime ton
ombre. Air. [Paris,~\ 1725. s. sh. 4°.
Mercure de France, July, 1725.
297. a. 15.
NOLA (Giovanni Doxienico da) Liber
Primus Motectorum Quinque Vocum. . .
Nouiter ab ipso authore congesti, etc.
Bassus. Apud Hieronymum Scottum :
Venetiis, 1549. obi. 4^ K. 3. e. 16.
See L'Arpa (G. L. di) Canzon Napolitaue
. . . Libro Secondo Di L'Arpa . . loan
Dominico da Nola, etc. 1566. 8°.
A. 247.
NOIiCKEN (G. H.) Baron. Crazy Jane,
[Song,] written bv M. G. Lewis, etc.
T. Skillern: London, [1799?] fol.
G. 866. (44.)
NOME. II Nome. Cantata.
See AsiOLi (B.)
NON. Non, ce n'est qu'aux amans heureux.
Air tendre. Rccoquilli^c :
[Paris,] 1770. s. sh. 8". 297. e. 29.
Merciirc de France, Jan., 1770.
Non, de ces ncEuds que j'abhore. Trio.
See Tarchi (A.) [Le Trente et le
Quarante.]
Non ^ la mia Sperauza. [Aria.]
See Sacchini (A. M. G.) [Perseo.]
Non e si vago e hello. Song.
See GiULio Cesare.
Nonfidi al Mar che freme. Tlie Chcarfull
Glee [by S. Webbe the Elder] which
gained a Prize on the 4'" of May 1790.
Thus early published for the Use of the . . .
jMembers of the Catch Club, etc.
Longman and Broderip, for the Editor :
London, [1790.] obi. fol. E. 207. (7.)
Non, je ne SQais qu'aimer. Duo, de V Amour
et de Bacus. [Paris, 1780 ?] S".
B. 362. a. (56.)
Non, je ne veux plus aimer Aminte. Air
Nouveau. [Paris,] 1724. s. sJi. 4°.
297. a. 9.
Mercure de France, August, 1724.
Non, I'Amour est trop dangereux. Air a,
Boire [for two voices] etc.
[Paris,] 1730. s. sh. 4\ 298. a. 11.
Mercure de France, Jane, 1730.
Non lagrimar ben mio. [Duet.]
See Tarchi (A.) [Virginia.]
Non, laisse moi, laisse moi, Lucas. Duo.
See CiFOLELtii (G.) [Perin et Lttcette.]
Non lo voglio non lo prendo. Duetto.
See Paisiello (G.) [La Locanda.]
Non, mon coeur soufEre moins de peines.
Air. Sec Olimpiade.
200
NON— NOT
NON. Non, non, disoit un Biberou.
[Song.] See Bessant ( )
Non, non, Doris, ne pense pas. L'Amant
gindrcux. [Song.] [Paris, 1780 ?] 8".
B. 362. (246.)
Non , non jc n'irai plus au bois. La Bergcie
timide. Aricttc NouvcUe.
[Paris, 1780 ?] 8°. B. 362. b. (34.)
Non, non sans t'offencer. Air.
Sec Chimenk.
Non piangeto. Song.
Sec BiAxcHi (F.) [Antigona.']
Non quand I'amour chercheroit k me plaire.
Ariettc NouvcUe. [Paris, 1780 ?] 80.
B. 362. b. (63.)
Non, rien ne pent me consoler. Air s^rieiix.
[Paris,] 1748. s. sh. 4". 297. c. 19.
Mcrcure de France, Dec, 1748.
Non sparate mi disdisco. Aria.
See Haydn (F. J.) [La Vera Costanza.]
Non temer, a favourite Song, etc. [From
F. G. Bertoni's ' Demofoonte.']
Eli-i' Ithamcs: Wtibliu, llld'?] fol.
H. 1601. a, (63.)
Non temer, bell' idol mio. [Song.]
See Bertoni (F. G.) [DotMfuonte.]
Non, tous les ccBurs soumis a ton empire.
Chanson. Gravt' ]yar M" Char-
pentie. Imprivid par Tournelle : [Paris,]
1761. s. sh. 8". 297. d. 31.
Mcrcure de France, Oct., 17G1.
Non, Venus n'est pas comparable. Air.
[Paris,] 1755. s. sh. 8°. 298. e. 26.
Mcrcure de France, December, 1755.
Non vi piacque. Song.
Sec Haesdel (G. F.) [S'lroe.]
NONE. None so pretty. [Song.]
See DiBDiN (C.) [The Quizes.]
NO-NI-NO. No-Ni-No. [Song.]
See Kelly (M.) [Feudal Times.]
NONNEN-LIEDER. Nonncu-Lieder
mit :\lelodien. iClotha'?] 1112. 8".
11521. de. 14. (4.)
NONPAREIL. TheNon-pariel. [Song.l
See BoYCE (W.)
The Nonpareil. [Song.]
Sec Webbe (S.) the Elder.
NONPAREILLE. The non pareille.
[Song.] Sec There. There never was
nor e'er will be. [1740?] s. sh. fol.
H. 1994. b. (81.)
NONSENSICAL. Nonsensical folks
prepare. Song. See Hemming ( )
NOON. Noon. Rondo [begins : ■ "Tis
fervid Noon ']. See Casson (^I.)
Noon. Song [begins: 'Fervid now the
sunbeams glow ']. Sec Hudson (R.)
Noon. Ballad [begins : ' Fervid on the
glitt'ring flood '].
See Stevenson {Sir J. A.)
NOONTIDE. The Noontide Air. [Song.]
Sec Aenk (T. a.) [C'oTOJis.]
NOORDT (Sybrandus van) Sonate per
il Cimbalo appropriate al Flauto & \'iolino
...Opera Prima. Stampata con...spcc<:
di Henrico Anders. . .m casa di Sebastian
Peizold : Aynsterdam, [1690 ?] fol.
K. 1. i. 18.
NORFOLK. The Norfolk Shop-Keeper.
Song.
Sec Dale (Joseph)
NORRIS (Thomas) Six Simphonios for
two Violins, two Hautboys, two Frencli
Horns, a Tenor and Bass... Opera 1'"'.
[Separate Parts.] Printed for tlic Author :
London, [1765 ?] fol. h. 2771. a. (1.)
Eight Solo Songs, adapted for the Voice
and Harpsichord, composed by the late
T. Norris, etc. Printed far W. Mathews :
Oxford, [1795 ?] fol. G. 806. i. (10.)
See Amusement for the Ladies. Amuse-
ment for the Ladies, being a Selection of
. . . Glees and IMadrigals . . . by . . . Messrs.
Atterbury,. . .Norris, etc.
[1791-93.] obi. fol. E. 61.
NORTH. The North Country Lass. Song.
See There. There was a fair maiden, etc.
[17G9.] 8". P.P. 5438. z.
NORTH (Francis) 1st Baron Guilford.
Sfc. Essay. A Philosophical Essay of
Musick, etc. [By Francis North, Baron
Guilford.] 1G77. 4". 557*. c. 20. (1.)
NORTHERN. The Northern Lass.
[Song.] See Fisher (W.)
NORTHUMBERLAND. The North-
umberland Bagpipe. [Song.]
See Shepherd. A Shepherd sat him
under a thorn. [1770 ?] s. sh. fol.
G. 306. (141.)
NORWICH. The Norwich Toast, [Song.]
Sec Arne (T. a.)
NOS. Nos bons parens parlcnt sans cesse.
Ariette.
See Champein (S.) [Lc Manteau.]
Nos hameaux sont I'heureux s6jour.
Musette. [Paris,] 1755. .?. sh. 8°.
298. c. 25.
Mercure de France, Sept., 1755.
Nos plaisirs sont lagers. Air.
See Couvent.
Nos triomphes sont ton ouvrage. Couplets
donncs a. Mr. Dumourie; a I'opera, sur
I'air de la Marseilloise [by C. J. Rouget
de Lisle]. Chez Imbault :
[Paris, 1192?. 8". B. 362, a. (11.)
NOSEGAY. The Nosegay. Ballad.
See Smith (Theodore)
NOT. Not Cloris that I juster am. Song.
Sec Turner (E.)
NOT— NOUVEAU
201
NOT. Not far from Town, a Country
Squire. The Chamber maid. [Song.]
[London, 1775?] s. sh. fol.
G. 310. (146.)
Not Semele's attracting Love. Sallij. A
New Song. [London, 1755.] S".
P.P. 5438. z.
Universal Magazine, Vol., XVI., j}- 273.
Not Semele's attracting Love. Sally. A
new Song. [London, 1700 '?] s. sh. fol.
G. 310. (168.)
Not this blooming April season. The
Forsaken Lady. [Song.] [London,
1750 ?] s. sh. fol. H. 1994. (45.)
[Another setting.] Not this blooming
Aprill season. [Song.] See Oswald (.7.)
Not your Eyes, Jlelania, move me. Song.
Sec King (R.)
NOTARI (Angelo) Prime Musiche
Nuoue ... a una, due, et tre Voci, per
Cantare con la Tiorba, et altri Strumenti,
Nouameute poste in luce. Intagliatc da
Giicjlielmo Hol-e : Londra, [1G18.] fol.
K. 1. i. 10.
This work contains an arran^jement for
one voice of Cipriano di Rore's four-
part madrigal, 'Ben qui si mostra.'
NOTHING. Nothing at all. Song.
See Now. Now since I have nothing to do.
[1780?] s.sh.lol. H. 1601. a. (78.)
Nothing but a Place. Song.
See Keeve (W.)
Nothing but drunk. [Song.]
Sec DiBDiN (C.) [Private TJicatricals.]
NOTRE. Notre meunier charge d'argent.
Air. See Camille.
NOURRICE REPUBLICAINE. La
Nourrice Kepublicaine, ou Les Plaisirs
de I'Adoption ; Comedie en un Acte,
melee do Vaudevilles ; [written] par le C.
Piis. . .avec la musique. Cliez U
Libraire, au Theatre dii Vaudeville :
Paris, An deuxieme [179'4\ 8'\
11738. I. 18. (6.)
NOUS. Nous avons chante la Victoire.
Hymne. See Cherubini (M. L. C. Z. S.)
Nous avons un clocher chez nous.
T/Agreable Carillon. [Words] Par M'
Marteau, etc. Chez les Fn^res Savigny :
[Prt»-is, 1780 ?] 8°. B. 362. b. (128.)
Nous autres fiUettes. Air.
See Fausse Paysanne.
Nous etions dans cet age. Romance.
Sec SORCIEB.
Nous n'avons qu'un terns a vivre. Fan-
fare du bon Terns. [Song.]
Chi^s Mr Catnand : [Pons, 1783.] 8".
B. 362. a. (180.)
[Another copy.] B. 362. e. (78.)
NOUS. [Another edition.] Nous n'avons
qu'un terns a vivre. La Morale de Roger
Bon-Tems. [Song.] Avec Accompagnem'
de Guittarc par IM' Ducrav. [Paris,
1785 ?] 8". B.' 362. a. (181.)
Nous nous aimons des I'enfance. [>ui>,
etc. B((bb : [London? 1800?] fol.
G. 806. r. (25.)
Nous nous disputions Tautro jour.
L'iJloge des Ycux. [Song.] Chez Fr^re :
[Paris, 1180?] 8\ B. 362. b. (107.)
Nous nous partag'rons la culture. [Song.]
See Au Retour.
Nous nous plaignons que la Parque.
Chanson. See Lemaire (L.)
Nous pouvons aller maintenant. [Song.]
See Berton (H. M.) [Le Rcndcz-Vous
Supposi.]
Nous sommes ues pour Tesclavage. [Air.]
See Caravane du Caire.
Nous voici done au jour de 1' An. [Song.]
See Papavoixe ( ) ili'""'.
NOUVEAU. Le Nouveau Combat.
[Song.] See Sans. Sans que je sois
Amazone. [1780 ?J 8". B. 362. b. (147.)
Le Nouveau Democrite. Chanson.
See Jamais. Jamais mon cceur iie' s'irrite.
[1783] 8". B. 362. a. (67.)
Le Nouveau Monde, ou Ic Masque de Verite.
[Song.] See On. On no reconnait plus
lemonde. [1785?] 8\ B. 362. (174.)
Le Nouveau Sans- Souci. [Song.J
See Que. Que de Mars et de Bellonne.
[1780?] 8". B. 362. a. (66.)
NOUVEAU D'ASSAS. Le Nouveau
d'Assas. Trait civique.
See Berton (H. :M.)
NOUVEAU DON QUICHOTTE. Le
Nouveau Don (^uichotto. Opera.
Sec Champkin (S.)
NOUVEAU MAGASIN DES MO-
DERNES. Le Nouveau Magasin des
Moderncs. Comedie en un Acte, en prose,
melee de Vaudevilles. . .Avec 14 Airs notes.
Chez le Libraire an Tliedtre du Vaudeville :
Paris, An vri. 1798. 1 8°.
11738. d. 14. (1.)
NOUVEAU MARIE. Le Nouveau
^larie. Opera Coinique.
See Baccelli (D.)
NOUVEAU THiiATRE ITALIEN.
Le Nouveau Theatre Italicn, ou llocueil
General des Comedies representees par les
Comediens , Italiens Ordinaires du Roi.
Nouvelle Edition, corrigee & tres aug-
mentee, & a laquello on a joint les
Airs graves des Vaudevilles a la fin de
chaque Volume. 10 Tom.
CJiez Briasson : Paris, 1753. 12".
241. i. 4 13.
202
NOUVEAUX— NOW
NOUVEAUX. Les Nouveaux Dangers
des Bois. [Song.] SceJEUNE. Lajeune
Lise sans detour. [1780 ?] 8".
B. 362. b. (106.)
NOUVEK Le Nouvel An. Chanson.
Sec L., M''.
NOUVEL (EDIPE. Dans nos champs,
uue bergere 16gere. Air du Nouvel CEdipe.
Avec Accomp' de Guittare. Chez Imbmilt :
Paris, [1790 '?] 8°. B. 362. h. (27.)
[Another copy.]
Paris, [1790 ?J 8°.
Chez Imhault :
B. 362. c. (88*.)
La gentille Annette. Air dxi Nouvel
CEdipe. Avec Accomp' de Guittare.
Chez Imhault : Paris, [1790 ?J 8".
B. 362. c. (88.)
UOUVELIjE. La Nouvelle Pension.
Chanson. See Gr.
La Nouvelle V6nus. [Song.] See De.
De Tamour gouverne I'empire.
[1785?] 8». B. 362. g. (96.)
NOUVELLE :6C0LE DES
FEMMES. La Nouvelle Ecole des
Femmes. Com^die.
See Philidoe (F. A. Dakican)
NOUVELLISTE DUP:6. Le Nouvel-
liste Dupe, Op^ra-Comique en un Acte
[written] par M. Panard. . . Avec la Mu-
sique [of the concluding Vaudeville]. 1757.
See Theatre. Nouveau Theatre de la
Foire, etc. Tom. 3. 1763. 8".
11735. d. 2.
NOVELL (Matthew) Senate da Camera
or Chamber Musick. Being a Sett of Twelve
Sonata's consisting of Preludes AUemands
Sarabands Jiggs Ayres & Gavotts with
many other Musical Intervals composed
for Two Violins and Bass with a Thorough-
bass for the Theorbo-lute Spinett or
Harpsicord, etc. (Violino Primo.)
Excud: et Sculp: Tho Gross JuW. Printed
for the Author : London, [1690?] fol.
f. 93.
NOVELLO (LoDOvico) Mascharate . . .
di piu sorte et varii soggetti apropriati al
Carueuale. Nouamente . . . Composte. . .
Libro Primo. A Quatro Voci. Altus.
(Tenor.) 2 pts. Apud Antonium Gardane :
Vcnetiis, 15'16. obi. 4°.
53. a. 32, 33. (7.)
NOVELLO (ViNCEKT)
See Come. Come all my brave Boys, etc.
MS. NOTES [by V. Novello]. [1785 ?] fol.
H. 1650. c. (8.)
NOVERRE (AuGUSTm) A new March,
Six new Minuets, Six new Cotillons and
Two new Country Dances, etc.
Longman & Broderip :
London, [1785 ?] obi. 4°. b. 51. c. (1.)
NOVI FRUTTI MUSICALI. Noui
Frutti Musicali. Madrigali a Cinque
Voci, di diuersi Eccellentissimi Musici.
Nouamente composti, & dati in luce.
[With a dedication by P. Bellasio.]
Canto. (Alto.) (Tenore.) (Basso.) (Quiuto.)
5 pts. Appresso Giacamo Vinccnti :
Vcnetia, 1590. 4°. K. 3. h. 1.
This collection contains compositions by
A. Striggio, G. M. Nanino, A. Stabile,
G. B. Moscaglia, A. Crivello, A.
Zoilo, R. Giovanclli, P. Bellasio, F.
Soriano, G. A. Dragoni, P. Isnardi,
B. Roi, M. A. Ingcgneri, G. Croce,
G. B. Mosto and L. Luzaschi. In the
table of contents No. 16 is assigned to
F. Anerio, but B. Roi's name occurs
in the heading.
Noui Frutti Musicali. Madrigali a
Cinque Voci di Diuersi Eccellentissimi
]\Iusici. Nouamente augmenti & dati
in luce. [With a dedication signed
'Pietro Phalesio.'] Tenore. (Basso.)
2 pts. Appi-esso Pietro Phalesio : Anuersa,
1610. obi. 4°. A. 231.
The composers of this collcctimi are :
A. Striggio, G. M. Nanino, A. Stabile,
G. B. Moscaglia, Archangelo Chri-
vello, A. Zoilo, R. Giovanelli, Paulo
Bellasio, Francisco Soriano, G. A.
Dragoni, P. Isnardi, B. Roi, G.
Croce, G. G. Gastoldi, L. Luzaschi,
Principe di Yenosa, G. B. Mosto, M.
A. Ingegneri, H. Vecchi, G. Priidi,
B. Nanino, F. Anerio, G. Heremitas,
G. P. Siuellingh, C. Verdonch and
Antonio Formica.
NOVICE. The Novice. [Song.]
Sec Confined. Confin'd to the House,
etc. [1756.] s. sh. 8". P.P. 5439. ab.
The Novice. [Song.]
See Confined. Confin'd to the House,
etc. [1756.] 8". 158. 1. 1.
The Novice. [Song.]
See Confined. Confin'd to the house,
etc. [1756.] 8". P.P. 5438. z.
The Novice. [Song.]
See Confined. Confin'd to the House,
etc. [1756?] s.sh.iol. G. 307. (119.)
Le Novice de La Trappe. [Song.]
See Martini (G.) il Tedesco.
NO'W. Now at last the Matter is dicided.
The Lcyal SJierifs of London and
Middlesex. Upon their Election. [Song.]
To the Tune of. Now at last the Riddle is
Expounded. Printed for M. Thompson :
London, 1682. s. sh. fol.
Case 38. i. 25. (14.)
[Another copy.] 1872. a. 1. (44.)
Now begin the heav'nly theme. Hymn.
See B., R. W.
NOW
203
WOW. Now como Love's plagues. The
Scqticl to The Play of Love. [Song, music
by J. C. Pepusch.] Cross : [London,
J 725?] s.sh.iol. H. 1601. (320.)
[Another edition.] Now come Love's
plagues. Tlie Sequel to The Play of Love.
[London, 1730 ?] s. sh. fol.
G. 305. (198.)
[Another copy.] G. 310. (135.)
Now come ye Jolly Lads be gay. The
hish Wedding. [Song.] Set to the
favourite Chorus Jigg. [London,
1780?] s.sh.iol. G. 310. (139.)
Now comes on the glorious year. Song.
See Modern Prophets.
Now each Rustic tunes his Song. The
Happy Rustic. [Song.] Blundcll :
[London, 1780 ?] s. sh. fol.
G. 310. (166.)
Now fare thou well my Dearest Dear.
The Unkind Parents : or the Languish-
ing Lamentation of two Loyal Lovers.
[Ballad.] To an Excellent New Tune.
Printed for C. Bates : [London,
1690 ?] s. sh. fol. Case 39. k. 6. (9.)
The time is represented by a meaningless
succession of notes.
Now homeward o'er the Daisied Meads.
[Song.]
See Kelly (M.) [.4 Friend hi Need.]
Now I pray you attend. The Uticonscion-
ahle Gallant: or, The Beautiful Lady's
Misfortune. [Ballad.] To the Tune of,
Fond Boy, etc. Printed for C. Nates
[Bates] : London, [1090?] s. sh. fol.
Case 39. k. 6. (55.)
The tunc is represented by a meaningless
succession of notes.
Now Jockey and IMoggy are ready. TJic
Scotch Wedding, or the Lass with the Golden
Hair. [Song.] [London, 1710 ?] s. sh. fol.
H. 1601. (317.)
• [Another edition.] Now Jockey and Moggy
are ready. The Scotch Wedding, etc.
[London, 1715 ?] s. sh. fol.
G. 310. (129.)
Now jolly we're met. Glee.
Sec Akne (M.) [The Capricious Lady.]
Now May has spread its sweets around.
Absent Delia. [Song.]
L[ongman,] L[ukey and] B[i-oderip :
London, 1778 ?] s. sh. fol.
G. 310. (162.)
Now May has unfolded. A neiv Song.
Sung by Mr. Lowe. [London, 1754.] 8°.
157. 1. 16.
London Magazine, 1754, p. 84.
Now May her charms discloses. Jenny of
the Green. [Song.] Sung by Mr. Vernon.
R. Falkener : London, [1780 ?] fol.
G. 806. f. (61.)
NOW. Now my Boys the Ship floats. A
New Song. Addressed to the Crew of the
Prince Edward Private Ship of War.
[London, 1758.] s. sh. 8°. P.P. 5439. ab.
Neio Universal Magazine, Feb., 1758.
Now my Boys the Ship floats. A New
Song. Address'd to the Crew of the
Prince Edward Private Ship of War
[Lo7idon, 1770 ?] s. sh. fol.
G. 316. e. (94.)
Now my freedom's regain'd. Song.
See Willis ( )
Now, now the Tories all shall stoop. TJie
Whig's Exaltation. A Pleasant New Song
of 82. To an Old Tune of 41.
Nath. Thompson :
London, 1682. s. sh. fol.
Case 38. i. 25. (5.)
Now o'er the Globe. Song.
,sVe Sanderson (J.) [Almoran and Hamct.]
Now or Never. [Song.]
See To. To make the most of fleeting
time. [1775?] s.sh.iol. G. 312. (228.)
Now PhcBbus gilds the Orient Skies.
Hunting Song. Printed and Sold
at the a, etc. : [London, 17S0 ?] .s. sh. fol
G. 310. (149.)
Now Phoebus sinkcth in the West. [Song,
from T. A. Arne's ' Comus.'] Sung by
Mr. Beard. [London, 1740 ?] s. sh. fol.
G. 305. (112.)
[Another edition.] Now Phrx'bus sinkcth
in y West, etc. [London,
1740?] s.sh.iol. G. 310. (130.)
Now pleasure unbounded resound o'er the
Plains. The Joys of Harvest. [Song.]
Sung by ^Ir. Dearie at Ranelagh.
S. Phillips : ILondon, 1764 ?] s. sh. fol.
H. 1994. (46.)
Now Pride usurps each female heart. The
Maid of Fashion. A New Song.
[London, 1768.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XLIII.,p. 151.
Now pride usurps each Female heart. The
Maid of Fashion. [Song.] [London,
1770?] s.sh.iol. G. 310. (158.)
Now rise my soul. The British Bucks.
[Two-part Song.] The Words and IMusick
by a True Briton [R. D.].
[London, 1757.] 8". 158. 1. 2.
London Magazine, 1757, p. 36.
Now Roger and Harry. [Song.]
See Leveridge (R.) [The Mountebank.]
Now since I have Nothing to do. The
admird Song of Nothing at all.
John Rice: Dublin, [1780?] ,s. sh. fol.
H. 1601. a. (78.)
Now the busy Day is o'er. The Force of
Wine. A Song. The Words and Musick
by a Gentleman. Printed for J. Simpson :
[London, 1740 ?] s. sh. fol.
H. 1994. b. (59.)
201
NOW— NUN
NOW. Now the Good Man's from home.
[Song.] Sec Caeey (H.)
Now the happy Knot is ty'd. Colinct.
A New Song. Sung by Mrs. Lowe and
Mrs. Lampe. [By T. A. Arne.] \London,'\
1759. 8". • 158. 1. 4.
Loiulon Marjazine, 1759, p. 519.
Now the happy Knot is ty'd. Colinct :
[Song,] Sung by Mr. Lowe and Mrs.
Lampe. [By T. A. Arne.] \London,
1759.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XXV., p. 256.
Now the happy Knot is ty'd. Colinct.
[Song.] Sung by ]Mr. Lowe and IMrs.
Lampe. [By T. A. Arne.] \ Loudon,
1?60?] s. s/i. fol. G-. 316. (102.)
Now the hedge-rows grow in trim. An
Address to May ; a new Song. [London,
1752?] 8". 249. c. 22.
Gentleman's Journal, Vol. XXII., p. 231.
Now the Hill tops are burnish'd with
azure and Gold. A Neio Hunting Song.
C[harlcs and] SiamueV] T\hompson :
London, 1775 ?] s. sh. fol.
G. 310. (160.)
Now the Maids and the Men. Dialogue.
See PuRCELL (H.) [The Fairy Queen.]
Now the rovers sport around. Sj^ring.
A Two-Part Song. [By Mr. H. H.]
[London, 1761.] 8". P.P. 5140.
Lady's Magazine, Vol. II., p. 511.
Now the Snowdrops lift their Heads.
[Song.] Sung by Mrs. Vincent at Vaux-
liall. [Lo7if?o)t, i760?] s.sli.iol.
H. 1994. (47.)
Now the Spring is fresh and fair. Trigg
for Ever— A New Drinking Song.
[London, 1735 ?] s. sh. fol.
G. 303. (71.)
Now the Summer advances. [Song.]
Sec Yates (W.) A New Musical
Address, etc.
Now the Summer months come round.
Vauxhall Ballad. Sk[iUcrn : London,
1780?] s.sh.iol. G. 310. (165.)
Now to pant on Thetis' Breast. The
Shepherd's Evening. [Song.] Sung at
Sadlers Wells. Adapted for the Harpsi-
cord, etc. [Lmidon, 1760?] s. sh. fol.
I. 530. (110.)
Now to the pow'r of God supreme.
Hymn. [Words by I. Watts.] [London,
1778.] 8''. P.P. 716. b.
Gosixl Magazine, April, 1778.
Now we're met, let's merry be. Glee.
See Ives (S.)
Now when the vernal Sun appears.
Ballad. See IMoulds (J.)
Now Winter is flown. Summer. [Song.]
Sung by Miss Jameson at Vauxhall.
B. Falkcner : London, [1770 ?] fol.
G. 806. f. 62.
NOW. Now young tempting Phaon you
shall have your prey. The Usurers
Daughters Beply, or FloromcUas Answer
to Phaon. [Ballad.] To a Pleasant New
Play-House Tune. Brintcd for
P. Brooksby : [London, 1675?] s. sh. M.
Case 39. k. 6. (15.)
Tlic tunc is represented by an incorrect
siiccession of notes.
Now's the time for Mirth and Glee.
Cupid Tritcmphant, [Song,] Sung by
Mr. Vernon. [London, 1770 ?] fol.
H. 1994. b. (58.)
Now's the Time to sing and play. Song.
See Hook (J.)
NOZZE DI FIGARO. Le Nozzc de
Figaro. Comische Opcr.
See Mozart (W. A.)
NUCHTER (JoHANK Philip)
See NuECHTER.
NUECHTEE (Johann Phiup) [Ovum
Paschalre novum, sen ]\Iissas Dominicales,
4 vocibus et 4 Instrumentis concert.]
Canto (Alto) (Tenore) (Basso) Concerto.
(Violino I (n).) (Alto (Tenore) Viola.)
(Violone.) 9 pts. [Ulm, 1695.] 4". C. 48.
The title probably occurs in the misting
Organ part.
NUGENT (Rothk) Six French Romances,
and one Italian Arietta, for the Harpsichord
or Piano Forte, with an Accompaniment
for the Violin to the Italian Arietta, etc.
Printed for the Author: Londan,
[1793?] fol. H. 1678. (52.)
NUIT. Una nuit dans la prairie. Bomance
Nouvelle avec Accomp' de Guitare par M''
Alberti. Chez M. Camand :
Paris, [1785 ?] 8". B. 362. c. (43.)
La nuit, dans Ics bras du repos. Le beau
Songe. Romance avec Accomp' de Guitare
par M"- Alberti. Chez M' Camand:
Paris, [1785 ?] 8". B. 362. g. (26.)
La nuit dans les bras du sommeil. Ariette.
See Tableau Parlakt.
Nuit que j 'attends. Air Scrieux.
[Paris,] 1727. s. sh. i\ 297. a. 30.
Mercure de France, Dec, 1727.
NUMBER. No. 45. [Song.] See In.
In Spittal Fields or there about.
[1763 ?] s. sh. fol. G. 309. (88.)
NUMITORE. Si t' intcndo. Favourite
Song Sung by Mrs. Robinson in the Opera
of Numitor. [Music by G. Porta.]
D. Wrigltt: [London, 1720.] s. sh. fol.
H. 1601. (410.)
NUN. The Nun. [Song.]
See Sure. Sure a Lass in her Bloom, etc.
[1757.] s. sh. S". P.P. 5439. ab.
The Nun. Song. See Sure. Sure a lass
in her bloom, etc. [1757.] 8°.
P.P. 5438.
NUN— NYMPHS
205
NUN. The Nun. fSoug.] See Subk. Sure
a lass in her bloom, etc. [1757.] 8".
P.P. 5438. z.
The Nun's Complaint. [Song.]
Sec Kbumpholz (J. B.)
NUN AND FRIAR. The Nun and
Frier. Cantata. See Woegan (J.)
NUNES DA SYLVA (Maxoel) Arte
ilinima, que . . . tratta . . . os modos da
;^[axima & Longa sciencia da ^lusica, etc.
Na Officina dc Joam Gabam :
Lisboa, 1685. 4°. 7898. g. 56.
With a second title-page, engraved.
NUNNERY. The Nunnery. Comic
Opera. See Shield (W.)
NUSSEN (Frederick) IMusica di Camera
or Some Old Tunes new Sett, and some
New ones compos'd for the Harpsichord
. . . Opera 3'''. Printed for the AutJior :
Jjmdon, [1760 ?] ohl. fol. e. 5. (4.)
[Another edition.] Musica di Camera...
Opera 3". Printed for I. Walsh:
London, [1765 ?] ohl. fol. e. 5. g. (8.)
Six Solos for a Violin with a Thorough
Bass for the Harpsicord or Violoncello.
Printed for I. Walsh: London, [XlbO^ fol.
g. 221. (2.)
Six Sonatas for a Violin, Tenor and
N'ioloncello, etc. [Separate Parts.]
Printed for Welckcr: Lonrfoji, [1760?] fol.
g. 686. a.
Six Sonatas for Two Violins, Violoncello
or Harpsicord . . . Opera 2''". [Separate
Parts.] J. Walsh, for tite Author :
London, [ribbT\ fol. g. 686.
NUSSEY (George) The Triad Alliance,
or Rose, Thistle & Shamrock. A Ballad,
written, the ]\Ielody Composed & Sung
by Brother G. Nussey, etc.
The Neio Music Warehouse : London,
[1800?] fol. H. 2818. b. (49.)
NUT-BROWN. The Nut-Brown Maid.
:^Soug.] See Howard (S.)
NUT BROWN MAID. The Nut Brown
Maid. [Cantata.] See Moulds (J.)
NYMPH. The Nymph of the Hill.
[Song.] See Ye. Ye Classics pray talk
not of Beauties of yore.
[1770?] s.sh.iol. 1.530.(184.)
NYMPH. A Nymph of the Plain. The
Jolly Yoimg Swain. A new Song. [London,
1710?] s. s7i. fol. H. 1601 (27.)
[Another edition.] A Nymph of the
plain. The Jolly young Swain, etc.
[London, 1715 ?] s. sh. fol.
G. 306. (54.)
[Another edition.] A Nymph of the
plain. The Jolly Yot!)ig Sivain, etc.
[Lo7idon, 1715 ?]' s. sh. fol.
G. 316. g. (5.)
The Nymph that I lov'd was as bonny &
gay. A Favourite Song, etc.
! [London, 1758.] s. sh. 8".
! P.P. 5439. ab.
New Universal Magazine, Nov., 1758.
I The Nymph that I lov'd was as bonny
and gay. A New Song. [London,
1759.] 8". 158. 1. 4.
London Magazine, 1759, j). 44.
The Nymph that I lov'd was as bonny
I and gay. A Favourite Song.
i [London, 1759.] 8°. P.P. 5438. z.
I Universal Magazine, Vol. XXIV., p. 264.
The Nymph that I lov'd was as bonny
and gay. The happy Man. [Song. J
Sung at the publick Gardens. [London,
1760?] s.sh. fol. H, 1994. (48.)
I A Nymph there lives, whom many a
] Swain. Molli/. A New Song, etc.
' [London, 1730?] s. sh. fol.
G. 306. (123.)
A Nymph there lives, whom many a swain.
Molly, a new Song, etc. [London,
1756.] 8\ P.P. 5438. z.
Universal Magazine, Yul. XIX., p. 29.
: NYMPHES DE DIANE. LesNymphes
de Diane. Opera Comique du Sr. Favart
...avec tous les Airs notes. [Bv J. B.
Moulinghen.] [Paris,] 1748. 8°. "
164. d. 24.
NYMPHS. Nymphs and Shepherds.
[Song.] See Arne (T. A.)
I Nymphs and Shepherds come along.
Hymen's Hohjday. A Wedding Ode.
[Song, words and music bj' Mr. W.]
I [London, 1772.] s. sh. 4". 159. n. 4.
London Magazine, Sept., 1772.
i Nymphs be kind. Cantata.
I See Hook (J.)
206
O. Oh. [Ballad.] See Arne (T. A.)
0, a Masquerade's a fine Place. TJie
Masquerade Ballad, etc. [London,
1720?] s.sh.iol. H. 1601. (345.)
[Another edition.] 0 ! a Masquerade's a
fine Place. The Masquerade Ballad.
[London, 1725 ?] s. sh. fol. G. 305. (4.)
0 Absalom, my Son. A three voice Canon
in the Unison. [London,'] 1760. 8°.
P.P. 324. n.
Christian's Magazine, 1760, p. 434.
0 all ye Nations of the Earth. Anthem.
See Claek (E.)
0 he joyful unto the Lord. Anthem.
See Arne (T. A.) [Artaxerxes. Overture.']
0 beauteous eyes. Catch. See Greene (M.)
0 beauteous Queen, unclose those eyes.
Song. See Haendel (G. F.) [Esther.]
0 Bessy Bell and INIary Gray. A Scotch
Song. Simg by Mrs. Robinson at the
Kings Theatre, etc. [London,
1730 ?] s. sh. fol. G. 310. (207.)
0 Betsy wilt thou gang wi' me. The
Fairest of the Fair, etc. [Song.]
[London, 1766.] 8". 158. 1. 11.
London Magazine, 1766, p. 160.
0 Blessed be the Day. The Soldier's
Reioard, or Love in Low Life. [Song.]
Printed at the a : [London,
1780?] s. s/(. fol. G-. 310. (285.)
Oh bonny Lass. A . . . Scotch Song.
P. E[vans : London, 1780 ?] s. sh. fol.
H. 2818. (21.)
[Another edition] Oh bonny Lass, etc.
[London, 1785 ?] s. sh. fol. G. 297. (26.)
O Bothwell bank thou bloomest fair.
Bothwell Bank. A Favourite Scots Song,
the words from Pinkertons Ancient
Scotish Poems. London, [1800?] fol.
G. 356. (68.)
Oh ! e'en est fait. Rondeau.
See Della Maria (D.)
O cara speme. Minuet.
See Floridante.
Oh ! ce peuple-ci me lasse. Air.
See Confederation du Parnasse.
Oh cease, urge no more. Song.
See Leveridge (R.) [The Island Princess.]
0 ciel que vois-je sur la neige. [Song.]
See Veillee Villageoise.
O come again my love. Glee.
See East (M.) [Mculrigales to 3. 4. and 5.
jyarts.]
0 come 0 bella. Terzetto e Coro.
See Webbe (S.) the Elder.
O dear Chloe. Damon's Invocation to
Chloe. [Song.] Set by a musical corre-
spondent. [London.] 1791. s. sh. 4°.
P.P. 5141.
Lady's Magazine, June, 1791.
O. Oh dear delightful Skill. [Song.]
See Storage (S.) [The Prize.]
0 ! dear what can the matter be. The
Favorite Duett . . . with an Accompani-
ment for the Piano-Forte or Harp. etc.
B. Birchall : [London, 1792 ?] fol.
G. 360. (47.)
[Another copy.] H. 2821. (29.)
Imperfect, wanting pp. 1, 2.
01 dear what can the matter be, for 1,
2, 3, 4, or 5 Voices. Engraved from the
Original Manuscript, etc. Printed for
J. Dale : London, [1792?] s. sh. fol.
G. 360. (48.)
Oh Death think on the Words you gave.
Dialogue. (S'ee Leveridge (R.)
0 des Dieux le plus bel ouvrage. Romance.
See Melomanie.
O Doctor, 0 Doctor, I dont care a straw.
Cluck, Chick, a new Drinking Song sung
by Mr. Dodd . . . Set by an Eminent
Master. Ab. P[ortal : London,
1780 ?] s. sh. fol. G. 310. (243.)
0 Domine Deus speravi in Te. Prayer.
See Harington (H.)
0 edler Friden-Krantz. Ein schbnes
neives Lied von dem lang-erwiinschten
Friden zwischen beyden Cronen Spania
vnd Frankreich. In seiner beygesetzten
Melodey zusingen. JohannGeng : Costantz
am Bodensce, 1659. 8°. 11522. de. 48.
Oh ! ever skill'd to wear the form we love.
An Address to Hope. A Favorite Ballad,
with an Accompaniment for the Piano
Forte or Harp, Composed by the Author
of The Farewell [Robert Cooke]. Preston :
London, [1800 ?J fol. G. 424. u. (38.)
0 Fancy, friend of Nature and the Muse.
Glee. See Callcott (J. W.)
0 fiUe de I'fifcre Supreme. Hymne.
See Lelu ( )
0 fine London Town. Song.
See Hook (J.)
O fleur d'amour. Romance.
See Lolotte et Fanfan.
Oh follow then where Nonsense points.
[Song.] See Arnold (S.) [The Genius of
Nonsense.]
O Fontenay, qu'embellissent les roses.
Romance. See Doche (J. D.)
0 for an heart to love my God ! Hymn.
[Words by C. Wesley.]
[London, 1776.] 8vo. P.P. 716. b.
Gospel Magazine, Jan., 1776.
Oh ! force me not. [Song.]
See Shield (W.) [The Divorce.]
0 Fowler, cast thy Gun behind. Matilda's
Address to the Foivler. [Song.]
[London, 1772.] 8°. P.P. 5438. z.
Universal Magazine, Vol. LI., p. 207.
207
O. 0 Prauvais, I'exemple du Monde. Hymne
sur Le Divoucment Hero'iriue dc rcqiupagc
du Vaisseau le Veiigcur. . .Air : veillons
au salut de la France [by N. Dalayrac].
Chez Imbault : Paris, [1794.] 8".
B. 362. a. (168.)
Oh fye ! what mean I foolish Maid. An
Excellent New Song, called. The Private
Encounter between Two Loyal Lovers.
Being sung in the last New Play, called,
The married Beau. Printed for Charles
Barnet : [London, 1694.] s. sh. fol.
Case 39. k. 6. (6.)
The music is represented by a meaning-
less succession of notes, etc.
0 gfeereux martirs do la liberte sainte.
Hymne. See Roze (N.)
0 gentle be thy Slumbers. Song.
See KospOTH (0. C. E. von)
Oh give me a Cot at the foot of a Hill.
Song. See Amateur.
[Another setting.] Oh give me a Cot at
the foot of a Hill. BaUad.
See Gbay (T. B.)
0 godlike Youth. Song.
See Haendel (G. P.) [Saul]
O good Ale thou art my Darling. [Song.]
See Landlord. The Landlord he looks
very big, etc. [1785 ?] s. sh. fol.
^ ° a. 312. (118.)
O Gran Doa. Song.
See Gluck (C. W. von) {Tphiginie en
Tauride. 0 toi qiii prolongeas mes jours.]
O had away frae me, Donald. Donald,
to the Original. . .Scotch Air as Sung in
most Polite Assemblys. Sk[illern :
London, 1780?] s. sh. iol.
G. 310. (233.)
0 ! had I been by Pate decreed. [Song.]
See Love in a Village.
Oh ! had I Jubal's Lyre. Air.
See Haendal (G. F.) [Joshua.]
0 had I the Wings of an Eagle I'd fly.
Song. See Webbe (S.) the Elder.
Oh hapless Youth. Song.
See Storage (S.) [Mahmoud.]
0 happy Pair. [Glee.] See Shield (W.)
0 happy Martillo. [Song.]
See Mybtillo.
0 hear my last Complaint. Tlie Dying
Lover. [Song.] [London,
1730?] s.sh.tol. G. 310. (254.)
0 how bliss full 'tis to languish. The
Dream. [Song.] [London,
1730?] s.sh.iol. G. 310. (268.)
Oh how cou'd I venture to love one like
thee. A Neiv Song. [Words by A. Webster.]
[London, 1745 ?] s. sh. fol.
G. 310. (211.)
O. Oh ! how cou'd I venture to love one like
thee. A New Song, Sung by Mr. Lowe,
at Vaux-Hall. [London, 1748.] 8°.
P.P. 5438. z.
UniversalMagazine, Vol. III., p. 33.
[Another setting.] 0, how could I
venture to love one like thee. The Diffi-
dent Lover. [Song.] Sung by Mr. Lowe.
[London, 1749.] 8". 249. c. 19.
Gentleman's Magazine, Vol. XIX., p. 518.
[Another setting.] Oh how could I ven-
ture to love one like thee. A Song to the
Tune of Lochaber. [London,
1750?] s. s7i. fol. G. 310. (212.)
[Another copy.] CJ. 303. (13.)
[Another setting.] Oh! how could I
venture to love one like thee. Aloa
House, etc. [London, 1760?] s. sh. fol.
G. 316. e. (111.)
[Another edition.] Oh 1 how could I
venture to love one like thee. Aloa House,
or Love after Marriage. A New Song.
See Chloe. Chloc ; or the Musical Maga-
zine, e<c. No. 99. [1760?] fol. G. 433.
Oh 1 hovsr I Doate upon that Lass. A Jigg
Danc'd in the Schoole of Venus ; or the
3-Penny Hops Burlcsqu'd by Mr. John
Vernham. [Song.] [London,
1715 ?] s. sh. fol. H. 1601. (346.)
Oh ! how shall I in Language weak.
[Song.] See Love in a Village.
O how sweetly Delia sings. Glee.
See Hook (J.)
Oh ! how wild with pride and joy. Song.
See Attwood (T.) [Tlie Prisoner.]
O il mio caro puppazzctto. Duetto.
See Paisiello (G.) [La Molinara.]
Oh ! jealousy, thou raging pain. [Song.]
See Carey (H.) [Cephalus and Procris.]
O Jenny a-gra I've a story to tell you.
Paddy Whack. A favorite Irish Song.
Striaight] d Sk[illcrn : London,
1775 ?] s. sh. fol. G. 310. (271.)
0 Jessy sweet Beauty. Jessy. [Song.]
S[amuel and] A[nn] T[hompson : London,
1778.] s. sh. fol. G. 310. (228.)
0 Jesu, te invocamus. [Motet.]
See Haydn (P. J.)
0 jour d'^ternelle memoire. Chant.
See Catel (C. S.)
0 Kitty, wilt thou gang with me. Kitty.
A New Song. [London, 1761.] 8°.
P.P. 5441.
Royal Magazine, Vol. IV., p. 92.
0 le bon tems que la moisson. Ronde.
See MoissoNNEUBS.
Oh lead me to some peacefull Gloom. Song.
See PuBCELL (H.) [Bonduca.]
0 lead me to some safe retreat. A New Song.
Sung by Miss Thomas, at Finch's Gardens,
[Lo7ulon,] 1765. 8". P.P- 5441.
Boyal Magazine, Vol. XIIL,ja. 321.
208
0
O. 0 lead me where the lonely Nightingale.
[Song.] Sec Webbe (S.) the Elder.
0 Liberie, chere aux Fran(;ais. Hymne
a la LibcrU. . .par le C" Person. . .Air de
la Pi^to Filiale : Jeunes Amants [by
P. Gaveaux]. Chez Imbault : Paris,
[1793?] 8°. B. 362. a. (51.)
O Libert^, fille des Cieux. Hymne a la
Libert^ avec accomp' de Guitarre. Air :
de la Croisee [by G. G. Cambini].
Chez Imbault : [Paris, 1793 '?] 8°.
B. 362. a. (22.)
O Liberie ! voicy le jour. Hymne, pour la
Fete, en Vhonneur de Barra et A. Viala. . .
Air : On compterait les diamans. [Words]
Par le C"" Pierre Colau, etc.
Chez Imbault : [Paris, 1794.] 8".
B. 362. a. (32.)
0 Liberty, thou choicest treasure. Song.
See Haendel (G. F.) [Judas 3Iaccabxus.~\
0 lieto di. Trio. See Sacchini (A. M. G.)
[(Edipc a Colonne. 0 doux vioment.]
Glisten, listen to the Voice of Love. Song.
See Hook (J.)
0 lit charmant. Le Sommeil de Myrthc.
Romance [words] de M. Berquin.
Chez Bignon : [Paris, 1790 ?] 8".
B. 362. a. (94.)
Oh, London is a fine Town. The London
Ditty. [Song.] [London,
1710?] s.sh.iol. H. 1601. (327.)
[Another edition.] Oh iLoudon is a fine
Town, etc. [London, 1720 ?] s. sh. fol.
G. 310. (180.)
[Another copy.] Gr. 305. (204.)
0 Lord hear the Prayer of thy Servants.
Anthem. See Webbe (S.) the Elder.
0 Lord, I will praise Thee. An Ancient
Canon in the Unison. From a Gentleman
at Durham. [London,] 1760. 8".
P.P. 324. n.
Christian's Magazine, Sept., 1760, p. 230.
O Love, how pleasing are thy Chains.
Song. See Burgess (H.) the Elder.
Oh Love, how swift thy fairest prospects
fade. Song.
See Adventures of a Night.
0 Love, I have gain'd a Victory. Song.
See Clayton (T.) [Arsinoc.]
Oh Love if a God thou wilt be. Dialogue.
Sec Kingdom of the Birds.
O Love, resistless Victor, say. Song.
See Fisher (W.)
Oh Love thou Delight. [Song.]
See Love finds the Way.
O Love thou Tyrant o'er the mind. Cecilia.
A favorite New Song. P. E[vans :
London, 1780?] fol. G. 310. (246.)
0 Love what the deuce do you want.
Ballad.
See MooREHEAD (J.) Birds of a Feather.]
O. 0 lovely Cselia. The Confession. A
New Song. [London, 1751.] 8".
P.P. 5438. z.
Universal Magazine, Vol. IX., p. 278.
Oh lovely Charmer. Minuet.
See Floridantb. 0 cara speme.
0 Lovely Maid how dear thy Pow'r. To
Chloe. Song. [Music by W. Defesch.]
[London, 1745 ?] s. sh. fol.
G. 310. (204.)
0 ! ma Georgette. Air.
See Philippe et Georgette.
Oh ! ma tendre musette. Plainte Aniour-
euse. [Song.] [Paris, 1780 ?] 8".
B. 362. (145.)
0 Mary my deary. Song.
See Urbani (P.)
O Mary! soft in Feature. Green-Wood
Hall, or Colin's Description (to his wife)
of the Pleasures of Spring Gardens.
[Song.] Made to a favourite Gavot from
an Organ-Concerto [by T. Gladwin], etc.
[London, 1745 ?] s. sh. fol.
I. 530. (112.)
0 ! may I then your Words believe.
Ballad. See Biggs (E. S.)
0 Memory, thou fond Deceiver. [Song.]
See Abrams (H.)
0 Mensch betracht die Ewigkeit. Un-
ttollkoviner vnud vnuollcndter . . . Abriss,
der vnendlichen . . . vnnd vnerkldrlichen
Ewigkeit. . .GsangsweissinKurtzeReimen
verfasst, vnd in seiner aignen Melodey
zusingen. Oder im Thon, wie das Bliimlein
Gsang Oder Schnitter Lied. MUnchcn,
1642. 12". 4257. aa. 4.
O mere des vertus. Hymne.
Sec GossEC (F. J.)
0 mine awn Jenny. Song.
See YosLiNGTON ( )
0 Mistress mine. Glee.
See Stevens (R. J. S.)
0 Muses, secondes ma voix. Air.
[Paris,] 1778. s. sh. 8". 297. f. 21.
Mercure de France, April, 1778.
O my bonny Highland Laddie, The
Highland Laddie. [Song, words by A.
Ramsay.] [Lonc^on, 1740?] s. sh. io\.
G. 305. (226.)
[Another copy.] G. 310. (210.)
0 my fairest you're my Dearest. The
Lover's Prayer. [Song.] [London,
1730?] s.sh.iol. G. 310. (255.)
Oh 1 my heavy Heart. Song.
Sre Hook (J.)
Oh my Love, lov'st thou me ? A favorite
Duett, etc. [Words and music of the first
part taken from a Round in T. Ravens-
croft's Deuteromelia.] Longman and
Broderip : London, [1790 ?] fol.
G. 354. (53.)
o
209
O. 0 my Nassau, did you know. Nanny's
Complaint for the Loss of her Love. [Song.]
[Lo»fZo;i, 1735?] s. sh. io\.
Gr. 316. e. (106.)
0 ! my poor Heart heigh ho. Duet.
See Where. Where, ah ! where shall I
my Shepherd find, etc. ri795 ?] fol.
Gr. 809. c. (64.)
Oh ! my poor Husband. Dialogue.
See Clarke (J.) [T/u' Island Princess.]
0 my pretty Punchinello. [Song.]
See Haendel (G. F.) [Rodeli^ida. Scac-
ciato dal stio nido.]
0 ray Soul why sitt'st thou here ? An
Hymn, etc. {London, 1761.] 8°.
P.P. 324. n.
Christian' s Magazine, Supplement, July-
Dec., 17G1,^). 688.
Oh my tender panting heart. A Scotch
Song. \ London, VliOl] s. sh. lo\.
G. 310. (205.)
Oh my Treasure. [Song.]
Sec Haesdel (G. F.) [Floridante. Vanne
segui.]
Oh Nanny, wilt thou fly from me. Su7ig
by Mr. Vernon. [Song, by C. T. Carter.
Full Score.] [London, 1773 ?j fol.
G. 296. (26.)
Printed from the plates of fol. 16-19 of
Carter's " Collection of . . . Songs sung
at Vanx Hall. . .lllS."
Oh Nanny wilt thou fly from me. Song.
See Carter (C. T.)
O Nightingale, that on yon bloomy Spray.
[Song. J See Boyce (W.)
0 Nuit, deesse du mistere. [Song.]
See Faux Lord.
O nuit trop agreable. Le Reveil a Contre-
Tems, [Song, written] par M. Ferru.
Air : " O ma tendre Musette."
ChezCamand: P((n.s, ri790?] 8".
B. 362. (147.)
O nymph divine. Glee.
See Hudson (R.)
O open the door thou dear unkind. Song.
See Ross (J.)
0 Peace. [Song.] See Arxe (T. A.)
Oh ! Phillis, shame on you. Damon and
Phillis. A Dialogue. ; London,
1751.] 8". " 157. 1. 13.
London Magazine, 1751, ^j. 56-4.
Oh pity Colin ! cruel fair. .4 Xew Song.
Sung by Miss Falkner at Marybou-
Gardens. [By W. Defesch.] [London,
1751.] 8°. 157. 1. 13.
London Magazine, 1751, j;. 372.
Oh pity Colin ! cruel Fair. The Shep-
herd's Repentance, A New Song [by W.
Defesch], Sung by Miss Falkner, etc.
See Chloe. Chloe, or the Musical ilaga-
zine, e^c. No. 48. [1760?] fol. G. 433.
VOL, II.
O. Oh pity Colin ! cruel Fair. Song.
See Defesch (W.)
0 pray for the Peace of Jerusalem. Canon.
See Harixgton (H.)
Oh ! que n'ai-je ass^s de larmes.
Komance. See Lolotte et Fanpan.
0 Raree Show, 0 bravee Show. The
Raree Shoio Ballad, or the English Missi-
sippi. [London, 1720?] s. sh. fol.
G, 305. (212.)
[Another edition.] O Raree Show, 0
bravee Show, etc. [London,
1720?] s.sh.iol. H. 1601. (348.)
[Another setting.] 0 Raree-Show. [Song.]
See Rape of Proserpine.
O, Ravishing Delight! [Song.] See
Purcell (D.) [ The Judgment of Paris.]
0 Richard ! o mon Roi. [Song.]
See Richard Cceur de Lion.
O ruddier than the Cherry. Polyphemus.
[Song, from Handel's ' Acis and Galatea.']
[London, 1722 ?] fol. G. 315. (151.)
Pp. 17-19 of an edition of the Songs in
' Acis and Galatea.'
0 ruddier than the cherry. Song.
See Haendel (G. F.) [Acis and Galatea.]
0 saiute Liberty. Hymue.
See Moulet (J. A.)
Oh Sandy why leaves thou thy Nelly.
Thro' the Wood Laddie. [Song, words by
A. Ramsey, Music by M. Arne.] Sung by
Miss Wright at Vauxhall. [London,
1765 ?] s. sh. fol. G. 310. (232.)
Oh Sandy, why leav'st thou thy Nelly to
mourn. Thro' the icood, Laddie. [Song,
by 'M. Arne.] As Sung bv Miss Wright at
Vauxhall. [London, 1765.] 8".
P.P. 5441.
Royal Magazine, Vol. XIII., p. 101.
0 Sandy why leav'st thou thy Nelly
to mourn. Through the Wood Laddie.
(Thro' the Wood Laddie, as sung by Miss
Wright, at Vauxhall. [Music by M. Arne.])
[Two Settings.] [London, 1765.] 8°.
158. 1. 10.
London Magazine, ll&5,pp. 426-7.
O say bonny Lass, a favorite new Scotch
Song and Duett, sung by Miss Satchell
& Mr. Mahon, at. . .Covent Garden, etc.
J. Welcker: London, [11 Qb'>] fol.
G. 805. k. 12.
Oh say, simple Maid, have you form'd any
notion. Ballad.
See Arnold (S.) [Inkle and Yarico.]
O say, thou dear possessor of my breast.
Song. See Jackson (W.) of Exeter. [12
Songs. Op. 4. No. 7.]
Oh ! say what is that thing cal'd Light.
The Blind Boy. [Song, words by C. Cibber,
music by .J. Stanley.] [London,
1735?] s.sh.iol. G. 310. (172.)
0 Scenes of Youth. Song. See Rannie (J.)
p
210
O
O. 0 Shame light on this Word's Pelf. The
Gear and the Bragrie o't. [Song.] Sung
by Mr. Lauder at the New Theatre in the
Hay Market. {London, 1757.] s. sh. 8°.
P.P. 5439. ab.
New Universal Magazine, Dec, 1757.
O Shepherds ! how oft to the brooks.
Pastoral. See Caerington (C.)
0 Sleep. [Song.] .SVe Waters (T.)
Oh sleep, gentle sleep. Duo.
^See Harington (H.)
O sleep, why dost thou leave me ? Song.
See Haendel (G. F.) [Semelc.]
O Sodoma ! quid facis. [Chorus for three
voices.] [Conradns Scher :
Argentorati, 1607.] s. sh. obi. 12".
11712. b. 40.
Part of ' Conflagratio Sodomm. Drama
novum tragicum,' hy Andreas Saurius.
0 Soleil ! prete moi tes fiammes. Cantique.
See LoLOTTE et Fanfan.
Oh, stay, ah turn, my only dear. Rondo.
See GiOEDANi (G.) or (T.)
Oh stay my Love. Song.
See Storage (S.) [The Glorious First of
June.]
Oh stay my sweet Pilgrim, a Favorite
Song. Printed for P. Jung :
Oxford, [1793 ?] fol. G. 360. (55.)
O strew the sweet Flower. Song.
See Ross (J.)
0 strike the Harp. [Song.] See Storage (S.)
0 strike the Harp in praise of my Love.
Trio. See Stevens (R. J. S.)
Oh ! take him gently from the Pile. Song.
See EcGLES (J.) [Cyrus the Great.']
Oh ! talk not to me. Song.
See Vento (M.) [Lionel and Clarissa.']
0 tems heureux ! Le Retoitr de VAgc cVOr.
Chanson. [Paris,] 1744. s. sh. 4°.
298. b. 29.
Mercure de France, Nov., 1744.
Oh the blissfuU Day approaching. [Sacred
Song.] Composed by a German.
[Londo7i, 1697.] 4". 108. g. 68.
P. 67 of No. I. of ' Theosophical Trans-
actions by the Philadelphian Society.'
0 the blissful joys of wooing. Song.
See Shield (J.)
Oh the Bonny Highland Laddie. The
Highland Laddie. [Song.] [London,
1760?] s. s7i. fol. 1.530.(117.)
O y' Broom y' bonny Broom. TJie Broo^n
of Coiodenknows. [Song.] [London,
1735 ?] s. sh. fol. G. 316. e. (107.)
Oh the Charming Month of May. A New
Song out of the Guardian. [London,
1713?] s.sh.iol. H. 1601. (328.)
[Another edition.] Oh the Charming
- Mouth of i\Iay, etc. [London,
1720?] s.sh.iol. G. 310. (177.)
O. 0 the days when I was young. [Song.]
See Duenna.
Oh ! the hours I have pass'd in the arms
of my dear. Cuolun, a Celebrated Irish
Air, arranged with Variations, for the
Piano Forte. [London, 1800?] fol.
G. 805. e. (15.)
Oh, thou Conubial God. Epithalamium.
.SVe Royal Revenge.
0 Thou for whom my Lyre I string. Tlie
Lover and the Friend. A New Song.
[MusicbyJ. Worgan.] ,"?ee Chloe. Chloe,
or the ^Musical Magazine, etc. No. 90.
[1760?] fol. G. 433.
0 Thou in whom the gentiles trust.
Hymn. [London, 1778.] 8'\
P.P. 716. b.
Gospel Magazine, Oct., 1778.
Oh thou was born to please me. Duet.
See CoMus.
0 Thrice Illustrious Famous City Loudon.
Upon Sight of Londons Stately Neio
Buildings, Anno Domini, mdclxxii.
[Ballad.] William Godbid,for the Author :
London, 1672. s. sh. fol. 82. 1. 8.
[Another copy.] Case 20. f. 2. (91.)
[Another copy.] Case 20. f. 4. (128.)
O Time who know'st a lenient hand to
lay. [Song.] See Callcott (J. W.)
0 Toi, dont TUnivers publie. Hymne.
See Gersin ( )
O toi, dont la sagesse a rempli. Hymne.
See Lelu ( )
0 toi qu'on adore a Cythere. L'Amant
sans Espirance. [Song.] Sur Fair, Bon
soir ma ieune. [I^aris, 1785 ?] 8".
B. 362. e. (121.)
0 toi qui n'eut jamais du naitre. Le FiU
Naturel. fSong.] Chez Bonvalet :
[Paris, 1790 ?] 8". B. 362. a. (91.)
0 toi qui prolongeas mes jours. [Air.j
See Iphigenie en Tauride.
O toi qui viens de me charmer. Chanson
Nouvelle [written] par Mr. Guilliaume.
Air de la Romance de Nina [by N. Dalay-
racl. Chez Bonvalet: [Par'is, 1190?] 8°.
B. 362. f. (32.)
0 Tommy, Tommy. Glee.
Sec Welsh (T.)
O vous belle dormeuse. Romance.
See Lolotte et Fanfan.
0 vous I'exemple des justes. Couplets-
addresses. . .aux represantants du Peuple
composant le Comite de salut Public. Air :
Ce mouchoir belle Raimonde.
Chez Imbault : [Paris,] 1793. 8".
B. 362. (234.)
O vous qu'une crainte mortelle. Air de la
Suite de la ConficUration. Avec Accomp»
de Guittare. Chez Imbault :
Paris, [1790?] 8°. B. 362. a. (170.>
O— OBSERVATIONS
211
O. 0 we sail'd to Virginia. Admiral Benboio.
[Song.J Sung by ]\Ir. Bannister.
Sk[ilkrn: London, llS^l^ s. sh. iol.
G. 316. (103.)
O welcome my Shepherd. The Joyful
Meeting. A New Song. Sung by Miss
Falkner at Mary le Bone Gardens.
[London, 1750 ?] s. sh. fol.
I. 530. (113.)
O what a Beau my Granny was. [Song.]
See Ladies. The Ladvs can not but ap-
prove. [1800?] fol. G. 805. m, (26.)
0 ! what a Charming Creature. Song.
Sec Danby (J.)
Oh what a charming thing is Feasting.
What a charming Thing is Feasting,
or the Peacefull Sensations of Tasting
prefer'd to the Warlike Sensations of
Smelling. [Song.] Str[aight : London,
1780?] fol. G. 310. (245.)
Oh ! what a misfortune befel me to-day.
Song. See Hobson's Choice.
Oh ! what a plague is Love. The Jealous
Swain, [Song, to the tune of "PhiUida
flouts me"] to be Answer'd by Mr. A.
Bradlev. [London, 1720 ?] .s. sh. fol.
G. 305. (16.)
Oh what can match the pleasure. [Song.]
See Mazzinghi (.J.) [The Magician no
Conjuror.^
Oh what had I ado for to marry. Hoolij
and Fairly, [Song] as Sung by Mr. Beard
at Ranelagh. [Full Score.]
[London, 1745 ?] fol. G. 310. (224.)
[Another edition.] Oh what had I a do
for to marry. Hooly and Fairly, etc.
[Loudo;i, 1750?] s. sh. iol.
G. 315. (77.)
Oh what pain it is to see. The Amorous
Contest. [Song.] Set for y" German
Flute. [London, 1735 ?J s. sh. fol.
G. 316. e. (100.)
Oh what Pangs are felt in Love. A Xeio
Song [written] by Mr. A. Bradley.
[London, 1730 ?] s. sit. iol.
G. 310. (206.)
Oh where shall I wander. [Song.] Sung
by Mr. Vernon. [Music by J. Hook.]
[Welcker : London, 1775.] fol.
G. 310. (237.)
Printed from tlie plates of pp. 18-19 of
Hook's Sixth Book of Vauxhall Songs,
1775.
Oh Where's the plague in Love. The
Answer to the Jealous Swain, [Song,
words] by A. Bradley. [London,
1720?] s.sh.iol. G. 305. (17.)
[Another copy.] G. 310. (194.)
Oh who' is me, poor Walley cryd. Poor
Walley's Complaint, [-^ong.] ^London,
1750?] s.sh.iol. G. 316. (104.)
O. 0 wouldst thou know what kind of
charm. Song.
See Saint Germain ( de) Count, pseud.
0 wouldst thou know what Sacred Charm?.
Song.
See Saint Germain ( de) Count, pseud.
O yes, Sir, if you please. Song.
See WiLLSON (.J.)
O Youth, thou Morning of Delight. Glee.
See Callcott (J. W.)
OAK. The Oak. Ballad. See Stokes (C.
OAKES (Jeffrey) Damon to Philomel
. . .A New Song, etc. [I^ondon,
1730?] s. s7i. fol. G. 316. (105.)
Prithee tell me faithless Swain. A New
Song, etc. [London, 1730 ?] s.sh.iol.
G. 311. (14.)
GATES ( ) See Observations. Obser-
vations on Composition, etc. [Bv —
Gates?] [1770?] fol. 785. m. 14." (2.)
OB. Ob fiirchterlich tobend sich Stiirme
erheben. Motette. See Mozart (W. A.)
[Thamos. Ihr Kinder des Staubes.]
OBERON KOENIG DER ELFEW.
Oberon, Konig der Elfen. Operetta.
See Wraniczky P.)
OBET ( D") See Dobet.
OBI. The Spanish Guitar, [Song,] Sung
...in the. . .Pantomimical Drama called
Obi, etc. [Composed and adapted by S.
Arnold.] T. Jones <f- Co. : I^ondon,
[1800.] fol. G. 805. j. (22.)
Obi. Pantomimical Drama.
See Arnold (S.)
OBJET. Un Objet plein dappas. Air.
Sir COCRBOIS ( )
OBLIGEANT MAL- ADROIT.
L'Obligeant Mai-Adroit, Comedie en trois
Actes, et en vers, du C. Famin . . . avec
I'Ariette notee. Chez Denni :
Paris, 1793. 8". 11738. e. 32. (1.)
OBRECHT (Jacob) [Missa Si dedero.j
See Masses. Missarumdiverso?rauctoru3.
Liber primus. Si dedero [by] Obreth, etc.
1508. obi. 4". K. 1. d. 8.
OBSERVATIONS. Observations on a
Gentlewoman, working by an Hour-
Glass. [Song.] See Leveridge (R.)
ObserV'ations on Composition, with plain,
easy, and familiar rules to learn that art
by numbers ; to which is added the
Planner of Composing the . . . Canon of
Non nobis Domine, ... by W. Bird, etc.
[By — ■ Gates ?] M'' Oates : Westminster,
[1770?] fol. 785. m. 14. (2.)
Observations sur un ouvrage nouveau [by
L. Garcin], intitule : Traits du Melo-
Drame, etc. [By Francois Jean, Marquis
de Chastellux.] Vallat-la-Chapelle :
Paris, 1771. 8°. 839. d. 10.
p 2
212
OCCHIETTO— ODI
OCCHIETTO. Occhietto furbetto.
Duett. See Villanella Rapita.
OCH. Och, Arab ma Judey. Arah ma
Judey. [Song.] [London,
1735?] s. s7(. fol. G. 316. e. (114.)
[Another copy.] G. 305. (125.)
OCHSENKHUN (Sebastian) Tabulatur-
buch auff die Lauten, von INIoteten,
Franzosiscben, Welschen vnd Teutschen
Geystlicben vnd Weltlicben Liederu,
sampt etlicben jren Texten, mit Viereu,
Fiinffen vnd Sechs stimen, dergleichen
vor nie im Truck aussgangen . . . Durch
Sebastian Ocbsenkbuu . . . zusameu
ordinirt vnd gelesen. J. KJiol :
Heidelberg, 1558. fol. K. 1. i. 3.
Imperfect. The title-ixige and from
fo. Ixxviii to the end of the book
are in facsimile. The composers men-
tioned arc : P. Hoffheimer, C. Glanner,
S. Zirler, L. Seiiffel, G. Petschin, W.
Braitengasser, C. Ottmaier, H. Isaac,
M. Ziete, S. Mahu, J. vom Brandt, H.
Kilian, T. Stoltzer, Archadelt and
Crecciuillon.
ODD. Odd Zooks what a Sight. The
Volunteers' Medley, a humorous Descrip-
tion of the . . . Volunteers ... at the . . .
Review in the Phoenix Park on the 5th of
June [1781] . . . written by Mr. Marsh
Junr., etc. John Lee : Dublin,
[1781.] fol. H. 1601. a. (108.)
ODE. An Ode address'd to a Lady. [Song.]
See From. Prom wave to wave, etc.
[1745 ?] s. sh. fol. G. 316. h. (31.)
Ode in honor of Earl Cornwallis's Victory
over General Gates, etc. See Coenwallis.
Cornwallis, Illustrious Warrior ! etc.
[1780.] fol. G. 307. (55.)
An Ode in Honour of the Albions Society.
[Song.] See Jarvis (S.)
Ode in Honour of the London Military
Association. [Song.] -See While. While
some to Clinton, Rodney or Prevost, etc.
[1780 ?] fol. G. 313. (254.)
An Ode on his Majesty's happy Return
from Hanover. [Song.] See Our. Our
King and our Guardian is come, etc.
[1745.] s. sh. fol. G. 310. (218.)
Ode on St. Cecilia. [Glee.]
See Webbe (S.) the Elder.
An Ode on Solitude. [Duet.]
See Stanley (J.)
Ode on the Passions. [Cantata.]
See Cooke (B.)
Ode on the Return of Peace.
See Hook (J.)
Ode sur la Paix. [Song.] See Ce. C'est
trop longtems, nobles rivaux.
[1783.] 8". B. 362. a. (70.)
Ode to Charity. [Song.] See Fisin (J.)
ODE. An Ode to Contentment. [Song.]
See Baildon (J.)
Ode to Plorimel. [Song.] See Adieu.
Adieu, dear maid. [1780?] s. s/i. fol.
H. 1994. a. (54.)
An Ode to Harmony. [Glee, begins;
' When aiusic with th' inspiring bowl.']
See Ayrton (E.)
Ode to Harmony. [Hymn, begins : ' Hail
Heav'n born Art.'] See Grigg (S.)
Ode to Liberty. [Duet & Chorus.]
See Parsons (J.)
An Ode to Love. [Song.]
See Arne (T. A.)
Ode to May. Song [begins: 'Fairest
daughter of the Year 'J.
See Adams (J. B.) A New Air ... No. 2.
Ode to May. Song. .S'ee Awake. Awake
mv muse the sprightly lay, etc.
[1752.] 8\ 249. e. 22.
An Ode to Sleep. [Glee.]
See Olive (J.)
An Ode to Solitude. [Song.] See Sweet.
Sweet Companion of the Muse.
[1750?] 6-. sh. fol. G. 316. f. (8.)
Ode to the Harp. [Song.]
See Reeve (W.)
ODEN. Beiiinische Odeu und Lieder.
3 Th. J. G. I. Breitkopf
{B. C. Breitkopf and Sohn) : Leipzig, 175G
(1759) (1763). obi. fol. E. 1705.
The composers named in this collection
are: Sack, Rackemann, Nichelmann,
Agricola, Schale, Marpurg, Krause,
C. P. E. Bach, Janitsch, Roth,
Quanz, Graiin (Concertmeister) , Graun
(Capclhneister), Kirnbrrger and Sey-
fahrt.
Geistliche moralische und weltliche Odeu,
von verschiedenen Dichtern und Compo-
uisten. G. A. Lange : Berlin, 1758. fol.
F. 363. f. (1.)
The composers of this collection are :
Marpurg, Kirnberger, Sachs, Krause,
Schale, Nichehnann, Fasch, Racke-
mann, Agricola and Graun.
Geistliche Oden in ]\Ielodien gesetzt vou
einigen Tonkiinstlern in Berlin.
Bell C. F. Yoss : Berlin, 1758. obi. fol.
'^ D. 743.
The composers are: Graun, C. Fasch,
Nichelmann, Marpurg, Krause, Racke-
mann, Schale, Seyfarth, Agricola and
Sack.
Sammluug ueuer Oden und Lieder.
2 Thle. [Words by F. von Hagedorn,
music by J. V. Gorner.]
Bey sel Felginers Wittwe und J. C. Bolni :
Hamburg, 1742-44. 8°. D. 745.
ODI. Odi un suon di meste note. Song.
See Alessandro e Timoteo.
ODONTIUS— OF
213
ODONTIUS (Matth.eus) Musicalisch
Rosengiii-tlem, Neuer Teutscher, lustiger,
weltlicher Liedlein. . .zu singen vnud auff
allerley Instrumenten zugebrauchen, mit
i vnd 5 Stimmen componirt, etc. Tenor.
Abraham Wagcnmann :
Niirnberg, 1612. i". B. 119.
ODS'. Ods' Blood who's the Noodle. Song.
See I. I sing of George's Golden Days, etc.
[1780.] fol. G. 309. (105.)
OECONOMIE. Oecouomie der Plaisir.
Ronde. Sec Lkgat de Furcy (A.)
CEDIPE A COIiONNE. Overture.
CEdipe a Colonne. [By A. M. G. Sacchini.]
[1801.] See Periodical Publications. —
London. The Piano-Forte ^Magazine.
Vol. XIV. [No. 13.] [1797-1802. 1 8".
D. 854.
Oedipe a Colonne. Op6ra.
See Sacchini (A. M. G.)
OEGLIN (Erhart) Tenor. [Erhart
Oeglin's Liederbuch. German and Latin
songs with words, for four voices.]
Erhart Ocjlin : Augspurg, 1512. obi. i'\
K. 4. d. 7.
53 leaves loithout pagination. Tlie title- i
page bears tJie word Tenor and a i
ivoodcut of a mermaid, holding two ,
oval shields or ^nirrors with ribbons, \
and the initials H. B. [Hans Burgk- \
mair the Elder] on a tablet. I
Song.
O'ER. O'er Desert Plains.
See Jackson (G.)
O'er Highlands and Lowlands. Ballad.
See Sanderson (J.)
O'er my soul, bright Queen of Beauty. .-1
Ncio Song. The words from Don Quixotte.
[London, 1774.] S". ^ P.P. 5438. z.
Universal Magazine, Vol. LV., p. 150.
O'er the Bowl we'll laugh and sing. Song.
See Selby (W.)
O'er the Lawns up the hills as with ardor
we bound. See Shield (W.)
O'er the Seas my Love is Sailing. The
Favorite Scotch Eoiulo, etc.
[Londo7i, 1786 ?] fol. G. 310. (241.)
O'er the vast Surface of the Deep. Song.
See Storage (S.) [The Glorious First of
June.']
O'er the wide field of Fancy to pleasure I
haste. Song. -See Blewitt (J.)
O'er Woodlands & Momitains I roam.
Canzonet. See Fergus (J.)
OETINGER (Friedrich Christoph)
Inquisitio in Sensum Communem et
Rationem . . . Accedit Nova Analysis Musica
pro sensu coromuni illustrando, e^c. 2 pts.
Impensis Joh. Christoph. L'Offleri :
Tubingse, 1753. 8°. 8463. bb. 23.
OEUFS. Les CEufs Casses. [Song.]
See Ce. C'est la fille a Simonette.
[i790?] 8°. B. 362. e. (120.)
OF. Of all Comforts I miscarried. The
Curtain Lecture. A new Dialogue between
a Clownish Husband and a Cunning Wife,
the words bv Mr. Durfey. [London,
1710?] s.sh.iol. H. 1601. (329.)
Of all Joys we are possest. [Duet.]
See CoRFE (J.)
Of all my experience. A New Song, etc.
^London, 1753.] 8". ^ P.P. 5438. z.
Universal Magazine, Vol. XII , p. 324.
Of all Professions in the Town. The
Physician. [Song.] Sung by Mr. Keen
at Sadler's Wells. [London^
1780 ?] s. sh. fol. G. 310. (270.)
Of all the Animals on Earth I see. The
Transformation. A New Song. [London^
1730 ?] s. sh. fol. G. 310. (174.)
Of all the brave Birds. Glee for three
Voices. [Loudo;;, 1790?] s.sh.iol.
G. 805. g. (33.)
Of all the brave birds. Glee.
See Freeman (N.)
Of all the Experience, how vast the
amount. T}ie Distressed Maid. [Song.]
[London, mo?] s.sh.iol.
G. 310. (257.)
Of all the gay Nymphs of the Ton.
Belinda's Complaint for the Loss of her
TSte. [Song.] Bland: [Lo7idon,
1780 ?] s. sh. fol. G. 310. (249.)
Of all the girls I ever saw. Nancij Gay.
[Song, music by V. W.]
[London, 1767.J 8". P.P. 5441.
Eoyal Magazine, Vol. XVII., p. lOl.
Of all the girls I ever saw. Nancy Gay.
A New Song. [Music by V. W.]
[London, 1767.] 8°. ^ P.P. 5438. z.
Universal Magazine, Vol. XL., p. 379.
Of all the girls in our town. Nancy
D«?/;san,a NewSong. [London, 1160.] 6".
P.P. 5438. z.
Universal Magazine, Vol. XXVII., p. 208.
Of all the Girls in our Town. Nancy
Dawson. [Song.] [London,
1760?] s.sh.iol. L 530. (114.)
Of all the girls that are so smart. Sally
in our Alley. [Song, by H. Carey.] The
real Set as Sung by Mr. Incledon, etc.
Urbani & Lision : Edinburgh,
[1798?] fol. G. 356. (49.)
[Another edition.] Of all the Girls that
are so smart. The Favorite Song of Sally
in otir Alley as sung by Mr. Dignum . . .
To which is added the Original Air.
J. Dale: London, [1800?] fol.
H. 1994. d. (46.)
Of all the Joys that fill the Heart. Song.
See KiESHAW (G.)
214
OP— OFFRANDE
OF. Of all the Lads that are so Smart.
Sally in our Alley to Billy in Piccadilly.
[Soug, to the music of H. Carey's ballad.]
With Proper Graces to the Tune. [London,
1720?] s.sh.iol. H. 1601. (324.)
Of all the maidens fair. The Chief of
Dairy Maida, or the Green Goiun. [Song.]
[London, 1120?] s.sh.iol.
I. 530. (115.)
Of all the :\Iauxes in the Land. Sally in
her own Cloaths. [Song, adapted to H.
Carey's tune of " Sally in our Alley."]
[London, 1720?] s.sh.iol.
H. 1601. (343.)
Of all the Occupations. The Jolly Topers.
[Song.] Set for the German Flute.
[London, 1735 ?] s. sh. fol.
G. 316. e. (108.)
Of all the simple things we doe. The
Mouse Trap. [Song] ]\Iade to a Tune in
the Country Wake. [London,
1730?] s.sh.iol. H. 1601. (326.)
[Another edition.] Of all y simple things
we do. The Mouse Trap, etc. [London,
1730 ?] s. sh. fol. G. 305. (193.)
[Another edition.] Of all f simple things
we do. The Mouse Trap, etc. [London,
1730 ?] s. sh. fol. G. 310. (189.)
Of all y° toasts, that Brittain boasts.
Polly Peachum, to the Tune of Sally in
our Alley [by H. Carey]. [London,
1728.] s. sh. fol. G. 316. a. (36.)
Of all the Torments, all the Care. Song.
See BoYCE (W.)
Of all the various states of life. Wedlock.
[Song.] [London, 1766.] S".
P.P. 5441.
Royal Magazine, Vol. XV., 2^. 45.
Of all the words that e're was sung. Tlte
Explanation, a new occasional Song
[written] by C. Stracey.
PUey and Willis : London, [1797 ?] fol.
G. 365. (26.)
Of all the Worlds enioj-ments. Tlic
Fishermans Song [in T. D'Urfey's ' Mas-
saniello.' Music by R. Leveridge].
[London, 1700.] s. sh. fol.
H. 1601. (353.)
Of all the World's enjoyments. Song.
See Leveeidge (R.) [Massaniello.]
Of battles or sieges I mean not to sing.
A New Song. [London,] 1763. 8".
P.P. 5441.
Vol. IX., p. 318.
Ballad.
English
Royal Magazine
Of Cruel Absence.
See SuETT (R.)
Of good
raise. Song. See
Of Jolly Rakes
Venus Unmaskd.
an Afflicted Sinner.
1720'?] s.sh.iol
Beer our Song let's
LEVERIDC4E (R.)
aiid pleasing Dames.
Or a Merry Song for
[London,
H. 160i. (360.)
OF. Of Knights in all ages in Story we're
told. The Knights of the Brush. [Song.]
Bland: [London. ll'^O?] s.sh.iol.
G. 310. (248.)
Of Linster fam'd for INIaidens fair. Lucy
d Collin, by Mr. Tickle, set to a New
Tune. [London, 1735?] s. sh. fol.
G. 316. e. (104.)
Of noble Race was Shenkin. A favorite
Welch Air, with Variations for the Harp,
Harpsichord, Violin, or German Flute.
Broderip (& Wilkinson : London.
[1800?] fol. h. 3200. a. (20.)
Of noble race was Shinkin. Song.
See RicHiMOXD Heiress.
Of race divine thou needs must be. .4
Song, new set to Musick.
[London, 1752.] 8". 157. 1. 14.
London Magazine, 1752, p. 569.
Of Wilkes or of Halifax 'tis not I sing.
The Scrutiny. [Song.] The Words by
J. Oakman. C[harles
and] S[amuel] T[hompson : London,
1770?] s.sh.iol. G. 310. (272.)
OF AGE TO-MORROW. The Wife's
Farewell or No my love no. The Favorite
Ballad as sung by Miss Decamp in the
. . . Farce of Age To-morrow. [By M.
Kelly.] R. Branston, for the Author :
London, [IQOO?] fol. G. 805. h. (36.)
Of Age To-morrow. Musical Entertain-
ment. See Kelly (RL)
O'FARRELL (P.) O'Farrell's Collection
of National Irish Music for the Union
Pipes . . . Comprising a Variety of the Most
Favorite Slow & Sprightly Tunes. . .with
Variations . . . with a Selection of . . .
Scotch Tunes, also a Treatise with . . .
Instructions ... for the Pipes. Goic :
[London, 1792.] ohl. 4". b. 115.
OFFICIER DE FORTUNE. Fidel
epoux, franc militaire. Vaudeville de
I'Officier de Fortune. [Words by J, Patrat ,
music by A. B. Bruni.J Avec Accompag'
de Guittare. Chez Fr^re : [Pari.^,
1792.] 8°. B. 362. d. (2.)
OFFLEY (Henry Francis) The Gallant
Soldier. A Favorite Song. . .Written &
Composed by H. F. Oftley. W. Cope :
London, [11 9<3?] fol. G. 367. (36.)
Lowland Cot, A Favorite . . . Song. Written
by T. Jones. W. Cope, for the Author :
London, [1796 ?] fol. G. 367. (35.)
The True British Soldier, or King George
and Old England for ever. A Favorite
Song. . .Written by T. Jones, etc.
W. Cope, for the Author : London,
[1795?] fol. G. 376. (28.)
OFFRANDE A TERPSICHORE.
L'Offrande a Terpsichore. [Ballet.]
See Bossi (C.)
OFPRES— OLD
215
OFFRES. Les OSres de I'Amour. [Song.]
>Ve Amour. L' Amour a la belle Aspasie, etc.
^1780?] 8°. B. 362. b. (161.)
OFT. Oft Faunus leaves Arcadia's Plains.
[Glee.] See Callcott (J. W.)
Oft have I seen at early morn. [Song.]
See Aylwaed (J.)
Oft I'd wet the t'other Eye. [Song.]
See Reeve (W.)
Oft I'm by the Women told. [Song.]
See Leveridge (R.)
Oft let me wander. Song.
See Spofforth (R.)
Oft on the troubled Oceans face. [Song.]
See Galliard (J. E.) [Circe.]
OGUS. Ogus. Komische Oper.
See Winter (P. von)
OH. S'^e 0.
O'HARA (Kane) See Goldex Pippin.
The Songs ... in the Golden-Pippin, an
English Burletta . . . Compiled from the
Works of the most Celebrated ^Masters by
the Author of Midas [i.e. K. O'Hara].
[1773.] obi. fol. D. 272. (1.)
OISEAU. L'Oiseau, on les tomparaisons.
LSong.] SeePRES. Presd'un Mari brusque
et sauvage. [1785 ?] 8».
B. 362. b. (143.)
L'Oiseau soigneux qui cherche sa proie.
L'Oiseau. [Song.] E. Rhames :
Dublin, [nSO?] s. sh. iol.
H. I60I. b. (58.)
OISEAU PERDU ET RETROUVE.
Mon pere, on dause au Chateau. Roude.
De L'Oiseau perdu et retrouvc'. [Op6ra-
Comique, written by De Piis and Barre.]
iParis, 1782.] 8". ' B. 362. b. (199.)
Rien n'est, quand on calcule. Vatuleville.
De VOiscau perdu et retrouvi. [Opera-
Comique, written by De Piis and Barre.]
Chez Bignon : [Paris, 1782.] 8».
B. 362. (208.)
OISEAUX. Oiseaux de ce bocage. Air
Nouveau. Avec accomp' de guitare de
Sig' Alberti. Chez M. Camand :
Paris, [1785 ?] 8». B. 362. g. (48.)
Les Oiseaux de ces bocages. Air, ajoute
au iV Acte d'Armide et chants par
:\r" Fel. [Paris,] 174G. s. sh. i".
297. c. 6.
Mercure de France, April, 1746.
Oiseaux par le plus doux accent. Germeuil
de rctour a Nina. [Song.] Sur I'air de
la Romance [by N. Dalayrac].
Chez Frire : [Paris, 1790?] 8".
B. 362. h. (30.)
Oiseaux qui gazouilles. Romance.
See LoLOTTE ET Fanfan.
OISEAUX. Oiseaux, si tous les ans. Air
Serieux. [Words] De M. de Brueys.
[Paris,] 1725. s. sh. i". 297. a. 17.
Mercure de France, Nov., 1725.
OISEAUX D'lTALIE. Les Oiseaux
d'ltalie, Folie en un acte et en prose,
melee de Vaudevilles. Par H. Chaussier
et Bizet. . .Avec les Airs notes.
Chez le Libraire au TMdtre du Vaudeville:
Paris, An vi« [1798.] 8".
11738. bbb. 41. (8.)
OLA. Ola dico. [Quartett.]
See Paisiello (G.) [Gli SchiaviperAmore.]
OLD. Old Adam it is true. Song.
See Vanbrcghe (G.)
The Old and New Courtier of the Queen's.
[Song.] See With. With an Old Song
made by an Old Ancient Pate, etc.
[1710 ?] s. sh. fol. H. 1601. (498.)
The Old Batchelor's Advice to all young
Batchelors. [Song.]
See You. You find from the beginning.
[1720?] s.sh. fol. H. 1601. (543.)
The Old Bawd. [Song.]
See Barrett (J.) Organist.
Old Ben Bowling. Song. See Reeve (W.)
The Old British Lion. Song.
See Camidge (M.)
Old Care begone. Song.
See MozK ( ) A Bacchanalian Song.
The Old Cavalier. [Ballad.]
See He. He that is a clear Cavalier, etc.
[1690?] s.sh. fol. Case 39. k. 6. (21.)
Old Chiron. Two Part Song.
See Purcell (H.) [Doubtful and Spurious
Works.]
The Old Cloaths Man. [Song.]
Sec DiBDiN (C.) [To7n Wilkins.]
The Old Commodore. [Song.]
See Reeve (W.) [The Glorious First of
June.]
Old England so famous of yore. A
Political Ballad Address'd to the Worthy
Electors of the City of Westminster.
[Son^y.] T. D., for the Author :
[London, 1785.] fol. H. 1653. (54.)
Old England to thyself be true. Song.
See Magic Cestus.
Old England's Glorv revived. [Song.]
See L., R.
Old England's Wooden Walls. Song.
See Carter (C. T.)
Old Homer, but what have we with him
to do ? Liberty-Hall. [Song.]
B.Falkener: London, [1775?] s. sh. fol.
H. 1994. a. (76.)
[Another copy.] G. 806. f. (63.)
Old Husonwent out. Old Hnson's Ramble
or the Ladies Mistake. [Song.]
\ London, Yi'ibr] s. sh. io\.
^ G. 316. e. (112.)
216
OLD— OLIVE
OLD. Old :\rad Tom. Song.
See I. I'm Old Mad Tom, etc.
[1720?] s.sh.io], G. 309. (37.)
The Old Man's Wish. [Song.]
See If. If I live to grow old, etc.
[1720?] s.sJi. fol. H. 1601. (239.)
Old Oliver, or the Dying Shepherd.
Cantata. Sec Rauzzini (V.)
The Old One outwitted. [Song.]
See Honest Yorkshire-Man.
Old Poets have told us, when they have
grown mellow. [Song.]
See Leveridge (R.)
The Old Sailor. Song.
See Grimshaw (J.)
The Old Shepherd's Dog. Ballad.
See Hook (J.)
Old stories tell how Hercules. .4 True
Relation of the Dreadful Combate ketioeen
More of More-Hall, and the Dragon of
Wantley. [Ballad.]
Printed for Randal Taylor :
London, 1685. fol. 1872. a. 1. (129*.)
Old Time is my Name. The Three Kings.
[Song.] Printed for W. Bailei/ : [London,
1780?] s. sh. iol. G. '310. (234.)
. Old Tom of Bedlam. [Song.]
See Forth. Fourth from my dark and
Dismall Cell, e^c. [1710?] .s. s/t. fol.
H. 1601. (149.)
Old ugly Flavia Patches wears. 0» Cloe's
loearing Patches. A new Song to Belsize
minuet. [ZoHfZo», 1721 ?] s.sh.iol.
H. 1601. (354.)
The words of this song, signed T. B.,
are in the Weekly Journal for
nth June, 1721.
[Another edition.] Old ugly Flavia
Patches wears. On Cloc's wearing
Patches, etc. [London, 1125?'} s.sh.iol.
G. 310. (186.)
The Old Wife she sent to the Miller. The
lolly Miller. [Song.] The words [from
' Don Quixote ; Part iii,'] by T. Durfey.
[Lo7idon, lllO?] s. sit. iol.
H. 1601. (434.)
The Old Woman. Song.
See GiARDiNi (F.)
The Old Woman cloathed in Grey.
[Song.] [London, 110b?] s. sli. iol.
H. 1601 (25.)
[Another edition.] An Old Woman
cloathed in grey. A Song. [London,
1715?] s.sh.iol. G. 306. (71.)
An Old Woman cloathed in grey. The
Musical Hodge Podge. Sung by i\Ir.
Beard. [Loiidon, 1130?] fol.
G. 305. (150.)
[Another copy.] G. 306. (60.)
The Old Woman under the Hill. [Song.]
See Lord ^Mayor's Day.
OLD. Old Women we are. Song.
See Harlequin's Invasion.
OLD MAN TAUGHT WISDOM. An
Old Man taught Wisdom : or, The Virgin
Unmask'd. A Farce . . . By Henry Fielding
. . . With the ]Musick prefix'd to each
Song. The Second Edition.
Printed for J. Watts: London, 11 So. 8".
11775. d. 15.
OLEY (JoHANN Christoph) Variirte
Choriile fiir die Orgel. 4 Thle.
Bey C. A. Reussner : Quedlinburg,
1775-(1792.) fol. h. 2755.
The pagination is continuous, hut each
part has a separate title-page. Th. 2
is dated 1776, Th. 3 has a preface by
J. A. Hiller, and is dated 1791, Th. 4
is dated 1792. The last tivo parts are
published by F. J. Ernst.
OLIFANTE (Giovanni Battista)
See RoDio (R.) Regole di jMusica . . .
Et di nuouo da . . . G. B. Olifante
aggiontoui un Trattato di Proportioni, etc.
1609. obi. 4".
785. a. 6.
OLIMPE. Olimpe est de retour. Air.
See GouET ( )
OLIMPIA. Olimpia. [A Pasticcio.]
Src Delizie. Le Delizie dell' Opere, etc.
Vol. 4. [1776.] fol. G. 159.
OLIMPIA IN EBUDA. Olimpia in
Ebuda. Opera. Sec Hasse (J. A.)
OLIMPIADE. The Favorite Songs in
the Opera I'Olimpiade. 2 pts. [A Pas-
ticcio. Full Score.] R. Brcmner :
London, [1770.] fol. G. 760. f. (10-11.)
The composers named are : J. C. Bach,
Piccini, Traietta and Sarti.
[Another copy.] G. 760. d. (3.)
The Favourite Songs in the lipera
L'Olimpiade. [A Pasticcio.] W. N'ajner :
London, [1779 ?] fol. G. 206. f. (1.)
The composers named are : Bcrtoni,
Paisiello aiul Gluck.
L'Olimpiade. [Opera.]
See JoMELLi (N.)
OLINDA. Olinda turne. Song.
See PuRCELL (D.) [The Unhappy Con-
queror.]
OLIVE. The Olive Branch. [Song.]
See Essex (M.)
OLIVE (Joseph) Bacchus. For two
Voices. [London, 1775?] s. sh. fol.
G. 306. (183.)
Constant Damon, etc. [Song.]
C[harles and] S[amttel] T[hompson :
London, 1115?] s.sh.iol.
H. 1994. d. (47.)
England's Glory. [Song. Full Score.]
[London, 1782.] 8°. 2117. e.
European Magazine, Vol. II., p. 450.
OLIVE— ON
217
OLIVE (Joseph). The Farewell. [Song.
Words by J. Cunningham.]
C[harles and] S[amuel] T\liompson :
London, 1775 ?] s. sh. fol. G. 307. (95.)
The Fox Hunters. [Song.] Sung by
Mr. Lowe, etc. C[]iarles and'] S[aninel]
T[hornpson : London, 1170?] s. sJt. io\.
G. 308. (125.)
The Lover's Declaration. [Song.]
C[haiies and] S[a7nucl] T[hompson :
London, mo?] s. sh. io\.
G. 309. (147.)
The Loyal London Military Association,
etc. [Song.] Shmmel,] A[nn and] P\eter]
T\hoynnson : London, 11 Qb?] s.sh.ioX.
H. 1601. a. (105.)
^linnet [for strings and horns. Full
score]. [London, 1783.] 8°. 2117. e.
European Magazine, Vol. III., p. 217.
^linuetto [for strings and horns, full
score]. [London, 1782.] 8". 2117. c.
European Magazine, Vol. II., p. 379.
An Ode to Sleep, etc. [Glee for three
voices.] [London, 1782.] 8°. 2117. c.
European Magazine, Vol. II., p. 295.
Sacred is War. [Song.] Sung by Miss
Pinto at Sadlers Wells, in the favorite
Interlude of All for Scarlet, or Ding Dong
to the Park. S[amuel,] A[nn a7ul]
P[eter] T[hompson : ^Ijondon, 1785 '?] fol.
Q. 311. (118.)
Says his Grace to his Cook. Glee, etc.
Printed for J. Fielding :
London, [1782.] 8°. 2117. c.
European Magazine, Feb., 1782.
Six Songs for a Voice or Harpsichord, etc.
Printed for S. A. d P. Thompson:
London, [llQb?] fol. G. 360. (38.)
Summer. [Song.] The Words by Mr.
Riley. [Full Score.] [London, 1783.] 8".
2117. c.
European Magazine, Vol. III., p. 65.
True Blue. [Song.] Sung by Mr. Lowe
in " India hoa " at Sadlers Wells.
II[cnry] T'horotcgood : London,
1771 ?] s. sh. foi. ^ G. 312. (143.)
What though my love be gone afar.
Song, etc. [London, 1783.] 8". 2117. c.
European Magazine, Vol. IV., p. 137.
OLLEFEN (WiLLEM van) Proeven van
Muzikaale Uitspanningen, bestaande in
Mengelzangen, naar den niev;wsten
Italiaanschen smaak geschikt, voor het
Clavier, de Viool, Fluit, en andere Instru-
menten. (Melodeyen van de Muzikaale
Uitspanningen, etc.) 2 pts.
By J. B. Ehve: Amstcldam, 1783. 8°.
7897. f. 30. (1.)
OLTOLINA (Carlo Andrea) Sei Sonate
a due Violini e Basso, etc. [Separate
Parts.] Chez S. Markordt : Amsterdayn,
[1780?] fol. g. 409. a. (8.)
OLYMPE. L'Olympe est-il sur la terre.
Rondeau. See Legros (J.)
OLYMPIADE. Avec peine un cffiur se
d6gage. Air, do VOlympiade [by A. M. G.
Sacchini]. [Paris,] 1778. s. sh. 8^
297. f. 20.
Mercure de France, March, 1778.
Non, mon coeur soufire nioins de peines.
Air de L' Olimpiade [by A. M. G. Sacchini .
Arrange pour la Harpe par 3Ir. Suin.
[Paris, 1780 ?] fol. G. 800. m. (43.)
L'Olympiade, ou le Triomphe de I'Amitie.
Drame H^roique. See Sacchini (A. M. G.)
OMAI. Omai. Pantomime.
Sec Shield (W.)
OMBRA. Onibra cara. [Song.]
Sec Radamisto.
Ombra cara, ombra tradita. [Song.]
Sec DiDONE Abbandonata.
Ombra cara, ombra tradita. [Song.]
See Schuster (.J.)
OMBRE. Ombre de mon Amant. Air.
See Lambert (M.)
OMBRE DE VADii. L'Ombre de Vade.
[Parade.] Par M. Taconet. Represente
sur le Theatre, a I'Orient, au mois de
Novembre 1757. [With the music of the
concluding Vaudeville.]
[Pan.s ? 1757 ?] 8°. 11738. o. 1. (8.)
OMNIA. Omnia vincit Amor. Song.]
See As. As I went forth to view y'' Spring.
[1750?] s. s7t. fol. G. 316. a. (6.)
OMPHALE. Omphale. Tragedie.
Sec Destouches (A. C.)
ON. On a Bank beside a Willow. Aminta's
Tears for the Loss of Damon. [Song.]
[London, 1750 ?] s. sh. fol.
I. 530. (118.)
[Another setting.] On a Bank beside a
WiUow. [Song.j See Boyce (W.)
On a Bank of Flow'rs. Song.
See Lady's Triumph.
On a Brook's glassy brink. The Lass of
the Brook. A new Song Set for the
German Flute. [London, 1150?] s.sh.iol.
G. 316. (106.)
On a Brook's grassy Brink. TJie Lass of
the Brook. A new Song.
[London, 1755.] 8". 157. 1. 17.
London Magazine, 1755, p>. 132.
On a Brook's grassy Brink. The Lass of
the Brook. A New Song.
[London, lido.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XVI., p. 343.
On a Brook's grassy brink. Tlie Lass of
the Brook. [Song.] [London,
1756.] s. sh. 8'\ P.P. 5439. ab.
Neiv Universal Magazine, May, 1756.
On a Day, alack the Day. [Song.]
See Chilcot (T.)
218
ON
ON. On a Dram. Catch. Src Baildon (J.)
On a Fly Drown'd in a Lady's Eye.
rSong.] See Deluded. Deluded Fly,
that thus presum'd. [1720 ?] s. sh. fol.
H. 1601. (122.)
On a Goldfinch flying away while a Lady
was playing Dear Liberty. Song.
Sff To. To Handel's pleasing notes, etc.
[1756.] 8°. P.P. 5438.
On a Grassy Pillow. Happy Myrtillo.
[Song, written and composed by H. Carey.]
[LoKrZo», 1720?] s.sh.iol.
H. 1601. (359.)
On a Lady stung by a Bee. [Song.]
See Vincent (J.)
On a Lady weeping. [Song.] See Lady.
On a mille gouts differends. La Montagne.
[Song.] Sur I'Air de La Crois^e [by
G. G. Cambini]. CJiez Imhmilt :
Paris, [1793 ?] 8". B. 362. a. (19.)
On a Mossy Bank reclin'd. The Stolen
Kiss. [Song, the words by R. Dodsley,
from "Colin's Kisses," the music i)y J.
Oswald.] [London, 1748 ?] s. sh. fol."
G. 310. (201.)
On a primrosy bank by a murmuring
stream. The Blush. A New Song.
[London, 1757.] 8°. 158. 1. 2.
London Magazine, 1757, 2>- I'lO.
On a Primrose Bank by a Murmring
Stream. The Blush. [Song.] [London,
1760?] s.sh.iol. G. 316. (107.)
On a Rose that died in Clarissa's Bosom.
[Song.] Sec Sweet. Sweet beauteous
Flow'r full fraught with choice delights.
[1770?] s.sh.M. G-. 311. (132.)
On a subject extensive bestow some atten-
tion. Eulogium on Masonry. [Song.]
The words by Brother Hartley. [London,
1780?] fol. G."310. (240.)
On a Summer's Sunday Morning. Song
0)1 Admiral Parker's Victory over the
Dutch upon tJte Dogger Bank, 1781.
Bland : [London, 1781.] s. sh. fol.
G. 310. (288.)
On a Young Lady. [Song.]
See Peters ( )
On a young Lady stung by a Bee. [Song.]
See Flackton (W.)
On Admiral Lord Duncan's victory. Glee.
Sec Dixon (W.)
On an Orange Flow'r put into a Lady's
Bosom. [Song.] See Hayes (P.)
On attend un couplet galant. Air.
See Favart aux Champs Elisees.
On Autumn. Song. See Behold.
Behold the rosy Summer flies.
[1770?] s. s/(.'fol. G. 306. (198.)
On Bagnigge Wells. [Song.]
See KiRSHAW (G.)
ON. On blasme a tort notre fai/ou. Vaude-
ville. See Lanterne Veridique.
On Blindness. [Song.]
.S'ee KiLBURN (J.)
On Board of a Man of War. [Song.]
See Come. Come all my brave Lads,
away quic[k]ly come. [1780?] s. sh. fol.
I. 530. (29.)
On Chloe's wearing patches. Song.
See Old. Old ugly Flavia patches wears,
etc. [1721?] s.sh.iol. H. 1601. (354.)
On circling hours swiftly borne. The
Wedding Day. 22'' August, 1799. [Song.]
Broderip and Wilkinson: London,
1799. fol. G. 807. d. (61.)
On connait I'usage constant. Le Passe-
Partout, on suite de la Redingotte d
I'Anglaise. [Song, words] Par M"' Roul-
land. Air : La bonne chere et le bon vin.
Chez Les fr^res Savigny : [Pari.'>,
1785?] 8°. B. 362. j. (7.)
[Another copy.] B. 362. f. (29.)
[Another copy.] B. 362. (137.)
On Content. Song. See Davis (T.)
On Contentment. [Song.]
See Shepherd. Shepherd, seek not
Wealth or Pow'r. 1762. 8". P.P. 5441.
On craint un engagement. Romance.
See Gavinies (P.)
On danse bien a la ville. Ronde.
See PoMMiERs et le IMoulin.
On dear Zelinda's Charms I gaze. On
Zelinda. [Song.] [London.
1740?] s. sh. fol. I. 530. (119.)
On decanting a Flask of Florence. Song.
See Turner (W.)
On dira qu'epris de Chimene. [Air.]
See Chimene.
On dit que I'amour est charmant. Air de
M'' . . . Cite- Baillon : \ Paris,]
1784. 8". B. 362. h. (40.)
On dit que sous peu de tems. Air.
See Confederation du Parnasse.
On doit changer. [Song.]
See Chatig * * ( )
On doit soixante mille francs. Air.
See Champein (S.) [Les Dettes.]
On donne gratis I'Opera. Vaudeville.
See Mouret (J. J.)
On entend dans nos plaines. Chanson.
Air naif en Romance. [Paris]
1754. s. sh. 4°. 298. c. 20.
Mercure de France, Oct., 1754.
On Entick's green Meadows. Song.
See Hook (J.)
On Etrick Banks in a Summers night.
Etrick Banks, a Scotch Song. [Londoji,
1745?] s. s7t. fol. G. 310. (222.)
On every hill. Song. See Hudson (R.)
On Felicia. [Song.] See Jarvis (S.)
On Fidelia's Mind. [Song.] ,sVe T., R.
I
ON
219
ON. On Flamstead's Mount a Neiried stood.
[Song.j Oil the Pretty Mrs. Hoivard's
running doivn the Hill in Grecnivich Park.
[Lojidon, 1715?] s. sh. fol.
H. 1601. (342.)
[Another copy.] I. 530. (120.)
On Friendship. [Song.]
,<ee Gerard (J.)
On Greenwich Park. [Song.]
See Jackson (T.)
On her Absence. [Song.]
See When. When to the Sea the Sun
returns. [1720 ?] s. sh. fol.
G. 313. (148.)
On his Face the vernal Rose. Air.
^V(- BoYCE (W.) [Solomon.]
On Ida one day, at Olympical feast. The
Squabble. [Song.] P. Hfodgson :
London, 1180?] s. sh. io\.
G. 310. (267.)
On Jenny Benson. [Song.]
See STAGNANT (P.)
On le savoit, dans le Village. Ariette.
See Cecile.
On Love's blest Altar. [Song.]
See Doctor and Apothecary.
On Lucinda's Death. [Song.]
See Come. Come, all ye doleful, dismal
cares, etc. 1760. 8°. P.P. 5441.
On Ludgate Hill, where in the usual
Throng. Lord Chief Jeffenj Dunstan.
A Cantata. As sung at the JMasquerade
at Carlisle House. T!'. Bailey :
[London, 1780 ?] fol. G. 310. (242.)
On May's auspicious Morn. Canzonet.
See GrAEFF (J. G.)
On Mira's Singing and Beauty. Song.
See Turner (W.)
On Miss Betsy Ball. Song. See To. To
Bettsy's Praise I tune the Lvre.
[1750?] s.s/i. fol. G'. 312. (225.)
On Miss Robinson. [Song.]
See Munro (G.)
On M' Handel. [Song.]
See Alcock (J.) Doctor in Music.
On Music. Catch.
See Alcock (J.) the Younger.
On n'entend plus le chant des amoureux
oiseaux. [Song.] See Laborde (J. B. de)
On ne fait aucune alliance. Air.
See Kerjiesse.
On ne leconuait plus le monde. Le Nou-
vcau Monde, ou le Masqtie de V^i-iti.
[Song, written] Par M. Roullaud. Air : De
I'instant [from G. Martini's ' Droit du
Seigneur '] etc. Chez les frires Savigny :
[Paris, 1785 ?] 8°. B. 362. (174.)
On ne rend plus a la beaute. Musette.
[Paris,] 1748. s. sh. 4r. 297. c. 17.
Mercurc de France, July, 1748.
OK". On Nelson's glorious victory. Song.
See Hudson (R.)
On Newgate Steps Jack Chance was
found. Just the Thing. [Song.]
Sk[illern : London, 1180?] s.sh.iol.
G. 310. (286.)
On nous dit que dans I'mariage. Air.
See Camillk.
On nous raconte qu'au village. Romance.
.SVe Dalayrac (N.) [Alexis.]
On Olympus the Gods were assembled
one day. The Air Balloon. [Song.]
Longman and Broderip :
[London, 1784.] fol. G. 310. (235.)
On peut encor dans la prairie. Chanson.
See Legat de Furcv (A.)
Ou Phillis. Song. See Phillis. Phillis
has each enchanting art. [1747.] 8".
157. 1. 9.
On Pleasure's smooth Wings. [Song, by
J. Baildon.] Sung bij Mr. Dearie at Rane-
lagh. [London, 1755?] s. sJt. fol.
G. 310. (258.)
On Pleasure's smooth Wings. ^4 Netv
Song [by J. Baildon]. Sung by Mr. Dearie,
at Ranelagh. [London,] 1763. 8".
158. 1. 8.
London Magazine, 1763, j^- f^^''-
On Pleasure's smooth Wings. A New
Song ^by J. Baildon]. Sung by Mr. Dearie
at Ranelagh. [London, 1764."] 8".
P.P. 5438. z.
Universal Magazine, Vol. XXXiy.,i). 'J3.
On Prince Eugene's Victory over the
Turks. ^Song.] See Look. Look down,
triumphant God, etc. [1717.] s. sh. fol.
H. ieOl. (283.)
On saute partoat les Anglaises. Rondeau.
See Reprise de Toulon.
Ou se permet sur les Abb^s. L'Apologie
des Abbes. [Song.] Air : La Faridondaine.
[Paris, 1785?] 8". B. 362. (141.)
[Another copy.] B. 362. e. (86.)
On se presse toujours trop tot. Air.
See Dalayrac (N.) [Le Corsaire.]
On souffre quand ou ayme bien. Air.
See L'Abbe ( ) Choirmaster of St.
Jacqties, Dieppe.
On Spring. Song. See Weale (G.)
Ou sturdv stout Dobbin. The Twaddle.
[Song.] Written by T. Goodwin. Sung
by Mr. Wilson at the Crown & Anchor. . .
and by Mr. Edwin, at the Anacreontic
Society. Longman d- Broderip :
London, [1785 ?] fol. G. 808. f. (39.)
On Sunday after Mass. [Song.]
See Leveridge (R.)
On Tay's green Banks I'll boldly tell.
Praises of Jockey, a favourite Scotch Ballad.
Sung by Mrs. Warrel at Vauxhall.
S[amuel and] A[nn] T[hompson : London,
1778.] s.sh. fol. G. 310. (284.)
220
ON
Birth Day.
[Song.]
Song.
[Song.]
ON. On that lone bank where Lubin died.
Fair Bosalic, a favourite Song sung by
Mrs. Crouch... and 'Mr. Dignum...The
words by 'Mv. Richardson. [^Melody by
C. Dignum. Full Score.]
Printed for S. A. d- P. Thompson : London,
[1794?] fol. G. 805. i. (12.)
On the Approach of ^lay. [Song.]
Sec Hudson (R.)
On tbe Birth day of Her Highness Prin-
cess Augusta. [Song.]
Sec Phcebus. Phebus shine forth, etc.
[1745?] s.s/(. fol. G. 311. (20.)
On the Birth-Day of his Royal Highness
the Prince of Wales. [Song ]
See Great. Great as this day.
[1781.] s. sh. 4". 'p.p. 5141.
On the Death of Queen Anne. [Song.]
See Royal. Royal great Anne, etc.
[1715.] s. sh. fol. H. 1601. (376.)
On the Force of Music. [Song.]
Sec Atalanta. [Fu-a la face, viva Vamor.']
On the Green Sedgy Banks. A favorite
Scots Song sung by Miss Leary at Vaux-
Hall-Gardens. [Music by J. Hook.]
Printed for S. A. d P. Thompson : London,
[1786?] fol. G. 808. f. (40.)
On the green sedgy Banks. Song.
See Hook (J.)
On the Humours of the Town. Dialogue.
SceHAENDEL (G.F.) [Rodclinda. Scacciato
dal siio Jiido.^
On the King of Prussia's
[Song.] See Buswell, (J.)
On the late Absence of May.
See Hudson (R.)
On the lightly sportive wing.
See Stobace (S.)
On the Militia's Expedition.
See Bellona. BeFona spreads her dire
Alarms, etc. [1760.] 8°. P.P. 5438. z.
On the Pretty Mrs. Howard's running
down the Hill in Greenwich Park. [Song.]
See On. On Flamstead's IMount a Neiried
stood [1715?] s. s/(. fol.
H. 1601. (342.)
On the Prospect of Peace. [Song.]
See Let. Let E'ery Face be fill'd w"'
Joy, eic. [1728?] fol. G. 310. (65.)
On the Reduction of Martiuico. [Song.]
See Dunn (J.)
On the Spring. [Song.] See Aspiring.
Aspiring Sol whose gladsome Rays. etc.
[1760?] s.sh.iol. G. 306. (74.)
On the Tay's verdant banks. Moggt/s
Complaint of Jocky. A New Song.
[London, 1748.] 8°. 157. 1. 10.
London Magazine, 1748, ji. 420.
On the Tay's verdant Banks. Moggy's
complaint of Jockey. [Song.] See Chloe.
Chloe, or the Musical Magazine, etc. No.
18. [1760?] fol. G. 433.
ON. On the white Clifts of Albion. Song
set to music. Sung by Mr. Lowe, at Vaux-
hall. [London,] 1761. 8". 158. 1. 6.
London Magazine, 1761, ^J. 381.
On the white clifts of Albion. A new
Song, sung by IMr. Lowe at Vauxhall.
[London, 176-\] 8". P.P. 5438. z.
Universal Magazine, Vol. XXX., p. 39.
On the white Clifts of Albion. [Song.]
Snng by Mr. Lour, at Vauxhall.
[ivonrfo?i, 1762 ?] s.sh.iol.
G. 310. (259.)
On thy banks, gentle Stour. Song.
[London, 1750 ?] s. s/(. fol.
G. 316. c. (29.)
On tree-topp'd Hill or tufted Green. .4
Neic Song. [By M. C. Festing.]
[London, 1765.] 8^ P.P. 5438. z.
Universal Magazine, Vol. XXXVII.,
p. 42.
On Tree top'd Hill or turfted Green.
[Song, music by M. C. Festing.]
[London, 1775 ?] s. sh. fol.
G. 310. (230.)
On Tree top'd Hill or tufted green. Song.
See Festing (M. C.)
On trouve un objet charmant. [Couplets.]
See COLINETTE A LA COUB.
On vient de m'annoncer que mon vin est
au has. Chanson Bachigue. [Paris,]
1747. s. sh. 4°. 297. e. 14.
Mercure de France, Dec, 1747.
On Wet Weather. [Song.] See Though.
Tho' Cynthia, with a wat'rv eve, etc.
[1767.] 8". P.P. 5438. z.
On Wet Weather. [Song.] See Though.
Tho' Cynthia with a wat'rv Eve.
[1770?] s.sh.iol. G. 312, (161.)
1 On Windsor Castle. [Song.] 5ee Hail.
I Hail Windsor, e/c. [1742?] s.sh.iol.
1 G. 305. (130.)
On yonder Bed supinely laid. Song.
See PuECELL (D.) [The Funeral]
On yonder Stile. A favorite Duett,
written by G. S. Carey and sung by ^Mr. &
Mrs. Carey, etc. Printed for Culliford,
Eolfe & Barrow : London, [1796 ? i fol.
G. 354. (7.)
j On Zelinda. [Song.]
i See On. On dear Zelinda's Charms 1
gaze. [1740?] s. s7k fol. 1.530.(119.)
ON NE S'AVISE JAMAIS DE
TOUT. On ue s'avise jamais de tout.
Opera Bouifon en un Acte [by M. J.
S6daine], mis en musique par Mon-
sieur * * * [i.e. P. A. Monsigny] . . . Grav6
par Le S' Hue. [Full Score.]
Chez Le S" Hue : Paris, [1762.] fol.
H. 617.
ON— ONE
•221
ON NE S'AVISE JAMAIS DE
TOUT. Ou ne s'avise jamais de tout,
Op^ra Comique, en un Acte en prose,
mele de Musique ; par Mr. Sedaine, etc.
(Ariettas et Vaudevilles [by P. A. Monsigny]
de On ne s'avise jamais de tout.) 1775.
See Recueil. Recueil general des Opera
Bouffons, etc. Tom. -4. 1777. 8".
11735. b. 2.
ONCE. Once Damon & Cloe together sat
down. The Skillfull Lover. fSong.]
Cross : [London, 1720?] s. sh. fol.
I. 530. (121.)
Once fair Serena panting lay. The Sur-
prize. [Song.] \ London, 11 20?] s.sh.iol.
I. 530. (122.)
Once for all. [Song.] See Carey (H.)
Once I lov'd a Lady. The Irisli Disappoin t-
ment. TSong.] Cross: [Lonf/oH, 1710 ?]
s. sh. foi. I. 530. (123.)
Once I was as blythe as Simmer. Song.
See Ross (J.)
Once -Jupiter's Lady, call'd Juno the
Scold. Tlie Masquerade or Labour in
Vain. [Song.] The Words by G. A.
Stevens. P. H'j}dgson : London,
1780?] s.sh.iol. 0.310.(265.)
Once Lucifer after a grand debate. Tlie
Origin of Lotteries. A new Ballad :
Calculated for the present Year. [Words]
Bv Mr. Lockman. [London, 1755.] 8".
157. 1. 17.
London Magazine, 1755, p. 540.
Once Lucifer, after a grand Debate. Tlie
Origin of Lotteries. A new Ballad :
calculated for the present Year. [Written]
Bv Mr. Lockman. [London, 1755.1
s.'sh. fol. G. 310. 1 223.)
[Another copy.] G. 303. (45.)
Once more I'll tune the Vocal Shell. The
Charms of lovely Peggj/. [Song, music by
J. Oswald, words attributed to D. Garrick
or Sir C. H. Williams.] [London,
1740?] s.sh. fol. G. 316. e. (105.)
[Another edition.] Once more I'll tune
the Vocal Shell. The Charms of Lovely
Peggy, etc. [By J. Oswald.] ''London,
1745 ?] s. sh. fol. G. 310. (203.)
[Another setting.] Once more I'll tune
the Vocal Shell. Lovely Peggy. [Song.]
[London, 1750 ?] s. sh. fol.
I. 530. (124.)
Once more my brave fellows launch out
on the ^Main. A neiv Song. [London,
1762.] 8". P.P. 5441.
Royal Magazine, Vol. YI.,p. 98.
Once more my Lyre. Song.
See Shield (W.)
Once y^ Gods of the Greeks. The Origin
of English Liberty. [Song.] The words
by G. A. Stevens, etc. [London,
1760?] s.sh.iol. H. 1994. a. (189.)
ONCE. Once the Gods of the Greeks.
The Origin of English Liberty. [Song.]
The words by G. A. Stevens.
R. Falkener : London, [1770?] s. sli. fol.
H. 1994. a. (82.)
ONC.LE VALET. L'Oncle Valet. Opera.
See Della Maria (D.)
ONE. One April morn as thro' the street.
Ground Ivy. [Song.] Sung by ]\Ir.
Vernon. S[amuel and] A'nn] T[hompson :
London, 1778.] fol. '^G. 310. (244.)
One Aprill Morn w" from the Sea. Jjove
of no Party. A new Song made by IMr.
Durfey. [London, 1705 ?] s. sh. fol.
G. 305. (275.)
[Another copy.]
[Another edition.]
from the Sea, etc.
1710 ?] s. sh. fol.
G. 310. (191.)
One Aprill ]\Ioru when
[London.
H. 1601. (336.)
One day among the tombs I stray'd. The
Daffodil, [Song,] translated from the
Poems of Yuqueen, a . . . Hindostanee
Author. Printed for W. Napier :
London, [1198?] fol. ' G. 356. (37.)
One day as young Harry came whistling
along. Ballad. See Blewitt (J.)
One Day I heard ^lary say. [Song, words
by R. Crawford.] [London,
1740?] s. s7;. fol. G. 310. (208.)
One Day meeting Momus. Present Taste.
[Song, written by G. A. Stevens.]
P. H[odgson : London, 1780?] .<;. sh. fol.
G. 310. (280.)
One day when Damon with his Cealia
walk'd. Song. See Gillier (J. C.)
One Evening as I lay. Love in the G-roves.
A Song. [London, 1110?] s.sh.iol.
H, 1601. (337.)
[Another edition.] One Evening as I lay.
Love in tlie Groves, etc. [London,
1720 ?] s. sh. fol. G. 310. (184.)
One Ev'ning good Humour took Wit as
his Guest. Time made Prisoner. A
Favourite Song. [Words by — Selway.]
[London, 1780 ?] s.sh.iol.
G. 310. (250.)
One Evening haveiog lost my way. The
Happy Clown, a Song the words by Mr.
Burkhead. [London, 1120?] s.sh.iol.
H. 1601. (333.)
One Evening, in hot weather. The
Hackney Davtsells Pastime. . . [Ballad.
To a pleasant new Tune, much in Request.
Printed for Charles Bafes : [London.
1685?] s.sh.iol. Case 39. k. 6. (14.)
The tune is represented by a meaningless
succession of notes, etc.
One Ev'ning young Lucy walk'd forth to
the Wood. The Bird's Nest. A New
Song. [Words and Music by a Gentle-
man.] [London, 1773.] 8". P.P. 5438. z.
Universal Magazine, Vol. LIL, p. 206.
222
ONE— OPERA
ONE. One Evening young Lucy went forth
to the Wood. Howtle Towtlc. A Favorite
Scotch Song. P. E[vans : London,
1780 •?] s.s/i. fol. G. 310. (279.)
One kind Kiss before we part. The Kiss.
A Favorite Song, as Sung by Miss Brown
and Mrs. Farrel. [Words by K. Dodsley.]
6'. B[abb : London, 1770'?] s. sJt. fol.
G. 310. (227.)
[Another edition.] One kind Kiss before
we part. The Parting Kiss, etc.
London, [1775 ?] s. sh. fol.
G. 796. (44.)
One Long Whitsou HoUiday. The Parson
among the Peaae. A new Song the words
by Mr. Durfey. D. Wright : [London,
1710?] s. s7i. fol. H. 1601. (325.)
[Another edition.] One Long Whitson
Holliday. The Parson among the Pease,
etc. [London, 1710?] s. sh. io\.
G. 310. (181.)
One midsummer morning, when nature
look'd gay. .4 New Song, sung at
Ranelagh. [Lo7idan,] 1759. 8".
P.P. 5441.
Royal Magazine, Vol. I., p. 39.
One midsummer morning, when nature
look'd gay. A Neio Song, sung at
Ranelagh. [London, 1759.] 8".
P.P. 5438. z.
Universal Magazine, Vol. XXV., p. 38.
One Midsummer Morning when Nature
looked gay. .-1 Xew So)ig. Sung at
Ranelagh. lLo7idon, 1765?' s. sh. fol.
H. 1994. (49.)
One Morn as lately Museing. A Satyr or
Ditty Upon the Jarring of the two East
India C[ompan^ vs. [Words bv T. D'Urfey.]
[London, 1709?] fol. G. 305. (201.)
[Another copy.] G. 304. (119.)
One morn e'er sweet Peggy arose. Pitty
Patty. A Favourite Scotch Song, as
altered [by T. A. Arne] from the Tvme of
the Yellow-hair'd Laddie. [London,
1750.] 8°. 157. L 12.
London Magazine, 1750, jj. 515.
One Morn Sweet Sue. Roger and Sue,
a Ballad. The Tune, a Uance of the
Fausans [by J. A. Hasse'. [London,
1750 ?] s. sh. fol. ' G. 310. (219.)
One Morning in pleasant weather. Con-
stant Coridon ; or Coy Clorimla's un-
speakable Cruelty. [Ballad.] To an
Excellent New Tune : Or, See yonder she
Swims, &c. Printed for P. Brooksby,
J. Deacon, J. Blare, J. Back : [London,
1605 ?] s. sh. fol. Case 39. k. 6. (19.)
The tune is represented by a meaningless
succession of notes, etc.
One morning in May, when Spring smil'd
around. Ballad. See Moolds (J.)
ONE. One I\Iorning very early. The Maid
in Bedlam. [Song.] [London,
1772 ?] s. sh. fol. G. 310. (278.)
[Another setting.] One ^Morning very
early. Glee. See Clarke afterwards.
Clarke Whitfeld (J.)
One Morning young Roger. Ballad.
See Arne (T. A.)
One night as Ned. Kate and Ned. A
Favorite Song sung at Free Masons Hall.
I[ohn] F[entum : London,.
1780?] s.sh. fol. G. 310. (229.)
One night gay Bacchus. Song.
See Spofforth (R.)
One Night in my Ramble I chauc'd to see.
The IrisJi Jig : or, The Night Ramble.
[Song.] [London, niO?] s.sh.iol.
H. 1601. (331.)
One Night when all the Village slept.
TJie Despairing Shepherd, [Song,] the
Words by S' Carr Scroope. [JNIusic by
E. Miller.] [J. Johnson: London,
1755?] s.sh.iol. G. 310. (276.)
No. 3. of E. Miller's ' Collection of Neia
English Songs.'
One summer's eve, as Nancy fair. The
New Spinning-lMieel. [Song.]
[London, 1768.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XLIII.,p. 872.
One Summer's Eve, as Nancy fair. The-
New Spin)iing Wlieel. [Song.]
[London,] 1769. 8». 159. n. 1.
London Magazine, 1769, 2). 105.
One Sunday at St. James's Prayers. TJic-
Lady Devoted. A New Song the Words
by Mr. Durfey. [London, llld 2] s.sJi.iol.
G. 310. (183.)
Li same editions of this song the tune is
ascribed to D' Urfey.
One there is above all others. Hymn.
See E., H.
ONLY. The only Fair Cloe shaU Sencible-
be. Fair Cloe, A New Song. [London,.
1710?] s. s7i. fol. H. 1601. (442.)
The only Lass that I do Love. Roger'si
Mistress, [Song,] To the Tune of IMoggy
Lauder. The Words by A. Bradlev.
[Loiulon, 11 10?] s.sh.tol.
G. 305. (30.)
OPERA DANCES. The Opera Dances
as perform'd at the King's Theatre in the
Hay Market, 1776 . . . adapted for the-
Piano Forte, Ger: Flute or Violin.
J. Welcker : London, [1776.] obi. 4'.
b. 51. b.
OPERA DE VILLAGE. L'Opera de
Village, comedie j representee pour la
premiere fois le 18 Aoiit 1693. [By F. C.
Dancourt, with music]
[Paris, 1760.] 12° 241. c. 3.
Partof'Les (Euvres de TMatre de M..
D'Ancottrty etc. Tom. 3..
OPERA— ORGAN
223
OPERA MISCELLANY. The Opera
Miscellany. Songs. See Bolton ( )
OPERA OVERTURES. Number l(-5)
of the Opera Overtures adapted for the
Harpsichord or Piano Forte with an
Accompaniment for a Violin. [Nos. 1, 3
and 4 arranged by J. Mazzinghi.]
Longman and Broderip :
London, [1789.] foi. h. 61. (7-11.)
The Opera Overtures adapted for the
Harpsichord, etc. Set Second (Third)
•2 N". R. Bremner : London, ri774 ?] fol.
g. 79. c. (3.)
The co^nposers named are: Giordani
(Lc Vicende), Gugliclmi [I Viaggiatori,
Orlando, II Carnovalc di Venezia, and
II Desertore) and' Galuppi (11 Filosofo
di Campagna).
OPijRATEUR BARRY. Airs de la
Comedie de I'Opeiatsur Bary. [Words by
F. C. Dancourt.] [1702 ] See Airs. Airs
de la ComMie Franvoise. [No. 11.]
[1696-]1705. obi. 8". B. 319.
L'Operateur Barry, comedie ; representee
pour la premiere fois, le 11 Octobre 1702.
[By F. C. Dancourt, with songs bv J. C.
Gillier.] [Paris, 17G0.j 12". 24l". c. 8.
Part of ' Les CEuvres de Tlu'atre de M.
D'Ancourt; etc. Tom. 8.
OPERET TAS. Sammlung der komischen
Operetten so wie sie von der Churpfalz-
ischen Deutschen Hofschauspielergesell-
schaft unter der Direction des Herrn
Marchand aufgefiihret werden. Band II.,
III. Mit Andrcdisclien Schriften :
Frankfurt am Mayn, 1772, 3. 8".
B. 729.
OPHELIA. Ofelia's Aire, her Mean, her
Face. Song.
See PuRCELL (D.) [Love makes a Man.']
OPITIIS (Benedictcs de) Sub tuum
presidium. Summe laudis O Maria. [For
four voices.] Jan de gheet :
Antwcrpen, 1515. fol. Case 38. h. 14.
Seventeen pages of a collection of 20 leaves
of verses, jvoodcuts, music, dc, in
honour of the Emperor Maximilian,
the letterpress signed R. K. D. N. Tlie
music is pi'inted froin wooden blocks.
OR. Or che il cielo a me ti rende. Rondo.
See Paisiello (G.) [Sismano nel Mogole.'\
Or ^coutez petis et grands. La Vessie
Globe. [Song.] Air du Catechisme des
Normans. Chez J/"'"' Borrelly :
[Paris, 1783 ?] 8^ B. 362. a. (76.)
Or let the merry Bells ring round. Song.
See Haendel (G. F.) [U Allegro.]
Or, nous dites Glicere. L'£couteur aux
Portes, ou le Lendemain dc Noces. [Song.]
Air: II pleut, il pleut, Bergere [by L. V.
Simon]. CJiez Camand :
[Paris, 1787 ?] 8'. B. 362. (130.)
ORACKEL. Das Orackel. Operette.
See Fleischer (F. G.)
ORACLES. The Oracles for War. [Song.]
Sec To. To Arms, to Arms.
[1690 ?] s. sh. fol. 1878. f. 1. (37.)
ORAPI (Pietro ^Iarcellino) La Cantica.
Poesie e Musiche del Sig. Abbate Orafi a
due, tre, quattro, e cinque voci per Con-
gregationi, Accademie, Chiese, Oratorij,
etc. Tenore. Apresso Francesco Maqni :
Yendia, 1652. 4". D. 162.
ORANGE-WOMAN. The Orange
Woman. [Song.] S^e Hearty. A Hearty
buxom Girl am I, cfc. ri770'.' fol.
■ G. 306. (110*.)
ORATIONI. Oratioui per dire auanti et
dopo la Dottrina Christiana. [With an
Ave Maria and Litany of the Saints for
four voices.] Appresso Girolamo Bartoli :
I Genoa, 1589. 12". 1354. a. 35. (3.)
I ORAZI ED I CURIAZI. Gli Orazi ed
i Gurazi. Opera Seria.
See CiMAROSA (D.)
i ORAZIO. [Songs in Orazio. A Pasticcio.
Full Score.] See Delizie. Le Delizie
dell' Opere, etc. Vol. 6. ri776.] fol.
I " G. 159.
I ORCHESOGRAPHIE. Orchesographie.
j Traictt'. Sec ARBEi.T: (T.) pseud.
I ORDONANCE. Ordonance Militaire de
TKcole des Trompettes etablie par le
Decret du 14 Brumaire I'an 2" de la Eepub-
lique Fran(^oise. A I'^cole de Trompette :
Pans. [1794 ?] fol. G. 554. a. (5.)
ORESTE. Oreste, an nom de la Patrie.
Air. Sec Piccrsi (N.) [Iphiginie en
Tauride.]
ORFEO. The Favourite Songs in the
Opera call'd Orpheus. [A Pasticcio.]
Printed for I. Walsh, London, [1136.' foL
G. 206. e.
The composers named are : Araja, Vinci
and Porpora.
The Favourite Songs in the Opera Orfeo.
[A Pasticcio. Full Score.] R. Bremner :
London, [1770.] fol. G. 760. a.
The composers named are : Bach, Gluck,
Guglielmi and Guadagni.
[Another copy.] G. 760. e. (1.)
J'ai perdu mon Euridice. Air d'OrpJiee.
[By G. W. von Gluck.] [Paris, 1775 ?] 8 ■.
B. 362. i. (49.)
Orfeo. [Opera.] See Bertoni (F. G.)
ORFEO E EURIDICE. Orfeo e
Euridice. Dramma per IMusica.
See Haydn (F. J.)
ORGAN. The Organ laid open, or the
true Stop discovered. Song. See Come.
Come all my brave Boys, etc. [Bv S.
Wesley.] [1785?] fol. H. 1650. c.' (8.).
224
ORGAS— ORPHEUS
ORG AS (Annibale) Annibalis Orgas . . .
Sacrarum Cantionum, Quaternis, Quiuis,
Seuis, Octonis • Vocibus Cum Basso ad
Organum, & Musica Instrumenta Liber
Primus. Cantus (Altus) (Tenor)
(Bassus) Primi Chori. (Cantus (Altus)
(Tenor) (Bassus) Secundi Chori.)
(Bassus ad Organum.) 9 pts.
Apitd Lucam Antonium Suldum : Eom.r,
1619. 4'. D. 118.
OmDRYUS (JoASNKs) PracticEB ]\IusicEe
Utriusque Prsecepta Brenia, ... Ex opti-
morum jMusicorum libris ea duntaxat
qufe hodie in usu sunt, studiose collecta.
lacobus Baiheniiis : Dnisscldorpii,
1557. S\ 1042. d. 32.
ORIENT. The Orient Sun. Cantata.
See Harwood (E.)
ORIGIN. The Origin of English Liberty.
[Song.] See Once. Once y° Gods of the
Greeks, <'^c. [1760?] s. sh. io\.
H. 1994. a. (189.)
The Origin of Lotteries. Ballad. See
Once. Once Lucifer after a grand debate.
etc. [1755.] 8". 157. 1. 17.
The Origin of Lotteries. Ballad. See
Once. Once Lucifer, after a grand De-
bate, etc. [1755.] s. sh. fol.
G. 310. (223.)
ORIONE. Orione. Opera.
See Back (J. C.)
ORISTAGNO (GiULio d') Di Giulio d'
Oristagno ... II Primo Libro de Madrigali
a Cinque Voci, etc. Canto. (Alto.)
(Teuore.) (Basso.) (Quinto.) 5 pts.
Afpresso Angela Gardanu :
Venetia, 1588. 4°. D. 187.
ORLANDI (Santi) II Primo Libro de
Madrigali a Cinque Voci . . . Nouamente
stampato. Canto. (Tenore.) 2 pts.
Aioi)resso Angelo Gardano :
Venetia, 1602. 4". C. 242.
This ivork also contains madrigals by A.
del Vivaio and A. Bicci.
ORLANDINI (Giuseppe Maria) Arsace.
[For songs published anonymously :j
See Arsace.
ORLANDO. The Favourite Songs in the
Opera eall'd Orlando. [By G. F. Haendel.]
Printed for I. Walsh : London,
[17.33.: fol. ■ H. 300.
Orlando. Opera. See Haendel (G. F.)
Orlando. See Pazzie d' Orlando.
ORME (Robert) The Tempest of War.
rSong.l [London, 1760?] fol.
^ ^ ^ G. 305. (294.)
ORMISDA. The Favourite Songs in the
Opera eall'd Ormisda. [Libretto by A.
Zeno ] Printed for I. Walsh and Joseph
Hare : London, [1730.] fol. 1. 49. (2.)
ORMISDA. Timido Pellegrin. [Song.]
Sung by Sig'" Merighi in Ormisda.
{London, 1730.] fol. G. 305. (86.)
See Haendel (G. F.) Parthenope, for a
Flute ... To which is added the most
Favourite Songs in the Opera of Ormisda,
etc. [1735?] 06^.4". a. 206. (1.)
ORMONDO. Ormondo in Chains. Song.
See Clayton (T.) [Arsinoe.^
ORNEVAL ( D') See Le Sage (A. R.)
and Orneval ( d') Le Theatre de la
Foire, ou I'Opera Comique, etc.
1722(-37). 12'\ 241. 1. 18.
ORNITHOPARCHUS (Andreas)
[i.e. Andreas Vogelsang]. Musice Actiue
Microlog' Andree Ornitoparchi . . . Libris
Quattuor digest', etc. hi edibus Valentini
Schumanni : Lipsie, 1517. 4".
K. 1. h. 16.
54 leaves ivithout pagination.
Andreas Ornithoparcus his Micrologus, or
Introduction : Containing the Art of
Singing. Digested into Foure Bookes. . .
Also the Dimension and Perfect Use of
the Monochord, according to Guido
Aretinus. By lohn Douland, etc.
Printed/or Thomas Adams : London,
1609. fol. K. 2. i. 7.
OROLOGIO (Alessandro) Canzonette
a Tre Voci ... Nouamente poste in luce.
Libro Primo. Canto. (Basso.) 2 pts.
Appresso Angelo Gardano :
Venetia, 1593. 4°. D. 69.
Canzonette a Tre Voci . . . Nouamente poste
in luce. Libro Secondo. Canto. (Basso.)
2 pts. Apjvesso Angelo Gardano :
Venetia, 1594. 4". D. 69. a.
Di Alessandro Orologio il Secondo Libro
de ]\Iadrigali a Quatro, a Cinque, & a
Sei Voci. Nouamente composti & dati in
luce. Tenore. (Quinto.) 2 pts.
Tyjyis Elect. Saxonin' :
Dresd;v, 1589. obi. 4". A. 303.
ORPHAN. Orphan Bess the Beggar Girl.
[Song.] See Hook (J.)
The Orphan Boy. Ballad.
See Haigh (T.)
The Orphan that's wet with the rain.
Song. See Poole (C.)
The Orphan's Prayer. Ballad.
See Abrams (H.)
ORPHEE. Orph^e. Cantate.
See Grandval (N. Ragot de)
Orphee. Cantatille. See Lemaiee (L.)
ORPHEE ET EURIDICE. Orphee
et Euridice. Tragedie Opera.
See Gluck (C. W. von)
ORPHEUS. Orpheus. Burletta.
See Barthele.mon (F. H.)
ORPHEUS— OSWALD
225
ORPHEUS. Orpheus. Singspiel.
See Bexda (P. W. H.)
Orpheus. [Song.] See Defesch (W.)
Orpheus and Euridice. [Song.]
See BOYCE (W.)
ORPHEUS AND EURYDICE-
Orpheus and Eurydice, a Grand Serious
Opera . . . composed by Gluck, Handel,
Bach, Sacchini and Weichsel, with
additional new Music by W. Reeve.
Preston d Son : London, [1792.] obi. fol.
E. 91. e. (1.)
Orfeo. Overture [to the Pasticcio arranged
by W. Reeve. P. F.]. [London, 1792.] fol.
g. 271. b. (10.)
ORPHEUS BRITANNICUS. Orpheus
Britannicus ; or the Gentleman and Lady's
^lusical Museum : consisting of One
Hundred favourite Songs, compiled from
the. . . Vocal Performances at the Theatres,
Vaux-Hall, Mary-bone Gardens, Sadlers-
Wells, or any other polite places of public
Entertainm'. . .Each Song set to Musick
& embellished w"' a curious Head-piece
...design'd...by.. .M' Boitard, and en-
graved by B. Cole, etc. B. Cole :
London, 1760. 8". E. 267.
TJiese plates first appeared in the tnonthly
issues of tlie New Universal Magazine.
The composers named in this collection
are : Vincent, Josh. Jackson, Riley,
Leveridge, John Hughes and M.
Greene.
Orpheus Britannicus. Songs.
See PuHCELL (H.)
ORPHEUS CAIiEDONIUS.
Caledonius. Scotch Songs.
See Thomson (W.) of Edinburgh.
Orpheus
ORPHEUS UND EURIDICE. Or-
pheus und Euridice. Oper.
Sec Naumann (J. G.)
ORRA. Orra. Song. See Pilloti (L.)
Orra no talk. [Song.] See Islanders.
ORRA MOOR. Orra Moor. Song.
See Ross (J.)
ORSINI (Gaetano) Sei Trio per Due
Violiui e Violoncello . . . Opera i. [Separate
Parts.] Presso Antonio
Zatta c Figli : Vcnezia, [1730 ?1 fol.
g. 409. a. (9.)
ORSO (Francesco) II Primo Libro de'
Madrigali. . .Con Due Madrigali Cromatici
nel Fine, nuouamente posti in luce da
Claudio da Correggio. A Cinque Voci.
Tenore. (Basso.) (Quinto.) 3 pts.
IGiorgio Angelini :'] Venetia,1567. o6Z. 4°.
A. 304.
VOL. II.
ORTO (Jean de) Misse De orto. Domi-
nicalis. Jay pris amours cu duobus patre.
Lome arme. La bella se sied. Petita
camuseta. S[uperius]. (B[assus].) 2 pts.
Impressum. . .per Octauiamim Petrn-
timn, etc. : Venetijs, 1505. obi. i".
K. 1. d. 5.
OSBORNE (Richard) Strephon's Re-
quest. [Song.] The Words by J. A., Esq',
etc. [London, 1730 ?] s. sh. fol.
I. 530. (125.)
OSCAR. Oscar's Tomb. [Song.]
See Ross (J.)
OSCAR AND MALVINA. Oscar and
Malvina. Ballet. See Reeve (W.)
OSCULATUS (Julius) Liber Primus
iMotectorum, Quinque, Sex, Septem, Octo,
Nouem, Decem & Duodecim Vocum.
.\ltus. (Quintus.) 2 pts.
Appresso Alessandro Rauerij :
Venetia, 1619. 4°. D. 72.
OSIO (Teodato) L' Armouia del Nudo
Parlare ouero La Slusica Ragione della
Voce Continua, etc. (L' Armenia del Nudi,
Parlare con Ragione di Numeri Pitagorico
etc.) Per Carlo Fcrrandi :
Milano, (1637.) 8". 1042. d. 2.
The second title is on a separate
(engraved) title-page.
OSSWALD (Heinrich Siegmund) Der
Christ nach dem Tode, ein Oratorium im
volstandigen Klavier-Auszuge. i't?/ 11'. G.
Korn: Bressla!i,118G. obl.'iol. F. 1103.
OSWALD (James) The Adieu. [Song.]
Sung at the publick Gardens, etc.
[London, 1745 ?] s. sh. fol.
H. 1994. c. (56.)
[Another edition.] The Adieu, etc.
[London, 1750 ?] s. sh. fol.
G. 806. d. (16.
[For editions of this song published
anonymously :] See Adieu. Adieu the
Streams, etc.
-\irs for the Spring. [Harpsichord.]
Printed for the Author :
[London. 1747 ?] fol. g. 265. (1.)
The last tico leaves are slightly mutilated.
Airs for the Summer. [Harpsichord.]
Printed for the Author- :
London, [1748 ?] fol. g. 265. '(2.)
Alloway House. [Song.] [London,
1755?] s.sh.iol. G. 316. (111.)
Amanda. [Song.] The Words by the
late Mr. Thomson, etc.
[London, 1755.] 8". 250. e. 2.
Gentleman'' s Magazine, Vol. XXV..
p. 418.
The Borrow'd Kiss.
See infra : [Colin's Kisses. No. 3.]
Q
226
OSWALD
Suug by Mr.
[London,
G. 312. (109.)
OSWALD (Jamks) The Caledonian Pocket
Companion, in Seven Volumes, containing
all the Favourite Scotch Tunes with
Variations for the German Flute with
an Index to the whole.
Printed for the Author :
London, [1750-GO ?] 8". " e. 1290.
Imperfect, toanting Book II.
[Another edition.] The Caledonian Pocket
Companion, in Ten Volumes, ete. Vols.
I _VI. Printed for the Author ;
London, [1160'^] 8". e. 1290. a.
[Another edition.] The Caledonian Pocket
Companion, containing a favourite Collec-
tion of Scotch Tunes, with Variations for
the German Flute or Violin ... To which
is added, a correct Scale for }"= German
Flute, etc. 2 vols.
Printed for Straight d: Skillern :
London, [1770 ?] 8". e. 1290. b.
Vol. I. of this edition comprises Books
I.-VL, and Vol. II. Books VII. -XII.
of the earlier edition.
Captain Death. [Song.]
Dennis at Sadler's Wells.
1757.] s. sh. fol.
The Charms of lovely Peggy, etc. [song,
begins : ' Once more I'll tune the vocal
Shell,' words attributed to D. Garrick or
Sir C. H. Williams]. [London,
1745 ?] s. sh. fol. G. 310. (275.)
[For editions of this song published
anonymously:] See Once. Once more
I'll tune the Vocal Shell.
Colin's Kisses [words by R. Dodsley,] set
to Musick by JMr. Osswald.
[London,-] 1742. 8". E. 1747.
li fol., engraved on one side only. The
title-page is designed by F. Hayman
and engraved by C. Mosley.
[No. 1.] The Tutor. [Song.]
See Chloe. Chloe, or the IMusical Maga-
zine, e/c. No. 71. [1760?] fol. G. 433.
[No. 2.] The Secret Kiss.
See At. At the silent Evening Hour.
[Music by J. Oswald.] [1745?] s. sli. fol.
G. 306. (22.)
[No. 3.] The Borrow'd Kiss.
See See. See I languish, etc. [Music by
J.Oswald.] [1745?] s. */(. fol.
G. 311. (54.)
[No. 4.] The Rapture.
See Whilst. Whilst on thy dear Bosom
lying, etc. [Music by J. Oswald.]
[1748 ?] s. sh. fol. G. 313. (120.)
[No. 5.] The Stolen Kiss.
Sec On. On a Mossy Bank reclin'd.
[Music by J. Oswald.] [1743 ?] s. sh. fol.
G. 310. (201.)
[No. 6.] The Kiss Repaid.
See Chloe. Cloe, by that borrow'd Kiss,
etc. [Music by J. O.swald.]
[1743?] s.sh.ioh G. 307. (37.)
[No. 7.
ing Kiss, etc.
[No. 8
Sec When.
[Music by J.
OSWALD (James) Colin's Kisses. [No. 7.]
The Parting Kiss. [Song, words by R.
Dodsley. 1 [London, 1745?] s. sli. fol.
G. 310. (202.)
Another edition.] The Part-
[London, 1115 2] ,s. .?/;. fol.
G. 796. (45.)
.] The Imaginary Kiss.
When Fanny I saw, etc.
Oswald.] [1743?] s.sh.iol.
G. 313. (118.)
A Collection of the best old Scotch and
English songs, set for the Voice with
Accompaniments and Thorough-Bass for
the Harpsichord, etc. Printed f>r
J. Os2vald : London, [1762 ?] fol.
H. 2815. c. (33.)
A Collection of 43 Scot's Tunes with
Variations, particularly adapted for the
Violin and Harpsicord, etc.
Bland d Welter : London, [1795 ?] fol.
g. 265. (3.)
A Second Collection of Curious Scots
Tunes for a Violin and German Flute
with a Through Bass for the Harpsicord.
Printed for C.and S. Thompson : London.
[1775?] fol. li. 342.
Cupid's Refuge. [Song.]. . .Sung by Mr.
Lowe at Vaux Hall. [London,
1750?] s.sh.iol. G. 316. c. (30.)
[Another edition.] Cupid's Refuge, etc.
[Song.] [/yO»fZo», 1755?] .s. .s7(. fol.
H. 1994. a. (193.)
The Dancing-i\Iaster : A Song, etc.
[London, 1754.] 8°. _ 250._ e. 1.
Gentleman's Magazine, Vol. XXIV.,
p. 379.
The Despairing Lover. [Song.] For the
German Flute. [London, VI ■lb 2] s.sh.lol.
G. 306. (121.)
The Dust Cart.
See infra: [Tlie Old Woman's Oratory.]
For joy of joys to lighten woe. A
favourite Song, etc. [London, 1756.] 8".
250. e. 3.
Gentleman's Magazine, Vol. XXVI.,
p. 133.
From the Man whom I love.
See infra : [The Reprisal,]
[The Gamester.] When Damon languish' d
at my Feet. Song in the Gam[e]ster.
[Words by E. Moore.] [London, 1754?]
s. sh. fol. G. 313. (45.)
When Damon languish'd at my feet.
So7ig in the Gamester. [Written by E.
Moore.] [London, 1755.] 8". 250. e. 2.
Gentleman's Magazine, Vol. XXV., p. 83.
The Gamester's Song, the Words by ]\Ir.
Garrick. Sung by IMr. Beard, etc.
London, 1756.] s. sh. 8". P.P. 5438.
Literary Magazine, Vol. J.,^j.316.
OSWALD
227
OSWALD (.James) How long, Eliza,
must I languish. A New Song. The
Words by Mr. Thomson.
[Loudon, 1745 ?j s. sh. fol.
G. 308. (100.)
The Imaginary Kiss.
See supra : [Colin's Kisses. No. 8.]
The Invitation. [Song.] The Words by
the late Mr. Thomson. [London,
1750 ?J 8. sh. fol. G. 316. (110.)
The Kiss Repaid.
See supra : [Colm's Kisses. No. 6.]
The Lost Shepherd, etc. [Song."
[London, 1755.1 8" 250. c. 2.
Gentleman'' s Magazine, Vol. XXY.,
p. 371.
Love and Friendshij). A Song, etc.
[London, 1758.] S". P.P. 5438.
Literary Magazine, Vol. III., 2). ISO.
Love and Reason. [Song.J The Words
by 5Ir. Sam' Hart. \ London,
1745 ?] s. sh. fol. G. 3i4. (57.)
The Maid that's made for Love and me.
[Song.] [London, 1760 ?] s. sh. fol.
G. 316. (108.)
In the London Magazine for Jan., 1717,
this song is attributed to the Comic de
St. Germain [Giovannini].
Fifty Five Marches for the ^lilitia, etc.
Printed for the Author: London,
[1765 ?] fol.
g. 79. b. (5.)
The ^Musical Magazine. By ^Mr. Oswald,
and other Celebrated blasters. Printed
for J. Coote : London, ^1761-2?] 4".
E. 1747. a.
The only covqmser named is Filippo
Laschi.
Not this blooming Aprill season. [Song.]
[London, 1150?] s.sh.iol.
G. 316. 1 109.)
[The Old Woman's Oratory.] The Dust
Cart, a favourite Cantata. Sung in the
old Womans Oratory at the new Theatre
in the Hay market, in manner of the
Moderns. [London. 17 5B?\ fol.
G. 295. (19.)
[Another edition.] The Dust Cart,
etc. [London, 17 5S?] fol.
H. 1994. a. (139.)
[Another edition.^ The Dust Cart.
A favorite Cantata, etc. Straight :
[London, 1110?] fol. G. 306. (4.)
The Parting Kiss.
See supra : [Colin's Kisses. No. 7.]
The Queen of the May. A Xew Sons;, etc.
[London, 1757.] 8^ P.P. 5438.
Literary Magazine, Vol. II., p. 150.
The Rapture.
See supra : [Colin's Kisses. No. 4.]
OSWALD (James) [The Reprisal.] From
the Man whom I love. A favourite Song
in the Reprisal. Sung by Miss Macklin,
etc. [Words by T. Smollett.] [London,
1757?] s.sh.iol. G. 316. (112.)
Robin's Complaint. [Song, words by
Lord Binning.] Sung by ]Mr. Beard, etc.
[London, 1745 ?] s. sh. fol.
G. 307. (162.)
The Secret Kiss.
See supra : [Colin' s Kisses. No. 2.]
The Self-banished ; [song, words] from
Waller, etc. [London, 1745.] 8°.
249. e. 15
Gentleman'' s Magazine, Vol. XV., p. 329-
Twelve Seranatas for Two Violins, and a
Violoncello : with a Thorough Bass, for
the Harpsichord, etc. [Separate Parts.]
Printed for the Author : London,
1765?] fol. ■ h. 342. a.
The Violino Primo and Violoncello c
Cembalo parts only.
The Shepherd's Invitation, etc. [Song.]
Str[aight] d Sk'illern : London,
1765 ?] s. sh. fol. H; 1994. e. (57.)
[For editions of this song published
anonymously :] See Come. Come live
with me and be my love, etc.
Shou'd Love sincere devoid of artless Joy.
A New Song. The Words by a Lady of
Quality. [London, 1745?] s.sh.iol.
G. 311. (145.)
[Another edition. Shou'd Love sincere
devoid of artless Joy.] Advice how to
JIarry, etc. [Song, music by J. Oswald.]
See "Chloe. Chloe, or the Musical
Magazine, e^c. [No. 83.j [1760?] fol.
a. 433.
Six Solos for a German Flute or Violin,
with a Thorough Bass for the Harpsichord.
First publish'd with the Title of a Second
Set of Six Solos by J ohn] RPeid] Esq"' a
Member of the Temple of Apollo.
Printed for W'" Randall: London,
, [1775 ?j obi. fol. e. 1290. e. (5.)
' Six Pastoral Solos for a Violin and Violon-
I cello, with a Thorough Bass for the Organ
or Harpsichord. Printed for the Author :
[London, 114.5?] oW. fol.' e. 5. 1. (5.)
j Twelve Songs Compos'd in the Scotch
Taste for a Person of Distinction, etc.
Printed for John S'lmpson :
London, [1742?] fol. " G. 567.
Ten Favourite Songs sung by Miss
Formantel at Ranelagh.
Printed for the Author : London,
[1758.] fol. " G. 808. h. (31.)
The Stolen Kiss.
See supra : [Colin''s Kisses. No. 5.]
Susan's Complaint. [Song.] Sung by
Mr. Beard, etc. ^London,
1745 ?] s. sh. fol. G. 306. (80.)
Q 2
228
OSWALD— OTT
OSWALD (James) Thy fatal shafts un-
erring move. A favourite Air, sung at
Vaux-hall . . . The Words bv Dr. Smolet.
[London, 1755.] 8". " 250. c. 2.
Oentlenian's Magazine, Vol. XXV.,
p. 322.
Thy fatal shafts unerring move. A
Favourite Air sung at VauxhaU, etc.
[London, 1757.] 8". P.P. 5438.
Literary Magazine, Vol. II., p. 494.
The Tutor.
See supra: [Colin' s Kisses. No. 1.]
The Wheel Barrow, a favourite Cantata.
Sung at the publick Gardens.
Printed for the Author : [Loiulon,
1755?] fol. G. 306. (220.)
[Another edition.] The Wheel-Barrow, a
favorite Cantata, etc. [London,
1765?] fol. H. 1994. a. (141.)
[Another copy.] G. 295. (21.)
When Damon languish'd at my Feet.
See supra : [The Gamester.]
When I was a maiden of twenty. A
Song from Mr. Hughes's Poems ; sung at
Ranelagh. [London, 1751.] 8".
249. c. 21.
Gentleman's Magazine, Vol. XXL,}}. 419.
Would you obtain the Gentle Fair. A
Favourite Song, sung by IMr. Atkins, in
the English Nights Entertainment at
Saddlers Wells. Printed for the Author :
[London, 1150?] s. sh. iol.
G. 316. a. (37.)
See Love in a Village. A New Edition
of Love in a Village, a Comic Opera...
The Music by Abel,. . .Oswald, etc.
[1795?] fol. H. 108.
See MacGibbon (W.) and Oswald (J.) A
Favourite Collection of Scots Tunes. . .Bv
W. M'^Gibbon, J. Oswald & others.
[1795.] obi. 4". b. 66. a.
OTHER. T'other day as I sat. Song.
See Hudson (R.)
T'other Day as I walked in the Park.
TJie Dish of all sorts. [Song.] Sung by
Mr. Munden, at the Theatre Royal Man-
chester. [London ? 1785 ?] s. sh. fol.
H. 1994. b. (61.)
T'other Day as I went to the Fair. What
■would you be at } A New Song. [London,
1764.] & . P.P. 5438. z.
Universal Magazine, Vol. XXXV., j).
322.
The t'other day as Sandman Joe. Sand-
man Joe. [Song.] Sh[illern : London,
1780?] s.sh.iol. G. 312. (134.)
T'other Day at a Coffee House snug in a
Box. Tlie Grumblers. [Song.] The
Words by Mr. Oakman. C[harles
and] S[amuel] T[hompson : London,
1765 ?] s. sh. fol. H. 1994. b. (62.)
OTHER. The other Day to grief betray'd.
[Song.] Sung by Miss Stevenson at Vaux-
Hall. [London, 1758.] s. /^h. 8°.
P.P. 5439. ab.
Neiv Universal Magazine, August, 1758.
T'other day 'twas in a mead. Rondo.
See Blewitt (J.)
The other day young Strephon met. A
New Song. [By P. Magnant.J [London,
1755.] 8°. P.P. 5438. ?,.
Universal Magazine, Vol. XVII., p. 181.
The other day young Strephon met. A
New Song. [By P. IMagnant.] [London,
1757.] 8". 158. 1. 2.
London Magazine, 1757,2'- ^51.
The other Day young Strephon met.
Song. See Magnant (P.)
OTHERS. Others fame or wealth
pursuing. Retirement. [Song.l [London,
1750?] s. s7i. fol. G. 316. e. (110.)
Others fame or wealth pursuing. Retire-
ment, a New Song. [London,] 1760. S".
P.P. 5441.
Royal Magazine, Vol. III., 2^. 153.
OTHMAYR (Caspar) In Epitaphiis
Gasparis Othmari. Bassus. ''Niirnberg?
1555 ?] obi. 4". ^ A. 1390.
TJie composers of this collection arc :
C. Othmayr, JV. Puis, C. Pmtorius,
A. Schwartz, J. Bucherus and Doctor
Forsterus.
OTT (Johann) Hundert vnd fiinfltzehen
guter newer Liedlein, mit vier, fiinfi, sechs
stimme, vor uie im truck aussgangen,
Deutsch, Frantzosisch, Welsch vnd
Lateinisch, lustig zu singeu, vnd aufi
die Instrument dienstlich, von den
berhiimbtesten diser Kunst gemacht.
Tenor. (Discant.) (Altus.) [Bassus.]
[Edited with a Preface by Johann Ott.]
4 pts. Impressum impensis. . .
lohannis Ottlwnis : Normberg^, 1564.
[1544.] obi. 4'. K. 2. a. 7.
Tlie Bassus part has been supplied in
MS. The title-page only occurs in
tlie Tenor part, the date and place of
imprint at the end of the Discant of the
sojigs forfi ve voices. The date is a mis-
print for 1544. The following names
of composers occur : W. Breyttcngasser,
A. de Bruck, Bruyer, T. Crequillon,
S. Dietrich, M. Eckel, N. Gombert, L.
Hellinck, H.Isaac, S. Malm, J. Midler,
R. N[aich], Paminger, O. Reytter,
J. Richafort, L. Senffiius,A. de Silva,
T. Stoltzer, P. Verdclot and J.
Wannenmacher.
See Motets. — 10. Nouum et Insigne
Opus Musicum, etc. [With dedications
signed : Joannes Otto.]
1537 (1538). obi. 4". K. 3. d. 1.
OTTO— OUR
229
OTTO (Georg) Opus iNIusicum Novum,
coutinens Textus Evangelicos, Dierum
Festorum, Dominicarum et Feriarum, per
totum Annum. . .Octo, Sex & Quinque
vocibus compositum . . . Liber Primus
3Iotetarum Octo Vocum, etc. (Liber Se-
cundus Coutinens Motetas Dierum Domi-
nicalium,. . .sex vocibus compositas, etc.)
(Liber Tertius. Coutinens Motetas Die-
rum Feriarum Quinque Vocum, etc.)
Discantus. (Altus.) (Tenor.) (Bassus.)
(Quinta (Sexta) (Sept.) (Octava) Vox.)
8 Lib. 19 pts. Ex officina typoqraphica
Mauritiana, opera Wilhelmi Wessclii :
Casscllis, 1604. A". B. 120.
See Geuck (V.) Novum et Insigne Opus,
etc. [Edited by G. Otto.] 1603-4. 4 ■.
B. 86.
OTTO (JoANSEs) See Ott.
OTTO (Stephan) Kronen Kronlein oder
I^Iusicalischer Vorliiuffer, AufE geistliche
Concert-Madrigal-Dialog-^Ielod-Sympbon-
Motetische Manier, etc. Mit 3. 4. 5. 6. 7.
und 8. Stimmen, sampt einem General
Bass, etc. Andere (Dritte) (Vierdte)
(Flint? te) (Sechste oder letzte) Stimme.
5 pts. Gedntckt. . .(lurch Georg Be iitlicni :
Frei/bergk in Meissen, 1648. 4". C. 327.
OTTONE. The Favourite Aires, in the
Opera of Otho, King of Germany. [Words
by N. Haym, music by G. F. Handel.]
Printed for R. Mears : London,
[1723.] fol. G. 195. (3.)
Otho [opera, by G. F. Handel] for a Flute.
Containing the Overture, Songs and
Symphonys curiously Transpos'd and
fitted to the Flute in a Compleat maiier,
etc. Printed for I. Walsh and In" &
loseph Hare : London, [1725 ?] oU. 4».
a. 206. a. (4.)
Otho. Opera. Sec Haendel (G. F.)
OU. On courent les peuples 6pars. Roland
a Roiicevaux. Air, avec Accomp' de
Guittare. Che-: Imbaidt :
[Paris, 1790 ?] 8". B. 362. a. (4.)
Ou fuir, oil me cacher. Air.
See Bertox (H. il.) "Les Rigueurs du
Cloitre.]
Oil les Dieux Tout ils fait naitre. Musette,
etc. [Paris,] 1760. s. sh. 8". 297. d. 25.
Mercure de France, Sept., 1760.
Ou peut on etre mieux. Quatuor.
See LuciLE.
OUBLIEZ. Oubliez jusqu'ii la trace d'un
malheur. Vaudeville. See Deserteur.
OUDOT (Claude) Stances Chrestiennes.
De M. LT'Abbe] T[estu] mises en musique
a deux, trois, & quatre Parties, avec des
Symphonies. CJiez C. Ballard:
Paris, 1692. 4'. D. 347.
[Another copy.] D. 347. a.
OUDOUX ( ) Methode Nouvelle pour
apprendre facilement le Plain-Chant, avec
Quelques Exemples d'Hymues & de
Proses. . .Seconde Edition, revue, corrigee
& augmentee. Che! A. M. Lottin Valnf :
Paris, 1776. 8\ 7898. a. 12.
OUI. Oui j'adopte ton sentiment. R(f-
ponse du Mari a sa Femme. [Song. J Air
de la Rosiere [de Salency, by A. E. M.
Gretry", Avec Accomp' de Guitare.
Chez M. Camand : Paris, [1780 ?1 8".
B. 362. 168*.
44*
[Another copy.] B. 362. g.
Oui, j'aime a boire moi. La Meuagerc.
[Song.] Air : d'une Allemande. [Paris,
1780?] 8". B. 362. b. (129.)
Oui, j'aime la variete. Le Pluisir de la
VarKti. Chanson. Graxi par La-
hassie. Imprimi par Toumclle : [Paris,]
1757. s. sh. 8°. 297. d. 7.
Mercure de France, June, 1757.
Oui, je t'aime, ma Themire. Rondeau.
[Paris,] 1764. s. sh. 8". 298. d. 18.
Mercure de France, .Tune, 1764.
Oui, ;Messieux, tout Tmonde en France.
[Song.] See Nicodeme daxs la Luke.
Oui, mettous nous a I'ouvrage. Air.
See PoMMiERS et le Moulin.
Oui uoir mais pas si diable. A Favorite
French Song. [From Gretry's ' L'Amitie
a I'Epreuve.' i Longman and Broderip :
London, [1190'!] fol. H. 1250. (39.)
Oui uoir mais pas si Diable. Couplets.
See Gretry (A. E. M.) [UAmitie a
V^preuve.]
Oui nous perdons I'courage. Duo.
See Nicodeme daxs la Lune.
Oui tout le bieu que j'ai perdu. Air.
See Confederation du Parnasse.
Oui tu fait mon bonheur, Zelmire.
L'Amant Fortunee. Air : Resiste moi
belle Aspasie [words par M. R. n. y.
Chez Camand: [Pa ri.s, 1780?] 8''.
B. 362. b. (153.)
[Another copy.] B. 362. e. (117.)
OUR. Our Bottle and Friend. [Song.j
See Cooke (M.)
Our Chorus to Bacchus. Water. [Song.]
The Words by G. A. Stevens.
P. Hlodgson : London, 1780?] s. sh. fol.
G. 310. (264.)
Our King and our Guardian is come. A71
Ode on Jiis Majesty's happy Return from
Hanover. [Song.] The Words by j\Ir.
A. Bradley. [London, 1745.] s. sh. fol.
G. 310. (218.)
Our Light, our Saviour. Hymn.
Ste Smith (J. C.)
Our Ordnance Board. [Song.] The Words
by Mr. Estcourt. [London,
1712?] s. s7i. fol. H. 1601. (352.)
230
OUR— OVERTURES
OUR. OuL- Reck'ning we've paid. Honour.
[Song.J P. U[odgson : London,
1780?] s. 6/j. fol. G. 310. (266.)
Our Shepherd alone. A Hymn.
[Lomlon, 1775.] 8°. P.P. 716. b.
Gospel Magazine, Nournibcr, 1775.
Our Ship's safe moored in Port. [Song.]
See DiBDiN (C.)
Our Topsails atrip. Song.
(See Wainwbight (R.)
OUT. Out of the deep of sad distress.
Psalm c.r.r.v. Paraphrased, etc.
[London, 1761.] 8°. P.P. 324. n.
Chi-istian's Magazine, Nov., 1761,^). 585
OUTALIAN, pseud. If it does not rain
to Morrow. A New Sojig, set after the
Manner of our Foreign Composers of
]\Iusick to English Words, Wherein is
expos'd their agreeable way in dividing of
Sentences & destroying good Sence, by
way of Sacrifice. By an Outalian.
[London, 1715 ?] fol. H. 1601. (245.)
OUTRAGEOUS. Outrageous Storms
now dreadful rose. Recit. and Chorus.
See Haydn (P. J.) [The Creation.]
OUTS. The Outs and Ins. ^Song.]
Sec Whilst. Whilst Maj. and Min., etc.
[1780?] s.sh.iol. G. 313. (216.)
OUVREZ. Ouvr6s bien les Oreilles.
Lcs Passctcms de Paris. [Song.] Air :
de Malbrouk. [Paris, 1760 ?] 8".
B. 362. (216.)
OVER. Over the Mountain and over the
Moor. The Beggar Girl, a Fasionable
Ballad for the Piano Forte or Harp, and
for two Voices. [By H. Piercy.]
H.Thompson: London, [1799 7] fol.
G. 356. (61.)
OVERBECK (Christian Adolf) Lieder
und Gesange, mit Klaviermelodieen, als
Versuche eines Liebhabers. Bey C. E.
Bohm: Hamburg, YISl. obl.M. D. 726.
OVERBEKE (Aernout van) De
Geestige Werken van A. van Overbeke. . .
Bestaende in Liederen en Gedichten, etc.
By Jan Claesz. ten Hoorn : Amsterdam,
1678. 8° 11557. aaa. 15.
Only * Den Amoiireuscn. Sodiacq' has
music.
OVERBURY ( ) Cloe's Admirer.
[Song.] See Whilst. Whilst I gaiz'd on
Cloe trembling, etc. [Jilusic by Overbury.]
[1720 ?] s. sh. fol. H. 1601. (482.)
OVEREND (:Marmaduke) A Brief
Account of, and an Introduction to,
Eight Lectures in the Science of Music,
etc. Printed for the Atitlior : London,
1781. 4". 558*. c. 35. (1.)
The Epithalamium made on the ]\Iarriage
of . . . King George III. and Queen
Charlotte. [Song and Chorus.]
[London, 1761.] fol. G. 377. (42.)
OVEREND (Mabmaduke) A Hunting
Cantata, etc. S. A. and P. Thcnnpson :
London, [1780 ?] fol. G. 806. v. (4.)
The composer's name is given in his
autograph signature.
Lesson for the Harpsichord or Piano
Forte. No. 1. Messrs. Thompson'' s :
London, [1780 ?] fol. g. 443. d. (28.)
A Social Ode for the New Year, etc. [For
four voices, with harpsichord accompani-
ment.] S. A. and P. Thompson : London,
[1780?] fol. G. 806. V. (5.)
OVERTURES. A Collection of Several
Excellent Overtures Symphouys and Aires
for a Flute and a Bass. Compos'd by the
most Eminent Masters, to which is added
that Incomperable Sonata for a Flute, a
Violin and a Bass . . . (Compos'd by Mr.
Gasperine). The whole fairly engraven.
(Fluto Basso.) Printed for I. Walsh ci;
I. Hare : London, [1710?] " fol.
h. 17. (5.)
Six Overtures for Violins in all their
Parts as they were perform'd at the King's
Theatre in the Operas of Astartus [by
G. B. BononciniJ, Croesus [a Pasticcio],
Camilla [by M. A. Bononcini], Hydaspes
[by F. Mancini], Thomyris [a Pasticcio],
Rinaldo [by G. P. Handel] . [Separate
Parts.] I. Walsh d In" it losepli Hare :
London, [IT20?] fol. h. 3211. (1.)
Six Overtures for Violins in all their Parts
as they were perform'd at the Kings
Theatre in the Operas of Floridant, Flavins,
Otho, Radamistus, IMuzio Sctevola, Acis &
Galatea. [By G. F. Handel.] The 2''
Collection. rSeparate Parts.]
I. Walsh, i(- In" <f- luscph Hare : London,
[1725?] fol. h. 3211. (2.)
Several of the parts in tJiis collection are
in MS.
Six Overtures for Violins in all their
Parts as they were perform'd at the
Kings Theatre in the Operas of Theseus,
Amadis, Pastor Fido, Admetus, The
Water Musick, Julius Ctesar. [By G. F.
Handel.] The 3'' Collection. [Separate
Parts.] Printed fori. Walsh and loseph
Hare: [London, 1728?] fol.
h. 3211. (3.)
Several of the parts in this collection are
in MS.
Six Overtures for Violins in all their
Parts as they were Perform'd at the
Kings Theatre in the Operas of Admetus,
Alexander, Scipio, Rodelinda, Tamerlane,
Aggrippiua. [By G. F. Handel.] The 4'"
Collection. [Separate Parts.] I. Walsh
and loseph Hare : London, [1128?] fol.
h. 3211. (4.)
Several of the parts in this collection are
in MS.
OVERTURES— p.
231
OVERTURES. Six Overtures in 8 Parts
for Violins, Hoboys, French Horns, with
a Bass for the Harpsicord and Violoncello.
Compos'd by Sig. Bach, Jomelli, Galuppi,
Perez. Sixth Collection. [Separate Parts.]
Printed for I. Walsh : London,
[1765 ?] fol. g. 212. a.
This collection also contains a)i overture
by L. Y. Ciampi.
Six Favourite Overtures in Six Parts, for
Two Violins, Two French-Horns, a Tenor
and Bass. Composed by . . . Galuppi,
St. Martini & Jomelli. [Separate Parts.]
Printed for A. Hummel : London,
[1770?] fol. g. 474. a. (8.)
Three Celebrated English Overtures ;
adapted for the Piano Forte. ([No. 1.]
Royal Shepherd. [By G. Rush. No. 2.]
A Peep behind the Curtain. Barthelemon.
[No. 3.] Widow of Delphi. [By T. H.
Butler.]) [1798.]
Sec Periodical Publications — London.
The Piano-Forte Magazine. Vol. V.
No. 3. [1797-1802.J 8". D. 854.
See also : Opera Overtures.
OXFORD. The Oxford Bowlers. [Song.
See Vanbrughe (G.)
The Oxford Ramble. Song. Sec I. I've
heard much talk of Oxford town, etc.
[1780?] s.sh.iol. G. 309. (111.)
OXFORDSHIRE. Oxfordshire Betty.
[Ballad.] See Poor. Poor Tom the Tavlor
don't lament. [1690?] s.sh.iol.
Case 39. k. 6. (18.)
The Oxfordshire Harmony. Hymns, etc.
See Sreeve (J.)
Oxfordshire Nancy. [Song.]
Sec Shield (W.) A Collection of Songs,
etc.
OYSTER NAN. Oyster Nan's Comicall
Song. ,S-e As. As Oyster Nan stood by
her Tub, etc. [1705 ?] s. sh. fol.
H. 1601. (46.)
P * * *. Absent d'Iris que je verse de lannes.
Absence. fSong.] Par M. P * * *.
[Paris, 1 1771. s. sh. 8°. 298. e. 3.
Mercurc de France, March, 1771.
P., M', of Dijon. Dans ce grand jour.
Etrennes a Madame Z). ... [words] par
M. J. la Coste, etc. [Paris,']
1748. s. sh. 4". 297. c. 15.
Mercure de France, Feb., 1748.
P *****, D. L. Ami, tel est notre destin.
Chanson Morale. Air & Paroles de
^I. D. L. P. Grave par M>- Char-
pentit'. Imprimd par Toiirnelle : \ Paris.']
1761. s. sh. 8". 297." d. 29.
Mercure de France, June, 1761.
La Coquette. Rondeau. (Paroles &
Musique de M. D. L. P.) [Paris,]
17G2. s. sh. 8". 298. d. 4.
Mercure de France, July, 1762.
De la vive et jeune Aurore. Chanson.
Paroles & Musique de M. D. L. P.
Gravii par M'' Charpenti^. Imprime par
Toiirnelle : [Paris,] 1763. s. sh. 8'.
298. d. 10.
Mercure de France, June, 1763.
L'Ecole des Femmes, chanson morale,
imitee de I'Anglois de M. Garrick, etc.
(Paroles & Musique de M. D. L. P.)
[Paris,] 1765. s. sh. 8". 298. d. 25.
Mercure de France, April, 1765.
P *****, D. L. L^onore d'Urgel. Romance
historique. (Paroles & ]\Iusique de M.
D. L. P.) [Paris.] 1767. s. sh. 8'.
297. e. 5.
Mercure de France, Jan., 1767.
Quandon salt charmer. Musette Nouvelle.
Rondeau. Paroles & Musique de M. D. L.
P * * * *. Gravfie par M' Char-
penti&. Imprimie par Tournelle : 'Paris,]
1762. s. sh. 8->. 298. d. 2.
Mercure de France, April, 1762.
P., D. R. A. A. Le Sage du Temps, etc.
rSong.] Par M' D. R. A. A. P. [Paris,]
i784. s. sh. 4". 297. b. 3.
Mercure de France, May, 1734.
P., H. Deliciae Musicse : being, A Collection
of the newest and best Songs sung at Court
and at the Publick Theatres. . .with a
Thorow-Bass, for the Theorbo-Lute, Bass-
Viol, Harpsichord, or Organ. Composed by
several of the Best Masters. The First
Volume Compleat. (Deliciee Musicse...
The First(-Fourth) Book.) [With an
Advertisement to the Reader signed
H[enry] P[layford].] 4 pts.
J. Heptinstall, for Henry Playford :
London, 1696. (1695'.) fol. G-. 85.
Each book has a separate title-page and
pagination. Books I. and II. are dated
1695. The composers named are :
H. Purcell, R. Courtiville, Dr. Blow,
J. Gilbert, H. Hall, J. Ecclcs and
J. Freeman.
232
P.— PACHELBEL
P., H. Wit and Mirth : or, Pills to Purge
Melancholy ; being a Collection of the best
Merry Ballads and Songs, Old and New.
Fitted to all Humours, having each there
[sic] proper Tune for either Voice or Instru-
ment, many of the Songs being new Set,
etc. [With a Dedication signed H[enryJ
P[layford].] (Wit and Mirth . . . With
several New Songs by Mr.TD'Urfey. . .The
Second Part.) 2 pts. William Pearson,
for Henry Play ford, 1699 (1700). 12°.
1078. e. 32.
Tlie composers navied are : Church, J.
Clark, Akcroyd (Akeroyde), Tollot,
Barincloth, S. Teno, B. King, Signor
Baptist, Leveridge, J. Hart and Capt.
{Colonel) Pack.
Wit and Mirth : or Pills to Purge Melan-
choly...The Third Edition. Vol. I., etc.
(Wit and ]\Iirth : . . . The Second Edition
carefully Corrected. Vol. II.) (Wit and
Mirth : . . . The Second Edition with large
Additions . . . Vol. III.) (Wit and Mirth : . . .
The Second Edition with Additions. Being
carefully Corrected by Mr. .J. Lenton.)
4 vols. MS. NOTES [by William Chappell].
W. Pearson : London, 1707 (1709). 12".
1346. a. 28-31.
Only Vol. IV. is dated 1709. .The
prefaces to Vols. III. and IV. are
signed ' Dr. Mcrryman.' The com-
posers' names added to this edition
are : T. Wroth, J. Barritt, B. Loe,
J. Eccles, H. Purcell, D. Purcell,
T. Farmer, Fishburne, P. Humphreys,
W. Turner, T. Kingsley, Damascne,
Staggins, R. Croone, L. Bamondon,
A. Young, J. Weldo^i, B. Harris, J.
Toionshcnd, H. Eccles, W. Morley,
J. Isum, W. Croft, J. Wilford, Motley,
B. Cary, E. Keen, G. Kingsley, J.
Cotterell, Berencloto (Barincloc), Dr.
Prettle, B. Brown, Morgan, Dr. Bloio,
W. Bichardson, J. Graves, W. Green,
T. Willis, Eagles, W. Williams, B. Cox,
P. Hart and T. Clark.
m
Wit and jMirth or. Pills to Purge Melan-
choly . . . The 4"' Edition. Vol. I., etc.
(Wit and Mirth... The Third Edition...
Vol. II. (III.).) (Wit and Mirth... The
Second Edition. . .Vol. IV.) (Wit and
Mirth...Vol. v., Ci^c.) 5 vols.
William Pearson : London, 1714 (1712.)
(1709.) 12°. 238. g. 40-44.
Vols. I. and V, are dated 1714, II. and
III. 1712, IV. 1709. The preface
to Vol. V. is signed ' Dr. Merryman.'
The composers' names added in
Vol. V. are: H. Hall, Frank, Forcer,
J. Abell and Corbett. TJie Arms
of George II. (as Prince of Wales)
and Caroline of Anspach are on the
bindings.
P., H. Wit and Mirth : or Pills to Purge
Melancholy, c/c. [Fourth Edition.] Gvols.
W. Pearson, for J. Tonson : London,
1719-20. 12\ Gren. 18343-8.
Only Vol. VI. is dated 1720. Tlte
dedications arc signed by D' Urfey.
The folloicing composers' names are
added in this edition : Corelli, B.
Lully, Opdar, J. Lentcm, Peasible,
Courfivil and Finger. The general
title-page to the first five volumes is
tvanting.
[Another copy.] 1078. c. 8, 9
Imperfect ; Vol. III. wants pp. 291, 292,
309 and 310; Vol. IV. ivants pp. 177,
178, 271, 272, 287, 288 and 307-310.
P., J. Matrimonial Deafness. [Song.]
[London, 1765 ?] s. sh. fol.
G. 316. a. (38.)
P., P. Why Cielia with that coy behaviour.
A neio Song set to Musick, by Mr.
P[eter] P[relleur]. [London, 1748.] 8'\
P.P. 5438. z.
Universal Magazine, Vol. II., p. 283.
PACE. Pace caro mio sposo. Duet.
See Maetix y Solar (V.) [Una Cosa
Bara.]
PACE (PiETRo) Madrigali a Quattro et a
Cinque Voci. Parte con Sinfonia se place,
e parte senza, etc. Opera Decima Quinta.
Alto. Appresso Giacomo Vincenti :
Venetia, 1617. 4". D. 73.
PACELLI (AspRiLio) Asprilii Pacelli. . .
Motectorum et Psalmorum qui Octoni.^
Vocibus concinuntur Liber Primus. Tenor
Primi Chori. (Cantus Secundi Chori.)
2 pts. Apud Nicolaum Mutiuin :
Bomae, 1597. 4". D. 19.
PACH (S.) Caroline. A Pastoral Elergy . . .
written by R. C. Dallas... Set to music
consisting of an Overture, Airs, Duets and
Choruses. . .Opera vi. [Full Score.]
Longman and Broderip, for tJic Authoi- :
London, [1795?] fol. G. 350. (2.)
Three [English] Songs for the Harpsichord
or Piano Forte with Accompaniments.
Op. 5. [Full Score.]
Longman and Broderip), for the Author :
London, [1793 ?] fol. G. 357. (9.)
Three Italian Songs for the Harpsichord
or Piano Forte with Accompaniments...
Opera 5.
Longman and Broderip, for the Author :
London, [1793?] fol. G. 198. (7.)
PACHELBEL (Johann) Hexachordum
ApoUinis Sex Arias exhibens Orgauo
pnevmatico, vel clavato cymbalo, modu-
landas, quarum singulis sure sunt subjectse
Variationes, Philonausorum in gratiam
adornatum, etc. Norimberg .
1699. obi. fol. K. 4. b. 8.
The title-page is engraved.
PACHELBEL— PAGIN
233
PACHELBEL (Wilhelm Hieeonymus)
Prteludium und Fuga [in C], componirt
und edirt von W. H. Pachelbel, etc.
[Xilrnbcirj ? 1725 ?J fol.
Engraved throughout.
PACK ( ) Captain.
TDialogue.] 1683. 4".
Spc Duke of Guise.
h. 6.
Tell nae Thirsis.
643. g. 83.
Missa Quatuor
quis
Delicta
PACOTAT (Nicolas)
Vocibus cui Titulus
intelligit, etc. Typia Joannis Baplistiv
CJiristopliori Ballard : Lutdise Parisiornm,
1729. fol. K. 10. b. 1. (1.)
PAD. The Pad. Song.
See Sanderson (.J.)
PADDY BULL. Paddy BuU's Expedi-
tion. Song.
See Reeve (W.) [A Picture of Paris.]
PADDY O'BLARNEY. Paddy
O'Blarnev. [Song.]
See DiBDix (C.) [Will of the Wisp).]
PADDY O'BRIAN. Paddy O'Brian.
Sonc. Sec Whex. When I was first
kittened, etc. [1797 ?] fol. G. 367. (31.)
PADDY WHACK. Paddy Whack.
[Song.] Sec 0. 0 .Jenny a-gra I've a
story to tell you. [1775 ?] s. sit. fol.
G. 310. (271.)
PADLOCK. In vain you bid your
Captive live. [Song,] Sung by Mr.
Vernon, in the Padlock. [By C. Dibdin.]
[London, 177-3.] s. sh. 4". 159. n. 5.
London Magazine, Dec, 1773.
Sweet Passion of Love. [Song.] Sung
by Mrs. Arne in the Padlock. [By G.
Dibdin.] R. Falkcncr : Loiidon,
[1770 ?] s. sh. fol. H. 1994. a. (93.)
Was I a Shepherd's Maid. A favorite
Song in the Padlock. [By C. Dibdin.]
A. Bland & Wcllcr : Landun, [1795?] fol.
G. 800. m. (44.)
The Padlock. Comic Opera.
See Dibdin (C.)
PADOVANO (Annibale)
.S't'c' Annibale, Padovano.
PADRON. II Padron coUa Padrona.
[Glee.] Sec Biggs (E. S.)
PADUANIUS (Joannes) loannis
Paduanii Veronensis Institutiones ad
diuersas ex plurinm uocum harmonia
cantilenas, siue modulationes ex uarijs
instrumentis fingendas, formulas pene
omnes ac regtilas . . . complectentes.
Apud Sehastianum, & loannem fratres a
Donnxfi : Veronac, 1578. 4". K. 3. k. 1.
PAER (Feedinando) Camilla, eine Oper
in 3 Akten...mit Deutsch- und Italien-
schem Texte, in Klavierauszug iibertragen
von 0. Cannabich. Bey N. Simrock :
Boun, [1800?] obl.iol. E. 170.
PAER (Feedinando) [Camilla.] Seht
man sagt mir. Aiie etc. "Vienna ?
1800?] obi. fol. E. 1766. c. (6.)
Per vivere contento. [Song.J Sung by
Sig' Viganoni. . .in the Opera [by M. A.
Portogallo] of I due Gobbi, etc.
Printed for Longman (f Brodcrip :
Lmdon, [1796.] fol. '^ G. 805. g. (34.)
Seht man sagt mir. Sec supra: [Camilla.]
Sofonisbe. Opera en ii Actes arrange pour
le Piano-forte par C. F. Ebers, etc.
Chez N. Simrock : Bonn, [1800?] ohl. fol.
F. 88. a. (1.)
PAESIELLO (Giovanni) Sec Paisiello.
PAGANELLI (Giuseppe Antonio) Six
Senates a Solo pour la Flute Traversiere
et Basse . . . CEuvre xvI^ Grave par
M="« Vandome. Chez Monsieur Astraucly :
Paris, [1745 ?] fol. h. 2110.
[Songs in L'Ingratitudiue Punita. A
Lampugnani,
See Delizie.
Vol. 5.
G. 159.
& Psalms
Pasticcio, by Hasse,
Paganelli, etc. Full Score.]
Le Delizie dell' Opere, etc.
[1776.] fol.
PAGE (.John) The Anthems
as Performed at St. Paul's Cathedral on
the day of the Anniversary Meeting of the
Charity Children educated in... London,
& Westminster . . . Arranged for the
Organ, Harpsichord, or Piano Forte. . .by
... J. Page, etc. Published for the
Benefit of the Charity Schools: London,
[1795?] "fol. G. 807. a. (10.)
Harmonia Sacra, a Collection of Anthems
in Score, selected . . . from the most Eminent
Masters of the Sixteenth, Seventeenth,
and Eighteenth Centuries. . .by J. Page,
etc. 3 vols. L. P. Printed for the
Editor : London, (1800.) fol. I. 252.
The composers named arc: Croft, Weldon,
Boyce, Purcell, Kent, Greene, Clark,
Dupuis, Arnold, BattishiU, Aldrich,
Stroud, Goldwin, Mason, Reynolds,
King, Attivood, Farrant, Tucker,
Richardson, Handel, S. Wesley, C.
Wesley, Marcello, Hitie, Nares, Blake,
Baildon, Travers, Wood, Blow, Holmes,
T. Linlcy, Henley, Busby, Banks,
Tye, Rogers, Marsh and Marenzio.
[Another edition.] Harmonia Sacra, etc.
3 vols. Printed for the Editor :
London, 1800. fol. H. 1177.
See the Morning-Star appear. A Christ-
mas Hymn . . . The Words by :Mr. Harrison.
Printed for Harrison rf- Co. :
London, [1785 ?] fol. G. 502. (6.)
See Henley (P.) and Sharp (T.) Divine
Harmony. . .Published. . .by J. Page, etc.
1798. S-\ E. 481.
PAGIN (Andre Noel) [Six Sonates a
Violon seul et Basse. CEuvre 1.1 \^Venve
Boivin : Paris, 1748.] fol. h. 1708.
Wantijig the title-page.
234
PAGIN— PAISIBLE
PAGIN (Andre Noel) Six Solos or
Sonatas for a Violin with a Thorough
Bass for the Harpsicorcl by Six different
Authors of the best Composers in Italy,
viz' : Sig' Pagin, Locatelli, Sewalt
Treimer, Ceci, Mossi, Fritz.
Eliz'-'' Hare : London, [1750?] fol.
g. 422. g. (3.)
[Another copy.] g. 504. (2.)
Wonting the title-page.
PAISIBLE (James) Six Setts of Aires for
two Flutes & a Bass. Consisting of
Preludes, Allmands, Corants, Sarabands,
Marches, ^Minuets, Gavotts and Jiggs. etc.
[Separate Parts.] Printed for I. Wahh £
I. Hare : London, [1715 ?] fol. h. 23.
The Britannia. Mr. Isaac's New Dance,
made for Her Majesty's Birth Day...
Engraven in Characters & Figures for y"
use of Masters. Printed for I. Walsh £
I. Hare: [London, YiOQ.'] fol.
h. 993. (9.)
The Favourite. ^Ir. Isaac's New Dance
made for Her Majesty's Birth Day. . .
Engraven in Characters & Figures for y"
use of ]\Iasters. (The Favorite. A
Chaconne danc'd by her ^Majesty.)
Printed for I. Walsh & I. Hare :
[London, 1104:?] 'fol. h. 993. (11.)
The Friendship. ]Mr. Isaac's New Dance
for the Year 1715. . .Engraven in Char-
acters & Figures for y" use of IMasters.
Writ by Mr. Pemberton. Printed for
I. Walsh and I. Hare-: [London, 11 lb.] fob
h. 993. (1.)
The Gloucester. Mr. Isaac's New Dance,
made for Her Jlajesty's Birth Day...
Engraven in Characters & Figures for y"
i;se of ^Masters. Printed for I. Walsh £
I. Hare : [London, 1711 ?] fol.
h. 993. (16.)
The Godolphin. ]Mr. Isaac's New Dance,
made for Her Majesty's Birth Day, 1714
.... Engraven in Characters & Figures
for y" use of IMasters. Writ by Mr.
Pemberton. Printed for I. Walsh a)id
1. Hare : [London, 1714.] fol.
h. 993. (2.)
The Northumberland. ]\Ir. Isaac's New
Dance, made for Her Majesty's Birth
Day. . .Engraven in Characters & Figures
for y use of Masters. Printed for
I. Walsh d I. Hare : [London, 1713 ?] fol.
h. 993. (19.)
The Pastorall. IMr. Isaac's New Dance,
made for Her Majesty's Birth Day, 1713
. . .Engraven in Characters & Figures for
y" use of Masters. Writ by ^Ir. Pemberton.
Printed for I. Walsh and I. Hare :
[London, 1713.] fob h. 993. (3.)
The Princess. Mr. Isaac's New Dance,
made for Her Majesty's Birth Day...
Engraven in Characters & Figures for y"
use of Masters. Printed for I. WaUh A
I. Hare: [Loj(fZo», 1710 ?] 'fol.
h. 993. (15.)
The Richmond. Mr. Isaac's New Dance,
made for Her Majesty's Birth Da.y...
Engraven in Characters & Figures for
y" use of Masters. Printed for I. Walsh £
I. Hare : [London, 1707 ?] 'fol.
h. 993. (12.)
The Rigadoon. Mr. Isaac's New Dance
made for Her Majesty's Birth Day...
Engraven in Characters & Figtires for y
use of IMasters. Printed for I. Walsh £'
I. Hare : [London, 1708 '?] fol.
h. 993. (13 )
The Rondeau. Mr. Isaac's New Dance,
made for Her Majesty's Birth Day...
Engraven in Characters & Figures for y"
use of Masters. Printed for I. Walsh <£■
I. Hare : [London, 1709 ?] fol.
h. 993. (14.)
Room for a Rover. A Song [words by
T. D'Urfey] to a Tune of Mr. Peasable's
call'd y new Dance. [London,
1705?] s.sh.iol. G. 305. (211.)
[Another copy.] G. 311. (30.)
[Another copy.] G. 304. (127.)
The Royall. Mr. Isaac's New Dance,
made for Her Majesty's Birth Day...
Engraven in Characters & Figures for y"
use of IMasters. Printed for I. Walsh d;
I. Hare: [London, 11121] 'fol.
h. 993. (18.)
The Royall Ann. ^Ir. Isaac's New Dance,
made for Her Majesty's Birth Day...
Engraven in Character & Figures for y"
use of Masters. Printed for I. WalsJi and
I. Hare: [London, 1112?] fob
h. 993. (4.)
The Royall Gailliarde. Mr. Isaac's New
Dance, made for Her ^Majesty's Birth Day,
1710. . .Engraven in Characters & Figures
for y use of Ma[ste]rs. Writt by Mr.
de la Garde, etc. Printed for
J. ]\'(ilsli (h P. Bandiill and J. Hare :
London, [1710.] fol. h. 993. (6.)
The Saltarella. ]Mr. Isaac's New I)ance
made for Her Majesty's Birthday, 1708. . .
Engraven in Characters and Figures for
the use of Masters. The Characters writ
by Mr. de la Garde, etc. Sold hi/ 1. ]\'alsli.
[and] I. Hare: r London, 1103.]^ fol.
h. 993. (7.)
Six Sonatas of two Parts for Two Flutes
. . .Opera Prima. [Separate Parts.]
Printed for I. WalsJi and I. Hare : London,
[1705 ?] ohl. fol. e. 105. a. (4.)
The Spanheim. Mr. Isaac's New Dance,
made for Her Majesty's Birth Day...
Engraven in Characters & Figures for y'
use of IMasters. Printed for I. WalsJt £ I.
Hare : [London, 1705 ?] fol. h. 993. (10.)
PAISIBLE— PAISIELLO
235
PAISIBLE (James) The Union. Mr.
Isaac's New Dance, etc. (Perform'd at
Court on Her Majestie's Birthday. . .1707,
and writt down in Characters by J.
Weaver.) Printed for I. Walsh d I. Hare :
[London, 1707.] fol. h. 993. (8.)
PAISIELLO (Giovanni)
Arrajstgement.
1. Operas.
2. Miscellaneous Vocal Works.
.3. Instrumental and Theoretical Works.
4. Appendix.
5. Index.
1. Operas.
II Barbiere di Siviglia.
Le Barbier de Seville. Op^ra Comique en
Quatre Actes. . .Remisen Fran<,-ais d'apres
la Piece de Beaumarchais et parodie par
Framery. [Full Score.] ChezLeduc:
Paris, [1789.] fol. G. 274. c.
[Overture.] Four Italian Overtures. Ar-
ranged for the Piano Forte by L. Boutmy.
(No. 2. Sinfonia. Paisiello.) [1799.]
Si'e Periodical Publications. — London.
The Piano-Forte Magazine. Vol. VII.
No. 7. [1797-1802.] 8". D. 854.
Ah chi sa. The Favorite Trio, etc. [Full
Score.] Longnuui and Brodcrip :
Lomlon, [1789.] fol. G. 197. (16.)
[Ecco r ora s' aviciua.] Dans I'instant a
sa feuetre. Air . . . Accomp' de guitare
par ]M. Alberti. Chez M. Camand :
Paris, [1789 ?] 8". B. 362. c. (53^)
[Gia riede primavera.] Dans la Saison
nouveUe. Air, etc. Chez 3P Cain-and :
[Pflm, 1789?] 8". B. 362. c. (53"'.)
[Saper bramate.] Belle Rosine, vous que
3 'implore. Romance. . .Les Parolles sont
de W :Moliue. Chez Bignon :
Paris, [1790?] 8". B. 362. e. (53.)
For tenderness form'd. A Favourite
Song in the New Comedy of the Heiress
[words by General Burgoyne],. . .Adapted
to an Air of Sig"' Paesiello, by Mr. Linley,
etc. Printed for S. A. A P. Thompson :
London, [1786.] fol. H. 131. (40.)
For tenderness form'd. Song in the
Heiress, etc. J.Lee: Dublin,
[1790?] s.sh.iol. H. 1601. b. (22.)
Vous I'ordonnez. Romance, etc.
[Paris,-] 178-1. 8\ 297- g. 16.
Mercure de France, Dec, 1784,^. 6.
Vous I'ordonnes. [Song.] . . . Avee
Accompagn' de Guittare. Cltez Lnbault :
Paris, [1790 ?] fol. B. 362. c. (53<=.)
Le Bon ]Maitre.
Le Bon INIaitre, ou I'Esclave par Amour.
Op^ra en Trois Actes . . . Parolles de
^jr * * * j-pull Score.] Chez le S''
Sieber : Paris, ri790 ?] fol. H. 445. a.
PAISIELLO (Giovanni)
Le Due Contesse.
The Favourite Songs in the Opera, Le Due
Contesse, cte. [Full Score.] R. Bremncr :
London, [1777.] fol. G. 806. i. (II.)
Le Duel Comique.
Comedie en Deux Actes en Prose mel«ie
d'Ariettes. . .Le Poeme est de M"' ^Moliue.
[Full Score.] Chez le S' Sieber : Paris,
[1777.] fol. G. 274. f.
Elfrida.
Abbracciami, O sposo. Duettino Serio
con Recitative, etc. [Full Score. ^
Prcsso Luigi Marescalclii : Xajioli,
[1795?] obi. fol. E. 600. e. (4.)
Che a parte mi vuoi crudele. A favorite
Song, as sung by Madam Banti, etc.
[Full Score.] " L. Lavenu : London,
[1798.] fol. G. 424. xx. (22.)
Credi la mia ferita. The favorite Duett,
as Sung by ^Madame Banti and Sig'
Viganoni, etc. [Full Score.]
B. Birchall : London, [1798.1 fol.
H. 2831. a. i30.)
Rassereni amico amore. The Favorite
Trio as sung bv ^ladame Banti, Signora
Pastorella & S'ig' Viganoni, etc. [Full
Score.] Printed for B. Birchall : London,
[1798.] fol. H. 2830. g. (35.)
[Another copy.] H. 2831. a. (31.)
I Filosofi Immaginari.
Ouverture. [P. F.] See :Mezger (F.)
Ouverture du Philosophe Imaginaire 'by
G. Paisiello] . . . Arrangee par W :\Iezger.
[1785?] fol. g. 81. (4.)
La Frascatana.
L'Infante de Zamora. Opera Comique
en 3 actes, parodi^ sous la ^lusique de La
Frascatana du . . . S^' Paisiello . . . par
M. Framery, etc. [Full Score.]
Chez M. d'Enouvillc : Paris, [1790.1 fol.
I. 326.
Ouverture . . . Arrangee en Quatuor pour
deux Violons, Alto, et Basse par M.* * *.
[Separate Parts.] Chez le S'' Jolivet :
Paris, [1780 ?] fol. g. 417. a. (5.)
[For editions of this opera when pro-
duced as a Pasticcio in London in 1777 :j
See Fraschetana.
La Locanda.
Donne care. [Song.] Sung by Sig"'
Cipriani, etc. [Full Score.]
Printed for the Proprietors : London,
[1791.] fol. G. 199. (20.)
Lo tuovai per accidente, the C(;lebrated
Quartette ... in ... La Locanda. [Full
Score.] Printed for the Proprietors :
London, [1791.] fol. 'H. 2831. h. (22.)
236
PAISIELLO
PAISIELLO (Giovanni) IMustafa di
Trabisonda. [Song.] Sung by Sig''
Cipriani, etc. [JPull Score.]
Printed for the Proprietors : London,
[1791.] fol. G. 199. (23.)
Nou lo voglio non lo prendo. The
Celebrated Duetto. . .in. . .La Locanda.
[Pull Score.] Printed for the Proprietors :
London, [1791.] fol. ~ G. 198. (15.)
Parto non dubitate. [Song.] Sung by
Sig" Lazzarini, etc. [Full Score.]
Printed for the Proprietors : London,
[1791.] fol. ■ G. 199. (15.)
Qua si trova dir dovrete. [Song.] Sung
by Sig'' Morelli, etc. [Full Score.]
Printed for the Proprietors : London,
[1791.] fol. G. 199. (17.)
Quando vien lo sposo avanti. [Song.]
Sung by Sig'' Morelli, etc. [Full Score.]
Printed for the Proprietors : Lo)idon,
[1791.] fol. G. 199. (16.)
Questo vago giovinetto. [Song.] Sung
by Sig"'" Casentini, etc. [Full Score.]
Printed for the Proprietors : London,
[1791.] fol. G. 199. (18.)
Saria bella il niaritarsi. [Song.] Sung
by Sig''" Schinotti, etc. [Full Score.]
Printed for the Proprietors : London,
[1791.] fol. G. 199. (19.)
Signorino, a parlar scbietto. [Song.]
Sung by Sig''" Calvesi, etc. [Full Score.]
Printed for the Proprietors : London,
[1791.] fol. ■ G. 199. (22.)
Tutto da vol dipende, the Celebrated
Duetto ... in ... La Locanda. [Full Score.]
Printed for the Proprietors : London,
[1791.] fol. ' G. 198. (16.)
Voi tornate a questo seno. [Song.] Sung
by Sig"' Lazzarini, etc. [Full Score.]
Printed for tlie Proprietors : London,
[1791.] fol. G. 199. (21.)
II Marchese Tulipano.
Le Marquis Tulipano. Op6ra Bouffon en
deux Actes, parodie [by J. A. Gourbillon]
sur la jMusique del Signor G. Paesiello, etc.
[Full Score.] Chez hnhault : Paris,
[17S9.] fol. G. 274. a.
La Slodista Raggiratrice.
A me tutte le belle. See Steibett (D.)
A me tutte le belle, a Favorite Rondo
[from Paisiello's ' La IModista Raggira-
trice '] for the Harp & Forte Piano, etc.
[1796?] fol. g. 192. a. (21.)
La Molinara.
Ouverture und favorit Arien aus der Oper
La Molinara . . . Fiirs Clavier eingerichtet
von C. G. Neefe. Bey N. Simrock : Bonn,
[1795?] obi. fol. D. 371. b.
PAISIELLO (Giovanni) Overtura per il
Clavicembalo dell' Opera La Molinara, etc.
Presso Artaria Comp. : Vienna,
[1795?] obi. fol. D. 371. (1.)
Ascoltate vi diro. Aria per il Clavicembalo
ricavata dall' Opera La Molinara, etc.
Presso Artaria Comp. : Vienna,
[1795?] obi. fol. D. 371. (5.)
Dite in grazia mio Signore. Quartetto
per Clavicembalo ricavato dall' Opera La
Molinara, etc. Presso Artaria Comp. :
Vienna, [1795?] obi. fol. D. 371. (4.)
II mio garzone il pifaro, the Celebrated
Duetto sung... by Sig' Morelli & Sig"
Casentini, etc. [Full Score.]
Printed for the Proprietors : London,
[1791.] fol. G. 809. b. (58.)
Nel cor piu non mi sento. Duetto per il
Clavicembalo ricavato dall' opera La
Molinara, etc. Presso Artaria Comp. :
Vienna, [11951] fol. D. 371. (6.)
iS'cf Gelinek (J.) 'VI. Variazioni sul
duetto Nel cor piu. . .per clavicembalo, etc.
[1795 ?] obi. fol. f. 133. b. (3.)
Hope told a flatt'ring Tale [by
G. Paisiello], v/ith Variations by IM. Gelinek .
[1801.] See Periodical Publications. —
London. The Piano - Forte Magazine.
Vol. XIV. [No. 12.] [1797-1802.J 9,\
D. 854.
[For adaptations to P. Pindar's words
' Hope told a flattering Tale,' published
anonymously :] See Hope.
See Idalide. Ah che nel petto io
sento, etc. [Song, adapted to Paisiello's
' Nel cor piu.'] [1791.] fol.
G. 199. (26.)
See Inkle and Yarico. Ah will no
change of clime. [An adaptation of ' Nel
cor piu,'] etc. [1795 ?] fol.
G. 383. h. (55.)
See IMarin (M. IM. Marcel de) Essay
upon an Air of Molinarella [i.e. 'Nel cor
piu,' by Paisiello], etc. [1800.] fol.
g. 198. (7.)
O il mio caro puppazzetto. Duetto per il
Clavicembalo ricavato dall' Opera La
]\Iolinara, etc. Presso Artaria Comp. :
Vienna, [1795?] obl.io\. D. 371. (8.)
Per marito ad un notaro. Duetto per
Clavicembalo ricavato dall' Opera La
Molinara, etc. I'rcsso Artaria Comp. :
Vienna, [11951] obi. io\. D. 371. (3.)
Per marito vossignoria. The Celebrated
Duetto Sung... by Sig"' Bonfanti & Sig'''
Morichelli, etc. [Full Score.]
Printed for B. Birchall : Ijondon,
[1795 ?] fol. H. 2820. (14.)
PAISIELLO
237
PAISIELLO (Giovanni) La Rachelina.
The favorite Italian Aiu sung. . .iu the
Opera of the Haunted Tower. . .as adapted
to English Words by S. Storace, dc.
[Full Score.]
Longman and Broderip : London,
[1789.] fol. G. 196. (10.)
La Rachelina molinarina. Cavatiua per
Clavicembalo ricavata dall' Opera La
Molinara, etc. Presso Artaria Camp. :
]'ic»»rt, [1795?] oW. fol. D. 371. (2.)
IMoutezuma.
A raorir se mi condanna. [Song.] See
Texducci (G. F.) Six ... Italian Songs,
etc. No. 6. [177S.] fol. G. 114.
Cara flamma del raio seno. [Song.] See
Tenducci (G. F.) Six . . . Italian Songs, etc.
No. 1. [1778.] fol. G. 114.
Nina.
Nina, oder Wahnsinn aus Liebe.. mit
Deutsch und Italienischem Text. Fiir das
Clavier mit Begleitung einer Violine
gesetzet. . .von C. Franzl. I. M. Gotz :
.¥a»m/it'i)K, [1790 ■?] o6/. fol. D. 371. a.
La Pazza per Aiuore, ou La Folle par
Amour, etc. [Opera. Full Score.]
Chez Pleyel : Paris, [1795 ?] fol.
G. 274. b.
[Overture.] A Celebrated Symphony,
adapted for the Piano Forte. [1800.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Yol. XI.
No.l[a]. [1797-1802.] 8". D. 854.
II Re Teodoro in Yenezia.
[Le Roi Theodore a Yenise. Opera. Full
Score.] [Paris, 1787.] fol. G. 274. d.
Imperfect, ivanting the title-page.
Le Roi Theodore a Yenise, Op6ra Heroi-
Comique, en quatre actes . . . Paroles
imitees de I'ltalien, par M. Dubuisson, etc.
Chez F. Hayez : Paris ct . . .Bruxellcs,
1786. 8». 11738. dd. 8. (4.)
This edition only contains the music of
one song.
[Overture.] Four Italian Overtures.
Arranged for the Piano Forte by L.
Boutmy. (No. 3. Sinfonia. Sig'' Paisiello.)
[1799.] See Periodical Publicatioxs. —
London. The Piano-Forte Magazine.
Yol. YII. No. 7. [1797-1802.] S".
D. 854.
Gli Schiavi per Amore.
A Comic Opera in Two Acts . . . Arranged
for the Harpsichord or Piano-Forte, with
Graces and other Ornaments by D. Corri.
Longman and Broderip :
London, [1787.] fol. H. 445.
PAISIELLO (Giovanni) Ouverture des
Esclaves par Amour. . .arrang^e pour le
Clavecin ou le Forte-Piano avec Yiolon ad
Libitum par J. F. INIezger.
Chez 3/'- Boycr : Paris, [1785 ?] fol.
g. 81. (8.)
Manting the \ iolin part.
Overture . . . Adapted by I. Mazzinghi.
See Opera Overtures. No. l(-5) of the
Opera Overtures, cfc. No. 4. [1789.1 fol.
h. 61. (10.)
Amare tacere. [Duet.] Sung ... in the
Opera of Gli Schiavi per Amore. [By
G. Paisiello. Full Score.] [178S.] fol.
See Schiavi per Amore. G. 197. (5.)
Chi mi mostra. [Song.] Sung by Sig"
Storace, etc. [Full Score.]
Longman and Broderip :
[London, 1787.] fol. H. 345. (5.)
Another copy. G. 297. (2.)
Dove ridotta sono. [Song.] Sung by
Sig" Storace, etc. [Full Score.]
Longman and Broderip :
[Loiulon, 1787.] fol. H. 345. (10.)
Ola dico. [Quartett.] Sung by Signoras
Storace & Sestini, Signers Morelli &
Morigi, etc. [Full Score.]
Longman <£ Broderip :
[Loiuloti, 1787.] fol. G. 197. (15.)
Piche cornacchie e nottole. [Duet.]
Sung by Sig" Storace & Sig' IMorelll, etc.
[Full Score.] Longman £ Broderip :
[London, 1787.] fol. G. 197. (4.)
Te, Dianina tu servi. Quartetto iu the
Second .\ct, etc. [Full Score.]
Longman and Broderip :
[London, 1787.] fol. G. 197. (14.)
La Serva Padrona.
Lo conosco a quegli occhietto. A Favorite
Duett, as sung by Mad'" Banti & Sig'
Morelli, e^c. [Full Score.] Printed for
R.Birchall: London , [IIM.-] fol.
H. 2815. c. (37.)
Sismano nel Mogole.
Or che il cielo a me ti rende. Rondo. . .
Per la Sig'" Anna Deamicis nel Sismano
in Milano il Carnovale dell' Anno 1773.
[Full Score.]
I. Alessandri e P. Scataglia : Yenezia,
[1775 ■?] obi. fol. E. 270. d. (5.)
I Zingari in Fiera.
Pandolfetto graziosetto, a favorite Duett.
Sung by Sig'' Morelli & Sig" Storace, etc.
[Full Score.] Printed for J. Dale :
London, [1793.] fol. G. 198. (14.)
[Another edition.] Pandolfetto graziosetto
. . . Duett. Sung by Sig' :Morelli & Sig"-''
Bolla, etc. R. Birchall : London,
[1795?] fol. H. 2820. (11.)
238
PAISIELLO
PAISIELLO (Giovanni) Ti riverisco, a
favorite Air sung by Sig"' Storace, etc.
[Full Score.] Printed for J. Dale :
London, [1793.] fol. G. 199. (24.)
This is the Soprano part from the trio
' Vi riverisco.''
Vi riverisco. A favorite Trio sung by Sig"
Storace, Mr. Kellv& Signor Rovedino, etc.
[Full Score.] ' B. Birchall : London,
[1795?] fol. G. 806. f. (66.)
[For songs, &c., published anonymously :]
See ZiNGAEI IN PlEHA.
2. Miscellaneous Vocal Woeks.
La Liberia e Palinodia. Twenty Four
Duetts in Four Books for Two Voices with
a Thorough Bass, etc. D. Motta & Ball :
London, [1794 ?] obi. fol. D. 370. (9.)
Scendi propizia. Metastasio's celebrated
Hymn to Venus. [Duet.] Loyigman and
Brodcrip : London, \Yi9b'>] fol.
G. 809. b. (57.)
Tu peusi al mio riposo. A Favorite
Italian Cantata, etc. [Full Score.]
Longman and Broderip : London,
[1795?] fol. G. 424. a. (31.)
Tu sai che amaute son io. [Song. Full
Score.] G. Goulding : London,
[1799?] fol. G. 811. (20.)
Periodical Italian Song, No. 19.
Whither luy Love, ah ! whither art thou
gone ? [Song.] Sung by Signora Storace
in the Haunted Tower, etc. Longman
and Broderip : [London, 1790 ?] fol.
H. 1994. d. (48.)
3. Instrumental and Theoretical
Works.
Twelve Capriccios and Rondos for the
Piano Forte or Harpsichord with an
Accompanyment for the Violin, Composed
for the Grand Dutchess of all the Rus-
sians, etc. [Separate Parts.] Longman
and Broderip : London, [ll'dQ'>] fol.
g. 161. e. (9.)
Regole per bene accompagnare il Parti-
mento, o sia il Basso Fondameutale sopra
il Cembalo. Ui-'Kiininid m, Tinio/piii/iiii
Miipci;<ii(i iii.iii.n'iiiiKiio hdoniifhd/o h'dpinjen :
(S. Pictroburgo,) 1782. ohl. fol. e. 360.
An Original & Favorite Rondo for the
Piano Forte, with an Accompaniment for
the Violin ad libitum. No. 1. T.Skillern:
London, [11^0 r\ fol. g. 144. (8.)
A Favorite Sonata for the Piano Forte.
[1801.] Se<? Periodical Publications. -
London. The Piano - Forte Magazine.
Vol. XV. [No. 4.] [1797-1802.] 8".
D. 854.
PAISIELLO (Giovanni)
4. Appendix.
See CoRFE (Joseph). A Third Set of
Twelve Glees . . . arranged from the Melo-
dies of. . .Paisiello, f^c. [1800?] oW. fol.
E. 317.
See Feast of Apollo. The Feast of
Apollo, containing Lessons . . . and . . .
Songs by. . .Paisello, ffc. [1788.1 fol.
G. 351. (2.)
See Sampieri (N.) A Collection of Songs
. . .by. . .Paisiello, etc. [1795 ?] obi. fol.
E. 600. z. (8.)
See Shield (W.) The Midnight
Wanderers . . . composed by [or rather
selected from] Paisiello, etc. [1793.]
obi. fol. D. 287. (3.)
See Shield (W.) Netley Abbey. A
Comic Opera. . .partly Selected and partly
Composed bv. . .Paisiello, etc. [1794.]
obi. fol. ' D. 287. (4.)
5. Index.
A me tutte le belle.
See [La Modista Baggiratrice.]
A morir se mi condanna.
See [Monte.- mna.]
Abbracciami, O sposo. See [Elfrida.]
Ah chi sa. See [II Barbierc di Siviglia.]
Ascoltate vi diro. See [La Molinara.'}
Belle Rosine, vous que j 'implore.
See [II Barbierc di Siviglia. Super
bramate.]
Che a parte mi vuoi crudele.
See [Elfrida.]
Chi mi mostra.
See [Gli Schiavi per Amcyre.]
Credi la mia ferita. See [Elfrida.]
Dans I'instaut a sa fenetre.
See [Tl Barbierc di Siviglia. Ecco V ora
.s' avicina.]
Dans la saison nouvelle.
See [II Barbicre di Siviglia. Gid riede
primavera.]
Dite in grazia mio Signore.
See [La Molinara.]
Donne care. See [La, Locanda.]
Dove ridotta sono.
See [Gli Schiavi per Amore.]
For tenderness form'd. See [II Barbierc
di Siviglia. Saper bramate.]
II mio garzone il pifaro.
See [La Molinara.]
L'Infante de Zamora.
See [La Frascatana.]
Lo conosco a quegli occhietto.
See [La Serva Padrona.]
Lo tuovai per accidente.
See [La Locanda.]
PAISIELLO— PALESTRINA
239
PAISIELLO (Giovanni) INIustafa di
Ti-abisonda.
See [La Locaiida.j
Nel cor pin non mi sento.
See [La Molinara.]
Non lo voglio non lo prendo.
See [La Locanda.]
O il mio caro puppazzetto.
See [La Molinara.j
Ola dico. See [Gli Schiavi per Amove.']
Or che il cielo a me ti rende.
See [Sismano nel Mogole.]
Pandolfetto graziosetto.
See [I Zingari in Fiera.']
Parto non dubitate. See [La Locanda.]
La Pazza per Amore. See [Nma.]
Per marito ad un notaro.
See [La Molinara.]
Per marito vossiguoria.
See [La Molinara.]
Piche cornacchie e nottole.
See [Gli Schiavi j^er Amore.]
Qua si trova dir dovrete.
See [La Locanda.]
Quando vien lo sposo avauti.
See [La Locanda.]
Questo vago giovinetto.
Sec [La Locanda.]
La Rachelina molinarina.
Sec [La Molinara.]
Rassereni amico amore. See [Elfrida.]
Saper bramate.
See [II Barbicrc di Siviglia.]
Saria bella il niaritarsi.
See [La Locanda.]
Signorino, a parlar schietto.
See [La Locanda.]
Te, Dianina tu servi.
See [Gli Schiavi per Amove.]
Ti riverisco. See [I Zingavi in Fiera.]
Tutto da vol dipende.
Sec [La Locanda.]
Vi riverisco. See [I Zingari in Fieva.]
Voi tornate a questo seno.
See [La Locanda.]
Vous I'ordonnez.
See [II Barbiere di Siviglia. Saper
bramate.]
PAISSEZ. Paisses petits moutons. Les
Petits Moutons. Ariette [words] de
RPFerav. [Pa/is, 1775?] 8°.
B. 362. e. (49.)
[Another edition.] Paisses petits Moutons.
Chanson Nouvelle. [Paris, 1775 ?] 8°.
B. 362. b. (21.)
PAIX DE L'OPERA. La Paix de
r Opera, on Parallele impartial de la Mu-
sique fran(,'oise et de la Musique itali-
enne. [From F. Raguenet's ' Parallele
des Italiens et des Francois,' etc.]
Amsterdam, 1753. 12'. 1103. a. 11. (7.)
PAIXAO RIBEIRO (Manoel da) Nova
Arte de Viola. . .Dividida em Duas Partes
. . . Com Estampas das posturas . . . e com
alguns INIinuettes, e Modinlias por INIusica,
e por Cifra, etc.
Na Real Officina da Universidade :
Coimbra, 1789. 8°. 7898. k. 19.
TALiMMON. Palremon and Pastora.
Song. Sec Boyce (W.)
Palcemon loved Pastora. [Song, tbi;
music by J. Baildon.] ^Londo)i,
1760?] s.sh.tol. G. 305. (78*.)
PAL ALA. Palala suma nootka gunza.
Glee. Sec Biggs (E. S.)
PALAZZOTTO E TAGLIAVIA
(Gioseppe) ]Madrigali ... a Cinque Voci.
Libro Secondo. Canto. (Alto.) (Tenore.)
(Basso.) (Quinto.) 5 pts.
Ajypresso G. B. Marinqu :
Palermo, 1G20. 4". K. 3. k.' 2.
This tvork contains a madrigal by Gio.
Battista Fossato.
PALESTRINA (Giovanni PIER-
LUIGI DA) Cantica Salomonis Quinque
Vocum . . .Liber Quartus. Cantus (Altus)
(Tenor) (Bassus) (Quintus) (Bassus ad
Organum). G pts. ^re BartJiolomei
Magni : Venetiis, 1613. i°. D. 205. e.
[loannis Petri Aloysii Praenestini . . .
Hymni Totius Anni, Secundum Sancta-
Romance Ecclesise consuetudinem, Quat-
tuor Vocibus concinendi, nee non Hymni
Religionum, etc.] [Ajmd lacohiiin
Tornerium, & Bernardinum Donangelum }
[Excudebat Franciscus Coattinus): Ramae.
1589. fol. K. 9. a. 3.
Imperfect, umnting the title-page and fol.
All, irhich have been snpplied in MS.
loannis Petraloysii Praenestini. . .Hymni
Totius Anni Secundum S. Romanae Eccle-
siae consuetudinem, quattuor quinque,
and sex vocibus concinendi, Necnon
Hymni religionum, nunc denuo impressi.
Bassus. Apud Hnrcdem Hioonijmi Scoti :
Venetiis, 1590. 4". D. 205. k.
The pagination is very irregular. Fol.
Cc 3 and Kk 4 ai-e mutilaied.
loan. Petri Aloysii Palestinae Lamenta-
tionum Hieremiae Prophetae Liber
Primus, etc. Bassus. Apud Alexandrum
Gardannm : Romae, 1588. 4^ D. 205. j.
II Primo Libro de Madrigali a Quattro
Voci . . . Di nuouo ristampato, et da M.
Claudio "Merulo da Correggio con ogni
diligenza corretto. Canto. Presso Giorgio
Angelieri : Venetia, 1574. obi. 4°. A. 343.
240
PALESTRINA
PALESTRINA (Giovanni PIER-
IjUIGI DA) II Piimo Libro de JIadrigali
a Cinque Voci . . . Nouamente composti
& dati in luce. Canto. Angela Gardano :
Vcnetia, 1581. 4". D. 205. b.
Di Giouanni Petraloysio da Palestiua il
Secondo Libro de ^Nladrigali a Qnattro
Voci. Nouamente posto in luce, etc.
Canto. (Alto.) (Tenore.) (Basso.) 4 pts.
Appresso V Heredc di Girolamo Scotto :
Vinegia, 1586. 4". D. 205. h.
Messe a Quattro Voci, le tre Prime del
Palestina, cioe, Iste Confessor, Sine
Nomine, & di Papa jMarcello, ridotta a
quattro da G. F. Anerio, & la Quarta della
Battaglia, dell' istesso G. F. Anerio. Con
il Basso continuo per sonare, Et di nuouo
Bicorrette. Canto. Per Paolo Masotti :
Roma, 1635. 4". D. 205. f.
Messe a quattro Voci, le Tre Prime del
Palestina, cioe, Iste Confessor, Sine
Nomine, et di Papa MarceUo, ridotte a
quattro da G. F. Anerio, e la quarta della
Battaglia, dell' istesso G. F. Anerio. Con
il Basso continuo per sonare. E di nuouo
in quest' ultima impressione emendate.
Canto. (Basso.) 2 pts. Per Andrea Fei :
Boma, 1639. 4". D. 205. g.
loannis Petri Loysij Praenestini . . . Mis-
sarum Liber Primus.
Impressum apud Hercdes Aloysij dorici :
Romse, 1572. fol. K. 9. a. 6.
[Another co^jy.] K. 9. a. 5.
Imperfect, loanting fol. F 1.
Joanuis Petri Aloysi Praenestini Missarum
liber secundus. Apud Haeredes Valerii e
Aloijsii doricorum fratrum Brixiensium :
Bomae, 1567. fol. K. 9. a. 7.
Fol. Fi-in, Fri, and Gl-in are damaged
and mutilated, but have been restored
in manuscript. On the verso of the
last leaf (a blank) a four-part setting
of the Besponse ' Libera me ' is
loritten.
[Missarum Liber Tertius. Missa L'bomuiG
arme.] See Zacconi (L.) Pratica di
Musica . . . Diuisa in Quattro Libri. Nei
quali si . . . dichiara tutta la Messa del
Palestina titolo Lome Arme, etc. 1592. fol.
786. 1. 43.
lo. Petrialoysii Praenestini Missarum cum
Quatuor et Quinque Vocibus, Liber
Quartus. Nunc denuo in lucem a?ditus.
Altus (Tenor) (Bassus) (Quintus). 4 pts.
Apud Angelum Gardanum :
Venetiis, 1582. 4". D. 205. d.
[loannis Petraloysii Praenestini . . Missa-
rum quatuor, quinque ac sex vocibus
concinendarum Liber Quintus, nunc denuo
in lucem editus.j [Sumptibiis Jacobi
Berichiii', apud Franciscum Coattinum :
Bomn', 1590.] fol. K. 9. a. 4.
Imperfect ; tvanting fol. A-Aii.
PALESTRINA (Giovanni PIER-
LUIGI DA) Missae Quinque Quatuor
ac Quinque Vocibus Coneinendae. . .Liber
Septimus, etc. Cantus. (Altus.) (Tenor.)
(Bassus.) (Quintus.) 5 pts. Apud
Franciscum Coattinum : Bomae, 1594. 4".
D. 205. i.
Liber Primus loannis Petraloisii Praenes-
tini Mottettorum. Quaj partim quinis,
partim senis, partim septenis vocibus,
concinantur. Cantus. Aiy^id
hurcdes Valerij, & Aloisii Doricorum :
Bomie, 1569. 4". D. 205. (1.)
Liber Primus. . .Motectorum quae jpartim
Quinis, partim Senis, partim Septenis
vocibus concinantur. Sextus.
Apud Anqdum Gardanum :
Yenetijs, 1590. 4°. ' D. 205. o.
loan. Petraloysii Praenestini Motectorum
quee Partim Quinis, Partim Senis, Partim
Septenis vocibus concinantur. Liber
Primus. Tenor.
Apud Heredem Hieronymi Scott i :
Venetiis, 1600. 4°. D. 205. c.
lobamais Petraloysii Prsenestiui ^lotet-
torum quae partim Quinis, partim senis,
partim octouis vocibus concinantur. Liber
Secundus. Nunc denuo in lucem sditus,
etc. Cantus. Apud Hieronymum Scotum :
Venetiis, 1573. 4°. D. 205. (2.)
Imperfect, loanting the second ixirt of
' Confitebor tibi Doviinc,'' and the last
three motets. This volume contains
motets by Angelo and Bodolfo da
Palestrina, and tioo hy Sylla da
Palesti'ina.
loannis Petraloysii Praenestini, Motet-
torum, quae partim quinis, partim senis,
partim octonibus vocibus concinantur,
Liber Secundus. Nunc denuo in lucem
editus, etc. Tenor. Apud Heredem
Hieronymi Scoti : Venetiis, 1588. 4".
D. 205. m.
Liber Secundus . . . Motectorum quae
partim Quinis, partim Senis, partim
Octonis Vocibus concinantur. Sextus.
Apud Angelum Gardanum :
Venetijs, 1594. 4°. D. 205. p.
lohannis Petraloysii Praenestini Motet-
torum quae iJartim Quinis, partim senis,
partim octonis vocibus concinantur, Liber
Tertius. Nunc primum in lucem jeditus,
etc. Cantus (Altus) (Tenor) (Bassus)
(Quintus) (Sextus). 6 pts.
Ajnid Hacredcm Hieronymi Scoti :
Venetiis, 1575. 4". D. 205. a.
Liber Tertius . . . Motectorum quae partim
Quinis, partim Senis, partim Octonis
vocibus concinuntur. Sextus.
Apud Angelum Gardanum :
Venetijs, 1594. 4°. D. 205. g.
PALESTRINA— PALMA
241
PALESTRINA (Giovanni PIER-
LUIGI DA) loau: Petraloysii Praenes-
tini ^lotettorum Quatuor Vocibus Partim
Plena Voce, Et partim Paribus Vocibus.
Liber Secundus. Nunc denuo in lucem
seditus. Cantus (Altus) (Bassus). 3 pts.
Apml Angelum Gardanum :
Venetijs, 1596. obi. 4^ A. 343. a.
Offertoria Totius Anni. . .Quinque vocibus
concinenda. . .Pars Prima, etc. Cantus.
(Tenor.) (Quintus.) (Pars Secunda. . .
Cantus. (Tenor.) (Quintus.).) 6 pts.
Apud Franciscum Coattinum :
Romae, 1593. 4°. D. 205. n.
Ofiert[oria] Totius [Anni] . . . Quinque
vocibus concinenda . . . nunc denuo in
lucem aedita. Pars Prima. Bassus.
Apud Angelum [^Gardanum .•]
Venetijs, 1593. 4". D. 205. 1.
The first and last leaves are mutilated.
Offertoria Totius Anni . . . Quinque vocibus
concinenda. . .Pars Prima. Bassus.
Apiul Angelum Gardanum :
Venetijs, 1594. 4». D. 205. r.
Offertoria Totius Anni . . . Quinque Vocibus
concinenda . . . Nunc denuo in lucem sedita.
Pars Secunda. Bassus.
Apud Angelum Gardanum :
Venetijs, 1596. 4^ D. 205. s.
See BuRNEY (C.) La Musica che si canta
. . . nelle Funzioni della Settimana Santa
. . .Composta dal Palestrina, etc.
[1790?] fol. H. 790.
See Gardano (Augelo) Musica di Tredici
Autori. . .Nella quale si coutengono . . .
Madrigali . . . delli infrascritti Autori...
Gianetto Palestiua, etc. 1589. 4".
K. 3. g. 11.
Sec ]MusE. Secondo Libro delle Muse, a
Quattro Voci. ^ladrigali Ariosi . . . con
Doe Canzoni di Giannetto [da Palestrina],
etc. 1558. obi. 4" A. 346. e.
See Pane (D. dal) Messe . . . estratte da
csquisiti Motetti del Palestrina, etc.
1687. fol. K. 9. a. 13.
See Prima Stella. Prima Stella. De
Madrigali . . . di . . . Zanetto di Palestina,
etc. 1570. 4'. D. 13.
See Rore (C. de) Di Cipriano di Rore il
Secondo Libro de ^Madrigali a Quatro
Voci, Con una Canzon di Gianetto
rPalestrina] ; sopra di Pace non trouo, etc.
i571. obi. 4". A. 70. n. (2.)
PALLADIUS (David) Ein newe Lied
dem Hochwirdeu in Gott. . . Herrn Hin-
rico Julio. . .Und der loblicheu . . . Stad
Brunswig zu Ehren. . .gemacht, vnd in
sechsstimmige Harmonic verfasset, etc.
Discantus. (Tenor.) (Bassus.) (DieFiinffte
(Sechste) Stimme.) 5 pts. Bey Johan :
Francken : Magdeburg, 1590. obi. 4°.
A. 308.
VOL. II.
PALLADIUS (David) Nuptiales Canti-
ones, Quatuor, Quinque, Sex et Septem
Vocibus compositse, etc. Discautus.
(Altus.) (Tenor.) (Bassus.) (Quinta Vox.)
5 pts. Excusx typis
Matthaei Welaci : hnpensis Johannis
Francken: Witebergx, 1590. obi. 4°.
A. 308. a.
PALLAVICINO (Benedetto) Di
Benedetto Pallavicino ^ladrigali a Cinque
Voci. Di nouo Stampati & Corretti.
Tenore. (Basso.) 2 pts.
Appresso Pietro Phalesio :
Anuersa, 1604. obi. 4". A. 305. a.
Di Benedetto Pallavicino II Secondo Libro
de Madrigali a Cinque Voci. Nouamente
Ristampato, & corretto. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) 5 pts.
Appresso Alessando [sic] Rauerij :
Venetia, 1606. 4". D. 22. a.
Di Benedetto Pallavicino ... II Quarto
Libro de 3Iadrigali a Cinque Voci
Nouamente Ristampato. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) 5 pts.
Appresso Angela Gardano :
Voietia, 1596. obi. 4". A. 305.
Di Benedetto Pallavicino II Quinto Libro
de' ^Madrigali a Cinque Voci. Di nuouo
Ristampati, etc. Canto.
Appresso Giacoiyw Vincent I :
Venetia, 1597. 4°. D. 22.
Di Benedetto Pallavicino. . .Madrigali a
Sei Voci nouamente stampati. Tenore.
Appresso Pietro Plialesio :
Anmrsa, 1606. obi. 4". A. 305. b
Sacrae Dei Laudes. Octo, et una
Duodecim, duae vero sexdecim vocibus
concinendae, ac omnium istrumentorum
gener^' accomodate. Adite etiam infimse
partes pro Organo continuato, etc. Chorus
Primus. Cantus. (Altus.) (Tenor.)
(Bassus.) (Chorus Secundus. Cantus.
(Altus.) (Tenor.) (Bassus.)) (Partes
Infiniie pro Organo Continuato, efc.) 9 pts.
Ainid Ricciardum Amadimim :
Venetijs, 1605. 4°. D. 22. b.
PALIiAVICIISrO (Carlo) [D Nercne.]
Per non vivere geloso. Air, etc.
[Paris, 1679.] s. sh. obi. 4". P.P. 4482.
Nouveau Mercure Galant, April, 1679,
p. 67.
Per non vivere geloso.
Sec supra : [II Nerone.']
PALMA. Palma ou le Voyage en Grece.
Opera. See Plantade (C. H.)
PALMA (FiLiPPo) Adieu ye Streams that
smoothly flow. A New Song. [London,
1750 ?] s. sh. fol. I. 530. (126.)
Sei Arie con Istromenti.
Londra, 1749. obi. fol.
.Opera Terza.
F. 15.
24 ii
PALMA— PAPESSE
PALMA (FiLii'PO) Sei Ai'ie con Istro-
menti . . . Opora Quarta.
Printed for J. Johnson :
Londra, 1752. obi. fol. " D. 354.
Child of the summei', charming rose. Ode
from Casimirc, in Mr. Hervey's IMedita-
tious. Vol. I., etc. [London, 1748.] 8".
249. c. 18.
Gentleman's Magazine, Vol. XVIII., p.
569.
Shepherds would j-ou hope to j)lease us.
Aria, etc. [Lo7ido«, 1760?] fol.
G. 311. (47.)
Six Solos for the Harpsicord Violin and
German Flute, As also a Song call'd
Simplicetta Tortorella.
Richard Cooper, for the Author :
Edinburgh, [1740?] obi. fol. e. 16.
Six Italian Songs with their accompani-
ments, etc. Printed for the Author :
London, [1745 ?] obi. fol. " D. 354. a.
PALMIRA. Palmira. [Opera.]
See Salieri (A.)
PALPITO. UnPalpitoatroce. Duettino.
See CniAROSA (D.) [Le Astuzic Femminili.']
PALSCHAU (JoHANS Gottfried)
Concerto i. (ii.) per il Cembalo Concertato
accompagnato da Due Violini, Violetta e
Basso, etc. 2 N"'. [Separate Parts.]
Presso G. F. Hartknoch : Riga, 1771. fol.
i. 75.
PAMMELIA. Pammelia. i\Iusicks Mis-
cellanie. Or Slixed Varietie of Pleasant
Roundelayes, and delightfuU Catches, of
3. 4. 5. 6. 7. 8. 9. 10. Parts in one. None
so ordinarie as musicall, none so musical,
as not to all, very pleasing and acceptable.
[Collected by Thomas Ravenscroft.]
William Barley, for R. B. and H. W. :
London, 1609. 4°. K. 1. e. 9.
This copy contains several catches, dc,
by Hilton, Nelham, Cranford, d'c, in
a contemporary handwriting.
Pammelia. Musickes Miscellanie, etc.
T. Snodham,for M. Lownes and I. Broiune :
London, 1618. 4". K. 3. k. 3.
PAN ET DORIS. Pan et Doris.
Pastorale heroique. See Moueet (J. J.)
PANDOLPETTO. Pandolfetto grazio-
setto. Duett.
See Paisiello (G.) [I Zingari in Fiera.]
PANE (DoMENico dal) Alto (Tenore)
(Basso) (Quinto) (Basso Continuo,se place)
del Secoudo Libro de' jMadrigali a Cinque
Voci . . . Opera Quarta. 5 pts. Nella
Stamperia del Successoi'' al Mascardi :
Roma, 1678. 4°. D. 150.
Messe ... a Quattro, Cinque, Sei & Otto
Voci, Estratte da esquisiti IMottetti del
Pelestrina. . .Opera Quinta.
Per il Mascardi : Rovia, 1687. fol.
K. 9. a. 13.
PANGS. The Pangs of Forsaken Love.
[Song.] See Gbeene (M.)
PANNOCHIESCHI (Marcello)
See Kapsberger (J. H.) Libro Quarto di
Villanelle. . .Raccolte dal Signer Marcello
Panuochieschi, etc. 1623. fol.
K. 8. h. 9. (4.)
PANORMO (Francesco) Three Duets
for Two Violins, etc. Op. 2. [Separate
Parts.] Printed for R. Wornum :
London, [1795 ?] fol. g. 421. b. (6.)
[Another copy.] g. 421. r. (9.)
PANTHEA. Panthea. Song.
See Weldon (J.)
PANTHEON. The Pantheon, let's go.
Catch [for 3 voices]. As Perform'd at the
Pantheon Masquerade, etc.
P. H{pdgson : London, 1780?] s. sh. fol.
G. 308. (156.)
The Pantheon. [Song.]
See Pensive. Pensive Phillis lonely
straying. [1775?] s. sh. iol
H. 1980. (83.)
PANTOUFLE. La Pantoufle. [Song.]
See Ca. Ca me fait bien du mal.
[1780?] 8°. B. 362. (121.)
PANURGE DANS L'ISLE DES
LANTERNES. Panurge dans I'lsle
des Lantornes. Com6die lirique.
See Gretry (A. E. M.)
PAOLUCCI (Giuseppe) Arte Practica
di Contrappunto dimostrata con Esempj
di varj Autori e con Osservazioui. 3 Tom.
Per Antonio di Castro :
Venezia, 1765-72. 4". 7895. f. 35.
[Another copy.] 2 Tom. 786. 1. 27.
Preces Octo Vocibus concinendae in
Oratione Quadraginta Horarum, etc.
Cantus (Altus) (Tenor) (Bassus) Primi
(Secundi) Chori. 8 pts. Apud Antoninm
de Castro : Venetiis, 1767. 4°. E. 380.
PAPAVOINE ( ) M''"". Nous voici
done au jour del'au. Etrennes. (Chanson.)
\_Paris,^, 1755. s. sh. 8». 298. c. 22.
Mercure de France, Jan., 1755.
Reviens, aimable Themire. Chanson.
Les Parolles de M"<^ B * *. Gravee par
MCharpentif. Imprimi p)ar Tourncllc :
[Paris,] 1761. s. sh. 8°. 297. d. 29.
Mercure de France, May, 1761.
Vous fuyez sans vouloir m'entendre.
Chanson. Les paroles de jM"" de B.
Tournelle : [Paris,] 1756. s. sh. 8".
297. d. 2.
Mercure de France, July, 1756.
PAPESSE JEANNE. Je viens devant
vous. Air de la Papesse Jeanne. [Vaude-
ville, by F. P. A. Leger] . . . Avec Accom-
pagnement de Guitare. Chez Imhault :
Paris, [1793.] 8". B. 362. c. (48.)
PAPESSE— PARATAIO
243
PAPESSE JEANNE. Pourquoi faire
un pareil 6clat ? Air dc la Fapesse Jeanne
[Vaudeville, by F. P. A. Leger] : Avec
Accompaguement de Guitarre.
Chez Imhault :
Paris, [1793.] 8". B. 362. h. (26.)
PAPHI AN DOVES. The Paphian Doves,
a New Book of Kisses ; set for the Harpsi-
chord or Piano Forte with an Accompany-
raent for the Violin, and Transpositions
for the German-Flute and Guittar. The
Songs & Music ... by different Ingenious
Masters [i.e. J. B. Adams and T. Smart].
A New Edition. Printed for A. Portal :
London, [1185?] fol. G. 805. k. (14.)
PAPILLON. Le Papillou. Idille.
See Dellain (C. H.)
Papillou. [Song.] See Guillon (H. C.)
Un papillon badin caressoit une rose.
Chanson. See Rousseau (J. J.)
Papillon inconstant. Le Papillon. Chan-
son. Grav^e par Lahassi^e. hnprimi par
Tournelle : [Paris,] 1757. s. sh. S'\
297. d. 6.
Mercurc de France, March, 1757.
PAPIUS (Andkeas) And. Papii Gaudensis
de Cousonantiis, seu pro Diatessaron
Libri Duo. Ex officina Christophori
Plantini : A ntuerpi^, 1581. 8'\
1042. e. 6.
PAR. Par devant la cour de Cith^re. Lc
Pouvoir dn Sentiment. [Song.] Air.
Laisons les amans. [Paris, 1785 ?] 8".
B. 362. e. (1.)
Par le malheur entraines. [Song.]
See Vendakgeurs.
Par le plus charmant des aveux. Le Bon-
heur d'etre aime. Chanson.
[Paris,] 1750. s. sh. 4". 298. c. 1.
Mcrcure de France, Nov., 1750.
Par pitie daignez vous rendre. Ariette
Nmivelle. [Paris, 1780 ?] 8".
B. 362. b. (75.)
Par un charme invincible et doux.
Madrigal. SeeC*** , M"-.
Par vos talens et vos charmes. Air.
See Ajax.
Par votre example et vos discours. [Song.]
See Heureuse Decade.
PARABOSCO (GiEOLAMO) :iladrigali a
Cinque voci, etc. Bassus. Appresso di
Antonio Gardane : Venetia, 1546. obi. 4".
K. 3. f. 1.
PARADIES (PiETRO Domesico) A
Favorite Concerto for the Organ or
Harpsichord with Instrumental Parts,
etc. Welcker : London, [1170?] fol.
h. 1480. X. (24.)
Wanting the accompaniments.
PARADIES (PiETRO DoMENico) Paradies'
Celebrated Concerto, for the Piano Forte.
[1798.] See Periodical Publications.—
London. The Piano-Forte Magazine,
Vol. III. No. 13. [1797-1802.] 8".
D. 854.
[Fetonte.] The Favourite Songs in the
Opera call'd Phaeton. [Words by F.
Vaneschi.] Printed for I. Walsh:
London, [1747.] fol. " G. 194. (4.)
La Forza dell' Amore. [A Pasticcio,
chiefly by P. D. Paradies.] ^sVe Delizie.
Le Delizie dell' Opere, etc. Vol. VI.
[1776.] fol. G. 159.
A Favourite Minuet with Variations.
[1797.] See Periodical Publications. —
London. The Piano - Forte Magazine.
Vol. II. No. 0. [1797-1802.] 8°.
D. 854.
Phaeton. See supra : [Fetonte.]
Sonate di Gravicembalo dedicate a... la
Principessa Augusta, etc. Welcker :
Lotidon, [1160?] fol. h. 60. a. (3.)
[Sonate di Gravicembalo.] XII. Sonates
pour le Clavecin, etc.
Grave' par le S'' Hue. Chez M' Le Clerc :
Paris, [1765 ?] fol. h. 58. a.
Sonate di Gravicembalo, etc.
! Preston (& Son : London, [11^?] fol.
h. 58.
A reprint of Welcker' s edition.
See Love in a Village. Love in a Village.
A Comic Opera. . .The Music by Handel,
. . .Paradies, etc. [1703 ?] ohl. fol.
D. 269.
PARADIS (]\Iabia Theresia) Deutsches
]\Ionument Ludwigs des Ungliicklichen,
von J. Riedinger. . .in Klavierund Gesang
gesetzt, etc. [Cantata.]
Li der von ScJioenfeldiscJien Handlung :
Wien und Prag, 1793. obi. fol.
E. 46. a.
G. A. Biirgers Lenore, etc. [Cantata.]
Wien. 1790. obi. fol. ' E. 46.
PARADISE LOST. Paradise Lost. An
Oratorio. SV*; Smith (J. C.)
PARADISISCHES WUNDER-
SPIEL. Paradisisches Wunder-Spiel.
^Hymns.] See Friedsamer.
PARAMOUR. The Paramour. [Song.]
See Come. Come, fair one, and rove thro'
the Vale, etc. [By J. Dunn.]
[1750 ?] s. sh. fol. G. 305. (65.)
PARATAIO. La Pipee, Comedie en deux
actes . . . melee d'Ariettes. Traduction
libre de I'lntermede Italien II Paratajo.
Representee pour la premiere fois. . .le. . .
19 -Janvier 175G, etc. (Airs choisis de La
Pipee, etc.) [By N. Jomelli.] 2 pts.
Che- Duchesne : Paris, 1756. 8".
86. b. 15.
R 2
2U
PARCOUREZ— PARODIES
PARCOUREZ. Parcourez les Cieux
desormais. Vaudeville.
See Marchand d'Esclaves.
PARDONNE. Pardonne a ses laches
Combats. Air. See ChimI:ne.
PARDONNEZ. Pardonnez mon coeur
vous offence. Ariette. See Chimene.
PARENT. The parent Bird whose little
Nest. Paternal Love. [Song, words attri-
buted to Mary Goldsmith, music by J. F.
Lampe.l [London, 1745 ?] s. sh. fol.
^ H. 1994. b. (64.)
[Another edition.] The Parent Bird
whose little Nest. .4 Neiv Song.
[London, 1745 ?] s. sh. fol.
G. 305. (240.)
The Parent Bird. Song.
,s:ee Lampe (J. P.)
PARFAIT. Le Parfait Amour, ou I'Amant
satisfait. [Song.] See Amoub. Amour
ie suis soumis a ta puissance, etc.
[1785?] 8". B. 362. c. (26.)
Le Parfait Biberon. Chanson.
See Le Coq ( ) of Arras.
PARIDE ED ELENA. Paride ed
Elena. Dramma per ^Musica.
See Gluck (C. W. von)
PARIS. Paris dans une Bouteille. [Song.]
^'ee Des. Des Pointus I'estimible auteur,
etc. [1785?] 8". B. 362. (250.)
Paris Gazett, say. The Paris Gazetteer.
A Dialogue between y English & Paris
Gazett. [To the tune of ' Pretty Poll,' by
J. Freeman.] [London, 1106?] s. sh. iol.
H. 1601. (373.)
Paris va revoir dans ses murs. Vaudeville.
See Gillier (J. C.) [L' Europe ct la Paix.]
PARISIEN. Lettre d'uu Parisien [i.e.
— Robineau]. Contenant quelques re-
flexions sur celle de ]\I. Rousseau.
Chez Philantrope : France, 1154:. 8".
1103. b. 22. (3.)
PARISOT ( ) See Spencer (J.) Parisot's
Hornpipe. Arranged ... by J. Spencer.
[1800?] fol. g. 139. (41.)
PARK (Maria Hester) A Concerto for
the Piano Forte or Harpsichord. . .Op. vi.
B. Birchall, for the Author :
[London, 1795 ?] fol. g. 543. u. (14.)
A Set of Glees . . . with the Dirge in Cym-
beline. . .Op. 3.
Birchall d Andrews, for the Author :
London, [1790 ?] obi. fol. E. 207. e. (5.)
Two Sonatas for the Piano Forte or
Harpsichord. . .Op. iv.
Longman d Broderip, for the Author :
London, [1794:?} fol. g. 145. (9.)
A Sonata for the Piano Forte . . . Op. vii.
L. Lavenu, for the Author :
London, [1196?] fol. g. 543. u. (15.)
PARK (Maria Hester) Two Sonatas for
the Piano-Forte, with an Accompaniment
for a Violin. . .Op. 13. B. Birchall :
London, [1800?] fol. g. 421. u. (8.)
PARKE (M. F.) Miss. I have often been
told and began to believe. [Song.] Sung
by Miss Newman at Vauxhall. The Words
by the Rev* SP Newman. [Full Score.]
Longman and Brodcrip :
[London, 1797 ?] fol. H. 1653. (40.)
Three Grand Sonatas for the Piano Forte
...Op. I'"'.
Broderip d Wilkinson, for the Author :
London, [1800 ?] fol. ' g. 145. (8.)
PARKE (William Thomas) Three Duetts
for two German Flutes, etc. [Separate
Parts.]
Longman and Broderip, for the Author :
[London, 1793 ?] fol. g. 225. (9.)
A Second Sett of Three Duetts for Two
German Flutes, etc.
Loncjman and Broderip) :
London, [1794 ?] fol. g. 225. (8.)
In Love, soft Illusion. A Favorite Song,
sung by Mrs. Martyr in the Comic Opera
[by S. Arnold] of the Castle of Andalusia.
Longman and Broderip :
[London, 119Q?] fol. G. 249. (28.)
The Indian's Complaint in Captivity . . .
[Song,] the Words by P. Pindar.
Printed for G. Gouklinq :
London, [1790 ?] fol. H. 1994. d. (49.)
A Second Sett of Three Solos, for the
German Flute. With a Figur'd Bass for
the Piano Forte or Violoncello. . .Op. 8.
T.Fentum: London, [ISOO?] fol.
g. 70. b. (12.)
See Dalaybac (N.) [Nina.] The Favorite
Musical Entertainment of Nina. . .adapted
to English Words by W. Parke.
[1787.] ohl. fol. E. 100. (4.)
See Shield (W.) Netley Abbey. A Comic
Opera . . . partly Selected and partly Com-
posed by. . .Parke, etc. [1794.] ohl. fol.
^ ^ r>. 287. (4.)
PARLIAMENT. The Parliament Man.
[Song.] See Ye. Ye Quid-nuncs & Politic
Asses, eic. [1780?] s. sh. io\.
G. 314. (91.)
PARLIAMENTEERING. Parliament-
eering. Song. See Hook (J.)
PARMI. Parmi la Soixantaine. Ariette.
Sec Voyage de Rosine.
Parmi nous la simple nature. Vaudeville.
See DAVES>rE ( )
PARODIES. Los Parodies du Nouveau
Theatre Italien, ou Recueil des Parodies
representees sur le Theatre de I'Hotel de
Bourgogne . . . Avec les Airs graves. 3 Tom.
Chez Briasson : Paris, 1731. 12'.
11736. b. 17.
PAKODIES— PARSONS
245
PARODIES. Les Parodies du Nouveau
Thecltre Italien . . . Avec les Airs graves.
Nouvelle Edition, revue, corrigee & augu-
ment^e, etc. 4 Tom. Chez Briasson :
Paris, 1738. 12^ 241. i. 14-17.
Supplement aux Parodies du Theatre
Italien, ou Eecueil de Pieces de diiierens
Auteurs, representees. . .par les Comediens
Italiens ordinaires du Roi. Nouvelle
Edition. 3 Tom. Chez la Veuve Duchesne :
Paris. 1765. 8". 86. b. 14-16.
PAROLES ET LA MUSIQUE. Les
Paroles et la IMusique, Comedie en un
acte, en prose, melee de Vaudevilles, par
lo C. Armand Charlemagne ... avec des
Airs notes. Chez le Libraire au Thedtre
du Vaudeville : Paris, An vii [17991. 8°.
11738. bbb. 37. (5.)
Among the airs are songs by Plantade
and Bonardot.
PARR (Hekry) See Haemonia Sacra.
Harmonia-Sacra, etc. MS. notes [by
W. H. Havergal and H. Parr].
"1765 ?: obi. fol. C. 479. a.
PARR AN (Antoine) Traite de la
IMusique Theorique et Pratique. Conte
nant les Preceptes de la Composition.
Robert Ballard : Paris, 1646. 4°.
557*. d. 18.
PARRIN (I. A.) Advice to the Fair.
A Favorite Song. The Words by a
Young Lad v. I. Bland :
London, [1790 ?] fol. G. 808. e. (38.)
Come Slumbers steal me soft away. A
Favourite Song. . .The Words by I. Cur-
wood, etc. J. Jenkinson : London,
[1797?] fol. G. 366. (46.)
True Friendship's the Cordial of Love. A
Favorite Bacchanalian Song, etc.
A. Bland it Welter : London, ^1797 ?] fol.
G. 366. (45.)
What shall we sing. A Celebrated Glee
for Three Voices [by H. Haringtonj . . .
Arranged with an Accomp' for the Piano
Forte by 1. A. Parrin. Printed for
G. Walker : London, [1800 ?] fol.
H. 2831. a. (35.)
PARRY (D.) The Grand Union March
A Quick Step, for the Violin, or German
Flute . . . Adapted for the Harp or Piano
Forte by I. Hammond. The Author :
London, [1797 ?] fol. g. 133. (25.)
Parry's Original Country Dances for the
Violin or German Flute, arranged for the
Piano Forte or Harp by J. Hammond.
With Proper Figures. D. Parry :
London, [1800?] fol. g. 229. (9.)
PARRY (John) BarddAlaiv. Two Glees,
and two Duets, etc. Bland ct Weller,
for the Author : London, [1800?] fol.
H. 2815. c. (40.)
PARRY (John) of Rtiabon. British
Harmony, being a Collection of Antieut
Welsh Airs . . . carefully compiled and
now first published with some additional
Variations by J. Parry, etc.
Printed for John Parry d P. Hodgson :
Euabon, London, 1781. fol. h. 146. a.
A Collection of Welsh, English & Scotch
Airs with new Variations, also Four new
Lessons for the Harp or Harpsichord . . .
To which are added Twelve Airs for the
Guittar. Printed for J. Johnson :
London, [1760 ?] fol. g. 79. b. (6.)
PARRY (John) of Ruabon and WIL-
LIAMS (Evan) Autient British Music;
or, a Collection of Tunes, never before
published, which are retained by the
Cambro-Britous, (more particularly in
North- Wales). . . Part i. Containing twenty-
four Airs, set for the Harp, Harpsichord,
Violin, and all within the Compass of the
German Flute ; and figured for a Thorough-
Bass. To which is prefixed, an Historical
Account of the Rise and Progress of Music
among the Antient Britons, etc.
Mickleborough, for the Compilers :
London, 1742. fol. h. 146.
No more published.
PARRY (W.) See Costellow (T.) A
Selection of Psalms and Hymns . . . for the
use of Bedford Chapel, etc. [With a
preface by W. Parry.] [1791.] 4".
C. 725.
PARSON. The Parson among the Pease.
Song. .SVt' One. One Long Whitson
Holliday. [1710?] s. s7;. fol.
H. 1601. (325.)
The Parson came with little fame. The
Country Rector. A Village Anecdote.
[Song. Full Score.] J. Welcker :
[London, IISS?] fol. G. 425. a. (15.)
PARSONS (John) The Elements of
]\Iusic with Progressive Practical Lessons
for the Harpsichord or Piano Forte, etc.
Piiblislied by the Author :
London, [1800 ?] fol. g. 303. (8.)
Howe's Triumph. [Song,] The Words
by B. Wilson. Longman £ Bruderip :
London, [1794.] fol. G. 366. (49.)
Ode to Liberty. [Duet and Chorus.] The
Words by Mr. Woods. . .Composed for the
Centenary Jubilee of the Revolution-Club
Edin'. Publish'd by desire of the Lord
Provost, etc. Printed for Mr. Parsons :
[Edinburgh, V(Q8:\ fol. G. 354. (25.)
PARSONS [Sir William) Blest were the
hours in which I stray'd. The Favorite
Mad Song sung by Mrs. Jordan in [R.
Cumberland's play] the Last of the Family.
The Melody arranged and the Accompani-
ment added by Sir William Parsons.
J. Dale : London, [1797.] fol.
G. 366. (47.)
246
PARSONS— PASQUALI
PARSONS {Sir William) Six English
Ballads. With an Accompaniment for
the Harp or Piano-Forte, etc.
[London, 1790 ?] fol. G. 362. (6.)
[Another copy.] H. 2821. (32*.)
The Court INIinuets for His Majesty's
Birth Dav, 1794, etc. \l\ F. and Orches-
tral Parts'] [Lo?ifZo», 1794.] obl.i".
b. 54. (10.)
A Scholar first niy love implor'd. A
Ballad. [London, 1794 ?] fol.
G. 366. (48.)
A Selection of Solfeggi, for the use of
those who are learning to sing.
[London, 1790 ?] obi. fol. E. 835.
This collection contains solfeggi by Leo
and Perez.
PARTENZA. La Parteuza. Canzonetta
a due Voci. [Begins : ' Oh Dio mancar mi
sento.'] See Capelli (D.) pseud.
La Partenza. Canzonetta [begins : ' Ah
momenti ch' il mio cor '].
See Mozart (W. A.) [Die Zauherflote.
Kiinnte jeder brave Mann.]
PARTHENIA. Parthenia or the IMaydeu-
head of the first musicke that euer was
printed for the Virginalls. Composed by
three famous Masters : William Byrd,
D"- John Bull, & Orlando Gibbons . . .
Ingrauen by William Hole, for Dorethie
Euans. Printed by G. Lowe :
London, [1611 ?] fol. K. 1. i. 6.
The music is printed throughout on one
side of each fol. The title-page {ivhich
is mutilated) bears a MS. note signed
by F. Douce stating that tliis copy was
found in the ruins of the old palace at
'Enfield.
[Parthenia, or the i\laydenhead of the first
Musick that ever was printed for the Vir-
ginals, etc.] [Printed for John Clarice :
London, 1655.] fol. ' K. 1. i. 8.
Lnperfect, wanting the title-page, ivhich
is siipplied in facsimile.
A new song, called, Parthenia's Complaint.
See As. As on the dearest Strephon's
Breast, cfc. [1687?] s. sh. io\.
Case 39. k. 6. (4.)
PARTHENISSA. Parthenissa['s] Ab-
sence. Song. Sec Vanbrughe (G.)
PARTHENOPE. Parthenope. Opera.
See Haendel (G. F.)
PARTIE CARRilE. Le Cure de notre
Village. Bonde de la Partic Quarre [by
P. Gaveaux]. Avec Accomj)agnement de
Guitarre. Cltez Imhault :
Paris, [1793.] 8°. B. 362. h. (24.)
L'heureuse vie que mene un pere capucin.
[Song, from] La Partie Quarie [by P.
Gaveaux]. Avec Accompagnement de
Guitarre. Chez Lnbault :
Paris, [1793.] 8". B. 362. c. (52.)
PARTING. The Parting. [Song.]
See Rising. The rising Sun thro' all the
grove. ri765 ?] s. sh. fol.
G. 312. (112.)
The Parting Kiss. [Song.]
See Hartley (J.)
[Another setting.] The Parting Kiss.
Song. See One. One kind Kiss before
we part, f^c. [1775?] s. sh. fol.
G. 796. (44.)
[Another setting.] The Parting Kiss.
[Song.] See Oswald (J.) [Colin's Kisses.
No. 7.]
PARTIRO. Partiro del caro spo>o. Song.
See Salieri (A.) [La Scuola de' Gelosi.j
PARTO. Parto non dubitate. [Song.]
See Paisiello (G.) [La Locanda.]
PASQUALI (NicoLo) The Art of finger-
ing the Harpsichord; illustrated with
Examples in Notes ; to which is added
An approved jNlethod of Tuning this In-
strument. Printed for E. Biemncr,
the Assigney of Sig. Pasquali : Edin-
burgh, [17(50?] obi. fol. e. 129. a. (1.)
[Songs in L' Ingratitudine Punita. A
Pasticcio, by Hasse, Lampuguani, Paga-
nelli, Pasquali and Pergolese. Full Score.]
See Delizie. Le Delizie dell" Opere, etc.
Vol. 5. [1776.] fol. G. 159.
The Solemn Dirge in Romeo and Juliet.
[Solos and Chorus. Full Score.]
B.Bremner: London, [1710 ?1 fol.
G. 806. i. (12.)
Sonate a Violino e Basso. . .Opera Prima.
Printed for I. Wahh :
Z/o»(Zo«, [1745?] fol. ' g. 431. b.
Six Sonatas for two Violins, with a Tenor
and Thorough Bass for the Harpsichord
or Violoncello. 2 Sets. [Separate Parts.]
Printed for J. Johnson :
London, [1150?] fol. g- 431.
XII. English Songs in Score. Collected
from several ^Masques and other Enter-
tainments . . . and Printed for the Author,
with His INIajesty's Royal Licence, etc.
[Full Score.] The Author :
London, 1750. obi. fol. E. 527.
[Another edition.] Twelve English Songs,
collected from several JMasques A other
Entertainments. Printed for J. Johnson:
London, [1760 ?] obi. fol. ' e. 129. a. (3.)
Thorough-BasK made easy : or. Practical
Rules for finding and applying its various
Chords . . . with Variety of Examples in
Notes, etc. The Author:
Edinburgh, 1757. obi. fol. e. 129. a. (2.)
Thorough Bass made easy, etc. New
Edition. Preston :
London, [1190?] obi. fol. e. 129.
PASQUALI— PATENTS
247
PASQUALI (NicoLu)
See Harpsichord Miscellaivy. The
Harpsichord Miscellany. Book Second.
Composed by Alberti, Pasquali, etc.
[1765 ?] obi. fol. e. 140. a. (5.)
See Hasse (.J. A.) The Comic Tunes &c.
to the Celebrated Dances, etc. (The Comic
Tunes to all the Late Opera Dances ... ,
Compos'd bv Sig' Hasse, Pasquali, etc.) |
[1750 ?] obi. i-. a. 149.
PASQUALINI DE MARZI ( ) Six
Solos for two Violoncellos. [Op. 1.]
Printed for I. Walsh :
London, [1750 ?] fol. g. 102.
Six Solos for two Violoncellos. Opera
Seconda. Printed for J. .Johnson :
London, [1750 ?] fol. " g. 510. (4.)
[Another copy.] g. 24. b. (4.)
Six Sonatas for the Cetra or Kitara with a
thorough Bass, etc.
J. Johnson, for the Author :
London, [1740 ?] obi. fol. e. 376.
PASQUAIiINO DE MARZIS ( )
See Pasqualixi de Marzi.
PASSANT. Le Passant et la Tourterelle.
Air. Sec Du Pre ( )
Passant Tau. Ariette. See Cecile.
PASSE-PARTOUT. Le Passe-Partout.
'Song.^ Set' Ox. On connait I'usage
constant, etc. [1785 ?] 8».
B. 367. j. (7.)
PASSERI (GiovAjrai Batista)
See Doxi (G. B.) lo. Baptistae Doni . . .
Lyra Barberiua . . . Accedunt eiusdem
Opera,... ad veterem musicam pertinentia
. . . Absoluta . . . studio et opera lo. Bap-
tistae Passeri, etc. 1763. fol.
558*. e. 15.
PASSETEMPS. Le Passe-Tems Agreable
et Divertissant, ou le Xouveau Plaisir de
I'Amour. Lequel se pent jouer sur toutes
sortes d' Instruments. 10 pts. Chez
If' Boitin : Paris, [1745-7.] S^ C. 394.
Les Passetems de Paris. [Song.]
See Ocvrez. Ouvres bien les Oreilles.
ri760?] S". B. 362. (216.)
PASSIONATE. The Passionate Lover.
"Song.] See Charmisg. Charming Phillis.
[1735?] s.sh.iol. G. 316. (30.)
The Passionate Lover. [Song, begins :
' PhiUis talk no more of Passion.']
See Mox-RO (G.)
PASSIONE. La Passione di Nostro
Signore Giesu Cristo. Oratorio.
See JoiiELLi (N.)
PASSIONS. The Passions. Ode.
See Hates (W.)
PAST. Past twelve o'Clock. Tlie Choice
Spirits' Feast. A Cantata.
Printed for T. Straight & Skillern :
London, [1115?^ fol. G. 311. (17.)
PAST. Past Twelve o'clock. [Song, begins :
' One Ev'ning good humor took wit.']
See Tremain (T.)
PASTERWIZ (Georg) VIII. Fughe
secondo I'ordine de Toni ecclesiastici per
1 'Organo o Clavicembalo. . .Opera i.
Presso Artaria Comp. :
Vienna, [1792.] obi. fol. e. 174. m. (6.)
VIII. Fughe secondo 1' A. B. C. di Musica
per I'Orgauo o Clavicembalo. . .Op. ii.
An Magazin de Musique dans VUnter-
breuner Strasse : Vienne, ^"1792.] obi. fol.
e. 174. m. (7.)
VIII. Fughe per 1' Organo, o Clavicembalo
...Opera III. An Magazin de
Musique dans VUnterbreuner Strasse:
Vienne, [1795 ?] obi. fol. e. 174. m. (8.)
PASTOR. Le Pastor Fido. :Musette.
See PiFFET (E.)
Pastor's Lamentation. [Song.]
See Whkn. When by my Pastorella's
Side. ri750 ?] s. sh. fol.
G. 316. f. (51.)
PASTOR A. Pastora's come, with ^Myrtle
crown'd. The Shepherd's Wedding. [Song,
bv J. Worgau.l {London, lloO ?] s. sh. fol.
G. 311. (4.)
Pastora's come with myrtle cro^vn■d. The
Shepherd's Wedding. rSong. by J. Worgan.]
Sung at Vaus-Hall. [London, 1747.": 8".
157.1. 9.
London Magazine, 1747, p. 524.
PASTORAL. A Pastoral. [Song.]
Sec Flocks. Flocks are sporting.
[1750?] s.sh.iol. G. 316. d. (140.)
A Pastoral. [Song.] See Flocks. Flocks
are sporting, etc. [1758.] 8°. 158. 1. 3.
A Pastoral Courtship. [Song.]
See YocsG (C.)
A Pastoral Elegy. [Song.] See Ah. Ah,
Damon, dear Shepherd, adieu^e^c.
1765.] 8'.
PASTORELLA. Pastorella che tra le
selve. Duet.] Sec BoNON-crsi (G. B.)
PASTORELLA NOBILE. La Pasto-
reUa Nobile. Opera. See Guglielmi (P.)
PASTRE. Le Pastre
See Marixi (P. L.)
PAT. Pat's Planxty.
j See Saudebsos (J.)
PATARINO (GiovANXi Maria)
a Quattro Voci, etc. Canto. (Alto.)
j Appresso Angelo Gardano :
' Vcnetia, 1595. obi. 4°. A. 318.
PATENT. The Patent Cofan. [Song.]
I See DiBDts (C.) [Valentine's Day.']
PATENTS. Patents all the Rage. Comic
Song. See Is. In ev'ry clime, etc.
[1798.] fol. G. 249. (27.)
P.P. 5438. z.
Romance.
[Song.]
.Salmi
2 pts.
248
PATERNAL— PAULUS
PATERNAL. Paternal Love. [Song.]
See Parent. The parent Bird whose
little Nest, f^c. [1745?] s.sh.ioh
H. 1994. b. (64.)
PATHWAY TO MUSICKE. The
Ijathway to ]\Iusicke, contayuing sundrie
familiar and easie Rules for the . . .
understanding of the Scale or Gamma-vt :
. . . Whereunto is annexed a treatise of
Descant, & certaine Tables, which doth
teach how to remoue any song higher, or
lower from one Key to another, neuer
heretofore published. Printed for
William Barley : London, 1596. ohl. 4".
K. 1. c. 17.
25 leaves, witlwut pagination.
PATIE AND PEGGY. Patie and
Peggy : or, The Fair Foundling. A
Scotch Ballad Opera . . . [adapted from
A. Ramsay's ' Gentle Shepherd,' by T.
Gibber]. With the Musick prefix'd to
each Song. Pri^ited for J. Watts:
London, 1730. 8°. 11778. b. 20.
Patie and Peggy, etc. Printed for J.
Watts: London, llSl. 8". 161. g. 68.
PATONI (Giovanni Battista) Six So-
natas or Duets for Two German Flutes
or Violins. Opera prima. Printed
for J. Cox at Simpson's Musick Shop :
London, [1750 ?] fol. g. 70. e. (3.)
PATRICK. Patrick's Day in the Morn-
ing. Song. See Ye. Ye Lads and ye
Lasses so buxom and clever, etc.
[1777 ?] s. sh. fol. G. 314. (52.)
PATRICK (John) See Psalms. [English.]
The Psalms of David. . .fitted to the
Tunes used in Parish-Churches by J.
Patrick. 1701. 12°. 218. b. 9.
PATRICK O'ROW. Patrick O'Row.
iSong.] See Dibdin (C.) [The Wags.]
PATRIGNANI (Giuseppe Antonio).
See Presepi (Presepio) pseud.
PATRIOT. The Patriot Fair. Song.
See When. When young and artless as
the lamb, etc. [1754.] 8°. 250. c. 1.
PATRON. The Patron: or, The States-
man's Opera, of Two Acts . . . [Written] By
Mr. Odell. . .To which is added the Musick
to each Song, etc. W, Pearson, for
J. Clarke : London, [1729.] 8°. 82. b.' 1.
PATT. Patt. Song. See Let. Let
Heroes boast of Deeds of Arms, etc.
1761. S". 158. 1. 6.
PATTY. Patty the Milk INIaid. Ballad.
See Carver ( \ Miss.
PATTY CLOVER. Patty Clover.
Ballad. See Shield (W.) [Marian.]
PAUL. Paul and Virginia. Romance.
Sec Rouget de Lisle (C. J.)
De ta main tu
Air de Paul at Virginia
PAUL ET VIRGINIE.
cueilles le fruit
[by J. F. Lesueur]. Avec Accomp' de
Guittare. Chez hnhanlt :
Paris, [1794.] 8". B. 362. c. (74.)
De ta main tu ceuille [sic] le fruit. Air
de Paul et Virginie [by J. F. Lesueur].
Avec accompagnement de Piano-Forte ou
Harpe. Chez B. Vigiieric :
Paris, [1800?] fol. G. 548. (64.)
Paul et Virginie. Comedie.
See Kreutzer (R.)
Paul et Virginie. Drame Lyrique.
See Lesueur (J. F.)
PAULIN ( ) Amis, tout boit. Air, etc.
[Paris,] 1730. s. sh. 4". 297. b. 12.
Mercure de France, Jan., 1736.
Entre Cypris et la Bouteille. [Duet.]
[Paris,] 1738. s. sh. 4". 297. b." 26.
Mercure de France, Nov., 1738.
Je veux dans une Chanson. Vaudeville,
etc. [Paris,] 1735. s. sh. 4°. 297. b. 8.
Mercnre de France, April, 1735.
Pour un objet charmant en secret je
soupire. Chanson. (Les Paroles de ^\.
L. M. D. C.) [Paris,] 1736. s. sh. 4^
297. b. 13.
Mercure de France, March, 1736.
Quel bruit ! quel murmur e confus. Air
a Boire, etc. [Words by] L. M. D. C.
[Paris,] 1734. s. sh. 4". 297. b. 6.
Mercure de France, Dec, 1734.
Sans moi la plus super be Fete. Chanson,
sur la Libert^, en Bondeaii.
[Paris,] 1736. s. sh. 4°. 297. b. 12.
Mercure de France, Jan., 1736.
Vous plairez-vous toujours a voir couler
mes larmes? Air. [Words] Par ]M.
d'Arnaud. [Paris,] 1738. s. sh. 4".
297. b. 24.
Mercure de France, July, 1738.
PAULSEN (Carl Friedrich Ferdinand).
Lieder mit Melodien zu singen am
Klavier. . .Zweyte Sammluug.
Bci dem Verfasser .-
Flensburg und Hamburg, 1798. obi. fol.
D. 727.
PAULSEN (Peter) Claviermusic zu
ernst- und scherzhaften Liederu. hi
Commission dcr Kortensclien Buchhand-
lunq : Flensburg und Leipzig, 1766. fol.
F. 657.
PAULUS, Aretinus. Piae, ac Deuotissima'
Lameutationes Hieremise Prophetse, tum
etiam Passiones lesu Christi Dominicse
Palmarum, ac Veneris Saneti. Nunc
primum a Domino Paulo Aretino com-
posite, atque sub musicis rhythmis in
luceru edite. Cantus. (Altus.) (Tenor.)
(Bassus.) 4 pts. Apud Hieronymum
Scotum : Venetijs, 1563. obi. 4°
K. 3. 1. S.
PAULUS— PAZZAGLIA
249
PAULUS, de Venetlis. Nova Lyra Choralis
alias Manuale iu qua prfeter modum
Recitandi Horas Diurnas (iuxta Diuruum
Romanum) ac jSIocturnas, idest, Psalmos,
& Antiphonas, habentur etiam in Cautu '
ea omnia, quaj pertinent turn ad Vesperas,
turn ad Laudes. Desumpta ... ex Antiquis
manuscriptis Chori S. Francisci Yinese i
Venetiarum a Patre Paulo de Venetiis, etc. \
Apucl Turrinnm : T>ne/iis, [1665.] fol.
3366. h. 5.
PAULUS, Ferrariensis. Passiones, La-
mentationes, Responsoria, Benedictus,
Miserere, multaque alia . . . Cantica ad
ottitium hebdomadiB Sanctte pertinentia,
. . . D. Pauli Ferrariensis. . .coUecta, emen-
data, & typis tradita. Altus. (Tenor.)
2 pts. Apud Hicronymum Scottim :
Venetijs, 1565. 4°. D. 83.
PAUSCH (Eugen) XXXII. Psalmi
Vespertiui. . .Adjunctis in fine i. Anti-
phonis Marianis. Pro 4. Vocibus or-
dinariis ; concinuentibus 2. Violinis,
Alto-Viola & Organo obligatis ; 2. Obois,
Flautis sou Clarinetis vero, 2. Clariuis seu
Cornibus, & Tympanis non obligatis.
Opus III. [Separate Parts.] Suynptibus
Joannis Jacobi Lotter <f- Filii : Augustx
Vindelicornm, 1797. fol. H. 3215.
PAUVRE. Pauvre Jacques, quand j'^tois
pres de toi. Romance dii, Pauvre Jacques.
Avec Accomp' de Guittare.
Chez Imhault : Paris, [1790?] 8^
B. 362. a. (186.)
Pauvre Jacques. A Favorite French
Air for the Piano-Forte or Harp.
Printed for H. Birchall :
London, [1795 ?J fol. G. 295. (7.)
[Another edition.] Pauvre Jacques. A
Favorite French Air, etc. Dale :
London, [1795 ?] fol. H. 1250. (38.)
Pauvre Sire, defeuseur de la loi. Le Pauvre
Sire. [Song.] Air du Pauvre Jacques.
Chez Imhault: [Paris, 1192.' 8'
B. 362. a. (189.)
Pauvre Sire, tu n'as plus de v6to. Ronmnce
D6di6e au gros Louis ci-devant Roi [and
written] par Ladrc. Air. Du Pauvre
Jacques. {Paris, 1792.] 8".
B. 362. a. (188.)
Le pauvre terns, le pauvre terns. Air.
See Lesueur (J. F.) [La Caverne.]
PAUVRE FEMME. Apres la chute des
tyrans. Air de la Pauvre Femme [by N.
Dalayrac]. [Paris, 1795 ?] S'.
B. 362. d. (57.)
Ne fait pas tant votre embarras. Air du
Porteur d'Eau dans la Pauvre Femme
[by N. Dalayrac]. [Paris, 1795 ?] 8°.
B. 362. (108.)
PAVONA (Petrus Alexaxder) Missse
Quatuor Vocibus concinendse cum Basso
pro Organo ad libitum, etc. Gantus.
(Tenor.) (Bassus.) (Bassus ad Organum.)
4 pts. Tiipis Ln-lii a Yulpe :
Bononiiv, 1770. 4°. ' E. 538.
PAXTON (Stephen) The Answer to
Turn Amarillis. [Glee, begins " Go,
Damon, go."] J. Bland :
London, [1190 ^ fol. G. 353. (24.)
A Collection of Glees, Catches, etc. for
Three and Four Voices. . .Opera 5.
Printed for the Author : London.
[1785 ?] obi. foi. D. 400. a. (1.)
This work contains several glees by
W. Paxton.
Eight Duetts for a Violin and Violoncello
or Two Violoncellos . . . Opera Seconda.
To which is added The Highland Laddie,
a Scots Air, with Variations for a Violon-
cello and a Violin. The Author :
London, [1780 ?] fol. g. 500. (1.)
Four Duets for a Violin and Violoncello,
and Two Solos for a Violoncello and Bass
. . .Opera iv. Printed for the Author :
LondaH, [1780?] fol. "h. 1865. (11.)
Twelve Easy Lessons for a Violoncello
and a Bass . . . Opera vi.
I'rinted for the Atithor :
London, [1785 ?] fol. g. 512. (1.)
Six Solos for the Violoncello . . . Opera
Prima. Longman and Broderip :
London, [1780 ?] fol. g. 24. (3.)
[Another copy.] g. 514. a. (4.)
Six Easy Solos for a Violoncello or Bassoon.
. . . Opera in. Printed for the Author :
Lonrfo/i, [1780?] fol. g. 500. (9.)
[Another edition.] Six Easy Solos for a
Violoncello or Bassoon. . .Opera in.
Preston: London, [1190?] fol.
g. 24. (4.)
See Amusemekt for the Ladies.
Amusement for the Ladies, being a
Selection of .. .Glees and Madrigals. . .by
. . . Messrs. Atterbury, . . . Paxton, etc.
[1771-93.] obi. fol. E. 61.
See Webbe (S.) the Elder. A Collection
of Masses. . .with Others. . .by. . .Paxton.
(1792.) obi. 4'. A. 480.
PAYMASTER. The Paymaster. Can-
tata. See As. As Briton's Sons, her
darling Sons complaiu'd. [1770 ?] fol.
G. 306. (171.)
PAZZA PER AMORE. La Pazza per
Amore. [Opera.j
See Paisiello (G.) [Nina.]
PAZZAGLI A (Salvador) All' Altezza
Reale di Maria Teresa, Arciduchessa
d' Austria . . . Queste Sei Sonate da Cimbalo
per il piano, e forte col accompagnamento
del Violino, dedica. . .S. Pazzaglia, etc.
[Florence? 1760?] obi. iol. c. 2.
250
PAZZIE— PECK
PAZZIE D' ORLANDO. Overture [to
P. Guglielmi's Opera, Le Pazzie d']
Orlando. [P. F.] [B. Brcmner :
London, 1771.] fol. g. 271. b. (11.)
PEA. The Pea Field. [Song.] Ste 'Twas.
'Twas near the flowing Avon.
[1780?] s.sh.iol. G. 312. (219.)
PEACE. Peace. Ballad. Sac Adams (T.)
Peace. Round. See Doyle ( ) and
Perfect ( )
Peace and Plenty swell the Nation. Song.
See Doctor Paustus.
Peace gentle IMaid. Loijal Stanzas on a
Dove 'lighting on Her Royal Highness
the Princess Elizabeth at Covent Garden
Theatre in the Pantomime of Alother
Shipton by Mr. Swords, etc. [Song,
adapted to an air by F. Giardini.]
hongman it Brodcrip :
I/0?ido«, [1793?] fol. G. 249. (26.)
Peace o'er the World. A Hymn for
Christmas-Day. The Words by Mr. Pope.
Set by an eminent Master.
[London,] 1760. 8". P.P. 324. n.
Ghristiaii's Magazine, Dec. ,1160, i). 378.
Peace to the Souls of the Heroes. Glee.
See Callcott (J. W.)
PEACE (James) Divine Harmony : a
Collection of Hymn and Psalm Tunes for
one, two, three and four voices, with a
Thorough Bass for the Organ, Harpsi-
chord, Piano-Forte, etc.
J. M" Galley, for the Author :
Dublin, [1790?] fol. H. 1187. o. (4.)
Imperfect, ivanting all after p. 14.
PEACOCK (Francis) Fifty Favourite
Scotch Airs for a Violin, German-Flute
and Violoncello, witli a Thorough Bass
for the Harpsichord, etc.
Mrs. Joh)ison, for the Puhlishcr in
Aberdeen: London, [110-2?] fol. g. 268.
PEAN ( ) Tristes 6chos. Romance.
Imitee de I'Allemand de ^M" le Baron
de Cronegh, avec accompagnement de
Guitarre. Paroles de IM"' Laus de Boissy,
etc. [Paris,] 1778. s. sh. 8".
297. f. 22.
Mercure dc France, May, 1778.
PEARCE (Lewis) Bermondsey Spa.
[Song.] The Words by Mr. Empson, etc.
[London, 1782.] 8°. 2117. c.
European Magazine, Vol. II., p. 217.
PEARCE (Samuel) Sacred Music, or a
Pleasing Companion for chearful Chris-
tians, being an entire new. . .sett of Psalm
and Hymn Tunes . . . designed for two
three or four Voices. To which is added
Two Tunes. . .for Christmas Day.
Longman, Lukey and Broderip,
for the Author : Loudon, [177G?] obi. 8".
B. 584.
PEARL. The Pearl. Glee.
See Casson (E.) Miss.
PEARLY. Pearly Tear by Nature shed.
A Song, etc. [By T. Bowman.]
[London, 1754.] 8°. 250. e. 1.
Gentleman's Magazine, Vol. XXIV.,
p. 476.
Pearly Tear by Nature shed. [Song.]
See Bowman (T.)
PEARSALL (Robert Lucas)
See WiLFFLiNGSEDER (A.) Musica Teutsch,
etc. [With an unfinished English transla-
tion in the autograph of R. L. Pearsall.]
1572. 8°. K. 7. h. 1.
Paisible.
Ballad.
Song.
PEAS ABLE (James) See
PEASANT. The Peasant.
See Moulds (J.)
The Peasant of Bantry Bay.
See Moulds (J.)
The Peasant's Cottage. Canzonett.
See Mozart (W. A.) [Die Zufriedenheit.]
The Peasant's Prayer. Canzonet.
See Bryan (M. A.)
PEASTON (William) A Selection of
Psalm and Hymn Tunes in Three Parts.
Printed for IF"' Whijte dWilUam Peasfon :
Edin.? [1800?] 8°. B. 580. a.
PECCI (ToMASo) Canzonette a Tre Voci
con il Basso Continuo, etc. Canto Primo
(Secondo). (Basso.) (Basso Continiio.)
4 pts. Appresso Petro PJialesio :
Anuersa, 1624. obi. 4°. A. 40.
This loork also contains a canzonet by
G. Giuliani.
Del Sig. Tomaso Pecci Madrigali a Cinque
Voci, etc. Canto. (Tenore.) 2 pts.
Appresso Angela Gardano :
Venetia, 1602. 4°. D. 188. a.
This work contains two madrigals by
M. Tantucci.
Del Signor Tomaso Pecci ^ladrigali a
Cinque Voci. Libro Secondo. Canto.
(Alto.) (Tenore.) (Basso.) (Quinto.)
5 pts. Ajtprcsso V Herede di Angela
Gardano: Venetia, 1012. 4°. D. 188.
PECHEUR. Le Pecheur. Romance.
See Pres. Pres des bords fleuri.-,.
[1785 ?] 8\
PECHEURS. Les
,sv<- GossEC (F. J.)
PECK (James) Peck's Collection of Hymn
Tunes, Fugues & Odes, chiefly original,
in Three and Pour Parts, interspersed
with fugitive & selected Pieces. 3 Bks.
J. Peck : London, [1799-1800]. obi. i".
A. 512.
Hail Britannia ! A Glee for Three Voices.
Written, composed, &.. .Inscribed to the
. . . Company of Ironmongers, by ... J. Peck.
J. Peck : [London, 1800 ?] obi. fol.
D. 402. (23.)
B. 362. b. (185.)
Pecheurs. Comedie.
PECK— PELLEGEINI
251
PECK (James) Kisses! A Favorite Glee [for
three voices]. Preston, for the Author :
London, [1800?] obi. io\.' D. 402. (22.)
Love and Sparkling Wine. A Favorite
Glee for Three Voices.
Printed by the Composer :
[London, 1800 ?] obi. fol. D. 402. (21.)
Soft be the gently breathing notes, a . . .
Hymn, written bv the Rev* Mr. Collver.
J." Peck : London, [1798 ?] fol.
G. 503. (11.)
PECK (R.) See Mathews (J.) Howe and
the Glorious First of June . . . Song . . .
Arranged for the Harpsichord ... by R.
Peck, etc. [1794.] fol. G. 376. (25.)
PECOUR (Louis) Recueil de Dances,
composees par M. Pecour. ..et raises sur
le Papier par M. Feuillet, etc.
Chez VAtitcur :
Paris, 1700. 4°. 556. e. 13. (3.)
Recueil de Dances contenant uu tres
grand nombres, des meillieures Entrees
de Ballet de I\I' Pecour . . . Recueillies et
mises au jour, par M"" Feuillet, etc.
Chez le Siciir Feuillet :
Paris, 1704. 4". 7895. e. 24.
See Pemberton (E.) An Essay for the
further Improvement of Dancing ... To
which is added. . .a Jig by Pecour, etc.
1711. 4". & fol. 556. e. 16.
PEDIGREE. The Pedigree of a Fidler.
See I. I am a merry Fidler.
[1715 •?] s. sh. fol. G. 315. (66.)
PEDLAR. The Pedlar. [Song, begins:
' Come here, come here.']
<SVt' DiBDiN (C.) [Christmas Gambols.]
The Pedlar. Glee. See Wili.. Will you
buy auv tape, etc. [Bv E. S. Biggs.
[1800?] fol. ■ G. 805. k.' (42.)
The Pedlar. Glee. [Begins : ' From the
fair Lavinian shore.']
Sec WiLSOX (J.) Mus. Doc.
PEEPING TOM OF COVENTRY.
Peeping Tom of Coventry. Comic Opera.
Sec Arnold (S.)
PEERSON (Martin) Mottects or Graue
Chamber Musique. Containing Songs of
fine parts of seueral sorts, some ful, and
some Verse and Chorus. But all tit for
Voyces and Vials, with an Organ Part ;
...Also, A Mourning Song of sixe parts
for the Death of the late . . . Sir Fulke
Greuil . . . Composed according to the
Rules of Art by M(artin) P(eerson), etc.
Cantus. (Altus.) (Tenor.) (Contra tenor.)
(Bassus.) (Organ Part.) 6 pts.
William Stansby : London, 1630. 4".
K. 2. d. 13.
[Private ^lusicke, or the First Booke of
Ayres and Dialogues. Contayning Songs
of 4. 5. and 6. parts . . . for Voyces and
Viols. And for want of Viols, they may
be performed to either the Virginall or
Lute. . .All made and composed according
to the rules of art by ]\I(artin) (Peerson),
etc.] [TJiomas Snodltam':
London, 1620.] 4". K. 2. d. 12.
hnperfect, wanting all before C 2 and
after F i. The title-page and index
are supplied in manuscript.
PEGGY. Peggy. Song. See To. To
the Wood Robin Redbreast is flown, etc.
[1763.] 8". P.P. 5438. z.
Peggy. [Song.] See To. To the Wood
Robin Red Breast is flown.
[1766 ?] s. sh. fol. G. 312. (232.)
Peggy Devoted. [Song.]
See infra : Peggy in Devotion, etc.
[1710?] s.sh.iol. H. 1601. (367.)
Peggy in Devotion. Peggy Devoted or the
Scotch Parsons daughter. [Song, the
words by T. Durfey.] [London ,
1710?] s.sh.iol. H. 1601. (367.)
Peggy's ^lill. rSong.j
See Beneath. Beneath a green Shade.
[1730?] s.sh. fo\. G. 306. (235.)
PEGGY PERKINS. Peggy Perkins.
[Song.] See Dibdin (C.) "The Oddities.]
PEGGY WYNNE. Peggy Wynne.
Song. See Poets. The poets, in con-
science, have teas'd us too long, etc.
[1763.] H°. P.P. 5438. z.
PEILE (I.) In the IMorn as I walk thro'
the Mead. A Favorite New Song.
[LoHfZoH, 1780?] fol. G. 309. (114.)
PEINTRE AMOUREUX DE SON
MODELE. Le Peiutre amoureux de
son Modele, Piece en deux Actes . . . Par
M.Anseaume. Nouvelle Edition. (Ariettes
[by E. R. Duni , du Peintre Amoureux, etc.)
2 pts. Chez Dudiesnc : Pari.% 1759. S^
11739. aaa. 26. (2.)
Le Peintre amoureux de son Modele.
Op6ra Comique. See Duni (E. R.)
PELICHIARI (Francesco)
See GuiDETTi (G.) Directorium Chori. . .
in hac postrema editione a D. Francisco
Pelichiari. . .a mendis expurgatum, etc.
1737. 4°. 1221. i. 3.
PELISSIER ( ) Bachus, Bachus,
i 'implore ton .secours. [Song.]
[Paris, 1723.] s. sh. i'\ 297. a. 2.
Le Mercure, April, 1723.
PELLEGRINI (Ferdinando) Four
Grand Concertos or Symphonies for the
Harpsichord or Organ with Accompany-
ments for two Violins and a Violoncello.
[Separate Parts.] Printed for P. Welckcr :
London, [1765 ?] fol. g. 640. (1.)
252
PELLEGRINI— PEPUSCH
PELLEGRINI (Ferdinando) Six Con-
certos for the Harpsicord or Organ with
Accompanyments for Two Violins, Tenor
& Violoncello . . . Op. Sexta. [Separate
Parts.] Printed for I. Walsli :
London, [17G0 ?] fol. " g. 640. (2.)
Six Lessons for the Harpsichord . . .
Opera v"'. Printed for B. Brcmner :
London, [1770?] fol. " g. 270. g. (5.)
Seize Nouveaux Preludes pour le Clavecin,
etc. L'Atdeur : Paris, [1755 ?] obi. fol.
e. 5. h. (5.)
Sei Senate per Cemhalo . . . Opera Seconda.
Printed for I. Walsh :
London, [1760 ?] obi. fol. " e. 12. (1.)
Six Sonatas for the Harpsichord with an
Accompaniment for a Violin. . .Opera 4"'.
Printed for R. Bremner and A. Hummel:
London,\mO?] fol. g. 223. d. (21.)
Three Senates pour le Clavecin avec
accompagnement de Violon . . Oeuvre vii.
Welcker : London, [1770.] fol.
g. 272. c. (19.)
PELLEGRINO. See Pellegrini.
PELOPIDA. Pelopida. Opera.
See Barthelemon (F. H.)
PELS (Andries) a. Pels M^ngelzangen,
eerste (tweede) deel. De tweede druk
verbeterd. 2 pts.
Gedrukt voor het KiinstgcnootscJidp :
Amsterdam, 1717. 8". 1156. bb. 43.
M"' A. Pels ]Miune-Liederen 6n INIengel-
zangen. By Albert Magnus :
Amsterdam, 16S4. 8°. A. 1180.
PEMBERTON (E.) An Essay for the
further Improvement of Dancing ; being
a Collection of Figure Dances, or several
Numbers, compos'd by the most Eminent
Masters ; describ'd in Characters after the
newest Manner of iMonsieur Feuillet...To
which is added, Three single Dances, viz.
A Chacone by ]Mr. Isaac, A Passacaille by
;Mr. L'Abbe, and a Jig by Mr. Pecour, etc.
■1 pts. J. Walsh land'. J. Hare:
London, 1711. 4" & fol. 556. e. 16.
PENDANT. Pendant que nos braves
Guerriers. Air. See L'EsGU (J.)
Pendant tout I'Kt^. La Cigale et la
Fourmy. Fable de la Fontaine, accom-
mod^e sur I'air ' Lison dormoit ' [by N.
Dezedes]. [Pari.s, 1790?] 8'.
B. 362. (10.)
No. 107 of ' L'Ariette du Jour.'
PENELOPE. Penelope, a Dramatic
(Jpera [by John IMottley and Thomas
Cooke], as it is Acted at the New Theatre
in the Hay-Market. [With the Overture
in full score and the tunes of the songs.]
T. Green : London, 1718 [1728]. 8".
80. e. 23. (3.)
Penelope. Opera. See Galuppi (B.)
PENELOPE. Penelope. Tragedie
Lyrique. See PicciNi (N.)
PENITENCE.^ La^ Penitanse Agreable.
[Song.] See A. A confesse m'en sui-;
aWL [1785?] 8». B. 362. b. (164.)
PENITENT. The Penitent Nun. [Song.]
See Haym (N. P.)
PENNY. A Penny for your Thoughts.
[Song.] See Gentleman.
PENSEE. La Pensee. Cantatille.
See Lefebure (A.)
PENSIVE. Pensive Phillis lonely stray-
ing. Tlie Pantheon. [Song.]
Str[aight] d Sk[illern :
London, 1115?] s. sh. iol.
H. 1980. (83.)
The Pensive Rose. [Song.]
See Pitman (A.) [Three Amorosos. Op. 'i.
No. 2.]
The Pensive Swain. [Song.] See Sweet.
Sweet dav, so cool, so calm, so bright.
[1760 ?] V. sh. fol. G. 316. (135.)
PEPUSCH (Johann Christoph) Mr.
Pepusch's Aires for two Violins. IMade on
Purpose for the Improvement of Practi-
tioners in Consort. The whole Fairly En-
graven and Carefully Corected. Printed
for J. Walsh. . .and J. Hare: London,
[1714?] fol. h. 59.
Alexis. See infra : [Six English Cantatas.
No. 2.]
[The Beggar's Opera.] The Excellent
Choice. Being a Collection of the most
favourite Old Song Tunes in the Beggars
Opera set for 3 Voices in the manner of
Catches or for two German Flutes and a
Bass. By D'' Pepusch and the most
Eminent English Masters.
Printed for T. WalsJi :
London, [11507] obi. iol. 0.270.(1.)
The Beggar's Opera... — The Overture and
Basses composed by Dr. Pepusch.
1777. 4°. 1344. n. 5.
See Beggar's Opera.
The Beggars Opera, as it is performed at
the Theatres Royal . . . Composed by D''
Pepusch, for the Voice, Harpsichord, and
Violin. Printed for Harriso)i d'- Cv. :
London, [1780 ?] obi. fol. D. 270. (2.)
[For editions published without
Pepusch's name:] See Beggar's Opera.
Six English Cantatas, etc.
J. TFaZs/i ; Loh^ou, [1715?]
Printed fo
fol.
G. 222. (1.)
[No. 1.] The Island of Beauty.
See As. As Beauty's Goddess from the
Ocean sprung, f/c. [1712?] fol.
I. 530. (10.)
[No. 2. Alexis.] A Cantata, etc.
[London, 11 15 7] fol. 1.600.(110.)
Engraved by Tliomas Cross, Jan.
PEPUSCH
253
PEPUSCH (JoHANN Christoph) The
Beggar's Opera. [No. 2.] Alexis. A
favourite Cantata, etc.
{London, 1745 ?] fol. H. 1994. c. (58.)
[No. 2. Alexis.] Sec See. See from
the silent Grove, etc. [1740 ?] fol.
G. 316. e. (140.)
Six English Cantatas for one Voice.
Four for a Flute and two with a Trumpet
and other Instruments. . .Book y'' Second.
Printed for J. Walsh :
London, [1720 ?] fol. G. 222. (2.)
[Dido and Eneas. Hear me, mourning
Princess.] See Dido and Eneas. A Song
in the Mask of Dido and Eneas. [Music
by J. C. Pepusch.j [1716 ?] s. sli. fol.
H. 1601. (211.)
An Entertainment of Musick call'd The
Union of the Three Sister Arts as it is
perform'd at the Theatre in Lincolns Inn
Fields for S' Cecilia's Day 1723, etc.
Printed far I. Walsh d P'" d loseph Hare :
London, 1723. fol. G. 222. (3.)
The Excellent Choice.
See supra : [The Beggar's Opera.]
The God of Love had ' lost his Bow.
Cantata. [London, 1720 ?] fol.
G. 312. (12.)
Dr. Pepusch's Ground. With Variations
for the Harpsichord, Violin aud Guittar.
Printed for T. Straight :
London, [1780?] fol. g. 271. b. (13.)
How blest is a Soldier.
See infra : [Thomyris.']
Myrtillo. [For songs, &c., published
anonymously :] See Myrtillo.
Perseus and Andromeda. [For songs, &c. ,
published anonymously :]
See Perseus and Andromeda.
Polly. [For editions of Polly, the Second
Part of the Beggar's Opera, written by
Gay, with music arranged by J. C.
Pepusch:] See Polly.
Royal George to Brittain hasting. A
Song ... on the happy Return of his
Majesty. [London, 1732 ?] s. sh. fol.
G. 303. (36.)
XXIV. Solos for a Violin with a Through
Bass for the Harpsicord or Bass Violin.
Printed for I. Walsh:
London, [1705 ?] obi. fol. e. 15. b.
There is a second title-page in which
I. Hare's name occurs icith Walsh's in
the imprint. This is the same ivork
as that published at Amsterdam as
' Sonates a un Violon,' etc.
A Second Set of Solos for the Flute, with
a Thorough Bass for the Bassoon, Bass-
Flute or Harpsicord. [Separate Parts.]
Printed for J. Walsh. . .d P. Randall. . .d
J. Hare : London, [1710 ?] fol.
h. 250. c. (2.)
PEPUSCH (JoHANN Christoph) Sonates
a un Violon Seul & une Basse Continue
. . . Livre Premier (Second). 2pts.
Chez Estienne Roger :
Amsterdam, [110^'>] obi. fol. e. 15.
Sonates a un Violon Seul & une Basse
Continue . . . Livre Premier (Second).
Seconde Edition Reveue & Corrige par
I'Autheur. 2 pts. Chez Estienne Roger :
Amsterdam, [1710?] obi. fol.
e. 15. c. 1.
X. Sonates a Violon Seul & Basse Con-
tinue . . . Cinquieme Ouvrage, ou plutot
Livre Troisieme de son Second Ouvrage.
Chez Estienne Roger : Amsterdam,
[1710?] obi. fol. e. 15. c. (2.)
X. Sonates a Violon Seul & Basse Con-
tinue . . . Sixieme Ouvrage, ou plutot Livre
Quatrieme de son Second Ouvrage.
Chez Estienne Roger : Amsterdam,
[1710 ?] obi. fol. e. 15. c. (3.)
The Additional Songs in the Opera's of
Thomyris & Camilla as they are Perform'd
at the New Theatre, etc. [Score.]
I. Walsh and I. Hare :
London, [1120 ">] fol. H. 2815. j. (1.)
How blest is a Soldier. An Additional
Song set by Dr. Pepusch. Sung by Mr.
Leveridge in the Opera of Thomyris.
[London, 1720 ?] s. sh. fol.
G. 308.
[How blest is a Soldier.]
See Thomyris. A Choice Additional
Song in . . .Thomyris. [Bv J. C. PepU'-ch.]
[1725?] s.sh.iol. H. 1601. (200.)
[Another edition. How blest is a
Soldier.] A Choice Additional Song in
Thomyris. [By J. C. Pepusch.]
See Chloe. Chloe, or the ^Musical ^laga-
zine, etc. N" 89. [1760?] fol. G. 433.
[Venus and Adonis.] The Songs and
Symphony's in the Masque of Venus and
Adonis as they are Perform'd at the
Theatre Royal . . . Fairly Engraven and
Carefully corected by the Author. [Words
by C. Cibber.l Printed for
J. Walsh... d" J. Hare: London, [1715.1 fol.
G. 222." (4.)
[For songs, &c., published anony-
mously :] See Venus and Adonis.
The Wedding : a Tragi-Comi-Pastoral-
Farcical Opera... By Mr. Hawker... To
which is prefix'd, The Overture, by Dr.
Pepusch. With an Addition of the
Musick to each Song, Engrav'd on Copper-
(68.)
Printed for W. Meai
1346. e. 29.
The Score of the four
.revis'd bv Dr. Pepusch.
i. 2.
The Score of the Four
Operas containing 48 Sonatas . . . The whole
Revis'd and Carefully Corrected by D*"
Pepusch. [1735?] fol. g. 39. b. (1.)
Plates.
London, 1729. 8'
See Corelli (A.)
Setts of Sonatas .
[1732.] fol.
See Corelli (A.)
254
PEPUSCH— PERE
PEPUSCH (JoHANN Christoph)
Si'c Croft (W.) Six Sonatas. . .for Two
Flutes. . .To which is added an Excellent ]
Solo for a Flute and a Bass by Seign"'
Pepusch, f/c. [1710?] obi. lo\.
d. 150. (3.)
See Harlequin's Museum. The Over-
ture, Songs, Dances &c. in. . .Harlequin's
IMuseum . . . Compiled . . . from the Works
of Pepusch, etc. [1792.] obi. fol.
E. 108. d.
See Harmonia Mundi. Harmonia Mundi,
consisting of Six. . .Sonata's collected out
of the. . .Works of. . .^Mr. Pepusch, etc.
[1710?] fol. g. 419.
See M., R. Medulla IMusicae ; Being a
Choice Collection of Airs . . . from the
Works of... Pepusch, e<c. [1727?] 8°.
c. 25.
See Now. Now come Love's plagues, etc.
[Song, music by J. C. Pepusch.]
[1725 ?] s. .s7(. fol. H. 1601. (320.)
See Play. The Play of Love is now
begun, etc. [Music by J. C. Pepusch.]
[1725 ?] s. sh. fol. H. 1601. (473.)
See Treatise. A Short Treatise on Har-
mony.. .Dedicated to all Lovers of Musick,
by an Admirer of This Noble and Agree-
able Science [i.e. J. C. Pepusch].
1730. obi. 8". 785. a. 8.
See Ye. Ye beauteous Nymphs, etc.
[Song, to the tune of ' The Play of Love,'
by J. C. Pepusch.] [1728?] s. .s/(. fol.
G. 305. (306.)
PER. Per carita Bettina. A Bettina.
Canzonetta Veneziana. [By J. S. Mayer.]
Printed for T. Monzani :
[London, 1800.] fol. G. 811. a. (12.)
No. 15 of ' A Collection of Periodical
Italian Songs,'' etc.
Per marito ad un notaro. Duetto.
See Paisiello (G.) [La Molinara.]
Per marito vossignoria. Duetto.
See Paisiello (Ct.) [La Molinara.']
Per non vivere geloso. Air.
See Pallavicino (C.) [II Nerone.]
Per pieta non vi sdeguate. Canone.
See Martin y Solar (V.) [Una Cosa
Bar a.]
Per vivere contento. [Song.]
See Paer (F.)
PER (Ferdinando). See Paer.
PERCHE. Perchesemiotusei. Terzetto.
See Tritto (G.)
PERCY (John) Six Arietts . . . Opera 5"'.
Printed for the Author :
London, [1785 ?] obi. A". B. 400.
The Bonny Seaman, a Favorite Song
sung by Mrs. Kennedy at Vauxhall.
Printed for J. Bland :
London, [1785 ?] fol. G. 307. (216.)
PERCY (.John)
Supposed to
Antoinette, etc.
The Captive. [Song.]
be Written by Maria
[London, 1793 ?] fol.
G. 360. (39.)
[Another edition.] The Captive, [Song,]
said to have been written by Maria
Antoinette Queen of France . . . translated
from the Original, etc.
Prijited for the Author :
fol. G. 424. a. (32.)
Ballad. The Author :
fol. G. 806. d. (35.)
London, [1793 ?]
Gaffer Gray. A
[London, 1795.]
Select Songs, No. 10.
The Garden scene from Shakespear's
Romeo and Juliet, versified, set to Music
and. . .Dedicated to the Hon. Mrs. Mil-
banke, by J. Percy. Op. 2"*. J. Bland :
London, [1785 ?] fol. G. 795. (1.)
Hark the Horn calls away, to the woods
let's repair. The Favorite Hunting Song
...Sung by Mr. Vernon, at Vaux-Hall
Gardens. Printed for J. Bland:
London, [11 QO'}] fol. G. 308. (150.)
How sweet the Moon-light sleeps. .1 feu:
lines from Shakespear's Merchant of
Veyiice. Act v. Scene 1. Set to Music,
etc. [Song.] Printed for the Aut hoi- :
London, [1790 ?] fol. G. 424. a. (34.)
Mira. A favorite Song sung by Master
Walsh, etc. Preston d Son :
Lo«fZoH, [1795?] fol. G. 383. i. (14.)
Soft as yon silver ray that sleeps. Air,
from the Misteries of Udolfo [by ]Mrs. A.
Radcliffe], etc. Printed for the Atithor :
London, [1795.] fol. Hi 2830. g. (38.)
Select Songs, No. 4.
Select Songs. 26 Nos. Printed for the
Author : [London, 1795-7.] fol. G. 654.
The title ' Select Songs ' begins witlt
No. 5. These copies icere presented bij
the composer to the Harmonists, and
are signed and dated by him.
Eight Songs with an Accompaniment for
a Violin. . .Opera Primo. J. Bland :
London, 1781. fol. G. 805. k. (15.)
With an etched title-page by J. Sanders
of Norxcich.
Sophrosyne. [Song.] The Words from
Mr. Hayley's Triumphs of Temper, etc.
Printed for E.Scott: [London, 11 8b '>] fol.
H. 1653. (41.)
The Sorrows of Charlotte at the Tomb of
Werter. [Song.]
Printed for the AutJior's Widow :
London, [1798 ?] fol. G. 424. a. (33.)
When Chloe try'd her Virgin Fires. The
favorite Vauxhall Song, composed for
Mr. Cubitt...the Words by Dr Hoane.
J. Bland : London, [1785 ?J fol.
G. 313. (178.)
PERE. Uu pere avoit dix-sept enfans.
Air. See Au Retour.
PERE— PERGOLESI
255
PERE. Le Pere de famille rendu a la
Liberte. Romance Patriotique.
See CiEL. Le Ciel a puni les Tirans, etc.
[1793 ■?] 8". B. 362. d. (46.)
Pei-e de I'Uuivers. Hymne.
See GossEC (F. J.)
Pere du jour, flambeau de la nature.
Recit de Basse. [Paris,] 1753. s. »h. 4\
298. c. 16.
Merciue de France, Dec, 1753.
Pere du jour, quitte le sein de I'Onde.
Air. See Lemaire (L.)
Pere qui sous la serure. Vaudeville.
See Besoin d'Aimer.
PERE DUCHENE. P«re Duchene.
[i^ong.j S'-e Ciel. Ciel, il etait si Patriste,
etc. [1793?] 8". B. 362. d. (21.)
PERE SIROT. Le Pere Sirot. Vaude-
ville. See BouvARD (F.)
PEREGO (Camillo) La Regola del Cauto
Fermo Ambrosiano, etc. Per Veredi di
Pacifico Ponzio, e Gio. Battista Piccaglia :
Mildno, 1622. 4». E. 783.
PERES. Les Peres seroient trop heureux.
[Song.] [Pans, 1790? 8".
B. 362. e. (123.)
PEREYRA DA COSTA (Antonio)
Concertos Grosses com doys Violins, e
Violiio de Concertinho Obrigados : E
outros doys Violins, Viola e Orgao, de
Concerto Crrosso a Arbitrio . . . Opera
Premeira. [Separate Parts.]
Printed for J. Simpson :
London, [1740 ?] fol. g. 1030.
PEREZ (Davidde) [Didone Abbandonata]
Tbe Favourite Songs in the Opera call'd
La Didone Abbandonata. By [B. Galuppi
and] Sig"" Perez. Printed for I. Walsh :
London [1761] fol. H. 325.
[Another edition. Songs in Didone
Abbandonata. By B. Galuppi and D.
Perez.] See Delizie. Le Delizie dell'
Onere, etc. Vol. XL, XII. [1776.J fol.
G. 159.
Mattutino de' Morti, etc. [Full Score. j
Presso Roberto Bremner :
Londra, [1774.] fol. L 510.
See CoRFE (.Joseph) Sacred Music...
Consisting of . . .Anthems. . .adapted to. . .
Music of. . .Perez, e/c. [1S00?1 fol.
I. 250. a.
See Overtures. Six Overtures in 8
Parts . . . by , . . Perez, etc. [1765 ?] fol.
g. 212. a.
PEREZ (Davidde) and COCCHI (Gioac-
CHiNO) The Favourite Songs in the Opera
call'd Farnace. Printed fo^- 1. Walslt :
London, [1759.] fol. G-. 204.
PEREZ CALDERON (Manuel) Expli-
cacion de solo el canto-llano, que para
instruccion de los novicios de la Provincia
de Castilla del Real y Militar Orden de
N. Sefiora de la ^Merced, Redencion de
Cautivos, compuso el P. Fr. ilauuel Perez
Calderon ... A que auade las Cuerdas de
Alamire, Gsolreut, Ffaut, y laque...u&a
la Santa Iglesia de Toledo, llamada por
eso Cuerda Toledana. Contiene asimismo
todas las Antifonas, Lamentaciones, y
Responsorios de los tres dias de Tinieblas.
Todo lo que ... ha dispuesto, y da a luz el
P. F. Isidro Lopez, etc. Joachin Ibarra :
Madrid, 1779. 4' . 7898. bb. 20.
PERFECT ( ) See Doyle ( ) and Per-
fect ( ) Peace, the Cuckoo, and Sweet
Miss Prue. Three . . . Rounds (composed
by jMessrs. Doyle and Perfect), etc.
[1800?] fol. G. 353. (12.)
PERFECTIONS. The Perfections of
true Love. Song.] See There. There
liv'd long ago in a Country Place, etc.
[1730?; .<.. 5/i. fol. G. 312. (86.)
PERFIDE. Porfide Amour, n'espere plus.
L'Amant PJiilosopJie. [Song.] Air, Non
non Doris. CJu's Camand :
[Paris, VtSbV, 8". B. 362. e. (82.)
PERGOLESI (Giovanni Battista)
Quattro Cantate da Camera. La prima per
Cimbalo, e Tre con varii Rectitativi,
Violini, e Violetta obbligata . . . Raccolte da
G. Bruno. . .Opera seconda in Rame.
Giovanni e Giuseppe Palmiero :
[NapUs,Vt^'>'\ obi. fol. E. 240.
Engraved thrmighout by G. Bruno.
IV Cantatas. [Full Score.]
R. Bremner: London, [1770?] fol.
H. 1102. f.
IV Cantatas. [Full Score.]
Preston & Son : London, [1790 ? fol.
H. 101. f. (2.)
La Contadina astuta.
See infra : TraccoUo.
Domine ad adjuvandum me. Motetto,etc.
[Full Score.] [B.Goodison: London,
1790 ?j fol. L 359. (3.)
[Songs in L'Ingratitudine Puuita. A
Pasticcio, by Hasse, Lampugnani . . .
and Pergolesi. Full Score.] See Delizie.
Le Delizie dell' Opere, etc. Vol. 5.
[1776.] fol. G. 159.
Eight Lessons for the Harpsicord, etc. (A
Second Set of Eight Lessons, etc.)
Longman, Lukeij £ Co. (Longtnan aiul
Broderip): LohcZou, [1778 ?-1783?] o6Z. fol.
d. 72.
[Another copy. Second Set.]
e. 282. e. (11.)
256
PERGOLESI-PERIODICAL PUBLICATIONS.
PERGOLESI (Giovanni Battista)
Livietta e Traccollo. See infra : TraccoUo.
]\Iiserere a Quatre Voix, etc. [Full
Score.] Chez Pleyel : Paris,
[1800?] fol. H. 1028. c. (5.)
Bibliotlicque Musicale. Fremiire Liv-
raison Vocale.
Missa (Kyrie et Gloria in excelsis Deo)
. . . Op. postuma. In Partitura.
Nell Contojo (V Alii c d' Industria :
Vienna, [1800 ?] fol. H. 1028. c. (4.)
Salve Regina a Due Voci, etc. [Pull
Score.] -B- Bremner :
Londra, [1780?] fol. G. 285. a. (2.)
The Favourite Songs in the Burletta, La
Serva Padrona. Eng. & It. [Full
Score.] Printed for J. Oswald :
London, [1760 ?] fol. G. 285. b.
The Favourite Songs in the Burletta, La
Serva Padrona, etc. Welcker :
London, [ilQQn fol. G. 760. b. (1.)
A reprint of Oswald's edition.
La Serva Padrona. Intermezzo, etc.
[Full Score.] Roberto Bremner :
Londra, 1777. fol. G. 285. c.
[For editions published anonymously:]
See Serva Padrona.
Twelve Sonatas for Two Violins and a
Bass or an Orchestra, etc. [Separate
Parts.] Preston and Son :
London, [1795 ?] fol. h. 35.
[Stabat Mater.] An Ode of Mr. Pope's
[beginning: "Vital spark of heav'nly
flame"]. Adapted to the Principal Airs
of the Hymn Stabat ]Mater, etc. [Full
Score.] Printed for I. Walsh :
London, [1745 ?j fol. G. 285. a. (1.)
Pergolesi's Celebrated Stabat ]\Iater. [Full
Score. 1 H. Wright : London, [1790 ?] fol.
H. 1102. e.
Stabat ]\Iater, etc. [Full Score.]
R.Birchall: London, \1Q0Q1] fol.
H. 1102.
TraccoUo. Intermezzo a tre, etc.
{Paris, 1753 ?] ohl. fol. C. 449.
This tvork is also knoivn as ' La Conta-
dina Astuta' and ' Livietta e Tracollo.''
See CoRFE (Joseph) Sacred Music. . .Con-
sisting of . . . Anthems . . . adapted to . . .
Music of. . .Pergolesi, etc. [1800 ?] fol.
I. 250. a.
PERI (Jacopo) Le Musiche di lacopo
Peri...sopra I'Euridice del Sig. Ottauio
Rinuccini. Rappresentate Nello Sponsa-
lizio della Christianissima Maria Medici
Regina di Francia e di Nauarra.
Appresso Alessandro Bauer ii :
Venetia, 1608. fol. K. 1. i. 4.
PERIN ET IiUCETTE. C'est le verre
a la main. Arictte de Pcrin et L^icette
[words by Davesne, music by G. Gifolelli,]
avec accompagnement de Guitarre du
S' Berchoni, etc. [Paris, 1775 ?] 8^
B. 362. h. (25.)
[Another edition.] C'est le verre a la
main. [Song, from] Perin et Lucette
[words by Davesne, music by G. Cifolelli].
C[amand : Paris, 1775 ?] 8".
B. 362. g. 1 38.)
PERINI (Murezan)
Sre Frizzoni (G. G. B.) Canzuns Spiri-
tuffilas, etc. [The tunes selected and
revised by M. Perini, etc.'] 1765. S".
3437. h. 20.
PERINI (Paolo de) .s'eeFRizzoNi(G. G.B.)
Canzuns Spirituaelas, etc. [The tunes
selected and revised by... P. de Perini,
etc.] 1765. 8°. 3437. h. 20.
PERINO, Fiorentino.
See Francesco, da Milano. Intabolatura
di Liuto di M. Francesco da Milano et
Perino Fiorentino suo discipulo, etc.
1.562. obi. 4". K. 1. c. 14.
PERINUS (Annibal) See Gatto (S.)
Motectorum . . . Simonis Gatti . . . turn
Annibalis Perini . . . opus, etc.
1604. 4". C. 45.
PERIODICAL PUBLICATIONS.
Berlin.
Kritische Briefe iiber die Tonkunst, mit
kleinen Clavierstiicken und Singoden
begleitet, von einer musikalischen Gesell-
schaft in Berlin. [By F. W. Marpurg.]
Bd. 1,2; Bd. III., Th. 1.
Bey F. W. Birnstiel : Berlin,
1760-1764. 4°. P.P. 1945. a. g.
No more published. The composers named
are: Graun, Nichelmann, von H., C.
Fasch, S., von 0., S. F. T.,A.von Z.,
Sack, J. 0. Uihde], A. F. J., J. A. F.,
Schalc,Z.,HofrathinH.,F. W., G.W.,
G. F., Dandrieu, W. B., P. W. R., P.,
T., L., T. B. and Marpurg.
Copenhagen.
Musik, von C. F. Cramer. . .Erstes Vier-
teljahr. Bey S. Sonnichsen : CopcnJiagen,
1789. 8°. P.P. 1945. aq.
A continuation of the author's Hamburg
' Magazin der Musik.'
The Hague.
Journal de la Haye, ou Choix d'Airs
Francjais, etc. Chez B. Hummel et Fits :
La Haye et Amsterdam. [1775 ?J 4°. E. 3.
Tlic composers named are : Colizzi, J.
P. Gerlin, Albanese, J. J. Rousseau,
Gritry, Hinner, Gramagnac, Gamier,
Felix, Philidor, LangU, Fargere,
Loodi, Guichard, Francais, Dorat,
Comien, Ruloffs, Cecile, N. N.,
Trotebas, L. C. 0., Bouillat, C, Le
PERIODICAL PUBLICATIONS
257
Roy, Lambert, Martini, Fodor,
Sarazin, Delorme, Audinot, Demig-
naux, Luce dc Grasse, JDoisi, de
Villeneuve, Marianne, Spandau,Porro,
Sacchini, La Barre, Desaugiers, Rigel,
Champain, Glnck, de Bosctti, J. A.
Berkcnhoff, Blin dc la Codrc and
Tapraij.
Hamburg.
Magazin dcr Musik. Herausgegeben von
C. V. Cramer. 2 Jahrg.
Hamburg, 1783-8-. 8". P.P. 1945. ap.
Eacli Jalirg. is in two volu))u's. Con-
tinued at Copenhagen as ' Musik.'
Lauexbubg.
Musenalmanach fiir das Jahr 1776{-1798).
Von den Verfassern des bish. Gutting.
jMusenalm. herausgegeben von J. H. Voss
(1780-1788 von Voss und Goekiugk).
Lauenhurg, Hamburg,
1776(-1798). 12° & 16°. P.P. 4739. db.
The vol. for YllG is printed by Berenberg,
at Lauenburg, the remainder by C. E.
Bohn at Hamburg. This tvork con-
tains songs, ifc, by D. Weiss, F. G.
Fleischer, Juliana Benda {afterwards
Eeichardt), Ncefe, J. F. Rcichardt,
J. Andre, von Meijcrn, J. A. F. Schuh,
Stadler, J. G. Witthauer, Handel,
C. F. G. Schwenke, F. L. A. Kunzen,
Zclter, Naumann, Gluck and J. J.
Rousseau.
Leipsic.
Allgemeine musikalische Zeitung. Jahrg.
1-50. Bey Breitkopf und Hiirtcl : Leipzig,
1798-1840. 8". P.P. 1945.
IMusikalische Nachrichtungen und Anmer-
kungen.
See infra: Wochentliche Nachrichten, e/c.
IMusikalischer Almanach fiir Deutschland
auf das Jahr 1782 (1783) (1784). [By J. N.
Forkel.] 3 Bd.
hn Schwickertscheii Verlag :
Leipzig, [1782-4.] 16°. P.P. 1945. d.
Wochentliche Nachrichten uud Anmer-
kungen die Musik betreffeud,
Leipzig, 1768, 69. 4°.
[Continued as :]
Musikalishe Nachrichten und Anmerkun-
gen auf das Jahr 1770.
Leipzig, 1770. 4°. P.P. 1945. ah.
Lo^'DO^^
The Gentleman's Musical Magazine ; or
IMouthly Convivial Companion. Contain-
ing, Anacreonticks, Cantatas, Catches,
GHees, Hunting Songs, Sea-Songs, &c., &c.
by the Principal Composers in Europe.
Volume the First. [No. 1.]
Printed for Harrison £ Co. :
London, 1788. fol. G. 351. (3).
This number contains songs by Arnold,
Hayes and Hook.
VOL. II.
Td3 Lady's Musical Magazine ; or,
Monthly Polite Repository of New Vocal
IMusick by the Principal Composers in
Europe. Volume the First. Printed for
Harrison and Co. : London, 1788. fol.
H. 2392.
No more published. The composers of
this collection are : Arnold, Shield,
Hook, Webbe, Carter, Hayes, Battis-
hill, Miller, M. P. King and Reeve.
[Another copy. No. 1.] G. 351. (4.)
The ]\Ionthly Mask of Vocal Music or the
Newest Songs made for the Theatre's &
other Ocasions Publish'd for. . .1703.
Printed for I. Walsh and I. Hare :
London, [1703.] fol. H. 313.
This collection icas issued in monthly
numbers beginning each year in
November, but dated throughout -with
the same year. The numbers for
November, December, January and
August only. There are two editions
of the December number. The com-
posers named are : J. Weldon, D.
Purcell, J. Barret, J. Eccles, Courtivil
ayul Bercncknv.
The Whole Volume Compleat intituled
The Monthly JIasks of Vocal IMusick.
Containing all the Choisest Songs by the
Best I^Iasters made for the Play-Houses
Publick Consorts and other Occasions for
the Year 1704 with a Through Bass to
each Song, etc. 12 Nos.
Priyited for. . .1. Walsh {and I. Hare) :
London, [1704.J fol. K. 7. e. 4.
Wanting the title-page for the August
number. The composers named in
this volume are : Weldon, E. White,
W. Croft, Courtivill, Bononcini,
Leveridge, J. Clarke, J. Barrett, D.
Purcell, H. Hall, W. Davis, Barencloiv,
Elford, Hickes, J. Townsend, R. Cox,
Wilford and Ximenes. At the end of
tlie vol. a second editioti of the issue
for November is inserted.
The Monthly Mask of Vocal Music...
for . .1705. I. Walsh and I. Hare ;
London, [1705.] fol. H. 313. a.
Wayitiiig the numbers for November and
December and the title-page for the
February number. The composers
named are : J. Barrett, J. Weldon,
J. Eccles, D. Purcell, Francisco, C.
Ximenes, Willis, A. Young, T. Clay-
ton and Leveridge.
The Monthly Mask of Vocal I\Iusic
. . . for . . . 1707. Printed for ... I. Walsh
and I. Hare : London, [1707.] fol,
H. 313. b.
The title-pages of some of the nwnbers
belong to earlier years, but the contents
are complete and agree with the index
258
PERIODICAL PUBLICATIONS
for 1707. The composers named arc :
J. Wcldon, J. Barrett, D. Purcell,
Lcveridgc, G. Hoyden, Coiirtivill, H.
Hall, Dr.Tudioaii,^R. Elford,W. Davis,
W. Croft, T. Willis, Ramondon, R.
Cox, J. Francis, A. Young, B. Isaac
and A, WliicJtcllo.
The Monthly INFask of Vocal Music...
for January, etc. [1708.]
Printed for. . .1. WalsJi and I. Hare :
London, [1708.] fol. H. 313. c.
Containing songs by T. Clayton, J. Wcl-
don, H. Purcell and Turner. At the
end is a single sheet , probably belonging
to some other number of the Monthly
Mask for n08.
The Monthly Mask of Vocal I^Iusick . . .
for . . . 1709. Printed for. . .1. Walsh and
I. Hare : London, [1709.] fol.
H. 313. d.
Tlie numbers for May, June (wanting the
first song), July (the first song onhj) ;
August {wanting the title-page) ; Sep-
tember and October {ivanting the last
song). The composers named are:
Crofts, B. Aldrich, G. Hayden, D.
Purcell, W. Turner, T. Benson, A.
Young, W. T., J. Barrett, B. Brown
and C. Mauley.
The Monthly IMask of Vocal Music . . .
f or . . . 1710. Printed for... I. Walsh
and I. Hare : London, [1710.] fol.
H. 313. e.
The numbers for November (toanting
the last song) ; December (wanting
the third song) ; March, June, July,
September and October. The com-
posers named are : W. Turner, Scar-
latti, B. Brown, D. Purcell, G.
Vanbrugh, Ramondon, Harris, J.
Ecclcs, T. Clarke, J. Barrett and G.
Hayden.
The Monthly Mask of Vocal ]\Iusic . . .
f or . , . 1711. Printed for ... I. Walsh
and I. Hare : London, [1711.] fol.
H. 313. f.
T]te numbers for November, December,
March, April, May, June and Sep-
tember. The composers named are :
Turner, J. Cotterell, R. Pain, Leve-
ridge, Manchiney, G. Hayden, W.
Davis, Walkley, Harris, T. Style, J.
Barrett, D. Purcell and Manley.
The Monthly Mask of Vocal Musick...
for . . . [1717.] Printed for I. Walsh
and I. Hare : London, [1717.] fol.
H. 313. g.
TJw. numbers for July, August, Septem-
ber and October. The composers named
are : D. Purcell, E. Purcell and
Turner.
The Monthly Mask of Vocal IMusic . . .
for . . . 1718. Printed for ... I. Walsh
and I. Hare : London, [1718.] fol.
H. 313 h.
Wanting the numbers for December,
April and October. The composers
named arc : G. Vanbrughe, Rosein-
grave, W. Turner, J. Graves, Durden,
D. Purcell, C. Young, Corclli and
Conti.
The ]Monthly Mask of Vocal Musick...
for July ... 1724. Printed for . . I. Walsh
and I. Hare : London, [172i.] fol.
H. 313. i.
This numhcr contains six songs in G. B.
Bononcini's ' Ccdfurnia.'
The Monthly Musical Journal consisting
of Origiiial British and new Foreign music
Vocal & Instrumental, etc. Nos. 1-4.
[1800.] fol. See Busby (T.) G. 350. (1.)
The Musical INIagazine. By ]Mr. Oswald
and other Celebrated jMasters.
[1761-2?] 4". Sec Oswald (J).
E. 1747 a.
The Musical Magazine, or Compleat
Pocket Companion for the Year 1767
(-1772) consisting of Songs and Airs for
the German Flute, Violin, Guittar and
Harpsichord; by the INIost Eminent
IMasters. C vols. T. Bennett, etc. :
London, 1767(-1772). 8'. E. 762.
The composers named arc : L. Granom,
Dr. Arne, Snoio, Wall, Linley, M.
Arne, Berg, Hassc, H. Purcell, Holmes,
J. Gerard, Claget, Handel, W. Yates,
Miss Hardi7i, Jackson of Exeter, Battis-
hill, T. Gardiner, V. Warner, Miller,
Bates, Nandot, J. Collett, Hook, Gior-
daui, San Martini, Weideman, W.
Tibbs, WIteatley, Langdon, Skinner,
J. Whcatcroff, Gcminiani, Dibdin,
Boyce, S. L., W. Goodwin, I. Gan-
thony, Stanley, T. J., T. Hobbs, R.
Hall, Hayden, W. Harrison, Richard-
son, Taylor, Howlcraft, J. Raynard,
B. Chapman, Pasguali, Green, T.
Smart, Sclby, C. K., G. Kershaw or
Kirshaw, A. Z., L. D., Bamber, I. G.,
Tremain, T. Broion. Ghillinidi Asuni,
J. Alcock Jr., J. S. Smith, B. T., W.
Crouch, R. Jones, Sly, Dr. Alcock,
Dr. Howard, James, A. Pitman, T.
Richardson and P. C.
The New Musical and Universal Maga-
zine. Consisting of the most favourite
Songs, Airs, &c. . . . adapted for the G
Flute, Violin, Guitar, and Harpsichord,
also is included 16 (20) Pages of Letter
Press, etc. (The Literary Part of the
jMusical Magazine.) 3 vols.
Printed for R. Snagg (I. French) : Londoyi,
(1774, etc.). 8". E. 761.
The literary part in this copy only
PERIODICAL PUBLICATIONS— PERSEO
259
extends from Sex^t. 1774 to Dec. 1775.
TJie composers named arc : Smith,
Martini, Rayner Taylor, B. G., Dale,
A. Pitman, T. Smart, Dr. Boyce,
B. F., H. Sanderr, Wcedon, J. Jack-
son, J. Alcock M.B., L. Granom,
Markham, H. Purcell, Dr. Avne,
Hurington, Handel, Jones, Long,
Dibdin, Hook, Carter, Gcminiani,
Hayes, Burney, Galicppi, Rush, J.
Clark, Blow, S. Webbe, Aylward, I.
Olive, Bates, Dr. Alcock, Richardson,
Weideman, T. Brown, Miller, Eccles
and J. Gerard.
The Piano-Forte Magazine. IG vols.
Printed for Harrison and Co. : London,
[1797-1802.] 8». D. 854.
Imperfect; wanting Nos. 5G, 81, 142,
143 and 178 ; also the title-pages and
portions of several numbers.
Pleyel, Corri and Dussek's ^Musical
Journal, ^ee Pleyel, Corri and Dussek.
The Vocal Harmonist's iMagazine, etc.
No. II. [1765 ?J obi. fol.
See. Bremner (R.) E. 318. c. (4.)
Mannheim.
[Maunheimer ilouatschrift. A Collection
of Vocal and Instrumental ]\Iusic, edited
and published by Abt Vogler. 3 vols., each
in 12 monthly parts.]
B. Schott : [Mainz;] 1778-1781. fol.
H. 3311. c.
This publication contains a version of
PergulesVs 'Stabat Mater; altered by
Vogler, and compositions by Vugler,
J. C. Bach, Winter, Mezgcr, Galuppi,
Anfossi, von Kerpen, Bixis, L.
Kornacker, Andr(^, Neefc,von Dalberg,
Kirnberger, Weber, Verazi, Enslin,
Bitter, C. von Brandcnstein and F. L.
Classen. Wanting the last two numbers
of Jahrg. 1, Lief. III., and the last
number of Jahr. 3, Lief. II. and III.
Paris.
Choix de Musique, dedie a S. A. S....le
Due . . . des Deux-Ponts. 36 Nos.
1783 (1784.) 4". See Musique. E. 367.
PERISSONE. See Cambio (P.)
PERKINS (Dodd) Music the soul of
melody. A Favorite Glee, etc. Smart :
Londo7i, [1800?] fol. G. 805. k. (16.)
Ten Songs, written by the Honourable
Francis Seymour, etc. Smart, for the
Author: London, [1797?] fol. G. 369. (6.)
PERKINS (R). 'Tis pleasant to sing.
[Hymn.] Weldon Tune. The Words
by the Rev" A. Toplady, etc.
[London, 179G.] 8". P.P. 717.
Gospel Magazine, Oct., 179G.
PERKINS (William) Facile Difficile,
or Mysterys of the Violoncello exposed in
XI. Sonatas or Duets.
For Benefit of the Magdalen Hospital :
[London, 1760 ?] fol. f. 179.
PERliE. La Perle des Femmes. [Song.]
See Que. Qu'on souffre, h^las, etc.
[1795?] 8°. B. 362. f. (56.)
PERNICIOUS. Pernicious Cupid long
in vain. Song. [London,
1750?] s. sh. fol. G. 311. (6.)
Pernicious Traytor, Song.
See Ramondon (L.)
PERONNE SAUVEE. Sitot que Lubin
m'aima. Air de Peronnc Sauvie [by N.
Dez^de]. Accomp' de Guitar re par JM"
Ducray. Chez Ics Fri^rcs Savigny :
Paris, [1783.] 8". B. 362. h. (8.)
PERRIER ( ) Chantons, chautons lo
beau nom de Nanette. Rondeau. [For
three voices, words and music by —
Perrier.] [Paris,] 1729. s. sh. i".
298. a. 3.
Mercure de France, Jan., 1729.
PERRINE ( ) Livre de Musique pour
le Lut. Contenant une Motode nouvelle
et facile pour aprendrc a toucher le Lut
sur les notes de la musique, avec des regies
pour exprimer par les memes notes toutes
sortes de pieces de Lut dans leur propre
mouv', &c. [Paris ? 1680 ?] obl. fol.
e. 139.
The pirivilege is dated 1679.
PERS (DiRCK Pieterszon). Bcllerophon,
of Lust tot Wysheyt : door Sinne-beelden
leerlijck vertoont. Waer by zijn guvoeght
De Vrolijcke Stemmen : of, Stichtige en
vermaecklijcke Liedekens en Dichten . . .
Waer by noch konnen ghehonden werden,
het Tweede-deel Urania of Hemel-saug,
als mede het Derde-deol, Ghesang der
Zeden, van den selfden Auteur. En op 't
nieuw. . .vermeerdert. . .en met de alder-
schoouste Voysen op Musijck - nooten
ghepast, etc. 3 pts.
By Willem van Beaumont : V Amstelredum,
1657 (1656). 8°. 11556. c. 31.
Each part has a separate titlc-p)age and
pagination. Deel II. and III. are
dated 1656.
Bellerophon, of Lust tot Wysheyt . . . De
Musijck door C. de Leeuw gecorrigeert.
3 pts. Voor Willem van Beaumont :
V Amsterdayn, 1669. 8».
Case 64. b. 16. (1.)
PERSEE. Persee. Tragedie.
See LuLLi (G. B.)
PERSEO. Perseo. Opera.
,sV- Sacchini (A. M. G.)
s. v.
2G0
PERSEUS— PESORI
PERSEUS AND ANDROMEDA.
How pleasant a Sailors life passes. The
Sailor's Ballad. Sung by Mr. Legar in
Perseus and Andromeda. [Music by J. C.
Pepusch.] [London, nSO?] s. sh. io\.
G. 308. (48.)
This song is not in the printed cojnj of
the entertainment.
[Another edition.] How pleasant a sailors
life passes, etc. [London, 1730 ?] s. sh. fol.
I. 530. (127.)
In London Town there liv'd well known.
[Song.] Sung by Mr. Bay in Perseus and
Andromeda. [Music by J. C. Pepusch.]
[Lo7idon,lT30?] s. sh. io\.
G. 305. (10.)
[Another copy.] G. 309. (41.)
PERSUIS (Louis Luc LOISEAU DE)
Estello. [For songs, &c., printed anony-
mously :] Sec EsTELLE.
PERTI (GiACOMO Antonio) Cantate
Morali, e Spirituali a vna, & a due voci,
con Violini, e senza . . . Opera Prima.
[Canto.] (Basso.) (Violiuo Primo.)
(Violino Secondo.) (Violoncello.) (Basso
Continue.) G pts. Per Giacomo Monti :
Bologna, 1688. 4°. D. 81.
Wanting the title-joage of the Canto
jyart.
PERUVIENNE. La P6ruvienne, Op6ra-
Comique, [written] par M. Eochon de
Chabannes. . .Avec la Musique.
See Theatbe. Nouveau Theatre de la
Foire, 1754, etc. Tom. 2. 1763. 8".
11735. d. 2.
PESCATRICI. The Favourite Songs in
the Opera call'd Le Pescatrici. [Full
Score.] Printed for I. Walsli :
London, [1761.] fol. G. 808. c. (25.)
[Another edition. The Favourite Songs
in . . . Le Pescatrici. Full Score. 2 copies.]
See Delizie. Le Delizie dell' Opere, etc.
Vol. 10, 14. [1776.] fol. G. 159.
PESCETTI (Giovanni Battista) The
Favourite Songs in the Opera caU'd
Angelica & Medoro. Printed for . . .
I. Walsh : London, [1739.] fol. G. 216.
[Demetrio.] The Favourite Songs in the
Opera call'd Demetrius, etc. [Full Score.]
Printed for . . .1. Walsh:
London, [1737.] fol. G. 193. (2.)
[Semplicetta tortorella.]
See Stella. Stella darling of the Muses
... To a celebrated Air in Demetrius [by
CI. B. Pescetti], etc. [1740 ?] s. sh. fol.
G. 316. f. (13.)
[Diana ed Endimione. Four songs from
the Serenata, by G. B. Pescetti.]
See Delizie. Le Delizie dell' Opera, etc.
Vol. 2. [1776.] fol. G. 156.
PESCETTI (Giovanni Battista) [Songs
in Olimpia in Ebuda. A Pasticcio, by
Hasse, Pescetti, etc.']
See Delizie. Lo Delizie dell' Opere, etc.
Vol. 4. [1776.] fol. G. 159.
Senate per Gravicembalo. Nuovamente
Composte, etc. (Ariette nell' Opere del
Sig" Pescetti.) Londra, 1739. obi. fol.
e. 493.
See Hasse (J. A.) Farinelli's Celebrated
Songs, etc. (Galuppi . . . Veracini and
Pescetti's Chamber Aires . . . Collected out
of all their late Operas.) [1736-1755?] fol.
g. 444.
See Lessons. Select Lessons . . . for Two
German Futes or Two Violins . . . Ex-
tracted from the works of. , .Pescetti, etc.
[1735 ?] obi. 4°. b. 30. (2.)
PESCH (Carl August) Six Senates a
Deux Violons & Basso. . .Oeuvre Second.
[Separate Parts.] Londrcs,[YllQl] fol.
g. 682.
Six Senates a deux Violons et Basse . . .
Oeuvre iii. [Separate Parts.]
Printed for W. Napier :
London, [1770?] fol. g. 274. b. (4.)
PESCIOIjINI (Biagio) II Secondo Libro
de Madrigali a Sei Voci Nouamente Com-
posti & dati in Luce. Canto.
Apresso li Figliuoli di Antonio Gardano :
Vcnetia, 1571. obi. 4°. A. 69.
PESENTI (]\Iartino) Arie a Voce Sola
Commode da cantarsi nel Clauicembalo,
Chitarone, & altro simile Stromento, Con
le Lettere dell' Alfabetto per la Chitarra
Spagnola. Con una Cantata nel fine...
raccolte da me Alessandro Vincenti.
Nuouamente composte, & date in luce
. . .Libro Terzo. Apprcsso Alessandro
Vincenti : Ve?ietia, 1636. 4". D. 84. a.
11 Primo Libro dj' Madrigali a Due Tre e
Quattro Voci. Con il Basso Continue per
sonar . . . Nouamente ristampato, & cor-
retto dair Auttore, etc. Canto Primo
(Secondo). (Basso.) (Basso Continue.)
4 pts. Appresso Alessandro Vincenti :
Venetia, 1628. 4°. D, 84.
PESORI (Stefano) I Concert! Armonici
di Chitarriglia di Stefano Pesori. Ridotti
in Cinque beliss. Ordini, etc.
Per Andrea, d Frat. Rossi :
Verona, [1645 ?] fol. K. 1. g. 16.
The music is engraved iliroughout.
There is a second [engraved) title-page
and a portrait of the composer. On the
verso of tJie title-page is a MS. sonnet
by C. Foloci luith a vignette pwtrait
in bistre. On the verso of fol. 12
arc MS. compositions in Guitar Tabla-
ture.
PESORI— PETITE
261
PESOm (Stefano) Lo Scrigno Armonico.
Opera Seconda . . . Ove si rinchiudono
vaghissime danze, & ariette al modo
Italiano, Spagnolo, e Francese ; per
suonare iu concerto con Basso, Violino,
Manacordo, & altri instrument! : et molte
vaghissime Villanelle, con 1' Intauolatura
della Chitarra Spagnola, etc.
[Mantua? 1640.] fol. K. 1. g. 15.
The music is engraved throughout.
There is a second (engraved) title-page.
Betiveen leaves A 2 and A 3 an en-
graved portrait of the author is
inserted.
PETER (Christoph) Geistliche Arien,
mit eiuer Stimme zu singeu, und mit
Fiinff Violen oder andern Instrumenten,
benebenst dem Basso Continuo Abwecbsel-
ungsweise zu spielen, etc. Yioliuum ii.
(Bassus ad lustrumenta.) 2 pts.
Christoph Gruher: Gubcn, 1G(J7. 4\
B. 48.
Precationis Tburibulum, continens Lit-
anias sive Missas . . . duodecim, partim
quindeuum, partim septenum octonumcj
vocum, cum Basso Continuo, ad imita-
tionem quarundam Prsestautissiraorum
Musicorum Cantionum, Latino Germani-
coque idiomate concinnatas a Gbristopboro
Petrseo, etc. Cantus Primus. (Altus.)
(Tenor.) (Bassus.) (Septima et Octava
Vox.) 5 pts. Ti/pis. . .Christojiho) i
Grnberi : Guhcmr, 1669. 4°. B. 123.
The composers named in this work arc :
J. H. Schein, A. Hammerschmid,
B. Gratiani, J. Tricaricus, T. Zeut-
schncr, J. Rovetta, Mazak and F.
Weisensec.
PETERS ( ) On a Young Lady. [Song.]
Bland : [London, 1780?] s. sh. fol.
G. 313. (144.)
[Another copy.] H. 1601. b. (92.)
[Another edition.] On a Young Lady.
A new Song, etc. [London,
1780?] s.sh.iol. G. 313. (197.)
PETIT. Le petit Bien. [Song.]
Sec Adieu. Adieu, beautes, dont I'eta-
lage, etc. [1780 ?] 8". B. 362. b. (100.)
Le petit Bien de Lise. Chanson.
See Du. Du plus beau des petits endroits,
etc. [1785 ?] 8°. B. 362. b. (180.)
Le petit Bijou de Jeannette. [Song.]
See Je. Je ne veux aimer, etc.
[1785 ?] 8". B. 362. e. (13.)
Le petit Dieu charmant. Lisette et
Lubin. [Song.] Air : Et zon zon zon
Lisette. Ch^s Camand : [Paris,
1780 ?] 8°. B. 362. e. (88.)
[Another setting.] Le petit Dieu charmant.
[Song.] See Duval ( )
PETIT. Le petit Dieu folatrant. Chanson.
[Paris,] 1726. s. sh. 4°. 297. a. (21.)
Mercure de France, June, 1726.
Le petit Doigt Babillard. [Song.]
See BouFFLERS. Boufflers pcignit avcc
grace, etc. [1790 ?] 8". B. 362. (195.)
Le petit Fripon. [Song.]
See Ah. Ah ! fripon que pretend tu faire,
etc. [1780?] 8". B. 362. e. (36.)
Le petit Manage. [Song.]
See TissiER ( )
Le petit Panier. [Song.]
Sec Autre. L'autre jour je vis dans un
Pre, etc. [1785 ?] S\ B. 362. e. (87.)
Le petit Ramonneur. [Song.]
See Je. Je suis un petit Savoyard, etc.
[1780 ?] 8". B. 362. b, (150.)
PETIT MATELOT. Le Petit Matelot.
Opera. See Gaveaux (P.)
PETIT CE3DIPE. Vous craigncz de mo
rendre hommage. Vatideville du Petit
(Edipe. [Music by 1\I. A. Desaugiers.]
[Paris,-] 1779. 8". 297. f. 34.
Mercure de France, June, 1779.
PETIT SACRISTAIN. En s6chant
vos larmes. Air du. Petit Sacrisfain.
Avec Accomp' de Guittare. CJicz hnbanlt :
Paris, [1790 ?] 8'\ B. 362. h. (28.)
[Another edition.] En s^chant vos larmes.
Air du Petit Sacristain, etc. Chez Frt're :
[Paris, 1790?] 8". B. 362. c. (87.)
PETIT (Adrian) Coclicus. Compendium
Musices. . .Inquoprfetercseteratractautur
hjec : De Modo ornate canendi. De
Regula Contrapuncti. De Compositione.
MS. NOTES. Inqncssum . . .in officina
loannis Montani, d Ulrici Neuberi :
Norimberga; 1552. 4". K. 8. c. 14.
PETIT (J. C.) Apologia de I'Excellence
de la ISIusique. Avec quelques Remarques
. . .sur les raisons qui ont ete la principale
Cause de la Decadence que la Musiquc a
souferte, etc. Chez VAutcur :
Londrcs, [1760 ?] fol. 558*. c. 35. (4.)
PETITE. La petite Amelia. Le Mot de
Dilire, on Chacun son metier, [Song,
■written] par Mr. Lamy de Blonval. Air :
Oui noir mais pas si diable [by A. E. M.
Gretry]. [Pans, 1790?] 8\
B. 326. (117.)
La petite Barbe. [Song.]
See Je. J'ai fait rencontre l'autre jour.
[1780 ?] 8°. B. 362. b. (123.)
Petite Brunette. Arietta.
See M. (B. de)
Une petite fiUette. Chanson.
See Dalayrac (N.) [Les Deux Petits
Savoyards.]
Petite Gaiety Patriotique. [Song.]
See Que. Que le grand Roi des Hulans.
[1795 ?] 8". B. 362. (65.)
202
PETTTR— PEUPTiE
PETITE MAISON. La Petite Liaison,
Parodio d'Anacreon, Troisiome Acte do
rOpera des Surprises de I'Amour. Repre-
sent6e pour la premiere fois . . . le . . .
30 Juin 1757. Par M. do Marcouville. . .
avec la Musiquc. Chez Duchesne :
Paris, 1757. S". 86. b. 15.
Containing a song by llassc. Part of
the ' Siqipli'vicnt aux Parodies (hi
Theatre Italicn; etc. Tom. 2.
PETITION. Petition d'une Jeune In-
fortunee. liomance.
See Si. Si la raison ramene la justice.
[1795?] 8". B. 362. d. (55.)
PETITION. A Petition to Venus. [Song.]
See Gates (J.)
PETITIONER. The Petitioner's Delight
or the Westminster Committee. [Song.]
Sec Come. Come vou who sign Petitions
Sir, etc. [17S0?] " s. sh. fol.
G. 307. (103.)
PETIT-MAITRE EN PROVINCE.
Le Petit-Maitre en Province. Com^die.
See Alexandre (G. G.)
PETITS. Petits jNIoutons on courez vous,
Ariettc Nouvellcs. [Paris, 1780 ?] Q".
B. 362. b. (20.)
Les petits Moutons. Ariette.
See Paissez. Paiss^s petits moutons,
etc. [1775 ?] 8". B. 362. e. (49.)
Petits hostes de ces Boccages. Printcvis.
[Song.] iParis,'] 1725. s. sh. 4".
297. a. 13.
Merciire de France, April, 1725.
Petits Giseaux dont le ramage. [Song.]
Sec Amour Hermite.
Petits oiseaux, est-ce le jour. Air.
See Mouret (J. J.)
Petits oiseaux, qui sous ces verds feuil-
lages. Air.
See GuEDON de Presles ( ) -/li"«.
PETRAEUS (Christophorus).
See Peter (G.)
PETRARQUE. P^trarque dans le Tom-
beau de la belle Laure. Parodie.
See Grktry (A. E. M.) [L'Amitii a
V^preuve. A q^ucls niatix il me livre.']
PETRI (Ghristoph) Rinaldo und Armide,
sine dramatische Gantate, vom Herrn
Hase, etc. [P. E. Score.]
Beym Verfasser : Leipzig, 1782. obi. fol.
F. 386. (1.)
PETRI (JoHANN Samuel) Anleitung zur
praktischen IMusik. J. G. I. Breitkopf :
Leipzig, 1782. 4°. 785. g. 53.
PETRIE (Robert) A Collection of
Strathspey Reels & Country Dances &c.
With a Bass for the Violoncello or Harp-
sichord, etc. Steioart & Co., for the
Atithor : Edinbiirgh, [1795 ?] fol.
g. 272. w. (20.)
PETRIE (Robert) ]\PGardcn of Troup's
]]irthday [and other Scotch tunes], etc.
Goto and Shepherd, for the Author :
Edinburgh, f 1800?] fol. ■ -*
h. 1568. b. (19.)
PETRINI (Erancescc) Recueil de
Petits Airs arranges en pieces de Harpe
avec Variations. . .Oeuvre n"'°.
Chez M'- Coiisineau : Paris, (1774.) fol.
h. 3200. c. (2.)
PETSCH (JoHANN Friedrich) Seid from
ihr lieben Christen Leut. Ein schiJn
Christlich Lied, von dem Ehrwurdigen
Herren, D. Mart. Luth. vnd seiner Lere.
Gemacht vnd Componiret, durch M. J. F.
Petsch, etc. Gcdruckt . . . durch
Georgen liliaw : Wittemberg, 15i&. 4^
T. 2167. (14.)
PETZELT (Johann) Ein Christlich
kinder gcsprech von jrem Ampt vnd
beuehl, aus heiliger schrifft zusamen
gezogeu durch Johannem Peceltum
Suuidnicensem, etc. [With three-part
Hymns.]
Gcdruckt . . . durch Jacobum Bcrwaldt :
Leipzig, [1550 ?] 8\ 3505. df. 6.
Ein Christliches Kindergesprech, von dem
Ampt vnd Befelh der Eltern, aus Heiliger
Schrifft zusamen gebracht, niitzlich vnd
notig zu lesen vnd zu horen, etc. [With
three-part Hymns.] Wolff Giintcr :
Leipzig, 1551. 8". 3456. ece. 11.
PEU D'ARGENT (Martin) Liber
Primus Saerarum Cautionum quinque
vocum, quffi vulgo Moteta vocantur . . .
Acuta Vox. (Contratenor.) (Tenor.)
(Basis.) (Quinta Pars.) 5 pts.
Sumptibiis hxredum
Arnoldi Birckmanni, cxcudcbat Licobus
Bathcnius : Duisseldorpin- , 1555. obi. 4'\
K. 4. g. 6.
Liber Secundus Saerarum Cantionum
quinque vocum qufe vulgo Moteta vocan-
tur.. .Acuta Vox. (Contratenor.) (Tenor.)
(Basis.) (Quinta Pars.) 5 pts.
Suniptibus huredum Arnoldi Birckmanni,
e.rcudebat lacobus Bathenius : Duissel-
dorpii, 1555. obi. 4". K. 4. g. 7.
Liber Tertius Saerarum Cantionuin
Diuersorum Autorum, Quatuor, Quinque,
et Sex Vocum. [Edited by Martin Peu
d'Argent.] Acuta Vox. (Contratenor.)
(Tenor.) (Basis.) (Quinta Pars.) 5 pts.
1556 (1555). obi. 4". K. 4. g. 8.
See Motets.
PEUPLE. Peuple franc^ais, peuple de
freres. Le Ri'vcil du Peuple. [Song.]
Centre les Terrorisse. [Words by J. M.
Souriguiere, music by P. Gaveaux. With
Guitar accompaniment.]
[Paris, 1795.] 8°. B. 362. a. (1.)
PEU PLE— PFEFFINGER
263
I
PEUPLE. Peuple Pran<?ois, peuple de
freres. Le Riveildu Peuple, ou leRetour au
Moderantisme, compose apres la Denoncia-
tion de Barrere, CoUot d'Herbois, Billaud
de Varenue, et Vadier ; comme ilest chants
dans tous les Theatres de Paris. [Song,
words by J. M. Souriguiere, music by P.
Gaveaux.] Printed for J. Dale : London,
[1795?] fol. H. 1250. (35.)
Peuple verse des larmes 1 Migie de I' Ami
du Peuple, I' Incorruptible Marat, etc.
[Words] Par Perrin. Cliez Imbaidt :
Paris, 1793. 8°. B. 362. (133.)
PEUT. Peut ou affliger ce qu'on aime.
Ariette. See Deserteur.
PEUT-ON". Peut-on ne pas aimer Glycere.
Le Portrait de Glicire. Chanson. Les
■ paroles sont de M. Castres, etc.
[Paris,] 1767. s. sh. S^ 297. e. 6.
Mercure de France, Feb., 1767.
PEVERNAGE (Andreas) Chansons...
a Six, Sept, et Huict Parties. Superius.
(Contratenor.) (Tenor.) (Bassus.) (Quinta
Pars.) 5 pts. De VImprimeric de
Pierre Phalese : Anvers, 1607. obi. 4°.
A. 259. b.
Harmonia Celeste di Diuersi Eccel-
lentissimi Musici a iiii. v. vi. vii. et
VIII. Voci. Nuouamente raccolta per
Andrea Peuernage . . . Nella quale si con-
tengono i piu Eccelleuti Madrigali che
hoggidi si cantino. Canto. (Alto.) (Tenore.)
[Basso.] (Sesto.) 5 pts. Apprcsso
Pietro Plialesio & Giouanni Bellero :
Anuersa, 1593. obi. 4°. A. 259.
The Basso part is imperfect, loanting the
title-page, which has been replaced by
that of the Quinto. The Sesto (ex-
cepting the title-page) is in MS. The
composers of this collection are : 0. di
Lasso, A. Pevernage, N. Faignicnt, M.
A. Pordenon, F. de Monte, M. A. In-
gegncri, B. Pallavicino, G. M. ^'anino,
L. Maremio, G. de TFcri, A. Stabile,
S. Felis, G. Conversi, G. Vespa,
G. G. Gastoldi, G. F. Violanti, G.
Palestrino, A. Ferabosco, G. de
Macgue, A. Gabrieli, A. Pace, A.
Striggio, G. Ferretti, H. Bacchusi,
G. P. Manenti, H. Sabino and P.
Quagliati,
[Another copy. Alto.] A. 259. c.
Harmonia Celeste de Diuersi Eccel-
lentissimi Musici a iv. v. vi. et viii,
Voci, etc. . . . Nouamente ristampata.
Canto. (Alto.) (Tenore.) (Basso.) (Quinto.)
(Sesto.) 6 pts. Appresso
Pietro Phalesio : Anuersa, 1605. obi. 4°.
A. 259. a.
The Quinto and Sesto have no title-
pages.
PEVERNAGE (Andreas) Laudes Yes-
pertiuEe B. Jtlarise Virginis, item Hymnus
Venerabilis Sacramenti, et Hymni siua
Cantiones . . . Natalitise iiii. v. & vi.
Vocum. A Prsestantissimis Auctoribus.
M. Andrea Peuernagio, aliisque compositas.
Cum Basso Continue ad Org. Altus.
(Tenor.) (Basso Continue.) 3 pts.
Apud Pctrum Phalesitim :
Antuerpim, 1629. 4°. C. 257. a.
The composers of this collection are : A.
Pevernage, L. Viadana, G. Messaus,
G. Mimninckx, Dr. Ian Bull, Petro
Philippi [Peter Philips'] and C. Ver-
donch.
Missse V. VI. et vii. Vocum . . . Altus.
(Tenor.) (Bassus.) (Sextus.) 4 pts.
Apiud Petrum Phalesium : Antuerpim,
1602. 4°. C. 257.
PEYSEL (Conrad) See Friedsamer.
PEZ (Johann Christoph) Senate da
Camera or Chamber Musick. Consisting
of Several Sutes of Overtures and Aires
for two Flutes and a Bass . . . Parte
Prima. [Separate Parts.] Printed for
I. Walsh ... I. Hare . . . ami P. Randall :
London, [1710?] obi. iol. d. 150.
See Harmonia Mundi. Harmonia Mundi.
Consisting of Six . . . Sonata's collected
out of the . . . Works ... of Sig' Pez, etc.
[1710?] fol. g. 419.
PEZELIUS (Johann) Johannis Pezelii
FiinfE-stimmigte blaseude Music, beste-
hend in Intraden, AUemanden, Balleten,
Courenten, Sarabanden und Chiquen, als
zweyen Cornetten und dreyen Trombonen,
Cornetto primo. (Cornetto Secondo.) (Alto
Trombone.) (Tenore Trombono.) (Trom-
bono Grosso.) 5 pts. B. C. Wicsts :
Franchfurt am Mayn, 1685. obi. 4".
c. 31.
PEAFFENZELLER (F. B.) Neue
Lieder mit Begleitung des Claviers . . .
IP" Theil. In der Falterischen Musik-
handhmg : Milnchen, [1799.] obi. fol.
E. 600. e. (5.)
PFARRER. Des Pfarrers Techter von
Taubenhayn. Ballade.
See ZuMSTEEG (J. R.)
PFEFFINGER (Phieipp Jacob) Caprice
pour le Piano-Forte (sur deux airs de
I'Enlevement du Serail de Mozart), etc.
[Op. II.] Chez VAuteur :
Paris, [1800?] fol. g. 491. (2.)
Deuxieme Caprice. . .pour le Piano-Forte.
CEuvre 12^ Chez VAuteur :
Paris, [1800?] fol. g. 491. (3.)
Fantaisie. . .pour le Piano-Forte... CEuvre
9^ Chez VAtUeur : Paris, [1800 ?] fol.
g. 491. (1.)
264
PFEIFFER— PHILIDOR
PFEIFPEE, (JoHANN Michael) La
Banibina al Cembalo o sia Metodo facile,
e dilettevole in pratica per aprendere a
ben Suonare, ed accompagnare sopra il
Clavi-cembalo o forte piano, etc.
A Spese delV Autore : [Venice,
1785 ?] ohl. fol. e. 204.
Sei Sonate a due Violini per Esercizio a
contratempi, etc. Presso Antonio Zatta
e Figli : Venezia, [1785 ?] obi. fol.
f. 380. d. (2.)
PFENDER (GiACOMO Antonio) See
Kapsberger (J. H.) Libro Prime d'
Intauolatura di Chitarrone . . . Raccolto
dal Sig' G. A. Pfender. 1604. fol.
K. 7. f. 7.
PHAETON". Phaeton. Trag6die.
See LuLLi (G. B.)
PHAIiijSE (Pierre) IMusica Diuina di
XIX. Autori lUustri, a iiii. v. vi. et vii.
Voci, nuouamente raccolta da Pietro
Phalesio, et Data in Luce, etc. Canto.
(Alto.) (Tenors.) (Basso.) (Quinto.)
(Sesto.) 6 pts. Appresso Pietro
Phalesio & Giouanni Bellero : Anuersa,
1583. ohl. 4°. A. 342.
This collection contains madrigals by
G. Converse, Cypriano, N. Faignient,
S. Felis, Ferabosco, G. Ferretti, A.
Gabrieli, G. de Macque, G. P. Manenti,
F. de Monte, G. M. Nanino, Orlando,
G. Palestina, G. de Ponti, A. Striggio,
G. Vespa, P. Vinci, G. de Wert and 10
ancmymous compositions.
Musica Diuina di xix. Autori Illustri,
etc. Canto. (Alto.) (Tenore.) (Basso.)
4 pts. Appresso Pietro Phalesio d
Giouanni Bellero : Anuersa, 1588. obi. 4°.
A. 324. b.
The composers of this edition are the
same as that of 1583, but tJie name of
Spirito da Reggio also occurs.
Musica Diuina di xix. Autori Illustri,
etc. Canto. (Alto.) (Tenore.) (Basso.)
(Quinto.) 5 pts. Appresso Pietro
Phalesio & Giouanni Bellero : Anuersa,
1591. obi. 4°. A. 324. c.
[Musica Diuina di xix. Autori, etc.
Sesto.] [Appresso Pietro Phalesio :
Anuersa, 1614.] obi. 4°. A. 324. a.
Imperfect ; loanting the title-page, which
has been supplied in MS.
Musica Diuina a mi. v. vi. et vii. Voci
di XIX. Autori Illustri. Raccolta da
Petro Phalesio . . . Nouamente Ristampata.
Canto. (Alto.) (Tenore.) (Basso.) (Quinto.)
(Sesto.) 6 pts. Appresso Petro Phalesio :
Amiersa, 1623. ohl. 4°. A. 324. d.
See Madrigals. Madrigali a Otto Voci
de Diuersi. . .Autori, etc. [With a dedica-
tion signed : Pietro Phalesio.]
1596. obi. 4°. A. 234.
PHAIjtlSE (Pierre) See Madrigals.
De Floridi Virtuosi d' Italia Madrigali
a Cinque Voci ridotti in un Corpo,
etc. [With a dedication signed : Pietro
Phalesio.] 1600. ohl. 4°. A. 233.
See Madrigals. Ghirlanda di Madrigali
a Sei Voci, di Diuersi Eccellentissimi
Autori de Nostri Tempi, etc. [With a
dedication signed : Pietro Phalesio.]
1601. ohl. 4°. A. 232.
See Novi Frutti Musicali. Novi Frutti
Musicali. Madrigali a Cinque Voci di
Diuersi Eccellentissimi Musici, etc. [With
a dedication signed : Pietro Phalesio.]
1610. ohl. 4°. A. 231.
See Vago Alboreto. II Vago Alboreto
de Madrigali et Canzoni a Quattro Voci,
etc. [With a dedication signed : Pietro
Phalesio.] 1620. ohl. 4°. A. 230.
PHALESIO (Pietro) See Phal^ise.
PH AON AND MYRA. PhaonandMyra,
a Cantata containing Five Airs & a Duett,
in the Stile of the Hermit. J. Bland :
London, [1785 ?j fol. Q. 359. (4.)
PHARNACES. Pharnaces. Opera.
See Bates (W.)
PHIIjDRE. Phedre. Trag6die.
See Le Moyne (J. B.)
PHILANDER. Philander do not think
of Arms. Song. See Blow (J.)
Philander leave me. The Slight. [Song.]
[London, 1740 ?] s. sh. fol.
L 530. (128.)
Philander roving void of Care. Apollo's
Advice. [Song.] [London,
1750?] s. s7i. fol. G. 316. (113.)
PHILANTHROPY. Philanthropy.
[Song.] See Dibdin (C.) [Great News.']
PHILARMONICA, Mrs.,psctid. Sonate
a due Violini col Violoncello obbligato e
Violone o Cimbalo di Mrs. Philarmonica.
Parte Prima. (Diuertimenti da Camera
a due Violini Violoncello o Cimbalo.
Parte Seconda.) [Separate Parts.]
T. Cross sculpsit. Imprimiper B. Meares :
Londre, [1715 ?] fol. g. 1032.
PHILEON, pseud. Phileons und Baren-
holds Vier Lustige mit Anmuthigen Me-
lodeyen gezierte, und zum Theil verbes-
sert- und vermehrte Feld-Lieder, etc.
[Bern? 1710?] 8°. 11517. de. 27. (2.)
PHILIDOR (FRAN901S Andre DANI-
CAN) L'Amant D6guis6 ou le Jardinier
Suppos6. Com6die en un acte mel6e
d'Ariettes. . .Les Paroles par M. F[avart
and the Abb6 Voisenon.] . . . Grav^e par
Dezauche. [Full Score.]
Chez M. de la Chevardiere :
Paris, [1769.] fol. G. 397. f.
PHILIDOR
265
PHILIDOR (FHA-S901S Andre DANI-
CAN) L'Amant D^guise, ou Le Jardinier
Suppose, Comedie en un Acts [by C. S.
Favart], melee d'Ariettes . . . avec la
Musique [of the concluding Vaudeville].
1772. Sec Recueil. Recueil general des
Opera BouSons, etc. Tom. 7. 1777. 8°.
11735. b. 2.
Au Dieu qui vous enchaine. Ariette
ajoutee au Devin du Village . . . Cbantee
devant leurs Majest^s. . .le. . .9 Mars 1763.
[Full Score.] .S'ee Rousseau (J. J.) Le
Devin du Village. . .Avec 1' Ariette ajoutee
par Mr. PhUidor, etc. [1765.] fol.
H. 543. e.
La Belle Esclave, ou Valcour et Zeila,
comedie en un acte et en prose, m61ee
d'Ariettes. Par M. Dumaniant, etc.
Chez Prault : Paris, 1787. 8°.
11738. dd. 23. (9.)
The only 7nusic in this edition is tlie
voice-part of the coivplets : ' Riches de la
terre.'
Blaise le Savetier. Opera BouSon . . .
CEuvre 1". Les paroles par Mr. S[edaine]
. . . Grav6 par M'"' Vendome. [Full Score.]
Chez iP de la Chevardiire :
Paris, [1759.] obi. fol. E. 30.
Blaise le Savetier, Op6ra Comique, suivi
de la Noce de Nicaise, Intermede mel6 de
Chants & de Danse ; [written] Par Mon-
sieur S[edaine]. . .efc, (Ariettas de Blaise
le Savetier, etc.) 2 pts. 1759.
See TheXtee. Nouveau Theatre de la
Foire, etc. Tom. 4. 1763. 8°.
11735. d. 2.
Blaise le Savetier, Opera Comique, mel6
d'ariettes, par Monsieur S[edaine]. . .avec
la Musique. 1771. .SVe Recueil. Recueil
general des Opera Bouffons, etc. Tom. 6.
1777. 8°. 11735. b. 2.
Le Bucheron, ou les Trois Souhaits. Com-
edie en un Acte mele'es [sic] d'Ariettes. . .
Les Paroles de Mrs. G[uichard]et C[astet]
etc. [Full Score and Orchestral Parts.]
Chez VAuteur : Paris, [1763.] fol.
G. 397. a.
Katarinae Aug. Piae . Felici Ottomannicae
Tauricae Musagetae Q. Horatii Flacci
Carmen Saeculare Lyricis concentibus
restitutum A. D. Philidor D. D. D. [Full
Score.] [Paris,] 1788. fol. H. 2002.
Enfin nos voeux sont accomplis. [Song.]
A Monseigneur le Comted'Artois. Paroles
de M. Groubet. [Paris,] 1774. s. sh. 8^
298. e. 26.
Mercure de France, Jan., 1774.
Ernelinde. Tragedie Lyrique en Trois
Actes [written by A. A. H. Poinsinet] . . .
1" et 3' Acte grave par le S"' Huguet.
[Full Score.] Ch^s VAuteur :
Paris, [1769.] fol. G. 397. d.
PHILIDOR (FEAN901S Andre DANI-
CAN) Les Femmes Vengees. Opera
Comique en un Acte et en Vers par M.
Sedaine, etc. [FuU Score.] Chez Le Due :
Paris, [1775.] fol. G. 397. b.
Les Femmes Vengees, ou Les Peintes
Infid^lites, Op^ra-Comique en un Acte et
en Vers ; par M. Sedaine, etc. [With the
voice-parts of two Songs and the con-
cluding Vaudeville.] 1775. See Recueil.
Recueil general des Op6ra Bouffons, etc.
Tom. 8. 1777. 8°. 11735. b. 2.
Ne donnons jamais a nos femmes.
Vaudeville, etc. Paroles de M. Sedaine.
[Paris.;] 1775. 8". 298. e. 37.
Mercure de Fraiice, May, 1775.
[For songs, &c., published anony-
mously :] See Femmes Vengees.
[Le Jardinier de Sidon.] Airs et Duo
Detaches du Jardinier de Sidon, Comedie
en Deux Actes tir^e des CEuvres de M. de
Fontenelle, etc.
Chez M. de la Chevardiire :
Paris, [1768.] 8°. 11737. e. 18. (2.)
[Le Jardinier de Sidon.] Der Gartner
von Sidon. Ein Singspiel, etc. [Music
by F. A. Danican Philidor.]
See Operettas. Sammlung der komischen
Operetten, etc. Band III. No. 6.
1772. 8°. B. 729.
Le Jardinier et son Seigneur. Op^ra
Bouffon en un Acte [written by Sedaine]
. . . Grave par M""= de Lusse. [Full Score.]
Chez M'' de la Chevardiire :
Paris, [1761.] fol. H. 540. a. (1.)
Le Jardinier et son Seigneur, Op6ra
Comique . . . par M. Sedaine . . . avec la
Musique. 1771. See Recueil. Recueil
general de Op6ra Boufions, etc. Tom. 6.
1777. 8". 11735. b. 2.
Licas adoroit Oriane. Romance.
[Paris], 1780. 8°. 298. f. 4.
Mercure de France, June, 1780, p. 148.
Licas adorait Oriane. Romance Nouvelle
etc. [Paris, 1780?] 8°. B. 362. b. (32.)
Le Mar^chal Ferrant. Opera Comique en
Deux Actes . . . Les Paroles sont de M'
Quetant. [Full Score.]
Chez M'' de la Clievardiire :
Paris, [1762.] fol. G. 397. g.
Le Mar^chal Ferrant. Op6ra Comique en
Deux Actes par M. Quetant ; . . .Troisi^me
Edition, etc. (Airs [of 5 numbers].)
[Paris], 1762. 8°. 643. h. 2. (11.)
Le Mar^chal Ferrant, Op^ra Comique en
un Acte . . . Par M. Quetant . . . Avec la
Musique [of two Songs]. 1777.
See Recueil. Recueil g^n^ral des Op^ra
Boufions, etc. Tom. 5. 1777. 8°.
11735. b. 2.
[For songs, &c., published anony-
mously :] See Marechal Ferrant.
266
PHILIDOR— PHILIPPE
PHILIDOR (PRAN901S Andre DANI-
CAN) INIelide, ou Le Navigateur, Com^die
en deux Actes et en Vers, mel^e d'Ariettes,
etc. [With the voice-part of one song.]
1774. See Recueil. Recueil g^n^ral des
Op6ra Bouffons, etc. Tom. 8. 1777. 8°.
11735. b. 2.
[De nos moutons le nombre aug-
meute.] See Quoi. Quoi vous planez
loin de la terre. . .Air, De nos moutons, etc.
[1783.] 8". B. 362. a. (75.)
[For songs, &c., published anony-
mously :] See Melidb.
Ne donnons jamais a nos femmes.
See supra : [Les Femmes Vengi^es.']
La Nouvelle Ecole des Femmes, Com6die
en trois Actes, mel6e d'Ariettes, avec un
Divertissement, par M. de IMoissy, etc.
(Ariettes de la NouveUe Ecole des
Femmes.) 2 pts.
Chez la Veuve Duchesne : Paris, 1770. 8°.
11738. i. 36. (2.)
La Nouvelle Ecole des Femmes, etc. 1770.
See Recueil. Recueil g6n6ral des Op6ra
Bouffons, etc. Tom. 2. 1777. 8°.
11735. b. 2.
Histoire Amoureuse de Pierre le Long, et
de sa tres honuor^e Dame, Blanche Bazu
[by L. E. Billardou de Sauvigny] ... La
Musique de M' Philidor. Londres,
1765. 12°. 12511. bbb. 8.
Sancho Pan^a, Gouverneur dans I'lsle de
Barataria. Op^ra Bouffou . . . Les paroles
de Mr. Poinsinet le jeune. . .Grav6 par Le
S'^ Hue. [Full Score and Orchestral
Parts.] CMz M'' de la Chevardi^rc :
Paris, [1762.] fol. G. 397. e.
Ariettes de Sancho Pan(;a...Les Paroles
de M' Poinsinet. CMs M' de la
Chevardiere: Pans, [1762 ?] 8°.
B. 699. h. (2.)
Sancho Paucja dans son Isle, Op6ra
Bouffon en uu Acte ; par M. Poinsinet le
jeune. . .avec la Musique. Chez Duchesne :
Paris, [1707.] 8". 11738. 1. 27. (4.)
This edition only contains the voice-xiart
of some of the soyigs.
Sancho Pancja dans son Isle, etc. 1771.
See Recueil. Recueil g6n6ral des Op6ra
Bouffons, etc. Tom. 6. 1777. 8».
11735. b. 2.
Le Soldat Magicien. Op^ra Comique en
un Acte [by Anseaume] . . . Grave par M"''
Vendome. [Full Score and Horn Parts.]
CMs M. de la Chevardiere :
Paris, [1760.] fol. H. 540. b.
[For editions, &c., published anony-
mously:] See Soldat Magicien.
Le Sorcier. Com^die Lyrique en Deux
Actes, par M' Poinsinet . . . Grav6 par Le
S"' Hue. . .Partition complette, etc.
Chez M'- Le Clerc : Paris, [1764.] -fol.
H. 540.
PHILIDOR (PEAN901S Andee DANI-
CAN) Le Sorcier, Comedie lyrique, meslee
d'Ariettes ; en deux Actes . . . Avec la
Musique. (Les paroles sont de M. Poin-
sinet, etc.) Chez Duchesne :
Paris, 1764. 8°. 11738. 1. 28. (1.)
Le Sorcier, etc. 1770. See Recueil.
Recueil g^n^ral des Opera Bouffons, etc.
Tom. 3. 1777. 8". 11735. b. 2.
[For songs, &c., published anony-
mously :] See Sorcier.
Th^mistocle. Trag^die Lyrique en trois
Actes. Paroles de M. Morel, etc. [Full
Score.] Chez Le Due :
Paris, [1786.] fol. G. 397. e.
Tom Jones. Comedie Lyrique en Trois
Actes... Les Paroles de M'' Poinsinet...
Grav6 par Le S'' Hue. [Full Score.]
Chez VAuteiir : Paris, [1766.] fol.
G. 397.
Tom Jones, Com6die Lyrique en trois
Actes, imit6e du Roman Anglais de
M. Fielding, par M. Poinsinet. . .Nouvelle
Edition. [_Paris, 1767.] 8^
11738. n. 16. (4.)
This edition only contains the voice-'part
of the songs.
Tom Jones, etc. 1770. See Recueil.
Recueil g6n6ral des Opera Bouffons, etc.
Tom. 3. 1777. 8°. 11735. b. 2.
[For songs, &c., published anony-
mously :] See Tom Jones.
See ]\IONSiGNY (P. A.) [_Le Diserteur.]
The Songs &c. in the Deserter. . .Com-
posed by Mess" Monsigny, Philidor, and
C. Dibdin, etc. [1773.] obi. fol.
F. 141. b.
PHILIP. Philip's Recall from Spain.
[Song.] See Dearest. Dearest Philip
my Grandson of Spain, etc.
[1710?] s.s/i. fol. G. 307. (144.)
PHILIPPE ET GEORGETTE. Amis
partons pour les frontieres. Chanson
Patriotique chant^e dans Philippe et
Georgette, etc. [By N. Dalayrac]
Chez Imhault : Paris, [1791.] 8°.
B. 362. a. (28.)
Chacun avec moi I'avouera. Air de
Philipije et Gecn-gette. Avec Accomp' de
Guittare. [By N. Dalayrac]
Chez Imbault : Paris, [1791.] 8\
B. 362. c. (78.)
0 ! ma Georgette. Air de Philippe et
Gecn-gette. Avec Accomp' de Guittare.
[By N. Dalayrac] Chez Imbault :
[Paris, 1791.] 8°. B. 362. c. (80^.)
Pour bien juger une maitresse. Air de
Philippe et Georgette. Avec Accomp' de
Guittare. [By N. Dalayrac]
Chez Imbault : Paris, [1791.] 8°.
B. 362. e. (80^.)
PHILIPPE— PHILIPS
201
PHILIPPE ET GEORGETTE. Phi-
lippe et rieorgettc. Comedie.
St-e Dalayrac (N.)
PHILIPPES (Pierre) See Philips.
PHIIilPPI (PiETRo) See Philips,
PHILIP PUS, a S. Joanne Baptista.
Cidcrcian Abbot. Missa; Unica Voce
Concinendse . . . cum Organo, vel sine
Organo ad Usum Chori Congregationis
^Monachorum Reformatorum S. Bernardi
Ordinis Cisterciensis, e/c. In Typocjraphia
Chracas : Bom.r, 1728. 4». E. 4.
PHILIPPUS (Petrus) See Philips.
PHILIPS ( ) Bacchus Defeated. [Song.]
Sre Bacchus. Bacchus must now his
Power resign, etc. [1740?] .s. .'.7(. fol.
G. 306. (247.)
PHILIPS ( ) FreilierrofWinnenhcrgand
Bcihelsteyn. Christliche Reuter Lieder.
Gestellet durch Herrn Philipsen den
Jiingern, etc. B. Jobin : Stra.'isbiirg,
15S2. 16". 11517. aa. 4.
PHILIPS (Peter) Cantiones Sacrre, pro
Prsecipuis Festis Totius Anni et Communi
Sanctorum, Quinis Vocibus, etc. Cantus
(.\ltus.) (Tenor.) (Bassus.) 4 pts.
E.r Tiipographia Petri I'lialesij :
AntuerpiR', 1G12. 4°. C. 57. b.
Cantiones Sacrae, octonis vocibus, etc.
Primus (Secundus) Chorus. Cantus.
(Altus.) (Tenor.) (Bassus.) 8 pts.
Ex Typographia Petri Phalcsij :
Antuerpin', 1G13. 4". K. 4. f. 4.
[Another copy. Primus Chorus. Altus.
(Tenor.) (Bassus.) (Secundus Chorus.
Tenor.)] 4 pts. C. 57. c.
Cantiones Sacrae, Octonis Vocibus, Cum
Basso Continue ad Organum, etc. Cantus
II. Chori. i> Typographia Petri
Phalesij : Antuerpin^ 1625. 4». C. 57. h.
Deliciae Sacrse Binis et Ternis Vocibus,
cum Basso Continuo ad Organum, etc.
Editio Altera. Cantus. (Cantus ii.)
(Bassus.) 3 pts. Petrus Phalesius :
Antuerpin'. 1622. 4". C. 57.
[Another copv. Cantus. (Cantus ii.)
(Bassus.)] 3 pts. C. 57. a.
The Cantus part is imperfect, wanting
fols. sig. F, G and H.
Gemmulcfi Sacrse Binis et Ternis Vocibus
Cum Basso Continuo ad Organum...
Editio Altera. Cantus ii. (Bassus.)
2 pts. Petrus Phalesius : Antuerpife,
1621. 4". C. 57. d.
Litanise Beatae Marise Virginis, In Ecclesia
Loretana cani solitse, iv. v. vi. viii. et
IX. Vocibus. Cum Basso Continuo ad
Organum. . .Nunc primum in lucem editte.
Tenor. (Bassus.) (Basso Continuo.)
3 pts. Petrus Pltalcsius : Antuerpin-,
1623. 4°. C. 57. e-
PHILIPS (Peter) Litaniac Beatfe IMariis
Virginis, In Ecclesia Laurotana cani
solitfe IV. V. VI. et Octo Vocibus. Cum
Basso Continuo ad Organum . . . Acces-
serunt hac secunda cditione dua? Litanise
octo vocum, auctore Nicola Pisanio, etc.
Quintus. Ajmd Hwrcdes Petri Phalcsii :
Antuerpiiv, 1630. 4». C. 57. i.
Di Pietro Philippi Inglese. . .Madrigali a
Otto Voci. Nouamente Composti, & dati
in luce. Tenore. Appresso Pietro Phalcsio :
Anuersa, 1598. obi. 4". A. 344. c.
Di Pietro Philippi Inglese,. . .Madrigali
a Otto Voci. Nouamente Ristampati.
Canto. (Canto se.) (Alto.) (Alto se.)
(Tenore se.) (Basso.) (Basso se.) 7 pts.
Appresso Pietro Phalcsio : Anuersa,
1615. obi. 4°. A. 344.
[Another copy. Tenore se.] A. 344. h.
Di Pietro Philippi Inglese... II Primo
Libro de Madrigali a Sei Voci, Nuoua-
mente Ristampati & Corretti. Canto.
(Alto.) (Tenore.) (Sesto.) (Basso.) 5 pts.
Appres.fo Pietro Phalcsio: Anuersa,
1604. obi. 4". A. 344. a.
[Another copy. Tenore.] A. 344. d.
Di Pietro Philippi Inglese... 11 Socondo
Libro de Madrigali a Sei Voci. Noua-
mente Ristampati. Canto. (Alto.)
(Tenore.) (Sesto.) (Basso.) 5 pts.
Apipresso Pietro Phalcsio : Anuersa,
1615. obi. 4°. A. 344. b.
[Another copy. Tenore.] A. 344. e
Melodia Olympica di Diuersi Eccellentis-
simi Musici a iiii. v. vi. et viii. Voci,
nuouamente raccolta da Pietro Philippi
Inglese, et data in luce. Nella quale si
contegono [sic] i piu Eccellenti ^Madrigali
die lioggidi si cantouo. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) (Sesto.)
6 pts. Appresso Pietro Phalcsio it
Giouanni Bellero : Anuersa, 1594. obi. 4".
A. 344. f.
The composers of this collection are: C.
Yerdonch, B. Giovanelli, G. Blotagrio,
P. Philippi, P. Bellasio, G. M. Nanino,
F. Farina, G. Prenestini, L. Maremio,
A. Pcvcrnage, G. B. Moscaglia, G.
de Macque, F. Dentici, G. Gastoldi,
A. Zoilo, F. Anerio, L. Bertani,
0. Bassani, H. Baccusi, G. de Wert,
A. Striggio, G. Eremita, G. B. Mosto,
O. Vecchi, A. Gabrieli, Y. Bcllhavcr,
C. Correggio, B. Donati, T. Mcssaino,
G. Croce and G. Turnho^it.
[Another copy. Alto.] A. 344. g.
Paradisus Sacris Cantionibus consitus,
Una, Duabus et Tribus Vocibus decan-
tandis. Cum Basso Generali ad Organum
. . . Nunc primum in lucem editus. Prima
Pars. [Cantus.] Aptid Petnan
Phalesium : AntuerpiR, 162S. 4".
C. 57. f,
2G8
PHILIPS— PHILLIS
PHILIPS (Peter) Paradisus Sacris
Cantionibus Consitus . . . Secunda Pars.
[Tenor.] Apud Hxredes Petri Phalesii :
Antiieypiie, 1633. 4°. C. 57. g.
Paradisus Sacris Cantionibus Consitus. . .
Tertia Pars. [Cantus.] Axnid Hurcdcs
Petri Phalesii : Antuerpiae, 1633. 4".
C. 57. j.
Les Rossignols Spirituels. Liguez en Duo,
dont les meilleurs accords, nommement le
Bas, releuent du Seigneur Pierre Philippes,
etc. Jean Vervliet : Valencicnne, 1616. 12".
K. 1. a. 1.
Les Rossignols Spirituels. Liguez en
* Duo ; Dout les meilleurs accords, nomme-
ment le Bas, releuent du Seigneur Pierre
Philippes. . . Regaillardis au Prime-vere de
I'an 1621. lean Vervliet : Valencienne,
1621. 12°. K, 1. a. 2.
See Striggio (A.) [CJii fara fed' al ciel.']
Che f era fed al cielo . . . mis en Tablature
par P. Filippe. [1615.] fol. 535. 1. 23.
PHILIS. Philis demande son portrait.
Arietto. See Albanese ( )
Philis, la fleur de nos brunettes. Chanson.
See Des Roziers (C.)
Philis, qu'il est charmant. Air.
See Gothereau ( )
Philis, viens voire naitre le jour. Duo.
[Paris,] 1723. s. sh. 4°. 297. a. 3.
Le Mercure, August, 1723.
PHILLIPS (H.) Encompass'd with clouds
of distress. Bridgewater. [Hymn.] (Al-
ter'd from H. Phillips) the words by...
A. Toplady. [London, 1796.] 8°.
P.P. 717.
Gospel Magazine, June, 1796.
PHILLIPS (Thomas) Too lovely fair
One I confess. A Ne%o Song, etc.
[London, 1160 7] s.sh.iol.
I. 530. (129.)
[Another edition.] Too lovely fair one,
etc. [London, 1760 ?] s. s7i. fol.
G. 316. f. (35.)
PHILLIS. Phillis. [Song, begins: 'Ye
Woods and ye Riv'lets.'] See Arnb (T. A.)
Phillis. [Song, begins : ' As Phillis the
gay.'] See Bride (R.)
Phillis. [Glee, begins : ' On a hill there
grows a flow'r.'] See Callcott (J. W.)
Phillis. [Song.]
See Come. Come tell me dear Phillis.
[1775 ?] s. sh. fol. G. 307. (124.)
Phyllis. [Song.]
See Dearest. Dearest Phyllis, lovely
Maid, etc. [1764.] 8°. P.P. 5441.
Phyllis. [Song.]
See Dearest. Dearest Phyllis, lovely
Maid, etc. [1770 ?] s. sh. fol.
G. 305. (268.)
PHILLIS. Phillis. Song.
See Hark. Hark, hark o'er the Plains,
etc. [1746 ?] s. sh. fol.
H. 1994. b. (31.)
Phillis. [Song.]
Sec ]\Iy. Sly fair ye Swains is gone astray.
[1750?] s.sh.iol. G. 316. e. (28.)
Phyllis. [Song.]
See See. See where Phyllis ever sprightly.
[1750 ?] s. sh. fol. G. 316. f. (3.)
Phillis. [Song.]
See See. See where Phyllis ever sprightlj'.
[1759.] s. sh. 8". I. 600. d. (153.)
Phillis. Canzonet [begins : ' Do not ask
me charming Phillis ']. See Tremain (T.)
Phillis. [Song, begins : ' Phillis the God-
dess of the Plain ']. See Walton (H.)
Phillis as her Wine she sipt in. Tlic Double
Entendre. [Song.]
[London, 1730?] s. sh. fol. G. 311. (13.)
[Another edition.] Philis as her Wine she
sipt in. Tlie Double Entendre. [Song.]
[London, IISO?] s.sh.iol.
G. 316. e. (120.)
Phillis be kind. A Song bi/ an Eminent
Master. [London, 1720 ?] 'fol.
G. 311. (3.)
[Another copy.] G. 315. (132.)
hnperfect, wanting fol. 2.
Phillis despise not your faithfull Lover.
The Beautifull Phillis. A Song to Mrs.
Schoolings ]\linuet. [London,
1720?] s.sh.iol. H. 1601. (370.)
Phillis despise not your faithfull Lover.
The Beautiful Phillis, etc. Cluer :
[London, 1725 ?] s. sh. fol. G. 315. (90.)
Phyllis has Charms for each youthfull
Lover. The Beautifull Phyllis : A New
Song [to Mrs. Schooling's Minuet].
[London, 1720?] s. sh. fol. G. 311. (11.)
The other words to this song ('Phillis
despise not your faithful lover ') are
engraved above the voice part.
Phillis has each enchanting art. On
Phillis. A Song. [London, 1747.] 8".
157. 1. 9.
London Magazine, 1747, p. 237.
Phyllis has such charming Graces. Song.
See Purcell (D.) [The Campaigners.]
Phillis talk not more of Passion. Song.
Sec Purcell (D.) [Alexander the Great.]
Phillis taste Joy and ne're be Coy. Song.
See Burgess (H.) the Elder.
Phillis the Lovely. A Song the words
by Mr. Kirkland set to a Trumpet Minuet
[by G. F. Haendel]. [London,
1725 ?] s. sh. fol. G. 305. (153.)
[Another copy.] H. 1601. (371.)
[Another copy.] G. 315. (92.)
PHILLIS— PHCENIX
269
PHILLIS. Phillis the Lovely. Song.
See Haendel (G. F.) [Minuets. Walsh's
Collection, p. 32.]
Phillis the Sun's Rival. [Song.]
See Sluggish. The sluggish Morn as yet
undrest. [1770?] s.sh.iol.
G. 312. (122.)
Phillis und Thirsis. Cantata.
See Bach (C. P. E.)
Phillis why shou'd we delay. To Phillis,
[Song.] The Words by IMr. Waller.
[]Music by J. Dunn.] [London,
1760?] s.sh.iol. G. 311. (21.)
Phyllis, with her enchanting voice. Song.
See Turner (E.)
Phillis would her charms improve. Song.
See COURTEVILLE (R.)
Phillis' Complaint. [Song.] Sec Ye. Ye
warblers while Strephon I moan.
[1750 ?] s. sh. fol. G-. 316. e. (40.)
Phillis's Complaint. [Song.j
Sec Ye. Ye warblers, while Strephon I
moan, f/c. 1752. s.sh.»\ P.P. 5108.
Phillis's Complaint. [Song.]
See Ye. Y'e warblers, while Strephon I
moan, etc. [1752.] 8". 249. c. 22.
Phillis's Resolution. [Song.]
See Abikgton (L.)
PHILLIS (Jean Baptiste) Les Remords
de David. Romance. Avec Accomp' de
Guittare, etc. CJtez Imbault :
Poj-is, [1800 ?] 8°. B. 362. a. (107.)
[Another copy.] B. 362. f. (35.)
See Ah. Ah I combien la uuit a do
charmes. Les Channcs de la Nuit.
Romance. . . Accompagnemeut de Guittare
par M. Phillis, etc. [1790 ?] 8°.
B. 362. b. (170.)
PHILO AKMONIC A, psetul. Ten pieces
for the Organ adapted for the use of the
Church, etc. Longman and Broderip,
for the Author : London, [1785 ?] ohl. fol.
e. 174. k. (3.)
PHILOMELA FRANCISCANA.
Philomela Pranciscana, clara & brevi
Methodo decantans has ac certas Regulas
ad bene, perfecteque Cantum Ecclesiasti-
cum ad disceiidum & docendum. Una-
cum Tonis Communibus, Hymnis, Anti-
phouis, Lectione IMensali, &c. ad usum
PP. Minorum Recollectorum Ordiuis. . .
S. Francisci. Typis loannis
Michaelis Labhart : Augusts Vindeli-
corum, 1731. 12°. 3355. aa. 16.
PHILOMUSICUS, pseud. Phoebe's
Lamentation. A favorite Ballad by Mr.
Ingall. The Air by Philomusicus.
Longman and Broderip: London,
[1790?] fol. H. 2818. (16.)
Sequel to Sweet Poll of Plymouth. Com-
posed or Compiled by Philomusicus.
Longman and Broderip : London,
[1798.] fol. H. 1653. (59.)
PHILORET. Philoret and Aurelia.
[Song.] See Y'oung. Y'oung Philoret,
the am'rous Boy.
PHILOM^ILE S:fiRAPHIQUE.
Philomele Seraphique. [Hymns.]
See Jan l'Evangeliste, Capuchin.
La
[1750?] s. s7(.fol.
G. 305. (266.)
PHILOSOPHE. Un Philosophe teme-
raire. Vaudeville. See Charles ( )
PHILPOT (George) The Triumph of
Britons, a New and Constitutional Song
address'd ... to the Society at the Crown
& Anchor, written by J. Alderson, etc.
Simmons ct Co., for the Authors :
Canteibiojj, [1800?] fol. 'G. 805. i. (15.)
PHILPOT (Stephen) An Introduction
to the Art of Playing on the Violin, on an
Entire New Plan, etc. Bandall and Abell,
for the Author : London, [1767 ?] fol.
g. 490.
Six Capital lessons for the Harpsichord or
Piano Forte, etc. Printed for J. Bland :
London, [1780 ?] fol. h. 60. b. (4.)
PHINOT (DoMENico) Liber Primus
j\Iutetarum Quinque Vocum, etc. Bassus.
Ajmd Antoninin Gardane : Venelijs,
1552. obi. 4". A. 87.
Liber Secundus Mutetarum Quinque
Vocum, etc. Bassus. Apud Antonium
Gardane : Ye^ietijs, 1555. obi. i".
A. 87. a.
PHCEBE. Phoebe's Lamentation. Ballad.
Si-e Philomusicus', psexcd.
PHCEBUS. Phcebus, meaner themes dis-
daining. Tlie British Fair. A new Song.
Sung by Miss Wright at Vauxhall.
[London, 1765.] 6". P.P. 5441.
Rojjal Magazine, Vol. XIII., p. 157.
Phcebus, meaner Themes disdaining. Tlie
British Fair. A New Song. Sung by
Miss Wright, at Vauxhall. [London,
1765.] 8". P.P. 5438. z.
Universal Magazine, Vol. XXXVII. ,
p. 155.
Phebus shine forth with gilded Ray.
On the Birth day of Her Highness Prin-
cess Augusta. [Song.] [London,
1745?] s. sh. fol. G. 311. (20.)
PHCENIX. The Phoenix. Song.
See Amanda. Amanda's fair bv all con-
fess'd, etc. [1763.] 8'. P.P. 5438. z.
The Phsenix. Song [begins : ' I pass all
my Hours ']. See Humphrey (P.)
270
PHYLLIDA— PICCINI
PHYLLIDA. PhyUida. [Song.]
See Adams (J. B.)
PHYLLIS. See Phillis.
PHYSICIAN. The Physician. [Song.]
See Op. Of all Professions in the Town,
etc. [1780 ?] s. sh. fol. G. 310. (270.)
PIANOFORTE MAGAZINE. The
Piano-Forte Magazine.
See Periodical Publications. — London.
PIANTANIDA (Feancesco de)
See Chiabrano (G.) and Piantanida (F. de)
Six Solos for a Violoncello, etc.
[1780?] fol. h. 2910. (7.)
PIANTANIDA (Giovanni) VI. Senate
a tre, Due Violini e Basso e Cembalo . . .
Opera Prima. [Separate Parts.]
Londra, 1742. fol. h. 5. (3.)
PIAZZI (Carlo) Balletti, Correuti, Gighe,
e Sarabande a tre, due Violini, e Violone
. . . Libro Primo. Opera Seconda, etc.
Violino Primo (Secondo). (Violone.)
3 pts. Per Giacomo Monti :
Bologna, 1681. 4°. d. 30.
Messe da CapeUa a Quattro Voci. . .Opera
Prima, etc. Canto. (Alto.) (Tenore.)
(Basso.) (Organo.) 5 pts. Per Giacomo
Monti : Bologna, 1680. 4". D. 114.
PICCINI (LuiGi) [Les Amours de
Cherubin.] See Amours de Cherubin.
Vos Amours sont du Village. . .Air de
Figaro. [By L. Piccini ?] [1784 ?] 8°.
B. 362. (192.)
PICCINI (NicoLo) The Accomplish'd
Maid. Sw infra : [La Bo7ia Figlinola.]
Atys. Tragedie Lyrique en Trois Actes. . ,
Paroles de Quinault, etc. [Full Score.]
Chez Des Lanriers : Paris, [1780.] fol.
H. 456. a.
[For songs, &c., published anony-
mously :] See Atys.
Belle Themire, a vos vceux. [Song.]
[Paris,] 1772. s. sh. 8°. 298. e. 13.
Mercure de France, May, 1772.
La Buona Figliuola. Opera Comica, etc.
[Libretto by C. Goldoni. Short Score.]
B. Bremner : London, [1767.] fol.
H. 456. h.
The Songs in La Buona Figliuola. [Short
Score.] B. Bremner :
London, [1707.] fol. H. 456. (1.)
[La Buona Figliuola.] The Accomplish'd
Maid, a Comic Opera, etc. [Words by
E. Toms. P, P. score.]
Printed for Messrs. Randall & Abell :
London, [1767.] obi. fol, E. 1194.
La Buona Figluola, Op6ra Comique en
Trois Actes, parodi6e en Francois, etc.
(Airs do la Buona Figluola.) 1772.
See Recueil. Recueil general des Opera
Bouffons, etc. Tom. 7. 1777. S".
11735. b. 2.
PICCINI (Nicol5) La Buona Figliuola.
[Overture.] The Periodical Overture in 8
parts. No. xx. [Separate Parts.]
R. Bremner : London, [1770 ?] fol.
h. 3210. (26.)
Overture. [Harpsichord.]
[R. Bremner : London, 1767.] fol.
H. 2818. (13.)
[Another edition.] Overture. [Harp-
sichord.] Printed for R. Bremner :
[Lo7idoji, 1767 ?] fol. g. 271. b. (14.)
Overture, etc. [1801.]
Sec Periodical Publications. — London.
The Piano-Forte Magazine. Vol. XIV.
[No. 10.] [1797-1802.] 8°. D. 854.
[Quel che d' amore.]
See Accomplished Maid. When you
discover. A Favourite Air...\n the Ac-
complish'd Maid. [By N. Piccini.]
[1770?] s. sh. fol. H. 1994. d. (50.)
La Buona Figliuola Maritata. Opera
Comica, etc. [Libretto by C. Goldoni.
Short Score.] R. Bremner : London,
[1767.] fol. H. 456. (2.)
[Another copy.] H. 348. b. (1.)
Overture. [Harpsichord.]
[London, 1767.] fol. g. 271. b. (15.)
Six Canzonets for two Voices with an
Accompaniment for a Piano-Forte.
Welcker : London, [1775 ?] obi. 4",
A. 1100. (3.)
The Favourite Songs in the Opera Le
Contadine Bizzarre, etc. 2 N"'. [Short
Score.] R. Bremner : London,
[1769.] fol. H. 456. i. (1.)
[Another copy. N° 1.] H. 348. d. (1.)
Diane et Endimion. Op^ra en trois Actes,
etc. [Libretto by H. Leroux. Full
Score.] Chez Des Lauriers : Paris,
[1784.] fol. H. 456. b.
Didon. Tragedie Lyrique en Trois Actes,
etc. [Libretto by J. F. Marmontel. Full
Score.] Chez Des Lauriers : Paris,
[1783.] fol. H. 456. c.
[For airs, &c., published anony-
mously :] Sec Didon.
[Didone Abbandonata. Se il ciel mi
divide.] IMadam Mara's Favorite Song
in Didone Abbandonata. [A Pasticcio.
Full Score.] Longman d- Broderip :
London, [1787.] fol. H. 345. (26.)
This air is not in Piccini' s ' Didon.'
The composers of the Pasticcio iccrc
Sacchini, Piccini, Mortellari and
Gazzaniga.
The Favourite Songs in the Opera Le
Donne Vendicate, etc. [Short Score.]
R. Bremner : London, [1768.] fol.
H. 456. i. (2.)
[Overture. P. F.] [1780?] fol.
See Donne Vendicate. g. 271. (32.)
PICCINI— PICHL
271
PICCINI (NicoLo) Le Dormeur Eveill^.
[For songs, &c., published anonymously :]
Sec DOEMEUR EVEILLE.
L'Esclave. See infra : [La Schiava.]
Lg Faux Lord. Comcdie en Deux Actes
[written by L. Picciui]. . .Gravee par
Huguet, etc. [Full Score.]
Chez M. Brunct : Paris, [1783.] fol.
H. 456. d.
[For songs, &c., published anony-
mously :] Sec Faux Lord.
[Gionata.] Sinfonia del Gionata, per
Cembalo, o Piano-forte, con Violino
obbligato, etc. Presso Luigi Marcscalchl :
Napoli, [1795 ?] obi. fol. e. 108. b. (3.)
Iphigenie en Tauride. Tragedie Lirique
en quatre Actes, etc. [Libretto by
Dubreuil. Full Score.] Chez Dcs
Lauricrs : Paris, [1781.] fol. G. 141.
Oreste, au nom de la Patric. Air,
etc. [Paris,] 1781. 8". 298. f. 12.
Mcrcure dc France, Feb., 1781, p. 148.
Oreste, au nom de la Patrie. Air
. . . Avec Accompagnement dc Harpe.
Chez Frirc : [Paris, 1795 ?] fol.
G. 557. (11.)
Je vivrai si c'est votre euvie.
/S'ee infra: [Rola7ul.]
Oreste, au nom de la Patrie. Air.
See supra: [Ij^higt'nie en Tauride.]
P6n61ope. Trag6die Lyrique en Trois
Actes, etc. [Libretto by J. F. Marmontel.
Full Score]. Chez Des Lauricrs : Paris,
[1785.] fol. H. 456. e.
The Periodical Overture in 8 Parts.
No. xxi(-xxiii). [Orchestral Parts.]
3 Nos. B. Brcmncr : Tjondon,
[1790?] fol. h. 3210. (27-29.)
Roland. Op6ra en Trois Actes, etc.
[Libretto by J. F. Marmontel. Full
Score.] Chez Des Lauricrs : Paris,
[1778.] fol. H. 456. f.
[Overture.] A Favourite Symphony,
for the Piano Porte. [1800.]
Sec Periodical Publications. —JvOncZon.
Tlie Piano-Forte Magazine. Vol. XI.
No. 2. [1797-1802.] 8". D. 854.
Je vivrai si c'est votre envie. Aricttc
. . . Accomp' de F. G. Meyer.
Chez B. Vigtterie : [Paris, 1195'!] fol.
G. 548. (18.)
Journal de Harpe... V'<^ Annde. No. 3.
La Schiava. Opera Comica, etc. [Short
Score.] B. Brcmncr : London,
[1768.] fol. G. 200. (4.)
[La Schiava.] L'Esclave, ou Le Marin
genereux, Intermede en un Acte, r^dige
de ritalien . . . avec les Airs notfe. 1774.
See Kecdeil. Ilecueil general des Opera
Boufions, etc. Tom. 8. 1777. 8".
11735. b. 2.
PICCIlSri (Nicol5) [La Schiava.l Over-
ture. [P.F.] [17G8.] fol.
Sec Schiava. g. 271. b. (31.)
Se il ciel mi divide.
See supra : [Didone Abbandonata.]
Les vrais plaisirs habitent sous la treillc.
Parodie d'un Air Italicn del Signer
Nicole [Piccini]. [Paris,] 1776. 8".
297. f. 3.
Mcrcure de France, Jan., 1776.
PICCINNI (NicoLo) Sec Piccixi.
PICCIONI (GiovAXNi) Salmi Intieri a
Quattro Voci Goncertati, con 1' Organo. . .
Nuouamente composti . . . Opera Decima.
Nona. Tenore. (Basso.) (Basso per
Sonar 1' Organo.) 3 pts. Appresso
Giucomo Viiice7iti : Veiietia, 1616. i".
C. 42.
PICCOLO (FiLippo LO) II Canto Fermo
esposto colla maggior brevita, e col mode
pill facile, etc. Angelo Fclicella :
Palermo, 1739. A". 558*. c. 23.
PICERLI (SiLVERio) Specchio Primo di
^lusica, nei quale si vede chiaro non sol'
il vero, facile, e breue modo d' imparar di
cantare di canto figurato, e fermo ; ma vi
si vedon' anco dichiarate . . . tutte le
principal! materie, che iui si trattono, etc.
Per Ottauio Beltrano : Napoli, imo. 4".
1042. 1. 2. (1.)
Specchio Secondo di Musica, nel quale si
vede chiaro il vero e facil modo di com-
porre di Canto Figurato, e Fermo, etc.
Appresso Matteo Nucci : Napuli, 1631. i".
1042. 1. 2. (2.)
PICHE. Piche cornacchie e nottole.
[Duet.] See Paisiello (G.) [Gli Schiavi
per Amore.]
PICHL (Wenzel) Andante, for the
Violin with 100 Variations . . . Op. 11.
Printed for B. Birchall : London,
[1795 ?] obi. fol. f. 133. k. 3.
Douze Caprices a Violon seul . . . Oeuvre
XIX. Ch(^z J. J. Hummel : Berlin,
[1795?] fol. g. 270. I. (7.)
Trois Concerts k Violino Principale, Violino
Primo & Secondo, Alto & Basse. . .Oeuvre
Troisieme. [Separate Parts.]
Ches J. J. Hummel : Berlin, [1775 ?] fol.
h. 1665. (1.)
Sei Divertimenti a Cinque Stromenti . . .
Opera v. [Separate Parts.]
CMs J. J. Hummel : Berlin, [1780 ?] fol.
g. 417. d. (4.)
Six Duettos for a Violin and Tenor...
Opera xviii. [Separate Parts.]
Longman and Brodcrip : London,
[1795?] fol. g. 421. i. (1.)
\
272
PICHL— PIERZON
PICHL (Wenzel) Sei Quartetti a Due
Violini Viola & Violoncello . . . Opera
Seconda. [Separate Parts.]
Ches J. J. Hummel : Berlin, [1780?] fol.
g. 469. (1.)
Trc Quartetti per Flauto, Violino, Viola
et Violoncello. . .CEuvre xii. [Separate
Parts.] CJiez le S>' Sieher : Paris,
[1790?] fol. g- 469. (2.)
Tre Quartetti per Due Violiui, Viola e
Violoncelli. . . tEuvre xiu'". [Separate
Parts.] Ches le S'' Sieber : Paris,
[1790?] fol. g. 469. (3.)
Tre Sinfouie a piu Stromeuti. . .Opera
Octava. [Orchestral parts.]
dies J. J. Hummel: Berlin, [1785?] fol.
g. 474. c. (3.)
Six Sonates a Deux Violons . . . Oeuvre
Quatrieme. [Separate Parts.]
dies J. J. Hummel: Berlin, [1775 ?] fol.
h. 1665. (2.)
[Another copy.] g. 420. g. (1.)
[Six Sonates. Op. iv.] Six Duets for Two
Violins. . .Op. 4. [Separate Parts.]
Longman d Broderip : London,
[1785?] fol. g. 421. t. (13.)
Three Sonatas for the Piano Forte, with
an Accompaniment for a Violin or Flute
and Violoncello ... Op. 26. [Separate
Parts.] F.Linleij : London, [1796.] fol.
g. 161. g. (6.)
Cento Variazioni sulfa Scala del Basso
fermo per esercizio del Violino, etc. [Op.
11.] Appresso Luigi Marescalchi :
Napoli, [1787.] fol. g. 270. 1. (8.)
PICITONO (Angelo da) Fior Angelico
di Musica . . . Nel qual si contengono
alcune bellissime dispute contra quelli
che dicouo, la Musica non esser scienza,
etc. Per Agostino Bindoni : Vinegia,
15i7. 4". 557*. d. 5.
PICTOmUS (Joannes Fredericus)
Psalmodia Vespertina . . . viuctis aliquot
beatissimffi . . . Virginis Mariae Canticis
Quatuor & quin^ voeibus compositis, &c.
Discantus. In officina Musica
Adami Bern : Monacliii, 1591. obi. 4".
A. 198.
PICTURE. The Picture. [Song, begins :
' Genteel is my Damon.']
See Howard (S.J
The Picture. Song [begins : ' Say, how-
can words '].
See Storage (S.) [My Grandmother.]
A Picture of Portsmouth Point. Comic
Sonty. See Early. Early one ^lorn.
[1800?] fol. a. 333. (28.)
The Picture Shop. Song.
See Reeve (W.)
PIEC ES. Pieces Choisies pour le Clavecin,
de differents Auteurs. Contenants Fan-
tasies, Airs, Rondeaux, Gavottes, Bourees,
Gigues et jNIenuets. Imprimi aux depens
deG.F. Witvoqel: Amsterdam, [1760?] fol.
f. 45. (2.)
PIECES. A Collection of favorite familiar
Pieces, adapted for the Piano Forte.
[1799.] See Periodical Publications.—
London. The Piano-Forte Magazine.
Vol. VII. No. 12. [1797-1802.] 8".
D. 854.
PIELTAIN (DiEUDONNE Pascal) Six
Quartettos for Two Violins, a Tenor and
Violoncello. . .Op. 2. [Separate Parts.]
Printed for the Author : London,
[1785.] fol. g. 1034.
Six Solos for a Violin, etc. Longman
(£■ Broderip, for the Author: London,
[1785?] fol. h. 1608. c. (6.)
PIERCY (H.) The Beggar Girl.
See Over. Over the Mountain and over
the ]\Ioor. T]ie Beggar Girl . . . Ballad,
etc. [By H. Piercy.] [1799 ?] fol.
G. 356. (61.)
The Beggar Girl. A Favorite Ballad for
the Piano Forte or Harp, also, as a Duett,
etc. Printed for the Author : London,
[1800?] fol. G. 356. (10.)
The Beggar Girl. A Glee for Three Voices
with a Tenor Part (ad libitum).
Printed for the Author : London,
[1800?] fol. G. 353. (25.)
Laura, the poor little Savoyard. A favorite
Ballad, etc. Printed for the Author :
London, [imO'>] fol. G. 356. (11.)
See Adieu. Adieu my Native Land,
adieu. Written & composed by the
Author of " Over the Mountain & Over
the Moor " [H. Piercy], etc. [1798 ?] fol.
G. 365. (72.)
PIERRE LE GRAND. Pierre le Grand.
Comedie. See Gretry (A. E. M.)
PIERROT. Le Pierrot de Jeanette.
■[Song.] See Que. Qu'un amaut a sa
maitresse, etc. [1791 ?] 8".
B. 362. e. (77.)
Pierrot dit a Madeleine. Romance Nou-
velle. [Paris, 1780 ?] 8".
B. 362. b. (105.)
Pierrot dit a ISIadeleine. La Bergire
Vaincu. Romance. Avec Accomp' de
Guitar par M'^ Alberti. Chez M. Camand :
Paris, [1785-^] 8\ B. 362. g. (8.)
Pierrot rcvenant du Moulin. Le Chassc
auLapin. [Song.] [Poris, 1780 ?] 8".
B. 362. b. (121.)
PIERZON ( ) See Fevin (A. de) INIisse
. . . Quarti toni. Pierzon [i.e. P. de la
Rue]. 1515. obi. 4°. K. 1. d. 12.
PIETA— PINART
273
PIETA. Pieta, pieta di noi. Quartett.
Sea Martin y Solar (V.) [L' Arbore di
Diana.]
PIETA D'AMORE. La Pieta d'Amore.
Drainm;i. See Millico (G.)
PIFAEO (^Marcantonio del) Intabola-
tura de Lauto...de Ogni Sorte de Balli
nouamente stampati et posti in Luce
Libro Primo. ms. notes. Apjiresso di
Antonio Gardane : Tc'.>!c/j«, 1546. ofc?. 4".
K. 1. e. 22. (2.)
PIFFET (Etienne) Le Choix d'un Berger.
Pastorale. [Words by] Pesselier. \ Paris,']
1752. a. sh. 4". 298. e. 8.
Mcrcure de France, March, 1752.
Le Pastor Fido. Musette. Les paroles
sont de M'' Pecelier, etc. [Paris,]
1751. s. sh. i". 298. c. 6.
Merciire de France, Nov., 1751.
PIGEON. The Pigeon. [Song.]
See Why. Why tarries my Love ? etc.
[1790 ?j fol. G. 296. (16.)
PIGGOT (Franxis) Sec Blow (J.) A
Choice Collection of Ayres for the Harpsi-
chord. . .by. . .J. Blow. . .F. Piggot, etc.
1700. obi. 4^ K. 3. 1. 4.
PIGMALIOnsr. Pigmalion. Actc de
Ballet. See Pameau (J. P.)
PIGMY REVELS. The Pigmy Revels.
Pantomime. See Dibdin (C.)
PIGNANI (GiROLAiio) Scelta di Canzon-
ctte Italiane de piu autori, etc. A. Godbid
and J. Playford : London, 1679. obi. 12".
K. 8. i. 15.
TJie composers o/ this collection are :
A. Stradella, G. Pignani. Cesti, J.
Carissimi, B. Pasquini, L, Eossi,
G. A. Boretti, N. Matteis, C. Caproli,
B. Albrici, G. B. Draglii and C. A.
Lnnati.
PUS (Antoine Pierre Augustin de)
Le Meunier de Coignac. [Song.] L'Air
et les ParoUes de M. de Piis.
[Paris, 1780 ?] 8°. B. 362. a. (140.)
Le^ Saint deniche, ou la Saint Nicolas
d' Ete. Opera Comique, en deux Actes et
en Vaudevilles ... [Written] Par A. P. A.
Piis . . . Avcc la ]\Iusique [of three songs by
the Author]. Chez le Libraire, au Theatre
dn Vaudeville: Paris, 1793. 8".
11738. 1. 18. (4.)
Santeuil et Dominique. Piece anecdo-
tique en trois Actes, en prose, melee de
Vaudevilles . . . [Written] Par A. P. A.
Piis. [With the music of a song by the
Author.] Chez les Libraircs: Paris,
An v% [1797.] 8". 11738. 1. 18. (1.)
VOL. II.
PILBROW (T.) Why stays my Love,
Ballad. Adapted to a favorite Welsh Air,
with an Accompaniment for the Piano
Forte, or Harp. By T. Pilbrow. Preston ;
London, [1800?] fol. G. 805. k. (17.)
PILGRIM. The Pilgrim. Song [begins :
' Oh ! happy Groves '].
See Barrett (J.) Organist.
The Pilgrim. [Song.]
iSVt' In. In Pennance for past folly.
[1770?] s.sh.iol. G. 309. (119.)
The Pilgrim. Song [begins : ' Lone
Minstrel of the Moonlight hour '].
Sec Rimbault (S. F.) Select Songs. No. 1.
PILGRIM'S SOLACE. A Pilgrim's
Solace. []\ladi-igals.] See Dowland (J.)
PILGRIMME AUF GOLGATHA.
Die Pilgrinime auf CTolgatba. Passions-
oratorium. See Hasse (J. A.)
PILKINGTOW (Francis) The First
Booke of Songs or Ayres of 4. parts : with
Tableture for the Lute or Orpherian, with
the Violl de Gamba, etc. T. Este :
London, 1605. fol. K. 2. i. 11.
The First Set of ^Madrigals and Pastorals
of 8. 4. and 5. Parts, f/c. Cantus. (Altus.)
(Tenor.) (Bassus.) (Quintus.) 5 pts.
Printed for M[atthew] L[mvnes] I[ohn]
B[rowne] and T[homas] S[nodhain] the
Assignes of W. Barley : London, 1613. 4".
K. 2. d. 10.
The Second Set of Madrigals, and Pas-
torals, of 3. 4. 5. and 6. Parts ; Apt for
Violls and Voyces, etc. Cantus. (Altus.)
(Tenor.) (Bassus.) (Quintus.) (Sextus.)
6 pts. Thomas Snodham,
for M[atthctvj L[oivncs] and A. B[roivne] :
'London, 1624. 4°. K. 2. d. 11.
The Altus part contains ' A Pavin made
for the OrpJmrion, by the Right Honor-
able, William Earle of Darbic, and by
him conseiitcd to be in my Bookes
placed.'
[Another copy. Bassus.] C. 156.
PILLOTI (Louis) Four Italian & Two
English Ariettes, with an Accomj)animent
for the Piano-Forte or Harp, etc.
Longman and Brodcrip, for the Author :
London, [1795 ?] fol. H. 1679. (42.)
[Another copy.] G. 198. (8.)
Orra. A New Song, etc. At B. BirchalVs :
London, [1795 ?] fol. G. 805. i. (16.)
PIMMALIONE. Pimmalione. Azione
Teatrale. See Asioli (B.)
Pimmalione. Opera. See Cimador (J. B.)
PINART ( ) Premier Livre de Chansons
a Danser, par M * * * * [Pinart]. 1694.
See Chansons. [2. Le Boy and Ballard's
Collections.] Recueil de difierens Livres
de Chansons, etc. Liv. VII. 1699. 8".
A. 428. (7.)
2U
PINDAR— rISA
PINDAR (Peter) 2«f"'Z. [i-e. John
WoLCOTT.] The Triumph of Britons, a
Song. The Words & Air by Peter Pindar,
and the Accompaniments by Shield.
[London, 1798 ?] fol. G. 376. (40.)
The Wandering Gipsy. A Ballad . . . The
Words and Melody by P. Pindar, the
Accompaniments by ]\Ir. Shield.
T. Skillern : London, [1795 ?] fol.
G. 383. j. (24.)
PINKS. Pinks and Lillies. [Song.]
Sec Do. Do not ask me charming
PhiUis.
[1705?] s.sh.ioh H. 1601. (123.)
PIN SON ( ) Adorable Philemire.
Komance. Les Paroles sont de M.
Belain, dc. {Paris], 1764. s. sh. 8°.
298. d. 22.
Mercure de France, Dec, 1764.
PINTO (Thomas) Six Solos for the Violin
with a Figured Bass for the Harpsichord
or Violoncello, etc. lulni lohnston:
London, [mO'>] fol. li. 210. k. (2.)
PIOMBANTI (Francesco) Six Not-
turnos or Night Pieces for two Violins or
two German Flutes and a Bass. [Separate
Parts.] Printed for H. Tlioroiogood :
London, [1765 ?] fol. g. 420. g. (2.)
PIOUS. Pious Orgies. Song.
See Haendel (G. F.) [Judas Maccahxus.']
PIOUS RECREATION. The Pious
llecreation. Psalm-Tunes.
See Richardson (W.)
PIOZZI (Gabriele) Three Duets and
three Canzonets . . . Opera vi.
Printed for the Author : Londoyi,
[1785?] fol. G. 424. b. (6.)
Six Quatuor pour deux Violons, Alto et
Violoncello . . . Opera iv. [Separate Parts.]
Printed for the Author : London,
[1760?] fol. g. 432.
A Second Sett of Six Sonatas for the Piano
Forte or Harpsichord with an Accompani-
ment for a Violin . . . Opera iii.
JohnWelcker: London, [1180'?] fol.
g. 432. a. (1.)
Six Sonatas, for the Harpsicord or Piano
Forte with an Accompanyment for a
Violin . . . Opera v.
Printed for the Author : London,
[1785 ?] fol. g. 432. a. (2.)
PIOZZI (M.) Six Sonatas for the Harpsi-
chord or Piano Forte, with an Accompauj'-
ment for a Violin . . . Opera ii*. John
Welcker : London, [1780 ?] fol. g. 293.
PIPE. The Pipe. Ballad.
See Stephenson (J.)
PIPEE. La Pipee. Com6dic.
Sec Parataio.
PIRAME ET THISB^!. Pirame ot
Thisbe. Tragedie.
See Rebel (F.) and Francckur (F.)
PIRAMO E TISBE. Piramo e Tisbc.
[Opera.] See Rauzzini (V.)
PIRATES. The Pirates. Opera.
Sec Stokace (S.)
PIRITHOUS. Pirithous. Tragedie.
See Mouret (J. J.)
PIRIjOT ( ) See Amour. L'Amour
trouble ma raison. La Fille inhumainc,
[Song,] . . . L'Accompagnement par M"'
Pirlot,e;c. [1785?] 8". B. 362. f. (15.)
PI RON AVEC SES AMIS. Tant que
I'homme desirera. Air chanU dans Piron
avcc ses Amis. Avec Accomp' de Guit-
tare. Chez Lnbault : Paris,
[1800?] 8". B. 362. g. (79.)
PIRRO E DEMETRIO. Songs in the
New Opera of Pyrrhus and Demetrius.
With the Italian words Grav'd under the
English to such as are Sung in Italian . . .
Fairly Engrav'd ... by T. Cross Jun^
[INIusic by A. Scarlatti, with additions by
N. F. Haym. Words by A. INIorselli, trans-
lated by 0. MacSwiney.] Printed for John
Cullen: London, [inO?i fol. 1.355.
[Another edition. Songs in Pyrrhus and
Demetrius.] [Printed fur John
Cullen: I-jondon,niO?] fol. H. 109.
Imperfect, loanting the title-page.
[Corri o sole.] Hast 0 Sun 0 quickly
tly. [Song.] Sn,ng by Sig'' Valentino in
the Opera of Pyrrhus and Demetrius.
[London, niO?] s.sh.ioh G. 315. (29.)
[Another copy.] H. 1601. (186.)
Her lovely Face enchains me. Pyrrhus d
Demetri2is. [Duet.] Sung by Sign"'
Nicolini & Sign' Valentini, etc.
[1710?] s.sh.ioh G. 315. (8.)
[Ho un non so che nel cor.] Conjugal
Love, [Song,] made on a Man of Quality
and his Lady to an Air [from G. F.
Handel's ' Agrippina,' introduced] in
Pyrrhus. [Begins: 'In Kent so fam'd
of Old,' words by T. Durfey.] [Lo7idon,
1710?] s. s7i. fol. H. 1601. (219.)
Rise O Sunn. ,1 Fauovrite [sic~\ Song in
the Opera of Pyrrhus and Demetrius.
[London, niO?] s.sh.ioh
H. 1601. (378.)
Too lovely and Fair. Mariits. Sung by
M. D'lapine in the Opera of Pyrrhus &
Demetrius. [Music by N. F. Haym.]
[London, 1710 ?] s. sh. fol.
H. 1601. (441.)
PISA (Agostino) Battuta della IMusica
dichiarata da Don Agostino Pisa . . . Opera
noua . . . Ristampata di nouo, & Ampliata,
etc. Per Bartolomeo Zannetti :
Boma, 1611. 4". 1042. i. 1.
PISA— PLA
275
PISA (Agostino) Breue Dichiaratione
della Battuta Musicale, etc. Appresso
Bartolomeo Zannetti : Roma, 1611. 4".
7896. c. 40. (1.)
PISADOR (Diego) Libro de Musica de
Vihuela, agora nuevameute compuesto,
etc. Hecho por Diego Pisador vczino
de Salamanca y imprcssio en su casa,
1552. fol. K. 8. e. 2.
07 fol. At the end of Books I. and II.
is the ininter's mark of Francisco
Fernandez de Cordova ; at the end of
Book VII. that of Gnillenno Millis.
Tlic composers named in tltis collection
are : Diego Pisador, Iiian Vazquez,
Jiisquin, Gomhert, Adrianns de Vil-
lart [Willaert], Basurto, Poinborjin,
Juan Monton [Mouton] and Morales.
PISANIO (Nicola) See Philips (P.)
Litanioe Beatte Marise Virginis . . . Acces-
serunt hac secunda editione duse Litanise
octo vocum, auctore Nicola Pisaiiio, etc.
1630. 4". C. 57. i.
PITCHER. The Pitcher. [Song.]
See Silver. The Silver Moon that shines
so bright. [1770?] s. sh. iol.
I. 530. (142.)
PITICCHIO (Francesco) Sei Quintetti
a due Violiui, due Viole e Violoncello, etc.
[Separate Parts.] Presso Giov. Andn' :
Offenbach sul Meno, [1785 ?] fol.
h. 2841.
PITIE. Pitie tendrc et touchante.
Couplets. Set Gretry (A. E. M.) [J^Jlisca,
on la Bonne Mere.]
PITMAN" (Ambrose) Three favorite
Aniorosos . . . for the Voice and Piano-
Forte, with a Thorough Bass . . . Op. vi.
Messrs. Tliompsons : [London, 1195?] fol.
G. 369. (7.)
[No. 1.] Marian's Complaint ; a
Favorite Amoroso, written by P. Pindar,
etc. J. Dale: London, [1195?] fol.
G. 366. (50.)
[No. 2.] The Pensive Kose, a Favorite
Amoroso. J. Dale : London, [1795 ?] fol.
G. 360. (40.)
Gaffer Gray ! A Favorite Ballad, written
by Mr. Holcroft, etc. J. Dale : [London,
1795?] fol. G. 366. (51.)
lo ! triumphe ! Extempore Stanzas, ad-
dressed to Admiral Earl Howe, on his
glorious Victory, June 1st 1794. [Words
by Mrs. Robinson.] J. Dale : London,
[1794.] fol. G. 376. (29.)
Laura. A Favourite Sonnet from Petrarch
[or rather from Metastasio's Cantata
' Amor Timido '] ; set to ]\Iusic for the
Voice and Piano Forte, with an Accom-
paniment for a Violin and Hautboy
Obligato. J. Dale : London, (1793.) fol.
G. 368. (13.)
[Three
. for the
London,
b. (63.)
PITMAN (Ambrose) Marian's Complaint.
See Supra: [Three Amorosos. Op. vi.
No. 1.]
The Pensive Rose. See supra :
Amorosos. Op. vi. No. 2.]
Sabina, a Favorite Amoroso . .
Voice and Piano Forte.
Printed for G. Walker:
[1795?] fol. G. 809.
See Scarlatti (D.) The Beauties of
D. Scarlatti. Selected. . .and Revised . . .
by A. Pitman. [1785 ?] obi. fol.
e. 5. g. (9.)
PITT (Thomas) Church TNIusic ; consist-
ing of a Te Deum and Jubilate, the music
from various eminent Masters, and Six
(Ten) Anthems from the sacred works of
Handel selected and adapted ... by
T. Pitt. 2 vols. Printed for the Editor :
fol. G. 500. (1.)
3. e. 4, 5.
Pitty-Patty. [Song.]
Pitty Paty. Song.
Song.
Worcester, 1788-9.
[Another copy.]
PITTY-PATTY.
See Arne (M.)
[Another setting.]
See Arne (T. A.)
PITY. Pity, Astrea, one that dies
See Franck (J, W.)
PIU. Piu bianca di giglio. Air.
See CosA Rara.
PIXELL ( ) A Collection of Songs, with
their Recitatives and Symphonies, for
the German Flute, Violins, etc. with a
Thorough Bass for the Harpsichord . . .
To which is added a Chorus for Voices
and Instruments. M. Broome, for the
Author: Birmingham, 11 59. fol. G. 298.
Odes, Cantatas, Songs, &c. divine, moral,
entertaining . . . Opera Seconda.
William Fletcher, for the Author :
Birmingham, 1775. fol. H. 91.
PIZARRE. Bizzarre. Ballet.
See :\1azzinghi (J.)
PIZARRO. The ]\Iusic of Pizzaro. Play.
See Kelly (M.)
PIZZATI (Giuseppe) La Scienza de'
Suoni e dell' Armenia . . . Opera. . .Divisa
in Cinque Parti. Ap/vesso Giovanni Gatti :
Vcnezia, 1782. 4". ' 60. f. 23.
Tavole degli Esempj appartenenti alia
Scienza de' Suoni e dell' Armouia, etc.
[Venice, 1782.] fol. 60. h. 27.
PIZZOLATO (Antonio) Sonate a Violino
solo, ed il Basso . . . Opera Prima . . . 2*>
impressione . . . coretta per 1' Auttore.
Stampate per V Auttore del G. Johnson :
Londra, [1750 ?] fol. g. 1035.
PLA (Jose) Six Duets for two Violins,
j [Separate Parts.]
Printed for G. and S. Thompson : London,
I [1775?] fol. g. 421. e. (6.)
T 2
276
PLA— PLAISIRS
PLA (Josk) Six Sonatas foi- two German
Flutes or two Violins and a Bass. [Sei^a-
rate Parts.] Welcker : London,
[1770?] fol. h. 2852. a. (9.)
PLA (Jose) and ( ) Six Sonatas for two
German-Flutes, Violins or Hautboys, with
a Bass for the Harpsichord or Violoncello.
Compos'd by Sig" Pla's. Printed for
J. Hardy : London, [1760 ?] fol. f. 23.
PLACE. Place me where never summer's
breeze. Song. Sec Stone (J.)
PLAGUE. The Plague of Dependance.
[Song.] See Courtiers. Courtiers' Words
let no man mind. 1742. s. sh. fol.
H. 1994. (13.)
A Plague on Miss Chloe. Love and Wine,
an Excellent Drinking Song. See Chloe.
Chloe, or the Musical Magazine, etc. No. 47.
[17C0?] fol. G. 433.
PLAIGNEZ. Plaignez, plaignez ma peine.
Bomancc [adapted to the tune of
' ]\Ialbrouk s'en va t'en guerre 'J. [Paris,
1785?] 8". B. 362. (212.)
Plaignez un roi, plaignez un pere. Air.
Sec DiDON.
PLAIN. The plain Dealer. [Song.]
Sec Curtis (T.)
Plain Truth. Song. Sec Man. The
Man who seeks to win the fair.
[1750?] s. s/t. fol. G. 316. (98.)
Plain Truth. Song. Sec Man. The
man who seeks to win the fair, etc.
[1753.] 8". 249. c. 23.
PLAIN CHANT. Plain Chant for the
Chief Masses and Vespers throughout the
Year ; and for the Exposition, Salut and
Benediction of the Blessed Sacrament, &c.
Compiled for the use of W[ar]d[ou]r
Chapel. J. P. Coghlan: London, 1788. 4".
D. 428.
Printed througliout ivitli blank staves for
the insertion of notes in mmiuscrijit.
PLAINTE. Plainte Amoureuse. Ariette
[begins : ' Amour brise mon esclavage '].
Sec Gautier ( ) Organist of Saint Denis.
Plainte Amoureuse. [Song.] See O. Oh 1
ma tendre musette. [1780 ?] 8".
B. 362. (145.)
PLAINTES. Les Plaintes de Rosine.
[Song.] Sec Dans. Dans un bosquet la
charmante Rosine, f/c. [1780?] 8".
B. 362. b. (132.)
PLAINTIVE. The Plaintive Swain.
[Song.] See Alas. Alas how smoothly
flow'd mv days. [1778?] s. s/i. fol.
G. 306. (113.)
The Plaintive Swain. [Song.] Sec Was.
Was I of my fair possest.
[1777 ?] s. sh. fol. G. 313. (244.)
PLAISIR. Le Plaisir, Comedie en un
Acte en vers, avec un Divertissement;
par M. I'Abbe Marchadier, etc. (Divertisse-
ment du Plaisir.) 2 pts. Chez Cailleau :
Paris, 1749. 8". 164. e. 1.
Plaisir d" Amour ne dure qu'un moment.
Romance de ]\I. le Ch"' de Florian. [Music
by G. Martini.] Chez hnhault : [Paris,
1790?] 8". B. 362. a. (96.)
Plaisir d' Amour ne dure qu'un moment.
Romance du Cheerier dans Celestine, nou-
velle de Mr. le Ch' de Florian, etc. [Music
by G. Martini.] [Paris, 1800 ?] fol.
G. 548. (70.)
Le Plaisir d'un Moment. [Song.]
Sec Je. Je connais un plaisir charmant.
[1785?] 8°. B. 362. g. (33.)
Le Plaisir de la Variete. Chanson.
See Oui. Qui, j'aime la variete.
1757. s. sh. 8". 297. d. 7.
Le Plaisir de rire. Vaudeville.
See BouvARD (P.)
Le plaisir est un Dieu volage. Chanson.
See Bailleul ( )
Le Plaisir veut etre fecond. Chanson.
[Paris, 1780 ?] 8". B. 362. a. (62.)
[Another edition.] Le Plaisir veut etre
fecond. Chanson. [Paris, 1180?] 8".
B. 362. e. (95.)
PLAISIR ET L'INNOCENCE. Le
Plaisir et I'lnnocence. Opera-Coniique,
en un Acte. Par INI. Parmentier . . . avec
la Musique. CJicz Duchesne : Paris,
1753. 8". 164. e. 22.
The music of the concluding vaudeville
is by J. L. Lanictte.
[Another copy.] SeeTHE.\TRE. Nouveau
Theatre de la Foire, etc. Tom 2.
17G3. 8". 11735. d. 2.
PLAISIRS. Les Plaisirs de la Frateruite.
Vaudeville. See Premier. Le premier
iour que Thomme fut sur terre, etc.
[1792.] 8". B. 362. d. (52.)
Plaisirs ne troublez pas ma tristesse. Air.
See Antheaume ( )
PLAISIRS CHAMPETRES. Les
Plaisirs Champetres. IMusette.
See Lemaire (L.)
PLAISIRS DE L'HOSPITALITE.
Les Plaisirs de la I'Hospitalite. Opera
Comique, en un Acte, mele de Vaude-
villes ; [written] par le citoycn Piis . . .
avec la Jilusique [of two songs] . Chez Ic
Librairc, au Th'dfre du Y ancle v ille :
Paris, An Troisieme [1795]. 8°.
11738. L 18. (5.)
PLAISIRS DE LA CAMPAGNE.
Les Plaisirs de la Carapagne. Op6ra.
Sec Bertin de la Doui': (T.)
PLAISIBS— PLAY
277
PLAISIRS DE LA PAIX. Les Plaisirs
de la Paix. Ballet.
See Bourgeois (T. L. J.)
PLAN. The Plan. Song. See No. No
Lass on fam'd Hibernia's Plains, etc.
[1758.] 8°. P.P. 5438. z.
PLANELLI (Antonio) Dell' Opera in
:Musica, etc. Donato Campo :
Napoli, 1772. 8". 1042. h. 7. (1.)
PLANTA (DuRiGES a)
See Frizzoni (G. G. B.) Canzuns Spiritu-
selas. [The tunes selected and revised by
...D. aPlanta, del 1765. S".
3437. h. 20.
PLANTADE (Charles Henri) Aux
plaisirs vrais de la nature.
Sec infra : [Le Roman.]
Palma ou le Voyage en Grece. Op^ra en
Deux Actes. . .Paroles du C"" Lemontey
...Grave par la Cit^"' Brunet. [Full
Score.] Chez ks frires Gaveaux :
Paris, [1798.] fol. G. 123.
[Le Roman.] Aux plaisirs vrais de la
nature. Romance . . . Chanto par M**" Scio,
etc. Chez Decombe: Paris, nSOO.'^ 8".
B. 362. a. (87.)
Te bien aimer 0 ma chere Zelie. Romance
. . . Avec Accompagnement de Guittare.
[Paris, 1791 ?] 8'\ B. 362. e. (97.)
[Another copy.] B. 362. a. (97.)
Zoe, ou la Pauvre Petite. Opera en un
Acte. Paroles de J. N. Bouilly. . .Gravee
par Vau-ixem. [Full Score.] CJicz M"'
Erard : Paris, [1800.] fol. G. 123. b.
PLATEE. Comedie-Ballet.
See Rameau (-J. P.)
PLATO. Plato's Advice. Song.
Sec Say. Sav, Plato, why shou'd man bo
vain. [1755?]" s.s/i. fol. G. 316. h. (29.)
Plato's Advice. Song.
See Says. Says Plato, why should Man
be vain, etc. [1758.] s. sh. 8".
P.P. 5439. ab.
PLATTS (Jamks) Ah why was Mary so
unkind. A Favorite Mad Song sung by
Mr. Cook at the Anacreontic Society, etc.
Printed for the Autlior :
Lojirfon, [1790?] fol. ' G. 377. (47.)
Twelve New Country Dances with their
proper Figures for the Violin, Harp or
Piano Forte, etc. Book lst(-4th) for the
Year 1796(-1799). 4 Bks.
Printed for Culliford Rolfc d Barrow :
London, [1796-1799.] obi. i". a. 11.
Book 3 is ' Printed. . .for. . .the Com-
poser,' and Book 4 ' Printed. . .for the
Composer, by J. d; W. M. CaMisac'
A Favorite Lesson for the Harpsichord or
Piano Forte, etc. Sonata i. (ii.) 2 Nos.
Printed. . .6?/ the Author :
London, [1793.] fol. g. 149. (3-4.)
PLATTS (James) La Melange, or Long-
ways for as many as will, or the New
INIedley with the proper Figure. For
the Harp, Harpsichord, Piano Forte, or
Violin. Printed. . .by the
Author : [London, 1790 ?] s. sh. fol.
g. 149. (21.)
Six Rondos for the Harp or Piano Forte
with an Accompaniment for the Tam-
borino, etc. Culliford tC Barrow, for the
Authoi- : London, [Yi^S.] fol.
g. 301. (15.)
Four New Schleifers or Waltzers for
1792 for the Harp, Harpsichord, Piano
Forte or Violin, with their proper Figures.
Printed for the Author:
[London, 1792.] fol. " g. 149. (23.)
Four Favourite Waltz's. . .For the Harp,
Harpsichord or Violin, with their proper
figures. Printed for the Autltor :
London, [1791.] fol. ' g. 149. (22.)
PLATTS (JIartis) Eight Cotillions, G
Country Dances and two ^linnets with
their proper Figures for the Harp, Harpsi-
chord, Piano-Forte, or Violin, etc. Book
XX., for the Year 1787.
Printed for Longman d Broderip :
London, [1787.] " obi. 4^ b. 53. (4.)
Eight Cotillions and Six Country Dances,
with their proper Figures for the Harp,
Harpsichord, Piano Forte or Violin, etc.
Book XXII. For the Year 1788.
Longman and Broderip :
London, [1788.] obi. 4". b. 52. (6.)
Six Cotillons and Twelve Country Dances
with their proper Figures, for the Harp,
Harpsichord, Piano Forte or Violin, etc.
Book XXIIL, for the Year 1791. Longman
and Broderip : London, [1791.] obl.'i".
b. 57. c. (4.)
Book 25, for the year 1798, of Sthraspeys,
Reels, Waltzs & Irish Jiggs : for the Harp,
Piano Forte or Violin ; with their proper
figures, etc. Longman tt Broderip :
London, [1798.] obi. 4". b. 55. (1.)
PLAWENN (Leopoedus a) Sacrarum
Nympharum Duplicium Aquarum Opus
Tertium. Missis 4. Festiuis & 4. Exe-
quialibus adornatum a 4. 5. 6. 7. & 8.
Vocibus ac Instrumentis 2. necessarijs
c£eteris vna cum Choro vocali ad placitum,
etc. Cantus ii. Per Budolphum Dreher,
Typis Ducalis Monasterii Campidonensis,
1672. 4". D. 86.
PLAY. The Play of Love is now begun.
The Play of Love. A Song made and
Sung by Mr. Leveridge, etc. [JNIusic by
J. C. Pepusch.] [London,
1725 ?] s. sh. fol. H. 1601. (473.)
The tune of this song is assigned to
Pepusch in the Musical Miscellany,
Vol. n.,p.8.
278
PLAY— PLAYPORD
PLAY. The Play of Love is now begun.
Tlte riay of Love. A Song, etc. [Music
by .J. G. Pepusch.] [London,
1730?] s.s/;. fol. G. 305. (197.)
A Play upon Words. [Song.]
See DiBDiN (C.) [Great Neivs.]
PLAYPORD (Henry) The Banquet of
Musick : or, a Collection cf the newest
and best Songs sung at Court, and at the
Publick Theatres. With a Thorow-Bass
for tho Theorbo-Lute, Bass-Viol, Harpsi-
chord, or Organ. Composed by several
of the Best Masters.. The Words by
the Ingenious Wits of this Age. The
First(-Sixth and Last) Book. [With
Prefaces by H. Playford.] G Bks.
E. Jones, for Henry Pluyforcl : [London,]
1688(-1692). fol. G. 83. a.
Books I. and II. are dated 1688, Book
III. 1689, Book IV. 1690, Book Y.
1691, Boofc TT. 1692. The composers
named are : A. Marsh, M. Snoio,
D. Purcell, H. Purccll, J. Roffey,
S. Akeroyde, J. Banister, J. Hart, J.
Bloio, B. King, F. Pigott, Capt. Packe,
Baptist, Overbury, G. Hart, Barknst,
F. Forcer, Turner, A. Damascene,
Barrincloe, D. Hcnstridge, J. Gilbert,
R. Courtiville, li. Bradley, Montfort
and T. Toilet.
The Divine Companion : being a Collec-
tion of New and Easie Hymns and
Anthems, for one, two and three Voices.
Compos'd by the best Masters, etc.
[Edited, with a Preface, by H. Playford.]
William Pearson, for H. Playford :
London, 1701. 8°. B. 655.
The composers named are : Dr. J. Blow,
Dr. Turner, J. Clarke, B. King, S.
Akeroyde, J. Church, W. Croft,
Weldon and T. Clark.
The Divine Companion ; or, David's Harp
new tun'd. Being a Choice Collection
of New and Easy Psalms, Hymns and
Anthems. . .The Third Edition, with large
Additions. W. Pearson : London,
1709. 8". B. 655. a.
The composers arc the same as in the
1st edition, with the addition of
T. Ford, T. Holmes, J. Hilton,
W. Lawes, W. Webb, W. Ellis and
M. Wise.
The Divine Companion . . .The Fouith
Edition, with large Additions.
W. Pearson : London, 1722. 8".
B. 655. b.
The composers arc the same as in the
Brd edition.
Harmonia Sacra ; or Divine Hymns and
Dialogues : with a Thorow-Bass for the
Theorbo-Lute, Bass-Viol, Harpsichord, or
Organ. Composed by the Best Masters of
the Last and Present Age. The Words
by several Learned and Pious Persons,
etc. Edward Jones, for Henry Playford :
[London,] 1G88. fol. G. 84. (1.)
Tlie com2wsers named are: H. Purcell,
M. Locke, J. Blow, P. Humphreys,
J. Jackson and W. Turner.
Harmonia Sacra. The first Book. The
2'' Edition . . . Enlarged and Corrected ;
also four . . . Anthems of the late Mr. H.
Purcell's, never before Printed, etc.
William Pearson, for Henry Playford and
John Sprint: London, 1703, fol.
G. 84. a. (1.)
Tlte composers named in this edition
are the same as those in tlie first,
loith the omission of J. Jackson and
the addition of J. Church and J.
Weldon.
Harmonia Sacra . . . The First Book. The
S'^ Edition, etc.
William Pearson, for S. H. : London,
1714. fcl. G. 84. b. (1.)
TJie composers' names are tlte same as in
the 2nd edition.
Harmonia Sacra . . . The Second Book.
Edward Jones, for Henry Playford :
[London,] 1693. fol. G. 84. (2.)
Tlie composers named are : H. Purcell,
Barrincloe, R. King, D. Purcell, J.
Bloio, J. Clarke, Gratiani and G.
Carissimi.
[Another copy.]
G. 84. a. (2.)
Two Divine Hymns : being a Suppli-
ment to the Second Book of Harmonise
Sacra. W. Pearson, for Henry Playford :
London, 1700. fol. ' G. 84. a. (3.)
These hymns arc by J. Clark and
W. Croft.
Harmonia Sacra : . . . Book II. The 2''
Edition very much Enlarg'd and Cor-
rected ; Also Three Excellent Anthems,
never before Printed, by Mr. Cioft, . . .
Dr. Blow, and Mr. J. Clark, etc.
William Pearson, for S. H : London,
1714. fol. G. 84. b. (2.)
Tlte comjmsers' names are the same as in
the first edition, with the omission of
Barrincloe and the addition of W.
Croft.
Mercurius IMusicus : or the Monthly Col-
lection of New Teaching Songs, etc.
[Edited by H. Playford.] (1699.) obi. 4".
Sec Mercurius Musicus. K. 1. e. 6.
The Theater of Music : or, A Choice
Collection of the newest and best Songs
sung at the Couit, and Public Theaters.
The Words composed by the most
ingenious Wits of the Age, and set to
]\Iusic by the greatest Masters in that
Science. With a Theorbo-Bass to each
Song . . . Also Symphonies and Retornels
PLAYFORD
279
in 3 Parts to several of them for the
Violins and Flutes. The First(-Fourth
and Last) Book. [With Dedications to
Book I. signed : R. C. and H. P. and to
Book IV. signed : Henry Playford ]
4 Bks. /. Playford, for Henry
Playford and Rlichard] C[arr] ; London,
1G85 (1687). fol. G. 83.
Book IV. is dated 1687 and ' Printed by
B. Mottc, for Henry Playford.' The.
composers named are : Capt. Pack,
B. King, T. Farmer, S. Akeroyd,
Grabuc, C. Taylour, Sen. Baptist,
J. Boffey, H. Purcell, Dr. J. Blow,
W. Turner, J. Lenton, J. Hart, A.
Damascene, P. Rcggio, W. Gregory,
Snow, T. Tedivay [Tudway], D.
Undenvood, F. Forcer, J. Goodwin,
H. Hall, B. Broken, J. Hawkins,
P. Humphrey, G. Hart, J. Courti-
villc, J. Beading, Gore, Th. Hawney,
A. Marsh, J. Jaclson and M. Loci:.
Sec also: P., H.
PLAYFORD (John) Apollo's Banquet :
containing Instructions, and Variety of
New Tunes, Ayres, Jiggs, and several
New Scotch Tunes for the Treble-Violin.
To which is added. The Tunes of the
newest French Dances . . . The Sixth
Edition, with new Additions. [With a
Preface signed : H. P.] E. Jones, for
Henry Playford: [London,] 1690. obi. 4".
K. 4. b. 9.
The only co7nposers named are : Banister,
Farmer, Sen. Baptist, Pcasable, Dyer,
H. Purcell and Akeroyde.
Select Musicall Ayres, and Dialogues, For
one or two Voyces, to sing to the Theorbo,
Lute, or Basse VioU. Composed by John
Wilson, Charles Colman, Doctours of
]\Iusick. Henry Lawes, William Webb,
Gentlemen. To which is added some few
short Ayres or Songs for three Voyces, to
an insti-ument. [With a preface by J.
Playford.] Printed for John Playford :
London, 1652. fol. F. 51.
This collection contains compositions by
B. Johnson, H. Laxces, C. Colman,
J. mison, W. Webb, W. Csssar alias
Smegergill, J. Taylor, N. Lanneare,
W. Latves and B. Smith.
The Second Booke of Ayres, Containing
Pastorall Dialogues For two Voyces, to
sing either to the Theorbo, Harpsicon, or
Basse Violl. Also short Ayres for three
Voyces, with a thorow Basse. Composed
by many Excellent Masters in Mnsick,
now living. Thomas Harper,
for John Playford : London, 1652. fol.
F. 51. (2.)
The ccnnposers named are : N. Lnneare,
W. Laices, W. Csesar alias Smeger-
gill, C. Colman, H. Laxces and W.
'Webb.
PLAYFORD (John) Select Musicall
Ayres and Dialogues, in Three Bookes. . .
Composed by . . . Dr. John Wilson, Dr.
Charles Colman, Mr. Henry Lawes, Mr.
William Lawes, Mr. William Webb, IMr.
Nicholas Lanneare, Mr. William Smeger-
gill alias Cfesar, Mr. Edward Colman, Mr.
Jeremy Savile. T[liomas] H\_arpcr\ for
John Playford : London, 1653. fol.
F. 51. a.
Wanting the dedication. The pagina-
tion of Books 2 a)id 3 is continuous.
hi addition to the names on the titlr-
jmgc the follorving composers are repre-
sented : Warner, J. Taylor, T. Bretvrr
and W. Tompkins.
[Another copy.] F. 51. b.
Imperfect, wanting the title-page and
dedication. The title-page is supplied
in facsimile.
Select Ayres and Dialogues For One,
Two, and Three Voyces ; to the Theorbo-
Lute or Basse- Viol. Composed by J.
Wilson, C. Colman, Doctors in Musick.
H. Lawes, W. Lawes, N. Laueare, W.
Webb, Gentlemen . . to his late IMajesty
in his Publick and Private Musick. And
other Excellent Masters of Musick.
W. Godbid, for J. Playford : London,
1659. fol. ■ ' E. 1078.
This is an enlarged edition of ' Select
Musicall Ayres and Dialogues' ; it
icas rcisstied in 1669 as Book I. of the
' Treasury of Musick.' The composers
named are : N. Laneare, J. Wilson,
H. Lawes, W. Webb, C. Colman,
E. Colman, J. Sovill, Lady Deering,
T. Breiccr, J. Playford, B. Johnson,
Warner, J. Goodgroome, W. Cmsar
alias Smegergill, S. Ives, W. Tomp-
kins, J. Cubb a)id Jenkins.
[Another copy.] G-. 82. (1.)
Wanting pip. 29 and 30.
Select Ayres and Dialogues to Sing to the
Theorbo-Lute or Basse-Viol. Composed
by Mr. Henry Lawes . . . and other Excel-
lent Masters. The Second Book. [With
a preface by J. Playford.]
William Godbid for John Playford :
London, 1669. fol. G. 82. (2.)
This is a selection from Laives's First
and Second Books of "Ayres and
Dialogues" jniblishcd respectively in
1653 and 1655. It icas also issued
under Laiccs's name as the Second
Book of ' The Treasury of Musick.'
The composers named are : H. Laiocs,
J. Wilson, C. Colman, N. Lanneare,
J. Goodgroome, S. Ives, A. Marsh,
W. Gregorie, B. Hill, J. Moss, J.
Playford, J. Hilton, E. Colman,
T. Blagrave, J. Jenkins and W.
Lawes.
280
PLAYFORD
PLAYFORD (John) [Select Ayres and \
Dialogues. Books I. and II.] I
Sec Lawes (H.) The Treasury of Musick, I
etc. [With a Preface by J. Playford.] i
1G69. fol. G- 81.
A Breif Introduction to the Skill of
Musick: for Song and Viol. In two j
Books, etc. W. Godbid, for J. Playford :
London, 1G58. 8". 785. a. 38.
A Brief Introduction to the Skill of
Musick. In two Books . . . The Third
Edition Enlarged. To which is added a
Third Book, entituled, The Art of Descant
or Composing Musick in Parts, by Dr.
Thomas Campion. With Annotations
thereon by ]\Ir. Chr. Simpson.
W. Godbid for John Playford : London,
IGOO. 8°. E. Pam. 1795. (2.)
This copy contains the portrait of Play-
ford mt. S7((e 38. Campion's Treatise
has a separate title-page : " The Art
of Setting or Composing Musisk [sic]
in Parts . . . The Second Edition,"
etc.
A Brief Introduction to the Skill of
Musick. In two Books ... To which is
added a Third Book, etc. Printed for
J, Playford : London, 1662. 8".
B. 347. a.
A Brief Introduction to the Skill of
Musick. In two Books ... To which is
added the Art of Descant. . .The Fourth
Edition much Enlarged. William Godbid
for John Playford : London, 1664. 8".
•' B. 347. b.
A Brief Introduction to the Skill of
Musick : in Three Books, etc.
William Godbid for John Playford :
London, 1666. 8". ' B. 347. e.
This copy has the portrait of Playford
xt. sux 40.
A Brief Introduction to the Skill of
Musick : in Three Books, etc. ms. notes.
William Godbid, for John Playford:
London, 1666. S". B. 347. d.
This copy has the portrait of J. Playford
sat. sux 57.
A Brief Introduction to the Skill of
Musick : in Three Books, etc.
Willicnn Godbid, for John Playford :
Jjondon, 1667. 8°. B. 347. e.
This copy has the portrait of Playfcnrl
let. suie 40.
A Brief Introduction to the Skill of
Musick ; in Three Books, etc.
William Godbid, for John Playford:
London, 1670 (1669). 8°. B. 347. f.
This copy has the portrait of J. Playford
set. siix 47. The Third Book is dated
1669.
An Introduction to the Skill of Musick.
In Two Books ... To which is added. The
Art of Descant . . . The Sixt Edition Cor-
rected and Enlarged. W. Godbid,
for J. Plai/ford : London, 1672 (1671). 8".
•^ B. 347. g.
Tliis copy lias the portrait of J. Playford
xt. sux 47. ' The Art of Descant' is
dated 1671.
An Introduction to the Skill of ^Musick.
In Two Books . . . The Seventh Edition,
Corrected and Enlarged. W. Godbid, for
J. Playford: London, 1(>1 4. 8". B. 347. h.
This copy has the portrait of J. Playford
iet. sine 47.
[Another copy.] B. 347.
An Introduction to the Skill of Musick,
in Two Books. . .To which is added. The
Art of Descant . . . Also the Order of Sing-
ing Divine Service in Cathedrals . . . The
Eighth Edition carefully Corrected.
A. G\pdhid] and J[ohn] P[layford the
younger'] for John Playford: London,
1679. 8". B. 347. i.
This copy has the portrait of Playford
let. sum 47. Liside the cover is the
signature of John Tr avers.
An Introduction to the Skill of Musick,
in Three Books . . . The Tenth Edition,
Corrected and Enlarged. .4. G[odbid] and
J[ohn'] P[layford the younger] for John
Playford : London, 1683. 8". B. 347. k.
This copy has the portrait of J. Playford
xt. sine 57.
An Introduction to the Skill of Musick.
In Three Books. . .The Eleventh Edition,
Corrected and Enlarged.
Charles Peregrine, for Henry Playford :
London, 1687. 8". B. 347. j.
This copy has D. Loggan's undated
portrait.
An Introduction to the Skill of Musick,
in Three Books. The First contains the
Grounds and Rules of Musick . . . The
Second. Instructions and Lessons both for
the Bass- Viol and Treble- Violin. The
Third, The Art of Descant ... In a more
Plain and Easie Method than any hereto-
fore Published . . . The Twelfth Edition.
Corrected and Amended by Mr. Henry
Purcell. E. Jones, for Henry Playford :
[London,] 169^ 8". ' 1042. e. 11.
Tl'i/7j D. Loggan's undated portrait.
An Introduction to the Skill of Musick :
in Three Books . . . Containing, i. The
Grounds and Principles of Musick . . .
being newly Written... by an Eminent
Master in that Science, ii. Instructions
and Lessons for the Treble, Tenor, and
Bass-Viols ; also for the Treble-Violin.
III. The Art of Descant . . . made very
Plain and Easie by the late ]\Ir. Henry
Purcell. The Thirteenth Edition.
E. Jones, for Henry Playford : [London,]
1697. 8». B. 347. 1.
With D. Loggan's %mdated portrait.
PLAYFORD
281
PLAYFORD (John) An Introduction
to the Skill of Musick : in Three Books
. . . The Fourteenth Edition. Corrected
and Enlarged. William Pearson, for
llcnrij Play ford: London, 1100. 8".
B. 347. m.
Tr!77( 7). Loggaii's undated portrait.
An Introduction to the Skill of IMusick :
in Three Books. . .The Fifteenth Edition.
Corrected, and done on the New Ty'd-
Note. W. Pearson, for Henry Playford
. . .and John Sprint : Lmulon, 1703. 8".
785. b. 8.
With the portrait of Playford xt.
S71X 57.
An Introduction to the Skill of IMusick :
in Three Books. . .The Sixteenth Edition,
etc. M'illiam Pearson, for Jolin Sprint :
London, 1713. 8". B. 347. n.
WitJi D. Loggan's uyidated portrait.
An Introduction to the Skill of ]\Iusick :
in Three Books : . . . The Seventeenth
Edition, etc. William Pearson, for John
and Den. Sprint: London, 1718. 8".
B. 347. o.
With the portrait by J. Clark, 1718.
An Introduction to the Skill of Musick :
in Three Books... The Eighteenth Edi-
tion, etc. William Pearson, for John and
Benj. Sprint : London, 1724. 8".
B. 348.
With the piortrait by J. Clark, 1718.
An Introduction to the Skill of Musick :
in Three Books... The Nineteenth Edi-
tion, etc. William Pearson, for Benjamin
Sprint: London, YidO. 8".'
1400. b. 17.
With the portrait by J. Clark, 1718.
Choice Songs and Ayres for One Voyce To
Sing to a Theorbo-Lute, or Bass- Viol...
Composed by several Gentlemen of His
JNIajesties IMusick. The First Book.
W. G[odbid] : London, 1673. fol.
G. 82. a.
TJie composers named arc: B. Smith,
P. Humphrey, A. Marsh, W. Gregory,
J. Banister, J. Hart, A. Marsh Junior,
Turner, N. Staggins, Stafford, T.
Farmer and C. For sail.
Choice Ayres, Songs, & Dialogues. . .The
Second Edition Corrected and Enlarged.
W. Godbid : London, 1675. fol.
G. 82. b. (1.)
The composers added in this edition arc :
J. Playford, Pnrsell, B. Hill, J.
Jackson, I. Blackicell, Ttvist and
M. Locke.
Choice Ayres, Songs, & Dialogues . . .
Newly Re-printed with large Additions.
William Godbid: London, 1676. fol.
G. 82. (3.)
PLAYFORD (John) Choice Ayres &
Songs. . .The Second Book. Anne
Godbid: London, 1619. fol. G. 82. (4.)
Tlie title-page is mutilated. The com-
posers named are : M. Locke, F.
Forcer, J. Hart, Staggins, W. Turner,
A. Marsh, J. Banister, W. Gregorir,
S. Pack, H. Purcell, J. Blow, J. Moss,
T. Farmer, J. Cobb, P. Humphrey,
Grabue and B. Wallingfon.
[Another copy.] G. 82. b. (2.)
The title-page and preface arc mutilated.
[Another copy.] G. 82. c.
Imperfect, icanting tlie title-page.
Choice Ayres and Songs... The Third
Book. A.iGoldbid and J. Playford Junior :
London, 1681. fol. ' G. 82. (5.)
The composers named are : Grabue, T.
Farmer, J. Hart, H. Pur sell, J. Beadinii.
W. Turner, F. Forcer, I. Blackweil,
P. Humphrys, N. Staggins, J. Blow,
J. Hart, C. Gibbons and W. Gregory.
[Another copy.] G. 82. b. (3.)
Choice Ayres and Songs . . . The Fourth
Book. A. Goldbid and J. Playford Junior :
London, lQ>8d. fol. " G. 82. (6.)
The composers named are : Abel, W.
Gregory, Capt. Packe, W. Turner,
J. Blow, T. Farmer, Dr. Bogers,
Banister, I. Blackweil, J. Hart, M.
Lock, H. Purcell, F. Fcrrcer, C. Taylor,
T. Tudway and N. Lannier.
[Another copy.] G. 82. b. (4.)
Choice Ayres and Songs . . . The Fifth
Book. J. Playford Junior : London,
1684. fol. G. 82. b. (5.)
The co)n posers named are : C. Fisli-
burne, H. Purcell, B. King, T. Farryicr,
Capt. Pack, Sen. Damascene , Sen. Bap-
tist, J. Hart, T. Stafford, F. Forcer, Dr.
Staggins, P. Humphreys, W. Turner,
B. Croone, J. Boffey, T. Kingsley and
J. Blow.
Court Ayres : or, Pavins, Almains, Corant's,
and Sarabands, of two parts. Treble &
Basse, for Viols or Violins. Which may
be performed in Consort to the Theorbo
Lute, or Virginalls. [With Preface and
Dedication by J. Playford.] Treble.
(Basse.) 2pts. Printed for John Playford :
London, 1655. obi. i". K. 4.' a. 4.
Tlie composers named are : C. Cobnan,
W. Lawes, J. Jenkins, C. Simp-
son, W. Childe, Vaux, Sir Edw.
Golding, B. Bogers, B. Sandlcy, It.
Cook, J. Taylor, It. Cobb, G. Hudson,
J. Carwarden, W. Gregory, V. Oldis,
S. Ives and Capt. S. Taylor.
The Musical Companion. [For editions
of the collections successively called
'Catch that Catch Can,' 'The Musical
Companion ' and ' The Pleasant Musical
Companion,' some edited by J. Playford :]
See Musical Cojipanion.
282
PLAYFORD
PLAYrORD (John) Musick's Delight
on the Cithren, Restored and Refined
to a more Easie and Pleasant Wanner of
Playing than formerly ; And set forth
with Lessons Al a ]\Iode, heing the
Choicest of our late new Ayres, Goran ts,
Sarabands, Tunes, and Jiggs. To which
is added several New Songs and Ayres to
Sing to the Cithren, etc. [With a preface
by J. Playford.] W[illiam'] Gfodbid] :
London, 166G. obi. 4°. K. 1. a. 3.
This collection contains compositions by
M. Lock, W. Lawes, S. Ives and C.
Colman,
Musicks Hand-maide. Presenting New
and Pleasant Lessons for the Virginals or
Harpsycon. [With a preface by J. Play-
ford.] Printed for John Plaiiford :
London, 1663. obi. 4° K. l.'c. 1.
This collection contains compositions by
B. Sandley, W. Laives, B. Rogers,
M. Locke, and J. Mossc. The music
is engraved throughout, except tJie last
leaf containing ' The Tunes of Psalms
to the Virginal or the OrganJ"
Musicks Hand-maid : New Lessons and
Instructions for the Virginals or Harpsy-
chord. (The Second Part of Musick's
Hand-maid : containing the Newest Les-
sons, Grounds, Sarabands, Minuets, and
Jiggs, set for the Virginals, Harpsichord,
and Spinet.) 2 pts. Printed for
J. Playford {Henrij Playford) : London,
1678 (1689). obi. 4°. K. 4. b. 10.
The Second Part has a preface by
H. Playford. The composers whose
names are added in Part I. in this
edition are : A. Bryaoi, F. Prat and
J. Jackson. The printed Psalm Tunes
are omitted. Part II. wants sheet B.
The composers named are : H. Purcell,
W. Turner, J. Blow and Snoiv.
IMusick's Recreation : on the Lyra Viol.
Being a choice Collection of New and
Excellent Lessons for the Lyra Viol. . .To
which is added some few plain Directions
as a Guide for Beginners. [With a preface
signed : J. P.] Printed for John Plai/ford :
London, 1652. obi. i'.' K, 4. b. 11.
The composers named are : W. Lawes,
S. Ives, S. Ives Junior, Dr. C. Col-
man, Yong, J. Lillie, Jenkins, W.
Gregory, J. Esto, G. Hudson, T. Bates,
J. Withie and Aylicard.
^Musicks Recreation on the Viol, Lyra-
way, etc. W. G. for J. Playford :
London, 1661. obi. 4°. ' K. 4. b. 12.
The names of composers added in this
edition are : Gotcr [Ganlticr'], C.
Simpson and W. Young.
Musicks Recreation on the Viol, Lyra-
wav, etc. W. Godbid, for John Playford :
London, 1669. oW. 4". K. I.e. 2.
In this edition tlie only new name is
J, Moss.
PLAYFORD (John) IMusicks Recreation
on the Viol, Lyra-way . . . The Second
Edition, Enlarged with additional New
Lessons, ms. notks [by T. Oliphant and
Julian Marshall]. A[nne] G[odbid] and
Jfo/iji] P[layford the Younger'] fen- J. Play-
ford : London, 1682. obi. 4°. K. 1. c. 3.
In this edition the names added are :
Farmer, Banister and Baptist.
Psalms & Hymns in Solemn Musick of
Foure Parts on the Common Tunes to the
Psalms in jMetre : . . . Also Six Hymns for
One Voyce to the Organ, etc. W. Godbid
for J. Playford : London, 1671. fol.
K. 1. i. 19.
A presentation copy from J. Playford to
Francis North [Lord Guildford] ivifh
an autograph inscription on p. 1. This
work also contains a Gloria by B.
Bogers.
The Whole Book of Psalms: with the
usual Hymns and Spiritual Songs ; to-
gether with all the ancient and proper
Tunes sung in Churches, with some of
later Use. Composed in Three Parts,
Cantus, Medius, and Bassus...by John
Playford. W. Godbid, for the Compami
of 'stationers : London, 1677. 8°. C. 6.
The Whole Book of Psalms. . .The Second
Edition, Corrected and Amended.
Edward Jones, for the Company of
Stationers : London, 1695. 8". C. 6. a.
The Whole Book of Psalms. . .The Third
Edition, etc.
J. HeptinstaU, for the Company of
Stationers : London, 1697. 8°. C. 6. b.
The Whole Book of Psalms. . .The Fourth
Edition, etc.
J. HeptinstaU, for the Compann of
Stationers : London, 1698. 8°. C. 6. c.
The Whole Book of Psalms. . .The Fifth
Edition, etc.
J. HeptinstaU, for the Company of
Stationers : London, 1699. 8". C. 6! d.
The Whole Book of Psalms... The Sixth
Edition, etc.
J. HeptinstaU, for the Company of
Statioiiers : London, 1700. 8". C. 6. e.
The Whole Book of Psalms . . . The Seventh
Edition, etc.
J. HeptinstaU, far the Company of
Stationers: London, liOl. 8". C. 6. f.
The Whole Book of Psalms. . .The Eighth
Edition, etc.
J. HeptinstaU, for the Company of
Stationers : London, 1702. 8". C. 6! g.
The Whole Book of Psalms. . .The Tenth
Edition, etc.
J. HeptinstaU, for the Companij of
Stationers: Lmidon, 1109. 8\ C. 6. j".
The Whole Book of Psalms . . The Twelfth
Edition, etc.
J. HeptinstaU, for the Compami of
Stationers : London, 1713. 8", C. 6. 1.
PLAYFORD— PLENTY
283
PLAYFOED (John) The Whole Book
of Psalms. . .The Thirteenth Edition, etc.
J. ITeptinstall,for the ConqMny of
Stationers: London, 1115. 8". C. 6. m.
The Whole Book of Psalms ... The Four-
teenth Edition, etc.
J. Heptinstall, for the Company of
Stationers : London, 1717. 8". C. 6. n.
The Whole Book of Psalms... The Fif-
teenth Edition, etc.
W. Pearson, for the Company of Stationers :
London, 1719. 8". C. 6. o.
Wanting the frontispiece.
The Whole Book of Psalms... The Six-
teenth Edition, etc.
W. Pearson, for the Company of Stationers :
London, 1722. 8". C. 6. p.
The Whole Book of Psalms. . .The Seven-
teenth Edition, etc.
W. Pearson, for the Company of Stationers :
London, 1724. 8". C. 6. q.
The Whole Book of Psalms . . . The
Eighteenth Edition ; done on the New-
ty'd Note, Corrected and Amended.
W. Pearson, for the Company of Stationers :
London, 1729. 8". C. 6. r.
The Whole Book of Psalms . . . col-
lected into English Metre, by Thomas
Sternhold, John Hopkins, &c. The Nine-
teenth Edition. . .Corrected and Amended.
To which is added, A New Introduction
to Psalmody, etc. A. Pearson, for the
Company of Stationers : London, lTd8. 8".
C. 6. s.
The Whole Book of Psalms. . .The Twen-
tieth Edition, Corrected, with consider-
able Improvements ; And the Addition of
Thirteen new Psalm-Tunes, and Three. . .
Anthems. . .by J. Fox, etc. B. Broirn,
for C. Ware, etc. : London, 1757. 8".
C. 6. t.
See Dering (R.) Cantica Sacra... The
Second Sett, etc. [With a preface by
J. Playford.] 1674. fol. K. 3. m. 6.
See Hilton (J.) Catch that Catch Can . . .
The Second Edition Corrected and En-
larged by J. Playford. 1658. obi. 8".
A. 410. a.
See Lawes (H.) A Paraphrase upon the
Psalms . . . Set to New Tunes . . . Revised
and Corrected. . .by J. Playford. 1676. 8".
1076. m. 7.
PLAY'ING. Playing at Cards for Kisses.
[Song.] See At. At Cribbage Tom and
Phillis play'd. [1765?] s. sh. fol.
Q. 306. (88.)
PLAYING THE HARPSICORD.
Playing the Harpsicord, Spiuuet or Piano
Forte, made easy by New Instructions
wherein the Italian manner of Fingering
is shewn. . .with choice Lessons selected
from the most Eminent Masters . . . with
. . . Rules for playing a good Thoro' Bass,
etc. Longman, Lnkcy it Co.: London,
[1775 ?] obi. S'\ ■ a. 126.
The comjyosers named are : Fisher. Bonr-
dani, Croix and Wagenseil.
PLEASURE. Pleasure. [Song.]
See Wennington (W.)
Pleasure, Goddess all divine. An hivita-
tion to Pleasure. [Song.] Sung by Mr.
Taylor at IMarybone. B. Falkencr :
London, [1710?] s. sh. iol.
H. 1994. a. (74.)
Pleasure ! my former ways resigning.
[Song.] Sec Haendel (G. F.) [The
Triumph of Time and Truth.]
The Pleasure of a Single Life. Song.
See Hudson (R.)
The Pleasure of Drinking in Season.
[Song.] See Good. Good wine in a
morning. [1720 ?] s. sh. fol.
H. 1601. (180.)
PLEASURES. The Pleasures and Plagues
of Matrimony. [Song.] Sre What. What
could a jMan for Woman do.
[1720?] s.sh.iol G. 305. (134.)
The Pleasures of a Country Life. [Song.]
See Graves (J.)
The Pleasures of Belsize. [Song.]
See Lords. Lords and Ladies, who deal
in the Sport, e/c. [1720?] .s. .s/i. fol.
H. 1601. (291.)
The Pleasures of Hunting and Drinking.
Song. See Hook (J.)
The Pleasures of Life. Song. See Save.
Save Women and Wine, etc.
[1745?] s. sh. fol. G. 316. f. (7.)
The Pleasures of Solitude. [Song.]
See Happy. Happy Hours all Hours
exceUing. [1735?] s. s/(. fol.
G. 316. e. (17.)
The Pleasures of Spring. Duett.
See Mathews (J.)
The Pleasures of the Spring Gardens,
Vaux-Hall. Song. See Boyce (W.)
PLEIN. Plein d'un ardeur extreme.
Vaudeville. See Gillier (J. C.) [L'hn-
p>romptu du Pont-Ncuf.']
Plein de la plus vive ardeur. Vaudeville.
See Leger (F. P. A.) [Ziste et Zcste.']
PLENTALE (C. M.)
See Gaveaux (P.) La Reveil du Peuple
. . . arrange par C. M. Plentale, etc.
[1795?] fol. G. 295. (12.)
PLENTY. Plenty, Mirth & gay Delight.
[Duet, by J. Travers.] Sung by Mrs.
Linsey and Mr. Laroon. [London,
1725 ?] s. sh. fol. G. 316. e. (118.)
Plenty, INIirth and gay Delights. Two
Part Song. See Travers (J.)
284
PT.ESSIS— PLEYEL
PLESSIS ( ) Amour, je ne songe qu'a
rire. Clianson. [Words] Par M. Fuzilliers
le fils. [Paris,] 173G. s. sh. 4°.
297. b. 15.
Mcrcnrc dc France, Sept., 1736.
PLEUREUSE. La Pleureusc. [Song.]
Sec Ma. ]\Ia fiUe, je vais vous punir, etc.
[1785?] 8". B. 362. g. (15.)
PIiEUREZ. Plores oiselets taut doux.
RonuDice. Chez Bicjnon : [Paris,
1780 ?J 8°. B. 362. b. (6.)
PLEYEL, CORRI AND DUSSEK.
Pleyel, Corri and Dussek's Musical
Journal, etc. [Vocal Part.] No. l[-4].
Printed for Corri, Dussek d Co. : London
and Edinburgh, 1797. fol.
G. 356. (12-14*.)
Pleyel, Corri and Dussek's Musical
Journal, etc. [P. F. and Harp Parts.]
No. 1. Corri, Diissek (£• Co. : Loidoii S
EdinJutrgh, 1797. fpl. g. 141. (15.)
Pleyel, Corri and Dussek's Musical
Journal. [P. F. Part.] No. 2.
Printed for Corri, Dussek d- Co. : London d
Edinburgh, 1797. fol. g, 137. (21.)
Pleyel, Corri, and Dussek's Musical
Journal, [P. F, Part], No. 3. Printed for
Cor7-i, Dussek d Co. : London d Edinburgh,
1797. fol. g. 139. (34.)
PliEYEL (Ignaz Joseph)
Arrangement.
1. Concertos and Concertantes.
2. Instrumental Duets.
a. Two Flutes.
b. Pianoforte and Violin.
c. Two Violins.
d. Violin and Flute.
e. Violin and Tenor.
f. Violin and Violoncello.
g. Two Violoncellos.
3. Harp Solos.
4. Pianoforte Solos.
5. Pianoforte Duets.
6. String Quartets.
7. String Quintets.
8. Symphonies (or Overtures).
9. Instrumental Trios.
10. Vocal Music.
11. Appendix.
12. Cross-References.
1. Concertos and Concertantes.
Pleyel's Celebrated Concertante [in E fiat,
No. 1,] . . . adapted for the Piano-Forte or
Harpsichord, with an Accompaniment for
a Violin and Violoncello by J. B. Cramer.
[Separate Parts.] Longman d Broderip :
London, [1795 ?] fol. g. 161. c. (9.)
A Celebrated Concertante [in E fiat,
No. 1,] for the Piano Forte. [1797.]
See Periodical Publications. — L^ondon.
The Piano-Forte Magazine. Vol. II.
[No. 2.] [1797-1802.] 8'\ D. 854.
PLEYEL (Ignaz Joseph) Pleyel's Cele-
brated Concertante [in E flat. No. 1,] . . .
adapted for the Harpsichord or Piano
Forte. G. Goulding : London,
[1799?] fol. g. 85. a. (5.)
Pleyel's. . Concertante [in E flat, No. 1,]
. . . adapted for the Harpsichord or Piano-
Forte, with an Accompaniment for a
Violin. Preston : Tjondon,
[1800?] fol. g. 85. a. (6.)
Tlie Harpsichord part only.
Pleyel's Celebrated Concertante [in E flat.
No. 1,] . . . adapted for the Piano Forte
with an Accompaniment for a Violin.
[Separate Parts.] Broderipand M'iUdnson :
London, [1800 7] foL g. 85. a. (7.)
[Concertante in E fiat, No. 1.] Andante
...with Variations [for Harp] the Three
last by M''- de . S. Straight :
London, [1800?] fol. H. 2819. (11.)
A Third Concertante [in A] adapted for
the Piano Forte with an Accompaniment
for the Violin. [Separate Parts.]
Broderip) d Wilkinson : London,
[1800?] fol. g. 191. (9.)
A Favorite Concerto [in D] for a Violino
Principale and a Full Band. [Separate
Parts.] Longman and Broderip :
London^ [1790?] fol. h. 318. (10.)
A Favourite Concerto [in D] for the
Piano-Forte or Harpsichord with Accom-
paniments for two Violins and a Violon-
cello. [Separate Parts.]
Longman d Broderip : London,
[1795 ?] fol. h. 3212. c. (14.)
2. Instrumental Duets.
a. Two Flutes.
b. Pianoforte and Violin.
c. Two Violins.
d. Violin and Flute.
e. Violin and Tenor.
f. Violin and Violoncello.
g. Two Violoncellos.
a. Two Flutes.
Six Duetts Concertante for two German
Flutes or German Flute & Violin. Com-
posed in a progressive Stile, etc. 2 Bks.
[Separate Parts.] Fentum :
London, [1795?] fol. h. 250. b. (15.)
[Another edition.] Six Duetts Concer-
tauts for two German Flutes. . .Book I.
[Separate Parts.] Preston d Son :
London, [1195 7] fol. h. 2140. a. (7.)
[Another edition.] Six Duetts Concer-
tante for two German Flutes, etc. Book 2.
[Separate Parts.] W. Boaq :
London, [11957] fol. g. 421. p. (8.)
Three Concertante Duettos for two
German-Flutes . . . Arranged, Revised, &
Corrected by J. Wragg. [Separate Parts.]
Printed for J. Wragg :
London, [1800 7] fol, h. 250. b. (13.)
PLEYEL
285
PLEYEL (Ignaz Joseph) Three Duetts,
with Scots Airs for Two Flutes. [Sepa-
rate Parts.] Printed for Corri, Dussek
d- C" ; London d Edinburgh, [1797 ?] fol.
g. 225. (10.)
b. Pianoforte and Violin.
Petits Airs et Rondos pour le Clavecin ou
Piano-Forte, avec acconipaguement d'un
Violou, ad libitum. . .Livre 1(-G) tire des
compositions de 'M' Ignace Pleyel, et
arrange par J. Andre. G pts.
Chez J. Aiulri : Offenbach sur le Mein,
[1790 ?] obi. 4". b. 230.
Six Grand Lessons for the Harpsichord or
Piano-Forte, with an Accompauyment for
a Violin ; dedicated to . . . the King of
Prussia. Preston: London, \Vl'dO'>] fol.
h. 318. b.
Imperfect, icanting all after p. 30 of the
P. F. part.
j\Iinuetto con 12 Variazioni per il Piano
Forte con Accompagnamento d' un Violino.
Harington : London, [1785 ?] fol.
g. 147. (12.)
Three Sonatas in which are introduced. . .
five. . .Favorite Airs... with an Accom-
paniment for the Violin Obligate. [P. F.
Part.] B. Cooke : Dublin, [1795 ?1 fol.
h. 2996. (2.)
Sonata [in B flat] for the Piano Forte or
Harpsichord, with an Accompaniment for
the Violin, etc. [Separate Parts.]
Longman and Brodcrip :
London, [1788 ?] fol. g. 147. (9.)
[Another copy.] g. 144. (10.)
A [Second] Grand Sonata for the Piauo-
Forte or Harpsichord. . .in which is intro-
duced. . .a Select Scotish Air with accom-
panyment for a Violin. [P. F. Part.]
Hime: Lublin, [1795?] fol.
g. 543. s. (4.)
Deux Grandes Senates pour le Clavecin
ou Piano Forte avec Accompagnement
d'un Violon ad libitum. . .CEuvre vii.
[Separate Parts.] Longman and Broderlp :
London, \Vim^ fol. h. 70. b. (6.)
Three Sonatas for the Harpsichord or
Piano Forte, with an Obligato Acconip'
for a Violin. . .Op. 21. [P. P. Part.]
J. Bland : London, [1790?] fol.
g. 443. c. (7.)
Pleyel's Six [or rather Twelve] Progressive
Sonatinas with Violin Accompaniments
(ad libitum) etc. 2 Sets. Printed for
Corri, Dtissek ili C" : London £ Edinburgh,
[1797?-1798?] fol. g. 144. (9.)
Book I. contains Op. 32.
Six Progressive Sonatinas, Op. 32. [P. F.
and Violin.] See Dussek (J. L.) Dussek's
Instructions ou the Art of Playing the
Piano Forte. . .to which are added Op. 32
. . .by I. Pleyel, etc. [1797 ?J fol.
g. 303. (6.)
PLEYEL (Igxaz Joseph)
c. Two Violins.
Tre Duetti per due Violini . . . Opera D.
[Separate Parts.] Presso L. Marescalchi :
Napoli, [1795 ?] fol. h. 318. a. (2.)
Six Duos, faciles & progressives pour
deux Violons . . . Oeuvre 5° de duos.
[Separate Parts.] Longman ct Broderip :
London, [1195?] fol. g. 421. 1. (2.)
Six Duos pour Deux Violins ou Deux
Flutes. . .Op. 13. [Separate Parts.]
Longman and Broderip :
London, [1190 I] fol. g. 218. (7.)
[Another edition.] Six Duos pour Deux
Violons. . .Op. 13. [Separate Parts.]
Longman and Broderip :
London, [1795 ? ] fol. g. 421. g. (6.)
Six Duets, for Two Violins. . .Op. xv.
[Separate Parts.] Longman and Brodcrip :
London, [1790?] fol. g. 218. (8.)
[Another copy.] g. 421. 1. (4.)
Six Duos pour deux Violons . . . Oeuvre
xviii [or rather xv. Separate Parts.]
Clu'z J. Schmitt : Amsterdam, [1790 ?J fol.
g. 85. b. (2.)
Six Duo concertans pour deux Violons. . .
Oeuvre 23""^ [or rather xv. Separate
Parts^. Chez J. Andri : Offenbach sur le
Mein, [1795 ?] fol. g. 85. b. (4.)
Six Duetts for Two violins. . .Op. xviii.
[Separate Parts.] Longman and Bro-
derip : Lomlon, [1790 ?] fol. g. 218. (9.)
Six Duo pour deux Violons ... 3" livre de
Duo. [Op. XVIII. Separate Parts.] Chez
Le Due: Paris, [1190?] fol. g. 414. (5.)
[Another edition.] Six Duo pour Deux
Violons ... 3" livre de Duo. [Op. xviii.
Separate Parts.] Chez Le Due : Paris,
[1795?] fol. g. 417. (8.)
Trois Duos pour deux Violons. Oeuvre
XIX. Liv. II. Chiz J. Schmitt :
Amsterdam, [1790?] fol. g. 85. b. (3.)
Trois Grands Duos pour deux Violons . . .
Oeuvre 68". [Separate Parts.]
CJiez F. Beinhard et C' : Strasbourg,
[1800?] fol. h. 318. a. (1.)
d. Violin and Flute.
Trois Duos pour Flute et Violon, ou
Deux Violons. . .Liv. 4. Secoude edition.
[Separate Parts.] Chez J. Andre :
Offenbach s. M., [1800 ?] fol.
g. 421. b. (3.)
e. Violin and Tenor.
Three Duetts, for Violin & Tenor.
[Separate Parts.] Printed for Corri,
Dussek d C" : London d Edinburgh,
[1795?] fol. g. 321. (3.
Three Duetts for the Violin and Tenor. . .
Op. 43. [Separate Parts.] Printed for
A. Hamilton : London, [1800?] fol.
g. 421. s. (4.)
286
PLEYEL
PLEYEIi (Ignaz Joseph)
f. Violin and Violoncello.
Six Duos -poxiv le Violon et Violoncelle . . .
Op. 12. [Separate Parts.] Longman and
Broderip : London, [1785 ?] fol.
g. 225. (18.)
[Another copy.] h. 3212. f. (7.)
Six Duetts for a Violin and a Violoncello.
Op. VII [or rather 12. Separate Parts].
Printed for W. Forstcr : London,
[1785?] fol. g. 421. e. (4.)
g. Two Violoncellos.
Three Duets for Two Violoncellos ... Op.
38. [Separate Parts.] Printed for
W. Forster : London, [1790 ?] fol.
h. 219. (10.)
[Another copy.] g. 421. k. (4.)
[6 Duets for 2 Violoncellos. Op. 39.]
Six Duetts for Two Violins. . .Op. 36 [or
rather 39. Separate Parts]. Broderip <&
Wilkinson : London, [1800 ?] fol.
g. 421. 1. (6.)
3. Harp Solos.
Andante by Pleyel. The Variations [for
Harp] by Madam D[e Ronssecy?].
S.Strainht: London, [1800?] fol.
H. 2819. (40.)
A Rondo [in E flat] for the Harp.
See Pleyel, Corri and Dussek. Pleyel,
Corri and Dussek's Musical Journal, etc.
No. 1. 1797. fol. g. 141. (5.)
Rondo 1. Adapted for the Pedal Harp by
J. F. Bohlius. E. Riley : London,
[1800?] fol. g. 301. (10.)
4. Pianoforte Solos.
A Select Collection of Favourite Airs and
Rondos for the Piano Forte. [1797.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. I.
No. 6. [1797-1802.] 8". D. 854.
Eighteen Easy Pieces, for the Piano Forte
or Harpsichord. Longman and Broderip :
London, [1795?] fol. g. 132. (9*.)
Sei Rondo per Cembalo, o Piano-Forte.
Presso Luigi Marcscalclii :
Napoli, [1785 ?] obi. fol. d. 157. (1.)
Dodici Sonatine per Cembalo, o Piano
Forte. Presso Luigi Marescalchi :
Napoli, [1785 ?] obi. fol. d. 157. (2.)
Twelve Easy Sonatinas, for the Piano
Forte. [1800.] See Periodical Publica-
rjioi^g_ — London. The Piano-Forte Maga-
zine. Vol. XI. No. 3. [1797-1802.] 8°.
D. 854.
[Six progressive Sonatinas. Op. 32.
No. 1. Adagio.] When lovely Woman
stoops to folly. Dr. Goldsmith's Celebrated
Stanza on Woman. Adapted to an Air by
I. Pleyel. Corri, Dussek d C":
London d Edinburgh, [1795 ?] fol.
G. 805. d. (20.)
PLEYEL (Ignaz Joseph)
5. Pianoforte Duets.
Three Favorite Duetts for two Performers
on one Piano Forte or Harpsichord.
Joseph Dale : London, [1794 ?] fol.
h. 318. (2.)
Grand Duett [in B flat] for Two Per-
formers on One Piano Forte. Printed for
Corri, Dussekd C': London d Edinburgh ,
[1798?] fol. h. 318. (1.)
Three Original Duetts, for Two Per-
formers on the Piano-Forte or Harpsi-
chord. Op. XX. Longman and Broderip :
London, [1120 '>'] fol. h. 318. (3.)
Trois Senates a Quatre Mains pour
Clavecin ou Piaiao Forte. . .2' Livre, etc.
Chez Imbault : Paris, [1790 ?] fol.
g. 272. w. (22.)
0. String Quartets.
[Op. I. Nos. 1 and 4 ; Op. ii. No. 4.] Three
Duets for the Piano Forte or Harpsichord
. . .adapted by F. Tomich.
Longman and Broderip :
London, [1788 ?] fol. g. 131. (9.)
Six Quartetts for two violins, a Tenor and
Violoncello. . . Opera iii. [Separate Parts.]
Longman and Broderip ■
London, [1783 ?] fol. g. 213. (10.)
[Op. 3. No. 4 ; Op. 6. No. 3. and Quartett
in D.] Three Sonatas for the Harpsi-
chord or Piano Forte. [1801.]
See Periodical Publications. — Jjondon.
The Piano-Forte Magazine. Vol. XIV.
[No. 1.] [1797-1802.] 8». D. 854.
Six Quartetts for Two Violins a Tenor and
Violoncello.. .Operavi. [Separate Parts.]
Longman and Broderip :
London, \rtm'>] fol. g. 213. (11.)
Six Quartetts for Two Violins, a Tenor
and Violoncello ... Opera i. [or rather vi.
Separate Parts.] Longman a,nd Broderip :
London, [1790 ?] fol. g. 410. (1.)
[Op. VI. No. 3.] A Quartetto from Pleyel's
Op. VI. Adapted for the Harpsichord or
Piano Forte with Accompaniments for a
Violin & Bass by N. Corri. [Separate
Parts.] Printed for
Messrs. Corri d Stitherland : Edinburgh,
[1790.] fol. g. 161. (9.)
[Op. VI. No. 3. Thema.] The King of
Hearts or Arcadian Prince, an Elegiac
Ballad set by D. Corri from Pleyel's much
Admired Air. Corri d C" :
Edinburgh, [1190?] fol. G. 377. (15.)
[Another edition.] The King of Hearts,
etc. Corri, Dussek d Co. : London d
Edinburgh, [1795?] fol. G. 424. b. (8.)
[Op. 7.] The Favorite Air from Plej'el's
Quartett, Op. 7"'. Arranged for the Voice
and Harpsichord by D. Corri. Printed for
Corri d Co. : Edinburgh, [1800 ?] fol.
H. 1650. p. (21.)
PLEYEL
PLEYEL (Ignaz Joseph) Three Quar-
tets for a Flute, Violin, Tenor & Violon-
cello... Op. 17. [Separate Parts.]
Longman (& Broderip :
Z,o>w^?o», [17'J0?] fol. h. 318. (6.)
Three [or rather Six] Quatuors by I.
Pleyel.. .arranged for the Piano Forte or
Harpsichord with Accompaniments for
the Flute and Violoncello by ]M. Clementi.
8'' (9'") Suitte. rOp. 17 and Op. 19.] 2
N"'. [Separate Parts.]
Longman and Brodcrip :
LomZyn, [1790 ?] fol. g. 161. a. (5.)
Three Quartets for a Flute, Violin, Tenor
and Violoncello . . . Op. 19. [Separate
Parts.] Longman it Broderip :
London, [1790 ?] fol. h. 318. (7.)
Douze Nouveaux Quatuors dedies a Sa
Majeste le Roi de Prusse. 4 Livr.
[Separate Parts.] Chinch :
Dubli7i, [1790?] fol. g. 414. (1.)
[Douze Nouveaux Quatuors. Nos. 1 and
10 ; Sonata in C] Three Sonatas, dedi-
cated to the King of Prussia. For the
Piano Forte. [1800.] Sec Periodical,
Publications. — London. The Piano-
Forte Magazine. Vol. XI. No. 6.
[1797-180-!.] 8". D. 854.
Trois [or rather Six] Quatuors de M'
Ignace Pleyel, tires de I'CEuvre dedie a Sa
M. le Roi de Prusse. Arrang^ae pour
Clavecin ou Piano-Forte, avec accom-
pagnemens de Violon & Basse, par SP
Lachnitt. 2 Suittcs. [Separate Parts.]
Longman £ Brodcrip : London,
[1790?] fol. g. 161. (7-8.)
N" i(-iii) of Three Quartetts dedicated to
. . . the King of Prussia, etc. [Separate
Parts.] Printed for Longman and
Brodcrip : London, [1790.] fol.
g. 213. (12.)
[Quartet dedicated to the King of Prussia.
No. 2.] A Duett for two Flutes . . .
Arranged from a Celebrated Quartett, by
F. Devienne. [Separate Parts.]
C. Whcatstonc: London, [1800?] fol.
g. 421. p. (9.)
Plevel's Fourth Quartet from the Set,
dedicated to The Prince of Wales ; adapted
for the Piano Forte or Harpsichord, with
Accompaniments for a Violin, alto, &
violoncello, by M. Clementi. [Separate
Parts.] Longman
and Brodcrip : London, [1790 ?] fol.
g. 117. (5.)
Trois Quatuors . . . arrangese pour Clavecin
ou Piano-Forte avec accompagnemens de
Violon et Basse par Mr. Lachnitt. 12"'
Suitte. [Separate Parts.] Longman it
Broderip : London, [1790 ?] fol.
g. 85. c. (1.)
PLEYEL (Ignaz Joseph) Six Quartetts,
for Two Violins Tenor & Violoncello...
Dedicated to . . . the King of Naples . . .
Being the 8"" Sett of Quartetts. [Separate
Parts.] Longman and Brodcrip :
London, [1795 ?] fol. g. 213. (13.)
Trois Quatuors. . .pour Deux Violons, Alto
et Basse. No. E. [Separate Parts.] Chc^
Sicbcr : Paris, [1795 ?J fol. g. 414. (2.)
Quartett [in C major] arranged for the
Piano Forte or Harpsichord with an
Accompanyment for a Violin, Tenor and
Violoncello. [Separate Parts.] Longman
and Brodcrip: London, [1189?] fol.
g. 117. (4.)
7. String Quintets.
Trois Quintettes pour Deux Violons, Deux
Tallies et Violoncelle. . .Op. 8. [Separate
Parts.] Longman and Brodcrip :
London [1188?] fol. h, 318. (4.)
[Op. 8. No. 2.] Senate a quatre mains
pour le Piano Forte, tiree des Oeuvre de
Mr. Pleyel. Chez I. Andrt' : Offenbach
sur U Mein,[ri90?] fol. g. 232. f. (5.)
Etrennes pour les Dames, Livre XIX.
A Second Set of Three Quintetts for Two
Violins, Two Tenors and a Violoncello. . .
Opera 9. [Separate Parts.] Longman
and Brodcrip: London, [1188?] fol.
h. 318. (5.)
8. Symphonies (or Overtures).
[Op. 37.] Tre Quartetti ridotti per Due
Violini, Viola e Basso, ricavati daUe tre
pill belle Sinfonie del Sig. I. Pleyel.
Opera 37. [Separate Parts.] Presso
Artaria Comp. : Vienna, [1790?] fol.
g. 85. c. (2.)
(1") Sinfonie Periodique [in D] a deux
Violons, Alto et Basse, Cors et Haut-bois
ad Libitum. [Separate Parts.] Cltcz
Imbault: [Paris, 1190?] fol.
h. 3210. (17.)
A Favorite Overture [No. 2, in F] . . .
arranged for the Piano-Forte or Harpsi-
chord with an Accompaniment for the
Violin by F. Tomich. Longman and
Broderip: Lomlon,[1190?] fol.
g. 147. (10.)
(5') Sinfonie Periodique [in C] a deux
Violons, Alto et Basse, Cors et Haut-bois
ad Libitum. [Separate Parts.] Cliez
Lnbaiilt : Paris, [1190?] fol.
h. 3210. (18.)
7'" Sinfonie periodique. [Paris, 1790 ?] fol.
h. 3210, (15. a.)
The Clari)io Primo and Timpani parts
only.
Periodical Sinfonie [in E flat], for 2 Violins,
Tenor & Bass, Horns & Hautboys, ad
Libitum. . .N" 9. [Separate Parts.]
Preston i€- Son : London, [1790 ?] fol.
h. 3210. (19.)
288
PLEYEL
PLEYEL (Ignaz Joseph) [No. 9.] A
Favorite Overture . . . arranged for the
Piano-Forte or Harpsichord with an Ac-
companiment for the Violin by P. Tomich.
Longman and Droderip :
London, [ildOn fol. g. 147. (11.)
A Favorite Overture . . . Adapted for the
Piano Forte with an Accompan' for the
Violin, by Mr, Eimbault. Printed for
C. ]\hcatstone: London, [1800 •?] fol.
g. 272. e. (23.)
9. Instrumental Trios.
A Serenata for the Piano-Forte or Harpsi-
chord, with Accompaniments for a Violin
& Violoncello. [Separate Parts.]
Longman and Brodcrip : London,
[1795?] fol. g. 272. c. (20.)
[6 Trios dedicated to Queen Charlotte.]
Six Sonatas for the Piano Forte or Harpsi-
chord with an accompaniment for a Flute
or Violin & Violoncello . . . Dedicated to . . .
The Queen of Great Britain. [Separate
Parts.] Longman ct Brodcrip : London,
[1790?] fol. g. 161. a. (4.)
[Another copy.] h. 2999. (1.)
[Another edition.] Six Sonatas, etc.
Brodcrip d Wilkinson :
London, [1799 ?] fol. g. 85.
Wanting the Violoncello part.
[Op. 14.] Three [or rather Twelve] Grand
Sonatas for the Piano-Forte or Harpsi-
chord. With Accompanyments for a
Violin and Violoncello, in which are
introduced . . . Select Scotch Airs, and
Favorite Pieces, etc. [Separate Parts.]
J. Dale : London, [1795?] fol.
g. 161. h. (3.)
[Another edition.] Twelve Grand Sonatas
. . .Op. 14. [N"' 7-9. P. F. Part.]
J. Dale : London, [1800 ?] fol.
h. 1480. (12.)
Three Sonatas, for the Piano Forte or
Harj)sichord ; with Accompaniments for
a Violin and Violoncello . . . Op. xxi.
[Separate Parts.] Longman d Brodcrip :
London, [1796 ?] fol. g. 161. i. (1.)
Three Sonatas, for the Piano-Forte or
Harpsichord ; with Accompaniments for
a Violin and Violoncello. . .Op. xxiii.
[Separate Parts.] Longman <£• Brodcrip :
London, [1796 ?] fol. g. 161. i. (2.)
Trio for the Piano Forte Flute or Violin,
& Violoncello . . . Op. 29. [Separate Parts.]
Lrintcd for Corri, Dussek (t C" : London
d- Edinburgh, [1TJ6?} fol. g. 192. (3.)
Two Sonatas for the Piano Forte with
Accompaniment for a Flute or Violin &
Bass. Opera xxx. [Separate Parts.]
Printed for Corri, Dussek d C" :
London d Edinburgh, [1790?] fol.
g. 161. i. (3.)
PLEYEL (Ignaz Joseph) Three [or
rather Nine] Grand Sonatas for the Piano
Forte with Accompaniments for the Violin
& Bass, being the [First-Third] Book of
a Sett of Twelve New Sonatas, etc. 3 Bks.
[Separate Parts.] Corri, Dussek d C- :
London d Edinburgh, [1797 ?] fol.
g. 161. i. (4.)
Three [or rather Six] Grand Sonatas, for
the Piano-Forte or Harpsichord. In
which are introduced . . . Select Scotish
Airs, with Accompaniments for a Violin
and Violoncello. Second Set. [Separate
Parts.] Preston d Son :
London, [1795 ?] fol. g. 161. h. (2.)
Sonata [in B flat] for the Piano Forte or
Harpsichord with Accompaniments for a
Violin and Violoncello. [Separate Parts.]
Longman and Brodcrip :
London, [1190 7] fol. g. 161. c. (8.)
Six Trios pour deux Flutes et Alto ou Flute
Violon et Alto. [Separate Parts.] Chez
Lc Due: Paris, [1790?] fol. g. 414. (3.)
Trois Trios Concertants pour Violon,
Viola et Violoncelle. . .Op. xi. [Separate
Parts.] Longman and Brodcrip :
London, [1190 7] fol. h. 3212. f. (6.)
[Another copy.] g. 222. (15.)
Three Celebrated Trios [Op.xi.], of Pleyel
* arranged as Harp Sonatas. . .by J. Elouis.
B. Birchall, for the Author :
Lo7!fZon, [1800?] fol. " g. 198. (5.)
Three Trios for Two Violins and a
Violoncello. Book I. Op. xvi. [Separate
Parts.] Longman and Broderij) :
London, [1790 ?] fol. g. 85. d. (1.)
Six Trios pour deux Violons et Violoncelle.
Oeuvre 56. Livre I. [Separate Parts.]
Chez J. Andre : Olfenbach s. M.,
[1798.] fol. h. 2900. (4.)
10. Vocal Music.
XII. Elegant Ballads, with an Accompani-
ment for a Piano-Forte. P'rcston d Son :
London, [1792.] obi. fol. E. 601. k. 10.
Come blushing Rose, [Song,] the Poetry
by a Lady. Preston : London, [1800 ?] fol.
G. 805. k. (18.)
Go pensive sigh to yonder Bow'r. A
favorite New Song for the Piano Forte or
Harpsichord. London, [1795?] fol.
H. 2821. (18.)
Grazie agl' inganui. A Favorite Duetto. . .
with new Words by a Gentleman.
Printed for Corri d Co. : Edinburgh,
[1795 ?] fol. H. 2827. f. (43.)
Henry's Cottage ]\Iaid, a favorite Song,
etc. [Full Score.] Smart : [London,
1795?] fol. G. 793. (3.)
Henry's Cottage Maid. . .with an Accom-
paniment for Piano Forte or Harp.
Corri, Dussek d Co. : London, [1800?] fol.
G. 424. b. (7.)
PLEYEL
289
PLEYEL (Ignaz Joseph) [Henry's Cot-
tage Maid.] The Cottage Maid, a favorite
Air of Pleyels, with Variations,. . .by Mr.
Casson, etc. CaJmsac ct Sons :
London, [1797 ?] fol. g. 149. (17.)
How dull the Wretch forlorn. A Favourite
Song. . .the Words by W. Tindal.
H. Wright : London, [1790 ?] fol.
G. 805. h. (41.)
XII. Lieder beym Clavier zu singen...
1'" Theil. Bey Artaria Compagnie :
Wicn, [1775 ?] obi. fol. E. 600. n. (8.)
[Lieder beym Clavier zu singen. Theil II.]
Melodieu von Pleyel, mit unterlegtea
Liedern, herausgegeben von J. Andre.
2 Th. Li Kommissioii der Fyommanischcn
Buchliaiidhmg : Ziillichau, [1180?^ fol.
G. 604.
[Die friihe Liebe.] Lady Isabell **
her Sorrows, wrote in the Year 1610,
adapted to I\Ir. Pleyel's favorite Air [com-
monly called " The German Hymn "], as
a Glee for iv Voices, and for the Piano
Forte by J. JMazzinghi. Longman and
Broderip : London, [1795 ?] fol.
G. 353. (23.)
[Molly's Werth.] Fanny's Worth.
[Song, words] By Biirger. C. Gcisweilcr:
[London, 1800.] s. sh. obi. 4°.
266. 1. 30.
Tlie German Museum, Sept., 1800.
Loin de nous le vain d^lire. Hymne a la
Libcrte. Chante par le Peuple de Stras-
bourg, a la Proclamation de la Consti-
tution. Le Dimanche 25 7"" 1791...
Accomp' de Guittare par M. Le Moinc.
Chez hnbault : Paris, [1791.] 8".
B. 362. d. (23.)
Loin de nous le vain d^lirc. Hymne a la
Liberti. Paroles par J. Rouget de Lisle.
Pleyel: Paris, [1800?] i".
E. 1717. b. (30.)
Love thou pleasing teazing Power. A
favorite New Song for the Piano Forte
or Harpsichord. Longma }i and Broderip :
Lo7idon, [1795 ?j fol. G. 806. d. (46.)
The Miniature. A Favorite Song. Sung
by Master Welsh, etc. Preston & Son :
London, [1793 ?] fol. G. 356. (15.)
My little blithsom Sparrow, a favorite
New Song. The Words by G. S. Carey.
Printed for G. Goulding : London,
[1790?] fol. G. 805. m. (27.)
[Another copy.] H. 2826. c. (30.)
[My little blithsom Sparrow.] The Maid
I love. A favorite Song sung by Mr.
Johnstone at . . . Covent Garden in the
IMaid of the INIill. The Words by J.
O'Keefe. . .Adapted from Pleyel['s song
'My little blithsom Sparrow'], by W.
Reeve. Longman and Broderip : [London,
1797?] fol. G. 377. (49.)
VOL. II.
PLEYEL (Ignaz Joseph) Leichte Stiike
fiir 's Gesang und Klavier, von Pleyel,
Zumsteeg, Schwegler, Abeille.
In der Holuen Carls-Schule : Stuttgart,
[1790 ?] obi. 4". E. 600. g. (4.)
Tho' pity I cannot deny. A favorite Song
sung by Mrs. Crouch in the Haunted
Tower, etc. Longman & Broderip :
[Londo/!, 1790 ?] fol. G. 383. j. (25.)
Time, a favorite Sonnet by Laura Maria,
the Music by Pleyel, adapted by the
Composer of Young's Night Thoughts [i.e.
Thomas Billington]. Preston & Son :
London, [1190?, fol. H. 1994. d. (51.)
The Village Boy, a Favorite Song for the
Harpsichord or Piano-Forte. A. Bland it
Weller : London, [1795?] fol.
G. 806. d. (47.)
11. Appendix.
See Corfe (Joseph) A Third Set of Twelve
Glees. . .arranged from the Melodies of . . .
Pleyel, p/c. [1800?] 06^. fol. E. 317.
See Haigh (T.) Two Duetts for two
Performers, on One Piano Forte, one
Composed by Plevel, c/c. [1800?] fol.
g. 270. e. (14.)
See Hoffmeister (F. A.) Trois Duos
pour Deux Flutes, tires sur des Ouvrages
de J. Pleyel, e^c. [1790?] fol.
g. 421. (18.)
See Longman and Broderip. Longman
and Broderip's Selection of IMusic for the
Pedal Harp . . . including. . .Compositions
of... Pleyel, <?fc. [1795?] fol.
h. 3200. (5.)
See Mozart (W. A.) [6. Doubtftd and
Spurious Works.] The last Composition
of. . .Mozart. . .the Accompaniments. . .by
Mr. Pleyel, ete. [1797.] fol. g. 161. d. (8.)
See Thomson (G.) A Select Collection of
Original Scotish Airs. . .to each of which
are added . . . Symphonies & Accompany-
ments by Pleyel, etc. [1793-1797.] fol.
G. 370.
12. Cross-References.
The Cottage Maid. See [10. Vocal Music.
Henry's Cottage Maid.]
Fanny's Worth. See [10. Vocal Music.
Lieder beym Clavier zu singen. Th. II.
Molly's Werth.-]
The King of Hearts. See [6. String Quar-
tets. Op. VI. N" 3. Thema.]
Lady Isabell *****. See [10. Vocal
Music. Lieder beym Clavier sic singen.
Th. II. Die friihe Liebe.]
The Maid I love. See [10. Vocal Music.
My little blithsom Sparroio.]
When lovely Woman stoops to folly.
See [4. Pianoforte Solos. Six progressive
Sonatinas. Op. 32. N" 1. Adagio.]
V
290
PLOT— POINT
PLOT. The Plot. [Ballad Opera, words
attributed to J. Kelly] . . . With the IMusick
prefix'd to each Song. Printed for J.
Watts : London, 1735. 8°. 841. e. 45.
[Another copy.] 161. f. 16.
PLOUGH BOY. The Plough Boy
[Soug, from W. Shield's opera 'The
Farmer '], with Variations. [P. F.]
Longman and Brodcrip :
London, [1790 ?] fol. h. 62. (15.)
The Plough Boy. [Song.]
Sec Shikld (W.) [The Farmer.']
PLOUGHMAN. The ploughman he's
a bonny Lad. The Ploughman, a Scots
Song. Blpher^t B[remne]r : [London,
1770?] s.sh.iol. G. 312. (216.)
The Plowman's Ditty. [Song.]
See When. When Molly smiles beneath
her cow. [1757.] 8". P.P. 5438. z.
PLUMBER. A plumber I am and I
work for my Bread. IVte Plnmher.
[Song.] Sung by Mr. Atkins at Sadlers
Wells. [London, 1765 ?] s. sh. fol.
G. 306. (125.)
PLUS. Plus d' grandeurs, plus d' seigneurs.
[Song.] See Au Retour.
Plus de Montague. [Song.]
See Fay (E.)
Plus de Philosophic, ami, fais comme
moy. Duo. [Paris,] 1730. s. sh. 4°.
298. a. 12.
Mercure de France, July, 1730.
Plus de proces, plus de debats. Vaude-
ville. Sec Georges et Gros Jean.
Plus discret et plus fidele. UAmant
Discret. Romance. [Words] Par
M. I'Ab. D. Gravd par
M" Charpentii. Lnprimr par Tournclle :
[Paris,] 1760. s. sh. 8". 297. d. 26.
Mercure di France, Nov., 1700.
Les plus jolis mots de la langue. [Song.]
See A. A deux epoques de la vie.
[1785?] 8". B. 362. b. (159.)
Le plus sage emploi de la vie. [Song.]
[Paris,] 1770. s. sh. 8". 297. e. 30.
Mercure de France, March, 1770.
POCKET BOOK. A Pocket Bo 1 tor
the German Flute or Violin. Contiiniug
an Agreeable Variety of the '^f^.^oi most
Celebrated Airs, Duets and Son ;s . . . Com-
posed by the most admir'd An/ lors. 4 vol.
John Lee : Dublin, [1778 ?-!;''.] obi. 8".
a. 204.
The composers named arc : Abel, Stanley,
Van Maldere, Dr. Arne, Dr. Hayes,
Humphries, J. C. Bach, Harington,
Dr. Arnold, Burton, Giordani, Phili-
dor, C. Fcn-rest, Jackson, Fischer,
Giardini, Hook, Boccherini, M. Arne,
Dibdin, J. Smith, Theod. Smith and
Coaan.
POCKET COMPANION. A Pocket
Companion for Gentlemen and Ladies :
being a Collection of . . . Opera Songs &
Airs, in English and Italian . . . Corrected,
& . . . Figur'd for y'' Organ, Harpsicord,
and Spinet, by Mr. R. Neale, etc. (A
Pocket Companion for Gentlemen and
Ladies. Being a Collection of . . . Songs
out of . . . Opera's ... by Mr. Handel,
Bononcini, Attilio [Ariosti], &c. ... To
which is added several . . . Songs of INIr.
Handel's, never before Printed. Vol. 11.,
etc.) 2 vols. Cluer and B. Crcake :
London, [1725 ?] 8". C. 491.
TJu composers named are : Vanbruge,
Courtivil Jun'., J. Weldon, Dieupart
and J. Graves. Vol. II. is larger i)i
size than Vol. I.
The Pocket Companion for the Guittar.
Containing a favovirite Collection of the
best Italian French English and Scots
Songs. Adapted for that Instrument and
the Voice. Book V. Printed for J. Osivald :
London, [1755 ?] 8°. e. 1291.
The composers named are : Green,
Osivald, Giardini, Stanley ctnd N.
Pasguali.
PODBIELSKI (Christian Wilhelm)
Sechs Clavier-Sonaten, . . . Erste Samm-
lung. Zweyte Auflage.
Bey J. F. Hartkiioch :
Riga, 1784. obi. fol. f. 21. (1.)
Sechs Clavier-Sonaten, . . . Zweyte Samm-
lung. Bey J. F. Hartknoch :
Biga, 1783. obi. fol. f. 21. (2.)
POET. The Poet to the Rose. [Song.]
See Go. Go Rose my Cloe's Bosom
Bosom grace, etc. [1740?] s. sh. fol.
G. 316. a. (26.)
POETE suppose. Laisson laisson a
la gaite. Vaudeville du Poette SupposiK
[Words by Laujon, music by S. Cham-
pein.] Chez Frere : [Paris, 1782.] 8°.
B. 362. c. (107.)
POETS. The poets, in conscience, have
teas'd us too long. Peggy Wynne. A
New Song. [London, 1763.] 8".
P.P. 5438. z.
Universal Magazine, Vol. XXXII.,
p. 264.
POILLEVE ( ) Est-il bien vrai qu9
I'eau soit a la mode ? Recit de basse.
Les paroles sont de M' de la Soriniere,
etc. [Paris,] 1747. s. sh. 4°.
297. c. 13.
Mercure de France, Sept., 1747.
Un soir, dans un charmant festin. Recit
de Basse, etc. [Paris,] 1745. s. sli. 4°.
297. c. 4.
Alercure de France, Dec, 1745.
POINT. Point de m^lancholie. Air.
See Bruni (A. B.) [Toberiic.]
POINTE— POMMIERS
291
POINTE. La Pointe de I'Eguille. [Song.]
Sec Ce. C'est sur la pointe d'une eguille,
etc. [1790?] 8». B. 362. e. (102.)
POISSON (Leonard) Nouvelle Methode
pour apprendre le Plain-Chant, etc.
Chez Labbeij : Boiien, 1789. 4".
7898. aa. 6.
See Tkaiti:. Traite Theorique et Pratique
du Plain-Chant, Ac. [By L. Poisson.]
1750. 8". 1042. \. 4.
POLAROLI (Carlo Francesco)
See ZiANX (P. A.) Yoluntarys and Fugues
. . . for the Organ or Harpsichord by
Ziani, Pollaroli, etc. [1710 ?] fol.
g. 57. a.
POIjIFEMO. The Favourite Songs in . . .
Polypheme. [Opera.]
See PoRPORA (N. A.)
POLISH. The Polish IMinuet or INIiss
Kitty Grevil's Delight. [Song.]
See Charming. Charming is your Shape,
and Air. [1720?] s. s/i. fol,
H. 1601. (91.)
POIilTESSE. La Politesse. [Song.]
See Cessez. Cessez de vous flatter
Glicere. [1790?] 8". B. 362. (161.)
POLITIC. The Politic Shepherdess.
[Song.] Sec As. As lately I rambled the
Meadows along, etc. [1775 ?! .s. sh. fol.
G. 306. (165.)
POLITICAL. The Political Brutes.
[Song.] See As. .\s Reynard with
hunger was rambling the North.
[1782?] fol. G. 306. (214.)
POLITICIAN. The Politician. [Song.]
See Davis (.J. F.)
POLITIQUE. La Politique, ou les
IMffiurs du tems. [Song.] See Dans.
Dans ce siecle il est necessaire, etc.
[1790 ?] 8". B. 362. j. (23.)
POLL. Poll's Answer to Poor Jack. Song.
Sec Dear. Dear Jack my fond Love, etc.
[1798?] fol. G. 807. d. (22.)
POLL BOOTH. The Poll Booth. Musical
Entertainment. See Hook (J.)
POLLET (Jean Joseph Benoit) Deux-
ieme Duo pour Harpe et Piano, etc.
[Separate Parts.] Chez I'Antcur:
Paris, [1790 ?] fol. h. 173. b. (14.)
X" Sonate pour la harpe avec Accompag-
nement de Flute oblige. [Separate
Parts.] Chez V Auteur :
Paris, [1790?] fol. h. 173. b. (13.)
POLLINI (Francesco) Air Varie pour
la Harpe. Chez M^"" Erarcl :
Paris, [1800?] fol. h. 173. b. (15.)
[Another copy.] h. 184. e. (13.)
Trois Sonates pour le Piano Forte.
Chez 71/"" Erard : Paris, [1800 ?] fol.
h. 1480. p. (11.)
POLLY. Polly: an Opera. Being the
Second Part of the Beggar's Opera.
Written by Mr. Gay. [With an appendix
containing the Songs arranged by J. C.
Pepusch.] Printed for the Author :
London, 1729. 4". 841. c. 23. (1.)
[Another copy.] 79. i. 30.
[Songs in Polly, for the Flute or Violin.]
[ WaUh : London. 1729 ?] 8".
Wanting the title-page. A. 869. a. (5.)
Polly; au Opera . . . For the Voice,
Harpsichord, and Violin. Printed for
Harrison it Co. : London, [I'J 85'^] obi. io\.
D. 270. (3.)
Polly. [Song, begins : ' Spring renewing.']
See Defesch (W.) [VI. English Songs.
No. 3.]
Polly. [Song.] See My. My Pollv is
lovely, etc. [1780 ?] s. sh. fol.
G. 310. (113.)
Polly. Song. See'No. No Drury nymph,
etc. [1757.] 8". P.P. 5438. z.
Polly of the Plain. [Song.]
See Dekesch (W.)
Polly's Charms. [Song.] See 1. I ask
no muse to aid the song. 1760. 8".
P.P. 5441.
POLLY GREEN. Polly Green. [Song.]
See Let. Let other Bards in lofty Verse.
[1750?] s. sh. fol. G. 310. (64.)
POLLY PEACHUM. Polly Peachum.
[Song.] See Op. Of all y« Toasts, that
Brittain boasts, etc. [1728.] s. sh. fol.
G. 316. a. (36.)
POLONAISES. National Polonoisen.
[P. F.] 3 Nos. Bcji J. J. Hummel :
Berlin utid Amsterdam, [1795 ?] fol.
h. 1480. m. (21.)
Tlie pagination is continuous. The com-
posers of this collection are : Oginski,
Barczinski, Jonasz, Ziwny, Merlini,
J. Cybulski, Unicki, Andri/chewicz
and Bernhardt. h. 1480. m. (21.)
POLTIS. Poltis, Oder das gerettete Troja.
Operette. See Hiller (J. A.)
POLYXENA. Polyxena. Lyrisches
Monodrama. See Schweitzer (A.)
Polyxena. Lyrisches Monodrama.
See Wolf (E. W.)
POMMIERS ET LE MOULIN. On
danse bien a la ville. Ronde des Pommiers
et le Moulin [by J. B. Le Moyne]. Avec
Accomp' de Guittare. Chez hnbault :
Paris, [1790.] 8". B. 362. c. (86^.)
On danse bien a la ville. Ronde des Pom-
miers et le Moulin. [Words by Forgeot,
music by J. B. Lemoyne.] Avec Accompt.
de Piano ou Harpe par M. L'[Abb6]
Guichard. Chez B. Viguerie : Paris,
[1790?] fol. G. 554. a. (30.)
u 2
292
POMRIIERS— POOR
POMMIERS ET LE MOULIN. Oui,
mettons nous a rouvrago. Air dcs Pom-
vtiers et le Moulin [by J. B. Le Moyne].
Avec Accomp' de Guittare.
Chcx Imhazdt : Paris, [1790.] 8".
B. 362. c. (86.)
POMONA. Pomoua. [Song.]
,s'ee Hudson (R.)
PONDER. Ponder my Words. Anthem.
See Jackson (G.)
PONTE (GiACHES de) Cinquauta Stanze
del Bembo con la Musica di sopra . . .
Nouamente Stampate ct poste in luce. A
Quatro Voci. Tenor. AiyJid Antoniuvi
Gardane : Venctijs, 1545. obi. 4°.
A. 309.
PONTIO (PiETEO) Dialogo . • . , oue si
tratta della Theorica, e Pratticadi Musica.
Et anco si mostra la diuersita de' Contra-
ponti, & Canoni. Ajjrcsso Erasmo Viothi :
Parma, 1595. 4°. 7895. aaa. 24.
Hymni Solemniores ad Vespertinas Horas
canendi . . . Quattuor vocibus. Nouiter
impressis. Cantus. (Altus.) (Tenor.)
(Bassus.) 4 pts. Ajjud Ricciardum
Amadinuyn : Venctiis, 1596. 4°.
C. 26. b.
D. Petri Pontii . . . Missarum cumquatuor
Vocibus Liber Primus, etc. Tenor.
Aimd Haeredcm Hicronyini Scoti :
Venetiis, 1584. 4°. C. 26. a.
D. Petri Pontii . . . Missarum Quatuor
vocibus Liber Tertius. Nunc primum in
lucem editus. Tenore. (Bassus.) 2 pts.
Apud Biciardum Amadinum : Venetiis,
1592. 4°. C. 26.
Ragionamenta di IMusica . . . Oue si tratta
de' Passaggi delle consonantie, & disson-
antie, buoni, & non buoni ; & del modo di
far Motetti, Messe, Salmi, & altre com-
positioni, etc. A^jresso Erasmo Viotto :
Parma, 1588. 4°. 557*. c. 24.
POOL. A Poole at Pickett. [Song.]
Sec Within. Within an Arbor of delight,
etc. [1710?] s. s7i. fol. L 530. (51.)
POOLE (Caroline) The Orphan that's
wet with the rain. A Favorite Song,
written [and] composed. . .by. . .0. Poole.
L. Lavenu : London, [1800 ?] fol.
H. 2831. h. (23.)
The Sequel to Crazy Jane, a favorite
Song, written & composed by C. Poole.
L. Lavenu: London, [1800?] fol.
G. 793. (12.)
POOLE, aftenoards DICKONS (Maria)
And say no, a favourite Ballad, etc.
[Full Score.] Longman ayid Broderip :
London, [1792 ?] fol. G. 360. (41.)
Six Cauzonetts & a Lullaby for the Voice
with an Accompaniment for the Piano
Forte or Harp, etc. Longinan £ Broderip :
London, [1794 ?] fol. G. 358. (8.)
POOLE, aftenvards DICKONS (Maria)
Dear Le Verrou, a favourite Ballad, etc.
[Full Score.] Longman and Broderip :
London, [1792 ?] fol. G. 360. (42.)
The Wandering Lamb. A favorite Ballad,
etc. Printed bij the Antlior :
London, [1795 ?] fol. G. 367. (15.)
POOR. Poor Anne who died for Love.
Ballad. See Rimbault (S. F.)
Poor Annette the Savoyard. Song.
See Hook (J.)
Poor Barbara. [Glee.] See Shield (W.)
The Poor Black Boy. Song.
See Storage (S.) [The Prize.']
The Poor Blind Beggar Boy. Ballad.'
See Gray (T. B.)
The Poor Blind Boy. Canzonet.
See Hook (J.)
The Poor Blind Girl. Ballad.
Sec Cleve (V. de)
The Poor Boy. Song. See Graefe (J. G.)
Poor Celia fell sick. Poor Celia. [Song.]
Str[aig]it] & Sk[illcrn : London,
1775 ?] s. sh. fol. I. 530. (130.)
[Another setting.] Poor Celia was sick.
Alas! I shall die. [Song.] Llonginan,']
Lhikey and Co. : London, 1775 ?] s. sh. fol.
G. 311. (22.)
Poor Damon kuock't at Celia's door.
Song. See Purcell (D.) [The Constant
Couple.]
A poor helpless VVand'rer. [Song.]
See Kreusser (P. A.)
Poor Jack. Song. See Dibdin (C.) [The
Wii7n of the Moment.]
Poor Jack. Ballad. See Moulds (J.)
Poor John was woi-n out. Harry the
Coachman. A New Catch.
John Welckcr : [London, 1780 ?] fol.
G. 311. (18.)
Poor Kate. Song. See Bruguier (D.)
Poor little Adeline. Ballad.
See Sanderson (J.) [The Mine.]
The Poor Little Blind Beggar Boy.
[Song.] See Geminiani (F.)
The Poor little Orphan. [Song.]
Sec Carnaby (W.)
Poor Mary the Primrose Girl. Song.
See Moulds (J.) [The Sultan.]
Poor old England. [Song.]
See Dibdin (C.) [Great News.]
Poor Orra tink of Yanko dear. Song.
See Dibdin (C.) [The Islanders.]
Poor Peg. [Song.]
See Dibdin (C.) [Private Theatricals.]
The Poor Recruit. Song.
See DiGNUM (C.)
Poor Richard. Ballad. See Caer (B.)
POOR— PORPORA
293
POOR. Poor Robin hops round your
kitchen. George ; the Poor Mad Boy. A
Favourite New Song, Words by a Gentle-
man. [1795 ?] fol. Goio d- Shepherd :
Edinburgh, [1795 ?] fol.
G. 805. m. (28.)
The Poor Shepherd. [Song, begins : * The
Sun was sunk beneath the Hill.']
See Festing (M. C.)
[Another setting.] The Poor Shepherd.
[Song.] Sec Sun. The Sun was sunk
beneath the Hill, etc. [1720?] s. sh. fol.
H. 1601. (474.)
A poor Soul sat sighing. Willow. A Glee
for 4 Voices, with an Accompaniment for
the Piano-Forte. [Music by E. S. Biggs.]
R. Birchall : London, [1800 ?] fol.
G. 805. k. (19.)
Poor Tom. [Song, begins : ' Here, a sheer
hulk.'] See Dibdin (C.) The Waterman.
Then Fareiccll.']
Poor Tom. Song [begins : ' Hark ! the
Boatswain loud pipes '].
Sec Gray (T. B.)
Poor Tom Halliard. Ballad.
See Gardom (P.)
Poor Tom the Taylor don't lament. 0.i-
fordshire Betty : containing her Joaking
Letter to Tom the Taylor, etc. [Ballad.]
Tune of, I love you more and more each
day. Printed for C. Bates :
[Londan, 1690?} s. sh. io\.
Case 39. k. 6. (18.)
The tune is represented by a meaningless
succession of notes, etc.
Poor Walley's Complaint. [Song.]
See 0. Oh who' is me, etc.
[1750?] s.sh.ioL G. 306. (104.)
The Poor ^Yhite Man. Song.
See Winds. The Winds arise, the torrent
falls, etc. [1800 ?] fol.
G. 800. m. (64.)
POOR SOLDIER. Dear Sir this brown
Jug. A favorite Song in the Poor Soldier
[by W. Shield]. Printed for G. Walker :
Lmdon, [1800?] fol. G. 383. i. (15.)
A Rose Tree full in bearing . . . Dialogue
in the Poor Soldier. [By W. Shield.]
J. Lee : Dublin, [1785?] s. sh. fol.
H. 1601. b. (24.)
The Poor Soldier. Comic Opera.
See Shield (W.)
POOR VULCAN. Poor Vulcan. Comic
Opera. See Dibdin (C.)
POPE. Pope Joan. [Song.]
See Dibdin (C.)
POPELEY (William) Charming Delia.
See Come. Come Delia come, etc. [By
W. Popely.] [1720 ?] s. sh. fol.
G. 307. (49.)
POPELEY (William) [Another edition.]
Come Delia come let's shun the heat. A
Song.. .The Words by Mr. Dart.
[London, 1720 ?] s. sh. fol.
H. 1601. (94.)
In the Musical Miscellany Vol. 3 (1770)
the music of this song is said to be by
W. Holmes.
Had Neptune when first he took Charge
of the Sea. A Drinking Song.
\' London, 1725 ?] s. sh. fol.
I. 530. (131.)
Tho' Phillis, you scorn my address. A
neiv Song, etc. [London, 1715 ?] s. sh. fol.
H. 1601. (454.)
[Another edition.] Tho' Phillis you scorn
my address. The Scorncfull Lady, etc.
[London, 1120?] s. sh. fol.
G. 312. (38.)
[Another copy.] G. 303. (26.)
PORO. [Dopo tanto penare.] Return
fair Maid. A Favourite Minuet in
Fonts. The Words by T. Brerewood Jvmr.
[Music by G. F. Handel.] [London,
1731 ?] s. sh. fol. G. 311. (33.)
Porus. Opera.
See Handel (G. F.) [Poro.]
PORPHYRY, the Philosopher.
See Aristoxencs. Aristoxeni Musici
Antiquiss. Harmonicorum Elementorum
Libri iii . . . Aristotelis de obiecto Auditus
fragmentum ex Porphyrij commentarijs,
etc. 1562. 4°.
557*. c. 16.
See Wallis (J.) Johannis Wallis . . .
Operum ]\Iathematicorum Volumen Ter-
tium. Quo contiuentur. . .Porphyrii . . .
Harmonica. . .Greece & Latine edita, etc.
1699. fol. 716. k. 5.
PORPORA (NicoLo Antonio) All' Al-
tezza Ileale di Frederico Prencipe Reale
di Vallia. . .Queste nuovamente Composte
Opre di Musica vocale. . .dedica. . .Nicolo
Porpora. [12 Cantatas.]
Londra, 1735. obi. fol. D. 359.
[Arianna.] The Favourite Songs in the
Opera call'd Ariadne. [Words by P. Rolli.
Full Score.] Printed for I. Walsh :
London, [1733.] fol. G. 193. (4.)
[Polifemo.] The Favourite Songs in the
Opera call'd Polypheme. [Words by
P. Rolli. Full Score.] Printed for I.Walsh :
London, [1735.] fol. G. 193. (3.)
Sinfonie da Camera a Tre Istromenti . . .
Opra II. [Separate Parts.]
Sculp, da B. Fortier : Londra, 1736. fol.
i. 76.
[Sinfonie da Camera.] Six Sonatas for
two Violins with a Thorough Bass for the
Harpsicord or Violoncello . . . Opera 2**.
[Separate Parts.] Printed fm- 1. Walsh:
Lmdon, [11 iO?] fol. g. 1037.
294
rORPORA— PORTA
PORPORA (NicoLo Antonio) Senate xii
di Violino, e Basso, etc. F. Bernard :
Vienna, 1754. ohl. fol. e. 30.
[Temistocle.] The Favourite Sougs in
the Opera call'd Temistocle. [Words by
A. Zeuo. Full Score.] Printed for
I. Walsh : Loudon, [1743.] fol.
G. 190. (5.)
See Hassr (J. A.) Farinelli's Celebrated
Songs collected from Sig' Hasse, Porpora
. . .and Veracini's Operas, etc.
[1736-1575?] fol. g. 444.
PORRO (Pierbe) Belle Lucette, eutends-
tu. Chanson. (Paroles de M. Hoffman,
etc.) [Paris,'] 1786. 8". 297. g. 28.
Mcrcurc de France, April, 1786, p. 171.
Sec De. De I'amour gouverne I'empire.
La Noiivelle Venns. [Song.] Ace. par
M' Porro. 1784. 8". B. 362. g. (86.)
Sec DiDON. Ah ! prens pitie de ma fai-
blesse. . .Guitare par M"" Porro.
1784. 8". B. 362. h. (41^.)
See DiDON. Ah ! que je fus bien inspire
. . . Accomp' par M"^ Porro. 1784. 8°.
B. 362. h. (41a.)
See DiDON. Au noir chagrin qiii me devore
. . .ace. . . . par M-- Porro. 1784. 8".
B. 362. h. (41°.)
See DiDON. Plaignez un Roi, plaigncz uu
pere...Guitarrede M^ Porro. 1784. 8",
B. 362. h. (41.)
See DoRMEUR Eveille. Viens ma Rose
...Guitarre par M-- Porro. 1784. 8".
B. 362. h. (44.)
See Droit du Seigneur. L'autre jour
j'etois seulette . . . Accomp' par M"' Porro.
1784. 8°. B. 362. g. (97.)
See Droit du Seigneur. Vous enflanunes
et pour longtems . . . les accomp' par
M' Porro. 1784. 8". B. 362. h. (49.)
See Epreuve Villageoise. Bon Dieu
com' hier a 6te fete . . . Ace. par IM' Porro.
1784. 8". B. 362. h. (43.)
See Faux Lord. 0 Nuit, Deesse du
misters . . . accomp* par M"' Porro.
1784. 8°. B. 362. h. (46.)
See Foignet (C. G.) Pourquoi cacher
petits oiseaux . . . Ace. par M' Porro.
1784. 8". B. 362. g. (88.)
See Jomelli (N.) Veni Sancte Spiritus
. . .avec. . .les parties d'Orchestre addition-
elles . . . par P. Porro, etc. [1800 '?] fol.
H. 1187. p. (5.)
See Recevez. Recevez discret amoureux
. . . Ace. par M' Porro. 1784. 8".
B. 362. g. (95.)
PORT. Port and Sherry. Song.
See WoRGAN (J.) tlie Younger.
PORT DE MER. Airs de la Comedie du
Port de Mer. [Words by N. Boindin.]
See Airs. Airs de la Comedie Fran(,'oise.
[No. 7.] 1704. obi. fol. B. 319.
PORTA (CoNSTANZo) Di Constanzo Porta
il Quarto Libro de Madrigali a Cinque
Voci, Nouamente da Marsilio Cristoffori
raccolti, & dati in luce, etc. Quinto.
Appresso Angela Gardano :
Venetia, 1586. 4°. D. 163.
Constantii Portae . . . Missarum Liber
Primus. Apud Angeluni Gardanum :
Venctijs, 1578] fol. K. 9. a. 9.
The title-page and fol. 130 are damaged.
Liber Primus Motectorum Quatuor
Vocum, etc. Cantus. (Altus.) (Tenor.)
(Bassus.) 4 pts.
Apud Angeluni Gardanum :
Venetiis, 1591. obi. i°. A. 345. a.
Tiie Tenor part ivants fol. 1.
Constantii Porte . . . Motectorum nunc
primum in lucem prodeuntium Liber
Primus. Quinque Vocibus. Bassus.
Apud Antonium Gardanitvi :
Vcnetijs, 1555. obi. 4". A. 345. e.
Constantii Portae . . . Liber Quinquaginta
Duorum ]\Iotectorum, Quatuor, Quinque,
Sex, Septem, & octo vocum, etc. Cantus.
(Altus.) (Tenor.) (Bassus.) (Sextus.) (Sep-
tima Pars.) 6 pts.
Apiud Angclum Gardanum :
Venetiis, 1580. 4". D. 163. a.
Constatii Portae . . . Quinque Vocum
Musica in Introitus Missarum quae in
Solemnitatibus Sanctorum omnium toto
anno celebrantur . . . nunc primum a
Claudio Coregiate in lucem edita. Cantus.
(Altus.) (Tenor.) (Bassus.) (Quintus.) 5 pts.
Apud Claudium Coregiatem, <& Faustum
Betha>iium Socios : Venetiis, 1566. obi. 4".
A. 345.
[Another copy. Bassus.] A. 345. b.
See Gardano (Angelo) IMusica di Tredici
Autori . . . Nella quale si contengono . . .
Madrigali . . . delli infrascritti Autori . . .
C. Porta, etc. 1589. 4". K. 3. g. 11.
PORTA (Francesco della) Motetti a
Due, Tre, Quattro, e Cinque Voci, con le
Letanie della Beata Vergine a 4 . . . Libro
Prime. Opera Seconda, etc. Basso. (Basso
Continue.) 2 pts.
Appresso Alessandro Vincenti :
j Venetia, 1645. 4". C. 58. a.
Motetti a Due, Tre, Quattro, e Cinque
Voci Con vn Magnificat, Litanie della
Beata Vergine a quattro, e cinque, si
I placet . . . Libre Secondo Opera Terza,
etc. Canto Prime. (Basso.) (Basso Con-
tinue.) 3 pts.
Appresso Alessandro Vincenti :
Venetia, 1648. 4°, C. 58. b.
Salmi da Capella a Quatro Voci con altri
Salmi a Tre, Quatro, e Cinque si placet,
. . . Opera Quinta, etc. Canto Primo
PORTA— PORTRAIT
295
(Secondo). (Alto.) (Tenore.) (Basso.) (Basso
per rOrgano.) 6pts. Apirresso Alessandro
Vincenti : Venetia, 1656-7. 4°. C. 58.
The Tenore and Basso per V Organo are
dated 1656.
See Kapsberger (J. H.) Libro Terzo di
Villanelle . . . Raccolto dal Sig' Francesco
Porta. 1619. fol. K. 8. h. 9. (3.)
PORTA (Giovanni) [Numitore.] Songs
in the New Opera call'd Numitor, etc.
[Full Score.]
Printed f 01- 1. Walsh d I. Hare :
London, [1720 '?] fol. H. 297.
[For Songs published anonymously :]
&e Numitore. H. 1601. (410.)
PORTA FERRARI (Carlo Antonio)
II Canto Fermo Ecclesiastico spiegato a'
Seminaristi di Ferrara, etc.
Per Bartolomco Soliani :
Modena, 1732. 4°. 7896. ee. 2.
PORTE. Porte a ton maitre ce portrait.
Duo. Sec Tarchi (A.) [Le Trente et
Qnarante.']
PORTER. Porter son Nom dans le loin-
tain des Ages. LeVraiBonheur. [Song.]
Air: Mon petit Coeur. Chez Jouve :
[Paris, 1790 ?] 8°. B. 362. e. (12.)
PORTER (Samuel) the Elder. Collin.
A New Song sung at the Gardens the
Words by Llr. Rennett, etc. [London,
1755 ?] s. sh. fol. G. 316. f. (141.)
Twenty Five Odes, Hymn Tunes &c. in
Four Parts. R. Good, etc. :
Londo)i, [18007] obi. 4:". A. 482.
Swiftly glide the Hours away. A Canon
in Unison for four Voices, written & com-
posed by S. Porter. G. Astor & Co. :
London, [1798 ?] fol. G. 353. (26.)
PORTER (Samuel) the Younger. Com-
pact of Britons, a Song, etc.
Printed for the Author :
[Lo7idon, 1795?] fol. H. 2818. b. (69.)
The Rose. [Song, words] From the
French of Cardinal Berui, etc.
Printed for the Aiithor : [London,
1795?] fol. H. 2818. b. (70.)
Unless with my Amanda blest. A Favorite
Song . . . The Words by J. Thompson.
James Si7npso)i Junr. :
London, [1197 ?] fol. G. 366. (52.)
PORTER (Walter) Mottets of Two
Voyces for Treble or Tenor and Bass.
With the Continued Bass or Score : To
be performed to an Organ, Harpspycou,
Lute or Bass-Viol, etc. Basso Continue.
(Bassus.) 2 pts.
William Godbid for the Author :
London, 1657. fol. K. 4. h. 7.
Imperfect, wanting all the Basso Con-
tinuo after No, XIII, and all the Basstis
except Nos. V, YI-IX, XIV-XVIL
PORTER (William James) Two Anthems,
a Sanctus, two Single & two Double
Chants, etc. Preston d Son, for the Author :
London, [1195 7'] fol. G. 517. n. (2.)
PORTEZ. Portes vos Cimes dans les
Cieux. Air. See Campra (A.)
PORTINARO (Francesco) Di Francesco
Portinaro il Primo Libro de Madrigali a
cinque Voci Nouamente . . . Composti &
Dati in Luce, & per Antonio Gardane . . .
stampati. Tenor.
Apresso di Antonio Gardane :
Venetia, 1550. obi. 4". A. 347. a. (1.)
Di Francesco Portinaro il Secondo Libro
de ]\Iadrigali a cinque Voci Nouamente
. . . Composti & Dati in Luce, & per Antonio
Gardane . . . Stampati. Tenor.
Appresso di Antonio Gardane :
Venetia, 1554. obi. 4°. A. 347. a. (2.)
Di Francesco Portinaro il Terzo Libro di
Madregali a cinque & a sei uoci, con tre
Dialoghi a sette & uno a otto Noua-
mente . . . composti et per Antonio Gardano
stampati, etc. Ap)resso di Antonio
Gardano : Venetia, 1557. obi. 4".
A. 347.
Di Francesco Portinaro il Terzo Libro de
Motetti a Cinque Sei Sette et Otto Voci
Nouamente . . . composti & dati in luce.
Alto. Aiyresso li FigliuoU di Antonio
Gardano : Venetia, 1572. obi. 4".
A. 347. b.
Le Vergiui di Francesco Portinaro a Sei
Voci con alcuni IMadregali, a Cinque et a
Sei, et Duoi Dialoghi a Sette, . . . noua-
mente composti, etc. Basso. (Quinto.)
2 pts. Appresso Girolamo Scotto :
Vinegia, 1568. i". D. 164.
PORTMANN (JoHANN Gottlieb) Die
neuesten und wichtigsten Entdeckungen
in der Harmonic, Melodie und dem dop-
pelten Contrapuncte, etc.
Darmstadt, 1798. 8". 785. d. 57. (2.)
Leichtes Lehrbuch der Harmonic, Com-
position und des Generalbasses . . . Neue
Auilage. (Exempel der Harmonic.) 2 pts.
Bev G. F. Hei/er : Darmstadt, 1799. 4".
7897. bbb. 13.
See Graun (C. H.) Der Tod Jesu . . .
Clavier Auszug von Portmann.
[1790?] fol. F- 423.
PORTRAIT. Portrait. Chanson.
See Vous. Vous avez d'Hebe la fraicheur,
etc. 1751. s. sh. 4". 298. c. 3.
Portrait d'Aglae. [Song.]
See Albanese ( )
Le Portrait de Catesbi. [Song.]
See Vous. Vous par qui I'Amour fait des
lois. [1780?] 8°. B. 362. b. (27.)
Le Portrait de Glicere. Chanson.
See Peut-on. Peut-on ne pas aimer
Glycere. 1767. s. sh. S\ 297. e. 6.
296
POETRAIT— POTTER
PORTRAIT. Portrait cTe ma Bergere.
[Song.] See CoRBAUX ( ) [La Naissance
de la Bose.']
Le Portrait de Rosette. [Song.]
See Rosette. Rosette est jeune, a mille
appas, etc. [1780 ?] 8". B. 362. (77.)
Le Portrait de Suzon. [Song.] Sec Qui.
Qui ne connoit pas ma Suzon, etc.
[1780?] 8-\ B. 362. (167.)
Le Portrait de Z^mire. [Song.]
Sec FiLS. Fils de Cypris, etc.
[1780?] 8^ B. 362, (126.)
Le Portrait devin6. Ariette.
See Tendre. La tendre Aurore vient.
[1780?] 8°. B. 362. c. (13.)
Portrait des Femmes du jour. [Song.]
See Femmes. Femmes qui suivez le bon
ton, etc. [1785 ?] 8". B. 362. f. (12.)
Portrait des Maris. [Song.]
See FoDOR (J.)
The Portrait of Humanity. [Song.]
Sec PiBDiN (C.) [Tom Wilkins.]
PORTSMOUTH. The Portsmouth Har-
mony. [Psalms and Hymns.]
See CuzENS (B.)
POSITIVE. The Positive Fair. [Song.]
Sec Well. Well ! if I continue but in
the same Mind, etc. [1758.] 8".
P.P. 5438. z.
POSSIDONTI (Giovanni Francesco)
Concerti Ecclesiastici a Due, Tre &
Quattro voci, con il suo Basso continuo
per Sonar nell' Organo . . . Nuouamcnte
composti, e dati in luce. Tenore Secondo.
Appresso Giacvnio Vincenti :
Venetia, 1612. 4°. D. 113.
POST-BOY. The Post Boy. [Song.]
See Dale (Joseph)
POT. Le Pot au Lait. [Song.]
See Alain. Alain etoit indifferent.
[1780?] 8". B. 362. b. (113.)
A Pot of Porter ho 1 Song.
See Kelly (M.) [A Friend in Need.]
POT-POURRI. Pot-Pourri sur les Globes.
[Song.] See Diedx. Dieux ! quel tracas,
etc. [1783.] 8°. B. 362. a. (78.)
POTS-POURRIS. Cantiques et Pots-
Pourris. [Parodies, with music] 2 pts.
Londrcs, 1789. 12". 11481. aa. 11.
[Another edition.] Cantiques et Pots-
Pourris. 2 pts. Londrcs, 1789. 12°.
11474. de. 11.
POTTER (John) By the side of a stream.
Song, sung by Mr. Vernon, at Vauxhall,
etc. [London, 1767.] 8°. 250. c. 14.
Gentleman's Magazine, Vol, XXXYII.,
p. 375,
POTTER (John) A Collection of New
Songs and Ballads sung at Vauxhall-
Gardens by Mr. Vernon & Mrs. Weichsell
. . .1766. Printed for W. Banclall d
I, Abcll, at the late Mr. Walsh's : London,
[1766.] fol. H. 1648. (6.)
A Collection of New Songs and Ballads
sung at Vauxhall-Gardens . . .1767.
Printed for Messrs. Eandall ayid Abcll :
London, [1767.] fol. G. 576.
A Favourite Collection of New Songs with
the Shepherd's Festival, a trio sung at
Vauxhall Gardens. . .1768.
Printed for Messrs. Randall and Abell :
London, [1768.] fol. G. 807. a. (11.)
A Favourite Collection of New Songs
sung at Vaux-Hall Gardens.
Printed for W. Piandall : London,
[1774?] fol. G. 802. (4.)
[A Favourite Collection of New Songs
sung at Vaux-Hall Gardens.]
[Printed for W. Randall: London,
1775?] fol. G. 802. (5.)
Wanting the title-page.
Collin's Invitation to Phoebe. [Song.]
Sung by Mr. Vernon, at Vaux-hall, etc.
fLondon, 1767.] 8". ^ 250. c. 14.
Gentleman'' s Magazine, Vol. XXXVII.,
p. 421,
The Crying Shepherd, etc. Sec Long,
Long time a Swain had courted Sue, etc.
[Song, by J. Potter.] [1775 ?] fol.
G. 310. (46.)
Cupid's Recruiting Serjeant. Sec From.
From Paphos' Isle, etc. [By J. Potter.]
[1775?] fol. H. 1994. a. (137.)
The Despairing Lover. [Song, begins :
" A Swain, of Love despairing."]
[London, 1730 ?] s. sh. fol.
G. 305. (51.)
The Forsaken IMaid. [Song.] Sung by
Mrs. Weichsel, at Vaux-hall, etc.
[London, 1768.] 8". 250. c. 15.
Gentleman's Magazine, Vol. XXXVIII. ,
p. 240.
The Invitation, [Song,] sung by Mr.
Vernon, at Vaux-Hall Gardens, etc.
[London, 1767.] 8". _ 250. e. 14.
Gentleman's Magazine, Vol. XXXVII.,
p. 563.
Jockey is the Lad for me. Sec Among.
Among the Swains upon the Green, etc.
[By J. Potter.] [1775 ?] fol.
G. 306. (166.)
Observations on the Present State of
Music and IMusicians. With General
Rules for Studying Music ... To which is
added, a Scheme for Erecting and Sup-
porting a IMusical Academy in this King-
dom. Printed for C. Henderson:
London, 1762. 8°. 1400. b. 32.
POTTER— POUR
297
POTTER (John) The Prudent Shep-
herdess, a favourite Comic Ballad ; sung
by Mr. Vernon, at Vaux-hall Gardens, etc.
[London, 1770.] 8°. 250. e. 17.
Gentleman'' s Magazine, Vol. XL.,]). 85.
Ralph's Ramble to London. [Song.]
Sung by ]\Ir. Vernon, at Vaux-Hall, etc.
[London, ]7G8.] 8°. 250. e. 15.
Gentleman's Magazine, Vol. XXXVIII.,
p. 89.
Sandy. A favorite new Scotch Air, sung
bv Mrs. Baddely at Vauxhall.
[Londo7i, 1768.] 8°. 250. c.^ 15.
Gentleman's Magazine, Vol. XXXVIII.,
p. 189.
Sandy. A favourite new Scotch Air, sung
bv Mrs. Baddely at Vauxhall, etc.
[London, 1768.] 8". 158. 1. 13.
London Magazine, 1768, p. 320.
The Shepherd's Artifice. [Song.] Sung
by ]\Ir. Vernon, at Vaux-hall, etc.
[London, 110,1.'] 8". 250. c. 14.
Gentleman's Magazine, Vol. A'A'A'TTI ,
p. 469.
Under the Rose. Song. Sung by INIr.
Vernon, at Vauxhall, etc.
[London, 1769.] 8". ^ 250. c. 16.
Gentleman's Magazine, Vol. A'A'A'JA'.,
p. 358.
Ye Belles & Beaux, attend my Song.
[Song.] Sung by Mr. Gilson at Vauxhall.
[London, 1755 ?] s. sh. fol.
G. 314. (59.)
[For editions published anony-
mously :] Sec Ye.
POTTER (Samuel) A Sett of New Slow
Marches Waltz's & Quick Steps, for Fifes
and Bugle Horns, etc.
Printed for the Author : London,
[1800 ?] ohl. 4". b. 60. (6.)
POTTIER (^Matthias) Selectissimarmn
Missarum Flores, ex Prsestantissimis
Nostrse yEtatis Authoribus Quatuor,
Quinque, Sex et plurium Vocum Collecti
. . .Opera D. Matthiae Pettier, etc. Altus.
(Bassus.) (Quintus.) 3 pts.
Ex typographia Petri PhalesiJ .
Antwerpix, 1599. ohl. 4". A. 64.
This ivork contains nuisses byL. Viadatia,
0. Larsus, J. P. A. Prxnestimis, M.
Pettier, T. Massainus, I. M. Asula
and I. Croce.
POUR. Pour adorer Alcimadure. Air.
See MONDOMVILLE (J. J. Cassanea de)
Pour animer nos Chansons. [Song.]
See Vendangeurs.
Pour atteindre a la fortune. L'Arithm6-
iique a la Mode, [Song, written] par M'
RouUand. Air : Vaudeville du M«" de
Figaro, etc. Chez les fr^res Savigny :
[Paris, 1785 ?] 8°. B. 362. (197.)
Pour bien juger une maitresse. Air.
See Philippe et Geokgette.
POUR. Pour boire avec plus de plaisir. Air.
See L'Abbe ( ) Choirmaster of S* Jacques,
Dieppe.
Pour c616brer la sant6 de Louis. Air.
Sec Bourgeois (T. L. J.)
Pour chanter des beautes mortelles. Duo.
[Paris,'] 1734. s. sh. 4°. 297. b. 2.
Mercure de France, March, 1734.
Pour deux beaux yeux san cesse je soupire.
Air Tendre. [Paris,] 1725. s. sh. 4°.
297. a. 15.
Mercure de France, July, 1725.
Pour donner a ma voix toute son 6tendue.
Eecit de Basse. [Paris,] 1747. s. sh. 4°.
297. c. 10.
Mercure de France, Feb., 1747.
Le Pour et le Centre. Romance.
See Legat de Furcy (A.) 297. d. 26.
Pour faire une chanson. La Bfquillc du
Pire Barnaba. [Song.]
[Paris, 1780?] 8«. B. 362. b. (135.)
Pour garder le feu de Vesta. Marche.
See DoRMEL (A.)
Pour jamais I'amour nous engage. Trio.
See Rameau (J. P.) [Les Indes Galantes.']
Pour jouir, chers amis. Duo. Les paroles
sont de M' Gaudet. [Paris,] 1745. s. s7i. 4°.
297. c. 3.
Merctire de France, Oct., 1745.
Pour I'adorable C61imene. Brunette.
See Naude (L.)
Pour la montagne, la valeur des Fran9ais.
Ariette sur nos dernieres conquetes dans
le Midi. Par un Citoyen de la Section de
la halle an bled. Air : Dis Gadjonnete.
Chez Imbault : Paris, [1793 ?J 8".
B. 362. d. (38.)
Pour la vie je suis a vous. Glee.
See ]\Iellish ( ) Captain.
Pour les coeurs delicats. Air,
See La Combe ( de)
Pour les placer dans mes cheveux. Air.
See Gbetry (A. E. M.)
Pour m'attirer dans tes chaines. Air.
See Fremeaux ( )
Pour ma ptite Nanine. [Song.] Air de
Malbroug. Pour Nanine de cinq ans k
jouer sur le Clavecin de sa Soeur.
[Paris, 1780 ?] 8°. B. 362. (215.)
No. 22 of " L' Ariette du Jour."
Pour mieux te prouver mon Amour.
Romance. See Dalayrac (N.) [Gtilnare.^
Pour mon amant ma flammeest ^ternelle.
Couplets . . . mis en Musique par deux
Dames de differentes Provinces.
[Paris,] 1761. 8°. 297. d. 28.
Mercure de France, April, 1766.
Pour mon caniche. Le Caniche, etc.
[Song. Words] Par M"- Ded[uit].
[Paris, 1780?] 8". B. 362. b. (115.)
298
POUR— POWER
POUR. Pour ne jamais manquer de vin.
[Two-part Song.] [Paris,'] 1727. s. sli. 4°.
297. a. 28.
Merciire de France, August, 1727.
Pour nous faire un destin aimable. Duo.
See LussE (C. de)
Pour peindre ce sexe aimable. J^loge des
Femmes. [Song.] Air : Sexe aim6, sexe
volage. Chez M'' Camand : \_Paris :
1785?] 8°. B. 362. e. (2.)
Pour plair et pour jouir. Couplets. See Cn.
Pour que I'hymen m'engage. [Song.]
See Cecile et Julien.
Pour soutenir uue cause si belle. Air.
Sec Devienne (F.) lEose et Atirele.']
Pour terrasser nos ennemis. Vaudeville.
See Heubeuse Decade.
Pour toi, belle Cloris. Musette.
See Blaise (A.)
Pour tromper un pauvre viellard. Ariette.
See Tableau Parlant.
Pour un objet cbarmant. Chanson.
See Paulin ( )
Pour un peuple aimable et sensible.
Ronde. See Maetini (G.) il Tedesco,
2)seud.
Pour un simple baiser. Air.
See MoNViLLE ( de)
Pour une jeune merveille. Air.
See L'Abbe ( ) Choirmaster of S'
Jacques, Dieppe.
Pour vous plaire, jeune Constance. Le
Tourment de VAvioxtr. [Song.] Avec
Accompagnement de Guittare par M. D.
Air: La Danse n'est pas ce que j'aime [by
A. E. ]M. Gr^try]. [Paris, 1785 ?] 8°.
B. 362. f. (47.)
Pour vous vanter mes feux naissans. Air.
See Gervais (L.)
Pourquoi cacher petits
See FoiGNET (C. G.)
Pourquoi ces bruits et ces allarmes. Air
du Biveil du Peuple sur les Terroristcs.
Chants sur le Theatre de I'Op^ra Comique
National par le C*^" Chenard, le 4 Germinal,
de I'an 3°. Paroles du C'" Dupont.
Chez Dicomhc : [Paris, 1795.] 8°.
B. 362. d. (58.)
Words and guitar accompaniment only.
The stave far the voice part is left
blank.
Pourquoy craindre un amant. Ariette
Nouvelle. [Paris, 1780 ?] 8°.
B. 362. b. (73.)
Pourquoi done papa. [Song.]
See Heureuse Decade.
Pourquoi faire un pareil 6clat ? Air.
See Papesse Jeanne.
POURQUOI.
oiseaux. Air.
POURQUOI. Pourquoi faut-il q\a.
m'tourmente. J' vous frais Plaisir. Chan-
son nouvelle pour la Guitare. [Words]
Par M' Petelard le jeune.
Chez M. Camand : Paris,
[1780?] 8\ B. 362. g. (5.)
Pourquoi languir dans la perseverance.
Menuet. See Frary ( )
Pourquoy toujours chanter Iris. Recit.
See AuBERT (J.)
Pourquoy venir troubler le repos de ma
vie. Air. See Le Froid ( )
POURRAIS. Pourrois tu trahir ta pro-
messe. Air. Sec R * * *, Mr.
POURRIEZ. Pourriez vous bien douter
encore. [Song.] See Chapelle (P. D. A.)
[L'Heureitx Dipit.]
POURVU. Pourvu qu'on nous oublie.
Air. Sec Solitaires de Normandie.
POUTEAU ( ) Clo6 revenoit du
village. Boonance. Paroles de Madame
Dufresnoy, etc. [Paris,'\ 1785. 8°.
^ 297. g. 19.
Mercure dc France, March, 1785, jp. 147.
POUVEZ. Pouvez-vous oublier qu'un
roi. Air. Sec Deux NicodI:mes.
POUVOIR. Le Pouvoir du Sentiment.
[Song.] See Par. Par devant la cour
de Cith^re. [1785 ?] 8°. B. 362. e. (1.)
POWELL (Charles) [A Wife for any
Man.] De'el take y" Warr. A Song . . .
the words by Mr. T. D'urffey . . . Sung by
Mrs. Cross and exactly engrav'd by T.
Cross. C-h-av'd from tf Authors
Copy. Printed by T. Cross, etc. : [London,
1705?] s.sh.iol. G. 304. (49.)
De'el take the Warr. A Song, etc.
[Music by C. Powell.] [1710 ?] s. sh. fol.
See Wife for any jMan. H. 1601. (128.)
POWER. The Power of Beauty. [Song,
begins : ' Is there a charm.']
See Carey (H.)
The Power of Beauty. [Song.] See Come.
Come all ye youths whose hearts e'er bled.
[1780?] s.sh.iol. G. 307. (113.)
The Power of Beauty. Arietta.
See Goddess. Goddess ! for you must be
so. [1750 ?] s. sh. fol.
H. 1994. b. (27.)
The Power of Beauty. [Song, begins :
' How pleasing glides.'] See Stone (J.)
The Power of Beauty. Song [begins:
' Fly, fly, rash swain ! ']. See Stubley (S.)
The Power of Beauty. Song. See When.
When beauty does her Power pursue.
[1725 ?] s. sh. fol. G. 305. (42.)
The Power of Drinking. [Song.]
See Fly. Fly Care to the Winds, etc.
[1740?] s.sh.iol G. 307. (238.)
POWER— PR^^TORIUS
299
POWER. The Power of Gold. [Song.]
See Hail. Hail glorious Monarch.
[1740?] .s. sh. fol. G. 308. (25.)
The Power of Gold. [Song.] Sec I. I'll
sing the pow'r of mighty gold.
[1775?] s. s/(. fol. G. 309. (145.)
The Power of Gold. Song [begins : ' The
Bloom of Beauty quickly fades '].
See WoRGAN (M.)
The Power of Innocence. Ballad.
See GiORDANi (G.) or (T.)
The Power of Love. [Song.]
See Brailsfobd ( )
The Power of Music. [Song, begins :
' Music has the magic pow'r.']
See Adams (J. B.) [^4 Collcclian of Songs.
No. 1.]
The Power of Music. [Song, begins : ' As
dulcet sounds.'] Sec Dibdin (C.) [Castles
in tlie Air.']
The Power of IMusic. Song [begins : ' The
Heart by Music's force'].
See RiMBAULT (S. F.) Select Songs.
No. 6.
The Power of Music. [Song.]
See When. When Orpheus sweetly did
complain. [1760?] s. s7/. fol.
H. 1994. (67.)
The Power of ]Musick and Beauty. [Song.]
See Stanley (J.)
The Power of Nature. [Song.]
See Where. Where Virtue encircles the
Fair, etc. [1762.] 8". P.P. 5441.
The Power of Reason. Song. See Long.
Long by an idle passion tost, etc.
[1757.] 8". P.P. 5438.
The Pow'r of Wine. [Song.]
See EccLES (J.) [T/ie Morose Reformer.']
The Power of Women. [Song.]
See D., T.
POWERFUL. Powerful Guardians.
[Song.] See Haendel (G. F.) [Alex-
ander Balus.]
POYNTOlSr (T.) D'Estaing Eclips'd or
Yankee Doodle's Defeat. [Song.]
Sh\illcrn : London, 1779]. s. sh. fol.
G. 311. (26.)
POZZI (Carlo) Eight Italian Airs and
Four Duetts. . . .Op. 4.
[London, 1795 ?] obi. fol. E. 1753.
Five Ariettes, and one Duet, with an
Accompaniment for the Piano-Forte or
Harp, etc. Printed for the Author :
London, [1790 ?] ohl. fol.
E. 600. u. (4.)
Comprendo Amico. Rondo, Sung by Sig''
Marchesi at the Ladies' Concert, etc.
[Full Score.] T. Skillern :
LonrfoH, [1790?] fol. G. 196. (1.)
POZZI (Carlo) [I Contadini Bizzari.]
Donne donne. A favorite Song sung by
Sig'' ilorelli in the Comic Opera of ' I
Contadini Bizzari.' [A Pasticcio, chiefly
by Sarti and Paisiello. Full Score.]
Printed for the Author :
[London, 1794.] fol. G. 199. (27.)
[Another edition.] Donne donne, f/c.
Longman and Broderip :
London, [1794.] fol. H. 2821. (31.)
Donne, donne.
See supra : [I Contadini Bizzari.]
Three Sonatas for the Piano Forte or
Harpsichord with an Accompanyment for
a German Flute. Longman and Broderip :
London, [1790 ?] fol. h. 61. (6.)
POZZO (ViNCENZo dal) Di Vincenzo dal
P0ZZ0...II Primo Libro de Madrigali a
Quattro voci, con un Dialogo a otto, dc.
Canto. Appresso Ricciardo Amadino :
Ycnctia, 1600. 4". D. 165.
PRACH (Ivan) CoOpuiiie iiapo,ini.ixT.Pyci;iixL
ntteiii ci iixi rciocaMii iia MysuKV no.io;Kii.n.
11. npaTb. Ueuiimnno uh TuiWipoi/iiit ropntuo
y>m.uiui,a: [St. Petersbiirg?] 1190. 8°.
D. 421.
PRAD^IRE (Louis Barthklemi) Trois
Nouvelles Romances avec Accompagne-
ment de forte piano . . . CEuvre 4.
Cliez Naderman : Paris, [1800 ?] fol.
H. 2831. h. (24.)
See Berton (H. JI.) [Le Rendez-Vons
Supposi.] Nous pouvons aller main-
tenant . , . Accompagnement . . . par le
C. Prad^re fils. [1798.] fol.
G. 548. (71.)
See Dalayrac (N.) [Alexis.] J'aimons
que Ton chante. Air . . . Arrange pour
Piano par L. Prader. [1800?] fol.
H. 538. f. (3c.)
See Dalayrac (N.) [Alexis.] On nous
raconte qu'au village. Romance . . . Ar-
raug^e pour Piano par L. Prader.
[1800?] fol. H. 538. f. (3^)
PRiENESTINUS (Joannes Petraloy-
sius) See Palestrina (G. P. da)
PR-ETORIUS (Abrahamus) Harmouia
Gratulatoria Nuptiis et Honori . . . lacobi
VI. Scotorum Regis : et . . . Annse lUus-
trissimee Scotipe Reginse. Sex vocibus
composita, etc, Discantus. (Altus.)
(Tenor.) [Bassus.] (QuintaVox.) (Sexta
Vox.) 6 pts. Laurentius Benedictus :
Hafnise, 1590. obi. 4°. K. 3. f. 2.
Wanting the title-page of the Bassus.
PR.ffiTORIUS (Christophorus) Erote-
mata Musices in usum Scholse Luntebur-
gensis, edita a Christophoro Prsetorio, etc.
lohanncs Schivertel : Witebergae, 1574. 4°.
7897. e. 35.
This icork is not the same as the ' Erote-
mata Mnsicse Practicge ' of Lossius.
300
PR^TORIUS
PHJETOmUS (CiiRiSTOPHORCs) Froliche
vnd liebliche Ehnilieder, von zixchtiger
Lieb, vnd Ehelicher trew, auff ein sondere
Art zu singen, vnd aufi Instrumenten
zugebrauchen, mit vier stimmeu gemacht,
etc. Discantus. MattJies Welack:
Wittevibcrg, 1581, obi. 4°, A. 307.
Sec Lossius (L.) Erotemata Musicae
Practicse . . . Cum Tabella erudita sum-
mam continente Artis IMusicae, autore
Christophoro Prsetorio, etc. 1570. 8°.
1042. e. 5. (2.)
PR^TORIUS (HiERONYMUs) Cantiones
Sacrse de Prsecipuis Festis Totius Auni
5. 6. 7. & 8. Vocum, etc. Cantus. (Altus.)
(Tenor.) (Bassus.) (5ta (Sexta) (7tima)
(Octaua) Vox.) 8 pts. Philij'ypiis de Olir :
Hmnburgi, 1599. 4". C. 78. a.
Cantiones Sacrse, de Festis Prtecipuis
Totius Ann!, 5. 6. 7. 8. 10. & 12. Vocum . . .
Operum IMusicorum Auctoris Tomus Pri-
mus. Editio altera. . .correcta, & aliquot
Motectis aucta, etc. Cantus. (Altus.)
(Tenor.) (Bassus.) (Quinta (Septima)
(Octaua) Vox.) 7 pts.
Typis Philippi de Ohr, ex Bibliopolio
Frobeniano : Hamburgi, 1607. 4°.
C. 78. e.
[Another copy. Cantus. (Tenor.) (Bas-
sus.) (Quinta (Septima) Vox.)] 5 pts.
C. 78. d.
Cantiones Sacrse de Festis Prsecipuis
Totius Anni v. vi. vii. iix. x. xii. Vocum :
Quse sunt Operum IMusicorum Tomus Pri-
mus... Denuo ... correctus, Motectis aliquot
auctus, & . . . Basso Continuo exornatus,
etc. Cantus. (Altus.) (Tenor.) (Bas-
sus.) (Quinta (Sexta) (Septima) (Octaua)
Vox.) (Bassus Continuus.) 9 pts.
Ex Officina Typographica Pauli Langi :
Hamburgi, 1622. 4". & fol. C. 78. (1.)
The Bassus Ccnitimiiis is in folio, lite
Bass jMrt has a collective title for the
fcnir vobtmes of the Opnis Mnsicum.
Cantiones Varise v. vi. vii. iix. x. xii. xvi.
XX. Vocum, quae sunt Operum Musi-
corum Tomus Quartus. Cui . . . additum
babes Bassum Continuum, etc. . . . Cantus.
(Altus.) (Tenor.) (Bassus.) (Quinta
(Sexta) (Septima) (Octaua) Vox.) (Bassus
Continuus.) 9 pts. Excusus ab Henrico
Carstcns : Hamburgi, 1618. 4° & fol.
C. 78. (4.)
The Bassus Continuus is in folio.
[Another copy, (Bassus.) (Sexta Vox.)]
2 pts. C. 78. g.
Canticum B. Marise Virgiuis. Seu Magni-
ficat Octo Vocum. Super Octo Tonos
Consuetos. Quod est Operum Musicorum
Tomus Secundus . . . Denuo . . . correctus,
Motectis aliquot 8. 10. & 12. Vocum
auctus & . . . Basso Continuo exornatus,
etc. Cantus. (Altus.) (Tenor.) (Bas-
sus.) (Quinta (Sexta) (Septima) (Octaua)
Vox.) (Bassus Continuus.) 9 pts.
Ex Officina Typographia Paidi Langi :
Hamburgi, 1622. 4° & fol. C. 78. (2.)
The Bassus Contimius is in folio.
]Magnificat Octo Vocum super Octo Tonos
Consuetos, cum Motetis aliquot 8. et 12.
Vocum. Cantus. (Altus.) (Tenor.)
(Bassus.) (Quinta (Sexta) (Septima)
(Octaua) Vox.) 8 pts.
Ex Typographxo Philippi de Ohr :
Hamburgi, 1602. 4°. C. 78. b.
[Another copy. (Quinta (Sexta) Vox.)]
3 pts. C. 78. h.
The Quinta Vox is imperfect, loanting
tJie title-page.
Liber Missarum, Qui est Operum Musi-
corum Tomus Tertius, et v. vi. viii.
Voc, etc. Cantus. (Altus.) (Tenor.)
(Bassus.) (Quinta (Sexta) (Septima)
(Octaua) Vox.) (Bassus Continuus.)
9 pts. Excusus ab Henrico Carstens
{Ex Officina Typographica Pauli Langi) :
Hamburgi, 1616 (1622). 4° & fol.
C. 78. (3.)
The Tenor is dated 1616 and tlie Bassus
Continuus (in folio) 1622; the other
parts are undated.
[Another copy. Cantus. (Altus.) (Tenor.)
(Bassus.) (Quinta (Sexta) (Septima) Vox.)]
7 pts. C. 78. e.
[Another copy. Bassus (Sexta Vox).]
2 pts. C. 78. f.
See Hymns. [6, German.] Melodeyen Ge-
sangbuch. Darinn D. Luthers . . . Gesenge
. . . durch Hieronymum Prsetorium . . .
in vier stimmen vbergesetzt, begriffen
siud, etc. 1604. 8°. 1221. b. 34.
PR.ETORIUS (Jacobus) Sec Hymns.
[German.] Melodoyen Gesangbuch.
Darinn D. Luthers . . . Gesenge . . . durch
. . . Jacobum Prsetorium ... in vier stim-
men vbergesetzt, begriffen sind, etc.
1604. 8°. 1221. b. 34.
PR.ETORIUS (Michael) Eulogodia
Sionia ccntinens Cantiones sacras in
Ecclesia Conclusionis loco ad dismis-
sionem usitatas . . . Per Harmoniam 2. 3.
4. 5. 6. 7. & 8. Vocibus, etc. Cantus.
(Altus.) (Tenor.) (Bassus.) (Quiutus.)
(Sextus.) 6 pts. In Officina Typographica
Principali Brunsuicens : Sumtibus Au-
toris : Wolferbyti, 1611. 4°. B. 272. n.
Hymnodia Sionia continens Hymnos
Sacros xxiv. Auniversarios selectos, in
Ecclesia usitatos, per Harmoniam duabus,
3. 4. 5. 6. 7. & 8 Vocibus, dx. Cantus.
(Altus.) (Tenor.) (Bassus.) (Quintus.)
(Sextus.) (Septimus.) (Octavus.) 8 pts.
1611. 4°. LiOfficini Typographica Prin-
cipali Brunsuicens. Stimtibus Autoris :
Wuljferbyti, 1611. 4". B. 272. p.
PR^TORIUS
301
PR^TORIUS (Michael) Kleiue, vnd
Grosse Litaney zusambt dem Erhalt
vns Herr bey deinem Wort . . . iu
Zween Choren, mit v. vii. vnd viii.
Stimmen gesetzefc. Benebenst gnugsamen
Bericht, woher die Litaneyen ihren Uhr-
sprung vnd Namen haben, etc. Cantus.
(Altus.) (Tenor.) (Bassus.) (Quintus.)
(Altus (Bassus) 2 Chori.) 7 pts.
{Wolff enbilttcl,) 1614. 4°. B. 272. r.
TJic date is given in a chronogram on ilte
title-page.
Megalynodia Sionia coutinens Canticum
B. Mariie Virginis, Magnificat, 5. G. & 8.
Voc. super Ut Re j\Ii Fa Sol La, &
qupedam JIadrigalia ac IMotectas (inter-
positis . . . Cantilenis quibusdam Ger-
manicis) accommodatum ; cui insuper ac-
cesserunt duae Compositiones aliee, quae
]\Iotectarum etiani loco . . . usurpari pos-
sunt, etc. Cantus. (Altus ) (Tenor.)
(Bassus.) (Quintus.) (Sextus.) 6 pts.
Li Officina Typographica Principali Druns-
uiccnsi. Sumtihus Autoris : Wolferbijti,
1611. 4". B. 272. m.
Missodia Sionia continens Cantioncs
sacras, ad Officium quod vocant Summuni,
ante Meridiem in Ecclesia usitatas : . . .
per Harmoniam 2. 3. 4. 5. 6. & 8. Vocibus,
etc. Cantus. (Altus.) (Tenor.) (Bassus.)
(Quintus.) (Septimus.) 6 pts. In Officina
Typographica Principali Bntnsuicensi.
Sumtihus Autoris : Wolferhyti, IQll. 4".
B. 272. 1.
Musae Sioniae Michaelis Prsetorij C.
Darinuen Dcudschc Psalmen vnd geist-
liche Licder ... In dem Ersteu, ii. iii. iv.
Theilen, mit 8. vnd mehr : in den folgenden
Fiinflten, vi. vii. viir. &c. Theilen aber,
anderweit mit 2. 3. 4. 5. 6. 7. Stimmen
gesetzet sein. (Musae Sionite oder Geist-
liche Concert Gesange iiber die fiirnembste
Herrn Lutheri vnd anderer Teutsche
Psalmen, mit viii. Stimmen gesetzt . . .
Erster Theil, etc.) Cantus i. (ii.) Chori.
(Altus I. (ii.) Chori.) (Tenor i. (ii.) Chori.)
(Bassus I. (ii.) Chori.) 8 pts.
Gedruckt durch Bartlwlomciwi Graf :
Begenspurg, 1605. 4°. B. 272. i.
Tlie Altus I. Clwri and Bassus ii. Cliori
loant tlie general title-pages.
[Another copy. Cantus i. (ii.) Chori.
(Altus II. Chori.) (Tenor i. (ii.) Chori.)
(Bassus I. Chori.)] 6 pts. B. 272. b.
In this copy the general title-pages are
wanting.
Musae Sioniae Geistliche Concert Gesange
vber die fiirnembste Deutsche Psalmen
vnd Lieder. . .mit viii. vnd xii. Stimmen
gesetzet . . . Ander Theil. Cantus (Altus)
(Tenor) (Bassus) i. (ii.) Chori. 8 pts.
Christoff Lippold : Jehnx, 1607. 4".
B. 272. c.
PR.ffiTORIUS (Michael) Musae Sioniae
Geistliche Concert Gesange vber die fiir-
nembste Deutsche Psalmen vnd Lieder
. . . mit VIII. IX. vnd xii. Stimmen
gesetzet . . . Dritter Theil. Cantus (Altus)
(Tenor) (Bassus) i. (ii.) Chori.
8 pts. Gedruckt durch Jacobum Lucium :
Helmstadt, 1607. 4°. B. 272. d.
]Musae Sioniae Geistliche Concert Gesange
vber die fiirnembste Deutsche Psalmen vnd
Lieder . . . mit viii. Stimmen gesetzet
. . . Vierdter Theil. Cantus (.Utus) (Tenor)
(Bassus) I. (ii.) Theil. 8 pts.
Gedruckt durch Jacobum Lucium :
Helmstadt, 1607. 4". B. 272. e.
Musae Sioniae INIichaelis Praetorii C. Geist-
licher Deutscher in der Christlichen
Kirchcn vblicher Lieder vnd Psalmen mit
II. III. IV. v. VI. VII. viii. Stimmen.
Fiinffter Theil. Cantus. (Altus.) (Tenor.)
(Bassus.) (Quinta (Sexta) (Septima) Vox.)
7 pts. In FilrstlicJier Druckerey,
in Verlcgung dcss Autoris: Wolffcnbiittcl,
1607 (1608). 4". B. 272. f.
Tlie imprint with the date 1608 only
occurs at tlie end of the Tenor part.
Musae Sioniae Michaelis Praetorij, C.
Deutscher Gcistlicher . . . Psalmen vnd
Lieder, Mit iv. Stimmen. Sechster
Theil. Cantus. (Altus.) (Tenor.) (Bassus.)
4 pts. In Filrstlichcr Druckerey, in Verlc-
gung des Autoris : Wolffcnbilttcl, 1609. 4°.
B. 272. g.
The title-page of tlw Cantus is mutilated.
Musae Sioniae Michaelis Praetorij, C.
Deutscher Geistlicher . . . Psalmen vnd
Lieder, Mit iv. Stimmen. Siebender
Theil. Cantus. (Altus.) (Tenor.) (Bassus.)
4 pts. In Filrstlichcr Druckerey. In
verlcgung des Autoris: Wolffcnbilttel,
1609. 4'>. B. 272. h.
Musarum Sioniar : Motectae et Psalmi
Latini . . . iv. v. vi. vii. viii. ix. x. xii.
XVI. vocum, Choro & Organis accom-
modatae. I. Pars. Cantus. (Altus.) (Tenor.)
(Bassus.) (Quinta (Sexta) (Septima)
(Octava) Vox.) 8 pts.
Abrahanimus Wage)i7nannus : Noriberqx,
1607. 4^ B. 272. k.
This ivork also contains compositions by
G. Aichinger, J. Hdndl, C. Porta,
Palestrina and G. Lcbon.
Polyhymnia Caduceatrix & Panegyrica.
Darinnen Solennische Friedt- vnd Frew-
den-Concert . . . mit 1. 2. 3. 4. 5. 6. 7. 8. 9.
10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21.
auch mehr Stimmen. Uff ii. iii. iv. v. vnd
VI. Chor gerichtet : mit allerhandt Musi-
calischen Instrumenten vnd Menschen
Stimmen, auch Trommetten vnd Heer-
Paucken Musiciret vnd geiibt worden. In
vvelchen etliche. . .newe Arten. . .der Con-
certat-lNIusic ... in diesem Basso-Generali
. . . verzeichnct, auch mit Sinfonien vnd
302
PR^TORIUS— PRAY
Ritornellen gezieret, zu Observiren vud in
acht zunehmeu seyu. Bassus-Generalis
ECU Continuus. (iii. Polyhymnia Pane-
gyrica . . . Darinuen XL Solennische Friedt-
viid Frewdens-Concert, etc. Primus.
(Secimdus.) (Tertius.) (Quartus.) (Quintus.)
(Sextus.) (Septimus.) (Octavus.) (Nonus.)
(Decimus.) (Undecimus.) (Duodecimus.)
(Decimustertius.) (Decimusquartus.))
15 pts. Gcdruckt dwcU Eliam Holicein . . .
In Vcrlcgung des Aidoris: Wolffenbiittel,
1619 (1618). fol. G-. 131.
Only the Bassus Generalis is dated 1619.
PR-ETOEIUS (Michael) Syntagma
Musicum; ex Yeterum et Recentiorum,
Ecclesiasticorum autorum lectione . . .
collectum ; et . . . In Quatuor Tomos dis-
tributum, etc. 3 Tom. E Typo-
araphco Johannis Bichtcri : Wittcbcrgx,
1615(-20). 4". K. 8. f. 1.
Each volume has a separate title-page.
Tom. II. and III. bear the imprint
"Gedruckt zu Wolffenbiittel bey Elias
Holicein." Tom. IV. was never pub-
lished. In this copy the folding plate
after p. 126 of Tom II. is ivanting, but
lias been supplied in facsimile. The
general title-page of Tom. II. is dated
1619, but Til. VI. {Theatrum Instrii-
mentorum) of this torn, is dated 1620.
[Syntagma :\Iusicum. Tom. II. Th. VI.
Another copy.] Theatrum lustrumen-
torum seu Sciagraphia . . . Darinnen eigent-
liche Abriss vnd Abconterfeyuug, fast aller
derer Musicalischen Instrumenten, so
itziger zeit. . .vblich vnd verhanden seyn
...recht vnd just nach dem Massstabe
abgerissen, etc. [E. Hohvein ;]
Wolffenbiittel, 1620. 4°. 785. h. 24.
Urania oder Urano-Chorodia. Darinnen
xviiii der fiirnembsten, gebreuchlichsten
Geistlichen Teudtschen Kirchen Gesange
. AufE 'i. 3. vnd 4. Choren zugebrauchen,
gar schlecht vnd einfeltig gesetzet . . .
Benebenst . . . Bericht vnd Anleitung, etc.
Cantus (Altus) (Tenor) (Bas&us) 1. (2.) (3.)
Chori. 12 pts. Gedruckt in Filrstlicher
Druckcrey. In Vcrlegung des Autoris :
Wolffenbiittel, [1613.] 4°. B. 272. q.
PRAISE. Praise God from whom all
blessings flow. Hynm. [Words by T.
Ken.] [London, 1778.] 8°. P.P. 716. b.
Gospel Magazine, March, 1778.
Praise ye the Lord. A Hymn.
[London, 1763.] 8". P.P. 324. n.
Christian's Magazine, March, 1763,^^. 136.
PRAISE OF MUSIC. The Praise of
]\Iusicke : wherein besides the autiquitie,
dignitie, delectation, and vse thereof in
ciuell matters, is also declared the sober
and lawfuU vse of the same in the con-
gregation and Church of God. [By J.
Case ] loscph Barnes :
Oxenford, 1586. 12^ 1042. a. 1.
PRAISES. Praises of Jockey. [Song.]
See On. On Tay's green Banks I'll boldly
tell, etc. [1778.] s. sh. fol.
G. 310. (284.)
PRASPERGIUS (Balthasar) Claris-
sima plane atq; choralis musice interptatio
. . .cu certissis regulis atcp Exeplo"^ Ano-
tacionib' 7 figuris multil spledidis In
Alma Basileo'^i vniuersitate exercitata.
Per Michaelem Furter Impresse : [Basel,^
1501. 4». K. i. h. 2. (2.)
19 leaves ivithout pagination. Betiveca
Aiv and Av a folding sheet is in-
serted.
Clarissima plane at^ choralis musice in-
terpretatio. . .cum certissimis regulis atqz
Exemplo'^ Annotationib' n figuris multum
splendidis. In Alma Basileorii vniuer-
sitate exercitata. MS. notes.
Per Michaelem Furter impresse : [Basel,]
1507. 4». K. 1. h. 4.
19 leaves tcithout pafjination. Without
the folding plate.
PR ATI (Alessio) L'Ecole de la Jeimesse
ou le Barnevelt Fran(,'ais. Opera comique
en trois Actes. Paroles de IM. Anseaume,
etc. [Full Score.] Chez M. Henry :
Paris, [1779.] fol. G. 183.
PRATONERI (Gasparo) Gasparis Pra-
touerii cognomento Spiritus Harmonia
super aliquos Dauidis Psalmos ... ad
vesperas decantandos cum sex vocibus,
etc. Cantus. (Altus.) (Tenor.) (Bassus.)
(Quintus.) (Sestus.) 6 pts. Apud
Hieronymum Scotum : Venetiis, 1569. 4".
D. 88. a.
Gasparis Pratonerii . . . Harmonia super
omnes Dauidis Psalmos in S. R. Ecclesia
in solemnitatibus ad vesperas decantandos,
cum Sex Yocibus. Cantus Primus. (Tenor.)
(Bassus Primus.) 3 pts. Apud Jacobum
Vi7icentium : Venetijs, 1589. 4". D. 88.
PRATT (Jonas) A Set of Anthems and
Psalm Tunes in Four, Five, & Six Parts.
Figured for the Harpsichord or Organ
with Instrumental Basses for a Bassoon,
Violoncello, &c. Printed for the Author :
London, [1755 ?] obi. fol. E. 556. c.
PRAXIS. Praxis Pietatis Melica. [Hymns.]
Sec Crueger (J.)
PRAY. Pray lend me your Ears. The
Progress of Masonry, a New Song, and
very Hurnourous. See Chloe. Chios,
or the Musical Magazine, etc. No. 74.
[1760?] fol. G. 433.
Pray now John let Jug prevail. A Dia-
logue [in the Kingdom of Birds] the words
by Mr. Durfey to the Famous Old Cebell
[attributed to G. B. L\illi]. [London,
1710?] s.sh.lol. H. 1601. (372.)
PRAYER— PRELUDES
303
PRAYER. The Prayer of our Saviour
Christ in the Garden of Gethsemane.
[Anthem, by H. Harington.] See Jesus.
Jesus said to his Disciples, etc.
[ISOO ?] fol. G. 805. k. 1.
PREACH. Preach not me your musty
Rules. [Song.] Sung by Mrs. Clive riu
T. A. Arne's ' Comus ' '. [Londo)i,
17i5 ?: s. sh. fol. ^ G. 316. a. (39.)
Preach not me your musty Rules. [Song.]
See CoMCs.
PRECAUTIOlSrED. The Precautioa'd
Nymph. [Song.] S<'i' Ramoxdox (L.)
PRECAUTIONS INUTILES. Les
Precautions Inutiles, Opera-Comique en
un Acte [written] par Mr. Achard . . . avec
la ^lusique [by C. A. Chretien].
Sec The.vtrk. Nouveau Theatre de la
Foire, etc. Tom. 5. 1763. 8«.
11735. d. 2.
PRECEPTES. Preceptes Rupublioains.
Roude. See Amis. Amis jurous le pour
jamais, etc. [1793 ?J 8".
B. 362. d. (44.)
PRECIOUS. Precious Bible! what a
treasure. Hymn. See E., H.
Precious Goblet. Song. See See. See
the jolly God appears, c/c. [1795?] fol.
H. 2826. c. (32.)
PREDIERI (LucA Axtoxio)
See CoNCEKTi. Goucerti a Cinque . . . del
. ..A. Predieri,<'/c. [1730?] fol. g. 35.
PREFERONS. Preferoas, mes Amis, la
Pinte a la Bouteille. Air.
Sec ^loNDONviLLE (J. G. Cassaxea de)
PREINDL (.Joseph) Variations pour le
Clavecin ou Piano-Porte, etc. Chez
Artaria et Comp. : Vienne, [1785 ?j ohl. fol.
e. 5. p. (1.)
PREIS DER DICHTKUNST. Preis
der Dichtkunst. [Cantata.j
Sec ScHiciiT (.J. G.)
PREISS. Preissdir! Gottheit 1 Hymne.
Sec Mozart (W. A.) [2. KGtiig TJiamos.
Schon loeichet dir.]
PREJUDICE. Prejudice. [Song.]
See IxGUATiTUDE. Ingratitude's crime
worse than Witchcraft is nam'd.
[1780 ?] s. sh. fol. a. 309. (155.)
PRELLEUR (Pierre) [Baucis and Phile-
mon.] The Songs and Duetts in Baucis
& Philemon. As they are now Perform'd
at the New Wells in Goodman's Fields.
To which is prelix'd, the Overture in Score.
Printed for tJie Author : London,
[1740?] fol. G-. 217.
[For songs, &c., published anony-
mously :] Sec Baucis and Philemon.
PRELLEUR (Pierre) [Harlequin
Hermit.] Women form'd by Nature coy.
A Song, Sung by Mr. Nichols in Harle-
quin Hermit, etc. [London,
1730?] s.sh.lol. H. 1994. (50.)
[Another edition.] Women form'd
bv Nature coy, etc. [London,
1730.J s. sh. fol. G. 316. f. (81.)
An Introduction to Singing. See infra :
[The Modern Musick-Master. Part I.]
A Lesson for a Lover, etc. [Song.]
[London, 1740 ?] s. sh. fol.
G. 316. d. (105.)
Love alone shall here alarm you. A Song
sung bv Mr. Lad at Sadler's WeUs, etc.
[Lomhn, 1735?] s. sh. fol. G. 315. (13.)
The ^Modern Musick-Master. [For editions
of this work, by P. Prelleur, published
anonymously :] See Modern Musick-
Master.
[The i\Iodern Musick-Master. Part I.] An
Introduction to Singing . . . by Mr. Peter
Prelleur ... To which is added a choice
Collection of Songs for one and two Voices,
by the most Eminent Masters of the Age.
Printed for J. Simpson :
London, [1745 ?J 8". D. 647.
TJie camjx»sc/s named in this edition are :
Howard, Holcomhe, J. Corfc, M. C.
Festing, J. Eccles, .S'-" F. H. E. S.,
H. Purcell, Arne, Haijden, Vincent,
M. Wise and Boyce.
[Another edition.] An Introduction to
Singing . . . To which is Added a Choice
Collection of Songs and Duets composed
by Several Eminent ^Masters. [By P.
Prelleur.] S. A. d P. Thompson :
London, [1785?]
Tlie composers named in tltis edition are :
Weldon, Pasqiiuli, Carey, Aldridge,
Handel, Tracers and Haydeyi. Bound
up at the end are sonn: MS. songs and
SiJanish dances dated 1814.
Sec also : P., P.
PRELLEUR (Pierre) andMOZE (J. H.)
Divine Melody, in Twenty-Four Choice
Hymns . . . The first Fifteen were set to
Music, in Two Parts, by I\Ir. Prelleur . . .
The rest chiefly by Mr. Moze . . . Who
hath also composed a IMedius to every
Hymn, and Figured all the Bass for the
Harpsichord and Organ ... To which is
prefixed One of the most Copious . . .
Introductions to Psalmody hitherto Pub-
lished. Printed for W. Owen:
London, 1758. 8". D. 647. b.
PRELUDES. Eighteen Preludes or short
Fuges for the Organ or Harpsichord proper
for Interludes to Psalm Tunes, etc.
Printed for C. and S. Thompson :
London, [1770 ?J obi. 4°.
e. 174. h. (5.)
304
PREMIER— PRETENDUS
PREMIER. Lc Premier Faux -Pas.
lioniauce. See Colin. Colin disoit a
Lise un jour, etc. [1785 ?] 8".
B. 362. b. (108.)
Le premier jour que I'homme fut sur terre.
Lcs Plaisirs dc la Fratcniite. Vaudeville
Republicain. Pour le 5= jour des Sans-
culottides. [Written] Par le C" Piis.
Chez Imhault : Paris, [1792.] 8".
B. 362. d. (52.)
Premier objet de ma tendresse. Chanso>i
a Boire. [Paris,] 1679. s. sJi. obi. 4°.
P.P. 4482.
Noicveaii Mercure Galaat, Nov., 1679,
2). 166.
PRENESTINO (Giovanni Petealoysio)
Sec Palestrina (G. P. da)
PRENONS. Prenons tous le verre en
main. Couplets. Sec Ripert ( )
PREPARE. Prepare British Boys. A
New Song wrote on the taking of Louis-
bourg, &c. [London, 1758 ?] s. sit. fol.
H. 1994. (51.)
PREPARE. Prepare, Dieu des Arts.
Chant. Sec Kalkbrenner (C.)
PREPARE. Prepare O Love the happy
day. Song. See Myrtillo.
PREROGATIVES. The Prerogatives of
Love. [Song.] Sec Courteville (R.)
PRifeS. Pres d'un joli bouton de rose. La
Rose Emblematique. Air: Je le tiens se
Nid de Pauvette. Ches Caviand :
[Paris, 1780 ?] 8°. B. 362. b. (14.)
Pres d'un Llari brusque et sauvage.
L'Oiseau, ou les Comparaisons. [Song.]
Air : Chansons, chansons, [words] par
]M. RouUand. Chez Camand :
Paris, [1785 ?] 8". B. 362. b. (143.)
Pres d'un Ruisseau la charmante Rosine.
Parodic de Bosinc, ou les dangers de
connoitre I'amour. Air : de Rosine [by
F. J. Gossec]. Chez Camand :
[Paris, 1790?] 8". B. 362. e. (80.)
[Another edition.] Pres d'un Ruisseau la
charmante Rosine. Parodie de Rosine,
etc. [Pflris, 1790?] 8". B. 362. b. (57.)
Pres de Daphnis une rose Nouvelle. La
Rose. [Song.] [Paris, 1780 ?] 8°.
B. 362. (124.)
No. 101 of " UAriette du Jour."
Pres de I'^clat de tes yeux. Chanson.
Bouquet a Mile. * * *.
[Paris,] 1762. s. sh. 8". 298. d. 5.
Mcrcurc de France, Sept., 1762.
Pres de la belle Iris. Chanson a Sifter.
[Words by C. Riviere Du Fresny.]
[Paris, 1710.] s. sh. obi. 4°. P.P. 4486.
Mcrcurc Galant, Tome I., p. 204.
Pres des bords fleuris. Lc Pecheur.
Romance. Avec Accomp' de Guittarre.
Chez Imbault : Paris, [1785 ?] 8".
B. 362. b. (185.)
PRES (JosQUiN DEs) See Despres (J.)
PRESBYTERIAN. A Presbyterian Cat,
sat watching of her Prey. [Song.]
Cross : [London, 1720 ?] s. sli. fol.
H. 1994. b. (65.)
PRESENT. Present Taste. [Song.]
See One. One Day meeting Momus.
[1780 ?] s. sh. fol. G. 310. (280.)
PRESEPI (Presefio) pseud, [i.e. Giuseppe
Antonio Patrignani] Sacri Tratteni-
menti di Canto, e Suono. . .sopralMisterj
della S. Infanzia di Gesu Bambino, in
questa quarta impressione di Canzonette,
e Arie nuove dall' Autore accresciuti, etc.
Micliele Nestenus : Firenze, 1722. 8".
B. 851.
PRESERVATIVE. A Preservative
against Love. [Song.] See How. How
frail alas ! we mortals are.
[1740.] s. sh. fol. G. 308. (97.)
PRESS. Press the Grape. [Trio.]
See Hummel (J. N.)
PRESSGANG.
my Love to go.
The Press Gang forc'd
Song. See Hook (J.)
PRESTON AND SON. Preston's
Twenty four Country Dances for the Year
1791 with proper Tunes and Directions to
each Dance, etc. Preston (C Son :
London, [1791.] obi. 4". a. 252. (3.)
Preston's twenty four County Dances for
the Year 1792, with proper Tunes and
Directions to each Dance, etc.
Preston it Son : London, [1792.] obi. 4".
a. 252. (4.)
Preston's Twenty four Country Dances
for the Year 1794, with proper Tunes and
Directions to each Dance, etc.
Preston d Son : London, [1794.] obi. 4".
a. 252. (5.)
Preston's Twenty four Country Dances for
the Year 1797 with proper Tunes and
Directions to each Dance, etc.
Preston tfi Son : London, [1797.] obi. 4°.
a. 252. (6.)
Preston's Twenty four Country Dances
for the Year 1798 with proper Tunes and
Directions to each Dance, etc.
Preston & Son : London, [1798.] obi. 4°.
a. 252. (7.)
PRESUMANT. Pr^sumant trop de ma
lire. La Croix a la Jeannette. [Song.]
Air : Ce mouchoir belle [Raimonde].
[Paris, 1785 ?] 8". B. 362. (232.)
PR:6tENDUS. Venes, Artiste et Poete.
Air des Pn'tendus [by J. B. Le IMoyne].
Chez Imbault : Paris, [1789.] 8".
B. 362. c. (93a.)
Venez jouir d'un sort si beau. Air des
Pretendus [by J. B. Le Moyne].
Chez Imbault : Paris, [1789.] 8".
B. 362. c. (93.)
PRETENDUS— PRINCE
305
PR:6tENDUS. Vivent les noces pour
dauser. Monde cles Prdtenchis [by J. B,
Le Moyne]. Avec Accomp* de Guittare.
Chez Imhault : Paris, [1789.] 8".
B. 362. c. 93b.
Les Pr^tendus. Comedie Liriqua.
See Le Moyne (J. B.)
PRETTY. The Pretty Creature. [Song.]
See Little. A little pretty Creature.
[1730?] s. s7(. fol. G. 306. (119.)
Pretty Ladies, pretty Pius. Ballad.
See Seedo ( ) [Hurlothrumbo.]
Pretty little Sue. Song. See Hook (J.)
Pretty Maid your Fortune's here. [Song.]
See GiORDANi (G.) or (T.)
Pretty Moggy, why d'ye slight me?
Pretty Moggy. A Scotch Song.
[London, 11 10?] s.sh. fo\.
G. 311. (9.)
Pretty Nell. [Song.]
See Williamson (T. G.)
Pretty Poll. Dialogue.
See Freeman (J.)
Pretty Sally. Song. See Hook (J.)
Pretty Wanton come away. The Lady
of the May. [Song, music by James
Corfe.] [London, 11 bb 2] s.sh.iol.
G. 311. (8.)
[Another copy.] G. 303. (22.)
[Another edition.] Pretty Wanton come
away. The Lady of the May.
[London, 11 oO'?] s. t>h. io\.
H. 1994. b. (66.)
Pretty Warbler cease to hover. Glee.
See Webbe (S.) the Elder.
PREU (Friedrich) Liedcr fiirs Klavicr
. . .Zweytes Heft.
Tn Commission bey F. G. Jacobdcr :
Leipzig, 1785. obi. fol. C. 592.
PREUS (Georg) Grund-Regeln von dcr
Structur und den Requisitis ciner un-
tadelhaften Orgel, etc. C. W. Brandt :
Hamburg, 1729. 8°. 7898. ee. 25.
Observationes Musics?, odor, i\Iusicalische
Anmcrckungen, welche bestehen in Ein-
thcilung der Thonen, dercn Eigenschafft
und Wirckung, etc.
Gcdrtikt bey D. B. Starcken : Grci(fswald,
[170G.] 4:\ 7897. bb." 1. (3.)
PREUSS (Carl) Vormischte Oden und
Lieder fiirs Fortepiano mit einer Sing-
stimme, etc. Auf Kosten dcs Verfassers :
Hannover, 1783. obi. fol. E. 573.
PREUSS (Johann) Hertzliches Seyten-
Spiel, oder Gcist-reiche und Schrifitmas-
sige Lieder, bey alien Christen . . . zu
gebrauchen . . . neulich geschrieben und
hervor gegeben von J. Preussen, etc.
Erasmus Bosner : Franckfiirt an der Oder,
1657. 8". A. 720.
VOL. II.
PREVOT D'EXIME ( ) Tout est
change. Vaudeville. (Les paroles et la
musique sont de M. Prevot d'Exime.)
Recoguillide : [Paris,] 1769. s. sJi. S".
297. e. 21.
Mercure de France, Jan., 1769.
PREY. A Prey to tender Anguish . Ballad.
Sec Haydn (F. J.)
PRICE (Robert) Six Sonatas for Two
Violins and a Thorough Bass. [Separate
Parts.] Printed for J. Johnson : London,
[1760?] fol. h. 69.
PRIDE. The Pride of the Ocean. [Song.]
Sec DiBDiN (C.) [Tom Wilkins.]
PRIERE. Priere a I'Etre Supreme.
[Solo.] See Rochefort (J. B.)
PRIEUR ( ) Premier Oeuvre contenant
Six Suites de pieces pour la Musette ou
Vielle avec la Basse Continue ; qui Con-
vienent aux Flutes, et Hautbois, etc.
Grave par De Gland, etc.
Chez M'' Chedeville Vaini :
Paris, [1745 ?] fol. g. 96. (4.)
PRIMA STELLA. Prima Stella. De
]Madrigali a Cinque Voci, di Orlando
Lasso. Di Zanetto di Palestine. Di
Giouan Nascho. Di Francesco Roscelli.
Et altri eccellentissimi Musici. Noua-
mente posti in luce. Alto. (Basso.) 2 pts.
Appresso G. Scotto : Vincgia, 1570. 4°.
D. 13.
Tlic other composers named in tliis col-
lectioyi arc : G. Cartolaio, G. D, de
Nolla and J. Corsini.
PRIMA VERA. La Primavera. Canzo-
net. See Mayer (J. S.)
PRIMAVERA (Giovanni Leonardo)
II Primo Libro de Canzone Napolitane a
Tre Voci, . . . Con alcune Napolitane di
lo. Leonardo di L'arpa. Nouamente da
lui composte & dato in luce. Canto.
(Basso.) 2 pts.
Aijpresso Girolamo Scotto : Vinegia,
1566. 8". A. 194.
This collection also contains compositions
by Rinaldo Burno and Carlo Tctis.
II Primo et Secondo Libro de Madrigali a
Cinque, et a Sei Voci . . . Nouamente . . .
Composti, & dato in luce. Tenore.
Ap2)resso Girolamo Scotto : Vcnetia,
1565. 4'. D. 193.
Tliis ivork also contains a madrigal by
Striggio.
PRIMROSE. The Primrose Girl, [Song,]
sung by Mrs. Bland, etc.
[London, 1800 ?] fol. G. 295. (10.)
PRINCE. The Prince of the People.
Song. See Hook (J.)
The Prince, unable to conceal his pain.
Song. .SeeHAENDEL(G.F.) [Alexander's
Feast.]
X
306
PRINCE— PRINS
PRINCE EUGENE. Prince Eugene's
Health. [Song, begins : ' You the Glorious
Sons of Honour.'] Sec Barrett (J.)
Organist.
Prince Eugene's Health. Song [begins :
' Let's all be merry ']. Sec Graves (J.)
Prince Eugene's March into Italy. [Song.]
Sec Shore (W.)
PRINCE FERDINAND. Prince Fer-
dinand. Song. Sec God. God Bless
Prince Ferdinand, etc. [1759.] 8".
P.P. 5438. z.
Prince Ferdinand. [Three-Part Song.]
See God. God bless Prince Ferdinand.
[1760?] s. s7i. fol. H. 1994. (28.)
PRINCE FREDERICK. Prince Frede-
rick. Slow Minuet. [Engraved in figures,
with music.] {Pemherton ? :
London, 1725.] fol. h. 810. a. (5.)
PRINCE OF ORANGE. The Prince
of Orange's March. [Song.] See Brave.
Brave Grenadiers rejoyce.
[1734.] s. sh. fol. G. 316. d. (83*.)
PRINCE OF "WALES. The Prince of
Wales. A Song. [Dance, engraved in
figures, with music] [Pcmbcrton ? ;
London, 1727.] fol. h. 801, a. (6.)
PRINCE WILLIAM. Prince William,
liigodon. [Engraved in figures, with
music] [Pc7nbcrton? :
London, 1721. fol. h. 801. a. (3.)
PRINCIPESSA D' AMALFI. La Prin-
cipessa d' Amalfi. Opera. Sec Weigl (J.)
PRINCIPI DI MUSICA. Priucipj di
Musica. Nei quali oltre le antiche, e
solite Regole vi sono aggiunte altre figure
di Note, schiarimento di chiavi, scale dei
Tuoni, Lettura alia Francese, etc.
Prcsso Giovanni Cliiari :
Firenzc, [1770 ?] 4». 7896. ee. 40.
Engraved throughout.
PRINCIPLES. Principles and Power of
Harmony. [By B. StiUingfleet. Founded
on Tartini's " Trattato di IMusica secoudo
la vera Scienza dell' Armenia."] few ms.
NOTES [by Sir J. Hawkins].
J. and H, Hughs : London, 1771. 4".
557*. e. 14.
PRING (Jacob Gubitt) Ally Croaker,
with Variations, for the Piano Forte, etc.
Printed for the Author: Loiv Lay ton,
[1798?] fol. g. 139. (36*.)
Eight Anthems as performed at St. Paul's
Cathedral, etc. Printed for the Author :
London, [1793 ?] fol. G. 502. (7.)
Damon and Phillis, a favorite Song, etc.
[Begins : " The Virgin when soften'd by
May."] J. Bland: London, {11901} fol.
G. 377. (46.)
PRING (Jacob Cubitt) Damon and
Phoebe ; a favorite Song with an Accom-
panyment for the Forte Piano. J. Bland :
London, [1790 ?] fol. G. 377. (43.)
The Dying Christian to his Soul. A
celebrated Ode by Mr. Pope, set to Music
[for three voices], etc. J. Bland :
London, [1794 ?] fol. G. 352. (31.)
Ella. [Song.] The Words by IMiss
Vaughan, etc. Printed for the Author :
London, [1795 ?] fol. G. 366. (53.)
Fanny of the Dale, etc. [Song.]
Printed for the Author :
London, [1798 ?] fol. G. 366. (54.)
A First Book of Glees, Canons, &c.
Printed for the Author :
London, [1797 ?] ohl. fol. D. 400. (9.)
Easy Progressive Lessons with the finger-
ing mark'd for Young Beginners on the
Piano Forte or Harpsichord.
Printed for the Author : Upper Clapton,
[1798?] fol. g. 132. (10.)
The Lilly, a New Song, etc. J. Bland :
London, [1790?] fol. G. 377. (44.)
Magnificat. . .in Two Parts, etc.
J. Bland: London, [1790?] fol.
G. 502. (8.)
The Rose, a favorite Song, etc.
J. Bland : London, [1790 ?] fol.
G. 377. (45.)
Six Progressive Sonatinas, for the Harp-
sichord or Piano Forte, with an accom-
paniment for the German Flute or Violin
. . .Book 1st. Printed for the Author :
London, [1795 ?] ohl. 4°. b. 60. (7.)
Sonnet for the Birth Day of Two Gentle-
men (Twins) upon their attaining the Age
of 21 Years, etc. Printed for the Author ;
London, [1798 ?] fol. G. 366. (55.)
See Glees. A Selection of Glees from
the INISS. of the Concentores : being the
Compositions of. . I. C. Pring, etc.
[1800?] oW. fol. E. 207. a. (1.)
See Haendel (G. F.) Coronation Anthem,
arranged. . .as a Duet. . .by I. C. Pring.
[1795?] fol. g. 272. o. (10.)
PRING (Joseph) Nancy of the Vale.
[Song.] Words by W. Shenstone.
[London,'] 1792. s. sh. 4». P.P. 5141.
Lady's Magazine, Nov., 1792.
PRINS (Hendrick Janszoon) Meden-
blicker Scharre-Zoodtje, ghevangen en
outweydt van verscheyden Visschers :
over-goten met een Sanghers-sausjen, door
H. J. Prins, etc. H. J. Prins : Mcdenblick,
1650. obi. 8". A. 1184.
[Another copy.] 11556. aa. 30.
Medenblicker Scharre-Zoodtje . . . Tweeden
druck. J. D. Knyper : EncMiysen,
1676. obi. 8". 11556. aa. 31.
PRINTEjMPS— PRISE
307
PRINTEMPS, Printems. [Song.]
See AiJiABLES. Aimables Rossignols,
chantez. 1723. s. sh. 4°. 297. a. 3.
Printems. [Song, begins : ' Le doux
Printems revient.'] See Bailleul ( )
Printemps. [Song.] See Belle. Belle
saison tendre, etc. 1725. s. sJi. 4".
297. a. 14.
Printems. [Song, begins : ' Pendant le
doux Printems.'] See Bouteiller ( )
Le Printems. Musette. [Begins : ' Dans
ce riant Boccage.'] See Bury (B. de)
Le Printems. Ariette. [Begins : ' Deja
le Zephir.'] SeeB***,M.
Le Printemps. Ariette. [Begins : ' De
nos forets.'] See Malidor ( de)
Printems, en Gavotte. [Begins : ' Dans
nos Champs glacez.'] See Norel ( )
Printems. [Song, begins : ' L'Hyver ne
cache plus.'] Sec Mouret (J. J.)
Printems. [Song.] See Petits. Petits
hostes de ces Boccages, clc. 1725. s. sh. 4".
297. a. 13.
Printemps. [Song.] See Que. Que
j'aime a voir Iris. 1729. s. sJt. 4\
298. a. 5.
Printems. [Song.] See Regnez. Regncz,
Printems. 1745. s. sh. 4". 297. c. 1.
Le Printems de la Rose. [Song.]
See CoRBAUX ( ) [La Naissance de la
Eosc.]
Le Printemps par son retour. Frintcms.
[Song.] {Paris,'] 1732. s. sli. 4".
298. a. 24.
Mcrcure de France, July, 1732.
Printems, par ton retour. Air.
See ^loREL ( )
Printems, qu'attendes-vous. Rondeau.
See Adnin ( )
Le Printemps revicut tons les aus. Air.
See MouRET (J. J.)
PRINTER. The Printer's Devil. [Song.]
See Moulds (J.)
PRINTER ( ) Soon as the Ev'ning
shades prevail. Solo Part of Mr. Addison's
Celebrated Hymn. Composed and Sung by
Mr. Printer, at the Chapel of the Foundling
Hospital. Printed for Harrison and Co. :
London, [1785 ?] s. sh. fol.
G. 807. b. (46.)
PRINTZ (Wolfgang Caspar) Exercita-
tiones Musicse Theoretico - Practicse
Curiosse de Concordantiis Singulis, Das
ist Musicalische Wissenschafit uud Kunst-
Ubungen von jedweden Concordantien,
in welchen Jcglicher Concordantz Natur
und Wesen . . . beschrieben werden, etc.
8 pts. Li Verlegung Johann Christoph
Mietliens : Dresden, 1689 (1687-9).
7897. e. 14.
With a second title-page, engraved. Each
part luxs a separate title-page and
pagination. Parts 1-3 are dated 1687 ;
parts 4 and 5, 1688 ; parts 6-8, 1689.
Historische Beschreibung der Edelen
Sing- mid Kling-Kunst, in vvelcher Dero-
selben Ursprung und Erfindung, Fort-
gang . . . mancherley Feinde, und zugleich
beriihmteste Ausiiber von Anfang der
Welt biss auff unsere Zeit . . . erzehlet . . .
werden, aus dencn vornehmsten Autoribus
abgefasset . . . von W. C. Printzeu, etc.
In Verlegung J. C. Micths :
Dresden, 1690. 4°. 7897. e. 36.
WitJi a second title-page, engraved.
Musica Modulatoria Vocalis, oder manier-
liche und zierliche Sing-Kunst, in welcher
AUes, was von einem guten Sanger erfor-
dert wird, griindlich und auf das deut-
lichste gclehret, und vor Augen gestellet
wird. In Druck tind Verlag Christian
Okels : Schioeidnitz, 1678. 4".
785. h. 51.
W. C. Printzens von Waldthurn Phrynis
Mitilenffius, oder Satyrischcr Componist,
welcher . . . Die Fehler der ungelehrten
. . . Componisten hoflich darstellet, und
zugleich lehret, wie ein Musicalisches
Stiick rein . . . zu compouiren . . . sey, etc.
3 pts. Verlegts J. C. Mieth und
J. C. Zimmennann : Dresden uiul Leipzig,
1696. 4". 557*. d. 25.
Each part has a separate title-page,
engraved frontispiece and pagination.
See Tapinsmus (M.) pseud, and Laeusim-
PELTZ (C.) pseud. Refutation des Satyr-
ischen Componistens, oder so genannten
Phrynis [of W. C. Printzl, etc. 1678. 4".
' 12305. d. 26.
PRIOLI (Giovanni) Sacrorum Con-
centuum ... in Duas Partes distributorum.
Pars Prima. Cantus. (Altus.) (Tenor.)
(Bassus.) (Quintus.) (Sextus.) (Septimus.)
(Octavus.) (Bassus ad Organum.) 9 pts.
Apud Bartliolomeum Magni : Venetiis,
1618. 4°. D. 215.
Sacrorum Concentuum ... in Duas
Partes distributorum Pars Altera. Cantus.
(Altus.) (Tenor.) (Bassus.) (Quintus.)
(Sextus.) (Undecimus.) (Duodecimus.)
12 pts, Apud Bartholomcum Magni :
Venetiis, 1019. 4°. D. 215. a.
PRIOLUS (Joannes) See Prioli (G.)
PRISE. La Prise de Tabac. [Song.]
Sec Gretry (A. E. M.) [Le Comte
d'Albert.]
X 2
308
PRISE— PROBIN
PRISE DE LA GRENADE. Cette
Ep6e, Ami Lavaleur. [Vaudeville.] De
la Prise de La Grenade. Chez M. Nicolet :
[Paris, 1780 ?] 8«. B. 362. a. (69.)
PRISONER. The Prisoner. Musical
Romauce. See Attwood (T.)
The Prisoner Released. Ballad. Sec In.
In a gloomy Recess, c?c. [1790?] fol.
H. 1994. d. (35.)
PRISONERS' OPERA. The Prisoners'
Opera. [By Edward Ward.] To which
is added, Several other Entertainments
. . . perform"d at Sadler's Wells, during
the Summer Season, etc. (Opera Tunes.)
Printed. . .at the Wells : London, 1730. 8°.
Ad. MS. 27,831. ff. 272 286.
Tlic tunes hare separate pagination..
A Starving Life all Day we lead. The
Prisoners Song sung by Mr. Piatt ... at
Sadlers Wells. [London, IISO.] s. sh. io\.
H. 1994. b. (75.)
PRISONNIER. Lorsque dans une tour
obscure. Bomancc da Prisonnier. [By
D. Delia Maria.] Frercs Meyn :
Hamburg, [1800 ?] obi. fol.
E. 253. d. (22.)
Le Prisonnier, ou la Ressemblanco.
Op6ra. Sec Dklla Makia (D.)
PRITHEE. Prithee Billy ben't so silly.
Advice to a Friend in Love. [Song, words
and music by H. Carey.]
[London, 1785 ?] s. sh. fol. G. 315. (46.)
Prithee, ben't so sad and serious. Catch.
Sec PUKCELL (H.)
Prithee Celia ease my Pain. Song.
See Weldon (J.)
Prithee Fool be quiet. Song. Sfc Young.
Young Jockey sought my Heart to win,
etc. [1770?] s. s7f. fol. G. 314. (96.)
Prithee foolish Boy give o'er. The
Advice. [Song, music attributed to J. E.
Galliard.] Printed for J. Simpson:
[London, 1735?] s. sh. fol.
G. 305. (122.)
This song is attributed to J. E. Galliard
in ' Apollo's Cabinet.'
[Another edition.] Prithee foolish Boy
give o'er. Tlic Advice. [Song.]
[iondon, 1740 ?] s.sh.iol.
G. 316. e. (119.)
[Another edition.] Prithee foolish Boy
give o'er. Tlie Aclvice. [Song.]
[London, 1740 ?] s. sh. fol.
G. 316. (114.)
[Another copy.] G. 311. (5.)
[Another setting.] Prythce, foolish boy,
give o'er. Catch. See Geeene (M.)
[Another setting.] Prithee foolish Boy
give o'er. Glee. See Stevens (R. J. S.)
PRITHEE. Prithee tell mo faithless
Swain. Song. See Oakes (J.)
PRIVATE. An Excellent New Song,
called the Private Encounter between
Two Loyal Lovers, etc. See Oh. Oh
fye ! what mean I foolish Maid, etc.
[1G94.] s. sh. fol. Case 39. k. 6. (6.)
PRIVATE THEATRICALS. Private
Theatricals. Entertainment.
Sec DiBDiN (C.)
PRIX. Amis, d'un bonheur que j'envie.
Vaudeville du Prix, ou VEnibarras da
Choix. [Words by A. E. X. Poisson de
Lachabeaussiere and P. F. N. Fabre
d'Kglantine, music by T. Lefevre.] Avec
Accompagnemeut de Guitarre.
Chez Imbault : Paris, [1788.] 8".
B. 362. h. (12*.)
Un Prix se donne tons les ans. [Song.]
Air du Prix ou V Embarras dit Choix.
[Words by A. E. X. Poisson de Lacha-
beaussiere and P. F. N. Fabre d'Eglantine,
music by T. Lefevre.] Avec Accompt. de
Guittare. Chez Imbault :
Paris, [1788.] 8". B. 362. h. (12.)
Tourner ainsi la tete. Air du Prix, ou
V Embarras du Choix, [words by A. E. X.
Poisson de Lachabeaussiere and P. F. N.
Fabre d'Eglantine, adapted to " Oui noir
mais pas si diable," by A. E. M. Gre'try,]
avec Accompaguement de Guitare.
Chez hnbauU : Paris, [1790?] 8".
B. 362. (113.)
Le Prix de la Constance. [Song.]
See Tu. Tu rejette mes tendrcsses, etc.
[1780?] 8". B. 362. c. (33.)
PRIX DE CYTHijRE. Le Prix de
Cythere, Opera Comique [written by C. J.
Favart and A. R. do Voyer d'Argenson,
IMarquis of Paulmy. With the voice-
parts of four songs].
Chez Pierre Gosse Junior :
La Hayc, 1750. 8". 242. g. 21.
Part of tlw ' Theatre de la Hayc,' torn. 4.
PRIX DE LA BEAUTE. Le Prix de
la Beaute, ou Le Jugemeut de Paris,
Comedie-Balet en un acte en vers, par
M. Mailhol. . .avec la IMusique.
Chez Duchesne : Paris, 1755. 8°,
163. c. 68.
PRIZE. The Prize. Musical Farce.
See Horace (S.)
The Prize Carnation. [Song.]
See Atrton (E.)
PRO. Pro Christo afifligimur nunquam
sat. Motet. See Steffani (A.)
PROBIN (J.) The Happy Shepherd. A
favorite Song, etc.
Longman and Broderip :
London, [1795 ?] fol. G. 366. (56.)
PROBIN— PR0CtRA1\IMES
309
PROBIN (J.) When gen'rous Wine ; a
favorite Song, sung by Mr. Bowden, in the
Opera of Robin Hood, etc. J. Bland :
London, [1786 ?] fol. H. 131. (41.)
[Another edition.] When gen'rous Wine,
&c.. An admired Song [by J. Probin],
sung ... in Robin Hood. [1790 ?] fol.
See Robin Hood. G. 383. i. (23.)
PROBUS (Antonius) See Vulpids (M.)
Ein schon geistlich Gesangbuch . . . Mit
einer Vorrede Antonii Probi, etc.
1609. 4°. C. 99.
PROCES. Le Proces. Ariette.
AS>e Etrange. L'etrauge Chose qu'un
Proces, etc. [1780?] 8^
B. 362. c. (7.)
PROFE (Ambrosius) Erster theil Geist-
licher Concerten und Harmonien a 1. 2.
3. 4. 5. 6. 7. &c. Vocibus cum & sine
Violinis, & Basso ad Organa : Ausz den
beriihmbsten Italianischen und andern
Autoribus . . . zum iiiientlichen Druck
befordert durch Ambrosiuni Profium, etc.
Altus & Violino 2. Gcdruckt durch
Hcnning Kblern, in Veiicgung Christoph
Jacob . . .in Bresslaw : Leipzig, 16il. 4".
B. 121.
T]ie composers named are: A. Grandi,
P. Francisciis, F. Sances, T. Mcrula,
G. Eovctta, U. Tarditi, I. Donati,
H. Vcchi and J. P. Siceling.
Ander Theil Geistlicher Concerten und
Harmonien, etc. Sexta Vox & Violino ii.
Gedruckt by Henning Kijlern, in
Verlegung des Atictoris und Collcctoris:
Lcpzig, 1641. 4°. B. 121. a. (1.)
The composers named are : G. Eovctta,
F. Sances, G. Arigoni, C. Casati,
G. Prioli, H. Tarditi, Chinelli, Aloy-
sius [Palcstri7ia?], G. Sabbatini, T.
Mcrula, J. Vierdanck, I. Donati, N.
Fontei, C. Monteverde and H. Schiitz.
Dritter Theil Geistlicher Concerten und
Harmonien, etc. Sexta & Viol. ii.
Gedruckt bey Homing Kiilern, in
Verlegung des Auctoris und Collcctoris :
Leipzig, 1642. 4". B. 121. a. (2.)
The composers named are ; C. Monte-
verde, T. Mcrula, M. Pesenti, P. Cor-
netti, G. Sabbatini, G. Bovetta, B.
Honorio, M. Minozzi, N. Funtci, H.
Tarditi, A. Gi'andi, G. Scarani, G.
Chinelli, C. Monteverde and H. Prae-
torius.
Vierdtervnd letzter theil Geistlicher Con-
certen, etc. Violin ii.
hi Verlcgimg des Auctoris, Gedruckt bey
Timotheo Bitzschen : Leipzig, 1646. 4".
B. 121. a. (3.)
The comp)osers navied are: G. Bovetta,
F. Turini, A. Bigatti, T. Mcrula,
E. Schiitz and M. Cazati.
PROFE (Ambrosius| Sec Albert (H.)
Arien, Erster (Ander) Theil . . . zum Druck
befordert und verleget, von Ambrosio
Profe. 1657. 8°. A. 29.
PROFESSOR. The Fashionable Precep-
tor for the Piano-Forte & Harpsichord . . .
To which is added a Selection of Modern
Songs, Favorite Airs & IMarches, etc.
Printed for W. Hodsoll :
Lo»Jon, [1798?] oR 4°. b. 110. (1.)
The composers named are : Mozart,
Pleycl, Haydn.
PROGRAMMES. — London. [Pro-
gramme and Book of the Words of Giar-
dini's ' Ruth,' performed at the King's
Concert Room, 22 May, 1799.]
{London, 1799,] 4". 7897. i. 24. (28.)
Concerts of Antient Music. Concerts
of Antient Music. [Books of Words for
1782, 1784-1848.]
London, 1782-1848. 4" & 8°.
54. b. 1-15. and 11778. a.
The volumes for 1783 and 1811 are
ivanting.
Ncio Musical Fund. [A Collection of
Programmes, Book of the Words, Auto-
graph letters, etc. relatiug to concerts
given in aid of the New ^Musical Fund in
1794, 1805, 1815-41.] MS. notes [by Sir
George Smart].
London, [1794-1841.] 4" & fol.
Case 61. g. 20.
Westminster Abbey. Commemoration
of Handel [in Westminster Abbey]. Third
Performance, The j\Iessiah. Saturday,
May the 29th, 1784. [Book of words with
list of performers.] H. Beyncll :
London, 1784. 8°. 1344. m. 20.
Norwich. Norwich Grand IMusical Fes-
tival, as it will be performed at St. Peter's
Church, on September the 24th, 25th,
and 26th, 1788. [Programmes and Books
of the Words.] Crausc d Stevensori :
Norivich, 1788. 8°. 7898. bb. 10. (1.)
Norwich Grand Musical Festival, as
it will be performed at St. Peter's Church,
and at the Hall, in St. Andrew's, on the
8th, 9th, and 10th of September, 1790.
[Programmes and Books of the Words.]
Crousc & Stevenson : Norwich, 1790. 8".
7898. bb. 10. (2, 3.)
Oxford. Music Room, March 25, 1776,
[Programme and Words.]
[1776.] s. sh. fol. I. 600. c. (114.)
Venice. Hospital of the Mendicanti.
Nella Chiesa di S. Lazzaro, e Mendicanti.
La Quadragesima dell' Anno 1782. [List
of the performances of sacred Music to be
given by the pupils of the School of Music
at the jMendicanti.]
[Venice, 1782.] s. sh. fol.
I. 600. a. (162.)
310
PROGRESS— PRUDE
PROGRESS. The Progress of Love. A
Parody on the. . .Song of Infancy, dc.
See In. In rip'niug age, the female
Bveaat, etc. [1775?] s. s/(. fol.
G. 309. (159.)
The Progress of Masonry, a New Song,
and very Humourous. See Chloe.
Chloe, or the Musical Magazine, etc.
No. 74. [1760 ?] fol. G. 433.
PROGRESS OF LOVE. The Progress
of Love. [4 Songs.] See Dibdin (C.)
PROKRIS UND CEPHAIiUS. Pro-
kris und Cephalus. [Cantata.]
See ScHEiBE (J. A.)
PROMENADE. La Promenade Dan-
gereuse. [Song.] See Je. Je fut par
certain jour d'hiver, c/c. [1790?] 8^
B. 362. a. (142.)
PROOFS. The Proofs of Passion. Song.
Sec Lady.
PROPER. Proper Fanny. Song.
See ]\Iy. My Fanny long I woo'd and
lov'd, etc. [1765.] 8". P.P. 5438. z.
PROPHET. The Prophet. Opera.
See Shield (W.)
PROPHETIC. The Prophetick Ballad.
See In. In London stands a fine Pile, etc.
[1720.] s. sh. fol. H. 1601. (252.)
PROPHETICAL. The Prophetical Pig.
Comic Song. See Reeve (W.) [The
Evening Brush.]
PROPIAC (Catherine Joseph Ferdinand
GIRARD DE) La Fausse Paysanne.
[For songs, &c. published anonymously :]
See Fausse Paysanne.
Isabelle et Rosalvo. [For songs, &c., pub-
lished anonymously :]
See Isabelle et Rosalvo.
Les Trois Deesses Rivales, on Le Double
Jugement de Paris. Comedie lirique
en un Acte, en vers melee d'Ariettes.
Par M' de Piis, etc. [Full Score.]
Chez Des Lauriers : Paris, [1788. J fol.
G. 142.
PROSERPINE. Proserpine. Trag^die.
See LuLLi (G. B.)
PROTA (ToMASo) Sei Sonate ovvero
Divertimenti da Camera a Due Flauti
Traversieri o Due Violini, con il Basso, etc.
[Separate Parts.]
Printed for E. Chapman :
[London, 1760?] fol. g. 222. (6.)
PROTESTATION. The Protestation.
[Song.] See Boyce (W.)
[Another setting.] The Protestation.
[Song.] See No. No more shall ]\Ieads
be deck'd with Flow'rp, etc.
[1770?] s.s/i. fol. G, 297. (30.)
PROTEUS. The Comic Tunes and Songs
in the Entertainment call'd Proteus, or
Harlequin in China. . .For the Harpsicord,
Violin, &c. [Words by H. Woodward.]
Printed for I. Walsh :
London, [1756.] ohl. fol. and fol.
D. 282. (3.)
PROTH;6e. Quelle ardeur coule dans
mon coeur. Parodie du Balct dc ProtJiee.
Garde ta raison. Atitre parodie du meme
Balet. [Paris,'] 1724. s. sh. 4".
297. a. 10.
Mercure de France, Nov., 1724.
PROTOTYPON. Prototypon Longo-
Breve Organicum. Sec M., P. X. A.
Proud Woman I scorn you. Dialogue.
Sec ]\Iad Loveb.
PROVEN9ALE. Vonte que la beauta
s'esconde. Air de la Provencale[B,n added
act to ' Les Fetes de Thalie,' by J. J.
Mouret]. R^coguillk^e : [Paris,]
1770. s. sh. 8°. 279. e. 32.
Mercure de France, May, 1770.
La Proven(?ale. Entree.
See Mouret (J. J.) [Les Fetes de Thalie.]
PROVIDENT. The Provident Damsel.
[Song.] See Clarke (R.) [The Humours
of Oxford.]
PROVINCIALE. LaProvinciale. [Song.]
See Je. J 'arrive a pied de Province.
[1785?] 8'. B. 362. e. (110.)
PROVOKED HUSBAND. The Fine
Ladies Life ; or the thoughts of an am-
bitious Country Girl on the pleasures of
the Town, sung in the Provoked Husband
by Mrs. Cibber. [Song, begins : " What
the' they call me Country Lass," words
and music by H. Carey.]
[London, 1735 ?] s. sh. fol.
G. 305. (186.)
[Another copy.] G. 313. (115.)
PROVOKED WIFE. Bumpers 'Squire
Jones. [Song.] Sung bv Mr. Beard in
the Provok'd Wife. [London, 1744.] 80.
249. c. 14.
Gentleman's Magazine, Vol. XIV., p.
612.
Ye Prigs who are troubled with Con-
science's Qualms. A Humerous Drunhcn
Song. Sung by Mr. Beard, in the Pro-
vok'd Wife. [London, 1750 ?] s. sh. fol.
G. 316. c. (31.)
PRUDE. Prude Pallas observ'd to the
Demirep Queen. The Artists. [Song.]
The Words by G. A. Stevens.
P. H[odgson : London, 1780?] s. sh. fol.
G. 311. (23.)
PRUDENT— PSALMS [3. DUTCH, 1540-1559]
311
PRUDENT. The Prudent Fair. Song.
See To. To flv like Bird from Grove to
Grove, <?/c. [1775?] s.sh.iol.
G. 312. (103.)
The Prudent Shepherdess. Ballad.
See. Potter (J.)
PRUDENT ( ) Les Jardiniers, Comedie
en deux Actes et en Prose, meslee d'Ari-
ettes; par M. Davesne. . .avec la Musique
[of one Song, hy — Prudent],
.s'ee Reciteil. Recueil ge'neral des Op6ra
Bouffons, etc. Tom. 7. 1777. 8°.
11735. b. 2.
PRUDENTE. Prudentemichiedi. [Song.]
See Federici (V.) {L'Vsurpator Inno-
cente.']
PRUNIER ( ) Je vis I'autre jour Maitre
Blaise. Recit de Basse.
{Paris,-] 173G. s. sh. 4". 297. b. 12.
Merairc dc France, Feb., 1736.
PSALMS.
Arrangejiekt.
1. Polyglot.
2. American.
8. Dutch.
4. English.
5. French.
6. French and Dutch.
7. German.
8. German and French.
9. Greek.
10. Hungarian.
11. Icelandic.
12. Italian.
13. Latin.
14. Latin and Dutch.
15. Latin and German.
16. Lettish.
17. Malay.
18. Polish.
19. Portuguese.
20. Romansch.
21. Swedish.
22. Welsh.
The entries under each heading are in
chronological order.
1. Polyglot.
The Psalmes of David in 4 Languages
. and in 4 Parts Set to y' Tunes of our
church by W[illiam] S[latyer], etc. Gr.,
Lat., Heb. & Engl. 1643. 12'>.
See S., W. E. Pam. 1111. (5.)
The Psalms of David in 4 Languages and
in 4 Parts Set to y^ Tunes of our Church
with Corrections by W[illiam] S[latyer].
Gr., Lat., Heb. & Engl. 1652. 12°.
See S., W. Case 30. a. 13.
2. American.
A New Version of the Psalms of David :
Fitted to the Tunes used in Churches.
By N. Brady . . . and N. Tate, etc. (Appen-
dix, containing a Number of Hymns, etc.)
2 pts. Be-printed by D. and J. Kneeland,
for T. Leverett : Boston; Neiv-England,
1760. 12". 3433. c. 46.
TJie music is engraved.
The Psalms of David, with The Ten Com-
mandments, Creed, Lord's Prayer, &c.
In Metre. Also, The Catechism, Confession
of Faith, Liturgy, &c. Translated from
the Dutch. For the Use of the Reformed
Protestant Dutch Church of the City of
New-York. 2 pts. James Parker :
New York, 1767. 8°. 1109. c. 1
The Psalms of David Imitated in the
Language of the New Testament ... By
I. Watts. . .The Twent3--sixth Edition.
Mein and Fleeming : Boston [il/ass.],
1768. 12°. 3435. e. 38.
The appendix, containing engraved
mtisic, is imperfect, wanting fol. 1-4,
7, 11, 12, 14 and all after 16. ' Fol. 5,
8 and 13 are mutilated.
The American Harmony : or Royal Melody
Complete. . .Vol. I. Containing. . .II. A
New... Body of Church Musick, adapted
to the most select Portions of the Book of
Psalms . . . The Sixth Edition ... By W.
Tans'ur, etc. (The American Harmony
...Containing a Choice. . .Collection of
Psalm and Hymn - Tunes ... by A.
WiUiams, etc.) 2 pts. 1771. obi. 4°.
Sec American Harmony. A. 479. a.
The Chorister's Companion, containing
...a choice. . .Collection of Psalm-Tunes
. . .The Second Edition, etc. (Supplement. . .
containing 16 pages of Psalm and Hymn
Tunes, newly composed, or not before
printed in America.) 2 pts.
(1792.) obi. 4°. See Chorister's Com-
panion. A. 608.
3. Dutch.
Souter Liedekens. [For editions of the
Souter Liedekens which first appeared in
1540 :] See infra : Psalms. [Latin and
Dutch.']
26. Psalmen ende ander ghesanghen, die
men in de Duydtsche Ghemeynte te
Londen, was Ghebruyckende, etc. [Trans-
lated by J. Utenhove.] (11. Ander psalme
door J. V. . . . in rijme, op sanckswijse te
samen gestelt, etc.) (Andere 26. Psalme
Dauidis nieuwelick toeghemaeckt ... by
den seluen Autheur J. V., etc.) 3 pts.
Ghedruckt. . .by Gcllium Ctematium :
E77ibden,1558,b9. 8". 3434. e. 20. (1.)
The Srd part is dated 1559.
[26. Psalmen, e/c— Another edition of
Pt. II.] 11. Ander psalme door J.
V[tenhove]. . .in rijme, op sangskswijse te
samen ghestelt, etc. [Gelliiis Ctematius :]
Embden, 1559. 8". 3425. aa. 6.
Hondert Psalmen Dauids. Mitsgaders
het ghesangk Marie, t' ghosank Zacharie,
t' ghesauk Simeons, de thien Gheboden, de
312
PSALMS [3. DUTCH, 15G1-1591]
artikels des Gheloofs, t' ghebed des Heeren
&c. ouerghesett in Nederlandsche dichte,
door I. Wtenhoue, etc. Jan Daijc :
Louden, 1561. 8°. 1220. c. 39. (1.)
Souter Liodokens. V(-VIII). Hot aclisto
(negeste) (thienste) (elfste) musyck boeck
mit vier Partien, waer inne begrepen syu
xxxi (xxxi) (xxxxiij) (xxviij) Psalmen van
Dauid, etc. Superius. (Contra Tenor.)
8 pts. 1661. obi. 4°. K. 8. a. 12.
See Mes (G.)
Een Hantboecxken, iulioudede de heelc
Psalter des H. Propheete Dauid. Een-
samelijck den Catecbismus, met noch
veel schoon Hynine oft Lofsanghen, ende
Gheestelijcke Liedekens, in twee deele by
een geuueckt . . . Wt du Hoocbduytscbe
Bonschen Sanckboeck, in Nedelantscher
spraken. . .ouergeset, c^c. 2 pts.
Hans dc Braeker : Vranckfort, 1565. 8°.
3089. aaa. 9.
De Psalmen Dauidis, in Nederlandiscber
sangs-ryme, door Ian Wtenboue van
Gbentt. War toe toegedaen syn de ge-
sangen Marie, Zacharie, Simeouis, mit
t' samen den tien geboden ende gebede des
Heeren, mit noch anderen, etc. 2 pts.
Ian Dayc : Londen, 1566. 16°.
3434. a. 2. (1.)
Den Geheelen Souter des Koenincklijcken
Propheten Dauids, met alle de Composi-
tionesop de Psalmen, ende met de Christe-
licke Lof-sangen, Gebenden ende Danck-
liedekens. Vercieret . . . met veel schone
Lof-sanghen ende geestelicke Liedekens. . .
Vergadert wt veel Sang-boecken. [Trans-
lated from the German by Willem van
Haagt.] Wesel, 1567. 12°. 3433. de. 34.
De Psalmen Dauids. Ende auder lof-
sangen, wt den Franscoyschen dichte
[by C. Marot and T. Beze], in Neder-
lantscheu ouerghesedt. Door Petrum
Dathenum. I\Iidtsgaders den Christe-
lijcken Catechismo, Ceremonien ende
ghebeden. 2 pts.
[Fimikenthal ?] 1567. S°. 3434. e. 21,
De Psalmen Dauids wt den Fransoysche in
Nederlantschen dichte ouerghesedt. [By
Petrus Dathenus.] [Harman Scliinckcl? :
Delft?] 1567. 8°. 3433. e. 22.
Imiierfect, wanting the title-page and
following leaf.
De Psalmen Dauids, ende ander Lof-
sangen. Wt den Fransoyschen Dichte,
in Nederlantschen overghesett, Door Pet-
rum Dathenum. . . Wederom ouersienendc
ghecorrigeert. 2 pts.
[Amsterdam ?] 1569, 16°, A. 620. n.
De Psalmen Dauids, wt den Franchoy-
schen dichte in Nederlantschen ouergeset.
Door Petrum Dathenum . . . Van nieus
ouerghesien ende ghecorrigeert, etc.
Ferdinande Samj^sons :
Ghendt, [1512?] 4". 3040. b. 21. (2.)
De CL. Psalmen Dauids, in dichte
ghestelt door Willem van Haecht. Hier
sijn by ghevoecht de Compositien opde
Psalmen, ende de Chri-telijcke Liedekens,
etc. (Het Tweede Deel, inhoudende de
Psalmen, Lof-Sanghen, Hymnen ende
Geestelijcke Liedekens die men meest in
der Christelijcke Ghemeyuten, gbewoon-
lijck is te singhen. Ghetrocken v^t
diuersche Sancboecken, ende nu op een
nieu wt de Hoochduytsche inde Neder-
duytsche Spraeke. . .ouergeset, etc.) 2 pts.
Ghcclntct . . . V en coste van Arnont
s' Conincx : T' hantioerpen, 1579. 12°.
3434, b, 4.
Het Boeck der Psalmen Dauids. Wt de
Hebreische spraecke in Nederduytschen
dichte, op de ghewooulijcke Francoische
wyse ouerghesett, door Philips van Marnix,
etc. GilUs van den Hade : VAntwerpen,
1580. 8". 3433. e. 24.
De CL. Psalmen Dauids, Wt den Fran-
soyschen dichte, in Nederlandtschen ouer-
gheset. Door Pfetrum] D[athenumJ, etc.
Pecter Verhaghen : Dordrcclit, 1581. 4".
3041. bb. 1. (2.)
Fol. 2 is mutilated.
De Psalmen des Propheten Dauids, Ende
ander Lofsanghen, wt den Francoischen
dichte in Nederlandtschen Ouergheset,
door Petrum Dathenum.
[Aelbert Hendricksz : Delft, 1581.] 8°.
1004. a. 6. (2.)
[Another copy.] 3040. dd. 5. (2.)
De CL. Psalmen Dauids, Wt den Fran-
soyschen dichte, in Nederlandtsche ouer-
gheset. Door Petrum Dathenum, etc.
Andries Verschout : Leyden, 1587. 4°.
3040. e. 6. (2.)
Biblia : Dat is, De gantsche Heylighe
Schrift, etc. (De Psalmen des Propheten
Dauids, Ende ander Lofsanghen, wt den
Fransoyschen dichte in Nederlantschen
ouergheset, door Petrum Dathenum.) 2 pts.
Jan Pacdts Jacobszoon, ende Jan
Bouwenszoon : Leyden, 1589. 8°.
3040. b. 14,
Biblia : Dat is, De gantsche H. Schrift, . . .
verduytschet, etc. (De Psalmen Dauids
wt den Fransoychen in Nederlantschen
dichte ouergheset.) Barendt Adriaensz. :
Amstelredam, 1590. 4°. 1411, h. 7.
Het Boeck der Psalmen. Wt der Ile-
breisscher sprake in nederduytschen dichte,
op de ghewoonlicke oude wijsen van
singen, ouergeset. Mitgaders de heylige
schriftuerlicke lofsangen, uyt den ouden
ende uieuwen Testamente. . .int duytsche
gestelt. Door Philips van Marnix, genaemt,
van Sint Aldegonde. 2 pts.
Richard Schilders : Middvllmrgh,
1591. 8°. 1408. e. 25. (l.)
PSALMS [3. DUTCH, 1594-1662]
313
De C.L. Psalmen Dauids : Wt deu Frau-
soyschen dichte in Nederlandtscheu ouer-
gheaet door P. Dathenum, etc.
AelhrecM Heyndricrsz. :
s' Graven-Haglie, 1594. 8°.
3041. aaa. 1. (2.)
BiWia : Dat is, De gautsche H. Schrift,
grondelick ende trouwelick verduytschet,
etc. (De Psalmen Dauids wt deu Fran-
soyschen in Nederlandtschen dichte oucr-
gheset.) Bruijn Harmanssz Schinchcl :
Dclf, 1596. 4°. 1411. h. 8.
Biblia : Dat is, De gantsche Heylige
Schrift grondelick ende trouwelick ver-
duytschet, etc. (De Psalmen des Prophe-
ten Davids, Ende ander Lofsaughen, wt
den Fransoyscheu dichte in Nederlantsche
Tale overgeset : Door Petrum Dathenum.)
Isaack Jansz. Caen, ende Thomas
Willemsz. van Oitcn : Dordrecht, 1597. 8".
3040. b. 13.
De C.L. Psalmen Davids, wt den Fran-
soyscheu dichte in Nederlantschen over-
geset, door Petrum Datherura, etc.
Ghcdnict . . . voor Hubrcchl Macsz. :
Dordrecht, 1599. 16°. 3035. a. 8.
Biblia. Dat is : De gantsche Ileylighe
Schriftuere, grondelijck ende trouwelijck
verduytschet, etc. (De Psalmen Davids
wt den Fransoyscheu in Nederlantschen
dichte overgheset.) Fransoi/s Bossehicr :
Dordrecht, 1613. 4°. 3040. eee. 7.
Biblia. Dat is De Gansche heylige
Schrift Grondelick ende trouwelick Yer-
duijtchet, etc. (De Psalmen des Propheten
Davids. Ende ander Lofsanghen, wt den
Fransoyscheu dichte in Nederlantschen
overgheset. Door Petrum Dathenum.)
Uldricli Cor7icliss vour Jan Everss Clop-
j^enhurch en Isack lanss Canin : Leyden,
1615. 12°. 3040. a. 17.
De CL. Psalmen Davids, uyt den Fran-
soyscheu, in Nederlandtschen dichte over-
gheset. Door Petrum Dathenum . . . Item,
hier is by ghevoecht op de cant den
Duytschen Text, overgeset uyt den He-
breeuschen : door Philifs van Marnix,
ghenaemt van S. Aldegoude.
Adriacn van de Viverc :
MicUelburch, 10,11. 8°. 3089. bb. 1.
Het Nieuwe Testament . . . Uyt de Oor-
spronckelijcke Griecksche Tale in onse
Nedelandsche. . .Overgeset. (De Psalmen
Des Propheten Davids, . . . Ende ander
Lof-Zanghen, uyt den Fran(;oyschen
Dichte in Nederlandtschen over-gheset
door Petrum Dathenum.)
Faulus Aertsz von Havestcyn :
Leyden, 1638. 8°. 1411. d. 2.
Dat Woerdische Sangboeck. De CL.
Psalmen Davids, ende Geestelijcke Liede-
kens, wtgelesen, mitsgat ders eeuige nieuwe.
LofE-sangen . . . Die laetste Editie. [With a
preface by J. Ligarius.] Symon de Vries :
Utrecht, 1647. 12°. 3433. de. 33. (1.)
De CL Psalmen Des Propheten Davids,
Met eenige andere Lof-sangen; uyt den
Fran(;oyschen in Nederlandtschen Dichte
overgeset door Petrum Dathenum. Geheel
op Musijck-Noten ghestelt, ende op een
uieuw Oversien en Verbetert, etc. 2 pts.
Faulus Aertsz van Bavcsleyn :
A77isicrda7n, 16i8. 12°. 3025. b. 25. (2.)
De CL Psalmen Davids, uyt den Fran-
(;oysen in Nederlandschen dichte overgeset
door P. Dathenum. (Catechismus, etc.)
2 pts. Faulus Aertsz van Bavestcyn :
Amsterdam, 1651. 16°. Case 18. a. 17.
Biblia. Dat is De gantsche H. Schrifture,
etc. (De CL Psalmen Des Propheten
Davids, Met eenige andere Lof-Sangen :
uyt den Fran(;'oyschen Dichte in Neder-
landtschen overgeset door Petrum Dathe-
num.) 2 pts. Faulus van Bavesteyn :
Amsterdam, 1655. 8°. Case 66. c. 6.
De CL. Psalmen des Propheten Davids,
met Eeuige andere Lof-sangen ; uyt den
Fransoyscheu in Nederlandtschen Dichte
overgeset door Petrum Dathenum, etc,
(Catechismus, etc.) 2 pts.
Johannes Elsevier :
Leyden, 1659. 12°. 3035. a. 4. (2.)
Psalmen, Lof-Sangen, ende Geestelike
Liedekens, op Leef- ende Sangh-mate
gerijmt, etc. 1661. 4°.
See Sluiter (W.) 3436. i. 26.
Biblia. Dat is : De gantsche H. Schrifture,
etc. (De CL Psalmen Des Propheten
Davids, Met eenige andere Lof-sangen :
Uyt deu Fran9oyschen in Nederlandtschen
Dichte overgeset door Petrum Dathenum.)
(Catechismus, etc.) 3 pts.
By de Wcdmve wijlen Faulus van
Bavesteyn : Amsterdam, 1662. 8°.
Case 46. d. 15.
De CL Psalmen Des Propheten Davids,
Met eenige andere Lofsangen : Uyt den
Francoyschen in Nederlantschen dichte
overgeset door Petrum Dathenum ; En
tot gemack des Sangers op eenen sleutel
gestelt, en gecorrigeert door M' Cornells
de Leeuw, etc. (Catechismus, etc.) 2 pts.
By de Erfgcnamen wijlen Fatilns van
Bavesteyn : Amstcldam, 1662. 12°.
1411. b. 1. (2.)
[Another edition.] De CL Psalmen des
Propheten Davids, Met eenige andere Lof-
sangen : Uyt den Francoyschen in Neder-
landschen dichte overgeset door Petrum
Dathenum. En tot gemack des Sangers
op eenen Sleutel gestelt, en door Cornelis
de Leeuw gecorrigeert. Mitsgaders De
Christelicke Catechismus, etc. 2 pts.
By de Erfgcnamen wijlen Faulus van
Bavesteyn : Amstcldam, 1662. 8°.
1411. d. 15. (2.)
314
PSALMS [3. DUTCH, 1G64-1698]
^
De CL Psalmen Des Proi)heten Davids,
... in Nederlantschen dichte overgeset
door Petrum Dathenum ... op eenen
Sleutel gestelt, en gecorrigeert door C. de
Leeuw. Mitsgaders De Christelicke Cate-
chismus, etc. 2 pts.
Samuel Imbrechts, en Gerbrant Schagen :
Amsterdam, 1664. 12".
Case 46. a. 9. (2.)
[Another copy.] 3049. aa. 10. (2.)
De CL Psalmen Des Propheten Davids
. . . overgeset door Petrum Dathenum :
En ... op eenen Sleutel gestelt, en door
C. de Leeuw gecorrigeert. Mitsgaders De
Christelicke Catcchismus, etc. 2 pts.
By cV Erfgenamen loijlcn Pauliis van
Eavesteyn : Amsteldam, 1664. 12".
3041. a. 15. (2.)
De CL Psalmen Des Propheten Davids,
. . . overgeset door Petrum Dathenum ;
En ... op eenen Sleutel gestelt, volgens
de correctie van C. de Leeuw. Mitsgaders
De Christelicke Catechismus, etc. 2 pts.
lohannes van Cappel :
Gai-inchem, 1666. 12". 3049. b. 10. (2.)
De CL Psalmen Des Propheten Davids,
. . . overgeset door Petrum Dathenum ;
En ... op eenen Sleutel gestelt, volgens
de correctie van C. de Leeuw. ]\Iitsgaders
De Christelicke Cathechismus, etc.
2 pts. lohannes van Capx:icl :
Gcn-incliem, 1669. 12". 1411. b. 2. (2.)
De CL Psalmen Des Propheten Davids,
Met eenige andere Lofzangen : Uyt den
Francoyschen in Nederlandtschen dichte
overgeset door Petrum Dathenum : En
tot gemack des Sangersgeheelop Musijck-
Noten en eenen Sleutel gestelt, etc.
Dordrecht, By Hendrick- en Jacob-
Keur, gedruckt voor Jan Jacobsz Schipper,
u-oonende V Amsterdam, [1670 ?] 12".
335. b. 4. (2.)
[Another copy.] 166. d. 14. (2.)
This copy, bound in tortoiseshell and
silver, formerly belonged to King
William III.
De CL Psalmen Des Propheten Davids,
. . . overgeset door Petrum Dathenum . . .
op eenen Sleutel gestelt, volgens de cor-
rectie van C. de Leeuw. Mitsgaders De
Christelicke Catechismus, etc. 2 pts.
Helmich en Johannes van Cappel :
Gorinchem, 1671. 16". 219. a. 14. (2.)
[Another copy.]
3049. aa. 9. (2.)
De CL. Psalmen Davids, in Nederduytsch
Gedicht gestelt, door W. van Haecht.
Mitsgaders De Lofsangen, ende Geestel-
lijcke Liederen, die de Christelijcke
Gemeynten . . . zijn gebruyckende, etc.
Christoffel Cunradns : Amstclrcda7n,
1671. 8". 3040. b. 19. (2.)
Davids Psalmen, op de gewoonelikke
wysen, gerymt door Joannes Six van
Chandelier. Jakob Lescalje :
Amsterdam, 1674. 12". 3433. de. 32.
De CL Psalmen Des Propheten Davids
. . . overgeset door Petrum Dathenum ;
En... op eenen Sleutel gestelt, volgens
de correctie van C. de Leeuw. Mitsgaders
De Christelicke Catechismo, etc.
Hendrick- en Jacob-Kenr :
Dordrecht, 1675. 12". 1411. b. 3. (2.)
Uytbreyding Over de Psalmen Des Pro-
pheten Davids. Na de Fransche dicht-
mate van C. Marot, en T. de Beze. Door
D. Camphuyzen, Voor Jan Rieuioertz,
en Pictcr Arentsz. : Amsterdam, 1679. 12".
11555. b. 35. (2.)
De CL. Psalmen Des Propheten Davids,
. . . Overgeset, door Petrum Dathenum.
En. , .op Musijck-Nooten en eenen Sleutel
gestelt, Door C. de Leeuw . . . En na dc
correctste Copije Gecorrigeert. Mitsgaders
De Christelicke Catechismus, etc.
Pieter van Reyschotcn, Meyndert Bout,
Joannis Schot, Abraham van der Putte,
en haer Compagnie : Amsterdam, 1683. 12°.
3436. aaaa. 18.
De CL Psalmen Des Propheten Davids,
. . . overgeset door Petrum Dathenum ;
En ... op eenen Sleutel gestelt, volgens
de correctie van C. de Leeuw. Mitsgaders
De Christelicke Catechismo, etc.
Hendrick- en Jacob-Keur :
Dordrecht, 1683. 12". 1411. b. 4. (2.)
De CL Psalmen Des Propheten Davids
. . . overgeset Door Petrum Dathenum ;
En ... op eenen Sleutel gestelt, door C.
de Leeuw. Mitsgaders De Christelicke
Catechismus, etc. Abraham Wolfgangh,
Hendrick en de Wedttioe van Dirck Boom :
Amsteldam, 1690. 4". 463. b. 3. (2.)
[Another copy.] 1411. k. 12. (2.)
De CL Psalmen Davids, . . . overgeset
Door Petrum Dathenum. Met den Duyt-
schen Text op de kant, na de nieuwe
Oversettinge. . .Mitsgaders, de Christelijko
Cathechismus . . . Alle de voysen der Psal-
men zijn op een G sleutel gestelt door
P. Matthysz. 2 pts. Door ordre van d' Ed.
. . . Betvindbebberen der Oost Indische Com-
pagnie, by d'Erfg. van Panlus Matthysz.,
gedrukt : Amsterdam, [1695 ?] 16".
1110. a. 38.
De CL. Psalmen Des Propheten Davids,
. . . Overgeset Door Petrum Dathenum.
En . . . de Musijcknoten op eenen Sleutel
gestelt, en gecorrigeert na de correctste
Copije van C. de Leeuw. IMidtsgaders Den
Christelicken Catechismo, etc.
Casparus Loots-Man :
Amsterdam,\16'd&.'] 16". 3035. a. 26. (2.)
PSALMS [3. DUTCH, 1700?-1734J
315
J. Bloems Stigtelyke Zeede-Verssen. Ge-
past op alle de Zang-Wyzen, begreepen in
de Hondert en Vyftig Psalmen Davids . . .
Geheel op Nooten gestelld . . . door H. G.,
etc. [1700?] 12°. 6'eeG., H. A. 137.
De CL. Psalmen Davids, In Nederduytse
Sang-versen, Oude en Nieuwe Rymen :
Begrypende d' Oude, . . . eertyds gerymt
Door W. van Haagt : En die Nieuwe . . .
Door J. V. Duisberg. Aldus geheel op
bekende Sang-wysen, Benevens Alle de
gewone Geestelyke Liederen . . . En Met
enige Nieuw-geapprobeerde Liederen ver-
meerdert, etc. Dirk en Hendrik
Brioyn, voor Jan van Duisberg : Amsterdam,
1701. 12". 3040. aa. 14. (2.)
De CL Psalmen Des Propheten Davids. . .
overgeset door Petrum Datheuum : En
. . . al de Musijck-noten op eenen Sleutol
gcstelt, en gecorrigeert na de Copie van
C de Leeuw. Mitsgaders De Cbristelicke
Cathechismus, etc. 2 pts. Johannes dc
Geer, in Compagnie met De Weduice van
Gijshert de Groot, en Pieter vayi Ryschoten :
Dcn-drecht, 1705. 8°. 3040. b. 15. (2.)
Enchuyser Lied - Boeksken, behelfende
eenige Bruylofts-Psalmeu, etc.
Meynard Mid : Enchtiysen, [170G ?] 24°.
1077. a. 39.
Den Hoonig-Raat der Psalm-Dichten ofte
Davids Psalmen met d' andere Lof-sangen,
gestelt op Sangmaate . . . door H. Ghysen.
Geheel op nooten, en op een sleutel
gestelt, naukeurig gecorrigeert, etc. 2 pts.
By de Wed: Gysbert de Groot :
Amsterdam, 1708. 12°. 1411. b. 5. (2.)
Euchuyser Lied - Boeexken, behelfende
eeuighe Bruylofts-Psalmen ... Op niemvs
. . . vermeerden ende verbetert, etc.
Ian Palensteyn : Enchuyscn, [1708 ?] 24°.
1077. a. 43.
De CL Psalmen Des Propheten Davids,
. . . overgeset door Petrum Dathenum :
En . . . al de Musijck-noten op eenen
Sleutel gestelt, en gecorrigeert na de Copie
van C. de Leeuw. Mitsgaders De Cbriste-
licke Catechismus, etc. 2 pts. Anthoni
Hasebrocck, Nicolaas Burgers, Johannes
van Hcekercn, Bastiaan van Beaumont,
Abraham van der Putte, En hare Com-
pagnons : Amsterdam, 1711. 8°.
3040. b. 20. (2.)
De CL Psalmen Des Propheten Davids,
. . . overgeset door Petrum Dathenum ;
En ... op eenen Sleutel gestelt, volgens
de correctie van C. de Leeuw. Mitsgaders
De Cbristelicke Catechismo, etc.
Jacob- en Pieter-Keur :
Dordrecht, 1712. 18°. 1411. a. 28. (2.)
Davids Psalmen, in 't Nederduits berijmd.
[For the use of the Baptists at Haarlem.]
Uaak Enschedi : Haarlem, 1713. 12°.
A, 511. i.
De CL Psalmen Des Propheten Davids.
. . . overgeset Door Petrum Dathenum ;
En ... op eenen Sleutel gestelt, door C.
de Leeuw. Mitsgaders De Cbristelicke
Catechismus, e^c. 2 pts. I. van der Putte,
Wed. J. van Hekkcren, H. Burgers,
P. Verschueren, C. Oterlyk, P. Losel, en
J. Spanseerder : Amsterdam, [1715.] 4°.
3035. c. 8. (2.)
De CL Psalmen Des Propheten Davids,
. . . overgeset door Petrum Dathenum ;
En ... op eenen Sleutel gestelt, volgens
de correctie van C. de Leeuw. J\Iits-
gaders De Cbristelicke Catechismus, etc.
Pieter Keur : Dordrecht, 1720. 12°.
1159. d. 1. (2.)
De CL. Psalmen des Propheten Davids
. . . Overgeset, Door Petrum Dathenum.
De Musijck - Nooten op eenen Sleutel
gesteldt door C. de Leeuw . . . Mitsgaders
de Christelijke Catechismus, etc. 2 pts.
Jacobus Konynenberg :
Amstelreda77i, [1720 ?] 16". 3089. a. 27.
Nieuw verbetert Psalm- en Gezang-Boek,
Of de Hondert en Vijftig Psahnen Davids,
En alle de gewoone Geestelyke Liederen,
Eertijts berijmt Door W. van Haagt En
naderhand op bekender Zang-wysen ge-
bracht Door J. van Duisberg ... By dese
druk sijn alle Psalmen en Liederen met
de eerste vers op nooten verrijkt, en gestelt
op de sleutel (Beraol en Beduur) . . . soo
als deselve nu te Amsterdam in de Lutherse
Kerken gesongen werden. Ook is bier by
gedrukt De Catechismus Lutberi, etc.
Samuel Schoonwald :
Amsterdam, 1725. 4°. 3035. c. 7. (2.)
De CL Psalmen Des Propheten Davids,
. . overgeset door Petrum Dathenum ;
En ... op eenen Sleutel gestelt, volgens
de correctie van C. de Leeuw. Mitsgaders
De Cbristelicke Catechismo, etc. 2 pts.
Pieter- en Jacob-Keur :
Dordrecht, [1727.] 12°. 1411. a. 8. (2.)
De Zangwysen van de CL. Psalmen
Davids, dc. [1730?] ohl.lol.
See WiTVOGEL (G. F.) e. 1207.
De CL. Psalmen Davids, In Nederduytse
Sang-versen, Oude en Nieuwe Eymen :
. . . d' Oude, . . . gerymt Door W. van
Haagt : En die Nieuwe, ... op bekende
Kerk-sangwysen gestelt en gerymt, Door
J. V. Duisberg. Aldus geheel op bekende
Sang-wysen, Benevens Alle de gewone
Geestelyke Liederen . . . Met eenige Nieuw-
geapprobeerde Liederen vermeerdert, etc.
2 pts. Antoni en Hendrik Bruyn :
Amsterdam, 1734. 12°. 3040. b. 22. (2.)
De CL Psalmen Des Propheten Davids,
. . . overgeset door Petrum Dathe-
num ; En ... op eenen Sleutel gestelt,
volgens de correctie van C. de Leeuw,
316
PSALMS [3. DUTCH, umiTiS]
IGt^aden De Christelicke Catecluamiu, '
etc. 2 pts. I
By S Wed. J. van HeeTieren, G. Boutnan, ]
J.ut»derPutte, C. Oterlyk en Compagnie :
Amsterdam, 1737. ISr. 1411. d. 19. (2.) '
[Another copy.] 3040. b. 16. i2.t
[Anotlier edition.] De CL Psalrr^en De.-.
Propheten Davids, . . . overges^:: doer Pe-
tmm Datheniun ; En ... op eenen Sleu:*;:
gestelt Tolgens de correctie vari C. di
Leeaw. Mitsgaders De Chri^t'ilicre Ca:^-
chismo, «te. Fitter- en Jacol-Eeur :
Dordrecht, 1737. 12*. 3040. a. 15. (2.)
De ex. Psalmen Des Propheten Davids,
, . . overgeset, door Petrum Dathectun,
En . . . de Mosieknoten op eenen Slentel
gestelt, na de correctie van C. de Leeaw ;
Mits^tders De Christelyke Catechismcs,
etc. Willem Kroon, Pieter Muntendam,
Johannes Evelt en Steven X&aulme :
Utrecht, L174L] 12*. 1411. b. 6. .2.1
De CL. Psahnen van David, in 2^'eder-
duitse Zang-verzen ; En alle de ge^oone
Greestljke liederen, oude en nieuwe rym :
. , . d' Onde, . . . gerymt. Door W. van
Haagt ; En de Nieuwe, . . . Door J. van
Doisberg, Met eenige Nienw - geappro-
beerde Liederea vermeerdert, etc.
H. Burgers, F. Lozel, H. Brandt, D. onder
de Linden, O. van Grafhcrrst, C. Oterlyk,
G. d Grooikeur, En hunne Compagnie :
Amsteldam, 1751. 12*. 1411. d- 3. (2.)
Nieuw verbetert Psalm- en Gezang-Boek,
Opde Hondert en Vijftig Psalmen Davids,
Ein alle de gewoone Geestelyke Liederen,
Eertijts berijmt Door W. van Haagt En
naderhand op bekender Zangwyzen ge-
bracht Door J. van Doisberg, . . . By deze
dmk zijn alle Psalmen en Liederen met
de eerste vers op nooten verrijkt, en
gestelt op de slentel (Eemol en Bedaur)
. . . zoo als dezelve nn te Amsterdam in
de Lutherse Kerken gezongen worden.
Ook is hier by gedrnkt De Catechismns
van Lntherus, etc. P. Losel, H. Brandt,
D. Onder de Linden, O. van Grafhcrst,
G. de Groot, F. Schouten, en Campagnie :
Amsterdam, 11 ol. 4\ 3041. g. 12. i2..
De CL. Psabnen des Propheten Davids,
. . . overgeset door Petrom Dathennm ;
En ... op eenen Slentel gestelt, Door C.
de Leenw. Jlitsgaders De Christelyke
Catechismns, etc. J. Batelband,
en J. Bouirer : Amsterdam, "1759?' 12*.
14il. d.'4. [2.)
De CL Psalmen Des Propheten Davids,
. . . overgeset Door Petrum Dathenum ;
En op eenen Sleutel gestelt, door C. ■
de Leeuw. Mitsgaders De Christelicke i
Catechismns, etc. 2 pts. P. Losel, i
H. Brandt, D. Onder de Linden, O. van ■
Grafhorst, G. de Groot, P. Schouten, en .
Comp. : Amsterdam, [1761.' 4'.
1411. k. 14. ^2.) i
Het Boek der Psalmen; nevens de Ge-
zangen, by de Horormde Kei^ ingebndk :
aHen, volgens de gewoone zangwyzen, op
memr in dichtmaat gebzagt dmx een
Knustgeraootsch^ m^r de ziuspieak,
Laos Deo, sains popolo. Pieter Meijer :
Amsteldam, 176L 12*. 1411- b. 7. (2.)
De CL. PsiJmen Davids, in Nederdnitsche
ZangvetsBen, Oode en Nieuwe Bymen,
begrypoide d' Oode eertyds gerymt door
W. van Haagt : en de Nieuwe ... op be-
kende Kerkzangwyzen gestelt en gerymt
door J. T. Duisberg. AMtis geheel op be-
kende Zangwyzen, Benefiens Alle gewoone
Geestelyke Liederen, . . . ilet eenige
Nienw-geapprobeerde Liederen vermeer-
dert, etc. 3 pts. P. Losel, H. Brandt,
D. Onder de Lirjden, O. van Grafliorsi,
G. de Groot, P. Schouten. en Compagnie :
Amsterdam, 1761. 12*. i41L a. 9. (2.)
Het Boek der Psalmen, nevens de Ge-
zangen bij de Hervormde Kerk van
Nederland in gebruik, etc. 2 pts.
H. Brandt, D. Onder de Linden,
P. Schouten, de Wed. O. van Grafhorst,
J. de Groot, en Compagnie: Amsterdam,
1773. 12*. 141L IJ. a (2.)
Het Boek der Psalmen, nevens de Ge-
zangen bij de Hervormde Kerk van
Nederland in gebruik ; door last van de
Hoog Mogende Eeeren Staaten Generaal
der Vereenigde Nederlanden, uit drie
berijmingen, in den jaare 1773, gekooren,
met de noodige daar in gemaakte veran-
deringen. 2 pts. By de Erven de Wed.
J. Batelband, en J. Bouicer : Amsterdam,
1773. 12». 3436. £ 34.
'Another edition.] Het Boek der Psalmen,
nevens de Gezangen bij de Hervormde
Kerk van Nederland in Gebruik, etc.
2 pts. By de Erven de Wed.
■J. Batelbarul, en J. Bouicer: Amsterdam,
1773. 12*. 3041. aa. 23. (2.)
Tiiis edition is smaller in size and has
smaller type than the other one issued
by the same printers in 1773.
Het Boek der Psalmen, nevens de Ge-
zangen bij de Hervormde Kerk van
Ne&rland in gebruik, etc. 2 pts.
H. Brandt, D. onder de Linden,
P. Schouten, J. de Groot, en Compagnie :
Amsterdam, 1774. 8*. 1411. h. 10. (2.)
'Another edition.] Het Boek der Psalmen,
nevens de Gezangen bij de Hervormde
Kerk van Nederiand in gebrtuk, etc.
■2 pts. Pieter van Thol : 'S Gravenhage,
1774. 4'. 1411. k. 13. (2.)
Het Boek der Psalmen, nevens de Ge-
zangen bij de Hervormde Kerk van
Nederland in gebruik, etc. 2 pts.
By de Erven de Wed. J. Puitelband,
en J. Bouicer : Amsterdam, li i5. 12'.
3040. b. 23. (2.)
PSALMS '3. DUTCH, 1776-1797:— :4. ENGLISH, 1562-1563]
317
Het Boek der Psalmen, nevens de Ge-
zangen bij de Hervonnde Kerk van ^STeder-
land in gebruik, etc. H. Brandt,
D. onder de Linden, P. Schouten, de Wed.
O. van Grafhorst, J. de Groot, en Com-
vagnie : Amsterdam, 1776. 12'.
1411. b. 21. (2.)
Het Boek der Psalmen, nevens de Ge-
zangen bij de Hervormde Kerk van Neder-
land in gebruik . . . Mitsgaders de Chris-
telijke Catechismus, etc. 2 pts.
Johannes Enschede en Zoonen :
Haarlem, 1776. 12^. Case 65. g. 6. (2.)
Het Boek der Psalmen nevens de Ge-
zangen bij de Hervormde Kerk van 2>eder-
land in gebruik, etc. By de Erven de Wed.
J. Ratelband, en J. Bouicer : Amsterdam,
1776. 12-. 1411. b. 9. (2.)
Het Boek der Psalmen nevens Christ^lyke
Gezangen, Ten gebruike der gemeente
toegedaan de onveranderde Augsburgsche
Geloofsbelydenis, op nieuw in Dichtmaat
gebracht, clfc. (Kerkboek.) 2pts. H.Brandt,
P. Schouten, J. de Groot : en A. Losel :
Amsterdam, ^778.] 8".
3035. aa, 8. (2.)
Het Boek der Psalmen, nevens de Ge-
zangen bij de Henormde Kerk van
Nederland in Gebruik . . . Mitsgaders De
Christelijke Catechismus, etc.
Johannes Enschede en Zoonen :
Haarlem, 1778. 12'. 3040. b. 18. (2.)
Het Boek der Psalmen, nevens Christe-
lyke Gezangen, ten gebruike der Gemeente
toegedaan de onveranderde Angsburgsche
Geloot^belydcnis, etc. (Kerk-Boek.) 2 pts.
Pieter Meijer, Joh. Strander, en Ant.
EichJiom : Amsterdam, 1779. 8".
3090. ccc. 26.
Het Boek der Psalmen, nevens de Ge-
zangen bij de Hervormde Kerk van
Nederland in gebruik . . . Mitsgaders De
Christelijke Catechismus, etc.
Johannes Enschede en Zoonen :
Haarlem, 1780. 12». 3041. aa. 6. (2.)
Het Boek der Psalmen, nevens de Ge-
zangen bij de Hervormde Kerk van
Nederland in gebruik, etc. By de Erven
de Wed. J. Ratelband, en .J. Bouicer:
Avu^terdam, 1786. 8'. 3041. aa. 1. (2.)
Het Boek der Psalmen, nevens de Ge-
zangen bij de Hervormde Kerk van
Nederland in gebruik ; . . . IMitsgaders
De Christelijke Catechismus, etc.
Joh. Enschede en Zoonen :
Haarlem, 1787. 12^. 3040. a. 19. (2.)
Het Boek der Psalmen, nevens de Ge-
zangen bij de Her>ormde Kerk van
Nederland in gebruik, etc. By d' Erven
Hendrik van der Putte : Amsterdam,, etc.
1788. 4'. 3434. e. 18. (1.)
There is a second [engraved) title-page,
dated 1774.
Het Boek der Psalmen, nevens de Ge-
zangen bij de Hervormde Kerk van
Nederland in gebruik . . . Mitsgaders
De Christelijke Catechismus, etc.
Johannes Enschede en Zoonen :
Haarlem, 1789. 12«. 1411. b. 11. (2.)
Het Boek der Psalmen, nevens de Ge-
zangen bij de Hervormde Kerk van
Nederland in gebruik, etc. H. Brandt,
D. onder de Linden, J. de Groot, en X. T.
Gravius : Amsterdam, 1792. 12'.
3061. b. 30. (2.)
Het Boek der Psalmen, nevens de Ge-
zangen bij de Hervormde Kerk van
Nederland in gebruik, etc. By de Erven
de Wed. J. Ratelband, en J. Bouicer:
Amsterdam, 1792. 12".
3040. aa. 3. (2.)
Het Boek der Psalmen, nevens de Ge-
zangen bij de Hervormde Kerk van
Nederland in gebruik, etc. 2 pts.
J. de Groot, N. T. Gravius,
J. Brandt, en de Erve D. onder de Linden,
en Compagnie : Amsterdam, 1794. 12^.
1411. b. 12. (2.)
Het Boek der Psalmen, nevens de Ge-
zangen bij de Hervormde Kerk van
Nederland in gebruik, etc. J. Bouicer
en de Wed. J. Puitelband : Amsterdam,
1795. 8". 3035. a. 6. (2.)
Het Boek der Psalmen, nevens de Ge-
zangen bij de Hervormde Kerk van
Nederland in gebruik ; . . . Mitsgaders
De Christelijke Catechismus, etc.
Johannes Allart : Amsterdam, 170^. 12r.
1411. b. 22. (2.)
4. EXGLISH.
^The Whole Booke of Psalmes, collected
into Englysh metre by T. Stamhold I.
Hopkins & others: conferred with the
Ebrue, with apt Notes to synge thf;
withal. Faithfully perused and alowed
according to thordre appointed in the
Queues maiesties Iniunctions .*. ^ Very
mete to be vsed of aU sortes of people
priuately for their solace & comfort :
laying apart all vngodly Songes and
Ballades, which tende only to the nor-
ishing of vyce, and corrupting of youth,
etc. MS. SOTE 'bv Francis Fry].
[John Day : Lo'don, 1-562.^ 4".
Case 25. g. 3.
Imperfect, wanting 43 leaves {li^land 8;
A— 9 leaves ; B 1-8; C 1, 3, 4-6, 8 ;
D 1-8; L 1, 7, 8 and Et 1-7) sup-
plied in facsimile, also Ee 8 (probably
blank). »i< 7 is mended and restored
{partly in facsimile).
Contra Tenor (Tenor) (Medius) (Bassus) of
the whole psalmes in foure partes, whiche
may be song to al musicaU instrumentes,
set forth for the encrease of vertue : and
318
PSALMS [4. ENGLISH, 1563-1576]
abolishyng of other vayue and triflyng
ballades. 4 pts. John Day :
London, 1563. ohl. 4". K. 1. e. 2.
The Contra Tenor is imperfect, wanting
the last two leaves. The folloiviitg
composers arc navied : B. Brimle,
W. Parsons, T. Caustun, N. Souther-
ton, J. Hake, Talys, R. Edivards and
Shepherd.
[Another copy. Tenor.] K. 1. e. 3.
[Another copy. Medius.]
Case 40. m. 9. (2.)
Imperfect : tuanting all but title, pp. 71-
72, 75-78, 145, 146.
The Whole Booke of Psalmes collected
into Englyshe Meter, by T. Sternhold
J. Hopkins, and others, . . . with apt
Notes to sing them -witlial . . . whereunto
is added a short introduction to learne to
sjTig the Psalmes, etc. John Day :
I^ondon, 1564. 8". Case 36. a. 14.
[The Courte of Vertu : contayninge many
holy or spretuall songes, Sonettes, psalmes,
ballettes shorte sentences as well of holy
scriptures as others.] B. L. [Written by
John Hall.] Thomas Marshe :
London, 1565. 8". Case 57. aa. 33.
Wanting all quire A except the tico
inmost leaves. The title, which is
also missing in both the other knoivn
copies, is here given from the entry in
the Stationers' Registers.
The Whole Booke of Psalmes, collected
into English Meter by T. Sternhold,
I. Hopkins and others : c6f erred with the
Hebrue, with apt Notes to syng them
withall. Faithfully perused and allowed
accordyng to the Queues Maiesties Iniunc-
tions, etc. John Day :
London, 1565. fol. Case 12. i. 1. (3.)
The whole booke of Psalmes, collected
into Englishe Meter by T. Sternhold,
J. Hopkins and others, . . . with apt
Notes to sing them withaU. Newly set
forth and allowed to be song in all
Churches, of all the people together,
before & after morning & euenyng prayer :
as also before and after the Sermo, and
moreouer in priuate houses for their
godly solace and comfort, laying aparte
all vngodly songes and balades, which
tend onely to the nourishing of vice, and
corrupting of youth, etc. John Dai/ :
London, [1567.] fol. 3407. e. 7. (2.)
Waiiting all after sig. Sii.
The Whole Psalter translated into Eng-
lish Metre [by Archbishop Parker], which
contayneth an hundreth and fifty Psalmes,
etc. [With four-part settings of the eight
Tunes by T. Tallis.] John Daye :
London, [1567 ?] 4°. Gren. 12025.
424 nnmbcrcd pages, preceded by 25
unnumbered leaves. Page 424 is fol-
lowed by 24 unnumbered leaves. This
ivork teas never published, a few pre-
sentation copies only having been
distributed.
[Another copy.] Case 10. a. 3.
Imperfect ; luatiting the last eight leaves.
[Another copy.] Case 24. a. 5.
Imperfect ; wanting the title-page and
first six leaves. The title and six
stanzas of the address to the reader
are supplied in MS.
[The Whole Booke of Psalmes collected
into English Meter by T. Sternhold,
J. Hopkins and others, etc.'] lohn Day :
London, 1569, 16". 3090. aaaa. 4.
Imperfect ; ivanting tJie title-page and
fol. a. viii.
The Whole Booke of Psalmes, Collected
into Englishe Metre by T. Sternh. I.
Hopkins and others, . . . with apt Notes
to sing them withall, etc. lohn Daye :
London, 1572. 4°. 3434. d. 2. (2.)
This edition is printed ivith Day's ' new
Print of Note,' ivitJi letters ' ioyned by
euery Note.'
The Whole Booke of Psalmes, Collected
into Englishe Metre by T. Sternh. 1. Hop-
kins and others, . . . with apt Notes to
sing them withall, etc. lohn Daye :
London, 1573. 4". 337. b. 3. (2.)
Printed witli, Day's ' netv Print of Note.'
Imperfect, ivanting all after p. 62.
[The Whole Booke of Psalmes . . . with
apt Notes to sing them withall, etc.]
[J. Day : London, 1573 ?] fol.
Case 25. m. 4. (3.)
Imperfect, ivanting sig. A i and all after
sig. P Hi.
The Whole Booke of Psalmes Collected
into Englishe Metre by T. Sternh. I.
Hopkins and others, . . . with apt Notes
to sing them withall, etc. lohn Daye :
London, 1574. 4°. 337. b. 4. (2.)
Imperfect, ivanting sig. Hij, pp. 97, 98
and all after 106.
The Whole Boke of Psalmes collected
into Englishe Metre by T. Sternhold,
W. Whitingham, I. Hopkins, and others,
. . . with apt Notes to syng them withall,
etc. lohn Daye : London, [1575 ?] 4".
3405. b. 11. (2.)
Wanting the last leaf: pp. 1-4 are
mutilated.
The Whole Booke of Psalmes, collected
into englishe meter by T. Sternh. I. Hop-
kins and others, . . . with apt Notes to
sing them withall, etc. lolin Day :
London, 1576. fol. 347. c. 5. (2.)
The Whole Booke of Psalmes, Collected
into Englishe Metre by T. Sternh. I.
Hopkins and others, . . . with apt Notes
to sing them withall, etc. lohn Daye :
London, 1576. 8°. 3434. e. 45.
Imperfect, wanting all after p. 101.
PSALIMS [4. ENGLISH, 1578-1587]
319
The Whole Books of Psalmes, collected
into Englishe Metre by T. Sterh. [sic] I.
Hopkins and others, . . . with apt Notes
to sing them withall, etc. lohn Daye :
London, 1578. 4^ 465. a. 4. (2.)
Imperfect, ivanting H 1 ami all after sig.
HI.
The Psalmes of David in English meter
with Notes of foure partes set vnto them
by Guilielmo Daman, etc. Tenor. (Bassus).
2 pts. 1579. obi. 4^ See Damon (W.)
K. 4. c. 5.
The Whole Boke of Psalmes, collected
into Englishe IMetre by T. Sternhold, W.
Whitingham, I. Hopkins, and others : . . .
with apt Notes to sing them withall, etc.
lohn Dane : London, 1579. 4".
3434. c. 11.
The Whole Booke of Psalmes, collected
into englishe meter by T. Sternh. I.
Hopkins and others, . . . with apt Notes to
sing them withall, etc. lohn Day :
London, 1580. fol. 3406. e. 11. (2.)
The Whole Booke of Psalmes, collected
into English meter by T. Sternhold, I.
Hopkins and others, . . . with apt Notes
to sing them withall, etc. lohn Daye :
London, 1580. 4\ 347. a. 3. (2.)
[Another copy.] 218. e. 19. (3.)
The Whole Booke of Psalmes collected
into English meeter, by T. Sternehold,
I. Hopkins, and others : . . . with apte
notes to sing them withall, etc.
lohn Daye : London, 1581. 8°.
Case 36. b. 18.
The Whole Booke of Psalmes, collected
into English meter by T. Sternh. I.
Hopkins and others, . . . with apt Notes
to sing them withall, etc. lohn Day :
London, 1583. fol. 3434. g. 9.
[Another edition.] The Whole Booke of
Psalmes, collected into englishe meter by
T. Sternh. I. Hopkins and others, . . .with
apt Notes to sing them withall, etc.
lohn Day : London, 1583. fol.
342. b. 2. (2.)
Imperfect, wanting sig. I Hi, iv, and all
after I v.
[Another edition.] The Whole Booke of
Psalmes : Collected into english meeter
by T. Sternhold, I. Hopkins & others : . . .
with apt Notes to sing them withall, etc,
John Day : London, 1583. 8°.
3434. f. 25.
[Another edition.] The Whole Booke of
Psalmes. Collected into english meeter
by T. Sternhold, I. Hopkins & others : . . .
with apt Notes to sing them withall, etc.
John Day : London, 1583. 4°.
675. e. 18. (2.)
Seuen Sobs of a SorrowfuU Soule for
Sinne : Comprehending those seuen
Psalmes of . . . Dauid, commonly called
Poenitentiall : . . . reduced into meeter by
W. Hunnis, etc. 1583. 12\
See Hunnis (W.) Case 37. a. 7.
The Whole Booke of Psalmes, collected
into Englishe Metre by T. Sternhold, W.
Whitingham, I. Hopkins, and others : . . .
with apt Notes to sing them withall, etc.
lohn Daye : London, 1584. 4°.
Case 65. 1. 2. (2.)
[Another edition.] The whole Booke of
Psalmes, Collected into English Metre by
T. Stern. I. Hopk. and others, . . . with
apt Notes to sing them withall, etc.
lohn Daye : London, 1584. 8".
3433. bbb. 5.
The Whole Booke of Psalmes. Collected
into English meter by T. Sternh. I.
Hopkins and others, . . . with apt Notes to
sing them withall, etc.
Printed by the assignes of Bichard Day :
London, 1585. fol. 3425. dd. 3.
[Another edition.] The Whole booke of
Psalmes. Collected into English meeter
by T. Sternh. I. Hopkins and others, . . .
with apt notes to sing them withal, etc.
Printed by the Assignes of Richard Day :
London, 1585. 4°. Case 27. f. 8. (2.)
[Another edition.] The Whole Book of
Psalms... by T. Sternhold, I. Hopkins,
etc.] [The Assignes of Bichard Day?:
London, lb8£>?] 16". 3405. a. 17.
Imperfect, ivanting sig. A 1 and all after
Hh&.
Musike of Six, and Fiue partes. Made
vpon the common tunes vsed in singing
of the Psalmes, etc. 1585. obi. 4°.
See CosYN (J.) K. 8. b. 6.
The Whole Booke of Psalmes, collected
into English meeter by T. Sternhold, I.
Hopkins and others, . . . with apt Notes to
sing them withaD, etc. lohn Wolfe,
for tlie Assigns of Bichard Day : London,
1586. fol. 468. b. 11. (3.)
Wanting all after p. 194.
[Another edition.] The whole booke of
Psalmes, collected into English Metre by
T. Sternhold, I. Hopkins, and others, . . .
with apt notes to sing them withall, etc.
I. Wolfe for the Assignes of B. Day :
London, 1586. 8°.
Harl. MS. 987. flf. 261-315.
The Whole Booke of Psalmes, Collected
into English meetre by T. Sternhold, I.
Hopkins, and others, . . . with apt Notes
to sing them withall, etc. lohn Wolfe,
for the Assignes of Bichard Day : London,
1587. 4°. 3436. i. 14.
320
PSALMS [4. ENGLISH, 1587-1599?]
Seuen Sobs of a Sori-owfall Soule for
Sinne : Comprehending those seuen
Psahnes of . . . Daiiid, commonlie called
Pceuitentiall : . . . reduced into meeter by
W. Hunnis, etc. 1587. 12".
Sec Hunnis (W.) Case 39. a. 59.
The Whole booke of Psalmes Collected
into English meetre by T. Sternhold,
J. Hopkins, and others, . . . with apt Notes
to sing them withall, etc. Printed for
the Assignes of Richard Dai/ : London,
1538. 4°. 3089. ff. 18.
The whole booke of Psalmes, collected
into English Metre by T. Sternhold, I.
Hopkins, and others, . . . with apt notes
to sing them withall, etc. lohn Wolfe,
for the Assignes of Richard Day : London,
1591: 8». 3435. bb. 29.
The former Booke of the ]\Iusicke of
Mr. William Damon . . . conteining all
the tunes of Dauid's Psalmes . . . composed
into 4. parts. In which Sett the Tenor
singeth the Church tune, etc. (The second
Booke ... In which . . . the highest part
singeth the Church tune, etc.) Cantus.
2 pts. 1591. 4". See Damon (W.)
K. 3. m. 4.
The Whole Booke of Psalmes. Collected
into English meter by T. Sternh. I. Hopkins
and others : . . . with apt Notes to sing
them withall, etc. lohn Windct, for the
Assignes of Richard Day : London,
1592. fol. 3408. i. 10. (2.)
[Another edition.] The Whole Booke of
Psalmes. Collected into English meetre,
by T. Sternhold, J. Hopkins, and others, . . .
with apt Notes to sing them withall, etc.
John Windet for the Assignes of Richard
Dayc : London, 1592. 4". 3433. d. 10.
The Whole Booke of Psalmes : with their
Wonted Tunes, as they are song in
Churches, composed into fourc parts : All
which are so placed that foure may sing,
ech one a seueral part in this booke.
Wherein the Church tunes are carefully
corrected, and thereunto added other
short tunes vsually song in London . . .
Compiled by Sondry Authors, etc. [With
a Dedication and Preface by T. Est.]
T. Est, the assignc of W. Byrd :
London, 1592. 8". K. 2. c. 7.
TJie composers named arc : I. Farmer,
W, Cobbold, E. Blancks, E. Hooper,
G. Kirby, I. Douland, R. Allison,
M. Cavendish E. Jhonson and G.
Farnaby.
The Whole Booke of Psalmes : With their
Wonted Tunes, . . . composed into foure
parts . . . Compiled by X. Sondry Authors,
etc. Thomas Est, assignc of William Byrd :
London, 1594. 8°. Gren. 12151.
Songs and Psalmes composed into 3. 4.
and 5. parts, etc. 1594. 4°.
See MuNDY (J.) K. 2. a. 3.
The Whole Booke of Psalmes. Collected
into English meetre, by T. Sternhold,
J. Hopkins, and others, . . . with apt
Notes to sing them withall, etc.
John Windet for the Assignes of Richard
Dayc : London, 1594. 4°.
1411. e. 1. (3.)
The Whole Booke of Psalmes, Collected
into English meeter by T. Sternhold,
I. Hopkins and others, . . . with apt Notes
to sing them withall, etc, lohn Wiiulet,
for the Assignes of RicJiard Day : London,
1595. fol. 468. b. 10. (3.)
Lnperfect, wanting all (tfter fol. P G.
[Another copy.] Case 25. m. 5. (1.)
Lnperfect, luanting all after p. 149,
The Whole Booke of Psalmes. Collected
into English meetre, by T. Sternhold,
J. Hopkins, and others, . . . with apt Notes
to sing them withall, etc. John Windet
for the Assignes of Richard Daye : London,
1595. 4°. 3433. ce. 2. (1.)
The Whole Booke of Psalmes. Collected
into English meeter by T. Sternhold,
I. Hopkins and others, . . . with apt Notes
to sing them withall, etc. lohn Windet,
for the Assignes of Richard Day : London,
1597. fol. 464. e. 5. (3.)
Lnperfect, wanting all after p. 90.
The Whole Booke of Psalmes. Collected
into English meetre, by T. Sternhold, J.
Hopkins, and others, . . . with apt Notes
to sing them withall, etc. .John Windet
for the Assignes of RicJiard Daye : Lo)idon,
1598. 4". 3051. ce. 6. (3.)
Lnperfect, wanting tlie last leaf.
[Another edition.] The Whole booke of
Psalmes collected into English meetre by
T. Sternhold, W. Whittingham,I. Hopkins,
and others . . . with apt notes to sing them
withall, etc. lohn Windet, for the Assignes
of Richard Daye : London, 1598. 4".
Case 25. h. 7. (2.)
[Another edition.] The Whole booke of
Psalmes. Collected into English meetre
by T. Sternhold, W. Wittingham, I.
Hopkins, and others . . . with apt notes
to sing them withall, etc.
lohn windet, for the Assignes of RicJiard
Daye : London, 1598. 4°. 1220. f. 29.
Wanting 7 leaves at tJie end, containing
prayers and tJie table.
[The Whole Book of Psalms ... by T.
Sternhold, J. Hopkins, and others, etc.]
[J. Windet ? : London, 1598 ?] fol.
Case 25. 1. 10. (2.)
Lnperfect, loanting all before fol. 9 and
after S iiii.
The Whole Booke of Psalmes. With their
woonted Tunes, as they are sung in
Churches, composed into foure parts.
Compiled by sundrie Authors, etc,
W. Barley, tJie assigne of T. Morley :
London, [1599 ?] 16". 3434. a. 47.
PSALMS [4. ENGLISH, 1590-1604]
321
The whole Booke of Psalmes. Collected
into English meeter by T. Sternehold, L
Hopliins, and others : . . . with apt Notes
to sing them withall, etc. lohn Windct,
for file (tssigites of Richard Day : London,
1599. 32°. Case 18. a. 19.
The Bookc of Psalmes: Collected into
English Meeter, by T. Sternhold, I.
Hopkins, and others, . . . with apt Notes
to sing them withall, etc. "Deimfies of
Christopher Barker > : London, 159J ?] 4".
1111. h. 16. |2.)
[Another copy.] 1111. h. 1. (3.)
[Another edition, j The Booke of Psalmes :
Collected into English Meeter, by T. Stern-
hold, I. Hopkins, and others : . . . with apt
Notes to sing them withall, etc.
\ Deputien of Cliribtopher Barker'! : London,
1599 ?J 1". 346. a. 5. (2.)
Printed icith red lines on eaeJi page.
[Another edition. The Booke of Psalmes :
Collected into English IMecter, by T,
Sternehold, I. Hopkins, and others ; . . .
with apt Notes to sing them withall, etc.
{Deputies of Christopher Harker? : London,
1599 '?j 4"". 3051. d. 11. (2.)
[Another copy.] 3053. e. 2. (2.)
The Psalmes of Dauid in dieter. The plaine
Song, being the common tunne to be sung
and plaide vpon the Lute, Crpharyon,
Citterne or Base Violl, seuerally or alto-
gether, the singing part to be either Tenor
or Treble to the Instrument, according to ;
the nature of the voyce, or for fowre
voyces : With tenne short Tunnes in the
end, to which for the most part all the
I'salmes may be vsually sung . . . By
Kichard AUison, etc. Willia')n Barley,
the Assigne of Thomas Men-ley : London,
1599. fol. K. 7. f. 10.
The Booke of Psalmes : Collected into
English fleeter, by T. Sternehold, I.
Hopkins, and others : . . . with apt Notes
to sing them withaU, etc. [Deputies of
Christopher Barker ? ; London, 1600 ?] 4".
3052. bb. 18. (2.)
[Another copy.] 03051. f. 2. (2.)
[Another copy.] 337. b. 10. (2.)
The Whole Booke of Psalmes. Collected
into English mcetre, by T. Sternhold, -J.
Hokms [_sic'], and others, . . . with apt
Notes to sing them withall, etc.
John Windet for the Assignes of liieltard
Daye : London, 1001. 4".
3052. cc. 9. (4.)
[Another edition. J The whole booke of
Psalmes, collected into English Metre by
T. Sternhold, I. Hopkins, and others, . . .
with apt notes to sing them withall, etc.
lohn Windet, for the Assignes of Richard
Day : London, 1601. 8".
3408. bb. 5. (2.)
VOL. II.
The CL. Psalmes of David in ^Mcter, with
the Prose. For the vse of the Kirk of
Scotland, etc. Richard SeJtilders :
Middelburgli, 1602. 8". Case 25. c. 11.
The Psalmes of David in IMetre, with
Divers Notes, and Tunes augmented to
them. Also with the prose on the margen,
( tc. Richard Schildcrs : Middelburgli,
1602. 8". Gren. 20001.
The Whole booke of Psalmes, collected
into English ^Ictre by T. Sternhold, I.
Hopkins, and others, . . . with apt notes
to sing them withall, etc. lohn Windet,
for the Assignes of Richard Day : London,
'1602. 8". 339. a. 4. (2.)
The Whole Booke of Psalmes. Collected
into English mcetre, by T. Sternhold.
J. Hopkins, and others . . . with apt Notes
to sing them withall, etc. John Windet
for the Assignes of Richard Dai/e : I^ondon,
1602. 4". 3434. f. 26.
The Whole Booke of Psalmes, Collected
into English meeter by T. Sternhold, I.
Hopkins and others, . . . with apt Notes
to sing them withall, etc. lohn Windet,
for the As.'iignes of Richard Day : London,
1603. fol. ■ 3405. d. 5. (2.)
Wanting all after sig. Q 3.
[Another copy.] 3408. i. 12.
Imperfect ; wanting sigs. A 5, B 5, C 1,
E l", M 2-5, O, and all after F 6.
The Whole Bookc of Psalmes. Collected
into Pmglish meetre by T. Sternhold, J.
Hopkins, and, others, . . . with apt Notes
to sing them withall, etc. John Windet
for the Assignes of Richard Daye : London,
1603. 4". 340. b. 11. (3.)
Wa^iting all after sig. G 6.
The W^hole booke of Psalmes, collected
into English Metre by T. Sternhold, I.
Hopkins, and others, . . . with apt notes
to sing them withall, etc. lohn Windet,
for the Assignes of Richard Day : London,
1604. 8». 3433. b, 10.
The Whole Booke of Psalmes. Collected
into English meeter by T. Sternh., 1.
Hopkins and others, . . . with apt notes to
sing them with all, etc. Thomas Este
for the Companie of Stacioners : London,
1604. 4°. Case 25. h. 13.
The W'hole Booke of Psalmes. Collected
into English meeter by T. Sternhold, J.
Hopkins, and others, . . . with apt Notes
to sing them withall, etc. lohn Windet
for the Company of Stationers : London,
1604. 4". 1214. e. 2. (2.)
The Whole Booke of Psalmes: With their
Wonted Tunes, . . . composed into foure
parts : Being so placed, that foure may
sing each one a seuerall part in this
booke . . . Compiled by X. Sundry Authors,
etc. Tliomas Este, for the companie of
Stacioners : Lomlon, 1604. 8".
3433. b. 11.
322
PSALMS [4. ENGLISH, 1605-1612]
The Whole Booke of Psalmcs. Collected
into Euglish mecter hy T. Stcnihold, J.
Hopkius, aud others, ...with apt Notes
to slug them withall, etc. Impintcd for
the Comitany of Stationers : Loiidoii,
1605. 4\ ■ 3433. d. 11.
The colophon is elated 1607.
The Psalmes of David in Meetie, With
diners Notes and Tunes augmented to
them, etc. Fruited, for the ComjMnie of
Stationers: London, IG05. 8".
3433. b. 12.
Tlie Whole Book of Psalmes, Collected
into English meeter by T. Sternhold,
I. Hopkins and others, . . . with apt Notes
to sing them withall, etc. Printed for
Hie Coinixinic of the Stationers : London,
1605. fol. 3434. g. 10.
The Whole Booke of Psalmes, Collected
into English meeter by T. Sternhold,
I. Hopkins and others, . . . with apt Notes
to sing them withall, etc. Printed for
the Company of Stationers: London,
1C06. fol. 3434. g. 11.
Wanting sigs. P 1 and all after P 5.
The ^Yhole Booke of Psalmes. Collected
into English IMeeter by T. Sternhold,
I. Hopkins and others, . .'. with apt Notes
to sing them withall, etc. Imprinted
for the Company of Stationers: London,
1606. 4". Case 47. f. 2. (2.)
The Whole Book of Psalmes : Collected
into English Meeter by T. Sternhold,
I. Hopkins, and others, . . . with apt notes
to sing them withall, etc. Printed for
the Companic of Stationers : London,
1606. 8". 335. a. 11.
[Another edition.] The Whole booke of
Psalms collected into English ^Meetre by
T. Sternhold, I. Hopkins, aud others, . . .
with apt notes to sing them withall, etc.
Printed for the Companie of Stationers :
Londmi, 1606. 8°. 3436. aaa. 26.
The Whole Booke of Psalmes, Collected
into P^nglish meeter by T. Sternhold,
I. Hopkins and others, . . . with apt Notes
to sing them withall, etc. Printed for
the Company of Stationers: London,
lfi07. fol. 3425. n. 9.
The Whole booke of Psalmes collected
into English meetre by T. Sternehold,
W. W'hittingham, I. Hopkins, aud others
. . . with apt notes to sing them withall,
etc. Printed for the company of Stationers :
London, 1607. 4°. 3433. d. 12.
The Booke of Psalmes. Collected into
English ]\Ieetre by T. Sternhold, I. Hop-
kins aud others, . . . with apt Notes to
Sing them withall, etc. Printed for the
Companic of Stationers : London, 1608. 4".
3433. f. 7.
The whole booke of Psalmes collected
into English meeter by T. Sternhold I.
Hopkins, W. \Vhitiugham, and others,
. . . with apt notes to siugc them withall,
etc. Printed for the companicof Stationers :
London, 1608. 16°. 3435. a. 44.
The Whole Booke of Psalmes. Collected
into English I\Ieeter, by T. Sternehold,
I. Hopkins, and others . . . , with apt Notes
to sing them withall, etc. Printed far
tlie Companie of Stacioners : London,
1609. 4°. 3433. f. 8.
2'hc colophon is dated 1627.
The Booke of Psalmes, Collected into
English meeter, by T. Sternhold, I.
Hopkins, and others : . . . with apt Notes
to sing them withall, etc. Printed for
the Companic of Stationers: London,
1610. 4». 3433. d. 13.
Tlie Whole Booke of Psalmes. Collected
into English meeter by T. Sternhold
I. Hopk. aud others : . . . with apt notes
to sing them withall, etc. Printed for
the Company of Stationers : London,
1610. 8". 3435. aa. 36.
The Whole Booke of Psalmes. Collected
into English meeter by T. Sternhold,
I. Hopkins, and others. Imprinted for
the Company of Stationers: London,
1610. 32". ■ Case 27. a. 32.
The Whole Book of Psalmes : Collected
into English Meeter by T. Sternhold,
I. Hopkins, and others, . . . with apt notes
to sing them withall, etc. Printed for
the Companic of Stationers : London,
1611. 8". 339. a. 6. (2.)
The Whole Booke of Psakues. Collected
into English Meeter by T. Sternhold,
I. Hopkins and others, . . . with apt Notes
to Sing them withall, etc. Printed for
the Company of Stationers: London,
1612. fol. 341. d. 9. (2.)
The Booke of Psalmes, Collected into
English :\leetre by T. Sternhold, I. Hop-
kins and others : . . . with apt Notes to
sing them withall, etc. Imprinted for the
Companie of Stationers : London,l&12. 4".
3433. g. 3.
The \Vhole Booke of Psalmes. Collected
into English Meeter, by T. Sternehold,
I. Hopkins, and others, . . . with apt Notes
to sing them withall, etc. Printed for
tlie Company of Stationers : London,
1612. 4». 464. b. 1. (3.)
Wanting all after p. 84 [xohich is
mutilated).
The Book of Psalmes : Englished both in
Prose and Metre. With Annotations . . .
By H. A. (Henrv Ainsworth.) Giles Thorp :
Amsterdam, 1612. 4". 3436. ce. 35.
PSALMS [4. ENGLISH, 1612-1619]
823
The Whole Book of Psalmes : Collected
into English Meeter by T. Sternhold,
I. Hopkins, and others, . . . with apt notes
to sing them withall, etc. Printed for the
Companic of Stationers : London, l6l2. 8".
3433. c. 25.
The Whole Booke of Davids Psalmes.
Both in Prose and ^leetre : With apt
Notes to sing them withall. Printed fur
the Companii of tlic Stationers: London,
1612. 16". Case 65. b. 13.
The Whole Book of Psalmes : Collected
ipto English IMeeter by T. Sternhold,
I. Hopkins, and others, . . . with apt notes
to sing them withall, etc. Printed for the
Companic of Station<;rs : London, 161-3. 8".
3434. b. 5.
[Another copy.] Case 65. 1. 6. (3.)
[Another copy.] 1004. b. 6. (2.)
[Another copy.] 3053. b. 9. (2.)
Wanting pp. 09-102.
[Another edition. J The Whole Booke of
Psalmes . . . collected into English IMeeter
hy T. Sternhold, I. Hopkins, and others:
. . . with apt Notes to sing them withall,
etc. Printed for the Canipany of Stationers :
London, 1613. 8°. 1221. d. 17.
Wanting the last leaf of the table.
[Another copy.] 3437. cc. 12.
The Whole Booke of Psalmes : Collected
into English meeter, by T. Sternhold,
I. Hopkins, and others : . . . with apt
Notes to sing them withall, etc. Printed
for the Companic of Stationers : London,
1614. fol. 3406. e. 6.
Wanting all after fol. sig. QS.
The Booke of Psalmes, Collected into
Knglish Meetre by T. Sternhold, I. Hop-
kins and others : . . . with apt Notes to
sing them withall, c<c. hnprintcd for the
Companic of Stationers : London, IGli. 4".
1008. c. 12. (4.)
Watiting all after fol. sig. Hi.
[Another edition.] The Whole Booke of
Psalmes, Collected into English meetre
by T. Sternehold, W. Whittingham, I.
Hopkins, and others . . . with apt notes to
sing them withall, etc. Printed for the
Company of Stationers : London, 1614. 4".
3406. c. 9. (2 )
The Psalmes of David in Scottish meter :
After the forme that they are vsed to be
song in the Kirk of Scotland.
Andro Hart : Edinburgh, 1614. 8°.
3053. bbb. 32. (2.)
The Whole Booke of Davids Psalmes,
Both in Prose and Meetre : With apt
Notes to sing them withall. Printed for
the Company of the Stationers : London,
1615. 16". Case 65. a. 2. (2.)
Wanting all after fol. sig. E26, [j). 453.]
[Another copy.] 1410. a. 24. (2.)
Wcuiting all after p. 384.
[Another edition.] The Whole Book of
Psalmes : Collected into English fleeter
by T. Sternhold, I. Hopkins, and others,
. . . with apt notes to sing them withall,
etc. Printed for the Companie of Sta-
tioners : London, 1615. S". 1220." d. 4.
The CL. Psalmes of David, in Prose and
IMeeter : With their whole vsuall Tunes,
newly corrected and amended, etc.
Andro Hart: EdinburgJi, 1615. 8".
Case 65. k. 6.
Sacred Hymns. Consisting of Fifti Select
Psalms of David and others . . . set to be
sung in Five parts, etc. 1615. 4".
See Tailour (R.) K. 2. h. 14.
The Whole Booke of Psalmes. Collected
into English Meeter, by T. Sternehold,
I. Hopkins, and others, . . . with apt Notes
to sing them withall, etc.
Printed for the ComjKiny of Stationers :
Loiulon, 1614. 4». 1411. e. 2. (4.)
Wanting all after fol. sig. G 7.
[Another edition.] The Whole Booke of
Psalmes, Collected into English Meeter,
by T. Sternehold, I. Hopkins, and others,
. . . with apt Notes to sing them withall,
etc. Pri ntedfor the Compa n y of Stationers :
London, 1616. 4'. 341. b. 6. (3.)
^\'anting all after fol. sig. (1 5.
The Whole Booke of Psalmes. Collected
into English Meeter, by T. Sternehold,
I. Hopkins, and others, . . . with apt
Notes to sing them withall, etc.
Printed for the Company of Stationers :
London,lGn. 4". 3435. f. 19.
The Whole Book of Psalmes : Collected
into English Meeter by T. Sternhold,
I. Hopkins, and others, . . . with apt notes
to sing them withall, etc.
Printed for the Companie of Stationers :
London, 1617. 8". 3433. c. 26.
The Whole Booke of Psalmes. Collected
into English Meeter, by T. Sternhold,
I. Hopkins, and others, . . . with apt Notes
to Sing them withall, etc.
Printed for the Companie of Stationers :
Lofidon, 1618. fol. 346. d. 2. (4.)
The Whole Booke of Psalmes : Collected
into English IMeeter by T. Sternhold,
I. Hopkins, W. Whittingham, and others,
. . .with apt notes to sing them withall, etc.
Printed for the Companie of Statio)ters :
London, 1618. 12". 3408. a. 43. (2.)
The Booke of Psalmes. Collected into Eng-
lish IMeeter, by T. Sternhold, I. Hopkins,
and others : . . . with apt Notes to sing
them withall, etc.
Printed for the Company of Stationers :
Loiulon, 1619. 4". 14ll. e. 3. (2.)
Another copy.] Case 47. g. 4. (3.)
[Another copy.] 1409. i. 1. (2.)
Y 2
324
PSALMS [4. ENGLISH, 1019-1624]
[Auothcr cdition.J The Booke of Psalmes. I
Collected into English IMccter, hy T.
Sternehold, I. Hopkins and otheus : . . . i
with apt Notes to sing them withall, etc.
Imprinted for the Company of Stationers :
London, 1G19. 4°. Case 45. e. 15. (4.)
Wanting all after p. 110. |
The Whole Booke of Psalmes. Collected, 1
into English Meeter, By T. Sternhold, |
I. Hopkins, and others: . . . with apt
Notes to Sing them withall, etc.
Printed for the Companie of Stationers :
London, 1619. fol. 3406. e. 14. (3.)
The Whole Book of Psalmes: Collected
into English ]\Ieetei- by T. Sternhold, |
I. Hopkins, and others, . . . with apt notes
to sing them withall, etc.
Printed for tlie Companie of Stationers :
London, 1619. 8". 3408. bbb. 1. (2.)
[Another edition.] The Whole Booke of
Psalmes. Collected into English meeter ;
by T. Sternhold, I. Hopk. and others : . . .
with apt notes to sing them withall, etc.
Printed for the Companij of Stationers : j
[London, 1619.] 8". 3435. b. 21.
The Whole Booke of Psalmes : Collected
into English Meeter by T. Sternhold,
I. Hopkins, W. Whittingham, and others,
. . . with apt notes to sing them withall, etc.
Printed for the Companie of Stationers :
London, 1619. 24". 3051. a. 5. (2.)
The Whole Book of Psalmes : Collected
into English meeter, by T. Sternhold,
I. Hopkins, and others . . . : with apt
notes to sing them withall.
Printed for the Companie of Stationers :
London, 1620. 4". Case 66. e. 17. (2.)
The Whole Book of Psalmes : Collected
into English ]\Ieeter by T. Sternhold,
I. Hopkins, and others, . . . with apt
notes to sing them withall, etc.
Printed for tJie Companie of Stationers :
London, 1620. 8". 3051. b. 20. (3.)
The Whole Book of Psalmes : Collected
into English meeter, by T. Sternhold,
I. Hopkins, and others . . . : with apt
notes to shig them withall.
T'rinted for the Companie of Sfati<jners :
London, 1621. 4". Case 64. del. 1. (3.)
Wanting all after fol. S'J.
The Whole Booke of Psalmes: with the
Hymnes Evangelicall . . . Composed into
4. parts by sundry Authors, r/f. 1621. 8'\
See Ravenscroft (T.) K. 8. c. 23.
[Another copy.] K. 8. c. 24.
The Whole Booke of Psalmes : Collected
into English Meeter by T. Sternhold,
I. Hopkins, W. Whittingham, and others,
. . . with apt notes to sing them withall, etc.
Printed for the Companie of Stationers :
London, 1621. 12". Case 65. i. 1. (2.)
The Whole Booke of Psalmes ; Collected
into English meeter by T. Sternhold,
I. Hopkins, and others, . . . with apt notes
to sing them withall, etc.
Printed for the Company of Stationers :
Loiulon, 1621. 16". 3437. a. 12.
The Whole Book of Psalmes: Collected
into English Meeter by T. Sternhold,
I. Hopkins, and others, . . . with apt notes
to sing them withall, etc.
Printed for the Companie of Stationers :
London, 1622. 8". 3433. b. 13.
Another edition.] The Whole Book of
Psalmes: Collected into English Meeter
by T. Sternhold, I. Hopkins, and others,
. . . with apt notes to sing them withall, etc.
Printed for the Companie of Stationers :
London, 1622. 8". 3090. i. 9.
The Whole Booke of Psalmes. Collected
into English Meeter, by T. Sternhold,
I. Hopkins, and others, . . . with apt
Notes to sing them withall.
Printed for the Company of Stationers :
London, 1622. 12". 1016. d. 18.
The Whole Booke of Psalmes: Collected
into English Meeter, by T. Sternhold,
I. Hopkins, and others, . . . with apt
Notes to sing them withall, etc.
Printed for the Companij of Stationers :
London, 1623. 4°. 1008. c. 13. (4.)
The Whole Booke of Psalmes : Collected
into English Metre, with apt Notes to
sing them withall, etc. Cantrell Legge :
Cambridge, 1623. 8". 1016. d. 19.
The Whole Book of Psalmes: Collected
into English IMeeter by T. Sternhold,
T. Hopkins, and others, . . . with apt
notes to sing them withall, etc.
Printed for the Companie of Stationers :
London, 1623. 8". 3090. i. 8.
[Another edition.] The Whole Booke of
Psalmes, with the Prose on the TMargin.
Collected into English Meeter byT. Stern-
hold, I. Hopkins, and others . . . with apt
notes to sing them withall, etc.
Printed for the Companij of Stationers :
London, 1623. 8". Case 47. c. 20.
The Whole Booke of Psalmes. Collected
into English Meeter, by T. Sternehold,
i. Hopkins, and others, . . . with apt Notes
to Sing thom withall, etc.
Imprinted for the Companie of Stationers :
London, 1624. fol. 3052. eee. 11. (2.)
The Whole Booke of Psalmes : Collected
into English Meeter, by T. Sternehold,
I. Hopkins, and others, . . . with apt Notes
to sing them withall, etc.
Printed for the Company of Stationers :
London, 1624. 8°. 3089. ff. 14.
[Another edition.] The Whole Booke of
Psalmes. Collected into English meeter
PSALMS [4. ENGLISH, 1624-1629]
325
by T. Sternhold, I. Hopk. and others : . . .
•with apt notes to sing them withall, eic.
Printed for the Company of Stationers :
\_Lo7idon,] 1624. 8".-
3090. aaaa. 3. (3.)
The Whole Booke of Psalmes. Collected
into English meeter, by T. Sternhold,
I. Hopkins, and others : . . . with apt
Notes to sing them withall, etc.
Printed for the Companie of Stationers :
London, 1625. fol. Case 25. m. 10. (2.)
The Whole Book of Psalmes : Collected
into English meeter, by T. Sternhold,
I. Hopkins, and others . . . : with apt
notes to sing them withall.
Printed for the Companie of Stationers :
London, 1625. 4». 3437. g. 38.
[Another edition.] The Whole Booke of
Psalmes. Collected into English Meeter,
bv T. Sternhold, I. Hopkins, and others,
.". . with apt Notes to sing them withall,
etc. Printed for the Company of Stationers :
London, 1625. 4". 3089. ff. 17.
The Whole Booke of Davids Psalmes.
Both in Prose and Meetre. With apt
notes to sing them withall.
Printed for the Company of Stationers :
London, 1625. 16". 3090. a. 19.
The Whole Booke of Psalmes. Collected
into English Meeter, by T. Sternhold,
I. Hopkins, and others, . . . with apt
Notes to sing them withall, etc.
Printed for the Company of Stationers :
London, 1626. 4». 1411. e. 5. (4.)
Imperfect, wanting all after fol. sig. G 7.
The Whole Book of Psalmes: Collected
into English Meeter by T. Sternhold,
I. Hopkins, and others, . . . with apt notes
to sing them withall, etc.
Printed for the Companie of Stationers :
London, 1626. 8". 217. a. 7. (2.)
[Another edition.] The Whole Book of
Psalmes: Collected into English ]Meeter
by T. Sternhold, I. Hopkins, and others,
. . . with apt notes to sing them withall, etc.
Printed for the Companie of Stationers:
London, 1626. 8". 3405. bb. 24. (2.)
The Whole Booke of Psalmes ; Collected
into English meeter by T. Sternhold,
I. Hopkins, and others, . . . with apt notes
to'sing them withall, etc.
Printed for the Compami of Stationers :
London, Hd2&. 16". ' " 3437. b. 9.
[Another copy.] Case 65. i. 6.
Li this copy the colophon is dated 1627.
The Whole Booke of Psalmes: Collected
into English IMeeter by T. Sternhold,
I. Hopkins, W. Whittiugham, and others,
. . . with apt notes to sing them withall, etc.
Printed for the company of Stationers :
Lor.don, 1626. 24°. 3436. a. 19.
The Whole Booke of Psalmes. Collected
into English meeter, by T. Sternhold,
I. Hopkins, and others : . . . with apt Notes
to sing them withall, etc.
Printed for the Companie of Stationers :
London, 1627. fol. 3434. g. 12.
The Whole Book of Psalmes : Collected
into English Meeter by T. Sternhold,
I. Hopkins, and others, . . . with apt notes
to sing them withall, etc.
Printed for the Companie of Stationers :
London, 1627. 8". 3050. a. 43. (4.)
The Whole Booke of Psalmes : Collected
into English Meeter by T. Sternhold,
I. Hopkins, W. Whittingham, and others,
. . . with apt notes to sing them withall, etc.
hnprintcd for the Company of Stationers :
London, 1627. 24".
Case 65. i. 7. (1.)
The Whole Booke of Psalmes. Collected
into English meter by T. Sternhold,
I. Hopkins, and others.
hnprinted for the Company of Stationers :
London, 1627. 32». 3434. a. 49.
The Whole Booke of Psalmes : Collected
into English Meeter by T. Sternhold,
I. Hopkins, and others, . . . with apt notes
to sing them withall, etc.
Printed for the Companie of Stationers :
London, 1628. 8". 3407. a. 14. (2.)
Wanting pp. 93-4.
The Whole Book of Psalmes: Collected
into English Meeter by T. Sternhold,
I. Hopkins, and others . . . with apt notes
to sing them withall, etc.
Printed by the Printers to the Universitie
of Cambridge : [Cambridge,'] 1628. 8".
3436. bbb. 44.
The Whole Booke of Psalmes : Collected
into English IMeeter by T. Sternhold,
I. Hopkins, W. Whittingham, and others,
. . . with apt notes to sing them withall, etc.
hnprinted for the Co^npany of Stationers :
London, 1628. 12". Case 48. a. 3.
The Whole Booke of Davids Psalmes,
Both in Prose and JNIeetre. With apt
Notes to sing them withall.
Printed for the Company of Stationers :
London, 1628. 16". 3435. a. 42.
The Whole Book of Psalmes: Collected
mto English Meeter, by T. Sternhold,
J. Hopkins, and others, . . . with apt notes
to sing them withall, etc.
Thomas and John Buck :
Cambridge, 1629. fol. 4. d. 9. (2.)
[Another copy.] 3035. e. 3. (3.)
The Whole Booke of Psalmes: Collected
into English Meeter, by T. Sternhold,
I. Hopkins, and others : . . . with apt
Notes to sing them withall, etc.
Printed for the Company of Stationers :
Lmdcm, 1629. fol. 1896. a. 13. (3.)
326
PSALMS [4. ENGLISH, 1629-1632]
The Whole Booke of Psalmes. Collected
into English meeter, by T. Sternhold,
I. Hopkins, and others: . . . with apt
Notes to sing them withall, etc.
Printed for the Comixmie of Stationers :
London, 1629. fol. 3406. e. 15. (2.)
The Whole Booke of Psalmes. Collected
into English IMeeter, by T. Sternhold,
I. Hopkins, and others, . . . with apt
Notes to sing them withall, etc.
Printed for the Company of Stationers :
London, 1629. 4". Case 47. f. 13. (4.)
The Whole Booke of Psalmes, with the
Prose on the Margin. Collected into
English Meeter by T. Sternhold, I. Hop-
kins. Set forth ... to be sung in all
Churches, etc. Printed for the
Comnanii of Stationers: London, 1629. 8".
^ ' 1221. d. 20.
The ' Prose on the Margin ' has been cut
by the binder throughout.
The Whole Booke of Psalmes. Collected
into English Meeter by T. Sternhold,
I. Hopkins, W. Whittingham, and others,
. . . with apt notes to sing them withall,
etc. Imprinted for the Company of
Stationers : London, 1629. 12".
Case 38. b. 40. (2.)
[The Whole Booke of Psalmes. Collected
into English meeter, by T. Sternhold,
J. Hopkins, and others . . . with apt notes
to sing them withall, etc.] [Printed for tlie
Company of Stationers : London, 16292] 4".
1220. h. 18. (2.)
Wanting tho title-page and all after sig.
KG. Tlris edition closely resembles the
quarto of 1630 (3433. d. 14), but some
pages arc differently set tip.
The Whole Booke of Psalmes. Collected
into English meeter, by T. Sternhold,
I. Hopkins, and others : with apt Notes
to sing them withall, etc.
Printed for the Companie of Stationers :
London, 1630. fol. 3434. g. 13.
The Whole Book of Psalmes: Collected
into English meeter, by T. Sternhold,
J. Hopkins, and others, . . . with apt notes
to sing them withall, etc.
Thomas and John Bucl< :
Cambridge, 1630. 4". 3051. cc. 7. (4.)
The Whole Booke of Psalmes ; Collected
into English meeter. By T. Sternhold,
I. Hopkins, and others . . . with apt notes
to sing them withall, etc. Printed for the
Company of Stationers: Ij(>ndo)i,16'S0. 4".
3433. d. 14.
The Whole Book of Psalmes: Collected
into English Meeter by T. Sternhold,
I. Hopkins, and others, . . . with apt notes
to sing them withall, etc. Printed for the
Companie of Stationers : TMudon, WW 8".
3435. e. 10.
[Another edition.] The Whole Book of
Psalmes: Collected into English Meeter
by T. Sternhold, I. Hopkins, and others,
. . . with apt notes to sing them withall,
etc. [Printed for the
Companie of Stationers: J^ondon, 162,0.] 8".
1005. b. 3. (6.)
Wanting the last leaf. The titk-page is
mutilated.
The Whole Booke of Psalmes Collected
into English Meeter by T. Sternhold,
I. Hopkins, W. Whittingham ; . . . with
apt notes to sing them withall, etc.
Imprinted for the Companij of Stationers :
London, 1630. 12". Case 65. b. 8. (2.)
Wanting pp. 178-182.
[Another copy.] Case 65. i. 2. (2.)
The Whole Booke of Psalmes. Collected
into English meeter, by T. Sternhold,
I. Hopkins, and others : . . . with apt
Notes to sing them withall, etc.
Printed for- the Companie of Stationers :
London, 1631. fol. 3434. g. 14.
The Whole Booke of Psalmes. Collected
into English Meeter, by T. Sternhold,
I. Hopkins, and others, , . . with apt Notes
to sing them withall, etc. W. S.,foi- the
Company of Stationers : London, 1631. 4".
3053. dd. 8. (3.)
Wanting all after fol. sig. 6 6.
The Whole Booke of Davids Psalmes,
Both in Prose and Meetrc. With apt
Nots [sic] to sing them withall.
W. S., for the Ccnnpcmy of Stationers :
London, 1631. 16". 3434. a. 50.
The Whole Booke of Psalmes. Collected
into English meeter by T. Sternhold,
I. Hopkins, and others. Imprinted for the
Cmipany of Stationers : London, 16S1. 32".
Case 65. a. 6.
The colophon is dated 1632.
All the French Psalm tunes with English
words. Being a Collection of Psalms
Accorded to the verses and tunes generally
vsed in the Reformed Churches of France
and Germany, etc. Thomas Harper, n-ith
permission of the Compiany of Stationers :
London, 1632. 12". 3435. aaa. 27.
The Whole Booke of Psalmes. Collected
into English IMeeter by T. Sternhold,
1. Hopkins and others, . . . with apt Notes to
Sing them withall. etc. P. Badger for the
Cmnpann of Stationers : London, 16S2. fol.
341. d. 7. (2.)
[Another copy.] 344. a. 8.
Wanting the last leaf.
[Another copy.] 3405. g. 11. (3.)
With red lines on each page. Wanting
the last leaf.
[Another copy.]
1894. a. 7. (4.)
PSALMS [4. ENGLISH, 1632-1636]
327
The Whole Book of Psalmes: Collected
into English Meeter by T. Sternhold,
I. Hopkins, and others, . . . with apt notes
to sing them withall, etc. G. M. for the
Companie of Stationers : Loiulon, 1632. 8".
3433. d. 15.
[Another copy.] 3052. b. 23. (3.)
Wanting pp. 85-94.
[Another edition.] The Whole Book of
Psalmes : Collected into English ^Nleeter
by T. Sternhold, I. Hopkins, and others,
. . . with apt notes to sing them withall,
etc. Printed for the Companie of Stationers :
London, 1632. 8". 3434. d. 35. \
!
The Whole Booke of Psalmes. Collected \
into English meeter, by T. Sternhold,
I. Hopkins, and others : . . . with apt Notes
to sing them withall, etc. Printed for the
Companie of Stationers : London,lG3'd. fol.
3405. d. 4. (2.)
The Booke of Psalmes, Collected into
English Meeter, by T. Sternhold, I. Hop-
kins, and others : . . . with apt Notes to
sing them withall, etc. I. L. for the
Company of Stationers : Tjondon, 1633. 4".
■ " 1411. e. 10. (4.)
The Whole Booke of Psalmes : . . . Com-
posed into 4. parts by sundry Authors . . .
Newly corrected and enlarged, etc.
1633. 8". See Ravenscroft (T.)
B. 520. a.
[Another copy.] 3434. b. 9.
The Whole Book of Psalmes: Collected
into English jMeeter by T. Sternhold,
I. Hopkins, and others, . . . with apt notes
to sing them withall, etc. (r. M. for the
Companie of Stationers : London, 1633. 8".
3090. de. 20.
The Whole Booke of Psalmes. Collected
into English meeter by T. Sternhold, I.
Hopkins, and others. Imprinted for the
Company of Stationers : London, 1633. 32".
Case 17. b. 27.
In an embroidered binding and bag,
with a silk bookmarker icith woven
jwrtraits of Charles I. and the
inscription : ' Frcnn Prison Bring
Youre Captive King.'" A pair of
embroidered gloves of the period, ac-
quired at the same time as the Psalter,
are kept tcith it.
The Psalms of David, in Prose and Metre :
With the Forme of Discipline, and
Prayers, according to the Church of Scot-
land, etc. Edward Raban,
For David Melvill : Aherdcne. 1633. S°.
221. c. 7.
[Another copy.] 473. a. 1.
[The Whole Book of Psalms : collected
into English metre by T. Sternhold,
J. Hopkins, and others . . . with apt notes
to sing them withall, etc.}
Imprinted for the Company of Stationers :
London, 1634. 4". 340. b. 7. (4.)
Wanting title-page, sig. G4 and 5.
The Whole Booke of Psalmes Collected
into English Meeter by T. Sternhold,
I. Hopkins, W. Whittingham, and others ;
. . .with apt notes to sing them withall, etc.
Imprinted for the Company of Stationers:
London,l(JU. 12". Case 36. a. 28. (2.)
[Another copy.] Case 65. a. 15. (2.)
In a chased silver binding.
The Whole Book of Psalmes: Collected
into English Meeter by T. Sternhold,
I. Hopkins, and others, . . . with apt notes
to sing them withall, etc. G. M. for the
Companie of Stationers : London, l&M. 8".
335. b. 1. (4.)
The CL Psalmes of David, in Prose and
Meeter: with thir whole usuall Tunes
newly corrected and amended.
The Heires of Andrew Hart :
Edinburgh, 1634. 16". 3433. a. 13.
The Psalmes of David in Prose and
Meeter. With their whole Tunes in foure
or mo parts, and some Psalmes in Reports,
etc. The Heires of Andreiv Hart :
Edinburgh, 1635. 8". 3433. c. 27.
The Whole Booke of Psalmes. Collected
into English Meeter, by T. Sternhold,
I. Hopkins and others, . . . with apt Notes
to sing them withall, etc. A. G. for the
Company of Stationers : London, 1635. 4".
3434. f. 27.
[Another edition.] The Whole Booke of
Psalmes: Collected into English meeter.
By T. Sternhold, I. Hopkins, and others
. . . with apt notes to sing them withall,
etc. T. P. for the Company of Stationers :
London, 1635. 4". 3433. d. 16.
The Whole Booke of Davids Psalmes, Both
in Prose and INIeeter. With apt notes to
sing them withall. T. C. for the
Company of Stationers : London, \&i5. 16°.
Case 46. a. 19. (2.)
[Another copy.] Case 27. a. 33.
The Booke of Psalmes, Collected into
English Meeter, by T. Sternhold, I. Hop-
kins and others : . . . with apt Notes to
sing them withall, etc. I. L. for the
Company of Stationers : London, 163 i. 4".
^ "^ 1215. h. 7. (2.)
Wanting the last leaf.
[Another copy.] 341. b. 1. (4.)
With red lines on each page.
The Whole Book of Psalmes. Collected
into English Meeter, By T. Sternhold,
I. Hopkins and others . . . with apt notes
to sing them withall. Printed for the
Company of Sta fiuners : London , 1636. 4".
^ ' 3407. c. 16. (2.)
[Another copy.] 3405. bbb. 3.
328
PSALIMS [4. ENGLISH, 1636-1638]
[Another copy.]
[Another copy.]
[Another copy.]
The Psalmes of King David: translated
by King James. TJionias Harpi'r :
London, 1686. fol. Case 36. g. 2. (3.)
6. d. 1.
Gren. 12088. (3.)
Case 36. g. 1.
[The Whole Book of Psalms. Collected
into English metre by T. Sternhold, J.
Hopkins, and others. . .with apt notes to
sing them withall, etc.] [London,
1636?] fol. 468. b. 12. (3.)
Wanting the title-page and all after
p. 145.
The Whole Book- of Psalmes : Collected
into English Meeter by T. Sternhold, I.
Hopkins, and others,. . .with apt notes to
sing them Vi'ithall, etc.
Ct. M. for tlie Companie of Stationers :
London, 1636. 8". 3020. aaa. 12.
[Another edition.] The Whole Book of
Psalmes : Collected into English Meeter
by T. Sternhold, I. Hopkins, and others,
. . .with apt notes to sing them withall,
etc. G. M. for the Companie of Stationers :
London, 1636. 8". 3433. d. 17.
The Whole Booke of Psalmes. Collected
into English Meeter by T. Sternhold, I.
Hopkins, W. Whittiugham, and others
...with apt Notes to sing them withall,
etc. hnprinted for the CompcDnj
of Stationers : London, 16oG. 24".
Case 65. i. 3. (2.)
[Another edition.] The Whole Book of
Psalmes : Collected into English metre,
by T. Sternhold, J. Hopkins, and others,
...with apt notes to sing them withall,
etc. B. L. Tlic printers to the Univer-
sitie of Cambridge : [Cambridge,'] 16S1. 4".
3405. c. 1. (2.)
The Whole Book of Psalmes ; Collected
into English metre, by T. Sternhold, J.
Hopkins, and others,. . .with apt notes to
sing them withall, etc. Thomas Buck,
and Roger Daniel : Cambridge, 1637. 4".
3052. cc. 7. (2.)
The Whole Booke of Psalmes. Collected
into English Meeter, by T. Sternhold, I.
Hopkins and others. . .with apt notes to
sing them withall.
Printed for the Company of Stationers :
London, 1637. 4". 472. a. 10. (2.)
[Another edition.] The Whole Booke of
Psalmes. Collected into English Meeter,
by T. Sternehold, J. Hopkins, and others,
. . .with apt Notes to sing them withall,
etc. B. L.
A. G. for the Company of Stationers :
London, 1637. 4". 3053. e. 1. (4.)
The Whole Book of Psalmes : Collected
into English Meeter by T. Sternhold, I.
Hopkins, and others,. . .with apt notes to
sing them withall, etc.
G. M. far the Companie of Stationers :
London, 1637. 8". Case 15. a. 7. (5.)
[Another edition.] The Whole Book of
Psalmes: Collected into English Meeter
by T. Sternhold, I. Hopkins, and others,
with apt notes to sing them withall, etc.
G. M. for the Companie of Stationers :
London, 1637. 8°. 3406. b. 10. (2.)
The Whole Booke of Psalmes. Collected
into English Meetre by T. Sternhold, I.
Hopkins, and others :. . .with apt notes to
sing them withall, etc. B. L.
Printed for the Company of Stationos :
[Londo}i,] 1637. 8°. 3022. e. 3. (2.)
The colophon reads : ' London. Printed
bii T. P. for the Compahyof Stationers,
1637.'
The Whole Booke of Psalmes ; Collected
into English Meeter by T. Sternhold,
I. Hopkins, and others,. . .with apt notes
to sing them withall, etc.
Printed for tJie Companii of Stationers :
London, 1637. 16". " " 3435. a. 7.
The Whole Booke of Psalmes. Collected
into English meeter by T. Sternhold, I.
Hopkins, and others.
Imprinted for the Companii of Stationers :
London, 1637. 32". Case 65. h. 5.
Wanting the last leaf, contaitiing the
coloplion.
The Whole Booke of Psalmes. Collected
into English Meeter by T. Sternehold,
J. Hopkins and others,. . .with apt Notes
to Sing them withall, etc. E. Griffin and
I. Raicortlt, for the Compani/ of Stationers :
London, 16:38. fol. 466. g. 2. (5.)
The Whole Book of Psalmes, Collected
into English metre, by T. Sternhold,
J. Hopkins, and others, . . . with apt notes
to sing them withall, etc.
Thomas Buclc and Roger Daniel :
Cambridge, 1638. fol. 3053. g. 9. (3.)
The Whole Book of Psalmes. Collected
into English ]Meeter by T. Sternhold,
I. Hopkins, and others :. . .with apt notes
to sing them withall, etc.
I. H. for the Company of Stationers :
London, 1638. fol. 3434. g. 8.
Wanting fol. sig. Q 1 and all after Q 3.
The Whole Book of Psalmes: Collected
into English ]Meeter by T. Sternhold,
I. Hopkins, and others,. . . with apt notes
to sing them withall, etc.
G. M. for the Companie of Stationers :
London, 1638. 8". 676. a. 2. (2.)
[.\nother copy.]
3050. b. 37. (3.)
PSALMS [4. ENGLISH, 1638-1642]
[Another edition.] The \Vhole Book of
Psalmes : Collected into English IMeeter
by T. Sternhold, I. Hopkins, and others,
. . . with apt notes to sing them withall, etc.
G. M. for the Companie of Stationers :
London, 1638. 8°. 1409. e. 18. (2.)
[Another copy.] 3050. b. 36. (3.)
[Another copy.] Case 65. 1. 4. (3.)
The Whole Booke of Psalmes : Collected
Into English Meter by T. Sternhold,
J. Hopkins, W. Whittingham, and others,
. . .with apt Notes to sing them withall, etc.
Imprinted for the Covipany of Sfatioiicr.'i:
London, 1638. 24". 3405. aa. 5. (2.)
A Paraphrase upon the Psalmes . . . Set to
new Tunes, etc. 1638. fol.
,sv,,- Lawes (H.) 3104. c. 8.
The Whole Book of Psalmes, Collected
into English metre, by T. Sternhold, J.
Hopkins, and others, , . . with apt notes to
sing them withall, etc. Thomas Buck and
Roger Daniel: Cambridge, IG'dd. 4".
3433. d. 19.
The Booke of Psalmes, Collected into
English Meeter, by T. Sternhold, 1.
Hopkins and others : . . . with apt Notes to
sing them withall, etc. Printed fir
the Company of Stationers: London,
1639. 4". 3049. d. 1. (2 )
The Whole Book of Psalmes : Collected
into English Meeter by T. Sternhold,
1. Hopkins, and others, . . . with apt notes
to sing them withall, etc. G. M. for
the Companie of Stationers: London,
1639. 8". " 339. a. 11. (4.)
[Another edition.] The Whole Booke of
J'salmes. Collected into English Meeter
Sternhold, I. Hopkins, and others,
. . with apt notes to sing them withall, c/r.
G. M. for the Companie of Stationers .-
London, 1639. 8". 3433. c. 28.
The Whole Booke of Psalmes. Collected
into English IMeeter by T. Sternhold,
I. Hopkins, and others : . . . with apt
notes to sing them withall, etc.
E. G. for the Company of Stationers :
London, 1640. fol. 3434. g. 15. (2.)
[Another copy.] 3407. e. 8. (3.)
[Another copy.] Case 61. k. 5. (2.)
The Whole Book of Psalmes. Collected
into English Meeter By T. Sternhold,
I. Hopkins, and others . . . with apt notes
to sing them withall. Printed for
the Company of Stationers: London,
1640. 4°. 692. d. 5. (2.)
The coloplion gives the name of the
printer, I. Okes.
The Whole Book of Psalmes : Collected
into English Meeter by T. Sternhold,
I. Hopkins, and others, . . . with apt
notes to sing them withall, etc.
G. ]\f. for Oie Ctmpanie of Stationers :
London, 1640. S\ 339. a. 10. (3.)
byT
The Whole Book of Psalmes: Collected
into English Meeter by T. Sternhold,
I. Hopkins, and others : . . . with apt notes
to sing them withall, etc. B. Bishop
for the Company of Stationers : London,
1640. 8". 219. g. 13. (3.)
The Whole Book of Psalmes, in Prose
and Meeter, etc. (The CL. Psalmes of
David, In Prose and IMeeter : With their
whole usuall Tunes newly corrected &
amended.) 2 pts. James Bryson :
Edinburgh, 1640. 16". 843. c. 8.
The Whole Booke of Psalmes: Collected
into English Meter by T. Sternhold,
J. Hopkins, W. Whittingham, and others,
. . . with apt Notes to sing them withall, etc.
I. L.for the Company of Stationers:
London, 1640. 24°. 3433. a. 14.
A Psalme of Thanks-giving to be sung by
the Children of Christs Hospitall on
jMonday in the Easter Holy-dayes . . .
1641. 1641. s.sh.iol. .SV-tiWHKN. When
exil'd Hagars waters fail'd.
669. f. 4. (5.)
A Psalme of Thanks-giving to be sung by
the Children of Christs Hospitall, on
Tuesday in the Easter Holy-dayes . . .
1641. 1641. .s.i7(.fol. .SwWhkx. When
lacobs heires thou didst direct.
669. f. 4. (6.)
The whole Booke of Psalmes, Collected
into English Meeter, by T. Sternehold,
I. Hopkins, and others, . . . with apt Notes
to sing them withall, etc.
E. G. for tlui Company of Stationers :
Lotulon, 1641. 4». 346. a. 1. (3.)
The Whole Book of Psalmes. Collected
ini.-> English Meeter, By T. Sternhold,
I. Hopkins, and others . . . with apt notes
to sing them withall.
Printed for the Company of Stationers :
London, 1641. 4°. 473. a. 10. (2.)
Th^ colophon reads : ' Printed by I. Okes,
for the Company of Stationers 1640.'
The Whole Book of Psalmes: Collected
into English IMeeter by T. Sternhold,
I. Hopkins, and others, . . . with apt notes
to sing them withall, etc.
G. il/". for the Companie of Stationers :
London, 1611. 8\ 683. e. 13. (4.)
[Another copy.]
335. b. 5. (2.)
The Whole Booke of Psalmes : Collected
into English Meter by T. Sternhold,
J. Hopkins, W. Whittingham, and others,
. . .with apt Notes to sing them withall, etc.
M. F. for tJie Company of Stationers :
Londmi, 1641. 24°. Case 65. i. 9.
The Whole Booke of Psalmes : Collected
Into English Meter by T. Sternhold,
J. Hopkins, W. Whittingham, and others,
. . .with apt Notes to sing them withall, etc.
^[. F. for the Company of Stationers.
1642. 24". ' 3434. a. 51,
330
PSALMS [4. ENGLISH, 1643-1654]
A Psalme of thanks-giving, to be sung by
the Children of Christs Hospitall, on
Munday in the Easter Holy dayes . . . 1643.
1643. s. sh. fol. See By. By teares spent
Mothers in distresse, etc.
Case 20. f. 4. (42.)
The Whole Book of Psalmes : Collected
into English Meeter by T. Sternhold,
I. Hopkins, and others, . . . with apt notes
to sing them withall, etc.
G. M. for the Companie of Stationers :
London, 1642. 8°. 3021. aa. 17. (2.)
The Whole Booke of Davids Psalmes
Both in Prose and Meeter. With apt
notes to sing them withall.
R. C. for the Company of S^t^ationcrs :
London, 1643. 16". 3436. a. 45.
[Another copy.]
Case 17. a. 24.
The Booke of Psalmnes : Englished both
in Prose and Metre. With Annotations,
. . .By H. Ainsworth. 2 pts.
TJiomas Staffoixl : Amsterdam, 1644. 8".
3089. bb. 6.
The Whole Book of Psalmes : Collected
into English metre, by T. Sternhold,
I. Hopkins, and others,. . .with apt notes
to sing them withaU, etc. Roger Daniel :
Cambridge, 1645. 4°. 3050. ee. 4. (2.)
The Book of Psalms in IMetre, lately
translated, with many whole ones, and
choice Collections of the old Psalms added
to the first Impression . . . And now much
augmented ... all following the common
Tunes at this day used in, and about
London. . .By William Barton, etc.
Printed for G. M. : London, 1645. 12".
3436. bbb. 4.
The Book of Psalms in Metre, Lately
translated ... Now much augmented and
amended with the cream and flower of
the best Authors, all following the common
Tunes at this day used in, and about
London. . .By W. Barton, etc. G. M. :
London, 1645. 12". 3436. bbb. 4.
The WHiole Book of Psalmes, Collected
into English Meeter by T. Sternhold, I.
Hopkins, and others,. . .with apt notes to
sing them withall, etc. G. M. for the
Companie of Stationers : London, 1646. 8°.
3433. bbb. 6.
[Another edition.] The Whole Booke of
Psalmes. Collected into English Meetre
by T. Sternhold, I. Hopkins, and others:
with apt notes to sing them withall, etc.
I. L. for the Company of Stationers :
[London,] 1646. 8°. 3434. de. 3.
Tlie colophon reads: 'London, Printed
by W. Wilson, for the Company of
Stationers, 1646/
The Whole Booke of Psalmes : Collected
into English Metre by T. Sternhold, I.
Hopkins and others . . . with apt notes to
sing them withall, etc. E. G. for the
Company of Stationers : London, 1646. 16°.
Case 65. hh. 3.
The colophon reads : ' London, Printed
by W. Wilson, for the Company of
Stationers, 1646.' hi a contemporary
embroidered binding.
The Whole Book of Psalmes : Collected
into English Meeter by T. Sternhold,
I. Hopkins, and others,. . .with apt notes
to sing them withall, etc. A. M. for the
Companie of Stationers : London, 16^7. 8".
3053. aaa. 25. (3.)
[Another edition.] The Whole Booke of
Psalmes. Collected into English Metre
by T. Sternhold, I. Hopkins, and others . . .
with apt notes to sing them withall, etc.
I. L. for the Company of Stationers :
London, 1647. 8". 3433. b. 16.
Choice Psalmes put into Musick, for Three
Voices, etc. 1648. 4°.
See Lawes (H.) and (W.) K. 3. h. 18.
A Paraphrase upon the Psalmes of David, by
G[eorge] S[andys]. Set to new Tunes, etc.
1648. 8°. See Lawes (H.) 11623. e. 6.
The Whole Book of Psalmes: Collected
into English Meeter by T. Sternhold, I.
Hopkins, and others,. . .with apt notes to
sing them withall, etc. A. M. for the
Companie of Stationers : London, 1648. 8".
3433. b. 17.
The Whole Book of Psalmes : Collected
into English Meeter, by T. Sternhold,
J. Hopkins and others, etc. Printed for
the Companie of Stationers: London,
1649. 8". 3435. ce. 2.
All the French Psalm tunes with English
Words. Being a Collection of Psalms
According to the verses and tunes gener-
ally vsed in the Reformed Churches of
France and Germany, etc. [London'!']
1750. 16". 3438. ee. 25.
The Psalmes of David, from The New
Translation of the Bible Turned into
Meter : To be Sung after the Old Tunes
used in the Churches. Ed. Gri ftin :
London, 1651. 12". E. Pam. 1280.
With a second {engraved) title-page.
The Whole Book of Psalmes : Collected
into English ]\Ieeter by T. Sternhold, I.
Hopkins, and others, etc. A. M. for the
Companie of Stationers : London, 1653. 8".
1407. g. 7. (3.)
The Book of Psalms in Metre. . .trans-
lated by W. Barton. To be sung in usuall
and known Tunes. Fitted for the ready
use, and understanding of all good Chris-
tians. By W. Barton, etc. R. Daniel
and W. Du-Gard ; London, 1654. 12".
3434. b. 12.
PSAL]MS [4. ENGLISH, 1656-1700]
331
Choice Musick to the Psalmes of Dauid
for Three Voices with a continuall Base,
etc. 1656. ohh 12°. Sec Child (W.)
K. a a. 11.
The Whole Booke of Psalmes Collected
into English JMeeter by T. Sternhold, J.
Hopkins, and others :. . .with apt notes to
sing them withall, etc. S. G. foi- the
Company of Stationers : Lo)idon, 1661. fol.
3406. e. 17. (2.)
The whole Book of Psalms Collected into
English Mooter by T. Sternhold, J. Hop-
kins, and others:. . .with apt Notes to
Sing them withall, etc. T. N. for the
Company of Stationers : Lotidon, 1669. fol.
' ■ 468. b. 13. (3.)
Psalms & Hymns in Solemn Musick of
Foure Parts on the Common Tunes to the
Psalms in Jletre, etc. 1671. fol.
See Playford (.J.) K. 1. i. 19.
A Paraphrase upon the Psalms ... By G.
Sandys. Set to New Tunes . . . And in this
Edition. . .Revised and Corrected. . .by J.
Playford. 1676. 8°. See Lawes (H.)
1076. m. 7.
The Whole Book of Psalms... in Three
Parts, etc. 1677. 8". See Playford (.T.)
C. 6.
The Psalms of David in iletre. Newly
Translated. With Amendments : By W.
Barton,. . .And Sett to the best Psalm-
Tunes In Two Parts, viz. Treble and Bass ;
...By T. Smith, t'/c. J. Brent
and S. Powell: Dublin, [1680?] 12".
3438. e. 59.
The Book of Psalms in Metre... To be
sung in usual and known Tunes. Newly
Translated with Amendments . . . By
William Barton, e/c. 2 pts. Printed for
the Company of Stationers : London,
]6S2. 12". 3434. b. 15.
[Another copy. Pt. l.J 1411. b. 15.
A New and Easie INIethod to Learn to
Sing by Book . . . furnished with variety
of Psalm Tunes in Parts, etc. 1686. 8°.
See Mkthod. 1042. d. 13.
The whole Book of Psalms. Collected
into English IMeter, by T. Sternhold,
J. Hopkins, and others . . . with apt Notes
to Sing them withal, etc.
J. M. for the Company of Stationers :
London, 1687. fol. " 3434. h. 2.
The Whole Book of Psalms, As they are
now sung in the Churches : with the
Singing Notes of Time and Tune Set to
every Syllable, etc. [With a Dedication
signed : T. M.] R. Everingham
for the Company of Stationers : London,
1688. 12". 3433. b. 22.
The Whole Book of Psalms . . . The Second
Edition, Corrected and Amended.
1695. 8\ Sec Playford (J.) C. 6. a.
The Book of Psalms in Metre. Close
and Proper to the Hebrew : Smooth and
Pleasant for the Metre. To be Sung in
Usual and Known Tunes. Newly Trans-
lated ... By W. Barton, etc.
Tho. Snowden, for the Company of
Stationers : London, 1696. 12°. 843. f. 2.
The Whole Book of Psalms . . . The Third
Edition, Corrected and Amended.
1697. 8". See Playford (.J.) C. 6. b.
The Whole Book of Psalms . . . The
Fourth Edition, Corrected and Amended.
1698. 8". See Playford (J.) C. 6. c.
The Psalms of David, in English I\Ietre ;
Translated from the Original, And Suited
to all the Tunes now Sung in Churches :
with the Additions of several New. By
L. Milbourne, etc. Printed for
W. Boners, etc. : London, 1698. 12°.
3434. b. 21.
The Psalms of David in ^letre : Fitted to
the Tunes used in Parish-Churches. By
J. Patrick, etc. (The Tunes of the Psalms.)
2 pts. Printed for
A. and J. Churchill . . . and L. Meredith :
London, 1698. 12". 3434. bb. 37.
[Another copy.] 3434. aaa. 29.
Wanting pp. 225-6.
[Another copy.] 3433. b. 25.
A New Version of the Psalms of David,
Fitted to the Tunes Used in Churches.
By N. Tate and N. Brady. The Second
Edition corrected. (The Tunes of the
Psalms.) 2 pts.
M. Clark, for the Company of Stationers :
London, 1698. 12°. 3434. bbb. 59.
The ' Tunes of the Psalms ' arc ' Printed
by J. Heptinstall f(yr Henry Playford.'
[Another copy.] 3434. b. 20.
Wanting pp. xiii, xiv, xxiii and xxiv.
The Whole Book of Psalms . . . The Fifth
Edition, Corrected and Amended.
1699. 8°. See Playford (.J.) C. 6. d.
The Psalm-Singer's Necessary Compa-
nion : Being, A Collection of most Single
and Double Psalm-Tunes now in Use,
with Full Directions how to Sing them ;
with the Bassus, Counters, Trebles and
Medius's. Composed by able blasters . . .
The Second Edition.
J. Heptinstall, for Henry Phodrs :
London, 1700. 8°. A. 620. w.
A Choice Collection of Psalm-Tunes . . .
Taught by W. Anchors. [1700?] obi. 8".
See Anchors (W.) A. 1019.
The Psalme Tunes. In Four Parts . . . the
fourth Edition, etc. (The Second Book.
Containing the Treble and Conter-Tenor,
etc.) 2 pts. 1700. 12°. Sec Barber (A.)
3406. aaaa. 23. (2.)
The Whole Book of Psalms . . . The Sixth
Edition, Corrected and Amended.
1700. 8°. See Playford (J.) C. 6. e.
332
PSALMS [4. ENGLISH, 1701-1718]
The Psalms of David in Metre ; fitted to
the Tunes used in Parish-Churches. By
J. Patrick, etc. (The Tunes of the Psalms.)
Printed for L. Meredith: London,
1701. 12°. 218. b. 9.
The Whole Book of Psalms . . . The
Seventh Edition, Corrected and Amended.
1701. Q\ See Playford (J.) C. 6. f.
A Supplement to the New Version of
Psalms by Dr. Brady and Mr. Tate ; Con-
taining, The usual Hymns, Creed, Lords
Prayer, Ten Commandments, with their
Tunes : Hymns for the H. Sacrament, &c.
Psalms of Particular iMetre's with Tunes
and Gloria Patri's. Also a Collection of
the Proper and Common Tunes . . . The
3d Edition Corrected and Enlarg'd.
W. Pearson, for Daniel Broivn :
London, 1702. 12". ' A. 620. u.
The Whole Book of Psalms ... The Eighth
Edition, Corrected and Amended.
1702. 8°. See Playford (J.) C. 6. g.
The Metre Psalm Tunes, etc.
1702. oU. 4°. See Wanlebs (T.) a. 121.
The Christians Daily Manual of Prayers
and Praises. In Two Parts . . . The
Second containing a Course of Select
Psalms and Hymns, with their Proper
Tunes, etc.
J. Hcptinstall for Tho. Neichoroiigh :
London, 1703. 12°. 3457. d. 29. (1.)
The Book of Psalms in English ]\Ietre.
The Newest Version fitted to the Common
Tunes. By C. Darby, etc. S. Bridge,
for T. Parkhiirst : London, 1704. 12°.
3436. g. 18.
Select Psalms and Hymns for the Use of
the Parish-Church and Chappel of St.
James's, Westminster. The Sixth Edition.
J. Heptinstall, for the Canqyanij of Sta-
iioners: London, llOi. 12°. A.'Sll. g.
The Book of Psalms in IMetre ... To be sung
in usual and known Tunes. Newly trans-
lated, with Amendments . . . By William
Barton, etc. Ann Sinncden, for the Com-
panii of StationeiH : London, 110[). 12°.
Case 65. e. 12.
The Psalms of David in Metre . . . Newly
Translated ... By W. Barton ... Set to
the best Psalm-Tunes, In Two Parts, Viz.
Treble and Bass ; . . . The Second Edition,
Corrected and Amended. With the
Basses. By T. Smith, etc. J. Brocas, for
E. Dcrpson, T. Servant . . . and P. Law-
rence: Dublin, 1106. 12°. 3425. aa. 11.
A Supplement to the New Version of
Psalms by Dr. Brady and Mr. Tate ;
. . . The Sixth Edition, Corrected, and
much Enlarged : With the Addition of
Plain Instructions . . . near 30 New Tunes,
composed by several of the Best Masters ;
and a Table of Psalms, etc. JoJin Nntt :
[London,] 1708. 8". 1220. g. 4. (2.)
The Divine Companion . . . Being a Choice
Collection of New and Easy Psalms,
Hymns and Anthems . . . The Third
Edition, etc. 1709. 8°.
See Playfobd (H.) B. 655. a.
The Whole Book of Psalms . . . The Tenth
Edition, Corrected and Amended.
1709. 8°. Se<'. Playford (J.) C. 6. j.
A Sett of New Psalm Tunes, in Four
Parts, etc. [1710 ?] 8°.
See Bishop (J.) of Winchester. C. 523.
A Collection of Psalm Tunes in Four
Parts. Fitted to the Old or New Version.
With Five Anthems in Four Parts.
Cantus. (Counter Tenor.) (Tenor.)
(Bassus.) 4 pts. London, 1711. 8°.
C. 524.
The Devout Singer's Guide ; containing
all the Common Tunes now in Use, with
Select Portions of the Psalms adapted to
each Tune, etc. 1711. 8°.
See Warner (D.) A. 468.
A Supplement to the New Version of
Psalms by Dr. Brady and Mr. Tate ; con-
taining the Psalms in Particular Measures ;
the usual Hymns . . . with Gloria Patri's,
and Tunes (Treble and Bass), proper to
each of them ... The Seventh Edition,
Corrected, etc. J- Nntt :
In the Savoy [London], 1712. 18°.
3434. b. 2. (2.)
The Whole Book of Psalms . . . The
Twelfth Edition, Corrected and Amended.
1713. 8°. See Playford (J.) C. 6. 1.
The Whole Book of Psalms . . . The
Thirteenth Edition, Corrected and
Amended. 1715. 8". ,Sa' Playford (J.)
C. 6. m.
The Whole Book of Psalms . . . The
Fourteenth Edition, Corrected and
Amended. 1717. 8°. ,§«' Playford (.1.)
C. 6. n.
A Supplement to the New Version cf
Psalms by Dr. Brady and Mr. Tate;
. . . The Eight Edition, Corrected, etc.
Eliz. Nntt : hi the Savoy [London^,
1717. 12". 3433. aaa. 11.
[Another edition.] A Supplement to the
New Version of Psalms. By Dr. Brady
and Mr. Tate ; ... the Eighth Edition,
Corrected, c/c. B. Ware: London,
[1717?] 8". 3434. e. 46.
The Psalms of David in Metre : Fitted to
the Tunes used in Parish-Churches. By
J. Patrick, etc. Printed fur
W. Churchill, etc. : London, 1718. 12".
3433. aaa. 12.
The Psalm-Singer's Necessary Companitn.
Containing . . . above Sixty . . . Psalm-
Tunes in Two Parts, etc. 1718, 8°.
a. 95.
PSALMS [4. ENGLISH, 1718-1730?]
333
A Book of Psalmody, containing Variety
of Tunes for all the Common Metres of
the Psalms in the Old and New Versions
. . . All set in Four Parts ... By
J. Chetham. 1718. 8".
Sec Chktham (J.) B. 611. f.
A Collection of Tunes, suited to the various
Metres in IMr. Watts's Imitation of the
Psalms of David, or Dr. Patrick's Version ;
... To which is added an Introduction to
I'salmodv, . . . with several Tunes never
before Published. [Edited by W, L.]
W. Pearson, for J. Clark, etc.: London,
1719. IS". A. 620.
The Whole Book of Psalms . . . The Fif-
teenth Edition, Corrected and Amended.
1719. 8". iSVcPLAYFORD (J.) C. 6. o.
A Further Guide to Parish Clarks : . . .
Being a full account of all the Psalm
Tunes, and what Psalms are sung to each
oi them, etc. 2 pts. [1720 ?] 8'.
Sec Warnkk (D.) K. 4. c. 17.
:Melodies Proper to be Sung to any of the
Versions of y" Psalms of David, Figur'd
for the Organ ; . . . the Treble of each
Melody Transpos'd for the Flute. [Edited
by P. Hart. J Printed and Sold at the
Mtisick-Shops : London, [11 'lO. 12".
a. 120.
TJic compi.>iiers na)ned are : P. Hart,
Dr. Crofts, J. Milton, S. Stubbs,
Courtivill, T.Ravenscroft, J. Doicland,
G. Farnaby and Eerhii.
[Another copy.] a. 120. a.
Melopeia Sacra or a Collection of Psalms
and Hymns by Mr. Addison and S' John
Denham, etc. "[1721.| fol.
Sec Po>EK (A.) L 198.
The Divine Companion . . . The Fourth
Edition, with large Additions. 1722. 8".
See Playfokd (H.) B. 655. b.
The Whole Book of Psalms . . . The Six-
teenth Edition, Corrected and Amended.
1722. 8". Sec Playford (J.) C. 6. p.
A Book of Psalmodv, etc. 1723. S'\
See Barp.kr (R.) and (J). C. 492. b.
An Introduction to Psalmody ... To which
is added a select Number of y'= best Psalm
Tunes extant, etc. [1723 ?] 8».
Set- Church (-1.) B. 834.
The Christian Sacriiice of Praises, Con-
sisting of Select Psalms and Hymns, with
. . . Proper Tunes. For the Use of the
Religious Society of Romney. Collected
by the Author of the Christian's Daily
Manual. William Pearson, for John Wijat :
London, 172-1. 12°. 3434. cc. 6.
[Another copy.] 3457. d. 29. (2.)
The Psalms of David in ]\Ietre : With the
Tunes used in Parish Churches. By J.
Patrick . . . The Seventh Edition.
Printed for D. Brown : London, 1724. 12".
1018. k. 6.
A Book of Psalmody, etc. The Third
Edition. 1724. 8". ' See Chetham (J.)
B. 611.
An Introduction to the Skill of I\Iusick
. . . Anthems, Hymns and Psalm-Tunes,
etc. 1721. 4". See Bktts (E.) B. 376.
The Spiritual Man's Companion. Con-
taining . . . Tunes fitted to all the difierent
]Measurcs of Psalms, etc. [1724 ?] 4".
See HoLDROYD (I.) B. 639.
The Whole Book of Psalms . . . The Seven-
teenth Edition, Corrected and Amended.
1724. 8". .See Playford (J.) C. 6. q.
A Supplement to the New Psalm Book,
etc. [1725. 1 Sec Bishop (J.) of Winchester.
B. 616.
The Divine Musick Scholar's Guide, with
the Famous I\Ir. Tho. Ilavenscroft's Psalm
tunes ... To which is added a Choice
Collection of new Psalm tunes, etc.
[1725?] oW. 4". 6fee TiMBRELL (F.)
A. 980.
A Book of Psalmody, Containing ... a
select number of Psalm-tunes, etc.
[1725 ?] obi. 4". See Wilkins (M.)
A. 992. a.
The Psalm Singer's choice Companion, etc.
1727. 8". See Barbkii (H.) at Castlcton.
C. 492 a. (1.)
A Choice Collection of i'salm-Tunes, etc.
1728. 8". Sec Birch (J.) Psalmodist.
B. 615.
The Psalms of David, Imitated in the
Language of the New Testament . . . By
I. Watts . . . The Seventh Edition. (Tunes
in the Tenor Part Fitted to the Several
^Metres, etc.) Printed for J. Clark . . .
li. Hett . . . and li. Ford : London.
1729. 12". 3437. f. 4.
The tu)ics are engraved and have separate
pagination.
The Pious Recreation : containing a New
Sett of Psalm-Tunes, in Three Parts, etc.
1729. 8". See Richardson (W.)
C. 496.
The Whole Book of Psalms . . . The
Eighteenth Edition . . . Corrected and
Amended. 1729. 8". .SVc Playford (J.)
C. 6. r.
A Book containing groat Variety of An-
thems . . . likewise, a Sett of Psalm-Tunes,
etc. [1730 ?] 8°. See Street (J.)
C. 102. a.
A Book of Psalmody, Containing a choice
Collection of Psalm-Tunes, etc.
ri730?l obi 4". See Wilkins (M.)
A. 992.
Harmonia Perfecta : A . . . Collection of
Psalm Tunes, etc. 1730. 8".
See Gawthorn (N.) C. 708.
A New Book of Psalmody, etc. [1730 ?] 8".
Seelii-Li.(J.)ofLijdd. E. 1385.
334
PSALMS [4. ENGLISH, 1730?-1745?]
Select Psalms and Hymns for the Use of
the Parish-Church, and Chappels belonging
to the Parish of St. James's Westminster.
With proper Tunes in three Parts.
W. Pearson, fur the Covqmnij
of Stationers : London, [1730 ?J fol.
'' C. 566. gg.
A Book of Psalmody . . . The Fourth
Edition, etc. 1731. 8°. See Chetham (J.)
B. 611. a.
Psalmody Epitomiz'd : Being a Brief
Collection of . . . Psalm-Tunes ... In Four
Parts . . . The Second Edition, etc.
1731. 8°. See Stanfield (E.)
C. 732. h.
The Spiritual Man's Companion . . . Con-
taining . . . Tunes fitted to . . . the different
^Measures of the Psalms . . . The Third
Edition, etc. 1733. 4".
See HoLDROYD (I.) B. 639. a.
The Psalms of David ... By I. Watts . . .
The Ninth Edition. (Tunes in the Tenth
Part Fitted to the Several ]\Ietres, etc.)
MS. ADDITIONS.
Printed for R. Ford . . . and li. Heit :
London, 1734. 12". 3433. bb. 10.
The tunes are engraved and Imve separate
imgination.
A Book of Psalmody. . .The Fifth Edition,
etc. 1736. 8". See Chetham (J.)
B. 611. b.
Divine Recreations, Being a Collection of
Psalms, Hymns, and Canons, in Two,
Three, and Four Parts : with Easy, Grave,
and Pleasant Tunes adapted to each of
them. To bo continued Quarterly.
Part I.(-III.) etc. 3 pts. A. Pearson :
London, 173G(-7). 8°. C. 478.
The ixigination is contimious. The only
composers named are H. Purcell, W.
Bird, Jeremiah Clarke, St. Jefferis,
Creighton and Tallis.
The Psalms of David ... By I. Watts . . .
The Eleventh Edition. (Tunes in the
Tenor Part Fitted to the Several Metres,
etc.) Printed for R. Ford . . .
and R. Rett : London, 1737. 12".
3436. bbb. 10.
Tlie tunes are engraved and have separate
pagination.
A Book of Psalmody . . . The Ninth
Edition, etc. 1738. 8". Sec Green (J.)
C. 73. a.
A Sett of New Psalm-Tunes, etc.
1738. 8". Sec Knapp (W.) B. 647. d.
The Whole Book of Psalms . . . The
Nineteenth Edition . . . Corrected and
Amended, etc. 1738. 8".
See Playford (J.) C. 6. s.
Sacred Mirth : or The Pious Soul's Daily
Delight. Being, a Choice . . . Collection
of Psalms, etc. 1739. 8°.
Sec Tans'i'R (W.) C. 101.
A Choice Collection of Twenty-four Psalm-
Tunes . . . Collected ... by ]\I. Broome, etc.
ri740 ?1 ol)l. 4". See Broome (M.)
A. 902.
The Divine Companion . . . Being a Choice
Collection of Psalms, etc. [1740 ?] 8".
See Divine Companion. C. 111.
The Divine Musick Scholar's Guide.
Being a Choice Collection of Psalm-Tunes,
etc. 1740. 8". See Srbeve (J.)
B. 677.
The Psalms of David in Metre. Collected
out of the principal Versions now in Use.
To which are Added, Hymns, particularly
designed for the Lord's-Supper.
S. Powell, for A. Bradley : Dublin,
1740. 12". 3436. g. 24.
Select Psalms and Hymns for the Use of
the Parish-Church, and Chapels belonging
to the Parish of St. James Westminster.
With proper Tunes in three parts.
B. Crcake, for the Company of Stationers :
London, iniO^ 12". 3437. c. 30.
A Supplement to the New Version of
Psalms, by Dr. Brady, and Mr. Tate . . .
The Tenth Edition, Corrected, etc.
A. Pearson, for R. Ware: Loiuloa,
[1740.] 12". 3433. b. 7.
[Another copy.] 3405. aaa. 2. (3.)
The Compleat Psalmodist, etc. 1741. 8".
See Arnold (J.) C. 380. h.
The Psalms of David in ]\Ielre : With the
Tunes used in Parish-Churches. By J.
Patrick . . . The Eighth Edition. 2 pts.
Printed for J. WaWioo, etc. : London,
1742. 12". 7437. c. 17.
A Compleat ^Melody : ... In Three Books.
Containing ... II. The Psalms of David
New Tun'd, etc. 1743. obi. 4".
See Tans'ur (W.) A. 479. e.
A Book of Psalmody . . . The Seventh
Edition, e^c. 1745. 8". Sec Chetham (J.)
B. 611. g.
A Collection of Church IMusick, etc.
[1745 ?1 obi. 4". See Wilkins (E.)
A. 904.
A Collection of Psalm Tunes with Basses
fitted for the Voice and figured for the
Organ, for the Use of Gosport in
Hampshire. [With a dedication by C.
Woodmanson.] J. Simpisoii :
London, [1745 ?] 8". B. 370. r. (1.)
A Collection of Tunes in three Parts, tliat
are now us'd in the several dissenting
Congregations in Loudon fit to bind up
with Dr. Watts's Psalms, Together with
an Introduction for the use of Learners.
Printed for . . . Tlios. Knibb : London,
[1745?] 8". A. 511. e.
Psalmody : or a Collection of Psalm Tunes,
etc. [1745 ?] obi. 4°.
Sec Alcock (J.) Doctor in Music.
A. 1014.
PSALMS [4. ENGLISH, 1746-1755]
335
The Spiritual Man's Companion : Con-
taining. . .Tunes fitted to. . .the different
^Measures of the Psalms . . . The Fourth
Edition, etc. 1746. 4".
See HoLUKOYD (I.) B. 639. c.
A Book containing great Variety of
Anthems . . . Likewise a Set of Psalm-
Tunes, in Four Parts . . . The Second
Edition, with Additions. 1746. 8".
See Stbeet (J.) C. 102.
The Whole Book of Psalm-Tunes, in Four
Parts, and the Names of the several
Authors who composed Them. Collected
hy T. Ravenscroft. . .Newly done in a Fair
Large Character : the Whole being drawn
out in Score. . .corrected from several
gross Errors in the former Edition. By
W. Turner. To which is added, An
Historical Account of Music in General,
etc. Printed for J. Btickla)id :
London, 1746. 4\ C. 112.
The Psalms of David ... By I. Watts . . .
The Fifteenth Edition. With the Preface
and Notes. (Tunes in the Tenor Part
Fitted to the Several Metres, etc.)
Printed fur J. Oswald. . .and J. Buckland :
London, 1748. 12°. 3436. h. 22.
The tunes are engraved and Juive separate
pagination.
A Book of Psalmody, etc. [1750 ?j obi. 4".
See Beesly (M.) A. 1023.
The Second Edition of the First Book of
the Voice of Melody, etc. (The Second
Book of the Voice of Melody, being a
Collection of. . .Psalm-Tunes, etc.)
1750. obi. r. A. 914.
The Psalm Singer's Pocket Amvisement,
Being a Collection of Psalm Tunes in two
Parts, c^c. [1750?] 8". Sec Milnek (A.)
A. 414. a.
The Whole Book of Psalms, for one, two,
three, four and five Voices with a Thorough
Bass for the Harpsichord, etc.
[1750?] fol. Sec Travers (J.) G. 104.
The Psalms of David... By I. Watts...
The Seventeenth Edition, etc. (Tunes in
the Tenor Part Fitted to the Several
]\Ietres, etc.) Printed for T. Longman, etc. :
London, 1751. 12". 3436. bbb. 37.
The tunes are engraved and have separate
pagination.
A Compleat Book of Psalmody, etc. 1751.
See EvisoN (J.) C. 494.
A Book of Psalmody ... The Eighth
Edition, etc. 1752. 8".
See Chetham (J.) B. 611. c.
The Psalm-Singer's Compleat Tutor, etc.
The Second Edition. [1752.] obi. 8°.
Sec Moore (T.) of Glasgoio. A. 1043.
Select Psalms, for the Use of the Parish-
Church of New S' Michan's in Dublin.
S. Powell : Dublin, 1752. 12°.
1220. c. 23.
A Collection of twenty-eight Psalm Tunes
. . .by several Authors, etc. 1753. 8°.
Sec Broome (M.) D. 866.
The Divine Psalmist's Companion. Being,
in three Parts, A Collection of the best . . .
Tunes now extant : made more fitt for
publick Worship, by the Alteration of the
most difficult Or less harmonious Notes
in each Part . . . adapted to Dr. Watts's
Psalm's, etc. Printed for John Clipsham :
3P' Harborongh, 1753. ' obi. 4°.
A. 511. f.
The Psalms of David... By L Watts...
The Eighteenth Edition. (Tunes in the
Tenor Part Fitted to the Several Metres.)
R. Taylor : Bcnvick, 1753. 12".
3090. i. 11.
The tunes are engraved and Jiave separate
pagination.
The Psalms of David... By I. Watts...
The Eighteenth Edition. (Tunes in
the Tenor Part fitted to the Several
Metres.) Printed for
W. Charnlrij : Newcastle, [115-6? ] 12".
3433. aaa. 13.
T}ie tunes are engraved and have separate
pollination.
A New and Correct Set of Church Tunes
...The Third Edition, t'/c. 1753. oW. 12".
See Tait (A.) A. 529.
A New Version of the Psalms of David,
by N. Tate & N. Bradv, etc. 1753. 4».
StvTBIEMER (J. Z.) E. 1472.
[Another edition.] A New Version of the
Psalms of David, etc. 1753. 12".
See Triemer (J. Z.) 3434. cc. 7.
The Spiritual Man's Companion. . .Con-
taining.. .IV. A Set of Psalm-Tunes...
The Fifth Edition, with large Additions,
etc. 1753. 4". See Holdroyd (I.)
B. 639. b.
The Psalms of David, Imitated in the
Language of the New Testament . . . By I.
Watts. The Eighteenth Edition. (Tunes
in the Tenor Part fitted to the several
Metres.) 2 pts.
Printed for T. Jjongman, etc. :
London,1753. 12°. 3434. aaaa. 2. (1.)
New Church Melody ; being a Set of
Anthems, Psalms, Hymns, &c. 1754. 8°.
See K>-APi' (W.) B. 647.
The Sacred Melody. . .Containing a Select
number of Psalm-Tunes, etc.
1754. obi. 4". See East (W.)
A. 914. a.
A Set of New Psalms and Anthems in
Four Parts. . .The Sixth Edition, etc.
1754. 8°. See Knapp (W.) B. 647. b.
Divine Harmony, or the Psalm-Singer
instructed. Containing ... II. A Select
Collection of Church-Musick, consisting
of Fifty-five Psalm-Tunes, etc. 1755. 8°.
See Orisp (W.) C. 493.
336
PSALMS [4. ENGLISH, 1755-1765?]
The Psalm-Siuger's Pocket Companion, t>/c.
1755. 8". Srt'DAVKNroRT(U.) C. 519.
The Royal I\Ielody Compleat . . . Coutaia-
ing . . . A New . . . Body of Cburch-iliTsick,
adapted to the most select Portions of the
Book of i'salms, etc. 1755. ubl. 4".
See Taks'uk (W.) A. 479. b.
A Set of Anthems and Psalm Tunes in
Four, Five, & Six Parts, etc.
ri755?l obi. lo\. i.Vc Pkatt (-J.)
"- E. 556. c.
[A Ibt] Set of Services, Anthems & Psalm
Tunes, etc. (Book the Second. Contain-
inf Twelve Anthems and Twelve Psalm
Tunes, etc.) 2 pts. [1755?] fol.
See Smith (J.) of Market Lcnnngtoii.
H. 3272. a.
The Psalms of David ... By I. Watts . . .
The Twentieth Edition, etc. (Tunes in the
Tenor Part fitted to the Several Metres.)
Frinted for T. Longman, etc. : London,
1766. 12". 3433. d. 28.
The tunes are engraved and have separate
IKLgination.
The Whole Book of Psalms . . . The
Twentieth Edition, Corrected, j^ith con-
siderable Improvements, etc. 1757. S".
See Playford (J.) C. 6. t.
A Collection of Psalm-Tunes in Fcur
Parts. Neatly engraved on Copper. To
which is prefixed, A short Introduction,
<0c. [With a preface by W. Gray.]
Sands, Donaldson, Murray, and Cochran,
for Gray and Peter : Edinburgh, 1158. 8",
■' -^ A. 620. z.
The Psalm-Singer's Pocket Companion
. . . Second Edition. 1758. 8".
See Davenport (U.) C. 519. a.
The Young Psalmsinger's Complete Guide
Containing ... A Set of Psalm-Tunes,
etc. 175'J. obi. 4°. Sec French (J.)
A. 1027.
The Leicestershire Harmony. Contain-
ing a Set of . . . Psalm-Tunes, etc.
1759. 8". See Arnold (J.) C. 380. f.
The Psalmist's New Companion . . . The
Sixth Edition . . . corrected by A. Adams,
etc. [1760?] old. A". .SVr Adams (A.)
A. Loo*
A Collection of Tunes, etc.
ri760 ? 1 obi. 4". See Ashworth (C.)
^ A. 891.
The Psalmodists Exercise, or a Set of
Psalm Tunes, dc. [1760?] fol.
See Cole (W.) of Witnesham ? H. 832.
Harmonia-Sacra, or a choice Collection of
Psalm and Hymn Tunes, etc.
ri760''l o5/.. fol. Sec Harmonia Sacra.
^ -^ A. 629.
A Choice Collection of Psalm and Hymn
Tunes set for the Cetra or Guitar, etc.
[1760 ?] obi. 4". Sec Hintz (F.) A. 861.
A Third Set of Services, Anthems and
Psalm Tunes, etc. [1760 ?] fol.
See Smith (J.) of Market Lavington.
G. 517. h. (3.)
A Small Collection of Psalms to the Old
Tunes, sung by the Charity Children of
the City of Chichester, etc. ms. additions.
W.Faden: London, 1161. 8".
B. 370. d.
A Choice Collection of Church IMusic . . .
containing Twenty Psalm-Tunes, etc.
1761. obi. 8". Sec Catchpole (R.)
C. 116.
A Collection of Psalm and Hymn-Tunes
As they are performed at the Magdalen
and Foundling Chapels, Properly set fur
the Organ, Harpsichord and Guittar by
Several Eminent .Masters. John PJiillips :
London, [1762 ?] 8". D. 620. b.
This is the pirated edition referred to in
the preface to T. Call's Magdalen
Hymns.
The Tunes & Hymns as they are used at
the IMagdalen Chapel, etc. [1762.] 4».
See Call (T.) D. 577.
The Psalm-Singer's Delightful Pocket
Companion, Containing. . .between Three
and Fourscore of the best Psalm-Tunes, etc.
[1762?] 8". See MooKK CV.) of Glasgow.
B. 651.
Parochial :Music Corrected ... To which
are added, A Scarce and Valuable Collec-
tion of Psalm Tunes, etc. 1762. 4".
See Rilev (W.) 556. c. 18.
The Psalms of David ... By I. Watts . . .
The Twenty-Fifth Edition, etc. (Tunes
in the Tenor Part fitted to the Several
Metres.) Printed for T. Longman, etc. :
London, 1764. 8". 3436. bbb. 26.
TJie tunes are engraved and have separate
pfogination.
[Another copy.] 3436. bbb. 13.
The Royal Melody Compleat . . . Con-
taining ... II. A New . . . Body of Church-
Musick, adapted to the most select Por-
tions of the Book of Psalms, etc. The
Third Edition. 1764. obi. 4".
See Tans'ur (W.) A. 479.
The Psalms of David ... By I. Watts . . .
The Twenty-Sixth Edition. (Tunes in
the Tenor Part fitted to the Several
Metres.) Printed for J. Buckland, etc. :
London, 1765. 12". 3535. ccc. 22.
The tunes are engraved and Jiave se^mratc
pagination.
Church ilusic Reformed . . . Containing
... II. Select Portions of the Psalms of
David,. . . adapted to a Set of grave and
solemn Psalm-Tunes, etc. 1765. 8".
See Arnold (J.) C 380. j.
Psalms Hymns & Spiritual Songs, etc.
[1765 ?] fol. See Broderip (J.)
G. 517. b. (1.)
tSALMS [4. ENGLISH, 1765?-1772]
337
Harmonia-Sacra, or a choice Collection of
Psalm and Hvmu Tunes, etc.
[1765 ?] obi. "tol. Sec Harmonia Sacra.
B. 771. a.
A Set of Hymns and Psalm Tmies in
Three and Four Parts, etc.
[1765?] obl.M. Sec Hahwood (E.)
E. 1404.
A Second Collection of Psalms and Hymns
used at the IMagdalen Chapel, etc.
[1765 ?] S\ See AR^E (T. A.)
E. 602. y. (1.)
An Introduction to Singing ... To which
is added ... a Collection of . . . Psalm
Tunes, etc. 1765. 8^ See Hewitt (J.)
E. 594.
The Psalm Singers Help, heing a Collection
of Tunes in three Parts, that are now
us'd in the several dissenting Churches
& dissenting Congregations in London,
with a Thorough Bass for the Harpsicord
or Organ, etc. [1765 ? , 12".
See Knibb (T.) ' A. 857.
A New Version of the I'salms of David,
hy N. Tate & N. Brady, etc. 1765. i".
See Teiemer (J. Z.) 3090. e. 41. (1.)
[Another edition.] A New Version of the
Psalms of David, hy N. Tate & N.
Brady, etc. (Hymns adapted to Christian
Worship, etc.) 2 pts. 1765. 12".
Sec Triejier (J. Z.) 3436. f. 33.
The Universal Psalmodist, etc. The
Third Edition, etc. 1765. obi. 4°.
Sec Williams (A.) A. 622.
A Collection of Church-Music ; consisting
of new Setts of the Common Psalm-Tunes
. . . adapted to the Several Metres in
the Version authorized by the General
Assembly, etc. 1766. obi. 4".
See HoLDEN (J.) C. 657.
A Collection of Psalm Tunes, etc.
[1766.] obi. fol. See Wainwright (J.)
D. 461.
A Book of Psalmody . . . the Ninth
Edition, e^c. 1767. 8". Scf Chetham (J.)
B. 611. d.
A Collection of Melodies for the Psalms
of David, According to the Version of
C. Smart ... By the most Eminent Com-
posers of Church Music. Printed for
I. Walsh : London, [1768 ?] fol. E. 485.
The composers named arc : S. Howard,
Boyce, J. Stanley, J. Baildon, S. Long,
B. Cooke, Nares, Randall, E. Ayrton,
T. Wood, J. Bennett and G. Berg.
The Psalms of David ... By I. Watts . . .
The Twenty-eighth Edition. (Tunes in
the Tenor Part fitted to the Several
Metres.) Printed for H. Woodfall, etc. :
London, 1768. 12". 1220. d. 3. (1.)
The tunes are engraved and have separate
pagination.
VOL. II.
A Collection of Psalm and Hymn Tunes,
etc. [For the use of the Chapel of the
Lock Hospital.] [1769.] obi. iol.
See :Madan (M.) E. 1429.
Sacra Concerto : or the Voice of ]Melody.
Containing. . .forty-one Psalm-Tunes, etc.
The Second Edition, etc. 1769. 4".
See West (B.) D. 591.
The Psalms of David . . . By I. Watts, etc.
(Tunes in the Tenor Part fitted to the
Several ^Metres.) Printed
for J. and F. IHviiigton, etc.: London,
1770. 12". 3437. aaa. 49.
The tunes arc engraved and have separate
pagination.
The Psalm Singer's Help, being a
Collection of Tunes, in three parts . . .
A New Edition. [1770?] 12".
See Knibb (T.) A. 620. b.
A Collection of Psalm Tunes in three
Parts, etc. [1770 ?] obi. 8".
See Smith (I.) A. 621.
The Universal Psalmodist . . . Fourth
Edition, etc. (1770.) obi. 4".
Sec Williams (A.) A. 622. b.
Williams's New Universal Psalmodist . . .
The Fifth Edition, etc. (1770.) obi. 4".
See Williams (A.) A. 622. d.
The Psalms of David ... By I. Watts, etc.
(Tunes in the Tenor Part fitted to the
Several iletres.) Printed
for J. and F. Pdvington, cic. : Loiuloii,
1772. 12". 3437. aaa. 34.
Tlie tunes are engraved and have separate
pagination.
Church Harmony : or, Psalm-Tunes, in
Four Parts, etc. 1772. 8".
See Bremner (R.) a. 108.
A Short and Easy Introduction to
Psalmody : with a Collection of Plain
Psalm-Tunes . . . Designed for the Use of a
Society of Protestant Dissenters.
1772. 8". See Introduction.
A. 620. y.
Melodia Sacra : or the Devout Psalmist's
New Musical Companion. Being a Choice
Collection of Psalm-Tunes for Divine
Service. . .The Second Edition, etc.
1772. obi. 12". See Tans'ur (W.)
A. 479. e.
A New Version of the Psalms of David,
by N. Tate & N. Brady. Together with
some Hymns ... as used in the English
established Church in Amsterdam, etc.
1772. 4". See Triemer (J. Z.)
3050. eee. 9. (2.)
[Another edition.] A New Version of the
Psalms of David, by N. Tate and N.
Brady, etc. 1772. 12".
See Triemer (J. Z.)
3436. ccc. 1. (1.)
338
PSALMS [4. ENGLISH, 1773-1779]
The Psalms of David. . .By I. Watts, cic.
(Tunes in the Tenor Part fitted to the
Several ]\Ietrcs.)
Printed for J. and F. Bivington, etc. :
London, 1773. 12°. 3436. e. 27.
The tunes are engraved and have separate
pagination.
Divine Harmony ... a Collection in score
of Psalms and Anthems, etc. 1774. fol.
See Langdon (R.) H. 879. a. (1.)
The Gentleman and Lady's Musical
Companion. Containing a Variety of
Excellent Anthems, Psalm Tunes, &c.
[1774.] ohl. 4°. See Stickney (J.)
A. 849.
Psalms, Hymns & Anthems, used in the
Chapel of the Hospital for the ]\Iain-
tenance & Education of Exposed &
Deserted Young Children.
\London,'\ 1774. 8°. D. 596. a.
Tlic composers named arc : Smith,
Evance, Heighington, Green, Worgan,
Cook, Byrd, Stanley, Heron and Gren-
ville.
The Psalms of David,. . .By I. Watts, etc.
(Tunes in the Tenor Part fitted to the
Several Metres.)
Printed for J. and F. Bivington, etc. :
London, 1775. 12°. 3436. e. 34.
The tunes arc engraved and have separate
- pagination.
The Psalmist's New Companion . . . The
Tenth Edition. [1775?] o6L 4°.
See Adams (A.) A. 133. a.
The Organist's Universal Companion...
Containing, a New. . .Collection of...
Psalm-tunes, etc. 1775. ohl. 8'\
Sec Chapman (T.) B. 580. i. (2.)
The Complete Organist's Pocket Com-
panion, containing a choice Collection of
Psalm-Tunes, etc. [1775 ?] ohl. 4".
See Goodwin (S.) b. 326.
Sixteen Psalms selected from the Rev.
Mr. Merrick's new Version, etc.
[1775 ?] ohl. fol. See Hayes (W.)
E. 217. f.
The First Twelve Psalms in Four Parts ;
Composed by. . .Claude le Joanc . . . Adapted
to the English Versions, etc. [1775 ?] fol.
See Le Jeune (C.) G. 807. a. (8.)
Psalmody Improved : in a Collection of
Psalm Tunes and Anthems, etc.
1775. 8°. See Newtok (J. W.) C. 565.
Church Harmony Sacred to Devotion.
Being a choice Set of New Anthems &
Psalm Tunes, etc. The 4"^ Edition.
[1775 ?] fol. See Stephenson (J.)
H. 3288.
Williams's New Universal Psalmodist . . .
The Sixth Edition, with Additions.
[1775?] ohl.'k\ fc'ee Williams (A.)
A. 622. c.
The Psalms of David. . .By I. Watts, etc.
(Tunes in the Tenor Part fitted to the
Several Metres.)
I'rinted for J. Btickland and T. Longman :
London, 1776. 12°. 3433. bbb. 8.
The tunes are engraved aiid have separate
pagination.
[Another edition.] The Psalms of David
...By I. Watts... A New Edition, Cor-
rected. (Tunes in the Tenor Part fitted
to the Several Metres.)
Collins and Johnson :
Salisbtiry, 1776. 12°. 3434. bb. 39.
The tunes are engraved and have separate
pagination.
Sacred ]\Iusic . . . being an entire new . . .
sett of Psalm and Hymn Tunes, etc.
[1776.] ohl. 8". See Pearce (S.)
B. 584.
An Abridgment of the New Version of the
Psalms, for the Use of Charlotte-Street
and Bedford Chapels : With proper Tunes
adapted to each Psalm;... by M' Alison,
D' Bowland [or rather, Dowland], D'
Crofts, INP Cortiville, M' Carey, M' Jer.
Clark, M' Dupuis, D' Gibbons, D' Howard,
]\P Handel, M' Kirby, D' Nares, M' Ravens-
croft, W Wm. Wheale and other . . .
Masters. With Bases ... figured for the
Organ and Harpsichord, etc. [Edited
with a Preface by T. Johnson.] TJwmas
Johnson : London, [1777.] 8°.
A. 511. d.
The Psalms of David. . .By I. Watts, etc.
(Tunes, in the Tenor Part, fitted to the
several Metres.) Printed for J. Coote :
London, 1777. 12". 3436. a. 47.
The tunes, without pagination, are in-
serted between sig. A 4 aiid A 5.
[Another edition.] The Psalms of David
. . .By I. Watts, etc. (Tunes in the Tenor
Part.)
Printed for J. F. and C. Bivington, etc. :
London, i777. 12°. 3090. aaaa. 10.
Tltc tunes are engraved and have separate
pagination.
Parochial Harmony, etc. 1777. fol.
See Alcock (J.) the Younger.
H. 866. (2.)
The Psalm Singer's Assistant, or a Key to
Psalmody. Containing . . . a . . . Collec-
tion of Psalm Tunes, etc. 1778. ohl. 4°.
See Crompton (J.) A. 1020.
Psalmody in Miniature. In III Books . . .
A New Edition, etc. (Supplement to
Psalmody in ]\Iiniaturc, etc.) 4 Bks.
1778. ohl. 32°. See Williams (A.)
A. 622. a.
The Harmony of Sion, or a Collection of
. . . Psalm-Tunes, etc. [1779.] 8°.
Sec Alcock (J.) Doctor in Music.
E. 343. d.
PSALMS [4. ENGLISH, 1780-1789]
339
The Psalms of David ... By I. Watts, etc.
(Tunes in the Tenor Part.) Printed for
J. F. and C. Rivington, etc. : London,
1780. 12°. 1216. a. 26. (1.)
Tlie tiuies are engraved and have separate
pagination.
Amphion or the Chorister's Delight, con-
taining a Select number of Psalm Tunes,
etc. [Compiled by J. Burger ,Jun' and
C. Tiebout.] [1780?] obi. i".
See Amphion. A. 828.
Psalmody Improved, containing upwards
of seventy Portions of the Psalms of
David . . . adapted to . . . old & modern
Melodies . . . The Words . . . chiefly
selected from the Version of Tate &
Brad}', etc. [1780 ?j obi. 8".
See Gresham (W.) A. 838.
A Collection of Psalms and Hymns for the
Use of Parish Churches, etc. [1780 ?J 4".
See Hellendaal (P.) the Elder. E. 588.
Twelve Psalm Tunes . . . for four Voices.
[1780?] obl.i". Sec Jackson (T.)
A. 511. b. (2.)
Select Harmony. Containing ... a Collec-
tion of Psalm Tunes, Hymns and Anthems,
etc. [1780 ?] obi. 4°. See Law (A.)
A. 816.
The Psalm-Singer's Amusement, etc.
1781. obi. 4". Sec Billings (W.)
Harmonia Sacra. Or, a Collection of
Psalm Tunes, etc. 1781. obi. 4"
See Gawler (W.) B. 440. (5.)
Songs, Hymns, and Psalms, . . . adapted
to . . . the Religious Part of the Education
of the Scholars of the County Naval Free-
Schools, etc. 1783. fol. See H., J.
I. 231.
Select Psalms for the use of Portman-
Chapel, etc. J. liivinglon, Junr. :
Clerkemoell, 1784. 8". E. 556. k.
Sacred Harmony, or a Collection of Psalm
Tunes, Ancient and Modern, etc.
[1784-91.] o6Z. 4\ See Harbison (R.)
B. 632.
The Psalmist's New Companion . . . the
Eleventh Edition, efc. [1785?] obi. ^\
See Adams (A.) A. 133. b.
The Essex Harmony Containing . . . the
. . . Rules of Psalmody. To which are
annexed, a variety of plain and fugeing
Psalm and Hymn Tunes, etc.
1785. obi. i". See Bayley (D.) the Elder.
A. 134.
The Psalm-Singer's Companion . . . Third
Edition. 1785. 8°.
See Davenpobt (W.) C. 519. b.
The Hymns and Psalms used at the
Asylum . . . for Female Orphans.
[1785.] 4". See Gawleu (W.) E. 585.
A Verse Anthem ... To which are added
Ten New Psalm Tunes, etc. [1785 ?]
See Marsh (J.) H. 2815. d. (3.)
A Collection of Anthems . . . likewise a
Set of Psalm-Tunes, in four Parts . . . The
Third Edition, with Additions. 1785. 8°.
See Street (J.) C. 102. b.
Twenty Psalms, set to Music for Two,
Three and Four Voices, etc.
[1785 ?] obi. fol. See Tremain (T.)
E. 602. f. (4.)
Thirty Psalm Tunes in four Parts, with
Symphonies, Interludes, and an Instru-
mental Bass, etc. [1785 ?] obi. i".
See Valentine (J.) B. 440. (2.)
Select Portions of the Psalms of David . . .
The Music from the most approved Com-
positions. The Second Edition. In which
are inserted Words selected from the New
Version, and adapted to the several Tunes.
Printed for H. Gardner: London,
178G. obi. 4". 5. a. 21.
The composers named are : J. Clark,
Croft, W. Hayes, Puivenscroft, T.
Tomkyns, Courtiville, B. Allison,
^[. Luther and Gilding.
[Another copy.] B. 370. n.
Select Psalms and Hymns, for the use of
the Parish Church of Cardinfjton, in the
County of Bedford. J. W. Gaktbin :
London, 1786. 8". C. 566. j.
[Another copy.] 3437. g. 17.
[Another copy.] C. 732. b.
A Book of Psalmody . . . The Eleventh
Edition, etc. 1787. 8".
See Chetham (J.) B. 611. e.
A Psalm of Thanksgiving to be sung by
the Children of Christ's Hospital, etc.
1787. s. sh. fol. Sec Hudson (R.)
I. 600 (133.)
Select Psalm and Hymn Tunes, etc.
1787. obi. 4>\ See JIacVity (J.)
A. 1046.
Select Psalms and Hymns for the use of
the Parish Church of Cardington, in the
County of Bedford. W. Smith :
Bedford, 1787. 16". 3437. e. 19.
The New Harmony of Zion. . .To which is
added... A choice Collection of .. .Psalm
and Hymn Tunes, etc. 1788. obi. i".
See Bayley (D.) the younger. A. 452.
Twenty Psalms and Hymns, etc,
[1788 ?] fol. See Dalmer (W.)
H. 1187. o. (1.)
Hill's Church Music, containing Psalm
Tunes and Anthems, etc. [1788-91.] fol.
See Hill (J.) of Paigby. H. 3117.
The Worcester Collection of Sacred Har-
mony . . . Containing ... A large Number
of . . . Psalm and Hymn Tunes, etc.
1788. obi. 4°. See Thomas (I.) A. 854.
A Psalm of Thanksgiving to be sung by
the Children of Christ's Hospital, etc.
1789. s. sh. fol. See Hudson (K.)
I. 600. (18.)
z 2
340
PSALMS [4. ENGLISH, 1789-1794]
Select Psalms of Duvid, iu the Old Version,
set to Music iu two Parts, Tenor and
Bass, etc. W. Harrod :
Stamford, 1789. 4". C. 732. a.
The composers named are : Croft, J.
Clark, Handel, J. Boioland \_Doio-
land], H. Parcel and Bloiv.
Psalmodia Christiana, a Collection of
Sacred Music . . . Containing 200 . . .
Psalm Tunes . . . Harmonized & . . .
composed by W. Dixon, etc.
ri789.] obi. i°. See Dixon (W.)
B. 775.
A New Sett of Hymns and Psalm Tunes,
etc. [1789.1 obi. 4». See Leach (J.)
B. 844. (1.)
Sacred Harmony : or A choice Collection
of Psalm and Hymn Tunes, etc.
ri789.] 8". See Sacred Haemony.
B. 483.
[Another edition.] Sacred Harmony, etc.
[1789 ?] 8". See Sacred Harmony.
B. 483. a.
Psalmodia Evangelica. A Collection of
Psalm & Hymn-Tunes, etc.
1789. obi. 4°. Sec Williams (T.)
A. 811. a.
The Psalmist's New Companion . . . The
Twelfth Edition, dc. [1790?] obi. i".
See Adams (A.) A. 133. c.
Bland's Collection of Divine Music, con-
sisting of Psalms, Hymns & Anthems,
etc. [1790?] fol. See Bland (J.)
H. 817.
Twelve Psalm Tunes (in four Parts), etc.
[1790 ?] fol. Sec Cooke (M.)
G. 517. b. (4.)
The Hymns and Psalms used at the
Asylum . . . for Female Orphans, etc.
[1790?] 8°. See Gawler (W.)
E. 585. a. (1.)
Sixteen Psalms, etc. Selected from
Merrick's Version, etc. [1790?] obi. fol.
See Hayes (P.) E. 218. b.
Parochial Music Corrected . . . Being . . .
Rules for . . . the . . . Performance of
Psalmody . . . with Psalms, Hymns, and
Anthems, etc. 1790. 4°.
See Heron (H.) D. 437. (2.)
The Psalms of David for the use of Parish
Churches, etc. [1790.] 8°.
Sec Miller (E.) E. 402.
Divine Harmonv : a Collection of Hymn
and Psalm Tunes, efc. [1790?] fol.
See Peace (J.) H. 1187. o. (4.)
Four Setts of new Psalm and Hymn
Tunes, etc. [1790 ?] obi. fol.
See Radigek (A.) E. 1477.
The Divine Harmonist's Assistant, being
a Collection of Psalm Tunes, etc.
[1790 ?] obi. 4". See Riley (W.)
B. 788. (2.)
A Collection of Psalm Tunes in Three
Parts. . .Fifth Edition, etc.
[1790?] obi. 4:°. Sec Smith (I.)
A. 621. a.
The Essex Melody. . . comprising ... Six
Psalm Tunes, etc. [1790 ?] fol.
See Weight (J.) G. 973.
The Psalm Tunes and Hymns used, and
taught by the Editor, in Bedford Chapel,
etc. Printed for the Editor : London,
[1791.] 8". 1018. k. 33. (2.)
The Psalms of David for the Use of Parish
Churches, etc. 1791. fol.
Sen Arnold (S.) and Callcott (J. W.)
H. 1174.
The Psalms of David in Metre . . . the
Words selected from the New Version of
Tate & Brady. . .& others. . .The Music. . .
Selected & Adapted by H. Bond, etc.
[1791 ?] 4". See Bond (H.) E. 579.
A Selection of Psalms and Hymns. . .for
the Use of Bedford Chapel, etc.
(1791.) i". See Costellow (T.)
C. 725.
A Selection of Psalm and Hymn Tunes,
etc. [1791 ?] obi. 4". See Rippon (J.)
A. 481. (1.)
Twelve Psalm & Hymn Tunes.
1792. obi. 4°. See Banister (C. W.)
B. 451. (3.)
A new, and improved Edition of the
Collection of Psalm and Hymn Tunes
sung at the Chapel of the Lock Hospital,
etc. [1792.] obi. fol. Sec Madan (M.)
E. 1429. a.
The Book of Common Prayer reformed
according to the plan of the late D'
Samuel Clarke. Together with the Psalter
or Psalms of David. . .The Fourth Edition.
(Psalm Tunes.) Printed for J. Johnson :
London, 1793. 12°. 843. e. 3.
The tunes are engraved and have separate
pagijiation.
Four Anthems ... To which are added
Sixteen Psalm or Hymn Tunes, etc.
(1793.) obi. fol. See Beaumont (J.)
F. 964. a.
A Selection of Twelve Psalms and Hymus,
Set to Music according to the Rules laid
down for the Church, etc. (1793.)
See Bertie (W.) Earl of Abingdon.
E. 577.
A Select Collection of Psalm and Hymn
Tunes, etc. [1793.] obi. 8°.
See Boyd (H.) A. 909.
The Psalm-Singer's Assistant, etc.
1793. 8". See Gilmoue (R.) A. 1026.
A Selection of Twelve Psalms and Hymns,
etc. [1793.] obi. fol. See Monzani (T.)
E. 1334.
A Second Sett of Hymns and Psalm
Tunes, etc. [1794.] obi. 4°.
See Leach (J.) B. 844. (2.)
PSALMS [4. ENGLISH, 1794-1800 ?]— [5. FRENCH, 1554, 1555]
341
A Collection of Psalm & Hymn Tunes,
etc. 1794. ohl. 12°. See Randall (J.)
A. 742.
Improved Psalmody. Vol. I, the Psalms
of David, from a Poetical Version by. . .
J. Merrick. . .with New Music collected
from the most Eminent Composers, etc.
1794. ohl. fol. See Tattebsall (W. D.)
5. a. 18.
Select Portions of Psalms and HjTnns Set
to Music with the Thorough Basses . . .
arranged for the Organ or Piano Forte, as
sung at Oxford, Welbeck & Portland
Chapels, S' ]Mary-le-Bone. The Second
Edition, etc. [With a dedication signed :
Jane Clarke. J R' Birchall :
London, [1795 ?] 8". T. 550. d.
Federal Harmony ; containing . . . the
Rudiments of Psalmody ; together with a
Collection of Church ilusic, etc.
[1795 ?] ohl. 4". See Besham (A.)
A. 636. (1.)
Portions of Psalms, Selected from The
Version of Brady and Tate ... adapted to
Fifty Tunes ... by. . . J. Broderip . . . and
R. Broderip, etc. [1795 ?J ohl. 4".
See Broderip (J.) and (R.) B. 593. (1.)
Select Portions of the Psalms . . . The
Tunes selected, arranged, and composed
by M. Cooke, e^c. [1795?] 8".
Sec Cooke (M.) D. 582.
A First Collection of Four Anthems &
Eight Psalms arranged for Four Voices,
etc. [1795 ?] fol. See Figg (W.)
G. 503. (2.)
Parochial Harmony, consisting of a Collec-
tion of old Psahn Tunes harmonized for
Four Voices, etc. [1795 ?] fol.
Sec Friend (J.) H. 3078.
Eight Tunes ... Adapted to the Selection
of Psalms. . .of Ebury Chapel, etc.
[1795 ?^, obi. fol. Sec Smith (T.)
E. 1498. g. (5.)
Twenty-Four Tunes. . .Composed chiefly
to D' Watts's Psalms and Hymns.
[1795 ?] ohl. fol. See Stanley (S.)
C. 853. (1.)
Sacred Melody, being Fiftv Psalm &
Hymn Tunes, etc. [1796 ?! fol.
See ]Moreton (J.) G. 503. (6.)
Social Harmony : containing. . .The Rudi-
ments of Psalmody, etc. (1798.) ohl. 4".
See Benham (A.) A. 636. (2.)
Divine Harmony, being a Collection of
Psalm & Hymn Tunes, etc. 1798. 8".
See Henley (P.) and Sharp (T.) E. 481.
The Psalms & Hymns with the Ode or
Anthem sung at the ]Magdalen Chapel,
adapted for the Voice, Harpsichord, &c.
A New Edition, etc. 2 pts.
Printed for Henry Thompson :
London, [1800 ?] 8°. E. 1498. 1.
The pagination is ccntinucns.
A Selection of Psalms & Hymns as set on
the Organ, the Gift of... the Marquis of
Buckingham, to the Parish Church of
Stowe, etc. Flight cfi
Eobson : London, [1800 ?] 16°.
3435. g. 24.
The Anthems, Hymns, Psalms and Sen-
tences suug at the Asylum Chapel, etc.
[1800 ?] See Callcott (J. W.)
H. 894. a.
The Portsmouth Harmony, containing
Fifty Psalm Tunes, etc. See Cuzens (B.)
[1800?] ohl. 4°. a. 109.
The IMelksham Harmony, containing
Fifty original Tunes adapted to the New
Version Psalms, etc. [1800 ?] ohl i".
See Harvey (W.) B. 466.
An Original Anthem. . .with a Selection
of Thirty-eight. . .Psalm Tunes, etc.
[1800?] fol. ,sVe HowGiLL (W.)
H. 879. k. (2.)
Eight Anthems ... Book I. (Seven An-
thems... Book II.) (Five Anthems...
Twenty Psalm Tunes. . .Book III.) (Five
Anthems. . .Ten Psalm Tunes. . .Book IV.)
[1805 ?-1800 ? 1 fol. Sec Key (J.)
G. 521.
Sacred jMelody : a General Collection of
Psalm & Hymn Tunes, etc. Ninth
Edition. ri800?] ohl. i".
See Major (S.) A. 621. b.
A Selection of Psalm and H>Tnn Tunes,
etc. [1800?] 8°. See Peaston (W.)
B. 580. a.
Psalmodia Britannica, or a Collection of
Psalm Tunes, etc. [1800 ?] ohl. 4°.
See Rider (C.) a. 263.
Ancient Church-Music : being a. . .Selec-
tion of the best. . .Psalm-Tunes, drawn
from the works of the most esteemed old
INIasters . . . and set in three parts,
etc. [1800?] 8°. See Sampson (R.)
C. 522.
Nineteen Psalm, Hymn & Charity Hymn
Tunes, etc. [1800 ?] ohl. fol.
See Stanley (S.) C. 853. (2.)
Sacred Harmony . . . Consisting of a variety
of New Psakn & Hymn Tmies, etc.
[1800 ?] ohl. 4°. See Welsh (J.)
B. 469.
5. French.
Pseaulmes LXXXIII deDauid. . .aquatre
parties, etc. 1554. ohl. 16'"°.
See Bourgeois (L.) K. 8. i. 4. (16.)
Le Second Liure [de]s Pseaulmes [et]
Sentences, tirees tant du Psau[tier] Royal
que des autres Saincts Prophetes : Mib[es
en Musique] en forms de Motetz, par
diuers [excellens Llusiciens]. (Tiers
Liure. Ou sont contenues Plusievrs
Chansons tirees du Recueil : des meiUeures
Tant anciennes que modernes, composees
de diuers excellens Musisciens : desquelles
342
PSALMS [5. FRENCH, 1555-15G9]
auons change la verbe lubrique, en lettre
spirituelle & chrestienne. Le tout a
quatre parties, & en quatre liures.)
Superius. [With dedicatory verses by
P. Vallete.] 2 Bks. Simon du Bosc, ct
GxdUaume Gneroult. 1555. obL 16'"".
K. 8. i. 10.
The editor's name occurs in the dedica-
tory verses in Livre II. The composers
named in Livre II. are : F. Gindron,
G. Goudimel, ArchadcU and B. le Bel.
No names occur in Livre III. The
title-page of Livre II. is mutilated.
La Bible, etc. (Pseaumes de David, mis
en rime par C. Marot et T. do Besze.)
(La forme des prieres ecclesiastiques.)
3 pts. Dc Vlmprimcrie
de F. lariuy, A. Dauodeau, d I. Bourgeois :
[Geneva,] 1560. 4°. 3022. i. 1.
Premier Liure conteuant Soixantc
Pseaumes de Dauid, etc. 1561. oil. 12".
See Champion (T.) called Mithou.
K. 1. a. 4.
Le Nouueau Testament, e/c._ (Les
Pseaumes mis en Rime Francoise, par
C. INIarot, et T. de Beze.) 2 pts.
Frangois Pcrrin :
[Geneva,] 1562. fol. 464. b. 7.
Les Pseaumes mis en rime Franc^oise, par
C. Marot, & T. de Beze. (La forme des
Prieres Ecclesiastiques, etc.) 2 pts.
Ian de Tournes. Pour Antoine Vincent:
Lyon, 1563. 8". 3433. c. 63.
La Bible, etc. (Les Pseaumes mis en
Rime Francoise, par C. Marot, and T. de
Beze.) (Prieres Ecclesiastiques.) 2 pts.
Francois Pen-in : Geneve, 1564. 8°.
1159. d. 6.
Wanti7ig sigs. FF 1, 8, HH 8, and
probably three leaves at the end ; sig.
MM 4 is mutilated.
Les CL. Pseaumes de Dauid, mis en
Rime Francoise, par C. Marot, et T. de
B^ze, etc. 15G4. obi. i".
See Jambe de Feb (P.) A. 63.
Pseaumes de Dauid, mis en rime francoise.
A sauoir, Quarantenetif par Clement
Marot, auec le Catique de Simeon, Les
dix Commandemcs, & le Cautique de
]\Ioyse. Et Le reste des autres Par
Theodore de Besze de Vezelay en
Bourgongne. (Pierre Vallete a tousFidelles
desirans chanter les louanges du Seigneur,
etc.) (La Forme des Prieres ecclesiastiques,
etc.) 2 pts. [1565 ?] 8". 690. a. 12.
The last four leaves of Part II. are
mutilated.
Les Pseaumes mis en Rime Francoise
par C. Marot, & T. de Beze. (La Forme
des Prieres Ecclesiastiques.) 2 pts.
lean Bonnefoy. Pour Antoine Vincent :
[Lyons,] 1566. 16°. 1018. a. 2.
La Bible, etc. (Les Pseaumes mis en
Rime Francoise, par C. Marot, et T. de
Beze.) (La Forme des Prieres Ecclesias-
tiques.) (Confession de Foy, etc.) 2 pts.
Loiis Babier : Orleans, 1566. 8".
3022. cc. 2.
The ' Confession de Foy ' has a title-
page dated 1567.
La Bible, etc. (La Forme des Prieres
Ecclesiastiques.) (Les Pseaumes mis en
Rime Francoise, par C. Marot, & T. dc
Beze.) 3 pts. Zacharie
Durant : Geneve, 1566. 8".
Case 48. d. 13.
La Bible, etc. (Les Pseaumes mis en
Rime Francoise par C. Marot & T. de
Beze.) (La Forme des Prieres Ecclesias-
tiques, etc.) 2 pts. Francois
Perrin, pour Antoine Vincent : [Geneva,]
1566. 8". 1105. c. 5.
Les CL. Pseaumes de David, mis en rime
francoise par C. Marot, & T. de Besze.
(La Forme des Prieres Ecclesiastiques, etc.)
Abel Clemence : [Orleans,] 1566. 16".
3433. a. 7.
Pseaumes mis en Rime Franpoise, par C.
Marot, et T. de Beze. (La Forme des
Prieres Ecclesiastiques, etc.)
Thomas G our teaii, pour Antoine Vincent :
[Lyons,] 1566. 24°. 3434. a. 38.
Printed in caractires de civiliti'.
La Bible, etc. (Les Pseaumes mis en
Rime Francoise par C. Marot, & T. de
Beze.) (La Forme des Prieres Ecclesias-
tiques, etc.) 3 pts. Franqois
Estienne : [Geneva,] 1567. 8".
676. a. 5. (2.)
This copy has the arms and monogram
of J. A. de Thou and his second loife,
Gasparde de la Chastre, stamped on the
binding.
La Bible, etc. (Les Pseaumes mis en
Rime Francoise par C. Marot & T. de
Beze.) (La Forme des Prieres Ecclesias-
tiques, etc.) 3 pts. Frangois
Perrin, pour Antoine Vincent : [Lyons,]
1567. 8°. 1409. e. 1.
Wanting pp. 1-81 of Part II. {containing
the Apocrypha) and 3 leaves at the
end.
Les Pseaumes mis en Rime Francoise, par
C. Marot, & T. de Besze. lean
Baptistc Pinercul. Pour Antoine Vin-
cent : [Geneva,] 1568. 16°.
1410. a. 27. (2.)
La Bible, etc. (Les Pseaumes mis en
Rime Francoise par C. Marot, et T. de
Beze.) (La Forme des Prieres Ecclesias-
tiques, etc.) 3 pts. lean Marescal : Lyon,
1569. 8°. 1409. e. 2.
Part II. (the Neio Testament) is jmnied
by Pierre Bernard,
PSALMS [5. FRENCH, 1570-1615]
343
La Bible, etc. (Les Pseaumes mis en
Rime Francoise par C. Marot, et T. de
Beze.) (La Forme des Prieres Ecclesias-
tiques.e^c.) 3pts. Pour Estienne Armstase :
{Geneva,^ 1570. 8\ 3025. b. 21.
The title-page of tlu Neto Testament has
the imprint ' Par Pierre Bernard,
1569.' Wa7iting 16 leaves at the end,
sig. li S-Kk 10.
La Bible, etc. (Les Pseaumes mis en
Rime Fran<;oise. Par C. Marot, & T. de
Beze.) (La Forme des Prieres Ecclesias-
tiques, etc.) 3pts. Pour SehastienHonorati:
Geneve, 1570. 16». Case 36. a. 29-31.
Les Pseaumes de David, Mis en rime
Francoise par C. l\Iarot, & T. de Beze.
Avec la prose eu marge, & vne Oraison a
la fin d'vn chacun Pseaume, etc.
Abel Riuenj : Geneve, 1577. 16».
3090. aa. 20.
Cent Cinquante Pseaumes de Dauid, etc.
1583. ohl. 4°. See L'Estocart (P. de)
A. 62.
Les CL. Pseaumes de David mis en Rime
Francoise, Par C. Marot, & T. de Beze.
Avec la Forme des Prieres Ecclesiastiques,
etc. leremie des Planches : Geneve,
1587. 8°. 1409. e. 5. (2.)
[Another copy.] Case 48. d. 16. (2.)
[Another copy.] Case 46. c. 23. (2.)
Les Pseaumes de Dauid, mis eu Rime
Francoise. Par C. ^Marot & T. de Beze.
(La Forme des Prieres Ecclesiastiques, etc.)
Hierosmc Haultin : La Bochclle,
1590. 12°. 1220. b. 1.
Les CL. Pseaumes mis en Rime Frau(^oise,
par C. IMarot, & T. de Beze, etc. Pierre de
Saint-Andri : Geneve, 1592. 8°. B. 367.
Cinquante Pseaiimes de Dauid, auec la
musique a cinq parties d'Orlande de
Lassus. Vingt autres Pseaumes a cinq et
six parties, etc. 1597. ohl. 4".
See Lasso (0. di) [8. Psalms.']
K. 2. a. 4.
Les Pseaumes Mis en Rime Francoise.
Par C. Marot & T. de Beze. Mis en
Musique a quatre parties, etc. (La Forme
des Prieres Ecclesiastiques, etc.) (Con-
fession de Foy, etc.) 1602. 8".
See GouDiMEL (C.) K. 8. i. 11.
Premier Liure, Contenant Cinquante
Pseaumes de Dauid, Mis en Musique a
III. Parties, etc. Moienue. (Basse.)
2 pts. 1602. ohl.i". Sec Le Jecne (C.)
B. 283. a.
Cinquante Pseaumes de Dauid... a 4,5,
6, & 7 parties, etc. 1604. ohl. 4°.
See SwEELiNCK (J. P.) K. 2. e. 1. (1.)
Les CL. Pseaumes de David mis eu Rime
Francoise, par C. Marot, & T. de Besze.
Avec la Forme des Prieres Ecclesiastiques,
etc. Matthieu Berjon : Geneve, 1605. 8°.
Case 65. 1. 4. (2.)
Les Pseaumes de Dauid, mis en rime
FrauQoise, par Marot, & T. de Beze.
(La Forme des Prieres Ecclesiastiques,
etc.) Pour Estienne
Gamonct : [Geneva,] 1606. 8».
3025. b. 23. (2.)
Les Pseaumes de David, mis en Rime
Francoise. Par C. Marot & T. de Beze.
(La Forme des Prieres Ecclesiastiques,
etc.) Chez
Thonms Estienne : Diepe, 1606. 12°.
3438. ee. 36.
Pseaumes en Vers meziu-ez mis en Musique,
a 2. 3. 4. 5. 6. 7. & 8. parties, etc. Haute-
Contre. (Taille.) (Basse-Contre.) 3 pts.
1606. obi. 4°. See Le Jeune (G.)
B. 283. b.
Cinquante Pseaumes de Dauid, mis en
vers Francois par P. Dcs-Portes. . .Et mis
en Musique a 3. 4. 5. 6. 7. & 8. xmrties, etc.
Basse-Contre. 1607. 8°.
See Caigxet (D.) B. 737.
Les CL. Pseaumes de Dauid, mis en rime
par C. ]\Iarot, & T. de Besze. Auec les
XVI. Cantiques du Vieil & Nouuean
Test. Po7ir Mat.
Berjon: [Geneva,'] WOS. 16".
03025. de. 7. (2.)
Second Liure, Contenant Cinquante
Pseaumes de Dauid, Mis en INIusique a
III. Parties. Haute. (Movenne.) (Basse.)
3 pts. 1608. obi. 4°. See Le Jeuxe (C.)
B. 283. f.
Troisieme Liure des Pseaumes de Dauid,
mis en Musique a III. Parties, etc.
Haute. (Movenne.) (Basse.) 3 pts.
1610. obi. 4". See Le Jeune (C.)
B. 283. g.
Les Pseaumes de David, IMis en rime
Fran(,'oise par C. IMarot & T. de Beze. (La
forme des Prieres Ecclesiastiques, etc.)
lean de Tournes :
[Lyons,] 1611. 8". Case 30. c. 14.
Pseaumes, Hymnes et Cantiques. Usitez
en I'Eglise francoise de Francfort sur le
Mein . . . Mis en rime fran(;'oise, selon la
rime & melodies AUemandes. Par M.
Matthieu Barthol, etc.
Erasnie Kempffer : Francfort sur le Mein,
1612. 16°. ' 3425. a. 4.
Liure Second des Pseaumes de Dauid. . .
a4,5, 6, 7, 8, parties, e/c. 1613. obi. A':
See SwEELiNCK (J. P.) K. 2. e. 1. (2.)
Liure Troisieme des Pseaumes de Dauid
. . .a 4, 5, 6, 7, 8, parties, etc.
1614. obi. 4°. See Sweelinck (J. P.)
K. 2. e. 1. (3.)
La Bible, etc. (Les Pseaumes de David.
Mis en rime Francoise, par C. Marot, &
T. de Beze.) (La Forme des Prieres
Ecclesiastiques, etc.) 3 pts.
Les Heritiers de Hierosme Haultin :
Geneve, 1615. fol. 3022. 1. 2.
■du
PSALMS [5. FKENCH, 161G-1G65J
La Bible, etc. (Les Pseaumes mis en
Rime FraiK^oise, par C. Marot, & T. do
Bezo. Avec la forme des prieres Ecclcsi-
astiques, etc.) 3 pts. Corncille Hcrtvian :
La Rochclle, 1616. 8°. 676. b. 19.
La Bible ... Auec les Indices des editions
precedentes. . .Item les Pseaumes en rime
[by C. Marot and T. de Beze], & les
prieres ecclesiastiques. 3 pts.
Thomas Portau : Saunuir, 1619. fol.
3015. g. 11.
XXI. Pseaumes de Dauid, Accommodes
pour chanter & jouer du Luth ensemble,
etc. 1619. obi. i". Sec Vallkt (N.)
K. 3. g. 2.
Regia Pietas hoc est Psalmi Dauidici con-
cinne aptati ad modulantes fides. (Piete
Royalle c'est a dire : Les Cent Cinquante
Pseaumes de Dauid, accommodez pour
iouer sur le lath, etc.) 1620. obi. 4°.
See Yallet (N.) K. 4. b. 14.
La Bible, etc. (Les Pseaumes de David
mis en Rime Francoise par C. Marot, &
T. de Beze.) (La Forme des Prieres
Ecclesiastiques, etc.) 3 pts.
Imprimi^ lionr Pierre d laques Clwuet :
Geneve, 1622. 4°. 464. b. 8.
Les Pseaimies de David, INlis en rime
FranQoise, Par C. Marot, & T. de Beze.
(La Forme des Prieres Ecclesiastiques, e^c.)
Pierre Pii cle Dicu : La Bochelle,
1623. 16". 3022. d. 13. (2.)
Les Pseaumes de Dauid, mis en Musiqne
a quatre & cinq parties. Superius.
(Haute contre.) (Tenor.) (Basse centre.)
(Cinqiiiesme partie.) 5 pts. 1627. 4".
See Le Jeunk (G.) K. 3. i. 1.
Les Pseaumes de David, mis en Rime
Franc^oise. (La Forme des Prieres
Ecclesiastiques, etc.) lean lannon :
Sedan, 1633. 16". 3090. de. 21.
La Bible, etc. (Les Pseaumes de David,
mis en Rime Francoise par C. Marot, et
T. de Beze.) (La Forme des Prieres
Ecclesiastiques, etc.) 3 pts.
Chez Henri Laurcnts :
Amsterdam, 1635. 8°. 1409. e. 6. (2.)
Les Pseaumes de David, mis en Rime
Francoise, Par C. Marot & T. de Beze.
Antlioine CcUier :
Paris, 1645. 12". 3433, b. 61.
Les Pseaumes de David en rime, Reueus
par I. Diodati. Pierre Coiiei : Geneve,
1646. 12". 3090. i. 39.
Les Pseaumes de David, IMis en rime
Fran(^oise, Par G. Marot, et T. de Beze.
(La Forme des Prieres Ecclesiastiques,
etc.) 2 pts. Pierre Des-Hayes :
Charenton, 1647. 12". 3049. aa. 19. (2.)
Les Cent Cinquante Pseaumes de Dauid,
mis en Musique a quatre parties, etc,
Basse-contre. 1650. obi. 12°.
See Le Jeune (C.) A. 143. a.
Airs a Quatre Parties, sur la Paraphrase
des Pseaumes de Messire Antoine Godeau,
etc. 1650. obi. 8". See Gouy (J.)
K. 3. b. 14.
Paraphrase des Pseaumes de Dauid, en
vers francjois. Par A. Godeau, etc.
1655. 12". See Lardenois (A.)
843. f. 5.
Les CL Pseaumes de David. Mis en
Rime Francoise, par C. Marot, et T. de
Beze. Les Nottes de la Musique sont
mises sur un Clef. (La Forme des Prieres
Ecclesiastiques, etc.) Chez la vive de Paul
de Bavcstcyn : Amsterdam, 1659. 16°.
3090. a. 26.
Paraphrase des Pseaumes de David, en
Vers Francois, par A. Godeau. . .Cinqui-
eme Edition, reueue & corrig6e.
1659. 12". See Gobeet (T.) 1410. d. 1.
Les Pseaumes de Dauid, mis en rime
Francoise par G. Marot et T. De Beze.
Reduits. . .ii vne bri^ue et facile methode
pour apprendre le chant ordinaire de
I'Eglise, etc. 1659. 12°.
See Lardenois (A.) Case 46. a. 6. (2.)
Les Pseaumes de David, Mis en rime
Fran(;oise, par G. Marot, et T. de Beze.
(La Forme des Prieres Ecclesiastiques.)
Anthoine Cellier : Charenton, 1660. 12°.
Case 65. c. 24. (2.)
Les Pseaumes de David, Mis en rime
Francoise, par G. Marot, et T. de Beze.
(La Forme des Prieres Ecclesiastiques.)
Anthoine Cellier : Charenton, 1661. 12°.
3025. e. 7. (2.)
[Another copy.] 1159. d. 10. (2.)
Les Pseaumes de David, Mis en rime
Francoise, par C. Marot et T. de Beze.
(La Forme des Prieres Ecclesiastiques.)
Estienne Lucas : Charenton, 1662. 12°.
3022. aaa. 19. (2.)
Les Pseaumes de David, Mis en rime
Francj-oise, par C. Marot, et T. de Beze.
Auec vn Calendrier Historial, & Figures
en Tallies donees. (La Forme des Prieres
Ecclesiastiqvies.) 2 pts. Louis Vendosme
(Anthoine Cellier) : Charenton, 1664. 12°.
1016. c. 3.
There is a second (engraved) title-page.
The Psalms have a separate title-page,
on ivhich, as on the engraved title-
page, A. Cellier'' s name apjxars.
Les Pseaumes de Dauid, Rime & Prose.
(La Forme des Priere Ecclesiastiques.)
2 pts. Anthoine
Cellier : Charenton, 1665. 4".
463. b. 6. (2.)
La Bible, etc. (Les Pseaumes de David,
]Mis en rime Francj'oise, par C. ]\Iarot, &
T. de Beze.) (La Forme des Prieres
Ecclesiastiques.) 3 pts. Pour lean Ant.
(C- Samuel De Tournes : Geneve, 1665. 4°.
3022. h. 10,
PSALMS [5. FRENCH, 1665-1688]
345
Les Pseaumes de David, Mis en Rime par
C. ]\Iarot et T. de Beze, Les Notes de la
Musique y sont ajust^es a chaque mot des
Pseaumes pour en faciliter le chant. (La
Forme des Prieres Ecclesiastiques.) 2 pts. |
CJicz Philippe de Cro-Y : Lcyden,
1665. 12". 1409. e. 7. (2.)
Les Pseaumes de David, Mis en rime !
Fran(;oise, Par C. Marot, et T. de Beze.
(La Forme des Prieres Ecclesiastiques.)
Esticnnc Lucas : Clmrenton, 1666. 12°.
Case 65. c. 25. (2.)
Les Pseaumes de David, Mis en Rime
Fran(;oise, par C. M[arot] et T. D[e]
B[6ze]. (La Forme des Priores Ecclesias-
tiques.) Anthoine
Ccllier: Charenton, 1667. 12^
1109. b. 10. (2.)
Les Pseaumes de David, ]\Iis en Rime
Franvoise, par C. M[arot] et T. D[e]
B[eze]. (La Forme des Prieres Ecclesias-
tiques.) Anthoine
Ccllier: Chaienton, 16(jfi. 12".
3025. b. 8. (2.)
Les Pseaumes de David, ilis en rime
Fran(,'oise, par C. Marot, et T. de Beze.
(La Forme des Prieres Ecclesiastiques.)
2 pts. Antoinc
Ccllier : Charenton, 1669. 32".
Case 65. a. 7.
Les Pseaumes de David, I\Iis en rime
Fran9oise, par C. Marot, et T. de Beze.
(La Forme des Prieresi Ecclesiastiques.)
2 pts. Antoinc Ccllier : Charenton,
1675. 12". 1409. a. 20. (2.)
Les Pseaumes de David, Mis en rime
Frau^oise, par C. Marot, et T. de Beze.
(La Forme des Prieres Ecclesiastiques.)
Esticnnc Lucas : Charenton, 1675. 12°.
843. e. 6. (2.)
Les Pseaumes de David, Mis en rime
Fran^oise, par C. Marot, et T. de Beze.
(La Forme des Prieres Ecclesiastiques.)
Antoinc Ccllier : Charenton, IGIB. 12".
3425. aa. 1.
La Sainte Bible . . . On a ajoute en cette
derniere Edition les Pseaumes de David,
mis en rime Fran9oi£e par C. IMarot, &
T. de Beze. 3 pts. Chez L. Cho7iet :
Geneve, 1678. fol. 3015. g. 12.
There is a second {engraved) title-page,
witli the name of Jean Anthoine
Chouet as publisher.
Les Pseaumes de David, ]\Iis en rime
Fran^oise, par C. Marot, et T. de Beze.
Par la Veuve Philippe Bureau : Nyort,
1678. 12°. 3406. a. 6. (2.)
Les Pseaumes de David, Mis en Rime
Francoise, par C. M[arotJ et T. D[e]
B[eze]. Avec la Prose mise a cost6. (La
Forme des Prieres Ecclesiastiques.)
Alt toine Cell ier : Cliarenfon, IGIO. 12°.
1409. g. 8. (2.)
Les Psaumes En vers Fran(,'ois, Retouchez
sur I'ancieune version de G. Marot & T.
de Beze. Par M. V. Conrart . . . Revu &
corrig6 de nouveau. Robert
Le Tourneur : Quevilly, 1679. 12°.
1409. f. 10.
[Les Pseaumes de David, mis en rime
fran(;oise par C. Marot et T. de Beze, etc.]
(La Forme des Prieres Ecclesiastiques,
etc.) 2 pts. [1680 ?J 12°. 1016. a. 4.
Wanting the title-page.
Le Nouveau Testament . . . Edition fort
exacte tant a regard du corps du Nouveau
Testament, qu'il I'egard des Pseaumes en
rime, du Catechisme, & de la Liturgie.
2 pts. CJtcz Uieromc Swecrts, Jean ten
Hoorn, Jean Bouman, <0 Daniel a Dalcn,
en Comvagnie : Amsterdnm, 1682. 8".
3022. bb. 2.
Pseaumes qui se chantent les Jours de
Cene, etc. Esticnnc
Lucas : Charenton, 1682. 12°.
1018. e. 30. (4.)
Les Pseaumes de David, ilis en rime
Fran^oise, par C. IMarot et T. de Beze.
(La Forme des Prieres Ecclesiastiques,
etc.) 2 pts. Esticnnc Lucas:
Charenton, 1682. 32°. 1220. a. 25.
7?i this copy a firinted slip containing
the imprint '^Amsterdam, Chez Pierre
Brunei,'" etc., is pasted at the foot of
the title-page.
Les Pseaumes de David, mis en Rime
Franvoise, par C. Marot, et T. de Beze.
(La Forme des Prieres Ecclesiastiques.)
Chc2 la Veuve De Schippers :
Amsterdam, 1683. 12°. 219. a. 1. (3.)
La Sainte Bible, etc. (Les Pseaumes de
David, IMis en rime Fran(,'oise, par C.
]\Iarot, & T. De Beze.) (La Forme des
Prieres Ecclesiastiques, etc.) 3 pts.
Chez Samuel de Tourncs :
Geneve, 1684. i". 1412. i. 1.
La Sainte Bible . . . Avec les Pseaumes de
David, mis en rime Fran^oise par C.
Marot, & T. de Beze. (La Forme des
Prieres Ecclesiastiques, etc.) 3 pts.
Cliez lean Anioine Chouet :
Geneve, 1685. 4°. 3022. h. 11.
Paraphrase des Pseaumes de David, en
Vers Francois, par A. Godeau. 1686. 12".
Set GoBERT (T.) 3433. bbb. 55.
Les Pseaumes de David, Mis en rime
Frau(;oise, par C. Marot, et T. de Beze.
(La Forme des Prieres Ecclesiastiques.)
Imprime par R. Everingham, & se vend
chez R. Benteley . . . Et chez J. J. Hind-
marsh : Londres, 1686. 12°.
1004. a. 18. (2.)
Les Pseaumes de David, mis en Rime
FranQoise, par C. Marot, & T. de Beze.
R. Everingham : Londres, 1688. 8°.
3406, c. 7. (2.)
346
PSALMS [5. FRENCH, 1G90-1711]
Les Pseaumes de David, Mis en rime
Francoise, par C. Marot, et T. de Beze.
Reduits nouvellement a une brieve &
facile methodo pour apprendre le chant
ordinaire de I'^glise. (La Forme dcs
Prieres Ecclesiastiques, etc.)
P. ct I. Blaeu : Amsterdam, 1690. 12°.
3022. aaa. 18. (2.)
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Pseaumes de David, Mis en rime
rran(;oise, par C. Marot, & T. de Beze.)
(La Forme des Prieres Ecclesiastiques,
etc.) 2 pts. Chez Daniel Du Cliemin :
Londrcs, 1693. 8°. 1109. h. 3.
La Sainte Bible ... On a ajout6 en cette
derniere Edition les Psaumes de David,
mis en rime Franc^oise par C. Marot,
& T. de Beze. (La Forme des Prieres
Ecclesiastiques, etc.) 3 pts.
Chez J. A. Cramer & P. Pcrachon :
Geneve, 1693. fol. 349- d. 3.
Imperfect, wanting all the preliminary
leaves of the dedication following fol. 2.
Les Pseaumes de David, Mis en rime
FranQoise, par C. Marot, et T. de Beze.
Eeduits nouvellement a une brieve &
facile methods pour apprendre le chant
ordinaire de I'eglise. (La Forme des
Prieres Ecclesiastiques.)
P. et I. Blaeu: Amsterdam, 1697. 12°.
3025. c. 5. (2.)
Les Pseaumes en Vers, Avec la Prose, et
La Liturgie ... des Eglises Reform^es.
Nouvelle Edition retouch^e une derniere
fois, sur toutes celles qui ont pr^ced^.
CJiez Pierre Brunei : Amsterdam,
1698. 12°. 850. d. 1.
There is a second (engraved) title-page.
Les Psaumes de David, Mis en vers
Francois. [By V. Conrart.] Revus &
Aprouvez par les Pasteurs & Professeurs
de I'Eglise & de 1' Academic de Geneve.
Pottr Vincent Miege : Geneve, 1699. 32°.
1159. b. 11.
Les Psaumes de David Mis en Vers
Franc^ois [by V. Conrart] Revus &
aprouvez Par Les Pasteurs & Les Pro-
fesseurs de I'Eglise & de I'Academie de
Geneve. Pour Louys
Durant : Geneve, [1700 ?] 32°.
3089. aa. 15.
Les CL. Pseaumes de David, Mis en rime
Fran(;oise, par C. Marot, et T. de Beze.
(La Forme des Prieres Ecclesiastiques,
etc.) Chez Pierre
Mortier: Amsterdam, [1100?] 82°.
3433. a. 25.
[Another copy.] 1159. a. 1.
Witho2it the ' Avertissement aux Lccteurs
touchant le Catechisme.'
Les Pseaumes de David. (Prierea
Ecclesiastiques.) Chez A. Dusarrat :
Berlin, 1701. 12°. 3434. a. 40.
Les Pseaumes de David en Vers. Nouvelle
Edition Retouch^e une derniere fois, sur
toutes celles qui ont pr6c6d6. (Prieres.)
(La Forme des Prieres Ecclesiastiques.)
3 pts. Chez Robert Eager : Berlin,
1701. 12°. 3090. aa. 27.
Tliere is a second (engraved) title-page.
La Sainte Bible . . . On a ajout6 en cette
derniere Edition les Pseaumes de David ;
mis en rime Fran(,'oise par C. ]Marot, & T.
de Beze. (La Forme des Prieres Ecclesi-
astiques.) Aux
depens de la Compagnic . . . chez Pierre
Mortier et J. Louis de Lorme : Amsterdam,
1702. fol. 3035. cc. 5.
La Sainte Bible . . . Avec les Psaumes de
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des Prieres Ecclesiastiques, etc.) 3 pts.
Pour la Compagnic des Libraires :
Geneve, 1705. 4°. 3025. g. 10.
Les Pseaumes de David, mis en Rime
Fran(;oise par C. Marot et T. de Beze.
Nouvelle Edition reveue et corrig^e. (La
Forme des Prieres Ecclesiastiques.)
Chez J. van Hekeren, A. Hasebroek, la
Veuve de G. de Groot, B. Bcaumond &
Conip. : Amsterdam, 1708. 12°.
3025. a. 8. (2.)
Les Psaumes de David, mis en Vers
Francois, Revus & approuvez par Les
Pasteurs & les Professeurs de I'Eglise &
de I'Academie de Geneve. Avec les
Cantiques qui se chantent dans I'Eglise
de Geneve. Pour la
Compagnic des Libraires : Amsterdam,
1708. 16°. 3434. aa. 65.
Les Pseaumes de David, Mis en Rime
Fran(;oise par C. Llarot, et T. de Beze.
Nouvelle Edition revile. Et corrige'e.
(La Forme des Prieres Ecclesiastiques.)
Chez J. van Heckcren, A. Hasebroek, La
veuve de G. de Groot, B. van Beaumont, A.
van der Putte : Amsterdam, [1710 ?] 24°.
3433. aa. 51.
There is a second (engraved) title-page.
Les Pseaumes de David, Mis en rime
Fran(;oise, par C. Marot et T. de Beze.
Reduits nouvellement a une brieve et
facile methode pour apprendre le chant
ordinaire de I'Eglise. (La Forme des
Prieres Ecclesiastiques.)
Chez les Wetsteins : Amsterdam,
1710. 12°. 3434. aaa. 40.
The title-page is engraved.
Les Pseaumes de David, Mis en rime
Fran(;oise, par C. Marot, et T. de Beze.
(La Forme des Prieres Ecclesiastiques.)
Par G[uillaume'] B[_edmayne'\ : Londres,
1710. 12°. 3433. a. 26.
Les Pseaumes de David, Mis en rime
Fran(;oise, par C. Marot & T. de Beze.
(La Forme des Prieres Ecclesiastiques.)
Gnillaume Bedmannc : Londres, 1711. S".
1409. k. 16. (2.)
PSALMS [5. FRENCH, 1712-1747]
347
La Sainte Bible, etc. (Les Psaumes de
David, en Vers Francois.) (La Forme
des Prieres Ecclesiastiques, etc.) 4 pts.
Chez Fabri c(- Barrillot : Geneve,
1712. fol. 343. a. 2.
La Sainte Bible, etc. (Les Pseaumes de
David.) (La Forme des Prieres Ecclesias-
tiques.) 3 pts. Chez Pierre
Mortier, ct Pierre Brunei : Amsterdam,
1712. 4°. 1412. i. 5.
There is a second {engraved) title-page.
Les Pseaumes de Dauid en Vers, Nouvelle
Version par F. Rivasson, etc. (Cantiquos
Sacrez. . .que Ton chante en public dans
I'Eglise de Geneve, par B. Pictet, etc.)
2 pts. Chez Francois Halma : Lcicarde,
1715. 12". 1109. a. 18.
Les Pseaumes de David, Mis en Rime
Fran(,-oise par C. Ma rot & T. de Beze.
Nouvellement retouchez par MM. D. J.
& . . Chez Steenhouwcr d Uytivcrf :
Amsterdam, 1716. 12°. 3436. f. 20.
Les Psaumes de David, &c. mis en vers
Franvois, par C. Marot, & T. de Beze,
retouchez par T. de Blanc, etc.
Jobst Heinrich Baak : Hamburg,
1716. 12\ 1409. b. 23.
Les Psaumes de David, ]\Iis en Rime
Franvoise par C. Marot. et T. de Beze.
Nouvelle Edition revue & corrig^e. (La
Forme des Prieres Ecclesiastiques.)
Chez J. de Hekeren, la Veuve G. de Groot,
A. Hasebroek, P. de Ei/sschoten, £ leurs
Associez : Amsterdam, 1716. 12°.
3022. bb. 6. (2.)
Th^'re is a second (engraved) title-page.
Les Pseaumes de David. (La Forme des
Prieres Ecclesiastiques.)
Chez Henry Dcsbordes : Amsterdam,
[1720?] 12°. 3406. aaa. 1. (2.)
The title-page is engraved.
La Sainte Bible, etc. (Les Pseaumes de
David.) (La Forme des Prieres Ecclesias-
tiques, etc.) 3 pts. Chez Pierre Brunei :
Amsterdam, 1722. 4°. 3022, h. 14.
There is a second [engraved) title-page.
Les Psaumes de David, en Vers Franpois ;
Revus & Aprouvez par les Pasteurs & les
Professeurs de I'Eglise & de I'Academie
de Geneve. (La Forme des Prieres
Ecclesiastiques.) Chez Fabri d Barrillot :
Geneve, 1723. 16°. 3435. bbb. 33.
Les Pseaumes de David, Mis en rime
Fran(;oise par C. Marot et T. de Beze.
(La Forme des Prieres Ecclesiastiques.)
2 pts. Chez les Libraires Francois :
Londres, 1728. 8°. 3022. d. 7. (2.)
Les Pseaumes de David, Mis en Vers
Francois, Revus et Approuvez par le
Synode Walon des Provinces-Unies.
Nouvelle Edition. (La Forme des Prieres
Ecclesiastiques, etc.) Chez Herman
Uvtwcrf : Amsterdam, 17'29. 4°.
1412. k. 17.
Les Pseaumes de David, j\Iis en Vers
Fran(;ois, Revus et approuvez par le
Synode Walon des Provinces-Unies.
Nouvelle Edition. (La Forme des Prieres
Ecclesiastiques.) Aiix d(^pens de
VEglise Francoise de Londres : Amsterdam,
1729. 12°. 1109. b. 18.
[Another edition.] Les Pseaumes de
David . . Approuvez par Le Synode Walon
des Provinces-Unies. Nouvelle Edition.
Aux dipens de VEglise Francoise de
Londres : Amsterdam, 1729. 12°.
846. c. 25.
Les Pseaumes de David Mis en vers
Fran(;ois, avec La Liturgie, le Catechisme,
& la Confession de Foi des Eglises
Reformees. Nouvelle Edition corrigee
sur les Precedentes. 2 pts. Chez
S. Poiccll, Aiix d('pens de G. Risk,
G. Etving, G. Smith & A. Bradley:
Dublin, 1731. 8°. 3436. i. 13.
Les Pseaumes de David, mis en vers Fran-
Qois, Revus & approuvez par le Synode
Walon des Provinces-Unies. Nouvelle
Edition. (Formulaire des Prieres Eccle-
siastiques.) Chez P. Gossc & J. Neatdme :
La Haye, 1731. 12°. 3406. aaaa. 3. (2.)
[Another copy.] 3025. c. 3. (2.)
La Sainte Bible, etc. (Les Psaumes do
David [translated in verse by V. Conrart,
and corrected.].) (Les Liturgies, etc.)
3 pts. Chez Jean Eandolphe Im-Hoff :
Basle, 1736. 4°. 349. b. 7.
Heures Chretiennes ou Occupations
Saintes, contenant les Cantiques Spirituels
et les Pseaumes . . . qu'on chante la
plupart dans les Eglises lutheriennes, etc.
1740. 8°. See Hymns. [5. French.]
3436. i. 23. (1.)
Les Pseaumes de David en Vers, [trans-
lated by V. Conrart,] Nouvelle Edition,
retouchee . . . sur toutes celles qui ont
precede. Et augmentee de quelques
Cantiques Sacrez, etc. (La Forme des
Prieres Ecclesiastiques.) Chez la Veuve
Laurent : Berlin, 1740. 32°. 3089. a. 28.
Les Pseaumes de David, Mis en Vers Fran-
(^ois, revus et approuvez par le Synode
Wallon des Provinces-Unies. Nouvelle
Edition. (La Forme des Prieres Ecclesi-
astiques.) Chez J. C&vens £ C. Mortier :
Amsterdam, 1742. 4°. 349. a. 4. (2.)
[Another copy.] 3025. g. 4. (2.)
Livre de Clavecin et d'Orgues, pour les
Pseaumes et Cantiques, de I'Eglise
Reformee, eic. 1745. 4°.
See BlankenburCt (Q. van) e. 175.
Les Pseaumes de David, mis en vers
Francois, revus et approuvez par le
Synode Walon des Provinces Unies.
Nouvelle Edition. (Formulaire des
Prieres Ecclesiastiques.) Chez D. Onder
de Linden : Amsterdam, 1747. 12°.
1109. b. 17. (2.)
348
PSAL5IS [5. FRENCH, 1747-1796] -[7. GERMAN, 1524-1526]
[Another copy.] 1409. b. 20. (2.)
[Another copy.] 3025. c. 6. (2.)
Les Pseaumes de David, mis en Vers
Fran<;'ois, Revus & approuves par le
Synode Walon des Provinces-Unies.
Nouvelle Edition. (Formulaire des
Prieres Ecclesiastiques.) Chc2
Z.Chatelaind-Fils: Amsterclam,lim. 12°.
1409. f. 20.
Les Pseaumes de David, IMis en Vers
Fran<;ois ; Revus et approuvez par le
Synode Wallon des Provinces-Unies.
Nouvelle Edition, toute en Musique, avoc
la Basse. (La Forme des Prieres
Ecclesiastiques.) Chez J. Paroissicn :
Lotidres, 1757. 8". D. 605. a.
Les Psaumes de David, mis en Vers
Francois, et les Cantiques Sacres, revus &
approuves par les Pasteurs & Professeurs
de Geneve. Avec la Musique tout au long.
Nouvelle Edition, Enrichie des Liturgies
& Prieres publiques etc. Ches Jean
Eodohihe Im-Hof : Basle, 1700. 8°.
3433. bb. 20.
Les Pseaumes de David, Mis en Rime
Fran(;oise par C. Marot et T. de Beze.
R^duits nouvellement a une brieve & facile
m^thode pour apprendre le Chant ordinaire
de I'Eglise. Avisterdavi, 1762. 12°.
Case 65. c. 18. (3.)
Les Pseaumes de David, i\Iis en vers
Francois, Revus & approuvez par le
Synode Walon des Provinces-Unies.
Nouvelle Edition. (Formulaire des Prieres
Ecclesiastiques.) Chez
H. Bakhuyzen : La Haye, 1762. 12°.
3025. b. 20. (3.)
Les Pseaumes de David. ]\Iis en Vers
Francois. Revus & approuves par le
Synode Walon des Provinces - Unies.
Nouvelle Edition. Marc-Michel Eeij :
Amsterdam, 1768. 12°. 3090. de. 5.
Les Psaumes de David. Mis en Vers
Francois, Revus et Approuves. (Can-
tiques Sacr6s, etc.) (Prieres, etc.)
Chez P. A. ChenehU : Vcvey, 1769. 12".
3408. aaaa. 20.
Wanting pp. 421-2.
Les Pseaumes de David, Llis en vers
Fran(;'ois, Revus & approuvez par le
Synode Walon des Provinces-Unies.
(Formulaire des Prieres Ecclesiastiques.)
Chez Z. Chatclain & Fils,
Arhstie & Merlms, Marc Michel Reij :
Amsterdam, 1770. 12°. 1410. e. 6. (2.)
Les Psaumes de David, Mis en Vers
Francois, Revus et approuves par les
Pasteurs et Professeurs de I'Eglise et de
I'Acad^mie de Geneve. Nouvelle Edition,
exactemeut corrig^e. (Prieres, etc.)
Chez Bormant d Both : Geneve, 1775. 10°.
3437. a. 14,
Cantiques tir^s en partie des Pseaumes . . .
Par J. Dumas, etc. 1775. 8°.
See Hymns. [5. French.'] 3455. dd. 4.
Les Psaumes de David, mis en vers
fran<;ois ; & les Cantiques Sacr6s, revus &
approuves par les Pasteurs et Professeurs
de Geneve, avec la musique tout au long.
Nouvelle Edition, enrichie des Liturgies
& Prieres publiques, & de particuli^res
sur divers sujets.
Chez La Sociiti Typographique :
Gen&vc, 1780. 12°. K. 3. a. 17.
Les Pseaumes de David, mis en vers
Fran(,^ois, revus et approuves par le Synode
Walon des Provinces Unics. Nouvelle
Edition. (Formulaire des Prieres Ecclesi-
astiques.) Chez
D. Ondcr de Linden d; Fils : Amsterdam,
1784. 12". 3022. bbb. 6. (2.)
Les Pseaumes de David, ]Mis en Vers
Fran(^ois, Revus et approvives par le
Synode Walon, des Provinces - Unies.
Nouvelle Edition. Matthieu Alexandre :
Jersey, 1786. 8". 3408. bbb. 5. (2.)
Les Psaumes de David, mis en vers, revus
et approuves. Nouvelle Edition, on la
Musique est tres-exactement corrig^e.
(Les Prieres Ecclesiastiques, etc.)
Chez Chenehie d Lurfscher :
Vevey, 1790. 12°. A. 511. a.
Les Pseaumes de David mis en Vers.
Nouvelle Edition, revue & approuvde, oil
la ]Musique est tres-exactement corrig6e.
Chez Carteret et M'Leran :
Giierncsey, 1791. 8". B. 580. g.
[Another copy.] C. 735.
Les Pseaumes de David, IMis en Vers
Francois. Revus et approuvez par le
Synode Walon des Provinces Unies.
Nouvelle Edition. (Formulaire des Prieres
Ecclesiastiques.)
Chez F. G. Onder de Linden : Amsterdam,
1796. 12°. 3022. aaa. 10. (2.)
6. Feench and Dutch.
Les CL. Pseaumes de David, Mis en rime
Fran^oise par CI. Marot, et Th. de Beze.
— De CL. Psalmen Davids, Uyt den
Francoyschen Dichte in Nederlandtschen
overgeset door Petrum Dathenum.
Joannes van Ravestcyn : VAmstelredam,
1660. 12°. 1004. a. 16. (2.)
7. Geeman.
Etlich Christliche lyeder Lobgesang, vnd
Psalm, etc. 1524. 4°.
See Hymns. [6. German.'] 1220. f. 26.
Enchiridion goystlicher gesenge vn psalme
so man itzt (Got zu lob) yn der kirchc
singet, etc. 1526. 8°.
See Hymns. [G. German.]
gase 38. c 33.
PSALMS [7. GERMAN, 1542-1597]
349
Der gautz Prialfcer Dauids, iu gsaugsweyse
gestelt, durch Hauseu Gamersfelder.
Also, das sich die Psalmen alle durch aus,
in manigfeltiger Melodey heruach auge-
zeicht, fein vn lieblich singeu lassen. Jlit
sambt audern Geystlicheu Liedern, vnd
Gesaugeu mer, so hie zu end discs Psalters,
hinzu gesetzet siud.
Juhan vom Berg, vnd Ulrich Neither :
Niirmberg, 1542. 8°. 1407. g. 21.
Ettliche Psalm sampt dem Symbols odder
Bekentuis Sancti Athanasij, Deu Christ-
lichen Gemeinen zu nutz, Vnd sonderlich
auff bitte, der Kircben zu Hall : jnn
Gesang bracht vud zugericht.
Gedruckt durch Georgen FJiaic :
Wittemberg, 1544. 4". K. 3. g. 1.
Geystliche Lieder, etc. (Psalmen vnd
Geistlicbe lieder, welche von fromen
Christen gemacht vnd zusamen gelesen
sind.) 2 pts. 1545. 8".
See Luther (M.) 3437. e. 51.
Psalmen vnd Geistliche lieder, welche von
fromen Christen gemacht vud zusamen
gelesen sind. Valentin Babst : Leipzig,
1547. 8". 3433. aaaa. 6.
This is the second part of a reprint of
' Geystliche Lieder. Mit cincr neicen
vorrhedc, D. Mart. Liith.,' etc., 1545.
Der Psalter, In News Gesangsweise, vnd
kiinstliche lleimen gebracht, durch Bur-
carduni Waldis. ]Mit icder Psalmon bc-
sondern Melodien, etc. Bci CJir. Egcnolff :
Franckfurt, 1553. 8°. 3436. f. 32.
Enchiridion Geistlicher Lieder vnd Psal-
men, etc. 1556. 8". See Luthkr (^L)
3425. e. 20.
Geystliche Lieder, etc. (Psalmen vnnd
Geistliche lieder. . . Aufis newe vbersehen,
gebessert vnd gemehret.) 2 pts.
1557. 8°. Sec Luther (M.)
1221. b. 32.
Geystliche Lieder, etc. (Psalmen vnnd
Geystliche Lieder . . . Auffs newe vber-
sehen, gebessert vnd gemehret.) 2 pts.
1558. 8". See Luther (M.)
1221. b. 33.
Geistliche Lieder vnd Psalmen, etc.
1567. 8". See Leisextrit (J.) A. 255.
[Another copy.] 3433. bbbb. 35.
Der gantz Psalter Dauids, wie derselbig
in Teutsche Gesang verfasset, mit vier
Stimmen. . .von newen gesetzt, etc.
1569. obi. 4°. See Hemmel (S.) A. 229.
Geystliche Lieder D. Martin Luthers...
Mit vil schonen Psalmen vnd Liedern
gemehret, etc. 1570. 8". Sec Luther (M.)
1221. b. 52.
Di Psalmen Davids In Teutsche gesang-
reymen, nach Franzosischer melodeien
unt sylben art. . .gebracht von ]\Ielisso, etc.
Michael Schiral : Haidelberg, 1572. 8".
3089. a. 22.
Der Psalter dess Koniglicheu Propheteu
Dauids, In deutscho reymen ... gebracht,
. . . Durch . . . Ambrosium Lobwasser , . .
Und hieriiber bey einem jeden Psalmen,
seine zugehorige vier stimmen, etc.
Hanss Steinmann. Ti/jns Voegelia)iis :
Leipzig, 1573. 8°. Case 65. bb. 13.
Geistliche lieder vnd Psalmen . . . zusamen
bracht, gemehret vnd gebessert. . .Durch
. . . J.Leisentrit,c^c. 1573. 8".
See Leisentrit (J.) 1221. b. 56.
Der Zwolffte vnd Vier vnd zwautzigste
Psalm Dauids . . . AufEs newe in ettliche
Stimmen gesetzet, etc. 1576. obi. 4°.
See Schroeter (L.) A. 415. a.
Gesangbiichlin von Psalmen . . . vnd Gaist-
lichen Lidern . D. Mar. Luthers, etc.
1576. 8". See Luther (]M.)
Case 25. b. 29.
Gesangbiichlein Geistlicher Psalmen,
Hymnen, Lieder vnd Gebett, Durch
etliche Diener der Kirchen zu Bonn...
Zusammen getragen. Zum Dritten auffs
new gemehret, etc. 8 pts. 1577. 12".
See Hymns. [6. German.'] A. 620. o.
Psalmen, geystliche Lieder vnd Gesiinge,
sambt etlichen Gebetcen. D. Mar. Luth.
Auch Anderer Gottscliger Lehrer vnnd
Manner, ... in eyne richtige ordnung
gebracht. Gedruckt. . .durch
Theodosium RiJiel: Strassburg, 1578. 8".
3090. cc. 6.
Die Psalmen Dauids in allerlei Teutsche
gesangreimen bracht : Durch Casparum
Ulenbergium. Gedruckt. . .durch
Gcrwinum Calenium vnd die Erbcn Juhan
Qucntels : Coin, 1582. 8". 3433. de. 22.
Newe Teutsche Liedlein, aus den zwOlff
ersten Psalmen Dauidis . . . mit dreyen
Stimmen gemacht, etc. 1585. obi. 4".
Sec Dedekind (E.) A. 9.
Christliche Psalmen, Lieder, vnd Kircheu-
gesenge, etc. 1587. 4°.
See Selneccerus (N.) 3425. cc. 36.
Cantica Sacra. .. ad daodeciiu modos ex
doctriua Glareani accommodata . . . ab
Francisco Elero . . . Accesserunt in fine
Psalmi Lutheri, & aliorum ejus seculi
Doctorum, itidem Modis applicati.
1588. 8^ Sec Elbrus (F.) K. i. b. 9.
Gesangbuch : Christlicher Psalmen, vnd
Kirchen Lieder, D. Martini Lutheri, vnd
anderer frommen Christen, etc. 2 Th.
1594 (1593). i". See Fritzsch (M.)
3435. g. 20. (2.)
Der Psalter des Kouiglichen Propheten
Dauids nach Frantzosischer art vnd
Melodey in Deutsche reimen gebracht.
Durch Ambrosium Lobwasser . . . Mit vier
stimmen vnterschiedlich gedruckt . . .
Und ist in diesem Buch gefiihret der Bass.
hi vorlegung Henning Grossen :
FAsslehen, 1597. 16". 1221. a. 3.
350
PSALMS [7. GERMAN, 1598-1619]
Psalmeu Dauids, nach Frantzosischcr
Melodey vnd Reyiiieu art in Teutsche . . .
gebracht Durch Ambrosium Lobwasser . . .
Sampt etlicheii andern Psalmen vnd
geistlichen Liedera, etc. (Catechismus,
etc.) 2 pts. Gedruckt. . .durch Chrisiof
Eaben: Herboru, 1598. 8°. 3090.1.24.
Geistliche Psalmen vnd Lieder, wie sie . . .
zu Weickersheim . . . gebraucht werden,
7c. mit vier Stimmen componirt, etc.
1604. 8". See Widmann (E.) A. 187.
Musse Sionise Michiielis Praetorij _ C.
Darinuen Deudsche Psalmen vnd geist-
liche Liedei- . . . gesetzet sein. (Erster
Theil, etc.) 1G05. 4°.
See Praetoeius (M.) B. 372. i.
[Another copy.] B. 272. b.
Psalmen Dauids, wie die hiebeuor . . . in
Teutsche Gesang-reimen durch . . .
CasparumUlenbergium bracht : Nachmals
aber . . . mit vier Stimmen gesetzt, Vnd
. . .auffs New. . .vbersehen und Corrigiert
. . .Durch Cunradum Hagium, etc.
1606. fol. See Hagius (C.) 3434. h. 7.
Psalmen Dauids, Nach Frantzosischcr
Melodey vnd Reymen art in Teutsche
Reymen . . . gebracht Durch Ambrosium
Lobwasser . . . Sampt etlichen andern
Psalmen vnd geistlichen Liedern, etc.
Gedruckt. . .durch Christoff Babcn :
Herboru, 1606. 8°. Case 15. a. 7. (2.)
766 Geistliche Psalmen, Hymnen, Lieder
vnd Gebet . . . Durch . . . Martin Luther,
audi audere . . . Lehrer . . . gemacht.
Alles . . . von neuem iibersehen, corrigirt,
alle Psalmen desz gantzen Psalters gesetzt
vnnd vermehrt, etc. Valentin Fuhrmann :
Niirnbcrg, 1607. 8". 3425. aaa. 25.
Psalmen vnd Christliche Gesang, mit vier
Stimmen, auff die Melodeyen fugweis
componiert, etc. 1607. 4".
See Hassler (H. L.) C. 68. b.
MusEe Sionise Geistliche Concert Gesange
vber die f iirnenibste Deutsche Psalmen . . .
mit VIII. vnd xii. Stimmen gesetzet...
Ander Theil. 1607. 4°.
See Praetorius (M.) B. 372. e.
Musse Sionise Geistliche Concert Gesange
vber die fiirnembste Deutsche Psalmen
vnd Lieder... mit viii. ix. vnd xii.
Stimmen gesetzet. . .Dritter Theil.
1607. 4°. See Praetorius (IM.)
B. 272. d.
Musse Sionise Geistliche Concert Gesange
vber die fiirnembste Deutsche Psalmen
vnd Lieder. . .mit viii. Stimmen gesetzet
...Vierdter Theil. 1607. 4".
See Praetorius (M.) B. 272. e.
IMusse Sionife . . . Geistlicher Deutscher . . .
Kirchen. . .Lieder vnd Psalmen mit ii.
III. IV. V. VI. vii. viii. Stimmen. Fiinfftcr
Theil. 1607 (1608). 4".
Sec Praetorius (M.) B. 272. f.
Herrn D. Martini Lutheri . . . Psalmen
vnnd Geistliche Lieder... in vier Stimm
gebracht. Durch M. Gothardum Ery-
thrseum, etc. 1608. 4°.
See Erythr^:us (G.) C. 704.
Psalmen Davids Nach Frantzosischer
Melodi vnd reimen art : Durch D. Ambros.
Lobwasser. Sampt etlichen andern
Psalmen vnd Geistlichen Liedern, etc.
Gedruckt. . .durch Michael
Forstern : Amberg, 1608. 12".
3433. de. 23.
Kirchenges'i'ing : Psalmen vnd geistliche
Lieder, auH die gemeinen Melodeyen mit
vier Stimmen simpliciter gesetzt, etc.
Cantus. 1608. 4". See Hassler (H. L.)
B. 92. a.
Musse Sionise. . .Deutscher Geistlicher. . .
Psalmen vnd Lieder, ]\Iit iv. Stimmen.
Siebender Theil. 1^09. 4".
See Praetorius (M.) B. 272. h.
Musse Sioniaj. . .Deutscher Geistlicher. . .
Psalmeu vnd Lieder, Sechster Theil.
1609. 4\ See Praetorius (M.)
B. 272. g.
[Psalmen Davids, nach Frantzosischer
JMelodey vnd Reymen art in Teutsche
Reymen artig gebracht, efc.] 1612. fol.
See Maurice, Landgrave of Hesse-Casscl.
F. 1089.
Ecclesiodiaj das ist Kirchen Gesang.
Nemblich die gebriiulichsten Psalmen
Davids . . . Mit 4. 5. vnd 6. Stimeu
componirt, etc. 1614. 4°.
See Walliser (C. T.) D. 240.
Psalmen Davids, Nach Frantzosischer
melodei vnd reimen verstendlich vnd
deutlich gebracht durch Ambrosium
Lobwasser . . . Und hieriiber bey einem
jeden Psalmen seine zugehorige vier
stimmen. Sampt etlichen Psalmen xr\d
geistlichen Liedern, so von Herrn
D. Luthero vnd andern gotseligen leuten
gestellet. (Catechismus, etc.) 2 pts.
Gedruckt. . .durch Christoff
Baben : Herbwn, 1615. i°.
3035. bb. 1. (2.)
Geistlichen INIusicalischen Lustgartens
Erster Theil : Darinnen allerley . . .
Harmonien, von Psalmen, etc. 1616. 4".
See Franck (M.) C. 193. y.
Der Psalter Davids Gesangweis, Auff die
in Lutherischen Kirchen gewohnliche
Melodeyen zugerichtet, Und wieder auffs
new vbersehen, durch Cornelium Becker,
etc. Gedruckt bcij
Lorentz Kober. In Verlegung BartJiulo-
mwi Voiqts : Leipzig, 1619. 16°.
1111. b. 44.
Psalmen Davids, sampt Etlichen Moteten
vnd Concerten mit Acht vnd mehr
Stimmen, etc. 1619. fol.
See Schuetz (H.) G- 483.
PSALMS [7. GERMAN, 1621-1674]
351
Der Psalter Davids Gesaugweis, Auff die
iu Lutherischen Kircheu gewohnliche |
Melodeyen zugerichtet durch Cornelium
Becker, etc. Bey Ahraliam Lamberg. In
veiiegtmg Bartholomxi Voigts : Leipzig,
1621. 8". 3090. i. 28.
Psalmen Dauids, Nach Frantzosischer
ilelodey vnd Reymen art in Teutsche
Reymeu . . . gebracht durch Ambrosium
Lobwasser . . . Sampt etlichen anderu
Psalmen vnd geistlichen Liederu, etc.
Gedruckt . . . durch Christoff Raben Erhen :
Herborn, 1623. 8°. 466. a. 14. (2.)
Wantiiig fol. G 8-L 1.
Ambrosij Lobwassers . . . Psalmen Davids
nach Frantzosischer Llelodey in Teutsche
Reimen gebracht . . . Item : D. Martin
Luthers vnd anderer gottseliger Leuth
geistlichen Liedern vnd Kirchen-Gesiingen,
etc. 4 pts. Gedruckt in Verlag Joliann
Carl Unckels : Franckfurt am Mayn,
1623. 8". 1220. g. 16.
Psalter Des H. Propheteu Dauids vnter
allerley j\Ielodeyen in Teutsche Gesaug-
reimen bracht. Durch Casparum Vlen-
bcrgium . . . Mit sampt andern newlich
beygefiigten Lobsengen,e/c. Gedruckt.. .
Durch JoJiannem Kreps : Coin, 1630. 12".
3436. c. 1. (1.)
Psalmodia Regia, das ist : Ausserlesene
Spriiche aus den ersten 25 Psalmen . . . mit
2. 3. 4. vnd 5. Stimmen . . . componirt . . .
Erster Theil, etc. 1632. 4°.
Sec Michael (S.) C. 232.
Newes Geistliches Musicalisches Wein-
Giirtlein, ... so von den . . . Psalmen
Davids, vnd andern Geistreichen . . .
Liedern . . . gepflanzet, etc. 1633. 4".
See PuLsiTivA (J.) pseud. B. 122.
Kirchen Gesiing : Psalmen vnd geistliche
Lieder von weiland Herrn J. L. Haszler
. . . auff die gemeinen Melodeyen, mit vier
Stimmen simpliciter gesetzt. Nun . . .
mit andern Kirchen Gesiingen vermehret,
durch Sigmund Theophilum Staden, etc.
Cautus. (Altus.) (Tenor.) (Basis.) 4 pts.
1637. 4". See Hassler (H. L.)
B. 92. d.
Die Psalmen Davids. Nach den Frant-
zosischen Weisen gesetzt. Durch M.
Opitzen. Jetzo auffs newe verbessert.
Martin Wagiicr, in verlag Ludwig Konigs :
Basel, 1640. 12". 3425. e. 10.
Triumphus Musicus Spiritualis : Das ist :
Newe Geistliche Triumph Lieder, darunter
. . . Trostreiche Psalmen . . . Mit 6. vnd 8.
Stimmen sampt dem Basso Continue, etc.
Cantus I. (Cantus ii) (Altus) (Bassus)
Chori Superioris. (Altus (Tenor i) (Tenor
ii) (Bassus) Chori Inferioris.) 8 pts.
1640. 4". Sec Movius (C.) B. 106.
Cantional, oder Gesang-Buch Augs-
purgischer Confession, etc. 1645. 8".
See ScHEiN (J. H.) B. 133. f.
Geistliche Kirchen-^Melodieu, Uber die. . .
Gesange und Psalmen, etc. 1649. 4°.
See Crueger (J.) B. 114. d.
Harmonisches Chor- vnd Figural Gesang-
Buch . . . Worinnen die Psalmen vnd
Geistliche Lieder . . . D. Martin Luthers,
vnd andere . . . Lehrer begriSen, etc.
1651. 8". See Erhardi (L.) B. 299.
Johann-Wilhelm Simlers Teutsche Ge-
dichte : darinnen i. Haubtbegriffliche
Inhiilte der Psalmen Davids . . . enthalten
sind, etc. 1653. 8". See Simler (J. W.)
11517. bbb. 6.
Psalmen Davids, nach Frantzosischer
melodei vnd reimen art in Teutsche reimen
. . .gebracht durch Ambrosium Lobwasser
. . .Und hieriiber bey einem jeden Psalmen
seine zugehorige vier stimmen. Sampt
etliche Psalmen vnd geistlichen Liedern,
so von Herrn D. Luthero vnd andern
gotseligen leuteu gestellet. (Catechismus,
etc.) 2 pts. Gedruckt. . .durch Christoff
Rabcn Erhen : Herborn, 1654. 4".
3035. bb. 4. (2.)
Dressdenisch Gesangbuch Christlicher
Psalmen und Kirchenlieder. . Jetzo aulTs
neue revidirt, etc. 1656. 4". 3408. f. 7.
Psalmodia Sacra, Das ist : Des Koniges
...Davids Geistreiche Psalmen, durch
Ambrosium Lobwasser ... in Deutsche
Reim-Art versetzet : Denen auch des
H. D. Lutheri und Anderer. . .Leute. . .
Lieder. . .beygefiiget, etc. 2 pts.
See Crueger (J.) 1658, 57. 8".
B. 114. a.
Psalmen Davids, nach Frantzosischer
Melodey in Deutschen Reimen gebracht,
durch D. Ambros. Lobwasser. 3 pts.
Joachim Nosche : Amsterdam, 1659. 12°.
1407. a. 2.
Psahnen Davids, hiebevor in deutsche
Reime gebracht durch D. Cornelium
Beckern, etc. 1661. fol. See Schuetz (H.)
G. 483. b.
Konigliche HarfE des... Sanger Fiirsten
Davids. Nach Lobwasserischer Reim-art
...mit 4. Vocal und pro Complemento
3. Instrumental-Stimen nebenst General-
Bass auffgesetzet, etc. 1663 (1662). 8".
See Crueger (J.) B. 114. b
Johann - Wilhelm Simlers Teutscher
Gedichten die Dritte. . .Aussfertiguug : in
sich halteud I. Aller Psalmen Davids
HaubtbegrifE, etc. 1663. 8".
See Simler (J. W.) 11526. cc. 20.
Gross Kirchen-Gesang-Buch, darinnen
ausserlesene, reine, Geistliche Lieder und
Psalmen, etc. 1664. fol.
See Hymns. [6. German.] 3405. g. 16.
Konigs Davids Goldnes Kleinod, oder
Hundert und Neunzehender Psalm, etc.
1674. 4". See Dedekind (C. C.)
C. 205.
352
PSALMS [7. GERMAN, 1674-1707]
Johanii Frauckens Geibtliches Sion, das
isfc: Neue Geistl. Lieder, mid Psalmen,
etc. 1674. 8". See Franck (J.) of Guhen.
3425. g. 30.
lAist- und Artzeney-Garten des Konig-
lichen Propheten Davids. Das ist Der
gautze Psalter in teutscho Verse iibersetzt
. . .Da zugleich jedem Psalm eine beson-
dere neue Melodey, niit dem Basso Con-
tiuuo [composed chiefly by H. Graden-
thaler] . . . beygefiigt wordeu ... in Druck
gegebeu durch ein Mitglide der Hochlobl.
Fruchtbringonden Gesellschaft [J. L.
Prasch]. 2 pts. Gedruckt bei C. Fischern.
Ill Verlcgung G. S. Freysingers des ciltern,
und J. Conrads : Ecgenspiirg, 1675. 8".
Case 66. b. 19.
Psalmodia Davidis in Templis Hassiacis
usitata, etc. 1675. 4".
.sve Brandaw (J. G.) C. 108.
Geistrciches Gesang-Buch, an D. Cornelij
Beckers Psalmen und Lutherischen
Kirchen-Liedern, mit ihren Melodeyen
unter Discant und Basso, samnit einem
Kirchen-Gcbeth-Buche, etc. (Der Psalter
Davids, nach bekannten Kirchen-Melodien
durch D. Cornelium Beckeru verfasset,
aufs neue aber, mit H. Schiitzens . . .
eigencn Gesang-Weisen aufgeleget.) (Neu-
eiugerichtetes Gesang-Buch, Herrn D.
Martini Lutheri, und Anderer. . .Christen
gebriiuchlicher Kirchen-Lieder, mit ihren
Melodeien, unter Discant und Basso.)
(Kirchcu-Gcbcth-Buch.) [With a preface
by C. Bernhard.] 3 pts.
P. A. Hamann (C. Bcmmann) :
Dresden, 1676. 4°. 3425. m. 18.
Heilige Palmeu, und Christliche Psalmen,
etc. 1680. 8°.
See Arkschwanger (J. C.)
3438. ff. 26. (1.)
Neu Leipziger Gesangbuch ... in welchem
. . .des sel. Herrn D. Lutheri. . .Gesange,
Ijateinische Hvmni und Psalmen . . . zu
linden, etc. 1682. 8". See Vopelius (G.)
C. 5.
Die Psalmen Davids, In Teutsche Reymen
gebracht durch Ambrosium Lobwasser
. . . Denen beygefiigt seyn Anderer Psal-
men, geistliche Lieder, und der Catechis-
mus, 1c. Frank Sas :
Diiisburg am Bhein, 1684. 8".
3041. ccc. 3. (2.)
Joachimi Neandri Glaub- und Liebes-
Ubung: auffgemuntert durch. . .Bundes-
Lieder und Danck-Psalmen, etc.
1686. 8°. See Hymns. [6". German.']
3434. b. 45.
Johann - Wilhelm Simlers Teutscher
Gedichten die Vierte . . . Aussfertigung :
In sich haltend I. AUer Psalmen Davids
Haubtbegriff, etc. 1688. 8°.
See SiMLER (J. W.) 3434. ce. 47.
Der Psalter dess H. Propheten Dauids
vnter allerley Melodeyen in Teutsche
Gesang Reimen gebracht durch Casparum
Ulenbergium. . .Mit sampt ersetzten und
Verbessertc Noten auch Uhralten bewahrr-
Lob- und Kirchen Gesiingcn, etc. (Anhang
dess Psalmen-Buchs, Sozu Aachen . . .
gebriiuchlich, etc.) 2 pts.
Beii Johan Odendall : Ciillen, 1694. 12".
1159. c. 12.
Die Psalmen Davids nach Frantzosicher
Melodey in Teutsche Reymen gebracht
durch Ambrosium Lobwasser. Auch
andern Psalmen und Geistliche Lieder,
etc. 3 pts. Heinrich Wetstein :
Am.sterdam, 1G91. 12°. 218. b. 19. (2.)
Part II. is dated 1696.
Joachimi Neandri Glaub- und Liebes-
Ubung: Auffgemundert durch einftiltige
Bundes-Lieder uud Danck-Psalmen, etc.
1698. 8". Sec Hymns. [0'. German.']
3434. b. 55.
Des Konigs. . . Davids Geistreiche Psalmen
...vormals mit 4. Vocal- und 3. Instru-
mental - Stimmen nebst dem Basso
continue aufgesetzct. . .Itzo. . .iibersehen,
und in 4. Vocal-Stimmen, zum Druck
befordert . . . Cantus & Bassus. 3 pts.
1700. 8". See Crueger (J.)
3425. bbb. 28.
Die Psalmen Davids, Nach Frantzosischer
Melodey in Teutsche Reymen gebracht
durch D. Ambrosium Lobwasser, auch
Andere Psalmen und Geistliche Lieder,
etc Heinrich Wetstein :
Amsterdam, 1101. 12". 3040. aa. 6. (2.)
Forming part of ' Biblia — Teutsch...
Samt angefilgtem volstdndigen Ge-
sang-Buch,'' etc.
Die Harp fe. . .Davids. . .angestimet und
mit. . .Fest- und Haussgesangen begleitet,
etc. 1701. 8°. See Hardmeyer (J. K.)
B. 983.
Davids Kleinod, bestehend aus Hundert
und funflzig Psalmen, etc. 1703. 4".
See MOELLER (C.) C. 270.
Die Psalmen Davids, nach Frantzosischer
Melodey in Teutsche Reymen gebracht
durch D. Ambrosium Lobwasser. Auch
andere Psalmen uud Geistliche Lieder,
etc. Bey Heinrich Wetstein :
Amsterdavi, 1704. 12°. 1216. b. 25.
Forming part of ' Biblia. . . Teutsch. . .
Samt angefitgtem Vollstandigcn Ge-
sang-Bjich,' etc.
Joachimi Neandri Vermehrte Glaub- und
Liebes-Ubung, Auffgemuntert durch ein-
faltige Bundes-Lieder, und Danck-Psalmen
. . . vermittelst dieses Siebenden Drucks,
nach . . . neu-componirten . . . Sing-Weisen
eingerichtet. . .Durch G. C. Strattner, etc.
1707. 8". ASec Hymns. [6. German.]
3425. b. 11.
PSAL]\rS [7. GERMAN, 1717-1758]
353
Des Koniglichen Propheten Davids Geist-
reiche Psalmen nach Frantzos. Melodey
in teutsche Reymeu gebracht, durch
D. Ambros. Lobwasser, samt einem
geistreicben Gesang-Biicblein ... In drey
Blichern abgefasset . . Zum dritten mal
aufgelegt, und . . . vermehret. (Neu-
vennebrtes Gesang-Biichlein, geistreicher
. . .Kirchen-Lieder, Herrn Doct. Martin
Lutbers und anderer Gottesgelebrten
Manner, rfc.) 3 pts. J. Lorentz :
Berlin, 1717 (1716). 12".
3425. bbb. 2. (1.)
Yollstiindige Kircbeu- und Haus-Music,
darinneu ausserleseue Gesiinge, Psalmen
und Hymni, <'/c. [1720?] 8".
Sec Hymns. [6". German.'] 3425. e. 24.
Die Psalmen Davids, zum Cbristlicben
Gesang in Reimen gebracbt, von D.
Ambrosio Lobwassern ; . . . welcben Hn.
Joacbimi Neandri Geistreicbe Bundes-
Lieder und Danck-Psalmen mit beyge-
fiiget, etc. 3 pts.
Bey Hcnrich Wilhelm Meyers sel. Wiifice :
Lemgo, 1727. 8". 1003. e. 27. (2.)
Neu-aufgesetztes, voUstiindiges, Psalm-
und Choral-Bucb, etc. Zweyte Auflago.
1735-G. 4". See Mueller (J. M.)
D. 604. (1, 2.)
Des Kouigs luid Propbeten Davids Geist-
reicbe Psalmen, nach Frantzosiscben
iMelodicn in Teutscbe Reimen gebracbt,
diircb D. Ambros. Lobwasser, Samt
einem geistreicben Gesang-Biicblein ; . . .
Nebst dem Cbur- Pfiiltziscben Catecbismo
. . .In drey Biichern abgefasset, etc. 3 pts.
Gcdriicld . . . von
Johann Lorentz nachgelassenen Witt we:
Berlin, 1786. 12". 3425. e. 9.
Printed in agenda form.
Neu-eingericbtetes Gesang-Bucb, welcbes
in sicb bait Die Psahnen Davids, Nach
Frantzosiscber Melodie durch D. Amb.
Lobwasser in Teutscbe Reimen gebracht,
etc. 1737, 1736. 8^
Sec Hymns. [«. German.']
845. a. 3. (1, 2.)
Harmonischer Lieder-Schatz, oder Allge-
meines Evangelisches Choral - Buch,
Welches die Melodieu derer . . . biss bieher
eingefiibrten Gesiinge uusers Teutsch-
landes in sicb halt. . .Ferner. . .die Melo-
dien derer Hundert und Funftzig Psalmen
Davids, wie solcbe in denen Gemeindcn
der Reformirten Kirche gesungen werden,
etc. 1738. obi. i". Sec Koenig (J. B.)
B. 115.
Neu-verbessertes Kircben-Gesang-Bucb ,
verfassend die 150. Psalmen Davids, in
Deutsche Reimen gebracbt von Ambrosio
Lobwasser, etc. 1738. 8°.
See Hymns. [6. German.]
Case 25. g. 1.
VOL. II.
Vermehrter Anbang zu dem Miillerischen
Psalmen- und Choral-Bucb, etc.
1741. 4°. See Mueller (J. JI.)
D. 604. (3.)
Die Psalmen Davids nach D. Ambrosii
Lobwassers Uebersetzung . . . Wie auch
Alte und Neue auserlesene Geistreicbe
Lieder . . . Nebst dem Chur-Pfaltzischen
Catecbismo, etc. 3 pts. Gedrnckt bey
Emanuel Schneiderii : Halle hn Magdc-
biirgischen, 1745. 8". 3425. bbb. 29.
Fart 3 is imperfect, icanting all after
i). 92.
Die Psalmen Davids, ... in Reimen
gebracbt von D. Ambrosio Lobwassern;
Samt denen gebriiucblicben alten und
neuen Kircben-Gesiingen verschiedener
Gott-gelebrten Manner. . .Welcben Hn.
Joacbimi Neandri Geistreicbe Bundes-
Lieder . . . mit beygefiiget, nebst dem
Heydelbergischen Catecbismo, etc. 3 pts.
Gedruckt und
Verlcgt von Johann Hcinrich Meyern :
Lemgo, 1749. 8". 1219. c. 29. (1.)
Die Psalmen Davids . . .in Reimen gebracbt
von D. Ambrosio Lobwassern ; . . . Welcben
Hn. Joacbimi Neandri. . .Bundes-Lieder
und Danck- Psalmen mit beygefiiget,
etc. Gedruckt. . .von Johann
Heinrich Meyern : Lemgo, 1753. 8".
846. c. 26.
VoUstiindiges Hessen-Hanauiscbes Choral
Bach, welches ... die Melodieu der 150
Psalmen Davids. . .in sicb lasset, etc.
1754. 4". Sec Mueller (J. D.)
D. 603.
Vierstimmiges Psalmbucb, das ist, D'
Ambrosij Lobwassers Psalmen Davids,
transponiert durch J. U. Sulzberger . . .
Mit Verbesseniug der undeutlicben Re-
densarten, samt neuen Festgesangen,
etc. In Uoch-
Oberkeitl. Drtickerci/ : Bern, 1757. 8".
A. 511. c.
Neu-verbessertes Kircheu-Gesang-Buch,
Verfassend die 150 Psalmen Davids, in
teutscbe Reimen gebracht von Ambrosio
Lobwasser, etc. 2 pts. 1757. 8".
See Hy'mns. [6. German.]
3040. aaa. 6. (2.)
D. Ambrosias Lobwassers Psalmen Davids.
Mit einem . . . vermehrten Gesang-Buche ;
. . . Auf . . . Verordnung des . . . Herrn
Victor Friederichs . . . Fiirsten zu Anhalt
... in alien Gemeinden dero Fiirstl.
Lande zu gebrauchen. (D. Martin Lutbers
und anderer Gottseliger Manner Geistliche
Lieder und Psalmen, anjetzo noch mit
Joacbimi Neandri . . . Bundes-Liedern
vermehret, auch mit denen nothigsten
Melodeyen verseben, etc. 3 pts.
Zu fttulen bey J. L. Starcken : Bernhurg,
1758 (1757). 8°. 3425. bbb. 31.
2 A
354
PSALMS [7. GERMAN, 17G6-1788]— [10. HUNGARIAN, 1607-1730J
Anhalt-Dessauischos Gesang-Buch, darinn
die Psalmen Davids nacli einer neuen . . .
Uebersetzung, etc. 3 pts. 176G. 8".
See Hymns. [6. German.] 3425. h. 1.
Neues Bremisches Psalm- und Gesangbuch
. . . berausgegeben von dem Breiniscben
Ministerio. Bey sel. H. E. Jani Witttve
und Dicdrich Meier : Bremen, 1767. 8".
3425. g. 10.
Neues Bremiscbes Psalm- und Gesang-
bucb zur offentlicbeu und besonderen
Erbauung der Reformirten Stadt- und
Landgemeinden . . . berausgegeben von
dem Bremiscben Ministerio. (Zwote
Auflage.) Bey sel. H. C. Jani Wittwe
und D. Meier : Bremen, 1769. 8°.
3425. aaa. 23.
Herrn Doctor Cramers libersetzte Psalmen
mit lilelodien zum singen bey dem
Claviere. 1774. obi. fol.
See Bach (C. P. E.) F. 324. e.
Gesang-Bucb, darinn die Psalmen Davids
und alte und neue Lieder . . . enthalten sind,
etc. 1774. 8".
See Hymns. [6. German.] 3425. la.. 2.
Psalmen und Cbristlicbe Gesiinge, mit
vier Stimmen, auf die Melodien fugenweis
componirt, etc. See Hassler (H. L.)
I. 507.
Des Konigs und Propbeten Davids geist-
reiebe Psalmen, nacb franzosiscben Melo-
dien in Teutscbe Reimen gebracbt, durcb
D. Ambros. Lobwasser, samt einem neu
vermebrten Gesangbucb auserlesener geist-
reicber Lieder, nebst dem Cbur-Pf alziscben
Catecbismo, etc. 3 pts. C. F. Rellstab :
Berlin, 1778. 12". 3425. aa. 35.
Printed in agenda form.
Des Neu-verbesserten vierstimmigen Kir-
cben-Gesang-Buebs verfassend die 150
Psalmen Davids, in deutscbe Reimen
gebracbt von Ambrosio Lobwasser, etc.
3 pts. 1787-85-86. 8°.
See Hymns. [6. German.] 3425. g. 2.
Neu-verbessertes Kircben-Gesang-Bucb
verfassend die 150 Psalmen Davids in
deutscbe Reimen gebracbt von Ambrosio
Lobwasser, etc. 4 pts. 1788. 8".
See Hymns. [6. German.] 3425. i. 2.
8. German and French.
Das Newe Testamet . . . Teutscb vnd
Frantzosiscb. Sampt dem Gesangbucb,
etc. — Le Nouueau Testamet . . . Allemand
& Francois : Auec les Pseaumes de Dauid,
Cantiques, Prieres ... & Catecbisme, de
I'AUemand mis en Frau(?ois pour I'vtilite
de la leunesse. (Psalmen Dauids in
Teutscb vnd Frantzosiscbe Reymen artig
gebracbt sampt Andern Psalmen vnd
Geystlicbe Liedern, etc.) 2 pts.
Thomas Willier, vnd Johan le Clercq :
Hanaiv, 1612. 8°. 3049. bb. 19.
9. Greek.
'Va\Ty]pi>iv vpo(pr]Tov (coi 6a(TiAfws rov AaviS.
— Davidis regis ac propbetae Psalmorum
Liber, secundum exemplar Vaticanum,
Romae editum, Parisiensis Ecclesiae usibus
accommodatum ; cui accedunt Hymni
nonnuUi, necnon & Modus ministrandi &
respondendi in Missa, e Latino in Grsecum
translati. Exbibet Joannes-Mauricius
Sucre du Plan, etc. Ex
Typograpliia Philippi-Dionysii Pierres :
Parisiis, 1786. 12». 1407. c. 12. (1.)
10. Hungarian.
Psalterium Ungaricum. Szent David
Kiralynac es Propbetanac szaz otven
Soltari az Franciai notdknac 6s verseknec
modgyokra most uyorman Magyar versekre
forditattac es rendeltettec, az Szenci
]\Iolnar Albert altal. Hodos
Christof: Herbornaban, 1607. 12°.
3434. a. 1. (1.)
Szent Davidnac Soltari, az Franciai
notaknac es verseknec modgyokra Magiar
versekre forditattac 6s rendeltettec az
Szenci Molnar Albert altal. Hanoviaban :
1608. 4°. 1411. k. 15. (2.)
Szent Davidnac Soltari az Franciai
notaknac es verseknec modgyokra Magyar
versekre forditattac es rendeltettec az
Szenci Molnar Albert Altal, etc. Galler
Hieronymus : Oiipenhemiumban, 1612. 8°.
Case 15. a. 7. (1.)
Forming Part III. of tlie Hungarian
Bible of 1612.
Szent David Kiralyuak es Profetanak szaz
otven Soltari a' Franciai notaknak es
verseknek modgyokra Magyar versekre
forditattak es rendeltettek. Szenci
IMolnar Albert altal. Jansonius Janos :
Amstelodamban, 1645. 8°.
1410. c. 11. (2.)
Szent David Kiralynak 6s Profetanak szaz
otven Soltari a' Francziai N6t4knak e's
Verseknek modjokra Magyar Versekre
fordittattak 6s rendeltettek, Szentzi
Molnar Albert dltal. Kis
Miklds : Amstelodambaji, 1686. 12°.
3061. b. 29.
Magyar Biblia, etc. (Szent DAvid Kird-
lynak es Prof6t4nak szAz otven Soltari.
A' Francziai N6tAk 's Versek szerint
Magyar Versekre fordittattak 's rendel-
tettek Szenci ]\Iolndr Albert Altai.) 2 pts.
[Leyden, 1719.] 8°. 1410. c. 12.
Szent David Kiralynak 6s Profetanak szaz
otven Soltari a' Francziai Notaknak 6s
Verseknek modjokra IMagyar Versekre
fordittattak 63 rendeltettek, Szentzi
Molnar Albert altal.
Anselmus Muntendam : Ultrajectumban,
1730. 8°. 463. a. 12. (2.)
PSALMS [10. HUNGARIAN, 1737-1792]— [13. LATIN, 1486-1494] 355
Szent David Kiralynak es Profetanak szaz
otven Soltari a' Frantziai Notaknak es
Verseknek modjokra Magyar Versekre
fordittattak es rendeltettek. Szentzi
Molnar Albert altal. Rcers W. Jdnos :
VUrajectumban, 1737. 8".
3061. c. 2. (2.)
Szent David Kiralynak 6s Profetanak
szaz otven 'Soltari, a' Frantziai Notaknak
es Verseknek modjokra, MagA-ar Versekre
fordittattak es rendeltettek Szentzi Mol-
nar Albert altal'.
Recrs W. Jdnos : Ultrdjcdumban,
1765. 8". 3061. c. 6. (2.)
Szent David Kiralynak es Profetanak szaz
otven 'Soltari. A' Frantzia Notaknak es
Verseknek modjokra, Magyar Versekre
fordittattak 6s rendeltettek Szentzi Mol-
nar Albert altal. Mellyeket e' formaban
Leg-Eloszor Ki-nyomtattott P[ethe] F.
Altheer Janos : Ultrajcktomban,
1792. 8". 1410. c. 13. (2.)
11. Icelandic.
Morgun Psalmar og Kvolld Psalmar, til
sierhuors Dags i Vikuiie, med siv> Ydranar
Psalmu Kongs Davids. Samansetter aa
r>anskt Twngumaal af... Thomas Kingo
. . .Efi aa vort Islendskt Moodurraaal. . .
wtsetter af. . .Stephan Olafssine . . . Med
ffigrum Tonum og listelegum IMclodiis, etc.
[Skdlholt, 1686.] 8°. 3433. aaaa. 4.
Wanting the title-page.
Pess Konunglega Spaamaiis Davids
Psaltare a Lioodmsele settur, af Gudh-
r?eddum . . . Sr. lone Thorsteinssyne . . .
med Fyrer-S(ignum Ambrosii Lobwassers
Yfer Sierhv0rn Psalm. Editio 2. Hall-
dore Erikssyne : a Hooluin i Hiallta-Dal,
1746. 8". 868. f. 6.
Wanting all after p. 238.
See also Hymns. [Icelandic]
12. Italian,
Sessanta Salmi di David, tradotti in rime
volgari Italiane . . . Col cantico di Simeone,
& i dieci Comandamenti della Legge :
ogni cosa insieme col canto.
Appresso Giovan di Tomes : [Geneva ?]
1607. 16". 3089. a. 1.
[Another copy.] 3089. c. 5.
Sessanta Salmi di David, tradotti in Rime
volgari Italiane . . . Col Cantico de Simeone,
& i dieci Comandamenti della Legge :
ogni cosa insieme col canto.
Appresso Matteo Berjon : [Geneva],
1621. 16°. 3090. de. 14.
Salmi di David. Ridotti in rime alia
maniera Inghlese. Et accommodati alii
toni pin communi della Chiesa Anglicana :
Per uso della Chiesa Italiana.
M. F. per Rodolfo Bounthioaite : Londra,
1644. 12°. 3436. ee. 23. (1.)
Sessanta Salmi di David, tradotti in rime
volgari Italiane . . . Col Cantico di Simeone,
& i dieci Comandamenti della Legge :
Ogni cosa insieme col canto.
Appresso Stefano Miege : Geneva,
1650. 12». 1006. a. 26.
I Sacri Salmi di David messi in rime
volgari italiane. Da G. Diodati...et
Composti in Musica da A. G. 1664. 8°.
Sec G., A. 1220. b. 3.
Cento Salmi di David, tradotti [40 by
G. Diodati] in rime volgari Italiane...
Col Cantico di Simeone, & i dieci Com-
andamenti della Legge : Ogni cosa in-
sieme col canto. Appresso
Samuel de Tourncs : Genevra, 1683. 12°.
1159. d. 16.
[Another copy.] 3436. ee. 35.
Li CL. Sacri Salmi di Davide. Ed
alcuni Cantici Ecclesiastici piu necessari
e comuni. Tradotti ed accomodati alle
Melodic di A. Lobvasser da A. Ct. Planta,
etc. (Preghieri Sacre, etc.) 2 pts.
Giovanni Jamwtto : Strcula, 1740. 8°.
3090. de. 12.
[Another edition] Li Cencinquanta
Sacri Salmi di Davide ed alcmii Cantici
Ecclesiastici. . .Tradotti ed Accordati alle
Melodic di A. Lobvasser da A. G. Planta,
etc. 2 pts. Gio. Jannetto :
Strada, 1740. 8°. 845. b. 1.
Li Salmi di David in Metro Toscano, etc.
(Cauti Spirituali per Diverse Feste, et
altre occasioni. Con alcuni Salmi sopra
^lelodie Nove.) 2 pts. lacomo Gadina :
Scoglio, 1753. 8". 3022. cc. 4.
Li Salmi di Davide in metro Toscano.
Edizione Seconda, etc. (Cantici Spirituali
che contengono testimonianze della
Redenzione fatta da Gesu Cristo in salute
del genere umano.) (Preghiere, etc.)
3 pts. Giuseppe Bisazzi : Vicoso2)7-a7io,
1790 (1789). 8°. 3090. de. 10.
13. Latin.
Begin, [fol. 1 recto : TjE deu laudamus,
etc. [Fol. 1 verso :] Psalterium Dauid
secundum ordinej saucti Ambrosii. [Fol.
94 recto :] Psalteriil Ambrosianii cii hym-
nis oiuj sco"^ notatis castigatis ac diligeter
emedatis, etc. G. L. Impssui mii
[Mediolani]p Leoiiardui pacliel t Aldericu
sciztzeller Ipesis ptri Gasparis lapugnani,
etc. 1486. 4°. I.B. 26533.
94 leaves, loithout title-page or pagination.
Sig. a-l in eights, m, four leaves. 29
lines to a full page. Perhaps wanting
a calendar at the beginning.
Psalteriu ad vsum Parisiensem cum
Inuitatorijs antiphonisq? omibus per-
pulchre 1 emedate notatis. Vigilie mor-
tuorum notate vnacum Recommendationi-
bus. Hymni ad longum itidem uotat.
2 A 2
356
PSALMS [13. LATIN, 1494-1554]
Hore beate virginis cum notis. Toui
quoqj ocs ad queuis psalmil intonandum
addiscetibus (^ maxime comodi. [fol. 23G
recto :] Psalterii opus egregiu vnacii
Hymnis 1 reliquis in primo folio positis :
diligcter 1. emedate notatis line sumpsit,
etc. [fol. 237 recto :] In nati. vni apl'i vel
plurimo'^ ad vesperas super psalmos
feriales Antiphona. [fol. 280 verso :]
Finit comuue sanctoY ad vsum Parisi-
euse...Deo Gratias [fol. 281 recto:] Be
sancto spiritu. Introitus. G. L.
Inqjressimi. . .O^a M. Udalrici
gcring . "% . Mgri Berchtoldi Eenbolt
socijs: Parisins, 1494. 4". LB. 40675.
292 leaven, 30 lines to a full page. Sig.
+ (red) 8 leaves: +' G leaves; a-z,
A-D, in eights ; c, 6 leaves ; A- E {red)
ill eights; F {red) 4 leaves; aa 8
leaves ; bb 4 leaves ; ff. 185-221 are
numbered 1-37.
2^ Folium. I. Begin : BEatus vir Ps. i.
qui non abijt in cosilio impio*5i etc. — 130*
Begin : In aduentu [stave for music]
COnditor alme, c^c— IGO"" End :. . .regnas
per omne seculum. Amen. G. L.
[J. Pryss ?
Sfrasbiirg ?, 1498 ?] 4". LB. 1748.
IGO leaves reg. sigs. a-o^, ]}-r^, [*4] s/^
v^". Tlie staves for the music are
j)rinted in red, the notes ixirtly filled
in in ■manuscript.
Psalterium chorale cil suis Autipbonis :
CoUectis : Precibus: Et hymnis [fol. 2
recto :] In nomine dni Incipit psalterium
chorale scd'm ritum insignis eccl'ie Con-
stantieu. G. L. [J. Pryss : Strasbiirg ?
1500?] fol. Case 52. g. 9.
TJie staves arc printed in red througliotU,
the notes {in black) are only partly
inserted.
Begin, [fol. 1 recto :] Diiicis diebj post
festu trinitatis, etc. [line 4 :] Beatus vir
qui nu abijt in consilio impioY, etc. End.
[P]Reseus psalmoru codex venustate
capitaliu decora t» ... ad eusebiam dei
Industrie est cHsumatus, etc. G. L. Per
Petrtl Schofferde Gcrnszherm: innobiliurbe
maguntind, 1502. fol. Case 24. d. 9.
A reprint of the lib-leaved issue of the
Psalter of 1457, with the spaces for
music filled in with printed staves <fi
those for liturgical additions filled in
according to the use of Mentz ; the
section from the end of fol. 23 recto to
fol. 36 verso is transferred to ff. 102-
115. TIic plain, chant is partially
inserted in MS. on the printed staves.
The numeration of the folios is irregu-
lar,anddiscontinucd after fol. 144 [143].
At the beginning is a leaf on vellum,
belonging to another edition, and a
duplicate of fol. 166 is inserted at
fol. 176, with tivo facsimiles to supply
defects. Fol. 1 is mutilated.
Psalterium fm more 1 osuetudine sancte
Romane ecclesio : cuius cautus ^. . .fratrc
Franciscude brugis ordis mino"^ . . . reuisi :
atqj . . .emedati, vna cil integro defiicto-f
officio : uec no gi'iose virgis atiphonis
fmotatis : earuq} vsiculis post copletorium
modulandis. ff. 285. G. L. on vellum.
impesis Luceantonij de giuta Floretini :
Yenetijs, 1507. fol. Case 41. k. 7.
Begin, [fol. 1 recto .-^ au. Seruite deo.
Euouae. BEatus vir q no abijt, etc.
G. L. J- Schoffer :
Magntie, 1516. fol. 3. e. 1.
A reprint of the Benedictine Psalter
printed at Mentz in 1459, but with the
spaces for music filled in with printed
staves, on which the notes are inserted
in manuscript. At the end of this copy
are 14 imgcs of antiphons, dx., in
manuscript.
Psalterium cum Hymnis ad usum insignis
Ecclesie Sarii et Eboracen, etc. G. L.
Vemindant'ur Londonij apud Petrum
Kactz : opcre et industria Christophori
Buremunden . . . impressum : Antioerpic,
1524. 8°. Case 35. b. 3.
Hymni, Psalmi : Versiculi, & Benedica-
mus, pro paruulis ecclesiasticis cantanti-
bus mancipatis & admissis, etc.
[1540 ?] 8". fice Hymns. {_10. Latin.']
3425. aa. 9. (2.)
[Vesperarum Precum Officia Psalmi
Periarum et Dominicalium Dierum Tocius
Anni, etc.'] [1540.] obi. 4\
See Rhau (G.) K. 4. d. 13.
Tomus Tertius Psalmorum Selectorum
Quatuor & Quinqj, & qui dam plurium
uocum. Tenor. (Discantus.) (Altus.)
(Bassus.) [With a dedication signed: G.
Forsterus.] 4 pts. Apud lo. Petreium :
Norimbergse, 1542. ohl. 4". A. 620. 1.
The composers named are : Josquin, Fr.
de Layolle, L. Senfel, L. Lemblin, B.
Duds, B. Arthopius, B. UnterJwltzer,
J. Waltherus, Claudin, Lerithier
alias Verdeloth, Loyset, Gombert,
Jachet, Lupus, Champion, L. Pamin-
ger, Heugel and Gosse.
Psalteriii chorale fratrii. s. Dnici : c_u
"^siculis, IViis horarum, Afiis nocturnali-
bus, Psalmis, Hymnisq? oib», catu 1 litera,
. . . recognitu, 1 emtdatu : in hac parua
forma . . redactum, etc. G. L. i officina
hercdu Luceantonii Ji'ite, Ven^tijs,1551. 4».
3090. ccc. 17.
Psalmorum Selectorum a prsestantissirnis
huius nostri tcmporis in arte musica
artificibus in harmouias quatuor, quinque,
et sex vocum redactum. Tomus Primus.
Qui cum fere, ut reliqui Tres, uouos, &
hactenus in publico non conspectos uel
auditos Psalmos contineat, etc. (Tomua
Secundus (Tertius) [Quartus] Psalmorum
Selectorum, etc.) Tenor. (Discantus
PSALMS [13. LATIN, 1554-1587]
357
(Altus) (Bassus) Tomi Primi (Secundi)
(Tertii) (Quarti).) 4 vols. (16 pts.) Ex
officinalommis Montani,i£ Ulrici Ncuberi :
Noribergx, 1553-4. obi. 4°. A. 620. m.
Wanting the title-page of the Tenoi-
and the last leaf of the Altns
of Tom. IV., which have been sup-
plied in MS. The coinposers named
are: Clandin, A. de Silva, J. dii
Frees, N. Qombert, Clemens non
Papa, M. Wolff, Bichafort, Tinders,
Ileydenhaymer, P. Wucst, Tluldericus
Pratelius ^ or Bretcllius, T. Stoltzer,
Crequilon, C. Canis, Morel, J. Hewjel,
H. Walrant, Jachet, L. Senpffel, W.
Nordimig, Go^nbert, Concilium, Ccr-
ton, Maralis, Giiyon, A. Willart, P.
Manchicourt, L. Paminger, B. Duds,
Jacotin, M. Gosa, J. Mouton, Benignus
Siben., Carpentras, Layole, D. Phinot
or Finot, N. Payen, Lupus, G. Bore,
J. Lupi, L. Nartais, C. Prcdhome,
M. Eckel, Benedictus, N. Baldwin,
P. de la Btie, Bruviel, M. Lasson, M.
Maistre, V. Scamotulinus, Gascogne,
Cwtois, N. Schaffen, and Verdelot.
I Sacri et Santi Salmi . . . Che si Cantano
nella Santa Romana Chiesa all' hora di
Vespero, in Oanto Figurato, etc.
1554. obi. 4°. Sec Rore (C. de) and
Jachet, of Mantua. A. 70. p.
I Sacri e Santi Salmi che si cantano a
Vespro et Compieta . . . Composti ... a
uno Choro & a quatro uoci, etc.
1555. obi. 4°. See Willaert (A.)
A. 569. a.
Psalteriu Davidis iuxta translationem
veterem, alicubi tamen emendatam et
declaratam, & accuratius distinctam
iuxta Ebraicfi Veritatem, additis etiam
singnlorum Psalmorum breuibus Argu-
mentis. (P.salmi seu cantica ex sacris
Uteris, in ecclesia cantari solita, cum
hymnis et collectis. . .in vsum Ecclesiarum
& iuueututis Scholasticse, etc.) [Edited,
with a preface, by Paulus Eberus.]
2 pts. In Officina Laurcntii
Sclmcnck: Witebcrnae, 1565 (156i). fol.
333. e. 6.
Part II. has a separate title-page {dated
1564) and pagination.
Gasparis Pratoncrii . , . Harmonia super
aliquos Dauidis Psalmos ... ad vesperas
decantandos cum sex vocibus, etc.
1569. 4°. See Peatoneri (G.) D. 88. a.
Septem Psalmos Poenitentiales adiunctis
ex Prophetarum Scriptis Orationibus
eiusdem argumenti quinque, ad dode-
cachordi modos duodecim . . . aptissima
tarn viuse voci, quam diuersis Musicorum
instrumentorum generibus harmonia
accommodati, etc. 1570. ohl. 4".
See UtenthaIj (A.) A, 553.
Psalterium (dispositum per hebdomadam,
etc.) (Officium Defunctorum.) [Hymni
Totius Anni, etcl
Ex Officina Christoph. Plantini :
Antuerpiae, 1571. fol. 3366. i. 9.
Salmi Suauissimi et Deuotissimi a Cinque
Voci, etc. 1574. 4°. See Ruffo (V.)
D. 36.
Vespertina Omnium Solemnitatum
Psalmodia. . .cum Quatuor Vocibus, etc.
1578. obi. 4". See Asola (G. M.)
A. 36. e.
Psalmi Davidis a G. Buchanano versibus
express! ; nunc primum modulis iiii. v. vi.
VII. et VIII. vocum . . . decantati. Bassus.
1579. obi. 4°. Sec Servincs (J.)
K. 8. c. 25.
Psalmodia ad vespertinas Omnium
Solennitatum Horas octonis vocibus in-
fractis decantanda, etc. 1582. 4".
See AsoEA (G. M.) B. 30. a.
Vespertina Omnium Solemnitatum
Psalmodia . . . cum Quatuor Vocibus, etc.
1582. obi. i". See Asola (G. M.)
A. 36. c.
Secundus Chorus Vespertinae Omnium
Solemnitatum Psalmodiae . . . vocibus
Quatuor paribus concinendus.
1583. obi. 4°. Sec Asola (G. M.)
A. 36. d.
Andree Gabrielis . . . Psalmi Dauidici, qui
Poenitentiales nuncupantur. . .Sex Vocum,
etc. 1583. 4". Sec Gabrieli (A.)
D. 168. g.
Psalterium Chorale, vua cu3 Hymnario
toto : Secundum morem 1 consuetudinem
Sacrosancte Ecclesie Romane : Disposi-
tum per hebdomadam iuxta ordinem noui
Breuiarij, ex decreto Sacrosancti Concilij
Tridentini restituti . . . Addito integerrime
Cantu cmnium Antiphonarum 1 Respon-
sorioru5 breuiu3 . . . ac Hymnorum, etc.
(Hymni Fratrum Eremitarum Sancti
Augustini.) (Hymni Fratru Minorum
S. Francisci.) MS. notes. G. L.
Ex Officina Petri Liechtenstein : Vcnctijs,
1585." fol. Case 52. k. 1.
The tuv appendices are in duplicate.
Omnes at Vesperas Psalmi, qui Falso . . .
Bordouio concini possunt . . . Quatuor
Vocibus, etc. 1585. 4°.
Sec Isnaedi (P.) D. 997.
Vespertina Omnium Solemnitatum Psal-
modia. . .Cum Quatuor Vocibus, etc.
1586. 4". See Asola (G. M.) D. 248.
Noua Vespertina Omnium Solemnitatum
Psalmodia . . . Octonis Vocibus, etc.
1587. 4". See Asola (G. M.) B. 30. e.
Salmi di Dauid ... a cinque voci, . . ._
nuouamente ristampati, con alcnni Salmi
che mancauano, etc. 1.587. Sc< Faa (H.)
D. 985.
858
PSALMS [13. LATIN, 1587-1610.]
Psalmi Vesperarum . . . Liber Secundus,
etc. 1587. i". See Marino (A.)
C. 266. a.
Psalmorum Dauidis Paraphrasis poetica
Georgii Buchanani . . . Argumentis ac
melodiis explicata atque illustrata, Opera
& studio Nathanis Chytrsei.
Herborn.v, 1588. 12". 3089. a. 23.
Cantica Sacra . . . Accesserunt in fine
Psalmi Luther i, & aliorum ejus seculi
Doctorum, etc. 1588. 8".
See Elbrus (F.) K. 1. b. 9.
Ad Vesperas in Totius Anni Solemnitati-
bus. Dauidica Psalmodia Quaternis con-
cinenda vocibus, etc. 1588. 4°.
See Zappannus (H.) D. 1070.
Gasparis Pratonerii . . . Harmonia super
omnes Dauidis Psalmos. . .in solemnitati-
bus ad vesperas decantandos, cum Sex
Vocibus. 1589. 4°. See Pratoneri (G.)
D. 88.
Hieronymi Vespae . . . Psalmi Vespertini
in omnibus solemnitatibus per totum
annum occurrentes, Falsi Bordones super
tonos . . . Quinque vocibus modulantibus,
etc. 1589. 4°. See Vespa (G.) D. 251.
Vespertina Omnium Solemnitatum Psalm-
odia. . .Cum Quatuor Vocibus, etc.
1590. 4°. See Asola (G. M.) B. 30. g.
Psalmi Omnes ad Vesperas . . . Quatuor
Vocum, etc. 1590. obi. 4".
See IsNARDi (P.) A. 241. a.
Psalmorum Dauidis Paraphrasis poetica
Georgii Buchanani . . . Argumentis ac
melodiis explicata atque illustrata Opera
& studio Nathanis Chytrpei.
Herbormv, 1592. 12". 1351. a. 30.
Psalmodia Vespertina . . . viuctis aliquot
. . . Canticis Quatuor & quinqj vocibus
compositis, etc. 1594. obi. 4°.
See PiCTORius (J. F.) A. 198.
Reverendi D. IMichaelis Varoti . . . Psalm-
odia Vespertina in Dialogo Octouis
vocibus, alternatis Choris decantanda, etc.
1594. 4". See Varotus (M.) D. 32. a.
Intonationes Vespertinarum Precum una
cum Singulorum Tonorum Psalmodiis
(qupe vulgo Falsi bordoni dicuntur)
Quatuor Vocum, etc. 1594. fol.
See Zachariis (C. de) K. 9. b. 11.
Salmi a Quattro Voci, etc. Canto. (Alto.)
2 pts. 1595. obi. i".
See Patarino (G. M.) A. 318.
Psalmodia Vespertina Integra Omnium
Solemnitatum Quinis vocibus decantanda,
Una cum duobus Canticis B. M. Virg. A
diuersis in arte Musica excellentissimis
Viris nunc in lucem edita. Altus.
Apud hfcredes Francisci, & Simonis Tini :
Mediolani, 1596. 4°. D. 1015.
The composers of this collection are : M.
Varotus, C. Porta, J. C. Gabutius,
J. Cavatius, 0. VecchiuSj J. D, Bog-
nomis, A. Saviola, S. Limichis, O.
Bariola, L. Quintianus, P. Pontius,
T. Masainus, H. Bacusus, S. Can-
tontis, R. Tropheus, H. VeccMiis and
V. Bona.
Psalmorum Dauidis . . . Paraphrasis metro-
rhythmica.ad Melodias Gallicas. . .accom-
modata. Cum . . . quatuor vocum sym-
phonia, e^c. 1596. 12". S^eSPETHE (A.)
A. 634.
Asprilii Pacelli . . . Llotectorum et Psalm-
orum qui Octonis Vocibus concinuntur,
Liber Primus, etc. 1597. 4°.
See Pacelli (A.) D. 19.
Psalmi ad Vesperas . . . Quinque Vocibus,
etc. 1598. 4". See Belli (G.)
D. 21. a.
Motetti et Salmi a Otto Voci, composti
da Otto Eccellentiss. Autori, etc.
1599. 4". See Motets. [10.] C. 121.
Thomse Ludouici de Victoria . . . Missfe
Magnificat, Motecta Psalmi, & alia qua
plurima, etc. 1600. 4".
See Victoria (T. L. de) K. 2. g. 14.
Psalterium Romanum dispositum per
hebdomadam ad normam Breuarij, ex
decreto . . . Concilij Tridentini restituti . . .
Cum omnibus, quae pro Psalmis, Hymnis,
Autiphonis . . . ac Responsoriis . . . modu-
landis, necessaria sunt, prsecipua nuper
cura emendatum, & excusum.
Apud Bernardum luntam : Venetiis,
1606. fol. 3356. d. 10.
Basso Generale per 1' Organo di Salmi
Vespertini a Sei Voci, etc. 1607. 4".
See Belli (G.) D. 21. d.
Musarum Sionar: Motectae et Psalmi
Latini . . . iv. v. vi. vii. viii. ix. x. xii.
xvi. vocum, Choro & Organis accommo-
datse. I. Pars. 1607. 4".
See Praetorius (M.) B. 272. k.
Psalmi Septem, qui inVesperis ad Con-
centus Varietatem interpouuntur. Qua-
ternis Vocibus cum Basso ad Organum,
etc. 1609. 4°. See Cifra (A.)
D. 64. 1.
Recueil des Psalmes, Hymnes, et Motets
qu'ou a Coustume de Chanter es Chap-
pelles des Penitens Seculiers. Mis en
faux-bourdons & pleine Musique a Quatre
Voix Par diuers excellens Musiciens.
Premiere Edition, etc. lean Didier (Ex
officina Typographica lacobi Mallet, <t
Petri Marniolles) : Lyon, 1610. fol.
K. 1. h. 19.
Psalmi ad Vesperas Solemnitatum . . .
Octonis Vocibus decantandi, etc.
1610. 4°. See Gussago (C.) D. 52.
Altus. Primo Choro (Cantus. Secondo
Choro) a quattro voci del Secondo Libro
delle Messe, Salmi, Magnificat, etc. 1610.
See Mortaro (A.) D. 65.
PSALMS [13. LATIN, 1610-1633]
359
Missa Psalmi ad Vesperas, et Motecta
Sexdecim Vocibus Concinenda, etc.
1610. 4°. See Villani (G.) D. 213. e.
Psalmi Omnes, qui per Annum ad Vesperas
Decantari consueuerunt . . . Duodecim
Vocibus. Liber Tertius. 1610. 4°.
See ViLLANi (G.) D. 213. a.
Primus (Secundus) Chorus Psalmorum ac
Magnificat quorum usus in Vesperis fre-
quentior est, etc. 1611. 4°.
See Agazzari (A.) C. 30. n.
Psalmi Septem, Qui in Vesperis ad Con-
centus Varietatem interponuntur. Quater-
nis Vocibus, cum Basso ad Organum, etc.
1611. 4». See Cifra (A.) D. 64. e.
Concerti Ecclesiastici alia Moderna doue
si contengono Messa, Salmi per il Vespero,
e Compieta, etc. 1611. 4".
See KuBicoNi (G.) D. 93.
Psalmi Omnes qui per Annum ad Vesperas
Decantari consueuerunt . . . Octo Vocibus.
Liber Quintus, etc. 1611. 4°.
See ViLLANi (G.) D. 213. b.
Psalterium Davidis, . . . juxta veterem
translationem alicubi emendatum, cum
Canticis selectis Veteris & novi Testa-
menti, ad usum S. Metropolitanse Magde-
burgensis Ecclesise, etc. Typis Andrcie
Bezeli: Magdeburgi, l(il2. fol.
3366. h. 13.
Salmi a Quattro Chori per cantare e con-
certare nelle gran Solennita di tutto
r Anno, etc. 1612. 4". See Viadaxa (L.)
D. 212. a.
Salmi Campagnoli a Quattro Voci. Per
cantare e variare ne gran concerti. etc.
1612. 4«. See Viadana (L.) D. 212.
Vespertina Omnium Solemnitatum Totius
anni Psalmodia Ternis Vocibus decan-
tanda, etc. 1613. 4°.
See Lambardus (H.) D. 110.
lulii BeUi . . . Pt-almi ad Vesperas . . . Octo
Voc, etc. 1615. 4". See Belli (G.)
D. 21. c.
Raccolta de' Salmi a Otto de diuersi
Eccellentissimi Autori, etc. 1615. 4°.
See CosTANTiNi (F.) D. 62. b.
Salmi Passaggiati per Tutte le Voci nella
maniera che si cantano in Roma sopra i
Falsi Bordoui di tutti i Tuoni Ecclesiastici,
etc. 1615. obi. 12°. See Sevehi (F.)
K. 3. f. 8.
R. P. Angeli Terzachi . . . Psalmi Vesper-
arum . . . Quatuor Vocum, etc. 1615. 4",
See Terzachus (A.) C. 113.
Salmi Intieri a Quattro Voci Concertati,
etc. 1616. 4°. See Piccioni (G.)
C. 42.
Psalmi et Hymni Ecclesiastici, cum Officio
Defunctorum. Ad Romani Breuiarii
nuperrime correcti quod cantu in ecclesiis
peragitur, officii usum accommodati. ms.
additions. Apitd Johannem
Mommartium : Bruxellse, 1618. 4".
3366. e. 8.
The title-page is eyigraved. The staves
alone are printed, the music is partly
inserted in manuscript.
Psalmus LI. Id est, Ardentissima Oratio
pro Remissione Peccatorum . . . Quinque
Vocum. Cantus Inferior. (Altus.) 2 pts.
Tjjpis loannis Udalrici Schcenigij :
Augusts Vi7idelicorum, 1619. 4°.
B. 375. c. (4.)
Psalterium Cantica, et Hymni, Aliaque
DiuinisOfficijsRitu Ambrosiano Psallendis
Communia Modulationibus opportunis
notata, etc. Apnd hn-r. Pacifici Pontij, tC
loanncm Baptistam Piccaleiim : Mcdiolani,
1619. 4». Case 52. f. 5.
Psalterium Romanum dispositum per
hebdomadam ad normam Breuiarii . . .
Concilij Tridentini restituti . . . Cum
omnibus, que pro Psalmis, Hymnis, Anti-
pbonis . . . ac Responsorijs, ceterisque in
Diuino Officio modulandis necessaria sunt,
precipua nuper cura emendatum, t. ex-
cusum, etc. G. L. ms. additions.
Apicd Juntas : Venctiis, 1621. fol.
3366. h. 12.
Imperfect, wanting fol. 187. The manu-
script additions consist of hymns for
the use of a Franciscan community,
written in 1669,
Rodiani Barerae . . . Sacra omnium solem-
nitatum Vespertina Psalmodia . . . Qua-
tuor vocibus canenda. 1622. 4".
See Barera (R.) E. 1341.
Psalmorum Dauidis Paraphrasis Poetica
Georgii Buchanani . . , Argumentis ac
melodiis explicata atque iUustrata opera
& studio Nathanis Chytrsei. (In Georgii
Buchanani Paraphrasin Psalmorum Col-
lectanea Nathanis Chytraei, etc.). 2 pts.
Apud Hxredes Christoph. Corvini :
Hcrborniv Nassouiorum, 1624. 12°.
3425. a. 6.
Part II. has a separate title-page and
pagination.
Psalmi Octonis Vocibus una cum Basso
Continue pro Organo, etc. 1624. 4°.
See Bernardi (S.) C. 169. c.
Psalmi Integri Quatuor Vocibus, cum
Basso ad Organum, etc. 1630. 4°.
See Caldanus (G.) D. 108.
Salmi Intieri a Quattro voci per il Vespero,
etc. 1630. 4°. See Diruta (A.)
D. 977. a.
Psalmi Vespertini Ternis Vocibus . . .
Liber Secundus, etc. 1633. 4°.
See Diruta (A.) P. 977
360
PSALMS [13. LATIN, 1634-1666]
Psalmi Vespertini , . . Quinis Vocibus
Modulandi, etc. 1634. 4°.
See Gagliano (G. B. da) D. 51.
Psalmi Vesperarum et Magnificat, Qua-
tuor Vocum. . .Editio Secunda, etc.
1637. 4°. Sec Mabino (A.) C. 266.
Psalmorum Davidis Paraphrasis Poetica
Georgii Buchanani Scoti : Argumentis ac
melodiis explicata atque illustrata OperS,
& studio Nathanis Chytrsei.
Apud Echo. Griffinum :
Londini, 1640. 24". 3438. de. 43.
Messa e Salmi. Parte concertati, a 3. 5.
6. 7. & 8 voci, etc. 1640. 4".
Sec EiGATTi (G. A.) D. 3. a.
Psalmi Vespertini Omnes cum ii. Mag-
nificat Concertationibus Musicis per vi.
Voces et Basso Continuo, etc. 1640. 4".
See Stadlmayr (J.) B. 138. a.
Salmi Concertati a Due Voci, etc.
1640. 4". See Valvasensis (L.)
E. 121.
Psalterium Davidis, Una cum Hyninis
Ecclesiasticis, & Officio Defuuctorum,
iuxta Breviarii Bomani usum accommo-
datum. Hac postrema Editione, caracteri
tersiori expositum, & accentibus ubique
interpunctum.
Ex Officina luannis Mcmwiarti :
Brnxellr, 164l', 42. 4''. 3355. b. 17.
The staves alone arc xwinted, for tlir
insertimi of the music in manuscript.
Salmi Concertati a Cinque et Sei Voci, etc.
1641. 4". See RovETTA (G.) D. 197. f.
Salmi a Tre, et Quattro Voci . . . Tutto
Concertato con doi Violini, cfc. 1642. 4".
See RovETTA (G.) D. 197. e.
Messa e Salmi Ariosi a Tre Voci, etc.
1643. 4°. St'cRiGATTi (G. A.) D. 3. b.
Salmi Diuersi di Conipieta in Dinersi
Generi di Canto, a Una, Due, Tre &
Quatro Voci, etc. 1646. 4".
See RiGATTi (G. A.) D. 3.
Psalmi ad Completorium . . . Quatuor
Vocibus, . . . Adiuncto . . . Psalmo In te
Domine speraui, etc. 1647. 4".
See Taediti (H.) D. 225. a.
Psalmorum Davidis Paraphrasis Poetica
Georgii Buchanani Scoti : Argumentis ac
melodiis explicata atque illustrata. Opera
& studio Nathanis Chytrsei. (In Georgii
Buchanani Paraphrasin Psalmorum Col-
lectanea Nathanis Chytrsei, etc.) 2 pts.
Apiid Edw. Griffinum : Londini,
1648 (1647). 24°. 3090. a. 21.
The seccmd part has a separate title-page,
dated 1647, 6«i the pagination is
continuous.
Virgilii Mazzocchii . . . Psalmi Vespertini
Binis Choris Conciuendi, etc. 1648. 4".
See Mazzocchi (V.)
Messe a Cinque Voci . . . Con alcuni Salmi
a Tre, a Quattro e a Cinque Concertate,
con Instrumenti, e senza, etc. 1648. 4°.
See Tarditi (H.) D. 225. b.
Complete Concertate a 3. 4. 5. e 6 voci &
alcuni Salmi con Instromenti, etc.
1650. 4°. See Gheraedi (B.) D. 102.
Messa e Salmi A 3. 4. voci, etc. 1653. 4°.
See Gandino (S.) D. 235.
Salmi da Capella a Quatro Voci, con
altri Salmi a Tre, Quatro, e Cinque si
placet, Concertati, etc. 1656-7. 4°.
See Porta (F. della) C. 58.
Salmi Concertati a cinque voci, etc. 1660.
Sec Fabri (S.) D. 71.
Sacrte Laudes complectentes Tertiam,
Missam Psalmosquc Dominicales Quinquc
Vocibus, f/c. 1660. 4". Sec Ziani (P. A.)
D. 1071.
Fasciculus Psalmorum, Cancionumque
aliarum vesperis atque horis diurnis
seruientium ritui & normse Romani
Breuiarij conformis, vna cum Hymnis
nouis a . . . Urbano viii. recognitis. In
usum iuuentutis choro addictse. Editio
noua auctior et corrcctior prioribus, etc.
Ex Typographia loanuislacobi Bockleri.
Sumptihtis Michaclis Speckhner : Fribiirqi
Brisgoim, 1661. S". 3395. c. 15.
Psalmi de Beata Maria Virgine...A 5.
vel 6. Vocibus & 2. Violinis concertantibus,
cum Viola ad libitum, etc. 1662. 4".
Sec AR^-OLD (G.) B. 60. a.
]\Iessa e Salmi dedicati al . . . Abbate del . . .
jNIonastero a SS. Udalrico & Afra, etc.
1662. 4". See IMasses. D. 1010.
Salmi da Capella per Tutto 1' Anno a
quattro voci, etc. 1663. 4".
See Cazzati (M.) C. 41. d.
Salmi a Otto, Ariosi, etc. 1663. 4".
Sec Vesi (S.) C. 56.
Psalmorum Davidis Paraphrasis poetica
Georgii Buchanani Scoti : Argumentis ac
melodiis explicata atque illustrata opera
& studio Nathanis Chytrsei. (In Georgii
Buchanani Paraphrasin Psalmorum Col-
lectanea Nathanis Chytrsei, etc.) 2 pts.
Hcrhornm Nassovioi-um, 1664. 12°.
3089. aaa. 17.
Part II. has a separate title-page and
pagination.
La Danza delle Voci regolata ne Salmi di
Terza, e di Compieta in vn Tedeum, nelle
Tanie della Beatissima Vergine a otto
voci, altri Salmi, a voce sola, a tre...
Opera Nona. 1664. 4.° See Reina (S.)
D. 244. b.
Psalmi Vespertini . . . tribus vocibus
concert. cuu\ organo decantandi, etc.
1665. 4°. See Duponchel (J.) C. 287.
R. D. Bonifacii Gratiani . . . Psalmi Ves-
pertini Quinque Vocibus C'onoinendi, etc.
1666, 4". See Gratiani (B.) D. 48. d.
PSALMS [13. LATIN, 1668-1797]
361
Salmi di Terza a otto Voci da Capella, etc.
1668. 4". See Ivani (G. B.) D. 107.
Salmi di Terza, etc. 1669. 4».
Sec Cazzati (M.) C. 41. c.
Salmi a Cinque Voci Brevi per tutto
1' Anno, etc. 1670. 4°. See Filippiki (S.)
D. 46.
Psalmi Vespertini Binis Choris, etc. 1670.
See Geatiani (B.) D. 48. e.
Vespertina Psalmodia . . . Tribus vocibus,
etc. 1673. 4°. See Cima (T.) D. 43.
Sirena Sacra. Mottetti, Messa, et Salmi
per li Vesperi. . .a Cinque Voci, etc.
1674. 4". See San Romano (C. G.)
E. 1464.
Harmonia Sacra Dedota dal Concerto di
Salmi ... & Antifone a Voce sola con
violini, etc. Voce. 1675, 4".
See ]\IATTI0LI (A.) D. 237.
Salmi per Tutto 1' Anno a Otto Voci
Breui, etc. 1680. 4". See Cazzati (M.)
C. 41. a.
Salmi Brevi... a otto Voci, e/c. 1681. 4".
See COLONNA (G. p.) D. 40. f.
II Secondo Libro de Salmi breui a otto
voci, c/c. 1681. 4". <SV<- COLOSNA (G. P.)
D. 40. c.
Sacri Coneentus, Psalmorum ... ex sola
voce & diuersis lustrumeutis, etc.
1681. 4". See Mayr (R. I.) C. 71.
Centum et Quinquaginta Psalmos . . .
canendos Ecclesiae Christianse Latino
versu offert J. van Aelhuysen. Ea etiam
Cantica, qu?e publicum in nostris templis
usum habent, .\uthor addidit.
Apud Cornelium Boutensteijn :
Ijiiqdnni Datavorum, 1683. 8".
A. 511. p.
Salmi Vespertini a quattro Voci concertati,
e breui con 1' Orgauo. . .di Diuersi Excel-
lentissimi Autori, etc. 1683. fol.
See Caifabiu (G. B.) C. 171.
Salmi Brevi a Otto voci, etc. 1636.
See FiLippiNi (S.) C. 44.
Psalmi ad Vesperas Musiois Trium, et
Quattuor Vocum Concentibus Accommo-
dati cum quattuor Instrumentis Musi-
calibus, etc. 1693. 4°. Sec Vannini (E.)
D. 231.
Psalmi ad Vesperas. Musicis trium,
quatuor & quinque Vocum concentibus,
etc. 1694. 4". See Colonna (G. P.)
D. 40. e.
Psalmi Octo Vocibus ad ritum Ecclesi-
asticae Musices concinendis . . . accommo-
date Liber Tertius, etc. 1694. 4".
See COLONNA (G. P.) D. 40. d.
Psalterium dispositum per hebdomadam,
secundum regulam Sancti Benedicti, cum
Ordinario Officii de tempore. (Commune
Sanctorum, f/c.) [1700?] fol. 464. h. 8.
Title-page wanting. The ' Cmimime
Sanctonan ' dc, Jicis a separate pacjination.
Psalmodia Vespertina Totius anni, duplici
choro . . . concinenda, etc. 1710. 4°.
See Baroni (F.) D. 26.
Salmi Pieni per tutto 1' Anno a otto voci
con Violini ad libitum, etc. 1710. 4°.
See Stefanis (G. de) D. 95.
Salmi Spezzati a quattro Voci da Capella
per le Domeniche della Quaresima, etc.
1715. 4°. Si-e Zanata (D.) D. 91.
Salmi a Quattro Voci a cappella da can-
tarsi ne' Vespri dell' anno, etc. 1717. 4",
See GiANETTiNi (A.) D. 94.
Salmi Brevi per Tutto 1' Anno a otto voci
pieni, etc. 1718. 4°.
See Bellinzani (P. B.) C. 157.
Psalmi Vespertini pro totius anuifaestivita-
tibus,cfc. 1719. 4". ,SVcIngegnieri(T. A.)
D. 92.
P.salmodia Vespertina, complectens Qua-
tuor Vesperas Integras . . . item Psalmos
Residuos per Annum passim occurrentes,
etc. 1732. fol. See Rathgeber (V.)
G. 934. b.
Psalterium Romanum dispositum per
hebdomadam, ad normam Breviarii ex
decreto . . . Concilii Tridentini restituti,
. . . Cum omnibus, quaj pro Psalrnis,
Hymnis, Antiphonis . . . ac Responsoriis,
necessaria sunt . . . emendatum, etc. MS.
NOTES and index. Apiul Nicolaum Pez-
zana : Venetiis, 1739. fol. 1894. f. 5.
P.salmi longiores, & breves in Vesperas
de Dominica, B. V. M., Apostolis &c. &
Sabbatho, distributi, cum reliquis Psal-
rnis, per annum occurrentibus, etc.
1746. fol. See Kayser (I.) G. 905. b.
Psalterium Diurnum, continens Psalmos
tam ad Horas Minores per totam Hebdo-
madam, quam ad Vesperas in Dominica,
et per omnes Perias, ad usum Monasterii
Tegernseensis . . . Noviter impressum, etc.
Tvnis Monasterii Tegernseensis, 1760. fol.
3395. f. 14.
Unum in Trinitate, seu Opus Complectans
Tres Vesperas : quarum i. et ii. de Do-
minica, III. de B. V. Maria, una cum
Psalmis de Apostolis . . . Opus i. 1768. fol.
See Tegdrini ( ) Padre. H. 3294.
Fiinf Vespern samt fiinf andern Psalmen,
etc. 1780. fol. See Lederer (J.)
H. 3160. a.
Psalterium Monastico-Benedictinum. 8
pts. ex Officina TypograjMca Francisci
V Serstevens : Bruxellis, 1182. fol.
Tlie title-page is engraved. 3356. h. 1.
Fiinf Vespern, samt fiinf andern Psalmen
. . . Zwote Auflage. 1789. fol.
See Lederer (J.) H. 3160
XXXII. Psalmi Vespertini. . .Pro 4. Voci-
bus ordinariis; concinnentibus 2. Vio-
linis, Alto-Viola & Organo obligatis : 2.
Obois, Flautis seu Clarinetis vero, 2.
Clarinis seu Cornibus, & Tympanis, etc.
1797. fol. See Pausch (E.) H. 3215,
362 PSAMIS [14. LATIN AND DUTCH, 1540-1613]-[20. ROMANSCH]
14. Latin and Dutch.
Souter Liedekens Ghemaect ter eeren Gods,
op alle die Psalmen vfi Dauid : tot sticht-
inghe, eii een gheestelijcke vermakingbe
van alien Christc mensche, etc. [Trans-
lated by W. van Zuylen van Nyevelt.]
Sumon Cock : Thanttuerpen, 1540. 8".
K. 8. a. 1.
[Another copy.] K. 8. a. 2.
[Another edition.] Souter Liedekens
Ghemaect ter eeren Gods, op alle dye
Psalmen van Dauid, etc. Symon Cock :
Thantivcrpcn, 1540. 8". K. 8. a. 3.
Souter Liedekens Ghemaeckt ter eeren
Gods op alle die Psalmen van Dauid, etc.
Men vercoopt se . . . by Jan de Laet :
Thantiocrpen, 1559. 8". K. 8. a. 4.
Souter Liedekens Ghemaeckt ter eeren
Gods, op alle die Psalmen van Dauid, etc.
Claes vanden Wouwere : Thantwerpen,
1564. 8°. K. 8. a. 5.
Souter Liedekens Ghemaeckt ter eeren
Gods op alle die Psalmen van Dauid, etc.
Hans de Laet : Thantioerpen, 1564. 8".
K. 8. a. 6.
Souter Liedekens, gemaeckt ter eeren
Gods op alle die Psalmen van Dauid, etc.
Hans de Laet : V Hantivcrpen, 1584. 8°.
K. 8. a. 7.
Souter Liedekens, gemaeckt ter eeren
Gods op alle die Psalmen van Dauid, etc.
Salomon de Boy : V Utrecht, 1598. 8°.
K. 8. a. 8.
Souter Liedekens, gemaeckt ter eeren
Gods, op alle die Psalmen van David, etc.
Eerst V Hantwerpcn by Symon Keck.
Ende mi . . . herdruct . . . by Herman van
Borculo : VUtrecU, 1613. 8°. K. 8. a. 9.
[Another copy.] K, 8. a. 10.
15. Latin and German.
Cithara Christiana Psalmodiarum Sacra-
rum Libri Septem: Authore lohanne
Lauterbachio . . . Christliche Harpfien
Geistlicher Psalmen vnd Lobgeseng, etc.
MS. additions. Hans Stcinman :
Lipsiac, 1586. 8°. 3425. aa. 49.
The colophon is dated 1585.
Harpffen Dauids mit Teutschen Saiten
bespanuet . . . Gesangweiss angerichtet.
(Melodeyen der Harpffen Dauids.)
Gednickt . . . bey Veronica Apergerin :
Augspiirg, 1659. 12°. 3425. a. 7.
The translation is stated in the colophon
to be ' von eincm atiss der Societct
Jesu.^ The tunes arc engraved, and
inserted between fol. Miii and Miiii.
Harpffen Davids mit Teutschen Saiten
bespanet . . . Gesangsvveiss angerichtet (von
einem auss der Socitet Jesu), etc.
Simon Utzschneider : Augspurg, 1069. 12".
3090. i. 19,
[Hundert sex- und fixnffzig sehr anmuthig-
und liebliche neue Sing-Weisen, zu dem
Davidischen Jesus-Psalter von einem
Davidischen Musik-Freund aufgesetzet,
und zusamt einem Anhang . . . Bernardin-
ischer Jesus-Lieder, und einem Morgen-
und Abendlied, . . . eingerichtet.]
[Atigsburg? 1670.] fol. G-. 531.
Wanting the title-page, which has been
supplied in MS., and fol. 2.
16. Lettish.
Lettisch Vade mecum. Handbuch, dar-
innen folgende . . . Stiicke begriffen . . .
4. Geistliche Lieder vnd Psalmen, etc.
1681[-^1636?] 4°. ,See Hymns. {U. Let-
tish.^ 3040. e. 23.
17. Malay.
SJixr segala Mazmur p Da^'dd, dan pudji
^j an jang lajin, etc. [The Psalms trans-
lated into Malay verse.]
DJ. Weti/istcjn, Pcnard y, Kompanijd :
'Aihisterdam, 1735. 4°. 3089. g. 5.
18. Polish.
Psalmy Dawidowe. Przekladdnia X. Md,-
cieja Rybinskiego. (Psalmy . . . Na Melodie
Frdncuskie uczynione.) (Hymni 41bo
Piesni Duchowne zwycdine, k niektore z
Niemieckich przetlumdczone, etc.) 2 pts.
G. L. Drukowal Andrzyi Hunefeldt ;
tve Gdansku, [IG32?] 8". 1017. k. 12.
The title-page is engraved.
[Another copy.] Case 51. c. 4. (2.)
Wanting the title-page.
19. POBTUGUESE.
Os CL. Psalmos d'el Rey e Propheta
David ; Como taubem os Canticos espiri-
tuaes usados na Igreja Reformada Belgica.
Compostos para uso d'a Igreja Portuguesa
'nesta cidale de Batavia em Java Mayor,
por Jacobo op den Akker, etc.
For Andre Lamberto Lodcro : Batavia,
1703. 8°. 3434. c. 12.
20. ROMANSCH.
a. Of the Lower Engadine.
lis Psalms de David, segond Melodia de
A. Lobvasser [or rather C. Goudimel] :
SCO eir otras iisadas Pestales, & Spirituals
Canzuns : con pliis adjuuctas sur diversa
materia, iu las Melodias dad alchiins
moderns Authurs. Tuot componii & miss
in rima volgare tras V. de Nicolai, etc.
Stampa tras Jacobo Gadina d Schender
Andri J. Saroth : Scuol, 1762. 12°.
885. e. 15.
b. Of the Oberland.
lis Psalms d'ilg Soinc Prophet a Reg
David: suenter las melodias Franzosas,
cuu I.V, vuoschs da cantar . . . Messi giu
PSALMS [20. EOMANSCH]— PTOLOMY
363
enteu vers Rumonschs da la Ligia Grischa
tras J. Grass, etc. Tras David Gcssner :
Turig, 1688. 12°. 885. d. 15.
With a second title-page, engraved.
lis Psalms d'ilg Soinc Prophet a Reg
David . . . Messi giu enten vers Rumonschs
. . . tras J. Grass, etc. (Canzuns da Du-
menigias, etc.) 2 pts. Bernard Otto :
Cuera, 1790. 12°. A. 620. p.
[Another copy.] 885. a. 30.
c. Of the Upper Engadiue.
lis Psalms da David, suinter la melodia
francesa, schantseda eir in tudaisch trses
Dr. Ambrosium Lobvasser. Eir alchiins
da 'Is medems Psalms ils pii usitos, con
bgerras bellas canzuns Ecclesiasticas &
Spirituselas suainter la melodia, & veglia
versiun tudaischa da Dr. Martin Luther,
e d'oters 6t illetros homens. Da noef
vertieus & schantos in vers romaunschs
da cantar, trsRS L. Wietzel . . . Cun tin
cuort . . . intraguidamaint per imprender
I'art da cantor, etc. 2 pts.
lis hertevels da Joh. Jacob Genath :
Basel, 1661. 12°. 3090. aa. 24.
Ils Psalms da David, suainter la melodia
franctsa, schantaeda eir in tudaisch, ii
4 Vuschs...2da Editiun. AugmentEeda
da bgerras novas melodias, etc. 1733. 4".
See GONZEXBACH (J. J.) and (B.)
3089. bb. 7.
lis Psalms da David, suainter la ^Melodia
Francesa, etc. (Alchuns Psalms da David,
ils pii usitos suainter la veglia melodia &
versiun tudaischa. Canzuns Ecclesias-
ticas & spirituffilas, da cantser siin las
feistas & da tuot' oters temps, in Baselgia
& eir ourdvart aquella. Con tin cuort &
simpel intraguidament per imprender I'art
da cantser, etc.) 2 pts.
Resquitscho parte, tras J. N. Gadina, et
2mrtc tras Joh. Pfeffer d parte, tras Bern.
Otto : iZernez), 1776 (1775). 8°.
3433. bb. 22.
Wanting the ^Intraguidament.'' The
' Alchnns Psalms ' have separate title-
page and pagination, and are dated
1775.
21. Swedish.
Nagre Psalmer, Andelige Wijsor och Lof-
songer, vthsatte af Laurentio Jon?e Ges-
tritio, etc. 1619. 8°. See Rhezelius (H.)
3090. aa. 22.
Konung Davidz Psaltare. [Translated by
A. Kempe and C. Gyldenhjelm.] Effter
■wanligh Melodie. Henrich Keiser :
Stokholm, 1650. 4°. 3433. bb. 2. (1.)
22. Welsh.
Llyfr y Psalmau, wedi eu cyfieithu, a' i
cyfansoddi ar fesur cerdd, yn Gymraeg.
Drwy waith Edmwnd Prys, etc. B. IL.
Llundain, 1621. 4°. 3434. e. 53.
Wanting the last leaf.
Llyfr y Psalmau, wedi eu cyfieithu, a' i
cyfansoddi ar fesur cerdd, yn Gymraeg,
etc. [Robert Barker :]
Llundain, 1630. 8°. Case 36. d. 2. (3.)
Llyfr y Psalmau, wedi eu cyfieithu, a' i
cvfansoddi ar fesur cerdd, yn Gymraeg,
etc. Llundain, 1638. 4°. 3435. ce. 41.
Llyfr Gweddi Gyffredin, etc. (Llyfr y
Salmau, wedi eu c)iieithu, a' u cyfansoddi
ar fesur cerdd, yn Gymraeg, etc.) 2 pts.
J. Archdeacon : Caer-Graivnt, 1770. 8°.
3405. bb. 7. (2.)
[Another copy.] 222. g. 9. (2.)
PSELLUS (Michael Constantine) [Ttjs
MovatKris l,vi'o\f/is.~\ See Alardus (L.)
Lamp. Alardi . . . De Veterum Musica
Liber singularis : in fine accessit Pselli
. . .Musica e Greeco in Latinum sermonem
translata, etc. 1636. 12°. 1042. a. 2.
PSICH;6. Guverture et Airs du Ballet de
Psiche arranges pour le Clavecin ou Forte
Piano avec Accompagnement de Violon
par M' Korner. CJiez hnbault :
Paris, [1790.] fol. h. 16. (3.)
Wajiiing the Violin part.
Psiche. Cantatille. See Lemaire (L.)
PSYCHE. Psyche. Opera.
See Locke (M.)
PTOLOMiEUS (Claudius) KAai/5iou
riToAe/xaioi/ 'Ap/xoviKOoi> BiP\ia V'. Claudii
Ptolemsei Harmonicorum Libri Tres . . .
Johannes Wallis . . . Recensuit, Edidit,
Versione & Notis illustravit, & Auctarium
adjecit. Gr. & Lat.
E Theatro Sheldoniano :
Oxonii, 1682. 4». 557*. e. 2.
[Another copy.] 61. e. 5.
See Aristoxenus. Aristoxeni . . . Har-
monicorum Elementarum Libri iii. CI.
Ptolemsei Harmonicorum, sen de Musica
lib. Ill, etc. 1562. 4°. 557*. c. 16.
See Davy (C.) Letters, addressed chiefly
to a Young Gentleman ... including. . .
an Explanation of the Greek Musical
Modes, according to the Doctrine of
Ptolemy, etc. 1787. 8°. 1086. d. 10.
See Keppler (J.) loannis Keppleri Har-
monices Mundi Libri v. . .Appendix habet
comparationem hujus Operis cum Har-
monices CI. Ptolemsei libro iii, etc.
1619. fol. 785. L 21. (1.)
See WA.I.I.IS (J.) Johannis Wallis . . .
Operum INIathematicorum Volumen Ter-
tium. Quo continentur Claudii Ptolemsei
Harmonica . . . Grsece & Latine edita, etc.
1699. fol.
PTOLOMY. Ptolomy. Opera.
See Haendel (G. F.) [Tolomeo.}
:36i
PUEHLER— PULSITIVA
PUEHLER (Johann) Schoner, ausser-
lessner, Geistlicher vnd Weltlicher Teut-
scher Lieder xx. von beriimbten diser
Kunst, mit Vier Stimmen gesetzt . . . Durch
loanuem Piihlerum . . . zusam CoUigirt
vnd in Truck vei-fertigt. Tenor.
Adam Berg : Milnchen, 1585. obi. 4°.
^ A. 252.
The composers named are : M. Schram,
Walterns, B. Donato, N. Le Fehvre,
A. Utendale, L. Lecliner, Meldart,
O. Aichinger and A. Scandelhis.
See HOLLANDUS (C.) Christiani Holland!
. . . Triciniorum . . .Fasciculus. CoUectus
& in lucem teditus studio & opera loannis
Puhleri, etc. 1573. obi. 4". A. 354.
PUGNANI (Gaetano) Six Diverti-
mentos for two Violins and a Bass, com-
posed ... by Pugnani, Vachon, Borghi &
Aprile. [Separate Parts.] W. Napier :
London, [1780 ?] fol. g. 409. b. (2.)
XII Favourite IMinuets in 3 Parts, com-
pos'd for . . . the King of Denmark's Mas-
querade ... for the Harpsichord, Violin,
or Ger. Flute. [Score.] Wekker :
London, [1768.] fol. h. 1568. b. (20.)
[Nanetta e Lubino.] The Favourite
Songs in the Comic Opera Nanetta e
Lubino. [Words by C. F. Badini. Full
Score.] Welcker : London, [1769.] fol.
H. 1248. b. (4.)
Overture, etc. [Orchestral Parts.]
Welcker : London, [1770 ?] fol.
g. 474. a. (5.)
[Another copy.] g. 474. (29.)
Six Overtures in Eight Parts. [Separate
Parts.] Welcker : London, [1770 ?] fol.
g. 474. (10.)
[Six Overtures. Set i. No. 5.] The
Periodical Overture in 8 Parts . . . No. xix.
[Separate Parts.] R. Bremner :
London, [1185?] fol. h. 3210. (25.)
A second Sett of Six Overtures in eight
Parts . . . Opera viii. [Separate Parts.]
Welcker : London, [1775 ?] fob
g. 474. (11.)
Tre Quartetti a Due Violini, Alto Viola &
Basso Continue. [Separate Parts.]
Cliez J. F. Hummel :
Amsterdam, [1180?] fol. g. 687. a. (1.)
A Second Sett of three Quartetts for two
Violins, a Tenor & Bass. [Separate
Parts.] Welcker: London, [1163.] fol.
g. 687. a. (2.)
Six Solos for a Violin and Bass, etc.
Printed for W. Napier :
Lmidon, [1775 ?] fol. g. 687. b.
[Another copy.] g. 422. e. (3.)
Six Easy Sonatas for two Violins and a
Bass. Opera i. [Separate Parts.]
Welcker: London, [1165?] fol.
g. 687. c.
PUGNANI (Gat.tano) Six Sonatas for
two Violins and a Bass . . . Opera Seconda.
[Separate Parts.] R. Bremner :
London, [1765 ?] fol. g. 687. (1.)
Sei Sonate a Violino Solo e Basso . . .
Gravies par M"^ Leclair. Opera iii.
Chez M. de la Chcvardiere :
Paris, [1760 ?] fol. f. 230.
Sei Sonate a Violino e Basso . . . Opera iii.
Printed for R. Bremner:
London, [1780 '?] fol. g. 422. e. (4.)
Six Sonatas or Duets for Two Violins . . .
Opera iv. [Separate Parts.]
A.Hummcll: London, [1110^ fol.
g. 687. (2.)
Sei Sonate a Violino e Basso . . . Opera 7*.
Welcker : London, [1775 '?] fol. h. 31.
[Another copy.] g. 422. b. (5.)
Wanting the Dedication.
Six Trios for two Violins and a Violon-
cello . . . Opera ix, etc. [Separate Parts.]
Welcker: London, [1111?] fol.
g. 409. g. (3.)
See Ferigo (S.) VI. Trii per due Violini
6 Violoncello . . . uno di G. Pugnani, etc.
[1760.] fol. g. 695.
PUISQUE. Pnisque chacun court a la
gloire. Les Deux I-'endans, [Song, written]
par M' RouUand. Air : Vous qui voulez
des Chansonettes.
Chez les fr^res Savigny :
[Paris, 1780 ?] 8". B. 362. j. (10.)
[Another copy.] B. 362. b. (142.)
Puisque le grand Louis en bornant ses
exploits. Air a Boire. See Pi,igaut ( )
PUISSANT. Puissant Roi de France.
Le Cri de la Reconnaissance. [Song.]
[Pan's, 1784.] 8°. B. 362. a. (71.)
PUJOL AS (J.) Three Concertante
Duettos for two German-Flutes . . . cor-
rected & revised by J. Wragg, etc. [Separ-
ate Parts.] Printed for J. Wragg :
London, [1800?] fol. li. 250. b. (12.)
PUIilTI (Gabriello) Baci Ardenti.
Secondo Libro de' Madrigali a Cinque
Voci,efc. Canto. (Alto.) (Tenore.) (Basso.)
4 pts. Apipresso Giacomo Vi7icenii :
Venetia, 1609. 4°. D. 216.
PULSITIVA (Johann), pseud. _ [i.e.
JosAPHAT Weinlein.] Newcs Geistliches
Musicalischcs Wein-Gartlein, Auss wel-
chem . . . ein Lab- vnd Trosttraublein
mag abgebrochen . . . werden, so von den
. . . Psalmen Davids, vnd andern Geist-
reichen Trostspriichen vndLiedern, mit 3.
vnd 4. Stimmen, sampt dem General Bass,
theils auff Viadanische, theils Madrigal-
ische vnd Instrumentalische Art, besonders
7.U Fiolen gerichtet, vnd . . . gepflanzet,
YOU Johaune Pulsitiva, der Jlusic Lieb-
PUNCH— PURCELL (D.)
3G5
habern. Secunda. (Tertia.) (Partitura.)
3 pts. Gedrnckt vnd verlegt durch
Jacobum Mollyn : Botcnburg ob der Tanbfr,
1633. 4°. B. 122.
PUNCH. Punch an Emblem of the
Medium of Life. [Glee.l See You. You
ask me dear Jack. [1780?] fol.
G. 314. (41.)
Punch upon Earth. Song. See Gods.
The Gods and the Goddesses, etc.
[1780?] fol. H. 1601. a. (42.)
PUNCHIONEIjLO. Punchionello.
[Song.] See Trade. Trade's awry, and
so am I, e<c. [1725?! s. sli. fol.
G. 312. (48.)
PUNTO (GiovAXNi), pseud, [i.e. Johann
Stick.] Six Trios for a German Flute,
Violin and Bass or two Violins and a Bass.
[Separate Parts.] Printed for W. Napier:
London, [1790?] fol. h. 2852. a. (10.)
PUPILLE. Pupille sdegnose. [Song.]
St-e MUZIO SCEVOLA.
Pupille venose del caro mio bene. Song.
See. Tarchi (A.) [Virginia.]
PURCELL (Dakiel) Accept, ]\raria, of a
Heart. A Song. Sung by Mr. Leveridge,
etc. [London, n007] fol. G. 315. (24.)
Alass ! when Charming Sylvia's gone.
See infra: [Tlie Spanish Wives.']
[Alexander the Great.] Phillis talk not
more of Passion. A Song, etc. [London,
1701.] s. sh. fol. G. 304. (122.)
All the Pleasures Himen brings.
See infra : [The Island Princess.]
[Amalasont.] In a Grove's forsaken Shade.
A Song in the Tragedy call'd Amalasont
Queen of the Goths or Vice Destroys it
Self [by J. Hughes] . . . Sung by Mrs.
Erwin and exactly engrav'd by T. Cross.
[London, 1697 ?] s. sh. fol.
K. 7. i. 2. (41.)
In a Grove's forsaken Shade. A
Sunn, etc. [London, 1700 ?] s. sh. fol.
G. 304. (80.)
[The Bath.] Where oxen do low. A
Country Dialogue [from ' The Bath, or the
Western Lass '] made by IMr. Tho. Durfey,
etc. [London, 1705 ?] s. sh. fol.
G. 313. (54.)
[Another edition.] Where Oxen do
low, etc. See Where. Where Oxen do
low, etc. [By D. Purcell.1
[1705 ?] s. sh. fol. H. 1601. (481.)
[Another copy.] G. 316. f. (75.)
[The Beaux' Stratagem.] The Trifle: A
new Song, etc. [Words from G. Farqu-
har's ' Beaux' Stratagem.' I [London,
1707 ?] s. sh. fol. H. 1601. (47.)
Beneath a gloomy Shade.
See infra : [The Humour of the Age.]
PURCELL (Daxiee) [Brutus of Alba.]
The Single Songs, with the Dialogue, sung
in the New Opera, call'd Brutus of Alba :
or, Augusta's Triumph. J. Heptinstall,
for H. Plaijford and S. Scott : London,
1696. fol. G. 111.
[The Campaigners.] Phyllis has such
charming Graces. A Song in the Cam-
paigners [by T. D'Urfey] . . . Sung by the
new Bov and exactly engrav'd by T. Cross.
[London, 1698?] s. sh. fol.
K. 7. i. 2. (39.)
[Another copy.] G. 315. (138.)
[Another copy.] G. 304. (123.)
[Another edition.] Phillis has such
charming graces. Set by Mr. Daniel
Purcell : Sung at the Theatre Royal by
Mr. Carey. [Lo^idon, 1715 ?] s. sh. fol.
G. 303. (3.)
Six Cantatas for a Voice with a Through
Bass, two of which are accompanied with
a Violin ; compos'd (after the Italian
]\Ianner) by Mr. Daniel Purcell none of
which were ever before Publisb't. By the
Author's direction carefully Engrav'd on
Copper Plates by T. Cross. Printed for
J. Cullen : London, [1710 ?] fol. H. 04.
Cease gentle Swain.
,S'<?e infra: [Macbeth.]
Cease ye Rovers.
See infra: [The Island Princess.]
Chronos, Chrouos, mend thy Pace.
See infra : [The Pilgrim.]
Celestial Harmony is in her Tongue. A
Song . . . exactly engrav'd by T. Cross.
[Lorulon, 1695 ?] s. sh. fol.
G. 315. (67.)
[The Constant Couple.] Thus Damon
knock'd at Celia's Door. TJie Serenading
Song in the Constant Couple ; or a Trip to
the Jubilee, written by Mr. George
Farquhar . . . Sung by Mr. Freeman, and
exactly engrav'd by T. Cross. [Lmidon,
1700?] s. sh. fol. K. 7. i. 2. (40.)
[Another edition.] Poor Damon
kuock't at Celia's door. A Song in y'
Constant Couple . . . within y' Compass of
y" Flute. [Lo7idon, 1705 ?] s. sh. fol.
G. 304. (121.)
Corinna with a Gracefull Air.
See infra : [The Refwmed Wife.]
Cupid make your Virgins tender. A Song
. . . Sung at the Theatre Royall in Drury
Lane, and exactly engrav'd by T. Cross.
[London, 1700?] s. sh. fol.
K. 7. i. 2. (37.)
[Another copy.] G. 315. (142.)
rAnother edition.] Cupid make your
Virgins tender, etc. [London,
1705?] s.sh.iol. G. 304. (42.)
Daphnis and Pastorella, etc. [Dialogue.]
[London, 1110?] s.sh.iol.
H. 1601. (401.)
366
PURCELL (D.)
PURCELTj (Daniel) Far from thee be
anxious Care. See infra: [The Judgment
of Paris.'\
Fixt on the fair ]\Iiranda's Eies.
See infra : [The Humour of the Age.l
Fly from my sight.
See infra : [Ihrahim.']
Fond Woman with mistaken Art.
See infra: [The Reformed Wife]
For Rurall and Sincerer Joys.
See infra : [Love makes a Man.]
Forbear, 0 Goddess of desire.
Sec infra : [The Judgment of Paris.]
[The Funeral.] Let not Love on me
bestow. A Song in the Comedy [by Sir
B. Steele] call'd the Funeral. Sung by
Mrs. Harris, etc. [London,
1702?] s.sh. fol. G. 304. (91.)
On yonder Bed supinely laid. A
Song [in ' the Funeral,' written by Sir R.
Steele], c^c. [London, 1102?] fol.
G. 304. (116.)
Ye jMinutes bring y« Happy Hour.
A So7ig in the Comedy [by Sir R. Steele]
call'd the Funeral, sung by Mrs. Campion,
etc. [London, 1702 ?] s. sh. fol.
G. 304. (185.)
[The Grove.] Songs in the New Opera,
call'd The Grove or Love's Paradise.
[Words by J. Oldmixon.] I. Walsh :
London, [1700.] fol. G. 112.
Where, where's my Pan. A Song in
the New Opera . . . Sung by Mrs. Linsey,
etc. [Words by J. Oldmixon.] [London,
1700.] s. sh. fol. G. 315. (134.)
Help me, Hermes.
See infra : [The Judgment of Paris.']
Hither turn thee gentle Swain.
,s\v. infra : [The Judgment of Paris.]
[The Humour of the Age.] Beneath a
gloomy Shade. [Song.] Sung by Mr.
Boxvcn in the Play [by T. Baker] call'd
The Humors of the Age. [Full Score.]
[London, 1701.] fol. G. 304. (22.)
The words of this song arc not in the
printed edition of the play.
[Another copy.] G. 316. g. (9.)
Fixt on y° Fair Miranda's Eies.
[Song.] Sung by Mr. Bowen in y" Comedy
[by T. Baker] call'd the Humor of v'' Age.
{London,llQl.'] s.sh.lol. G. 304. (55.)
The ivords of this song are not in the
printed edition of the play.
[Ibrahim.] Fly from my sight. A Dia-
logue suppos'd to be between a Eunuch
Boy, and a Virgin. Sung by Bowen and
]\Irs. Cross in a New Play [by Mrs. Pix]
call'd Ibrahim. . .Written by Mr. Durfey
and exactly engrav'd by Tho. Cross.
[London, 1698.] fol. G. 315. (56.)
In a Grove's forsaken Shade.
See supra : [Amalasont.]
PURCELL (Daniel) [The Inconstant.]
Since Celia 'tis not in our Power. A
Song in y" Comedy [by G. Farquhar]
call'd y" Inconstant or y way to win him.
Sung by Mr. Hughes, c^c. [London,
1702.] s. sh. fol. G. 304. (134.)
[Iphigenia.] Morpheus thou gentle God.
A Song in Iphigenia [a Tragedy, by J.
Dennis,] Sung by Mrs. Erwin, etc.
[London, 1700.] fol. G. 304. (106.)
[The Island Princess.] All y'' Pleasures
Himen brings. A Song in y° 2"* act of y''
Island Princess, etc. [Words by P. A.
Mottenx.] [London, 1700.] s. sh. fol.
G. 304. (73.)
Cease ye Rovers. A Tivo Part Song
[in the Island Princess, words by P. A.
Motteux], etc. [London, 1700.] s. sh. fol.
G. 307. (33.)
Cease ye Rovers. A Two Part Song,
etc. [London, 1760 ?] s. sh. fol.
H. 1994. a. (159.)
The Jolly, Jolly Swains. A So7ig. . .
Sung by ]Mrs. Lindsey, and exactly
engrav'd by T. Cross. [Words by P. A.
Motteux.] [London, 1700.] s. sh. fol.
K. 7. i. 2. (36.)
[Another edition.] The Jolly Swains.
A Song, c^c. Printed for I. Walsh:
[London, 1704.] s. sh. fol.
G. 304. (147.)
' The V Weekly Song for Thursday y^
7"" of Septem'' [1704] to be continued
tJie Yeare Bound.^
Lovely Charmer, dearest Creature.
A Song. . .Sung by Mr. Magnus's Boy and
exactly engrav'd by T. Cross. [Words by
P. A. Motteux.] [London,
1700.] s. sh. fol. K. 7. i. 2. (34.)
[Another edition.] Lovely Charmer,
etc. [London, 1700 ?] s. sh. fol.
H. 1601. (272.)
[Another edition.]
[London, 1705 ?]
etc.
[Another copy.]
[Another edition.]
T.
s. sh. fol.
Lovely Charmer,
s. sh. fol.
G. 304. (93.)
G. 310. (19.)
Lovely Charmer,
etc. T. Clucr : [Londo7i,
1710 ?] s. sh. fol. G. 316. g. (41.)
Rouse ye Gods of y= Main. [Song.]
Sung by IMr. Pate, etc. [Words by P. A.
Motteux.] [London, 1700.] fol.
G. 304. (131.)
Jolly Bacchus I love. A Drinking Song,
etc. [London, 1718 ?] s. sh. fol.
H. 1601. (237.)
[Another edition.] Jolly Bacchus I love.
A Drinking Song, etc. [London,
1720 ?] s. sh. fol. G. 309. (79.)
The Jolly, JoLly Swains.
See supra : [The Island Princess.]
PURCELL (D.)
367
PURCELL (Daniel) The Judgment of
Paris. A Pastoral. [Words by W. Con-
greve.] Composed for the Music-Prize,
etc. [Full Score.] Printed for I. Walsh :
London, [1701.] fol. I. 325.
Far from thee be anxious Care. The
31 Verse of Venus in the Prize ^lusick, etc.
[London, 1701.] s. sh. fol.
K. 7. i. 2. (31.)
Forbear, 0 Goddess of desire. Paris
last vers in the Prize Jlusick, etc.
Tho. Cross : [London, 1701.] s. sh. fol.
K. 7. i. 2. (26.)
Help me, Hermes. T/ic 2' Verse of
Paris in the Prize ^Musick. . .being within
the Compass of the Flute. Tho. Cross :
[London, 1701.] s. sh. fol.
K. 7. i. 2. (29.)
Hither turn thee gentle Swain.
Ventis' P' Verse in the Prize IMusick, etc.
Tho. Cross : ['London, 1701.] s. sh. fol.
K. 7. i. 2. (30.)
Nature fram'd thee sure for Loving.
Venus in the Prize Musick . . . exactly
engrav'd by Tho. Cross.
[London, 1701.] fol. K. 7. i. 2. (32.)
0, Ravishing Delight ! Tlie 1' Vers
of Paris in the Prize IMusick, etc.
Tho. Cross: [London, 1701.] s. sh
Stay, lovely Youth.
fol.
7. i. 2. (27.)
Venus 2'' vers
Tho. Cross :
in the Prize ]Musick, etc.
[London, 1701.] s. sh. fol.
K. 7. i. 2. (25.)
This way Mortal bend thy Eyes.
Pallas 1'' Vers with a Trumpet in the
Prize Musick. . .being within the compass
of the Flute. Tho. Cross : [Loiidon,
1701.] s. sh. fol. K. 7. i. 2. (28.)
Let not Love on me bestow.
Sea supra : [The Funeral.^
Love I defy thee. A Cantata after the
Italian Stile. [London, 1705 ?] s. sh. fol.
G. 305. (80.)
[Love makes a Man.] For Rurall and
Sincerer Joys. A Song in the Comedy
[by C. Cibber] of Love makes the man.
Sung by Mrs. Shaw, etc.
[London, 1701.] fol. G. 304. (60.)
Ofelia's Aire, her Meen her Face. A
Song in the Comedy [by C. Cibber] of Love
makes the ISlan, sung by I\Ir. Huges, etc.
[London, 1701.] fol. H. 1601. c. (3.)
[Another edition.] Ofelia's Aire,
her Meen, her Face, etc. [London,
1701.] s. sh. fol. G. 304. (111.)
Lovely Charmer, dearest Creature.
See supra : [The Island Princess.]
[Jilacbeth.] Cease gentle Swain. A Song
Sung by ilr. Mason in I\Iagbeth, etc.
[LoHfZon, 1704 ?] s. s/i. fol.
^ G. 307. (24.)
PURCELL (Daniel) [Massaniello.]
Whilst wretched Fools sneak up and
down. A Dialogue between a Town
Sharper and his Hostes. Sung by Mr.
Leveridge & Mr. Pate in y= First Part of
Massaniello, etc. [Words by T. Durfey.]
[London, 1700.] s. sh. fol.
G. 304. (183.)
Mezena does my Heart inspire. A Song
sung by Mrs. Shaw at the Theatre Royall,
etc. [London, nOO?] fol.
G. 304. (103.)
Morpheus thou gentle God.
See supra : [Ii^higenia.]
Nature fram'd thee sure for Loving.
See supra : [The Judgment of Pans.'\
0, Ravishing Delight !
See supra : [The Judgment of Paris.}
Ofelia's Aire, her Meen, her Face.
See supra : [Love makes a Ma7i.\
Olinda turne.
See infra : [Tlie Unhappy Conqticror.]
On yonder Bed supinely laid.
Sec supra : [The Funeral.]
Phillis talk not more of Passion.
See supra : [Alexander the Great.]
Phyllis has such charming Graces.
See supra: [TJie Campaigjiers.]
[The Pilgrim.] Chronos, Chronos, mend
thy Pace. Janus. Sung by Mr. Freeman
in y"" Pilgrim, etc. [Words by J. Dryden.]
[London, 1701.] s. sh. fol.
G. 315. (154.)
■ With Horns & with Hounds. Diana.
[Song.] Sung by Mrs. Erwin in y'' Pilgrim,
etc. [Words by J. Dryden. Full Score.]
[London, 1701.] s. sh. fol.
G. 304. (177.)
Poor Damon knock't at Celia's door.
See supra: [Tlie Constant Ccniple.]
The Psalms set full for the Organ or
Harpsicord as they are Plaid in Churches
and Chappels in the maner given out ; as
also with their Interludes of great Variety,
etc. Printed for I. Waish : London,
[1715 ?] obi. fol. c. 20.
With a second (illustrated) title-page,
' Musick for the Organ and Harp-
sicord, Printed for I. Walsh and L
Hare.'
[The Reformed Wife.] Corinna with a
GracefuU Air. A Song in the Reform'd
Wife or the Lady's Cure. Sung by ]\Ir.
Cooper, etc. [Words by C. Burnaby.]
[London, 1700.] s. sh. fol.
G. 304. (40.)
• Fond Woman with mistaken Art. A
Song in the Reform'd Wife or the Lady's
Cure. Sung by Mrs. Erwin, etc. [Words
by C. Burnaby.] [London,
1700.] s. sh. fol. G. 304. (57.)
3G8
PURCELL (D.)
PURCELL (Daniel) [The Reformed
Wife.] Sabiiia has a thousand Charms. .1
Song iu the Comedy [by C. BLirnaby]
caird the Reforra'd Wife ; . . . Sung by Mr.
Bourdon, and exactly engrav'd by T. Cross.
[London, 1700.] s. sh. fol.
K. 7. i. 2. (35.)
Rouse ye Gods of the ]\Iain.
See supra : [Tlie Islatid Princess.]
Sabina has a thousand Charms.
See supra : [The Bcformcd Wife]
Since Celia 'tis not in our Power.
See supra: [Tlic Inconstant.]
So fair young Celia's Charms.
See infra: [The Triumphs of Virtue.]
Six Sonatas, three for two Flutes & a
Bass, and three Solos for a Flute and a
Bass, etc. [Separate Parts.]
Printed for J. Walsh d J. Hare : London,
[1710?] fol. h. 250. c. (3.)
[The Spanish Wives.] Mass 1 when
Charming Sylvia's gon. Song in the
Farce [by Mrs. Pix] call'd the Spanish
Wives. Sung by Mr. James Bowen, and
exactly engrav'd by Tho. Cross. [London,
1697.] s. sh. fol. K. 7. i. 2. (38.)
Stay, lovely Youth.
See supra : [The Judgment of Paris.]
[The Taming of the Shrew.] 'Twas in
the INIonth of May, Jo. A Neiv Scotch
Song. [Words by J. Lacy,] . . . Sung in
the last Reviv'd Play call'd, the Taming of
the Shrew, or, Sawny the Scot. Sung by
j\Irs. Harris. William Pearson :
London, 1699. s. sh. fol. G. 315. (15.)
[Another edition.] 'Twas in the
Mouth of May, Jo. A Scotch Song, etc.
[London, 1705 ?] s. sh. fol.
G. 304. (150.)
[Another copy.] G. 312. (54.)
[Another edition.] 'Twas in the
Month of ]\Iay, Jo, etc. [London,
1710 ?] s. sh. fol. H. 1601. (443.)
[The Tender Husband.] While gentle
Parthenissa walks. A Song sung by tho
Boy in the Tender Husband . . . Within
the Compass of the Flute. [Words by
Sir R. Steele.] [London,
1704.] s. sh. fol. G. 313. (52.)
This way Mortal bend thy Eyes.
Sec supra : [The Judgment of Paris.]
Thus Damon knock'd at Celia's Door.
Sec supra: [The Constant Couple]
To Cynthia then our homage pay.
See infra: [The World in the Moon.]
The Town Rakes.
Sec infra: [The Younger Brother.]
The Trifle.
See supra : [Tlie Beaux' Stratageyn.]
PURCELL (Daniel) [The Triumphs of
Virtue.] So fair young Celia's Charms.
.4 Song to a Grotmd . . . Sung at the
Theatre in Drury-Lane by Mr. Magnus's
Boy ; and exactly engrav'd by Tho. Cross.
[London, 1697.] s. sh. fol.
K. 7. i. 2. (33.)
'Twas in the Month of May.
Sec supra: [The Taming of the Shrew.]
[The Unhappy Conqueror.] Olinda turne.
A Song in y^ Unhappy Conquerer or Vertue
neglected. Sung by y" Boy, etc.
[London, 1696.] s. sh. fol.
G. 304. (114.)
[Virtue in Danger.] Mr. Dan' Purcells
Musick in y" reviv'd Play call'd Vertue in
Danger. First Treble. (Second Treble.)
(Tenor.) (Bass.) 4 pts. [Walsh:';
London, 1708.] fol. g. 15. (6.)
Wanton Cupids cease to hover. A Song,
etc. [The words of the first verse by H.
Carey.] [London, 1118?] s.sli.M.
H. 1601. (507.)
What garrss the foulish mayde complain.
.1 Scotch Song, etc. [London,
1705?] s.sh.iol. G. 313. (69.)
When Daphne first her Shepherd saw. A
Song, etc. [London, 1705.] fol.
G. 304. (179.)
Where Oxen do low.
See supra : [Th<; Bath.]
W^here, where's my Pan.
Sec supra: [Tlie Grove.]
WHiilc gentle Parthenissa walks.
Sec supra: [The Tender Hiishand.]
Whilst wretched Fools sneak up and down.
See supra : [Massaniello.]
Why should Aurelia sleep secure. A Song,
etc. [London, 1705 ?] s. sh. fol.
G. 305. (79.)
[Another copy.] G. 313. (30.)
With Horns and with Hounds.
See supra : [The Pilgrim.]
[The World in the Moon.] To Cynthia
then our homage pay. [Duet.] Sung by
Mrs. Magnus and a Boy, etc. [London,
1097.] s. sh. fol. G. 304. (157.)
See PuRCELL (D.) and Clarke (J.)
The Single Songs in. . .The World in the
Moon, etc. 1697. fol. G. 111. a.
[For songs, &c., in the World in the
Moon published anonymously : j
See World in the Moon.
Ye Minutes l)ring the Happy Hour.
See supra : [TJic Funeral.]
Y'oung Philander woo'd me long. ^-1 Song,
etc. [Words by T. Durfey.] [London,
1710?] s.sh.iol. H. 1601. (534.)
[Another copy.] Q. 305. (282.)
PURCELL (D.)~PURCELL (H.)
369
PURCELL (Daniel) [The Youuger
Brother.] The Town Rak's. A Song.
[Words by P. A. Motteux] . . . Sung by
Mr. Edward's in [Mrs. Behn's Play] the
Younger Brother or the Amorous Jilt, and
exactly Engrav'd by Tho. Cross. [London,
1696?] s. s/(. fol. G. 3i5. (88.)
[Another edition.] The Town Rakes,
etc. [London, 1710 ?] s. sh. fol.
H. 1601. (479.)
See Finger (G.) and Purcell (D.) Six
Sonatas or Solos for the Flute with a
Through Bass for the Harpsichord.
[1710?] fol. h. 17. (2.)
See Thesaurus Musicus. Thesaurus
Musicus. A Collection of . . . Part Songs
... by... D. PurceU, c/c. [1713?! fol.
H. 73.
PURCELL (Daniel) and CLARKE
(Jeremiah) [The World in the Moon.]
The Single Songs in the New Opera,
call'd, the World in The IMoon. Sett by
Mr. Daniel Purcell, and Mr. Clark.
J. Heptinstall, for H. Playford : London,
1697. fol. G. 111. a.
The World in tho Moon. [For songs, &c.
in tho World in the IMoon, published
anonymously :] See World in the Moon.
PURCELL (Henry)
Arrangement.
1. Collections and Selections.
2. Vocal IMusic.
a. Sacred.
b. Choral Odes,
c Dramatic.
d. Catches, Duets and Single Songs.
3. Instrumental.
1. Doubtful and Spurious Works.
5. Appendix.
6. Index.
1. Collections and Selections.
A Collection of Ayres, compos'd for the
Theatre, and upon other Occasions, etc.
Violino Primo (Secundo). (Tennor.)
(Bassus.) 4 pts.
J. Heptinstall, for Frances Purcell, etc. :
London, 1697. fol. K. 4. i. 10. (1.)
A Collection of the most Celebrated Songs
& Dialogues composed by y' late famous
]\Ir. Henry Purcell. Printed for B. Meares :
London, [1705 ?] fol. G. 103. c.
Harmonia Sacra or Select Anthems in
Score for one, two and three Voices, etc.
Printed for I. Walsh:
London, [1730 ?] fol. H. 101. a.
[Another copy.] Add. MSS. 17,818.
Orpheus Britannicus. A Collection of all
the Choicest Songs for One, Two, and
Three Voices, compos'd by Mr. Henry
Purcell. Together with Symphonies for
Violins or Flutes, were by Him design'd
VOL. II.
for any of them : and a Through-Bass to
each Song ; figur'd for the Organ, Harpsi-
chord, or Theorbo-Lute. All which are
I)laced ill their several Keys according to
the Order of the Gamut. (Orpheus
Britannicus . . . The Second Book, which
renders the First Compleat.) 2 Books.
/. Heptinstall {W. Pearson), for H. Play-
ford : London, 1698 (1702). fol. G. 100.
Orpheus Britannicus . . . The Second
Edition with Large Additions, etc. (Or-
pheus Britannicus. . .The Second Book. . .
The Second Edition with Additions.)
2 Books. W. Pearson {for S. H.) :
London, 1706 (1711). fol. G. 101.
Orpheus Britannicus. . .The Third Edition
with Large Additions ; and placed in their
several Keys according to the order of the
Gamut. 2 Books. Willia^n Pearson, for
S. H. : London, 1721. fol. G. 100. a.
Orpheus Britannicus. A Collection of
Choice Songs for One, Two, and Three
Voices with a Through Bass for the
Harpsicord. Printed for I. Walsh :
London, [1745 ?] fol. " G. 102.
TJiis tvork is merely a collection of single
sheet sotigs engraved at different
periods about the begiyming of the
18th century.
M' Hen' Purcell's Favourite Songs out of
his most celebrated Orpheus Brittauicus
and the rest of his Works the whole fairly
Engraven and carefully corrected.
Printed for In" Walsh . . . and hi" d
Joseph Hare : London, [1725 ?] fol.
G. 102. a.
2. Vocal Music.
a. Sacred.
[Behold, I bring you glad tidings.]
St'e Anthems. Six Select Anthems ... by
Dr. Croft, . . . H. Purcell, etc. [No. 1.]
[1770?] fol. G. 517. n. (1.)
The Lord is King. Solo Anthem.
See Anthems. Six Select Anthems, etc.
No. 6. [1781 ?] fol. H. 3006.
Te Deum & Jubilate for Voices and
Instruments made for St. Csecilia's Day
1G94. [Full Score." J. Heptinstall, etc. :
London, 1697. fol. Add. MSS. 31,444.
Te Deum et Jubilate, for Voices and
Instruments, perform'd before the Queen
. . .at the Cathedral-Church of St. Paul,
on the Thanksgiving-Day, for the Glorious
Successes of Her Majesty's Army the last
Campaign. . .The Second Edition.
J. Walsh, J. Hare and P. Randall :
London, [1708.] fol. G. 99.
Sec Crompton (J.) The Psalm
Singer's Assistant, or a Key to Psalmody.
Containing. . .A Variety of curious An-
thems. . .with. . .Purcell's Te Deum, etc.
1778. ohl. 4°. A. 1020.
2 B
370
PURCELL (H.)
[Full Score]
[B. Goodison :
H. 101. (3-5.)
a.
PURCELL (Henry)
b. Odes.
Odes and Choral Songs
3 nos.
Lowrfon, 1790 ?] fol.
[Another copy.] I- 465
Commemoration Ode performed at Christ-
Church in Dublin Jan'' 9, 169|. [Full
Score.] See supra: Odes and Choral
Songs. No. 2.
[Ode for King James II's Birthday. 1687.]
Let Ceesar and Urania live. A Two Part
Song. [London, 1720?] s. sh
1994.
fol.
a.
(184.)
Ode on the Queen's Birthday [1693.
Celebrate this festival. Full Score].
Sec supra : Odes and Choral Songs. No. 3.
Celebrate this Festival. .4 Song
sung before the late Queen. [Words by
N Tate.l [London, 1100?] s.sh.iol.
H. 1601. (110.)
[Another edition.] Celebrate this
Festival, etc. [London, 1705 ?] s. sh. fol.
G. 307. (22.)
Celebrate this
festival,
1710 ?]
[Another edition.]
.4 Song, etc.
s. sit. fol.
G.
G.
[Another copy.]
Kindly treat Maria's
. . . The Words by N. Tate.
London, 1693. 4°.
[Itondon,
316. h. (26.)
316. d. (85.)
day. ^4 Song
ii. Parker :
P.P. 5255.
Gentleman's
133-135.
Journal, April, 1693, j^P-
PURCELL (Henry) The Song per-
formed at The Yorkshire Feast, 1689.
[Words by T. D'Urfey. Full Score.]
See supra : Odes and Choral Songs. No. 1.
^ And in each track of Glory since. A
Two part Song, etc. ^J^°'"'!i°JJ'l
1700?] s. s7; fol. H. 1601. (57.)
[Another edition.] And in each
track , etc. [London, 17 10 ?] s sh fol.
G. 304. (lo.)
[Another edition.] And in each
Track, etc. [London, 1720?] s. sh. fol.
G. 316. d. (43.)
[Another edition.] And in each
track, cte. 11. Falkcncr : London,
[1775 ?] s. sh. fol. H. 1994. a. (62.)
c. Dramatic Music.
[Ode for Queen Mary's Birthday. 1694.]
Strike the Viol, touch the Lute. A Song,
etc. Printed for H. Rhodes :
London, 1694. 4°. P.P. 5255.
Gentleman's Journal, May, 1694, j'i^-
137-139.
[Ode for S' Cecilia's Day, 1683. Welcome
to all the pleasures.] A Musical Enter-
tainment perform'd on November xxii.
1683. It being the Festival of S' Cecilia,
etc. [Words by C. Fishburn. Full Score.]
J. Plat/ford Junior : London, 1684. 4°.
C. 180.
[Ode for S' Cecilia's Day. 1692.] The
Fife and all the Harmony of War. A
Favourite Song, etc. [Words by N. Brady.
Full Score.] [London, 1710 ?] fol.
H. 1601. (462.)
'Tis Nature's Voice. A Song Set by
Mr. Henry Purcell and Sung by himself
at S' Cascilia's Feast, and exactly engrav'd
by Tho: Cross. [Words by N. Brady.]
[London, 1693 ?] s. sh. fol.
K. 7. i. 2. (18.)
Abdelazer.
Luciuda is bewitching fair.
sung in Abdclazar, etc.
[London! 1695?] s. sh.
A new Song
fol.
G. 316. h. (4.)
A
To
the Songs,
Amphitryon.
Amphitryon ; or the Two Sosia's.
Comedy... Written by Mr. Dryden.
which is added, the Musick of
etc. (Tho Songs in Amphitryon, etc.)
2 pts. Printed for J. Tonson and
M. Tonson : London, 1691 (1690.) 4".
643. h. 18. (12.)
Each iiart has a separate title-page and
pagination. The songs arc dated
1690 and printed by J. Heptinstall
for Jacob Tonson.
[Another copy.] T. 1945. (3.)
[Another copy.] 644. g. 72.
Aureng-Zebe.
I see she flyes me. A Song in the Play
[by J. Dryden] call'd Oranzebe. . .sung by
Mrs. Alyff. [T.Cross: London,
1695 ?] s. sli. fol. K. 7. i. 2. (19.)
[Another edition.] I see she flyes me. A
Song, etc. [London, 1100 7] s.sh.iol.
H. 1601. (246.)
[Another edition.] I see she flyes me, etc.
[J. Walsli : London, 1710 ?] fol.
G. 316. g. (27.)
Printed from the same plates as Walsh's
' Orpheus Britannicus,' but tuithout
pagination.
Bonduca.
The Favorite Songs, Duetts and Chorusses
. . .in Bonduca. . .Sung. . .at the Theatre
Royal Drury Lane. [Full Score.]
J. Bland : London,
[1780?] fol. H. 101. h. (1.)
Jack thou'rt a Toaper. A Catch sung by
the Roman Souldiers in the Tragedy of
Bonduca. [London, 1710?] s. sh. fol.
H. 1601. (230.)
PURCELL (H.)
371
PURCELL (Henry) Jack, thou'rt a
Toper. A Favourite Catch, etc.
R. Falkcncr : London,
[1775?] s.sh.iol. H. 1994. a. (55.)
Oh lead me to some peaceful! Gloom.
A Song in the Tragedy of Bonduca . . .
Sung by IMiss Cross and exactly engrav'd
by Tho. Cross. [Lojidoii, 1696.] s. sh. fol.
K. 7. i. 2. (20.)
[Another edition.] Oh lead me to some
peacefull Gloom, etc. \ London,
1705 ?] s. sh. fol. H. 1601. (335.)
[Another copy.] G. 315. (65.)
[Another copy.] G. 315. (31.)
To Arms and Britains strike home ; two
Songs in Bonduca . . . Within the Com-
pass of tho Flute. [LoHc/o», 1710?] fol.
G. 303. (52.)
[Another edition.] To Arms. A Song, etc.
[London, 1710 ?J s. sh. fol.
H. 1601. (449.)
[Another edition.] To Arms. A Song, etc.
Clucr : [London, 1720 ?] s. sh. fol.
G. 316. g. (66.)
[Another edition.] To Arms & Britains
strike home . . . for the German flute &
Common flute. [London, 1730 ?] s. sh. fol.
G. 312. (22.)
[Another edition.] To Arms, and Britons
strike home . . . Within Compass of the
Flute. Printed for J. Simpson:
[London, 1735 ?] s. sh. fol.
H. 1994. c. (59.)
[Another edition.] To Arms, and Britons
strike hom.e,etc, [London, 1740?] s. sJi. fol.
H. 1994. a. (154.)
[Another edition.] To Arms, & Britains
strike home, etc. [London,
1740?] s. sh. fol. G. 316. f. (53.)
[Another edition.] To Arms, & Britons
strike home. [Duett and Chorus.]
[London, 1105?] fol. H. 2821. (1.)
The Conquest of Granada.
Celemene pray tell me. A Dialogue in
the Second Part of the Conquest of
Granada. The Words by Mr. T. D'Urfey
. . . Sung by the Boy & Girl, and exactly
engrav'd by Tho. Cross. [London,
1700?] fol. K. 7. i. 2. (13.)
[Another copy.] G. 304. (43.)
Dido and .^neas.
[Fear no danger.] See Willis ( ) Two
Catches for Three Voices . . . also a Song
in the Play call'd Measure for Measure
[as altered by C. Gildon], Set by Mr.
Henry Purcell. [1700.] s. sh. fol.
G. 304. (54.)
PURCELL (Henry) Fear no Danger to
ensue. Glee for three voices. [London,]
1792. 8. sh. 4". P.P. 5141.
Lady's Magazine, Jan., 1792.
Fear no danger to ensue. Glee.
[London, 1800 ?] s. sh. fol.
G. 805. g. (39.)
Dioclesian.
The Vocal and Instrumental ]\Iusick of
the Prophetess, or the History of Dio-
clesian. [Pull Score.] J. Heptinstall,
for the Author : London, 1691. fol.
H. 101. d.
Let the Souldiers rejoyce. A Song in
Dioclesian, etc. [London, 1700 ?] s. sh. fol.
H. 1601. (278.)
Sound Fame, thy Brazen Trumpet. A
Song in Dioclesian . . . Sung to a Trumpet,
by Mr. Freeman, and exactly engrav'd
by Tho: Cross. [London,
1691 ?] s. sh. fol. K. 7. i. 2. (10.)
[Another copy.] G. 304. (137.)
[Another edition.] Sound Fame, thy
brazen Trumpet. A Song . . . Sung to a
Trumpet. [London, 1700 ?] s. sJi. fol.
H. 1601. (392.)
[Another edition.] Sound Fame. A
Song . . . within the Compass of the Flute.
[London, 1710 ?] s. sh. fol.
G. 315. (84.)
Don Quixote. Part I.
Let the dreadfuU Engines. A So)ig in
the first part of Don Quixote . . . Sung by
Mr. Bowman & exactly engrav'd by T.
Cross. [Words by T. D'Urfey.]
[London, 1694.] fol. K. 7. i. 2. (16.)
[Another copy.] G. 304. (98.)
[Another edition.] Let the DreadfuU
Engines. A Song, etc. [London,
1710?] fol. G. 315. (6.)
Sing, all ye Muses. A Song sung at the
Knighting of Don Quixote. [Words by
T. D'Urfey.] [London, 11 iO?] fol.
H. 1994. a. (119.)
Don Quixote. Part II.
Genius of England. A Song xoith a
Trumpet, etc. [Words by T. D'Urfey.]
[London, 1700 ?] fol. H. 1601. (167.)
Genius of England. A Song with a
Trumpet, etc. [London, 1110 ^ fol.
G. 316. g. (30.)
Pp. 16-17 of an imidentified collection.
[Another edition.] Genius of England.
A Song with a Trumpet, etc. Printed for
Eliz. Hare : [London, 1735 ?] fol.
H. 1994. c. (60.)
Genius of England. [London, 1780 ?] fol.
H. 1601. b. (55.)
2 B 2
372
PURCELL (H.)
PURCELL (Henby) Lads and Lasses
blith and gay. A Scotch Song in the
Second part of the play [by T. D'Urfey]
call'd Don Quixote sung by IMrs. Hud-
son, etc. [London,
1694.] s. sh. fol. G. 315. (25.)
The loords of this song are not in the
printed play.
[Lads and Lasses.] See Within. Within
an Arbor of delight. .4 Poole at Pickett.
[Song.] The Words made and Set to a
tune [by H. Purcell] by Mr. D'Urfey.
[1710 ?] s. sh. fol. L 530. (51.)
Since Times are so bad. A Dialogue, etc.
[Words by T. D'Urfey.] [London,
1705?] fol. H. 1601. (384.)
[Another copy.] 11621. i. 1. (81.)
[Another copy.] Gr. 315. (58.)
Imperfect, wanting fol. 2 and 3.
Don Quixote. Part III.
[From rosy Bowers.] See Don Quixote.
New Songs in the Third Part of . . . Don
Quixote . . . Being the last Piece set to
Musick by . . . Mr. Henry Purcell, etc.
1696. fol. G. 150. a.
From rosie Bow'rs. [Cantata] Set by
Mr. Henry Purcell, etc. [Words by T.
D'Urfey. [London, 1700 ?] fol.
H. 1601. (161.)
From Rosie Bow'rs, etc. [London,
1710?] fol. G. 316. g. (23.)
Pp. 6-9 of an unidentified collection.
Rosy Bowers. The last Song that was
Set by . . . Mr. Henry Purcell, It beiug in
his Sickness. See Chloe. Chloe, or the
Musical Magazine, etc. No. 68.
[1760?] fol. G. 433.
From Rosy Bow'rs. Printed for J. Bland :
[London, VJQO'i'] s.sh.lol.
H. 1601. b. (85.)
The Fairy Queen.
Some Select Songs as they are Sung in
the Fairy Queen. J. Heptinstall, for the
Author: London. 1692. fol. G. 98.
Come let us leave the Town. A Song for
2 Voices, etc. [London, 1700 ?J s. sh. fol.
K. 7. i. 2. (12.)
[Another copy.] G. 304. (39.)
If Love's a sweet Passion. [Song.]
[London, 1740 ?] s.sh.iol.
G. 316. e. (28.)
Now the Maids and the Men. A Dialogue
. . . Sung by Mr. Reading and Mr. Pate in
Womans habit, and exactly engrav'd by
Tho: Cross. [London, 1695.] fol.
K. 7. i. 2. (15.)
[Another copy.] G. 304. (110.)
PU-RCELL (Henry)
The Fatal Marriage.
The Danger is over. A Song in the Fatal
Marriage, by Mr. Southerne, etc.
Printed for H. Rhodes :
London, 1694. 4". P.P. 5255.
Gentleman's Journal, March, 1694, pp.
65-68.
A Fool's Preferment.
A Fool's Preferment, or. The Three Dukes
of Dunstable. A Comedy . . . Written by
Mr. D'urfey. Together, with all the
Songs and Notes to 'em, Excellently
Compos'd by Mr. Henry Purcell, etc.
(New Songs sung in The Fool's Preferment,
etc.) 2 pts. Printed for J. Knight,
and F. Saunders : [London,] 1688. 4°.
643. i. 20. (3.)
Each part has separate title-page and
piagination. The songs are ' Printed
by E. Jones, for J. Knight and F.
Saunders,' etc.
[Another copy.] 644. h. 20.
[Another copy.] 81. c. 5.
The Indian Queen.
The Songs in the Indian Queen : as it is
now Compos'd into an Opera, etc.
J. Heptinstall : London, 1695. fol.
G. 98. a.
The Indian Queen. [An Opera, adapted
from the play by Sir R. Howard and
J. Dryden. Full Score.] [B. Goodison :
London, 1790?] fol. H. 101. (2.)
I attempt from Love's sickness to Ily.
^4 Song in the Indian Queen : as it is now
Compos'd into an Opera. Sung by Mrs.
Cross and exactly engrav'd by Tho: Cross.
[London, 1695?] s.sh.iol.
K. 7. i. 2. (11.)
You twice ten hundred Deities. The
Conjurer's Song in the Indian Queen . . .
Sung by Mr. Leveridge.
[London, 1700 ?] fol. H. 1601. (537.)
[Another edition.] You twice ten hundred
Deities. Tlie Conjurer's Song, etc.
[London, 1110?] fol. G. 304. (191.)
[For songs, &c., published anonymously :J
^'ee Indian Queen.
King Arthur.
The Songs Airs Duetts and Chorusses, in
the Masque of King Arthur . . . Compos'd
by Purcell and Dr. Arne.
Printed for Longman, Lukey & Co. :
London, [1773 ?] fol. G. 231. (2.)
Come if you dare, etc. [Song and Chorus.]
[1802.] See Periodical Publications. —
London. The Piano-Forte ]\Iagazine.
Vol. XVI. No. 7. [1797-1802.] S". D. 854.
Fairest Isle. ^4 Song . . . sung by IMrs.
Scott, etc. R. Falkener : London,
[1775 ?] s. sh. fol. H. 1994. a. (83.)
PURCELL (H.)
373
PURCELL (Henry) Fairest Isle, Glee
for Three Voices.
[London,'] 1787. s. sh. 4". P.P. 5141.
Lady's Magazine, Jan., 1787.
Purcel's Fairest Isle, sung by Mrs.
Munday, with Accompaniments by Dr.
Hayes. [Full Score.]
Printed for the Author : London,
[1790 ?] fol. ' G. 360. (22.)
I call I call you all. A Song, etc. TWords
byj. Drvden.l [LondoH, 1710 ?1 fol.
H. 1601. (251.)
Your Hay it is mow'd. A Neiv Song in
the Dramatick Opera. Written by ^Mr.
Drydeu. • London, 1G92?] s. sh. io\.
G. 304. (183.)
The Maid's Last Prayer.
Tell me no more I am deceiv'd. A Song
. . .the Words bv Mr. Congreve.
R. Parker: London, 1693. 4".
P.P. 5255.
Gentleinan's Journal, Jamiary, 1G92-3,
pj). 27, 28.
Tho' you make no return to my passion.
A Song. . .the Words bv ]Mr. Soutbernc.
R.Parker: T^ondon, IG'Jd. 4". P.P. 5255.
Gentleman's Journal, January, 1692-3,
pp. 29-31.
The Marriage-Hater Match'd.
As soon as the Chaos. A Two part Song
. . .sung by Mr. Pate & Mv. Leveridge.
[London, 1700 ?] fol. H. 1601. (14.)
The Married Beau.
See where repenting Cselia lies. A Song
in the last New Comedy call'd y - Married
Beau or the Curious Impertinent. Sung
by Mrs. Aliff, etc. [Words by J. Crowue.]
[London, 1695.] s. sh. fol.
K. 7. i. 2. (23.)
The Massacre of Paris.
Thy Genius lo ! A Song in the Massacre
of Paris [written by N. Lee] . . . Sung by
the Boy and exactly engrav'd by Tho:
Cross. [London, 1697 ?1 s. sh. fol.
K. 7. i. 2. (24.)
The Mock ^Marriage.
'Twas within a fourlong of Edenborough
toun. A Scotch Song. [Words by T.
D'Urfey.] Sung by the Girl, in the Mock
Marriage [by T. Scottl, etc. [London,
1696.] s. sh. fol. G. 312. (51.)
[Another copy.] G. 315. (164.)
The Richmond Heiress.
Behold the ilan that with Gigantick
Might. The Mad Dialogue. Sung by
Mr. Leveridge and Mvs. Lynsey. [Words
by T. D'Urfey.] [Lomlon, 170 J?] fol.
G. 306. (177.)
[Another copy.] G. 315. (83.)
Imperfect : fol. 1 only.
PURCELL (Henry)
The Rival Sisters.
Celia has a thousand Charms. A Song in
the Play call'd the Rival Sisters ... Sung
bv the Boy and exactly engrav'd by Tho:
Cross. [Words bv R. Gould.] [London,
1696.] s. sh. fol. " K. 7. i. 2. (17.)
[Another edition.] Celia has a thousand
Charms, c^c. [London, 11 10 ?] s. sh. io\.
H. 1601. (117.)
[Another edition.] Celia has a thousand
Charms. . .Transposed for y Flute.
[London, 1715 ?] s. sh. fol.
G. 304. (41.)
[Another edition.] Celia has a thousand
charms, etc. Cluer : [London,
1720?] s.sh.iol. G. 316. g. (16.)
Take not a Woman's anger ill. A Song,
in the last new Tragedy of the Rivall-
Sisters . . . Sung by Mr. Leveridge. [Words
by R. Gould.] [London, 1696.] s. sh. fol.
G. 304. (154.)
The Spanish Friar.
Whilst I with grief. A Neio Song in the
Play "by J. Dryden] call'd the Spanish
Fryer". . . Sung by a boy, and exac[t]ly
Engraven by T. Cross. T. Cross :
r London, 1696?] s.sh.iol.
H. 1601. e. (4.)
[Another edition.] Whilst I with greif
did on you look. A Neio Song. Sung in
the Spanish Frier, etc. Engraven for
I. Walsh : [London, 1696.] s. sh. fol.
G. 304. (182.)
The Tempest.
The Musick in the Comedy of the Tempest
in Score, etc. [Opera, adapted from Shake-
speare by Davenant, Dryden and Shad-
well.] Printed for Harrison & Co. :
London, [1785 ?] obi. fol. D. 282. (2.)
The Tempest. [Full Score.]
[JB. Goodison : London, 1790 ?] fol.
H. 101. (1.)
[Another edition.] The Music in The
Tempest, etc. [Full Score.]
[B. Goodison : Lomlon, 1790 ?] fol.
H. 130. (6.)
This edition contains a preface [by
Goodison].
The Music in the Tempest. [Full Score.]
Printed for Messrs. Longman and
Broderip : London, [1190?] fol.
H. 101. h. (2.)
A New Edition of the . . . music in the
Tempest . . . Revised and Corrected by
Doctor Busby. Broderip & Wilkinson :
London, [1800?] fol. H. 101. f.
Dear pretty youth. A Song sung by the
Girl in the Tempest . . . and exactly
engrav'd by Tho: Cross. [London,
1696?] s.'s/i. fol. K. 7. i. 2. (21.)
374
PURCBLL (H.)
PURCELL (Henry) [Another edition.]
Dear pretty Youth, etc. [London,
1700?] s.sh.lol. H. 1601. (130.)
[Another edition.] Dear pretty youth,
etc. [London, 1105 7] s. sh. io\.
G. 304. (46.)
Theodosius.
Theodosius : or, The Force of Love. A
Tragedy . . . Written by N. Lee. With the
Musick betwixt the Acts. 1680. 4°.
Sec Theodosius. 841. f. 50.
[Hail to the myrtle shade. _
Hail to the Knight of the Post
See Hail.
Titus
Tell-Troth . . . Song. To the Tune of,
Hail to the Myrtle Shades [by H. Purcell].
1682. s. sh. fol. Case 38. i. 25. (6.)
Timon of Athens.
Come let us agree. A two part Song
between Cupid & Bacchus, etc. Words
by P. A. Motteux.] [London,
1700?] s. s7t. fol. G. 307. (13.)
Tyrannick Love.
Ah ! how sweet it is to love. A Song sung
by Mrs. Aliff in the Playcall'd Tyraunick-
Love, etc. [Words by J. Dryden.]
G. 306. (17.)
[Another copy.] K. 7. i. 2. (22.)
[Another copy.] G. 304. (15.)
[Another copy.] G. 315. (5.)
[Another copy.] G. 315. (14.)
[Another copy.] G. 315. (44.)
[Another edition.] Ah ! how sweet it is
to love, etc. [London, 1710?] s. sh. fol.
H. 1601. (55.)
Hark my Daridcar. See Hark. Hark
myDaridcar. [1730?] fol.
H. 1994. a. (118.)
d. Catches, Duets and Single Songs.
Ah me ! to many Deaths decreed. A
Song. . .the Words by ]Mr. J. Crown.
Printed for li. Parker : London, 1692. 4".
P.P. 5255.
Gentleman's Journal, August, 1692, pp.
27-30.
Ask me to love no more. A Song . . .
the Words by A. Hammond, Esq.
Printed for H. Rhodes : London, 1694. 4".
P.P. 5255.
Gentleman's Jotirnal, April, 1694, pp.
104-108.
Bess of Bedlam, etc. [Song.]
[London, 1710 ?] fol. H. 1601. (152.)
[Another edition.] Bess of Bedlam, etc.
[London, 17207] fol. G. 316. g. (29.)
[Another edition.] Bess of Bedlam, etc.
[Song.] [London 7 1720 ?] fol.
G. 316. h. (33.)
Pp). 14, 15 of some tmidentified collection.
PURCELL (Henry) [Another edition.]
Bess of Bedlam. A Celebrated Old Song,
etc J- <£" E. Lee :
Dublin, [1790 ?] fol. H. 1601. b. (69.)
[Four Catches for three and four Voices.]
[London 7 1740 ?] s. sh. fol.
^ L 600. (114.)
A sheet of catches, numbered 51-54, in-
tended to be cut tip in oblo7ig quarto size.
Catch, A 3 voice. [Begins : ' Jack thou'rt
a Toper.'] Catch, A 4 voice. [Begins:
' Soldier, soldier, take off thy wine.']
[LowfZon, 1740 ?] s. sh. io\.
G. 316. h. (28.)
Celia's fond ; too long I've lov'd her. A
Song ... the Words fitted to the Tune by
Mr. M[otteux]. Printed for H. Rhodes :
London, 1694. 4°. P.P. 5255.
Ge7itleman' s Journal, July, 1694, pp.
21.3-216.
Celladon when Spring came on. A Song
by Mr. Durfey to a Tune of the late Mr.
Purcells. [The Words from D'Urfey's
' The Old Mode and the New.']
[London, 1709.] s. sh. fol.
H. 1601. (116.)
Corinna is divinely fair. A Song' . . . the
Words by a Person of Honour.
Printed for R. Parker : London, 1G92. 4°.
P.P. 5255.
Gentleman's Journal, December, 1G92,
pp. 27-31.
Crown your Bowles : An Ode on the King's
happy returne from abroad, the words by
Mr. Durfey. To a Sebell of Mr. Henry
Purcell. [London, 1700 ?] s. sh. fol.
G. 305. (36.)
[Another edition.] Crown your Bowles.
A Song the words by Mr. Durfey to Mr.
H. Purcell Sebell. [I^ondon,
1700?] s.sh.iol. H. 1601. (106.)
Dulcibella, a [Two-Part] Song, etc.
R. Baldioin : London, 1694. 4".
P.P. 5255.
Gentleman's Journal, Oct. and Nov.,
1694, pp. 277-282.
Dulcibella when e'er I sue. A Song for
tivo Voices. [J. Walsh :
Lojidon, 1710 ?] fol. G. 316. g. (13.)
Printed from the same plates as Walsh's
' Orpheus Britannicus,' but without
pagination.
Fair Cloe my breast so alarms. A Song
[for two voices, words by J. Glanvil,] . . .
exactly engrav'd by Tho: Cross.
[London, 1695 ?] fol. K. 7. i. 2. (14.)
[Another edition.] Fair Cloe my Breast
so alarms. A Song . . . for two voices.
Within Compass of y' Flute. [London,
1710?] s.sli.iol. G. 305. (94.)
[Another edition.] Fair Cloe my Breast
so alarms, etc. [London,
1735 ?] s. sh. fol. H. 1994. a. (13.)
PURCELL (H.)
375
PURCELL (Henry) Fill all the Glasses.
.4 2hvo Part Song, etc. [London,
1740?] s.sh.iol. H. 1994. a. (37.)
Fly swift ye Hours. A Song, etc.
[J. Walsh : London, 1710 ?] fol.
G. 316. g. (19.)
Printed from the same plates as Walsh's
' Orpheus Britannicus,' hut withmct
pagination.
For Love ev'ry Creature is form'd. A
two Part Song, etc. [London,
1720?] s.sh.iol. G. 316. (115.)
Fye, nay, pr'ythee John. Sec Fyf.. Fye,
nay, pr'ythee John. A Favourite Catch,
etc. [By H. Purcell.] [1775 ?] s. sh. fol.
H. 1994. a. (18*.)
Gentle Shepherds, you that know. A
Pastoral Elegy on the Death of Mr. John
Playford. The Words by ilr. Tate.
Printed for H. Playford : Jjondon,
1687. fol. G. 109. (1.)
Here lies Tom Short-hose. A Catch for
Three Voices. R. Falkener : London,
[1775 ?] s. sh. fol. H. 1994. a. (55*.)
I envy not a jMonarch's Fate. A Song,
etc. R. Parker : London, 1693. 4".
P.P. 5255.
Gentleman's Journal, September, 1693,
pp. 315, 316.
If IMusic be the food of Love. A Song
. . . the words by Colonel Heveningham.
Printed for R. Parker : London, 169^. 4".
P.P. 5255.
Gentleman's Journal, June, 1692, pp.
27-29.
If jMusick be the food of Love. A Song,
etc. [Words by Col. Henningham.]
[London, 1105?] fol. G. 309. (51.)
Let us dance, let us sing. A Song, etc.
Printed for R. Parker : London, 1692. 4°-
P.P. 5255.
Gentleman's Jotcrnal, October, 1692,
jyp. 32-34.
Lost is my Quiet for ever. A Song for
two Voices, etc. [London, .
1700 ?] s. sh. fol. H. 1994. (52.)
Mad Bess. [Song.] [LojkZom, 1790?] fol.
H. 2818. b. (71.)
New reformation, begins thro y" Nation.
A Song in the Campaigners, the words by
Mr. Tho: Durfey, to a tune of Mr. Henry
Purcels and exactly engrav'd by Dan:
Wright. [London, 1698 ?] s. sh. fol.
H. 1601. (316.)
[Another edition.] New Reformation,
begins through the Nation, etc.
[London, 1698?] s. sh. fol. G. 303. (58.)
No Watch, dear Celia, just is found. A
Song, etc. R. Parker : London, 1093. 4°.
P.P. 5255.
Gentleman's Journal, February, 1692-3,
pp. 32-34.
PURCELL (Henky) Once, twice, thrice.
A Catch a 3 voc. See Catches. [Four
Catches, efc. No. 4.] [1740?] s. sh. io\.
G. 316. e. (109.)
Prithee, ben't so sad and serious. A
Catch, etc. R. Falkener : London,
[1775?] s.sh. fol. H. 1994. a. (95*.)
[Another copy.] H. 1994. a. (204*.)
Sawney is a bonny Lad. A Song. . .Sung
at an Entertainment for Prince Lewis of
Baden. [Words by P. Motteux.]
Printed for H. Rhodes : London, 1694. 4".
P.P. 5255.
Gentleman's Journal, January and
February, 1694, pp. 33, 34.
Since from my dear Astrea's Sight. A
Song, etc. (The words by the Earl of ^I.)
R. Parker : London, 1693. 4°.
P.P. 5255.
Gentleman's Journal, December, 1693,
pp. 426-428.
Stript of their green our Groves appear.
A new Song, etc. [Words by P. jNIotteux.]
R. Baldivin : Tjondon, 1692. 4°.
P.P. 5255.
Pp. 57-62 of the Gentlenmn's Journal
for Jan., 1691-2.
Sum up all the delights. A Catch for
Three Voices. R. Falkener : Tjondon,
[1775?] s. s7t. fol. H. 1994. a. (41*.)
There's not a Swain. A Song, tho Notes
by Mr. Henry Purcell. The Words fitted
to the Tune by N. Henley Esq.
Printed for H. Rhodes :
London, 1694. 4°. P.P. 5255.
Gentleman's Journal, April, 1694, pp.
101-103.
We now, my Thyrsis. A Song, etc. (The
words fitted to the Notes.) R. Parker :
London, 1693. 4°. P.P. 5255.
Gentleman's Journal, June, 1693, jJ2^.
205-208.
When first I saw the bright Aurelia's
Eyes. A Song, etc. R.Parker:
London, 1693. 4°. P.P. 5255.
Gentleman's Journal, December, 1693,
pp. 421-425.
When my Acmelia smiles. A Song...
exactly engrav'd by Tho: Cross.
[Zyowdoji, 1700 ?] s.sh.iol.
G. 315. (149.)
When Myra sings. A Song for two
Voices, etc. [Words by Lord Lansdowne.]
[London, 1710 ?] fol. G. 304. (180.)
3. iNSTBUMENTAIi.
Purcell's Ground. See infra: [Doubtful
and Spurious TForfcs.]
37G
PURCELL (H.)
PURCELL (Henry) A Choice Collection
of Lessons for the Harpsichord or Spin-
net, etc. Printed on Copper Plates for
Mrs. Frances Purcell . . . a/nd . . . Sold by
Henry Pla II ford: London, 1696. obi, 4:°.
K. 1. c. 5.
Bound up at the end of the volume are a
MS. Overture {to the Virtiious Wife),
Ayrc [frovi Abdelazer) and Jegg in
Gamut i), and an Ahnain and Borry
in D sol re by H. Purcell, in a con-
teviporary handwriting.
A Choice Collection of Lessons for the
Harpsichord or Spiunet . . . The third
Edition with Additions, etc. Printed on
Copper Plates for Mis. Frances Purcell,
etc. : Westminster, [1700 ?] ohl. 4°. a. 35.
Sonnata's of III. Parts : Two Viollins and
Basse : to the Organ or Harpsecord, etc.
[Separate Parts.] I. Playford and I. Carr,
for the Author : London, 1G83. fol.
e. 768.
Ten Sonatas in Four Parts. [Separate
Parts.] J. Heptinstall, for Frances
Purcell : London, 1697. fol.
K. 4. i. 10. (2.)
— — [No. IX.] That Excellent Sonata in
E. for Violins in 3 Parts call'd the Golden
Sonata, etc. [Separate Parts.] [London,]
1704. fol. g. 25. a.
Part of a monthly series of instrumental
music.
[No. IX.] See Harmonia Mundi.
Harmonia Mundi. Consisting of Six...
Sonata's collected out of the. . .Works of
. . .Mr. H. Purcell, etc. [1710 ?] fol.
g. 419.
4. Doubtful and Spurious Works.
Purcell's Ground for the Harpsichord.
An excellent Lesson with Variations, etc.
Printed for Straight and Skillern :
London, [1775 ?] fol. g. 271. b. (20.)
Purcell's Ground, for the Harpsichord,
etc. Printed for T. Straight :
London, [YiQb'>] fol. h. 2999. (13.)
Purcel's Ground for the Piano Forte, or
Harpsichord, with additional Variations
by J. Dale. Printed . . . at his Musical
Circulating Library : London, [HQQ'}'] fol.
h. 62. (18.)
Purcell's Ground, with Variations for the
Piano Forte or Harpsichord, to which is
added the Gamut in the Treble & Bass
Cliffs, etc. Printed for G. Goulding & Co. :
London, [1800 ?] fol. H. 2819. (32.)
Purcell's Ground. An excellent Lesson
with Variations, etc.
Broderip d- Wilkinson :
London, [1800?] fol. g. 271. b. (21.)
Mad Tom, an admir'd Song . . . lately
revived. John Lee : Dublin, [1730?] fol.
H. 1601. a. (99.)
PURCELL (Henry) Old Chiron thus
preach'd to his Pupil Achilles. A Two
part Song . . . within compass of the
Flute. [London,
1705?] s.sh.iol. H. 1601. (351.)
Li Playford' s " Catch that Catch can,
or the Second Part of tlie Musical
Companion " (1685), this duet is as-
cribed to Michael Wise.
Old Chiron thus preach'd to his Pupil
AchiUes. A Two part Song, etc,
[London, 1730 ?] s. sh. fol.
G. 305. (100.)
Old- Chiron. A Two Part Song, etc.
[London, 1740?] s.sh.iol.
H. 1994. a. (25.)
5. Appendix.
See Apollonian Harmony. Apollonian
Harmony: a Collection of. . .Glees. . .by
...Purcell, e/c. [1790?] 8". E. 255.
See Blow (J.) and Purcell (H.) Three
Elegies upon the . . . Loss of . . . Queen
Mary, etc. 1G95. fol. G. 107.
See Blow (J.) and Purcell (H.) Songs
Compleat. . .set to Musick by Dr. John
Blow, Mr. Henry Purcell, and other...
Masters. . .written by Mr. D'Urfey.
1719. 8°. 238. g. 35, 36.
See Bond (H.) The Psalms of David . . .
The Music consisting of . . .Tunes. . .bv. . .
Purcell, etc. [1791 ?] 4°. E. 579.
See Catch Club. The Catch Club . . .
being a Choice Collection of Catches . . .
compos'd by the late Mr. H. Purcell, etc.
[1720?] obi. 4°. B. 355.
See Catch Club. The Catch Club, or
Merry Companions. A Collection of . . .
Catches ... by H. Purcell, etc.
[1760?] obi. fol. E. 137. d.
See CoRFE (J.) Nine Vocal Trios arranged
from . . . Airs and Duetts of Purcell, etc.
[1800?] obl.iol E. 607. z. (1.)
Sec Harmonia Anglicana. Harmonia
Anglicana ... A Collection of . . . Songs
... by H. Purcell, etc. [1765?] fol.
G. 103. b.
See Jovial Companions. The Jovial
Companions ... a Choice Collection of . . .
Catches . . . together with the most Cele-
brated Catches ... by ... H. Purcell, etc.
[1710?] fol. G. 108.
See Joyful Cuckoldom. [Joyful Cuckol-
dom ... A Collection of New Songs . . .
by H. Purcell, etc.^ [1690 ?-0 ?] 4°.
C. 180. a.
Sec Musical Companion. The Second
Book of the Pleasant Musical Companion
. . . Compos'd by . . . Mr. Henry Purcell,
and other Eminent Masters, etc.
1701. obi. 4°. A. 412. e.
PURCELL (H.)
377
PURCELL (Henby) See Musical Com-
panion. Supplement of New Catches, to
the Second Book of the Pleasant Musical
Companion. Containing the Choicest
Catches by . . . Mr. Henry Purcell, etc.
1702. obi. 4". A. 412. g.
See Playford (H.) Harmonica Sacra :
. . . The First Book. The 2'» edition . . .
also four. . .Anthems of. . .Mr. H. Purcell's
never before Printed, etc. 170.3. fol.
G. 84. a. (1.)
Sec Playford (J.) An Introduction to
the Skill of Jlusick . . . The Twelfth
Edition. Corrected and Amende;! by
:\Ir. Henry Purcell. 1694. 8".
1042. e. 11. (1.)
See Shield (W.) The Prophet ... An
Opera . . . Composed by [or rather, selected
from the works of] ... Purcell, etc.
[1788.] obi. fol. E. 108. a. (2.)
See Songs. A Choice Collection of Two
Three & Four Part Songs, compos'd by
Purcell, f/c. Book 2". [1775?] fol.
G. 788. a.
See Songs. A Third Collection of New
Songs ... by ... H. Purcell, etc.
1685. fol. G. 152. (2.)
See Thesaurus Musicus. Thesaurus
:Musicus. A Collection of . . . Part Songs
... by ... H. Purcell, etc. [1743 ?] fol.
H. 73.
See Williams (A.) Royal Harmony . . .
Containing . . . Anthems ... by ... H.
Purcel, etc. [1765 ?] obi. fol. E. 1492.
See Williams (T.) Harmonia Coelestis
... a Collection of . . . Anthems . . . by
PurceU, etc. 1780. fol. G. 970.
See WiLLOUGHBY (R.) Sacred Harmony
. . . selected from the Works of . . .
Purcell, etc. [1795 ?] obi. 4'\ A. 1095.
6. Index.
Ah ! how sweet it is to love.
See [Tyrannick Love.]
And in each track of Glory since.
See [The Yorkshire Feast Song.]
As soon as the Chaos.
See [The Marriage-Hater Match'd.]
Behold the Man that with Gigantick
]\Iight. See [The Richmond Heiress.]
Britons strike home. See [Bondiica.]
Celemene pray tell me.
See [The Conquest of Granada.]
Celia has a thousand Charms.
See [The Rival Sisters.]
Come if you dare. See [King Arthur.]
Come let us agree. See [Timon of Athens.]
Come let us leave the Town.
See [The Fairy Queen.]
The Danger is over.
See [The Fatal Marriage.]
Dear pretty youth. See [The Tempest.]
PURCELL (Henry) Fairest Isle.
Sec [King Artltur.^
Fear no danger to ensue.
See IDido and uEneas.]
The Fife and all the Harmony of War.
See [Ode for S' Cecilia's Day. 1692.]
From rosy Bowers.
.See [Don Quixote. Part iii.]
Genius of England.
Sec [Don Quixote. Part ii.]
I attempt from Love's Sickness to fly.
See [The Indian Queen.}
I call, I call you all. See [Ki^ig Arthur.]
I see she flies me. See [Aureng-Zehe.]
If Love's a sweet Passion.
See [The Fairy Queen.]
Jack thou'rt a Toper. See [Bonduca.]
Kindly treat Maria's Day.
See [Ode for Queen Mary's Birthday. 1693.]
Lads and Lasses blith and gay.
See [Don Quixote. Part ii.]
Let Caesar and Urania live.
See [Ode for King James II's Birthday.]
Let the dreadfull Engines.
See [Don Quixote. Part i.]
Let the Souldiers rejoyce.
See [Dioclesian.]
Lucinda is bewitching fair.
See [Abdclazer.]
:\Iad Tom.
See [Doubtful and Simrious Works.]
Now the Maids and the I\Ien.
See [The Fairy Queen.]
Oh lead me to some peacefull Gloom.
See [Bonduca.]
Old Chiron thus preach'd to his Pupil
Achilles.
See [Doubtful and Spurious Works.}
The Prophetess. See [Dioclesian.]
See where repenting Cselia lies.
See [The Married Beau.]
Since Times are so bad.
See [Don Quixote. Part ii.]
Sing, all ye Muses.
See [Don Quixote. Part i.]
Sound Fame, thy brazen Trumpet.
See [Dioclesian.]
Strike the Viol, touch the Lute.
See [Ode for Queen Mary's Birthday. 1694.]
Take not a Woman's anger ill.
See [The Rival Sisters.]
TeU me no more I am deceiv'd.
See [The Maid's Last Prayer.]
Tho' you make no return to my passion.
See [The Maid's Last Prayer.]
Thy Genius lo !
See [The Massacre of Paris.}
'Tis Nature's Voice.
See [Ode for S' Cecilia's Day. 1692.]
To Arms. See [Bonduca.]
378
PURCELL (H.)— QUAKER
PURCELL (Henry) 'Tvvas within a four-
long of Edenborougli Toun.
Sec \_The Mock Marriage]
Welcome to all the pleasures.
Sec [Ode for S' Cecilia's Day. 1G83.]
Whilst I with grief did on you look.
See [The Spanish Friar.]
You twice ten hundred Deities.
Sec [The Indian Queen.]
Your Hay it is mow'd. See [Ki7ig Arthur.']
PURKIS (John) Brave comrades all hail.
Song for the British Volunteer. Written
by W. Bazing, etc. W. Hodsoll :
London, [1797 ?] fol. G. 376. (30.)
PURPLE. The Purple Morn. [Song.]
See Atheidates. [See the fiirplc morn
arise.]
The purple vi'let crowns the hill. Annette
the Village Bose, a Ballad. The Words
by G. Male. H. Hi)nc : Liverpool,
[1795?] fol. G. 356. (57.)
PURSE. The Purse, or Benevolent Tar.
IMusical Entertainment. Sec Reeve (W.)
PURSUING. Pursuing beauty men
descry. Female Advice. A New Song.
[London, 1764.] 8°. 158. 1. 9.
London Magazine, 17G4, p. 49.
PUSH. Push about the brisk bowl. Song.
See BoYCE (W.) [The Chaplet.]
PUSH. Push the bottle about. Tlic
Union. [Song.] [London, 1767.] 8".
158. 1. 12.
Lady's Magazine, 1767, p. 644.
Push the jovial Bowl about. Song.
See Barthelemon (F. H.)
PUTEANUS (Erycius) Errici Puteaui
...Modulata Pallas, sine Septem Discri-
miua Vocum, ad Harmonicse Lectionis
Nouum & Compendiarium vsum aptata &
contexta, etc. Apnd Pontianos :
Mediolani, 1599. 8". 1125. a. 19. (2.)
Eryci Puteaui INIusatheua, sine Notarum
Heptas, ad HarmonicEe Lectionis Nouum
& Facilem vsum. Eiusdem Iter Nonia-
num. Dialogus, Qui Epitomen Musa-
thente comprehendit, etc. Tijpis Weche-
lianis, apud Claudium Marnium & hcredcs
loan. Aubrii : Hanotiix, 1602. S".
1084. g. 14. (3.)
PUZZLE. The Puzzle. Glee. ,See Ball (J.)
PYGMALION. Pygmalion. Monodrama.
See Benda (G.)
Pygmalion. Opera. See Cimador (G. B.)
[Pimmalione.]
PYRAMUS AND THISBE. Pyramus
and Thisbe. A Mock-Opera.
See Lampe (J. F.)
PYRRHUS AND DEMETRIUS.
See PiRRO E Demetrio.
QUA. Qua si trova dir dovrete. [Song.]
Sre Paisiello (G.) [La Locanda.]
QUAGLIA (Giovanni Battista) Motetti
Sacri a Voce Sola . . . Libro ii.
Per li Figliuoli di Marc' Antonio Rossi :
Bergamo, 1675. obi. 4". A. 145.
QUAGLIATI (Paolo) Canzzouette . . .
a Tre Voci per Souare et Cantare. . .Libro
' Primo. [With a dedication by G. L.
Conforto.] Canto. Appresso Alessandro
Gardano : Roma, 1588. 8". B. 256. (1.)
Canzzonette. . . a Tre Voci per Sonare et
Cantare . . . Libro Secondo. [With a
dedication by G. L. Conforto.] Canto.
Appresso Alessandro Gardano :
Roma, 1588. 8°.
B. 256. (2.)
This tuork contains a Canzonet by G. L.
Conforti [Conforto].
Carro di Fedelta d' Amore rappresentato
in Roma da Cinque Voci per Cantar Soli,
et Insieme . . . Dato in luce dal Sig. Oberto
Fidati, con aggiunta di alcune Arie dell'
istesso Auttore, a vna, doi, & tre voci, etc.
Gio. Battista Robletti : Roma, 1611. fol.
K. 8. h. 15.
QUAGLIATI (Paolo) Motecta Octonis
et Psalmus Dixit Dns. Duodenis Vocibus.
Una cum Basso ad Organum. Cantus ii.
Chori. Apud lo: Baptistam Robletum :
Romac, 1512 [i.e. 1612]. 4°. D. 117.
TJie title-page is engraved.
QUAISAIN (Adrien) [La Vendange.]
Ah ! comme I'amour vous tracasse. Air
de la Vendange. Chants par le C. Bosquet
Gavaudan. Paroles du C. Joigny . . .
Accompagnement de Piano par le C.
Lemoine. CJiez Chapelle : Paris,
[1798.] fol. G. 554. a. (41.)
QUAKER. The Quaker, a Comic Opera
[by C. Dibdin] . . .Adapted for the German
Flute. Longman & Broderip : London,
[1785 ?] obi. 4°. B. 386. b. (2.)
I lock'd up all my Treasure. A favorite
Song in the Quaker [by C. Dibdin].
Longman & Broderip : London, [111 b.] fol.
G. 383. i. (17.)
While the Lads in the Village. ^VIlile
the Lads of the Village. [Song.] Sung
by Mr. Bannister in the Quaker. [By C.
Dibdin.] J[ohn] J[ohnston : London,
1775.] s. sh. fol. H. 1994. b. (104.)
[Another copy.] G. 424. ii. (48.)
QUAKER— QUAND
379
QUAKER. The Quaker. Comic Opera.
See DiBDiN (G.)
The Quakers Comical Song. See Amongst.
Amongst the pure Ones all, etc.
[1705?] s. sh. fol. G. 316. g. (4.)
QUAKER'S OPERA. The Quaker's
Opera. As it is Perform'd at Lee's and
Harper's Great Theatrical Booth in Bar-
tholomew-Fair. With the Musick pre-
fix'd to each Song. [Words by T. Walker.]
Printed for J. W[atts] : London, 1128. 8".
82. c. 48.
QUAL. Qual diletto iusiem m' inonda.
Cavatina. See Winter (P. von) [I Due
Fratelli BivalL]
Qual anelante. Duet.
Sec Marckllo (B.)
QUAND. Quand Colinet me fait la cour.
Romance avec Accomp' de Violon ou Alto
Viola. ChezCamand: [Pam, 1790?] 8".
B. 362. a. (139.)
Quand d'amour je re(;us la loi. Romance
Nouvelle. Accompagnement de Guittare.
Chez M'"' Lcbeau : Paris, [1780 ?J 8".
B. 362. b. (84.)
[Another copy.] B. 362. g. (56.)
Quand dans la plaine. Arietta.
See Barbier de Seville.
Quand de la nuit le voile tut61aire. Duo.
Sec Dalayrac (N.) [Primerosc.']
Quand de ses feux un jeune cceur. Vaude-
ville. See GiLLiER (J. C.) [Les Deux
Suivantes.']
Quand des IMontagnes de Pyr^ne. Chant.
See Lesueur (J. F.)
Quand il nous peint une rose nais-
sante. Air. See Mayer (A.) \_Daphni' et
Apollon.^
Quand j'ai bien bu. Parodie.
[Paris,'] 1748. a. sh. 4'\ 297. c. 17.
Mercure de France, Jiilij, 1748.
Quand j'ai m6rit6 ta haine. Romance.
[Words] Tiree d'Oph^lie, Koman traduit
de I'Anglois. [Paris,] 1704. s. sh. 8".
[Paris,] 1764. s. sh. 8". 298. d. 19.
Mercure de France, July, 1764.
Quand j'avais le coeur d'Annette. L'Amant
Malhcureux. Romance avec Accompag'
de Guitare pr. ftP Alberti.
Chez M'- Camand : Paris, [1780 ?] 8°.
B. 362. g. (29.)
Quand je lis Descartes, Newton. Chanson.
[Paris,] 1753. s. sh. 4". 298. c. 16.
Mercure de France, Nov., 1753.
Quand je rencontre un Porteur d'Eau.
Duo. [Paris,] 1738. s. sh. 4°.
297. b. 22.
Mercure de France, March, 1738.
QUAJSTD.
Tend re.
Quand jc revc la nuit. Air
Paris,] 1746. s. sh. 4».
297. c. 7.
Mercure de France, June, 1746.
Ouand je reviens du cabaret. Air a boire.
[Paris, 1780 ?] 8\ B. 362. a. (58.)
Quand je soupire a tes genoux. Duo.
See Collet ( )
Quand je t'entends, chere guitarre. Bru-
nette. -See DoBET ( )
Quand je te vols mon cher Silvandre.
[Song.] See Bouvin ( )
Quand je vais au hois seulette. Romance
Nouvelle. [Paris, 1785 ?] 8°.
B. 362. b. (39.)
Quand je vais au bois seulette. Romance
Noibvellc avec accompagnement de guitare
par M' Alberti. Chez M>- Camand :
Paris, [1785 ?] 8". B. 362. g. (45.)
Quand je vols Fanchette. Arietta.
See ToNKELiER.
Quand je vous parle, Egl6. Air.
See DuPERiER ( )
Quand jc vous vis. La Defense Inutile.
[Song.]. . .Paroles de R. Duferol, Guitarre
d' Alberti. Air : Du haut en has.
Chez Camand : Paris, [1785 ?] 8°.
B. 362. f. (14.)
Quand jeune veuve en sa d^tresso. Vau-
deville. See Faux Sermest.
Quand I'age vient I'amour nous laisse.
Ariette. See Fausse Magie.
Quand I'Amour couvre de ses ailes. ^a
m'fait plaisir. [Song, words] Par M'
Prechac. Air : du Vaudeville des Deux
Morts. Chez les freres Savigny : [Paris,
1781?] 8». B. 362. j. (5.)
Quand I'Amour est content. Duo.
See Albanese ( )
Quand I'Amour naquit a Cithere. La
Cour de Vtinus. [Song.] Chez hnhault :
Paris, [1795 ?] 8°. B. 362. a. (99.)
Quand I'amour nous appelle. Air.
See Fete de Flore.
Quand 1' Aquilon s'irrite. Le Coin du Feu.
Chanson [by F. Guichard, written] par
M' Framery. Chez hnhault : [Paris,
1785?] 8". B. 362. a. (147.)
Quand I'Ete dans mon cabinet. [Song.]
See Deux Tuteurs.
Quand I'ombre de Lucas parut. Air.
See Duchemin ( )
Quand la beaute seule seduit. Vaudeville.
See Grakdval (N. Ragot de) [Zineide.]
Quand le bien-aime reviendra. Romance.
See Dalayrac (N.) [Nina.]
Quand le destiu jaloux. Air.
See Mereaux (J. N. Le Froid de).
[Alexandre aux hides.]
Quand le Dieu Mars. Vaudeville.
See Confederation du Parnasse.
380
QUAND— QUART-D'HEURE
QUAND. Quand le Guerrier vole aux
combats. Air. See Euphrosine.
Quand le Rossignol du bocage. [Song.]
See lioaikiiK de Salenci.
Quand Iq9. oiseaux de nos boccages.
Chanson. [Words] Par M. Ball. . . , etc.
[Paris,] 1758. s. sh. 8". 297. d. 13.
Mercure de France, May, 1758.
Quand on a bu la tete tourne. Chanson
Noiicelle. [Paris, 1712.] s. sh. obi. i".
P.P. 4486.
Mercure Galant, Tom. V., p. 204.
Quand on est belle. Romance.
Sec GRiiTRY (A. E. M.)
Quand on fait charmer. IMusette.
See P * * * *, D. L.
Quand on veut faire une chanson. Les
Quand-On, ou les Mangeurs de Fromage.
[Song, written] Par M' D6duit. Air :
Ce fut par la faute du sort [by ]M. A.
Desaugiers] ou Non uon Doris.
Chez les Fr^res Savigin/ : [Paris,
1790?] 8". B. 362. (242.)
Quand pour le grand voyage. Ariettc.
See Markchal Ferrant.
Quand pour te plaire, belle Hortense.
Chanson. See J * * *.
Quand pr^s de moi Colin soupire. Ariettc.
[Words] Par M. A. Castrcs.
[Paris,] 1767. s. sh. 8". 297. e. 8.
Mercnre de France, May, 1767.
Quand sur nos charmans rivages. Air
Nouveau. [Paris, 1678.] ,s. sh. obi. 4'\
P.P. 4482.
Nouveau Mercure Galant, May, 1678,
p. 88.
Quand un Auteur tr^s ordinaire. Ah I
comme it vient, [Song, written] Par ]\I.
Roulland. Air, du Vaudeville du faux
serment [by P. D. Deshayes].
Chez lesfr^res Savigny : Paris, [1786 ?] 8".
B. 362. b. (119.)
[Another copy.] B. 362. j. (16.)
Quand un berger vif et constant. Chanson.
[Paris,] 1766. s. sh. 8". 297. e. 3.
Mercure de France, Oct., 1766.
Quand un coeur sort de I'esclavage. Lc
Charmc de la liberie. [Song.]
[Paris, 1780 ?j 8°. B. 362. b. (66.)
Quand un cceur tendre. Air.
See Chaix ( )
Quand vous riez, jeune Glycere. Le
Souhait, [Song,] paroles de Mr. R. Duferol.
Guitarre del Sig" Alberti. Air : Avec les
C]icz Camand :
B. 362. (182.)
jeux dans le Village.
Paris, [1785 ?] 8°.
QUANDO. Quando ben finisce il di.
Glee. See Callcott (J. W.)
Quando penso a quell' istante. Canzouetta.
See Mayer (J. S.)
QUANDO. Quando sani quel di. [Song.]
See Gresnick (A. F.) [Alceste.]
Quando vien lo sposo avanti. [Song.]
See Paisiello (G.) [La Locanda.]
QUAND-ON. Les Quand-on, ou les
Mangeurs de Fromage. [Song.]
See Quand. Quand on veut faire une
chanson, <'?c. [1790?] 8°.
B. 362. (242.)
QUANTS (JoHANN Joachim)
See Quamtz (J. J.)
QUANTZ (JoHANN Joachim) Easy and
Fundamental Instructions whereby either
vocal or instrumental Performers. . .may
. . .learn how to introduce Extempore
Embellishments or Variations as also Or-
namental Cadences . . . Translated from a
famous Treatise on Music. Longman and
Broderip: London, [1190 ?'\ fol. G. 493.
Neue Kirchen-Melodien zu denen geist-
liclien Liedern des Herrn Professor Gel-
lerts welche nicht nach den gewohnlichen
Kirchen-Melodien konnen gesungen wer-
den. [By J. J. Quantz. Edited by
S. F. S.] G. L. Winter : Berlin,
1760. 8°. B. 581.
Solos for a German Flute a Hoboy or
Violin with a Thorough Bass for the
Harpsicord or Bass Violin, etc. [Op. 1.]
Printed for I. Walsh: London,
[1730?] fol. g. 281.
Solos for a German Flute a Hoboy or
Violin, with a Thorough Bass for the
Harpsicord or Bass Violin . . . Opera
Seconda. Printed for I. Walsh:
London, [1730?] fol. g. 1090. (1.)
VI. Senates a une Flute Traversiere et
Basse-Continue. Opera Prima.
Amsterdam, [114:0?] fol. g. 281. a.
Six Sonatas for two German Flutes or
two Violins with a Thorough Bass for the
Harpsicord . . . Opera Terza. [Separate
Parts.] Printed for. . .1. Walsh:
London, [1733.] fol. g. 241. (7.)
Six Sonatas or Duets for two German
Flutes or Violins . . . Opera Quinta.
Printed for I. Walsh : London,
[1760?] fol. g. 280. b. (9.)
J. J. Quautzens . . . Versuch einer Anwei-
sung die Plote traversiere zu spielen . . .
Dritte Auflage. Bey J. F. Korn dem
dltern : Breslau, 1789. 4°. 7897. ec. 1.
QUARLES (Charles) Lesson. [P. P.]
[B. Goodison : London, 1790?] fol.
H. 103. (1.)
QUART-D'HEURE DE RABELAIS.
Le Quart-d'Heure de Rabelais, Come'die
en un acte, en prose, melde de Vaudevilles.
Par les CC. Dieu-la-Foy et Pr6v6t-d'Iray
...avec 9 Airs not^s. Chez le Libraire
au TJiMtre du Vaudeville : Paris, An VII
[1799]. 8". 11738. d. 31. (6.)
QUARTETTS— QUE
381
QUARTETTS. Six Miscellaneous Quar-
tette's for two Violins, a Tenor and Bass,
or a Flute, Violin, Tenor and Bass. Con-
sisting of the most Favourite Airs selected
from the English, Scotch, Irish, German,
Italian & French Music; composed adapted
& arranged by the most Eminent masters.
Set 1st. [Separate Parts.] Printed for
W. Napier : London, [1780 ?] fol.
g-
411. a. (4.)
Vaclion and
The composers named arc :
Barthelemon.
QU ARTIER G:6]Sri!RAIi. LeQuartier
General. Piece nouvelle en un Acte, a
1 'occasion de la Bataille gagnee sur les
Anglais par I'armee du Roi. Par I\Irs.
Quetant & Achard, etc. [With the music
of the concluding Contredanse and Vaude-
ville.] Chez Duchesne : Paris, 1757. 8".
11738. m. 1. (3.)
Le Quartier General, etc. 1757.
See THE.tTRE. Nouveau Theatre de la
Foire, dc. Tom. 3. 1763. 8".
11735. d. 2.
QUATRE. Les Quatre Ages de I'Amour.
[Song.] See Bedard (J. B.)
Les Quatres Especes. [Song.]
See HoMMES. Les Hommcs pcrdeut la
raison, e/c. [1780?] 8". B. 362. j. (4.)
Les Quatre Saisons. [Song.]
See Ajiant. L'Amant leger dc Flore, etc.
[1780?] 8". B. 362. e. (6.)
Les Quatre Saisons. Air. See Que.
Qu'au milieu des frimats, etc.
1759. s. sh. 8°. 297. d. 17.
QUATRIJEME. Quatritme ct dernier
Faux-Pas. [Song.] SVt- Fillette. Fil-
lette ne jure de rien. [1780 ?]' 8".
B. 362. e. (38.)
QUATTRO. Quattro, nove, tutti sei.
Trio. See Martin y Solar (V.) [L' Isola
del Piaccre.']
QUE. Qu'a uos voix I'echo resonne. La
Dauphine. Fanfare.
{Paris,'] 1717. s. sh. 4". 297. c. 10.
Mercure de France, Jan., 1717.
Qu'ai-je done fait aux Dicux ! Air.
See Lemaiee (L.)
Qu' Amour et la tendresse. [Song.]
See BoNONCiNi (G. B.)
Qu'au milieu des frimats. Les Quatre
Saisons. Air de Basse Taille en Rondeau.
Gravi par P. L. Charpenticr. Imprimi
par Tournelle : [Paris,] 1759. s. sli. 8".
297. d. 17.
Mercure de France, Feb., 1759.
Qu'elle est belle, la Nature. Aria.
See TissiER ( )
Qu'elle est belle ! qu'elle a de graces !
Chanson. [Paris,] 1759. s. sh. 8".
297. d. 18.
Mercure de France, June, 1759.
QUE. Qu'elle est douce, touchante et vive.
RovMnce. De V Imprimcrie de Ricoquilliie :
[Paris,] 1768. s. sh. 8". 297. e. 18.
Mercure de France, Sept., 1768.
Qu'elle est douce, touchante et vive. La
Beauti naive. [Song.]
[Paris,] 1778. s. sh. 8\ 2.91. f. 20.
Mercure de Frarice, Feb., 1778.
Qu'en amour je suis malheureux. Air a
Boire. \Paris,] 1750. s. sh. 4".
297. c. 28.
Mercure de France, August, 1750.
Qu'est ce done que ct' Amour. Ronde a
danser. [Paris, 1785 ?] 8".
B. 362. g. (82.)
Qu'il est cruel d'aimer. [Song.]
See EvENEMENS Impbevus.
Qu'il est doux de dire en aimant. Air.
See LuciLE.
Qu'il est doux, qu'il est charmant. Ro-
mance. See Gavinies (P.)
Qu'il est heureux notre ami Bechc.
Chanson de B^che. Air, trop de petulance.
[Pans, 1780?] 8°. B. 362. b. (114.)
Qu'il sera beau le jour de d'main. Vaude-
ville. See Rosier.
Qu'ils sont charmans, qu'ils sont aimans.
Air. See Faucon.
Qu'ils sont jolis. Les Moineaux. [Song,
words] Par M. Sant * * *.
[Paris, 1780 ?] 8°. B. 362. b. (4.)
Qu'on ne me parle plus d'armes. [Two-
part Song.] See Du Parc ( )
Qu'on souffre, helas. La Perle des Femmcs,
[Song, written] par le M'" de Ch n
. . . Air : Daigne ecouter I'amant, dx. [By
M. A. Desaugiers.] Chez les frircs
Savignu : \ Paris, 1795 ?j 8".
B. 362. f. (56.)
Qu'uu amant a sa maitresse. Le Pierrot
de Jeannette. [Song.] Air [' Coeurs
sensibles '] de Figaro.
Chez Mr. Camand : Paris, [1791 ?] 8\
B. 362. (199.)
[Another copy.] B. 362. e. (77.)
Qu'un autre chante la foret. La Riviere.
[Song.] Air : Salut a Mr. Robineau.
[Paris, 1780?] 8". B. 362. b. (167.)
Qu'une fete ici s'apprete. Air.
See Camp de Grand-Pee.
Qu'une meme ardeur nous enfiammc.
Duo. [Paris,] 1724. s. sh. 4°.
297. a. 8.
Mercure de France, June, 1724.
Qu'une meme ardeur nous enflamme.
Duo. [Paris,] 1734. s. sh. 4".
297. b. 2.
Mercure de France, Jan., 1134:.
382
QUE
QUE. Que ce jour a pour nous d'attraitsl
Hymnc on I'Honneur do Bordier et Jour-
daui. A la Rehabilitation de leur memoire
a Rouen . . . Air : dc la Croisee [by G. G.
Cambini] C^"'^ hnbault :
Paris, [1793.] 8". B. 362. a. (21.)
Que CCS minois jolis. Rondo.
Sec Gaveaux (P.) [La Partie Carrie]
Que chacun de nous sc livre. Gavotte.
Sec BOUVAllD (P.)
Que chacun ici gambade. Branle.
See Grandval (N. Ragot de)
Que chacun reinplisse son averre.— Fill
ev'ry Glass.— yl Drinking Song in Praise
of our three Fam'd Generalls translated
from the French by Mr. Durfey.
\Lonclon, 1710 ?j s. sTi. fol.
' H. 1601. (151.)
[Another edition.] Que chacun remplisse
sou verrc.— Fill every Glass.— .4 Drinking
Sonn,&c. \Lo7idon,niOr] s.sh.iol.
■^ G. 307. (210.)
Que d'esprit, que d'attraits ! Air.
Sec BouvARD (F.)
Que de caprices en ce jour. La Moniche,
ou la Chatte Cherie. [Song, words]
Anonime. Air: Ce fut par la faute du
sort [by M. A. Desaugiers], ou Nou, non
Doris. [Paris, 1790?] 8".
^ B. 362. (247.)
Que de gens remplis d'Esperance. Le
Triomphc clu Vent. [Song.] Air: II
n'est qu'un pas du mal au bien.
[Paris, 1783.] 8». B. 362. a. (77.)
Que de IMars ct de Bellonne. Lc Nouveau
Sans-Souci. [Song.] Paroles de M.
Deduit. Chez le Sieitr de Lafosse :
Paris, [11807] 8\ B. 362. a. (66.)
Que de maux loin de toi j'eprouve.
See CoRSAiRE.
Que devient I'ardeur intrepide. Air.
See Camp de Grand-Pee.
Que j'aimeavoir Iris. Printemjys. [Song.]
[Paris,] 1729. s. sh. 4°. 298. a. 5.
Mercure de France, May, 1729.
[Another setting.] Que j'aime a voir Iris.
Air. See Le Maitre ( )
Que je crains de Tircis. Air Scrieux.
[Paris,-] 1723. s. sh. 4". 297. a. 4.
Le Mercure, October, 1723.
Que je vous aimc. Air.
^See Legat de Furcy (A.)
Que r Amour flate doucemeut ! Air.
See Berthet (P.)
Que I'Amour presente de charmes.
Gavotte. See Bouvard (F.)
Que I'Amour seul soit votre maitre. Air.
Sec Zais.
Que I'amour soit un Dieu perfide. Air,
See Cloz * * * ( )
Que Ton chante. Air.
See MoNTARiN ( )
QUE. Que Ton disc ce qu'on voudra.
Vaudeville. Sec Fausse Soubrette.
Que Ton goiitc icy de plaisirs. Chanson.
[Paris, 1780?] 8". B. 362. c. (9.)
Que la Dauphinc ct le Dauphin. Vaude-
ville. See Mesle ( )
Que la M^tempsicose a de charmes.
[Song.] See Miroir ( )
Que le Grand Roi des Hulans. Petite
Gaietd Patriotique. [Song.] Air : Que le
Sultan Saladin [by A. E. M. Gretry].
ChezhnhauU: P«ris, [1795?] 8".
B. 362. (65.)
Que le Jeu du Flageolet. Le Flageolet.
[Song.] Air, Que lc Sultan Saladin [by
A. B. M. Gretry]. Chis Camand :
[Paris, 1785?] 8". B. 362. (66.)
Que le Pampre orne notre tete. Hymne.
See Jadin (L. E.)
Que le plaisir est peu de chose. Chanson.
See TissiBR ( )
Que le pur Crystal. Air.
See Myrtil et Lycoris.
Que le Soleil dans la plainc. Ariette.
See Roi et le Fermier.
Que le Sultan Saladin. Air.
See Gretry (A. E. M.) [Richard Cceur
de Lion.]
Que mon sort est digne d'envie. Air.
Sec Mangot ( )
Que ne dois-je pas a Bacchus ? Air.
See Dutartre (J. B.)
Que ne suis-je encor inconstant. Clianson.
[Paris,] 1759. s. sh. 8". 297. d. 18.
Mercure de France, May, 1759.
Que ne suis je encore un enfant. La
Curiosite indiscrHe. Romance Nouvelle
avec accompagnement de guitare.
[Paris,] 1778. 8°. B. 362. g. (3.)
[Another edition.] Que ne suis je encore
un enfant. Eomancc Nouvelle.
[Paris, 1780?] 8". B. 362. b. (37.)
Que nos voix, nos lyres altieres. Chant.
See Martini (G.) pseiid.
Que notre sort est rigoureux. Chanson.
See Anerit ( )
Que sert a mon amour. Air.
See Le Froid ( )
Que sont les grandeurs sur la terrc. Air.
Sec Faucon.
Que t'ay-je fait, cruel Amour ? Air.
Sec Lemaire (L.)
Que ta liqueur enchanteresse. Gavotte.
Sec Bouvard (P.)
Que vols je en cette vaste enceinte.
Hym[n]e et Station ou Serment de la Re-
publique Pranvaise . . . au Champ de la
Federation I'Aniversaire du 10. Aoust
1793. Par le Citoyeu Buard Fils. Air:
De rHym[)i]e des Llarseillois [by C. J.
Rouget de Lisle,] e/c. [Paris, 1794?] 8°.
Fr. Pam. 1060. (14.)
QUE— QUELLE
383
QUE. Que vois-je '? 6 ciel ! Air.
See Renout ( )
Que vous etes heureux ! Air.
Sec Anselme (J. B.)
QUEEN. Queen of Citty's raise thy head.
Tlic Silver Thames, etc. [Song.]
[Londuii, 1720?] s. sh. fol.
G. 311. (29.)
The Queen of Flowers. Song.
Sec Carver ( ) Miss.
The Queen of France. [Song.]
See Miller (W. E.)
The Queen of Hearts she made some
Tarts. [Song, adapted to the air of " In
infancy our hopes and fears," from Arnc's
' Artaxerxes.'] [W.Bailey:
London, 1775 ?] s. sh. fol. G. 312. (153.)
The Queen of May. [Song, begins :
' Young Molly who lives at a neighbouring
mill.'] See Allen (G. S.)
The Queen of May. Song. [Begins :
' Hither trip it.'] Sec Mukphy (S.)
The Queen of the May. Song [begins :
' Ev'ry Nymph and Shepherd bring.']
Sec Oswald (-J.)
QUEEN MAB. The Comic Tunes in
Queen Mab. As they are perform'd at the
Theatre Royal in Drury Lane. Set for the
Violin, German Flute or Hoboy with a
Thorough Bass for the Harpsicord ;
Compos'd by the Society of the Temple of
Apollo, etc. Printed for J. Oswald :
London, [1751.] obi. 8". a. 155. (2.)
The Songs in Queen Mab. As they are
perform'd at the Theatre Royal in Drury
Lane. Compos'd by the Society of the
Temple of Apollo : sung by Mr. Vernon.
J. Oswald: [London, 1751.] fol.
G. 316. (116.)
Overture to Queen ilabb. [P. F.]
Printed for U. Tliorowgood :
[London, 1753 ?] fol. g. 272. u. (18.)
Queen Mab. Cantata.
See DiBDiN (C.) [The Jubilee.^
Queen Mab, or the Fairies Jubilee. Can-
tata. See Shield (W.)
QUEEN MARY. Queen Mary's La-
mentation. [Song.]
See GiORDANi (G.) or (T.)
QUEEN OF THE MAY. The Queen
of the May. Musical Entertainment.
Sec Hook (J.)
QUEER. The Queer Mouth'd Family.
[Song.] Sec Ye. Ye Lovers of Ditties
attend, ere. [1780?] s. s7i. fol.
G. 314. (90.)
QUEHL (HiERONYMUS Floeentinus) Der
zur Beforderung Gottlicher Ehre . . .
Erstere Musicalische Versuch. Besteheud
in zweyen Choralen mit . . . Variationen,
etc. Lorenz Biding : Niirnberg,
[1734.] obi. fol. e. 32.
QUEL. Quel amant sous vos loix. Air.
Sec Zelindor.
Quel beau jour se dispose. Ariette.
Sec RosiERE de Salenci.
Quel bel volto. Arietta.
See Stuck (J. B.)
Quel bianco sen. Barcarolle Veniticnne.
[Paris, 1754.] s. sh. obi 4". 267. a. 1.
Journal Stranger, April, 1754.
Quel bianco sen. Barcarolle Venitiennc.
[Paris,] 1771. s. sh. 8". 298. e. 3.
Mcrcure de France, Feb., 1771.
Quel bruit a frapp6 mes oreilles. Strophes.
See Berton (H. M.)
Quel bruit affreux. [Song.]
See Lemaire (L.)
Quel bruit ! quel murmure confus. Air.
See Paulin ( )
Quel carillon, quel murmure confus.
Trio. See Guedon ( )
Quel embarras, helas que faire. Le Loup
A2)2)riiois(^. Chanson Nouvelle avec Ac-
comp' de Guitare. Chez M. Camand :
[Paris, 1780 ?] 8". B. 362. a. (129.)
Quel heureux jour. Vaudeville.
See Constitution.
Quel labbro vezzoso. [Air.]
See Tarchi (A.) [La Gencrositd d'Alles-
sandro.]
Quel labro adorato. [Song.]
See Gresnick (A. F.) [Alceste.]
Quel oseletto, Nina. Barcarole.
[Paris, 1754.J s. sh. obi. i". 267. a. 2.
Journal Etranger, July, 1754.
Quel plaisir d'une main. Le Bonheur de
la vie. Romance avec accomp' de Gui-
tare, par M. Alberti. Cltez M. Camand:
Paris, [1780?] 8". B. 362. g. (40.)
[Another edition.] Quel plaisir d'une
main. Le Bonheur de la vie. Romance.
[Paris, 1780 ?] 8°. B. 362. c. (34.)
Quel spectacle effrayant pour mon aine
^perdue ! Air a Boire. [Paris,]
1731. s. sh. 4". 298. a. 16.
Merciire de France, March, 1731.
QUELLE. Quelle amante dans sa
flamme. Rondeau. See Sarti (G.)
Quelle ardeur coule dans mon cceur !
Parodie. Sec Prothee.
Quelle douce vapeur, quel parfum pre-
cieux. Recit de Basse. [Paris,]
1782. s. sh. 4°. 298. a. 24.
Mercure de France, August, 1732.
Quelle etrange folie. Becit de Basse.
[Paris,] 1747. s. sh. 4". 297. c. 11.
Mercure de France, April, 1747.
Quelle musique agreable. Air Nouveau
[for three voices]. [Paiis,
1679.] s. sh. obi. 4". P.P. 4482.
Nouveau Mercure Galant, Jan., 1679,
p. 122.
384
QUELS— QUINTILIANUS
QUELS. Quels accens ! quels transports.
Hymuc. See Giroust (F.)
Quels aSreux Tourbillous ! Air.
See Le Maitre ( )
Quels charmes pros dc ma Bergere. Air.
Sec BouvAKD (F.)
Quels jours brillants. [Song.]
See Hexri Quatre.
Quels sous I'Echo repete. La Fontenoi.
Fanfare. IParis,'] 1745. s. sh. 4\
297. c. 2.
Mercurc de France, June, 1745.
QUENTIN" (.Jean Baptiste) Sonates a
Violon Seul & Basse-Continue . . . Livre
1". Chez VAuteur: Paris, V12i.. fol.
g. e4L
QUERCU (Simon de) Opusculum Musices
Perquam Breuissimum : De Gregoriana
et Figuratiua atqj contrapuncto simplici
percomode tractas, etc. Impressum
. . . in officina . . . loannis Winterbiirg :
Vienne, 1509. 4". K. 1. g. 22.
Opusculn Musices perc]3 breuissimum : de
Gregoriana et Figuratiua atq? contra-
puncto simplici, vna cum exemplis idoneis,
percomode tractans, etc.
Joan. Wei/S!<enbiirger :
Xttrcnbenje, lolB. 4°. K. 1. g. 20.
QUESTA. Questa bella d' amor nemica
c mia. [Song, words by ^Menage.]
[Paris, 1678.] s. sh. obi. 4^ P.P. 4482.
Nouveaii Mercure Galant, March, 1678,
J}. 133.
Questa non era O cara. rSong.]
See Sabti (G.)
QUESTION. A Question and Answer.
[Song.] See Graves (J.)
QUESTIONS HARMONIQUES.
Questions Harmoniques. Dans lesquelles
sont contenues plusieurs cboses remar-
quables pour la Pbysique, pour la Morale,
& pour las autres sciences. [By M. I\Ier-
senne.] Chez laqiies Tiller y : Paris,
1634. 8". 1135. e. 2.
QUESTO. Questo vago giovinetto. [Song.]
See Paisiello (G.) [La Locanda:\
QUI. Qui connoit bien le sort des Grands.
Anette Nouvclle. rpans, 1785 ?] 8°.
B. 362^ a. (88.)
Qui la voit un jour seulement. Chansoi.
[Paris,] 1749. s. sh. 4°. 297. c. 23.
Mercure de France, August, 1649.
Qui n'a point vu mon aimable Maitresse.
Stances Anacriontimies. [Paris,] 1779. 8".
297. f. 33.
Mercure de France, May, 1779.
Qui ne connoit pas ma Suzon. Le Por-
trait de Suzon [Song, written] par Mr.
Godard. Air : Chantez, dansez, amusez
vous [bv A. E. M. Gretrv]. Chez Camand :
Paris, [1780 ?] 8". B. 362. (167.)
QUI. Qui syait s'inquieter sur un sort
incertain. [Song.] See Bokan ( )
Qui trouve au Bois belle endormie. Ro-
mance Noiivelle. [Paris, YiSbT] 8".
B. 362. a. (176.)
Qui voit le cercle d'un beau jour. Chan-
son. [Paris,] 1759. s. sh. 8°. 297. d. 16.
Mercure de France, Jan., 1759.
QUID. Quid arma quid bella. [Motet.]
Sec Bassaxi (G. B.) [Earmonia Festiva.]
QUIETUS. The Quietus. [Song.]
See DiBDiN (C.) [The Quizes.']
QUILICI (Gaetaxo) a Fourth Book of
Six Italian Duets for two Voices, etc.
Welcker : London, [1775 ?] obi. 4°.
B. 429.
Six Favorite Canzonets for the Voice and
Harp, Harpsichord, or Piano Forte . . .
Op. X. J. Blundell : London,
[1780?] obl.iol. E. 600. u. (5.)
Duetts and Songs with Accompaniments
... Op. XIII. Printed for
Birchall d Andreivs : London, [1785 '?]
obi. fol. E. 244. e. (2.)
Six Italian Songs, with a Thorough Bass
for the Harpsichord, etc. Sig. Quilici :
[London, 1165?] obi. io\. E. 246.
Six Sonatas for the Harpsichord.
Printed for the Author: London, [1770?]
obi. fol. e. 5. h. (6.)
Five Songs, with an Accompaniment for
the Harp or Piano Forte and a Duett . . .
Op. XVIII. Printed for G. Gouldinq :
London, [1790?] fol. " H. 417.
Four Songs and Recitatives with an
Accompaniment for the Harp or Piano
Forte : and Two Duetts ... Op. 19.
Printed for R. Wornum: Lo«(7o», ^1790?]
fol. H. 2831. h. 25.
QUINART (Jean) Missa Sex Vocum,
ad Imitatiouem Moduli, Surge propera, etc.
Ex Officina Eobcrti Ballard :
Parisiis, 1665. fol. K. 10. b. 1. (19.)
QUINTIANI (LucREZio) Musica . . .
Quatuor Vocum, in lutroitus Missarum
super cantu piano, qute in solemnitati-
bus Sanctorum omnium toto anno cele-
brantur, etc. Cantus. (Altus.) (Tenor.)
(Bassus.) 4 pts. Ajpud hxr. Simonis
Tini, d- Franciscum Besutium : Mcdiolani,
1599. 4°. D. 217.
QUINTILIANUS (Aristides) 'Ap,<7T6i8oi;
KolvT i\tavov TTfpi Moi/(T(K7)s . . . Arlstldls
Qiiintiliani de Musica . . . Marco Mej-
bomio interprete. See Meibomius (M.)
AntiquiB Musica? Auctores Septem, etc.
Vol. II. 1652. 4^ 55. b. 18, 19.
QUI^'TIX— R.
385
QUINTIN BUEE (A.) Three Sonatas
for the Piano Forte, the Third for Two
Perfoi-mers on One Instrument.
Hodsoll, for the Author : London, [1797 ?]
fol. g. 143. (12.)
QUINTO FABIO. Quinto Fabio. Opera.
,sVe Bertoni (F. G.)
QUIS. Quis multa gracilis. [Song.]
See Wright (T.)
QUITSCHREIBEE (Georg) Accla-
matio Musicalis Gratulatoria, cum . . . Dn.
Joannes Ernestus, Junior, Dux Saxonise,
. . . Gubernationem Territorii, & adminis-
trationem . . . susciperet ... 8. Yocibus ex
veris Musicae .fundamentis concinnata,
etc. 8 pts. Typis Johannis Weidnerii :
Jenx, [1615.] 4". B. 126.
QUITTER. Quitter le vin, quitter
I'amour. Chanson Nouvelle.
[Paris, 1780 ?] 8". B. 362. a. (59.)
QUITTEZ. Quittez, doux Eossignol.
Chanson. See Chatelain ( ) Abb^.
Quittez vos houlettes. Air.
.See Anselme (J. B.)
QUIZES. The Quizes. Entertainment.
See DiBDiN (C.)
QUOD. Quod Vis. [Song.]
See Wennixgtox (W.)
QUODLIBETUM. Quodlibetum BeUi-
cum Latino-Germanicum. Das ist, Ein
newes Soldaten-Lied, etc. See Hec. Heu
Martis alea, etc. 1639. 8\ A. 246.
QUOI. Quoy? de I'eau dans ce verre?
Air. See Bellon ( )
Quoy ! deux ans sont passez. Air.
[Paris,] 1725. s. sh. A". 297. a. 12.
Mercure de France, Jan., 1725.
Quoy done! dangereuse rivale. Chanson.
[Words] Par M. Moraine, etc. [Paris,']
1735. s. sh. 4». 297. b. 11.
Mercure de France, Dec, 1735.
QUOI. Quoi jeune et douce Bergere. Air
Ajiglois [Words by] D'Azemar, etc.
[Paris,] 1770. s. sh. 8'. 297. e. 33.
Mercure de France, July, 1770.
Quoy ! pleuvra t'il toujours. Air a boire.
Rondeau Recit de Basse. [Paris,]
1723. s. sh. 40. 297. a. 1.
Le Mercure, January, 1723.
Quoy, rien ne pent vous arrester ? Air.
-See Chahpextier (M. A.)
Quoi I toujours a mes desirs. Romance.
See Gaveaux (P.) [Ernesta.]
Quoi 1 toujours des Chansons ! Air.
See BouvARD (F.)
Quoy ! toujours des chansons ! [Song.]
See Catix (J. B.)
Quoi ! toujours des Chansons a boire !
Chanson. See Leiiaire (L.)
Quoi tu fuis tu chere Amintas. La Bergere
Ddaissi'e. Romance . . . Air de Nina rby
N. Dalayrac. Words] Par M"« Dist.
Cliez lesfrires Savigny : [Paris,
1790?] 8°. B. 362. (1.)
Quoy ? vous partez. Air.
See Dctartre (J. B.)
Quoi vous planez loin de la terre. Les
Globes a la Mode. [Song.] Air : De nos
moutons le nombre augmente [from
'Melide, ou le Navigateur,' by F. A.
Danican Philidorl. [Paris, 1783.] 8".
B. 362. a. (75.)
Quoi ! vous pouvez dormir encore. Con-
seils Pafriotiqiies. Dedi^s a la jeunesse
Francjaise Republicaine . . . [Words] Par
Perrin . . . Air des Marseillais [by C. J.
Rouget de Lisle]. Chez hnbault :
Paris, [1795 ?] 8". B. 362. a. (8.)
QUOIQUE. Quoiqu'il semble qu'entre
epoux. Chanson. A ma femme, pour le
jour de Sainte Anne. [Paris,] 1752.
s. sh. 4°. 298. c. 11.
Mercure de France, Dec, 1752.
E * * *, Mr. Cruels momens qui me
p6netres I'ame. Romance de IMr. R * * *.
[Paris, 1785 ?] 8\ B. 362. b. (70.)
R., Mr. Lucas, ayant le cceur joyeux.
Recit de Basse, etc. [Paris,] 1729.
s- sh. 4°. 298. a. 6.
Mercure de France, July, 1729.
R * * *, Mr. Pourrois tu trahir ta pro-
messe. Air de Mr. R * * *_ [Paris
1785?] 8°. B. 362. b. (71.)
B. * * * * ( de) Clievalier. France
autrefois si fortunee. Roviance dediee a
la Nation Anglaise par le Ch' de R[oyer
de ViUerie] * * * *. chez VAuteur :
[London, 1795 ?] fol. H. 1681. (2.)
VOL. II.
R., D. Ye rakes & and ye Beaus. A Loyal
Song. The words & Musick by D. R.
[London, 1759.] s. sh. fol.
H. 1994. (53.)
R., I. A Set of Marches for two Clarinets,
Hautboys, or German Flutes, Two Horns,
& a Bassoon : Inscribed to . . . Lady Am-
herst by I[ohn] R[eid] Esqr., etc.
B. Bremner : London, [1770 ?] obi. 4».
b. 79. (1.)
A Sett of Minuets and Marches. In-
scribed to . . . Lady Catharine ilurray by
I[ohn] R[eid] Esqr. R. Bremner :
London, [1775 ?] obi. 4°. b. 79. (2.)
2 c
386
K.— RAGONDE
K,, I. Six Solos for a German Flute or
Violin with a Thorough Bass for the
Harpsicord. Inscrib'd to the Countess of
Aielsbury by I[ohn] R[eid] Esqr. A
Member of the Temple of Apollo.
Printed for J. Osicald : London,
[1755 ?] obi. fol. e. 1290. c. (1.)
[Another edition.] Six Solos for a German
Flute or Violin with a Thorough Bass for
the Harpsichord, etc. Printed for
Wm. Bandall : London, [1770 ?] obi. fol.
e. 1290. c. (3.)
A Second Sett of Six Solos for a German
Flute or Violin, with a Thorough Bass for
the Harpsichord. By I[ohn] R[eid] Esqr.
A Member of the Temple of Apollo.
Printed for J. Osivald : London, [1755 ?]
obi. fol. e. 1290. c. (2.)
Li a later edition these Solos are ascribed
to James Osivald.
Six Solos for a German Flute or Violin
with a Thorough Bass for the Harpsicord,
etc. [Second Set.]
Printed for Wm. Bandall: London, [1770?]
obi. fol. e. 1290. c. (4.)
The title-page is that of the 1st Set.
K., J. The Highland Character. For the
Highland March. [Song, begins : " In
the garb of old Gaul."] By Jfohn] E[eid]
Esqr. B. Brem[ner : London, 1780?]
s. sh. fol. I. 530. (132.)
[Another copy.] G. 800. m. (46.)
Liberty. A Two Part Song. Set by
J. R. [London, 1773.] 8°.
P.P. 5438. z.
Universal Magazine, Vol. LIII.,p. 372.
R., T. Deuteromelia : or the Second Part
of Musicks melodie, or melodius IMusicke.
Of Pleasant Roundelaies ; K. H. mirth, or
Freemens songs. And such delightfull
Catches, etc. [With Preface signed': T. R.,
i.e. Thomas Ravenscroft.] Printed for
Thomas Adams : London, 1609. 4°.
K. 1. e. 10.
TJie initials T. B. at the end of the
preface do not appear in all copies of
this edition. Several catches, dx., by
E. Nelhain, J. Hilton, etc., are inserted
in a contemporary handioriting .
Melismata. Musicall Phansies fitting the
Court, Citie and Countrey Humours. To
3, 4, and 5. Voyces. [Dedication signed
T. R. B. M., i.e. Thomas Ravenscroft,
Bachelor of Music] William Stansby for
Thomas Adams : London, 1611. 4°.
K. 1. e. 11.
RACCOMMODEMENT. Le Racom-
odement. Cantatille.
See MouEET (J. J.)
RACCOMMODEMENT COMIQUE.
Le Raccommodement Comique. Cantate.
See Jacquet de Lagueere (E. C.)
RACE. The Race. [Song.] See If. If
from the Lustre of the Sun.
[1770 ?] s. sh. fol. G. 309. (136.)
RACHELINA. La Rachelina molinarina.
Cavatina. See Paisiello (G.) [La
Molinara.']
Racking thoughts of what
Song. See Coueteville (R.)
RACKING,
is past
RADAMISTO. Radamistus [by G. F.
Handel] for a Flute. Containing the
Overture Songs Symphonys and Aditional
Aires curiously Transpos'd and fitted to
the Flute in a Compleat maSer, etc.
Printed for I. Walsh & I" &
Joseph Hare : London, [1725 ?] obi. 4».
a. 206. a. (6.)
Ombra cara ombra, [Song,] as sung by
Madame Dusseck, in Radamistus [by
G F. Handel]. Printed for B. Birchall :
London, [1795 ?] fol. G. 811. (25.)
II Radamisto. Opera.
See Haendel (G. F.)
RADIGER (Anton) Three Duetts for
Two Violins. . .Op. 4. [Separate Parts.]
A. Bland & Welter : London, [1796 ?] fol.
g. 218. (10.)
Four Setts of new Psalm and Hymn
Tunes in 3 and 4 Parts . . . The Words by
Dr. Watts and other Authors.
Longman d; Broderip, for the Author :
Lotidon, [1790 ?] obi. fol. E. 1477.
Two Favorite Sonatas for the Piano Forte
or Harpsichord with Accompaniments for
a Violin and Violoncello obligate. Opera 5.
[Separate Parts.]
Longman and Broderip : London,
[1797?] fol. g. 161. b. (11.)
RADOLT (Wenzel Ludwig von) Die
AUer Treueste Verschwigneste vnd nach
so wohl Frolichen als .Traurige Humor
sich richtente Freindin, Vergesellschafft
sich mit anderen getreuen Fasalen Unserer
Inersten Gemiets Regungen. Erste
Lauten. (Op. 1.) J. N. Nestler sculpsit :
Wienn, 1701. obi. fol. K. 10. a. 21.
Jn the preface the author states that the
complete ivork consists of 5 books, i.e.
Lute J and JJ, Violin or Flute, Gamba
and Bass.
RAGE. The Rage. [Song, begins: 'Ex-
ample is all.'] See Dibdin (C.) [Tom
Wilkins.']
The Rage. Song. See Fly. Fly merry
News. The Bage, or Prevailing Game of
Up Tails All, etc. [1780?] s. sh. fol.
G. 307. (249.)
RAGONDE. Ragonde. [Opera.]
See MouEET (J. J.)
RAGUE— RAMEAU
387
RAGUE (Louis Charles) [L' Amour
Filial.] Un sentiment cher et paisible.
Air, etc. [Paris,'] 1786. 8". 297. g. 29.
Mercure de France, May, 1786, p. 4.
Un sentiment cher et paisible.
See supra : \_U Amour Filial.]
RAGUENET (FRAN901S) [Parallele des
Italiens et des FranQois en ce qui regarde
la Musique et les Operas.] A Comparison
between the French and Italian Musick
and Opera's. Translated from the French,
etc. See Comparison. 1709. 8°.
641. f. 15. (2.)
[Parallele des Italiens et des Francois en
ce qui regarde la Musique et les Operas.]
La Paix de I'Op^ra, etc. [From F.
Raguenefs ' Parallele,' etc.'] 1753. 12».
See Paix de L'Opeba. 1103. a. 11. (7.)
RAILERS. The Railers. [Song.]
See Behold. Behold on the brow.
[1770 ?] s. sh. fol. G-. 306. (201.)
RAIMONDI (iGNAzio) A Duett for a
Violin and Tenor. [Separate Parts ]
Printed for the Author : London,
[1790?] fol. g. 421. i. (4.)
[Another copy.] g. 421. (11.)
[Another copy.] g. 470. b. (2.)
Six Grand IMarches, for a i\Iilitary Band,
and adapted for a Piano Forte or Harp,
etc. Printed for the Author : Londo)i,
[1785 ?] obi. fol." e. 108. (12.)
The Favorite Grand Piece called the
Battle, adapted for the Piano Forte, by
the Author, with Accompaniments for a
Violin, & Violoncello ad libitum. [Sepa-
rate Parts.] Printed for the Author :
London, [1785?] fol. g, 161. c. (10.)
Trois Quatuors Concertants a Flute Tra-
versiere, Violon, Alto & Violoncello...
Oeuvre vii. [Separate Parts.]
CMs J. J. Hummel : Berlin, [1780?] fol.
h. 2826.
Six Quartetts for the German Flute, Violin,
Tenor and Violoncello. . .Opera x. [Sepa-
rate Parts.] Printed for the Author :
London, [1790 ?] fol. g. 470. b. (1.)
Six Sonates a Deux Violons . . . Oeuvre
Quatrieme. [Separate Parts.]
Chez J. J. Hummel : Amsterdam,
[1776?] fol. g. 421. r. (10.)
Six Sonatas for two Violins and a Violon-
cello. [Op. 1. Separate Parts.]
WeUker : London, [1775 ?] fol. g. 470.
Six Trios a Deux Violons et Violoncello
. . .Oeuvre Premiere. [Separate Parts.]
Chez J. J. Hummel : Amsterdam,
[1770?] fol. g. 417. (3.)
Six Trios. Trois, a Deux Violons & Basse,
& Trois, a Un Violon, Taille & Violoncello
Obliges. . .Oeuvre v. [Separate Parts.]
CMs J. J. Hummel : Berlin, [1775 ?] fol.
g. 417. (4.)
RAIMONDI (Ignazio) Three Trios Con-
certante for a Violin, Tenor & Violoncello
. . .Op. 12. [Separate Parts.]
B. Birchall : London,
[1800?] fol. h. 2851. i. (3.)
RAIMUNDUS (ViCTORius) Victorii Rai-
mundi . . . Missarum III. Liber Primus,
Quinque Vocibus. Cantus. (Tenor.)
(Quintus.) 3 pts. Apud lacobum
Vinccntium, cC Biciardum Amadinum,
socios : Vejictiis, 1584. i". D. 1030.
RAISE. Raise the Song and strike the
Harp. Glee. See Cooke (M.)
[Another setting.] Raise the Song and
strike the harp. Glee.
See Stevenson (Sir J. A.)
RAISON. La Raison du Sage. Chanson.
See Devienne (P.)
La raison nait du sentiment. Romance.
See Desaugiers (M. A.) [La Jeime Veuve
Curieuse.]
RAKES. The Rakes of Mallow. [Song.]
See Beauxing. Beauxing, belling, etc.
[1740?] s.sh. fol. G. 316. d. (47.)
RALPH. Ralph's Ramble to London.
[Song.] See Potter (J.)
RAM AH DROOG. Ramah Droog; or
Wine does Wonders. Comic Opera.
See Mazzinghi (J.) and Reeve (W.)
R.^MANEE. Ramanee. [Song.]
See Williamson (T. G.)
RAMBACH (Xaver Max.) Six Duets
for two Violins . . . Opera vi. [Separate
Parts.] Welcker : London, [1775 ?] fol.
g. 421. q. (2.)
RAMBLE. The Ramble. [Duet.]
See Essex (T.)
RAMBLING. The Rambling Lady's
Passion fixt. [Song.] See To. To little
or no Purpose. [1735 ?] s. sh. fol.
G. 316. f. (17.)
RAMBOOZE. Rambooze. [Song.]
See DiBDiN (C.) [Great Netvs.]
RAMEAU (Jean FRAN901S) Le Calendrier
des Vieillards, Op^ra Comique en un Acte
. . .avec la Musique [by J. P. Rameau].
See TheItre. Nouveau Theatre de la
Foire, etc. Tom. 1. 1768. 8°.
11735. d. 2.
RAMEAU (Jean Philippe) Castor et
Pollux, Tragedie, dx. [Written by Gentil
Bernard. Short Score. 1
Chez Praultfils : Paris, [1737.] obi. fol.
E. 110. e.
2 c 2
388
RAMEAU
RAMEAU (Jean Philippe) Castor et
Pollux, Trag6die . . . Representee pour
la premiere fois . . . le 24 Octobre 1737.
Refondu, et remis au Theatre au Mois de
Decembre 1754. Grav^e par le S' Hue.
[Short Score.] ChezVAutcur: Pans,
[1754.] obi. fol. E. 110.
Code de Musique Pratique, ou Methode
pour apprendre la Musique. . .pour former
la voix & I'oreille, pour la position de la
main . . . sur le Clavecin & I'Orgue, pour
I'Accompagnement ... & pour le Prelude,
etc. (Exemples du Code de Musique
Pratique.) 2 pts.
De V Imvrimeric Royalc : Paris, 17G0. 4".
557*. f. 1.
[Another copy.] 59. a. 15.
Wanting the examples.
Dardanus, Nouvelle Tragedie, mise en
Musique, . . . et representee pour la premiere
fois . . . le 7 Avril 1744. [Written by La
Bruere. Short Score.] Chez I'Auteur :
Paris, [1745 ?] obi. iol. E. 110. b.
Demonstration du Principe de I'Har-
monie, servant de base a tout I'Art
Musical, etc. Chez Durancl : Paris,
1750. 8°. 1042. i. 7. (1.)
Dissertation sur les differentes Metodes
d'Accompagnemeut pour le Clavecin, ou
pour rOrgue ; avec le plan d'une nouvelle
Metodo, etc. Chez le Siciir Boivin :
Paris, 1732. 4°. 7895. ee. 29.
Erreurs sur la Musique dans I'Encyclo-
pedie. [By J. P. Rameau.] 1755. 8°.
Sec Ereeues. 1042. d. 17. (1.)
Les Petes d'Hebee, ou les Talents
Liriques. Ballet [written by Gaultier de
Moudorge] . . . representee pour la pre-
miere fois . . . au Mois de May, 1739.
[Short Score.] Chez I'Auteur : Paris,
[1739?] obi. fol. E. 110. c.
Les Festes de I'Hymen et de I'Amour, ou
Les Dieux d'Egypte, Ballet Heroique . . .
Represente pour la premiere fois sur le
grand Theatre de Versailles le 15 Mars
1747 & par I'Academie Royale de Musique,
le 5 Novembre 1748. [Short Score.]
Chez I'Auteur: Paris, [1749 ?] obi. fol.
E. 110. f.
Generation Harmonique, ou Traite de
Musique theorique et pratique.
Chez PrauUfils: Paris, 1737. 8°.
1042. i. 5.
[Another copy.] 1042. i. 6.
Hippolite et Aricie. Tragedie [written by
S. J. Pellegrin] . . . Representee . . . le
Jeudy Premier Octobre 1733. Partition
. . . Grave par De Gland. [Short Score.]
Chez I'Haittcur : Paris, [1733 ?] fol.
I. 317.
[For songs published anonymously :]
See HippoLYTE et Aeicie.
RAMEAU (Jean Philippe) Les Indes
Galantes, Ballet [written by L. Fuzelier,]
reduit a quatre grands concerts : avec une
nouvelle Entree complette. [Short Score.]
CJiez M. Boivin : Paris,
[1740 ?] obi. fol. D. 320.
Pour jamais I'amour nous engage.
Le beaux Trio . . . de I'Acte des Incas, etc.
[Voice parts only.] [Paris, 1780 ?] 8".
B. 362. e. (46.)
Observations sur notre Instinct pour la
Musique, et sur son principe, etc.
Chez Prault Ills. : Paris, 1754. 8°.
557*. d. 30. (8.)
[Another copy.] 1103. b. 23. (1.)
Pieces de Clavessin, avec une Methode
pour la Mechanique des Doigts, etc.
Gravd par Louisse Eoussel. Chez C. E.
Hochereau : Paris, (1724.) obi. fol.
e. 1300. a.
Wanting pp. 24-33.
Pieces do Clavecin, avec une Table pour
les Agremens. CJiez Boivin : Paris,
1731. obi. fol. e. 1300. (2.)
[Pieces de Clavecin.] A Collection of
Lessons for the Harpsicord . . . Opera 3^"-.
Printed for I. Walsh : London,
[1760 ?] obi. fol. e. 101. a. (6.)
[Pieces de Clavecin.] Les Tendres Plaintes
. . . Parodie. [Song, begins : ' Non, Licas,
ne suis plus mes pas.' Words] Par M. D.
L. P. {Paris,'] 1762. s. sh. 8".
298. d. 6.
Mercure de France, Dec, 1762.
Pieces de Clave<;in en Concerts, avec un
Violon ou une Flute, et une Viola ou un
deuxieme Violon. Grave par Hue. [Full
Score.] Chez I'Auteur: Paris,
1741. fol. and A". g. 82. a.
[Pieces de Clavecin en Concerts.] Five
Concertos for the Harpsicord . . . Ac-
companied with a Violin or German Flute
or two Violins or Viola, with some Select
Pieces for the Harpsicord alone. [Full
Score.] Printed for I. Walsh : London,
[1755?] fol. g. 82.
Pigmalion. Acte de Ballet, [words by
La Motte and Ballot de Sovot,]. . .execute
pour la premiere fois . . . le 27 Aout 1748.
[Short Score.] Ches I'Auteur : Paris,
[1750?] oW. fol. F. 866. a.
Platee. Comedie-Ballet, [libretto by
J. S. d'Autreau, altered by Ballot de
Sovot,] . . . donnee . . . pour le Carnaval de
1749 le 4 Fevrier meme annee. [Short
Score.] Chez I'Auteur : Paris,
[1750?] obi. fol. E. 110. g.
Pour jamais I'Amour nous engage.
See supra : [Les Indes Galantes.']
Reponse de M. Rameau a MM. les Editeurs
de I'Encyclopedie sur leur dernier Aver-
tissement. Chez S. Jovry : A Londres et
a Paris, 1757. 8°. 1042. d. 17. (2.)
EAMEAU— EAaiONDON
389
RAMEAU (Jeak Philippe) Nouvelles
Suites de Pieces de Claveciu . . . avec
des remarques sur les diff^reus genres
de Musique. Gravees par il"* Louise
Roussel. Chez VAideur:
Paris, [1735 ?] obi. fol. e. 1300. (1.)
[Another edition.] Nouvelles Suites de
Pieces de Clavecin . . . avec des remarques
sur les differens genres de Musique, etc.
Chez I'Auteur: Paris, [1735?] ohl. fol.
e. 1300. b.
[Nouvelles Suites de Pieces.] A Collection
of Lessons for the Harpsicord . . . Opera
Seconda. Printed for I. Walsh : London,
[1760 ?] ohl. fol. ■ d. 36.
Nouveau Sj'steme de ilusique Theorique
. . . pour servir d'Introduction au Traite
de I'Harmonie, etc. J. B. C. Ballard :
Paris, 1726. 4". 557*. e. 4. (2.)
Traits de rHarmonie, reduite a ses Prin-
cipes naturals ; divise en quatre livres, etc.
J. B. C. Ballard : Paris, 1732. 4°.
557*. e. 4. (1.)
[Traits de rHarmonie. Liv. iii.] A
Treatise of Music, contaiuiug the Prin-
ciples of Composition . . . Translated into
English from the Original, etc.
Printed for J. French : London, '"1737.] 8".
7895. ee. 24.
[Traite de I'Harmonie. Liv. in.] A
Treatise of Musick, containing the Prin-
ciples of Composition . . . Translated into
English from the Original in the French
Language, etc. B. Broicn, for the
Proprietor : London, 1752. 4". 557*. e. 5.
[Traits de I'Harmonie. Liv. iv.] A
Treatise on Harmony, in which the Prin-
ciples of Accompaniment are fully ex-
plained & illustrated by a variety of
Examples. Translated ... by G. Jones,
etc. Longman and Broderip : London,
[1795?] fol. g. 302. (2.)
Zais, Ballet Heroique, [written by L. de
Cahusac,] . . . execute pour la premiere
fois . . . le 29 Fevrier 1748. [Short Score.]
Chez I'Atiteur : Paris, [1748 ?] obi. fol.
E. 110. d.
[For songs, &c., published anony-
mously :] See Zais.
Zoroastre, Tragedie [by L. de Cahusac]
mise en musique . . . Kepr^sentee pour la
premiere fois . . . le 2. Decembre 1749.
[Short Score.] Chez la Veuve Boivin :
Paris, [1750 ?] obi. fol. E. 110. a.
See Elemens. Elemens de Musique . . .
suivant les Principes de M. Rameau.
[By J. le R. d'Alembert.] 1752. 8".
1042. k. 14. (1.)
See EsTEVE (P.) Nouvelle Decouverte du
Principe de I'Harmonie, avec un Examen
de ce que M. Rameau a public sous le
titre de Demonstration de ce principe, etc.
1752. 8°. 1042. i. 7. (2.)
RAMEAU (Jean Philippe) See Mar-
PURG (F. W.) P. W, Marpurgs . . .
Versuch iiber die musikalische Tem-
peratur, nebst einem Anhang iiber den
Rameau- und Kirnbergerschen Grundbass,
etc. 1776. 8". 7897. bbb. 22.
RAMIREZ DE ARELLANA (Aloxso)
Sanctus. Canon Recte & Retro for 48
Voices. Welcker : London, 1165. s.sli.iol,
I. 600. (2.)
RAMIS DE PAREJA (Bartolomeo)
See Spataro (G.) Errori de Franchino
Gafurio . . . Da Maestro loane Spatario
. . . i sua deiiensione : & del suo preceptore
Maestro Bartolomeo Ramis Hispano :
Subtilemente demonstrati. 1521. 4°.
K. 1. f. 14.
RAMONDON (Lewis) All you that
must take a leap in the dark. A Hymn
upon the Execution of two Criminals, etc.
[London, n 10-?] s. sh. io\.
H. 1601. (62.)
As Amoret with Phillis sate. A neio
Song . . . Sung at the Theatre. [Words
by Sir 0. Sedley.] [London,
1703 ?] s. sh. fol. G. 306. (1.)
[Another copy.] G. 315. (38.)
At noon in a Sultry Summer's day.
[Song, words by the Earl of Dorset.]
[Londoii, 1715.] s. sh. fol.
H. 1601. (43.)
The Beau's Character.
See infra : [Hampstead Heath.]
The Complaint, etc. [Song.] [Loiidon,
1715 ?] s. sh. fol. H. 1601. (305.)
[Another edition.] The Complaint.
[London, 1720 ?] s. sh. fol.
G. 310. (89.)
The Constant Warrior, etc. [Song.]
[London, 1120?] s. sh. iol.
G. 307. (188.)
[Another copy.] G. 305. (183.)
[Another copy.] H. 1601. (153.)
[Hampstead Heath.] The Beau's Charac-
ter [Song] in the Comedy [by T. Baker]
call'd Hampsted Heath : Sett and Sung
by Mr. Ramondon. [London,
1706 ?] s. sh. fol. H. 1601. (37.)
The Lover with Reason. [Song.]
[London, 1120 -l] s.sh.iol.
G. 308. (86.)
The Song Part of " Pernicious Traytor " :
the Words and Tune by the Late Famous
Mr. Ramondon. [London, 1120?] fol.
H. 1601. (362.)
The Precaution'd Nymph. [Song.]
[London, 1715 ?] s. sh. fol.
G. 308. (13.)
She Woud and She Woud not. A New
Song, etc. [London, 1705 ?] s. sh. fol.
H. 1601. (53.)
390
RAMONEDA— RAREE
RAMONEDA (Ignacio) Arte de Canto-
Llauo en Compendio breve, etc.
Pedro Marin : Madrid, 1778. 4°.
1042. g. 37.
RAMPINI (GiACOMo) Sec Concerti.
Concerti a Cinque . . . del . . . Signori G.
Valentini. . .G. Rampin, etc.
[1730?] fol. g. 35.
RAMSAY (Allan) The Gentle Shepherd,
etc. [With illustrations by D. Allan and
music to some of the songs.] 3 pts.
A. Foulis: Glasgoiv, etc., 1788. 4°.
644. 1. 23.
The Gentle Shepherd. A Pastoral Comedy.
[With illustrations by D. Allan and music
to some of the songs.] 3 pts.
Andreiv Foulis : Glasgoiv, 1796. fol.
11641. 1. 9.
RANDALL (John) A Collection of Psalm
& Hymn Tunes some of which are new &
others by Permission of the Authors, with
Six Chants and Te Deums . . . The whole
revised & Harmonized by Dr. Randall.
A. Macintosh', for W. Hague and
J. Peppercorn : Cambridge, 1794. obi. 12".
A. 742.
The composers named are : Randall,
Millgrove, WheaU, Green, Handel,
Shrubsole, Coombs, Luther, Smith,
H. Carey, King James, Oliver, Dr.
Heighington, Dr. Hayes, Haiveis,
Eavenscroft, Thorley, Bach, Dr.
Howard and Wainwright.
The Happy Swain. [Song.] London,
[1750 ?] s. sh. fol. G. 306. (34.)
The Hopeless Lover. [Song.] [London,
1735 ?] s. sh. fol. G. 303. (33.)
[Another copy.] G. 305. (167.)
The Neglected Lover. [Song.] [London,
1740 ?] s. sh. fol. G. 310. (93.)
When thy Beauty appears. [Song.]
[London, 1740 ?] s. sh. fol.
G. 313. (134.)
RANDALL (Richard) The Shepherd's
Wedding. [Song.] The Words by Mr.
Parmenter, etc. [London,
1760 ?] s. sh. fol. G. 305. (71.)
R A N I S H (John Frederick) VIII.
Sonatas or Solos for a German Flute with
a Thorough Bass for y" Harpsicord . . .
Opera Prima. 3'' Edition. J. Simpson,
for the Autlm- : London, [1740 ?] fol.
f. 15.
XII. Solos for the German Flute with the
Thorough Bass for the Harpsicord . . .
Opera Secmida. Printed for Jno. Walsh :
London, [1740 ?] fol. g. 73.
RANNIE (John) Mark with what grace
the Rose tree shews. [Song.] The Poetry
written and the Melody composed by J.
Rannie. Longman & Brodcrip :
London, [1795 ?] fol. G. 806. d. (64.)
RANNIE (John) 0 Scenes of Youth, a
Favorite Song as sung by Mr. Dignum
. . .the Words & Melody by J. Rannie.
Longman d Brodcrip, for the Author :
London, [1795 ?] fol. G-. 806. d. (65.)
RAOUL DE CREQUI. Je brule de
voir ce chateau. Air de Baoul de Crigtii
[by N. Dalayrac]. Chez FrAre :
[Paris, 1790 ?] 8". B. 362. (95.)
See NicoDEME dans la Lune. Ma foi,
c'est agir sans fatjon, etc. [Air : Je brule
de voir ce chateau, from N. Dalayrac's
'Raoulde Cr6qui.'] [1791.] 8°.
B. 362. (100.)
Un Jour Lisette allait au champ. Air
de Raoul de Crequi [by N. Dalayrac].
Avec Accomp' de Guittare.
Chez hnbault : Paris, [1790 ?] 8".
B. 362. (94.)
Raoul, Sire de Crequi. Comedie.
See Dalayrac (N.)
RAOUL (Jean Marie) Methode de
Violoncello. Contenant une Nouvelle
Exposition des Principes de cet lustrum'
. . . Opera 4. Chez Pleyel :
Paris, [1800 ?] fol. g. 348.
RAPE OF PROSERPINE. Flights of
Cupids hover round me. [Song.] Sung
by Mr. Leveridge in the Rape of Proserpine.
[Words by L. Theobald, music by J. E.
GaUiard.] [London, 1725 ?] s. sh. fol.
G. 307. (192.)
Fortune often wooes us. [Song.] Simg
by Mr. Legar in the Rape of Proserpine
[by J. E. GaUiard]. [London,
1725 ?] s. sh. fol. G. 307. (195.)
O Raree Show. [Song.] Sung by Mr.
Salway in the Rape of Proserpine [by
J. E. GaUiard]. [London,
1725 ?] s. sh. fol. G. 306. (10.)
[Another edition.] The Raree Show.
[Song.] Sung by Mr. Selway, etc.
D. Wright : [London, 1725 ?] s. sh. fol.
H. 1994. b. (90.)
RAPTURE. The Rapture. [Song.]
Sec Whilst. Whilst on thy dear Bosom
lying, e^c. [1743?] s. sh. tol.
G. 313. (120.)
RARA. The Rara Avis. [Song.]
See DiBDiN (C.) [Private Theatricals.]
RAREE. The Raree Show. [Song,
begins : ' Now you shall see what you
shaU see.'] See Dibdin (C.) [Great Neivs.]
The Raree Show BaUad, or the English
Missisippi. See O. 0 Raree Show, O
bravee Show. [1720 ?] s. sh. fol.
G. 305. (212.)
The Raree Show. [Song, begins : ' A
very pretty fancy.']
See Rape of Proserpine.
RASELIUS— RAUPACH
391
RASELIUS (Andreas) Hesachordum
seu Questiones jMusicse Practica3, sex
capitibus comprehensse, etc.
In officina typographica Gerlachiania :
Norihergse, 1589. 8°. 1042. d. 11. (1.)
RASSERENA. Rasserena il vago Ciglio.
[Song, by V. Rauzzini.]
{London, 1790?] fol. G. 760. f. (1.)
Rasserena il mesto ciglio. Song.
See Gluck (G. W. von) lArtametie.']
Rasserena il mesto ciglio. Rondo.
See RossELLi (A.)
RASSEREWI. Rassei-eni amico amore.
Trio. See Paisiello (G.) [Elfrida~]
RASTELIj (John) Printer. [Fragment,
containing part of the music and the last
four stanzas ot a Ballad, possibly entitled
' Away mornynge,' and perhaps written
by Rastell, the printer.] i5. il.
J. Blastell : London, 1520?] s. sh. i".
K. 8. k. 8.
The last statiza begins : ' I haue her lost .
For allmycost . yet for all that Itrowe\
I haue jgchaucc . A fayre ryddance .
And am guyt of a shrew.'
RAT. The Rat tat too. [Song.]
,SVt' Reeve (W.) [TJie Baft.]
RATHGEBER (Valentix) Holocausto-
ma Ecclosiasticum Coelo et Mundo ob-
latum coutinens Offertoria Festivalia per
Annum Occurrentia ... in Tres Partes
divisum. Pars i. complectitur Offertoria
XX. ab Adventu usque ad Pascha exclusive,
cum Appendice vi. Antiphon. Stella
Coeli &c. de B. V. Maria, a Canto, Alto,
Tenore, Basso, ii. Violinis & Organo
necessariis, Violoncello, Tubis vel Lituis, \
ac Tympano ... ad Libitum adhibendis ...
Opus XIV. 11 pts.
Typis . . . Joannis Jacobi Lotteri :
AuQUstx Vindelicorum, 1734. fol.
G. 934. c.
Holocaustomatis Ecclesiastic! Pars ii.
complectens Offertoria Festivalia xx. a
Paschate usque ad Festum Assumptionis
B. v. Mariae exclusive, cum Appendice
6. Antiphon. Stella Coeli &c. de B. V.
Maria pro peste avertenda a Canto, Alto,
Tenore, Basso, ii. Violinis & Organo
necessariis. Violoncello, Tubis vel Lituis,
ac Tympano in soleunioribus Festis ad
Libitum adhibendis vel omittendis . . .
Opus XIV. 11 pts.
Typis . . . Joannis Jacobi Lotteri :
Auqustx Vindelicorum, 1734. fol.
G. 934.
Psalmodia Vespertina, complectens Qua-
tuor Vesperas Integras . . . item Psalmos
Residues per annum passim occurrentes,
et Completorium, a 4. Voc. ord. partim 2.
Violin, partim Violino unisono, Organo,
ac Violoncello, Tubis, vel Lituis ex C. . . .
pro libitu adhibendis . . . Opus ix. Canto.
(Alto.) (Basso.) (Violino i.) (Violon-
cello.) (Clarino i. (ii.).) (Tympano.)
8 pts. Typis . . . Joannis Jacobi Lotteri :
Augustae-Vindelicorum, 1732. fol.
G. 934. b.
Sacra Anaphonesis per Viginti Quatuor
Offertoria ... in Duas Partes distributa, a
IV. Vocibus . . . C. A. T. B. ii. Violinis
necessariis, ii. Tubis vel Lituis ... ad
libitum adhibendis, cum duplici Basso
Continuo . . . Opus iv. Canto. (Tenore.)
(Basso.) (Violino i. (ii.).) (Violoncello.)
(Tuba vel Lituo i. (ii.).) (Organo.) 9 pts.
Typis . . . Joannis Jacobi Lotteri :
Augustae-Vindelicorum, 1726. fol.
G. 934. a.
RATIONAL. Rational Vanity. [Song.]
See DiBDiN (C.) [Tom WilUns.']
RATTI (Bartolomeo) Amorosi Fiori, colti
in uago, & delitioso Giardino, Madrigali a
Quatro Voci, con uno a otto in fine, com-
posti in stil di Canzonette, etc. Canto.
(Alto.) (Tenore.) (Basso.) 4 pts.
Appresso Bicciardo Amadino :
Venetia, 1594. 4°. K. 3. k. 4.
RATZ (Abraham) See Regnaed (J.)
Threni Amorum . . . Verfertiget und in
druck gegeben durch A. Ratzen.
1575. obi. 4°. A. 369. i.
RAUCH (Andreas) Thymiaterium Musi-
cale, das ist : IMusicalisches Rauchfasslein
mit dem edlesten vnnd Gott dem Herrn
angenemsten Rauchwerk, das ist, sehn-
lichen seuff tzen vnnd Gebetlein . . . welche
. . .mit. . .Harmonia mit 4. 5. 6. 7. vnd 8.
Stimmen, sampt dem Basso continuo
geziert vnd geschmuckt sindt, etc. Cantus.
(Altus.) (Tenor.) (Basis.) (Septima &
Octava Vox.) (Basis Generalis.) 6 pts.
Abraham Wagenmann :
Niirmberg, 1625. 4". C. 324.
RAULT (Felix) Three Duetts, Concer-
tanti for Two Flutes. . .Op. 1. [Separate
Parts.] Printed for Corri, Dussck S Co. :
London & Edinburgh, [1797 ?] fol.
g. 225. (11.)
Six Easy Duetts, for Two Flutes, in a
Singular Style. [Separate Parts.]
Printed for Corri, Dussek d Co. :
London & Edinburgh, [1797 ?] fol.
g. 225. (12.)
A Grand Solo for the German Flute, etc.
Fentum: London, {YidOl'] fol.
g. 70. b. (13.)
RAUPACH (Hermann Friedeich) Six
Sonates pour le Clavecin avec Accom-
pagnement de Violon . . . CEuvre i".
Chez M. de la Chevardiere : Paris,
[1776?] fol. g. 645.
392
EAUZZINI
RAUZZINI (Yenanzio) Ah ! dearest
Laura. A Favorite Song. Sung by ]Mr,
Nield ... at the Bath Concerts.
Preston d Son : London, [1797.] fol.
G. 364. (40.)
Ah perche mai 1' ingrato. [Recitative and]
Sospiri miei dolenti. A Favorite Song,
sung ... at Bath by IM"^ Tenducci, ac-
companied on the Hautboy by ]\I'' Fischer,
and on the Piano Forte by Miss Guest.
The Hautboy and Piano Forte Parts
composed by Sig"' Rauzzini. [Full Score.]
/. Preston : London, [1782 ?] fol.
H. 1648. a. (6.)
Ah, touch again that plaintive strain. A
favorite Song; with an Accompaniment
for the Harp or Piano Forte.
Lonqman tC Broderin : London, [1796 ?] fol.
G. 364. (36.)
[Le Ali d' Amore.] The Favorite Songs,
Rondeaus, Duetts & Chorus, in . . ' Le
Ali d' Amore ' . . .Opera S*. [Full Score.]
Welcker: London, [111 &.'] fol.
H. 2263. a.
The Birth-Day of Laura, a Favorite Can-
zonet with an Accompaniment for a Piano
Forte. Longman, dementi & Compy.:
London, [1799 ?] fol. G. 364. (37.)
Six Italian Canzonets, with an Accom-
panyment for the Piano-Forte, etc.
J. Bland : London, [1785 ?] obi. fol.
E. 601. k. (11.)
Cease to blame my melancholy. A
Favorite Song with an Accompaniment
for the Piano-Forte. Sung at the Bath
Concerts, etc. [Words by Sir J. Moore.]
Longman d) Broderip : London,
[1797?] fol. G. 364. (39.)
Clora behold that beauteous Rose. A
Favorite Song. Sung by Mr. Nield at the
Bath Concerts. [Short Score.]
Preston & Son : London, [1797.] fol.
G. 364. (38.)
A Periodical Collection of Vocal Music . . .
consisting of Italian and English Songs,
Duetts, Terzetts, Recitatives, Canzonetts,
Ballads, &c. ... In two Volumes.
G. Steart (A. C . Farthing) , for the Author :
Bath, etc. [1797.] fol. G. 355.
The Dirge in Cymbaline, harmonized by
M' Rauzzini : and Performed at the Bath
Concerts . . . Adapted for the Harp or
Piano Porte, by M'^" de Ronssecy. With
an Accompaniment ad Lib. S. Straight :
Lo7idon, [1800?] fol. H. 2819. (9.)
A Favorite Duett for the Harpsichord or
Piano Forte . . . Op. 15. Gotdding d Co. :
Lo7idon, [1800?] fol. g. 272. u. (19.)
Four Favourite Italian Duets for the
Voice with an Express Accompaniment
for the Harpsichord or Piano-Forte : . . .
also Four Easy Airs with an Accompani-
ment for the Harpsichord, Piano Forte or
Harp . . . Opera xiii. R. Birchall :
London, [1790 ?] obi. fol. E. 600. L (8.)
In vain does dewy Morn disclose. A
Favorite Duettino ; with a Harp or Piano
Forte Accomp'. Longman d Broderip :
London, [1788 ?] fol. G. 354. (26.)
Jeryis & Duncan, Or The Year Ninety
Seven. A Song . . , Sung by Mr. Taylor
... at the Bath Concerts. The words by
W. Meyler. [Bath ? 1797.] fol.
G. 376. (31.)
Old Oliver, or the Dying Shepherd. A
Cantata, written by P. Pindar and sung
at the Bath Concerts by Mr. Braham.
Longman & Broderip : London,
[1796?] fol. G. 364. (35.)
[Piramo e Tisbe.] A Selection from
Pyramus and Thysbe, a Cantata, etc.
[Full Score.] E. Brcmncr .- London,
[1775.] fol. G. 355. a.
Six Quartettes for two Violins a Tenor
and Bass . . . Opera ii. [Parts.]
J. Welcker : London, [1777 ?] fol.
h. 2800.
Rasserena il vago Ciglio. [Song.]
[1790?] fol. See Rasserena.
G. 760. f. (1.)
La Regina di Golconda, a Serious Opera,
etc. [Short Score.] Longman £• Broderip :
London, [1784.] fol. G. 760. c. (1.)
Vive Alina sol per te. Duetto, etc.
[London, 1784.] fol. G. 811. (26.)
Six Favourite Sonatas for the Piano Forte
or Harpsichord, with an accompaniment
for a Violin . . . Opera Prima.
S. A. & P. Thompson : London,
[1780?] fol. g. 292. a. (1.)
Six Sonatas for the Piano Forte or
Harpsichord with an Accompanyment
for a Violin . . . Op. 8. Welcker :
London, [1780?] fol. g. 292.
Three Sonatas and a Duet for the Harpsi-
chord or Piano-Forte with an Accompany-
ment for the Violin ad libitum . . .
Opera xv. Birchall and Andreivs :
Lojidon, [1785 ?] fol. g. 292. a. (2.)
Six Favourite Sonatas, for the Piano
Forte. [1799.] See Periodical Publi-
cations. — London. The Piano-Forte
Magazine. Vol. VIII. [No. 5.] [1797-
1802.] 8°. D. 854.
The Village Maid. [Song.] Printed for
G. Walker : London, [1800 ?] fol.
H. 2835. d. (19.)
Vive Alina sol per te. See supra : [La
Regina di Golconda.]
Why my Julia why this Care. Rondo
with an Accompaniment for a Piano
Forte, etc. [Short Score.] Preston d-
Son : London, [1800 ?] G. 805. m. (29.)
RAUZZINI— EAVENSOROFT
393
RAUZZINI (Vexakzio) See Barthele-
MOK (P. H.) The Celebrated Opera
Dances. Performed ... at the King's
Theatre . . . 1783 . . . Composed by M"-
Barthelemon, Sig' Rauzzini, & others.
Book I. [1783.] obi. 4°. b. 51. (1.)
See Ghillini di Asuni ( ) A Valuable
Collection of . . . Songs . . . from . . . Opera's
. . . by . . . Rauzzini, etc. [1776.] fol.
g. 421. a. (1.)
RAVENNA (Baetolomeo da) II Primo
Libro della Raccolta di Napolitane a tre
voci, di diuersi Eccellentissimi IMusici.
[With a dedication signed : Bartholameo
da Raueuua.] Appresso Girolamo Scotto :
Vincgia, 1570. 8". A. 192.
The cmnposers nained are : Meo Fior[cn-
titio], Anselmo Peru[gino], Archan. da
Beggio, Ghinolfo Dattarri, B. Castel-
l[i7io], Arcanio {Tromhcttt] Bolonese,
Marc' Antonio Bomano, il Franzosino,
Zolini Bol[ognese'], Fiesco and Es-
senga.
RAVENSCROFT (John) Foolish Woman
fly mens Charms. A Scmg, etc.
[London, 1725 ?] s. sh. fol.
G. 315. (162.)
Sonate a tre, doi Violini, e Violone, 6
Arcileuto, col Basso per 1' Organo . . .
Opera Prima. Violino Primo. (Yiolino
Secondo.) (Violone, o Arcileuto.) (Or-
gano.) 4 pts. Per il Mascardi : Boma,
1695. 4». K. 3. m. (15.)
RAVENSCROFT (Thomas) A Briefe
Discourse of the true (but neglected) vse
of Charact'riug the Degrees, by their Per-
fection, Imperfection, and Diminution in
Measurable Musicke, against the Common
Practise and Custome of these Times.
Examples whereof are exprest in the
Harmony of 4. Voyces, concerning the
Pleasure of 5. vsuall Recreations. 1.
Hunting, 2. Hawking, 3. Dauncing, 4.
Drinking, 5. Enamouring. Edio. Allele
Jor Tho. Adams : London, 1614. 4°.
K. 1. e. 8.
This ivorh contains compositions by J.
Benet, E. Piers and T. Bavenscroft.
[Another copy.] K. 1. e. 7.
Deuteromelia : or the Second part of
Musicks melodie, or melodius Musicke.
Of Pleasant Roundelaies ; K. H. mirth,
or Freemens Songs. And such delightfull
Catches, etc. [With Preface signed : T. R.,
i.e. T. Ravenscroft.] 1609. 4°. See R., T.
K. 1. e. 10.
The Mariners . . . Glee, etc.
\_London,'] 1790. s. sh. 4°. P.P. 5141.
Lady's Magazine, Sept., 1790.
Melismata. Musicall Phansies ... To 3,
4, and 5. Voyces. [Dedication signed :
T. R., i.e. T. Ravenscroft.] 1611. 4'\
See R., T. K. e. 111.
RAVENSCROFT (Thomas) Pammelia.
Musicks Miscellanie, or Mixed Varietie of
Pleasant Roundelayes, etc. [Collected by
T. Renscroft.] 1G09. 4°.
See Pammelia. K. 1. e. 9.
[Another edition.] Pammelia, etc.
1618. 4". See Pammelia. K. 3. k. 3.
The Whole Booke of Psalmes: with the
Hymnes Euangelicall, and Songs Spiri-
tuall. Composed into 4. parts by sundry
Authors, with such seuerall Tunes as haue
beeue, and are vsually sung in England,
Scotland, Wales, Germany, Italy, France,
and the Nether-lands . . . Also : A briefe
Abstract of the Prayse, Efficacie, and
Vertue of the Psalmes. Newly corrected
and enlarged by T. Rauenscroft, etc.
For the Company of Stationers :
London, 1621. 8°, K. 8. c. 23.
The composers named in this work-
are : T. Tallis, J. Doioland, T.
Morley, G. Farnaby, T. Tomkins,
J. Tomkins, M. Peirson, W. Parsoris,
E. Hooper, G. Kirby, E. Blancks, B.
Allison, J. Farmer, M. Cavendish,
J. Bennet, B. Palmer, J. Milton, S.
Stubbs, W. Cranjord, W. Harrison
and T. Bavenscroft.
[Another copy.] K. 8. c. 24.
The Whole Booke of Psalmes . . . Com-
posed into 4. parts by sundry Authors
Newly corrected and enlarged by T.
Rauenscroft, etc. T. Harper for the
Company of Stationers : London, 1633. 8".
B. 520. a.
[Another copy.] 3434. b. 9.
See Apollonian Harmony. Apollonian
Harmony : a Collection of . . . Glees ... by
. . . Ravenscroft, etc. [1790 ?] 8°. E. 255.
See Church (J.) An Introduction to
Psalmody ... To which is added ... a Col-
lection, containing . . . some Anthems and
Hymns by Mr. Tho: Ravenscroft, etc.
[1723?] 8". B. 834.
See Gawthorn (N.) Harmonia Perfecta :
a . . . Collection of Psalm Tunes . . . Taken
. . . chiefly from . . . Ravenscroft, etc.
1730. 8°. C. 708.
See Milker (A.) The Psalm Singer's
Pocket Amusement . . . consisting of the
Most Valuable Part of Raven scroft's Book
of Psalmody, t'^c. [1750?] 8".
A. 414. a.
See Psalms. [English.] An Abridgement
of. . .the Psalms. . .with. . .Tunes. . .by. . .
Mr. Ravenscroft, etc. [1777.] 8°.
A. 511. d.
See TiMBRELL (F.) The Divine Musick
Scholar's Guide, with. . .the Famous Mr.
Tho. Ravenscroft's Psalm tunes, dx.
[1725 ?] obi. 4°. A. 980.
394
RAVISHED— REASONABLE
RAVISHED. The Ravish'd Lover.
[Song.] See When. When Fanny,
Blooming fair, etc. [1736 '?] s. sh. fol.
a. 313. (108.)
RAWLINGS (Thomas A.) Ah within
my hosom beating. [Song.]
Printed for the Aiothor : London,
[1794?] fol. G. 366. (58.)
A Cantata on the Death of the late un-
fortunate Marie Antoinette, Queen of
France. . .The Words by a Lady.
Published by the Author: [London,
1794.] fol. G. 366. (57.)
A Grand J\Iilitary March in Score, adapted
for the Piano Forte, etc.
Printed for the Author : [London,
1795?] fol. g. 133. (48.)
Three Sonatas for the Harpsichord or
Piano Forte with an Accompaniment for
a Violin Obligato . . . Op. 1. [Separate
Parts.] Printed for the Author :
London, [1800 ?] fol. g. 161. f. (6.)
Six New Waltzes, for the Piano Forte,
with an Accompaniment for the Tam-
bourine & Triangle. . .Op. 2.
The Author : [London, 1800 ?] fol.
g. 231. (6.)
EAWTHMELL (Alexander) Musick's
a Crotchett. [Song.] The Words by E.
Ward. [Z/0)kZo«, 1710?] s. s7i. fol.
H. 1601. (303.)
RAYMOND AND AGNES. Raymond
and Agnes. Entertainment.
Sec Reeve (W.)
RAYMOND (S.) Three sonatas for the
Harpsichord or Piano Forte, G. Smart :
London, [1790 ?] fol. h. 62. (8.)
RAYNER (Lloyd) Tender Passions, etc.
[Song.] L[oncjman\ L[ukey and Co. :
London, 1775 ?] fol. G. 312. (208.)
RAYS. The Rays of dear Clarinda's Eyes.
Song. See Akeeoyde (S.)
RAZZI (Seeafino) Libro Primo delle
Laudi Spiritual! da Diuersi . . . Autori,
Antichi e Moderni composte. Le quali si
vsanocantare inFirenze. . .Con la propria
Musica e modo di cantare ciascuna Laude
. . .Raccolte dal R. P. Pra Serafino Razzi
. . .Nuouamente stampate.
Per Francesco Bampazetto, ad instanzi de
gli heredi di Bernardo Giunti di Firenzc :
Vcnetia, 1563. 4°. K. 8. f. 10.
The arms of Pope Clement XI. are
stamped on the covers.
Santuario di Laudi, o Vero Rime Spiritu-
al!, per le feste di ciaschedun santo,
solennemente celebrate per tutto 1' anno
da S. Chiesa : con eziandio quelle delle
Feste Mobil! : e di alcune da cantarsi nel
vestire di Monache, etc.
Appresso Bartolommeo SermateUi, e
Fratelli : Firenze, 1609. 4°.
11427. ee. 25,
Tlic only composer named is Verdelotto.
RE ALLA CACCIA. II Re alia Caccia.
Opera. See Alessandri (F.)
RE PASTORE. II Re Pastore. Opera.
See Hasse (J. A.)
RE TEODORO IN VENEZIA. II Re
Teodoro in Venezia. Opera.
See Paisiello (G.)
READING (John) of Winchester. Dulce
Domum. See Fischer (J. C.) An Old
Favorite Air Dulce Domum [by J. Reading]
with. ..Variations, e^c. [1790?] fol.
H. 2821. (6.)
See Joyful Cuckoldom. [Joyful Cuckol-
dom...A Collection of New Songs... by
... J. Reading, etc.] [1690 ?-96 ?J 4".
C. 180. a,
READING (John) Organist of St. John's^
Hackney. A Book of new Anthems.
Containing a Hundred Plates fairly En-
graven with a Thorough Bass figur'd for
the Organ or Harpsichord with proper
Retornels, etc. (London,) [1715 ?] 4°.
E. 473.
Presented to the British Museum, ioith
an autograph inscription, by F.
Novello.
A Book of New Songs (after the Italian
manner) with Symphonies and a Through-
Bass fitted to the Harpsichord, &c. All
within y'^ Compass of the Flute, and fairly
Engraven on Copper Plates, etc.
Printed for y" Author : London,
[1710?] fol. H. 1606.
See Voluntaries. Ten Voluntarys. . .by
Dr. Green. . .Reading, etc.
[1770?] obl.iol. e. 108. a. (5.)
REAL. Real Beauty. [Song.]
See Webb (J.)
REASON. Reason and Friendship. [Song.]
See Gardiner (P.)
Reason for Loving. [Song.]
See Festing (M. C.)
Reason, what art thou. Song.
See Weldon (J.)
REASONABLE. The reasonable Liber-
tine. [Song.] See Man. The Man, who
in his Breast contains. [1750?] s. s7i. fol.
G. 303. (46.)
The Reasonable Lover. [Song.] See I.
I seek not at once in a Female to find.
[1750 ?] s. sh. fol. G. 316. c. (23.)
REBEL— REELS
395
REBEL (FEAN901S) and PRAIirCCEUR
(FEAN901S) Ballet de la Paix. Mis en
■ Musique par Mrs. Rebel et Francoeur, etc.
Chez le Sieur Francceur : Paris,
[1738 ?] obi. fol. E. 50.
Ismene. Pastorale Heroique . . . Les
Paroles sont de il' de Moncrif, etc.
Chez les Aziteurs, etc. : Paris,
[1750.] obi. fol. E. 50. c.
Pirame et Thisbe. Trag^die mis[e] en
Musique par Mrs. Rebel et Francoiur, etc.
[Words by J. L. I. de La Salle.]
Chez le Sieur Francoeur, etc. : Paris,
[1726.] obi. fol. E. 50. b.
Tarsis et Zelie, Tragedie mise en musique,
etc. J. B. C. Ballard : Paris.
1728. obi. fol. C. 406.
Le Trophee. Divertissement a I'occasion
de la Victoire de Fonteuoi. Mis en
Musique par Mrs. Rebel et Francoeur. . .
Les Paroles sont de INIr. de Moncrif.
Grave par Le S' Hue.
Clicz Madame Baivin : Paris,
1745. obi. fol. E. 50. a. (1.)
Zelindor Roi des Silphes. Divertissement
...Mis en Musique par ]\Irs. Rebel et
Francoeur . . . Les Paroles sont de INlr. de
Moncrif. Paris, 1745. obi. fol.
E. 50. a. (2.)
[For songs, &c., published anony-
mously :] Sec Zelixdor.
REBEL (Jean Ferry) Ulysse, Tragedie
[written by — Guichard] . . . representee
pour la premiere fois . . . le vingt jour de
Janvier 1703. [Short Score.]
Chez C. Ballard : Paris, 1703. obi. 4°.
B. 340.
REBHUN (Paul) Ein Geistlich spiel,
vu der Gotf urchtigen vn keuschen Frawen
Susannen, gantz lustig vud fruchtbarlich
zu lesen. [With the music of the
choruses.] Wolffgangk Mei/erpeck :
Zwickaw, 1536. 4°. " 11745, e. 6.
RECEVEZ. Recevez discret amoureux.
Lai tire du Roman de Perce Foret. Ace.
par M' Porro. Chez Baillon : Paris, ,
1784. 8^ B. 362. g. (95.)
Recevez favorablement. Rondeau.
See Bailleul ( )
RECOLLECTION. Recollection. Can-
zonet. See Haydn (F, J.) [Canzonets.
Set I. No. 2.]
RECOMPENSE. The Recompence of
Constancy. [Song.] See Dibdin (C.)
[The Quizes.']
RECONCILEMENT. The Reconcile-
ment. [Song.] See Come. Come, let us
now resolve, etc. 1760. 8°. P.P. 5441.
RECONCILIATION. The Reconcilia-
tion. [Song, begins : ' With scorn re-
puls'd.'] See French (R.)
RECONCILIATION. The Reconcilia-
tion. Dialogue. See While. While with
a gentle Smile you strove, etc.
[1770?] fol. G. 313. (252.)
RECONCILIATION VILLA-
; GEOISE. La Reconciliation villageoise.
I Comedie Ij-rique. See Tarade ( )
RECONNAISSANCE. La Reconnais-
[ sance. [Song.] See De. De tes bienfaits
la douce image, etc. [1785 ?] 8°.
B. 362. f. (42.)
RECOVERY. The Recovery. [Song,
begins : ' See, Stella, as your health
returns.'] Set by an Eminent Master.
See Chloe. Chloe, or the Musical Maga-
zine, etc. No. 79. [1760 ?] fol. G. 433.
The Recovery. Song. [Begins : ' When
prostrate first.'] See Kilbuen (J.)
RECRUITING SERJEANT. The Re-
cruiting Serjeant. Musical Entertain-
ment. See Dibdin (C.)
RECUEIL. Recueil d'Airs, etc. See Airs.
Recueil de Chansons, etc. See Chansons.
Recueil g6n6ral des Opera Boufions qui
ont ete represent^s a Paris, avec les Ariettes
en Musique. 10 Tom. CJicz F. J. Desoer :
Liege, 1777. 8°. 11735. b. 2.
A collection of separate libretti xcith a
general title to eacJi vohime.
RED. Red and White. [Song.]
See Battishill (J.)
The Red Cross Knight. Glee.
See Callcott (J. W.)
REDBREAST. The Redbreast. Can-
tata. Sec Stanley (J.)
REDEEMER. The Redeemer gave the
Word. Anthem. Sec Russell (W.)
REDENDE GEMAEHLDE. Das
redende Gemiihlde. Comische Oper.
Sec Stegmann (C. D.)
REDEN-RYCKER. DerReden-Ryckers
stichtighe tsamenkomste. [Poems and
music] Sec Academies, etc. — Schiedam. —
Reden-Ryck Camer"bydeRoode Roosen."
REDINGOTTE. La Redmgotte a
I'Anglaise. [Song.] See Honneur. Hon-
neur aux modes d'apresent, etc.
[1780 ?] 8^ B. 362. j. (6.)
REDOUTEZ. Redoutez I'eclat du
tonnerre. Recit de Basse.
[Paris,] 1750. s. sh. 4». 297. c. 25.
Merctcre de France, March, 1750.
[Another setting.] Redoutez I'eclat de
tonnerre. Chanson. See Fremeaux ( )
REELS. A Collection of Scots Reels or
Country Dances. With a Bass for theVio-
lincello or Harpsichord, etc. Preston and
Son : London, [1790 ?] obi. 4°. b. 58. a.
396
REELS— REEVE
REELS. A Collection of the Newest and
Best Reels or Country Dances. Adapted
for the Violin or German Flute with a
Bass for the Violincello or Harpsichord.
Printed for Neil Stewart: Edinburgh,
[1761-1763 ?" j ohl. 8°. a. 27. b.
Lady Baird's Reel made into a Rondo for
the Piano Forte. N. (0 M. Stewart :
Edinburgh, [1790?] fol. g. 149. (13.)
Lord Alexander Gordon's Reel made into
a Rondo for the Piano Forte.
N. d- ill. Steiuart: Edinbtirgh,
[1790?] fol. g. 149. (14.)
REEVE (William)
Aeeangement.
1. Operas, Entertainments, Ballets, &c.
2. Single Songs.
3. Appendix.
4. Index of Songs in Operas, &c.
1. Opeeas, Enteetainments, Ballets, &c.
The Apparition.
The Apparition, a Musical Entertainment
. . . written by J. C. Cross. [P. F. Score.]
Preston cC Son : London, [1794.] obi. fol.
D. 286. (6.)
Bantry Bay.
Bantry Bay. A Musical Entertainment,
etc. [Written by G. N. Reynolds. P. F.
Score.] Preston & Son : London,
[1797.] fol. H. 129. (8.)
The Charity Boy.
The Favorite Overture to the Charity Boy,
etc. [P. P.] Printed for G. Walker :
London, [1796.] fol. h. 1480. t. (31.)
The Tar's Sheet Anchor, a favorite
Ballad. Sung by Mr. Sedgwick at . . .
Drury Lane in the Charity Boy. The
Words by J. C. Cross.
Longman and Broderip :
\_London, 1796.] fol. G. 810. (54.)
Don Juan.
The Jolly Tar. A favorite Song, sung by
Mr. Arrowsmith at the Royalty Theatre,
etc. Longman and Broderip :
[London, 1787.] fol. H. 131. (42.)
The Loyal Tars, or Naval Excursion, a
Favorite Song. Sung by Mr. Darley
. . . at . . . Covent Garden. . .The Words by
T. Goodwin. Printed for W. Campbell :
London, [1789.] fol. Q. 377. (48.)
See that pretty Creature there. A
favorite Serenade sung by ]\Ir. Delpini
at the Royalty Theatre, etc.
Longman and Broderip :
[London, 1787.] fol. H. 131. (44.)
[For songs, &c., in Don Juan, a Panto-
mimical Entertainment arranged by
Delpini, with music by Reeve and Gluck,
published anonymously :j Sec Don Juan.
REEVE (William)
The Double Jealousy.
The Je ne scjai quoi. A favorite Song,
sung at Astley's Amphitheatre in a
Burletta called The Double Jealousy.
Longman and Broderip : [London,
1787.] fol. H. 131. (45.)
Still we sigh for Something more. A
favorite Rondo sung at Astley's Amphi-
theatre in a Burletta called the Double
Jealousy. Longman and Broderip :
[London, 1787.] fol. H. 131. (43.)
Embarkation.
Embarkation, a Musical Entertainment
in Two Acts, etc. [Written by A. Franklin.
P. F. Score.]
Goulding, Phipps d D'Almaine :
London, [1799.] fol. H. 119. a.
The Evening Brush.
The Desponding Negro. A favorite New
Song, written by Mr. Collins, and sung
by him ... in his New Embellished
Evening Brush at the Lyceum.
Longman and Broderip) : [London,
1792.] fol. a. 806. r. (30.)
The Prophetical Pig. A favorite Comic
Song written by Mr. Collins and sung
by him. . .in his new Embellished Evening
Brush at the Lyceum.
Longman and Broderip :
[London, 1792.] fol. H. 2818. e. (3.)
The Glorious First of June.
The Old Commodore, A Favorite Song, etc.
[London, 1794.] fol. G. 809. c. (3.)
Harlequin and Oberon.
Overture to the . . . Entertainment of
Harlequin & Oberon, etc. [P. F.]
Longman and Broderip : London,
[1796.] fol. g. 137. (5.)
[Another edition.] Overture, cfc. [P.P.]
Muzio Clementi d Co. : London,
[1800?] fol. g. 271. e. (24.)
The Laud we live in. [Song.] Sung by
Mr. Bowden, etc. M. Clementi d Co. :
London, [1799 ?] fol. H. 2830. g. (47.)
0 ! who has seen the Miller's Wife. The
Gypsies' Glee, etc.
i Longman, Clementi d Co. :
, London, [1798 ?] fol. H. 2815. c. (41.)
[Another edition.] 0 ! who has seen
the Miller's Wife. The Gipsies' Glee, etc.
M. Clementi d Co. : iMidon, [1799 ?] fol.
G. 805. g. (41.)
Harlequin and Quixotte.
The Favorite Overture to Harlequin &
Quixotte, c^c. [Pantomime, by J. C.Cross.
P. F.l G. Goulding : London, [1797.] fol.
g. 443. h. (18.)
REEVE
397
REEVE (William) Cliicka Ching, a
favorite Ballad. Sung by Miss Sims . . .
written by J. C. Cross. [P. F. & Short
Score.] Printed, for G. Goulding :
London, [1797.] fol. G-. 805. m. (30.)
Harlequin's Eeturn.
The favorite Overture to the Panto-
mime of Harlequin's Return, etc. [P. F.j
Longman and Broderip : [Londo)i,
1798.] fol. g. 137. (13.)
Come buy my Eartheu Ware, a favorite
Song sung by jNIrs. Clendining ... in the
Pantomime of Harlequin's Return. The
Words by I. C. Cross. [Short Score.]
Longman and Brodtrip :
[London, 1798.] fol. G. 249. (7.)
Hither haste the Young & Gay. A
favorite Air sung by Mrs. Martyr ... in
the Pantomime of Harlequin's Return.
The Words by I. C. Cross. [Short Score.]
Longman and Broderip :
[London, 1798.] fol. G. 249. (6.)
Natty Sammy. A Comic Duett sung by
Mr. Simmons and ]\Ir. Bologna Sen'
... in the Pantomime of Harlequin's
Return. The Words by I. C. Cross. [Short
Score.] Longman and Broderip :
[Lo7idon, 1798.] fol. G. 354. (27.)
The Wind blew fresh, a favorite Sea
Ballad sung by Mr. Townsend in the
Entertainment of Harlequin's Return.
The Words by J. C. Cross.
Longman and Broderip :
[London, 1798.] fol. G. 249. (5.)
Hercules and Omphale.
Grand Overture, La Chasse, to Hercules
and Omphale, etc. [P. F.] Preston & Son :
London, [1794.] fol. g. 443. h. (17.)
Hero and Leander.
Overture to Hero and Leander. [P. F.]
G. Gouldinq : [London, 1787.] fol.
g. 272. d. (6.)
Come, come my sweet love, a favorite
Duet, sung by Mr. Arrowsmith and Mrs.
Fox ... in Hero & Leander [a bmiesque,
by I. Jackman]. Printed for G. Goulding :
London, [1787.] fol. G. 808. e. (39.)
Hark ! the Trumpet sounds afar, a favorite
new Song sung by Mr. Bannister in Hero
and Leander. [Words by I. Jackman.]
Printed for G. Goulding :
London, [1787.] fol. G. 808. e. (40.)
Hobson's Choice,
Oh ! what a misfortune befel me to-day.
The Favourite Drunken Song sung . . .in
the Entertainment of Hobsous Choice
[by W. Reeve]. [1790?] fol.
See HoBso^-'s Choice. G. 805. li. (21.)
REEVE (William)
Honest Thieves.
The Tight Irish Boy. A favorite Song.
Svmg by Mr. Johnstone in the Enter-
tainment of Honest Thieves. The Words
by J. C. Cross. Longman and Broderip :
[London, 1797.] fol. G. 250. (35.)
Joan of Arc.
Joan of Arc, or the Maid of Orleans. The
Favorite Overture to that Grand Ballet,
etc. [P. F.] Longman & Broderip :
London, [1798.] fol. g. 137. (7.)
Affection warms the Heart. A favorite
Song sung by Mrs. Mountain. . .in the
Grand Ballet called Joan of Arc . . . the
Words by J. C. Cross. [Short Score.]
Longman and Broderip :
[London, 1798.] fol. G. 249. (8.)
Hang War, hang care, a Favorite Air
and Chorus, sung by ]\Ir. Incledon . . .
in . . . Joan of Arc . . . Accompanied on the
Harp by ilr. Wieppart.
Longman and Broderip :
[^London, 1798.] fol. G. 249. (10.)
In Realms of Bliss. A favorite Air
sung by Miss Sims ... in Joan of Arc, etc.
[Short Score.] Longman and Broderip :
[London, 1798.] fol. G. 249. (12.)
Lie still my trembling Heart, the favorite
Dialogue Duetto sung by Mrs. J\Iountain
and Miss Sims. . .in Joan of Arc, etc.
Longman and Broderip : [^London,
1798.] fol. G. 249. (11.)
Victorious La Pucelle. A favorite Song
sung by Mrs. Clendining ... in Joan of
Arc, etc. [Short Score.]
Longman and Broderip :
[London, 1798.] fol. G. 249. (13.)
Your Minstrel asks a Subject's Tear, a
Favorite Air and Chorus sung by Incledon
. . . in . . . Joan of Arc . . . Accompanied on
the Harp by Mr. Wieppart.
Longman and Broderip :
[London, 1798.] fol. G. 249. (9.)
The Maid of the Mill.
The Begging Gipsey, a favorite Song sung
by Miss Sims ... in the INIaid of the Mill
. . . The Words by Mr. Cross. [Short
Score.] Preston & Son :
London, [1797.] fol. G. 805. k. (22.)
[Another copy.] H. 2830. g. (46.)
Merry Sherwood.
The Overture, Songs, Comic Tunes and
Finale in the . . . Pantomime called Merry
Sherwood or Harlequin Forester . . . The
Words by Mr. O'Keefe. [P. F. Score.]
Longman and Broderip :
London, [1795.] fol. H. 119. c.
398
REEVE
EEEVE (William) The celebrated Over-
ture to Merry Sherwood or Harlequin
Forester . . . Accompanied on the Harp
by Mr. Wieppert. [P. P.]
Longman and Broderip : [London,
1795.] fol. g. 137. (11.)
The Beggar. A favorite Song sung by
Mr. Townsend in the new Pantomime
called Merry Sherwood or Harlequin
Forester. The Words by Mr. O'Keefe.
Longman and Broderip :
[London, 1795.] fol. G. 249. (15.)
The Bellman. A favorite Song sung
by Mr. Pawcett in . . . Merry Sherwood,
etc Longman and Broderip :
[London, 1795.] fol. G. 249. (18.)
The Bugle Horn. A favorite Song sung
by Mr. Bowden in the new Pantomime
called Merry Sherwood or Harlequin
Forester. The Words by Mr. O'Keefe.
Longman and Broderip :
[London, 1795.] fol. G. 249. (14.)
The Friar. A favorite Song sung by
Mr. Bowden in . . . Merry Sherwood, etc.
Longman and Broderip :
[London, 1795.] fol. G. 249. (20.)
Hey downl adown. A favorite Song
sung by Mrs. Clendining in . . . Merry
Sherwood, etc. Longman and Broderip :
[London, 1795.] fol. G. 249. (16.)
My Doe is my Dear. A favorite Song
sung by Mr. Incledon in . . . Merry Sher-
wood, etc. Longman and Broderip :
[London, 1795.] fol. G. 249. (21.)
The Tanner. A favorite Song sung by
Mr. Richardson in . . . Merry Sherwood,
etc Longman and Broderip :
[London, 1795.] fol. G. 249. (19.)
The Tinker. A favorite Song sung by
Mr. Knight in . . . Merry Sherwood, etc.
Longman and Broderip :
[London, 1795.] fol. G. 249. (17.)
The Witch. A favorite Song sung by
Mrs. Martyr in . . . Merry Sherwood, etc.
Longman and Broderip :
[London, 1795.] fol. G. 249. (22.)
[For songs, &c., published anonymously :]
See Mebhy Sherwood.
Mirth's Museum.
The Antiquity of Bulls. Sung by Mr.
Masters at the Lyceum. Composed by
Mr. Reeve for his new Entertainment
called Mirth's Museum. Longman and
Broderip : [London, 1794.] fol.
G. 367. (3a.)
Ben Block, or the Sailor's Friend. Sung
by Mr. Masters at the Lyceum, etc.
Longman and Broderip :
[London, 1794.] fol. G. 367. (3.)
REEVE (William) The Goddess of the
silver Stream. [Song.] Sung by Mr. Gray
at the Lyceum, etc. Longman and
Broderip : [London, 1794.] fol.
G. 367. (3g.)
The Huntsman's Rhapsody, or the De-
lights of the Field. [Song.] Sung by
Mr. Gray at the Lyceum, etc.
Lcmgman and Broderip :
[London, 1794.] fol. G. 367. (3f.)
Knowing Joe and the Shew Folk. [Song.]
Sung by Mr. Masters at the Lyceum,
etc. Longman and Broderip :
[London, 1794.] fol. G. 367. {3^.)
The Lavender Girl. [Song.] Sung by
Mrs. Reeve at the Lyceum, etc.
Longman and Broderip :
[London, 1794.] fol. G. 367. (S^.)
The Market Lass. [Song.] Sung by Mrs.
Reeve at the Lyceum, etc.
Longman and Broderip :
[London, 1794.] fol. G. 367. (3^.)
My Journey is Love. [Song.] Sung by
Mr. Gray at the Lyceum, etc.
Longman and Broderip :
[London, 1794.] fol. G. 367. (3i.)
The Vestry Dinner. [Song.] Sung by
Mr. Masters at the Lyceum, etc.
Longman and Broderip :
[London, 1794.] fol. G. 367. (3°.)
Oscar and Malvina.
The Overture, Favorite Songs, Duetts &
Chorusses in the Grand Pantomime Ballet
of Oscar & Malvina as performed . . .
at . . . Govent Garden. Together with a
Selection of the most favorite Scots
Airs & the Battle Piece. The whole
adapted & the new Music composed by
W. Reeve. [P. F. Score.] Longman
and Broderip : London, [1791.] fol.
H. 2821. (8.)
Paul and Virginia
[Song.]
Sung by Mr. Munden
Goulding d Co. :
fol. H. 2818. c. (7.)
Ackee-0.
etc.
London, [1800.]
The Wealth of the Cottage is Love. A
favorite Song, sung by Mr. Incledon, etc.
Goulding & Co. : London, [1800.] fol.
G. 796. (27.)
A Picture of Paris.
Paddy Bull's Expedition. A favorite
Irish Song Sung by Mr. Rock at . . . Covent
Garden in the Pantomime Entertain-
ment called A Picture of Paris. Written
by Mr. Collins . . . Adapted by W. Reeve.
Longman and Broderip :
[London, 1790.] fol. H. 2818. c. (6.)
REEVE
399
HEEVE (William)
The Purse.
The Purse, or Benevolent Tar, a musical
entertainment . . . The Poetry by J. C.
Cross. [P. F. Score.] Preston d Son :
London, [1794.] ohl. fol. D. 286. (7.)
The Galley Slave, a Favorite Song, etc.
{London, 1794.] fol. G. 805. i. (17.)
[Another edition.] The Galley Slave, etc.
Preston: London, [1795?] fol.
G. 805. c. (25.)
The Raft.
Overture to the Raft, etc. [P. P.]
Longman and Broderip :
ILondm, 1798.] fol. g. 137. (10.)
Britons glory, a favorite Song sung by
Mr. Townshend ... in the Raft. The
Words by I. G. Cross.
Longman atid Broderip :
{London, 1798.] fol. G. 376. (34.)
The Rat tat too. [Song.] Sung by Mrs.
Martyr ... in the Raft . . . The Words
by I. C. Cross. Printed
for Longman and Broderip : [London,
1798.] fol. G. 376. (33.)
Ramah Droog.
See Mazzinghi (J.) and Reeve (W.)
Ramah Droog ... A Comic Opera, etc.
[1798.] B". H. 121. (1.)
Raymond and Agnes.
The Favorite Overture Songs & Glees in
the Entertainment of Raymond & Agnes,
4itc. [P. F. Score.] Preston <£• Son :
London, [1797.] fol. H. 129. (7.)
The Round Tower.
The Favorite Overture, Songs, Duetts &
Choruses in the new Ballet Pantomime
called the Round Tower or the Chief-
tains of Ireland, etc. (Written by J. C.
Cross.) [P. F. Score.]
Longman d: Broderip :
London, [1797.] fol. H. 230. a. (5.)
The Favorite Overture to the Round
Tower. Accompanied on the Harp, etc.
W. Hodsoll : London, [1800 ?] fol.
g. 272. d. (2.)
Thomas and Susan,
Thomas and Susan or The Fortunate Tar,
£i musical Entertainment, etc. [P. P.
Score.] Loyigman and Broderip :
London, [1787.] fol. H. 130. (7.)
Tippoo Saib.
The Overture Favorite Songs and Finale
in the Musical Entertainment of Tippoo
Saib . . . The Words by Mr. Lonsdale.
[P. F. Score.] Longman and Broderip :
London, [1792.] fol. G. 367. (40.)
REEVE (William)
The Turnpike Gate.
See Mazzinghi (J.) and Reeve (W.) The
Turnpike Gate. A Comic Opera, etc.
[1799.] fol. H. 121. (2.)
The Favorite Overture . . . Composed and
arranged for the Piano Forte. . .byW.
Reeve. Goulding, Phipps & D'Almaine :
London, [1799.] fol. g. 443. b. (25.)
2. SiKGLE SO>-GS.
The Enamoured Shepherdess. [Song.]
J[ohn] P[rcston : London,
1785 ?] s. sh. fol. G. 312. (168.)
The Equivalent, a Favorite Comic Song.
Sung by IMr. Fawcett, at . . . Freemasons
Hall. Preston d Son : London,
[1796?] fol. G. 367. (5.)
Fancy's Festival, [Song,] sung by Mrs.
Mountain . . . The Words by INIr. Cross.
Preston d Son : London, [1796 ?] fol.
" G. 367. (10.)
The Happy Milkman. [Song.] I[ohn]
P\reston : London, 1786 ?] s. sh. fol.
G. 306. (99.
The Linnet. [Song.] Jlohn] P[reston :
London, 1785 ?] s. sh. fol. G. 306. (103.)
Love sounds the Trumpet of Joy. A
Favorite Trumpet Song, sung ... by Miss
Daniels, . . .Written bv Mr. Upton.
Bland d Wcller : London, [1800?] fol.
G. 424. u. (25.)
The Loyal Cobler, a favorite Comic Song,
sung by Mr. Dighton at Sadlers Wells . . .
Written by jNIr. Lonsdale.
Printed for Messrs. Thompson:
Ivondow, [1795 ?] fol. G. 385. c. (12.)
A lilan an't a Horse. An Irish Song.
Sung by ^Mr. Johnstone, at the Readings
& :Music, Theatre Royal, Haymarket,
written by Mr. Cross. Preston d Son :
London, [1796 ?] fol. G. 367. (9.)
Nothing but a Place. A Comic Song, sung
by Mr. Wathen, at the Readings &
Music, Theatre Royal, HajTnarket, written
by Mr. Cross. Preston d Son :
London, [1796 ?] fol. G. 367. (8.)
Ode to the Harp, written by C. 1. Pitt . . .
Sung by Miss Gray, accompanied on the
Harp by Mr. Wieppart.
Gladman, for the Author :
Loyidon, [1795 ?] fol. " G. 365. (7.)
Oft I'd wet the t'other eye. [Song.]
S'ong by Mr. Munden ... the Words by
Mr. Cross. Printed for G. Goulding :
London, [1794.] fol. H. 2818. c. (9.)
Old Ben Bowling, a Favorite New Sea
Song. Sung by Mr. Incledon at the
Readings & Music, Free Masons' Hall.
The Words by J. C. Cross. A. Bland d
Weller: London, [1796?] fol. G. 367. (7.)
400
REEVE
REEVE (William) The Picture Shop.
A favorite Comic Song, sung by Mr.
Dighton at Sadlers Wells. Written by
T. Dibdin. Longman and Brodcrip :
[London, 1794.] fol. G. 367. (41.)
Remember Jack, a favorite Sea Ballad,
sung by Mr. Fawcett, at the Readings &
IMusic, Freemasons Hall . . . The Words
by Mr. Cross. Preston & Son :
London, [1796 ?] fol. G. 367. (6.)
The Sailor's Joke. A Favorite Sea Ballad.
Sung by Mr. Wathen . . . Written by
J. C. Cross. A.
London, [1800 ?] fol.
Bland cO Weller :
G. 249. (66.)
The Splendid Jorum, etc. [Song.]
Broderip and Wilkinson :
London, [moo?] fol. G. 356. (16.)
The Tipsey Hibernian. A New Song,
sung by Mr. Johnstone . . . the Words by
J. C. Cross. A. Bland d Weller :
London, [1800.] fol. G. 249. (69.)
Volunteer Making, etc. [Song, with Tri-
angle and Tambourine Accompaniment.]
Brodcrip and Wilkinson :
London, [1800 ?] fol. G. 376. (32.)
The Waiter, a Comic Song sung by Mr.
Fawcett at the Readings & Music, Free-
masons Hall. . .The Words. . .by Mr. Cross.
Preston & Son : London, [1796.] fol.
G. 367. (4.)
The Welch Quack. A New Comic Song. . .
Sung by Mr. Williams . . . The Words by
J. C. Cross. A. Bland £ Weller :
London, [1800.] fol. G. 249. (67.)
Woman is Match for Man, a favorite
Ballad, sung by Mrs. Martyr, etc.
Printed for G. Goulding : London,
[1790?] fol. H. 28i8. c. (11.)
3. Appendix.
See Feast of Apollo. The Feast of
Apollo, containing . . . Lessons . . . and. . .
Songs by. . .Reeves, e^c. [1788.] fol.
G. 351. (2.)
See Orpheus and Eurydice. Orpheus
and Eurydice, a Grand Serious Opera . . .
with new Additional Music by W. Reeve.
[1792.] obi. fol. E. 91. e. (1.)
See Pleyel (I. J.) [My little blithsom
Sparrow.] The Maid I love . . . Song . . .
Adapted from Pleyel, by W. Reeve.
[1797?] fol. G. 377. (49.)
4. Index of Songs in Operas, &c.
Affection warms the Heart.
See [Joan of Arc.]
Ackee-0. See [Paul and Virginia.']
The Antiquity of Bulls.
See [Mirth's Museum.]
The Beggar. See [Merry Slierivood.]
REEVE (William) The Begging Gipsey.
See [The Maid of the Mill.]
The Bellman. Sec [Merry Sherwood.]
Ben Block. See [Mirth's Museum.]
Britons Glory. See [The Raft.]
The Bugle Horn. Sec [Merry Sherwood.]
Chicka Ching.
See [Harlequin and Quixotte.]
Come buy my Earthen Ware.
See [Harlegmn's Return.']
Come, come my sweet love.
See [Hero and Leander.]
The Desponding Negro.
See [The Evening Brush.]
The Fiiar. See [Merry Sherwood.]
The GaUey Slave. See [The Purse.]
The Goddess of the silver Stream.
See [Mirth's Museum.]
Hang War, hang Care. See [Joan of Arc]
Hark 1 the Trumpet sounds afar.
See [Hero and Leander.]
Hey down ! adown.
See [Merry Sherwood.]
Hither haste the Young & Gay.
See [Harlequin's Return.]
The Huntsman's Rhapsody.
See [Mirth's Miiseu7n.]
In Realms of Bliss.
See [Joan of Arc]
The Je ne seal quoi.
See [The Double Jealousy.]
The Jolly Tar. See [Don Juan.]
Knowing Joe and the Shew Folk.
See [MirtJi's Museum.]
The Land we live in.
See [Harlequin and Oberon.]
The Lavender Girl.
See [Mirth's Museum.]
Lie still my trembling Heart.
See [Joan of Arc]
The Loyal Tars. Sec [Don Juan.]
The Market Lass. See [Mirth's Museum.]
My Doe is my Dear.
See [Merry Sherwood.]
My Journey is Love.
See [Mirth's Museum.]
Natty Sammy. See [Harlequin's Return.]
0 ! who has seen the Miller's Wife.
See [Harlequin and Oberon.]
The Old Commodore.
See [The Glorious First of June.]
Paddy Bull's expedition.
See [A Picture of Paris.]
The Prophetical Pig.
See [The Evening Brush.]
The Rat tat too. See [The Raft.]
REEVE — REGNARD
401
REEVE (William) See that pretty Crea-
ture there. See [Doti JuanJ]
Still we sigh for Something more.
See [TJie Double Jealousy.']
The Tanner. See {Merry Sherwood.]
The Tar's Sheet Anchor.
See [Tlte Charity Boy.]
The tight Irish Boy.
See {Honest Thieves.]
The Tinker. See [Merry Sherivood.]
The Vestry Dinner.
Sec {Mirth's Museum.]
Victorious La Pucelle.
See {Joan of Arc.]
The Wealth of the Cottage is Love.
See {Paul and Virginia.]
The Wind blew fresh.
See {Harleg^iiin's Return.]
The Witch. See {Meiry Sherwood.]
Your Minstrel asks a Subject's Tear.
See {Joan of Arc.]
REFFLEY SPRING. Reffley Spring.
Cantata. See Arne (T. A.)
REFLECTING. The Reflecting Swain.
[Song.] Sec D. T.
REFLECTION. Reflection. Ariette.
See H., S. M.
REFLECTIONS. Reflections of IMarie
Antoinette. [Song.] See Attwood (T.)
REFLEXION. Reflecxion sur les Red-
ingottesal'Anglaise. [Song.] Sec Modes.
Les Modes iusques a present, etc.
[1775?] 8^ B. 362. b. (166.)
R:6FLEXI0NS. Reflexions lirlques. [In
verse, on French and Italian IMusic]
{Paris,] 1753. 8". 1103. b. 21. (11.)
Reflexions sur la ]Musique en general, et
sur la jMusique Fran(;oise en particulier.
[By the Abbe Arnaud.] {Paris,] 1754. 8".
557*. d. 30. (6.)
REFORMED. The Reform'd Rake.
[Song.] See It. It was my Sad Mishap.
[1720 ?] s. sh. fol. G. 309. (32.)
REGARDS. Regards vifs et joli menton.
[Song.] See MoissoN.
REGGIO (PiETRo) Songs set by Signior
Pietro Reggio. 2 pts.
{London,] 1680. fol. I. 353.
REGINA DI GOLCONDA. La Regiua
di Golconda. Opera. See Rauzzini (V.)
REGNARD (FRAS901S) Poesies de P. de
Ronsard & autre Poetes mis en Musique
a Quatre & Cinq Parties, etc. Tenor.
Adrian le Roy, d Robert Ballard : Paris,
1579. obi. 4°. K. 1. e. 4.
VOL. II.
REGNARD (Jacques) Di lacomo Reg-
nart ... II primo libro dells Canzone
Italians a Cinque Voci, nouamente poste
in luce. Superius. (Altus.) (Tenor.)
(Bassus.) (Quinta Parte.) 5 pts.
Noribergm, 1580. obi. 4°. A. 369.
The Tenor iMrt alone is dated.
[Another copy. Superius.] A. 369. k.
IMariale, hoc est : Opusculum Sacrarum
Cantiouum pro omniljus Beatissimre Vir-
ginis Marias Festiuitatibus, cum quatuor,
quinq5, sex & octo vocibus, etc. Altus.
(Tenor.) (Bassus.) (Quinta Pars.) 4 pts.
Joannes Paur : (Eninonti, 1588. obi. 4".
A. 369. h.
Missse Sacrse ad Imitationem Selectissi-
marum Cantionum Suauissima Harmonia
a Quinque, Sex, & octo vocibus iam recens
elaboratse, etc. Quinta (Sexta) Vox. 2 pts.
Aimd Wolfganguni Richtcrum,
impensis Nicolai Stcinii : Francofarti,
1602. obi. 4". A. 369. m.
Newe kurtzweilige Teutsche Lieder, mit
fiinff stimmen, welche gantz lieblich zu
singen, vnd auff allerley Instrumenten
zugebrauchen, etc. Discantus. (Altus.)
(Tenor.) (Bassus.) (Vagans.) 5 pts.
Gedruckt durch Eatharinam Gcrlachin,
vnd Johanns vom Berg Erhen : Nilrmberg,
1580. obi. 4". A. 869. j.
Neue kurtzweilige Teutsche Lieder, mit
fiinff stimmen, etc. Vagans.
Gedruckt durch Katharinam Gcrlachin :
Nilrmberg, 1586. obi. 4". A. 369. g.
Newe Teutsche Lieder, Erstlich durch . . .
Jacobum Regnart. . .Componirt mit drey
stimmen, nach art der Welschen Villa-
nellen. Jetzund aber ... mit fiinff stimmen
gesetzet, durch Leonardum Lechnerum
Athesiuum. Con alchuni madrigali in
lingua Italiana. Discantus. (Altus.)
(Tenor.) (Vagans.) (Basis.) 5 pts.
Gedruckt durch Katharinam Gcrlachin
und Johanns vom Berg Erben : Nilrmberg,
1579. obi. 4". A. 369. c.
[Another copy. Vagans.] A. 369. d.
Neue Teutsche Lieder, Erstlich durch . . .
Jacobum Regnart. . .Componirt mit drey
stimmen, nach art der Welschen Villa-
neUen. Jetzund aber. . .mit fiinff stimmen
gesetzet, durch Leonardum Lechnerum
Athesinum. Con alchuni madrigali in
lingua Italiana. Altus.
Gedrilckt durch Katharinam Gcrlachin :
Niinnberg, 1586. obi. 4". A. 369. f.
Sacrte aliquot Cantiones, quas Moteta
vulgus appellat, Quinque et Sex Vocum,
etc. Discantus. (Altus.) (Tenor.) (Bassus.)
(Quinta et Sexta Vox.) 5 pts.
Adamus Bern : Monachii, 1515. obi. 4.".
A. 369. a.
The first four leaves of the Tenor part
are wanting.
2 D
402
REGNARD— REICHARDT
REGNARD (Jacques) lacobi Regnardi,
. . .Teutsclie Lieder, mit drcyen stimmeu,
uach art dor Neaiwlitanen oder Welschen
Villanellen : Zuuor Vuderschidlich in drey
Theil aussgangen, an jetzt aber...in ein
Opus zusamen druckt. Discantus.
Adam Berg :
Miinchen, 1583. ohl. 4". A. 369. e.
Der erste (ander) Theyl, Scliouer kurtz-
%yeiliger Teutsclier Liedor, zu dreyen
Stimmen,Nach art der Neapolitanen oder
Welschen Villanellen . . . compouirt, &c.
Discantus.
Gedriickt diirch Katharinam GcrlacJiin,
und Johanns vom Berg Erben : Nurnbcrg,
1578. obi. 4°. A. 369. b.
Threni Amorum. Der erste (ander) Theil
Lustiger wcltlicher lieder mit fiinff stim-
men, . . . von . . . Jacobo Regnarto ... in
Wallischer sprachen gesatzt : Nun aber mit
anderen . . . Teutschen . . . darunter appli-
cierteu Texten also gemacht, das sie...
nicht allein auff . . .Instrumenten, sondern
auch mit menschlicher stimm . . . zuge-
braucheu : . . . Verfertiget vnd in druck
gegeben durch Abraham Ratzen, eic.
Altus. 2 pts.
Gedruckt in der Gerlachischen Truckercy,
durch Pauluvi Kmiff'mann : Niirmberg,
1595. obi. 4°. ■ A. 369. i.
Tricinia. Kurtzweilige teutsche Lieder,
zu dreyen stimmen, nach art der Nea-
politanen oder Welschen Villanellen, etc.
Discantus.
Gedruckt. . .durch Katharinam Gerlachin :
Niirnberg, 1588. obi. i". A. 369. 1.
REGNART (Jacques) See Regnaed.
REGNE. Regne Amour. Canon.
See Charles ( )
REGNEZ. Regnez Printems. Printems.
[Song.] [Paris,'] 1745. s. sh. 4°.
297. e. 1.
Mercure de France, May, 1745.
REGRET. Le Regret. Ariette.
See Vidampieere ( de) Countess,
REGRETTER. Regretter un perfide
Amant. Air. See Fete de Flore.
REGRETS. Les Regrets d'une Berg^re.
[Song.] See Loin. Loin de I'amant
que i'adore, dc. [1790?] 8°.
B. 362. e. (8.)
REGULA. Regula Musice plane, etc.
See Bonavektuea, de Brixia.
REGULA. Regule Cantus Plani. (g. IL.
lYcnicel 1500?] 8°. 7897. a. 33.
Four leaves witliout ]pagination.
REICHA (Anton) Douze Fugues pour le
Piano . . . dediees aux Citoyens ]\I6hul,
Cherubiui, Gossec, Le Sueur et Martini,
etc. Chc2 Imbault : Paris, \_1800?] fol.
g. 314. a.
REICHARDT (Johann Friedrich)
Amors Guckkasten. See infra : Hanschen
und Gretchen, etc.
J. F. Reichardt an das musikalische
Publikum seine franzosischen Opern
Tamerlan und Panthee betrefiend.
B. G. Hofmann : Hamburg,
[1787.] 8". 07807. e. 4. (1.)
[Andromeda.] Rondeau sur I'Air des
Hesperides dans I'Opera ' Andromeda '. . .
arrange pour le Piano-Forte par I'auteur
meme. B. Werckmeistcr : Berlin,
[1800?] obl.iol. e. 5. m. (9.)
Sinfonia dell' Opera ' Andromeda '
composta ed aggiustata pel Cembalo da
G. F. Reichardt, etc. Bellstab :
Bcrlino, [1790 ?] fol. g. 1045. a.
Ariadne auf Naxos. Fine Cantate von
Herrn von Gerstenberg, etc. [Full Score.]
Im ScMuickcrtschen Vcrlagc : Leipzig,
1780. obi. fol. E. 119. c.
Brenuo. Opera seria, etc. [Full Score.]
Prcsso VAutorc : Bcrlino, [1787.] fol.
H. 329.
Overtura, Arie, e Balli dell' Opera
Brenno . . . aggiustato pel Clavicembalo
overo Piano-Forte. Stampato. . .
nel Negozio nuovamcnte eretto : Berlino,
[1787.] obi. fol. E. 119. g.
Brief e eines aufmerksamen Reisenden die
Musik betreffend, etc. 2 Th.
Frankfurt itnd Leipzig {Brcslau),
1774(1776). 8". 11795. b. 46. (2.)
Ciicilia, etc. Erstes(-Drittes) Stiick. [A
Collection of Sacred Music] 3 pts.
Im Verlagc des Autoris : Berlin,
[1790-91.] 4°. G. 434. a.
Cantus lugubris in obitum Friderici INIagni
Borussorum Regis ad voces alternas mag-
uamque Orchestram accomodatus, etc.
[Full Score.]
Opiis sumtu Auctoris aeri incisum :
(Berolini,) 1787. fol. G. 434. e.
Cephalus und Prokris, im Klavierauszuge.
Ein Melodrama von K. W. Ramler, etc.
Im Schiuickertschen Vcrlage : Leipzig,
1781. obi. fol. F. 190.
Concerto per il Clavicembalo accompag-
nato da Violino Primo, Violino Secondo,
Viola e Basso, etc. [Parts.]
Presso G. F. Hartknoch : Riga, 1773. fol.
g. 48.
EEICHARDT
403
REI CHARD T (JoHANN Feiedrich)
Six Concerts pour le Clavecin ou Piano
Forte a I'ussage du beaux Sexe, avec
raccompaguements de Deux Violons,
Taille et Violoncello ... Op. l■"^ [Parts.]
Chez J. Bctz : Londrcs, [1785 ?] fol.
h. 70. a. (3.)
Erwin und Elmire. Ein Singespiel in
zwey Acten von Gothe. . . Clavierauszug.
Tm Verlage dcr ncitcn Bcrlinisclicn
Musihhandlung : Berlin, (1793.) fol.
G. 434. b.
Gedichte von K. C. L. Rudolphi. Erste
Sammlung. Herausgegeben und mit
einigen Melodien begleitet von J. F.
Beicbardt. Zweite verbesserte Auflage.
(Gedicbte . . . Zweite Sammlung . . . Her-
ausgegeben von J. H. Campe.) 2 pts.
In Commissioyi dcr Schulbiichhandlung :
Wolfcnbuttd, 1787. 8". 11525. ee. 35.
Die Geister Insel. Ein Singspiel in 3
Akten von J. F. Gotter nach Sbakespear's
Sturm, etc. [P. F. Score.]
In der neuen herlinischcn Musikhandliing :
Berlin, [1799.] fol. G. 434. d.
Deutsche Gesange mit Clavierbegleitung.
Bey G. J. Goschen : Leipzig,
1788. obi. fol. E. 119.
Gesange der Klage und des Trostes.
Bci J. F. Unger: Berlin, 1797. 4".
E. 119. f. (2.)
Gesange fiirs schone Gescblecht.
Bey F. W. Birnsticl: Berlin,
[1775.] obi. fol. C. 593. c.
Hanscbeu und Gretchen, und Amors
Guckkasten, zwey Operetten von einem
Aufzuge. [P. F. Score.]
Bey J. F. Hartknoch : Biga,
1773. obi. fol. C. 593. b.
Einige Hexenscenen aus Schackespear's
Macbeth nach Biirgers Verdeutschuug. . .
fiirs Clavier ausgezogeu, etc. Im Verlage
der Bellstahschen Musikhandliing : Berlin,
[1789.] fol. G. 806. g. (15.)
In this copy p. 20 is followed by four I
pages numbered 25-23 containing a '
reprint of pp. 1-4. I
Ino. Ein musikalisches Drama von '
Brandes, etc. [P. F. Score.] j
Im Schwickcrtschen Verlage: Leipzig, '
1779. obi. fol. E. 119. d.
[Kennst du das Land.] Kuow'st thou
the Land. Song, [words] by Gothe. j
[C Gcisweiler : London, \
1800.] s. sh. obi. 4°. 266. 1. 30.
Tlie German Museum, July, 1800. !
Leonora, a Ballad from the German of ■
Biirger, translated by the Author of the
German Erato, etc. IT. Frdlich : j
Berlin, 1800. 4°. G. 806. g. (16.)
[Another copy.] F, 425. a. (4.) |
REICHARDT (Johann Friedrich)
Burgher's celebrated Ballad of Leonora,
newly translated by Mr. Beresford, etc.
Broderip and Wilkinson : London,
[1800 ?] fol. G. 806. d. (68.)
[Lieb' und Treue.] Lieder aus dam
Liederspiel, Lieb' und Treue. Zweyte
vermehrte Auflage. Bei/ J. F. Unger :
Berlin, 1800. 8°. C. 738. i. (1.)
Lieder der Liebe und der Einsamkeit zur
Harfe und zum Clavier zu singen. 2
Samml. Bei G. Fleischer dem Jilngcrn:
Leipzig, [1798.] 4". E. 119. a.
Lieder fiir die Jugend. Erstes (Zweites)
Heft. 2 pts. Bei G. Fleischer dem
jiingern : Leipzig, [1799.] 4". C. 593. e.
[Another copy. Erstes Heft.]
C. 756. a. (2.)
Lieder fiir Kinder aus Campos Kiuder-
bibliothek mit Melodien, bey dem Klavier
zu singen, etc. 4 Th.
In dcr Heroldschen Buchhandlung :
Hamburg, 1781-1790. obi. fol. C. 593.
Theil 1 and 2 arc dated Hamburg, 1781 ;
Theil 3 : Wolfcnbilttel, iji der Schul-
biichhandlung, 1787 ; and Theil 4 :
Braunschweig, in der Schulbuchhand-
lung, 1790.
Lieder geselliger Freude. Herausgegeben
von J. F. ilcichardt. 2 Abth. (lustru-
meutalmusik zu den Liedern geselliger
Freude ; bestehend aus 2 Violiueu oder
Clarinetten, Hoboeu und Floteu, einem
Violoucell Oder Fagott, und 2 Wald-
hornern, etc.) Bei G. Fleischer: Leipzig,
1796-97. 8». & obi. 4°. B. 725.
The five instrumental parts arc in a
separate case.
Geistlicho Lieder von Lavater und Reich-
ardt. Beim Klavier und auch in Chor zu
singen. Bey Steiner £ Comp. :
Wintcrthur, [1790.] obi. fol. C. 593. d.
jMonolog aus Gothe's Iphigenia, als eino
Probe musikalischer Behandlung jeues
IMeisterwerks . . . Aus dem zweiten Theile
der Lieder der Liebe und der Einsamkeit
. . .besonders abgedruckt.
Bei G. Fleischer dem Jiingern: Leipzig,
[1800?] 4°. F. 636. q. (9.)
Musik zu Gothe's Werken. 2 Bde.
Im Verlage der Neuen Berlinisclien Musik-
handliing : Berlin, (1793.) fol. G. 434. e.
Each vol. Jias a second title-page. Band
I. comprises ' Erwin und Elmire ';
Band II. ' Gothe's Lyrische Gedichte
mit Musik,' etc.
Musikalische Blumenlese fiir das Jahr
1795. Herausgegeben von J. F. Eeichardt.
In der neuen Berlinischen Musikhandlung,
[1795.] 4°. C. 593. a.
Containing songs, dc, by J. F. Beichardt,
L. A. Kungcn, Zeltcr, Gronland, F. L.
Seidel, Wessely and Gluck.
2 D 2
404
REICHARDT— REINA
KEICHARDT (Johann Friedeich) i R
IMusikalischer Almanach, herausgegeben |
von J. F. Reichardt. Mit 12 neueu in j
Kupfer gestochenen Liedern.
Bcii J. F. Ungcr : Berlin, 179G. 16".
P.P. 1945. c.
Ode an die Unsclinld. Ein Gegenstiick
zu Schillei-s Ode an die Freude. Von H.
Schmidt. [Solo and Chorus.]
In Giinthcrs NotcnstccJierci : Berlin,
[1800?] obl.tol. P. 636. w. (8.)
Oden uud Lieder von Klopstock, Stolberg,
Claudius und Holty. Mit Melodien
beym Klavier zu singen. 3 Th.
Bc7/ JoacJiim Pauli : Berlin,
1779-81. obi. fol. T>. 728.
Part II. is dated 1780.
[Oden und Lieder. Th. I. Lebenspflich-
ten.] Strew the way. Song, [words] by
Holty. C. Gcisiocilcr : ^London,
1800.] s. sh. obi. 4°. 266. 1. 29.
Tlie German Museum, May, 1800.
Deux Odes de Fr6deric le Grand mises en
musique, etc. [Solos and Chorus. P. F.
Score.l Chez J. F. Unger: Berlin,
1800. fol. G. 434. g. (1.)
[Protesilao.] Ouverture dell' Opera Prote-
silao. .aggiustata pel Cembalo, etc.
Eellstab : Berlino, [1779.] fol.
g. 442. a. (16.)
Romances d'Estelle, par M. Florian, etc.
Au Nouveau Magazin de Musigue :
Berlin, [1794.] 4°. E. 119. f. (1.)
Romantische Gesange. [Words by Gothe.]
A. Kilhncl : Leipzig, [1800 ?] obi. fol.
P. 636. w. (7.)
SchrcibcD liber die Berlinischen Musik an
Herrn L. v. Sch. in M[ainz], etc.
- Ben C. E. Bohn : Hamburg, 1775. 8".
7898. ee. 46. (2.)
YI. Sonata per il Violino Solo e Basso.
Ajypresso Augusta Myliua :
Berlino, 1778. fol. g. 1045.
Sonnetti e Canzoni di Petrarca posti in
Musica, etc. Libro I.
Presso L. W. Wittich :
Berolino, [1195?] fol. G. 434. g. (2.)
Strew the way. See supra: [Oden und
Lieder. Th. I. Lebenspflicliten.']
[Tamerlau.] Gesaenge aus der Oper
Tamerlan, etc. [P. F. Score.] [Berlin'}
1786.] obi. 4°. B. 725. e. (1.)
Maersche und Taenze fiirs Clavier
aus der Oper Tamerlan.
[BcWin? 1785.] obl.^\ B. 725. c. (2.)
Traucrcautate auf den Tod Friedrichs des
Zweyten, im Clavierauszuge. In der ncucn
Berlinischen Musikhandlung : Berlin,
[1786.] fol. G. 434. h. (2.)
Six Trios for two Violins and a Violon-
cello . . . Op. 1. [Separate Parts.]
F. Schlims : London, [1180?] fol.
g. 420. e. (9.)
EICHARDT (Johann Fkiedeich)
Trois Trios a Violon, Viola et Violoncelle
. . . Oeuvre Quatrieme. [Separate Parts.]
Ches J. J. Hummel : Berlin, [1780 ?] fol.
h. 3213. j. (12.)
Six Variations pour le piano sur I'entr^e
d'Ariel dans l'0p6ra de I'lsle des Esprits,
etc. Chez M"" Erard :
Paris, [1800?] fol. g. 442. i. (3.)
J. F. Reichardt iiber die Deutsche
comische Oper nebst einem Anhange
eines freundschaftlichen Briefes liber die
musikalische Poesie. Bey C. E. Bohn :
Hamburg, 1774. 8". 11795. b. 46. (1.)
[Another copy.] 7898. ee. 46. (1.)
Ueber die Pflichteu des Ripien-Violinisten.
Bey G. J. Decker : Berlin und Leipzig,
1776. 8". 7897. aa. 7.
Vermischte Musicalien. Bey J. F.
Hartknoch : Riga, 1773. fol. G. 434.
Weinachts-Cantilene von IM. Claudius.
[P. F. Score.] Auf Kostcn des Autors :
Berlin, 1786. obi. fol. P. 424. (2.)
See Cramer (0. F.) Flora. Erste Sam-
lung. Enthaltend : Compositionen . . . von
. . . Reichardt, etc. 1787. obi. fol. D. 776.
See Gulden (H. W.) Leben des berlihm-
ten Tonkiinstlers H. W. Gulden, etc.
[By J. F. Reichardt.] 1779. 8".
10708. aa. 3.
See Loehlein (G. S.) G. S. Lohlein's
Anweisung zum Violinspielen . . . mit
Verbesseruugen und Zusiitzen . . . ver-
mehrt herausgegeben von J. F. Reichardt.
1797. obi. 4°. 7896. aa. 6.
REICHARDT (Johann Friedeich) and
(Luise) XII Deutsche Lieder, etc.
Bei C. C. Mcnzel : Zcrbst, [1800.] 4°.
B. 725. b.
REICHARDT (Luise)
See Reichardt (J. F.) and (L.) XII
Deutsche Lieder, etc. [1800.] 4°.
B. 725. b.
REID (John) See R., I.
REIGNY (Louis Abel BEFPROY DE)
See Jacques, Cousin, pseud.
REIMANN (Johann Balthasar) J. B.
Reimaiis . . . Saiiilung alter und neuer
IMelodien Evangel. Lieder, gestochen und
verlegt [with a preface] von C. H. Lau.
[C. H. Lau: Hirschberg? 1747.] obi. 4».
b. 339.
Engraved throughout.
REIWA (SisTo) Armonicas Cantiones Una,
Binis, Ternis, Quaternis, ct Quinque Vo-
cibus concinendse, cum Missa, IMagnificat,
Litaniis Beatiss. M. V Opus Tertium,
etc. Bassus ad Organum. (Canto.) 2 pts.
Apud Gcorgium Eollam :
Mediolani, 1651. 4°. D. 244.
Tlie Canto is imperfect, wanting the title-
page and fol. A 1.
KEINA— REINHARD
405
REINA (SiSTo) La Danza delle Voci rego-
lata ne Salmi di Terza, e di Compieta in vn
Tedeum, nelle Tauie della Beatissima Ver-
gine a otto voci, altri Salmi, a voce sola,
a tre, con li suoi violini, le quattro Anti-
fone, di Compieta, a quattro voci, e in due
Sonate, a quattro violini . . . Opera Nona,
etc. Alto Secondo Ch.
Apprcsso Francesco Magni detto Gardano :
Vcnetia, 1664. 4°. D. 244. b.
La Pace de Numeri publicata con 1' Ar-
monia di Cinque Voci nel Vespro del
Signore nelle Laudi della Beatissima
Vergine, nel Tantum ergo, e nell' Hinno
delle Grazie . . . Opera Ottaua, etc. Violino
Secondo. Appresso Francesco Magni dctto
Gardano : Yenetia, 1662. 4°. D. 244. c.
REINAGIjE (Alexaxdeb) Six Sonatas
for the Piano-Forte or Harpsichord with
an Accompaniment for a Violin.
Printed for the Author:
London, [1780 ?] fol. g. 137. a. (3.)
Wanting the Violin part.
REINAGLE (Hugh) Six Favorite Solos
for the Violoncello . . . Op. ii.
R.Birchall: London, [1800 ?J fol.
h. 1864.
REINAGLE (Joseph) Six Easy Duetts
for two Violoncellos (in which several
favorite Scotch and Welch Airs are in-
troduced), etc. Printed for F. Linleij :
London, [1796 ?] fol. h. 122. (6.)
New Grand Medley Overture, consisting
of the most favorite English, Scots, Irish
& German Airs, adapted for the Piano
Forte, etc.
Goulding, PJtipps d D'Almainc : London,
[1800?] fol. g. 270. j. (24.)
To the Colonel, OflScers and other Gentle-
men of the Oxford University Volunteers
the following March is . . . dedicated.
[Full Score and P. F.]
Goulding li Co., for the Author :
London, [1800?] fol. g. 272. u. (20.)
REINARDS (William) Amusement pour
Deux Flutes Traversieres, consistant en
Dix Sonatines . . . Oeuvre premiere. 2 Liv.
[Separate Parts.] Cliez J. J. Hummel :
Amsterdam, [1775 ?] obi. 4'\ b. 72. (1.)
Six Duets for Two German Flutes or
Violins. Welcker : London, [1168.] fol.
h. 2140. d. (4.)
[Another copy.] g. 421. a. (2.)
A Sett of Duetts containing Thirty
Different Movements expressly made for
such as intend to Learn to Play in Con-
cert for Two German Flutes or Violins.
Welcker : London, [1770 ?] fol.
g. 421. a. (3.)
A Sett of Duets . . . made for such as
intend to Learn to Play in Concert, etc.
J, Preston : London, [1785 ?] fol.
g. 280. b. (10.)
REINARDS (William) A third Sett of
Six easy Duetts for two German Flutes
or two Violins . . . Opera iv. Welcker :
London, [1772 ?] fol. g. 421. a. (4.)
Six Sonatas for one German Flute, one
Violin and a Bass. [Separate Parts.]
Welcker: London, [1110 2] fol.
g. 409. g. (4.)
Sei Sonate, a Flauto Traversiero Solo e
Basso Continue. Opera Seconda.
Printed for J. Fentum :
London, [1770 ?] fol. g. 70. c. (4.)
Six Sonatines a Deux Flutes Traversieres
. . . Oeuvre Quatrieme. [Separate Parts.]
Chez J. J. Hummel :
Amsterdam, [1775 ?] ohl. 4°. b. 72. (2.)
REINE. Reine, dans les transports d'une
joye eclatante. Cantatille.
See Blamont (F. Collin de)
REINER (Adam) Sec Rhau (G.) Pos-
tremum Vespertini Officii Opus, etc.
(^Magnificat Octo Tonorum. Moralis His-
pani et Adami Reneri, etc.) 1544. ohl. 4".
K. 4. d. 14.
REINER (Ambeosius) Sacrarum Can-
tionum Liber [Secundus] Tertius Octonis
Vocibus Concinendarum, etc. . . . Bassus
Generalis. 2 pts.
Typis Michaelis Wagncri :
(Uniponii, [1647] 1648. 4°. C. 49.
Wanting the title-page of Lib. II.
REINER (Jacob) Liber Cantionum Sa-
crarum, Quinque et Sex Vocum, quse cum
viua voce, turn omnis generis Instrumentis
Musicis commodissime applicari possunt,
etc. Discantus. (Altus.) (Tenor.) (Bas-
sus.) (Quinta et Sexta Vox.) 5 jpts.
Adamus Berg : Monachii, 1579. obi 4".
A. 363.
Liber INIottetarum sive Cantionum Sacra-
rum Sex et Octo Vocum ; voci et instru-
mentis accomodatarum, etc. Discantus.
(Altus.) (Tenor.) (Bassus.) (Quinta
Vox.) (Sexta Vox.) 6 pts.
Apiid Nicholawn Henricum :
Monachii, 1600. 4°. C. 323.
Liber Mottetarum sive Cantionum Sacra-
rum Sex Vocum Voci et Instrumentis
accommodatarum, c^c. Discantus. (Altus.)
(Tenor.) (Bassus.) (Quinta Vox.) (Sexta
Vox.) 6 pts. Adamus Meltzer :
Dillngse, 1603. 4\ C. 323. a.
Sacrarum Missarum Sex Vocum. Ad
Imitationem Selectissimarum quarundam
Cantionum compositarum. Liber Primus,
etc. Quinta Vox. Adamus Meltzer :
Dilingae, 1604. 4°. C. 323. b.
REINHARD (Leonhabd) Kurzer und
deutlicher Unterricht von dem General-
Bass, etc. J. J. Loiters seel. Erben :
Augspurg, [1750.] obi. 4°. B. 815.
406
REININGER— RELFE
REININGEE, (Joannes) Delicise Sacrse
Musicse . . . Quas ex lectissimo lectissimo-
rum nostri sevi musicorum penu, quaternis
vocibus, cum basso ad organum applicato,
suauissime modulandas exprompsit . . . ac
. . . publice posuit, Joannes Reininger, etc.
Cantus. (Tenor.) 2 pts. ex Typograplieo
Musico Gregorii Emnlini: Ingolclstadii,
1626. 4°. C. 92.
The following composers are named : I.
de Fossa, I. Riedeliiis, A. A. Gazzarius,
A. Montnrius, I. B. Cescna, D. Borgus,
G. Zuchinius, M. Caesar, H. Pfend-
nerus, A. Gualtiertis, A. Brunclhis,
B. Borlasca, L. Viadana, A. Crottus,
C. Keufferer, R. de Lasso, I. L. Hasler,
A. Banchieriiis, A. Cifra, I. N. Mezzo-
gorus, I. P. Nodarius, L. Lconius, T.
Cecchinus, H. Naldus, I. Finetus, L.
Crivellus, I. Ghizzolus, G. Plautzius,
A. Buxonius, S. Bernardus, L. Ur-
sinus, C. Satzl, I. Croce, G. Aichinger,
I. Damascenus, I. Aicliniiiller, H.
Vechuis, A. Borsarius, I. Poschius,
I. Lucacih, S. Gallus, I. B. Bacci-
netus, A. Lemes, I. F. Capellus, G.
Alegr2ts, G. Fattorinus, B. Leva, A.
Bendinellus, C. Erbacli, B. Viadana,
G. Zuchinius, G. Erumper, U. Loth,
M. A. Serra, A. Blancus, G. Yictorinus,
0. de Lassso and B. Widman.
REJECTED. The Rejected Lover.
[Song.] See Bryan (J.)
REJOICE. Rejoice, ye Righteous, in the
Lord. Psalm XXXIII. Paraphrased,
etc. ^London, 1761.] 8". P.P. 324. n.
Christian's Magazine, Oct., 1761, p. 531.
[Another setting.] Rejoice, ye Righteous,
in the Lord. Psalm XXXIII.
[London, 1763.] 8". P.P. 324. n.
Christian'' s Magazine, Sept., 1763, ^j. 423.
RELENTING. The Relenting Shep-
herdess. [Song.]
See In. In a secret wish'd for bow'r.
[1780?] s.sh.ioh G. 309. (139.)
RELEE (John) Ah ! lonely shade.
[Song.] Printed for J. Relfe :
[London, 1795 ?] fol. G. 366. (59.)
Come thou laughter-loving Power, a
favorite Cantata. . .with Accompaniments.
Printed for G. Goulding :
London, [1790 ?] fol. G. 377. (51.)
Six Divertimentos for the Piano Forte . . .
Op. 8. The Ajithor :
London, [1800 ?] fol. g. 272. q. (7.)
Edwin and Angelina, or the Hermit of the
Dale ; set to Music . . . for a single Voice,
with an Accompanyment for the Harp-
sichord or Piano Forte. Opera 2''^.
Printed for the Author :
London, [1795 ?] fol. G. 807. d. (64.)
RELFE (John) Embosom'd oft the Sullied
Gem. [Song, with accompaniment for
String Quartet or P. F.]
Longman and Broderip :
London, [1790 ?] fol. G. 377. (50.)
The Gardener. [Song.] . . . Arranged for
one or two Voices.
Printed for the Author :
London, [1790 ?] fol. H. 2818. f. (38.)
The Laplander's Song. The Words. . .by
Sir Matthew White Ridley [or rather
G. Pickering]. . .with Accompanyments.
Longman d Broderip) :
[London, 1790 ?] fol. H. 131. (47.)
Lessons, Songs, and Duetts for the Piano
Forte, etc. Longman & Broderip :
London, [1790 ?] fol. h. 122. (8.)
Mary's Death at Sandy's Tomb. [Song.]
Set to music with Accompanyments, etc.
Printed for the Author : [1795 ?] fol.
H. 131. (46.)
Mary's Dream, or Sandy's Ghost, etc.
[Song.] Longman and Broderip :
London, [1794 ?] fol. G. 426. (6.)
[Another copy.] G. 297. (23.)
My Native Vale. [Song, words altered
from S. Rogers.] Printed for J. Belfc :
[London, 1795 ?] fol., G. 366. (60.)
An Overture and Song for the Harpsichord
or Piano Forte with Accompanyments.
Printed for the Author :
London, [1795 ?] fol. g. 272. w. (23.)
A Select Set of Airs for the Harpsichord
or Piano-Forte, etc.
Printed for G. Goulding:
London, [1787.] ohl. fol. e. 284. c. (8.)
A Set of Grand Lessons for the Harpsi-
chord or Piano Forte. . .in different Stiles
of Composition, etc.
Printed for the Author :
I/0?ido», [1790?] ol>l.io\. e. 473.
A Second Set of Six Progressive Sonatas
for the Harpsichord or Piano Forte.
Printed for G. Goulding:
io»fZon, [1790?] ohl.iol. e. 284. e. (9.)
The Seventh Sonnet, from the Collection
written by Mrs. Charlotte Smith, set to
IMusic with AccompanjTnents, etc. [Full
Score ] Printed for the A^ithor :
London, [1795 ?] fol. G. 807. d. (65.)
Variations on the Madrigal. [P. F.]
London, [1800 ?] fol. g. 272. u. (21.)
The Virgins first love. [Song.] Set to
Music with Accompanyments, etc. [Pull
Score.] Longman d Broderip :
[London, 1790 ?] fol. H. 1653. (42.)
When lovely Woman stoops to folly.
[Song.] The Words by Dr. Goldsmith.
Set to Music with Accompanyments, etc.
[Full Score & P. F.]
Longman and Broderip) :
[London, 1790?] fol. H. 131. (48.)
RELFE— RENDEZ-VOUS
407
RELFE (John) See Feast of Apollo.
The Feast of Apollo, containing . . . Songs
by . . . Relfe, etc. [1788.] fol.
G. 351. (2.)
RELFE (Lupton) Hymns, composed for
the use of the Chapel of the Royal Hospital
for Seamen, at Greenwich.
J. W. Galabin : London, 1789. 4°.
D. 437. (1.)
RELIEF. The Releif. [Song.]
See IMoNRO (G.)
RELIEVE. Releive, the fair Belinda said.
Song. See Eccles (J.) [The Lucky
Younger Brother.']
RELLSTAB (Johann Carl Friedeich)
Versuch iiber die Vereinigang der musi-
kalischen und oratorischen Declamation
. . .mit erlauternden Beyspielen, etc.
Irn Verlagc . . . dcs Verfassers :
Berlin, [1786.] fol. 7896. ff. 15.
See Bach (C. P. E.) C. P. E. Bach's
Anfangsstiicke, mit einer Anleituug . . .
von J. C. F. Rellstab, etc. [1790 ?] fol.
g. 48. e.
See Gluck (C. W. von) Iphig6nie en
Tauride. Trag^die . . . arrang6e pour le
Clavecin par J. C. F. Rellstab, etc.
[1790?] obi. fol. C. 442.
See Naumann (J. G.) Le Sort de Med^e.
. . . Ballet . . . Arrange pour le Clavecin
par I. C. F. Rellstab, etc. [1788.] fol.
g. 59.
REMARKS. Remarks for the French
King. Song. See Grand. Grand Lewis,
let pride be abated, etc. [1709 ?] s. sh. fol.
H. 1601. (170.)
Remarks on Mr. Avison's Essay on
Musical Expression. Wherein the Char-
acters of several great Masters . . . are
rescued from the INIisrepresentations of
the above Author ... In a Letter from a
Gentleman in London to his Friend in
the Country. [By W. Hayes.]
Printed for J. Robitison :
London, 1753. 12°. 7897. b. 17.
REMBT (.Johann Ernst) Funfzig vier-
stimmige Fugetten fiir die Orgel, dc.
hi der Brcitkopfischen Buchhandlung :
Leipzig, (1791.) obi. fol. c. 91.
REMEMBER. Remember Damon you
did tell. The Irish Howl. [Song.]
[London, 1740 ?] s. sh. fol.
G. 316. e. (121.)
[Another edition.] Remember Damon
you did tell. Tlie Irish Howl.
[London, 1745 ?] s. sh. fol.
H. 1994. b. (68.)
[Another setting.] Remember Damon
you did tell. [Song.] See Smith (T.)
Remember Jack. Ballad.
See Reeve (W.)
REMORDS. Les Remords de David.
Romance. See Phillis (J. B.)
REMY ( ) Mr. The Rosy Fair, etc.
[Song.] E. Bhames :
[Dublin, 1180 ?] s. sh. iol.
H. 1601. b. (94.)
See Feast of Apollo. The Feast of
Apollo, containing . . . Songs by . . . Remy,
etc. [1788.] fol. G. 351. (2.)
RENALDI (GiULio) Di Giulio Renaldi
Padoauo Madregali et Canzoni alia Napo-
litana a Cinque Voci novamente da lui
posti in luce, etc. Quinto.
Appresso Angelo Gardano :
Venctia, 157G. obi. 4°. A. 365.
RENAUD. Barbare Amour ! Air de
Renaud, etc. [By A. M. G. Sacchini.]
[Paris,'] 1783. 8°. 298. f. 38.
Mercure de France, May, 1783, p. 100.
D6ja la trompette guerri^re. Ariette de
Renaud [by A. M. G. Sacchini].
C1ie2 Camand : [Paris, 1783.] 8".
B. 362. h. (22.)
Renaud. Trag^die lyrique.
See Sacchini (A. M. G.)
RENAUD D'AST. Comment goiiter
quelque repos. Air de Renaud d'Ast [by
N. Dalayrac]. Chez Imbault :
Paris, [1787.] 8". B. 362. c. (75.)
II nege, il vente, il gele. Couplets de
Renaud d'Ast [adapted by N. Dalayrac to
L. V. Simon's ' II pleut, il pleut, bergere '].
Avec Accompag' de Guittare. Chez Fr^re :
[Paris, 1787 ?] 8\ B. 362. (128.)
Vous qui d'amoureuse avanture. Air de
Renaud d'Ast [by N. Dalayrac].
Chez Lnbault : Paris, [1787.] 8".
B. 362. a. (165.)
Renaud d'Ast. Comedie.
See Dalayrac (N.)
RENAUD ET ARMIDE. Renaud et
Armide, Comedie ; representee pour la
premiere fois le 12 Juin 1697. [By. F. C.
Dancourt, with music]
[Paris, 1760.] 12°. 241. c. 5.
Part of ' Les CEuvres de Theatre de M.
D'Ancorirt,' etc., torn. 5.
RENCONTRE. Une rencontre, amy,
nous mene au Cabaret. Duo.
See GuiLLON (H. C.)
RENCONTRE EN VOYAGE. La
Rencontre en A^oyage. Comedie.
See Bruni (A. B.)
RENCONTRE IMPREVUE. La Ren-
contre Imprevue. Op6ra BoufEon.
See Gluck (C. W.)
RENDEZ-VOUS PASTORAL. Le
Rendez-vous pastoral. Cantatille.
See Lemaire (L.)
408
RENDEZ-VOUS— RP:SERV0IR
RENDEZ-VOUS SUPPOSE. Le Ren-
dez-Vous Suppose. Vaudeville.
Sec Berton (H. M.)
RENDS. Rends moi ton coeur, ta
couliance. [Song.] See Danaides.
Rends-moi ton coeur.
See Dard ( )
Parodie.
RENERUS (Adamus) Sec Reiner.
RENO (Jacobus de) Dyalogus de sene et
iuuene de amore disputantibus. (Tractatus
breuis ... in laudem musice artis Et de
eius vtilitatibus.) <B- ?L. 2 pts. few ms.
notes.
Imprcssum . . . ^ . . . Gcrarda leonis :
Antioerpic, 1491. 8". lA. 49834.
36 leaves, ivitliout pagination. Sig. a-c ;
24 lines to the full page. Title-page
slightly mutilated.
RENOUT ( ) Que vois-je ? 6 ciel ! Air
a boire. Les paroles sont de M"' Dommey,
etc. [Paris,] 1751. s. sh. 4°. 298. e. 5.
Mercure de Frarbce, August, 1751.
REPLY. The Reply. [Song.] Sec In.
In vain fond youth, etc. [1759.] s. sh. 8".
P.P. 5439. ab.
I
REPONSE, Reponse aux Couplets a ma
Belle. [Song.] See Si. Si comme toi
ma plume delicate, etc. [1785 ?] 8°.
B. 362. a. (174.)
Reponse d'un Jeune Berger a une Jeune
Demoiselle. [Song.] See Gonnin ( )
R6ponse du Coin du Roi au Coin de la
Reine. [Relative to a dispute between
rival factions at the Paris Opera. By
C. H. Fus^e de Voisenon.] Seconde
Edition . . . augmentee. \_Faris,~\ 175-3. 8°
1103. b. 21. (6.)
REPOSITORY. The Repository of Scots,
& Irish Airs, Strathspeys, Reels, &c. for
the German Flute, Violin or Fife.
Printed for G. Goulding :
London, [1785 ?] ohl. 4°. a. 9. b. (7.)
REPRISAL. The Reprisal. [Song.]
Sec Valton (P.)
Let the Nymph still avoid. [Song.] Sung
by Miss Macklin in y Reprisal. [Words
by T. Smollett.] [London,
1757 ?] s. sh. fol. Q. 310. (69.)
Let the nymph still avoid. A New Song.
Sung by JNIiss Macklin in the Reprisal
[words by T. Smollett]. [London,
1757.] 8°. P.P. 5438.
Literary Magazine, Vol. II., p. 396.
The Tars of Old England, [Song,] Sung
by Mr. Beard, in the Reprisal, etc. [Words
by T. Smollett.] [London,
1757.] s. sh. fol. H. 1994. (54.)
REPRISE DE TOULON. Malgr6
I'orage et les frimats. Air de la Reprise
de Toulon. [By J. P. A. Lemiere de
Corvey]. Avec Accomp' de Guittare.
Chez Imbault : Paris, [1794.] 8".
B. 362. a. (47.)
On vante partout les Anglaises. Rondeau
de la Reprise de Toulon. [By L. P. A
Lemiere de Corvey.] CJicz Lnbatili :
Paris, [1794.] 8". B. 362. a. (47^.)
Pardonnez-moi cette faiblesse. Air de la
Reprise de Toulon. [By J. F. A. Lemiere
de Corvey.] Avec Accomp' de Guittare.
Chez Imbault : Paris, [1794.] Q\
B. 362. a. (47^.)
REPROACH. The Reproach
begins : ' Send back my
Eyes.'] Sec Leveridge (R.)
The Reproach. [Song,
talk no more of Passion.']
Sec IMoNRO (G.)
[Another setting.] The Reproach. [Song,
begins : ' Send back my long stray'd
Eyes.'] See Young (A.) H. 1601. (405.)
long
begins ;
[Song,
stray'd
Phillis,
REPUBLICAINS. R^publicains
chantons Victoire. Himnc des Ennemis
des Rois [adapted to the Marseillaise, by
C. J. Rouget de Lisle]. Chez Imbault :
Paris, [1793 ?] 8". B. 362. a. (10.)
R^publicains dont le genie. Hymne.
See Mehul (E. N.)
REPUBLIQUE. Une Republique
naissante paroit. Hymne Sans-Culotidc
en I'Honneur de I'^tre Supreme. Pour
la Fete du 20. Prairial . . . [Words] Par le
Cit. Moline . . . Sur I'air des Marseillois
[by C. J. Rouget de Lisle]. Chez Frfire :
[Paris, 1794.] 8". B. 362. d. (4.)
REPULSE. The Repulse. Song.
See Shield (W.)
REQUENO (Vincenzo) Saggi sul
Ristabilimento dell' Arte Armonica de'
Greci e Romani cantori, etc. 2 Tom.
Per li Fratclli Gozzi : Parma, 1798. 8°.
274. d. 21, 22.
REQUEST. The Request. [Song, begins:
' Spring is Nature's Charms renewing.']
See Adams (J. B.) [A Collection of Songs.
No. 2.]
The Request. [Song.]
See Awake. Awake Calisto ! etc.
[1760?] s.sh.iol. G. 316. d. (2.)
The Request. Song. [Begins : ' Tell me
babbling Eccho.'] See Vogler (Gerard)
The Request to the Nightingale. [Song.]
See Haendel (G. F.) [Alcina. Overture.
Musette.']
RESERVOIR. Le Reservoir d' Amour.
[Song.] See Du. Du joli reservoir
d'amour. [1785?] 8\ B- 362. f. (3.)
RESIGNATION— RETOUR
409
RESIGNATION. Resignation. [Song.]
See Webbe (S.) the Elder.
RESINARIUS (Balthasae) Responsori-
orum Numero Octoginta de Tempore et
Festis iuxta seriem totius anni Libri duo,
etc. Tenor. (Discantus.) (Altus.) (Bassus.)
4 pts. Apud Georginm Rhmi :
Wittembergae, 1543. obi. A\ K. 3. f. (3.)
The full title only occurs in the Tenor
part.
RllSISTE. Resiste moi, belle Aspasie.
Le Bon Gout. [Song.] [Paris, 1780?] 8".
B. 362. b. (151.)
Resiste moins, belle Victoire. UAniant
Exigeant. Parodie. Air, Resiste moi.
Chez M>- Camand : [Paris, 1780?] 8".
B. 362. b. (154.)
[Anotber copy.] B. 362. f. (34.)
RESOLVE. The Resolve. Song. [Begins :
' Witb thee thro' dreary wilds.']
See Bird (W. H.)
The Resolve. [Song, begins : ' Since
Sallinda's my Foe.'] See Cabey (H.)
RESOLVED. The Resolv'd Swain. [Song.]
Sec Hook (J.)
RESOLUTION. The Resolution. [Song,
begins : ' How giddy is Youth.']
See Holmes ( )
The Resolution. [Song, begins : ' Cease,
Cupid, cease.'] See Howard (S.)
Resolution. [Song, begins : ' Love and
Beauty.'] See Leveridge (R.)
The Resolution. Song. See Love. Love
can disturb the steady Soul.
[1750?] s.sh.iol. G. 316. a. (35.)
RESOUND. Resound ye Hills. Song.
See Callcott (J. W.)
RESSOURCE COMIQUE. La Res-
source Comique. Piece.
See Mereaux (F. N. Le Froid de)
RESSOURCE DES THEATRES. La
Ressource des Theatres, Piece en un Acte.
Par M. G "^ * * [F. A de Chevrier]. . .avec
la IMusique. Chez Duchesne : Paris,
1760. 8". 11738. c. 6. (1.)
Tlte words and music of the concluding
Vaudeville arc by Favart.
REST. Rest, beauteous Flow'r. Song.
See Jackson (W.) of Exeter. [The Lord
of the Manor.]
RESTA. Resta ingrata. [Song.]
See ]\Iortellari (]\I.) [Armida.']
Resta ingrata io parto. [Song.]
See Sacchini (A. M. G.) [Armida.']
RESTLESS. Restless to pass the tedious
day. Henry to Emma. A Song. The
Words by a Gent". Set by a Person of
Quality. [London, 1720 ?] s. sh. fol.
a 311. (31.)
RESTONS. Restons longtems dans ce
reduit. Couplets. See Mouret (J. J.)
RETALIATION. Retaliation. [Song.]
See Nelson (J.)
RETIRE. Retire my love. Glee.
Sec HORSLEY (W.)
RETIREMENT. Retirement. Glee.
[Begins : ' Beneath the silent rural cell.']
See Harington (H.)
The Retirement. [Soug, begins : ' Silvia, .
in these sequester'd Scenes.']
See aroNRO (G.)
Retirement. [Song.] Set? Others. Others
fame or wealth pursuing.
[1750?] s. sh. fol. G. 316. e. (110.)
Retirement, a New Song. See Others.
Others fame or wealth pursuing.
1760. 8°. P.P. 5441.
RETORT. The Retort. [Song, begins:
' Ye Fair, from IMan's insidious Love.']
See Arne (T. A.)
The Retort. [Song.] See Ye. Ye Cox-
combs and Beaux, etc. [1754?] s. sh. fol.
G. 314. (61.)
RETOUR. LeRetour auLogis. Chanson.
See Revaxt. Revant a mon amour, etc.
[1780?] 8°. B. 362. c. (28.)
Le Retour d'Iris. Musette.
See Bouvard (F.)
Le Retour de I'Age d'Or. Chanson.
See 0. 0 tems heureux, etc.
1744. s. sh. 4°. 298. b. 29.
Le Retour du Bien Aim6. [Song.]
See Tu. Tu m'appelle chere Nina, etc.
[1786?] 8". B. 362. h, (29.)
Le Retour du Printems. Chanson. [Be-
gins : ' Voici la saison des belles.']
See Blainville (C. H. de)
Le Retour du Printems. Ode. [Begins :
' Quel bruit, quel charmant murmure.']
Sec Durand ( )
Le Retour duPrintemps. Musette. [Be-
gins : ' Printemps, a ton retour.']
See Gcedon de Presles ( ) M"".
Le Retour du Roi. [Song.] See Ah,
Ah ! quels plaisirs pour des Monarques, etc.
[1786?] 8^ B. 362. a. (72.)
RETOUR A BRUXELLES. Le Retour
a Bruxelles. Opera Comique en un Acte,
mele de Prose, par le C. Desprez . . . Avec
la Musique. Chez le Libraire, au Theatre
du Vaudeville : Paris, An Troisieme
[1794]. 8'. 11738. d. 14. (12.)
RETOUR AU VILLAGE.
au Village. Op6ra Comique,
See PuNi (E. R.)
Le Retour
410
RETOUR— EfeVEILLEZ
RETOUR DE LA PAIX. Le Retour
de la Paix, Divertissement militaire
dans le gout grivois. Op6ra Comique
Ballet, en un Acte precede d'un Prologue.
[With the voice parts of fifteen songs.]
Chez Pierre Gosse Junior : La Haye,
1751. 8°. 242. g. 21.
Part of the ' TMatre do la Haye,' torn. 4.
RETOUR DE LA TENDRESSE. Le
Retour de la Teudresse. Comedie.
See Meeeaux (J. N. Le Froid de)
RETOUR DES OFEICIERS. Le Re-
tour des Officiers, comedie ; representee
pour la premiere fois le 19 Octobre 1697.
[By F. G. Dancourt, with music by J. C.
Gillier.] [Paris, 1760.] 12°. 24l! c. 6.
Part of ' Les OEuvres de Theatre de M.
D'Ancojui,' etc. torn. 6.
RETOUR DU GOUT. Le Retour du
Gout, Com6die en un Acte en Vers libres ;
avec un Divertissement, par M. de Chevrier
. . .avec la Musique [of two Airs].
Chez Duchesne : Paris, 1754. 8".
11738. c. 6. (7.)
RETRAITE DE BOREE. La Retraite
de Boree. Cautatille.
See Lefebdre (A.)
RETURN". Return blest Days. Glee.
See Smith (J. S.)
Return enraptured Hours. Sonnet.
See Andre (J.) Major.
Return fair Maid. IMinuet. See Poro.
Return my lovely Nymph. [Song.]
See Brown (T.) Song-Writer.
Return, return, sweet Peace. [Song.]
See Holmes ( ) of the King's Theatre,
London.
Return to order and your Country save.
[Song.] iSee Shield (W.) {The Surrender
of Toulon.]
RETZEL (Anton) Sei Sonate a Tre, Due
Violini o Due Flauti Traverso, Violoncello
e Basso Continuo . . . Opera Prima.
[Separate Parts.]
Stavipate a Spese di G. F. Groncman :
Amsterdam, [ITtO^ fol. g. 420. g. (3.)
RETZEL (August Johann) Six entire
New Minuets for Two Violins and a Bass,
etc. Printed for Ja" & Jn" Simpsoyi's :
London, [1780 ?] ol>l. 4". b. 400. (10.)
Six Sonatas or Duets for two German
Flutes or Violins. [Separate Parts.]
Printed for James and Jolin »S'j?m^jsoh.s ;
London, [1180?] fol. g. 421. q. (3.)
REUCHLIN (Johann) loannis Reuchlin
Phorcensis Scenica Progymnasmata : hoc
est : Ludicra preexercitamenta. [With
music of the choruses.]
I. Bergman de Olpe : [Basel,] 1498. 4°.
166. e. 2. (2.)
REUCHLIN (Johann) Joannis Reuchlin
. . . Ludicra proeexercitamenta. [With
music of the choruses.]
hi edibus Thome Anshehni : Phorcc,
1508. 4°." ' 1342. 1. 21. (1.)
loannis Reuchlin . . . Ludicra prseexercita-
menta. [With music of the choruses.]
copious MS. notes. In xdihus Hieronymi
Vietoris & loannis Singrenii : Viennfe,
1514. 4°. Case 28. i. 8.
Joannis Reuchlin . . . ludicra preexercita-
menta. [With music of the choruses.]
hnprcssum per lacohum Thanner Herbipo-
litanu : Liptzk, 1515. 4°. 1342. g. 30.
REUSCHEL (Johann Georg) Decas
Missarum Sacra a 4. 5. 6. 7. 8. 10. 11. 12.
13. 14. 15. 16. 17. & 18. Voc. ... in usum
Ecclesise . . . Evangelicse prelo subjecta.
Canto Primo. (Alto.) (Tenore.) (Basso.)
(Canto Secundo.) (Alto Secundo ad
chorum pleniorem.) (Tenore Secundo ad
chorum pleniorem.) (Basso Secundo ad
chorum pleniorem.) (Complementum
Primum (Secundum) (Tertium) (Quartum)
(Quintum).) (Violino 6 Cornetto Primo.)
(Violino 6 Cornetto Secundo.) (Violon 6
Fagotto.) (Continuo.) 17 pts.
Typis (& Sumpitibiis Georgii Bcutheri :
Freybergm, 1667. fol. H. 3242.
There is a duplicate Continuo part.
REUSSNER (EsAiAs) Hundert Geistliche
Melodien Evangelischer Lieder, welche
auf die Fest- und andere Tage . . . gesungeu
werden : Gott allein zu ehren . . . nach
itziger Manier, in die Laute gesetzet...
zum Kupfer befodert, und verleget von
Esaia Reusnern, etc. [Berlin, 1676.] fol.
G. 479.
REV ANT. Revant a mon amour. Le
Ectour au Logis. Chanson Nouvelle avec
accompagnement de Guitare par Alberti.
Chez M. Camand : Paris, [1780 ?] 8°.
B. 362. e. (28.)
[Another copy.] B. 362. g. (28.)
REVE. Reve du Cli^' ' de Boufflers. [Song.]
See Jeune. Jeune Iris, pourri^s vous
bien croire, etc. [1785 ?] 8°.
B. 362. (183.)
REVEIL. Le Reveil a Contre-Tems.
[Song.] See 0. 0 nuit trop agreable.
[1790?] 8°. B. 362. (147.)
La [sic] Reveil du Peuple. [Song.]
See Gaveaux (P.)
REVEILLilE. The Reveill^e. Sonnet.
See Hook (J.)
REVEILLES. Reveilles toi, mon fils.
Chant Funebre, d'une Mere sur le Tombeau
de son Fils mort pour la Liberie. Air :
Pauvre Jacques. CJicz Lnbault :
Paris, [1795 ?] 8\ B. 362. d. (31.)
REVEILLEZ. Reveillez-vous, ma mu-
sette. [Song.] See Nebon ( )
REVENGE— RHAU
411
REVENGE OF ATHRIDATES.
Revenge of Athridates. Pasticcio.
See Athridates.
The
REVERENCE. La Reverence. [Song.]
See Toucher. Toucher un coeur, c'est
un grand bien, c^c. [1785?] 8°.
B. 362. f. (4.)
REVIENS. Reviens, aimable Themire.
Chanson. See Papavoine ( ) M''"".
Reviens, cher objet que j'adore. Air.
Sec Lemaire (L.)
Reviens reviens Bergere. Stcite de la
Pastorale : II pleut Bergere [by L. V.
Simon]. Meme Air. Chez Frdre :
[Paris, 1790?] 8". B. 362. e. (7.)
Revien, revien, ma voix t'appelle. Ariette.
Sec SORCIER.
REWARD. The Reward of Fidelity.
[Song.] See Dibdin (C.) [Private Theat-
ricals.]
REY (Jean Baptiste) See Agus (H.)
Solfeges pour servir a I'etude dans le Con-
servatoire de Musique a Paris par . . . Agus
...Rey, e/'c. [1795?] fol. H. 2851.
REY (Jean Baptiste) and (Louis
Charles Joseph) [Apollon ct Coronis.]
Dans nos champs. Air, etc. Parole de
M. Fuselier, etc. [Paris,] 1781. 8".
298. f. 16.
Mercure de France, June, 1781 , p. 52.
Dans nos champs.
See supra : [Apollon et Coronis.]
REY (V. P. S.) Tablature Gen^rale de la
]\lusique. Pour servir a I'lntelligence du
Systeme dans tout I'eusemble de la ]\Iu-
sique, etc. Gravee par Vanjxem. (Systeme
Harmonique, etc.) Chez Sieber Fils :
Paris, [1795.] fol. H. 2902. (2.)
REYNOLDS ( ) Mr. The Disappoint-
ment. [Song.] Wordsby Mr. Shenstone,
etc. [London,] 1797. s. sh. 4°.
P.P. 5141.
Lady's Magazine, July, 1797.
REYNOLDS (Maria Hester) To the
Countess of Uxbridge, These Sonatas for
the Harpsichord or Piano Forte [and
Violin] are Dedicated, etc.
[London,] 1785. fol. h. 74.
RHAU (Georg) Secundus Tomus. Bi-
cinia, Gallica, Latina, Germanica, et
Quaedam Fugae. Superior Vox. (Secundus
Tomus Biciniorum, quae et ipsa sunt
Gallica, Latina, Germanica ex prsestan-
tissimis Symphonistis collecta, et in
Germania typis nunquam excusa. Ad-
ditae sunt quaedam
Fugse, etc. In-
ferior Vox.) [With a preface by G. Rhau.]
2 pts. Apud Gcorgium Rhaw :
Wittemhergae, 1545. ohl. 4". K. 2. e. 3.
The foUoiving composers are named :
Barta, J. Brand, A. Brumel, Ccrton,
Claudia, S. Dietrich, A. Fcvin, J. H.,
H. Isaac, Jacotin, Josquin, Layolle,
Maillart, Manchicourt, Mittantier,
Mornable, J. Mouton, Obrccht, P. R.,
P. de la Rue, H. Scotus, Verdeloth and
Adrien [Willaert],
[Newe Deudsche Geistliche Gesenge cxxiii.
Mit vier vnd fiinff Stimmen, fiir die ge-
meinen Schulen, . . . aus vielen erleseu,
der zuvor Keins im Druck ausgangeu.]
Discantus. Der newen deudscheu geist-
lichen lieder.
Gedruckt dilrch Georgen Rhaiv :
Wittemberg,[154.\:.] obl.i". K. 2. c. 4.
The full title only occurs in the Tenor
part, wliicli also contains a preface by
G. RJuiu. The following composers
are named : M. Agricola, H. Bratel,
A. de Bruck, S. Dieterich, B. Ducis,
G. Forster, V. Hauck, W. Heintz,
L. Hellingk, S. Mahu, Nicolaus P[a£n],
B. Resinarius, T. Stoltzer, L. Senffel,
J. Stalil, G. Vogelhuber and J. Wein-
man.
Enchiridion Musices ex Variis IMusicorum
libris depromptu rudibus huius artis
Tyronib' sane q^ frugiferum.
Ex selibus Valentini Schuman :
Lipsiie, 1518. 8°. K. 8. c. 1.
40 fol., tvithout pagination. Register:
sigs. A-K, in fours.
Enchiridion Utriusqj Musice Practicg a
Georgio Rhauuo congestum. ^ Isagoge
loannis Galliculi De catus Compositioue.
(Enchiridion Musicse Mensuralis, etc.)
(Isagoge loannis Galliculi de Composicione
Cautus.) 3 pts.
Ex xdibus Valentini Schuman :
Lipsiir, 1520. 8". K. 8. c. 2.
Each part has a separate title-page
and register. Part I. : 52 fol. Reg.
A in eight, B-m in fours. Part II. :
56 fol. {the last blank). Reg. A in
eight, B N in fours. Part III. : 28
fol. Reg. A in eight, B -D in fours,
E in three.
Enchiridion Utriusque Musicse Practicse,
a Georgio Rhauo, ex varijs musicorum
libris congestum. (Enchiridion ]\Iusicae
Mensuralis.) 2 pts. [G. Rhau :]
Wittebergae, [15]31. K. 8. c. 3.
Each part has a separate title-page and
register. Part I. : 40 fol. Reg. A-E,
in eights. Part II. : 32 fol. A-D, in
eights.
Enchiridion Utriusque Musicse Practicse.
A Georgio Rhau, ex varijs musicorum
412
RHAU— RHEZELIUS
libris congestum. (Enchiridion Musicae
Mensuralis.) 2 pts. [G. Rhatt :]
Yifcbcrgx, [15]32. 8". K. 8. c. 4.
Each jMii has a separate title-page
and register. Part I. : 40 fol. Reg.
A-E, in eights. Part II. : 32 fol.
Beg. a-cl, in eights.
Enchiridion utriusque Musicse Practicse a
Georgio Rhaw, ex uarijs Musicorum libris,
pro pueris in Schola Vitebergonsi con-
gestum. (Enchiridion Mnsicae Llen-
suralis.) 2 pts. Apud Georgium Rhau :
Yifebergae, 1536. 8°. K. 8. c. 5.
Each part has a separate title-page and
register. Part I. : 51 fol. Reg. A-G,
in eights, except E, which is in four,
and G, which is in seven. Part II. :
32 fol. Reg. a~d, in eights.
Enchiridion Utriusque Musicse Practicse
& Georgio Rhau ex uarijs IMusicoruna
libris, pro pueris in Schola Vitebergensi
congestum. (Enchiridion Musicae ]\Ien-
suralis a Georgio Rhau congestum.) 2 pts.
Apud Georgium Rliau :
Vitehergae, 1538. 8°. K. 8. e. 6.
Each part has a separate title-page and
register. Part I. : 52 fol. Reg. A-G,
in eights, except E, ivhich is in
four. Part II. : 32 fol. Reg. a-d, in
eights.
Enchiridion Utriusque Musicae Practicse
a Georgio Rhauo, ex varijs Musicorurn
libris, pro pueris in Schola Vitebergensi
congestum. (Enchiridion Musicae Men-
suralis a Georgio Rhauo congestum.)
(Libellus de Compositione Cantus. loannis
Galliculi.) 3 pts. Apud Georgium Rhau :
Vitebergae, 1546. 8°. K. 8. e. 7.
Each part has a separate title-page.
Part III. has also a separate register.
Parts I. and II. : Si fol. Reg. A-E, in
eights, L in four. Part III. : 20 fol.
Reg. a-B, in eiglits, c in four.
Enchiridion vtriusque musicae practicae.
etc. Ex Officina Exredum Georgij Rhau :
Witebergae, 1553. 8°. K. 8. c. 7*. (1.)
A print of Dilrefs ' Satyr Family,'' by
Hieronymus Hopfer, is inserted in this
copy.
[Offi.cia Paschalia. De Resurrectioue et
Ascensione Domini. Tenor. With a pre-
face by G. Rhau.] (Discantus.) (Altus.)
(Bassus.) 4 pts. ^Apud Georgium Rhauu :
Vitebergae, 1539.] K. 3. e. 17.
Wanting the Tenor part, which is supplied
in modern MS. The composers named
are: J. Alectorus, G. Forster, J. Galli-
culus, A. Reiner, C. Rein, T. Stoltzer,
J. Walther and J. Zacharias.
Primus Tomus Noui Operis Musici, con-
tinentis Officia de Natiuitate, Circum-
cisione, Epiphania Domini, & de Puri-
ficatione Beatae Mariae Virginis. Bassus.
Aptul Georgium Bhaio : Wittembcrgae,
[1545.] obi. 4° K. 4. d. 17.
Tlie Tenor part alone is dated, and con-
tains a dedication signed by Rhau. The
following composers are named : T.
'stoltzer, A. Reneri, L. Senffel, I. Galli-
culus, S. Dieterlch, H. Isaac, H. Finck,
A. de Bruck, B. Resinarius, N. Copxis,
J. Lupus and Morales Hispanus.
[Opus Decern Missarum Quatuor Vocum
. . . Collectum a Georgio Rhawo, etc.']
Discantus. (Altus.) 2 pts. [(?. Rhau :
Wittenberg, 1541.] obi. 4". K. 3. f. 4.
Tlte title occurs in the Tenor part only.
The composers named are : Brumel,
H. Isaac, Pipelare, A. Reneriis, P.
Roselli, Sampson, L. Scnfel and J.
Stahel.
[Vesperarum Precum Officia Psalmi
Feriarum et Dominicalium Dierum Tocius
Anni, cum Antiphonis, Hymnis et _Re-
sponsoriis . . . quatuor vocibus ab optimis
. . . Musicis compositi, etc.] Discantus.
[Apud Georgium Rhaw :
Vitebergae, 1540.] obi. 4°. K. 4. d. 13.
Wanting fol. 12, 15-18 ; the last four
are supplied in MS. The full title and
imprint only occur in the Tenor, which
contains a preface by G. Rhau and an
index of composers.
Postremum Vespertini Officii Opus,
Cuius priores partes, iam antea typis
nostris seditaj sunt. Magnificat Octo
Modorum sen Touorum Numero xxv., etc.
[With a dedication by G. Rhau. Tenor.]
(Magnificat Octo Tonoram. INIoralis His-
pani et Adami Reneri. Discantus. (Altus.)
(Bassus).) 4 pts. Apud Georgiimi Rhaio :
Wittembcrgae, 1544. obi. 4°.
K. 4. d. 14.
The composers named are: Moralis, Richa-
fort, Tugdual, lachet, Loiset Pieton,
A. Renerus, A. de Fcvin, Pipelare, A.
Divitis, P. de la Rue, I. Galliculus and
P. Verdclot.
[Another copy.] Discantus.
2 pts.
(Bassus.)
A. 20.
RHEINECK (Chbistoph) Lieder mit
Clavier-Melodien, etc. In Comission der
Christoph Weiglischen Kunst-Handlung :
Niirnberg, [1780.] fol. F. 597. (1.)
Zweite Lieder-Samlung mit Klavier-
Melodien, etc. Jakob Meyer :
Mcmmingen, 1780. fol. F. 597. (2.)
RHEZELIUS. (Haquinus) Nagre
Psalmer, Andelige Wijsor och Lofsonger,
vthsatte af Laurentio Jonse Gestritio . . .
Och nu med Noter afisatte, och aff
Trycket vthgangne aS Haquino Laurentii
a Rhezelio, etc. Hoos Ignatium M. :
Stockholm, 1619, 8°. 3090. aa. 22-
RHODES— RICCIOTTI
413
RHODES (John) Lessons, adapted for
Juvenile Performers on the Piano Forte,
or Harpsichord, etc.
Printed for the Author :
London, {imQ^ fol. g. 132. (11.)
Moggy & Jemmy, or the Union Feast, etc.
[Ballet for P. F.] E. Riley :
London, [1799.] fol. g. 443. g. (5.)
EICCI (F. Pasquale) Trois Simphonies
Concertantes . , . Op. ix., etc. [Separate
Parts.] Chez ill'' Van Laack : a La
Haye, [1775 ?] fol. g. 279. c. (1.)
Tre Sinfonie con Oboe, e Trombe Obbli-
gate, dedicate al . . . Barone Don Carlo
Boetzelaer, etc. [Separate Parts.]
Presso M'' Van Laak : Nell' Aja, etc.,
e.
RHODES (Richard) The Sylvan Oracles,
& the Sylphids: Two Songs containing
four Airs for the Voice, Harpsichord or
Violin. . .The Words by T. Noble.
Preston and Son: London, [119S?] fol.
G. 369. (8.)
RH^ME. Le Rhume. [Song.]
See GuiLLON (H. C.)
Le Rhume gudri par le Viu. Air.
See Bouvard (F.j
RIBEIRO (Maxoel da Paixao)
See Paixao Ribeiro.
RIBON ( ) Parodies Bachiques, sur las
Airs et Symphonies des Opera. Recueillies
& raises en ordre par Monsieur Ribou.
Seconde Edition, revue & augmentee.
Chez C. Ballard : Paris, 1G96. 12°.
A. 771.
RICCARDO PRIMO. Richard the
First. Opera. Sec Haendel (G. F.)
Overture in Richard the 1"' [by G. F.
Haendel. Orchestral Parts]. [Walsh:
Lomlon, 1730?] fol. h. 3211. (5.)
Some of the parts are in manuscript.
Rice ATI (Giordano) Delle Corde ovvero
Fibre elastiche schediasmi fisico-mate-
matici, etc. Nella Stamperia di San
Tommaso d' Aquino : Bologna, 17G7. 4°.
61. d. 19.
Saggio
sopra le
etc.
Castcl-Franco
Leggi del Contrappunto,
Per Giulio Trcnto :
1762. 4°. 557*. c. 28.
[Another copy.]
52. d. 32.
RICCI (Angiol Maria) La Guerra de'
Ranocchi e de' Topi. Tradotta in rime
anacreoutiche da A. SI. Ricci . . . Con . . .
un' Appeudice di piacevoli Poesie, etc.
Gactano Abbizzini : Fircnze, 1741. 8".
237. k. 12.
T]ie Appendix contains 5 Drinking
Songs.
RICCI (F. Pasquale) Sei Quartetti a due
Violini, Viola, e Basso . . . Opera viii.
[Separate Parts.] Aja [The Hague,
1775?] fol. h. 2830. (7.)
Six Simphonies a Deux Violons, Taille et
Basse, deux Hautbois et deux Cornes de
Chasse . . . Opera Secouda. [Separate
Parts.] Chez J. J. Hummel :
Amst&i-dam, [1770 ?] fol. g. 279. a.
g. 279. e. (2.)
No. 1.] Sinfonia Peri-
[Separate Parts.]
fol. g. 474. (30.)
(The Periodical Overture
Number xxiv.) [Separate
li. Bremner : London,
h. 3210. (30.)
[1775 ?] fol.
[Tre Sinfonie.
odica. No. i.
[Paris, 1775 ?]
Sinfonia xxiv.
in 8 parts . . .
Parts.]
[1780?] fol.
Six Sonates a Clavecin, Violon, et Violon-
cello-Obligato. . .Opera iv. Welckcr :
London, [17G8.] fol. g. 279. b.
Cembalo part only.
Sei Trio i^er Due Violini e Violoncello
Obligato . . . Opera Terza. [Separate Parts.]
Presso B. Hummel .• NelV Aja
[The Hague, YllO?] fol. g. 420. e. (12.)
[Another copy.] g. 409. f. (2.)
[Another copy.] h. 2851. e. (2.)
[Another copy.] g. 242. (6.)
Six Trios a Violon, Viole et Basse...
Opera x. [Separate Parts.]
[The Hague? nib?] fol. g. 279.
See Chiesa (M.) Sei Trio, etc. [With
a Dedication by P. Ricci.] [1775 ?] fol.
g. 274. a. (3.)
See Webbe (S.) the Elder. A Collection
of Masses. . .with others. . .by Ricci, etc.
(1792.) obi. 4". A. 480.
RICCIO (Teodoro) II Primo Libro delle
Canzone alia Napolitana a Cinque Voci,
con alcune Mascharate nel fine a Cinque
et a VI, etc. Canto. (Alto.) (Tenore.)
(Basso.) (Quinto.) 5 pts.
Appresso Catharina Gerlachin & Heredi
di Giouanni Montano : Norimberga,
1577. obi. 4°. A. 388.
Magnificat Octo Tonorum, Quatuor, Quin-
que. Sex et Octo Vocum recens in lucem
aedita, etc. Altus. (Tenor.) (Bassus.)
(Quiutus et Sextus.) 4 pts. In officina
Georgij Ostcrbergeri : Begiomonti Borus-
six, 1579. obi. 4°. A. 326. a.
Liber Primus Missarum Quatuor Quinque
et Sex Vocum, etc. Altus. (Tenor.)
(Bassus.) (Quinta et Sexta Pars.) 4 pts.
Jn officina Georgij Ostcrbergeri :
Beqiomonti Borussix, 1579. obi. 4".
A. 326.
RICCIOTTI (Carlo Bacciccia) VI Con-
cert! Armouici a Quattro Violini obligati,
Alto Viola, Violoncello obligato e Basso
continuo. [Separate Parts.] Printed for
I. Walsh: London, [11 bb?} fol, h. 53.
4U
RICCIUS— BICHMOND
mCCIUS (Theodorus) See Riccio.
RICCO (Antonio del) Urania Armonica,
Cantate a Voce Sola . . . Libro Primo.
Opera Prima. Nella Stamperia
di S. A. S. alia Condotta : Firenzc,
1G86. ohl. 4". K. 2. c. 11.
RICHARD COEUR DE LION.
Richard Cceur de Lion, a Favorite Opera
[by A. E. M. Gr6try] . . . Adapted for the
German Flute. [Words by L. Macnally.]
Longman and Brodcrip : London,
[1787 ?J ohl. 4". B. 387. b. (4.)
Richard Coeur de Lion. A Favorite Opera
[by A. E. M. Gretry.] . . . Adapted for the
Guitar, etc. Longman and Brodcrip:
London, [1787 ?] ohl. 4". B. 385. (6=.)
Un Bandeau couvre les ycux. Arrictte,
etc. [By A. E. M. Gretry.]
Chez Camand : [Paris, 1785 ?] 8°.
B. 362. h. (23.)
Chantons, celebrons ce bon menage.
[Chorus.] De Richard Coeur de Lion.
[By A. E. M. Gretry.] Chez Camand :
[Paris, 1785 ?] 8". B. 362. li. (23°.)
[Another copy.] B. 362. (68.)
La dance n'est pas ce que j'aime. [Song.]
De Richard Coaur de Lion [By A. E. ]\I.
Gretry]. Chez Bignon : [Paris,
1785?] 8". B. 362. (57.)
Une fievre hrulante. Air de Richard
Coeur de Lion [by A. E. M. Gretry].
Chez Camand : [Paris, 1785 ?] 8°.
B. 362. (61.)
[Another copy.] B. 362. h. (23^.)
He zic et zac. Air, etc. [By A. E. M.
Gretry.] Chez Camand : [Paris,
1785 ?] 8". B. 362. li. (23d )
[Another edition.] He zic et zic. [Song.]
De Richard Cccur de Lion [by A. E. M.
Gretry.] [Paris, 1785 ?] 8".
B. 362. (69.)
O Richard 1 o mon Roi. [Song.] Dc
Richard Ccetir de Lion [by A. E. M.
Gr6try]. Chez Bignon: [Paris,
1785?] 8". B. 362. (62.)
Que le Sultan Saladin. Air, etc. [By
A. E. M. Gretry.] Chez Camand : Paris,
[1785?] 8°. B. 362. h. (23=^.)
[Another copy.] B. 362. (64.)
Si rUnivers entier. Arictte de Richard
Coeur de Lion, dans la Prison. [By
A. E. M. Gretry.] Chi's Camand :
[Paris, 1785 ?] 8°. B. 362. (63.)
Richard Coeur de Lion. Comedie.
Sec Ghetey (A. E. M.)
RICHARD IjOEWENHERZ. Richard
Loewenherz. [Opera.]
See Gretey (A. E. M.) [Richard Canir
dc Lion.]
RICHARD THE FIRST. Richard the
First. Opera. See Haendel (G. F.)
[Riccardo Primo.l
RICHARD (FRANgois) Airs de Cour a
quatre parties, etc. Haute-Contre. (Basse-
Contre.) (Taille.) 3 pts. Par Pierre
Ballard: Paris, 1637. ohl. 12°. A. 419.
RICHARDS (David) The Beauty of
Buttermere . . . [Song,] The words by a
Lady of Fashion.
Brodcrip and Wilkinson : London,
[1800?] fol. G. 383. i. (19.)
RICHARDSON (B. J.) Jenny May. A
favorite Ballad . . . The Words by the
Author of " Auld Robin Gray " [Lady Anne
Lindsay]. Longman and Brodcrip:
[London, 1785 ?] fol. H. 1653. (43.)
RICHARDSON (J. B.) IMaria, a favorite
Sonnet, written by a Nobleman, etc.
Preston & Son : Lo^idon, [1790 ?] fol.
H. 1994. d. (52.)
RICHARDSON (.J. S.) Hope, a Favorite
Song, The Words by W. Bristow, etc.
The Author : Kensington, [18C0?J fol.
G. 806. d. (69.)
RICHARDSON (Vaughan) A Collection
of New Songs, for One, Two and Three
Voices, accompany'd with Instruments,
etc. William Pearson, for the Autlwr :
London, 1701. fol. G. 299.
RICHARDSON (William) Lessons for
the Harpsichord or Spinet ; Containing
an Overture, a Ground, and a Chacoon,
with several Almands and Airs.
T. Cross Jiui'' Scalp, for y Author :
London, 1708. ohl. fol. ' c. 79. a.
[Another copy.] c. 79.
The Pious Recreation : containing a New
Sett of Psalm-Tunes, in Three Parts.
With Six Hymns . . . Likewise Anthems
for two and three Voices . . . with proper
Symphonys, etc. William Pearson :
London, 1729. 8". C. 496.
RICHER (Andre) Cher Lucas, e'en est
fait. Air, etc. [Paris,'] 1734. s. sh. 4".
297. b. 2.
Mercurc de France, Fch., 1734.
Je reprochois a ma tendre bergere.
Chanson galante. Paroles de M. Meslin,
etc. [Paris,] 1768. s. sh. fol. 297. e. 16.
Mercure de France, June, 1768.
RICHER (Louis Augustin) Richer's
Hornpipe. Arranged with Variations for
the Piano Forte by G. Nezot, etc.
Brodcrip and Wilkinson : London,
[1800?] fol. g. 271. e. (22.)
RICHEST. Richest Gift of lavish Nature.
[Song.] See Drax (T.)
RICHMOND. The Richmond. (The
Rondeau.) [2 Dances, by Mr. Isaac]
[London, 1705 ?] 4^ 785. k. 7. (6.)
Richmond Hill. [Song.] See Bryan (J.)
[Another setting.] Richmond Hill.
[Song.] See Tibbs (T.)
RICHMOND— RIDENTE
415
RICHMOND HEIRESS. Maiden fresh
as a Rose. [Song.] Sung by Mr. Pack
acting a Quaker in the Richmond Heiress
the Words by Mr. Durfey. [London,
1705?] s.sh.lol. H. 160i. (306.)
[Another edition.] Maiden fresh as a
Rose, etc. [London, 1705?] s. sh. fol.
G. 310. (80.)
[Another edition.] Maiden fresh as a
Rose, etc. Done for Richard C7-oss :
[London, 1710 ?] s. sh. fol.
I. 530. (133.)
Of noble race was Shinkin. A Song in
the Flay calld the Richmond Heiress the
words by ]\Ir. Durfey sung by Mr. Bow-
man. [London, 1695 ?] s.sh.iol.
H. 1601. (330.)
[Another edition.] Of noble race was
Shinkin. A Song, etc. [London,
1695 ?] s. sh. fol. G. 310. (188.)
RICHTER (Gael Gottlob) Concerto I.
per il Cembalo Concertato accompagnato
da Due Violini, Violetta e Basso. [Separ-
ate Parts.] Presso G. F. Hartknoch :
Riga, 1772. fol. i. 78. (1.)
Concerto II. per il Cembalo Concertato
accompagnamento da Due Violini, Vio-
letta e Basso. [Separate Parts].
Presso G. F. Hartktwch :
Riga, 1772. fol. i, 78. (2.)
Concert pour le Clavecin avec I'Accom-
pagnement do Deux Violons, Deux Cors,
Deux Flutes de Travers, Viole et Basse.
[Separate Parts.] Chez J. F. Hartknoch :
Riga, 1785. fol. g. 79. a. (4.)
RICHTER (Franz Xaver) Six Con-
certo's for the Harpsicord with Accom-
paniments, etc. J. Lotigman and Co. :
London, [mo?] obi. io\.
E. 600. j. (6.)
[Six Concertos. No. .3.] A Concerto. . .for
the Piano Forte. [1798.] See Periodical
Publications. — London. The Piano-
Forte Magazine. Vol. IV. [No. 7.] [1797-
1802.] 8". D. 854.
Six Duo pour Flutes Traversieres ou
Violons. [.Separate Parts.]
Chez le Siciir Borclly: Paris, [1780?] fol.
g. 280. h. (7.)
A Third Set of Six Favourite Overtures in
Eight Parts For two Violins, two Oboes,
two Horns, Viola, and a Figured Bass for
the Harpsicord. [Separate Parts.]
Printed for J. Johnston & Longman, Lukey
(& Broderi}} : London, [1775 ?] fol.
g. 474. a. (4.)
Six Quartetto's for Two Violins, Tenor
and Violoncello. [Separate Parts.]
Printed for J. Longman ci Co. :
London, [1765 ?] fol. g. 673. a.
RICHTER (Franz Xaver) Six Sym-
phonys in Eight Parts for Violins, Hoboys,
and French Horns with a Bass for the
Harpsicord and Violoncello . . . Opera
Seconda. [Separate Parts.]
Printed for I. Walsh :
London, [1765 ?] fol. g. 673. b.
Wanting the Horn jiarts.
Sei Sinfonie a Otto, Due Violini, Due
Oboe o Flauti, Viola, Basso e Due Corni
. . .Opera vii. [Separate Parts.]
Aa Bureau d' Abonnement Musical:
Paris, [1770 ?] fol. g. 474. (12.)
[Sei Sinfonie a Otto. Op. vii. No. 5.]
The Periodical Overture in 8 Parts. No.
xviii. [Separate Parts.] R. Bremncr :
London, [1780 ?] fol. h. 3210. (24.)
Six Solos for a German Flute or Violin,
with a Thorough Bass for the Harpsicord
or Violoncello. Printed for I. Walsh:
London, [1760 ?] fol. g. 71. f. (3.)
Six Sonatas for the Harpsicord with
Accompanyments for a Violin or German
Flute and Violoncello. [Separate Parts.]
Printed for I. WalsJi ;
London, [1160?] fol. g. 673.
Six Sonatas for Two Violins and Violon-
cello, with a Thorough Bass for the Harp-
sichord. [Separate Parts.]
Printed for Tliompson and Sons:
Londo7i, [1764 ?] fol. h, 2900. (5.)
A Second Set of Six Sonatas for two
Violins and a Violoncello with a Thorough
Bass for the Harpsichord . . . Opera iv.
[Separate Parts.] Printed for C. and
S. Thompson : London, [1770 ?] fol.
g. 274. b. (6.)
See Summer's Tale. The Summer's
Tale. A Musical Comedy... The Music
by Abel...Richter, c^c. [1765.] obi. iol.
D. 273. (1.)
See Syjiphonies. Sei Sinfonie a Otto
Stromenti . . . Cornposta d' Alcuni Famosi
Maestri cioe di Graun, Richter, etc.
[1770?] fol. g. 973.
RICIMERO. Ricimero. [Opera.]
Sec Galupi'i (B.)
RICKMAN (Thomas Clio) Man's Rights
thro' the World. A new Song.
[London, 1795 ?] fol. G-. 807. c. (49.)
RID (Cheistophorus) See Faber (H.)
Compendium ^Musicte ... a M. Christo-
phoro Rid in vernaculum sermonem con-
versum, etc. 1591. 4°. 785. h. 48.
RIDDELL (John) A Collection of Scots
Reels, Minuets, &c. for the Violin, Harp-
sichord or German Flute . . . The Second
Edition, greatly improved. J. Aird :
Glasgow, [1782 ?] obi. 4". a. 219.
RIDENTE. Ridente la Calma. Aria.
See Mozart (W. A.)
416
EIDER— RIGATTI
RIDER (Charles) Psalmodia Britannica,
or a Collection of Psalm Tunes, Selected
from Various Composers, and adapted to
the Different IMetres used in English
Psalmody, etc. 2 vols.
[London? 1800 7] obi. i". a. 263.
Engraved throucjhotU.
RIDLEY ( ) The morning is charming,
all nature is gay. A Hunting Song.
[Words] By C[harles] L[eigh] Esq., etc.
[London, 1747.] 8'\ 249. c. 17.
Gentleman's Magazinc,Vol. XVII., p. Hi.
RIEDT (Friedrich Wilhelm) Versuch
liber die musikalische Intervalleu, in An-
sehung ihrer wahren Anzahl, ihres eigent-
lichen Sitzes, und natiirlichen Vorzugs in
der Composition, [ms. notes by C. P. E.
Bach.] Bey A. Haude und J. C. Spcner :
Berlin, 1753. i". 556. b. 18.
RIEL ( de) Hastez-vous, amoureux
Bergers. Av- Nouvcau. [For two voices.]
[Paris, 1G78.] s. sh. obi. 4°. P.P. 4482.
NoHveau Mercurc Galant, August,
1678, p. 190.
RIEN. Rien icy has n'est ferme uy
durable. Air. See Le Peintre ( )
Rien n'egale dans la Nature. Chanson.
See Friz ON ( )
Rien n'est, quand on calcule. Vaudeville.
See OiSEAU Perdu.
Rien ne nous doit plus allarmer. Duo.
See D., M'-.
Rien ne plait tant aux yeux des belles.
[Song.] See Gretry (A. E. M.) [L\i7ni
de la Maison.]
Rien, tendre Amour. Romance.
Sec Dalayrac (N.) [Gulnare.]
RIENS. Les Riens. [Song.] See De.
D'un rien depend tout mou bonheur, etc.
[1785?] 8". B. 362. (223.)
Les Riens. Chanson. [Begins: 'Des
faux biens dont le sort.']
See GuiCHARD (F.)
RIEPEL (Joseph) Anfangsgriinde zur
musikalischen Setzkunst . . . De Rhythm-
opoiea, oder von der Tactordnung . . .
Zweite Auflage. (Grundregelu zur Ton-
ordnung iusgemein. Abermal . . . mit
musicalischen Exempeln abgefasst, etc.)
(Griindliche Erklarung der Tonorduung,
etc.) (Erliiuterung der betriiglichen Ton-
ordnung, etc.) (Fiinftes Capitel. Unent-
behrliche Anmerkungen zum Contrapunct,
etc.) 5 pts. J. L. Montag : liegensburg,
1754-1768. fol. 7896. h. 21.
Eacli part has a separate title-page and
pagination. Part I. is dated 1754 ;
Part II.— 1755 ; Part III.— 1757 ; Part
ir.— 1765, and Part 1^.-1768. Part
IV. is published at Augsburg by J. J.
Lotter, Part V. at Begensburg by J. C.
Krippner.
RIEPEL (Joseph) Bassschliissel, das ist,
Anleitung fiir Anfiinger und Liebhaber
der Setzkunst . . . herausgegeben von J. K.
Schubarth, etc. Bey J. L. Montags :
Begensburg, 1786. fol. 7896. h. 14.
Erliiuterung der betriiglichen Tonordnung,
namlich das versprochene vierte Capitel.
Abermal ... mit musicalischen Exempeln
abgefasst und Gespriich-weise vorgetragen,
etc. J. J. Lotter: Augsburg, 1765. fol.
h. 3780.
Griindliche Erklarung der Tonorduung
insbesondre, zugleich aber fiir die mehr-
esten Organisten insgemein. Wieder
durchaus mit musikalischen Exempeln
abgefasst und Gesprachweise vorgetragen,
etc. Frankfurt, etc., 1757. fol.
li. 3780. a.
Harmonisches Syllbenmass. Dichtereu
melodischer Werke gewiedmet, und ange-
henden Singcomponisten zur Einsicht
mit platten Beyspielen gesprachweise
abgefasst. Der este Theil von dem Re-
citativ. Bey J. L. Perile :
Begensburg, 1776. fol. 7895. h. 12.
RIEZ. Ri6s, chantez, jeunesse aimable.
Air. See Buttier ( )
RIGACCI (Giuseppe) Raccolta di Varie
Canzoni sopra diversi leggiadri soggetti.
A. . . Myledy Walpole. F. Moiicke :
Firenze, 1739. 12". 11429. aa. 35.
The composers named are: G. Orlandini,
F. Vcracini, A[bate'\ B[anicro'] G[ap-
poni] and C. Arrigcmi. The names of
the autJiors of the poems are given
in manitscript.
Raccolta di Varie Canzoni sopra diversi
leggiadri soggetti. A . . . Mylady Sofia
Farmer. B. Paperini : Firenze, 11 AO. 12".
11421. d. 13.
The composers named are: G. Orlandini,
N. N. and C. Arrigoni.
RIGADOOH". The Rigadoon Royal. Mr.
Isaac's New Dance made for Her lilajesty's
Birth Day. 1711. Engraven in Charac-
ters & Figures for y' use of Masters.
Writ by ]\Ir. de la Garde, etc.
Printed for I. WalsJi & I. Hare :
[London, 1711.] fol. h. 993. (5.)
RIGATI (Giovanni Antonio)
See RiGATTi.
RIGATTI (Giovanni Antonio) Messa
e Salmi Ariosi a Tre Voci Concertati,
& parte Con li Ripieui a beneplacito
. . . Nouamente Ristampati. Tenore Primo
(Secondo). [Basso.] (Basso Continue.)
4 pts. Appresso Bartolameo Magni :
Venetia, 1643. 4". D. 3. b.
The title-page of the Bass part is
wanting.
EIGATTI— RILEY
417
EIGATTI (Giovanni Antonio) Messa
e Salmi. Parte Concertati, a 3. 5. 6.
7. & 8. voci con due Violini, & altri
Istromenti a beneplacito & parte 5. a
Capella, etc. Alto Primo (Secondo).
2 pts. Appresso Bartolomco Magni :
Venetia, 1640. 4°. D. 3. a.
Primo Parto de Motetti a 2. .3. 4. Voci.
Con alcune Cantilene, con suoi Ripieni a
Beneplacito, etc. Canto. (Alto.) (Tenore.)
(Basso.) 4 pts. Appresso Bartolamco
Magni : Venetia, 1634. 4". T>. 3. c.
TJie Bass part is inutilated througliout.
Salmi Diuersi di Compieta in Diuersi
Generi di Canto, a Una, Due, Tre, &
Quatro Voci, Parte con Instromenti, &
Parte senza, con tutte le Antiphone dell'
Anno, che si cantano nel fine della Com-
pieta, etc. Canto. (Alto.) (Tenore.)
(Basso.) 4 pts. Appresso Alessandro
Vincenti : Venetia, 1646. i". D. 3.
RIG-AUD (Louis de) Sieur clc Fonlidon.
Airs faits, et mis en tablature de Luth.
Pierre Ballard : Paris, 1623. 4".
K. 1. g. 14.
RIGAUT ( ) Gillot, Janin, deux
biberous. Air a Boire. [Paris,
1678.] s. sh. obi. 4". P.P. 4482.
Nouveaii Mercure Galant, Dec, 1678,
p. 25.
Puisque le grand Louis en bornant ses
exploits. Air a Boire. {Paris,
1678.] s. sh. obi. 4». P.P. 4482.
Nouveau Mercure Galant, May, 1678,
p. 163.
RIGEL (Heinrich Joseph) Estelle et
N^morin, Melo-Drame pastoral en deux
Actes, en prose, tir^ du Roman de M. le
Cbevalier de Florian . . . Paroles de M.
Gabiot, etc. Che? Cailleau :
Paris, 1788. 8". 11738. f. 19. (4.)
Le Manage comme il y en a peu. Couplets
du C"" Person, etc. Chez Imbault :
[Paris, 1793.] 8°. B. 362. a. (86.)
Ouverture du Jokei [by J. P. Soli6] pour
le Clavecin ou Forte-Piano, arrangee par
Rigel pere. Chez Leblanc :
Paris, [1796 ?] fol. g. 543. u. (17.)
Rosanie. [For songs, &c., published
anonymously :] See Rosanie.
Le Savetier et le Financier. Op6ra
Comique en Deux Actes, etc. [Libretto
by Lourdet de Santerre. Full Score.]
Chez Des Lauriers : Paris, [1778.] fol.
G. 148.
Toi, dont le bras tirannicide. Hymne a
la Liberti. Chant de Triomphe, par
Baour Lormian. Du Magazin de
Musiqiie a Vusage des fetes Nationales:
[Paris, 1795.] 8°. E. 1717. b. (19.)
VOL. II.
RIGEL (Henei Jean) Trois Senates de
difi^rens genres pour le Piano Forte...
ffiuvre II*. Gravies par la Cit°'= Le Roy.
Alt Magasin de Musiqtie, Faubourg
Poissoniire : Paris, [1795 ?] fol. g. 496.
RIGHINI (ViNCENZO) Twelve Italian
Ariettes with an Accompaniment for the
Piano-Forte or Harp. Composed for the
Princess of Prussia, etc.
Longman and Broderip :
London, [1795 ?] obi. fol. D. 370. (4.)
Armida. Dramma con IMusica . . . Aggius-
tato per il Cembalo. It. & Germ.
N. Simrock : Bonna, [1799.] obi. fol.
E. 720. a.
Enea nel Lazio. Dramma eroi-tragico . . .
Aeneas in Lazium, heroisch-tragische
Oper . . . Klavierauszug. It. & Germ.
Bey Brcitkopf £ Hdrtcl : Leipzig,
[1793 ?] obi. fol. E. 720. c. (1.)
[Tigrane.] Heldengesauge aus der Oper :
Tigranes . . . jMit italienischem und
deutschem Texte. Fiir das Pianoforte
ausgezogen von M. G. Fischer. — Der
deutsche Text ist von D. C. Schreiber. —
Brcitkopf und Hartel :
Leipzig, [1799 ?] obi. fol. E. 720. d.
Overtura . . . ridotta per il Piano-
forte. Brcitkopf e Hartel :
iijjsia, [1800 ?] oR fol. e. 368. (18.)
RIGUEURS. Les Rigueurs de Climene.
Chansonette. See Bouvaedinska ( ) W^".
Les Rigueurs de I'Absence. Chanson.
See Depuis. Depuis que j'ai quitt6 les
lieux. [1780?] 8". B. 362. g. (36.)
RIGUEURS DU CLOITRE. Ou fuir,
on me cacher. Air des Rigueurs du
Cloitre. [By H. M. Berton.]
Chez Imbault : Paris, [1790.] 8".
B. 362. e. (64.)
Pour d^sarmer celui dont I'injustice.
[Vaudeville, from] Les Rigueurs du Cloitre.
[By H. M. Berton.] Chez Imbault:
Paris, [1790.] 8°. B. 362. c. (64^.)
Les Rigueurs du Cloitre. Drama Lyrique.
See Beeton (H. M.)
RILEY (Edward) Riley's Collection of
24 Country Dances. With proper Figures
for the German Flute or Violin, etc.
E. Riley : London, (1798.) obi. 8°.
a. 9. c. (1.)
RILEY (William) [The Country Wed-
ding.] Roger of the Dale. A Favourite
Song in the late new Ballad Opera of one
Act, call'd the Country Wedding, etc.
[London, 1750 ?] s. sh. fol.
G. 316. f. (142.)
[Another edition.] Roger of the
Dale. See Ye. Ye gentle Winds that
fan the Sea, etc. [Music by W. Rilev.]
[1750?] s.sh.iol. G. 314. "(25.)
2 E
418
RILEY— RINALDO
EIIiEY (William) The Divine Harmo-
nist's Assistant, being a Collection of
Psalm Tunes, by the most approved
]\Iasters ancient & modern. Compiled
by the late Mr. Riley, etc.
Longman & Brodcrip, for the Wido^o :
London, [1790 ?] obi. 4». B. 788. (2.)
The composers named are : Stanley, J.
Percy, Eoivard, Handel, Olive, Bat-
tishi'll, Baildon, Bennett, Moze, S.
Jarvis, S. Long and Riley.
Parochial Music Corrected. Containing
remarks on the Performance of Psalmody
in Country Churches ... To which are
added, A Scarce and Valuable Collection
of Psalm Tunes by the late Dr. Blov7, Dr.
Croft, and Mr. Jeremiah Clarke ; with . , .
New Tunes in Three and Pour Parts . . .
Composed ... for this Work by some of
the Principal Composers and Organists
in London. (Parochial Harmony, etc.)
2 pts. Printed for the Author :
London, 1762. 4". 556. c. 18. (1.)
Eacli part has a separate title-page and
pagination. The composers named
are : Bloiv, Croft, J. Clark, B. Alli-
son, W. WJieall, Nares, J. Worgan,
J. Soaper, S. Long, E. Gilding, J.
Baildon, T. Wood, J. Green Junr.,
S. Hoivard, J. Battishill, W. Selby,
H. Heron, H. Duncalf, M. Hussey
and W. Biley.
Psalms and Hymns, for the Use of the
Chapel of the Asylum, or House of Refuge
for Female Orphans ; . . . The Music by
S. Arnold . . . Battishill, Howard Long,
Dr. Nares, J. Worgan, &c. &c. The whole
collected by W. Riley, etc. The Asylum :
London, [1765 ?] 4°. E. 482,
Roger of the Dale. See supra: [The
Country Wedding.']
RIMBAULT (Stephen Francis) Ah !
why shou'd Love with Tyrant Sway. A
Favorite Rondeau for the Piano Forte.
Sung by Miss Newman, etc.
Printed for tlic Author :
London, [1796 ?] fol. G. 364. (42.)
The Popular Air of La Pipe de Tabac,
arranged as a Rondo by S. F. Rimbault.
[P. F.] W. Hodsoll :
London, [1800 ?] fol. g. 140. (47.)
Alas 1 the much-lov'd Palmer is no more.
A much admired Elegiac Canzonet written
by Mr. Fox, on the Death of Mr. John
Palmer Senr. [the Comedian] ; descriptive
of the last Words he spoke, etc.
W. Hodsoll, for the Author :
[London, 1798.J fol. G. 364. (43.)
The Ballad Singer, [Song,] . . . Words by
T. P. See infra : Select Songs. No. 3.
RIMBAULT (Stephen Francis) The
Hero of the Nile, or Nelson Victorious.
A Song on that Glorious Event.
T. Preston : London, [1798.] fol.
H. 2831. a. (48.)
Love, [Song,] etc.
See infra : Select Songs. No. 8.
The Maid of the IMill. A favorite Air,
composed by Mr. Shield, arranged as a
Rondo for the Piano Forte by S. F. Rim-
bault. R- Birchall :
London, [1800 ?] fol. g. 232. f. (28.)
The IManiac, [Song] . . . Words by T. P.
See infra : Select Songs. No. 2.
A Pastoral on the Death of Stephen
Storace, written by T. Redder.
See infra : Select Songs. No. 4.
The Pilgrim, [Song,] written by P. Pindar,
etc. See infra : Select Songs. No. 1.
Poor Anne who died for Love. A Favorite
Ballad . . . The words by R. Andrews.
T. Preston : London, [1800 ?] fol.
G. 800. m. (48.)
The Power of Music, [Song,] written by a
Lady, etc. See infra : Select Songs. No. 6.
Rouze ye aspiring Britons bold. A
Favorite Song, written by Mr. Fox, etc.
Printed for the Author :
[London, 1800 ?] fol. G. 383. i. (20.)
The Shepherd and his Dog, [Song,]. ..Words
by T. P. See infra : Select Songs. No. 7.
Select Songs, etc. 8 Nos. W. Hodsoll :
London, [1800?] foh G. 364. (41.)
See Mozart (W. A.) [6. Doubtful and
Spurious Works.] Strew the Way with
fairest Flowers . . . with Variations for
the Piano Forte by S. F. Rimbault.
[1800?] fol. g. 139. (37.)
See Pleyel (I. J.) [8. Symphonies.] A
Favorite Overture . . . Adapted for the
Piano Forte with an Accompan' for the
Violin by Mr. Rimbault. [1800 ?] fol.
g. 272. e. (23.)
RIMONTE (Petrus) Missse Sex iv. v. et
VI. Vocum, etc. Cantus. (Altus.) (Tenor.)
(Bassus.) (Quintus.) (Sextus.) 6 pts.
Ap>ud Petrum Phalesium : Antuerpiie,
1614. 4°. D. 218.
[Another copy. Bassus.]
D. 218. a.
Content, [Song,] etc.
See infra : Select Songs.
No. 5.
RIWALDO. Rinaldo. [Opera, by G. F.
Handel.] Curiously fitted & contriv'd for
a single Flute, with their Symphouys
Introduc'd in a Compleat maner, the
whole fairly Engraven, etc. [Walsh :]
London, [1711 ?] obi. 4°. a. 206. a. (7.)
The imprint on the title-page is mutilated.
[Bel iDiacere.] The Rover. [Song.] Sung
by Md'" Isabella Girardau in the Opera of
Rinaldo [by G. F. Handel]. Within the
Compass of the Flute. In Italian and
English. [London, 1711 ?] s. sh. fol.
H. 1601. (387.)
RINALDO— RIST
419
KINALDO. II Tricerbero humiliato.
Rinaldo. [Song.] Sung by Sign. Nicolini
in the Opera of Rinaldo [byG. F. Handel].
In Italian and English. [London, 1711 ?]
s. sh. fol. H. 1601. (267.)
Rinaldo. Opera. See Haendel (G. F.)
Rinaldo. Opera.
See Sacchini (A. M. G.)
HINALDO, da Capua.
See Capua (R. da)
RINALDO AND ARMIDA. The Jolly,
Jolly Breeze. A Song in Pdnaldo and
Armida. [Music by J. Eccles ; the Words
by J. Dennis.] [Londoji,
1700?] s.sh.iol. H. 1601. (430.)
RINALDO UND ARMIDE. Rinaldo
und Armide. Cantate. See Petri (C.)
RING. Ring the Barr Bell of the World.
TJie Bacchanalian Club, or Linco's Globe.
[Song, the words] By A. Bradley.
[London, 1730 ?] s. sh. fol.
G. 311. (32.)
[Another edition.] Ring the Barr Bell of
the World. The Bacchanalian Club, or
Linco's Globe, etc. [London,
1730?] s.sh.iol. G. 316. e. (122.)
RIO (Antonio Ventura Roel del)
See Roel del Rio.
RIOT-NIGHT. The Riot Night. [Song.]
Sec Aldrich (B.)
RIPERT ( ) Amis, je ne veux plus
boire. (Le Moment. Vaudeville, sur une
Gavotte de M. Ripert, etc.)
[Paris,'] 1728. s. sh. 4". 297. a. 33.
Mercure de France, June, 1728.
Prenons tous le verre en main. Couplets
.sur une Gavotte en Rondeau, de M.
Ripert, etc. [Paris,'] 1728. s. sh. 4°.
298. a. 1.
Mercure de France, Oct., 1728.
RIPPON (John) A Selection of Psalm
and Hjnnn Tunes, from the best Authors,
in Three and Four Parts ; adapted princi-
pally to Dr. Watts's Hymns and Psalms,
and to ]Mr. Rippon's Selection of HjTnns,
containing . . . the most approved compo-
sitions which are used in London. . .also,
many original tunes, etc. [With a Brief
Introduction to Psalmody, by T. Walker.]
Sold by Mr. Eippon : [London,
1791 ?] obi. 4°. A. 481. (1.)
RISE. Rise bonny Kate, the Sun's got up
high. Bonny Kate. A Scotch Song.
[Words by D'Urfey, music by W. Mount-
fort.] \_London, 1715 ?] s. sh. fol.
H. 1601. (374.)
Rise Cynthia rise. Glee.
See Cooke (M.)
Rise, Glory, rise. [Song.]
See Arne (T. A.) \_Rosamond.]
RISE. Rise 0 Sunn. Song.
See PiRRO E Demetrio.
The Rise of Pedigree. [Song.]
See Beggar. A Beggar got a Beadle, etc.
[1705 ?] s. sh. fol. H. 1601. (50.)
Rise, rise my Soul. A Hymn on God's
Eternity. [London, 1762.] 8".
P.P. 324. n.
Christian's Magazine, Dec, 1762, p. 563.
RISING. The Rising Aurora. Song.
See Stevenson (Sir J. A.)
The Rising of the Lark. Song.
See Ling (W.)
The rising Sun thro' aU the grove. The
Parting. [Song.] [London,
1765?] s.sh.iol. G. 312. (112.)
RISO. II Riso. Canone.
See Martin y Solar (V.) [La Scuola
de' Maritati.]
RIST (Johann) Das Priedejauchende
Teutschland, welches, Vermittelst eines
neuen Schauspieles, theils in ungebund-
ener, theils in gebundener Rede und
anmuhtigen Liederen mit neuen, von
Herrn ]\Iichael Jakobi, . . . gesetzten
^lelodeien, denen . . . Teutsch und treu-
meinentlich vorstellet J. Rist.
In Verlegung Wolffgang dess Jilngern
und Johann Andrex Endtern : Nilrnberg,
1653. 8°. 1314. c. 12.
With a second [engraved) title-page.
Frommer und Gottseliger Christen AU-
tagliche Hauszmusik . . . Bestehend in . . .
Geistlichen Liederen und Gesangen . . .
deroselben grossester Theil auf bekante
. . .siimtlich aber auf gar neue, von dem
. . .weitberiihmten Musico, Herren Johaii
Schopen, wol . . . gesetzte Melodien . . .
gesungen und gespielet werden. . .hervor
gegeben von J. Rist, etc.
Bei J. H. Stern: Li'ineburg, 1654. 8°.
A. 188.
'With a second {engraved) title-page.
Johann Risten . . . Himlischer Lieder
mit sehr anmuthigen, von Herrn Johann
Schopen . . . gesetzten Melodeyen. Das
Erste (-FiinSte und letzte) Zehn. 5 pts.
Bey Joliann U7id Heinrich Sternen :
Liineburg, 1649-51. 8". 3438. e. 20.
Parts I. and F. are dated 1650 ; Parts II.
and III, 1651 ; Part IV., 1649.
Johann Risten Himlische Lieder, mit
sehr lieblichen . . . von dem . , . weitbe-
riihmten H. Johann Schojj, wolgesetzeten
Melodeien . . . auffs neue wiederum iiber-
sehen. . .und. . .verbessert, etc.
Die Sternen : Liineburg, 165S. 8".
3433. bbbb. 22. (2.)
With a second (engraved) title-page,
dated 1652.
[Another copy.] 7897. a. 63. (1.)
2 e 2
420
EIST— EIVANDER
HIST (Johann) Neuer Himlischer Lieder
Sonderbahres Bucb, In sich begreiffend
I. Klaag- und Buhsslieder. ii. Lob- uud
Danklieder. m. Sonderbabre Lieder.
IV. Sterbens und Gericbtslieder. v. Hol-
len- und HiiSelslieder. Welche so wol
auf bekante . . . Weisen, alss auf gantz
Neue, und von etlicben . . . Meistern der
Singekunst wolgesetzte ]Melodeien konnen
gesungen und gespielet werden . . . auss-
gefertiget und bervorgegeben von J. Rist.
Bei Johann und Heinrich, die Sterne :
Liinebitrg, 1657. 8°.
3433. bbbb. 22. (1.)
With a second (engraved) title-xmgc.
Neue Musikalische Fest - Andacbten,
bestebende in Lebr- Trost- Vermabnungs-
und Warnungsreicben Liederen, iiber AUe
Evangelien. . .welcbe Jabrlicb, an boben
. ..Feirtagen, in den Evangeliscben Kir-
cben werden . . . ausgeleget. _ Die den
grossern Tbeils auf gewobnlicbe . . . Alle
aber auf gantz Neue, von Herren Tboma
Sellio. . . wolgesetzete Melodyen konnen
gespielet und gesungen werden . . . abge-
fasset und zum Drukke iibergeben von
J. Eist. Bci Johann und Heinrich Stern :
Liineburg, 1655. 8°. A. 188. a.
With a second title-page and frontispiece,
both engraved.
Neue Musikaliscbe Katecbismus Andacbt-
en, bestebende in Lebr- Trost- Vernian-
ung- und Warnungs-reicben Liederen
. . . welcben. . .zwolf . . .Gesange iiber die
Cbristlicbe Haustaf!el sind beigefiiget die
den alle, so wol auf bekante. . .als aucb auf
gantz neue, von Herrn Andreas Hammer-
scbmid . . . wolgesetzete Melodien konnen
gespielet und gesungen werden. . .abge-
f asset. . .von Jobann Rist, etc.
Die Sternen : Liineburg, 1656. 8".
1220. d. 15.
There is a second (engraved) title-page and
frontispiece.
Neue Musikaliscbe Kreutz- Trost- Lob-
und Dank Scbuble, worinn befindlicb
unterscbiedlicbe Lebr- un Trostreiebe
Lieder . . . Welcbe grosseren Tbeils auf
bekante, . . . alle mit einauder aber, auf
gantz neue, von . . . Herrn Micbael Ja-
kobi . . . gesetzete Melodien, kdnnen ge-
spielet und gesungen werden . . . auf-
gericbtet und angeordnet von J. Rist, etc.
Die Sternen : Liineburg, 1659. 8°.
1220. d. 14.
With a second (engraved) title-page.
Neues Musikaliscbes Seelenparadis, in
sicb begreiffend die allerfiirtreflicbste
Spriicbe der beiligen Scbrifit . . . in . . .
Trostreicben Liederen . . . welcbe so wol
auf bekante ... als aucb gantz Neue, von
. . . Herren Cbristian Plor . . . gesetzete
Melodien konnen gespielet und gesungen
werden . . . abgefasset . . . und . . . bervor
gegeben von J. Rist. 2 pts.
Die Sternen: Liineburg, 1660-2. 8".
1221. b. 35.
Each part has a second (engraved) title-
page and portrait.
■ Sabbatiscbe Seelenlust, Das ist : Lehr-
Trost- Vermabnung- und Warnungsreicbe
Lieder . . . welcbe so wol auf bekante . . .
alss aucb gantz Neue, vom Herren Thoma
Sellio . . . wolgesetzete Melodeien konnen
gesungen und gespielet werden, . ._ . abge-
fasset und berausgegeben von J. Eist.
Die Sternen : Liineburg, 1651. 8°.
1220. d. 13.
See also Daphnis, aus Cimbrien, pseud.
RITSON" (Joseph) Ancient Songs, from
tbe Time of King Henry tbe Tbird, to tbe
Reformation. [Edited by J. Ritson.]
1791. 8°. See Songs. 239. 1. 18.
A Select Collection of Englisb Songs, etc.
[Edited, witb an Essay on National Song,
by J. Ritson.] 1783. 8'\
See English Songs. 239. L 37-39.
Scotisb Song, etc. [Edited, witb an
Historical Essay, by J. Ritson.]
1794. 8". See Scotish Songs.
239. 1. 11.
BITTER ROLAND. Ouverture und
Gesange aus der komiscben Oper der
Ritter Roland. See Haydn (F. J.)
RIVA (Giuseppe) [Avviso ai composi-
tori.] See Mizlee (L.) Musikaliscber
Staarstecber ... Als eiu Anbang ist des
Herrn Riva . . . Nacbricbt vor die Com-
ponisten und Sanger beygefiiget, etc.
(1740.) 8°. 7897. aaa. 18.
RIVAL. Tbe Rival's Complaint to Some-
body. [Song.] See Triple. A Triple
Alliance, in Love none can boast.
[1726?] s.sh.iol. G. 306. (11.)
RIVAL CANDIDATES. Tbe Rival
Candidates. Comic Opera.
See Caeter (C. T.)
RIVAL CONFIDENT. L'age a squ
boruer nos desirs. Ronde clu Rival Con-
fident [by A. E. jNI. Gr6try], etc.
Chez hnbault : Paris, [1790 ?] 8".
B. 362. c. (84.)
Le Rival Confident. Com^die.
See Geetey (A. E. M.)
RIVALI DELUSI. I Rivali Delusi.
Opera. See Saeti (G.)
RIVANDER (Paul) Prati Musici.
Ander Tbeil, Darinnen Newe Weltlicbe
Gesang, von 3. 4. 5. vnd 8. Stimmen. . .
Benebens etlicben Paduanen, Intraden,
Currenten vnd Tiintzen, nach allerbandt
RIVANDER— ROBINSON
421
Instrunienten, sonderlich aber auff Violen
zugebrauchen. [Cantus.] Altus. (Tenor.)
(Bassus.) (Quinta Vox.) 5 pts.
Gedruckt diircli Paulum Buhcm :
Onoltzbach, 1613. 4°. B, 295.
Imperfect, ivanting sheets A and F of
the Cantus part, sheet F of the Alttis,
and fol. Fir of the Tenor. The im-
perfections in the Tenor and Altus are
supplied in MS. TJie title-page of
the Bassus is mutilated. The date
occurs in two chronograms.
HIVES (Bernard) Six Senates a Violon
seul et Basse. . .Opera Prima.
Printed for William Napier : London,
[1775?] fol. g. 87.
RIVIERE. La Riviere. [Song.]
See Que. Qu'un autre chante la foret.
[1780?] S'\ B. 362, b. (167.)
RIVIERE DU FRESNY (Charles)
Des climats Champenois. Chanson.
[Words and music by C. Riviere du
Fresny.] [Paris, 1710.] s. sh. obi. 4".
P.P. 4486.
Merctire Galant, Tome I., p. 40.
Venez admirer ma science. Chanson.
[Paris,'] 1725. s. sh. 4°. 297. a. 14.
Mercure de France, June, 1725.
ROAST. The Roast Beef Song. [Begins :
' When mighty Roast Beef.']
See Leveridge (R.)
The Roast Beef Cantata. See 'Twas.
'Twas at the Gate of Calais Hogarth tells.
[1765?] fol. G. 316. (146.)
ROBART (William) Sylvia, I'll on. A
Song,. . .Sung by the Cxirl, at the new
Theater, and exactly engrav'd by Tho.
Cross. [London, 1695?] s. sh. io\.
H. 1600. (103.)
ROBERTO ( ) Au penchant qui nous
eutraine. Chanson, etc. Les paroles sont
de M. Dallet, etc. Gravi par
W^ Labassee. Imprime' par Tournelle :
[Paris,] 1758. s. sh. 8°. 297. d. 13.
Mercure de France, July, 1758.
ROBERTSON ( ) Mrs., of Lady Kirk.
The Ridicule, a Reel, as a Medley. [P. F.]
See Gow (N.) The Countess of Dal-
housie's Strathy . . . and the Ridicule . . .
by Mrs. Robertson, etc. [1800 ?] fol.
h. 1480. a. (20.)
ROBIN. Robin's Complaint. [Song.]
See Did. Did ever Swain a Nymph
adore. [By M. Greene.]
[1720?] s.sh.iol. H. 1601. (124.)
[Another setting.] Robin's Complaint.
[Song.] See Oswald (J.)
ROBIN HOOD. Robin Hood. An Opera.
As it is Perform'd at . . . Bartholomew-
Fair. With the Musick prefix'd to each
Song. Printed for J. Watts :
London, 1730. 8".
161. e. 41.
ROBIN HOOD. As blyth as the Linnet
sings in the green Wood. [Song.] Sung
by Mr. Beard. [Words by M. Mendez,
music by C. Burney.]
[London, 1750.] s. sh. fol. G. 306. (65.)
As blyth as the Linnet, etc. Robin Hood.
[Words by ?.I. Mendez, music by C.
Burney.] [London, 1755.] B".
157. 1. 17.
London Magazine, 1755, p. 444.
When gen'rous Wine, etc. An admired
Song "by J. Probin], sung by Mr. Bowdeu
in Robin Hood. J. Hill : Dublin,
[1790?] fol. G. 383. i. (23.)
Robin Hood, or Sherwood Forest. Comic
Opera. See Shield (W.)
Robin Hood's Hill. Song. See Ye. Ye
Bards who extol the gay Valleys and glades.
[1780 ?] s. sh. fol. G. 314. (53.)
ROBINEAU ( ) Lettre d'un Parisien
[i.e. — Robineau]. Contenaut quelques
reflexions sur celle de ]\I. Rousseau.
1754. 8°. See Parisien.
1103. b. 22. (3.)
ROBINEAU (Alexandre) Sonates a
Violon seul et Basse . . . Gravees par
P. L. Charpentier, etc.
Aux Adresses Ordinaires de Musique :
Paris, [1770 ?] fol. h. 218. (5.)
ROBINSON CRUSOE. Overture in
the Pantomime of Robinson Crusoe. [By
W. Shield. P. F.]
[London, 1782 ?] obi. fol. f. 65. b. (10.)
Come, come, my joUy Lads . . . Song in
Robinson Crusoe, A new Pantomime, etc.
[By W. Shield.] /. Bice :
Dublin, [1185 ?] s.sh.iol.
H. 1601. b. (25.)
Robinson Crusoe. Comic Song.
See When. When I was a Lad, etc.
[1797 ?] fol. G. 367. (29.)
ROBINSON (Daniel) An Essay upon
Vocal Musick . . . Set forth by way of
Dialogue, etc. J. Collyer,
for the Author : Nottingham, 1115. 8".
786. b. 33.
ROBINSON (Thomas) New Cithareu
Lessons, with perfect Tunings of the
same, from Foure course of Strings to
Fourteene course, euen to trie the sharpest
teeth of Enuie, with Lessons of all sortes,
and methodical! Instructions for all
Professors and Practitioners of the
Citharen. William Barley :
London, 1609. 4". K. 2. d. 2.
48 leaves, luithout pagination. Fol. B^
contains MS. music in a contonporary
handwriting.
422
KOBINSON— RODIO
ROBINSON (Thomas) The Schoole of
Musicke : wherein is taught, the Perfect
Method, of True Fingering of the Lute,
Pandora, Orpharion, and Viol de Gamba ;
with most infallible generall rules, both
easie and delightfuU. Also, a method,
how you may be your owne instructer for
Prick-song, by the help of your Lute,
without any other teacher : with lessons
of all sorts, for your further and better
instruction.
Printed by Tho. Este, for SimonWatersoii :
London, 1603. fol. K. 2. d. 1.
28 leaves without pagination.
ROBSARD ( ) Je ne viens plus dans
ces Deserts. Air Nouveau.
{Paris, 1678.] s. s7i. ohl. 4°. P.P. 4482.
Nouveau Mercurc Galant, August, 1678,
p. 61.
ROC CIA (Dattilo) Di Dattilo Roccia
. . . il Primo Libro de Madrigali a Quattro
Voci. Tenore. Per Gio.
Giacomo Carlino, cC Costantino Vitale :
Napoli, 1608. 4°. B. 296.
This ivork contains two madrigals by
G. B. Petrilli.
ROCHARD ( ) Au bord d'un clair
ruisseau. Vaudeville en Musette, etc.
[Paris,'] 1748. s. sh. 4°. 297. c. 19.
Mercure de France, Dec, 1748.
ROCHEFORT (Jean Baptiste) Priere
a I'Etre Supreme. Chantee a I'Op^ra-
National. Paroles du. Cit. Fabre-Olivet.
Chez Frire :
{Paris, 1794 ?] 8°. B. 362. d. (5.)
ROCK (William) Alone, thro' unfre-
quented Wilds. A favorite Glee for five
Voices, etc. [Words translated from
Metastasio by E. Carter.] Longman arul
Broderip : London, [1790 ?] obi. fol.
E. 207. (4.)
ROCKEMAN ( ) and ALTERS ( )
Sis Sonatas, in 5 parts for two Clarinets,
two Horns and Bassoon, as performed in
the Militia. [Separate Parts.]
Printed for G. d S. Thompson ;
Loyidon, [1775 ?] obi. 4°. b. 206.
ROCKY. Rocky Seaton. Song.
See Hayes (P.) {Adieu to Seaton Cliffs.']
RODE (Jacques Pierke Joseph) Premier
Concerto pour le Violon. [Separate Parts.]
Chez Brcitkopf d; Hcirtcl :
Leipsic, [1800 ?] fol. h. 1666. (1.)
Imperfect, luanting the Viola, Flute and
Oboe II. parts.
Troisi^me Concerto de Violon, etc.
[Separate Parts.] Chez Cochet :
Paris, [1800?] fol. h. 1666. (2.)
Imperfect, wanting the Flute part.
RODE (Jacques Pierre Joseph) Ooncerb
[No. 4] pour Violon Principal accompagne
de deux Violons, Taille, Basse, deux
Flutes, deux Hautbois, deux Bassons,
2 Cors & Trompe. . .Oeuvre 18. Clics-
J. J. Hummel : Berlin, [1800 ?] fol.
h. 1666. a. (1.>
Cinqui^me Concerto pour le Violon, etc
[Separate Parts.] Chez Imbault :
Paris, [1800 ?] fol. h. 1666.^ (3.)
Imperfect, loanting the Second Violin
part of the Rondo.
Sixieme Concerto a Violon principal, etc
[Separate Parts.] Chez Imbault :
Paris, [1800 ?] fol. h. 1666. (4.)
RODELINDA. The Favourite Songs in
the Opera call'd Rodelinda. [Libretto by
N. Haym, music by G. F. Handel.]
Printed and Sold at the Musick SJiojjs :
London, [1725.] fol. G. 192. (3.)
[Overture. Minuet.] Strephon in vain
thou Courtest. A Song made to a favour-
ite Minuet in Rodelinda [by G. F. Handel].
{London, 1725 ?] s. sh. fol.
G. 311. (53.)
[Another copy.] G. 315. (51.)
Scacciato dal suo nido. [Song.] Sung
by SigW Senesino in Rodelinda [by G. F.
HandelJ. {London, 1725 ?] fol.
G. 305. (61.)
Rodelinda. Opera. /See Haendel (G. F.)
RODER. Roder, veiller, sans cesse etre
aux Aguets. Ariette.
See NocE Bearnaise.
RODGERS (James) An Anthem for
Christmas Day as sung at S' John the
Baptist's Church, Peterborough ; the
Eighty first Psalm, . . . and the Twenty
third Psalm. To which are added a
Sauctus and Kyrie Eleeson . . . The Whole
in Score. . .Published by H. Burdett, etc.
Longman and Broderip), for the Editor :
London, {Vim 7] fol. H. 2815. i. (1.)
RODIL (Anionic) Sei Sonate a Solo per
Flauto Traversiero e Basso, etc. Welcker :
London, [1775 ?] fol. g. 280. c. (4.)
RODIO (Rocco) Regole di Musica di
Rocco Rodio sotto breuissime risposte
dubij propostigii . . . intoruo alle varie
opinioni de Contrapontisti con la Dimos-
tratione de Tutti i Canoni sopra il Canto
Fermo . . . aggiontaui un' altra breue
Dimostratione de dodeci Tuoni...Et di
nuouo da. . .G. B. Olifante aggiontoui un
Trattato di Proportioni. . .e ristampato.
Per G. G. Carlino, e C. Vitale :
Napoli, 1609. obi. 4°. 785. a. 6.
[Another copy.]
785. a. 5.
EODIO— ROGERS
423
RODIO (Rocco) Regole di Musica...
Aggiontoui un altra breue Dimostratione
de Dodeci Tuoni Regolari, Finti, e Tras-
portati. Ed di nuouo da Don G. B.
Olifante aggiontoui vn Trattato di Pro-
portioni necessario a detto Libro, e ris-
tampato : & altre cose di nouo poste dal
detto Olifante per complimento di detto
Libro, etc. Per Anibrosio Magtictta :
Napoli, 1626. obi. 4°. A. 465.
RODNEY. Rodney Triumphant. [Song.]
See Come. Come my boys we've beat the
Foe, etc. [1781.] s. sh. fol.
G. 316. (37.)
Rodney's Triumph. [Song.]
See Sound. Soundthy Trumpet, 0 Fame.
[1780.] s. sh. fol. I. 530. (147.)
RODOLPH. Rodolph in paternal Hall.
Ballad. (Albrecht und Agnes. Eine
Ballade [words] von Graf Stollberg.)
C. Geisweiler : [London,
1800.] s. sh. obi. 4". 266. 1. 29.
German Museum, March, 1800.
RODOLPHE (Jean Joseph) L'Avcugle
de Palmyre, Com^die-Pastorale en deux
Actes, en vers, mesMe d'Ariettes. . .Par
M. Desfontaines . . . avec la Musique [of the
concluding Vaudeville]. 1770. 8".
See Recueil. Recueil general des Op^ra
Bouffons, etc. Tom. 1. 1777. 8".
11735. b. 2.
Des Simples jeux de son enfance.
Air. [1767 ?] 8^ See Aveugle de
Palmyre. B. 362. (31.)
Theorie d'Accompagnement et de Com-
position a I'usage des Eleves de I'Ecole
Royale de Musique, etc. (Euvre ii™. . .
Grav6e par F. Le Roy. F. Lc Roy :
Paris, [1785 ?] fol. H. 2196. (1.)
ROEIj del RIO (Antonio Ventura)
Reparos IMusicos, precisos a la Llave de
la Modulacion, &c. del P. Fr. A Soler, etc.
A. Munoz del Valle : Madrid, 1764. 4°.
7897. e. 22. (1.)
See Soler (A.) Satisfaccion a los Reparos
precisos hechos por D. Antonio Roel del
Rio, a la Llave de la Modulacion, por. . .
A. Soler, etc. 1765. 4".
7897. e. 22. (2.)
ROESER (Valentin) Twelve Easy
Lessons for the Piano Forte or Harpsi-
chord. . .Opera vi. Welckcr :
London, inSO?] obi. iol. e. 5. e. (6.)
Twelve Easy Lessons, for the Piano Forte.
Opera 6. [1799.]
Imperfect, ivanting all after p. 42.
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. IX.
[No. 2.] [1797-1802.] 8°. D. 854.
ROESER (Valentin) XII. Senates tres
faciles pour le Clavecin ou le Forte Piano.
CEuvre vi. Ch^s Pierre den
Hetigst: Amsterdam, [11 85?] obi. iol.
e. 5. c. (6.)
Sous les loix de la jeune Hortense.
Romance. . .les Paroles de M. H. D. L.
IParis,'] rrn. s. sh. 8". 297. f. 14.
Mercure de France, June, 1777.
ROESLER (Gregorius) Melodrama
Ecclesiasticum, in Quiudecim Scenas
divisum, id est, XV. Ofiertoria, Festis
aliquibus Domini & Communi Sanctorum
accommodata, a 4. Vocibus, 2. Violiuis
obligatis, 2. Clarinis vel Cornibus, &
Tympanis ad Libitum, cum duplici Basso
continue, dc. Opus 1. 11 pts.
Sumptibus Philippi Ludovici
Klaffschenckelii : Augusts Viiulelicorum,
1748. fol. G. 68.
ROGER. Roger and Nell. [Song.]
See. Young. Young Roger of the Vale.
[1730 ?] s. sh. fol. G. 314. (15*.)
Roger and Sue. [Song.] See One. One
morn sweet Sue, c/c. [1750?! s. sh. iol.
G.'310. (219.)
Roger of the Dale. Song.
/See Riley (W.) [The Country Wedding.}
Roger sortant de I'lsle d'Alcine. Romance.
See Sombre. Sombre Foret, ouvre-moi
ta retraite, etc. 1783. 8". 297. g. 3.
Roger upon the Grass. [Song.] See As.
As Roger was laid. [1710 ?] s. sh. fol.
G. 306. (78.)
Roger's Courtship. [Song.]
See Carey (H.)
Roger's Llistress. [Song.] See Only.
The Only Lass that I do Love, etc.
[1710?] s. sh. fol. G. 305. (30.)
ROGER-BONTEMS. Roger-Bontems
et Javotte. Parodie d'Orphee et Euridice ;
Piece en un Acte, mel6e d'Ariettes, par
MM. Moline & D'Orvigny . . . avec la
Musique [of one Song]. 1775.
See Recueil. Recueil general des Opera
Bouffons, etc. Tom. 8. 1777. 8".
11735. b. 2.
ROGERS (Benjamin) Come come all
Noble Souls. A Favorite Glee. Babb:
[London, 1780 ?] s. sh. fol.
G. 307. (111.)
Come, come, all noble Souls. Glee for
three voices. [London,] 1789. s. sh. 4°.
P.P. 5141.
Lady's Magazine, Nov., 1789.
See Dering (R.) Cantica Sacra... both
Latine and English... by R. Dering...
D"- B. Rogers, etc. 1674. fol.
K. 3. m. 6,
424
ROI— ROLLE
ROI. Le Roi de la Feve.
See AusELiNE (J. B.)
LeRoi passoit. Ariette.
Chauson.
See Deserteur.
ROI ET LE FERMIER. Le Roy et le
Fermier. Comedie en Trois Actes . . .
[Written by P. J. S(5daine, music] Par
M. * * * [i.e. P. A. Monsigny] Grav6 par
Le-S'Hue. [Full Score.]
Cli(}s C. Herissant :
Paris, [1762.] fol. H. 616. (1.)
Le Roi et le Fermier, Com6die en Trois
Actes, mel6e de niorceaux de Musique. . .
Par M. Sedaine, . .avec la Musique [of
two Songs, by P. A. IMonsigny.] 1770.
See Recueil. Recueil general des Op6ra
Boufions, etc. Tom. 3. 1777. 8°.
11735. b. 2.
Un fin chasseur qui suit a pas de loup.
Ariette, du PmI et clu Fermier [by P. A.
Monsigny]. ^Paris, 1762.] 8".
B. 362. (30.)
Ne perdons jamais I'esp^rance. Vaude-
ville, du Roi et du Fermier [by P. A.
Monsigny]. [Paris, 1762.] 8°.
B. 362. e. (114.)
Que le Soleil dans la plaine. Ariette die
Roi et chi Fermier [by P. A. Monsigny].
[Paris, 1762.] 8". B. 362. (29.)
ROI THlSODORE A VENISE. Le
Roi Theodore a Venise. Opera.
See Paisiello (G.)
ROIERI (Claudio) XII. Senate a Violino
solo e Basso. London, 1740. fol. g. 1047.
ROIS. Les Roys. Ronde de Table.
See Du Vigneau ( )
ROLAND. Roland. Romance.
See CzARTORYSKA ( de) Princess.
Roland. Tragedie. See Lulli (G. B.)
Roland. Opera. See Piccini (N.)
Roland. Opera. See Stepfani (A.)
Roland a Roncevaux. Air. See Ou. On
courent les peuples epars. [1790 ?] 8".
B. 362. a. (4.)
ROLPE (William) William Rolfe's...
Fashionable collection of 24 Country
dances for the Violin or German Flute
with proper figures as they are Danced at
. . .all public assemblies for the Year 1799.
Printed for William Rolfe :
London, [1799.] obi. 4°. a. 9. c. (4.)
ROLL. Roll liquid Mountains roll.
Song. See Bruguier (D.)
ROLLA (Alessandro) Due Quartetti
per Plauto, Violino, Viola et Violoncello
...Op. 2. [Separate Parts.]
Presso G. Cappi : Vienna, [1800?] fol.
h. 2801. a. (2.)
ROLLE (Johann HeinrichI Abraham
auf Moria, ein musikalisches Drama, in
Musik gesetzt und als ein Auszug zum
Singeu beym Klaviere herausgegeben von
J. H. Rolle . . . Zweyte und verbesserte
Ausgabe. /. G. I. Breitkopf :
Leipzig, 1785. obi. fol. F. 384. e.
Die Befreyung Israels, ein musilialisches
Drama, in Musik gesetzt und als ein
Auszug zum Singen beym Klaviere
herausgegeben von J. H. Rolle, etc.
hn Scliwickertschen Verlage :
Leipzig, [1784.] obi. fol. F. 384. a.
David und Jonathan. Eine musikalische
Elegie, etc. [Cantata.]
Bey B. C. Breitkopf und Sohn :
Leipzig, 1773. fol. H. il87. o. (5.)
Davids Sieg im Eichthale, ein musikal-
isches Drama, in Musik gesetzt und als
ein Auszug zum Singen beym ICaviere
herausgegeben von J. H. Rolle.
G. E. Hemmerde : Halle, 1776. obi. fol.
D. 436. c.
Gedor, oder das Erwachen zum bessern
Leben, [Cantata] von Herrosee ... In
Clavierauszug gebracht von Zachariji, etc.
Schwickert : Leipzig tend Magdeburg,
1787. obi. fol. F. 384. f.
Sechzig auserlesene Gesiinge iiber die
Werke Gottes in der Natur, etc.
G. H. Hemmerde : Halle, 1775. obi. fol.
D. 436. b.
Herrmanns Tod, ein musikalisches Drama,
in Musik gesetzt und als ein Auszug zum
Singen beym Klaviere nebst sechs Liedern
herausgegeben von J. H. Rolle, etc.
hn Scliwickertschen Verlage :
Leipzig, [1784.] obi. fol. F. 384. b.
Idamant, oder das Geliibde, ein musikal-
isch Drama, in Musik gesetzt und als ein
Auszug zum Singen beym Klaviere, nebst
einer Senate, herausgegeben von J. H.
Rolle. hn Sclnvickertschcn Verlage :
Leipzig, [1782.] obi. fol. F. 384.
Lazarus, oder die Feyerder Auferstehuug,
ein musikalisches Drama, in Musik gesetzt,
und als ein Auszug zum Singen beym
Klaviere herausgegeben von J. H. Rolle,
etc. Bey J. G. I. Breitkopf :
Leipzig, 1779. obi. fol. F. 384. h.
Mehala, die Tochter Jephtha, ein musikal-
isches Drama, in Musik gesetzt und als
ein Auszug zum Singen beym Klaviere
herausgegeben von J. H. Rolle, etc.
Bey J. G. I. Breitkopf :
Leipzig, 1784. obi. fol. F. 384. d.
Melida, ein Siugspiel in drey Aufziigen
[Libretto] von Sucre, etc. [P. F. Score.]
hi Ccnnmission bey Schwickert :
Leipzig, 1785. obi. fol. F. 384. g.
ROLLE— ROMBERG
425
HOLLE (JoHANX Hei>'bich) Sammlung
Geistlicber Lieder fiir Liebhaber eines
ungekiinstelten Gesangs und leicbter
Clavierbegleitung, etc.
Bey B. C. Breitkopf tind Sohn :
Leipzig, 1775. ohl. fol. D. 436. a.
Saul, Oder die Gewalt der Musik, ein
musikaliscbes Drama in Musik gesetzt
und als ein Auszug zum Singen beym
Klaviere berausgegeben Ton J. H. Rolle.
Bey B. C. Breitkopf unci Sohn :
Leipzig, 1776. obi. fol, D. 436. d.
Simson, ein musikaliscbes Drama, in
Musik gesetzt und im Klavierauszug zum
Singen berausgegeben vou J. H. Rolle.
Ln Schidckcrtschen Verlagc :
Leipzig, [1785.] obi. fol. F. 384. i.
Tbirza und ibre Sobne, ein musikaliscbes
Drama, in Musik gesetzt und als ein
Auszug zum Singen beym Klavier beraus-
gegeben vou J. H. Rolle, etc.
Bey J.G.I. Breitkopf :
Leipzig, 1781. obi. fol. F. 384. c.
Der Tod Abels, ein :Musikaliscbes Drama,
etc. [Words by Patzke. P. F. Score.]
Bey B. C. Breitkopf und Sohn :
Leipzig, 1771. obi. fol. D. 436.
EOLLET ( ) Methode pour apprendre
la Musique sans transposition, avec Quatre
Vingt Le(;ons a deux Parties, etc.
Chez 3/'- Le Menu : Paris, [1780.] fol.
G. 839.
ROLLI (GiovANSi) Six Italian Cantatas
& Six Lessons upon tbe Harpsicbord,
consisting of Fugbe, AUemande, Gavotte,
Sarabande, Gigbe e Minuetti, etc.
London, 1733. obi. fol. E. 231.
KOLLI (Paolo) Di Canzonette e di
Cantate Libri Due. Presso T. Edlin :
Londra, 1727. 8". 1062. 1. 28.
ROLLING. The Rolling Sailor. Song.
See Sailoes. Sailors tbey get all tbe
money. [1780?] s.sh.iol.
G. 316. (119.)
Tbe Rolling Tailor. [Song.]
See Lord Mayor's Day.
Tbe rolling wbeele. Sonnet.
See Greene (:M.) [Spenser's Amoretti.
Sonnet 1'.]
ROMAIN" DE BRASSEUR ( ) Sei
Sonate da Camera a Violiuo solo col
Basso . . . Opera Prima. Grav6 par M^""
Bertin. Chez
M'' Gaviqnies : Paris, [1750 ?] fol.
g. 1048.
ROMANO (Alessandro) Di Alessandro
Romano II Primo Libro delle Ca[n]zoni
alia Napolitana, a cinque voci Nuoua-
mente ristampate. Tenore.
Appresso V Herede di Girolamo Scotto :
Vineggia, 1579. 4°. D. 173.
ROMANO (Alessandro) Di' Alessandro
Romano... il Secondo Libro delle Napo-
litane a cinque voci con vna canzone del
medesimo nel fine. Nuouamente ristam-
pate. Alto. (Tenore.) (Quinto.) 3 pts.
Appresso V Herede di Girolamo Scotto :
Vinegia, 1575. 4°. D. 173. a.
Di Alessandro Romano Le Vergini a
Quatro Voci con la gionta di alcuni
INIadrigali. Nouamente per Antonio
Cxardano Ristampate, etc. Basso.
Appresso di Antonio Gardano :
Venetia, 1562. obi. i". A. 356.
ROMANO (Remigio) Prima(-Quarta)
Raccolta di Bellissime Canzonette Musi-
cali, e raoderne, di Autori grauissimi nella
Poesia, & nella Musica. 4 pts.
Appresso G. B. dc Rossi :
Paula, 1625. 12°. 11422. aaa. 6.
Each part has separate title-page and
pagination. The anonymous music is
in Guitar tablature.
ROMANS. Les Romans. Ballet Heroique,
,sVe Niel (J. B.)
Tbe Romans in England they once did
sway. The Chapter of Kings. A celebrated
Historical Song Written and Sung. . .by
Mr. Collins, author of tbe Brush.
Longman and Broderip :
[London, 1195 '>] fol. G. 360. (14.)
[Another edition.] The Romans in
England they once did sway. The Chapter
of Kin<is . . . Song. . .Sung. . .by ilr. Dignum,
etc. Longman and Broderip :
[London, 1797 ?] fol. H. 2821. (10.)
[Another edition.] The Romans in
England tbey once did sway. The Chapter
of Kings, etc. M. dementi d C" :
London, [1800?] fol. G. 383. i. (24.)
ROMANZEN. Romanzenmit Melodien,
und einem Schreiben an den Verfasser
derselben [J. F. Loewen]. Bamburg
und Leipzig, 1762. 8°. A. 1106. a.
Romanzen mit Melodien. Bey B. C.
Breitkopf und Sohn : Leij^zig, 1768. 8".
11525. b. (2.)
Romanzen mit Melodien. Zweyte Auflage.
Bey B. C. Breitkopf und Sohn :
Leipzig, 1768. 8°. A. 1106.
ROMARIN. Le Romarin. [Song.]
See De. D'un Bouquet de Romarin.
[1785?] 8\ B. 362. a. (153.)
ROMBERG (Andreas)
See Romberg (A. J.)
ROMBERG (Andreas Jacob) Trois
Duos pour Yiolon et Yioloncelle. CEuvre
2. [Separate Parts.] Chez Plcyel :
Paris, [1800 ?] fol. b. 2813. a. (2.)
Oden und Lieder fiirs Clavier, etc.
G. Welsch : Bonn, [1793.] obi. fol.
E. 447. a.
426
ROMBERG— RONTANI
ROMBERG- (Andeeas Jacob) and (Bern-
hard Heinrich) Trois Duos concertans
pour Violon et Violoncello. . .Oeuv. ii. des
Duos. [Separate Parts.]
Chez Brcitkopf & Hdrtel :
Leipsic, [1800.] fol. li. 2813. a. (1.)
ROMBERG- (Bernhard Heinrich)
See Romberg (A. J.) and (B. H.) Trois
Duos concertans, etc. [1800.] fol.
h. 2813. a. (1.)
ROMEO ET JULIETTE. Romeo et
Juliette. Opera. See Steibelt (D.)
ROMEO UND JULIE. Romeo und
Julie. Oper. See Benda (G.)
ROMER ( ) Vocalist. [Modern Eccen-
tricities.] Benignity ; [Song,] written
& composed by ]Mr. Romer, etc.
T. Gladman : London, [1800 ?] fol.
G. 807. b. (54.)
The Chair Mender, a Favorite Ballad,
written & composed by ]\I' Romer, etc.
E. Riley : London, [1800 ?] fol.
G. 807. b. (54*.)
The Modern Lover, written & com-
posed by Mr. Romer, etc. E. Pdlcy :
London, [1800 ?] fol. G-. 807. (54**.)
The Village Festival, [Song,] written
& comx^osed by ]\lr. Romer, etc.
T. Gladman: Lo»f?o»., [1800 ?] fol.
G. 808. e. (41.)
ROMERO DE AVILA (Geronimo)
Arte de Canto-Llano, y Organo, 6 Promp-
tuario Musico, dividido en quatro partes,
etc. Joseph Doblado : Madrid, 1785. 4".
7897. m. 5.
ROMP. The Romp. [Song.]
See Carey (H.)
RONCALLI (Ludovico) Count. Capricci
Armonici sopra la Chitarra Spagnola . . .
Opera Prima. Sebastian Casetti hitagl. :
Bergamo, 1692. ohl. 4°, K. 2. c. 12.
RONDEAU. Rondeau. Perform'd on
the Hautboy by Mr. Fischer at Vauxhall.
Adapted also for the Harpsicord & Trans-
pos'd for the German Flute. 2 Nos.
[London, 1785 ?] fol. h. 141. a. (18.)
RONDINIUS (Cheysostomus) Cantiones
Sacrse Binis ac Ternis Vocibus cantanda^,
cum Basso Continuo ad Organmn. Auc-
tore D. Chrysostomo Rondinio Abbate
Olivetano. Nunc primum in lucem editte.
Tenore. (Bassus.) 2 pts. Petrus
Phalesius : Antuerpise-, 1624. 4°. C. 325.
RONDOS. A Favourite Collection, of
Familiar Rondos ; for the Piano-Forte.
[1799.] See Periodical Publications.
— London. The Piano-Forte Magazine.
Vol. VII. No. 4. [1797-1802.] 8°.
D. 854.
RONER (Andrew) Melopeia Sacra or a
Collection of Psalms and Hymns by M'
Addison and S"' John Denham &c. Set to
Musick in a New Method, etc. 2 vols.
W. Smith, for the Author : London,
[1721.] fol. I. 198.
RONG (WiLHELM Ferdinand) Versuch
einer Elementar-Lehre fiir die Jugend am
Klavier, in Frage und Antwort aufgelost
mit Tabellen, etc. Bcij clem Verfasser :
Potsdam, 1793. 4". ' 7897. cc. 13.
RONSARD (Pierre de) [Les Amours
de P. de Ronsard Vandomoys. Ensemble
le Cinquiesme [livre] de ses Odes. With
an Appendix containing musical settings
by P. Certon, C. Goudimel, M. A. Muret
and C. Jannequin.] 2 pts. [Clies la veufve
M. cle la Porte : Paris,] 1552. S".
Case 57. a. 31. (1.)
Wanting the title-page.
RONSSECY ( de) Madame. Andan-
tino. The Variations by I\Id. de Ronssecy.
[Har^J.] S. Straight : London,
[1800?] fol. H. 2819. (18.)
Lullaby [by S. Storace] adapted for the
Harp, with Variations by M''" de Ronssecy.
S. Straight : London, [1800 ?] fol.
H. 2819. (6.)
Scotch Air. The Variations by Mde. de
Ronssecy. [Harp.] S. Straight :
London, [1800 ?] fol. H. 2819. (16.)
Scotch Tune. The Variations by Mde. de
Ronssecy. [Harp.] S. Straight : London,
[1800?] fol. H. 2819. (15.)
Shepherds I have lost my love. A Scotch
Tune. The Variations by Mde. de Rons-
secy. [Harp.] S. Straight : London,
[1800?] fol. H. 2819. (3.)
See Krumpholz (J. B.) Minuetto . . . the
Variations by Mde. de [Ronssecy].
[1800?] fol. H. 2819. (17.)
See Rauzzini (V.) The Dirge in Cymba-
line . . . adapted for the Harp or Piano
Forte by Mde. de Ronssecy, etc.
[1800?] fol. H. 2819. (9.)
See also D., Madame.
RONTANI (Rafpaello) Le Varie
]Musiche di RaSael Routani a Una Due
e Tre Voci per Cantare nel Clauicembolo,
et Chitarrone, Libro Primo. Nouamente
poste in Luce, etc. Apprcsso Zanobi
Pignoni : Fiorenza, 1614. fol.
K. 1. i. 5*.
Le Varie Musiche di Rafaello Rontani a
Una Due, e Tre Voci. Per Cantare nel
Cimbalo, o in altri stromenti simili, con
L' Alfabeto per la Chitarra Spagnola in
quelle piu a proposito, per tale stromento.
Libro Primo. Appresso Gio. Battista
Eoblctti. Ad instantia di Antonio Poggioli :
Boma, 1623. fol. K. 1. i. 5. (1.)
EONTANI— RORE
427
RONTANI (Rafpaello) Le Varie Mu-
siche a Una a Due, e Tre Voci. Per
Cantare Nel Grauicembalo, ouero, nella
Tiorba, & altri stromenti simili. . .Libro
Secondo. Opera Sesta. Appresso Gio.
Battista Bobietti : Boma, 1623. fol.
K. 1. i. 5. (2.)
Le Varie Musiche di Raffaello Rontani a
Una et Due Voci per Cantare nel Cimbalo,
o in altri stromenti simili con 1' alfabeto
per la Chitarra in quelle piu a proposito
per tale stromento. Libro Terzo. Opera
Settima. Per Luca Aiifoiiio Soldi :
Roma, 1619. fol. K. 1. i. 5. (3.)
Varie ^Musiche a Una, e Due Voci. . .Per
cantare nel Cimbalo, e nella Tiorba...
Libro Quarto. Opera Ottaua. Appresso
Gio. Battista Bobietti. Ad Instantia di
Antonio Poggioli : Boma, 1620. fol.
K. 1. i. 5. (4.)
Varie Musiche a Una e Due Voci. . .Per
cantare nel Cimbalo, e nella Tiorba...
Libro Quinto. Opera Nona. Apinesso
Gio. Battista Bobietti. Ad Instantia di
Antonio Poggioli : Boma, 1620. fol.
K. 1. i. 5. (5.)
Le Varie Musiche ... a Una, et Duo
Voci. Per cantare nel Cimbalo, o in
altri stromenti simili. Libro Sesto.
Opera Undecima. Appresso Gio. Battista
Bobietti. Ad instantia d' A ntonio Poggiol :
Boma, 1622. fol. K. 1. i. 5. (6.)
ROOLEEUW (Reinier) Schriftuurlyke
Gezangen, gerymt, en op nieuwe Zang-
wyzen gesteld door Dr. Reinier Rooleeuw.
Den vierden druk. KorncUs vandcr Sys :
Amstddam, 1725. 12°. 3435. bbb. 7.
ROOM. Room for a Rover.
See Paisible (J.)
ROOME (Francis) See Alcock (J.)
Doctor in Music. The Harmony of Siou
. . . selected by F. Roome, etc. [1779.] 8°.
E. 343. d.
ROOYEN (G. van) A Selection of Hymns
for the use of the English Presbyterian
Church in Rotterdam. Adapted for the
Organ and Piano Forte, etc. L. Plattner,
for the Author : Botterdam, [1790 ?] 4°.
E. 1456.
RORE (CiPRiANO de) Lamento di Di-
done ad Enea, per sua partenza.
See Striggio (A.) II Cicalamento delle
Donne al Bucato . . . con un Lamento
di Didone . . . di C. Rore, etc. 1567. 4".
C. 254. 1.
Di Cipriano II Primo Libro de Madregali
Cromatici a Cinque Voci con una Nona
Gionta del Medesmo Autore. Nouamente
Ristampato & da infiniti errori emen-
date. Libro Primo a cinque Voci. Cantus.
Apud Antonium Gardane : Venetijs.
1544. obi. i". A. 70. a.
Song.
RORE (Cipriano de) Di Cipriano Rore
il Primo Libro de Madrigali Cromatici a
Cinque Voci Nouamente . . . Ristampato,
etc. Altus. Appresso di Antonio
Gardane : Vcnetia, 1552. obi. 4°.
A. 70. q.
Di Cipriano de Rore il Primo Libro di
Madrigali Cromatici a Cinque Voci Noua-
mente . . . Ristampato, etc. Quinto.
Appresso di Antonio Gardano : Venetia,
1563. obi. 4°. A. 70. y.
Di Cipriano de Rore il Primo Libro di
Madrigali Cromatici a Cinque Voci Noua-
mente Ristampato, etc. Tenore. (Quinto.)
2 pts. Appresso Francesco Bampazetto :
Venetia, [1565 ?] obi. 4". A. 70. t.
Di Cipriano de Rore il Primo Libro de
Madrigali Cromatici a Cinque Voci Noua-
mente . . . Ristampato, etc. Canto. (Alto.)
(Tenore.) (Basso.) 4 pts. Appresso
Anqelo Gardano : Venetia, 1576. obi. 4".
•" A. 70. k.
Di Cipriano il Secondo Libro de Madrigali
a Cinque Voci insieme alcuni di M. Adriano
[Willaert] et altri Autori a misura comune
Nouamente posti in luce, etc. Cantus.
(Altus.) (Tenor.) (Bassus.) (Quintus.)
5 pts. Ap>ud Antonium Gardane : Venetijs,
1544. obi. 4°. A. 70. b.
This collection also includes compositions
by Adriano [Willaert'], H. Naich,
Pierresson, Jachet Berchem, L. Barre,
H. Parabosco, Archadelt and Fera-
bosco.
[Another copy. Cantus.] A. 70. c.
Di Cipriano de Rore il Secondo Libro de
[Madrigali a Cinque voci insieme Alcuni de
M. Adriano [Willaert] & altri Autori
Nouamente Ristampato, etc. Altus.
Apresso di Antonio Gardane : Venetia,
1551. obi. 4°. A. 70. r.
Di Cipriano de Rore il Secondo Libro di
Madrigali a Cinque Voci insieme alcuni
di M. Adriano [^Yillaert] & altri Autori
Nouamente Ristampato, etc. Canto.
(Alto.) (Tenore.) (Basso.) (Quinto.) 5 pts.
Appresso di Antonio Gardano : Venetia,
1563. obi. 4". A. 70. g.
Di Cipriano Rore il Terzo Libro de
Madrigali A cinque uoci Done si Cou-
tengono Le Vergine, & altri Madrigali
Nouamente . . . Ristampato, etc. Altus.
Appresso di Antonio Gardane : Venetia,
1552. obi. 4°. A. 70. s.
This edition also contains madrigals by
Nicolo Dorati and Adriano [Willaert].
Di Cipriano Rore Li Madrigali a Cinque
Voci, il Terzo Libro Done si contengono
le Vergine, et altri madrigali, nouamente
ristampati, & . . . coretti. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) 5 pts.
Appresso Girolamo Scotto : Vinegia,
1562. obi. 4°. A. 70. f.
428
EOEE
EORE (CiPBiANO de) Di Cipriauo de
Roic il Quarto Libro di IMadrigali a
Cinque Voci con uno Madregale a sei &
uno Dialogo a otto, Nouameute Ristam-
pato, etc. Quinto. Apprcsso di Antonio
Gardano : Venctia, 1563. obi. 4°.
A. 70. w.
TJic co)n2Msers named in this collection
are: C. do Rore, Adriano [Willaert],
G. Nasco, N. Alberti, Sandrino, G.
Contino, P. Taglia, B. Donato and
F. Portinaro.
Di Cipriano de Rore il Quarto Libro de
Madrigali a Cinque Voci, Nuouamente
Ristampato. Canto. (Alto.) (Teuore.)
(Basso.) 4 pts. Angela Gardano : Venctia,
1580. ohl. 4°. A. 70. 1.
This edition contains 'madrigals by C. de
Rore, Adriano [Willaert], G. Nasco
and P. Taglia.
Di Cipriano de Rore il Quinto Libro di
Madrigali a Cinque Voci insieme Alcuni
de Diuersi Autori. Nouamente per An-
tonio Gardano stanipato & dato in Luce.
Quinto. A2}presso di Antonio Gardano :
Venctia, 1566. obi. i\ A. 70. v.
The composers named in this collectio7i
arc : C. de Rore, Sabino, G. Nasco,
Orlando [de Lasso], Adriano [Wil-
laert], Gianetto da Palestina and B.
Spontoni.
Di Cipriano de Rore II Quinto Libro di
Madrigali a Cinque Voci insieme Alcuni de
Diuersi Autori Nouameute. . .Ristampato,
etc. Canto. (Alto.) (Tenore.) (Basso.)
(Quinto.) 5 pts. Apprcsso Li Figliiioli di
Antonio Gardano : Fenc^ia, 1574. o6L 4".
A. 70. i.
This edition contains madrigals by
C. de Rore, Sabino, G. Nasco, G. da
Palestrina, A. Gabrieli, B. Spontoni
and an anonymous composer.
II Primo Libro delle Fiamme Vagbe et
Diletteuoli Madrigali ... a Quattro et
Cinque Voci, Nuouamente ristampati, &
. . . corretti. Basso. Appresso Girolamo
Scotto : Vinegia, 1569. 4°. D. 199.
Di Cipriano de Rore il Primo Libro de
Madrigali a quattro Voci Nouameute . . .
Corretti & Ristampati. Tenor. (Bassus.)
2 pts. Ap>ud Hieronymum Scotum :
Venctiis, 1554. obi. 4». A. 70. z.
Di Cipriano de Rore il Primo Libro di
Madrigali a quatro Voci, Nouamente per
Antonio Gardano . . . Ristampato, etc.
Basso. Ai^piresso di Antonio Gardano :
Venctia, 1564. obi. 4°. A. 70. x.
Di Cipriano de Rore II Primo Libro de
Madrigali a quattro Voci, Nouamente . . .
ristampato, etc. Canto (Alto.) (Tenore.)
(Basso.) 4 pts. AppressoAyigelo Gardano :
Venctia, 1575. obi. 4°. A. 70. n. 1.
, [Another copy. Basso.] A. 70. j.
RORE (CiPBiANO de) Di Cipriano de
Rore II Secondo Libro de IMadrigali A
Quatro Voci, Con vna Canzon di Gianetto
[i.e. Palestrina] ; sopra di Pace non trouo,
Con quatordeci stanze. Nouamente . . .
Ristampato, etc. Canto. (Alto.) (Tenore.)
(Basso.) 4 pts.
Apresso li Figliuoli di Antonio Gardano :
Venetia, 1571. - obi. 4". A. 70. n. (2.)
[Another copy. Canto. (Alto.) (Basso.)]
3 pts. A. 70. m.
Cipriani Musici Eccellentissimi cum
Quibusdam Aliis Doctis Authoribus
Motectorum nunc primum maxima
diligentia in lucem exeuntium Liber
Primus. Quinque Vocum. Cantus. (Altus.)
(Tenor.) (Cipriani. . .Motectorum nuper-
rime maxima diligentia in lucem aedit-
orum Liber Primus. Quinque Vocum.
Bassus.) (Quintus.) 5 pts.
Ajnid Antonium Gardane : Venetijs,
1544. obi. fol. A. 70.
This collection contains motets by C.
Rore, Adriano [Willaert], Jachet[Ber-
them], L. Barre, C. Canis,Pierresson,
Ferabosco, J. de Billon, Jarsin, Certon
and Gardane.
Cypriani Rore . . . Motetta Nunc Primum
Summa Diligentia in Lucem Prodita.
Quinque Vocum. Cantus. (Altus.) (Tenor.)
(Bassus.) (Quintus.) 5 pts.
Apud Antoninm Gardane : Venetijs,
1545. obi. 4". A. 70. d.
[Another edition.] Cypriani Rore . . .
Motetta Nunc Primum ... in Lucem Pro-
dita. Quinque Vocum. Bassus. (Quintus.)
2 pts. Apud Antonitim Gardane :
Venetijs, 1545. obi. 4°. A. 70. e.
The Quintus alone has the printer's name
and device. This edition also differs
from the other one of the same year in
the absence of the dedication to B.
Fcria on the verso of the title-page.
Motetta D. Cipriani de Rore et Aliorum
Auctoruni Quatuor Vocibus Paribus
decanenda, cum Tribus Lectionibus, pro
Mortuis, losepho Zerlino auctore. Tenor.
Apucl Hieronynviim Scottum : Venetiis,
1568. obi. 4°. A. 70. o.
The date has been altered in MS. to 1594.
This collectio7i contains the names of
Cipriano Rore, laches de Vuerth;
Pauliis Animuccia, Giovan. Nasco,
Antonius Barges, Constantixis Pmia,
Joscphus Zarlinus and lachet Mantme.
Cypriani de Rore . . . Sacrge Cantiones seu
]\Ioteta (ut vocant) non minus Instru-
mentis quam Vocibus aptse. Liber Unus.
Superius. (Tenor.) (Bassus.) (Quinta
Pars.) 4 pts.
Excudebat Petrus Phalesius, sibi &
loanni Bellero Bibliopolm Antuerpiensi :
Louanii, 1573. obi. 4". A. 70. h.
RORE— ROSE
429
RORE (CiPBiAKO de)
/Sec Gardano (Angelo) Musica di Tredici
Autori . . . Nella quale si contengono . . .
Madrigali . . . delli infrascritti Autori. C.
de Rore, etc. 1589. 4°. K. 3. g. 11.
See Monte (F. di) La Ruziua, Canzone
. . . insieme Un' altra di Cipriano de Rore,
etc. 1591. 4°. D. 160. j.
See TiBURTiNO (G.) Fautesie con la
Giunta di alcuni. . .Recerchari et Madri-
gali a tre Voce, Composti da . . . Cipriano
Rore, etc. 1549. ohl. 4 ". K. 3. b. 4.
See WiLLAEBT (A.) Fantasie ... a Tre
Voci . . . Con due Regina celi, 1' uno di
Adriano & 1' altro di Cipriano, sopra uno
medesimo Canto Fernio, etc.
1593. oU. 4°. A. 569. c.
RORE (Cipriano de) and ANNIBALE,
Padovano. Di Cipriano et Annibale
IMadregali a Quatro Voci insieme altri
Eccellenti Autori nouamente. . .stampati
& dati in Luce, etc. Basso.
A])prcsso di Antonio Gardano : Venetia,
1561. obi. 4". A. 70. u.
The composers named in tliis collection
are : Cipriano [de Rore], A. Padoano,
Perissone [Cambid], Giachet Bercliem,
F. de Monte, J. Contino, Claudio da
Correggio, F. Londariti, Jacobo de
Eerie, Spef in Dio Bertoldo and A.
Striggio.
Di Cipriano et Annibale Madrigali a
Quattro Voci insieme Altri Eccellenti
Autori, nuouamente Con nuoua Gionta
Ristampati, etc. Canto. (Alto.) (Tenore.)
(Basso.) 4 pts.
Appresso liFigliuoli di Antonio Gardano:
Venetia, 1575. obi. 4°. A. 70. n. (3.)
The composers named in tliis edition arc :
Cipriano, A. Padoano, Claudio da
Correggio, Perissone, G. Berchem,
I. Continuo, A. Striggio C. Porta, A.
Gabricli and Gio. d' Andrea Gabrieli.
RORE (Cipriano de) and JACKET, of
Mantua [Jachet Collebaudi]. I Sacri
et Santi Salmi di Dauid Profeta, Che si
Cantano nella Santa Romana Chiesa
air hora di Vespero, in Canto Figurato.
Composti da. . .Cipriano Rhore, e lachet
da Mantoa. Con li suoi Magnificat a vno
Choro. A Versi a Quatro Voci, Noua-
mente post' in Luce, etc. Tenor.
Apud Hieronymum Scotum : Venetiis,
1554. obi. 4°. A. 70. p.
ROSA. Rosa and Henry. Song.
See Secret.
ROSA (Salvatoe) See Mattheson (J.)
ISIatthesons IMithridat wider den Gift
einer welscher Satyre [by S. Rosa],
genannt : La Musica. 1749. 8°.
785. b. 55.
ROSA DA CAIRANO (Onobato)
Regole del Canto Fermo detto Gregoriano
spogliate dell' antica loro oscurita, e
registrate con brevita e chiarezza, dal
R. P. F. Onorato Rosa da Cairano, etc.
Nella Stamperia degli Eredi di Moro :
Napoli, 1783. 4". 7897. f. 37.
ROSALIND. Rosalind. Song [begins:
"When Rosalind, that blooming nymph"].
See Hudson (R.)
Rosalind. [Song.] See Silly. Silly
swain, no longer dwell. [1758.] 8\
P.P. 5438. z.
ROSALINDA. Rosalinda. [Song.]
,SVf Butler ( )
ROSAMOND. Was ever Nymph like
Rosamond so fair. [Song] Sung by
Miss Arne in Rosamond. [Words by J.
Addison, music by T. A. Arne.]
[London, 1734 ?] s. sh. lo\.
G. 305. (132.)
Rosamond. Opera. See Clayton (T.)
ROSANIE. Cher Amant, sois constant.
Air de Rosanie. [By H. J. Rigel.]
[Paris,'] 1780. 8°. 298. f. 7.
Mercure de France, Sept., 1780, p. 59.
ROSARY. The Rosary. Ballad.
See Shield (W.) [T}ie Midnight Wan-
derers.]
ROSCELLI (Francesco)
See Prima Stella. Prima Stella. De
Madrigali . . . di Francesco Roscelli, etc.
1570. 4". D. 13.
ROSE. The Rose. [Song.] See Arise.
Arise, arise, thou blushing Rose, etc.
[1778.] s. sh. fol. a. 306. (144.)
The Rose. [Song, begins : " Sweet are the
flow'rs."] See Burgess (H.) the Elder.
The Rose. [Song.] See Child. Child
of the summer, charming rose.
[1775 ?] s. sh. fol. a. 307. (108.)
[Another setting.] The Rose. [Song,
begins : " Child of the Summer."]
See Holroyde (.J.)
The Rose. [Song, begins : ' Lately on
yonder swelling bank.'] See Gentleman.
The Rose. [Song.] See Go. Go happy
Flow'r to her Hand. [1756.] s. sh. 8".
P.P. 5439. ab.
The Rose. Song. See Go. Go, happy
flow'r, to her hand, etc. [1756.] 8°.
P.P. 5438. z.
The Rose. [Song, begins : ' Sweet rose,
Aurora's early care.']
See Porter (S.) the Younger.
La Rose. [Song.] See Pees. Pres de
Daphnis, etc. [1780 ?] 8°.
B. 362. (124.)
430
ROSE— ROSENMAEDCHEN
HOSE. The Rose. Song. [Begins : ' Yes,
ev'ry flow'r that blows.'] See Peing (J. C.)
The Rose. [Song.] See See. See that
beauteous blooming Rose.
[1770?] s. s/(. fol. G. 311. (147.)
La Rose. Ariette. See Vermeille. Ver-
meille Rose, etc. [1780 ?] 8°.
B. 362. b. (26.)
The Rose. Cantata. [Begins : ' 0 listen
while I sing.'] See Webbe (S.) the Elder.
Rose ch6rie. [Song.]
See Zemire et Azor.
La Rose Emblematique. [Song.]
See Pees. Pres d'un joli bouton de rose,
etc. [1780?] 8°. B. 362. b. (14.)
Rose est des dieux la fleur choisi[e].
Chanson [words] de ]\P de IMoncrif.
[Pfl?is, 1765?] 8°. B. 362. e. (34.)
La Rose et la belle Parisot. [Two airs in
P. P. compressed score.]
Printed for Longman d Broderip :
London, [1795 ?] fol. g. 141. (24.)
The Rose had been wash'd. Ballad.
See Knowles ( )
[Another setting.] The Rose had been
wash'd. [Song.] See Milgrove (B.)
[Another setting.] The Rose had been
washd. Song. See Webbe (S.) the Elder.
The Rose that weeps. Canzonet.
Sec HORSLEY (W.)
[Another setting.] The Rose that weeps.
Sonnet. See Spoffoeth (R.)
Une rose vient d'dclore. [Song.]
Sre C * * *, il/'"'^
ROSE ET COLAS. Rose et Colas,
Coniedie en uu Acte [by M. J. S6daine] . . .
[Music]... Par Mr. *** [i.e. P. A. Mon-
signy]. Grav6 par Le S' Hue. [Full
Score.] Chez C. Herissant :
Paris, [1764.] fol. G. 288. (1.)
Rose et Colas, Com^die en un Acte, Prose
[by M. J. S^daine] et Musique [by P. A.
Monsigny] . . . avec la Musique [of two
Songs]. 1770. See Recueil. Recueil
general des Opera Bouffons, etc. Tom. 2.
1777. 8". 11735. b. 2.
Demandez moi pourquoi cette colore.
Ariette de Rose et Colas [by P. A. Mon-
signy]. With an Accompanyment for the
Harp by S. P. Seybold. Printed for
J. <£ G. Vogler : London, [1770 ?] fol.
G. 800. m. (50.)
Fournissez un canal au Ruisseau. Vaude-
ville. De Rose et Colas [by P. A. Mon-
signy]. [Paris, 1780?] 8°. B. 362. (50.)
ROSE ET PICARD. Air et Vaudeville
de Rose et Picard [by N. Dalayrac]. Avec
Ac. de Guittare par le Citoyen Gui chard.
Chez Lnbault : Paris, [1794.] 8°.
B. 362. d. (14.)
Rose et Picard. Com^die.
See Dalaxeac (N.)
ROSE (J. H.) Tay Side Fencibles Slow
and Quick March for two Clarinetts, Two
Horns, Trumpet and Bassoon. Also
adapted for Piano Forte, Violin, German
Flute & Fife, etc. Printed for the Author :
Edinburgh, [1795 ?] fol. g. 133. (50.)
ROSEINGRAVE (Thomas) Six Can-
tatas. Humbly inscribed to . . .Lord Lovell.
[Short Score.] [London, 1735 ?] fol.
K. 10. b. 15.
[Another copy.] G. 808. h. (37.)
Lnperfect, wanting pi:). 36-39.
Celia conscious of her beauty. [Song.]
The Words by Major Pack. [London,
1720?] s.sh.iol. G. 316. g. (15.)
A Celebrated Concerto for the Harpsicord,
etc. Printed for C. and S. Thompson :
London, [1770 ?] fol. g. 271. b. (24.)
Six Double Fugues for the Organ or Harp-
sicord. . .To which is added, Sig. Dominico
Scarlatti's Celebrated Lesson for the
Harpsicord, with several Additions by Mr.
Roseiugrave. Printed for I. Walsh:
London, [1750 ?] obi. fol.
e. 174. m. (17.)
XII. Solos for a German Flute, with a
Through Base for the Harpsichord, etc.
B. Cooke : London, [1730 ?] fol. g. 1049.
Eight Suits of Lessons for the Harpsicord
or Spinnet in most of the Keys ; with
Variety of Passages & Variations through-
out the Work, etc. Printed for I. Walsh
and Joseph Hare : London, [1725 ?] fol.
h. 145. (1.)
This mercenary Age despise. A Song, etc.
[London, 1720 ?] fol. G. 312. (30.)
Voluntarys and Fugues made on purpose
for the Organ or Harpsicord, etc.
Printed for I. Walsh d; Joseph Hare :
London, [1730 ?] fol. h. 145. (2.)
See Scarlatti (D.) [Narciso.] Songs in
the New Opera call'd Narcissus. . .With
the Additional Songs compos'd by Mr.
Roseingrave. [1720.] fol. H. 315.
,See ScAELATTi (D.) Forty two Suits of
Lessons for the Harpsichord . . . revised . . .
[by] T. Roseingrave. [1748 ?] obi. fol.
e. 32.
ROSENBAUM (Christian Eenst)
Scherzhafte Lieder mit Melodieu. . . Zwote
Auflage. Bey David Ivcrsen : Altona,
1772. obi. fol. C. 646.
ROSENFEST. Das Rosenfest. [Operetta.]
See Wolf (E. W.)
ROSENMAEDCHEN. Das Rosenmad-
chen [La Rosiere de Salenci], oder das
Fest der weiblichen Tugend, ein Singspiel
in drey Aufzugen aus dem Franzosischen
libersetzt. [Music by A. E. M. Gretry.]
1772. 8°. <SVe Operettas. Sammlung
der komischen Operetten, etc. Band II.
No. 5. B. 729.
ROSENMUELLER— EOSIEKE
431
BOSENMUELLER (Johakx) Kern-
Sprliche, mehrentheils aus heiliger Schrifft
Altes uud Neues Testaments, theils aucii
aus etlichen alten Kirchenlehrern genom-
men, und in die Music mit 3. 4. 5. 6. und
7. Stimmen samt ihrem Basso Continuo
...mit und ohne Violen gesetzet, etc.
Prima (Secunda) (Tertia, Quarta & Quiuta)
Vox. (Violin i.) (Violin ii.) (Bassus
Continuus.) 6 pts. In Yerlegung dcs
Autoris . . . Gedruckt bey Fried. Lancki-
schen sel, Erhcn : Leipzig, 1648. fol.
E. 239. (1.)
[Another copy.] 6 pts. E. 239. a. (1.)
Andere Kern-Spriiche, ... in die I\Iusic mit
3. 4. 5. 6. und 7. Stimmen, samt ihrem
Basso Continuo . . .mit und ohne Violen
gesezzet, etc. Prima (Secmida) (Tertia,
Quarta & Quinta) Vox. (Violino i.) (Vio-
lino II.) (Bassus Continuus.) 6 pts.
Auff Kosten Zacliar. Hertels . . . drukts. . .
ChristoplwrusCellarius: Leipzig, l&b2. fol.
E. 239. (2.)
[Another copy.] 6 pts. E. 239. a. (2.)
The Secunda Vox part is imperfect,
tcanting the title-page.
EOSENROTH (Christian Knorr vox).
See Knoer von Rosenroth.
ROSES. The Roses. [Song.]
See Arne (M.)
The Roses of Thirtj'-One. [Song.]
See Truant. A Truant Tar the world
I've rang'd, etc. [1785 ?] fol.
G. 807. d. (77.)
ROSE-TREE. A Rose Tree full in bear-
ing. [Duet.] See Poor Soldier.
ROSETTE. Rosette est jeune, a mille
appas. Le Portrait de Rosette. [Song,
adapted to ' Je le compare avec liouis,' bv
N. Dezede.] [Paris, 1780 ?] 8".
B. 362. e. (112.)
[Another copy.] B. 362. (77.)
ROSETTI (A.) Four Sonatas, for the
Piano-Forte or Harpsichord. Composed
and. . .dedicated to Miss Carey by Sig' A.
Rosetti. Neapolitan.
Lmigvian and Broderip :
London, [1795 7] fol. h. 1480, p. (12.)
ROSETTI (Antonio) See Rosetti (F. A.)
ROSETTI (Franz Anton) Three Favorite
Divertissements for the Harpsichord or
Piano Forte with an Accompanyment for
the Violin & Violincello ... Op. 2". [Separ-
ate Parts.] J. Cooper :
Londmi, [1790 ?] fol. h. 1480. s. (8.)
Three Favourite Divertisements for the
Piano Forte. Op. 2. [1799.] See Peri-
odical Publications. — London. The
Piano-Forte Magazine. Vol. IX. [No. 1.]
[1797-1802.] 8°. D. 854.
ROSETTI (Franz Anton) Quatuors
Concertants a Deux Violons, Alto et
Basse. . .Oeuvre 4. [Separate Parts.]
Chez le S'' Sieber : Paris, [1785 ?] fol.
h. 78. (1.)
Sei Quartetti per Due Violini, Viola, e
Violoncello . . . Opera vi. [Separate Parts.]
Presso Artaria Compagni :
Yieiina, [11802] fol. h. 2830. (8.)
Six Quatuors Concertants pour Deux
Violons, Alto et Basse . . . Oeuvre vii.
[Separate Parts.] Chez le S'' Sieber :
Paris, [1790 ?] fol. h. 78. (2.)
Deux Simphouie a Deux Violons deux
Alto et Basse uue flute Deux Hautbois
Deux Cors. . .CEuvre 6. [Separate Parts.]
CJiez le S'- Sieber : Paris, [1785 ?] fol.
h. 3210. (35.)
Der Sterbende Jesus. Ein Oratorium, etc.
[Words by Zinkernagel. Full Score.]
Bey Artaria Compagnie :
ne?m,[1785?] oW. fol. E. 1671.
ROSETTUS (Blasius) See Rossettus.
ROSETUS (Stephanus) See Rossetto.
ROSIER. Le Rosier. Opera Comique.
See Bonesi (B.)
Une fille du voisinage. Bomance da Rosier.
[By B. Bonesi.] Avec Accomp' de Guittare.
Chez Imbault : Paris, [1784 ?] 8".
B. 362. c. (96.)
Qu'il sera beau le jour de d'main.
Vaudeville du Bosicr. [By B. Bonesi.]
Avec Accomp' de Guittare. Cliez Lnbault :
Paris, [1784 ?] 8". B. 362. c. (96*.)
ROSIERE DE SALENCI. La Rosiere
de Salenci, Comedie, en trois actes, mel§e
d'Ariettes ; par M. Favart. [With the
music of one song and the concluding
Vaudeville.] Cliez la Veuve Duchesne :
Paris, 1770. 8". 164. d. 26.
This is not Gr^try's'Bosi^re de Salenci.'
Chant^s, danses, amuses vous. Vaudeville
de la Bosiere [de Salenci, by A. E. IM.
Gr^try], [Paris, 1780 ?] 8^
B. 362. (163.)
Colin quel est mon crime. Duo de la
Bosiere [de Salenci, by A. E. M. Gretry].
[Paris, 1780 ?] 8°. B. 362. i. (47.)
Du poids de la vieillesse. [Song.] De la
Bosiere [de Salenci, by A. E. M. Gretry].
[Paris, 1780?] 8". B. 362. (54.)
J'ai tout perdu. [Song.] De la Bosiire
[de Salenci, by A. E. M. Gretry].
[Paris, 1780 ?J 8°. B. 362. c. (112.)
Ma Barque legere. Ariette, etc. [By
A. E. M. Gretry.] [Paris, 1780 ?] 8°.
B. 362. e. (112b.)
Quand le Rossignol du bocage. [Song.]
De la Bosiere [de Salenci, by A. E. M.
Gretry]. [Paris, 1780 ?] S".
B. 362. c. (112'\)
432
EOSIERE— ROSS
ROSIERE DE SALENCI. Quel beau
jour se dispose. Aricttc, de la Rosiere de
Saleuci [by A. E. M. Gretry].
Chez Camancl: Paris, [1780?] 8\
B. 362. (55.)
La Rosiere de Salenci. Pastorale.
See Gretry (A. E. M.)
ROSIERS (Andrk de) Sieicr de Beaulicu.
Alphabet de Chansons pour Danser et
pour Boire. 1646. Sec Chansons. Re-
cueil de differens Livres de Chansons,
etc. Liv. IV. 1699. 8°. A. 428. (4.)
XIII. Liure des Libertez d'Andr6 de
Rosiers, etc. R. Ballard :
Paris, 1665. 8". A. 769.
XVI. Liure des Libertez d'Andr^ de
Rosiers, etc. B. Ballard :
Paris, 1672. 8°. A. 769. a.
ROSIERS (Charles) Pieces Choisies a
la maniere Italienne . . . Propres a jouer sur
la Flute, le Violon & autres Instruments.
Mises en ordre par A. Le Chevallier.
(Flauto Primo.) (Basone.) 2 pts.
P. d J. Blaeu : Amsterdam, 1691. ohl. 4°.
C. 404. (2.)
ROSILLA. RosiUa and Adonis. [Song.]
Sec Snibson (J.)
ROSINA. Rosina. Comic Opera.
Sec Shield (W.)
ROSINE. Rosine ton ceil devient dan-
gereux. Ariette de M'' * * *. {^Paris,
1780?] 8°. B. 362. c. (23.)
ROSS (Daniel) Ratlin roarin' Willie.
A Favorite Air with Variations. . .for the I
Piano Forte. Printed for J. Brysson : |
Edinburgh, [1800 ?] fol. h. 122. (32.) |
ROSS (John) The Aberdeen Volunteers,
[Song,] written by Mr. Ewen, etc.
Longman & Broderijj, for the Antlior :
London, [1797 ?J fol. G. 366. (67.)
Ance I was as blythe as Simmer. A
Favourite Scots Song with an Accompani-
ment for the Piano Forte. Written by
Mr. Rannie, etc. J. Hamilton :
Edinburgh, [1795 ?] fol. G. 366. (63.)
Busk ye, busk ye, a Scotch Air, with
Variations for the Piano Forte, etc.
B. Birchall : London, [1800 ?] fol.
h. 122. (34.)
A Select Collection of Ancient & Modern
Scottish Airs. Adapted for the Voice,
with Introductory and Concluding Sym-
phonies & Accompaniments for the Piano
Forte ... by J. Ross . . . Vol. I.
J.Hamilton: Edinburgh, [1795 7] fol.
H. 1629. a.
Come Cynthia to thy Shepherd's Vale.
A Canzonet with an Accompaniment for
the Piano Forte . . . The Poetry from the
Piudariana. Broderip and Wilkinson :
London, [1800 ?] fol. G. 799. (14.)
ROSS (John) Crazy Jean, [Song,] with
an Accompaniment for the Piano-Forte.
Written by M. G. Lewis, etc.
J.Hamilton: Edinburglt, [1800?] fol.
G. 806. d. (70.)
Cynthia thinks of me no more, [Song,]
with an Accompaniment for the Piano
Forte, Written by J. Rannie, etc.
Longman, dementi £ Co :
London, \im07] fol. G. 806. d. (71.)
Duncan Gray came here to woo. [Song.]
. . . The Svmphonies & Accompaniments
...by Mr. Ross. [1800?] fol.
J. Hamilton : Edinburgh, [1800 ?] fol.
H. 2820. (5.)
Ellen of the Dee. [Song.]. . .The Words
by ]\Ir. Rannie, etc. Longman & Broderip :
London,\rt'db7] fol. G. 800. m. (51.)
Erin go bragh. A Favourite Irish Air
with Variations for the Piano-Forte. . .by
J. Ross, etc. J. Hamilton :
Edinburgh, [1800?] fol. g. 139. (40.)
Go pull the Rose. A Favourite Song set
for the Voice, Piano-Forte, or German-
Flute. Written by J. Hamilton, etc.
J. Hamilton : Edinburgh, [1795 ?] fol.
G. 366. (62.)
The Green Willow Grove, [Song,] with an
Accompaniment for the Piano Forte,
written by ]\Ir. Rannie, etc. Longman,
Clemenii d Comp;/ : London, [1799 ?] fol.
G. 366. (66.)
Henry's Return, the Sequel to Crazy Jane,
[Song,] Written by Mr. Rannie, etc.
Preston : London, [1800 ?] fol.
G. 806. d. (72.)
I ask not thy Pity. Canzonet, with an Ac-
companiment for the Piano I'orte or Harp
. . .The Words by Mr. Jones. Preston :
London, [1800 ?] fol. G. 810. (58.)
The Maid of Seaton Vale, a Scottish
Ballad written by jMr. Rannie, etc.
Preston : London, [1795 ?] fol.
G. 793. (23.)
My Heart lovely Mary is thine. A Ballad
. . .with an Accompaniment for the Piano
Forte. . .The Poetry by J. Rannie.
Broderip and Wilkinson: London,
[1799?] fol. G. 366. (70.)
My Heart with joy is thrilling. A Favorite
Duetto with an Accompaniment for the
Piano Forte, written by Mr. Rannie, etc.
Longman, dementi & Compy : London,
[1799?] fol. G. 366. (69.)
My Jockey is a gentle Youth, [Song,]
written by Mr. J. Rannie, etc. Longman
& Broderip, for the Author : London,
[1790?] fol. G. 366. (68.)
The Negro Mother. A Ballad. . .with an
Accompaniment for the Piano Forte, etc.
Printed for Broderip and Wilkinson ;
London, [1799 ?] fol. G. 366. (72.)
[Another copy.] G. 799. (13.)
ROSS— ROSSETTO
433
ROSS (John) O open the door thou dear
unkind. A Favourite Song with au Ac-
companiment for the Piano Forte. Writ-
ten by Mr. Rannie, etc. J. Hamilton :
Edinburgh, [1795 ?] fol. G. 366. (65.)
O strew the sweet Flower, a Favorite
Song sung by Master Welsh, etc. [Short
Score.] Lewis, Houston & Hyde : London,
[1797?] fol. G. 798. (44.)
Orra Moor, A Favorite Song with an
Accompaniment for the Piano Forte,
written by. . .Mrs. Rove, etc. Longman,
dementi cO Comp.'/ : London, ''1799?] fol.
G. 366. (64.)
Oscar's Tomb, [Song,] with an Accompani-
ment for the Piano-Forte, Written by
J. Rannie, etc. Longman, dementi £ C',
for the Author : London, [1790 ?] fol.
G. 806. d. (73.)
A Second Set of Nine Songs, with an
Accompaniment for the Piano-Forte or
Harp. . .Op. 4. Longman <£• Broderip :
Lotidon, [1792 ?] fol. G. 358. (9.)
A Third Sett of Songs. With an Accom-
paniment for the Piano Forte or Harp. . .
Op. 7"'. J. Hamilton : Edinburgh,
[1795?] fol. G. 358. (10.)
The Seventh of November, a Scotch Air,
arranged as a Rondo for the Piano Forte,
etc. R. Birchall: Lo7ulon,[lS00?] fol.
h. 122. (34*.)
The Soldier's Return. A favorite Scots
Air, with Variations for the Piano Forte,
etc. J. Hamilton : Edinburgh, [1800 ?J fol.
g. 139. (39.)
Three Sonatas for the Piano-Forte or
Harpsichord, with an Accompaniment for
a Violin, in which are introduced for the
Subjects of the Slow movements, favorite
Scots Songs . . . Op. 5. Prcstoii ct Son :
London, [1795 ?] fol. g. 443. e. (27.)
A Sonata in which is introduced a favorite
Scots & Irish Air, for the Piano Forte,
■with an Accompaniment for the Violin or
Flute, etc. Preston : London, [1800 ?] fol.
g. 271. b. (25.)
Wanting the accompaniincnt.
Tho' Grief had nipp'd her early bloom, a
Favorite Ballad . . . The Poetry by. . . T.
Russell, c^c. Broderip and Wilkinson:
London, [1799 ?] fol. G. 366. (73.)
Thy blue waves 0 Carron. A Favorite
Ballad. . .with an Accompaniment for the
Piano Forte. . .The Poetry by Mr. Rannie.
Broderip and Wilkinson : London,
[1799?] fol. G. 366. (71.)
Six Favorite New Waltzes for the Piano
Forte. Op. 9'\ [Book II.] J. Hamilton :
Edinburgh, [1800?] fol. g. 229. (12.)
VOL. II.
ROSS (John) While the IMoon-Beams all
bright. [Song.] Written by Mr. J.
Rannie, etc. Longman & Broderip,
for the Author : London, [1195 ?] fol.
G. 366. (74.)
ROSSELLI (Agrippino) Ten Ariettes
and Two Duetts for One & Two Voices,
with an Accompaniment for the Piano-
Forte, etc. Printed for the Author :
London, [1795 ?] obi. fol.
E. 600. u. (6.)
Bella dea. A Favorite Song, .. .sung. . .
in the Opera of AUessandro e Timoteo.
[Full Score.] [1800.] fol. See Alessan-
DRO E Timoteo. G. 811. a. (4.)
Two Easy Duetts for Two Voices with an
Accompaniment for the Piano -Forte, etc.
L.Lavcnu: London, [1195?^ fol.
G. 805. m. (35.)
Lamento di INIaria Antonietta, Rogina di
Francia, Cantata ... a voce sola, e Cori. La
Poesia e di S. Buonaiuti. [Full Score.]
T. Skillern, a spcse delV Autorr :
Londra, [1794 ?] ohl. fol. E. 529.
Rasserena il mesto ciglio. A Favorite
Rondo, with an Accompaniment for the
Piano Forte, etc. Printed
for tlie Author : London, [1795 ?] fol.
G. 805. m. (36.)
ROSSETER (Philip) A Booke of Ayres,
Set foorth to be song to the Lute,
Orphcrian and Base Violl, by Philip
Rosseter Lutenist [and Thomas Campion],
etc. Printed by Peter Short, by the assent
of Thomas Morley : London, 1601. fol.
K. 2. i. 3.
ROSSETTI (Antonio)
See RosETTi (F. A.)
ROSSETTO (Stepano) II Lamento di
Olimpia di Stefano Rossetto . . . Con vna
Canzone Del medesimo, a quattro, a
cinque, a sei, a sette, a otto, a none, &
died voci, etc. Basso.
Appresso Girolamo Scotto :
Vinegia, 1567. 4". D. 198.
II Primo Libro de' Lladrigali a Sei Voci,
etc. Canto. (Alto.) (Tenore.) (Basso.)
(Quinto.) (Sesto.) G pts.
Appresso Claudio da
Correggio, d- Fausto Beihanio Compagni :
Vinetia, 15G6. obi. 4°. K. 3. f, 5.
Nouse Qusedam Sacrse Cantiones quas
vulgo Motetas vocant. Quinque et Sex
Vocum, itacompositas, ut ad omnis generis
instrumenta attemperari possint, etc.
Discantus. (Altus.) (Bassus.) (Vagans.)
4 pts. Li Officina' Theodorici
Gerlazeni : Noribergx, 1573. obi. 4°.
A. 400.
2 F
434
ROSSETTUS— ROTA
ROSSETTUS (Blasius) Blasii Rossetti
Veroneiisis Libellus de rudimentis Mu-
sices. Dg triplici musices specie. De modo
debits soluC'di diuinii peasum. Et de
auferendis nonnullis abusibus in dei
templo, etc. Per
Stcphanuni, d-fratrcs de Nicolinis de Sabio,
sumptio d; requisitione D. Blasii Rosctti :
Veron^, 1529. 4". K. 1. g. 11.
52 leaves, loithout pagination, 29 lines to
the full page.
ROSSETUS (ViNCENTius)
See Vanneus (S.) Recanetum de Musica
Aurea . . . Vincentio Rosseto . . . Interprete.
1533. 4". K. 2. g. 17.
ROSSI (Giovanni Battista) Organo de
Cautori x^er intendere da se stesso ogni
passo difficile che si trova nella INIusica,
et anco per imparare Coutrapuuto. Con
alcune Cantileue a Dae, Tre, Quattro, &
Cinque Voci, etc. Staynpa del
Gardano. Appresso Bartholomco Magni :
In Venetia, 1618. fol. G. 842.
ROSSI (Lemme) Sistema Musico ouero
Musica Speculatiua. Doue si spiegauo i piu
Celebri Sistemi di tutti i tre Generi. Nella
Stampa Episcopate , per Angela Laurenzi :
Perugia, 1666. 4". 557*. e. 1. (1.)
ROSSI (Michel Angelo) Erminiasul Gior-
dano. Dramma IMusicale rappresentato
nel Palazzo dell' illustrissimo . . . Signore
D. Taddco Barberino, etc. Appresso Paolo
Masotti: Roma,imi. fol. K. 8. h. 20.
This copy contains five engravings by
F. Greutcr after A. Camasse, repre-
senting scenes in the Opera.
[Another copy.] K. 8. h. 16.
Imperfect, loaniing the frontispiece, title-
page and dedication.
ROSSI (Salomone)
'7 "I 'n '1 nizrbtzrb np^Diam ]i:!3n
.itabK .'2-\ mbip 'n
Appresso gli Illust. Sig.
Pictro e Lorenzo Brag[adini : Venice,
1623J. 2"ZW nS'i^TTI fol. 1977. g. 7.
The Alto part only.
ROSSIGNOL. Le Rossignol, Opera
Comique eu un Acte, de Messieurs ******
[i.e. G. C. de I'Attaignant and R. Fleury]
. . .avec la Musique. (Airs choisis du
Rossignol.) Chez Duchesne : Paris,
1756. 8". 11738. e. 33. (5.)
[Another copy.] 164. g. 7.
[Another edition.] Le Rossignol, Op6ra
Comique en un Acte, de Messieurs ******
[i.e. G. C. de I'Attaignant and J. Fleury],
etc. (Airs choisis du Rossignol.) 1756.
jS'ceTHEATRE. Nouveau Theatre de laFoire,
etc. Tom. 1. 1768. S". 11735. d. 2.
ROSSIGNOLS. Rossignols, que pre-
tendez-vous. Chanson. See Martin (F.)
Les Rossignols Spirituels. [Hymns.]
See Philips (P.)
ROSSINO (Francesco di) Grammatica
Melodiale Teorico-Pratica esposta par
Dialoghi, nella quale con metodo chiaro. . .
insegnasi il modo d' imparare . . . il vero
Canto Ecclesiastieo, o sia Canto Fermo. . .
Divisa in Tre Parti . . . Con in fine un
Appendice, etc. Presso Lazzarini :
Roma, 1793. 4°. 7896. ff. 8.
ROSTHIUS (Nicolaus) Cantiones Selec-
tissimse, Vulgo Motectae Appellatae. . .in
lucem Sex octoq; vocum concentu pro-
ductse, etc. Cantus primus. (Cantus ii.)
(Altus.) (Tenor i.) (Tenor ii.) (Bassus.)
6 pts. Impensis Johannis
Spiessii : Gerx ad Elystrum, 1613-14. 4°.
B. 128.
The title-pages of the Tenor parts are
dated 1613, and differ from those of
the other parts. The Tenor II. part is
imperfect, wanting all sheet C.
ROSY. Rosy Bowers. Song.
See PuRCELL (H.) {Don Quixote. Part
III.]
The Rosy Bowl. [Song.] See When.
When I drain the rosy Bowl. [1779.] fol.
G. 313. (263.)
The Rosy Cheek. Song. See Twiss ( )
The Rosy Fair. [Song.] See Remy ( )
Rosy Hannah. Song. See Hook (J.)
The rosy morn lukes bleeth and gay. Tlie
Rosy Morn. A Scotch Song. [IMusic by
Jeremiah Clarke, sung in D. Crawfurd's
comedy ' Love at First Sight.']
Cross sculp. : [London, 1710?] s. sJi. iol.
H. 1601. (470.)
[Another edition.] The rosy morn lukes
bleeth and gay. Tlie Rosy Morn, etc.
[By J. Clarke.] [London, 1720 ?] s. sh. fol.
G. 312. (49.)
The Rosy Morn unbar'd her Gate. The
am'rous Kiss. [Song.] [London,
1750?] s.sh.iol. G. 316. a. (40.)
Rosy Morning. [Song.]
See Carter (C. T.)
ROTA (Andreas) Andreae Rotae...Mis-
sarum cum Quatuor, Quinque, ac Sex
Vocibus. Liber Primus, etc. Quintus.
(Sextus.) 2 pts. Aptid
Angelum Gordanum : Venetijs, 1595. 4°.
D. 28.
Wanting the title-page of the Sextus.
Andreae Rotse . . . IMotectorum Liber Pri-
mus qua; Quinque, Sex, Septem & Octo
Vocibus concinuntur. Tenor. (Quintus.)
(Sextus.) 3 pts. Apud Angelum
Gardanum : Venetiis, 1584. 4°.
T>. 28. a.
ROTA— ROUSE
435
ROTA (Andreas) Andreae Rotae . . .
Motectorumquse Quinque, Sex, Septem,
Octo & Decern Vocibus concinuntur.
Liber Secundus. Nunc denuo in lucem
ffiditus. Cantus. (Altus.) (Tenor.) (Bas-
sus.) (Quintus.) (Sextus.) 6 pts. Apud
Angclum Gardanum: Fcjic^iis, 1595. 4".
C. 32.
ROTH (Christian) Couranten Lustgart-
lein, in welchen Vier vnd Siebentzig
Couranten. . .zu finden, welche auff aller-
hand Musicalischen lustrumenten gantz
lieblich vnd lustig konneu gebraucht wer-
den. . .mit 4. vnd 5 Stimmen componiret,
etc. Altus. (Quinta Vox.) 2 pts.
Bey Wolff Sciffertcn [Gcdruck in. . .
Freybergk, bey Gcorg Hoffman) : Dressden,
1624. 4". ■ B. 127.
Also containing compositions by Albert
Grant z.
ROTH (WiLHELM August Teaugott)
Liedcr aus der Wochenschrift : Der
Freund, mit Mclodicn von W. A. T. Roth.
Bey G. L. Winter: Berlin, 1757. o6Z. fol.
E. 601. h. (17.)
ROTTA (Antonio) Intabolatura de Lauto
.. .di. . .Messer Antonio Rottadi Recercari
Motetti, BalJi, IMadrigali. Canzon fran-
cese da lui coniposti, & Intabulati, & noua-
mente posti in luce. Libro Piimo.
[A. Gardane :] Venetiis, 1546. obi. 4".
K. 1. c. 22. (1.)
Containing also compositions by Jacket,
J. Mouton, Adr. Vtiigliar [Willaert]
and Gonib[ert].
ROUALLE DE BOISGELOU ( )
Conseil a M"" I'Ev. . . de la Rav. . . Im-
promptu Poetique & Musical, etc.
[Paris.-] 1756. s. sh. 8". 298. c. 27.
Mercure de France, Jan., 1756.
ROUGET DE LISLE (Claude Joseph)
Aux prodiges de la Victoire. Uymne
Dithyrauibique sur la Conjuration de
Robespierre et la Revolution du 9.
Thermidor, etc.
Chez Imbault : [Paris, 1794.] 8".
E. 1717. b. (2.)
La iMarseillaise. [For editions published
anonymously :] See Allons. AUons,
enfans de la Patrie.
La Marseillaise. See A. A tant de
siecles d'imposture. . .sur I'air des Mar-
seillois, etc. [1793.] 8\
B. 362. a. (12.)
See Aloft. Aloft your Banners
spread behold. TJie British Call to Glory,
etc. [Adapted to the Marseillaise, etc.]
[1800?] fol. H. 2831. (2.)
See Awake. Awake ! to arms ye
have protectors. A Loyal Hymn. Air,
the Marseilles March, e^c. [1800?] fol.
H. 2831. i. (2.)
ROUGET DE LISLE (Claude Joseph)
La ^larseillaise. See Citoyens. Citoyens,
la trompette sonne. . .Air des ]Marseillais,
etc. [1793.] 8". B. 362. a. (7.)
Sec Citoyens. Citoyens, c'est pour
votre gloire. Chanson Sur I'air de la
marche des Marseillois. [1793 ?] 8".
B. 362. a. (9.)
St'f Etre. Etre infini, que I'Homme
adore . . . Air : Allons, Enfants de la Patrie.
[1794?] 8". B. 362. a. (13.)
See Nos. Nos triomphes sont ton
ouvrage. CoiLplcts . . . sur I'air de la
Marseilloise. [1792.] 8".
B. 362. a. (11.)
Que. Que vois-e en cette vaste
enceinte. Hyme...ou Serment de la
llepublique Franvaise. . .I'Aniversaire du
10. Aoust 1793 ... Air : De I'Hymo des
Marseillois, etc. [1795 ?] 8°.
F. 1060. (14.)
Sec Quoi. Quoi ! vous pouvez
dormir encore. Conscils Patriothjites. . .
Air des ]\Iarseillois. [1795 ?] S'\
B. 362. a. (8.)
See Republtcains. Republicains
chantons Victoire. Himne des Enncmis
des Hois. [Adapted to the JIarseillaise.]
[1793?] fol. B. 362. a. (10.)
See Republique. Une Republique
naissante paroit. Hymne Sans-Culotide
. ..Sur I'air des Marseillois. [1794.] 8^
B. 362. d. (4.)
See Ye. Ye Sons of France awake
to Glory, etc. [By C. J. Rouget de Lisle.]
[1792?] fol. G. 360. (58.)
Paul and Virginia, a Romance.
Sec Pleyel, Corri & Dussek. Pleyel,
Corri and Dussek's Musical Journal, etc.
[Vocal Part.] No. 2. 1797. fol.
G. 356. (12.)
ROUND. Round Arthur's gay Table.
The Buck's Comfort. [Song.] The Words
by G. A. Stevens. P. H[odgson :
London, 1180?] s.sh.M. G. 311. (41.)
ROUND TOWER.
Ballet Pantomime.
The Round Tower.
See Reeve (W.)
ROUSE. Rouse, Britons, rouse, and face
the foe. A Netv Song, in Honour of the
King of Prussia. [By R. Crome.]
[London, 1758.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XXIIL,p. 199.
Rouse Britons rouse and face the Foe.
Song. See Crome (R.)
Rouse Britannia's Warlike throng. Bouse
Britannia. [Song.] Sung by iNIr. Vernon.
[London, 118Q)'>] fol. G. 311. (37.)
Rouse, rouse, jolly Sportsmen. A Favour-
ite Hunting Song. [London, 1769.] 8".
159. n. 1.
London ^[agazine, 1769, ^j. 48.
2 F 2
436
ROUSE— ROUSSEAU
ROUSE. Rouse, rouse, jolly sportsmen.
The Chace is begun. A New Song.
ILondon, 1770.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XLVII., p. 43.
Rouse, rouse, jolly Sportsmen. The Chase
is begun. [Song.] [London,
1770?] s.sh.iol. H. 1994. a. (192.)
Rouse ! Rouse ! LatliargicBrittons. House
Brittons. [London, 1756.] s. sJt. 8".
P.P. 5439. ab.
New Universal Magazine, Vol. X., /S'"JJ-
plenient.
Rouze ye aspiring Britons bold. Song.
RiMBAULT (S. F.)
Rouse ye Gods of the Main. [Song.]
See PuRCELL (D.) [The Island Priiiccss.]
ROUSED. Rous'd Europe now is up in
Arms. .4 Loyal Song. The Words by
Mr. H. Rodes. [London, 1757.] s. sli. 8".
P.P. 5439. ab.
New Universal Magazine, Sept., 1757.
Rous'd Europe now is up in arms. A
Loyal Song. [London, 1757.] 8".
P.P. 5438. z.
Universal Magazine, Vol. XX., p. 272.
ROUSSEAU ( ) of Versailles. Maman,
vous me dites sans cesse. CJianson, etc.
[Paris,] 1755. s. sh. 8°. 298. e. 24.
Mercure de France, June, 1755.
ROUSSEAU (Jean) Methode Claire,
Certaine et Facile, pour apprendre a
chanter la Musique . . . Le tout mis en
ordre par A. Le Chevalier, suivant la
copie de J. Rousseau, etc. P. tC J. Blacu :
Amsterdam, 1691. obi. 4". 785. a. 7.
Imperfect, wanting all after p. 56.
Methode Claire, Certaine et Facile pour
apprendre a chanter la IMusique . . .
Cinquieme Edition reveue, augment^e &
mise dans un meilleur etat. Chez P.
Mortier: Amsterdam, [1110?] 8°.
1042. 1. 6. (1.)
Traite de la Viole, etc. Cliristoplie
Ballard : Paris, 1687. 8°. 786. b. 34.
ROUSSEAU (Jean Jacques)
Arrangement.
I. Musical Works.
II. Writings on Music.
I. Musical Works.
Au fond d'une sombre Vallee. Bomance.
[Words translated from the English of D.
Mallet.] [Paris, 1780 ?] 8°.
B. 362. a. (113.)
Les Consolations des Miseres de ma Vie,
ou Recueil d'Airs, Romances et Duos, etc.
Chez De lioullcde de la CJievardierc :
Paris, 1781. fol. H. 543. b.
ROUSSEAU (Jean Jacques) Les Con-
solations des Miseres de ma Vie, ou
Recueil de Romances. (Recueil des
(Euvres de Musique de J. J. Rousseau.
Tome l"".) L. P. [Poincot :
Paris, 1788-1793.] 4". 96. e. 18.
Tom. 37 of ' CEuvrcs completes de J. J.
Rousseau. Nouvelle ^Edition, classdo
par ordre de matieres, etc'
[Another copy.] D. 322. a.
Imperfect, xoanting the first title-page and
last leaf.
Dans les bosquets de Cythere.
See infra : [Le Devin du Village. Scene 8.
Pantomime.]
[Daphnis et Chloc.] Fragmens de Daphnis
et Chloe, composes du premier Acte, de
I'Esquisse du Prologue, et de difierens
Morceaux prepares pour le second Acte et
le Divertissement. Paroles de M. * * *.
[Full Score.] CJiez Espru :
Paris, 1779. fol. I. 327.
Le Devin du Village. Interm^de r6pr6-
sente a Fontainebleau...les 18 et 24 Octobre
1752 et a Paris . . . le 1" Mars 1753 . . . Grave
par M'"'= Vandome, etc. [Pull Score.]
Chez M''"'" Boivin : Paris, [1753 ?] fol.
H. 543.
Le Devin du Village, Intermede, etc.
[Libretto, with the voice-part of the songs,
etc.] Chez Pierre Gosse :
Geneve, 1760. 8". 11735. e. 39.
Le Devin du Village. Intermede. [Li-
bretto, with voice-part of the Songs. 1760.]
See Theatre. Nouveau Theatre de la
Foire, etc. Tom. 1. 1763. 8".
11735. d. 2.
Le Devin du Village. Intermede. . .Avec
I'Ariette ajoutee par M' Philidor, etc.
[Full Score.] Chez Le Clerc :
Paris, [1765?] fol. H, 543. c.
[Le Devin du Village.] The Cunning-Man,
a Musical Entertainment in Two Acts
. . . Taken from the Devin du Village of
J. J. Rousseau, and adapted to his Original
Music by C. Burney. R. Bremncr -.
London, [1766.] obi. fol. D. 281. (1.)
The Comic Tunes in Le Devin du Village
or Cunning Man. . .For the Harpsichord,
Violin, German-Flute, or Hoboy. Printed
for B. Bremner : London, [1766.] obi. fol.
D. 282. (4.)
Le Devin du Village. Intermede, etc.
[FuU Score.] Chis J. J. Htimmel :
Berlin, Amsterdam, (1773.) fol.
H. 543. a.
Les Six Nouveaux Airs du Devin du
Village, etc. [Full Score.] Clirs Espru :
Paris, 1779. fol. G. 808. c. (21.)
ROUSSEAU— ROUSSIER
437
ROUSSEAU (Jean Jacques) [Le Devin
du Village.] Ici de la simple nature.
Chanson, etc. [Paris,] 1753. s. sit. 4.".
298. e. 13.
Mercnre de France, April, 1753.
[Scene 8. Pantomime.] Dans les
bosquets de Cvthere, NouveUe Romance,
etc. [Paris, 1775 ?j. 8".
B. 362. e. (115.)
[Another copy.] B. 362. b. (30.)
[Scenes. Pantomime.] Sec Sweet.
Sweet jMelissa, lovely IMaiden ! [Song.]
. . . Adapted [to the Tune of Rousseau's
Dream], <';c. [1788?] fol.
G. 377. (17.)
[For songs, &c., published anony-
mously :] Sec Devin du Village.
Edwin et Emma. Romance, etc.
[Paris,-] 1778. 8°. 297. f. 27.
Merctcre de France, Nov., 1778.
Ici de la simple nature.
See supra : [Lc Devin du Village.]
Je I'ai plante, je I'ai vunaitre. Romance,
etc. [Paris, 1180?] S". B. 362. e. (16.)
See Ciel. Ciel, il etait si Patriote
. . . Air : Je I'ai plants, etc. [By J. J.
Rousseau.] [1793 ?] 8°.
B. 362. d. (21.)
Un papillon badin caressoit une rose.
Chanson, etc. [Paris,] 1737. s. sh. i".
297. b. 19.
Mercure de France, June, 1737.
[Que le jour me dure.] Air de trois Notes
. . . avoc la parodie allemaude par Gotter
et 24 Variations pour le Clavecin ou le
Pianoforte un Violou oblige et un Violon-
cell par Baumbach.
Chis J. Morino et Compag. :
Berlin, [1792.] fol. h. 5. e. (4.)
Wanting the Violin and Violoncello 'parts.
See VoGLER (G. J.) Trichordium.
[Cantata, on a Melody by J. J. Rousseau.]
[1800?] fol. H. 3311. b. (1.)
II. Writings on Music.
Ecrits sur la IMusique. 4 tom. L. P.
[Poincet : Paris,] 1788-1793. 4°.
95. e. 19-96. e. 3.
Tom. 19-22 of ' CEuvres completes de
J. J. Rousseau. NouveUe ^Idition,
classic par ordre de matieres,' etc.
Dictionnaire de Musique, etc.
Genive, 1781. 4°. 95. li. 8.
Tarn. 9 of the ' Collection complete des
CEuvres de J. J. Rousseax.'
Dictionnaire de IMusique, etc.
Chez la Veuve DucJiesne :
Paris, 1768. i". 785. k. 59.
[Another copy.] 48. d. 17.
A Complete Dictionnary of Music. ..Trans-
lated. . .by W. Waring. Second Edition.
Printed for J. Murray :
London, 1779. 8°.' 7897. 1. 17.
ROUSSEAU (Jean Jacques) Lettre a
M. Grimm au sujet des R^marques
ajoutees a sa Lettre sur Omphale. [By
J. J. Rousseau.] 1752. 8°.
See Grimm (F. M. von) Baron.
557*. d. 30. (3.)
Lettre sur la Musique Pran(;oise, etc.
[Paris,] 1753. 8°. 1103. b. 22. (1.)
Lettre sur la Musique Fran(,^aise . . .
Deuxieme Edition. [Paris,] 1753. 8".
557*. d. 31. (3.)
[Another copy.] 640. e. 22. (3.)
See B * * *, M. Examen de la Lettre
de M. Rousseau, sur la Musique Fran^oise,
etc. 1753. S". 1103. b. 22. (6.)
See Baton (C.) Examen de la
Lettre de I\I. Rousseau sur la Musique
Francoise, etc. 1754. 8°.
557*. d. 31. (5.)
See Justification. Justification de
la Musique Fran^oise. Centre la Querelle
qui lui a 6t^ faite par un AUemand et un
Allobroge [i.e. J. J. Rousseau], etc.
1754. 8°. 1103. b. 22. (9.)
SeePARisiEN. Lettre d'un Parisien.
Contenant quelques reflexions sur celle
de M. Rousseau. 1754. 8".
1103. b. 22. (3.)
Apologie de la Musique Fran^oise
contre Isl. Rousseau. [By 1\I. A. Laugier.]
[Paris,] 1754. 8". 1103. b. 22. (10.)
[Another copy.] 557*. d. 31. (4.)
Lettres sur la ilusique Fran^oise.
En reponse a celle de J. J. Rousseau.
[By — Yso ?] Genive, 1754. 8".
^ ^ 1103. b. 22. (8.)
Observations sur la Lettre de J. J.
Rousseau, au sujet de la Musique Fran-
Qoise. [By J. Gazette.]
[Paris,] 1753. 8°. 640. e. 22. (4.)
[Another copy.] 1103. b. 22. (5.)
See Visigoth. Lettre d'un Visigoth, a M.
Freron, sur sa dispute harmonique avec
M. Rousseau. 1754. 8°.
1103. b. 22. (2.)
See also J., J.
ROUSSIER (Pierre Joseph) L'Harnionie
Pratique, ou exemples pour le traite des
accords . . . Mis au jour par M. Bailleux.
Chez r^diteur : Paris, (1775.) 8».
1042. i. 16.
Memoire sur la Musique des Anciens, etc.
Chez Lacombe : Paris, 1770. 4«.
557*. f. 3.
Observations sur diff^rens points d' Har-
monic etc Chez Bailleux :
Genive, 1755. 8". 1042. k. 18. (2.)
Observations sur dif£6rens points d'Har-
monie, etc. Chez d'Houry :
Genive, 1765. 8\ 1042. i. 15. (1.)
438
ROUSSIER— ROYAL
ROUSSIER (PiEERE Joseph) Trait6
des Accords, et de leur Succession, selou
le Syst^me de la Basse-fondamentale
. . . Avec une M6thode d'Accompagne-
ment. Chez Duchesne : Paris, 1764. 8°.
1042. i. 15. (2.)
[Another copy.] 1042. k. 18. (1.)
See Amyot (J.) IM^moire sur la Musique
des Chinois . . . Avec des Notes . . . par
M. I'Abbe Roussier, etc. 1779. 4°.
557*. f. 20.
Sec EssAi. Essai sur la Musique, etc.
[By J. B. de la Borde and P. J. Roussier.]
1730. 4°. 557*. f. 15.
ROVER. The Rover. [Song.]
See Betts (E.)
The Rover. Song. See In. In all the Sex
some Charms I find. [1750 ?] s. s]i. fol.
H. 1994. b. (43.)
The Rover. Song. See In. In all the
Sex some Charms I find, etc. [1750.] 8".
P.P. 5438. z.
The Rover. Song. See In. In all the
sex some charms I find, etc. [1751.] 8°.
157. 1. 13.
The Rover. [Song, begins : ' Sweet our
Blessing.'] Sec Rinaldo.
The Rover. See Tell. Tell me your
Rover. [1720?] s.sh. fol. G. 315. (35.)
The Rover reclaim'd. [Song.] See When.
When artless first among y'' Fair. [1760 ?]
s. sh. fol. G. 316. f. (68.)
The Rover reclaim'd. Song. See When.
When artless first among the Fair, etc.
1762. 8". 158. 1. 7.
ROVETTA (Giovanni) Gemma Musicalis
Diuersis Cantionibus Sacris Tribus,
Quatuor, et Quinque Vocibus, Uti varijs
speciosis coloribus preciosa, in lucem
edita Cum Basso Continuo . . . Liber
Quartus. Tenor. A2md Magda-
lenam Phalcsiam & cohasredes : Ayituerpix,
1649. 4". D. 197. b.
Madrigali Concertati a 2. 3. 4. & vno a
Sei Voci, & due Violini. Con vn Dialogo
nel Fine, & vna Cantata a Voce Sola . . .
Libro Primo. Opera Seconda . . . Canto
Primo, e Tenore. Apj^resso
Bartholomeo Magni : Venetia, 1629. 4°.
D. 197.
Madrigali Concertati a 2. 8. 4. & vno a
Sei voci, & due Violini Con vn Dialogo
nel Fine, & vna Cantata a voce Sola . . .
Libro Primo. Opera Seconda. Nova-
mente Ristamx^ati. Canto Primo, e
Tenore. (Canto Secondo, e Tenore.) (Alto.)
(Basso.) (Basso Continuo.) 5 pts.
Typis Henrici de Brni/n :
Botterdamo, 1660. 4°. E. 126.
Motetti Concertati a Due, Tre, Quattro, &
Cinque Voci. Con le Litanie della Ma-
donna, et Una Messa Concertata a Voci
Pari . . . Opera Terza. Nouamente Ristam-
pata, etc. Canto. (Alto.) (Tenore.) 3 pts.
Appresso Alessandro Vincenti :
Venetia, 1640. 4". D. 197. d.
Motetti Concertati a Duo e Tre Voci Con
le Letanie della ]\Iadona a Quattro . . .
Opera Quinta. Basso. (Basso Continuo.)
2 pts. Appresso Alessandro Vincenti :
Venetia, 1639. 4°. D. 197. a.
ilotetti Concertati a Due, e Tre Voci, Con
le Letanie della Madonna a Quattro . . .
Opera Quinta. Canto. (Alto.) (Basso.)
(Basso Continuo.) 4 pts. Appresso
Alessandro Vincenti : Venetia,lMQ. 4°.
D. 197. c.
Salmi Concertati a Cinque et Sei Voci et
altri con Doi Violini, con Motetti a Doi e
Tre Voci. Et alcune Canzone per Sonar
k Tre e Quatro Voci con Basso Continuo
. . . Opera Prima. Nouamente ristampati,
etc. Canto. (Alto.) (Tenore.) (Basso.)
(Quinto.) (Violino Primo (Secondo).)
(Basso Continuo.) 8 pts. Appresso
Bartolomeo Magni : Venetia, 1641. 4".
D. 197. f.
The Sesto of the six-part compositions is
contained in the Quinto part.
Salmi a Tre, et Quattro Voci, Aggiontoui
vn Laudate pueri A 2. & Laudato Dominum
omnes gentes A voce sola, & nel fine vn
Kyrie, Gloria, & Credo pur a tre voci ;
Tutto Coucertato con doi Violini . . . Opera
Settima. Violino Secondo. Apresso
Alessandro Vincenti : Venetia, l&i2. 4°.
D. 197. e.
ROY. Roy's Wife of Alldivaloch. [Song,
by J. Watlen.] J. Dale :
[London, 1795 ?] s. sh. fol. G. 799. (15.)
P. 172 of " Dale's Collection of Scot's
Songs."
Roy's Wife of Alldivaloch. Song.
See Watlen (J.)
ROY (Adrien Le) See Leroy.
ROYAL. The Royal Ball. [Ballad.]
See Since. Since all the World's in
Arms. [1690 ?] s. sh. fol.
Case 39. k. 6. (66.)
The Royal British Tar. [Song.]
See Arnold (S.)
The Royal Cottager. [Song.]
See Hook (J.)
The Royal Disaster. [Song.] See 'Twas.
'Twas at the Birth-night ball, Sir, etc.
[1782.] 8". 2117. c.
The Royal George. Rigodon. [Engraved
in figures with music] {Pemberton ?
London, 1717.] fol. h. 801. a. (2.
Royal George to Brittain hasting. Song.
See Pepusch (J. C.)
ROYAL— RUBANS
439
ROYAL. Roj^al great Anne from us
Mortals is gone. On the Death of Queen
Anne. [Song.] [London, 1715.] .s. sh. fol.
H. 1601. (376.)
The Royal Hunter's March. Ballad.
See Since. Since Tencin's Schemes, etc.
[1745.] 8^ 249. c. 15.
The Royal Hunter's March. [Song.]
See Since. Since Tencin's Schemes, etc.
[1762?] s.sh.iol. G. 315. (41.)
The Royal Orphan's Dream. Cantata.
See Hook (J.)
The Royal Review. [Song.] See While.
While France beats allarms.
G. 313. (141.)
The Royal Soldier. [Song.]
See Hook (J.)
The Royal Soldier's Farewell. Song.
See Hook (J.)
ROYAL CHACE. Tunes in the Royal
Chace, or Merlin's Cave. [By J. E.
Galliard.] [London, 1736.] obi. fol.
e. 5. k. (3.)
Imperfect, luanting fol. 2, 4 and 6.
With early Horn. [Song.] Simg by Mr.
Beard in the Royal Chace. [By J. E.
Galliard.] [London, ITdl '!] s.sh.iol.
H. 1994. a. (188.)
[Another edition.] With early Horn.
[Song.] Sung by Mr. Beard . . . within
the Compass of the Flute. [London,
1737 ?] s. sh. fol. G. 315. (75.)
[Another edition.] With early Horn.
[Song.] Simg by Mr. Beard, etc.
Printed for J. Simjjson : [London,
1737?] s.sh.iol. H. 1994. b. (105.)
[Another copy.] G. 316. f. (70.)
ROYAL MERCHANT. The Royal
Merchant. Comic Opera.
See LiNLEY (T.) the Elder,
ROYAL PASTORAL. TheRoyal
Pastoral. Dramatic Ode. See Naees (J.)
ROYAL REVENGE. Oh, thou Con-
ubial God. Epithalamium in an Invoca-
tion of Hymen. Sung in the Play call'd
the Royal Revenge. [London,
1720?] s.sh.iol. G. 310. (178.)
ROYAL SHEPHERD. The Royal
Shepherd. Opera. See Rush (G.)
R0Y;6 (Joseph Nicolas Pancbace)
See Royer.
ROYER (Joseph Nicolas Paxceace)
Almasis, Ballet, represente ... a Versailles,
en 1748 et 1749 et mis au Theatre de
I'Acad^mie Royale de Musique, le 23 Aoust
1750. . .GraveeparLabassee. (Les Paroles
sont de M' Moncrif.) [Full Score.]
Chis VAtiTeur : Paris, [1750 ?] fol.
I. 313. a.
ROYER (Joseph Nicolas Pancrace)
Ami, je vais descendre. Air a Boire.
(Ces Paroles sont de M. de Poernich.)
[Paris,] 1738. s. sh. 4". 297. b. 22.
Mercure de France, Jan., 1738.
Zaide, Ballet H^roique, . . . represente . . .
le 10 Mars 1745 . . . Seconde Edition.
Grave par L. Hue. [Words by the Abbe
Delamare. Full Score.] Chi?s VAuteur :
Paris, [1746?] fol. L 313.
ROYER DE VILLERIE ( ) Chevalier.
France, autrefois si fortunee. Romance
dediee a la Nation Angloise, etc.
[London, 1793 ?] fol. H. 1686. (39.)
3Iarche d'Alcide, Scene heroi-lyrique
dediee aux . . . H^ros Deffenseurs de la
Cause des Cieux des Rois et de I'Humanit^
par le Ch' Royer de Villerie, Auteur des
Paroles et de la Musique.
[London, 1793.] fol. H. 1686. (38.)
See also R * * * * ( ,je) Chevalier.
ROZE (Nicolas) 0 gun^reux martirs de la
liberty sainte. Hymne aux Martirs de la
Liberti. Paroles du C. Le Gouv6.
Chez Imbault : Paris, [1793.] 8°.
B. 362. a. (34.)
ROZELLI ( ) Ten Airs or Duets for
Two German Flutes, or Two Violins.
Compos'd in a pleasing Taste. . .Opera 2**.
Printed for Thompson and Son :
London, [1764 ?] fol. g. 225. a. (3.)
Cupid's Defeat. [Song.] [London,
1745 ?] s. sh. fol. G. 316. a. (41.)
[Another edition.] Cupid's Defeat.
[London, 1760 ?] s. sh. fol.
G. 316. (117.)
Twenty Five favourite Minuets for Two
German Flutes or two Violins, composed
in a pleasing Taste, etc. [Op. 1.]
Printed for Thompson & Son :
ioMdow, [1760?] obl.^°. b. 57. a. (5.)
XII. Sonatas for Two Violins and a
Violoncello, with a Thorough Bass for the
Harpsichord . . . Opera S"*. [Separate
Parts.] Printed for C. and S. Thompson :
London, [1765 ?] obi. 4°. b. 35.
Two Sonatas for Three German Flutes, or
Three Violins. . .Op" v. [Separate Parts.]
Printed for C. and S. Thompson :
London, [1766 ?] foL g. 418. (3.)
See Zanni (G.) Six Sonatas for two
Violins and a Violoncello with a Thorough
Bass. . .by. . .Sig"' Rozelli, etc.
[1770?] fol. g. 409. a. (11.)
RUBANS. Les Rubans de Jeannette.
[Song.] See An. L'An pass6, ma chere
Jeannette, etc. [1785 ?] 8".
B. 362. f. (23.)
440
RUBEIS— RUGE
RUBEIS (Christophoeus de) Christo-
plaori de Rubeis . . . Complctorium Octo
vocibus ad Organum concertantibus Con-
cinuatu. CauUis (Altus) Primi Chori.
(Cantus (Altus) (Tenor) (Bassns) Secundi
Chori.) (Bassus ad Organum.) 7 pts.
Apud Pauliim Massttnm :
Romse, 1635. 4". ■ D. 61.
HUBERT (JoHANN Martin) Musicalisclie
Seelen Erquickung . . . Mit 1. 2. 3. 4.
Vocal Stimmen, und 2. 8. 4. 5. 6. Instru-
menten, Nebst dem Basso Contin: auff
. . . Dialogen Arth gesetzet, etc. Bassus
Violon, etc. In Verlegung des Atitoris.
Gcdruckt . . . durcli Joachim Reuman :
Stralsund, 1664. 4°. C. 50.
RUBICOTsTI (Grisostomo) Concerti
Ecclesiastici alia Moderna done si con-
tengono ]\Iessa, Salmi per il Vespero, e
Compieta, & Magnificat, A Tre, a Quattro,
a Cinque, a Sei, a Sette & a Otto. . .Con il
Basso Continue per Sonare nell' Organo.
Opera Secouda. Canto Secondo. (Alto
Primo.) 2 pts. Apprcsso Giacomo
Vincenti : Venetia, 1611. 4°. D. 93.
RUDDY. The ruddy morn blink'd o'er
the Brae. 'Twas yes kind sir. A favorite
New Scotch Ballad. [By Mrs. Wrighten.]
J. ci E. Lee : Dublin, [1790 ?J s. sh. fol.
H. 1601. b. (56.)
RUFFO (ViNCENzo) Opera Nona di
Musica lutitolata Armouia Celeste, nella
quale si contengono xxv. Madrigali, pieni
d' ogni dolcezza, & soauita musicale . . .
Nouamente ristampato. A Cinque Voci.
Altus. Appresso Francesco Ranipazetto :
Venetia, 1563. ohl. 4°. A. 402. b.
Di Vicenzo Ruffo II primo libro de Madri-
gali, a quatro Voci, a Notte Negre, con la
Giuuta di Alcuni Madrigali, nouamente
posti in luce, et. . .Ristampati, & Corretti.
Tenor. (Bassus.) 2 pts.
Apud Hieronynium Scotuvi :
Venetiis, 1556. obi. 4°. A. 253. b.
Di Vicenzo Ruffo il Primo Libro de
Madrigali Cromatici a Quatro Voci con
la Gionta di alquanti Madrigali del Mede-
sinio Autore. Nouamente. . .Ristampato
& Corretto, etc. Cantus.
Apresso di Antonio Gardane :
Venetia, 1552. obi. 4°. A. 253. d.
Di Vicenzo Ruffo il Primo Libro di
Madregali Cromatici a Quatro uoci con la
Gionta di alquanti INIadrigali del Medesimo
Autore. Nouamente . . . Ristampato &
Corretto, etc. Altus. (Bassus.) 2 pts.
Appresso di Antonio Gardano :
Venetia, 1556. obi. 4°. A. 253. a.
[Another copy. Bassus.] A. 253. c.
Di Vincentio Ruffo II Secondo Libro di
Madrigali A Cinque uoci, Nouamente . . .
per Antonio Gardano ristampato, etc.
Cantus. (Altus.) (Tenor.) (Bassus.)
(Quiutus.) 5 pts.
Apresso di Antonio Gardano :
Venetia, 1557. ohl. 4". A. 253.
This ivork also contains madrigals bij
J. Contin, Perissone and G. Nasco.
Di Vicenzo Ruffo II Terzo Libro di IMadri-
gali A cinque uoci. Con la Gionta di
Cinque Madrigali del medesimo, et di
alcuni Altri Diuersi autori, Nuouamente
dato in luce, etc. Cantus. (Altus.)
(Tenor.) (Bassus.) (Quintus.) 5 pts.
Ajrresso di Antonio Gardane :
Venetia, [1555 ?j obi. 4°. A. 254.
Tlie composers natnccl are : V. Buffo,
Archadelt, V. Ferro, F. Boselli, J.
Pionnier and A. Gabriel.
lilesse ... a Cinque Voci Nouamente . . .
composte & per Antonio Gardano stam-
pate, etc. Cantus. -
Appresso di Antonio Gardano :
Venetia, 1557. obi. 4". A. 402.
]Messe ... a Cinque Voci Nuouamente
Ristampate per Claudio INIerulo da Cor-
reggio, etc. Bassus. Venetia,
1567. 4°. A. 402. a.
II Quarto Libro di Messe a Sei Voci . . .
piene d' inusitata dolcezza, composte vlti-
mamente con arte merauigliosa, conforme
al Decreto del . . . Concilio di Trento, fra
le quali e vna de Morti con la sua sequenza,
etc. Canto. (Alto.) (Tenore.) (Basso.)
(Quinto.) (Sesto.) 6 pts.
A2:)2yresso V Hcrcde di Girolamo Scot to :
Veneggia, 1574. 4°. D. 34.
II Primo Libro de Motetti a Cinque Voci.
. . . Nouamente stampati, etc. Cantus.
(Altus.) (Tenor.) (Bassus.) (Quintus.)
5 pts. lo. Antonius Castilloneus :
Medolani, 1542. obi. 4°. K. 3. f. 6.
Salmi Suauissimi et Deuotissimi a Cinque
Voci, etc. Canto. (Alto.) (Tenore.)
(Basso.) (Quinto.) 5 pts.
Appresso V Herede di Girolamo Scotto :
Vineggia, 1574. 4°. D. 36.
RUGE (FiLiPPo) Au Desert. Duetti per
due Voci in Soprano con 1' Accompagna-
mento ad Libitum di due Flauti Traversi,
6 due Violini, etc.
Gravee par il/"^' Venddnie. Chez VAuteur :
[Paris, 1770 ?] obi. fol. D. 746.
Six Solos for a German Flute or Violin
with a Thorough Bass for the Harpsicord
or Violoncello, etc. I. WalsJi :
London, [1760 '?] fol. g. 79. d. (2.)
Six Sonatas in 3 Parts. Four for 2
German Flutes or Violins and a Bass and
Two for 3 German Flutes without a Bass
. . . Opera 2''\ [Separate Parts.]
Printed for I. Walsh:
London, [1760?] fol. h. 2851. e. (3.)
RUISSEAU— RUSH
441
RUISSEAU. Ruisseau, qui baignes cette
plaino. Lc Ruisseau. Chanson. [Words
by Pacard.] Gravf. par M" CharppntU.
hnnvimi par Toitrnclle : [Paris,] 1759.
s. sh. 8". 297. d. 17.
Mercure cle France, March, 1759.
Euisseaux qui baigne cette plaiue. Ro-
mance Nouvelle. Avec Accompagnem' de
Guitare par W Alberti.
Chez 31'- Camancl : Paris, [1780 ?] 8".
B. 362. g. (49.)
Ruisseau, votre aimable murmure. Air.
See MoNCEAUX ( de)
RUISSELET. Le Ruisselet. Song.
See Gluck (C. W. von)
RUIZ DE RIBAYAZ (Lucas) Luz, y
Norte Musical para caminar por las Cifras
de la Guiiarra EspaSola, y Arpa, tafier, y
cantar a compds por canto de Organo, etc.
Por Melchor Alvarez : Madrid, 1672. i.\
K. 8. f. 4.
RULE. Rule Britannia. [Song.]
Sec AR^-E (T. A.) {Alfred.-]
The Rule of Three. [Song.]
Sec Gentleman.
RULES. Rules ; or a Short and Com-
pleat Method for attaining to Play a
Thorough Bass upon the Harpsicord or
Organ. By an Eminent Master. Also
an Explanation of Pigur'd Time, ... to
which is added, a Dictionary ... of such
Italian Words ... as are made use of in
. . .Musick. 2 pts. Printed for . . .
I. Walsh: London, [1115?] 8". d. 39.
RUPPE (Christian Friedrich) Ro-
manzes door Mr. Rhynvis Feith. Naar
den besten smaak op muziek gebracht,
etc. Cornelis van dcr Aa :
Haarlem, 1787. 8°. 1209. b. 8. (7.)
RURAL. Rural Felicity, with Variations
for the Harpsichord or Piano Forte, etc.
Printed for T. Skillern :
London, [1790 ?] fol. G. 795. (4.)
Rural Felicity. Song. See In. In the
Morn as I walk'd thro' the mead.
[1775 ?] s. sh. fol. G. 309. (142.)
The Rural Gift. Song.
See LocKHART (C.)
Rural Happyness. Two Part Song.
See By. By shady Woods and purling
streams, etc. [1720?] s. sh. fol.
G. 306. (239.)
Rural Life. Song. See Free. Free
from noise, etc. [1770.] 8°. P.P. 5438. z.
Rural Life. [Song, begins : ' How happy
is the ]Ma.id.'] See Howard (S.)
The Rurall Lover. [Song.] See Near. Near
Pleasant Woods on lofty Moiintains.
[1715 ?] s. sh. fol. H. 1601. (321.)
The Rural Retreat. [Song.] See Would.
Wou'd I seek a blest retreat, etc.
[1800?] fol. G-. 356. (59.)
RURAL HARMONY. The Rural
Harmony. [Anthems.]
See Kimball (J.)
RUSCELLETTO. Ruscelletto Infidele.
[Song.] See Lampe (J. F.)
RUSCHARDUS (Ludovicus) Magni-
ficat Goto Tonorum Sex Vocum, etc.
Cantus II. (Tenor ii.) 2 pts.
Paulus Kauffmannus :
Norihergn', 1G04. 4". C. 326.
RUSH (George) The Capricious Lovers.
An English Comic Opera, etc. [written
by R. Lloyd. P. F. Score]. Welchcr :
London, [1764.] ohl. fol. E. 86.
The Favorite Concerto for the Harpsichord
or Piano Porte [and Violin]. . .No. 1.
Longman d Broderip :
London, [1783 ?] fol. g. 418. a. (4.)
[Another copy.] g. 443. d. (27.)
A Second Concerto for the Harpsichord or
Piano Forte with accompanyments of two
Violins and a Violoncello . . . Harpsichord
Part alone. London, [1773.] obi. fol.
e. 5. a. (3.)
A Third Concerto for the Harpsicord or
Piano Forte with Accompanyments for
two Violins and a Violoncello.
Printed for . . . Wclcher :
London, [1778.] obi. fol. e. 5. a. (4.)
Six Easy Lessons for the Harpsichord,
calculated for the Improvement of young
Practicioners, &c. Printed for J. Cox :
London, [1760 ?] obi. fol. d. 160. (3.)
[The Royal Shepherd.] The Overture,
Songs, Ducts & Quartets in the Opera of
the Royal Shepherd [written by R. Rolt]
. . . properly disposed for the Voice &
Harpsichord. Welcker :
London, [1764.] obi. fol. C. 391.
SecAMiNTAS. Amintas. An English
Opera, etc. [Altered from Rolfs ' Royal
Shepherd ' . . . Music by . . . G. Rush, etc.]
[1769 ?] obi. fol. E. 899.
[Overture.] Three Celebrated Eng-
lish Overtures; adapted for the Piano
Forte. ([No. l.J Royal Shepherd. [By
G. Rush.]) [1798.] Sec Periodical
Publications. — London. The Piano-
Forte Magazine. Vol. V. No. 3.
[1791-1802.] 8^ D- 854.
A First Set of Sonatas for the Guittar,
with an Accompanyment for another
Guittar or Violin, etc. The Author :
[London, 1165?] obi. tol. e. 377. (1.)
A Second Sett of Sonatas for the Forte
Piano or Harpsichord with an Accom-
panyment for a Violin or German Flute
. . . Opera v. Welcker :
London, [1770 ?j obi. fol. e. 5. h. (7.)
442
RUSH— RUSSIAN IMELODIES
RUSH (George) A Sett of Sonatas for
the Harpsichord with an Accompanyment
for the Violin, etc. Wclckcr :
London, [1170?] fol. g. 271. b. (27.)
This u'ork also contains Rush's 1st
Concerto.
RUSH-LIGHT. The Rush-Light. Song.
Sec Arnold (S.) [Peeinng Tom of
Coventry.]
RUSS. The Russ loves hrandy, Dutch-
man heer. For the Honour of Old Eng-
land. A Ball[a]d.
L[ong7nan] L[ukey d Co. :
London, 1755 ?] s. sh. fol.
G. 312. (110.)
RUSSEL (D.) The Butterfly. Being a
variety of Songs, Elegies, a double Canon,
a Catch and a Cantata on Spring, entirely
New, etc. Longman, Lukcy d Co. :
London, [im?] fol. G. 316. j. (1.)
Corydon and Phillis. A New Dialogue.
The words by Mr. Rob' Riddell.
[London, 1765 ?] s. sh. fol. I. 530. (134.)
Female Fortitude, etc. [Song.]
[Londo)i, 1744.] 8°. 157. 1. 6.
London Magazine, 1744, pp. 94, 95.
Female Fortitude. [Song.]
[London, 1745 ?] s. sh. fol.
G. 305. (289.)
[Another edition.] Female Fortitude.
[London, 1750 ?] s. sh. fol.
G. 314. (18.)
Female Fortitude. A Song.
[London, 1750.] 8°. P.P. 5438. z.
Universal Magazine, Vol. VI., p. 28.
The Flying Fair. See When. When,
Cloe, by your Slave pursu'd, etc. [Song,
music by D. Russel.] [1745 ?] s. sh. fol.
G. 313. (123.)
The Jealous Swain, etc. [Song.]
[London, 1743.] 8°. 249. c. 13.
Gentleman'' s Magazine, Vol. XIII., p.
660.
A Favourite Lesson for the Harpsichord.
[London, 1765 ?] ohl. fol. d. 160. (2.)
The Modest Question, etc. [Song.]
[London, 1742.] 8°. 249. c. 12.
Oentleman' s Magazine, Vol. XII., p.
599.
The Modest Question. [Song. Words
by — Berkeley.] [London,
1750?] s. s/i. fol. G. 307. (32.)
[Another edition.] The Modest Question.
[London ? 1750 ?] s. sh. fol.
G. 316. d. (66.)
[Another edition.] The Modest Question.
[London, 1755 ?] s. sh. fol.
G. 305. (252.)
The Shepherd's Complaint . . . [Song.]
Sung by Mr. Lowe.
[London, 1743.] 8°. 157. 1. 5.
London Magazine, Aug. 1743.
RUSSEL (D.) The Shepherd's Com-
plaint. [Song.] [London,
1745?] s. s7i. fol. G. 311. (87.)
[Another edition.] The Shepherd's Com-
plaint. [London, 11 bO?] s.sh.iol.
G. 316. f. (5.)
[The Shepherd's Complaint.] Sweet were
once the Joys I tasted. [Harmonized for
4 voices.] See E., W. B. Three Old
English Songs harmonized by W. B. E.
[No. 1.] [1786?] fol. H. 1652. (4.)
Soft God of Sleep. A Song, etc.
[London, 1745 ?] s. sh. fol.
G. 311. (51.)
To Sylvia. [Song.] The Words by ]Mr.
Garrick, etc. [London, 1745 ?] s. sh. fol.
G. 309. (27.)
The Truth. [Song.]
[London, 1745 ?] s. sh. fol. G. 312. (91.)
See Summer's Tale. The Summer's Tale.
A Musical Comedy . . . The Music by Abel
...Russel, e^c. [1765.] ohl. io\.
D. 273. (1.)
RUSSELL. Russel's Triumph. [Song.]
See Thursday. Thursday in the Morn,
etc. [1730?] s. s7i. fol. G. 312. (84.)
RUSSELL (Richard) Arous'd by Threats
of Gallic foe. Patriotic Song. Written
&. . .inscribed to the Officers of the Loyal
Walthamstow Volunteers by ... R. Russell.
The Author : Walthamstoio, [1800 ?] fol.
G. 376. (37.)
RUSSELL (W.) Organist of Stoke. The
Joys of the Sport is the Length of the
Chace. . .Hunting Song, etc. [Full Score.]
Longman and Broderip, for the Author :
London, [1795 ?] fol. G. 366. (75.)
A favorito March, composed for the Guild-
ford Volunteers. [Full Score.]
Longman and Broderip, for the Author :
London, [1795 ?] fol. g. 133. (51.)
RUSSELL (William) [The Highland
Camp.] Overture, to the Favorite Dance
of the Highland Camp, as perform'd . . .
at Sadlers Wells. [P. F.] W. Hodsoll :
London, [1800 ?] fol. g. 137. (14.)
The Redeemer gave the Word. An
Anthem sung by Master Welsh at Queen
Street Chapel, etc.
Printed for the Author :
London, [1795 ?] fol. H. 879. q. (2.)
RUSSIAN MELODIES. A Collection
of Melodies, chiefly Russian. Harmonized
and arranged for the Voice, with an
Accompaniment for the Piano Forte or
Harp [by E. S. Biggs], the Words ... by
Mrs. Opie, to which is added The Cossack,
a. . .Ballad from the Ukranian, by M. G.
Lewis. P. Birchall :
London, [1800?] fol. H. 2170.
RUSSIAN SONGS— S.
443
RUSSIAN SONGS. Codpanie Pyf•cKIIX^
ripoiTMXb nBcoiii. «» iioraMii. 3 MacT.
Ih'irniKiiio 6inoi)hiMb miiriiciucMo an C/niinn-
nnarpoijpw, 1782, 78, 79. 4". E. 878.
lacmo 1 only is of the second edition.
RUST (Friedrich Wilhelm) Vier und
zwanzig Veranderungen fiir das Clavier
iiber das Lied : Bliihe liebes Veilchen, etc.
Im Verlage des Autors :
Dessau, 1782. ohl. fol. f. 133. o. (1.)
RUSTIC. The Rustic Orpheus. [Song.]
Sec DiBDiN (C.) [The General Election.]
RUTHERFORD (David) Rutherford's
compleat Collection of 200 . . . Country
Dances. . .with y" newest . . . Figures and
Directions to each Tune, by Mr. Rose, for
y" Violin German Flute or Hautboy.
Voll. I". David D. Rutherford : London,
[1756 ?J ohl. 4°. a. 220.
Rutherford's compleat Collection of 200
. . .Country Dances . . .with y" newest . . .
Figures and Directions to each Tune, for
y" Violin German Flute or Hautboy. Voll.
1" (Voll. ^'^). 2 pts. John Rutherford :
London, [1775 ?] ohl. 4". a. 220. a.
Rutherford's Compleat Collection of one
hundred & twelve of the most celebrated
Minuets with their Basses . . . which are
now . . . perform'd at Court . . . the Tunes
are proper for the German Flute, Violin
or Harpsicord. (Rutherford's Compleat
Collection of One Hundred and Twelve. . .
Minuets which are now . . . Perform'd at
Almacks and the Pantheon, etc.) 2 vols.
D. {John) Rutherford : London,
[1775 ?-80?] 4". e. 116.
RUTHERFORD (David) The Gentle-
man's Pocket Guide for the German
Flute. Containing easy rules for Learners
. . .With a Choice Collection . . . of . . .
Airs ... by the most Eminent Masters,
With . . . Lessons, in two parts, for the
Improvement of Young Gentlemen.
The Author : London, [1765 ?] 8".
e. 116. a.
The composers named are Corelli, Felton,
Handel, Grano and B. Thumoth.
RUTINT (Giovanni Marco) Sei Sonate
per Cembalo dedicate al Nobile Signore
G. G. Pizzini de Thiirimberg. . .Opera l'"'.
[Niirnberg ? 1755 ?] obi. fol. f. 97.
Sei Sonate per Cembalo dedicate a ... la
Signora Contessa Antonia de Wratislaw,
etc. Lelio dalla Volpe : Bologna,
1770. ohl. fol. d. 161. e. (3.)
This copy contains a piortrait of the
composer and a letter from the Ahhate
Mctastasio, dated 18 Feb. Ill I, printed
on a separate sheet and inserted before
sig. A.
RUTINI (Giovanni Placido) VI. Sonate
per il Cimbalo. . .Op. m".
G. U. Haffner : Norimberga,
[1757 ?] obi. fol. e. 777.
VI. Sonate per il Cimbalo. . .Opera v»\
G. U. Haffner : Norimberga,
[1758 ?] ohl. fol. ■ e. 5. i. (6.)
Sei Sonate per Cimbalo. . .Opera Sesta.
G. U. Haffner : Norimberga,
[1760 ?] ohl. fol. e. 777. a.
RUZINA. La Ruzina.
See Monte (F. di)
Canzone.
S * * *, le C[o77ite] de. Vous me grondez
d'un ton severe. Air, etc.
[Pans, 1785?] 8°. B. 362. a. (118.)
S., C. A. Two Duettino's for Two Per-
formers on One Piano Forte, etc.
Printed for the Aiithor : Londoyi,
[1796.] obi. fol. e. 108. (13.)
S * * *, D. L. Ah, que ma Cloris salt
plaire ! Romance Tendre. Paroles &
musique de M. D. L. S * * *.
[Paris,'] 1766. s. sh. 8°. 297. e. 2.
Mercure de France, Aug., 1766.
S., F. H. E. The Adieu to Moggy, [Song.]
Set to Musick by S[ignor ?] P. H. E. S.
[London, 1746.] 8°. 157. L 8.
London Magazine, 1746, p. 640.
S., G. A. Vicar and Moses. [Song.] With
the Original Words Composed by G[eorge]
A[lexander] S[tevens], Esq'.
L[ongman] L[ukey and Co. : London,
1775 ?J s. sh. fol, G. 312. (141.)
S., G. D. Den Singende Swaen : dat is.
Den Lof-sangh der Heyligen, die als
Singende Swaenen, de dood blygeestigh
hebben ontfangen. Gemaeckt door G[uil-
laume] D[e] S[waen].
Arnold van Brakel : V Antioerpen,
1664. 8". A. 564.
Den Singende Zwaan ... Op Nieuw Over-
gezien, en van veel Fouten gesuyvert, en
de Nooten van een Voornaam ]\Ieester,
vande ]\Iusiecq gecorrigeert ende verbetert.
Frans de Does : Leyden, 1728. 6".
11556. c. 36.
S., I. To please the beauteous blooming
fair. In Praise of the Fair Sex. [Song.]
The Words by Mr. Hawkins.
Hodgson: [Lo7idon, 1180?] s.sh. fol.
G. 312. (229.)
S., L. See Heyden (S.) Catechistica
Summula Fidei Christianse, etc. [With
Hymns by L. S., i.e. Ludwig Senfl.]
1538. 12°. 698. a. 41. (7.)
444
S.— SABBATINI
S., M., S. J. Sec J., M. S. S.
S., S. F. Sfc QuANTZ (J. J.) NeueKirchen-
IMelodieu, etc. [Edited by S. F. S.]
1760. 8°. B. 581.
S., W. The Psalmes of David iu 4 Lan-
guages [i.e. Greek, Hebrew, English and
Latin] and in 4 Parts Set to y'' Tunes of
our Church By W[illiam] S[latyer].
Printed by TJio: Harper- for George
Tito. Mason d Octmdan Pullen: London,
164.3. 12". E. Pam. 1111. (5.)
With the exception of the Epistle to the
Reader, engraved throughout. The
composers navied are W. Cohhold, E.
Blancks, G. Kirhye, I. Dojilancl, R.
Allison, T. Campion, S. Sttibbs, I.
Milton, T. Rauens\_croft~\, J. Bennet
and W. Cranford,
The Psalmes of David in 4 Languages . . .
Set to y^ Tunes of our Church with
Corrections By W[illiam] S[latyer].
P. Stent : London, 1652. 12°.
Case 30. a. (13.)
This edition contains an engraved por-
trait of Slatyer.
S A A L (Anton Wilhelm Christian)
XXV. Stiicke fiir die Harfe ohne Pedal,
etc. J. A. Bdhvie : Hamburg, [1800 ?] fol.
h. 184. c. (19.)
SABATJJ?«"I (Giovanni Andrea) Six
Sonatas for Two Violins and a Bass . . .
Opera i. [Separate Parts.] H. Fougt :
London, [1767.] fol. g. 222. (16.)
[Another copy.] g. 409. (9.)
SABBATINI (Galeazzo) II Primo
Libro de IMadrigali . . . Concertati a due,
tre e quattro voci. Opera Prima. Noua-
mente ristampata, & corretta, etc. Basso.
(Basso Continuo.) 2 pts.
Appresso Alessandro Vincenti : Venetia,
1627. 4". D. 200.
II Secondo Libro de Madrigali . . . Concer-
tati a Due, Tre, et Quattro, Voci. Con
la risposta a quattro voci, e due Violini
ad alcuni versi che incominciano Quando
la Donna si dismostra altiera, Posti nel
terzo de' Madrigali a 6. del Sig. Steffano
Bernard! ... Opera Seconda. Nouamente
Ristampata. Basso. (Basso Continuo.)
2 pts. Ajypresso Alessayidro Vincenti :
Venetia, 1636. 4". D. 200. a.
Madrigali Concertati a Due, Tre, Quattro,
e Cinque Voci. Con alcune Canzoni con-
certate, e tramezzate diuersamente con
Sinfonie, e Ritornelli . . . Opera Quinta.
De Madrigali Libro Quarto. Nouamente
ristampati.cic. Basso. (Basso Continuo.)
2 pts. Appresso Alessandro Vincenti :
Venetia, 1637. 4°. D. 200. c.
SABBATINI (Galeazzo) Madrigali
Concertati a Due, Tre, e Quattro Voci.
Con alcune Canzonettc Concertate con In-
stromcnti . . . Opera Sesta. De Madrigali
Libro Quiuto Nuouameute composte, e
dati in luce, etc. Basso. (Violino, e Basso
da Sonaro.) 2 pts.
Appresso Alessandro Vincenti : Venetia,
1636. 4°. D. 200. d.
Madrigali Concertati a Cinque Voci con
alcune Canzoni Concertate anc' esse diuer-
samente con Sinfonie, e Ritornelli, e nel
fine vna Canzonetta con Voci, & Instro-
menti . . . Opera Quarta. De Madrigali
Libro Terzo Nouamente Ristampati, etc.
Basso. (Basso Continue.) 2 pts.
Appresso Alessandro Vince?iti : Venetia,
1634. 4°. D. 200. b.
Regola Facile, e breue per Sonare sopra
il Basso Continuo, nell' Organo, Mana-
cordo, 6 altro Simile Stromento. . .Noua-
mente Ristampata e Correta.
Appresso Alessandro Vincenti : Venetia,
1644. 4°. 1042. h. 32.
Sacrarum Laudum Musicis Conceptibus
. . . Contextarum Binis, Ternis, Quaternis,
Quinisq; Vocibus ad Organum conciuen-
darum Liber Secundus. Opus Septimum.
Hac Editione a pluribus, quibus scatebat,
erroribus expurgatum. Tenor.
Tyxiis Hcredihn Petri Phalesii :
Antuerpise, 1641. 4°. D. 200. e
SABBATINI (LuiGi Antonio) Elementi
Teorici della Musica colla Pratica de' me-
desimi, in Duetti, e Terzetti a Canone
accompagnati dal Basso . . . Edizione ii.
3 pts. Nella Stampcria Pilucchi
Cracas, e Gitiseppe Rotilj Socio : Roma,
1795 (1790). obi. fol. D. 639.
Part I. only is of the 2nd edition.
La Vera Idea delle Musicali Numeriche
Segnature, etc. Presso Sebastian Valle :
Venezia, 1799. 4°. 785. 1. 30.
SABBATINI (PiETRO Paolo) Ariette
Spirituali a Una Doi e Tre Voci ... In
diuersi stili da cantarsi in qualsiuoglia
Instrumento. Libro Quinto, Opera Vige-
sima prima. Nella Stamperia di lacomo
Fei del q. Andrea : Roina, 1657. fol.
K. 7. f. 2.
The verso of the title-page contains a
portrait of Pope Alexander VII.
engraved by Giovanni Battista de
Rossi.
Canzoni Spirituali ad Una, a Due, et a
Tre Voci. Da cantarsi, e sonarsi sopra
qualsiuoglia Istromento. Libro Secondo.
Opera Decimaterza, etc.
Appresso Lodouico Grignani : Roma,
1640. fol. K. 7. f. 1. (2.)
SABBATINI— SACCHINI
445
SABBATINI (PiETRO Paolo) Varii
Capricci, e Canzonette a Una e Tre Voci
da cantarsi sopra qualsiuoglia Istro-
mento con I'Alfabefco della Chittara Spag-
nola . . . Libuo Settimo. Opera Decima-
quarta. Nella Stamperia di Vincenzo
Biaiichi : Roma, 1641. fol.
K. 7. f. 1. (1.)
Prima Scelta di Villanelle a Due Voci . . .
Da sonarsi in qualsiuoglia Instromento
con le lettere accomodate alia Chittara
Spaguola in quelle piu a proposito, etc.
Appresso Vitale Mascardi : Roma,
1652. fol. K. 4. h. 3. (5.)
II Terzo di Pietro Paolo Sabbatino, etc.
[Villanelle for 1, 2 & 3 voices.]
Appresso Paolo Masotti : Roma,lQ>Z\. fol.
K. 4. h. 3. (6.)
This tvork also contains compositions by
Simon Corsi and Dante Assodaw.
II Quarto de Villanelle a Una, Due, et
Tre Voci, etc. NeW Hospitio de' Lettcrati,
Appresso Gio. Battista Robletti : Roma,
1631. fol. K. 4. h. 3. (7.)
SABINA. Sabina. [Song.]
Sec Pitman (A.)
Sabina has a thousand Charms. Song.
See PuRCELL (D.) [The Reformed Wife.']
SABINO (HiPPOLiTo) Di Hippolito Sabino
il Quarto Libro de IMadrigali a Quattro,
Cinque, Sei, Sette, & Otto voci, nouamentc
composti, & dati in luce. Quinto.
Prcsso Giacomo Vincenzi, cD Ricciardo
Amadino, compagni : Venetia, 1585. 4".
D. 7. a.
Madrigali a Cinque Voci. . .Libro Secondo,
etc. Quinto. Appresso Angclo Gardano :
Venetia, 1580. obi. 4". A. 403. a.
II Secondo Libro de Madrigali a Sei Voci
. . . Con alcuni di Oratio Crisci ; nouamente
composti & dati in luce, etc. Quinto.
Appresso Angela Gardano : Venetia,
1581. obi. 4°. A. 403.
Di Hippolito Sabino II Settimo Libro de
Madrigali a Cinque, & a Sei voci, etc.
Canto. (Alto.) (Tenore.) (Basso.) (Quinto.)
5 pts. Appresso Giacomo Vincenti :
Venetia, 1589. 4°. D. 7.
The Sesto partis printed with the Tenor.
This tvork also contains Madrigals by
G. F. Sabino and 0. Crisci.
SABLE. The Sable-clad Curtains. Song.
See Hook (J.)
The Sable Night had spread around.
Cupid Benighted. (Anacreon.) ... A favo-
rite Ballad. Sung ... at Harrison and
Knyvett's Vocal Concerts. [London,
1791?] fol. G. 808. e. (42.)
SABOT PERDU. [For songs, &c. in
' La Vcillee Villageoise ou le Sabot
Perdu ' :] See Veillee Villageoise.
SABOTS. Les Sabots, Opera-Comique en
uu Acte, mele d'Ariettes ; par Mrs.
C[haspoul] & Sedaine . . . avec la Musique
[of one song, by E. R. Duni].
See Recueil. Recueil general des Opera
BoufEons, etc. Tom. 1. 1777. 8°.
11735. b. 2.
Les Sabots. [Opera.] See Duni (E. R.)
SACCHI (Giovenale) Del Numero e
delle i\Iisure delle Corde IMusiche e loro
Corrispondeuze. Dissertazione, etc.
Per Giuseppe Mazzncchelli : Milano,
1761. 8°. 1042. e. 17. (1.)
Delia Divisione del Tempo nella IMusica
nelBalloe nella Poesia. Dissertazione iii,
etc. Per Giitseppe Mazzucchelli nella
Stamperia Malatesta : Milano, 1770. 8".
52. d. 31.
Della Natura e Perfezione della Antica
Musica de' Greci. . .Dissertazioni iii., etc.
Per Antonio Mogni nella Stamperia
Malatesta : Milano, 1778. 8".
7898. aaa. 15.
Delle Quinte Successive nel Contrappunto
e delle Regole degli Accompanimenti.
Lettera del P. D. Giovenale Sacchi...al
Sig. Wincislao Pichl, etc.
Per Cesare Orcna : Milano, 1780. 8".
1042. e. 17. (2.)
Don Placido. Dialogo. . .Dove cercasi se
lo studio della musica al religioso convenga
o disconvenga. Presso Lnigi Raffaelli :
Pisa, 1786. 8°. 4071. c. 45.
[Another copy.] 3902. f. 8. (1.)
Risposta. . .al P. Andrea Draghetti, etc.
Per Giuseppe Mazzucchelli 7iella
Stamperia Malatesta : Milajio, ITil. 8".
7897. aaa. 29.
Juvenalis Sacci . . . Specimen Theorise
Musicse. Ex Typographia histitttti
Scientiarum : Bononix, 1788. 4°.
557*. e. 6. (2.)
See Martini (G. B.) Lettere del P. M.
Giambatista Martini . . . e del P. Giovenale
Sacchi . . . intorno alle Quinte successive
nel Contrappunto. 1782. 4". 981. li. 5.
See Zanotti (F. M.) Lettere del. . .Pad.
G. Sacchi . . . Nelle quali si . . . risolvono
alcuni dubbj appartenenti al trattato :
Delia divisione del Tempo nella Musica,
etc. 1782. 4°. 557*. e. 6. (2.)
SACCHINI (Antonio Maria Gasparo)
L'Amoro Soldato. Opera Comica, etc.
[Full Score.] Prcsso Roberto Bremner :
Londra, [1778.] fol. H. 330. a.
[Another copy.] G. 180. f. (3.)
Wanting pp. 77-106.
[Armida.] Resta ingrata io parto, etc.
[Song.] G. Goulding : London,
[1799?] fol. G. 811. a. (36.)
Periodical Italian Song, No. 39.
U6
SACCHINl
SACCHINI (Antonio Maria Gasparo)
Avaut que le soleil. Air . . . paroles de
M. de Florian. [Paris,] 1786. 8°.
297. g. 33.
Mercure de France, Sept., 1786, p. 101.
[L' Avaro Deluso.] Aure dolci. See Avaro
Deluso. Aure dolci, etc. [By A. M. G.
Sacchini.] [1779 ?] s. sh. fol.
H. 1601. a. (15.)
Vol sapete. See Avaro Deluso.
Vol sapete, etc. [By A. M. G. Sacchini.]
[1779?] s.sh.M. H. 1601. a. (16.)
Cliimene ou le Cid. Tragedie Lyrique en
trois Aetes, etc. [Full Score.] Ecrit par
Ribiere. Chez Le Due: Paris,
[1784?] fol. H. 330. b.
[For songs, &c., published anony-
mously :] See Chimene.
[II Cid.] The Favourite Songs in the
Opera II Cid. [Full Score.]
B. Bremner : London, [1773.] fol.
G. 669. a. (1.)
[Another edition.] The Favorite
Songs in. . .11 Cid, etc. [Full Score.]
J. Prestmi: London, [1785?] fol.
G. 180. e. (3.)
La Colonic. [For songs, &c., published
anonymously :] See Colonie.
La Colonic. 6'ec infra: [L' Isola d\imorc .]
[La Contadina in Corte. Sento che in
freno mi batte.] See Contadina in Corte.
Sento che in freno mi batte. The Favourite
Rondo sung. . .in the . . . Opera, La Conta-
dina in Corte. [By A. M. G. Sacchini.]
[1780.] fol. H. 1601. a. (7.)
[Cresc] The Favourite Songs in the
Opera Creso, etc. [Full Score.]
R. Bremner : London, [1777.] fol.
H. 348. b. (3.)
[Another edition.] The Favorite
Songs in. . .Creso, etc. [Full Score.]
J. Preston : London, [1785 ?] fol.
G. 180. e. (4.)
Dardanus. Tragedie Lyrique en Quatre
Actes. Paroles de Mr. Guillard, etc.
[Full Score.] Chez Des-Lauriers :
Paris, [1784.] fol. H. 330.
[Didone Abbandonata.] Son regina e
sono amante. Sung by Madam Mara in
[the Pasticcio] Didone Abbandonata, etc.
[Full Score.] Longmaa d Broderip :
London, [1786.] fol. H. 345. (29.)
[Erifile.] The Favourite Songs in the
Opera. Erifile, etc. [Full Score.]
B. Bremner : London, [177b.] fol.
G. 180. b. (1.)
[Another edition.] The Favourite
Songs in. . .Erifile. [Full Score.]
B. Bremner : London, [1778.] foi.
G. 669. a. (2.)
[Another copy.] G. 180. d. (1.)
SACCHINI (Antonio Maria Gasparo)
Evelina. Opera en Trois Actes. Paroles
de Mr. Guillard, etc. [Full Score.]
Chez Lnbault : Paris, [1788.] fol.
G. 180. g.
Sacchini's Overture in the Opera
' Evelina,' arranged for the Piano-Forte
by K. Kambra. Birchall, for the Aiithor :
London, [1797 ?] fol. " g, 137. (9.)
How should we mortals spend our hours.
A favorite Cxlee. Printed for G. Walker:
London, [1800 ?] fol. G. 807. b. (56.)
L' Isola d' Amore. Intermezzi a Quattro
Voci, etc. [Full Score.] B. Bremner :
London, [1776.] fol. G. 180. f. (2.)
[L' Isola d' Amore.] La Colonie. Opera
Comique en deux Actes. Imite [by N. E.
Framery] de I'ltalien et Parodie sur la
Musique del S"' Sacchini, etc. [Full Score.]
Chez M>- D'Enouville: Paris, [1776.] fol.
G. 669.
La Colonie, Com6die en deux Actes,
imitee [by N. E. Framery] de I'ltalien.
avec la Musique [of four songs].
See Recueil. Recueil general des Opera
Bouffons, etc. Tom. 9. 1777. 8".
11735, b. 2.
[Lucio Vero.] The Favourite Songs in
the Opera Lucio Vero. [Full Score, with
the Overture for the P. F.] B. Bremner :
London, [1773.] fol. G. 180. b. (2.)
[Another copy.] G. 180. d. (4.)
[]\Iitridate.] The Favourite Songs in the
Opera Mitridate, etc. [Full Score.]
R. Bremner : London, [1781.] fol.
G. 180. e. (2.)
[ilotezuma.] The Favourite Songs in
the Opera Motezuma, etc. [Full Score.
Overture for P. F.] B. Bremner :
London, [1775.] fol. H. 348. (1.)
[Another copy.] G. 760. f. (8.)
[Another copy.]
G. 180. d. (2.
)
The Favorite New March as per-
form'd by the Coldstream . . . Guards,
etc. [P. P.] I. Blundell : London,
[1780 ?] s. sh. fol. g. 272. 1. (22.)
[Nitteti.] The Favourite Songs in the
Opera Nitteti, etc. [Full Score. Overture
for P. F.] B. Bremner : London,
[1774.] fol. H. 348. a. (1.)
[Another copy.] G. 180. c. (1.)
Non e la mia speranza.
Sec infra : [Pcrseo.]
0 lieto di. See infra: [CEdipe d Colonne.
0 doux 7noment.]
CEdipe a Colonne. Opera en trois Actes.
[Words by N. F. Guillard. Full Score.]
Chez LnhauU : Paris, [1787.] fol.
G. 180.
SACCHINI— SACEIFICE
447
SACCHINI (Antoxio Maria Gasparo)
CEdipe a Colonne. Overture, etc. [By
A. M. G. Sacchini.] [1801.] See Periodi-
cal Publications. — London. The Piano-
Forte Magazine. Vol. XIV. [No. 13.]
[1797-1802.] 8°. D. 854.
Overture. [P. F.] Sec Megzer (F.)
Ouverture d'CEdipe a Colonne [by A. M. G.
Sacchini] arrangee pour le Clavecin, etc.
[1787 ?] fol. g. 81. (12.)
[0 doux moment.] 0 lieto di. A
Favorite Trio as Sung at the King's
Theatre ... in ... Evelina, etc. [Short
Score.] Longman & Brodcrip : London,
[1797.] fol. G. 760. f. (7.)
L'Olympiade, ou le Triomphe del'Amiti^.
Drame Heroique en Trois Actes et en
Vers. Imile de I'ltalien [of Metastasio]
et Parodie sur la Musique du Celebre Sg'
Sacchini, etc. [Full Score.]
Chez M'' d' li)iouville : Paris, [1777] fol.
G. 180. h.
Non mon coeur souffre moins de
peine. Air. . .Arrange pour la Harpe par
M' Suin. [1780 ?] fol. See Olimpiade.
G. 800. m. (43.)
[For songs, &c., published anonj'-
mously :] See Olympiade.
[Perseo.] The Favourite Songs in the
Opera Perseo, etc. [Full Score.]
B. Bremner : London, [1774.] fol.
G. 180. c. (2.)
[Another copy.] G. 200. (2.)
Non e la mia speranza. [Aria.]
Sung by INIadani Mara, etc. [Full Score
and Cembalo.] Longman & Broderip:
London, [1786.] fol. H. 345. (17.)
Sei Quartetti, per due Violiui, Viola e
Basso . . . Opera 2". [Separate Parts.]
Presso Boberto Bremner: London,
[1775?] fol. g. 388.
Renaud. Tragedie lyrique en trois Actes,
etc. [Full Score.] Chez Le Due :
Paris, [1783.] fol. G. 180. a.
— — [For songs, &c., published anony-
mously :] See Kenaud.
Resta ingrata io parto.
See supra : [Armida.^
[Rinaldo.] The Favourite Songs in the
Opera Rinaldo, etc. [Short Score.]
B. Bremner : London, [1780.] fol.
G. 180. c. (3.)
[Another copy.] G. 180. b. (3.)
Serba costante in petto. TJie Favorite
Bondo, composed . . . for Signora Marchetti.
[Full Score.] Printed for J. Bland :
Londoji, [1775 ?] fol. G. 807. d. (67.)
A Second Set of Six Favorite Lessons for
the Harpsichord, or Piano Forte, with an
Accompanyment for the Violin . . . Opera
4"". James Blnndcll : London,
[1780?] fol. h. 94.
SACCHINI (AxTONio IMaria Gasparo)
Six Sonatas for the Harpsichord, or Piano
Forte : with a Violin Accompaniment . . .
Opera iii. B. Bremner: London,
[1780?] fol. g. 388. a.
Son regina e sono amante.
See supra: [Didone Abbaiidonata.']
[Tamerlano.] The Favourite Songs in
the Opera Tamerlano, etc. [Full Score.
Overture for P. F.] B. Bremner :
London, [1773.] fol. G. 669. a. (3.)
[Another copy.] G. 180. f. (1.)
See Corfe (Joseph) A Third Set of
Twelve Glees ... arranged from the Melo-
dies of Sacchini, etc. [1800?] obi. fol.
E. 317.
See Corfe (Joseph) A Treatise ou Singing
. . .with. . .some. . .Vocal Pieces of Sacred
Music, from the Mss. of. . .Sacchini, etc.
[1800?] o6Z. fol. 557*. e. 22. (1.)
See Ghillini di Asuni ( ) A Valuable
Collection of. . .Songs. . .from . . . Opera's
by. . .Sacchini, efc. [1776.] fol.
g. 421. a. (1.)
See Orpheus and Eurydice. Orpheus
and Eurydice, a Grand Serious Opera. . .
composed by Gluck, Handel, Bach, Sac-
chini, etc. [1792.] obi. fol.
E. 91. c. (1.)
SACCUS (luvENALis) See Sacchi (G.)
SACERDOTE (David) Di Dauid Sacer-
dote di Roure, Hebreo, II Primo Libro di
Madrigali a Sei Voci, etc. Quinto.
Appresso li Figlinoli di Antonio Gardano :
Venetia, 1575. obi. 4". A. 406.
SACRED. Sacred War. [Song.]
See Olive (J.)
SACRED HARMONY. Sacred Har-
mony : or A choice Collection of Psalm
and Hymn Tunes, in two or three Parts,
for the Voice, Harpsicord & Organ.
[Edited by J. Weslev.] London,
[1789.] 8°. " B. 483.
[Another edition.] Sacred Harmony : or
A choice Collection of Psalm and Hymn
Tunes, etc. G. Whitfield : London,
[1789?] 8". B. 483. a.
Sacred Harmony. A Selection of Airs,
Duos, Trios, &c. Arranged for the Organ,
Piano Forte, or Harp. [Philadelphia,
1800?] fol. H. 3340,
The composers named in this collection
are : Aladan, B. Carr, Handel, B.
Taylor, Pleyel, Kent, Dr. Greene, Dr.
Blake, Corelli, Haydn and Dr. Arne.
Sacred Harmony. Psalm Tunes.
Sec Harrison (R.)
SACRIFICE D' AMOUR. Le Sacrifice
d'Amour. Cantatille. See Lemaire (L.)
448
SACRIFICE— SAILOR
SACRIFICE OF IPHIGENIA. How
sweet are the flowers. .4 Favourite Song,
in the Sacrifice of Iphigenia. [By T. A.
Arne.] {London, 1751.] 8°. 157. 1. 13.
London Magazine, 1751, p. 420.
How sweet are the Flowers. A Song in
the Sacrifice of Iphigenia, etc. [By T. A.
Arne.l {London, 1754.] s. sh. 8".
P.P. 5439. ab.
New Universal Magazine, Vol. VI.,
Stcpplcment.
How sweet are the Flowers. A Favourite
Song in the Sacrifice of Iphigenia. [By
T. A. Arne.] Printed for J. Phillips :
{London, 1755 ?] s. sh. fol.
G. 316. (118.)
How sweet are the Flowers. A Fav'rite
. . . Song, in the Sacrifice of Iphigenia.
[By T. A. Arne.] See Chloe. Ghloe, or
the INIusical Magazine, etc. No. 41.
[1760?] fol. G-. 433.
[Another edition.] How Sweet are the
Flowers, ete. [LoncZon, 1765?] s. sh. iol.
H. 1994. b. (37.)
SAD. The Sad Case. Song. See At. At
the foot of a hill, etc. [1757.] 8°.
P.P. 5438.
The Sad Case. [Song.] See At. At the
foot of a Hill, etc. [1760 ?] s. sh. fol.
G. 316. c. (10.)
Sad in the hostile Dungeon pent, an easy
Duo for Two Voices. T. G. Williamson :
London, [1796 ?] fol. G. 354. (55.)
Sad Musidora all in woe. Musidora's
Complaint, [Song,] by a Young Lady of
Quality. [London, 1720?] s. sh. iol.
G. 316. g. (52.)
[Another setting.] Sad Musidora. [Song.]
See Carey (H.)
Sad was de Day. The Negro Girl, [Song,]
The Words by R. W. J.
{London, 1800?] fol. H. 2832. g. (38.)
SAENGER. Der Saenger. [Song.]
See HuRKA (F. F.)
SAFFERY (Osmond) An Introduction
to Music, with a Variety of Progressive
Lessons, Songs & Preludes. . .for the Use
of Beginners : on the Piano Forte.
Printed for the Author : London,
[1800?] fol. h. 1480. m. (24.)
Lady Harriot Hope's Reel, arranged as a
Rondo, etc. [P. F.]
Printed for James Saffcnj : Canterbury,
[1800?] fol. ■ g. 443. g. (14.)
SAGE. Le Sage du Temps. [Song.]
See P., D. R. A. A.
SAGES. The Sages of old. The true-
hearted Englishman. [Song, words by
T. D'Urfey.] {London, 17G5 ?J s. sli. fol.
G. 312. (113.)
SAGGIONE (Giuseppe Fedelli) Songs
in the New Opera, call'd The Temple of
Love. /. Walsh and I. Hare :
London, [1706.] fol. H. 124. (2.)
[For songs published anonymously :]
See Temple of Love.
SAGITTARIUS (Henricus) [i.e. H.
Schuetz.] Cantiones Sacrge Quatuor
Vocura cum Basso ad Organum, etc.
Tenor. Typis Gcorgii Hoffmanni :
Fribergac Her mundur arum, 1625. 4".
B. 134.
Anderer Theil Kleiner Geistlichen Con-
certen mit 1. 2. 3. 4. vnd 5. Stimmen
Sambt beygefugtem Basso Continue vor
die Orgel, etc. Primus. (Secundus.)
(Tertius.) (Quartus.) (Quintus et Ul-
timus. Bassus ad Organum.) 5 pts.
Gcdruckt . . . durch Gimcl Bergens Scligcn
Erhen : Dreszdcn, 1639. fol. F. 22.
See also Schuetz (H.)
SAILER (Anton Franz Xaver Sebastian)
See Adams und Evens Erschaffung.
Adams und Evens Erschaffung . . . Ein
geistlich Fastnachtspiel mit Sang und
Klang, etc. [Words and music by A. F.
X. S. Sailer.] 1783. 4". 11745. f. 12.
SAILER (Leonard) Cantiones Sacrse,
unius, duarum, trium & quatuor Vocum,
cum Instrumentis, & Basso Continue, etc.
Canto I. (ii). (Alto.) (Tenore.) (Basso.)
(Violino I (ii).) (Organum.) 8 pts.
Typis Johann. Conradi a Mechcl :
BasiUce, 1696. 4°. C. 90.
SAILOR. A Sailor lov'd a lass. Song.
Sec Storage (S.) {The Cherokee.]
The Sailor's Adieu. Ballad.
See Broderip (R.)
The Sailor's Allegory. Song.
See Carey (G. S.)
The Sailor's Complaint. [Song.]
See Come. Come and listen to my Ditty.
[1780 ?] s. sh. fol. G. 307. (34.)
The Sailor's Consolation. [Song.]
Sec DiBDiN (C.) {Private Theatricals.']
The Sailor's Joke. Ballad.
See Reeve (W.)
The Sailor's Journal. Song.
. Sec DiBDiN (C.) {Will of the Wisp.]
The Sailor's Resolution.
See True Blue.
The Sailor's Return. Ballad. [Begins :
' Twelve months are past.']
Sec Broderip (R.)
The Sailor's Return. [Song, begins :
' Bleak was the morn.']
See DiBDiN (C.) {Private Theatricals.]
The Sailor's Return from Cape Breton.
[Song.] See Stand. Stand round my
brave Boys, etc. [1758.] s. sh. fol.
G. 316. (128.)
Song.
SAILOR— SAINT GERMAIN
449
SAILOR. A Sailor's Song. See Luff.
Luff, thus, Nonnear, etc.
[1750?] s.sh. fol. G. 316. e. (65.)
A Sailor's Soul. See Moulds (J.)
A Sailor's Voice the' coarse, can raise.
Highland Nelly. [Song.] Sung by Mr.
Vernon at Vauxhall.
Llongmayi] <£ B\j-oclerip :
ionJoji, 1780 ?] fol. G. 306. (215.)
[Another edition.] A Sailor's Voice
tho' coarse can raise. Highland Nelly.
An admir'd Scotch Song. John Lee :
Dublin, [1185?] s. sh. io\.
H. 1601. a. (65.)
SAILOR'S REHEARSAL. [For songs,
&c., in Britons, strike Home, or the
Sailor's Rehearsal :]
See Britons, strike Home.
SAILORS. Sailors they get all the money.
The Boiling Sailor. A favorite Song.
S[kiUern : London, 1780 ?] s. sh. fol.
G. 316. (119.)
SAINSON ( de) Je m'etois long-temps
promis. Eomance, etc. (Les Paroles
sont de M" Brunet, etc.)
[Paris,-] 1761. s. sh. 8\ 297. d. 31.
Mercure de France, Nov., 1761.
SAINT- AMANS (Louis Joseph)
See ACTEUR da:ss son Menage. L'Acteur
dans son Menage, Tableau Anecdotique,
mel6 de Vaudevilles, par M'° J" BouUault,
etc. [With the music of one song, by
L. J. Saint-Amans.] [1799.] 8".
11738. bb. 41. (4.)
SAINT DAVID. St. David's Day.
[Trio.] See Let. Let us dance, etc.
[1800?] fol. G. 809. b. (16.)
SAINT DENICHE. Le Saint denich^.
Opera Comique. See Piis (A. P. A. de)
SAINT G., Count. Gentle love this hour
befriend me. A New Song. [Words by
A. Hill.] Set by Count S' G^ermain].
[London, 1745 ?] s. sh. fol. G. 308. (2.)
SAINT GEORGE. Saint George he is
our Patron, Boys. A fighting he ivill go.
[Song, words] By T. S. Sk[illern:
London, 1778 ?] s. sh. fol.
G. 311. (149.)
[Another setting.] Saint George he is our
patron, boys. Song. See Hudson (R.)
SAINT GEORGE ( de) Chevalier.
L'autre jour a I'ombrage. Romance Nou-
velle. Paroles et Musique de ]M. le Ch"
de S* George. Avec Accomp' de Guittare.
Cites Imbault : Paris, [1785 ?] 8°.
B. 362. b. (193.)
Concerto a Violon Principal, Premier et
Second Violon, Alto et Basse, Deux Haut-
bois, deux Cors, etc. [Separate Parts.]
Chez le S' Sieber : Paris, [1775 ?] fol.
li. 210. a. (13.)
VOL. II.
SAINT GEORGE ( de) Chevalier.
Six Senates pour le Violon. QHuvre
Postume. 1 Livre. Gravees par Richomme.
Chez Pleyel: Paris, [1800?] fol.
g. 422. f. (5.)
SAINT GERMAIN ( dy) Count, pseud.
[i.e. — Giovanuiui.] Jove, when he saw
my Fanny's face. A new Song, etc.
[London, 1748.] 8°. 249. c. 18.
Gentleman's Magazine, Vol. XVIII.,
p. 372.
The Maid that's made for Love and Me,
etc. [Song.] [London, 1747.] 8°.
157. L 9.
London Magazine, Vlil, p>p>. 46-7.
[Another edition.] The Maid that is
made for Love and me, etc.
[London, 1749.] 8". P.P. 5438. z.
Universal Magazine, Vol. IV., p. 81.
The Maid that's made for Love & me, etc.
[Song.] [London, Vt 50 '>] s.sh.iol.
H. 1994. c. (61.)
[Another edition.] The I\Iaid that's made
for Love and me, etc. [Song.]
See Chloe. Chloe, or the Musical Maga-
zine, etc. No. 92. [1760 ?] fol.
G. 433.
0 wouldst thou know what kind of charm.
A New Song, etc. [London, 1747.] 8"=.
249. e. 17.
Gentleman's Magazine, Vol. XVII.,
p. 441.
0 wotddst thou know what Sacred Charms.
A New Song, 'etc. [Words by W. Hamil-
ton.] [Lo7idon, 1745 ?] s. sh. fol.
G. 305. (234.)
[Another edition.] 0 wouldst thou know
what Sacred Charms, etc. [London,
1745 ?] s. sh. fol. G. 310. (213.)
[Another copy.] G. 303. (44.)
The Self Banish'd. [Song.] Words by
E. WaUer.] [London, 1755?] s. sh. fol.
G. 309. (19.)
[Another edition.] The Self Banish'd, etc.
[London, 1760?] s.sh.iol.
I. 530. (136.)
Seven Solos for a Violin. Printed for
J. Johnson: Loiulon, [1760?] fol.
g. 503. (2.)
Six Sonatas for Two Violins with a Bass
for the Harpsicord or Violoncello. [Sepa-
rate Parts.] I. Walsh :
London, [1755 ?] fol. g. 286.
See Incostanza Delusa. The Favourite
Songs in. . .L'Inconstanza Delusa. [Com-
posed by Count de S' Germain and
G. F. Brivio.] [1745.] fol. G. 193. (1.)
See Summer's Tale. The Summer's
Tale. A Musical Comedy . . . The IMusic
by Abel. . .C. S' Germain, etc.
[1765 ?] obi. fol. D. 273. (1.)
See also Saint G., Count.
2 G
450
SAINT LAMBERT— SALE
SAINT LAMBERT (jMichel de) Nou-
veau traits de rAccompagnement du
Clavecin, de I'Orgue, et des autres instru-
ments. Aux Dipens d'Esticnne Roger :
Amsterdam, [1700?] 8". 1042. k. 13. (1.)
SAINT MARTINI (Giuseppe)
See San TiIartini.
SAINT OSYTH. S' Osyth at the Mill.
[Song.] See At. At S' Osyth by the
Mill. [1740?] s. sh. fol. G. 316. h. (3.)
SAINT-S:6VIN (.Joseph Barnabe) called
L'Abbe, le Fils.
See L'Abbe, le Fils, pseud.
SAINT SIMON ( de) La jeune et
tendre Auctte. Eomancc. Paroles et
Musique de M' de S' Simon.
Chez ili"« Le Beau : [_PariH, 1780?] 8^
B. 362. e. (17.)
SAINTE-ALDEGONDE ( de) Count.
Tout votrc plaisir, Hortense. Couplets a
la plus belle et a la plus savante des
Modernes. (Paroles de M. le Chevalier
de Cubi^res, etc.) ^Paris,'] 1786. 8".
297. g. 28.
Mercure de France, Api-il, 178G, p. G2.
Voici done le s6jour paisible. Romance
faite a Ermenonville, sur le Tombeau de
J. J. Rousseau. (Paroles de M'^" la Com-
tesse de Beauharnais, etc.)
[Paris,-] 1782. 8°. 298. f. 32.
Mercure de France, Nov., 1782, p. 53.
SAINTE HiELilNE (.Jean Baptiste
FRAN901S de) XII. Solos for a Violin,
■with a Through Bass for the Harpsicord,
etc. ' Printed for the Author :
London, [1725 ?] fol. h. 3855.
See M., R. Medulla Musicse; Being a
Choice Collection of Airs . . . Extracted
from the Works of . . .S' Helene, etc.
[1727?] c. 25.
SAISON. La Saison a grands pas s'avance.
Le Manchon de Lucette. [Song.] Air :
Lise chantoit dan la [prairie. By N.
Dezede]. [Paris, 1780?] 8".
B. 362. c. (25.)
La Saison du Bel Age. [Song.]
See MoRLANNR ( de)
La Saison se renouvelle. Air.
See Gabrielle et Paulin.
SAISON S. Ballet des Saisons.
See COLASSE (P.)
SAIZOI (P.) Silvia. A Song, etc.
[London, 1751.] 8°. 249. c. 21.
Gentleman's Magazine, Vol. XXL,
p. 323.
Six Sonatas for the Harpsichord or Piano
Forte, with an accompanyment for a
German Flute or Violin and Violoncello.
R. Brcmner, for the Author : London,
[1770?] fol. g. 270. m. (2.)
Wanting the accompaniments.
SALA (Nicola) Regole del Contrappimto
pratico, etc. 2 pts.
Dalla Stamperia Reale : Napoli,
1794. fol. 556. h. 10.
SALE (PRAN91SCUS) Dialogismus 8.
Vocum, De Amore Christi Sponsi . . .
Canendus, etc. Tenor i. & Altus (Tenor
II. & Bassus) Chori Primi. (Tenor &
Cantus I. (Altus & Cantus 11.) Chori
Secundi.) 4 pts.
Excusiim typis Georgij Nigrini : Pragu',
1598. obi. 4". A. 389. c.
Patrocinium Musices. Missarum Solenni-
orum, tam Sanctorum quim Festorum
Officia Labentis Auui. . .harmonice contra
punctum ac suauissime concinnata . . .
Primus Tomus. [Adam Berg :
Munich,] 1589. fol. K. 9. a. 1.
[Patrocinium IMusices. In Natalem
Domini Jesu Christi. . .Mutetum Quinque
Vocum & Missa, ad eius imitationem
composita.] [Adamus Berg :
Monachii, 1598.] fol. K. 9. a. 2.
Wanting the title-page and the last leaf.
Francisci Sale . . . Officiorum IMissalium,
quibus Introitus, Alleluia et Commuuiones
de omnibus omnium Sanctorum per totu
anni circulu, diebus festis & solennibus
Quinq3 & Sex vocu cotinentur. Liber
Tertius & Ultimus. Altus. (Tenor.)
(Bassus.) (Quin: et Sex: Vox.) 4 pts.
Excudebat Georgms Nigrinus : Pragpe,
1596. obi. 4°. A. 389. a.
Francisci Sale . . . Sacrarum Cantionum,
Omnis Generis Instrumcntis Musicis, et
VivEB Voci Accomodatarum, hactenusqs
non editarum Liber Primus. Discantus.
(Altus.) (Tenor.) (Bassus.) (Quinta
(Sexta) Pars.) 6 pts.
Tijpis Georgii Nigrini : Pragae,
1593. oM. 4°. A. 389.
[Another copy. Discantus. (Altus.)]
2 pts. A. 389. b.
SALE (John) A Collection of New Glees,
composed by J. Sale ... To which are
added Four Others composed ... by D'
Arnold, Mess" Webb[e], Callcott and
Lindley, etc. Printed for the Axithor :
London, [1800 ?] obi. fol. E. 600. r. (6.)
See Dauney ( ) Doctor. A Slow ]March
. . . Adapted for the Piano Forte by
J. Sale. [1795?] fol. g. 133. (52.)
SALE (John Bernard) The Birth of
Crazy Jane. A New Song. The Words
by H. J. Pye...with an Accompaniment
for the Harp or Piano Forte, etc.
L. Lavenu, for the Author : London,
[1800?] fol. H. 2830. g. (55.)
Little Piggy. A favorite Duetto. With
an Accompaniment for the Piano Forte,
etc. Broderip and Wilkinsmi, for the
Author : London, [1800 ?] fol.
G. 354. (29.)
SALIERI
451
SALIERI (Antonio) Armida. Eine
tragische Oper von C. Coltellini . . .
Herausgegebeu von C. F. Cramer.
Gedruckt by J. G. I. Breitkopf : Leipzig,
1783. obi. fol. F. 10.
Axur, Koenig von Ormus, eine Oper in
vier Aufziigen, nach Dr. Schmieder's
teutscher Bearbeitung uud nacli Salieri's
Musick, fiirs Clavier eingerichtet von
C. G. Neefe. Bei N. Simrock :
Bonn, [1795 ?] obi. fol. E. 20.
Cesare in Farmacusa.
per musica. . .Op. 120,
Drama eroicomico
[P. F. Score.]
Nella Stamperia di
musica decjV Imper. Reg. Teatri di Corte :
Vienna, [1780.] obi. fol, E. 20. a.
[La Cifra.] Favoritgesange nebst Ouver-
ture aus der Oper La Ciffra — Das Kiist-
chen mit der Cbiffer oder Der Aufscbluss
— fiirs Clavier, etc. Im Ycrlage der
Rcllstabschen Musikhandlung : Berlin,
[1790.] fol. G. 665. a.
Coppia si tenera. See infra : [Palmira.']
Da questi lineamenti. The favorite
fortune-telling Song, as sung at the
King's Theatre. ..by Sig" Storace in the
Comic Opera [by G. Paisiello] of I Zingari
in Fiera, etc. [Short Score.]
Printed for J. Dale: London, [1793.] fol.
G. 199. (29.)
Les Danaiides, Trag^die Lirique en cinq
Actes, etc. [Words by Du KoUet and
Tschudi. Full Score.]
Cliez Des Lauriers : Paris, [1784.] fol.
H. 340. a.
Overture. [P. F.] See Mezger (F.)
Ouverture des Danaiides [by A. Salieri]
Arrang6e pour le Clavecin, etc.
[1785?] fol. g. 81. (17.)
Rends moi ton coeur, ta confiance.
[Song.] See Danaides. 1784. 8".
B. 362. h. (42.)
Fragrant Chaplets. See infra : [La Scuola
de' Gelosi. Partiro dal caro sposo.]
La Grotta di Trofonio. Opera Comica in
due Atti Rappresentata . . . I'anno 1785,
etc. [Libretto by G. Casti. Full Score.]
Presso Artaria Compagni :
Vienna, [1785.] fol. H. 340.
[Overture in D.] Four Italian Overtures.
Arranged for the Piano Forte by L.
Boutmy. ([Op. 2. No. 4.] Sinfonia.
Sig' Salieri.) [1799.] See Pebiodical
Publications. — London. The Piano-
Forte ]\ragazine. Vol. VII. No. 7.
[1797-1802.] 8°. D. 854.
Palmira [Opera].
C. Zulehner.
[1795 ?] obi. fol.
.Clavier Auszug...von
Schott : Mainz,
E. 20. b.
SALIERI (Antonio) Palmira. Ouverture
uud 15 Favorit Gesiinge mit Italicnisch
uud Teutschem Texte, fiir's Clavier ein-
gerichtet, c^c. Bei N. Simrock: Bonn,
obi. fol. [1795.] obi. fol. D. 335.
Coppia si tenera. Terzetto ... ar-
ranged with a Piano-Forte Accompani-
ment. Printed for Monzani d Cimador :
London, [1QIX)'>] fol. G. 424. (2.)
[Coppia si tenera.] See Gelinek (J.)
VIII. Variations pour le Clavecin . . . sur
le trio, Copia si tenera, etc.
[ISOO ?] obi. fol. f. 133. b. (4.)
Partiro dal caro sposo.
See infra : [La Scuola de' Gelosi.']
[La Scuola de' Gelosi.] Partiro dal caro
sposo. Signora Ferrarese del Bene's
Favorite Song, etc. [Full Score.]
Longman and Broderip :
[London, 1786.] fol. H. 345. (19.)
[Partiro dal caro sposo.] The
favorite Song of Fragrant Chaplets . . .
The Words by J. O'Keefe.
Longman and Broderip :
[London, 1795 ?] fol. G. 249. (45.)
[Another copy.] H. 2821. (13.)
Tarare. Op6ra en cinq Actes avec un
Prologue . . . Paroles de M. de Beau-
marchais. Seconde Edition. [Full Score.]
Chezlmbault: Paris, [1790?] fol.
G. 665.
[Je suis n6 natif de Ferrare.]
See Cessez. Cessez de vous flatter
Glicere. . .Air de Tarare [by A. Salieri].
[1790?] 8\ B. 362. (161.)
See Colin-I\Iaillard. Vie de Dandin
. . .Air de Tarare, etc. [By A. Salieri.]
[1790?] 8°. B. 362. (162.)
See Dans. Dans ce siecle il est
necessaire. La Politigue . . . Air : De
Tarare [by A. Salieri]. [1790?] 8°.
B. 362. j. (23.)
See Daks. Dans I'hiver, saison im-
portune . . . Air : de Calpigi [i.e. ' Je suis
ne natif de Ferrare,' from Salieri's
' Tarare,'] eic. [1790?] 8^
B. 362. f. (8.)
See Ici. Ici I'amitie nous rassemble,
etc. [Adapted to ' Je suis n6 natif de
Ferrare,' by A. Salieri.] [1787.] 8^
B. 362. (158.)
[For airs, &c., published anony-
mously :J See Tarare.
See Shield (W.) The Prophet. An
Opera. . .Composed by [or rather, selected
from the works of] . . .Salieri, etc.
[1788.] obi. fol. E. 108. a. (2.)
See Siege of Belgrade. The Favorite
Minuet [by A. Salieri] ... as Performed in
the Siege of Belgrade. [1791 ?] fol.
g. 442. j. (33.)
2 G 2
452
SALINAS— SALPflTRE
SALINAS (Francisco de) Francisci
Salinae . . . de Musica libri Septem, in
quibus eius doctrinee Veritas tam quae ad
Harmoniam, quam quae ad Rbythmum
pertinet . . . ostenditur, & demoustratur,
etc. Mathias Gastius : Sulmanticie,
1577. fol. 786. 1. 24.
[Another copy.] 786. 1. 25.
ImXKrfect, wanting six leaves betivecn
the title-page and list of errata.
Francisci Salinae . . . de Musica libri sep-
tem, etc. Hxrcclcs Cornelij Bonardi
siimjjtibus Claudij Czirlet : Salmanticx,
1592. fol. K. 8. e. 6.
Tlte title-page hears the date 1592. The
colophon runs : " Sahnanticse. Typis
Maihiiv Gastij, 1577."
SALLY. Sally. [Song, begins: 'No
Nymph that trips.'] See Dunn (J.)
Sally. Song [begins : ' Primroses deck
the bank's green side '].
See LiNLEY (T.) tlie Elder.
Sally. Song. See Not. Not Semele's
attracting Love, etc. [1755.] 8°.
P.P. 5438. z.
Sally. Song. ,SVe Not. Not Semele's
attracting Love. [1760 ?] s. sh. fol.
G. 310. (168.)
Sally in her own Cloaths. [Song.]
See Op. Of all the Manxes in the Land,
etc. [1720 ?] s. sh. fol. H. 1601. (343.)
Sally in our Alley [by H. Carey], with
Variations for the Harpsichord or Piano
Forte also for the Violin, German Flute
or Guittar. Printed for Straight and
SUllcrn : London, [1775 ?] fol.
g. 271. b. (29.)
Sally in our Alley. [Song.] See Carey (H.)
Sally in our alley to Billy in Piccadilly.
See Of. Of all the Lads that are so
Smart, etc. [1720 ?] s. sh. fol.
H. 1601. (324.)
Sally of the Dale. [Song.]
See Jackson (J.)
Sally Rivald by Country Molly. [Song.]
See Since. Since Sally's Charm so long
hath been, etc. [1720 ?] s. sh. fol.
H. 1601. (398.)
Sally's Charms. Song. See How. How
charming looks the Damask Rose, etc.
[1765.] 8». P.P. 5438. z.
Sally's Lamentation. [Song.] ,S'eeWHAT.
What pity 'tis so bright a thought, etc.
[1620?] s.sh.iol. H. 1601. (491.)
Sally's new Answer. [Song.] See And.
And is there then a Lad so Smart.
[1720?] s.sh.iol. H. 1601. (36.)
SALMON" (Jacques) See Beaulieu
(G. de) and Salmon (J.) Balet Comique
de la Royne, etc. [The music by G. de
Beaulieu and J. Salmon.] 1582. 4°.
Case 33. 1. 3.
SALMON (Thomas) An Essay to the
Advancement of Musick, by Casting away
the Perplexity of Different Cliffs. And
Uniting all sorts of Musick ... in one
Universal Character. [With a preface by
J. Birchensha.] J. Macock :
London, 1672. 8°. 51. b. 21.
A Proposal to Perform IMusick, in Perfect
and Mathematical Proportions . . . With
Large Remarks upon this whole Treatise,
by ... J. Wallis, etc. Printed for John
Lawrence : London, 1688. 4°.
557*. e. 25. (4.)
A Vindication of an Essay to the Ad-
vancement of Musick, from ]Mr. IMatthew
Lock's Observations. By enquiring into
the real Nature, and most convenient
Practise of that Science.
A. Maxwell : London, 1672. 8".
1042. d. 55.
See Locke (1M.) Observations upon A
Late Book. . .Written by Thomas Salmon,
etc. 1672. 8^ 1042. d. 36. (3.)
SALOMON ( ) Medee et Jason. Tra-
g6die en Musique, etc. (Supplement a
I'Op^ra de M6dee et Jason, etc.) [Libretto
by S. J. Pellegrin. Short Score.] 2 pts.
GhezVAtiteur: Paris [YlVd}. ohl. ^\
B. 749.
Theonoe, Tragedie en Musique, etc.
[Libretto by S. J. Pellegrin. Short
Score.] J. B. C. Ballard :
Paris, 1715. ohl. 4°. C. 451.
The arms of Philip, Due de Noailles, are
on the binding.
SALOMON (JoHANN Peter) Six Solos
for a Violin and Violoncello . . . Op" 1\
W. Foster : London, [1785 ?] fol.
g. 422. f. (7.)
Windsor Castle [or the Fair Maid of
Kent], an Opera, with the Masque of
Peleus and Thetis, as perform'd at . . .
Covent Garden... in honor of the Nup-
tials of . . . the Prince & Princess of
Wales [written by W. Pearce], etc.
Printed for the Author :
[London, 1795.] obi. fol. D. 288. (3.)
In the advertisements of the day, tlte
overture to this opera is stated to be the
composition of F. J. Haydn.
Yes! yesl be merciless thou Tempest
dire ! A Scene in Pizarro, the words by
R. B. Sheridan, etc. Printed for the
Author : [London, 1800 ?] fol.
G. 383. i. (26.)
SALPETRE. Le Salpetre R^publicain.
Couplets. See Descendons. Descendons
dans nos souterreins, etc. [179.3 ?] 8".
B. 362. d. (34.)
SALPIETRO— SAMPIERI
453
SALPIETRO ( ) See Haydn (F. J.)
[3. d. Die Sicben Wortc des Erlusers am
Kreuze.] The Passion of Our Saviour
expressed in Instrumental parts for a
grand Orchestra . . . Corrected bv Mr.
Salpetro. [1787.] fol. h. 3210. (6.)
See Wanhal (J. B.) Trois Quintettes. . .
Corrected by Mr. Salpietro. 1782. fol.
h. 2900. (8.)
SALT. A Salt Eel for aiynheer. [Song.]
Sec DiBDiN (C.) [The Sphinx.']
SALTER (Humphry) The Genteel Com-
panion ; being exact Directions for the
Eecorder: with a Collection of the Best
and Newest Tunes and Grounds Extant . . .
Composed and Gathered by H. Salter.
Printed for liichard Hunt and Humphry
Salter : London, 1683. obi. 12".
K. 4. a. 6.
Waiithig two leaves (containing Nos. 23-
26). The only composers named are:
Bedding [Reading], Fardinel [Farinel]
and Farmer.
SALUONS. Saluons, Compagnons, I'Hote
aimable. Nouvelle Parodie du Menuet
d'Exodet. ParM'deR...
[Paris, 1780 ?] 8". B. 362. h. (64.)
SALUT. Le Salut de I'Empire. [Song.]
See Veillons. Veillons au salut, etc.
[1794?] 8°. B. 362. a. (166.)
Salut ! epoque solemnelle. Hymne.
See Catel (C. S.)
Salut, Neuf Thermidor. Hvmne.
See Mehul (E. N.)
SALVATION". Salvation 1 0 the joyful
Sound ! A Hymn. [Words partly by Dr.
Watts, tune ascribed to M. ]\Iadan.]
[London, 1774.] 8°. P.P. 716. b.
Gospel Magazine, April, 1774.
SALVATORE (Giovanni) Ricercari a
Quattro Voci Canzoni Francesi, Toccate,
et Versi per rispondere nelle Messe con
r Organo al choro . . . Libro Primo.
Appresso Ottauio BcUrano : Napoli,
1641. fol. K. 4. i. 11.
SALZILLI (Crescentio) Amarille. Libro
Terzo delle Cauzouette a Tre Voci, etc.
Per Lticretio Nucci : Napoli, 1616. 4*.
K. 3. h. 5. (2.)
La Sirena. Libro Secondo delle Canzon-
ette a Tre Voci, etc. Nella Stampa di
G. B. Gargano, d: di L. Nucci : Napoli,
1616. 4". K. 3. k. 5. (1.)
SAMBER (Joannes Baptista) Elucidatio
Musicae Choralis. Dasist: Griindlich und
wahre Erlauterung, oder Uuterweisung,
wie die edle. . .Choral-Music fundament-
aliter nach denen wolgegriindteu Reglen
. . . moge erlehrnet werden. Alles mit vilen
...Figureu uud Exemplen gezieret, auss
approbirten Authoribus, auch selbst eigner
Praxi. . .zusammen getragen. . .Durch M.
Joannem Baptistam Samber, etc.
Gcdruckt bey J. J. Mayr : Saltzbiirg,
1710. obi. 4". 7896. aa. 5.
Manuductio ad Organum. Dasist: Griind-
lich- und sichere Handleitung durch die
hochst-nothwendige Solmisation zu der
Edlen Schlag-Kunst . . . Sambt einer kurtz-
verfassten Information von den Kircheu-
oder Choral-Toneu. . .Mit vilen. . .Figuren
und Exemplen gezieret, etc.
Gednickt durch J. B. Mayrs seel. Wittib
und Erb. : Saltzburg, 1704. obi. 4°.
556. a. 9. (1.)
Continuatio ad Manuductionem Organi-
cam, Das ist : Fortsetzung zu der Manu-
ductiou oder Hand-Leitung zum Orgel-
Schlagen. . .auss vilen approbirten Author-
ibus, auch eigner Praxi zusafaen getragen
und verlegt durch M. Joannem Baptistam
Samber, etc. Gedruckt bey
■J. B. Mayrs seel. Wittib und Sohn :
Saltzburg, 1707. obi. i". 556. a. 9. (2.)
SAMPIERI (Nicola) Four Italian Airs,
and Two Duetts, with Accompanyments
for Tv/o Violins & Violoncello, etc. Opera
2*. Printed for the Author : London,
[1910 ?] obi. fol. E. 600. z. (7.)
Two of the most Popular and National
Airs, of God save the King and Rule
Britannia, with. .Variations. Concluding
with a favorite Ballad, called La belle
Catharine, set for the Piano Forte by
Sig'' Sampieri. [London, 1795 ?J fol.
G. 424. (14.)
A Collection of Songs composed by Sarti,
Cimarosa, Sampieri and Paisiello, with
Accompaniments for the Piano Forte . . .
dedicated to the Countess of Bellegarde
by N. Sampieri. Op. 6.
Longman and Broderip : London,
[1795 ?] obi. fol. E. 600. z. (8.)
La FoUia, Grand Sonata Tragique, for the
Piano-Forte or Harpsichord.
Longman d: Broderip : [London,
1795?] fol. h. 1480. p. (13.)
New Grand IMarch, and Quick Step, inter-
mixed with Echos. [P. F.] [London ?
1800?] fol. h. 1480. X. (27.)
Military Overture, etc. [P. F.]
S. Straight : [London, 1800 ?] fol.
h. 1480. X. (26.)
Three Overtures i>erformed at the Private
Concerts of Several Ladies & Gentlemen
of the First Distinction. . .Op. 11. (Sin-
fonia III.) Longman £ Broderip,
for the Attthor : London, [1795 ?] fol.
g. 474. e. (4.)
String parts only.
454
SAMPIERI— SANDERSON
SAMPIERI (Nicola) Overture in Four
Parts, Two Violins, Tenor & Violoncello.
Calculated for Private Concerts. [Separ-
ate Parts.] Longjnan & Brodcrip :
[London, 1795 ?] fol. g. 474. c. (5.)
A Novel, Sublime, and Celestial Piece of
Music, called Night; divided into Five
Parts, viz' Evening, Midnight, Aurora,
Day-Light, and the Rising of the Sun. . .
Embellished with Five Plates, dc. [P. F.]
L. Lavenu, for the Author : London,
[1799.] fol. g. 138. (17.)
Three Easy Symphonies in Eight parts,
for Two Violins, Two Hautboys, Two
Horns, Tenor & Violoncello, etc. Op. 10.
[Separate Parts.] Longman £ Brodcrip,
for the Author : London, [1795 ?] fol.
h. 2771. (2.)
See Deserter. The Deserter, . . . Overture
[by P. A. Monsigny]. . .The Additions. . .
by N. Sampieri. [1800?] fol.
g. 272. q. (17.)
SAMPSON (Richard) Ancient Church-
Music : being a... choice Selection of...
the best. . .Psalm-Tunes, drawn from the
works of the most esteemed old Masters
. . .and set in three parts, by R. Sampson
...To which are added two Tunes, or
Airs, from the Rev. W. D. Tattersall's
Improved Psalmody, etc. H. L. Galabin:
London, [1800 ?] 8\ C. 522.
Containing tunes by Purcell, Court villc,
Hcicjhington, Eavenscroft, Croft, King
James I., Wlicall, M. Luther, A. Smith.,
Handel, J. Milton, Hoioard, J. Clark,
S. Webbe and Dr. Diqmis.
SAMSON. Samson. Oratorio.
See Haendel (G. F.)
SANCES (Giovanni Felice) Antifone
e Litanie della Beatissima Vergine a piu
voci, etc. Canto. (Alto.) (Tenore.) .3 pts.
Appresso Bartolomeo Magni : Venctia,
1640. 4°. C. 328.
Motetti a 2. 3. 4. e Cinque Voci. . .Con le
Letanie della B. V. a sei Voci... Opera
Quarta Eclesiastica. Tenore.
Appresso Bartolamco Magni : Venctia,
1642. 4°. C. 328. a.
SANCHEZ (Manuel) _ Regia de N. S. P. S.
Francisco. . .con vna instruccion para los
Novicios de la Religion de N. Padre San
Francisco y breve explicacion del canto
llano . . . Dispuesta . . . por el Padre Fr.
Manuel Sanchez, etc.
Por Joseph Bernardo de Hogal : Mexico,
1725. 4°. 4061. e. 32.
SANCHO PAN^A. Sancho Pan<;a,
Gouverneur, comedie ; representee pour la
premiere fois, an mois de Novembre 1712.
[By F. C. Dancourt, with music by J. C.
Gillier.] [Paris, 1760.] 12°. 241. c. 11.
Part of ' Les CEuvres de Ttidatre dc M.
D'Ancourt,' etc, torn. 11.
SANCHO PAN(^A. Sancho Pancja,
Op6ra Bouffon.
See Philidor (F. A. Danican)
SANCTA MARIA (Tomas de) Libro
llamado Arte de taner Fantasia, assi para
Tecla como para Vihuela, y todo instru-
meto, en que se pudiere taner a tres, y a
quatro vozes, y a mas, etc. 2 pts.
Impresso. . .por Francisco Fernandez de
Cordoua : Yalladolid, 1565. fol.
K. 8. e. 4.
SANDELL (Edmund) Six Pieces, for the
Piano Forte, etc. Op. 1. Preston, for
the Author: London, [1800?] fol.
g. 270. (6.)
SANDER (F. S.) Sechs leichte Sonatinen
furs Klavier, d'C. 2 Th.
Bey Leuckart und Compagnie : Bresslau,
1786(-7). obi. 4°. c. 29.
SANDERSON (James) A Favorite Air,
. . .with Variations by J. Willson, etc.
[P. F.] W. Cope : London, [1796?] fol.
g. 139. (53.)
[The Algerine Corsair.] Talacoy. An
Indian Ballad as sung by ]\Irs. Herbert in
the Algerine Corsair. . .at the Royal Circus
. . .Written by Mr. Cross. E. Biley :
London, [1800 ?] fol. G. 807. b. (57.)
[Almoran and Hamet.] The Favorite
Overture to Almoran & Hamet, as Per-
formed at the Royal Circus . . . Adapted for
the Piano Forte, etc.
Longman, Clementi & Compy : London,
[1800.] fol. g. 137. (4.)
The Beauty our great Sovereign's
choice. The much admired Duett sung in
the New Grand Oriental Spectacle of
Almoran & Hamet, by Miss Gray & IMrs.
Roffey, with an Accompaniment for the
Harp... at the Royal Circus, written by
Mr. Cross, etc.
Longman, Clementi £ C" : London,
[1800.] fol. G. 354. (30.)
Now o'er the Globe. The much
Admired Harp Song, sung by Mrs. Rofiey,
in. . .Almoran and Hamet. . . .at the Royal
Circus. Written by Mr. Cross, etc.
Longman, Clementi £ C" : London,
[1800.] fol. G. 367. (24.)
Arrah ! Paddy's my name. The Celebrated
L-ish Song, sung by Mr. Wallack at the
Royalty Theatre, etc.
Longman and Broderip : [London,
1790?] fol. G. 808. e. (44.)
Arrah who can stand still. See infra :
[Harleguin Mariner.]
The Beauty our great Sovereign's choice.
See supra : [Almoran and Hamet.]
Betsey Bobbin, the favorite Song sung
by Mr. Blanchard, at the Royal Circus. . .
the Words by Mr. Cross.
Printed for Culliford, Bolfe d Barroiv :
London, [1797 ?] fol. G. 367. (21.)
SANDERSON
455
SANDERSON (James) Black Beard, a
Grand Ballet Spectacle. Performed. . .at
the Royal Circus. The Overture & the
whole of the Music, entirely new;. . .
adapted for the Piano Forte... The Poetry
and Spectacle by ^Ir. Cross. Op. 3.
Longman cO Broderip : London,
[1798.] fol. H. 230. d. (3.)
The Favorite Overture to Black
Beard. . .in Imitation of the Style of the
Overture to Lodoiska. . .Arranged for the
Piano Forte, etc. Longman & Brodcrip :
London, [1798.] fol. g. 137. (6.)
An Enemy appears in view. The
Pirate's Glee. Sung by Mr. Helme, Mr.
Pilbrow, & Mr. Herbert. . .in Black Beard,
etc. Longman and Broderip : [London,
1798.] fol. G. 352. (32.)
In the good Ship Revenge. A
favorite Song sung by 'Mr. Helme ... in
Black Beard, etc. Longman and Broderip :
[London, 1798.] fol. G. 367. (16^.)
My Friend, when a Captive. A
favorite Song, sung by Mrs. Herbert
in Black Beard, etc.
Longman and Brodcrip :
[Londo7i, 1798.] fol. G. 367. (16.)
My Willy was a Sailor bold. [Song.]
Sung by Mrs. Herbert ... in Black Beard,
etc. Longman and Brodcrip :
{London, 1798.] fol. G. 367. (16^)
No longer heave the heart-felt sigh.
The favorite Duett sung by Mr. & Mrs.
Herbert in Black Beard, etc.
Longman and Broderip :
[London, 1798.] fol. G. 354. (31.)
The Slave's Dances in Black Beard,
etc. [P. F.] Longman and Brodcrip :
[London, 1798.] fol. g. 230. (12.)
[The Brave Cossack.] The much admired
Overture, to the Brave Cossack, performed
... at Astley's Amphitheatre . . . Arranged
for the Piano Forte, etc.
Broderip & Wilkinson :
London, [1800 7} fol. g. 272. d. (17.)
The Broadsword Hornpipe, performed . . .
by Miss Adams, at the Royal Circus,
composed for the Piano Forte, etc.
Printed for G. WalJicr :'
[London, 1800 ?] fol. h. 1480. x. (29.)
Come blithe Lads and Lasses. A Favorite
Song, written by Mr. Cross, etc.
W. Hodsoll : London, [1797 ?] fol.
G. 367. (28.)
[Cora.] The Favorite Overture to the
New Grand Spectacle [by J. C. Gross]
called Cora, or the Virgin of the Sun . . .
Arranged for the Piano Forte, etc.
Longman, dementi ct Comp'J :
London, [1799.] fol. g. 137. (23.)
SANDERSON" (James) [Cora.] Thus
balmy Sleep, the much admired Air,
sung by ]Miss Gray, in . . . Cora . . . Written
by Mr. Cross, etc.
Longman, Clementi & Compv :
London, [1799.] fol. G. 367. (18.)
Cottage on the Moor. See infra : [Niohe.']
[The Country Wake.] The Jew Pedlar.
A favorite Comic Song sung by Mr.
Hallack in the Country Wake ... at the
new Royal Amphitheatre . . . The Poetry
by Mr. Upton. E. Riley :
London, [1800 ?] fol. G. 808. e. (45.)
The dear little Girl of his heart. [Song.]
Sung by IMr. Gibous, at Vauxhall Gardens
. . . Written by Mr. Upton. E. Eilei/ :
London, [1800?] fol. G. 806. e. (3.)
Three Duetts, for Two Violins, etc. Op. 6.
[Separate Parts.] Fentum :
London, [1795 ?] fol. g. 421. b. (5.)
An Enemy appears in view.
See supra : [Black Beard.]
The Epitaph of Crazy Jane. [Song.]
Written by Mr. G. Fox, etc.
Goulding, Pliipps cC UAlmainc:
Londo^i, [1799.] fol. G. 808. h. (38.)
[Harlequin Mariner.] The Favorite Over-
ture to Harlequin Mariner [or the Witch
of the Oaks] as performed at the Royal
Circus,. . .adapted for the Piano Forte, etc.
Printed for Cnlliford, Eolfe <£• Barroio :
London, [1796.] fol. g. 137. (3.)
. Arrah who can stand stiU. The
Clown's Shivering Song. Sung by Mr.
Davis in a Snow Scene in . . . Harlequin
Mariner . . . Words by Mr. Cross.
Longman and Broderip :
[London, 1796.] fol. G. 367. (17^.)
If a Body meet a Body. [Song.]
Sung by Mr. Henly . . . in . . . Harlequin
Mariner. The Music adapted by J.
Sanderson. The Words by Mr. Cross.
Longman and Broderip :
Lo^idon, [1796.] fol. G. 367. (17°.)
The Land of Gold. A favorite Irish
Song sung by Mr. Davis in . . . Harlequin
Mariner . . . The Words by Mr. Cross.
Longman and Brodcrip :
London, [1796.] fol. G. 367. (17.)
The Merry Bells. [Song.] Sung by
Mr.Blanchard. . .in. . .Harlequin Mariner
. . . The Words by Mr. Cross.
Longman and Brodcrip :
[London, 1796.] fol. G. 367. (17=^.)
If a Body meet a Body.
See supra : [Harlequin Mariner.}
In the good Ship Revenge.
See supra : [Black Beard.]
45G
SANDERSON— SANDFORD
SANDERSON (James) [The Jew aud
the Gentile] Little Kitty, the favorite
Song sung by Mr. Helme, at the Royal
Circus, in the Burletta of the Jew and
Gentile. . .the Words by Mr. Gross.
Printed for Culliford, Bolfe d: Barrow :
London, [HQG?] fol. G. 367. (23.)
The Jew Pedlar.
See supra: [Tlie Country Wake.]
Jockey and Jenny, the much admired
Scotch Ballad, written by Mr. Upton..,
and Sung... by Mrs. Bland, at Vauxhall
Gardens. W. Hodsoll : London,
[1800?] fol. H. 1683. (20.)
The Land of Gold. See supra ; [Harleq^iim
Mariner.']
Little Kitty. See supra : \_Tlie Jew and
the Gentile.]
The Lover's fatal Journey. A Pathetic
Ballad. Written by Mr. Cross, etc.
W. Hodsoll : London, [1799 ?] fol.
G. 367. (20.)
The Merry Bells. See supra : \_Harleq_uin
Mariner.]
[The Mine.] Poor little Adeline. A
Favourite Comic Ballad as sung by
Mrs. Rofiey in the. . .Grand Spectacle of
The Mine... at the New Royal Circus,
Written by Mr. Cross, etc.
M. dementi and Co. :
[London, 1800.] fol. G. 807. d. (68.)
Mrs. Wybrow's New Broad Sword Horn-
pipe, danced. . .at the New Royal Circus,
etc. [P. F.] Longman, dementi d- Co. :
London, [1800 ?] fol. g. 229. (14.)
My Friend, when a Captive.
See supra : [Black Beard.]
My Willy was a Sailor bold.
See supra : [Black Beard.]
[Niobe.] Cottage on the Moor, [Song,]
Sung by Mrs. Herbert in the Pantomime
of Niobe, written by Mr. Cross. E. Riley :
London, [1797.] fol. G. 796. (29.)
[Another edition.] Cottage on the
Moor, etc. G. Walker :
London, [1798 ?] fol. G. 799. (17.)
No longer heave the heart-felt sigh.
See supra : [Black Beard.]
Now o'er the Globe.
See supra : [Almoran and Hamet.]
O'er Highlands and Lowlands, A Scotch
Ballad, sung by Lliss Daniels, at Vauxhall
Gardens. . .Written by Mr. Upton.
.E. Biley : London, [1800?] fol.
G. 809. c. (13.)
The Pad, a Favourite Song, written &
Sung by Mr. Connell at the Royal Saloon
...in the Disembarkation of the Light
Horse from on Board the British Trans-
ports at Ostend. M. and J. Plaits :
London, [1798.] fol. G. 367. (25.)
SANDERSON (James) Pat's Planxty,
Descriptive of the Embarkation, Landing
& Success of the Grand Expedition, as
Sung by Mr. Wallack, at the New Royal
Circus. Written by Mr. Cross, etc.
Longman, Clement I d Co. :
[London, 1799.] fol. G. 376. (38.)
Poor little Adeline.
See supra: [TJie Mine.]
[The Seasons.] The Tuneful Lark, a
Pastoral Ballad as sung by Miss Gray
in the Pantomime of the Seasons, etc.
Longman, dementi d Compy :
London, [1799.] fol. G. 367. (19.)
Talacoy.
See supra : [TJie Algerine Corsair.]
Thus balmy Sleep. See supra : [Cora.]
The Truant Sheep, a Favorite Song,
written by G. S. Carey. E. Biley :
London, [1800 ?] fol. G. 807. b. (58.)
The Tuneful Lark.
See supra: [TJie Seaso7is.]
The Way to get Married. The Favorite
Song, sung by ]\Irs. Davis, at the Royal
Circus, the Words by Mr. Cross, etc.
Printed for Culliford, Bolfe d Barrow :
London, [1799 ?] fol. G. 367. (27.)
Six Original German Waltzes, for the
Piano Porte ; with an Accompaniment
for a Triangle, aud Ladies' Tamburino,
etc. [Separate Parts.] Thompson :
Lo7idon, [Vidll] fol. g. 231. (7.)
Wully is a Bonny Lad. A favorite Scotch
Pastoral Ballad. Sung by IMiss Randal,
at the New Royal Circus, the Poetry
written by Mr. Cross, etc.
J. Longman, Clement i d C' :
London, [1799 ?] fol. G. 367. (26.)
Yard Arm & Yard Arm. A Celebrated
Song written on the... Action between
the Mars and L'Hercule. . .as sung by
Mr. Sleigh at the Royal Circus, the
Words by J. C. Cross, and adapted by
J. Sanderson. Longman and Broderip :
London, [1798 ?] fol. G. 367. (22.)
SANDFORD (John) Belinda see from
yonder Plow'rs. A Neio Song, etc.
[London, 1750?] s. sh. fol.
G. 316. d. (48.)
By drinking drive dull Care away. A
Birth Day Song, etc. [London?
1740?] s. sh.to]. G. 316. d. (46.)
Constancy. A Song, written by... John
late Earl of Rochester, etc. [London,
1740?] s. s7i. fol. G. 316. e. (47.)
The Friendly Powers. [Song.] [London,
1740?] s. sk fol. G. 316. f. (105.)
Hopeless Love cur'd by Derision. [Song.]
. . .Set for the German Flute. [London,
1740 ?] s. sh. fol. G. 316. f. (78.)
SANDFORD— SAN MARTINI
457
SANDFORD (John) An Invitation to a
Robin Red Breast. [Song.] The Words
by jNIr. Bourn, etc. [^London,
1750?] s.sh. iol. H. 1994. (55.)
[Another edition.] An Invitation to a
Robin Red Breast, etc. [London,
1750?] s. sh. fol. G. 316. d. (109.)
]\Ie me pheuges. Song from Anacreon.
[London, 1751.] 8°. 249. c. 21.
Gentleman's Magazine, Vol. XXI., p.
469.
Strephon to Celia. [Song.] The Words by
SI. Hill, c^c. [London, 1150?] s. sh. iol.
G. 316. d. (72.)
SANDMAN. Sandman Joe. [Song.]
Si'e Other. The t'other day as Sandman
Joe. [1780?] s.sh.lol. G. 312. (134.)
SANDONI (PiKTRO Giuseppe) Cantata
da Camera e Sonata per il Cembalo, etc.
2 pts. [London, 1730 ?] fol. E. 18.
Six Setts of Lessons for the Harpsichord.
B. Bremner : Lo7jfZo7i, [1765?] ohl.lo\.
e. 5. g. (10.)
Sweet William's Farewell to Black-Ey'd
Susan. [Song.] See All. All in the
Downs the Fleet was moor'd, etc. [Music
by P. G. Sandoni.] [1730?] s. sh. iol.
G. 305. (176.)
Sweet William's Farewell to Black-Ey'd
Susan. Sec Carey (H.) [Black-eyed
Susan.] Sweet William's Farewell to
Black-Ey'd Susan, etc. (Sig"' Saudoni's
Tune.) [1720?] s. s7f. fol.
H. 1601. (24.)
SANDY. Sandy. [Song.]
See Potter (J.)
SANDYS (A.) The Favorite Air of
the Dargle with Variations for the Piano
Forte, etc. F. lihamcs :
Dublin, [1800 7] fol. g. 272. x. (29.)
SAN GIORGIO (PiETRO) II Primo
libro de Capricci a Due Voci, etc. Canto.
(Basso.) 2 pts. Aiipresso Alessandro
EaucriJ : Teiietia, 1608. 4». D. 70.
S ANI ( ) A favorite Solo for the Violin.
Tjongman, Lziko/ d- C° :
London, [1775 ?] fol. h. 2910. (4.)
SANI (Giovanni Battista)
See Fabri (S.) Salmi Concertati, etc.
[With a dedication by G. B. Sani.]
1660. 4°. D. 71.
SAN MARTINI (Giovanni Battista)
Six Easy Solos for a German Flute or
Violin with a Thorough Bass for the
Harpsichord. Printed for R. Bremner:
London, [1765 ?] fol. g. 280. b. (13.)
Sei Sonate di Cembalo e Violino, etc.
[With a Dedication by E. Ciprandi.)
Londra, (1766.) fol. h. 57.
SAN MARTINI (Giovanni Battista)
Six Sonatas for two Violins and a Thorough
Bass, etc, [Op. 1. Separate Parts.]
Printed for J. Simpson :
London, [1745 ?] fol. h. 57. c.
[Another edition.] Six Sonatas for two
Violins and a Thorough Bass . . . Opera
Prima. [Separate Parts.]
Printed for J. Simpson :
London, [1745 ?] fol. h. 57. b.
In this edition the words ' Opera Prima '
have been added to the title-page.
[Another edition.] Six Sonatas for two
Violins and a Thorough Bass . . . Opera
Prima. [Separate Parts.]
Printed for J. Cox :
London, [1750 ?] fol. g. 420. b. (5.)
XII. Sonate a Due e Tre Violini col Basso
...Grav6 par Labassee. Opera Seconda.
[Separate Parts.] Chez il/'" Le Clerc :
Paris, [1745 ?] fol. g. 86. a. (1.)
Six Sonatas or Duets for Two German
Flutes or Violins. . .Opera Quarta.
Printed for I. Walsh :
London, [1750?] fol. g. 421. n. (3.)
[Another copy.] g. 421. h. (1.)
[Another copy.] g. 70. c. (5.)
The title-page of this copy belongs to
Op. v., but has been altered in MS.
Six Sonatas or Duets for Two German
Flutes or Violins, etc. Opera v.
Printed for I. Walsh :
London, [1755 ?] fol. g. 70. c. (6.)
A Second Set of Six Sonatas or Duets for
Two German Flutes or Violins Opera
VII. Printed for I. Walsh :
London, [1755?] fol. g. 280. b. (11.)
A Third Set of Six Sonatas or Duets for
Two German Flutes, or Violins, etc.
Opera x. Printed for I. Walsh :
London, [1760 ?] fol. g. 280. b. (12.)
Six Sonatas for a German Flute and
Violin with a Thorough Bass for the
Harpsichord. [Separate Parts.]
Printed for A. Hummel :
London, [1765 ?] fol. g. 409. g. (5.)
Six Sonatas for two Violins with a
Thorough Bass for the Harpsicord or
Violoncello. Compos'd by Sig' Gio.
Battista S' ^Martini of Slilan Sig"^ Brioschi
& other Masters. 3* Set. [Separate
Parts.] Printed for I. Walsh:
London, [1750 ?] fol. h.. 57. a.
See GiARDiNi (F.) and San Martini
(G. B.) Four Overtures ... by Sig'' F.
Degiardino and one Concerto with two
Violins & two Hautboys Obligate ... by
Sig-- G. B. S« Martini, etc. [1751 ?] fol.
g. 264.
458
SAN MARTINI
SAN MARTINI (Giovanni Battista)
See Haendel (G. F.) [2. Arrangements
and Selections. — b. Instrumental.'] Warlike
Musick, Book i. Being a Choice Collec-
tion of Marches & Trumpet Tunes ... By
M'- Handel, S' Martini, e^c. [1760?] 8".
e. 438. d.
See Jozzi (G.) A Collection of Lessons
for the Harpsicord ... by ... S' Martini,
etc. [1760 ?] obi. fol. f. 20.
See Lampugnani (G. B.) and San Mae-
TiNi (G. B.) Six Sonatas for Two Violins
with a Through Bass. . .Opera Prima.
[1750?] fol. g. 480. (1.)
See Lampugnani (G. B.) and San Martini
(G. B.) Six Sonatas for Two Violins with
a Through Bass . . . Opera Seconda.
[1750?] fol. g. 480. (2.)
See Overtures. Six Favourite Overtures
in Six Parts. . .by. . .S' Martini, etc.
[1770?] fol. g. 474. a. (8.)
SAN MARTINI (Giuseppe) [8 Over-
tures, Op. 7, Concertos, Op. 8, N"' 1-3 and
Op. 9, N" 1.] Martini's... Grand Concertos
now first adapted for the Organ, Harpsi-
chord or Piano Forte by the Composer of
' Young's Night Thoughts ' [i.e. T. Billing-
ton], ""a Vols. H. Wright:
London, [1795 ?] fol. h. 603.
VI. Concert! Grossi con due Violiui, Alto-
Viola e Violoncello obligati e due Violini
e Basso di Einforzo. Opera Seconda.
[Separate Parts.] Printed for J. Sim2:ison :
London, [114.5?] fol. g. 86. d,
Wa7iting the Violino Primo x>arts.
[Another copy.] h. 205. a. (4.)
The Basso di Concerto part only.
[Another edition.] Six Concertos in
Seven Parts for four Violins, one Alto
Viola, a Violoncello and a Thorough Bass
for the Harpsichord, etc. Opera Seconda.
[Separate Parts.] Printed for J. Johnson :
London, [1760?] fol. h. 39. b. (1.)
Six Grand Concertos . . . Opera 8'".
See infra : Eight Overtures . . . And Six
Grand Concertos, etc.
G. S* Martini's Concertos for the Harpsi-
cord or Organ with the Instrumental
Parts for Violins, etc. Opera Nona.
[Separate Parts.] Printed for I. Walsh :
London, [1755 ?] fol. g. 86.
Eight Overtures [Op. 7] in Eight Parts
for Violins, Hoboys, French Horns, &c.
with a Through Bass for the Harpsi-
cord or Violoncello. And Six Grand
Concertos for Violins [Op. 8] &c. [Sepa-
rate Parts.] Printed for I. Walsh:
London, [1745 ?] fol. g. 86. e.
The Concertos have separate title-pages
and pagination.
SAN MARTINI (Giuseppe) Eight Over-
tures and Six Grand Concertos in Seven
Parts for four Violins, a Tenor, Violoncello
and a Thorough Bass for the Harpsichord,
etc. Opera Decima. [Separate Parts.]
Printed for John Johnsoti :
London, [1760 ?] fol. h. 39. b. (2.)
XII Sonatas for two German Flutes or
Violins with a Thorough Bass. [Separate
Parts.] Printed for I. Walsh :
London, [1738.] fol. g. 241. (9.)
Dodeci Sonate a tre, cioe due Flauti o
Violini e Basso . . . date in Luce da
F. Barsanti, etc. [Separate Parts.]
[London, 1740 ?] fol. h. 39.
Sonate a Solo, et a due Flauti Trauersi
col Lord [sic] Basso. Opera Prima.
(Parte Seconda.) Printed for the Author :
London, [1735?] fol. g. 86. b.
Sonate a Solo, et a due Flauti Trauersi
col Loro Basso. Opera Prima, etc. [Sepa-
rate Parts.] Printed for the Author :
London, (1736.) fol. g. 274. h. (5.)
Six Sonatas or Duets for two German
Flutes. Compos'd for the Temple of
Apollo, etc. Opera Prima. Book P'.
Printed for J. Oswald : London,
[1750?] obl.iol. d. 161. a. (6.)
Not the same work as the Sonatas
printed for the author about 1735.
XII Sonate a Flauto Traversiere Solo con
il Basso. Opera Seconda. Chez M. C. Le
Gene: Amsterdam, [1730?] fol. g. 86. f.
Six Solos for a German Flute or Violin,
with a Thorough Bass for the Harpsicord
or Violoncello. Opera 2*. Printed for
I. Walsh: London, [11^0?] fol.
g. 422. b. (6.)
XII. Sonate a due Violini, e Violoncello,
e Cembalo, se place, Opera Terza, etc.
[Separate Parts.] Printed for I. WalsJi :
London, [1740 ?] fol. h. 39. a.
[Another copy.] g. 86. a. (2.)
[12 Sonate. Op. iii.] Concerti Grossi
a due Violini, Viole e Violoncello obligati
con due altri Violini, e Basso di Ripieuo.
Opera Quinta. . .Composti dalle Sonate. . .
deir Opera iii. [Separate Parts.] Printed
for I. Walsh : London, [1750 ?] fol.
g. 86. c.
Six Solos for a German Flute or Violin,
with a Thorough Bass for the Harpsicord
or Violoncello, etc. Opera Quarta. Printed
for I. Walsh : London, [1740 ?] fol.
g. 422. b. (7.)
Six Sonatas for two German Flutes or
two Violins with a Thorough Bass for the
Harpsicord or Violoncello, etc. Opera
Sexta. [Separate Parts.] Printed for
L Walsh : London, [1745 ?] fol.
g. 242. (5.)
SAN MAETINI— SAFER
459
SAN" MARTINI (Giuseppe) Six Solos
for a German Flute, Violin or Hautboy,
with a Thorough Bass, etc. Op. xiii.
Printed for J. Johnson :
London, [1760 ?] fol. g. 422. b. (8.)
[Another copy.] g. 422. g. (4.)
See CoNCERTi. Concert! a Cinque ... del
...Signori G. Valentini . . . Ct. S' Martin,
etc. [1730?] fol. g. 35.
SAN MARTINI (Pietro) Sinfonie a due
Violini, e Liuto, e Basso di Viola, etc.
Opera Seconda. Organo. Nella Stam-
peria di S. A. S. alia Condotta : Firenze,
1688. 4°. d. 4.
SAN ROMANO (Carlo Giuseppe)
Sirena Sacra. Mottetti, Messa, et Salmi
per li Vesperi di tutte le solennita dell'
Anno, con vn Magnificat, Ecce nunc.
Pater noster, Veui Creator spiritus, Te
Deum laudamus, & le Letanie della B.
Vergine Maria, A Cinque Voci. . .Opera
Terza. Basso. Apprcsso Francesco Vigone :
Milano, 1674. 4°. E. 1464.
SANS. Sans amour une Belle est un
Priutems sans fleurs. Chanson.
See Byetiz ( )
Sans cesse aupres de men tr^sor. Arietta.
Sec Deux Avares.
Sans chanter peut-on vivrc uu jour. Air.
See Melomanie.
Sans frayeur dans ce hois. Air.
See Legat de Furcy (A.)
Sans I'amour et le vin. Air.
[Paris,] 1724. s. sh. 4». 297. a. 11.
Mercure de France, Dec, 1724.
Sans moi la plus superbe Fete. Chanson.
See Paulin ( )
Sans que je sols Amazons. Le Nouveau
Combat. [Song, written] Par Mr. Prechac.
Air : de la Fanfare de St. Cloud.
[Paris, 1780?] 8°. B. 362. b. (147.)
Sans redouter la Satire. Vaudeville.
See FoLLE Soiree.
Sans repentir, depuis le temps. Vaudeville.
\_Paris,] 1724. s. sh. 4". 297. a. 10.
Mercure de France, Sept., 1724.
Sans un petit brin d' Amour. Vaudeville.
Sec Trois Fermiers.
Sans vouloir passer pour savant. Lcs
Deux Choses, [Song, written] par M.
Roulland. Air: Je connois un berger
discret. Chez les Frires Savigiiy :
[Paris, 1780 ?] 8°. B. 362. b. (144.)
Sans vous il n'est point de festes. Air de
M***. [Paris,] 1728. s. sh. 4°.
297. a. 33.
Mercure de France, May, 1728.
Sans vous ma chere. Song.
See Moulds (J.)
SANSEVERINO (Benedetto) II Primo
Libro d' Intavolatura per la Chitarra alia
Spagnuola. De Passacalli, Ciaccoue, Sa-
rauande, Spagnuolette, Folie Pauaniglie,
Pass'emezzi, Correnti, et altre varie
suonate . . . Di nuouo ristampato, con
aggionta d' alcune Canzonette dal Istesso
Autore, etc. Opera Terza.
Appresso Filippo Lomazzo :
Milano, 1622. 4°. K. 1. g. 13.
SANTARELIil (Giuseppe) Informa-
zione del Cantor Fra Giuseppe Santa-
relli, Cappellano d' Onore del. . .Cardinale
Alessandro Albani...in risposta ad un
Biglietto di esso Eminentissimo, etc.
Nella Stamjwria di Komarek :
Roma, 1761. 4°. 557*. c. 21. (7.)
SANTEUIL ET DOMINIQUE. San-
teuil et Dominique. Piece anecdotique.
See Piis (A. P. A. de).
SANTINI (Pietro) Laudi Spiritual! per
la Dottrina Cristiana. Raccolte da varj
Autori da D. Pietro Santini, etc. 2 pts.
Pi'T Mattco Mancinelli e Dumenico Rainini :
Ancona, 1722. 12°. 3435. ff. 34.
SANTIS (Giovanni de) VI Sonate da
Camera a Violino e Violone o Cimbalo. . .
Opera Prima. Imprimi^ aux depens de
Gerhard Frederik Witvogcl : Amsterdam,
[1740?] fol. g. 223. d. (1.)
SANTO ALESSIO. II S. Alessio.
Dramma IMusicale. Sec Landi (S.)
SANTO ANTONIO (Joseph de) Ac-
companhamentos de jNIissas, Sequencias,
Hymhos, e Mais Cantochao, que he uso,
e costume acompanharem os Orgaos da
Real Basilica de Nossa Seuhora, e Santo
Antonio, junto a Villa de ]\lafra, etc.
No Mosteiro de S. Vicente de Fura :
Lisboa, 1761. fol. H. 65.
Pp. 5-6 a7id 21-22 are mutilated.
SANZ (Gaspar) Instruccion de Musica
sobre la Guitarra Espafiola. . .con dos
Laberintos ingeniosos, variedad de Sones,
y Dan(;-as de Rasgueado, y Punteado, al
estilo Espafiol, Italiano, Frances, y Ingles.
Con un breve Tratado para acompafiar,
etc. (Libro Seguudo, de Cifras sobre la
Guitarra Espauola, con arte nuevo para
aprender a taneiia sin IMaestro, etc.)
(Libro Tercero de ilusica. De Cifras
sobre la Guitarra Espafiola, que contiene
las diferancias mas primorosas de Passa-
calles, e/c.) 3 pts. Por los Herederos de
Diego Dormer : En Zaragoca, 1697. ohl. fol.
d. 55.
SAFER. Saper bramate. Aria. See
Paisiello (G.) [II Barbicrc di Siviglia.]
4G0
SAPIO— SARTI
SAPIO ( ) Quatre Duos, et Deux Cava-
tine avec Accomp' de 2 Violons et d'un
Basse, etc. Longman d Brodcrip, for the
Author: LoHfZon, [1795?] ohl. io\.
E. 600. z. (9.)
Nos. 2 and 4 of tins collection arc by
Millico.
SAPLING. The Sapling Oak. Song.
See Storage (S.) [The Siege of Belgrade.]
SAPPHO. Sapho. Cantatille.
See Lemaire (L.)
Sapho. Trag6die.
See Martini (G.) il Tedesco.
Sappho au Proniontoire de Lucate. Ro-
mance. See La Rose Fonbeunne (G. de)
Sappho to Phaon. [Recitative and Aria.]
See Callcott (J. W.)
Sappho's Hymn to Venus. [Cantata.]
See WORGAN (J.) the Elder.
SAPPHO, pseud. Damon's Invitation,
etc. [Song.] [London, 1755.] 8".
250. c. 2.
Gentleman's Magazine, Vol. XXV., p. 466.
Long by an Idle Passion tost. A Song.
Set by Sappho. [London, 1756.] 8°.
^ P.P. 5439.
Literary Magazine, Vol. I., p. 28.
SARA. Sara. Com6die melee d'Ariettes.
See Vachon (P.)
Le long d'un bois Colin passoit. [Song.]
De Sara. [P«m, 1785?] 8".
B. 362. e. (109.)
TJiis song does not occur in P. VacJion's
' Sara.'
SARDENA (Horatio) See Gatto (S.)
Motectorum . . . opus hoc Leuidense
nouiter CoUectorum, Autore Horatio
Sardeua, etc. 1604. 4°. C. 45.
SARDY (Joseph) See Sabti (G.)
SARGINES. Sargines on I'Eleve de
TAmonr. ComMie. See Dalayrac (N.)
SARIA. Saria bello il maritarsi. [Song.]
See Paisiello (G.) [La Locanda.']
SARRAZIN ( ) Un ingrat m'aban-
donne. Ariette,etc. [Paris, 1780?] 8°.
B. 362. b. (67.)
Vous n'avez pas humble fougere. Air.
Paroles de ]\I. Rochebrune. [Paris,'] VJll.
s. sh. 8°. 298. e. 13.
Mercure de France, April, 1777.
SARTI (Giovanni Vincenzo) Concerti
Sacri A due, e tre voci Con due para
di Litanie della B. V. a 4 voci col' Basso
per r Organo. . .Libro Sesto. Opera vn-
decima. [Canto.] Alto. (Basso.) (Basso
per r Organo.) 4 pts. Stampa del Gar-
dano. Apresso Francesco Magni : Venetia,
1655. 4°. D. 100.
The Canto part wants fol. A 1.
SARTI (Giuseppe) Ah cara sposo.
iS't'c infra : [Giiilio Sabino.]
Ah non sai. Rondo with a Recitative as
sung by Miss Corri, etc. [Pull Score.]
Printed for Corri, Ditssek £ Co. :
London and Edinburgh, [1792 ?] fol.
G. 811. (28.)
Ah non sai. A favorite Rondo. Arranged,
with an Accompaniment and Graces, by
D. Corri. . . Longman and Brodcrip :
London, [1792.] fol. G. 199. (28.)
Ah ! proteggete o Dei. Duetto, etc.
[B. Goodison : London, 1790 ?] fol.
H. 103. (3.)
[Alessandro e Timoteo.] Va dove cadono
in seno al Gauge. Cavatina, etc.
[1800.] fol. Sec Alessandro e Timoteo.
G. 811. a. (5.)
Un Amante sventurato. A Favorite
Rondo. Printed for J. Dale :
London, [1185?] fol. G. 811. (29.)
Cari Figli, un altro amplesso.
See infra: [Giulio Sabino.]
Ciro Ricouosciuto. Opera in ]\rusica, etc.
[Libretto by ]Metastasio. Full Score.]
J. H. Thick : Copenhagen, [1756.] fol.
H. 343.
Con qual core oh Dio.
Sec infra ; [Giulio Sabino.]
[Fra i due Litiganti il terzo gode.] Les
Noces de Dorine, ou Helene et Francique.
Opera en Quatre Actes . . . ParoUes de
]^£r * * *_ [Full Score.] Chez le S'' Sicber :
Paris, [1789.] fol. G. 209.
[Overture.] Four Italian Overtures.
Arranged for the Piano Forte by L.
Boutmy. ([Op. 2. No. 1.] Sinfonia.
Sig"' Sarti.) [1799.] See Periodical
Publications. — London. The Piano-
Forte Magazine. Vol. VII. No. 7.
[1797-1802.] 8°. D. 854.
Fuga a otto voci reali. (Kyrie Eleison.)
Partitura. Pi'csso Breitkopf d- Hcirtel :
Lipsia,[1195'>] fol. H. li87. p. (8.)
[Another copy.] H. 2832. f. (21.)
[Le Gelosie Villane.] Overture. [P. F.]
See Mezger (F.) Ouverture delle Gelosie
Villane. Arrangee i^our Clavecin, etc.
[1785?] fol. g. 81. (11.)
Giulio Sabino. Dramma per Musica. Per
la prima volta rappresentato in Venezia,
1' Anno 1781, etc. [Full Score.]
Vienna, [1782 ?] obi. fol. E. 140.
Ah cara sposa. Duetto. Sung by
Sig" Giuliane and Sig'' Marches!, etc.
[Full Score.] Longman a?id Broderip :
London, [1788.] fol. G. 197. (12.)
Cari Figli, un' altro amplesso. [Aria.]
Sung by Sig' Marchesi, etc. [Full Score.]
Longman and Broderip :
London, [1788.] fol. G. 297. (4.)
[Another copy.] G. 196. (16.)
SARTI— SARTORIUS
461
SARTI (Giuseppe) Giiilio Sabino. Con
qual core oh Dio. [Aria.] Sung by Sig"
Giuliane, etc. [Full Score.]
Longman and Brodcrip :
London, [1788.] fol. G. 196. (17.)
In quel barbaro momento. Rondo.
Sung by Sig" Marches!, etc. [Full Score.]
Longman and Broderip :
[London, 1788.] fol. G. 196. (15.)
Lungi dal caro bene. Cavatina. Sung
by Sig' Marchesi, etc.
Longman and Broderip :
Lotidon, [1788.] fol. G. 297. (5.)
Lungi dal caro bene. Cavatina.
(Aria . . . Coll accompagnamento d' Arpa
del Sig"' Luigi Marchesi.)
Longman & Broderip :
London, \1190'>] fol. G. 196. (14.)
Giulio Sabino e Epponina. Sonata Carat-
teristica per il Clavicembalo o Forte Piano
con Violino. . .Op. i.
Longman and Broderip :
London, [1790 ?] obi. fol. e. 100. (3.)
[Giulio Sabino ed Epponina.] Sabiuus et
Epponine. Sonate Caracteristique pour
le Clavecin ou Piano Forte Avec accom-
pagnement de Yiolon Oblige. . .Oiluvre I'^
Chez Lnbault : Paris, [1785 ?] obi. fol.
f. 133. k. (5.)
In quel barbaro momento.
See supra : [Giulio Sabino.l
Infelice sventurata. A Favorite Rondo.
Printed for S. Babb :
[London, 1780 ?] fol. G. 800. m. (53.)
lutreccio di diverse Idee d'Opere Favorite,
ossia Sonata per Clavicembalo con Violino
obligate. . .Opera ii.
Presso Artaria Cornp. :
Yienna, [1790?] obi. fol. e. 5. p. (3.)
Lungi dal caro bene.
St'c supra: [Giulio Sabino."]
Les Noces de Dorine. See supra : [Fra
i due Litiganti il terzo gode.]
Questa non era o cara. [Air.] Sung by
Sig' Marchesi, in the Opera Olimpiade,
etc. [A pasticcio. Full Score.]
Longman and Broderip :
[London, 1788.] fol. G. 196. (20.)
An Overture ... As Performed at the
Pantheon, etc. (Sinfonia iii.) [Separate
Parts.] W. Napier :
London, [1785?] fol. g. 270. p. (2.)
Quelle amante dans sa flamme. Rondeau,
etc. Chez les Freres Savigny :
[Paris, 1785 ?] S". B. 362. b. (72.)
[I Rivali Delusi.] The Favorite Songs
in the Opera 1 Rivali Delusi. [P. F. and
Full Score.] J. Preston :
London, [1785.] fol. H. 343. (a.)
Three Sonatas for the Harpsichord, etc.
E. Fougt : London, [1769.] fol.
h. 60. b. (5.)
SARTI (Giuseppe) Tre Sonate per il
Clavicembalo o Forte Piano Con Accom-
pagnamento d'un Violino. . .Opera iii.
Presso Artaria Comp. :
Vienna, [1790?] obi. fol. e. 5. i. (7.)
Wanting the Violin part.
The Celebrated Sonata composed by Sig.
Sarti. In which all the Obligate Violin
Passages are Adapted for the Piano-Forte.
T. Skillern : London, [1795 ?] fol.
g. 271. e. (30*.)
See Aprile (G.) and Sarti (G.) Five. . .
Italian Duettos. . .by Sigr. G. Aprile and
One by Sigr. G. Sarti. ' [1780?] oil. 4".
A. 795.
See Feast op Apollo. The Feast of
Apollo, containing ... Songs by. .. Sarti,
etc. [1788.] fol. G. 351. (2.)
See Sampieri (N.) A Collection of Songs
. . .by Sarti, etc. [1795 ?] obi. fol.
E. 600. z. (8.)
SARTORIO (Paolo) See Sartorius.
SARTORIUS (Christian) Unterschied-
licher Teutscher, nach der Himmelcron
zielender Hoher Fest- und Danck An-
dacthen Zusammenstimmuug. Mit 1. 2.
3. 1. 5. G. und S. nemblichen, einer, zwey,
drey, auch fiinff Vocal- dann zwej-en und
mehr Instrumental-Stimmen, als Violinen
Oder Corneten, auch Posaunen. Sampt
gedoppelten Basso continue, den einen
fur die Organisten, den andern fiir deu
Violon, etc. Cantus vel Tenor Primus
(Secundus). (Bassus.) (Violiuum Primum
(Secundum).) (Bassus Continuus fiir den
Violon.) 6 pts. Christoff Gerhard :
Nilrnberg, 1658. fol. " G. 79.
SARTORIUS (Erasmus) Institutionum
Musicarum Tractatie Noua et Breuis
Duobus Libris Comprehensa,. . .Praemit-
titur oratio de hujus artis Inventoribus . . .
item aliquot fugse, etc. Jacobus Eeben-
linus : Hamburgi, 1635. 8". A. 1410.
Erasmi Sartori. . .Belligerasmus, id est
Historia BeUi exerti in regno Musico . . .
Adjuncta est Historia a priori materia non
aliena, de Capre subagitante bonum quen-
dam Virum N. Nocturnis tenebris.
Lnpensis Henrici Carstens :
Hambicrgi, 1622. 8°. 12923. aa. 3. (2.)
See Laurembergius (P.) Musomachia
id est Bellum Musicale. Ante quinque
lustra in gratiam Er[asmi] Sar[torii] :
nunc denuo institutus a prime ejus
auctore, etc. 1639. 8". 7896. a. 12.
SARTORIUS (Paulus) Madrigali a
Cinque Voci . . . Libre Prime. Nouamente
composto, et date in luce. Canto. (Alto.)
(Tenere.) (Basso.) 4 pts.
Anqelo Gardano : Venetia, 1600. obi. 4".
A. 405.
462
SARTORIUS— SAWNEY
SARTORIUS (Paulus) Neue Teutsche
Liedleiu, mit vier Stimmen, nach art der
Welschen Canzonette, auff alleiiey Instru-
menten zu gebraucheu, etc. Cantus.
(Altus.) (Tenor.) (Bassus.) 4 pts.
Gedruckt. . .durch Paulum Kauffmann :
Nilnnbcrg, 1601. 4°. D. 1040.
SATAH". Satan's Visit to the Jacobin
Club. Song. See To. To Old Satan in
Hell, etc. [1795.] fol. G-. 376. (57.)
SATIRIST. The Satyrist. [Song.]
See SuEE. Sure none but an Ass.
1742. s. sh. fol. G. 316. a. (43.)
SATYRE. Le Satyre et le Passant.
[Song.] See Lambert ( ) W'-.
SATZL (Cheistoph) Novem Missse Novte
Singulis, Binis, Ternis, Quaternis, Quinis-
que vocibus. . .concinendse, etc. Cantus
II. (Pars Organica.) 2 pts.
Michael Wagneriis : Ocniponti, 1646. 4°.
C. 93.
SAUL. Saul. Oratorio.
See Haended (G. F.)
Saul, oder die Gewalt der Musik. Musik-
alisches Drama. See Rolle (J. H.)
SAUNDERS. Saunders' Ghost. [Song.]
Sec Haste. Haste thee Saunders, thy
Country calls thee, e^c. [1778.] s. sli. io\.
Q. 308. (122.)
SAUNDERSON (James)
See Sanderson.
SAVAGE (Jane) A favorite Duett for
two Performers, on one Piano Forte or
Harpsichord. Opera vi.
Longman and Broderip, for the Aiithor :
London, [1790 ?] fol. g. 130. (10.)
Two Duetts, for Voices. . .Op. vii.
Longman & Broderij), for the Author :
London, [1790 ?] fol. G. 354. (32.)
God save the King. Adapted as a Double
Lesson. ..Opera 8'". [P. F.] London,
[1790?] fol. g. 130. (12.)
Hall the Woodman. A Favorite Song
. . .Op. V. Longman & Broderip, for the
Author: ioufZo?!-, [1790?] fol.
H. 1653. (45.)
Strephan {sic'] & Flavia. A Favorite Can-
tata, written by Mrs. Savage. . .Opera iv.
Longman d; Broderip, for the Author :
London, [1790 ?] fol. H. 1653. (44.)
Six Rondos ; for the Harpsichord or Piano
Forte . . . Opera iii. Longman d Broderip,
for the Author : London, [1790 ?] ohl. fol.
e. 101. (7.)
SAVAGE (William) ]My Fair is beauti-
full as Love. [Song.] Set bij Mr. Savage.
[London, 1740?] s. sh. fol.
G. 310. (83.)
See Catches. A Collection of Catches by
. . .Dr. Arne,. . .Mr. Savage, etc.
[1764 ?] ohl. 4'\ A. 756. a. (1.)
SAVE. Save Women and Wine. The
Pleasures of Life. A New Song sung by
]\Ir. ]\Ioore at Sadlers Wells. [Lo7ulon,
1745 ?] s. sh. fol. G. 316. f. (7.)
[Another edition.] Save Women and
Wine, there is nothing in Life. TJie
Pleasures of Life. A new Song.
[London, 1750 ?] s. sh. fol.
I. 530. (137.)
SAVETIER. Le Savetier Gaillard.
[Song.] See Je. Je suis excellent Save-
tier, c/c. [1780?] 8". B. 362. (76.)
SAVETIER ET LE FINANCIER.
Le Savetier et le Financier. Opera
Comique. Sec Rigel (H. J.)
SAVEZ. Savez vous la belle histoire.
Ronde Patriotique. Chez Imhanlt :
Paris, [1792.] 8°, B. 362. d. (24.)
Savez-vous pourquoi, mes amis. Chanson
de la Gamelle. DMiee a la Nouvelle
Requisition. [To the tune of the Car-
magnoUe.] Chez hnhault :
Paris, [1793.] 3". B. 362. d. (41.)
SAVILLE (Jeremiah) See Playfoed (J.)
Select Musicall Ayres and Dialogues...
by. . .Mr. Jeremy Savile, etc. 1G53. fol.
F. 51. a.
SAVIOUR. Saviour, can'st thou love a
traitor ? A Hymn. [London, 1774.] 8".
P.P. 716. b.
Gospel Magaziiu, Nov., 1774.
SAVOYARD. The Savoyard. [Song.]
See DiBDiN (C.) [The Quizes.']
SAW. Saw ve John a coming. A Scotch
Song. [London, 1750 ?] s. sh. fol.
H. 1994. b. (69.)
Saw ye my wee Thing. Mary of Castle
Gary. A Favourite Scots Song. [Words
by H. Macneil.] J. McFadyen :
Glasgow : [1795 ?] fol. G. 356. (66.)
Saw you my Father. A Favourite Scotch
Song. [Londo7i, 1773.] 8".
P.P. 5438. z.
Universal Magazine, Vol. LII.,p. 39.
Saw you my Father, with Variations for
the Harpsichord or Piano Forte, etc.
Longman Lukey and Broderip : London,
[1775 ?] fol. G. 805. a. (40.)
Saw you my Father. A Favorite Scotch
Song. [London, 1780 ?] s. sh. fol.
I. 530. (138.)
Saw you the Nymph whom I adore.
Song. See Carey (H.)
Saw you the Nymph whom I adore. Glee.
See Hook (J.)
SAWNEY. Sawney and Jenny. Dia-
logue. See Arne (T. A.)
Sawney is a bonny Lad. Song.
See PuECELL (H.)
SAY— SAYS
463
SAY. Say can you deny me. [Song.]
See Mara (G. E.)
Say, Chloe, by what secret art. A Nciv
Song. [London, 1776.] 8".
P.P. 5438. z.
Universal Magazine, Vol. LIX., p. 94.
Say, curious painter, can thy art. Song.
See Hudson (R.)
[Another setting.] Say, curious Painter,
can thy art. Song. See Tubnee (E.)
Say does thy jealous fears proceed. Song.
See Hughes (J.) Song Writer.
Say, have you in the village seen. Allen
Brooke of Wyndermcr. A favourite New
Song. . .The words by G. S. Gary. [Music
by J. Hook.] J. Lee : Dublin,
[1785 ?] s. sh. fol. H. 1601. b. (73.)
Say, have you in the Valley seeu. Allen
Brooke of Windermere. A Ballad, with
an Accompaniment for the Piano Forte.
[Words by G. S. Carey, music composed
or edited by E. S. Biggs.] Printed for
B. Birchall : London, [1797 ?] fol.
G. 356. (51.)
Say, little foolish flutt'ring thing. Sivect
Robin. [Song.] R. Falkener : London,
[1775?] fol. H. 1994. a. (101.)
Say, lovely peace, that grac'd our isle. A
Loyal Song, for two Voices.
{London, 1756.] 8». 250. c. 3.
Gentleman's Magazine, Vol. XXVI.,
p. 245.
Say lovely Peace that grac'd our Isle. .4
Loyal Sona for two Voices. f London,
1756?] s.^s/i. fol. H. 1994. (56.)
[Another copy.] H. 1994. a. (169.)
Say Mighty Love and Teach my Song.
[Song.] See Hodson (W.)
Say my Kitty. Tlie Secret. A Song to
INIrs. Santlow's Minuet. [London,
1710?] s.sh.iol. H. 1601. (397.)
[Another edition.] Say my Kitty. The
Secret, etc. [London, Vllb'>] s.sh.iol.
G. 311. (69.)
Say, Plato, why shou'd man be vain.
Plato's Advice, a favourite Song. J. Leiver:
[London, 1755 ?] s. sh. fol.
G. 316. h. (29.)
Say, Shepherds have you seen my Fair.
Song. See Stevenson {Sir J. A.)
Say Sylvia shaU I speak or die. Sylvia.
A new Song. [Lo7idon, 1750 ?] s. sh. fol.
G. 316. a. (42.)
[Another edition.] Say Sylvia shall I
speak or Die. Sylvia. A new Song.
[London, 1750 ?] s. sh. fol.
G. 316. f. (11.)
[Another setting.] Say Sylvia shall I
speak or die. Sylvia, [Song.] Str[aight]
and Sk[illern'] : [London,mO?] s. sh. fol.
G. 316. (120.)
SAY. Say, who would mope in joyless
Plight. Livitation to Joy. [Aufmun-
terung zur Freude.) [Song, words] By
H51ty. C. Geisweiler : [London,
1800.] s. sh. obi. 4°. 266. b. 30.
German Museum, Dec, 1800.
Say why a Blush o'erspreads the Rose.
Song. See Atterbuey (L.)
Say Zephyr what jMusick enchants the
gay Plains. A Favourite Rondo, etc.
LF[entu']m: [Lotidon, 1180?] s.sh.iol.
G. 311. (154.)
SAYS. Says Colin to me. As Sure as a
Gun. [Song.] Sung by Mrs. Wrighten at
Vavixhall. 1799. S[amucl and] A[mi\
T[hompson, 1779.] s. sh. fol.
G. 316. (121.)
Says Dicky to DoUy. Song.
See Turner (W.) [The Virgin Sacrifice.]
Says his Grace to his Cook. Glee.
See Olive (.J.)
Says my Uncle I pray you discover.
Molly Mogg. [Song] To [the tune of]
" Clarinda's an Exquisite Creature "
[Words attributed to A. Pope.] [London,
1720 ?] s. sh. fol. G. 305. (44.)
Li the Gentleman's Magazine for June
1755, this song is said to have been
written by Pope in his 11th year.
[Another edition.] Says my Uncle I pray
you discover. Molly Mogg. A Song set
by an Eminent Master. [London,
1725 ?] s. sh. fol. G. 316. e. (136.)
Says Plato, why should Man be vain.
Plato's Advice. A favourite Song.
[London, 1758.] s. sh. Q\
P.P. 5439. ab.
New Universal Magazine, June, 1758.
Says Plato why should ]\Ian be vain.
Plato's Advice. A favourite Song.
[London, 1760 ?] s. sh. fol.
G. 311. (58.)
[Another edition.] Says Plato why shou'd
Man be vain. Plato's Advice. A favourite
Song. [London, 1760 ?] s. sh. fol.
H. 1994. a. (198.)
Says Pontius in rage. Canzonet. See
Travees (J.) [18 Canzonets. No. 7.]
Says Roger to Will. The Wedding, or the
Farmer's Holiday ; A new Song, the
Words made to a Pleasant Tune by Mr.
D'urfey. [London, 1710 ?] s. sh. fol.
G. 311. (78.)
[Another edition.] Says Roger to Will.
Tlie Wedding, etc. [London,
1715?] s.sh.iol. H. 1601. (389.)
[Another edition.] Says Roger to Will.
The Favourite Song in the Country Revels.
See Country Revels. [1750.] s. sh. fol.
G. 316. e. (132.)
464
SCACCIA— SCARLATTI
SCACCIA (Angelo Maria) Concerti con
Violiuo Obligato. due Violini, Alto Viola e
Basso Contiuuo. Opera Prima. [Separate
Parts.] A SjKsa di M. C. Lc Cciie :
Amslcrdcnn, [1735 ?] g. 1050.
SCACCIATO. Scacciato dal suo nido.
rSong.] >'(-<; RODELINDA.
SCALETTA (Orazio) Amorosi Pensieri.
II Secoudo Libro de Madrigaletti a
Cinque voci . . . Con vna Canzone Francese
a quattro & Dialogo a Sette nel fine.
Nouamente Composti, & dati in Luce.
Basso. Appresso V hcrede di Girolamo
Scotto: VeneHa,15dO. 4°. C. 329. a.
This ivork contains madrigals by Agostino
Corona and Paolo Caracciolo.
Partitura della Cetra Spirituale a due, tre,
e quattro voci . . . Nouamente posta in
luce. Appresso V herede di Simon Tini,
ct Filippo Lorenzo, compagni : Milano,
1606. 4°. C. 329. b.
Scala di Musica molto necessaria per
Priucipianti . . . Ampliata di uouo in
questa Sesta Impressione, etc. Appresso
Alessandro Vinccnti : Venctia, 1626. 4°.
556. e. 27.
Scala di Musica. Quarta Impressione di
nuouo corretta, et ampliata con alcuni
Duo in fuga facile, etc.
Appresso Giorgio Rolla : Milano, 1647. 4°.
557*. c. 15. (5.)
Scala di Musica. . .di Horatio Scaletta. . .
Dair istesso nella settima impressione,
reuista, corretta, & ampliata, etc.
Per il Mascardi : Roma, 1685. 4°.
7897. e. 21.
Vilanelle alia Eomana a Tre Voci . . . Libro
Primo, etc. Basso. Appresso Ricciardo
Amadino : Venetia, 1590. 4". C. 329.
SCALiaERI DALLA TRATTA
(Camillo) pseud, [i.e. Adriano _ Ban-
CHiERi.] La Xobilissima, auzi Asinissima
Compagnia deUi Briganti della Bastina.
Descritta, & compilata da quattro Im-
bastinati Auttori . . . Opera uuoua . . .
Compositione di CamiUo Scaligeri dalla
Fratta [i.e. A. Banchieri], etc. Ad
instanza di Barezzo Barezzi. Per gllHeredi
diPerin: Vicenza, 1591 . 4".
1080. k. 9. (9.)
Containing three songs for 4 voices.
SCANDEIiLO (A^-Toxio) El Primo
Libro de le Canzoni Napoletane a iiii.
Voci, etc. Altus. (Tenor.) 2 pts.
Ulricus Neuberus, d Theodoricns Gerlatzen :
Noribergm, 1566. obi. 4°. A. 407.
Nawe und lustige Weltliche Deudsche
Liedlein, mit Vier, Fiinff, vnd Seeks
Stimmen, auff allerlej' Instrumenten
zugebrauclaen, vnd lieblich zu singen, etc.
Altus. (Bassus.) 2 pts.
Gedruckt durch Gimcl Bergen :
Dressden, 1575. obi. 4<". A. 407. a.
SCANDELLO (Axtonio) Nawe schonc
ausserlesene Geistliche Deudsche Lieder,
mit FiinS, vnd Sechs Stimmen, gantz
lieblich zu singen, Und aufi allerley In-
strumenten zugebrauchen, Sampt einem
Dialogo mit Acht Stimmen, etc. Tenor.
(Bassus.) 2 pts. Gedruckt durch Gimel
Bergen : Dressden, 1575. obi. 4".
A. 407. b.
See Epithalamia. Epithalamia . . . Com-
posita per Anthonium Scandellum, etc.
1568. obi. 4". A. 18.
SCARAMUCCIA (Filisteo) II Primo
Libro di ^ladrigali a quattro, et a Cinque
Voci Con un' ultimo a Sei, etc. Canto.
(Alto.) (Tenore.) (Basso.) (Quinto.)
5 pts. Appresso gli Heredi di Francesco
Rampazetto : Venetia, 1580. obi. A".
K. 3. f. 18.
SCARLATTI (Alessandro) Thirty Six
Arietta's for a Single Voice with a
Thorough Bass for the Harpsicord and
within Compass of the German Flute, etc.
J. Cox, for TJios. Yandernan :
London, [1755 ?] obi. fol. E. 271. (12.)
The Beautious Melissa. A Cantata by
Scarlatti. [London, 1720 ?] s. sh. fol.
G. 312. (45.
VI. Concertos in Seven parts, for two
Violins & Violoncello Obligato with two
Violins more, a Tenor & Thorough Bass,
etc. [Se]3arate Parts.] B. Cooke :
London, [1735 ?] fol. g. 1052.
[Pirro e Demetrio.] Songs in . . . Pyrrhus
and Demetrius, etc. [Music by A. Scar-
latti, with additions by N. Haym.]
[1710 ?1 fol. See PiRRO e Demetrio.
I. 355.
[For
ately in
songs, &c., published separ-
the Anglo-Italian version
produced by N. F. Haym :] See Pirro e
Demetrio.
See Thomyris. Songs in . . . Thomyris,
Collected out of the Works of . . . Scarlatti,
etc. [1707.] fol. H. 114. (4.)
SCARLATTI (Domekico) The Beauties
of D. Scarlatti. Selected from his Suites
de Lemons, for the Harpsichord or Piano
Forte and Revised with a Variety of Im-
provements by A. Pitman. Volume the
first. [London, 1785 ?] obi. fol.
e. 5. g. (9.)
Chefs-d'oeuvre, for the Harpsichord or
Piano-Forte ; selected from an Elegant
collection of IManuscripts in the Possession
of M. Clementi. [Edited by M. Clementi.]
Printed for the Editor :
London, [1792 ?] obi. fol. e. 104. (10.)
Tlie titic-page is signed by Clementi.
SCARLATTI— SCHARMANNUS
465
SCARLATTI (Domenico) Twelve Con-
certo's in Seven Parts for Four Violins,
one Alto Viola, a Violoncello, & a
Thorough Bass, done from two Books of
Lessons for the Harpsicord composed by
• Sig. Domenico Scarletti, with additional
Slow Movements from INIanuscript Solo
Pieces, by the same Author ... by C.
Avison, etc. [Separate Parts.]
Pi,. Dcnson, for the Authw :
London, 1744. fol. i. 80.
Essercizi per Gravicembalo, etc.
[Madrid, 1740 ?] obi. fol. h. 49.
Libro de XII. Sonatas Modernas para
Clavicordio, etc. [Edited by J. Worgan.]
J. Johnson, for the Editor :
London, [1752.] fol. g. 47.
Libro de VI. Sonatas ^Modernas para
Clavicordio . . . Libro VI. John Wckkcr :
London, [1115?] obi. lo\. e. 32. a.
[Narciso.] Songs in the New Opera caU'd
Narcissus . . . With the Additional Songs
compos'd by Mr. Roseingrave. [Short
Score.] Printed for I. Walsh d I. Hare :
London, [1720.] fol. H. 315.
Pieces Choisies pour le Clavecin ou I'Orguc
. . . Opera Prima. Chez Madame Boivin :
Paris, [1745 ?] fol. h. 49. c.
Six Sonatas for the Harpsichord . . .
Vol. III. Printed for John Johnson :
London, [1750?] obi. fol. e. 32. b.
The 42 Suites edited by Eoseingravc
form Vols. I. and II.
Forty-two Suits of Lessons for the Harpsi-
chord . . . revised . . . [by] T. Rosein-
grave. 2 vols. Printed for J. Johnson :
London, [1748 ?] obi. fol. e. 32.
■See Roseingrave (T.) Six Double Fugues
... To which is added, Sig. Dominico
Scarlatti's Celebrated Lesson for the
Harpsicord, with several Additions by
Mr. Roseingrave. [1750?] obi. fol.
e. 174. m. (17.)
SCELERATS. Scelerats, traitres,
assassins. Couplets sur la Reprise de
Toidon . . . Avec Accomp' de Guittare.
Air : c'est ce qui me console [i.e. ' On doit
soixaute mille francs,' from S. Champein's
' Les Dettes.'] CJiez Imbault :
Paris, [1793.] 8°. B. 362. (155.)
SCENDI. Sceudi propizia. [Duet.]
See Paisiello (G.)
SCHADAEUS (Abrahamus) Promptuarii
^lusici, Sacras Harmonias sine ]\Iotetas V.
VI. VII. & VIII. Vocum, e Diuersis . . .
autoribus . . . coUectas exhibentis, Pars
Prima(-Quarta) : . . . CoUectore Abra-
hamo Schadaeo . . . Cui Basin vulgo
Generalem dictam, & ad Organa musicaqj
Instrumenta accommodatam . . . addidit
Caspar Vincentius, etc. Cantus. (Altus.)
VOL. II.
(Tenor.) (Bassis.) (V. (VI.) (VII.) (VIII.)
Vox.) 8 pts. Typis Caroli Kieffcri
{Anthonij Bertrami), Sumptibus Pauli
Ledcrtz : Argentinse, 1611-17. 4". E. 7.
The Cantus, Altus and T'. Vox parts of
Pars I-III arc wanting, but have
been supplied in MS. For the names
of the composers represented see Eitncr,
Bibliographic der Musik-Satnmclwerke
(1811), pp. 252-3.
[Another copy. Pars Prima(-Quarta), etc.
Tenor.] E. 7. a.
SCHADE (Abbaham) Sec Schadaeus.
SCHADENFREUDE. Die Schaden-
freude. Singspiel. See Kellner (.J. C.)
SCHAEFFER (Johann Wilhelm)
Chorus iSIarianus. Dasist: DieMelodyen,
oder Weisen iiber den Marianischen Reyen,
Sambt beygefiigten Rittornellen a 2
Violinis. Von neuem . . . erfundeh und
auflgesetzt durch J. W. Schjiffer, etc..
J. G. Salomon : Uberlingcn, 1694. 8".
11517. bb. 11. (2.)
S C H A G E N (Gerrit Janszoon)
See Chansons. [-5.] Liure Septieme des
Chansons Vulgaires a Quatre Parties . . .
avons adjoust6 certaines chansons, comme
de . . . ]\Iaistre G. I. Schagen, etc.
1608. obi. i". A. 315. b.
SCHALE (Christian Friedbich) Sei
brevi Sonate per Cembalo, etc. (Sei brevi
Souate . . . parte secunda.) 2 pts.
Alle sp)cse delta Vedova di B. ScJunid :
Norimb.,llllo?] obi. fol. c. 69. a.
Leichte Vorspiele fiir die Orgel und das
Clavier. E. Fclisch :
Berlin, [1780?] obi. fol. c. 69.
SCHALL (Claus) Dix Chansons tirees
des CEuvres de Mr. Leonard, mis en
Musique pour le Piano-Forte ou Harpe,
etc. CIk's J. A. Bohmc :
Hambourg, [1800?] fol. G. 807. c. (50.)
Grand Solo pour le Violon avec Accom-
pagnement d'une 2'^" Violon . . . Oeuv. I.
[Separate Parts.] Clu's J. A. Bohnw :
Ha7nbourg, [ISOOVj fol. g. 421. m. (5.)
SCHARMANNUS (Stephancs) Suavissi-
morum !ModuIorum Selectissimae Canti-
ones Sacrae, expraestantissimis quibusdam
musicis collectae, Quatuor, Quinque, Sex
et Octo Vocum, cum viva voce, turn omnis
generis instrumentis cantatu commodis-
sime. His adiunctus est Missa . . . sex
vocum. Nunc ... in lucem emissae,
per Stephauum -Scharmannum. Tenor.
(Altus.) (Bassus.) (Quinta Vox.) (Sexta
Vox.) 5 pts. Excudcbat Adamus Berg :
Monachii, 1590. obi. 4°. A. 633. n.
The editor's name only ocmrs in the
Tenor part, wJiich also contains an
autograph inscription by him, signed
' StejJiaiius Scliormannus.' TJiereare
no names of composers.
2 H
466
SCHAUSPIELDIREKTOR— SCHEIN
SCHAUSPIELDIREKTOR. Der
Schauspieldirektor. Komodie mit ]Musik.
See Mozart (W. A.)
SCHEIBE (JoHANN Adolph) Eine Ab-
handlung von deu Musicalischen Inter-
valleu uud Geschlechten, £c.
Atif Eosten dcs Vcrfassers :
Hamburg, 1739. 8". 7897. b. 25.
Johann Adolph Scheibens . . . Abhaudlung
vom Urspruuge uud Alter der Musik,
insonderheit der Vokalmusik . . . Mit
einer historischeu uud critischeu Vorrede
verseheu, etc. In der
Kortisclien Bucliliandlung : Altona und
Flenshurg, 1754. 8°. 785. d. 55.
Johann Adolph Scheibens . . . Critischer
Musicus. Neue, vermehrte uud verbes-
serte Auflage. Bey B. C. Brcitkopf :
Leipzig, 1745. 8". 1042. 1. 3.
Tragische Kautaten fiir eine oder zwo
Siugestimruen und das Clavier. Niimlich :
des Herrn von Gerstenbergs Ariadne auf
Naxos, und J. E. Schlegels Prokris und
Cephalus . . . nebst eincm Sendschreiben,
worinnen vom Eecitativ iiberhaubt und
von diesen Kautaten insonderheit geredet
wird, etc. In der Minnmisclien
Bucliliandlung : Koppenliagcn undLeipzig,
1765. fol. F. 660.
[Tragische Kautaten.] Herrn von Gel-
stenbergs . . . Ariadne auf Naxos, und
Johann Elias Schlegels Prokris und
Cephalus . . . fiir das Clavier und eine
oder zwo Siugestimruen, nebst einem
Sendschreiben iiber das Recitativ und die
Deklamation . . . Erneuerte Ausgabe.
In der Hellmannisclien Bucliliandlung :
Altona, 1779. fol. G. 713.
Ueber die Musikalische Composition.
Erster Theil. Die Theorie der Melodie
und Harmonie. Im ScJnvickersclicn
Verlagc : Leipzig, 1773. 4". 7895. c. 43.
No more puhlislied.
See Freemasons' Songs. Vollstandiges
Liederbuch der Freymaurer . . . [Bd. 1].
Herausgegeben von einem alten Mitgliede
der Logs Zorobabel [i.e. J. A. Scheibe].
1776, etc. 4°. D. 714.
SCHEIDEMANN (David)
Sec Hymns. [6. German.} Melodeyen Ge-
sangbuch. Darinn D. Luthers . . . Gesenge
. . . durch . . . Davidem Scheidemannum
... in vier stimmen vbergesetzt, begriffen
sind, etc. 1604. 8". 1221. b. 34.
SCHEIDLER (Johann David) Die Hand
der Geliebten. [Song, words by H. A. 0.
Reichard.] Gotha, 1783. s. sh. 4°.
11522. f. 28.
Fart of Beichard's ' Gedichte.'
SCHEIDT (Samuel) Cantioues Sacr^,
Octo Vocum, etc. Cautus. (Altus.)
(Tenor.) (Bassus.) (Quinta (Sexta) (Sep-
tima) (Octava) Vox.) 8 pts. Excudehat
Paulus Langius, Sinnpiihus Michaelis
Heringii : Hamburgi, 1620. 4". E. 162.
Pars Prima Concertuum Sacrorum, II.
III. IV. V .VIII. et XII. Vocum adiectis
Symphoniis et Choris Instrumcntalibus.
Cum Basso continuo . . . pro Organo, etc.
Cautus. (VIII. Vox.) (Cantus (Tenor)
(Bassus) (V. (VI.) (VII.) (VIII.) Vox)
Instrumentalis.) 9 pts.
Typis Hcringianis : Hamburgi, 1022. 4".
C. 94.
Newe Geistliche Concerten, mit 2. vnd 3.
Stimmen, Sampt deiu General-Bass . . .
In Vier vnterschiedene Theil componirt,
etc. Prima Pars. Vox Prima (Secunda)
(Tertia). (Bassus Generalis.) 4 pts.
Bey Friedcrich Lanckisclien S. Erben :
Leipzig, 1631. 4". C. 94. a.
[Another copy. Prima Pars. Vox Prima
(Secunda.) (Tertia.)] 3 pts. C. 94. b.
Geistlichcr Concerten, mit 2, 3, vnd mehr
Stimmen, sampt den General Bass, etc.
Ander Theil. Vox I (II) (III). (Bassus
Generalis.) 4 pts. In Verlcgung Johann
Birckncrs . . . und Melcliior Oclschlegcls :
Erffurdt, Hall in Saclisen, 1634. 4°.
C. 94. c.
[Another copy. Vox I (II) (III). (Bassus
Generalis.)] 4 pts. C. 94. d.
Geistlicher Concerten, mit 2. 3. vnd mehr
Stimmen, sampt den General Bass, etc.
Dritter Theil. 1. (2.) (3.) (4.) (5.) (6.) Vox.
(Bassus Generalis.) 7 pts. In Melcliior
Oelsclilcgcls . . . Druckerey . . . Verfertiget :
Hall in Saclisen, 1635. 4°. C. 94. e.
[Another copy. 1. (2.) (3.) (4.) (5.) (6.)
Vox. (Bassus Generalis.)] 7 pts.
C. 94. f.
Geistlicher Concerten, mit 2. 3. 4. 5. vnd
6. Stimmen, sampt dem General-Bass, etc.
Vierter Theil. I. (II.) (III.) (IV.) (V.)
(VI.) Vox. (Bassus Generalis.) 7 pts.
Gedruckt bei Henning Klilern :
Leipzig, 1640. 4°. C. 94. g.
SCHEIN (Johann Hermann) Cantional,
oder Gesang-Bucli Augspurgischer Con^
fession, in welchem des Herrn D. Martini
Lutheri, vnd auderer . . . Christen, auch
des Autoris eigene Lieder vnd Psalmen,
sampt etlichen Hj-muis vnd Gebetlein,
&c. So in Chur- vnd Fiirstenthiimen
Sachsen . . . brauchlich. Verfertiget, vnd
mit 4. 5. vnd 6. Stimmen componiret von
Johan-Herinano Schein . . . Zum audern
mal gedruckt, vnd . . . vermehret.
In Verlcgung Jacob Schusters, Gedruckt
bey Timotheo Bitzschen, 1645. 8". 1
B. 133. f.
[Another copy.] B. 133. h.
SCHEIN— SCHEYRER
467
SCHEIN (JoHANN Hermann) Cymba-
lum Siouium, sive Cantiones Sacrse, 5. 6.
8. 10. & 12. vocum. Cantus. (Altus.)
(Teuor.) (Bassus.) (Quinta (Septima) (Oc-
tava) Vox.) 7 pts.
Sumtibus Abrahami Lambcrfji :
Lipsim, 1615. 4". B. 133. e.
Fontana d'lsrael. Israer.s Briinlein. Aus-
erlesener Krafft-Spriichlin . . .Von5. vnd6.
Stimmeu, sambt dem General Bass auf
eine sonderbar aumiitige Italian INIad-
rigalische Mauier . . . Componirt, etc.
(Altus.) (Tenor.) (Bassus.) 3 pts.
In Verleginig dcs Aiitoris :
Leipzig, 1623. 4". B. 133. d.
Fontana d'lsrael. Israelis Briiulcin.
Auscrlescne Krafft-Spriichlin . . . von 5.
oder 6. Stimmen, sambt dem General
Bass,auff . . .Italian ]Madrigaliscbe Manior,
. . . componirt, etc. (Cantus 2.) (Altus.)
[Tenor.] (Bassus.) (Bassus Contiuuus.)
5 pts. In Vcrlcg ling Jacob Sctutsleys :
Leipzig, 1651. 4°. B. 133. g.
The Tenor part wants fol. AAA.
Opella nova, Geistlichcr Concerten, mit 3.
4. vnd 5. Stimmen zusampt dem General-
Bass, aufE Italianische Invention com-
ponirt, etc. (Canto I.) (Canto II.) Tenor.
(Basso.) (Basso Continouo.) 5 pts. In Ver-
Icgnng dcs Antoris. Gedruckt daselbsten
bey Lorcntz Kuhcr : [Leipzig,] 1618. 4".
B. 133. b.
Opella Nova, Ander Theil, Geistlicher
Concerten, mit 3. 4. 5. vnd 6. Stimmen
zusampt dem General - Bass, aufE . . .
Italianische Invention componirt, etc.
Canto I. (Canto II.) (Tenor.) (Basso.)
(Basso Continue.) 5 pts.
1)1 Verlcgung dcs Antoris, etc. :
ILcipzig,'] 1626. A\ B. 133. c.
[Another copy. Canto I.] B. 133.
Venus Kriintzlein, ]\Iit AUerley Lieblichcn
vnd schonen Blumen gezieret vnnd ge-
wuuden. Oder Newe Weltliche Lieder
mit 5. Stimmen. Neben etzlichen In-
traden, Galliarden vnd Canzonen, etc.
Tenor. In verlegung
Thorn. Schiirers . . . Gedriickt durch Johan
Gorman : Wittemberg, 1609. 4".
B. 133. a.
See VoPELius (G.) Neu Leipziger Ge-
sangbuch in welchem . . . des sel. Herrn
D. Lutheri . . . Gesange . . . Mit 4. 5. bis
6. Stimmeu, deren Melodeyen theils aus
J. H. Scheins Cantional, und andern . . .
Autoribus zusammen getragen, etc.
1682. 8". C. 5.
SCHEME. A Scheme whereby the
Symmetry of the Pulses ranged in musical
proportion appears. [London, IGll ?] 4".
557*. e. 25. (2.)
SCHEMELLI (Geoeg Christian)
Musicalisches Gesang-Buch, darinnen 954
. . . Lieder und Arieu, mit . . . Melodien,
in Discant und Bass, bciindlich sind ;
. . . mit einer Vorrede . . . F. Schulzens . . .
herausgegeben von G. C. Schemelli, etc.
(Die . . . Melodien sind von . . . J. S. Bach
. . . theils ganz neu componiret, theils
audi von Ihm im General-Bass verbessert,
etc.) B. G. Breitkopf: Leipzig, nm. 8".
B. 854.
With a separate engraved title-page.
SCHERZA. Schcrza il nocchier talora.
[Song.] See Geesnick (A. F.) [Alceste.]
SCHETKY (J. G. Christoph) Six Duets
for two German-Flutes . . . Opera Quinta.
II!. Bremner : London, [1775 ?] fol.
g. 421. s. (6.)
Twelve Duetts, for Two Violoncellos, with
some Observations & Rules for playing
that Instrument . . . Op. 7. [Separate
Parts.] Preston <(; Son :
London, [1790?] fol. h. 204. a. (9.)
[Another copy.] g. 421. e. (9.)
[Another copy.] g. 421. k. (2.)
Six Quartettes for two Violins, a Tenor &
Violoncello . . . Op. vi. To which arc
Prefixed, Some Thoughts on the Perform-
ance of Concert-Music, by the Publisher
[R. Bremner]. [Separate Parts.]
II. Bremner: London, (1777.) fol.
e. 2830. (9.)
Six Solos for the Violoncello . . . Opera
Quarta. U. Bremner :
London, [117 5?] fol. g. 511. (2.)
[Another copy.] g. 514. a. (6.)
Six Solos for a Violoncello & Bass . . .
Op. 13. J. Bland: London, [1785?] fol.
g. 221. (5.)
[Another copy.] g. 24. a. (8.)
Six Sonatas for the Harpsichord or Piano
Forte with an Accompaniment for a Violin
. . . Opera viii. J. Wclcker :
London, [1780 ?] fol. g. 89.
Six Trios for two Violins and a Violoncello
. . . Opera 1. [Separate Parts.]
B. Bremner : London, [1770 ?] fol.
g. 274. b. (7.)
SCHEYRER (Bernardus) Musica
Choralis Theoro-Practica, Das ist : Ein
nutzliche Underweisung, wie man das
Choral Gesang durch leichtes speculieren
oder Nachdencken auch wiircklich in
kurtzer Zeit ergreiffen moge. Auss
vnderschidlichen . . . Authoribus . . . zu-
sammen getragen . . . durch P. F. Ber-
nardum Scheyrer, etc.
Johann Jiicldin : Miinchen, 1663. 4°.
7896. aa. 7.
2 H 2
468
SCHIATTI— SCHMELTZEL
SCHIATTI (G.) Sei Senate a Tre, Due
Violini & Basso Coutinuo . . . Oeuvre
Premiere. [Separate Parts.]
Chez J. J. Hummel :
Amsterdam, [1770 ?] fol. g. 420. g. (4.)
SCHIAVA. La Schiava. Opera Comica.
Sec PicciNi (N.)
La Schiava. Overture [to N. Piccini's
Opera. P. F.l. [London, 1768 ?] fol.
g. 271. b. (31.)
SCHIAVI PER AMORE. Gli Schiavi
per Amore. Opera. Sec Paisiello (G.)
Amare tacere. [Duet.] Sung by Sig"
Storace and Sig'' Morelli in the Opera of
Gli Schiavi per Amore. [By G. Paisiello.
Full Score.] Longman and Broderip :
[London, 1788.] fol. G. 197. (5.)
SCHICHT (JoHANN Gottfried) Amynts
Freuden liber die Wiederkehr der Lalage,
ein Singstiick f iir die Discant- oder Tenor-
stimme ... in einem Clavierauszuge ... in
Musik gesetzt, etc. Bey J. F. Junius :
Leipzig, 1778. obi. fol. E. 682. b.
Amynts Freuden. [Orchestral Accom-
paniments : separate parts.]
J. F. Junius : [Leipzig, 1778.] ohl. fol.
f. 246. a. (12.)
Die Feyer der Christen auf Golgotha.
Ein Oratorium von C. 0. H. Rost . . . als
ein Auszug zum singen beym Klaviere,
etc. Chez Hoffmeister ct Kilhnel :
Leipzig, [1799 ?] ohl. fol. E. 682. a.
Preis der Dichtkunst, ein musikalisches
Gedicht vom . . . Domherrn . . . von
Nostitz, etc. [Cantata. P. F. Score.]
hi der Breiikopfischcn Musikhandlung :
Lei2)zig, [1800?] oW. fol. F. 383.
See Martin y Solar (V.) II Sogno.
Cantata . . . messa in ristretto per il
Cembalo da G. G. Schicht, etc.
[1790 ?] ohl. fol. F. 456.
SCHICK (Ernst) Concert pour le Violon
principal avec I'Accompagnement de
Deux Violons, Alto, Basse, Deux Haut-
bois & Deux Cors de Chasse, etc. Oeuvre v.
[Separate Parts.] CMs J. J. Hummel :
Berlin, [1785 ?] fol. h. 1639.
SCHICKHARD (Johann Christian)
L' Alphabet de la Musique, contenant,
XXIV. Sonates - Solos, pour la Flute
Traversiere ou pour le Violon avec une
Basse Continue, etc. xxx. Ouvrage.
Londres, [1735 ?] ohl. fol. e. 203.
Solos for a German Flute a Hoboy or
Violin, with a Thorough Bass for the
Harpsicord or Bass Violin ... 20 Overage.
Printed for I. Walsh d; I. Hare : London,
[1730?] fol. h. 3055. (2.)
[Another copy.] g. 1090. (3.)
SCHICKHARD (Johann Christian)
Six Sonates a Une Fliite, deux Haubois,
une Viole do Gambe & Basse Continue . . .
Cinquieme Ouvrage. [Separate Parts.]
Chez E. Roger : Amsterdam, [1710 ?] fol.
g. 1054.
Six Sonatas for one Flute & two Hoboys
or two Violins with a Viol Bass and a
Thorough Bass for the Harpsicord &
Arch Lute. [Op. 5. Separate Parts.]
Printed for I. Walsli and I. Hare :
London, [1730 ?] fol. li. 250. c. (4.)
VI. Sonates a une Flute, un Haubois ou
Violon, une Viole de Gambe . . . Qua-
torsieme ouvrage. [Separate Parts.]
Chez E. Roger : Amsterdam, [1712 ?] fol.
g. 274. c. (3.)
XII. Sonatas or Solos for a Flute with a
Thorough Bass for the Harpsicord or Bass
Violin. . .Opera 17. Printed for I. Walsh
and I. Hare : London, [1730 ?] fol.
h. 250, c. (5.)
SCHIFFAHRT. Die Schiffarth. [Song.]
See HURKA (P. F.)
SCHIFFSPATROW. Der Schiffspatron,
oder der neue Gutsherr. Eine komische
Oper. See Dittersdorf (C. Ditters von)
SCHI0RRING (Niels)
Sec Bach (C. P. E.) Zwey Litaneyen . . .
fiir acht Singstimmen . . . Herausgegeben
von N. Schi0rring. 1786. ohl. 8».
D. 619. j. (1.)
SCHLUPPER (Johann Heinrich Fried-
rich) Zwanzig Lieder zum Singen bei
dem Clavier oder Forte-Piano, &c.
Gedrukt in der Breitkopfischcn
Notendruckerey : Leipzig, (1793.) ohl. fol.
E. 697.
SCHMELTZEL (Wolfgang) Guter,
seltzamer, vn kiinstreicher teutscher Ge-
sang, sonderlich ettliche Kiinstliche Quod-
libet, Schlacht, vii der gleichen, mit
vier oder fiinfi stimen, biss her, im truck
nicht gesehen. Tenor. (Discant.) (Alt.)
(Bass.) 4 pts. Gcdruckt durcli Jo.
Pctreium : Nilrnherg, 1544. obi. 4".
K. 2. h. 13.
TJie full title-page occurs in the Tenor
part only. The imprint is at the end
of the Alto part. Schmeltzel's name
occurs in the dedication. The com-
posers named in this collection arc :
Matildas Herman Verrecoiensis, Leon-
arclus Paminger, Johannes Puxstallcr,
N. and Veit Schncllingcr and Nicolaus
Puis.
[Another copy. Tenor.]
A. 221.
SCHMELZ— SCHMIEDT
469
SCHMELZ (SiMPEETUs) Fundamenta
Musica Cantus Artificialis, das ist, Musi-
calisch-Regular gestelltes, Zwey Theilig-
Figural- und Choral-kiinstliches Sing-
Fundament : fiir alle 4. Stimmen . . .
Heraus gegeben yon R. P. Simperto
Schmelz, etc. Yrrscc, 1752. ohl. 4".
B. 820.
SCHMELZER (Johann Heinrich) Arie
per il Balletto a Cavallo. [Full Score.]
Aiypresso Matteo Cosmerovio : Vienna,
1667. fol. 9930. i. 4.
Part of ' Sieg-Strcit dess Lufft und
Wassers. Freuden-Fcst zu Pfcrd,' etc.
SCHMID (Balthasar) Niirnbergiscbe
alte und neue Kirchen-Lieder welche fiir
das Clavir nach ihren gewoulichen ]\Ielo-
dien mit beziefertu Bass ... in diesen
bequemeu Format gebracht in Kupfer
gestocben und ... an das Licbt gestellt
worden von Baltbasar Scbmid, etc.
[BaWiasar Sclimid :] Niirnherq,
1748. ohl. 4°. A. 149.
Engraved throiighoiit.
[Anotber copy.] A. 149. b.
Niirnbergiscbe alte und neue Kircben-
Lieder. . .Zweyte vermebrte Auflage, etc.
Johan Michael Schmidt: Nilrnberg,
1773. obi. i". A. 149. a.
Engraved throughout.
SCHMID (Giovanni A.) Six Rondos for
tbe Harpsicbord or Piano Forte.
Longman and Broderip : London,
[1785?] fol. h. 62. (9.)
SCHMIDLEIN" (H. H.) See Hard-
MEYER (J. K.) Die Harpf e ... Davids .. .
also angestimet. . .dass sie so wol in denen
gewonnlicben Weisen . . . Martyrers CI.
Goudimels als in denen neuen . . . von H.
H. Scbm[idlein] . . . beygesezten Gesang-
weisen gesungen werden konnen.
1701. S°. B. 983.
SCHMIDLIN (Johannes) Hrn. Hof-
prediger Cramers geistlicbe Oden und
Lieder, in IMusic gesetzt, tfc. Getrnckt in
Biirghlischer Truckcrcy : Ziirich, 1767. 4".
E. 1760.
Hrn. Prof. Gellerts geistlicbe Oden und
Lieder, in Music gesetzt, dx. Getrnckt in
Bilrgklischer Truckerey : Ziirich, 1161. 4".
D. 416. e.
Hymni oder Lob-Gesiinge auf Gott. Zu
drey und vier Stimmen in INIusic gesetzet,
samt einem General-Bass, etc. [Separate
Parts.] Bey David Gessner : Ziirich,
1758. fol. H. 3264.
Hymnus oder Lobgesang auf die Allmacbt,
Weissbeit und Giite Gottes, wie sie sicb
in den N. Jabrs-Zeiten, in den 3. Reicben
der Natur und an dem Menscben ofien-
babren, etc. Gctruckt in Bilrgklischer
Truckcrcy : Ziirich, 1761. 4".
E. 1760. a. (1.)
SCHMIDLIN (Johannes) Geistlicbe
Lieder, als ein Anbang zu dem Singendeu
und Spielenden Yergniigen reiner An-
dacbt, etc. Getrnckt in
Bilrgklischer Truckerey : Ziirich, 1758. 8".
C. 437. b.
Ein Hundert Geistlicbe Lieder, zur Er-
weckung und Starckung des inneren und
tbiitigen Cbristentbums, mit angenebmeu
und leicbten Melodien, etc. Gctruckt in
Bilrgklischer Truckerey: Ziirich, llGi. 4".
C. 437. a.
INIusikaliscb - wocbentlicbe Ergetzungen,
bestebend in geistlicben Liedern zu zwey
Cantstimmen und einem Generalbass, etc.
Gcdruckt in Bilrgklischer Druckcrey :
Ziirich, 1773. 4°. C. 437. c.
Musicalisch-Wocbentlicbe Vergniigungen,
Bestebend in geistlicben Gedlcbten zu
zwey Cant-Stimmen und einem General-
Bass, mit untermengten Soli. Gctruckt
in Bilrgklischer Truckerey: Ziirich,
1758. 4". C. 437. e.
Singendes und spielendes Vergniigen
reiner Andacbt, oder Geistrcicbe Gesiinge,
nacb der Wahl des Besten gesammlet,
. . .und mit Musicaliscben Compositionen
begleitet von J. Scbmidlin, etc. Dritte. . .
Auflag. Getrnckt in Bilrgklischer
Truckerey : Ziirich, 1767. 8". C. 437.
Scbweizerlicder mit Melodien. [Words
by J. G. Lavater.] Des 1'"' Tbeils ver-
mebrte 4'= Auflage. [An arrangement for
four voices of Scbmidlin's tunes.] ms. note
[by A. Baron, dated 1834]. D. Biirkli :
Ziirich, 1796. obi. fol. C. 437. f,
[Anotber copy.] D. 416. (1.)
Die Tages-Zeiten, in vier Cantaten von
F. W. Zacbaria, etc. Gctruckt in
Bilrgklischer Truckerey : Ziirich, 1762. 4°.
E. 1760. a. (2.)
SCHMIDTCHEN (Christoph Benjamin)
Kurzgefasste Anfangsgriinde auf das
Clavier fiir Anfiinger, dx.
hn Schivickcrtschen Verlage : Leipzig,
1781. obi. fol. e. 368. c. 10.
SCHMIEDT (Siegfried) Die Feier des
acbtzebnten labrbunderts. Ein bistor-
iscb-allegoriscbes IMelodram. Von C. F.
Scblenkert, etc. Bei Voss und Leo :
Leipzig, [1794.] obi. fol. E. 1584.
Froblicbe und GefiiblvoUe Lieder am
Klavier zu singen, etc. In der
BreitkopfiscJicit Bnchhandlung : Leipzig,
[1794.] ohl. fol. E. 600. v. (4.)
See DiTTERSDORP (C. Ditters von) Hiero-
nymus Knicker . . . Im Klavierauszuge von
S. Scbmiedt. [1787.] ohl. fol.
F. 743. a.
See DiTTERSDORF (C. Ditters von) Der
Scbiffspatron . . . Im Klavierauszuge von
S. Scbmiedt. [1789.] ohl. fol. F. 743.
470
SCHMIEDT— SCHOBERT
SCHMIEDT (Siegfried)
See Mozart (W. A.) Der Schauspiel-
direktor . . . Im Klavierausznge von S.
Schmidt. [1790?] obi. io\. F. 822. f.
SCHMITT (Joseph) Six Quatuor a
Deux Violons, Taille & Basse, . .Oeuvre
Cinqviieme. [Separate Parts.] Chez
J. J. Hummel : Amsterdam, [1780 ?] fol.
g. 427. (1.)
Six Quatuors a Une Flute, Violon, Taille
at Violoncelle . . . Oeuvre x. [Separate
Parts.] Chez VAuteur : Amsterdam,
[1785?] fol. g. 427. (2.)
Six Trios a Deux Vicious ou Flutes et
Violoncelle . . . Oeuvre Septieme. [Separate
Parts.] Chez r Authcur : Amsterdam,
[1785?] fol. h. 2852. a. (6.)
Six Trios pour la Flute, Violon & Violon-
celle . . . Oeuvre xiii. [Separate Parts.]
G. A. Diederichs : Amsterdam, [1790 ?] fol.
g. 415. (9.)
See Wendling (J. B.) Six Duos pour
deux Flutes . . . Oeuvre arrang^e par J.
Schmitt. [1790?] fol. g. 280. b. (19.)
SCHMITTBAUER (Johann Aloysius)
Simphonie a plusieurs Instruments . . .
Oeuvre ii. Lib. ii. [Separate Parts.]
Ch^z J. J. Hummel : Berlin, [1790 ?] fol.
h. 2771. (3.)
SCHMITTBAUE, (Joseph Aloys) III.
Quatuors. Deux a Flute, Violon, Alto
et Basse, et un a Flute, Deux Violons
et Basse . . . Oeuvre iii. [Separate Parts.]
CJiez Artaria £ Compacj. : Vienne,
[1775?] fol. g. 389.
SCHMUEGEIj (Johann Christoph)
Preludes, Fugues et Autres Pieces pour
rOrgue . . . Oeuvre Premier. Ches J. J.
Hummel : Berlin, [1777 ?] fol.
h. 2732. 1. (2.)
SCHNEEGASS (Cybiacus)
See Snegassius.
SCKNEIDER (Georg Lorenz)
See Mozart (W. A.) [6. Doubtful and
Spurious Works. Vergiss mein nicht.]
Forget me not. . .Song. . .by IMozart [or
rather G. L. Schneider], etc. [1795?] fol.
h. 321. j. (1.)
See Mozart (W. A.) [6. Doubtful and
Sjnirious Works. Vergiss mein nicht.]
Forget me not . . . Song, etc. [By G. L.
Schneider.] [1800?] fol. G. 798. (35.)
SCHNITTER. Die Schnitter [Les
Moissoueurs], ein Singspiel in drey Auf-
Miigen, aus dem Franzosischen iibersetzt.
[Music by E. R. Duni.] See Operettas.
Sammlung der komischen Operetten, etc.
Band II. No. 4. 1772. 8». B. 729.
SCHOBERT (Johann) Concerto (i) pour
]e Clavecin avec accompagnement de deux
Violons Alto et Basse et deux Cors de
Chasse ad Libitum. . .Op. xi. [Separate
Parts.] It. Bremner : London,
[1770 ?] fol. g. 650. b. (11.)
Concerto ii. pour le Clavecin, avec accom-
pagnement de deux Violons, Deux Oboe,
deux Cors de chasse ad libitum, Alto et
la Basse . . . Opera xii. Grave par
M"" Vendome chez M. ]Moria. [Separate
Parts.] Chez VAuteur :
Paris, [1760?] fol. g. 79. d. (3.)
The Harpsichord and Violin 2>arfs only.
Concerto ii pour le Clavecin avec accom-
pagnement de deux Violons Alto et Basse
— deux Oboe deux Cors de Chasse ad
Libitum — . . . Op. xii. [Separate Parts.]
B. Bremner : London, [1770 ?] fol.
g. 650. b. (12.)
Concerto Pastorale pour le Clavecin,
avec accompagnement de deux Violon,
Deux Cors de Chasse ad libitum, Alto et
Basse . . . Opera xiii. Concerto iii.
Grav6 par M"'= Vendome et le S' Moria.
Chez Vautcur : Paris, [1765 ?] fol.
g. 79. d. (4.)
The Violino jn'imo only.
Concerto iii Pastorale pour le Clavecin
avec accompagnement de deux Violons
Alto et Basse — deux Cors de Chasse ad
Libitum — . . . Op. xiii. [Separate Parts.]
Longman and Broderip :
London, [lim^ fol. g. 650. b. (13.)
Concerto iv pour le Clavecin avec accom-
pagnement de deux Violons Alto et Basse
et deux Cors de Chasse ad Libitum . . .
Op. XV. [Separate Parts.]
B. Bremner : London, [1770 ?] fol.
g. 650. b. (15.)
Morceau de Musique Curieux Consistant
en un Menuet qui peut s'executer de
differentes fa^on, etc.
Aux adresses ordinaires de Musique :
Paris, [1765?] obi. i". b. 400. (11.)
Trois Quatuor pour le Clavecin avec
accompagnements de deux Violons et
Basse ad Libitum . . . Opera vii. [Separate
Parts.] B. Bremner :
London, [1770 ?] fol. g. 650. b. (7.)
[Another copy.] g. 650. (7.)
Imperfect, wanting the Second Violin and
Bass accompaniments.
Trois Sinfonies pour le Clavecin avec
I'Accompagnement d'un Violon & deux
Comes de Chasse ad Libitum . . . Oeuvre ix.
Printed for B. Bremner:
London, [1770 ?] fol. g. 650. (9.)
Wanting the Horn parts.
[Another copy.] g. 270. m. (3.)
Wanting t'te Violin and Horn parts.
SCHOBERT
471
SCHOBERT (JoHANs) Trois Sinfouies
pour le Clavecin avec rAccompagnement
d'un Violon & deux Cornes de Chasse
ad Libitum . . . Oeuvre ix. [Separate
Parts.] Printed for Longman & Brodcrip :
London, [1780?] fol. g. 650. b. (9.)
Trois Sinfonies pour le Clavecin avec
rAccompagnement d'un Violon & deux
Cornes de Ghasses ad Libitum . . . Oeuvre
X. li. Bremner : London, [1770 ?] fol.
g. 421. u. (9.)
Waiiting the Horn parts.
Trois Sinfonies pour le Clavecin avec
rAccompagnement d'un Violon & deux
Cornes de Chasse ad Libitum. . .Oeuvre x.
[Separate Parts.]
Printed for Longnum d: Brodcrip :
London, [1780 ?] fol. g. 650. b. (10.)
Deux Senates pour le Clavecin avec
accompagnement de Violon . . . ffiuvre 1.
[Separate Parts.] R. Bremner :
London, [inO?] fol. g. 650. (1.)
[Another copy.] g. 272. 1. (23.)
Wanting the Violin part.
Deux Sonates . . . Oiluvre i. [Separate
Parts.] Longman and Brodcrip :
Lomlon, [1780 ?] fol. g. 650. b. (1.)
Two Sonatas, for the Piano Forte. [Op. 1.]
[1798.] See Periodical Publications.
London. The Piano-Forte
Vol. V. No. 7. [1797-1802.] 8°.
D. 854.
Deux Sonates pour le Clavecin avec
accompagnement de Violon,. . . Q3uvre ii.
Magazine.
[Separate Parts.]
London, [1770 ?]
Deux Sonates .
Parts 1
London, [1780 ?]
Deux Sonates
B. Bremner :
fol. g. 650. (2.)
. Q^juvrc II. [Separate
Longman and Brodcrip :
fol. g. 650. b. (2.)
pour le Clavecin avec
I'accompagnement de Violon ad Libitum
. . . Opera iii. [Separate Parts.]
R. Bremner : London, [1770 ?] fol.
g. 650. (3.)
Deux Sonates . . . ffiuvre iii. [Separate
Parts.] Longman (f- Brodcrip :
London, [1780?] fol. g. 650. b. (3.)
Deux Sonates, pour le Piano Forte.
[Op. 3.] [1798.] See Periodical Publi-
cations.— London. The Piano - Forte
Magazine. Vol. IV. [No. 8.]
[1797-1802.] 8°. D. 854.
Deux Sonates pour le Clavecin . . . CEuvre
IV. R. Bremner: London, [1770?] fol.
g. 650. (4.)
Deux Sonates pour le Clavecin . . . CEuvre
IV. Longman and Brodcrip :
London, \V1^0'>^ fol. g. 650. b. (4.)
Deux Sonates pour le Clavecin avec
accompagnement de Violon . . . CEuvre v.
[Separate Parts.] R. Bremner :
London, [ITiOri fol. g. 650. (5.)
SCHOBERT (JoHANN) Deux Sonates. . .
CEuvre v. [Separate Parts.]
Longman £ Brodcrip :
London, [1780?] fol. g. 650. b. (5.)
[Deux Sonates. Op. v. No. 1.] The
First Sonata from Mons' Schobert's Op.
the 5"" for the Harpsichord. J. Bland :
London, [lim^ fol. g. 456. (2.)
Trois Sonates pour le Clavecin avec
accompagnements de Violon et Basse ad
Libitum . . . Opera vi. [Separate Parts.]
R. Bremner : London, [1770 ?] fol.
g. 650. b. (6.)
[Another copy.] g. 650. (6.)
Wanting the Bass part.
Deux Sonates pour le Clavecin avec
accompagnement de Violon . . • CEuvre
viii. [Separate Parts.] R. Bremner :
London, [1770 ?] fol. g. 650. (8.)
Two Sonatas, for the Piano Forte. — Opera
8. — [1801.] See Periodical Publica-
tions.— London. The Piano-Forte Maga-
zine. Vol. XIII. [No. 4.]
[1797-1802.] 8°. D. 854.
Deux Sonates . . . CEuvre viii. [Separate
Parts.] Longman & Brodcrip :
London, [1780 ?] fol. g. 650. b. (8.)
Six Sonates pour le Clavecin . . . Opera
XIV. Les parties d'accoinpagnements
sonts ad Libitum. [Separate Parts.]
R. Bremner : London, [1770 ?] fol.
g. 650. a.
[Another copy.] g. 650. b. (14.)
IV. Senates pour le Clavecin, Violon et
Basso . . . Opera xvi. [Separate Parts.]
R. Bremner : London, [1770 ?] fol.
g. 650. b. (16.)
IV. Sonates pour le Clavecin avec Accom-
pagnement de Violon . . . Opera xvii.
[Separate Parts.]
Printed for R. Bremner :
London, [ITtO'i^ fol. g. 650. b. (17.)
IV. Sonates pour le Clavecin avec Accom-
pagnement de Violon . . . Opera xvii.
Wclcker: Lo»fZo»-, [1780?] fol.
h. 3212. g. (10.)
The Violin part only.
Deux Sonates pour le Clavecin ou Piano-
Forte, avec accompagnement de Violon
. . . CEuvre xix. [Separate Parts.]
Longman, Lnlicy tf Brodcrip :
London, [1715?] fol. g. 650. b. (18.)
II. Sonates pour le Clavecin, ou le Piano
Forte. Avec accompagnement de Violon
. . . CEuvre xix. [Separate Parts.]
Chez T. A. Crajenschot :
Amsterdam, [1765 ?] obi. fol. e. 5. c. (7.)
Trois Sonates pour le Clavecin avec accom-
pagnement de Violin . . . Oeuvre xx.
Longman & Brodcrip :
London, [1785 ?] fol. g. 272. d. (18.)
472
SCHOBERT-SCHROEDER
SCHOBERT (Johann) [Senates. Op. vi.,
No. 1; Op. HI., No. 2; Op. xvi., Nos. 1
and 2.] Six Senates pour le Clavecin
avec rAccompagnement d'un Yiolou . . .
Oeuvre ii.
Cltez Messrs. Longman, Lulxcy & Co. :
Londres, [1775 ?] fol. g. 456. (1.)
The first and third sonatas in this set
have not been identified.
SCHOENHERR (Gottlob Feiedbich)
Gesangstiicke mit Begleitung des Klaviers,
etc. Auf Kostcn des Vcrfassers :
Leipzig, [1799.] obi. fol. F. 607. c. (2.)
SCHOEPFUNG. Die Schoepfuug. Ora-
torium. See Haydn (P. J.)
SCHOLAIl. A Scholar first my love
implor'd. Song. Sec Parsons {Sir W.)
SCHOLASTICA. Scholastica die Schu-
leriu. Das Guldene A. B. C. Das ist :
Ein newes Geistliches Lied von der H.
Jungkfrawen Scholastica . . . Im Thon :
•wie S. Benedict. Oder : Ein newes Lied
im hohen Thon. [Munich?] IGU. 8".
3437. aa. 59.
SCHOLZE (Johann Sigismund)
See Sperontes, pseud.
SCHOOL FOR FATHERS. A School
for Fathers. Comic Opera. See Lionel
AND Clarissa.
SCHOOL FOR SCANDAL. Here's to
the Maiden of bashfull fifteen. A General
Toast. By Mr. Vernon in the School for
Scandal. [Words by R. B. Sheridan.]
Str[aight : London, 1780 ?] s. sh. fol.
H. 1994. b. (33.)
Here's to the Girl of lovely Fifteen. A
Song in the new Comedy of the School for
Scandal. Eliz'' Ehames : [Diiblin,
1780?] s.sh.iol. H. 1601. a. (2.)
SCHOOLMASTER. The School Masters
Lesson. [Song.] See I. I will fly into
your Arms. [1720?] s. sh. io\.
H. 1601. (253.)
SCHOPP (Johann) Sec Rist (J.) From-
mer und Gottseliger Christen Alltagliche
Hauszmusik . . . Bestehend in . . . Geist-
lichen Liederen und Gesangen . . . derosel-
ben. . .auf . . . neue, von . . . Herren Johan
Schopen, wol . . . gesetzte Melodien . . .
gesungen und gespielet werden, etc.
1654. 8". A. 188.
See Rist (J.) Himlische Lieder, mit
sehr lieblichen . . . von dem . . . weit-
beriihmteu H. Johann Schop, wolge-
setzeten Melodeien, etc. 1658. 8°.
3433. bbbb. 22. (2.)
See Rist (J.) J. Risten , . . Himlischer
Lieder mit sehr anmuhtigen, von Herren
Johann Schopen . . . gesetzten Melodeyen,
etc. 1649-51. 8°. 3438. e. 20.
SCHORMANNUS (Stephanus)
See SCHARMANNUS.
SCHRADERUS (Joannes) New ver-
bessert und vollstandig gantz Aussfiihrlich
Kirchen Formular, allerhand Christlicher
Wort, und Ceremonien, etc. 3 pts.
hi Yerlcgung Christian Gerlachs iind
Simon Bcckcnstcins : Franckfurt und
Leipzig, 1070. 4". 3425. d. 21.
The title-pages of Parts II. and III.
bear the imprint : Hclmstadt, gedruckt
bey Henning Milller.
SCHRAMM (Melchioe) Sacrse Cantiones
Quinque et Sex Vocum, tum Viva Voce,
tum Omnis Generis Instrumentis cantatu
commodissimEe, etc. Discantus. (Altus.)
(Tenor.) (Bassus.) 4 pts.
1)1 Officina Typographica Katharinx
Theodorici Gerlachij rellctx Vidua', d:
Hxredum lohannis Montani : Noribcrgx,
1577. obi. 4°. A. 408.
SCHREIBER (Joannes Evangelista).
Adoratio Dei per xv. Offertoria Solennia.
A 4. Vocib. Caato, Alto, Tenore, Basso.
2. Violin. Viola Obligata. 2. Clarin. sen
Corn. & Tymp. ad libitum, Violoncello,
& Organo . . . Opus iii. Pars Prima. Alto.
(Tenore.) (Basso.) (Viola.) (Clarino i.)
(Clarinoii.) (Violoncello.) (Organo.) 8 pts.
Tiipis . . . Principalis Monasterii S. GaUi,
1754. fol. H. 3266.
SCHREYER (Gregorius) Jubilus
]\Iusicus per Jubilaei Andecensis Festivam
Octavam concentu harmoniaco personans
sive Missae viii. Solennes, etc. [For four
part Chorus, Orchestra and Organ.] 13 pts.
Sumptibus Matthxi Eieger :
Auqustx Vindelicorwn, 1756. fol.
G. 941. a.
Sacrificium Matutinum, sen IMissae vi.
Breves a Quatuor Vocibus ordinariis,
Violinis duobus obligatis, Clarinis duobus
aut Cornibus ad libitum, cum duplici
Basso, juxta modernum stylum, etc.
Opus II. 10 pts.
Sumptibus Matthiei Bieger :
Augusts Yindelicorum, 1763. fol. G. 941.
SCHROEDER (H. B.) The Chace or
Royal Windsor Hunt. A favorite Grand
Sonata for the Piano Forte or Harpichord,
etc. Longman and Broderip,
for the Author : LoufZon, [1795?] fol.
g. 138. (18.)
Chelsea Quarters. Afavorite Ballad, sung
by Mr. Darley at Vauxhall. Written by
Mr. Upton, etc. Longman and Broderip :
[London, 1120 ^ fol. G. 808. h. (39.)
Delays are Dangerous. A Favorite Ballad,
written by G. S. Carey, etc.
Longman and Broderip :
[London, 1797?] fol. G. 365. (8.)
SCHROEDER— SCHROETER
473
SCHROEDER
a favorite Song,
field.
[London, 1797 ?]
[Another copy.]
In vain we fill
(H. B.) Deserted Delia,
the Words by Miss Man-
Longman & Broderip :
fol. H. 1653. (46.)
H. 1601. b. (80.)
the Sparkling Bowl. A
Favorite Anacreontic Song, sung by
Mr. Burrows at Freemason's Hall, etc.
{London, 1797 ?] fol. G. 365. (10.)
The Light Horse Volunteers. A popular
Song, written by Mr. G. Gilbert, dc.
Printed for Longman and Broderip :
London, [1195?] fol. G. 808. h. (40.)
A favorite Quick ]\Iarch for a Military
Band . . . Dedicated to . . . the Duke of
York . . . Also adapted for the Harp or
Piano Forte. Longman and Broderip,
for the Author : London, [1795 ?] fol.
g. 133. (55.)
A favorite Quick ]\Iarch for a Military
Band, Harp or Piano Forte . . . Dedicated
... to the Earl of Radnor, etc.
Longman and Broderip, for the Author :
London, [1795 ?] fol. g. 133. (54.)
Quick March. Composed for the Berk-
shire ^lilitia . . . and arranged for the
Harp, or Piano Forte.
Longman and Broderip :
London, [1795 ?] fol. g. 133. (59.)
A Favorite Slow IMarch for a Military
Band, Harp or Piano Forte . . . Dedicated
... to the Earl of Radnor, etc.
Longmayi and Broderip, for the Author :
London, [1195?] fol. g. 133. (56.)
Troop March. Composed for the Berk-
shire Militia . . . and arranged for the
Harp, or Piano Forte.
Longman and Broderip, for the Author :
London, [1195?] fol. g. 133. (57.)
The West London Quick March for a
Trumpet, Horns, Clarinets, and Bassoons
. . . and adapted for the Piano Forte or
Harp, etc. Culliford, Bolfe d Barrotv :
London, [1796 ?] fol. g. 133. (58.)
The West London Slow March for
Trumpet, Horns, Clarinets, and Bassoons
. . . and adapted for the Piano Forte or
Harp, etc. Culliford, Bolfe £ Barroto :
London, [1196?] fol. g. 133. (53.)
A favorite Sonata for the Piano Forte or
Harpsichord, etc.
Longman and Broderip), for the Author :
London, [1795 ?] fol. g. 143. (13.)
Two Sonatas for the Piano Forte or
Harpsichord with an Accompanyment for
a Violin . . . Opera i.
Longman and Broderip:
London, [1790 ?J fol. h. 60. (8.)
See Amateur. Julia . . . [Song.] The Air
... by an Amateur, the Bass by H. B.
Schroeder. [1797?] fol. a 365. (9.)
SCHROEDER (J. B.)
See Schroeder (H. B.)
SCHROETER (Christoph Gottlieb)
Deutliche Anweisung zum General-Bass,
in bestandiger Verauderung des uns ange-
bohrnen harmonischen Dreyklanges, mit
zulanglichen Exempeln, dc.
Bey J. H. Gross : Halbcrstadt, 1772. 4°.
7897. bbb. 7.
[Another copy.] 7897. cc. 15.
C. G. Schroters . . . Letzte Beschaftigung
mit musicalischen Dingen. Nebst sechs
Temperatur - Planen und einer Noten-
Tafel. Nordhausen, 1782. A".
7897. bbb. 12.
SCHROETER (Corona Elisabeth
Wilhelmine) Gesaenge mit Begleitung
des Fortepiano . . . Zweyte Sammlung.
Li Commission bey dem Industrie Comptoir :
^Vcimar, 1794. oil. fol. E. 600. y. (17.)
Fiinf und Zwanzig Lieder, etc. [Words
by Holty, Miller, Goethe, etc.]
Bey mir sclbst, nnd i?^ der Hoffmannischen
Buchhandlung : Weimar, 178G. obi. fol.
D. 367.
SCHROETER (Johann Heinrich) Sis
Trios for a Violin, a Tenor and a Violon-
cello Obligato. Op. III. [Separate Parts.]
Printed for W. Forster :
[London, 1785 ?] fol. g. 270. n. (6.)
SCHROETER (Johann Samuel) Six
Concertos for the Harpsichord or Piano
Forte with an Accompanyment for Two
Violins and a Bass. . .Opera iir. [Separate
Parts.] Printed for W. Napier :
London, [1774.] fol. g. 298. a.
[Another copy.] g. 298. (2.)
Wanting the Violin accompaniments.
Six Concertos . . . Opera iii.
Printed for J . Dale : London, [11Q5?] fol.
g. 420. n. (3.)
Wanting the accompaniments.
Six Concertos for the Piano Forte. Op. 3.
[1800.] See Periodical Publications. —
London. The Piano-Forte Magazine. Vol.
XI. No. 7. [1797-1802.] 8". D. 854.
Six Concertos for the Harpsichord or
Piano Forte, with Accompanyments for
Two Violins, a Tenor and Bass. . .Opera v.
[Separate Parts.] Printed for W.Napier:
London, [1780?] fol. g. 298. c. (1.)
The Conquest of Belgrade, a Sonata for
the Harpsichord or Piano Forte by
Schroetter. J. Bland :
London, [1789.] fol. g. 272. v. (14.)
T]ie capture of Belgrade took place after
J. S. Schroeter's death : this piece is
therefore probably by J. H. Schroeter
or H. B. Schroeder.
[Another copy.] g. 272. u. (23.)
Wanting the title-page.
474
SCHROETER— SCHUETZ
SCHROETER (Johann Samuel) [The
Conquest of Belgrade.] The Field of
Battle, for the Piano Forte. [1797.]
Sec Periodical Publications. — London.
The Piano-Forte Magazine. Vol. I. No. 5.
[1797-1802.] 8°. D. 854.
Six Lessons from the Favourite Mis-
cellaneous Quartetto's, adapted for the
Harpsichord by I. S. Schroeter.
W. Napier : London, [1785 ?] obi. fol.
e. 5. e. (8.)
Sonata [in B|j, for Harpsichord, Violin
and Violoncello]. See Storage (S.)
Storace's Collection of Original Harpsi-
chord Music. Vol. I. No. 4. [1790.] fol.
g. 122.
Six Sonatas for the Piano Forte or Harp-
sichord. Opera i.
Printed for W. Napier :
London, [177G.] fol. g. 271. f. (8.)
Six Sonatas for the Piano Forte or
Harpsichord with Accompanyments for a
Violin and Bass . . . Opera ii.
Printed for W. Napier :
London, [1777 ?] fol. g. 298. (1.)
Six Sonatas, for the Piano Forte. Op. 2*.
[1799.] See Periodical Publications.
— London. The Piano-Forte Magazine.
Vol. VI. No. 5. [1797-1802.] 8°.
D. 854.
Six Sonatas for the Piano Forte or Harp-
sichord with an Accompanyment for a
German Flute or Violin . . . Opera 4.
[Separate Parts.] Printed for W. Napier :
London, \Vjm I'] fol. g. 79. d. (5.)
Six Sonatas, for the Piano-Forte. [Op. 4.]
[1799.] See Periodical Publications. —
London. The Piano - Forte IMagazine.
Vol. VIT. No. 3. [1797-1802.] 8".
D. 854.
Six Sonatas for the Piano Forte or Harp-
sichord with Accompaniments for a Violin
and Violoncello . . . Opera vi.
Printed for W. Napier:
London, [1785 ?] fol. g. 420. o. (3.)
Wanting the Violoncello part.
Three Sonatas for the Piano Forte or
Harpsichord with Accompaniments for a
Violin and Violoncello . . . Opera vi. 1"'
Set. [Separate Parts.]
Printed, for R. Bircliall :
London, [1795 ?] fol. g. 298. c. (2.)
[Another copy.] g. 298. b. (1.)
Wanting the Violin and Violoncello
parts.
Three Sonatas for the Piano Forte or
Harpsichord with Accompaniments for a
Violin and Violoncello . . . Opera vi.
Set 2nd. Printed for B. Bircliall :
London, [1795 ?] fol. g. 298. b. (2.)
Wanting the Violin and Violoncello
parts.
SCHROETER (JohAnn Samuel) Two
Sonatas for the Piano Forte, with an
Accompanyment for a Violin . . . Op. vii.
Printed for Corri li Suthcrlimd :
Edinburgh, [1785 ?] fol. g. 147. (13.)
Ye Belles and ye Beaux. An Epithalamium
Occasioned by a Worthy Pair celebrating
the Fifty-third Anniversary of their
nuptials. IF. N[cqncr :
London, 1184:'>] fol. G. 314. (71.)
See BoRGHi (L.) A favorite Concerto. . .
adapted for the Harpsichord ... by J. S.
Schroeter. [1780 ?] fol. g. 271. b. (33.)
SCHROETER (Leonhart) Canticum
Sanctorum Ambrosii et Augustini Te
Deum laudamus, dx. IMusicis Numeris
ornatum, dx. Discantus. (Altus.) (Bassus.)
3 pts. Andreas Gchen :
Magdebiirgi, 1584. obi. 4°. A. 415.
Der Zwolffte vnd Vier vnd zwantzigste
Psalm Dauids, sampt dem . . . Kiuderliede,
D. M. Lutheri, Erhalt uns Herr bey
deinem Wort . . . Auffs newe in ettliche
Stimmen gesetzet, etc. Discantus.
Wolf/gang Kirchner :
Magdeburgk, 1576. obi. 4°. A. 415. a.
SCHROETER (Samuel)
See Schroeter (J. S.)
SCHUBACK (Jacob) Die Jiinger zu
Emaus, etc. [Oratorio, by J. Schuback.]
1778-9. fol. See Juenger zu Emaus.
I. 41.
SCHUBART (Christian Friedrich
Daniel) Sec IMusikalischer Potpourri.
]\Iusikalischer Potpourri . . . Llit einem
Blatt von Schubart, etc. 1790-1. obi. 4°.
B. 710.
SCHUBARTH (Johann Kaspar)
See RiEPEL (J.) Bassschliissel, das ist,
Anleitung fiir Anfanger und Liebhaber
der Setzkuust
Schubarth, etc. 1786
herausgegeben von J. K.
fol. 7896. h. 14.
SCHUBAUR (Lucas) Die Dorfdeputirten
[Opera] nach Goldoni in IMusik gesetzt
und im Klavierauszug herausgegeben, etc.
Ln Verlage des Verfassers :
Milnclien, [1786.] ohl. fol. E. 572.
Die Treuen Kohler, ein Singspiel in
zween Aufziigen von Hermann, etc.
Bey M. Gotz: Mannheim, [1791.] obi. fol.
D. 336.
SCHUETZ (Heinrich) Zwolfi Geistliche
Gesange, mit vier Stimmen . . . Benebenst
dem Basso Continuo nach bcliebung . . .
zugebrauchen . . . zum offentlichon Druck
befordert. . .durch C. Kitteln, etc. Cantus.
(Altus.) (Tenor.) (Bassus Contiuuus.) Opus
Decimum Tertium. 4 pts.
Gcdruckt in W. Scyfferts Dnickerey :
Dreszden, 1657. fol, G. 483. a.
SCHUETZ— SCHULZ
475
SCHUETZ (Heineich) Musicalia ad
Chorum Sacrum, das ist : Geistliche Clior-
Music, mit 5. G. und 7. Stimmeu, beydes
Yocaliter und Instrumeutaliter zuge-
brauchen . . . Opus Undecimum. Erster
Theil. Cautus. (Altus.) (Tenor.) (Bassus.)
(Quintus.) (Sextus & Septimus.) (Bassus
Continuus.) 7 pts.
In Yciiegimg Johann Klcmrncns . . .
Gedrucht bey GimelBcrgcns. . .Seel.Erhcn :
Dreszdcn, 1648. fol. F. 22. a.
Psalmeu Davids Sampt Etlichen Moteten
vnd Concerten mit Acht vnd mehr
Stimmen. Nebenst andern zvreyen Capel-
len, dasz dero etlicbe auff drey vnd vier
Chor nach beliebung gebraucht werden
konnen. Wis auch mit beygefiigteu
Basso Continovo, etc. Cantus (Altus)
(Tenor) (Bassus) I. Cbori. (Cantus (Altus)
(Tenor) (Bassus) II. Cbori.) (Capella.
Prima (Secunda) (Tertia) (Quarta et
Ultima) Pars.) (Basso Continovo, etc.)
13 pts. In Yorlegung des Aidhoris.
In CJmrf. S. Officin durcli Gimcl Bergen :
Dreszden, 1619. fol. G. 483.
Psalmen Davids, Hiebevor in deutschc
Reime gebracbt durcb D. Cornelium
Beckern, und nacbmals mit EilfE alten,
und Zwey und Neuntzig neuen ]\Ielodeycn
von . . . Heinrich Scbiitzen in den Druck
gegeben, ietzund aber . . . aufis ueuo
iibersehen, auch . . . mit so vielen,
auf ieglicben Psalm eingcrichtetcn,
eigenen Melodeyen, vermebret, nach
genieiner Contrapuncts-Ahrt, mit 4.
Stimmen gestellet durch obgemelten
Autorem H. S., etc. Gednickt . . . in
Wolffgang Seyffcrts Druckerey : Dreszden,
1661. fob ■ G. 483. b.
Symphoniarum Sacrarum Secunda Pars.
Worinnen zubefiuden sind Deutsche Con-
certen mit 3. 4. 5. nehmlich eiuer, zwo,
dreyen, Vocal, und zweyen Instrumental-
Stimmen . . . Sambt beygefiigtem gedup-
pelten Basso Continuo, etc. Opus Deci-
mum. Prima (Secunda) (Tertia) Vox.
(Violiuum Primum (Secundum).) (Bassus
ad Organum.) (Bassus pro Violone.) 7 pts.
Gednickt . . . bey Gimel Bcrgens . . .
Sel. Erbcn, In Yerlegung Johann Klcmmens
. . . und Alexander Herings : Dreszden,
1647. fol. F. 21.
Symphoniarum Sacrarum Tertia Pars.
Worinnen zubefinden sind Deutsche Con-
certen mit 5. 6. 7. 8. nehmlich, Dreyen,
Vieren, Fiinffen, Sechss Vocal- und zweyeu
Instrumental-Stimmen . . . Sambt etlichen
Complementen, welche . . . nach Beliebung
mitgebraucht werden konnen . . . Opus
Duodecimum. Prima (Quarta et Ultima)
Vox. (Violinum Secundum.) (Bassus ad
Organum.) (Altus Complementi.) 5 pts.
Christian und Melchior Bergen :
Dreszden, 1650. fol. F. 22. b.
SCHUETZ (Heinrich) See Psalms.
[7. German.] Geistreiches Gesang-Bucb,
etc. (Der Psalter Davids, nach bekann-
ten Kirchen-Melodieu durch C. Cornelium
Beckern verfasset, aufs neue aber, mit H.
Schiitzens... eigenen Gesang-Weisen auf-
geleget.) 3 pts. 1676. 4". 3425. m. 18.
See also Sagittarius (H.)
SCHULTHESIUS (Johann Paul)
Three Sonatas for the Harpsichord or
Piano Forte with an Accompaniment for
a Violin. [Op. 1.] Longman £ Broderip :
London, [1780 ?] fol. h. 726. p. (10.)
Tre Sonate per il Cimbalo o Piano-Forte
con r accompagnamento d' un Violino
obbligato . . . Opera V"\ Sccouda Edizione
corretta dall' Autore.
Presso Banicri Carboncini ;
Livorno, [1780 ?] obi. fol. c. 3.
SCHULTZ (Johann Abraham Peter)
See ScHULZ (J. A. P.)
SCHULTZ (Johann Wilhem)
See Benda (F. L.) Mariechen . . . Operette
. . . fiir das Ivlavier eingerichtet von J. W.
Schultz. [1792.] obi. fol. F. 97. b.
S C H U Tj Z (Johann Abraham Peter)
Aline, Heine de Golconde, Opera en trois
Actes, par M. Sedaine, mis en Musique &
arrange pour le Clavecin par J. A. P.
Schulz . . . Public i)ar C. F. Cramer.
Chez S. SiJnnichscn :
Copenhagnc, 1790. obi. fol. F. 327.
[Athalie.] Choeurs d'Athalie . . . mis en
INIusique, etc. [Words by Eacine. Full
Score.] Chez Hoffmann :
Hambourg, 1786. obi. fol. F. 327. f.
Canticum Potatorium. A Latin Song . . .
Adapted to the Harpsichord and Voices
by Dr. Hayes. Printed for
P Junq. . . 0.vford: London, [1790?] fol.
G. 360. (29.)
Entwurf einer neuen und leichtverstiiud-
lichen Musiktablatur, etc. Im Ycrlage
der Eellstabschen Musikhandlung : Berlin,
[1787.] 8°. 7898. ee. 19.
J. P. Uzens lyrische Gedichte religiosen
Innhalts nebst einigen andern Gedichten
gleichen Gegenstandes von E. C. von
Kleist. J. F. Freyberrn von Cronegk, C. A.
Schmid, und J. J. Eschenburg, mit Melo-
dieu zum Siugen bey deni Claviere, etc.
Bey J. H. Herold :
Hamburg, 1784. obi. fol. F. 327. e.
Hellige Sange forfattede af de Tydske
Digtere Uz, Eschenburg, Kleist, Cronegk
og Schmid, med Capellmesters Schulzes
INIelodier ; i en frie Oversettelse . . . af
E. Storm. A. F. Stein :
Ei0bcnhavn, 1785. fol. G- 395.
476
SCHULZ— SCHtTTZ
S C H TJ L Z (JoHANN Abraham Peteh)
H0st-Gildet. Et Syngespil i een Act, ved
T. Thaarup . . . indrettet for Klaveret.
S. S0nnichsen :
Ei0benhavn, [1790.] obi. fol. F. 327. g.
Hymne. Nach dem Danischen des Hrn.
Thaarup von J. H. Voss. Im Clavier-
auszuge, e^c. S. SiJnnichsen :
Kopcnhagen, [1793.] obi. fol. F. 327. b.
Lieder im Volkston, bey dem Klavier zu
Singen, etc. Bey G. J. Decker:
Berlin, 1782. obi fol. F. 327. a.
Lieder im Volkston bey dem Claviere zu
singen. . .Erster Theil. Zweyte verbesserte
Aufiage. (Zweyter (Dritter) Theil.) 3 pts.
Bey G. J. Decker (H. A. Eoitmann) :
Berlin, 1785 (1790). obi. fol. F. 327. c.
Maria und Johannes, ein Passions-Ora-
torium . . . Mit einem erklarenden Yor-
bericht. [Full score in ' Chiffern tabu-
latur.'] S. Sunnichscn :
Eopenhagcn, 1791, obi. fol. C. 474.
Maria und Johannes. Ein Passions-Ora-
torium von J. Ewald, im Clavierauszuge
. . . Herausgegeben von C. F. Cramer.
S. Sunnichscyi:
Copenhagen, 1789. obi. fol. F. 327. h.
Religiose Oden und Lieder aus den besten
deutschen Dichtern mit Melodien zuni
Singen bey dem Claviere, dx.
Bey J. H. Herold :
Hamburg, 1786. obi. fol. F. 327. d.
Six Diverses Pieces pour le Clavecin ou le
Piano Forte . . . Oeuvre Premier.
Ch^s J. J. Hummel :
Berlin, [1778.] fol. h. 726. f. (14.)
Sonata per il Clavicembalo Solo . . . Opera
Seconda. Presso G. G. Hummel :
Bcrlino, [1779 ?] fol. h. 726. f. (15.)
SCHULZ (JoHANN Philipp Christian)
Sechs Volkslieder mit Begleitung des
Pianoforte . . . Op. v.
Bey Breitkopf und Hartel :
Leipzig, [1800?} obi. iol. E. 600. v. (5.)
SCHULZ (M.) Could I fancy, that for
me. A favorite Ballad on IMutual Love.
Broderip and Wilkinson :
London, [1800?] fol. G. 365. (11.)
Hymn to Nature. [Song.]
Longman and Broderip : London,
[1797 ?] fol. G. 805. k. (24.)
Winter. A favorite Song.
Broderip and Wilkinson : London,
[1800?] fol. G. 365. (12.)
SCHULZE (J. A.) Der Versuhnungstod,
Cantate fiirvier Singstimmen mit Begleit-
ung des Orchesters ; aus Sechs Adagio's
von J. Haydn arrangirt von J. A. Schulze.
Der deutsche Text ist vom Professor
Hopfensack. Partitur.
Bey Breitkopf £ Hartel :
Leipzig, [1800?] fol. H. 2118.
SCHULZE (J. A.) See Haydn (P. J.)
[2. Vocal Works, a.] Denk' ich Gott an
deine Giite. Kantate. . , arrangirt. . .von
J. A. Schulze. [1800?] H. 1051. g.
SCHUMANN (Friedrich Theodor)
The Address. [Song.] [London,
1750?] s.sh.lol. G. 312. (185.)
Haughty Strephon. [Song.] [London,
1750?] s.sh.iol. G. 316. f. (144.)
A second Set of Lessons for one and two
Guittars . . . Opera ii. Printed for
J. Johnson : London, [1760 ?J obi. fol.
e. 377. (2.)
Three Sonatas for the Harpsichord with
Accompanyments for a Violin or German
Flute. Opera iii. Printed for the Author :
London, [1760 ?] fol. g. 418. a. (5.)
Six Sonatas for the Piano Forte or Harp-
sichord . . . Opera 5th. Tlie Author :
London, [YtlO?] obi. iol e. 5. a. (1.)
A Second Set of Six Sonatas for the Piano
Forte or Harpsichord . . . Opera viith.
The Author : London, [1775 ?] obi. fol.
e. 5. a. (2.)
A Third Sett of Six Sonatas for the
Harpsichord or Piano Forte with an
Accompanyment for a Violin . . . Opera ix.
Longman £ Broderip :
London, [1780 ?] fol. e. 227.
Six Sonatas. Three for a Violin & two
Violoncellos, Three for a German Flute
& A^iolin or two Violins & Violoncello . . .
Oi^era viii. [Separate Parts.]
Printed for W. Napier:
[London, 1780 ?] fol. h. 2852. a. (13.)
[Another copy.] h. 2900. (6.)
SCHUSTER (Joseph) Lob der Musik.
Kantate von Meisner, etc. [P. F. Score.]
J. G. I. Breitkopf, auf Kosten des Autors :
Leipzig, 1784. obi. fol. F. 387.
Musikalische Todenfeier den Manen Leo-
polds des Weisen geheiligt. Das Gedicht
vom Hrn. Prof. Heydenreich, etc. [P. F.
Score.] F. G. Batwigartner :
Leipzig, 1792. obi. fol. H. 68.
Ombra cara, ombra tradita. Sung by
Madam Mara in Didone Abandonata.
[Pull Score.] Longman d- Broderip :
London, [1786.] fol. G. 811. (30.)
See Freemasons' Songs. Gesiinge fiir
Maurer mit. . .Melodien von. . .Schuster,
etc. [1782.] 8". E. 1718.
Sec Kriegel (C. F. W.) ssxvi Lieder
. . . von . . . Schuster, etc.
[1790-1.] obi. fol. E. 679.
SCHUTZ (Heinrich) See Schuetz,
SCmVAIGER— SCHWINDL
477
SCHWAIGER (Georgius) Fasciculus
Selectiorum aliquot Cantiouum Sacrarum,
Quiuque Vociun, quffi ciim viuae voci, tiim
omuis generis Instrumentis Musicis com-
modissiine applicari j)ossunt. Secanda
Pars, etc. Discantub. (Altus.) (Bassus.)
(Quiuta Vox.) 4 pts. Adamus Berg :
Monachij, 1519. obi. lol. A. 417. a.
Moduli aliquot Sacri, cum viva voce, turn
Instrumeutorum sono cantatu elegantis-
sima, etc. Discantus. (Altus.) (Bassus.)
3 pts. Adamus Berg ;
Monachii, 1572. obi. i". A. 417.
Regii Prophetae Davidis Septem Psalmi
Pcenitentiales Sacratissimi, Quinque voci-
bus . . . compositi, vt & voci viute, & oninis
generis Musicis instrumentis applicari
commode queant, etc. Discantus. (Altus.)
(Tenor.) (Bassus.) 4 pts. ^A. Berg :]
Monachii, 1588. 4". A. 417. b.
SCHWANENBERGER (Johann
Gotikried) -SVt' Cramer (C. F.) Flora.
Erste Samlung. Euthaltend : Composi-
tioneu . . . von . . . Schwanenberger, etc.
1787. obi. fol.
D. 776.
SCHWEGLER (Johanx David)
Sec MusiKALiscHER POTPOURRI. Musik-
aliscber Potpourri . . . Dargestellfc von
Abeille, Eidenbenz und Schwegler, etc.
1790-1. obi. 4°. B. 710.
See Pleyel (I. J.) Leichte Stiikc fiir's
Gesaug und Klavier, von Pleyel, Zumsteeg,
Schwegler, etc. [1790 ?] obL i\
E. 600. g. (4.)
SCHWEIGL (iGXAz) Grundlehre der
Violin, etc. Erster Thcil. Zweyte ver-
besserte Auflage. (Grundlehre der Violin.
Zweyter Theil, etc.) 2 pts.
Auf Kosten des Verfassers :
Wien, 1794-5. obi. 4\ b. 108.
SCHWEITZER (Axton) Alceste [Opera],
von Wielaud, dc. [Short Score.]
Im Schivickcrtschcn Verlagc :
Leipzig, 1774. obi. fol. E. 28. b.
Die Dorfgala. Eine komische Operette
von Herrn Gotter, etc. [Short Score.]
Im Sclncickcrfschen Verlagc:
Leipzig, 1777. obi. fol. F. 28.
Elisium, ein musikalisches Drama, etc.
[P. F. Score.] Bey G. L. Hartung :
Eonigsberg, 1774. obi. fol. C. 454.
Grabgesang. [Song. Words bv H. A. 0.
Reichard.] Gotha, 1783. 4°.
11522. f. 28.
Part of Beichard's ' Gedichte.'
PoljTcena, ein lyrisches !Mouodrama von
F. J. Bertuch, etc. [Full Score.]
Im Verlagc des Industrie Comptoirs :
Weimar, [1793.] fol. F. 28. a.
SCHWEIZER (Anton)
See Schweitzer.
SCHWENCKE (Christian Friedrich
Gottlieb) Carl Reinhards Gedichte in
Musik gesetzt von C. F. G. Schwencke,
etc. Zum I. (II). Bandchen.^ 2 pts.
In der neuen musikalischcn Verlagsuieder-
lage : Hamburg, [1725 ?] fol. G. 570.
VI Fugen fiir die Orgel zum Studium
canonischer Siitze, etc.
Bey Breitkopf £ Hartel : Leipzig,
[1800?] oW. fol. e. 174. m. (19.)
Drey Sonaten fiir das Klavier, etc.
Auf Kosten des Verfassers :
Halle, 1789. obi. fol. f. 42.
Sec Della 1\Iaria (D.) Le Prisonnier. . .
Oper . . . Im Klavierauszug von C. F. G.
Schwencke. [1800 ?] obi. fol. E. 972.
SCHWIEGER (Jacob) See Filidor, der
Dorfferer, pseud.
SCHWINDL (Friedrich) Twelve Duets
for two Violins. . .Op. 3. [Separate Parts.]
E. Riley: London, [ISQ0'>'\ fol.
h. 210. a. (12.)
Twelve Easy Duets for two Violins . . .
Opera Quarta. [Separate Parts.]
R. Bremner : London, [1775 ?! fol.
g. '421. d. (3.)
[Another copy.] g. 421. c. (4.)
[Another edition.] Twelve Easy Diverti-
mentis or Duetts for two Violins. Opera
Quarta. [Separate Parts.]
Printed for Straight and Skillern :
London, im5?] fol. g. 421. f. (2.)
[Another edition.] Twelve Easy duets, for
Two Violins . . . Opera Quarta. [Separate
Parts.] E. Riley: London, [1800?] fol.
g. 421. b. (2.)
[Another edition.] Twelve Progressive
Duetts for German Flutes, or Violins.
Op. 4. G. Goulding d Co. :
London, [ISOO?] obi. i". b. 71.
Sei Duetti per Violino e Violoncello . . .
Opera vi. [Separate Parts.]
Chez Longman, Lukcy ct Co. :
Lo7mZo?i, [1775 ?] fol. g. 421. d. (7.)
XXIV. Menuettos for two Violins and a
Bass. [Separate Parts.]
Printed for S. £ A. Thompson:
London, [1778.] fol. g. 409. c. (1.)
Six Quatuor a Deux Violous ou Une
Flutte Un Violon Taille & Basse . . .
Oeuvre vii. [Separate Parts.]
B. Hummel: La Haye, [1775?] fol.
h. 1522. a
Six Quintettes ou Trios, pour deux Flutes,
deux Violous et Figure Basse pour le
Clavecin . . . Op. x. [Separate Parts.]
Goulding £ Co. : London, [1800 ?] fol.
h. 1522. a.
478
SCHWINDL^SCOTISH SONGS
SCHWINDIj (PRiEDEicn) Six Simpbo-
nies in Eight Parts for Violins, Hoboys,
Horns, Tenor and Bass. Opera Prima.
[Separate Parts.] Longman Ltilicy £ Co. :
London, [1775 ?J fol. h. 1522. b.
Wanting the First Oboe part.
Trois Simpbonies a Deux Violons, Taille
et Basse, Deux Flutes et Deux Cors do
Chasse (ad Libitum). . .Oeuvre Neuvieme.
Chez B. Hummel : La Haye, [1775 ?] fol.
h. 1522.
Six Sonatas for Two German Flutes witb
a Thorougb Bass for the Harpsicbord . . .
Opera iii. [Separate Parts.]
Welckcr : London, [1770 ?] fol.
g. 71. f. (6.)
Six Sonatas for Two Violins and Bass . . .
Op'' 5'\ [Separate Parts.]
J. Longman d Co. : London, [1770 ?] fol.
g. 1055.
A second Sett of Six Sonatas for two
Violins and a Bass. . .Opera 7. [Separate
Parts.] Longman Luhcy and Co. :
London, [1175'?] fol. g. 416. (3.)
SCIO (Etienne) [Lisia.] Un Espagnol
qui voit vcnir. Air. [1793.] 8".
6'ecLisiA. B. 362. g. (87.)
SCIPIONE. [Seven Songs in the Opera
of Scipiono, by G. F. Handel.] [Walsli:
London, 1726.] fol. H. 230. f. (5.)
Wanting the title-page.
Dimmi, cara. [Song.] Sung by Sg'
Senesino in Scipio. [By G. F. Haendel.]
[LoHfZo«, 1726 ?] s.sh.iol.
Gr. 316. d. (121.)
We follow brave Hanibal. A Song to the
March in Scipio. [By G. P. Haudel.]
[London, 1726?] s.sh.iol.
G. 305. (39.)
[Another copy.] G. 313. (61.)
Scipio. Opera. See Haendel (G. F.)
SCIPIONE IN CARTAGINE. Sci-
pione in Cartagine. Opera.
See Galuppi (B.)
SCISMAYER ( ) Signor.
See SUESSMAYEE (F. X.)
SCOLA (Adamo) Raccolta di Gondoliere,
etc. [J. Walsh: London, 11557] obl.iol.
E. 856.
SCOLARI (Giuseppe) See Corfe (Joseph)
Sacred Music. . .Consisting of. . .Anthems
. . . adapted to . . . ]\Iusic of . . . Scolari, etc.
[1800?] fol. I. 250. a.
SCOLD. The Scold. [Song.] Sec Some.
Some Women take delight in dress.
[1780?] s. s7i. fol. G. 311. (142.)
SCORNFUL. The Scornefull Lady. Song.
See POPELY (W.)
The ScornfuU Lover. Song.
See Thousand. A Thousand Nymphs
Philander saw. [1705 ?] s. sh. fol.
G. 306. (29.)
The ScornfuU Maids. Catch.
See Hook (.J.)
SCORPIONE (DoMENico) Rifiessioni
Armoniche, divise in Due Libri . . . Opera
Quinta. Presso il De Bonis :
Napoli, 1701. fol. 7896. h. 30.
SCOTCH. The Scotch Cuckold. Song.
See Twenty. Twenty Years and mear at
Edinborrow, c^c. [1720?] s.sh.iol.
G. 312. (50.)
The Scotch Lass Deceiv'd by her Bonny
Lad Jockey. [Ballad.] See Faemer (T.)
The Scotch Lasses Choice. Song.
See Long. Long Cold Nights, v/hen
Winter-Frozen, etc. [1687 ?] s. sh. fol.
Case 39. k. 6. (26.)
The Scotch Shepherd. Song [begins :
' When blinking day gleams '].
See Gleve-(V. de)
The Scotch Shepherd. Song [begins:
' Behind yon hill where Stiuchar flows '].
See Ebdon (T.)
The Scotch Wedding, or the Lass with
the Golden Hair. [Song.] See Now.
Now Jockey and Moggy are readv.
[1710?] s.sh.iol. H. 1601. (317.)
SCOTCH GHOST. The Scotch Ghost,
or Little Fanny's Love. [Ballet.]
See Capelletti (G.)
SCOTCH SONGS, A Collection of Ori-
ginal Scotch Songs, with a Thorough
Bass to each Song, for the Harpsicord.
5 Bks. Printed for I. Walsh:
London, [1732 ?j fol. H. 1374. a.
A collection of single-sheet songs, in-
cluding songs by James Hawkins,
William Corbett, Henry Purcell,
Robert Cox, Anthony Young, Daniel
Purcell, Wilkins, Froude, Yoslington,
Jeremiah Clark, Frances, William ■
Croft, B. Lcveridge, Keen and
Richard Brown, many in duplicate.
SCOTCH TUNES. A Collection of Ori-
ginal Scotch-Tunes, (Full of the Highland
Humours) for the Violin ; Being the First
of this Kind yet Printed. The second
Edition with Additions.
William Pearson, for H. Play ford:
London, 1701. obi. i". K. 4. b. 18.
SCOTISH SONGS. Scotish Songs in
Two Volumes. [Edited, with an His-
torical Essay, by J. Ritson.] 2 vols.
Printed for J. Johnson: London, 1794. 8".
239. 1. 11.
TJie title of Vol. I. reads ' Scotisli Song.'
SCOTLAND— SE
479
SCOTLAND. Scotland's Good Wishes
to His Royal Highness. Song.
See JocKKY. Jockey away ilan, etc.
1682. s. sh. fol. Case 38. i. 25. (7.)
SCOTS MUSICAL MUSEUM. The
Scots Musical Museum. [Songs.]
See JoHNSo:s (.James)
SCOTS REELS. A Selection of Scots
Reels, or Country Dances, for the Violin
or Flute with a Bass for the Piano Forte
or Violoncello.
Preston : London, [1800 ?J ohl. 8".
b. 78. (2.)
SCOTS SONGS. Thirty Scots Songs,
adai)ted for a Voice and HarxMschord.
The Words by A. Ramsey. Book 1"
(Thirty Scots Songs. . .Book 2^). 2 Books.
N. Stetcart: Edinburgh, [1780?] fol.
H. 1374. b. (1.)
A Collection of Scots Songs. Adai^ted for
a Voice & Harpsichord. Neil Stewart :
Edinburgh, [1782.] fol.
G. 802. a. (2.)
[Another copy.]
H. 1374. b. (2.)
SCOTS TUNES. A Curious Collection
of Scots Tunes, With Variations, for the
Violin, with a Bass for the Violincello or
Harpsichord. B. Bremner :
Ediiiburgh, [1759.] obi. fol. d. 133.
SCOTT (JoHs) Abraham Newland, as
sung by I\Ir. Davis ... at Sadlers Wells,
the Words by C. T. Dibdiu, Jun'.
Longman, dementi d Co. :
London, [1800 ?] fol. G. 367. (43.)
This is an adaptation to the tunc of the
' Rogues' March.'
A First Set of Glees for 3 & 4 Voices, etc.
T. d- W. M. Gahusac :
LoncZoH, [1799?] obl.iol.
E. 318. b. (7.)
SCOTTO (GiROLAMo) Di Girolamo Scotto
I Madrigali a Tre Voci, con alcuni alia
Misura Breue, etc. Cantus. (Tenor.)
(Bassus.) 3 pts. A^nid ipsum Autorem:
Venetiis, 1549. obi. 4°. K. 3. f. 7.
See Ghibel (H.) Di Heliseo Ghibel 11
Primo Libro di IMadrigali . . . Con la
gionta di alcuni altri Tercetti bellissimi
[by Hieronimo Scotto], etc.
1551. obi. 4°. K. 4. c. 12.
See Motets, [o. Motetti del Frutto.']
Excellentis. Autorum Diuerse Modula-
tiones que sub Titulo Fructus uagantur
per orbem, a Hieronymo Scoto nuper
recognite & edite, etc. 1549. obi. 4".
A. 633. c.
SCOTTO (Hieronimo) See Scotto (G.)
SCOULER (Alexander) A favourite
Lesson for the Harpsichord or Forte
Piano. Welckcr :
London, [1775 ?] obi. fol. e. 101. a. (7.)
Six Sonatas for the Harpsichord or Piano-
Forte, with an Accompaniment for a
Violin . . . Opera ii. [Separate Parts.]
J. Preston: London, [1780?] fol.
h. 64. (7.)
SCRIGNO. Lo Scrigno Armonico.
[Dances.] See Pesori (S.)
SCRUPULE. Le Scrupule. [Song.]
Sec Ma. Ma chere Ursulo, etc.
[1760?] 8". 640. e. 22. (6.)
SCRUTINY. The Scrutiny. [Song.]
See Of. Of Wilkes or of Halifax 'tis not
I sing. [1770 ?] s. sh. fol.
G. 310. (272.)
SCUG. Scug. [Song.]
See DiBDiN (C.) [Great Neios.]
SCYLLA. Scylla. [Opera.]
Sec Gatti (T. de)
SCYLLA ET GLAUCUS. Airs du
uouvel Opera de Scylla et Glaucus [by
J. M. Lcclair]. [Paris,] 174G. s. sh. 4".
297. c. 9.
Mcrcurc de France, Nov., 1746.
SDEGNOSI ARDORI. Sdegnosi Ardori.
[Madrigals.] See Gigli (A.)
SE. S' ho lasso il pie. [Song.]
Sec Dario.
Se amor mai da vu. El Consegio. Cau-
zonetta Veneziana. [By J. S. Mayer.]
Printed for T. Monzani :
London, [180O.] fol. G. 811. a. (38.)
No. 13 of ' A Collection of Periodical
Italian Songs,' etc.
Se cerca se dice 1' amico dov' e. Aria.
See CiMAROSA (D.)
Se il ciel mi divide. Aria.
See PicciNi (N.) [Didonc Abbandonata.]
Se libera non sono. [Song.]
See Gresnick (A. F.) [Alceste.]
Se lontano, ben mio tu sei. Duetto,
See Minuets. Lady Coventry's Minuet,
etc. [P. F. and as a Vocal Duet.]
[1770?] s.sh.iol. H. 1994. a. (43.)
Se mai piii saro geloso. [Air.]
See Tarchi (A.) [La Generositd d'Ales-
sanfZ/o.]
Se mi credi. Duett. Sec Florio (C. H.)
Se risolvi abbandonarmi. Song.
See Haendel (G. F.) [Floridante.'}
Se sapeste quanto ei mi ama, [Song.]
See Weigl (J.) [Ginlietta e Pierotto.}
480
SE— SECRET
SE. Se sol la mia morte. Song.
See Aesace.
Se son lontana. Song.
See Galli ( ) Signora.
Se ti perdo amato oggetto. Song.
See Gasegrandi ( )
Se ti perdo, O caro bene. Rondo.
Sec UsuRPATOR Innocento.
SEA-SIDE. The Sea-Side Sonnet. [Song.]
Sec Essex (T.)
SEA SONGS. A Collection of Sea Songs
on Several Occasions.
Printed for I. Walsh and I. Hare :
London, [1725 ?j fol. H. 35.
This cullcction contains songs by Bedford
Aldrich, Vanhrughc, Levcridge, Robert
Bradley, John Barrett, Weldon, H.
Purcell, Ramondon and Court ivill.
SEARCH. Search all the world high and
low. The Grinders or More Grist to the
Mill, a celebrated Comic Song, written by
C. Dibdin, Jun'. H. Hine :
Liveriwol, [1800 2] fol. G. 368. (10.)
SEARCH AFTER HAPPINESS.
The Search after Happiness. Pastoral
Drama. See Hook (J.)
SEASON". The Season for Love. [Song.]
See In. In Spring, my dear Shepherds.
[1780?] s.sh.lol. G. 309. (87.)
The Season of Love is no more. [Song.]
See HiNDLE (J.)
SEASONABLE. Seasonable advice to
Maidens. [Song.] See Let. Let the
Nymph, who designs. [1720?] s. sh. fol.
^ ^ H. 1601. (285.)
SEASONS. The Seasons. [Song.]
Sec Arne (T. A.) [6. Doubtful and
Spurious Works.']
Thomson's Hymn to the Seasons. [Can-
tata.] Sec Barber (R.) Composer of ' The
Seasons.'
The Seasons. [Songs.] See Hook (J.)
The Seasons of Love. [Song.]
See Arne (M.)
SEATED. Seated at Aminta's Table.
The Senses. [Song.] The Words by
R. D. Esq'. J- F\entu]m :
[London, 1780 ?] s. s7t. fol.
^ G. 311. (139.)
SEA-WORN. The Sea-worn Tar. [Song.]
See Hook (J.)
SEBASTIANI (Claudics) Bellum INIusi-
cale, inter Plani et Mensuralis Cantus
Reges, de Principatu in Musicse Prouincia
obtinendo, conteudentes, etc.
In Officina Pauli Machxropcci :
Argent., 1563. 'i". 557*. c. 23.
[Another copy.] 53. b. 24.
Imperfect, loanting sheet B.
[Another copy.] 557*. d. 7.
SEBASTIANI (Johann) Tanzen ist der
Liebe Schul. Braut-Tanz auii das erfreu-
liche Myrton-Fest Herrn M. K. V. und
Jungfer A. M. H. welches den 29 Augusti
des 1678 Jahres . ; . gefeyret worden.
[Words by j\I. Kongehl.]
Gcdruckt bey den Beussnerischen Erben :
Konigsbcrg, [1688 ?] 8°.
11521. de. 36. (1.)
Pp. 155-65 of the 2nd Part of KongehVs
' Belustigung bey der Unlust.'
SECKENDORFF (Carl Siegmund von)
Baron. Volks- und audere Lieder, mit
Begleitung des Forte piano, etc. 3 Samml.
Bey K. L. Hoffmann :
Weimar (Dessau), 1779(-82). obi. fol.
C. 600.
Sammlung 1 and 2 arc dated 1779.
SECOND. Second Thoughts are best.
rSong.l See Come. Come list to me, etc.
[1790?] fol. G. 316. (33.)
Second Thoughts are best. [Song, begins :
' I never shall survive it.'] See Dibdin (C.)
[Will of the Wisp.]
SECOND (J.) New Bath Dances. Twelve
Country Dances & Two Minuets, with
proper Figures adapted for the Harp,
Harpsichord & Violins, etc. Fentumr.
[London, 1789.] obi. 4". a. 214.
SECOND (Mary) The Blind Boy, a
Favorite Song, as sung & arranged for the
Piano Forte, by Mrs. Second. [Words by
C. Cibber.] L. Lavenu :
London, [1800?] fol. H. 2830. g. (58.)
SECOND ATE. Secondate aurette amiche
Duett. Sec Mozart (W. A.) [Cost fan
tuttc]
SECOURS. Le Secours Inutile. [Song.]
See Je. J'adore une Demoiselle.
[1780?] 8°. B. 362. b. (101.)
SECRET. Rosa and Henry, the much
admired Song in the New Comedy of the
Secret, [words by E. Morris,] . . . Properly
disposed of for the Harp or Piano Forte,
the Music by a Lady of Fashion.
Longman, Clementi d Comp" :
London, [1799.] fol. G. 249. (63.)
Un encien proverbe nous dit. Air clu
Secret [by J. P. Soli6] des Italiens.
[Paris, 1796.] 8". B. 362. (107.)
Le Secret. Opera. See Solie (J. P.)
The Secret. Song.
Kitty, eic. [1710?]
See Say. Say my
s. sh. fol.
H. 1601. (397.)
Le Secret ajoute au plaisir. Romance.
See Blin de la Codre (M. S.)
SECRET— SEE
481
SECRET DES FRAWCS-MAgOlSrS.
Le Secret des Francs-MaQons, avec un
Recueil de leurs Chansons, etc. (Chansons
Notees de la tres v6n6rable Confrerie des
Masons Litres. Pr6c6dees de quelques
Pieces de Poesie . . . et d'une Marche. Le
tout recueilli et mis en ordre par F""
Naudot.) 2 pts. [Paris ?] 1740. 12».
4785. aa. 27. (2.)
The Second Part is engraved throughout
and dated 1737.
L'Ordre des Francs-Macjons trahi, etc.
(Chansons . . . des Francs-Masons. Pre-
ced^es de quelques pieces de poesie.) 2 pts
Amsterdam, 1745. 12°. 4783. aaa. 2^
L'Ordre des Francs-Macons trahi, etc.
(Chansons, etc.) 2 pts.
Amsterdam, 1771. 12°. 1369. a. 15.
SEE. See a Nymph so brisk and witty.
Song. See Dead Alive.
See, Amanda, a new Song. By a Gentle-
man. Set for y° German Flute.
[London, ITdo?] s.sh.iol. G. 311. (89.)
[Another copy.] G. 305. (222.)
[Another edition.] See, Amanda, a new
Song, etc. [London, 1740 ?] s. sh. fol.
G. 316. e. (141.)
See bleeding at your feet there lies. Song.
See Franck (J. W.)
See, bonny Moggv, at vour feet. A new
Scotch Song. [Londo7i^ 1120?] s.sh.iol.
G. 311. (77.)
See brave Keppel. Conqtici-ing Hero. The
Hon''''' Augustus Keppel, or Victory trium-
phant o'er a Formidable foe. [Duet,
adapted to Handel's ' See the conquering
hero comes.'] [Longman and Bi-odcrip :
London, 1779.] fol. G. 311. (151.)
See Britannia leaves the Skies. A Neiv
Song, for the Lord Mayor's Day. Written
extempore, on occasion of Alderman
Parsons being promoted to the Chair.
In compass of the flute. [London,
1740?] s.sh.iol. 1.530.(139.)
See dear Maid. Ballad.
Sec MozAKT (W. A.) [G. Doubtful aiid
Spurious Works.']
See, from the silent Grove. Alexis. A
Cantata. [By J. C. Pepusch.]
[London, 1740 ?] fol. G. 316. e. (140.)
See, gracious God, before thy throne.
Hymn. On a National Fast. [Words by
Anne Steele.] [London, 1776.] 8°.
P.P. 716. b.
Gospel Magazine, Nov., 1776.
See how thy Captive Lark. A new Song.
On a Young Lady's Lark. [London,
1740 ?] s. sh. fol. G. 316. (122.)
See how thy captive Lark. A New Song,
On a Young lady's Lark.
[London, 1751.] 8°. P.P. 5438. z.
Universal Magazine, Vol. VIII., p. 74.
VOL. II.
SEE. See I languish. The Borrowed Kiss.
[Song. Words from R. Dodsley's ' Colin's
Kisses,' music by J. Oswald.]
[London,n4:5?] s.sh.iol. G. 311. (54.)
[Another setting.] See I languish. The
Borrow'd Kiss. [Song, words from R.
Dodsley's ' Colin's Kisses.']
C[harles aiid] S[amuel] T[hompso7i :
London, 1775?] s.sh.iol. G. 311. (127.)
See, ]Myra, see, the lilly fair. The Com-
parison, a Song, the Words by a Young
Lady. [London, 1752.] 8°.
P.P. 5438. z.
Universal Magazine, Vol. X., p. 125.
See, Myra, see the Lilly fair. The Com-
parison. A Song, the Words by a Young
Lady. [London, 1755 ?] s. sh. fol.
G. 316. e. (128.)
See Myra, see the Lilly fair. The Com-
parison. [Song.] See Chlok. Chloe, or
the Musical Magazine, etc. No. 14.
[1760?] fol. G. 433.
[Another setting.] See Myra, see the
lilly fair. The Comparisoji. [Song.]
L[ongman] L[ukey] & Co. : [London,
1775?] s.sh.iol. G. 311. (129.)
See Phillis yonder bow'r. The Invitation.
A Song. [Londcm, 1758.] 8°.
P.P. 5438.
Literary Magazine, Vol. III., p. 229.
See Royal Charlotte come. God save the
King and Queen. Sung by Mr. Lowe at
Vauxhall. [Lo^idon,'] 1761. 8°.
P.P. 5441.
Royal Magazine, Vol. V., p. 210.
See royal Charlotte come ! A new Song,
sung by ]Mr. Lowe, at Vauxhall [to the
tune of ' God save the King 'J.
[London, 1761.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XXIX., p. 381.
See Royal Charlotte come ! God save the
King and Queen. Sung by Mr. Lowe, at
Vauxhall. [London, 1761.] 8°.
P.P. 5140.
Lady's Magazine, Vol. III., p. 225.
See, see a Sun. A Bacchanalian Song.
Written by Dr. Ruttyer . . . about the year
1643, etc. Bland : [London,]
1782. s. sh. fol. H. 1601. b. (38.)
See, see, my Boys. The Introduction of
the Bowl. A Catch. For four Voices.
[London, 1775.] s. sh. 4°. 159. n. 7.
London Magazine, Feb., 1775.
See see my Seraphina comes. Song. See
Vakbeughe (G.) [Seraphina' s Return.]
See, see that Insect. The Fly, a Simile.
[Song.] The Words by Thos. Crick.
[London, Yl 50?] s. sh. fol.
G. 316. f. (6.)
2 I
482
SEE— SEHNSUCHT
SEE. See, see that Insect proud and vain.
The Fly. A Simile. [Song.]
{London, 1758.] 8°. 158. 1. 3.
London Magazine, 1758, p. 308.
[Another edition.] See, see that Insect,
proud and vain. The Fly, a Simile.
[Song.] The Words by T. Crick.
[London, 1760 ?] s. s/i. fol.
G. 316. f. (6.)
See see the Huge Bowie. A Song to be
sitng over a Boiole of Punch. D. Wright :
London, [1715 ?] s. sh. fol.
H. 1601. (413.)
See see yon fair Prospect. [Song.]
Sung by Mrs. Weichsell, at Vauxhall.
SMillern : London, 1780 ?J s. sh. fol.
G. 311. (117.)
See, Sol sweetly smiles with his gold
beaming Face. Song. See Blewitt (J.)
See, Stella, as your health returns. The
Congratulation. [Song.]
[London, 1745.] 8°. 157. 1. 7.
London Magazine, 1745, p. 356.
See Stella as your Health returns. The
Recovery. [Song.] Set by an Eminent
Master. See Chloe. Chloe, or the
Musical Magazine, etc. No. 79.
[1760?] fol. G. 433. 1
See Stella, see that Chrystal Stream.
Stella. A New Song. Sung at the
Publick Gardens. [London,
1750?] s.s/t. fol. 1.530.(140.)
See, Stella, see that crystal stream.
Stella. ANeivSong. [London, 1153.] 8".
P.P. 5438. z.
Universal Magazine, Vol. XIII., p. 27.
See that beauteous blooming Rose. The
Rose. [Song.] [London,
1770?] s.s/(. fol. G. 311. (147.)
See that pretty Creature there.
See Reeve (W.) [Don Juan.]
See the God of Wine appears. [Song.]
See Holmes (G.) of Lincoln.
See the happy Country Lass. A Medley
or the Cries of London.
[London, 1775 ?J fol. G. 316. j. (6.)
See the jolly God appears. Precious
Goblet, a favorite Song, etc.
Preston d; Son :
London, [1795 ?] fol. H. 2826. c. (32.)
See the kind indulgent gales. Song.
Sec Bach (J. C.)
See the lovely Nymph reposing. Glee.
See Stevenson (Sir J. A.)
See the Morning-Star appear. Hymn.
See Page (J.)
See the purple morn arise. [Song.]
See Atheidates.
See! the radiant Queen of Night.
Arethusa, sung by IMiss Raftor, etc.
[London, 1730 ?] s. sh. fol.
L G. 316. f. (14.)
SEE. See the wanton zephyrs play. Song.
See Hudson (R.)
See the yielding fair. A tivo Part Song.
Sung by ]\Ir. Legar and ]Mr. Leveridge.
[London, 1720 ?] s. sh. fol.
G. 305. (194.)
See what sweets this wreath compose.
Cantata. See Dunn (J.)
See where Phyllis ever sprightly. Phyllis,
[Song, words] by Mr. Lockman. To a
favourite Minuet. Printed for
H. Waylett : [London, 1750 ?] s. sh. fol.
G. 316. f. (3.)
See where Phyllis ever sprightly. Phillis.
[Song.] [London, 1759.] s. sh. 8".
I. 600. d. (153.)
A cutting from the Lady's Magazine for
October, 1759.
See where repenting Cselia lies. Song.
See PuRCELL (H.) [The Married Beau.]
See, whilst thou weep'st. [Song.]
See Lady.
See yonder festive. Song.
See Webbe (S.) the Elder.
See your Country righted. [Song.]
See Come. Come ye lads who wish to
shine. [1779.] s. sh. fol.
G. 307. (105.)
SEEDO ( ) [Hurlothrumbo.] Pretty
Ladies, pretty Pins. An Additional
Ballad in Hurlothrumbo . . . Sung by
Mrs. Nokes at the New Theatre in the
Hay Markett. [London,
1780?] s.sh. fol. G. 311. (10.)
When my Love the other Day. The Milk
Maid's Song . . . Sung by Mrs. Nokes at
the Theatre in the Hay Market.
[Lo7idon, 1725 ?] s. sh. fol.
G. 305. (50.)
[Another copy.] G. 313. (80.)
[Another edition.] When my Love the
other Day. The Milk Maid's Song, etc.
[London, 1780 ?] s. sh. fol.
G. 316. f. (83.)
See Devil to Pay. Ye Gods ye gave to
me a wife. A Song, etc. [By — Seedo.]
[1732.] s. sh. fol. G. 316. f. (14b.)
See Lottery. The Lottery. A Farce,
etc. [Music chiefly by — Seedo.]
17,H2. 8°. 11775. c. 66.
SEEK. Seek ye the Lord
See Fisher (J. A.)
SEELEN-MUSIK.
Music. See Hymns.
Anthem.
Geistliche Seelen-
[6. German.]
Sec Dalayeac (N.)
. . Arrang6e pour
. . avec Accompagnement de
parM'Sehnal. [1800?] fol.
H. 538. f. (3.)
SEHNSUCHT. Sehnsucht nach dem
Friihlinge. [Song.] See Mozart (W. A.)
SEHNAL ( ) M'-.
[Alexis.] Guverture
Clavecin
Yiolon .
SEHT— SELLIUS
483
SEHT. Seht man sagt mir. Arie.
Sec Paee (F.) {Camilla.]
SEID. Seid from ihr lieben Christen Lent.
[Hymn.] See Petsch (J. F.)
SEIDEL (Friedeich Ludwig) Gesange
am Claviere. In der Frankcschen
BucJihaiullung : Berlin, 1793. obi. fol.
T>. 730.
SEIGNEUR. Un Seigneur pauvre avoit
pour fille. La Chatelaine de St.-Gilles.
Romance. [Paris,] 1788. 8".
298. g. 17.
Mercure de France, Sept., 1788, p. 3.
SEIGNEUR BIENFAISANT. Le
Seigneur Bienfaisant. [Opera.]
See Floquet (E. J.)
SEIGNEURS. Seigneurs Aristoerates.
Vaudeville a I'Ordre du Jour. Imbault :
Paris, [1792.] 8°. B. 362. a. (39.)
SEIP (JOHANN HeINRICH)
See Mueller (E.) Das Hohe Lied des
Koniges Salomons. . .mit kurtzen Schluss-
Liedern [by J. H. Seip], etc.
[1656?] ohl. B". 3149. ee. 6.
SELBY (William) The Chase of the
Hare. A New Hunting Song, etc.
[London, ITiOl] s.sh.iol.
H. 1994. a. (3.)
O'er the Bowl we'll laugh and sing. A
Drinking Song, etc. [London,
1765 ?] s. sh. fol. H. 1994. (57.)
See Arne (T. A.) A Second Collection of
Psalms and Hymns used at the Magdalen
Chapel . . . The musick ... by Dr. Arne,
W. Selby, etc. [1765 ?] 8".
E. 602. y. (1.)
Sec Voluntaries. Ten Voluntarys . . .
by Dr. Green . . . Selby, etc.
[1770 ?] ohl. fol. e. 108. a. (5.)
SELECT HARMONY. Select Har-
mony. Third Collection. Six Concertos
in Seven Parts, for Violins and other
Instruments, compos'd by Sig'Geminiani,
and other Eminent Italian Authors, etc.
[Separate Parts.] Printed for I. Walsh :
Londoti, [1734.] fol. g. 26.
Select I Harmony. Fourth Collection. Six
Concertos in Seven Parts for Violins and
other Instruments. Compos'd by Mr.
Handel, Tartini and Veracini. [Separate
Parts.] Printed for I. Walsh :
London, [1741.] fol. G. 26. a.
No. 1 is by Handel; Nos. 2 and 3 are
jMssibly by him, though not included
in the Handel Society's edition ; No. 4
is by Veracini ; No. 5 by Tartini, and
No. 6 (though witJwut his name) also
by Tartini.
SELF-BANISHED. The Self-banished.
[Song.] See Oswald (J.)
The Self Banish'd. [Song.]
See Saint Germain ( ) Count, pseud.
SELICHIUS (Daniel) Opus Novum,
Geistlicher Lateinisch vnd Teudscher
Concerten vnd Psalmen Davidts, mit 2.
3. 4. 5. 6. 7. 8. 9. 10. 11. 12. &c. Stimmen,
nebenst dem Basso Continuo vor die
Orgel, Lauteu, Chitaron etc., etc. Cantus.
(Altus.) (Tenor.) (Bassus.) (Quinta (Sexta)
(Septima) (Octava) Vox.) (Bassus Gener-
alis.) 9 pts. Li Verlegung dess Autoris.
Gedruckt . . . durch Eliam Hohvein :
Wolff enbilttel, 1624. {Hamburgk, 1625.) fol.
G. 39.
A made-up copy. The A., T., B., 8" Vox
and Bassus Generalis are published at
Hamburg in 1625 by M. Hering.
SELIMA AND AZOR. Selima and
Azor. [Opera.]
See LiNLEY (T.) the Elder.
SELLE (Thomas) See Sellius.
SELLIUS (Thomas) Concertatio Castali-
dum, H. E. Musicalischerstreit, Welchen
die Neun Gottinnen bey dem Parnasso
Concertationsweise vntereinander einge-
stellet ... a 3. Vocibus nach jetziger Newen
Manier Componiret, etc. Cantus. (Tenor.)
(Basis.) 3 pts. In Verlegung Michael
Herings : Hamburg, 1624. 4".
B. 124. a.
Delicise Pastorum Arcadise, H. E. Arca-
dische Hirten-Frewd, darinnen Zehn news
Weltliche . . . Pastorellen begriffen, a 8
Vocibus nach jetziger Invention Com-
poniret, etc. Cantus Prior. (Cantus
Posterior.) (Basis.) 3 pts.
In Verlegung Miclmel Herings :
Hamburg, 1624. 4°. B. 124.
Der LXV. Psalm Davids. Mit 3. Vocal-
und 2. Instrumental-Stimmen sampt
zugehorigem Basso Continuo vor die Orgel
etc. . . . Componirt, etc. [Separate Parts.]
Gedruckt hey Michael Pfeiffern :
Hamburg, 1651. fol. G. 66.
See RiST (J.) Neue musikalische Fest-
Andachten, bestehend in . . . Liederen . . .
Die den grossern Theils auf gewohnliche
. . . Alle aber auf gantz Neue, von Herrn.
Thoma Sellio . . . wolgesetzete Melodyen
konnen . . . gesungen werden, etc.
1655. 8°. A. 188. a.
See RiST (J.) Sabbatische Seelenlust.
Das ist : Lehr- Trost- Vermahnung- und
Warnimgsreiche Lieder . . . welche so wol
auf bekante . . . alss auch . . . Neue, voni
Herren Thoma Sellio . . . wolgesetzete
Melodeien konnen gesungen . . . werden,
etc. 1651. Q\ 1220. d. 13.
2 I 2
484
SELNECCERUS— SERIEUX
SELTSTECCERUS (Nicolaus) Christ-
liche Psalmen, Lieder, vnd Kircbon-
gesenge, etc. Gedruckt . . . ditrch Johan.
Beyer : Leipzig, 1587. 4°. 3425. ce. 36.
SELON. Selon la coutume au village.
Vaudeville. See Gabrielle et Paulin.
SEMELE. 0 Sleep why dost thou leave
me. [Song] From the Opera of Semele
[by G. P. Handel]. S. Falkener : London,
[1780?] s.sh.iol. G. 805. e. 11.
[Another copy.] H. 1994. a. (70.)
S6mele. Cantate. See Destouches (A. C.)
Semele. [Oratorio.] See Haendel (G. F.)
Semele. Cantate. See Jacquet de La-
GUEERE (E. G.)
SEMIRAMIDE. Semiramide. Overture.
[P. P.] [London, 1771 ?] fol.
h. 726. m. (13.)
Probably the Overture to G. Cocchi's
' Semiramide Riconosciuta.'
Semiramide. Opera. See Hasse (J. A.)
SEMIRAMIS. Semiramis. Tragedie en
Musique. See Destouches (A. C.)
SENAILLE (Jean Baptiste) Sonates k
Violon seul avec la Basse . . . Livre III™^.
Clicz Madame Aveline :
Paris, [1745 ?] fol. h. 38.
Quatrieme Livre de Sonates a Violon seul
avec la Basse. Chez VAiiteiir :
Paris, 1721. fol. h.. 38. a.
SENAREGA (Marcelling)
See Negro Santo Pietro (G. de)
Gl' Amorosi Pensieri . . . Libro Secondo.
Raccolte da M. Senarega, etc. 1607. 4°.
D. 190.
SEND. Send me back my Heart. [Song.]
^ee JMiLLER (E.)
SENF (H. C. L.) Gedichte von Filidor.
Mit Musik. Bei G. J. Goschcn :
Leipzig, [1788.] 8°. 11525. ee. 16.
The music is by J. G. Witthauer, A. T.
Grahl and Sterkel.
SENFL (Ludwig) See Hofheimerus (P.)
Harmoniae Poeticae . . . tum uocibus
humanis, tum etiam instrumentis accom-
modatissimae, etc. (Harmoniae Poeticae
Pauli Hofheimeri, & Ludouici SonfUj, etc.)
1539. 8". 1070. e. 12, (1.)
See also S., L.
SENSES. The Senses. [Song.]
See Seated. Seated at Aminta's Table,
etc. [1780?] s. s7i. fol. G. 311. (139.)
SENSIBLE. La Sensible Jeaunette.
[Song.] See De. De I'art de plaire, etc.
[1790?] 8°. B. 362. e. (9.)
SENTIMENT. Un sentiment cher et
paisible. Air.
See Rague (L. C.) IL'Amoicr Filial.]
SENTIR. Sentir avec ardeur fiamme
discrete. Brunette.
See Erreur d'un Moment.
SENTO. Sento brillarmi in sen. Aria.
[Paris,] 1725. s. sh. 4°. 297. a. 14.
Mercnre de France, May, 1725.
Sento che in freno mi batte. Rondo.
See Contadina in Corte.
Sento che in seno. Rondo.
See GiORDANi (G.) or (T.)
SENZA. Senza costrutto o cara. Can-
zonetta Veneziana. Ridotta a Duetto con
Accompagnamento di Arpa o Piano
Forte. Printed for T. Monzani :
London, [1800.] fol. G. 811. a. (37.)
No. 8 of ' A Collection of Periodical
Italian Songs,' etc.
Senza il caro amato oggetto. Rondo.
See Naumann (J. G.)
Senza speranza. Aria. See Weigl (J.)
[La Principcssa d'Amalfi.]
SEQUEL. The Sequel to Crazy Jaue.
Song, See Poole (C.)
SEQUESTERED, Sequester'd in a lonely
vale. The Complaint. A New Song [by
Monsieur Bennet]. [London, 1770.] 8°.
P.P, 5438, z.
Universal Magazine, Vol. XL VII.,
p. 815.
SERAFINA. Serafina. Cantate.
Sec Wolf (E. W.)
SERAGLIO. The Seraglio. [Opera.]
See DiBDiN (C.)
SERAPHINA, Seraphina. [Song.]
See Urbani (P.)
Seraphina's Return. Song.
See Vanbrughe (G.)
SERBA. Serba costante in petto. Rondo.
Sec Sacchini (A. M. G.)
SERENADE. The Serenade, or Love-
sick Polly. [Song.] See Three. Three
Days and Nights my Polly, etc.
[1750 ?] s. sh. fol. G. 312. (83,)
The Serenade. Song. See Waft. Waft
to her ears, kind gentle breeze.
[1775 ?] s. sh. fol. G. 806. f. (80.)
The Serenade. [Song, begins : ' 'Tis night,
and sunk in balmy rest.']
See Wilton (C. H.)
SERENO. Sereno raggio. Aria.
See Martin y Solar (V.)
SERIEUX. Le S^rieux d'Agnes. [Song,]
See Jour. Uu jour assistant au festin, etc.
[1780?] 8". B. 362. a. (163.)
SERMES-SEXE
485
SERMES, Sieur de, pseud, [i.e. Marix
^IERSE^'NE.] Traite de rHarmonie Uni-
verselle. Ou est contenu la Musique
Theorique et Pratique des Anciens et
Modernes, etc. 2 pts. Pour Guillaume
Baudry : Paris, 1627. 8°. 1042. e. 9.
SERRE (Jean Adam) Essais sur les Prin-
cipes de rHarmonie, etc.
Chez Prault Fils : Paris, 1753. 8".
557*. d. 31. (1.)
[Another copy.] 1042. i. 10. (1.)
Observations sur les Principes de I'Har-
monie, occasiounees par quelques Ecrits
modernes sur ce sujet, etc.
CJiez H. A. Gosse et J. Gosse :
Geneve, 1763. 8". 1042. i. 10. (2.)
[Another copy.] 1042. i. 14.
SERRE-TETE. Le Serre-Tete. [Song.]
See Est. Est il uu plaisir plus charmant.
[1790?] 8". B. 362. (244.)
SERRURIER. Le Serrurier. Op^ra
Bouffon. See Kohaut (C. von)
Le Serrurier, ou la Rencontre Nocturne.
[Song.] See Dans. Dans le quartier
Saint Honors, etc. [1770 ?] 8°.
B. 362. b. (141.)
SERSE. Xerxes. Opera.
Sec Haexdel (G. F.)
SERVA PADRONA. La Servante
Maitrcsse. Comedie en deux Actes,
melee d'Ariettes, parodiees [by Baurans]
de la Serva Padrona, Intermede Italieu
. . .avec la Musique [of two songs by G. B.
Pergolesil. \_Paris, 1754.] 8^
11738. bb. 3. (1.)
La Servante Maitresse, Comedie en devix
actes, melee d'Ariettes, parodiees de La
Serva Padrona, Intermede Italien ; repre-
sentee pour la premiere fois . . . le 14 Aout
1754 . . . avec la Musique [by G. B.
Pergolesi. Voice parts onlv].
{Duchesne : Paris, 1755.] 8°. 86. b. 14.
Part of tlie ' SuppUment aux Parodies
du Thidtre Italien,' etc. torn. 1.
La Servante Maitresse, Comedie en deux
Actes, melee d'Ariettes, traduite de la
Serva Padrona, intermede Italien . . . avec
la Musique [of two songs, by G. B.
Pergolesi]. 1771. See Recueil. Recueil
general des Op6ra BouSons, etc. Tom. 4.
1777. S". 11735. b. 2.
La Serva Padrona.
See Pergolesi (G.
Intermezzo,
B.)
SERVANTE MAITRESSE.
Set' Serva Padrona.
SERVINUS (Joannes) Psalmi Davidis
a G. Buchanauo versibus expressi; nunc
primum modulis mi. v. vi. vii. et viii.
vocum . . . decantati. Bassus.
Apud Carolum Pesnot :
Lugduni, 1579. obi. 4°. K. 8. e. 25.
The royal arms of Scotland arc stamped
on the covers. Imperfect, icanting
fol. sig. B i, iv ; C Hi, iv ; D Hi;
E Hi, iv ; F Hi, iv ; G Hi, iv ;
H i-iii ; I i ; L i-iii ; M Hi, iv ;
P i, Hi, iv ; Q i, iv ; B i, iv ; S i,
H, iv ; T i, iv ; X i, ii, iv ; Y i ;
Bb Hi, and all after Bb iv. Fol.
F Hi, NH and Z ii are mutilated.
SETAB (J.) pseud, [i.e. J. Bates.] The
Fife Hunt, arrang'd as a Rondo, in which
islntroduc'd Speed the Plough, Del Caro's
Hornpipe & the Invisible Cousin Michael.
Printed for H. Thompson:
London, [1800 ?] fol. g. 272. d. (19.)
SEUBERLICH (Daniel) pseud, [i.e.
Friedrich NicoLAi.] Eyn feyner kleyner
Ahnauach vol sch5nerr echterr libUcherr
Volckslieder, lustigerr Reyen vnndt kleg-
licherr ]\Iordgeschichte, gesungen von
Gabriel Wunderlich . . . zu Dessaw,
herausgegeben von D. Seuberlich [i.e.
Friedrich Kicolai] . . . Erster (Zweyter)
Jahrgang. 2 pts. Friedrich Nicolai :
Bcrlynn vnndt Stettyn, 1777(-S). 16".
P.P. 4739. ca.
SEVERE. La severe nature voudroit
user de rigueur. Les Bicnfaits du Boy.
[Song.] Air. La Fete des bonnes Gens.
[Paris, 1785 ?] 8°. B. 362. a. (196.)
SEVERI (Francesco) Salmi Passaggiati
per Tutte le Voci nella maniera che si
cantano in Roma sopra i Falsi Bordoni
di tutti i Tuoni Ecclesiastici . . . Con
alcuni Versi di Miserere sopra il Falso
Bordone del Dentice . . . Libro Primo.
Da Nicold Borboni : Boma, 1615. obi. 12".
K. 3. f. 8.
Engraved throughout.
SEX. The Sex. [Song.] See As. As
Jockey was walking, etc.
[1750?] s. s7z. fol. G. 306. (63.)
The Sex. Song. See As. As Jockey was
walking, etc. [1754.] 8°. 157. 1. 16.
The Sex. [Song.] See As. As Jockey
was walking, etc. [1755.] s. sh. 8".
P.P. 5439. ab.
SEXE. Sexe charmant, j 'adore ton empire.
Rondeau. See Dalayrac (N.) [Gulnare.]
Sexe charmant par qui nous soniines.
Vaudeville. See Honorine.
Sexe charmant, pour vous mon cceur
brule. Ariette Nouvelle.
\ [Paris, 1780?] 8°. B. 362. c. (19.)
486
SEXE— SHARP
SEXE. Sexe charmant, si ma chanson.
Lcs Caprices [Song, written] par M. Minier.
Air : Ce fut i^ar la faute du sort ou Non
non Doris [by M. A. Desaugiers].
Clicz lesfrires Savigny :
[Paris, 1790 ?] 8". B. 362. (245.)
SEYBOLD (S. Philip) Twelve Airs, with
Variations for the Harp. Irish, Welsh &
French . . . Op. xii.
Publish'd by Subscription :
[Dublin, 1796 ?] fol. li. 184. c. (20.)
Cease O cease. [Song.] The Words by
Mr. Layard, etc.
I[olin and] G[crard'] Y^ogler :
London, 1775 ?] fol. G, 201. (63.)
Seybold's much admired Chasse, for the
Harpsicord, Harp, or Piano Forte.
Holland & Co. : London, [1790 ?] fol.
h. 726. p. (11.)
Seybold's much admired Chasse for the
Piano-Forte or Harp, with an Accom-
paniment for a Violin. [Separate Parts.]
Printed for J. Dale :
London, [1800?] fol. g. 192. a. (16.)
Three Sonatas for the Harp or Piano-
Forte . . . with Accompaniments for a
Violin and Violoncello. Op. x. [Separate
Parts.] Printed for the Author :
London, [1795 ?] fol. h. 184. e. (15.)
Three Sonatinas for the Harp or Piano
Forte, with Accompaniments for Violin
& Violoncello . . . Op. xiii. [Separate
Parts.] Gough: Dubli7i, [1800?] fol.
h. 184. e. (16.)
See Aprile (G.) Twelve Favorite Can-
zonets . . . Set with Accompanyments . . .
by P. Seybold. Op. iv. [1785 ?] obi. fol.
E. 600. 1. (3.)
See Rose et Colas. Demandez moi
pourquoi cette colere . . . With an Accom-
panyment for the Harp by S. P. Seybold.
[1770?] fol. G. 800. m. (50.)
SEYDELMANN (Feanz) Arsene. Sing-
spiel nach Favart von A. G. Meissuer. In
Musik gesetzt und im Klavierauszug ge-
bracht von F. Seydelmann, etc.
J. G. I.Breitkopf:
Leipzig, 1779. obi. fol. P. 76.
Trois Sonatas pour le Clavecin ou Piano-
forte avec I'accompagnement d'un Violon
. . . Oeuv. III. [Separate Parts.]
Ches P. C. mischer :
Dresde, [1787.] fol. and obi. fol. d. 77.
See Freemasons' Songs. Gesiinge fiir
Maurer mit . . . Melodien von Seydelmann,
etc. [1782.] 8°. E. 1718.
See Kriegel (C. F. W.) XXXVI. Lieder
. . . von . . . Seydelmann, etc.
[1790-1.] obi. fol. E. 679.
SEYFRIED (Ignaz Xaver von) Parade
Marsch des lobl. zweyten Biirger Regi-
ments, etc. [P. F.]
Im Vorlage der k.k. priv. chemischen
Druckerey : Wien, [1800 ?] obi. fol.
e. 1090. a. (2.)
SEYPRIED (JoHANN Chbistoph) Erster
Theil Neuer Balletten, AUemauten,
Arien, Couranteu und Sarabanden, mit
zwey Violinen, und einem geduppelten
General-Bass. . .Violino 2. (Bassus Con-
tinuus.) 2 pts. Li Verlegung
Johann Birckners . . . Erffurt, druckts
Samuel Krcbs : Jehna, 1656. 4". c. 81.
SEYVE (Erasmus de) Melodia Spirituale
a Tre Voci, etc. Canto. (Basso.) 2 pts.
Appresso Abrahamo Wage'imanrio :
Norimberga, 1614. 4". B. 135.
SHADES. Shades of Windsor. Glee.
See Spofforth (R.) [Windsor Castle.]
SHAKESPEAR'S GARLAWD
Shakespear's Garland. Songs.
See DiBDiN (C.)
SHALL. Shall Britain's Sons disgrace
their Sires. Britons will be Britons still
... A Favorite Song as sung by the Loyal
Sons of Britain. Printed for ... J. Dale :
London, [1798 ?] fol. G. 376. (56.)
Shall I all the truth discover. Song.
See Hudson (R.)
Shall I, wasting in despair. A new Song.
[Words by G. Wither.]
[London, 1758.] 8". 158. 1. 3.
London Magazine, 1758, p. 92.
Shall I wasting in despair. What care I
for whom she be. [Song.] Sung by
Mr. Vernon. S[amuel,] A[nn and] P[eter]
T\hompson : London, 1780 ?] fol.
G. 311. (123.)
[Another copy.] G. 808. f. (45.)
SHAM CONJURER. The Sham Con-
jurer. Masque. See Lampe (J. F.)
SHAMMELL (Antonio)
See Kammel (A.)
SHARP (Francis) New Guida di Musica,
being a Complete Book of Instructions for
Beginners on the Piano Forte, etc. Op. 6.
Preston d- Son : London, [1790 ?] fol.
h. 1094.
Six Sonatas for the Harpsichord or Piano
Forte, Three with an Accompanyment for
the Violin, etc. Welcker :
London, [1775 ?] obi. fol. e. 5. k. (4.)
Six Sonatas for the Piano Forte or Harp-
sichord, with accompanyments for the
Violin (or Flute) & Violincello, etc. Opera
the Fifth. Printed for the Author :
London, [1785 ?] fol. h. 3212. g. (14.)
Wanting the string accompaniments.
SHARP— SHENKIN
487
SHARP (Gbanville) A Short Intro-
duction to Vocal Music . . . The Second
Edition. London, 1777. 8°.
701. e. 16. (2.)
SHARP (Thomas) See Henly (P.) and
Sharp (T.) Divine Harmony ... to which
are added : Four Psalm Tmies, composed
& adapted. . .by the late . . . T. Sharp, etc.
1798. 8". E. 481.
SHAVEBLOCK (Pasquin) pseud. The
Barking Barber or new Bow Wow.
[Comic Song.] By Pasquin Shaveblock,
Esq', Shaver Extraordinary.
T.Williams: Southwark, [1190?] fol.
H. 2818. (17.)
SHAW ( ) The Happy Milkmaid.
[Song.] Sk[:illern : London,
1775.] s. $h. fol. G. 306. (81.)
SHAW (Thomas) The Four Saints.
[Song.] The Words by C. Dibdin. Com-
piled and Arranged for the Voice and
Piano Forte, by IMr. Shaw, etc. Shmo :
Edinburgh, [1800?] fol.
H. 2818. c. (21.)
The Overture, Songs, Duets, Trios &
Chorusses in the Comic Opera entitled
The Island of S* Marguerite, [the words
written and the music partly selected by
the Hon. J. St. John] . . . Adapted for the
Harpsichord & Voice by Mr. Shaw.
Printed for S. A. d P. Thompson :
London, [1789.] ohl. fol. D. 282. (8.)
Three Sonatas for the Piano Forte or
Harpsichord. Longman and Broderip :
London, [1795 ?] ohl. fol. e. 101. (8.)
[The Stranger.] To welcome Mirth and
harmless Glee. The favorite Duett
sung by Mrs. Bland and Miss Leak in the
Play of the Stranger . . . The Words by
J. Grubb. [Full Score.]
Longman and Broderip :
[London, 1798.] fol. H. 2830. g. (59.)
[Another edition.] To welcome Mirth
and harmless Glee, etc.
Longman, dementi & Co. :
London, [1800 ?] fol. H. 2818. e. (22.)
See Cavendish (G.) Duchess of Devon-
shire. [I have a silent Sorrow here . . .
Song . . . adapted by Mr. Shaw, etc.]
[1798.] fol. G-. 249. (39.)
SHE. She dropt a Tear & cried be true.
Song. See Moulds (J.)
She lives in the Valley below. Song.
See Hook (.J.)
She sung whilst from her Eye ran down.
Song. See Linley (W.) [Voiiigern.]
She tells me with Claret she cannot
agree. The lolly Toper, a New Song,
the words by Mr. Durfey. [London,
1715?] s.sh.iol. H. 1601. (396.)
SHE. [Another edition.] She tells me with
Claret she cannot agree, etc. [Lcnidon,
1715 ?] s. sh. fol. G. 311. (73.)
She that will eat her breakfast in her bed.
A Catch for Three Voices.
[London, 1784 ?] s. sh. 4°. P.P. 5141.
Lady's Magazine, Feb., 1784.
She whom above myself I prize. The
Liexorable. [Song, words and music by
H. Carey.] [London,] 1740. s. sh. fol.
G. 315. (73.)
[Another setting.] She whom above my-
self I prize. Lesbia's Cruelty. [Song,
words by H. Carey, music by G.
Vanbrughe.] [London, Vi'iO?] s.sh.iol.
G. 303. (85.)
Fol. 19 of Vanbrnghc's 'Mirth and
Harmony.'
She Woud and She Woud not. Song.
See Ramondon (L.)
She wou'd not, and she wou'd. [Song.]
See When. When Chloe first young Colin
saw. [1760 ?] s. sh. fol.
G. 316. a. (52.)
SHE WOULD IF SHE COULD.
Musick in the Comedy [by C. Cibber]
call'd She Wou'd if She Cou'd. Composed
by a Person of Quallity. [First Violin
and Bass Parts.] [London,
1704?] obi. fol. d. 24. (20.)
SHEELES (John) Chaste Lucretia.
[Song.] See Chaste. Chaste Lucretia,
when you left me, etc. [Music by
J. Sheeles.] [1720?] s.sh.iol.
G. 307. (28.)
Hail Janus who shut'st out the sliding
Year. A Song . . . The Words by Dr.
Stukeley. [London, 1720.] s. sh. fol.
L 530. (141.)
If a Lady vou doat on. A New Song, etc.
[London, 1720 ?] s. sh. fol.
^ G. 309. (49.)
The Skylark. A Collection of all the
Divine Odes and Hymns. Taken out of
the Spectators, etc. [Words by A. Pope,
J. Addison, and R. Tickell.]
Wm. Smith, for the Author :
[London, 1730 ?] 8\ C. 688.
Suites of Lessons for the Harpsicord or
Spinnett. Printed for Wm. Smith . . .
M. Eaivlins . . . and I. Barret : London,
[1725 ?] obi. fol. e. 282. c. (12.)
SHEIN". Shein sheis shuns lum. An
L-ish Sotig. Sung by IMr. Abell at his
Consert at Stationers Hall. [London,
1714.] s. sh. fol. K. 2. g. 15. (3.)
SHENKIN. Shenkin and Winny. [Song.]
See Dibdin (C.) [The Wags.]
488
SHEPHERD— SHERAKD
SHEPHERD. The Shepherd and Cupid, j
[Song.] See 'Twas. "Iwas early on a
holiday. [1748.] 8°. 157. 1. 10. \
The Shepherd and his Dog. Song.
See RiJiBAULT (S. F.) Select Songs.
No. 7.
The Shepherd Boy. Song.
See Hook (J.)
The Shepherd in Love. [Song.]
See Tales. The Tales ' of your loves,
fellow Shepherds, I've heard, etc.
[1770?] s.sh.tol. G. 312. (124.)
A Shepherd once had lost his Love. Song.
See Stobace (S.)
A Shepherd sat him under a thorn. TJte
NortJiumbcrland Bagpipe. [Song.]
P. H[odgson : London, 1770 ?j s. sh. fol.
G. 306. (141.)
Shepherd, seek not Wealth or Pow'r. On
Contentment. [Song.] Sung at the Public
Garden. \London,'] 1762. 8°.
P.P. 5441.
Boyal Magazine, Vol. VII., p. 41.
A Shepherd wand'ring in a Grove.
Harmonized for 3 voices, with an Accom-
paniment for the Piano Forte.
R. Birchall : London, [1794 ?] fol.
H. 1795. k. (5.)
Shepherd what art thou pursuing. Song.
See Haendel (G. F.) [Acis and Galatea.^
Shepherd wouldst thou here obtain.
Song. See Y., E.
The Shepherd's Artifice. [Song.]
See Potter (J.)
The Shepherd's Complaint. [Song, begins :
' Ah whither alas shall I fly.'j
See Atkinson ( ) Miss.
The Shepherd's Complaint. [Song, begins :
' Sweet were once the joys.']
See RussEL (D.)
The Shepherd's Complaint. [Song.]
See Slighted. A Slighted Shepherd in a
Vale. [1730 ?] s. sh. fol.
I. 530. (144.)
The Shepherd's Complaint. [Song, begins :
« To feed my flock.']
See Stanley (J.)
The Shepherd's Evening. [Song.]
See Now. Now to pant on Thetis' Breast.
[1760.] s. sh. fol. 1. 530. (110.)
The Shepherd's Invitation. Air [begins :
' Come live with me '].
See Ahne (T. A.) [Achilles in Petticoats.]
The Shepherd's Invitation. Song [begins :
' See, May approaches']. See Hook (J.)
The Shepherd's Invitation. [Song, begins :
' The new-flown birds.']
See Lampe (J. P.)
SHEPHERD. The Shepherd's Invitation,
[Song, begins : ' Come live with me.']
See Oswald (J.)
The ShexAerd's Repentance, A New
Song [by W. Defesch], etc. See Chloe.
Chloe, or the ]\Iusical Magazine, etc.
No. 48. [1760 ?] fol. G. 433.
The Shepherd's Resolution. [Song.]
See Dunn (J.) [Six English So7igs.
No. 5.]
The Shepherd's Wedding. [Song, begins :
' Vain mortals with their earthly pomp.']
See Randall (R.)
The Shepherd's Wedding. [Song, begins :
' Pastora's come with myrtle crown'd.']
See WoKGAN (J.)
SHEPHERD (William) A Collection of
Strathspey Reels, &c. with a Bass for the
Violoncello or Harpsichord, etc.
Printed for the Author :
Edinburgh, [1790 ?] fol. g. 542. (4.)
A Second Collection of Strathspey Reels
&c. for the Piano Forte Violin & Violon-
cello, etc. Gow (& Shepherd :
Edinburgh, [1800 ?] fol. g. 542. a.
SHEPHERD AND SHEPHERDESS.
The Shepherd and Shepherdess. Cantata.
See Battishill (J.)
SHEPHERD'S LOTTERY. To dear
Amaryllis. A Neio Song. Sung by
Mr. Beard, in the Shepherd's Lottery.
[Words by M. Mendez, music by W.
Boyce.] [London, 1752.] 8°.
157. 1. 14.
London Magazine, 1752, p>. 138.
The Shepherd's Lottery. Entertainment.
See Boyce (W.)
SHEPHERDS. Shepherds I have lost
my Love. Anna. A Particular Favourite
Irish Song, etc. I. F[entum : London,
1775 ?] s. sh. fol. H. 1994. a. (121.)
[Another edition.] Shepherds I have lost
my Love. Anna, etc.
[London, 1175?] s. sh. io\.
Add. MS. 20,096. fol. 108.
[Another edition.] Shepherds I have lost
my Love. Anna, etc. I. F[entti\m :
[London, 1775 ?] s. sh. fol.
H. 1994. b. (71.)
The Shepherds in Clusters. [Song.]
See Gaedineb (P.)
Shepherds seek not Wealth. [Song.]
L[ongman'] L[tikey'] d Co. : [Lo7idon,
1775?] s.sh.tol. G. 311. (112.)
Shepherds would you hope to please us.
Aria. See Palma (F.)
SHERARD (GiACOMO)
See Sheeard (J.)
SHERARD— SHIELD
489
SHERARD (James) Sonate a Tre, doi
Violiui, e Violone col Basso per 1' Organo
. . . Opera Prima. [Separate Parts.]
Chez Estienne Roger :
Amsterdam, [1115?] 4^ f. 24. (1.)
Sonata a Tre, doi Violine, Violoncello e
Basso continuo . . . Opera Seconda.
[Separate Parts.] Chez Estienne Roger :
Amsterdam, [1725?] 4". f. 24. (2.)
SHIELD (John) The Approaching Season.
[Song.] The Words by T. Godwin, etc.
[London, 1782.] s. sh. 4°. P.P. 5141.
Ladt/s Magazine, March, 1782.
Cross Purposes. [Song.] The words by
Mr. Vint, adapted to a favourite Scot's
Reel, by J. Shield.
[Lo)idon,'] 1791. s. sh. 4^ P.P. 5141.
Lady's Magazine, July, 1791.
Jenny of the Glen. A Scotch Song. The
Words by Mr. Vint.
[Lojidon, 1783.] s. sh. 4". P.P. 5141.
Lady's Magazine, Aug., 1783.
O the blissful joys of wooing. A New
Song. The Words by J. Elwood, etc.
[London, 1780 ?] s. sh. 4".
G. 316. (123.)
0 ! the blissful joys of wooing. A New
Song. The Words by J. Elwood, etc.
[London, 1784.] s. sh. 4". P.P. 5141.
Lady's Magazine, Dec, 1784.
SHIELD (William)
Arrangement.
1. Operas, Pantomimes, Entertainments,
&c.
2. Songs, Duets, Glees, &c.
a. Collections.
b. Single Works.
3. Instrumental and Theoretical Works.
4. Appendix.
5. Index of Vocal Numbers.
1. Operas, Pantomimes, Entertain-
ments, &c.
Abroad and At Home.
Abroad and At Home. A Comic Opera
. . . Composed by [and selected from]
Gr6try, Gioruovichi, &c. and W. Shield
. . . The Poetry by G. Holman.
Longman d- Brodcrip :
London, [1796.] oU. fol. D. 287. (2.)
Imperfect, wanting pp. 1 and 2.
The Choleric Fathers.
The Choleric Fathers, a Comic Opera, etc.
Opera 4. [Words by T. Holcroft.]
[London, 1785.] obi. fol. E. 100. (1.)
The Choleric Fathers . . . Adapted for the
German Flute, etc.
Longman and Brodcrip :
London, [1785.] obi. 4°. B. 387. b. (1.)
The Crusade.
The Songs, Dialogue, Duetts, Trio &
Marches, in the Historical Romance of
the Crusade, [a Pasticcio, written by F.
Reynolds,] composed by Dr. Arne, jMartini,
Martin, Cimarosa, Duny, Carolan, Leve-
ridge, and [adapted by] Mr. Shield.
Longman and Brodcrip :
London, [1790.] obi. fol. D. 293. b.
The Czar Peter.
Hey ho chivey, hark forward Tantivy. A
favorite Hunting Song. Sung ... by Mr.
Incledon at the New Theatre Royal,
Covent Garden . . . Written by J. O'Keefe.
Longman and Brodcrip : London,
[1794?] fol. G. 249. (25.)
This song lias been introduced in different
musical pieces ; it is also known by
the nanu of " Old Towler."
The Deaf Lover.
The Songs in the Deaf Lover, etc. [A
Farce. Words by F. Pilon. Short Score.]
Printed for Wm. Napier: London,
[1780.] obi. fol. E. 601. k. (15.)
The Divorce.
Oh ! force me not. Sung in the Divorce,
etc. [Words by I. Jackman.] E. Rhames :
[Dublin, 1185 7] s. sh. fol.
H. 1601. b. (21.)
The Enchanted Castle.
The Pantomime of The Enchanted Castle
. . . The Poetry by M. P. Andrews. The
Music Selected and Composed by W.
Shield. Longman & Brodcrip :
London, [1787.] fol. H. 130. (8.)
The Farmer.
The Farmer, A Comic Opera . . . Selected
& Composed by W. Shield. The Words
by J. O'Keefe. Longman and Broderip :
London, [1787.] obi. fol. E. 100. (3.)
The Farmer . . . Adapted for the German
Flute, etc. Longman and Broderip :
London, [1787.] obi. 4°. B. 387. (1.)
The Farmer . . . Adapted for tbe Guitar,
etc. Longman and Broderip :
London, [1787.] obi. 4°. B. 385. (1.)
Bonny Bet. [Song.] Sung by Mr. John-
stone, etc. Longman and Broderip :
[London, 1788.] fol. G. 377. (56.)
'Ere around the huge Oak. A favorite
Song, sung by Mr. Darley, etc.
Longman and Broderip :
London, [1788.] fol. G. 377. (54.)
The Plough Boy. Song, sung by Mr.
Blauchard, etc. Longman and Broderip :
[London, 1788.] fol. G. 377. (52.)
[Another copy.] H. 2818. (20.)
See Flaxen-headed. A Flaxen-
headed Cow Boy, etc. [Song, from W.
Shield's Opera, The Farmer.]
[1788 ?] s. sh. fol. H. 1601. b. (64.)
See Plough Boy. The Plough Boy
[from W. Shield's Opera"', with Variations.
[P. F.] [1790 ?] fol. h. 62. (15.)
490
SHIELD
SHIELD (William) [The Plough Boy.]
The Milkmaid. A Parody on the Plough-
boy, etc. [Song.] Lotignian and Broderij) :
^London, 1788.] fol. G. 377. (53.)
The Flitch of Bacon.
The Flitch of Bacon. A Comic Opera . . .
Part . . . Composed and Part Compiled by
W. Shield, etc. Printed for W. Napier :
London, [1778.] ohl. fol. E. 108.
The folloiving composers are named in
this work : Shield, M. Este, J. C. Bach
and Giordani.
[Another edition.] The Flitch of Bacon,
a Comic Opera, etc. Printed for J. Dale :
London, [1785 ?] obi. fol. D. 293. e.
[For songs, &c., published anonymously:]
See Flitch of Bacon.
The Follies of a Day.
Ah weladay my poor heart. The favorite
Song of the Page. Sung by Mrs. Martyr in
. . , The Follies of a Day, written by Mr.
Holcroft, etc. Longman and Broderip :
[London, 1784.] fol. G. 296. (23.)
Fontainbleau.
Fontainbleau, or Our Way in France. A
Comic opera . . . Written by J. O'Keefe.
Selected & Composed by W. Shield.
Longman d Broderip :
London, [1784.] ohl. fol. E. 108. e.
The British Lion is my sign, [Song,] etc.
The Polijhymman Compami : London,
[1800?] s. sh. fol. G. 805. c. (45.)
The favorite Song of Golden Treasures.
Sung by Mrs. Billington, etc. Longman
and Broderip : [London, 1784.] fol.
H. 131. (50.)
Friar Bacon.
Friar Bacon, or Harlequin Rambler, a
Pantomime, as performed ... at the
Theatre Eoyal, Covent Garden . . . The
Overture & Airs . . . adapted as Lessons for
the Harpsichord or Piano Forte.
J. Bland : London, [1784:.'] fol. H. 115.
Hartford Bridge.
Hartford Bridge, or The Skirts of a
Camp ; an Operatic Farce . . . Selected
& Composed by W. Shield . . . The Poetry
by W. Pearce. Longman d- Broderip :
Londoti, [1792.] obi. fol. D. 284. (1.)
The Highland Reel.
The Highland Reel, a Musical Romance
. . . Selected & Composed by W. Shield,
The Words by J. O'Keefe.
Longman and Broderip :
London, [1788.] obi. fol. E. 108. a. (3.)
[For songs, &c., published anonymously :]
See Highland Reel.
The Lock and Key.
The Overture, Songs, Duetts &c. in the
Musical Farce of The Lock and Key . . .
Composed & Selected by Mr. Shield . . .
The Words by P. Hoare.
Printed for Preston d- Son :
London, [1796.] ohl. fol. D. 284. (2.)
A Woman is like to, [Song,] sung by Mr.
Fawcett, etc. Preston & Son :
London, [1796.] fol. G. 383. (25.)
The Lord Mayor's Day.
The Overture, Songs, Duett, Glees, &c. in
the Pantomime of the Lord-Mayor's Day
... to which is now added the most favorite
Comic Tunes, & Marches, in the Pageant,
Selected and Composed by W. Shield.
[Words by J. O'Keeffe.]
Printed for J. Bland : London, [1782.'] fol.
G. 808. b. (42.)
[For songs, &c., published, anonymously :]
^ee Lord Mayor's Day.
Love and War.
If you would know what pain it is to
part. A favorite Duet, sung in Love and
War, etc. Longman and Broderip :
London, [1787.] fol. G. 807. d. (69.)
Love in a Camp.
Love in a Camp, or Patrick in Prussia.
A Comic Opera . . . Selected and Composed
by W. Shield. The Words by J. O'Keefe,
etc. Longman and Broderip :
London, [1785.] obi. fol. E. 108. e. (1.)
Love in a Camp . . . Adapted for the
Guitar, etc. Longman and Broderip :
[Londcm, 1785.] obi. 4°. B. 385. (4.)
Love in a Camp . . . Adapted for the
German Flute, etc.
Longman and Broderip :
[London, 1785.] obi. i". B. 387. b. (2.)
Love in a Village.
When thou art absent, charming JMaid, a
favorite Song, written for, & sung by Mr.
Incledon in Love in a Village, etc.
Longman and Broderip :
[Londo7i, 1795 ?] fol. G. 249. (23.)
The Magic Cavern.
Overture [Incidental Music and Songs in]
. . . the Entertainment of the Magic
Cavern, etc. [Pantomime, words by F.
Pilon and R. Wewitzer.]
[Longman and Broderip :
London, 1785.] fol. H. 230. b. (5.)
Wanting the title-page.
Marian.
Marian, an Opera . . . Compos'd & Selected
by W. Shield, the Words by Mrs. Brooke.
Longman d Broderip) :
London, [1788.] obi. fol. E. 108. a. (1.)
Marian . . . Adapted for the German Flute,
etc. Longman and Broderip) :
London, [1788.] obi. 4°. B. 387. (2.)
Marian . . . Adapted for the Guitar, etc.
Lcmgman and Broderip :
London, [1788.] obi. 4". B. 385. (3.)
SHIELD
491
SHIELD (William) Haud away wi
Jamie . . . Song, etc.
E. Bhames : Dublin, [1790?] s. sli. fol.
H. 1601. b. (5.)
The Heart chearing Horn. An admired
Hunting Song, etc. E. Rhavics :
DtihUyi, [1790?] fol. H. 1601. b. (6.)
Patty Clover, a favorite Ballad sung by
Mr. Blanchard, etc.
Longvian and Broclerip :
London, [1788.] fol. G. 806. e. (9.)
With truth on her Lips. A favorite Ballad
sung by jNIr. .Johnstone, etc.
Longman and Broderip:
ILondon, 1788.] fol. G. 377. (55.)
[For songs, &c., published anonymously :]
See Marian.
The jMidnight Wanderers.
The Midnight Wanderers, a Comic Opera
, . . composed by [or rather, selected
from] Paiesiello, Gr6try, and Shield. The
Poetry by W. Pearce. (Overture to the
Midnight Wanderers for the Piano Forte,
with a Violin Accompaniment, composed
by Nauman for the . . . Opera of Amphion.)
Longman tt Broderip:
London, [1793.] obi. fol. D. 287. (3.)
The Rosary, a Favorite Ballad, etc.
Broderip d- Wilkinson :
[London, 1199?] fol. G. 805. h. (42.)
The Rosary. A favorite English Ballad
. . , arranged as a Rondo by J. L. Dussek.
See Longman and Broderip. Longman
and Broderip's Collection of . . . Music for
the . . . Piano Forte. No. 4 [b].
[1795?] fol. g. 192. (4.)
The Mysteries of the Castle.
The Mysteries of the Castle, a Dramatic
Tale ... The ]\Iusic Selected & Composed
by ]\Ir. Shield. The Poetry by M. P.
Andrews. Preston & Son :
London, [1795.] obi. fol. D. 284. (3.)
Netley Abbey.
Netley Abbey. A Comic Opera ... partly
Selected and partly Composed by Baum-
garten, W. Parke, Paisiello, Howard and
[compiled by] Shield. [Words by W.
Pearce.] Longman & Broderip :
London, [1794.] obi. fol. D. 287. (4.)
The Noble Peasant.
The Noble Peasant. A Comic-Opera
[written by T. Holcroft].
Printed for W. Napier:
London, [1784.] obi. fol. E. 108. b.
The Nunnery.
The Nunnery. A Comic Opera [written
by W. Pearce] .. Selected & Composed by
W. Shield. Longman d Broderip :
London, [1785.] obi. fol. E. 100. (5.)
SHIELD (William) The Nunnery . . .
Adapted for the German Flute.
Longman and Broderip :
London, [1785.] obi. i'\ B. 387. b. (3.)
The Nunnery ... Adapted for the Guitar.
Longman and Broderip :
London, [1785.] obi. 4\ B. 385. (5.)
This Lock of dear Selina's hair. A
fa%'orite Song, sung by Mr. Johnstone, etc.
Longman and Broderip :
{London, 1785.] fol. G. 806. r. (33.)
Omai.
Omai or A Trip round the World. A
Pantomime... The Words written by J.
O'Keefe. Longman and Broderip :
London, [1785.] obi. fol. E. 108. e. (2.)
The Airs in Mr. Loutherbourgh's Panto-
mime of Omai . . . adapted for the Piano
Forte or Harpsichord.
Longman and Broderip :
London, [1785.] obi. i: b. 52. (3.)
The Picture of Paris.
The Songs, Duetts, Quartetts, Chorusses
&c. &c. in the Picture of Paris,. . .Part of
which is taken from the . . . Opera of Am-
phion, . . . bv the Sig' Naumann ; & the rest
Composed by ^Y. Shield, etc. [Words by
R. Merry.]
Printed for Longman & Broderip:
London, [1790.] ' obi. fol. E. 91. c. (2.)
The Poor Soldier.
The Poor Soldier, a Comic Opera...
Selected and Compos'd by W. Shield, etc.
[Words by J. O'Keeffe.] J. Bland :
London, [1782.] obi. fol. E. 108. e. (3.)
The Comic Opera of the Poor Soldier, for
the German Flute or Violin, etc.
J. Bland : London, [1782.] obi. A".
b. 170. a. (1.)
The Comic Opera of the Poor Soldier, for
the Guitar, etc. J. Bland :
London, [1782.] obi. 4°. a. 76. (2.)
The Poor Soldier. A Comic Opera, etc.
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. XII.
[No. 2.] [1797-1802.] 8°. D. 854.
The Twins of Latona, [Song,] sung by j\Ir.
Bannister. . .Written by Mr. O'Keefe, etc.
J. Bland : London,
[1785?] fol. G. 383. i. (32.)
[For songs, &c., published anonymously :]
See Poor Soldier.
The Prophet.
The Prophet. An Opera . . . Composed by
[or rather, selected from the works of]
Sacchini, Purcell, Giordani, Irwich, Cima-
rosa, Salieri, and W. Shield. [Words by
R. Bentley.] Longman and Broderip :
London, [i788.] obi. fol. E. 108. a. (2.)
492
SHIELD
SHIELD (William) The Prophet . . .
Adapted for the German Flute.
Longman and Broclerii^ :
London, [1788.] oU. 4°. B. 387. a.
Queen Mab.
Queen Mab, or the Fairies' Jubilee. A
Cantata compos'd for the Jubilee at Strat-
ford upon Avon. . .the Words and Musick
by the Author and Composer of the Pad-
lock [i.e. Isaac Bickerstaffe and W. Shield].
John Johnston : London, [1769.] fol.
H. 1650. c. (7.)
The Belief of Williamstadt.
Great Britain still her Charter boasts.
[Song.] Sung by Mr. Incledon ... in the
Interlude of the Relief of Williamstadt,
the Words by T. Goodwin.
Longman and Broderip :
London, [1793.] fol. G. 363. (19.)
Eobin Hood.
Robin Hood or Slierwood Forest. A
Comic Opera, . . . Composed & Compil'd
by W. Shield. [Words by L. Macnally
and E. Lysaght.] J. Bland :
London, [1784.] obi. fol. E. 108. e. (5.)
Robin Hood. A Comic Opera, etc. [1800.]
Sec Periodical Publications. — London.
The Piano-Forte Magazine. Vol. XII.
[No. 3.] [1797-1802.] 8". D. 854.
Charming Clorinda ; a favorite Ballad . . .
Sung by Mr. Bowden, etc. [Full Score.]
J. Bland : London, [1786.] fol.
H. 131. (49.)
Charming Clorinda, etc. E. liJiamcs :
Dublin, [1790 ?] s. sh. fol.
H. 1601. b. (19.)
[For songs, &c., published anonymously :]
See Robin Hood.
Robinson Crusoe.
[For excerpts published anonymously :]
See Robinson Ckusoe.
Rosina.
Rosina, a comic Opera. [Words by F.
Brooke] . . . Composed and Selected by W.
Shield. Printed for J. Dale :
London, [1783.] obi. fol. E. 100. b. (6.)
Rosina, etc. [1798.] See Periodical
Publications. — London. The Piano-
Forte Magazine. Vol. IV. [No. 1.] [1797-
1802.] 8". D. 854.
The Bud of the Rose. [Song.] Sung
by Mr. Bannister, etc. J. Dale :
London, [1783.] fol. H. 131. (51.)
Light as thistle dov?n. A favorite Song,
sung by Mrs. Billington, etc. J. Dale :
London, [1791.] fol. G. 363. (17.)
The Maid of the Mill ... A favorite
Dialogue. Sung by Mrs. Kennedy and
Mrs. Martyr, etc. W. Napier :
London, [1783.] fol. G. 296. (7.)
SHIELD (William) [TheMaidof the Mill.]
See RiMBAULT (S. F.) The Maid of the
Mill. . .arranged as a Rondo for the Piano
Forte, e^c. [1800?] fol. g. 232. f. (28.)
When William at Eve. A Favorite Song ;,
sung by Mrs. Martyr, etc. J. Dale :
London, [1783.] fol. H. 131. (52.>
Whilst with Village Maids I stray. A
favorite Song, sung by Mrs. Billington,
etc. Printed for J. Dale :
London, [1791.] fol. G. 363. (18.>
Whilst with Village Maids, etc. E. Eiley :
London, [1800 ?] fol. G. 793. (24.).
The Siege of Gibraltar.
The Siege of Gibralter [sic]. An Entertain-
ment [written by F. Pilou] . . . Selected
and Composed by W. Shield.
Printed for W. Napier :
London, [1780.] obi. fol. D. 293. a.
Sprigs of Laurel.
A Glass is good and a Lass is good. A
favorite Song. . .Sung by Mr. Munden in
the Comic Opera of Sprigs of Laurel, etc.
Longman and Broderip :
London, [1793.] fol. G. 383. (23.)
The Surrender of Toulon.
Return to order and your Country save.
[Song.] Sung by Mr. Incledon ... in the
Scene of the Surrender of Toulon. Written
by W. Pearce, etc. Longman and Broderip :
[London, 1794.] fol. G. 249. (24.)
The Travellers in Switzerland.
The Travellers in Switzerland, a Comic
Opera . . . Selected & Composed by W.
Shield. . .The Words by Mr. Bate Dudley.
Longman & Broderip :
London, [1794.] obi. fol. D. 284. (4.)
The Wicklow Mountains.
The Wicklow Mountains. A Comic
Opera:. . .Consisting of National Airs, &c.
Composed & Compiled by W. Shield..
The Poetry by J. O'Keefe.
Longman & Broderip :
London, [1795.] obi. fol. D. 284. (5.)
The Woodman.
The Woodman, a Comic Opera . . . com-
posed chiefly by W. Shielcl. The Poetry
by Mr. Bate Dudley.
Longman & Broderip : London^
[1791.] obi. fol. E. 108. a. (4.)
Honest Bob of the Mill. A favorite Song
sung by Mr. Williamson, etc.
Longman and Broderip : London,
[1791.] fol. G. 806. e. (10.)
The Streamlet that flow'd round her Cot,
A favorite Song, sung by Mr. Incledon, etc.
Longman and Broderip :
[London, 1791.] fol. H. 1994. d. (53.)
'Tis in vain for succour calling. A
favorite Song, etc. Longman and Broderip :
[London, 1791.] fol. G. 383. j. (26.)
SHIELD
493
SHIELD (William)
2. Songs, Duets, Glees, &c.
a. Collections.
A Collection of Canzonetts and an Elegy,
with an Accompaniment for the Piano
Forte or Harp, etc.
Longman & Brodcrip, for the Autlior :
London, [1790 ?] fol. G. 357. (10.)
[Collection of Canzonets. No. 6.] How
can'st thou smile. An Admired Canzonet,
^tc. Gough : Dublin, [1795 ?] fol.
G. 383. i. (31.)
A Collection of Songs, sung at Yauxhall
by Mrs. WeichseU, to which is added
Johnny and Mary, a Ballad introduced by
Miss Catley in Love in a Village, and
Oxfordshire Nancy, written by the late
David Garrick, etc. Printed for W. Napier :
London, [1180?] fol. H. 1650. e. (6.)
[Another copy.] G. 316. j. (3.)
b. Single Works.
An Address to Lady Cadogan's Harp
(from the Bevy of Beauties). A Canzonet
for the Voice, Harp, Harpsichord or
Piano Forte. W. Napier:
iondou, [1780?] fol. G. 311. (114.)
Ah how vainly Mortals treasure. The
Favorite Song sung. . .in the Maid of the
Mill ; with an Accompaniment for the
Piano Forte. [Words by I. BickerstafEe.]
Printed for W. Napier :
London, [1785 ?] fol. G. 383. i. (33.)
Arria to Pectus. [Song.] With an Ac-
companyment for a Harpsichord or Piano
Forte. The Words by Mr. Holcroft.
[London,] 178G. s. sh. obi. fol.
H. 1994. c. (62.)
Fro77i the Lady's Magazine for Ax)ril,
1786.
Be breathless your reeds. A New Song,
etc. [London, 1778.] s. sh. 4".
P.P. 5141.
Lady's Magazine, Feb., 1778.
The Billet-Doux. A Favourite Ballad .. .
Written by J. O'Keefe, etc. Printed for
Harrison d Co. : London, [1797 ?] fol.
G. 806. e. (8.)
The Captive. A Canzonet, written by. . .
H. Bate . . . with an Accompanyment for a
Forte Piano, Harp or Harpsichord.
W. Napier : London, [1785 ?] fol.
G. 383. i. (29.)
Dear Object of each fond Desire, a favour-
ite New Song. J. Lee : Dublin,
[1780?] s.sh.iol. H. 1601. b. (101.)
The Disconsolate Shepherd. [Song.]
The Words by J. Dixon, etc. [London,
1784.] s. sh. 4°. P.P. 5141.
Lady's Magazine, April, 1784.
Down the bourn. A Neiu Song, etc.
[London, 1778.] s. sh. 4°. P.P. 5141.
Lady's Magazine, June, 1778.
SHIELD (William) From Night till
Morn I take my Glass. A favorite Duett
. . .The Accompanyments by Mr. Shield.
Longman and Broderip :
[London, Yi^O?} fol. G. 806. r. (32.)
Good Yanki and poor Orra. A simple
Ballad, written by Mr. Rannie. Set to
music, and adapted for the Piano-Forte
by Mr. Shield. [London, 18C0.] s. sh. 4'\
P.P. 5141.
Lady's Magazine, Jan., 1800.
In Spring, my dear Shepherds. A Song
in the Scots Taste . . . The Words by the
late Mr. Cunningham, etc.
Bigg and Cox : [London ,
1774.] s. sh. 4°. P.P. 5141.
Lady's Magazine, March, 1774.
It was a Lordling's daughter.
See infra : Shakespear's Duel, etc.
Johnny and Mary. [For editions pub-
lished anonymously ;] See Down. Down
the Bourne and thro' the Mead.
Mr. Shield's favourite Ballad of Laura
forsworn . . . The words by Mr. Rannie.
[London,] 1800. s. sh. 4". P.P. 5141.
Lady's Magazine, June, 1800.
Let an empty flattering spirit. The
favorite Rondo, sung by Miss Wheeler . . .
in the Musical Lady.
Printed for T. Skillern :
London, [1784.] fol. G. 383. i. (34.)
j\Iay our Navy for ever Old England pro-
tect ... A favorite Duet. Sung by
Mr. Incledon and Mr. Bowden, etc.
Longman and Broderip :
London, [1792 ?] fol. G. 354. (33.)
O'er the Lawns up the hills as with ardor
we bound. A Nciu Htmting Song. Sung
by Mr. Barnshaw. The words by . . .
J" Cunningham, etc.
L[ongman] L[ukey d Co. : London,
1775 ?] s. sh. fol. G. 310. (274.)
Once more my Lyre. A Particularly
admir'd Song, sung by Mrs. Billington,
etc. E. Lee : Dublin, [1785?] s. sh. fol.
H. 1601. b. (103.)
The Repulse. A New Song . . . The Words
by Mr. J. J — ys. Bigg and Cox :
[London, 1174:?] s. sh. i". P.P. 5141.
Lady's Magazine, Oct., 1774.
Shakespear's Duel [Song, begins : " It
was a Lordling's daughter "] and Load-
stars [Glee, begins : " O happy Fair "], etc.
Preston & Son, for the Autlior :
London, [1796 ?] fol. G. 352. (34.)
Shakespear's Celebrated Poor Barbara,
[Glee,] sung ... by Messrs. Incledon,
Street, &c. Preston & Son :
London, [1794 ?j fol. G. 353. (27.)
A new edition of Shakespear's Poor
Barbara, etc.
Preston d Son, for the Author :
London, [1795 ?] fol. G. 805. k. (25.)
494
SHIELD
SHIELD (William) The Smart Walking
Jockey. A favorite Song suug by INIr.
Edwin . . . Written by Mr. Cob.
[London, 1790 ?] fol. G-. 313. (176.)
Tho' Bacchus may boast. [Song.] Written
by Capt. Morris, etc. E. Bhames :
Dublin, [1785 ?] fol. H. 1601. b. (37.)
The Waving Willow. A Popular Ballad.
Broderip £ Wilkinson :
London, [1800 ?] fol. H. 2830. g. (60.)
What can be the matter with Nancy.
[Song.] Written by the late D. Garrick,
etc. Longman and Brodcrip :
London, [1785 ?J fol. G. 356. (17.)
3. Instrumental and Theoretical
Works.
Six Duettos, five for two Violins and one
for two German Flutes . . . Opera i.
[Separate Parts.] Printed for W. Napier :
London, [1775 ?] fol. g. 421. q. (4.)
Sis Duets for two Violins . . . Opera 2''.
[Separate Parts.] Printed for W. Napier :
London, [1780 ?] fol. g. 421. b. (1.)
An Introduction to Harmony.
G. G. & J. Robinson, for the Author :
London, [1800.] 4°. 785. 1. 33. (1.)
Six Quartettos, five for two Violins a
Tenor & Violoncello and one for a Flute,
Violin, Tenor, and Violoncello . . . Op: in.
[Separate Parts.] Printed for W. Napier :
[London, lim'i] fol. g. 417. i. (3.)
Sis Trios for Violin, Tenor and Violon-
cello, etc. [Separate Parts.]
Longman £ Broderip, for the Author :
London, 1796. fol. g. 222. (17.)
[Another copy.] g. 420. c. (10.)
The Union Volunteers. March, Troop &
Quick Step ... for the Piano Forte or
Harp. T. Preston, for the Author :
London, [1800?] fol. g. 272. q. (32.)
4. Appendix.
See Dalayrac (N.) [Nina.'] The Favorite
Musical Entertainment of Nina . . . Pub-
lished by the Authority . . . and [with
interpolations by] W. Shield, etc.
[1787.] obi. fol. E. 100. (4.)
See Gretry (A. E. ]\I.) Richard Cceur de
Lion . . . Composed . . . and [adapted] by
W. Shield. [1786 ?] obi. fol.
E. 108. e. (4.)
See Harlequin's Museum. The Over-
ture, Songs, Dances &c. in the Pantomime
... of Harlequin's Museum . . . The new
Music ... by Mr. Shield, etc.
[1792.] obi. fol. E. 108. d.
See Haydn (F. J.) [XII. Lieder. Th. J.]
Twelve Ballads . . . adapted to English
Words with an Accompaniment for the
Harpsichord or Piano Forte by W. Shield,
etc. [1788?] o6Lfol. E. 271. (4.)
SHIELD (William) See Hyde (F. A.)
A Miscellaneous Collection of Songs . . .
The Italian Airs adapted by Mr. Shield, etc.
[1790 ?-8.] fol. I. 375.
See Mago and Dago. The Overture^
Songs, &c. in . . . Mago & Dago . . . The
New Airs ... by Dr. Aylward ... &
Mr. Shield, etc. [1794.] fol.
H. 129. (10.)
See Mozart (W. A.) [Don Giovanni.
La ci darem.'] Should worldly cares op-
pressing. Adapted by Mr. Shield, etc.
[1800?] fol. G-. 805. h. (32.)
See Pindar (P.) pseud. The Triumph
of Britons, . . . the Accompaniments by
Shield. [1798?] fol. G. 376. (40.)
See Pindar (P.) pseud. The Wandering
Gipsy, a Ballad . . . The Accompaniments
by Mr. Shield. [1795?] fol.
G. 383. j. (24.)
See Sprigs op Laurel. Sprigs of Laurel.
A Comic Opera . . . consisting of . . . Airs
... by Handel, Anfossi & Shield, etc.
[1793.] obi. fol. D. 287. (5.)
5. Index op Songs.
Ah weladay my poor heart.
See [The Follies of a Day.]
Bonny Bet. See [The Farmer.']
The British Lion is my sign.
See [Fontainbleau.]
The Bud of the Rose. See [Bosina.]
Charming Clorinda. See [Bobin Hood.]
'Ere around the huge Oak.
See [Tlie Farmer.]
A glass is good, and a Lass is good.
»S'ee [Sprigs of Laurel.]
Golden Treasures. See [Fontainbleau.]
Great Britain still her Charter boasts.
See [The Belief of Williainstadt.]
Hand away wi Jamie. See [Marian.]
The Heart chearing Horn.
See [Marian.]
Heyiao chivey, hark forward Tantivy.
See [The Czar Peter.]
Honest Bob of the MiU.
See [The Woodjnan.]
How canst thou smile.
See [Collection of Canzonets. No. 6.]
If you would know what pain it is to part.
Duet. See [Love and War.]
Light as thistle down. See [Bosina.]
The Maid of the ]Mill. See [Bosina.]
The Milkmaid. See [The Farmer. The
Plough Boy.]
0 happy Fair. See Shakespear's Duel, etc.
Oh ! force me not. See [The Divorce.]
Patty Clover. See [Marian.]
The Plough Boy. See [The Farmer.]
SHIELD— SI
495
SHIELD (William) Poor Barbara.
Sec Shakespear's . . . Poor Barbara, etc.
J. Return to Order and your Country save.
1^ See \_The Surrender of Toulon.']
The Rosary.
See {The Midniglit Wanderers.']
The Streamlet that flow'd round her Cot.
Sec [The Woodman.]
This Lock of dear Selina's hair.
See [Nunnery.'}
'Tis in vain for succour calling.
See [Tlte Woodman.]
The Twins of Latona.
See [The Poor Soldier.'}
When thou art absent, charming Maid.
See [Lover in a 'Village.]
When William at Eve. See [Rosina.]
Whilst with Village Maids I stray.
See [liosina.]
With truth on her Lips. See [Marian.]
A Woman is like to.
See [The Lock and Key.]
SHIPWRECK. The Shipwreck.
Opera. See Abnold (S.)
Comic
SHIPWRECKED. The Shipwreck'd
Marine Boy. Ballad. See 'Twas. 'Twas
near a Sea-beat rocky Shore.
[1796?] fol. G. 356. (41.)
SHIRRESS (Andrew) Forty Pieces of
Original Music, etc. Printed for
tJie Composer: Aberdeen, [1788.] fol.
g. 149. (9.)
SHOOTING. A Shooting Song.'
See Every. Ev'ry Mortal some favourite
Pleasure pursues, etc. [1764.] 8'.
P.P. 5438. z.
A Shooting Song. See Every. Every
mortal some favourite pleasure pursues,
etc. [1764.] B". P.P. 5441.
A Shooting Song. Sec Every. Ev'ry
Mortal some favourite pleasure pursues.
[1780?] s. s7i. fol. H. 1601. a. (88.)
SHORE (William) Prince Eugene's
March into Italy . . . [Song,] y words by a
Person of Quality. [London,
1700?] s.sh.iol. G. 304. (71.)
SHOULD. Should I die by the force of
good Wine. Song. See Leveridge (R.)
Shou'd I once change my Heart. Song.
See Leveridge (R.) [^sop.]
Shou'd Love sincere devoid of artless Joy.
Song. See Oswald (J.)
Should the rude Hand of Care. [Song.]
See Hook (J.)
Should worldly cares oppressing. Duet.
See Mozart (W. A.) [Don Giovanni.
La ci darem.]
SHOUT. The Shout is gone forth. A
Favourite New Hunting Song. etc.
Eliz'' Bhames : [Dublin, 1780?] fol.
H. 1601. a. (92.)
SHRUBSOLE (William) See All. AU
hail the Pow'r of Jesu's Name, etc. [Music
by W. Shrubsole.] [1779.] 8°.
P.P. 716. b.
SHUN. Shun Damon's faithless wheedling
Tongue. Song. See King (R.)
Shun ye Pair, each gay Deceiver. Song.
See GiOBDANi (G.) or (T.)
SHUTTLEWORTH (Obadiah)
See CoRELLi (A.) [Sonatc. Op. 5. Nos. 1
and 11.] Two Concertos . . . made into
Concerto's by Mr. Obadiah Shuttleworth.
[1725?] fol. h. 202. c.
SHY. The Shy Decoyer. [Song.]
See Hail. Hail Beauty's Queen.
[1760 ?] s. sh. fol. G. 316. a. 28.
The Shy l\Iaid. [Song.] See Dunn (J.)
The shy Shepherdess. [Song.]
See Young (A.)
SI. S'il en est qui veuillent un maitre.
Ode. See Cherubini (M. L. C. Z. S.)
S'il est vrai que d'etre deux. Air die
Troubadour Bearnois. Avec Accompagne-
ment de Guitare. CJiez Lnbanlt :
Paris, [1795 ?] 8°. B. 362. a. (105.)
[Another copy.] B. 362. g. (64.)
S'il etoit une mer de ce nectar diviu.
Air d Boire ; rccit de Basse.
[Paris,] 1726. s. sh. 4°. 297. a. 20.
Mercure de France, April, 1726.
Si caro, si. [Song.] Sung bij Sig''" Strada.
[In Admeto, by G. F. Haendel.]
[LoHrfoM, 1730?] s.sh.iol.
G. 315. (68.)
Si, caro, si. [Song.]
See Haendel (G. F.) [Admeto.]
Si comme toi ma plume delicate. Riponse
aux Couplets a ma Belle. Air: Mon petit
coeur. [Words] Par ]\I. Trabue.
Chez les Freres Savignjj : [Paris, 1785 ?] 8°.
B. 362. a. (174.)
' Si des galans de la Ville. [Soug.]
See Devin du Village.
Si deux coeurs que la nature. [Song.]
See Duval ( )
Si j'en juge d'apres mon coeur. [Song.]
See Faut. Faut attendre avec patience.
[1780?] s.sh.iol. G. 307. (229.)
Si jamais j'deviens cher pere. Ariette.
See Georges et Gros Jean.
Si jamais je prens un 6poux. Air.
See Huron.
Si I'Amour est peint volage. Romance.
See Blin de La Codre (M. S.)
Si I'homme, en des fleurs passageres.
Chanson. See F.
496
SI— SICARD
SI. Si Ton m'offroit la liberty. Rondeau,
nouvellement remis en Musique.
[_Paris,-\ 1761. s. sh. 4°. 297. d. 27.
Mcrcure de France, Feb., 1761.
Si rUnivers entier. Ariette.
See Richard Cceur de Lion.
Si la belle Egl6 m'est ravie. Air.
See GossEC (F. J.) \_Thi!see.']
Si la raison ramene la justice. PMition
d'une Jeune Infortunfe. Romance.
(Parolles de Dumoustier.) Chez Louis :
[Paris, 1795 ?] 8". B. 362. d. (55.)
Si Matburin dessus I'herbette. Ariette.
See TissiER ( )
Si mes rigueurs te font mourir. Chanson.
[By Merieux.l [Paris, 1757.] s. sh. 8°.
"- -^ 297. h. 30.
Choix dcs Anciens Mercurcs, Tom. V.,
p. 142.
Si mes rigueurs te font mourir. Air.
See Meeieux ( )
Si nous vivions comme vivaient nos peres.
Le Troubadour. Romance, avec Accomp'
de Guittare. Chez Imbault : Paris,
[1785?] 8°. B. 362. a. (103.)
Si pour avoir veu seulement. Air
Nouveau. [Words by Laussel.] [Paris,
1678.] s. sh. obi. 4". P.P. 4482.
Nouveau Mercure Galant, Oct., 1678,
p. 113.
Si sperar tu sola. Aria.
See A., E. T. V., pseud.
Si, t' amo caro. Song. See Teseo.
Si t' intendo. Song. See Numitoe.
Si Tirsis est une inconstant[e]. Air.
See L' Abbe ( ) Choirmaster of S' Jacques,
Dieppe.
Si ton coeur, aimable Flore. Cbanson.
See Du C . . . .
Si vous empruutez I'air de la Folie.
[Song.] See Moelanne ( de)
Si vous poursuivez de m' aimer. [Song.]
[Paris, 1678.] s. sh. obi. 4°. P.P. 4482.
Nouveau Mercure Galant, April, 1678,
i). 77.
Si vous trouvez dans la plaine. [Song.]
See Deux Chasseurs.
Si vous voul^s trouver la gloire. Chant.
See GossEC (F. J.)
Si vous voules voir des Epoux. Vaudeville
[from ' Arlequin Hulla ']. [Paris,]
1728. s. sh. 4°. 297. a. 32.
Mercure de France, March, 1728.
Si vous voulez charmer. Air.
See L'EsGU (J.)
Si vous voulez de la vie. Ariette.
See Malidor ( de)
Si vous voulez que je vous aime. Vatide-
ville. [Pam,] 1739. s. s/t. 4°. 298. b. 2.
Mercure de France, Nov., 1739.
SICARD (J.) Airs a Boire a Trois Parties,
auec la Basse-Continue, etc. Second
Dessus. B.Ballard: Paris, 1666. obi. 12°.
A. 274. a. (3.)
Second Liure d'Airs a Boire a Trois
Parties, auec la Basse-Continue, etc.
Second Dessus. R. Ballard : Paris,
1667. obi. 12". A. 274. a. (4.)
Troisiesme Liure d'Airs, a Boire, et
Serieux a Trois Parties, auec la Basse-
Continue, etc. Troisiesme Partie.
R. Ballard : Paris, 1668. obi. 12°.
A. 274. a. (5.)
Quatriesme Liure d'Airs, a Boire, et
Serieux, a Trois Parties, auec la Basse-
Continue, etc. Troisesme Partie.
R. Ballard : Paris, 1669. obi. 12°.
A. 274. a. (6.)
Cinquiesme Liure d'Airs, a Boire, et
Serieux. a Trois Parties, etc. Troisiesme
Partie. B. Ballard : Paris, 1670. obi. 12°.
A. 274. a. (7.)
Sixiesme Liure d'Airs Serieux, et a Boire,
a Trois Parties, etc. Troisiesme Partie.
R. Ballard : Paris, 1671. obi. 12°.
A. 274. a. (8.)
Septiesme Liure d'Airs a Boire a Trois
Parties, etc. Troisesme Partie.
C. Ballard : Paris, 1673. obi. 12°.
A. 274. a. (9.)
Huiti6me Livre d'Airs Serieux et a Boire,
ii 2. & a 3. Parties, etc. Troisiesme
Partie. C. Ballard : Paris, 1674. obi. 12°.
A. 274. a. (10.)
Neufi^me Livre d'Airs Serieux et a Boire,
a 2. & a 3. Parti[es], etc. Troisiesme
Partie. C. Ballard : Paris, 1675. obi. 12°.
A. 274. a. (11.)
Dixi^me Livre d'Airs Serieux et a Boire,
a 2. & a 3. Parties, etc. Troisesme Partie.
C. Ballard : Paris, 1676. obi. 12°.
A. 274. a. (12.)
Onzieme Livre d'Airs Serieux et a Boire,
a 2. & a 3. Parties, etc. Troisiesme Partie.
C. Ballard : Paris, 1677. obi. 12°.
A. 274. a. (13.)
Douzi^me Livre d'Airs Serieux et k Boire,
a 2. & a 3. Parties, etc. Troisiesme Partie.
C. Ballard : Paris, 1678. obi. 12°.
A. 274. a. (14.)
Treizi6me Livre d'Airs Serieux et a Boire,
a 2. & a 3. Parties, etc. Troisesme Partie.
C. Ballard : Paris, 1679. obi. 12°.
A. 274. a. (15.)
Du Yin, du Vin. [Two-Part Song.]
[Paris, 1678.] s. sh. obi. 4°. P.P. 4482.
Nouveau Mercure Galant, March, 1678,
p. 198.
Vous qui d'un tendre amour. Air
Nouveau. [Paris, 1678.] s. sh. obi. 4°.
P.P. 4482.
Nouveau Mercure Galant, Feb., 1678,
p. 164.
SICK— SIEGE
497
SICK. Sick of the town at once I flew.
Song. See H — ll (J.)
Sick of the World fair Delia flew. Fair
Delia. [Song.] Sung by Mr. Atkins.
[London, 1750?] s.sh.iol. G. 303. (87.)
[Another edition.] Sick of the World
fair Delia flew. Fair Delia. A Song.
[London, 1750 ?] s. sh. fol.
G. 311. (100.)
Sick of the World fair Delia flew. Fair
Delia. A new Song. [London, 1755.] 6".
157. 1. 17.
London Magazine, 1755, 2>- 492.
SIEBENHAAR (Malachias) Gangel-
Wagen der Jugend und Stab des Alters.
Genommen aus dem Siebenzehenden und
Achtzehenden Versiculn des Ein und
Siebentzigsten Psalms, und ... in ein
Sechs-Stinimiges Epithalamion, mit und
ohne Instrumente fiiglich zu musiciren,
. . . iibersetzt, etc. [Separate Parts.]
Gedruckt bey Johann Milllern :
Magdeburg, [16G1.] fol. K. 2. g. 18. (5.)
Himmlisch-lechtzendes Hirschen-Hertz,
welches sich . . . nach dem theiiren an-
schauen Christi Jesu, . . .sehnet. . .In eine
Acht-stimmige Motect einfeltig iibersetzt,
etc. [Separate Parts.] Gedruckt bey
Johann Milllern : Magdeburg, [1663.] fol.
K. 2. g. 18. (4.)
Himmlische und recht Gottliche Liebes-
Flammen unter dem Bildnus der Irrdisch-
keuschen Ehe-flammen . . , dargestellet
vom Kouige Salomone, Cantic. 8. v. 4. 5. 6.
und. . .in eine Acht-Stimmige Concert, als
drey Favorit- und fiing mit SjTnphonien
Yeranmuhtigte CapeU-Stimmen, sampt
dem Basso continuo mit und ohne Instru-
mente . . . zu musiciren . . . iibersetzt, etc.
[Separate Parts.] Gedruckt durch
Johann Miillern : Magdeburg, 1659. fol.
K. 2. g. 18. (6.)
Himmelsteigendes Danck-Opfier der Uhr-
Alten Stadt Magdeburg, . . . mit welchen
sie Gott dancket dass Er . . . sich iiber
sie vaterlich wieder erbarmet,. . .in eine
Zehen Stinimige Concert, als drey
Favorit- und sieben mit Symphonien
veranmuthigte CapeU-Stimmen sammt
dem Basso continuo, mit Trompeten und
Heerpaucken . . . zu musiciren iibersetzt
und componiret, etc. [Separate Parts.]
Gedruckt bey Johann Miillern :
Magdeburg, 1665. fol. K. 2. g. 18. (1.)
Der Kirchen Jesu kostlichster Seelen-
Schmuck . . . Genommen aus dem zehenden
Versicul dess Ein und Sechtzigsten Capi-
tuls Esaise, und. . .in eine Acht-Stimmige
Concert, . . . mit Trompeten und Heer-
Paucken . . . zu musiciren, . . . iibersetzt
und componiret, etc. [Separate Parts.]
Gedruckt bey Johann Milllern :
Magdeburg, 1661. fol. K. 2. g. 18. (7.)
VOL. II.
SIEBENHAAR (Malachias) Schuldige
Pflicht und Treii-meinender Unterricht,
wie ein treiier Seelen-Hirte in seinem. . .
Ampte, . . . sich . . . zierlich . . . verhalten
sol . . . Mit 8 Stimmen musiciret, etc.
[Separate Parts.]
Gedruckt bey Johann Miillern :
Magdeburg, 1662. fol. K. 2. g. 18. (3.)
Svaviloquium Dei Sionis mysticum cum
sua r\bVi2 & nn"'''i2n Des lieb-reicheu
Zions-Gottes Anmuhtige. . .Freuden- und
Friedens-Stimme gegen . . . Zion . . . vom
. . . Ersten Propheten cap. 62. v. 4. & 5
. . . angemercket und ... in eine Neun-
stimmige Concert, als drey Favorit- und
Sechs mit Symphonien veranmuhtigte
CapeU-Stimmen, sampt dem Basso con-
tinuo, mit Trompeten und Heer Paucken
. . . zu musiciren, iibersetzt und com-
poniret, etc. [Separate Parts.]
Gedruckt durch Johann Milller :
Magdeburg, 1667. fol. K. 2. g. 18. (2.)
SIEGE. The Siege of Gibralter. [Song.]
See Since. Since the Fate of Gibralter,
etc. [1782.] fol. G. 311. (102.)
The Siege of Valenciennes [by M. P. King]
for the Piano-Forte or Harpsichord with
an Accompaniment for a Violin, etc.
[Separate Parts.] Longman and Broderip :
ion<Zo«, [1794 ?] fol. g. 186. (11.)
The Siege of Valenciennes. A Favorite
Sonata for the Piano-Forte, etc.
Preston d- Son : London, [1794 ?] fol.
g. 138. (19.)
SlilGE DE LILIiE. Ah ! quel moment
pour nioi s'apprete. Air du Siige de
Lille. [Words by Joigny, music by A. E.
Trial.] Chez Lnbault : Paris, [1792.] 8°.
B. 362. d. (8*.)
La Carmagnole, chantee dans le Siege de
Lille ; [Begins : " Un jour le Francjais se
facha."] Avec Accompagnement de Gui-
tarre. Chez le Citoyen Lnbault:
Paris, [1792.] 8°. B. 362. a. (16.)
[For songs, &c., in ' Cecile et Julien, ou le
Siege de Lille,' published under the first
title only :] See CECiiiE et Julien.
SIEGE DE THIOlSrVILIiE. Tout mon
sang est a la patrie. Air du Siege de
Thionvillc. [Drame lyrique, words by
G. Saullnier and — Duthil, music by L.
E. Jadin.] Chezlmbault:
Paris, [1793.] 8°. B. 382. a. (41.)
SIEGE OF BELGRADE. Blithe as
the hours of May. [Song, by V. Martin y
Solar.] Sung by [Signora] Storace in the
Siege of Belgrade. J. Lee :
Dublin, [1791.] fol. G. 807. d. (71.)
The Favorite Minuet [by A. Salieri], with
Variations for the Piano Forte or Harpsi-
chord with an Accompaniment for the
2 K
498
SIEGE OF BELGRADE-SILVA
Violin as Performed in the Siege of
Belgrade. [By S. Storace.]
Longman and Brodcrip :
Londo7t, [1191?] fol. g. 442. j. (33.)
The Siege of Belgrade. Comic Opera.
See. Storage (S.)
SIEGE OF CURZOLA. The Siege of
Curzola. Comic Opera. See Arnold (S.)
SIEGE OF GIBRALTAR . The Siege
of Gibralter [sic]. Entertainment.
See Shield (W.)
SIEVERS (JoHANN Fribdrich Ludwig)
Oden und Lieder aus der Geschichte des
Siegwart, etc.
Magdeburg, etc., 1779. obi. fol. D. 734.
SIFARI. The Favourite Songs in the
Opera Sifari. N° II. [A Pasticcio. Full
Score.l Welcker : London, [1767.] fol.
H. 348. c. (6.)
The composers named are : Gallupi,
Guglielmi and Bach.
SIGH. The Sigh. Ballad.
See CORRi (D.)
The Sigh. Ballad. See Watts (R.)
[Another setting.] The Sigh. Song.
See WiLKINS (J.)
Sigh no more Ladies. Glee.
See Stevens (R. J. S.)
SIGHS. Sighs. Glee.
See Smart {Sir G. T.)
Sighs and Storms invade my Breast.
Inconstant Flora. A New Song.
[London, 1715 ?] s. sh. fol.
G. 316. g. (56.)
Sighs and tears reliev'd. Song. Sec Lady.
SIGNOR. Signor Cranky Addio. [Song.]
See Son in Law.
SIGNORETTI (P.) See Traite. Traite
du Contrepoint. [By P. Signoretti.]
[1765?] 4°. 557*. e. 19.
SIGNORINO. Signorino, a parlar schietto.
[Song.] See Paisibllo (G.) [La Locanda.]
SIGNS. The Signs of FaithfuU Love.
[Song.] See Suett (R.)
SIGONIO (Gandolpo) See Bottrigari
(E.) II Melone ... & II Melone Secondo,
Considerationi Musicali . . . sopra vn Dis-
corso di M. Gandolfo Sigonio intorno a'
Madrigali, & a' Libri dell' Antica Musica
ridutta alia moderna Prattica di D. Nicola
Vicentino. E nel fine esso Discorso del
Sigonio. 1602. 4°. 557*. c. 18. (4.)
SILENT. The Silent Admirer, [Song.]
See Essex (M.)
SILENT. The Silent Fair. [Song, begins :
' From all her fair loquacious kind.']
See Arnb (M.)
[Another setting.] The Silent Fair.
[Song.] Sec From. From all the fair
Loquacious kind. [1740 ?] s. sh. fol.
G. 307. (240.)
[Another edition.] The Silent Fair.
[Song.] See From. From all the fair
loquacious kind. [1767.] 8°. P.P. 5441.
The Silent Flute. Song. See As. As
Damon late with Cloe sate, etc.
[1720 ?J s. sh. fol. G. 305. (32.)
The Silent Hour of Midnight reigns.
[Song,] written by G. Walker in the Novel
of Theodore Cyphon.
Printed for G. Walker :
London, [1796.] fol. G. 356. (52.)
Silent I tread. Song. See Arnold (S.)
SILENUS. Sileuus and Cupid. [Song.]
Sec Cupid. Cupid sent on a message one
ev'ning, etc. [1780 ?J s. sh. fol.
G. 307. (120.)
SILKEN, The Silken Snooded Lassie.
[Song.] See Coming. Coming through
the Broom at e'en. [1770 ?] s. sh. fol.
G. 316. (43.)
SILLY. Silly swain, no longer dwell.
Rosalind. [Song.] [London, 1758.] 8".
P.P. 5438. T.
Universal Magazine, Vol. XXII., p. 93.
SILVAIN. Silvain,ein Singspiel in einem
Aufziige aus dem Franzosischen iiborsetzt.
[MusicbyA.E.M.Gretry.] See Operettas.
Sammlung der komischen Operetten, etc.
Band III. No. 1. 1772. 8°. B, 729,
H6 ! comment ne pas le ch^rir. [Song.]
Du, Silvain [by A. E. M, Gretry].
[Paris, 1770 ?] 8°. B. 362. (32.)
Je puis braver les coups du sort. [Song.]
De Silvain [by A. E. M. Gretry].
Chez Bignon : [Paris, 1770 ?] 8°.
B, 362. (34.)
Ne crois pas qu'un bon menage. Airs du
Silvain [by A. E. M. Gr6try].
[Paris, 1770?] 8°. B, 362. (35.)
Tout le Village me I'envie. [Song.] De
Silvain [by A. E. M. Gretry].
Chez Bignon : [Paris, 1770 ?] 8".
B. 362. (33.)
Silvain. Comedie. See Gretry (A. E. M.)
SILVA LEITE (Antonio da) Estudo de
Guitarra, . . . Dividido em duas partes.
A primeira contem as principas regras da
musica, e do accompanhameuto. A
segunda as da Guitarra ; a que se ajuuta
huma CoUeccjao de Minuetes, Marchas,
Allegros. ContradauQas, e outra Pepas . . .
com accompanhameuto de segunda Gui-
tarra, etc. A. A. Eibeiro :
Porto, 1795. fol. 7896. h. 28,
SILVANI— SILVESTRIS
499
SILVANI (Giuseppe Antonio) Cantate
Morali, e Spiritual! a 1. 2. e 3. voci cou
Violini, e senza . . . Opera Quinta. Violino
Secondo. (Violine, 6 Tiorba.) 2 pts.
Per Marino Silvani : Bologna, 1707. 4°.
D. 246. b.
Inni Sacri per Tutto 1' Anno a Voce sola
con Violini a beneplacito . . . Opera
Seconda. Organo. Per Marino Siliiani :
Bologna, 1702. 4". D. 246. a.
Inni Sacri Per tutto 1' Anno a quattro
voci pieni, da cantarsi con 1' Organo, e
senza . . . Opera Quarta. Canto. (Alto.)
(Tenore.) (Organo.) 4 pts.
Per Marino Silua7ii : Bologna, 1705. 4".
D. 246. e.
Motetti a Otto Voci Pieni Con il Respon-
sorio di S. Antonio de Padoua. Da Can-
tarsi con r Organo e senza . . . Opera
Ottaua. Canto (Alto) (Tenore) (Basso)
Primo Coro. (Canto (Alto) (Tenore)
(Basso) Secondo Coro.) (Organo.) 9 pts.
Per gli Ercdi del Siluani :
Bologna, 1711. 4". D. 246.
See Mazzaferrata (G. B.) II Primo
Libro delle Cantate da Camera, etc.
[With a preface by G. A. Silvani.]
1677. obi. 4°. B. 316.
SILVANI (Marino) Sacri Concerti ouero
Motetti a due, e tr^ Voci, di diuersi
Eccellentissimi Autori ; Raccolti e dati in
luce da M. Siluani, etc. Canto Primo
(Secondo). (Basso.) (Organo.) 4 pts.
Per G. 3Ionti :
Bologna, 1668. 4°. C. 96.
Tlie composers named in this collection
are : N. Monferrato, F. Cavalli,
G. B. Volpe detto Eovetta, P. A. Ziani,
M. Cazzati,H. Tarditi, G. Eovetta, A.
Filipucci, C. D. Cossonio, Trabatone
and G. P. Colonna.
See BoNONCiNi (G. M.) Musico Prattico,
etc. [Edited by M. Silvani.] 1688. 4°.
785. h. 52.
SILVER. The Silver Moon. Song.
See Hook (J.)
The Silver Moon that shines so bright.
The Pitcher. [Song.]
Str[aight and'\ Sklillem : London,
1770?] s. s7j. fol. I. 530. (142.)
The silver moon's enamour'd beam.
May-Eve, or Kate of Aberdeen. [Song.]
{London, 1761.] 8°. P.P. 5441.
Royal Magazine, Vol. IV., p. 145. TJm
is not J. BattishilV s setting.
The silver moon's enamour'd beam.
May-Eve, or Kate of Aberdeen. [Song.]
[London, 1761.] 8°. P.P. 5140.
Lady's Magazine, Vol. II., p. 415. This
is not J. BattishilV s setting.
SILVER. [Another setting.] The silver
moon's enamour'd beam. Song. Sung by
Mr. Vernon, at Vauxhall.
[London, 1767.] 8°. 250. c. 14.
Gentleman's Magazine, Vol. XXXVII. ,
p. 321. This setting is different from
those in the Boyal and Lady's Maga-
zines for 1761 ; also from that by
J. Battishill.
The silver moon's inamour'd beam. May-
Eve ; or Kate of Aberdeen ; a New Song.
Sung at Ranelagh and Vauxhall. [Words
by J. Cunningham, music by J. Battishill.]
[Lotidon, 1768.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XLIL, p. 147.
The Silver Moon's enamour'd Beam.
May-Eve, or Kate of Aberdeen. [Song,
words by J. Cunningham, music by
J. Battishill.] [London, 1770 ?] s. sh. fol.
G. 312. (179.)
[Another edition.] The Silver Moon's
enamour'd Beam. Kate of Aberdeen.
[By J. Battishill.] [London,
1775 ?] s. sh. fol. H. 2818. (24*.)
[Another edition.] The silver Moon's
enamour'd Beam. Kate of Aberdeen.
[By J. Battishill.] [London,
1775 ?] s. sh. fol. H. 1994. b. (72.)
The Silver Rain, the Pearly Dew. The
Disconsolate Lover's Bequest. [Song.]
I. E[ut}ierford : London, 1775 ?J s. sh. fol.
H. 1994. (58.)
The Silver Stream. [Song.]
See Moulds (J.)
The Silver Swan. A Catch for Three
Voices. [Adapted from O. Gibbons'
madrigal.] B. Falkener : London,
[1770?] fol. H. 1994. a. (136*.)
The Silver Thames. [Song.] See Queen.
Queen of Citty's raise thy head.
[1720?] s.sh.iol. G. 311. (29.)
SILVESTRIS (Florido de) R. Floridus
Canonicus de Syluestris a Barbarano, Has
alias Sacras Cantiones, Ab Excellentis-
simis Musices Auctoribus suauissimis
Modulis Binis, Ternis, Quaternisque Voci-
hus Concinnatas in Lucem edendas
Curauit. Cautus Primus (Secundus)
(Altus) (Bassus) (Organum). 5 pts. Ex-
p)ensis Antonij Poggioli. ..Ex Typographia
Ludouici Grignoni, 1650. 4°. D. 74.
This collection contains motets by G. A.
Carpani,A. M. Abbatini, G. Carissimi,
H. Benevoli, B. Gratiani, F. Foggia,
S. Fabri, F. Margarini, S. Durante,
C. Cecchelli, G. A. Capponi, G.
Santucci, G. Bicilli, V. Giovannoni,
P. Tarditi and the editor.
R. Floridus Canonicus de Syluestris a
Barbarano istas alias Cantiones Sacras
ab Excellentissimis Musices Auctoribus
Tribus Diuersis Vocibus Suauissimis
modulis Concinnatas in Lucem Curauit
2 K 2
500
SILVESTEIS— SIMLER
edendas. Cantus Primus (Secuiidus) (Ter-
tius). (Organum.) 4 i:)ts. Typis lacobi
Fei Andr. F. a sjpcse cli Antonio Poggioli,
1668. 4°. D. 74. a.
This collection contains motets by G.
Carissimi, H. Bcnevoli, G. Corsi,
M. Savioni, N. Stamegna, G. B. Gen-
sctti, F. Foggia, G. Bicilli, P. Natali,
P. Cesi, F. Mangiato, B. Gratiani,
G. A. Carpani, S. Durante, A. Foggia
and the editor.
See GuiDETTi (G.) Directorium Chori . . .
in hac postrema Editione a Canonico
Florido de Syluestris a Barbarano emen-
datum, etc. 1642. A. 218. e.
See LupACCHiNO del Vasto (B.) and
Tasso (G. M.) Di Bernardino Lupachino,
et di loan Maria Tasso. II Prime Libro
a due Voci . . . emendato dal Canonico
Florido de Siluestris da Barbarano.
1642. 4°. D. 157.
See Metallo (G.) Del Metallo Ricercari
... da D. Florido Canonico de Siluestris
da Barbarano emeudati, etc. 1643. 4°.
D. 78.
SILVIA. Sylvia, or, the Country Burial.
An Opera . . . With the Musick prefis'd to
each Song. [Words by G. Lillo.]
Printed for J. Watts :
London, 1731. 8". 841. d. 32. (8.)
Silvia. Song, ^^ee Saizoi (P.)
Silvia bright Nymph. A ncio Song.
Sung by Miss Bennet at Cupers Gardens.
[I/onfZo?i, 1752 ?] s.sh.iol. G. 311. (124.)
Silvia Delia Sweetest pair. [Song.]
See Young (A.)
Silvia on her Arm reclining. Silvia's
Betreat. [Song.] Str[aight] and Sk[iUern :
London, 1777 ?] s. sh. fol.
G. 311. (108.)
An earlier version of this song, witli
different words but the same tune, was
knoion as ' The Double- Entendre.'
Silvia's Complaint. [Song.]
See Davis (J. F.)
Silvia's Eeveuge. [Song.] See As. As
on a Bank bedeck'd with Flowers.
[1730 ?] s. sh. fol. G. 306. (86.)
Silvia's Visit. [Song.] See Davis (T.)
SIM AND RA. Simandra wears a Grandeur
in her mind. Song. See Hart (P.)
SIME (David) The Edinburgh Musical
Miscellany : a Collection of the most
approved Scotch, English, and Irish Songs,
set to Music. Selected by D. Sime, etc.
2 vols. Printed for W. Gcrrdon, etc. :
Edinburgh, 1792-8. 8». B. 404.
Vol. II. is printed for J. Elder, etc.
SIMILI (Vikcenzo) Canzonette a Tre
Voci . . . Libro Primo. Canto. (Basso.)
2 pts. Appresso Vittorio Baldini :
Ferrara, 1610. 4°. C. 34.
SIMLER (JoHANN Wilhelm) Philomela,
quai ais Canzuns Spirituales in part da
noev componidas & in part our da autras
linguas vertidas, drizadas la pliipart a 4.
vuschs in las melodias dal cudesch
Musical da 1' Revd. Sgr. I. W. Simler . . .
Tras Johannem INIartinum . . . Sun eir
adjunctas alchiinas Canzuns ant co
huossa componidas da...meis Rev: chiar
Bap. ]Martino ex ]\Iartinis, etc. C. lanet :
Tschli?i, 1684. 12". 3433. aa. 35.
Philomela ... La II. Editiun. Revisa
dal Authur cun Auctiii da amno 47. novas
Canzuns & 60. novas Melodias la plii part
our dal' Geistlich Seelenmusic dal' Sgr. J.
Hochreutiuer, etc. Johan Bodolph Simler :
Turi, 1702. 8°. 3433. aa. 36.
Philomela . . . cun I'adjuncta da plus
novas Chanzuns, promovli a la Stampa
dala III. Editiun Tras Johannem Jacobum
Vitalium, etc.
Stampa tras Jacobo N. Gadina :
Seuol, 1751. 12\ 1220. b. 4.
Philomela . . . Spera las adjunctas canzuns
e melodias della II. e III. editiun, sun in
quista IV. editiun in fine missas, etc.
Bernard Otto : Coira, 1797. 8°.
3433. aa. 37.
Johann-Wilhelm Simlers Teutsche Ge-
dichte : darinnen I. Haubtbegriflliche In-
halte der Psalmen Davids : II. Under-
schiedliche . . . Gesiinge : III. Allerhand
erbauliche tJberschriiiten, &c. enthalten
seind. Anietz zum zweyten mal aussge-
fertiget, und mit einer neuen Zugabe
gehmehret. Bey Johann Jacob Bodmer :
Zurich, 1653. 8°. 11517. bbb. 6.
There is a second {engraved) title-page.
The only composer named is H. H.
Johann-Wilhelm Simlers Teutscher Ge-
dichten die Dritte, von Ihme selbsten um
einen , Drittheil vermehrt . . . Aussferti-
gung : in sich haltend I. Aller Psalmen
Davids Haubtbegriff ... II. Fest- und
Unterweisungs - Gesiinge : III. Unter-
schiedliche . . . Ehren- und Loblieder :
IV. Neuaussgesetzte . . . Musikstiikke . . .
V. Allerhand erbauliche Uberschrifiten,
etc. In Verlegung J. W. Simlers :
Zurich, 1663. 8°. 11526. cc. 20.
There is a second {engraved) title-page.
The composers namedare : C. D[iebold],
D. F[;riderici] and A. Siteigleder'].
Johann-Wilhelm Simlers Teutscher Ge-
tichten die Vierte, von Ihme selbsten
und auss hinterlassener Schriiiten um
einen Viertheil vermehrt- und verbesserte
Aussfertigung, etc. In Verlegung J. W.
Simlers, durch Johann Budolph Simler :
Zurich, 1688. 8°. 3434. ec. 47.
Wanting the engraved title-page. The
composers named are : D. F[7-iderici'],
A. B., A. Siteigleder], A. T., I. B.
and C. Dlietbold].
SIMON— SIMPSON
501
BIMOKT BRODIE. Simon Brodie with
uiue new Variations for the Piano Forte.
N. d- M. Stewart : Edinburgh, [1790 ?] fol.
g. 272. i. (15.)
[Another copy.] g. 149. (12.)
SIMON (JoHANN Caspar) Leichte Prae-
ludia und Fugen durch die Tone : C. D.
E. F. G. A. B dur, welche so wohl auf der
■Orgel, als auf dem Clavicordio . . . konnen
gespielet werden. Erster Theil, etc.
Verlegt von Joh. Jac. Loiters Seel. Erben :
Augspurg, [1755 ?] obi. fol. d. 79. (1.)
Leichte und wohlklingende Praeludia
und Fugen durch die Tone : C. D. E. F.
G. A. H moll, welche so wol auf der Orgcl
als auf dem Clavicordio . . . konnen ges-
pielet werden. Auderer Theil, etc.
Verlegt von Johann Jacob Lotters seel.
Erben : Augspurg, [1775 ?] obi. fol.
d. 79. (2.)
SIMON (Louis Victor) II pleut, 11 pleut,
bergere. Romance, etc. [Words by P. F.
N. Fabre d'Eglantine.]
[Paris, 1787 ?] 8". B. 362. (127.)
[Another copy.] B. 362. e. (30.)
See Ok. Or, nous dites Glicere . . .
Air : II pleut, il pleut, Bergere [by L. V.
Simon]. [1787 ?] 8". B. 362. (130.)
See Kenaud d'Ast. II nege, 11 vente,
il gele. Couplets de Benaud d'Ast.
[Adapted by N. Dalayrac to L. V. Simon's
song], etc. [1787 ?] 8". B. 362. (128.)
See Keviens. Reviens, reviens, Ber-
gere. Suite de la Pastorale : II pleut
Bergere [by L. V. Simon]. Meme Air.
[1790?] 8". B. 362. e. (7.)
See VivoNS. Vivons 6 ma Julie . . .
Air, II pleut il pleut Bergere. [By L. V.
Simon.] [1790 ?] 8". B. 362. e. (107.)
SIMONETTI (Leonardo) Ghirlanda
Sacra Scielta da Diuersi Eccelentissimi
Compositori de varij Motetti a Voce Sola.
Libro Primo. Opera Seconda . . . Noua-
mente Stampata. Partitura. Stavwa
del Gardano. Appresso Bartolomeo Magni :
Venetia, 163G. obi. i". K. 8. i. 5.
This copy belonged in 1667 to J. Play ford,
and contains his autograph. The
folloiuing composers are named : C.
Monteverde, G. Priuli, G. Boveta, A.
Grandi, G. B. Bertti, G. P. Capriolo,
G. Finetti, D. Castello, F. Usper,
V. Bovetto, G. Pichi, 'A. Freddi,
G. Pozzo, B. Pesarino, D. Obizzi,
G. Massicio, G. Locatelo, G. G.Arigoni,
C. Milannzii, G. M. Sabino, G. G.
Martinengo, P. F. Caletto Bruni,
G. M. Scorzuto, L. Gallerano, G.
Bondioli and A. Stella.
SIMONO (D.) Recueil Nouveau d'Airs,
Menuets, Contredanses, Gavottes & Gigues,
de DiSerens Autheurs, Italiens, Francois
& Auglois . . . Mis en ordre pour Deux
Flutes Traversieres, ou Deux Violons, par
D. Simono, etc. — Nieuwe Recueil van
Arias, etc. 2 pts. [Separate Parts.]
A. Olofscn: Amsterdam, [1750?] obi. 4^
■' h. 73.
SIMONS (Henry) See Weldon (J.) and
Simons (H.) A Collection of Aires for
two Flutes and a Bass, etc.
[1710?] obl.iol. d. 150. (6.)
SIMPLICITY. Simplicity. BaUad.
See HoRSLEY (W.)
Simplicity thou fav'rite Child. Song.
See Arnold (S.) llnkle and Yarico.]
SIMPSON (Christopher) Chelys.
See infra : [The Division-Violist.]
The Principles of Practical Musick De-
livered in a Compendious, Easie, and New
Method : for the Instruction of Beginners,
either in Singing or Playing upon Instru-
ments. To which are Added, Some Short
and Easie Ayres Designed for Learners.
Will. Godbidfor Henry Brome : London,
1665. 8". K. 8. e. 22.
This is the first edition of ' A Compen-
ditnn of Practical Musick.'
A Compendium of Practical Musick, in
Five Parts, etc. William Godbid,
for Henrti Brome : London, 1667. 8".
•^ 7897. aa. 14.
Wanting the portrait.
A Compendium of Practical Musick . . .
Together with Lessons for Viols, &c. The
Third Editio. Henry Brome, for M. C. :
London, 1678. 8°. 52. e. 30.
The Lessons contain compositions by
J. B. and F. Forcer.
A Compendium : or. Introduction to
Practical Musick . . . The Fourth Edition
with Additions : Much more Correct than
any former, etc. W. Pearson, for John
Cullen : Loyidon, 1706. 8". 1400. b. 5.
A Compendium: or Introduction to
Practical Music . . . The Sixth Edition,
etc. W. P[earson'] for John Young :
London, 1714. 8°. 7896. aa. 23.
A Compendium : or Introduction to Prac-
tical Musick ... the Seventh Edition, etc.
Printed for T. Astley : London, 1727. 8".
7898. aaaa. 20.
A Compendium: or, Introduction to
Practical ftlusic . . . The Eighth Edition,
with Additions, etc. W. Pearson,
fcrr Arthur Bettesivorth, etc. : London,
1732. 8\ 785. b. 12.
502
SIMPSON— SINCE
SIMPSON (Christopher) A Compen-
dium, or Introduction to Practical Music
. . . The Ninth Edition with material
Additions, etc.
Longman, Lukcy and Go. : London,
[1775?] obi. A". 7898. ee. 49.
The Division- Violist : or An Introduction
to the Playing upon a Ground : Divided
into Two Parts... To which, are Added
some Divisions made upon Grounds for
the Practice of Learners.
William Qodbid : London, 1659. fol.
K. 1. i. 11. (1.)
[The Division- Violist.] Chelys, Minuri-
tionum Artificio Exornata : sive, Minuri-
tiones ad Basin, etiam Extempore Modu-
landi Ratio, etc. — The Division-Viol, or
The Art of Playing Extempore upon a
Ground. Divided into Three Parts . . .
Editio Secunda. Lat. & Eng.
W. Godhid for Henry Brome :
London, 1665. fol. 785. I. 23.
[The Division- Violist .] Chelys . . . IMinuri-
tionum Artificio Exornata, etc. — The
Division- Viol, etc. Editio Tertia, etc.
William Pearson, for Richard Hears :
London, 1712. fol. g. 299.
See Playfoed (J.) A Brief Introduction
to the Skill of Musick ... To which is
added . . . The Art of Descant ... by Dr.
Thomas Campion. With Annotations
thereon by Mr. Chr. Simpson. 1660. 8".
E. Pam. 1795. (2.)
SIMPSOW (Henry Pukver) In the
midst of Life we are in death. An
Anthem, EespectfuUy Dedicated to all the
Societies for Preservation from Danger
and apparent Death.
Longman & Broderip : London, 1796. fol.
G. 503. (16.)
SIMPSON (Thomas) Taffel Consort,
Erster Theil, von allerhaud Newen Lus-
tigen Musicalischen Sachen, mit vier
Stimmen, neben einem General Bass . . .
zusammen getragen . , . Durch Thomam
Simpson Engellander, etc. Bassus Gene-
ralis. Bey Paul Langen, hi verlegiing
Michael Herings : Hamburg, 1621. 4°.
C. 97.
T]ie composers named in this collection
are : T. Simpson, J. Grabbe, P.
Philippi, J. Douland, C. Topffer,
N. Bleier, M. Webster, J. Erosch,
A. Ferabosco, A. Chezam, R. Johnson,
C. Engclmann, E. Johnscm,J. Scherley
and R. B[ateman'],
SIMSON. Simson. Musikalisches Drama.
See RoLLE (J. H.)
SIN". Sin not O King ! Song.
Sec Haendel (G. F.) [Saul.'}
SINCE. Since all the World's in Arms,
The Royal Ball : As it was perform'd in
Masquerade by Two Seamen . . . [Ballad.]
To an Excellent New Tune, Sung at Court.
Printed for P. Brooksby, J. Deacon,
J. Blare and J. Bach : [London, ICm ?]
s. sh. fol. Case 39. k. 6. (66.)
The music is printed very incorrectly.
Since artists, who sue for the trophies of
fame. TJie English Padlock. [Song.]
Sung by Mr. Vernon. [London,
1768.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XLIII., p. 261.
Since Artists who sue for the trophies of
fame. The English Padlock. [Song.]
Sung by Mr. Vernon. [London,
1770?] s. s7i. fol. G. 311. (133.)
[Another edition.] Since Artists who
sue for the trophies of fame, etc.
[Lo7idon,niO?] s.sh.M.
H. 1994. a. (216.)
[Another edition.] Since artists who sue
for the trophies of fame, etc.
[Dublin ? 1770 ?] s. sh. fol.
H. 1601. a. (37.)
Since Celia 'tis not in our Power. Song.
See PuRCELL (D.) [The Inconstant.']
Since ev'ry Charm on Earth combines.
Liberty. A New Song [by R. Hudson].
[London, 1766.] 8°. P.P. ^5438. z.
Universal Magazine, FoZ. XXXIX., p.
148.
[Another setting.] Since ev'ry Charm on
Earth combin'd. [Song.] [London,
1760 ?] s. sh. fol. G. 316. (124.)
Since ev'ry charm on earth combines.
Song. See Hudson (R.)
Since first I saw your face. Glee for four
Voices [by T. Ford]. Preston: London,
[1800 ?] s. sh. fol. G. 805. g. (50.)
Since first I saw your Face. A favorite
Glee for Four Voices [by T. Ford].
J. Dale : London, [1800 ?] fol.
G. 799. (19.)
Since first I saw your Face. Glee.
See Ford (T.)
Since Friends and Companions. Glee.
See Ddpuis (T. S.)
Since from my dear Astrea's Sight. Song.
See Akeeoyde (S.)
[Another setting.] Since from my dear
Astrea's Sight. Song. See Purcell (H.)
Since Gaming's in Fashion. The Gamester.
A New Comic Song. Sung by Mr. A.
Smith, at the Grotto Gardens, etc.
G[harles and] S[amuel Thompson :
London, 1770 ?] s. sh. fol.
. G. 807. b. (60.)
Since in the Mirror of my Eyes. [Song.]
See Williamson (T. G.)
SINCE
503
SINCE. Since in vain I strive to gain you.
[Song.] See Thomyeis.
Since Jenny she has married. Ja7nie's
Complaint, or the Sequel to Auld Robin
Gray. [Song.] Set to the Original . . .
Air [by W. Leeves], for the Harpsichord,
Violin, Flute & Guittar. [London,
1780?] fol. G. 3li. (159.)
Since Jenny thinks mean her heart's
Love to deny. Willy's the Lad for vie.
rSong.] [London, 1150?] s. sli. iol.
G. 316. c. (33.)
Since Jockey of late is so kind. Happy
Shepherdess. A Pastoral. Sk[illern :
London, 1780 ?] s. sh. fol.
G. 311. (141.)
Since Laws were made for ev'ry degree.
Tijburn-Tree. [Song, written by J. Gay.]
[London, 1760?] s. sh. iol.
I. 530. (143.)
Since Life's a Jest. Glee. See Hook (J.)
Since London's the place. The Learned
Pig. A Celebrated Comic Song, etc.
J. Fentum : [London, 1780?] fol.
H. 1994. (59.)
[Another copy.] H. 2818. (9.)
Since love such extacy can give. Love,
Wine, ayid Music. A New Song.
[_London, 1769.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XLIY.,p. 372.
Since Mira's inclin'd. [Duet.]
See Dawson (J.)
Since IMoggy, I mun bid adieu. The
Adieu to Moggy. A Song [Words by
M. Prior]. [London, ll^Q?] s. sh. iol.
G. 311. (91.)
Li the London Magazine for December
1746 this song is attributed to S. F.
H. E. S.
[Another copy.] G. 305. (277.)
Since my Chloe you ask. Song.
See Turner (E.)
Since Pop'ry of late is so much in debate.
The Catholick Ballad: or an Invitation
to Popery, upon considerable Grounds
and Reasons. To the Tune of 88.
Printed for Henry Brome :
London, 1674. fol. 1871. e. 9. (56.)
[Another copy.] Rox. I. 26.
The date and place of imprint have been
cut off.
Since Pop'ry of late is so much in debate.
The Catholick Ballad ... To the Tune of
88. Printed for Henry Brome :
London, 1675. fol. Case 20. f. 5. (106.)
Since Pop'ry of late is so much in debate.
The Catholick Ballad ... To the Tune of
88. Printed for Henry Brome :
London, 1678. fol. 1872. a. 1. (149.)
SIWCE. Since Sally's Charms so long hath
been. Sally Rivald by Country Molly.
[Song, adapted to Carey's tune of " Sally
in our Alley."] [London,
1720?] s.sh.iol. H. 1601. (398.)
[Another edition.] Since Sally's Charms
so long hath been. Sally rivaVd by
Country Molly. [London, 1720?] s.sh.iol.
G. 316. g. (57.)
Since Spartan Heroes were so dull. Song.
See King (R.)
Since Tencin's Schemes. The Royal
Hunter's March. A Ballad. Set to
Musick in Imitation of the Early Horn.
[London, 1745.] 8". 249. c. 15.
Gentleman's Magazine, Vol. ZF.,^. 664.
Since Tencin's Schemes. The Royal
Hunters March. [Song.]
[Lo»tdo)i, 1762 ?] s.sh.iol. G. 315. (41.)
Since the Dutch are so low. The Tarrs
of old England. [Song.] [London,
1775?] s.sh.iol. G. 311. (148.)
Since the Fate of Gibralter attracts the
whole World. The Siege of Gibralter.
[Song.] L[ongman'] and B[rodcrip ;
London, 1782.] fol. G. 311. (102.)
[Another edition.] Since the Fate of
Gibralter attracts the whole World. The
Siege of Gibralter, a favourite New Song.
John Bice : Dublin, 1782. s. sh. fol.
H. 1601. a. (117.)
Since then I'm doomed this sad l^everse
to prove. [Song.] See Spoiled Child.
Since Times are so bad. Dialogue.
See PuECELL (H.) [Don Quixote. Part I/.]
Since we're depriv'd of great Anna. Song.
See NiCHOLLS (J.)
Since we went out a Maying. [Song.]
Sung by Miss Stevenson at Vauxhall, 1757.
[London, 1757.] s. sh. 8°.
P.P. 5439. ab.
Universal Magazine, Nov. 1757.
Since we went out a Maying. A Neio
Song. Sung by Miss Stevenson at Vaux-
haU. [Lotulon, 1757.] 8°. P.P. 5438.
Library Magazine, Vol. II., p. 441.
Since Wedlock's in vogue. The Man to
my Mind. [Song, words by J. Cunningham,
music by C. Burney.]
[London, 1755.] s. sh. 8°. P.P. 5439. ab.
Universal Magazine, May, 1755.
[Another setting.] Since Wedlock's in
vogue. A new Song. Sung at the Publick
Gardens. [Words by J. Cunningham.]
[London, 1755.] 8°. 157. 1. 17.
London Magazine, 1755, p. 84.
[Another setting.] Since wedlock's In
vogue. The Choice. A new Song. [Words
bv J. Cunningham.] [London, 1767 .'j 8".
P.P. 5438. z.
Universal Magazine, Vol. XL., p. 262.
50i
SINCERE— SISTINUS
SINCERE. The Sincere Lover. [Song.]
Sec Gauge ( )
SINCERITY.
Date. [Song.]
Sincerity's now out of
See Jones (J.)
SINDREY (E.) Britannia Triumphant,
or The Destruction of the Tri-Colour'd
Flag. A Favorite Song . . . Compos'd and
Arrang'd for the Piano Forte by E. Sindrey.
^7. Cope : London, [1798 ?] fol.
G. 376. (39.)
SING. Sing, all ye Muses. Song.
See PuRCELL (H.) [Don Quixote. Part I.]
Sing Jehovah, man become. An Hymn
for Christmas-Day. [London, 1761.] 8°.
P.P. 324. n.
Christian'' s Magazine, Dec., 1761,2'. 629.
Sing whilst we trip it. An Excellent neio
Song, Call'd The Fairy Queen, or The
merry Companions. T.Moore: London,
[1695 ?] s. sh. fol. Case 39. k. 6. (20.)
SINGENDE SWAEN. Den Singende
Swaen. [Hymns.] See S., G. D.
SINGET. Singet dem Herrn ein neues
Lied. Psalm. See Naumann (J. G.)
SION. Sion heard the Watchman sing.
[Sacred Song, Duet & Chorus.]
{London, 1697.] 4°. 108. g. 68.
Pp. 68-76 of ' TJieosophical Transactions
by the Philadelphian Society.'
SIPRUTINI (Emanuel) Six Duets for a
Violin and a Violoncello or two Violins
, . . Opera ii"*. London, [1764 ?] fol.
g. 24. b. (6.)
[Another edition.] Six Duets for a Violin
and a Violoncello . . . Opera Seconda.
Printed for Thompson and Sons :
London, [1764 ?] fol. g. 504. (4.)
Six Solos for a Violoncello, or a Violin ;
with a Thorough Bass, for the Harpsi-
chord . . . Opera Prima.
T. Bennett, for the Author :
London, [1764 ?] fol. g. 24. b. (5.)
[Another edition.] Six Solos for a Violin
with a Thorough Bass for the Harpsichord
. . . Opera Prima. Printed for
Thompson and Sons : London, [1764 ?] fol.
g. 502. (1.)
Six Solos for a Violoncello with a Thorough
Bass for the Harpsichord . . . Opera Terza.
C. and S. Thompson, for the Author :
London, [1110?] fol. "g. 270. L (9.)
Six Solos for a Violoncello, with a
Thorough Bass . . . Opera v.
Londo7i, [1770?] fol. g. 24. b. (7.)
[Another edition.] Six Solos for a
Violoncello, with a Thorough Bass . . .
Opera v. Welcker : London, [1775 ?] fol.
g. 518.
SIPRUTINI (Emanuel) Six Solos for a
Violoncello with a Thorough Bass . . .
Op. [6.] Printed for R. Wornuni :
London, [1775 ?] fol. g. 511. (5.)
[Another copy.] g. 24. b. (8.)
Six Solos for a Violoncello, with aThorough
Bass ... Opera vii. Printed for the Author :
London, [1775 ?] fol. g. 514. a. (2.)
SIR COURTLY NICE. Three New
Songs in [J. Crowne's Comedy] Sir
Courtley Nice. [Music of Nos. 1 and 2
by S. Akeroyde.]
Printed for J. Crouch ... and J. Smith., etc. :
London, 1685. fol. H. 1980. (20.)
SIR HUGH. Sir Hugh, the pitiful Fellow.
Catch. See Catch (J.) pseud.
SIR SIDNEY SMITH. Sir Sidney
Smith. Song. Sec Hook (J.)
SIRBACE. Sirbace. Opera.
See Galuppi (B.)
SIRE ( ) [La Magie a la Mode.] Tu
me croiois parjure. Romance de la Magie
a la mode, etc. Chez M">^ le Beau :
[Paris, 1782?] 8". B. 362. b. (191.)
[Another copy.] B. 362. g. (53.)
SIRENA. La Sirena. Canzonette.
See Salzilli (C.)
SIRENE ADRIATICHE. Le Sirene
Adriatiche. [Madrigals.]
See ViscoNTE (S.)
SIRIS (P.) -See Feuillet (R. A.) [Chor^-
graphie.'] The Art of Dancing . . . Done
from the French ... by P. Siris, etc.
1706. 4°. 785. k. 6.
SIRMEN (Maddalena Laura)
See LoMBARDiNi, afterwards Syrmen
(M.L.)
SIROE. The Favorite Songs in the Opera
Siroe for the Voice and Harpsichord.
[A Pasticcio.] R. Bremncr :
London, [1764.] fol. H. 348. c. (5.)
By F. Giardini and B. Galuppi.
Overture in Siroe [by G. F. Haendel.
Orchestral Parts]. [Walsh :
London, 1730 ?] fol. h. 3211. (6.)
Some of the parts are in manuscript.
Siroe. Opera. See Haendel (G. F.)
Siroe. Opera. See Hasse (J. A.)
Siroe. Opera. See Lampugnani (G. B.)
SISTINUS (Theodoricus) Cantiones
Trium Vocum, ut et Vivas Voci et Instru-
mentis sint idonese, etc. (Suprema.)
(Media.) (Infima.) 3 pts. Excudehantur
typis Philippi ah Ohr, Impensis Samuelis
Jauchij : Hamhurgi, 1608. 4°. K. 3. k. 6.
SIT— SLEIGH
505
SIT. Sit down Neighbours all. Boiv Woiu
Woiv. [Song.] As Sung by Mr. Hooke at
the Anacreontic Society. [New York ?
1783?] fol. G. 806. f. (72.)
A satirical song on Williavi Pitt the
yotmger and Henry Dundas.
SITOT. Sitot qu'not General. Chanson
[words] Tiree du Mariage par Escalade. . .
Air. La INIarche du Roi de Prusse.
\_Paris,'] 1756. s. sh. 8". 297. d. 3.
Mercure de France, Oct., 175G.
Sitot que Lubin m'aima. Air.
See Dezede (N.) [^Pironne Sauvie.']
SIX. Six Subjects as loyal. The Loyal
Toasts. [Song. J \ London,
1760?] s.sh.iol. G. 316. e. (131.)
SIXT (JoHANN August) Sechs Lieder
zum Singen beim Clavier, dx.
Baiimgdrtner : Leipzig, [1795 ?] ohl. fol.
E. 600. X. (9.)
SIXT (Wilhelm) Symphoni£e Nuptiales
zu . . . Ehren . . . Johanui Allbrechten . . .
Und . . . Margarethse, dess . . . Herrn
Melchioris Ludovici Brunners . . . Tochter
... I. Ein Epithalamium. ir. Auss dem
S. Capitel dess Buchs. der Weissheit.
III. Auss dem 26. Capitel Syrachs . . . mit
Sechs Stimmen Componirt, etc. i. Tenor.
Getrnckt in der Fiirstlichen Truckerey,
durch Justum Hauck : Coburgk, 1614. 4°.
C. 114.
SIXTEEN. Sixteen years old was black-
ey'd Sue. [Song.] Sung at Sadler's
Wells. [London, 1760?] s. sh. fol.
G. 316. f. (1.)
SKATER. The Skaiter's March. [Two-
part Song.] See This. This snell and
frosty Mornuig, etc. [1782.] 8°.
2117. c.
SKEATS (Highmore) AU gracious Free-
dom, O vouchsafe to smile. A Glee for
Three [or rather, Four] Voices. E. Palcy :
London, [1800 ?] fol. G. 805. k. (26.)
Cease thy Carols. A Favorite Song . . .
The Words by the Eevd. Dr. Morgan, etc.
W.Gaivler: London , \1196 7] fol.
H. 2831. a. (50.)
A Collection of Songs, etc. Printed for
the Author : London, 1784. fol. I. 364.
The Victory of Fishguard. A favorite
Song. The Words by the Revd. Dr.
Morgan, whose Countrymen were forward
to repel the French Invaders, who very
lately made a Descent in Wales.
W. Gaivler : London, [1797.] fol.
H. 2831. a. (51.)
SKILFUL. The Skillfull Lover. [Song.]
See Once. Once Damon & Cloe, etc.
[1720?] s.sh.iol. 1.530.(121.)
SKILLERN (Thomas) Skillern's Select
Collection of Catches and Glees for Three
and Four Voices, etc. Printed for
T. Skillern : London, [1795 ?] ohl. 4°.
A. 1C63.
The coynposers named in this collection
are : Harrington, R. Broderip, King,
Dr. Hayes, Geminiani, Battishill,Ptir-
ccll, Hilton, Jenkins, Atterhurij, Dr.
Aldrich, Garth, J. S. Smith, Valton,
Travers, Berg, Nai-es, Boyce, Webhe,
Lord Mornington, Baildon, W. Bates,
Ives, Marella, Giardini, Callcott,
M. Estc, T. Breicer, Smart, Dr. Arne
and Dr. Cooke.
SKIMINGTOISr. The Skimington.
[Song.] See Good. Good people that
marrj', c^c. [1740?] s.sh.iol.
H. 1994. b. (28.)
SKINNER (Benjamin) Six Solos for a
German Flute Violin or Harpsicord, To
which are added some Pieces designed as
Lessons for the Harpsicord, etc.
Printed for liichard Bride, etc. : London,
[1770?] obi. fol. f. 133. o. (2.)
See Voluntaries. Ten Voluntarys. . .by
Dr. Green, Skinner, e/c. [1770?] obl.iol.
e. 108. a. (5.)
SKYLARK. The Sky Lark. [Song.]
See Go. Go tunefull Bird that gladst the
Skies, c^c. [1775?] s. s7i. fol.
G. 308. (37.)
The Skylark. [Hymns.] See Sheeles (J.)
SLATYER (William) See S., W. The
Psalmes of David in 4 Languages . . .
Set to y° Tunes of our Church by
WriUiam] Sflatyer]. 1643. 12°.
E. Pam. 1111. (5.)
SLAVE. The Slave. [Song.] See "lis.
'Tis Sev'n long Years and more.
[1795?] fol. G. 356. (48.)
Slave bear the Sparkling Goblet round.
[Song.] See Giordani (G.) or (T.)
SLAVES. The Slaves beneath a fervid
sky. Duett. See Florio (C. H.) [The
Egyptia7i Festival.']
Slaves to London I'll deceive you. Song.
See Berenclow (B. SI.)
[Another setting.] Slaves to London I'll
deceive you. Song.
See Comical Mistakes.
SLEEPING. The Sleeping Fair. Song.
See To. To shun bright Sol's meridian
heat, etc. [1757.] 8°. P.P. 5438. z.
SLEEPY. The Sleepy Fair. [Song.]
See Howard (S.)
SLEIGH ( ) Mrs. Come buy my sweet
Flowers. A new Ballad, written and
composed by Mrs. Sleigh.
Broderip and Wilkinson: London,
[1800?] fol. G. 365. (13.)
506
SLIGHT— SMART (G. T.)
SLIGHT. The Slight. [Song, begins :
' Child of Zephyr.'] See Dunn (J.)
The Slight. [Song.] See Philander.
Philander leave me, ctc.\
[1740?] s.sh.iol. L 530. (128.)
SLIGHTED. The Slighted Lover.
[Song.] Sec Believe. Beleive my Sighs.
[1740 ?] s. sh. fol. G. 306. (230.)
The Slighted Lover. [Song.] See Long.
Long time have I strove.
[1725 ?] s. sh. fol. H. 1601. (284.)
The Slighted Lover's Resolution. [Song.]
See Foolish. Foolish Heart 1 dost thou
complain, ffc. [1780?] s.sli.tol.
G. 307. (252.)
A Slighted Shepherd, in a Vale. T]ic
Shepherd's Complaint. [Song.]
[London, mo '>^ s.sh.iol. I. 530. (144.)
The Slighted Swain. [Song.]
See Chloe. Cloe proves false but still She
is charming, etc. [1720?] s. sh. fol.
H. 1601. (76.)
The Slighted Swain. [Song, begins :
' Believe my sighs.'] Sec Hudson (R.)
SLINGING. Slinging the Bowl. Song.
See Ambrose (J.)
SLOW. Slow Men of London. [Glee.]
See Callcott (J. W.)
Slow the limpid Current twining. [Song.]
See Johnson (F.)
SLOWLY. Slowly across the distant
plain. The Farewell, A favorite Ballad
with an Accompaniment for the Piano
Forte or Harp. T. Preston :
London, [1800 ?] fol. H. 2826. c. (33.)
[Another copy.] G. 383. j. (27.)
SLUGGISH. The sluggish Morn as yet
undrest. Phillis the Sun's Rival. [Song.]
Sung by Mr. Dodd. [London,
1770?] s.sh.iol. G. 312. (122.)
SLUITER (Wilhelm) Psalmen, Lof-
Sangen, ende Geestelike Liedekens, op
Lees- ende Sangh-mate gerijmt, ende op
alderhande . . . van verscheiden Meesters
gemaekte Sangh-geluyden, met Bas ende
Discant, gestelt ende uytgegeven door
Wilhelm Sluiter, etc. Jan Colomh :
Dcventer, 1661. 4°. 3436. i. 26.
Tliere is a second (engraved) title-piage.
SLY. Sly old Hodge. [Song.]
See DiBDiN (C.) [The Oddities.']
SLY (R.) An Anthem and Hymn for
Christmas-Day, for two, three and four
Voices. Longman and Broderip :
London, [1770 ?] fol. H. 2815. i. (6.)
SMART. Smart Doll of the Green. A
Favourite Laughing Song. Sung by Mr.
Vernon, c<c. E. Falkcner : London,
[1775 ?] s. sh. fol. H. 1994. a. (73.)
SMART. The Smart Walking Jockey,
Song. See Shield (W.)
SMART (George) Smart's Annual Col-
lection of Twenty-four Country Dances,
for the Year 1795, . . . For the Violin and
German Flute, etc. Smart :
London, [1795.] ohl. 4". a. 9. d. (13.)
Smart's Annual Collection of Twenty-
four Country Dances, for the year 1798
. . . For the Violin and German Flute, etc.
Smart: London, [1798.] ohl. 4°.
a. 9. d. (14.)
Smart's Collection of New & Favorite
Country Dances, Waltz's & Reels. Ar-
ranged for the Harp, Piano-Forte or
Violin, etc. Smart ;
London, [1800?] obi. i". b. 55. b. (3.)
The Vocal Pocket Companion. Being a
Select Collection of . . . Catches, Glees
and Duetts for Two & Three Voices, etc.
Printed for the Editor: London, [1800?]
A. 1066.
Fifty-tico cards in a case. Imperfect,
wanting Nos. 17, 26, 31, 51. The com-
posers named are : H. Laives, J. Hilton,
J. Baildon, Purccll, T. Breiver, Dr.
Arnc, M. C. Fcsting, Dr. Greene, Good-
grow, Byrd, Dr. Hayes, Atterhury, Dr.
Wilson, Dr. Harrington, T. Holmes,
C. King, W. Laives, Travers and E.
Gregory.
SMART [Sir George Thomas) ■ Awake
my soul. TJie Morning Hymn. Composed
for the Use of Brunswick Chapel.
Smart : London, [1798 ?] s. sh. fol.
H. 1683. (59.)
The Garland, A New Song, written by S.
Arnold, Jun'. Smart :
I/ond-on, [1798 ?] fol. G. 365. (14.)
The Merry Gypsies, A Favorite Glee,
written by Mr. Arnold. The Author :
[London, 1198?] obi. iol. D. 402. (25.)
Sighs. A Glee for four Voices, etc.
G. Smart, for the Author;
London, [1800 ?] ohl. fol. D. 402. (26.)
Three Sonatinas for the Piano Forte, with
an Accompaniment for the Violin, ad
libitum. Smart : London , [1800 ?] fol.
g. 132. (12.)
See Haydn (F. J.) [2. Vocal Works.— a.
Sacred.— The Creation.'] Die Schoepfung
. . . The Creation, etc. MS. notes [by Sir
G. T. Smart]. 1800. fol. K. 10. b. (22.)
See Programmes.— London.— Ji/ew Musi-
cal Fxmd. [A Collection of Programmes
... of Concerts given in aid of the New
Jlusical Fund, etc.] ms. notes [by Sir
George Smart]. [1794-1841.] 4°. & fol.
Case 61. g. 20.
SMART (H.)— SMILE
507
SMART (Henry) Six Easy Duetts for
Two Violins . . . Op. 1. [Separate Parts.]
Printed for G. Smart:
London, [ISOO ?] fol. "g. 218. (11.)
A Duett for a Violin and Tenor Obligato
. . . Op. 2. [Separate Parts.] G. Smart :
Lotido7i, [1800?] fol. g. 225. (19.)
The Air Balloon. [Song.] . . . Words by
Mr. Oakman. Sk^illcrn :
London, 1784.] s. sh. fol. G. 312. (154.)
The Camps, or the Royal Review. [Song.]
Words by Mr. Oakman. Sk'illcrn :
London, 1779.] s. sh. fol. G. 307. (97.)
Cupid's Kisses. [Song.]
[London, 1785 ?] fol. G. 307. (61.)
The Dusky Night. A favourite Air with
Variations for the Harpsichord or Piano
Forte, also for the German Flute or Violin.
Printed for T. Skillcrn :
London, [YJQO'>] fol. g. 271. b. (36.)
The Happy Fellow, [Glee,] Sung by
Messrs. Arrowsmith, Palmer & Bannister,
at the Royalty Theatre.
S. A. d P. Thompson :
London, [1790 ?] fol. G. 806. r. (34.)
[Another edition.] The Happy Fellow,
a favorite Trio, etc. [London, 17'.)0 ?" fol.
G. 805. k.'(27.)
Love and Innocence. [Song.]
[London, 1780 ?] fol. G. 313. (249.)
Paddy Whack, with Variations for the
Harpsichord or Piano Forte, also for the
Violin, or German Flute.
Printed for Straight and Skillcrn :
[LoHfZoH, 1775?] fol. g. 271. b. (35.)
The Squire's Christning. A Comic Song.
Sk[illern: Londoii, 1180 7] fol.
G. 307. (66.)
Time and Care. [Song.] P. EJodgson :
London, 1175?] s.sh.ioL G. 308. (29.)
When War's Alarms. [By T. Linley.]
With Variations for the Harpsichord,
Piano Forte, Violin, Ger. Flute or Guittar.
Printed for T. Straight :
London, [17907] fol. h. 141. a. (17.)
[Another copy.] g. 271. b. (37.)
While the Glass circles round. New
General Toast. [Song.] Words by Mr.
Oakman. SkiUern :
[London, 1776 ?] s. sh. fol. G. 313. (213.)
See Paphian Doves. The Paphian Doves
. . . The Songs & Music ... by different
Ingenious Masters [i.e. J. B. Adams and
T. Smart]. [1785 ?] fol. G. 805. k. (14.)
SMEGERGILL (William) alias Caesar.
See Playford (J.) Select Musicall Ayres
and Dialogues . . . by . . . Mr. William
Smegergill alias Caesar, etc. 165.3. fol.
F. 51. a.
SMETHERGEIjIj (William) Six Can-
zonetts accompanied with the Harpsichord
or Piano-Forte. . .The Words by J. Austin.
Longman, Lukey <& Broderip, for the
Author: London, [17187] fol.
G. 295. i. (2.)
A Favorite Concerto for the Harpsichord
or Piano Forte with Accompaniments for
Two Violins & a Violoncello, etc. [Separate
Parts.] Longman & Broderip :
London, [1785 ?] fol. g. 420. k. (3.)
Six Concertos for the Harpsichord or
Piano Forte. With Accompaniments for
Two Violins and a Violoncello. [Separate
Parts.] Printed for the Author :
Londm, [1775 ?] fol. i. 82.
Six Duettos, for Two Violins ... Op. 12.
[Separate Parts.]
Longman, dementi, d Compu :
London, [1800 ?] fol. g. 218. (12.)
Six Lessons for the Harpsichord or Forte
Piano . . . Opera i.
Printed for Henrrj Thoroivgood :
Lo>idon, [11107] obi. lol. d. 160. (5.)
Moggy [Macbride, a Favorite Song, sung
by ]Mrs. Forrester, at Islington Spa, Words
by Mr. Forrester. Printed for the Author :
[London, 1190 7] fol. H. 1683. (61.)
Six Overtures in Eight Parts . . . Opera v.
A Second Sett. J. Preston :
London, [1790 ?] fol. g. 212. (9.)
Rules for Thorough Bass, to which are
annex'd, Three Sonatas for the Harpsi-
chord or Piano Forte, with an Accompani-
ment for the Violin . . . Opera vii.
Printed for the Author :
London, [1795 ?] fol. g. 302. (4.)
Six Easy Solos for a Violin, with a Figured
Bass for a Harpsichord or Violoncello . . .
Op. 8. F. LinUy : London, [1797 7] fol.
g. 422. f. (6.)
See JoMELLi (N.) JomeUi's . . . Overture
and Chaconne. Adapted ... by W.
Smethergell. [1800 ?] fol.
g. 272. d. (23.)
SMILE. A Smile and a Tear. Song.
See Abrams (H.)
Smile Britannia. A Favourite Song sung
at Vauxhall. [London, 114.8 7] s. sh. fol.
G. 311. (96.)
Smile, Britannia. A favourite new Song
sung at Vauxhall. [London, 1755.] 8°.
157. 1. 17.
London Magazine, 1755, p. 292.
Smile, Britannia, smile. A New Song.
Sung at Vauxhall. [London, 1756.] 8".
P.P. 5438. z.
Universal Magazine, Vol. XVIII., p. 323.
Smile, 0 smile my Charming Fair. [Song.]
Made on a Lady at Belsize, set to the Bel-
size Minuet. [London, 1720 ?] s. sh. fol.
H. 1601. (416.)
508
SMILE— SMITH (I.)
SMILE. [Another editiou.] Smile O
smile my charming Fair. On a Lady at
Belsize, etc. {London, 1120 ^ s. shAo\.
G. 316. g. (58.)
The Smile of Benevolence. [Song.]
See DiBDiN (C.) {Great News.]
The Smile of the Tweed. [Song.]
See King (M. P.)
SMILES. Smiles and Tears. [Song.]
See DiBDiN (C.) [A Tour to the Land's
End.]
The Smiling Dawn. [Song.]
See Haendel (G. P.) \_Jephtha.]
Smiling Grog's on board. Song.
See Moulds (J.)
Smiling Health. Glee.
See Atterbuby (L.)
The Smiling Morn, the breathing Spring.
The Birks of Endermay. [Song, words
by D. Mallet.] [London,
1750?] s. s/«. fol. G. 316. e. (80.)
[Another edition.] The Smiling Morn,
the breathing Spring. 21ie Birks of
Endermay. [London, 1760?] s.sh.iol.
G. 310. (87.)
The Smiling Morn, the breathing Spring.
The Birks of Endermay. [Song.]
[Lo7idon, 1771.] s. sh. 4°. 159. n. 3.
London Magazine, Nov., 1771.
The Smiling Morn, the breathing Spring.
TJic Birks of Endermay. A New Song.
[London, 1771.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XLIX., p.
374.
Smiling Nan. Song.
Sec Aenold (S.) [The Gnome.]
SMITH (Adam) Damon's Wish. [Song.]
Set by Mr. A. Smith and Sung by him at
the Grotto Gardens. L[ongman] L[ukcy :
London, mo?] s. sh. tol.
H. 1994. a. (174.)
The Man of Eeason. [Song.] The
Words and Music by Mr. Adam Smith,
& sung by Him at the Theatre Eoyal
Richmond Gr°. G[corge] S[mart :
London, nS5?] s.sh.iol. G. 310. (141.)
What's all that to me. [Song.] Adapted
for the Harpsichord . . . The Words by
G. A. Stevens. L[ongman] L[ukey :
London, 1115?] s.sh.iol.
H. 1994. a. (28.)
See Aene (T. A.) [1. Sacred Mzisic] A
Second Collection of Psalms and Hymns
used at the Magdalen Chapel . . . The
musick ... by Dr. Arne . . . and Mr. A.
Smith, etc. [1765.] 8". E. 602. y. (1.)
SMITH (Alexander) The Musical Mis-
cellany ; a Select Collection of the most
approved Scots, English & Irish Songs,
set to music. [With a Dedication signed :
A.Smith.] J.Brown: Perth, lim. 8°.
B. 417.
Wanting the frontispiece.
[Another copy.] B. 417. a.
Wa7iting the dedication.
SMITH (Amand Wilhelm) Trois Senates
pour les Amateurs du Violou avec la Basse
Continue . . . Oeuvre i.
Chi's J. J. Hummel : Berlin, [1785 ?] fol.
li. 1608. c. (7.)
SMITH (C.) the Younger. Thou rising
Sun, whose gladsome Ray. An Ode from
y= Spectator ... Set for y' German-Flute.
[Words by R. Steele.] [London, 1750.]
s. sh. fol. G. 312. (65.)
SMITH (Clement) The Frog and Mouse.
An Old Air arranged as a Rondo for the
Piano Forte. Printed for the Authcrr :
Londm, [1795 ?] fol. g. 272. r. (37.)
The Doves. [Song.] Blundell : [Londmi,
1780?] s.sh.iol. G. 312. (173.)
Lady Nelson's Fancy, a favorite Quick
Step. Sec Tebay (J.) The Bath Volun-
teers' March, etc. [1800 ?] fol.
h. 1568. b. (22.)
Sonata Capricciosa for the Piano Forte or
Harpsichord. Longman and Broderip,
for the Author : London, [1790?] obi. fol.
e. 104. (11.)
See Glees. A Selection of Glees from
the MSS. of the Concentores : being the
Compositions of . . . Dr. Smith, etc.
[1800 ?] ohl. fol. E. 207. a. (1.)
SMITH (George) Chloe's Absence. A
New Song, [words] by B. West, etc.
[London, 1764,] 8". P.P. 5441.
Royal Magazine, Vol. XL, p. 45.
Chloe's Return : a New Song. [Words]
By B. West, etc. [London, 1766.] 8».
P.P. 5441.
Boyal Magazine, Vol. XIV., p. 213.
SMITH (Isaac) A Collection of Psalm
Tunes in three Parts ... to which are
added 2 Anthems & 2 Canons. Sold
by Mrs. Davenhill and Mr. Buckland :
London, [1770 ?] obi. 8°. A. 621.
The first edition, with a supplement con-
taining 19 tunes, 2 anthems, and a
Sanctus by Orlando Gibbons. The
blank pages arc filled with MS. tunes
by J. Stanley, C. Burncy, M. P.
King, J. Lucas, Wainivright and
Winter.
A Collection of Psalm Tunes in three
Parts . . . Fifth Edition, with . . . Additions
by S. Major. S. Major :
London, [1190?] o6L 4^ A. 621. a.
SMITH (I.)— SMITH (J. S.)
509
SMITH (Isaac) See Major (S.) Sacred
Melody . . . Containing all the original
Compositions of I'. Smith, etc.
[1800 ?J ohl. 4°. A. 621. b.
SMITH (John) o/ Market Lavington. [A
1st] Set of Services, Anthems & Psalm
Tunes ... all intirely new. (Book the
Second. Containing Twelve Anthems and
Twelve Psalm Tunes, etc.) 2 pts.
Printed for the Author :
London, [1755 ?] fol. H. 3272. a.
Book II. is printed by the author at
Lavington.
[Another edition.] A 1" Set of Services,
Anthems and Psalm Tunes for Country
Choirs. All entirely new, etc.
Printed for J. Johnson :
London, [1760 ?] fol. H. 3272.
A Third Set of Services, Anthems and
Psalm Tunes, etc. Printed for
J.Johnson: London, [IIGO 7] fol.
G. 517. h. (3.)
SMITH (.John) Theatrical Composer. I\Ir.
Jno. Smith's I\Iusick in the Opera call'd
[The Wonders in the Sun ; or] The King-
dom of the Birds. First Treble. (.Second
Treble.) (Tenor.) (Bass.) 4 pts. [Walsh^
London, 1706.] fol. g. 15. (3.)
SMITH (John Christopher) Anecdotes
of G. F. Handel and J. C. Smith. [By
W. Coxe.] With Select Pieces of Music,
composed by J. C. Smith, etc.
W. Buhner and Co. : London, 1799. 4°.
785. k. 36. (1.)
[The Chances. How cruelly fated is
Woman.] See Thalia. Thalia. A
Collection of Six . . . Songs . . . by . . .
Mr. Smith, etc. [No. 1.] [1767 ?] fol.
G. 320. (3.)
The Enchanter. A Musical Entertain-
ment, etc. [Words by D. Garrick. Full
Score.] Printed for I. Walsh: London,
[1760.] fol. G. 240. e.
Overture. [Separate parts.]
See Abel (C. F.) Abel, Arne and Smith's
Six Overtures, etc. No. 5. [1765 ?] fol.
g. 30. e.
The Fairies. An Opera. The Words
taken from Shakespear &c. [Adapted
from ' A Midsummer Night's Dream ' by
D. Garrick. Full Score.] Printed for
J. Walsh : London, [1755.] fol.
G. 240. a.
Overture. [Separate Parts.]
See Abel (C. F.) Abel, Arne and Smith's
Six . . . Overtures, etc. No. 6.
[1765?] fol. g. 30. e.
You spotted snakes with double
tongues. A favourite Sotig in the Fairies.
The Words by Shakespear, etc.
[Londo7i, 1755.] 8". 250. c. 2.
Gentleman's Magazine, Vol. XXV.,
p. 565.
SMITH (John Christopher) Our Light,
our Saviour. The Foundling's Hymn,
taken out of Psalm xsvii.
[London, 1763.] 8°. P.P. 324. n.
Christian's Magazine, Oct., 1763, ^J. 472.
Paradise Lost, an Oratorio. [Full Score.]
Printed for I. Walsh : London,
[1758.] fol. G. 232. (2.)
Select Pieces of Music, . . , never before
publish'd. [Full Score.] Birchall :
London, [1796 ?] fol. G. 240. d.
Suites de Pieces pour le Clavecin. 2 vols.
Printed for the Author: London,
[1734 ■?-5 ?] ohl. fol. d. 37.
Vol. II. is ' Printed & sold by John
Walsh,' etc.
Six Suits of Lessons for the Harpsicord
. . . Opera Terza. Printed for f. Walsh :
London, [1755.] obi. fol. e. 5. (8.)
The Tempest. An Opera. The Words
taken from Shakespear &c. [Adapted by
D. Garrick. Full Score.] Printed for
I. Walsh : London, [1756.] fol. G. 240.
Overture. [Separate Parts.]
See Abel (C. F.) Abel, Arne and Smith's
Six . . . Overtures, etc. No. 7.
[1765?] fol. g. 30. e.
Why Harry ? what ails you ? A Two
Part Song. [Londoti, 1735 ?] .s. sli. fol.
G. 316. (125.)
You spotted snakes with double tongues.
See supra : [The Fairies.}
SMITH (John Stafford) Anthems, com-
posed for the Choir-Service of the Church
of England. Printed for the Author :
Lojulon, [1800?] fol. H. 81. a.
A Fifth Book of Canzonets, Catches,
Canons & Glees, sprightly and plaintive,
with a part for the Piano-Forte subjoined
where necessary, etc. Printed for the
Author : [London, 1794 ?] obi. fol.
D. 401. (8.)
A Select Collection of Catches, Canons
and Glees . . . for Three & Four Voices,
etc. J. Welcker : London, [1780 ?] obi. fol.
E. 67. a.
A Collection of English Songs, in Score
for Three and Four Voices. Composed
about the Year 1500. Taken from MSS.
of the same Age, revised and digested by
J. S. Smith. Printed for J. Bland:
Londoji, [1779.] fol. H. 1652. (7.)
Containing compositions by B. Fayrfax,
Th. Phelyppis, E. Turges, Shenjng-
ham, W. Newark and J. MoiUon.
A Collection of Glees for three, four, five
& six Voices, etc. Welcker : London,
[1776?] obi. fol. E. 67.
510
SMITH (J. S.)— SMITH (T.)
SMITH (John Stafford) A Miscel-
laneous Collection of New Songs, Catches
and Glees, for One, Two, Three, Four,
and Five Voices, particularly an Oc-
casional One... which gained the Premium
this Year, and a Cantata entitled. The
Frantic Lady. James Blundell :
London, [1780.] ohl. fol. D. 400. a. (2.)
The Hunter's Song or Hark the hollow
Woods resounding. [Words by J . Hughes .]
With the Original Simphony now Play'd
at Vauxhall. Printed for J. Bland :
[London, nSO?'] fol. G-. 296. (11.)
[Another edition.] The Hunter's Song,
etc Printed for J. Bland :
[London, 1780 ?] fol. G. 308. (103.)
Imperfect, p. 1 only.
If Tyrant Love with cruel Dart. Venetian
Ballad. Sung at Ranelagh .
Printed for J. Bland : [London, 1780?]
s. sh. fol. G. 309. (170.)
Eeturn blest Days. A Favorite Glee for
Four Voices. [Words by Dr. Percy.]
Printed for B. Bircliall : London,
[1795?] fol. H. 1683. (66.)
To Anacreon in Heaven. [For editions
and adaptations of this song published
anonymously : ] See To.
See Amusement for the Ladies. Amuse-
ment for the Ladies, being a Selection of
. . . Glees and Madrigals . . . by . . . Messrs.
Atterbury, . . . Smith, etc. [1791-93.]
obi. fol. E. 61.
SMITH (Robert) Harmonics, or the Phil-
osophy of ]\Iusical Sounds. J. Bcntham :
Cambridge, 1749. 8°. 1042. i. 9.
[Another copy.] 52. e. 27.
[Another copy.] 55. b. 22.
A Postscript to Dr. Smith's Harmonics,
upon the changeable Harpsichord, etc.
Printed for T. and J. Merrill : Lo7idon,
1762. 8°. 557*. e. 25. (11.)
SMITH (Theodore) Six Arietts for the
Voice, & one Duett with an Accompany-
ment for the Harpsichord or Piano-Forte.
Henry Holland, for the Author : [London,
1790?] ohl. fol. F. 686.
As the birds on ev'ry Spray. Bondo.
The Words by a Young Gentleman.
Longman & Broderip : London,
[1780?] fol. G. 806. e. (16.)
As the Birds on every Spray. A favorite
Rondo. Eliz*'' Bhames : [Dublin,
1780?] fol. H, 1601. a. (61.)
Six Concerts pour le Clavecin ou le Piano
Forte avec I'Accompagnement de Deux
Violons et Basse . . . Oeuvre Quatrieme.
[Separate Parts.] Ches J. J. Hummel :
Berlin, [1783 ?] fol. h. 3212. g. (11.)
Lnperfect, the Harpsichord and part of
the Second Violin parts only.
SMITH (Theodore) Three Favourite
Duets, for Two Performers on one Harpsi-
chord or Piano Forte. Dedicated to...
Lady Ann and Lady Sarah Windsor.
Longman d; Broderip : London,
[1779?] fol. g. 131. (10.)
This is the same work as the ' Trois
Sonates en Dtio,' published at Berlin
as Op. 1.
[Another edition.] Three Favourite Duets
...Dedicated to... Lady Ann and Lady
Sarah Windsor. Longman <& Broderip :
I/OHdoH, [1780?] fol. H. 2818. (1.)
[Another edition.] Three Favorite Duetts
...Dedicated to... Lady Ann, & Lady
Sarah Windsor. . .New Edition, etc.
Printed for J. Dale : Loyulon, [1791 ?] fol.
g. 131. (13.)
A Second Set of Three Favorite Duets, for
two Performers on one Harpsichord or
Piano Forte, dedicated to Miss Thomson,
and Miss Lucy Thomson.
Longman d Broderip) : Londoyi,
[1780?] fol. g. 131. (11.)
A Sixth Sett of Three Favorite Duets for
two Performers on One Harpsichord or
Piano Forte. Dedicated to Miss M.
Hulse & Miss E. Hulse. H. Holland :
London, [1789 ?J fol. g. 131. (12.)
Three Favorite Duetts, for the Harpsi-
chord & Piano Forte, adapted likewise for
a single Performer, with an accompany-
ment for a Violin or Flute, and a New
Overture, etc. The Author : London,
[1795?] fol. g. 131. (14.)
Six Favorite Minuets for the Harpsichord,
German Flute, or Violin.
Longman and Broderip : London,
[1780?] fol. h. 1480. p. (14.)
The Celebrated Music which is on the
Organ at Mr. Coxe's Museum Spring
Garden. Properly adapted for the
Harpsichord. Welcker : London,
[1770?] obi. fol. e, 174. m. (20.)
A Musical Directory, etc. Welcker :
London, [1780 ?] 4°. e. 363.
The Nosegay. A Favorite Ballad sung
by Mrs. Smith at Ranelagh, etc.
Str[aight] d Sk[illern : London, 177G?]
s. sh. fol. G. 313. (225.)
The Nosegay. A favourite Ballad, etc.
B. Falkener : London, [1780?] s. sh. fol.
H. 1994. a. (80.)
The Nosegay. See What. What Harm
in so simple a Token, etc. [By T. Smith.]
[1771.] 8". P.P. 5438. z.
Six Quartette's for one Flute, or two
Violins, one Tenor and a Thorough Bass
for the Harpsichord or Violoncello. . .
Dedicated to . . . the Earl of Berkley.
[Separate Parts.] Welcker : London,
[1770?] fol. h. 2801. a. (3.)
SMITH (T.)— SNOW
511
SMITH (Theodore) Remember Damon, |
you did tell. [Song.] Sung by Miss
Harper at Marybone Gardens.
Strlaiglit] & Sk[illcrn : London,
1771?] s.sh.tol. G. 311. (38.)
Sonata [in D. P. F.]. See Lo:sgman and
Broderip. Longman and Broderip's Col-
lection of. . .Music for the. . .Piano Forte.
No. 7. [1795 ?] fol. g. 192. (4.)
Six Sonatas for two Violins & a Bass.
[Separate Parts.] Welcker : London,
C1770?] fol. g. 409. g. (6.)
Trois Senates en Duo, qui peuveut etre
ex^cut^s par deux personnes sur un
Clavecin on Piano Porte... CEuvre Premier.
2 Books. Chez J. J. Hummel : Berlin,
[1775?] fol. h. 13. (1.)
Trois Senates en Duo, qui peuvent etre
ex6cut6s par deux Personnes, sur uu
Clavecin ou Piano Forte. CEuvre iv.
J. J. Hummel : Berlin, [1775 ?] fol.
h. 13. (2.)
Six Sonatas for the Harpsichord with
Accompanyments for a Violin or Flute
& Violoncello . . . Opera v. Welcker :
London, (1770.) fol. h. 349. (4.)
Six Sonatas for the Harpsichord or Piano
Forte. . .Opera vi. Welcker : London,
[1775 ?] obi. fol. e. 19.
[Three Sonatas, and an Overture, for P. F.
and Violin, without title page, but bearing
the name of Theodore Smith in Manu-
script. Separate Parts.] [London,
1790?] fol. g. 161. f. (7.)
Three Sonatas, & A Favourite IMarch, for
the Piano Forte or Harpsichord, with an
accompauyment for the Violin, and
Violoncello. [Separate Parts.]
Longman & Broderip, for the Author :
London, \1190'!] fol. g. 161. c. (11.)
Three Sonatas for the Piano Forte . . .
Op. 36. Printed for J. Dale : London,
[1795?] fol. g. 141. (12.)
The Favourite Songs sung at Vaux Hall
by Mrs. Smith, with the celebrated Hunt-
ing Song sung by Mr. Vernon, etc. [Full
Score.] Welcker : London, [1775 ?] fol.
G. 316. j. (2.)
Tho' the winds are whistling round me.
A Favorite Rondo. L[ongman'\
d B\roderip : London, 1780 ?] fol.
H. 1994. 60.
Eight Tunes, Selected, Composed for, and
Adapted to the Selection of Psalms,
Hymns, and Anthems of Ebury Chapel,
etc. G. Goulding : London, [1795 ?]
obi. fol. E. 1498. g. (5.)
Water parted from the Sea [from T. A.
Arne's ' Artaxerxes '] with Variations for
the Harpsichord or Piano Forte.
Welcker : Londoji, [1775 ?] fol.
g. 271. b. (38.)
SMITH (Theodore) Ye Virgin Powers.
A favorite Rondo. Sung by Miss Harper
at the Publick Gardens. [Words by Mrs.
Taylor. Full Score.]
Printed for Straight and Skillern :
London, [1776 ?] fol. G. 314. (75.)
SMITH (Thomas) The Psalms of David
in Metre. Newly Translated ... By W.
Barton, . . . Sett to the best Psalm-Tunes
in Two Parts, etc. [1680 ?] 12".
See Psalms. [4. English.] 3438. e. 59.
The Psalms of David ... By W. Barton
...The Second Edition, Corrected and
Amended, etc. 1706. 12". See Psalms.
[4. English.] 3425. aa. 11.
SMITHFIELD. Smithfield Bargains.
[Song.] See Dibdin (C.) [The Sphinx.]
SMITHS. Smiths are good fellows.
Sec Cobb (J.)
Glee.
SMOOTH. Smooth as the limpid Stream.
[Song.] See Broderip (R.)
SMUGGLERS. The Smugglers. Musical
Drama. See Attwood (T.)
SNEGASSIUS (Cyriacus) Isagoges
]Music£e Libri Duo, lam Theoricse quam
PracticEe studiosis inseruire iussi. An-
nexe ad finem tractatulo, ex Poetica
desumto : paucis q] de canendi elegantia
obseruationibus.
Typis Georgij Baumanni :
Erphordiae, 1591. 8^ 1042. d. 35. (1.)
Nona & exquisita Monochordi Dimensio :
ad usum tcDi/ <pt\o/jiovffcov. . .accurate descripta
& euulgata : Dimensionis Typo in fine
annexe, etc. Georgizis Bauman :
Erphordim, [15]90. 8°. 1042. d. 35. (2.)
SNIBSON (.John) Binson's Complaint.
[Song.] The Words and Musick by J.
Snibson. [London, 1735 ?] s. sh. fol.
G. 316. f. (123.)
Hark our Warlike Engins Thunder. A
Song on the Birth of the Princess Augusta.
The Words and Musick by J. Snibson.
[Lojidon, 1137.] s.sh.iol. G. 308. (71.)
The Linipution. [Song.] Words & Music
by J. Snibson. Ligrav'd by T. Ct'oss, at
i/« Author's reqtiest : [London, 1730 ?]
s. sh. fol. G. 310. (75.)
Rosilla and Adonis. [Song.] The Words
and Musick by J. Snibson. [Lmidon,
1735?] s.sh.iol. 1.530.(145.)
SNIPE. The Snipe. A Ballad.
See I. I'll tell you a Story, etc.
[1750?] s.sh. fol. G. 309. (1.)
SNOW (J.) Fickle Chloe. [Song.] Sung
by Master Herryman at Sadlers Wells, etc.
[London, 1765 ?] s. sh. fol. I. 600. (59.)
512
SNOW— SOFT
SNOW (J.) Variations for the Harpsi-
cliord to a Minuet of Correlli's, the Gavot
in Otho [by G. F. Hiindel], and the old
Highland Laddie, etc. J. Johnson :
iandon, [1760?] oW. fol. d. 160. (4.)
SlSrOWDROP. The Snow Drop. [Song.]
Sec Greene (M.)
SNOWS. The Snows from the ^Mountains.
Duet. Sec Gkaijom: (L. C. A.)
SO. So brightly, sweet fair Nanny's Eyes.
Song. Sec Hawdon (M.)
So fair young Celia's Charms. Song.
See PuRCELL (D.) [The Triumphs of
Virtue.']
So it came to pass. Song.
See Blewitt (J.)
So many Charms were never sure. Song.
Sec Whicello (A.)
So well Corinna likes the Joy. Song.
Sec EccLES (J.) [The She Gallants.']
SOAVE. Un soave gentil CampaneUo.
A Favorite Terzetto, etc.
Printed for Longman £ Broderip :
London, [1795 ?] fol. G. 811. (31.)
Soave sia ii vento. [Trio.]
See Mozart (J. C. W. A.) [_2. Dramatic
Music. — Cost fan tutte.]
SO AVI. Soavi acuti dardi. Aria.
See Weigl (J.) [Gli Amori Marinari.]
SOCIAL. The Social Companion. Song.
See Hook (J.)
The Social Pow'rs. Song.
See Come. Come now all ye Social pow'rs.
[1770?] s. s7i. fol. 1.530.(33.)
SOCIAL HARMONY. Social Harmony.
[Hymns, &c.] See Benham (A.)
Social Harmony. Songs. See Hale (T.)
SODALES. Sodales ceenantes. Be7ie-
dictio ante Cxnam [for three voices]...
inscribed to the Members of the Harmonic
Society at Bath. Whitley : Bath,
Yl^l. s. sh. fol. H. 1980. (212.)
SODI (Carlo) Baiocco et Serpilla. Parodie
Francjoise du Joueur . . . Les Paroles de cet
Intermede ont ete faites [by C. J. Favart]
sur la Musique. Gravfi per M'^"^ Vandome.
[Short Score.] Aux adresses ordinaires :
Paris, [1753.] obi. fol. E. 21.
Baiocco et Serpilla, Parodie du Joueur,
Intermede en trois Actes [by C. S. Favart]
...avec la Musique. Sec Recueil. Recueil
g6n6ral des Opera Bouffons, etc. Tom. 5.
1777. 8^ 11735. b. 2.
Ces vallons et ces prairies. [Song.]
[Paris,] 1773. s. sh. 8°. 298. e. 25.
Mercure de France, Dec, 1778.
SOENIUS (Godfried) Melodie per
Camera, c' io e XII. Concertini Mesco-
lati d'Ariette novelle a due : 3, 4, 5, 6, 7,
Strumenti, ad libitum possono ancora
toccarsi a voce sola : c' ol Violoncello o
Cimbalo, etc. Gedrukt voor den Autheur.
By de 'Wed: H. van Hulkenroi, etc. :
Haarlem, 1725. 4°. B. 575. (2.)
Mengelzangen, zynde een gevolg van
Nieuwe Arietten, AUemandes, Sarabandes,
Gavottes en Gigues, voor hat Clavecimbaal
en de Stem, dx. 2 Deel. Gedrukt voor
den Autheur. By de Wed. H. van Hulken-
roi, etc. : Haarlem, 1724. 4°.
B. 575. (1.)
SOFONISBA. The Favourite Songs in
the Opera Sofonisba. [A Pasticcio. Full
& Short Score.] R. Bremner :
London, [1770.] fol. G. 200. (3.)
The composers named in this work {pro-
duced in 1766) arc : Vento, di Maio
and Sacchini.
[Another copy.] G. 180. e. (1.)
This copy contains the Overture, arranged
for the harpsichord.
SOFONISBE.
See Paer (F.)
Sofonisbe. Op^ra.
SOFT. Soft as yon silver ray that sleeps.
Air. Sec Percy (J.)
Soft he the gently breathing notes. Hymn.
See Peck (J.)
Soft Desires. Song. See Myetillo.
Soft downy Sleep. Song.
See Worgan (J.) the Younger.
Soft God of Sleep. A Song. [London,
1750?] s. s7i. fol. G. 3li. (107.)
[Another setting.] Soft God of Sleep.
[Song.] I[ohn ?] F[entum : Loyidon,
1770?] s.s/(. fol. H. 1994. a. (32.)
[Another edition.] Soft God of Sleep.
[Song.] E. Falkener : London,
[1775 ?] s. sh. fol. H. 1994. a. (50.)
[Another setting.] Soft God of Sleep.
Song. See Russel (D.)
Soft invader of my soul. [Song.]
See Howard (S.) [The Amorous Goddess.
Overture. Musette.]
Soft is the Zephyr's breezy wing. [Duet.]
See Geary (T. A.)
Soft Music, let my humble lay. [Song.]
Sec SuBTT (R.)
Soft on Beds of Vi'lets lying. [Song.]
See Major (J.)
Soft Pity. [Song.] See Bird (W. H.)
Soft pleasing Pains. [Song.]
See Arne (T. A.) [Vocal Melody. VIL
The Agreeable Musical Choice. To Delia.]
SOFTEST— SOL
513
(8.)
the
SOFTEST. Softest Charmer, do not fly
me. .1 Song. The Words by Mr. H.
Huddy. [LoncZon, 1720?] s. sh. lol.
H. 1601. (403.)
[Another edition.] Softest Charmer, do
not fly me. A Song, etc.
Clncr : [London, 1720?] s. sh. fol.
G. 316. g. (59.)
SOFTLY. Softly rise 0 Southern Breeze.
Song. See Boyce (W.) {Solomon.']
G. 805. h.
SOGER. The Soger Laddie. [Song.]
See ]My. ]My Soger Laddie is over
Seas, etc. [1740 ?] s. sh. fol.
G. 310. (94.)
The Soger Laddie. [Song.] See My.
My Soger Laddie is over the Seas, etc.
[1750.] 8". P.P. 5438. z.
The Soger Lassie. [Song.] See I. I'll
pass no dull Inglorious life, etc.
[1780?] fol. G. 309. (106.)
SOGNO. II Sogno. Cantata.
Sec Martin y Solar (V.)
SOHIER ( ) VAine. Six Senates a
Deux Yiolons. . .ffiuvre i\'. [Separate
Parts.] Che:^ M'' Le Clerc : Paris,
[1750?] fol. g. 300.
SOHREN" (Petkr) Sec Crueger (J.)
Johaun Crugers uud Peter Sohrens Ubung
der Gottseligkeit in geist- lehr- und
r trostreichen Gesaugen, etc. 1700. 8".
3433. eee. 3.
SOIGNET ( ) J'aime les champs.
Air, etc. [Pans,] 1786. 8". 297. g. 31.
Mercure de France, July, 1786, p. 98.
S O I N S. Soins genereux, celeste bien-
faisance. Air. Sec Bruni (A. B.)
SOIR. Le Soir. Ariette. See Lisox.
Lison revenoit au Vilage, etc.
[1780?] 8". B. 362. b. (102.)
Le soir a sa croisee. Le Chit Chit. Air :
Oui uoir &c. [From Gretry's ' L'Amitie
a I'Epreuve.'] [Paris, 1790 ?] 8\
B. 362. j. (9.)
[Another copy.]
[Another copy.]
Un Soir dans la forct.
See FoDOR (J.)
Un soir, dans un charmant festin.
Sec POILLEVE ( )
Un Soir Lison au village. C'est si tut
fait. [Song.] Air ; de Remonde. [Paris,
1785?] 8^ B. 362. c. (31.)
Un soir pour moi remarquable. Chanson
Noiivelle. [Paris, 1180?] 8".
B. 362. b. (104.)
[Another copy.] B. 362. e. (101.)
SOIREE. La Soiree du Bois de Boulogne.
[Song.] See Je. Je suis brave Dragon de
France. [1785?] 8°. B. 362. e. (98.)
VOL, II.
B. 362. f. (9.)
B. 362. (118.)
Romance.
[Song.]
SOIREE ORAGEUSE. Aupres de Bar-
celoue. Chanson Niaisc de la Soiree
Oragcuse. Avec Accomp' de Guittare.
[By N. Dalayrac] Che^ Tmbault :
Paris, [1790.] 8". B. 362. (89.)
Chantons I'amour et ses plaisirs. Air de
la Soin'eorageiise. Avec Accomp' de Guit-
tare. [By N. Dalayrac] Chez Imhault :
Paris, [1790.] 8". B. 362. e. (60*.)
Fillette qui dans la retraite. Air de la
Soiree oragcuse. Avec Accomp' de Guit-
tare. [By N. Dalayrac] Clicz hnbault :
Paris, [1790.] 8". B. 362. c. (60***.)
U est des amusemens. Air de la Soiree
oragcuse. [By N. Dalayrac] Avec Ac-
comp' de Guittare. CJicz Imhault :
Paris, [1790.] 8". B. 362. c. (60**.)
II est des amusemens. Air de la Soirt'e
Oragcuse [by N. Dalayrac]. Accompt.
par Mozin le jeune. Chez B. Vigueric :
Paris, [1795 ?] fol. G. 554. a. (29.)
Part of a Periodical Publication.
Vieillard qui d'amour est epris. Vaude-
ville de la Soirie Oragcuse [by N. Dalay-
rac]. Chez Frirc : [Paris, 1790.] 8\
B. 362. (20.)
[Another edition.] Vieillard qui d'amour
est epris. Vaudeville .. Xxqc Accomp' de
Guittare. Chez hnbault : Paris,
[1790.] 8". B. 362. (89*.)
[La Soiree Orageuse. Vieillard qui
d'amour est epris.] See Heure. L'Heure
avauce on je sais mourir. . .Air : du Vaude-
ville de la Soiree Orageuse. [1794 ?] 8".
B. 362. d. (19.)
Vous me plaiguez ma tendre amie. xiir
de la Soiree orageuse. Avec Accomp' do
Guittare. [By N. Dalayrac]
Cltcz hnbault : Paris, [1790.] 8\
B. 362. c. (60.)
La Soiree Orageuse. Com^die.
See Dalayrac (N.)
SOIRl^ES. Les Soirees du Palais Royal.
[Song.] (See Vive. Vive les units etoilees.
[1785?] 8". B. 362. g. (69.)
SOIREES DE LA COMEDIE
ITALIENNE. Suite des Soirees de la
Comedie Italienc, contenaut les Airs
chautes sur cc Theatre et autres. Avec
Accompagnement de Guittare par ]\I.
Boye, cfc. (Journal de Guitarre.) Feuilles
1-02; 1-5; 1-5. Chez M. de la
Chevardierc : Paris, [1783 ?] 8".
E. 1707.
lite three Suites arc paged separately.
The composers named in this collection
are : De Monville, Chiampalanti, !>'.,
Gluck, Albanese, Bartelviont, D.L. B.
and Gosscc.
SOL. Le Sol fortune de la France. [Song.]
See Heureuse Decide.
2 h
511
SOLACE— SOLDIER
SOLACE. The Solace o£ Life. Song,
^(•f Hook (J.)
SOLAGE ( ) Jcimos guorriors, couroz
a la victoiro. CJianson. [Words by]
M. de Villoncuve. fi'tim,]
1731. s. sh. 1^ 297. b. 6.
Mcrcurc de Franci', Nov., 1731.
SOL AMEN. Solamcn Misciis, or Good
Kows to the Aillieted. [Song.]
>V(' Hkuk. Here hero good Folks, etc.
[1720?] s. s/(. fol. L 530. (70.)
SOLANDER (Daniel) Sr Kellxee (D.)
Trculicher Unterricht im General-Bass
. . . Drittc Autiage. IMit oincr Vorrede des
Hcrru D. Solauders, etc. 1713. 4'\
785. h. 46.
SOLANO (FuANCisco Ii.nacio) Nova
Instrucvao Musical, ou Thcorica Tratica
da INIusica Rythmica, etc. (Additameuto
a' Nova lustrucvao, etc.) 2 pts.
M. Manescal da Costa : Lisboa, 1764. 4".
7898. b. 15.
Novo Tratado de INIusica Metrica, e
Hythmica, o qual cnsina a acompauhar
no Cravo, Orgao, ou outro qualquer
Instrumento, em que sc possao regular
todas as Especies, de que se coiupOe a
Harmonia da mesma Musica, etc.
Na Eeqia Officina Tupographka : Lisboa,
1779. 4'\ ■ 1042. 1. 45.
SOLDAT MAGICIEN. Le Soldat
IMagicien. Opera-Comiquc en un Acte. . .
Avec la I\Iusiquc. [Words by Anseaume,
music bv F. A. Danican Philidor.]
Chez Duchesne : Paris, I'JOO. S\
11738. b. 13. (6.)
[Another copy.] See Thk.^tre. Nouveau
Theatre de la" Foire, etc. Tom. 5.
17G3. S". 11735. d. 2.
[Another edition.] Le Soldat Magicicn,
etc. (Airs choisis du Soldat Magicien.)
1775. See Recueil. Rccueil general des
Op^ra Bouffons, etc. Tom. 9. 1777. 8'\
11735. b. 2.
Le Soldat IMagicien. Opera Comique.
i-^cc Philtdok (F. A. Danican)
SOLDIER. A Soldier and a Sailer. Bii.voin
Joan of Lymas[i.e. Limehouse]'s Love to
a jollrj Sailer: Being Love for Love again.
[Ballad, the first three verses taken from
W. Congreve's Love for Love.] To an
excellent new Play-house tune.
Printed for P. Brooksbi/ : London,
[1693?] s. sh. fol. Case 39. k. 6. (61.)
The ttt7t€ is represented by a meaningless
succession of notes, etc.
A Soldier and a Sailor. [Song.] Sung by
Mr. Doggett at the Theatre. [In Congreve's
' Love for Love ' ; music by J. Eccles.]
[London, 1700?] s. sh. fol.
H. 1601. (51.)
SOLDIER. A Soldier and a Sailor. Song.
See Eccles (J.) [Love for Love.]
The Soldier and his Dog. Song.
See DiLiNUM (C.)
The Soldier cncamp'd on the Coast.
Ballad. Sec Dicnum (C.)
A Soldier for me. Song. See Hook (J.)
A Souldier from Flanders ho Travell'd of
late. The Young Damsels Courage and
Contiuest . . . [Ballad.] Tune of 'March
Boys, &c. Printed for P. Brooksby,
J. Deacon, J. Blare, and J.' Back : [London,
1695?] s. sh. fol. Case 39. k. 6. (27.)
Tlie tune is represented by anieaningless
succession of notes, etc.
The Soldier tir'd. [Song.]
See AitTAXEKXES.
Soldier, whilst the flowing bowl. .1
Favourite Medley for the Light Infantry.
Bv a Soldier, written at New-York.
W.Najner: London, [11 SO?] fol.
G. 311. (152.)
The Soldier's Adieu. [Song, begins:
' Adieu ! my only life.']
See DiBDiN (C.) [The Wags.}
The Soldier's Adieu. Glee [begins : ' Adieu
to all']. See Hook (J.)
Soldier's Bride. [Song.] See Village.
The Village ]\Iaid when first she hoars,
etc. [1790?] fol. G. 808. g. (33.)
The Soldier's call to the War. [Song.]
See Hark. Hark how the Trumpet
sounds, etc. [1710?] s. sh. fol.
H. 1601. (202.)
The Soldier's Consolation. Song.
See Dignum (C.)
Soldier's Farewell and Return. [Song.]
^J.c Dibdin (C.) [ Will of the Wisp.]
The Soldier's Farewell on the Eve of the
Battle of Quebec. [Song.]
See Cakteu (C. T.)
The Soldier's Fuueral. [Song.]
^V(! DiBnix (C.) [Castles in the Air.]
The Soldier's Joy. [Song.] See When.
When the shrill Trumpet sounds on high.
[1760?] s.sh.iol. L 530. (180.)
The Soldier's last Retreat. [Song.]
See DiBDiN (C.) [Private Theatricals.]
The Soldier's life is always sweet. Song.
See Cakteu (C. T.) [The Fair American.]
The Soldier's Return. [Song.]
Sec Urbani (P.)
The Soldier's Reward. See 0. [Song.]
O Blessed be the Day, etc.
[1780?] s. s7j. fol. G. 310. (285.)
A Soldier's Song. For two Voices.
See How. How stands the Glass around.
[1765?] s.sh.iol. I. 530. (76.)
The Soldier's Song. [Song.] S,r Lilies.
The Lillies of France and the fair English
rose. [1756.J 8'\ 158. I. 1.
SOLDIER— SOLOS
515
SOLDIER. The Soldier's Song.
.SVe IjIliks. The lillies of France and the
fair English rose. [1756.] 8' .
P.P. 5438. z.
SOLiEIIj. Le Soleil baise sans nuage.
Air. Sec Gresset (J. B. L.)
Le Soleil se cachait dans I'onde. L' Enfant
Trouvf'. Idylle. [Song.] Chez Bonjoiir :
Paris, [1795 ?] 8'. B. 362. a. (92.)
Lc Soleil sur nos Champs trop longtcinps
arrestc. Air Nouvcau.
{Paris, 1G78.] s. sh. obi. 4". P.P. 4482.
Nuuveau Mercure Galant, July, 1678,
p. 85.
Lc Soleil trop ardent fait lauguir la
Nature. Air. See Bouvabd (F.)
SOIi]6r (Antonio) Llave do la :\Iodu-
lacion, y Antiguedades de la ^lusica, en
que se trata del fundamento necessario
para saber Modular : Theorica, y Practica
para el . . . conocimiento de qualquier
cspecie de Figuras. . .con algunas Canones
Enigmaticos, etc. Joachim Ibarra :
Madrid, 1762. 4\ 7896. aaa. 22.
Satisfaccion a los Reparos jirecisos hechos
por D. Antonio Roel del Rio, a la Llave
de la Modulacion, por su autor, el Padre
Fr. A. Soler, etc. Antonio Marin :
Madrid, 1765. 4", 7897. e. 22. (2.)
XXVII. Sonatas para Clave. /.'. Birchall :
London, [im)!] obi. lo\. e. 475.
See Roel del Rio (A. V.) Reparos
Musicos, precisos a la Llavo de la ^lodu-
lacion, etc. del P. Fr. A. SoU'r, etc.
1764. 4\ 7897. e. 22. (1.)
SOLIE (.Jean Piekre) Chapitre Second.
Opera Comique en un Acte. Paroles du
C" E. Dupaty ... Grave par Huguet, etc.
[Full Score.] Chez Imbaiilt :
Paris, [1799.] fol. H. 556. c.
Le Chapitre Second. Opera en un Acte
et en Prose. . .Arrange pour le Piano.
Ches Mees Pere et Comp" :
Hambourg, [1800?] fol. G. 277. b.
[Le Faucon.] Que sont les grandeurs
sur la terre ? See Faucon. Que sont les
grandeurs, etc. [By -J. P. Solie.]
[1794.] 8". B. 362. h. (14®.)
Le Jockei. Opera en un acte. Paroles
d'HoSman, etc. [Full Score.]
Chez Lcblanc : Paris, [1796.] fol.
G. 277. c.
[Overture. P. F.] See Rig el (H. J.)
Ouverture du Jokei, pour lc Clavecin, etc.
[1796.] fol. g. 543. u. (17.)
La Moisson. [For songs, &c., in La
Moisson published anonymously :]
See Moisson.
Le Secret. Opera en un Acte. Paroles
d'Hofiman, etc. [Full Score.]
Chez Imbanlt : Paris, [1796.] fol.
H. 556. b.
SOIjI^IS (Jean Pierre) [Another edition.]
Le Secret, etc. [Full Score.] Chez
LehUnc : Paris, [1796.] fol. G. 277.
[For airs, &c., published anony-
mously :] See Secret.
SOLILOQUY. Sterne's Soliloquy on
hearing ^laria. [Song.]
Sec BiLLINOTON (T.)
SOLIMAN DER ZWEITE. Solimau
dorZweite. Oiier. Sec Scess.mayer(F.X.)
SOLIMANO. The Favourite Songs in
the Opera call'd Solimano. [A Pasticcio.
Short Score.] Printed for I. Walsh :
London, [1758.] fol. G. 201. (4.)
The composers named arc : Perez, Bertoni
and Handel.
The Favorite Songs in the Opera Solimano.
No. 1. [A Pasticcio. Partly Full and
partly Short Score.] P. Bremncr :
London, [1765.] fol. G. 760. b. (2.)
llic composers named arc : Vert to, Pes-
cetti, Giuseppe de Majo, Pergokse and
Perez.
SOLITAIRES. Solitaires oiseaux. Mu-
sette. See Fremeaux ( )
SOLITAIRES DE NORMANDIE.
Pourvu qu'on nous oublie. Air des
Solitaires de Normanduj. Avec Accomp'
de Guittare. fWords by A. P. A. de Piis.]
Chi'z Imbanlt : Paris, [1789.] S\
B. 362. (207.)
SOLITARY. The Solitary Louer. [Song.]
See Blow. Blow on ye Winds.
[1730?] s. s7i. fol. G. 316. (23.)
SOLNITZ (Anton Willeji) VI Sinfonie
con uuoi Violini, Alto Viola, e Violoncello
o Basso Continue... Opera Terza. [.Separate
Parts.] Chez Nicolas Selhoff :
La Haye, [1750 ?] fol. g. 262.
Six Sonatas or Two Violins with a
Thorough Bass for the Harpsicord or
Violoncello. [Separate Parts.]
Printed for I. Walsh:
London, {11 bOl] fol. g. 274. (6.)
SOLOMON. Solomon. Oratorio.
See Haendel (G. F.)
Solomon. Serenata. See Boyce (W.)
SOLOS. VI Solos or Sonatas for a German
Flute & a Base Violoncello, Collected &
Fitted by a Very Great Performer of y*
Instrumen'. Carefully Ingraved by Tho*
C ross . Pri n ted for. . .Be nja min Cooke :
London, [17-30 ?] fol. g. 225. b. (6.)
[Six Solos or Sonatas for Violin or Flute
and Thorough Bass.]
{London, 1750?] obi. fol. e. 5. 1. (6.)
Imperfect, wanting the title-page.
2 L 2
516
SOMBRE— SOMMEIL
SOMBRE. Sombre boccagc. Air.
See TouTAiN ( )
Sombre Foret, ouvre-moi ta retraite.
Roger sortant de VIsle cVAlcinc. Romance
sur un Air fait par ]\I""' de * * *.
iParis,\ 1783. 8'\ 297. g. 3.
Mcrciirc de France, Nov., 1783, p. 8.
SOMBRES. Sombres forests, et vous,
teudres Zepbirs. Air Nouvcau.
[Paris, 1679.] s. sh. obi. 4". P.P. 4482.
Nouveau Mercure Galant, Jan., 1679,
p. 181.
SOME. Some Courtly Youth whom Love
inspires. A Humourous Cantata.
[London, 1760?] s. sh. fol.
I. 530. (146.)
Some cry up Gunnersbury. Strawberrij
Hill. A Song. [By J. Vernon.]
[London, 1758.] 8°. P.P. 5438.
Literary Magazine, Vol. III., p. 36.
Some cry up Gunnersbury. Strawberry
Hill. [Song, by J. Vernon.] [London,
1758.] 8". P.P. 5438. z.
Universal Magazine, Vol. XXII., p. 206.
Some ease, Orinda, I should find. Song.
See Elridge (R.)
Some four years ago. TJie Bargain Befused.
[Song.] [London, 1754:.] 8". 250. e. 1.
Goitleman's Magazine, Vol. XXIV.,
p. 284.
Some mournful j\Iuse attend my Quill. Un-
constant Damon: or, Clorinda's Languish-
ing Lamentation: [Ballad] To a delightfull
new Tune, or. He that loves best must
suffer most. Printed for
P. Brooksby, J. Deacon, J. Blare, J. Bach :
[London, 1695 ?] s. sh. fol.
Case 39. k. 6. (64.)
Tlie tunc is represented by a meaningless
succession of notes, etc.
Some of my Heroes are low. Glee.
See Stevens (R. J. S.)
Some People may wonder. A neiu Song
calVd the Dream. [London,
1715 ?] s. sh. fol. H. 1601. (415.)
[Another edition.] Some People may
wonder. .4 neiv Song call'd The Dream.
[London, 1720?] s. sh. fol.
H. 1994. b. (74.)
Some say that we won. Tlicy run and
we run. [Song.] Written on the late
Engagement between Admiral Keppel &
the Due de Chartres July 27'" 1778 off
Ushant. Sk[illern : London,
1778.] s. sh. fol. G. 311. (143.)
Some say Women are like the Seas.
Song. See Graves (.J.)
Some they may talk of bold Robin Hood.
TJie Bishop of Hereford. [Ballad.]
StrUdght: London, IISO?} s. sh. fol.
G. 311. (126.)
SOME. Some Wives are good. Glee.
See Hook (J.)
Some women take delight in dress. Tlie
Scold. [Song.] P. H[odgson : London,
1780?] s. sh. io\. G. 311. (142.)
SOMEBODY. Somebody. Song.
See Were. Were I oblig'd to beg my
bread. [1798?] fol. G. 798. (53.)
Somebody II. Song.
Sec You. You ask me why, etc.
[1796?] fol. 'G. 356. (60.)
SOMERSETSHIRE. The Somerset-
shire Clown. Song. See Go. Go vind
the Vickar of Taunton Dean, etc.
[1710?] s.sh.iol. H. 1601. (166.)
SOMETHING. Something New. [Song.]
See In. In all mankind's promiscuous
race, etc. 1764. 8". P.P. 5441.
Something that's vmseeu. Song. See
'TwAS. 'Twas not Belinda's Fa,ce, -etc.
[1773.] s. sh. 4'\ 159i n. 5.
SOMETIMES. Sometimes when Absent.
Canzonet. See Suett (R.)
SOMIS (Giovanni Battista) [Sonata for
Violin and Harpsichord.] See Haendel
(G. F.) Tliree Solos for Flute and Bass.
H.G.XLvn. A^os. 16-18.] Six Solos...
Compos'd by Mr. Handel. . .Sig'' Somis,
efc. No. 6. [1730?] fol. h. 2140. d. (3.)
Senate da Camera a Violino Solo, e Vio-
loncello, 6 Cembalo etc. Chez M. C. Le
Cenc : Amsterdam, [1725 ?] fol. h. 87. a.
Sonate da Camera a Violino Solo, e Vio-
loncello, 6 Cembalo. . .Opera Seconda.
DalV istesso Autore : Torino, 1123. fol.
h. 87.
SOMIS (Lorenzo) Sonate da Camera a
Violino Solo e Violoncello, o Cembalo . . .
Opera Seconda. Grave par De Gland.
Chez la V- Boivin : Paris, [1740 ?] fol.
g. 422. a. (1.)
SOMMEIL. Le Sommeil de Myrthe.
Romance. See O. 0 lit charmant, etc.
[1790?] 8". B. 362. a. (94.)
Le Sommeil f uyait de nos yeux. Romance.
See Croisee. B. 362. c. (90.)
Le Sommeil Interrompu. Ronde a dauser.
Sec TouJOURS. Toujours grand soin avoit
Lisette. [1780?] 8". B. 362. g. (86.)
Sommeil viens sur mes sens. Duo.
See La Richerie ( de).
SOMMEIL DE CLIMENE. Le Som-
meil de Climene. Gantatille.
/S'ce Lemaire (L.)
SOMMEIL D'ULISSE. Le Sommeil
d'Ulisse. Cautate.
See Jacquet de Laguerre (E. C.)
SON— SONGS
517
SON". Le Son de ce Tambour. Jlenuet.
Sec Charles { )
SON. Son inamorato. A Venitian Duett &
a Favourite French Air. Anne Lee :
[Dublin, 1180?] s. sh. iol.
H. 1601. a. (38.)
SON. Son of God, thy blessing grant.
Hymn. [Words by C. Wesley.] [London,
1777.] 8". P.P. 716. b.
Gospel Magazine, Sept., 1777.
[Another setting.] Son of God, Thy
Blessing grant. Hymn. See E. H.
SON-IN-LAW. Goddess of the magic
Cestus. A favourite Song in the Son in
Law. [Words by J. O'Keeffe, music by
S. Arnold.] Jolni Lee :
Dublin, [1780 ?] fol. H. 1601. a. (33.)
My true Love far away. The First
favourite Song in the Son in Law.
[Words by J. O'Keeffe, music by S.
Arnold.] John Lee : Dublin,
[1780?] s.sh.loL H. 1601. a. (35.) |
Signor Cranky addio. Sung by Mrs.
Daly in the Son in Law. [Words by
J. O'Keeffe, music by S. Arnold.]
John Lee : Dublin, [1780?] s. sh. fol.
H. 1601. a. (32.)
When Hairs are gray. [Song.] Sung...
in the Son in Law. [Words by J. O'Keeffe,
music by S. Arnold.] JoJin Lee : Dublin,
[1780 ?] s. sh. fol. H. 1601. a. (31 .)
SONATAS. A Favourite Lesson for the
Harpsicord by a Celebrated Author.
Sonata. [London, 1790?] fol.
g. 271. b. (40.)
A Sonata for the Piano Forte ... in
Imitation of the best IModern Authors as
they have appear'd within these last 20
Years. Composed by an Eminent IMaster,
to be continued Monthly. No. l[-4:].
4 Nos. Printed for Culliford, Eolfe d
Barroio : London, [1796 ?] fol.
g. 141. (16-19.)
Nos. 3 and 4 are duplicates.
Sonate per Camera a Yiolino e Violon-
cello di vari Autori. G. Buffagnotti :
[Bologna? 1G90?] obi. fol.
K. 10. a. (10.)
Each Sonata (of ichich this volume only
contains the Violin parts) is engraved
in an ornamental border by C. A.
Buffagnotti. The composers are : G. A.
Pc'rti, G. Aldrovandini, D. Marche-
selli, G. lachini, B. Laurenti, C. Mazo-
lini, F. C. Belisi, B. B[c]rnardi, A.
Grimandi and G. Torelli.
[Six Sonatas for two Violins or two
Flutes.] [London, 1750 ?] fol.
g. 421. h. (4.)
Wanting the title-page.
SONATAS. Six Sonatas, for the Piano
Forte. Composed by Bach, Benda, Gzaun
[or rather Graun], Wagen[s]eil, Hasse, and
Kernberger [or rather Kirnberger]. [1799.]
See Periodical Publicatioks. — London.
The Piano-Forte Magazine. Vol. VII.
No. G. [1797-1802.] S". D. 854.
See also : Solos.
SONG. A song is ask'd what shall it be.
TJie Feathers. A favorite ]\Iasquerade
Song. P. H[odgson : London,
1775?] s. s7(. fol. G-. 306. (105.)
A Song of Songs. See Your. Your Poets
write Songs as their Fancies suggest.
[1710?] s.sh.iol. G. 305. (250.)
A Song to Celia. See Ah. Ah tell me no
more of your Dutv, etc. [1704.J s. sh. fol.
^ H. 1601. (61.)
SONGE. Songe. INIadrigal.
See Derosoy ( )
SONGS. [Arranged chronologically.] Begin
[Fol. 1, recto:] C Bassus. [verso:] In
this boke ar ciiteynyd. xx. suges. ix. of
iiii. ptes, and xi. of thre ptes, etc.
[Wynkynde Worde : London,]
1530. obi. 4". K. 1. e. (1.)
45 /o/., without pagination. Title-page,
sigs. A-L, in fours. The printed
notes stop on the recto of fol. I. 4 ; the
verso contains printed lines, with
music in manuscript. 2 fol. entirely
in MS. follow, and then 4 unsigned fol.
ivith printed lines and MS. music ; a
blank leaf at the end. Bound up with
this Bassus 2)art is the first leaf of the
Triplex. The composers named in
tliis collection are: Cornysh, Pygot,
Ashwcll, Tavernar, Gwynneth, Fayr-
fax, Cowper, Jones and Thomas
Strctton, the last-named in the MS.
portion only.
The Circle, or Conversations on Love &
GaUantry; originally in French [by...
De Montfort]. Now Englished. And
since Augmented with several New Songs,
illustrated with Musical Notes, both
Treble & Bass. By N. Noel, etc. Printed
for tlte Author : London, 1016. 8".
■' 12330. b. 40.
The ' Epistle to the Beader ' states that
''the Musick was set by several
good xinderstanding Masters of that
Science."
An Heroick Poem to. . .the Duke of Y^ork,
on his Return from Scotland. With some
choice Songs and Medleyes on the Times.
[Words] By M. Taubman, etc.
Printed for John Smith :
London, 1G82. fol. 1347. m. 10.
The Heroick Poem has no music.
The Newest Collection of the Choicest
Songs, as they are Sung at Court, Theatre,
618
SONGS
IMiisick-Schools, Balls, &c. With INIusical
Notes. T. II. . . ly fur D. Brown and
T. Benskin : London, 1683. 8°. B. 354.
Several New Songs. [Words] By Tbo.
D'Urfey . . . Set to as many New Tunes,
hy the Best Masters in Music.
J. Playford, for Josci^h Hindniarsh :
London, 1684. fol. F. 19.
Choice New Songs never before Printed.
Set to Several New Tunes by the Best
IMasters of Music. Written by T. D'Urfey,
etc. John Playford, for Joseph Hind-
marsh : London, 1684:. fol. G. 152. (1.)
The composers named are : Abel, Grahue,
King, Peasable, Akeroyd, Farmer and
Monsieur Baptist.
Two New Songs, The Winchester Christen-
ing, and The Wish.
J[ohn:] P[layford] for Joseph Hindmarsh :
London, 1685. fol. H. 33.
A Choice Collection of 180 Loyal Songs,
aU of them written since the Two late
Plots . . . Intermixt with some New Love
Songs. . .To which is added, The Musical
Notes to each Song. The Third Edition,
etc. 1685. 8". See T., N.
11621. bb. 23.
A Third Collection of New Songs, never
Printed before. The Words by Mr.
D'Urfey. Set to Music by the best
Masters in that Science, viz. Dr. John
Blow. Mr. Henry Purcell. Senior Baptist.
Mr. Courtiville. Mr. William Turner. ]\Ir.
Thomas Farmer. ]\Ir. John Lenton. Mr.
Samuel Akeroyd. With Thorow-Basses
for the Theorbo, and Bass-Viol.
J[ohn] P[layford] for Joseph Hindmarsh :
London, 1685. fol. G. 152. (2.)
A Collection of the Choy[c]est and newest
Songs. Sett by Severall IMasters with a
Thorow Bass to each Song for y'= Harpsi-
chord Theorbo or Bass-VioU. The Second
Book. Printed for John Crouch :
London, 1687. fol. K. 2. g. 5.
Engraved throughout. Tlie composers
of tliis collection are : Akeroyd, Read-
ding, T. Farmer, Baptist, James Hart,
Snow, George Hart, A. Damascene
and John Trenton.
A Collection of One Hundred and Eighty
Loyal Songs... The Fourth Edition with
many Additions. 1694. 8". Sec T., N.
1078. e. 13.
[Another copy.] Gren. 18,340.
A Collection of new Songs. With a
Through Bass to each Song for the Harp-
sicord. Compos'd by Several Masters.
Sould by I. Walsh and I. Hare :
London, {VJlQ'l} fol. G. 316. b.
The composers named are : W. Crofts,
J. Clarke, W. Corbett, H. Purcell,
Keen, D. Purcell, Leveridge, Wilkins,
Frances, E. Brotvn and B. Cox.
SONGS. A Collection of the Choicest
Songs & Dialogues composed by the most
Eminent Masters of the Age. Printed for
I.Walsh: London, [11157] fol. G. 151.
A collection of songs printed at different
dates with a general title-page. The
composers named are : J. Clarke, J.
Eccles, W. Croft or Crofts, Tho.
Clarke, J. Weldon, B. Leveridge,
H. Purcell, William Bobart, Courte-
vill, Bobert Bradley, D. Purcell,
Edward Keen, Finger, Will. Gorton,
Willis, Jolm Barrett, Barrencloe, Wm.
I Shore, Akeroyde, Bobert Cox, Henry
Hall, Gillier, James Graves, J. Blow,
Peasable, John Isum, Elford and
George Martin.
A Collection of Songs on Various Subjects,
fitted to all Capacities. Printed for
W" Smith: London, 1120. fol. H. 32.
A favourite Collection of English Songs.
Sung by Mr. Beard, Miss Young &c. at
Ranelagh Gardens. 1757. N° i.
Printed for I. Walsh: [London, 11 51.] fol.
H. 2815. a. (14.)
The only composer named is Mr. Arne.
[Another copy.] G. 323. (3.)
The New Songs sung by Miss Wright at
Yauxhall and Mr. Hudson at Ranelagh,
for the Voice and Harpsichord, etc.
Printed for C. and S. Thompson:
London, [11 0,5 T] fob G. 359. (11.)
The only composer named in this collec-
tion is M. Ai'ue.
The Favorite Songs sung at Banelagh for
the Voice and Harpsichord also adapted
for the Guittar. Printed for B. Brcmncr :
London, [1766 ?] fol. G. 359. (12.)
By Yento and Giardini.
A Choice Collection of Two Three & Four
Part Songs, compos'd by Purcell, Blow,
Handell, Dr. Green, and Several other
Eminent Masters. Book 2''.
Printed for C. and S. Thompson:
London, [1115?] fol. G. 788. a.
A collection of reprints from old 2'?a^''-s.
TJie composers named are : H. Purcell,
I. Ganthony, J. Weldon, J. Eccles,
Carey, L A[lcock] M.B., D. Busscl,
Dtipuis, Harrington, T. Brewer, Arne,
T. Smart, Biley, Travers, Sig"" Galli,
Handel and I. Timms.
Ancient Songs, from the Time of King
Henry the Third, to the Revolution.
[Edited by J. Ritson.] Printed for J.
Johnson : London, 1791. 8". 239. 1. 18.
[Another copy.] Gren. 13,031.
A Select Collection of New Favourite and
Popular Songs, by the most celebrated
Composers. [1797.] See Pekiodical
Publications. — Lcrndon. The Piano-
Forte Magazine. Vol. II. No. 6. [1797-
1802.] 8'\ D. 854.
Sec also : English Songs.
SONGS— SOEGE
519
SONGS. Sougs of Immortal praise belong.
Part of Psalm CIII. [London, 17G5.] 8".
P.P. 324. n.
Christian's Magazine, May, 1765, p. 233.
SONGS OF THE OLD TESTA-
MENT. The Songs of the Old Testa-
ment, Translated into English Pleasures
... To euery Song is added a new and
easie Tune. . .[Words] By George Wither.
1621. 12». See Hymxs. [4. English.']
1076. c. 15.
SONNENFEST DER BRAMINEN-
Das Sonneufest der Braminen. Komische
Oper. See Mueller (W.) E. 153. a.
SONNETS. Six Sonnets with an Accom-
paniment for the Piano-Forte or Harp.
Printed for the Author :
London, (1794.) fol. G. 356. (2.)
The title-page is signed J. H. D. The
dedication shoics that the composer xvas
a looman.
SONO. Sono Dama e sono Signora. Cava-
tina. See Giardixi (F.) [Ninctta.'\
Son pietosa. Air. See Kraus (J. M.)
Son prigionier lo vedo. Terzetto.
See Tarchi (A.) \La Gcnerositd d' Ales-
sandro.]
Son regina e sono amantc. [Scena.]
See Sacchini (A. M. G.) [Didonc Abhan-
donata.]
SOON. Soon as the Ev'ning shades pre-
vail. Hymn. See Printer ( )
Soon as the IMorn salutes your Eyes. A
Thanksgiving Hijmn.
Str[aigJtf] d Sk[illern : London,
1777?] s.sh.lol. G. 311. (135.)
SOONER. Sooner than I'll my Love
forego. Song. See Carey (H.)
SOPHIA. Sophia ! name for ever dear.
Song. See Hudson (R.)
SOPHIE ET MONCARS. Sophie et
Moncars, ou I'lntrigue Portugaise. Opera.
,sVe Gaveaux (P.)
Sophrosyne. [Song.]
SOPHROSYNE.
See Percy (J.)
SORCIER. Le Sorcier, Comudie lyrique,
meslee d'Ariettes, en deux Actes...avec
la Musique. [Words by A. A. H. Poin-
sinet, music by F. A. Danicau Philidor.]
1770. See Recueil. Recueil general des
Opera BoufEous, etc. Tom. 3. 1777. 8°.
11735. b. 2.
Loin de I'objet de ma tendresse. Yazide-
ville du Sorcier [by F. A. Dauican Phili-
dor.] [Paris, 11652] 8".
B. 362. c. (56\)
SORCIER. Nous etions dans cet age.
Pomance detache du Sorcier [by F. A.
Danicau Philidor]. [PrtHs, 1765 ?J 8".
B. 362. c. (56".)
Revien, revieu, ma voix t'appelle. Ariette
du Sorcier [by F. A. Danicau Philidor].
[Paris, 1765 ?] 8". B. 362. c. (56'=.)
Sur le gazon. Vaudeville [or rather,
Chanson] du Sorcier [by F. A. Danican
Philidor]. [Paris, 1765 '?] 8".
B. 362. e. (56'».)
Le Vaisseau vogue au gre d'un calme. Tem-
jjetc du Sorcier [by F. A. Danican Philidor.]
[Paris, 1765 ?] 8". B. 362. c. (56.)
Le Sorcier. Comudie Lyrique.
See Philidor (F. A. Danican).
SORGE (Georg Andreas) Herrn G. A.
Sorgens Anleitung zum Generalbass und
zur Composition. Mit Anmerkungen von
F. W. Marpurg. Nebst vier Kupfcrtafeln,
Bey G. A. Lange : Berlin, 1760. 4°.
1400. i. 41.
Anleitung zur Fantasie . . . das Clavier,
wie auch andere Instrumente aus dem
Kopfe zu spielen, etc.
Im Verlag des Verfasscrs : Lobenstein,
[1767.] 4". 7897. e. 6.
Georg Andreas Sorgens . . . zuverUissige An-
weisung Claviere und Orgeln behcirig zu
temperiren und zu stimmen, etc. Bey dem
Aiitore, nnd G. F. Authcnrieth : Leipzig
imd Lobenstein, (1758.) 4\ 7898. g. 26.
Anweisung zur Stimmung und Temperatur
sowohl der Orgelwerkc, als auch auderer
Instrumente, sonderlich aber des Claviers,
etc. Gedrnckt mit P'iseators Schriften :
Hamburg, 1744. 8». 7807. a. 2. (3.)
Ausfiihrliche und deutliche Anweisung
zur Rational-Rechnung. . Nebst einer. . .
Nachricht von dem neuen Telemanischen
Intervallen System, etc.
Im Verlag des Verfasscrs : Jjobenstein,
1749. 8\ 7897. aa. 9.
Ausweichungs — Tabellen ; in welcheu auf
vierfache Art gezeiget wird wie eine iede
Tonart in ihre Nebeu- Tonarten ausweichen
koune, etc.
Li Verlag JoJiann TJlrich Haffners :
Nar7iberg,[n[>5?] fcl. Ii."l770.
Compendium Harmonicum, oder Kurzer
Begrif der Lehre von der Harmonie, dr.
Tm Verlag des Verfasscrs : Lobenstein,
[1760.] 4\ 7899. e. 18.
Genealogica allegorica. Intervallorum
Octavae diatono-chromaticae. Das ist :
Geschlecht-Register der Intervallen der
diatonisch-chromatischen Octav . . . Nach
Anleitung der Kliiuge so das Grosse Wald-
horn gibt, etc. Gedruckt bey Johann
Ernst Schult.~cn : Ilof, (1741.) 8".
7896. a. 14.
[Another copy.] 7898. ee. 29. (1.)
.'520
POKP.E-SOUND
SORGE (Gkorg Andrkas) Ccspriich
zwischoii oincm Jlusico thcorctico uud
einom Studioso musicos von der Priitori-
aiiischon, Printzischen, Worckmcistor-
ischon, Noidhiirdtisohcn und Silbonnann-
ischoii Tomporatur, wio Jinch von dom
noucu Systeinato Ilorrn . . . Tolenmnns,
etc. Im Vcrlag des Antoris : Lobf)istc>)i,
(1748.) 8". 7807. a. 2. (2.)
Dor in der Rocbcu- uud Messkunst wobler-
fahrno Orgelbaumoistcr, etc. Atif Kostcn
imdim YiTlagdea VcrfasKcrs : {Lohciistciii,
1773.) l". ■ 7808. bb. 23. (1.)
Erste Lieferung von XII. Sonaten vor die
Orgel und das Clavier ini noucrn Styl
gcsot/.Qt, etc. lUilth. ScJimitl :
Nor[imbcrgac, 1745?] obi. fol.
e. 174. m. (18.)
Vorgeraacb dor musicalischon Composi-
tion, odor ausfiibrlicbc, ordcntliclio uud
vor boutigo Praxiu binliinglicbe Anwcisung
zum Gonoral-Bass, etc. 3 Theil.
Tm Verlag des Autoris : TMben.itrui,
[1745-47.] 4". 7897. cc. 8.
The title-pages of each part are different.
SORIANO (Francesco) Di Francesco
Soriano Konuxuo il Secondo Libro do
Rladrigali a Cinque Voci. Nuouamcnto
da lui coniposti o dati in luce. Canto.
(Tonorc.) 2 pts. Ad istanza di Ascanio,
i(- Girolamo Donangeli. Per Francesco
Coattini : lioma, 1502. 4". D. 220.
Francisci Suriani , . . Missarum liber
primus. Ajmd To. Baptistam liobblcttvm :
Jhnia; IGO'.t. fol. K. 9. a. 16.
TJic iitlc-jiagc is engraved. In a mag-
nificent contemporary binding tcitli the
arms of Paul V. on the covers.
SORROWFUL. Tbc Sorrowful Adven-
tures of tbe Dry Ditcb. Song. Sec I. I
sing two valiant loaders, etc. [1758.] 8'^
P.P. 5438.
SORROWS. The Sorrows of Charlotte at
the Tomb of Worter. [Song.]
iVcllKRON (H.)
The Sorrows of Charlotte at the Tomb of
Wertor. [Song.] See Percy (J.)
Tho Sorrows of -Tulia. Song.
Sec Knyvktt (W.)
SORTEZ. Sortez do I'Islo do Cythi're.
Chansonuotte. Sec Bouvard (F.)
Sortez do nia triste memoire. Air tendrc.
[Paris,] 1730. s. sh. 4". 298. a. is!
Mcrcnre de France, Oct., 1780.
Sortez do vos Retraitos. Song.
Sec Carfa- (11.)
Sortez il faut que jo m'habillo. L'Abb^
Triomphant. Chanson dialoou6o.
[Prtris, 1780?] 8". B. 362. j. (15.)
SOSARME. Sosarmos. Opera.
See llAKNDKi. (G. F.)
SOSPIRI. Sospiri miei dolenti. Song.
Sec Rauzztni (V.)
SOT. Un Sot qui vout fairo rhabilo.
(VuDison a Boire [words by C. RiviiTo Du
Fresny]. [Paris, 1710.] s. sh. obi. 4".
P.P. 4486.
Mercure Galant, Tome I., p. GG.
SOTO (Francksco) See Laudi. Libro
dolle Laudi Spiritual!. Done in vno sono
compresi i Tro I libri gia stampati, etc.
[Edited by P. Soto.] 1589. 4".
D. 33. b. (1.)
See Laudi. II Terzo Libro doUo Laudi
Spirituali, etc. [Edited bv F. Soto.]
1588. 4°. " D. 33. a.
See Laudi. II Quarto Libro dolle Laudi
a Tre et Quatro Voci, etc. [Edited by
F. Soto.] 1591. 4". D. 33. b. (2.)
See Laudi. II Quinto Libro dello Laudi
Spirituali. . .Del Keuorendo P.Francesco
Soto, etc. 1598. 4'. D. 33. b. (3.)
SOUPFRIRONS. SoufTrirons nous,
amis. Air a lioire. Duo.
[Paris,] 1723. s. sh. 4". 297. a. 5.
Le Merotre, November, 1723.
SOUHAIT. Soubait. Chanson. [Begins:
' Par vos divins appas.']
See Du Yignkau ( )
Le Souhait. [Song.] See Quand. Quand
vous rioz, jounc Glyci-re, f/c. [17S5?1 8".
B. 362. (182.)
SOUIIAITS. Souhaits d'une Jeune De-
moiselle. [Song.] See Caci': ( )
SOULIERS MORDOR:6s. Los Souliers
I\Iors-dorcs, ou I^a Cordonnicro Allcmande,
Com6die Lyrique cu doux Actes, etc. [Book
by do Ferriorcs, with tho voice-parts
of one song and tho concluding vaudeville
by A. ]\r. A. Fridzcri.] 177G.
See Rkcueil. llocueil general des Opera
Bouffons, etc. Tom. 9. 1777. 8'.
11735. b. 2.
SOUND. Sound Fame, thy brazen
Trumpet. Song.
See Pdrckll (H.) [Diocletian.]
Tho Sound of tho Harps. [Glee.]
Sec King (IM. P.)
Sound tho fife, boat tbe drum. The
Female Captain. [Song.] Sung by Mrs.
Wrighten. Tho Words by Mr. Wrighten.
[London, 1775?] s. sh. fol.
G. 311. (105.)
Sound the Trumpet. A Two Part Song
[by P. Hart], on the approaching Nuptials
of the Prince of Orange, and the Princess
Royal of Great Britain, etc. [Fjondon,
1784.] .s. sh. fol. G. 305. (95.)
TJtis is Hart's so)ig ivritten on tlie Betnrn
of King William, tcitli altered uvrds.
SOUND— SPANGENBERG
521
SOUND. Sound the Trumpet. Song.
See Hart (P.)
Sound thy Trumpet, 0 Fame. Rodney's
Triumph. [Song.] Written on the Naval
Victory obtain'd over the Spaniards
January the 8th & IGth 1780. Sk'illem :
London, 1780.] s. sh. fol. I. 530. (147.)
SOUPER. Le Souper du Pape. [Song.]
Sec FoLATRK. Folatre amour, etc.
[1790?] 8". B. 362. h. (1.)
Le Souper. [Song.] See Ici. Ici
I'amitie nous rassemble, Le Souper de
Tarare, etc. [1787.] 8". B. 362. (158.)
SOURCE. Source de I'existence. llyrane.
See :Martin-i (G.) il Tedesco.
SOURDE. La Sourde Oreille. [Song.]
See FoDOB (J.)
SOUS. Sous I'amoureuse loi Philis va
m'onchainer. Chanson.
[Paris,'] 1759. s. sh. 8". 297. d. 20.
Mercure de France, Oct., llo'J.
Sous les loix de la jeune Hortense.
Romance. See Roeser (V.)
Sous nos fenetres le soir. L'Espoir in-
certain. Ariette avec accompagnement
de guitare. CJiez M. Camand :
Paris, [1780?] 8", B. 362. g. (9.)
[Another copy.] B. 362. b. (82.)
Sous sa forme nouvelle. Air.
See Dalayrac (N.) [L'Amanl Statue.]
Sous un ormeau, la jeune Annette. Air.
See Fete du Village.
Sous un saule dans la prairie. Ariette.
See Albanese ( )
Sous une Gaze 16gere. Le Fichu Menteur,
[Song] par M' Roulland. Air : du Vaude-
ville de Figaro. Chez les Fri^res Savigny :
[Paris, 1785?] 8". B. 362. j. (13.)
[Another copy.] B. 362. (198.)
SOUSA VILIiALOBOS (Mathias de)
Arte de Cantochuo, etc.
Manoel Eodrigucs de Almeyda :
Coimbra, 1G88. 4\ 7898. bbb. 17.
Inchiridion de llissas Solemnes e Votivas
e Vesporas das selebridades, e Festas de
todo 0 Anno, com os Hymnos novos, e
Cantocham novamente emendado, & as
festas todas, ad extensum. Kyrios, Glorias,
Credos, Sanctus & Agnus Dei, pera todas
as festas; Officio inteiro pera toda a
Semana Santa ; Officio de defuntos ; &
outras commemora(;oens varias . . . nova-
mente sahido a luz por Mathias de Sousa
Villalobos, etc.
Manuel Rodrig7ies de Almeyda :
Coimbra, 1G91. fol. K. 8. k. 4.
SOUTH SEA.
See Ladv.
The South Sea Ballad.
SOUTHBROOK (William E.) Six Son-
nets and Six Sonatinas, with a Frontispiece,
design'd by J. Zoffany, R.A., and engraved
by .J. Stow. Printed for the Author :
Knirjhtsbridge, 1797. fol. " G. 369. (10.)
Second Set of Six Sonnets & Three
Sonatinas, etc. T. Monzani,for the Author :
London, [l8(Xi'i] fol. G. 369. (9.)
SOUTHERLY. A Southerly wind, and
a cloudy Sky. The Fox Chace, a favourite
Hunting Song, etc. Str[aifjht : London,
17.S0?: s.sh. fol. G. 306. (95.)
SOUTHWELL (F. W.) A Concerto for
the Piano Forte, with Accompaniments
for two Violins, two Flutes, two Horns,
Tenor and Violoncello. . .Op. iv. [Separate
Parts.] The Author : Lublin,
[179.5 ?] fol. g. 116. a. (7.)
S O U V E N T. Souvent plus d'une en-
chanteresse. Vaudeville.
Sre Laxval et Viviane.
Souvent une erreur passagere. Romance.
S',<- Lanval f.t Viviaxe.
SOVEREIGN. The Sovereign of the Sea,
[Song.] See Agreeable Surprise.
S O Y E Z. Soyez moins entreprenant.
Vaudeville. See Vexdangecrs.
Soyez toujours Songes charmans. Ariette.
See Lagarde (N. de)
SPACIOUS. The Spacious Firmament
on high. [Hymn.] See Madan (M.)
The Spacious Firmament on high. The
lOtli Psalm, by :Mr. Addison. Set to
Musick by an eminent JIaster. "London,
17G1.] 8°. P.P. 324, n.
Christian's Magazine, Feb., \l(j\,p. 88.
SPADA (ViNCENZO) II Prirao Libro delle
Villanelle. . .A Tre voci. Da Paolo Vasti,
nouamente poste in luce. Basso.
Appresso Giacomo Vincenti : Venefia,
1589. 12'-. B. 258.
SPADINA (Stefan-o) See N. (Stefano)
called Spadina.
SPAN. The Span. [Song.]
See Bride (R.)
SPANGENBERG (G. C.)
.<(•<; SvMPnoNiKS. Sei Sinfonie a Otto
Stromenti. . .Composta d'Alcuni Famosi
Maestri, cioe di Graun, Richter, Chalon,
Zebro e Spangenberg. [1770?] fol.
g. 973.
SPANGENBERG (.Tohakk) Cantiones
Ecclesiastical Latinse. . .per totius Anni
circulum cantandaj ac preelegendae . . . —
Kirchengesenge Deutsch, auff die Sontage
vnnd fiimemliche Feste, durchs gantze
-Jar, zum Ampte, so man das hochwirdige
Sacrament des Abendmals Christi handelt,
...durch Johan Spangenberg verfasset.
2 pts. MS. NOTES. Michael Lotther :
Magdeburg, 1545. fol. K. 4. h. 8.
522
SPANGENBERG— SPEER
SPANGENBERG (Joiiaks) Zwolfi
Chiistliclie Lobgescuge vncl Lcissen, so
man das Jar vber, jun der Gemeine
Gottes singt, auffs kiirtzte ausgelegt.
Gcdnickt. . .(lurch Georgcn Rlian :
Wiitcmhcrcj, 1545. 8". 3434. b. 56.
Prosodia in Usum iuuentutis Northusianse,
etc. (Sequnutur Harmonise Tetracenticae,
super quatuor communiora carminum
genera. . .pro pueris compositpe.)
Exciisum. . .per Heiniicinn Stabler :
Angustiv, 1542. 8". 785. b. 45.
Quaestiones Musicse in usum scholfe
Northusianffi per loann. Spang . . . col-
lectae. Apud loJi. Petrciinn : Norivibergn',
[1536.] 8". 7897. a. 6.
SPANISH BARBER. Spring the Soul
firing. A favorite Song in the Spanish
Barber. [Words by G. Colman, music
composed & adapted [from Monsigny ?]
by S. Arnold.] Longman d Brodcrip :
London, [1778.] fol. G-. 311. (164.)
Tell Tale Eyes. A favourite French Air
sung ... in the Spanish Barber. [Words by
G. Colman, music composed and adapted
[from Monsigny ?] by S. Arnold.]
Jolni Lee : Dublin, [1778 ?] s. sli. fol.
H. 1601. a. (30.)
When with Tenderness. Sung... in the
Spanish Barber. [Words by G. Colman,
music composed and adapted [from Mon-
signy?] by S. Arnold.] John Lee :
Dublin, [1778?] s. sh. fol.
H. 1601. a. (29.)
The Spanish Barber. [Musical Comedy.]
See Arnold (S.) E. 104.
SPANISH GUITAR. [Song.] See Obi.
SPANISH LADY. The Spanish Lady,
as Perform'd at...Covent Garden. Set
for the Harpsichord, Voice, German Flute
or Violin. [Written by T. Hull, adapted
to popular airs.] Printed for C. and S.
Thompson : London, [17G5.] obi. fol.
D. 271. (3.)
SPANISH RIVALS. The Spanish
Rivals. ]\lusical Farce.
Sre LiNLEY (T.) the Elder.
SPARKLING. Sparkling Champaigno.
[Song.] See Collet (J.)
Sparkling Champaigne. [Song.] See Ye.
Ye dull thinking souls, etc. [By J. CoUett.]
[17G8] 8". P.P. 5438. z.
SPARROW (Stephen) A Collection, of
Sacred Music, for the use of Catholic
Chapels. G. Goulding,for the Author :
London, [1795 ?] fol. H. 906.
SPATARIUS (Joannes)
See Spataro (G.)
SPATARO (Giovanni) Errori dc Fran-
chino Gafurio de Lodi : Da Maestro loane
Spatario Musico Bolognese : i sua deffen-
sione : & del suo preceptore IMaestro
Bartolomeo Ramis Hispano : Subtile-
mente demonstrati. Lnpressum per
Benedict am Hectoris : Bononi(, 1521. 4°.
K. 1. f. 14.
Tractato di Musica...nel quale si tracta
de la Perfectione da [sic] la Sesqualtera
Producta in la Musica IMensurata Exerci-
tate, etc. Jis. motes. Impressa. . .per
maestro Bernardino, dc Vitali : Vinegia,
1531. fol. K. 1. h. 20.
See Gaforus (F.) Apologia Franchini
Gafurii adversus loannem Spatarium &
complices musioos Bononienses.
1520. fol. K. 1. g. 8. (2.)
SPAZIER (JoHANN Carl Gottlieb)
Zwanzig vierstimmige Chore, im phil-
antropinischen Betsale gesungeu ... in
Partitur mit untergelegtem Klavieraus-
zuge herausgegeben, etc.
Bei S. L. Crtisius: Leipzig, 1785. fol.
G. 452.
SPEAK. Speak Fame, if you can tell a
Girl. A Crambo on Miss Kitty Case, the
words by Mr. S. j\Iabbat. [Song.]
[Londoji, 1760 ?] s. sh. fol.
G. 316. (126.)
SPECHTSHART (Hugo) Reutlingensis.
Flores ]\Iusice omnis Catus Gregorian!.
Lnpssum p Johannem prijss :
Argentine, 1488. 4". * K. 1. h. 1.
97 lcaves,icithoiLt pagination. Register :
2 leaves without signature, sigs. A-L
in eights, M in seven. 17 and 30
lines to the full jxige. Wanting the
folding plate — Forma Afmiocordi —
between if. 27 and 28.
Flores Musice. [S/ras^jfr;;? 1495 ?] 4",
K. 1. h. 2. (3.)
84 leaves, without pagination or place of
imprint. Register : Sig. A in eights,
B-N in sixes, 0 in four. 35 and 18
lines to the full page. On the title-
page is a irood-cut representing Tubal
and Pythagoras. The same cut is
repeated on the verso of fol. A ri.
Betivcen fol. D ji and D iii a folding
j^late — Hcc est dispositio Monocordi —
is inserted.
SPEER (Daniel) Grund-richtiger, kurtz-
Leicht- und Nothiger, jetzt Wol-vermehr-
ter Unterricht der Musicalischen Kunst.
Oder, Vierfaches IMusicalisches Kleeblatt,
etc. Im Verlag G. W. Kilhnen,
qedrucM bey C. B. Kuhnen Seel. Erbcn :
Ulm, 1697. obi. 4". B. 822.
Jubilum Coeleste. Oder Himmlischor
Jubel-Schall, bestehend in Geistlichen
Arien, beydes in Lateinisch- und Teut-
schen Texten unter einerley IMelodey. . .
SPENCER— SPLENDID
523
]\Iifc 2. Discant Siug-Stimmen und 5.
Violen . . . samt dem General-Bass gesetzt,
dc. Cantus II. (Violiuo I (II).) Viola I
(II).) (Bassus Continuus.) G pts.
Gcdruckt bey Melchior Gerhard Lorbccrn :
Stuttgart, 1692. i". C. 95.
SPENCER (John) Listen to the carol'd
ditty. [Song.] A Christinas Carol. The
Poetry by W. R. Spencer, etc.
Brodcrip and Wilkinson :
London, [1800 ?] fol. G. 365. (17.)
Parisot's Hornpipe. Arranged with Varia-
tions for the Pianoforte. . .by J. Spencer.
Printed for G. T. Smart:
[London, 18C0?] fol. g. 139. (41.)
Tabby's Purraby to her Chicken, v/hich
she had adopted after her six Kittens had
been drown'd. The Words by W. R.
Spencer. G. Smart :
London, [1790 ?] fol. G. 368. (14.)
The Favorite Troop performed by the
Band of the Oxford Shire Militia, etc.
[Full Score.] (The Favorite Oxfordshire
Troop adapted for the Harpsichord or
Forte Piano.) Printed for G. Smart :
London, [1795.] fol. h. 1568. b. (21.)
Sec Duvvis (T. S.) Cathedral Music...
Selected. . .and. . .Revised by J. Spencer.
(Organ Part. . .Adapted by J. Spencer.)
[1797.] fol. I. 216.
SPERATI (B.) See Martin y Solar (V.)
Twelve Favorite Italian Canons. . .with an
Accompaniment for the Piano Forte...
(by B. Sperati) etc. [1794 ?] obi. fol.
D. 370. (10.)
SPERONTES, j^seml. [i.e. Johann Sigis-
WUND ScHOLZK ?] Spcroutes Singendc
Muse an der Pleisse, in 2.mahl 50 Oden,
derer neuesten und besten musicalischen
Stiicke, mit denen darzu gehurigen
Melodien. Zu beliebter Clavier-Ubung
und Gemiiths-Ergijtzung, anjetzo viel
verandert und verbessert auch vermehrt
ans Licht gesteUet, etc. (Sperontes Sin-
gender Muse...Erste (Zweyte) (Dritte)
Fortsetzung, etc.) 4 pts.
Ijcipzig, 1747 (1742) (1743) (1745). 4".
C. 367. a.
[Another copy. Erste (Zweyte) Fortset-
zung.] 2 pts. C. 367.
SPETHE (Andreas) Psalmorum Dauidis,
Prophetas Regii, Paraphrasis metro-
rhythmica, ad Melodias Gallicas, et
Rhythmos Germanicos D. Doct . . .
Ambrosii Lobwasseri . . . accommodata.
Cum. . .quatuor vocum symphoniis, etc.
Apud Pctrum Mareschallum :
Heidelberg, 1596. 12°. A. 634.
SPEUY (Henderick Justus) De Psalmen
Davids, gestelt op het Tabulatuer van bet
Orghel ende Clavercymmel, mot 2. partijen
...LesPseaumesde David, mis en Tableture
sur rinstrument dcs Orguos & do I'Espin-
ette, a 2. parties etc. Pccter Verhaghen :
Dordrecht, 1610. fol. K. 1. i. 14.
A presentation copy to James I., to whom
the woi-k is dedicated. Bound in
white vellmn with gold tooling and
the royal arins.
SPHINX. The Sphinx. Entertainment.
See DiBDiN (C.)
SPICKAM (E. E.) Weighing Anchor.
A New I\rariners Song, for Three Voices,
written & composed by E. E. Spickam.
CiilUford, Bolfc&Barroio, for the Author:
LoHfZoji, [1796?] fol. "G. 352. (33.)
SPIEGEL VON ARKADIEN. Der
Spiegel von Arkadien. Opor.
Sec SUKSSMAYER (F. X.)
SPIESS (JoHANN Martin) IMusicalische
Bilx'l-Audachten, bestehend in Auserlese-
nen Geistlichen Gedichten aus Rowo,
Prior, Canitz &c. Zu Ein, Zwey, und
Dreyen Stimmen, samt dem General-Bass
mit untermengten Floten- und Violin-
Stiicken, und conccrtirenden Cantaten.
Herausgegeben von cine Privat-Miisic-
Gcsellschaft : Bern, 1762. 4". D. 97.
SPIESS (JIkinradus) Tractatus ]\Iusicus
Compositorio-Practicus. Das ist, INIusi-
calischer Tractat, in welchem alle gute. . .
Fundamenta zur ]\Iusicalischen Composi-
tion aus denen alt- und neuesten besten
Autoribus herausgezogen, . . .erkliiret, und
mit untersetzten Exemplen. . .erliiutert
werden. . .Samt einem Anbang. . .Heraus-
gegeben von R. P. INIeinrado Spiess...
Opus VIII. Gcdrncl:t nnd
verlegt bey J. J. Jjotters seel. Erbcn :
Augsjmrg, 1745. fol. G. 840.
[Another copy.] 7895. h. 14.
Waniitig the frontispiece.
SPINNING. The Spinning Lass. [Song.]
See As. As I sat at mv Spinning Wheel.
[1740?] s.sh.iol. ' 1.600.(118.)
The Spinning Lass. [Song.] Sec ]\lv.
My Maid Marv, e/c. [1745?] .s. ,s/(. fol.
G. 316. e. (84.)
The Spinning Rock. [Song.] See There.
There was an auld Wife.
[1770?] s.sh.io]. G. 316. (138.)
SPINNING-WHEEL. The Spinning-
Wheel. Song. See To. To ease his
heart, etc. [1762.] 8°. P.P. 5438. z.
SPIRIT. Spirit;of my sainted Sue. Song.
See Storage (S.) [TJie Haunted Toiver.]
SPLENDENTE. Splendente te Deus.
[Chorus.] See Mozart (W. A.) [2. Dra-
matic Music. TJiamos. Schonwcichet dir.l
SPLENDID. The Splendid Jorum.
[Song.] See Reeve (W.)
The Splendid Shilling. Song.
See Hook (J.)
524
SPOFFORTH— SPONGA
SPOFFORTH (Reginald) The Banks
of the Tyne, a Ballad ... Written hy J.
Rannie. Bland d Weller : London,
[1799.] fol. G. 365. (21.)
Six Favorite Canzonets with an Accom-
paniment for the Piano Forte, etc.
Longman and Brodcrip : London,
[1790?] fol. G. 358. (11.)
The Death of Amia ! A favorite Ballad . . .
Written by J. Bayley. . . .with an Accom-
paniment for the Harp or Piano Forte.
F. Finley : London, [1798 ?] fol.
G. 806, e. (19.)
The Death of Crazy Jane, a Favorite
Song... with an Accompaniment for the
Piano Forte.. .The Words by J. Rannie.
Bland d- Wdlev : London, [1199.'] fol.
G. 365. (19.)
Edward and Editha. A Favorite Ballad
sung by Mrs. Bland, written by G. S.
Carey. . .with an Accompaniment for the
Piano-Forte. Printed for tlic Author :
London, [1795 ?] fol. G. 365. (18.)
Ellen, the Richmond Primrose Girl.
[Song.] Sung by Mr. Incledou. . .Written
by W. Pearce. A. Bland d Wcllcr :
London, [1800?] fol. G. 806. e. (20.)
Julia to the Wood Robin, a Favourite
Canzonet. . .with an Accompaniment for
the Piano-Forte.
Longman, dementi d Co. : London,
[1800?] fol. G. 365. (23.)
Lightly o'er the Village Green, a Favorite
Masonic Glee for 3 Voices... The Words
by G. Dyer. Longman, Cdcmenti d Co.,
for the Author : London, [1799?] obi. fol.
D. 402. (29.)
Nelson's Victory, a much Admired Song.
Written by Mr. G. Fox.
Longman and Broderip : [London,
1798.] fol. H. 2818. f. (43.)
The Newest Christmas Box, containing a
Variety of Bagatelles arranged for One,
Two, or Three Voices and the Piano-Forte
. . .Op. 2. Longman and Broderip :
Luondon, [1797 ?] fol. G. 352. (35.)
Oft let me wander. [Song.] Sung by
Mr. W. Elliott, etc.
Longman, Glementi d Co. : London,
[1800?] fol. G. 806. e. (21.)
One night gay Bacchus. A Favorite new
Drinking Song & Chorus, etc. F. Linlcy :
London, [1796 ?] fol. G. 365. (22.)
The Rose that weeps. Sonnet. . .with an
Accompaniment for a Piano Forte. The
Words from ]\Irs. RadclifE's Romance of
the Forest. Longman and Broderip :
Tjondon, [1795 ?] fol. G. 365. (20.)
Tell me the path, sweet wand'rer, tell. A
much admired Glee for four Voices.
Broderip and Wilkinson: Jjondon,
[1800?] ohl.iol. D. 402. (30.)
SPOFFORTH (Reginald) Valentine
Day. A Serenade for 2 Voices, with an
Accompaniment for the Piano-Forte.
Longman, dementi d Co. :
London, [1800.] fol. G. 354. (36.)
[Windsor Castle.] Shades of Windsor, a
favorite Glee for Five Voices with an
Accompaniment for the Piano Forte. —
Written by W™ Pearce. — Song... in the
Entertainment [by J. P. Salomon] of
Windsor Castle, etc.
Leiois, Houston d Hyde, for the Author :
London, [1795.] fol. G. 808. g. (29.)
See Glees. A Selection of Glees from
the MSS. of the Coucentores : being the
Compositions of ... R. Spofforth, etc.
[1800?] obi. fol. E. 207. a. (1.)
See Mago and Dago. The Overture,
Songs &c. in... Mago and Dago... the
New Airs. . .by. . .Mr. Spofforth, etc.
[1794.] fol. H. 129. (10.)
SPOGLIA AMOROSA. Spoglia
Amorosa. Madrigali a Cinque Voci di
Diuersi Eccellentissimi Musici. (Nuoua-
meute posti in luce.) [With a dedication
by F. Landono.] Alto. (Tenore.) (Quinto.)
(Basso.) 4 pts.
Apprcsso L'Herede di Qirolamo Scotto :
Yinegia, 1584. 4°. D. 202.
Tlic Alto part is imperfect, wanting pp.
1, 2, 7 a7id 8. The composers named
are : G. Palestina, C. da Correggio,
G. M. Nanino, E. Giovanelli, C. Bore,
F. di Monte, 0. Lasso, G. Wert, G. D.
di Nola, A. Striggio and L. Marcnsio.
Spoglia Amorosa. Madrigali a Cinque
Voci, etc. Basso.
Apprcsso L'Herede di Girolamo Scotto :
Venetia, 1588. 4°. D. 202. a.
Spoglia Amorosa. Lladrigali a Cinque
Voci. . .Nouamente ristampati. Tenore.
(Basso.) (Quinto.) 3 pts.
Apprcsso VHerede di Girolamo Scotto :
Venetia, 1602. 4°. D. 202. b.
SPOILED CHILD. Since then I'm
doomed this sad Reverse to prove. I am
a brisk and sprightly Lad. [2 Songs.]
Sung by Mrs. Jordan in the Spoiled Child.
[Words by I. Bickerstaffe ?] [London,
1790?] fol. H. 2818. c. (41.)
SPOLIA ^GYPTI. _ Spolia ^gypti.
Musica e Praestantissimis hujus retails
Auctoribus lecta& Sanctiori Usui Reddita
4. 5. 6. 7. 8. 9. Vocibus & Instrumentis.
Cantus II. Tenor I. (II.) 3 pts.
Typis Michaelis Wagneri : Oeniponti,
1650. 4". B. 136.
SPONGA (Francesco) Ricercari at Arie
Frances! a Quattro Voci, di F. Sponga,
Discepolo di A. Gabrieli. Nuouamente
composte, e date in luce. Basso.
Apprcsso Giacomo Vincenti : Venetia,
1595. 4°. d. 9.
SPONTONE— SQUIRE
525
SPONTONE (Baktolomeo) Di
Bartolomco Spontone il Primo Libro, di
Madrigali a Quatro Voci, nuouamcnte da
lui composti, c/c. Tenore. (Basso.) 2pts.
Apprcsso Girolamo Scoto : Yincqui,
1558. obi. i\ A. 261.
Sec Gardano (Angelo) Musica di Tredici
Autori . . . Nella quale si contengoiio. . .
Madrigali . . . delli iufrascritti Autori . . .
B. Spontoue, etc. 1589. 4".
K. 3. g. 11.
SPORTSMAN. The Sportsman in Style.
[Song.] Sec DiBDiN (C.) [Great Neivs.']
The Sportsman goes out. [Song.] Sung
by IMrs. Wrighten. [By J. Hook.]
[London, 1180?] fol. G. 316. (127.)
The Sportman's Rhapsody. [Song.]
Sec Blush. The Blush of Aurora now
tinges the Morn. [1780 ?] fol.
G. 312. (197.)
SPORTSMEN. The Sportsmen are called.
Song. See Blewitt (J.)
SPOSA. Sposa amata a questo addio.
Rondo. <See Federici (V.) [UUsiirpator
Innocente.]
SPOSA FIDELE. The Favourite Songs
in the opera La Sposa Fedelc. No. I. [A
Pasticcio. Fall Score.] B. Bremner :
London, [1775 ?] fol. G. 206. d. (2.)
TJus pasticcio was composed by 1'.
Guglielmi, V. Eatizzini, M. Vcnto,
etc.
SPOSI IN CONTRASTO. Gli Sposi
in Contrasto. Opera.
See ]\Iartix y Solar (V.)
SPOURNI (Wenceslaus Joseph) Six
Sonatas pour Deux Violoncelles. . .CEuvre
IV". Gravee par ISP"' IMichelon.
Chez M>- Le Clerc Ic Cadet :
Paris, [1750 ?] fol. g. 103.
Six Sonatas for a German Flute a Violin
and a Thorough Bass for the Harpsichord
or Violoncello. Compos'd in a familiar
Stile, etc. [Separate Parts.]
Printed for J. Si7npson :
London, [1745 ?J fol. g. 409. (10.)
SPRIGHTLY. The Sprightly Horn. A
favourite New Hunting Song, sung by
Mr. Gaudry. [By H. Brewster.]
John Lee : [Dublin, 1775 ?] s. sJi. fol.
H. 1601. a. (94.)
SPRIGS OF LAUREL. Sprigs of
Laurel. A Comic Opera. . .consisting of
German, Scotch, Irish & English Airs,
one by a Nobleman, & others by Handel,
Anfossi & Shield. The Poetry by
J. O'KeeSe. [P. F. Score.]
Longman and Broderip :
London, [1793.] obi. fol. D. 287. (5.)
SPRING. Spring. [Song, begins: 'De-
crepit winter limpt away.']
Sec Arne (T. A.) [S. Songs.]
SPRING. The Spring. [Song.]
Sec FiErj).s. The Fields now are looking
so gay. [1765 ?] s. sh. fol. I. 530. (56.)
Spring. [Song, begins : ' Thou calm-
ray'd Spring.'] See Gildikg (E.)
Spring. Two-Part Song [begins ; ' Now
the rovers sport around 'J. See H., H.
Spring. [Song.] Sec When. When
approach'd by the fair dewy Fingers, etc.
[1774.] s. sh. 4", 159. n. 6.
Spring. Song. Sec Whex. When ap-
proach'd by the fair dewv fingers, etc.
[1746.] 8". " 249. c. 16.
Spring renewing all things gay. Polly,
[Song, music by W. Defesch] with Addi-
tional Alterations. [London,
1770?] s.sh.iol. G. 311. (137.)
[Another setting.] Spring renewing all
things gay. [Song.] See Andrews ( )
[Another setting.] Spring renewing all
things Gay. Song. See Haexdel (G. P.)
[Ezio. Stringo al fine.]
Spring renews the smiling Year. The
Four Seasons. [Song.] [London,
1780?] s.sh.iol G. 3li. (111.)
Spring returns ; the Fawns advance.
Daffodil; or the Shepherd's Complaint,
Sung by Mrs. Smith. [Song.] [London,
1755 ?] s. sh. fol. G. 316. f. (2.)
Spring returns, the Fawns advance.
Daffodil. Or the Shepherd's Complaint.
[Song.] Sung by Mrs. Smith. [London,
1757.] s. sh. 8". P.P. 5439. ab.
Neiu Universal Magazine, April, 1757.
The Spring was return'd. With ease may
be guess'd. A New Song.
[London, 1767.] 8". P.P. 5438. z.
Universal Magazine, Vol. XL., p. 320.
The Spring Wish. [Song.]
See Lampe (J. F.)
The Spring's a coming. The Bath Medley.
[Song, words by A. Aston.] [London,
1715?] s.sh.iol. H. 1601. (457.)
[Another edition.] The Spring's a coming.
The Medley or the Humours of the Bath.
A Song. [London, 1715?] s. sh. fol.
G. 316. g. (63.)
SPUNTO. Spunto una rosa. Romance.
See Martin y Solar (V.) [Z/' Isola del
Piacere.]
SQUABBLE. The Squabble. [Song.]
See On. On Ida one day, etc.
[1780?] s.s/(. fol. G. 310. (267.)
SQUIRE. The Squire's Christniug,
Comic Song. See Smart (T.)
526
SREEVE— STADLMAYR
SREEVE (John) The DiviDc Musick
Scholar's Guide. Being a Choice Col-
lection of Psalm - Tunes, Hymns, and
Anthems. Composed hy Mr. J. Sreevc
. . . and other Masters of Psalmodv, etc.
A. Pearson: London, 11 iO. 4". B. 677.
Tlie composers named arc : J. Srccve,
Wise and S. Parker.
The Oxfordshire Harmony : Vol. III.
Containing, a Select number of Hymns,
Anthems, and Chants, Canons, &c. In
three and four Parts, for Voice or Organ,
etc. Engrav'd, and Printed by IP" Tans'ur,
for the AutJior : London, 1741. obi. 4".
A. 516.
Engraved throucjhout.
STABILE (Annibale) Aunibalis Stabili
Sacrarum Modulationum . . . Qute Quinis,
Senis & Octouis vocibus concinuutur.
Liber Secundus. Cantus. (Sextus.) 2 pts.
Apiid Angclum Gardanum :
Venctiis, 1585. 4", C. 27.
See Nanino (G. M.) and Stabile (A.)
Madrigali a Cinque Voci di G. M. Naniuo
et di A. Stabile, etc. 1581. obi. 4°.
A. 341.
See Nanino (G. M.) and Stabile (A.)
Madrigali a Cinque Voci di G. IM. Nanino
et di A. Stabile, etc. 1587. obi. 4".
A. 341. a.
STABILE (POMPEO) Di Pompeo Stabile
il Primo Libro de Madrigali a Sei Voci,
etc. Canto. Apprcsso Anaclo Gardano :
Venetia, 1585. obi. 4". " A. 351.
STAD (Franz) Six Senates pour Violon
et Basse. Clicz le S' Sicbcr :
Paris, [1780?] fol. g. 422. a. (6.)
37 Variations pour le Violon et Basse.
Clu'z G. Torricclla : Vicnnc, [1782.] fol.
h. 1642.
STADELMAYR (Johaxn)
See Stadlmaye.
STADEN (Johann) Hauss-Music Dritter
Theil Geistlicher Gesiing, Darbey die
gewohnlichen Tisch Gebetlein, . . . Mit
drey Stimmeu componirt, etc. IMedia
Vox. Gedruckt durcli Johann Friderich
Sartorium : [Niirnberg,'] 1628. 4°.
D. 120. d.
Hauss-Music Vierdter vnnd letzter Theil
Geistlicher Gesang . . . Mit vier Stimmen
componirt, Sampt einem Appendice,
darinuen zehen Fugen oder Canones a 2.
3. 6. 7. 8., e^c. Cantus. Gedruckt...
bey Johann Friderich Sartorio : Niirnberg,
1628. 4". D. 120. f.
Hauss-Music Geistlicher Gesang, darunter
etliche aufi die fiirnembsten Fest dess
Jahrs. . .Mit vier Stimmen componirt, etc.
Cantus. Gedruckt durcli J. F. Sar-
torium, in Vcrlcgung Michael Kiilssiicrs :
Niirnberg, 1646. 4'\ D. 120. e.
TJiis edition contains the four parts.
STADEN (Johann) Jubila Sancta Deo;
per Hymnum et Echo, in ecclesia Nori-
bergensium Festum Evangelico-Jubilgeum
II. Novemb : celebrante, Octo vocibus
decantata. Cantus (Cantus Echo) (Tenor)
(Tenor Echo) (Basis) (Basis Echo) I.
Chorus. (Cantus (Cantus Resonantia
Echo) (Tenor) (Tenor Resonantia Echo)
(Basis) (Basis Resonantia Echo) II.
Chorus.) 12 pts. 'I'lipis Balthasaris
Scherffii : Nuribcrgtc, 1617. 4".
D. 120. a.
Neue Teutsche Lieder, nach art der
Villanellen, beyneben ctlicher Balletti
oder Tiiutz, Couranteu, Galliarden vnd
Pavanen, mit drey, vier vnd f iinff Stimmen
(so wol mit als ohne Text) componiert, etc.
Gedruckt durch Paulum KautJmann :
Niirmbcrg, 160G. 4\ D. 120.
STADEN" (Johann) and DRETZEL
(Valentin) Zwey Geistliche Bet Gesang,
zu dem Heiligen Kindlein Jcsu . . . Mit
fiinfl Stimmen . . . componirt durch J.
Staden, vnd V. Dretzl, etc. Cantus.
(Tenor.) (Basis.) (Quinta Vox.) 4 pts.
Gedruckt bey Abraham Wagcnmcmn :
Niirmbcrg, 1621. 4", D. 120. b.
IMaguificat odor Lobgesang der H. Hoch-
gelobten Juugkfrauen JMaricB . . . jetzo zu
Teutsch mit acht Stimmen auff zweu
Chores . . . componirt durch Johann Staden,
vnd Valentin Dretzl, etc. Cantus (Tenor)
(Basis) I. Chori. (Cantus (Tenor) (Basis)
II. Chori.) 6 pts. Gedruckt bey
Balthasar Scherffen : Niirmbcrg, 1620. 4°.
D. 120. c.
[Another copy. Cantus I. Chori.]
D. 120. g.
STADEW (SiGMUND Gottlieb) Betracht
ung der kiinfitigeu Ewigkeit, auss sehn-
lichem Hertzen, vff dem Siechbetth an-
gcstellt, durch M. Johaunem Saubertum.
[With music for 4 voices.] Gedruckt
. . . durcli Johann Friderich. Sartorium :
Niirmbcrg, 1639. 4°. 11517. e. 26.
Rudimentum Musicum, Oder Kurtze
Unterweisung dess Singeus, filr die liebe
Jugendt, dabey etliche Canones und
Bicinia . . . Wie auch die 8 Toui chorales
mit jhren differentis vnd Responsoriis,
zusammeu getragen durch Sigmund Theo-
philum Staden, etc. Gedruckt bey Johann
Friderich Sartorio : Niirmbcrg, 1636. 12°.
7898. e. 12.
See Hasslee (J. L.) Kirchen Gesang . . .
auffs new widerumb in Druck verfertigt,
Auch mit andern . . . Kirchen Gesangeu
vermehret, durch Sigmund Theophilum
Staden, etc. 1637. 4". B. 92. d.
STADLMAYR (Johann) Llissaj Octo
Vocum Cum Duplici Basso ad organum
accommodate, etc. Pars pro Organo.
Apud loannem Pnrtorium :
Augustai Vindelicorum, 1607. 4". C. 98.
STADLHIAYR— STAMITZ (C.)
527
STADLMAYR (JoHA^-^-) Odtc Sacra
lesu Christo Cantatae ... A 5. Vocibus &
toticlem Instrumentis si placet. Organo.
Ex Officina Musica loannis Gachij :
(Eniponti, 1038. i". C. 98. a.
Psalmi Vespertini Omnes cum II. ilagui-
ficat CoDcertatioiiibus Musicis per VI.
Voces et Basso Coiitinuo, etc. Cantus I
(II). (Altus.) (Tenor.) (Tenor II.)
(Bassus.) (Violon.) (Bassus Continuus.)
8 pts. Apud Michaclem Wagncnim :
(Eniimiii, 1040. 4", B. 138. a.
Sacrum Beatissinipe Virginis Mariae Canti-
cum, quod quinis, senis, septenis & octonis
vocibus concinatur, etc. Discantus. (Al-
tus.) (Tenor.) (Bassus.) (Quinta (Sexta)
(Septima) (Octava) Vox.) 8 pts. Adamiis
Berg cO Nicoluus Hcinricus : Monachii,
1G03. 4". B. 138.
STAES (Feedinaxd Philippe Joseph)
Idees de Campagne, for the Piano Forte,
or Harpsichord ; with an Accompauymeut
for a "Violin, Violoncello, and two Horns.
Op. 7. [Separate Parts.] Longman and
Broderip : London, [1785 ?] fol.
h. 70. (8.)
Wanting the Horn parts.
Trois Sonates pour Clavecin ou le Forte
Piano avec Accompagnemens d'un Violon
et Violoncelle . . . Oeuvre Premier.
Yanypcn, Pris : Bni.vellcs, [1115?] fol.
g. 443. b. (27.)
Tlic Pianoforte part only.
A First Sett of Three Sonatas, for the
Harpsichord or Forte Piano : with Accom-
pagnements for a Violin & Violoncello . . .
Op. 1'"" [Separate Parts.] Printed for
Bctz : London, [1775 ?] fol. g. 472.
Three Sonatas for the Piano Forte or
Harpsichord, with an Accompauyment
for a Violin . . . Op. iv. S. Babb :
London, [IISO?] fol. g. 420. m. (4.)
Wanting the Violin part.
Three Favorite Sonatas for the Forte
Piano or Harpsichord with accompauy-
ments for a Violin and a Violoncello . . .
Op. 3. Longman and Broderip : London,
[1780?] fol'. g. 420. m. (3.)
Wanting the accompaniments.
Three Favorite Sonatas for the Harpsi-
chord or Piano-Forte. With an Accom-
pauyment for a A''iolin. [Op. iv.]
J. Cooper : Lcnulon, [1785 ?] fol.
g. 272. V. (15.)
Three Sonatas for the Piano Forte or
Harpsichord, with Accompanyments for
a Violin and Violoncello . . . Opera v.
[Separate Parts.] Longman and
Broderip: London, [1180?] fol.
g. 472. a.
See Feast of Apollo. The Feast of
Apollo, containing . . . Songs, by . . . Staes,
etc. [1788.] fol. G. 351. (2.)
STAG - CHACE. The Stagg Chacc.
[Song.] iSVe I. I am a Jolly Hunts-
man, c^c. [1720?] s. s7(. fol.
G. 309. (38.)
STAGE COACH. Let's Sing of Stage
Coaches. Mr. Dogget's Comicall Song in
the Farce call'd The Stage Coach. [Words
by G. Farquhar, music bv J. Eccles.J
[London, 1110?] s.sh.lol.
G. 305. (207.)
[Another copy.] G. 310. (31.)
STALPAERT VAN DEE, WIELE
(Jan) loh: Stalpardi Extractum Katho-
licum tegen alle Gebreken van verwardc
harsencn. Bernardinus Masius :
Loven, 1G31. 8". B. 137.
Den Schat der Geestelijcke Lofsangcn.
Gemaeckt op de Feestdagen van t' geheele
Jaer. Gedicht door den eerwaerdigen heer
J[au] S[talpaert] v[an der] W[ieleJ.
Jan Cnobbaert : Anticerpen, 1634. H".
B. 137. a.
The half-title reads " J. Stalpcrts (Juldc-
laers Feest-Daghcn."
STAMIGNA (Nicolo) Sacrorum Con-
centuum Binis, Ternis, Quaternisquc
Vocibus. . .Liber Primus. Cantus i (ii.)
(Bassus.) (Organum.) 4 pts.
E.V Typographia lacobi Fei, etc. :
Bonuv, 1670. 4°. D. 80.
The Altus part is printed ivith tJic
Bassus.
See GuiDETTi (G.) Directorium Chori. . .
in hac postuma Editioue a Xicolao
Stamigna. . . Accommodatum, & Auctum,
etc. 1GG5. 8". A. 218. b.
STAMITZ (Anton) Sei Quartetti a Due
Violini Alto e I3asso Concertanti . . .
CEuvre xxx. [Separate Parts.]
Chez M. de la Chevardiere :
P«m, [1780?] fol. g. 417. a. (7.)
STAMITZ (Carl) Duo a un Violon et
Alto Viola. Chez J. Schmitt :
A7nsterda7n,[1185?] fol. g. 421. (9.)
The Favorite Duett for a Violin & Tenor,
as Performed by Messrs. Cramer & Cros-
dUl. J. Dale: London, [1195?] fol.
g. 421. n. (5.)
Six Duos a Deux Violons. [Separate Parts.]
Chez J. Schmitt : Amsterdam, [1785 ?] fol.
g. 1065. a.
Six Duetts for two German Flutes or
Violins. [Separate Parts.] G. Gardom :
London, [1185?] fol. g. 421. r. (11.)
Six Duettes a un Violon et Alto Viola . . .
Opera Prima. [Separate Parts.]
Chez J. Betz : Londrcs, [1780?] fol.
h. 3212. g. (12.)
[Another copy.] g. 421. d. (8.)
528
STAMITZ (C.)— STAMITZ (J. C.)
STAMITZ (Gael) Six Duettos for a
Violin and Tenor, etc. [Op. 1. Separate
Parts.] Longman cC Bvodcvvp :
London, \yiQb^ fol. g. 421. i. (2.)
Six Favorite Duetts for a Violin and
Tenor. . .Op. xix. [Separate Parts.]
James Freeman : London, [1780?] fol.
g. 421. (7.)
Six Duetts for two German Flutes . . .
Op. 27. [Separate Parts.] Preston :
London, [1785 ?] fol. g. 280. b. (14.)
Six Familiar Duetts for a Violin & Tenor
. . .Op. 34. [Separate Parts.] T. Straight :
London, [1785 ?] fol. g. 421. i. (3.)
Six New Dancing Minuets with Trios, for
two Violins, two German Flutes, two
French Horns and Bass. J. & G. Vogler :
London, [1770 ?] obi. 4". b. 53. a. (4.)
Sei Quartetti per Due Violini Viola e
Basso i quali potrauno esse esequili a
Grande Orchestra . . . Opera Prima.
[Separate Parts.]
Alt Bureau d'Abonnement musical :
Pflris, [1770?] fol. g. 413. (15.)
Six Quartettes for Two Violins, a Tenor &
ViolonceUo Obligate. . .Op. 4. [Separate
Parts.] Printed for J. Bctz :
London, [1775 ?] fol. g- 1065.
Six Quatuors a une Clarinette, Violon,
Alto et Basse. . .CEuvre viii". [Separate
Parts.] Chez iP Sieber :
Paris, [1780?] fol. g. 1065. b.
Six Sonatas for the Harpsichord or Piano
Forte, with a Violin accompanj-ment, the
Sixth for two Harpsichords. . .Opera xv.
The Author: London, [ilSO?] fol.
g. 443. (4.)
Wanting the Violin and 2nd Harpsichord
parts.
A Sonata for the Harpsichord or Piano
Forte. [1801.] See Periodical Publica-
tions.— London. The Piano-Forte Maga-
zine. Vol. XV. [No. 5.] [1797-1802.] 8".
D. 854.
Six Simphonies a Deux Violous, Taille et
Basse, Deux Hauthois ou Flutes, et deux
Cornes de Chasse. Les J\Ieilleures de la
Composition du S''Stamitz,c^c. [Separate
Parts.] J- J- Hummel :
Amsterdam, [1770?] fol. h. 2771. (4.)
Deux Simphonies Concertantes a Violino
Principale Violino Primo & Secondo Taille
Violoncello & Basse Deux Hauthois ou
Flutes et Deux Cors de Chasse.. .Oeuvre
Quatrieme. [N°' v and vi. Separate
Parts.] Ches J. J. Hummel :
Berlin, Amsterdam, [1180?] fol. h. 1523.
Six Symphonies a Deux Violons, Taille et
Basse Deux Hauthois & Deux Cors de
Chasse. . .Oeuvre ix. [Separate Parts.]
Chez J. J. Hummel : Berlin,
Amsterdam, [1780?] fol. h. 2771. (5.)
STAMITZ (Carl) Six Simphonies pour
Deux Violons, Alto Viola, Basso, Haut-
hois & Cors de Chasse . . . Oeuvre ix, etc.
[Separate Parts.] S. Markordt :
Amsterdam, [1780 ?] fol. li. 1523. a.
[Six Simphonies. Op. ix. No. 6.] A
Collection of Overtures and Symphonies.
By .. .St&mitz, etc. [No. 5.] [1797.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol.11. No. 5.
[1797-1802.] 8". D. 854.
Six Sinfonies a Grand Orchestre, deux
Violons, alto et Basso, deux Hauthois et
deux Cors de Chasses ad Libitum . . .
ffiuvrexiii. [Separate Parts.] J. Preston:
London, [1781.] fol. h. 2771. a. (2.)
Trois Simphonies a Grand Orchestre.
Deux Violons, Taille et Basse, Deux
Hautbois ou Flutes et Clarinets, Deux
Cors de Chasse, Trompettes & TymbaUes
(ad Libitum) . . . Oeuvre xvi. [N°' iv-vi.
Separate Parts.] Ches J. J. Hummel :
Berlin, Amsterdam, [1780?] fol.
h. 2771. a. (3.)
Wanting the Trumpet and Drum parts.
Six Trios a une Flutte ou deux Violons
et Violoncello Oblige . . . CEuvre xiv.
[Separate Parts.] J. Welcker :
London, [1180?] fol. g. 415. (8.)
Six Trios, for two Violins, or Violon-
cello, or Tenor Obligato . . . Opera xvi.
[Separate Parts.] Printed for C. Ganer :
London, [1785 ?] foL g. 415. (7.)
See Kammel (A.) Six Overtures in Eight
Parts by... Stamitz,c^c. [1770?] fol.
g. 474. (7.)
STAMITZ (JoHANN Carl) A favorite
Concerto for the German Flute with
Instrumental Parts. [Separate Parts.]
Welcker: London, [1170?] fol.
g. 474. a. (18.)
Three Duetts to be play'd on One Violin,
in the manner of Capriccios. . .Opera 2''°.
B. Bremner : London, [1765 ?] fol.
h. 2973.
Six Sonatas a trois parties concertantes
qui sent faites pour executer ou a trois,
ou avec toutes [sic] I'Orchestre. [Op. 1.
Separate Parts.] Chez VAutcur : Paris,
[1755?] fol. h. 2851. e. (4.)
Six Grand Orchestra Trios . . . Opera
Prima. [Separate Parts.] Printed for
B. Bremner: London, [1165?] fol.
g. 415. (6.)
Symphonia a piu strumenti obligati...
No. 2. Mise au Jour par Mr. Huberty,
etc. [Separate Parts.] Chez VEditeur :
Paris, [17G1?] fol. g. 98. (1.)
Six Symphonies a Quatre Parties obligees,
avec les Cors de Chasses ad libitum...
]\Iises au jour par ]\P Huberti. CEuvre
III^ [Separate Parts.] Chez V Editeur :
Paris, [1762 ?] fol. g. 98. (2.)
STAMITZ (J. O— STANLEY
529
STAMITZ (JoHANN Carl) IV. Trios a
Trois Parties Concertantes. . .Mis au jour
par M' Huberti. Tirai [sic] de son A^ e 5"
oeuvre de Simphonies de Stamitz. . .pour
la commodite du Public. CEuvre II^
[Separate Parts.] Chez I'Editeur:
Paris, [1762 ?] g. 88. a.
STAND. Stand by ! clear the way !
[Song.] See Carey (H.) [The Provoked
Husband.'}
Stand round my brave boys. The Sailor's
Beturn from Cape Breton. [Song.]
Written by Mr. Bovce. [London,
1758.] s. sh. fol. " G. 316. (128.)
[Another setting.] Stand round, my
larave Boys. Song. See Haendel (G. F.)
STANDFUSS (J. C.) See Hiller (J. A.)
Der lustige Schuster, oder der Teufel ist
los, zweyter Theil. Eine comische Oper
[music partly by J. C. Standfuss], etc.
1771. ohl. 4°. ' D. 299.
STANLEY (John) Advice to Celia, etc.
[Song.] [London, 1738.] 8°. 249. c. 8.
Gentleman'' s Magazine, Vol. VIII., p. 105.
As the Mole's silent Stream. A Song.
[Words] By an eminent Hand, etc.
[London, 1738.] 8^ 249. e. 8.
Gentleman'' s Magazine, Vol. VIII., p. 318.
Beauty's Triumph, etc. [Song.]
[London, 1744.] 8°. 157. 1. 6.
London Magazine, 1744, p. 252.
The Blind Boy. [Song.] The Words by
Mr. Gibber, etc. [London,
1735?] s.sh.iol. I. 600. (119.)
The Blind Boy. A Song. . .corrected in
the Words and Notes ; by Mr. Stanley
himself. [London, 1738.] 8°. 249. c. 8.
Gentleman's Magazine, Vol. VIII. , p. 44.
The Blind Boy. See Oh. Oh ! say what
is that thing cal'd Light, etc. [Music by
J. Stanley.] [1785 ?] s. sh. fol.
G. 310. (172.)
Twelve Cantatas for the Voice, Harpsi-
cord, and Violin, etc. Printed for
Harrison d Co. : London, [1785?] obi. fol.
E. 1766. j. (2.)
Imperfect, wanting pp. 11, 12.
Six Cantata's, for a Voice and Instru-
ments, etc. Printed for J. Stayiley :
London, [1742.] fol. 'H. 1217. (1.)
[Another copy.] G. 359. (8.)
Six Cantata's for a Voice and Instru-
ments, etc. [Second Set.] Printed for
J. Stanley : London, [1745 ?] fol.
H. 1217. (2.)
Three Cantatas and Three Songs for a
Voice and Instruments. Printed for the
Author: London, [17507] fol.
H. 2818. d. (10.)
VOL. II.
STANLEY (Johk) Six Concerto's in
Seven Parts for Four Violins, a Tenor
Violin, a Violoncello with a Thorough
Bass for the Harpsicord . . . Opera Seconda.
[Separate Parts.] Printed for the Author :
London, [1750?] fol. h. 2985.
Six Concertos in Seven Parts, etc. [Op. 2.
Separate Parts.] Printed for I. TT'als/t .•
London, [1755 ?] fol. h. 2985. a.
Six Concertos set for the Harpsicord or
Organ. [Op. 2.] Printed for I. Walsh :
London, [1755 ?] fol. f. 25. a.
[Six Concertos. Op. 2.] Six Solos for a
German Flute, Violin or Harpsicord.
Taljen from the Six Concertos for Violins,
etc. Printed for I. Walsh :
London, [1755 ?] fol. f. 25.
A Cure for Love, etc. [Song.]
[London, 1739.] 8°. 249. c. 9.
Gentleman's Magazine, Vol. IX., p. 380.
The dull unanimated Wretch. Song.
[London, limi] s.sh.iol.
G. 316. c. (34.)
Heigh Ho. [Song.] [London,
1740?] s.sh.iol. G. 305. (126.)
Heigh Ho, etc. [Song.] [London,
1743.] s. sh. 8". 157. 1. 5.
London Magazine, Dec, 1743.
I feel new Passions rise. [Song.]
[London, 1735?] s. sh. fol.
G. 309. (30.)
[Another edition.] I feel new Passions
rise. A Song, etc. [London,
1740?] s. sh. fol. G. 316. e. (37.)
The Inconstant Swain, etc. [Song.]
[London, 1738.] 8°. 249. c. 8.
Gentleman's Magazine, Vol. VIII., p. 209.
Leave me, shephard. A Song, etc.
[London, 1740?] s. sh.iol. G. 310. (25.)
[Another edition.] Leave me Shepherd.
A Song, etc. [London, 1745.] s. sh. fol.
G. 316. e. (62.)
Love has possess'd my heart. [Song.]
[London, 1740 ?] s. sh. fol.
G. 310. (26.)
The Lover's Progress. [Song.] The
Words bv. . .Lord Lansdown, etc.
249. c. 14.
Gentleman's Magazine, Vol. XIV.,
p. 390.
A Minuet, etc. [Harpsichord.]
[London, 1752.] 8°. 249. e. 22.
Gentleman's Magazine, Vol. XXII.,
p. 425.
An Ode on Solitude. [Words] By Mr.
Pope, in his 10"" Year. For two Voices.
[London, 1738.] 8». 249. c. 8.
Gentleman's Magazine, Vol. VIIL,
p. 377.
An Ode on Solitude. See Happy. Happy
the man, whose wish and care, etc. [By
J. Stanley.] [1744.] 8". 157. 1. 6.
2 M
530
STANLEY— STARVING
STANLEY (John) The Power of Musick
aud Beauty. [Song.] {Loiidon,
1740?] s.sh.ioL G. 3iO. (85.)
The Power of Musick aud Beauty . . .
[Song.] Sung by Mr. Lowe.
[London, 1743.] 8°. 157. 1. 5.
London Magazine, Oct., 1743.
Musick and Beauty, etc. [Song.]
[London, 1744.] 8°. 249. c.^ 14.
Gentleman'' s Magazine, Vol. XIV.,
p. 673.
Musick and Beauty, etc. [London,
1745 ?] s. sh. fol. G. 316. e. (89.)
The Eedbreast, a Cantata. . .The Words
by Mr. McClellan. H. Holland : London,
[1782.] fol. G. 359. (9.)
[Another copy.] G. 296. (29.)
The Shepherd's Complaint, etc. [Song.]
[London, 1739.] 8°. 249. c. 9.
Gentleman's Magazine, Vol. IX., p. 100.
Eight Solos for a German Flute, Violin
or Harpsicord. . .Opera prima.
Printed for J. Johnson : London,
[1745?] ohl. fol. e. 17. (2.)
Six Solos for a German Flute, Violin, or
Harpsicord . . . Opera quarto. Printed for
J. Johnson : London, 1745. obi. fol.
e. 17. (1.)
Ten Voluntarys for the Organ or Harpsi-
cord. . .Opera Quinto. Printed for
John Johnson : London, [1745 ?] obi. fol.
e. 5. n. (1.)
Ten Voluntarys for the Organ or Harpsi-
cord . . . Opera Sesta. Printed for
J. Johnson : London, [1750 ?] obi. fol.
e. 17. a. (1.)
Ten Voluntarys for the Organ or Harpsi-
cord . . . Opera Sesta. Printed for
C. and S. Thomjyson : London, [1765?]
obi. fol. d. 210. (4.)
Ten Voluntaries for the Organ or Harpsi-
cord . . . Opera settima. Printed for
J. Johnson : London, [1755 ?] obi. fol.
e. 17. a. (2.)
Zimri. An Oratorio. [Words by J.
Hawkesworth. Full Score.] Printed for
I. Walsh : London, [1760.] fol.
G. 232. (1.)
See By. By men belov'd, how soon we're
mov'd. A Song set by an Eminent
Master [i.e. J. Stanley]. [1785 ?] s. sh. fol.
G. 306. (231.)
See Summer's Tale. The Summer's
Tale. A Musical Comedy... The Music
by Abel. . .Stanley, etc. [1765.] obi. fol.
D. 273. (1.)
STANLEY (Samuel) Nineteen Psalm,
Hymn & Charity Hymn Tunes, adapted
for the Organ, Piano Forte, &c.
Printed for the Author : Birmingham,
[1800 ?] obi. fol. C. 853. (2.)
STANLEY (Samuel) Twenty-Four Tunes
in Four Parts, adapted for the Organ or
Piano-Forte &c. Composed chiefly to
Dr. Watts's Psalms and Hymns.
Printed for the Author : Birmingham,
[1795?] obi. fol. C. 853. (1.)
STANNAED (A.) The Norwich March,
adapted for the Violin, German Flute
and Guittar. L[ongman'] L[ukey & Co. :
London, 1770 ?] s. sh. fol.
H. 1601. a. (116.)
STANSFIELD (Ely) Psalmody
Epitomiz'd : Being a Brief Collection of
. . .Psalm-Tunes, both Old and New. In
Four Parts : . . . The Second Edition with
Additions. W. Pearson, for T. Cox and
M. Fielding, 1731. Q\ C. 732. h.
STAE. Star of Beauty, silver Light.
[Song.] See Webbe (S.) the Elder.
STARCK ( ) Sec Mozart (W. A.)
[2. Dramatic Music.'] Die Eutfiihrung
aus dem Serrail. . .Der Klavier-Auszug
von Herrn Abb6 Starck, etc.
[1785.] obi. fol. C. 445.
STARTER (Jan Jakszoon) Friesche Lust-
Hof, beplant met verscheyde stichtelyke
Minne-Liedekens, Gedichten, ende Boer-
tige Kluchten. Door Ian lansz. Starter . . .
Met schoone koperefiguerenvercjierd ; ende
by alle onbekende Wysen, de Noten, ofte
Musycke gevoeght, door M"" laques Vrede-
man, etc. 2 pts. GedrucU by Paulus
van Eavesteyn. Toor Dirck Pietersz. Vos-
cuvl : Amstelredam, 1621. obi. 4".
Case. 34. a. 18.
This edition contains the imrtrait of
Starter, but is without the privilege.
The 'Lust-Hof is paged 1-178; the
' Boertighedcn' at the end occupy 12
unpaged leaves.
[Another edition.] Friesche Lust-Hof, etc.
2 pts. Gedruckt by Paulus van Eave-
steyn. Voor Dirck Pietersz. Voscuyl :
Amstelredam, 1621. obi. 4».
11556. bbb. 55.
This edition contains no portrait, but
the privilege is printed on the verso of
the title-page. The 'Lust-Hof is
paged 1-201. The ' Boertigheden '
occupv 16 unpaged leaves, the 4 leaves
betiocen C 2 and C 3 being added in this
edition,
[Friesche Lust-Hof .. .Den derden druck
op nieuws vermeerdert, etc.] 2 pts.
[Amsterdam, 1625.] obi. 4°. 785. b. 2.
Imperfect, zoanting the title-page and
register. The 'Lust-Hof is paged
1-206. The ' Boertigheden ' occuyy
20 unpaged leaves.
STARVING. A Starving Life all Day we
See Prisoners' Opera.
lead.
Song.
STATE— STEIBELT
531
STATE. State aud Ambition. A Meddly,
compos'd out of several Songs. [London,
1710?] s.sh. fol. H. 1601. (407.)
[Another edition.] State aud Ambition.
A New Medley. [Song.] [London,
1730?] s.sh. fol. G. 316. e. (125.)
[Another copy.] H. 1994. b. (76.)
The State Jockies. [Song.] See What.
What a rout has there been.
[1775?] s. s7i. fol. G. 313. (228.)
The State Test. [Song.]
See Bertie (W.) Earl of Abingdon.
STATIRA. Statira. Song. See How.
How little, Statira, your sex did I know,
etc. [1767.] 8". P.P. 5441.
STAY. Stay, ah turn. Song.
See EccLES (J.) [The Fair Penitent.]
Stay lovely Youth. [Song.]
See EccLES (J.) [The Judgment of Paris.]
Stay, lovely Youth. [Song.]
See PuRCELL (D.) [The Judgment of
Paris.]
Stay, 0 stay, thou lovely Shade ! Glee.
See Jacob (B.)
Stay silver Morn. Roudo.
See Da>-by (J.)
STEELE (Joshua) Sec Treatise. A
Short Treatise on Harmony, etc. MS.
NOTES, etc. [By J. Steele.]
1730. obi. 8". 785. a. 9.
STEFANIS (Gaetaxo de) Salmi Pieni
per tutto r Anno a otto voci con Violini ad
libitum breui, e facili, con Litanie della
Beata Vergine. Opera Terza, etc. Canto
(Alto) (Tenore) (Basso) Primo Choro.
(Canto (Alto) (Tenore) (Basso) Secondo
Choro.) (Violiuo Primo (Secondo).) (Vio-
lone, 6 Tiorba.) (Organo Primo (Secondo).)
18 pts. Per Marino Siluani : Bologna,
1710. 4'. D. 95.
The Tenore Secondo Choro is imperfect,
ivanting pp. 1-8.
STEFFAN (Joseph Anton) VI. Diverti-
menti da Cimbalo, etc.
Appresso Agostino Bernardo : Vienna,
[1765 ?] obi. fol. e. 282. e. (5.)
40 Preludi per Diversi Tuoni.
Appresso Agostino Bernardi : Vienna,
[1762.] obi. fol. d. 78.
STEFFAJS'I (Agostino) Pro Christo
affligimur uunquam sat. Motet.
See Hindle (J.) A Set of Glees... To
which ... is added a Composition of . . .
A. Steffani, etc. [1793 ?] obi. fol.
P. 668.
Quanta Certezza habbia da suoi Principii
la Musica. Et in qual pregio fosse percio
presso gli Antichi. (Risposta di D. A.
Steffani ... ad Una Lettera del S' March''
A. G., etc.) Amsterdam, 1695. 12°.
1042. d. 14,
STEFFANI (Agostino) D. A. Steffani
. . . Sendschreiben, darinnen enthalten,
wie grosse Gewissheit die INIusik, aus
ihren Principiis und Grundsatzen habe,
und in welchem Werthe. . .sie bey denen
Alton gewesen . . . ehemals aus dem Italien-
ischen ins Hochdeutsche iibersetzt, und
mit einigen Anmerkungen erlautert von
A. Werkmeister. Jetz aber aufs neue
iibersehen . . . mit einer Vorrede . . . ver-
mehret, und zum Druck bef order t von
J. L. Albrecht, etc. J. G. Brilckner :
Milhlhaiiscn, 1760. 4". 7898. h. 36.
[Roland.] Die ausserlesensten und vor-
nehmsten Arien aus der Opera Roland.
Mit unterschiedlichen Instrumenten, etc.
Gedruckt bey Nicolaus Spieringk. In
Vcrlegung Johann Wiedemeyer : Lilbeck,
1699. obi. fol. B. 344.
See Thomyris. Farewell love and all soft
pleasure, etc. [Song, music by A. Steffani.]
[1710?] s. s7(. fol. H. 1601. (162.)
STEGMANN (Carl David) Der Kauf-
mann von Smirna, eine komische Operette,
in einem Aufzuge. [P. F. Score.]
Bey G. J. Decker imd G. L. Hartnng :
Berlin tend Konigsberg, 1773. obi. fol.
C. 453. a.
Das redende Gemiihlde, eine comische
Oper in zwey Acten, etc. [P. F. Score.]
J. F.Hinz : Mitau und Eascnboth,
1775. obi. fol. C. 453.
Der Triumpf der Liebe, ober : das kiihne
Abenthcuer, Eine Feenoper in vier Auf-
ziigen von Herrn . . . Jester ; in Musik
gesetzt von C. D. Stegmann, und von ihm
selbst im Clavierauszuge herausgegeben.
Bey Fricdrich Nicolovius : Kunigsbcrg,
[1796.] obi. fol. F. 434.
See Martin y Solar (V.) Una Cosa
Rara . . . Ridotto per il Cembalo dal
C. D. Stegmann. [1800 ?] obi. fol.
E. 244. a.
STEIBELT (Daniel) A me tutte le
belle, a Favorite Rondo, [from Paisiello's
' La Modista Raggiratrice '] for the Harp
& Forte Piano, or for the Piano Forte
with Accompaniments for Violin & Bass,
etc. [Separate Parts.] Printed for
Corri, Dussek d; Co. : London, Edinburgh,
[1796?] fol. g. 192. a. (21.)
[Another copy.] h. 1480. a. (2*.)
The Pianoforte part only.
Air Favori, du Ballet des Noces de
Gamache, avec douze Variations pour le
Piano Forte. Chez ill«"«s Erard :
Pans, [1800?] fol. h. 1480. p. (16.)
Air Varie—" Enfant ch6ri des Dames "—
pour Harpe et Piano. CEuvre 32.
Chez Pleyel : Paris, [1798.] fol.
h. 173. b. (18.)
2 M 2
532
STEIBELT
STEIBELT (Daniel) Douzo Bacchanales
pour le Forte-Piano avec Accompagne-
meut de Tambourin ad libitum.
Chez 3/''"'-'« Erard :
Paris, [1800 ?] fol. h. 1480. p. (15.)
Britannia, an Allegorical Overture in
Commemoration of the Signal Naval
Victory obtained by Admiral Duncan
over the Dutch Fleet on the 11"' of
October 1797. Composed for the Piano
Forte, etc. Longman and Broderip :
London, [1797.] fol. g. 138. (3.)
[Britannia.] Combat Naval pour le Forte
Piano. . .Opera 41.. Chez hnhaidt :
Paris, [1800.] fol. h. 1480. p. (17.)
1" Caprice ou Pot Pourri d'Airs connus et
autres pour le Clalavecin [sic] ou Piano-
Forte. . .Oeuvre 5. Chez Artaria Comp. :
Vienne et Mayence, [1792.] ohl. fol.
f. 133. b. (14.)
Nouveau Concerto pour le Forte Piano.
Avec les Accompagnements a Grand
Orchestre... Opera [33 or] 35. [Separate
Parts.] Chez Pleyel : Paris, [1799]. fol.
h. 3212. f. (8.)
Wanting pip. 23-26 of the Pianoforte part.
Combat Naval. See supra : [Britannia.']
La Coquette. [Sonata. P. F.]
See Longman and Broderip. Longman
and Broderip's Collection of. . .Music for
the... Piano Forte. N" 2 [b].
[1795?] fol. g. 192. (4.)
Twelve Divertisments, consisting of
Marches, Waltzes & Bondos for the
Piano Forte, with an Accompaniment
for a Tambourine . . . Op. 38.
Printed for B. BircJiall :
London, [1800?] fol. g. 442. (4.)
[Another copy.] g. 457. (2.)
The Favorite Duett of " Tink a tink " sung
... in the Opera of Blue Beard [by
M. Kelly] arranged as a Rondo for the
Piano Forte, in which is introduced the
Favorite Duett sung in the Blue Chamber,
and the Two Principal Chorousses by
D. Steibelt. Longman d Broderip :
London, [1798.] fol. g. 140. (50.)
Grand Duo pour Harpe et Piano ou deux
Piano, etc. Chez HM'^^ Erard :
Paris, [1800?] fol. h. 173. b. (17.)
Three Progressive Lessons for the Piano
Forte . . . Op. 40. Printed for
Corri, Dussek d Co. : London & Edin-
burgh, [1800 ?] fol. g. 132. (13.)
[Another copy.]
g. 457. a. (6.)
La Grande Marche de Buonaparte en
Italic, compos6e pour le Fort^-piano avec
Accompagnement de Tambourin.
Chez hnhauU : Paris, [1798.] fol.
h. 1480. p. (18.)
STEIBELT (Daniel) The Favorite Over-
ture to the Opera of Blue Beard [by
M. Kelly] . . . Arranged for the Piano Forte
by D. Steibelt. Longman, dementi & Co.:
London, [1798.] fol. g. 457. a. (3.)
Steibelt's Eighteenth Pot-Pouri for the
Piano Forte, in which is introduced
Martini's Favorite Air of " Guardami un
poco." Printed for J. Dale :
London, [1800 ?] fol. g. 457. (5.)
[Another copy.] H. 2815. (4.)
A Quintetto for the Piano Forte, Two
Violins, Tenor, & Violoncello ... Op. 31.
[Separate Parts.] Longman & Broderip :
London, [1798.] fol. g. 457. b.
Borneo et Juliette. Opera en trois Actes,
en Prose, etc. [Libretto by J. A. de S^gur.
Full Score.] Chez Boyer, et Nadermann :
Paris, [1793.] fol. H. 535.
The Favorite Overture & March to Romeo
and Juliet, for the Piano Forte, with an
Accompaniment for a Violin. [Separate
Parts.] W. Hodsoll :
London, [1800 ?] fol. g. 457. a. (2.)
Three Sonatas for the Piano Forte ... To
which is added an Accompaniment for a
Violin, newly arranged by the Author.
Op. 18. [Separate Parts.] J. Dale :
Londo7i,[1199?] fol. g. 178. (1.)
Three Sonatas, for the Piano Forte, with
an Accompaniment for a Violin. . .Op. 26.
[Separate Parts.] J. Dale :
London, [1199 7] fol. g. 178. (2.)
Trois Grandes Senates pour le Piano-
Forte, avec Accompagnement d'un Violon
oblige. . .CBuvre 27. [Separate Parts.]
Preston & Son : London, [1797.] fol.
g. 178. (3.>
A Grand Sonata for the Piano Forte,
with an Accompaniment for a Violin...
Op. XXX. [Separate Parts.] Printed for
J. Dale : London, [1799 ?] fol.
g. 178. (4.)
A Grand Sonata for the Piano Forte,
with an Accompaniment for the Violin. . .
Op. 32. [Separate Parts.]
Longman S Broderip :
London, [1798.] fol. g. 178. (5.).
Three Sonatas for the Piano Forte with
an Accompaniment for a Violin ad libitum
. . .Op. 35. [Separate Parts.]
Longman dementi & Compv :
London, [1799.] fol. g. 178. (6.)
Three Sonatas for the Piano-Forte, with
an Accompaniment for a German Flute
or Violin ... Op. 36. [Separate Parts.]
J. Dale : London, [1799 ?] fol.
h. 301. (3.)
Three Sonatas for the Piano Forte, with
an Accompaniment for a Violin or German
flute ... Op. 38. [Separate Parts.]
Preston : London, [1800 ?] fol.
h. 301. (4.>
STEIBELT— STEPHENSON
533
STEIBELT (Daniel) Twelve Waltzes
for the Piano Forte, or Harp, with an
Accompaniment for a Flute, Tambourine
and Triangle Op. 84. 2 Sets. [Separate
Parts.] Printed for J. Dale :
London, [1799 ?] fol. g. 231. (8.)
[Another copy. 1st Set.] g. 442. (5.)
The Pianoforte part only.
Twelve Waltzes, for the Piano Forte or
Harp, with an Accompaniment for the
Tambourine and Triangle. [Separate
Parts.] Brodcrip and Wilkinson :
London, [1800 ?] fol. g. 231. (9.)
See Stoeace (S.) [The Cherokee.'] And
does a fond Emotion. The favorite Duett
. . .with Variations by D. Steibelt.
[1795?] fol. g. 139. (43.)
See ViOTTi (G. B.) Viotti's . . . Concer-
tante, arranged. . .by D. Steibelt.
[1800?] fol. g. 442. j. (24.)
STEIGLEDER (Johaxn Ulrich) Tabu-
latur Buch, dariSeu Dass Vatter \-nser
auff 2, 3, vnd 4 Stimmen Componirt, vud
Viertzig mal Varirt Wiirdt. . .Auff Orgeln,
vnd alien andern Musicalischen Instru-
menten ordenlich zu appliciren.
Marx von der Hcidt : Strasshtirg,
1627. fol. K. 7. f. 6.
The title-page is engraved.
STEINER (JoHANN Ludwig) Neues
Gesang - Buch auserlesener, geistreicher
Liedern, zum Lob und Preiss Gottes...
Mit neuen . . . , zu drey und vier Stimmen
gesetzten ]\Ielodeyen, und einem . . .
General-Bass versehen, etc.
Bey Heidegger und Eahn :
Zurich, 1723. 8°. B. 308.
Kurz- leicht- und grundtliches Noten-
Biichlein : oder Anleitung zur edlen Sing-
und Kling-Kunst. . .Vormahls von einem
Virtuosen. . .herausgegeben. Nun aber. . .
vermehrt, und zum Truck beforderet von
J. L. Steiner.
Bey Heidegger und Compagnie :
Zurich, 1728. 8°. A. 678.
STEINFELD (Albert Jakob)
Sec Bach (G. P. E.) Passions-Cantate. . .
im Clavier-Auszuge geliefert von A. J.
Steinfeld. 1789. ohl. fol. F. 955. (1.)
STELLA. Stella. [Song.]
See Enraptured. Enraptur'd that fair
Form I view. [1780?] s. s7i. fol.
G. 307. (177.)
Stella. Song. See See. See, SteUa, see
that Chrystal Stream, etc.
[1750?] s.sh.iol. L 530. (140.)
Stella. Song. See See. See, Stella see
that crvstal stream, etc. [1753.] 8\
P.P. 5438. z.
Stella and Flavia. [Song.]
See Howard (S.)
STELLA. Stella and Flavia united.
[Song.] See Larken ( )
Stella darling of the ]\Iuses. The Charmer.
[Song.] To a Celebrated Air [' Semplicetta
tortorella'] in Demetrius [by G. B.
Pescetti]. Set for the German Flute.
[London, 1710?] s. sh. fol.
G. 316. f. (13.)
[Another edition.] Stella, darling of the
Muses. The Charmer. To a celebrated
Air in Demetrius. [By G. B. Pescetti.]
[London, 1745 ?] s. sh. fol.
G. 316. (129.)
STELLA (Giuseppe IMaria) Breve In-
struttioue all Giovani per imparare con
ogni facilita il Canto Fermo, divisa in
due parti, etc.
Nella Stampariadi lacomo Fei d'Andr. F. :
Eoma, 1665. 4°. 557*. d. 21.
STELLA (Scipione) Hymnorum Ecclesi-
asticorum Liber Primus. In quo Novo
Ordine Quinque Yocibus, artificiosis con-
sonantiis, simul canendi, atque sonandi
norma traditur. [With a dedication by
Francesco Stella.] Cantus. (Altus.) (Tenor.)
(Bassus.) (Quintus.) 5 pts.
E.V Typographia loannis lacobi Cai-lini,
& Consiantini Vitalis : Neapoli, 1016. 4°.
D. 10.
The Cantus part wants the title-page.
Scipionis Stella. . .Motectorum Quinqua
Vocibus Liber Primus. Altus. (Tenor.)
(Bassus.) (Quintus.) 4 pts.
Victorius Baldimis : Ferrarix, (1595.) 4°.
D. 119.
See jMadrigals. Madrigali a Cinque
Voci, etc. [By Carlo Gesualdo, Prince
of Venosa Books I and II with dedica-
tions by S. Stella.] (1603— )1607. 4°.
D. 232.
STEPHANIS (Gaetano de) Messe a
Quattro Voci . . . Opera Prima. Canto.
(Alto.) (Tenore.) (Basso.) (Organo.) 5 pts.
Da Gioseppe Sala : Venezia, 1700. 4".
D. 206.
STEPHANOS, a Monk of the Military
Order of Christ. Liber Passionum et
eorum quse a Dominica in Palmis, vsque
ad Vesperas Sabbathi sancti inclusiue,
cantari solent : diligentissime correctus,
& locupletissime actus : imprimis singu-
lorum verborum Accentu studiosissime
spectato. Auctore Fratre Stephano ex
sacra Jesu Christi seruatoris nostri Militia,
etc. Excudehat Simon Lopezius :
Olissipone, 1595. fol. K. 7. f. 14.
STEPHENSON (Joseph) Church Har-
mony Sacred to Devotion. Being a choice
Set of New Anthems & Psalm Tunes on
various Subjects. . .Having the Energy of
our English Words particularly express'd,
with an Air suited to each different Subject
...The 4"" Edition. C. and S. Thompson :
Londmi, [1795 ?] fol. H. 3288.
534
STEPHENSON— STERKEL
STEPHENSON (Joseph) Here's a Health
to the King. A neio Loyal Health
to the Prince, Duke, and the Heroic
King of Prussia. Words & Music by J.
Stephenson. [London,
1760?] s.sh.iol. G. 316. (130.)
The ]\Iusical Companion, containing Te
Deum Laudamus & Jubilate Deo in Four
Parts with a Thorough Bass for the Bass
Viol or Bassoon, also Two Anthems for
a Club Feast Day for Voices & Instru-
ments & several Peices [_sic] on the
Nativity. . .for the Use of Country Choirs,
etc. Murray 1786. C. & S. Thompson,
for the Author : London, [1775 ?] fol.
H. 879. a. (2.)
The Pipe. A Favorite Ballad... Set and
Arranged for the Piano Forte by J.
Stephenson. B. Watts, for the Author :
London, [1800 ?] fol. H. 1683. (91.)
STERBENDE JESUS. Der Sterbende
Jesus. Ein Oratorium.
See RosETTi (F. A.)
STERBENSSPIEGEL. Sterbensspiegel.
[Hymns.] See Meyer (R.)
STERKEL (JoHANN Franz Xaver) Les
Petites Beaut^s de J. P. Sterkel. Six
Pieces for the Harpsichord or Piano
Forte. [1801.] See Periodical Publica-
tions.—I/o?ifZou. The Piano-Forte Maga-
zine. Vol. XV. [No. 1.] [1797-1802.] 8".
D. 854.
Concerto pour le Clavecin ou le Forte
Piano avec Accompagnement de deux
Violons, Alto, Basse, deux Cors et deux
Hautbois ad libitum . . . CEuvre 18.
[Separate Parts.] Longman and Broderip :
London, 111862] fol. g. 116. a. (4.)
A Favorite Concerto for the Harpsichord
or Piano Forte with Accompaniments . . .
Op. 20. [Separate Parts.]
Longman and Broderip : London,
[1787?] fol. g. 116. a. (5.)
A Favorite Concerto for the Harpsichord
or Piano Forte with Accompaniments. . .
Op. 24. [Separate Parts.]
Longman and Broderip) : London,
[1788?] fol. g. 116. a. (6.)
Concerto pour le Clavecin ou Piano Forte
avec Accompagnement de deux Violons,
Viola et Basse, deux Hautbois et Cors. . .
CEuvre xxvi. [Separate Parts.]
Cliez Schott : Mayence,
[1785 ?] ohl. fol. & fol. g. 462. a.
Concerto pour le Clavecin ou Piano-Forte
avec Accompagnement de deux Violons,
deux Hautbois, deux Cors, Viole et Basse
...CEuvre 31. [Separate Parts.]
Chez Artaria Compagnie : Vienne,
[1790?] obl.iol. f. 246. a. (17.)
The orchestral parts are in manuscript.
STERKEL (JoHANN Franz Xaver) Sei
Duettini a due Soprani col' Accompagna-
mento del Cembalo. Presso B. Schott :
Magonza, [1794.] obi. fol. E. 870. a. (4.)
XII. Lieder mit Melodien beym Clavier
zu singen. Artaria Comp. :
Wien, [1790?] ohl. fol. E. 600. m. (6.)
Douze Pieces pour le Clavecin ou Forte
Piano. . .Oeuver Dixieme. Chez Artaria
et Comp. : Vienne, [1785?] obi. fol.
e. 284. c. (10.)
Twelve Pieces, for the Harpsichord or
Piano Forte. Op. 10. [1801.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. XIV.
[No. 14.] [1797-1802.] 8°. D. 854.
Sammlung neuer Lieder zum Singen beim
Clavier..,!. Theil.
GestochenvonHofmiisikstecher : Mainz,
[1795 ?] obi. fol. E. 600. m. (5.)
Grand Simphonia. [In C, for Harpsi-
chord, Violin and Violoncello.]
G. Ooulding : Londres, [1799 ?] fol.
h. 141. b. (10.)
No. 22 of ' Le tout Eyisemble.' ^Yanting
the accompaniments.
Simphonie pour le Clavecin ou le Forte
Piano avec Accompagnement d'un Violon
et d'un Violoncello. . .Oeuvre 21. [Separate
Parts.] Longman & Broderip :
London, [1787 ?] fol. h. 70. (9.)
Six Senates pour le Clavecin ou Forte
Piano avec Accompagnement d'un Violon
...CEuvre 3°. [Separate Parts.]
Chez le S'' Sieber: Paris, [1785 ?] obi. fol.
f. 246. a. (16.)
Three Favourite Sonatas for the Harpsi-
chord or Piano Forte. . .Opera 3'".
J. Cooper : London, [1790 ?] fol.
g. 272. V. (16.)
Three Sonates for the Harpsichord or
Piano Forte with Accompaniments for a
Violin & Violoncello. . .Op. 4. [Separate
Parts.] Printed for J. Bland:
London, [1785 ?] fol. g. 462. (1.)
Sonata for two Performers on one Harpsi-
chord or Forte Piano. . .Opera 15.
Longman and Broderip :
London, [1785 ?] fol. g. 130. (11.)
Three Sonatas for the Piano Forte or
Harpsichord with Accompanyments for a
Violin, and Violoncello Obligato. Opera
xvii. 2 Books. [Separate Parts.]
Longman cC Broderip :
London, [1785 ?] fol. g. 462. (2.)
[Three Sonatas. Op. xvii. N'' 1.] A
Periodical Sonata for the Harpsichord
or Piano Forte, etc. H. Andreivs :
London, [1790?] fol. g. 272. u. (25.)
The Harpsichord part only.
STERKEL— STEVENS
535
STERKEL (JoHA>-N Franz Xaver) Trois \
Senates pour le Clavecin ou Forte Piano
avec Accompagnement de Violon oblige
...Opera 19. [Separate Parts.]
Longman and Broderip :
London, [1786 ?] fol. li. 70. b. (7.)
Three Sonatas for the Piano Forte or
Harpsichord with an Accompaniment for
a Violin . . .Op. xxii. [Separate Parts.]
Loncjman d Broderip :
London, [1788 ?] fol. h. 70. b. (8.)
STERW. Stern Winter has left us. Jockij
and Jenny. A Dialogue, etc. [N° 4 of
Book I of J. Baildon's ' The Laurel.']
[Londoti, 1155?] s.sh.iol. G. 311. (97.)
Stern Winter has left us. Jockij and
Jenny. A New Song. [By J. BaUdon.]
A Dialogue sung by Mr. Lowe and INIiss
Falkner. [London, 1750.] 8».
P.P. 5438. z.
Universal Magazine, Vol. VII., p. 269.
Stern Winter has left us. Jocky & Jenny,
etc. [By J. Baildon.] [London,
1755 ?] s. sli. fol. H. 1994. b. (77.)
Stern Winter has left us. Jocky and
Jenny. A Dialogue, etc. [N° 4 of Book I
of J. Baildon's ' The Laurel.'] See Chloe.
Chloe, or the Musical Magazine, etc.
[N» 9.] [1760 ?] fol. G-. 433.
Stern Winter now forsakes the plain.
Ode on Spring. [Song.] Str[aight] ci
SMillern: London, 1775?] s. sli. fol.
G. 311. (131.)
STEURIjEIN (Johank) Das Deutsche
Benedicite vnd Gratias. Vor vnd nach
Tische, Bethweiss zu singen, Mit Fiinff
Stimmen Componiret, etc. Discantus.
[Erfurdt, 1575 ?] obi. 4". A. 433.
Sieben vnd Zwentzigk Newe Geistliche
Gesenge, mit vier Stimmen Componiret
. . .Mit einer Vorrede, des . . . Herrn M.
CyriaciSchnegas3,e;c. Discantus. (Tenor.)
(Bassus.) 3 pts.
Gcdruckt. . .durch Georgium Bawman :
Erffurdt, 1588. ohl. 4°. A. 433. a.
STEVENS (George Alexander) Drink
and let's be jolly. [Song.] T. Sk[illern :
London, 1780?] s. sh. fol. G. 316. (131.)
See also S., G. A.
STEVENS (Richard John Samuel) Al-
though soft sleep death's near resemblance
wears. Serious Glee.
[Londo7i, 1785 ?] obi. fol. E. 319. (14.)
Crabbed Age and Youth. Chearful Glee
for Four Voices. The Poetry from Shake-
speare. Printed for the Author :
[London, 1798?] obi. fol. E. 600. n. (9.)
[Another copy.] E. 319. (13.)
From Oberon in Fairy Land. Fairy Glee
for Four Voices. . .The Poetry attributed
to Ben Johnson. Printed for the Author :
[London, 1793.] obi. fol. D. 401. (11.)
STEVENS (Richard John Samuel)
[Another edition.] From Oberon in Fairy
Land. Fairy Glee, etc.
Printed for the Authoi- :
[London, 1800 ?] obl.iol. E. 319. (11.)
Eight Glees for Four and Five Voices . . .
Opera 8. Longnmn and Broderip :
London, [1790 ?] obi. fol. E. 207. (6.)
Eight Glees. . .Opera 3.
Broderip £ Wilkinson :
LonfZo?i, [1800 ?] oR fol. E. 319. (1.)
Eight Glees, expressly composed for
Ladies. . .Op. iv. Printed for the Author :
Lo/idon, [1795 ?] oR fol. D. 401. (12.)
[Another copy.] E. 319. (2.)
Ten Glees for Three, Four, Five & Six
Voices. . .Op. V. Printed for the Author :
London, [1798 ?] obi. fol. E. 319. (3.)
Seven Glees, with a Witches' Song &
Chorus, and two Glees from Melodies, by
H. Lawes. . .Opera 6.
Preston, for the AtUhor :
Londo7i, [1800?] obl.iol. E. 319. (4.)
It was a Lover & his Lass. Chearful
Glee for 5 Voices, which gain'd a Prize
Medal, 1786. [Words by Shakespeare.]
B. Birchall : London, [1795?] fol.
H. 1650. d. (26.)
O Mistress mine. Glee, for five Voices.
[Words from Shakespeare's 'Twelfth
Night '] Longman and Broderip :
London, [11^51] obl.iol. E. 207. (5.)
0 Mistress mine, etc.
Longman, dementi d Co., for the Author :
London, [ISOO 7] obl.iol. E. 319. (6.)
0 strike the Harp in praise of my Love.
Trio for 2 Sopranos and a Bass, (the
Poetry from Ossian,) with an Accompani-
i ment for 2 Performers on One Piano
Forte Printed for the Author :
I [LoHfiort, 1798?] fol. G. 805. k. (28.)
Prithee foolish Boy give o'er. Glee, for
Three Voices. P- Birchall :
\ London, [IQOOl] fol. H. 1797. (9.)
j Sigh no more Ladies. A favorite Song.
1 Written by Shakespear.
Printed for J. Bland :
[London, 1790?] fol. G. 377. (57.)
Sigh no more Ladies. A Duett.
1 J. BUnd: London, [ll'^O?] fol.
I H. 1994. d. (54.)
Sigh no more Ladies. . . Duett.
[London, 1800?] fol. H. 2262. b. (22.)
Sigh no more ladies. [Glee.]
Longman, dementi & Co. :
London, [IQOO?] obl.iol. E. 319. (5.)
Some of my heroes are low. Glee for
5 Voices, the Poetry from Ossian, etc.
Printed for the Author :
[London, 1798 ?] obi. fol. E. 319. (10.)
536
STEVENS— STEVENSON
STEVENS (RicHAED John Samuel)
Three Souatas for the Harpsichord or
Piauo-Forte with an Accompauimeut for
a Violin. . .Opera Prima.
S. A. c£- P. Tlwmpsmi, for the Atitlior :
London, [1786?]^ fol. g. 271. e. (27.)
Wanting the Violin part.
Ten Songs with an Accompaniment for
Two Violins. . .Opera ii.
S. A. (& P. Thompson, for the Author :
London, [1788 ?] fol. G. 796. (42.)
To banish Life's Troubles, an Anacreontic.
Song. . .The Words by Mr. Oakmau.
Printed for S. A. (& P. Thompson:
Lo7idon, [1790 ?] fol. G. 808. e. (50.)
What shall he have who merits most.
Archer's Glee, for four Voices. The
Words by a Lady, upon the Duke of
Clarence's giving a Bugle Horn to be
Shot for by the Royal Surry Bowmen,
etc. [London, 1190?] obi. io\.
D. 401. (10.)
[Another copy.] E. 319. (8.)
When the toil of Day is o'er. A Favorite
Glee for 4 Voices... The Poetry by Mr.
Merry, etc. J. Dale, for the Author :
London, [1794 ?] oU. fol. D. 401. (9.)
Who is it that this dark Night. Dialogue
and Duetto, the Poetry by Sir P. Sidney,
etc. Printed for the Author : [London,
1795?] fol. H. 2832. q. (39.)
[Another edition.] W' hen the toil of Day
is o'er, etc. Printed for the Author :
[ionrfow, 1800?] ohl.iol. E. 319. (12.)
Ye spotted snakes ! Glee for four Voices.
Words from Shakesp(;are.
Longman, dementi d- Co. : London,
[1800?] obl.lo\. E. 319. (7.)
See Amusement for the Ladies. Amuse-
ment for the Ladies, being a Selection of
...Glees and Madrigals. . .by. . .Messrs.
Atterbury, . . . Stevens, etc.
[1791-93.] obi. fol. E. 61.
See Glees. The Professional Collection
of Glees. . .Composed by . . . Callcott . . .
Stevens, c^c. [1790?] oW. fol.
E. 207. (3.)
See Howard (S.) Ye ChearfuU Virgins. A
Glee. . .harmonized & made a Duetto by
R.J.Stevens. [1790?] obi. fol.
E. 319. (9.)
STEVENSON {Sir John Andrew) Alas !
poor Lubin, a Favorite Duett, with an
Accompaniment for the Piano Forte . . .
Words by J. Atkinson, etc.
The Author and Gough : Dublin,
[1798?] fol. G. 354. (2.)
Alone on the Sea-beaten Rock, a serious
Glee for five Voices . . . The Words from
Ossian. F. PJiames : Dublin,
[1797?] fol. G. 353. (28.)
STEVENSON {Sir John Andrew) And
will he not come again ... A Glee for
Three Voices with an Accompaniment for
the Piano Forte or Harp, etc.
W. Power <& Co.: Dublin, [1800?] fol.
G. 352. (47.)
As it fell upon a Day. Glee for five voices.
The Words taken from Shakespeare.
B. Cooke : Dublin, [1795 ?] fol.
G. 581. b. (1.)
No. 1 of an unidentified musical iveekly
periodical.
Bards of the Days of Old. A Glee for
Three Voices, the Words taken from
Ossian, etc. F. Rhames : Duhliji,
[1800?] fol. G. 352. (40.)
Buds of Roses, Virgin Flowers, a chearful
Glee for 4 Voices, the poetry translated
from Anacreon by J. [or rather T.] Moore,
etc. F. Ehames : Dublin, [1800 ?] fol.
G. 353. (29.)
By a Murmuring Brook ... A Favorite Song,
etc. H. Hi7?ie: Liverpool, [1800?] fol.
G. 806. e. (26.)
[Another copy.] G. 805. k. (30.)
Twelve Canzonets, for the Voice with an
Accompaniment for the Piano Forte, etc.
Preston d- Son : London, [1795 ?] fol.
G. 357. (11.)
Come buy my Nosegays pretty. . .[Song.]
The Words by J. Atkinson, etc. Hime :
Dublin, [1795 ?] fol. G. 364. (44.)
Come unto these yellow Sands. Glee, for
three Voices. . .with an Accompaniment
for two Performers on one Piano Forte.
The Words from Shakespear. Hime :
Dublin, [1798 ?] fol. H. 1273. (16.)
Come unto these yellow Sands. Adapted
from the Glee... for One Voice with an
Accompaniment for the Piano Forte.
Printed for Hime : Dublin, [1198 7'] fol.
G. 364. (53.)
Dear ! in pity do not speak. A Canzonet
for two Voices, with an Accompaniment
for the Piano Forte or Harp, the Poetry
by T. Moore, etc. Rhames : Dublin,
[1800?] fol. G. 354. (39.)
Does the Harp of Rosa slumber. A Can-
zonet with an Accompaniment for the
Piano Forte or Harp, the Poetry by
T. Moore. F. Rhames : Dublin,
[1800?] fol. G. 364. (51.)
Twelve Glees for Three, Four, and Five
Voices, etc. M. Hime, for the Axithor :
Dziblin, [1190?] fol. H. 1215. (2.)
A Second Sett of Twelve Glees for Three,
Four & Five Voices. . .Op. 5. J. Bland :
Lo7ido7i,[1195?] fol. H. 1273. c. (2.)
Happy Love, a Glee. . .adapted to Ladies'
Voices, the Words by H. B. C.
F. Rhames: Dublin, [1800?] fol.
G. 352. (39.)
STEVENSON— STICKL
537
STEVENSON (Sir John Andrew) Louis
the Sixteenths Lamentation. [Song.]
Written by W. C. Onlton. Freston & Son :
London, [1793 ?j fol. G. 364. (47.)
Love to IMadness. A Favorite New Song.
Gouqh: Dublin, llQOQ'i] fol.
G. 581. b. (10.)
The Lovers Toast. A Three Part Song.
Joshua Stokes : [Dublin, 1180?] fol.
H. 1601. a. (45.)
Mary I believ'd thee true. Scotch Song
-with an Accompaniment for the Piano
Forte or Harp. The Poetry by T. Moore.
F.Bhames: Dublin, [IQOO'i] fol.
G-. 364. (46.)
Morning, Noon, Evening, & Night, four
Ballads for the Harpsichord or Piano-
Forte [the words by J. Cunningham] . . .
Op. 4. J. Bland : London, [1793 ?] fol.
G. 360. (44.)
Raise the Song and Strike the Harp. The
Charter Glee and Chorus of the Irish
Harmonic Club, the Words selected and
composed by J [ohn] W[ilson] C[roker], c?c.
E. Bhamcs : Dublin, [1800 ?] fol.
G. 352. (36.)
The Rising Aurora. A New Hunting
Song, etc. J. Lee : [Dublin, 1785 ?J
3. sh. fol. H. 1601. a. (96.)
Say, Shepherds have ye seen my Fair. A
New Scotch Song. . .the Words by a Lady.
Joshua Stokes : [Dtiblin, 1160 7] fol.
H. 1601. a. (54.)
See the lovely Nymph reposing. Ladies
Glee for Three Voices with an Accompani-
ment for the Piano Forte. Hime :
Dublin, [1800 ?] fol. H. 2818. c. (44.)
Sweet is the Dream. A Canzonet with an
Accompaniment for the Piano Forte or
Harp. The Poetry by T. Moore.
F. Bhames : Dublin, [1800 ?] fol.
G. 364. (50.)
TeU me where is Fancy bred. A Duett for
Two Voices with an Accompaniment for
the Piano Forte or Harp, the Words from
Shakespeare, etc. W. Power d- Co. :
Dublin, [1198?] fol. G. 354. (37.)
Though Fate, my Girl. A Canzonet with
an Accompaniment for the Piano Forte
or Harp, the Poetry by T. Moore.
F. Bhames : Dublin, [1798?] fol.
G. 364. (45.)
'Tis Love that murmurs in my Breast.
A Glee for three Voices. The Poetry by
T. Moore, etc. F. Bhames : Dublin,
[1800?] fol. G. 352. (38.)
Under the Hawthorn trees. The Archer's
Glee, for three Voices, with an accompani-
ment for the Piano Forte, the poetry by
' J. Atkinson, etc. F. Bhames : Dublin,
[1800?] fol. G. 352. (37.)
STEVENSON [Sir John Andrew) Wel-
come as the flowers in May. [Song.]
...The Words by H. B. C. E.Lee:
Dublin, [1101 ?] fol. G. 364. (49.)
The Willow. A Favorite Ballad, as sung
by Master Heather . . . the Accompani-
ments by T. Costellow. [Full Score.]
Longman Clementi d- Conqnj. : [London,
1800?] fol. H. 2818. c. (45.)
With Delight will I sing. A Favorite
Song, etc. H. Hime : Liverpool,
[1800?] fol. H. 2815. c. (44.)
Ye Shepherds, give ear to my Lay. A
Pastoral. S. Hime :
Liverjwol, [1800?] fol. G. 805. h. (43.)
Ye Zephyrs where's my blushing Eose.
A Favorite Song in answer to the Mansion
of Peace. Preston d Son :
London, [1800 ?] fol. G. 360. (43.)
STEWART (Neil) A Collection of
Marches & Airs. For Violins, German
Flutes, and Hautboys, the most of which
has Basses for the Violoncello or Harpsi-
chord, Published in Twelve Numbers.
N. Stewart : Edinburgh, [1761.] obi. 6".
b. 42.
The composers named are : McLean,
Martini, Collett, Stanley, McGibbon,
Nardi7ii, Humphries, Jomelli, Handel,
Vivaldi, Smith, Lockatclli, Burney,
D. Galo, Bononcini, Weideman, Fest-
ing, Geminiani, Horner, Corelli, Abel,
Arne, Boyce, Avison, Lampugnani,
Hasse, Green, Dr. F., Major Beid,
Castrucci and Cocklin.
A Second Collection of Airs and Marches
for Two Violins, German Flutes, and
Hautboys, all of which have Basses for
the Violoncello or Harpsichord.
iV. Stewart : Edinburgh, [1770 ?] obi. 8\
b. 42. a.
The composers named are : Stamitz,
Martini, Corelli, Humble, Abel, Kam-
mell, Avison, Filtz, Hasse, Handel,
Dr. Arne, Haijdn, Taaffe and Bichter.
STEYER (Matej Vaclav) See J., M. S. S.
STICH (Johann) See Punto (G.) pseud.
STICK. Stick a Pin there. [Song.]
See When. When tutor'd by Mother,
etc. [1760 ?] s. sh. fol. G. 316. (155.)
STICKL (Franciscus) Anglipolitana
Veneratio. . .constans Sex Missis Cantatis
a Quatuor Vocibus Concertantibus, Nee
non lustrumentis variis ad libitum ad-
hibendis, etc. Organo. Opus n.
Ty2ns d sumptibus loannis lacobi Lotteri :
Auqustx Vindelicorwn, 1727. fol.
^ G. 946.
538
STICKNEY— STOP
STICKNEY (John) The Gentleman and
Lady's Musical Companion. Containing
a Variety of Excellent Anthems, Psalm
Tunes, dx. Collected from the best
Authors, etc. Daniel Bayleij :
Newbw-y-Port, [1774.] obi. i". A. 849.
Imperfect, wanting pp. 97-101 and all
after p. 212.
STILES [Sir Francis Haskins Eyles)
Bart. An Explanation of the Modes or
Tones in the Antient Grsecian Music, etc.
London, 1761. 4°. 7897. h. 15. (1.)
STILL. Still in hopes to get the better.
Song.
See Love in a Village.
Still must I grieve for an ungrateful
Swain. Complaint in Recitative.
See Peanck (J. W.)
Still we sigh for Something more. Eondo.
See Eeeve (W.) \_The Double Jealousy.']
STILLINGFLEET (Benjamin)
See Principles. Principles and Power of
Harmony. [By B. Stillingfleet.]
1771. 4".
557*. e. 14.
STIRLING (Magdalene) Twelve Tunes.
[P. P.] [Edinburgh, 1796.] fol.
g. 149. (24.)
STIVORIO (Francesco) Madrigali e
Dialoghi a Otto Voci, per cautar, &
concertar con ogni sorte de istrumenti,
etc. Canto (Alto) (Tenore) (Basso) Primo
Choro. (Alto (Basso) Secoudo Choro.)
6 pts. Appresso Bicciardo Amadino :
Venetia, 1598. 4°. C. 251.
Madrigali et Canzoni a Otto Voci. . .Libro
Terzo de suoi Concerti, etc. Canto. (Alto.)
(Basso.) Primo Choro. (Basso. Secondo
Choro.) 4 pts. Appresso Bicciardo
Amadino : Venetia, 1603. 4°. D. 99.
Musica Austriaca nella quale Francesco
Stivorio. . .spiego in parte gl' incompara-
bili grandezze, & virtudi de Sereniss'"'
Priucipi, e Principesse d' Austria, dx.
Canto (Alto) (Tenore) (Basso) Terzo Choro.
4 pts. Appi-esso Bicciardo Amadino :
Venetia, 1605. 4". D. 99. a.
STOBAEUS (Johannes) Epithalamia.
Zu Ehren. . .dem Ehrnvesten. . .Heinrich
Wessel, vnd seiner. . .Brant. . .Annse, des
. . .Herren Georg Siwerts . . . Tochter. . .
componiret, etc. Discantus i. (ii.) (Altus)
(Bassus) Chori i. (Altus (Tenor i.)
(Tenor ii.) (Bassus) Chori ii.) 8 pts.
Typis Ostcrbergerianis : Konigsberg in
Preussen, 1610. obi. 4". A. 358.
STOCKING-. The Stocking. Cantata.
See Stokes (T.)
STOCKING HALL. Stocking Hall or
the Gay Dragoons. [Song.] See Gay.
The Gay Dragoons on Wellaud's banks.
[1720?] s.sh.iol. G. 312. (42.)
STOCKWELL. The Stockwell Wonder.
Ballad. Sec Harlequin Skeleton.
STOERL (JoHANN Georg Christian)
See Hiller (F. C.) Denck-Mahl der
Erkentniss, Liebe und Lob Gottes...Mit
musicalischer Composition [by J. G. S.
Storl], dc. 1711. 8°. ' 3435. ccc. 30.
STOICES (Charles) The Oak. A Favorite
Ballad. W. Hodsoll :
London, [1800 ?] fol. G. 365. (25.)
STOKES (Thomas) The Stocking. A
Cantata. . .for the Violin Ger" Flute or
Harpsichord, etc.
Printed for H. TJioroivgood :
London, [1765 ?] fol. H. 1994. d, (55.)
[Another edition.] The Stocking. A
Cantata. [London, 1165 7] fol.
G. 295. (23.)
STOLEN. The Stolen Kiss. [Song.]
See. On. On a Mossy Bank reclin'd.
[1743?] s.sh.iol. G. 310. (201.)
The Stolen Kiss. Song [begins : ' Tell me
Maria']. .6'ee Wilson ( ) Si7iger.
S T O L L E (Philipp) Neu-anmuthiges
Schau-Spiel, genahmt Charimunda, oder
Beneideter Liebes-Sieg. Nebenst beyge-
fiigten Kunstgesetzten Melodeyen derer
darinnen befindlichen Liedergen, etc.
In Verlegung Johan Georg Schivandters
...gedruckt bey Melchior Oelschlegeln :
Halle, 1658. 8». 11747. aaaa. 3. (1.)
STONE (J.) Absent Delia, etc. [Song.]
[London, 1779.] s. sh. 4°. P.P. 5141.
Lady's Magazine, April, 1779.
Gentle Zephyr, as you fly. ^4 Translation
from Melastasio, etc. [Song.] [London,
1779.] s. sh. 4°. P.P. 5141.
Lady's Magazine, Oct., 1779.
If gold could bribe the stroke of fate.
Anacreontic, etc. [Song.] [London,]
1796. s. sh. 4°. P.P. 5141.
Lady's Magazine, Oct., 1796.
Place me where never summer's breeze.
A Song. The Words an Imitation
of Part of the Twenty-second Ode of
Horace, etc. [London, 1780.] s. sh. 4°.
P.P. 5141.
Lady's Magazine, June, 1780.
The Power of Beauty. [Song.]
SMillern : London, 1780?] s. sh. fol.
G. 308. (117.)
Where is pleasure ? A Neiv Song, etc.
[London, 1778.] s. sh. 4°. P.P. 5141.
Lady's Magazine, Sept., 1778.
STOP. Stop, Hussey, stop. The Street
Walker. A favourite Catch for 3 Voices.
Str[aight] d Sk[illern : London,
1777?] s.sh.iol G. 311. (128.)
Stop, 0 ye Waves. Song.
See Weldon (J.)
STORAGE
539
STORAGE (Stephen)
Arrangement.
1. Operas, Entertainments, Ballet.
2. Songs.
3. Instrumental Music.
4. Appendix.
5. Index of Songs.
1. Operas, Entertainments, Ballet.
La Cameriera Astuta.
The Favorite Overture in the Opera of
La Cameriera Astuta. . .adapted for the
Harpsichord with an Accompaniment for
the Violin. Birchall cC Andreivs, fur
S. Storace : London, [1788.] fol.
h. 61. (12.)
Ah perche di quel Ingrato, the Favorite
Quartette. . .in the Comic Opera of La
Cameriera Astuta. [Full Score.]
Birchall d- Andrews, for S. Storace :
London, [1788.] fol. G. 197. (19.)
Beaux Yeux and Jeunes Coeurs soyez
fideUes, the Favorite French Air and
Gavotte... in the Opera of La Cameriera
Astuta. [Full Score.]
Birchall (& Andrews, for S. Storace :
London, [1788.] fol. G. 297. (6.)
[Another copy.] G. 196. (2.)
E di Matti questo Mondo, a favorite Air. . .
in the Opera of La Cameriera Astuta.
[Full Score.] Birchall d Aiulrcws,for
S. Storace : London, [1788.] fol.
G. 196. (3.)
The Cherokee.
The Cherokee, an Opera in Three Acts,
[words by J. Cobb] . . .the Music principally
composed by S. Storace. [P. P. Score.]
J. Dale : London, [1791.] obi. fol.
D. 288. (4.)
Ah what avails the busy Care. A Favorite
Song. . .in the Cherokee, etc. Printed for
J. Dale : London, [1795 ?] fol.
G. 250. (39.)
And does a fond Emotion. A Favorite
Duett in the Opera of the Cherokee.
J. Dale : London, [1795 ?] fol.
G. 354. (41.)
And does a fond Emotion. The favorite
Duett... with Variations by D. Steibett.
[P. F.] Printed for J. Dale : Lomlon,
[1792?] fol. g. 139. (43.)
In former times the Silent Bride, a
Favorite Duett ... in the Chej'okee.
Printed for J. Dale : London, [1795 ?] fol.
G. 354. (41.)
A Sailor lov'd a Lass. A Favorite Song. . .
in the Cherokee, etc. Printed for J. Dale :
[London, 1795 ?] fol. G. 250. (38.)
A Shepherd once had lost his Love, a
favorite Song ... in the Cherokee, the
Words by Mr. Cobb. J. Dale : London,
[1795?] fol. G. 798. (47.)
[Another copy.] G. 250. (36-39.)
STORACE (Stephen) Sweet Sympathy.
A favorite Song. . .in the Cherokee, etc.
Printed for J. Dale :
London, [1795 ?] fol. G. 250. (37.)
[For songs, &c., published anonymously :]
See Cherokee.
The Doctor and the Apothecary.
[For songs, &c., by Storace in this adapta-
tion of Dittersdorf's Opera :]
See Doctor and Apothecary.
The Glorious First of June.
The Favorite Airs, Duett, Glees, &
Chorusses in the New Musical Entertain-
ment, call'd The Glorious First of June,
as Performed ... for the Benefit of the
Widows and Orphans of the Brave Meu
who fell in the late Engagements under
Earl Howe. The IMusic Composed and
Selected by S. Storace. [P. F. Score.
Dialogue ascribed to R. B. Sheridan and
J. Cobb. Songs written by the Duke of
Leeds, the Earl of Mulgrave, Mrs. Robin-
son, Richardson, Sheridan, etc.]
Printed for J. Dale :
London, [1795.] ohl. fol. D. 288. (6.)
The Overture & Favorite Airs &c. in...
The Glorious First of June . . . Adapted
for the German Flute, etc.
Printed for J. Dale :
Lmidon, [1794.] obi. 4°. B. 388. (3.)
Overture. [P. F.] See Glorious First
OF June. Overture, etc. [1794.] obi. fol.
e. 104. (14.)
He lives but to Conquer, & Conquers to
Save. A Favorite Song. . .in the Glorious
1'* of June, etc. Printed for J. Dak :
London, [1794.] fol. G. 250. (42.)
O'er the vast Surface of the Deep. A
Favorite Song [words by the Duke of
Leeds]... in the Glorious First of June,
etc. Printed for J. Dale :
London, [1794.] fol. G. 250. (41.)
Oh stay my Love. A Favorite Song...
in the Glorious First of June, etc.
Printed for J. Dale : London, [1794.] fol.
G. 250. (40.)
The Haunted Tower.
The Haunted Tower. A Comic Opera in
three Acts . . . [Words by J. Cobb,] the
Music selected, adapted & composed by
S. Storace. [P. F. Score.] Printed for
the Author : London, 1789. obi. fol.
D. 289. (3.)
The Haunted Tower, &c. [P. F. Score.]
Longman & Broderip: London,
1789. obi. fol. E. 100. b. (7.)
[Another edition.] The Haunted Tower,
etc. [P. F. Score.] Longman & Broderip :
London, \ll'dO'>] obi. iol. E. 115.
Spirit of my sainted Sire. A favorite
Song, sung by Mr. Kelly, etc.
Longman and Broderip :
{London, 1789.] fol. H. 1994. d. (56.)
540
STORAGE
STORAGE (Stephen) [Will great Lords
and Ladies.] See Clarke, afterwards
Clarke Whitfeld (J.) The Celebrated
Duett. . .in the Haunted Tower, arranged
for the Piano-Forte, etc. [1793 ?] fol.
g. 139. (11.)
The Iron Chest.
The Iron Chest. Opera. [P. F. Score.]
See infra : The Favorite Operas of Mah-
moud & The Iron Chest.
Overture. See Iron Chest. Overture,
etc. [1796.] obi. fol. e. 104. (15.)
Down by the River there grows a green
Willow. A Favorite Song... in the Iron
Chest, the Words by G. Colman, etc.
Printed for J. Dale : London, [1796.] fol.
G. 250. (52.)
Sweet little Barbara, a Duett... in the
Iron Chest, etc. J- Dale :
London, [1796.] fol. G. 354. (40.)
A Traveller stopt at a Widow's Gate. A
Favorite Song. . .in the Iron Chest, etc.
Printed for J. Dale : London, [1796.] fol.
G. 250. (53.)
Lodoiska.
Lodoiska, a IMusical Romance, in Three
Acts. . .the INIusic composed & selected by
S. Storace. [Words by J. P. Kemble.]
Printed for J. Dale :
London, [1794.] obi. fol. E. 115. b.
The Overture & Songs, &c.in. . .Lodoiska,
. . .adapted for the German Flute, etc.
Printed for J. Dale :
London, [1794.] obi. 4°. B. 386. a. (7.)
The Favorite Overture & Grand March in
Lodoiska [by R. Kreutzer]. . .adapted for
the Piano Forte, by S. Storace.
Printed for J. Dale : London, [1795 ?] fol.
g. 271. e. (28.)
Ye streams that round my Prison creep.
A Favorite Song. . .in. . .Lodoiska, etc.
J. Dale : London, [1794.] fol.
G. 250. (54.)
Mahmoud.
The Favorite Operas of Mahmoud & The
Iron Chest,. . .Adapted for the Piano Forte
or Harpsichord by J. Mazzinghi, etc.
Printed for Mrs. Storace :
London, [1797.] obi. fol. E. 115. a.
The Carpet Weaver. A Favorite Song
. . .in Mahmoud, etc. Printed for J. Dale :
London, [1796.] fol. G. 250. (61.)
From Shades of Night. A Favorite Song
... in Mahmoud, etc. Printed for J. Dale :
London, [1796.] fol. G. 250. (58.)
Oh hapless Youth. A favorite Song. . .in
Mahmoud, etc. Printed for J. Dale :
London, [1796.] fol. G. 250. (59.)
Tho' pleasure swell the Jovial Cry. A
favorite Song. . .in Mahmoud, etc.
Printed for J. Dale: London, [1796.] fol.
G. 250. (60.)
STORACE (Stephen) Toll toll the Knell.
A favorite Song. . .in Mahmoud, etc.
Printed for J. Dale : London, \119&.'\ fol.
G. 250. (56.)
Where jealous Misers starve. A Favorite
Song. . .in Mahmoud, etc. Printed for
J. Dale : London, [1796.] fol.
G. 250. (57.)
[For songs, &c., published anonymously:]
See Mahmoud.
My Grandmother.
My Grandmother, a Musical Entertain-
ment, etc. [Words by P. Hoare. P. F.
Score.] Printed for J. Dale : London,
[1796.] obi. fol. D. 288. (5.)
]My Grandmother . . . Adapted for the
German Flute, etc. Printed for J. Dale :
London, [1796.] obi. 4». B. 386. a. (6.)
Are ye fair, as op'ning roses. A Favorite
Song. . .in. . .My Grandmother, etc.
Printed for J. Dale : London, [1796.] fol.
G. 250. (50.)
Cruel fair ! who secret anguish. A
Favorite Song. . .in. . .My Grandmother,
etc. Printed for J. Dale : London,
[1796.] fol. G. 250. (51.)
Dicky Gossip. A Favorite Song. . .in My
Grandmother. Printed for J. Dale :
London, [1796.] fol. G. 450. (46.)
Kever think of Love. A favorite Song
... in My Grandmother, etc. Printed for
J. Dale : London, [1796.] fol.
G. 250. (45.)
On the lightly sportive wing. The
Favorite Masqiierade Song ... in ]\Iy
Grandmother, etc. Printed for J. Dale :
London, [1796.] fol. G. 799. (21.)
[Another copy.] G. 450. (49.)
The Picture Song ... in ... My Grand-
mother, etc. Printed for J. Dale :
London, [1796.] fol. G. 450. (47.)
WeU-a-day ! Lack-a-day ! A Favorite
Song. . .in My Grandmother, etc.
Printed for J. Dale : London, [1796.] fol.
G. 450. (48.)
No Song No Supper.
No Song No Supper. A Comic Opera in
Two Acts [words by Prince Hoare] . . . the
]\Iusic chiefly Composed & Adapted for
the Harpsichord or Piano-Forte by
S. Storace. [P. F. Score.] Longman &
Broderip : London, [1790.J obi. fol.
D. 289. (2.)
Go George, I can't endure you, etc.
[Song.] Bland & Welter : London,
[1795?] fol. G. 796. (33.)
How happily my life I led. A favorite
Song. . .in. . .No Song No Supper.
Bland d Welter : London, [1795 ?j fol.
H. 2818. c. (47.)
STORAGE
541
STORAGE (Stephen) With lowly suit
and plaintive ditty. [Song.] Sung... in
No Song No Sui^per, etc.
Longman and Brodcrip : {London,
1790?] fol. G. 806. r. (35.)
Le Nozze di Dorina.
lo non era. The Favorite Rondo sung. . .
by Sig'" Storace in the Opera of Le Nozze
di Dorina, etc. [A. Pasticcio. Full
Score.] J. Dale, for the Author : London,
[1793.] fol. G. 199. (30.)
The Pirates.
The Pirates, an Opera in Three Acts, etc.
[Words by J. Cobb. P. F. Score.]
J. Dale : London, [1792.] ohl. fol.
D. 289. (5.)
[Another copy.] E. 91. (3.)
The Pirates. . .Adapted for the German
Flute, etc. Printed for J. Dale : London,
[1792.] obi. 4». B. 388. (2.)
As wrapt in Sleep I lay. A Favorite
Song. . .in the Pirates, etc. Printed for
J. Dale : London, [1792.] fol.
G-. 250. (64.)
Careful the Winding Path explore. A
Favorite Song. . .in the Pirates, etc.
Printed for J. Dale : London, [1792.] fol.
G. 250. (63.)
The Jealous Don, a favorite Duett... in
The Pirates, etc. Printed for J. Dale :
London, [1792.] fol. G. 354. (42.)
The Childhood's careless happy Day, a
Favorite Song. . .in the Pirates, etc.
Printed for J. Dale : London, [1792.] fol.
G. 250. (65.)
Lovers who listen to Reason's persuasion.
A Favorite Song. , .in the Pirates, etc.
Printed for. . .J. Dale :
London, [1792.] fol. G. 250. (66.)
No more his Fears alarming. A favorite
Song. . .in the Pirates, etc.
Printed for. . . J Dale :
London, [1792.] fol. G. 250. (67.)
[Peaceful slumb'ring on the ocean.]
Lullaby. A Favorite Air... with Varia-
tions for the Piano Forte by J. Dale.
Printed for J. Dale :
London, [1792 ?] fol. g. 139. (15.)
See Elouis (J.) Lullaby [from
S. Storace's Opera ' The Pirates '] avec
Variations pour la Harpe, etc.
[1795?] fol. g. 301. (8.)
See Harrison (S.) Lullaby. . .Glee,
etc. [The melody from Storace's Opera The
Pirates.] [1793?] oW. fol. D. 400. (4.)
See RoNSSECY ( de) Madame.
Lullaby [by S. Storace], adapted for the
Harp, etc. [1800 ?] fol. H. 2819. (6.)
There, the Silver'd Waters roam. A
Favorite Song. . .in the Pirates, etc.
Printed for J. Dale : London, [1792.] fol.
G. 250. (62.)
STORAGE (Stephen)
The Prize.
The Prize, or 2. 5. 3. 8. A New Musical
Farce, etc. [Written by P. Hoare. P. F.
Score.]
London, [1793.]
The Prize, or 2.
Guitar.
London, [1793.]
Printed for J. Dale :
obi. fol. E. 91. (2.)
5. 3. 8 . . . Adapted for the
Printed for J. Dale :
obi. 4". B. 388. (4.)
Oh dear delightful Skill, etc. [Song.]
Printed for J. Dale : [London, 1793.] fol.
G. 250. (69.)
The Poor Black Boy. (A Favorite Song
. . .in The Prize, etc.) Printed for J. Dale :
London, [1793.] fol. G. 250. (68.)
The Siege of Belgrade.
The Siege of Belgrade, An Opera in Three
Acts [words by J. Cobb] . . . The music
principally composed [but partly ar-
ranged from Martin's " Cosa Rara "] by
S. Storace. J. Dale :
London [1791.] obi. fol. D. 289. (4.)
My Plaint in no one Pity moves. [Song.]
Sung. . .in the Siege of Belgrade, etc.
London, [1791.] fol. G. 250. (70.)
The Sapling Oak. A Favorite Song. . .
in the Siege of Belgrade, etc. J. Dale :
London, [1791.] fol. G. 798. (46.)
[For songs, &c., published anonymously :]
See Siege of Belgrade.
The Three and the Deuce.
The Three and the Deuce, a Musical
Entertainment, etc. [Words by Prince
Hoare. P. F. Score.] Printed for J. Dale :
London, [1795.] obi. fol. D. 288. (7.)
The Three and the Deuce. . .Adapted for the
German Flute, etc. Printed for J. Dale :
London, [1795.] obi. i". B. 388. (1.)
Full many a Lad in Llowyel's Vale. A
Favorite Song... in The Three and the
Deuce. Printed for J. Dale :
London, [1795 ?] fol. G. 793. (6.)
Go not my Love, a favorite Song. . .in. . ,
the Three and the Deuce, etc. Printed for
J. Dale : London, [1795.] fol. G. 250. (72.)
Little Taffline, a favorite Song sung. . .in
. . .the Three and the Deuce, etc.
Printed for J. Dale :
London, [1795.] fol. G. 250. (71.)
Venus and Adonis.
Venus & Adonis, the Favorite Ballet...
Adapted for the Harpsichord or Piano-
Forte, etc. Printed for J. Dale :
London, [1793.] obi. fol. e. 108. (14.)
2. Songs.
Ah ! Delia see the fatal hour. A Favorite
Arrictte. Translated, by Miss Carter,
from part of that beautiful Canzonette of
Metastasio, called La Partenza.
Longman and Broderip :
lLondo7i, 1785 ?] fol. H. 1601. b. (75.)
542
STORAGE
STORAGE (Stephen) Eight Canzonetts
with an Accompaniment for a Piano Forte
or Harp. Longman d Broderij^ :
London, [1782 ?] fol. G. 295. b. (4.)
[Eight Canzonetts. No 7.] Unless with
my Amanda blest. Canzonet, etc.
Longman and Brodcrip :
[London, 1185 2] fol. H. 1994. d. (57.)
Captivity. A Ballad. Supposed to be
Smig by... Marie Antoinette, during her
Imprisonment in the Temple. The Words
by the Rev'' M"" Jeans, etc.
J. Dale, for the Author :
London, [1793.] fol. G. 363. (20.)
[Another copy.] H. 2821. (17.)
Care donne che bramate. [Song.] Sung
...by Sig" Storacc.in the Opera [by
G. Paisiello] of II Re Teodoro in Venezia
. . .The Words by Badini. [Full Score.]
Birchall cC Andrews, for the Author :
London, [1787.] fol. H. 345. (4.)
Care donne che bramate, etc. [Full Score.]
Longman and Broderi]) :
Lojidon, [1787.] fol. G. 196. (9.)
Lamentation of ]\Iarie Antoinette, late
Queen of France, on the Morning of her
Execution. [Full Score.] J. Dale, for
the Author : London, [1793.] fol.
G. 356. (18.)
O strike the Harp, for One, Two, or Three
Voices, with an Accompaniment for the
Harp or Piano Forte. The Poetry from
Ossian. The Music from the Compositions
of S. Storace. Printed for J. Dale :
London, [1800 ?] fol. G. 352. (42.)
3. Instrumental ]\Iusic.
Storace's Collection of Original Harpsi-
chord Music. [Solos and Concerted Music.
Separate Parts.] Birchall d Andrews,
for S. Storace : [London, 1790.] fol.
•' g. 122.
The composers of this collection arc :
Kozeluch, Tanhall, Mozart, Storace,
Schroeter, Clementi, Hoffmeister,
Haydn, Ativood and Krumpholtz.
Sonata [in D] for Piano-Forte with Ac-
companyment for Violin & Violoncello.
See supra : Storace's Collection of Original
Harpsichord Music. Vol. I. No. 3.
Sonata. [In C minor for Violoncello and
P. F.] See supra : Storace's Collection of
Original Harpsichord Music. Vol. II.
No. 4.
Three Sonatas for the Harpsichord or
Piano - Forte, with Accompanyments.
[Separate Parts.] Printed for
H. Andreivs : London, [1785 ?] fol.
g. 122. a.
Sis easy and progressive Sonatinas for the
Piano Forte or Harpsichord. Compos'd for
the Improvement of Juvenile Performers.
Longman d Brodcrip, for the Author :
London, [1790.] fol. g. 149. (5.)
STORACE (Stephen) Trio [in C, for
Harpsichord, A'iolin and Violoncello].
See supra : Storace's CoUectiou of Original
Harpsichord Music. Vol. I. No. 6.
4. Appendix.
See CORFE (Joseph) A Third Set of
Twelve Glees. . .arranged from the Melo-
dies of. . .Storace, etc. [1800 ?] obi. fol.
E. 317.
See DiTTEESDORF (C. DiTTERS von) [Dcr
Apothcker und Doktor.'] The Doctor and
the Apothecary. . .The Music adapted...
and composed by S. Storace. [1788.]
ohl. fol. D. 289. (1.)
See Krumpholz (J. B.) The Favorite
Harp Concerto. . .adapted for the Harpsi-
chord ... by S. Storace. [1790 ?] fol.
h. 726. 1. (6.)
5. Index of Songs.
Ah perche di quel Ingrato.
See [La Cameriera Astuta.]
Ah what avails the busy Care.
See [The Cherokee] .
And does a fond Emotion.
See [The Cherokee.'}
Are ye fair, as op'ning roses.
See [My Grandmother.'}
As wrapt in Sleep I lay.
See [The Pirates.}
Beaux Yeux. See [La Cameriera Astuta.}
The Carpet Weaver. See [Mahmond.}
Cruel fair ! who secret anguish.
See [My Ch-andmother.}
Dicky Gossip. See [My Grandmother.}
Down by the River there grows a green
Willow. See [The Lvn Chest.}
Careful the Winding Path explore.
,S'ee [The Pirates.}
B di Matti questo Mondo.
See. [La Cameriera Astuta.}
From Shades of Night. See [Mahmoud.}
Full many a Lad in Llewyel's Vale.
See [The Three and the Deuce.}
Go George, I can't endure you.
See [No Song No Supper.}
Go not my Love.
See [The Three and the Deuce.]
He Lives but to Conquer, and Conquers
to Save. See [The Glorious First of June.]
How happily my life I led.
See [No Song No Sripper.}
The jealous Don. See [The Pirates.}
In Childhood's careless happy Day.
See [The Pirates.]
In former times the Silent Bride.
See [The Cherokee.]
lo non era. See [Le Nozze di Doiina.}
Jeunes coeurs soyez fidelles.
See [La Cameriera Astuta.}
STORAGE— STEEET
543
STORAGE (Stephen) Little Taffline.
See [The Three and the Deuce.'}
Lovers, who listen to Reason's persuasion.
See [The Pirates.]
My Plaint in no one Pity moves.
See [The Siege of Belgrade.]
Never think of Love.
See [My Grandmother.]
No more his Fears alarming.
See [The Pirates.]
O'er the vast Surface of the Deep.
See [The Glorious First of June.]
Oh dear delighted Skill. See [The Prize.]
Oh hapless Youth. See [ilahmaud.]
Oh stay my Love.
See [The Glorious First of June.]
On the lightly sportive wing.
See [My Grandmother.] |
The Picture Song. See [My Grandmother.] \
The Poor Black Boy. See [The Prize.]
A Sailor lov'd a Lass. See [The Cherokee.]
The Sapling Oak.
See [The Siege of Belgrade.]
A Shepherd once had lost his Love.
See [The Cherokee.]
Spirit of my sainted Sire.
,S'ee [The Haunted Tower.]
Sweet little Barbara,
^ee [The Iron Chest.]
Sweet Sympathy. See [The Cherokee.]
There the Silver'd Waters roam.
See [The Pirates.]
Tho' pleasure swell the Jovial Cry.
(See [Mahjnoud.]
Toll toll the Knell. See [Mahmoud.]
A Traveller stopt at a Widow's Gate.
See [The Iron Chest.]
Unless with my Amanda blest.
See [Eight Canzonetts. No. 7.]
Well-a-day ! Lack-a-day !
See [My Grandmother.]
Where jealous Misers starve.
See [Mah7noud.]
With lowly suit and plaintive ditty.
See [No Song No Supper.]
Ye streams that round my Prison creep.
See [Lodoiska.']
STORM. The Storm. [Song.] See Cease.
Cease, rude Boreas, etc. [1771.] 8\
P.P. 5438. z.
The Storm : or, the Daughter of the Sea,
etc. [Song.] See Cease. Cease, rude
Boreas. [1770 ?] s. sh. fol.
H. 1994. a. (202.)
A Storm at Sea. [Song.]
See Bradley (R.)
STOUT-LIMBED. The Stout Limb'd
Oak. Glee. Sec Danby (J.)
STRACAVATA. La Stracavata. Can-
zonet. See Mayeb (J. S.)
STRANGE. Strange Reverse of Human
Fate. Song. See Haendel (G. F.)
[Alexander Balus.]
STRANGERS AT HOME. The Stran-
gers at Home. Comic Opera.
See LiNLEY (T.) the Elder.
STRATFORD. Stratford Jubilee. [Song.]
See Come. Come, Brothers of Stratford,
etc. [1770?] s.s7i. fol. H. 1994. b. (13.)
STRATONTCE. Stratonice. Com^die
heroique. See Mehul (E. N.)
STRATTNER (Georg Christoph)
See Hymns. [6. — German.] Joachimi
Neandri vermehrte Glaub- und Liebes-
Ubung . . . Eingerichtet . . . Durch G. C.
Strattner, etc. 1707. 8". 3425. b. 11.
STRAUBE (Rudolph) Three Sonatas
for the Guittar, with Accompanyments
for the Harpsichord or Violoncello . . .
With an Addition of two Sonatas for the
Guittar, accompanyd with the Violin.
Likewise a choice Collection of the most
Favourite English, Scotch and Italian
Songs for one, and two Guittars, of
different Authors . . . Also Thirty two Solo
Lessons by several Masters.
Printed for M} Rauche :
London, [1770 ?] ohl. fol. e. 374.
Due Sonate a Liuto Solo, etc.
In Yerlegung des Autoris :
Lijysia, 174G. obi. fol. e. 374. a.
STRAVAGANTI. The Favorite Songs
in the Opera Gli Stravaganti. A Burletta.
[A Pasticcio. Short Score.] 2 Bks.
■ B. Bremner: Lo7idon, [17G7.] fol.
G. 760. b. (1*.)
Only one song has the name of Piccini
as composer.
STRAWBERRIES. Strawberries. [Song.]
See DiBDiN (C.) [A Tour to the Land's
End.]
STRAWBERRY HILL. Strawberry
Hill. [Song.] See Some. Some cry up
Gunnersbury. [By J. Vernon.]
[1758.] 8°. P.P. 5438. z.
Strawberry Hill. [Song.] See Vernon (J.)
STREAMLET. The Streamlet that
flow'd round her Cot. Song.
See Shield (W.) [The Woodman.]
STREET. The Street Intrigue. Catch.
See Aene (T. A.)
STREET (Josiah) A Book containing
great Variety of Anthems, in Two, Three
and Four Parts : likewise, a Sett of
Psalm-Tunes, in Four Parts. . .All entirely
]s[ew. William Pearson :
I/on^on, [1730?] 8°. C. 102. a.
544
STREET— STRIGGIO
STREET (Josiah) A Book containing great
Variety of Anthems, in Two, Tliree, and
Four Parts : witti a Large Addition of An-
thems, in Two, Three, Four, and Six Parts :
and a Hvmn for Christmas-Day. And the
Chants at Large, all entirely New. Like-
wise, a Set of Psalm-Tunes, etc. The
Second Edition, with Additions.
Ilohert Brown : London, 174G. 8".
C. 102.
A Collection of Anthems, in Two, Three,
Four and Six Parts: with a Hymn for
Christmas-Day. And the Chants at
Large, all entirely New . . . Likewise a Set
of Psalm-Tunes . . . The Third Edition,
with Additions. Printed for F. JolUe.
Carlisle : London, 1785. 8°. C. 102. b.
STREET-WALKER. The Street Walker.
Catch. See Stop. Stop, Hussey, stop.
[1777?] s. s7;. fol. G. 311. (128.)
STREICHER (Anton) Beytrag zur Auf-
nahme des Gesangs aus den Wercken der
grosten Tonsezer gezogen fiirs Clavier
gesezt von A, Streicher, etc. 12 Hefte.
J. M. Gotz : Mannheim u. Milnchen,
[1782.] obi. fol. C. 755.
Each])art has a separate title-pacje, hut
the pagination is continuous. The
composers named are: Monsigni,
Schubaur, Sarti, Baron von Gotz,
Ruprccht, Paesiello, A. C. Brand and
Gn'tnj.
See Martin y Solar (V.) [Una Cosa
Bara.'] Lilla . . . Clavierauszug v. A.
Streicher, etc. [1788 ?] obi. fol.
E. 244. f.
See VoGLER (G. J.) [Castor und Pollux.]
Sinfonie ... in Clavier-Auszug gesetzt von
A. Streicher. 1788. obi. fol.
g. 90. d. (1.)
STREPHON. StrephonandChloe. [Song.]
See Young. Young Strephon once the
blithest swain. [By E. Miller.]
[1764.] 8°. P.P. 5441.
Strephan [sicl and Flavia. Cantata.
See Savage (J.)
Strephon and Flora. [Song.]
See infra : Strephon with his Flora lying,
etc. [1778?] s.sh.iol. G. 311. (109.)
Strephon and Maria. [Song.]
See Gray (T. B.)
Strephon and Phoebe. [Song.]
See Arne (T. A.)
Strephon and Phyllis. Dialogue.
See When. When you for me alone had
Charms. [1730.] s. sh. fol.
G. 313. (106.)
Strephon and Sylvia. [Song.] See As.
As Strephon sat by Sylvia's side.
[1760?] s.sh.iol. G. 316. d. (41.)
STREPHON. Strephon and Sylvia.
[Song, begins : ' Ye Gods ! a youthful bard
inspire.'] See Billington (T.)
Strephon Charm'd, or the Surpriz'd Fair.
[Song.] See Vincent (J.)
Strephon in vain thou Courtest. Song.
See RoDELiNDA. [Overture. Minuet.]
Strephon to Celia. [Song.]
See Sandford (J.)
Strephon when you see me fly. [Song.]
Sung by Mrs. Weichscll. [By J. Hook.]
[Welcker: London, 1175.] fol.
G. 311. (153.)
Printed from the plates of pp. 20-21 of
Hook's ' Sixth Book of Sojigs sung . . .
at Vaux-Hall . . . 1775.'
[Another setting.] Strephon when you
see me fly. A Ballad.
[London, 1797 ?] fol. G. 356. (42.)
Strephon with his Flora lying. Strephon
and Flora. [Song.]
L[ongman'] L[ukey] d B[roderip :
London, mS?] s.sh.iol. G. 311. (109.)
Strephon's Address. [Song.] See By.
By that Eye which eclipses. [1785 ?] fol.
H. 1653. (52.)
Strephon's Complaint. [Song.]
See Davis (J. F.)
Strephon's Complaint of love. [Song.]
See Haendel (G. F.)
Strephon's Perfldy. [Song.]
See Hudson (R.)
Strephon's Request. [Song.]
See Osborne (R.)
STRETCHED. Stretch'd on the Ground.
The Forsaken Sliepherd. [Song.]
[LonfZo«, 1730?] s.sh.iol. G. 311. (44.)
Stretch'd on the Turf in silvan shades.
A New Song [by W. Defesch].
[London, 1754.] 8". P.P. 5438. z.
Universal Magazine, Vol. XIV., p. 270.
Stretch'd on the Turf in Sylvan Shades.
Song. See Defesch (W.)
STREW. Strew the way. [Song.]
See Reichardt (J. F.) [Oden undLieder.
Th. I. Lebcnspflichtcn.']
STRIGGIO (Alessandro) [Chi fara fed'
al ciel'.] Che fera fed al cielo . . . mis en
Tablature par P. Filippe. [J. Norton :
Frankfort, 1615.] fol. 535. 1. 23.
Two engraved pages in Book I. of S. de
Cans' s ' Les Raisons des Forces Mou-
va)ites.'
II Cicalamento delle Donne al Bucato, et
La Caccia . . . con uu Lamento di Didone
ad Enea, per la sua partenza, di Cipriano
Rore, a quatro, cinque, sei & sette voci.
Di nouo poste in luce per Giulio Bona-
gionta ... & con ogni diligentia corretti.
Basso. Appresso Girolamo Scotto :
Vinegia, 1567. 4°. C. 254. 1.
STRIGGIO— STROZZI
545
STRIGGIO (Alessandbo) II Cicalamento
delle Donne al Bucato et la Caccia . . . _a
Quattro Cinque Sei et Sette Yoci, Con il
Gioco di primiera a cinque voci . . .
Nuouamente Agiouto. Tenore.
Appresso Girolamo Scotto :
Vincgia, 1569. 4°. C. 254. g.
II Cicalamento delle Donne al Bucato et
la Caccia . . . Con il Gioco di primiera a
cinque voci . . . Nuouamente Agionto.
Tenore. (Basso.) (Quinto.) (Sesto.)
(Settimo.) 5 pts.
Appresso V Herede di Girolamo Scotto :
Vinegia, 1584. 4". C. 254. k.
The Tenor is imperfect, wanting pp.
9-20.
Di Alessandro Striggio ... II Primo libro
delli Madrigali a Sei voci, Nouamente con
noua gionta ristampato. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) 5 pts.
Appresso Girolamo Scotto :
Vinegia, 1566. 4°. C. 254. e.
This 7Vork contains a Madrigal by
Claudia da Coireggio.
[Another copy. Alto. (Tenore.) (Basso.)J
3 pts. C. 254.
Di Alessandro Striggio ... II primo Libro
de Madrigali a sei uoci, Nouamente
con una noua giunta Ristampato. A
Sei voci. Canto. Appresso Francesco
Bampazetto : Venetia, 1566. obi. 4".
A. 360.
This work contains also madrigals by
Claudio da Corregio and Perissone
Cambio.
II Primo Libro delli Madrigali a Sei Voci
. . . Nouaraeute ristampato. Canto.
Appresso V herede di Girolamo Scotto :
Vineggia, 1578. 4". C. 254. b.
Di Alessandro Striggio ... II Primo Libro
de Madrigali a Sei Voci, Nouamente per
Angelo Gardano . . . Ristampato. Basso.
(Tenore.) 2 pts. Appresso Angelo Gardano :
Venetia, 1579. 4°. C. 254. e.
II Secoudo Libro de Madrigali a Sei Voci.
Alto. (Tenore.) 2 pts.
Appresso Girolamo Scotto :
Vinegia, 1571. 4°. C. 254. a.
II Secondo Libro de Madrigali a Sei Voci,
etc. Canto. (Alto.) (Tenore.) (Basso.)
(Quinto.) 5 pts. Appresso Girolamo Scotto:
Vinegia, 1573. 4°. C. 254. d.
II Secondo Libro de Madrigali a Sei Voci,
etc. Canto.
Appresso V Herede di Girolamo Scotto :
Vineggia, 1579. 4°. C. 254. i.
II Secondo Libro de Madrigali a Sei Voci,
etc. Basso.
Appresso V Herede di Girolamo Scotto :
Vineggia, 1582. 4". C. 254. j.
VOL. II.
STRIGGIO (Alessandro) Di Alessandro
Striggio ... II Primo libro de Madrigali
a cinque uoci, Nouamente per Antonio
Gardano con Noua gionta Ristampato, etc.
Quinto. Appresso di Antonio Gardano :
Venetia, 1564. obi. 4°. A. 360. a.
This ivork contains a madrigal by
Gianetto da Palestrina and tivo by
Cipriano [_de Bore'].
Di Alessandro Striggio ... II Primo libro
delli IMadrigali a cinque voci. Nouamente
con noua gionta ristampato. Tenore.
(Basso.) 5 pts. Appresso Girolamo Scotto :
Vincgia, 1566. 4°. C. 254. f.
II Secondo Libro de Madrigali a Cinque
Voci, etc. Tenore. Appresso Girolamo
Scotto: Vinegia, 1511. 4". C. 254. h.
See Lauro Verde. II Lauro Verde.
IMadrigali a Sei Voci . . . Aggiontoui di
piu doi Madrigali a Otto voci, I'vno
d' Alessandro Striggio, etc. 1591. obi. 4".
A. 277. c.
STRIKE. Strike the Viol, touch the
Lute. Song. See Pubcell (H.) [2. Vocal
Music— b. Choral Odes. Ode for Queen
Mary's Birthday, 1694.]
STRIPT. Stript of their green. Song.
Sec Courteville (R.)
Stript of their green. Song.
See Purcell (H.)
STROBEL (Valentin) Valentin Strobels
Melodien. Erster Theil. Vber Teutsche
Wiiltliche Lieder, so von vnterschied-
lichen Hohen vnd Fiirnehmen, der Poesi
Liebhabern gedichtet. Sampt Beyge-
fiigten Rittornellen mit zvveyen Violinen
vnd einem Bass. Beij dem Authore.
Gedruckt bey Johan Heinrich Mittel :
Strassburg, 1652. fol. G. 86.
Wanting the instrumental parts.
STROLLGER (James) Imagination.
rSong.l [London, 1740 ?] s. sh. fol.
^ ^ G. 316. e. (9.)
Lucinda by a secret art. A Song, etc.
[London, 1740?] s. sh. fol. G. 310. (68.)
When modest Cloe's downcast Eyes. A
Song, the Words by Mr. Bowman.
{London, 1135'^] s. sh. iol.
G. 313. (152.)
STROZZI (Barbara) Cantate, Ariette e
Duetti. Op. 2. [Gardano :]
Venetia, 1651. fol. K. 7. g. 4. (2.)
Wanting the title-page.
Cantate Ariete a Una, Due, e Tre Voci.
Opera Terza . . . Nouamente stampate.
Stampa del Gardano : Apresso Francesco
Maqni : hi Venetia, 1654. fol.
K. 7. g. 4. (1.)
STROZZI (Gregorio) Capricci da Sonare
Cembali, et Organi . . . Opera Quarta.
Per Nouello de Boyiis : Napoli, 1687. fol.
K. 7. f. 12.
2 N
546
STRUTZIUS— SUCH
STRUTZIUS (Thomas) p 11?2T0 . . . H.
E. Psalmus C in laudem Dei Seculorum
Conditoris Optimi ]\Iaximi, Anuo mdcliix
Gymnasii Dant : Jubilteo et Seculari, in
Actu publico . . . servato idiomate primi-
genio, h. e. Hebrseo, in Concentu Musico
exhibitus a Thoma Strutzio, etc.
David Fridericus Eheiius :
[Dantzig, 1658.] 4°. C. 91.
STUBIiEY (Simon) Ami, je vois beau-
coup de bieu. French Song, etc.
[London, 1753.] 8". 249. c. 23.
Gentleman's Magazine, Vol. XXIII.,
p. 288.
At Cyntbia's feet I sigh'd. .4 Song, etc.
[Loiidon, 1739.] 8°. 249. c. 9.
Gentleman's Magazine, Vol. IX., p. 269.
Blest as tb' immortal Gods is be. A
Song, etc. [London , 1TS9 ?] 8°.
■^ 249. e. 9.
Gentleman's Magazine, Vol. IX., p. 493.
Cease Myra to suspect my love. ^4 Song,
etc. [London, 1744 ?] 8". 249. e. 14,
Gentleman's Magazine, Vol. XIV., p. 273.
Cupid ! instruct an am'rous swain. A
Song, etc. [London, 1740 ?] 8".
•^ 249. c. 10.
Gentleman's Magazine, Vol. X., p. 252.
Indulgent God, whose bounteous care.
L. A.'s Evening Hymn, etc. [Sacred
Song.] [London, 1749.] 8\
249. c. 19.
Gentleman's Magazine, Vol. XIX.,
p. 36.
The Ingenuous Lover, etc. [Song.]
[LoHfZon, 1746]. 8°. 249. c. 16.
Gentleman's Magazine, Vol. XVI.,
p. 550.
Minuet. [Harpsichord.]
[London, 1753.] 8°. 249. e. 23.
Gentleman's Magazine, Vol. XXIII. ,
p. 191.
The Power of Beauty. A Song, etc.
[London, 1794.] 8^ 249. e.^ 19.
Gentleman's Magazine, Vol. XIX.,
p. 564.
When fumes of wine ascend into my brain.
A Song from Anacreon, etc.
[Lmidon, 1741.] 8°. 249, c. 11.
Gentleman's Magazine, Vol. XL, p. 496.
While pensive on the lonely plain. Song,
etc. [London, 1749.] 8". 249. e.^ 19.
Gentleman's Magazine, Vol. XIX.,
p. 275.
See VoLUNTAEiES. Ten Voluntarys . . .
by . . . Dr. Green . . . Stubley, etc.
[1770 ?] ohl. fol. e. 108. a. (5.)
STUCK (JoHANN Baptist) called Batistin.
Cantates Pran(;oises a i. ii. Voix_ et
Basse-Continue, avec Symphonies. Livre
Premier. Chez J . B . C . Ballard :
Paris, 1718. ohl. fol. E. 519. (1.)
STUCK (JoHANN Baptist) called Batistin.
Cantates Francjoises a Voix seule avec
Symphonies . . . Livre Second. Nouvelle
Edition, etc. J- B. C. Ballard :
Paris, 1719. ohl. fol. E. 519. (2.)
Cantates Francoises a i. ii. Voix avec
Symphonies . . . Livre Troisieme. Nou-
velle Edition, etc. J. B. C. Ballard :
Paris, 1772. ohl. fol. E. 519. (3.)
Cantates Francoises, et Italienne[s] a i. ii.
Voix et Basse-Continue, avec Symphonies
Livre IV. Chez G. Ballard :
Paris, 1714. ohl. fol. E. 519. (4.)
Manto la Fee. Op6ra, etc. [Words by
Mennesson.] [Short Score.]
Chez C. Ballard :
Paris, 1710. ohl. 4". E. 519. b.
Quel bel volto. Arietta, etc.
[Paris,] 1725. s. sh. 4°. 297. a. 12.
Mercurc de France, Feh., 1725.
STUMPF (JoHANN Christian) Six Sym-
phonies a 8 parties, deux Violons, Alto,
Basso, Hautbois, ou Fluttes, et Cors de
Ghasse . . . CEuvre iii". Mis au jour par
M' de la Chevardiere. Gravees par le S'
Hue. [Separate Parts.]
Chez M'' de la Chevardiere :
Paris, [1765 ?] fol. g. 391. a. (2.)
SUBJECTED. Subjected to the Power
of Love. The Happy Pair. [Song.]
[London, 1762.] 8°. P.P. 5441.
Royal Magazine, Vol. VII., p. 149.
Subjected to the Power of Love. The
Happy Pair. [Song.]
[Londoyi, 1762.] 8°. P.P. 5140.
Lady's Magazine, Vol. IV., p. 175.
Subjected to the Power of Love. The
Happy Pair. [Song.] [London,
1770 ?] s. sh. fol. H. 1994. (61.)
SUBLIME. Sublime amour de la patrie.
Air. See Confederation r>u Parnasse.
SUBMISSIVE. The Submissive Swain.
[Song.] See Defesch (W.)
SUCCESS. The Success of Damon's In-
vocation to Chloe. [Song.]
See Wright (T.)
Success to Holly and Ivy. [Song.]
See Election of Managers.
Success to old England. [Song.] See Ye.
Ye Britons so free, etc. [1785 ?] s. sh. fol.
H. 1601. a. (106.)
SUCCESSFUL. SuccessfuU happy
Charmer. Song. See Whichello (A.)
SUCH. Such Charms has Phillis. Charm-
ing Phillis. [Song] Set to a favourite
Masquarade Minuet. [London,
1720 ?] s. sh. fol. H. 1601. (385.)
[Another edition.] Such Charms has
Phillis. Charming Phillis. [London,
1720 ?] s. sh. fol. G-. 316. g. (60.)
SUCK-SUIVONS
547
SUCK (Charles J.) Six Trios. Two for
a Hautboy Violin and Violoncello, two
for a German-Flute, Violin and Violon-
cello, & two for two Violins, and a
Violoncello. [Separate Parts.]
Printed for the Author: London,
[1790 ?] fol. g. 420. d. (15.)
SUE. Sue venal Belinda. Love for Love,
[Song, words] by J. T. [London,
1756.] s. sh. &\ P.P. 5439. ab.
New Universal Magazine, August, 1756.
Sue venal Belinda. Love for Love.
[Song, words] By J. E. [or rather T.]
[London, ll&O^ s.sh.iol.
G. 311. (125.)
SUESSMAYER (FRA^-z Xaver) To
parto mio bene. [Song.] Sung by Sig'
Viganoui, at the King's Theatre ... in
the Opera [by M. Portogallo] of I Due
Gobbi, composed by Sig' Scismayer.
Printed for R. Birchall: London,
[1796.] fol. G. 806. j. (60.)
[Solimann der Zweite.] Ouverture und
Gesange aus der Oper Soliman der 2'^
Klavierauszug von C. Zulehner. Bei N.
Simrock: Bonn, [ISOO.] obi. tol. E. 22.
[Der Spiegel von Arkadicu.] Ivlayier-
auszug aus der deutschen heroisch-
komischen Oper, Der Spiegel von Arka-
dien, von Herrn E. Schikaneder . . . Fiir
das Klavier . . . iibersetzt von Herrn J.
Henneberg, etc. Hoffmcister :
Wien, [1794.] ohl. fol. E. 22. a.
[Der Spiegel von Arkadien. Selections.]
See Andre (J.) Neue Theater-Gesaenge,
etc. Theil 1, 2. [1797 ?] ohl. fol. E. 59. b.
12 Deutsche Taenze im Clavierauszug
welche in dem K. K. grossen Redouten
Saal in Wien den 22"-'' Novem" 1795
aufgefiihret worden. Artaria et Comp. :
TFie/i, [1796?] ohl.iol. d. 64. (1.)
Wanting pp. 3-6, the place of tvMch has
been siipplied by a leaf containing
Dances IV-IX of a similar collection.
SUETT (Richard) Six Canzonets with
an Accompaniment for a Harp or Piano-
Forte, etc. Preston & Son, for the Author :
London, [1794.] obi. fol. E. 600. n. (11.)
Six Glees . . . Composed for ... the . . .
Members of the Ad Libitum Society, etc.
Printed for the Author : London,
1794. ohl. fol. E. 207. e. (6.)
The Kiss — an Enigma^, etc. T. Preston :
London, [1800 ?] fol. H. 2830. g. (70.)
Of Cruel Absence. A Favorite Ballad
with an Accompaniment for the Piano
Forte or Harp . . . written & composed
by Mr. Suett. T. Preston: London,
[1800?] fol. H. 2830. g. (69.)
The celebrated Pastoral of Corin and Joan.
Written by P. Pindar, etc. Broderip and
Wilkinson : London, [1800 ?] fol.
G. 365. (28.)
SUETT (Richard) The Signs of Faith-
full Love, a Sonnet, written by E. Bear-
croft, etc. Preston : London,
[1800?] fol. H. 2830. g. (68.)
Soft Music, let my humble lay. [Song.]
Sung by Miss Farren in the New Comedy
of "False Colours," etc. [Words by E.
Morris.] Preston d Son :
London, [1793.] fol. G. 249. (64.)
Three Sonatas for the Piano Forte or
Harpsichord with an Accompaniment for
a Violin or Flute, etc. The Autlior :
London, [1785 ?] fol. h. 1613. c. (1.)
Sometimes when Absent. A Favorite
Canzonet . . . The Words by E. Bearcross,
etc. Preston d Son : London, [1795 ?] fol.
H. 2835. b. (43.)
Sylvia again is true and kind. A Favorite
Canzonet with an Accompaniment for the
Harp or Piano-Forte, written and com-
posed by Mr. Suet. Longman £ Broderip :
London, \lld01~\ fol. G. 365. (27.)
The Tranquil Thatch. A favorite Ballad,
sung by Mr. Incledon, etc. Preston & Son :
London, [1795?] fol. G. 424. u. (35.)
SUEVUS (Felicianus) Magnificat seu
Vaticinium Dei Parentis . . . Cum Hymno
Ambrosiano & Falsi Bordoni Quaternis
Vocibus. Adjuncto Choro Secundo cum
Violinis & Symphonijs non necessarijs,
etc. Cantus i. (Altus i.) (Teuor i.) (Cantus
(Altus) (Tenor) (Bassus) Rip.) (Violino
Rip. II.). 8 pts. Ex Officina Musica
Michaelis Wagtier : Oeniponti, 1651. 4°.
B. 139.
The last two leaves of the Cantus I. are
mutilated.
SUICIDE. The Suicide. Ballad.
Sec Biggs (E. S.)
SUIN ( ) See Oltmpiade. Non mon
coeur soufEre moins de peines. Air . . .
arrange pour la Harpe par Mr. Suin.
[1780?] fol. G. 800. m. (43.)
SUISSE. Le Suisse en belle humeur.
[Song.] See Moi. Moi I'aimer pien le
taple, etc. [1787 ?] 8". B. 362. f. (13.)
SUITE. La Suite de J'vous. [Song.]
See II. II te souvient sans doute, etc.
[1780?] 8". B. 362. b. (111.)
SUIVEZ. Suivez I'Amour et la Folic.
Chanson. See Giraud (F. J.) [Ballet
dcs Homnics.'}
SUIVONS. Suivons I'Amour, allons en
vendange. L' Amour Vendangeur, [Song,
written] par M. IMinier. Air : Chantons
les Matines de Cythere. Ait Magazin
des Epoux bien-unis : Paris, [1780?] 8".
B. 362. a. (123.)
[Another copy.] B. 362. f. (39.)
2 N 2
548
SUL— SUN
SUIj. Sul margiue d'un rio. Air.
R. Birchall: London, [1800?] fol.
G. 425. (22.)
SULIjIVAN ( ) Gentle Parthenissa.
[Song, the words by Sir R. Steele.]
[Londo7i, 1740?] s. sh. fol. G. 313. (92.)
[Another copy.] G. 315. (139.)
Gentle Parthenissa, etc. [Song.]
[London, 1745.] 8". 157. 1. 7.
London Magazine, 1745, 'p. 302.
SULZBERGER (Johann Ulrich)
See Psi-LMS, [7. German.'] Vierstim-
miges Psalmbuch, das ist, D' Ambrosij
Lobwassers Psalmen Davids, transiDoniert
durch J. U. Sulzberger, etc. 1757. 8°.
A. 511. c.
SULZER (Johann) Dreissig Lieder mit
Melodieen zum Klavier, etc. J. Brentano :
Bregenz am Bodcnsee, 1793. 8°. A. 702.
SUM. Sum up all the delights. Catch.
See PuRCELii (H.)
SUMMER. Summer. [Song, begins:
' The earth is cloath'd in chearful green.']
See Howard (S.)
Summer. [Song.] See Now. Now
Winter is flown. [1770 ?] fol.
G. 806. f. (62.)
Summer. [Song, begins : ' How sweet is
the morning.'] See Olive (J.)
Summer. Song [begins : ' Ye feather'd
Songsters of the Vale ']. See Taylor (R.)
of Marylebone Gardens.
Summer Amusement. [Songs.]
See Arne (T. A.)
The Summer Heats bestowing. [Song.]
See Doctor and Apothecary.
The Summer's Day. [Song.] See Up.
Up the hills sends the mist.
[1780?] s.sh. fol. G. 313. (9.)
Summer's Treasures. [Song.]
See Barthelemon (P. H.)
Summer's vernal sweets abound. A
Rondeau. Sung by Mrs. Weichsell at
Vauxhall. Sk[illern : London,
1780?] s.sh.lol. G. 311. (119.)
SUMMER AMUSEMENT. If I'm the
happy Man, [Song.] Sung ... in the
Summer's Amusement. [Music by S.
Arnold.] S. A. [and] P. T\}iompson,
1780?] s.sh.iol. G. 309. (95.)
Summer Amusement. Comic Opera.
See Arnold (S.) E. 111. a.
SUMMER'S TALE. The Summer's
Tale. A Musical Comedy. [By Richard
Cumberland.] . . .The Music by Abel, Arne,
Arnold, Boyce, Bach, Cocchi, Ciampi, C.
St. Germain, Giardini, Hasse, Howard,
Lampe, Lampugnani, Richter, Russel,
Stanley. For the Harpsichord, Voice,
German Flute, or Violin. Printed for
I. Walsh : London, [1765.] oU. fol.
D. 273. (1.)
Besides tlwse named on the title-page
this Pasticcio contains compositions by
Baildon, Bertoni, Dunn, Galuppi,
Granom, Piccini, Potenza and Vernon.
Dear Girl never trust to thy Charms. A
Song [by S. Howard] Sung by INIrs. Vin-
cent, in the Summer's Tale. [London,
1765.] s. sh. fol. H. 1994. b. (17.)
SUN. The Sun being Set and my work
being done. Tlie Contented Shepherd.
[Song.] [London, 1780 ?] s. s7i. fol.
G. 312. (125.)
The Sun from the East tips the Mountains
with Gold. Song.
See Apollo and Daphne.
The Sun gone down. [Song.]
See Dale (J.)
The Sun his gladsome beams withdrawn.
The Dejected Nymph. [Song] Written in
Winter by a Lady of Quality. [London,
1765 ?] s. sh. fol. G. 312. (114.)
The Sun in Virgin Lustre shone. Nature's
Holiday. [Song.] Sung by Mr. Lowe
at Vaux-Hall. [London,
1775 ?] s. sh. fol. I. 530. (148.)
The Sun sets in night. The Death Song
of the GheroTice hidians. An original Air,
brought from America by a Gentleman . . .
conversant with the Indian Tribes . . .
The Words adapted to the Air by a Lady
[i.e. A. Home]. J. Preston, for the Author :
London, [1780 ?] fol. G. 297. (24.)
The Sun sets in Night. The celebrated
Death Song of the Cherokee hidians.
Longman and Broderip :
London, [1786 ?] fol. H. 1653. (57.)
[Another copy.] G. 297. (32.)
The Sun thro' low'ring Clouds at last.
Charming Sally. A New Song sung at
]\Iarybon Gardens. See Chloe. Chloe,
or the ]\Iusical Magazine, etc. No. 39.
[1760?] fol. G-. 433.
[Another setting.] The Sun, thro' thickest
Clouds, at last. A Song. [London,
1765?] s. s7i. fol. G. 312. (117.)
The Sun was just setting. Song.
See Leveridgb (R.)
The Sun was setting iu the West. Song.
See Allen (G. S.)
The Sun was sleeping in the Main. [Song.]
Sung by Mr. Beard. [London,
1750?] s.sh.iol. G. 312. (75.)
The Sun was sleeping in the Main. A
New Song. Sung by Mr. Beard.
[London, 1755.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XVI., p. 228.
SUN— SURE,
549
SUW. The Sun was Sunk beneath the Hill.
The Poor SJiephcrd. [Song.] The Words
by Mr. Gay. [London, 1720 ?] s. sh. fol.
H. 1601. (474.)
[Another edition.] The Sun was sunk
beneath the Hill. The Poor Shepherd.
[Song.] The Words by Mr. Gay.
[Lo7idon,lT30?] s. sh. fol. G. 305. (40.)
[Another copy.] G. 312. (58.)
[Another setting.] The Sun was sunk
beneath the Main. A new Song. Sung by
Mr. Beard, etc. [London, 1754.] 8».
157. 1. 16.
London Magazine, 1754, p. 132.
The Sun was sunk beneath the I\Iain.
[Song.] Sung by Mrs. Yeates at Sadlers
Wells. [London, 1765 ?] s. sh. fol.
G. 316. (132.)
SUNBEAMS. The Sun Beams of Love.
Song. See Cook (T.)
SUPPLICATION. The Supplication.
[Song.] Sec Divinest. Divinest Fair,
oh ease my Care, efc. [1730?] s.sh.iol.
G. 315. (47.)
A Supplication for Peace. [Song.]
See DiBDiN (C.) [Tom Wilkins.']
SUR. Sur ces Coteauxcharmant[s]. Aricitc
Nouvellc. [Paris, 1780 ?] 8".
B. 362. b. (43.)
Sur I'esperance bien fou qui so fonde.
Air dc M'- * * *. Paris, 1784. 8".
B. 362. g. (90.)
Sur la fin d'uu beau jour d'ete. Romance
avec Accomp' de Guittarc.
Chez ImbauU : Paris, [1790 ?] 8".
B. 362. g. (68.)
Sur la rose fraiche et vermeille. Air.
See GRiiTRY (A. E. M.) [UEmharras des
Bichesses.]
Sur la Sphere Ae'rostatique. [Song.]
See Globe. Un Globe qui s'envole, etc.
[1783.] 8°. B. 362. (210.)
Sur le gazon. Vaudeville. See Sorcieh.
Sur le Mot Quatre. Chanson.
See M. . . ., M"''.
Sur le vide et le plein. Air a boire.
[Paris,'] 1724. s. sh. obi. 4". 297. a. 9.
Mercicre de France, July, 1724.
Sur les bords de la Seine. Air.
See JouRNEE Dkrangee.
Sur les debris du diademe. Hymne
Poi)ulaire,en I'Honneurde V Etre Supreme.
Pour la Fete du 20. Prairial suivant le
plan pr6sent6 par David a la Convention
Nationale et d6crete le 18 Eloreal de I'an
2™° . . . Par le Cit. Moline . . . Sur I'air :
Veillons au Salut de I'Empire, etc. [By
N. Dalayrac] Chez Fr^re :
[Paris, 1794.] 8". B. 362. d. (3.)
SUR. Sur les tuiles, i\Iinette. L' Esprit de
la Coquete. [Song.], Paroles par M. D.
Air de I'Amiti^ a I'Epreuve [by A. E. M.
Gretry]. Chez les fr^res Savigny :
[Paris, 1190?] 8". B. 362. (116.)
Sur toute la Nature on voit regner I'amour.
Chanson. See Tete a Perruque.
Sur un Globe rempli d'Air. Aux Amatetirs
A^riens. [Song.] Air : La bonne avanture.
Chez Frire : [Paris, 1783 ?] 8°.
B. 362. e. (11.)
Sur un lit de gazon, environne de fleurs.
Chanson, etc. [Paris,] 1754. s. sh. 4°.
298. e. 18.
Mercure de France, April, 1754.
Sur un Throne de fougere. Vaudeville
Pastoral. [Paris,] 1755. s. sh. 8".
298. c. 22.
Mercure de France, Feb., 1755.
Sur un Troph^e, orn6 par la victoire.
Recit. de Basse. [Paris,] 1745. s. sh. 4".
297. c. 1.
Mercure de France, April, 1745.
SURE. Sure a lass in her bloom. The
Nun, a New Song, etc.
[London, 1757.] 8". P.P. 5438.
Literary Magazine, Vol. II., p. 357.
Sure a .Lass in her Bloom. The Nun.
rSong.] Sung by INIiss Stevenson at Vaux
Hall. [London, 1757.] s. sh. 8".
P.P. 5439. ab.
New Universal Magazine, Oct., YJbl.
Sure a lass in her bloom. The Nun.
[Song.] Sung by Miss Stevenson, at
Vauxhall. [London, 1757.] 8".
P.P. 5438. z.
Universal Magazine, Vol. XXI., p. 277.
Sure ne'er was a Dog so wretched. Song.
See Leveridge (R.)
Sure none but an Ass. The Satyrist.
[Song.] [London,] 1742. s. sh. fol.
G. 316. a. (43.)
Sure t'would make a dismal story. Song.
See Fire and Water.
SURLY. A Surly, sottish, peevish Booby.
Tit for Tat. [Song.] Set for y= German
Flute. [London ? 1740 ?] s. sh. fol.
G. 316. d. (36.)
SURPRISE. The Surprise. [Song.]
See Jolly. Jolly Tom, and Clever legg'd
Dick, c/c. [1730?] s.sh.iol.
H. 1601. (258.)
The Surprise. [Song.] See Once. Once
fair Serena, etc. [1725 ?] s. sh. fol.
I. 530. (122.)
SURR (George) The Birds' Nest. [Song,
the words by W. Shenstone.]
J[ohn] P[reston :
London, 1780 ?] s. sh. fol. G. 309. (85.)
Daphne. [Song.] J[ohn] P[reston :
London, 1780 ?] s. sh. fol. G. 306. (130.)
550
SURR— SWAYNE
SUER (George) Gentle Zephyrs. [Song.]
JTo/m1 P[reston : London, 1780 ?] s. sli. fol.
G. 306. (191.)
Three Sonatas for the Piano Forte or
Harpsichord with an Accompaniment to
the First for a Violoncello ... to the
Second for a German Flute, and to the
Third for a Violin ... Op. 1.
Printed for Calliford, Eolfe d Barrow :
London, [1795 ?] fol. g. 142. (7.)
Sylvia. [Song.] J[ohnr\ P[reston :
London, 1180?] s. sh. io\.
G. 312. (192.)
SURRENDEIl. The Surrender. [Song.]
^ee Davis (J. F.)
SUSAN". Susan's Complaint. [Song.]
See Oswald (J.)
SUSANNA. Susanna. Oratorio.
See Haendel (G. F.)
Susanna. [Song.]
See Jackson (W.) of Exeter.
SUSANNAH. Susannah the fair. Su-
sannah and the Elders. [Song.]
[London, 1715 ?] s. sh. fol.
H. 1601. (420.)
SUSATO (Thielman) Le Premier Liure
des Chasos a Deux ou a Troix Parties
contenant Trente & une nouuelles Chan-
sons conueuables Tant a la Voix comme
tiux Instrumentz, etc. Tenor.
iT. Susato : Antwerp, 1544.] obi. 4°.
A. 316.
See Chansons. [4.] Tiers Liure conte-
nant) XXX nouuelies Chansons . . . Coni-
pos^es. . .par Tielman Susato, etc.
[1550 ?] obi. 16". K. 8. i. 4. (9.)
SUSPICION. Suspicion like a cruel
Frost. The Advice. [Song.] [London,
1760 ?] s. sh. fol. G. 316. (133.)
SUSSEX. The Sussex Toast. Ballad.
See Arne (T. A.)
SUSSMAYER (Franz Xaver)
See SUESSMAYER.
SUTER (Johann Kaspar)
See Crueger (J.) Konigliche Harif des
. . . Sanger Fiirsten Davids . . . Denen auch
viel . . . Geslinge . . . bojgefiiget von J. Iv.
Sutern, etc. 1663 (1662). 8°. B. 114. b.
SUZON.
sonette.
Chan-
Suzon fermoit son Coeur.
[Pa?-is, 1780?] 8°.
B. 362. b. (54.)
Suzon fermoit son Coeur. Chansonette.
Avec Accompagnem' de Guittarre par
M' Alberti. Chis Camand : [Paris,
1785?] 8". B. 362. g. (61.)
SWAEN (Guillaume de) See S., G. D.j
SWAIN. A Swain, in despair. Song.
See Franck (J. W.)
The Swain in Extacy. [Song.]
See Brightest. Brightest Sylvia lovely
Creature. [1760?] s.sh.iol.
G. 316. a. (10.)
A Swain long slighted and disdain'd. Song.
See EccLES (J.) [Hamlet.]
A Swain long tortur'd with Disdain. The
way to loin her. A Song by a Person of
Honour, or the Answer to I'll range
around the Shady Bow'rs. [Music by H.
Carey.] [London, 1120 ?] s.sh.iol.
H. 1601. (38.)
A Swain of Love despairing. The De-
spairing Lover. [Song.] Set by an
eminent Hand. [Original Setting.]
[London, 1738.] 8°. , 249. c. 8.
Gentleman'' s Magazine Vol. VIII., p.
657. A different setting from those by
J. Osivald'and J. Potter.
A Swain of Love despairing. The Dc-
spairifig Lover, [Song,] as it was Originally
Set. [London, 1740?] s. sh. fol.
G. 306. (35.)
[Another edition.] A Swain of Love
despairing. The Despairing Lover, as it
was Originally Set. [London,
1740?] s.sh.iol. G. 316. d. (18.)
The Swain reprov'd. [Song.]
See Thyrsis. Thyrsis unjustly you
complain. [1750?] s.sh.iol.
G. 312. (165.)
Swain thy hopeless passion smother.
Song. See Weldon (J.)
The Swain with his Flock. [Song.]
Preston : [London, 1700 ?] fol.
G. 136. (134.)
The Swain's Request. [Song.] See Why.
Why Chloo with so grave a face.
[1778?] s.sh.iol. G. 313. (236.)
The Swain's Revolution. [Song.]
See Dunn (J.)
SWART (Willem) Den Lust-Hoff der
Nieuwe Musycke, mit aller welrieckende
bloemen verciert, seer liefiick om singen
ende speelen op alle Musicale Instru-
menten, in vier eu vijf partyen. . .Waerin
begrepen zijn tseventich stucken van
Hemel ende Aerde tracterende, in onse
Nederduytsche tale . . . Gheinventeert,
ghecomponeert ende gestelt in Rime, door
Willem Swart van Aruhem, etc. Superius.
Gedruckt t Amstelredam ten Miyse van
Willem Sivart, 1603. obi. 4°.
K. 3. b. 16.
SWAYNE (William) See Damon (W.)
The former Booke of the Musicke of
M. William Damon ... Published. . .by
W. Swayne Gent, etc. (The second Booke
of the Musicke of M. William Damon,
etc.) 1591. 4°. K. 3. m. 4.
SWEELINCK— SWEET
651
SWEELINCK {-Tax Pieterszoon) Cin-
quante Pseaumes de Dauid, mis en Mu-
sique a 4, 5, G, & 7 parties, etc. Cantus.
<Altus.) (Tenor.) (Bassus.) (Quintus.)
(Sextus.) 6 pts. Amsterlcdavi,
1604. obi. 4°. K. 2. e. 1. (1.)
Liure Second des Pseaumes de Dauid,
nouvellement mis en Musique, a 4, 5, 6,
7, 8, parties, . . . Contenant sxx. Pseaumes,
desquels aucuns sont tout au long. Cantus.
(Altus.) (Tenor.) (Bassus.) (Quintus.)
(Sextus.) 6 pts. Aux desi)cns de Hendric
Barentsen {De V hnprimerie de Jean de
Tournes) : Amstclredam, 1613. ohl. 4°.
K. 2. e. 1. (2.)
Liure Troisieme des Pseaumes de Dauid,
nouuellement mis en Musique, a 4, 5, G,
7, 8, parties, . .Contenant sxx. Pseaumes,
desquels aucuns sont tout au long. Cantus.
(Altus.) (Tenor.) (Bassus.) (Quintus.)
(Sextus.) (Septimus.) (Octavus.) 8 pts.
Aux despens de Hendric Barentsen
(De VImprimcrie de Jean de Tournes) :
Amstelredam, 1614. ohl. 4".
K. 2. e. 1. (3.)
See Chansons. [3.] Liure Septieme des
Chansons Vulgaires . . .a Quatre Parties. . . •
Avons adjouste certaines chansons, comme I
de Maistre I. P. Swellinck, etc.
1608. ohl. 4". A. 315. b.
SWEERTIUS (Franciscus) §ee Magius
(H.) Hieronymi Magi . . . De Tintinna-
bulis Liber Postumus. Franciscus Sweer-
tius. . .Notis illustrabat, c^c. 1664. 12\
1042. a. 5.
SWEEE-TS (CoRNELis) Boertige en Ern-
stige Minnezangeu. Neveus eenige Puut-
dichten. . .Vierde Druk. Nu verrykt met
een Byvoegzel van Muzyk nooit voor
dezen gedrukt. 2 pts. By J. Strander :
t' Amsterdam, [1695 ?1 8°.
11555. bb. 39. (1.)
The composers mentioned in tJtis collec-
tion are : D. Petersen, Anders and S.
do Koning.
Nieuwe Boertige en Ernstige Minne-
Zangen. By C. Siveerts : V Amsterdam,
1696. ohl. 4\ A. 328.
Boertige en Ernstige Minnezangen . . .
Vyfden Druk. Op nieus verrykt met een
Byvoegsel, etc. 2 pts. By J. Strander :
t' Amsterdam, [1100 '>] 8°.
11555. bb. 40. (1.)
K. Sweerts Mengelzangen en Ziune Beel-
den. (Eerste Deal der Mengelzangen en
Zinne Beelden, etc.) (Yerscheide Zangeu.
Door H. Anders, S. de Koning en andere
. .Meestees op Muzyk gestelt.) (Tweede
Deel der Mengelzangen. . .Bestaande in
Cantus en Bassus Continuus, mede om
op de Viool, Fluit, en andere Instrumenten
te konnen speelen. Op Muzyk gestelt
door F. Le Grand, etc.) 3 pts.
C. Siveerts: Avisteldam, (1695.) 4".
B. 586.
The first title-pacjc is engraved. Each
part has separate pagination. The
title-page of Deel I. is undated, that of
Deel II. is dated 1695. There is a
second (engraved) title-page to Deel II.
SWEET. Sweet Aimie fra' the Sea Beach
came. Song. See Greene (M.)
Sweet are the Banks when Spring per-
fumes. The Sweet Kisses. [Song.] Sung
by Mr. Dubellamyat Mary bone Gardens.
[By J. Hook.] CHiarles and] S[amnel]
T[hompson : London, 1774.] s. sh. fol.
G. 311. (140.)
Printed from the plates of Hook's
" Second Collection of Songs sung. . .
at Marybonc Gardens. . .1774."
[Another setting.] Sweet are the banks
when Spring perfumes. Glee.
See Langdon (R.)
Sweet are the Charms of her I love.
Song. See Leveridge (R.)
Sweet are the Flow'rs that deck the Field.
The Rose, [A Song], taken from the 9'\ . .
of the Fables for the Female Sex [by E.
Moore]. Set by an Eminent Master [i.e.
H. Burgess, SenH. [London,
1740 '?] s. sh. fol. G. 305. (68.)
Sweet are the Flow'rs that deck the Field.
The Ease, [Song,] taken from the 9th
Fable of the Fables for the Female Sex
[by E. Moore]. Set by an Eminent
Master [i.e. H. Burgess, Sen'].
See Chloe. Chloe, or the Musical Maga-
zine, etc. No. 88. [1760 ?] fol.
G. 433.
Sweet beauteous Flow'r full fraught with
choice delights. On a Rose that died in
Clarissa's Bosom. [Song.] [London,
1770?] s.sh.tol. G. 311. (132.)
Sweet Birds take back your Brood. Song.
See I. I have it now this nest of Linnets,
etc. [1797?] fol. G. 356. (40.)
Sweet Charmer of the Plain. Song.
See CouLTHiRST (R.)
The Sweet Charms of Llusic. Song.
See Amateur.
Sweet Companion of the ]Muse. An Ode
to Solitude. [Song.] [London,
1750?] s.sh.iol. G. 316. f. (8.)
Sweet Davy 0. [Song.] See Jubilee.
Sweet Day, so cool, so calm. Conjugal
Love. [Song,] Set for the German Flute.
[^Yords by G. Herbert.] [London,
1730?] s.sh.iol. G. 316. e. (126.)
Sweet Day, so cool, so calm, so bright.
! The Pensive Stcain. [Song, words by J.
Herbert.] [Londmi, 1760 ?] s. sh. fol.
G. 316. (135.)
552
SWEET
SWEET. Sweet Girl Adieu, 'tis Glory
calls afar. Dialogue. See Hook (J.)
Sweet Girl by the Light of the Moon.
Song. See Hook (J.)
Sweet Jane, I always thought on you.
Song. See Dignum (C.)
Sweet, if you love me. A Dialogue between
Sly and Lovctt. Sung at Fielding's Booth
at Bartholomew Fair. [London,
1720?] s.sh.iol. 1.530.(149.)
[Another edition.] Sweet, if you love me.
A Dialogue between Sbj and Lovett, etc.
[London, nSO?] s.sh.iol.
G. 316. f. (9.)
Sweet is the breath of Morn. A Favorite
Duett for two Voices. [Words by J.
Milton, adapted to Jomelli's Duet " Non
dan pace."] Randall :
[London, 1175?] fol. G. 311. (158.)
Sweet is the Dream. Canzonet.
See Stevenson {Sir J. A.)
Sweet is the work, my God, my King.
Hymn. [Words by Dr. Watts.]
[Lo7idon, 1779.] 8°. P.P. 716. b.
Gospel Magazine, 1779.
The Sweet Kisses. [Song.] See Sweet.
Sweet are the Banks when Spring
perfumes, etc. [By J. Hook.]
[1774.] s. sh. fol. G. 311. (140.)
Sweet Lillies of the Valley. Song.
See Hook (J.)
Sweet Linnets on every Spray. Duet.
See Charke (R.)
The Sweet little Angel. [Song.]
See Carter (C. T.)
Sweet little Barbara. Duett.
See Storage (S.) [The Iron Chest.]
The Sweet little Girl that I love. Song.
See Hook (J.)
Sweet lovely Hose of Burford Dale. Song.
See Hook (J.)
Sweet Maiden a Kiss. [Song.]
See Gray (T. B.)
Sweet Melissa, lovely Maiden ! Melissa.
[Song.] The Words by C. James. Adapted
[to the tune of Rousseau's Dream] to the
Piano Forte, Harp or Guitar.
Printed for J. Dale :
London, [1788?] fol. G. 377. (17.)
Sweet Miss Prue. Round.
See Doyle ( ) and Perfect ( )
Sweet month of May. Duet.
See Angier (J. H.)
Sweet Nan of Hampton Green. Song.
See Hook (J.)
Sweet Nan of the Vale. Song. See In.
In a small pleasant Village, etc.
[1751.] 8°. P.P. 5438. z.
Sweet Nan of the Vale. [Song.] See In.
In a small pleasant Village, etc.
[1751 ?] s. sh. fol. G. 303. (25.)
SWEET. Sweet Nancy. [Song.] See
Assist. Assist me, ev'ry tuneful bard.
[By J. R. L.] [1756.] s. sh. 8°.
P.P. 5439. ab.
Sweet Nanny. [Song.] See L., J. R.
Sweet Nelly, my heart's delight. Charm-
ing Nelly. [Song.] [London,
1720 ?] s. sh. fol. G. 316. f. (12.)
Sweet Nightingales which charm this
Grove. Song. See Wilpord (J.)
Sweet nymph, come to thy lover. Can-
zonet. See MoRLEY (T.) [First Book of
Canzonets to Two Voices.]
Sweet Nymph tho' far remov'd. [Song.]
See Twiss ( )
Sweet Passion of Love. [Song.]
See Padlock.
Sweet Passion of Love. [Song.]
See This. This cold flinty Heart, etc. [By
C. Dibdin.] [1771.] s. sh. 4". 159. n. 3.
Sweet Poll of Plymouth was my dear.
Sioeet Poll of Plymouth. [Song, by M.
Arne.] Anne Lee : [Dublin,
1785 ?] s. sh. fol. H. 1601. a. (46.)
Sweet Poll of Plymouth. [Song.]
See Arne (M.) [The Positive Mail.]
Sweet pretty Nelly. Dick and Nelly. A
Dialogue. [London, 1740 ?] s. sh. fol.
H. 1994. b. (78.)
The Sweet River Dee. Song.
See Hook (J.)
Sweet Robin. [Song.] See Say. Say
little foolish flutt'ring thing.
[1775 ?] s. sh. fol. H. 1994. a. (101.)
Sweet Robinette. Song. See Hook (J.)
The Sweet rosy Morning peeps over the
Hill. Song. See Apollo and Daphne.
Sweet smells the Birk. Song.
See Young. Young Jockey blith at early
dawn, <?<c. [1780?] s.sli.iol.
H. 1601. a. (67.)
Sweet Stream I that winds through yonder
glade. Glee. See Amateur.
Sweet Summer is coming. Sylvan and
Cynthia. A Favourite Dialogue.
[London, 1764.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XXXIV.,
p. 264.
Sweet Summer is coming. Sylvan and
Cynthia. A Favourite Dialogue.
[London, [1165.] 8". P.P. 5438. z.
Universal Magazine, Vol. XXXVI. ,
p. 42.
Sweet Summer is coming. Sylvan d
Cynthia. A favourite Dialogue. Sung
by Mr. Adams and Miss Carly at Pinch's
Gardens. [London, 1770?] s.sh.iol.
G. 311. (134.)
Swest Susan I am come to take my leave.
Billy and Susan. A favourite Sea Song.
[London, 1770.] s. sh. fol.
G. 311. (110.)
SWEET— SYLVIA
553
SWEET. Sweet Sympathy. Soug.
See Storage (S.) [The Cherokee.}
Sweet the Moments, rich in blessing. A
Hynui. [The words re-written from the
original text of J. Allen by the Hon.
Walter Shirley.] [London, 1775.] 8°.
P.P. 716. b.
Gospel Magazine, Sept., Yllb.
Sweet Thrusla. Glee. See Danby (J.)
Sweet Tyrant Love. To Cupid. [Song.]
Set for the German Flute. [Loiulon,
1740?] s.sh.iol. G. 316. e. (124.)
[Another setting.] Sweet Tyrant Love.
The Bashful Lover. [Song.] [London,
1745?] s. s/(. fol. G. 316. a. (44.)
[Another setting.] Sweet Tyrant Love.
Song. See Aylward (T.) I. 530. (15.)
Sweet William. Song. See By. By a
pratt'liug Stream, etc. [1750.] 8".
P.P. 5438. z.
Sweet William. [Song.] See By. By a
pratt'ling Stream, etc. [1755 ?] s. sh. fol.
G. 305. (302.)
Sweet William. [Song.] Sung by Miss
Stevenson, etc. See Chloe. Chloe, or
the Musical Magazine, etc. No. 35.
[1760?] fol. G. 433.
Sweet William's Farewell to Black-Ey'd
Susan. [Song.] See Carey (H.) [Black-
eyed Susan.']
Sweet Willy 0. [Song.] See Dibdix (C.)
[The Jubilee.]
SWEETER. Sweeter than the blushing
Rose. [Song.] C[liarlcs and] S[amiiel]
T[liompson : London, 1775?] s. sh. fol.
G. 311. (136.)
SWEETEST. The Sweetest Fair. [Song.]
See How. How blest the Day when on
yon hill. [1770?] s. s7/. fol.
G. 308. (92.)
Sweetest of the Nightly Choir. The
Ballad Singer's Summons to her Love.
[Song.] To an Excellent new Playhouse
Tune. [London, 1730 ?] s. sh. fol.
G. 315. (140.)
Sweetest, sweetest of the fair. Song.
See Hudson (R.)
SWELINCK (.Jan)
See SwEELiNCK (.J. p.)
SWIFT (William) The Captive Slave. A
New Song, etc. [London,] 1763. 8°.
P.P. 5441.
Eoyal Magazine, Vol. VIII., p. 44.
The Captive Slave. A New Song, etc.
[London, 1763.] 8°. P.P. 5140.
Lady's Magazine; Vol. IV., p. 353.
SWIFTLY. Swiftly from the ^Mountain's
Brow. Glee. See Webbe (S.) the Elder.
Swiftly glide the Hours away. Canon.
See Porter (S.) the Elder.
SWORD. The Sword of Gideon and the
Lord. [Sacred Song,] See Mortimer (F.)
SYFERT (Paulus) Canticum sen Sym-
bolum Divi Ambrosij & Augustini Te
Deum Laudamus : composituna a 1. 2. 3.
4. 5. Vocibus Vivis & Instrumentis
sonandum cum Basso Generali in quibus
permanet & resonat antiqua eorum
Choralis Melodia in omnibus versiculis,
quae a Patribus nostris in omnibus Christi-
anis Ecclesijs fuit hue usqj decantata, etc.
Cantus. (Altus.) (Tenor.) (Bassus.)
(Quinta Vox.) (Bassus Generalis.) 6 pts.
Tijins Gcorgii Ilhetii :
Dantisci, 1642. obi. 4". B. 190.
Pauli Syferti . . . Anticribratio Musica
ad Avenam Schachianam, hoc est, Ocularis
demonstratio crassissimorum errorum,
quos Marcus Schachius, Author libri,
Anno 1643. Venetijs editi quem Cribrum
]\Iusicum ad triticum Syferticum bapti-
zavit, passim in eo commisit, cum annexa
Siferti justa defensione honoris ac bonse
famse, adversus ampullas & falsitates
Schachianas. Typis Georgii Pih^tii :
Dantisci, 1045. fol. H. 2200.
[Another copy.] H. 2200. a.
Wanting the second list of Errata.
SYLPHIDS. The Sylphids. Song.
Sec Rhodes (R.)
SYLPHS. The Sylphs. Entertainment.
See Fisher (J. A.)
SYLVA (Manoel Nunes da)
See Nunes da Sylva.
SYLVAN. Sylvan and Cynthia. Dia-
logue. Sec Sweet. Sweet Summer is
coming, etc. [1764.] 8". P.P. 5438. z.
Sylvan and Cynthia. Dialogue.
See Sweet. Sweet Summer is coming,
etc. [1765.] 8". P.P. 5438. z.
Sylvan and Cynthia. Dialogue.
See Sweet. Sweet Summer is coming,
etc. [1770?] s.sh.iol. G. 311. (134.)
The Sylvan Scene of Love. Arietta.
See Bryan (M. A.) Mrs.
The Sylvan Oracles. Song.
See Rhodes (R.)
SYLVANDER. Sylvander once the
Grayest Swain. Song. See Hart (P.)
SYLVANIA. Sylvania. [Song.]
See Where. Where beauteous Flora
cloaths the Fields. [1730?] s. sh. fol.
L 530. (35.)
SYLVIA. Sylvia. [Song.] See Come.
Come Sylvia Iseauty pride of May.
[1775 ?] s. sh. fol. G. 307. (88.)
Sylvia. Cantata. See Festing (M. C.)
554
SYLVIA— T.
SYLVIA. Sylvia. Soug. [Begins: 'Ye
Mirtle wreaths from fragrant bowers.']
Sec Jackson (G. K.)
Sylvia. Song. See Say. Say Sylvia
shall I speak or die. [1750?] s. sh. fol.
G. 316. a. (42.)
Sylvia. [Song, begins : ' Tell me Sylvia
why so sad.'] See Sube (G.)
Sylvia a May rolling. [Song.]
See CuEiosiTY. Curiositv made Sylvia
seek. [1720?] s. sh. fol. " H. 1601. (99.)
Sylvia again is true and kind. Canzonet.
See SuETT (R.)
Sylvia, I'll on. Song. See Robaet (W.)
SYMBOL. The Symbol of Life. [Song.]
See DiBDiN (C.) [Will of the Wisp.'\
SYMPATHIZING. The Sympathizing
Heart. [Song.] See Geminiani (F.)
The Sympathizing Sigh. [Song.]
Sec Ambrose (J.)
The Sympathizing Tear. Ballad.
See Calah (J.)
SYMPHONIES. A Collection of Several
Simphouies and Airs in Three Parts ;
Composed for Violins, Flutes and Hoe-
boys, Printed for all Lovers of Musick.
(Premier Dessus. ) (Second Dessus. )
(Basse.) 3 pts. William Nott :
ILondoyi^l 1688. 4°. K. 2. e. 4.
Sei Sinfonie a Otto Stromenti. . .Com-
posta d'Alcuni Famosi Maestri, cioe di
Graun, Eichter, Chalon, Zebro e Spangen-
berg. [Separate Parts.] Stampede a
Spese di J. J. Humviel : Amstelodamo,
[1770?] fol. g. 973.
SYMPHONIES. [Raccolta delle megliore
Sinfonie di piu celebri Compositori di
nostro Tempo, accomodate all' clavicem-
balo.] 24 Nos.
\Presso G. G. I. Breitkopf :
Lipsia, 1761(-2.)] fol. g. 269.
Wanting the title-page and ' Avertissc-
ment,' u-hich are supplied in type-
turitten MS. Each number has sepa-
rate pagination. The composers of
this collection are : Frederick the
Gi-eat, E. T.P. A. [i.e. Maria Antonia
Walpurgis of Bavaria], J. A. P.
Hasse, G. A. H., G. H. Graun, J.
Umstatt, J. P. Kirnherger, Abel, J. A.
Hiiller, J. C. Bodewald, G. F. Miiller,
J. C. Wiedncr, G. C. Wagenseil,
Adam, J. A. Hiller, C. P. E. Bach,
G. Benda, J. G. Graun, J. G. L.
Mozart, J. H. Bolle, L. Eofmann,
G. Harrcr and I. Holzbaner.
SYREN. The Syren. Songs.
See Aene (T. A.)
The Syren. Song. See Jenner (C.)
The Syren of the Stage. [Song.]
See Little. Little Syren of the Stage,
etc. [1728 ?] s. sh. fol. G. 305. (46.)
SYRMEN (LoDOVico) and LOM-
BARD INI, afterwards SYRMEN
(Maddalena Lauea) Sei Quartetti a
Violino I. e II., Viola e Violoncello . . .
Opera iii. [Separate Parts.]
Chez Madame BerauU :
Paris, [1769.] fol. g. 413. (14. a.)
SYRMEN (Maddalena Lauba)
See Lombaedini, afterwards Sybmen
(M. L.)
T * * *. Amiable enfant de Cythere.
Clianson. Les Paroles et la Musique sont
de M' T * * *, etc. Becoqidlliie :
[Paris,'] 1771. s. sh. S". 298. e. 8.
Mercure de France, Oct., 1771.
T. See Ccedes. Cceurs trop sensibles...
accompaguement de M' T * * *.
1784. 8". B. 362. g. (89.)
T. ( de) Amour, fuueste vainqueiu-. Air
Tendre. L'air & les paroles sont de JM.
de T [Paris,] 1724. s. sh. 4°.
297. a. 7.
Mercure de France, May, 1724.
T. ( de) W'\ Un Baiser, ou la Rose.
[Song, written] par M' Lieutaud. INIusique
de M"'= de T. Accomp' de Guitarre par
M' Ducray. Chez les frercs Saviqni/ :
[Paris, 1785 ?] fol. B. 362. f. (20.)
T., C. A. Griind-Regeln wie man, bey
weniger Information, sich selbst die
Fundamenta der Music und des Claviers,
lernen kan, beschrieben, mit Exempeln
in Noten gezeiget und verlegt von C. A.
T[hielo]. Erster Theil. [Copenliagcn,
1753.] oU. 4°. 7898. ee. 14.
T., C. I. L. Sonatinas, for the Piano Forte,
. . .Inscribed to Dr. Burney. F. Bland :
London, [1785 ?] fol. h. 62. (3.)
T., G. E. Gedanken iiber die Temperatur
des Herrn Kirnberger, nebst einer An-
weisiing, Orgeln, Claviere, Fliigel, &c. &c.
auE eine leichte Art zu stimmen, von
G[eorg] F[riedrich von] T[empelhoffJ
einem Liebhaber der Music.
Bey G. J. Decker : Berlin und Leipzig,
1775. 8". 7898. ee. 22.
T.— TAFEL-CONFECT
555
T., J. " Leap Year " or an Answer to the
Favorite Welch Air of Fal lal la, [Song,]
Sung. . .by Mrs. Bland in the Cherokee.
Printed for Culliford, Bolfe & Barrow :
London, [1794 ?] fol. G. 250. (73.)
Tout renait dans ce beau s6jour. Air, etc.
[Paris,^ 1736. s. sh. 4". 297. b. 13.
Mercure dc France, April, 1736.
T., N. A Choice Collection of 180 Loyal
Songs, all of them written since the Two
late Plots (viz.) the Horrid Salamanca
Plot in 1678, and the Fanatical Conspiracy
in 1683. lutermixt with some jSTew Love
Songs... To which is added the Musical
Notes to each Song. The Third Edition
with many Additions. [With a Preface
signed: N. T., i.e. Nathaniel Thompson.]
N[athaniel] T[lwmpson] : London,
1685. 8". 11621. bb. 23.
A Collection of One Hundred and Eighty
Loyal Songs... The Fourth Edition with
anany Additions. Richard Butt :
London, 1694. 8". 1078. e. 13.
[Another copy.] Gren. 18340.
T., R. On Fidelia's Mind. [Song.] Set
by Mr. R. T. of Deveril, etc.
[London, 1773.] s. sh. 4". P.P. 5141.
Lady's Magazine, June, 1773.
T., T. Nancy Guy. A favorite Song.
Words & Music by T. T. T. T. ;
[London, mo?] s.sh.iol. G. 306. (90.)
TABBY. Tabby's Purraby to her Chicken.
[Song.] See Spencer (J.)
TABLE. Table demonstrative pour ap-
pendre a connoitre sur le champ la Basse-
Fondamentale. [Pam, 1785?] s. sh. i".
H. 2196. (4.)
Table pour composer des Menuets et des
Trios a I'infini ; Avec deux Dez a Jouer :
pour le Forte-Piano ou Clavecin.
Chez M'- Wenck : Paris, [1785 ?] fol.
h. 3213. k. (13.)
TABLEAU. Le Tableau de Paris. [Song.]
See De. De la i)lus charmante ville.
[1785?] 8^ B. 362. (204.)
Tableau du Siecle, ou Les Erreurs. [Song.]
See Daks. Dans le siecle d'a present, etc.
[1785?] 8°. B. 362. f. (7.)
TABLEAU PARLANT. Le Dieu de la
tendresse. [Song.j Du Tableau Parlant
[by A. E. M. Gretry]. [Paris, 1770 ?] 8°.
B. 362. (42.)
H est certains barbons. [Song] Du
Tableau Parlant [by A. E. M. Gr6try].
[Paris, 1780 ?J 8". B. 362. c. (108.)
La nuit dans les bras du sommeil. [Song,
from] Le Tableau Parlant [by A. E. M.
Gr6try.] Eicoquilliie : [Paris,]
1770. s. sh. 8°. 298. e. 1.
Mercure dc France, Nov., 1770.
TABLEAU PARLANT. La nuit dans
les bras du sommeil. Ariette du Tableau
Parlant [by A. E. M. Gretry]. [Paris,
1770?] 8". B. 362. (41.)
Pour tromper un pauvre viellard. Ariette
du Tableau Parlant [by A. E. M. Gretrvl.
[Paris, 1770?] 8". B. 362. (40.)
Le Tableau Parlant. Comedie-Parade
mel6e d'Ariettes. See Gretry (A. E. M.)
TABOUROT (Jehan)
See Abbeau (T.) pseud.
TACET (.Joseph) A Collection of Italian,
French and English Favorite Airs and
jNIinuets with Variations, adapted for two
German Flutes or two Violins or two
Guittars by IMr. Tacet. Mr. Tacet :
London, [ino?] obi. io\. e. 18. b.
The composers named are : Baptistin,
Tacet, Mondonville and Richter.
Second Collection of Italian, French and
English Favorite Airs and Minuets with
Variations adapted for two German Flutes,
etc. Mr. Tacet: London, [mo?] obi. M.
e. 18. a.
TJie composers named are : Tacet, Exau-
det, Barthelemon and Fclton.
Six Divertimentis ... for the German
Flute . . . with a Thorough Bass for the
Harpsichord. . .Opera 4'\
Printed for the Author : London,
[1770 ?] obi. fol. e. 340. (4.)
Lady Coventry's Minuet with Variations
by Mr. Tacet [and as a Vocal Duet ' Se
lontano']. [London, 1110?] s.sh.iol.
G. 311. (146.)
Thirty six Preludes in different Keys for
the German Flute, Hoboy or Violin, with
iliuuets. Variations &c.
Longman, Lukeij & Co. : London,
[1775 ?] obi. 4°. a. 205.
Six Solos for a German-Flute or Violin,
with a Thorough Bass for the Harpsichord
or Violoncello, etc. [Op. 1.] The Autltor :
Lo)ulon,[mO?] obl.tol. e. 18.
Six Sonates pour Flute ou Violon avec la
Basse Chifiree . . Oeuvre 1" Gravee par
M"« Lobry. Chez le Sieur le Marchand :
Paris, [1771.] obi. fol. e. 201. b. (5.)
TACK. Tack and Half Tack. [Song.]
Sec DiBDiN (C.) [Castles in the Air.]
Tack and Tack. [Song.]
' See DiBDiN (C.) [Private Theatricals.]
TAPEL - CONFECT. Ohren-vergniig-
endes und Gemiith - ergozendes Tafel-
Confect ; Bestehend in XII. kurzweiligen
Sing- Oder Tafel-Stucken von 1. 2. oder 3.
Stimmen, mit einem. Clavier, oder Violon-
cello zu accompagniren . . . vorgesetzt Von
einem Recht gut-meynenden Liebhaber.
556
TAFEL-CONFECT— TALK
Im Jahr Wo Man hier froLICh VnD
LVstIg War. Cantus i. (Cantus ii.)
(Bassus.) (Organum.) 4 pts.
Augspurg, [1733.] 4°. C. 198.
Andere (Dritte) Tracht des Ohren-vergnii-
genden, und Gemiith-ergotzenden Tafel-
Confect ; Bestehend in 15. Quodlibeticis,
Oder Tafel-Stucken, von 1. 2. oder 4.
Stimmen, Theils mit 2. Violin, ad libitum
pro Ritornello, oder obligat. theils ohne
Violin, mit einem Cembalo, oder Violon-
cello . . . Prsesentiret . . . von einem uoch
lebenden, und bestandigeu Musurgo. Im
Jahr Wo Man gVt froLICh VnD LVstIg
War. Cembalo. (Canto.) Canto ii.
Alto, & Violino i.) (Tenore & Violino ii.)
(Basso.) 10 pts. Johann Jacob Loiter :
Augsimrg, [1737.] oU. 4°. C. 198. a.
TAFFY. Taffy and Griddy. [Song.]
See DiBDiN (G.) {The Oddities.]
Taffy and the Birds. [Song.]
See DiBDiN (C.) [Castles in tJic Air.']
Taffy in Unison. [Song.]
See Wennington (W.)
Taffi was born in y" middle of Wales.
The Welch Song, sung by Mr. Hemskerk
at Sadler's Wells. [London,
1745?] s. s7i. fol. G. 316. a. (45.)
TAG (Christian Gotthilf) Lieder beim
Klavier zu singen, etc.
Bey F. G. Jacobckr und Sohn : Leipzig,
1783. ohl. fol. C. 595. (1.)
Lieder beim Clavier zu singen nebst einer
melodramatischen Szene, etc. Zweite
Sammlung. Bei F. G. Jacohder: Leipzig,
1785. oU. fol. C. 595. (2.)
See Freemasons' Songs. Gesange fiir
Maurer mit . . . Melodien von . . . Tag, etc.
[1782.] 8°. E. 1718.
TAGLIETTI (Giulio) Concerti e Sinfonie
a Tre, Du[e] Violini, Violene [sic], o Cem-
balo. . .Opera Seconda. [Separate Parts.]
Daniel Wright : London, [I12b 1] fol.
g. 679.
Sonate da Camera a tre : Due Violini, e
Violoncello, 6 Cembalo, etc. [Separate
Parts.] Per Carlo Maria Fagnani :
Bologna, 1695. fol. f. 16.
TAILLART (Constant) V<^(-VIII'^) Ee-
cueil de Pieces Fran9oises et Italiennes,
Petits Airs, Brunettes, Menuets &c., Avec
des Doubles, et Variations, accomod^s
pour deux Plvites Traversieres, Violons,
Pardessus de Viole . . . recueilli et mis
en ordre par M * * *. 4 pts.
De V hnprimerie de Richomine, Chez M''
Taillart : Paris, [1765 ?-1775 ?] obi. 4".
a. 158.
TAILOR. A Tailor I once was. The
Tailor done over. A favourite New Comic-
Song. J. Lee: Dublin, [1785?] s. sh. foL
H. 1601. b. (65.)
A Tailor I once was. The Tailor done
over. A favourite New Comic Song.
[Dublin, 1789.] s. sh. 4°. P.P. 6154. k.
Walker's Hibernian Magazine, Feb., 1189.
The Taylor's Daughter. [Song.]
See DiBDiN (C.) [Valentine's Day.]
TAILOUR (Robert) Sacred Hymns.
Consisting of Fifti Select Psalms of David
. . . set to be sung in Five parts, as also tO'
the Viole, and Lute or Orph-arion, etc.
Thomas Snodham, by the assignment
of the Company of Stationers: London,
1615. 4". K. 2. h. 14.
TAIT (Andrew) A New and Correct Set
of Church Tunes. . .The Third Edition,,
collected by A. Tait, etc. James Chalmers :
Aberdeen, 1753. obi. 12". A. 529..
TAKE. Take heed Bellinda. Song.
See Weldon (J.)
Take me Jenny. [Song.]
See Arne (T. A.)
Take not a Woman's anger ill. Song.
See PuRCELL (H.) [The Rival Sisters.]
Take off your Glass. Song.
See Franck (J. N.)
Take, oh ! take those Lips away. [Song,
with Accompaniment for Harpsichord
and Violin, words by W. Shakespeare.]
W. Mapicr : London, 1780 ?] fol.
H. 1650. p. (55.)
Take those Lips away. Two-Part Song.
See Alcock (J.) the Younger.
Take, oh take those lips away. Glee-
See GiORDANi (G.) or (T.)
TALACOY. Talacoy. Ballad.
See Sanderson (J.) [The Algerine
Corsair.]
TALE. A Tale of Hapless Love. [Song.]
See Jacob (B.)
The Tale of Woe. A Winter Piece.
See Hook (J.)
TALES. The tales of your loves, fellow
Shepherds, I've heard. The Shepherd in
Love. [Song.] Sung by Mr. Dearl at
Finch's Grotto Gardens.
[London, 1770 ?] s. sh. fol.
G. 312. (124.)
TALESTRI. Talestri. Dramma per
Musica. See A., E. T. E.., pseud.
TALK. Talk no more to me of Glory. —
Se risolvi abbandonarmi. — A Song by an
Eminent Master [i.e. G. F. Haendel, from
Floridante]. [I/OwZon, 1725 ?] fol.
G. 305. (91.)
TALK— TANS' UR
557
TALK. [Another edition.] Talk to me
no more of Glory. A Song by an Eminent
Master [i.e. G. F. Haendel, from Flori-
dante]. [Lwidon, 1T30 ?] fol.
G. 312. (5.)
Talk no more to me of Glory. Song.
See Floridaxte. [Se risolvi.]
Talk of Beauty no more. Friendship and
Wine. Sung by Mr. Dearl at Finch's
Grotto Gardens. The words by Mr. Boyce.
[London, 1765 ?] s. sh. fol.
H. 1994. a. (182.)
TALLIS (Thomas) Sec Psalms. [4. Eng-
lish.'] The whole Psalter translated into
English [by Archbishop Parker,] etc.
[With four-part settings of the eight
tunes by T. Tallis.] [1567 ?] 4°.
Gren. 12025.
TALLIS (Thomas) and BYRD (William)
Cantiones, quae ab Argumento Sacrae
vocautur, quiuque et sex partium, etc.
Superius. (Discantus.) (Tenor.) (Contra
Tenor.) (Bassus.) (Sextus.) 6 pts.
Exctidebat Tliomas Vautrolleritis :
typographus Londinensis in claustro vulgo
Blackfriers cotnmorans, 1575. obi. A".
K. 3. f. 9.
TALLY. TaUyHo. Song. See Ye. Ye
Sportsmen draw near, <?/c. [1780?] fol.
H. 1601. a. (90.)
TAMBOURINES. Tamborines. Comic
Song. See Dibdin (Mrs. C.)
TAMERLANE. To thee oh! gentle
Sleep. [Song.] Sung by Mr. Lowe in
[Rowe's "Tragedy] Tamerlane.
[London, 1750 ?J s. sh. fol.
G. 316. f. (27.)
[Another edition.] To thee oh ! gentle
sleep. A favorite Song in [Rowe's Tragedy]
Tamerlane. [London, 1750?] fol.
I. 530. (150.)
To thee, oh! gentle Sleep. A Song.
Simg by Mr. Lowe in [Rowe's Tragedy]
Tamerlane. [London,] 1759. 8°.
158. 1. 4.
London Magazine, 1759, p. 100.
To thee oh gentle Sleep ! [Song.] Sung
by Mr. Lowe in [Rowe's Tragedy] Tamer-
lane. [London, 1759.] 8°.
P.P. 5438. z.
Universal Magazine, Vol. XXIV., p. 38.
TAMERLANO. Bella Asteria. [Song.]
Sling by Sig'' Senesino in Tamerlane.
[By G. T. Handel.]
[London, 1724.] s. sh. fol. G. 305. (84.)
Tamerlane. Opera.
See Haendel (G. F.)
Tamerlano. Opera.
See Sacchini (A. M. G.)
TANCREDE. Tancrede.
See Gampra (A.)
Trag^die.
TANDIS. Tandis que sur le Rhin.
Marche. See Warmbraxt ( )
Tandis que dans nos bois. Vaudeville.
See Jeliotte (P.) [Zelisca.]
Tandis que tout sommeille. Ariette.
See Gretry (A. E. M.) [L'Amant
Jaloux.]
TANKARD. The Tankard of Porter.
Song. Sec With. With a cheerful old
friend and a merry old song, etc.
[1780 ?] s. sh. fol. G. 313. (173.)
TANNER. The Tanner. Song.
See Reeve (W.) [Merry Sherwood.]
TANS'UR (William) The Works of Mr.
William Tans'ur. In Two Parts. Part i.
A Compleat Melody : or, the Harmony of
Sion ; In Three Books . . . Part ii. The
Melody of the Heart : or, the Psalmist's
Pocket Companion. In Two Parts, etc.
Printed for James Hodges :
London, (1738, 1737). obi. 4». A. 479. f.
This copy consists of the Fourth Edition
of A Compleat Melody, and the Second
Edition of the Melody of the Heart,
toith a new title-page. Each piart has
separate title-pages and pagination.
The Works of Mr. William Tans'ur. In
Two Parts, etc. Printed for James Hodges :
London, (1743, 1737.) obi. 4°. A. 479. d.
This copy consists of the Fifth Edition
of A Compleat Melody and the Second
Edition of the Melody of the Heart.
A Compleat Melody : or The Harmony of
Sion. In Three Books. Containing: i.
A New . . . Introduction to the Grounds
of Music ... II. The Psalms of David New
Tun'd . . . III. A New. and Select Number
of Divine Hymns . . . The Whole is Com-
posed in Two, Three, and Four Musical
Parts . . . The Fifth Edition . . . With
large Additions.
Robert Broion, for James Hodges :
London, 1743. obi. 4". A. 479. c.
The Elements of Musick Display'd ... In
Five Books. Containing, i. An universal
Introduction to. . .Musick ... ii. Of Time
. . . With Directions to Performance . . .
III. The Structure of Musical Instruments
. . . with Sacred Lessons ; Songs in Parts ;
and Tunes for Instruments, iv. The
Theory of Sound ... v. A New Musical-
Dictionary . . . The Whole . . . collected
from the Greatest Masters ... by W.
Tans'ur, etc. Printed for Stanley Crowder :
London, 1772. 8". c. 16.
Each book has a separate title-page.
Those of Books II. and III. are dated
1767. Wanting pp. 121-2.
Heaven on Earth; or, the Beauty of
Holiness. In Two Books. Containing,
I. The Whole Book of the Proverbs of
King Solomon, composed in English
55S
TANS'UR— TARADE
Verse ; and set to Musick. ii. The Song
of Songs, which is the Song of Solomon.
Together, with various Hymns, Anthems,
and Canons . . . Composed in Two, Three, ;
and Four Musical Parts, etc. '<
A. Pearson for S. Birt :
London, 1738. 8°. 854. e. 1.
Melodia Sacra : or the Devout Psalmist's ,
New Musical Companion. Being a Choice
Collection of Psalm-Tunes for Divine
Service . . . Correctly set in Four Musical
Parts . . . The Second Edition . . . with
Large Additions.
G. Bigg, for Stanley Croicder :
London, 1772. obi. 12^ A. 479. e.
A New Musical Grammar: or, the Har- ^
monical Spectator . . . With variety of
Cuts correctly engraved, etc.
Jacob Robinson, for the Author :
London, 174G. 8". 1042. e. 15.
The Royal Melody Compleat : or. The
New Harmony of Sion. In Three Books.
Containing i. A New . . . Introduction to
the Grounds of Musick . . . ii. A New
. . . Body of Church-Musick, adapted to
the most select Portions of the Book of
Psalms ... III. A New, and Select Number
of Services, Chants, Hymns, Anthems, and
Canons . . . Set by the greatest Masters
in the World. . .with a Preface on Church-
Musick, etc. B. Brown, for James Hodges :
London, 1755. obi. 4.". A. 479. b.
The Royal Melody Compleat: or. The
New Harmony of Sion. In Three Books.
Containing i. A New . . . Introduction to
the Grounds of Musick ... ii. A New . . .
Body of Church-Musick, adapted to the
most select Portions of the Book of
Psalms . . . III. A New, and Select,
Number of Services, Chants, Hymns,
Anthems, and Canons . . . The Third
Edition. B. Brown, for S. Croicder,
T. Longman, and M. Bichardson : London,
1764. obi. 4". A. 479.
Book II. has a separate title-page, dated
1765.
[Royal Melody Compleat. Sixth Edition.]
See American Haemosy. The American
Harmony: or Royal Melody Complete
. . . Vol. I. . . . The Sixth Edition, with
Additions. By W. Tans'ur, etc.
1771. obi. 4". A. 479. a.
Sacred Mirth : or The Pious Soul's Daily
Delight. Being, a Choice . . . Collection
of Psalms, Hymns, Anthems, and Canons
on various Divine Subjects . . . Composed
in Two, Three, Four, Five, Six, Seven,
and Eight Musical Parts . . . Corrected
and Enlarged.
A. Pearson, for James Hodges :
Londcm, ]739. 8". C. 101.
The composers are : W. Tans'ur, R. S.,
Jeremiah Clark and Henry Champion.
TANT. Tant d'fiers a bras qu'en sav' si
long. CJianson d'un Sans Culotte, sur la
prise de Toulon . . . Avec Accompagne-
ment de Guitarre. Air de la Carmagnole.
[Words] Par le Cit. L. Chez Imbanlt :
Paris, [1793.] 8». B. 362. d. (32.)
[Another copy.] B. 362. a. (18.)
Tant que I'homme desirera. Air.
See PiBON AVEC ses Amis.
TANTIVY. Tantivy. [Song.]
See DiBDiN (C.) [Private TJieatricals.']
TANZEN. Tanzen ist der Liebe Schul.
Braut-Tanz. See Sebastiani (-7.)
TAPIA (Martin de) Vergel de Music*
spiritual speculatiua y actiua, etc.
Diego Fernandez de Cordoiia :
Burgo de Osma, 1570. 4^ K, 1. f. 8.
121 pages preceded by 4 unnumbered
leaves.
TAPINSMUS (Matz) pseud, and LAEU-
SIMPELTZ (Charis) pseud. Refuta-
tion des Satyrischen Componistens, oder
so genannten Phrynis [of W. C. Printz],
dem unpartheyischen Leser zu fernem
Nachdencken vorgestellet von Denen in
aller Welt beriihmten Matz Tapinsmus,
sonst Leyermatz genannt, und Charis
Lausimpeltz, Schergeigem, &c. Gedrnckt
in der Welt, 1678. 4°. 12305. d. 26.
TAPRAY (Jean Francois) Deux Quatuor
pour le Clavecin ou le Piano Forte avec
Accompagnement de Clarinette ou Violon
Alto et Basson . . . ffiuvre xvii™".
Chez Le Due : Paris, [1783 ?] obi. fol.
e. 14. (1.)
Simphonie Concertante pour le Clavecin
et le Piano avec Orchestre. Deux Violons,
Alto, Basse, et Cors. . . (Euvre viii. Gravee
par Richomme. [Separate Parts.]
CJiez M. De Roullede :
Paris, [1780?] o6Z. fol. e. 14. (2.)
Deux Symphonies pour le Clavecin avec
Accompagnement de deux Violons Alto et
Basse les Cors et I'Alto ad Libitum . . .
CEuvre xxi*. [Separate Parts.]
Chez M. Le Due : Paris, [1785.] fol.
h. 76.
TAR. The Tar for all Weathers. [Song.]
See DiBDiN (C.) [The Oddities.']
The Tar in Distress. Glee. -See Lee (P.)
The Tar's Sheet Anchor. Ballad.
See Reeve (W.)
TARADE (Theodore Jean) La Recon-
ciliation Villageoise, Comedie Lyrique en
uu acte ; mise au Theatre par M. Poinsinet
. . . avec la Musique.
Chez la Veuve Duchesne : Paris, 1765. 8".
11738. n. 16. (3.)
I
TARARE— TAEDITI
55'J
TARARE. Je suis n6 natif de Ferrare.
Air du 3""= Acte de Tarare . . . [by A.
Salieri] avec Accompagnement de Giiitare.
Chez Imbault : Paris, [1787 ?] S^
B. 362. (157.)
[Je suis n6 natif de Ferrare.] Calpigi.
A Favourite Air from . . Tarare. [By
A. Salieri.] Adapted by Mr. Barnes.
John McCalley : Dublin, [1790?^ s. sh. fol.
H: 1601. b. (10.)
Tarare. Opera. See Salieri (A.)
TARCHI (AxGELO) A quel cari amati
acceuti. See infra : {II Desertore.']
[II Desertore.] A quel cari amati
accenti. [Air.] Sung by Sig' Marchesi
in the Opera II Desertore, etc. [Full
Score.] Longman and Broderip :
London, [1789.] fol. G. 196. (13.)
[La Generosita d' Alessandro.] Quel labbro
vezzoso. [Air.] Sung by Sig' ^larcbesi
in the Opera Generosita d' Alessandro,
etc. [Words by C. F. Badini. Full Score.]
Longman and Broderip :
London,[1189.] fol. G. 196. (11.)
Se mai pici [piu] saro geloso. [Air.]
Sung by Sig' Marchesi in the Opera
Generosita d' Alessandro, etc. [Full Score.]
Longman and Broderip :
London, [1789.] fol. G-. 196. (12.)
Son prigionier lo vedo. Terzetto in
... La Generosita d' Alessandro . . . The
Words by j\I' Badini. [Full Score.]
Longman and Broderip :
London, [1789.] fol. G. 197. (17.)
Idol mio quest' alma amante.
See infra : [Virginia.]
H faut agir avec j)rudence.
See infra : [Le Trente et Quarante.]
Nel lasciarti amato bene. [Air.] Sung
by Sig' ^larchesi in the Opera [by L.
Cherubini] Iffigeuiea, etc. [Full Score.]
Longman and Brodcrij) :
London, [1789.] fol. G. 197. (18.)
Non, de ces noeuds que j'abhore.
See infra: [Lc Trente ct le Qua7-a7ite.]
Non lagrimar ben mio.
(See infra: [Virginia.^
Porte il ton maitre ce portrait.
See infra : [Le Trente ct Quarante.']
Pupille venose del caro mio bene.
See infra : [Virginia.]
Quel labbro vezzoso.
See supra : [La Generosita d' Alessandro.]
Le Trente et Quarante . . . Ouverture
arrangee pour Clavecin ou Piano Forte.
Chez Imbault : Paris, [1799.] fol.
h. 1480. p. (20.)
II faut agir avec prudence. Duo . . .
Arrang6 pour Piano par H. Jadin.
Chez Imhault : Paris, [1799.] fol.
G. 808. a. (581^.)
TARCHI (Akgelo) [Le Trente et Qua-
rante.] Non, de ces noeuds que j'abhore.
Trio du 30 et 40. Paroles du C" Duval . . .
Arrange pour Piano ou Harpe par Berteau
fils, etc. Chez Imbault: Paris. ^1799.1 fol.
G. 808. a. (58^)
Porte a ton maitre ce portrait.
Duo . . . Musique . . . arraugee pour Piano
ou Harpe par Bertheau.
Chez Weissenbruch : Bruxelles,
[1800?] fol. G. 808. a. (58.)
Se mai piu saro geloso.
See supra : [La Generosita d' Alessandro.]
Son prigionier lo vedo.
See supra: [La Generosita d' Alessandro.]
[Virginia.] Overture. Adapted by J.
Mazzinghi. [P. F. and Violin.]
See Opera Overtures. Nos. 1(-5) of the
Opera Overtures, etc. No. I. [1789.] fol.
h. 61. (7.)
Idol mio quest' alma amante. [Air.]
Sung by Sig' Rubiuelli, etc. [Full Score.]
Longman and Broderip:
London, [1786.] fol. H. 345. (11.)
■ Non lagrimar ben mio. [Duet.]
Sung by Madam Mara & Sig' RubineUi,
etc. [Full Score.] Longman d- Broderip :
London, [1786.] fol. G. 197. (13.)
Pupille venose del caro mio bene.
A favorite Song. . ..sung by Sig' Rubi-
neUi, etc. [FuU Score.]
Longman and Broderip :
[London, 1786.] fol. H. 345. (21.)
TARDITI (Horatio) Amorosa Schiera
d' Arie a Voce Sola per Cantare sopra il
Clauicembalo, Chitarrone, Lento, con le
Lettere, & lutauolatura per la Chitarra
alia S^iagnola . . . Opera Sesta. Nuoua-
mente composta, & data in luce.
Appresso Alessandro Vincoiti :
Venetia, 1628. i\ K. 8. d. 15.
Canzonette Amorose a Doi, e Tre Voci.
Per cantar' sopra il Glauicembalo, 6 Tiorba
. . . Nuouamcute Eistampate. Prima (Se-
conda) (Terza) Parte. (Basso per Sonare.)
4 pts. Appresso Alessandro Vincenti :
Venetia, 1647. i". D. 225.
Messe a Cinque Voci Concertate, Parte
con Instrumenti, e parte senza. Con
alcuni Salmi a Tre, a Quattro, e a Cinque
Concertati, con Instrumenti, e senza . . .
Opera Vigesima Settima. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) (Violino
Primo.) (Organo.) 7 pts.
Apiprcsso Alessandro Vincenti :
Venetia, 1648. 4". D. 225. b.
II Quarto Libro de Motetti a Doi, Tre, e
Quattro Voci in Concerto con le Letanie
della Madonna a quattro Voci Concertate
. . . Opera Decimaterza. Canto. (Tenore.)
(Basso.) (Basso per 1' Organo.) 4 pis.
Appresso Alessandro Vincoiti :
Venetia, 1637. 4°. D. 225. d.
560
TARDITI— TASKIN
TARDITI (Horatio) Psalmi acT Comple-
torium et Litanie Beatissimee Virginis
Quatuor Vocibus, Cum quatuor Antifonis
. . . Tribus vocibus. Adiuncto . . . Psalmo
In te Doniine speraui, & Hinno Te lucis
ante terminum ad voces, & Instrumenta.
Omnia ad Organi concertuni accomodata
. . . Opus Vigesimum Quartum. Alto.
(^Basso Continuo.) 2 pts.
Apud Alcssandrum Vincentium :
Vcnetiis, 1647. 4". D. 225. a.
[Another copy. Basso Continue.]
D. 225. c.
TARRY. Tarry here with me and love.
[Song.] See DiBDiN (C.)
Tarry Woo, it's Tarry Woo. Tarry Woo.
A favourite Scotch Song.
[I/oncZow, 1730 ?J s.sh.iol. G. 312. (151.)
TARS. The Tars of Old England. [Song.]
See Repeisal.
The Tars of old England. [Song.]
See Since. Since the Dutch are so low,
etc. [1775?] s.sh.iol. G. 311. (148.)
TARSIS ET ZELIE. Tarsis et Zelie.
Trag^die.
;j;ee Rebel (F.) andFRANCCEUR (F.)
TARTARISCHE GESETZ. Das Tar-
tarische Gesetz. Singspiel. See Benda (G.)
TARTINI (Giuseppe) L' Arte dell' Arco,
o siano Cinquanta Variazioni per Violino,
e sempre collo stesso Basso, composte . . .
sopra alia piu bella Gauotta del Corelli
Opera v. Appresso Lnigi Marcscalchi :
iVapoK, [1750?] fol. 11.1629.(3.)
L' Arte del Arco, ou 1' Art de 1' Archet.
Contenant 38. Variations compos6es sous
la plus Belle Gavotte de Corelly . . . Gravees
par M'"= Leclair. Chez M. Leclerc :
Paris, [1780 ?] obi. fol. e. 787. a.
II. Concerti . . . Accommodati per il Cem-
balo da L. Frischmuth. Apresso
A.Olofsen: Amsterdamo,[1155?] obl.iol.
d. 161. a. (1.)
Sei Concerti a Cinque e Sei Stromenti . . .
a "Violino Principale, Violino Primo di
Ripieno, Violino Secondo, Alto Viola,
Organo e Violoncello . . . Opera Prima.
Libro Primo (Secondo). [Separate Parts.]
M. C. Le Gene : Amsterdam, [1730 ?] fol.
g. 296. b. (2.)
[Another copy.] g. 296. a.
The Violino Primo di Ripieno (Libro I.)
wants all after p. 16.
[Sei Concerti. Op. 1. P'= 1. Nos. 1 and
3.] See Select Harmony. Select Har-
mony. Fourth Collection, etc. (Concerto
V (VI).) [1741.] fol. g. 26. a.
VI Concerti a Otto Stromenti, a A^iolino
Princij^ale, Violino, Primo, Violino Se-
condo, Violino Primo de Repieno, Violino
Secondo de Repieno, Alto Viola, Organo,
e Violoncello obligato . . . Opera Secondo.
[Separate Parts.]
Stanipate a Spese di G. F. Witvogel :
Amsterdam, [1750 ?] fol. g. 296. d.
Wanting the 2nd Repieno Violin Part.
Six Concertos in four Parts. [Separate
Parts.] WelcTxer,for Tommaso Mazzinghi :
London, [1775 ?] fol. g. 296. b. (1.)
De' Principj dell' Armenia Musicale con-
tenuta nel DiatonicoGenere Dissertazione,
etc. Nella Stamperia del Seininario :
Padova, 1767. 4°. 557*. e. 8. (2.)
[Another copy.] 141, d. 25.
Lettera del defonto Signor Tartini alia
Signora M. Lombardini, etc. — A Letter
from the late Signor Tartini . . . published
as an important Lesson to Performers on
the Violin. Translated by Dr. Burney.
It. and Eng . Printed for R. Bremner, etc. :
London, 1771. 4°. 785. k. 41.
Two Solos for the Violin.
Longman Liikey db Co. :
London, [1775 ?] fol. g. 420. b. (6.)
XII Sonatas for Two Violins and a Bass,
lately compos'd by Sig' Giuseppe Tartini,
etc. [Separate Parts.]
Printed at the Author'' s Expence :
London, 1750. fol. g. 296. e.
Sonata a Violino e Violoncello e Cimbalo
. . . Opera Prima. M. C. Le Ccne :
Amsterdam, [1734.] fol. g. 296. c.
XII. Solos for a Violin with a Thorough
Bass for the Harpsicord or Violoncello.
[Op. 1.] Printed for I. Walsh :
London, [1750 ?] fol. g. 296. (2.)
Sonate a Violino e Basso . . . Opera Secdnda.
jRoma?, [1745 ?] obl.iol. e. 787.
Wanting the dedication.
Six Solos for a Violin with a Thorough
Bass for the Harpsicord or Violoncello. . .
Opera Seconda. Printed for I. Walsh :
London, [1755 ?] fol. g. 296. (1.)
This ivork is not the same as that pub-
lished at Rome as Op. 2.
Trattato di Musica secondo la vera Scienza
dell' Armenia. Nella Stampieria del
Seminario, Appresso Giovanni Manfr^ :
Padova, 1754. 4". 557*. e. 8. (1.)
[Another copy.] 557*. e. 7.
Wanting the portrait.
[Another copy.] 59. a. 12.
See Principles. Principles and
Power of Harmony. [Founded on Tartini's
' Trattato di Musica,' etc.'] 1771. 4".
557*. e. 14.
TASKIN (Joseph Henri Pascal) Le
Depart. Air. Paroles de M. Uzanne
Fils, etc. Chez Sieber :
Paris, [1800 ?] fol. H. 2831. h. (26.)
TASSO— TAYLOR
5G1
TASSO (Giovanni Mabia)
See LuPACCHiNO dal Vasto (B.) and
Tasso (G. M.) Di Bernadino Lupachino
et di loan Maria Tasso. II Primo Libro a
due Voci, etc. 1642. 4". D. 157.
TASTE. Taste Alamode. Song.
See Lend. Lend your aid now mv muse,
etc. [1765.] 8". P.P." 5441.
TATNAL (G. P. F.) Captain Monsel's
Fancy. Irish Tune, etc.
[Dublin, 1794.] 8". P.P. 6154. k.
Walker's Hibernian Magazine, December,
1794.
TATTERSALL (William Dechair) Im-
proved Psalmody. Vol. I. [Part 1] Con-
taining the first twenty-five Psalms, from
a Poetical Version ... by ... J. Merrick
. . . with New Music collected ... by . . .
W. D. Tattersall, etc. T. Skillern, etc. :
[London,] (1794.) obi. fol. C. 481.
Improved Psalmody, Vol. I. The Psalms
of David, from a Poetical Version. . .by. . .
J. Merrick. . .with New I\Iusic collected. . .
by. . .W. D. Tattersall, etc. T. Skillern :
London, 1794. obi. fol. 5. a. 18.
This copy consists of three parts , with con-
tinuous pagination, and a separately
paged appendix. The composers named
are : It. Cooke, Sir W. Parsons, I!.
Worgan, Dr. Cooke, P. Hayes, S.
Wcbbe, Handel, W. Shield, B. J. S.
Stevens, Dr. Dupuis, J. W. Callcott,
O. Wight, B. Broderip, Haydn, W. D.
Tattersall, I. S. Smith, L. Atterbury,
Dr. Arnold, B. Sampson, T. D.
Worgcm, S. Webbe, Jun., M. Cooke,
Dr. Harington, Dr. Croft, J. Clark, J.
Milton, Bavenscroft, Dr. Heighington,
Dr. Nares, Bishop), Witton, J. Bennet,
M. Peirson and D. Wainivright.
TATTLING-. The Tatling Shepherd.
[Song.] See Foe. For haughty Phillis.
[1730?] s.sh.lol. G. 316. d. (134.)
TAXJBMAN (Matthew) An Heroick
Poem to . . . the Duke of York, on his
Eeturn from Scotland. With some choice
Songs and Medleyes on the Times, etc.
1682. fol. Sec Songs. 1347. m. 10.
TAWDRY. The Tawdry Dames of
London Town. The Gardener's Daughter.
[Song.] [London, 11 bO^ s.sh.iol.
G. 316. f. (32.)
TAX. Tax on Old Maids. Song.
See Aene (M.)
TAYLER (P. E.) Mrs. Twelve Original
Contra' Dances. [P. F.] Preston & Son :
London, [1791 ?] obi. 4°. b. 52. (4.)
TAYLOR (James) Had I but the Wings
of a Dove. [Song.] Set by Mr. James
Taylor and simg by Miss Falkner at
Marybon Gardens. [London,
1750?] s.sh.lol. L 530. (151.)
VOL. II.
TAYLOR (James) [Another edition.]
Had I but the Wings of a Dove, etc.
[Song.] [London, 1750?] s.sh.iol.
H. 1994. c. (63.)
Had I but the Wings of a Dove. [For
editions of this song published anony-
mously :] See Had.
TAYLOR (R.) of Marylebone Gardens.
The Advice. [Song.] [London,
1765 ?] s. sh. fol. G. 316. a. (46.)
The British Soldier. A Favorite Song.
Written by Mr. Lambert. W. Hodsoll :
London, [1795 ?] fol. G. 365. (29.)
A Collection of Favorite Songs and an
Overture adapted for the Harpsicord.
Book I. Longman, Lnkey & Co., for the
Autlwr: London, [1175?] fol.
G. 808. i. (13.)
The Full Flowing Bowl. [Song.] Sung
by Mr. Lowe, at ]Marybone Gardens, etc.
[London, 1765 ?] fol. G. 312. (128.)
[The Gates of Calais.] The Favorite
Symphony to the new Interlude of "The
Gates of Calais," . . . now performing . . .
at Sadlers Wells, Composed and Adapted
for the Harpsichord, G. Flute, or Violin,
etc. T. Williams : Southioark,
[1786.] fol. H. 2818. (10.)
[The-Guardian Frigate.] Jack the Guinea
Pig. A favorite Song sung by Mrs.
Harlowe ... at Sadler's Wells in the
Guardian Frigate or English Heroism.
The Words by Mr. Lonsdale.
Longman and Broderip
[London, 1790.] fol. G. 806. r. (36.)
Jack the Guinea Pig.
See supra : [The Guardian Frigate.]
Summer. A Favourite Song sung by Miss
Davis at Marybone Gardens. The Words
by Mr. Tousey, etc.
[London, 1770?] fol. G. 316. (136.)
Waft me some soft and cooling breeze.
Scotch Gavott. Sung by Jlrs. Vincent at
Marybone Gardens. [London,
1765 ?] s. sh. fol. G. 313. (104.)
TAYLOR (Raynoe) of Chelmsford. The
Recitatives Airs Duet Trio and Chorus in
Buxom Joan, a New Burletta, etc. [Words
by T. Willet. P. F. Score.]
Longmayi and Broderip :
London, [1778.] obi. fol. D. 283. (3.)
Fye ! nay i^rithee John. A Favorite Old
Catch, with Variations for the Harpsicord
or Pianoforte, etc.
Longman, Lukey & Broderip :
[London, 1775?] fol. g. 271. b. (41.)
Martini's favorite Minuet, with variations
for the Harpsicord or Piano Porte, etc.
Longman, Lukey c£" Broderip :
London, [1775 ?] fol. g. 271. b. (42.)
2 0
562
TE— TELEMANN
TE. T' amo tanto. [Song.]
Sec Aetaseese.
Te bien aimer 0 ma chere Zelie. Eomauce.
See Plantadb (C. H.)
Te, Diauina tu servi. Quartetto.
See Paisiello (G.) [_Gli Schiavi jpcr
Ainore.'\
TEACH. Teach me Chloe. The Advice.
[Song.] Sung at Sadlcrs Wells.
{Lojidon, 1759.] s. sh. 8°. P.P. 5439. ab.
Nno Universal Magazine, April, 1759.
[Another setting.] Teach me Chloe.
Song. See Giobdani (G.) or (T.)
Teach me 0 Lord. Anthem.
See Cheese (G. J.)
TEAR. The Tear. [Song.] See Hook (J.)
The Tear of Sensibility. [Song.]
See DiBDiN (C.) {Castles in the Air.'\
The Tear that breaks for others' Woe.
Canzonet. See Cooke (R.)
TEARS. Tears assist me. Song.
See Haendel (G. F.) \_Esther:\
The Tears of Scotland. [Song.]
See MouEN. Mourn hapless Caledonia.
[1750?] fol. I. 530. (100.)
The Teares or Lamentacions of a Sorrow-
full Soule. Sec Leighton {Sir W.)
Tears, such as tender fathers shed. Song.
See Haendel (G. F.) ^Dehorah.']
Tears that exhale. Song.
See Attwood (T.) [The Prisoner.']
TEA TABLE. The Tea Table. [Song,
begins : ' The inquest is set.']
See DiBDiN (C.) [A Tour to the Land's
End.]
The Tea Table. [Song, begins : ' Musicks
harmony all Sorrows droun'd.']
See Geaves (J.)
The Tea Table Intrigue. [Song.] See At.
At a drinking Tea, etc. [1720 ?] s. sh. fol.
G. 306. (30.)
TEBAY (J.) The Bath Volunteers' March
. . .to which is added Lady Nelson's Fancy
(composed by C. Smith). A Favorite
Quick Step for a Military Band, also
adapted for the Piano Forte.
T. & W. M. Cahusac : London,
[1800?] fol. h. 1568. b. (22.)
TEGURINI ( ) Padre. Unum in Trini-
tate, sen Opus Complecteus Tres Vesperas
. . .a 4. Voci, 2. Violini obligati, 2. Clarini,
2. Tympani a libito, con doppio Basso
continuo . . . Opus i. Soprano. (Alto.)
(Tcnore.) (Basso.) (Violino i (ii).) (Violon-
cello.) (Clarino i (ii).) (Tympano.) (Or-
gauo.) 11 pts. Stampato nel. . .Monas-
terio di St. Gallo, Im Vcrlaag des H.
Sebastian Mossner, . .Freysing, 1768. fol.
H. 3294.
TELEGRAPHE. The Telegraphe.
[Song.] See Dibdin (C.) [Great Neivs.}
TELEMACH PRINZ VON ITHACA.
Euch, ihr Herrn mit stolzen Blicken.
Arie aus der Oper Telemach Prinz von
Ithaca [by F. A. Hofimeister] fiirs Clavier
oder Fortepiano eingerichtet von F. H.
Liitgert. In der Meynschcn Musikhand-
lung : Hamburg, [1800 ?] ohl. fol.
E. 1766. c. (4.)
TELEMANW (Geoeg Michael) Beytrag
zur Kirchen-Musik, bestehend in einer
Anzahl geistlicher Chore, wie auch fiir
die Orgel eingerichteten Chorale und
Fugen, etc. Beij G. L. Hartung :
Konigsbcrg und Leipzig, 1785. fol.
I. 47.
G. M. Telemanns . . . Unterricht im
Generalbass-Spielen, auf der Orgel oder
sonst einem Clavier-Instrumente.
M. C. Bock : Hamburg, 1773. 4°.
7896. aaa. 10.
TELEMAWN (Geoeg Philipp) Tele-
manns Cauones a 2, 3, 4.
[Hamburg? mo '>] 4». E. 718.
Six Canons or Sonatas for two German
Flutes or two Violins. . .Opera Quinta.
Printed for J. Simpson :
London, [174.5?} fol. g. 401. a. (1.)
[VI] Cantate [a Voce Sola con Cembalo].
[Hamburg ? 1740 ?] fol. F. 20.
Engraved throughout, loith a title-page
partly in MS.
Du Tochter Zion, freue dich. [Cantata.]
Am 1. Sonntage des Advents. 2. Trom-
peten und Pauken, 2. Violinen, 4. Singe-
stimmen und Orgel. [Separate Parts.]
G. H. Tau: Her msdor ff unter dem Ky nasi
bev Hirschbcrc, etc. [1735 ?] fol.
H. 71. a.
The Organ, Trumpet, Drum, Violin and
Chorus parts arc engraved. The Full
Score and Solo Voice parts are in MS.
There arc also additional MS. parts
and 3IS. ivords.
Fast allgemeines Evangelisch-Musical-
isches Lieder-Buch, welches 1. sehr viele
alte Chorale nach ihren Uhr-Melodien . . .
herstellet. . .zugleich 2. eine grosse Meuge
der itzt-iiblichen Abweichungen anzeiget ;
hiernachst 3. den Bass also verfasset
enthalt, dass man die Lieder. . .mit 4.
Stimmen spielen kann, zu welchem
Ende dann 4. die Ziefern. . . hinzugef iiget
worden ; welches ferner 5. so wohl Chor-
als Cammer-massig gebrauchet werden
mag, und endlich 6. iiber 2000 Gesange
in 500 und etlichen Melodien darstellet ;
zusammen getragen, in die Harmonie
gebracht . . . und, nebst einem . . . ange-
hangenen Unterrichte der . . . zur vier-
stimmigen Composition und zum..
TELEMANN— TELL
563f
General-Basse anleitet, in dieser. . .Forme
herausgegeben von G. P. Telemann, etc.
P. L. Stromcr : Hamburg, 1730. obi. 4".
K. 3. g. 3.
Telemanns Fugirende und veraendernde
Choraele. [Hamburg ? 1740 ?] obi. 4".
b. 148.
Fugues legeres & Petits Jeux, a Clavessin
seul, etc. Chez I'Auteur :
Hambourg, [1730 ?] fol. g. 401. c.
Harmonischer Gottes-Dienst, oder geist-
liche Cantaten . . , welche . . . aus einer
Singe-Stimme bestehen, die entweder von
einer Violine, oder Hautbois, oder Flute
traverse, oder Flute a bee, nebst dem
General-Basse, begleitet wird, etc. (An-
hang zum Harmonischen Gottes-Dienste,
etc.) 2 pts. In Verlegung dcs Autoris :
[Hamburg, 1725.] fol. H. 71. b.
Imperfect, wanting the last leaf.
Musicalisches Lob Gottes in der Gemeine
des Herru, bestehend aus cinem Jahr-
gange liber die Evangelien; fiir 2. oder
3. Singestimen, zwo Violinen, aucb
Trompetten und Paucken bey hoheu
Festen, nebst dem General-Basse, abge-
fasset, etc. In Verlegicng Balth :
Schmids : Nilrnberg, (1744.) fol. H. 71.
Six Quatuors a Viollon, Flute, Viole ou
Violou de Celle et Basse Continue . . .
Nouvelle Edition grav(^e par De Gland,
etc. [Separate Parts.] Chc2 M'' Le Clerc:
Paris, [1745 ?] fol. g. 401. (1.)
Nouueaux Quatuors en Six Suites a une
Flute Traversiore, un Violon, une Basse
de Viole, ou Violoncel, ct Basse Continue
...Graves par D. Vincent. [Separate
Parts.] Chez V Autcur :
Paris, [1740 ?] fol. g. 401. (2.)
XII, Solos for a Violin with a Thorough
Bass for the Harpsicord or Bass Violin. . .
Opera Prima. 2 pts. Printed for I. Walsh :
London, [1785 ?] fol. g. 422. i. (2.)
These solos loere first published by
Walsh and Hare under Telemann' s
psetulonym, Georgio Melande.
Six Sonatas or Duets for two German
Flutes or Violins. . .Opera Seconda.
Printed for I. Walsh :
London, [11 iO'}} fol. g. 401. a. (2.)
Sei Sonatine per violino e cembalo.
If. C. le Gene : Amsterdam, [1730 ?] fol.
g. 401. b.
See Blyvers (G.) Andere Antwort, auf
Monsieur Weichmanns Schreiben . . .
betreffend dessen iiber den . . . Hn. Cantor
T(elemann). . .gefalleten Urtheile.
1722. 4°. 556. a. 11. (2.)
See Haltmeier (C. J. F.) Weiland Herrn
C. J. P. Haltmeiers . . . Anleitung : wie
man einen General-Bass . . . transponiren
kdnne; zum Druck befordert von G. P.
Telemann, etc. 1737. 4°. 7897. f. 20.
TELEMAISTN" (Georg Philipp)
Sec also Melande (G.) pseud.
See Sorge (G. A.) Ausf iihrliche . . . An-
weisung zur Rational-Rechnung. . .Nebst
einer . . . Nachricht von dem neuen Tele-
mannischen Intervallen System, etc.
1749. 8". 7897. aa. 9.
See SoRGE (G. A.) Gesprach. . .von dem
neueu Systemate Herrn. . .Telemanns, etc.
(1748.) 8". 7807. a. 2. (2.)
TELEMAQUE. Telemaque. BaUet.
See Egville (J. d') and Bossi (C.)
TFILEMAQUE DANS L'ISLE DE
CALYPSO. Telemaque dans I'lsle de
Calj-pso, ou le Triomphe de la Sagesse.
Trag^die lyrique. See Lesueur (J. F.)
TELEMAQUE ET CALYPSO. Tele-
maque et Calj-pso. Tragedie.
See Destouches (A. C.)
TELEPHE. Telephe. Tragedie.
Sec Campra (A.)
TELL. TeU me BeUinda, prithee doe.
[Song, words from C. Cibber's ' Woman's
Wit, or the Lady in Fashion,' music by
R. Leveridge.] [London, 1697 ?] fol.
H. 1601. c. (5.)
Tell me, Belinda. Song.
Sec Leveridge (R.) [The Lady in
Fashion.]
Tell me charming creature. Rondo.
See GiORDANi (G.) or (T.)
TeU me Dear Celia. A Gantata by an
Eminent Master. [London, 1725 ?] fol.
G. 312. (13.)
Tell me dear charmer. Song.
See WiLFORD (J.)
Tell me Delia charming Fair. Tell me
Delia. [Song.] P. H[odgson :
London, 1780?] s. sh. tol.
G. 312. (158.)
Tell me, fair one, teU me why. [Duet.]
The Words bij Mr. Henly.
[io?ifZon, 1760?] s.sh.iol.
Gr. 316. (137.)
Tell me gentle Hobby de hoy. The
Effeminate. [Song, words and music by
H. Carey.] [London,'] 1740. s. sh. fol.
G. 316. a. (47.)
Tell me lasses have you seen. A Neio
Song. Sung by Miss Stevenson at Vaux
Hall, 1756. [Words translated from the
Greek of Moschus.] [London,
1756.] s. sh. fol. G. 312. (183.)
Tell me. Lasses, have ye seen. A Song,
Sung by Miss Stevenson, at Vaux-hall.
[London, 1756.] 8". P.P. 5438.
Literary Magazine, Vol. I., p. 208.
2 0 2
564
TELL— TEMPEST
TELL. Tell me, Lasses, have ye seen. A
Song. Sung by Miss Stephenson at Vaux-
Hall. [London, 1756.] 8°. 250. c. ^3.
Gentlemaii' s Magazine, Vol. XXVI.,
p. 399.
Tell me Lasses, have you seen. A new
Song. Sung by INIiss Stevenson at Vaux-
Hall. [London, 1756.] 8°. 158. 1. 1.
London Magazine, 1756, p. 444.
Tell me, lasses, have you seen. A New
Song. Sung by INIiss Stevenson at Yaux-
hall. [Lojidon, 1757.] 8". P.P. 5438. z.
Universal Magazine, Vol. XX., 2^. 30.
[Another setting.] Tell me Lasses have
you seen. [Song.] Sung hy Miss Steven-
son at Vaux-HaU. [London,
1760?] s.sli.io\. a. 316. f. (50.)
Tell me, lovely Shepherd, where. [Song,
from W. Boyce's ' Solomon.'] [London,
1750 ?] s. sh. fol. G. 312. (26.)
Tell me, lovely Shepherd, where. Song.
See BOYCE (W.) [Soloinon.']
Tell me, my Delia. Song.
See HowAKD (S.)
Tell me my heart if this be love.
See When. When Delia on the plain
appears, etc. [1790 ?] fol. G. 798. (52.)
Tell me, my lovely, charming Fair. The
Address. A New'Soug. [London,
1740 ?] s. sh. fol. G. 305. (232.)
[Another copy.] G-. 312. (72.)
Tell me no more I am deceiv'd. Song.
See PuRCELL (H.) [The Maid's Last
Prayer.']
Tell me no more of pointed Darts. A
Lady's Advice to her Lover. [Song.]
[London, 11 50 '>] s. sh. iol.
^ G. 316. f. (28.)
Tell me no more of pointed Darts. A
Lady's Advice to her Lover. [Song.]
[London, 1758.] s. sh. S". P.P. 5439. ab.
New Universal Magazine, Vol. XIV.,
Supplement.
Tell me, 0 cruel maid. La Virginella,
adapted [with English words] as a Lesson
for the Harpsichord. [The music from
Bertoni's Opera " La Governante."]
J. Dale : [London, 1780?] fol.
H. 131. (11.)
Tell me on what holy ground. Song.
See Carnaby (W.)
Tell I me, tell me, charming Creature.
Song. See Webber (-J.)
TeU me the path, sweet wand'rer, tell.
See Spoffobth (R.)
Tell me Thirsis. [Dialogue.]
See Duke of Guise.
Tell me thou Soul of her I love. Ballad.
See Dance (W.)
Tell me thou Soul of her I love. Ballad.
jSee GiORDANi (-J.)
TELL. Tell me where is Fancy bred.
Duett. See Stevenson {Sir J, A.)
Tell me, ye happy Pow'rs above. Song.
See WiLFORD (.J.)
Tell me ye little wanton Boy. Song.
See Holmes (G.) of Lincoln.
Tell me you Rover. The Eover. A new
Song. [Londoyi, 1720 ?] s. sh. fol.
° ^ G. 315. (35.)
Tell the INIaid I love her. Song.
See Hook (J.)
TELL TALE. The Tell Tale. Song.
See Blab. Blab not what you ought to
smother. [1740?] s. sh. io\.
G. 316. d. (62.)
The Tell Tale. [Song, begins : ' To tell
I'm in love.'] See Yates (W.)
Tell-tale Eyes can ne'er dissemble.
[Song.] See Arnold (S.) [The Spanish
Barber.']
Tell Tale Tit. A Favorite Duett. For
Two Voices adapted for Juvenile Per-
formers. Printed for J. Dale :
London, [1797 ?] fol. G. 354. (61.)
TELONIUS (C. G.) [Music to two
poems in J. D. Schultze's ' Copien fur
meine Freunde,' etc.] Sans Jacob
Matthiessen : Hamburg, 1785. 8°.
11517. cce. 53.
Oden und Lieder mit Melodien Fiirs
Clavier gesetzt uud herausgegeben von
einem Liebhaber der Musik : C. G.
Telonius. M. C. Bock : Hamburg,
1777. obi. fol. D- 358.
TEMISTOCLE. The Favourite Song in
. . . Temistocle. [Opera.]
See Porpora (N. A.)
TEMOINS. Temoins de ma vive con-
stance. A ma Maitresse Qui vouloit qiie je
renonqasse a I'amour. [Song.] Accomp^
de Guittare par M. Ducray. Air : 0 toi
qui n'eus jamais dii naitre. Gliez les
Frires Savigny : [Paris, 1785 ?] 8".
B. 362. I. 55.
Temoins de mon ardeur sincere. Chanson.
[Paris,] 1753. s. sh. 4°. 298. c. 12.
Mercure de France, Jan., 1753.
TEMPELHOFF (Geoeg Feiedrich von)
See T., G. E.
TEMPEST. The Tempest. The Ariel's
Songs in the Play call'd the Tempest. [By
J. Banister, J. Hart, and P. Humphrey.]
[London, 1610?] fol. G. 109. (2.)
What new Delights. A favourite Duet.
Sung by Mrs. Crouch and :Mr. Kelly in
the Tempest. [By M. Kelly.] J. Lee :
DubUn,[1190n -'^- fg; 1,01. ^. (8.^
TEMPEST— TENDUCCI
56&
TEMPEST. Where the Bee sucks, Ariel's
Song in the Tempest. [Music by T. A.
Arne.] W. E[andall :
London, 1775 ?] s. sh. fol. G. 313. (14.)
[Another copy.] H. 1994. a. (44.)
[Another edition.] Where the Bee sucks.
ArieVs Song, etc. [London,
1775?] s. sh. fol. G. 313. (167.)
The iMusic in The Tempest.
See PuRCELL (H.)
The Tempest. Opera. See Smith (J. C.)
The Tempest of War. Song. See If.
If the tempest of war, etc. [1761.] 8°.
P.P. 5140.
The Tempest of War. A New Song.
See Let. Let the Tempest of War, etc.
[1761.] 8". P.P. 5441.
The Tempest of War. [Song, begins :
' Let the Tempest of War.'] See Orme (K.)
TEMPLE. The Temple of Fame. [Song.]
>S'eeDiBDiN(C.) [A Tour to the Land' s End .]
The Temple of Love. [Song.] See All.
All hail sweetest Temple, etc.
[1784?] fol. G. 306. (161.)
The Temple Rambler. [Song.]
See From. From Whitehall to v" Tem-
ple. [1750?] s. sh. fol. G. 316. d. (127.)
TEMPLE DE LA PAIX. Ballet du
Temple de la Pais. Sec Lulli (G. B.)
TEMPLE DE LA PARESSE. Le
Temple de la Paresse, ou le Triomphe du
Travail. Com^die, en un Acte & en Vers ;
avec un Prologue, & un Divertissement,
& des Airs nottez a la fin. Chez Prault,
jeicnc : Paris, 1753. 8°. 11738. aa. 6. (4.)
TEMPLE HALL. The Temple Hall
Legion or the Rioters Nonsuited. [Song.]
See Come. Come hither ye Lads and ve
Lasses. [1780?] s. sh. io\. G. 307. (87.)
TEMPLE OF LOVE. The Temple of
Love. Opera. See Saggione (G. F.)
Ne'er leave me more my Treasure. [Song.]
Sung by Mrs. Braccgirdle, in the Opera
call'd the Temple of Love. [Words by
P. A. Motteux, music by J. Saggione.]
[Lojidon, 1706.] s. sh. fol. G. 310. (134.)
TEMPS. Le Tems de Penitence. [Song.]
See II. II faut renoncer aux plaisirs, etc.
[1785 ?] 8". B. 362. (249.)
Le Temps Fugitif. Air.
See La Serre ( de)
Le tems present est une fleur. Air.
See Confederation du Parnasse.
TEMPUS. Tempus fugit. Song.
See In. In vain the fleeting Clouds we
chide, etc. [1755.] 8". 157. 1. 17.
TENCH (Fisher) An Address to Vulcan.
[Song, words from Anacreon by the Earl
of Rochester.] [London, 11 10 T] s. sh.iol.
G. 305. (108.)
TENDER. The Tender Lover. [Song.]
See Geminiani (F.)
Tender Passions. [Song.]
See Rayner (L.)
Tender virgins shun deceivers. Tender
Virgins. [Song.] E. Falkener :
London, [1775 ?] fol.
H. 1994. a. (127.)
TENDRE. Tendre Amour, sous ton
Empire. Chanson.
See MoNDONViLLE (J. J. Cassanea de)
[Pieces de Clavecin. CEuvre 3". Sonata F.]
La Tendre Aurore vient. Le Portrait
devini'. Ariette. [Paris, 1780?] 8".
B. 362. c. (13.)
Tendre baiser sur bouche demi close.
L'amant Complaisant. Romance Nouvelle
avec accomp' de guitare. [Paris,]
1779. 8". B. 362. g. (4.)
Tendre Berger, jeune Bergere. L' Amour
sans Fard. [Song.] [Paris,]
1763. s. sh. 8". 298. d. 14.
Mcrcure de France, Dec, 1763.
Tendre fruit des pleurs de I'Aurore.
Chanson. Ode Anacr^ontique.
[Paris,] 1750. s. sh. 4°. 297. c. 28.
Mercure de France, Oct., 1750.
Tendre fruit des pleurs de I'Aurore. A la
Rose. Chanson. [London, 1751.] 8°.
249. c. 21.
Gentleman's Magazine, Vol. XXL,
i?. 37.
[Another setting.] Tendre fruit des pleurs
de I'Aurore. Ariette.
See Lagarde (N. de)
La Tendre Union. Chanson. See JouR.
Un jour dans un vert boccage, etc.
[1780?] 8". B. 362. g. (17.)
TENDRES. Tendres Amants, dans
I'ardeur qui vous presse. Menuet.
See Frary ( )
Les Tendres Plaintes. Parodie.
See Rameau (J. P.) [Pieces de Clavecin.]
TENDRESSE. Tendresse Bacchique.
Menuet. Sec Bouvaeu (F.)
La Tendresse d'une maistresse. Rondeau.
See Berthet (P.)
La Tendresse rejet^e. Couplets Dialogues.
See Ma. Ma mere je viens devant vous,
etc. [1790?] 8°. B. 362. c. (30.)
TENDUCCI (GiusTO Ferdinando) A
Collection of new French Songs, with
a Thorough Bass for the Harpsichord,
etc. Printed for C. and
S. Tlmnpson : London, [1770 ?] ohl. fol.
E. 600. 1. (10.)
The Guardian Angel. [Song.] [London,
1765 ?] s. sh. fol. G. 312. (108.)
Indeed, my Dear, in vain you strive.
See infra : [Six Neiv English Songs.
No. 6.]
566
TENDUCCI— TES
TENDUCCI (GiusTO Ferdinando) In-
struction of Mr. Tenducci to his scholars.
Longman d Broderij} : London,
[1785 ?] oU. fol. E. 820.
JVith portrait.
[Love at First Sight.] No anxious Care
my Heart can know. A Neio Song ... as
it is Sung by Mr. Vernon and Miss Young
. . .in the New BaUad Farce [by T. King]
call'd Love at first sight. [London,
1763.] s. sh. fol. G. 310. (157.)
A favorite Minuet & Country Dance for
the Piano Forte or Harpsichord.
Longman and Brodcrip : London,
[1785?] fol. h. 62. (13.)
The Favourite Songs in the Opera of [the
Revenge of] Athridates as Perform'd at
the Theatres in Dublin. Compil'd from
the Works of the most Eminent Masters
by M' Tenducci, adapted for the Voice
and Harpsichord . Printed for... John
Johnston : London, [1767 ?]
G-. 206. g. (4.)
The co77iposers named are : Bach, Vento,
Tenducci and Bameau.
[For songs, &c., published anony-
mously :] See Athridates.
Four Sonatas for the Piano Forte. [1801.]
See Periodical Publications.— I/Ow^o».
The Piano-Forte Magazine. Vol. XV.
[No. 3.] [1797-1802.] 8°. D. 854. •
Six New English Songs composed by F.
Tenducci and to be sung by him at Rane-
lagh. Printed for the Author : London,
1763. oU. fol. . E. 600. n. (12.)
[Six New English Songs. No. G.] Indeed,
my Dear, in vain you strive. A favourite
Smg, etc. [London,] 1800. s. sh. 4°.
•^ P.P. 5741.
Lady's Magazine, Feb., 1800.
Three English songs with an Accompany-
ment for the Harp, Piano Forte, or Harp-
sichord. Longman and Broderip :
Lo7idon,[_1784:'>] obi. A". C. 385.
Six Favorite Italian Songs performed at
Mr. Bach's Concert, and . . . Inscribed to
. . .the Queen of France, by Count F. Ten-
ducci. [FuU Score.] [London, 1778.] ' fol.
G. 114.
This collection contains songs by G.
Paisiello, N. Piccini, C. Monza, F.
Bertoni and G. Gazzaniga.
When my Chloe smiles. [Song.] Com-
posed and sung by M"^ Tenducci in Comus.
[London, 1770 ?] s. sh. fol.
^ ' ' (J. 313 (155.)
See Feast op Apollo. The Feast of
Apollo, containing . . . Songs by . . . Ten-
ducci, etc. [1788.] fol. G. 351. (2.)
[Song.]
TENEMENT. A Tenement to Let.
See I. I have a Tenement to let.
[1720 ?] s. sh. fol. H. 1601,
(220.)
TENTERS. T^niers, Com6die en un acta
ct en prose, melee de Vaudevilles ; . . .Par
J. N. Bouilly et J. Pain. [With the music
of one song.] Au magasin dc pieces de
Thmre : Paris, An ix [1800]. 8".
11738. k. 31. (5.)
[Another copy.] 11738. bbb. 2. (1.)
TENOE ( ) Florella. A Song, etc.
[London, 1720?] s.sh.iol.
H. 1601. (530.)
[Another edition.] Florella. A Song, etc.
[London, 1720 ?] s. sh. fol.
G. 316. g. (74.)
TENTATION. La Tentation de St.
Antoine. [Song.] Sec Ciel. Ciel I'Univera
va-t-il done se dissoudre. [1780 ?] 8".
B. 362. e. (6.)
TERM. A Term full as long as the Siege
of old Troy. ' Tis time enough yet. [Song.]
Sung by Mr. Atkins. [London,
1760 ?] s. sh. fol. H. 1994. (62.)
TERRADEIiLAS (Domingo Miguel
Barnabas) Dudici Arie et due Duetti,
etc. [Short Score.] Printed
for I. Walsh : London, [1747.] fol.
•' G. 113.
[Bellerofonte.] The Favourite Songs in
the Opera call'd Bellerofonte. [Short
Score.] Printed
for L Walsh : London, [1746.] fol.
G. 194. (5.)
[Mitridate.] The Favourite Songs in the
Opera call'd Mitridate. [Short Score.]
2 Bks. Printed for I. Walsh: London,
[1746.] fol. G. 194. (3.)
[Another edition. The Favourite Songs
in ... Mitridate.] No. I. [Printed for
I. Walsh : London, 1750 ?] fol.
H. 348. e. (5.)
Wanting the title-page, hi this edition
the plates have been re-numbered,
possibly for inclusion in the " Delizie
deir Opere " series.
[Se spuntan vezzose.] The dis-
consolate Lovers : to a favourite Air in
INIitridate, etc. [1746.] s. sh. fol.
See Mitridate. G. 315. (121.)
TERZACHUS (Angelus) R. P. Angeli
Terzachi Laudensis . . . Psalmi Vesperarum
et Magnificat Quatuor Vocum cum Basso
Continuo ad Organum, et in fine aliquot
Falsi Bordoni cum Versu Venerabilis
Sacramenti. Altus. (Tenor.) (Bassus Con-
tinuus.) 3 pts. Apud
Pctrum Phalesium : Antuerpin-, 1615. 4°.
C. 113.
TES * * * ( ) A une jolie Femme jalouse.
[Song.] Paroles de M. Sim . . . , etc.
B6coq^lilliie : [ Paris,} lTi2. s. sh. 8vo.
298. e. 15.
Mercurc de France, Sept., 1772.
TESEO— TESTORI
567
TESEO. [Piu non cerca liberta.] Cupid
once in search of Prey. A Favorite Song
in Theseus. [Music by G. F. Handel.]
The words by Mr. Leveridge. [London,
1720?] s.sh.iol. H. 1601, (115.)
[Another edition.] Cupid once in search
of Prey. A favorite Song in Theseus, etc.
[London, 1720 ?] s. sh. fol. G. 305. (190.)
Si, t' amo, caro. A Favourite Song in
the Opera of Thes[ejus. In Itallian and
English. [By G. F. Handel.]
[LoufZou, 1715 ?] fol. H. 1601. (382.)
[Another edition.] Si, t' amo, caro. A
Favourite Song in the Opera of Theseus.
[London, ni5?] fol. G. 311. (48.)
[Si, t' amo, caro.] Fly, and his soft en-
chanting. A Favorite Song in the Opera
of Theseus, the words by Mr. Leveridge.
[London, 1715 ?] fol. G. 305. (210.)
TESSARINI (Carlo) Easy and familiar
Airs for the Violin or German Flute with
a figur'd Bass, etc. Printed for John Cox:
London, [1750 ?] fol. li. 219. e. (6.)
Concerti a Cinque con 3 Violini, Violetta
Violoncello 6 Basso Continuo . . . Opera
Prima. [Separate Parts.] Printed for
I. Walsh: London, [ITdS?] fol.
g. 688. a.
Concerti a Piu Istrumenti con Violino
Obligate e duo Violini Alto Viola Violon-
cello e Cembalo . . . Opera Terza. [Separate
Parts.] M. C. Le Ccne : Amsterdam,
[1734.] fol. f. 122. a.
Wanting the Violino Secondo di Eipieno
part.
II Maestro, e Discepolo. Diuertimenti da
Camera a due Violini . . . Opera Seconda.
Nclla Stamperia delta Ven. Capella del
S'"" Sagra)7i. presso G. Mainardi : Urbino,
(1734.) obi. fol. K. 10. a. 11.
An Accurate Method to attain the Art of
Playing y" Violin, with Graces, in all
the different Keys, how to make proper
Cadences, & y= nature of all y'' shifts, with
severall Duets and Lessons, etc.
P. Welcker : London, [1765 ?J fol.
h. 210. i. (3.)
II Placer del Amator di Mnsica. Facile
sonatine da Camera a due Violini e Basso.
Con Canone al Fine ; nuouamente Ris-
tamp.ite e ricorette. . .Opera Quinta.
[Separate Parts.] Net adresso ordinario :
Parigi, [1740 ?] fol. g. 274. c. (4.)
Sinfonie a Due Violini e Basso 6 Cembalo
, . .Opera Settima. [Separate Parts.]
Ch4s M'"' Boivin : Paris, (1744.) fol.
g. 274. c. (6.)
XII Solos for a German Flute a Hoboy
or Viclin with a Thorough Bass for the
Harpsicord or Bass Violin . . . Opera
Seconda. Printed for I. Walsh:
London, [1736.] fol. g. 688.
TESSARINI (Carlo) Six Sonatas or
Duets for Two Violins . . . Opera Seconda.
Printed for J. Johnson: London,
[1750?] fol. g. 225. b. (7.)
Six Sonatas or Duetts and Canones for
two Violins. . .Book 2*.
Printed for J. Osivald : London,
[1755 ?] fol. g. 270. 1. (10.)
XII Sonata [slcl a Violino e Violone o
Cimbalo. . .Opera Terzo. G. F. Witvogel :
Amsterdam, [1735 ?] fol. g. 422. (5.)
Senate a Violino Solo e Basso . . . Opera
Ottava. Chez Madame Boivin :
Paris, [1745?] fol. g. 422. (6.)
Sonate a Due Flauti Traversier 6 sia due
Violini e Basso. . .Opera xii. [Separate
Parts.] Chez
Madame Boivin : Paris, [1745 ?] fol.
g. 274. c. (7.)
La Stravaganza, Divisa in Quattro Parti,
e composta d' Overture, di Concerti con
Oboe, di Partite, Concerti a due Violini
obbligati, Sinfonie, e Concerti con Violino
obbligato a Cinque : cioe, tr6 Violini, Alto
Viola, e Basso , . . Opera Quarta. Libro
Primo (Secondo). [Separate Parts.]
M. C. Lc Ccne : Amsterdam, [1735 ?] fol.
f. 122. b.
Sei Trio a Due Violini e Basso. . .Opera
Sesta. [Separate Parts.]
Aux adresses ordinaires : Paris,
[1740?] fol. g. 274. c. (5.)
Sec Harmonia Mundi. Harmonia ^lundi.
The 2'' collection. Being VI Concertos. . .
Collected out of the choicest Works of . . .
Tessarini, etc. [1727 ?] fol. g. 419. a.
TESSIER ( ) See Tissier.
TESSIER (Gcillaume) II Primo Libro
deU' Arie Franzesi, Italiche, & Spa-
gniuole, a Quattro, & Cinque voci. Com-
poste nuouamente da Guglielmo Tessieri
di Bretagna. Canto.
Par Adrian le Roy, & Robert Ballard :
Parigi, 1582. obi. 12°. K. 2. b. 8.
Premier Liure d'Airs tant Fraugois,
Italien, qu'Espaignol, reduitz en Musique,
a 4. & 5. parties, etc. Tenor.
Par Adrian le Roy, & Robert Ballard :
Paris, 1582. obi. 12'. K. 2. b. 9.
The contents of this edition are the same
as that tvith the Italian title-page,
except that this one has an Italian
dedication to Queen Elizabeth and tioo
stanzas are lyrinted on fol. 29 recto
instead of ten.
TESTAMENT. Testament d'unYvrogne.
[Song.] See Fel ( )
TESTORI (Carlo Giovakni) La Musica
Ragiouata espressa famigliarmente in
dodici Passeggiate a Dialogo, etc.
Presso Giiiseppe Panialis :
Vercelli, 1767. 4°. 557* e. 13.
668
Tl&TE— THEATRICAL
TETE A PERRUQUE. Sur toute la
Nature on voit regner I'amour. Chanson
tiree de la Tete a Perruque [by C. CoUe]
avec Accompaguemeut de Guithare par
M' Tissier, etc. [Paris,] 1779. 8°.
B. 362. b. (201.)
TETE A TETE. Tete a tete. Soug.
See Bewlay (H.)
A Tete a Tete Conversation between y"
French King & his Minister. [Song.]
See When. When Louis the proud, took
it into his Head, etc. [1758?] s. sh. fol.
G. 313. (154.)
TETTAMANZI (Fabeizio) Breue Me-
todo per fondatamente e con facilita
apprendere il Canto Fermo. Diuiso in
tre Libri, etc. Per Federico Agnelli :
Milano, 1636 [1686]. 4°. 557*. d. 15.
Breve Metodo per apprendere il Canto
Fermo, etc. Per Beniamino Sirtori :
Milano, 1756. 4°. 557*. d. 33. (3.)
Uffizio de' Morti tutto in Canto Fermo,
Incomiciando dal Vespero con I'intona-
zione de' Salmi, si come al Mattutino ; con
il modo di cantare le Lezioni, e Responsorj
con la Messa medema, etc. Francesco
Agnelli : Milano, 1715. 4". D. 588.
TEVO (Zaccaeia) II Musico Testore, etc.
Apprcsso Antonio BortoU :
Venezia, 1706. 4". 557*. d. 27.
TEXTOR (Heineicus) See Feisius (J.)
Breuis Musicse Isagoge . . . Accesserunt
priori seditioni omnia Horatij carminum
genera ... quatuor uocibus ad se quale s, in
studiosoruTQ adolescentum gratiam com-
posita [by H. Tester]. 1555. obi. 4°.
Gren. 9408.
TEXTORIS (Guglielmo) II Primo
Libro de' Madrigali ... a Cinque Voci.
Nuouamenteposti inluce. Canto. (Alto.)
(Tenore.) (Basso.) (Cuinto.) 5 pts.
Appresso Glaudio
da Coreggio, d-Fausto Bethanio Compagni :
Venetia, 1566, obi. 4°. K. 3. f. 10.
Wanting the title-pageiof the Quinto part.
TEYBER (Feanz)
SecKEiEGEL(C.F.W.) XXXVI . . . Lieder
von... Teyber, c^c. [1790-1.] obl.lol.
E. 679.
THACKRAY (Thomas) Six Lessons for
the Guittar, etc.
Thomas Haxby, for the Author :
York, [1770 ?] obi. fol. e. 368. (22.)
THAIS. Thais led the way. Song.
See Haendel (G. F.) [Alexander's Feast.']
THAIjESIO (Pedeo) Arte de Canto
Chao, com huma breve Instruccao, pera os
Sacerdotes, Diaconos, Subdiaconos, &
moQos do Coro, conforme ao vso Romano,
etc. Diogo Gomez de Lourcyro :
Coimbra, 1618. 4°. K. 8. d. 16.
THALIA. Thalia. A Collection of Six
favourite Songs. . .which have been...
Introduced in several Dramatic Perform-
ances at the Theatre Royal in Drury Lane.
The Words by D. Garrick, and the Musick
compos'd by Dr. Boyce, Dr. Arne, Mr.
Smith, Mr. M. Arne, Mr. Battishill and
Mr. Barth[e]lemon. J. Johnston :
London, [1767 ?] fol. G. 320. (3.)
THAN. Than Summers Suns more bright
I own. Love's the Devil. [Song.]
[London, lim7] s. sh. io\.
G. 312. (182.)
THANK. Thank God at last. The
Marriage Pretty 'tween John & Betty.
[Song.] Sung by ]\Ir. Green at Sadlers
Wells. [London, 11101] fol.
G. 305. (254.)
THANKSGIVING. A Thanksgiving
Hymn. [Sacred Song.] See Soon. Soon
as the Morn salutes your Eyes.
[1777?] s.sh.iol. G. 311. (135.)
THAT. That Hymen's easy silken rein.
Advice to the Ladies. [Song.] [London,
1751.] 8". 249. c. 21.
Gentleman's Magazine, Vol. XXL, p. 515,
That Jenny's my Friend. A new Song.
Sung by Mr. Beard at Ranelagh Gardens.
[Words by E. Moore.] [London,
1750?] s. s/t. fol. G. 312. (79.)
That Jenny's my Friend. A neiv So7ig,
Sung by Mr. Beard. [London, 1753.] 8°.
157. L 15.
London Magazine, 1753, p. 526.
That Jenny's my friend. A Song : Sung
by Mr. Beard at Ranelagh Gardens.
[London, 1753.] 8°. 249. e. 23.
Gentleman's Magazine, Vol. XXIII. ,
p. 383.
That Jenny's my Friend. A Neio Song.
Sung by Mr. Beard, at Ranelagh Gardens.
[London, 1754.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XIV., p. 111.
That scornfuU Silvia's Chains I wear.
Song. See Akeeoyde (S.)
That you alone my Heart possess. Song.
See EccLES (J.) [Sir Fopling Flutter.]
THEATRE. Nouveau Theatre de la
Foire, ou Recueil de Pieces, Parodies &
Opera-Comiques ; Representes sur le
Theatre de TOpera-Comique, depuis son
r^tablissement jusqu'a present. Ann^e
1761. Avec les Airs, Rondes & Vaudevilles
uot6s. Nouvelle Edition. 5 Tom. Chez
Duchesne: Par is, 1163. 8". 11735. d. 2.
THEATRE OP MUSIC. The Theater
of Music : or, A Choice Collection of Songs.
See Playfoed (H.)
THEATRICAL CANDIDATES. The
Theatrical Candidates. [Opera.]
See Bates (W.)
THEE— THEEE
569
THEE. Thee will I, Jehovah, praise.
Song. See Haendel (G.F.) [Occasional
Oratorio.l
THEIR. Their Groves of sweet myrtles.
Ballad. See Ambrose (J.)
THEMIRE. Themire est loin de ces
boccages. Chanson. Gravi par
ir'- Labassie. Imprivid par Tourndle :
[Paris,] 1758. s. sh. 8". 297. d. 14.
Mercure de France, Sept., 1758.
Themire est sans desir. Ariettc Kouvdh'.
[Paris, 1770 ?] 8». B. 362. b. (44.)
Themire un jour dans son boudoir. Le
Boudoir. [Song.] Air : Chantez, dansez
[bv A. E. M. Gr^try]. [Paris, 1780?] 8^
B. 362. (169.)
THEMISTOCLE. Thdmistocle. Trag^dic
Lyrique. See Philidor (F. A. Danicam).
THEN. Then cease ye fine Fellows.
Song. See Hook (J.)
Then why should we be pining, 0'. [Song.]
See 'Tis. 'Tis true that ills attend on
man. [1790?] s. sh. fol. G. 316. (140.)
THEOBALD IV., King of Navarre. Los
Poesies du Roy de Navarre, avec des
Notes & un Glossaire Francois ; pr6ced6es
de I'Histoire des Revolutions de la Langue
FranQoise . . . d'un Discours sur I'An-
ciennet6 des Chansons Francoises, & de
quelques autres Pieces. (Chansons
not^es.) 2 torn. H. L. Gucrin A J.
Guerin : Paris, 1742. 8". 1065. f. 10.
Gren. 18081-2.
Gren. 18079 80.
241. k. 12.
687. d. 29, 30.
[Another copy.]
[Another copy.]
[Another copy.]
[Another copy.]
THEOBALDUS, of Constance, a Capu-
chin Monk. Marianischer Baum-Garten,
allwo die, in der Schmertzhafften Marian-
ischen Einode herumb gewanderte Polym-
nia — die menschliche Seele — sich zu
erlustigen, Mariam in underschidlichhen
Baum - Gewachsen Gesangs - Weiss be-
trachtet. Mit schonen...Sinn-Bildern,...
und.. .Historien, wie auch mit neu auff-
gesetzten Arien, und Ritornellen a 2.
Violiui geziehret, etc. 2 pts. Leonhard
Parens : Costanz, 1704. 8".
3457. df. 11.
Schmertzhafite Marianische Einode, alwo
die Irrende Polymnia — die Menschliche
Seel — durch den Echo. . .eingelocket, die
zwey. . .leidende Hertzen, als den leyden-
den Jesum, und dessen mitleydende liebste
Mutter Mariam singend betrachtet. Mit
Sinbilderen auch neu-aufgesetzten Arien
und Ritornellen a 2 Violinis geziert, etc.
2 pts. Leonhart Parens : Costanz,
1698. 80. 1360. f. 9.
THEODORE. J'aime encor et j'ai soix-
ante ans. Ariette de Theodore. Avec
Accomp* de Guittare. [Words by Mar-
sollier, music by J. B. Davaux.] \ Paris,
1785?] 8". B. 362. h. (21.)
THEODORE ET PAULIN. [For
songj, &c. in Theodore et Pauliu :]
See Epreuve Villageoise.
THEODOSIUS. Theodosius: or the
Force of Love. A Tragedy. . .Written by
N. Lee, With the Musick betwixt the
Acts. [By H. Purcell.] Printed for
E. Bentley and M. Magnes : London,
1680. 4". 841. f. 50.
T H ii O ]S" O !6. Theono6. Tragedie en
]\Iusique. See Salomon ( )
THERE. There, from mortal cares retiring.
Song. See Haendel (G. F.) [Sonde.]
There is a fountain fill'd with blood.
Hymn. [Words by W. Cowper.]
[London, 1179.] 8". P.P. 716. b.
Gospel Magazine, 1779.
There let Hj-mcn oft appear. Song.
See Haendel (G. F.) [U Allegro.]
There liv'd a Man in Ballenocrazy. Ally
Croker. [Song.] [London,
1730 ?] s. sh. fol. G. 303. (92.)
[Another edition.] There lived a I\Ian in
Baleno Crazy. Ally Croaker. [London,
1745 ?] s. sh. fol. H. 1994. b. (80.)
There lived a man in Baleno, crazy. Ally
Croaker. A New Song. [London,
1753.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XIII., p. 174.
There liv'd a wife in our gate-end. Drap
o' Capie o. [Song.] R. B\remne]r :
[LonfZo?i, 1770?] s. s7j. fol. G. 312. (137.)
There liv'd long ago. The Perfections of
true Love. [Song, music by J. F. Lampe.]
[London, 1730 ?] s. sh. fol. G. 312. (86.)
[Another edition.] There liv'd long ago.
The Perfections of True Love. [London,
1730?] s.sh.iol. G. 316. f. (16.)
There lives a sweet lovely dear girl. Lango
Lee. A favorite Irish Song. B[ichar]d
B[rid]e : [London, 1775 ?] s. sh. fol.
G. 316. j. (12.)
There never was nor e'er will be. The
non pareille. [Song.] [London,
1740 ?] s. sh. fol. H. 1994. b. (81.)
There's a difference between. The Beggar
and the Queen. A favorite Song.
[London,llb01] s.sh.iol. G. 212. (191.)
There's a Place in this Town. Cock-Lane.
[Song.l [London, 1761.] s. sh. fol.
G. 316. f. (54.)
There's auld Rob Morris that wins in yon
Glen. A Scotch Dialogue between Mither
and Doughter. [London, 1720 ?] s. sh. fol.
G. 312. (90.)
570
THERE— THESAURUS
THERE. There's Beef and Mutton.
Roast and Boil'd. [Song.]
See Trip to Coxheath.
There's grinders enough. TJic Knife
Grinder. [Song.] Tho Words by H.
Rhodes. [London, 1110 "i] s. sh. iol.
H. 1994. a. (181.)
There's nae Luck about the House . . .
Song. See And. And are ye sure the
news is true. [1770 ?] s. sh. fol.
G. 306. (224.)
There's not a Swain. Song.
See PuBCELL (H.)
There's nought but Care on ev'ry ban'.
Green groiu the Rushes 0. A favorite
Scotch song [written by R. Burns] . . .
with an Accompaniment for the Harp, or
Piano-Forte. Cahusac & Sons : London,
[1798?] fol. G. 800. m. (56.)
There the brisk sparkling nectar drain.
Song. /S'eflHAENDEL (G. F.) \_The Choice
of Hercules.']
Tliere the Silver'd Waters roam. [Song.]
See Storage (S.). [The Pirates.]
There was a Buxom Lass. The Lass with
the Velvet. [Song.] [London,
1710 ?] s. sh. fol. G. 305. (26.)
[Another edition.] There was a buxom
Lass, e^c. [London, 1720?] s. sh. iol.
H, 1601. (459.)
There was a brisk & sprightly lass.
Milton Oysters, a Much admir'd New
Song sung by Miss Bland. Jolm Lee :
Dublin, [1780 ?] s. sh. fol.
H. 1601. a. (82.)
There was a clever likely Lass. Melton
Oysters. [Song.] Str[aicjht] d Sk[illern :
London, 1775 ?] s. sh. fol. G. 806. r. (37.)
There was a fair maiden. The North
Country Lass. A New Song [by C. Dib-
din]. [Lo7idon, 1769.] 8". P.P. 5438. z.
Universal Magazine, Vol. XLV.,p. 42.
There was a Lady came from France.
The Coal black Joke. [Song.] [London,
1730 ?] s. sh. fol. G. 315, (99.)
There was a Little Boy. Duet.
See Wesley (S.)
There was a Little Man. [Glee.]
See Madrigals. Two Favorite INIadrigals
... No. 2.
There was a little Woman. Comic Song.
See Crotchet Lodge.
There was a Mad ]\Ian. The Mad Family.
[Song] Sung by Mrs. Marsey ... in the
" Devil to Pay." Printed. . .at the
little a ; London, [1780?] s. sh. fol.
G. 312. (193.)
There was a stout Friar who liv'd in a
Cell. The Confessor, [Song,] etc. [Londoii,
1785?] fol. G. 312. (205.)
THERE. There was a Swain full fair.
Song. See Barrett (J.), Organist.
There was an auld Wife. The Spinning
Rock. [Song.] R[obcr]t B[rcmne]r :
[London, 1770 ?] s. sh. fol.
G. 316. (138.)
There was an old Man. A Wonderful
Ncio Ballad of a Wonderful Old Man.
L[ongman] L[iikei/] d- Co. :
[London, 1775 ?] fol. H. 1994. b. (83.)
There was 3 Jovial Welshmen. The 3
Jovial Welshmen. [Song.] Cross :
[London, 1725?] s. sh. fol.
H. 1994. b. (82.)
THERIN ( ) C'en est fait pour jamais.
Air, etc. [Paris,] 1735. s. sh. 4°.
297. b. 10.
Mcrcure de France, August, 1735.
THESAURUS MUSICUS. Thesaurus
Musicus continens Selectissimas Octo,
Septem, Sex, Quiuque et Quatuor Vocum
Harmonias, tarn a ueteribus quam recen-
tioribus Symphonistis compositas, & ad
omnis generis instrumenta Musica
aceomodatas. Discautus (Cantus Secun-
dus) (Altus) (Altus Secuudus) (Tenor)
(Tenor Secuudus) (Bassus) (Bassus Secun-
dus) Tomi Primi continentis Cantiones
Octo Vocum, etc. 8 pts.
loanncs Montanus, & Vlricus Neuberus :
Noribergx, 1564. oU. 4°. A. 144. (1.)
The title-ixige of the Tenor jiart is jyrinted
in red and black. The Tenor contains
a dedication {signed : " loliannis
Montani Vidua d hmredes ") to
Albert, Count Palatine of the Rhine.
The composers named are : Manchi-
court, J. Liipi, J. Mouton, J. Vaet,
J. de Bacchi, T. Crcquillon, Clemens
non Papa, Richafort, F. de Cortcctia,
J. Crespel, J. de Pontc, B. Bcaidaigue,
F. de Rivulo, J. Arcadet, A. Schwartz,
Morales, G. Danckerts, A. Scandcllus,
L. Senffl, S. Malm, J. de Prate, D.
Torquet, M. Vcronensis, N. Gombcrt,
Cadeac, J. Maillard, M. le Mcistrc,
Jachct, A. Mornable, Claudin, L.
Lemlin, O. di Lasso, A. Willaert, F.
Bonardi and D. Phinot.
[Another copy. Discantus (Cantus
Secuudus) (Altus) (Altus Secuudus)
(Tenor Secuudus) (Bassus).] 6 pts.
A. 144. a. (1.)
[Another copy. Cantus Secuudus.]
A. 144. b. (1.)
Thesauri Musici Tomus Secundus con-
tinens Optimas Septem Vocum Cantiones
ex Variis Autoribus collectas. Discantus
(Altus) (Tenor) (Bassus) (Quinta Vox)
(Sexta Vox) (Septima Vox) Septem Vocum
etc. 7 pts. Ex officina loannis
THESAURUS— THIEF
571
Montani, <& Vlrici Neuhcri : Norihcrgas,
15Gi. ohl. 4°. A. 144. (2.)
The composers named are : 0. cli Lassus,
Clemens non Papa, Maillard, J. Ar-
cade t, S. Theodoricus, A. Schwartz,
D. Phinot, B. Ditcis, A. Scandellus,
G. Prcnner and H. Venders.
^Another copy. Discantus (Altus) (Bassus)
^Quinta Vox) (Sesta Vox) (Septima Vox) ]
6pts. A. 144. a. (2.)
[Another copy. Quinta Vox.]
A. 144. b. (2.)
Thesauri Musici Tomus Tertius contineus
Cautiones Sacras, quas vulgo Motetas
vocant, ex Optimis Musicis selectas.
Discantus (Altus) (Tenor) (Bassus)
(Vagans) (Sexta Vox). Sex Vocum.
€ pts. Joannes
Montamis, & Vlriciis Neuherus : Noriberga-,
1564. obi. 4:". A. 144. (3.)
The composers named arc : Josquin,
N. Gonibert, O. di Lasso, L. Lays,
J. dc Bachi, J. Vaet and F. de Bivulo.
[Another copy. Discantus (Altus)
(Bassus) (Vagans) (Sexta Vox).] 5 pts.
A. 144. a. (3.)
[Another copy. Vagans.] A. 144. b. (3.)
Thesauri Musici Tomus Quartus con-
fcinens Selectissimas Quinque Vocum
Harmonias, quas \'ulgo I\Iotetas vocant.
Discantus (Altus) (Tenor) (Bassus)
(Vagans). 5 pts. E.v officina loannis
Montani, d- Vlrici Ncubcri: Noribercjx,
1564. obi. 4". A. 144. (4.)
The composers named are : M. H.
Weirecorn, J. Vaet, O. di Lasso, A.
Gain, P. Heilayius, G. Prcnner, J. de
Bachi, F. de Bouselle, J. Begnart,
Clemens non Papa, T. Stoltzer, L.
Senfliiis, C. Hollander, F. de Bivulo,
J. Loys, L. Lays, V. Buffus, C.
Block, C. Copus, H. Bnineau and A.
Schwartz.
[Another copy. Discantus (Altus)
(Vagans).] 3 pts. A. 144. a. (4.)
Thesauri Musici Tomus Quintus, et
Ultimus, continens Sacras Harmonias
Quatuor Vocibus compositas. Discantus
(Altus) (Tenor) (Bassus) Quatuor Vocum,
etc. 4 pts.
loannes Montanus, & Vlricus Nenberus :
Noribergx, 1564. obi. 4°. A. 144. (5.)
T]ie composers named are : Clemens non
Papa, Crequillon, A. Galli, J. de
Gandavo, J. de Bachi, 0. di Lassiis,
Leo non Papa, L. Pamminger, F. de
Bivulo, J. Vaet, G. Prcnner, Josquin,
V. Schamotuliniis, J. de Horto, A.
Schwartz, M. Lc Meistre, J. de
Latrc, M. Peudargent, Jacquet and
J. Mcilandus.
[Another copy.
Discantus (Altus).] 2 pts.
A. 144. a. (5.)
THESAURUS MUSICUS. Thesaurus
Musicvis. A Collection of two, three,
and four Part Songs ... To which are
added some choice Dialogues. Set to
INIusick by ... Dr. Blow, H. Purcell,
Handel, Dr. Green, Dr. Purcell, Eccles,
Weldon, Leveridge, Lampe, Carey, &c.
The Whole revis'd ... by a Judicious
Master. [Vol.1.] PrintedforJ. Si7npson :
London, [1743 ?] fol. H. 73.
This collection also contains the folloicing
names of composers : Cook, Gillier,
Marshall, B. Aldrich, Morgan, M.
Wise, Hayden, Corelli and C. Mauley.
Thesaurus I\Iusicus. A Collection of two,
three, and four Part Songs . . . Set to
i\Iusick by the most Eminent Masters,
etc. 2 vols. Printed for J. Siinpson :
London, [1745 ?] fol. H. 73. a.
hi this edition the version of the Natio7ial
Anthem {on p. 22 of Vol. I.) differs from
that in the earlier edition. Vol. II.
contains compositions by Croft, J.
Eccles, T. Brewer, Purcell, Hicks,
Lampe, Morl[e]y, J. Allcock, M. Lock,
J. Corfe, B. Lxdly, Blow, Travers, J.
Graves and Morgan.
Thesaurus Musicus. Songs.
See HuDGEBUT (J.)
THESE. These Flow'rs like our Hearts.
Song. See Arne (M.) [Cymon.']
THESEE. Thesee. Trag^die.
Sec LULLI (Ct. B.)
THESEUS. Theseus. [Opera.]
See Teseo.
THETIS ET PELEE. Thetis et Pel6e.
Tragedie remise en Musique [by J. B. de
Laborde] . . . Les Paroles sont de ]M. de
Fontenelle. [Full Score.] Gravee par
M"" C. Vendume. Chez le S. Moria : Paris,
1765. fol. I. 315.
Th6tis et Pelee. Tragedie.
Sec COLASSE (P.)
THEY. They call me a Toper. Song.
See Blewitt (J.)
They run and we run. See Some. Some
say that we won, etc. [1778.] s. sh. fol.
G. 311. (143.)
They say, that on my Polly's Face. True
Wisdom in a Lover, a new Song.
ILondon, 1740 ?] s. sh. fol.
G. 312. (186.)
They say that we Women. Song.
See Hook (J.)
THIEF. The Thief. [Song.]
See WoEGAN (.J.)
The Thief and the Cordelier. [Song.]
See Who. Who has e'er been at Paris, etc.
[1725?] s.sh.iol. G. 313. (83.)
572
THIELO— THOMAS
THIELO (Carl August) Sec T., C. A.
THING. A Thing without a Name.
[Song.] See Come. Come go with me,
and you shall see. [1720 ?] s. sh. fol.
G. 305. (7.)
THINK. Think Maria think how often.
Song. See Hudson (R.) [The Volunteer
Befurned.']
THIRSIS. Thirsis to Leonora. [Song.]
See While. While Leonora's kind &
good. [1750 ?] s. sh. fol. G. 313. (203.)
THIRSTY. The thirsty Earth soaks up
the Rain. A Drinking Song out of Cowley.
[London, 1725 ?] s. sh. fol. G. 303. (43.)
The Thirsty Lover. [Song.] See Drink.
Drink to me only with thine Eyes, etc.
[1762 ?] G. 316. (55.)
THIRZA UND IHRE SOEHNE.
Thirza und ihre Sohne. Ein musikalisches
Drama. See Rolle (J. H.)
THIS. This cold flinty Heart. Sweet
Passion of Love. [Song, from ' The Pad-
lock,' by C. Dibdin.] [London,
1771.] s. sh. 4°. 159. n. 3.
London Magazine, Dec., 1771.
This great World is a Trouble. [Song.]
See Jupiter and Europa.
This Heart, dear Maid, can know no
Peace. The Answer to " Airy Dreams."
[Song.] P. II[odgson : London,
1780 ?] s. sh. fol. G. 312. (190.)
This is the Day. [Duet and Chorus.]
See Carey (H.)
This is the day which the Lord hath made.
Anthem. See Howard (S.)
This is the House that Jack built. Glee.
See Hook (J.)
[Another setting.] This is the House
that Jack built. Song. See Welsh (T.)
This is the month. [Sacred Song.]
See Carnaby (W.)
This Lock of dear Selina's hair. Song.
See Shield (W.) [The Nunnery.']
This Love makes all Men Asses. TJie
Force of Love. [Song.] [London,']
1742. s. sh. fol. G. 316. a. (48.)
This mercenary Age despise. Song.
See Roseingrave (T.)
This, this and this only is true Conjura-
tion. No Magic like Gold, or the True
Stockwell Conjurer. [Song.] Sung by
Mr. Bannister, in the Interlude at Mr.
Weston's Benefit, the words by G. A.
Stevens. J[ohn] J[ohnston : London,
1770?] s.sh.iol. G. 316. (139.)
This snell and frosty IMorning. The
Skaiter's March. [Two-part Song] Com-
posed for the Skaiter's Club at Edinburgh,
etc. Printed for J. Fielding : London,
[1782.] 8°. 2117. c.
European Magazine, July, 1782.
THIS. This verdant Green was once my
Pride. Absence. A New Song. The
words by a Young Lady. [London,
1760 ?] s. sh. fol. G. 316. a. (49.)
This way. Mortal, bend thy Eyes. [Song.]
See EccLES (J.) [The Judgment of
Paris.]
[Another setting.] This way, Mortal, bend
thy Eyes. [Song.] See Purcell (D.)
[The Judgment of Paris.]
This World is a Stage. A neio Song.
[London, 1754.] 8°. 157. L 16.
London Magazine, 1754, p. 564.
THOMAS AND SALLY. Thomas and
Sally. Dramatic Pastoral.
See Arne (T. A.)
Come on Jolly Lads. A Favourite Ad-
ditional Song sung by Mr. Beard in
Thomas and Sally. Set for the Ger.
Flute. [London, 1765 ?] s. sh. fol.
G. 306. (189.)
The tune of this song is the same as that
of the Bellisle March.
TheEcchoing Horn. [Song by T. A. Arne.]
In Thomas and Sally. London,
[1770?] s.sh.iol. 1.530.(152.)
Th' happy news at length is come. [Song.]
Sung by Mr. Beard in Thomas and Sally
[by T. A. Arne]. The Words written ex-
tempore by Mr. Smith, on taking the
Havannah. [London, 1762.] 8°.
P.P. 544L
Boyal Magazine, Vol. VII., p. 189.
Tom's Return, an additional favourite
Song in Thomas and Sally [by T. A. Arne].
Sung by Mr. Beard. [London, 1707.] 8\
P.P. 5438. z.
Universal Magazine, Vol. XLI.,p. 204.
The Way to succeed with a Lass. A new
Song, sung by ]\Irs. Vernon in. . .Thomas
and Sally. [By T. A. Arne.] [London,
1761.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XXVIII. ,
p. 96.
The Way to succeed with a Lass. [Song.]
Sung by Mrs. Vernon in... Thomas and
Sally [by T. A. Arne]. [London,
1761.] 8". P.P. 5140.
Lady's Magazine, Vol. II., p. 273.
When I was a young one. A favourite
So7ig, sung by Mrs. Vernon, in. . .Thomas
and Sally [by T. A. Arne]. [Londo^i,.
1760.] 8". P.P. 5438. z.
Universal Magazine, Vol. XXVII.,
p. 375.
When late I wandered o'er y'' Plain. A
Favourite So7ig in Thomas and Sally. [By
T. A. Arne.] [Z/onJon ? 1760 ?] s.s7i. foL
G. 316. h. (37.)
When late I wander'd o'er the Plain.
Song in Thomas and Sally. [London,
1761.] 8°. 158. L 6.
Lcmdon Magazine, 1761, p. 324.
THOMAS— THOMSON
573
THOMAS AND SALLY. When late
I wander'd o'er the plain. Thomas and
Sally, a New Song [by T. A. Arne, in
' Thomas and Sally ']. [London,
1763.] 8". P.P. 5438. z.
Universal Magazine, Vol. XXXII.,
p. 322.
THOMAS AND SUSAN". Thomas and
Susan. Entertainment. See Eeeve (W.)
THOMAS (B.) How cheerful along the
gay I\Iead. Hymn of Eve, in the Oratorio
of Abel new Set by B. Thomas.
SMillern : London, 1780?] s. sh. fol.
G. 308. (132.)
THOMAS (Isaiah) The Worcester Collec-
tion of Sacred Harmony. In three Parts.
Containing, i. An Introduction to the
Grounds of Musick . . . ii. A large Number
of . . . Psalm and Hymn Tunes . . . iii.
Select Anthems, Fughes and Favourite
Pieces of Musick.. .The Second Edition,
with Large Additions. [Edited by I.
Thomas. Vol. I.] I. Thomas : Worcester,
Massadmsetts, 1788. ohl. 4\ A. 854.
THOMIRIS. See Thomyhis.
THOMMEN (JoHANx) Erbaulicher
Musicalischer Christe-Schatz, bestehend
aus Fiinfhundert Geistlichen Liedern.mit
Zweyhundert fiinf und sibenzig ]\Ielodien
. . . Gesammlet und
J. Thommen, etc.
Basel, 1745. 8°.
herausgegeben von
Daniel Eckensfein :
C. 729.
THOMPSON, Music Publishers. Thomp-
son's Compleat Collection of 200 Favourite
Country Dances. . .with proper Figures or
Directions to Each Tune ; Set for the
Violin, German flute & Hautboy. Vol. 1.
Printed for Peter Thojnpson :
London, {in07] ohl.AP. a. 225.
Thompson's Compleat Collection of 200
Favourite Country Dances. . .with proper
Figures or Directions to each Tune. Set
for the Violin, German flute & Hautboy.
4 Vols. Printed for Charles and Samuel
Thompson : London, [1770-1780.] ohl. 4\
a. 223. a.
Vol. I. is a reprint of the edition pub-
lished by Peter Thompson about 1760.
Thompson's Compleat Collection of 200
Favourite Country Dances . . . with proper
Figures or Directions to each Tune, set for
the Violin, German-Flute, & Hautboy.
Vol. 4. Printed for Sam^ Ann & Peter
Thovipson : London, [1780 ?] ohl. 4".
a. 223. g.
A reprint of the edition puhlished by
Charles & Samuel Thompson.
Thompson's Twenty-four Country Dances
{for the Year 1799). With Figures to
each as they are Performed at Court, etc.
The Publishers'' Warehouse :
London, 1799. obi. 4°. a. 223. f. (16.)
THOMPSON, Music Publishers. Thomp-
son's Compleat Collection of 120 Favourite
Hornpipes, etc. Printed for C. and
S. Thompson: London, [1775?] ohl. i".
a. 223. b.
Thompson's Compleat Collection of 120
Favourite Hornpipes, etc.
Printed for Henry Thompson :
I/0«do», [1800?] obl.^\ a. 224.
A new edition of the volume published
by C. & S. Thompson.
Thompson's First Collection of Guard
Marches. . .for the Organ, Harpsichord or
Piano Forte. Printed for C. and S.
Thompson : London, [1775 ?] obi. 4".
a. 223.
Thompson's Pocket Collection of Favourite
Marches for Two German-Flutes, Violins,
or Fifes . . .Composed by the most Eminent
Masters. Printed for S.A. d P. Thompson :
London, [1790?] obi. A". a. 223. h.
Thompson's Compleat Collection of 100
Favourite Minuets. . .Set for the Harpsi-
chord, Violin or German Flute. 3 Vols.
Printed for C. & S. Thompson:
London, \\TiQ~15'>'\ ohl. i". a. 223. d.
The first two volumes have illustrated
title-pages.
Thompson's Twelve Favorite Minuets for
the Year, 1797, etc.
The Publishers' Wa7-ehousc : London,
1797. obi. 4°. a. 26. f. (3.)
Thompson's Twelve Favorite Minuets for
the Year 1798, etc.
The Publishers' Warehouse : London,
1798. obi. 4°. a. 26. f. (4.)
Thompson's Pocket Companion for the
German-Flute, Containing a choice
Collection of Celebrated Airs, Minuets,
JNIarches, Duets & Songs . . . Composed by
the most Eminent Masters. 3 vols.
Printed for S. d A. Thompson :
London, [1780 ?] obi. 4°. a. 223. e.
Each volume lias a separate title-page,
frontispiece and index, but the pagina-
tion is continuous.
THOMPSON (Nathaniel) See T., N.
THOMPSON (Thomas) The Wandering
Savoyard's Song, written by Mr. Dimond
Junr., etc. Goulding <& Co. :
London, [1800 ?] fol. G. 798. (50.)
THOMSON (Geoege) A Select CoUection
of Original Scotish Airs for the Voice, to
each of which are added, Introductory &
Concluding Symphonies, & Accompany-
ments for the Violin & Piano Forte by
Pleyel. With Select & Characteristic
Verses by the most admired Scotish Poets
adapted to each Air, etc. (A Select Col-
lection of... Scotish Airs . . . To each of
which are added . . . Accompanyments . . .
by Kozeluch. With . . . verses . . . the
greater number . . . written for this work
574
THOMSON— THORLEY
by Burns, etc.) [Edited by G. Thomson.
Separate Parts.] 4 Sets. Preston li Son :
London, [1793-1797.] fol. G. 370.
On the title-page of the fourth set the ac-
companiments arc described as ' chiefly
hrj Ko^cluch, and partly by Pleyel.'
THOMSON (James) of Edinburgh. The
Rudiments of Music : to which is added,
a Collection of the best Church Tunes,
Hymns, Canons, and Anthems. 2 pts.
Printed for the Author :
Edinburgh, 1778. 8°. 558*. c. 45.
THOMSON (John) Organist, New
Edinburgh. Three Sonatas for the
Harps* or Piano-Forte, with an Accom-
panymeut for a Violin ... Op. 1"".
[Separate Parts.]
Corri and Siitherland, for the Author :
[Edinburgh, 1185 7] fol. g. 161. f. (9.)
THOMSON (]Michael) Six Anthems
performed iu Hillsborough Church.
Printed for tJie Author:
Hillsborough, 1786. obi. fol. E. 87.
THOMSON (William) of Edinburgh.
Orpheus Caledonius, or a Collection of
the best Scotch Songs, etc.
Printed for the Author :
London, [1726.] fol. I. 367. b.
[Another copy.] H. 1630. a.
Orpheus Caledonius : or, a Collection of
Scots Songs, etc. 2 Vols.
Printed for the Author :
London, 1733. 8". D. 424. a.
[Another copy.] I>- 424.
The title-page of Vol. 11. of this copy lias
the additional words ' The Second
Edition.'
THOMSON (William) of Leominster.
Six Easy Lessons for the Harpsichord.
Welcker : London, [1775 ?] obi. fol.
e. 284. a. (13.)
THOMYRIS. Songs in the New Opera
call'd Thomyris, Collected out of the
Works of the most Celebrated Itallian
Autors, viz : Scarlatti Bononcini and
other great Masters, etc. [Words by P. A.
Motteux.] Printed for
I Walsh . . . and P. Randall: London,
[1707.] fol. H. 114. (4.)
This edition contains only 17 numbers,
without pagination.
[Another edition.] Songs in the New
Opera of Thomiris, Queen of Scythia.
Collected out of the Works of the most
Celebrated Italian Authors, viz. Scarlait,
Bononchini, Albinoni, &c. . . . Fairly
Ingrav'd on Copper-Plates, and more
Correct then the former Edition, etc.
Printed for Jolin Cullen :
London, [limi] fol. H. 113. a.
This edition contains 55 numbers witli-
out the overture. In this copy fol. 36
a7id 37 are wanting.
THOMYRIS. [Another edition.] Songs
in the New Opera, call'd Thomyris, etc.
Printed for I. Wcilsh . . . and P. Bandall :
Lo7idon, [1708 7] fol. H. 113.
This edition contains tJie overture and
55 numbers, with pagination. Ln this
copy fol. 52-57 are wanting.
Overture. [Orchestral Parts.] See Over-
tubes. Six Overtures, etc. [No. 5.]
[1720?] fol. h. 3211. (1.)
Can you leave ranging. [Song.] Media.
Sung by Mrs. Liudsey iu y'^ Opera of
Thomyris. [London, 1110'}'] s. sh. iol.
G. 305. (137.)
Farewell love and all soft pleasure. [Song.]
Baldo sung by Mr. Leveridge in the Opera
of Thomyris. [Music by A. Steffani.]
[London,1110'!] s.sh.iol. H. 1601. (162.)
[Another copy.] G. 305. (292.)
How blest is a Soldier. A Choice Ad-
ditional Song [by J. C. Pepusch] in the
Opera of Thomyris. [London,
1725 ?] s. sh. fol. H. 1601. (200.)
[Another edition.] How blest is a Soldier.
A Choice Additional Song, etc. [London,
1730 ?] s. sh. fol. G. 316. d. (164.)
[Another edition.] How blest is a Soldier.
A Choice Additional Song, etc.
See Chloe. Chloe, or the Musical ]\raga-
zine, etc. No. 89. [1760 ?] fol. G. 433.
Love woud invade me. [Song.] Sung by
Mrs. Tofts in the Opera call'd Thomyris,
etc. [London, 1710 ?] s. sh. fol.
H. 1601. (276.)
Since iu vain I strive to gain you. [Song.]
Sung by Mr. Laivrance in the Opera of
Thomyris. [London, 1710 ?] s. sh. fol.
H. 1601. (402.)
THORLEY (Thomas) Alas! the dear
Clarissa's gone. An Elegy. On the Death
of an Amiable Young Lady. The Words
and Music by T. Thorley Jun^ [London,
1775 ?] s. sh. fol. G. 306. (142.)
Angelina ; — Or The Poor Little Wandering
Cripple— a favorite Pathetic Ballad, etc.
H. Thompson, for the Author :
[London, 1800 ?] fol. G. 424. u. (37.)
The Emperor of Russia's Grand March.
Adapted for the Piano Forte, Harpsichord,
or German Flute. TF. Cope :
London, [1795 ?] fol. g. 133. (60.)
Hail, smiling Summer's pleasant days.
A Favorite Song sung at Bagnigge Wells.
The Words and Music by T. Thorley.
G. S[mart: London, 1785?] s. sh. fol.
G. 308. (118.)
The Quarrel. Being a New, Singular &
Affecting peico of Music. . .Representing
...by various Melodies, the different...
Occurences, &c. . . . descriptive of its
Original & entertaining Subject, etc.
H. Thompson : London, [1800 ?] fol.
g. 272. w. (26.)
THORLEY— THOUGH
575
THORLEY (Thomas) Ten Voluntary's
for the Organ or Harpsichord. Perform'd
at the Cathedral, Norwich. Printed f or
J. Bland: London, [1180?] obl.iol.
e. 5. h. (8.)
THORN. The Thorn. [Song.]
See Hudson (R.)
THORNOWETS( ) Sonate da Camera
per il Flauto col Basso, etc. Richard
Meares : Londres, [1720 ?] fol. g. 689.
Sonate da Camera per il Flauto col Basso,
etc. A Sjiese di Giovanni Walsli . . .
e Giovatuii Hare : Londra, [1725 ?] fol.
g. 280. b. (15.)
THOSE. Those ruby Lips. [Song.]
See Mazzinghi (J.)
THOU. Thou art gane awa. [Duet.]
See Urbani (P.)
Thou art gone awa from me Mary. [Song.]
[£»»6Zi?i,? 1780?] s.sh.iol.
H. 1601. a. (68.)
Thou calm-ray'd Spring whose blooming
Pace. Spring. A Song. Set for the
German Flute. [By E. Gilding.]
[London, 1750 ?] s. sli. fol.
G. 312. (23.)
[Another copy.] G. 305. (279.)
Thou Flask once fill'd with glorious Red.
Song. See Blow (J.) [Tlie Committee.']
Thou hast run away. A favorite Scotch
Song. I[ohn]
B[uthcrford : London, 1780?] s. sh. fol.
1. 530. (154.)
Thou like a Commet dost appear. [Song.]
[London, 1740 ?] s. sh. fol.
G. 315. (146.)
Printed from the plate of p. 14 of some
unidentified loork.
Thou little blind deceiver go. A Message
from Mars to Venus by Cupid. [Song,
music by G. Monro.] [London,
1730 ?] s. sh. fol. G. 312. (37.)
[Another edition.] Thou little blind de-
ceiver. A Message from Mars to Venus, etc.
[London, 1730 ?] s. sh. fol.
G. 316. f. (47.)
Thou only Darling I admire. [Song.]
See Carey (H.) [The Honest Yorkshire-
man.]
Thou Pope, oh Popery burning hot. An
Answer to Duke upon Duke, &c. With a
Key. Set to Musick by the same Hand.
F. Clifton : London, [1725 ?] s. sh. fol.
11621. i. 1. (78.)
The music is quite incorrectly printed.
The ' Key ' is a woodcut at the end of
the song.
[Another edition.] Thou Pope, oh Popery
burning hot. An A^iswer to Duke upon
Duke, etc. [Song.] [London, 1725 ?] fol.
1876. f. 1. (81.)
THOU. Thou rising Sun, whose glad-
some Ray. [Song.]
^ee Smith (C.) the Younger.
Thou whom my Soul admires. Hymn.
See E., H.
THOUGH. Tho' Austria and Russia.
The Marquis of Granby. [Song.]
[London, 1762.] s. sh. fol.
G. 216. f. (22.)
The' Bacchus may boast. [Song.]
See Shield (W.)
Tho' Baucis and I. [Song.]
See Baucis and Philemon.
Tho' Begging is an honest trade. A Song
in praise of Begging, or the Beggars rivaVd.
[Words by E. Ward, Music ascribed (in
' Apollo's Cabinet ') to Mr. Eaton.]
[London, mo?] s.sh.iol.
H. 1601. (432.)
[Another edition.] Tho' Begging is an
honest trade. A Song in praise of Beg-
ging, etc. [London, 1715 ?] s. sh. fol.
G. 312. (31.)
Tho' bold De-Grass long made his brag.
Huzza ! for Old England, or the glorious
event of the 12th of April, 1782. [Song.]
Sung. . .at Sadlers Wells. Longman £
Broderip : London, [1782.] fol.
G. 312. (156.)
Tho' Chloe's out of fashion. The Non-
pariel. A New Song. [By W. Boyce.]
[London, 1749.] 8°. 157. 1. 11.
London Magazine, 1749, p. 281.
Tho' Chloe's out of Fashion. The Noyi-
pariel. [Song.] Sung by Mr. Beard at
Ranelagh. [Music by W. Boyce.]
[London, 1750 ?] s. sh. fol.
G. 316. c. (35.)
Tho' cruel you seem to my Pain. Ballad.
See Carey (H.)
Tho' Cynthia, with a wat'ry eye. On Wet
Weather. [Song.] Sung by M' Lowe, at
Mary bone Gardens. [London, 1767.] 8°.
P.P. 5438. z.
Universal Magazine, Vol. XLI.,
p. 262.
Tho' Cynthia with a wat'ry Eye. On
Wet Weather. [Song.] Sung by IMr.
Lowe at Marybone Gardens. [London,
1770?] s. s7i. fol. G. 312. (161.)
Tho' deck'd in beauty's bright arrays.
Song. See Hudson (R.)
Tho' envious old Age seem in part to
impair me. [Song.]
See Apollo and Daphne.
Tho' far from Field Sports. The London
Hunt. [Song.] The Words by G. A.
Stevens. P. H[odgson :
London, 1780 ?] s. sh. fol.
G. 312. (139.)
Though Fate, my Girl. Canzonet.
See Stevenson (Sir J. A.)
576
THOUGH— THREE
THOUGH. Tho' form'd by the tenderest
Care of young Love. A neiv Song.
[London,-] 1756. 8°. 158. 1. (1.)
London Magazine, 1756, p. 239.
Though Gold and Silk their Charms unite.
The Gold and Silk Net-ioork Purse.
[Song.] Written by Doctor Johnson,
adapted to a popular Scottish Air.
[London, 1800.] s. sh. 4°. P.P. 5141.
Lady's Magazine, Sept., 1800.
Tho' Grief had nipped her early bloom.
Ballad. See Ross (J.)
Tho' here at Bath you make a Route.
Wit Preferable to Beauty. [Song, music
by J. F. Lampe.] [London,
1730?] s.sh.iol. G. 312. (87.)
Tho' I have long lov'd you in vain.
Damon's Complaint. [Song.] [London,
1720?] s. s7i. fol. G. 316. g. (64.)
Tho' Jockey su'd me long. Song.
See Byeon (W.) Mh Baron Byron.
Though jocund May returns again. Song.
See Morgan ( )
Tho' keen the wind, and dark the night.
Mary ! A favorite Ballad, with an
Accompaniment for the Harp or Piano
Forte . . . The Words by Mrs. Opie.
[Music by E. S. Biggs.] Printed for
B. Birchall : Loyulon, [1795 ?] fol.
G. 805. h. (44.)
Tho' Mars, still Friends to France.
Britain's Maritime Power. [Song.] Writ
in honour of Admiral Hawke's late Victory
over the French. The Words by Mr.
Lockman. Sung by Miss Gambarini, at
her Concert, in Bath. [London,
1759 ?] s. sh. fol. G. 316. e. (36.)
[Another edition.] Tho' Mars still friend
to France. Britain's Maritime Poiver,
etc. [London, 1760 ?] s. sh. fol.
G. 312. (24.)
Tho' Mirth our Object. [Glee.]
See Webbe (S.) the Elder.
Tho' over all Mankind. Song.
See Levebidge (R.) [Caligula.']
Tho' Phillis you scorn my address. Song.
,See POPELY (W.)
Tho' pity I cannot deny. Song.
See Pleyel (L J.) [10. Vocal Music]
Tho' pleasure swell the Jovial Cry. Song.
See Storage (S.) [MaJmioud.]
Tho' Prudence may press me. [Song.]
See Deserter.
Tho' rude Rebellion rears its Head. Song.
See Lampe (J. F.)
Tho' Silvia's cruel as she's fair. Song.
See Turner (W.)
Tho' still so Young and scarce Fifteen.
The Little Coquette. [Song.] Sung by
]Miss Jameson at VauxhaU.
H[enry] T[horoiogood : London,
1770 ?] s. sh. fol. G. 312. (136.)
THOUGH. Tho' the fate of Battle on
tomorrow wait. The Tobacco Box or
Soldier's Pledge of Love. A favorite Dia-
logue. L[ongma7i] d B[roderip) :
London, 1785 ?] fol. G. 297. (16.)
[Another copy.] H. 1994. b. (84.)
Tho' the winds are whistling round me.
Rondo. See Smith (T.)
Tho' weak my strains away my fears.
Ward Associations. A New Song written
... by a ]\Iember of the South East
District of Loyal London Volunteers, etc.
T. Jones £ Co. : London, [1797 ?] fol.
G. 376. (52.)
Tho' Winter's rude prospects. Delia.
[Song.] [London, 1760 ?] s. sh. fol.
G. 316. f. (51.)
Tho' Wisdom will preach about joy. A
Neio Drinking Song. The Words by
G. A. Stevens. I[ohn] E[utherford :
London, 1780 ?] s. sh. fol.
G. 316. (141.)
Tho' Women by frail Men are scorn'd.
Advice to the Sex, or an Answer to the
Caution, [words] by a Lady. [Song.]
[London, 1740 ?] s. sh. fol.
G. 312. (184.)
Tho' you make no return to my passion.
Song. See Purcell (H.) [2. c. The
Maid's Last Prayer.]
THOUGHTFUL. The Thoughtfull
Lover. [Song.] See Wherever.
Wherever I am, and whatever I do.
[1730 ?] s. sh. fol. G. 313. (163.)
Thoughtful nights, and restless waking.
To Myra. [Song.] The words by Lord
Lansdowu. I[ohn]
F[entum: London, 17607] s. sli. io\.
G. 312. (162.)
THOUSAND. A Thousand Nymphs
Philander saw. The Scornfull Lover.
A new Song. [London, 1705 ?] s. sh. fol.
G. 306. (29.)
THRAENE. Thrane der Wehmuth
gleite. Gesang bei Charlotte Corday's
Urne, fiir's Clavier oder Pianoforte mit
willkiihrlicher Begleituug einer Flote,
Violine und ViolonceUs. [Separate
Parts.] [Leipzig ? 1793.] obi. fol.
E. 600. X. (12.)
THREE. Three Days and Nights my
Polly. Tlie Serenade, or Love-sick Polly.
[Song, adapted from ' Tre giorni son che
Nina' in V. Ciampi's ' Tre Cicisbei
Ridicoli.'] The Words by Mr. Macknol.
[London, 1750 ?] s. sh. fol. G. 312. (83.)
[Another edition.] Three Days and
Nights my Polly. The Serenade, or
Love-sick Polly, etc. See Ohloe. Chloe,
or the Musical Magazine, etc. No. 62.
[1700?] fol. G. 433.
THREE— THUBE
577
THREE. Three Gents 'tis said. Made
on three Sportsmen loho shot a Robin Red
Breast. [Song.] Printed for the
Proprietor : London, ri780 ?] fol.
il. 1601. b. (102.)
Tiie three Goddesses.
See Barrett (J.) Organist.
The 3 Jovial Welshmen. [Song.]
See There. There was 3 Jovial Welsh-
men. [1725 ?] s. sh. fol.
H. 1994. b. (82.)
The Three Kings. [Song.] See Old.
Old Time is my Name. [1780?] s.sh.iol.
G. 310. (234.)
Three Lads contended for my heart.
When Briton's Silver Trumpet sounds.
[Song.] Sung by I\rrs. Wrigbten at
Vauxhall. [London, 1775 ?] s. sh. fol.
G. 312. (222.)
Three rosy fac'd Topers as ever was known.
Laiv Phisick d Divinity. [Song.]
C[harles and] Slamtiel] Tlhompson :
London, mo?] s.sh.iol.
G. 316. (142.)
Three rosy fac'd Topers as ever was known.
Laiv, Physic and Divinity. A New Song.
{London, 1772.] 8». P.P. 5438. z.
Universal Magazine, Vol. LI., p. 3'J.
Three Sally's of London Town. The Three
Sallys of London. [Song.] [London,
1724 ?J s. sh. fol. H. 1601. (464.)
Three Weeks after Marriage. Song.
Sec Hook (J.)
THREE AND THE DEUCE. The
Three and the Deuce. Musical Enter-
tainment. See Storage (S.)
THREE OLD WOMEN WEATHER-
WISE. The Three Old Women Weather
Wise. [Songs in the Interlude.] As
Performed at the Theatre Royal Drury
Lane. [Words by G. S. Carey.]
J. Jlphnston : London, 1770.] fol.
G. 310. (238.)
Three Old woman [sic] Weatherwise, an
Interlude . . . With Three Songs . . . the
Words by G. S. Carey. J. Bland :
London, [1785 ?] fol. G. 796. (35.)
THREE WEEKS AFTER MAR-
RIAGE. When first the dear Youth
passing by. The Favorite Song. Sung
by Miss Brown in Three Weeks after
Marriage. [W^ords by A. Murphy.]
P .E[vans : London, 1777 ?] s. sh. fol.
G. 313. (185.)
THRICE. Thrice happy the Nations that
Shakespear has charm'd.
See Harlequin's Invasion.
Thrice happy the Nations. [Song, from
' Harlequin's Invasion.' Words by D.
Garrick, music by W. Boyce.]
P. H[odgson : London, 1775 ?] fol.
G. 316. (143.)
VOL. II.
THRICE. Thrice welcome sweet May.
2Iay. [Song.] Sung by Mr. Vernon.
S[amuel and] A[nn] T[hompson,
1779 ?] s. sh. fol. G. 312. (146.)
THROUGH. Thro' black boy Alley
t'other day. The Hunt for the Jazey or
Nancy my Wig is foimd. [Song, to the
tune of ' Gramachree Molly.'] Bailey :
[London, 1780 ?] s. sh. fol.
G. 312. (220.)
This is the second part of ' Nancy I have
lost my Wig.'
Through Groves and Flow'ry Fields.
Song. See Linley (F.)
Through my Life I protest. Sappy Delia.
[Song.] The Words by ]\Ir. Ingledew.
[London, 1770 ?] s. s/t. fol.
G. 312. (159.)
Thro' the vaUeys and dales. Hunting
Song. P. H[odgson :
London, 1780 ?] s. sh. fol.
G. 312. (149.)
Thro' the wood laddie, a Favorite Scotch
Air, with Variations for the Harpsichord,
etc. Longman, Lukey and
Broderip : London, [1778 ?] fol.
g. 271. b. (43.)
Through the Wood Laddie. [Song.]
See As. As early I walk'd on the first
day of May. [1720?] s. sh. fol.
G. 306. (48.)
Thro' the wood, Laddie. [Song.]
See 0. Oh Sandy, why leav'st thou thy
Nelly, etc. [1765.] 8°. P.P. 5441.
Through the Wood, Laddie. [Song.]
See 0. 0 Sandy why leav'st thou thy
Nelly, etc. [1765.] 8°. 158. 1. 10.
Through the Wood, Laddie. [Song.]
See 0. Oh Sandy why leaves thou thy
NeUy, etc. [1765 ?] s. sh. fol.
G. 310. (232.)
Thro' Waves & Wind. [Song.]
See Fair American.
Through Yonder Glade and verdant Lawn.
The Timorous Fair. [Song, words tran-
slated from Horace.] [London,
1770?] fol. G. 312. (209.)
THROUGHOUT. Throughout this Grove
'tis Natiu-e's Care. A New Song Set by
an Eminent Master. [London,
1730 ?] s. sh. fol. G. 312. (35.)
THROW. Throw an apple up a hill.
Song. See Hawkins (A.)
THRUSH. The Thrush. [Song.]
See Arne (M.)
T H U B E ( ) Aimable Philosophie.
Couplet, etc. [Paris,] 1779. 8".
297. f. 30.
Mercurc de France, Feb. 1, 1779.
2 p
578
THUMOTH— TIBBS
THUMOTH (Burk) Twelve Scotch, and
twelve Irish Airs with Variations Set for
the German Flute Violin or Harpsichord.
(Twelve English and Twelve Irish Airs
with Variations . . . Book the Second.)
2 pts. Printed for John Simpson :
Loiulon, [1745 ?] 8°. e. 341. b.
[Another copy. Book I.] e. 341.
Forty Eight English, Irish and Scotch
Airs with Variations, set for the Ger.-
Flute, Violin, or Harpsichord. Printed
for S. A. mid P. Thompson: London,
[1785?] 4°. e. 341. a.
Six Solos for a German Flute, Violin or
Harpsichord . . . The Three last by Sig.
Canaby. J. Tijther :
London, [1740 ?] fol. g. 526.
THURNMAYER (Johann) Avejitinus.
Begin. Illustrissimo Principi Arionisto
Utriusque Boiariae Duci Dedicatum.
(Musicae Budimenta Admodum Breuia,
etc.) MS. NOTES. Excusa in officina
Millerana : Atigustx Vindelicoru, 1516. 4".
K. 1. h. 15.
17 leaves, icithont pagination.
THURSDAY. Thursday in the Morn.
Russel's Triimiph [Song, the music by
S. Akeroyde.] [London, 1730?] s. sh. fol.
G. 312. (84.)
Li D' Urfey's ' Pills ' and other collections
this song is attributed to Akeroyde.
[Another edition.] Thursday in the Morn.
Piussclls Triumph, [Song, music by S.
Akeroyde.] [London, 1765 ?] s. sh. fol.
Add. MS. 23,673. fol. 112, 113.
[Another edition.] Thursday in the Morn.
RusseVs Triumph. [Song, music by S.
Akeroyde.] [London, 1770?] s. sh. fol.
H. 1994. b. (85.)
THUS. Thus balmy Sleep. Air.
See Sanderson (J.) [Cora.]
Thus Damon knock't at Celia's Door.
Song. See Leveeidge (R.)
Thus Damon knock'd at Celia's Door.
Song. See Puecell (D.) [The Constant
Couple.']
Thus let departing Winter sing. Song.
See Blow (J.) [Neiv Year's Ode, 1693.]
Thus mighty Eastern Kings. A Free
Mason's Song, with its Chorus, set by a
Brother, etc. Engrav'd by T. Cross :
[Lo7idon, 1725.] s. sh. fol.
H. 1601. (469.)
Thus sung the fair maid. IVie Banks of
the Dee. Being the continuation of the
Song beginning " It was Summer "...
[written] by B. B. Sk[illern : London,
1780?] s.sh.lol. G. 312. (189.)
THY. Thy absence, Delia, from my Bow'r.
Song. See Beodeeip (R.)
Thy blue waves 0 Carron. Ballad.
See Ross (J.)
THY. Thy fatal Shafts unerring move.
[Song.] With an Accompaniment for the
Harpsicord or Piano Forte.
L[ongman] d B[roderip :
London, 1785 ?] fol. G. 312. (203.)
[Another setting.] Thy fatal Shafts un-
erring move. [Song.] See Hayes (P.)
[Another setting.] Thy fatal Shafts un-
erring move. Air. See Oswald (J.)
Thy Father, away. [Song.]
See Artaxerxes.
Thy Genius lo ! Song. See Pubcell (H.)
[The Massacre of Paris.]
THYRSIS. Thyrsis. Glee [begins:
' Thyrsis when he left me '].
See Callcott (J. W.)
Thyrsis. [Song, begins : ' In pity Thyrsis.']
See Hudson (R.)
Thirsis a Youth of the Inspired Train.
Song. See Hart (P.)
Thyrsis afflicted with Love and Despair.
Song. (S'^e Haendel (G. F.) [2. Ar-
rangements, b. histrumcntal. Minuets.
Walsh's Collection, p. 32.]
Thyrsis unjustly you complain. The Swain
reprov'd. [Song, words by Sir G. Sedley.]
[London, 1750 ?] s. sh. fol. G. 312. (165.)
TI. T' amo si sarai. [Duet.]
See Haendel (G. F.) [Riccardo Prima.]
Ti consola amato. [Song.]
See Gazzaniga (G.)
Ti lascio mio bene. Rondo.
See BiANCHi (F.)
Ti riverisco. Air. See Paisiello (G.)
[I Ziyigari in Fiera.]
TIB ALDI (Giovanni Battista) Tibaldi's
Sonata's or Chamber Aires in three Parts
for two Violins and a Through Bass . . .
Opera Prima. [Separate Parts.] Printed
for I. Walsh, I. Hare and P. Randall :
London, [1710 ?] fol. li. 22.
Tibaldi's Sonatas in Three parts for two
Violins and a Through Bass . . . Opera 2^.
[Separate Parts.] Prijited for I. Walsh
and I. Hare : London, [1715 ?] fol. i. 85.
See Albinoni (T.) Senate a Violino Solo
e Basso Continuo . . e uno Suario 6
Capriccio a 1' imitationo del Corelli del
Sig. Tibaldi. [1720 ?] fol. g. 422. i. (1.)
See M., R. Medulla Musicae; Being a
Choice Collection of Airs . . . from the
Works of.. Tibaldi, e^c. [1727?] 8°. c. 25.
TIBBS (Thomas) Richmond Hill. [Song.]
The Words by Mr. Cross. [London,
1760?] s. s7i. fol. G. 305. (66.)
TIBBS (William) Eight Songs in Score.
Arranged for the Voice and Piano Forte
. . . The Words by Shenstone, &c.
Printed fen- the AutJior : Richmond,
[1797?] fol. G. 368. (15.)
[Another copy.] G. 327.
TIBURTINO— TINTI
579
TIBURTINO (QivhiA^o)
See BuoNAUGURio (G.)
TIE. The Tye Wig Volunteers. [Song.]
See DiBDix (C.) [The General Election.^
TIEBOUT (CoBNELius) See Amphion.
Amphion, or the Chorister's Delight, etc.
[Compiled by J. Burger Jun' and C. Tie-
bout.] [1780 ?] obi. i". A. 828.
TIGHT. The tight Irish Boy. Song.
See Reeve (W.) [Ho7iest Thieves.]
TIGRANE. The Favourite Songs in the
Opera Tigrane. [A Pasticcio. Full Score.]
B. Bremner : London, [1767.] fol.
G. 180. d. (3.)
The only composer named in this worlds
P. Guglielmi.
[Another copy.] G. 760. f. (9.)
TIGRINI (Obatio) II Compendio della
Musica nel quale breuementc si tratta dell'
Arte del Contrapunto, diuiso in quatro
Libri, etc. Appresso Bicciardo Amadino :
Vcnctia, 1588. 4°. 557*. c. 15. (1.)
II Compendio della Musica . . . Di nouo. . .
corretto, & Ristampato. Appresso
Bicciardo Amadino : Venetia, 1602. 4°.
557*. c. 18. (6.)
TILLIERE (Joseph Bonaventure)
M6thode pour le Violoncelle, etc. Chez
AP Baillciix : Paris, [1780 ?] fol.
g. 514. a. (1.)
TIMBRELL (Francis) The Divine
Musick Scholar's Guide, with the Famous
Mr. Tho. Revenscroft's Psalm tuues in
four parts, Corrected & newly Reviv'd.
To which is added a Choice Collection of
new Psalm tunes. Hymns & Anthems . . .
Likewise ... all the Old common Psalm
tunes . . . Also Rules & Directions for
Playing on the Spinnet, Harpsicord, or
Organ, etc. {London ? 1725 ?] obi. 4°.
A. 980.
The composers named are : T. Bav ens-
croft, James Green, W. Wlieal, E.
Blanks, B. King, B. Allison, J.
Playford, J. Bishop, J. Douland, G.
Farnaby, W. Laivcs, E. Johnson,
J. Hilton, T. Tallis, Tho. Clarke, W.
Croft, M. Wise and Fra. Hicks.
TIME. Time. [Song.] &e Pleyel (I. J.)
Time and Care. [Song.] See Smart (T.)
Time anticipated. [Song.]
See Leveridge (R.)
Time has not thin'd my flowing Hair.
Canzonet. See Jackson (W.) of Exeter.
[12 Canzonets. Op. 9. N- 1.}
Time made Prisoner. Song. See One.
One Ev'nijQg good Hmnour took "SVit as
iis Guest. [1780?] s. sh. to\.
G. 310. (250.)
TIME. Tyme to pas with goodly sport.
[Three-part Song.] See Interlude. A
new interlude. . .of the iiij. elements, etc.
[1539?] 8vo. Case 39. b. 17.
TIMELY. Timely Caution. [Song.]
See Arne (T. a.)
TIMIDE. Une timide Bergere. T'a^^c-
villc. [Paris,] 1755. s. sh. 8". 298. c. 25.
Mcrcure de France, October, 1755.
TIMIDITE. La Timidity. [Song.]
See Je. Je voudrois bien vous raconter.
[1780?] 8°. B. 362. c. (18.)
TIMIDO. Timido Pellegrin. [Song.]
Sec Ormisda.
TIMMS (I.) Admiral Keppel Triumphant.
[Song.] The ^Yords and Music by I. Timms
of Dartford. S[amnel and] A[nn']
T[hompson : London, 1778.] s. sh. fol.
G. 314 (87.)
TIMOROUS. The Timorous Friar [Song.]
See Through. Through Yonder Glade
and verdant Lawn. [1770 ?] fol.
G. 312. (209.)
The Tim'rous Lover. [Song.]
See Hook (J.)
TINCTORIS (Joannes) Terminorum
Music;T3 Diffinitorium. [Gerardus de
Lisa, de Flandria : Treviso, 1475.] 4°.
166. e. 21.
15 leaves, without pagination or place of
imprint, 28 lines to the full page.
TINDAL (William) Eight Ancient
English, Spanish and Scotch Ballads,
with two Glees for four Voices. . .with an
Accompaniment for the Piano - Forte,
Violin, or Flute. . .Op. 5. H. Wright :
London, [1800 ?] fol. H. 70. (2.)
Six Vocal Pieces for Two, Three & Four
Voices, accompanied. The Words selected
from Shakespeare, Gray, and Guariui . . .
Op. 1"". Wright d C" : London,
[1783.] fol. H. 70. (1.)
TINK. Tink a tink. [Duet.]
Sec Kelly (M.) [Blue Beard.]
TINKER. The Tinker. [Song.]
See I. I'll tell you my Neighbours.
[1780?] s.sh.to\. G. 309. (117.)
The Tinker. Song [begins : ' My Father
was a Tinker's Son']. See Reeve (W.)
[Merry Shenvood.]
TINKLING. The tinkling Guitar.
[Song.] See Arne (T. A.)
TINT. The Tint on the Cheek of my Love.
[Song.] Sec Caster (C. T.)
TINTI (Salvadobe) Sei Quartetti. Tre
per due Violini, Viola, e Violoncello, e tre '
per Flauto, o Violino Secondo, etc,
[Separate Parts.] Firenze, [1780 ?] fol.
h. 2840.
2 p 2
580
TIPPET— 'TIS
TIPPET. The Tippet. Song. See In. In
low'ring Clouds the Day was drest, etc.
[By W. Defesch.] [1750.] 8°.
P.P. 5438. z.
The Tippet. [Song.] See In. In low'riug
Clouds, the Day was drest, etc. [By W.
Defesch.] [1750 ?] s. sh. fol.
G. 309. (13.)
TIPPLER. The Tipler's Wish. [Song.]
See DiGARD (D.)
TIPPLING-. The Tippling Philosophers.
Two-part Song. See Diogenes. Dio-
genes surly and proud. [1780 ?] s. sh. fol.
G. 307. (169.)
[Another setting.] The Tippling Philoso-
phers. [Song.] See Leveridge (R.)
The Second Part of The Tipling Philoso-
phers. [Song.] See Yoslington ( )
TIPPOO. Tippoo's Defeat. Duet and
Chorus. See Arne (T. A.) [Alfred. Bule
Britannia.']
TIPPOO SAIB. Tippoo Sahib. Musical
Entertainment. See Reeve (W.)
TIPSY. The Tipsey Hibernian. Song.
See Reeve (W.)
TIRCIS. Tircis disoit a la jeune Lisette.
Air tendre. [Paris,] 1729. s. sh. 4".
298. a. 4.
Mercnre de France, March, 1729.
Tircis, s'il n'est qu'un terns pour plaire.
Chanson en Duo. [Paris,] 1754. s. sh. 4°.
298. c. 18.
Mercure de France, Jime, 1754.
Tircis voyant que sa Lisette. Chanson.
See D. . .ET ( ) W^'.
'TIS. 'Tis a Maxim I hold. Hake Hay
tvhilst the Sun shines. A New Song [by
R. Hudson]. [London, 1772.] 8°.
P.P. 5438. z.
Universal Magazine, Vol. L., p. 267.
'Tis Archery. [Glee.]
See Webbe (S.) the Elder.
'Tis Beauty commands me. A much
admir'd New Song, etc. John Lee :
DiMin, [1180'^] fol. H. 1601. a. (62.)
'Tis done, Urania. Song. See King (R.)
'Tis Health that gives Birth. Glee.
See Callcott (J. W.)
'Tis in vain for succour calling. Song.
See Shield (W.) [The Wood^nan.]
'Tis Love that always strikes the Fire.
Song. See King (R.)
'Tis Love that murmurs in my Breast.
Glee. See Stevenson {Sir J. A.)
'Tis Masonry unites mankind. 'Tis
Masonry. A new Song.
[London, 1761.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XXVIII. ,
p. 152.
'TIS. 'Tis Nature's Voice. Song. '
See PuRCELL (H.) [Ode for St. Cecilia's
Day. 1692.]
'Tis not Age's sullen Face. Song.
See Haendel (G. F.) [Susan^ia.]
'Tis not Belinda's iv'ry Neck. Belinda's
Virtue. A New Song. [By R. Hudson.]
[London, 1766.] 8". P.P. 5438. z.
Universal Magazine, Vol. XXXVIII. ,
p. 377.
'Tis not in Sinew nor in Bone. Song.
^'ee Arne (T. A.) [Tom Thumb.]
'Tis not Love. [Song.] See King (M. P.)
'Tis not the liquid brightness of those
Eyes. Song. See Festing (M. C.)
'Tis not Wealth. Song.
See Love in a Village.
'Tis only thee dear Sally. Dear Sally, a
new Song. Engraved by T.
Cross . . . Printed for D. Pratt : [London,
1690 ?] s. sh. fol. I. 530. (155.)
'Tis Pity to die an Old Maid. Song.
See WiLLSON (J.)
'Tis pleasant to sing. [Hymn.]
See Perkins (R.)
'Tis rumour'd the French will soon visit
our coast. The French Invaders, a New
Song. [London, 1759.] 8°.
P.P. 5438. z.
Universal Magazine, Vol. XXV., p. 141.
'Tis said we young Ladies. The Flirtation
Answer'd. [Song.] [London,
1760 ?] s. sh. fol. G. 316. f. (24.)
'Tis Sev'n long Years and more. The
Slave. [Song.] Printed for W. Cope :
London, [1795 ?] fol. G. 356. (48.)
'Tis sultry Weather. Dialogue.
See Clarke (J.) [TJic Island Princess.]
'Tis Taste now to travel. [Song.]
S-ee Yates (W.)
'Tis the Genius of Britain, ye Britons
that calls. The Year 1762. [Song.]
Sung by Mr. Andrews at Sadlers Wells.
[London, 1762.] s. sh. fol. G. 312. (181.)
'Tis thy will, and I must leave thee.
Song. See Biggs (E. S.)
'Tis time enough yet. [Song.]
See Term. A Term full as long as the
Siege of old Troy, etc. [1760 ?] s. sh. fol.
H. 1994. (62.)
'Tis true, my Celia, thou art fair. Song.
See Atfield (J.)
'Tis true that ills attend on man. Then
why should we be pining, 0 ? [Song.]
[London, 1790 ?] s. sh. fol.
G. 316. (140.)
'Tis true the Law I do profess. Lawful
Love. [Song.] [London, 1180?] s.sh.iol.
G. 312. (170.)
'Tis true, when first the rosy Dawn.
Song. See Hayes (P.)
'TIS— TO
581
'TIS. 'Tis vain to shun Philander's Pow'r.
Song. -See Hart (P.)
'Tis Wine that inspires. The Excellency
of Wine. [Song, written] By Mr. Baker.
vSet for the German Flute. [London,
1740?] s.sli.iol. G. 303. (51.)
'Tis you Sir. The Bad fclloio. A Favour-
ite Catch [By W. Bates]. [London,
1790 ?] s. sh. fol. G. 312. (147.)
TISCHER (JoHANN NiKOLAUs) Musica-
lischc Zwillinge in zwey Concerten eiues
Thons...vor das Clavier oder Harmon-
ischer Freude auf klingendcr Saite, erste
(-sechte) Frucht, etc. 6 pts.
InVerlcgiing Balth : Schmids : Niirnhcrg,
[1745 ?J obi. fol. d. 18.
Wanting Part III.
TISSIER ( ) L' Amour, dans les yeux
de Themire. Romance. Paroles de
M. de Launay, etc. [Paris,'] 1774. 8".
298. e. 29.
Mercure de France, May, 1774.
[Another edition.] L'Amour, dans les
yeux de Themire. Romance. Paroles de
M. de Launay, etc. [Paris,] 1774. 8".
298. e. 31.
Mercure de France, August, 1774.
Depuis longtems votre absence. Chanson,
etc. [Paris,] 1774. s. sh. S\
298. e. 31.
Mercure de France, Sept., 1774.
Inspir6 par son humeur noire. Chanson.
Les paroles sont de I\I. de Launav.
[Paris,] 1774. 8°. 298. e. 27.
Mercure de France,.Feb., 1774.
[Another edition.] Inspire par son
humeur noire. Air, etc. [Paris,]
1778. s. sh. 8". 297. f. 19.
Mercure de France, Jan., 1778.
Le Petit M6nage. [Song.] Avec Accom-
pagne™' de Guithare, etc.
[Paris, 1780?] 8°. B. 362. b. (179.)
Qu'elle est belle, la Nature. Aria.
Paroles de M. de Launay, etc. [Paris,]
1774. 8°. 298. e. 32.
Mercure de France, Oct., 1774.
[Another edition.] Qu'elle est belle, la
nature ! Aria. ParoUes de M' de
Launay. [Paris,] 1777. s. sh. 8°.
297. f. 12.
Mercure de France, March, 1777.
Que le plaisir est pen de chose. Chanson.
Paroles de M. Delaunay, etc. [Paris,]
1775. 8". 298. e. 39.
Mercure de France, August, 1775.
Si Mathurin dessus I'herbette. Ariette
avec Accompagne"'' de Guithare, etc.
[Paris,] 1779. 8\ B. 362. b. (177.)
See Albanese ( ) La Comtesse de Saulx.
Romance . . . avec accompagnement de
Guithare par ISP Tissier. 1779. 8°.
B. 362. a. (111.)
TISSIER ( ) See Des. Des Bergeres
du Hameau . . . Avec Accompagne"'* de
Guithare, par IP Tessier, etc. 1779. 8".
B. 362. e. (104.)
See Tete a Perruque. Sur toute la
Nature on voit regner I'amour. Chanson
. . . avec Accompagnement de Guithare
par M-- Tissier, etc. 1779. 8'\
B. 362. b. (201.)
TIT. Tit for Tat. Song [begins : ' If a
Gentleman is kind '].
See Hook (J.) [The Fool.]
Tit for Tat. [Song, begins : ' Young Colin
t'other day.'] See Hudson (R.)
Tit for Tat. [Song.] &e Surly. A Surly,
sottish, peevish Booby, etc.
[1740?] s.sh.iol. G. 316. d. (36.)
Tit for Tat. [Song.] See Young. Young
Strephon woo'd me long before.
[1770?] s.sh.iol. G. 316. (170.)
TITELOUZE (Jean) Hymnes de I'Eglise
pour toucher sur I'orgue, avec les fugues
et recherches sur leur plain-chant, etc.
Pierre Ballard : Paris, 1624. obi. fol.
K. 10. a. 12.
TITIUS (Erhard) Ach du hoch betriibtes
Sachsen. Aria a 5. [Funeral Ode for
Johann Georg II, Elector of Saxony.]
Verlegts J, C. Mieth . . . DrucJds M. Hart-
mann : Drcssden und Zittau., 1681. 4°.
10704. bbb. 51.
Part ofC. Weisc's ' Zittauishe Andacht,'
etc.
TITO MANLIO. The Favourite Songs
in the Opera call'd Tito Manlio. Printed
for I. Walsh : London, [1756.] fol.
G. 206. g. (5.)
By Abbos and Lampugnani.
Tito Manlio. [Opera.] See Cocchi (G.)
TITOISr ET L'AURORE. Votre coeur
aimable Aurore. Romance de Titon et
I'Aurore. [Opera, by J. J. Cassanea de
MondonviUe.] [Paris,] 1753. s. sh. 4°.
298. c. 13.
Mercure de France, May, 1753.
TITUS TELL-TROTH. Titus Tell-
Troth. Song. See KMh. Hail to the
Knight of the Post, etc. 1682. s. sh. fol.
Case 38. i. 25. (6.)
TETZ (August Ferdinand) Trois Duos a
Deux Violons avec Romance & Rondeaux,
etc. [Separate Parts.] CJiez
C. Torricella: [Vienna? 1790?] fol.
h. 1668.
TO. To a beautiful j'oung Lady playing on
the Organ. [Song.] See When. When
fam'd Cecilia on the organ play'd, etc.
[1748.] 8°. 249. e. 18.
To a Lady curling her hair. [Song.]
See Defesch (W.)
582
TO
TO. To a Lady who endeavour'd to conceal
her Love. [Song.] See In. In vain,
dear Chloe, etc. [1775 ?] s. sli. fol.
G. 309. (137.)
To a Nightingale. [Song.]
See Haendel (G. F.) [Alciyia. Overture.
Musette.]
To a Statesman if you for a Favour apply.
Call again. A New Song. [London,
1773.] 8°. P.P. 5438. z.
Universal Magazine, Vol. LII.,p. 147.
To a Young Lady of Eighteen courted by
a Man of Threescore. [Song.]
See Mabkwell ( )
To a young Lady richly drest. [Song.]
See Larken ( )
To all ye Ladies, now in Town. Glee.
See Holder (J. W.)
To all you Ladies now at Land. Song.
See Callcott (J. W.)
To Amanda. [Song.] See Howard (S.)
To an Arbor of Woodbine. [Song.] Sung
by Mr. Beard, [In Eobin Hood, words by
M. Mendez, music by G. Burney.]
{London, 1751.] s. sh. fol. G. 312. (74.)
To an Arbor of Woodbine. A Neio Song.
[By G. Burney.] [London, 1754.] 8°.
P.P. 5438. z.
Universal Magazine, Vol. XV., p. 323.
To an Arbor of Woodbine, etc. [By G.
Burney.] [Lo7idon'> 1155 7] s.sh.iol.
G. 316. h. (27.)
To an Arbor of Woodbine. [Song.] Sung
by Mr. Beard. [By C. Burnev.] [London,
1755.] s. sh. 8°. P.P. 5439. ab.
Neiu Universal Magazine, March, 1755.
To an Arbor of Woodbine ye both shall be
led, etc. [G. Burney.] [Londoyi,
1756.] s. sh. 8". P.P. 5439. ab.
Neiv Universal Magazine, March, 1756.
To Anacreon in Heav'n. The Anacreontic
Song as Sung at the Crown and Anchor
Tavern. . .The Words by R. Tomlinson, etc.
[Music by J. S. Smith.] Longman and
Broderip: [London, IIQO^] fol.
G. 383. i. (38.)
To Anacreon in Heav'n. The Anacreontic
Song. As Sung at the Grown and Anchor
Tavern. . .London, etc. [Music by J. S.
Smith.] Anne Lee :
[Dublin, 1180?] s.sh.iol.
H. 1601. a. (40.)
To Arms. [Duet.]
See PuRCELL (H.) [Bonduca.]
To Arms, to Arms. The Oracles for War
... To a New Play-House Tune.
S. Deacon: [London, 1Q90?] s.sh.iol.
1876. f. 1. (37.)
The tune is represented by a meaningless
succession of musical notes.
To banish Life's Troubles. Song.
See Stevens (R. J. S.)
TO. To Bath a gallant Lover came.
Damon's Mistake. [Song.] [London,
1750 ?] s. sh. fol. G. 312. (27.)
[Another copy.] G. 305. (102.)
To be Lordly whether he ride or run.
Be Lordly Willie. A Song [written] by
Mr. Mitchell. [London, 11 20?] s.sh.iol.
H. 1601. (461.)
To be sure I woud. [Song.]
See Agreeable Surprise.
To Bettsy's Praise I tune the Lyre. On
Miss Betsy Ball. A new Song, etc.
Printed for C. Schuchart ; [London,
1750?] s. s7i. fol. G. 312. (225.)
[Another edition.] To Bettsy's Praise I
tune the Lyre. On Miss Betsy Ball, etc.
[London, 1750 ?] s. sh. fol.
G. 316. f. (44.)
To Celia. Song for two Voices. [Begins :
' If the quick spirit.'] See Bride (R.)
To Celia. [Song.] See Drink. Drink to
me only with thine Eyes, etc.
[1765?] s. s7(. fol. G. 307. (150.)
To Celia. [Song, begins : ' Why, cruel
creature.'] See Flackton (W.)
To Celia. [Song.] See If. If I my Celia
could perswade. [1750?] s.sh.iol.
G. 309 (126.)
To Celia. Song [begins : ' Forgive, thou
fairest of thy kind ']. See Turner (E.)
To Cselia thus fond Damon said. Damon
to Cxlia. A New Song. Sung by Mr.
Lowe at INIarybon Gardens. [London,
1750.] 8°. 157. L 12.
London Magazine, 1750, p. 469.
To Caelia thus fond Damon said. A neiu
Song. Sung by Mr. Lowe at Marybon-
Gardens. [London, 1150?] s.sh.iol.
G. 311. (101.)
[Another edition.] To Cselia thus fond
Damon said. A New Song, etc.
[London, 1150?] s.sh.iol.
H. 1994. b. (86.)
[Another edition.] To Cselia thus fond
Damon said. Damon to Cselia. [Song.]
Sung by Mr. Lowe at Marybon Gardens.
See Chloe. Chloe, or the Musical
Magazine, etc. No. 45. [1760 ?] fol.
G. 433.
To Chace o'er the Plain the Fox or the
Hare. TJie Joys of Hunting. [Song.]
Sung by Mr. Vernon at VauxhaU.
Sk[illern : Londo^i, 1780 ?j fol.
G. 312. (199.)
To Chloe. [Song.] See Ah. Ah cruel
Nymph, etc. [1760 ?] s. sh. fol.
G. 316. d. (20.)
To Chloe. [Song, begins : ' 0 lovely
Maid.'] See Defesch (W.)
To Chloe. [Song.] See When. When
fond, you Damon's charms recite, etc.
[1754.] 8°. 250. c 1.
TO
583
TO. To Chloris. Song. See Come. Come
Chloris, leave thy wand'ring Sheep, etc.
[1755.] 8". 157. 1. 17.
To Chlfiris all soft Charms agree. Song.
See Elford (R.)
To Cloe. Song. See Dear. Dear Cloe is
my sole delight, etc. [1715 ?] s. sh. fol.
H. 1601. (125.)
To Cloe. Song. See When. When e'er,
my Cloe, I begin, [1745 ?] s. sh. fol.
G. 316. f. (61.)
To Convent Streams. [Song.]
See BuswELi, ( )
[Another setting.] To Convent Streams.
Song. See Courteville (R.)
To court me young Colin came many a
mile. Yoting Colin. [Song.] Sung by
Mrs. Weichsell at Vauxhall 1779.
[Lmdun, 1779.] s. sh. fol. G. 312. (230.)
To Crassius on his Marriage with Stella.
[Song.j See Why. Why should the
gen'rous Youth restrain,
[1740?] s.sh.lol. G, 313, (237.)
To Cullies and Bullies of Country and
Town. A So7ig the words by INIr. D'urfey,
to a Tune made by a Person of Quality
and exactly engrav'd by T. Cross.
[Lmdon, 1700 ?] s. sh. fol.
G. 304. (152.)
To Cupid. [Song.] See Sweet. Sweet
Tyrant Love, etc. [1740?] s. sh. fol.
G. 316. e. (124.)
To Cynthia then our homage pay. [Duet.]
See PuECELL (D.) [The World in the
Moon.]
To dear Amaryllis. Song.
Sec Shepherd's Lottery.
To Delia. [Song.] SfC Howard (S.) [The
Amorous Goddess. Overture. Musette.]
To ease his heart. The Spinning -Wheel :
a new Song. [Lmidon, 1762.] 8°.
P.P. 5438. z.
Universal Magazine, Vol. XXXI.,
p. 45.
To ease my heart. Love's Force on the
Heart. A favourite Song by the Author
of the Busy Bees [E. Harwood].
J. B. Pye : Liverpool, [1785 ?] fol.
H. 1653. (32.)
To excel in Bon Ton as Genius and Critic.
The Connoisseur. [Song.] The Words by
G. A. Stevens. P. E\odgson : London,
1780 ?] s. sh. fol. G. 312. (237.)
To fair Fidele's grassy Tomb. [Song.]
See Akne (T. A.)
To Fanny Fair I would impart. Fanny,
[Song.] \_London, 1750 ?] s. sh. fol.
G. 303. (59.)
To Fanny fair I would impart. Fanny.
A new Song. [London, 1754.] 8°.
157. 1. 16.
London Magazine, 1754, p. 470.
Song.
TO. To Favonius. [Song.] See Favonius.
Favonius come, [1760 ?] s. sh. fol,
G. 316. a. (23.)
To find my Tom of Bedlam. Mad Maudlin.
A Favorite ^lad Song, with an Accompani-
ment for the Piano Forte or Harp, the
Music . . . bv a Lady of Fashion. Preston,
for the Proprietor : London, [1790?] fol.
G. 800. m. (57.)
To fix a Woman's ]Mind.
See Italian.
To Flavia. [Song.]
Sec Alcock (J.) Doctor in Music.
To fly like a Bird from Grove to Grove.
The Prudent Fair. A Favourite Song.
Sung by i\Iiss Jameson at Vauxhall,
I[ohn] B[utherford : London,
1775 ?] s. sh. fol, G. 312. (103.)
[Another edition.] To fly like bird from
grove to grove. The Prudent Fair, etc.
B. Falkener : London, [1775 ?] s. sh. fol.
H. 1994. a. (53.)
To Fortune lost, my Native Shore, Song,
See Attwood (T.)
To Freedom dedicate the Day. The Mid-
dlesex Freeholders' Resolution. [Song.]
[London, 1768.] s, sh. fol, G. 312. (227.)
To gentle Strephon tell your Grief. Song,
See Leveridge (R.) [The Quacks.]
To George and Charlott. [Duet.]
See Haendel (G. F.) [Judas Maccabseus.
See the conquering hero.]
To Handel's pleasing Notes as Chloe sung.
SoJig on a Goldfinch flying out at the
Window while a Lady was playing &
singing Dear Liberty, [London,
1730?] s.sh.lol. G. 312. (100.)
To Handel's pleasing notes as Chloe sung.
On a Goldfinch flying aivay ivhile a Lady
teas playing Dear Liberty. A New Song.
[London, 1756,] 8vo, P.P. 5438.
Literary Magazine, Vol. I.,p. 480.
To Hanover from Edinbro', The Loyal
Highland Lass. A Scotch Song.
[London, 1715 ?] s. sh. fol. G. 312, (92,)
To heal the Smart a Bee had made. The
Bee. A New Song sung by Mr, Lowe.
[London, 1760 ?] s, sh. fol.
H. 1994. b. (87.)
[Another edition.] To heal the Smart a
Bee had made, [Song.]
See Mother Shipton,
To Health, [Song,] See Hudson (R.)
To hear the jar of noisy War, The Hat
and Feather. [Song,] Words by Mr.
Dobey, Sk[illern: Londoyi,
1780?] s. s7i,fol. G. 312. (102.)
To Horse, brave boys of Newmarket,
Neiomarket Horse Pace. [Song, words by
T, D'Urfey,] [London, 1720 ?] s. sh. fol.
G. 312, (59.)
[Another copy.] G. 315. (106.)
584
TO
TO. To keep my gentle Jessy. Quartette.
See Abne (T. A.) [The Merchant of Venice .A,
To little or no Purpose. The Bambling
Lady's Passion fixt. [Soug.l [London,
1735 ?] s. sh. fol. G. 316. f. (17.)
To Lordings proud I tune my Song.
Dttke upon Duke, &c. [Song. Words
by J. Swift, music by H. Holcombe.]
[Loyulon, 1723.] fol. 1876. f. 1. (94.)
This song was written on a quarrel
between Lord Lechmere and Sir John
Guise.
To love and to languish. Song.
See Hart (P.)
To love thee 0 my Emma. Glee.
See Crotch (W.)
To Lysander. [Song.] See Defesch (W.)
To make me feel a virgin's charms. A
New Song, sung at Mary-le-Bon Gardens.
[By W. Defesch.] [London, 1752.] 8°.
P.P. 5438. z.
Universal Magazine, Vol. X.,p. 30.
To make me feel a virgin's charms. .1
New Soyig. Sung at Marybone Gardens.
[By W. Defesch.] [London, 1751.] 8".
157. 1. 13.
Lmidon Magazine, 1751, p. 517.
To make me feel a Virgin's Charms.
[Song.] See Defesch (W.)
To make the Man kind. [Song.]
[Londmi, 1750'?] s.sh.iol.
G. 316. c. (37.)
To make the man kind. A Song, etc.
[London, 1753.] 8°. 249. c. 23.
Gentleman's Magazine, Vol. XXIII.,
p. 581.
To make the most of fleeting time. Now
or Never. [Song.] Sung by Mr. Vernon.
[By J. Hook.] [London, 1775.] s. sh. foL
G. 312. (228.)
No. 1 of Hook's Vauxhall Songs for
1775.
To make the wife kind. The Happy
Happy He. A New Song.
[London, 1748.] 8°. 157. 1. 10.
London Magazine, 1748, pp. 472-3.
To make the wife kind. A Neio Song,
sung at Ranelagh-house.
[London, 1748.] 8". 249. e. 18.
Gentleman's Magazine, Vol. XVIII.,
p. 468.
To make the Wife kind. The Happy Happy
He. A new Song sung at Ranelaugh.
[London, 1765 ?] s. sh. fol.
G. 316. f. (21.)
[Another edition.] To make the Wife
kind. A New So7ig. [London,
1765 ?] s. sh. fol. H. 1994. b. (88.)
[Another edition.] To make the Wife
kind. Tlie happy happy He, etc.
[London, 1770 'i] s.sh.iol.
I. 530. (156.)
TO. To me a Smiling Infant came. Song.
See Ambrose (J.)
To me your attention ye Batchelors give.
Advice to the Batclielors. [Song.] The
words by G. C. D'Almaine. [London,
1780?] fol. H. 2818. e. (49.)
No. 3 of the 'Feast of Apollo.'
To meet with contentment. The Content-
ment. [Song.] [London, 1756.] 8".
P.P. 5438. z.
Universal Magazine, Vol. XVIII. , p. 80.
To melancholy thoughts a prey. The
Desponding Shepherd. [Song.] [London,
1752.] 8°. 249. e. 22.
Gentleman's Magazine, Vol. XXII.,
p. 528.
To Miss E— M— . [Song.] See Whilst.
Whilst Celia's Eyes. [1740?] s.sh.iol.
G. 316. f. (77.)
To Mr. H[enr]y C[a]rey Ballad maker,
and Ballad setter. [Song.] See To. To
please y' Friends, etc. [1725 ?] s. sh. fol.
I. 530. (158.)
To Myra. [Song.] See Thoughtful.
Thoughtful nights, and restless waking,
etc. [1780 ?] s. sh. fol. G. 312. (162.)
To Nancy : persuading Him to visit
Clifton-Wells. [Song.] See Boyce (W.)
To Old Satan in Hell. Satan's Visit to
the Jacobin Chib, or Britannia Trium-
phant. A new . . . Song, written by E.
Nairne, etc. [To the air of " To Anacreon
in Heaven " composed by J. S. Smith.]
Longman and Broderip, for the Author :
London, [1795.] fol. G. 376. (57.)
To Phillis. [Song.] See Phillis. Phillis
why shou'd we delay. [1760 ?] s. sli. fol.
G. 311. (21.)
To Phyllis and Chloe. Bacchus trium-
p^hant, or. The Lover's Adieti to the Fair
Sex. A new Song. [London, 1755.] 8".
157. 1. 17.
Loudon Magazine, 1755, pi. 388.
To play upon a Viol. The Maid's Lesson,
being Instructions for a Young She
Beginner. A Spick and Span New Song.
[London, 1710?] s.sh.iol.
H. 1601. (451.)
[Another edition.] To play upon a Viol,
etc. [London, 17107] s.sh.iol.
Gren. 559. (18.)
To please y" Friends, y' work defies. To
Mr. H[cnr]y C[a]rey Ballad maker, and
Ballad setter, etc. [Song.] [London,
1725 ?] s. sh. fol. I. 530. (158.)
To proclaim King George the Second. A
Song on Proclaiming his Majesty King
George the Second. [London,
1727.] s. sh. fol. G. 312. (7.)
To rival the Miser. Til laugh and be fat.
[Song.] Sung by Mr. Vernon. [London,
1790?] fol. G. 808. g. (31.)
TO
585
TO. To Eodocleas. [Song.] See I. I
search'd the Fields of Ev'rv kind, etc.
[1771?] s.sh.iol. G-. 309. (127.)
To Sacharissa. Song. See Hayes (H.)
To see thee so gentle. Song.
See Kelly (M.)
To shun bright Sol's meridian heat. The
Sleeping Fair ; A New Song. The Words
by Mr. T. Crick. [London, 1757.] 8°.
P.P. 5438. z.
Universal Magazine, Vol. XXI., p. 12S.
To Silvia. Song. See When. When
Silvia first I saw. [1740 ?] s. sh. fol.
G. 316. f. (73.)
To Silvia's Charms a Captive made. Song.
See Weldon (J.)
To sing of Love's Passion. Song.
Sep. Haydn (F. J.) [2. Vocal Work^. b.
XII. Lieder. Th. 1. An Iris.']
To some petty Sinner go wheedle and
whine. A drinking Song. [London,
1760?] s.sh.iol. G. 316. (144.)
To soothe my Cloe's pensive grief. Song.
See Geanom (L. C. A.) j
To speak, my muse, sweet Charlotte's I
praise. Song. See Hudson (E.) '
To speer my Love, with glances fair. To
the Oreemcood gang with me, a favourite
New Song [by J. Hook] sung by Miss I
Francis. John Lee : !
Dublin, [1790 ?] s. sh. fol.
H. 1601. a. (75.) |
To suck the flow'r sweet. Tlie Fatal \
Wound. A New Song. [London, 1
1769.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XLV.,
p. 209.
To Sylvia. Three part Song. See Faie.
Fair Son of Venus. [1740 ?] s. sh. fol.
H. 1994. b. (20.)
To Sylvia. [Song, begins : ' If truth can
fix.'] See Howaed (S.)
[Another setting.] To Sylvia. [Song,
begins : ♦ If truth can fix.']
See Lampe (J. F.)
[Another setting.] To Sylvia. [Song,
begins : ' If truth can fix.']
See Eussel (D.)
To Sylvia. [Song.] See What. Whats
Celias Shape, etc. [1770 ?] s. sh. 4°.
1. 530. (172.)
To take in good part the squeeze of the
hand. The Cock and a Bull. [Song.]
Sung by Mr. Beard at Eanelagh.
[London, 1756.] 8°. 158. 1. 1.
London Magazine, 1756, p. 348.
To take in good part, the squeeze of the
hand. A Cock and a Bull, [song] as
Sung by ]\Ir. Beard at Eanelagh.
I. Walsh : [London, 1756 ?] s. sh. fol.
G. 312. (76.)
TO. To take in good part the squeeze of
the hand. A Cock and a Bull, [Song,] as
sung by Mr. Beard at Eanelagh.
[Lotidon, 1757.] 8". P.P. 5438. z.
Universal Magazine, Vol. XX., p. 1-32.
To the conscious Groves I hie me. .1
Favorite Song sung at Eanelagh.
L[ongman'\ & B[roderip :
London, 1785 ?] fol. G. 312. (201.)
To the Copse lead along. [Song.]
See Wennington (W.)
To the Genius of England. [Song.]
See While. While Gallia does with
Threats invade. [1780?] s.sh.iol.
G. 313. (215.)
To th' Gin Shop let us go. The Basket
Women. [Song.] The Words by A.
Bradley. [Lo7idon, 1720 ?] s. sh. fol.
G. 305. (196.)
[Another edition.] To the Gin Shop let
us go. The Basket Women, etc. [London,
1720?] s.sh.iol. H. 1601. (465.)
To the Greenwood gang wi' me. Song.
See Hook (J.)
To the Greenwood gang with me. Song.
See To. To speer my Love, with glances
fair,e/c. [By J. Hook.] [1785?] s.sh.iol.
H. 1601. a. (75.)
To the Hundreds of Drury I write. The
Soman Priggs Farewell. [Song.]
[London, 1750 ?] s. sh. fol. I. 600. (113.)
To the Maid I love best. Song.
See Hook (J.)
To the Nightingale. [Song.]
See WoEGAN (J.)
To the restless !\Iain we'll bend our Sails.
Song. See Hook (.J.)
To the sweet chanting w^arbling Throng.
Jeany's Complaint. A favourite Scotch
Song, sung at Bath. [London,
1774.] s. sh. i". 159. n. 6.
London Magazine, Dec, 1774.
To the sweet Chanting, Warbling Throng.
Jeany's Complaint. A Favorite Scotch
Song, etc. G[eorge] S[mart :
London, 1785?] s. sh. fol.
G. 312. (104.)
To the Wood Eobin Eed Breast is flown.
Peggy. [Song.] Sung by Mrs. Dennis at
Sadlers Wells. [London, 1160?'] s.sh.iol.
G. 312. (232.)
To the wood robin redbreast is flown.
Peggy ; a New Song. [Londo7i, 1763.] 8".
P.P. 5438. z.
Universal Magazine, Vol. XXXII. ,
p. 213.
To the Words that I sing. Song.
See Aeke (T. A.)
To thee my little blooming Fair. Wine
more poicerfull than Love. A Song.
[London, 1715 ?] s. sh. fol.
G. 316. g. (68.)
586
TO— TODINO
TO. To thee 0 ! Gentle Sleep. [Glee.]
See Danby (J.)
[Another setting.] To thee, 0 gentle
Sleep. Song.
See Elfoed (R.) [Tamberlain.']
[Another setting.] To thee oh ! gentle
Sleep. [Song.] See Tamerlane.
To thine altar 0 love. Love. A favorite
Song. P. H[odcjson : London,
1780?] s. s/f.fol. G. 312. (101.)
To think of one's Follies sometimes is hut
Right. The four Misses. [Song.]
Sk{illern : London, 1780?] s. sh. fol.
G. 312. (177.)
To thy Cliffs rocky Seaton adieu. Adieu
to Seaton Cliffs. [Song.] . . . The Words
& Melody ... by a Gentleman of Oxford,
at whose request D' P. Hayes added a
Bass and the Accompaniments. [Full
Score.] Printed for the Author. . .by S. A.
ct P. Thompson: London, [1785?] fol.
G-. 810. (63.)
To Tom Paine in France. True Justice,
or The Reward of a Traitor. A Song on
the Times. [To the tune of ' To Anacreon
in Heaven,' composed by J. S. Smith.]
B. Firth : Oxford, [1795 ?] fol.
G. 360. (51.)
To Tom Paine in Hell. The kna vc's Neck-
lace, or, Every Rogue a Halter. A New
Anacreontic, the Words by a Gentleman,
Sung ... to the Tune of " To Anacreon in
Heaven" [composed by J. S. Smith], etc.
Printed for P. Jung : London, [1795 ?] fol.
G. 360. (52.)
To touch your Heart. Song.
See GOURTEVILLE (R.)
To welcome Mirth and harmless Glee.
Duett. See Shaw (T.) [The Stranger.]
To woo me and win me. Collin's Success.
A Song [by W. Defesch].
[Z/onfZo», 1754.] 8". P.P. 5438. z.
Universal Magazine, Vol. XV., 2^. 72.
To Woods and Dells where Echo dwells.
Ballad. See Blewitt (J.)
To yonder Beeches friendly Shade. [Reci-
tative and Song.] Sung by Mr. Andrews.
At Sadlers Wells.
[London, 1765 ?] s. sh. fol. G. 312. (231.)
To yonder sweet delicious shade. Song.
See King (R.)
To you fair Ladys now at Land. A Ballad
by the late L"* Dorset when at Sea never
before printed. [London, 1707 ?] s. sh. fol.
G. 305. (180.)
[Another copy.] G. 312. (1.)
[Another copy.] G. 315. (105.)
[Another edition.] To you fair Ladys now
at Land. A Ballad by the L'' Dorset
when at Sea. [London, 1707 ?] s. sh. fol.
H. 1601. (428.)
TO. To you fair Nymph I tune the Lyre.
Lovely Peggy. An Imitation. [Song.]
[London, VlQQ'i'] fol. G. 312. (200.)
To Zephyrus. [Song.] See Howard (S.)
[TJie Amorous Goddess. Overture. Minuet.]
TOAST. The Toast. [Song.]
See Come. Come let's hae mair Wine.
[1750?] s. s7i. fol. G. 316. d. (97.)
The Toast. Glee [begins: 'Fill, fill the
• Glasses']. See Beckett (J.)
The Toast. A Catch [begins: 'Give the
toast']. (Sec Dennis (W.)
The Toast. Song. See Let. Let Poets
boast of Egypt's Queen, etc. [1756.] 8°.
158. 1. 1.
Toast All. [Song.] See Dinner. Dinner
o'er and Grace said. [1790?] s. sh. fol.
G. 307. (156.)
TOBACCO. The Tobacco Box, or Soldier's
Pledge of Love. See Though. Tho' the
fate of Battle on to-morrow wait.
[1785?] fol. G. 297. (16.)
Tobacco is an Indian Weed : Tobacco. A
Song, etc. L[ongman'] L[ukey : London,
1775 ?] s. sh. fol. G. 316. h. (1.)
[Another setting.] Tobacco is an Indian
Weed. 3 Part Song. See Wesley (S.)
Tobacco's the weed. Tobacco's the Theme.
[Song.] J. Welcker : [London,
1780?] s. s7i. fol. G. 312. (138.)
TOBERNE. Toberne, ou le P^cheur
SuMois. Op6ra. See Bruni (A. B.)
TOBY. Toby reduc'd. Song. See Dear.
Dear Tom this brown jug, etc. [1754.] 8°.
250. c. 1.
TOC. Toe, toe, ouvrez, s'il vous plait. Le
Bouquet du Mois de May. Rondeau avec
Accompag' de Guitare pr. Alberti.
Chc2 M. Camand: Paris, [1780?] 8°.
B. 362. a. (136.)
[Another copy.] B. 365. g. (35.)
TOD ABELS. Der Tod Abels. Ein
musikalisches Drama. See Rolle (J. H.)
TOD JESU. Der Tod Jesu. Kantate.
Sec Graun (C. H.)
Der Tod Jesu. Kantate.
See Kreusser (G. A.)
TO-DAY. To Day. [Trio, begins : ' This
Day we graft on yesterday.']
See BoRTOLAZzi (B.)
To Day. Song. See Let. Let those who
wou'd wish to hear reason.
[1770?] s.sh.iol. G. 310. (57.)
TODINO (Cesare) See L'Arpa (G. L. di).
Canzou Napolitanc . . . Libro Secondo.
Di L'arpa. Cesaro Todino, etc. 1506. 8°.
A. 247.
TODTEN— TOLLIUS
587
TODTEN DANTZ. Todten Dantz oder :
Klaglied, gesungen, nach dem. . .Hintritt,
der . . . Kayserin Leopoldinae, etc.
See Alle. All Menschen herkommen auss
Erden, etc. [1649.] 12".
11517. b. 36. (2.)
TOEPFER. Dei- Toepfer. Oper.
See Andre (J.)
TOESCHI (Carlo Giuseppe) Six
Quartettes for a Violin and German
Flute, Tenor and Violoncello obligate . . .
Opera Prima. [Separate Parts.]
Welcker: London, \lTiO'>'\ fol.
g. 413. (16.)
Six Quatuor Dialogue's tl 4. et ciuq
Instruments. Pour un Violon, Flutte,
Alto et Basse . . . Mise au jour par M' do
la Chevardiere. Graves par Le S' Hue.
[Separate Parts.]
Chis M"" De la Chevardiere :
Paris, [1775?] fol. g. 417. d. (1.)
Six Symphonies. Dont les 4. premieres
peuveut se jouer a 8. et en Quatuor et
les deux autres a grand Orchestre oblig6
. . . Gravecs par ]\I"° Vandome. [Separate
Parts.] Chez ilf dc la Chevardiere :
Paris, [1770?] fol. g. 391. a. (1.)
Sinfonia a piu Stromenti Obligati . . .
Prima. [Separate Parts.]
Au Bureau d' Ahonnement Musical :
Paris, [1775 ?] fol. g. 474. (31.)
Sinfonia a piu Stromenti Obligati . . .
Seconda. [Separate Parts.]
Au Bureau d" Ahonnement Musical :
Paris, [1775 ?] fol. g. 474. (32.)
Six Conversation Sonatas for two Violins
and a Bass. [Separate Parts.] Welckcr :
London, [1770 ?] fol. h. 2851. d. (9.)
Six Souates a Deux Violons . . . Oeuvre
Second. [Separate Parts.]
Chez J. J. Hummel :
Amsterdam, [1760 ?] fol. g. 391. (2.)
Six Duetts for two Violins. [Op. 2.
Separate Parts.] Printed for B. Wornum :
Lo?!fZoH, [1770?] fol. g. 391. (1.)
TOESCHI (GiovAKNi Battista) Six
Senates en Trio pour deux Violons et
Basse, etc. [Separate Parts.]
Chez M. de la Chevardiere :
Paris, [1775?] fol. h. 2851. a. (4.)
TOESCHI (Joseph). See Toeschi (C. G.)
TOGETHER. Together let us range the
Fields. A Favorite Duett [by W. Boyce],
sung by Mr. Harrison and Mrs. Billington,
etc. Bland d- Weller : London, [1790 ?] fol.
H. 2826. b. (54.)
TOGLITI. Togliti agli occhi miei. Duet.
See BiANCHi (F.) [Ines de Castro.]
TOI. Toi, dont le bras tirannicide. Hymne.
See Rigel (H. J.)
Toi que j'aimai, que j'aime encore. Adieux
de la Prisidente de Tourvel au Chevalier
de Valmont. Avec Accomp' de Guittare.
[Song.] Chez Lnbault : Paris, [1790 ?] 8".
B. 362. a. (109.)
Toi qui d'Emile et de Sophie. Hymne.
See GossEC (F. J.)
Toi qui pretends du vrai bonheur. Le
Miroir du Siicle. [Song.] Air: Mou
pere etoit pot. Chez lesfreres Savignij :
[Paris, 1780?] 8°. B. 362. b. (149.)
TOILETTE DE VENUS. La Toillette
de Venus dress6e par 1' Amour. [A Collec-
tion of Songs.] l'=(-10'=) Partie.
Chez Madame Boivin : Paris, [1746-7]. 8".
B. 760.
TOINON ET TOINETTE. Toinon et
Toinette, Comedie en deux Actes. . .meslee
d'Ariettes. Representee pour la premiere
fois . . . le 20 Juin 1707 . . . avec les Airs
notes. [Words by J. A. JuUien Des Boul-
miers, music by P. J. Gossec] Chez la
Veuve Duchesne : Paris, 1767. 8°.
86. b. 16.
Part of tlie ' SuppUment des Parodies
du Thidtre Italien,' etc. torn. 3.
Toinon et Toinette, Comedie en deux
Actes en prose [by J. A. JuUien Des
Boulmiers], meslee d'Ariettes . . . avec la
Musique [of the final Vaudeville, by F. J.
Gossec]. 1770. See Recueil. Recueil
g6n6ral des Operas Bouffon, etc. Tom. 1.
1777. 8". 11735. b. 2.
TOISON D'OR. La Toison d'Or.
Trag^die Lyrique. See Vogel (J. C.)
TOKEN. The Token. Song.
See DiBDiN (C.) [Castles in the Air.]
TOL. Toi de rol de rol. [Song.]
See DiBDiN (C.) [The Sphinx.]
TOLL. Toll for the Brave 1 The Loss of
the Boyal George. A favorite Song with
an Accompaniment for the Piano Forte.
The Words by Cowper. B. Birchall,
for the Author : London, [1795 ?] fol.
H. 2830. f. (94.)
Toll toll the Knell. Song.
See Stoeace (S.) [Mahmoud.]
TOLLET (George) Toilets Ground
[Violin and Ground Bass.] [London,
1720?] s.sh.tol. G. 315. (124.)
TOLLIO (Giovanni) See Tollius (J.)
TOLLIUS (Jan) Madrigali a Sei Voci,
etc. Canto. (Alto.) (Tenore.) (Basso.)
4 pts. Appresso Girolamo Commelino :
[Heidelberg ?J 1597. obi. 4°. A. 352.
588
TOLOMEO— TOMICH
TOLOMEO. Overture in Ptolomy [by
G. F. Haeudel. Orchestral Parts].
[Walsh: London, nSO 7] fol.
h. 3211. (7.)
Some of the xxirts are in manuscript.
The Favourite Songs in the Opera call'd
Tolomeo. No. i. [Short Score.]
Printed for I. Walsh :
London, [17G2.] fol. H. 300. a.
The composers of the Pasticcio na7ned in
this collection are : Cocchi, Galuppi
and Ciampi.
Ptolomy. Opera.
See Haendel (G. F.) [Tolomeo.']
TOLOU {A.) VI. Senates pour les
Musettes et Vielles, avec uue Flute seule
. . . Livre Premier. GravA par LabassAe.
Chez VAuteur : Paris, 1741. fol.
K. 7. f. 16. (1.)
TOM. Tom a Bedlam. [Song.]
See Forth. Forth from my dark and
dismall cell, e^c. [1720?] s.sh.iol.
G. 315. (130.)
Tom o' Bedlam. [Song.]
See Barefoot. Bare-Foot and Head-bare,
etc. [1775 ?] s. sh. fol. G. 306. (202.)
Tom loves Mary passing well. Cross
Purposes. [Song.] Sung [and composed]
by Mr. Beard at Ranelaugh Gardens.
[The words imitated from Moschus.]
[London, 1748 ?] s. sh. fol.
I. 530. (157.)
Tom's Return. Song.
See Thomas and Sally.
TOM CARELESS.
^'ee Hook (J.)
Tom Careless. Song.
TOM HALLIARD. Tom Halliard. Song.
See Abrams (H.)
TOM HICKATHRIFT. Tom Hicka-
thrift. [Song.] See When. When
Richard the first rul'd in this Isle.
[1775 ?] fol. G. 316. j. (5.)
TOM JONES. D'un Cerf dix cors j'ai
conuoissance. [Song.] De Tom-Jones.
[Opera, words by Poinsiuet, music by F.
A. Danican Philidor.] Chez Bicpwn :
[Paris,-] 1769. 8°. B. 362. c. (113.)
Je vous obtiens. Vaxideville de Tome
Jonnes. [Opera, words by Poinsinet,
music by F. A. Danican Philidor.]
[Paris, 1766 ?] 8". B. 362. e. (113*.)
Tom Jones. Com6die Lyrique.
See Philidor (F. A. Danican)
TOM STARBOARD. Tom Starboard.
Song. See Mazzinghi (J.) [The Turnpike
Gate.]
TOM STAYSAIL. Tom Staysail. Song.
Sen Vaughan (T.) ■
TOM TACKLE. Tom Tackle. [Song.]
See DiBDiN (C.) [Castles in the Air.]
TOM THUMB. The ]\Iost Celebrated
Aires in the Opera of Tom Thumb. [By
T. A. Arne.] Printed for Benjamin Cooke :
London, [1733.] fol. G. 226. e.
Engraved by Cross.
To have my bold Actions in soft Musick
told. Tom Thumb. By Master Arne.
In the Opera of Tom Thumb. [By
T. A. Arne.] Printed for J. Simpson :
[London, 1735 ?] s. sh. fol.
H. 1994. c. (12.)
Tom Thumb. Opera. See IMarkoedt (J.)
TOM TRUELOVE. Tom Truelove's
KneU. [Song.]
See Dibdin (C.) [Great Ncivs.]
TOMWILKINS. ToniWilkins. Enter-
tainment. See Dibdin (C.)
TOMASI (Antonio Francesco)
See ToMASi (B.) Quaranta Concerti di
Biasio Tomasi . . . Compresi in essi alcuni
di Antonio Francesco suo Fratello, etc.
1615. 4". C. 59.
TOMASI (BiASio) Quaranta Concerti di
Biasio Tomasi . . . Secondo Libro de Sacri
Fiori a 1. 2. 3. 4. 5. 6. 8. voci. Con il
Basso Continuo. Compresi in essi al-
cuni di Antonio Francesco suo Fratello . . .
Opera Quarta. Canto. (Tenore.) (Basso.)
(Quinto.) (Basso per 1' Organo.) 5 pts.
Stampa del Gardano : Vcnetia, 1615. 4°.
C. 59.
TOMBEAU. Le Tombeau d'Eucharis.
[Song.] See Gaveaux (P.)
Le Tombeau de Laure. Romance.
See LussE (C. de).
TOMBS. The Tombs in Westminster
Abbey. [Song.] ,SV(^ Here. Here lies
William of Valence, etc. [1775 ?] fol.
G. 308. (146.)
TOMEONI (Florido) Th^orie de la
]\Iusique Vocale, ou des dix regies qu'il
faut connaitre et observer pour bien
chanter, etc. Chez VAuteur: Paris,
An vii [1799]. 8°. 1042. k. 29. (2.)
TOMICH (Francesco) Three Sonatas for
the Piano Forte or Harpsichord with
Accompaniments for a Violin and Violon-
cello, etc. [Op. 1.] [Separate Parts.]
Longman and Brodcrip :
London, [1795 ?] fol. g. 161. e. (12.)
See Pleyel (I. J.) [6. String Quartets.
Op. I. Nos. 1 and 4 ; Op. n. No. 4.]
Three Duetts for the Piano Forte . . .
adapted by F. Tomich. [1788 ?] fol.
g. 131. (9.)
TOMICH— TONNOLINI
589
TOMICH (Feancesco) See Pleyel (I. J.)
[8. Symphonies.'] A Favorite Overture
[No. II, in F] ... arranged for the Piano-
Forte or Harpsichord with an Accom-
paniment for the Violin by F. Tomich.
[1790?] fol. g. 147. (10.)
See Pleyel, (I. J.) [8. Symphonies. No. 9,
in E flat.'] A Favorite Overture ...
arranged for the Piano-Forte or Harpsi- |
chord with an Accompaniment for the
Violin bj' F. Tomich. [1790 ?] fol. I
g. 147. (11.) i
i
TOMKINS (Thomas) Musica Deo Sacra |
& Ecclesite Anglicause : or, Musick dedi-
cated to the Honor and Service of God,
and to the Use of Cathedral and other
Churches of England, especially of the
Chappel-Royal of King Charles the First.
Medius. (Contratenor.) (Tenor.) (Bassus.)
4 pts. William Godbid :
London, 1668. fol. G. 5.
Songs of 3. 4. 5. and 0. parts. Cautus.
(Tenor.) (Bassus.) (Sextus.) 4 pts.
Printed for M. Loiunes, I. Broivne, and
T. Snodham : London, 1022. 4°.
K. 3. k. 7.
TOMLINSON (Kellom) The Art of
Dancing explained by Heading and
Figures ; ... In Two Books. [With 37
plates.] Printed for the Author :
London, 1735. 4°. ' K. 8. k. 7.
A portrait of the author by F. Morcllon
la Cave, after B. van Blceck, dated
1754, is inserted.
Six Dances compos'd by Mv. Kellom
Tomlinsou. Being a Collection of all the
Yearly Dances, publish'd by him from the
Year 1715 to the present Year, viz. i. The
Passepied. Round 0. ii. The Shepherdess.
III. The Submission, iv. The Prince
Eugene. v. The Address. vi. The
Gavot.c^c. [With 3G plates.] The Author :
[Lo^idon, 1720.1 4°. K. 8. k. 6.
The six original editions, tuith a general
title-page and dedication. In this cop>y
the dances are arranged in reverse
order of the dates. The composers
named are : Kellom [To7nlinson], Ba-
bell and Loeillet.
TOMOmiOW. Tomorrow. [Song.]
See I. I heed not while Life's on the
Wing, etc. [1775 ?] s. sh. fol.
G. 309. (138.)
To-Morrow. [Song, begins : ' A bankrupt
in trade.'] See Kelly (M.)
TON. The Ton. Song. See Too. Too
long the Ehimesters of the age, etc.
[1777.] fol. G. 312. (99.)
Ton amour, 0 fille cherie. Air.
See AzEMiA.
TON. Ton terns est passe, vieille coquette.
[Song, words by] M. du Fresni.
[Pans,] 1726. s. sh. 4°. 297. a. 20.
Mercure de France, March, 1726.
Ton troupeau, Sylvie. Air Nouvcau.
[Paris, 1678.] s. sh. obi. 4". P.P. 4482.
Nouvcau, Mercure Galant, Jan., 1678,
p. 120.
TONINI (Bernardo) Suonate da Chiesa
a Tre. Duo Violini, & Organo, Con Violon-
cello ad libitum . . . Opera Seconda.
[Separate Parts.] Gioscppe Sala :
Venetia, 1697. 4°. d. 19.
TOTTIOLI (Vlsceszo) Sei Duetti a Due
N'iolini. [Separate Parts.] G. Walker :
Londra, [1800?] fol. h. 2910. c. (7.)
TONNEXjIER. Le Tonnelier. Op6ra-
Comique, mel6 d'Ariettes. Repr6sent6
. . . le 16 IMars 1765 . . . avec la Musique.
[Altered from Audinot's ' Le Tonnelier.']
Chez Duchesne : Paris, 1765. 8".
86. b. 16.
Part of the ' Supplement dcs Parodies
du TMdtrc Italien,' etc. Tom. 3.
Le Tonnelier. Opera Comique en un Acte.
Mis en musique par Messieurs ***...
Grave par Gerardin. [Words by F. A.
Qu6tant and N. M. Audinot, music by
N. ]M. Audinot. Full Score.] Chez
Le Clerc : Paris, [mo?] fol. G. 635.
Imperfect, wanting pp. 19, 20, 51
and 52.
Le Tonnelier, Opera-Comique mesle d'Ari-
ettes . . . Nouvclle edition augmentee . . .
avec la Musique. [Words by F. A. Qu^tant
and N. M. Audinot, music by N. M.
Audinot.] Oiez la Veuve Duchesne :
Paris, [1770.] 8°. 11738. m. 1. (6.)
Le Tonnelier, Opera-Comique mel6 d'Ari-
ettes . . . Nouvelle Edition, Augment6e . . .
avec la Musique. See Recueil. Recueil
general des Opera Boufions. Tom. 1.
1777. 8". 11735. b. 2.
Loin des soucis, des allarraes. [Song.]
Du Tonnelier. [By N. M. Audinot.]
[Paris, 1770 ?] 8°. b. 362. (19.)
Quand je vols Fanchette. Ariettc du
Tonnelier. TBy N. M. Audinot.]
[Paris, 1770?] 8". B. 362. (16.)
Un Tonnelier vieux et jaloux. [Song.]
Da Tonnellier. [By N. M. Audinot.]
[P«ns, 1770?] 8°. B. 362. (17.)
TONNOLINI (Giovais-niBattista) Salmi
a Otto Voci . . . Con una Lode al Glorioso
S. Carlo. Et col Partito delli doi Bassi.
Nouamente Composti & dati in luce . . .
Primo Choro. Tenore. (Basso.) 2 pts.
Stampa del Gardano. Ajjpresso
Bartholomeo Magni : Venetia, 1616. 4^
D. 121.
590
TONSOR— TORELLI
TONSOR (Michael) Sacrse Cautiones
Plane Nouaj, Quatuor, Quinque et Plurium
Vocum, ita compositae, ut ad omuis generis
instrumenta accommodari possint, etc.
Discantus. (Altus.) (Bassus.) (Qninta
et Sexta Vox.) 4 pts.
In Officina Theodorici Gcrlachij :
Norimhergx, 1573. ohl. 4°. A. 43. a.
Selectse Qusedam Canfciones Sacrse, Modis
IMusicis Quinque Vocum recens compositse
...Discantus. (Altus.) (Tenor.) (Bassus.)
4 pts. In Officina Theodorici Gelatzeni :
Noribcrgx, 1570. obi. 4°. A. 43.
TOO. Too late for Redress. A New Song
. . . Sung by Mr. Lowe at Vaux-ball.
[London, 1749.] 8". P.P. 5438. z.
Universal Magazine, Vol. V., p. 184.
Too late for redress. A Song, etc.
[London, 1749.] 8\ 249. c. 19.
Gentleman's Magazine, Vol. XIX., p. 425.
Too late for redress. A New Song.
[Lo7idon, 1750.] 8°. 157. 1. 12.
London Magazine, 1750, 2^. 277.
Too late for redress. A Song. [London,
1750 ?] s. sh. fol. G. 312. (82.)
[Another copy.]
Add. MSS. 29, 370. f. 4. v.
Too late for redress. Tlie Discerning
Lover. A new Song. See Ghlob. Chloe,
or the Musical Magazine, etc. [1760 ?] fol.
G. 433.
Too long a giddy wand'ring youth. A
Song. . .The words by Mr. Boyce.
[Londoji, 1754.] 8°. 250. e. 1.
Gentleman's Magazine, Vol. XXIV.,
p. 331.
Too long the Rhimesters of the age. The
Ton. A favourite Song. Sung by Mrs.
Wrighten at Vauxhall.
W[illiam] B[andall : London, ITll.] fol.
G. 312. (99.)
Too long thou Tyrant love Ive borne.
Song. -See H., H.
Too long to the beauty of Delia. Damon
and Delia. [Song.] B. Falkener :
London, [1775.] s. sh. fol.
H. 1994. a. (157.)
Too lovely and Fair. [Song.]
See PiERO E Demetrio.
Too lovely fair one I confess. Song.
See Phillips (T.)
TOO CIVIL BY HALP. Too Civil by
Half. Farce. See Hook (J.)
TOODLE. Toodle Roodle Roo. Song.
See Highland Reel.
TOPHAM (William) Six Sonatas or
Solos, for the Flute. With a Through
Bass for the Harpsicord. [Separate Parts.]
I. Walsli and I. Hare : London,
[1700 ?] ohl. fol. d. 150. (5.)
[Another copy.] c. 105. a. (5.)
TOPHAM (William) Six Sonatas or
Solos for the Flute, with a Through Bass
for the Harpsicord . . Opera Secunda.
[Separate Parts.] Printed for I. Walsh,
I. Hare and P. Randall : London,
[1710 ?] ohl. fol. e. 105. a. (6.)
TOPPING (Michael) Twelve English
Songs for a Voice Violin & Harpsi-
chord, etc. Randal & Abel, for
the Author : London, [1767 ?] ohl. fol.
E. 601. g. (8.)
TOPSAILS. The Topsails shiver in the
wind. [Song.] See Arne (M.)
TORELLI (Giuseppe) Concert! Grossi.
Con vna Pastorale per il Santissimo Natale
. . . Opera Ottaua, etc. Violino Primo
(Secondo) di rinforzo. (Violino Secondo
del Concertino.) (Violone, 6 Arcileuto.)
4 pts. Per Marco Sihiani : Bologna,
1709. fol. g. 50. a.
Concertino per Camera a Violino, e Violon-
cello. . .Opera Quarta. [Separate Parts.]
Marino Siluani : [Bologna, 1690 ?] fol.
K. 2. i. 12.
Etched throughout by C. A. Biiffagnotti.
Sinfonie a 2. 3. e. 4. Istromenti . . . Opera
Terza. Violino Primo (Secondo). (Alto
Viola.) 3 pts. Per Gioseffo Micheletti :
Bologna, 1687. 4°. d. 31.
Sinfonie a Tre e Concerti a Quattro...
Opera Quinta. (Organo.) 2 pts.
Chez Estienne Roger : Amsterdam,
[1700?] fol. g. 50. b.
Senate a Tre Istromenti con il Basso
Continue. Opera Prima. Violino Primo
(Secondo). (Violoncello.) (Organo.) 4 pts.
Per Henrico Acrtssens : Anversa,
1695. fol. g- 50.
The title-page of the Organ part differs
slightly from the others. This volume
has been successively in the possession
of William Corbett, Sir John Hawkins,
and J. S. Smith, and contains the
signattires of all three.
See Bernardi (B.) VI. Sonatas ou Con-
certs a 4, 5 & 6 Parties. Compos^es par
M" Bernard!, Torell! & autres fameux
Auteurs, etc. [1710 ?] fol. g. 914.
See BiTTi (M.) Concerts a 5, 6 & 7 Instru-
mens... ; Composez par Messieurs Bitti,
Vivaldi & Torelli, etc. [1715 ?] fol.
g. 917.
See Harmonia Mundi. Harmonia Mundi.
Consisting of Six. . .Sonata's collected out
of the. . .Works of. . .Sign' Torelli, etc.
[1710?] fol. g- 419.
See M., R. Medulla Musicse ; Being a
Choice Collection of Airs . . . from the
Works of . . . Torelli, etc. [1727 ?] 8".
c. 25.
TORMENTING— TOURMENT
591
TORMENTING-. Tormenting Jealousy
begon. Song. See Weldon (J.)
TORNI. Torni serena 1' alma. Polouoise.
See \Ykigl (J.) [Gli Afnori Marinari.}
TORNIOLI (Maec' Antokio) Canzonette
Spirituali a Tre Voci . . . Libre Prime.
Canto Prime (Secendo). (Basse.) 3 pts.
Apprcsso Angela Gardano, <& Fratelli :
Venetia, 1607. 4°. D. 207.
This work also contaitis a Canzonet by
G. B. Cenni.
TORNO. Torno la mia sperauza. Ariett.
See ]\rAJO (G. F. di)
TORRES MARTINEZ BRAVO
(Joseph de) Reglas Generales de Acem-
pafiar, en Organo, Clavicerdio, y Harpa,
con solo saber cantar la parte, 6 vn baxo
en Canto figurado. Distribuidas en Tres
Partes, etc. En la Imprcnta de Mvsica :
Madrid, 1702. 4». K. 8. f. 13.
Reglas Generalesde Acompanar . . . Afiadido :
aora un nuove Tratado, donde se explica i
el mode de acompanar las Obras de I
Musica, segun el estilo Italiano, etc. <
En la Imprcnta de Musica : Madrid,
1736. obi. fol. 7895. aa. 60.
See MoNTANOS (P.) Arte de Canto Llano,
con Entonaciones de Core. . .nuevamente
corregidos : Y aora aumentadas. . .en esta
vltima Impression . . . Per Den J. de Torres,
etc. 1734. 4°. 557*. d. 29.
See Nassare (P.) Fragmentes Musicos
. . . Sacalos a Luz Don Joseph de Torres,
etc. 1700. 4°. 1042. k. 6.
TORTORITI (Gabriele) Advice to Sylvia,
etc. [Song.] Printed for John Tyther :
[London, 1740 ?] s. sh. fol.
H. 1994. (63.)
[Another edition.] Advice to Sylvia.
[London, 1750?] s. s7t. fol.
G. 316. f. (4.)
Six Sonatas for two German Flutes or
Violins and a Bass. [Separate Parts.]
Printed for I. Walsh: London,
[1745?] fol. g. 241. (8.)
[Another copy.] g. 70. c. (7.)
TORY. A Tory, a Whigg, & a Moderate
Man. The Moderate Man: [Song,] the
words by Mr. Durfey to a pretty French
Tune. [London, 1705 ?] s. sh. fol.
G. 306. (43.)
In Durfey's songs, the music is said to
be by Corelli.
[Another copy.] G. 304. (1.)
[Another edition.] A Tory a Whigg &
a Moderate Man. The Moderate Man.
[London, 1705 ?] s. sh. fol.
H. 1601. (32.)
TORY. A Tory came late through West-
miuster-hall. A Neiv Song made by a
Person of Quality, and sung befor His
IMajesty at Winchester. To the Tune of.
Cook Lawrel. London, 1683. s. sh. fol.
806. k. 16. (90.)
TOSI (PiETRO Feaxcesco) Observations
on the Florid Song ; er Sentiments on
the Ancient and Modern Singers . . .
Translated into English by Islr. Galliard,
etc. Printed for J. Wilco.v :
London, 1742. 12°. ' 1042. d. 16.
0]3inioni de' Cantori Antichi, e Moderni o
sieno Osservazioni sopra il Canto Figurato,
etc. Per Lelio dalla Volpc :
Bologna, 1723. 8". 1042. d. 56.
TOSSED. Tossed on a Sea of Doubts and
Fears. [Song.] See Amateur.
TOST. Tost in doubts and fears I rove.
The Bover. [Song, the music bv E. Betts.]
[Lwidon ? 1730 ?] s.sh.iol. 0.^312. (34.)
TOTAL. Total eclipse. Song.
See Haendel (G. F.) [Samson.']
TOUCHER. Toucher un cceur, c'est un
grand bieu. La Bivirence, mise au jour
par Mr. Rayer. [Seng.] Air : On comp-
terait les diamants. [Paris, 1785 ?] 8°.
B. 362. f. (4.)
[Another copy.] B. 362. a. (31.)
TOUCHSTONE. Yauxhall Watch.
[Seng.] Sung by Mr. Mahon in the
Touchstone. [Words and music by C.
Dibdin.] S. A. d P. T[hompson :
London, 1779.] s. sh. fel. G. 310. (115.)
The Touchstone.
See Dibdin (C.)
[Opera.]
TOU JOURS. Toujours grand soin aveit
Lisette. Lc Sommeil Interrompu. Rende
a danser. [Song.] [Paris, 1780 ?] 8°.
B. 362. g. (86.)
Toujours joyeux. [Air.]
See Deux Jumeaux de Bergame.
Toujours, tonjours, il est toujours le meme.
Chanson Neuvelle [Words] De M"' De
B*** j^j; **♦♦♦*_ [Paris, 1785 ?] 8".
TOULAIN ( ) Venus me livre la guerre.
Clianson. Les paroles sent de M * * *, etc.
[Paris,] 1756. 8°. 298. e. 27.
Mercure de France, Feb., 1756.
TOUR TO THE LAND'S END. A
Tour to the Land's End. Entertainment.
See Dibdin (C.)
TOURMENT. Le Tourment de 1' Amour.
[Song.] -See Pour. Pour vous plaire,
jeune Constance, etc. [1785 ?] 8°.
B. 362. f. (47.)
592
TOURNER— TEADE
TOURNER. Tourner ainsi la tete. Air.
See Prix.
TOURS (Jacob) Three Grand Sonatas for
the Harpsichord or Piano Forte, with an
Accompaniment for a Violin . . . Op. 6.
[Separate Parts.] Printed for J. Bland :
London, [1190?] fol. g. 418. a. (6.)
Trois Sonatas, pour le Clavecin ou Piano
Forte Avec un Accompagnement pour
un Violon Obligate ... Op. 3. [Separate
Parts ] Printed for J. Bland :
London, [1785 ?] fol. h. 70. b. (9.)
TOURTERELLE. La Tourterelle.
[Song.] See Malbra:sCQ ( )
La Tourterelle et les Pigeons. [Song.]
See Essex (T.)
TOUS. Tons ces Fraucjais que loin de
nous. Air de la Suite de la Confederation.
Avec Accomp' de Guittare. Chez Imhault :
Pans, [1793?] 8°. B. 362. a. (35.)
Tous cetix qui n's'ront pas contents.
Vaudeville. See Nicodeme dans la Lune.
Tous les hauts faits qu'on lit deja. Air.
See Confederation du Paenasse.
Tout Isic'] les pas d'un discret Amant.
Ariette. See Femmes Vengees.
TOUT. Tout ce que vols. [Song.]
See Duv * * ( ) Mademoiselle.
Tout ce qui dut me rendre heureux.
Ariette. -See Chimene.
Tout dit qu'il faut aimer. Chanson.
See Lagaede (N. de).
Tout en badiuant dit-on. 1 une Jeune
Fille, a qui I'Auteur avait pris un Certain
\nneau, qu'on appelle J'appartiens. Air :
Du Sultan Saladin [by A. E. M. Gr^try].
CMS Camand : [Paris, 1785 ?] 8°.
B. 362. (67.)
Tout est change. Vaudeville.
See Peevot d'Eximb ( )
Tout est charmant chez Aspasie. Le
Boudoir cV Aspasie. Chanson.
[Paris, 1790 ?] 8°. B. 362. e. (81.)
Tout le jour est fait pour I'ouvrage.
[Song.] See Au Retoub.
Tout le village me I'envie. [Song.]
See SiLVAlN.
Tout mon sang est a la patrie. [Song.]
See Siege de Thionvilee.
Tout renait dans ce beau sejour. Air.
See T., J.
Tout s'enyvre i(;i has. Air.
See Baudau ( )
Tout votre plaisir, Hortense. Couplets.
See Sainte-Aldegonde ( de) Count.
TOUTAIN ( ) Sombre boccage, ou
regne une profonde paix. Air.
iParis,-\ 1738. s. sh. 4». 297. b. 25.
Mercurc de France, Oct., 1738.
TOUTE. Tout fille a son tresor. Romance.
See Elouis (J.)
Toute ma Vie. Romance.
See Chapelle (P. D. A.)
TOVAR (Peancisco) Libro de musica
pratica, etc. hnprimida . . . por maestre
Jolian Rosebach : Barcelona, 1510. fol.
K. 1. f. 1.
All the musical notes and clefs are in
MS. Fol. xxi. is damaged. Register :
four leaves toitliout signature, sig. a,
four leaves, b-e in eights. The last
leaf blank. 40 lines to the full page.
TOWN. Town and Country. [Song.]
See As. As town bitten bards bred in
fashion & noise, etc. [1790 ?] fol.
G. 809. a. (34.)
Town and Country. Song. ,S'ee In. In
London I never know what to be at, etc.
[1795 ?] fol. G. 808. e. (26.)
The Town Crier. [Song.]
See DiBDiN (C.) [Will of the TTisp.]
The Town Rakes. Song.
See PuECELL (D.) [The Younger Brother .'\
TOZZI (ViNCENZo) II Primo Libro de'
Concenti Ecclesiastici a Due, Tre, Quattro,
e Cinque Voci, etc. Canto Primo (Se-
condo). (Alto.) (Tenore.) (Basso.)
(Organo.) 6 pts. lacomo. Fei d'And. F. :
Roma, 1662. 4°. D. 247.
There is a second [engraved) title-page
to each part-book.
TRABACI (Giovanni Maeia) Di Gio.
Maria Trabaci ... II Secondo Libro de
Ricercate, & altri varij Capricci, Con
Cento Versi sopra li Otto finali Ecclesi-
astici, etc. Gio. Giocomo Carlino :
Napoli, 1615. fol. K. 4. i. 13.
VillaneUe, et Aria alia Napoli tana, a tre,
& a quattro voci. Con vn Dialogo nel
fine . . . Nouamente . . . composte, & date
in luce. Libro Primo. Tenore.
Apprcsso Gio. lacomo Carlino:
Napoli, 1606. 4". B. 298.
TRACCOLLO. TracoUo. Intermezzo.
See Peegolesi (G. B.)
TRACT AMANTI. I Traci Amanti.
[Opera.] See Cimaeosa (D.)
TRACTATUS MUSICES. Tractatus
Musices. See Compendium Mdsices.
TRACY ( ) Tracy's Collection of favorite
Country Dances for the present Year, with
proper Basses & Figures for Dancing.
Hime : Dublin, [1795 ?] fol.
g. 270. g. (6.)
TRADE. Trade's awry, and so am I.
PuncMonello. [Song.] Sung by Mr. Piatt
at Sadler's Wells. [Lo)idon,
1725 ?] s. sh. fol. G. 312. (48.)
TRADING— TRAVERS
593
TRADING. The Trading D— chesses or
Female Canvassers. [Trio.] See We.
We be three gay Duchesses, etc.
[1784.] fol. G. 808. f. (48.)
TRAEG (Andreas) Fautaisie pour uue
Flute ... Op. 2. Chez lean Traeg :
Vicnne, [1800?] fol. g. 71. (15.)
TRAETTA (Tommaso) Antigono. Over-
ture. [P. F.] [R. Brcmner :
London, 1776.] fol. g. 272. u. (27.)
Printed frorn the plates of " The
Favourite Songs in . . . Antigono,^' a
pasticcio, by Traetta, Hasse and Vento.
Six Italian Duets with a Bass for the
Harpsichord . . . The Words from Metas-
tasio. Peter Welckcr : London,
[1770?] ohl.lo\. E. 600. 1. (11.)
Who gave the Sun his light, a Hymn to
the Creator, written to a celebrated Melody
of Trajetta's by Mrs. Opie, harmonized and
arranged with an Accompaniment for the
Piano Forte, by Mr. Biggs. P. Birchall :
London, [1800 ?] fol. H. 1662. (53.)
TRAGEDIES SAINTES. Tragedies
Sainctes. Dauid combattant. Dauid
triomphant. Dauid fugitif. Par Louis
Des-Masures Tournisien. [With Hymns
for four voices.] Par Nicolas Soolmans :
Anuers, 1582. 8". 839. b. 32.
TRAGICAL. The Tragical History of
the Life and Death of Billy Pringle's Pig.
[Song.] See Gejiiniani (F.)
TRAITE. Traits Critique du Plain-Chant,
usite aujourd'ui dans I'Eglise, etc. [By
— Cousin de Contamine.] Chez P. G. L.
Mercier : Paris, 1749. 12°. 786. c. 28.
Traite de la IMusette, avec une nouvelle
Methode, pour apprendre de soy-mesme a
jouer de cet Instrument, etc. [By C. E.
Borjon.] Cliez I. Gerin, d- B. Riviere :
Lyon, 1672. fol. 7895. f. 7.
Traict^ de Musique, contenant une som-
maire instruction pour methodiquement
pratiquer la composition. Pierre Ballard :
Paris, 1616. 4". 556. c. 28.
[Another edition.] Traicte de Musique,
etc. Pierre Ballard : Paris, 1617. 4".
557*. d. (6.)
Trait6 duCoutrepoint. [Interleaved with
examples in MS. By P. Signoretti.]
[Paris, 1765 ?] 4°. 557*. e. 19.
Trait6 du Melo-Drame ou Reflexions sur
la Musique Dramatique. [ByL. Garcin.]
Chez Vallat-la-Chapelle : Paris, 1772. 8".
1042. h. 8.
[Another copy.] 786. c. 29.
See Observations. Observations sur
un ouvrage nouveau [by L. Garcin] intitule :
Traits du Melo-Drame, etc. [By Francois
Jean, Marquis de Chastellux.] 1771. 8^
839. d. 10.
VOL. II.
TRAITE. Traite Theorique et Pratique
du Plain-Chant, appelle Gregorien, etc.
[By L. Poisson.]
Chez P. N. Lottin, & J. H.
Butard : Paris, 1750. 8°. 1042. 1. 4.
TRAITE NUL. Le Trait6 Nul, Opera.
See Gaveaux (P.)
TRAJETTA (Tommaso) See Tbaetta.
TRANQUIL. The Tranquil Thatch.
Ballad. See Suett (R.)
TRANSFORMATION. The Transfor-
mation. Song. .See Of. Of all the
Animals on Earth I see.
[1730?] s.sh.iol. G. 310. (174.)
TRANSILVANO. II Transilvano.
Dialogo. See Diruta (G.)
TRANSIT. The Transit of Venus. [Song.]
See Come. Come ye lads and lassies with
speed. [1774 ?] s. sh. fol.
G. 307. (125.)
TRANSPORTING. Transporting
Charmer. Song, ^'ee Floridante. Finche
lo strale.
TRAUER-LIED. Trauer-Lied, Bey
seeligen Absterben . . . Dess . . . Herrn
Johann Woliigang Griinewalds. See AcH.
Ach Traurigkeit, etc. 1684. 4".
12301. dd. 6. (16.)
TRAUMBILD. Das Traumbild. [Song.]
See ilozART (W. A.)
TRAVELLER. The Traveller. Song.
See Amateur.
A Traveller stopt at a Widow's Gate. Song.
See Storage (S.) [The Lvn Chest.]
TRAVELLERS IN SWITZER-
LAND. The Travellers in Switzerland.
Comic Opera. See Shield (W.)
TRAVENOL (Louis) SeeD** *. His-
toire du Theatre de I'Academie Royale de
IMusique . . . Seconde Edition, etc. [By
L. Travenol and J. Durey de Noinville.]
1757. 8°. 1042. h. 3.
TRAVERIA (Daniel) Ensayo Gre-
goriano, 6 Estudio Pratico del Canto-
Llano e Figurado en Metodo facil . . ,
Dividido en tres Partes, etc. En la
Lnprenta de la Viuda de Don Joachin
Ibarra : Madrid, 1794. 4°. C. 348.
[Another copy.] C. 348. a.
TRAVERS (John) The Whole Book of
Psalms, for one, two, three, four and five
Voices with a Thorough Bass for the
Harpsichord, etc. 2 vols. Printed for
J. Johnson : London, [1750 ?] fol. G. 104.
2 Q
594
TRAVERS— TREATISE
TRAVERS (John) Bright Author of my
present Fkime. [Song, the words by A.
Robertson of Struan.J Sung by Mr.
Lowe, etc. [London, 1750 ?] fol.
G. 305. (103.)
[Another copy.] G-. 306. (174.)
[Another copy.] G. 315. (143.)
[Another edition.] Bright Author of my
present Flame, etc. [London, 1750 ?] fol.
G. 316. d. (51.)
Eighteen Conzonets, for Two, and three
Voices: (The Words chiefly by M. Prior),
etc. John Simi^son, for the Autlior :
London, [1745 ?] fol. G-. 805. e. (1.)
Eighteen Canzonets, etc.
John Johnson, for the Author :
London, [llbO^ fol. G. 385. (1.)
[No. 1.] I like a Bee. Canzonette
for Two Voices. [London,
1760?] s.sh.iol. G. 309. (129.)
[No. 1.] I like a Bee. Canzonette for
Two Voices. [London, 1775 ?] s. sh. fol.
H. 1994. a. (33.)
[No. 4.] Bibo. A Favourite Canzonet
for Two Voices. B. Falkener : London,
[1775?] fol. H. 1994. a. (132.)
[No. 4.] Bibo. A favourite Canzonett
for 2 Voices. Longman, Clcmenti it Co. :
[London, 1780 ?] fol. G. 805. g. (56.)
[No. 5.] I my dear was born to day,
etc Printed for J. Bland :
London, [1780 ?] fol. G. 309. (104.)
[No. 7.] Says Pontius in rage, etc.
Printed for J. Bland :
[London, 1780 2] fol. G. 311. (115.)
— — [No. 7.] Says Pontius in rage. Can-
zonet. [London,] 1792. s. sh. 4°.
P.P. 5141.
Lady's Magazine, March, 1792.
[No. 12.] Haste, my Nanette, etc.
Bland £ Welter :
London, [1795 ?] fol. G. 295. (3.)
On Windsor Castle. See Hail. Hail
Windsor crown'd with lofty Tow'rs, etc.
[By J. Travers.] [1742 ?] s. sh. fol.
G. 305. (130.)
Plenty, Mirth, and gay Delights. A
favourite Two Part Song. [London,]
1789. s. sh. 4°. P.P. 5141.
Lady's Magazine, Jiine, 1789.
Plenty, Mirth and gay Delight.
See Plenty. Plenty, Mirth, etc. [By
J. Travers.] [1725?] s.sh.iol.
G. 316. e. (118.)
XII. Voluntaries for the Organ or Harp-
sichord, etc. Printed for C. cfi S.
Thompson : London, [1770 ?] obi. fol.
e. 174. h. (9.)
When Vernal Airs perfume the Fields.
A Favourite Song . . . Sung by Miss
Formantel. [London, 1160?] fol.
G. 316. (145.)
TRAVERS (John) See Apollonian Har-
mony. Apollonian Harmony : a Collection
of . . . Glees . . . by . . .Travers, etc.
[1790?] 8°. E. 255.
See Catches. A Second Collection of
Catches by. . .Dr. Arne, . . . Mr. Travers,
etc. [1766?] obl.i". A. 756. a. (2.)
See Catches. Three Catches, etc. [By
J. Travers, etc.] [1775.] s. sh. 4°.
P.P. 5141.
See Coree (J.) Nine Vocal Trios arranged
from. . .Airs and Duetts of. . .Travers, etc.
[1800?] obl.tol. F. 607. z. (1.)
See Voluntaries. A Collection of Volun-
taries. . .by Dr. Green, Mr. Travers & . . .
other. . .Masters. Book i., etc.
[1777 ?-1780 ?] obi. fol. e. 1089.
See Willoughby (R.) Sacred Harmony
. . .selected from the Works of. . .Travers,
etc. [1795?] obl.i". A. 1095.
TRAVERSA (Gioacchino) Six Quatuors
Coucertans pour deux Violons, Alto et
Basse. Dedies a lilonsieur le Baron de
Bagge, etc. [Separate Parts.]
Chez M'- Le Due : Paris, [1780 ?] fol.
g. 428. a. (1.)
Six Quatuors Concertants pour Deux
Violons, Alto et Basse ; dedies a . . . Mon-
seigneur Charles Eugene de Lorraine
Prince de Lambese, etc. [Separate Parts.]
Ch^z le S'- Sieber : Paris, [1785 ?] fol.
g. 428.
Six Quatuor Dialogues pour Deux Violons,
Alto et Basse, composes sur des Airs
connus . . . Graves par Le Roy I'aine.
[Separate Parts.] Chez M. de la
Chevardi^re : Paris, [1775 ?] fol.
g. 428. a. (2.)
TREACHEROUS. The Treacherous
Fair. [Song.] See Hudson (R.)
TREATISE. A Short Treatise on Har-
mony. Containing the Chief Rules for
Composing in Two, Three and Four Parts.
Dedicated to all Lovers of Musick, by an
Admirer of This Noble and Agreeable
Science [i.e. J. C. Pepusch]. J. Watts :
London, 1730. obi. 8". 785. a. 8.
This treatise was written by Dr. Pepusch
for the use of his pupil James, Lord
Paisley (afterwards Earl ofAbercorn),
and published without the knoivledge
of the author.
[Another copy. ms. notes, etc., by Joshua
Steele.] 785. a. 9.
A Treatise on Harmony . . . Dedicated to
all Lovers of Musick, by an Admirer of
this Agreeable Science [i.e. J. C. Pepusch].
The Second Edition, Alter'd Enlarg'd,
and Illustrated by Examples in Notes,
etc. W. Pearson : London, 1731. obi. 8°.
785. a. 10.
[Another copy.] 785. a. 11.
[Another copy.] 53. a. 25.
TREATISE— TKIAL
595
TREATISE. A Treatise on the Theory
and Practical System of Music. To which
is added ... a few Observations on Minor
Keys, etc. G. Cawthorn : London,
1798. 8°. 1042. k. 22. (4.)
1042. k. 23.
[Another copy.]
(3.)
A Treatise on the Transposition of Music,
with a new-invented circular Sliding Scale,
etc. Printed for the. Atitlior :
London, [11857] 8". 557*. e. 19. (12.)
TREATY. The Treaty of Commerce.
[Song.] See Troth. Troth Mister Bull,
etc. [1785.] fol. G. 312. (244.)
TREBUCHET. Le Trdbuchet. [Song.]
See LisON. Lison guettoit une fauvette.
[1780?] 8°. B. 362. b. (118.)
TREES. The Trees begin to bud. Song.
See Hook (J.)
TREIBER (JoHANN Philipp) Der Accu-
rate Organist im General-Bass. Das ist :
Neue, deutliche und voUstandige Anwei-
sung zum General-Bass, etc. [By J. P.
Treiber.] 1701. fol. See Accurate Or-
C4ANIST. 7896. g. 33.
TREIMER (Sewalt) See Triemer (.J. Z.)
TREMAIN (T.) The Brown Jugg. Can-
zonet for two Voices. [Words by F.
Fawkes.] Sk[illern : London, 1780 ?] fol.
G. 307. (173.)
Thirteen Canzonets for Two Voices . . .
Op. 5. Longman and Broderip :
London, [1785 ?] fol. H. 1652. (8.)
Past Twelve o'clock. [Song.] The Words
by Mr. Selway, etc. [London, 1780 ?] fol.
G. 310. (236.)
Phillis. A Canzonet for 3 Voices.
Sk'illern: London, 11807] fol.
G. 307. (171.)
Twenty Psalms, set to Music for Two,
Three and Four Voices. T. Skillcrn :
London, [1185 7] obl.iol.
E. 602. f. (4.)
Six Sonatas, for the Harpsichord or Porte-
Piano, with an Accompaniment for the
Violin. . .Opera iv. Longman and
Broderip : London, [1785 ?] fol.
g. 442. a. (18.)
Six Sonatas Spirituale or Voluntarys for
the Organ or Harpsichord. . .Op. vii.
Preston d Son : London, [1800?] fol.
h. 2732. 1. (3.)
TREMAIS( de) Sonates pour le Violon
et pour la Flute avec la Basse Continue. . . .
CEuvre P^ Gravees par le S' Hue, etc.
Chez M"'^ Boivin: Paris, 1736. fol.
h. 1633.
TRENTO (Vittorio) Brillar il cor mi
sento. [Song.] Sung by Sig" Morichelli
... in the Opera [by V. Martin y Solar]
of II Burbero di Buon Core. Arranged
for the Piano Forte with ornaments by D.
Corri. Printed for Corri, Dnssek & Co. :
London & Edinhiirgh, [1794.] fol.
G. 805. d. (23.)
[La Forza dell' Amore.] The Favorite
Dance of the Triumph of Love . . . composed
by Sig' Gentili, etc. [P. F.] Longman
& Broderiji : London, [1797.] fol.
h. 16. b. (3.)
TRESTED (Thomas) The Hair Dresser's
Address to the Ladies, by Oliver Oddfish
Esq', etc. [Song.] J[o}in] P[reston :
London, 1780 ?] s. sh. fol. G. 307. (93.)
TRESTI (Flaminio) II Primo Libro delle
Canzonette a Tre Voci . . . Nouamente
composte, & date in luce. Basso.
Apprcsso Angela Gardano : Venczia,
1591. 4". D. 226.
II Primo Libro de Madrigali a Cinque
Voci . . . Nouamente posti in luce. Quinto.
Apprcsso Angelo Gardano: Venetia,
1585. obi. 4\ A. 327.
II Secondo Libro de Madrigali a Cinque
Voci. .Nouamente composto, & dato in
luce. Quinto. Apprcsso Angelo Gardano :
Venetia, 1587. obi. 4". A. 327. a.
II Terzo Libro de Madrigali a Cinque Voci
. . .Nouamente composto, & dato in luce.
Quinto. Apprcsso Angelo Gardano :
Venetia, 1590. obi. 4». A. 327. b.
II Quarto Libro de Madrigali a Cinque Voci
. . .Nouamente composto, & dato in luce.
Canto. (Alto.) (Tenore.) (Basso.) (Quinto.)
5 pts. Apprcsso Angelo Gardano :
Venetia, 1596. obi. 4°. A. 327. c.
TREUEN KOEHLER. Die Treuen
Kohler. Singspiel. See Schdbaur (L.)
Die Treuen Kohler. Operette.
See Wolf (E. W.)
TREVISANI (Giuseppe) Senate a Vio-
lino, e Violoncello e Cembalo che acom-
pagna. . .Opera Prima. [Separate Parts.]
Bruxelles, 1706. obi. fol. e. 29.
Wanting the title-page of the Violoncello
part. The Violin part is engraved by
Davidt Vleughels, the Violoncello by
Lud. Phil, de Heicqueville and the
Cembalo by Berterham.
TRIAD. The Triad Alliance. Ballad.
See NussEY (G.)
TRIAL (Armand Emmanuel) Cecile et
Julien, ou Le Siege de Lille. [For airs,
&c., by A. E. Trial, published anony-
mously :] See Cecile et Julien.
^ 2 Q 2
596
TRIAL— TEIEIMER
TRIAL (Armand Emmanuel) C6cile et
Julieu, ou le Siege cle Lille. [For airs,
&c., by A. E. Trial, published anonymously
under the second title of this work :]
^ee Siege de Lille.
See Dalayrac (N.) [Unc Journde de
Catinat.] Adieu monsieur Firmin . . .
Arrange pour Piano . . . par A. E. Trial.
[1800?] fol. G. 808. (55.)
See Dalayrac (N.) [Maison a Vcnclrc.']
Fies vous . . . Arrang6 pour Piano ou
Harpe par A. E. Trial. [1800?] fol.
G. 390. a. (1.)
See Dalayrac (N.) [Maison a Vendre.']
Trop malheureux Dermont . . . Arrange
pour Piano ou Harpe par A. E. Trial.
[1800?] fol. G. 390. a. (7.)
See Gaveaux (P.) [Le Trompeur Trompi.']
Ces beaux galans, ces jeunes gens. Couplets
. . . Arrange pour Piano . . . par A. E.
Trial, etc. [1800 ?] fol.
G. 554. a. (40.)
TRIAL (Jean Claude) L' Amour aucien
et I'Amour moderne, etc. [Song.]
[Paris,-] 1771. s. sh. 8". 298. e. 5.
Merciire de France, May, 1771.
La Fete de Flore. [For songs, &c., pub-
lished anonymously :] See FeSte de Flore.
II faut voir Annette. Ariette, etc.
[Paris, 1770 ?] 8°. B. 362. b. (65.)
TRIBUT DE LA TOILETTE. Tribut
de la Toillette. [Songs.] 2 vols.
Chez Madame Boivin : Paris, [1745 ?] 8°.
C. 402.
The pagination is contimious.
TRICERBERO. II Tricerbero humiliato.
[Song.] See Haendel (G. F.) [Binaldo.']
TRICINIA. [Tricinia. Turn veterum turn
recentiorum in arte musica symphonist-
arum, Latina, Germanica, Brabantica &
Gallica, ante hac typis nunq3 excusa,
Obseruata in disponendo Tonorum ordine,
quo utentibus sint accomodatiora, etc.']
Bassus Triciniorum.
[Apud Georgiuni Rhau :
Wittembergse, 1542.] ohl. 4". A. 562.
The full title only occurs in the Tenor.
The composers named in this part are, :
Th. Stoltzer, S. Dietrich, A. Eenerus,
P. de la Rue, M. Pipelare, B. Duels,
L. Compere, J. Walther, A. de Bruck,
H. Isaac, A. Agricola, J. Obrecht,
O. Forster, J. de Billon, Clatidin,
J. Ghiselin, Noel B., Hilariiis, F. de
Layolle, J. Lehrun, P. Hofheymcr,
T. Sparer, J. Mouton, Richafort ancl
Josquin.
Selectissimorum Triciniorum Discantus
(Bassus). — (Discantus (Bassus) Tricini-
orum. In Secundo Tomo contentorum.)
—(Superior (Inferior) Cantus in Tertio
Tomo Triciniorum.) 3 Books. 6 pts. _
In officina loannis Montani, <&
Vlrici Neuberi sociorum : Noribergx,
[1559-60.] obi. 16°. K. 8. i. 1.
Book I. contains compositions by T.
Stoltzer, J. Mouton, Concilium, B.
Ducis, J. Gero, H. Isaac, Jacotin,
Janequin, P. Molu, Richafort, R.
Unterholtzer and A. Willart ; Book II.
by Verdelot, Clemens non Papa,
Morales, Phinot, Jacotin, Certon,
Claudin, Daviianus, L. Paminger,
C. Canis, Jo. Baston, T. Crecguilon, N.
Govibcrt, C. Jamicquiii and Benedic-
tus ; Book III. by Wolfgang Figulus.
Book I. is undated, Book II. is dated
1560, and Book III. has the folloiving
colophon: " Gedruckt zu Niirnberg \
durch Johann vom Berg \ vnd Ulrich
Neuber. Anno 1559."
[Another copy. Bassus. Book I.]
K. 8. i. 4. (13.)
TRICK FOR TRICK. Trick for Trick.
A Comedy of Two Acts ... by E. Fabian.
[With the music of the Songs.]
Printed for J. Watts : London, 1735. 8°.
161. i. 49.
TRICK UPOISr TRICK. Trick upon
Trick. Pantomime. Sec Hook (J.)
TRICKLIR (Jean Balthasar) Six
Senates pour le Violoncel, etc.
Chez Imbault : Paris, [1785 ?] fol.
g. 422. h. (4.)
514. a. (3.)
[Another copy.]
g-
TRIEMER (Johann Zewalt) VI Sonata
a Violoncello Solo con Basso continue . . .
Oeuvre Premier. Gravies par J. L.
Reuou. Chez M'' Le Clcrc :
Paris, [1745 ?] fol. g. 506.
VI Solos for a Violin with a Thorough
Bass for the Harpsicord or Violoncello . . .
Opera Seconda. Printed for J. Johnson :
London, [1750 ?] fol. g. 420. b. (7.)
A New Version of the Psalms of David,
by N. Tate & N. Brady. And set to
IMusick by J. Z. Triemer. (Hymns
adapted to Christian Worship, etc.) 2 pts.
Antony Bruyn : Amsterdam, 1753. 4°.
E. 147^.
The pagination is continuous.
[Another edition.] A New Version of the
Psalms of David,- c^c. (Hymns adapted to
Christian Worship, etc.) 2 pts.
Antomi Brmin : Amsterdam, 1753. 12°.
3434. ce. 7.
A New Version of the Psalms of David,
by N. Tate & N. Brady. And set to
Musick by J. Z. Triemer. (Hymns
adapted to Christian Worship, etc.) 2 pts.
Antony Brtcyn, d- Son : Amsterdam,
1765 (1753). 4°. 3090. e. 41. (1.)
The hymns are dated 1753.
TRIEMER— TRIP
597
TRIEMER (JoHANN Zewalt) [Another
edition.] A New Version of tlie Psalms of
David, etc. (Hymns adapted to Christian
Worship, etc.) 2 pts.
Antony Bruyn, £ Son :
Amsterdam, 1765. 12". 3436. f. 33.
A New Version of the Psalms of David,
by N. Tate & N. Brady. Together with
some Hymns adapted to Christian Wor-
ship,. . .as used in the English established
Church in Amsterdam, etc.
Henry Gartman : Amsterdam, 1772. 4".
3050. eee. 9. (2.)
[Another edition.] A New Version of the
Psalms of David . . . Together with some
Hymns adapted to Christian Worship . . .
as used in the English established Church
in Amsterdam, etc. Henry Gartman :
Amsterdam, 1772. 12".
3436. eee. 1. (1.)
Sec Pagin (A. N.) Sis Solos ... for a
Violin ... by ... Sewalt Treimer, etc.
[1750?] fol. g. 422. g. (3.)
TRIFLE. The Trifle. Song.
See PuRCELL (D.) [T/ie Beaux' Stratagem.]
TRIGG. Trigg for Ever. Song.
See Now. Now the Spring is fresh and
fair. [1735 ?] s. sh. fol. G. 303. (71.)
TRIMMERS. The Trimmers. Ballad.
See Ye. Ye lovers of frolick come list to
my tale. [1775?] s. sh. io\.
G. 314. (81.)
TRINITY. The Trinity Tax. Ballad.
See In. In a beggarly state that is held
up to scorn. [1783.] s. sh. fol.
G. 309. (132.)
TRIO. A Favorite Trio for a German
Flute, Oboe and Violoncello, performed
by Messrs. Weiss, Fischer, & Crosdil at
the Concert Rooms Hanover Square.
[Separate Parts.] Longman di Broderip :
London, [1790 ?] fol. g. 420. d. (13.)
TRIOMPHE. Le Triomphe de la Beaute.
[Song.] See Infidele. InfideUe a son
triste 6poux, etc. [1780 ?] S".
B. 362. e. (63.)
Triomphe ! de nos droits c616brons la
conquete. Hymne.
See Langle (H. F. M.)
Le Triomphe du Palais Royal. [Song.]
See Alloks. AUons vite en diligence, etc.
[1785?] 8". B. 362. a. (183.)
Le Triomphe du Vent. [Song.]
See Que. Que de gens remplis d'Esp^r-
ance. [1783.] 8°. B. 362. a. 77.
TRIOMPHE DE L'AMOUR. Le
Triomphe de 1' Amour. Ballet Royal.
See LuLLi (G. B.)
TRIOMPHE DE L'HARMONIE.
Le Triomphe de rHarmonie, Ballet.
See Geenet (F. L.)
TRIOMPHE DE L'lNTERi^lT. Le
Triomphe de I'lnteret. Comedie en un
Acte. Par l'Abb(5 Des-Fontaines. [With
the music of the concluding Couplets.]
Chez A. van Dole : a la Haye, 1731. 8°.
164. d. 31.
TRIOMPHE DE LA FOLIE. La
Comedie du Triomphe de la Folie.
[Divertissement.] See Campra (A.)
TRIOMPHE DE LA REPUBLIQUE.
Le Triomphe de la Republique ou le
Camp de Grand Pr6. Divertissement.
See GossEC (F. J.)
TRIOMPHE DE THEMIS. Le Tri-
omphe do Themis. Ballet.
See Bossi (C.)
TRIOMPHE DES SENS. Le Tri-
omphe des Sens. BaUet h6roique.
See MouHET (J. J.)
TRIONFO DELLA CONTINENZA.
II Trionfo della Continenza. Opera.
See Galuppi (B.)
TRIONFO DELLA COSTANZA.
II Trionfo della Costanza. Opera.
Sec Anfossi (P.)
TRIONFO DELLA FEDELTA. II
Trionfo della Fedelta. Dramma pasto-
rale. See A., E. T. P., pseud.
TRIONFO DI CAMILLO. II Trionfo
di Camilla. [Opera.] Sec Ciampi (L. V.)
TRIONFO DI DORI. II Trionfo di
Dori, Descritto da Diuersi, Et posti in
Musica, da altretanti Autori. A Sei Voci.
Canto. (Alto.) (Tenore.) 3 pts.
Appresso Pietro Phalesio :
Anuersa, 1614. ohl. 4°. A. 258.
This collection contains madrigals by
A. Striggio, A. Preti, A. Stabile, C.
Porta, F. Anerio, F. de Monti, G.
Costa, G. Zetto, G. Cavaccio, G.
Croce, G. Florio, G. Gabrieli, G. de
Macque, G. Palestrina, G. G. Gastoldi,
G. M. Asola, G. Eremita, H. Baccusi,
H. Sabino, S. Bertani, L. Leoni,
L. Marenzio, L. Balbi, 0. Columbano,
O. Vecchi, P. Bozi, P. A. Bonini, T.
Massaino and B. Giovanelli.
See Lyttich (J.) Musicalische Streit-
krantzlein : hiebevorn ... in Welscher
sprach . . . auffgesetzt, vnd. . .Triumph! di
Dori . . .genennet, e^c. 1612. 4".
B. 117. a.
TRIP. A Trip to Hounslow Camp. [Song.]
See Come. Come listen lack I'll tell to
thee. [1740.] s.sh.iol.
H. 1994. b. (14.)
A Trip to Northern Fallgate. [Song.]
See Geayes (.J.)
598
TRIP— TRIUMPHS
TRIP TO COXHEATH. There's Beef
and Mutton Roast and Boil'd. [Song.]
Su7ig by Mr. Heryman at Sadlers Wells
in the Favorite Interlude call'd a Trip to
Cox Heath. S[amud and] A[nn.]
Tfhompson : London, 1778.] s. sh. fol.
G. 312. (145.)
TRIP TO PORTSMOUTH. The Music
in the Trip to Portsmouth.
See Akne (T. A.) and Dibdin (C.)
TRIP TO THE WORE. 'Twas on an
Autumn day. A favorite Scotch Air, sung
by Mr. Dignum in " A Trip to the Nore."
[Words by A. Franklin.]
Longman and Broderip : [^London,
1797.] fol. G. 250. (25.)
TRIPLE. A Tripple Alliance in Love
none can boast. The Bival's Complaint
to Somebody. [Song.] [London,
1726?] s. s7i. fol. G. 306. (11.)
TRISOBIO (FiLiPPo) La Scuola del
Canto, or A new. . .method of acquiring
perfection in Singing, according to the
most modern Italian stile, to which are
added Six Airs, Four Duets, & Two Trios,
etc. Leivis, Houston th Hyde, for the
Autlior : London, [1795.] obi. fol.
557=^. e. 22. (2.)
TRISTABOCCA (Pasquale) Missse
Quatuor Vocibus luxta Formam Sacri
Concilii Tridentini Compositse, etc. Tenor.
Apud Hxredem Hicronymi Scoti :
Venetiis, 1591. 4°. D. 1050.
TRISTARELLA. Tristarella tu non
m' intendi. Duett. See Feeraei (G. G.)
[Li Due Svizzeri.']
TRISTE. La Triste Philosophic. Duo.
See Blamont (F. Collin de)
Triste raison, j'abjure ton empire. Arictte
Nouvellc. [Paris, 1780 ?] 8".
B. 362. a. (150.)
TRISTES. Triste 6chos. Romance.
See Peau ( )
Tristes regrets, sortez de ma pens^e.
Romance. See L * *, D.
TRITONIUS (Pbtrus) Harmonie Petri
Tritonii super odis Horatii Flacci, etc.
Demio impresse per Erhardum ceglin :
Aitgustn', 1507. 4°. K. 4. d. 6.
22 leaves loithout pagination. Register :
sig. A in eight, B in si.v, G in eight.
The recto of C 8 bears the colophon,
the verso foxir lines of music staves,
without notes.
Melopoise sive Harmonise tetracenticse
super XXII. genera carminum Heroicoru
Elegiacorii Lyricorum & ecclesiasticoru
hymnoru per Petrum Tritonium et alios
doctos sodalitatis Litterarite nostrse mu-
sicos secundii naturas & tempora syUa-
baru et pedum compositse et regulate
ductu Chunradi Celtis fceliciter impresse,
etc. Lnprcssum ingenio & industria
Erhardi Oglin Expcnsis loannis Eiman :
Augusta uindclicoru7n, 1507. fol.
K. 1. i. 17.
10 leaves without pagination or register.
The recto of fol. 2 has a ivoodcut of
Apollo seated under a laurel, playing
the violin and surrounded by various
groups. The recto of fol. 10 7ms a
looodcut of Apollo, Mercury, Pallas
and Jtipiter, surrounded by the Muses,
playing on different instruments.
TRITTA (GiACOMo) See Tritto.
TRITTO (GiACOMo) Perche semio tu sei.
The favorite Terzetto as performed. . .in
the Opera [by P. Guglielmi] of La Bella
Pescatrice, etc. [Score.] G. Goulding d
T. Skillern, for the Proprietors : London,
1790. fol. H. 1648. a. (4.)
Part of the " Kings Theatre, Pantheon.
Opera Register."
TRIUMF. Triumf! ik zie den Brit ver-
tsagen. Zcgezang. Ter verjaringe der
Overwinning op de Doggersbank, den 5'''^"
van Oogstmaaud 1781. . .Tweede Druk.
G. van Hoogcveen, Junior : Leyden,
1782. 8°. 1209. b. 8. (5.)
TRIUMPP DER LIEBE. Der Triumpf
der Liebe, oder : das kiihne Abentheuer.
Feenoper. See Stegmann (0. D.)
TRIUMPH. The Triumph of Bacchus.
[Song.] See Goodwin (W.)
The Triumph of Britons. Song [begins :
' Rejoice, Britannia's Sons '].
See Philpot (G.)
The Triumph of Britons. Song [begins :
' Again we begin ']. See Pindae (P.) pseud.
The Triumph of true Liberty and Loyalty
over Anarchy and Discord. Song,
See Weeth (F.)
TRIUMPH OF BEAUTY. The Triumph
of Beauty. Musical Entertainment.
See Hook (J.)
TRIUMPH OF MIRTH. The Triumph
of Mirth, or Harlequin's Wedding. Pan-
tomime. See LiNLEY (T.) the Elder.
TRIUMPH OF TIME AND TRUTH.
The Triumph of Time and Truth. Oratorio.
See Haendel (G. F.)
TRIUMPHS OF LOVE. The Tryumphs
of Love. [Opera.] See Love's Teiumph.
TRIUMPHS OF ORIANA. The Tri-
umphes of Oriana. Madrigals.
See MOELEY (T.)
TEIUMPHUS— TROPHEE
599
TRIUMPHUS CUPIDIlSriS.
j)hus Cupidinis. [Songs.]
See YsERMANS (J.)
Trium-
TROC. LeTroc. Opera-Comique, Parodie
des Trocqueurs [by Faraiu de Hautemer]
. . . Avec toute la Musique. Cliez Duchene ;
Paris, 1756. 8°. 11738. e. 33. (7.)
[Another copy.]
164. g. 20.
TROIANO (Massimo) l\Iusica de' Virtuosi
della Florida Capella dell' Illustrissimo . . .
Duca di Baviera. A cinque voci, con le
rime Del S. Antonio Minturno. Libro
Primo. [With a Dedication signed :
Massimo Troiano.] Alto. (Basso.) 2pts.
Appresso Girolamo Scotto : Vincgia,
1569. 4°. D. 208.
This collection contains madrigals by
O. Lasso, G. da Lticca, S. Gatto, F.
Cornazzani, F. da Lucca, G. B. da
Cremona, A. Cossuvino, I. de Vcnto,
G. B. Romano, L. Meldaert and M.
Troiano.
Di Massimo Troiano . . . il quarto libro
delle sue Rime, & Canzoni alia Napolitana
a tre voci. Con vn' aria alia Spagnola a
quattro voci. Nouamente posto in luce.
Tenor. Appresso Girolamo Scotto :
Vinegia, 1569. 8". A. 186. a.
Di Massimo Troiano ... II Terzo Libro
delle sue Rime, e Canzoni alia Napolitana
a tre voci coUa battaglia della Gatta, e la
Cornacchia, & vna Amascharata alia
Turchesca a cinque voci, & vna Moresca
nouamente fatta & date in luce. Canto.
Appresso Girolamo Scotto: Vinegia,
1568. 8°. A. 196.
TROIS COUSIWES. Airs de la Comddie
des Trois Cousines. [Words by F. C.
Dancourt, music by J. C. Gillier.] [1700.]
See Airs. Airs de la Comedie Francjoise.
[No. 13.] [1696-]1705. obi. 8°. B. 319.
Les Trois Cousines, comddie ; representee
pour la premiere fois, le 18 Octobre 1700.
[Written by P. C. Dancourt; with the
music of the Divertissements by J. C.
Gillier.] [Paris, 1760.] 12°. 241. e. 8.
Part of ' Les CEicvrcs de Theatre de
M. D'Ancow-t,' etc. Tom. 8.
TROIS COUSIN'S. Les Trois Cousins,
Comedie en deux Actes et en prose. . .Par
le Citoyen Levrier-Champ-Rion. [With
the music of a Vaudeville by A. L.
Baudron.] Chez Cailleau :
Paris, 1792. 8°. 11738. h. 24. (7.)
TROIS DiJESSES RIVALES. Les
Trois D6esses Rivales, ou Le Double Juge-
ment de Paris. Comedie lirique.
See Pbopiac (C. J. F. Giraed de).
TROIS FERMIERS. Ouverture des
Trois Fermiers, arrangee pour deux Vio-
lons, Alto, et Basse par M. * * *. [i.e.
N. Dezede. Separate Parts].
Chez M'= Jolivct : Paris, [1780 ?] fol.
g. 417. a. (8.)
Le bon Seigneur de not' Village. Ariette
des Trois Fermiers [by N. Dezede].
[Paris, 1777 ?] 8°. B. 362. (80.)
Colette un jour dit a Colin. Duo des
Trois Fermiers [by N. Dezede].
[Paris, 1777 ?] S". B. 368. (79.)
Des I'instant que je vis le jour. Romance
des Trois Fcrmier [by N. Dezede].
[Paris, 1780 ?J 8°. B. 362. e. (54.)
Je le compare avec Louis. Ariette des
Trois Fermiers [by N. Dezede].
[Paris, 1777 ?] 8°. B. 362. (74.)
Sans un petit briu d'Amour. Vaudeville
des Trois Fermiers [by N. Dezede].
[Paris, nil ?] 8°. B. 367. (78.)
Les Trois Fermiers. Comedie.
See Z., D., Monsieur.
TROMBETTI (Ascanio) IMusica . . . fatta
sopra le Conclusioni di Legge, difese dall'
illustre Sig. A. Viustini, etc. [A Madrigal
for i voices.]
1587. 4".
Per G. Rossi : Bologna,
K. 8. c. 20.
TROMLITZ (JoHANN Georg) Ausfiihr-
licher und griindlicher Unterricht die
Flote zu spielen, etc. A. F. Bohme :
Leipzig, 1791. 4°. 7896. de. 1.
Kurze Abhandlung vom Flotenspielen.
J. G. I. Breitlwpf: Leipzig, 1786. 4°.
7897. f. 31. (3.)
Ueber die Floten mit mehrern Klappen,
dereu Anwendung und Nutzen. Nebst
noch einigen andern dahin gehorigen
Aufsatzen von J. G. Tromlitz . . . Als
Zweiter Theil zu meinem ausfiihrlichen
. . .Unterricht die Flote zu spielen.
A. F. Bohme : Leipzig, 1800. 4^
7897. cc. 16.
TROMPEUR TROMPE. Le Trompeur
Trompe. Opera comique.
*;ee Gaveaux (P.)
TROP. Trop fort le plaisir abonde. Le
Mai de Caur do G&ronde. [Song.] Air :
[Coeurs sensibles,] de Figaro.
[Paris, 1785 ?] 8°. B. 362. f. (49.)
La trop innocente Colette. Les Amans
curieux. Romance, avec accompagnement
de guitare pr. M. Alberti.
Chez M. Camand : Paris, [1785 ?] 8°.
B. 362. g. (7.)
Trop malheureux Dermont. Air.
See Dalayrac (N.) [Maison a Vendre.]
TROPHEE. Le Trophee. Divertisse-
ment. See Rebel (F.) and Francceur (F.)
600
TROQUEURS— TRUST
TROQUEURS. Les Troqueurs.
term^de. See Dauvergne (A.)
In-
TROST (Caspae) Davidicum Deum lau-
dandi incitamentum, id est: Psalmus
cxvii. 7. Vocibus cum Basso Continuo
adornatus : Quo, . . . Viris . . . Dn. Jo-
hanne Gerhardo . . . Dn. M. Hieronymo
Prsetorio . . . Dn. Georgio Samueli Hopff-
enstocken . . . Decorare & honorare
benvolentise ergo voluit Casparus Trosfc,
etc. 8 pts. Typis Johannis Weichieri :
Jenie, [1621.] 4°. B. 51.
The date is given in a chronogram.
Trawer Gesang aufi das Christliche Ab-
scheiden des . . . Herrn David Hopff erns . . .
mit fiinff Stimmen componirt, etc. (ii.
Tenor a 5. Voc.) Johann Weichicr :
JeJma, 1623. 4", C. 103.
TROTH. Troth Mister John Bull. TJte
Treaty of Commerce. [Song.] Sung at
Willis's Rooms. [To the Tune of Balin a
mone.] ' Printed for T. Skillern :
London, [1785.] fol. G. 312. (244.)
TROU. Le Trou de ma Bouteille. [Song.]
See Beau. Beau petit trou, mes plus
cheres d^lices, etc. [1785 ?] 8".
B. 362. a. (173.)
TROUBADOUR. Le Troubadour.
Romance. See Si. Si nous vivions
commevivaientnosp6res,efc. [1785?] 8^
B. 372. a. (103.)
Air du Troubadour B^arnois. [Song.]
See Si. S'il est vrai que d'etre deux, etc.
[1795?] 8». B. 362. a. (105.)
Romance du Troubadour Prisonnier.
See Vous. Vous qui savez ce qu'on
endure. [1790?] 8". B. 362. g. (63.)
Song.
TRUANT. The Truant Sheep.
See Sandeeson (J.)
A Truant Tar the world I've rang'd. The
Roses of Thirty-One. [Song.] Sung by-
Mr. Arrowsmith at Vaux-hall. Written
by the Author of " The Topsails shiver in
the Wind." Longman & Bivderip :
London, [1785 ?] fol. G. 807. d. (77.)
TRUE. True bliss in retirement. TJie
Banks of the Dee. [Song.]
[London, 1758.] 8«. P.P. 5438. z.
Universal Magazine, Vol. XXII., p. 258.
True Blue 'tis said, will never stain. A
Song made for the True Blue Frigate who
has taken her Station on Tower Hill this
Day Feb: 29"- 1780 for the better recep-
tion of those Jolly Tars that glory in
humbling the Pride of France and Spain.
Printed. . .at the a ." [W. Bailey :
London, 1780.] s. sh. fol. G. 312. (166.)
True Blue. [Song.] See I. I hope
there's no Soul". [1770?] s. s7i. fol.
G. 316. (88.)
TRUE. True Blue. [Song.] See I. I
hope there's no Soul. [1758.] s. sh. 8".
P.P. 5439. ab.
True Blue. Song. See I. I hope there's
no soul, etc. [1758.] 8°. P.P. 5438. z.
True Blue. [Song, begins : ' Thro' all the
varied scenes of Life.'] See Olive (J.)
The True British Soldier. Song.
See Ofpley (H. F.)
The True Briton. Two Part Song.
See Come. Come Drawers more Wine.
[By J. F. Lampe.] [1740 ?] s. sh. fol.
G. 307. (73.)
The True Briton. Two Part Song.
See Lampe (J. F.)
True Courage. [Song.] See Dibdin (C.)
[A Tour to the Land's End.]
True Friendship's the Cordial of Love.
Song. See Paerin (I. A.)
True Glory. [Song.]
See Dibdin (C.) [The Sphinx.]
The True History of Liberty Tree. Song.
See Biggs (E. S.)
The True honest Heart. Song.
See Hook (J.)
True Justice. Song. See To. To Tom
Paine in France, etc. [1795 ?] fol.
G. 360. (51.)
True Love. [Song.] See Geeene (M.)
True Love, to[o] Mighty to be conceal'd.
A New Song, etc. See Chloe. Chloe, or
the ]\Iusical Magazine, etc. No. 55.
[1760?] fol. G. 433.
The True Lover. [Song.] See Ye. Ye
Shepherds and Nymphs.
[1740?] s.sh.ioL G. 316. f. (117.)
True Lovers Extremity. [Ballad.] Seel.
I having an hour of time and leisure, etc.
[1687?] s. sh. fol. Case 39. k. 6. (56.)
The true use of the Bottle. [Song.]
See Duenell ( )
True Wisdom in a Lover, Song.
See They. They say, that on my Pollv's
Face. [1740?] s. sh. iol. G. 312. (186.)
TRUE BLUE. The Sailor's Resolution
or Tom's return with a load of Doubloons.
A favorite Song in True-Blue. [Words
and music by H. Carey.] Straight :
[London, 1765 ?] fol. G. 310. (167.)
True Blue. Interlude.
See Caeey (H.) [JVanc!/.]
TRUE-HEARTED. The true-hearted
Englishman. [Song.] See Sages. The
Sages of old, etc. [1765 ?] s. sh. fol.
G. 312. (113.)
TRUST. Trust not Man for he'll decieve
you. The Friendly Adviser. [Song,
words and music by H. Carey.]
[London, 1735 ?] s. sh. fol. I. 530. (160.)
TRUST— TUERK
601
TRUST. Trust the Ghost of Crazy Jane.
A Favorite Song with an Accompaniment
for the Piano Forte or Harp by a Lady
of Fashion. Printed for J. Dale :
London, [1799 ?] fol. G. 356. (30.)
H. 2820. (4.)
[Song.]
[Another copy.]
TRUTH. The Truth.
See RussEL (D.)
The Truth imparted. [Song.] See While.
While, Strephon, thus you teize one.
[1750?] s. s7i. fol. " G. 313. (206.)
TRUTOVSKY (Yasily Thedorovich)
CoOpaiiio pyccKiixb npocTuxb ntienici. iiotumii
. . .nc'iaTiiiio TpeiLiiMi TiK'nt'iiieMt. 4 naci.
«5 CunicmnemepvypJh, 1796 (1778, 1779,
1795). 4". E. 76.
The First Part is of the third edition.
TRYDELIj (John) Two Essays on the
Theory and Practice of Music ... To
which is added, a new and short Method
of attaining to Sing by Note.
Boulter Grierson, for the Editor :
Dublin, 1766. 8°. 557*. e. 19. (7.)
TU. Tu m'aimes encor, ma Lesbie.
Romance. Sec Lamparelli (A.)
Tu m.'appelle chere Nina. Le Retour du
Bien Aimi. R^ponse a la Romance de
Nina ... [Song, written] par M. Godard.
Air : Quand le bien aim6 reviendra [by
N. Dalayrac]. Chez Camand :
Paris, [1786 ?] 8°. B. 362, h. (29.)
Tu me connais, je suis bonn' mere.
[Song.] See Au Retour.
Tu me croiois parjure. Romance.
Sec Sire ( ) [La Macjie a la Mode.']
Tu me demandes chaque jour. Musette.
See Fremeaux ( )
Tu pensi al mio riposo. Cantata.
See Paisiello (G.)
Tu rejette [_sic] mes tendresses. Le Prix
dc la Constance. [Song.] Air : Ce mouchoir
belle Raimonde. [Paris, 1780 ?] 8'\
B. 362. c. (33.)
Tu sai che amante. [Song.]
See Paisieleo (G.)
Tu te plains de ta Climeue. [Song.]
See Mancini (G.)
Tu veux, mon aimable Lisette. Musette.
IParis,] 1749. s. sh. 4°. 297. c. 20.
Mercure de France, March, 1749.
[Another setting.] Tu veux, mon aimable
Lisette. Musette. See Fremeaux ( )
TUBEL (Christian Theophil)
/See Feast of Apollo. The Feast of
Apollo, containing . . . Lessons . . . by . . .
Tubel, etc. [1788.] fol. G. 351. (2.)
TUCKER (Isaac) Sacred Music, con-
sisting of Melodies composed & harmonized
for 3 and 4 Voices, in an Easy Style, to
Hymns, &c. selected from the Works of
the late Dr. Watts, and other Eminent
Divines. James Ei/mell, for the Axdhor :
LoHfZoji, [1800 ?] fol. H. 1041.
TUDWAY (Thomas) [:\Iagnificat in A.]
See East (W.) The Second Edition of
the First Book of the Voice of Melody,
etc. (The Second Book of the Voice of
Melody . . . with Variety of Hymns . . .
likewise . . . Dr. Tudway's Magnificat, etc.)
1750. ohl. 4°. A. 914.
TUERK (Daniel Gottlob) Kurze An-
weisung zum Generalbassspielen, etc.
Aicf Eosten des Verfassers :
Halle und Leipzig, VJQl. 8°. 7897. b. 40.
Anweisung zum Generalbassspielen . . .
Zweyte, verbesserte und sehr vermehrt
Auflage. Aiif Eosten des Verfassers : Halle
und Leipzig, 180O. 8°. 7897. bb. 43.
Kurze Anweisung zum Klavierspielen, ein
Auszug aus der grossern Klavierschule.
Aiif Eosten des Verfassers :
Halle und Leipzig, 1792. 8°. b. 166.
Sechzig Handstixcke fiir angehende
Klavierspieler . . . Erster (Zweyter) Theil.
2 pts. Auf Eosten des Verfassers :
Leipzig und Halle, 1792. (1795.) obi. fol.
d. 178. a. (3.)
Klavierschule, oder Anweisung zum
Ivlavierspielen fiir Lehrer und Lernende,
etc. Auf Eosten des Verfassers :
Leipzig und Halle, 1789. 4°. d. 178.
Sechs Klaviersonaten, grosstentheils fur
Kenner . . . Erster Theil.
Bey dem Verfasser : Leipzig und Halle,
1789. obi. fol. e. 477. b.
Sechs kleine Klaviersonaten . . . Zweyter
Theil. Auf Eosten des Autors : Leipsicund
Halle, 1786. obi. fol. d. 178. a. (1.)
Sechs kleine Klaviersonaten . . . Dritter
Theil. Auf Eosten des Verfassers :
Leivziq tmd Halle, 1793. obi. fol.
d. 178. a. (2.)
Sechs leichte Klaviersonaten . . . Erster
(Zweyter) Theil. 2 pts. Auf Eosten des
Autors : Leipzig unci Halle, 1783. obi. fol.
e. 477. a.
Lieder und Gedichte aus dem Siegwart,
etc. Auf Eosten des Autors : Leipzig und
Halle, 1780. obi. 4°. D. 377.
Sechs Sonaten fiir das Clavier.
Li Commission bey B. C. Breitkopf und
Sohn : Leipzig imd Halle, 1776. obi. fol.
e. 477.
Sechs Sonaten fiir das Clavier . . . Zweyte
Sammlung.
Li Commission hey J. G. I. Breitkopf :
Leipzig und Halle, 1777. obi. fol.
e. 477. c.
602
TUERK— TURNEE
TUERK (Daniel Gottlob) Von den
wichtigsten Pflichten eines Organisten.
Eiu Beytrag zur Verbesserung der musi-
kaliscben Liturgie.
AufKosten dcs Verfassers : Halle, 1787. 8°.
786. d. 44.
TUERRSCHMIEDT (Gael) 50 Duos
pour deux Cors. . .Oeuvre iii""'. [Seimrate
Parts.] CMs VAiiteur :
Berlin, [1795.] oU. 4°. b. 86.
TULIP (Timothy) jpseitd. The Merry
Mountebank ; or the Humourous Quack-
Doctor : Being a certain . . . Cure . . . for
. . . Hypochondriac-Melancholy. Contain-
ing various . . . Receipts against Spleen
. . . exemplified in a choice Collection of
Old and New Songs . . . compiled ... by
Timothy Tulip . . . Figur'd for the Harp-
sichord, and directed for the Flute . . .
Vol. I. W. Peajson, for A. Holbcche, etc.
1732. 8°. C. 381.
Containing compositions by P. Prelleur,
W. MarkJiam, Vanbruglie, H. Purcell,
D. Purcell, Francisco, Courtivill,
Carey, Gillier, J. Welcloji, Seedo,
Hayden, Croft, Cannington, Handel,
J. Eccles, Morgan, Levcridge and B.
Aldrich.
TUNBRIDGEWALK. TunbridgeWalk.
[Song.] See I. I took a ramble, etc.
[1730?] s.sh.iol. H. 1601. (260.)
TUNEFUL. The Tuneful Lark. Ballad.
See Sanderson (J.) [The Seasons.]
TURCO (Giovanni del) II Secondo Libro
de Madrigali a cinque voci, etc. Canto.
(Alto.) (Tenore.) (Basso.) (Quinto.) 5 pts.
Per Zanobi Pignoni, e Comp. :
Firenzc, 1614. 4°. K. 2. d. 8.
TURELU. Turelu, turelu, voila ma chan-
son. Clianson Burlesque et Morale. [Words
by C. Riviere Du Fresny.]
[Paris, 1710.] s. sh. obi. 4°. P.P. 4486.
Mercure Galant, Tome L, p. 295.
TURK AND NO TURK. Turk, and
no Turk. Comic Opera. See Arnold (S.)
TURN. Turn Amaryllis to thy Swain.
Madrigal. See Brewer (T.)
Turn, fair Clora. Damon d Clora, a
Song for two Voices [by H. Harington].
[London, 1780 ?] s. sh. fol.
H. 1994. a. (14.)
[Another edition.] Turn, fair Clora.
Damon and Clora. A two Part Song [by
H. Harington]. [London, 1790 ?] s.sh.iol.
G. 312. (223.)
Turn, hopeless lover. Song.
See Haendel (G. F.) [Se??ieZe.]
Turn lovely Gwen, be good and kind.
[Song.] See Broderip (R.)
TURN. Turn o turn thee. [Song.]
See ViENi. Vieni torna Idolo mio. — Turn
o turn thee, etc. [Song, etc., from Handel's-
'Teseo.'] [1715?] s.sh.iol.
H. 1601. (445.>
Turn o'er a new Leaf. [Song.]
See Hudson (R.)
The Turn of her Eye. [Song.]
See Cooke (J.)
Turn thee Lady, Lady sweet. Ballad.
See Kelly (M.) [Aurelio and Miranda.']
TURNER (Elizabeth) A Collection of
Songs with Symphonies and a Thorough
Bass. With Six Lessons for the Harp-
sichord, etc. Printed for the Author :
Londo7i,[1160?] fol. H. 1648. b. (4.).
[No. 2.] Say, curious Painter, can
thy art. Song. . . words by M. Prior.
[London,] 1788. s. sh. 4°. P.P. 5141..
Lady's Magazine, May, 1788.
[No. 3.] Not Cloris that I juster
am. ASonq,etc. [London, 1784:.] s.sh.A°
P.P. 5141.
Lady's Magazine, 1784, Supplement.
[No. 8.] Not, Chloris, that I juster
am. Song. Words by Sir Charles Sedley,
etc. [Lo7idon,] 1796. s. sh. 4". P.P. 5141..
Lady's Magazine, Supplement, 1796.
[No. 4.] Drink to me only with-
thine eyes. A Song. The Words by B.
Johnson, etc. [London, 1782.] s. sh. 4°.
P.P. 5141.
Lady's Magazine, Dec, 1782.
. [No. 6.] Phyllis, with her enchant-
ing voice. Song, etc.
[Lo7idon,] 1795. s. sh. 4°. P.P. 5141..
Lady's Magazine, Sept., 1795.
[No. 8.] Since my Chloe you ask..
A Favourite Song, etc.
[London, 1785.] s. sh. 4°. P.P. 5141..
Lady's Magazine, Jan., 1785.
[No. 19.] The mind of bright Sukey'&
a jewel. A Favourite Song, etc.
[London, 1783.] s. sh. 4°. P.P. 5141..
Lady's Magazine, May, 1783.
Twelve Songs with Symphonies and a
Thorough bass for the Harpsicord.
Printed for the Author :
London, [1750 ?] fol. G. 805. e. (4.).
To Celia. A New Song, etc. [London,.
1750.] 8°. 157. 1. 12.
London Magazine, 1750, p. 40.
TURNER (William) Betty's Panegyrick.
[Song.] [London, 11 20 'i] fol.
^ L 530. (161.)
[Another edition.] Betty's Panegyrick.
[Song.] [London, 112,0 '>] s.sh.iol.
^ ^ G. 316. e. (81.).
Two Catches for three Voices, etc.
[London, 1110 'i] s.sh.iol.
Gren. 559. (21.)
TURNER— TUTOR
603
TURNER (William) Fair Susan. [Song.]
[London, 1720?] s. sh. fol. G. 315. (22.)
If it be true, as Wisemen say. A new
Song the words by Mr. Carev, etc.
[London, 1715 ?] s. sh. fol.
H. 1601. (250.)
The Maid's Complaint. [Song, words
from F. Manning's comedy, ' The Generous
Choice.'] [London, 1105?] s. sh. iol.
G. 307. (4.)
[Another edition.] The ]Maid's Com-
plaint, etc. [London, 1710 ?] s. sh. fol.
H, 1601. (95.)
On decanting a Flask of Florence. A
Song, etc. [London, 1720'?] s. sli. fol.
H. 1601. (418.)
On Mira's Singing and Beauty. A Song,
etc. [London, 1710 ?] s. sh. fol.
H. 1601. (409.)
Twenty New Songs of Humour.
Printed for the Author . . . and D. Wright:
London, [1717 ?] fol. H. 49.
Sound Anatomiz'd, in a Philosophical
Essay on IMusick. Wherein is explained
the Nature of Sound . . . Contrived for the
Use of the Voice in Singing . . . Together
with a thorough Explanation of all the
different INIoods* used in ^lusick ... To
which is added, a Discourse, concerning
the Abuse of Musick.
William Pearson, for the Author :
London, 1724. 4°. 557*. e. 20. (3.)
557*. c. 21.
557*. d.
(2.)
28.
[Another copy.]
[Another copy.]
Wanting tlie title-page.
[Sound Anatomiz'd.] A Philosophical
Essay on ]\Iusick. Wherein is Explained
the Nature of Sound . . . Contrived for the
Use of the Voice in Singing . . . Together
with a thorough Explanation of all the
different ]\Ioods used in IMusick . . . The
Third Edition. Printed for J. Walsh :
[London, 1735 ?] 4°. 7897. b. 56.
Tho' Silvia's cruel as she's fair. A New
Song, etc. [London, 1720 ?] fol.
G. 312. (11.)
[The Virgin Sacrifice.] Says Dicky to
Dolly. A New Song in the Play call'd
The Virgin Sacrifice, etc. [London,
1720?] s. s7i. fol. H. 160i. (414.)
[Another edition.] Dicky to Dolly,
etc. [London, 1720 ?] s. sh. fol.
G. 316. g. (53.)
[Another copy.] G. 311. (79.)
[Another edition.] Says Dicky to
Dolly, etc. [London, 1725 ?] s. sh. fol.
G. 305. (21.)
Wanton Cupids cease to hover. A Neio
Song sung by Mr. Purbeck Turner at the
Theatre Royal, etc. [Words of the first
Stanza by H. Carey. Short Score.]
[London, 1720 ?] fol. G. 313. (48.)
TURNER (William) When Phsebus did
the Skies adorn. A neio Song the words
by Mr. Hugh Huddv. [London,
1720?] s. s7i. fol. " H. 1601. (493.)
[Another edition.] When Pha3bus did the
Skies adorn. A Neio Song, etc. [London,
1720?] s.sh.iol. G. 305. (28.)
[Woman's a Riddle.] How unhappy's the
Nymph. A new Song sung by Mrs.
Rubidge to Mr. Bullock Sen"' in Woman's
a Riddle, etc. [London, 1718 ?] s. sh. fol.
H. 1601. (196.)
[Another edition.] How unhappy's
the Nymph. A Song in the Comedy
[by C. Bullock] call'd Woman's a Riddle,
etc. [London, Ills J] s. sh. iol.
G. 308. (70.)
See Lessons. Select Lessons for Two
German Flutes. Extracted from the
Works of . . . Turner, etc.
[1735 ?] obi. 4». b. 30. (2.)
See Psalms. [4. English.'] The Whole
Book of Psalm-Tunes . . . corrected ... By
W. Turner, etc. 1746. 4°. C. 112.
See SoxGS. A Third Collection of New
Songs ... by ... W. Turner, etc.
1685. fol. ' G. 152. (2.)
TURNIP. The Turnep [sic] Ground.
'Song. 1 Sec I. I ow'd my Hostess thirty
pound," c^c. [1775?] s.sh.iol.
G. 309. (90.)
TURNPIKE GATE. The Turnpike
Gate. Comic Opera.
.See Mazzixghi (J.) .and Reeve (W.)
TURNSPIT. The Turnspit. Cantata.
See DiBDiN (C.)
TURRELL (William) Angelina. A
Favourite Ballad. Written and set to
Music by W. Turrell.
[London? 1790?] fol. G. 377. (58.)
TURTLE. The Turtle Dove coos round
my Cot. Rondo. See Hook (J.)
TUTEUR AVARE. L' Amour est un
bien supreme. Air du Tuteur Avare.
[By G. G. Cambini.] Chez Le Due :
Paris [1788?] fol. G. 554. a. (50.)
Fille jeune, aimable et belle. Air du
Tuteur Avare [adapted from P. Anfossi
by G. G. Cambini]. [1788.] 8".
B. 362. c. (73^)
La Jeunesse, le courage. Air du Tuteur
Avare [adapted from P. Anfossi by G. G.
Cambini]. Chez Lnbault :
Paris, [1788.] 8°. B. 362. e. (73.)
TUTOR. The Compleat Tutor for the
Fife . . . with a Choice Collection of all
the Celebrated Marches that are played
upon that Instrument, etc.
Printed for Da'^ Rutherfoord :
London, [1750 ?] 4°. e. 318.
GOJ:
TUTOR— 'TWAS
TUTOR. The Compleat Tutor for the
German Flute . . . Translated from the
French. To which is added a Choice
Collection of y" most celebrated Italian,
English & Scotch Tunes, curiously adapted
to that Instrument. Thompson and Son :
London, [1765 ?] 4°. d. 47. (2.)
The Compleat Tutor for the Guittar, con-
taining the Best . . . Instructions for
Learners ... To which are Added a choice
Collection of . . . Italian, English & Scotch
Tunes, etc. J. Johnson :
London, [1755 ?] 8°. ^ d. 47. (3.)
Tlie composers named in this work are :
Osivaid, Felton and Handel.
The Compleat Tutor for the Violin.
J. Johnson :
[London, 1750 ?] 8°. d. 47. a.
Wantincj the title-page. The composers
named in this collection are : Arigoni,
[San] Martini, Putti, Vinsoji, Hasse,
Collett, Handel, Weidiman, Hum-
phries, Locatelli, McLean, Lully and
Barberini.
The Compleat Tutor for the Violin. Con-
taining the Best . . . Instructions for
Learners ... To which are added a Choice
Collection of the most Celebrated Italian
English and Scotch Tunes.
Printed for Thompson & Son :
London, [VJ&b'i] 8°. d. 47. (1.)
The composers named in this edition are :
Corelli, Felton, Chark, Lully and
Handel.
The Compleat Tutor for the Violin. Con-
taining y'' Best . . . Instructions for
Learners . . . with some useful Directions,
Lessons, Graces, &c. by Geminiani. To
which is added a favourite Collection of
Airs, Marches, Minuets, Song Tunes, &
Duetts.
Printed for . . . C. & S. Thompson :
London, [1770 ?] 8". d. 47. b.
The composers named are : Handel,
Grano, Abel, Felton, Chark and
Geminiani.
A New and Complete Tutor for the
Violoncello ... To which is annexed . . .
a Selection of admired Italian, French,
English, Scotch & Irish Airs. Also ... a
Drawing of the New Invented Patent
Fingerboard. Preston ct Son :
London, [1785 ?] ohl. 4°. b. 102. (1.)
Tlie folloiuing composers^ names appear :
C. Claggct, Gio7-dani and W. Clagget.
TUTOR. The Tutor. [Song.]
See Oswald (J.)
TUTORE E LA PUPILLA. The
Favourite Songs in the Opera call'd II
Tutore e la Pupilla. 2 pts. [A Pasticcio,
partly by G. Cocchi.] Printed for
I. Walsh : London, [1762.] fol. Q. 179.
TUTTE. Tutte le piu vezzose. [Song.]
See Aesaces.
TUTTO. Tutto amabile e galante. Cava-
tina. iS'ee GuGLiELMi(P.) [La Pastorella
Nobile.'] *
Tutto da voi dipende. Duetto.
See Paisiello (G.) [La Locanda.]
TUTTO PER AMORE. Tutto per
Amore. Opera. See Naumann (J. G.)
TWA. Twa bonny Lads were Sawney
and Jockey. Jenny's Complaint. [Song.]
Set for the German Flute. [London,
1740 ?] s. sh. fol. I. 530. (162.)
[Another edition.] Twa bonny Lads were
Sawney and Jockey, etc. [London,
1740 ?] s. sh. fol. G. 316. f. (42.)
TWADDLE. The Twaddle. [Song.]
See On. On sturdy stout Dobbin, etc.
[1785 ?] fol. G. 808. f. (39.)
'TWAS. 'Twas at the Birth-night ball,
Sir. The Boyal Disaster. [Song.]
Printed for J. Fielding :
London, [1782.] 8". 2117. e.
European Magazine, Feb., 1782.
'Twas at the foot of a rising hill. Song.
See CouLTHiRST (R.)
'Twas at the Gate of Calais Hogarth tells.
The Roast Beef Cantata.
Printed for T. Straight and Skillern :
[London, 1765 ?] fol. G. 316. (146.)
'Twas by the murm'riug of a brook.
Song. l[ohn'\ F[entum : London,
1780 ?] s. sh. fol. G. 312. (148.)
'Twas down in a Meadow I chanc'd for to
pass. [Song.] Sung by Miss Warren at
the Theatre Royal, Lincolns Inn Fields.
[London, 1725 ?] s. sh. fol. G. 312. (8.)
'Twas down in the meadow when flow' rets
were springing. The Beatitiful Maid.
A Pastoral. [Song.] [London,
1780 ?] s. sh. fol. G. 312. (169.)
'Twas early on a holiday. The Shepherd
and Cupid. [Song.] [London,
1748.] 8°. 157. 1. 10.
London Magazine, ll'k8,p. 85.
'Twas in a Flow'ry sweet retreat. The
Moss Bose. [Song.] P. H[odgson :
London, 1180 7] s. sh. iol.
G. 312. (140.)
'Twas in the Dead of Night. The Ghaist
of Bobin Gray. [Song.] E[lizabeth]
B[hames : Dublin, 1785 ?] s. sh. fol.
H. 1601. a. (71.)
'Twas in the Land of Cyder. John and
Susan. [Song, to the tune ' Of noble race
was Shenkin,' the words by H. Hall.]
Cross : [London, 1725 ?] s. sh. fol.
G. 305. (111.)
'TWAS— TWELFTH-NIGHT
605
'TWAS. 'Twas in the Land of Cyder.
Brampton Bryon. [Song.]
Sk[_iUern : London, 1780 '?] s. sli. fol.
G. 312. (221.)
'Twas in the Month of May, Jo. Scotch
Song. See Purcell (D.) [The Taming
of the Shrew.']
'Twas in the solemn midnight hour.
BaUad. See Bland (M. T.) Mrs.
'Twas near a Sea-beat rocky Shore. The
Shipwrecked Marine Boy. A Favorite
Ballad. . .sung by Mr. Dignum, etc.
W. Cope : London, [1796 ?] fol.
G, 356. (41.)
'Twas near a Thicket's calm Retreat.
Moulines Maria. A Favorite Ballad taken
from Sterne. [By J. Moulds.]
E. Bhames : [Dublin, 1785 ?] s. sh. fol.
H. 1601. b. (106.)
'Twas near the flowing Avon. TJie Pea
Field. [Song, to the tune •' Of noble race
was Shenkin."] Printed at the a ."
LoufZon, [1780 ?] s. sh. io].
G. 312. (219.)
'Twas night, and no glimmering light
could be seen. Crazy Susan, a Glee for
Three Voices. Printed for E. Birchall :
London, [1800?] fol. G-. 805. k. (33.)
'Twas not Belinda's Face. Something
that's unseen. A New Song. [London,
1773.] s. sh. 4°. 159. n. 5.
London Magazine, June, 1773.
'Twas on a certain Day. Cupid's Bevcnge.
A new Song. [London, 1720?] s. sh. fol.
H. 1601. (452.)
'Twas on a Elvers Verdant side. Tlie
Dying Swan. [Song, music by G. Monro.]
[London, 1730?] s. sh. iol.
G. 312. (56.)
'Twas on an Autumn day. [Song.]
See Trip to the Nore.
'Twas on the Twenty Eighth of May.
The Loyal Ballad for the King's Birth
Day, 1724. [London, 1724.] s. sh. fol.
G. 312. (2.)
'Twas once on a Time when the Fields
were all gay. Love at first Sight. Or y
lucky Foot Boy. [Song.] [London,
1730?] s.sh.iol. G. 312. (150.)
'Twas Paddy O'Flanaghan sett out one
Morning. Blunder on Blunder, or Paddy
O'Flanaghan, An Entire New Comic
Song, written & sung by Mr, Stevenart
at the Royal Circus, etc. B. Watts,
for the Author : London, [1797 ?] fol.
G. 367. (30.)
'Twas Spring when all nature look'd
blooming and gay. The Wood-Man's Fair
Daughter. [Song.] Printed for
T. Gladman : London, [1795 ?] fol.
G. 356. (53.)
'TWAS. 'Twas Summer. The Banks of
the Dec. A favorite Scotch song.
Printed for G. Goulding : London,
[1790?] fol. G. 796. (36.)
'Twas Sunday in the Morn. The Fight
at Sea, [Song, words altered] by T. Poynton
[from " Russel's Triumph," the music by
S. Akeroyde]. Sk[illern : London,
1780.J s. sh. fol. G. 312. (167.)
'Twas underneath a Mayblown Bush.
Nancy. [Song.] Sung by Mr. Vernon at
Vauxhall. [London, 1770 ?] s. sh. fol.
H. 1994. a. (179.)
'Twas when Summer was Rosie : A Song,
the words by Mr. Durfey. [London,
1715 ?] s. sh. fol. H. 1601. (444.)
[Another copy.] G. 305. (161.)
[Another edition.] 'Twas when Summer
was- Rosie, f^c. [London,
1720 ?] s. sh. fol. G. 312. (53.)
'Twas when the Seas were roaring. Song.
See What d'ye call it.
'Twas when the Sun began to shine. The
Maiden's Resolve. A new Song to a New
Tune [by H. Carey]. [Lomlon,
1720?] s.sh.iol. H. 1601. (436.)
[Another copy.] I. 530. (163.)
'Twas Wisdom framed Britannia's throne.
Song. Sec Coleman (.J.)
'Twas within a fourlong of Edinborough
town. Song. See Purcell (H.) [The
Mock Marriage.]
'Twas yes, kind Sir. Ballad.
See Wrighten ( ) Mrs.
'Twas you alone, if you'll believe me.
[Song.] See Never. Never till now I
felt love's dart. [1770 ?] s. sh. fol.
H. 1994. b. (57.)
'Twas you, Sir. Admiral Keppel. A New
Catch, by way of Sandwich, or Bon
Morceau. The Principle Part not by
S' Hugh. [Adapted to the Earl of Morn-
ington's Catch, ' 'Twas you, Sir.']
Longman and Broderip : London,
[1779.] fol. G. 305. (97.)
TWEED-SIDE. Tweed-Side. [Song.]
See What. What Beauties does Flora
disclose, c/c. [1725?] s.sh.iol.
G. 313. (71.)
Tweedside. [Song.] See What. What
beauties does Flora disclose.
[1750?] s.sh.iol. H. 1994. a. (24.)
TWELFTH-NIGHT. How imperfect
is Expression. A Favourite Song, sung
by Mrs. Abington in Twelfth-Night.
[London, 1773.] s. sh. 4°. 159. n. 5.
London Magazi^ie, May, 1773. This is
the ' French Air ' printed in J.
Vernon's ' Neio Songs in . . . the
Witches' etc.
606
TWELFTH-NIGHT— TYRRELL
TWELFTH-NIGHT. How imperfect is
Expression. Sung by Jilrs. Abiugton in
the Twelfth Night. B. Falkcncr : London,
[1780?] s.sli.ioX. H. 1994. a. (88.)
What wakes this new Pain in my breast.
[Song.] Sung by Mrs. Crouch in Twelfth
Night. The Words written by L. Mac-
nally . . . for the Comedy of Fashionable
Levities. [Full Score.] Longman ami
Broderij), for William Sibbald : London,
[1790?] fol. H. 1653. (58.)
TWELVE. Twelve hundred years at
least. Song. See Clarke (J.)
Twelve of the one and a Dozen of t'other.
[Song.] See Arne (M.)
TWENTY. Twenty Years and mear at
Ediuborrow. The Scotch Cuckold. A
New Song to a Northern Tune. The
Words by Mr. Durfey. [London,
1720?] s.sh.tol. G. 312. (50.)
TWIN. Twin Sisters are we loving Friends.
A Middle [words] by M. M. The Solution
by J. E. [Songs.] [London,
1730?] s.sh.tol. G. 312. (152.)
[Another copy.] G. 303. (65.)
TWINS. The Twins of Latona. [Song.]
See Shield (W.) [The Poor Soldier.']
TWISS ( ) Twelve Dances for Two
Violins and a Bass. J. Fcntum :
London, [1787 ?] obi. 4°. b. 53. (7.)
Inigo Jones, etc. [Song.] J. F[entu'\m :
[LoHfZon, 1780?] s. s7(. fol.
G. 312. (155.)
The Rosy Cheek, a favorite Song. [Full
Score.] J. Fentum : [London,
1796?] fol. H. 1653. (47.)
A Scotch Reel with Variations, etc. [P. P.]
Longman and Brodcvvp :
London, [1796 ?] fol. g. 139. (44.)
Two Songs [" My Love to War is going."
— " Y^es, j-es, fair friend I freely Grant "]
written by Miss Alderson [afterwards
Mrs. Opie]. Longman and Broderip :
London, [1797.] fol. G. 365. (31.)
Sweet Nymph tho' far remov'd. [Song.]
Written by P. Pindar, etc.
Longman and Broderip :
London, [1797 ?] fol. G. 365. (30.)
TWITCHER. The Twitcher. [Song.]
See Damsel. A Damsel I'm told, etc.
[1710 ?] s. sh. fol. G. 306. (14.)
TWO. Two Gods of great Honour. The
Agreement of the Gods. [Song.] Set to a
Favourite Air. [London, 1760 ?] s. sh. fol.
G. 312. (233.)
TWO. Two Maidens sat complaining.
Duet. See Dittersdorf (C. Ditters von)
[Der Apothekcr unci Doktor.']
The Two ]\rilk white Doves. Song.
See Hook (.J.)
The Two Unhappy Lovers. [Ballad.]
See In. In London there lived, etc.
[1690 ?J s. sh. fol. Case 39. k. 6. (51.)
TWO LITTLE SAVOYARDS. Down
in the Country lived a Maiden. Tlie
favourite Duet sung in the Musical Piece
of the Two Little Savoyards at Sadlers-
Wells . . . The Words by Mr. Lonsdale.
[Music by N. Dalayrac]
Printed for S. A. and P. Thompson :
London, [1795 ?] fol. G. 800. m. (58.)
TWO MISERS. The Two Misers. A
Comic Opera in two Acts by the Author
of Midas [K. O'Hara] . . . The Music
selected from the Works of the most
Celebrated Composers. J. Johnston :
London, [1775.] oU. fol. D. 272. (2.)
[Another copy.] D. 271. (2.)
TWO TO ONE. Two to One. Comic
Opera. See Arnold (S.)
TYBURN-TREE. Tyburn-Tree. [Song.]
^ee Since. Since laws were made for
ev'ry degree. [1760 ?] s. sh. fol.
I. 530. (143.)
TYE (Christopher) The Actes of the
Apostles, translated into Englyshe Metre,
and dedicated to the Kynges most excel-
lent Maiestye, by Christofer Tye . . . wyth
notes to eche Chapter, to synge and also
to play vpon the Lute, very uecessarye for
studentes after theyr studye, to fyle theyr
wyttes, and also for all Christians that
cannot synge, to reade the good and
Godlye storyes of the lyues of Christ hys
Apostles. Wijllyam Seres :
London, 1553. 8°. K. 4. c. 4.
The Actes of the Apostles, translated into
Englyshe Metre... wyth notes to eche
Chapter, to synge and also to play vpon
the Lute, etc.
Nycolas Hyll, for Wyllyarn Seres :
London, 1558. 8". Gren. 12146.
TYRRELL (R.) Wilt thou be my dearie ?
^4 Favorite Scotch Song written by R.
Burn[s], etc.
J. Longman, Clcmenti d: Compy :
London, [1800?] fol. G. 365. (32.)
UBER— ULYSSES
607
UBER (Christian Benjamin) Clarisse,
oder das unbekannte Dienstraixgdchen,
eine comische Oper in drey Aufziigen, und
eiue Ode aus der Geschichte der Miss-
Fanny Wilkes : Dir folgonmeiue Thranen.
[P. F. Score.] Bey J. E. Meijcr :
Breslau, 1772. obi. fol. C. 456.
XTBERTI (Gratioso) Contrasto Musico.
Opera Diletteuole, etc. Per Lodouico
Gregnani : Roma, 1630. 8°. 7897. a. 34.
UCCELIjATORI. The Favorite Songs
in the Opera, Gl' Uccellatori. [A Pasticcio.
Full Score.] B. Bremncr :
London, [1770.] fol. G. 206. d. (3.)
UCCELLINI (IMarco) Compositioni
arniouiche sopra il Violino e diversi altri
strumenti a Quattro e Cinque . . . Libro
Septimo. Basso Contin. e Basso Violone.
Presso i Hcredi de P. PJialesio:
Anversa, 1668. obi. i". a. 36.
Sinfonie Boscarecie a Violino Solo, e
Basso, con 1' agiunta di due altri Violini
ad libitum . . . Opera Ottava. Violino
Primo (ii) (hi). 3 pts.
Stampato in Casa di Liica de Potter :
Anversa,16n. 4°. C. 5.
UCELINI (Marco) See Uccellini.
UDINE (GiEEOxnio da)
See Casa (G. dalla)
UGOLINI (ViNCENzo) Di Vincenzo Ugo-
lini II Primo Libro de IMadrigali a Cinque
Voci, etc. Canto. (Alto.) (Tenore.) (Basso.)
{Quinto.) 5 pts. Appresso Giacomo
Vincenti : Venetia, 1615. 4». K. 4. f. 2.
Di Vincenzo Ugolini II Secondo Libro do
Madrigali a Cinque Voci, etc. Canto.
(Alto.) (Tenore.) (Basso.) (Quinto.)
•5 pts. Appresso Giacomo Vincenti :
Venetia, 1615. 4°. K. 4. f. 3.
Motecta et Missae Octonis et Duodenis
Vocibus, cum Basso ad Organum . . . Liber
Secundus. Cantus [Altus] (Tenor) (Bassus)
Primi Chori. (Cantus [Altus] (Tenor)
[Bassus] Secundi Chori.) (Cantus (Altus)
(Tenor) [Bassus] Tertii Chori.) (Bassus
ad Organum.) 18 pts. Aptid Lucam
Antonium Soldum : Romx, 1Q22. 4". P. 4.
The Altus I., Altus II. , Bassus II., Can-
tus III. and Bassus III. parts are in
MS.
Vincentii Ugolini Llotecta siue Sacrse
Cantiones infestis mobilibus, & Sanctorum
totius anni. . .inquatuor librosdistributae,
Unica, Duabus, Tribus, et Quatuor voci-
bus, ad musicos numeros modulataa, simul
cum graui voce ad Organi sonum accomo-
datse. Liber Primus Nuper Editus.
Cantus Primus (Secundus). (Bassus.)
(Bassus ad Organum.) 4 pts.
Apud lacobum Vincentium :
Venetiis, 1616. 4». D. 211.
Vincentii Ugolini . . . IMotecta siue Sacre
Cantiones in festis mobilibus, & Sanctorum
totius anni . . .in Quatuor libros distribute,
Unica, Duabus, Tribus & Quatuor vocibus,
ad musicos numeros modulate Simul cum
graui voce ad Organi sonum accomodate.
Liber Secundus. Nuper seditus. Cantus
Pri. (Cantus Sec.) (Bassus.) (Bassus
Pro Organo.) 4 pts. Apud lacobum
Vincentium: Venetijs, 1611. 4°. D. 211. a.
Vincentii Ugolini . . . Motecta siue sacre
Cantiones in festis mobilibus, & Sanc-
torum totius Anni tam proprie quam ex
communi in quatuor libros distributte,
Unica, Duabus, Tribus & Quatuor vocibus
ad musicos numeros modulatte simul cum
graui voce ad Organi sonum accomodatse.
Liber Tertius. Nuper ajditus. Cantus
Pri. (Cantus Sec.) (Bassus.) (Bassus
ad Organum.) 4 pts. Apud lacobum
Vincendzim: Venetijs, 1G18. 4". D. 211. b.
Vincentii Ugolini . . . Motecta, siue Sacrae
Cantiones in festis Mobilibus, & Sanc-
torum totius anni ... In Quatuor Libros
distributse. Unica, Duabus, Tribus, &
Quatuor vocibus ad Musicos numeros
modulatse, simul cum graui voce ad
Organi sonum accomodatce. Liber Quar-
tus. Nuper editus. Cantus Primus.
(Cantus Secundus.) (Bassus.) (Bassus
ad Organum.) 4 pts. Ex Typographia
AndrexPhxi: Romae,lQ>19. 4". D. 211. c.
UILENBROEK (Hendrik) H. UUen-
broeks Christelyke Gezangen, wederom
overgezien, verbetert, met verscheydene
Nieuwe vermeerdert, en op Muzijknooten
gestelt. Den achtsten Druk.
Voor Johannes van Someren :
V Amsterdam, 1671. 8°. 3435. flf. 1.
There is a second {engraved) title-page.
ULICH (Johann) Davidisches Berg-Lied
. . . An statt eines Taglichen Denck-
Danck- und Schuld Opffers . . . abgefasset,
und . . . mit absonderlicher Melodie be-
thonet, etc. Gedruckt bey Matthaeus
Henckeln : Wittenberg, 1687. 4°. B. 141.
ULYSSE. Ulysse.
See Eebel (J. F.)
Tragedie.
ULYSSES. Ulysses of Old, as Stories
have told. Betty-Land. [Song.]
Strlaighf] and Ski\llern :
London, 1770 ?] s. sh. fol. I. 530. (166.)
608
UMLAUFF— UNHAPPY
UMLAUFF (Ignaz) Der Fassbinder.
Eiu Komisches Divertissment . . . fiir das
Piano-Forte eingerichtet, etc.
Bexj L. Maisch : Wien, [1795 ?] ohl. fol.
"^ e. 1002.
UN. L'uu de ces jours mes moutons
s'egarerent. Chanson. Avec accomp' de
Guitare. Chez Camand :
Paris, [1780?] 8°. B. 362. b. (23.)
[Another setting.] L'Un de ces jours
mes moutons s'egarerent. Romance.
See Amateur.
Un jour dans le fond d'un bosquet.
Chanson. See Depe
Un jour, je vis une Bergere. Air.
See BouvAED (F.)
Un jour Iris dit a 1' Amour. Air.
[Paris,] 1738. s. sh. i\ 297. b. 26.
Mercure de France, Dec, 1738.
Un soir, dans la foret prochaine. Romance.
See FoDOR (J.)
UNANIMITY. Unanimity recommended
to the People of England. [Song.]
See Ye. Ye Britons so free, etc.
[1780 ?] s. sh. fol. G. 314. (80.)
UNBOUNDED. Unbounded Ambition
thou turbulent Maid. Song.
See I>-GRAM (W.)
UNCONSCIONABLE. The Uncon-
scionable Gallant. [Ballad.] See Now.
Now I pray you attend. [1690?] s. s7i. fol.
Case 39. k. 6. (55.)
UNCONSTANT. Unconstant Damon.
[BaUad.] See Some. Some mournful
Muse attend my Quill, etc.
' [1695 ?] s. sh. fol. Case 39. k. 6. (64.)
UNDAUNTED. The Undaunted Britons.
Song. Sec Atterbury (L.)
UNDER. Under how hard a Fate. Song.
See COURTEVILLE (R.)
Under sweet Friendship's Name. Canon.
See Barthelemon (F. H.)
Under y" gloomy shade. [Cantata.]
See Albinoni (T.)
Under the Greenwood Tree, a Glee for 8
Voices. The words from " As you like
it." [By E. S. Biggs.] B. Birchall :
London, [1800?] fol. G. 805. k. (34.)
[Another edition.] Under the Greenwood
Tree. Glee. See Biggs (E. S.)
[Another setting.] Under the Greenwood
Tree. [Song.] See Hook (J.)
Under the Hawthorn trees. Glee.
See Stevenson [Sir J. A.)
UNDER. Under the Rose. [Song, begins :
' Oous ! neighbour, ne'er blush.']
Sec Arne (T. a.) [Love in a Village.']
Under the Rose. Song [begins : ' Last
Midsummer Eve ']. See Potter (J.)
UNEQUAL. The Unequal Marriage.
[Song.] Sec I. I am an Old Man, etc.
[1770?] s.sh.iol. a. 309. (118.)
UNEXPECTED. The Unexpected Re-
venge. [Song.] Sec Hudson (J.)
UNFADING. Unfading Beauty. [Song.]
See Essex (M.)
UNFORTUNATE. Unfortunate PhiUis,
the fair Maid of Preston in Lancashire.
Ballad. Sec Colin. Colin, a gentle
Shepherd Swain, eic. [1720?] s.sh.iol.
I. 530. (28.)
The Unfortunate Sailor. [Song.]
See Hook (J.)
UNGAR (Andreas) Hiipfferling oder
Hopfien - Konig, Welchen einsmals der
Schiifer Corydon im Rosenthal beym
Hopii-pflicken gefunden . . . Anjetzo aber
dem . . . Herrn M. Casparo Wirthio . . .
Brautigam : vnd . . . der . . . Jungfrawen
Annen - Marien, des . . . H. Johannis-
Hopneri . . . Tochter . . . Braut ... zu ...
Gluckwiinschung mit 3. Stimmen au2
VillaneUen-Axt in die Music gesetzet, etc.
Gedruckt. . . bey Abraham Lambcrcjs sel.
Erben : Leipzig, 1638. s. sh. fol.
I. 600. (5.)
[Another copy.] K. 4. h. 3. (4.)
UNGIUS (Petrus Johannes) Encomium
Musicae Petri Johaunis Ungii Calmariensis
Smol. Habitum Upsalias ... 21. Maji
Anno 1637. Eschilhis Matthix :
Vpsalix, [1637.] 4°. 7898. bb. 8.
UNGRATEFUL. The Ungrateful Bee.
[Song.] Sec Hudson (R.)
Ungrateful Robin to complain. Nanny's
Reply to BoUn's Complaint. [Song,
written] By A. Bradley. [London,
1720?] s.sh.iol. H. 1601. (475.)
[Another edition.] Ungrateful Robin to
complain, etc. [London, 1725 ?] s. sh. fol.
G. 313. (1.)
UNHAPPY. The Unhappy Lover.
See Fluttering. Flutt'ring spread thy
purple Pinions. [1780 ?] s. sh. fol.
G. 315. (32.)
The Unhappy Lover. [Song, begins :
' Return thou lovely fair.']
See Vincent (T.)
The Unhappy Lovers. [Song.]
See Haendel (G. F.) [6. Duets and Single
Songs.}
UNHAPPY— UNNATURAL
609
UNHAPPY. The Unhappy Maid. [Song.]
See Howard (S.)
The Unhappy Swain. [Song] See In.
In vain you tell your parting Lover.
[1730 •?] s. sh. fol. G. 309. (23.)
UNIFORME. L'Uniforme.
Eroi-comico. See Weigl (J.)
Dramma
UNION". The Union. [Song.] See Hebe.
Here's success to their scheme, etc.
[1783.] s. sh. fol. G. 308. (136.)
The Union. [Song.] See Push. Push
the hottle about, (tc. [1767.] 8".
158. 1. 12.
The Union of Love and Wine. [Song.]
See Baildon (.J.)
The Union of the Three Sister Arts.
Entertainment. See Pepusch (J. C.)
UNION DE L'AMOUR ET DES
ARTS. L' Union de I'Amour et des Arts.
Ballet h^roique. See Floquet (E. J.)
UNION VILLAGEOISE. L'Uuion
Villageoise. Scene patriotique, en prose
et vaudevilles . . . [words by Radet and
Piis]. Seconde edition, augmentee . . .
avec la Musique. Chez le Libraire, mi
Theatre dii Vaudeville : Paris, An deux-
ieme, [1791.] 8^ 11738. b. 37. (8.)
Amis, prenons nous par la main. Ronde
de Vtfnion Villageoise. Scene mise a la
suitte du prix ou I'embarras du choix.
Avec Accompaguement de Guittare par
L. M. Chez Imbaidt : Paris, [1793 ?] 8".
B. 362. d. (13.)
[Another copy.] B. 362. a. (46.)
Citoyens pour qui je vais voir renaitre.
Air de V Union Villageoise. Scene mise a
la suitte du prix ou I'embarras du choix.
Avec Accompaguement de Guittare, par
L. M. Air ; jadis un celebre empereur.
Chez Imhault : Paris, [1793 ?] 8°.
B. 362. d. (13*.)
UNISSEZ. Unissez vos cceurs et vos bras.
Ronde. See Gretry (A. E. M.)
UNIVERSA.L. Universal Love. [Song.]
See B., J. L.
UNIVERSAL HARMONY. Universal
Harmony ; or, the Gentleman and Lady's
Social Companion. Consisting of . . .
English and Scots Songs, Cantatas, &c. &c.
set to music for the Voice . . . with a
thorough Bass for the Organ, Harpsichord,
Spinnet, &c. By the Best Masters.
Printed for the Proprietors : London,
[1743.] 4". E. 12. a.
In this edition there is no frontispiece and
the title-page is pirinted. Wanting
pp. 1-3, 18, 21-5, 31, 33, 35-6, 38-9,
44, 46, 56, 61, 63-6, 81, and all after
82. P. 37 occurs in duplicate.
VOL. II.
UNIVERSAL HARMONY. Universal
Harmony, or, the Gentleman & Ladies'
Social Companion : Consisting of . . .
English & Scots Songs, Cantatas &c.
&c. With a Curious Design, by way of
Headpiece, expressive of the sense of
each . . . Song. All neatly Engraved on
Quarto Copper Plates, and set to Music
for the Voice, Violin, Hautboy, German
& Common Flute, with a Thorough Base
for the Organ, Harpsich* Spinet, &c. By
the Best Masters, etc. Printed for J.
Newbery: London, 174:5. 4°. K. 8. k. 2.
The composers named in this collection
are : Lampc, Boyce, Bussel, Howard,
Vincent, Stanley, Holcombe, Greene,
Kilburn, Jackson, Leveridge, Carey,
Gladwin, Prelleur, Anglosini, Handel,
Galliard, Cannington, Brett, Wise,
Weidcman, Arnc, Osioald, Fisher,
Monro, Pryn, Tortoriti, Chilcot and H.
Purccll.
Universal Harmony, or. The Gentleman
and Ladies' Social Companion : consist-
ing of... English and Scots Songs, Can-
tatas &c. &c. With a Curious Design
by way of Headpiece . . . Set to Music for
the Voice, Violin, Hautboy, German &
Common Flute, with a Thorough Base for
the Organ, Harpsich'' Spinet, &c. by the
Best Masters, etc. J. Newbery, for the
Proprietors : London, 174G. i". E. 364.
UNIVERSAL MUSICIAN. The Uni-
versal Musician : or Songster's Delight.
Consisting of the most Celebrated English
and Scotch Songs,. . .Cantata's, etc.
London, [1737-8.] 8°. D. 380.
The composers named are : Monro,
Lampe, Putti, Vanbrugh, Turner,
Leveridge, Purcell, Charke, A. Young,
Carey, J. Webber, Galliard, J. Sheeles,
J. Allcock, Corelli, Dr. Green, Sand-
ford, Stanley, Handel atid Howard.
UNKIND. The Unkind Fair. [Song.]
See Hudson (J.) [As Granville's soft
Numbers.]
The Unkind Parents. [Ballad.] See Now.
Now fare thou well my Dearest Dear.
[1690?] s. sh. fol. Case 39. k. 6. (9.)
UNLESS. Unless my dear Bridget ap-
pease. A favourite Song. Words by Mr.
Greaves. Sk\_illcrn : London,
1780 ?] s. sh. fol. G. 313. (10.)
Unless with my Amanda blest. Song.
See Porter (S.) the Younger.
Unless with my Amanda blest. Canzonet.
See Storage (S.)
UNNATURAL. The Unnatural Parent.
See Ye. Ye Virgins who do listen, etc.
[1750 ?] s. sh. fol. G. 314. (26.)
2 R
610
UNNATURAL— URBANI
UNNATURAL. The Uunatural Parent.
[Song.] See Ye. Ye Virgins who do
listen, etc. [1752.] 8°. P.P. 5438. z.
The Unnatural Parent. [Song.] See Ye.
Y"e Virgins who do listen, etc.
[1757.] s.sh.S". P.P. 5439. ab.
UNTERBROCHENE OPPERFEST.
Das Uuterbrochene Opferfest. [Opera.]
See Winter (P. von).
UNTHANKFUL. The Unthankful Ser-
vant, etc. [Ballad.] See Well. Well
met, my dear Sister, etc.
[1695?] s.sh.iol. Case 39. k. 6. (8.)
UNTIL. Until my Love return. [Song.]
See Doctor and Apothecary.
UNTIMELY. Untimely bow'd by Fate's
relentless hand. Myra. A Pastoral Elegy
for three Voices, to the Respectable
Memory of a deceased Lady.
Longman and Broderip, for the Author :
I/ondow, [1790 ?] fol. H. 2826. e. (15.)
UNWILLING. The Unwilling Depar-
ture. [Song.] See What. What pleasant
Scenes around this Place appear.
[1750?] s.sh.iol. L 530. (171.)
UP. Up and war them a' Willie. [Song.]
See Urbani (P.)
Up the hills scuds the mist. The Summer's
Day. [Song.] P. H[pdgson : London,
1780?] s.sh.iol. G. 313. (9.)
UPON. Upon my Word I did. Song.
See Hook (J.)
Upon Sight of Londons Stately New
Buildings. [Ballad.] See 0. O Thrice
Illustrious Famous City London.
1672. s. sh. fol. Case 20. f. 4. (128.)
URANIA ARMONICA. Urania Ar-
monica. Cautate. See Ricco (A. del)
URBANI (PiETEo) Twenty Eight Favorite
Venetian Airs &c.' Arranged for the Piano
Forte, some of which for the Harp.
Urbani £ Liston : Edijibiirgh, [1800 '>] fol.
g. 138. (7.)
Bannocks o' Barley Meal. A Favorite
Old Scots Song never before in Print,
Said to have been Wrote by the Old Johu
Duke of Argyle. Arranged for the Voice
with an accompaniment for the Piano
Forte by P. Urbani. Urbani d Liston :
Edinburgh, [1800?] fol. G. 364. (58.)
The ever Memorable Battle of Bannock-
burn, . . . Wherein is inserted Bruce's
address to his Troops ... by the late
R. Burns. The Introduction and Grand
Chorus wrote by a Gentleman. Composed,
and Adapted for the Piano Forte, with a
Violin Accompaniment. . .by P. Urbani.
Urbani & Liston : EdiW, [1797.] fol.
G. 372. (2.)
URBANI (PiETEo) Bombo. A Favorite
Air with Variations, etc. [P. F.]
Urbani d Liston :
Edinburgh, [1796 ?] fol. g. 139. (51.)
Cauld Kail in Aberdeen. A New Rondo,
etc. [P. F.] Urbani £ Liston :
Edinburgh, [1796 ?] fol. g. 139. (49.)
Charlotte at the Tomb of Werter. A
Favorite New BaUad. Writen [sic'\ by
]\Ir. Atkinson, etc. Urbani and Liston :
Edinburgh, [1800 ?] fol. G. 364. (55.)
Fare thee weel &c. [Song.] Words by
R. Burns, etc. Urbani & Liston :
Edinburgh, [1795 ?] fol. G. 364. (56.)
From thee Eliza. A Favorite New Song.
Words by Burns. Urbani and Liston :
Edin'-, [1795 ?] fol. G. 364. (61.)
Loch Erroch Side. A new Rondeau. Set
for the Harp* or Piano Forte by P. Urbani.
Urbani ct Liston : Edinburgh, [1797 ?] fol.
g. 140. (53.)
Major Monro's March and Quick Step.
[Full Score.] Urbani d Liston :
Edinburgh, [1795 ?] fol. g. 133. (61.)
My ain kind Dearie. With New Varia-
tions for the Piano Forte or Harpsichord,
by P. Urbani. Urbani & Liston:
Edin-", [1795 ?] fol. g. 139. (50.)
My Love she's but a Lassie yet. [Song.]
With New Words as Sung (and arranged
for the Piano Forte) by Mr. Urbani, etc.
Urbani & Liston : Edin'; [1800 ?] fol.
G. 364. (59.)
My Love she's but a Lassie yet. A New
Rondo, etc. [P. F.] Urbani d Liston :
Edin'-, [1195?] fol. g. 140. (54.)
0 wat ye wha's in you Town. A New
Rondo, etc. Urbani d Liston :
Edin'-, [1795 ?] fol. g. 139. (48.)
0 Mary my deary. A favorite Scots Song.
The words by a Gentl[e]man, etc.
Urbani d Liston : Ediw, [1800 ?] fol.
G. 364. (62.)
A Selection of Minuets, High Dances,
Cottilions, Scots Airs &c. ... Adapted for
the Piano Forte or Harpsichord, and most
partly Composed by P. Urbani. Book 1"'.
Urbani d Liston : EdiiV, [1795 ?] fol.
g. 229. (5.)
A Selection of Scots Songs, Harmonized,
improved with Simple and Adapted Graces
. . .Book l»'(-4"'). 4 Bks. Printed for
the Author (Urbani d Liston) : Edinburgh,
[1794-5?] fol. G. 372. (1.)
A Favorite Selection of Scots Tunes . . .
Properly arranged as Duettos for Two
German Flutes or Two Violins. 2 Bks.
[Separate Parts.] Urbani d Liston :
Edinburgh, [1798 ?] obi. 4°. b. 69.
UEBANI— UTENTHAL
611
TJRBANI (PiETEo) Seraphina, etc. [Song,
words by H. Carey.]
JJrbani & Liston : Edin'^limOl] fol.
G. 364. (60.)
Sic' a Wife as Willie had. A New
Rondo, etc. [P. F.] Urbani & Liston :
Ediw, [1797 ?J fol. g. 140. (52*.)
The Singers Guide, etc. Urbani <£• Liston :
Ediw, [1795 ?] fol. g. 302. (5.)
The Soldier's Return. [Song,] Words By
R. Burns. Urbani cfi Liston :
Ediw, [1795 '>] fol. G. 364. (57.)
Six Sonatas for the Harpsichord or Piano
Forte with a Violin Accompaniement . . .
Opera 5. Corri & Sutherland, for the
Author : Ediiv, [1785 ?] fol. g. 463.
Thou art gane awa. For two Voices ;
arranged by P. Urbani.
Urbani d- Liston: Edinburgh, [1795 7] fol.
H. 2820. (6.)
Up and war them a' Willie, with New
Words, arranged as a Duett . , . with Piano
Forte accomp', etc. Urbani d Liston :
Ediw, [1795 ?] fol. G. 354. (43.)
The Weary Pund o' Tow. A Favorite
Scots Song Arranged for the Voice with
an accom' for the Harp or Piano Forte.
Urbani and Liston : Edinburgh,
[1800?] fol. G. 805. h. (45.)
Why ask me, fairest, if I love ? Urbani' s
celebrated Rondeau. [Song.] {^Aberdeen,
1791.] Q". P.P. 6225.
Aberdeen Magazine, August, 1791.
Wilt thou be my Dearie. [Arranged for
two voices by P. Urbani.]
Urbani & Liston : Ediw, [1795 ?] fol.
G. 805. k. (35.)
See Johnson (A.) of Edinburgh. A Col-
lection of New Reels . . . Bass corrected
by Mr. Urbani. [1790?] fol.
g. 229. (6.)
See Campbell (J.) A Collection of New
Reels & Highland Strathspeys . . . The
Bass's. . .corrected by P. Urbani.
[1800?] fol. h. 210. a. (2.)
URGE. Urge me no more.
See King (R.)
Song.
UmO (Fbancesco Antonio) Motetti di
Concerto a Due, Tre, e Quattro Voci con
Violini, esenza. Opera Prima, e^c. Canto
Primo. (Organo.) 2 pts. Nella Stam-
peria di Gio. Giacomo Komarek : Roma,
1690. 4°. D. 1065.
URSILLO (Fabio) Six Sonata's for two
Violins and a Thorough Bass. [Separate
Parts.] Printed for John Cox :
London, [1755 ?] fol. g. 409. e. (1.)
USEZ. Usez mieux, 0 beaut^s fibres.
Chanson. See Feossaed ( )
USURER. The Usurer's Daughter's
Reply. [Ballad.] See Now. Now young
tempting Phaon, etc. [1675 ?] s. sh. fol.
Case 39. k. 6. (15.)
USURPATOR imsrOCENTE. Che
mai feci amici dei. Cavatina, sung by
Madam Mara in the Opera [by V. Fede-
rici] ' L' Usurpator Innocente.' [Score.]
Longman and Broderip :
London, [1790.] fol. G. 196. (23.)
Se ti perdo 0 caro bene. Rondo, sung by
Madam Mara in the Opera [by V. Fede-
rici] 'L'Usurpator Innocente.' [Full
Score.] Longman atul Broderip :
London, [1790.] fol. G. 196. (22.)
UTENTHAL (Alexandee) Froliche
newe Teutsche vnnd Frantzosische Lieder^
lieblich zu singen, auch auff allerley In-
strumenten zugebrauchen, nach sonderer
Art der Music Componitt [sic] mit vier,
fiinS, vnd mehr stimmen. Discantus.
(Altus.) (Tenor.) (Bassus.) (Vagans.)
5 pts. Qedruckt durch
Dieterich Gerlach : Nilrnberg, 1574. obi. 4".
A. 553. e.
This icork also contains compositions by
A. B. and Ph. B.
Septem Psalmi Poenitentiales, adiunctis
ex Prophetarum Scriptis Orationibus
eiusdem argument! quinque, ad dodeca-
chordi modes duodecim. . . aptissima tam
viuge voci quam diuersis Musicorum in-
strumentorum generibus harmonia ac-
commodati, etc. Discantus. (Altus.)
(Tenor.) (Bassus.) 4 pts.
In officina Theodorici Gerlatzeni :
Noribergx, 1570. obi. 4°, A. 553.
Sacrarum Cantionum, quas vulgo Motetas
vocant, . . . tam Instrumentis Musicis
quam Viuae Melodise Quinque Vocibus
attemperatarum. Liber Primus, etc. Dis-
cantus. (Altus.) (Tenor.) (Bassus.)
(Quinta Vox.) 5 pts.
In officina Theodofici Gerlatzeni :
Noribergx, 1571. obi. i". A. 553. b.
Alexandri Utendal Sacrse Cantiones (vulgo
Motecta appellatse) Sex, et Plurium
Vocum, tum viua voce txun omnis generis
Instrumentis cantatu commodissimse.
Liber Secundus. Discantus. (Altus.)
(Tenor.) (Bassus.) (Quinta Vox.) 5 pts.
In officina Theodorici Gerlachij :
Norimbergx, 1573. obi. 4". A. 553. a.
[Another copy. Altus. (Tenor.) (Bassus.)
(Quinta Vox.)] 4 pts. A. 553. d.
The Bassus part is imperfect, wanting
sheets AA-CC.
2 E 2
612
UTENTHAL— VADE
UTENTHAL (Alexander) Liber Tertius
Sacrarum Cantionum, (quas vulgo Mo-
tetas vocaut) . . . Quinq? & Sex vocibus
ita compositarum, vt tarn viuse voci, quam
diuersis Musicoruin instrumentorum gene-
ribus accommodari queant. Discantus.
(Altus.) (Bassus.) 3 pts. In offic'ma
Catharinse Gerlachin d Hivredum lohannis
Montani : Noribergie, 1577. obi. 4".
A. 553. c.
UTTINI (Feancesco) Six Sonatas for
Two Violins and a Bass. The Third and
Sixth with additional obligate parts ;
one Sonata for the Violoncello, and the
other for the Harpsichord . . . Opera i.
[Separate Parts.]
H. Fount : London, (1768.) fol.
h. 2852. b. (5.)
[Another copy.]
g. 222. (20.)
V * * Dieu 1 que ma Zelmire est touchante.
Romance. (Paroles de M. Masson de
Morvilliers, etc.) [Paris,'] 1779. 8°.
297. f. 38.
Merctire de France, August, 1779.
v., D. G. D. See Blaise et Babet. Lise
chantoit dans la prairie. Chanson . . .
avec Accompagnement de Harpe de IM'
D. G. D, V. [1785 ?] fol. G. 800. m. (9.)
VA. Va dove cadono in seno al Gange.
Cavatina. See Alessandro e Timoteo.
Va pure in malora. Duetto.
See CoNTi (G.)
Va, va mon pere, je te jure. Ulnutiliti
des Pretres [Song, written] par le Citoyen
Piis, Air du Vaudeville des Visitandines
[by F. Devienne]. Cliez Imbault :
Paris, [1795 ?] 8\ B. 362. (85.)
VACANCES. Les Vacances, Com^die ;
representee pour la premiere fois le 31
Octobre 1696. [By F. C. Dancourt, with
music by J. C. Gillier.]
[Paris, 1760.] 12°. 241. e. 5.
Part of ' Les CEuvres de TMatre de M.
D'Ancourt,' etc. torn. 5.
VACHOW (Pierre) Six Easy Duettos
for two Violins . . . Op. v. [Separate
Parts.] The Author :
I/ondow, [1775 ?] fol. g. 218. e. (1.)
Les Femmes et le Secret. Com6die en
un Acte, mesl^e d'Ariettes . . . Par M.
Qu^tant . . . avec la musique [by P. Vachon].
1770. See Recueil. Recueil general des
Op6ra Boufions, etc. Tom. 3. 1777. 8".
11735. b. 2.
Six Quartettes, for Two Violins a Tenor
and Bass . . . Opera v. [Separate Parts.]
W. Napier : Loyidon, [1775 ?] fol.
g. 413. (18.)
Six Quartettes for two Violins a Tenor
and Bass . . . Opera vi. [Separate Parts.]
Printed for W. Napier :
London, [1775 ?] fol. g. 533. (2.)
VACHON (Pierre) Six Quartettes pour
deux Violens, Alto et Basso, etc. [Op. 7.
Separate Parts.] Printed for W. Napier :
London, [1775?] fol. g. 413. (17.)
[Another copy.] g. 533. (1.)
Sara, ou La Fermiere Ecossoise, Comedie
en deux Actes et en Vers, melee d'Ariettes ;
par M. C[ollet] d[e] M[essiu], etc. [With
the voice-part of one song.] 1774.
See Recueil. Recueil general des Opera
Boufions, etc. Tom. 8. 1777. 8°.
11735. b. 2.
Six Senates a Violon Seul et Basse . . .
Gravies par M"'» Leclair. ffiuvre i".
Chez M. de la Chevardi^re :
Paris, [1760?] fol. h. 1608. c. (8.)
Six Trios for two Violins and a Thorough
Bass for the Harpsichord . . . Opera iv.
[Separate Parts.] W. Napier :
London, [1775 ?] fol. g. 409. b. (3.)
See PuGNANi (G.) Six Divertimentos for
two Violins and a Bass ... by Pugnani,
Vachon, etc. [1780 ?] fol. g. 409. b. (2.)
VAD:6 (Jean Joseph) CEuvres de M.
Vad6, ou Recueil des Op6ra-Comiques,
Parodies & Pieces fugitives de cet Auteur ;
avec les Airs, Rondes & Vaudevilles notes.
Nouvelle Edition. (CEuvres Posthumes de
M. Vad6 . . . Avec les Airs, Rondes &
Vaudevilles not6s, etc.) 4 tem.
Chez N. B. Duchesne : Paris, 1758. 8°.
86. b. 1-4.
Tom. 1-3 have separate pagination and
generally separate title-pages to the
various Connie Operas dc. contained
in them. The imprint of Tome IV. is
'dLondres ...4071701.'
CEuvres Complettes de Vad6, avec les
Airs notes a la fin de chaque volume.
4 torn. Geneve, 1777. 12°.
11736. aa. 15.
CEuvres. . .Avec les Airs, Rondes & Vaude-
villes Notes. Nouvelle Edition. 4 tem.
Chez P. Oosse : La Haye, 1785. 8°.
11735. bb. 23.
VADE— VALENTINE
613
VADi^ (Jean Joseph) CEuvres Complettes
. . . Avec les airs notes a la fin du dernier
volume. Derniere edition. 4 torn.
Chez A . Le Roy :
Lyon, 1787. 8°. 11474. b. 35.
VADE A LA GRENOUILLERE.
Vad6 a la Grenouillere. Folie poissarde
en un acte et en prose, melee de Vaude-
villes. Par les Citoyens A. GouSe et G.
Duval, etc. [With the music of the
concluding Ronde.] Chez le Lib. au Th.
des Troubadours : Paj-is, An viii [1800]. 8".
11738. f. 34. (3.)
VAET (Jacobus) Tacobi Vaet . . . IModuIa-
tiones Quinque Vocum . . . Liber Primus.
Bassus. A2nid Antonium Gardamim :
Venetijs, 1562. obi. 4°. A. 441.
lacobi Vaet . . . IModulationes Quinque et
Sex Vocum . . . Liber Primus. Bassus.
A2ncd Antonium Gardanum :
Venetijs, 15G2. obi. 4". A. 441. a.
VAGHI. Vaghi luci amorosette. Can-
zonetta. See Herbain ( d') Chevalier.
VAGO ALBORETO. II Vago Alboreto
de Madrigali et Canzoni a Quattro Voci
de Diuersi Eccellentissimi Authori :
Nouamente Ristampato. [With a dedica-
tion signed : Pietro Phalesio.] Canto.
(Alto.) (Tenore.) (Basso.) 4 pts.
Appresso Pctro Phalesio :
Anuersa, 1G20. obi. 4". A. 230.
The composers of this collection are : R.
M. Antonio Ducto, O. Scaletta, G. G.
Gastoldi, F. Anerio, G. Gabricli, P.
Masnelli, A. Coma, B. Pallavicino,
H. Vecchi, F. Stivori, Rinaldo del
Melle, P. Bosi, G. M. Nanino, G.
Croce, O. Colombano, G. Caimo, A.
Ruota, C, Porta, G. Prcnestini, C.
Verdonch, L. Marenzio, A. Ferraria,
R. Giovanelli, A. Striggio, P. Bellasio,
M. A. Ingegneri, A. Crivello, F.
Guami and Claudin le Jeusne.
"VAILLANTS. Vaillans Francois coures
aux armes. [Song.] See Huron.
VAIN. Vain, Belinda, are your Wiles.
Song. See IMoneo (G.) [TJie Temple
Beau.}
Vain is beauty. [Song.]
See Arne (T. A.) [Judith.']
Vain is ev'ry fond endeavour. Song.
See Chaplet.
Vain were graces. Song.
See Apollo and Daphne.
VAINEMENT. Vainement Almaide en-
core. Ariette. See Garavane du Caire.
Vainement je verse des larmes. Brunette.
See Bailleul ( )
Vainement la tendresse. [Song.]
See Au Retour.
VAINES. Vaines fraj'eurs, sombres pre-
sages. [Air.] See Didon.
VAINLY. Vainly now ye strive to charm
me. Lotharia. A New Song. [By T. A.
Arne.] [London, 1754.] 8°. 157. 1. 16.
London Magazine, 1754, p. 372.
Vainly now you strive to charm me.
The Mornitig Conversation. A New Song.
[Written] By Samuel Foot, Esq. [By T. A.
Arne.] [London, 1750.J 8". P.P. 5438. z.
Universal Magazine, Vol. VI., p. 270.
VAISSEAU. Le Vaisseau vogue au gr6
d'un calmc. [Song.] See Sorcier.
VELBIIUN( ) See Chapelle (P. D. A.)
Le Manchou . . . Accompagnement de
Piano ou Harpe par le C. Valbrun.
[1800?] fol. G. 546. (45.)
VALDERRAVANO (Enriquez de)
Libro de Mu[sica] de Vihuela, intitula[do
silva de] sirenas. En el qual se hallara
toda diuersidad de mu[sica] etc.
Fue impresso . . . por Francisco Fernandez
de Cordoua : Valladolid, 1547. fol.
K. 8. e. 1.
112 fol. The work is in 7 Books, hut
the pagination is continuous. Book
IV. has a separate title-page. The
folloioing names of composers occur :
Aneriqucz [Valderravano'], Josquin,
Layole, Gombert, Verdelot, Lupus,
Sepulvcda, Loyset, laquet, Men-ales,
Pieton, Adria7io, Vicencio Rufo, Miguel
Ortiz, Archadelt, luan Vazquez, Mou-
ton and Francisco Milanes. The title-
page is mutilated.
VAIj-DE-VIRE. Le Val-de-Vire, ou le
Berceau du Vaudeville, Divertissement en
un Acte et en prose, mel6 d»3 Vaudevilles,
par les CO. A. Gouffe et G. Duval . . . avec
la Musique. Chez le Libraire, au Thidtre
du Vaudeville : Paris, An vii'^ [1799]. 8".
11738. e. 18. (5.)
[Another copy.] 11738. f. 34. (2.)
VALENTINE. The Valentine. [Song.]
See Hudson (R.)
Valentine Day. Serenade.
See Spofforth (R.)
Valentine's Day. Song. See When.
When blushes dy'd the cheek of morn, etc.
[1755.] 8°. 250. k. 16.
Valentine's Train. [Song.]
See DiBDiN (G.) [Valentine's Day.]
VALENTINE (Ann) Monny Musk [a
Scotch Air,] arranged as a Rondo for the
Piano Forte, etc.
Cahusac and Sons, for the Author :
London, [1798 ?] fol. g. 140. (55.)
Ten Sonatas for the Piano Forte or Harp-
sichord with an Accompaniment for the
Violin or German-Flute . . . Opera Prima.
[Separate Parts.] Printed for the Author :
London, [1798 ?] fol. g. 161. f. (10.)
614
VALENTINE (J.)— VALENTINE (R.)
VALENTINE (John) The Epitbalamium
in the Tragedy of Isabella or the Fatal
Marriage, Also an Ode to Peace, etc.
Printed for the Author :
London, [1765 ?] fol. H. 2815. a. (15.)
Sixteen Marches & Minuetts &c. in Eight
Parts for Two Violins, Two Hautboys, or
German Flutes, Two French Horns, Tenor
& Bass . . . Op. 8"\ [Separate Parts.]
Printed for the Author :
Leicester, [1785 ?] obi. 4". b. 83.
An Ode on the Birth Day of . . . the
Marquis of Granby. The Words by I.
Tree. [London? 1168?] fol.
G. 307. (223.)
Thirty Psalm Tunes in four Parts, with
Symphonies, Interludes, and an Instru-
mental Bass . . . Opera 7.
Longman and Broderip, for the Author:
London, [1785 ?] ohl. 4». B. 440. (2.)
[Another copy.] A. 511. b. (1.)
Eight Easy Symphonies lor two Violins,
two Hautboys or German Flutes, two
French Horns, a Tenor and Thorough
Bass ; with Solos for the Different Instru-
ments. . .Designed for, & Dedicated to, all
Junior Performers and Musical Societies
. . .Op. VI. [Separate Parts.]
J. Bland, for the Author: London,
[1785?] fol. g. 212. (10.)
VALENTINE (Robert) Six Setts of
Aires and a Chacoon for two Flutes & a
Bass, etc. [Separate Parts.]
Printed for I. WalsJi and I. Hare :
London, [1715 ?] fol. h. 250. c. (6.)
Seven Setts of Aires for two Flutes & a
Bass consisting of Preludes AUmands
Corants Sarabands Marches Minuets Ga-
votts and Jiggs. Being familliar & easey
for Young Practitioners in Concert...
Opera Nona. [Separate Parts.]
I. Walsh d I. Hare : London, [1720.] fol.
g. 297. (2.)
Seven Setts of Aires for two Flutes & a
Bass consisting of Preludes AUmands
Corants Sarabands Marches Minuets Ga-
vots and Jiggs. Being familliar and easey
for Young Practitioners in Concert . . .
Opera 10"'. [Separate Parts.]
Daniel Wright : London, [1720?] fol.
g. 297. (3.)
Seven Setts of Aires for two Flutes & a
Bass. . .Opera Decima. [Separate Parts.]
I. Walsh d- 1. Hare : London, [1720 ?] fol.
h. 11. b.
XII. Sonatas of three Parts for two Violins
& a Bass with a through Bass for y° Organ
Harpsicord or arch Lute. . .Opera Prima.
[Separate Parts.]
Printed for J. Walsh . . .d J. Hare :
London, [1110?] fol. h. 11. c. (1.)
[Another copy.] h. 11.
Wa7iting tlie Thormigh Bass part.
VALENTINE (Robert) XII. Sonatas
or Solos for a Flute with a Through-Bass
for the Harpsicord or Bass Violin . . ,
Opera ii°. Printed for J. Walsh d J. Hare :
London, [1710 ?] fol. g. 422. (1.)
[Another edition.] [XII] Solos for a
Flute with a Thorough Bass for the
Harpsicord or Bass Violin . . . Opera 2''^.
Printed /cw I. Walsh d I. Hare :
London, [111b?] fol. h. 11. a. (1.)
XII. Sonatas or Solos. . .for a Flute with
a Through-bass for the Harpsicord or
Bass Violin. . .Opera Terza.
Printed for J. Walsh d J. Hare :
London, [1710?] ' fol. h. 11. a. (2.)
[Another copy.]
i. 26. (4.)
XII Sonate a Flauto Solo col Basso Con-
tinuo . . . Opera Terza. Chez Estienne
Roger : Amsterdam, [1712 ?] ohl. fol.
e. 22.
Six Sonatas for Two Violins two Hoboy's
or German Flutes w'" a Thorough Bass
for the Harpsicord or Bass Violin . . . Opera
Quarta. [Separate Parts.]
Daniel Wright, for the Author : London,
[1715?] fol. h. 11. f.
Six Sonata's of two Parts made on pur-
pose for two Flutes . . . Opera Quarta.
[Separate Parts.] Printed for I. Walsh:
London, [1115?] fol. h. 11. e. (2.)
[Another edition.] Six Sonata's of two
Parts made on purpose for two Flutes . . .
Opera Quarta.
Printed for I. Walsh. . .and I. Hare :
London, [1115?] fol. h. 11. d.
The Second Flute part only.
Six Sonata's of two Parts for Two Violins
. . . Opera Quarta. (Violino Prime.) (Vio-
lino Secondo.) 2 pts. Printed for I. Walsh
. . .and L Hare : London, [1715 ?] fol.
h. 11. e.
The 2'"' Violin part is of a later edition,
printed about 1733.
XII. Sonatas or Solos for a Flute with
a Through Bass for the Harpsicord or
Bass Violin. . .Opera Quinta.
Printed for I. Walsh d I. Hare :
London, [1715 ?] fol. h. 11. a. (3.)
Six Sonatas for 2 Violins & a Bass. Opera
Sexta. [Separate Parts.]
D. Wright d J. Young : London,
[1715?] fol. h. 11. g. (1.)
Six Sonatas of two parts for two Flutes
. . . Opera 6". [Separate Parts.]
Printed for I. Walsh :
London, [1720?] fol. g. 71. f. (7.)
Six Sonatas of two Parts for two Violins
. . . Opera 7'"". [Separate Parts.]
D. Wright: London, [1120?] fol.
h. 11. g. (2.)
VALENTINE (R.)—Y ALETTE
615
VALENTINE (Robert) Six Sonatas of
two Parts for two Flutes . . . Opera 7"'".
[Separate Parts.] Daniel Wright :
London, [_ITIQ'>^ fol. g. 297. (1.)
Sonatas or Solos for a Flute with a
Thorough Bass for the Harpsicord or Bass
Violin . . . Opera xi"".
I. Walsh and loseph Hare : London,
[1730?] fol. h. 11. a. (4.)
Sonata per il Flauto Traversiero, col Basso
che possono servire per Violino, Mandola
et Oboe, dedicate all' ill™". . . ^" D. Gennaro
. . . Moccia Duca dell' Oratino ... da
Roberto Valentin! Inglese. Opera xii.
Licisa da Antonio Cleton : Boma,
(1730.) obi. fol. e. 22. d.
Sonatas or Solos for a German Flute with
a Thorough Bass for the Harpsicord or
Bass Violin. . .Opera xiii.
Printed for lohn Walsh: London,
[1735.] fol. h. 11. a. (5.)
VALENTINE'S DAY. Valentine's Day.
Entertainment. See Dibdin (C.)
VALENTINI (GiovAKNi) Musiche Con-
certate con voci, & Istromenti, a 6, 7, 8,
9, & 10. Con Basso Continue. Canto.
(Alto.) (Tenore.) (Basso.) (Quinto.) (Set-
timo.) (Ottavo.) (Nono.) (Basso Con-
tinue.) 9 pts. Stampa del Gardano.
Appresso Bartolomeo Magni : Venctia,
1619. 4°. D. 4.
VALENTINI (Giuseppe) Allettamenti
per Camera a Violino e Violoncello, o
Cembalo. Opera Ottava, etc.
Chez E. Boqer : Amsterdam, [1720 ?] fol.
g. 392.
[Allettamenti per Camera.] XII Solos
for the Violin or Violoncello with a
Thorough Bass for the Harpsicord...
Opera Octava.
Printed for L Walsh £ I. Hare :
London, [1125?] "fol. g. 392. a.
Bizzarrie per Camera a Tre, cio e Due
Violini e Violone 6 Cembalo . . . Opera
Seconda. Edition corrig6e. . .sur la Par-
tition par E. Roger. [Separate Parts.]
Aux dcpens d'E. Roger d M. C. Le Gene :
Amsterdam, [1720 ?] fol. f. 534. (2.)
Bizzarrie per Camera a Tre. Cio e Due
Violini e Violone 6 Cembalo . . . Opera
Seconda. [Separate Parts.]
Printed for I. Walsh d I. Hare :
London, [_n 20?-] "fol. g. 392. b.
XII. Fantasie a tre. Due Violini e
Violoncello o Cembalo . . . Opera Terza.
Edition corrigee. . .sur la Partition par
E. Roger. [Separate Parts.]
Anx depiens d'E. Roger d- M. G. Le Gene :
Amsterdam, [1720 ?] fol. f. 534. (3.)
VALENTINI (Giuseppe) XII. Suonate
a tre, Due Violini e Violoncello o Basso
Continue . . . Opera Quinta. [Separate
Parts.] Chez E. Roger & M. C. Le Gene :
Amsterdam, [1720 ?] fol. f. 534. (4.)
XII. Sinfonie a tre. Due Violini Violon-
cello e Basso Continue . . . Opera Prima.
Edition corrigee . . . sur la Partition par
E. Roger. [Separate Parts.]
Aux dcpens d'E. Roger d M. C. Le Gene :
Amsterdam, [1120-^] fol. f. 534. (1.)
See CoNCERTi. Concerti a Cinque... del
Signori G. Valentini, A. Vivaldi, etc.
[1730?] fol. g. 35.
VALENTINI (Pier Francesco) Canone
nel Nodo di Salamone a Nouantasei Voci
con le sue Resolutioni.
App>reso Paolo Masotti : Roma,
1631. s. sh. fol. K. 7. e. 1. (2.)
Illos tuos misericordes oculos ad nos
conuerte. Canone . . . con le sue resolu-
tioni in piu di Duemilia Modi a due, a
tre, a quattro, et a cinque voci.
Anresso Paolo Masotti : Roma, 1629. fol.
K. 7. e. 1. (1.)
VALENTINI (Roberto)
See Valektine (R.)
VALENZOLA (Pietro) Madrigali . . . a
cinque Voci, con vno a sei, et vno Dialogo
a otto, Nouamente. . .stampati, et dati
in luce. Libro Primo. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) 5 pts.
Appresso Angela Gardano : Venetia,
1578. obi. 4". A. 320.
VALERIUS (Adriaen) Neder-Landtsche
Gedenck-Clanck. Kortelick openbarende
de vooniaemste geschiedenissen van de
seventhien Neder-Landsche Proventien . . .
tot den lare 1625 . . . Verciert met . . . platen,
ende Stichtelijcke Rimen ende Liedekens
. . . De Liedekens . . . gestelt op Musyck-
noten, ende elck op een verscheyden Vols,
beneffens de Tablatuer vande Luyt ende
Cyther, etc. Gedruct voor d'Erfgenamen
vanden Autheur : Haerlcm, 1626. obi. 4°.
C. 60.
[Another copy.] 804. c. 8.
[Another copy.] C. 60. a.
This copy does not contain the list of
errata.
VALETTE DE MONTIGNI ( ) ]Mo-
tets a I. II. III. Voix, avec et sans Instru-
ments et Basse-Continue. Livre Premier.
Chez G. Ballard : Paris, 1711. fol. H. 74.
Motets a i. ii. et iii. Voix. Auec Instru-
ments et la Basse Continue.
Chez G. Ballard. Qrauis par H. de
Baussen : Paris, 1701. obi. fol.
K. 10. a. 22.
G16
V ALEURE UX— VALVASENSIS
VALEUREUX. Valeurenx Liegeois,
marchez a ma voix. Marche Patriotique.
Chez Imbault : Paris, [179S ?] 8".
B. 362. d. (26.)
VALIANT. The Valiant Mariner. [Song.]
See Come. Come and listen to mv Ditty.
[1740 ?] s. sh. fol. G. 316. d. (89.)
The Valiant Sailor. [Song.] See You.
You Gentlemen of England.
[1735 ?] s. sh. fol. G. 316. f. (140.)
The Valiant Sailors. [Song.] See Y^'ou.
You Gentlemen of England.
[1780?] s.sh.lol. G. 314. (109.)
VALiLA (Georgius) See Cleonidas. Hoc
in volumine hsec opera continentur.
Cleonidce harmonicum introductorium in-
terprete Georgio Valla Placentino, etc.
1497. 8». IB. 23973.
VALIjADE (Johann Baptist Anton)
Musicalische Gemiiths-Ergotzung, besteh-
end in xvi. Fugen auf die Orgel oder
Clavier. . .Zweyte TheU.
Auf Kosten Johann Ulrich Haffners :
Niirnberg, [1755 ?] obi. fol.
e. 174. o. (19.)
Engraved throughout.
VALLARA (Feancesco Maria) Primizie
di Canto Fermo, etc.
Per Antonio Capponi : Modona, 1700. 4".
557*. d. 33. (4.)
Primizie di Canto Fermo . . . Ristampate,
corrette, e ridotte in miglior forma daUo
stresso Autore. etc. Per Giuseppe Eosati :
Parma, 1724. 4". E. 788.
Scuola Corale. Nella quale s'insegnano i
fondamenti piu necessarii alia vera cogni-
zione del Canto Gregoriano, dx.
Per Antonio Capponi : Modcna, 1707. 4°.
E. 788. a.
Teorico-Prattico del Canto Gregoriano,
etc. Per Giuseppe Rosati :
Parma, 1721. 4". 7896. ee. (4.)
VAIiLEE DE MONTMORENCY. La
Valine de Montmorency, ou Jean Jacques
Rousseau dans son Hermitage. Op6ra-
Comique en trois Actes, en prose, m616 de
Vaudevilles. Par les CC. Piis, Barre,
Radet et Desfontaines . . . Avec 14 Avis
not6s. Chez les Libraire au theatre du
Vaudeville : Paris, An vii [1799]. 8°.
11738. b. 38. (6.)
VALLET (Nicolas) Paradisus Musicus
Testudinis, in quo Multse insignes et ante
hunc diem inauditse, Gallicee, Germanicse,
Anglicse, Hispanicffi, Polonicas, cantiones ;
Nee non Varia Prseludia Fantasiae, Tri-
pudia cotinentur. Prseterea punctis turn
supra tum ad latus singulis cuiusque
tactus literis adscriptis, etc. Apud Joanncm
Janssonium : Amstclodami, 1()18. obi. 4°.
K. 4. b. 13. (1.)
Engraved throughout. The running title
at the head of each p)age is " Le Secret
des Muses."
Le second Livre de Tablature de Luth,
Intitule Le Secret des Muses : Contenant
plusieurs belles pieces non encor ouyes
par ci-devant . . . Ensemble plusieurs autres
pieces mises en Tablature . . . entr'autres
quelques pieces mises pour iouer a quatres
Luts difieremment accordez, etc. Chez
Ian lansss : Amersterdam, 1619. obi. 4".
K. 4. b. 13. (2.)
The music is engraved throughout.
XXI Pseaumes de Dauid, Accommodes
pour chanter & jouer du Luth ensemble.
Chez Ian lanssz : Amsterdam,
1619. obi. 4». K. 3. g. 2.
The music is engraved throughout.
Regia Pietas hoc est Psalmi Dauidici
concinne aptati ad modulantes fides.
(Piet6 Royalle c'est-a dire : Les Cent
Cinquante Pseaumes de Dauid, accommod-
ez pour iouer sur le luth, d'une nouuelle et
tres-facile mode, non encor veue ny ouye
par cy deuant, etc.) Chez I'Autheur :
Amstrcdam, 1620. obl. 4°. K. 4. b. 14.
The Latin title-page and the 77iusic arc
engraved.
[Another copy.] K. 4. b. 15.
Imperfect, ivanting the tioo title-pages,
tivo first leaves, and the engraved plates
of coats-of-arms.
VALLETE (Pierre) Pseaumes de Dauid,
mis en rime Francaise, etc. (Pierre Vallete
atous Fideles desirans chanter les louanges
du Seigneur, eic.) [1560?] 8°.
See Psalms. [5. French.] 690. a. 12.
Le Second Liure des Pseaulmes [et] Sen-
tences, etc. [With dedicatory verses by
P. Vallete.] 1555. obl. 16".
See Psalms. [5. French.'] K. 8. i. 10.
VALOTTI (Francesco Antonio) Delia
Scienza, Teorica e Pratica della Moderna
Musica Libro Primo, etc.
Nella Stamperia del Seminario. Appresso
Giovanni Manfre : Padova, 1779. 4°.
557*. e. 15.
VALTON (Peter) The Reprisal. [Song.]
The Words by Mr. Lockman . . . Sung at
Marybone Gardens by Mr. Lowe.
Welcker : [London, 1765 ?] fol.
G. 316. (147.)
VALVASENSIS (Lazaro) Salmi Con-
certati a DueVoci . . .Opera Decima Sesta.
Basso Continue per I'Organo.
Appresso Bartolomeo Magni :
Vcnetia, 1640. 4". E. 121.
VANBRUGHE— VANNEUS
617
VANBRUGHE (George) Advice to a
Friend in Love. [Song.] The Words by
Mr. Carey. [London, 1715 ?] s. sh. fol.
H. 1601. (368.)
[Another copy.] G. 315, (49.)
Advice to Phillis. [Song.] [London,
1720 ?] s. sh. fol. G. 305. (303.)
Cfelia's Complaint or the Irish Howl
[Song], . .Within Compass of the Flute.
G. 311, (34.)
This song is also published as'' The Lish
Hoivl."
[Another edition.] Cselia's Complaint,
etc. [London, 1720 ?] s. sh. fol.
G. 316. g, (51,)
The Consultation. [Song.] [London,
1725 ?] s. sh. fol. G, 305, (216,)
[Another copy.] G, 314, (36,)
Damon's Complaint for the Absence of his
Mistress. [Song.] [London,
1725 ?] s. sh. fol. G, 312, (44,)
[Another copy,] G. 303, (29,)
The Good Fellow. See Let, Let's drink
and be merry, etc. [By G, Vanbrughe.]
[1713?] fol. G. 303, (24,)
Haul, haul away, let your Anchors be
weighing, A New Sea Song, etc.
[London, 1715 ?] s. sh. fol.
G. 308, (77,)
[Another copy.] G, 305, (57,)
The Irish Howl. [Song.] London.
1710? s. s/i. fol. H, 1601. (377,)
This song is also published as " Caelia's
Complaint."
Lesbia's Cruelty, See She, She whom
above my self I prize, etc. [By G. Van-
brughe.] [1730?] s.s/(. fol. G. 303. (85.)
The Lovely Charmer, A Song, etc.
[London, 1710 ?] s. sh. fol.
H, 1601, (519,)
[Another edition.] The Lovely Charmer,
etc. [London, 1715 ?] s. sh. fol.
G. 313. (27.)
Mirth and Harmony. Consisting of Vocal
and Instrumental Musick ; as Songs and
Ariets, for one and two Voices : and a
Cantata . , . All fitted for the German Flute,
Common Flute, Violin, Hoboy, Harp-
sichord, or Organ, To accompany the
Voice or to be play'd alone. Printed for
lohn Walsh : Lojidon, [1713 ?] fol.
H, 1605, a,
[Another copy.] H, 1605, (2.)
The title-page is mutilated.
Modern Harmony or a desire to Please.
Consisting of Vocal and Instrumental
Musick as Songs and Arietts for one and
two Voices and a Cantata together with a
Solo for a Flute & a Bass and a Solo for
a Violin & a Bass as also a Set of Lessons
for the Harpsicord. Printed for J. Walsh
d- J. Hare : London, [1728 ?] fol.
H. 1605. (1,)
Old Adam it is true. A Song, etc.
[LoTCdow, 1720 ?] s. s7t. fol.
G. 310. (187.)
The Oxford Bowlers, etc. [Song.]
[London, 1720 ?] s. sh. fol.
H. 1601. (257.)
[Another edition.] The Oxford Bowlers,
etc. [London, Vi25'>} s.sh.iol.
G. 305. (136.)
[Another copy.] G. 309. (36.)
Parthenissa['s] Absence. A Song, etc.
[Lotidon, 1120?] s.sh.iol.
G, 303, (31,)
Printed from the plate of fol. 15 of
" Modem Harmony."
[Seraphina's Eeturn.] See see my Sera-
phina comes. A Song the Words by
Mr. Carey. [London,
1715?] s.sh.iol. H. 1601. (394.)
Seraphina's Return, A Song, etc.
[London, 1720 ?] s. sh. fol.
G. 311. (75.)
Printed from the plate of fol. 18 of
" Modern Harmony."
What tho' the Times are bad. A Song
on the Times, etc. [London,
1710 ?J s. sh. fol. H. 1601. (516.)
Ye little Loves that hourly waite.
A Sotig, etc. [London, 1715 ?] s. sh. fol.
G. 316, g, (77.)
VANDERHAGEN (Amaxd Jean
FEAN901S Joseph) Six Duos pour deux
Flutes . . 8" Livre de Duos de Flute,
[Separate Parts.] Cliez Lnbault :
Paris, [1790?] fol. g, 280, j, (8,)
See KozELUcH (L.) Three Solos for the
German Flute , , , arranged by Vander-
hagen, [1790?] fol. g. 280, g. (6.)
VANDERMAN (Thomas)
Sec LlERPawAGG ( ) Dr., pseud.
VANHAL (Giovanni)
See Wanhal (J. B.)
VANHALIi (C.) See Wanhal (J. B.)
VAnSTHALL (.Jean) See Wanhal (J. B.)
VANITY. The Vanity of Life. [Song.]
See Davis (J. F.)
VANNE. Vanne segui'l mio desio.
[Song.] See Haendel (G. P.) [Flori-
dante.']
VANNEUS (Stephanus) Recanetimi de
Musica Aurea a Magistro Stephano
Vanneo. . .nuper eeditum, et solerti studio
Enucleatum, Vincentio Rosseto . . . In-
terprete. Apiid Valerium Doricum :
Romae, 1533. 4°. K. 2. g. 17.
618
VANNINI— YECCHI
VANNINI (Elias) Psalmi ad Vcsperas
]\Iusicis Trium, et Quattuor Vocum Con-
centibus Accommodati cum quattuor
lustrumentis Musicalibus . . . Opus Ter-
tiuni, etc. Cantus. (Altus.) (Tenor.)
(Bassus.) (Violinus Primus.) (Violinus
Secundus.) (Violinus Tertius.) (Bassus
Viola.) (Organum.)
Typis Pctri-mariir Montium :
Bonon'uv, 1693. 4°. D. 231.
VAPEURS. Chanson des Vapeurs.
>'^'ee Je. J'ai des vapeurs quand un galant
soupire. [1780?] 8". B. 362. b. (124.)
VAPEURS. Les Vapeurs. Com6die en
un Acta & en Vers ; et des Vaudevilles
nottes a la fin. Chez Prault, jeune :
Paris, 1753. 8°. 11738. aa. 6. (3.)
VARIETY. Variety. Song.
See Hook (J.)
Variety I love 'tis true. [Song.] To a
False fickle Mistress, accusing her Lover
of her own Fault ; Love of Change in
Love. Taken out of Wycherley's Mis-
cellany Poems. {London,
1710?] s. s7j. fol. H. 1601. (477.)
Variety in one. [Song.]
See DiBDiN (G.) [Great Neivs.]
Variety is Charming. [Song.] See I.
I'm in Love with twentv.
[1775 ?] s. sh. fol. " G. 309. (144.)
VAROTUS (Michael) Liber Primus
IMissarum Octonis Vocibus. Quibus vna
adiuncta est duodenis vocibus decantanda.
Primus Chorus. Cantus. (Altus.) 2 pts.
Apiid haercdes Francisci, d Simonis
Tini : Mediolani, 1595. 4°. D. 32.
Reverend! D. Michaelis Varoti . . . Psalm-
odia Vespertina in Dialogo Octonis
vocibus, alternatis Choris decantanda.
Primus Chorus. Cantus.
Apud haeredes Francisci, it Simonis Tini :
Mediolani, 1594. 4°. D. 32. a.
VASTI (Paolo) ,S'w Spada (V.) IlPrimo
Libro delle Villanelle . . . Da P. Vasti,
nouamente poste in luce. 1589. 12".
B. 250.
VAUDEVILLES. Vaudeville Menuets,
Contredanses, et Airs D6tach6s chant^s
sur le Theatre des Com6dies Francaise
et Italienne, lesquels se jouent sur la
Flute, Vielle, Musette, Violon &c. 10 pts.
Chez M" Boivin : Paris, [1745.] 8°.
B. 761.
The following composers are named :
Lavaux, Colesse, Quinaii, Soret and
Martini.
VAUGH AN (Thomas) Six Songs English
& Scottish. Written and Composed by
T. Vaughan, etc. Printed for the Author :
EfZi/i', [1795 ?] fol. "0.369.(11.)
VAUGHAN (Thomas) Tom Staysail. A
Favourite Song. Written and composed
by T. Vaughan, etc.
G. Kanntzc, for the Author :
London, [imOl] fol. G. 365. (33.)
VAUTOR (Thomas) The First Set:
beeing Songs of diuers Ayres and Natures,
of Fine and Sixe parts : Apt for Vyols
and Voyces, etc. Cantus. (Altus.) (Tenor.)
(Bassus.) (Quintus.) (Sextus.) 6 pts.
Thomas Snodham, for Matthew Lownes
and lohn Browne : London, 1619. 4°.
K. 3. k. 8.
VAUXHALL. Vauxhall Ballad.
See Now. Now the Summer months
come round. [1780 ?] s. sh. fol.
G. 310. (165.)
Vauxhall Watch. [Song.]
See Touchstone.
VAZ BARRADAS MIUTO PAM E
MORATO (JOAO) Breve Resumo de
Cantocham com as Regras mais Princi-
paes, e a forma que devem guardar, o
Director do Coro para o sustentar firme
na corda chamada Coral, e o Organista
quando o acompanha, Ordenado ao uso
Romano. Na Officina da Musica :
Lisboa Occidental, 1735'. 4". K. 1. f. 13.
VECCHI (HoEATio) L' Amfiparnaso.
Comedia Harmonica . . . Nouamente
posto in luce, etc. Canto. (Alto.) (Tenore.)
(Basso.) (Quinto.) 5 pts.
Appresso Angela Gardano :
Venetia, 1597. 4". K. 2. b. 1.
Canzonette a Sei Voci . . . Nouamente
Stampate. Libro Primo. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) (Sesto.)
6 pts. Appresso Angelo Gardano :
Venetia, 1587. 4°. D. 250. a.
[Another copy. Alto.] D. 250. b.
Canzonette . . . Libro Primo a Quattro
Voci. Nouamente Ristampato. Quinta
Impressione. Canto. (Alto.) (Tenore.)
(Basso.) 4 pts. Appresso Angelo Gardano :
Venetia, 1591. 4". D. 250. (1.)
Canzonette a Quattro voci . . . Le quali
per auanti sono in Venetia spartatamente
ite in luc^, & ora per j)iu comodita raccolte
in sieme. E con aggiunta di altre a 5. 4.
e 3. Voci, etc. Canto. (Tenore.) 2 pts.
Appresso Paulo Kauffmann :
in Noi-imbergo, 1600 (WOl). 4°. D. 250.J.
The Tenor part is dated 1601.
Canzonette . . . Libro Secondo a Quattro
Voci, Nouamente Ristampate . . . Terza
Impressione. Canto. (Alto.) (Tenore.)
(Basso.) 4 pts. Appresso Angelo Gardano :
Venetia, 1585. 4". D. 250. (2.)
VECCHI— VEILLfiE
G19
"VECCHI (Horatio) Canzonette . . . Libro
Terzo a Quattro Yoci, Nouamente Eistam-
pato . . . Seconda Impressione. Canto.
(Alto.) (Teuore.) (Basso.) 4 pts. Apprcsso
Ancjclo Gardano : Ycnctia,lb9'd. 4°.
D. 250. (3.)
'Cauzonette . . . Libro Quarto a Quattro
Yoci. Nouamente posto in luce, etc.
Canto. (Alto.) (Tenore.) (Basso.) 4 pts.
Appresso Angela Gardauo :
Vemiia, 1590. 4". D. 250. (4.)
Convito Musicals ... A Tre, Quattro,
Cinque, Sei, Sette, & Otto Voci. Noua-
mente Composto, & dato in luce, etc.
Alto. Apprcsso Angela Gardano :
Vcnctia, 1597. 4". D. 250. li.
;[Convito Musicale.] Convivium Musicals
. . . Ternis, quaternis, quinis, senis, sep-
tenis, & octonis vocibus. Altus. (Quinto.)
:2 pts. Typis Paidi KaiitTninuni :
Noribcrgn', 1598. 4". D! 250. i.
Dialoghi a Sette et Otto Voci ... Da Can-
tarsi, & Concertarsi con ogni sorte di
Stromenti, con la Partidura delli Bassi
Continuati. Nouamente Stanipati, & dati
in Luce. Canto. (Alto.) (Tenore.) (Basso.)
■(Quinto.) (Settimo.) (Ottavo.) 7 pts.
Apprcsso Angela Gardano et FrafelU :
Venetia, 1608. 4». D. 250. k.
INIadrigali a Sei Voci . . . Nouamente
ristampati. Libro Primo. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) (Sesto.)
•6 pts. Apjiressa Angelo Gardano :
Venetia, 1591. 4°. ' D. 250. d.
[Anotber copy. Alto.] D. 250. e.
IMadrigali a Cinque Voci . . . Nouamente
Stampati. Libro Primo, etc. Canto. (Alto.)
{Tenore.) (Basso.) (Quinto.) 5 pts.
Apprcsso Angelo Gardano:
Ven4:tia, 1589. 4". D. 250. c.
Motecta . . . Quaternis, Quinis, Senis, &
•Octonis Vocibus. Nunc Primum in lucom
edita, etc. Cantus. (Tenor.) (Sextus.)
.(Septimus.) (Octavus.) 5 pts.
Apud Angelum Gardanum :
Vcnetijs, 1590. 4°. D. 249.
[Anotber copy. Octavus.] D. 249. a.
Selva di Varia Ricreatione . . . Nella quale
si contengono Varij Soggetti a 3. a 4. a 5.
a 6. a 7. a 8. a 9. & a 10. voci, cioe Madri-
gali, Capricci, Balli, Arie, lustiniano,
Cauzonette, Fantasie, Serenate, Dialogbi,
vn Lotto amoroso, con vna Battaglia a
Diece nel fine, & accommodatoui la In-
tauolatura di Liuto alle Arie . . . Noua-
mente ristampata & Corretta, etc. Ottavo.
Apprcsso Angelo Gardano :
Venetia, 1595. 4». D. 250. f.
See Gastoldi (G. G.) Italiaauscbe Bal-
letten . . . verrijkt met Verscbeide Pasto-
rellen, Cantzonetten, INIascaraden, &c. . . .
iiit H. Vecchi, etc. 1657. obi. 4°. B. 317.
VECCHI (Horatio) See Madrigals. II
Primo Libro de Madrigali. Senza Nome,
etc. [By Fontanelli. Witb a preface bv
H. Veccbi.] 1603. 4^ C. 123. a.
See Muscur.rs (B.) Sacra Citbara, das
ist : Acbtzig . . . Geistlicbe Gesiing . . .
Auctoribus, Baltbasare Musculo, Horatio
Veccbo, etc. 1625. 12'\ A. 242.
VECCHI (Horatio) and CAPILUPI
(Gemignako) Canzonette a Tre Voci di
Horatio Veccbi, ct di Gemignano Capi
Lupi . . . Nouamente poste in luce, etc.
Canto. (Canto Sec.) (Basso.) 3 pts.
Apprcsso Angelo Gardano :
Venetia, 1597. 4°. D. 250. g.
VECCHI (Orfeo) Orpbei Veccbii . . .
IMotectorum qufE in Communi Sanctorum
Quatuor Vocibus concinuntur. Liber
Primus. Bassus.
Apud Augustimim Tradatinn :
Mediolani, 1603. 4». D. 250. 1.
VECCHIARELLO. Veccbiarello, vec-
cbiarello. Duetto. See LIayer (J. S.)
VEDRETE. Vedrete cbe allegria. Duett.
Sec lilAHTiN Y Solar (V.) [La Scuala
de' Maritaii.]
VEICHTNER (Franz Adam) Cepbalus
und Prokris. Ein Singspiel von K. W.
Ramler, etc. [Full Score.]
Berlin, 1799. fol. G. 722.
Concerto I. per il Violino Concertato
accompagnato da due Violini, Violotta,
Basso Continuo e Basso di Kipiono.
[Separate Parts.] Prcsso G. F. Hartknoch :
Riga, 1775. fol. i- 19. (1.)
Sympbonio Russienne a deux Violous,
Taille et Basse, Fliites et Comes de
Cbasse, etc. [Separate Parts.]
Chez J. F. Hartknoch : Biga, 1771. fol.
i. 19. (2.)
VEIL. Tbe Veil. Song [begins: 'With
Straw-Hat and Spencer '].
^(>e Blewitt (J.) [Fashionable Ballery.]
Tbe Veil. [Song, begins: ' Ab Fasbion
wherefore dost thou. 'J See Hook (J.)
VEILLEE. La Veill^e. [Song.]
Sic Des. Des Bergeres du Hameau, etc.
[1785?] 8°. B. 362. (119.)
VEILLEE VILLAGEOISE. C n'cst
pas nion sabiau. [Vaudeville, from]
La Veillc'e Villageoise ou he Sabot rcrdu.
[To the tune of " Je ne saurais danser ma
pantoufle."] [Prt?-is, 1785?] 8'\
B. 362. h. (18.)
[Anotber copy.] B. 362. (122.)
Chantons tretous en travaillant. [Song.]
Du Sabot Perdu. Air. Cbant^'s danse's
[from Gretry's ' Rosiere de Salenci '].
[Paris, 11S5?] 8". B. 362. h. (18*.)
[Anotber copy.] B. 362. (164.)
620
VEILLEE— VENTO
VEILLEE VILLAGEOISE. 0 ciel
que vois-je sur la neige. [Song, from]
La VcilUc Villagcoises. Air. Lison dor-
mait [from ' Julie,' by N. Dezede].
[Paris, 1785 ?] 8°. B. 362. h. (18**.)
[Another copy.] B. 362. (9.)
La Veillee Villageoises. [Soug.]
See Bon. L' Bon Seigneur de not' Village,
etc. [1785?] 8\ B. 362. a. (145.)
VEILLONS. Veillous au salut de I'Em-
pire. Le Salut de rEnqnre. [Song.]
Air: Vous qui d'amoureuse avanture [by
N. Dalayrac]. [Paris, 1794 ?] 8".
B. 362. a. (166.)
VENCESLAO. The Favourite Songs in
the Opera call'd Venceslaus. [Words by
A. Zeno. Short Score.]
Printed for I. Walsh and loseph Hare :
London, [1731.] fol. G. 206. c. (4.)
VEWDANGES. Les Vendanges, comMie;
representee pour la premiere fois le 30
Septembre 1G94. [By F. C. Dancourt, with
music] [Paris, 1760.] 12^ 241. c. 4.
Part of ' Les CEuvres de TJiiatre de M.
D'Ancourf,' etc. torn. 4.
VENDANGES DE SURESNE. Les
Vendanges de Suresne, comedie ; repre-
sentee pour la premiere fois le 15 Octobre
1695. [By F. C. Dancourt, music by J.
C. Gillier.] [Paris, 1760.] 12». 241. e. 4.
Part of ' Les CEuvres de Thiatre de M.
D'Ancourt,' etc. torn. 4.
VEWDANGEURS. Ah ! qu'il est doux
de vendanger. Ariette ... des Vendangeurs.
[Divertissement, written by A. P. A. de
Piis and P. Y. Barre.J [Paris, 1780.] 8".
B. 362, (22.)
No. 11 of ' L' Ariette du Jour."
Des Bergeres du Hameau. (Pour animer
nos Chansons.) Des Vandangeurs. [2
Songs.] Chis Bignon: [Paris, 1180.'] 8°.
B. 362. (120.)
Par le malheur entraines. [Song.] Des
Vendangeurs. [Paris, 1780.] 8".
B. 362. a. (156.)
Soyez moins entreprenant. Vaudeville
des Vandangeurs. Chez Frirc :
[Paris, 1780.] 8». B. 362. a. (157.)
Vous avez grand tort Colinet. Vaudeville
des Vandangeurs. Sur Fair, je ne saurois
danser ma pantoufle &c.
[Paris, 1780.] 8". B. 362. h. (16.)
[Another edition.] Vous avez grand tort
Colinette. [Song.] Les Vendangeurs.
[Paris, 1780.] 8°. B. 362. (123.)
Part of " L' Ariette du Jour."
VENETIAN BALLADS. Twelve Ve-
netian Ballads for two Voices with a
Thorough Bass for the Harpsichord.
Welcker : London, [1770?] obi. 4».
A. 1100. (4.)
VENETIAN BARCAROLES.
Sei Barcarole Veneziane.
[London, 1785 ?] obi. 4°. B. 699. b. (4.)
VENEZ. Venez a ma le^on. Les For-
gcrons de CytJdre. Vaudeville avec
accomp' de Guitare pr. M"" Alberti.
Chez M. Camand : [Paris, 1785 ?] 8^
B. 362. g. (13.>
Venez admirer ma science. Chanson.
See RiVIEEE DU Feesny (C.)
Venez aimable Stephanie. Duo.
Sec Berton (H. M.) [Montano et Steph-
anie.']
Venes, Amour, venes embellir la nature.
Air Gracieux. Grave par
Labassee. hnprinUpar Tournelle : [Paris,]
1757. s. sh. 8". 297. d. 6.
Mercure de France, Ap^-il, VJbl.
[Another setting.] Venez, Amour, venez
embellir la Nature. Air.
See F., D. L. B. L.
Venes, Artiste et Poete. Air.
See Peetendus.
Venez jouir d'un sort si beau. Air.
See Peetendus.
Venez partager I'aliegresse. Air.
See BocvAED (F.)
Venes petits Oiseaux. Ariette Nouvelle.
[Paris, 1780 ?] 8". B. 362. b. (8.)
Venez s^avoir I'histoire. Histoire de Mal-
brouk, ou le Petit Page, a Celebrated
French Song with a new Accompaniment
for the Harp, Piano Forte, Violin, Ger:
Flute & Guittar, by an Eminent Master,,
as Sung by Miss George, etc.
S. Babb, for the Proprietor :
London, [1780 ?] fol. G. 800. m. (59.)
Venes tons dancer une Ronde. Eonde.
See Colinette a la Coue.
VENOSA (Caelo Gesualdo di) Prince.
See Gesualdo (C.) Prince of Venosa.
VENT. Le Vent de Bise. [Song.]
See Laissons. Laissons aux chansonniers
dujour. [1780?] 8^ B. 362. e. (106.)
VENTO (Ivo de) Latinse Cantiones, quas
vulgo Motteta vocant, Quinque Vocum,
suavissima Melodia, etiam Instrumentis
Musicis attemperatse, etc. Discantus.
(Altus.) (Tenor.) (Bassus.) (Quintus.)
5 pts. Adamus Berg :
Monad, 1570. obi. 4°. A. 442. a.
Liber Mottetorum Quatuor Vocum, nunc
primum in lucem editus, etc. Discantus.
Adamus Bern : Monachii, 1571. obi. 4".
A. 442. b.
VENTO (I. de)— VENTO (M.)
G21
VENTO (Ivo de) Ivo de Vento . . . Mutette
aliquot Sacrse Quatuor Vocum, quae cum
viuse voci, turn omnis generis Instrumentis
Musicis commodissime applicare possunt,
etc. Discantus. (Altus.) (Tenor.) 3 pts.
Adanms Berg : Monachii, 1574. obi. 4°.
A. 442. c.
Newe Teutsche Lieder, mit viern, fiinff,
vnd sechs stimmen, wolche gantz lieblich
zusingen vnd auS allerley Instrumenten
zugebrauchen, etc. Discantus. (Altus.)
(Bassus.) 3 pts. Bey Adam Berg :
Munchen, 1570. obi. 4°. A. 442.
Newe Teutsche Lieder mit dreyen Stim-
men, welche lieblich zu singen, vnd auff
allerley Instrumenten zu gebrauchen, etc.
Discantus. Bey Adam Berg :
Milnchen, 1591. obi. 4". A. 442. d.
VEWTO (IMattia) [Artaserse.] The Over-
ture and favourite Songs in the Opera of
Artaxerxes. Composed for the Harmonical
Meeting in Soho Square, to which is added
Two Songs sung by Sign'* Grassi in the
present Opera of the same Name, etc.
[Full Score & Short Score.]
Printed f 01- Welcker : London, [1772.] fol.
H. 348. d. (6.)
Six Canzonets, etc. Welcker :
London, [1110 -l] obi. i". A, 138.
A Second Book of Six Canzonets, etc.
Longman tf Broderip :
London, [1775 ?] obi. 8". B. 512. g. (5.)
A Collection of Favourite Italian Songs
and a Duet, sung by Sig" Salvagni, Sig'
Savoy, and M' Leoni at the Pantheon.
[Short Score.] Printed for Welcker:
London, [1772.] fol. H. 348. d. (5.)
[La Conquista del Messico.] The Favorite
Songs in the Opera La Conquista del
Messico, etc. [Full Score.] R. Bremner :
London, [1767 ?] fol. G. 760. d. (1.)
[Demofoonte.] The Favorite Songs in
the Opera Demofoonte. [Short Score.]
2 Nos. B. Bremner :
London, [1765.] fol. G. 760. d. (2.)
H. 348. b. (2.)
G. 760. f. (12.)
[Lionel and Clarissa.] Oh ! talk not to
me. A Favorite Song in Lionel and
■Clarissa, etc. Longman, Clementi & Co. :
London, [1800?] fol. H. 2831. li. (27.)
Oh ! talk not to me.
See supra : [Lionel and Clanssa.l
Six Overtures in eight parts, etc, [Separate
Parts.] Printed for . . . Welcker :
London, [11157] fol. g. 114.
Six Sonatas for two Violins and a Bass.
[Separate Parts.] Welcker :
London, [1765 ?] fol. h. 2900. (7.)
[Another copy.]
[Another copy. No. 1.]
VENTO (Mattia) Six Sonatas for the
Harpsichord with an Accompanyment for
a Violin or German Flute. Dedicated to
Miss Blosset. Printed for the Aictlior :
London, [1765?] fol. g. 77. a. (1.)
Six Sonatas for the Harpsichord with an
Accompanyment for a Violin or German
Flute. Printed for the Author :
London, [1767 ?] fol. h. 210. f. (7.)
Different from the six sonatas dedicated
to Miss Blosset.
A 3"* Book of Six Sonatas for the Harpsi-
chord with an Accompanyment for a
Violin or German Flute, etc. Welcker :
London, [1770 ?] fol. g. 77. a. (2.)
[Another copy.] g. 79. b. (7.)
A Fourth Sett of Six Sonatas, for the
Harpsichord with an Accompanyment for
a Flute Violin & Violincello. Welcker :
London, [1770 ?] fol. h. 349. (2.)
[Another copy.] g. 77. a. (3.)
A Fifth Sett of Six Sonatas for the Harp-
sichord with an accompanyment for a
Violin or Flute. Welcker :
London, [1775?] fol, h. 349. (3.)
A Sixth Book of Lessons for the Harp-
sichord with an accompam-ment for a
Flute or Violin, etc. Welcker :
London, [1115 7] fol. g. 77.
A Seventh Sett of Six Lessons for the Harp-
sichord or Piano Forte, etc. Welcker :
London, [1775 ?] fol. h. 47. (2.)
A Ninth Book of Six Sonatas for the Harp-
sichord or Piano Forte, etc. Welcker :
London, [1775 ?] fol. h. 47. (1.)
A Tenth Sett of Six Lessons for the
Harpsichord or Piano Forte with a Flute
obligato, or Violin, etc. Welcker :
London, [1775 ?] fol. i. 40. (2.)
[Tenth Sett of Six Lessons.] Six Sonatas
for the Piano Forte, with an Accompany-
ment for the Flute or Violin. [1801.]
See Peeiodical Publications. — London.
The Piano-Forte Magazine. Vol. XVI.
No. 2. [1797-1802.] 8°. D. 854.
[La Vestale.] The Favourite Songs in
the Opera La Vestale. Poesia del Sig'
Badini, etc. [Full Score,] B. Bremner :
London, [1776.] fol, G. 207.
See Arnold (S.) The Castle of Andalusia.
A Comic Opera. . .the Selected Airs by. . .
Vento, etc. [1782.] obi. fol.
E. 111. c. (2.)
See Bach (J. C.) Sei Ode di Oratio...
messe in musica da. . .Vento, etc.
[1775?] fol. G. 136. c.
See Feast op Apollo. The Feast of
Apollo, containing. . .Songs by... Vento,
etc. [1788.] fol. G. 351. (2.)
622
VENTUEI— VERACINI
VENTURI (PoMPiLio) II Terzo Libro
delle Villanelle a Tre Voci, etc. Canto.
Apprcsso I' Herede di Girolamo Scotto :
Yincgia, 1583. 4". C. 219. b.
VENTUm (Stefako) IMadrigali a Quatro
Yoci, etc. Canto. (Alto.) (Tenore.) (Basso.)
4 pts. Appresso Giacomo Vincenti :
Venetia, 1591. 4°. K. 4. f. 1.
II Terzo Libro de Madrigali a Cinque, etc.
Canto. (Alto.) (Quinto.) 3 pts.
Appresso Giorgio Marescotti : Fircnzc,
1596, 4°. C. 219. a.
This tvork also contains madrigals by
Neri Albcrti and Anton Bicci.
VENTURINI (Feancksco) Concerti di
Camera a 4, 5, 6, 7, 8 e8 Instromenti . . ,
Opera Prima, etc. 2 pts. [Separate Parts.]
Chez Etienne Roger : Amsterdam,
[1715?] fol. g. 1082.
VENUS. V^nus, amis, dans mon cceur.
Arictte Nouvelle. [Paris, 11807] 8°.
B. 362. c. (15.)
Venus and Bacchus. Song.
See Alcock (J.) the Younger.
V6nus appreuant que I'amour. V(!nus
Pilerine. [Song.] [Paris, 1780?] 8°.
B. 362. (221.)
Venus me livre la guerre. Chanson.
See TouLAiN ( )
Venus Pelerine. [Song.] See InfidI;le.
Infidelle a sou triste Epoux. [1770?] 8°.
B. 362. (220.)
Venus' song to Cupid on his departure.
See IsuM (J.)
V^nus sur la moUe verdure. Musette.
See BouvAED (F.)
Venus, to sooth my Heart to Love.
[Song.] Sec Boyce (W.)
Venus unmaskd. See Op. Of Jolly Rakes
and pleasing Dames. [1720 ?] s. sh. fol.
H. 1601. (360.)
Venus, with her train of Gossips, or y''
City-wife, y*" best procurer. [Song.]
See Beight. Bright Venus one day, etc.
[1695?] s.sh.iol. H. 1601. (64.)
VENUS AND ADONIS. Ah sweet
Adonis. A Favourite Song sung by
Mrs. Barbier in Venus and Adonis.
[Words by C. Cibber, music by J. C.
Pepusch.] [London, 1715 ?] s. sh. fol.
H. 1601. (60.)
Beauty now alone shall move him. A
Favourite Song. Sung by Mr. Turner in
Venus and Adonis. [Words by C. Cibber,
music by J. C. Pepusch.] [London,
1715?] fol. H. 1601. (66.)
How pleasant is ranging y^ Fields. A
Favour it Soyig. Sung by Margaritta de
L'Epine in Venus and Adonis. [Words
by C. Cibber, music by J. C. Pepusch.]
1). Wright : London, [1715 ?] s. sh. fol.
H. 1601. (193.)
VENUS AND ADONIS. Venus and
Adonis. Drama. See Mortellaei (M.)
Venus and Adonis. IMasque.
See Pepusch (J. C.)
Venus and Adonis. BaUet.
See Stobace (S.)
VENUS ET ADONIS. Venus et Adonis..
Tragedie. See Desmaeets (H.)
VERA CO STANZA. La Vera Costanza,
Opera. See Gioedani (G.) or (T.)
VERACINI (Antonio) Sonate a tre, due
Violini, e Violone, o Arcileuto col Basso
per r Orgauo . . . Opera Prima. Violino
Secondo. (Basso.) 2 pts. Nella
Stamperia di S. A. S. per Antonio Nauesi :
Fireme, 1692. 4°. K. 7. g. 10.
The Violin part has a second title-page
(engraved) with apoi'trait of the Grand,
Duchess Vittoria of Tuscany. On the
covers are the arms of Ferdinand II.
and Vittoria [delle Bovere], Grand
Duke and Duchess of Tuscany, im-
paled.
VERACINI (Feancesco Maria)
[Adriano.] The Favourite Songs in the
Opera call'd Adriano, etc. [Words by
Metastasio. Short Score.]
Printed for I. Walsh: London,
[1735.] fol. G. 206. c. (5.)
[Favourite Songs in Rosalinda. Opera.
Short Score.] See Delizie. Le Delizie
deir Opere, etc. Vol. 4. [1776.] fol.
G. 159.
Sonate a Violino solo, e Basso. . .Opera
Prima. Dresda, 1721. obi. fol. e. 21.
XII Solos for a Violin with a Thorough
Bass for the Harpsicord or Bass Violin. . .
Opera Prima. Printed for I. Walsh :
London, [1733.] fol. h. 1745.
Sonate a Violino Solo, e Basso. . .Opera
Prima. Libro Primo (Secondo). 2pts. ^
Chez E. Roger £ Le Gene : Amsterdam,
[1730?] fol. e. 21. b.
Sonate Accademiche a Violino Solo e
Basso Opera Seconda. Per VAutore,
a Londra, e a Firenze, [1744.] obi. fol.
e. 21. a.
With an engraving of the composer by
J. June after F. F. Richter.
[Another copy.] e. 21. c.
See CoNCEETi. Concerti a Cinque... del
Signori G. Valentini. . .F. M. Veracini, etc.
[1730?] fol. g. 35.
See Hasse (J. A.) Farinelli's Celebrated
Songs collected from Sig' Hasse,, . .Vinci,
and Veracini's Operas, etc.
[1736-55?] fol. g. 444.
See Select Haemony. Select Harmony.
Fourth Collection, etc. (Concerto iv.)
[1741.] fol. g. 26. a.
VERARDUS— VERITE
623
VERARDUS (Carolus) Begin [fol. 2,
7-ccto ;] Caroli Yerardi ... in historiam
Bseticam [i.e. his Drama on the Conquest
of Granada]. . .Prsefatio. hnpressum. . .
per Magistrum Euchariuyn Silber : alias
Franck : Romie, 1493. 4". lA. 18975.
40 leaves, the first blank, ivithoiit title-
page, pagination or signatures. The
last eight leaves are supplied from
another copy. On fol. 39, 40 are a
Spanish song (' Viva el gran Be
Fernando') with four-part music,
printed from blocks.
VERAZI (Giovanni) Trois Senates pour
le Clavecin ou Piano Forte avec TAccom-
pagnemeut d'un Violon . . . CEuvre 1.
[Separate Parts.] Chez le S'' GiJtz :
Mannheim, [1790 ?] fol. g. 66.
VERDELOT (Philippe) Verdelot a Sei.
Madrigali di Verdelot et de Altri Autori a
Sei Voci nouamente con alcuni madrigali
noui ristampati & corretti, etc. Cantus.
Aprcsso di Antonio Gardane : Venetia,
154G. obi. 4". A. 443. c.
The composers named in tJiis collection
are : Verdelot, Nolctto, Gomberth,
Maistre Jhan, Do. Finot, Adriano
[Willaert], Archadelt, Jachet Berchem,
Parabosco, Pierresson [Ca7nbio] and
Const. Fcsta.
Madregali. . .a sei insieme altri Sladregali
de Diuersi Eccellentissimi Autori Noua-
mente per Antonio Gardano con Noua
Gionta Ristampati. A Sei Voci. Sesto.
Appresso di Antonio Gardano : Venetia,
1561. obi. 4". A. 443.
This collection also contains 7nadrigals
by Noletto, G. Nasco, Gombcrt, Maistre
Jhan, Jachet Berchem, H. Walrant,
Parabosco, Archadelt, Pierresson,
Adriano [^Willaerf], Costantio Festa
and Stefano Bossetti.
Del primo Libro de Madrigali di Verdelotto.
A[lto]. [Ottaviano Scoto? : Venice?
1535?] obl.8\ K. 8. b. 11.
This is apparently an earlier edition
of Verdelot's Primo Libro than that
published by Scoto in 1537. It
contains only 28 madrigals, ' O
singular dolcezza ' not occurring and
the arrangement being different from
that in the 1537 edition.
I Madrigali del Primo et Secoudo Libro
di Verdelot a Quattro Voci ; nuouamente
ristampati, et . . . corretti da Claudio da
Coreggio. Canto. (Alto.) 2 pts.
Presso Claudio da Coreggio : Vin^tia,
1566. obi. 4°. A. 443. b.
Intauolatura de li Madrigali di Verdelotto
da Cantare et Sonare nel Lauto, intauolati
per...Messer Adriano Vuillaert. . .Noua-
mente Stampata. Et. . .correta, etc.
Aptid Hieronymum Scotum : Venetiis,
1540. obi. 4°. K. 8. b. 4.
"VERDELOT (Philippe) Tutti li Madri-
gali del Primo et Secondo Libro a Quatro
Voci Nouamente Ristampati, etc. Altus.
Apud Hieronymum Scotum : Venetiis,
1552. obi. 4°. A. 443. a.
Also containing madrigals by C. Fcsta,
Adriano {Willacrt'], L. Barre and S.
Festa.
Di Verdelot Tutti li Madrigali del Primo
et del Secondo libro a Quatro uoci Noua-
mente Ristampati, etc. Basso.
Appresso di Antonio Gardano : Venetia,
1565. obi. 4". A. 443. d.
Tlic composers nayned in this collection
are : Verdelot, Tudual, Constaritio
Festa, Jachet [Bcrchein'], Adriano
[Willaert], Leonardus Barre and
Sebastian Festa.
See Chansons. [4.] Le Dixiesme Liure
Contenant la Bataille a Quatre de C.
launequin, avecq la Cinquiesme partie de
P. Verdelot Si placet, etc. 1545. obi. 4".
K. 3. a. 10.
VERDINI ( ) Dear SaUy, thy Charms
have undone me. [Song.] Set by Sig''
Verdini. {Londoji, 1750?] s. sli. fol.
G. 316. (148.)
VERDONCK (Cornelius) Di Cornelio
Verdonch ^ladrigali a Sei Voci, etc. Canto.
(Alto.) (Tenore.) (Sesto.) 4 pts.
Appresso Pietro Phalesio : Anucrsa,
1603. obi. 4". A. 439.
Magnificat. Quinq3 Vocum. Antuerpia,
1585. s. sh. E. 1476.
An engraving, by J. Sculler, after M. de
Vos, representing the Blessed Virgin
surrounded by angels, tivo of whom
hold tablets containing the voice parts
of the Magnificat. Bound iip ivith a
MS. score of the same compositio^i.
Poesies Francoises de Diuerses Autheurs,
mises en musique. . .a cinq parties. Auec
1 vne Chanson a Dix. Tenor. (Bassus.)
2 pts. Chez P. Phalese : Anuers,
1599. obi. 4". A. 439. a.
VERGEL. Vergel de musica spiritual.
See Tapia (M. de.)
VERGINELLA. La Virginella. [Song.]
See Tell. Tell me 0 cruel maid, etc.
[1780?] fol. H. 131. (11.)
La Virginella. [Song.] See Where.
Where, where dear Maid, e^c. [1780?] fol.
G. 313. (257.)
La Verginella come la Rosa. Song.
See Bebtonx (P. G.) \_La Governante.]
VERGISS. Vergiss mein nicht. [Song.]
See Mozart (W. A.) [6. Doubtful and
Spurious Works.']
VERITil. La Verite du Tems. Chanson.
See Depots. Depuis que la France respire,
etc. [1775.] 8°. B. 362. (28.)
624
VEKKEHRTE— VEROVIO
VERKEHRTE UND WIEDERBE- I
KEHRTE PRINZ TUGEND-
HOLD. Der Verkehrte und Wiederbe- ;
kehrte Prinz Tugendhold, iu einem Lust- \
Spiel,... Auf die Scliau-Biihue gefiihret i
von Michael Kongehl. . .beygenahmt Pru-
tenio. Uud dargestellefc vou denen Ler-
nenden der hiesigen Thum-Scliulen, Itn
Jahr. . .1691, etc. [With the music of the
songs, &c.]
Gcdruckt bey den Reussnerischen Erhen :
Konigsberg, [1691.] 4°. 11746. cc. 14.
VERMEILLE. Vermeille Rose que le
Z6phir vieut d'entrouvrir. Ariette, de la
Rose. [Paris, 1780 ?] 8".
B. 362. b. (26.)
[Another copy.] B. 362. e. (60.)
VERMOOTEN (Willem) Govert van
INIater's Kruisgezangen ; op het Lyden
van onzen Heiland Jezus Christus, met
Zangkunst verrykt door W. Vermooten.
Derde Druk. De Erve Jz. van
Hulkenroy : Haarlem, 1759. 4°. C. 84.
See Kauwenberg(C.) and Vermooten (W.)
Dankbaare Naagedachteu en Geboorte
Gezangen ; op de blyde en heilryke ver-
schyninge, van't licht gen Genaade, Jezus
Christus: . . .Begreepen in Twintig Zang-
stukken door J. van Elsland. Met Zang-
kunst verrykt door C. Kauwenburg, en
W. Vermooten, etc. 1764. 4°. C. 83.
VERNIER (Jean Aime) Marche, arrangee
et vari^e pour la Harpe, X)rec6d6e d'une
Introduction. — Seconde Edition. —
Chez Nadcrman : Paris, [1800 ?] fol.
h. 173. e. (19.)
Les Six premieres Senates d'une difficult^
progressive, pour la Harpe avec Accom-
pagnement de Violon . . . Oiluvre 13""=
Seconde edition. Chez Naderman :
Paris, [1800 ?] fol. li. 173. c. (21.)
The Harp part only.
VERNIZZI (Ottavio) Caelestium Ap-
plausus. . .Varijs cum Organo concentibus
super Bassi Generalis parte dispositi . . .
Opus Quartum. Canto. (Alto.) (Tenor.)
(Basso.) (Organica Reductio.) 5 pts.
Apud Giacobiim Vincentiimi :
Venetiis, 1612. 4°. & fol. K. 4. h. 9.
Octavii Vernitii. . .Motectorum Specimen,
quse Quinque, Sex, Septem, Octo, Nouem,
et Decem vocibus concinuntur. Cum
Parte Organi pro Duplicis Chori Motectis.
Liber Primus, etc. Tenor.
Apad Bicciardmn Amadinum :
Venetiis, 1603. 4°. E. 332.
VERNON (Joseph) [Linco's Travels.]
See Arnb (M.) and Vernon (J.) Linco's
Travels. [Songs.]. . .Music by Mr. Arne
& Mr. Vernon. [1767.] fol.
G. 808. e. (4.)
VERNON (Joseph) The New Songs in
the Pantomime of the Witches, the Cele-
brated Epilogue in the Comedy of Twelfth
Night, a Song in the Two Gentlemen of
Verona and two Favorite Ballads sung by
Mr. Vernon at Vaux Hall. . .To which are
added the New Comic Tunes, in the
Witches and a favourite French Air sung in
. . .Twelfth Night, by Mrs. Abington. All pro-
perly adapted for the Harpsichord, Violin,
German flute or Guittar. J. Johnston :
London, [1770?] fol. G. 378. a. (10.)
Strawberry Hill. [Song, words by the
Earl of Bath.] [London,
1760?] s.sh.iol. G. 315. (54.)
[Another edition.] Strawberry Hill.
[London, nm'!] s.sh.iol. G. 311. (71.)
[For editions published anonymously:]
See Some. Some cry up Gunnersbury.
A Widow bewitch'd with her passion.
Epilogue to the h'ish Widoiv. [Song.]
Sung by Mrs. Barry. [Words by D.
Garrick.] (The Irish Fair, a favorite
Comic Dance, etc.) J. J[ohnston :
London, 1772.] fol. G. 806. f. (78.)
VERON ( ) Quatre Senates pour la
Harpe avec Accompagnement de Violon.
CEuvre 1". Grave' par M""= Oger. [Separate
Parts.] Chez VAuteur :
Paris, [1788.] obi. fol. e. 108. a. (11.)
VEROVIO (Simone) Canzonette A
quattro Voci, Composte da diuersi
Ecc" Musici, Con 1' intauolatura del
Cimbalo et del Liuto. Raccolte et
stampate da Simone Verouio.
Roma, 1591. fol. K. 8. h. 23.
21 leaves, engraved throughout, witliout
pagination or register. The composers
named are : F, Anerio, P. Bellasio,
A. Barera, G. A. Dragoni, B. Gio-
vanclli, H. Griffi, L. Mare^itio, G.
M. Nanino, Gio. da Pellestrina, P.
Quagliato, F. Soriano, A. Stabile and
P. Stabile.
Canzonette spali a 3 Voci composte da
diuersi Eccellenti Musici . . . Stampate et
raccolte da S. Verouio. Alto. S. Verouio:
[Borne, 1591.] 8°. K. 8. b. 17.
The composers named are: G. Macque,
F. Anerio, L. Marenzio, A. Pacello,
M. A. Ingegneri, H. Griffi, R. Gio-
vanelli, P. Santini, [G. M. Nanino]
and B. del Mel.
II deuoto pianto della Gloriosa Vergine,
et altro Canzonette Spirituali a 3 voci.
Composte nuouamente da diuersi Eccel-
lenti Musici. Alto. [Engraved and with
a dedication signed by S. Verovio.]
In Parione, 7iel Collcgio Nardino,
Boma, 1592. 8". K. 8. b. 18.
The composers jiamed are : G. M. Nanino,
G. B. Nanino, A. Pacello, B. Gio-
vanelli, P. Santini, G. de Macgtic, F
Anerio and B. del Mel.
VEEOVIO— VESPASIANO
625
VEROVIO (Simone) Diletto Spirituale.
Canzonette A tre et a quattro uoci coiu-
poste da diuersi ecc™' Musici. Eaccolte
da Simone Verouio. Intagliate et stain-
pate dal medesimo. Con 1' intauolatura
del Cimbalo et Liuto. Eoma, 1586. fol.
K. 8. d. 8.
23 leaves, engraved throiicjliout. The
composers named are: F. Ancrio, B.
Giovanelli, Binaldo del Mel, J. P.
A. Praenestinus, S. Vei-ovio, J. M.
Nanino, F. Soriano and L. Marenzio.
Ghirlanda di Fioretti Musical] Composta
da diuersi Ecc" Musici a 3 voci Con 1' in-
tauolatura del Cimbalo, et Liuto. Eaccolte
et stanipate da Simone Verouio.
Roma, 15S9. 4°. K. 8. d. 6.
25 leaves, engraved throughout. Imper-
fect, ivantiiig pp. 40, 41. The pages are
wrongly numbered, there being no 34
and 35. Most copies of this tuork con-
tain 28 leaves, with madrigals by L.
Marenzio and A. Orlandino, ivhich
are not in this copy. The composers
named are : G. Palestina, F. Soi-iano,
G. B. Zucchelli, A. Stabile, J. Peetrino,
R. Giovanelli, A. Crivello, G. M.
Nanino, F. Ancrio, J. Bicordi, P.
Quagliati, G. Costa and G. B.
Locatello.
Lodi della Musica a 3 Voci. Composte
da diuersi Ecc" Musici con 1' intauolat"
del Cimbalo e Liuto. Libro Primo.
Eaccolte, intagliate et stampate da Simone
Verouio. Boma, 1595. 4°.
K. 8. d. 7.
20 leaves, engraved throughout, ivithout
pagination or register. The composers
named are : G. M. Nanino, G. de
Macque, B. Giovanelli, F. Anerio,
Binaldo del Mel and G. B. Nanino.
VERIIATO (Giovanni Maria) DVerrato
Insegna Con noua e Breuissima inuen-
tione facile per imparare per tutte le
Chiaue, a leggere le notte, Cantare &
portar la batuda, con cinque sole Eegole
in Dialogo, etc.
Appresso Bartholomeo Magni :
Venetia, 1623. 4". 7896. e. 40. (2.)
An autograph letter from Dr. Callcott is
inserted in this copy.
VEimOIJ. Le Verrou, ou la Sage pre-
caution. [Song.] See Lise. Lisa d'une
main alerte. [1790 ?] 8°.
B. 362. e. (93.)
VERSCHWEIGUNQ. Die Verschweig-
ung. [Song.] See Mozart (W. A.)
VERSE. Verse, ami, verse a plein verre.
Canon. {Paris,] 1746. s. sh. i".
297. e. 7.
Mercure de France, June, 1746.
VOL. II.
VERSO (Antonio il) Di Antonio il Verso
il Decimo Quinto Libro de' Madrigali a
Cinque Voci... Opera Trentesima sesta,
etc. Canto. (Alto.) (Tenore.) (Basso.)
(Quinto.) 5 pts.
Appresso Giouan Battista Maringo :
Palermo, 1619. 4". K. 3. k. 9.
VERSOEHNUNGSTOD. Der Versoh-
nungstod. Cantate. See Schulze (J. A.)
VERT (Jaches de) See Wert.
VERT-G-ALANT. Le Vert-Galant,
Comedie ; representee pour la premiere
fois, le 18 D^cembre 1699. [By P. C.
Dancourt, with music by J. C. Gillier.]
[Paris, 1760.] 12°. 241. c. 7.
Part of ' Les OEuvres de TMatre de M.
D'Ancourt,' etc. tom. 7.
VERTUS. Les Vertus a I'ordre du jour.
Stances contre VAthiisme [written] par le
Citoyen Piis. Air : du Vaudeville de la
Soiree Orageuse [by N. Dalayrac ?].
Chez Imbanlt : Paris, [1794 ?] 8°.
B. 362. (90.)
The tune is not the same as that of the
vaudeville in the full score of Dalay-
rac's ' Soirie Orageuse.''
VESI (Simeone) Salmi a Otto, ariosi...
Opera Sesta. Canto (Alto) (Tenore) Primo
Choro. 3 pts. Apresso Francesco Magni :
Venetia, 1663. 4°. C. 56.
VESPA (GiROLAMo) Hieronymi Vespae
...Psalmi Vespertini ... Falsi Bordones
super tonos, ac Te Deum laudamus,
Quinque vocibus modulantibus. Itemq;
Canticum Diue Mariae, Quaternis,alterum
Quinis vocibus concinendum, etc. Bassus.
Apud Biciardum Amadinum :
Venetiis, 1589. 4°. D. 251.
VESPASIANO. [Con forza ascosa.] A
Favourit Minuet in the Opera of Vespasian
in English and Italian. [By A. Ariosti.]
{London, 1725.] s. sh. fol.
H. 1601. (78.)
[Another edition.] Con forza ascosa.
[Song.] Sung by Sig'' Senesino in Ves-
pasian. {London, 1725.] s. sh. fol.
G. 316. h. (18.)
[Con forza ascosa.] Fly me not Silvia.
Neiv words to a Favourite Air in the
Opera of Vespasian, etc. {London,
1726 ?] s. sh. fol. G. 305. (48.)
[Another copy.] G. 307. (187.)
[Another edition. Con forza ascosa.]
Fly me not Silvia, etc. {London,
1726 ?] s. sh. fol. G. 316. d. (141.)
Lasso ch' io t' ho perduto. Sung by Mr.
Senisino in the Opera of Vespasiano.
{London, 1725.] s. sh. fol.
G. 305. (88.
Vespasian. Opera. See Ariosti (A.)
2 s
626
VESSIE— VIADANA
VESSIE. La Vessie Globe. [Song.]
See Or. Or 6coutez petis et grands, etc.
[1783 ?] B. 362. a. (76.)
VESTAIiE. La Vestale. Opera.
See Vento (M.)
VESTRY. The Vestry Dinner. [Song.]
See Rkeve (W.) [Mirth's Miiseutn.']
VETERAN. The Vet'ran Soldier,
[Song.] See Cheese (G. J.)
VETERANS. The Veterans. [Song.]
See DiBDiN (C.) [Great Netus.'j
VETTER (Daniel) Musicalische Kirch-
und Hauss-Ergotzlichkeit, bestehend in
denen gewonlichen Geistlichen Liedern,
so durchs gantze Jahr . . . gesuugen warden,
auS eine gantz angenehme . . . Manier in
Italienische Tabulatur gesetzt, so, dass
allemahl der Choral... auff der Orgel,
nachgehends eine gebrochene Variation
auff dem Spinet oder Clavicordio zu
tractiren folget, etc. 2 pts. Zu finden
bey dem Autore. Druckts C. F. Bimipff :
Leipzig, 1709. ohl. fol. b. 345.
There is a second title-page, engraved.
VEUT. Veut-on que la bonne aventure.
Couplets. See Gbetry (A. E. M.) [La
Fausse Magie.}
VEUVE INDECISE. La Veuve Inde-
cise. Op6ra Comique. See Duni (E. E.)
VEZZOSETTI FIORI. Vezzosetti Fiori
di Varii Eccellenti Autori, cioe, Madrigali,
Ottave, Dialoghi, Arie, et Vilanelle, a Una
e Due Voci. Da Cantarsi con il Cembalo,
Tiorba, Chitarra Spagnola, &c.
Aprrresso G. B. Roblctti : Roma, 1622. fol.
K. 4. h. 3. (2.)
This collection contains compositions by
G. A. Todini, F. Severi, G. G. Porro,
G. Veneri, H. Torscianello, N. Bor-
boni, A. Gi-anata, F. Pesce, P. P.
Sabbatino, A. Constantini, P. Mutij
and F. Grappuccioli.
VL Viriverisco. Trio. See Paisiello (G.)
[I Zingari in Fiera.]
VIAJDANA (LoDOVico) Cento Concerti
Ecclesiastic! A Una, a Due, a Tre, & a
Quattro voci. Con il Basso continuo per
sonar nel' Organo. Noua inuentione
commoda per oguisorte de Cantori, & per
gli Organist! ... Nouamente in questa 5.
impressione . . . corretti. Opera Duo-
decima. Canto. Appresso Giacomo
Vincenti : Venetia, 1607. 4°. D. 212. f.
Cento Concerti Ecclesiastic! A vna, a due,
a tre & a quattro Voci. Noua inuentione
commoda pro ogni sorts de Cantori, & per
gli Organist! . . . Libro Primo. Adiuncta
insuper huius nouse inuentionis iustruc-
tione & explicatione succincta, . . .in lingua
Latina, Italica, & Germanica. Basso
Continuo per sonar nell' organo.
Appresso Nicolao Steinio : Francoforti,
1609. 4^ D. 212. b.
II Secondo Libro de Concerti Ecclesiastic!
a vna, a Due, a Tre, & a Quattro voci. . .
Nuouamente ristampati. Opera xvii.
Basso per sonar nell' Organo.
Appresso Giacomo Vincenii : Venetia,
1607. 4°. D. 212. e.
Opera Omnia Concentuum Ecclesiasti-
corum I. II. III. & IV. Vocum, lam in
vnum corpus conuenienter coUecta. Cum
Basso General! organo adplicato, nouaque
inuentione pro omni geuere Cantorum &
Organistorum accomodata . . . Adiuncta
insuper in Basso general! huius nouse
inuentionis instructione Latina, Italica,
& Germanica. Cantus. (Altus.) (Bassus.)
(Bassus Generalis.) 4 pts.
Api4d Nicolaum Steinium : Francofnrti,
1613. 4°. D. 212. e.
Bound up> with the Cantus, Altus and
Basstis are MS. copies of the corre-
sponding parts of the Antiverp (1613)
edition of J. M. Viadana's ' Concerti
Ecclesiastici ' with other compositions,
inchiding a German setting of the
Passion according to S. Mattheiv,
dated 16S8.
Vent! Quattro Credo a Canto Fermo
Sopra ! Tuoni dell! Hinni, che Santa
Chiesa vsa cantare, col versetto, Et in-
carnatus est, in ]\Iusica, a ch! place. Con
le Quattro Antiphone, della Madonna in
Tuono Feriale, etc. Appresso Bartholomeo
Magni : In Venetia, 1619. fol. K. 10. b. 8.
Ludouici Viadanfe. . .Missarum Quatuor
Vocum. Cum Basso Continuo ad Or-
ganum, Liber Primus. Item Missa pro
Defunctis Clementis non Papse. Tenor.
(Altus.) (Basso Continuo.) 3 pts.
Ex Typographia Petri Plialesij,
Antuerpix: 1625. 4°. D. 212. d.
The Altus part wants the title-page and
fol. aaa 4.
Salmi a Quattro Chor! per cantare e
concertare nelle gran solennita di tutto
r Anno, con il Basso continuo per sonar
neir Organo . . . Op. xxvii, etc. Alto Primo
Coro a cinque. (Canto. Sec. Choro. Ca-
pella.) (Tenore. Ripieni del Quarto Choro
Graue si placet.) 3 pts.
Appresso Giacomo Vincenti : Venetia,
1612. 4», D. 212. a.
Salmi Campagnoli a Quattro Voci. Per
cantare e variare ne gran concerti, con Li
Sicut erat a otto si placet, & il Basso con-
tinuo per r Organo... Con dui IMagnificat a
Otto. . .Nouamente compost! e dat! in luce.
Opera xxvi. Altus Choro Primo. (Cantus
Choro Secondo.) 2 pts.
Appresso V Herede di Angela Gardano :
Venetia, 1612. 4°. D. 212.
VIAGGIATORI— VICTORINUS
627
VIAGGIATORI FELICI. I Viaggia-
tori Felici. [Opera.] See Anfossi (P.)
VIAGGIATORI RIDICOLI. I Viag-
giatori Ridicoli. Opera.
See GuGLiELMi (P.)
VICAR. The Vicar and Moses. [Song.]
See At. At the sign of the horse.
[1780 ?] s. sh. fol. G. 306. (136.)
[Another setting.] Vicar and Moses.
[Song.] See S., G. A.
The Humourous Song of the Vicar of Bray.
See In. In good King Charles's golden
Days, etc. [1735 ?] s. sh. fol.
H. 1994. b. (44.)
The Vicar of Bray. [Song.] See In. In
good King Charles's golden Days, etc.
[1740 ?] s. sh. fol. G. 316. e. (26.)
VICENDE DELLA SORTE. The
Favorite Songs in the opera Le Viceude
della Sorte. [A Pasticcio. Short Score.]
E. Bremner : London, [1770.] fol.
G. 206. b. (3.)
The composers named are : Giordani,
Sacchini and Barthelemon.
VICENTE, Lusitano. Introduttione
Facillissima et Nouissima di Canto
Fermo, Figurato, Contraponto Semplice,
et Inconcerto. Con Regole Generali per
far Fughe differenti sopra il Canto Fermo,
a II. III. & mi. voci, etc.
Appresso Francesco Rampazetto :
Venetia, 1561. 4°. 557*. c. 22.
Introduttione FaciUssima, et Nouissima,
di Canto Fermo, Figurato, Contraponto
Semplice, et Inconcerto, con Regole
Generali per far Fughe differenti sopra
il Canto Fermo, a ii. iii. et iiii. voci, etc.
Per Francesco Marcolini :
Venetia, 1588. 4°. K. 1. g. 19.
VICENTINO (Nicola) L' Antica Musica
ridotta alia Moderna Prattica, con la
Dichiaratione, et con gli Essempi de i
tre Generi, con le loro Spetie. Et con
r Inuentione di uno nuouo Stromento,
nel quale si contiene tutta la perfetta
Musica, con molti Segreti Musicali, etc.
Appresso Antonio Barre :
Roma, 1555. fol. 785. 1. 11.
See BoTTEiGAEi (E.) II Melone. Dis-
corso Armonico ... & II Slelone Secondo,
Considerationi Musicali ... sopra vn Dis-
corso di INI. Gandolfo Sigonio intoruo
a' Madrigali, & a' Libri dell' Antica
Musica ridutta alia moderna Prattica di
D. Nicola Vicentino, etc. 1602. 4°.
557*. c. 18. (4.)
VICTOR ( ) Come with me and taste
of pleasure. A Bacchanalian Song.
[London, 1780 ?] s. sh. fol.
G. 316. (491.)
VICTOR ( ) Twenty Four Duetts, for
Two German Flutes, or Two Violins.
Printed for Jonathan Fentum :
London, [1775?] fol. g. 421. a. (5.)
Hark, hark the Drum sounds. A Neio
Song. I. Flentulm : [London,
1780?] s. sh. fol. G. 308. (116.)
VICTORIA (TOMAS Luis de) Cantiones
Sacrse . . . Quatuor, Quinque, Sex, Octo et
Duodecim Vocum, nunquam antehac in
Germania excusse. Altus. (Bassus.) (Sep-
tima Pars.) (Octava Pars.) 4 pts.
loannes Mayer : Dilingm, 1589. ohl. 4°.
A. 164.
Thomse Ludouici de Victoria . . . jNIissse
Magnificat, Motecta Psalmi, & alia qua
plurima. Quse partim Octonis alia Nonis,
alia Duodenis vocibus concinuntur. Can-
tus I. (Altus I.) (Tenor i.) (Bassus i.)
Chorus I. (Cantus ii. (Altus ii.) (Tenor
II.) (Bassus II.) Chorus ii.) 8 pts.
Ex Typographia Regia :
Matriti, 1600. 4°. K. 2. g. 14.
VICTORINUS (Georgius) Philomela
Coelestis, siue Suauissimfe, Lectissimteque
Cantiones Sacrae cum Falsabordonis, INIag-
nificat, Canzonis, & Basso ad Organum,
Duarum, Trium & Quatuor Vocum, etc.
Vox Media. (Vox Infima.) (Partitura.)
3 pts. Ex typographeo Musico, Nicolai
Henrici, Sumptihus eitcsdeni G. Victor :
Monachii, 1624. 4°. C. 258. a.
The composers named are : R. de Lasso,
G, Victorinus, I. Perlatius, ^. Meet,
F. de Lasso, A. Cornazzanus, I.
Saggitarms, A. Imperial, I. Priulus,
G. Krumper, W. Bellicorius, I. Schiesl,
C. Perckhover, C. Topiarius, I. Stadl-
mair, I. Laslerus, I. Kilrzinger,
I. Aichmiiller, B. Hartman, I. Feldt-
mair, P. Bcmamicus, A. Waidman,
S. Weich, G. Aichinger, C. Erbach,
I. Stupporius, P. Hempher, C. Erbach
Junior, P. Holzl, U. Loth, I. M. Cxsar,
G. Capricius, B. Wolck, P. Satzl,
F. Cornazzinus, I. Riedelius, I.
Hadelerus, I. Herlinus and L.
Petrangelus.
Siren Coelestis Centum Harmoniarum
Duarum, Trium et Quatuor Vocum, quam
nouavit e principibus, etiam nee dum vul-
gatis auctoribus legit, pro Temporum
dierumcjj festorum diuersitate concin-
nauit, Organis item accommodauit, & in
lucem dedit Georgius Victorinus . . .Editio
Altera correctior & melior. Vox Media.
(Vox Infima.) (Partitura.) 3 pts.
Ex TypograpMo Bergianx Vidtix,
Sumptibus loannis Hertsroy : Monachii,
1622. 4°. C. 258.
The composers named are : I. Finetus,
A. Cornazzanus, L. Ursinius,A. Cifra,
G. Victorinus, A. Agazzarius, I.
Bellius, S. Bernardiis, B. Tomasus,
2 s 2
628
VICTORINUS— VIEUX
L. Leonus, C. Erhacli, A.Bianchierus,
W. Mayr, B. cle Lasso, S. Miserocca,
E. Scaleta, I. N. Mczzocjorus, C.
Topiarius, I. Dcmiascenus, I. M.
Viadana, I. Aichmiillcr, F. Caioellus,
A. Badiiis, I. Masiccius, D. Brunettus,
A. Mortarius, I. Piccionis, G. Aicli-
inger, F. de Lasso, M. Angelus,
F. Galvena, D. Ruhinus, 0. Vernitkcs,
F. Anerius, M. A. Torniolus, C.
Assandra, B. Binagus, B. Corsus,
H. Montesardus, L. Viadana, A.
Waidman, G. Capriccius, J. M. Caesar,
P. Pace, V. Puteus, A. Bruncllus,
G. Giiggamos and J. P. Nodarius.
Siren Coelistis centum harmoniai-um,
duarum, trium, & quatuor vocum. Quam
...in lucem dedit, Georgius Victorinus
Monachij. Eandem, methodo doceudi,
et discendi musicam longe facillima, . . .
Willihelmus Bray-thwaitus Anglus . . .
communicavit, & commendavit. Editio
altera correctior & melior. Suprema.
Ex typograplico lohannis Norton :
Londini, 1638. 4°. K. 2. c. 10.
Imperfect, ivanting all after fol. CI.
VICTORIOUS. Victorious La Pucelle.
Air. See Reeve (W.) [Joan of Arc.}
VICTORY. Victory. [Song.]
See Bailey (J.)
The Victory of Fishguard. Song.
See Skeats (H.)
VIDAMPIERRE ( de) Countess.
Le Baiser. Ariette, etc.
[Paris,-] 1772. s. sh. 8°. 298. e. 17.
Mercure de France, Nov., 1772.
L'Heureuse S6curit6, etc. [Song.]
[Paris,'] 1771. s. sh. 8°. 298. e. 6.
Mercure de France, July, 1771.
L'Heureuse Security, etc. [Song.]
[Paris,] Yin. s. sh. 8°. 298. e. 15.
Mercitre de France, August, 1772.
Le Regret. Ariette, etc.
[Paris,] 1772. s. sh. 8". 298. e. 17.
Mercure de France, Dec, 1772.
VIE. Vie de Dandin. [Song.]
See Colin-Maillard.
VIEIIjLARD. Vieillard qui d'amour est
epris. Vaudeville. See Soiree Orageuse.
VIEIIiLE. Vieille qui prend jeune mari.
Vaudeville. See Mere Jalodse.
VIENI. Vieni o sonno. Terzetto.
See Ferrari (G. G.) [I Due Suizseri.]
Vieni torna Idolo mio.— Turn 0 turn
thee. Vieni torna [Song] in English and
Italian. [From Handel's Opera, Teseo.]
[London, 1715 ?] s. sli. fol.
' H. 1601. (445.)
[Another edition.] Vieni torna Idolo
mio, etc. [London, 1715 ?] s. sh. fol.
G. 312. (4.)
VIEWS. Viens a mon secours. Couplets.
See Ballet des Akglais.
Viens (ja viens vite ma bergere. L'Almor-
adine. Fanfare. [Song, words] Par M"'
Pierre Almoradiu, Veneur.
[P«ris, 1780?] 8°. B. 362. b. (91.)
Viens cel6brer la Reine. Menuet de la
Eeine Charlotte. [Song, with instru-
mental accompaniment.]
[London, 1773.] s. sh. 4°. 159. n. 5.
London Magazine, Jan., 1773.
Viens c61ebrer la Reine. Menuet de la
Peine Charlotte.
[London, 1773.] s. sh. fol. P.P. 5141.
Lady's Magazine, Feb., 1773.
Viens cher amant. Ariette.
See Deserteur.
Viens dans ce boccage. Chanson.
See DoBET ( )
Viens, dans nos champs. Barcarolle.
See Dard ( )
Viens ma Rose., Ariette.
See DoRMEUR Eveille.
Viens mon aimable bergere. Ariette.
See Albanese ( )
[Another setting.] Viens, mon aimable
Bergere. Pastourelle. See Gillier (J. C.)
VIERDANCK (Johann) Geistliche Con-
certen, mit 3. 4. 5. 6. 7. 8. vnd 9. Stim-
meu, Nebenst einem gedoppelten Basso
Continue, Einen vor das Corpus, den
andern vor den Directore, oder zu einem
Violon, zu gebraucheu. Prima(-Quinta)
Voce. (Basso Continouo.) 6 pts.
Gedrtickt durch Johann Eichel, hi
Verlegung Johann Hallervords : Rostock,
1643. 4°. B. 142.
VIERIilWGr (Johann Gottfried) Choral-
buch auf Vier Stimmen zum Gebrauch
bey dem offentlichen- und Privat-
Gottesdienst, nebst einer Vorrede [by
J. G. Holtzappel]. . .herausgegeben von
J. G. Vierling, etc.
Auf Kosten des Verfassers. Gedrucht. . .in
der Waisenhaus-Buchdruckerey : Cassel,
1789. obi. 4°. B. 950.
Acht und Vierzig kurze und leichte Orgel-
stiicke. In der Brcitkopfischen Musikhand-
lung : Leipzig, [1795 ?] 4°. e. 293. (2.)
Sammlung leichter Orgelstiicke nebst
einer Anleitung zu Zwischenspielen beini
Choral. 3 Th. Bey Breitkopf und Hartel :
Leipzig, [1795 ?] 4°. e. 293. (1.)
Sammlung vermischter Orgelstiicke.
Bey W. Wohler : Hesse Cassel,
[1800?] obl.iol. e. 120. a. (2.)
VIEUX. Vieux barbons qui passez la vie.
[Song.] See Faux Lord.
VIEUX— VILLAGE
629
VIEUX. Le vieux Lucas, d'uue trem-
blante main. Chanson. GravA par
Jf "" LabassAe. Imprimi par Tournellc :
[Paris,] 1757. s. sh. 8°. 297. d. 9.
Mercnrc de France, Oct., 1757.
VTEUX CHATEAU. Le Vieux Chateau,
ou la Rencontre. Opera.
See Della Maria (D.)
VIEUX EPOUX. Les Vieux Epoux.
Com^die en un Acta, melee de Vaude-
villes, par F. G. Desfontaines. . .avec la
musique [of the concluding Vaudeville].
Chez le Libraire, au Theatre du Vaudeville :
Paris, An Troisieme [1795]. 8".
11738. d. 17. (10.)
VIEUX SOLD AT ET SA PUPILLE.
J'ai du plaisir a voler au village. Ariette
du Vieux Soldat et sa Pitpillc. [Words
by Maillot, music by Froment.] Accomp'
de Guittare par M. Ducray.
Chez les Fnh-es Savignij :
Paris, [1785.] 8". B. 362. h. (10.)
VIEW. View, my Love, our little Charmer.
The Comparison. A New Song.
[London, 1772.] 8°. P.P. 5438. z.
Universal Magazine, Vol. L.,p. 323.
VTGIsrOLES ( de) and DU BOIS ( )
La Lire Ma(;'onue, ou Recuoil de Chansons
des Francs-]Ma(?ons. Revu, corrige ... &
augments de quantity de Chansons, . . .
Avec les Airs not^s, mit sur la bonne Clef,
tant pour le Chant que pour le Violou et
la Flute. Chez B. van Laak :
La Haye, 1763. 8". 04785. f. 1.
La Lire Ma(;onne, ou Recueil de Chansons
des Franc-Masons. Revu, corrig6 ... &
augments de quantite. . .de Chansons...
par les Freres de Vignolles et Du Bois.
Avec les airs notes, mis sur la bonne Clef,
tant pour le Chant que pour le Violon &
la Flute. Nouvelle Edition, revue, cor-
rigee & augmentee. Chez R. van Laak :
La Haye, 1766. 12°. 11475. cec. 14.
La Lire Ma(,^onne, ou Recueil de Chansons
des Francs-JNIa^ons. Revu, corrige,... &
augments de quantite de Chansons. . .par
les Freres^ de Vignoles et Du Bois . . .
Nouvelle Edition, etc.
Chez B. Van Laak : La Haye, 1787. 12°.
Case 65. bb. 17. (1.)
VIGNOZ ( )^66f'. Auteursdontabonde
Paris. Chanson sur les Victoires du Boi,
[words] par Madame Desforges-Maillard,
etc. [Paris,] 1745. s. sh. 4°. 297. c. 2.
Mercure de France, July, 1745,
VEGONI (Carlo Federico) Nuoua Rac-
colta de Motetti Sacri a Voce Sola di
diuersi Eccellenti Autori. Dati in luce
da Carlo Federigo Vigoni, etc.
Francesco Vigone : Milano, 1681. obi. 8°.
K. 2. e. 2.
This collection contains compositions by
A. F. Martinenghi, A. Zanetti, B.
Castelli, C. D. Cossonio, F. Bagatti,
G. Zanetti, D. M. C, P. Magni,
G. Appiano and G. Bivolta.
Sacre Armonie a voce sola di diuersi
celebri Autori, consacrate al nome . . .
deir illustriss . . . Sig. F. Farsetti ... da
F. Vigoni. Appresso a Francesco Vigone :
Milano, 1692. obi. 4°. K. 1. e. 20.
This collection contains compositions by
G. B. Quaglia, F. Ballarotti, F. Bossi,
G. Bivolta, B. Mantclli, D. Erba,
A. Besozzi, L. Caimo, G. Zanetti,
A. D. Legnano, G. B. Brevi and
P. A. Fioretti, detto Gulielmino.
VIGUERIE (Bernard) L'Art de toucher
le Piano-Forte, etc. Chez VAutcur:
Paris, [1798.] fol. g. 757. (1.)
Trois Senates prec6d6es de Preludes ou
Exercices pour Forte-Piano. Avec Ac-
compag' de Violon ad libitum. . .CEuvre 2°.
V Suite. Chez P. Viguerie :
Paris, [1800 ?] fol. g. 757. (3.)
The Pianoforte part only.
See Dalayrac (N.) [Gulnare.] Je trouve
une femme jolie. . .Arrange pour le Forte-
Piano par B. Viguerie. [1797 ?] fol.
H. 538. f. (1°.)
See Dalayrac (N.) [Gulnare.] Jeunes
esclaves, croyez moi . . . Arrange pour le
Forte Piano par B. Viguerie. [1797?] fol.
H. 538. f. (1^.)
See Dalayrac (N.) [Gulnare.] Pour
mieux te prouver mon amour. . . . Ar-
rangee pour le Forte Piano par B. Viguerie.
[1797 ?] fol. H. 538. f. (1^.)
See Dalayrac (N.) [Gulnare.] Rien,
teudre Amour. . .Arrang^e pour le Forte
Piano par B. Viguerie. [1797 ?] fol.
H. 538. f. (1^.)
See Dalayrac (N.) [Gulnare.] Sexe
charmant. . .Arrange pour le Forte Piano
par B. Viguerie. [1797 ?] fol.
G. 390. a. (8.)
VILLAGE. The Village Boy. Song.
See Pleyel (I. J.)
The Village Eve. Canzonet.
See Mozart (W. A.) [3. Songs, a. Collec-
tions. MozarVs. . .Canzcmetts. No. 1. Ivi
Frilhlingsanfang.]
The ViUage Festival. [Song.]
See RoMER ( ) [Modern Eccentricities.]
The Village Maid. [Song.]
See Rauzzini (V.)
The Village Maid when first she hears.
Soldier's Bride. [Song.] Written by an
Officer. Fentum : London, [1790 ?] fol.
G. 808. g. (33.)
The Village Maiden. [Song.] See Whek.
When first I saw the Village maiden, etc.
[1790?] fol. H. 1651. a. (4.)
The Village Spire. Ballad.
See GiORDANi (T.)
630
VILLAGE— VI LLOTTE
VILLAGE. The Village Wake. Song.
See BoHLius (J. F.)
The Village Wedding. [Song.]
See DiBDiN (C.) [Castles in the Air.']
VILLAGE OPERA. The Village Opera
. . . Written by Mr. Johnson ... To which
is Added the Musick to each Song.
Printed for J. Watts : London, 1729. 8".
643. g. 14. (5.)
[Another copy.] 162. i. 23.
VILLAGEOISE. La Villageoise in-
struite. Romance. See Dans. Dans un
bois je vis I'autre jour, etc. [1780?] 8".
B. 362. c. (42.)
VILLANELLA RAPITA. La Villan-
ella Rapita ou la Villageoise Enlev6e.
Opera Bouffon en Trois Actes, represents
au theatre de Monsieur en 1789. Musique
Italienne de Dif6rens GelSbres Composi-
teurs, Paroles Italienne[s] traduite[s] en
Francjaises, par M. D * * * . [FuU Score.]
Chez le S'" Sieber : Paris, [1789.] fol.
H. 464.
The composers named are : Ferrari,
Bianchi, Mozart, Paisiello, Gidielmi,
Sarti and Martini.
Ouverture, Airs & Duos della Villanella
Rapita arranges pour Clavecin ou Piano
Forts. Chez Imhault : Paris,
[1789.] fol. H. 464. a.
Occhietto furbetto. The Favorite Duett,
[by V. Martin y Solar], sung by Sig"'*
Storace & Sig' Borselli in the Opera
Villanella rapita. [Full Score.]
Longman and Broderip : London,
[1789?] fol. G. 197. (6.)
VILLANELLE. II Primo Libro di
Villanelle aUa Napolitana ... a Tre Voci.
Canto. Apresso Adriano el Be e Boberto
Ballard : Parigi, 1565. obi. 4". A. 279.
VILLANI (Gaspaeo) Ad Deum Opt.
Max. ad Deiparamque Virginem, in . . .
Alexandri Farnesii II. . . . natali die.
Gasparis Villani . . . Gratiarum actiones.
Viginti Vocibus Concinendse. Liber
Quartus. Altus Pr. Cho. (Cantus Sec.
Cho.) (Tenor Qua. Cho.) 3 pts.
Apud Angelum Gardanum, d Fratrcs :
Venetijs, 1611. 4°. D. 213. e.
Letanie della Beata Vergiue. Da cantarsi
a Otto Voci. Con la Parte Continuata
perl' Organo . . . Libro Primo. Alto Primo
Choro. (Canto Secondo Chore.) 2 pts.
Appresso Angela Gardano, & Fratclli :
Vcnetia, 1610. 4°. D. 213.
Missa Psalmi ad Vesperas, et Motecta
Sesdecim Vocibus Concinenda, etc. Altus
l.Chor. (Cantus 2. Chor.) (Tenor 4. Chor.)
3 pts. Apud Angelum Gardanum, d
Fratres : Venetiis, 1610. 4°. D. 213. c.
VILLANI (Gasparo) Missse Quinque
Octonis Vocibus Concinendae . . . Liber
Sextus. Altus P. C. (Cantus S. C.) 2
pts. Apud Haeredem Angcli Gardani :
Venetiis, 1612. 4». D. 213. d.
Psalmi Omnes, qui per Annum ad Vesperas
Decantari consueuerunt . . . Duodecim
Vocibus. Liber Tertius. Altus 1. Cho.
(Cantus 2. Cho.) 2 pts.
Apud Angelum Galr'idanum, & Fratres :
Venetiis, 1610. 4°. D. 213. a.
Psalmi Omnes qui per Annum ad Vesperas
Decautari consueuerunt . . . Octo Vocibus.
Liber Quintus. Altus 1 Cho. (Cantus
2. Cho.) 2 pts. Apud Angelum Gardanum :
Venetijs, 1611. 4». D. 213. b.
VILLE. La Ville de Paris. [Chorus.]
See Britain. Britain insulting France
and Spain, etc. [1782.] fol.
G. 306. (204.)
VILLENEUVE ( ) A Collection of
Cotillons ... as performed at all Publick
Places, with plain and easy Directions.
Printed for Welcker : London,
[1770?] obi. 4". a. 9. h. (2.)
VILLENEUVE ( de) L'Amy des
Femmes, [Song,] Paroles et M"'"" de M'
Devilleneuve, avec Accompagnement de
Guitarre. [Paris, 1785 ?] 8".
B. 362. f. (57.)
VILLENEUVE (Alexandre de) Livre
de Musique d'Eglise, qui contient, les
neuf Lemons de Tenebres, le Miserere, six
Motets pour le Saint Sacrement, etc.
Chez VAuteur : Paris, 1719. obi. fol.
D. 587.
VILLERIE (Royer de) Chevalier.
See Royer de Villerie.
VILLE-SAVOYE (Paul) Bacchus de
vin nouveau vient remplir nos caves. Air
a Boire. [Paris,'] 1736. s. sh. 4".
297. b. 14.
Mercure de France, Jime, 1736.
VILLOTTE. Villotte alia Napoletana a
Tre Voci, De diuersi con vna Todescha
non piu stampato : Nouamente poste in
luce. Basso. Appresso Girolamo Scotto :
Vinegia, 1566. 8°. A. 279. a.
Fourteen of the compositions in this
collection are to be found in the
' Leggiadre Nimphe ' of 1606.
II Primo Libro de Villotte aUa Padoana
Con alcune Napolitane a quattro Voci,
Intitolate Villotte del fiore, Nouamente
per Antonio Gardano ristampate. Alto.
(Tenore.) (Basso.) 3 pts. Appresso di
Antonio Gardano : Vcnetia, 1564. obi. 4°.
53. a. 32. (1.), 33. (1.) & A. 573.
The composers named are : Ghirardo
and 11 Caldarino.
VILLOTTE— VINCI
631
VILLOTTE. II Primo Libro delle Villotte
alia Napoletana de diuersi Eccellentiss:
Autori, nouamete ristapato. A Tre Voci.
Tenore. Apprcsso li figliioli di
Antonio Gardano : Venetia, 1571. obi. 4°.
53. a. 24. (1.)
II Secondo Libro delle Villotte alia Napo-
letana de diuersi. Con due Moresche
nouamete ristapato. A Tre Voci. Tenore.
Appresso li Figliioli di Antonio Gardano :
Venctia, 1571. obi. 4°. 53. a. 24. (2.)
II Terzo Libro delle Villotte alia Napo-
letana de diuersi. Con due Moresche
nouamente stampate. A Tre Voci. Tenore.
Appresso di Antonio Gardano : Venctia,
1567. obi. 4°. 53. a. 24. (3.)
II Quarto Libro delle Villotte alia Napo-
letana de diuersi. Con due Moresche
Nouamente Ristampate. A Tre Voci.
Tenore. Apresso li Figlioli di Antonio
Gardano : Vcnetia, 1571. obi. 4".
53. a. 24. (4.)
II Sesto Libro delle Villotte alia Napo-
letana de diuersi. Con una Zorziana.
Nouamente stampate. A Tre Voci.
Tenore. Appresso li figliiioli di Antonio
Gardano : Venetia, 1570. obi. 4".
53. a. 24. (5.)
The only composers named are: B.
Donato and A. Gabrieli.
Villotte INIantouane a Quattro Voci.
Nouamente date in luce. Alto. (Tenore.)
2 pts. Appresso Angela Gardano :
Venetia, 1583. obi. 4".
53. a. 32. (2.) & 33. (2.)
VILSMAYR (JoHANN Joseph) Artifici-
osus Concentus pro Camera, Distributus
in Sex Partes, seu Partias a Violino Solo
con Basso belle imitante, etc.
Barbara Theresia de Lespier sc. : Salisb.,
1715. obi. fol. b. 48.
VIN". Le Vin endort 1' Amour. Chanson.
[Paris, 1711.] s. sh. obi. 4\ P.P. 4486.
Mercure Galant, To7n. III., p. 188.
Le Vin nous fait aimer. Chanson.
[Paris, 1711.] s. sh. obi. 4°. P.P. 4486.
Mercure Galant, Tom. III., p. 189.
Le Vin nous fait parler. Air a Boire.
[Paris, 1711.] s. sh. obi. i". P.P. 4486,
Mercure Galant, Tom. III., p. 89.
VINAiaRE. Le Vinaigre d' Amour.
[Song.] See Coxtre. Contre le mal qui
Yous obsede, efc. [1780?] S".
B. 362. j. (8.)
VINCENT ( )
See Harlequin's Museum. The Overture,
Songs, Dances, &c. in . . . Harlequin's
]\Iuseum . . . Compiled . . . from the Works
of . . . Vincent, etc. [1792.] obi. fol.
E. 108. d.
VINCENT (James) Advice to Cupid.
[Song, words by J. Howe.] [London,
1735 ?] s. sh. fol. G. 308. (99.)
VINCENT (James) Delia Constant, etc.
[Song.] [Lo7idon,niO?] s. sh. tol.
G. 316. (151.)
Love's Bacchanal. [Song.] [London,
1745 ?] s. sh. fol. I. 530. (165.)
Love's Bacchanal, etc. [Song.]
[London, 1745.] S". 157. 1. 7.
London Magazine, 1745, p>- 98.
On a Lady stimg by a Bee. [Song.]
[London, 1754.] s. sh. 8". P.P. 5439. ab.
Neio Universal Magazine, Oct., 1754.
Strephou Charm'd, or the Surpriz'd Fair.
A Song, etc. [London, 1735 ?] s. sh. fol.
G. 316. (150.)
VINCENT (Thomas) The Maiden's
Resolution. [Song.] The Words by IMr.
Boyce, dc. [London, 17607] s.sh.iol.
G. 306. (120.)
[For editions published anony-
mously :] See As. As Chloe sat shelter'd.
A Sett of Familiar Lessons for the Harpsi-
cord . . . Opera 2"'''. John Cox, at Simpson's,
for the Autlwr : London, [1748.] obi. fol.
d. 161. a. (3.)
Six Solos for a Hautboy, German Flute,
Violin, or Harpsicord with a Thorough
Bass . . . Opera Prima. IF"' Smith :
London, [1748.] fol. g. 535.
The Unhappy Lover. [Song.] [London,
1760 ?] s. sh. fol. G. 305. (105.)
VINCENTI (Alessandro)
See DoNATi (I.) Le Fanfalughe a Due,
Tre, Quattro, et Cinque Voci. . .Raccolte
da me Alessandro Vincenti, etc. 1630. 4°.
D. 178.
See Pesenti (M.) Arie a Voce Sola . . .
raccolte da me Alessandro Vincenti...
Libro Terzo. 1636. 4". D. 84. a.
VINCENTIUS (Caspar)
See Schadaeus (A.) Promptuarii musici
. . .CoUegit vero et Basi Generali accom-
modavit C. Vincentius, etc. 1611-17. 4".
E. 7.
VINCENZI (GiACOMo) See Madrigals.
De Floridi Virtuosi d' Italia. II Terzo
Libro de Madrigali, e^c. [With a dedica-
tion by G. Vinceuzi.] C. 123.
VINCI (Leonardo) [Artaserse.] Vo
solcando. A much admir'd Song. Sung
by Madam Mara, etc. [Full Score.]
Printed for H. Wright: London,
[1790?] fol. G. 760. f. (5.)
Twelve Solos for a German Flute or Violin
with a Thorough Bass for the Harpsicord
or Violoncello. Compos'd by Sig' Leonardo
Vinci and other Italian Authors.
Printed for I. Walsh: London,
[1750?] fol. g. 280. b. (17.)
See Agrell (J. J.) Sonatas ... for two
German Flutes or Violins. Compos'd by
Sig"" G. Agrell, F. Aurelli, L. Vinci. Opera
Seconda. [1760?] fol. g. 280. (1.)
632
VINCI— VIOTTI
VINCI (Leonardo) See Elpidia. The
Favourite Songs in the Opera of Elpidia.
[Music by L. Vinci.] [1725.] fol.
G. 206. e. (2.)
See Hasse (J. A.) Farinelli's Celebrated
Songs collected from Sig' Hasse,. . .Viuci
and Veracini's Operas, etc.
[1736-1755?] fol. g. 444.
See MusiCA Curiosa. Musica Curiosa or
a Curious Collection of Airs Compos'd
by Messrs. Granno. . .Vinci, etc.
[1745 ?] obi. 4°. b. 30. (1.)
VINCI (PiETRO) Di Pietro Vinci ... II
Primo Libro de Madrigali a Sei Voci.
Nuouamente posti in luce. Alto.
Appresso Girolamo Scotto : Vinegia,
1571. 4". D. 177. a.
Di Pietro Vinci ... II Secondo Libro de
]\Iadrigali a sei voci, Con vno dialogo a
dodici. Nouamente posto in luce. Tenore.
Appresso V herede di Girolamo Scotto :
Vimggia, 1579. 4°. D. 177. e.
This work contains a madrigal by P.
Caracciolo and G. Monino.
Di Pietro Vinci ... II Secondo Libro de
Madregali a sei voci. Con vno dialogo a
dodeci. Nuouamente posti in luce. Canto.
(Alto.) (Tenore.) (Basso.) (Quinto.) 5pts.
Appresso V Herede di Girolamo Scotto :
Vinegia, 1583. 4°. D. 177.
Di Pietro Vinci ... II Primo Libro de
Madrigali a Cinque Voci. Nouamente
ristampato, & da molti errori emendate.
Basso. Appresso Girolamo Scotto :
Vinegia, 1566. 4°. D. 177. c.
Di Pietro Vinci... II Secondo Libro de
Madrigali a Cinque Voci. Nouamente
ristampati. Tenore. (Quinto.) 2 pts.
Appresso V Herede di Gierolamo Scotto :
Venetia, 1589. 4°. D. 177. f.
Di Pietro Vinci ... II Terzo Libro de
Madrigali a Cinque Voci. Nuouamente
posti in luce. Alto. Appresso Girolamo
Scotto : Vinegia, 1571. 4". D. 177. d.
Di Pietro Vinci ... II Primo Libro di
Mottetti a Cinque Voci : nuouamente
dato in luce. Basso. Appresso G. Scotto :
Vinegia, 1558. obi. 4°. A. 127.
Quattordeci Sonetti Spirituali della lUus-
trissima. . .Vittoria Colonna d' Avalos de
Aquino Marchesa di Pescara. Messi in
canto. . .a cinque voci, etc. Quinto.
Appresso V Herede di Girolamo Scotto :
Vineggia, 1580. 4°. D. 177. b.
VINCULUM SOCIETATIS. Vincu-
lum Societatis, or the Tie of good Com-
pany. Being a Choice Collection of the
Newest Songs now in Use. With Thorow
Bass to each Song for the Harpsichord,
Theorbo, or Bass-Viol, etc. 3 Books.
F. Clark, T. Moore, and
J. Heptinstall, for John Garr and B. G. :
London, 1687 (1688, 1691). fol. G. 95.
The composers named are : H. Purccll,
F. Forcer, S. Ackroyd or Akeroyd, R.
King, D. Purccll, M. Snow, B. Broion,
T. Tedioay or Teddnoay, J. Blow, T.
Shadivell, Seignior Baptist, R. Court-
evil or Courtevell or Ccnirteville,
Captain Pack, J. Courtevil, Motley,
Banister, Poiuel, J. Eagles, Mumford,
A. Damascene, Manshipp, B. King, J.
Freeman and Keene.
VINER ( ) Solos for a Violin with
a Thorough Bass for the Harpsicord or
Bass Violin. Compos'd by the late Mr.
Viner of Dublin. Printed for I. Walsh <£•
I. Hare : London, [1720 ?] fol. g. 1084.
VIOLA (Francesco) Di Francesco Viola
II Primo Libro de Madrigali A quatro
Voci Nouamente ... dal Proprio Autore
corretto & dato in Luce & per Antonio
Gardane stampato, etc. Cantus.
Apresso di Antonio Gardane :
Venetia, 1550. obi. 4°. A. 362.
See WiLLAERT (A.) Musica Noua, etc.
(With a dedication by F. Viola.)
(1559.) 4". K. 3. m. 14.
VIOLET. The Violet. Ballads.
See Arne (M.)
VION (Charles Antoine) L'Amant
discret. Romance ... Parolles de M. * * *
{Paris, 1785 ?] 8°. B. 362. i. (31.)
VIOTTI (Giovanni Battista) Amanti
che nel Core. The Favorite PoUacca as
sung by Signora Banti. . .in the Opera of
La Serva Padrona. . .Arranged, with an
Accompaniment for the Piano Forte by
D. Corri. Printed for Corri,
Dussek (& Co. : London, [1794.] fol.
G. 385. c. (13.)
[Amanti che nel core.] Viotti's Favorite
Pollacca . . . A rranged as a Rondo for the
Piano-Forte, by J. L. Dussek. Printed
for Corri, Dussek d Co. : [London, and]
Edinburgh, [1795 ?] fol. g. 140. (30. )
[Another copy.] h. 726. e. (15.)
[Amanti che nel core.] Consola amato.
A Favorite Italian Song adapted to
Viotti's Celebrated PoUaca. A . Hamilton :
London, [1800 ?] fol. H. 1650. f. (36.)
[ApoUon Berger.] The Favorite Pas de
Trois danced... in the Ballet of Apollon
Berger, etc. [P. F.] Broderip <£
Wilkinson : London, [1798 ?] fol.
H. 2819. (13.)
Che gioja che contento, a Favorite Polacca,
as sung by Sig'^ Viganoni, etc.
Printed for B. Birchall : Lojidon,
[1795?] fol. G. 811. (32.)
VIOTTI— VIRGIN
633
VIOTTI (GiovAN^ri Battista) Yiotti's
. . .Concertante, arranged for the Piano
Forte, with accompaniment for two
Violins, Tenor, Bass, two Horns and two
Hautboys ad libitum, hj Steibelt.
Bland d Weller : London, [1800 ?] fol.
g. 442. j. (24.)
The Pianoforte part only.
2* Concerto pour le Piano-Forte.
Chez Imbanlt : Paris, [1790 ?] obi. fol.
e, 284. c. (12.)
Viotti's Grand Concerto, in B }> : arranged
for the Piano Forte... with Accompani-
ments for two Violins, Oboe, Corni, Alto
& Violoncello, by Mr. HuUmandel. [Sep-
arate Parts.] Printed for R. Birchall :
London, [1796.] fol. g. 116. a. (10.)
A New Grand Concerto with Accompani-
ments— as performed at the Opera Concert
...Adapted for the Piano-Forte,. . .by
Mr. HuUmandel. [Separate Parts.]
Leivis, Houston d Hyde : London,
[1796.] fol. g. lie. a. (9.)
Consola amato. See supra : [Amanti che
net core.]
Six Duetts Concertants for Two Violins
. . .1" Book of Duetts. [Separate Parts.]
Longman and Brodcrip : London,
[1795?] fol. g. 218. (13.)
Six Duo Concertans pour deux Violons . . .
2° livre de Duo. [Separate Parts].
Chez M>- Boyer : Paris, [1790 ?] fol.
g. 414. (4.)
Six Duetts Concertants for Two Violins . , .
2^ Book of Duetts. [Separate Parts.]
Longman and Broderip : London,
[1795?] fol. g. 421. 1. (1.)
Three Duets, Concertants, for Two Violins
...Op. 5. Book 1. [Separate Parts.]
Longman, Clementi d Co. : London,
[1800?] fol. g. 218. (15.)
Three Duets, Concertants, for Two Violins
...Op. 5. Book 2. [Separate Parts.]
Longman, Clementi d Co. : London,
[1800?] fol. h. 1747. (2.)
Six Duets Concertanti, for Two Violon-
cellos . . . Op. 6. Book 1^'. [Separate
Parts.] J. Longman, Clementi d Co. :
London, [1800?] h. 219. (8.)
[Another copy.]
g. 421. k. (7.)
Trois Duos Concertants pour deux Vio-
loncelles . . . P Livre [Op. 6. N"' 1-3.
Senarate Parts.] Chez Pleyel :
Paris, [ISOO?] fol. h. 204. a. (7.)
Trois Nouveaux Duo Concertans pour
deux Violoncelles ... 2® Livre. [Op. 6.
N°' 4-6. Separate Parts.] Chez Pleyel :
Paris, [1800 ?] fol. h. 204. a. (8.)
VIOTTI (Giovanni Battista) [Duetts.
Op. G. Book I.] Three Sonatas, for
the Piano Forte, with Accompaniments
adapted from Viotti's Violoncello Duetts
. . .by M. Clementi. Op. 6.
J. Longman, Clementi d Co. : London,
[1800?] fol. h. 1847. f. (39.)
The Violoncello part only.
Six Quatuors concertants pour Deux
Violons, Alto et Basse . . . ffiuvre 1.
[Separate Parts.] Chez le S'' Sieber :
Paris, [1785?] fol. g. 1085.
Six Senates a Violon Seul et Basse... ii°
Livre de Senates de Violon.
Chez Lnbault : Paris, [1795 ?] fol.
g. 1085. a.
Sis Trios a Deux Violons et Basse . . .
CEuvre 2. [Separate Parts.] Chez le
S'- Sieber : Paris, [1785 ?] fol.
h. 2852. b. (4.)
Viotti's Three Trios, arranged as Sonatas
for the Piano Forte with Accompaniments,
for the Violin and Bass, by J. L. Dussek.
[Separate Parts.] Printed for Corri,
Dussek d Co. : London, [1798 ?J fol.
g. 150. (8.)
The title-page of the Pianofoi-te part is
signed by Viotti.
Three Trio's, for Two Violins Concertanti,
& a Violoncello ... Dedicated to J. C.
Hankcy, etc. [Separate Parts.]
Printed for Corri, Dussek d Co. : London d
Edinburgh, [1796 ?] fol. g. 222. (18.)
VIRCHI (Paolo) II Primo Libro de
^Madrigali a Cinque Voci, etc. Canto.
(Alto.) (Tenore.) (Basso.) (Quinto.)
5 pts. Presso Giacomo Yincenzi, d
Pdcciardo Amadino, compagni : Venetia,
158i. 4°. D. 5.
Di Paolo Virchi...Il Secondo Libro de
IMadrigali a cinque voci, etc. Canto.
(Alto.) (Tenore.) (Basso.) (Quinto.)
5 pts. Appresso Giacomo Yincenzi:
Venetia, 1588. 4°. D. 6.
VIRGIN. A Virgin like me sure was
ne'er so distress'd. The Virgin's Com-
plaint. A New Song. [London, 1765.] 8".
P.P. 5438. z.
Universal Magazine, Vol. XXXVI. ,
p. 149.
The Virgin Unmasked. Song. See It.
It is I believe, etc. [1763.] 8".
P.P. 5438. z.
The Virgin when softned by May. May,
the Mother of Love. [Song, by S. Long.]
London, [1763.] 8». P.P. 5441.
Royal Magazine, Vol. IX., p. 44.
The Virgin when softned by May. May,
the Mother of Love. [Song, by S. Long.]
London, [1763.] 8°. P.P. 5140.
Lady's Magazine, Vol. V.,p. 549.
634
VIRGIN— VITALI
VIRGIN. The Virgin's complaint. Song.
See supra : A Virgin like me sure was
ne'er so distress'd, etc.
The Virgin's First Love. Arietta.
See Le Clere (V.) Madame.
The Virgin's first Love. [Song.]
See E.ELFE (J.)
The Virgin's Monitor. [Song.] See Ye.
Ye Virgins of Britain, dc. [1775 ?] fol.
H. 1994. a. (124.)
VIRTUE. Virtue. [Song, begins: 'No
radiant Pearl.'] See Clarke, afterwards
Clarke-Whitfield (J.)
Virtue. [Song, begins : ' The peasant
in his humble cot.'] See Dibdin (C.)
[Frivate TJicatricals.']
Virtue. [Song, begins : ' Virtue bids us
conquer passion.'] See Haendel (G. F.)
[Teseo. Chi ritonia alia mia mcnte.']
Virtue. [Song, begins : ' Ye Virgins and
youths of the plain.'] See Murphy (S.)
Virtue's Reward. [Song.] See Maid.
The maid is blest that will not hear.
[1750?] s. s7(. fol. G. 312. (127.)
VIRTUES. The Virtues of Snuff. [Song.]
See Good. Good Neighbours attend &
give Ear. [1793 ?] fol. G. 360. (54.)
VIRTUMNUS. A'irtumnus, Flora, you
that bless. Song. See Courtevjlle (R.)
iDon Qui.xote. Part III.']
VIRTUMNUS AND POMONIA. Vir-
tumnus and Pomouia. Cantata.
See Whichello (A.)
VIRTUOUS. The Virtuous Maid. [Song.]
See What. What though I am a Country
Lass. [1730?] s.sh.ioh
G. 316. f. (108.)
The Virtuous Wish. [Song.]
See Howard (S.)
VIS-A-VIS. Le Vis-a-Vis. [Song.]
See Chansonnier. Chansonnier plaisant
quoique sage, etc. [1785 ?] 8°.
B. 362. f. (24.)
VISCONTE (SiSTo) Le Sirene Adriatiche
a Tre Voci . . . Opera Terzo. Canto. (Canto
Secondo.) (Basso.) 3 pts.
Apprcsso Giacovio Vinccnti :
Venetia, 1615. 4". K. 3. k. 10.
VISCONTI (Gasparo) Gasperini's Solos
for a Violin with a through Bass for the
Harpsicord or Bass Violin. . .Opera Prima.
Printed for I. WalsJi and I. Hare :
London, [1703.] obi. fol. e. 790.
VISIGOTH, pseud, [i.e. Jean Novi de
Caveirac] Lettre d'un Visigoth [i.e.
J. Novi de Caveirac], a M. Freron, sur
sa dispute harmonique avec M. Rousseau.
Septimaniopolis, 1754. 8".
1103. b. 22. (2.)
VISITANDINES. A moins que dans ce
monastere. Vaudeville des Visitandines
[by F. Devienne]. Avec Accompag' de
Clavecin par le Citoyen Dreux. Chez
Frere : Paris, [1795 ?] fol. G. 557. (12.)
Gard6s le plus profond silence.
Vaudeville du 3° Acts des Visitandines
[by F. Devienne], Avec Accomp' de
Guittare. Chez Imhault :
Paris, [1793?] 8°. B. 362. (84.)
See CiTOYENS. Citoyens malgr6 les
intrigues des fanatiques . . . Air du Vaude-
ville des Visitandines [by F. Devienne.]
[1793?] 8». B. 362. (86.)
See Va. Va, va mon pere, je te jure
. . . Air du Vaudeville des Visitandines [by
F. Devienne]. [1795?] 8°. B. 362. (85.)
Enfant cheri des dames. Rondeau des
Visitandines [by F. Devienne]. Avec
Accomp' de Guittare. Chez Imhault :
Paris, [1793 ?] 8°, B. 362. (81.)
Un Jour de cet automne. Bonde des
Visita7idincs [by F. Devienne].
Chez Imbaiilt : Paris, [1793 ?] 8°.
B. 362. (87.)
Les Visitandines. Com^die.
See Devienne (F.)
VISITE. La Visite du Jour de I'An.
Vaudeville. See Chauvigny ( de)
VITALI (PiLipPo) L' Aretusa. Favola
in Musica rappresentata in Roma in Casa
di Monsignor Corsini, etc.
Appresso Luca Antonio Soldi :
Roma, 1620. fol. K. 8. g. 18.
Concerto di F. Vitali. ]\Iadrigali et altri
generi di Canti a 1. 2. 3. 4. 5. & 6. Voci. . .
Libro prime. Canto. (Quinto.) 2 pts.
Stcmipa del Gardano. Appresso Barlholo-
meo Magni : Venetia, 1629. 4". D. 214.
VITALI (Giovanni Battista) Balletti,
Correnti, Gighe, Allemande, e Sarabande
a Violino, e Violone, 6 Spinetta con il
Secondo Violino a beneplacito . . . Opera
Quarta. Di nuouo Ristampata con nuoua
aggiuntajC/c. Violino Primo. Per Giacomo
Monti : Bologna, 1673. 4°. d. 5. a.
Balletti, Correnti aUa Francese, Gagliarde,
e Brando per ballare. Balletti, Correnti,
e Sinfonie da Camera a quattro Stromenti
. . . Opera Terza. Spinetta, 6 Violone.
Per G. Monti : Bologna, 1674. 4°. d. 5. e.
Balli in stile Francese a cinque Stro-
menti, consecrati alia Sacra Real Maesta
di jMaria Beatrice d' Este Stuarda, Regina
della Gran Bretagna. . .Opera Duodecima.
Alto Viola. Per Antonio Vitaliani :
Modona, 1685. 4°. d. 5. b.
Sonate a due, tre, quattro, e cinque
Stromenti . . . Opera Quinta. Violino
Primo (Secondo). (Alto Viola.) (Violone.)
4 pts. Per Giacomo Monti :
Bologna, 1677. 4°. d. 5.
VITALI— VIVALDI
635
VITALI (Giovanni Battista) Varie
Sonate alia Francese, & all' Itagliana a
sei Stromeuti . . . Opera Undecima. Spin-
etta, 5 Violone. Per Gio. Gasparo Ferri :
Modona, 1684. 4°. d. 5. d.
VITALI (ToMASO Antonio) Sonate a
Tre, Doi Violini, e Violoncello, col Basso
per r Organo, etc. Violoncello. Pei-
Antonio Eicci : Modona, 1693. 4". d. 7.
VITALIUS (Johannes Jacobus)
See SiMLER (J. W.) Philomela . . . cun
r adjuncta da plus novas Chanzuns, pro-
movii a la Stampa dala iii. Editiun Tras
Johannem Jacobum Vitalium, etc.
1751. 12°. 1220. b. 4.
"VTTO ( ) Stabat Mater. . .consisting
of Airs, Choruses, &c. [For Three Voices.
Short Score.] [Lotidon, 1783 ?] fol.
H. 1026.
VITTOEIA (Tojias Luiz de)
See Victoria.
VITTOmi (LoRETo) Arie a Voce Sola,
etc. Apprcaso Alessandro Vincenti :
Venetia, 1649. fol. K. 8. h. 24.
La Galatea. Dramma del Cav^ Loreto
Vittori. . .Dal medesimo posta in Musica,
etc. Per Vincenzo Bianchi :
Roma, 1639. fol. K, 8. g. 11.
The title-page is engraved.
VITUS (EusEBius) Zwey Gesang, deren
das Erste, O Dolor &c, vor gehaltener
Fiirstlicher Leichpredigt, das Ander, Scio
enim &c, nach volleudung derselbigen in
der Schlosskirchen zu S. INIichael gesungen
■worden, etc. Paul Ledertz :
Strasshurg, 1627. 4». C. 271. a.
Threnodise, welche bey hochansenlicher
Leichbegiingnuss weyland der . . . Fiirstin
. . .Frawen Barbara, Margriivin zu Baden
. . . zu Pfortzheim in der Schlosskirchen
zu S. Michael gesungen worden, etc.
Paul Ledertz : Strassbtirg, 1621. 4°.
C. 271.
VITZTHUMB (Ignaz) Premier(-Cinqui-
eme) Recueil d'Ariettes d'Op^ra, arrangees
par M"' Vitzthumb avec Premier & Second
Violon & la Basse Continue sous le Chant.
5 Bks. Chez il/" Van-Ypen & Pris :
Brtixclles, [1775-1780.] fol. H. 2000.
The title of Recueil iv and r is : ' Quat-
rieme [Cinquie7ne) Recueil de 36
Ariettes d' Opera par annie avec
Premier Second Violon et la Basse
continue sous le Chant,' and the en-
gravers are Van Ypen and Meddler.
The names of the operas are given hut
only three composers are named, viz. :
Gluc[lc], Vitzthumb and Colla.
Sinfonia a Piu Stromenti Obligati, etc.
[Orchestral Parts.]
Au Bureau d'Ahonnement Musical:
Paris, [1770 ?] fol. g. 474. (34.)
VIUGLIART (Adriako) ,See Willaert.
VIVA. Viva Bacco. Trio.
See Benelli (A. P.)
Viva le belle Giovani. Song.
See Ferrari (G. G.) [Li Due Svizzeri.]
Viva tutti le vezzose. The Favorite Ter-
zetto. . .adapted to English Words [begin :
"Here's a Health to all good Lasses"],
and Sung. . .in the Entertainment of the
Deserter, etc. Longman and Broderip :
London, [1788.] fol. G. 352. (54.)
According to Michael Kelly {Reminis-
cences, 11. , 202) this trio is by
F. Giardini, but it is also attributed
to Guglielmi.
Viva tutti le Vezzose. A Favorite Ter-
zetto. Printed for R. Birchall :
[London, 1190 •>} fol. G. 424. (11.)
VIVALDI (Antonio) II Cimento dell'
Armenia e dell' Inventione. Concerti a
4 6 5 . . . Opera Ottava. Libro Primo
(Secondo). [Separate Parts.]
M. C. Le Cene: Amsterdam, [1730 ?1 fol.
g. 33. c.
La Cetra. Concerti. . .Opera Nona. Libro
Primo (Secondo). [Separate Parts.]
M. C. Le Cene : Amsterdam, [1730 ?] fol.
g. 33. e. (1.)
Two Celebrated Concertos the one Com-
monly called the Cuckow and the other
Extravaganza. [Separate Parts.]
Printed f 01- 1. Walsh and I. Hare :
London, [1720 ?] fol. h. 43. a.
VI. Concerti a Cinque Stromenti, tre
Violini, Alto Viola e Basso Continue...
Opera Sesta. [Separate Parts.]
Chez Jeanne Roger :
Amsterdam, [1725 ?] fol. g. 33. d. (1.)
Concerti a Cinque Stromenti, tre Violini,
Alto Viola e Basso Continuo . . . Opera
Settima. Libro Primo (Secondo) etc.
[Separate Parts.] Chez Jeanne Roger :
Amsterdam, [1725 ?] fol. g. 33. d. (2.)
VI. Concerti a Flauto Traverse Violino
primo e Secondo Alto Viola Organo e
Violoncello ... Opera Decima. [Separate
Parts.] M. C. Le Cene :
Amsterdam, [1730 ?] fol. g. 33. e. (2.)
Sei Concerti a Violiuo Principale, Violino
Primo e Secondo Alto Viola, Organo e
A^ioloncello . . .Opera Undecima. [Separate
Parts.] M. C. Le Cene:
Amsterdavi,\lim'>} fol. g. 33. e. (3.)
Sei Concerti a Violino Principale, Violino
Primo e Secondo Alto Viola, Organo e
Violoncello . . . Opera Duodecima. [Separ-
ate Parts.] M. C. Le Cene :
Amsterdam, [1730 ?] fol. g. 33. e. (4.)
L' Estro Armonico. Concerti . . . Opera
Terza. Libro Primo (Secondo). [Separate
Parts.] E. Roger :
Amsterdajn, [1110 7] fol. g. 33.
636
VIVALDI— VOCAL
VIVALDI (Antonio) [L' Estro Ar-
luonico.] Vivaldi's most Celebrated
Concertos in all their parts for Violins
and other Instruments with a Thorough
Bass for the Harpsicord. . .Opera Terza.
[Separate Parts.] Printed for I. Walsh
and I. Hare : London, [1730 ?] fol.
h. 43.
L' Estro Armonico. Concerti . . . Opera
Terza. Grave par L. Hue. [Separate
Parts.] Chez M-- Ic Clerc Ic cadet, etc. :
Paris, [1750 ?] fol. g. 33. g.
[L' Estro Armonico. Op. 3. No. 5.]
See Agrell (J. J.) A Collection of Easy
Genteel Lessons. . .Book 11. To which is
added Vivaldi's. . .5th Concerto, Set for
the Harpsicord. [1768 ?] obi. fol. e. 4. a.
Suonate da Camera a Tre, Due Violini e
Violone o Cembalo . . . Opera Prima.
[Separate Parts.] Chez E. Boger :
Amsterdam, [1715 ?] fol. g. 33. b.
Senate a Violino e Basso per il Cembalo
. . .Opera Seconda. E. Roger :
Amsterdam, [1710?] fol. g, 33. f.
XII. Solos for a Violin with a Thorough
Bass for the Harpsicord or Bass Violin. . .
Opera 2-^*. Printed for I. Walsh & I. Hare :
London, [1720 ?] fol. g, 33. h.
VI. Sonate. Quatro a Violino Solo e Basso
& Due a due Violini & Basso Continuo. . .
Opera Quinta, 0 vero Parte Seconda del
Opera Seconda. Chez Jeanne Roger :
Amsterdam, [1720?] fol. h. 219. e. (7.)
La Stravaganza. Concerti . . . Opera
Quarta. Vivaldi's Extravaganzas in Six
Parts for Violins and other Instruments,
etc. [Separate Parts.] Printed for
I. Walsh and losevh Hare: London,
[1730?] fol. g. 33. a.
See BiTTi (M.) Concerts a 5, 6 & 7
Instrumens . . . ; Composez par Messieurs
Bitli, Vivaldi & Torelli, etc. [1715 ?] fol.
g. 917.
See Concerti. Concerti a Cinque ... del
. . .Siguori G. Valentini, A. Vivaldi, etc.
[1730?] fol. g. 35.
See Harmonia Mundi. Harmouia Mundi.
The 2* collection. Being VI Concertos . . .
Collected out of the choicest Works of . . .
Vivaldi, etc. [1727 ?] fol. g. 419. a.
VIVE. Vive Alina sol per te. Duetto.
S'eeEAUzziNi(V.) [LaReginadi Golconda.]
Vive Henri Quatre. Vaudeville.
See Henri Quatre.
Vive I'amour et la folic. Couplets.
See Blasius (M. P.)
Vive le naturalisme. [Song.]
See DocTEURS Modernes.
Vive le vin ! Air. See. Deserteue.
VIVE. Vive les Pillettes. Chansonnette.
Chez Bignon : \_Paris, 1785 ?] 8°.
B. 362. a. (116.)
Vive les nuits 6toil6es. Les SoirSes du
Palais Royal. [Song.] Sur I'air [' Coeurs
sensibles '] du Mariage de Figaro. Avec
Accomp' cle guitarre par ]M. Alberti.
Chez M. Camand : Paris, [1785 ?] 8°.
B. 362. g. (69.)
[Another edition.] Vive les units etoile^s.
Les Soin'cs chi Palais Royal. [Song.] Sur
I'air du Mariage de Figaro, etc.
Chez M. Camand : Paris, [1785 ?] 8".
B. 362. (203.)
Vive un amant. Vaudeville. [Paris,]
1727. s. sh. 40. 297. a. (26.)
Mcrcure de France, Ajyril, 1727.
VIVENT. Vivent les noces pour danser.
Ronde. See Pretendus.
VIVI. Vivi 0 cara. [Song.] See Idaspe.
VIVOWS. Vivons 6 ma Julie. Les Baisers
de Julie. [Song.] Air : II pleut, il pleut
Bergere. [By L. V. Simon.]
Ches Camand : [Paris, 1790 ?] 8".
B. 362. e. (107.)
[Another copy.] B. 362. (129.)
VIVRE. Vivre sans amour, c'est hater la
viellesse. [Song.] See Gresset (J. B. L.)
VO. Vo solcando. Song.
See Vinci (L.) [Artaserse.']
VOCAL. The Vocal Grove. Songs.
See Arne (T. A.)
The Vocal Grove. [Song.]
See Young (C.)
VOCAL E]SrCHA]S"TIlESS. The Vocal
Enchantress, presenting an Elegant Selec-
tion of the Most Favourite Hunting, Sea,
Love & IMiscellaneous Songs . . . With the
Music prefixed to each. ms. additions.
Printed for J. Fielding : London,
[1783.] 12°. A. 434.
VOCAL HARMONIST'S MAGA-
ZINE. The Vocal Harmonist's Maga-
zine. See Bremner (R.)
VOCAL MAGAZINE. The Vocal
Magazine. Containing a Selection of . . .
English, Scots, and Irish Songs, Antient
and Modern : adapted for the Harpsichord
or Violin. 2 vols. C. Steivart d; Co. :
Edinhxtrgh, 1799. Q\ D. 384.
The composers named in this collection
are : W. Jackson, Hook, Pleyel, S.
Clarke, Arnold, Smith, Haydn, Byrd,
Stevens, Muschet, Linlcy, Fisher,
Shield, Arne, Webbe, P. Humphrey,
Travcrs, Reinhardt, Schulz, Giardini,
Weldon, Handel, N. Goto, Giordani,
Alcock, Purcell, Osivald, Hoivard,
Geminiani, Green, Lord Kelly and
Carey.
VOCAL— VOGLER
637
VOCAL MUSIC. Vocal Music, or the
Songsters Companion, containing a new
. . . Collection of . . . Songs, Cantatas &c.
with the music prefixt to each, etc. 2 vols.
Printed for Robert Horsfall : [London,
1V70?-1771?] 12°. A. 889.
The title-pages are engraved. The
following composers are named : Lock-
hart, Dr. Arne, Snow Jun., Boyce,
Worgan, W. Yates, Howard, Bride,
I. A. M. B. [J. Alcock 3Ius. Bac. ?],
Dibdin, G. Kirshaiv, Weldon, Jackson
of Exeter, Baildon, Harulel, Gh-een,
Giardini, W. Sniethergell, Long, J.
Gerard, Carey, W. Dudley, Diqmis,
Tr avers, Lampe, W. Goodivin, Hay-
den, H. Purccll and B. Taylor.
Vocal Music : or the Songster's Companion
...Adapted to the Violin and German-
Flute ... Volume the First. The Second
Edition improved. Baker and Galabin,
for Robert Horsfield : London, 1772. Il\
A. 889. a.
Vocal Music : or the Songster's Com-
panion, etc.
Baker and Galabin, for Robert Horsfield :
London, 1775. 12°. A. 889. b.
A different collection from the volumes
published under this title in [1770?
1771?] and 1112.
Vocal Music, or the Songster's Companion,
being a complete Collection of Songs,
Cantatas, &c. . . . Selected from the first
and second Volumes of a favorite Work
formerly Published under that Title; to
which is now added a varietj' of other
New & choice Songs, etc.
Printed for J. Beio: [Lonrfon, 1778 ?] 12°.
A. 889. e.
VOELCKEL (Samuel) Newe teutsche
weltliche Gesangleiu, mit vier vud fiinff
Stimmeu, auff Galliarden, Tautz, vnnd
Musicalische art ; benebenst Cuorrauten
vnd Galliarden ohne Text. . .componirt,
etc. Basis.
In verlegung Georg Leopold Fuhrmanns :
Nilrnbcrg, 1613. 4°. B. 143.
VOGEL ( ) Signor. Six Senates or
Duets for Two German Flutes or Two
Violins. Compos'd by Sig'' Vogel.
Printed for Thompson <& Sons :
London, [1163?] fol. h. 17. (4.)
VOGEL (JoHAinsf Christoph) Demophoon.
Opera Lyrique en trois Actes . . . Paroles de
M. Deriaux . . . Grave par Eichomme. [Full
Score.] Chez le S'' Sieber:
Paris, [1789.] fol. H. 520. a.
Six Duos pour Deux Flutes. . .CEuvre 2°.
[Separate Parts.] Chez le S' Sieber :
Paris, [1785 ?] fol. g. 280. h. (8.)
La Toison d'Or. Tragedie Lyrique en
Trois Actes, etc. [Words by Desriaux.
Full Score.] Chez iP Michaud :
Paris, [1786.] fol. H. 520.
VOGEL (.ToHANN Christoph) [La Toison
d'Or.] Ouverture . . . Arrang6e pour le
Clavecin ou le Forte-Piano avec Violon
ad Libitum. Par F. Mezger.
Chez M'- Boyer : Paris, [1786 ?] fol.
g. 81. (13.)
Wanting the Violin part.
VOGEL (Louis) Three Duetts, for Two
Flutes. . .Op. 85. [Separate Parts.]
Printed for Corri Dussek & Co. :
London (& Edinburgh, [1197?] fol.
g. 225. (13.)
Jenny's Bawbee, with Variations . . .
Adapted for the Piano Forte.
Printed for W. Whytc :
Edinburgh, [1800 ?] fol. " g. 139. (45.)
See Krasinsky ( ) pseud, and Vogel (L.)
Six Duo concertants, etc. [1785 ?] fol.
h. 1608. k. (6.)
See Krasinsky ( ) pseud, and Vogel (L.)
Six Duetts, etc. [1800 ?] fol.
g. 421. p. (1.)
VOGELFAENGER. Der Vogelfauger
bin ich. [Song.] See Mozart (W. A.)
[Die Zauberflote.]
VOGELSANG (Joannes) Musicae Rudi-
menta . . . tarn fideliter qua compendiose
congesta. Per Vale7iti7iwn Otthmar :
Auguste Vindelicoriim, (1542.) 8".
xL. 3. 1. 11*
VOGLER (Georg) Catechismus in ausser-
lesenen Exempeln, kurtzen Fragen,
schonen Gesaugern, Reymen vnd Reyen
fiir Kirchen vnd Schiilen von newem
fleissig aussgelegt, etc.
Bey Johann Volmari :
Wurtzburg, 1625. 8°. 1350. b. 40.
Catechismus in ausserlesenen Exempebi,
kurtzen Fragen, schonen Gesangern,
Reymen vnd Reyen fiir Kirchen vnd
Schiilen von newem fleissig aussgelegt,
etc. Bey Elias Michael Zinck :
Wurtzburg, 1652. 8°. 1354. a. 3.
VOGLER (Georg Joseph) [Castor und
Pollux.] Sinfonie aus der Opera : Castor
und PoUux ... in Clavier- Auszug gesetzt
. . . von A. Streicher. I. ill. Gotz :
Mannheim, etc. [1788.] obi. fol.
g. 90. d. (1.)
Abt Vogler's Choral-System. In der
Haly'sclien Musikhandlung. Gedruckt bei
N. Christensen : Kopenhagen, 1800. 8°.
7897. b. 51. (2.)
Imperfect, wanting the examples in 4°.
Concerto pour Clavecin ou Forte Piano
avec Accompagnement de Deux Violons,
Alto et Basse, Deux Obo6, Deux Cors, etc.
Chez le S'' Sieber : Paris, [1783 ?] fol.
g. 90. c.
The Harpsichord part only.
638
YOGLER
VOGLER (Georg Joseph) Deutsche
Kirchenmusik, welche . . . vom . . . Herru
Vogler, zu 4 Singstimmen iind Orgel
dann einer ■willkiihrlichen Begleitung
von Bogeu- und Blasinstrumenten gesezt
und. . .iin geistlichen Concerte zu Heidel-
berg . . . den ISten Christmonat 1778. . .
aufgef iihrt worden. [Maim, 1780 ?] fol.
H. 3311. a. (1.)
Eintheilung der Saite F auf dem Vogler-
ischen Tomnase. [Mannhcivi,
1780 ?] s. sh. fol. g. 90, a. (2.)
Le Forgeron Villageois.
See infra : \_Jaeger-Ballet.'\
Gruende der Kuhrpfalzischeu Tonschule
in Beyspielen als Vorbereitung zur Mann-
heimer Monatschrift und zu den Heraus-
gaben des offentlichen Tonlehrers Abt
Vogler. [Mannheim, 1778.] fol.
g. 90. a. (5.)
Clavierauszug aus Hermann von Unna,
einem Schauspiel in 5 Acten mit Choren
und Tanzen . . . welches am Geburtsf este
S. M. des Konigs von Dauemark. . .zu
Kopenhagen aufgefiihrt wurde.
<S'. Sonnichsen : Kopenhagen,
[1800.] oU. fol. E. 1297. a.
[Jaeger-Ballet.] Le Forgeron Villageois.
Ballet Pantomime. Compos6 pour la
Cour Electorale et Arrange pour le Harp
[sic], OU Clavecin. . .Opera 5.
John and Gerard Vogler :
London, [1775 ?] fol. h. 16. a. (12.)
Probably the same as ' Le Rendez-vous
de Chasse ,' produced at Mannheim in
1772.
Jaeger-Ballet. [P. F. and Violin.]
[B. Schott : Mainz, 1780.] fol.
g. 90. a. (3.)
Part of tlie Wi Lieferung of the 3rd year
of the ' Mannheimer Manatschrifi, re-
printed with a new title.
[La Kermesse.] On ne fait aucune alliance.
Air, de la Kermesse ou la foire Flamande.
[Words by Patrat, music by G. J. Vogler.]
[1783.] 8°. See Kermesse.
B. 362. g. (99.)
Kuhrpfalzische Tonschule. 8 pts.
Bei Hcrrn G. F. Sclnoan, etc. :
Mannheim, [1778.] 8°. 7895. a. 50.
Pcbrt II. consists of ' G. J. Vogler' s. . .
Tonwissenschaft und Tonsezkunst,'
dated 1776. Part III. is ' Nuzbarkeit
des Tonmases,' without a separate
title-page. Wanting the folio musical
examples.
[Another copy.] 7897. a. 56.
Wanting the musical examples. This
copy has an additional title-page, en-
graved : " Vogler' s Tonschule, Ton-
wissenschaft und Tonsezkunst. Nebst
Beyspielen. Offenbach a/M, bey Joh.
Andr4."
VOGLER (Georg Joseph) [Mannheimer
Monatschrift . . . Edited and published by
Abt Vogler. 3 Vols., each in 12 monthly
parts.] 1778-1781. fol. See PERiODiCAn
Publications. — Mannheim. H. 3311. c.
Notturno en Quatuor pour le Piano Forte,
un Violon, la Quinte et Violoncelle. . .La
seconde Edition, eurichie des agr6ments
et des chaugements pour les Reprises.
[Separate Parts.] Chis Bossier :
Darmstadt, [1796.] obi. fol. e. 1230. (4.)
Pieces de Clavecin faciles, doigt^es, avec
des Variations d'une difficult^ graduelle,
. . . Dedi^es a Sa Majesty le Roi Gustave IV
Adolphe, etc.
De VImprimerie de Musique. . .du Boi :
Stockholm, [1795.] obi. 4°. b. 400. (12.)
Wanting pp. 21-24.
112 Petits Preludes pour I'Orgue ou le
Clavecin. [Op. 9.] Chez Bernard Schott :
Maience, [1776.] fol. g. 90. b.
Psalmum Miserere decantandum a quatuor
vocibus cum Organo & Basis. . .Pio VI.. . .
D. D. C. Compositor, etc. Bossier :
Spirae, [1785?} fol. H. 3311. b. (2.)
Schmied-BaUet. [P. F. and Violin.]
[B. Schott : Mainz, 1780.] fol.
g. 90. a. (4.)
Part of tlie itJi Licfenmg of the 3rd
year of the Mannheimer Monatschrift,
reprinted, witJi a new title.
Sei Senate facile di Cembalo col' Accom-
pagnamento d' un Violino a piacere, etc.
[Op. III.] [Ma7inhcim? 1179.] fol. g. 90.
G. J. Vogler's. . . Stimmbilduugskunst.
Li der Kuhrfilrstlichcn Uofbuchdruckerei :
Mannheim, 1776. 12°. 7899. a. 25.
G. J. A^ogler's . . . Tonwissenschaft und
Tonsezkunst. Gedruckt
in der Kuhrfurstlichcn Hofbuchdrzickerei :
Mannheim, 1776. 8°. 7896. aa. 11.
This work foi-ms Part II. of Vogler's
' Kuhrpfalzische Tonschidc.'
Trichordium. [Cantata, on a melody by
J. J. Rousseau. Words by Prof. Meissner.
Full Score.]
Im Verlage der . . . chemischen Druckerey :
Wien, [1800?] fol. H. 3311. b. (1.)
The P. F. score of this loork bears the
folloiving title : " Trichordium und
Trias Harmonica, oder Lob der Har-
monie vom Professor Meissner, nach
J. J. Bousseau's Melodic zu^ drei
Tonen komponirt vom Abt Vogler.
Tres faciunt Collegium, etc."
Variations sur I'air de INIalborough pour
le Piano Forte avec un Accompagnement
de 2 Violons, Alte, Basse, 2 Fluttes, 2
Fagottes et 2 Cors ad libitum.
CMs Bossier: Spire, [1791.] obi. fol.
g. 90. d. (2.)
The Pianoforte part only.
VOGLER— VOLUNTARIES
639
ITOGLER (Geoeg Joseph)
See God save the King. Kontrapunkt-
ische Bearbeitung des Englischen Volks-
lieds God save the King. [Corrections by
Abt Yogler of J. N. Forkel's 2i Variations
on the National Anthem.] [1793 ?] fol.
g. 90. a. (1.)
See Knecht (J. H.) Erklarung einiger. . .
Grundsatze aus der Voglerschen Theorie,
etc. 1785. 4". 7897. cc. 37.
VOGLER (Gerard) The Request. A
favourite Song for the Harp or Piano
Forte. The Words by Mr. Clarke.
Printed for J. and G. Yogler:
London, [1775?] fol. G-. 312. (207.)
The Request, a favorite Song; with an
Accompaniment for a Piano Forte or
Harp. J.Preston: London, \XIQ5'>^ fol.
H. 2821. (21.)
VOGT (^Mauritius) Conclave Thesauri
Magnse Artis Musicse.
Typis Gcorgij Labaun :
Vetero-Pragu; 1719. fol. 7896. g. 1.
"VOL Vol amante che vedete. — Dearest
Creature, of all Nature. — Voi Amante, or
Rondeau [by F. Giardini]. [London,
1760 ?] s. sh. fol. G. 307. (168.)
Voi amante che vedete. Rondeau.
See Giardini (P.)
Voi sapete. Rondo. See Avaro Deluso.
Voi tornate a questo seno. [Song.]
See Paisiello (G.) [La Locanda.']
VOICE. The Voice of Melody. [Sacred
Music] See East (W.)
VOICI. Voici done le s6jour paisible.
Romance.
See Sainte-Aldegonde ( de) Count.
Voici la Foire des Amours. Vaudeville.
See MouRET (J. J.) [La Foire de Besons.']
Voici les lieus charmants. Air.
See F., D. L. B. L.
Voici venir le doux printemps. Romance.
See EsTELLE.
VOIGT (JoHANN Carl) See Gespraech.
Gesprach von der Musik . . . Von einem,
der von Jugend auf Christlich Unter-
richtet, und Oefientlich die Wahrheit an
den Tag gegeben [i.e. J. C. Voigt].
1742. 4°. 7897. g. 30.
VOIGTLAENDER (Gabriel) Erster
Theil AUerhand Oden vnnd Lieder, welche
aufi allerley, als Italianische, Frantzos-
ische, Englische, vnd anderer Teutschen
guten Componisten, INIelodien vnd Arien
gerichtet . . . bey Clavi Cimbaleu, Lauten,
Tiorben, Pandorn, Violen di Gamba
gantz bequemlich zu gebrauchen, vnd
zu singen, etc. Gedruckt auff der Konigl:
Adelichen Academy, von H. Kritsen :
Sohra, 1642. fol. G. 76.
VOIGTLAENDER (Gabriel) Erster
Theil, AUerhand Oden vnd Lieder, welche
auff allerley, als Italianische, Frantzos-
ische, Englische, vnd anderer Teutschen
. . . Componisten . . . ]\Ielodien vnd Arien
gerichtet, etc. Bey Michael Volcken :
Liibeck, 1650. fol. F. 437.
VOILA. Via ma cocarde, j'prends la
tienne. Vaudeville. See Au Retours.
Voila, voila, la petite laitiere. [Song.]
See Les Deux Chasseurs.
VOIS. Vois tu ces coteaux se noircir.
Romance. See Laboede (J. B. de)
VOISENON (Claude Henri FUSiiE
DE) Reponse du Coin du Roi au Coin de
la Reine. [By C. H. Fusee de Voisenon],
etc. 1753. 8°. See Reponse.
1103. b. 21. (6.)
VOISIN. Le Voisin et la Voisine. [Song.]
See Fermier. Le Fermier de notre village,
etc. [1785?] 8". B. 362. e. (85.)
VOISIN ( ) Coule jus pretieux. Air,
etc. [Paris,'] 1734. s. sh. 4". 297. b. 3.
Mercure de France, April, 1734.
VOLCANO. The Volcano,
meut. See Moorehead (J.)
Entertain-
VOLE. Vole a ma Soeur, heureux Bouquet.
Bouguctdma Sceur. [Song.] Air, J'avois
toujours garde mon Coeur. Paroles et
Accompague"" de Guittare du Sieur
Alberti. CMs Camand:
[Paris, 1780 ?] 8\ B. 362. g. (59.)
Vole a nos voix dans ces hois. Ariette.
See Devin du Village.
Vole, Amour, Dieu vainqueur. Air.
See BuTTiER ( ) W".
Vole, Amour, quitte Cithere. Air.
[Paris,] 1739. s. sh. 4". 297. b. 27.
Mercure de France, March, 1739.
Vole, vole, heureux PapiUon. Air.
[Paris,] 1724. s. sh. i". 297. a. 7.
Mercure de France, April, 1724.
VOLOGESO. The Favourite Songs in
the Opera call'd Vologeso. [A Pasticcio.
Short Score.] London, [1760.] fol.
G. 206. a. (5.)
The composers named are : Perez, Cocchi
ayid Jomelli.
[Another edition. The Favourite Songs
in. . .Vologeso. Short Score.]
See Delizie. Le Delizie dell' Opere, etc.
Vol. IX. [177G.] fol. G. 159.
VOLUNTARIES. Ten Voluntarys for
the Organ or Harpsichord. . .by Dr. Green,
Skinner, Stubley, James, Reading and
Kuknan [or rather Kiihnau].
Printed for C. and S. Thompson: London,
[1770 ?] ohl. fol. e. 108. a. (5.)
640
VOLUNTARIES— VOUS
VOLUNTARIES. A CoUectiou of
Voluntaries, for the Organ or Harpsicord.
Composed by Dr. Green, Mr. Travers &
Several other Eminent Masters. Book I.
(Twelve Voluntaries and Eugues for the
Organ or Harpsichord with Rules for
Tuning by . . . Mr. Handel. Book IV.)
2 Bks. Longman Luhey
(£■ Co. {Longman and Broderip) : London,
[1777?-1780?] obl.tol. e. 1089.
Book II. of this collection contained
voluntaries by Handel, Greene, dc. ;
Book III. by Gibbons, Blow, Purcell,
dx. This copy of Book IV. contains
the autograph signatures of W. H.
Gray, Eichard Clark and Samuel
Butler.
VOLUNTEER. The Volunteer. Song.
See Hook (J.)
Volunteer Making. [Song.]
Sec Reeve (W.)
VOLUNTEERS. The Volunteers' Medly.
[Song.] See Odd. O'dd Zooks what a
sight, etc. [1781.] fol.
H. 1601. a. (108.)
VON. Von Gottes milder Vatters-Hand.
[Hymn.] See Kindermann (J. E.)
VONTE. Vonte que la beauta s'esconde.
Air. See Proven§ale.
VOPELIUS (Gottfried) New Leipziger
Gesangbuch ... In welchem nicht allein
des sel. Herrn D. Lutheri . . . Gesange,
Lateinische Hymni und Psalmen, Slit 4.
5. bis 6. Stimmen, deren Melodeyen theils
aus J. H. Scheins Cantional, und andern
. . . Autoribus zusammen getragen, theils
aber selbst componiret ; Sondern auch die
Passion nach den heiligen Evangelisten
Matthfeo und Johanne . . . &c. Choraliter,
und was sonsten bey dem ordentlichen
Gottesdienste gesungen wird, zu finden. . .
herausgegeben von Gottfried Vopelio . . .
Mit einer Vorrede D. Georgii Moebii, etc.
InVerlegung Christoph Klingers...Druckfs
Galbis Niemanfii: Leipzig, W82. 8°. C. 5.
Tiie composers named in this loork are :
Bodenschatz, Briegel, C. S. Buchner,
J. a Burck, Crilger, C. Daimi, M.
Franck, Gesius, Hammer schmidt, J.
Handl, S. Knilpfer, T. Michael, G.
Peter, M. Praetorius, Rosenmilller, H.
Scheidemanii, H. Schein, J. Schelle,
J. Schop, H. Schtltz, Selneccer and
Vopelius.
VOS. Vos Amans sont du Village. [Song.]
See Amours de Ghebubin.
Vos regards, belle Iris. Air Tendre.
[Paris,'] 1724. s. sh. i". 297. a. 10.
Mercure de France, Sexd., 1724.
Vos yeux du tendre Amour. Air.
Sec Legat de Furcy (A.)
VOSS (JoHANN Heinrich) Musenalmanacb
. . .herausgegeben von J. H. Voss, etc.
See Periodica!:, Publications. — Lauen-
biirg. p.p. 4739. db.
VOTO. Voto a Diana. Duett.
See Ferrari (G. G.)
A
VOTRE. Votre coeur aimable Aurore.
Romance. See Titon et l'Aurore.
Votre cceur aimable Flore. Cavatina.
See Viaggiatori Felici.
Votre gaite me d^sespere. Brunette.
See Lemairb (L.)
Votre voix, et vos yeux. [Song.]
See MiON (J. J. H.)
VOULEZ. Voulez-vous etre heureux.
[Song.] Paroles prises du Roman de
Galat^e, musique du tres-jeune Amateur
de Dreux. [Pairis,] 1784. 8°. 297. g. 12.
Mercure de France, August, 1784, p. 98.
Voulez vous etre heureux. Rornance de
Galatie. Paroles [translated from Cer-
vantes] de Mr. de Florian. Avec Accomp'
de Guittare. Chez Imbault :
[Paris, 1785 ?] 8°. B. 362. e. (44.)
Voulez-vous fixer I'inconstance. Chanson.
Gravi par M'^ Labassde. Imprimi par
Tournelle: [Paris,] 1758. s. sh. 8".
297. d. 16.
Mercure de France, Dec, 1758.
Voul6s vous savoir, mes amis. Ulncon-
stant. [Song.] Air : Je le compare avec
Louis [by N. Dezede]. Avec Accompagne-
ment de Guitare. [Paris, 1780 ?J 8°.
B. 362. (75.)
VOULONS. Voulons nous dans ces
retraites. [Song.] Avec Accompagnemcnt
de Guithare. [Paris,] 1779. 8°.
B. 362. a. (124.)
[Another copy.] B. 362. g. (76.)
VOUS. Vous aimables fillettes. Ronde.
See GossEC (F. J.) [Le Camp de Grand-
Pri.]
Vous av6s chants la jeunesse. RijMnce
de ikf'»« de R.. d M-'de R. . sur le Bonjoiur,
et Bon Soir ; Lors de son Mariage. Air,
Bon Soir ma jeune. Mis au jour par M""
Penet. Chez M"<' Girard : [Paris,
1780?] 8°. B. 362. b. (160.)
Vous avez d'Heb6 la fraicheur. Portrait.
Chanson. [Paris,] 1751. s. sh. 4".
298. e. 3.
Mercure de France, March, 1751.
Vous avez de I'esprit. Air Nouveau.
[Paris,] 1679. s. sh. obi. 4°. P.P. 4482.
Nouveau Mercure Galant, Oct., 1679,
p. 162.
Vous avez eu je le sais bien. Air.
See Confederation du Pabnasse.
Vous avez grand tort Colinette. [Song.]
See Vendangeurs.
YOUS
641
VOUS. Vous avez les appas. Conseils a
um jeune 'persoyme. Chanson. {Faris^
1751. s. sh. 4^ 298. c. 2.
Mercure de France, Feb., 1751.
Vous chantes lorsque tout sommeille.
[Song.] Sec Legat de Furcy (A.)
Vous connoissez, mes amis. [Song.]
See Geetry (A. E. M.)
Vous craignez de me rendre hommage.
Vaudeville. See Petii OiIdipe.
Vous demandez des Vers. Air Nouvecm.
[Paris,] 1679. s. sh. obi. i°. P.P. 4482.
Nouvcau Mercure Galant, Oct., 1679.
Vous demandez, Iris, pourquoy je vous
evite ? Air. Sec Brossard (S. de)
Vous, dont Tame a re9u I'atteinte.
Romance. See Malvaux ( )
Vous dont I'ame est sensible. U Innocence
Eeconnue ou la Verite Triomphante. Air,
O! ma tendre Musette. Couplets pour Marie
F. V. Salmon . , . qui avoit 6te condamn(§e
a etre brulee vif, etc. Chez Camand :
Pam, [1780?] 8°. B. 362. (152.)
Vous dont la vertu guerriere. Chanson
Philoso - Patriotique, avec Accomp' de
Guittare. Chez Imbanlt : Paris,
[1792?] 8". B. 362. d. (25.)
[Another copy.] B. 362. a. (167.)
Vous enflammez, et pour longtems.
Chanson. See Martini (G.) il Tedesco,
pseud. [Le Droit du Seigneur.']
Vous etes ma belle amourette. Trio.
S<?e N . . . , M.
Vous fuyez sans vouloir m'entendre.
Chanson. See Papavoine ( ) il/'''"e.
Vous jouissez d'une beaute supreme.
Madrigal. See L., D.
Vous I'ordonnez. [Words from Beau-
marchais's " Barbier de Seville," music
ascribed to Monsiguy.] To be sung either
as an Air, Duett or Trio. Babb :
[London ? 1800 ?] fol. G. 806. r. (26.)
Vous rordonne[z]. Air.
See Barbier de Seville.
Vous I'ordonnez. Romance.
See Paisiello (G.) [II Barbieredi Siviglia.
Saper bramate.]
Vous m'allez done quitter. Air Serieux.
[Paris,] 1725. s. sh. 4". 297. a. 16.
Mercure de France, Sept., 1725.
Vous m'avez fait un tendre ccetir. Ro-
mance. Gravd par
M" Charpentii. Imprimie par Tournelle :
[Paris,] 1760. s. sh. 8°. 297. d. 23.
Mercure de France, April, 1760.
Vous m' I'ave'z pris disait Jeannette. Le
Bijou pris et rendu. [Song, written] Par
M. d'Harr^. Air : Du Serin qui te fait
envie. Avec Accomp' de Basse.
Chez M'- Houllier : Paris, [1785 ?] 8°.
B. 362. a. (178.)
[Another copy.] B. 362. f. (21.)
vol. II.
VOUS. Vous m'ordonnez de la bruler.
Romance. Avec Accomp' de Guittare.
Chez hnbault : Paris, [1790 ?] 8".
B. 362. g. (66.)
Vous me ditte qu'en vain. Air Nouveau.
[Paris,] 1725. s. sh. 4°. 297. a. 13.
Mercure de France, March, 1725.
Vous me grondez d'un ton severe. Air.
See S * * *, le C[onte'] de.
Vous me plaignez, ma tendre amie. Air.
See Soiree Orageuse.
Vous me quittez, charmante Ismene. Air.
See Bouvaed (F.)
Vous n'avez pas humble fougere. Air.
See Sanazin ( )
Vous par qui I'Amour fait des lois. Le
Portrait de Catcsbi. [Song.]
[Paris, 1780 ?] 8". B. 362. b. (27.)
Vous plairez-vous toujours. Air,
See Paulin ( )
Vous pr6tendez en vain. Chanson.
See MoRizOT ( )
Vous qu'amour brMe de ses feux. Ariette
avec accompagnement de guitbare.
[Paris, 1780 ?] 8\ B. 362. c. (58.)
Vous qui causez mon martyre. Romance.
See CsN, Ml.
Vous qui croyez qu'a la science. Vaude-
ville. See GuiLLON (H. C.)
Vous qui d'amour sentez la douce flame
[sic]. Romance d'lsaie le Triste. (Les
paroles sent d'un Homme de qualite...
La musique est d'une jeune Demoiselle,
etc.) [Paris,] 1776. s. sh. 8". 297. f. 9.
Mercure de France, Oct., 1776.
Vous qui d'amoureuse avanture. Air.
See Renaud d'Ast.
Vous qui d'un Dieu rempli de charmes.
Cephale ct Procris. Romance, [words]
par M">^ de * * *. [Paris,] 1752. s. sh. 4°.
298. c. 10.
Mercure de France, August, 1752.
Vous qui d'un tendre amour. Air.
See SiCARD (J.)
Vous qui de r amoureuse y vresse . Romance
Nouvelle. [Paris, 1180?] 8°.
B. 362. b. (198.)
Vous qui del'amoureuseyvresse. Air. Avec
Accompagnement de Guittare par M"' * *.
[Paris, 1785 ?] 8°. B. 362. g. (11.)
Vous qui du Vulguaire stupide. Vaude-
ville d' £:i>icure. [Paris, 1780?] 8".
B. 362. b. (50.)
[Another copy.] B. 362. e. (113.)
Vous qui parcourez le monde. Couplets.
[Paris,] 1728. s. sh. 4°. 298. a. 2.
Mercure de France, Dec, 1728.
2 T
642
VOUS— VULPIUS
VOUS. Vous qvii pour les enflammer.
La Manie des Fcmnics. [Song.] Avec
Accompagnement de Guitare.
[Paris, 1785?] 8°. B. 362. b. (176.)
Vous qui savez ce qu'on endure. Bomance
dit Troubadour Prisonnicr. Romance.
[Paris, 1790?] 8°. B. 362. g. (63.)
[Another copy.] B. 362. a. (104.)
Vous qui versez avec courage. Hijmne du
Qen Person aux Braves Blesses en defend-
ant la Patrie, Chant6. . .pendant le repas
du 23 Ttiermidor . . . Air : Veillons au salut
de la France. [By N. Dalayrac]
Chez Imbault : [Paris, 1795 ?] 8".
B. 362. d. (45.)
Vous qui voulez fuir la tendresse. Clian-
sonnette. See Gieard-Raigne ( )
VouS rassembl^s en vous. Air tendre.
[Paris,] 1726. s. sh. 4°. 297. a. 21.
Mcrcure de France, May, 1726.
Vous remplir^s votre verre. Chanson.
See Adberge Isolee.
Vous ressemblez a la Rose. Ariette.
See Gluck (0. W. von)
Vous savez tons que I'gros Thomas. Ronde.
See Georges et Gros Jean.
Vous seule r^gnez dans mon ame. Air.
See BouvAED (F.)
Vous troublez les humides plaines. Air.
See L., E. M. J. D.
Vous voila done, aimable capitaine. Coup-
lets. See Albanese ( )
Vous vous plaignez de mes famous. Chan-
son Nouvelle. Tournelle :
[Paris,'] 1756. s. sh. 8°. 297. d. 1.
Merctire de France, June, 1756.
Vous voyez la patrie. Air.
See Confederation du Paenasse.
VOYAGES DE ROSINE. A mon Exil
metsdoncunterme. [Song.] Des Voyages
de Rosine. [Op(§ra-Comique, words by
Piis and Barr6.] Air, Avec les jeux dans
le Village. [Paris, 1783?] 8°.
B. 362. (184.)
Parmi la soixantaine. Ariette du Voyage
de Bosine. [Op6ra-Comique, words by Piis
and Barr6.] Air de Malbrouk avec accom-
pagnement de Guitare par casimir.
Chez M. Camand : Paris, [1783.] 8°.
B. 362. (209.)
VOYAGEUR. Un voyageur qui court le
monde. Vaudeville.
[Paris,] 1727. s. sh. 4°. 297. a. 26.
Mercure de France, March, 1727.
VOYEZ. Voyez la belle besogne. Air.
See Cheeubini (M. L. C. Z. S.) [Lodoiska.]
VRAI. Le Vrai Bonheur. [Song.]
See Porter. Porter son Nom, etc.
[1790?] 8\ B. 362. e. (12.)
Lo Vrai Figaro. [Song.] See Jadis.
Jadis on voyoit Thalie gais, etc.
[1785 ?] 8". B. 362. (189.)
VRAIS. Les vrais plaisirs habitent sous
la treille. Parodie. See Piccini (N.)
VREDEM AW" (Jakob) SccChansons. [5.]
Liure Septieme des Chansons _ Vulgaires
. . .a Quatre Parties. . .avons adjouste cer-
taines chansons, comme de...Maistre I.
Vredeman, eic. 1608. obi. i". A. 315. b.
See Starter (J. J.) Friesche Lust-Hof
. . . Met schoone Ijopere figueren ver<?ierd ;
ende by all oubekende Wysen, de Noten,
ofte Musycke gevoeght, door M' laques
Vredeman, etc. 1621. obi. 4°.
Case 34. a. 18.
VUILIjAERT (Adrian) See Willaert.
VULPIUS (Melchior) Canticum Beatis-
simas Virginis Marise, Quatuor, Quinque,
Sex et Pluribus A^ocibus, juxta Vulgares
Tones, etc. Discantus. (Altus.) (Tenor.)
(Bassus.) (Quinta (Sexta) Vox.) 6 pts.
Typis Christophori Lippoldi, Impeyisis
Heinrici Birnstiel : Genx, 1605. 4°.
C. 99. a.
Erster Theil Deutscher Sontiiglicher Evau-
gelischer Sprilche, vom Advent biss auff
Trinitatis, . . . mit vier Stimmen gesetzt,
etc. Discantus. (Altus.) (Tenor.) (Bassus.)
4 pts. Oedruckt bey Johann Bohbock. . .
In Verlegung Joliann Birckners : Erffurdt,
1619. 4°. B. 144. c.
[Another copy. Tenor.] B. 144. e.
Der ander Theil. Deutscher Sontagiicher
Evangelischer Spriiche, von Trinitatis biss
auf[ Advent. . .mit vier,etliche weuige mit
mehren Stimmeu Componirt, etc. Tenor.
Gedruckt zu Jehna, bey Johann Weidnern,
in Verlegung Johann Birckners : Erffurt,
1617. 4». B. 144. f.
Der Ander Theil Deutscher Sontagiicher
Evangelischer Spriiche, von Trinitatis
biss auff Advent, . . . mit vier, etliche
wenige mit mehren Stimmen Componirt,
etc. Discantus. (Altus.) (Tenor.) (Bassus.)
4 pts. Bey Philip
Witteln, in Verlegung Johann Birckners :
Erffurdt, 1622. 4°. B. 144. d.
Ein schon geistlich Gesangbuch Darinnen
Kirchen Gesange und geistliche Lieder,
D. Mart. Lutheri vnd anderer frommen
Christen. . .begriffen. Mit vier, etliclie
mit fiinff Stimen. . .Contrapuncts Weise
gesetzt. . .zum Andernmal sehr vermehrt,
vnd gebessert in Druck verfertiget. Mit
einer Vorrede Doctoris Antonii Probi, etc.
Gedruckt durch Johan Weidnern :
Jehna, 1609. 4°. C. 99.
VULPIUS-WAFT
643
VULPIUS (Melchior) Opusculum Novum
Selectissimarum Cautiouum Sacrarum
cum Quatuor, Quinque, Sex, Septem &
Octo Vocibus compositum, etc. Discantus.
(Altus.) (Tenor.) (Bassus.) (Quinta (Septi-
ma) (Octava) Vox.) 7 pts. Per Martinum
Wittelium excusum, Impensis Henrici
Binistilii: Erf urti, 1610. 4^ B. 144. b.
Pars Prima. Cantionum Sacrarum cum
Sex, Septem, Octa, et pluribus vocibus
coucinnatarum, etc. Discantus. (Altus.)
(Bassus.) (Quinta (Sexta) (Octava) Vox.)
6 pts. Apiul Salomonem Bichtzenhain :
lenx, 1602. 4°. B. 144.
Pars Secunda. Selectissimarum Can-
tionum Sacrarum cum Sex, septem, octo
& pluribus vocibus concinnatarum, etc.
Discantus. (Altus.) (Bassus.) (Quinta
(Sexta) (Octava) Vox.) G pts.
Excudcbat Salomon Bichtzenhain, Im-
pensis Henrici Birnstiel : lenx, 1603. 4°.
B. 144. a.
W. Sec Baumgarten (C. G. von) Zemirc
und Azor . . . Oper . . . Herausgegeben von
W[olf]. 1775. ohl. fol. C. 439.
W., Le B. De. Discours Analytique sur la
Coherence Imperturbable de I'Unite du
Principe des Trois Premieres parties In-
tegrantes de la Thdorie Musicale. . .Par le
B[aron] de \Y[iese]. Clicz les Frdres
Walther : Dresde, 1795. 4°. 556. c. 17.
W., Mr. Hymen's Holly-Day. A Wedding
Ode. [Song.] The Words and Musick by
Mr. W. [London, 1765 ?] s. sh. fol.
G. 316. (152.)
Hymen's Holyday. See Nymphs. Nymphs
and Shepherds, etc. [Words and music
by Mr. W.] [1772.] s. sh. -1". 159. n. 4.
"W., E. Auss Gottes Raht vnd Willen. a 4.
Voc. Altus. [Nilrnberg'? 1625?] 4».
B. 75. b. (7.)
The Alto part of a hymn, by E. W.
[Erasmus Widmann'>~\, wanting the
title-page.
W., J. C. G. See Wernich (J. C. G.)
W., T. Come smiling Goddess. Ode on
Liberty. The Words and Music by T. W.
[London, 1780?] s. sh. fol. G. 307. (94.)
[Another copy.] H. 1994. a. (190.)
W., V. Nancy Gay. [Song.] [London,
1760 ?] s. sh. fol. G. 316. (153.)
[For editions published anony-
mously :] See Of. Of aU the girls I ever
saw, etc.
W.j W. The Conjuror, [Song,] written and
adapted to Music by W. W. an Amateur.
[London,] 1795. fol. G. 356. (28.)
WACKER. Wacker fuhr ein Baur zu
Acker. Helden-Prob, oder Ackcrmann-
isches Bdren-Bupfen bey Synss, sogeschehen
den 20. Tag Heivmonat, Anno 1714.
[Aarau? 1714?] 8". 11522. df. 94. (6.)
"WAEIjIIANT (Hubert) Di Huberto
Waelrant II Primo Libro de Madrigali
& Canzoni Francezi A cinque voci. — De
Hubert Waelrant le Primier Liure de
Chansons Fraucoyses & Italianes a cinq
voix. Tenor. (Contra Tenor.) (Bassus.)
3 pts. Per Hubert Waelrant d loan Latio :
Anuers, 1558. obi. 4°. A. 559.
Symphonia Angelica di Diuersi ExceUen-
tissimi ]\Iusici a iiii. v. et vi. Voci,
nuouamente raccolta per Huberto Wael-
rant, etc. Canto. (Alto.) (Tenore.) (Basso.)
(Quinto.) (Sesto.) 6 pts. Appresso
Pietro Phalesio d Giouanni Bellero :
Anuersa, 1594. obi. 4°. A. 559. a.
This collection contains madrigals by
V. Buffo, G. de Wert, M. A. Ingegneri,
C. Verdonch, L. Marenzio, G. Nasco,
D. Lauro, A. Dueto, Gio. de Macgue,
P. Animuccia, B. Spontone, H. Wael-
rant, G. Ferretti, L. Bertani, G.
Pizonni, G. Conversi, G. M. Nanino,
G. B. Moscaglia, Filippo di Mcmte,
H. Angelini, Binaldo del Mel, 0.
Vecchi, P. Nenna, G. G. Gastoldi, A.
Gabrieli, H. Baccusi, M. Comis and
G. B. Lucatello.
[Another copy. Alto.] A. 559. b.
Symphonia Angelica de Diuersi Eccellen-
tissimi Author i a Quatro, Cinque et Sei
Voci . . . Nouamente Ristampata. Canto.
(Alto.) (Tenore.) (Basso.) 4 pts.
Appresso Pietro Phalesio : Atiuersa,
1611. obi. 4°. A. 559. e.
See Jardin Musical. lardin Musiqual,
contenant plusieurs belles Fleurs de
Chansons, etc. [With a dedication by H.
Waelrant.] [1555?] obi. i". A. 431. (1.)
WAFT. Waft me some soft and cooling
breeze. [Song.] See Taylor (R.) of
Marylebone Gardens.
Waft to her ears, kind gentle breeze. The
Serenade. A Favourite Song.
[B. Falkener ; London, 1775 ?] s. sh. fol.
G. 806. f. (80.)
2 T 2
644
WAGENHOFER— WAKEFIELD
WAGENHOFER (Lorenz) Sei Senate,
per il Violiuo Solo con Basso . . . Opera i.
Chez Gucra : Lyon, [1775?] fol.
h. 1644.
■WAGENSEIL (Georg Christoph) Six
Concertos for the Harpsichord or Organ
with Accompanyments for Two Violins
and a Bass. [Separate Parts.]
Printed for I. Walsh: London,
[1765?] fol. g. 481.
VI. Divertimenti da Cimbalo . . . Opera
Seconda. Appresso Agostino Bernardi :
Vienna, [1735 ?] obi. fol. e. 20.
Three Easy Divertimentos, for the Harp-
sichord. Printed for R. Brcmner':
1/072 ^on, [1770?] ohl.iol. e. 5. h. (9.)
Tre Quartetti Concertanti per Cimbalo o
sia Fort6 Piano, Violino Prime, Violino
Secondo et Basso . . . Opera x. [Separate
Parts.] Au Burcati d' Abonnement
Musical: Paris, [1780?] fol. g. 481. a.
Six Simphonies, a Quatre Parties Obligees,
avec les Cors de Chasses, ad libitum . . .
]\Iises au jour par M' Huberti. CEuvre iii.
Gravies par J. Reuou. [Separate Parts.]
Chez If Le Clerc : Paris, [1765 ?] fol.
g. 474. (14.)
Sinfonia a pin Stromenti Obligati. [Sepa-
rate Parts.] Au Bureau d' Abonnement
Musical : Paris, [1770 ?] fol.
g. 474. (33.)
Six Sonatas for the Harpsichord. With
Accompaniment for a Violin . . . Opera
Prima. Printed for A. Hummel :
London, [1760 ?] obi. fol. f. 65. b. (14.)
The Harpsichord part only.
[Another copy.] f. 246. a. (18.)
The Harpsichord part only.
Six Sonatas for the Harpsichord . . .
Opera iii. Printed for A. Hummell :
London, [1760 ?] obi. fol. e. 282. e. (14.)
Six Sonatas for Two Violins, a Violoncello,
or Harpsichord. [Separate Parts.]
Printed for E. Alderman : London,
[1760?] fol. g. 409. c. (4.)
[Sonata in D.] A Lesson for the Harpsi-
chord or Piano Forte ... To which is
added a favorite Irish Air Gramachree
Molly. Printed for C. and S. Thompson :
[London, 1775 ?] obi. fol. e. 5. a. (5.)
[Sonata in D.] Six Sonatas, for the
Piano Forte. Composed by . . . Wageneil
[sic], etc. (No. 4.) [1799.] See Perio-
dical Publications. — London. The
Piano-Forte Magazine. Vol. VII. No. 6.
[1797-1802.] 8°. D. 854.
See Lessons. Six Lessons for the Harp-
sichord by . . . Sig' Wagenseil, etc.
[1770 ?] obi. fol. e. 5. d.
WAGENSEIL (Johann Christoph)
Job. Christophori Wagenseilii De Sacri
Rom. Imperii Libera Civitate Noribergensi
Commentatio. Accedit, De Germanise
Phonascorum Von der Meister-Singer,
Origine, Prsestantia, Utilitate, et Insti-
tutio, sermono vernaculo liber.
Typis. . .Jodoci Wilhelmi Kohlesii :
Altdorfi Noricorum, 1697. 4°.
794. f. 6. (1.)
Bctiveen pp. 554 and 555 is ' Der Meister-
liche Hori, in vier cjekrunten Thonen.^
The composers are H. Mugling, H.
Frauenlob, L. Marner and [B.] Regen-
bogen.
[Another copy.] 10235. bb. 1.
Wanting the portrait.
[Another copy.] 171. k. 10.
[Another copy.] 573. e. 11. (1.)
WAGNER (B.) Sei Sonata per Flauto
Solo col Basso. . .Opera I''. Chez Madame
Berault : Paris, [1780 ?] fol.
g. 280. h. (9.)
WAGNER (C.) Six Pieces Faciles et
Agr^ables pour le Piano Forte avec Ac-
compagnement de Flute ou Violon ad-
libitum. Chez F. J. Weygand : La Uaye,
[1800?] fol. g. 272. g. (30.)
The Pianoforte part only.
WAGNER (Frederic) Twelve New
English Songs, with a Thorough Bass for
the Harpsichord. Published by the
Author : [London, 1770 ?] obi. fol.
E. 90.
WAINWRIGHT (.John) A Collection
of Psalm Tunes, Anthems, Hymns, and
Chants, for One, Two, Three, and Four
Voices, etc. Printed for the Author :
London, [1776.] obi. 4°. D. 461.
See Christians. Christians awake, salute
the happy Morn, etc. [Music by J. Wain-
wright.] [1795?] fol. H. 1250. (24.)
WAINWRIGHT (John) or (Robert)
The Lord is risen. A Favourite Anthem, or
Hymn, for Easter Day, in Score. The
Words by Dr. Byrom, set to Music by Mr.
Waiuwright. Printed for
C. d S. Thompson : London, [1770 ?] fol.
H. 2815. i. (7.)
WAINWRIGHT (Richard) Our Top-
sails atrip. A favorite Sea Song, etc.
J. B. Pye : Liverpool, [1790 ?] fol.
H. 1653. (48.)
WAITER. The Waiter. Comic Song.
See Reeve (W.)
WAKE. Wake ! gentle Sylvia. Song.
See Hudson (R.)
Wake thou Son of dulness. [Song.]
See Arne (M.) [The Belle's Stratagem.]
WAKEFIELD (W.) Four Sonatas for
the Piano Forte or Harpsichord, with an
Accompaniment, for a Violin.
Printed. . .for the AutJior : [London,
1800?] foL g. 144. (11.)
WAKEFUL— WALLISER
643
'WAKEFUL. The Wakefull Nightingale
that takes uo rest. Song.
See Weldon (J.)
WALDER. Walder. Operetta.
See Benda (G.)
"WALDER (JoHANx Jacob) Gesange zum
Clavier. Bey J. C. Fuessli, Sohn :
Zurich, 1780. 4° G. 571.
WALDSTORCH (Gabriel Joannes
Nepomucenus Feanciscus de Paula)
pseud, [i.e. Friedrich Melchiob von
Grimm.] Le Petit Prophete de Boeh-
mischbroda (G. J. N. F. de P. Waklstorch).
[Paris? 1753?] 8^ 1103. b. 21. (5.)
[Another edition.] Le Petit Prophete de
Boehmischbroda. [Paris ?] 1753. 8°.
12314. bb. 42.
Les Vingt-un Chapitres de la Prophetie
de G. J. N. F. de P. Waldstorch, dit
Waldstoerchel, qu'il appelle sa Vision.
Prague en Boh&me, [Paris, 1760 ?] 12".
7896, a. 9.
"WALKER (George) The Flowers of
Harmony, being a Collection of . . . Catches,
Glees & Duets . . . Selected from the most
Eminent Composers, etc. [Edited by
G. Walker.] 4 vols. G. Walker :
London, [1800?] 4°. E. 1716.
Walker's name as editor only appears on
vols. 3 and 4. The composers named
171 this collection are : C. King, Dr.
Hayes, Greene, Berg, Marella, Lampe,
Purcell, J. Battishill, Warren, C.
Thomas, Smart, Tremain, Hilton,
Hayden, Nares, Boyce, Dr. Arne, L.
Attcrhury, Harrington, S. Webbc,
T. Ford, S. Gallcott, Morgan, Travers,
Baildon, Lord Morninglon,J. C. Pring,
T. Morley, S. Storace, Bloio, Garth,
M. Este, J. Danhy, Pepusch, W. Bates,
Hilton, Ives, Dr. Kemp, Leveridge,
I. Dyne, Haydn, P. Valton, Percy, M.
Wise, E. Nelham, J. Hook, F. Ireland,
J.Alcock, Jun., W. Shield, Dr. Wilson,
I. Ashton, Cobb, R. Broion, J. Bennet,
Miss Abrams, W. Laiucs, J. Dauby,
Goodgroome, E. Gregory, Cranford,
C. F. Panormo, T. Breioer, R. Lang-
don and Dr. Allcock.
Walker's Collection of Dances, etc. Nos. 1,
2, 8, 9, 12. 5 Nos. G. Walker :
London, [1795-^1807. fol.
h. 141. a. (19.)
The titles of the numbers vary.
"WALKER (Joseph Cooper) Historical
Memoirs of the Irish Bards. Interspersed
with Anecdotes of . . .the Music of Ireland.
Also, an Historical . . . Account of the
Musical Instruments of the Ancient Irish.
And an Appendix, containing . . . Select
Irish Melodies. Printed for T. Payne
and Son : London, 1786. 4".
636. L 20.
"WALKER (Thomas) Britons beware.
[Song.] . . . Inscribed to the Volunteer
Corps of the Bank of England . . . by J.
Boyne. Printed for T[]iomas'] W[alker']
and I[ohn] B[oyne : London, 1800 7] fol.
G. 376. (42.)
Lamira and Virnus together have join'd.
A New Song. The words and music by
Mr. T. Walker. [London, 1751.] 8".
P.P. 5438. z.
Universal Magazine, Vol. VIII., p. 223.
See RippoN (J.) A Selection of Psalm
and Hymn Tunes, etc. [With a Brief
Introduction to Psalmody, by T. Walker.]
[1791?] obl.i". A. 481. (1.)
WALKING STATUE. Come brave
boys letts stroule it away. A Song in the
Farce calVd the ivalking Statue or the
Divell in the Wine Celler the words made
and sung by Mr. Burkhead.
[London, 1712 ?j s. sh. fol. G. 307. (48.)
[Another copy.]
1. 530. (167.)
[Another edition.] Come brave boys letts
stroule it away. A Song in . . . the
toalking Statue, etc. [London,
1712?] s.sh. fol. H. 1601. (119.)
"WALLIS (John) Johannis WaUis . . ,
Operum ilathematicorum Volumen Ter-
tium. Quo continentur Claudii Ptolemsei
— Porphyrii — Manuelis Bryennii — Har-
monica . . . Graece & Latine edita, cum
Notis, etc. E. Theatro Sheldoniano :
Oxonix, 1699. fol. 716. k. 5.
See PT0E0M.EUS (C.) KKavBiov nTo\fiJ.atov
'ApjxoviKQiv Bj^XiaT'. . .Johannes Wallis. . .
edidit, etc. 1682. 4\ 557*. e. 2.
See Salmon (T.) A Proposal to Perform
Musick, in Perfect and ilathematical
Proportions . . . With Large Remarks upon
this. . .Treatise, by. . . J. Wallis, etc.
1688. 4°. 557*. e. 25. (4.)
"WALLISER (Christoph Thomas) Eccle-
siodise das ist Kirchen Gesang. Nemblich
die gebrauchlichsten Psalmen Davids, so
nicht allein viva voce, sondern auch zu
Musicalischen Instrumenten Christlich
zugebrauchen. Mit 4. 5. vnd 6. Stinien
componirt, cfc. Cantus. '(Altus.) (Tenor.)
(Basis.) (Quinta (Sexta) Vox.) 6 pts.
In Verlegung Paiili Ledcrtz : Strassburg,
1614. i\ D. 240.
The title-page of the Tenor is engraved.
Ecclesiodige Novae : Das ist Kirchen Ge-
sang, Ander Theil : Darifi die Catechismus
gesang, andere Schrift vnd Geistliche
Lieder, sampt dem Te Deum laudamus,
vnd der Litania. . . So wol viva voce, als zu
Musicalischen Instrumenten fiiglich zuge-
branchen, mit 4. 5. 6. vnd 7. Stimmen
646
WALLISER— WALTON
gesetzt, etc. Cantus. (Altus.) (Tenor.)
(Basis.) (Quiuta (Sexta) Vox.) 6 pts.
Bey Marx von der Heyden : Strassburg,
1625. 4°. D. 240. a.
[Another copy. Cautus. (Basis.) (Quinta
Vox)]. 3 pts. D. 240. b.
Fons Israelis Ex capite 21. Numerorum
depromtus : Octo vocum Harmonia coron-
atus: et Pro seculari Scbolfe Argentor-
atensis Jubilseo publice in Cathedrali
Templo celebratus, etc.
Argentorati, 1641. 4°. D. 240. d.
Das Uhralte Kircben Gesang Te Deum
Laudamus Sampt derselben Litania
Teutscb. Uffs new, mit v. vnd vi.
Stimmen gesetzt. Vnd . . . auS drey
vnterscbidlicbe Cboros . . . auff vorsteb-
endes Jubelfest, sonderlicb im Miinster
. . . zu Musiciren angestellt, etc. Cantus.
(Altus.) (Tenor.) (Basis.) v. (vi.) Vox.)
6 pts. Bey Niclaxis Wyriot, in verlegiincj
Pauli Ledertz : Strassburg, 1617. 4".
D. 240. c.
The Tenor atomic has Ledertz' s name in
the imprint.
WALLS. The Walls of my Prison. Ballad.
See More (I. T.)
WALOND (William) Mr. Pope's Ode
on St. Cecilia's Day. [Full Score.]
Printed for the Author : London,
[1760?] fol. ■ G. 1040.
Voluntaries for tbe Organ or Harpsichord
. . . Opera i. Printed fm- J. Johnson :
London, [Vl&O^ obl.io\.
e. 1090. a. (4.)
[Another copy.] e. 120. c. (4.)
The title-page is mtitilated.
Ten Voluntaries for the Organ or Harp-
sichord . . . Opera ii. Printed pr
J. Johnson : London, [1760 ?] obi. fol.
e. 1090. a. (5.)
WALSH (Henry) The Heavy Hours,
[by W. Jackson, of Exeter,] with Varia-
tions for the Harpsichord or Piano Forte.
P. Evans : London, [1780?] fol.
g. 271. b. (51.)
WALSH (William) Long Life is sure a
Blessing. A Celebrated New Song, tbe
words by A. Macclaren.
Printed for the Author : London,
[1800?] fol. H. 1688. (9.)
WALTER ( ) Pupil of Michael Haydn.
Trois Senates a quatre mains pour le
Forte Piano . . . Par Walter. Eleve de
]\Iicbel Haydn. Chez M"'' Erard :
Paris, [1800 ?] fol. g. 460.
WALTER (Ignaz) See Dittersdorp
(C. Ditters von) Die Liebe im Narren-
haus, eine komiscbe Oper . . . fiir das
Clavier eingerichtet von I. Walter.
[1787.] obi. fol. D. 309.
WALTHER (Johann) [Das Christlich
Kinderlied D. IMartini Lutheri, Erbalt
vns Herr, etc. Aufis new in sechs Stiminen
gesetzt, vnd mit etlicben schonen Christ-
lichen Texten, Latinischen vnd Teutschen
Gesengen gemebrt, etc.] Discant'. (Va-
gans.) 2 pts. Johan Scliwertel :
Wittcmbergk, 1566. obi. 4". K. 3. f. 13.
The full title only occurs in the Tenor
part.
Ein schoner Geistlicher vn Cbristlicber
newer Berckreyen, Von dem Jiingsten tage,
vnd ewigem Leben, AufE die Melodey vnd
weise, Hertzlich thut micb erfrewen, etc.
Mit einer newen Melodey gezieret, etc.
Gedrtickt durch Georgen Ehawcn Erben :
Wittcmberg, 1552. 4». 3436. k. 9.
Lob vnd preis, Der Himlischen Kunst
IMusica : Mit einer . . Vorrede des . . .
Doctoris IMartini Lutheri, vormals deudsch
im Druck nihe ausgangeu, etc.
Lorcntz Schwenck ; Witteberg, 1564. 4".
7899. aaa. 45.
Wittenbergiscbe Gsangbiichli durch
Johan. Walthern, Churfiirstlichen von
Sachsen senger meystern vft" ein newes
corrigiert, gebessert vnd gemeret. T[enor].
(A[ltus].) 2 pts. Apud Petrum Schceffer.
Et Mathiam Apiarium : Argentorati,
1534. obi. 4". K. 1. c. 15.
Wittembergisch deudsch Geistlicb Gesang-
biichlein. Mit viervnd fiinfi stimmen. . .
auffs new mit vleis corrigirt, vnd mit
vielen schonen Liedern gebessert vnd
gemehret. T[enor]. (Discantus (Bassus)
(Vagans) der Wittembergischen Deud-
schen Geistlicben Gesenge.) (Altus. Wit-
tembergischer deudschen Geistlicben Ge-
senge.) 5 pts. MS. notes. Gedruckt...
durch Georgen Rhaiven : Wittcmberg,
1551. obi. 4". K. 2. e. 6.
The title-page of each part has the
autograph of Balthasar Hildebrand,
of Liegnitz.
WALTHER (Johann Gottfried) Musi-
caliscbes Lexicon, oder Musicalische Bib-
liothec, etc. Woljfgang Deer : Leipzig,
1732. 8". 1042. g. 3.
WALTHER (Johann Jacob) Hortulus
Obelicus, Uni Violino Duabus, Tribus et
Quatuor subinde chordis simul sonantibus
harmonice modulanti. . .consitus.
Sumptibus Ludovici Bourgeat : Moguntix,
1689. obi. fol. c. 17.
WALTON (H.) Phillis. [Song.]
L[ongman'] L[_ukey] d Co. : [London,
1775?] s.sh.iol. G, 311. (24.)
Phillis. [Song.] B. Falkencr : London,
[1775 ?] s. sh. fol. H. 1994. a. (52.)
Ye blithsome Lads. [Song.]
L[ongman] L[2ikey and Co. :
1770 ?] s. sh. fol. G. 314. (45.)
WALZER— WANHAL
647
WALZER. Ein Walzer erhitzt den Kopf .
Cavatine. See Mueller (W.) [Die Zaub-
erzitter.']
WANCZUKA (Ernst) Baron. Trois
Sinfonies nationales a grand Orchestre
arrangees de plusieurs Chansons Russes,
Ukrainiennes et Polonoises . . . Oeuv. i.
[Separate Parts.] Chis G. Spreivitz :
St. Petersbotirg, [1795 ?] fol.
h. 1518. (2.)
Trois Sinfonies a grand Orchester . . .
Oeuv. II. [Separate Parts.]
Ch^s F. A. Leuchte : St. Petersbourg,
[1795?] fol. h. 1518. (1.)
WANDERING. The Wandering Gipsy.
Ballad. See Pindar (P.) pseud.
The Wandering Lamb. Ballad.
See Poole, afterwards Dickons (M.)
The Wand'ring Sailor. [Song.]
See Arnold (S.) [Sunmicr A7)iusement.]
The Wandering Savoyard's Song.
See Thompson (T.)
WANHAL (Jan Baptist) Air Favori
Varie pour le Clavecin ou Piano Forte et
un Rondeau. . .Op. 34.
Longman and Broderip : London,
[1790 ?] obi. fol. e. 105. (6.)
Arietta pour le ClaveQin ou Piano Forte
avec Douze Variations, etc. [Op. 31.]
Chis J. J. Hummel : Berlin,
[1780 ?] obi. 4^ d. 84. (1.)
XXIV Cadenzen in alien Tonarten fiir
Organisten. Bel N. Simrock : Bonn,
[1800 ?] obi. fol. e. 174. m. (22.)
Three Capricios for the Harpsichord or
Piano Forte. . .Op: 31 [or 35].
Longman and Broderip : London,
[1790?] obl.iol. e. 105. (5.)
Concerto. [In D, for harpsichord, strings,
2 oboes and 2 horns. Separate Parts.]
See Storage (S.) Storace's Collection of
Original Harpsichord IMusic. Vol. I.
No. 5. [1790.J fol. g. 122.
Concerto. [In B [j, for harpsichord,
strings, 2 oboes and 2 horns. Separate
Parts.] See Storage (S.) Storace's Col-
lection of Original Harpsichord Music.
Vol. II. No. 2. [1790.] fol. g. 122.
Divertimento a Quatro Mani per il Forte
piano, o Clavicembalo.
Presso Hoffmeister : Vienna,
[1790 ?] obi. fol. ■ e. 101. a. (8.)
Divertissement a quatre mains pour le
Piano-Forte, avec Accompagnement de
Flute, Violon et Violoncelle, ad libitum
. . .L'Accompagnement a ete ajoute par
I'Editeur. Chez J. Andri :
Offenbach sur le Mein, [1790 ?] fol.
g. 545. k. (23.)
Journal de Musique pour les Dames,
Livre VII. Wanting the accompani-
meyits.
WANHAL (Jan Baptist) Divertissement
pour le Clavecin ou le Porte Piano avec
Accompagnement d'un Violon et de la
Basse ad libitum. [Separate Parts.]
Ches J. J. Hummel : Berlin,
[1780 ?] obi. 4°. d. 84. (2.)
Six Duetts for Two Violins. . .Op. xxviii.
[Separate Parts.] S. Babb : London,
[1780?] fol. g. 218. e. (2.)
Three Duetts in an Elegant Style for two
German Flutes or Flute and Violin, by
Messrs. Vanhall, Demachi and Hoff-
meister. [Separate Parts.] Fentum :
London, [1795 ?] fol, g. 421. p. (4.)
Duetto. [In B \f for harpsichord.]
See Storage (S.) Storace's Collection of
Original Harpsichord INIusic. Vol. I.
No. 6. [1790.] fol. g. 122.
Sechs Fugen fiir die Orgel, oder Clavier.
Beij J. Cappi : Wieyi, [1800 ?] oU. fol.
e. 1090. (6.)
Kinderlieder mit Begleitung des Klaviers.
Bei N. Simrock : Bonn, [1800 ?] obi. fol.
F. 607. y. (21.)
Sis Quartettos for a Hautboy or German-
Flute, a Violin, Tenor and Bass . . . Opera 7.
[Separate Parts.] Welcker : Loyidon,
[1785?] fol. g. 413. (19.)
Six Quatuor a Deux Violons, Taille &
Basse . . . Oeuvre Troisieme. [Separate
Parts.] Chiz J. J. Hummel : Berlin,
[1780?] fol. g. 429. (1.)
Six Quatuors a Deux Violons, TaiUe et
Basse . . . Oeuvre Quatrieme. [Separate
Parts.] Chis J. J. Hummel : Berlin,
[1780?] fol. g. 429. (2.)
Six Quartettos for two Violins a Tenor
and Bass. Selected from the different
Works of C. Vanhall. [Separate Parts.]
Printed for W. Napier : London,
[1780?] fol. g. 429. b.
Trois Quintettos. Violino, Viola, Basso,
a Deux Cors de Chasse, ad Libitum. . .
Selected from his Op. 1". Corrected by
Mr. Salpietro. [Separate Parts.]
J. Bland : London, 1782. fol.
h. 2900. (8.)
Six Solos or Sonatas for a Flute or Violin
with a Thorough Bass for the Harpsicord
...Op. X. J.Bland: {London,
1780?] fol. g. 225. b. (8.)
Two Solos or Sonatas for a Flute or Violin
with a Thorough Bass for the Harpsicord
. . . Op. X. Printed for W. Campbell :
London, [1780 ?] fol. g. 280. c. (5.)
A Second Set of Six Solos for a Violin
and [or rather, or] Violoncello with a
Thorough Bass for the Harpsichord.
/. Kerpen : London, [1780 ?] fol.
g. 422. b. (1.)
648
WANHAL— WANNINGUS
■WANHAL (Jan Baptist) A Second Set
of Six Solos, for a Violin and Violon-
cello with a Thorough Bass for the Harp-
sichord, etc. Longman and Broclerip :
London, [1785 ?] fol. g. 225. b. (9.)
Six Favorite Sonatas for two Violins and
a Violoncello, with a Thorough Bass for
the Harpsichord. ..Op. xxvii. [Separate
Parts.] James Freeman : London,
[1780?] fol. h. 2851. e. (5.)
Tre Sonate per il Forte Piano 6 Clavi-
cemhalo. . .Opera xsx.
Presso Artaria Comp. : Vienna,
[1790 ?] ohl. fol. e. 5. c. (9.)
Two Sonatas for Two Performers on One
Harpsichord or Piano Forte. Op. 32.
Longman & Broderip : London,
[1790?] fol. g. 543. VL. (19.)
Sonata a Quatro Mani per il Clavicemhalo,
o Fortepiano. Hoffmeister : Vienna,
[1790?] obl.lol. e. 101. a. (9.)
Six Favourite Sonatas, for the Piano
Forte. [1800.] Lnperfcct, icanting all
after p. 48. See Periodical Publica-
tions.— London. The Piano-Forte Maga-
zine. Vol. IX. No. 6. [1797-1802.] 8°.
D. 854.
Sonata [in C. Harpsichord and Violin.]
See Stobace (S.) Storace's Collection of
Original Harpsichord Music. A^ol. I. No. 1.
[1790.] fol. g. 122.
A Single Sinfonie. . .for Violins, Hautboys
or Flutes, Horn, Tenor and Violoncello . . .
Litra A. [Separate Parts.]
Printed for . . .J. Betz : London,
[1780?] fol. g. 474. h. (4.)
A Single Sinfonie. . .for Violins, Hautboys
or Flutes, Horn, Tenor and Violoncello
. . .Litra B. [Separate Parts.]
Printed for J. Betz: London,
[1780?] fol. g. 474. b. (13.)
[Symphony in C. Separate Parts.]
See Kammel (A.) Six Overtures in Eight
Partsby...vi. Vanhall.e^c. [1780?] fol.
G. 474. (7.)
[Symphony. No. 42.] The Periodical
Overture in 8 Parts. Number xlii.
(Sinfonia xlii.) [Separate Parts.]
B. Bremncr : London, [1775 ?] fol.
g. 474. a. (15.)
. A Favorite Overture (42) for the
Harpsichord or Piano Forte.
Longman cfi Broderip : London,
[1780 ?] fol. g. 272. u. (28.)
The Favorite Overture . . . No. 42
adapted for the Harpsicord or Piano Forte.
J. Bland : London, [1785 ?] fol.
g. 270. d. (55.)
A Collection of Overtures and Sym-
phonies. By Vanhall, etc. [No. 1.] [1797.]
See Periodical Publications.— Z/OHfZo7^.
The Piano-Forte Magazine. Vol. II.
No. 5. [17„7-1802.] 8°. D. 854.
"WANHAL (Jan Baptist) [Symphony.
No. 45.] The Periodical Overture in 8
parts. Number XLV. (Sinfonia XLV.)
[Separate Parts.] Ti. Bremner :
London, [1775 ?] fol. g. 474. a. (16.)
A Favorite Overture (45) for the
Harpsichord or Piano Forte.
Longman & Broderip : London,
[1780?] fol. g. 270. d. (56.)
[Sj-mphony. No. 47.] The Periodical
Overture in 8 Parts. Number xlvii.
(Sinfonia xlvii.) [Separate Parts.]
R. Bremner : London, [1775 ?] fol.
g. 474. b. (14.)
Kurze und leichte Terzetten fiir zwey
Violinen und Violoncello, etc. i'" Heft.
Sauer & Leidesdorf : 7ic«ne, [1800?] fol.
h. 210. a. (15.)
[Trios.] A First Set of Six Sonatas for
the Harpsichord or Piano Forte, with an
Accompaniment for a Violin Obligate and
a Violoncello ad Libitum. Printed for J.
Bland: I;O«fZon,[1780.?] fol. g. 443. (1.)
The Harpsichord part only.
Six Trios pour le Clavecin, ou le Piano
Forte avec accompagnement d'uu Violon
et Violoncello ad libitum . . . oeuvre 2.
Gravez par M"'' Huberty. Chez
M'- Preudhome : Paris, [1765 ?] obi. fol.
Wanting the accompaniments, e. 792.
[Trios.] A Second Sett of Six Sonatas
for the Piano Forte or Harpsichord, with
Accompaniments for a Violin & Violon-
cello, etc. [Separate Parts.] Lcmgman <&
Co. : London, [1790 ?] fol. g. 429. a.
[Another copy.] g. 272. d. (27.)
TJie Harpsicliord part only.
Variations on the Spanish Ariette, Viva,
Viva la Regina, etc. [Harpsichord and
Violoncello.] See Storage (S.) Storace's
Collection of Original Harpsichord Music.
Vol. II. No. 3. [1790.] fol. g. 122.
See Feast of Apollo. The Feast of
Apollo, containing . . . Lessons . . . by . . .
Vanhall, etc. [1788.] fol. G. 351. (2.)
WANLESS (Thomas) The Metre Psalm-
Tunes, in Four Parts. Compos'd for the
Use of the Parish-Church of St. Michael's
of Belfrey's in York, etc.
J. Hcptinstall, for Thomas Baxter :
London, 1702. obi. 4°. a. 121.
See King (R.) Songs for One Two and
Three Voices, etc. MS. note [bv T. Wan-
less]. [1695?] fol. K.'8. h. 19.
WANNINGUS (Joannes) Discantus
(Altus) (Tenor) (Bassus) (Quinta Vox)
Sacrarum Cantionum Quinque, Sex, Sep-
tem et Octo Vocibus compositarum, et
turn vivae voci turn Musicis Instrumentis
aptatarum, etc. 5 pts. Li Officina
Catharinx Gcrlachin d Hxredum Johan-
nis Montani : Noribergie, 1580. obi. 4".
A. 558.
WANTON— WARREN
649
■WANTON. Wanton Cupids cease to
hover. The Importunate Lover. [Song,
words and music by H. Carey.]
[London, 1735 ?] s. sli. fol. I. 530. (168.)
[Another setting.] Wanton Cupids cease
to hover. Song. -See Purcell (D.)
[Another setting.] Wanton Cupids cease
to hover. See Turner (W.)
The wanton God who pierces Hearts.
[Song, from T. A. Arne's Comus.] Siincj
bu Mrs. Clive. [London, 11 iO"^] s.sh.iol.
G. 312. (89.)
[Another edition.] The wanton God who
pierces Hearts, etc. [London,
1750?] s.sh.iol. G. 316. f. (31.)
[Another copy.] H. 1994. b. (92.)
The wanton God who pierces hearts.
[Song.] See Comus.
The Wanton Loves and Graces gay. Song.
See Hook (.J.)
Wanton Shepherd, prithee leave me.
Song. See Green ( )
The Wanton Virgins Frighted. Song.
See You. You that delight in a Jocular
song, etc. [1710?] s.sh.iol.
H. 1601. (539.)
WAR. War, he sung, is toil and trouble.
Song. See Haendel (G. F.) [Alexander's
Feast.]
War's alarms entic'd my Willy. [Song.]
See When. When wars alarms entic'd
my Willy, etc. [1770 ?J s. sh. fol.
I. 530. (179.)
Warr's fatal Alarms. [Song.]
See Akeroyde (S.)
WARBLING. The Warbling Linnet from
his Mate. The Linnet. [Song.]
[London, 1740?] s.sh.iol. G. 312. (130.)
The Warbling Lyre. [Parody.]
See Gently. Gently stir and blow the
Fire, etc. [1780 ?] s. sh. fol.
H. 1994. b. (25.)
WARD. Ward Associations. Song.
See Though. Tho' weak my strains away
my fears, etc. [1797 ?] fol. G. 376. (52.)
WARD (John) The First Set of English
Madrigals to 3. 4. 5. and 6. parts apt both
for Viols and Voyces. With a Mourning
Song in memory of Prince Henry, etc.
Ca'utus. (Altus.) (Tenor.) (Bassus.)
(Quintus.) (Sextus.) 6 pts.
Thomas Snodham : [London,'] 1613. 4°.
K. 3. k. 11.
WARE (George) Laura. [Song.] The
Words by Mr. Montgomery.
Broderip d Wilkinson :
London, [ISOO?] fol. G. 365. (34.)
WARE (William Henry) A Trio for
Two Violins & Violoncello, etc. [Separate
Parts.] Printed for the Author :
London, [1800 ?] fol. g. 222. (21.)
WARING (William)
See Rousseau (J. J.) A Complete Dic-
tionary of Music . . . Translated ... by W.
Waring, etc. 1779. 8". 7897. 1. 17.
WARMBRANT ( ) Tandis que sur le
Ehin. Chanson. Marche, etc.
[Paris,] 1734. s. sh. 4". 297. b. 4.
Mercure de France, July, 1738.
WARNE (George) Arise from your
Slumbers. A Favorite Hunting Song.
Written & composed by G. Warne, etc.
Printed for the Author :
London, [1798 ?] fol. ' G. 365. (35.)
WARNEKE (Georg Heinrich) Lieder
mit Melodien fUrs Clavier.
Bey C. W. Ettinger :■ Gotha, 1780. fol.
G. 572.
WARNER (Daniel) The Devout Singer's
Guide ; containing all the Common Tunes
now in Use, with Select Portions of the
Psalms adapted to each Tune, and Rules
for Singing Treble and Bass . . . Recom-
mended by Daniel Warner, Singing-
Master. Edmund Parker and John Hare,
fen- S. S. : London, 1711. 8°. A. 468.
A Further Guide to Parish Clarks : . . .
Being a full account of all the Psalm
Tunes, and what Psalms are Sung to each
of them, with an Introduction for Young
Beginners, to learn all manner of Tunes
by Note, etc. 2 pts. Joseph Marshall :
London, [1720?] 8». K. 4. c. 17.
WARNING. The Warning. [Song.]
See Hook (J.)
WARREN (Ambrose) The Tonometer:
Explaining and Demonstrating ... in
Numbers and Proportion, all the 32
distinct and different Notes, Adjuncts or
Suppliments contained in Each of Four
Octaves inclusive, of the Gamut, etc.
J. Cluer and A. Campbell :
Westminster, 1725. 4°. 557*. e. 25. (5.)
WARREN (Edmund Thomas) A Collec-
tion (A Second(-Thirty-second) Collec-
tion) of Catches Canons and Glees . . .
Selected by T. Warren. 32 pts.
Welcker : London, [1763-1794.] obi. fol.
E. 200.
The 1st to the 16th Collections are
published by Welcker, the nth by J.
Blundell, the 18th-31st by Longman
(£ Broderip, and the 32nd by J.
Dale. Pp. 13, 14 of the 29th Collection
are loanting, but have been supplied
in MS. The composers named are :
Boyce, J. Battishill, Savage, Warren,
Travers, G. Berg, C. King, S. Long,
F. Giardini, Nares, Yates, J. Haw-
kins Serf, .Bosengrave, W. Bird, P.
Torri, Hayes, S. Ives, W. Jackson of
Exeter, 0. Gibbons, J. Benet, B. San
650
WARREN— WATERINIAN
Martini, Dr. Arne, Trajetta, Lidarti,
Cocclii, H. Purcell, Le Clerc, J. B.
Marella, Hoivard, J. Baildon, R.
Woodward Juw, T. Weelkes, M. Over-
end, J. B. Brugnera, L. Atterbury,
C. Thomas, C. Lampe, T. Norris, T.
Morley, E. Mulso, B. Cooke, S. Webbc,
W. Fladon, M. Este, J. Green, Dr.
Harington, J. Dyne, C. Jenner, J.
Cobb, J. Hook, P. Hellendaal, T.
Ayhoard, J. Wilbye, Elton, Dr. Alcock,
G. B. Cirri, W. Bates, P. Yalton,
M. Hudson, J. Bates, B. Hudson,
J. Worgan, F. H. Barthelcmon, J. S.
Smith, F. Ireland, Earl of Morning-
ton, T. Bavenscroft, Brodrip {of Wells),
Dr. Arnold, G. Converso, T. Ford,
J. Hilton, T. Brewer, H. Laives, J.
Alcock Junr., R. J. S. Stevens, N.
Freeman, W. Paxton, S. Paxton, J.
'h right, S toner, J. Danby, Dr. Wilson,
L. Marenzio. J. W. Calcott, M. Rock,
P. Agostini, S. Webbe Jun., T. Linley,
J. King, B. Cooke, W. Rock, R. Gre-
ville, A. Scarlatti, J. S. Bach, R.
Spofforth, J. C. Pring, H. Waelrant
and the Marguis of Blandford.
[Another copy. Collections 27, 28.] 2 pts.
E. 207. 8. (89.)
[A Set of Proof-Sheets of a Collection of
Motets and Madrigals, by Composers of
the 15th and 16th century, edited by E.
T. Warren, being the only part engraved of
a work intended to have been published in
six volumes.] MS. notes by E. T. Warren.
[London, 1777.] fol. K. 7. i. 12.
The composers of this collection are :
H. Isaac, P. de la Rue, Josquin des
Pris, Loyset, Tylman Stisato, Janne-
guin, T. Cricguillon, J. Guyot alias
Castileti, Clemens von Papa, J. Baston,
Arcadclt, P. de Manchicourt, P. de
Rocourt, H. Ghibelli, C. de Rore, A.
Ferabosco, L. Marenzio, H. Vecchi, J.
Farmer, J. Bennet and J. Wilbye.
A Collection of Vocal Harmony consisting
of Catches Canons and Glees. . .to which
are added several Motetts and Madrigals
composed by the best ]\Iasters, selected by
T. Warren. Welcker : London,
[1780 ?] obi. fol. E. 200. b.
The composers named are : L. Atterbury,
G. Berg, Dr. Arne, J. Baildon, W.
Bates, Dr. Nares, S. Webbe, E. Ayrton,
P. Helendaal, Yento, J. S. Smith,
G. Allegri, Dr. Alcock, W. Flackton,
T. Norris, T. Aylward, R. Langdon,
R. Bacon, J. Worgan, J. Wilbye, J.
Benet, C. Jenner, J. Hilton, J. Dyne,
J. B. Brugnera, A. Ramire de Arellano,
G. Combes, F. Ireland, P. Valton, Dr.
Woodivard, T. Weelkes, B. Cooke,
J. P. A. Palestrina, M. Cavendish,
Dr. Boyce, R. Langdon, T. Morley,
T. Ford, W. Lavjes, P. Petti and
A. Lotti.
See Catches. A Collection of Catches by
. . . Dr. Arne, . . . Mr. Warren, &c.
[1764?] obi. A". A. 756. a. (1.)
See Wilbye (J.) Madrigals for three
voices . . . put into Score by T. Warren.
[1790?] fol. iH. 1797. (10.)
WAS. Was ever Man possest. Dialogue.
See Devil to Pay.
Was ever nymph like Rosamond so fair.
[Song.] See Rosamond.
Was I a Shepherd's Maid. [Song.]
See Padlock.
Was I of my fair possest. Plaintive
Swain. [Song.] Set to a favorite French
Air. Str[aight] c& SMillern .-
London, 1777 ?] s. sh. fol. G. 313.' (244.)
Was Nancy but a rural ]\Iaid. Colin's
Desire. A New Song. \_London, 1765.] 8".
P.P. 5438. z.
Universal Magazine, Vol. XXXYII.,
p. 327.
WASSERHUN (Rudolph) Rudolphi
Wasserhuus . . . Kauff-Fenster, das ist :
Newe Poetische Inventiones, welche nicht
die Jugend mit vnniitzen Buhlen-Liedern
bezaubern, sonderu dieselbe mit gebiihr-
ender Geschickligkeit eben so sehr, als
mit hofflicher Liebligkeit zu sich locket,
aus meinem Juristischen, Philosophischen
vnd Historischen Krahni zur Proba auff-
gethan. Bey Jacob Rebcnlein :
Hamburg, 1644. 8°. 11517. bb. 28.
WASTED. Wasted with Sighs. Song.
See EccLES (J.) [The Chances.]
WATCHFUL. Watchful angels, let her
share. Song. See Haendel (G. F.)
[Deborah.]
WATCHMAN. The Watchman. [Song.]
See DiBDiN (C.) [Castles in the Air.]
WATER. Water. [Song.] See Our. Our
Chorus to Bacchus, etc.
[1780 ?] s. sh. fol. G. 310. (264.)
The Water King. [Glee.]
See Callcott (J. W.)
Water parted from the Sea. [Song.]
See Arne (T. A.) [Artaxerxes.]
WATER-CRESS. The Water-Cress Girl.
[Song.] See Hudson (R.)
WATERMAN. The Jolly Waterman.
[Song.] Sung ... in the Entertainment
of the Waterman [words and music by
C. Dibdin]. [London, 1115?] s. sh. iol.
G. 306. (84.)
WATERMAN— WAY
651
"WATERMAN. Poor Tom. [Song,
begins : ' Then farewel my trim-built
Wherry.'] Sung by Mr. Banister, etc.
J[ohn] J\ohnston : London,
1774.] s. sh. fol. H. 1994. b. (79.)
The Waterman. Opera. See Dibdin (C.)
"WATERS (Thomas) Farewell ungrateful
Traytor. A two Part Song. [Words from
Drydens " Spanish Fryar."] I. F\_entum :
London, 1180?] s.sh.io\.
G. 307. (244.)
John and Kate. A favorite Cantata.
I.F[entum: London, 1180?] fol.
G. 306. (170.)
O Sleep. [Song, the words translated
from T. Warton's (?) epigram " Somne
levis."] I- Flentn^m :
[London, 1780?] fol. G. 310. (239.)
When snow descends. A Favorite Song
sung by Mr. ^leredith at Ranelagh, 1778.
The Words [imitated from Theocritus]
from Hervevs ]\Ieditations.
LFlentulni: [London, 1118.] s.sh.iol.
G. 313. (140.)
WATERY. The Wat'ry God. A Cele-
brated Song written on Lord Hawke's
Victory over Conflans in 1759.
John Lee : Dublin, [1770 ?] s. sh. fol.
H. 1601. a. (102.)
"WATLEN (John) Anna ... A favorite
Song. . .the Words by R. Burns, etc.
Cobb & Watlen : London, [1795 ?] fol.
G. 809. c. (55.)
The Celebrated Circus Tunes perform'd
at Edinburgh this Season, with the Addi-
tion of some new Reels and Strathspeys
set for the Piano Forte or Violin and Bass.
Printed for the Author- :
Ediw, [1791 ?] fol. g. 365.
Wanting the last leaf.
The Lord's Prayer. An Anthem for one
Voice, accompanyed by the Organ, Piano
Forte or Harpsichord, etc. The Author :
Edinburgh, [1795 ?] fol.
G. 805. m. (41.)
A Grand Sonata for the Piano Forte with
an Accompaniment for a Violin or Flute
... Op. 9"'. Cobb (& Watlen :
London, [1800?] fol. g. 272. d. (31.)
Sonata for the Piano Forte or Harp* with
a Violin Accomp' Obligato, etc. [Separate
Parts.] Corri £ Sutlierland,
for the Author : Edinburgh, [1790 ?] fol.
g. 161. f. (11.)
Roy's Wife of AUdivaloch. A favorite
Scots Song, the Words by Mrs. Grant of
Carron, etc. Printed for the Composer :
London, [1795 ?] fol. G. 793. (9.)
Roy's Wife of AUdivaloch. [Song, by
J. Watlen.] [1795?] s. sh. See Boy.
G. 799. (15.)
WATLEN (John) [Roy's Wife of AUdi-
valoch ] See Butler (T. H.) Butler's
favorite Sonata in F, in which is intro-
duced Pvov's Wife [by J. Watlen], etc.
[1797?] fol. g. 186. (2.)
The Surrender of Toulon (with a Descrip-
tive View in Music of a Ship weighing
Anchor, Storm at Sea, &c.). . .Set for the
Piano Forte or Harpsichord, etc.
Printed by the Axithor : EdinUirgh,
[1795?] fol. g. 443. h. (25.)
WATSON (Thomas) The first sett, of
Italian iladrigaUs Englished, not to the
sense of the originall dittie, but after
the affection of the Noate. By Thomas
Watson . . . There are also heere inserted
two excellent ]\Iadrigalls of blaster Wil-
liam Byrds, composed after the Italian
vaine, etc. Superius. (Medius.) (Con-
tratenor.) (Tenor.) (Bassus.) (Sextus.)
6 pts. Thomas Estc, the assigns of W.
Bijrd : London, 1590. i". K. 3. k. 12.
Containing madrigals by L. Marenzio,
G. Converso, G. M. Nanino, A. Striggio
and W. Byrd.
WATTS (R.) The Sigh, a Favorite Ballad
. . .The Words from Coleridge's Poems. . .
Printed for the Author:
London., [1797 ?] fol. G. 365. (36.)
WAUX-HAAL. Le Waux-Haal d'Et6.
[Song.] See Allons. Alons courons au
Wauxhaal, etc. [1785 ?] 8".
B. 362. f. (36.)
WAVING. The Waving Willow. Ballad.
See Shield (W.)
WAY. The Way to gain Her. [Song.]
See Do. Do you fancy a Simstress brisk
and gay, etc. [1720?] s. sh. fol.
H. 1601. (127.)
The Way to get IMarried. Song.
See Sanderson (J.)
The Way to keep him. Song [begins:
" Ye fair, possess'd of ev'ry charm "].
See Arne (T. A.)
The Way to keep him. Song. [Begins :
"When once the Maid is chang'd to
Wife."] See Hook (J.)
[Another setting.] The Way to keep him.
Song. SeeYE. Ye fair, who shine through
Britain's isle, etc. [1760.] 8°.
P.P. 5438. z.
[Another setting.] The Way to keep him.
[Song.] See Ye. Ye Fair who shine
thro' Britain's Isle. [1760 ?] s. sh. fol.
G. 316. f. (129.)
The Way to succeed with a Lass. Song.
See Thomas and Sally.
The Way to win her. Song. See Swain.
A Swain long tortur'd with Disdain, etc.
[1720?] s.sh.iol. H. 1601. (38.)
652
WAY— WEBBE
WAY TO KEEP HIM. Attend, all ye
Fair. ^1 Song, sung by Miss Macklin, in
The Way to keep him.
[London, 1760.] 8". P.P. 5438. z.
Universal Magazine, Vol. XXVI., 2?. 372.
WE. We are never satisfy'd. [Song.]
See Chloe. Chios, or the Musical Maza-
ziue, etc. No. 80. [1760 ?] fol.
G. 433.
We be three gay Duchesses. The Trading
D-chesses or Female Canvassers. A Farce,
as now Performing in Public by the
D-chess of P-tl-nd, the D-chess of
B-df-rd, and the D-chess of D-v-nshire,
etc. [Trio.] [London, 1784.] fol.
G. 808. f. (48.)
We be three poor Fisherman. Glee.
See Guardian Peigate.
We be three poor Mariners. A Favourite
Glee for 3 Voices. Anne Lee :
[Dublin, 1180?] s. sh. iol.
H. 1601. a. (100.)
We be three poor Mariners . . . Glee.
[London, 1800?] fol. G. 805. g. (57.)
We follow brave Hanibal. Song.
See SciPioNE.
We have been Banter'd & Bubbl'd &
Cheated & Banter'd & Bubbl'd. Song.
See Your. Your MelanchoUy's all a
foUy, e^c. [1712?] s.sh.iol.
G. 314. (34.)
We London valets all are Creatures.
Song. See Modern Prophets.
We merry Wives of Windsor. TJie Merry
Wives of Windsor, etc. [Song.]
[London, 1700 ?] s. sh. fol.
G. 313. (22.)
We now, my Th5'rsis. Song.
See PuRCELL (H.) [2. Vocal Music, d.]
We Prophets of the Modern race. Song.
See Modern Prophets.
We're gayly yet. [Song.] Sung by Mr.
Beard. [London, 1750 ?] s. sh. fol.
I. 530. (170.)
[Another edition.] We're gayly yet, etc.
[Looidoti, 1750?] s.sh.iol.
G. 305. (230.)
[Another edition.] We're gayly yet, etc.
[Lo7idon,n50?] s.sh.iol. G. 313. (88.)
[Another edition.] We're gayly yet, etc.
See Chloe. Chloe, or the Musical Maga-
zine, etc. No. 44. [1760 ?] fol. G. 433.
We shall live together. Laddie. Song.
See Hook (J.)
We Soldiers of Erin. Croppies lie down.
A Favorite Irish Song. [London ?
1800?] fol. G. 796. (37.)
We've fought, we have conquer'd. [Song.]
Sung by Mr. Beard [in the Masque of
Alfred, set by C. Burney]. [London,
1750.] fol. G. 313. (250.)
WE. [Another setting.] We've fought, we
have conquer'd. [Song.] See Arne (T. A.)
[Eliza.]
We will rejoice in thy Salvation. Anthem.
See Worgan (J.)
WEALE (George) Maria. A New Song^
etc. G. S[mart : London,
1775 ?] s. sh. fol. G. 306. (87.)
On Spring. A new Song, the Words &
Music by the Rev* G. Weale, etc.
G. S[mart : London, 1775 ?] s. sh. fol.
H. 1994. (64.)
The Young Man's Caution. [Song.] The
Words and Music by Mr. G. Weale.
G. S[mart : London, 1770?] s. sh. fol.
G. 310. (142.)
WEALTH. The Wealth of the Cottage is
Love. [Song.] See Reeve (W.) [Paul
and Virginia.]
WEARY. The Weary Pund o' Tow.
Song. See Urbani (P.)
WEAVE. Weave the crimson web of
War. Glee. See Callcott (J. W.)
WEAVER (John) A Small Treatise of
Time and Cadence in Dancing. . .Shewing
how Steps, and their Movements, agree
with the Notes, and Divisions of Notes,
in each Measure. H. Meere :
London, 1706. 4°. 785. k. 7. (1.)
See Feuillet (R. A.) [Chore gra2)hie.]
Orchesography . . . Being an Exact . . .
Translation from the French of IMonsieur
Feuillet. By J. Weaver, etc. 1706. 4°.
558*. c. 39.
WEBB ( ) A Favorite and Compleat
Peal on Eight Bells consisting of 350
Changes. Rung by the College Youths.
A. Bland : [London, 1790 ?] fol.
g. 272. r. (40.)
WEBB (John) Real Beauty. [Song.]
L[ongman] L[ukey and Co. : London,
1775 ?] s. sh. fol. G. 310. (161.)
WEBB (William) See Playford (J.)
Select Musicall Ayres and Dialogues . . .
by...W. Webb, ei-c. 1652. fol. F. 51.
See Playford (J.) Select Musicall Ayres
and Dialogues . . . by . . . Mr. William Webb,
etc. 1653. fol. P. 51. a.
,See Playford (J.) Select Ayres and
Dialogues . . .Composed by. . .W. Webb, etc.
1659. fol. G. 82. (1.)
WEBBE (Samuel) the Elder. Address to
a Violet, etc. [Song. Full Score.]
J. Bland : London, [1790 ?] fol.
G. 363. (21.)
Address to the British Fair. [Song.]
Charles Clarke : London, 1799. 4°.
12623. g. 13.
Published at the end of H. English's
" Conversations and Amusing Tales.''
WEBBE
653
WEBBE (Samuel) the Elder. All Day I [
wander through the Groves. Duetto, etc.
Broderip <& Wilkinson : London,
[1800?] fol. G. 354. (44.)
L' Amico del Priucipiante, being Twenty
Eight Solfaing Exercises for a Single
Voice, with a Bass Accompanyment, etc.
W. Hodsoll etc. : London, [1796.] fol.
g. 302. (7.)
Twelve Anthems particularly calculated
for Families, or Small Choral Societies.
B. Birchall,-for the Author: London,
[1798?] fol. G. 503. (7.)
Around my Fair. Terzetto, eYc.
Broderip & Wilkinson : London,
[1800?] fol. G. 352. (43.)
Aurora comes forth in her russet Array.
A favourite Hunting Song. Sung by Mr.
Kear, at the Theatre Royal in Dniry
Lane. Jlohn] J[ohnston : London,
1770?] fol. G. 306. (209.)
Awake, awake and hail the Morn. Hymn
for Christmas Day. J. Bland :
London, [1185?] fol. G. 502. (9.)
Bid me when forty Winters. A Duet.
Bland d- Wcller : London, [1800 ?] fol.
H. 2262. b. (26.)
The Bird Call of Cupid. A Glee for Three
Voices. Printed for E. Birchall :
London, [1800 ?] fol. G. 805. g. (60.)
A third Book of Catches, Canons and
Glees for three and four Voices.
Welcker : London, [1775 ?] obi. foL
D. 400. a. (3.)
A fourth Book of Catches, Canons and
Glees for Three, Four, Five and Six
Voices, with Canzonettes for Two Voices.
Welcker : London, [1778 ?] obi. fol.
E. 214. c.
[Another edition.] A fourth Book of
Catches, Canons and Glees, etc.
S. A. and P. Thompson: London,
[1780?] obi. fol. E. 214. e.
A VI Book of Catches, Canons and Glees,
for three, four, five & six Voices.
A. Hamilton: London, [1800?] obi. fol.
E. 214. (1.)
A Seventh Book of Catches, Canons &
Glees for Three, Four and Five Voices.
J. Bland : London, [1790 ?] obi. fol.
E. 207. d. (6.)
An Eighth Book of Glees, Canons and
Catches, etc. Printed for the Author :
London, [1795 ?] obi. fol. E. 214. (2.)
The British Navy. A Glee for Four
Voices. . .Words from Young.
Broderip d Wilkinson : London,
[1800 ?] obi. fol. D. 400. a. (4.)
British Sentiments, a Glee for Four Voices
. . . also an Italian Glee Mi dicon le don-
zelle. 2 Nos. Broderip d Wilkinson :
London, [1800 ?] obi. fol. D. 402. (33.)
WEBBE (Samuel) the Elder. Six Can-
zonetts ; for Two Voices. J. Bland :
I,o>MZo?i, [1789 ?] fol. H. 1687. (19.)
A Collection of Masses, with an Accom-
paniment for the Organ, particularly
design'd for the use of Small Choirs, by
S. Webbe. . .with others on the same j)lan
by Eicci and Paxton.
Printed for the Proprietors : London,
(1792.) obi. 4°. A. 480.
A Collection of Modern Church IMusic
consisting of Masses &c. Composed by
...Webbe, Paxton, Ricci, and Dr. Arne.
Published bj' permission of Mr. Webbe &
under his immediate inspection.
T. Skillern, for the Proprietors :
[Lojidon,] 1791. obi. 4». A. 481. (2.)
Lnperfect, pp. 1-24 only.
A Collection of Motetts or Antiphons, for
1, 2, 3 & 4 Voices, or Chorus, etc.
Printed for the Proprietors : [London,]
(1792.) 8". E. 214. d.
[Another edition.] A Collection of Motetts
or Antiphons for 1. 2. 3. & 4. Voices, etc.
Printed for T. Jones : London, [1795 ?] 4°.
E. 214. a.
A Collection of Sacred Music, as used in
the Chapel of the King of Sardinia, etc.
Longman d Broderip, for the Author :
London, [1785 ?] obi. fol. E. 214. f.
Death of Hebe, [Song,] with Accompani-
ments, etc. Longman and Broderip :
London, [1796 ?] fol. G. 365. (37.)
[Another copy.] H. 2821. (22.)
Divine Cecilia. Canzonetto a Tre.
Broderip and Wilkinson : London,
[1800?] fol. G. 352. (44.)
Evening Contemplation, a favorite Can-
tata, sung by Mr. Harrison at . . . Derby . . .
Sep' 88, etc. J. Bland : London,
[1789?] fol. G. 377. (60.)
From glaring Shew, a Favorite Song, etc.
Printed for J. Bland : London,
[1780?] fol. G. 808. f. (49.)
From glaring Shew, etc. L. Lavenu :
London, [1800 ?] fol. G. 807. e. (55.)
Goddess of the Chearful Smile. A Favorite
Glee for 4 Voices, etc. Printed for J. Dale :
London, [1796 ?] obi. fol. D. 402. (34.)
Great Father Bacchus. A favorite Song.
[FuU Score.] J. Bland :
London, [1787 ?] fol. H. 2818. c. (59.)
Hence all you vain delights. A Glee.
Composed ... for Sir Watkin Williams
Wynn. [Words from Beaumont and
Fletcher's " Nice Valour, or the Passionate
Madman."] [London, IIQO?] obi. iol.
E. 214. b.
In humble Life's sequester'd Vale, [Song,]
with an Accompaniment for the Piano
Forte or Harp . . . The Poetry by J.
Rannie. Broderip} d Wilkinsoii :
London, [ISOO?] fol. G. 365. (38.)
654
WEBBE
"WEBBE (Samuel) the Elder. The Ladies'
Catch Book, being a Collection of Catches,
Canons and Glees, the Words of which
■will not offend the nicest Delicacy.
Printed for S. and A. Thompson :
London, [1778.] obi. fol. E. 207. c. (7.)
Love, Honour & Truth. A favorite Song,
etc. W. HodsoU : London, [1797 ?J fol.
G. 365. (39.)
The Mansion of Peace, etc. [Song.]
A. Lee: [Dublin, 1780?] s. sh. fol.
H. 1601. b. (107.)
The Mansion of Peace . . . The Words by
a Lady. [Full Score.] I.Bland:
London, [1790 ?] fol. H. 1994. d. (59.)
The Mansion of Peace, etc. [Full Score.]
A. Bland & Weller : London, [1795 ?] fol.
H. 2818. c. (60.)
The Mansion of Peace, a Favorite Glee,
from the Celebrated Song of that Name,
harmonized for Four Voices, etc.
Bland ct Weller: London, [1800?] fol.
G. 805. g. (59.)
Maria. A Favorite Glee for 4 Voices . . .
The Words by Mr. Robinson. J. Dale :
London, [1796 ?] ohl. fol. D. 402. (35.)
Mi dicon le donzelle. See supra : British
Sentiments, etc.
Music's the Language of the blest above.
A Glee for Three Voices. Composed in
1779, etc. Printed for E. Birchall :
London, [1800 ?] fol. G. 805. k. (38.)
Non fidi al Mar che freme. See NoN.
Non fidi al Mar che freme. The Chearfull
Glee [by S. Webbe the Elder] which
gained a Prize on the 4th of May 1790,
etc. [1790.] obi. fol. E. 207. (7.)
[The Nonpareil.] Six Favourite Songs
. . . by . . . Mr. Webbe. The words by Mr.
Harrison. (No. 1.) [1797.] See Perio-
dical Publications. — London. The
Piano-Forte Magazine. Vol. I. No. 8.
[1797-1802.] 8°. D. 854.
O come 0 bella. Terzetto e Coro.
J. Bland : London, [1780 ?] fol.
H. 2831. h. (29.)
0 had I the Wings of an Eagle I'd fly.
A Favorite Song. W. HodsoU :
London, [1797 ?] fol. G-. 365. (40.)
O lead me where the lonely Nightingale.
[Song] . . .Words by a Lady. [Full Score.]
J. Bland : London, [1785 ?] fol.
G-. 377. (59.)
0 Lord hear the Prayer of thy Servants.
Anthem for Three Voices and Chorus, etc.
Printed for R. Birchall :
London, [1800 ?] fol. G-. 805. k. (37.)
Ode, on St. Cecilia, for Six Voices.
Printed for the Author :
London, [1795 ?] fol. G-. 805. k. (36.)
WEBBE (Samuel) the Elder. Pretty
Warbler cease to hover. A favorite
Glee, etc. Longynan d- Broderip :
London, [1780 ?] obi. fol. E. 601. d. (18.)
Resignation. [Song.] Translated from
the French found in the Temple at Paris,
in the Hand Writing of the late Unfor-
tunate Monarch Louis the Sixteenth and
supposed to have been Written the Day
preceding His ]\Iartyrdom. [Full Score.]
Iiongman and Broderip :
London, [1793.] fol. G. 368. (16.)
The Rose. A Cantata. The Words from
Anacreon. Printed for Harrison and Co. :
London, [1785 ?] fol. G. 808. c. (29.)
The Rose had been washd, a favorite
Song . . . the Words by a young Lady [or
rather, by W. Cowper. Full Score].
J. Bland : London, [1786 ?] fol.
H. 131. (53.)
See yonder festive. A favorite Song.
Composed and Sung by Mr. Webbe.
J. Bland : London, [1788 ?] fol.
G. 808. c. (28.)
Six Sonatas for the Forte Piano or Harp-
sichord. Welcker :
London, [1780?] obi. fol. e. 282. c. (15.)
Star of Beauty, silver Light, [Song,] with
an Accompaniment for the Piano Forte
or Harp . . . The Poetry by J. Rannie.
Broderip A Wilkinson:
London, [1800 ?] fol. G. 365. (41.)
Swiftly from the Mountain's Brow. Prize
Glee 1788, etc. J. Bland :
London, [1789 ?] fol. H. 2831. (28.)
Tho' !Mirth our Object. Epicedium, to
the Memory of Sir Watkin Williams
Wynne, Bart., etc. [Glee for four voices.]
J. Bland : London, [1789 ?] fol.
G. 353. (30.)
'Tis Archery. [Glee for three voices,] . . .
Dedicated to the Royal Kentish Bowmen,
etc. J. Bland : Londoti, [1790 ?] fol.
H. 1687. (21.)
What tho' the sable hours. Glee for Four
Voices . . . the words by W. Havard, etc.
Leiuis, Houston d: Hyde :
London, [1795.] fol. G. 353. (32.)
What will not gen'rous Wine produce ?
A Favorite Glee, etc.
Longynan and Broderip :
London, [1790 ?] fol. G. 353. (31.)
[Another copy.] H. 2815. c. (45.)
Forty Two Vocal Exercises in Two Parts,
with a Bass Accompanyment. Designed
for the Assistance of those who wish to
sing at Sight and as a Sequel to L' Amico
del Principiante, etc. B. Birchall, etc. :
London, [1798.] fol. g. 302. (6.)
Ye Powers who taught. A Favorite
Song,e?c. I.Bland: London, [1780 ?] fol.
G. 808. c. (30.)
WEBBE— WEDDING
655
"WEBBE (Samuel) the Elder. See Amuse-
ment FOR THE Ladies. Amusement for
the Ladies, being a Selection of . . . Glees
and Madrigals . . . by . . . IMessrs. Atter-
bury, . . . Stevens & Webbe.
[1791-93.] ohl. fol. E. 61.
See Apollonian Harmony. Apollonian
Harmony : a Collection of . . . Glees . . .
by . . . Webbe and other . . . Masters, etc.
[1790?] 8°. E. 255.
See Cooke (B.) The Favorite New Glees
Composed by Dr. Cooke . . . Mr. Webbe,
etc. [1792.] obi. fol. F. 193.
See Glees. The Professional Collection
of Glees . . . Composed by . . . Callcott . . .
Webbe, dc. [1790?] ohl. io\.
E. 207. (3.)
See Glees. A Selection of Glees from
the MSS. of the Concentores : being the
Compositions of ... S. Webbe, etc.
[1800 ?] ohl. fol. E. 207. a. (1.)
See Hyde (F. A.) A Miscellaneous Col-
lection of Songs. . .The Glees harmonized
... by Mr. Webbe, etc. [1796 ?-8.] fol.
I. 375.
See Sale (J.) A Collection of New Glees
... To which are added Four Others . . .
by Dr. Arnold, Messrs. Webbrel, Callcott
and Lindlev, etc. [1800 ?] obi. fol.
E. 400. r. (6.)
WEBBE (Samuel) the Elder and (Samuel)
the Younger. A Collection of Vocal Music,
in two, three, four and five parts ; Com-
posed ... by Sam' W'ebbe, Sen' & Jun',
Ninth Book. Longvmn d Brodcrip :
London, [1795 ?] obi. fol. F. 207. b. (3.)
WEBBE (Samuel) the Younger. Father
of Heav'n. Quartctt from the Epicedium
on Mozart . . . the translation (from the
German) & the Music adapted by S.
Webbe Jun'. E. Birchall : London,
[1795?] fol. H. 1687. (25.)
Twenty Pour Original Scots Songs for the
Piano Forte and Voice . . . Selected ... by
S. Webbe Jun'. H. Himc :
Liverpool, [1800 ?] fol. G. 805. k. (39.)
Four Sonatas, for the Harp, etc.
Longman, Clementi d Compu :
London, [IQOOl] fol. h. 173. b. (19.)
Whose voice did first inspire the Eastern
Lay. A New Christmas Ode, etc. [Part
Song for four Voices.] H. Hime :
Liverpool, ilQOQ^ fol. G-. 503. (17.)
See Glees. A Selection of Glees from
the MSS. of the Concentores : being the
Compositions of . . . S. Webbe Jun', etc.
[1800?] ohl.ioi. E. 207. a. (1.)
See Webbe (S.) the Elder and (S.) the
Younger. A Collection of Vocal Music. . .
by S. Webbe Sen' & Jun'. Ninth Book.
[1795 ?] ohl. fol. E. 207. b. (3.)
WEBBER (John) The Contented Peasant.
[Song.] [London, 1715 ?] s. sh. fol.
H. 1601. (322.)
[Another edition.] The Contented
Peasant, etc. [Song.] [London,
1715 ?] s. sh. fol. H. 1994. c. (64.)
Tell me, tell me, charming Creature. A
Song, etc. [London, 1750?] s. sh. fol.
G. 316. f. (33.)
WEBER (Adam) Zwolf Melodien, etc.
[Leipzig ?] 1782. ohl. fol. D. 740.
WEBER (Bernhard Anselm)
Sec Fraenzl (F.) and Vv^eber (B. A.)
XII Lieder . . . Erster Theil.
[1795 ?] obi. fol. E. 601. h. (9.)
WEBER (Georg) Himmel-steigendes
Dank-Opffer welches dem Drey-Einigen,
waaren, grossen und hochgelobten Gotte
zu schuldigen Ehren f iir . . . gnadige Erret-
tung, auss drey erschreklichen Sturm-
winden, grosser Noht und Lebens-gefahr
auff dcr See, in 15 Tagen, einer Reise
geschehen, etc. Gedrukt dtcrch Quirin
Bauchcn. Bey S. Schieben zu finden :
Leipzig, 1652, 8°. 3434. b. 1. (2.)
Sieben Theile Wohlricchender Lebens-
Friichte eines recht Gott-ergebenen
Herzen ... In uiedriger Eeina-Ahrt an das
Licht getragen, mit gantz schlechten
Melodien bequemet und in 1. 2. 3. 4. 5.
Stimmen zusingen ; mit etlich beygefiigten
Sinfonien zu 2. Violinen und dem Basso
continuo gesetzet. 7 pts.
Bey Jacob Andreen : Danzig, 1649. 8".
A. 751.
Each part has a separate title-page, hut
the pagination is continuous. Parts
1-4 are dated 1648 ; all seven are
printed at Konigsberg by J. Beusner.
[Another copy.]
3434. b. 1. (1.)
WEBSTER (John) Twelve Canzonets,
composed in an easy, familiar Style, etc.
Longman and Brodcrip : London,
[1785 ?] ohl. fol. E. 270. d. (6.)
WECHSELGESANG.
der Mirjam und Debora.
See Knecht (J. H.) •
Wechselgesang
[Duet.]
WEDDING. The Wedding. Song.
See Says. Says Roger to Will, etc.
[1710?] s. s^i. fol. H. 1601. (389.)
The Wedding Day. 22 August 1799.
[Song.] See On. On circling hours
swiftly borne. 1799. fol.
G. 807. d. (61.)
WEDDING DAY. In the dead of the
Night. [Song] As Sung by Mrs. Jordan
in the Wedding Day [written by E. Inch-
bald]. [London, 119i.] fol. G. 295. (9.)
656
WEDDING— WEICHMANN
WEDDINa DAY. In the dead of the
night, etc. Longman and Broderip :
London, [1795 ?J fol. G. 383. i. (45.)
In the dead of the Night. A Favorite
Song sung by Mrs. Jordan, etc.
Printed for Corri Dussek d Co. :
London & Edinburgh, [1795 ?] fol.
G. 424. b. (3.)
WEDDING RING. The Wedding Ring.
Comic Opera. See Dibdin (C.)
WEDLOCK. Wedlock. [Song.] See Of.
Of all the various states of life.
[1766.] 8°. P.P. 5441.
WEELKES (Thomas) Ayeres or Phan-
tasticke Spirites for three voices, etc.
Cantus. (Tenor.) (Bassus.) 3 pts.
William Barley : London, 1608. 4°.
K. 3. k. 13.
Balletts and ]Madrigals to fiue voyces, with
one to 6. voyces: newly published, etc.
Altus. Thomas Este : London, 1598. 4°.
55. b. 20. (7.)
Balletts and Madrigals to fiue voyces,
with one to 6. voyces, etc. Cantus. (Altus.)
(Tenor.) (Bassus.) (Quintus.) 5 pts.
Thomas Este, the assigne of William
Barley : London, 1608. 4°. K. 3. k. 14.
[Another copy. Cantus.] 55. b. 20. (15.)
Welcome sweet pleasure.
See Welcome. Welcome sweet pleasure
. . .Madrigal [by T. Weelkes], etc.
1790. s. sh. 4°. P.P. 5141.
Madrigals to 3. 4. 5. & 6. voyces, etc.
Cantus Prim'. (Cantus Secund'). (Altus.)
(Bassus.) (Quintus.) (Sextus.) 6 pts.
Thomas Este : London, 1597. 4°.
K. 3. k. 15.
[Another copy. Cantus Prim'. (Altus.)]
2 pts. 55. b. 20. (5 & 8.)
Madrigals of 5. and 6. parts, apt for the
Viols and voices, etc. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) (Sesto.) 6 pts.
Thomas Este, the assigne of Thomas
Morley : London, 1600.; 4°. K. 3. k. 16.
The Five and Six Part Madrigals have
separate title-pages and dedications,
hut the register is continuous.
[Another copy. Canto.]
55. b. 20. (9, 10.)
WEEP. Weep, weep for poor Anna.
Ballad. See Amateur.
WEEPING. The weeping Widdows and
j'oung Buxom Lasses invitation to Durd-
ham Down camp. [Song.] See You.
You Girls so pretty, etc. [1710?] s. sh. fol.
G. 305. (11.)
The Weeping Willow. [Song.]
See Callcott (J. W.)
WEERBEKE (Gaspar van) See Gaspar.
WEGEN. Wegen meiner bleib d' Freiila
nur da. Aria. See Mueller (W.) [Das
neu Sonntagskind.]
WEGMANN (Hans Ulrich) Choral-
Buch cnthaltend alle zu dem Gesangbuche
der Evangelischen Briidergemeinen vom
Jahr 1778 gehorige Melodien. [Edited
with a Preface by H. U. Wegmann.]
L. F. Fues : Tubingen, 1794. obi. fol.
C. 79.
WEGWEISER. Kurtzer jedoch griind-
licher Wegweiser, Vermittelst welches
man aus dem Grund die Kunst die Orgel
recht zu schlagen, so wol was den General-
Bass, als auch was zu dem Gregorianischen
Choral-Gesang erfordert wird, erlernen
. . . kan . . . Deme hiuzugef iigt eiu in KupSer
verfertigter Ubungs-Plan, bestehend in
allerhand Prteambulis, . . . Fugen, und
dergieichen, alle nach Ordnung der . . .
8. ivirchen-Thonen eingericht, etc.
Jacob Koppmeyer : Augsburg,
1689. obi. 4°. A. 46.
This work appeared in later editions as
' Herrn Giacomo Carissimi Icichte
Grun-Regeln zur Sing-Kunst,^ etc.
WEICHMANN (C. F.) C. F. Welch-
manns Teutsche Anmerkungen iiber Herrn
Matthesons Antwort auf sein am 28 Julii
an Denselben abgelassenes Schreiben, etc.
Gedruckt mit sel. G. KiJnigs Schriften :
Hamburg, 1722. 4°. 556. a. 11. (4.)
See Blyvers (G.) Heftiger Frosch-Mause-
Krieg de Lana Caprina, zwischen . . . G.
Blyvers und C. F. Weichmann, etc.
1722. 4°. 556. a. 11. (3.)
WEICHMANN (Johann) Johann Weich-
mans Erster vnd Ander Theil Newer
Ballet, Couranten, Alemanden vnd Sara-
banden, mit 2. Stimmen nach newer Art
zu spielen verfertiget. Derer Erster Theil
zum andern mahl in etwas verbessert,
nebenst dem Andern und Letzten Theil
aufigeleget ist. Canto. Li Yerlegung
Sel. Peter Hdndels Buchhdndl. Wittiben
vndErben. . . Gedruckt bey Paschen Mense :
Eonigsberg, 1649. 4°. B. 147.
Die FiinfE Haupt-Stiick der Christlichen
Lehre in Flinff sonderbare Lieder oder
Reimen verfasset. . .Derer Choral in ein
Contrapunct gebracht, vnd also das jed-
weder Stimme eine besonderer Melodei
fiihret, Mit 5. Stimmen zusingen gesetzet,
etc. Ycrlegts Peter Handel. Gedruckt durch
JoJiann Beusnern : Konigsherg, 1646. fol.
G. 75. a.
Wanting the Bassus.
Sorgen-Lagerin das ist Etliche Theile
Geistlicher vnd Weltlicher zur Andacht
vnd Ehren-lust dienende Lieder. (Erster
Theil newer Geistlicher vnd Weltlicher
Lieder, welche theils allein, theils in ein
WEICHSELL— WEIDEMAN
657
Damon and Flavella.
1745 ?] s. sh. fol.
Positiv, Clavicimbel, Spinet, Theorbe,
Harff, Laute, Bandoer, Viole di Gamba
zu singen, etc.) (Ander Theil Newer. . .
Lieder, welche in ein voUstimmiges In-
strument mit 1. 2. vnd 3. Stimmeu zu
singen, etc.) (Dritter Theil Newer . . .
Lieder, welche in ein vollstimmigges
Instrument zu singen, etc.) 3 pts.
Gcdruckt diirch Johann Reusnern in
Verlegung Sel. Peter Handels Witwen :
Eunigsberg, 1648. fol. G. 75.
WEICHSELL (Carl) A Favorite Solo
for the Violin and Bass, etc. No. 1.
Printed for G. Goulding : London,
[1795 ?J fol. g. 422. h. (2.) j
See Orpheus and Euuydice. Orpheus '
and Eurydice, a Grand Serious Opera, . . .
composed by Gluck,. . .Weichsel, etc.
[1792.] ohl. fol. E. 91. e. 1.
WEICHSELL, afterwards BILLING-
TON, afterwards EELLISENT (Eliza-
beth) Three Lessons for the Harpsichord
or Piano Forte. . .by Elizabeth Weichsell,
a Child eight Years of Age. Welcker :
London, [1775 ?j obi. fol. e. 5. b. (5.)
Six Sonata's for the Piano Forte or Harp-
sichord . . . Composed by Elizabeth
Weichsel in the Eleventh Year of her Age
Opera 2''". Printed for the Author :
London, [1779 ?] fol. h. 726. 1. (8.)
The first page contains Mis. Billington's
autograph.
WEIDEMAN (Charees Frederick) Sis
Concertos iu Seven Parts for One and
Two German Flutes, Two Violins, a Tenor,
with a Thorough Bass for the Violoncello
and Harpsichord . . . Opera Secouda.
Publish'd by the Author. [Separate
Parts.] Printed for lohn Walsh:
London, [1745 ?] fol. g. 674. a.
Six Concertos in 8 Parts for Two German
Flutes, Two Violins, Two French Horns,
a Tenor, with a Bass for the Violoncello
and Thro' Bass for the Harpsicord. Opera
Settima, etc. [Separate Parts.]
Printed for I. Walsh: London,
[1765 ?] fol. g. 674. d.
[Song.] \^London,
Or. 313. (89.)
[Damon and Flavella.] When first by
fond Damon. [Song.] Sung by Mr. Lowe
at Vaux-hall Gardens. [London,
1749.] 8". P.P. 5438. z.
Universal Magazine, Yol. V., p. 81.
[Damon and Flavella.] When first by
fond Damon. A Neiu Song, sung by Mr.
Lowe, at Vaux-Hall Gardens, etc.
[Lo7idon, 1749.] 8". 157. 1. 11.
London Magazine, 1749, p. 332.
VOL. II.
WEIDEMAN (Charles Frederick)
[Damon and FlaveUa. Another edition.]
When first by fond Damon. [Song.]
Sung by Mr. Lowe at Vaux-Hall-Gardens.
[London, 1750?] s.sh.iol. G. 305. (281.)
When first by fond Damon. [Song.] Sung
by Mr. Lowe, at Vaux-Hall Gardens.
See Chloe. Chloe, or the Musical Maga-
zine, e/c. No. 2P. [1760?] fol.
G. 433.
Six Duets for Two German Flutes . . .
Opera Quarta. Printed for the Author:
Lotulon, [1751.] fol. g. 674. c
Six Duets for Two German Flutes . . .
Opera Sexta. Printed for I. Walsh:
London, [1765 ?] fol. g. 674. c. (3.)
[Another copy.] g. 280. b. (18.)
The Garland. [Song.] The Words by
Mr. Prior. [London, 1750.] s. sh. fol.
G. 305. (98.)
[Another copy.] G. 312. (93.)
Joy enlightens all mv senses. [Song.]
[London, 1750?] s. sh. fol. G. 309. (16.)
Weideman's Favorite Minuet, for the
Harpsicord Two German Flutes or Two
Guittars. [London, 1770 ?] fol.
H. 1994. a. (143.)
Weideman's New Minuet. [London,
1760?] s.sh.iol. H. 1994. a. (21.)
The Old Buff's March. [FuU Score.]
[Londo«, 1770 ?] s.sh.iol.
H. 1994. a. (218.)
[Another edition.] The Old Buffs March.
[Full Score.] [Lojidan? 1180?] s.sh.iol.
H. 1601. a. (112.)
Twelve Solos for a German Flute and
Harpsicord . . . Opera Quinta.
Printed for I. Walsh:
London, [1755 ?] fol. g. 674. c. (2.)
Six Sonatas in three Parts. Two for Two
German Flutes and a Bass and Two for
Three German Flutes without a Bass . . .
Opera Terza. [Separate Parts.]
Printed for the Author :
London, [1751.] fol. g. 674. b.
XII. Sonatas or Solos for a German Flute
with a Thorough Bass for the Harpsicord
or Violoncello. Printed for Lv Walsh :
London, [1745 ?] fol. g. 674.
When Beauty we enjoy. [Song.] The
Words by B. England, etc.
[London,n50?] s.sh.iol. 1.530.(169.)
When first by fond Damon.
See supra : [Da7non and Flavella.']
See Lessons. Select Lessons . . . for Two
German Flutes Extracted from the Works
of . . . Weideman, etc. [1735 ?] obi. 4^
b. 30. (2.)
See MusiCA Curiosa. Musica Curiosa or
a Curious Collection of . . . Airs Compos'd
by Messrs. Granno, Weideman, etc.
[1745 ?] obi. 4°. b. 30. (1.)
2 u
658
WEIGH— WEINLEIN
WEIGH (John) Blythe Strephon the
Airiest of the gay throng. A Pastoral
Ballad with an Accompaniment for a
Violin or Harp. The Words by a Lady.
Gouldiyig d Co. : London, [1799.] fol.
G. 808. h. (42.)
Glees, for Three Voices ; also adapted as
Songs, etc. William Wright,
for the Author : Newcastle, [1795 ?] fol.
G. 808. h. (43.)
WEIGHING. Weighing Anchor. Song.
See Spickam (E. E.)
WEIGL (Joseph) A me, a me credete.
See infra : \_La Principessa d' Amalfi.]
Ah spiegarti oh Dio vorrei.
See infra: [Gli Amori Marinari.']
Ah se un core all' infedele. Rondo, con
Recitativo — Misera me, x^er il Clavicembalo
. . . Cantato dalla Sig" Feraresi nell Opera
la Pastorella Nobile del Sig' Guglielmi.
Presso Artaria Comp. : Vienna,
[1795?] ohl.lol. E. 1039. (6.)
[Gli Amori Marinari.] L' Amor Marinaro.
Duetto : Ah spiegarti oh Dio vorrei.
[7ienjia?1800?] ohl.lol. E. 870. (7.)
Pria che 1' impegno. See Gelinek (J.)
12 Variations pour le Clavecin . . . sur le
Trio, Pria che 1' impegno, etc.
[1800 ?] ohl. fol. f. 133. b. (5.)
L' Amor Marinaro. Aria : Soavi
acuti dardi, rassembrano i suoi sguardi.
[Vienna? 1800?] ob^. fol. E. 870. (9.)
L' Amor Marinaro. Polonoise : Torni
Serena r alma. [Vienna? 1800 7] obi. fol.
E. 870. (8.)
La cagion del vostro affanno.
See infra : [La Principessa d'Amalfi.]
Del mio cor 1' acerba pena.
See infra : [La Principessa d'Amalfi.']
Forse abbastanza.
See infra : [La Priyicipessa d' Amalfi.]
[Giulietta e Pierotto.] Se sapeste quanto
ei mi ama. See Andre (J.) Neue Theater-
Gesange, etc. Theil 2. No. 8.
[1797 ?] obi. fol. E. 59. b.
In qual barbaro cimento.
See infra : [La Principessa d' Amalfi.']
[La Principessa d' Amalfi.] Overture per
il Clavicembalo dell' Opera La Principessa
d' Amalfi, etc. Presso Artaria d Comp. :
Vienna, [1795?] ohl. fol. E. 668. f. (1.)
A me, a me credete. Aria . . . per il
Clavicembalo, etc.
Presso Artaria d Comp. :
Vienna, [1795 ?] obi. fol. E. 668. f. (2.)
La Cagion del vostro afEanno. Duetto
. . . per il Clavicembalo, etc.
Presso Artaria d Comp. :
Vienna, [1795 ?] ohl. fol. E. 688. f. (5.)
WEIGL (Joseph) [La Principessa d'
Amalfi.] Del mio Cor 1' acerba pena,
Rondo . . . con Recitativo, Lungi s' en vada
per il Clavicembalo, etc.
Presso Artaria d Comp. :
Vienna, [1795 ?] obi. fol. E. 688. f. (7.)
Forse abbastanza. Aria . . . per il
Clavicembalo, etc.
Presso Artaria d Comp. :
Vienna, [1795 ?] ohl. fol. E. 688. f. (4.)
In qual barbaro cimento. Aria . . .
per il Clavicembalo, etc.
Presso Artaria d Comp. :
Fienna, [1795?] obl.lol. E. 688. f. (6.)
Senza speranza. Aria. . .per il Clavi-
cembalo, et£. Presso Artaria d Comp. :
Vieyma, [1795 ?] obi. fol. E. 688. f. (3.)
Senza speranza.
See supra : [La Principessa d' Amalfi.]
Soavi acuti dardi, rassembrano i suoi
sguardi. Aria.
See supra : [Gli Aynori Marinari.]
Torni serena 1' alma.
See supra : [Gli Aynori Marinari.]
L'Uniforme. Dramma Eroi-comico in
tre Atti. Poesia di G. de Carpani . . .
Ridotto per il Piano-Forte. — Die Uniform
. . . nach dem italienischen von Treitschke.
Ital. & Gcr. T. Wcigl : Wien, [1798.] fol.
H. 658.
WEIGL (Thaddaeus) [Der Jahrmarkt
zu Griinwald.] Ouverture und Gesange
aus dem Singspiele Der lahrmarckt zu
Griinwald oder Die Marionetteubude.
Ln Verlage des Musicalischen
Magaziyis auf der Hohe : BraunscJiweig,
[1795 ?] ohl. fol. E. 668. g.
WEIHNACHT. Ein Weyhenacht Gsang-
lein. In seiner aignen Melodey. [Hymn
for 2 voices.] See Mein. Mein Mundt
der singt, etc. 1737 [1637]. 12°.
11522. de. 19. (2.)
WEILAND (Julius Johann) Aevreporo-
Kos, hoc est, Sacratissimarum Odarum
Partus quern post primum maxim^
ponderosis divorum patrum, ut & aliorum
pientissimorum verbis . . . accommodatum
& concinnd suavissimarum Harmoniarum,
ut & amoend Symphoniarum gratia ex-
ornatum . . . exponit Julius Weiland, etc.
Vox Prima (Secunda) (Tertia). (Violinum
Secundum.) (Bassus Generalis.) 5 pts.
Typis Jacobi Eohleri : Brxnix, 1656. 4°.
A. 438.
WEILLAND ( ) Harmonie pour, Deux
Clarinettes, Deux Hautbois, Deux Bassons,
et Deux Cors. [Separate Parts.]
Broderip d Wilkinson :
London, [1800 ?] fol. h. 125. (20.)
WEINLEIN" (Josaphat)
See PuLsiTivA (J.) pseud.
WEINLICH— WELCOME
659
WEINLICH (Christian Ehregott)
See Weinlig (C. E.)
WEINLIG (Christian Ehregott) Der
Christ am Grabe Jesu. Oratoriuin nach
der Poesie des Herrn . . . Berger, etc.
[P. F. Score.] Bey dem Verfasscr :
Dresden tiiid Leipzig, 1788. obi. fol.
F. 388.
See Freemasons' Songs. Gesauge fiir
Maurer mit . . . Melodien vou . . . ^Yeinlig,
etc. [1782.] 8°. E. 1718.
See Kriegel (C. F. W.) XXXVI. Lieder
. . . von . . . Weinlicb, etc.
[1790-1.] obi. fol. E. 679.
WEIPPERT (John Erhardt) Absence.
A Favorite Song, for the Pedal Harp or
Piano Porte . . . written by T. A. Beckles,
etc. Longman d: Broderip,for the Authoi- :
London, [1797 ?] fol. G. 365. (42.)
Ar Hyd y Nos, A Favorite Welsh Air, with
New Variations. . .as. . .Perform'd on the
Pedal Harp at the Theatre Royal Drury
Lane, iu Harlequin Amulet, etc.
Weippert: London, [1800.] fol.
H. 2819. (5.)
God save the King, with Variations for
the Pedal Harp, etc. Kauntzc & Hyatt :
London, [1800?] fol. g. 270. e. (27.)
Four Sonatas for the Pedal-Harp, Harp-
sichord, or Piano-Forte ; with an Accomp-
animent for the German-Flute or Violin
& Violoncello . . . Op. ii. [Separate Parts.]
Longman <& Broderip, for the Author :
ionrfow, [1796 ?] fol. g. 192. a. (22.)
WEIS (Friedrich Wilhelm) Lieder mit
Melodien. Christian Ivcrsen und
Compagnie : Liibeck, 1775. obi. fol.
C. 598. (1.)
Lieder mit Melodien . . . Zweyte Samm-
lung. Christian Iversen und Compagnie :
Lilbcck, 1776. obi. fol. C. 598. (2.)
Lieder mit Melodien. . . Dritte Sammluug.
J. G. I. Breitkopf : Leipzig,
1779. obi. fol. C. 598. (3.)
WEISBECK (Nicolas) Vom Heiligen
Ehestand Ein Christliches Colloquium . . .
Den beyden . . . Personen, Als dem
Edlen . . . Otto Christof von Kerst-
lingeroda . . . Breutigam, Vnd dann
der Edlen . . . Jungfrawen Beatae von
HopSgarten . . . Braut . . . Als sie auff den
14 Martii. . .Anno 1614. . .ihr Christliches
. . . Beylager . . . solenniter celebrirt . . .
zu . . . Ehren AuS jr beyder Namen Reim-
vnd Gesaugsweise gerichtet, vnd mit 4.
Stimmen . . . zu singen ad eequales com-
ponirt, etc. Discantus. (Altus.) (Tenor.)
(Bassus.) (Quinta Vox.) 5 pts.
Bey Martin Wittel : Erffurdt, 1614. 4°.
B. 149.
WEISS (Carl) Six Quartettes for a Flute,
Violin, or two Flutes, Tenor and Bass . . .
Op" IV. [Separate Parts.] Printed for
the Author : London, [1782 ?] fol.
g. 411. a. (2.)
Six Solos for the German Flute and Bass
. . . Opera iii. John Wclckcr : London,
[1780?] fol. g. 280. c. (6.)
Six Solos for the German Flute and Bass
. . . Opera iii. Longman and Broderip :
London, [1785?] fol. g. 225. b. (10.)
Six Trios for a German Flute a Violin &
Violoncello, etc. [Separate Parts.]
Welcker: London, [1715 7] fol.
h. 2852. a. (4.)
Six Trios for a German Flute, Violin and
a Bass . . . Opera ii'' [Separate Parts.]
Printed for W. Napier: London,
[1780?] fol. h. 2852. a. (5.)
WEISS (G.) Three Quartetts for a Flute,
Violin, Tenor and Violoncello . . . Opera 5.
[Separate Parts.] W. Miller, for
the Author : London, [1790 ?] fol.
h. 229. (9.)
See Neubaur (F.) Three [or rather Six]
Trios. . .Adapted for Three Flutes ... by
G.Weiss. [1790?] fol. g. 222. (8.)
WEISSE (Michael) See Hymns. [_6. Ger-
man.] Ein New Gesengbuchlen. [With
a Preface by M. Weisse.] 1531. 4°.
3425. ce. 26.
WELCOME. Welcome all who sigh with
truth. Air. See Geminiani (P.) [Sonate.
Op. ir. No. 5. Allegro.]
Welcome as the flowers in May. [Song.]
See Stevenson {Sir J. A.)
Welcome Damon to my Breast. Song.
See Hayden (G.)
Welcome death, the cure of all my sorrow.
The Langiiishiyig Lady; or, the False-
hearted Lovers Unspeakable Cruelty.
. . . [Ballad.] To an Excellent New Tune.
Printed for C. Bates : [London,
1625 ?] s. sh. fol. Case 39. k. 6. (52.)
The music is represented by a meaning-
less succession of 7iotes, etc.
Welcome Linco, welcome home. [Song &
Chorus.] See Lingo's Travels.
Welcome Nelson Home again. Song.
See Never. Never yet in Ancient story,
etc. [1798.] fol. G. 376. (48.)
The Welcome Retreat from the Storm.
Ballad. See Denning (T.)
Welcome Sun and Southern Show'rs. A
Neio Song. Wrote by a Lady on leaving
the Town for the Summer Season.
[London, 1758.] s. sh. 8°.
P.P. 5439. ab.
Neio Universal Magazine, Vol. XIII.,
Stipplement.
2 u 2
660
WELCOME— WELDON
WELCOME. Welcome Sun and southern
Show'rs. A New Song, etc. [London,
1759.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XXIV.,
p. 370.
Welcome sweet day of rest. Hymn.
[Words by Dr. Watts.] [London,
1779.] 8°. P.P. 716. b.
Gospel Magazine, 1779.
Welcome sweet pleasure. A Favourite
Madrigal [by T. Weelkes] etc. [London,']
1790. s. sh. 4°. P.P. 5141.
Lady's Magazine, Aug., 1790.
Welcome thou whose deeds conspire.
Duetto. See Haendel (G. F.) [JepMlia.]
Welcome to aU the pleasures. Ode.
See PoRCELL (H.) [Ode for St. Cecilia s
Day, 1683.1
Welcome welcome Brother debtor. The
Debtor's Welcoyne to their Brother, etc.
[Song, words by 0. Cofiey.] [London,
1730 ?] s. sh. fol. G. 307. (34*.)
[Another edition.] Welcome, welcome,
Brother debtor. The Debtor's Welcome to
their Brother. [London, 1730 ?] s. sh. fol.
G. 316. f. (85.)
WELDON (John) [The Agreeable Dis-
appointment.] Love in her Bosonie end
my Care. The Marri[a]ge Song. Sung by
Mrs. Hudson in [Love Betray'd, or] the
Agreeable Disapointment [a Comedy by
C. Burnaby], etc. [^London,
1703 ?] s. sh. fol. G. 310. (16.)
An Amorous swain to Juno pray'd. A
Song, etc. [London, 1710 ?] fol.
G. 315. (114.)
As a Tyrant when degraded. A Song.
Sung by Mr. Laroon, etc. [London,
1702 ?] s. sh. fol. G. 306. (33.)
As the Snow in Valleys lying. A So7ig.
Sung by Mrs. Hudgson, etc. [London,
1702 ?] s. sh. fol. G. 306. (32.)
At Noon in a sultry Summer's day. A
Song, etc. [Words by the Earl of Dorset.]
[London, 1705 ?] s. sh. fol. G. 304. (6.)
Celia my heart has often rang'd.
See infra : [She would and she would 7iot.]
Celia you in vain deceive me. A Song,
etc. [London, 1720 ?] s. sh. fol.
H. 1601. (98.)
Clarinda. A Song, etc. [London,
1705 ?] s. sh. fol. G. 304. (30.)
Cloe thou Goddess of my Youth. A Song,
etc. [London, 1705 ?] s. sh. fol.
G. 304. (32.)
A Collection of New Songs accompagni'd
with Violins and Flutes with a Thorow
Bass to each Song for y^ Organ or Harp-
sicord. Printed for I. Walsh : London,
[1707?] fol. G-. 301. (1.)
WELDON (John) A Collection of New
Songs with a Through Bass to each Song
for the Harpsicord . . . Perform'd at his
Consort in York Buildings. I. Walsh :
London, [1101 ?] fol. G. 301. (2.)
Mr. Weldon's Third Book of Songs be-
gining with single Songs Perform'd at the
Consorts in York Buildings and at y"
Theatres as also Symphony Songs for
Violins and Flutes never before Publish'd.
Carefully Corrected by y" Author.
Printed for I. Walsh : London, [1710 ?] fol.
G. 301. a.
Divine Harmony. Six Select Anthems
for a Voice alone with a Thorow Bass for
the Organ, Harpsicord or Arch-Lute . . .
Perform'd by the late Famous Mr. Elford,
etc. (Divine Harmony. The 2* Collec-
tion being Select Anthems for a Voice
alone as also some for 3 and 4 Voices with
a Thorough Bass for y" Organ, Harpsicord,
or Arch Lute. Compos'd by Several
Eminent Authors and perform'd at y''
Chappel Royal, etc.) 2 pts.
Printed for I. Walsh and I. Hare :
Lo7idon, [1130?] fol. H. 820.
The composers of the Second Collection
are : Bloiv, J. Clark, Dr. P[epusch],
Norris and Goldioin.
[The Fair Unfortunate.] Ye words that
sighing fill the air. A Song designed for
Mrs. Tofts in the late Mr. Charles Goring's
Play call'd the Fair Unfortunate, etc.
[London, 1710 ?] s. sh. fol. G. 314. (6.)
This play tvas published under the title
of ' Irene, or the Fair Greek.''
From grave Lessons & restraint. A Song
. . . Sung by Mrs. Bradshaw. [London,
1710?] s. s7i. fol. H. 1601. (148.)
[Another edition.] From grave Lessons
& restraint. A Song. . .Sung by Mrs.
Bradshaw. Cluer : [London,
1715?] s.sh.iol. G. 316. g. (22.)
Hope, thou Nurse. See Love in a
Village. Hope, thou Nurse, etc. [Duet,
music by J. Weldon.] [1780?] fol.
G. 296. (15.)
[The Judgment of Paris.] Let Ambition
fire thy Mind. Juno['s Song] in the Prize
[Music, i.e. The Judgment of Paris.
Words by W. Congreve]. [London,
1702.] s. sh. fol. H. 1601. (270.)
Let Ambition fire thy Mind. Juno
in the Prize, etc. Cluer : [London,
1715 ?] s. sh. fol. G. 316. g. (38.)
-Let Ambition fire thy mind. A Song
for Four Voices, etc. [Lo?ifZo«,
1720 ?] s. sh. fol. G. 310. (29.)
Let Ambition fire thy Mind. A
Song for four Voices . . . Engrav'd from
the Original Copy. [Lojidon,
1730?] s. s7j. fol. H. 1994. a. (61.)
WELDON— WELL
661
"WELDON (John) Just Coming from Sea.
The Saijlors Song in the Subscription
. Musick . . . Sung by i\Ir. Doggett.
lLo7iclon, n05?] s.sh.iol. G. 309. (74.)
[Another copy.] G. 305. (175.)
Let Ambition fire thy Mind.
See supra : [The Judgment of Paris.]
Love in her Bosome end my Care.
See supra : [The Agreeable Disappointment.']
My wishing Eyes. A Song, etc.
[London, 1700 ?] fol. G. 304. (104.)
Panthea, A Song. . .Sung by Mrs. Campion
at the Theater Rovall. [London,
1700?] fol. " K. 7. i. 2. (5.)
[Another copy.] G. 311. (2.)
[Another edition.] Panthea, etc.
[London, YiOO'i] fol. G. 304. (126.)
Prithee Celia ease my Pain. A Song, etc.
[London, 1702.] fol. G. 304. (125.)
Reason, what art thou. A Song . . . The
Words by Capt. John Lawrence.
[London, 1700 ?] fol. K. 7. i. 2. (7.)
[Another copy.] G. 304. (130.)
[She would and she would not.] Celia
my heart has often Rang'd. A Sojig
Sung by Mrs. Campion in the Comedy [by
C. Gibber] call'd She wou'd and She wou'd
not, f^c. [London, 1703 ?J s. s7;. fol.
G. 304. (29.)
[Another edition.] Celia my Heart has
often rang'd, etc. [London,
1703?] s.sh.iol. H. 1601. (114.)
[Another edition.] Celia my Heart has
often rang'd, etc. Printed for Jn" Cullen :
[London, 1106 •?] s.sh.iol. G. 303. (76.)
Stop, 0 ye Waves. A Song . . . sung by
Mrs. Lindsey & exactly engrav'd by T.
Cross. [Londo7i, 1700 ?] s.sh.iol.
H. 1601. c. (6.)
Stop, 0 ye Waves. Orpheus' Song to the
Waves. . .Sung by Mrs. Linsey. [London,
1710?] s. s7i. fol. H. 1601. (386.)
[Another edition.! Stop, 0 ye Waves, etc.
[London, 1710?] ' s. sh. fol.
K. 7. i. 2. (4.)
[Another copy.] G. 311. (65.)
Swain thy hopeless passion smother. A
Song, etc. T. Cross jun^' : [London,
1700?] s. s7i. fol. G. 311. (63.)
Take heed Bellinda. A Song . . . The
words by a Lady. Sung by l\Irs. Campion
att the Consort in York Buildings and
att the Theatre. [Lo7idon,
1710 ?] s. sh. fol. H. 1601. (435.)
[Another edition.] Take heed, Bellinda.
A Song, etc. [London, 1710 ?] s. sh. fol.
G. 316. g. (62.)
To Silvia's Charms a Captive made. A
Song . . . Sung at the Theatre.
[London, 1705 ?] fol. G. 305. (83.)
WELDON (John) Tormenting Jealousy
begon. A Nciu Song. The Words by a
Lady, etc. [London, 1710?] s. sh. fol.
G. 315. (28.)
The wakefuU Nightingale that takes no
rest. A Song . . . exactly engrav'd by Tho.
Cross. [London, 1700 ?] s. sh. fol.
K. 7. i. 2. (1.)
[Another edition.] The wakefull Nightin-
gale that takes no rest, etc. [London,
1705 ?] s. sh. fol. G. 304. (141.)
[Another copy.] G. 312. (40.)
[Another edition.] The Wakefull Nightin-
gale. [Song.] [London,
1710?] s.sh.iol. H. 1601. (437.)
When your Angellick Face I'd seen. A
Song on a Beauteous Lady who had bin
playing, before the Author came in, etc.
[London, 1700 ?] s. sh. fol.
G. 304. (167.)
Whv will Clemene. A Song, etc.
[London, 1700 ?] fol. K. 7. i. 2. (6.)
Ye winds that sighing fill the air.
See supra : [The Fair Unfortimatc.]
See Habmonia Anglicana. Harmonia
Anglicana ... A Collection of . . . Songs . . .
by . . . Weldon, etc. [1765 ?] fol.
G. 103. b.
See Love in a Village. A New Edition
of Love in a Village, a Comic Opera . . .
The Music by Abel, . . . Weldon, etc.
[1795?] fol. H. 108.
See Thesaurus Musicus. Thesaurus
Musicus. A Collection of . . . Part Songs
. . . by . . . Weldon, etc. [1743 ?] fol.
H. 73.
See Williams (A.) Royal Harmony . . .
Containing . . . Anthems ... by ... J. Wel-
don, etc. [1765 ?] obi. fol. E. 1492.
See Williams (T.) Harmonia Coelestis
... a Collection of . . . Anthems . . . by . . .
Weldon, etc. 1780. fol. G. 970.
WELDON (John) and SIMONS (Henry)
A Collection of Aires for two Flutes and a
Bass. Compos'd by Mr. J. Weldon, Mr.
Hen"' Simons and others. Fairly En-
graven. [Separate Parts.]
Printed for I. Walsh and I. Hare : London,
[1710?] obi. fol. d. 150. (6.)
WELL. Well away cruel Barbara Allen.
Song. See Hook (J.)
Well! if I continue but in the same
Mind. The Positive Fair. [Song.]
[London, 1758.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XXIII., p. 361.
Well met, Amelia, beauteous Maid. Be-
linda and Amelia. A favourite Dialogue.
[London, 1758.] 8". P.P. 543::<. z.
Universal Magazine, Vol. XXIII.,p. 309.
662
WELL— WENDLING
WELL. Well met, my dear Sister, you're
grown very strange. The Unthankful
Servant : or a Scolding Match between
Two Cracks of the Town, . . . [Ballad] To
the Tune of If Love's a siceet Passion, etc.
Printed for P. Brooksby, J.
Deacon, J. Blare, and J. Back : [London,
1695 ?] s. sh. fol. Case 39. k. 6. (8.)
The music is represented by a meaning-
less succession of notes, etc.
Well mett my more then Dearest. The
Greeting. A Song sung bv Mrs. Reading.
{London, 1710 ?] s. sh. fol
H. 1601. (512.)
Well met pretty nymph. TJie Country
Wedding. A New Song.
[Londo7i, 1756.] 8". P.P. 5438.
Literary Magazine, Vol. I., p. 367.
Well met, pretty nymph. The Country
Wedding. [Song.] [London, 1756.] 8°.
250. c. 3.
Gentleman's Magazine, Vol. XXVI.,
p. 583.
WELL-A-DAY. Well-a-day 1 Lack-a-
day ! Song. See Stoeace (S.) [My
Grandmother.]
WELL-DISPOSED. The well dispos'd
Organ Blow'r. [Song.] See Both. Both
old Men & young. [1730 ?] s. sh. fol.
G. 316. d. (44.)
WELLESLEY (Gaerett Colley) Earl
of Mornington. Here in cool grott. The
last new Glee which gain'd the Prize
Medal. A7i7ie Lee : Dublin, [1779.] fol.
H. 1601. a. (34.)
Lord Mornington's Favorite Glee. Here
in cool grot and mossy cell, for four
Voices. Preston : London, [1800 ?] fol.
G. 805. g. (61.)
['Twas you. Sir.] See 'Twas. 'Twas you,
Sir. Admiral Keppel. A New Catch,
etc. [Adapted to the Earl of Mornington's
Catch.] [1779.] fol. G. 305. (87.)
See Amusement toe the Ladies. Amuse-
ment for the Ladies, being a Selection of
. . . Glees and Madrigals . . . by . . . Lord
Mornington, etc. [1791-98.] obi. fol.
E. 61.
WELSH. The Welch Quack. Song.
See Reeve (W.)
WELSH AIRS. Six Welch Airs adapted
to English words [by Mrs. Opie], and
harmonized for two, three, and four
Voices, with an Accompaniment for the
Piano Forte or Harp [by E. S. Biggs].
Printed for R. Birchall :
London, [1795 ?] fol. G. 353. (33.)
WELSH MUSIC. A Collection of Original
Welsh Music for the Harp Piano Porte
Flute or Violin. S. Holden :
'Dublin, [1798.] fol. g. 223. i. (1.) I
WELSH (Job) Sacred Harmony . . . Con-
sisting of a variety of New Psalm &
Hymn Tunes ... to which is added two
Evening Services & an Anthem for
Christmas Day. The Whole Composed &
Arranged for Three & Four Voices, etc.
Printed for the Authcn- :
Lo7idon, [1800 ?] obi. 4". B. 469.
WELSH (Thomas) Crazy Henry to crazy
Jane, [Song,] with an Accompaniment
for the Piano Forte, etc.
J. Longman, Clcmenti d Co. :
London, [1800?] fol. G. 806. e. (68.)
Fair Mary, a Favorite Song, composed &
sung by Master Welsh, at Vauxhall Gar-
dens. A. Bland d- Weller :
London, [1796.] fol. G. 383. j. (30.)
The Gentle Shepherdess, [Song,] written
by Mr. Cunningham, composed & sung,
by Master Welsh, at the Academy of
Antient Music. [Full Score.]
J. Buckinger : London, [1796.] fol.
G. 365. (43.)
I do confess thee sweet and fair. A Song
with an Accompaniment for the Piano-
Forte, eic. Printed for F. Yaniewicz :
Liverpool, [1800 ?] fol.
H. 2831. h. (30.)
0 Tommy, Tommy. A Favorite Song and
Glee, written by Mr. Rannie. The Music
by Master Welsh.
Longman d Broderip, for the Author :
London, [1796.] fol. G. 352. (45.)
This is the House that Jack built. [Song.]
Composed by Master Walsh.
Longman and Broderip :
London, [1796.] fol. G. 365. (44.)
WELTGERICHT. Das Weltgericht.
Ein Singestiick. See Kuehnau (J. C.)
WENDELSTEIN (Johann)
See DoBNECK (J.) Cochlaeus.
WENDIUS (Johannes) Der Erste (Ander)
Theil Newer Teutscher Geistlicher Lieder
. . . mit 3. Stimmen zu singen vnd auff
allerley Instrumenten zu gebrauchen, etc.
Bassus. 2 pts. Pliilip von Ohr :
Hamburg, 1597. 4^ B. 145.
WENDLING (Johann Baptist) A
Favorite Concerto for the German Flute
or Oboe in five Parts. [Separate Parts.]
Printed for J. Preston :
London, [1785 ?] fol. li. 3213. j. (16.)
Six Duettes a Deux Fhites Traversi^res . . .
Oeuvre Quatri^me. [Separate Parts.]
Chez J. J. Hummel : Amsterdam,
[1780?] fol. h. 2140. a. (10.)
Six Duetts for two German Flutes . . .
Opera vi. [Separate Parts.] W. Napier :
London, [11757] fol. g. 421. s. (8.)
WENDLING— WERCKMEISTER
663
WENDLING (JoHANN Baptist) Six
Duos pour deux Flfttes-Traversieres . . .
Oiluvre IX. Cette oeuvre est arrang^e par
J. Schmitt. [Separate Parts.]
Ches J. Schmitt : Amsterdam, [1790 ?] fol.
g. 280. b. (19.)
Six Sonatas for two German Flutes or
Violins, with a Thoro' Bass . . . Opera
Prima. [Separate Parts.]
Longvian, Lukey <£ Co. :
London, [1775 ?] fol. g. 225. a. (4.)
Six Sonatas for a German Flute Violin
and Bass or two Violins and a Bass . . .
Opera 5. [Separate Parts.] W. Napier :
London, [1775 ?] fol. g. 409. (12.)
[Another copy.] h. 2852. a. (2.)
A Third Sett of Six Sonatas, for a German
Flute, Violin and a Bass, or Two Violins
and a Bass . . . Opera vii. 'Separate Parts.]
J. Welcker : London, [1776.] fol.
h. 2852. a. (1.)
WENKEL (JoHANN Fbiedrich Wilhelm)
Clavierstiicke fiir Fraueuzimmer.
Bey B. C. Breitkopf und Sohn :
Leipzig, 1768. fol. H. 5. (1.)
Fortsetzung der Clavierstiicke fiir Frauen-
zimmer. Bey M. C. Bock :
Hamburg, 1771. fol. H. 5. (2.)
WENN. Wenn d' Liserl nur wolt. Duette.
See Mueller (W.) [Das neu Sonnta^s
kiiid.]
WENNINGTON (William) AU the
World satisfied. [Song.] Written &
composed by W. Wennington.
[London, 1797 ?] fol. G. 365. (55.)
Cease, cruel Love. A Glee for Three Voices,
written and composed by W. Wennington.
[Lo7idon, 1800?] fol. G. 352. (46.)
The Confession. [Song.] Written & com-
posed by W. Wennington.
[Londo7i, 1797 ?] fol. G. 365. (52.)
A Coup d'CEil of Felicity. [Song.] Written
& composed by W. Wennington.
[London, 1797 ?] fol. G. 365. (49.)
- Four Dances. [P. F.]
[Londoti, 1800 ?] fol. g. 229. (18.)
The Game of Skittles. [Song.] Written
& composed by W. Wennington.
[Londo7i, 1797 ?] fol. G. 365. (50.)
Jack per Se. [Song.] Written & set to
Musick by W. Wennington.
[London, 1797 ?] fol. G. 365. (47.)
Jane of Kilda's Grove. A Ballad . . .
written & composed by W. Wennington.
[London, 1797 ?] s. sh. fol. G. 365. (56.)
Jessy. A Pastoral Ballad, written, and
set to Music by W. Wennington.
[London, 1797 ?] s. sh. fol. G. 365. (46.)
"WENNINGTON (William) _ Two short
Progressive Lessons for the Piano Forte,
and a Ground, with Variations thereon,
to which is added a Favorite Ballad ;
written, composed, & to . . . the Dutchess
of York . . . inscribed by W. Wennington.
Printed for Mr. Astor :
London, [nm 7] fol. g. 132. (14.)
Pleasure. [Song.] Written & adapted
to Music by W. Wennington.
[London, 1797 ?] s. sh. fol. G. 365. (48.)
Quod Vis. [Song.] Written & composed
by W. Wennington. [London,
1797 ?] s. sh. fol. G. 365. (54.)
Taffy in Unison. A Favorite Song, written
& composed by W. W^ennington.
[Lo)idon, 1797 ?] fol. G. 365. (51.)
To the Copse lead along. [Song.] Written
& Composed by W. Wennington.
[London, 1797 ?] s. sh. fol. G. 365. (53.)
WENZEL (Johann) See Mozart (W. A.)
Idomeueo . . . Opera Seria . . . aggiustata
per il Piano Forte di G. Wenzel.
[1797.] obi. fol. G. 600. d.
WER. Wer niemals einen Rausch hat
g'habt. Aria. See Mueller (W.) [Das
ncu Sonntagskind.l
Wer wollte sich mit Grillen plagen. Lied.
See Greenland (J. F.)
WERCKMEISTER (Andreas) Andrese
Werckmeisters . . . Cribrum Musicum oder
]\Iusicalisches Sieb, Dariuen einige Mangel
eiues halb Gelehrten Componisten vorge-
stellet, und das Bose von dem Guten
gleichsam ausgesiebet und abgesondert
worden, in einem Sendschreiben an einem
guten Freund dargestellet, . . . zum Druck
befordert durch J. G. Carln, etc.
Verlegts Theodor. Philipp Calvisius :
Quedlinburg und Leipzig, 1700. 4°.
7896. aaa. 3.
Der Edlen Music-Kunst Wiirde, Gebrauch
und Missbrauch, so wohl aus der Heiligen
Schrifft als auch aus etlich alten und neu-
bewahrten reinen Kirchen-Lehrern . . .
erofinet imd vorgestellet, etc.
Verlegts Theodoriciis Philippus Calvisius ;
Franckfurt und Leipzig, 1691. 4".
7896. b. 1.
Harmonologia Musica oder Kurtze An-
leitung zur Musicalischen Composition,
etc. hi Verlegung Th^odori Phil. Calvisii :
Franckfurth und Leipzig, 1702. 4".
7896. aaa. 4.
Hypomnemata Musica, oder'Musicalisches
^Memorial, Welches bestehet in Kurtzer
Erinneruug dessen, so bisshero unter
guten Freunden discurs-weise, iusonder-
heit von der Composition und Temperatur
mochte vorgangen seyn, zu eigner Nach-
664
WERGKMEISTEK— WERNER
richt auffgesezzet . . . von Andrea Werck-
meifcter, etc.
In Ycrkgung Theodri Philippi Calvisii :
Quedlimburg, 1697. 4°. 7596. aaa. 2.
Musicaa IMathematicse Hodegus Curiosus,
Oder Richtiger Musicalischer Weg-Weiser,
das ist Wie man nicht alleine die natiir-
lichen Eigenschafften der Musicalischen
Proportiouen, durch das Monochordum,
und Ausrechnuug erlangen, Soudern auch
verniittels derselben, natiirliche und rich-
tige rationes iiber eine Musicalische
Composition vorbringen konne, etc.
In Vcrlegimg Theodori Philippi Calvisii :
Franckfurt und Leipzig. Gedruckt hey
Christian Gottschicken, etc. Mersehurg,
1686. 4°. 7897. e. 13.
Musicalische Temperatur, oder deutlicher
. . . Unterricht, wie man durch Anweisung
des Monochordi ein Clavier, sonderlich die
Orgel-Wercke, Positive, Regale, Spinetten,
und dergleichen wol temperirt stimen
konne. . .Mit vorhergehender Abhandlung
von deni Vorzuge, VoUkommen- und
■weniger Wollkommeuheit der Musical-
ischen Zahlen . . . Benebst einem ... in
Kupffer vorgebildeten . . .]\Ionochordo, etc.
In Vcrlegimg Theodori Philippi Calvisii :
Franckfurt und Leipzig, 1691. 4".
7897. e. 12.
Musicalische Paradoxal-Discourse, oder
Ungemeiue Vorstellungon, wie die Musica
einen Hohen und Gottlichen Uhrsprung
habe, etc. Thcodor. Phil. Calvisius :
Qiiedlinburg, 1707. 4°. 7897. bb. 1. (6.)
Die Nothwendigsten Anmerckungen, und
Regeln wie der Bassus Continuus, oder
General-Bass wol konne tractiret werden,
etc. G. E. Struntze : Ascherslcben,
(1698.) 4". 7895. aaa. 26. (2.)
Die Nothwendigsten Anmerckungen, und
Regeln wie der Bassus Continuus . . . wohl
konne tractiret werden, etc. Audere Auf-
lage. G. E. Struntze :
Aschersleben, 1715. 4°. 557*. e. 25. (6.)
Organum Gruningense Redivivimi, oder
Kurtze Bescbreibung des in der Griining-
ischen Schlos-Kircben Beriihmten Orgel-
Wercks wie dasselbe anfangs erbauet und
bescbaffen gewesen : Und wie es anitzo
. . .ist renoviret und. . .verbessert worden,
etc. In Verlag Gottlob Ernst Struntz :
Qucdlinburg und Aschersleben, [1705.] 4°.
7897. bb. 1. (2.)
Andrese Werckmeisters . . . Erweiterte und
verbesserte Orgel-Probe . . . Jetzo von dem
Autore selbst iibersehen, mit griindlicben
Uhrsacben bekriifftiget, und zum Druck
befordert. In Verlcgung Theodori
Philippi Calvisii . . . Gedruckt bey Joh.
Heinrich Sievert: Quedlinburg, 1698. 4°.
7895. aaa. 26.
There is a second (engraved) title-page.
WERCKMEISTBE, (Andreas) Andrew
Werckmeisters . . . erweiterte und verbes-
serte Orgel-Probe, etc. In Verlcgung Gott-
lob Ernst Struntz : Quedlinburg und
Ascherslcben, 1716. 4°. 7897. e. 23.
Andreas Werkmeisters erweiterte und ver-
besserte Orgelprobe. Bey J. M. Teubner ;
Leipzig, 1754. 8°. 7897. aa. 59.
Orgel-Proef,. . .uit bet Hoogduitsche ver-
taald. . .door J. W. Lustig, etc.
A. Olofsen : Amsteldam, [1755.] 12°.
7899. aa. 7.
Andreas Werckmeisters erweiterte und
verbesserte Orgelprobe. Bey J. J. Loiter :
Augsburg, 1783. 8°. 7798. f. 48.
[Another copy.]
7896. aa. 31.
See Steffani (A.) D. A. Steffani . . .
Sendschreiben, darinnen enthalten, wie
grosse Gewissheit die Musik, aus ihren
Principiis . . . habe . . . aus dem Italieni-
schen . . , iibersetzt, und mit einigen
Anmerkungen erlautert von A. Werk-
meister, etc. 1760. 4°. 7898. h. 36.
WERE. Were Celia kind as she is Fair,
A Song set by an Eminent Master.
iLondon, 1710?] s. sh. fol. G. 313. (20.)
Were I oblig'd to beg my bread. The
favorite Song Somebody. As sung ... by
Mrs. Second, etc. [Full Score.]
Longman and Broderip :
[London, 1798 ?] fol. Q. 798. (53.)
[Another edition.] Were I oblig'd to beg
my Bread. Somebody, etc. J. Dale :
London, [1798 ?] fol. H. 1994. d. (60.)
[Another edition.] Were I oblig'd to beg
my Bread. The Favorite Song So^nebody,
etc. Printed by Somebody :
[London ? 1800 ?] fol. G. 424. b. (10.)
Were Phillis kind as she is fair. Song.
See Hart (P.)
■WERLIN (Johannes) Irenodise, Oder
Friedens-Gesang. Das ist : Newe Geist-
liche Concert, . . . bey diesen . . . Kriegslauff-
ten, vmb . . . Vatterliche Widerschenck-
ung dess . . . Friedens . . . zu gebrauchen.
Auff jetzo gebrauchliche Italianische
Invention, mit 2. 3. vnd 4. Stimmen,
neben dem Basso Continue verfertiget . . .
Bassus Continuus. In Verlcgung Johann
Gorlins, gedruckt durch Balthasar Kilhnen:
Ulm,16ii. 4". B. 148.
WERNER (Francis) Eleven Cotillions
two Country Dances and two Minuets,
with their proper figures, for the Harp,
Harpsichord or A^'iolin, etc. Book xiii.,
for the year 1780. Printed for
W. Campbell : London, [1780.] obi. 4».
b. 55. e. (2.)
WERNER— WERT
665
"WERNER (Francis) Eight Cotillions, 8
Country Dances and two Minuets, with
their proper Figures, for the Harp, Harp-
sichord or Violin, etc. Book xiv., for the
year 1781. \_The Author:
London, 1781.] oU. 4°. b. 55. c. (3.)
8 Favourite CotiUious 9 Country Dances
and three Minuets, with their proper
Figures, for the Harp, Harpsichord or
Violin, etc. Book xv, for the Year 1782.
The Author : [London, 1782.] obi. 4'\
b. 55. e. (4.)
7 Favourite Cotillions, 6 Country Dances
and two Minuets, with their proper
Figures for the Harp, Harpsichord or
Violin. . .Book xvi, for the year 1783.
Birchall and Andrews : London,
[1783.] obi. 4°. b. 55. b. (4.)
10 Favourite Cotillions, 8 Country Dances
and two Minuets with their proper
Figures ... for the Harp, Harpsichord, or
Violin. . .Book xvii. for the year 1784.
W. Campbell : London, [1784.] obi. 4°.
b. 55. b. (5.)
8 Cottilions, 6 Favorite Country Dances
and two Minuets, with their proper
Figures for the Harp, Harpsichord and
Violin. . .Book xviir, for the Year 1785.
Printed for Birchall and Andrews :
London, [1785.] obi. 4°. b. 49. a. (3.)
[12 Country Dances.] Humbly Dedicated
to the. . .Subscribers to Almacks, &c.
W. Campbell : London, [1785 ?] obi. 8^
a. 9. e. (8.)
Fourteen New Dances with their Proper
Figuers for the Harpsichord, Harp and
Violin, etc. The fourth Book. John
Rutherford : London, [1780?] obi. 4".
a. 221.
Six New Minuets, with three favorite
Cotillions and figures, for the Harp, Harp-
sichord, or Violin, etc. The Author :
\_London, 1775 ?] obi. 4°. b. 55. c. (1.)
Imperfect, loanting the Cotillions.
Six Favourite New Minuets and a new
Cotillion, for the Harpsichord, Harp or
Violin, etc. Printed for J. and G. Voglcr :
London, [1775 ?] obi. 4". b. 55. b. (1.)
Three New Minuets with Six favorite
Cotillions and figures, for the Harp, Harp-
sichord, or Violin, etc. [3* Book.]
Printed for J. and G. Vogler : London,
[1780 ?] obi. 4". a. 26. c. (4.)
Three New ]\Iinuets with Seven favourite
Cotillions and Figures for the Harp, Harp-
sichord or Violin, etc. For the Year 1778.
J. Rutherford : London, [1778.] obi. 4°.
a. 26. c. (2.)
Four New Minuets with Six favorite
Cotillions and Figures for the Harp,
Harpsichord or Violin, etc. For the Year
1779. ir. Campbell :
London, [1779.] obi. 4". a. 26. c. (3.)
WERISTER (Francis) Six Favorite New
ilinuets taken from the Quadrill's pub-
lished bv F. Werner for the Harpsichord,
Harp or Violin, etc. J. Rutherford :
London, [1180?] obi. iol. a. 26. c. (5.)
WERNER (Gregor Joseph) Zwey neue
und extra lustige musicalische Tafel-
Stiicke. I. Der Wiennerische Tandl-
marckt. Mit 4 Singstimmen, 2 Violinen
und Basso ordinario. . .II. Die Bauren-
Richters-Wahl. Mit 5 Singstimmen, 2.
Violinen und Basso, etc. [Separate Parts.]
J. J. Lotters seel Erben : Atigspurg,
[1750?] fol. O. 619.
No. I. only.
WERNICH (Johaxx Carl Gustav)
Versuch einer richtigen Lehrart die Harfe
zu spielen,. . .von J. C. G. W(ernich).
Be\i G. L. Winter : Berlin, 1772. 4°.
7896. aaa. 12.
WERT (GiACHES de) Di Giaches Wert
II Primo Libro delle Canzonette Villanelle
a Cinque Voci. Nouamente Composte, &
date in luce. Canto. (Alto.) (Tenore.)
(Basso.) (Quinto.) 5 pts. Appresso
Anqelo Gardano : Venetia, 1589. 4".
D. 228. b.
Di Giaches de Wert il Primo Libro de
Madregali a Quatro uoci Nouamente
Ristampato, etc. Canto. (Basso.) 2 pts.
Aprcsso di Antonio Gardano : Venetia,
1564. obi. 4". A. 355. q.
Di Giaches de Wert II Primo Libro de
]Madrigali a Quattro Voci, Nouamente
Ristampato. Canto. (Alto.) (Tenore.)
(Basso.) 4 pts. Appresso Angela
Gardano: Ve7ietia,1583. obl.i". A. 355.
Di Giaches de Wert il Primo Libro de
Madregali a Cinque Voci, Nouamenti con
Noua Giunta Ristampati, etc. Canto.
(Quinto.) 2 pts. Ajvesso di Antonio
Gardano : Venetia, 1564. obi. 4".
A. 355. p.
Di Giaches de Wert II Primo Libro de
jNIadrigali a Cinque Voci, nouamente
Ristampati. Alto. (Basso.) 2 pts.
A2W^^^" ^4.ngelo Gardano : Venetia,
1583. obi. 4". A. 355. a.
Di Giaches de Wert il Secondo Libro de
Madregali a Cinque Voci, Nouamente con
Noua Giunta Ristampati, etc. Canto.
Ajypresso di Antonio Gardano: Venetia,
1564. obi. 4°. A. 355. o.
Di Giaches de Wert II Secondo Libro de
Madrigali a Cinque Voci, nouamente
Ristampati. Alto. (Basso.) 2 pts.
Appresso Angelo Gardano : Venetia,
1596. obi. 4^ A. 355. b.
Di Giaches de Wert il Terzo Libro di
]\Iadrigali a Cinque Voci, Nouamente per
Antonio Gardano ristampato, etc. Canto.
Appresso di Antonio Gardano : Venetia,
1566. obi. i". A. 355. n.
666
WERT— WESLEY
WERT (GiACHES de) Di Giaches de Wert
II Terzo Libro de Madrigali a Cinque
Voci, Nouamente Ristampato. Alto.
(Basso.) 2 pts.
Appresso Angela Gardano : Venetia,
1592. obi. 4°. A. 355. c.
Di Giaches de Wert II Quarto Libro de
Madrigali a Cinque Voci, Nouamente
Ristampati. Alto. (Basso.) 2 pts.
Appresso Angela Gardana : Venetia,
1583. obi. 4". A. 355. d.
Di Giaches de Wert il Quinto Libro de
Madrigali a Cinque, Sei, et Sette Voci.
Nouamente Composti & dati in Luce.
Libro Quinto. Canto. (Alto.) (Tenore.)
(Quinto.) 4 pts. Apresso Li Figliuoli di
Antonio Gardano : Venetia, 1571. obi. 4°.
A. 355. e.
Di Giaches de Wert II Quinto Libro de
Madrigali a Cinque, Sei, et Sette Voci :
Nouamente RistamxDato. Alto.
Appresso Angela Gardano : Venetia,
1580. obi. 4°. A. 355. f.
Di Giaches de Wert II Sesto Libro de
Madrigali a Cinque Voci. Nouamente
posti in luce. Canto. (Alto.) (Tenore.)
(Basso.) (Quinto.) 5 pts. Ap>presso
V herede di Girolamo Scotto : Vineggia,
1577. 4«. D. 228.
Di Giaches di Wert II Sesto Libro de
Madrigali a Cinque Voci. Nouamente
ristampati. Canto. Appresso V Herede di
Girolamo Scotto : Vinegia, 1584. 4°.
D. 228. a.
Di Giaches de Wert II Sesto Libro de
Madrigali a Cinque et Sei Voci. Noua-
mente Ristampato. Alto. (Basso.) 2 pts.
Apresso Angela Gardano : Venetia,
1592. obi. 4°. A. 355. g.
Di Giaches de Wert II Settimo Libro de
Madrigali a Cinque Voci Nouamente
Composto, & dato in luce. Alto. (Basso.)
2 pts. Appresso Angela Gardano :
Venetia, 1581. obi. 4°. A. 355. h.
Di Giaches de Wert L' Ottavo Libro de
Madrigali a Cinque Voci, Nouamente
Composto, & dato in luce. Canto (Alto.)
(Tenore.) (Basso.) (Quinto.) 5 pts.
Appresso Angela Gardana : Venetia,
1586. obi. A". A. 355. i.
Di Giaches de Wert II Nono Libro, de
Madrigali a Cinque et Sei Voci, Noua-
mente Composto, & dato in luce. Canto.
(Alto.) (Tenore.) (Basso.) 4 pts.
Appresso Angela Gardana : Venetia,
1588. obi. 4°. A. 355. j.
Di Giaches de Wert II Decimo Libro de
Madrigali a Cinque Voci, Nouaraenti
Composto, & dato in luce. Canto. (Alto.)
(Tenore.) (Basso.) (Quinto.) 5 pts.
Appresso Angela Gardana : Venetia,
1591. obi. 4°. A. 355. k.
WERT (Giaches de) Di Giaches de
Wert L' Undecimo Libro de Madrigali a
Cinque Voci. Nouamente Composto &
dato in luce. Alto. (Basso.) 2 pts.
Appresso Angelo Gardano :
Venetia, 1595. obi. 4". A, 355. L
laches Wert Modulationum cum Sex
Vocibus Liber Primus. Nunc primuni
in lucem seditus. Cantus. (Altus.) (Tenor.)
(Bassus.) (Quintus.) (Sextus.) 6 pts.
Apud Hxredem Hieronymi Scoti :
Ve7ietiis, 1581. 4". D. 228. e.
Jaches Wert, Musici suavissimi, Modula-
tionum Sacrarum Quinque et Sex Vocum
Libri Tres, in unum Volumen redacti.
Cantus. (Altus.) (Tenor.) (Bassus.) (5. Vox.)
(Sexta Vox.) 6 pts. Excudcbant
Catharina Gerlachin & Hxredes lohannis
Montani : Noribergse, 1583. obi. 4°.
A. 355. m.
The Tenor i^art alone is dated.
See Gaedano (Augelo) ]\Iusica di Tredici
Autori . . . Nella quale si contengono . . .
Madrigali . . . delli infrascritti Autori . . .
G. de Vuert, etc. 1589. 4°.
K. 3. g. 11.
WERTER. Werter's Ghost. [Song.]
See F., J.
Werter's Sonnet. [Song.] See Cantelo,
afterwards Robarts (J.)
Werter to Charlotte. [Glee.]
See Callcott (J. W.)
WERTH (Francis) The Duke of Clarence's
New March, etc. [P. F.] Preston ct San :
London, [1795 ?] fol. g. 133. (63.)
The Prince of Wales's New March, etc.
[P. F.] Preston & Son :
London, [1795 ?] fol. g. 133. (62.)
The Triumph of True Liberty and Loyalty
over Anarchy and Discord, a New Song
. . .The Words by J. Beckley, etc.
Preston tC Son, for the AutJior :
London, [1795 ?] fol. G. 800. m. (62.)
WESALIUS (Johannes)
See Epithalamia. Epithalamia. . .com-
posita per. . .loannem Wesaliimi, etc.
1568. abl. 4°. A. 18.
WESLEY (Charles) Six Concertos for
the Organ or Harpsichord with accom-
paniment for two Violins, a Tenor & Bass,
two Hautboys & two French Horns . . .
Opera ii''. Printed for the Author :
London, [1180?] fol. h. 2752.
The Organ part only.
God save the King, with New Variations
for the Organ or Harpsichord, etc.
Dale, for the A u thor :
London, [1798 ?] fol. g. 139. (52.)
Six Hymns . . . Composed by Charles
Wesley, with a Hymn by the late Dr.
Boyce. Printed for the Author :
London, [1795 ?] abl. fol. E. 1688.
WESLEY— WHAT
667
WESLEY (Charles) Mildly beam'd the
Queen of Night. Glee for 3 Voices.
Printed for the Aiitlior :
London, \imO 2] ohl. lo\. D. 402. (32.)
Six Quartetto's for two Violins, a Tenor
and Violoncello, etc. [Separate Parts.]
I. lohnston : London, [1779.] fol.
h. 2830. (10.)
VIII. Songs. Op. 3.
Printed for the Aiitlwr :
London, [1784.] fol. a. 424. (21.)
WESLEY (John) See Sacked Harmony-
Sacred Harmony : or A choice Collection
of Psalm and Hymn Tunes, etc. [Edited
by J. Wesley.] [1789.] 8". B. 483.
WESLEY (Samuel) Goosy Gander. A
Favorite Glee. B. Birchall :
London, [1800 ?] fol. G. 805. k. (41.) |
Love and Folly. . .Song. W. Hod soil : \
London, [1800 ?] fol. G. 424. g. (5.)
Off she goes. A Popular Air, arranged as
a P.ondo by S. Wesley. IF. Hodsoll :
London, [ISOQ?] fol. h. 286. (18.)
Eight Sonatas for the Harpsichord or
Piano Forte, etc. Welcker, for the Author :
LoHcZou, [1780 ?] oW. fol. e. 479.
Three Sonatas for the Piano Forte . . .
Op. 3. Birchall £ Andrcios,for the Author :
London, [1185?] fol. g. 270. 1. (11.)
Four Sonatas, and Two Duets, for the
Piano Forte. . . Op. 5. L. Lavenu :
London, [1800?] fol. g. 272. u. (29.)
There was a Little Boy. A New Duet, etc.
R. Birchall : London, [1800?] fol.
G. 805. k. (40.)
Tobacco is an Indian Weed. A 3 Part
Sonq. \ London, 1800.] s. sh. obi. fol.
Add. MS. 31,764. fol. 17.
A Voluntary for the Organ. No. l(-9) . . .
Op. 6. W. Hodsoll : London, [1800 ?] fol.
h. 2731. a. (1.)
See Come. Come all my brave Boys that
want Organist's Places. The Organ laid
open. . .Song. [Music by S. Wesley.]
[1785 ?] fol. H. 1650. c. (8.)
WESSELY (Bernhabd) Zwolf Gedichte
von ]\Iatthison, etc. Li Commission
in der Schlesingerschen Lesebibliothek :
Berlin, 1793. obi. fol. C. 599.
WEST (Benjamin) Sacra Concerto: or
the Voice of Melody. Containing an
Introduction to the Grounds of Llusic ;
also, forty-one Psalm-Tunes, and Twelve
Anthems ; . . .in Three and Four Parts. . .
The Second Edition, etc. Dryden Leach,
for B. Laio : London, 1769. 4°. D. 591.
WESTENHOLZ (Carl August Fried-
rich) Die Hirten bey der Krippe zu
Bethlehem. [Cantata. Full Score.]
Bev J. F. Hartknoch: Biga, 1774. fol.
^ 1. 43.
WESTERN. The Western Sky was purpled
o'er. A New Song. Sung by Mr. Lowe
at Vauxhall. [Loiidon, 1758.] 8".
P.P. 5438. z.
Universal Magazine, Vol. XXIII. , p. 82.
The Western Sky was purpled o'er. A
new Song. [London,] 1758. 8°.
158. 1. 3.
London Magazine, 1758, p. 531.
[Another setting.] The Western Sky was
purpled o'er. Song. See Broderip (R.)
The Western Volunteer. Song.
See Mathews (J.)
WESTPHALENS FREUDE. West-
phalens Freude ihren vielgeliebten Konig
Friedrich Wilhelm bey sich zu sehen.
Cantate. See Bach (W. F. E.)
WESTREY (Charles) When war is
wag'd to quell the Foe. A much admired
Song written by Mr. Fox ... On the
Engagement between the Cobourg Cutter,
of twelve Guns . . . and La Revanche, a
French Lugger Privateer, of sixteen Guns,
etc. [London, 1798.] fol. G. 376. (43.)
WHACK. Whack fal de ral. [Song.]
See Wives in Plenty.
WHAT. What a Booby is this Sirs
that's come to our Town. A Dialectical
Discourse between a Musical Marrowbone
Butcher of Bath and a Dorsetshire Clown,
set to music by the Clown, etc.
Longman and Broderip, for the Author :
London, [1790?] fol. G. 360. (49.)
What a charming thing is Feasting.
[Song.] See 0. Oh what a charming
thing, e/c. [1780?] fol. G. 310. (245.)
What a fine thing have I seen today. A
Dialogue between Miss MoUy and her
Mother about a Hoop.
[London, 1110 ?] s. sh. io\.
^ H. 1601. (532.)
Another edition of this song, with different
tvords, is catalogued under Nicholas
Nemo, pseud.
What a Noise and a bustle prevails thro'
the Town. Devon's fair Dutchess. A
Toast Sotig. [Lojidon, 1783.] s. sh. fol.
G. 313. (246.)
What a pox de' tell me of the Papists
design. A new Song, the Words out of
M' Tho: Browns Works.
[London, 1710?] s. sh. fol. G. 313. (16.)
What a rout has there been. The State
Jockies. [Song.] Str[aight] £ Sk[illern :
London, 1775?] s. sh. fol. G. 312. (228.)
What are the joys of white man here?
Bonja Song. A favorite Negro Air for the
Piano-Forte, etc. [Words by C. F. D.]
Broderip and Wilkinson:
London, [1800 ?] fol. G. 799. (22.)
668
WHAT
WHAT. What are these Idiots doing.
Song. Sec Kingdom of the Birds.
What Bard 0 Time discover. [Song.]
See Duenna.
What Bard or dares presume to tell.
Kitty's Vindicatio7i : [Song,] Occasion'd
by a Song in Praise of Peggy.
[: London, mo?] s. sh. iol.
G. 813. (219.)
What Beauties does Flora disclose. Tivecd-
Sidc. [Song, the words by R. Crawford.]
[London, 1725?] s. sh. iol. G. 313. (71.)
[Another edition.] What beauties does
Flora disclose. Tiveed Side. [Song.]
[London, 1750 ?] s. sh. fol.
H. 1994. a. (24.)
[Another edition.] What beauties does
Flora disclose. Tiveed Side. [Song.]
[London, 1770 ?] s. sh. fol.
H. 1994. b. (94.)
What Beauty is, let Strephon tell. Song.
Sec EccLES (J.) [The Fate of Capua.]
What can a Maiden do ? Song.
See Blewitt (J.)
What can be the matter with Nancy.
[Song.] Sec Shield (W.)
What care I for whom she be. [Song.]
See Shall. Shall I wasting in despair,
etc. [1780?] fol. G. 311. (123.)
What Charming Sounds are these. [Song.]
See Newness (J.)
What chear, my honest mess-mates. A
New Song sung by Mr. Beard.
[London, 1762.] 8". P.P. 5438. z.
Universal Magazine, Vol. XXX., p. 318.
What cheer my honest Messmates. Song.
See Fair.
What Citadel so proud can say. Song.
See Arnold (S.) [hihle and Yarico.]
What could a Man for Wonian do. Tlic
Pleasures and Plagues of Matr'imony, etc.
[Song.] [London, 1120?] s. sh. iol.
G. 305. (134.)
[Another copy.] G. 313. (37.)
What dire Misfortune hath befell. Eng-
land's Lamentation for y Loss of Farinelli,
[Song,] set for the German Flute.
[London, 1736.] s. sh. fol.
G. 316. f. (89.)
[Another edition.] What dire Misfortune
hath befell. England's Lamentation of
y loss of Farinelli, etc. Printed for
J. Simpson : [London, 1736.] s. sli. fol.
H. 1994. b. (95.)
What e'er I do, where e'er I go. Charm-
ing Cloe. A New Song within y" Com-
pass of y" Flute. [London,
1720?] s.sh.iol. H. 1601. (494.)
[Another copy.] G. 305. (54.)
What finish'd Toy new from the Skies.
Song. See Davies (R.)
"WHAT. What garrs the foulish mayde
complain. Song. See Purcell (D.)
What Harm is so simple a Token of Love !
The Nosegay. A New Song. [By Theo-
dore Smith.] [London, 1771.] 8".
P.P. 5438. z.
IJyiivcrsal Magazine, Vol. XLIX.,p. 264.
What is that to you? Song. See My.
My Jenny and I have toil'd, etc.
[1774.] s. sh. 4°. 159. n. 6.
What is the Language of the Eye. Song.
See Graeff (J. G.)
Vat mean you, shon English. Haivkc's
Triumph, etc. [Song.] Printed for
T. Straight : London, [1760 ?] fol.
I. 530. (164.)
W^hat med'cine can soften the bosom's
keen smart ? See Chaplet.
What Monarch in Europe for Grandeur
can stand. [Song.] Sung by Mr. Andrews
at Sadlers-wells in the Character of a
Soldier. [London, 1762 ?] s. sh. fol.
G. 313. (218.)
What nation shall dare. On the Reduction
of Martinico. [Song, by J. Dunn.]
[London, 1762.] 8°. P.P. 5140.
Lady's Magazine, Vol. III., p. 505.
What nation shall dare. On the Reduction
of Martinico. [Song, by J. Dunn.]
[London,] 1762. 8°. P.P. 5441.
Royal Magazine, Vol. VI., p. 209.
What nation shall dare. A neio Song :
On the Reduction of Martinico. [By J.
Dunn.] [London, 1762.] 8".
P.P. 5438. z.
Universal Magazine, Vol. XXX., p. 371.
What new delights invade my bosom.
Duett. See Kelly (M.)
What pity 'tis so bright a thought.
Sally's Lamentation, or the Answer to
Sally. [Song, adapted to H. Carey's tune
of " Sally in our Alley."] [London,
1720?] s.sh.iol. H. 1601. (491.)
[Another edition.] What pity 'tis so
bright a thought. Sally's Lamentation,
etc. [London, 1720 ?] /. sh. fol.
G. 313. (39.)
What pleasant Scenes around this Place
appear. The Unioilling Departure. [Song.]
[London, VI 60 ?'] s.sh.iol.
I. 530. (171.)
What pleasures are found when in search
of the Game. Song. See Blewitt (J.)
What Posies and Roses. [Song.]
See Agreeable Surprise.
What raptures sing around. Song.
See Blewitt (J.)
What's a poor simple clown to do.
[Song.] See May Day.
What's all that to me. [Song.]
See Smith (A.)
WHAT
669
WHAT. Whats Celias Shape or Phebes
Face. To Sylvia. [Song.] [London,
1770?] s.sh.i". 1.530.(172.)
What's Chloe to me. Haughty Delia.
[Song.] Sung by Mr. Vernon, at Vaux-
hall. [By W. Yates.] [London,
1768.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XLIII.,p. 44.
What's Pleasure what's Life. A Neio
Song. [London, mo?] s.sh.iol.
G. 313. (139.)
What's that to you. Song. See Hook (J.)
What scenes of approa,ching delight.
[Song.] See Cobston ( ) [Jiqyitci- and ^
Europa.l
What shall he have who kills the Deer.
Glee. See Hayes (P.)
[Another setting.] What shall he have
that kill'd the Deer ? [Song and Chorus,
by H. Carey.] See Love in a Foeest.
What shall he have who merits most.
Archer's Glee. See Stevens (R. J. S.)
What! shall the brave Duke William's
Honour lie. Song. See Davis (A.)
What shall we sing. Glee.
See Parkin (I. A.)
What shall we sing now here are three.
Glee. See Harington (H.)
What Shepherd or Nymph of the Grove.
A Neiv Song. [London, 1759.] 8\
P.P. 5438. z.
Universal Magazine, Vol. XXIV., p. 101.
[Another setting.] What Shepherd or
Nymph of the Grove. A Pastoral. Sung
by Mr. Hudson at Ranelagh. [Lomlon,
1763?] s.shiol. G. 313. (181.)
[Another edition.] What Shepherd or
Nymph of the Grove. A Pastoral Song,
etc. [London ? 1763 ?] s. sh. fol.
G. 805. e. (9.)
What sport can compare. Hunting the
Hare. [Song.] C[harles and} S[amicel]
T[hompson : London, 1770 ?] s. sh fol.
G. 806. f. (82.)
What Sport can compare. Hunting the
Hare. A New Song.
[London, 1772.] 8". P.P. 5438. z.
Universal Magazine,Vol. LI., p. 262.
What tender Passions. Song.
See Aene (M.)
What think ye my Masters. Song.
See Medley.
What think you of Christ ? Hymn.
See E., H.
What tho' a Swain of good Eenown.
Song. See Garter (C. T.)
What tho' I am a Country Lass. The
Country Lass : or the Lofty Shepherdess.
[A Song.] [London, 1725 ?] s. sh. fol.
G. 313. (81.)
[Another copy.] G. 303. (83.)
WHAT. [Another setting.] What though
I am a Country Lass. Tlie Virtuous Maid.
[Song.] [London, 1730 ?] s. sh fol.
G. 316. f. (108.)
What tho' my Tongue did never move.
Song. See Arne (M.) [Tristram Shandy.']
What tho' the bloom of spring be gone.
Fanny's Charms. [Song.]
[London, 1764.] 8°. P.P. 5441.
Royal Magazine, Vol. X.,p. 101.
What tho' the blooming genial Year.
Amyntor. [Song.] Sung by Miss Spencer
at Sadler's Wells. [London,
1760?] s.sh.iol. G. 313. (222.)
What tho' the sable hours. Glee.
See Webbe (S.) the Elder.
What tho' the Times are bad. Song.
See Vanbrughe (G.)
What tho' this Arm can't wield a Sword.
Encore, or The Lady Volunteer's Request
from the Isle of Wight, May 26th 1758.
[London, 1758.] s. sh. fol.
G. 313. (220.)
What tho' this arm can't wield a sword.
Encore, or the Lady Volunteer's Request
from the Isle of Wight. May 26th 1758.
A Song. [London, 1758.] 8°.
P.P. 5438.
Literary Magazine, Vol. III., p. 211.
What though my love be gone afar. Song.
See Olive (J.)
What toils attend a Sailor's Life. The
British Tar, or Peace and Loyalty. A
favorite Sea Song . . . Written and Com-
posed by a Y'oung Gentleman.
Longman and Broderip, for the Author :
London, [1797 ?] fol. G. 376. (50.)
What will make every man rich. Song.
See Let. Let the daring advent'rers, etc.
[1780?] s.sh.iol. G. 310. (38.)
What will not gen'rous Wine produce.
Glee. See Webbe (S.) the Elder.
What wou'd Europa whose shrill cryes.
[Song.] Jupiter descends on his Eagle.
Sung by ]\Ir. Leveridge in y'= Musick of
the Peace. [London, 1697?] s. sh. fol.
G. 315. (133.)
What would you be at ? Song.
See Other. T'other Day as I went to the
Fair, etc. [1764.] 8°. P.P. 5438. z.
WHAT A BLUWDER. What a
Blunder. Comic Opera. See Davy (J.)
WHAT D'YE CALL IT. 'Twas when
the Seas were roaring. [Song.] Sung in
the Comick Tragick Pastorall Farce, or
what d'ye call it. [Words by J. Gay,
music attributed to Handel.] [London,
1725?] s.sh.iol. H. 1601. (427.)
[Another edition.] 'Twas when the Seas
were roaring, etc. [London,
1730?] s.sh.iol. G. 305. (59.)
670
WHATE'ER— WHEN
W H A T E ' E R . Whate'er squeamish
Lovers may say. The Bottle, [Song,] etc.
Printed for G. Goulding :
London, [1185 ?] fol. H. 2818. c. (65.)
W HE ALL (William) See Psalms.
[4. English.'] An Abridgment. . .of the. . .
Psalms, . . . with . . . Tunes ... by Mr.
Wm. Wheals, etc. [1777.] 8°.
A. 511. d.
"WHEATLEY (William) Colin and
Phyllis. [Song.] [London,
1760 ?] s. sh. fol. G. 314. (99.)
The Cottager. [Song.] . . . The Words by
Mr. Ingledew. [London,
1780?] s.sh.iol. G. 306. (109.)
WHEEDLER. The Wheedler. [Song.]
See Caeey (H.)
[Another setting.] The Wheedler, [Song.]
Sec DiEUPAET (C.)
WHEEL. The Wheel of Fortune. Song.
See Wheel. The Wheel of Life is turning
quickly round, etc. [1725 ?] s. sh. fol.
G. 312. (21.)
The Wheel of Life is turning quickly
round. The mieel of Fortune. A Song
[composed and] Sung by Mr. Leveridge at
the Theatre Eoyall in Lincolns Inn
Fields. [Words altered from A. Robert-
son of Struan.] [London,
1725?] s.sh.iol. G. 312. (21.)
WHEELBARROW. The Wheelbarrow.
Cantata. See Oswald (J.)
WHEELER (Richard) Six Glees for
three and four Voices. Printed for the
Proprietor : Cambridge, [1800 ?] obi. fol.
E. 207. c. (8.)
WHEN. When absent from y" Nymph I
love. The Absent Lover. A Song sung by
S-- F. B., etc. [London, 1720?] s. sh. fol.
G. 316. f. (74.)
When absent from thy much lov'd sight.
Ballad. See Neilson (L. C.)
When all the Attic fire. [Song.]
See Eliza.
When all thy Mercies, 0 my God. A
Hymn, by Mr. Addison, set to Music by an
eminent Master. [London, 1761.] 8".
P.P. 324. n.
Christian's Magazine, March, 1761,
y. 131.
[Another setting.] When all thy Mercies,
0 my God. Hymn. See Green ( )
When all was wrapt in dark Mid-night.
William and Margaret, an old Ballad.
[Words attributed to D. Mallet.] 3o. IL.
[Edinburgh ? 1723 ?] s. sh. fol.
1876. f. 1. (107.)
WHEN. [Another edition.] When all
was wrapt in dark Midnight. William
and Margaret. A New Ballad. [London,
1725?] s.sh.iol. H. 1601. (521.)
[Another copy.] G. 315. (18.)
[Another copy.] G. 315. (104.)
[Another edition.] When all was wrapt
in dark Midnight. William and Margaret.
A Ballad. [London, 1727 ?] s. sh. fol.
G. 316. f. (95.)
[Another edition.] When all was wrapt
in dark INIidnight. William and Margaret.
A Ballad. [London, 1730 ?] s. sh. fol.
• G. 313. (76.)
When Angry Nations. Song.
See LiNLEY (F.)
When anxious cares possess my breast.
Betsy. [Song.] [S.'\B[a'\bb : [London,
1780?] s.sh.iol. G. 313. (186.)
When approach'd by the fair dewy fingers
of Spring. Spring; a Rural Song.
[Words] By T. Brerewood. [London,
1746.] 8°. 259. e. 16.
Gentleman's Magazine, Vol. XVI.,
p. 157.
When approach'd by the fair dewy Fingers
of Spring. Spring : a new Pastoral.
[Song.] [London, 1774.] s. sh. 4°.
159. n. 6.
London Magazine, March, 1774.
When artless first among y' Fair. Tlie
Rover reclaim'd. [Song.] The words by
Mr. Oakman. [London, 1760 ?] s. sh. fol.
G. 316. f. (68.)
[Another copy.] G. 305. (69.)
When artless first among the Fair. The
Rover reclaimed. A New Song, the words
by Mr. Oakman. [London,] 1762. 8".
158. 1. 7.
London Magazine, 1762, p. 203.
When at my Nymph's devoted Feet.
Encore. [Song.] Set by an Eminent
Master. (London, 1740 ?] s. sh. fol.
G. 316. f. (94.)
[Another edition.] When at my Nymph's
devoted Feet. [London, VI bO'>] s.sh.iol.
G. 315. (96.)
When Aurora peeps o'er the Derbyshire
Hills. [Song.] See Moze (J. H.)
When Bacchus jolly God invites. The
Whisper, a favorite Cantata. [Words by
P. Whitehead.] Longman, Lukey d: Co. :
iondon, [1775 ?] fol. G. 313. (261.)
When Beauteous Fair Camilla deigns.
The Matchless Fair. [Song.] [London,
1745 ?] s. sh. fol. G. 305. (242.)
[Another copy.] G. 313. (125.)
When beauteous, fair Camilla deigns. TJie
Matchless Fair. [Song.]
[London, 1746.] 8". 157. 1. 8.
London Magazine, 1746, p. 308.
WHEN
671
■WHEN. When beauteous fair Camilla
deigus. The MatcJdess Fair. [London,
1747.] 8°. P.P. 5438. z.
Universal Magazine, Vol. I., p. 329.
[Another edition.] When beauteous fair
Camilla daigus. The Matchless Fair.
[London, 1150?] s. sh. io\.
G. 316. f. (101.)
When beauteous Laura's gentle Voice.
Laura. [Song.]
Slarmiel and] A[nne] T[]iompson :
London, 1778.] s. sh. fol. G. 313. (196.)
When Beauty and Wit at first did con-
spire. The Conquest. A Song . . . Sung
by Mr. Baker at Mary-le-bone Gardens.
[London, 1750.] 8°. P.P. 5438. z.
Universal Magazine, Vol. VI., 2^- 129.
When Beauty and Wit at first did con-
spire. The Conquest. [Song.] Sung by
Mr. Baker at Maribone Gardens.
[Lmidon, 1750 ?] s. sh. fol.
G. 316. (154.)
[Another copy.] G. 316. a. (50.)
When beauty does her Power pursue.
The Power of Beauty. A Song.
[London, 1725?] s. s/i.fol. G. 305. (42.)
[Another copy.] G. 313. (131.)
When Beauty Sorrow's Livery Wears.
Song. See Haendel (G. F.) [Hercules.]
When Beauty such as yours. Song.
See Akeeoyde (S.)
When Beauty we enjoy. [Song.]
See Weideman (C. F.)
When bending o'er the lofty Yard. Song, i
See Fisher ( ) Actor.
When blushes dy'd the cheek of morn.
Valentine's Daxj. A New Song.
[London, 1755.] 8°.
B. Martin's Miscellaneous Correspon-
dence, etc. Vol. I.,p- 6.
When bonny Jenny first left me. Song.
See CoRBETT (W.) [As you find it.]
When bright Aurelia trip't the Plain.
The Bright Aurelia. [Song.] [London,
1710?] s.sh.iol. H. 1601. (488.)
[Another edition.] When bright Aurelia
tript the plain. The Bright Aurelia.
[London, 1710 ?] s. sh. fol. G. 313. (56.)
When Britain first at Heaven's command.
Btde Britannia, etc. [Song, from ' Alfred,'
-words by Thomson and Mallet, music by
T. A. Arne.] [London, 1755.] 8°.
250. c. 2.
Gentleman's Magazine, Vol. XXV.,
p. 131.
When Britain first her fair domain. The
Loyalist, [Song,] wrote by a Friend to
the King and Constitution.
Printed for S. Thompson & Co. :
London, [1795 ?] fol. G. 385. c. (15.)
WHEN. When Briton's Silver Trumpet
sounds. [Song.] See Three. Three
Lads contended for my heart, etc.
[1775 ?] s. sh. fol. G. 312. (222.)
When by my Pastorella's Side. Pastor's
Lamentation. Set for y' German Flute.
[Song.] [London, VJbOl] s.sh.iol.
G. 316. f. (57.)
When by the flowing Brooks we sat.
Psalm cxxxvii. From Dr. Watt's Mis-
cellaneous Thoughts.
[London, 1763.] 8". P.P. 324. w.
Christian's Magazine, June, 1763, p. 277.
When Celia's heart unsettled roves. A
7ieiv Song. Set by an Eminent Master.
[London, 1760 ?] s. sh. fol.
H. 1994. (65.)
When Celia strikes the warbling wire.
Song. See Hudson (R.)
When Celia was learning. Catch.
See IsuM (J.)
When charming Celia does appear. A
Song sung by the Boy, at the Theatre in
Lincoln-Inn Fields. [London,
1710 ?] s. sh. fol. G. 313. (40.)
When charming Cloe gently walks. A
New Song Sung at the Publick Gardens,
~ C. A. Granom, words
[London,
G. 316. a. (51.)
Chloe gently walks.
New Song. [By L. C. A.
[London, 1752.] 8°.
P.P. 5438. z.
Universal Magazine, Vol. XL, p. 269.
When charming Cloe gently walks. Song.
See Granom (L. C. A.)
When chearfull Day began to dawn.
Diana, a Favourite Hunting Cantata.
[By J. Hook.] Eliz'' Rhames :
[Dublin, 1780 ?] fol. H. 1601, a. (97.)
When, Cloe, by your Slave pursu'd. Tlie
Flying Fair. [Song, music by D. Russel,
words translated from Horace by J. Glan-
vUL] [London, 1745 ?] s. sh. fol.
G. 313. (123.)
etc. [Music by L.
by Mr. Jersey.]
1740 ?] s. sh. fol.
When charming
Chloe. A
Granom.]
When Chloe first young Colin saw.
wou'd not, and she wou'd [Song.]
[London, 1760 ?] s. sh. fol.
G. 316. a.
When Chloe I your Charms survey.
She
(52.)
Song.
See Leveridge (R.) [Plot and no Plot.]
When Chloe on the Spinnet plays. Song.
See Graves (J.)
When Chloe try'd her Virgins fires.
Chloe. [Song, words by Dr. Hoane.]
I[ohn and] G[erard] V[ogler :
London, 1775 ?] fol. G. 313. (262.)
[Another setting.] When Chloe try'd her
Virgin Fires. Song. See Percy (J.)
G72
WHEN
WHEN". When Cloc we ply. The Artifice.
rSong. 1 Sung by Mrs. Reding. [London,
1720?] s. shAol. H. 1601. (522.)
[Another edition.] When Cloe we ply-
The Artifice, etc. [London,
1720?] s. s7i. fol. G. 313. (114.)
When Coelia chants the rural lay. Coilia
or the Death of the Lark. [Song.] As
Sung at ]\Iarybone. [London,
1770 ?] s. si fol. I. 530. (173.)
When Ccfilia chants the rural Lay. CcBlia,
or, The Death of the Lark. A New Song.
[Lojidon, 1772.] 8°. P.P. 5438. z.
Universal Magazine, Vol. L.,p. 39.
When crafty Fowlers would surprize.
[Song.] See Feanck (J. W.)
When Cupid from his Mother fled. Song.
See Leveeidge (R.) [Love and a Bottle.']
When Damon languish'd at my Feet.
Sec Oswald (J.) [The Gamester.]
When Damon met Phillis. [Song.]
Sec Defesch (W.)
When Daphne first her Shepherd saw.
Song. See Purcell (D.)
When Delia on the plain appears. Tell
me my heart if this be love, a favorite Song
for the Harpsichord or Piano-Forte.
[Words by Lord Lansdown.] Preston d
Son : London, [1790 ?] fol. G. 798. (52.)
[Another setting.] When Delia on the
plain appears. [Song.] See Hayes (P.)
When descending from the Sky. Hymn.
See E., H.
When dew-drops gild the weeping Thorn.
The disappointed Lover. [Song.]
[London, 1755.] 8». P.P. 5438. z.
Universal Magazine, Vol. XVIL, p. 267.
When Dolly sings, the wond'ring Swains-
Doll the Dairy Maid. [Song.] [London,
1720 ?] s. sh. fol. H. 1601. (508.)
When Edward left his Native Plain.
Song. See Hook (J.)
When e'er I gase on Sylvia's Face. Song.
See Matteis (N.)
When e'er the dear damsel appears.
Song. See Hudson (R.)
When embracing my Fri[e]nds & Quaffing
Champain. A Neio Song ]\Iade by an
Eminent Master, etc. [London,
1720 ?] s. sh. fol. H. 1601. (527.)
[Another edition.] When embracing my
Friends and quaffing Champain, etc.
[London, 1720 ?] s. sh. fol. G. 313. (41.)
When fading Beauty does decay. The
Liconstant. [Song, music by J. F. Lampe.]
[Loyidon, 1730 ?] s. sh. fol.
^ G. 313. (150.)
When fair Malinda grac'd the Plain.
[Song.] [Lorulon, 1710 ?] fol.
^ ^^ ^ G. 313. (47.)
WHEN. When fair Serena first I knew.
Song. Sec Hudson (R.)
When fam'd Cecilia on the organ play'd.
To a beautiful young Lady playing on the
Organ. [Song.] [London, 1748.] 8°.
249. e. 18.
Gentleman's Magazine, Vol. XVIII.,
p. 228.
When fancy feeds. Song.
See Moulds (J.) [The Stdtan.']
When Fanny, blooming fair. The Ravish'd
Lover. [Song] Set for the German Flute.
[Words by T. Phillips, music by W. Boyce.]
[London, 1736?] s.sh.iol. G. 313. (108.)
This so)ig ivas ivrittcn on Lady Fanny
Shirley. It has been erroneously
attributed to Lord Chesterfield.
[Another edition.] When Fanny, blooming
fair. The Eavish'd Lover, etc. [London,
1736 ?] s. sh. fol. G. 305. (220.)
When Fanny I saw. The Imaginary Kiss.
[Song, words by R. Dodsley, music by
J.Oswald.] [London, nid?] s.sh.iol.
G. 313. (118.)
When Fanny to Woman is growing apace.
A Neio Song. Sung by Mr. Vernon, at
Vauxhall. [London, 1764.] 8".
P.P. 5438. z.
Universal Magazine, Vol. XXXV., p. 'll.
When Fanny to woman is growing apace.
A Neiv Song. Sung by Mr. Vernon, at
VauxhaU. [London,'] 1765. 8^
P.P. 5441.
Boyal Magazine, Vol. XII., p. 45.
When first by fond Damon, Flavella was
seen. [Song.] Sung by Mr. Beard at
Banelagh Gardens. [London,
1760 ?] s. sh. fol. I. 530. (174.)
When first by fond Damon Flavella was
seen. [Song.] Siing by Mr. Loivc, etc.
[London, 1756.] s. sh. 8". P.P. 5439. ab.
Neiv Universal Magazine, June, 1756.
[Another setting.] When first by fond
Damon, [Song.] See Weideman (C. F.)
When first, by pow'rful love subdu'd.
The Eesolv'd Sivain : A New Song [by J.
Hook]. [London, 1770.] 8°.
P.P. 5438. z.
Universal Magazvie, Vol. XLVIL,
p. 263.
When first I Celia's face beheld. The In-
constant. A new Song. [London,
1767.] 8°. P-P- 5438. z.
Universal Magazine, Vol. XL., p. 97.
When first I fair Coelinda knew. The
Impertinent Poet. [Song.] [London,
1770?] s.sh.iol. I. 530. (175.)
When first I gaz'd on Kitty's Face.
Kitty. [Song.] Sung by Mr. Vernon.
[London, ITIO ?] s. sh. fol.
H. 1994. (66.)
WHEN
673
WHEW. When first I left my dearest
Peg. The Wooden Leg. A Celebrated Sea
Song, etc. Printed for T. Skillern :
London, [1780?] fol. G. 313. (147.)
When first I saw my Delia's face. Delia.
[Song.] Sung by Mr. Lowe at Vauxhall.
ILondon, 1756.] 8°. 250. e. 3.
Gentleman's Magazine, Vol. XXVL,
p. 443.
When first I saw my lovely ]\Iaid. Song.
See Haendel (G. F.) [Susanna.'}
When first I saw the beauteous Maid.
The Deserted Sivain. [Song.]
C[harles and] S[amuel] T[Jiompson :
London, 1775 ?] s. sh. fol. G. 313. (188.)
When first I saw the bright Aurelia's Eyes.
Song. See Pubcell (H.)
When first I saw the charming Maid.
The Fairy Queen, or Short Courtship. A
New Song. Broderip A Wilkijison :
[London, 1800 ?] fol. G. 356. (54.)
When first I saw the Village maiden. The
Village Maiden. . .[Song,] written by Mr.
Robson. [By J. Hook.] Printed for S. A.
d- P. Thompson : London, [1790 ?] fol.
H. 1651. a. (4.)
When first I saw thee graceful move.
[Duet.] See Galli ( ) Signora. [Se son
lontana.]
When first I saw thee graceful move. A
Neio Song [for two voices, bv Signora
Galli]. [London,n60.'] 8^ P.P. 5438. z.
Universal Magazine, Vol. XXVL, p.
200.
When first my soul enlisted. Hymn.
See E., H.
When first she came to Town. The
Favorite Duett of Jess Macpharlane as
sung at the Dilettanti Concerts.
Longman & Brodcrip : London,
[1790?] fol. G. 354. (57.)
[Another edition.] When first she came
to Town. The Favorite Duett of Jess
Macpharlane as Sung... by Mr. Dignum
and Mr. Hindle. [London, 1790 ?] fol.
H. 2821. (20.)
When first simple Strephon. How d'ye do.
[Song.] John Rice : [Dublin,
1780?] s.sh.iol. H. 1601. a. (80.)
When first the dear Youth passing by.
See Three Weeks after Marriage.
When first the East begins to dawn.
Song. See Hook (J.)
When first this humble Roof I knew.
Song. See Jackson (W.) of Exeter. [The
Lord of the Manor.]
When first to Helen's Lute. [Song.]
[Dublin, 1794.] s. sh. 4°.
P.P. 6154. k.
Walke7''s Hibernian Magazine, May,
1794.
VOL. II.
WHEW. When first you courted me.
Donald. A favorite Scots Song.
L[ong7nan'] & B[roderip :
London, 1785 ?] s. sh. fol.
H. 1994. b. (96.)
[Another setting.] When first you courted
me. Donald. A favorite Song to the
Original Scotch Tune. [London,
1790?] fol. G. 805. h. (46.)
When Flora decks the mantling bow'rs.
The Wish Granted. [Song, by R. Hudson.]
C[harles and] S[amuel] T[hompso7i :
London, 1771 ?] s. sh. fol.
G. 313. (195.)
When fond, you Damon's charms recite.
To Chloe. [Song.] The Words by Mr.
Addison. [London, 1754.] 8". 250. c. 1.
Gentleman's Magazine, Vol. XXIV.,
p. 134.
When forc'd from dear Hebe to go. Hebe.
A New Song [by T. A. Arne]. [London,
1764.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XXXV.,
p. 205.
When forc'd from dear Hebe to go. Hebe.
[Song, by T. A. Arne.]
[Lomlon, 1764.] 8°. P.P. 5441.
Royal Magazine, Vol. X.,p. 213.
When forc'd from dear Hebe to go. Hebe.
[Song, by T. A. Arne.] R. Falkener :
London, [1775 ?] s. sh. fol.
H. 1994. a. (15.)
When fragrant bloom of yellow broom.
Willy. [Song.] Sung by Mrs. Wrighten.
S[amuel,] A[7m and] P[eter] T[hompson :
London, 1780 ?] s. sh. fol.
G. 313. (183.)
When Frenchman threat. [Song.] Bri-
tannia's Mandate. T. Trotter : Keio
Bridge, [1800 ?] obi. fol. D. 392. (13.)
When fumes of Wine ascend into my
brain. Wine. An Anacreontick.
P. H\odqson : London, 1780 ?] s. sh. fol.
G. 313. (190.)
[Another setting.] When fumes of wine
ascend into my brain. Song.
See Stublet (S.)
When gay Philander fell a prize. The
Converted Shepherd. [Song, words by
James Moore.] Cross : [London,
1720?] s. s7i. fol. H. 1601. (531.)
[Another edition] When gay Philander
fell a prize. The Converted SJiepherd.
[London, 1120?] fol. G. 303. (84.)
When gen'rous Wine. Song.
See Probin (J.)
When gentle Parthenissa walks. Song.
See Arne (T. A.) [The Tender Husband.]
When glorious Eliza was England's bright
Star. A Loyal Song. L P[reston :
London, 1770 ?] s. sh. fol.
G. 313. (138.)
2 X
674
WHEN
WHEN. [Another setting.] When glorious
Eliza was England's hright star. Song.
See HuDSOK (R.)
When glory invites, what Briton so mean.
Song. See Faib.
When Hairs are gray. [Song.]
See Son-in-Law.
When I am banish't the delight. Song.
See Habeis (J.)
When I at my Window am gazing. Molly
Carr. [Song.] \_London,
1735?] s.sh.tol. G. 313. (153.)
When I at my Window am gazing. Molly
Carr. [Song.] [^Ijondon,
1755.] s. sh. 8\ P.P. 5439. ab.
Neio Universal Magazine, Jan., 1755.
When I beheld Clarinda's Eyes. Love
Triumphant. [Song, arranged to a Minuet
by G. F. Handel.] [London,
1715?] s.sh.tol. G. 313. (42.)
When I drain the rosy Bowl. The Rosy
Boivl. [Song.] Sung by Mr. Vernon at
Vauxhall, 1779. [Words translated from
Anacreon by Fawkes.] Sh[illcrn :
London, 1779.] fol. G. 313. (263.)
When I languis'd and wished. [Song.]
See EccLES (J.) [The Innocent Mistress.]
When I play'd on my Spanish Guittar. A
favorite Ballad, as Sung at Brandenburg
House, etc. J. Dale :
London, [1800 ?] fol. G. 356. (45.)
When I survey Clarinda's Charms. Song.
See Haendel (G. F.) [Mi^itiets. Walsh's
Collection, p. 29.]
When I survey that matchless Face.
[Song.] See Heighington (M.)
When I to Sleep address my Mind. Tlie
Lover's Complaint. [Song.] Tune, A
celebrated Minuet. {London, 1738.] 8°.
249. c. 8.
Gentleman's Magazine, Vol. VIII., p. 540.
When I was a Lad. Oh ! poor Bohinson
Crusoe. A Favorite Comic Chaunt, written
and sung by Mr. Cussans, at the Royal
Circus, & Sadlers Wells, etc. [To the tune
of the Rogiies' ]\Iarch.]
Printed for E. Bates : London, [1797 ?] fol.
G. 367. (29.)
When I was a little Baby. [Song.]
See Caetee (C. T.) [A Bold Stroke for a
Husband.]
When I was a maiden of twenty. Song.
Sec Oswald (J.)
When I was a young one. Song.
Sec Thomas and Sally.
When I was first kittened. Paddy 0' Brian.
The Favorite Irish Song sung by Mr.
Johannot, at Astley's Amphitheatre of
Arts . . . Written by Mr. Upton.
Printed for W. Cope : London, [1797 ?] fol.
G. 367. (31.)
WHEN. When I was near Manhood I
grew sick of Home. Wholesome Advice ;
or, A New Bundle of Proverbs. [Song.]
Sung by Mr. IMunden . . . Written by ]\Ir.
Fox. Wright, for the Author :
[London, 1800?] fol. G. 249. (59.)
When in the b)'eak of morning. Canzonet.
See IMoRLEY (T.) [First Book of Canzonets
to Ttvo Voices.]
When in unbounded Glory bright. CxUa
in Mourning. A New Song, etc.
[London, 1751.] 8°. P.P. 5438. z.
Universal Magazine, Vol. IX., p. 79.
When in War on the Ocean. A Celebrated
Sea Song Sung by Mr. Bannister at the
Anacreontic Society.
Printed for T. Skillern :
London, [1785 ?] fol. G. 385. e. (14.)
When Innocent Pastime our Pleasure did
Crown. Jenny and Nanny. [Song.] Sung
by Mrs. Arne at Ranelagh, and Master
Brown at Mary-bone Gardens. [By T. A.
Arne.] [London, 1770 ?] s. sh. fol.
H. 2818. (34.)
When Israel freed from Pharoah's Hand.
Psalm cxiv. Translated by Mr. Tickell,
from the Spectator. Set by an eminent
Master. [London, 1761.] 8".
P.P. 324. n.
Christian's Magazine, May, 1761,^.). 229.
When Jockey first I saw. Song,
See Cox (R.)
When Jockey was blest with your Love.
Jockey and Jenny. A favourite Dialogue
sung by Mr. Lowe and ]Mrs. Arne at Vaux
Hall. [Music by J. Worgan.]
[Lo7ido7i, 1750?] s.sh.iol. G. 313. (136.)
When Jockey was blest with your Love.
Jockey and Jenny. A New Song. Sung
by Mr. Lowe and Mrs. Arne at Vaux-Hall.
[By J. Worgan.] [Lcnidon,
1750.] 8°. 157. 1. 12.
London Magazine, 1750, p. 372.
When join'd in the Chace. Song.
See Arne (M.)
When languor and disease invade. An
Hymn, on Psalm 104, . . . written ... by
the Rev* Mr. Toplady, etc. Broad Hem-
bury Tune. [London, 1796.] s. sh. 4°.
P.P. 717.
Gospel Magazine, April, 1796.
When late I wander'd o'er the Plain.
Song. See Thomas and Sally.
When, lately, I ofier'd Miss Charlotte to
kiss. The Kiss refused. A New Song.
Sung by Mr. Vernon, at Vauxhall.
[London, 1770.] 8". P.P. 5438. z.
Universal Magazine, Vol. XLVII.,p. 95.
When Louis the proud, took it into his
Head. A Tcte a Tete Conversatio7i hetivccn
y French King it his Minister, [Song,]
the Words by a Free Briton. [London,
1758 ?] s. sh. fol. G. 313. (154.)
WHEN
675
"WHEN. When Love fair Psyche made
his Choice. A Song in honour of the
Glorious Assembly at Court on the Queen's
Birth day made to a pretty Scotch tune
by Mr. Durfey. [London,
1712.] s. sh. fol. H. 1601. (487.)
[Another copy.] G. 313. (43.)
When lovely Berenice I view. Song.
See Hart (P.)
When Lovely Sue I left behind. Song.
See Denman (H.)
When lovely Woman stoops to Folly.
Canzonet. See Essex (T.)
When lovely Woman stoops to folly.
[Song.] See Pleyel (I. J.) [4. Six pro-
gressive Sonatinas. Op. 32. No. I. Adagio.']
When lovely Woman stoops to foUy.
[Song.] See Relfe (J.)
When Lucinda's blooming Beauty. The
British Fhxnix, or the Power of Beauty.
[Song.] [London, 1770 ?] s. sh. fol.
I. 530. (176.)
When Lucy was Kind. Song.
See Hook (J.)
When Maids live to thirty. [Song.]
See Clarke (J.) [The Cornish Comedy.']
When Mariana does appear. A Song
writ and Set by a Gentleman in the
Army, etc. [London, 1110?] s.sh.iol.
a. 313. (13.)
When May-Day Buds. A New admir'd
Song, etc. John Lee : Dublin,
[1780?] s.sh. fol. H. 1601. a. (51.)
When mighty Jove survey'd mankind.
Fair Bellinda. [Song, by W. Defesch.J
Sung by IMiss Falkner. [London,
1749.] 8°. 157. 1. 11.
London Magazine, 1719, p. 232.
When mighty Sol at Noon of Day. Song.
See WORGAN (J.)
When modest Cloe's downcast Eyes.
Song. See Stbollgek (J.)
When Molly smiles beneath her cow.
The Ploiuman's Ditty. [Song.] [London,
1757.] 8«. P.P. 5438. z.
Universal Magazine, Vol. XX., p. 177.
When morn her sweets shall first unfold.
The Hapinj Couple. A new Song, sung by
Miss Falkner. [By W. Defesch.]
[London, 1751.] 8». 157. 1. 13.
London Magazine, 1751, p. 324.
When morn her sweets shall first unfold.
The Happy Couple. A New Song, Sung
by Miss Falkner, at Marybon-Gardens.
[By W. Defesch.] [London, 1752.] 8°.
157. 1. 14.
London Magazine, 1752, p. 376.
WHEN. When Morn her Sweets shall
first unfold. The Happy Couple. A New
Song, sung by Miss Falkner, at Marybon-
Gardens. [By W. Defesch.] See Chloe.
Chloe, or the Musical Magazine, etc.
No. 36. [1760?] fol. G. 433.
When my Acmelia smiles. Song.
See Purcell (H.)
When my Chloe smiles. [Song.]
See Tenducci (G. F.)
When my Kids and my Lambs I treated.
The Languishing Shepherd : or The Loss
of Fair Lillia Lamented, To an excellent
riew Tune much in request. Printed for
P. Brooksby, J. Deacon, J. Blare, J. Back :
[Londo7i, 1695 ?] s. sh. fol.
Case 39. k. 6. (5.)
The music is represented by a meaning-
less succession of notes, etc.
When my Love the other Day. Song.
See Seedo ( )
When my Swain took his leave. The
Forlorn Maid. [Song.] [London,
1760 ?] s. sh. fol. G. 313. (156.)
When Myra sings. [Duet.]
See Purcell (H.)
When Nancy fair my Bosom warms.
Charming Nancy. [Song.] [London,
1750?] s.sh.loX. G. 313. (151.)
When oer the INIoon a misty veil. The
Muleteer. A favorite Ballad. Arranged
for the Piano Forte, Harp, Violin &
Guittar. W. Cope : London, [1796 ?] fol.
G. 356. (39.)
When on her Eyes. Song. See King (R.)
When on thy bosom I recline. [Song.]
See Hudson (R.)
When once the Gods like us below. The
Flowing Boivl. A favorite Drinking Song.
Str[aight] & Sk[illern : London,
1776?] fol. G. 313. (273.)
When Orpheus sweetly did complain.
The Power of Music. [Song.] [London,
1760?] s.sh.iol. H. 1994. (67.)
[Another copy.] G. 316. a. (53.)
When Orpheus went down to the Regions
below. An Answer to Orpheus and
Euridice. [Song.] The words by a Lady
[i.e. S. Lisle, imitated from the Spanish.
Music by W. Boyce]. [London,
1740?] s.sh.iol. G. 305. (128.)
[Another edition.] When Orpheus went
down to the Regions below. Orpheus and
Euridice. A new Song, etc. [London,
1745 ?] s. sh. fol. G. 313. (86.)
When others strip the new fall'n snow.
Je7my of the Green. A New Song. Sung
by Mr. Lowe at Vaux-Hall. [London,
1752.] 8°. 157. 1. 14.
London Magazine, 1752, p. 232.
When Peace shall revisit the Land.
Duet. See Hook (J.)
2x2
676
WHEN
WHEW. When pensive I thought of my
Love. [Song.] See Kelly (M.) {Blue
Beard.]
When Phillida with Jockey. A new
Scotch Song or A game at Pam, to a tune
call'd the Queensborrow the words by T.
Durfey. [London, 1705 ?] s. sh. fol.
G. 304. (169.)
[Another edition.] When Phillida with
Jockey. The new Game at Pam. Set to a
pretty Scotch Tune. [Londcni,
1705?] s.sh.iol. H. 1601. (502.)
[Another copy.] G. 313. (65.)
When Phillis was faithful. Damon and
Phillis. A Pastoral Dialogue. [London,
1772.] 8°. P.P. 5438. z.
Universal Magazine, Vol. LL, ]p. 95.
When Phsebus addrest. Tlie Happy Pair.
[Song.] Sung by Mr. Long. [London,
1720 ?] s. sh. fol. H. 1601. (485.)
[Another edition.] When Phfebus addrest.
Tlie Happy Pair, etc. [London,
1720?] s.sh.tol. G. 313. (57.)
When Phsebus begins just to peep o'er the
Hills. Hark ! to the Woods. A Hunting
Song. [Lojidon, 1771.] 8'. P.P. 5438. z.
Universal Magazine, Yol. XLIX.,p. 147.
When Phsebus did the Skies adorn.
Song. See Turner (W.)
When Phaebus do[e]s rise. Love and
Satyr. A new Song the Words by Mr.
Durfey. [London, 1715 ?] s. sh. fol.
H. 1601. (497.)
[Another edition.] When Phsebus does
rise. Love and Satyr, etc. [London,
1715 ?] s. sh. fol. G. 313. (55.)
When Phoebus the tops of the Hills does
adorn. A hunting Song for two Voices.
[London, 1740 ?] s. sh. fol. G. 313. (93.)
[Another edition.] When Phoebus the
tops of the Hills does adorn, etc.
[London, 1750 ?] s. sh. fol. G. 295. (22.)
[Another copy.] H. 1994. a. (40.)
When Phcebus wakes the rosy hours.
Song. See Moulds (J.)
When Rastor strikes the Trembling
Strings. Song. See Monro (G.)
When Richard the first rul'd in this Isle.
Tom Hickathrift. [Song.] [London,
1775 ?] fol. G. 316. j. (5.)
When rising from the Bed of Death. An
Hymn, from the Spectator. Set to
Music by an eminent Master. [London,
1761.] 8°. P.P. 324. n.
Christia7i's Magazine, June, 1761, p.
278.
When round yon verdant Hill and plain.
The Innocent Fair, [Song.] [London,
1770?] s. s7i. fol. G. 313. (158.)
When sable Night. [Song.]
. See Duenna.
WHEN. When Sappho tun'd the raptur'd
strain. [Song.] See Hayes (P.)
When Sawney first did woo me. Song.
See Leveridge (R.)
When scenes of woe my Soul oppress.
Hymn. See Harington (H.)
When snow descends. Song.
Sec Waters (T.)
[Another setting.] When snows descend.
A favorite Song. [Words translated from
the Greek of Theocritus by J. Hervey.]
P. H[odgson : London, 1778 ?] s. sh. fol.
G. 313. (198.)
When Strephon the rover first Phillis
address'd. Lud don't you keep teazing me
so. [Song.] Sung by Mrs. Wrighten.
S[amuel] A[nn a7td] P[eter'] T[hovipson :
London, 1780 ?] s. sh. fol. G. 313. (191.)
WhenSummer comes the SwainsonTweed.
TJie Broom on Coiudenknows. [Song, the
words by R. Crawford.] Sung at Sadlers
Wells. [London, 1780 ?] s. sh. fol.
G. 313. (187.)
[Another edition.] When Summer comes
the Swains on Tweed. Tlie Broom on
Coivdcnknows. [London,
1780 ?] s. sh. fol. H. 1994. d. (61.)
[Another edition.] When summer comes
the swains on Tweed. The Broom on
Cowdenknoius. [Song.] R. Falkener :
London, [1180?] s.sh.iol.
H. 1994. a. (7.)
[Another copy.] H. 1994. b. (98.)
When Sweet and blushing like a Bride.
BaUad. See Moulds (J.)
When Sylvia first my Flame approv'd.
Damon and Sylvia. A Dialogue.
[London,ndO?] s.sh. fol. G. 313. (149.)
When Sylvia in Bathing. A Song on a
Ladys going into the Bath made by Mr.
Durfey. [London, 1720 ?] s. sh. fol.
H. 1601. (504.)
When y"= bright God of day. The Vocal
Grove. [Song. Music by C. Young, words
by W. Monlass.] ' [London,
1705 ?] s. sh. fol. G. 313. (24.)
When the bright God of Day. Celia, in
a Jessamine Boiocr. [Song.] See Chloe.
Chloe, or the Musical Magazine, etc.
No. 70. [1760 ?] fol. G. 433.
When the buds first appear. Song.
See Drury (T.)
When the chace of day is done. [Song.]
See Arnold (S.) [Inkle and Yarico.]
When the dayspring first dawn'd. [Song.]
See Hook (J.)
When the Heart is at ease. A favourite
New Song, etc. [By J. Hook.]
John Lee : Dublin, [1785 ?] s. sh. fol.
H. 1601. a. (52.)
WHEN
677
WHEN. When the Hills and lofty Moun-
tains. Charming Billy. A New Song.
[Lo7idon, 1725 ?] s. sh. fol.
H. 1601. (523.)
[Another edition.] When the Hills and
lofty Mountains. Channing Billy, etc.
[London, 1725 ?] s. sh. fol. G. 313. (53.)
When the Kine had given a Pale full.
The modest Maid's delight. [Song, words
by T. Durfey.] [London, 1715 ?] s. sh. fol.
H. 1601. (492.)
When the morning peeps forth. A Hu nting
Song. Sung by :^Ir. Reinhold at Mary-
bone Gardens [lay J. Hook]. R. Falkcner :
London, [1775 ?] fol. H. 1994. a. (134.)
Another edition of this song occurs in
Hook's ' Favourite Songs sung at
Vaux Hall . . . To lohich is added y"
Celebrated hunting Song,' etc.
[Another edition.] When the ^Morning
peeps forth. A favourite Hunting Song
[by J. Hook]. Sk'illern :
London, 1775 ?] fol. G. 313. (264.)
When the Poor Dove. Glee.
See Danby (J.)
When the Sheep are in the fauld. Auld
Eohin Gray. A favourite Scotch Song.
[Words by Lady Anne Lindsay.] Set to
the Original Favourite Air [composed by
W. Leeves]. [LwidtMi, 1780 ?1 fol.
G. 313. (177.)
[Another edition.] When the Sheep are
in the fauld. Auld Robin Gray. A
favourite Scotch Song. Set to the Original
Favourite Air [by W. Leeves]. Sung by
Mrs. Kennedv at Vaux-hall. S. Babb :
[London, 1782 ?] fol. G. 383. i. (47.)
[Another edition.] When the Sheep are
in the fauld. Auld Robin Gray. A
favourite Scotch Song. Sot to the Original
Favourite Air [by W. Leeves].
[London, 1785 '?] fol. G. "383. i. (48.)
[Another copy.] G. 296. (9.)
[Another edition.] When the Sheep are
in the fauld. Auld Robin Gray. A
favourite Scotch Song. Set to the Original
Favourite Air [by W. Leeves]. Sung by
Mrs. Kennedy at Yauxhall.
[Lo7idon, 1790?] fol. H. 1651. b. (61.)
When the shrill Trumpet sounds on high.
The Soldier's Joy. [Song.]
[London, 1160?] s. sh. fol. I. 530. (180.)
When the shrill Trumpet's pleasing Sound.
Song. Sec Graves (J.)
When the Soul is worn with Grief.
Rondo. See Hook (J.)
When the Sprightly Fife and Drum.
Song. See Hook (J.)
When the Sun o'er yonder Hills. Song.
See Haendel (G. P.) [Solotnon.]
When the toil of Day is o'er. Glee.
See Stevens (R. J. S.)
WHEN. When thou art absent, charming
Maid. Song. See Shield (W.) [Love
in a Village.]
When thy Beauty api)ears. [Song.]
See Randall (J.)
When Thyrsis leaves his Celia's Arms.
Song. See Crome (R.)
When 'tis Night and the ]\Iid- Watch is
come. [Song, from ' The Glorious First
of June,' music by T. Linley, words by
R. B. Sheridan.] J. Lee : Dublin,
[1795 ?] s. sh. fol. H. 1601. b. (33.)
When 'tis Night and the mid-watch is
come. A favorite Song. Sung by Mr.
Bannister. [From ' The Glorious First of
June,' music by T. Linley, words by R. B.
Sheridan.] [Lo7idon, 1795 ?] fol.
H. 2821. (30.)
When 'tis Night. [Song.]
See Glorious First op June.
When to the Sea the Sun returns. On
her Absence. [Song.] [London,
1720?] s. s/(. fol. G. 313. (148.)
When Trees did bud and Fields were
green. Doivn the burn Davy Love. A
favorite Scotch song [words by R. Craw-
ford, music by J. Hook], sung at Vauxhall.
[London, 1770 ?] fol. G. 313. (251.)
When tutor'd by Jlother. Stick a Pin
there. [Song.] [London,
1760 ?] s. sh. fol. G. 316. (155.)
[Another copy.]
Add. MSS. 29,370. fol. 6.
When up the Shrouds the Sailor goes.
The Can of Grog. A favourite Sea Song.
[From C. Dibdin's ' Yo Yea.'] J. Lee :
Dublin, [1780 ?] s. sh. fol.
H. 1601. b. (32.)
When Vernal Airs perfume the Fields.
Song. See Travers (J.)
When war is wag'd to quell the Foe.
Song. See Westrey (G.)
When war's alarms entic'd my Willy from
me. Wars alarms entic'd my Willy.
[Song.] Sung by Miss Walpole. [Music
by T. Linley the Elder.] [London,
1770 ?] s. sh. fol. I. 530. (179.)
When we drink, my charming Phillis.
Love and Wiiie united. [Song.]
[London, 1725 ?] s. sh. fol.
G. 316. f. (102.)
When we dwell on the Lips of the Lass
we adore. Duet. See Hook (J.)
When we're married. Song.
Sec Carter (C. T.)
When William at Eve. Song.
See Shield (W.) [Eosina.]
When with Jesse I spent the long day.
Jesse. A New Song. [LoJidon,] 1760. 8^
P.P. 5441.
Royal Magazine, Vol. III., 2). 209.
678
WHEN— WHERE
WHEN. When with Tenderness. [Song.]
See Spanish Barber.
When Yanko dear. Song.
See DiBDiN (C.) [T/ie Islanders.']
When yonder cooing Doves retire. Delia.
A Song. Sung by Miss Falkner.
[I/onrfo«, 1750?] s.sh.iol. G. 313. (129.)
When yonder cooing Doves retire. Delia.
A New Song. Sung by Miss Falkner, at
Mary Bone Gardens. See Chloe. Chloe,
or the Musical Magazine, cic. No. G9.
[1760?] fol. G. 433.
When you discover. Air.
See Accomplished Maid.
When you for me alone had Charms.
Strephon and Phyllis. A Pastoral Dia-
logue, [l/owdori, 1730 ?] s.sh.lol.
G. 313. (106.)
When you tell me your Heart is another's.
A favorite Song with an Accompaniment
for the Harp, or Piano Forte.
Longman ct Broderip ;
London, [1795 ?] fol. G. 800. m. (63.)
When you tell me your Heart is another's,
etc. Printed for R. Birchall :
London, [1800 ?] fol. G. 808. f. (83.)
When you tell me your Heart is anothers,
etc. G. Walker : London, [1800 ?] fol.
G. 805. h. (48.)
[Another setting.] When you tell me
your Heart is another's. Song.
See Carter (C. T.)
When you told us our Glances. Ballad.
See Haigh (T.)
When young and artless as the lamb.
The Patriot Fair : A Song. [By W. Boyce.]
[London, 1754.] 8°. 250. e. 1.
Gentlcrnan' s Magazine, Vol. XXIV.,
p. 283.
When young and 'artless as the lamb.
Song. See Boyce (W.)
When your Angellick Face I'd seen.
Song. See Weldon (J.)
WHENCE. Whence comes it that the
shining Great. Neio Ttmbridge-Wclls at
Islington, or the Charms of Dishabille. A
Song [words] by J. Lockman [to the tune
of the Black Joke]. [London,
1735 ?] s. sh. fol. G. 313. (162.)
WHENE'ER. When e'er for each other
we feel. [Song.] See Alcock (J.) Doctor
in Music.
WHENEVER. When green Myrtles
afforded a Shade. Tlie Kiss. [Song.]
[LonfZon, 1760?] s.sh.iol. G. 316. (156.)
WHERE. Where, ah ! where shall I my
Shepherd find. O ! my poor Heart heigh
ho. A Popular. . .Duet for Two Sopranos,
with an Express Accompaniment for the
Piano Forte or Pedal Harp. R. Birchall •
London, [1795 ?] fol. G. 809. c. (64.)
WHERE. Where am I ? 0 what wonders
rise ! The Inchantment. An Ode. A
Person who had never seen the Spring-
Gardens, Vauxhall, being carried thither
in his Sleep, is suppos'd to start from it,
and to express himself thus. [London,
1750?] s. sh. fol. G. 316. a. (54.)
Where are my jolly Companions gone.
Song. See Blewitt (J.)
Where are you going, my pretty Maid.
Song. See Biggs (E. S.)
Where beauteous Flora cloaths the Frills.
Sylvania [song, words] by Mr. Cos-
teker. [London,
1730 ?] s. sh. fol. I. 530. (35.)
Where Beauty with such Charms. A Two
Part Song. [London, 1730 ?] s. sh. fol.
G. 316. f. (106.)
Where Eden's Streams are heard afar.
Song. See Hook (J.)
Where e'er you walk. Song.
See Haendel (G. F.) [Semele.']
Where Helen lies. Ballad.
See Haigh (T.)
Where is my Love, ah whither flown.
Song. See Carter (C. T.)
Where is my soul's chief Comfort flown.
The Mzise's Tears ... An Elegiac Ode to
the Memory of that sober Ingenious Youth,
]Mr. Richard Osborne, etc. [Words and
music by H. Carey.]
[London, 1737 ?] s. sh. fol. I. 530. (181.)
Where is pity's melting Eye. The Favorite
Duett, etc. [In the Revenge of Athridates,
a Pasticcio, arranged by G. F. Tenducci.]
Bland : [London, 1780 ?] s. sh. fol.
G. 313. (168.)
Where is pity's melting eye. [Song.]
See Athridates.
Where is pleasure ? Song.
See Correspondent.
[Another setting.] Where is pleasure.
Song. See Stone (J.)
Where is that tow'ring Spirit fled. Song.
See Days op Yore.
Where jealous misers starve. Song.
See Storage (S.) [Mahmoud.']
Where new mo%vn hay. Bonny Jamie 0.
A New favourite Scotch Song, etc.
John Lee : Dublin, [1785 ?] s. sh. fol.
H. 1601. a. (74.)
Where new mown hay. Bonny Jamie 0.
The favorite Scotch Song, etc.
S[amuel'] A[nn and] P[eter]
T[hompson : London, 1785 ?] s. sh. fol.
I. 530. (178.)
Where now are all my fiatt'ring dreams of
Joy. Song. See Busswell (J.)
Where on the Stage. Kitty the Female's
Glory. A New Song, the words by Mr.
Yoslington. [London, 1715 ?] s. sh. fol.
G. 313. (18.)
WHERE— WHILE
679
WHERE. Where Oxen do low. The
Country Dialogue [from ' The Bath, or
the Western Lass'] made by Mr. Tho:
Durfey. [Music by D. Purcell.] [Londoyi,
1705 ?] s. sh. fol. H. 1601. (481.)
[Another copy.] G. 316. f. (75.)
Where Oxen do low. Dialogue.
See Purcell (D.) [The Bath.]
Where peace waves her ensigns. Song.
See Barry ( )
Where's my Swain so blythe and clever.
A New Song. [London,-] 1758. 8°.
158. 1. 3.
London Magazine, 1758, p. 475.
Where's my Swain so blithe and clever ?
A New Song. Sung by Miss Stevenson,
at Vauxhall. [London, 1759.] 8".
P.P. 5438. z.
Universal Magazine, Vol. XXIV., p. 318.
Where shall a poor forsaken Virgin fly.
A Cantata. See Carey (H.)
Where shall Celia fly for Shelter. [Song,
by S. Howard.] Sung by Miss Davies at
Vauxhall. [London, 1764.] 8".
P.P. 5441.
Royal Magazine, Vol. XI., p. 213.
Where shall Celia fly for shelter. [Song,
by S. Howard.] Sung by Miss Davis at
Vauxhall. [London, 1765 ?] s. sh. fol.
G. 313. (166.)
Where shall Celia fly for shelter. Celia,
etc. [Song, by S. Howard.] [London,
1765 ?] s. sh. fol. H. 2818. (28.)
Where shall Celia fly for shelter, etc. [Song,
by S. Howard.] R. Falkener : London,
[1775 ?J s. sh. fol. H. 1994. a. (46.)
Where shall I seek the charming fair.
[Song, from Handel's ' Acis and Galatea.']
[London, 1740 ?] s. sh. fol. G. 315. (61.)
Where shall I seek the charming fair ?
Song. See Haendel (G. F.) [Acis and
Galatea.]
Where the Bee sucks. [Song, by T. A.
Arne.] German Flute in the Symphonies
and Solo Part of the Song. [London,
1770 ?] s. sh. fol. H. 1994. b. (101.)
Where the Bee sucks. Song.
See Tempest.
Where the Jessamine sweetens the Bow'r.
Colin and Phce.be. [Song.] Within Com-
pass of the German Flute. [London,
1760 ?] s. sh. fol. G. 313. (164.)
Where Virtue encircles the Fair. The
Power of Nature. [Song.] Addressed to
the Fair Sex. [London, 1762.] 8°.
P.P. 5441.
Royal Magazine, Vol. VI., p. 43.
Where, where dear Maid. La Virginella.
Adapted [with English words] as a . . .
Lesson for the Harpsichord. [The music
from Bertoni's Opera " La Goveruante."]
[London, 1780 ?] fol. G. 313. (257.)
WHERE. Where, where, shall we hunt
the Roebuck to day. Glee. See Hook (J.)
Where, where's my Pan. Song.
See Purcell (D.) [The Grove.]
WHEREVER. Wherever I am, and
whatever I do. The Thoughtful Lover.
[Song, words from J. Dryden's ' Conquest
of Granada.'] [London, 1730 ?] s. sh. fol.
G. 313. (163.)
WHICH. Which is the properest day to
drink. Glee. See Arne (T. A.)
WHICHELLO (Abiell) Apollo and
Daphne. A Cantata. The Words by Mr.
Carey. [London, VJ'dO'!] fol. G. 315. (7.)
The Charms of Beauty. [Song, words by
the Rev. T. Fitzgerald.] [London,
1740?] s.sh.iol. G. 312. (60.)
Contentment, etc. [Song.] [London,
1747.] 8". P.P. 5438. z.
Universal Magazine, Vol. I., p. 234.
Hast, hast dear youth. [Song.] [London,
1720 ?] s. sh. fol. G. 303. (57.)
A Heart that's Bleeding with deep Dis-
pair. A Song the words by Mr. Carey,
etc. [London, VI 201] s.sh.iol.
H. 1601. (30.)
A Heart's that bleeding w"' deep dispair.
A Song the Words by Mr. Carey, etc.
[London, 1720 ?] s. sh. fol.
G. 316. g. (1.)
Lessons, for the Harpsichord, or Spinett,
etc. John Hare, for the Author :
London, [1705 ?] ohl. fol. b. 27.
So many Charms were never sure. A
Sotig the Words by Mr. Carey, etc.
[London, niO?] s.sh.iol.
H. 1601. (391.)
SnccessfuU happy Charmer. A Song . . .
the Words by Mr. Carey. [London,
1720?] s. s7i. fol.. H. 1601. (412.)
A'irtumnus and Pomonia. A Cantata . . .
the Words by Mr. Carey. [London,
1725 ?] fol. G. 312. (3.)
Ye Virgin pow'rs defend my heart. A
new Song, etc. [London,
1720 ?] s. sh. fol. G. 314. (8.)
WHIG. The Whig's Exaltation. Song.
.See Now. Now, now the Tories all shall
stoop, etc. 1682. s. sh. fol.
Case 38. i. (25. 5.)
WHIG-INTEIiLIGENCER. The
Whig-Intelligencer : or Sir Samuel in the
Pound, etc. [Ballad.] See Hark. Hark !
the fatal day is come, ei!c. 1684. s.sh.iol.
1871. e. 9. (76.)
WHILE. While at your feet I Sighing
lye. Song. See Young (A.)
While beams the bright Morn. Duet.
See Dan BY (J.)
While blooming Youth, [Song.]
See Greene (M.)
680
WHILE
WHILE. While Britania shakes her
Lance. A71 Ode in Honoiir of the Society
of Free Britons. [Song.] [London,
1780 ?] s. sh. fol. G. 313. (201.)
While chearful the horn. Hunting Song.
P. H[odgson : London, 1778?] s. sh. fol.
G-. 313. (212.)
While Fashion and Fancy together com-
bine. The Fairy Worlds, or the Boyal
Circus. [Song.] The Words by Mr.
Oakman. [London, 1783.] s. sh. fol.
G. 316. c. (38.)
While fashion prevails with the Youth of
the Age. The Man to my Mind. [Song.]
B[ab]b : [London, 1775?] s. sh. fol.
G. 313. (208.)
While France beats allarms. The Royal
Bevieiv. [Song.] Straight : [London,
1780?] s. s7t. fol. G. 313. (141.)
While from my looks, fair nymph, you
guess. Song. See Howard (S.)
While from our Looks, fair Nymph, you
guess. Duetto. See Buswell (J.)
While, Galathea, you design. Song.
See CouETiviLLE (R.)
W^hile Gallia does with Threats invade.
To the Genius of England. [Song.]
S[a^miel ancT] A[n')i] T[hompson : London,
1780?] s.sh.iol. G. 313. (215.)
While Gallia's Sons their Shores regain.
Victoria Augustus Kej^i^el . . . Formidable
Sir Hugh [i.e. Sir H. Palliser] . . . Song.
Tune, Britannia [from Arne's Alfred].
[London, 1778 ?] fol. G. 313. (271.)
While gentle Parthenissa walks. Song.
/SecPuECELL (D.) [The Tender Husband.]
While grave Divines preach up dull rules.
Father Paul. [Song.] Skillern :
[London, 1775 ?] s. sh. fol.
G. 313. (214.)
While I'm a pleading, your Beauty to
gain.] [Song.] [London, 11 bO'>] s.sh.iol.
I. 530. (182.)
While I'm at the Tavern Quaffing.
Bacchanalian Joys Defeated by a Pouwrful
Incentive to Love. [Song.] L[ongman
and] B[rodei-ip : London, 1780 ?] s sJi. fol.
G. 313. (146.)
While I my Cinthia's praises sing.
Cinthia. [Song.] [London,
1740?] s.sh.iol. G. 316. f. (99.)
While I quafi the Rosey Wine. The
Bacchanalian. [Song.] [London,
17G0?] s.sh.iol. G. 316. (157.)
While I quaff the rosy wine. The Bac-
chanalian. [Song.] [London, 1762,] 8°.
P.P. 5438. z.
Universal Magazine, Vol. XXX., p. 95.
While I quaff the rosy wine. The Bac-
chanalian. [Song.] [London, 1758.] 8".
P.P. 5438. z.
Universal Magazine, Vol. XXII., p. 307.
WHIIjE. While joyful here we meet.
Hymn. See Geanom (L. C. A.)
While Leonora's kind & good. Thirsis to
Leonora. [Song.] [London,
1750 ?] s. sh. fol. G. 313. (203.)
While misers all night. The Happy Club.
[Song.] [London, 1753.] 8". 249. e. 23.
Gentleman'' s Magazine, Vol. XXIII.,
p. 435.
While misers all night. The Happy Club.
A New Song. [London, 1753.] 8".
P.P. 5438. z.
Universal Magazine, Vol. XII., p>. 173.
While Misers all Night. The Happy
Cliibb. A new Song. [London,
1760?] s.sh.iol. G. 316. a. (55.)
While none but the Great cau conveniently
go. TJie Masquerade. A New Song. The
words by I. Oakman. B[ichar]d B[rid]e :
[Loiidon, 1715?] s.sh.iol. G. 313. (207.)
While o'er the broom I gang wi' thee.
Song. See Hook (J.)
While on ten thousand Charms I gaze.
[Song.] See Doctoe Faustus.
While on those lovely Eyes I gaze. The
fond Admirer. A New Song. [London,
1720?] s. sh. fol. G. 313. (31.)
While others sing in cheerful lay. Will
of Aberdeen. [Song.] Sung by Mrs.
Hudson at Vauxhall. [London,
1775 ?] fol. H. 1994. b. (102.)
While others strip the new-fall'n snow.
Jenny of the Green, a new Song. Sung by
Mrs. Lowe, at Vauxhall. [London,
1752.] 8°. P.P. 5438. z.
Universal Magazine, Vol. X., p. 222.
While others strip the new fall'n snow.
Jenny of the Green. [Song.] Sung by
Mr. Lowe at Vaux Hall, etc. \_London,
1755?] s. s/(. fol. G. 313. (199.)
[Another edition.] While others strip the
new fall'n Snow. Jenny of the Green, etc.
[London, 1760 ?] s. sh. fol.
H. 1994. b. (103.)
While others strip the new Fall'n Snow.
Jenny of the Green, etc. See Ghloe.
Chloe, or the Musical Magazine, etc.
No. 21. [1760?] fol. G. 433.
While over the Mountain brow peeps the
young Morn. A Favorite Hmiting Song.
The Words by G. A. Stevens.
P. H[odgson : London, 1770 ?] s. sh. fol.
G. 313. (210.)
While over the Mountain brow peeps the
young INIorn. A Favourite Hunting Song,
etc. Jo" Eice: [Dublin, 1180?] fol.
H. 1601. a. (98.)
[Another setting.] While over the Moun-
tain brow peeps the young IMorn. A
Favoi-ite Hunting Diologue and Duet.
L[ongman and] B[;yoderip : London,
1780?] fol. G. 313. (269.)
WHILE— WHILST
681
WHILE. While overnice critics, indulging
their Kage. The Maid of the Mill. [Song,]
The words by Mr. Oakman. [London,
1765 ?] s. sh. fol. G-. 313. (204.)
While paper's bedaubed by the foul venal
Quill. [Song.] See Moze (J. H.)
While pensive on the Lonely plain. The
Lover's Complaint. [Song.] {London,
1760 ?] s. sh. fol. G. 316. (158.)
[Another setting.] While pensive on the
lonely plain. Song. See Stubley (S.)
While Phillis refuses my Love to requite.
Easy and gay. A New Song. [Lo7idon,
1772.] 8". P.P. 5438. z.
U7iiversal Magazine, Vol. LI., p. 366.
While Sighing at your Feet I lye. Song.
See Gouge ( )
While silent Passion stole along. Song.
See King (R.)
While some for pleasure waste their health.
My Nanny 0. [Song, words by A.
Ramsay.] [London, 1720 ?] s. sh. fol.
G. 305. (140.)
[Another edition.] While some for
pleasure wast their health. My Nanny O.
[Lonf^o?^, 1735 ?] s. s7i. fol.
G. 313. (72.)
[Another edition.] While some for
pleasure waste their health. My Nanny
O. Sung by Mr. Lowe. [London,
1750 ?] s. sh. fol. G. 316. f. (63.)
While some in never-dying Verse. A Song.
Wrote by Mr. Boyce on Sight of Fanny
Murray. Sung by Mr. Lowe. [London,
1750?] s.sh.tol. G. 313. (205.)
[Another edition.] While some in never
dying Verse. A Song. Wrote by Mr.
Boyce, e^c. [London, 1150?] s.sh.iol.
H. 1601. a. (48.)
While some, in never dying verse. A Song
wrote by Mr. Boyce on Sight of Fanny
Murray. Sung by Mr. Lowe. [London,
1755.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XVII., p. 223.
While some to Clinton, Rodney or Prevost.
Ode in honour of the London Military
Association, with the Designs for a Medal
intended as an honorary reward for their
exertion towards quelling the late . . .
insurrection . . . The Designs and Words by
O'Brien, e^c. W.Bailey: [London,
1780?] fol. G. 313. (254.)
While, Strephon, thus you teize one.
The Truth imparted. [Song.] [London,
1750?] s.sh.tol. G. 313. (206.)
While the flowing bowl I see. Drinking
Song. P. n[odgson : London,
1778?] s.sh.iol. G. 313. (211.)
While the Glass circles round. [Song.]
See Smart (T.)
While the Lads in the Village. [Song.]
See Quaker.
WHILE. While the Moonbeams all bright.
[Song.] See Ross (.J.)
While the sweet blushing Spring. Song.
See Aene (M.) [The Fathers.]
While the Town agrees that Polly. Song.
See Monro (G.)
While the yet standing Corn. A Favorite
Shooting Song. I. F[entn]m : [London,
1775?] s.sh.iol. H. 1994. a. (31.)
While Thee I seek. Hymn.
See Callcott (J. W.)
While thro' the slipp'ry Paths of Youth.
Psalm cxix. Part 1st paraphrased, etc.
[London, 1761.] 8^ P.P. 324. n.
Christian's Magazine, July, 1761, p. 392.
While with a gentle Smile you strove-
The Eeconciliation. A Dialogue, translated
from the 9"' Ode of the 3* Book of Horace
by. . . J. Green. . .Sung by Miss Cassandra
Fredrick and a Gentleman. [Loiidon,
1770?] fol. G. 313. (252.)
WHILST. Whilst a Captive to your
Charms. The Captive. [Song.] Sung by
Mr. Vernon at Vauxhall.
S[amueland] A[nn] T[hompson : London,
1780?] s.sh.iol. G. 313. (217.)
Whilst am'rous Bards in Raptures sing.
A Song. [London, 1759.] 8". 158. 1. 4.
London Magazine, 1759, p. 212.
Whilst am'rous Bards in Raptures sing.
A Favourite Song. [London, 1759.] 8".
P.P. 5438. z.
Universal Magazine, Vol. XXIV., p. 149.
Whilst am'rous Bards in raptures sing.
The Charms of Kitty Fell. [Song.]
[Loyidon, 1759.] s. sh. 8". P.P. 5439. ab.
Neio Universal Magazine, Jan., 1759.
Whilst Celia's Eyes. To Miss E— M—.
[Song.] Set for the German Flute.
[London, ViAQ?] s.sh.iol.
G. 316. f. (77.)
Whilst endless Tears and Sighs declare.
Song. See Lampe (J. F.) [Fatal False-
hood.]
Whilst Galatea you design. Song.
See Courteville (R.)
Whilst happy in my native Land. [Song.]
Sung by Mr. Bannister. [London,
1790?] fol. G. 808. e. (52.)
Whilst I am scorch'd with hot desire.
Song. See King (R.)
Whilst I fondly view the Charmer. Song.
See Barrett (J.) Organist.
Whilst I gaze on Chloe trembling. The
Lukewarm Lover. [Song.] The Words
by a Person of Quality. [London,
1750 ?] s. sh. fol. G. 316. a. (56.)
Whilst I gaiz'd on Cloe trembling. Cloe's
Admirer. A Song. The words by a
Parson of Quality. [Music by — Over-
bury.] [London, 1720 ?] s. sh. fol.
H. 1601. (482.)
682
WHILST— WHITHER
WHILST. [Another edition.] Whilst I
gaiz'd on Cloe. Cloe's Admirer. A Song,
etc. [London, 1720 ?] s. sh. tol.
G. 316. g. (72.)
Whilst I in sleep. The Dream. [Song.]
Compos'd & set to Musick by a Gentleman
of Oxford. ILondon, 1735?] s. sli. fol.
G. 316. f. (76.)
Whilst I'm carrouzing. Song.
See Beau Demolished.
Whilst I with grief did on you look.
Song. See Purcell (H.) [TJie Spanish
Friar.]
Whilst in mirth we abound. ^4 Health on
the Duke of Marlborogh and Prince Eugene.
[Song.] [London, 1710 ?] s. sh. fol.
G. 313. (33.)
Whilst Majo and Mino thro' thick and
thin. The Outs and Ins. [Song.]
Jlohn] P[reston : London, 1780 ?] s. sh. fol.
G. 313. (216.)
Whilst modest Celia's down cast Eyes.
The Confession to Celia. [Song, by W.
Defesch.] [London, llAO?] s. sh. io\.
G. 313. (51.)
Whilst modest Celia's down cast eyes.
The Confession [to Celia]. A New Song
[by Defesch] sung at Mary-Bone-Gardens.
See Chloe. Chloe, or the Musicall
Magazine, etc. No. 54. [1760 ?] fol.
G. 433.
Whilst of life we hold the span. The
Jovial Bacchanal. A Song sung by Mr.
Smith, at the Theatre Royal on Rich-
mond-Green. [London, 1767.] 8°.
P.P. 5441.
Boyal Magazine, Vol. XVII., p. 268.
Whilst on forbidden Fruit I gaze, &c.
[Song.] Written by a Gentleman on
seeing a Lady in an opposite Window.
[Dublin, 1787.] s. sh. 4°. P.P. 6154. k.
Hibernian Magazine, Appendix, 1787.
Whilst on thy dear Bosom lying. The
Bapture. [Song, music by J. Oswald,
words by R. Dodsley.] [London,
1743 ?] s. sh. fol. G. 313. (120.)
Whilst Phillis is drinking. A Song on a
Lady's Drinking. [Words from " She
Gallants " by Lord Lansdown, music by
J. Eccles.] [London, 11 00 1} s. sh. io\.
H. 1601. (506.)
[Another edition.] Whilst Phillis is
drinking, etc. [London, 1705 ?] s. sh. fol.
G. 304. (175.)
Whilst Strephon gaz'd on Cloe's Eyes. A
New Song [words] by a Gentleman.
[London', 1120?] s. sh. io\.
H. 1601. (520.)
[Another copy.] G. 305. (158.)
[Another edition.] Whilst Strephon gaz'd
on Cloe's eyes. A New Song by a Gen'.
lLo7idon,1120?] s.sh.iol.
G. 316. g. (73.)
WHILST. Whilst Strephon on fair Cloe
hung. Cantata. See Anglosini ( )
Whilst the French their Arms discover.
[Song.] See Clarke (J.)
Whilst the Town's brimfull of Folly.
Song. See Monro (G.)
Whilst to the distant Vale I wing. The
Goldfinch to Chloe. [Song] Sung by Miss-
Young at Ranelagh. . .Words by the Rev,
G. L. [London, 1755 ?] s. sh. fol.
G. 313. (50.)
Whilst with Village Maids I stray. Song.
See Shield (W.) [Eosina.]
Whilst wretched Fools sneak up and
down. [Duet.] See Purcell (D.) [Mas-
saniello.]
Whilst you to lovely Arabel. Arabel. A
New Song [by E. Griff es]. [London,
1751.] 8°. 157. 1. 13.
London Magazine, 1751, jp. 276.
WHIM. The Whim. Song. See All.
All the worlds in strife and hurry, etc.
[1711 ?] s. sh. fol. H. 1601. (34.)
The Whim: or, The Miser's Retreat. A
Farce. Alter'd from the French of La
Maison Rustique . . . With the Musick
Prefix'd to each Song. Printed-
for J. Watts : London, 1734. 8".
161. f. 75.
WHINE. Whine not, pine not. [Duet.]
See Capricious Lovers.
WHISPER. The Whisper. Cantata.
See When. When Bacchus jolly God
invites. [1775?] fol. G. 313. (261.)
WHISTLING. The Whistling Plough-
man. [Song.] See Dibdin (C.) [Castles
in the Air.]
The whistling Plowman hails y« blushing
Dawn. A Hunting Song. Sung by Mr.
Andrews at Sadlers-wells. [London,.
1770?] fol. G. 806. e. (70.)
[Another edition.] The whistling Plow-
man hails y'^ blushing Dawn. A Hunting
Sonq, etc. [London, 1770 ?] fol.
H. 1994. a. (142.)
[Another edition.] The whistling Plow-
man hails the blushing dawn. The
Whistling Ploivman. A favorite Hunting
Song. [London, 1775 ?J fol.
G. 807. d. (81.)
WHITE. The White Cockade. [Song.]
See Lasses. The Lasses with obliging
care. [1790?] fol. G. 808. e. (22.)
The White Joak. [Song.] See Gay. Gay
Myra, Toast of all the Town, etc.
[1725 ?] s. sh. fol. G. 308. (12.)
The White Man. Ballad. See Amateur.
WHITHER. Whither, my Love, ah I
Whither art thou gone ? [Song.]
Sec Paisiello (G.)
WHO— WHY
6S3
WHO. Who but remembers yesterday.
Britain's Isle. A new Song. On the
Death of, . .the Prince of Wales. By the
Author of Arno's Vale. [London,
1751.] 8". 249. c. 21.
Ge7itk)nan's Magazine, Vol. XXI.,
p. 227.
Who but remembers yesterday. Britain's
Isle. A New Song. Writ the Day after
the Demise of . . . Frederick Prince of
Wales. By the Author of Arno's Vale.
[Lo7ulon, 1751.] 8°. 157. 1. 13.
London Magazine, 1751, p. 152.
Who can describe the Pow'r of Love.
Delia's Appeal to the Libertine. [Song.]
Written by A. Smith, and adopted by him
to the Di la Cour ^Minuet. Sung ... at Vaux-
hall in Birmingham by Mrs. A. Smith,
late Mrs. Woodman. Llongnuui] &
BWoderip : London, 1780 ?] fol.
G. 313. (247.)
Who can Dorinda's Beauty view. Song.
See Damascene (A.)
[Another setting.] Who can Dorinda's
beauty view. Song. See Green (T.)
Who can suspect. Song. See Marian.
Who can trim the foe? A Catch for
Three Voices. On Admiral Duncan's
glorious Victory. The 11'" of Oct' 1797.
J. Dale : London, [1797.] fol.
G. 352. (53.)
Who cares. [Song.] See Dibdin (C.)
IWillofthe irisp.]
Who comes so dark from Ocean's roar ?
Glee. See Cai^lcott (J. W.)
Who'd know the Sweets of Liberty. Glee.
See Baker (G.) Organist.
Who, dear Fidelia, who can view. Song.
See Franck (J. W.)
Who gave the Sun his Light. [Quartet.]
See Traetta (T.)
Who has e'er been at Baldock. The Lass
of the Mill. [Song, by M. 0. Festing.]
Sung by :Mr. Beard. [London, 175.3.] 8".
° ^ 157. 1. 15.
London Magazine, 1753, pi- 285.
Who has e'er been at Baldock. The Lass
of the Mill. A New Song. [By M. C.
Festing.] [Loiidon, 1753.] 8°.
P.P. 5438. z.
Universal Magazine, Vol. XIII., p. 87.
Who has e'er been at Paris. The Thief d
Cordelier. [Song.] The Words by M.
Prior, etc. [London, 1725 ?] s. sh. fol.
G. 313. (83.)
Who is it that this dark Night. Dialogue.
See Stevens (R. J. S.)
Who to win a Woman's Favour. [Song.]
Sec Columbine Courtezan.
Who wou'd not up to London come.
Song. See Arnold (S.) [A Beggar on
Horseback.]
WHOLESOME. Wholesome Advice.
[Song.] See When. When I was near
Manhood I grew sick of Home.
[1800?] fol. G. 249. (59.)
WHOSE. Whose Voice did first inspire
the Eastern Lay. [Part Song.] See
Webbe (S.) the Younger.
WHY. Why, alas, do you now leave me.
[Song.] See Baptist, Signor.
Why are my Eyes still flowing? The
Happy Lover : or, Celia icon by Aminta's
Loyalty. A New Song, etc. ... to an
Excellent New Tune: or, Why are my
Eyes, &c. Printed for J. Blare : London,
[1680 ?] s. sh. fol. Case 40. m. 9. (96.)
The tune is represented by a meaningless
succession of notes, etc.
Why ask me, fairest, if I love ? Eondeau.
See Urbani (P.)
Why blushes so early the rose. The
Courtship. [Song.] ' Sung by Mrs.
Wrighten, at Vauxhall. Sk[illern :
i 7.o?idojt, 1780 ?] s.sh.M.
\ G. 313. (143.)
Why Cselia with that coy behaviour.
Song. Sec P., P.
Why Cselia this constant upbraiding.
[Song.] See Arne (T. A.) [3. Songs. B.]
Why Chloe with so grave a face. The
Sioain's Request. [Song.] L[o7ig-
man^ lAukey and} B[roderip : London,
1778 ?] s. sh. fol. G. 313. (236.)
Why, cruel creature. Song to Celia.
[Words] By. . .Lord Lansdowne.
[London, nil.-] 8°. 249. c. 17.
Gentle7nan's Magazine, Vol. XVII.,
p. 392.
Why Delia ever when I gaze. _ The
Despairing Lover. [Song, the music by
S. Howard.] [London, 1748 ?] s. sh. fol.
G. 305. (124.)
Why, Delia, ever when I gaze. The
Despairing Lover. A New Song. [By S.
Howard.] [London, 1748.] 8°.
157. L 10.
London Magazine, 1748, p. 276.
Why, Delia, ever when I gaze. Song.
See Howard (S.) [The Despairing Lover.]
Why did the God of love wound a
Commander. The Love- Sick Soldier, or.
The A^aliant Commander conquer'd by the
Powerful Charms of Fair Cynthia's
Matchless Beauty. . .[Ballad.] Tune of.
No, no poor suffering heart. Printed for
P. Brooksby : [London, 1693 ?] s. sh. fol.
Case 39. k. 6. (45.)
The music is represented by a ^neaning-
less collection of notes, etc.
Why do the Heathen vainly rage ! Hymn.
See Jacob (B.)
Why do you with disdain refuse. Song,
See Leveridge (R.)
684
WHY— WHYTHORNE
WHY. Why does my fairest Daphne fly.
Avollo and'Daiiline. [Song.] [London,
1725?] s.sh.iol. H. 1601. (501.)
This is not a song from Galliard's
' Apollo and Daphne.'
Why does my Looks my Thoughts betray.
rSong.] [London, 1150'^] s.sh.iol.
1. 530. (182*.)
Why does Willy shun his Dear. Song.
See Clarke (J.)
Why dos't muse & fold thy Arms. Claret
the best remedi/ against Love. [Song.]
lLondo7i, 1720 ?] s. sh. fol.
H. 1601. (510.)
Why dost thou fly me. A Song by an
Eininent Master. [London,
1730 ?] s. sh. fol. a. 303. (80.)
Why droops this heart with fancy'd woes
forlorn ? Delia. [Duet.] The Words by
Shenstone. J. F[entu^m : [London,
1780 ?] s. sh. fol. G. 313. (234.)
Why fair Maid in ev'ry feature. Crazy
Jane. A Favorite Song. The Words by
M. G. Lewis. [Music by J. Davy.]
Adapted with an Accompaniment for the
• Piano Forte or Harp. Printed
for J. Dale : London, [1799 ?] fol.
G. 356. (31.)
Why Harry, what ails you? Two Part
Song. See Smith (J. C.)
Why has not love reflection's Eyes ? Song.
See Fisher (W.)
Why heaves my fond Bosom. [Song,
music by S. Howard.] [London,
1770?] s.sh.iol. G. 316. (159.)
Why heaves my fond Bosom. [Song.]
See Howard (S.)
Why is Love so past defining. Glee.
See Hook (J.)
Why leaves my fair Phillis the joys of the
plain. Pastoral Song.
P. Syodnson : London, 1780 ?] s. sh. fol.
G. 313. (233.)
Why little Charmer of the Air. A neio
Song made on a Bird by Mr. John Mason.
[London, 1120 7] s.sh.iol.
H. 1601. (514.)
Why lovely Charmer, tell me why. A
Neiv Song. [London, 1740 ?] s. sh. fol.
G. 316. f. (103.)
Why my Julia why this Care. Rondo.
See Rauzzini (V.)
Why sliould a Heart so tender Break.
Advice to Myra. [Song.] Sung by J\Iiss
Falkner, at Mary Bone Gardens, set for
German Flutes and Violins. [London,
1760?] s.sh.iol. G. 316. (160.)
Why should Aurelia sleep secure. Song.
See PuRCELL (D.)
Why should I fear the darkest hour.
Hymn. Sec E., H.
WHY. Why should Love. Song.
See Morgan (G.)
Why should the gen'rous Youth restrain.
To Crassius on his Marriage with Stella.
[Song.] [London, 1740?] s. sh. fol.
G. 313. (237.)
Why should we of humble state. Rondo.
Sung by Mrs. Weichsel. [London,
1775 ?] s. sh. fol. G. 313. (174.)
[Another copy.] [London,
1775?] s.sh.iol. G. 313. (267.)
Why. stays my Love. Ballad.
See PiLBROW (T.)
Why tarries my Love? The Pigeon.
[Song.] ... By the Author of Auld Robin
• Gray [W. Leeves]. Printed for T. Straight:
London, [1790?] fol. G. 296. (16.)
Why will Clemene. Song.
See Weldon (J.)
Why will Florella when I gaze. Florella.
A Song by an Eminent Master. [London,
1725?] s.sh.iol. G. 313. (109.)
A different setting from those by Anglo-
sini, Tenoe, Gunn, G. Jacksoii and
Kilburn.
Why will my Cselia, charming Maid.
Song. [Lo7idon,1130?] s.sh.iol.
G. 313. (102.)
WHYTHORWE (Thomas) Cantus.
(Bassus.) Of Duos, or Songs for two
voices ... Of the which, some be playne
and easie to be sung, or played on Musicall
Instruments, & be made for yong beginners
of both those Sorts. And the rest ... for
those that be more perfect in singing or
playing ... all the which be deuided into
three parts. That is to say. The first. . .
are made for a man and a childe to sing,
or otherwise for voices or Instruments . . .
that be of the like compasse or distance in
sound. The second . . . are made for two
children to sing. Also they be aptly made
for two treble Cornets to ]}la.j or sound :
. . . And the third ... be of diuers com-
passes or distances, and therefore are to be
vsed with voices or Instruments of Musicke
accordingly, etc. 2 pts. Thomas Este, the
assigne of William Bi/rd : London, 1590. 4°.
K. 4. c. (3.)
On the verso of the last leaf of each part
is a portrait of the composer with the
inscription : ' Thomas IMiythorn anno
JEtatis Sum XL.'
[Triplex (]\Iedius) (Contra Tenor) (Bassus),
of Songs, for five voyces, composed and
made by Tho. Whythorne, gent, the w"'*'
songs be of sundry sorts, that is to say,
some long, some short, some hard, some
easie to be songe, and sonae betwene both :
also some solemne, and some pleasant or
mery : so that according to the skill of the
singers (not being Musitians) and disposi-
tion or delite of the hearers, they may
WIGHT— WIFE
685
here find Songes for their contentation
and liking.] 4 pts. [John Daye :
London, 1571.] obi. 4°. K. 4. c. 2.
Wanting fol. 2 of tJie Triplex part {ichich
has been supplied in MS.) and all the
title-pages. The Meditis and Contra-
tenor parts only contain tables of
contents.
WIGHT ( ) See Adele. Adele . . .
Comedie . . . melee de Vaudevilles . . .
avec des Airs notes [by — Wicht].
[1800.] 8°. 11738. n. 16. (1.)
See Maitee Adam. Maitre Adam, INIenui-
sier de Nevers, Comedie, etc. [With the
music of the concluding Vaudeville, by
— Wicht.] [1V96.J 8". 11738. 1. 7. (3.)
See Naufrage au Port. Le Naufrage au
Port, Comedie . . . mel6e de Vaudevilles
. . . avec la Musique [of a song and a
VaudeviUe by — Wicht}. [1794.] 8°.
11738. k. 39. (4.)
WICKLOW MOUNTAINS. The
Wicklow Mountains. Comic Opera.
See Shield (W.)
WIDEBUIlGr (Michael Johann
Friedrich) See Wiedeburg.
WIDERKEHR (Jacob Christian
Michael) Neuvieme Simphonie Con-
certante pour Clarinette, Flute et Basson,
avec Accompagnement de deux Violons,
Alto et Basse, deux Oboes ou Clarinettes
et deux Cors, etc. [Separate Parts.]
Chez M"'-'' Erard : Paris, [1800?] fol.
h. 2136. b.
Neuvieme Simphonie Coucertante pour
Flute, Oboe et Basson, avec Accompagne-
ment de deux Violons, Alto et Basse, deux
Oboes ou Clarinettes et deux Cors, etc.
[Separate Parts.] Chez M"'''> Erard :
Paris, [1800?] fol. h. 2136. a.
W I DM ANN (Erasmus) Geistliche
Psalmen.vnd Lieder, wie sie dess Jars
vber auflt' alle Fest, Sonn vnnd Feyertag
zu Weickersheim. . .gebraucht werden. . .
mit vier Stimmen compouirt, etc.
Valentin Fuhrmann : NUrnherg, 1604. 8°.
A. 187.
Piorum Suspiria. Andechtige Seufftzen
vnnd Gebeti vmb den lieben Frieden,
vnd abwendung aller Hauptplagen vnd
Straffen : Cxesangsweiss gestelt : Darbey
auch etliche,nach der newen Viadanischen
Art, gesetzte Moteten vnd Gesiingen . . .
Mit 3. vnd 4. Stimmen componirt, etc.
Cantus. (Tenor.) (Basis.) 3 pts.
GedrncJd vnd vcrlegt durch Simon Halb-
mayern : Niirnberg, 1629. 4°. D. 122.
WIDOW. A Widow bewitch'd in a dream
we find. Cupid in a Camphor Bag.
[Song.] Written by a Person of Dis-
tinction, etc. H. Thompson : London,
[1800?] fol. G-. 810. (69.)
WIDOW. A Widow betwitch'd with her
passion. [Song.] See Verkon (J.)
WIDOW OF DELPHI. [Overture.]
Three Celebrated English Overtures;
adapted for the Piano Forte. [No. 3.]
[1798.] See Periodical Publications. —
London. The Piano-Forte
Vol. V. No. 3.
]\Iagazine,
[1797-1802.] 8°.
D. 854.
But ah ! he was a Slave. A favourite New
Song, etc. [From T. H. Butler's ' Widow
of Delphi.'] See His. His form bv Nature's
Hand, etc. [1785 ?] s. sh. fol. '
H. 1601. b. (77.)
Fair was the Dame. [Song.] Sung by
]\rrs. Kennedy in the Widow of Delphi
[by T. H. Butler]. Printed for
W. Warrell : London, [1785 ?] fol.
G. 807. d. (82.)
His form by Nature's hand. A favourite
Song sung by Mrs. Kennedy in the Widow
of Delphi [bv T. H. Butler]. [London,
1785?] fol." G. 308. (149.)
Wives awake. The Serenade in the Widow
of Delphi [by T. H. Butler]. W. Warrell,
etc. : London, [1785 ?J fol.
G. 313. (179.)
The Widow of Delphi. [Musical Comedy.]
See Butler (T. H.)
WIDOW SANDERSON. The Widow
Sanderson. Duett. See Have. Have you
been to Abington, etc. [1790?] s. sh. fol.
G. 316. (78.)
WIEDEBEIN (Johann Mathias) Oden
und Lieder zum singen beym Clavier.
Erster Vorsuch. Im Verlage des Autors :
Braunschweig, [1779.] obi. fol.
P. 427. (1.)
WIEDEBURG (Michael Johann Fried-
rich) Der sich selbst informirende Cla-
vierspieler, oder deutlicher und leichter
Unterricht zur Selbstinformation im Cla-
vierspielen, etc. B Th. hn Verlag der
Buchhandlung des Waiscnhauses : Halle
und Leipzig, 1765 (1767) (1775). 4°.
7896. cc. 15.
[Another copy. 2 Th.] 7897. e. 7.
Vermehrter practischer Beytrag zum Sich
selbst informirenden Clavier-Spieler, oder
...leichte und. . .schwerere Praludia fiir
Orgel und Clavier, etc. Im Waisenhause :
Halle, 1778. obi. 4°. b. 120.
WIESE (Christian Ludwig Gustav von)
Baron. See W., Le B. de.
WIFE. The Wife's Farewell. Ballad.
See Of Age To-Moeeow.
WIFE FOR ANY MAN. De'el take
the Warr. A Song . . . the words by
Mr. Durffey. [Music bv C. Powell.]
[London, 1110 I'i s. shAol.
H. 1601. (128.)
686
WIFE— WILKINS
"WIFE FOR ANY MAN. De'el take
the Warr. A Song in a Wife for any
Man, etc. [London, 1720?] s. sh. fol.
G. 316. d. (102.)
[Another edition.] Do'il take the War.
A Song in.. .A Wife for any Man, etc.
[London, 1740 ?] s. sh. fol.
H. 1994. b. (18.)
WIG. The Wig Gallery. [Song.]
See DiBDiN (C.) [4 Tour to the Land's
End.]
WIGS. Wigs, or the Inundation. [Song.]
See DiBDiN (C.) [The Wags.]
WILBYE (John) Flora gave me fairest
Flowers. See infra : [First Set of Mad-
rigals.]
The First Set of English ]\Iadrigals to 3.
3. 4. 5. and 6. voices, etc. Cantus. (Altus.)
(Tenor.) (Bassus.) (Quintus.) (Sextus.)
6 pts. Thomas Este : London, 1598. 4".
K. 3. k. 17.
[Another copy. Altus.] 55. b. 20. (6.)
Flora gave me fairest Flowers. ]\Iad-
rigal, etc. Printed for
S. Babb : [Lo7idon, 1780 ?] fol.
G. 307. (215.)
The Second Set of Madrigales to 3. 4.
5. and 6. i^arts, apt both for Voyals and
Voyces. Cautus. (Altus.) (Tenor.) (Bassus.)
(Quintus.) (Sextus.) 6 pts. Tho.
Este alias Snodham, for John Broione :
London, 1609. 4°. K. 3. k. 18.
[Another copy. Altus.] 55. b. 20. (16.)
Madrigals for Three Voices . . . Revised,
Corrected and put into Score by T.
Warren.
Longman and Broderip, for the Editor:
London, [1190?] fol. H. 1797. (10.)
WILFFLINGSEDER (Ambrosius)
Erotemata IMusices Practicss, continentia
prfficipuas eius artis prseceptiones . . .
coUecta ab Ambrosio Wilphlingsdero, etc.
MS. NOTES. Christophorus Heussler :
Noribergse, 1503. 8°. 1042. e. 3.
Musica Teutsch.der Jugentzu gut gestelt,
etc. [D. Gerlach : Nilrnbcrg,] 1569. 8°.
A. 68.
Lnperfcct, ivanting the last leaf.
Musica Teutsch, der Jugent zu gut gestelt,
etc. [With additions in contemporary
MS., and an unfinished English transla-
tion in the autograph of R. L. Pearsall.]
Gedruckt durch DietcricJi Gerlatzcn :
Niirnberg, 1572. 8°. K. 7. h. 1.
Interleaved.
WILFORD (John) If we the Mace-
donian's mighty mind. A Song, th.e\Novds
Written under his Majesties Picture
presented to the Corporation of INIaidstone
. . .exactly engrav'd by Tho: Cross.
[London, 1700 ?] s. sh. fol.
K. 7. i. 2. (81.)
WILFORD (John) [The Libertine.] In
vain I hope to find relief. A Song, the
W^ords by a Lady, Set and Sung by Mr.
John Wilford, in the Libertine ; and
exactly engrav'd by Tho: Cross. [London,
1700 ?] s. sh. fol. K. 7. i. 2. (77.)
Sweet Nightingales which charm this
Grove. A Song done out of French. . .
exactly engrav'd by T. Cross. [London,
1700 ?] s. sh. fol. K. 7. i. 2. (78.)
Tell me dear charmer. A Song, the
Words by Mrs. Mary Child... Sung by
Mr. Gouge at the new Theatre, and exactly
engrav'd by Tho: Cross. [London,
1700 ?] s. sh. fol. K. 7. i. 2. (79.)
Tell me, ye happy Pow'rs above. A Smig
. . .exactly engrav'd by Tho: Cross.
[London, 1700?] fol. K. 7. i. 2. (80.)
Wou'd fate to me Bellinda give. A Song,
etc. [London, 11101] s. sh.iol.
H. 1601. (490.)
[Another edition.] Wou'd Fate to me
Bellinda give, etc. [London,
1710 ?] s. sh. fol. G. 313. (82.)
[Another edition.] Wou'd fate to me
Bellinda give. A Song, etc.
Cluer : [London, 1115'?] s. sh. io\.
G. 316. g. (75.)
WILGLIARDUS (Adeianus)
See WiLLAERT.
WILKES. Wilkes's Release. [Song.] _
See Come. Come each true British
Heart, etc. [1770 ?] s. sh. fol.
G. 316. (34.)
WILKINS ( ) Jockey was a dawdy
Lad. A Scotch Song, etc. [Words by
T. Durfey.] [Lo«do?^ 1710?] s. sh. iol.
H. 1601. (233.)
Tliis song is also attributed to J.
Clarke.
[Another edition.] Jockey was a dawdy
Lad, etc. ['London, 1710 ?] s. sh. fol.
G. 309. (53.)
WILKINS (Elizabeth) A Collection of
Church Musick. In Two, Three, and
Four parts by the best Masters, with a
short Introduction to the Scale of Musick.
Printed for c£- Sold by
E. Wilhins of Great Milton, Oxfordshire :
[London 2 11^5.] obi. i\ A. 904.
WILKINS (John) Three Ballads with an
Accompaniment for the Piano Forte, etc.
Printed for the Author : London,
[1800?] fol. G. 358. (12.)
In yonder Wilds. An Elegiac Canzonett.
Longman and Broderip :
London, [1195'?] fol. H. 2821. (15.)
The Sigh, a favorite Song, with an Accom-
paniment for the Piano Forte, the Poetry
...by S. T. Coleridge, etc.
J. Longman, Clementi & Co. :
London, [1799 ?] fol. G. 365. (57.)
WILKINS— WILLAERT
687
"WILKINS (Matthew) A Book of
Psalmody, Containing some easy instruc-
tions for young beginners ; to w'^'' is added
a select number of Psalm-tunes, Hymns
& Anthems, in 2. 3. & 4. parts. Collected,
printed, taught & sold by "SI. Wilkins, etc.
Engraved bij Tho. Cross: f London?
1725 ?] obi. i". A. 992. a.
A Book of Psalmody. Containing a
choice Collection of Psalm-Tunes, Hymns
and Anthems, in Two, Three and Four
parts, by the best Masters. . .with a Short
Introduction to the Scale of Musick.
Collected, printed, taught and sold by
M. Wilkins, etc. {London ? 1730 ?] obi. 4».
A. 992.
Engraved throughout.
WILL. Will of Aberdeen. [Song.]
See While. While others sing in chear-
ful lays, etc. [1775 ?] fol.
H. 1994. b. (102.)
Will you buy any tape. The Pedlar, a
Glee for 3 Voices. The first Stanza of the
words from ' The Winter's Tale.' [By
E. S. Biggs.] Printed for E. Birchall :
London, [1800 ?] fol. G. 805. k. (42.)
Will you come to the Bow'r. Song.
See M., T.
Will you go to the Fair. Catch.
See Atterbury (L.)
Will you hear how once repining. Song.
Sec Camidge (]M.)
"WILL OF THE WISP. Will of the
Wisp. Entertainment. See Dibdin (C.)
WILLAERT (Adbiax) Canzon Villan-
esche alia Napolitana di Messer Adriano
[Willaert] a Quatro Voci Con la Canzon
di Ruzante, etc. Altus. (Tenor.) (Bassus.)
3 pts. Ai^presso di Antonio Gardane :
Venetia, 1553. obi. i".
53. a. 32. 33. (8.) & A. 569. b.
The composers named are : Adriano [Wil-
lacrf], F. Silvestrino and Pierresson
[Cambio].
Fantasie Recercari et Contrapunti a Tre
Voci, Di Adriano & de altri Autori, appro-
priati per Cantare & Souare d' ogni sorte
di Stromeuti, Con due Regina cell, 1' uno
di Adriano & 1' altro di Cipriano [de Rore],
Sopra vno medesimo Canto Fermo. Noua-
mente. . .Ristampate. Canto. (Basso.)
2 pts. Appresso Angela Gardano :
Venetia, 1593. obi. 4°. A. 569. c.
The composers named are : Adriano,
Cipriano, Antonino Barges and Giro-
lamo da Bologna.
Musica Nona di Adriano Willaert all'
Illustrissimo et Excellentissimo Signor il
Signor Donno Alfonso d'Este, Prencipe di
Ferrara. [With a dedication by F. Viola.]
Cantus. (Altus.) (Tenor.) (Bassus.)
(Quintus.) (SextaPars.) (SeptimaPars.)
7 pts. [Appresso di Antonio Gardano :
Venetia, 1559.) 4". K. 3. m. 14.
The verso of the title-page contains a
portrait of Willaert.
Famosissimi Adriani Willaert . . . Musica
Quatuor Vocum, (qune uulgo Motecta
nuucupatur) Nouiter omni studio, ac
diligentia in lucem edita. Liber Primus.
Quatuor Vocum, etc. (Cantus.) (Del
Primo Libro dei j\Iotetti a Quattro Voci
. . .Nouamente posti in luce. A Quattro
Voci. (A(ltus).) (T(enor).) (B(assus).)
4 pts. [Girola^no Scotto,
Venice,] 1539. obi. 4°. K. I. e. 18.
Adriani Willaert. . .Musica Quatuor Vocum
(IMotecta uulgo appellant) Nunc denuo . . .
recognita ac in lucem exeuntia. Additis
etiam ab authore multis motectis que in
priori editione desiderabantur. Liber
primus. Superius (Altus). (Famosissimi
Adriani Willaert. . .]\Iusica Quatuor Vocum
(quEe uulgo Motecta nuncupatur) Nouiter
...in lucem edita... Tenor) (Bassus). 4 pts.
Ap)2id Antonijwi Gardane :
Venetijs, 1545. obi. 4°. A. 55.
The title-page of the Bassus part is
similar to that of the Tenor.
Adriani Willaert. . .Musica Quatuor Vocum
(Motecta uulgo appellant). Nunc denuo
summa diligentia recognita ac in lucem
exeuntia. Additis etiam ab authore
multis motectis que in priori editione
desiderabantur. Liber Secundus. Su-
perius. (Altus.) (Tenor.) (Bassus.) 4. pts.
Apud Antonium Gardane :
Venetijs, 1545. obi. 4°. A. 569,
Famosissimi Adriani W'illaert. . .Musica
quinque Vocum (quae Vulgo Motecta
nuncupautur). Nouiter ... in lucem sedita.
Liber Primus. Cantus. (Altus.) (Tenor.)
(Bassus.) (Quintus.) 5 pts.
Apud Hieronxjmxim Scotum :
Ve7ietiis, 1550. obi. 4°. A. 55. a.
I Sacri e Santi Salmi che si cantano a
Vespro et Compieta. Con li suoi Himni
Responsorij et Benidicamus. Composti
. . .a uno Choro & a quatro uoci. Noua-
mente . . . stampati & corretti. Con la
gionta di dui Magnificat. A Quatro Voci.
Bassus. Apresso di
Antonio Gardano : Venetia, 1555. obi. 4°.
A. 569. a.
See BuoNAUGURio (G.) Fantesie. . .con
la Giunta di alcuni. . .Recerchari et Mad-
rigal! a tre Voce, composti da lo eccel-
lentiss. Adriano Vuigliart, etc.
1549. obi. 4°. K. 3. b. 4.
See Motets. [4.] Motetta Trium Vocum
ab Pluribus Authoribus composita quorum
nomina sunt. . . Adrianus W^ilgliardus, etc.
1543. obi. 4:". K. 3. d. 7.
688
WILLAERT— WILLIAilS
WILIiAERT (Adrian) See Rore (C. di) !
Di Cipriano il Secondo Libro de Madre-
gali a Cinque Voci insieme alcuni di
M.Adriano [Willaert],efc. 1544. o6Z. 4°.
A. 70. b.
Sec EoRE (C. de) Di Cipriano de Bore il
Secondo Libro de Madrigali a Cinque
Voci insieme alcuni di ]\I. Adriano...
Nouamente Ristampato, etc. 1551. ohl. 4°.
A. 70. r.
See Rore (C. de) Di Cipriano de Rore
II Secondo Libro di Madrigali a Cinque
Voci insieme alcuni di M. Adriano...
Nouamente Ristampato, etc. 1563. nhl. 4°.
A. 70. g.
See Verdelot (P.) Intauolatura de li
Madrigali di Verdelotto da Cantare et
Sonare nel Lauto, intauolati per . . . Adri-
ano Vuillaert, etc. 1540. ohl. 4°.
K. 8. b. 4.
■WILLIAM. William. [Song.]
See Arnold (S.)
William. Ballad. See Haydn (F. J.)
[2. Vocal Works. 6.]
William and Ann. Ballad.
See, Brooks (J.)
William and Margaret. Ballad.
See When. When all was wrapt in dark
]Mid-night, etc. [1723 ?] s. sli. fol.
1876. f. 1. (107.)
William and Mary. Ballad. See Hour.
The Hour of Embarkation's near, etc.
[1800?] fol. G. 356. (36.)
William and Mary. Rondos [begin : ' Ah
Mary why that look ']. See Lee (P.)
William and Nancy. Ballad.
See Abeams (H.)
William far away. [Song.] See My.
My William I have lost. [1780 ?] s. sh. fol.
H. 1601. b. (98.)
WiUiam of AUerton Green. Ballad.
See DiGNUM (C.)
William's Farewell. [Song.]
Set Guest (G.)
William's Return. Song.
See Ambrose (J.)
WILLIAM AND WANCY. William
and Nancy. Pastoral. See Hook (J.)
WILLIAM AND NANNY. The
Ladies of rank are so frisky and fine.
Tlie favorite Irish Song sung by Mr.
Moody in the Farce of William and
Nanny. [Words by R. J. Goodenough.]
J. F\_entu'\m : [London, 1780.] s. sJi. fol.
G. 312. (157.)
[Another copy.] I. 530. (183.)
WILLIAM [Gonzaga], Diike of Mantua.
See Madrigals. Madrigali a cinque
Voci, etc. [By Guglielmo Gonzaga, Duke
of Mantua.] 1583. obi. 4". K. 3. g. 8.
WILLIAMS (Aaron) Comfort ye my
people. A Neiu Christmas Anthem. For
1, 2, 3 & 4 Voices. With an Instrumental
Bass for a Bassoon or Violoncello & a
Thoro' Bass for the Organ, &c.
Longman, Lukey d Co. :
London, [1775 ?] fol. H. 2815. i. (9.)
Psalmody in Miniature. In III Books.
Containing the Tenor and Bass of aU the
Tunes generally used in Churches,
Chaples, or Dissenting Congregations . . .
A New Edition : corrected and figured for
the Organ, by an eminent Master.
(Supplement to Psalmody in Miniature,
etc.) 4 Bks. The Editor :
London, 1778. obi. 32°. A. 622. a.
Royal Harmony : or the Beauties of
Church Music. Containing Thirty Favoiir-
ite Anthems. . .by the greatest Masters viz.
Dr. Blow, H. Purcel, Dr. Croft, Dr. Green,
J. Weldon, J. C[l]ark, G. F. Handel, J.
Green &c. many of which were never
before Published .. .The whole. . .set. . .
for two, three, and four Voices... by A.
WiUiams. Printed for J. Johnson :
London, [1765 ?] ohl. fol. E. 1492.
This collection also contains compositions
by Coates, A. Williams, Wanlcy and
Richardson.
The Universal Psalmodist. Containing,
I. A Compleat Introduction to Psalmody
...II. A Collection of Psalm and Hymn
Tunes. . .The Third Edition, corrected.
Printed for Joseph Johnson :
London, 1765. obi. 4°. A. 622.
The Universal Psalmodist . . . Originally
Published under the Name of A. Williams
...And now in this Fourth Edition,
corrected. . .by an Able Master, with the
Addition of many Tunes, etc.
H. Fougt, for J. cC F. Bivington, etc. :
London, (1770.) obi. 4°. A. 622. b.
Williams's New Universal Psalmodist. . .
The Fifth Edition, with the addition of
two Anthems, etc. Printed
for the Author : London, (1770.) obi. 4°.
A. 622. d.
Williams's New Universal Psalmodist...
The Sixth Edition, with Additions.
Longman, Lukey and Broderip :
London, [1775 ?] obi. 4°. A. 622. e.
See American Harmony. The American
Harmony... In Two Volumes, etc. (The
American Harmony. . .Containing a Choice
. . . Collections of Psalm and Hymn-Tunes
...by A. WiUiams, c^c.) 1771. ohl. ^°.
A. 479. a.
See Williams (T.) Harmonia Coelestis
. . .a Collection of. . .Anthems . . . by . . .
Eminent Masters. Also Six New Anthems
. . .by the late Mr. A. Williams, etc.
1780. fol. G. 970.
WILLIAMS— WILLIAMSON
689
WILLIAMS (C.) Innocence. A favorite
Song. . .The Words by Mr. Concannen.
Printed for Culliford, Eolfe d; Barroio :
London, [1797?] fol. G-. 365. (59.)
WILLIAMS (Evan) See Pahry (J.) of
Bnahon and Williams (E.) Antient
British IMusic, etc. 1742. fol. h. 146.
WILLIAMS (George Ebenezer) Crazy
Jane. A Favorite Song, the words by
G. M. Lewis. Set to Music with an
Accompaniment for the Harp, or Piano
Forte. T. d W. M. Cahusac : London,
[1800 ?] fol. H. 2815. p. (15.)
WILLIAMS (Thomas) Harmonia Coeles-
tis. . .a Collection of. . .Anthems. . .for 2,
3, 4 & 5 Voices, by Purcell, Blow, Croft,
Weldon, Clark, Aldrich, Wise & other
Eminent IMasters. Also Six New Anthems
...by the late Mr, A. Williams. The
whole correctly figured for the Organ and
adapted for other Instruments. [Edited
by T. Williams.] T. Williams :
London, 1780. fol. G. 970.
Instructions in Miniature for learning
Psalmody . . . Interspersed with proper
Lessons and Examples. To which are
added, a concise Musical Dictionary; anew
Tune...& an original Canon. Tlic Author :
Londo7i, 1778. obi. 32". 785. a. 87.
Psalmodia Evangelica. A Collection of
Psalm & Hymn-Tunes, in Three Parts. . .
correctly figured for the Organ. To which
are prefixed a complete Introduction & an
Historical Essay on Church IMusic. 2 vols.
Printed for S. A. d P. Thompson :
London, 1789. obi. 4°. A. 811. a.
WILLIAMS (William) Haste, haste ye
Britains. A Verse out of a Musical Enter-
tainment on the conclusion of the Peace. . .
Sung by M"" Lee and exactly engrav'd by
T. Cross. [London, 1697.] s. sh. fol.
G. 315. (128.)
A Sonata for a Single Flute. . .engrav'd
by Tho. Cross. [London, 1700 ?] fol.
Add. MS. 31,466. fol. 82, 83.
WILLIAMSON (T. G.) Twelve Original
Hindostanee Airs, Compiled & Harmon-
ized by T. G. Williamson. Opera 4.
W. Napier, for the Author :
London, [1797 ?] fol. g. 138. (5.)
Thirty Little Airs, for Two Flutes or
Violins, with a Violoncello, ad libitum,
...Op. 7. [Separate Parts.]
W. Napier, for the Author :
London, [1798 ?] fol. g. 222. (7.)
Twenty Five national airs for the Piano-
Forte ; Being a Collection of Original
Melodies in the Scotch, Welch, Irish, &
English Stiles ; & well adapted to the
Violin, with a Violoncello' Accompaniment
of the Bass part. 1" (2'"') Part of Opera
3'*. 2 pts. T. G. Williamson :
Loyulon, [1797 ?] fol. g. 138. (4.)
VOL. II.
WILLIAMSON" (T. G.) The Bachelor's
Advertisement. A New Ballad written by
jMiss S. Wilkinson, etc. The Author :
ioHfZon, [1800?] fol. H. 2826. c. (39.)
The Bird's Nest. [Song.] W.Napier, for
the Author : London, [1797 ?] fol.
G. 365. (64.)
Entomb'd within yon grassy IMouud. A
Favorite New Ballad, written & composed
by T. Williamson. The Author :
London, [1800 ?] fol. G. 365. (66.)
The Gipsey. [Song.] Written by Miss S.
Wilkinson. T. Williamson : London,
[1800?] fol. H. 2826. e. (38.)
Ten Easy Lessons for the Piano Forte. . .
Op. 8'-'. Branston <& Lambert, for the
Author : London, [1798 ?] fol.
g. 132. (16.)
Ten Easy Lessons for the Piano Forte . . .
Opera 9"'. Branston & Lambert, for the
Autlior: London, 11798?] fol.
g. 132. (17.)
The Loss of Innocence. [Song.]
W. Napier, for the Autlior : London,
[1797 ?] fol. G. 365. (61.)
Lubin's Return, a new Pastoral Ballad,
intended as a Sequel to Haydn's Can-
zonett, " My Mother bids me bind my
Hair," written & composed by T. G.
Williamson. W. Napier,
for the Author : London, [1797 ?] fol.
G. 365. (58.)
Twenty Small Pieces for the Piano-Forte
Flute or Violin, consisting of Waltzes,
Quick Steps, Cotillons, Dances, &c. &c —
Opera 5. W. Napier,
for the AutJwr : London, [1797 ?] fol.
g. 229. (20.)
Pretty Nell. [Song.] W. Napier, for the
Atithor : London, [1797 ?] fol.
G. 365. (65.)
Ramanee. [Song.] Translated from the
Poems of Yuqueen, a Celebrated Hindo-
stanee Author. TF. Napier, for the
Authm : London, [1797 ?] fol.
G. 365. (62.)
Since in the Mirror of my Eyes. [Song.]
Translated from the Poems of Sonda a
Celebrated Hindostanee Author.
W. Napier, for the Author : London,
[1797 ?] fol. G. 365. (63.)
Six Favorite Sonatinas for the Piano-
Forte. . .Op. 1. W. Napier, for the Author :
London, [1797.] fol. g. 132. (15.)
Six Grand Troops with Six Quick Steps,
& Six Marches, for the Piano Forte . . .
Op 6 TF. Napier, for the Author :
London, [1798 ?] fol. g. 137. (27.)
The Wooden Leg, a favorite New Ballad,
written & composed by T. G. Williamson.
The Author : London, [1799 ?] fol.
G. 365. (60.)
2 Y •
690
WILLING— WILMORE CASTLE
WILLING. The Willing Maid. [Song.]
See Defesch (W.)
WILLIS ( ) Two Catches for Three
Voices, Set by Mr. Willis, also a Song
[' Fear no danger,' from ' Dido and
^neas '] in y" Play call'd " Measure for
]\Ieasure," Set by Mr. Henry Purcell.
[London, 1700.] fol. G. 304. (54.)
Now my freedom's regain'd. A Song, etc.
[London, 1705 ?] s. sh. fol.
G-. 304. (108.)
WILLMAN (John) lerne, long for vertue
fam'd. A Neto Volunteer Song. [Words]
By Walter Burke, etc. Joshua Stokes :
Dublin, [1780 ?] s. sh. fol.
H. 1601. a. (107.)
KiUmain Volunteers. [Song, words] By
Mr. jSI. Sennett, etc. Joshua
Stokes : [Dublin, 1780 ?] fol.
H. 1601. a. (109.)
WILLOUGHBY (Robert) Sacred Har-
mony, in Parts, consisting of . . . Anthems,
and . . . Church Services, selected from the
Works of Doctors Boyce, Croft, & Green,
Messrs. Blake, Bond, Clark, Kent, King,
Purcel, Travers &c. The whole . . .
arranged ... by R. Willoughby. 5 pts.
Printed for the Editor : London,
[1795 ?] obi. 4°. A. 1095.
This collection also contains compositions
by Carter, Broadrip, Mason, Loozmoor,
Aldrich, Bennett, Willoughby, Weldon,
Creyghtcm, W. Knap, Handel, J.
Arnold, Weedon, Waimvright, Hum-
pheys, T. Purcell, Barroiu and Bird.
Social Harmony, being a choice Collection
of Catches, Glees, Songs, &c. for two,
three & four Voices by Eminent Com-
posers . . . Selected by R. Willoughby, etc.
2 vols. Printed for the Editor : [London,
1800 ?] obi. 4:\ B. 424. a.
The composers named arc : J. Danby,
Giardini, Rogers, Cra^iford, J. Eccles,
Harrington, J. Baylcy, Marcella, H.
Purcel, B. Cooke, J. Travers, Lord
Mornington, S. Paxton, P. Hayes, S.
Webbe, J. Baildon, M. Locke, Wcelks,
T. Morley, J. Dine, T. Linley, Dr.
Alcock, Aldrich, Byrde, Battishill, Dr.
Arne, Stevens, Waimvright, J. S.
Smith, Carter, D)'. Calcott, Atterbtcry,
Gibbons and James Green.
WILLOW. Willow, willow, willow.
Ballad [begins : ' A poore Soule sat sigh-
ing ']. See GiORDANi (G.) or (T.)
[Another setting.] Willow. Glee.
See Poor. A poor Soul sat sighing, etc.
[1800?] fol. G. 805. k. (19.)
The Willow. Song [begins : ' When the
Shepherd asks my hand '].
See DussEK (J. L.) [The Captive of Spil-
hurg."]
WILLOW. The Willow. Ballad [begins :
' To the Brook and the Willow '].
See Stevekson {Sir J. A.)
WILLSIM (G.) Recueil de 24. Contre-
dances Angloise les plus usit6, enrichie
d'une Choregraphie des figures en Tallies
douces . . . avec les Explication en francj'ois
marqu6z au desous des figures et leur Airs
nottis en Musique . . . GEuvre Premier.
[Amsterdam ?] 1755. obi. 4°. K. 8. i. 3.
Engraved throughout.
WILLSON (Joseph) From the fall of the
Dew. A Favorite Hunting Song sung
by Mrs. Ilifi at the AppoUo Gardens.
Eiley and Willis : London, [1800 ?] fol.
G. 360. (46.)
Hark the Clarion sounds afar. [Song.]
Sung by Mrs. Iliff . . . and by Mrs. Leaver,
at the Spa Gardens, Bermondsey, etc.
W. Cove : London, [1796 ?] fol.
G. 367. (32.)
Harry of the Green. A Favorite Song.
Song sung by Mrs. Iliff, at the Apollo
Gardens . . . The Words by Mr. Powell.
H. Hotv : London, [1800 ?] fol.
G. 360. (45.)
Lie still my little Heart. A Favorite
New Song. Riley and Willis : London,
[1800?] fol. G. 365. (67.)
O yes. Sir, if you please. A Favorite Song
sung by Mrs. Leaver . . . The Words by
Mr. Upton. A. Bland & Welter : London,
[1796?] fol. G. 367. (34.)
A Favorite Sonata for the Piano Forte or
Harpsichord. Composed in a Familiar
Style, etc. W. Cope : Lcmdon, [1798 ?] fol.
g. 132. (18.)
'Tis Pity to die an Old Maid. A Favorite
Song sung. . .by Mrs. Herbert, at the Spa-
Gardens Bermondsey. . .Written by Mr.
Upton. W. Cope : London, [1796 ?] fol.
G. 367. (33.)
See Sanderson (J.) A Favorite Air, . . .
with Variations by J. Willson, etc.
[1796?] fol. g. 139. (53.)
WILLY. WiUy. [Song.] See Long.
Long, long I despair'd. [1760 ?] s. sh. fol.
G. 316. e. (59.)
Willy. [Song.] See When. When fra-
grant bloom of yellow broom, etc.
[1780?] s.sh.iol. G. 313. (183.)
Willy far away. Song. See Hook (J.)
Willy's rare and Willy's fair. [Song.]
See With. With tunefuU Pipe, etc.
[Music by J. Hook.] [1780?] fol.
G. 313. (255.)
Willy's the Lad for me. [Song.]
See Since. Since Jenny thinks mean her
heart's Love to denv. [1750 ?] s. sh. fol.
G. 316. e. (33.)
WILMORE CASTLE. Wilmore Castle.
Comic Opera. See Hook (J.)
WILPHLIXGSEDERUS— WINDLING
691
WILPHLIWaSEDERUS (Ambrosius)
See WiLFFLINGSEDER.
WILSON ( ) Singer. My Spirits are
mounting, a Favorite convivial Song, etc.
[Words by C. Morris.] Printed for G.
Goulding : London, \1Q00'>'] fol.
H. 2831. j. (49.)
The Stolen Kiss, a favorite Song, etc.
Longman, dementi & Co., for the Author :
LoMfZon, [1800 ?] fol. G-. 805. k. (43.)
See Feast of Apollo. The Feast of
Apollo, containing. . .Songs bv. . .Wilson,
etc. [1788.] fol. G. 351. (2.)
WILSON (John) Mus. Doc. Cheerfull
Ayres or Ballads. First composed for one
single Voice and since set for three
Voices. (CheerefuU Ayres . . . for three
voyces. Cantus Secundus (Bassus).)
3 pts. W. Hall, for Ric. Davis :
Oxford, 1660. obi. 4°. K. 2. a. 2.
Tlie composers named are : J, Wilson,
B. Johnson and N. Lanneir.
The Pedlar. Glee a 3 Voci. [London,
1790 ?] s. sh. fol. G. 805. g. (63.)
Psalterium Carolinum. The Devotions
of His Sacred Majestie in his Solitudes
and Sufferings, rendred in Verse [from the
E'lKwv BaffiKiKTj by T. Stanley]. Set to
Musick for 3 Voices and an Organ, or
Theorbo, etc. 4 pts. Printed
for John Martin and James Allcstrcy :
London, 1657. fol. E. Pam. 1076.
See Gretry (A. E. M.) Richard Cceur de
Lion . . . Composed by . . . Gretry . . . Dr.
Wilson, etc. [1786 ?] obi. fol.
E. 108. e. (4.)
See Playford (J.) Select Ayres and
Dialogues. . .Composed by J. Wilson...
and other . . . Masters of Musick. 1659. fol.
G. 82. (1.)
See Playford (J.) Select Musicall Ayres
and Dialogues. . .by J. Wilson, etc.
1652. fol. F. 51.
See Playford (J.) Select Musicall Ayres
and Dialogues ... by ... Dr. John Wilson,
etc. 1653. fol. F. 51. a.
WILSON (John) of Liverpool. The Her-
mit. [Song, words] By Dr. Beattie.
Printed for G. Goulding :
London, [1790 ?] fol. G. 805. c. (56.)
WLLSON (William) Twelve Original
Scotch Songs for the Voice and Harpsi-
chord with an Accompaniment for the
Violin or Flute. . .Op. in.
Longman and Broderip, for the Author :
London, [1785 ?] fol. G. 326.
WILT. Wilt thou be my dearie ? Song.
See Tyrrell (R.)
[Another setting.] Wilt thou be my
Dearie. [Duet.] See, Urbani (P.)
WILTON (Charles Henry) Dear is my
little native Vale, [Song,] (from an Ode
to Superstition [by S. Rogers]), as Sung
by I\Iiss Harwood, etc. FFull Score.]
J. B. Pye : Liverpool, [1790 ?] fol.
G. 377. (63.)
The Death of Edwin and Emma, a favorite
Song, sung by Miss Harwood, etc. [Full
Score.] J. B. Pye :
Liverpool, [1790?] fol. G. 377. (64.)
Six Duetts for a Violin, and Tenor. . .
Opera Prima. [Separate Parts.]
Printed for J. Blundell :
London, [1780 ?] fol. g. 421. t. (14.)
Six Duetts for two Violins . . . Op. 2".
[Separate Parts.] Printed for the Author :
London, [1794.] fol. g. 421. g. (3.)
Three Duetts, with Scots Airs for Two
Violins. . .Op. 0. [Separate Parts.]
Printed for J. Buchinger :
London, [1795.] fol. g. 421. g. (4.)
The Musical Chace, a favorite Hunting
Song, as sung by ]Mr. Meredith, etc. [FuU
Score.] J. B. Pye :
Liverpool, [1790?] fol. G. 377. (62.)
The Serenade. [Song.] T. Skillern :
London, [1795.] fol. G. 796. (38.)
A Set of Eighteen Lessons for the Piano
Forte or Harpsichord. . .Op* v.
Priyited for J. B. Pye :
Liverpool, [1795 ?] fol. g. 149. (6.)
Six Solos for the Violin, with a Thorough
Bass for the Harpsichord . . . Opera in.
J. B. Pye : Liverpool, [1794 ?] fol.
g. 221. (3.)
Yes Henry, yes, with thee I'll go. Answer
to "Oh Nanny wilt thou gang with me " ;
[Song,] as sung by Miss Harwood, etc.
[Full Score.] J. B. Pye :
Liverpool, [1790?] fol. G. 377. (61.)
WINCHESTER. The
Wedding. Song. See At.
Chester there was a Wedding.
[1710?] s.sh. fol. H. 1601
Winchester
At Win-
(19.)
WIND. The Wind blew fresh and fair.
Ballad. See Reeve (W.) [Harlecpuin' s
Beturn.]
Winde, gentle evergreens. A Catch for
Three Voices. Epitaph on Sophocles.
[By W. Hayes.] R. Falkener : London,
[1775?] fol. H. 1994. a. (135*.)
The Wind in our favor does blow. Song.
See B., J. H.
The Wind in wild tornadoes roar'd. Negro
Song. See Moorehead (J.)
WINDLING (C.)
See Wendling (J. B.)
WINDLING (JoHANN Baptist)
See Wendling.
2 Y 2
692
WINDS— WINTER
WINDS. The Winds arise, the torrent
falls. Tlie Poor Wiite Man, a Celebrated
African Song, from Park's Travels, versified
by a Lady. The Music... by a Lady of
Fashion, adapted for one or two Voices
with an Accompaniment for the Harp or
Piano Forte. Preston, for the Proprietor :
London, [1800?] fol. G. 800. m. (64.)
The Winds were loud. [Glee.]
See Callcott (J. W.)
WINE. Wine. [Song.] See When._ When
fumes of Wine ascend into my brain.
[1780 ?] s. sli. fol. G. 313. (190.)
Wine a Relief in Love. [Song.]
See HussEY (M.)
Wine and Kisses. See Hook (J.)
Wine does wonders. The Buck's Medley
Cantata. By a Brother of Assyria.
Smilern: London? 1780?] fol.
H. 2832. 1. (22.)
Wine does wonders. [Duet.]
See EccLES (J.) [The Morose Reformer.']
Wine from Thought drives all Despair.
The Jovial Bacchanals. A Two Part Song.
[London, 1750 ?] s. sh. fol.
^ H. 1994. a. (20.)
Wine more powerful! than Love. Song.
See To. To thee my little blooming Fair.
[1715 ?] s. sh. fol. G. 316. g. (68.)
Wine's a Mistress gay and easy. [Song.]
See Love and Wine.
Wine, wine is alone the brisk Fountain.
The Bacchanalians. [Song.] Sung by
Mr. W. Howard, etc. [London,
■ 1754.] s. sh. 8°. P.P. 5439. ab.
Neio Universal Magazine, Nov., 1754.
Wine, Wine is the Cordial. [Song.]
See Hook (J.)
Wine, wine we allow. Woman for Man.
[Song.] Addressed to the Batchelors.
[London, 1765.] 8°. P.P. 5441.
Boyal Magazine, Vol. XII., p. 101.
WINEFRIDA. Winefrida. [Song.]
See GiORDANi (G.) or (T.)
WINSAN. Winsan Willy. Ballad.
See Geary (T. A.)
WINTER. Winter. [Song.] See Adieu.
Adieu ye Groves, c^c. [1760?] s.sh.iol.
G. 306. (83.)
Winter. Cantata [begins : ' It was a
winter's evening']. Sec Clarke, after-
wards Clarke Whitfield (J.)
Winter. Glee [begins : ' Hoary frost
bestrews the ground ']. See Guest (G.)
Winter. Song [begins : ' The heavy
winter's blustring wind '].
See Hudson (R.)
Winter. Song [begins: 'Now Winter
strips ']. See Schultz (M.)
WINTER. The Winter is exceeding cold.
Wonderful Neivs from the River of Thames.
[Song.]' To the Tune of the Lord Russels
Farewel. Printed upon tlie Ice on the
River Thames, by Loyal Young Printers,
1683. s. sh. fol. I. 600. b. (35.)
WINTER'S AMUSEMENT. The
W^inter's Amusement. Songs.
Sec Arne (T. A.)
WINTER (I. D') The Beggar Boy. A
Ballad, written and composed by I. D'
Winter, etc. J. Davies :
London, [1800 ?] fol. G. 796. (39.)
The Lord of the Castle. A Romantic
Ballad, for Three Voices, etc. J. Davies :
London, [1800 ?] fol. H. 1688. (43.)
WINTER (Peter von) Ah mi balza il
core in petto.
See infra : [I Due Fratelli Rivali.']
Babilons Piramiden. [Act ii.] See
INIederitsch (J.) called Ct«W«s and Winter
(P. von). Babilons Piramiden. . . Oper.
Der erste Aufzug von J. Gallus, der zweite
von P. Winter, etc. 1797. obi. fol.
F. 46. a.
[I [Due] Fratelli Rivali.] Die Briider als
Nebenbuhler . . . eine Oper in 2 Aufzugen
. . . mit italienisch und deutschem Text,
in Klavierauszug iibertragen von Canna-
bich. Bei N. Simrock :
Bonn, [1792.] obi. fol. D. 345.
Ah mi balza il core in petto. The
Favorite Duetto, etc. [Full Score.]
Printed for B. Birchall :
London, [1800,] fol. G. 134. a. (2.)
Qua! diletto insiem m' inonda. A
Favorite Cavatina, etc. [Full Score.]
Printed for B. Birchall:
London, [1800.] fol. G. 134. a. (3.)
Gesaeuge beym Klavier, e^c. 3pts. In der
Falterischen Musikhandhmg : Munchen,
[1799.] oU. fol. F. 636. w. (9.)
Lithographed by J. A. Senefelder.
[Das Labyrinth.] Der Zweyte Theil der
Zauberfiote unter dem Titel Das Labyrinth
Oder der Kampf mit den Elementen.
Eine grosse heroisch-komische Oper in 2
Aufziigen von E. Schikaneder . . . Fiir das
Porte-Piano tibersezt von J. Henneberg,
etc. [Vienna, 1794.] obi. fol. E. 165.
[Another edition.] Der Zauberfioete
zweiter Theil: Das Labyrinth, oder der
Kampf mit den Elementen. Eine grosse
Oper . . . Clavierauszug von J. Henneberg,
Ben N. Simrock : Bonn, [1800 ?] obi. fol.
E. 165. b. (2.)
Marie von Montalban. [Opera.] Clavier-
Auszug von C. Zulehner.
Bey C. Zulehner : Mainz, [1798.] obi. fol.
-^ E, 165. f.
Ouverture und Schonste Gesange im
Clavierauszug, etc. Bei Schoit :
Mainz, [1800?] obl.M. E, 165, a.
WINTER— WITH
693
"WINTER (Peter von) Ogus o sia II
Trioufo del bel sesso . . . Ogus oder der
Triumph der Frauen, komische Oper in
zwei Aufzugeu. . .Klavierauszug. Ital. &
Germ. Bei Brcitkopf unci Hartel :
Leipzig, [1796 ?] ohl. fol. E. 165. c.
Qual diletto insiem m' inonda.
See supra : [I Diie Fratelli Bivali.']
Das Uuterbrocheue Opferfest . . . [Opera,
written by L. P. Huber.] Ivlavierauszug
von G. Zuleuer. Chez N. Simrock :
Bonn, [1796.] ohl. fol. E. 165. b. (1.)
Der Wirth und die Giiste.
See Bach (C. P. E.) [i. Vocal
WIRTH.
Singode.
Music.']
WISE. The Wise Man's Resolution.
[Song.] Sec How. How giddy is youth.
[1785.] s. sh. 4°. P.P. 5141.
Wise men flatt'ring. Song.
See Haendee (G. F.) [Judas Maccabaeus.']
Wise Natm-e owns thy undisputed Sway.
Two Part Song. See Eccles (J.) [A
Hymn to Harmony.]
WISE (Michael) Old Chiron thus
preached to his Pupil Achilles. [For
editions of this duet published under the
name of H. Purcell:] See Purcell (H.)
See CoRFE (J.) Nine Vocal Trios arranged
from. . .Airs and Duetts of. . .Wise, etc.
[1800?] obl.iol. P. 607. z. (1.)
See Williams (T.) Harmonia Coelestis
. . .a Collection of . . . Anthems . . . by. . .
Wise, etc. 1780. fol. G. 970.
WISE (Samuel) Sis Concertos for the
Organ or Harpsichord with Instrumental
Parts, etc. Mrs. Johnson, for the Author :
London, [1770?] fol. h. 93.
The Organ part only.
Six Lessons for the Harpsichord, etc.
Printed for the Arithor:
London, [176-5 ?] oU. fol. e. 5. (5.)
WISEMAN (Charles) [Sis Sonatas for
a Flute or Violin with a Thorough Bass
Accompaniment.] Boma, 1754. obi. fol.
d. 148.
Wanting the title-page.
WISEST. Wisest and greatest. Song.
See Haendel (G. F.) ISaul.]
WISH. The Wish. Canzonet [begins :
' Mine be a Cot ']. See Ambrose (J.)
The Wish. [Song, begins : ' Grant me ye
Pow'rs.'] See Battishill (J.)
The Wish, [Song, begins ; ' Come gentle
God.'] See Lampe (J. F.)
The Wish granted. [Song.]
See Hudson (R.)
WIT. Wit and Beauty. [Song.]
See DiBDiN (C.) [_The Quizes.]
WIT. Wit Preferable to Beauty. [Song.]
See Though. Tho' here at Bath you
make a Rout, etc. [By J. F. Lampe.]
[1730?] s. s7j. fol. G. 312. (87.)
WIT AND MIRTH. Wit and Mirth,
or Pills to Purge INIelancholy. [Songs.]
See P., H.
WITCH. The Witch. Song.
See-REEVE (W.) [Merry Sherwood.]
WITCHES. The New Songs in the
Pantomime of the Witches.
See Vernon (J.)
WITH. With a cheerful old friend and a
merry old song. The Tankard of Porter.
A favorite Drinking Song. [Words by
H. Carey.] P. HTodgson : London,
1780?] s.s7^. fol. G. 313. (173.)
With a jolly full Bottle. The Good Sub-
jects of Old England, Glee.
Printed for J. Bland :
London, 1779. fol. G. 313. (270.)
With an Old Song made by an Old
Ancient Pate. The Old and New Courtier
of the Queen's. [Song.] Within com-
pass of the Flute. [London,
1710?] s.sh.iol. H. 1601. (498.)
[Another edition.] With an old Song
made by an old Antient Pate. The Old
and Neio Courtier of tJie Queen's, etc.
[London, 1730 ?] s. sh. fol.
G. 316. f. (59.)
With an old Song made by an old ancient
Pate. Moderation and Alteration. [Song.]
C[harles and] S[amuel'] T[hompson :
London, Vllb ?] s. sh. fol.
G. 809. c. (70.)
With artfuU Verse young Thirsis. The
Ansioer to the WJieedler, etc. [Song.]
[London, 1735 ?] s. sh. fol.
G. 313. (170.)
With arts oft practic'd and admired.
Song. .See Young (A.)
With beauteous Arminta ranging. Song.
See WORGAN (J.) the Elder.
With broken words, and downcast eyes.
A Scotch Song. [Words by A. Ramsay.]
[London, 1725?] s. sh. fol. G. 313. (63.)
With broken words and downcast eyes.
TFoe's my Heart that ive shou'd sunder.
A Favorite Scotch Song. W. C[am2)bel]l :
[London, 1780 ?] s.sh.iol.
G. 313. (240.)
With consent of one's Friends. Song.
See Arne (M.)
With Delia ever could I stay. [Song, by
W. Jackson of Exeter.] E. Rhames :
[Dublin, 1780 ?] fol. H. 1601. b. (99.)
With Delia ever could I stay. Song.
See Jackson (W.) of Exeter. [12 Songs.
Op. 4. No. 11.]
With Delight wiU I sing. Song.
See Stevenson [Sir J. A.)
694
WITH— WITTENBERG
WITH. With early Horn. Song.
See Galliaed (J. E.) [The Borjal Chace.']
With ease may be guess'd. Song.
See Spring. The spring was return'd, etc.
[1767.] 8°. P.P. 5438. z.
With Hallelujahs from the Shrine.
Psalm cl. [Words] By Mrs. ToUett.
[London, 1762.] 8°. P.P. 324. n.
Christian's Magazine, May, 1762, j). 233.
With Horns and Hounds. Glee.
Sec Hook (J.)
With Horns and with Hounds. Song.
See BoYCE (W.) [The Secular Masque.}
With Horns and with Hounds. Song.
See PuECELL (D.) [The Pilgrim.]
With lowly suit and plaintive ditty.
[Song.] See Storage (S.) [No So7ig no
Supper.]
With my Daphne I'll repair. Daphne.
[Song.] J[o/i7i] Flentu^m :
[London, 1780?] fol. G. 313. (256.)
With my Friend and my Glass. Song.
The Bacchanalian. A Bass Song.
Straight : [London, 1780 ?] s. sh. fol.
G. 313. (242.)
With Myrtle wreaths and Ivy Berries
crown'd. English Ale. [Song.] Sung
by ]Mr. Prentis at Sadlers Wells. [London,
1750?] s.sh.iol. G. 313. (169.)
With Phsebus I often arose. Love Re-
warded. [Song.] [London,
1750?] s. s7i. fol. G. 313. (172.)
With Phillis I'll trip o'er the mead. The
Sappxi Shepherd. [Song.]
[London, 1764.] 8". P.P. 5441.
Eoyal Magazine, Vol. XL, p. 158.
With Phillis I'll trip o'er the ]\Ieads.
The Happy Shepherd. [Song.]
[London, 1772.] s. sh. 4°. 159. n. 4.
London Magazine, Aug., 1772.
With pious hearts. Song.
See Haendel (G. F.) [Judas Maccabaeus.]
With Pity, Phillis, strive to love. Faith-
full Strephon, a new Song. [London,
1700 ?] s. sh. fol. G. 313. (25.)
With pleasure and comfort. [Song.]
See Astarto. [L' esperto nocchiero.]
With pleasure now I tune my lay. Song.
See Hudson (R.)
With Songs & Honours. Part of Psalm
cxlvii.
[London, 1762.] 8°. P.P. 324. w.
Christian's Magazine, June, 1762, jj. 281.
With the leaves of the Vine. Song.
See Bates (W.)
With the Morning's Dawn we wake.
London Lasses. A New Song. Sung at
Saddler's Wells. [London,
1773.] s. sh. 4°. 159. n. 5.
London Magazine, Sept., 1773.
With thee th' unsheltered moor I'll tread.
Song. See Haendel (G. F.) [Solomon.]
WITH. With truth on her Lips. Ballad.
See Shield (W.) [Marian.]
With tuneful Pipe and Merry glee. A
Netu Scotch Song. Sung by Mrs. Redding.
[London, 1705 ?] s. sh. fol.
G. 313. (70.)
[Another edition.] With tuneful Pipe and
Merry glee. A Scotch Song. [London,
1705 ?] s. sh. fol. H. 1601. (489.)
[Another setting.] With tunefull Pipe and
merry glee. Willy's rare and Willy's fair.
[Song.] Smig by Mrs. Wrighten at Vaux-
hall. [Music by J. Hook.]
S[anmel,] A[nn and] P[eter] T[hompson :
London, 1180'!] fol. G. 313. (255.)
With twenty Chords my Lyre is strung.
Duet. See Knyvett (W.)
With Woman & Wine, I defy ev'ry
Care. The Union of Love and Wine.
[Song.] Sung by Mr. Lowe at VauxhaU.
[Music by J. Baildon.] London,
[1770 ?] s. sh. fol. G. 316. (161.)
WITHERED. The Wither'd Rose. Bal-
lad. Sec Claeke, afterwards Clarke
Whitfield (J.)
The Withered Rose. Song.
See Hodgson (P.)
WITHIN. Within a mile of Edinburgh.
[Song.] See Hook (J.)
Within an Arbor of delight. A Poole at
Pickett. [Song.] The Words made and
Set to a tune [' Lads and Lasses,' by
H. Purcell, from the Second Part of Don
Quixote] by Mr. D'Urfey. [London,
1710 ?] s. sh. fol. I. 530. (51.)
[Another copy.] G. 313. (26.)
Within these sacred Bowers. Song.
See MozAET (W. A.) [Die Zauberflote.
hi dicsen heil'gen Hallen.]
WITHOUT. Without affectation, gay,
youthful & pretty. The Batchelor's
Wife. [Song.] Sung by ]Mr. Charke.
The words by another hand. Song &
Symphony in compass of the German
flute. Cross : [London,
1720?] s. s7i. fol. G. 315. (131.)
Without any envy, without any foes.
Hannah and Will. [Song.] Sung by
Mr. Vernon, at VauxhaU. [London,
1768.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XLIL, p. 374.
WITT (Christian Friedrich) Neues
Cantional mit dem General-Bass, etc.
MS. notes. Bey Johann Andreas Beyhern :
Gotha und Leipzig, [1715.] 4°. C. 7.
WITTENBERG (F. J.) Six Trios a
Deux Violons et Violoncello... Oil uvre II.
[Separate Parts.] Chez B.Hummel etFils :
a La Have et a Amsterdam, [1780 ?] fol.
g. 409. e. (2.)
WITVOGEL— WOLF
695
WITVOGEL (Geehaed Feedeik) De
Zangwyseu van de CL Psalmen Davids,
met Eenige andere Lofzangen zoo als
deselve in de Gereformeerde Kerke alom
gebruykt en Gesongen worden in 't Ligt
gegeven en met sen Basso Continue
vermeerdert door G. F. Witvogel, etc.
Gedrukt voar den Authcur :
Amsterdam, [1730.] ohl. fol. e. 1207.
"WITZTHUMB (Ignaz) See Vitzthumb.
"WIVES. Wives Awake. Serenade.
See Widow op Delphi.
WIVES IN PLENTY". Ding dong,
Ding dong. [Song.] Sung by Sig"
Storace ... in ' Wives in Plenty or The
more the merrier.'
Longman and Broderip :
London, [1793.] fol. G. 249. (40.)
The music in this conudy was selected
from Arnold, Storace, etc.
Gentlemen and Ladies. Musical Medley.
Sung by Sig" Storace & Mr. Bannister
Jun' ... in the Comedy of ' Wives in Plenty,'
etc. Longman and Broderip :
London, [1793.] fol. G. 354. (60.)
Whack fal de ral. [Song.] Sung by
Mr. Bannister Jun'...in the Comedy of
' Wives in Plenty,' etc.
Longman and Broderip :
London, [1793.] fol. G. 249. (41.)
WIVILL (Z.) See Wyvill.
WODICZKA (Wenceslas) Six Solos
for a Violin and Bass, etc. [Op. 1.]
Printed for J. Simpson :
Lojidojz, [1740?] fol. g. 503. (1.)
[Another edition.] Six Solos for a Violin
and Bass, etc. [Op. 1.] Priiited for
J. Johnson : London, [1750 ?] fol. g. 93.
Sei Sonate a Violino Solo e Basso . . .
Opera Prima. Cliez M'' Boivin :
Paris, [1739.] obi. fol. e. 796.
WOE. Woa's me poor Lass ! Song.
See Akeeotde (S.)
Woe's my Heart that we shou'd sunder.
See With. With broken words and
downcast eyes, etc. [1780 ?] .s. sh. fol.
G. 313. (240.)
WOEFUL. The Waefu' Heart. [Song.]
See Gin. Gen living worth cou'd win my
heart, etc. [1794.] fol. G. 356. (8.)
WOLAWEK (Anton) Die Spanier in
Amerika, ein Ballet in zwei Akten fiirs
Klavier oder Forte Piano. . . herausgegeben.
von K. Jonne. Li Commission bei
K. F. Kohlcr : Leipzig, [1800?] obi. fol.
e. 1014.
WOLCOTT (John) See Pindae (P.) pseud.
WOLF (Ernst Wilhelm) Der Abend im
Walde, eine comische Oper in zwey Acten.
[P. P. Score.] Bey J. F. Hartknoch :
Biga, 1775. obi. fol. C. 458.
WOLF (Eenst Wilhelji) Concerto I.
per il Cembalo Concertato accompagnato
da Due Oboi, Due Violini, Viola e Basso.
[Separate Parts.] Prcsso G. F.
Hartknoch : Riga, 1777. fol.
g. 49. a. (1.)
Concerto II. per il Cembalo Concertato
accompagnato da Due Violini, Viola e
Basso. [Separate Parts.]
Prcsso G. F. Hartknoch : Riga, 1777. fol.
g. 49. a. (2.)
Die Dorfdeputirten, eine komische Oper
in drey Acten, etc. [P. F. Score.]
Bey C. L. Hoffmann :
Weimar, ins. obi. io\. D."303. b.
Klavierauszug von Ehrlichkeit und Liebe,
einem Schauspiel mit Gesang in einem
Akt, von C. J. Wagenseil, etc. Auf Kosten
der Verlagskasse fur Gelehrte und Kiinstlcr :
Dessau, 1782. obi. fol. E. 1313.
Das Gartnermagdchen, eine comische
Oper in drey Aufziigen, etc. [P. F.
Score.] Bey C. L. Hoffmann :
Weimar, 1774, obi. fol. C. 458. a.
Musikalischer Unterricht. . .durch prak-
tische Beyspiele erlautert . . . fiir Lieb-
haber und diejenigen, welche die Musik
treiben und lehren wollen, etc. 2 pts.
hn Hillerschen Musikverlage :
Dresden, 1788. fol. 7896. h. 3.
There is a second title-page, engraved.
Ostercantate, etc. [Full Score.] Auf
Kosten der Verlagscasse filr Gelehrte und
Kllnstler : Dessau, 1782. fol. H. 1033.
Polyxena, ein lyrisches Monodrama, etc.
[Full Score.] Bey C. L. Hoffmann :
Leipzig und Weimar, 1776. obi. fol.
D. 303. a.
Trois Quatuors a Deux Violons, Taille &
Basse . . . Oeuvre Premier. [Separate
Parts.] CMs J. J. Hummel :
Berlin, [1778.] fol. h. 2829.
Das Roseufest. [Operetta. 4 Songs.]
Li der Eortenschen Buchhandlung :
Flcnsburg, 1776. obi. fol. E. 600. g. (2.)
Theil 1 of ' Deutsche Operetten im
Ausztige mit Musik der besten
deutschen Componisten.'
Seraiina, eine Cantate, etc. [Full Score.]
hi Commission bey J. G. I. Breitkopf :
Leipzig, 1777. obi. fol. D. 303.
Sechs Sonaten fiir das Clavier, etc.
J. G. I. Breitkopf: Leipzig, 1779. obi. fol.
g. 49.
Six Senates pour le Clavecin avec Accomp-
agnement d'un Violonet Violoncelle, etc.
[Separate Parts.] Chez Guera :
Lyon, [1779.] fol. g. 49. b.
Die treuen Kohler, eine Operette in zween
Aufziigen, etc. [P. F. Score.]
Bey C. L. Hoffmann :
Weimar, llli. obi. iol. C."458. b.
696
WOLF— WOMAN
"WOLF (Ernst Wilhelm) Wiegenlieder-
chen fiir deutsche Animeu, mit INIelodien
begleitet, etc. Bey J. F. Hartknoch :
Riga, 1775. obi. 4°. B. 708.
See also W.
WOLF (Geoeg Friedeich) Lieder mit
Melodien, aus Millers Leiden und Freuden,
etc. J. G. Hcndel : Halle, 1786. 4°.
E. 248.
Kurzgefasstes Musikalisches Lexicon, etc.
J. C. Hcndel : Halle, 1787. 8".
1042. g. 12.
Kurzgefasstes Musikalisches Lexicon . , .
Zweite, verbesserte und vermehrte Auflage.
J. C. Hcndel : Halle, 1792. 8".
785. g, 34. (2.)
G. F. Wolfs . . . Unterricht im Ivlavier-
spielen. Erster Theil. Vierte, verbesserte
und vermehrte Auflage, (Zweiter Theil . . .
Zweite,verbesserte und vermehrte Atiflage.)
2 pts. J. G. Hcndel : Halle, 1799. 8".
785. g. 34. (3.)'
G. F. Wolfs Unterricht in der Siugekunst.
J. G. Hcndel : Halle, 1784. 8°.
785. g. 34. (1.)
WOLFF (Christian Michael) Orgel-
iibung - Vorspiele vor f unfzig ilelodien
bekannter Kirchen-Gesiinge. Bey J. G. I.
_Brcitkopf: Leipzig, 1182. obl.iol. c. 92.
Sammlung von Oden und Liedern, zum
Singen beym Clavier und Harpe, cCc.
Auf Kosten des Ardors :
IStcttin,'] 1777. obi. fol. E. 1782.
WOLFF (Leopoldus) Musica Choralis
Franciscana Tripliciter divisa in IMeduUam
Cantus Gregorian!, Sive ejtisdem principia
Generalia : in Cantorale Touorum com-
munium in Provincia FF. Min. EecoU.
Coloniensi Usitatorum : et in Processionale
Bomanum & Ordinis, etc. Typis Gaspari
Drimborn: GoloniaiAgrippin;v,V12&. 12".
A. 556.
[Another copy.] 7898. e. 32.
Musica Choralis Franciscana, etc.
Colonix Agrippinm, 1746. 12". A. 556. a.
WOLLICK (NicoLAUs) Enchiridi5
musices Nicolai wollici Barroducensis de
gregoriana et figuratiua atq3 contrapuncto
simplici percommode tractas, etc.
Impressus . . . iinpensis . . . Johannis p)ami . . .
et Nicolai Prcuost : Parisijs, [1509.] 4".
K. 1. h. 8.
70 leaves, without pagination. The date
appears at the end of the prefaces to
the Third and Fifth Books.
Enchiridio musices Nicolai wollici Barro-
ducensis de gregoriana et figuratiua atq?
cotrapiicto simplici pcommode tractas,
etc. MS. NOTES. Impressnm . . .impcnsa
. . . Joliunis Parui ... 7 Francisci Regnault :
Parisii, 1512. 4°. K. 1. h. 9.
82 leaves, luithout pagination.
WOLLICK (NicoLAUs) Opus Aureum.
Musice castigatissimix. de Gregoriana. et
Figuratiua atcj; contrapucto simplici per-
c5mode tractans oiiiibj cantu oblectantibus
vtile et necessarium e diuersis exerptum,
etc. Impressiim . . .p. . . Henricu Quentel,
etc. : Colonic, 1501. 4". K. 1. h. 5.
40 leaves, loithout pagination.
Opus Aureum. Musice castigatissimu de
Gregoriana et Figuratiua at% contrapucto
simplici perc5mode tractans, etc. ms.
NOTES. Impressum...in cdibiis...Henrici
Quentell : Golonie, 1504. 4". K. 1. h. 5*.
40 leaves, toithout pagination.
Opus Aureum. Musice castigatissimfi de
Gregoriana et figuratiua atcj contrapucto
simplici percomode tractans, etc. ms.
NOTES. Impressum. . .in officina
. . . liberolf. pie memorie Henrici Quentell :
Golonie, 1505. 4°. K. 1. h. 6.
40 leaves, ivithoiit pagination.
Opus Aureum Musice castigatissimu de
Gregoriana >l figuratiua atq3 contrapucto
simplici percomode tractans, etc.
Impressum . . . in officina . . . liberoy.
pie memorie Henrici Quentell : Golonie,
1508. 4". K. 1. h. 7.
40 leaves, loithout pagination. TJie last
leaf {blank) is wanting.
WOLLY. Wolly of the Woodland Side.
Song. See Gentleman.
WOMAN. Woman. [Song.] See Ask.
Ask me not how calmly I, etc.
[1747.] 8°. P.P. 5438. z.
Woman. [Song.] See No. No longer
let whimsical Songsters, etc.
[1755 ?] s. sh. fol. G. 316. e. (93.)
Woman. [Song.] See No. No longer
let whimsical Songsters compare, etc.
1761. 8". P.P. 5441.
Woman. Song. See No. No longer let
whimsical Songsters compare, etc.
[1761.] 8". 158. 1. 6.
Woman. Song. See No. No longer let
whimsical sougers [sic] compare, etc.
[1761.] 8'\ P.P. 5438. z.
Woman for Man. [Song.] See Wine.
Wine, wine we allow, etc. [1765.] 8°.
P.P. 5441.
A Woman having a settlement. The
Laivyer's Glee, or Pauper's Gase. Set to
Music [for three voices] by a Barrister of
the Inner Temple.
Goulding d; Go., for J. Michelli :
London, [1799.] fol. G. 809. c. (72.)
A Woman is like to. [Song.]
See Shield (W.) [The Lock and Key.]
Woman is Match for Man. Ballad.
Sec Reeve (W.)
De Voman torn us round about. Song.
See Carter (C. T.) [Poll of Plympton.]
W0:MAN— WOODWAED
697
"WOMAN. The Woman's Man. [Song.j
See Fair. The Fair if you \You'd obtain
Sir. [1720?] s. sh. fol. H. 1601. (463.)
WOMEW. The Women all tell me I'm
false to my Lass. The Jolly Toper. A
Song. [London, 1150?] s. sh. tol.
G. 312. (69.)
[Another copy.] G. 315. (97.)
[Another edition.] The Women all tell
me I'm false to my Lass. The Jolly Toper,
etc. [London, 11 oO?] s. sh. iol.
H. 1994. b. (106.)
[Another edition.] The Women all tell
me I'm false to my Lass. The Jolly Toper,
etc. [London, 11 bOl] s. sh. iol.
G. 316. f. (30.)
[Another edition.] The Women all tell
me I'm false to my Lass. The Jolly Toper,
etc. [I/ondow, 1750 ?] s.sh.iol.
H. 1994. b. (107.)
The Women all tell me I'm false to my
lass. The Jolly Toper. A New Song.
[London, 1751.] 8". ^ P.P. 5438. z.
Universal Magazine, Vol. VIII., p. 318.
Women form'd by Nature coy. Song.
Sec Prelleur (P.) [Harleqicin Hermit.']
Women when they gain a Heart. Song.
See Howard (S.) [Eobin Good-Fclloic]
WOMEN WILL HAVE THEIR
WILLS. Bellinda's pretty, pleasing
Form. A Song in the Farce calVd Women
will have their Wills. Sung by Mr. Gouge.
[Music by J. Eccles.] [London,
1700 ?] s. sh. fol. H. 1601. (69.)
WONDERFUL. Wonderful Age. [Song.]
Sue Harlequin Quack.
The Wonderful Change in the Ministry.
[Song.] See Ale. All you that have
puzzled your Brains, etc.
[1783 ?] s. sh. fol. G. 306. (137.)
A Wonderful New Ballad of a Wonderful
Old Man. [Song.] See There. There
was an old Man. [1775 ?] fol.
H. 1994. b. (83.)
Wonderful News from the River of
Thames. [Song.] .See Winter. The
Winter is exceeding cold, etc.
1683. s. sh. fol. L 600. b. (35.)
WONNEGGER (Joannes)
See LoRiTUS (H.) Glareanus. IMusicre
Epitome, sive compendium ex Glareani
Dodecachordo [made by J. Wonnegger].
1557. 4". 785. b. 44.
WOOD (Charles) A favorite Duetto for
Two Performers on the Piano Forte or
Harpsichord, etc.
Longman and Broderip, for the Author :
I/ondon, [1790 ?] fol. g. 130. (15.)
A favorite Lesson for the Harpsichord or
Piano Forte, etc.
Longman and Broderip, for the Author :
London, [1190?] fol. g. 141. (23.)
WOOD (Charles) Three Sonatas for
the Piano Forte or Harpsichord with an
Accompaniment for a Violin. . .Op. 2"*.
Longman tC Broderip, for the Author :
London, [1790 ?] fol. g. 188. (12.)
Six Solos for the Violin with a Bass
design'd and Figur'd for the Harpsicord,
etc. Printed for the Author :
London, [ll&O?] fol. g. 420. a. (1.)
WOODCOCK (Robert) XII Concertos
in Eight Parts. The first three for Violins
and one small Flute, the second three for
Violins and two small Flutes, the third
three for Violins & one German Flute,
and the three last for Violins & one
Hobov, etc. [Separate Parts.]
Printed for I. Walsh. . .and loseph Hare :
London, [111Q?] fol. i. 120.
WOODEN. The Wooden Leg. Song.
See When. When first I left my dearest
Peg. [1780?] fol. G. 313. (147.)
The Wooden Leg. Ballad [begins : ' ^ly
Sailor Lad is come from Sea '].
See Williamson (T. G.)
The Wooden Walls of old England.
[Song.] See Cooke (M.)
[Another setting.] The Wooden Walls of
Old England. [Song.] See Hook (J.)
WOODLAND. The Woodland Laddie.
Song. See Arnold (S.)
WOODLARK. The Woodlark. [Song.]
See Eliza.
The Woodlark is heard thro' the Grove.
[Song.] See Hook (J.)
WOODMAN. Court me not to scenes of
pleasure. M" Blllington's additional Song
introduced at the Theatre Royal Covent
Garden in the Opera [by W. Shield] of
the Woodman. The Words by B. Dudley.
Longman and Broderip :
London, [1792 ?] fol. G. 796. (41.)
The Woodman. [Song.]
See Linley (T.) the Elder.
The Woodman. Comic Opera.
See Shield (W.)
The Wood-Man's Fair Daughter. [Song.]
See 'Twas. 'Twas Spring when all nature
was blooming and gay. [1795 ?] fol.
G. 356. (53.)
WOODMASON (Charles) See Psalms.
[4. English.] A Collection of Psalm
Tunes ... for the use of Gosport in
Hampshire. [With a dedication signed
by C. Woodmason.] [1745?] 8^
^ B. 370. r. (1.)
WOODWARD (Richard) Cathedral
Music. Consisting of Onecompleat Service,
Seven Anthems, Several Chants and Veni
Creator Spiritus in Score, for one, two,
three, four, five and six Voices. . .Opera
Terza. Welckcr, for the Author :
London, [1765 ?] fol. G. 498.
G98
WOODWARD— WORGAN
WOODWARD (Richaed) See Catches.
A Second Collection of Catches by... Dr.
Arne,. . .Mr. Woodward & others.
[1766?] obi. A". A. 756. a. (2.)
WOOED. Woo'd and married and a'.
[Song.] See Bride. The Bride came in
from the Barn, etc. [1750 ?] s. sh. fol.
I. 600. (117.)
WOOING. The Wooing Days. [Song.]
See Hook (J.)
WORD TO WIVES. A Word to Wives.
Musical Entertainment. See Hook (J.)
WORDS. Words but faintly can impart.
21ic Langiiage of the Eyes. [Song.]
[London, 1770 ?] s. sli. fol.
G. 313. (245.)
WORGAN" (James) the Elder. Sappho's
Hymn to Venus. [Cantata.]
[London, 1750 ?] fol. G. 577.
With beauteous Arminta ranging. A
Song, etc. [London, 11 50 ?] s. sh.iol.
G. 313. (171.)
WORGAN (James) the Younger. Absence,
a Favorite New Song. J, Longman,
dementi (& Co., for the Author: London,
[1800?] fol. G. 365. (71.)
Bright Phoebus arises the first in the Morn.
A New Duett, etc.
Longman & Broderip, for the Author :
London, [1795 ?] fol. G. 354. (45.)
A Favorite Carillon Sonata, for the Harp-
sichord or Piauo-Forte, with an Accom-
paniment for two German-Flutes, ad
libitum . . . Opera Prima.
Longman and Broderip, for the Author :
London, [1785 ?] fol. g. 222. a. (3.)
Emma. A Pastoral written by Lydia
Coles, etc. [Song.] J. Longman,
Clementi and Co., for the Author : London,
[1800?] fol. G. 365. (70.)
A celebrated French March. Revived
& set for a Band, with Variations for the
Piano-Forte, etc. [Full Score.]
Broderip and Wilkinson, for the Author :
London, [1800 ?] fol. g. 139. (54.)
A March composed for the Loyal Essex
Regiment of Fencible Infantry, etc. [Full
Score.] Broderip) d Wilkinson :
Lo7idon, [1199 7] fol. g. 133. (67.)
Port and Sherry, or Britons be wise &
merry. A Favorite New Song, Written
& Composed by J. Worgan.
Longman £ Broderip, for the Author- :
London, [1785 ?] fol. G. 365. (68.)
The Royalist's New March. [P. F. and
2 Violins.]
Longman and Broderip, fen" the Aiithor :
London, [1795 ?] fol. g. 133. (66.)
Soft Downy Sleep. A . . . New Song.
Written by Mr. Williamson.
Longman d; Broderip, for the Author :
London, [1795 ?] fol. G. 365. (69.)
WORGAN (John) The Agreeable Choice.
A Collection of Songs sung by Miss
Burchell, Miss Stevenson, and Mr. Lowe
at Vaux-Hall-Gardens.
Printed for I. Walsh :
London, [1751 ?] fol. G. 378. a. (12.)
Aminta's Farewell, etc. [Song.]
[London, 1745 ?] s. sh. fol.
G. 316. d. (142.)
The New Ballads sung by Mr. Lowe &
Miss Stevenson at Vaux Hall. . .Book the
5"', 1756. J. Johnson, for the Author :
London, [1756.] fol. G. 316. c. (39.)
The New Ballads sung by Mr. Lowe &
Miss Stevenson at Vaux Hall . . . Book the
6"' 1757. [Short Score.]
J. Johnson, for the Author :
London, [1757.] fol. G. 577. a. (3.)
The New Ballads, sung this Summer at
Vaux Hall. . .Book the 11'" 1770.
Mrs. Johnson : London, [1770.] fol.
G. 577. a. (5.)
Blest as the Immortal Gods is he. [Song.]
Set hy Mr. Worgan. [Words translated
from Sappho by A. Phillips.]
Printed for J. Simpson :
[Londo7i, 1745 ?] s. sh. fol.
H. 1994. c. (65.)
Blest as th' Immortal Gods is he, etc.
[Music by John Worgan.]
[1750?] s. sh.iol. St'c Blest.
G. 306. (229.)
An English Cantata (sung at Vaux-Hall
by Mr. Lowe) and Three English Songs,
etc. J. Walsh [and] J. Simpson : London,
[1750?] fol. H. 2815. j. (2.)
Six Canzonets for Two and Three Voices.
Composed purposely for Dilettanti.
Longman and Broderip) :
London, [1785 ?] ohl. 4°. B. 395.
A Collection of new Songs and Ballads
sung by Miss Burchell, IMr. Lowe & Miss
Stevenson at Vaux Hall, etc.
J. Johnson, for the Author : London,
1752. fol. G. 807. a. (12.)
A Collection of new Songs and Ballads,
particularly the favourite Dialogue (No
never) sung by Mr. Lowe & Miss Stephen-
son at Vaux Hall, etc. [Short Score.]
J. Johnson, for the Author :
London, [1753 ?] fol. G. 577. a. (1.)
A Collection of new Songs and Ballads
sung by Miss Burchell, Mr. Lowe & Miss
Stevenson at Vaux Hall. [The words
chiefly by S. Boyce.] J. Johnson,
for the Author : London, 1754. fol.
G. 378. a. (11.)
A Collection of the new Songs sung at
Vaux Hall by Mrs. Vincent & Mr. Lowe
. . .Book the X. 1761. [Short Score.]
J. Johnson, for the Author :
London, [1761.] fol. G. 577. a. (4.)
Wanting pp. 15 and 16.
WORGAN
699
WORGAN (John) A Collection of the
Favourite Songs sung this Summer in
Vaux Hall Gardens by Mrs. Weichsell,
Miss Jameson, & Mr. Vernon. Book the
13'-' 1771. M'-' Johnson : London,
[1771.] fol. G. 807. a. (13.)
The Coquet Mother & Daughter. [Song.]
[Lo/ifZon, 1750 ?] s.sli.iol.
G. 316. a. (59.)
Cordelia, or the British Heroine : On
Occasion of the menac'd Invasion from
France. (Address'd to the Ladies.) [Song.]
The Words bv Mr. Lockman, etc.
ILondon, 1759.] fol. G. 316. (162.)
Did you see e'er a Shepherd. [For editions
of this song published anonymously :]
See Did.
English Heroism, against French Invaders.
A new Song. . .[Words] By Mr. Lockman,
etc. [London, 1759?] fol. G. 316. (163.)
The Fair Thief .. .[Song.] Sung by Mr.
Lowe at Vaux Hall. Sec Chloe. Chloe,
or the Musical ^lagazine, etc. No. 96.
[1760?] fol. G. 433.
Hannah. An Oratorio. As perform'd at
the Kings Theatre . . . Opera Prima. [Words
by C. Smart. Full Score.]
ill" Johnson, for thejiuthor
London, 1764. fol.
The Happy Swain. See
in a Summer's day, etc.
[1750?] s. s/(. fol.
Hark ! the loud Drum.
neiv Militia. To a
Drums, Hautboys
G. 242. (1.)
As. As Damon
[By J. Worgan.]
Q/. 306. (23.)
A Song for the
March for Trumpets,
and Bassoons . . . The
Words by ]\Ir. Lockman.
Printed for J. Johnson :
[London, 1759] fol. G. 308. (143.)
Hence, fly hence. A Trio. For Three
Voices. With Instruments. Sung by Miss
Burchell, Miss Stevenson & Mr. Lowe, in
Vaux Hall Gardens. [FuU Score.]
Printed fm- the Author :
London, 1755. fol. H. 1650. a. (17.)
I fill not the Glass. A 2Iartial Song. A
Song on the taking of Montreal. Sung
by Mr. Lowe . . . the words by Mr. Lockman,
etc. [London, 1760.] 6\ 158. 1. 5.
London Magazine, 1760, p. 660.
I fill not the Glass. A Song. On the
taking of J\Iont-Real by General Amherst
. . .The Words by Mr. Lockman, etc.
[London, 1760.] fol. G. 309. (116.)
Jockey and Jenny : A favourite Dialogue
. . .sung by Mr. Lowe, and JMrs. Arne, at
sh. fol.
A^aux-Hall. [London,
[For editions
mously:] See When.
blest, etc.
The Ijover and the Friend. A Song.
[Words by E. ]Moore.] [London,
1760?] s.sh.iol. G. 310. (216.)
1748.] s.
G. 305. (261.)
published anony-
When Jockey was
WORGAN (John) The Lover and the
Friend, etc. [Music by J. Worgan.] See
Chloe. Chloe, or the Slusical Magazine,
etc. No. 90. [1760 ?] fol. G. 433.
Miranda, etc. [Song.] [London,
1753.] 8°. 249. c^ 23.
Gentleman's Magaziyie, Yol. XXIII. ,
p. 335.
Miranda. See Let. Let youthful bards,
etc. [By J. Worgan.] [1753.] 8°.
P.P. 5438. z.
Neptune's Resignation. [Song.] Written
on the Naval Victory obtain'd by Sir
Edward Hawke, Nov' 20"- 1759 off Bellisle.
The Words by Mr. Wignel. Sk[illern :
London, 1759.] s. sh. fol. G. 312. (224.)
The Nun and Frier. A Cantata. The
Words by the late Mr. ]\Ioore.
Printed for J. Johnson : London,
[1760?] fol. H. 2830. g. (96.)
[Another copy.] G. 808. f. (52.)
Organ Pieces by the late Dr. Worgan never
before published. Fentimi : [London,
1795?] ohl.iol. f. 314. j. (11.)
No. 3 of Select Organ Pieces by the late
Docf Worgan . . . dedicated . . . to . . . the
Dutchess of Leeds, by. . .James Worgan.
Longman & Broderip, for I. Worgan :
London, [1790 ?] ohl. fol.
e. 1090. a. (6.)
Pieces for the Harpsichord, composed...
for forming the Hands of Young Pupils to
that Instrument, etc. TF. Owen,
for the Autlwr : London, [1770 ?] fol.
g. 443. b. (30.)
The Shepherd's Wedding, etc. [Song].
[London, 1748.] 8°. 249. c. 18.
Gentlemayi' s Magazine, Vol. XVIII.,
p. 420.
■ [For editions published anony-
mously :] See Pastora. Pastora's come,
etc.
Six Sonatas for the Harpsicord.
M'' Johnson, for the Author :
London, 1769. obi. fol. e. 5. i. (8.)
The Favourite New Songs that have been
sung in Vaux-Hall Gardens by Miss
Burchell , etc. [Short Score.] Printed for
the Author: London, [VJ 55 2] fol.
G. 577. a. (2.)
The Thief. [Song.] . . . Sung by Mr. Lowe
at Vaux Hall. [Words attributed to the
Earl of Egremont.] [London,
1750 ?] s. sh. fol. G. 306. (250.)
[Another copy.] G. 305. (301.)
To the Nightingale, etc. [Song.]
[London, 1745 ?] s. sh. fol.
^ G. 316. (164.)
We will rejoice in thy Salvation. A neio
Anthem compos'd for a General Thanks-
<jivin<y. J. Johnson, for the Author :
G. 516.
London, 1759. fol.
700
WORGAN— WOULD
WORGAN (John) When mighty Sol at
NoouofDay. [Song.] SethyMr.Worgan.
Sung by Mr. Lowe. [London, 1748.] 8".
P.P. 5438. z.
Universal Magazine, Vol. III., p. 172.
When mighty Sol at Noon of Day. A
New Song sung by Mr. Lowe at Vaux
Hall, etc. [London, 1750 ?] s. sh. fol.
G. 313. (110.)
[Another edition.] When mighty Sol at
noon of Day, etc. [London,
1755 ?J s. sh. fol. G. 305. (170.)
See BoTTAEELLi (G. G.) Del Canzoniere
d'Orazio. . .Ode XII.,messe in Musica da'
piu rinomati Professori Inglesi [i.e. T. A.
Arne, J. Worgau, etc.']. 1757. fol.
G. 242. (3.)
See Cantatas. Three New English
Cantatas, &c. [By J. Worgan.]
[1750?] fol. H. 2815. a. (2.)
See Meads. The Meads and the Groves
in fresh Verdure shone gay. A So?ig to
an Air in an Organ Concerto [by J.
Worgan] etc. [1746.] 8°. 249. e. 16.
See Meads. The Meads and the Groves
in fresh Verdure shone gay. A Song to an
Air in an Organ Concerto [by J. Worgan,]
etc. [1750 ?] s. sh. fol. G. 312. (67.)
See Riley (W.) Psalms and Hymns for
the Use of the Asylum . . . for Female
Orphans. . .The Music by... J. Worgan,
etc. [1765?] 4°. E. 482.
See Scarlatti (D.) Libro de XII. Sonatas,
etc. [Edited by J. Worgan.] [1752.] fol.
S- 47.
WORGAN (Mary) The Constant Lover,
etc. [Song.] [London, 1750?] s. sh. fol.
G. 316. a. (58.)
The Dying Nightingale, etc. [Song.]
Printed for J. Simpson : [London,
1750 ?] s. sh. fol. H. 1994. b. (89.)
The Power of Gold, anew Song. [London,
1750 ?] s. sh. fol. G. 316. a. (57.)
WORLD. The W^orld. Song.
See Hoffmann (J.) Miss.
The world all o'er is now deceit. A Song.
Translated from the German.
[London, 1740 ?] fol. G. 312. (17.)
The World in each age of some Patriot has
spoke. The L-ish Volunteers. [Song.]
J. Welcker : London, [1780 ?] fol.
G. 312. (243.)
WORLD IN THE MOON. Songs in
the New Opera, call'd the World in the
Moon. [Words by E. Settle, music by
J. Clarke and D. Purcell.J /. Walsh and
L Hare : London, 1697. fol. G. 120.
The World in the LIoou. Opera.
See PuRCELL (D.) and Clarke (J.)
WORMS. ]Mr. Pope's Worms. Song.
See How. How much. Egregious filoore,
etc. [1720?] s. s7t. fol. H. 1601. (210.)
Song,
WOULD. Wou'd Fate to me Bellinda
give. Song. See Wilfoed (J.)
Wou'd I seek a blest retreat. The Rural
Bctrcat, [Song,] written by Mr. Knight,
etc. Bland & Wcllcr :
London, [1800 ?] fol. G. 356. (59.)
Would we had never met.
See FisiN (J.)
Wou'd Women do as I do. [Song.]
See INIay Day.
Wou'd ye have a Young Virgin of Fifteen
years. Song. See Modern Prophets.
Would you be a ]\Ian in Favour ? A Man
in Favour, or. The way to Preferment.
[Song.] To the Tune of, Would you be a
Man in Fashion. Printed for J. H. :
[London,] 1688. s. sh. fol.
Case 38. i. 25. (1.)
The tune is 7-epresented by a meaningless
succession of notes, etc.
[Another copy.] Case 39. k. 6. (42.)
Wou'd you be a Man of Fashion. The
Complcat Citt : or, The Man of Fashion.
[Ballad.] To the Tune of. Would you be
a Man of Fashion. Printed for
P. Brooksby : [London,'} 1683. s. sh. fol.
Case 39. k. 6. (43.)
The music is incoiTcctly printed.
Wou'd you gain the tender Creature.
[Song.] See Haendel (G. F.) [Acis and
Galatea.]
Would you hear a lover's ditty. Trouba-
dour Ballad. See Moorehead (J.)
Would you I the thing discover. Song.
See Babell (W.)
Would you know the tender Passion. A
Favorite Bondo, the Words by Voltaire.
/. & J. S. [London, 1775 ?] fol.
G. 313. (268.)
Would you live a stale Virgin for ever?
Betty. [Song.] Sung by Miss Shireburn,
in Compass of the German Flute.
[London, 1725 ?] s. sh. fol. G. 315. (72.)
Engraved by Cross.
Would you obtain the Gentle Fair. Song.
See Oswald (J.)
Would you please gentle Neighbours.
Marybone Fair. [Song.] Written and
Compos'd for the Representation of the
Boulevards. G. S[mart :
London, 1776.] s. sh. fol. G. 313. (231.)
Would you taste the morning air. The
Morning Air. A new Song. [By L. C. A,
Granom.] [London, 1752.] 8°.
P.P. 5438. z.
Universal Magazine, Vol. XL, p. 29.
Would you taste the noontide Air-
[Song.] 'See Arne (T. A.) [Co7nus.]
[Another setting.] Would you taste the
Morning Air. Song.
See Granom (L. C. A.)
WOULD— WRIGHT
701
WOULD. Wou'd you think it my Girl.
[Song.] See Gilding (E.)
WOULD'ST. Would'st thou all the joys
receive. Rondo. Sung by Mrs. Weichsell
at Vauxhall, 1779. Sk[illern :
London, 1779.] s. sh. fol. G. 313. (232.)
[Another setting.] Would'st thou all the
Joys receive. [Song.] See Defesch (W.)
WOUNDED. The Wounded Ghizzard.
[Song.] See Geant (D.)
The Wounded Liver. [Song.] See Ah !
Ah ! me, weU a Day ! [1750 ?] s. sh. fol.
G. 316. (3.)
The Wounded Liver. Song. Sec Ah.
Ah me, weU a day ! etc. [1755.] 8°.
250. c. 2.
The Wounded Maid. [Song.] See Gentle.
Gentle Love, to paint my Lover.
[1740?] s.sh.iol. G-. 308. (22.)
WRAGG (J.) Three Duettos, for two
German Flutes . . . Op. v. [Separate Parts.]
Printed for the Author:
London, [1800?] fol. g. 225. (14.)
[Another copy.] g. 280. h. (10.)
The Flute Preceptor ; or The whole Art
of Playing the German Flute. . .To which
is added. . .a. . .Selection of Favorite Airs,
etc. Printed for the Author :
London, [1790.] obi. 4°. b. 117. (1.)
The Oboe Preceptor ; or the Art of Playing
the Oboe. . .To which is added, an elegant
Selection of .. .Airs. . .also a Set of easy
Preludes . . . Op. iv. Printed for the Author :
London, (1792.) ohl. 4°. b. 117. (2.)
A familiar Solo for the German Flute,
accompanied by a Violoncello or Piano
Forte. . .No. iv. Printed for the Author :
London, \yi9b'>'] fol. g. 221. (9.)
A Fifth Familiar Solo for the German
Flute or Hautboy, with an Accompaniment
for a Violoncello or Bassoon, etc.
Printed for the Author :
London, [ISOO?] fol. g. 221. (10.)
See Pleyel (I. J.) [2. Duets, a.] Three
Concertante Duettos . . . arranged ... by J.
Wragg. [1800?] fol. h. 250. b. (13.)
See PujOLAS (J.) Three Concertante
Duettos . . . revised by J. Wragg.
[1800?] fol. h. 250. b. (12.)
WRANGLING. The Wrangliug_ Lovers.
Song. See Jockey. Jocky and Jenny to
Kirk went together. [1750 ?] s. sh. fol.
G. 316. (91.)
WRANICZKY (Paul) III Divertisse-
ments en Quatuor pour Forte-Piano,
Violon, Alto et Violoncelle obliges . . .
Oeuvre 34. Livre 3. Chez J. Andri :
Offenbach s. If., [1800 ?] obi. fol.
d. 75. (6.)
The Pianoforte part only.
WRANICZKY (Paul) Sis Duos Con-
certants pour Deux Flutes . . . CEuvre
XIII'". [Separate Parts.] Cliez le &'■' Sieber :
Paris, [1790 ?] fol. g. 280. j. (10.)
Six Duos pour deux Fluttes. CEuvre xiii^.
[Separate Parts.] Chez Lnbault :
Paris, [1795 ?] fol. g. 69. (25.)
Six Duos Concertants pour Deux Flutes
. . . Oeuv. 38. 2 Liv. [Separate Parts.]
Chez Gombart ct Comp. :
Augsbourg, [1800?] fol. g. 280. b. (21.)
Oberon, Konig der Elfen, eine Operetta
in drei Auf ziigen . . . im Clavierauszuge,
Bei J. M. GiJtz : Worms, [1795 ?] fol.
D. 308.
III. Quartetti per Due Violini, Viola e
Violoncello. . .Opera I. [Separate Parts.]
Presso Hoffmeister : Vienna, [1790 ?] fol.
h. 2828.
Six Quatuors pour deux Violons, Alto &
Basse. . .Oeuvre 23"'^ 2 Liv. [Separate
Parts.] Chez J. Andri : Offenbach sur le
Mein, [1793.] fol. g. 410. a. (11.)
Six Quatuors pour deux Violons, Alto &
Violoncelle . . . Oeuvre 30'"°. Liv. 1.
[Separate Parts.] Offenbach sur le Mein,
[1794.] fol. ■ g. 410. a. (13.)
Quatre Quintetts pour Hautbois, Flute,
Deux Violas & Violoncelle . . . Oeuvre iii.
[Separate Parts.] Ches J. J. Hummel :
Berlin, [1790 ?] fol. h. 2828. a.
Sei Sestetti a Flauto, Oboe, Violiuo, due
Viole e Violoncello. [Separate Parts.]
Hoffmeister : Vienna, [1795 ?] fol. g. 482.
Grande Simphonie a Plusieurs Instru-
ments compos^e ... a I'occasion de la
Restauration de la liberty hongroise le
28 Janvier 1790, etc. [Separate Parts.]
Chez Lnbault : Paris, [1790.] fol.
g. 474. e. (6.)
Grande Sinfonie Caracteristique pour la
paix avec la Republique Francjoise.
Giluvre xxxi. [Separate Parts.]
I. C. Gombart et Comp. :
Augsbourg, [1797.] fol. h. 2828. b.
WRANITZKY (Paul) See Wraniczky.
WRANIZKI (Paul) See Weaniczky.
WREATH. The W^reath. [Songs.]
See Hook (J.)
The Wreath. Canzonet.
See MozAET (W. A.) [3. Songs, a.]
Mozart's . . . English Canzonetts. No. 5.
WRETCHED. The Wretched Captive.
[Song.] See Anglosini ( )
WRIGHT (John) The Essex Llelody, or
Psalmist's Recreation, comprising Six
Anthems and Six Psalm Tunes ; to which
are added Two Hymns . . . The whole
composed for Four Voices with a Thorough
Bass for the Organ or Violoncello, etc.
Longman & Brodcrip, for tlie Author :
London, [1790 ?J fol. G. 973.
702
WRIGHT— WYVILL
"WRIGHT (T.) Arise and hail the sacred
day. Hymn for Christinas-Day. The
Words by IMr. Oats. Set to Musick by
Mr. T. Wright, both of Devonshire.
{London, 1748.] 8°.
Gcntlc7nan's Magazine,
p. 516.
249. c. 18.
Vol. XVIII.,
"WRIGHT (Thomas) Ah 1 tell me no
more. A Favorite Song . . . The Words
by P. Pindar. [Pull Score.]
{London, 1795 ?] fol. G. 806. e. (77.)
A Concerto, for the Harpsichord or Piano
Forte, with Accompaniments for two
Violins, two Oboes, two Horns, a Tenore
& Bass, etc. [Separate Parts.]
Preston & Son, for the Author :
I/onfZoTC, [1795 ?] fol. g. 116. a. (8.)
How happy was my morn of Love ; a
Favorite Song. . .The words by P. Pindar.
[Full Score.] J. Bland : London,
[1790?] fol. H. 1994. d. (63.)
March for Clarinets, Horns & Bassoons,
also adapted for the Piano Forte, com-
posed for the use of the First Battalion
of West York Militia, etc. G. Gouldinq :
London, {imO'>^ fol. h. 1568. b. (24.)
Two Marches for Clarinets, Horns &
Bassoons, also arranged for the Harpsi-
chord or Piano-Forte. Composed for the
use of the East York Militia, etc.
G. Goulding : London, [1800 ?] fol.
h. 1568. b. (23.)
Quis multa gracilis. The Fifth Ode of the
First Book of Horace, [Song,] Set to Music
with a Harp or Piano Forte Accompani-
ment. Printed for J. Dale :
London, [1796 ?] fol. G. 199. (31.)
Six Songs with a Thorough Bass for the
Harpsichord. . .Opera i. Netvcastle wpon
Tyne, [1785 ?] fol. H. 1650. a. (18.)
The Success of Damon's Invocation to
Chloe. [Song, words] By the author of
the Invocation, etc.
{London,] 1791. s. sh. 4". P.P. 5141.
Lady's Magazine, Nov., 1791.
WRIGHTEN ( ) Mrs. I could not
help laughing at that, a Favourite Ballad,
composed and sung by Mrs. Wrighten,
etc. Printed for S. A. £ P. Thmnpson :
London, [1785 ?] fol. H. 1653. (49.)
Kiss me now or never. A favorite Ballad,
written, composed, and sung by Mrs.
Wrighten, etc. Longjuan and Broderipi :
{London, 1785 ?] fol. H. 1653. (50.)
WRIGHTEN ( ) 'Twas yes, kind
Sir and I thank you too. A Favourite
Scotch Ballad, composed & sung by Mrs.
Wrighten, etc. Printed for S. A. d P.
Thompson : London, [1785 ?] fol.
H. 1653. (51.)
'Twas yes, kind Sir. Sec Ruddy. The
ruddy morn blink'd o'er the Brae, etc.
[By Mrs. Wrighten.] [1790?] s. s7i. fol.
H. 1601. b. (56.)
Y^'oung Willy, a Favorite Scots Song,
written, composed & sung by Mrs.
Wrighten, etc.
Printed for S. A. cO P. Thompson:
London, [1785?] fol. G. 808. f. (53.)
WSCHEJANSKY (Philipp) Praelu-
dium fiir das Piano Forte. . .Oeuv. 5. hn
Verlag der K-K.pr. chemischen Druckereij :
Wien, [1800?] obi. fol. f. 65. b. (17.)
WULIiY. WuUy and Georgy. Song.
See Akeroyde (S.)
Wully is a Bonny Lad. Ballad.
See SANDEESOix (J.)
"WYNNE (John) The Country Life, for
two Voices, etc. {London,
1755?] s.sh.iol. G. 316. (165.)
Ten English Songs, etc.
John Johnson, for the Author:
London, 1754. fol. H. "1650. a. (19.)
Twelve English Songs. J. Simpson :
London, [1750 ?] fol. G. 806. i. (14.)
WYNNE (Richaed) Six Divertimentos
for a Violin Tenor & Violoncello . . .
Published by Lewis Borghi. [Separate
Parts.] W. Forsfer:
London, [1781 ?] fol. h. 5. d. (1.)
"WYVILL (J.) Friar John in his cell
made his exit of late. An Epigram. [Two
Part Song.] P. E{odgson :
London, 1780 ?] fol. G. 307. (225.)
"WYVILL (Z.) The Armed Yeoman. A
new Song written by Sir W. Y'ouug, the
Music, adapted for the Harpsichord by
Z. Wivill, etc. Longman and Brodcrip,
for the Compiler: London, [1795?] fol.
G. 376. (44.)
The Berkshire INIarch in 8 Parts. Com-
posed for the Berkshire IMilitia at the
Desire of . . . the Earl of Radnor, etc. [Full
Score.] Longman and Broderip,
for the Author : London, 1793. fol.
g. 133, (64.)
XERXES— YE
703
XERXES. Xerxes. Opera.
See Haendel (G. P.) [Serse.}
XIMENEZ (Nicolas) Six Solos for a
Violiu, etc. Welcker :
London, [1770 ?] fol. g. 422. b. (2.)
XIMENEZ DE CISNEROS (Feak-
cisco) Cardinal. Passionarium Toletanum
(in quo cotinentur . Quattuor passiones .
Matthei . Marci . Luce et Joannis . Lainen-
tationes ieremie prophete . Benedictio
cerei paschalis . Duo euangelia que can-
tantur iu natiuitate domini t, epiphania.
Dominica in ramis Llarci cap. xxvj.).
[Edited, with a prefatory letter, by
Cardinal Frauciscus Ximenez de Cisneros.]
(B, iL. ox VELLUM. FEW MS. ADDITIONS.
Impressum. . .in. . .acadcmia Comphitensi.
in officina Arnal di guillehni Brocarij,
1516. fol. Case 35. k. 10
Y., E. Shepherd wouldst thou here obtain,
a favorite Song. Composed by E. Y.
Printed for G. Gonlding :
London, {1190 'i] fol. G. 810. (71.)
YANIEWICZ (Felix) A New Grand
Concerto with an Accompaniment for a
Violin. . .Adapted for the Piano Forte. . .
by I. L. Dussek. [Separate Parts.]
Leiuis, Houston d Hyde :
London, [1800?] fol. g. 418. b. (6.)
YANKEE DOODLE.
[Song.] See L., T.
Yankee Doodle.
YARD. Yard Arm and Yard Arm. Song.
See Sanderson (J.)
YARROW. Yarrow Yale.
See Hook (J.)
Song.
YATES (William) Among the fond
Shepherds Narcissa the fair. [Song,]
Sung by Mr. Vernon at Vauxliall.
{London, 1780?] fol. G. 306. (213.)
Colin's Address. [Song.] The Words by
the Earl of Chesterfield. {London,
1760?] s. sh. fol. G. 306. (118.)
Collin's Address. [Song.] The Words
by the Earl of Chesterfield. [London,
1767.] 8". P.P. 5441.
Royal Magazine, Vol. XVII., p. 32.5.
A Collection of Moral Songs or Hymns
for a Voice, Harpsichord and Guittar.
[Words by I. Watts.] Printed for
Thompson and Sons : London, [1761 ?] fol.
G. 805. r. (6.)
A Collection of Songs sung at Vaux-Hall
and Marybone Gardens.
C. and S. Thompson, for the Author :
London, [1770 ?] fol. G. 378. a. (14.)
[No. 3.] A Bacchanalian, etc.
See Bacchus. Bacchus, Jove's delightfuU
Boy, etc. [1770 ?] fol. G. 306. (205.)
Haughty Delia. [Song.] Sung by Mr.
Vernon at Vaux-Hall. {London,
1770 ?] s. sh. fol. G. 313. (226.)
YATES (William) Haughty Delia.
[Song.] See What. What's Chloe to
me, etc. [By W. I'ates.] [1768.] 8".
P.P. 5438. z.
The Landscape. [Song.] Words by Mr.
Shenstone . . . sung by Mr. Vernon at
Vauxhall. R. Falhcncr : London,
[1775 ?] s. sh. fol. H. 1994. a. (65.)
The Matron's Advice. [Song.] Sung by
Mrs. Lampe at Sadler's Wells, etc.
{London, 1767.] 8^ 158. 1. 12.
London Magazine, 1767, p. 587.
[The Novelty.] Le Friseur Francoise or y'=
French Hair-dresser. [Song.] Sung by
Master Herryman at Sadlers Wells, in
the Novelty, etc. {London,
1770?] s.sh.lol. G. 312. (160.)
Now the Summer advances. A Neio
Musical Address to the Town on the
Opening of Slarybone Gardens. Sung by
Mr. Lowe, Miss Catley, Miss Miles and
Miss Smith. {London, 1763.] s. sh. fol.
G. 305. (1.)
[Another edition.] Now the Summer
advances. .4 New Musical Address to the
Toion, etc. {London, 1763.] s. sh. fol.
G. 310. (171.)
Six Easy Sonatas for the Harpsichord . . .
Opera iii. Printed for C. and S.
Thompson : London, [1770 ?] ohl. fol.
e. 5. f. (9.)
The New Songs sung by Miss Wearman,
Mr. Vernon and Mr. Gibson at Vaux-Hall.
R. Bremner : London, [1765 ?] fol.
G. 378. a. (13.)
The Tell Tale. [Song.] . . . Sung by Jlr.
Vernon. {London, 1770?] s. sh. fol.
G. 316. (166.)
'Tis Taste now to travel. [Song.] Sung
by Mr. Vernon. The words by G. A.
Stevens. {London, 1775 ?] fol.
G. 312. (210.)
Ye Virgins attend. [For editions pub-
lished anonymously :] See Y"e.
YE. Ye airy warblers of the grove. The
Blooming Spring. [Song.] P. H[odgson :
London, 1780?] s. sh. fol. G. 314. (37.)
704
YE
YE. Ye Bards who extol the gay Valleys and
glades. Eobin Hood's Hill. A favourite
Song. Printed for T. SJiilkrn : London,
[1780?] s. s7i. fol. G. 314. (53.)
Ye beaus of London City. The Eternal
Beau. [Song.] [1720?] s. s7(. fol.
G. 305. (249.)
Ye Beaus of Pleasure. The Beauteous
Fhillis or Beans of Pleasure [Song] the
words by IMr. Durfey. [London,
1715?] s. sh. fol. G. 316. g. (76.)
[Another setting.] Ye beaus of pleasure.
A Neiu Song sung by Mr. Bartholomew
Piatt at Sadlers Wells. [London,
1730 ?] s. sh. fol. G. 305. (285.)
[Another copy.] H. 1601. (541.)
Ye beauteous Maidens all draw near. lo
transformed into a Cow. [Song.] [London,
1710?] s.sh.tol. G. 305. (257.)
Ye beauteous Nymphs. A New Figary.
[Song, to the tune of " The Play of Love,"
music by J. C. Pepusch.] Cross : [London,
1728 ?] s. sh. fol. G. 305. (306.)
Ye Belles and Beaux, attend my Song.
[Song.] Sung by Mr. Gilson at Vauxhall.
[Music by J. Potter.] [London,
1760?] s. s7i. fol. G. 314. (78.)
Ye Belles and Beaux, attend my Song.
A Neiu Song [by J. Potter]. Sung by
Mr. Gilson at Vauxhall. [London,
1764.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XXXV., 2^- 101.
Ye Belles and Beaux, attend my Song.
[Song.] See Potter (J.)
Ye Bell's and Beau's, of London Town.
The Macaroni. [Song.] The Words by
Mr. Oakman. C[harles and] S[a7nuel]
Tihompson: London, 1715 7] s.sh.iol.
G. 316. (167.)
Ye Belles and ye Beaux. [Song.]
See SCHKOETER (J. S.)
Ye Belles and ye Flirts. A Song for
Banelagh. [Words by W. Whitehead.]
[London, 1750 ?] s. sh. fol. G. 314. (27.)
Ye blithsome Lads. [Song.]
See Walton (H.)
Ye blooming Virgins. [Song.]
See BoYCE (W.) [Solo7non.'}
Ye bold Sons of Nimrod. Song.
See Hook (J.)
Ye brave Boys and Tars. Ballad.
See Abell (J.)
Ye Britons be bold. Song.
See Hoffmann (J.) Miss.
Ye Brittons draw near. Upon the taking
of Chagre Castle by Adml. Vernon. [Song,
Music by J. F. Lampe.] [London,
1740.] s. sh. fol. G. 314. (56.)
Ye Britons so free. Unanimity recom-
mended to the People of England. [Song,
by B. Hudson.] Bland : [London,
1780?] s.sh.iol. G. 314. (80.)
YE. [Another setting.] Ye Britons so free.
Success to Old England. [Song.]
S[amuel] A[nn and] P[eter] T[hompson :
London, 1785 ?] s. sh. fol.
H. 1601. a. (106.)
[Another setting.] Ye Britons so free.
Song. See Hodson (W.)
Ye Britons so free. Song.
See Hudson (R.)
Ye Bucks, INIale and Female. E. 0.
[Song]. Sung. . .at Sadlers Wells.
Longman and Broderip :
London, [1780 ?] fol. G. 314. (40.)
[Another edition.] Ye Bucks Male and
Female. E. 0., etc. [Song.]
Elizabeth Rhamcs: [Dublin^
1780?] s. sh. fol. H. 1601. a. (79.)
Ye Chearful Virgins have ye seen.
Myrtilla. [Song, by S. Howard.] Sung
by jMr. Beard at Banelagh. [London,
1760?] s.sh.iol. H. 1994. a. (35.)
Ye ChearfuU Virgins. Glee.
See Howard (S.)
Ye Circum and Uncircumcis'd. The
Hubble Bubbles. A Ballad by Mr. D'urfey,
to the tune of O'er the Hills and far
away. — Within Compass of the Flute.
[London, 1715 ?] s. sh. fol.
H. 1601. (542.)
[Another edition.] Ye Circum and Un-
circumcis'd, etc. [London,
1720 ?] s. sh. fol. G. 305. (308.)
Ye Citizens wise, who gave Janssen your
A'oice. Foi- Lord Mayor's Day 1734. A
Congratulatory Ballad to the Citizens of
London on their Electing Mr. Alderman
Janssen, Lord Mayor. To the Tune of
which no Body can deny. [London,
1754.] s. sh. fol. G. 314. (58.)
Ye Classics pray talk not of Beauties of
yore. TJie Xyniph of tlie Hill. [Song.]
[London, 1770?] s. sh. fol.
I. 530. (184.)
Ye Coxcombs and Beaus. The Retort.
[Song.] Within Compass of the G Flute.
[Lo7if7o«, 1754?] s. s7i. fol. G. 314. (61.)
[Another copy.] G. 303. (61.)
Ye Critics above. All in the Wrong.
[Song.] The Words by Mr. Garrick.
[London, 1750 ?] s. sh. fol.
G. 316. f. (118.)
Ye dear pretty Ladies. The Flirtation.
[Song.] [iondoTC, 1760 ?] s.sh.iol.
G. 314. (38.)
Ye dull thinking souls. Sparkling Cham-
paigne. [Song, by J. Collett.] Sung by
Mr. Lowe, at Marybono Gardens.
[London, 1768.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XLII.,p. 265.
Ye envious Winds forbear to blow. Song.
See Hart (P.)
YE
705
YE. Ye Pair, from Plan's insidious Love.
The Eetort. [Song, by T. A. Arue.] Sung
by Mr. Lowe at Vauxhall.
[London, 1753.] 8^ 157. L 15.
London Magazine, 1753, p. 432.
Y"e fair marri'd Dames. Song.
See Aeice (T. A.) [The Way to keep him.]
Ye Fair, possess'd of ev'ry Charm. In-
struction for the Fair. A New Song.
[By T. A. Arne.] [London, 1761.] 8°.
158. 1. 6.
London Magazine, 1761, p. 666.
Ye fair possess'd of ev'ry charm. The
Waij to keep him. A New Song Tby T. A.
Arne]. [London, 1769.] 8\ P.P. 5438. z.
Universal Magazine, Vol. XLIV.,p. 208.
Ye fair, who shine through Britain's isle.
The Way to keep him : a New Song.
[London, 1760.] S". P.P. 5438. z.
Universal Magazine, Vol. XXVII. , p. 149.
[Another setting.] Y^e Fair who shine
thro' Britain's Isle. Tlie Way to keep
him. [Song.] [London,
1760?] s. sh. fol. G. 316. f. (129.)
Ye Fair ye Lovers at my Call. [Song.]
See Harlequin Touchstone.
Ye famed witty Nine. Song.
See Bates (W.)
Ye Foplings & Smarts. Song.
See Long (S.)
Ye freeborn hearts, that hold most dear.
A new Loyal Song, in two Parts.
[London, 1747.] 8". 249. c. 17.
Ge7itleman's Magazine, Vol. XVII.,
p. 584.
Ye Friends to your Country. A New Song
on the Enlargement of lohn Wilkes, Esq''. . .
April 1770. L[ongman] Llukey] d: Co. :
[London, 1770.] s. sh. fol. |G. 314. (47.)
Y^e gales that gently wave the sea. The
Bonny Scot. [Song, the words by A.
Ramsay.] [London, 1730 ?] s. sh. fol.
G. 314. (15.)
Y'e gay sons of Bacchus. Song.
See Hawkins (A.)
Ye gentle gales. A Song. [London,
1735 ?] s. sh. fol. G. 316. f. (138.)
[Another setting.] Ye gentle Gales that
fan the Air. A So^ig. Sung by Mrs.
Chambers at Marybon Gardens. [London,
1755?] s.s/i. fol. G. 305. (286.)
[Another copy.] G. 314. (13.)
[Another setting.] Ye gentle Gales.
[Song.] C[harles and] S[amnel]
Tlhompson: London, 1110'^] s. sh. iol.
G. 314. (51.)
[Another setting.] Ye gentle gales that
fan the Air. Song. See Eccles (J.)
Ye gentle Winds that fan the Sea. Eoger
of the Dale. A Favourite English Song.
[Music by W. Riley.] [London,
1750?] s.sh.tol. G. 314. (25.)
VOL. II.
YE. Ye Gods hear my Pray'rs. A Neiu
Song. [London, 1764.] 8°. P.P. 5441.
Eoyal Magazine, Vol. X., p. 322.
Y'e Gods that round fair Celia wait. Fair
Celia. A new Song. [London,
1720?] s. sh. fol. H. 1601. (546.)
Ye Gods ye gave to me a Wife. Song.
See Devil to Pay.
Y^e good Fellows all. Bumpers 'Squire
Jones. A Drinking Song. [London,
1745 ?] s. sh. fol. G. 305. (256.)
[Another copy.] G. 303. (94.)
[Another copy.] G. 315. (94.)
[Another edition.] Ye good Fellows all.
Bumpers Squire Jones, etc. [London,
1745 ?] s. sh. fol. G. 316. f. (120.)
Y"e happy Nymphs. A Song. The Words
by Mr. aianley. [London,
1710?] s.sh.loL G. 316. f. (126.)
Ye hardy Sous. [Song.] P. H[odgson :
London, 1180 •>] s.sh.tol. G. 314. (43.)
Ye Hearts of Oak, who wish to try. A
Neio So7ig Sung at the Pantheon on
Llonday Night, April the 3'', and distri-
buted by Mr. Merlin, from his Sailing-
Boat. L[ongman] & B[roderip : London,
1780 ?] s. sh. fol. G. 314. (89.)
[Another edition.] Ye Hearts of Oak,
who wish to try. The British Tars.
[Song.] [London? 1780?] s.sh.tol.
'- ^ ^ H. 1601. a. (101.)
Ye Hills. Song. See Hoesley (W.)
Y'e Hunters so bold who delight in a
Chace. The Fox Ghace. [Song.]
S[traight and] Sk[illern : London,
1775 ?] s. sh. fol. G. 314. (63.)
Ye Jacks of the Town, The famous
Ballad . . . Written by Mr. D'urfey.
[Lo7idon, 1711 ?] s. sh. G. 314. (9.)
Y'e Jobbers, Under Writers. A Favorite
Song Sung by Miss Romanzini ... at the
Royal Circus. [Words and music by
C Dibdin.] J. Welcker: London,
[1782?] fol. G. 806. e. (78.)
Ye Jolly True Blues of the Main. Grog
is the Liquor of Life. [Song.] The
Words by ilr. Green. W[iniam] N[apier :
London, 1756 ?] s. sh. fol. G. 316. (168.)
Y^e Lads and ye Lasses so buxom and
clever. Patrick's Day in the Morning.
A favorite Irish Song. Str[aight] cO
SMillern : London, Yill ?] s. sh. fol.
G. 314. (52.)
Y'e Lads & ye Lasses y' live at Longleat.
A Song made on a Gentlemans sitting
upon a Cremona Fiddle. [Words attri-
buted to Dean Swift.] [London,
1730?] s.sh.tol. G. 305. (149.)
[Another copy.] G. 314. (7.)
[Another edition.] Ye Lads & ye Lasses
v' live at Longleat, etc. [London,
1730?] s.sh. fol. H. 1601. (550.)
2 z
706
YE
YE. Ye Lasses so gay who now sport on
the Plain. Ballad. See Blewitt (J.)
Y''ee little Loves that hourly waite. Song.
See Vanbrughe (G.)
Y"e Lovers of Ditties attend. The Queer
Mouth'd Family . . . set to the Old Woman
cloathed in Gray. The Little a, : [London,
1780 ?] s. sh. fol. G. 314. (90.)
Ye lovers of frolick come list to my tale.
The Trimmers. A Humourous Ballad . . .
being a true account of the manner in
which the Wife of the EeV^ Doctor * * * *
was deprived of her Forelock. Sir[aight']
d- Sk[illerii: London, 1775?] s. sh. fol.
Q. 314. (81.)
Ye maids our lesson bear in mind. Song.
See DiBDiN (0.) [The Talisman.]
Ye ]Medley of Mortals that make up this
Throng. The Masquerade Song. Sung
by Mr. Beard, at the Jubilee Ball at
Ranelagh. [By W. Defesch.]
[Lo7idoji, 1749.] 8°. P.P. 5438. z.
Universal Magazine, Vol. V., p. 49.
Ye medley of mortals that make up this
throng. The Masquerade Song. Sung
by Mr. Beard, at Ranelagh. [By W.
Defesch.] [London, 1749.] 8".
249. c. 19.
Gentleman's Magazine, Vol. XIX., p. 371.
Ye Medley of Mortals that make up this
Throng. The Masquerade Song. Sung
by Mr. Beard at Ranelagh. [By W.
Defesch.] [London, lli9?] s. sh. iol.
G. 305. (174.)
[Another copy.] G. 314. (24.)
[Another edition.] Ye Medley of Mortals
that make up this Throng. TheMasqucrade
Song, etc. [By W. Defesch.] [London,
1750?] s. s7i.fol. G. 316. f. (119.)
[Another copy.] H. 1994. b. (108.)
Ye merry hearts that love to Play at
Cards. [Song.] [London,
1710 ?] s. sh. fol. G. 305. (247.)
Ye Minutes bring the Happy Hour. Song.
See PuRCELL (D.) [The Funeral.]
Ye Monarchy haters. TJie Loyal Health:
occasion'd by His Majesties most Happy
Deliverance from the late . . . Conspiracy,
by the Fire at Newmarket. (Joy to th'
bonny bold Britains. Loyalty Triumph-
ant: ox, Phanaticism Displayed.) [Songs.]
Printed for C. Corbet :
[London,] 1684. fol. 11630. fF. 2. (9.)
Ye mortals that love drinking. Song.
See James (J.)
Y^e Mortals whom Fancies and Troubles
perplex. Song. See Lethe.
Ye Mortals whom trouble and Sorrow
attend. The Charms of the Bottle. [Song.]
Sung by Mr. Dearl at Finch's Grotto
Gardens the Words by Young D'Urfey.
[London?-, 1765 ?] s.sh.iol. G. 314. (44.)
YE. Ye Nymphs and Rural Swains. The
Force of May, [Song] to the Tune of the
Fairys. The Words by A. Bradley.
[London, lllbr] s. sh. iol. G. 314. (3.)
Y^e Nymphs and Swains, come join with
me. A Pastoral Ode in Praise of Peace.
The Words by F. Forrest. [London,
1760 ?] s. sh. fol. G. 316. (169.)
Ye Nymphs and Swains that attend.
The Faivning Sioain. [Song.] Set for
the German Flute. [Loyidon,
1735 ?] s. sh. fol. G. 316. f. (139.)
Y'e Nymphs and Sylvian Gods. Song.
See EccLES (J.) [Don Quixote. Part II.]
Ye njTiiphs and ye shepherds. Advice to
the Ladies. [Song.] [London,Vtm.] 8".
P.P. 5441.
Royal Magazine, Vol. XV., p. 100.
Ye nymphs who inhabit the plain. Song.
Sec Hudson (R.)
Y"e nymphs who to the throne of love.
Song. See Howard (S.)
Y'e Powers who taught. Song.
See Webbb (S.) the Elder.
Ye Prigs who are troubled with Con-
science's Qualms. Song.
See Provoked Wipe.
Ye Quid-nuucs & Politic Asses. The
Parliament Man. [Song.] Sung at the
Mask'd Ridotto at the King's Theatre,
etc. A[braha.m] P[ortal :
London, 1780 ?] s. sh. fol. G. 314. (91.)
Y'e Rakes and ye Beaus. Song. See R., D,
Y"e ruling Pow'rs. The Lover's Wish. A New
Song. [London, 1765.] 8". P.P.^5438. z.
Universal Magazine, Vol. XXXVII.,
p. 372.
Y'e rural Swains who never knew. A Neio
Song, the Words by Mr. John D. . .s upon
the loss of his Mistress. [London,
1720 ?] s. sh. fol. G. 305. (307.)
Ye Sacred Muses now attend. Song.
See Davies (R.)
Ye Saints and servants of the Lord. Hymn.
[Words from Tate and Brady's Version of
the Psalms.] [London, 1778.] 8°.
P.P. 716. b.
Gospel Magazine, Sept.,lllS.
Ye Scamps, ye Pads, ye Divers. Song.
See Choice of Harlequin.
Ye Shepherds and Nymphs. The Dis-
pairing Shepherd. A Song.
[London, 1758.] 8°. 158. 1. 3.
Lojidon Magazine, 1758, p. 204.
Ye Shepherds and Nymphs. The True
Lover, [Song,] Set for y" German Flute.
[London, 1735 ?] s. sh. fol.
G. 316 f. (117.)
Y'e Shepherds give ear to my iay. The
faithless Nrjmph. [Song, the words by
W. Shenstone.] [London, 1760 ?] fol.
G. 314. (68.)
YE
707
YE. [Another setting.] Ye Shepherds,
give ear to my Lay. Song.
See Stevenson [Sir J. A.)
Ye Shepherds that frequent the Groves.
A Pastoral Elegy. I. F[entti~\m :
[Lojidon, 11 SO?] s.sh.iol. G. 314. (88.)
Ye Shepherds ye Nymphs and ye Swains.
Song. See Gaudry (R.)
Ye Silvan Pow'rs that rule the Plain.
Duett. See Abeams (H.)
Ye Sluggards. A Favourite Hunting Song.
Sung by Mr. Vernon at Vairxhall.
[E. Falkener : London, 1775 ?] fol.
H. 1994. a. (133.)
Ye Sons of England take your Arms. A
British Allans Enfans de la Patrie [Song]
...Adapted for the Piano Forte, Harp,
Harpsichord, German Flute & Guitar.
Printed for J. Dale: London, [1798?] fol.
G. 376. (46.)
Ye sons of France awake to glory. The
Marseilles March, as Sung by the Mar-
seillois going to Battle, & by General
KeUerman's Army, instead of Te Deum,
being ordered so by the National Conven-
tion, etc. [Words and music by C. J.
Rouget de Lisle.] J. Bland :
London, [1792 ?] fol. G. 360. (58.)
Ye sons of Israel now lament. Song.
See Haendel (G. F.) [Samson.'\
Ye Sons of the Bottle. Bacchus' s Invita-
tion. [Song.] The Words by a Gentleman,
set by an Eminent Master. {London,
1740?] s.sh.iol. G. 314. (60.)
Ye Sons of the Platter give Ear. An
Excellent Neiu Good Eating Song.
[London, 1730 ?] s. sh. fol.
H. 1994. b. (110.)
Y^e Sons of true Courage. The English
Heroes. A Loyal Song. Sk^llern:
London, 11807] s.sh.iol. G. 314. (54.)
Ye Sportsmen draw near. Tally Ho, a
favourite Hunting Song, etc. Anne Lee :
[Dublin, 1780 ?] fol. H. 1601. a. (90.)
Ye spotted Snakes. Glee.
See Eaele (W. B.)
[Another setting.] Ye spotted Snakes.
Glee. See Stevens (R. J. S.)
Ye strangers and natives, to our Exibi-
tion. The Celestial Bed. [Song.]
ILondon, 1780 ?] s. sh. fol. G. 314. (85.)
Ye streams that round my Prison creep.
Song. See Storage (S.) ILodoiska.]
Ye swains that are courting a maid. ^-1
Neiu Song. Sung by Miss Stevenson at
Vaux-Hall. [London, 1748.] 8^
157. 1. 10.
London Magazine, 1748, p. 376.
Ye swains that are courting a maid. A
Song . . . Sung by Miss Stevenson, at
Vaus-HaU. [London, 1748.] 8".
P.P. 5438. z.
Universal Magazine, Vol. III., p. 86.
YE. Ye Swains that are courting a Maid
[Song.] Sung by Miss Stevenson.
[London, 1760 ?] s. sh. fol.
G. 314. (21.)
Ye swains who possess the rich treasure.
Song. See Hayes (W.) [Circe.]
Ye thirsty Souls who love to drink. A
Bacchanalian Song [words] by Mr. J.
James. [London, 1780 ?] s. sh. fol.
G. 305. (131.)
Ye tradeful merchants. Sonnet.
See Greene (M.) [Sj^enser's Ainoretti.
Sonnet IV.]
Ye true British Sportsmen. Song.
See Hook (J.)
Ye true honest Britons. A Neio Song.
Sung by Mr. Beard, etc.
[London, 1757.] 8". P.P. 5438. z.
Universal Magazine, Vol. XXL, 2}- 87.
Ye verdant HiUs. A neio Song. [From
G. F. Handel's ' Susanna.']
[Lo7idon, 1756.] 8°. 158. 1. 1.
Loiulon Magazine, 1756, p. 896.
Ye verdant hills. Song. »
See Haendel (G. F.) [Susanna.]
Ye Virgin Powers. Rondo.
See Smith (T.)
[Another setting.] Ye virgin pow'rs de-
fend my Heart. [Song.] See Howard (S.)
[Another setting.] Ye Virgin pow'rs
defend my heart. Song.
See Whichello (A.)
Ye Virgins attend. A Neio Song [by W.
Yates]. Sung by Mr. Gilson, at Vauxhall.
[London, 1764.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XXXIV.,
p. 374.
Ye Virgins attend. A Neiu Song, etc.
[By W. Yates.] [London, 1764.] 8^
P.P. 5440.
Universal Museum, etc.. Vol. III., p.
589.
Y^e Virgins attend. A Neio Song [by W.
Yates]. Sung by Mr. Gilson, at Vaux hall.
[London, 1767.] 8°. P.P. 5438. z.
Universal Magazine, Vol. XL., p. 150.
Ye Virgins of Albion attend. Song.
See Hudson (R.)
Ye Virgins of Britain, who wisely attend.
The Virgin's Monitor. [Song.] Sung by
Mr. Vernon, this season, at Vaux hall.
E. Falkener : London, [1775 ?] fol.
H. 1994. a. (124.)
Ye Virgins who do listen. The Unnatural
Parent, or the Virgin's last Resolve.
[Song.] Sung by Mr. Beard at Ranelagh.
[London, 1750?] s. sh. fol.
G. 314. (26.)
[Another edition.] Ye Virgins who do
listen. The Unnatural Parent, etc.
[London, 1750 ?] s. sh. fol.
H. 1994. b. (111.)
2 z 2
708
YE— YON
YE. Ye Virgins who do listen. The Un-
natural Parent, or the Virgin's last Resolve.
[Song.] Sung by Mr. Beard, at Ranelagh.
[London, 1752.] 8°. ^ P.P. 5438. z.
Universal Magazine, Vol. XI., p. 77.
Ye Virgins who do listen. The Utmatural
Parent, or the Virgins last Resolve.
[Song.] Sung by IMr. Beard at Ranelagh.
[London, 1757.] s. sh. 8". P.P. 5439. ab.
Neio Universal Magazine, August, 1757.
Ye Vot'ries of Venus and Bacchus attend.
Bagniggc Wells. A Song.
[London, 1759.] 8°. 158. 1. 4.
London Magazine, 1759, p. 332.
Ye warblers sweet no longer roam.
Florella's hivocation. A Favorite New
Pastoral Song sung by Mr. Brett.
J. Fcntum : [London, 1780 ?] fol.
G. 314. (42.)
Ye warblers while Strephon I moan.
Phillis' Complaint. [Song.] [Lo7idon,
1750 ?] s. sh. fol. G. 316. c. (40.)
Ye warblers, while Strephon I moan.
Phillis's Co^nplaint. [Song.]
Printed for S. and J. Exshaw :
Dublin, 1752. s. sh. 8°. P.P. 5108.
London Magazine, June, 1752.
Ye warblers, while Strephon I moan.
Phillis's Complaint. [Song.] [London,
1752,] 8°. 249. e. 22.
Gentleman's Magazine, Vol. XXII.,
p. 279.
Ye winds that sighing fill the air. Song.
See Weldon (J.) [The Fair Unfortzmate.]
Ye Woods with grief. [Trio.]
See Beoderip (R.)
Ye works of God on him alone. Part of
the Bcnedicite, paraphrased by M"" Merick,
Adapted [for four voices] to a French
Melody. [London, 1795 ?] fol.
G. 807. a. (9.)
Ye Zephyrs sweet that fan the May. The
Complaint. [Song.] Sung by Mrs.
Weichsell. S[a.muel and] A[nn']
T[ho7npson : London, 1778.] s. sh. fol.
^ ^ G. 314. (84.)
Ye Zephyrs where's my blushing Rose.
Song. See Stevenson {Sir J. A.)
YEAR. The Year Fifty-Nine. [Song.]
See Come. Come all ye brave Britons.
[1759.] s. sh. fol. G. 316. d. (73.)
The Year 1762. [Song.] See 'Tis. 'Tis
the Genius of Britain, etc.
[1762.] s. sh. fol. G. 312. (181.)
YELIiOW-HAIRED. The Yellow hair'd
Laddie. [Soug.]^ See In. In April w"
Primroses paint y sweet plain.
[1720 ?] s. sh. fol. H. 1601. (259.)
[Another edition.] The Yellow Hair'd
Laddie. [Song.] See In. In April when
primroses paint the sweet Plain.
[1765 ?] s. sh. fol. H. 1994. a. (186.)
YEOMANS ( ) The Generous Swain.
[Song.] [London, 1760.] 8°. P.P. 5140.
Lady's Magazine, Vol. II., p. 177.
The Generous Swain, etc. [Song.]
[London, 1760?] s.sh.iol.
G. 316. d. (77.)
YES. l"es Cloe I'm ty'd to obey your
Commands. John A. Nokes's parting
with Cloe. [Song.] [London,
1720?] s. s7i. fol. H. 1601. (548.)
Yes, ev'ry flower that blows. Song.
See Hudson (R.)
Yes Henry, yes, with thee I'll go. [Song.]
See Wilton (C. H.)
Yes I'll give my Heart away. [Song.]
See May Day.
Yes, I'm in Love. [Song.]
See Haendel (G. F.) [6. Duets and
Single So^igs.]
Yes, I will go with thee my love. [Song.]
The Answer to 0 Nancy wilt thou go with
me, with an Accompaniment for the Piano
Forte or Harp. [By E. S. Biggs.]
Printed for R. Birchall : London,
[1800?] fol. G. 805. k. (45.)
Yes 1 my bonny Love, the Answer to
Come my bonny Love, a Duett, with an
Accompaniment for the Piano-Forte [by
E. S. Biggs]. Printed for R. Birchall :
London, [1798 ?] fol. G. 354. (58.)
Yes these are the Scenes. [Song.]
See Hook (J.)
Y"es, yes, be merciless. Song.
See Chaed (G. W.) [Pizarro.']
[Another setting.] l^es ! yes! be merci-
less. Scene. See Salomon (J. P.)
Yes, yes, fair friend, I freely grant. [Song.]
See Twiss ( ) Two Songs. No. 2.
YESTERDAY. Y'esterday. Ballad.
See Haigh (T.)
YET. Yet awhile sweet Sleep deceive me.
[Song.] See Cymon.
Y'et stay, fair Lady. [Glee.]
See Callcott (J. W.)
YEUX. Les yens parlent, mais c'est en
vain que Ton me vante. Chanson Nou-
velle. Air : On compteroit les Diamaus.
[Paris, 1780?] 8°. B. 362. c. (8.)
YIELDING. Yielding Fanny. [Song.]
See Festing (M. C.)
YO. Yo 1 heave ho ! [Song.]
See DiBDiN (C.) [A Tour to the Land's
End.]
Yo Yea, or the Friendly Tars. [Song.]
See DiBDiN (C.)
l"o yo yo. Song. See Hark. Hark the
Boatswain hoarsely bawling, etc.
[1780?] s. s7i. fol. G. 308. (159.)
YOW. Yon Cot by the Sea. [Song.]
See C, M.
YONGE-YOU
709
YONGE (Nicholas) Musica Trausalpina.
Cantus. (Altus.) (Tenor.) (Bassus.)
(Quiutus.) (Sextus.) IMadrigales trans-
lated of foure, fine and sixe parts, chosen
out of diners excellent Authors, with the
first and second part of La Yerginella,
made by Maister Byrd, vpon two Stanz's
of Ariosto, and brought to speake English
with the rest. Published by N. Yonge,
in fauour of such as take pleasure in
Musick of voices. Thomas East, the
assiqni of ^Y. Byrd : London, 1588. 4°.
K. 3. k. 19.
The composers of this collection are :
N. Faignent, O. de Macque, G. P.
Prenestino, B. Donato, F. di Monte,
M. A. Pordenone, G. de Viiert, C.
Verdonch, L. Marenzio, 0. di Lasso,
A. Ferabosco, G. Ferretti, S. Felis,
G. Palestina, B. del Melle, L. Bertany,
G. Conversi, G. B. Pinello and W.
Byrd.
IMusica Trausalpina. Cantus. (Altus.)
(Tenor.) (Bassus.) (Quintus.) (Sextus.)
The Second Booke of Madrigalles, to 5.
and 6. voices : translated out of sundrie
Italian Authors & newly published by
N. Yonge. 6 pts. Thomas Estc: London,
1597. 40. K. 3. k. 20.
The composers of this collection are :
H. Vecchi, A. Ferabosco, G. Eremita,
G. Croce, L. Quintiani, L. Marenzio,
G. M. Nanino, S. Venturi, B. Palavi-
cino, A. Fcliciane and A. Bicci.
YORICK. Yorick at the Grave of Maria.
[Song.] See Carnaby (W.)
Yorick's Fille de Chambre. [Song.]
See Haydn (F. J.) [3. /. Symphonies.
B. £ H. No. 53. Minuet.]
YORK. York Waits. [Song.] See In.
In a Winters Morning. [1710 ?] s. sh. fol.
H. 1601. (247.)
YORKSHIRE. A Yorkshire Tale.
[Song.] See Leveridge (R.)
YORKSHIRE MUSICAL MISCEL-
LANY. The Yorkshire IMusical Miscel-
lany ; comprising an Elegant Selection of
the Most Admired Songs in the English
Language, set to Music. E. Jacobs :
Halifax, ISOO. 4.". C. 463.
YOSLINGTON ( ) An Answer to the
Free Mason's Health, from the London
Journal. [Song, the words by M. Burk-
head.l [London, 1725 ?] s. sh. fol.
H. 1601. (177.)
0 mine awn Jenny. A New Scotch Song.
[London, 1720?] s. sh. fol.
^ H. 1601. (358.)
[Another edition.] 0 mine awn Jenny,
etc. [London, 1720 •>] s. sh. fol.
^ G. 310. (192.)
YOSLINGTON ( ) The Second Part of
the Tipling Philosophers. [Song, words
by E. Ward.] ILondon,
1715?] s. sh. fol. H. 1601. (513.)
Tlie first part loas composed by E.
Leveridge.
[Another edition.] The Second Part of
the Tipling Philosophers, etc. [London,
1720?] s.sh.iol. 1.530.(186.)
YOST (Michel) See Michel (J.) pseud.
YOU. You ask if her I love the most.
[Song, by J. Hook.] Sung by Mr. Vernon.
[Welcker: London, 1115.'] fol.
G. 314. (76.)
Fro7n Welcker's Sixth Book of Hook's
Yauxhall Songs for 1775.
You ask me dear Jack. Punch an Emblem
of the Medium of Life. [Glee for 3 voices,
music by T. A. Arne.]
Printed for S. Babb: [London,
1780?] fol. G. 314. (41.)
You ask me why. Somebody II. A Song,
with an Accompaniment for the Piano
Forte or Harp ; the Words by the author
of " My Love to War is going " [i.e. Mrs.
Opie, music by E. S. Biggs]. E. Birchall :
London, [1796 ?] fol. G. 356. (60.)
You ay mon fifr6, pren ton tambourin.
Noel. [Paris,] 1740. s. sh. 4". 298. b. 8.
Mercure de France, Dec, 1740.
You bid me. Charming Celia. [Song.]
Sec Greene (M.)
You bid me Fair conceal my Love. Triie
Love, to[o] Mighty to be conceaVd. A New
Song, sung by Miss Falkner at Mary
Bone Gardens. See Chloe. Chloe, or
the Musical Magazine, etc. No. 55.
[1760?] fol. G. 433.
[Another setting.] You bid me, fair,
conceal my love. Song. See Hudson (R.)
You bid me write my Charming Dove.
Flora. [Song.] Adapted for the Harpsi-
cord. Violin, German Flute, and Guittar.
P. E[vans : London, 1780?] s. sh. fol.
G. 314. (107.)
You have warlike Britons. A Ncto Song.
In Honour of. . .Capt. Hood, Commander
of the Vestal Frigate. [I/onrfon, 1759.] S".
P.P. 5441.
Eoyal Magazine, Vol. I., p. 147.
You brave warlike Britons. A Neio Song
in Honour of the brave Cap' Hood, etc.
[London, 1759.] s. sh. fol.
G. 316. f. (131.)
You Butchers of Clare Market. The
Choice of all the Market. [Song.]
[London, 1730 ?] s. sh. fol.
G. 316. f. (153.)
You find from the beginning. TJie Old
Batchelofs advice to all young Batchelors.
[Song.] [LoTCrfon, 1720 ?] s.sh.iol.
H. 1601. (543.)
710
YOU— YOUNG
YOU. You fly and yet you love. Song.
See Baekett (J.) Organist.
Gr. 304. (184.)
You Gentlemen of Ingland. The Valiant
Sailor, etc. [Lmdon, 1735 ?] s. sh. fol.
G. 316. f. (140.)
[Another setting.] You Gentlemen of
England. The Valiant Sailors. A
favourite Sea Song. Sk\illern : London,
1780?] s. s7i. fol. G. 314. (109.)
[Another edition.] You Gentlemen of
England. A favourite Sea Song.
John Lee : DzMin, [1780 ?] s. sh. fol.
H. 1601. b. (34.)
[Another setting.] You Gentlemen of
England. Glee. Sec Callcott (J. W.)
You Girls so pretty. A New Song by
. Cap' I. R. The weeping Widdows and
young Buxom Lasses invitation to Durd-
ham Down camp. To the Tune of ye
Beaux of Pleasure, [London,
1710?] s.sh.M. G. 305. (11.)
[Another copy.] G. 314. (4.)
You Lads of Hybernia that's fond of true
pleasure. Lango Lee. A favorite Irish
Song. Str[aight] d Sk[illcrn : London,
1775?] s.sh.M. G. 314. (108.)
You Ladyes who are young and gay.
Song. See Eccles (J.) [The Morose
Reformer.']
You'll conquer your Man. Song.
See Hook (J.)
You'll wonder sage Doctor. The Gambler.
[Song.] L[ongman] d; Blroderijy : London,
1780?] s.sh.iol. G. 314. (110.)
Y"ou lov'd and I was blest. Song.
See CosTELLOw (T.)
l^ou may do as you will. [Song.] Sung
by Mr. Vernon at Vauxhall.
B. Falkener : London, [1775 ?] fol.
H. 1994. a. (111.)
You may sing of your Waggoners, Plough-
boys and Watchmen. The L'ish Newsman.
[Song.] Sung by Mr. Dighton at Sadlers
Wells. . .Written by T. Dibdin.
Longman and Broderip : London,
[1795?] fol. H. 2818. f. (18.)
You noble Lords of high Degree. Capt.
Johnsons last Fareivel ; who ivas arraigned
for being assisting in the stealing a young
Heiress [Mary Wharton] . . . [Ballad] To
the Time of Russel's Farewel.
Printed for Charles Bates : [London,
1690.] s. sh. fol. Case 39. k. 6. (17.)
The music is represented by a meaning-
less succession of notes, dc.
Y^'ou Nymphs that would true pleasure
learn. T]ic Country Wife's Complaint, etc.
[Song.] [London, 1735 ?] s. s/j. fol.
G. 316. f. (152.)
You're welcome, dear Youth, as the
Flowers in Slay. Song. See Hook (J.)
YOU. Y"ou shou'd not come near me.
Song. See Hook (J.)
You spotted snakes with double tongues.
Song. See Smith (J. C.) [The Fairies.]
You tell me Dick you lately read. A new
Song the words by Mr. Estcourt.
[London, 1712 ?] s. sh. fol. G. 314. (33.)
You tell me I'm handsome. The Judicious
Fair. A Song. . . Sung by ]\Iiss Stevenson.
[London, 1750.] 8°. P.P. 5438. z.
Universal Magazine, Vol. VI., p). 81.
Y'ou tell me I'm handsome. The Judicious
Fair. [Song.] Sung by Miss Stevenson.
See Chloe. Chloe, or the Musical ]Maga-
zine, etc. No. 42. [1760 ?] fol. G. 433.
You tell me my Cloe Inconstant is grown.
The Constant Shepherd. [Song.]
C[harles and] S[amuel] T[hompson :
London, 1770 ?] s. sh. fol.
G. 314. (105.)
You that delight in a Jocular song. The
wanton Virgins Frighted. A New Song,
etc. [Words by T. D'Urfey.] [London,
1710 ?] s. sh. fol. H. 1601. (539.)
You tell me that life has its sorrow. Neiv
Song. Sung by Mr. Owenson, at Vaux-
hall-Gardens. [London, 1770.] 8°.
250. c. 17.
Gentleman's Magazine, Vol. XL., p. 432,
Y'ou twice ten hundred Deities. Song.
See PuRCELL (H.) [The hidian Queen.]
You've certainly heard of that gallant
Commander. The City Militia. [Song.]
P. H[odgson : London, 1780 ?] s. sh. fol.
G. 314. (111.)
You've heard it, and read it, a Million
times. Tlie Misgrounded Compassion.
[Song.] [lyonJo;;., 1770 ?] s.sh.iol.
G. 314. (113.)
Yo[u']ve told me what Beauty appears in
my face. ^4 new Song. The words by
Mr. Boyce. [London, 1755.] 8°.
157. 1. 17.
I-iondon Magazine, 1755, ^. 588.
You've told me what beauty appears in
mv face. A Song, sung by Mrs. Hooper
at' Sadlers WeUs. The Words by Mr.
Boyce. [London, 1755 ?] s. sh. fol.
G. 314. (112.)
You whom cruel Sylvia charms. Song.
See Blow (J.)
You wrong me, Sylvia, when you cry.
Song. See Blow (J.)
YOULL (Henry) Canzonets to Three
Voyces, etc. Cautus. (Altus.) (Bassus.)
3 pts. Thomas Este, the assigneof William
Basley: London, 1608. 4". K. 3. k. 21.
YOUWG. Y^oung Arabella, mamma's
care. Arabella ; or, the Sisters. [Song.]
Sung by Mr. Vernon at Vaux-Hall.
[London, 1767.] 8". P.P. 5441.
Eoyal Magazine, Vol. XVI., p. 269.
YOUNG
711
YOUTsTG. Young Arabella, IMamma's Care.
Arabella or tlie Sisters. [Song.] Sung by
Mr. Vernon at Vaux-Hall. [London,
1770 ?J s. sh. fol. G. 314. (64.)
Y'oung CeUa once the blithest maid.
Celia and Strephon. A New Song.
[Londo7i, 1763.] 8°. P.P. 5441.
Royal Magazine, Vol. IX., p. 100.
Young Celia once the blithest maid.
Celia and Strephon. A New Song.
[London, 17G3.] 8". P.P. 5140.
Lady's Magazine, Vol. V.,p. 585.
Young Colin. [Song.] See To. To court
me Young Colin came many a mile.
[1779.] s. sh. fol. G. 312. (230.)
Young Colin once as bly the 'a Swain. A
New Song. [London, 1758.] 8°.
250. k. 17.
B. Martin's Miscellaneous Correspon-
dence, etc.. Vol. II., p. 799.
Young Colin stole my Heart away. Song.
See Fields. The fields were green the
hiUs were gay, etc.
[1780?] s.sh.iol. G. 312. (119.)
Young Colin, t'other Day. Song.
See Hudson (R.)
Young Colin the blithest upon the gay
Green. The Shepherd's Resolution.
[Song.] Within Compass of the German
Flute. [By J. Dunn.] [London,
1760 ■?] s. s7f. fol. G. 314. (101.)
Young Colin was the bonniest Swain.
False Collin. [Song.] [London,
1750?] s. sh. fol. G. 316. c. (41.)
Young Colin was the bonniest Swain.
A New Song. Sung by Miss BurchaU, at
Vauxhall. [Londoii, 1751.] 8".
P.P. 5438. z.
Universal Magazine, Vol. IX., p. 126.
Young Corydon and Phillis sat. [Song.]
See Clarke (J.)
Young Cupid I find. Song.
See Leveridge (fl.)
Young Damon once the happiest Swain.
Ballad. See Gbano (J. B.)
Young Damon pride of all the Plain.
Damon, a Scotch Ballad. Blundcll :
[iojuZore, 1780?] s.sh.iol. G. 314. (94.)
Young Damon strives my Love to gain.
Young Damon. [Song.] To a Favourite
Air sung by Miss Brent at Vaux-hall.
[London, 1765 ?] s. sh. fol.
I. 530. (187.)
Young Damon strives my love to gain.
Young Damon, [Song,] to a favourite Air
sung by Miss Brent at Vaux-hall.
[London, 1767.] 8°. P.P. 5441.
Royal Magazine, Vol. XVII. , p. 213.
Y'oung Damon strives my love to gain.
Young Damon, [Song,] to a Favourite
Air sung by Miss Brent at Vauxhall.
[London, 1767.] 8°. 158. 1. 12.
London Magazine, 1767, p. 422.
YOUNG, l^'oung Damon was a shepherd
boy. Glee. See Brooks (J.)
Y^'oung Damon was whistling brisk and
gay. Song. See Hook (J.)
The Yoimg Damsels Courage and Con-
quest. [Ballad.] See Soldier. A Souldier
from Flanders, e^c. [1695?] s.sh.iol.
Case 39. k. 6. (27.)
Young Dorilas, an artless swain. Young
Dorilas. A Song. [Music by J. Dunn,
words by — Smithies.]
[1750 ?] s. sh. fol. G. 314. (22.)
Young Dorilas, an artless swain. Young
Dorilas. A new Song [by J. Dunn].
[London, 1753.] 8». 157. 1. 15.
London Magazine, 1753, p. 382.
Y^'ouug Dorilas, an artless swain. Young
Dorilas. A Song [by J. Dunn].
[London, 1754.] 8". P.P. 5438. z.
Universal Magazine, Vol. XV., p. 28.
[Another setting.] Y'oung Dorilas an
artless Swain. Dorilas and Daphne.
[Song, by J. Hook.] [London,
1770?] s. s7i. fol. 1.530.(188.)
Y'oung Dorilas. [Song.]
See Dunn (J.)
Y'oung Hobbinol (the blithest swain).
Hohbinol, a New Song. Sung by Mr.
Beard at Ranelagh Garden. [By R.
Davies.] [London, 1751.] Q°. 157. 1. 13.
London Magazine, 1751, jj. 179.
Yormg Hobbinol, the blithest Swain.
Hobbinol. A New Song. Sung by
Mr. Beard, at Ranelagh Gardens. [By
R. Davies.] [London, 1751.] 8".
P.P. 5438. z.
Universal Magazine, Vol. VIII., p. 173.
Y''oung I am and yet unskill'd. Song.
See EccLES (J.) [Love Triumphant.']
Young Innocence whom Beauty arms.
Song. See Hall (H.)
Y^oung Jamie lov'd me weel. Atdd Robin
Gray, with the New & much admir'd
Tune. [By W. Leeves.]
John Lee : Dublin, [1785 ?] s. sh. fol.
H. 1601. a. (69.)
Young Jenny I lov'd. Song.
See Hudson (R.)
Young Jenny one morning her pruning
knife took. Alas ! young Jenny, ah ! ivhy
did you fall. [Song.]
/. [d] G. V[ogler : London,
1770 ?] s. sh. fol. G. 314. (82.)
Young Jockey blith at early dawu. Siveet
smells the Birk. A Celebrated New Scotch
Song sung by Mrs. Kennedy, etc.
John Lee : Dublin, [1780?] s. sh. fol.
H. 1601. a. (67.)
Young Jockey he courted sweet Mog.
3Iog the Brunette. [Song.] Sung by Mr.
Dibdon at Ranelagh. [London,
1770?] s.sh.iol. H. 1994. b. (113.)
712
YOUNG
YOUNG. Young Jocky he courted sweet
Moggy so fair. Jockij and Moggy. A
New Song. [London, 1764.] 8°.
P.P. 5438. z.
Universal Magazine, Vol. XXXIV.,
p. 318.
Y^'oung Jockey is the Lad. [Song.]
Sec By. By Tweed's clear Stream, cic.
[1780?] s. sh. fol. H. 1601. a. (64.)
Young Jockey sought my Heart to win.
Prithee Fool be quiet. Scotch Song, etc.
C[harles and] S[anmel] T[liompson :
London, 1770 ?] s. sh. fol.
G. 314. (96.)
Young Jockey was the blithest Swain.
Absent Jockey. [Song.]
S[amuel,'] A\nn and] P[etcr] T[hom]pson :
London, 1780 ?] s. sh. fol.
G-. 314. (79.)
Young Jockey who teaz'd me. [Song.]
Siong by Miss Stevenson at Vaux-Hall.
[London, 1750 7] s. sh. tol.
G. 316. f. (121.)
Young John the Gard'ner. The Gardner's
Delight. [Song.] [London,
1735?] s.sh.iol. G. 316. f. (149.)
Young Lubin was a Shepherd Boy. Song.
See LiNLEY (T.) the Elder. [The Carnival
of Venice.]
Young maidens take care. Advice to
young Maidens. [Song.] [London,
1730?] s.sh.iol. G. 314. (102.)
[Another copy.] G. 305. (264.)
This coinj is mutilated.
The Young Man's Caution. [Song.]
See Weale (G.)
The Young Man's Wish. [Song.]
See GoLLETT (R.)
Y'oung Molly who lives at the Foot of the
Hill. The Lass with the delicate Air.
[Song.] Sung by Mr. Lowe. [London,
1760 ?] s. sh. fol. G. 316. f. (134.)
[Another setting.] Young Molly who
lives at the foot of the hill. The Lass
tvith the delicate Air. A new Song [by
M. Arne]. [London, 1762.] 8°.
P.P. 5438. z.
Universal Magazine, Vol. XXXI., }). 95.
Young Orpheus tickled his Harp so well.
The Dcvill Charm' dioith Twinkum Twank-
um and Uridice Released out of Hell for
an old Song. [Song.] [London,
1735 ?] s. sh. fol. G. 305. (160.)
[Another copy.] H. 1601. (540.)
[Another edition.] Y'oung Orpheus tickled
his Harp so well. Tlie Devill charm'd
with Twinkum Twankum, etc. [London,
1735 ?] s. sh. fol. G. 316. f. (122.)
Young Patty. [Song.]
See Defesch (W.)
Young Philander woo'd me long. Song.
See PuECELL (D.)
YOUNG. Young Phillis one morning. A
New Song [by W. Boyce]. Sung by Miss
Davies at Vauxhall. [London, 1763.] 8°.
P.P. 5140.
Lady's Magazine, Vol. V.,2^. 673.
Young Phillis one morning. ^4 Neio Song
[by W. Boyce]. Sung by Miss Davies at
Vaus-hall. [London, 1763.] 8'\
P.P. 5441.
Royal Magazine, Vol. IX., p. 211.
Young Phillis one Morning. A Neio Song.
[By W. Boyce.] [London, 1764.] 8°.
^ ^ P.P. 5438. z.
Universal Magazine, Vol. XXXV.,
■ p. 152.
Young Phillis one Morning. [Song.]
See Boyce (W.)
Y'oung Philoret and Celia met. Song.
See Carey (H.)
Young Philoret, the am'rous Boy.
PJiiloret and Aurelia, dc. [Song.]
[London, 1750 ?] s. sh. fol.
G. 305. (266.)
Y^oung Roger of the Yale. Roger and
Nell. [Song.] [London,
1730 ?] s. sh. fol. G. 314. (15*.)
[Another edition.] Young Roger of the
Vale, etc. [London, 1730 ?] s. sh. fol.
G. 316. f. (135.)
Young Strephon once the blithest swain.
Strephon and Chloe. [Song, by E. Miller.]
[Lojidon, 1764.] 8°. P.P. 5441.
Royal Magazine, Vol. X.,p. 45.
Y'oung Strephon once too vainly thought.
The Convert. A New Song.
[London,n66.] 8°. P.P. 5441.
Royal Magazine, Vol. XIV., p. 269.
Y'oung Strephon once too vainly thought.
The Convert. A New Song.
[London, nm.] 8°. ^P.P. 5438. z.
Universal Magazine, Vol. XXXVIII.,
p. 150.
Young Strephon the Gay. A Neiv Song.
[London, 1760?] s. sh. fol. G. 314. (100.)
Y'oung Strephon, who through ev'ry Grove.
Hymen in Chains. [Song.] Set for the
German Flute. [London, 1735 ?] s. sh. fol.
G. 316. f. (132.)
Young Strephon woo'd me long before.
Tit for Tat. [Song.] Sung by Mrs.
Dennis at Sadlers Wells. [ London,
1770 ?] s. sh. fol. G. 316. (170.)
Young Thyrsis. A New Song [begins :
' Young Thyrsis, sure the blithest swain '].
[London, 1772.] 8°. P.P. 5438. z.
Universal Magazine, Vol. L.,p. 204.
Young Thirsis, once the JoUiest Swain.
The Lover of Liberty. [Song, the music
by S. Howard.] [Lo^idon,
1745 ?] s. sh. fol. G. 314. (17.)
[Another copy.] G. 303. (21.)
[Another copy.] G. 305. (309.)
YOUNG— YOUTH'S DELIGHT
713
YOUNG. The Young Traviller's Com-
plaint. [Song.]
See Johnson (A.) Song-Writer.
Young whining Fops [of Love complain.
Advice to Fops. A New Song. [Words
by J. Uarnam, music by — Fosster.]
[London, 1725 ?] s. sh. fol. G. 305. (265.)
[Another copy.] G. 314. (35.)
Young Willy. Song.
See Wrighten ( ) Mrs.
YOUNG (Anthony) Belladyna's blyth
and pretty. ^4 New Scotch Song, etc.
[London, 1710 ?] s. sh. fol.
G. 306. (242.)
[Another copy.] G. 303. (73.)
Bright Teraminta cross'd the Grove, A
Cantata the Words by Mr. Carey, etc.
[London, 1725 ?] fol. G. 306. (178.)
Give me but a freind and a Glass, boys.
A New Song. [London, 1720?] s. s/i. fol.
G. 308. (10.)
The Reproach. [Song. Words by J-
Donne.] Set by Mr. Anthony Young.
(Mr. Leveridge's Tune.) [London,
1720?] s. sh.ioh G. 311. (76.)
[Another edition.] The Reproach, etc.
[Lo7idon, 1720 ?] s. sh. fol.
H. 1601. (405.)
[Another edition.] The Reproach, etc.
Cluer : London, [1720 ?] s. sh. fol.
G. 316. g. (54.)
The shy Shepherdess, etc. [Song.]
[London, 1720 ?] s. sh. fol.
H. 1601. (421.)
[Another edition.] The shy Shepherdess,
etc. [London, 1725 ?] s. sJi. fol.
G. 311. (60.)
[Another copy.] G. 315. (112.)
Silvia Delia Sweetest pair. To the Agree-
able Memory of two Sisters who liv'd and
died together. [Song.] [London,
1730?] s.s7i. fol. G. 311. (72.)
Suits of Lessons for the Harpsicord or
Spinnet in most of the Keyes with Variety
of Passages and Variations throughout
the Work, etc.
Printed for I. Walsh and I. Hare :
London, [1720?] fol. g. 443. b. (31.)
While at your feet I Sighing lye. A So7ig,
etc. [London, 1720 ?] s. sh. fol.
G. 313. (32.)
With arts oft practic'd and admired.
[Song.] Tlie Words by a Toimg Lady,
etc. [London, 1715 ?] s. sh. fol.
G. 313. (73.)
YOUNG (Charles) A Pastoral Courtship.
[Song.] The words by Mr. R. Dyer, etc.
[London, 1710 ?] s. sh. fol.
H. 1601. (172.)
[Another edition.] A Pastoral Courtship,
etc. [London, niO?] s.sh.iol.
G. 316. g. (31.)
YOUNG (Charles) The Vocal Grove.
See When. When y= bright God of day,
etc. [Music by C. Young.]
[1705 ?] s. sh. fol. G. 313. (24.)
[Another edition.] The Vocal Grove.
[Song.] The Words by Mr. W. :Monlass.
[London,1110?] s.sh.iol. G. 316. f. (72.)
YOUNG (i\lATTHEw) An Enquiry into
the Principal Phsenomena of Sounds and
^Musical Strings. Printed for G. Robinson :
London, 1784. 8°. 1042. i. 19.
YOUR. Your Bards of old. John Gilpins
Journey to Bagshot-Hcath Camp. Being
a New Ballad in the Old Stile, written
by G. S. Carey, etc. J. Bland : London,
[1792?] fol. G. 360. (56.)
Your Eyes, Belinda, you disarm. Song.
See CouRCO ( ) [The Ladies' Visiting-
Day.-\
Your Hay it is mow'd. Song.
See PuRCELL (H.) [King Arthur.']
Your Melancholly's all a folly. We have
been Bantered & Bubbl'd ct Cheated £
Banter'd cO Bubbl'd. A Song. [Words
attributed to J. Swift.] [London,
1712 ?] s. sh. fol. G. 314. (34.)
[Another edition.] Your melancholly's
all a folly. A Neiv Song by an Emminent
Master. [London, 1112?] s.sh.iol.
H. 1601. (535.)
Your jMinstrel asks a Subject's Tear. Air.
See Reeve (W.) [Joan of Arc]
Your Poets write Songs as their Fancies
suggest. A Song of Songs. [London,
1710 ?] s. sh. fol. G. 305. (250.)
Your praises of London are surely a joke.
Country and Town. [Song.] Sung by
Mr. Dignum. . .being an answer to Capt°
Morris's "Town and Country." Some-
times Sung to the same Tune of Derry
down. Longman & Broderip :
London, [1795 ?] fol. G. 249. (55.)
Your words O King ! Song.
See Haendel (G. F.) [Saul]
YOUTH. Youth and Age. Duet.
Sec GiORDANi (G.) or (T.)
Youth and Beauty. [Song.]
See Harris (J.)
A Youth, belov'd by all the Plain. Song.
See Hudson (R.)
Youth of the gloomy brow. Glee.
See Callcott (J. W.)
The Youth's Desire. [Song.]
Sec Luis (D.)
YOUTH'S DELIGHT ON THE
FLAGELET. Youth's Delight on the
Flagelet the second part. Containingthe
newest Lessons with easier Directions
than any heretofore. Being the 9'" edi-
tion with Additions of y= best & newest
Tunes, etc. John Clarke :
[London, 1690 ?] obi. 16". K. 4. a. 8.
714
YOUTH'S DELIGHT— ZACHAKIIS
YOUTH'S DELIGHT ON" THE
FLAGELET. Youth's Delight on the
riagelet the Third Part. Containing y"
newest Lessons with easier Directions
than any heretofore. Being y"" 11'''
Edition w"' Addition of y" best & newest
Tunes. Printed for lolin Hare :
[London,-] 1697. obi. IG". K. 4. a. 7.
YSERMANS (Joak) Triumphus Cupidi-
nis. In-houdende veel schoou stichtighe,
en seer vermaeckelijcke Liedekens, eu
andere ghedichten, etc. (Encomium
Matrimonii. In-houdende een Bruy-loft
Spel, Epithalamien ende sommighe Liede-
kens, etc.) (Nederlantsche Poemata. In-
houdende sommighe Sonetten, Liedekens,
Graf-dichten ende andere, etc.) 3 pts.
Byde Wcduwe Jacob Mesens : V Antiverpen,
1628. obi. 4". 11555. a. 45.
There is a general title {engraved)
' Triumphus Cupidinis. Door loan
Ysermans.' Each part has a separate
title-page, but the pagination is con-
tinuous. Ysermans is tJie author of
the toords ; the music consists of popu-
lar tunes.
YSO ( ) Lettres sur la Musique
Fran(;oise. En reponse a celle de J.-J.
Rousseau. [By — Yso ?] 1754. S"
See Rousseau (J. J.) 1103. b. 22. (8.)
Z., D., Mademoiselle. Lucette & Lucas.
Com6die en un acte en prose par W
Forgeot. . .Mise en Musique par M"" D. Z.
[i.e. Plorine Dezede. Full Score.]
Chez Des Lauriers : Paris, [1781.] fol.
H. 455.
Z., D., Monsieur. Alexis et Justine. Com6die
Lyrique en deux Actes . . . par M. D. Z.
[i.e. N, Dezede. Full Score.] Ch4s Des
Lauriers : Paris, [1783.] fol. H. 522.
L'Erreur d'un IMoment, ou la Suite de
Julie. Comedie en un Acte par M. Monvel,
mise en musique par M. D. Z. [i.e. N.
Dezede.] Gravee par le S'' Huguet, etc.
[Full Score.] Clies M. Houbaut :
Paris, [1773.] fol. H. 522. b.
Julie. Comedie en trois Actes, par M.
Monvel... Mis en musique par M. D. Z.
[i.e. N. Dezede.] Gravee par le S" Huguet,
etc. [Full Score.] Che's M. Houbaut :
Paris, [1772.] fol. G. 637.
Les Trois Fermiers. Comedie en deux
Actes, en Prose . . . Par M" D. Z. [i.e.
N. Dezede.l Oeuvre iv. ...Les Parolles
de M. Monvel. [Full Score.]
Chez le S' Houbaut : Paris, [1777.] fol.
G. 637. a.
ZACCONI (LoDOVico) Pratica di Musica
Utile et Necessaria si al Compositore per
Comporre i Canti suoi regolatamente, si
anco al Cantore per assicurarsi in tutte le
cose cantabili. Diuisa in Quattro Libri.
Nei quali si tratta delle Cantilene
Ordinarie, de Tempi de Prolationi, de
Proportioni, de Tuoni, & della conuenienza
de tutti gli Istrumenti INIusicali. S' insegna
a cantar tutte le composition! antiche, Si
dichiara tutta laMessadel Palestina titolo
Lome Arme con altre cose. . .diletteuole,
etc. Apiiresso Girolamo Polo : Yenetia,
1592. fol. 786. L 43.
Prattica di Musica, etc. ms. notes.
Appiresso Bartolomeo Carampcllo :
Yenetia, 1596. fol. 61. f. 2.
ZACCONI (LoDOVico) Prattica di Musica
Seconda Parte. Diuisa, e distinta in
Quattro Libri. Ne quali ... si tratta
de gl' Element! Musical! . . . De Con-
trapunti semplici, & artificios! . . . e poi
mostrandosi come si faccino i Contrepunti
doppij ... e ... Si mostra . . . come si con-
tessino pin fughe sopra ! predetti Canti
fermi, & ordischino Cantilene a due, tre,
quattro, e piu voci, etc. Appresso
Alessandro Yincenti : Yenetia, 1622. fol.
785. 1. 22.
ZACHARIAE (Justus Feiedrich
Wilhelm) Night Thoughts on a Church
Yard, by Zacharite, from the German.
Originally Composed by the Author, and
brought into the present form of a
Fantasy, by I. W. Haessler. Printed for
the Editor : London, [1792 ?] fol.
H. 2826. c. (19.)
Sammlung Einiger Musicalischeu Yer-
suche, etc. 2 Th. Braunschiocig,
(1760-1.) obi. fol. E. 25.
See EoLLE (J. F.) Gedor...In Clavier-
auszug gebracht von Zacharia, etc.
1787. obi. fol. F. 384. f.
ZACHARIIS (C^SAR de) lutonationes
Vespertinarura Precum una cum Singu-
lorum Tonorum Psalmodiis (quae vulgo
Falsi bordon! dicuntur) Quatuor Vocum.
Pra3terea Hymn! Quinque Vocum de
Tempore per totum Annum nuper numeris
Musicis astricti . . . Cum regula eorundem
pro temporis varietate accipiendorum.
Secundum ritum Romanum, Bamberg-
ensem, Constantiensem, & Augustanum,
etc. Primus Tomus. \_Adamus Berg :
Monachii,] 1594. fol. K. 9. b. 11.
Wanting the last leaf, which has been
supplied in MS. The Hymns have a
separate title-page and pagination.
This volume is one of Berg's series
* Patrocinium Musices,'
ZACHOV— ZANNETTI
715
ZACHOV (Peter) and IVEN" (Hans)
Klahre Andeutung, Und wahre Anleitung
zur Nachfolge Christi, . . . Aus des Thomas
von Kempen dreien Biichern . . . ausge-
fiihret, Auch mit xxxviii Audachts-
Liedem, und fast so viel neuen Melodeien
[by P. Zachov and H. Iven] ausgezieret,
. . . Durch Christian von Stokken, etc.
Geclrukkt durch Tobias Schmidtcn :
Ploen, 1678. 8°. I. X. Germ. 16. (1.)
ZADOK. Zadok the Priest. Coronation
Anthem. See Haendel (G. F.)
ZAENGGEL (Narcissus) See Zanggel.
ZAIDE. Zaide. Ballet Heroique.
See ROYER (J. N. P.)
ZAi'S. Un Amant doit tout se permettre.
Air de Zais [by J. P. Rameau].
Recoquilliie : [Paris,'] 1769. s. sh. 8".
297. e. 26.
Mercurc de France, August, 1769.
Que Tamour seul soit votre maitre. Air j
de Zais [by J. P. Rameau]. RicociuilliAe :
{Paris,'] 1769. s. sh. 8». 297. e. 26.
Mercure de France, Sept., 1769.
Zais. Ballet Heroique.
See Rameau (J. P.)
ZALAOR. Zalaor. Oper.
See ZuMSTEEG (J. R.)
ZALLAMELLA (Pandulphus) (Cantus)
(Altus) (Tenor) (Bassus) (Quintus) di
Musica R. Domini Pandulphi Zallamellae
Quinque Canenda Vocibus nuper
impressa. 5 pts. Apud Angelum
Gardanum: re7ietiis, 1582. 4°. D. 1069.
Z AN AID A. Zanaida. Opera.
See Bach (J. C.)
ZANATA (DoMENico) Salmi Spezzati a
quattro Voci da Capella per le Domeniche
della Quaresima . . . Opera Settima. Canto.
(Alto.) (Tenore.) (Basso.) 4 pts.
ba Gioseppe Sala : Vcnctia, 1715. 4°.
D. 91.
Suonate da Chiesa a 3. Strumenti, due
Violini, e Violoncello, col Basso per 1'
Organo . . . Opera Prima, etc. Violino
Primo (Secondo). (Violoncello.) (Organo.)
4 pts. Per Pietro Maria Monti :
Bologna, 1689. 4°. d. 13.
ZANATTA (DoMENico) See Zanata.
ZANETTI (Francesco) See Zannetti.
ZANG- EN" SPEEL-OEFFENING.
Zang- en Speel - OefEening, zeer dienstig
voor die zig aan den Zang of Speelkunst
begeeveu. Waar by gevoegd zyn eenige
fraaije Zang- Stukjes. [By J. van Elsland.]
H. van Hulkenroy en . . . Aaron van
Etdkenroy : Haarlem, [ll'BO 7] 8".
11755. aa. 31. (1.)
ZANGGEIj (Narcissus) Cantiones Sacrfe,
quas vulgo Missas appellant, Sex et Octo
Vocibus, cfc. Discantus. (Altus.) (Tenor.)
(Bassus.) (Quinta Vox.) 5 pts.
Leonhardus Formica: Vicnnm Austrix,
1602. obi. 4°. A. 574.
ZANGITJS (NicoLAUs) Harmonia Votiva
pro Felici Fato Illustrissimi . . . Domini
Dn. Christiani Secundi Electoris Saxoniae,
etc. (Cantus Primus (Secundus) (Altus),
(Bassus) primi Chori.) (Cantus (Tenor)
secundi Chori.) 6 pts. Nicolaus Zipserus :
Budissime, 1602. fol. G. 19.
Kiirtzweilige Newe Teutsche Weltliche
Lieder mit vier Stimmen, etc. [Prima
Vox.] Secunda (Tertia) (Quarta) Vox.
4 pts. Gedruckt. . .durch Gerardum
Greuenbruch : Collen, 1603. fol. C, 272.
The Prima Vox is imperfect, ivanti7ig all
sig. A (4 leaves).
ZANI (Andrea) XII Sonate a Violino
solo e Basso da Camera . . . Opera Terza.
Grav6e par M""" Michelon. Chez M'- Le
Clerc : Paris, [1740 ?] fol. g. 29. (1.)
Sonate 12 a Violino e Basso Intitolate
Pensieri Armonici. . .Opera Quinta.
Vienna, 1735. fol. h.. 3860.
Sonate a Violino e Basso ... Opera Sexta.
Grave par le S' Hue. Chez Madame
Boivin : Paris, [1745 ?] fol. g. 29. (2.)
ZANNETTI (Francesco) Sei Quintetti
per Tre Violini, Violoncello Obligate e
Basso Repieno. ..Opera Seconda. [Separate
Parts.] P- Bremner : London,
[1770 ?] fol. g- 434.
Sis Solos for a German-Flute or Violin
with a Thorough Bass for the Harpsicord.
Printed for Thorowgood and Home :
London, [1770?] fol. g. 71. f. (11.)
[Six Solos for a German-Flute or Violin.
No. III.] A Favourite Solo for the
Violin... as perform'd by Signora Lom-
bardini Sirmen. Printed for
H. Thoroivqood : London, [1772 ?] fol.
g. 420. b. (8.)
Six Sonatas for two Violins with a
Thorough Bass for the Harpsichord.
[Separate Parts.] Printed for
A. Hummell : London, [1770 ?] fol.
j h. 2851. e. (6.)
I Six Sonatas for the Harpsichord with
1 Accompaniment for a Violin. Wclcker :
London, [1775 ?] fol. g. 223. i. (2.)
Six Sonatas for Two Violins and a Bass.
[Op. I. Separate Parts.] B. Bremner :
London, [mo?] fol. g. 434. a.
[Another edition.] Six Sonatas for two
Violins and a Bass. . .Opera I. [Separate
Parts.] Printed for R. Bremner :
London, [1775 ?] fol. g. 409. a. (10.)
716
ZANNETTI— ZAUBERFLOETE
ZANNETTI (Feancesco) Six Sonatas
for Two Violins and a Bass ... Opera iii.
[Separate Parts.] Printed for E. Brcniner :
London, [1770 ?] fol. g. 434. b.
Six Sonatas for two Violins and a Bass
with a Thorough Bass for the Harpsichord
. . .Opera Quarto. [Separate Parts.]
B. Bremner : London, [1775 ?] fol.
g. 420. g. (5.)
ZANNI (Andrea) See Zani.
ZANNI (GiOYAN]s"i) Six Sonatas for two
Violins and a Violoncello with a Thorough
Bass for the Harpsichord. Compos'd by
Sig' Zanni, Sig' Zimmerman, Sig' Anetti,
Sig"' Rozelli & Sig"' Aragoni. [Separate
Parts.] Printed for C. and S. Thompson :
London, [1770 ?] fol. g. 409. a. (11.)
ZANOTTI (Camillo) Madrigalia tarn
Italica quam Latina, noua prorsus,
Quinque, Sex, et Duodccim Vocibus dis-
criminata, etc. Tenor. (Quinta Vox.)
2 pts. Li officina typograpMca Catharinx
GerlacMie : Noribergi*', 1590. obi. 4°.
A. 576.
ZANOTTI (Feancesco Maria) Lettere
del Sig. Francesco Maria Zanotti del
Pad. Giambatista Martini ... del Pad.
Giovenale Sacchi. . .nelle quali si propon-
gono, e risolvono alcuni dubbj appartenenti
al trattato : Delia divisione del Tempo
nella Musica, nel Ballo, e nella Poesia
pubblicato. . .I'anno 1770. . . ; e all' altro :
Delle Quinte successive nel Contrappunto,
6 delle regole degli accompagnamenti,
pubblicato . . . I'anno 1780.
Nella Stamperia de' Fratelli Pirola :
Milano, 1782. 4°. 557*. e. 6. (2.)
ZAPATA (Maurizio) Ristretto, ouero
Breue Discorso Sopra le Regole di Canto
Fermo, etc. Per Giuseppe daW Oglio,
e Ippolito Eosati : Parma, 1682. 4°.
7897. f. 14.
ZAPPA (Francesco) Sei Trio a due
Violini e Basso . . . Opera prima. [Separate
Parts.] [The Hague? 1700?] fol.
g. 242. (7.)
Six Trios a deux Violons avec la Basse, etc.
[Separate Parts.] Welckcr : London,
(1765.) fol. h. 2851. e. (7.)
Sei Trio a Due Violini e Basso . . . Opera
Seconda. [Separate Parts.] Welckcr :
London, [1770 ?] fol. h. 2899.
Six Trios a deux Violons avec la Basse . . .
0[e]uvre iv. [Separate Parts.] Welcker :
London, [1770 ?] fol. g. 409. (12.)
ZAPP ANNUS (Hercules) Ad Vesperas
in Totius Anni Solemnitatibus. Dauidica
Psalmodia Quaternis concinenda vocibus.
Cum Cantico B. Virginis, etc. Tenor.
Ainul Eiciardtim Amadinum : Venetiis,
1588. 4°. D. 1070.
ZAPPASORGO (Giovanni) Napolitane
a Tre Voci. Libro Primo. . .Nuouamente
ristampate. Basso. Apprcsso V Herede
di Hieronymo Scotto : Vineggia, 1588. 8°.
B. 306. (1.)
II Secondo Libro delle Napolitane a Tre
Voci. . .Nouamente ristampate. Basso.
Appresso V Herede di Hieronymo Scotto :
Vineggia, 1582. 8°. B. 306. (2.)
ZARLINO (GiosEFFO) De Tutte 1' Opere
del R. M. Gioseffo Zarlino. . .ch' ei scrisse
in buona lingua Italiana ; gia separata-
mente poste in luce ; hora di nuouo
corrette, accresciute, & migliorate, insienie
ristampate. H Primo Volume. Contenente
r Istitutioni Harmoniche, etc. (II Secondo
Volume. Contenente le Dimostrationi
Harmoniche, etc.) (Sopplimenti Musicali
. . . Terzo Volume.) (II Quarto, & Ultimo
Volume. Contenente il Trattato della
Patientia, etc.) 4 vols. Appresso
Francesco de' Franceschi Scncse : Venetian
1589. (1588.) fol. 785. 1. 13-14.
The ' Sopplimenti Musicali,' forming
Vol. III., is dated 1588.
[Another copy.] 59. d. 17, 18.
Dimostrationi Harmoniche. . .Nelle quali
realmente si trattano le cose della Musica :
& si risoluono molti dubij d' importanza,
etc. Per Francesco de i Franceschi Senese :
Venetia, 1571. fol. 7895. g. 4.
[Another copy.] 785. 1. 12. (2.)
Le Istitutioni harmoniche. . .Nelle quali ;
oltra le materie appartenenti alia Musica ;
si trouano dichiarati molti luoghi di
Poeti, d' Historici, & di Filosofi, etc.
Venetia, 1558. fol. 785. 1. 12. (1.)
Le Istitutioni Harmoniche, etc.
Appresso Francesco Senese : Venetia,
1562. fol. 786. 1. 22.
Istitutioni Harmoniche, etc.
Appresso Francesco de i Franceschi Senese:
Venetia, 1573. fol. 7896. g. 25,
Sopplimenti Musicali . . . Ne i quale si
dichiarono molte cose contenute ne i Due
primi Volumi, delle Istitutioni & Dimos-
trationi.. .Terzo Volume.
Ajjpresso Francesco de' Franceschi, Sancse :
Venetia, 1588. fol. 785. 1. 12. (3.)
See Artusi (G. M.) Impresa del molto
R. M. Gioseffo Zarlino, etc. 1604. 8°.
557*. c. 19.
See Galilei (V.) Discorso. . .intorno all'
opere di messer Gioseffo Zarlino, etc.
1589. 8°. 7897. aa. 67.
See ROEE (C. de) Motetta. . .cum Tribus
Lectionibus pro Mortuis, loscpho Zerlino
Auctore. 1503. ohl. 4°. A. 70. o.
ZAUBERFLOETE. Die Zauberfiote.
[Oi^era.] *S'c't; Mozart (W. A.)
Der Zauberfloete zweiter Theil. Eine
grosse Oper. Sec Winter (P. von) \_Das
Labyrinth.']
ZAWORKA— ZESEN
717
ZAWORKA (Tobias) Pisnie Chwal Boz-
skych: Togest: Si^ewow^ Swatj Cj'rkewnj,
Stafij y Nowij, z Gradualu, z Antyfonafu,
y ginych wssech Duchownjch Pisnj, Latin-
skych y Czeskych. . .W-nowe. . .shromaz-
denj, sprawenj, a slozenj, od Kncze Tobi-
asse Zaworky Lipensk^ho, etc. 4 pts.
Wytissteno to starA Prazc, v Gifijka J.
SacicMio, 1602 (1606). fol. 1220. 1. 1.
Fol. Qqq^ and Vvv4: are slightly muti-
lated. The date 1606 occurs in the
colophon.
ZEBELL (E. L.) Trois Senates et Trois
Divertissemens, pour le Yiolon avec Ac-
compagnement de Basse. . .CEuvre 1".
Chez Lobry : Paris, [1800 ?] fol.
g. 690.
ZEBRO (A. M.) See Symphonies. Sei
Sinfonie a Otto Stromenti. . .Composta
d' Alcuni Pamosi Maestri, cioe di Graun,
. . . Zebro, etc. [1770 ?] fol. g. 973.
ZEDE ( ) Monsieur. See Dezede.
ZEDE (Plorine De)
See Z., D., Mademoiselle.
ZEDE (N. de) See Dezede.
ZEGEZAWG. Zegezang. Ter verjaringe
der Overwiuning op de Doggersbauk, etc.
See Triump. Triumf! ik zie den Brit
vertsagen. 1782. 8°. 1209. b. 8. (5.)
ZEIiIA. Zelia. Drame.
See Deshayes (P. D.)
ZELINDA. Zelinda long flourish'd y'
pride of the Town. Zelinda. [Song.]
[Lo7idon, 1760 ?] s. sh. fol.
I. 530. (189.)
ZELINDOR ROI DES SILPHES.
Quel aniant sous vos loix. Air de Zilindor
[by Rebel and Francoeur]. {Paris'],
1773. s. sh. 8°. 298. e. 21.
Mercure de France, Jtine, 1773.
Z61indor Roi des Silphes. Divertissement.
See Rebel (P.) and Pbakcceur (P.)
ZELIS. Zelis il n'est plus terns de feindre.
Le Fruit deffendu. [Song.] Air, Avec
les jeux dansle village [from ' Les Amours
d'Et^ ']. [Paris, 1785 ?] 8°.
B. 362. (180.)
ZELTER (Carl Peiedrich) Zwolf Lieder
am Klavier zu singen. Bey C. A. Nicolai :
Berlin und Leipzig, [1796.] obi. fol.
F. 424. (4.)
ZEMIRE ET AZOR. Zemire und Azor.
Ein Singspiel in vier Aufziigen aus dem
Pranzosischen iibersetzt. [Music by A.
Gr^try.] See Operettas. Sammlung der
komischen Operetten, etc. Band III.
No. 2. 1772. 8°. B. 729.
ZEMIRE ET AZOR. Ah laisses moi la
pleurer. A Favorite Trio in Zemire et
Azor. [Music by A. E. M. Gretry.]
S. B[abh : London, 1775?] fol.
G. 306. (169.)
Du moment qu'on aime. A Favorite
Air in Zemire et Azor. [By A. E. M.
Gretry.] S. B[ahh : London,
1775 ?] s. sh. G. 307. (165.)
[Another copy.] H. 2818. (33.)
Les esprits dont on nous fait peur. A
Favorite Air in Zemire et Azor. [By
A. E. M. Gretry.] S. B[abh : London,
1771?] fol. G. 310. (51.)
La Pauvette avec ses petits. La Fauvette.
Ariette de Zemire et Azor [by A. E. M.
Gretry]. [Paris, 1775 ?] 8°.
B. 362. b. (12.)
Rose chdrie. Air de Zemire et Azor [by
A. M. Gretry]. [Paris,] 1772. s. sh. 8".
298. e. 10.
Mercure de France, Jan., 1772.
Rose ch6rie. A Favorite Air in Zemire et
Azor rby A. E. M. Gretry]. S. B[abb :
London, 1780 ?] s. sli. fol.
G. 311. (39.)
Zemire et Azor. Comedie-ballet.
See Gretry (A. E. M.)
ZEMIRE UND AZOR. Zemire und
Azor. Oper. See Baumgarten (C. G. von)
ZENOBIA. Zenobia. Opera.
See CoccHi (G.)
zilPHIRE ET FliORE. Zephire et
Plore. Opera.
See LuLLY (L. de) and (L. J. de)
Zephire et Flore. Op^ra-Comique [written
by Pavart]. ..avec la Mnsique. (Airs de
Z'^phire et Plore, etc.) 2 pts. Cliez
Duchesne : Paris, 1755. 8". 164. g. 26.
[Another edition.] Zephire et Plore.
Opera-Comique, etc. See Theatre.
Nouveau Theatre de la Poire, etc. Tom. 2.
1763. 8\ 11735. d. 2.
ZEPHYR. The Zephir's cool Breeze.
Song. See ]Moulds (J.) [The Sultan.']
ZERLINO (GiosEFFO) See Zaelino.
ZESEN (Philipp von) Pilips von Zesen
Dichterisches Rosen- und Liljen-tahl, mit
mancherlei Lob - lust - schertz - schmertz -
leid- und freuden-liedern gezieret.
Bei Georg Rcbenlein: Hamburg, 1670. 8°.
11522. df. 86. (1.)
The composers named in this collection
are : P. Meier, G. C. Nilslcr, D. Bdkker,
J. Schoqp, Hr. Frenstorf, M. Siebenhaar
and M. Wekman.
Pilips von Zesen Schone Hamburgerin.
[Georg Rcbenlein : Hambu7-g,]1668. 8".
11522. df. 86. (2.)
M. Siebenhaar and M. Wekman are
named as composers of the music.
(13
ZESEN— ZIXGAKEIXI
ZESIEIN (Phujpp voic) Die Eeinweisse
Hertzogin, besimgen durch F. von
Zesen. I'Gt-erg Uth >:."<::'• : Hamourc."
166S. S'._ " 11522. df. 86. ^3.1
M. T» tkman and II. Siebenhaar are I
named as comvosers of the music. '
ZEUTSCHZNTIR ^Tobias) Musicalische
Kirchen- rmd Hans-Frende mit 4. 5.
und 6. Vccal-Stimmen -and 2. Violinen,
denen bevgefugt 3. Trcmbcnen tmd in
etzlichen '2. Clarin, etc. Cannis 1 (2).
(Alnis.) (Tenor.) (Bassus.) (Yiolino 1
(2).) (Trombon 1 (2j (3).) (Bassxis Con-
unTitis.) 11 pts. In Yerkgung Ttit
Jacob Tresehtrs . . . Gedrucki hey -Johanr.
ErichHahn: Leipzig, imi. ^. B. 153.
New-Jahrs-Iied, Aufi das 1660ste Jahr
Christi, Dem aUein unsterblichen Goti zn
Eihxen. tfc. [Begins : " Gott und Vater
reicb ■ :e." For lotur Toices.[
'_- . -:: durch Gottfried Grundem :
Bresslatc, [1660.] s. sh. i\ B. 153. a.
ZTAfffT (PrETBO Azstdhza) Sacras Laudes
complectentes Ternam, Missam Psalmos-
que Dominicales Qninque Vocibus, i
duobus instrumentis partim. neccessarijs
4 parnm ad libitmn Decantande Opus
Sextum. Cantus. Apud Franciscum
Magni : Tenetiis, 1660. 4". D. 1071.
Imperfect, icaniing pp. IS, and after 44.
Senate a Tre, Quartxo, Cinque, et Sei
Strcmenti. . .Opera Semnaa, etc. Yiolino
Primo (Secondo). (Alto.) (Tenor Yiola.)
(Basso.) (Oi^ano.) 6 pis. Apprt&so
Gioseppe Sola : Teneiia, 1673. loL g. 57.
Yoluntarys and Fugues made on purpose
for the Organ or Harpsichord bj Ziani,
PoUaroli, Bassani and other Famous
Authors. Engraven in a fair Character.
Printed for J. WaUh dt P. PuindaU . . . d
J. Hare ': London, 1710 ?j foL g. 57. a.
TJie title-page, which is mutilated, is
mounted. The other composers named
in this coBeetion are P. D. Cfiiava,
Cotonna and Bartholomeo Monari.
ZLED. Zied's Resolution. "Song.]
See Fxsrs (J.)
ZEEGIiEE (Fsijsciscrst T.XXXTY. Inter-
luaia sive Brevlores Yersictdi (Fugettae)
ad Musicam Choralem ubique necessarii ;
(Zwevter TheiL Eurtzer und leichter
Fugetten, il kleiner ariosen Yersetten,
wohl unter dem Choral zu produciren,
etc.) 2 pts.
Sumptibus loannis T7dalrici Hanneri :
Xorimbergx, [1740 T 4\ <£ 197.
ZEEGIiHR (Jnwtxx Cheistoph) Trauer-
Ode, der . . . Furstin . . . Sophien Augusten,
verwittibten Furstin zu .An halt Bey
dero Beerdigung den S Fe bruarii 1681
. . .geseizet. . .von J. C. Zieglem, etc.
Matthaeus Henckel : Wittenberg,
[16^2.: 8». 10704. L 11. {9.)
ZTEHjCHE (TTiXs Heetbich) Six Sonates
a Flute Traversiere et Basse . . . CEuvre
Premier. Ches J. J. Hummel :
Berlin. Amsterdam. n'iSOT foL
g. 222. a. (4.)
ZIGG-ELER iA>— o>-ir5) ilissaa Breves
Tribtis Quatuor et Quinque Yocibus Con-
cinendse cum duobus Yiolinis Sc Chore
secimdo ad libitum. Opus Primum, etc.
Yox Prima (Tertia). (Altus (Tenor)
n. Chori.) (Yiolino i (n).) (Organum.)
7 pts. In Episcopali Typographia, apud
Davidem Hautt, juniorem : Constaiitix,
1669. 4°. B. 152.
ZaZMMEHMAJTW (A>rro>-) See ZAy^ (G.)
Six Sonatas for two Yiolins and a Yiolon-
eello with a Thorough Bass. . .bv. . .Sig'
Zimmerman, etc. g- 409. a. (11.)
ZTM"RT- Zimri. Oratorio.
5-- SrjLNTJEiT (J.)
ZEN^CK , Benedict Friedbich^^ Sim-
phcnie a Grand Orchestre, etc. Separate
Parts '_ Ches J. J. Hummel :
Berlin, ll-iSO?: fol. 11.2771.(6.)
ZTN'CKEISEN' (ElCHastcs) See Hy^ess.
[6. Gcm:^2}:.~_ Kirchen Gesang, So... in
den Kirchen Augspurgischer Confession,
gebraucht vrerden, Auss dem XVitten-
bergischen vnd andem . . . Gesangbachem
gesamlet . . . vnd gebessert, r>urch . . .
Eucharitun Zinckeisen, etc. 1554. foL
K. 10. <L 2-
See HxicsB. jS. German.' Eirchen
Gesang, So... in den Kirchen Augspurg-
ischer Confession, gebraucht werden. Auss
den besten Gesangbuchem . . . gesamlet, . . .
corrigieret vnd gebessert. Durch . .. .
Eucharium Zinckeisen. etc. loSo. 12°.
1221. a. 1.
See Ht^i^s. '6. German.' Kirchen
Gesang . . . -Jetzunder zum drittenmal in
Truck°geben. 1615. fol. K. 10. d. 3.
ZESDELEN" rPHiuPP) Primitis Odaran
rtracrarom Quatemis vocibtis ad praecipuos
totius RTini Dies festos accom-odatae. Alttis.
(Bassos.) 2 pts.
Apud loannem Prutorium :
Augusts Yiyidelico:, 1609. 4". C. 264.
Traurigs Klaglied auss den siben Worten,
welche Chris'tus der Herr am stammen
dess heiligen Creutzes geredt, gez-Dgen,
mit drev Stimmen componiert, etc. Erste
Discant. (Basstis.) 2 pts. Bev Johann
Sc'- lutes: Augspurg, 1612. i\ B. 154-
ZEN'G-AFIA. La Zingara. [Opera.]
See Capla (E. da)
ZTN'G-AHEIjIjI (Nicolo Astosio) Anti-
gone. Opera en Trois Actes . . . Paroles de
Mr. MarmonteL [Ftiil Score." Chez
ImbauU : Paris, [1790.] foL H. 424-
ZINGAEI— ZULEHNER
ri9
ZINGARI IN FLERA. Ahi lo tropiede.
A favorite Air sung by Sig" Storace. . .in
the Comic Opera of . . .1 Zingari in Fiera.
[Music by C. Paisiello. Full Score.]
J. DaU : London, [1793.] fol.
G. 199. (25.)
Irco deir Erebo. A Favorite Duett, as
sung... by Mr. Kelly & Sig' Morelli, in
the Comic Opera of I Zingari in Fiera.
[By G. Paisiello. Full Score.]
Printed for J. Dale : London, ri793.] fol.
G." 198. (17.)
I Zingari in Fiera. Opera.
See Paisiello (Ct.)
ZINK (Haetnach Otto Coxead) Sechs
Clavier-Sonaten, benebst der Ode Kain am
Ufer des Meeres, etc.
In Commission der Heroldschen Biichliand-
lung : Hamburg, 1783. ohl fol. f. 29.
ZIOTTI (A>-deea) See Gba>-di (A.) Can-
tade et Arie a Voce Sola. . .Raccolte, &
date in luce da me Andrea Ziotti, etc.
1626. 4". C. 339. e.
ZIPOLI (Domexico) a Third CoUection
of Toccates, VoUentarys and Fugues for
the Organ or Harpsichord with particvdar
Great Pieces for the Church, etc.
Printed for I. Walsh :
London, [1715 ?] fol. h. 21.
Six Suits of Italian Lessons for the Harp-
sicord or Spinnet, with great Variety of
Passages and Variations . . . Opera Prima.
Printed for I. Walsh. . .and Joseph Hare :
London, [1725?] fol. h. 21. a.
ZISTE ET ZESTE. Ziste et Zeste, ou
Les Importuns, Folie en un Acte et en
Vaudevilles, par lesCC. Cailhava et Leger,
etc. [With music to the concluding
Vaudeville, by F. P. A. Leger.] Chez Us
Libraires : Paris, An V. [1796."! 8".
11738. h. 11. (6.)
ZOBEIDE. The Music of the Epithala-
mium. . .in Zobeide. See Fisher (J. A.)
ZOE. Zoe, ou la Pauvre Petite. Opera.
See Plax-tade (C. H.)
ZOESCHINGER (Lcdovicus) Philomela
Organica in Cymbalis Canora, seu Parthias
Sex modemo stylo, et facili accommodatae,
etc. Typis ct Stimptibus Joannis
Jacobi Lotteri : Augustse Yindclicorum,
1769. obi. fol. e. 5. j. (1.)
ZOILO (Asxibale) [Libro Secondo] De
Madrigali a Quattro et a Cinque Voci, etc.
j^to. -P^'' Antonio Blado :
Boma, 1563. oU. 4°. A. 578.
The title-page is mntilated.
ZOILO (Cesaee) Madrigali a Cinque. II
Primo. Aggiuntoui il suo Basso Continuo
a beneplacito, etc. Soprano. (Mezzo-
soprano.) (Contralto.) (Tenore.) (Basso.)
(Basso Continuo.) 6 pts.
Appresso Bartholomeo Magni :
Venetia, 1620. 4°. K. 2. e. 3.
ZOILO (Cesaee) II Primo Libro de'
Madrigali a Cinque Voci...Di nuouo in
questa Terza impressione coretto. Canto.
(Alto.) (Tenore.) (Basso.) (Quinto.) 5 pts.
Appresso Ambrosio Magnetta :
Xa2:>oli, 1627. 4". D. 210.
ZOLLICOFER (Caspar) Himmlisch-
Gesinnter Seelen Himmel-Durchschallende
L^nd Unsern Gott billich hoch verherr-
lichende Gebiit-Music, Das ist, Geistreiches
Gesang-Gebat-Buch, Bestehend in 1000.
...Liederen, mit. . .Melodien zu 2. 3. 4.
und 5. Stimmen, Nebst einem. . .General-
Bass, e/c. Buprecht Weniger :
St. Gallen, 1738. 8'. C. 870.
SeeHy^iNS. [6. Geri7i-aji.'] Neu-vermehrte
Seelen-Music . . . zum neunten mahl auf-
gelegt . . . mit . . . neuen . . . Melodie-Stnken
vemiehret . . . heraussgegeben von C.
Zollicofer, efc. 1753. 8°. B. 709. b. (1.)
Sec Hy^ixs. [6. Gcrman.^ Geistliche . . .
Lieder . . . zur Vermehrung der Geistlichen
Seelen- !Musick . . . herausgegeben von C.
Zollicofer, etc. 1744. 8". B. 709. b. (2.)
ZORAIME ET ZULTfAR. Zoraime et
! Zulnar. Op^ra. See Boieldieu (P. A.)
ZORINSKI. Zorinski. [Musical Play.]
Sec Akxold (S.)
ZOROASTRE. Zoroastre. Tragedie.
See Rameac (J. P.)
ZSCHIEDRICH (Kael August)
iSTeueste italianische Opernmusik fiir das
Pianofort mit Originaltexte und Verteut-
schung. Dbersetzt. . .von K. A. Zschiedrich.
Mit Meinholdischem Notendruck :
Dresden, 1797. fol. G. 808. c. (31.)
The composers of this collection are Salieri
and Winter.
ZUCCARl (Carlo) Sonate a Violino, e
Basso 6 Cembalo. . .Opera Prima. 2 pts.
IJIikin, 1780 ?] obi. fol. e. 799.
ZUCCHINIUS (Gbegorius) Motectorum
et Missariun Senis, Septenisqj Vocibus . . .
Liber Secundus. Altus. (Sextus.) 2 pts.
Apiud lacobum Yincentium :
Venetiis, 1611. 4^ D. 209.
ZUCKERT (JoHAXN Feiedeich) Eight
Sonatas or Trios for two Violins or two
German Flutes and a Violoncello with
a Thorough Bass for the Harpsichord.
Opera Secondo, etc. [Separate Parts.]
Printed for the Author :
London, [1770 ?] fol. 'g. 420. g. (6.)
ZUFRIEDENHEIT. Die Zufriedenheit.
rSong.j Sec Mozaet (W. A.)
ZULEHNER (Cael)
See Geetey (A. E. 31.) [Bichard Caur de
Lion.'] Richard Loewenherz . . . Clavir-
. Auszug von C. Zulehner. [1790 ?] obi. fol.
D. 315.
720
ZULEHNER— ZUMSTEEG
ZULEHNER (Carl) See IMozart (W. A.)
Dom Giovani . . . arrange pour le Piano-
Forte avec un Violon oblige j)ar C.
Zuleliner. [1800?] fol. h. 1751. f. (1.)
See Salieri (A.) Palmira . . . Clavier
Ausztig. . .von C. Zulehner.
[1795 ?] oU. fol. E. 20. b.
See SuESSMAYER (F. X.) [Solimann der
Ztvcite.] Ouverture und Gesange . . .
Klavierauszug von C. Zulehner.
[1800.] obi. fol. E. 22.
See Winter (P. von) Marie von Mont-
alban . . . Clavier-Auszug von C. Zulehner.
[1798.] obi. iol. E. 165. f.
See Winter (P. von) Das Unterbrochene
Opferfest . . . Klavierauszug von C. Zjulener,
etc. [1796] obi. fol. E. 165. e.
ZUMSTEEG (JoHANN Rudolph) Kleine
Balladen und Lieder, mit Klavierbe-
gleitung. Erstes(-Sechstes) Heft. 6 Hfte.
Bey Brcitkopf unci Hcirtel :
Leipzig, [1800-1803.] obi. fol. E. 592. a.
Die Biissende. Ballade von Friedrich
Leopold Grafen zu StoUberg, etc.
Bey Breitko})/ ct Hcirtel :
Leipzig, [1797.] obi. fol. E. 592. e. (1.)
Colma, ein Gesang Ossians, von Goethe,
mit IClavierbegleitung.
Bei Breitkopf ii. Hdrtel :
Leipzig, [1794.] obi. fol. E. 593. b.
Die Entfiihrung oder Ritter Karl von
Eichenhorst und Friiulein Gertrude von
Hochburg. Ballade von G. A. Burger, etc.
Bey Breitkopf & Hdrtel :
Leipzig, \VJ24..'] obi. iol. E. 592. c. (1.)
ZUMSTEEG (JoHANN Rudolph) Die
Geister-Insel. Ein Siugspiel in 3 Akten
von J. F. Gotter [after Shakespeare] . . .Im
Klavierauszug. Bei Breitkopf <& Hcirtel :
Leipzig, 1799. obi. fol. F. 436.
Gesange der Wehmuth von J. G. v. Sails
und F. Matthisson, etc.
Bey Breitkopf d Hcirtel :
Leipzig, {1191.'] obi. iol. E. 592. e. (3.)
Das Lied von Treue. Ballade von G. A.
Buerger, etc. Bey Breitkopf d- Hdrtel :
Leipzig, 1800. obi. fol. E. 592. c. (2.)
Zwolf Lieder mit Clavierbegleitung.
Bey Breitkopf & Hcirtel :
Leipzig, [1797.] obi. fol. E. 592.
Maria Stuart. Ballade fiir eine Singstimme
mit Begleitung des Forte Piano.
Bei N. Simrock : Bonn, [1800 ?] obi. fol.
E. 600. u. (8.)
Des Pfarrers Tochter von Taubenhayn.
Ballade von G. A. Biirger, etc.
Bey Breitkopf d Hcirtel :
Leipzig, [1792.] obi. fol. E. 592. c. (3.)
[Zalaor.] Ouverture und Gesange aus
der Oper . . . Zalaor . . . Klavierauszug.
Bei Breitkopf und Hcirtel :
Leipzig, [1800?] obi. fol. F. 436. b.
See Pleyel (I. J.) [iO. Vocal Music.']
Leichte Stiike fiir's Gesang und Klavier,
von Pleyel, Zumsteeg, etc.
[1790 ?] obi. 4°. E. 600. g. (4.)
See Musikalischer Potpourri. Musik-
alischer Potpourri, etc, (Zweytes(-Vier-
tes) Vierteljahr. Herausgegeben von
Abeille, Eidenbesiz, Schwegler, Zumsteeg.)
etc. 1790-1. obi. 4°. B. 710.
FIBST SUPPLEMENT.
ABEL (Carl Friedrich) Six Overtures,
composed and adapted for the Piano-Forte
byC. F.Abel. [Op. 1.] [1798]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. III.
No. 8. [1797-1802.] 8". D. 854.
Six Sonatas for the Piano Forte, with an
Accompaniment for a Violin. . .Dedicated
to the Queen. [1797.] See Periodical
Publications. — London. The Piano-Forte
Magazine. Vol.1. No. 3. [1797-1802.J S".
D. 854.
ABSENCE. Absence. A Song. See Ye.
Ye Rivers so limpid, etc.
[1774.] s. sh. obi. 8". P.P. 6199. b.
ADIEU. Adieu my Floreski. Sung by
Mrs. Crouch [m Lodoiska, words by I. P.
Kemble, music by R. Kreutzer].
[Dublin, 1795.] 8". P.P. 6154. k.
Walker's Hibernian Magazine, May,
1795.
ADIEUX. Les Adieux de I'infortun^ Louis
XVI a son Peuple. [Song.] See 0. 0
mon peuple, que vous ai-je fait ?
[1797.] 8". P.P. 6154. k.
ADMIRAL KEPPEL. Admiral Keppel.
Catch. See 'Twas. 'Twas you, Sir, etc.
[1779.] s. sh. i". P.P. 6154. k.
AGAIN". Again the balmy Zephyr blows . . .
[Song.] Sung by Tilrs. Weichsell at Vaux-
hall Gardens. [Dublin, 1779.] s. sh. 4°.
P.P. 6154. k.
Hibernian Magazine, May, 1779.
Again to the Garden. Ballad.
See BOYCE (W.) [4. Songs, b.]
AGNES. Agnes and Toby. [Song.] .
See My. IMy true hearty fellows, who
smoke with such glee, etc. [1788.] 8".
P.P. 6225.
AGUS (Giuseppe) The Ballet Champetre,
a Comic Dance, as danced at the King's
Theatre. . .by Monsr. & Madam Vallouis.
[P. F.] W. Napier :
London, [1780?] obi. 4". b. 51. f. (1.)
The Opera Dances both Serious and Comic.
Danced at the King's Theatre. . .for the
German Flute, Violin or Harpsichord.
Book v. Longman and Broderip :
io7icZo», [1788?] obl.^". b. 51. f. (2.)
VOL. II.
AH. Ah me, wretched Sinner. TJie Com-
plaint. [Hvmn.] [London. 1762.] 8".
P.P. 324. n.
Christian's Magazine, Jan., 1762, p. 41.
Ah why did Jockey gang away. A Scoti
Song. [London, 1767.] 8°. P.P. 5440.
Universal Museum, etc., November, 1767.
Ah, why thus abandon'd to mourning.
Scotch Song, from the Hermit, [written]
by Dr. Beattie. [Edinburgh,
1785.] s. sh. 4°. 257. b. 15.
Edinburgh Magazine, Sept., 1785.
AIRS. Thirty Popular Airs, Reels, Dances
&c. adapted "for the Piano Forte. [1802.],
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. XVI.
No. 6. [1797-1802.] 8". D. 854.
Airs sur les Hymnes Sacrez.
See Hymns. [12. Latin and French.']
AL. Al suon scave. Quintette.
See Guglielmi (P.) [La Bella Pescatrice.']
ALBRECHT. Albrecht und Agnes. Fine
Ballade [words] von Graf StoUberg.
See RODOLPH. Rodolph in paternal Hall,
etc. [1800.] s. sh. obi. 4°. 266. 1. 29.
ALCINA. Three Celebrated Italian Airs
fromAlcina. [By G. F. Haendel.] [1802.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. XVI..
No. 8. [1797-1802.] 8". D. 854.
ALCOCK (-John) the Younger. Flutt'ring.
spread thy purple Pinions. A celebrated^
Song, [words] by Dean Swift, etc.
[London, 1764.] 8°. P.P. 5440.
Universal Museum, July, 1764.
ALEXANDRE (Charles Guillaume)
Le Petit-Maitre en Province, Comedie, en
un acte et en vers, avec des Ariettes : par
~Sl. Harny. . .Representee pour la premier-'
fois. . .le 7 Octobre 1765, etc.
Chez la Veuve Duchesne : Paris, 1765. 8'
86. b. 16
Part of the ' Supplement des Parodies du
Thidtre Italien,' etc., torn 3.
ALL. All bereft of Love and Wine. Love
and Wine. (Liebe und Wein.) [Song,
words] By C. F. Weisse. C. Geisiueiler:
[London, 1800.] s. sh. obi. 4°. 266. 1. 29,
German Museum, June, 1800.
a
ALLA— ARNE
ALL A. Alia stagion novella.
Sec Son-in-Law.
Soug.
ALLEMANDES. The Admired AUe-
luande, &c. As danced. . .at Smock-alley
Theatre. [Diiblin, 1784.1 s. sh. S'\
P.P. 6154. k.
Hibernian Magazine, Jan., 1784.
A Favourite New Allemande. [Violin.]
[Dublin, 1790.] s. sh. 4°. P.P. 6154. k.
Walker's Hibernian Magazine, July,
1790.
AM ANT DEGUISE. L'Amant Deguise,
Parodie du Quatrieme Acte des Elemens,
ou Vertumue et Pomone Travestis. Re-
presentee . . . le 5 Juin 1754. Par Mr.
D. Ct. G. M. D. E. E. p. D. T. . . . avec la
Musique. ' CJtez Diidiesnc :
Paris, 1754. 8". 86. b. 14.
Part of the ' Supplement aux Parodies clu
Thidtre Italicn,' etc., torn. 1.
AMOURS DE GONESSE. Les Amours
de Gonesse, Comedie en uu acte, mesle
d'Ariettes; par M" =•' * *. Repre'sentee
pour la premiere fois. . .le 8 Mai 1765. . .
avec la Musique [by J. B. de Laborde].
Chez Duchesne : Paris, 1765. 8°.
86. b. 16.
Part of the ' Supplement des Parodies du
Theatre Italien,' etc., torn. 3.
AND. And are we now brought near to
God. A Hymn, for the Sacrament, sung
at the Magdalen Chapel. [London,
1763.] 8". P.P. 324. u.
Christian's Magazine, Nov., 1763, p. 520.
ANGELIC. [Another setting.] Angelic
fair beneath this pine. Song.
See Swift (W.)
Angelic fair, beneath yon pine. Angelic
fair, etc. A celebrated new Song, as Sung
at the Public Gardens, &c. [Dublin,
1779.] s. sh. 4". P.P. 6154. k.
Hibernian Magazine, Nov., 1779.
APOLLO'S COLLECTION. Apollo's
Collection, being XII Duettos for Two
German Flutes or Two Violins composed
by . . . Sig" P. Geminiani, S' Martini, Sig''
N. Jommelli, M' Rameau, M' Blavet, M"'
Oswald, Lib. 1"'° Corrected and approv'd
of, by the Societv. Printed for
J.Oswald: London, [llbOl] fol.
h. 2052. (3.)
Apollo's Collection, being six Sonatas or
Duets for two German Flutes or two
Violins . . . by . . . Sig' Tartini, Sign-" N.
Jommelli, S' Martini, ]\P Rameau, M'
Blavet, M^ Oswald. Book 2''. Printed for
J. Osivald : London, [1755?] fol.
h. 2052. (4.)
APPENZELDER (Benedictus)
See Bekedictus [Appenzeller].
ARISE. Arise 0 God of Grace. Hymn.
See JiIadan (M.)
Arise on my benighted IMind. A Hymn
for the Light of Faith. Set to Musick for
Three Voices. " [London, 1762.] 8'\
Christian's Magazine, Feb., 1762, p. 88.
P.P. 324. n.
ARNE pilCHAEL)
1. Ul'ERAS, IXCLUDIKG SONGS AKD GlEES
IX Plays.
Cymon. A Dramatic Romance, e?c. [1798.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. III.
No. 7. [1797-1802.] 8". D. 854.
[The Winter's Tale.] Come, come, my
good shepherds. [Song, by M. Arne.]
[1769.] S". Set' Come. P.P. 5440.
2. SoxGS AND Duets.
B. Single Numbers.
The Foes of Old England, (France, Holland
and Spain). Sojig in Praise of his Royal
Highness Prince William. Sung at Vaux-
hall bv IMrs. Kennedy, etc.
[Dublin, llSl.] s.sh.i". P.P. 6154. k.
Hibernian Magazine, Appendix, 1781.
The Foos of Old England, (France, Holland
and Spain.) Song ... in praise of his
Royal Highness Prince William.
[Dublin, 1788.] s. sh. 4". P.P. 6154. k.
Walker's Hibernian Magazine, March,
1788.
The Foes of Old England, France, Holland
& Spain. Duncan's Victory, etc. [Song,
by ]M. Arne.] [1789 ?] fol. See Foes.
H. 2826. c. (16.)
[The Seasons of Love.] Six Favourite
Songs ... by Mr. Arne . . . The words by
Mr. Harrison. (No. 3.) [1797.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol.1. No. 8.
[1797-1802.] 8^ D. 854.
ARNE (Thomas Augustine)
1. Sacred Music.
[Abel.] How chearful along the gay
j\Iead. A Celebrated Hymn, etc.
[London, 1762.] 8°. P.P. 324. n.
Christian' s Magazine, April, 1762,2^.178.
2. Operas, Cantatas and Dramatic
Music.
B. Single Works.
Artaxerxes. A Serious Opera, etc. [1797.]
See Periodical Publications. — London-.
The Piano-Forte Magazine. Vol. II.
No. 8. [1797-1802.] 8". D. 854.
[In Infancy our Hopes and Fears.]
Sec King. The King, 0 Lord, with Songs
of Praise. Psalm xxi. [Adapted to 'In
infancy our hopes and fears,' from Arne's
Artaxerxes.] [1762.] 8\ P.P. 324. n.
ARNE— AS
ARNE (Thomas Augustine) Comus. A
Masque, etc. [1797.] Sec Periodical
PUBLICATION'S. — Loudoii. The Piauo-
Forte Magazine. Vol. III. No. 2.
[1797-1802.] D. 854.
The Fairy Prince. A :Masque, etc. [1800.]
See Periodical Publications. — London.
The Piano - Forts Magazine. Vol. X.
Ko. 4. [1797-1802.] 8'. D. 854.
3. Songs, Glees, &c.
B. Single Works.
The Blooming Vale, etc. [Song.]
Printed for G. Kcarsbi : 'London,
1760?] s.sh.iol. I. 600. d. (176.)
Cloe's Way. [Song.] Written by a Young
Ladv, etc' Printed for G. Kcarsly :
[London, 1160?] s. sh. ioL
I. 600. d. (174.)
Come, live with me and be my Love.
The New Scutch Song. Sung by Miss
Catlev at the Rotunda. T. Walker:
[Dnblin, 1775.] s. sh. i-. P.P. 6154. k.
Hibernian Magazine, Juhj, 1775.
The Complaint. [Song.] The Words by a
Young Lady, etc. Printed for G. Kearshj :
\ London, 1160 '>] s.sh.iol.
I. 600. d. (177.)
The Mutual Symptoms, [Song,] wrote by
a 'Lady, etc. Printed for G. Eearsley :
[London, 17G0 ?] s. sh. fol.
I. 600. d. (178.)
An Ode to Love, etc. [Begins : ' Parent
divine.'] Printed for G. Kcarsly :
[London, 1760 P^ s. y/i. fol.
L 600. d. (173.)
Platonic Love. [Song.] Printed for
G. Kcarsly : [London, 1760?] s. sh. fol.
I. 600. d. (172.)
The Pride of May, etc. [Song.]
Printed for G. Kearsh/ : [London,
1760?] ssh.iol. I. 600. d. (171.)
Strephou and Phtebe, etc. [Song.]
Printed for G. Kcarsly : [London,
1760?] s.sh.iol. I. 600. d. (175.)
ARNOLD (Samuel)
2. Operas and Dramatic Music.
The Agreeable Surprize. A Comic Opera
in Two Acts, etc, [1797.] See Periodical
Publications. — London. The Piauo-
Forte [Magazine. Vol. I. No. 1.
[1797-1802.] 8". D. 854.
[The Battle of Hexham.] Moderation and
Alteration, etc. [Song, by S. Arnold.]
[1789.] s. sh. 4". Sec Battle of Hexham.
P.P. 6154. k.
The Castle of Andalusia. A Comic Opera,
etc. [1799.] Sec Periodical Publica-
tions.— London. The Piano-Forte Maga-
zine. Vol. VII. No. 10. [1797-1302.] S'\
D. 854.
Masters
[1800.]
London.
Vol. X.
ARNOLD (Samuel) [Inkle and Y'arico.]
Come let us dance and sing. The favourite
Finale, etc. [By S. Arnold].
[1783.] s. sh. 4\ Sec Inkle and Yaeico.
P.P. 6154. k.
Peeping Tom of Coventry. A Comick
Opera in Two Acts, etc. [1797.]
Sec Periodical Publications. — London.
The Piano-Forte Magazine. Vol. II.
[No. 3.] [1797-1802.] 8". D. 854.
The Son in Law. A Comic Opera, etc.
[Words by J. O'Keeffe.] [1799.]
Sec Periodical Publications. — London.
The Piano-Forte Magazine. Vol. VII.
No. 9. [1797-1302.] 8". D. 854.
[For songs, &c., published anony-
mously :j Sec Son-in-Law.
The Spanish Barber. A Comic Opera, etc.
[1799.] See Periodical Publications. —
London. The Piano-Forte Magazine.
Vol. VIII. [No. 4.] [1797-1802.] S\
D. 854.
8. Odes, Glees, &c.
Convivial Harmony. Being a Favourite
Collection of Catches, Canons, and Glees.
Selected from the works of the Greatest
for the Voice, and Piano Forte.
See Periodical Publications.—
The Piano-Forte Magazine.
No. 5. [1797-1802.] 8°.
D. 854.
4. Songs.
B. Single Works.
[Vv'illiam.] Six Favourite Songs. . .by. . .
Dr. Arnold . . . The words by Mr. Harrison.
(No. 6.) [1797.] See Periodical Publi-
cations.—Lon^wi. The Piano - Forte
Magazine. Vol.1. No. 8. [1797-1802.] S\
D. 854.
5. Instrumental Music.
Three Concerto's for the Harpsichord the
Piano-Forte or the Organ, with Accom-
panyments for Two Violins, a. Tenor & a
Violoncello, in an easy familiar Stile . . .
Opera xv. [Separate Parts.]
To be had at the Authors house :
[London, 1780 ?] fol. h. 65.
Tlic acco)npaniments only.
AS. As bringing home the other Day.
The Linnets. A New Song. [London,
1767.] S\ P.P. 5440.
Universal Mtiseum, January, 1767.
As Jockey was walking one ^Midsummer
Morn. The Sex. [Song, words] By Mr.
Rolt. [London, 11 bb'>] s.sh.iol.
I. 600. d. (179.)
As o'er the plain I took my way. A New
Song. [London, 1764.] 8". 250. k. 19.
B. Martin's Miscellaneous Correspond-
ence, etc., Tol. IV., i^. 645.
[Another setting.] As the Thames' silent
Stream. Song. Sec Moze (J. H.)
a 2
ASIOLI— BACH
ASIOLI (BoNiFAZio) A Celebrated Air.
[P. F.] [1798.] See Periodical Publi-
cations. — London. The Piano-Forte
Magazine. Vol. III. No. 3.
[1797-1802.] 8". D. 854.
ASSEMBLE. Assemble ye Righteous in
Songs of Joy & Triumph. A Parody to
the Latin Hymn on the Nativity [Adeste
fideles], adapted to the same Measure.
Longman, Ckmoiti <C Conip.'/, fovR. Guest :
London, [1800?] fol. H."879. r, (1.)
AT. At the dead of the night. Katty
Flannujan. [Song.] \_Dublin,'] 1796. 8".
P.P. 6154. k.
Walker's Hibernian Magazine, Feb.,
1796.
ATHRIDATES. The Purple Mora.
[Song.] Sung by Mr. Tenducci in the
Opera of [The Revenge of] Athridates, etc.
[London, 1767.] 8". P.P. 5440.
Universal Museum, April, 1767.
ATKINSON (William) One Ev'ning in
Spring, when the I\Ieadows were gay. A
New Song, etc. [London, 1756.] 8°.
250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc., Vol. I., p. 431.
AUGE (Peter) New and Compleat In-
structions for the Small Harp ... To
which is added, a Collection of the most
Favourite Minuets, Marches, Airs, &
Songs, with Accompanyments, properly
dispos'd for that Instrument, etc.
J. Rutherford : London, [1775 ?] obi. 4".
b. 107.
AimORA. Aurora bedapples the gray
bending skies. Tlie Morning CJiase.
[Song.] The Words by Mr. J. Alexander
. . . And the j\Iusic adapted from the . . .
Song [by W. Boyton] of Diana and Hebe.
[Dublin, 1797.] 8". P.P. 6154. k.
Hibernian Magazine, Feb., 1797.
AUXCOUSTEAUX (Arthur) Noels et
Cantiques Spirituals. Sur les mysteres
de la Naissance de Nostre Seigneur. Et
sur les principales Festes de la Vierge, etc.
(Second Livre de Noels et Cantiques, etc.)
2 bks. li. Ballard : Paris, 1655. 8°.
K. 4. c. 16.
Book 1 is undated.
AVISON (Charles) Eight Concertos for
the Organ or Harpsicord . . . N.B. The
1" & 2'' Repienos, Tenor, & Basso Repieno
of His Violin Concertos [Op. 2], are the
Instrumental Parts to y" above. Printed
for I. Walsh: London, [1760?] fol.
g. 256. d.
AWAKE. Awake my Soul, and with the
Sun. Tlic Morning Hymn, by Bishop
Kenn, set to musick as it is sung at the
Magdalen Chapel. [London, 1763.] 8".
P.P. 324. n.
Christian's Magazine, Jan., 1763, p. 38.
AWAKE. [Another setting.] Awake my
soul, and with the sun. A Morning
Hymn, by Bishop Kenn.
[London, 1765.] 8°. P.P. 324. n.
Christian's Magazine, Aug., 1765, j). 375.
BABELL (William) [Suits of Harpsi-
cord Lessons. V6 far guerra.] The
Celebrated Grand Lesson as adapted for
the Harpsichord or Piano-Forte . . . from a
Favorite Air out of the Opera of Rinaldo ;
. . .by Mr. Handel. Printed for S. Babb :
London, [1775 ?] fol. h. 726. p. (1.)
BACH (Carl Philipp Emanuel)
2. Instrumental Music.
c. Symphonies.
[Sinfonie. No. 4.] Six Sonatas, for the
Piano-Forte. Composed by Bach, etc.
(No. 1.) [1799.] See Periodical Publi-
cations. — London. The Piano - Forte
Magazine. Vol. VII. No. 6.
[1797-1802.] 8". D. 854.
4. Doubtful and Spurious Works.
[Overture in D.] A Collection of Over-
tures and Symphonies. By . . . Bach of
Berlin, etc. [No. 4.] [1797.] See Peri-
odical Publications. — London. The
Piano-Forte Magazine. Vol. II. No. 5.
[1797-1802.] 8'\ D. 854.
BACH (JoHANN Christian)
1. Operas and Oratorio.
The Favourite Songs in the Opera call'd
Zanaida. [Full Score.]
Printed for I. Walsh :
London, [1763.] fol. G. 136. b.
2. Songs and Duets.
B. Single Works.
Let the solemn organ blow. An Anthem
for the Use of the Magdalen Chapel, by the
Rev. W. Dodd, etc. [London, 1765.] 8".
P.P. 324. n.
CJtristian's Magazine, MarcJi, 1765,
p. 140.
3. Instrumental.
A. Concertos.
[Op. XIII., No. 4.] Bach's Celebrated Con-
certo, for the Piano Forte, etc. [1798.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. III.
No. 6. [1797-1802.] 8°. D. 854.
c. Sonatas and Trios.
Six Sonatas composed for the Harpsichord
or Piano Forte. Opera 20. [1801.] See
Periodical Publications. — Ljondon.
The Piano-Forte Magazine. Vol. XIII.
[No. 3.] [1797-1S02.] 8°. D. 854.
'BAGLEY— BEE
BAGIiEY ( ) Haste, Phillis, haste
while youth invites. .1 Song, etc.
[Lo7idon, 1759.] 8". 250. k. 18.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. III., p. 383.
Miranda. [Song, words] By S. G., etc.
[London, 1756.] S'\ 250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc., Vol. I., p. 285.
My Sukey, while I fondly gaze. A Nciu
Song, etc. [London, 1757.] S".
250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. II., p. 563.
Spring returns, the Fawns advance. A
Netv Song, etc. [London, 1757.] 8'.
250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. II., p. 630.
Tho' lovely Delia thou art coy. A New
Song. [London, 1757.] 8". 250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc., Vol. II., p. 503.
Whilst in the Grove Timandra walks.
A Neiu Song, etc. [London, 1758.] 8".
250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc., Vol. II., p. 739.
BAILDON (Joseph) IMirtilla was hand-
some. [Song.] [London, 1756.' 8".
P.P. 5439. b.
Universal Visiter a7id Monthbj Memori-
alist, July, 1756.
The Slighted ^Nfaid. [Song.]
[London, 1753.] 8". P.P. 5439. b.
Universal Visiter and Monthly Memori-
alist, Oct., 1756.
The Spinning Wheel. [Song.]
[London, 1756.] 8". P.P. 5439. b.
Universal Visiter and Monthly Memori-
alist, March, 1756.
BARBIER DE SEVILLE. [Vous
Tordonuez.] The Favourite Air, in the
Barbier de Seville, with Variations for
the Piano Porte, by J. Chalon. [1799.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. VII.
No. 1. [1797-1802.] 8". D. 854.
BARKER (John) of Aldborongh. The
Pleasures of a Rural Life, etc. [Song.]
[London, 1763.] 8". P.P. 5440.
Universal Museum, October, 1763.
BARRETT (John) Organist. [The
Generous Conqueror.] Mr. Barretts Ayres
in the Tragedy [by B. Higgons] call'd the
Generous Conquerour or the timely Dis-
coverry. [First Molin and Bass Parts.]
[London, 1702 ?] obi. fol. d. 24. (8.)
[Mary Queen of Scots.] Mr. Barretts
Musick in the Play call'd Mary Queen of
Scotts. [First Violin and Bass Parts.]
[London, 1704 ?] obi. foL d. 24. (18.)
BARRETT (John) Organist. [The
Pilgrim.] Aires in the Comedy [by Sir
J. Vanbrugh] call'd the Pilgrim. [First
Violin and Bass Parts.]
[London, l'i02?] oW. fol. d. 24. (11.)
[Tunbridge Walks.] IMr. Barretts Musick
in the Comedy [by T. Baker] call'd Tun-
bridg walks or the Yeoman of Kent.
[First Violin aud Bass Parts.]
[London, 1703 ?] obi. fol. d. 24. (14.)
BARTHELEMON" (FRAN901S Hippo-
lyte) The Opera Dances for 1784. Com-
posed & properly adapted for the Piano
Forte, Harpsichord, Flute & Violin by
F. H. Barthelemon. Book 1.
Longman d Broderip, for the Author ;
London, [1784.] obi. i". b. 51. f. (3.)
[Orpheus. Overture.] Three Celebrated
English Overtures ; adapted for the Piano
Forte. ([No. 2.] A Peep behind the
Curtain. Barthelemon.) [1798.] Sec
Periodical Publications. — London.
The Piano - Forte Magazine. Vol. V.
No. 3. [1797-1S02.] 8'\ D. 854.
A Peep behind the Curtain.
See supra : [Orp>hcus.]
BASSANI (Giovanni Battista) Res-i
Armonici in Motetti a Voce sola con
Violini . . . Opera Ottava. Parte che Canta.
(Violino Primo.) (Violiuo Secondo.)
(Basso Continuo.) 4 pts. Per Henrico
Aertssens: Anver.ia, 1691. i".
K. 4. f. 7.
BATTISHILL (Jonathan) [Red and
White.] Six Favourite Songs . . . by . . .
Sir. Battishill . . . The words by Mr.
Harrison. (No. 4.) [1797.] See Peri-
odical Publications. — London. The
Piano-Forte IMagaziue. Vol. I. No. 8.
[1797-1802.] 8^ D. 854.
BATTLE OF HEXHAM. Moderation
and Alteration. [Song.] Sung by Mr.
O'Reily in the Battle of Hex[h]am. [By
S. Arnold.] [Dublin, 1789.] s. sh. 4°.
P.P. 6154. k.
Walker's Hibernian Magazine, Appen-
dix, 1789.
BATTLE OF PRAGUE. The Battle
of Prague, for the Pianoforte. [By P.
Kotzwara.] [1798.] See Periodical Pub-
lications.— London. The Piano-Forto
Magazine. Vol. III. No. 4.
[1797-1802.] 8". D. 854.
BEAUTY. Beauty's Power. [Song,
begins: "Nature, for defence, aiiords."]
See MozE (J. H.)
BEE. The Bee. A New Song sung by
Mr. Lowe. See To. To heal the Smart
a Bee had made, etc. [1750?] s. sh. fol.
1. 600. d. (170.)
BENDA— BRIGHT
BENDA (Georg) Six Sonatas, for the
Piano Forte. Composed by . . . Benda,
dc. (No. 2.) [1799.] See Periodical
Publications. — Ijondon. The Piano -
Forte Magazine. Vol. VIII. No. 13.
[1797-1802.] 8". D. 854.
BENEDICTU3 [Appenzelder] Superius
(Contratenor) (Tenor) (Bassus) Des chan-
sons a quattre parties, coraposez par
M. Benedictus: M. de la Chapelle de
IMadame la Eegente, Douagiere de Hon-
guerie &c. 4 pts. Henry Luijs d Iclian
de Buiis : Anucrs, 1542. obi. i".
■^ K. 4. f. 5.
BERTEZEN (Salvatore) Six Songs with
an Accompaniment for a Piano Forte, etc.
Straight, for the Author: London,
[1790?] ohl.iol. E. 270. f. (1.)
BESIDE. Beside where fam'd Euphrates
Hows. Ode on Psalm ciwxvii. [Words]
By Mrs. Toilet. [London, 1765.] 8°.
P.P. 324. n.
Christian's Magazine, Feb., 17G5, p. 88.
BESOIN D' AIMER. Le Besoin d' Aimer.
Cantatille. See Fevrier (H. L.)
BID. Bid Painting's, Pencil's mimic
Pow'rs. T]ie Mirror. [Song. Words by]
R. Philbin, etc. [Dublin,
1784.] s. sh. 4°. P.P. 6154. k.
Hibernian Magazine, Nov., 1784.
BIRTHDAY. A Birth-Day Thought.
[Hymn.] See Can. Can I all gracious
Providence, etc. [1761.] 8°.
P.P. 324. n.
BITTEN UND ERHOERUNG.
Bitten und Erhorung. Singspiel.
See Kaffka (J. C.)
BLAVET (Michel) See Apollo's Col-
lection. Apollo's Collection, being XII
Duettos for Two German Flutes or two
Violins . . . by . . . Sig"' F. Geminiani . . .
M'- Blavet . . . Lib. 1'"", f/c. [1750?] fol.
h. 2052. (3.)
See Apollo's Collection. Apollo's Col-
lection, being sis Sonatas . . . for Two
German Flutes or Two Violins . . . by , . .
Sig"' Tartini . . . M"- Blavet . . . Book 2''.
[1755?] fol. b. 2052. (4.)
BLITHE. Blithe Sandy. [Song.] See
]\Iy. ^ly Sandy is the Sweetest Swain,
etc. [1779.] s.'sh. 4°. P.P. 6154. k.
BLOOMING. Blooming, beauteous,
fragrant Flow'r. The Rose. [Song.
Melody and words only.]
[London, 1763.] S". P.P. 324. n.
Christian's Magazine, Dec, 1763, p. 568.
The Blooming Vale. [Song.]
See Arne (T. A.)
BOATIE. The Boatie rows. Song.
See Wilson (W.) [Ttcelve . . . Scotch
Songs. Ojj. III. No. S.]
BORGHI (LuiGi) See Wvnne (R.) Six
Divertimentos . . . Published by Lewis
Borghi. [1781?] fol. li. 5. d. (1.)
BORSI (Cesark) Constante at Alcidonis,
a Grand Ballet . . . composed by M. Gallet,
etc. [P. F.] Printed for Corri,
Dussek d Co. : London ((: Edinburgh,
[1793.] fol. li. 16. e. (1.)
The title-page is signed by the composer.
BOUTMY (Lacrent Francois) Four
Italian Overtures. Arranged for the
Piano Forte by L. Boutmv. (fOp. 2.
No. 1.] Sinfonia. Sig' Sarti. [No. 2.]
Sinfonia. Paisiello. [No. 3.] Sinfonia.
Sig'' Paisiello. [No. 4.] Sinfonia. Sig'
Salieri.) [1799.] See Periodical Publi-
cations.— London. The Piano - Forte
Magazine. Vol. VII. No. 7.
[1797-1802.] 8". D. 854.
BOYCE William)
1. Church Music and Ode.
The Lord my Pasture shall prepare. A
Pastoral Hymn, by J. Addison . . . for Two
Voices. [London, 1760.] 8".
P.P. 324. n.
Christian's Magazine, May, 1700, p. 88.
2. Solomon.
Solomon, a Serenata . . . for the Harpsi-
chord or Piano Forte. [1801.] See
Periodical Publications. — London.
The Piano-Forte Magazine. Vol. XIII.
[No. 7.] [1797-1802.] Q\ D. 854.
4. Songs.
h. Single Songs.
Again to the Garden. A new Ballad, etc.
[Lo7ulon, 1756.] 8°. P.P. 5439. b.
Universal Visiter and Monthly Memori-
alist, Feb., 1756.
Phyllis. [Song.] [London, 1756.] 8".
P.P. 5439. b.
Universal Visiter and Monthly Memori-
alist, ■June, 1756.
Saw you Phsebe pass this wav. -4 Song.
[London, 1756.] 8". P.P. 5439. b.
Universal Visiter and Monthly Memori-
alist, Aug., 1756.
BOYTON (William) [Diana and Hebe.]
See Aurora. Aurora liedapples the gray
bending skies . . . [Song] adapted from . . .
Diana and Hebe [by W. Bovton].
[1797.] 8". P.P. 6154. k.
BRAES. The Braes of Yarrow. Song.
See Rannie (J.)
BRIGHT. Bright Chanticleer proclaims
the dawn. Old Toivler. A favourite
Hunting Song [from ' The Czar Peter,' by
C. Dibdin], etc. [Dublin,] 1795. 8°.
P.P. 6154. k.
Walker's Hibernian Magazine, July,
1795.
BRIOCHE— CAULD
BRIOCHE. Brioche ; on L'Origine cTes
Marionettes, Parodie de Pigmalion. Par
M. Gaubier . . . Representee ponr la pre-
miere fois ... le ... 26 Septembre 17-43. . .
avec la :Musique. Chez Duchesne :
Paris, 1753. S". 86. b. 14.
Part of ' Supplement aux Parodies du
Theatre Italicn,' etc., torn. 1.
BRITISH. The British Fair. [Song.]
Sre Phcebus. Phcebus meaner Themes
disdaining, etc. [1765.] 8". P.P. 5440.
BRODERIP (.John) Six Glees for three
Voices. . .Opera Quinta.
Longman, Lukey & Co. : London,
[1775?] fol. H. 1648. b. (1.)
BROOM. Broom on Cowdenknows. A
Scotch Air, with Variations. [1801.]
See Periodical Publications.— LoncZon.
The Piano-Forte ^Magazine. Vol. XIV.
[No. 2 c.] [1797-1802.] S". D. 854.
BRUCKFIELD (T. B.) Eight Cotillons,
Eight Country Dances, & Two Favourite
Minuets ; with Directions to each Dance,
etc. Nonoich, [1780 ?] obi. 4". a. 97.
BRUNI (Antonio Bartolommeo) 0 dieu
puissant. Hi/nuic a VEtrc Supreme chante
par les enfans le 20 praireal I'an 2""=. (Par
J. M. Deschamps, etc.) [Paris,
1794.] fol. Fr. Pam. 69*. (7.)
BUESSSPORN. Buesssporn, Das ist :
Ein schones newes Geistliches Lied.
See DoMiNicus, a Carthusian.
BUONA FIGLIUOIjA. Overture. La
Buona Figliuola. [ByN.Piccini.] [1801.]
Sec Periodical Publications. — London.
The Piano-Forte Magazine. Vol. XIV.
[No. 10.] [1797-1802.] 8". D. 854.
BURMANN (GoTTLOB Wilhelm) :\Io-
nathliche Clavier-Unterhaltungen.
Berlin, 1779. fol. g- 830.
BURTON (John) [Ten Sonatas. No. 0.
Moderato. No. 1. Allegro. No. 2. Rondo.
No. 8. Giga in Rondeau Form.] The
Courtship, The Chace, and Tit for Tat.
Three Favorite Concertos, for the Piano
Forte. [1798.] See Periodical Publica-
tions.— London. The Piano-Forte Maga-
zine. Vol. III. No. 12. [1797-1802.] 8°.
D. 854.
BUSBY (Thomas) Six Sonatas, for the
Piano Forte. [Op. 1.] [1799.] Sec Peri-
odical Publications. — London. The
Piano-Forte Magazine. Vol. VII. No. 5.
[1797-1802.] 8°. D. 854.
BY. By the stream so cool and clear. St.
Kilda Song. [J. Sibbald : Edinburgh,
1787.] s. sh. 4". 257. b. 18.
Edinburgh Magazine, May, 1787.
BY. By Tweed's clear stream. Young
Jockey is the Lad. A much admired Song.
Set to the favourite Air La Lnrniere.
[Dublin, 1783.] s. sh. 4". P.P. 6154. k.
Hibernian Magazine, Oct., 1783.
CAMINI (Antonio) Six Sonatas for Two
German Flutes, or Two Violins, compos'd
in an easy, Familiar Pleasant Stile, etc.
Printed for David Rutherford :
London, [VlbO 2] obi. 4:". a. "iSO,
TJie First Flute part only.
CAN. Can I all gracious Providence. A
Birth-Dcui Thought. [Hymn.]
[London,\l&l.'\ 8''._ P.P. 324. n.
Christian's Magazine, Supplement, Jan.-
June, 1761, p. 345.
CARE. Cara [sic] donnesventurate. Duett.
See Fraschetana.
CARMAGNOLE. La Carmagnole, a
Favourite French Dance. Parodied by
T. Dutton. [Song.] See Thundering.
The thund'riug cannon rend the skv.
[1794.] s. sh. i". P.P. 6154. k.
CARNEVAL VAN ROOMEN. De
Carueval vaii Roomen,of de Vastenavonds
Vermaaklykheden. De Wed: H:
van Hulkenroy : Haarlem, 1718. 8\
Print Room.
CARTER (C. Thomas) Canons,. Glees,
and Catches for Two, Three, and Four
Voices . . . dedicated to . . . the Duke of
Queensberrj'. [1797.] See Periodical
Publications. — London. The Piano-
Forte Magazine. Vol. I. No. 4.
[1797-1802.] 8°. D. 854.
[Rosy Morning.] Six Favourite Songs. . .
bv . . . Mr. Carter . . . The words by Mr.
Harrison. (No. 5.) [1797.] Sec Peri-
odical Publications. — London. The
Piano-Forte Magazine. Vol. I. No. 8.
[1797-1802.] 8". I>. 854.
See Haydn (F. J.) [3. /. Sijmphonies.
B. & H. No. 53.'] Haydn's celebrated
Overture adapted for the Harpsichord . . .
by T. Carter. [1785 ?] fol.
li. 726. p. (9.)
CASATI (Gasparo) Sacri Concenti a
Voce Sola. . .Opera Seconda. Parti tura.
Alia Stampa del Gardano : Yenetia,
1646. obi. S". K. 4. a. 13. (2.)
CAULD. Cauld Kail in Aberdeen. [Song.]
See There. There's cauld kail in Aberdeen,
etc. [1788.] 8". P.P. 6225.
8
CAZZATI— CLEMENTI
CAZZATI (IMauritio) II Primo Libro de
Motetti a voce sola, cou il Pianto di S.
Pietro. . .Opera Quinta.
Alia Stanifa del Gardano : Ycnctia,
1G47. ohl. 8'\ K. 4. a. 13. (3.)
II Secondo Libro de Motetti a Voce Sola
. . .Opera Sesta.
Alia Stampa del Gardano : Venetia,
1648. obi. 8\ K. 4. a. 13. (4.)
CE. Ce que jo dis est la verite. French
Song. {Edinburgh, 1785.] s. sh. 4".
257. b. 14.
Edinburgh Magazine, June, 1785.
CEASE. Cease, fair Celia, cease to chide
me. A New Song. [London, 1764.] 8".
250. k. 19.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. IV., p. 661.
Cease fond Youth. Song.
Sec MozE (J. H.)
■ CESARINI (Carlo Francesco) [Two
Concertos. No. 1.] A Concerto . . . for
the Piano Forte. [1798.] See Periodical
Publications. — London. The Piano-
Forte Magazine. Vol. IV. [No. 5.]
[1797-1802.] S\ D. 854.
CHAIjON (John) The Favourite Air,
[" Vous I'ordonncz "J in the Barbier de
Seville, with Variations for the Piano
Forte, by J. Chalon. [1799.] See Peri-
odical Publications. — London. The
Piano-Forte ilagazine. Vol. VII. No. 1.
[1797-1802.] 8'. D. 854.
Six Sonatinas for the Piano Forte. Op. 3.
[1800.] See Periodical Publications. —
London. The Piano-Forte Magazine.
Vol. XII. [No. 4.] [1797-1802.] 8".
D. 854.
CHANSONS.
1. Attaignant's Collections.
Unziesme liure cotenant xxviii. Chasons
nouuelles a quatre parties en vng volume
■et en deux, etc. Superius et Tenor. (Con-
tratenor et Bassus.) 2 pts.
Pierre Attaingnant et Hubert Juliet :
Paris, 1541. obi. 4». K. 4. g. 1.
The composers of this collection are :
Maillard, Certon, Gentian, Vuauquel,
Claudin, Certon, Lupus, Mornable,
Gamier, Ha.rchadelt, Mittantier,
Maille and Soliier.
4. Tylman Susato's Collections.
Vingt et Six Chansons musicales &
nouuelles conuenables tant a la uoix
comme aussi propices a louer De Diuers
Instrumentz, etc. Superius. (Contra
Tenor.) (Tenor.) (Bassus.) 4 pts.
Tldlman Susato : Anuers,
[1541 ?] obi. i". K. 4. g. 2.
The Tenor Juts a different title-page and
a dedication in verse to Queen Mary
of Hungary : at the end is ' Fin die
Premier Liure.' The fifth voice part,
when reqtiired, is printed in one of the
other parts. Fol. 1 of the Discantus is
tvanting, but has been supplied in
manuscript. The composers named
are : T. Crequillon, J. Lupi, J.
Mouton, J. Gallns, Descaudain, C.
Canis, T. Susato, Eichafort and J.
Baston.
CHARPENTIER (-Jean Jacques Beau-
varlet) III° Recueil de petits Airs choisis
et varies pour la Harpe le Clavecin ou
Forte Piano. . .CEuvre XI^
Chez Cousincau : Paris, [1780?] obi. fol.
e. 161. a.
CHISTOY. Chistoy iztochnik tee mue
vseh crasivey. Russian Song.
[Edinburgh, 1785.] s. sh. 4". 257. b. 14.
Edinburgh Magazine, April, 1785.
CHLOE. Chloe, in your mirror view. A
Neiv Song. [London, 1759.] 8°.
250. k. 18.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. III., p. 33.
Cloe's Way. [Song.] See Arne (T. A.)
[H. Songs, dx. b. Single Works.']
CIMAROSA (Domenico) [Overture in
D.] A Collection of Overtures and Sym-
phonies. By . . . Cimorosa [sic]. [No. 6.
Violin and P. F.] [1797.] Set- Periodical
Publications. — London. The Piano-
Forte Magazine. Vol. II. No. 5.
[1797-1802.] 8". D. 854.
CIRRI (Giovanni Battista) Deux Quat-
tuors pour deux Violons Violoncelle oblige
et Basse. [Separate Parts.] Printed for
the Author : London, [1770 ?] fol.
h. 2801. b. (1.)
CIjAGGET (Walter) Six Solos for Two
Violoncellos. Printed for Thompson &
Sons : London, [1763 ?] fol. g. 305. a.
CLARKE (Jeremiah) [All for the better.]
Mr. Jer: Clarke's Aires in the Comedy
[by F. Manning] call'd all for the Better.
[First Violin and Bass Parts.] 2 pts.
[London, 1703 ?] obi. fol. d. 24. (12.)
CLEMENTI (Muzio) Six Sonatas, for
the Piano Forte. [Op. 1.] [1798.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. VI,
No. 3. [1797-1802.] 8". D. 854.
Six Sonatas for the Piano Forte. [Op. 4.]
[1800.] See Periodical Publications.
— London. The Piano-Forte Magazine.
Vol. X. No. 3. [1797-1802.] 8".
D. 854.
Two Sonatas for the Piano Forte. [Op. 5.
Nos. 1 and 2.] [1801.] See Periodical
Publications. — London. The Piano-
Forte Magazine. Vol. XV. [No. 9.]
[1797-1802.] 8'\ D. 854.
CLEMENTI— COUNTRY
CLEMENTI (]\ruzio) Three Sonatas for
the Piano Forte. [Op. 7.] [1801.] See
Periodical Publications. — London.
Vol. XV.
D. 854.
The Piano-Forte Magazine.
No. 11. [1797-1802.] 8".
COLIN. Colin's Success. [Song.]
See To. To woo me and win me, etc.
[By W. Defesch.] [1755?] s. sh. fol.
I. 600. d. (169.)
COLINET. Colinet, etc. [Song.] _
Sec Now. Now the happy knot is ty'd,
etc. [By T. A. Arne.] [1759.] s. sh. 8".
I. 600. d. (156.)
COME. Come all hands ahoy to the
anchor. Jack at the WindlaiiS. [Song,
from ' The Quizes,' written and composed
bv C. Dibdin.] [Dublin, 1794. : s. sh. i".
P.P: 6154. k.
Walker's Hibernian Magazine, May,
179i.
Come, come, my good shepherds. [Song,
from ' The Winter's Tale.' Bv :\r. Arne.
\_London, 17G9.] 8". P.P. 5440.
Universal Magazine, Feb., 1769.
Come every ^lan now give his Toast. The
Toast. [Song, from ' Poor Vulcan,' words
and music by C. Dibdin.] Dublin,
1781.] s. sh. 4\ P.P. 615 i. k.
Hibernian Magazine, April, 1781.
Come if you dare. [Song.]
See PuRCELL (H.) [King Arthur.]
Come let us dance and slug. [Song.]
See Inkle and Yarico.
Come, live with me and be my Love.
Song. See Arne (T. A.) [•?. Songs, dc.
b. Single Works.]
Come tell me, dear Phillis. Phillis.
rSons.l [Dublin;] 1778. s. sh. i".
P.P. 6154. t.
Hibernian Magazine, July, 1773.
Come ye Nymphs who're brisk and airy.
Come ye Nymjihs. [Song.] For the
German Flute. [Dublin, IITJ.] s.sh.i".
P.P. 6154. k.
Hihernian Magazine, April, 1779.
COMPLAINT. The Complaint. [Hymn.]
See Ah. Ah me, wretched Sinner, etc.
[1762.] 8\ P.P. 324. n.
The Complaint. [Song.] See Arne (T. A.)
[3. Songs, dc. b. Single Works.]
The Complaint. [Song, begins : ' Ah
Chloe, thou treasure.'] See Moze (-J. H.)
CONSTANTE ET ALCIDONIS. Cou-
stante et Alcidouis. Ballet.
See Bossi (C.)
CONVIVIAL SONGSTER. The Con-
vivial Songster, being a Select Collection
of the best Songs in the English Language
. . .with the Music prefixed to each Song.
Printed for John Fielding :
London, 1782. 12°. 1078. e. 28.
CORBETT (William) [As you find it.]
:\Ir. Corbetts Musick in the Comedy call'd
As you find it. [First Violin and Bass
Parts.] 2 pts. [London, 1704 ?] obi. fol.
d. 24. (15.)
[The British Enchanters.] Mr. Corbetts
Musick in the Opera [by Lord Lansdowne]
call'd the British Inchanters or no Magick
like Love. [First Violin and Bass Parts.]
2 pts. [London, 1106?] oW. fol.
d. 24. (22.)
[Henry the Fourth.] Mr. Corbet's Musick
in the Comedy call'd Hen>' the 4'-' Play'd
all the time of the Publick Act in Oxford.
[First Violin and Bass Parts.] 2 pts.
[LonfZoH, 1704?] obi. tol. d. 24. (16.)
CORELLI (Arcangelo) [Concert! Grossi.
Op. 6. No. 8.] Corelli's Concerto. Com-
posed for the Celebration of the Nativity.
[1799.] Sec Periodical Publications.
—London. The Piano-Forte Magazine.
Vol. VII. No. 2. [1797-1802.] S".
D. 854.
COREE (-James) Six English Songs for
two & three Voices, etc. Printed for
John Johnson : London, [1740 ?] fol.
H. 1648. b. (2.)
CORRI (Domenico) A Concerto [in A]
for the Piano Forte. [1800.] See Peri-
odical Publications. — London. The
Piano-Forte IMagazine. Vol. XL [No.
1 b.] [1797-1802.] 8". D. 854.
CORTECCIA (Francesco) Residuum
Cantici Zacharia; Prophetae, et Psalmi
Dauidis Quinquagesesimi pro Secundo
Choro . . . Ferijs omnibus Maioris Heb-
domade ad Triduu Illud Maxime appositu,
nuper editu. Apud Filios Antonij
Gardani : Venctijs, 1570. fol.
K. 4. h. 11.
Song.
COTTAGE. The Cottage Boy.
See Mora. Mora shook her locks, etc.
[1793.] s. sh. 4". P.P. 6154. k.
COULD. Could a man be secure. A
Favourite Duet. [By Starling Goodwin.]
[Dublin,] 1790. 8". P.P. 6154. k.
Walker's Hibernian Magazine, Septem-
ber, 1790.
COUNTRY. The Country Rector. A
Village Anecdote. [Song.] " See Parson.
The Parson came, etc. [178.3 ?] fol.
G. 425. a. (15.)
COUNTRY DANCES. The Art of
Sparing. A Country Dance.
[Dublin,] 1796. 8". P.P. 6154. k.
Walker's Hibernian Magazine, October,
1796.
The Bottle of Punch. A Country Dance.
[Dublin, 1790.] s. sh. i\ P.P. 6154. k.
Walker's Hibernian Magazine, December,
1790.
10
COUNTRY
COUNTRY DANCES. The Brick-
IMakers. A Country-Dance.
[Londoii, 1756.] 8°. 250. k. 16.
B. Martiii's Miscellaneous Correspond-
ence, etc., Vol. I., p. 484.
The Carnation. A Conntrv Dance.
[Ditblin, 1788.] s. sh. 4". P.P." 6154. k.
Walker's Hibernian Mcujazinc, October,
1788.
The Cheese-Cake. A New Countrv-Dance.
[London, 1756.] 8°. 250. k. 16.
B. Martin's Miscellaneous Correspond-
ctc, Vol. I., p. 270.
The City-Mall. A New Countrv-Dauce.
[London, 1757.] 8°. 250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. II., p. 529.
A New Country-Dance, called the Pan-
Cake. [London, 1756.] 8°. 250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. I., p. 372.
A Country Dance. [London, 1758.] 8".
250. k. 17.
B. Martin's Miscllancous Correspond-
ence, etc.. Vol. II., p. 878.
A New Country Dance. [London,
1758.] 8\ 250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. II., p. 720.
A Country Dance. [London. 17.59.] 8".
250. k. 18.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. III., p. 34.
The French in Confusion. A Country-
Dance. [London, 1756.] 8". 250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. I.,p. 394.
The French Retreat. A Country Dance.
[London, 1757.] 8". 250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. II., p. 566.
The Gobhy 0 ! (IMaria.) A Country
Dance. [Dublin, 1790.] s. sit. 4".
P.P. 6154. k.
Walker's Hibernian Magazine, Feb.,
1790.
Jackson's Drum. A Country Dance.
[Dicblin, 1790.] s. s/i. 4". P.P. 6154. k.
Walker's Hibernian Magazine, Septem-
ber, 1790.
Lough Erric Side. A Country Dance.
[Dublin,'] 1796. 8". P.P. (8154. k.
Walker's Hibernian Magazine, March,
1796.
The Merry Captain. A Country Dance.
[DuUin,] 1796. 8". P.P. 6154. k.
Walker's Hibernian Magazine, June,
1796.
Miss Gamble's Frolick. A Countrj'-Dance.
[London, 1755.] 8". 250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc., Vol. I., p. 202.
COUNTRY DANCES. The ]Moying
Dispensary. A Country Dance.
[Dublin,] 1196. 8". P.P. 6154. k.
Walker's Hibernian Magazine, Ajyril,
1796.
Polly pouts. A Country-Dance.
[London, 1755.] 8". 250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. I., p. 217.
Princess Augusta's Tamborine. A Coun-
try-dance. [London, 1755.] 8°.
250. k. 16.
jB. Martin's Miscellaneous Correspond-
ence, etc.. Vol. I., p. 60.
A Ramble to Greenwich. A new Country-
Dance. [London, 1757.] 8°. 250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. II., p. 608.
A Ramble to Oxford. A Country-Dance.
[London, 1757.] 8". 250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. II., p. 646.
The Running Horse. A Country Dance.
[Dublin, 1788.] s. sh. 4°. P.P. 6154. k.
Wcdker's Hibernian Magazine, July,
1788.
Rutland Lodge. A Country Dafnce. — A
Trip to Italy. A Country Dance.
[Dublin, 1788.] s. sh. 4°. P.P. 6154. k.
Walker's Hibernian Magazine, May,
1788.
The Sow in the Sack. A Country Dance.
[London, 1755.] 8". 250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc., Vol. I., p. 153.
The Sweet Conclusion. A Country Dance.
[London, 1755.] 8°. 250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. I., p. 137.
The Tabernacle. A new Country-Dance.
[London, 1757.] 8°. 250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. IL, p. 505.
Tatter the Road. A Country Dance.
[Dublin, 1190.] s. sJi. 4". P.P. 6154. k.
Walker's Hibernian Magazine, May,
1790.
The Waltz. A Country Dance.
[Dublin, 1794.] s. sh. 4°. P.P. 6154. k.
Walker's Hibernian Magazine, October,
1794.
The Welch-Rabbit. A Country Dance.
[London, 1755.] 8°. 250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. I., p. 1.
Windsor Forest. A Country-Dance.
[London, 1757.] 8". 250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. II. , p. 487.
Within a Mile of Dublin. A Country
Dance. [Dublin,] 1796. 8". P.P. 6154. k.
Walker's Hibernian Magazine, June,
1796.
CREATOR - DIBDIN
U
CREATOR. Creator Spirit. [Hymn.]
>v.' MozE (J. H.)
CREPUNDIA SACRA. Crepundia
Sacra, nounihil aucta : M. Ludouici
Helmboldi . . . Christliche Liedlein : an
S. Gregorij, der Schiiler Fest Tage, vnd
sonsten. zu singen, mit vier Stimmen
zugericht. Discantus. MS. notes.
Gednickt. . . bey Jacob Singe,
In Verlegiing Hicromjmi Eeinhardts :
Erfforclt, 1608. 8°. 11517. aa. 11.
Tlie composers of this collection are:
J. Eccart, J. a Biirck and J. Hcr-
viamiHS.
CROFT (William) [The Funeral.] Mr.
W" Croft's Ayres in the Comedy [by Sir
R. Steele] call'd the Funeral, or Grief
Allamode. [First Violin and Bass Parts.]
2 pts. [London, 1702?] obi. fol.
^ d. 24. (7.)
[The Lying Lover.] Mr. W" Croft's
Musick in the Comedy [by Sir R. Steele]
call'd the Lying Lover. [First Violin
and Bass Parts.] 2 pts.
[London, 11017] oW. fol. d. 24. (17.)
CROPPIES. Croppies lie down. An
Irish Air, with Variations. [1801.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. XIV.
[No. 2 a.] [1797-1802.] S". D. 854.
CROTCH (William) The Rose had been
wash'd. [Song.]
H. Holland, for the Author :
[London, 1100?] fol. H. 1797. pp. (6.)
CULLMAjSTN ( ) Gedichte von J. J.
Ihlee, etc. [With four poems set to
music by Cullmann.] J. P. Bayrhoffer :
Frankfurt am Mayn, 1789. 8".
11527. bbb. 80.
CUZENS (Benjamin) Sweeter than the
Blushing Rose, etc. A Duett, etc.
[Dublin, 1788.J s. sh. i". P.P. 6154. k.
Walker's Hibernian Magazine, Dec,
1788.
DAMON. Damon. [Song, begins : 'Young
Damon once the happiest Swain.']
See Green (T.)
DAPHNIS. Daphnis's Complaint. [Song.]
SVt Murphy (S.)
DEAR. Dear Chloe, how blubber'd is thy
pretty face. A Favourite Song, etc.
[London, 1767.] 8». P^P. 5440.
Universal Museum, July, 1767.
Dear Ned, let us taste the true Pleasures
of Wine. Song. See Moze (J. H.)
DEFESCH (Willem) Colin's Success.
[Song.] Sung by Mrs. Chambers at
:\Iarybcn Gardens. See To. To woo me
and win me, etc. [1755 ?] s. .s7i. fol.
I. 600. d. (169.)
DELIGHTFUL. Delightful is a rural
Life. rSong.] See Lady of the Manor.
DENBY ( ) When love hath charm'd, a
favourite Ballad. [Aberdeen,
1791.] s. sh. obi. 8\ P.P. 6225.
Aberdeen Magazine, October, 1791.
DEZEDE (N.) [Julie. Lisou dormaitj
Marchc des Marriages fsic], Samnites [by
A. E. M. Gretryl, et I'Air de Julie, with
Variations by W.' A. Mozart. [1798.]
See Periodical Publications.— LojifZovu
The Piano-Forte Magazine. Vol. HI.
No. 9. [1797-1802.] D. 854.
DIBDIN (Charles)
1. Collections, Vocal and Instrumental.
A Sonata, adapted for the Harpsichord or
Piano-Forte, with an Accompaniment for
the Violin or Flute. . .being No. l(-3) of a
Collection to be publish'd. . .by Mr. Dibdni
from the favorite Songs in his Wags &
Oddities. 3 N•^ The Author :
London, [1790?] fol. g. 151.
2. Operas, Odes, Entertainments and
Single Songs.
Castles in the Air.
Tack and half Tack, etc. [Song.]
[Dublin, 1794.] s. sh. i". P.P. 6154. k.
Walker's Hibernian Magazine, Sept.,
1794.
The Deserter.
The Deserter. A Musical Drama. . .Com-
posed bv Messrs. Philidor [or rather ilon-
signv] & Dibdin. [1800.] See Periodical
Publications. — London. The Piano -
Forte [Magazine. Vol. X. No. 2.
[1797-1802.] 8". L>- 854.
The Ephesian :\Iatron.
What ho ! Charming Dame, etc.
See Ephesian !\Iatron. What ho ! Song,
etc. [By C. Dibdin.] 1779. s. sh. 4°.
^ P.P. 6154. k.
Great News.
[Lovely Nan. Song.] [Dublin, 1796.] S\
^ P.P. 6154. k.
Walker's Hibernian Magazine, January,
1796. Imperfect, ivanting the first leaf.
A Play upon Words. [Song.] Written,
composed and sung by Mr. Dibdin.
[Dublin, 1795.] S". P-P- 6154. k.
Walker's Hibernian Magazine, April,
1795.
Tom Truelove's Knell. [Song.] See Tom
Truelove. Tom Truelove woo'd the
sweetest fair, etc. [By C. Dibdin.]
1796. 8". P-P- 6154. k.
12
DIBDIN— DONS
DIBDIN (Charles) Little Ben. A
favourite Song, etc. [Dublin,
1790.] s. sh. 4". P.P. 6154. k.
Walkei-'s Hibernian Magazine, June,
1790.
The North Country Lass. See There.
There was a fair Maiden, etc. [By C.
Dibdin.] [1769.] 8". P.P. 5438. z.
The Oddities.
The Greenwich Pensioner. A favourite
Song, etc. [Dublin, 1790.] s. sit. 4'\
P.P. 6154. k.
Walker's Hibernian Magazine, May,
1790.
The Padlocli.
The Padlock ; a Comic Opera : composed &
adapted for the Piano Forte by C. Dibdin.
[1798.] See Periodical Publications.
— London. The Piano-Forte Magazine.
Vol. V. No. 6. [1797-1802.] 8'\ D. 854.
[I was d'ye see a Waterman.] Poll and
my Partner Joe. A favourite Song.
[Dublin, 1790.] s. sh. 4°. P.P. 6154. k.
Walkcr''s Hibernian Magazine, Sept.,
1790.
Poll and my Partner Joe. See supra : [I
ivas cVye see, a Waterman.]
Poor Vulcan.
The Toast. See Come. Come every Man
now give his Toast, etc. [Song, from ' Poor
Vulcan,' words and music bv C. Dibdin.]
[1781.] s. sh. 4". P.P. 6154. k.
[For songs, &c., published anonymously :]
See Poor Vulcan.
The Quizes.
Jack at the Windlass. See Come. Come all
hands ahoy at the Anchor, etc. [By C. Dib-
din.] [1794.] s. sh. 4.°. P.P. 6154. k.
There was a fair Maiden. A New Song,
etc. [London, 1769.] 8°. P.P. 5440.
Universal Museum, April, 1769.
The Touchstone.
Gentle Echo, c/c. [Trio.] [1781.] s. sa. i".
<Src Touchstone. P.P. 6154. k.
The Wags.
The Pleasures of the Chase. A favourite
New Song, etc. [Dublin, 1790.] s. sh. 4°.
P.P. 6154. k.
Walker's Hibernian Magazitie, Dec. ,1190.
The Whim of the Moment.
Poor Jack. A New Song, etc. [Dublin,
1790.] s. sh. i'\ P.P. 6154. k.
Walker's Hibernian Magazine, April,
1790.
Will of the Wisp.
The Sailor's Journal. [Song.] See 'Twas.
'Twas post meridian half past four, etc.
[By C. Dibdin.] 1796. 8'. P.P. 6154. k.
Song.
DIBDIN (Charles)
4. Index of Vocal Numbers.
The Pleasures of the Chase.
See [The Wags.]
DID. Did ever Swain a Nymph adore.
Ungrateful Nancy. [Song, music by ]\L
Greene.] [Edinburgh, 1785.] s. sh. 4".
257. b. 15.
Edinburgh Magazine, Oct., 1785.
DISTRESSED. The Distressed Lover.
Song. [Begins ' Dear Phillis, pitty a poor
slave.'] See Swift (W.)
DITHERUM. Ditherum doodle.
See Poor Soldier.
DITTERSDORF (Carl DITTERS
VON) [Der Apotheker und Doktor.
Wann horst du auf.] When wilt thou
cease, etc. [Song, by C. Ditters von
Dittersdorf.] [1789.] s. sh. 4".
See Doctor and Apothecary.
P.P. 6154. k.
[Der Apotheker und Doktor. Zwei ]Mad-
chen sassen manche Nacht.] Two
]\Iaidens sat complaining. A Favourite
Duet, [by C. Ditters von Dittersdorf], etc.
[1789.] s. sh. 4°.
See Doctor and Apothecary.
P.P. 6154. k.
[Periodical Overture. Sinfonia XXXVIII.]
A Collection of Overtures and Symphonies.
By. ..Ditters, c/c. [No. 2.] [1797.]
See Periodical Publications. — London.
The Piano Forte Magazine. Vol. 11.
No. 5. [1797-1802.] 8". D. 854.
DOCTOR AND APOTHECARY. The
Summer Heats bestowing, &c. A favour-
ite Rondo [by S. Storace], sung . . .
in The Doctor and the Apothecary.
[Dublin, 1789.] s. sh. 4°. P.P. 6154. k.
Walker's Hibernian Magazine, Aug.,
1789.
Two Maidens sat complaining. A Favourite
Duet, [by C. Ditters von Dittersdorf] sung
... in The Doctor and the Apothecary.
[Dublin, 1789.] s. sh. 4". P.P. 6154. k.
Walker's Hibernian Magazine, Sept.,
1789.
When wilt thou cease, &c. [Song, by
C. Ditters von Dittersdorf.] Sung . . .
in the Doctor and Apothecary.
[Dublin, 1789.] s. sh. 4'\ P.P. 6154. k.
Walker's Hibernian Magazine, Oct.,
1789.
DOLLY. Dolly of the Grove. Song.
See Gentle. Gentle shepherds whilst I
sing, etc. [1766.] 8°. P.P. 5440.
DONS DES ENFANTS DE LA-
TONE. Les Dons des Enfans de Latone :
La ■\Iusique et la Chasse du Cerf, Poemes
dedies au Roy. [By Jean de Serre.]
Chi's P. Prault, etc. : Paris, 1734. 8".
1065. 1. 2.
DOW— EDELMANN
13
DOW (Daxiel) Atbole House. (Country
Dance.) [Edinburgh, 1773.] 8\
P.P. 6199. b.
Edinburgh Magazine and Bevicic, Dec,
1773.
Ossian's Hall. A New Eeel.
[Edinburgh, 1774.] 8". P.P. 6199. b.
Edinburgh Magazine and Eevieiv, Jan.,
1774.
DOWN. Down the Burn Davy. A Scotch
Air [by J. Hook], with Variations. [1801.]
.See ipERiODiCAL Publications. — London.
The Piano-Forte Magazine. Vol. XIV.
[No. 2 b.] [1797-1802.] S". D. 854.
DRAMATIC HARMONY. Dramatic
Harmony, a Collection of Favourite Songs,
Airs, &c. introduced in Popular Perform-
ances at the Theatres Royal in Drury
Lane, Covent Garden, and the Hay
Market. [1801.] St-e Periodical Publi-
cations. — London. The Piano - Forte
Magazine. Vol. XIII. [No. 2.1
[1797-1802.] 6". D. 854.
DRESSLER (Ernst Christoph)
Stit Gedichte. Gedichte von P. Chatterer,
etc. [With music to three songs bv E. C.
Dressier.] 1778. IG". 11521. a. 13.
DU. Du sort victime infortuuee. L' Emi-
grant. [Song.] [Vernor d- Hood :
London, 1798.] 8". P.P. 3153. i.
Ladi/s National Museum, Vol. I.,p. 162.
DUENNA. How oft Louisa. [Song.]
Sung by Anthonio in the Duenna.
T. Walker: [Dublin, 177G.J s. sh. 4".
P.P. 6154. k.
Hibernian Magazine, March, 1770.
Tell me, my Lute, can thy fond Strain.
The Song in the Duenna, sung. . .by Mrs.
Melmoth in the Character of Octavia.
[Melodv and words onlv.] [Dublin,
1780.] 's.sh.A". " P.P. 6154. k.
Hibernian Magazine, Dec, 1780.
What Bard, 0 Time ! &c. [Song.] Sung
by Louisa in the new Opera the Duenna.
T. Walker: [Dublin, 1116.^ s. sh. 4'\
P.P. 6154. k.
Hibernian Magazine, Aug., 1776.
The Duenna. Comic Opera.
See LiNLEY (T.) the Elder.
DUMONT (Henri) Cantica Sacra II. III.
IV. cum Vocibus, turn et Instrumentis
modulata. Adjectse itidem Litanise 2.
vocib. ad libitum 3. & 4. voc. Cum Basso-
Continuo... Liber Primus. Tenor. (Bassus-
Continuus.) 2 pts. Ex Officina Robcrti
Ballard : Parisiis, 1652. 4< D. 980. a.
DUNN (John) [Six English Songs. No. 5.
Another edition.] The Shepherd's Reso-
lution. See Young. Young Colin the
blithest upon the gay Green, etc. [By
J. Dimn.] [1760 ?] s. sh. fol.
L 600. d. (180.)
DU PHLY ( ) Second Livre de Pieces
de Clavecin. . .Gravees par M'"" Vandome.
Chez VAuteur : Paris, [1760 ?] fol.
h. 92. a.
DUPORT (Jean Pierre) A Favourite Air
[by J. P. Duport] adapted with Variations
by W. A. Mozart. [1797. J &Ve Periodical
Publications. — London. The Piano-
Forte Magazine. Vol. III. No. 1.
[1797-1802.] 8". D. 854.
DUPUIS (Thomas Sanders) A Collec-
tion of Eight Songs for a Single Voice
with Accompanyments, to which is Added
Six Glees or Songs for three and four
Voices. . .Op. V. Printed for the Author :
London, [1785 ?] fol. ' H. 37.
God save the King, with Variations for the
Harpsichord or Piano Forte, etc.
G. Smart : London, [1780 ?] fol.
h. 726. p. (5.)
Nine Voluntaries for the Organ. , .for the
Use of Juvenile Organists, etc
C. Wheatstone: London, [1800 7] obi. iol.
e. 120. e. (1.)
DYING". A Dying Thrush young Edwy
found. TIte Dying Thrusli. A remarkably
favourite New Song. [By J. Hook.]
[Dublin, 1789.] s. sh. 4". P.P. 6154. k.
Walker's Hibernian Magazine, June,
1789.
ECCLES (John) [The :\Iad Lover.] Ayres
in y" Opera [by P. IMotteux] call'd y" Mad
Lover, etc. [First Violin and Bass parts.]
2 pts. [London, 11012] oW. fol. d. 24. (1.)
EDEIiMANN (E.)
See Edelmann (J. F.)
EDELMANN (Johann Friedrich) Six
Grand Lessons for the Forte Piano or
Harpsichord with an Accompauyment for
a Violin. . .Opera 1. J. Preston : London,
[1782 ?] fol. g. 420. m. (1.)
Wanting the Violin part.
Edelman's celebrated Overture, for the
Harpsichord or Piano Forte with an
Accompaniment for a Violin. J. Cooper :
London, [1790 ?] fol. h. 726. p. (6.)
A Celebrated Overture for the Piano Forte.
[Op. IV.] [1797.] See Periodical Publi-
cations.— London. The Piano - Forte
Magazine. Vol. II. [No. 1.]
[1797-1802.] 8". D. 854.
Sinf onie pour le Clavecin avec Accompagne-
ment de deux Violons deux Cors et uue
Basse ad Libitum. . .CEuvre iv. [Separate
Parts.] Chez VauteiLr : Paris, [1780 ?] fol.
g. 420. k. (1.)
Wanting the Horn parts and tlie title-
page of the Clavecin part.
14
EDELMANN— FLACKTON
EDEIjMANN (Johajn-n Fkiedrich)
Four Sonatas, for the Piano Forte. Op. 11.
[1799.] See Periodical Publications.
— London. The Piano-Forte Magazine.
Vol. IX. [No. 5.] [1797-1S02.] 8".
D. 854.
ELOPEMENT. Come haste to the wed-
ding. Sung hy Mrs. Scott, and Mrs.
Dorman, in tlie New Pantomime called
the Elopement, etc. [London, 17G8.] 8".
P.P. 5440.
L'liivcrsal Museum, March, 17GS.
EMIGRANT. L'Emigrant. [Song.]
See Du. Du sort victime infortunee.
[1798.] S'. P.P. 3153. i.
EPHESIAN MATRON. What ho!
charming Dame. Song in the Ephesian
Matron. [By C. Dibdin.] As sung by
Mr. Glenville. [Melody and words only.j
IDuhlin,^ 1779. s. sh. 4". P.P. 6154. k.
Hibernian Magazine, Marcli, 1779.
ESSER (Michel) Sei Terzetti per Due
Violini e Basso . . . Op. 1'. [Separate Parts.]
Chez le S'' BovvelUj : Paris, [1770?] fol.
h. 5. d. (2.)
ETERNAL. Eternal Fire ! Enthron'd
on high. ^4 Hymn. Set to INIusick by an
eminent hand. [London, 17G1.] S'\
P.P. 324. n.
Chridian's Magazine, Aug., 1701, p. 441.
EVANCE (William) Six Sonatas for the
Piano Forte or Harpsichord with an
Accompanyment for a Violin and Violon-
cello. ]\'elc]:er : Londo)i, [1115?] fol.
g. 420. k. (2.)
F,, Mr. To celebrate Thy praise, 0 Lord.
A Hymn of TJiankscjiving. Words by Dr.
T— te. Set to Musick by Mr. F.
[London, 1761.] 8°. P.P. 324. n.
Cliristian's Magazine, Sept., 1761, ^J. 485,
PALL. The Fall of the Leaf. A Sacred
Ode, etc. See See. See the Leaves aiound
us falling, etc. 1760. 8". P.P. 324. n.
EALSE FRIEND. Ayres in the Play
[by Sir J. Vanbrugh] cali'd the False
Friend. Composed by a Person of Quality.
[First Violin and Bass Parts.] 2 pts.
[London, 1702 ?] obi. fol. d. 24. (9.)
EANNY. Fanny no more. [Song.]
See Thomson (M.)
Fanny's Worth. [Song.]
See Pleyel (I. J.) [Melodien. Th. I.
Molly's Werth.]
FAREWELL. A Farewell to the
Summer's Diversions. Song.
See Moze (J. H.)
FAREWELL. Farewell you moments.
A favourite Duet for two Voices.
[Dublin,] 1795. 8". P.P. 6154. k.
Walker's Hibernian Magazine, August,
1795.
FARMER. Clad a mercy. [Song.] Sung
by Mv. Munden ... in The Farmer [by
W. Shield]. [Dublin, 1793.] s. sh. 4".
P.P. 6154. k.
Walkej-''s Hibernian Magazine, July,
1793.
FEMALE. The Female Captain. Song.
See Sound. Sound the fife, beat the
drum, etc. [1783.] s. sJi. 4".
P.P. 6154. k.
FESTIN JOYEUX. Festin Joyeux, ou
La Cuisine en IMusique, en vers libres, etc.
(Airs en IMusique du Festin Joyeux.)
[Written by J. Lebas.] 3 pts. Lesclapart :
Paris, 1738. 12-. 11475. bb. 23.
FESTING (Michael Christian)
See Minuets. Select Minuets . . . Compos'd
by. . .Mr. M. C. Festing, etc.
[1745?] obi. A". a. 26. li.
FIELDS. The Fields were green, the Hills
were gay. Young Colin stole my Heart
away. [Song.] As introduced in the
School for Scandal, and sung by Mrs.
Johnson. [Dublin,] 1779. s. sh. 4".
P.P. 6154. k.
Hibernian Magazine, Feb., 1779.
FINGER (Gottfried) [Love makes a
Man.] Mr. Fingers Ayres in the Comedye
[by C. Gibber] of Love makes a man or y"
Fops Fortune. [First Violin and Bass
Parts.] 2 pts. [London, li 01?] obi. iol.
d. 25. (5.)
[Sir Harry Wildair.] Mr. Fingers Aj'res
in the Comedye [by G. Farquhar] of
S'' Hary Wild Hair. [First Violin and
Bass Parts.] 2 pts.
[London, 1701 ?] obi. fol. d. 24. (6.)
[The Virgin Prophetess.] Mr. Finger's
Ayres in the Opera [by E. Settle] cali'd
the Virgin Prophetess or the Pate of Troy.
[First Violin and Bass Parts.] 2 pts.
[London, 1701 ?] obi. fol. d. 24. (2.)
FIRST. The First of May. Song.
See Love. Love reigns this Season, etc.
[1770.] s. sh. 4". P.P. 6154. k.
FISCHER ( JoHANN Christian) [Fischer's
Minuet.] Fisher's Celebrated Rondeau
with Variations. [1800.] See Periodical
Publications. — London. The Piano-
Forte INIagazine. Vol. XI. No. 5.
[1797-1802.] 8". D. 854.
FISHER (JoHANN Christian) Sec
Fischer.
FLACKTON (W^illiam) The Morn is
past. The Evening Hymn, etc. [London,]
1760. 8". P.P. 324. n.
Christian's Magazine, Nov., 1760,^. 328.
FLAXEN-HEADED— GENTLE
15
FLAXEN-HEADED. A flaxen-headed
cow boy. The Plow Boy. [Song, from '
W. Shield's Opera, The Farmer. '
[Aberdeen, 1789.] S». P.P. 6225.
Aberdocii Magazine, March, 1789.
FLUTTERINa. Flutt'riug .spread thy
purple pinions. Song.
Sec Alcock (J.) the Younger.
FLY. Fly swift, ye minutes. Song.
See Swift (W.)
FOES. The Foes of old England, (France,
Holland and Spain). Song.
See Arxe (]M.)
FOR. For fragrant sweets of genial Spring.
Glee. See Overexd (M.)
For Lake of Gold. [Song.] [DiibUn,
1789.] s. sh. 4°. P.P. 6154. k.
Walker's Hibernian Magardne, June,
1789.
FORD (Thomas) Musician lo Henry Prince
of Wales. Haste Thee, 0 Lord. An Ancient
Canon in the Unison. . .For Three Voices.
[London, 1761.] 8". P.P. 324. n.
CJtristian's Magazine, Jan., 1701,^). 40.
FRASCHETANA. Cara [sic] donue
sventurate. The much admired Duett [by
G. Paisiello], sung by Signior Pinetti and
Signiora Sestini in the second Act of La
Fraschetaua. [Dublin, Yll'^.'\ s.sJi.i!'.
P.P. 6154. k.
Hibernian Magazine, Jan., 1779.
FREEDOM. Freedom. [Song.]
See PoTiER ( ) Captain.
FREEMASON. Free IMason's Song.
[Words] By Hblty. See Let. Let Truth
and spotless Faith be thine, etc.
1800. s. sh. obi. 4^ 266. 1. 30.
FROM. From Clime to Clime my heart
does rove. From Clime to Clime. [Song,
words by Sir. Ingles, music bv W. Hodson.]
[London, 1769.] 8". P.P. 5440.
Universal Museum, March, 1769.
From the chace in the mountain. A
favourite Gaelic Air, sung by jMrs. Suther-
land. The Words by j\Ir. Maclaren.
[Aberdeen, 1791.] s. sh. obi. 8\
P.P. 6225.
Aberdeen Magazine, November, 1791.
G A B L E R (Matthias) Dor In&tru-
mentalton, eine physikalische Abhand-
lung, verfasset . . . als Pater Gualbert
Mittenhueber . . . aus der Weltweisheit
Gepriifet wurde. Im jMonate August
1775. J. F. Lutzenberqer :
[Mtmich, 1775.] 4°. 7896. aaa. 8.
GAD. Gad a mercy. [Song.] Sre Farmer.
GALLEY. The Cralley Slave. [Song.]
See O. Oh think on my Fate, etc. [Song,
from W. Reeve's Entertainment, The
Purse.] 1795. 8". P.P. 6154. k.
GAUDRY (Richard) See Son-ix-Law.
Alia stagion novella. Tlie favourite Song
in the Son-in-Law, etc. (Adapted for the
Guittar, bv R. Gaudrv.) [1781.] s. sh. 4".
P.P. 6154. k.
GEARY (I.) Six Canzonets for the
Harpsichord or Piano Forte. [1801.]
Set' Periodical Publications. — London.
The Piano-Forte Magazine. Vol. XIV.
[No. 8.] [1797-1802.] 8". D. 854.
GEDICHTE. Credichte von P. Engelhard
gebohrene Gatterer. Zwote Sammlung,
etc. [With music by D. Weiss and C.
Kalkbrenner.] J. C. Dicterich :
Guttingen, 1782. 16'. 11521. a. 13.
Cxedichte von P. Gatterer, etc. [With
music to three songs by E. C. Dressier.]
J. C. Dieterich : Guttingen, 1778. 16 '.
11521. a. 13.
GELiINEK (Joseph) [Variations on Nel
cor piu. No. 7.] Hope told a flatt'ring
Tale [from La Molinara, by G. Paisiello],
with Variations by M: Gelinek. [1801. J
See Periodical Pcblicatioxs. — London.
The Piano-Forte i\Iagazine. Vol. XIV.
[No. 12.] [1797-1802.] 8". D. 854.
GEMINIANI (Francesco) Two Con-
certos to be performed by the First and
Second Violins in Unison, the Tenors in
Unison with the Violoncellos & other
Basses and particularly by a Harpsichord.
/. Johnson : London, [1760?] fol.
h. 48. e.
A Supplement to the Guida Armonica,
with examples shewing it's use in Com-
position. J. Johnson, for the Author :
London, [lllbl^ fol. g. 240. e.
The verso of the title-jKige is signed by
the atithor.
Senates pour leViolon avecun Violoncelle
ou Clavecin, lesquelles ne sont pas moins
utiles a ceux qui jouent le Violon, qu'ii
ceux que accompagnent. [Op. 5.]
La Haye, 1746. fol. g. 38. e.
The Tender Lover. [Song, words by M.
Prior.] [Dublin, 1787.] s. sh. 4".
P.P. 6154. k.
Hibernian Magazine, September, 1787.
See Apollo's Collection. Apollo's
Collection, being XII Duettos for Two
German Flutes or Two Violins. . .by. . .
Sig'' Cxemiuiani. . .Lib. 1'"", etc.
[1750?] fol. h. 2052. (3.)
GENTLE. Gentle Echo. [Trio.]
See Touchstone.
Gentle shepherds whilst I sing. Dolly of
the Grove ; a Song. [London, 1766.] S".
P.P. 5440.
Universal Museum, November, 1766.
16
GERBER— GRAUN
GERBER (Ernst Ludwig) [Another
copy.] Historisch-Biographisches Lexicon
der Tonkiinstler, etc. 2 Bde.
J. G. I. Brcitkopf : Leipzig, 1790. S".
60. d. 23.
GIARDINI (Felice) For me my fair a
wreath has wove. A Favourite Madrigal.
The Words by Garrick, etc. [Abcrdrcn,
1791.] 8°. P.P. 6225.
Aberdeen Magazine, July, 1791.
GIORDANI (Giuseppe) or (Tommaso)
Favourite Airs adapted for the Harpsi-
chord or Piano Forte and a German Flute
by Big' Giordani. Printed for Longman
and Broderip : London, [111 5?] fol.
h. 726. p. (7.)
This collection contains airs hy G. or T.
Giordani from ' Antigono ' (1774) and
' La Marchesa Giardiniera ' (1775) and
from SaccJiini's ' Pcrseo ' (1774).
Six Favorite Songs. The Words taken
from the Reliques of Ancient Englisli
Poetry, etc. Printed for Birchall d
Andreivs : London, [1188?] fol.
G. 666. a.
The Storm in the Ombres Chinoise[s],
adapted for the Harpsichord or Piano-
Forte by Sig' Giordani. Longman and
Broderip: London, [11 SO?] fol.
h. 726. p. (8.)
GIORDANI (Tommaso) [The Elope-
ment.] Overture. . .for the Piano Forte.
[1799.] See Periodical Publications.—
London. The Piano - Forte Magazine.
Vol. VII. No. 8. [1797-1802.] 8".
D. 854.
Loose were her Tresses seen, &c. [Song,
by T. Giordani.] [1790.] s. sh. 4".
See Loose. P.P. 6154. k.
Non dubitare bell' idol mio. The Favourite
liondcau sung by Sig" Sestini in the Opera
[by G. Paisiello] La Fraschetana. [Full
Score.] Longman & Broderip, for the
Author : London, [1776.] fol.
H. 1648. a. (5.)
Six Sonatas, for the Piano Forte. [Op. 10.]
[1798.] Sec Periodical Publications. —
London. The Piano - Forte ilagazine.
Vol.V. No. 5. [1797-1802.] 8". D. 854.
Six Sonatas, for the Piano Forte. Op. 24.
[1798.] See Periodical Pttblications. —
London. The Piano -Forte Magazine.
Vol. V. No. 2. [1797-1802.] 8". D. 854.
Six Favourite Sonatas for the Piano Forte.
Opera 27. [1799.] Sec Periodical
Publications. — London. The Piano-
Forte Magazine. Vol. VIII. [No. 1.]
[1797-1802.] 8". D. 854.
GIULIANI (Francesco) Six Sonatas, for
the Piano-Forte. Op. G. [1798.]
See Periodical Publications. — London.
The Piano - Forte Magazine. Vol. V.
No. 4. [1797-1802.] 8°. D. 854.
GIVE. Give thanks to God. Part of
Psalm cxxxvi. [Words] By Sir J. Den-
ham. [London, 17G3.] 8". P.P. 324. n.
Christian's Magazine, il/fl?/, 1763, jj. 231.
[Another setting.] Give thanks to God.
Psalm cxxxvi. [Words] By Sir John
Denham. [London, 1766.] 8".
P.P. 324. n.
Christian's Magazine, July, 1766, ^J. 384.
GLORY. Glory to Thee my God this
Night. The Evening Htjmn, by Bishop
Kenn, as sung at the Chapel of the
Magdalen-house. [Composed bvT. Tallis.]
[London,] 1760. 8". P.P. 324. n.
CJtristian's Magazine, July, 1760, p. 138.
GO. Go gentle Zephyr, &c. A Celebrated
Duet for two Voices. [Dublin, 1790.]
s. sh. 4'. P.P. 6154. k.
Walker's Hibernian Magazine, Feb.,
1790.
GOD. God of my childhood. Psalm Ixxi.
[London, 1765.] 8°. P.P. 324. n.
Christian's Magazine, July, 1165, p. 327.
GOLDEN PIPPIN. The Golden-Pippin .
An English Burletta. . .The Music com-
piled from the works of the most Cele-
brated Masters. [1800.] Sec Periodical
Publications. — London. The Piano-
Forte Magazine. Vol. X. No. 6. [1797-
1802.] 8". D. 854.
GOMES DA SILVA (Alberto Joseph)
Sei Sonate per Cembalo . . . Opera i.
[Lisbon ? 1755 ?] obi. fol. d. 8.
GOOD. Good Father, be peaceful. Song.
See Proteus.
Good Morrow to your Night-cap. [Song.]
See Poor Soldier.
GOODWIN (Starling) [A Collection of
Songs. No. 6.] Could a man be secure
...Duet. [By S. Goodwin.] 1790. 8°.
See Could. P.P. 6154. k.
GRAUN (Carl Heinrich) or (Johann
Gottlieb) The Battle of Rosbach. A
Favourite Sonata, for the Piano Forte
composed by Sig"' Gzaun [or rather Graun].
Printed for Harrison tt- Co. : London,
[1780?] 8". f. 133. j. (1.)
The Battle of Rosbach. A Favourite
Sonata for the Piano Forte. Composed
by Sig'' Gzaun [or rather Graun].
See Periodical Publications. — Tjondon.
The Piano-Forte Magazine. Vol. III.
No. 5. [1797-1802.] 8". D. 854.
[Sonata in F.] Six Sonatas, for the Piano
Forte. Composed by. . .Gzaun [or rather
Graun], etc. (No. 3.) [1799.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. VII.
No. 6. [1797-1802.] 8". D. 854.
GREAT— HAENDEL
17
GREAT. Great is our God. Psalm
xlviii. [Words] By Sir John Denliam.
[Lojidon, 1766.] 8". P.P. 324. n.
Christian's Magazine, March, 1766,
p. 160.
[Anotlier setting.] Great is our God.
Fsalm xlviii. [Words] By Sir John Deu-
ham, {London, 1766.] 8".
P.P. 324. n.
Christian's Magazine, May, 1766, p. 273.
GREEN (Thomas) Damon, etc. [Song.]
\_London, 1755.] 8". 250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. I., p. 201.
Young Streplion, by a lonely Grove. A
Song, etc. [London, 1757.] 8'.
250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. II., p. 667.
GREENE (Maurice) [Robin's Com-
Ijlaiut.] Ungrateful Nancy. [Song, music
by M. Greene.] See Did. Did ever
Swain a Nymph adore, etc. [1785.]
s. sh. i". 257. b. 15.
Ungrateful Nancy.
See supra : [Robin's Complaitit.]
See Minuets. Select Minuets . . . Com-
pos'd by . . . Dr. Greene, etc. [1745 ?]
obi. 4". a. 26. h.
GR]6tRY" (A^•DEE Eesest Modeste)
Les ]\Iariages Samnites.
Marche des Marriages [.sic] Samnites, et
I'Air de Julie, with Variations by W. A.
Mozart. [1798.] See Periodical Publi-
cations.— London. The Pianoforte Maga-
zine. Vol. III. No. 9. [1797-1802.]. 8".
D. 854.
Richard Cceur de Lion.
Richard Cceur de Lion, an Historical
Romance. . .adapted to the English words
by Mr. Linley. [ISOl.] See Periodical
Publications. — London. The Piano-
Forte Magazine. Vol. XIV. [No. 9.]
[1797-1802.] 8'\ D. 854.
GUGLIELMI (PiETEO) Al suou soavc.
See infra : [La Bella Pescatrice.]
[La Bella Pescatrice.] Al suon soave.
The favorite Organ Quintette, etc.
T. Skillern and G. Goulding, for the
Proprietors : London, 1791. fol.
H. 1648. a. (3.)
Part of the " King's Theatre, Pantheon.
Opera Register."
The Four Favourite Italian Overtures of
Signior Gulielmi, viz. II Viaggiotore.
Orlando. II Carnovale de Venezia. II
Desertore. [1797.] See Periodical Pub-
lications.—io7!rfo". The Piano -Forte
Magazine. Vol. II. No. 4. [1797-
1802.] 8^ D- 854.
VOL. II.
GUIDO (Aretinus) Musica, Sine Guidonis
Aretini, de vsu & constitutione Mono-
chordi, Dialogus ; jam denuo recognitus,
ab Andrea Reinhardo Nivimontano.
MS. NOTE. Impensis lohan. Rosii : Lipsin',
1604. 12". 7898. aaaa. 8.
Eight leaves, without pagination.
GUSTAVUS IL ADOLPHUS, King
of Sweden. GustafE Adolff auss Schwe-
den. Ziccy Klag- vnd Traicer-Lieder, uber
dem Ableiben dess . . . Konigs der Schweden
. . .Gustavi Adolphi, etc. 1632. 4".
11522 d 5 rS ^
The first Klag-Lied (' Gustaff Adolff
anss Scliwcdeii ') alone has music.
HAENDEL (Geoeg Feiedeich)
2. Abeangements and Selections.
b. Instrumental.
Eight Select Overtures, from Oratorios.
[1798.] Imperfect, wanting all after p. 36.
See Periodical Publications. — Lo7idon.
The Piano-Forte JIagazine. Vol. IV.
[No. 8.] [1797-1802.] 8^ D. 854-
3. Church Music.
The Coronation Anthem. [Zadok the
Priest.] [1798.] See Periodical Publica-
tions.— London. The Piano-Forte Maga-
zine. Vol. IV. [No. 4.] [1797-1802.] 8".
D. 854.
4. Operas.
Alcina.
Three Celebrated Italian Airs from Alcina.
[By G. F. Haeudel.] [1802.] See Periodi-
cal Publications. — London. The Piano-
Forte Magazine. Vol. XVI. No. 8.
[1797-1802.] &'. D. 854.
Rinaldo.
[V6 far guerra.] The Celebrated Grand
Lesson as Adapted for the Harpsichord or
Piano-Forte by Sig'' Babel, froma favourite
Air out of. . .Rinaldo, etc. [1775 ?] fol.
See Babell (W.) [Suits of Harpsicord
Lessons.] h. 726. p. (1.)
5. Oratorios, &c.
Acis and Galatea.
The Overture, Songs, Duett and Trio, in
Acis & Galatea, c/c. [1799.] ,!>><? Periodi-
cal Publications. — London. The Piano-
Forte Magazine. Vol. VI. No. 4.
[1797-1802.] 8". D. 854.
L' x\llegro, il Penseroso ed il Moderate.
L' Allegro, il Penseroso, ed il Moderate, for
the Voice, Harpsichord and Piano-Forte.
[1801.] See Periodical Publications.
— London. The Piano-Forte Magazine.
Vol. XIV. [No. 8.] [1797-1802.] 8°.
D. 854.
18
HAENDEL -HAYDN
How long wilt Thou
Set to a
HAENDEL (Georg Friedrich)
Judas Maccabfeus.
Judas Maccabaeus. . .for the Voice, and
Piano-Forte. [1800.] <S'ee Periodical
Publications. — London. The Piano-
Forte Magazine. Vol. XI. No. 4.
[1797-1802.] 8". D. 854.
Messiah.
The Overture, Songs, and Recitations, in
the Messiah, etc. [1798.] S<'e Periodical
Publications. — London. The Piauo-
Forte Magazine. Vol. VI. No. 2.
[1797-1802.] 8". D. 854.
Saul.
[Sin not 0 King !]
forget me. Lord. Psalm xiii
favourite Air of Mr. Handel's, etc.
[London,] 1760. &'. P.P. 324. n.
Christian's Magazine, Oct., 17G0, j). 281.
Theodora.
0 worse than Death indeed ! [Recitative,
and] Angels, ever bright and fair. Song
in the Opera of Theodora, etc.
[Aberdeen, 1788.] 8". P.P. 6225.
Aberdeen Magazine, July, 1788.
7. Instrumental.
VI Sonates a deux Violons, deux haubois
ou deux Flutes traversieres & Basse Con-
tinue. Second Ouvrage. [Separate Parts.]
Printed for B. Coolie :
London, [1735 ?] fol. h. 436. d.
9. Appendix.
See Minuets. Select Minuets. Collected
from the Operas, the Balls at Court, the
^Masquerades, and all Publick Entertain-
ments. . .Compos'd by Mr. Handel, etc.
[1745 ?] obi. 4°. a. 26. h.
10. Index op Vocal Numbers.
How long wilt Thou forget me. Lord.
See [Saul. Sin not 0 King .']
HAIR - POWDER. The Hair-Powder
Tax. [Song.] See Have. Have vou heard
of the tax. [1795.] 8°. P.P. 6154. k.
HALCYON. Halcion Days now Wars
are ending. Song.
See Purcell (H.) [The Tempest.']
HAPPY. The Happy Nymphs. [Song.]
See Swift (W.)
HARINGTON (Henry) Damon and
Clora. A Duett. See Turn. Turn, fair
Clora, etc. [By H. Harington.]
[1778.] s. sh. i". P.P. 6154. k.
HARK. Hark, my Love, on ev'ry Spray.
The new Song of Nanny. Sung by Miss
Jameson in the Rotunda. T. Walker:
[Dublin, 1776.] s. sh. i\ P.P. 6154. k.
Hibernian Magazine, July, 1776.
HARLEQUIN'S INVASION. Old
women we are. The Old Woman's Song
in Harlequin's Invasion. [Words by D.
Garrick, music by M. Arne.] [London,
176S.] 8". P.P. 5440.
Universal Museum, Jan., 1768.
HASSE (JoHANN Adolph) [Six Concertos.
Op. IV. No. 1.] A Favourite Concerto.
[1797.] See Periodical Publications. —
London. The Piano-Forte Magazine.
Vol. II. No. 7. [1797-1802.] 8^ D. 854.
[Sonata in A.] Six Sonatas, for the Piano
Forte. Composed by. . .Hasse,ei'c. (No. 5.)
[1799.] See Periodical Publications. —
London. The Piano-Forte Magazine. Vol.
VII. No. 6. [1797-1802.] S". D. 854.
HASTE. Haste Thee, 0 Lord. Canon.
Sec Ford (T.) 2Iusician to Henry Prince
of Wales.
Haste ye soft Gales. A Catch. For Three
Voices. [Dublin, 1779.] s. sh. 4'\
P.P. 6154. k.
Hibernian Magazine, Dec, 1779.
HAUNTED TOWER. Hush! such
Counsel do not give, &c. [Song, by G.
Sarti.] Sung by Mrs. Crouch in the
Haunted Tower. [Dublin, 1790.] .s. sh. 4°.
P.P. 6154. k.
Walker's Hibernian Magazine, March,
1790.
Tho' Pity I cannot deny, &c. [Song, by
I. J. Pleyel.] Sung by Mrs. Crouch in
the Haunted Tower. [Dublin,
1790.] s. sh. 4". P.P. 6154. k.
Walker's Hibernian Magazine, March,
1790.
HAVE. Have you heard of the tax. The
Hair Poivder Tax. [Song.] [Dublin,
1795.] 8". P.P. 6154. k.
Walker's Hibernian Magazine, October,
1795.
HAYDEN (George) The celebrated
Song of IMad Tom. Sec In. In my
triumphant Chariot hurl'd, etc. [By G.
Hayden.] [1784.] s.sh.i". P.P. 6154. k.
HAYDN (Franz Joseph)
2. Vocal Works.
a. Sacred.
The Creation.
The IMarvellous Work and With Verdure
clad. Two Favourite Airs, etc. [1801.]
See Periodical Publications. — London.
The Piano-Forte jMagazine. Vol. XVI.
No. 1. [1797-1802.] 8°. D. 854.
3. Instrumental Works.
d. Quartetts.
[Pohl, Nos. 2, 26 and 29.] Three Sonatas
for the Harpsichord or Piano Forte, or
Quartettos for a Harpsichord, Violin,
Tenor & Bass, cifc. J.Preston: London,
[1784?] fol. g. 420. n. (1.)
Tlic Harpsichord part only.
HAYDN— HOOK
19
HAYDN (Frakz Joseph) [Pohl, No. 25.
Poco adagio.] Werter's Sonuet, sung by
Jliss Cantello . . . the music by ... G. Haydn
. . .from his 2'' Collection of Ballads.
Preston: London, lllUS?] fol.
H. 1797. pp. (11.)
Six Quatuors Concertants [Pohl, N"' 3d-
38] a deux Violons, Viola et Violoncello
. . .Oeuvre xvi. [Separate Parts.]
CMs J. J. Hummel : Berlin,
Amsterdam, [1780 ?] fol. h. 2872. c.
f. Symphonies.
[B. & H. No. 5.3.] Haydn's celebrated
Overture adapted for the Harpsichord or
Piano Forte ; in an easy style by T. Carter.
J. Preston : London, [1785 ?] fol.
h. 726. p. (9.)
[B. & H. No. 73.] The Celebrated Over-
ture, La Chasse. . .Adapted for the Piano
Forte. [1798.] See Periodical Publica-
tions.— London. The Piano-Forte ^Maga-
zine. Vol. IV. [No. 2.] [1797-1802.] S^
D. 854.
[B. & H. No. 85.] La Reine de France,
a Sinfonia Concertante, arranged for the
Piano Forte, etc. [1801.] See Periodical
Publications. — London. The Piano-Forte
Magazine. Vol. XIV. [No. 11.]
[1797-1802.] 8". D. 854.
g. Trios.
1. Pianoforte and Strings.
[David. Nos. 22, 23 and 21.] Three Sona-
tas for the Piano Forte. Op. 40. [1800.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. XII.
[No. 5.] [1797-1802.] 8^ D. 854.
4. Doubtful and Spurious Works.
A Favourite Lesson for the Piano Forte.
[1797.] See Periodical Publications.—
London. The Piano-Forte Magazine.
Vol. I. No. 7. [1797-1802,] 8^ D. 854.
G. Index op Vocal Numbers.
Werter's Sonnet.
See [Quartetts. Pohl, No. 25. Poco adagio.]
HE. He comes, he comes. Ode to Judgment.
Set to Music for Two Voices.
[London, 1762.] 8^ P.P. 324. n.
Christian's Magazine, Sept., 1762, j). 423.
HEART. The Heart. Song. Seel. Ipry-
thee send me back my heart, etc.
[1763.] 8". P.P. 5440.
HERE. Here's a Health to them that's
awa. Honey. A Favourite Scotch Song.
[^Duhlin,-] 1796. 8°. P.P. 6154. k.
Walker's Hibernian Magazine, Oci., 1796.
HIBERNIA. Hibernia's Advice to the
Fair. Song. See Thomson (M.)
HIGHLAND. Highland Song. Sec Se.
Se do mholla, etc. [1785.] s. sh. 4^
257. b. 15.
HIGHLAND REEL. Cut, Slash, Ram
Damn, &c. A Favorite Song, sung by
]Miss Fontenelle in the New Opera called
the Highland Reel. [By W. Shield.]
[Dublin, 1789.] s. sh. 4". P.P. 6154. k.
Walker's Hibernian Magazine, Jan.,
1789.
HILLER (.JoHANN Adam) Anweisung
zum musikalisch-richtigen Gesange, mit
hinlanglichen Exempeln erlautert, etc.
Johann Friedrich Jnnins :
Leipzig, 1774. 4°. 7896. c. 5.
Ueber die Musik und deren Wirkungen,
mit Anmerkungen herausgegeben von
J. A. Hiller.
Friedrich Gotthold Jacobder und Sohn :
Leipzig, 1781. 8^ 7897. aa. 34.
HODSON (William) From Clime to
Clime my heart does rove. From Clime
to Clime. [Song, words by Mr. Ingles,
music by W. Hodson.] [1769.] 8».
See From. P.P. 5440.
HOLMES (Valentine Arnold) Twenty
Four Familiar Airs, for Two German-
Flutes, or Two Violins . . . Opera Tertia.
Printed for Jonathan Fcntum :
London, [1765 ?] fol. h. 2052. (1.)
Six Sonatas for Two German-Flutes, or
Violins . . . Opera 4'\ Printed for
Jonathan Fentum : London, [11 &b 2] fol.
h. 2052. (2.)
HONEY. Honey. Song. See Here.
Here's a Health to them that's awa, etc.
1796. 8°. P.P. 6154. k.
HONOURABLE. The Honourable
Lover. [Song.] See Howard (S.)
HOOK (James)
1. Operas, Interludes, Dramatic
Entertainments, &c.
The Double Disguise, a Comic Opera, etc.
[1802.] See Periodical Publications.
— London. The Piano Forte jMagazine.
Vol. XVI. No. 9. [1797-1802.] 8". -
D. 854.
The Lady of the Manor. [For songs, &c.,
published anonymously :]
See Lady op the Manor.
2. Collections of Songs.
b. Other Collections.
The Aviary. A Collection of Sonnets. . .
for the Voice, Harp or Piano Forte. [1801.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. XVI.
No. 4. [1797-1802.] 8". D. 854.
The Hours of Love . . . [Songs] for the
■ Voice and Piano Forte. [1799.]
See Periodical Publications.— LowfZo^^.
The Piano-Forte Magazine. Vol. IX.
[No. 4.] [1797-1802.] 8\ D. 854.
2
20
HOOK-HOW
HOOK (James)
3. Single Songs, Solo Cantatas, Dia-
logues, Glees and Songs intro-
duced IN Plays.
Alone by the Light of the Moon. A
favourite New Song, etc. [Dziblin,
1790.] s. sh. 4°. P.P. 6154. k.
Walker's Hibernian Magazine, Jan.,
1790.
The Disconsolate Sailor. A favourite
New Song. [Dublin, 1789.] s. sh. 4".
P.P. 6154. k.
Walker's Hibernian Magazine, Oct., 1189.
Down the Burn Davy. A Scotch Air [by
J. Hook], with Variations. [1801.]
See Periodical Publications. — London.
The Piano-Forte INIagazine. Vol. XIV.
[No. 2 b.] [1797-1802.] 8°, D. 854.
The Dying Thrush. See Dying. A Dying \
Thrush young Edwy found . . . Song. [By
J. Hook.] [1789.] s. sh. 4°.
P.P. 6154. k.
Hark away is the Word. A favourite new
hunting Song. [Dublin, 1784.] s. sh. 4".
P.P. 6154. k.
Hibernian Magazine, June, 1784.
The Hermit, [Cantata,] A Poem by Dr.
Goldsmith ... for the [Voice and] Piano
Forte. Op. 24. [1800.] See Periodical
Publications. — London. The Piano-
Forte Magazine. Vol. XII. [No. 1.]
X1797-1802.] 8''. D. 854.
[I love them all.] Six Favourite Songs
. . . by . . . Mr. Hook . . . The words by Mr.
Harrison. (No. 2.) [1797.] See Peri-
odical Publications. — London. The
Piano-Forte Magazine. Vol. I. No. 8.
[1797-1802.] 8°. D. 854.
The Lass of Richmond Hill. A favourite
Song. [Dublin, 1789.] s. sh. 4".
P.P. 6154. k.
Walker's Hibernian Magazine, Dec,
1789.
Second Thoughts are best. [Song.] Sung
by Mrs. Wrighten, at VauxhaU. [Dublin,
1781.] s. sh. 40. P.P. 6154. k.
Hibernian Magazine, Dec, 1781.
The Silver Moon. A favourite New Song,
etc. [Dublin, 1794.] s. sh. 4°.
P.P. 6154. k.
Walker's Hibernian Magazine, Jan.,
1794.
The Sportsman goes out, &c [Song.]
Sung at VauxhaU Gardens by Mrs.
Wrighten. [Dublin, 1781.] s. sh. 4".
P.P. 6154. k.
Hibernian Magazine, Nov., 1781.
The Sportsman goes out. [Song.] Sung
by Mrs. Wrighten. [By J. Hook.]
[1780 ?] fol. Sec Sportsman.
G. 316. (127.)
HOOK (James) Survey my fair that lucid
stream. Nczv Song, the Music altered from
Hook. [Edinburgh, 1785.] 4". 257. b. 15.
Edinburgh Magazine, Aug., 1785.
The Wedding Day. . .Song, etc. See What.
What Virgin or Shepherd, etc. [From
J. Hook's " Collection of Songs sung. . .at
Vauxhall-Gardens. . .1784."]
[1789.] s. sh. 4°. P.P. 6154. k.
4. Instrumental.
New Hondo for the German Flute.
[Dublin, 1790.] s. sh. 4". P.P. 6154. k.
Walker's Hibernian Magazine, April,
1790.
Six Familiar Sonatas, for the Piano Forte.
[1798.] See Periodical Publications.
— London. The Piano-Forte Magazine.
Vol. IV. [No. 10.] [1797-1802.] 8°.
D. 854.
HORNPIPES. Astley's Hornpipe. [P. F.
and Guitar.] [Dublin, 1788.] s. sh. 4".
P.P. 6154. k.
Walker's Hibernian Magazine, May,
1788.
HOSANNA. Hosanna, with a chearful
Sound. A Hymn, for Morning or Evening.
[Londo7i, 1763.] 8°. P.P. 324. n.
Christian's Magazine, July, 1163, p. 323.
HOW. How are Thy Servants blest. An
Ode made by a Gentleman upon the Con-
clusion of his travels, from the Spectator,
Set to IMusick by an eminent Master.
[London, 1761.] 8^ P.P. 324. n.
Christian's Magazine, April, 1761, p.
185.
How delightful is the morning. The
Plaintive Lover. [Song.] The words by
R. Philbiu, etc. [Dublin, 1784.] s. sh. 4".
P.P. 6154. k.
Hibernian Magazine, June, 1784.
How empty and vain were the Joys, &c.
[Song.] [Dublin, 1788.] s. sh. 4°.
P.P. 6154. k.
Walker's Hibernian Magazine, Dec,
1788.
How happy was of late each morn. Sioeet
Lavender. [Song.] [Dublin, 1795.] 8°.
P.P. 6154. k.
Walker's Hibernian Magazine, Feb.,
1795.
How long wilt Thou forget me Lord.
[Duet.] See Haendel (G. P.) [Saul.
Sin not 0 King .']
How long wilt Thou neglect. Psalm
xiii. [Words] By Dr. Gibbs.
[London, 1766.] 8". P.P. 324. n.
Christian's Magazine, Jan., 1767, p. 45.
How poor are words, how vain is art.
[Song.] [Dublin, 1793.] s. sh. 4°.
P.P. 6154. k.
Walker's Hibernian Magazine, Dec,
1793.
HOW— IBLE
21
HOW. How smoothly glides the Fool
thro' life. A Song, etc. [London,
1763.] 8°. P.P. 5440.
Universal Mzisetim, June, 1763.
How sweet the Breath of milky Kine.
Glee. Sec Ovebend (M.)
HOWARD (Samuel) The Honourable
Lover. [Song.] [London, 1756.] 8".
P.P. 5439. b.
Universal Visiter and Monthly Memo-
rialist, Sept., 1756.
H Moderato. [Song.]
[London, 1756.] 8°. P.P. 5439. b.
Universal Visiter and Monthly Memo-
rialist, Nov., 1756.
Morning. [Song.] The words by a Lady.
[London, 1756.] 8". P.P. 5439. b.
Universal Visiter and Montlily Memo-
rialist, Jan., 1756.
On an unfortunate Maid. [Song.]
[London, 1756.] 8". P.P. 5439. b.
Universal Visiter and Montlily Memo-
rialist, May, 1756.
Winter. [Song.] The Words by a Lady.
[London, 1756.] 8". P.P. 5439. b.
Universal Visiter and Montlily Memo-
rialist, Dec, 1756.
Winter. [Song.] The Words bv a Ladv,
etc. [London, 1763.] 8". P.P. 5440.
Universal Museum, Dec, 1763.
HUDSON (.JoHx) See Minuets. Select
Minuets. . .Compos'd by. . .Mr. Hudson.
[1745 ?] ohl. 4". a. 26. h.
HUDSON (Robert) Belinda's Charms.
[Song.] See 'Tis. 'Tis not Belinda's
iv'ry neck, etc [By R. Hudson.]
1795. 8°. P.P. 6154. k.
Thyrsis. [Song.] [Dublin,
1787.] s. sh. 4°. P.P. 6154. k.
Hibernian Magazine, Appendix, 1787.
[The Volunteer Returned.] In the Year
fifty nine. Song, etc [Dublin,
1784.] s. sh. 4\ P.P. 6154. k.
Hibernian Magazine, Nov., 1784.
HUNNIS (William) Seuen Sobs of a
Sorrowful! Soule for Sinue : Compre-
hending those seuen Psalms of...Dauid,
commonlie called Poenitentiall ; framed
into a form of familiar praiers, and re-
duced into meetre by W. Hunnis . . .
Whereunto are also annexed his Handful!
of Honisuckles . . . newly printed and aug-
mented.
H. L. for the Company of Stationers :
London, 1615. 12°. Case 51. aa. 8.
HUSH. Hush ! such Counsel do not give.
[Song.] See Haunted Tower.
HYMNS.
5. French.i
Noels et Cantiques Spirituels. Sur !es
mysteres de la Naissance de Nostre
Seigneur, etc. (Second Livre de Noels
et Cantiques, etc.) 2 pts. 1655. 8°.
See AuxcousTEAUx (A.) K. 4. c. 16.
Les Psaumes de David . . . & les Cantiques
sacr^s, revus . . . par les Pasteurs de . . .
Geneve. . .Nouvelle Edition, etc.
1780. 12", See Psalms. [3. French."]
K. 3. a. 17.
6. German.
Crepundia, Sacra . . . !M. Ludouici Helm-
boldi . . . Christliche Liedlein: an S.
Gregorij, der Schiller Fest Tage . . . zu
singen, mit vier Stimmen zugericht. Dis-
cantus. MS. notes. 1608. 8".
See Crepundia Sacra. 11517. aa. 11.
Schone Geistliche Lieder Vber alle Evan-
gelia,. . .gerichtet von. . .Ludovico Helm-
boldo . . . Itzo zum ersten gedruckt.
(Das Ander Theil der Geistlichen Lieder
M. Ludovici Helmboldi, etc.) 2 pts.
MS. NOTES. Martin Wittel,
Di verlegung Hieronymi Reinliards :
Erffurdt, 1615. 8". 11517. aa. 12.
Fol. 169 of Th. I. is mutilated; ivanting
fol. 14, 15 of Th. II. Containing
music by Joachim a Burch.
HYPPOMENE ET ATALANTE.
Hyppomene et Atalante. Grand Ballet,
by Mr. Degville. [P. F.]
Printed for Monzani (& Cimador :
London, [1800.] fol. h. 16. c. (2.)
I. I'd much rather stay. [Song.] See 0.
Oh Lord, what a terrible fright I am in,
etc [1795.] 8\ P.P. 6154. k.
I love them all. [Song.] See Hook (J.)
I prythee send me back my heart. The
Heart. A New Song set to Music.
[London, 1763.] 8°. P.P. 5440.
Universal Museum, Sept., 1703.
I sing th' Almighty Pow'r of God. Praise
for Creation and Providence. [Hvmn.]
[London, 1702.] 8°. P.P. 324. n.
Christian's Magazine, Aug., 1762, p. 377.
I sit o' my Sunkie, an' spin at my Wheel.
[Song.] S^'e Wilson (W.) [Twelve Original
Scotch Songs. Op. III. No. 5.]
I travers'd Judah's barren Sand. Song.
See Shield (W.) [1. Operas, dr. Robin
Hood.-]
IBLE (W.) Silvia. A New Song. Words
and Music by IMr. W. Ible, etc.
[London, 1763.] 8". P.P. 5440.
Universal Magazine, Nov., 1763.
22
IN— KALKBRENNER
IN. In my triumphant Chariot hurrd.
Tiw celebrated Song of Mad Tom. [By G.
Hayden.] Sung at the Rotunda . . . hy
Mr" Corry. [Melody and words only.]
\_Dahlin, 1784.] s. sh. 4". P.P. 6154. k.
Hibernian Magazine, Oct., 1784.
In the Land of Hibernia. [Song.]
IDublin,] 1796. S". P.P. 6154. k.
Walker's Hibernian Magazine, April,
1796.
In thee each Joy possessing, etc. An
admired Duett, as sung hy ]\Iv. Kelly and
Mrs. Crouch. [Dublin, 1787.] s. sh. 4°.
P.P. 6154. k.
Hibernian Magazine, Oct., 1787.
INDOLENT. The Indolent Swain.
[Song.] Sec MozE (-J. H.)
INKLE AND YARICO. Come let us
dance and sing, &c. The favourite Finale,
in Inkle and Yarico. [By S. Arnold.]
[Dublin, 1788.] s. sh. i". P.P. 6154. k.
Walker's Hibernian Magazine, Feb.,
1788.
INNOCENT RECREATION. The
Innocent Recreation. Being a Choice
Collection of the Newest and best Tunes
for y Flagelet. Together with plain &
easy directions how to play on it, the
Second eddition. Printed for loltn Miller:
London, 1699. obi. 12'. K. 4. a. 14.
ISABEL. Isabel. Cantata.
Sec Retzel (A. J.)
JACK. Jack and his airy Round. [Song.]
See LoED Mayor's Day.
Jack at the Windlass. [Song.] See Come.
Come all hands ahoy at the anchor, etc.
[By C. Dibdin.] [1794.] s. sh. 4°.
P.P. 6154. k.
JACKSON (WiLLiAJi) of Exeter. Twelve
Canzonets for Two Voices. [Op. 9.]
[1797.] See Periodical Publications.—
London. The Piano -Forte Magazine.
Vol. L No. 2. [1797-1802.] 8°. D. 854.
Twelve Canzonets . . . Opera 13. [1799.]
See Periodical Publications. — London.
The Piano-Forte ]\Iagazine. Vol. VIII.
[No. 6.] [1797-1802.] 8". D. 854.
[The Lord of the INIanor.] Partners of
my toils and pleasures, ^'a7ldelille, etc.
[1781.] s.sh.i'\ SVt' Lord of THE Manor.
P.P. 6154. k.
Twelve Favourite Songs. [Op. 1.] [1801.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. XV.
[No. 2.] [1797-1802.] 8°. D. 854.
Twelve Favourite Songs . . . Opera 4. [1799.]
Sec Periodical Publications. — London.
The Piano-Forte Magazine. Vol. VII.
[No. 13.] [1797-1802.] 8". D. 854.
JESUS CHRIST. -Jesus Christ is risen
to-day. A Favourite Hrjmn for Easter-
Day. For Three Voices. [London,
1759.] s. sh. 8". I. 600. d. (154.)
A cutting from the Lady's Magazine for
March, 1759.
Jesus Christ is ris'n to-day. The Easter
Hifvin. For Two Voices.
[London, 1762.] 8^ P.P. 324. n.
Christian's Magazine, March, 1762,
p. 133.
JIG. The Press-Gang's Jigg ; or, A Trip
to the Tender. [London, 1755.] 8".
250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. I., p. 121.
JOMELLI (NicoLo) See Apollo's Col-
lection. Apollo's Collection, being XII
Duettos for Two German Flutes or Two
Violins . . . by . . . Sig"' Geminiani . . . Sig'
N. Jommelli . . . Lib. 1"'% etc.
[1750?] fol. li. 2052. (3.)
See Apollo's Collection, Apollo's Col-
lection, being six Sonatas . . . for two
German Flutes or two Violins . . . by . . .
Sig^ Tartini, Sig' N. Jommelli. . .Book 2''.
[1755?] fol. li. 2052. (4.)
JOVIAL COMPANIONS. The lovial
Companions cr Merry Club being A Choice
Collection of the Newest and most Divert-
ing Catches for three & four Voices. To-
gether with the most Celebrated Catches
compos'd by the late M"' Hen'' Purcell &
D' Blow all fairly Engraven & Carefully
Corrected. Printed for I. Walsh iO
P.llandall: London, [VilOl^ fol.
G. 310.
The composers named arc : J. Eccles,
E. Brou-n, Willis, J. Clark, Morgan,
H. Hall, H. Purcell, Tuchcay, G. Day,
B. Isaak, J. Isum, I. Reading, S.
Ackeroyd and J. Bloio.
Favorite
. [1798.]
—London.
Vol. III.
D. 854.
Favourite
[1799.]
London.
'ol. VIII.
D. 854.
Magazine.
JUST (Johann August) Just's
Concerto, for the Piano-Forte
See Periodical Publications.
The Piano-Forte
No. 11. [1797-1802.]
[Six Trios. Op. xiii.] Six
Sonatas for the Piano Forte.
See Periodical Publications. -
The Piano-Forte Magazine. \
[No. 2.] [1797-1802.] 8".
KALKBRENNER (Christian)
Sec Gedichte. Gedichte von P. Engel-
hard, etc. [With music by D. Weiss and
C. Kalkbrenner.] 1782. 16".
11521. a. 13.
KAMMEL— LATERE
23
KAMMEL (AxTONix) Six Divertimentos
for the Piano Forte. Composed by A.
Shammell [or rather Kammel. Op. 17].
[ISOl.] See Periodical Publications. —
London. The Piano - Forte IMagazine.
Vol. XV. [No. 6.] [1797-1802.] 8\
D. 854.
Six Sonatas for the Piano Forte or Harp.
. Opera ix. [1802.] See Periodical Pcb-
LiCATiONS. — London. The Piano-Forte
Magazine. Vol. XVI. No. 5.
[1797-1802.] 8". D. 854.
KATTY FLANNIGAN. KattyFlanni-
gan. [Song.] See At. At the dead of '•
the night, etc. 1796. 8". P.P. 6154. k.
KENNIS (GuiLLAUME Gomjiaire) Six
Duetts for a Violin and Violoncello . . .
Opera ix. [Separate Parts.] Welcker :
London, [1775?] fol. g. 107.
KENNIS (William) See Kennis (G. G.)
KERNBERGEE, (Johanx Philipp)
See KiRNBERGER.
KING. The King, 0 Lord, with Songs of
Praise. Psalm xxl. [Adapted to ' In
infancy our hopes and fears,' from Arne's
' Artaxerxes.'] [London, 1762." 8\
P.P. 324. n.
Christian's Magazine, July, 1162, p. 324.
KING ARTHUR. Two Daughters of
this aged Stream are we. Favourite Duet,
sung by the Syrens in King Arthur [by
H. Purcell]. For two Voices, Flutes or
Guittars. [Dublin,] 1779. .?. s/;. 1\
P.P. 6154. k.
Hibernian Magazine, Feb., 1779.
KIRNBERGER (.Johaxx Philipp)
[Sonata in B flat.] Six Sonatas, for the
Piano Forte. Composed bv . . . Kernberger.
(No. 6.) [1799.] See Periodical Publi-
cations. — London. The Piano-Forte
Magazine. A'ol. VII. No. 6.
[1797-1802.] S". D. 854.
KLOEFFLER (.Johann Friedrich) A
Concerto for the Harpsichord or Piano
Forte with Accompaniments for Two
Violins, Two Horns, Two German Flutes
or Oboes, a Tenor & Violoncello. Printed
for W. Napier : London, [17S0 ?" fol.
g. 420. o. (1.)
Wanting the accompaniments.
KOTZWARA (Franz) The Agreeable
Surprize. A Favorite Sonata for the Piano
Forte. [1798.] See Periodical Publi-
cations. — London. The Piano - Forte
Llagazine. Vol. III. No. 10.
[1797-1802.] 8". D. 854.
Six Trio's for Two Violins & a Bass, with
an occasional Accompaniment for Horns
. . . Opera v. [Separate Parts.]
J. Blundell: London, [1780?] fol.
g. 420. m. (5.)
Wanting the Horn parts.
KOZEIjUCH (Leopold) [Concerto in
B flat. No. 1.] A Favorite Sonata for
the Piaiio Forte or Harp. [1801.]
See Periodical Publications. — London.
The Piano-Forte Magazine. Vol. XV.
[No. 10.] [1797-1802.] 8". D. 854.
Favourite Overture, composed for the
Piano Forte, etc. [1798.] See Periodical
Publications. — London. The Piano-
Forte Magazine. Vol. III. No. 14.
[1797-1802.] 8'\ D. 854.
[Trios for P. F. and Strings. Op. 27.]
Three Sonatas, for the Harpsichord or
Piano Forte, etc. [1801.] See Periodical
Publications. — London. The Piano -
Forte Magazine. Vol. XIII. [No. 5.]
[1797-1802.] 8". D. 854.
KREUTZER (Rudolph) [Lodoiska. La
douce clarte de I'aurore.] Adieu my
Floreslii, etc. [1795.] 8". See Adieu.
P.P. 6154. k.
KUHNAU (.Johann) Der Musicalischo
Quaclv-Salber ... In einer kurtzweiligen
und angenehmen Historic . . . beschrieben
von Johann Kuhnau.
In Verlegung J. C. Miethens, und
J. C. Zimmermanns. Druckts J. Pdedcl :
Dresden, 1700. 12". 7898. e. 8.
LABORDE (.Jean Benjamin de) Le.s
Amours de Gonesse, Comedie en un acte,
mesle d'Ariettes, etc. [Music by J. B. de
Laborde.] 1765. 8".
See Amours de Gonesse. 86. b. 16.
LADY. A Lady's Advice to her Lover.
[Song.] See Tell. Tell me no more of
pointed darts. [1759.] s. sJi. &\
I. 600. d. (155.)
LADY OP THE MANOR. Delight-
ful is a rural Life, &c. [Song.] Sung in
the new Opera [by J. Hook] of the Lady
of the Manor, by Miss Brown. [Dublin,
1781.] s. sh. \". P.P. 6154. k.
Hibernian Magazine, August, 1781.
The Sea Boy reefs the Sail. A favourite
Song in the new Opera [by J. Hook] of
The Lady of the Manor. [Dublin,
1784.] s. sh. 4". P.P. 6154. k.
Hibernian Magazine, Juhj, 1734.
LADY'S MUSICAL MAGAZINE.
See Periodical Publications.— LoiK/oft.
LATERE (Joannes de)
See Lattre (C. J. de)
24
LATTRE— LOVE
LATTRE (Claude Jean dk) Lamenta-
tiones aliquot leremiae Music?e Harmoniffi
nouitor adaptatje, adiectis aliquot sacris
cantionibus, Trium, Quatuor, Quinque, &
Sex vocum. . .Acuta Vox. (Contratenor.)
(Tenor.) (Basis.) (Quinta et Sexta Pars.)
5 pts. lacohiis Bathenius :
Traiccti ad Mosam, 1554. obi. 4°.
K. 4. g. 5.
LE BLANC (Hubeet) Defense de la
Basse de Viole centre les Entreprises du
Violon et les Pretentions du Violoucel.
Pierre Morticr : Amsterdam, 1740. 12".
1042. a. 9.
LEEVES (William) The Pigeon.
See Why. Why tarries my Love... An
admired. . .Song bv the Autlicr of Robin
Gray [W. l.ee\e?>y, etc. [1784.] s. sh. 4».
P.P. 6154. k.
LENDOPFF (Matthias Casimir) Funda-
menta Practica et Solida des General-
Basses : . . .mit Beyspielen erliiutert. . .und
aufgesetzet von Matthia Casimiro Len-
dorff, etc. Geclnickt . . .im Fiirstlichen
Gotteshmisc: St. Galleii, 1116. obl.iol.
d. 173.
LENTON (John) [The Ambitious Step-
mother.] ]Mr. Lenton's Ayrs in the
Tragedy [by N. Rowe] of the Ambitious
Stepmother. [First Violin and Bass Parts.]
2 pts. [London, 1702 ?] obi. fol.
d. 24. (4.)
[Liberty Asserted.] Mr. Lentous Musick
in the Play call'd Liberty Asserted. [First
Violin and Bass Parts.] 2 pts. [London,
1704?] o6Z. fol. d. 24. (19.)
[The Royal Captive.] Aires in the Play
calld the Royall Captive, etc. [First
Violin and Bass Parts.] 2 pts. [London,
1702?] obi. fol. d. 24. (10.)
LEONE ( ) Cantata a voix seule et
Symphonic dans le Genre Italien . . . Avec
les paroles Italiennes et les parties de-
tach^es. [Full score with French words
only.] UAuteiir: [Paris, 11[J0'?^ fol.
H. 1648. b. (3.)
LET. Let's live and let's love. A Glee.
For Three Voices. [Dublin, 1119.] s.s7h4°.
P.P. 6154. k.
Hibernian Magazine, Dec., 1779.
Let the solemn organ blow. Anthem.
See Bach (J. C.)
Let the wearied taste in Sleep. Catch,
See OVEREXD (M.)
LIBERTY. Liberty. Song [begins : "In
vain I wish'd for Liberty "].
See Swift (W.)
LIGHT. Light be the Earth on Billy's
Breast. J\fad Song, [words] from the
Man of Feeling. [Edinburgh,
1785.] s. sh. 4". 257. b. 15.
Edinburgh Magazine, Nov., 1785.
Song.
LIGNIVILLE (Eugene de) Marqtds.
Stabat INIater a tre voci in canone, etc.
{Bologna, 1767.) obi. fol. C. 839.
LINLEY (Thomas) the Elder. [Dissipa-
tion.] Smiling Love, to thee belong.
Eoundelay in the Comedy of Dissipation.
[Written by ]\L P. Andrews.] Sung by
]\Iiss Field and Miss Wright. [Dublin,
1781.] s. sh. 4°. P.P. 6154. k.
Hibernian Magazine, October, 1781.
[The Spanish Rivals.] Still the Lark finds
Repose. The favourite Rondo sung by
Miss Phillips, etc.
Printed for S. A. d- P. Thompson: London,
[1784.] fol. H. 1797. pp. (13.)
Still the Lark finds Repose. See supra :
[Tlie Spanish Rivals.']
LINNETS. The Linnets. Song. See As.
As bringing home the other Day, etc.
[1767.] S". P.P. 5440.
LITTLE. Little Ben.
See DiBDiN (C.)
LONDON. London Town is just like a
Barber's Shop. TwiggleandaFriz. [Song.]
[Edinburgh,llSl.] s.sh.A\ 257. b. 16.
Edinburgh Magazine, March, 1787.
LOOSE. Loose were her Tresses seen, &c.
[Song, by T. Giordani.] [Dublin, 1790.]
s. sh. i\ P.P. 6154. k.
Walker's Hibernian Magazine, Oct., 1790.
LORD. The Lord my Pasture shall pre-
pare. Hymn. See Boyce (W.)
LORD MAYOR'S DAY. Jack and his
airy Round. [Song.] Sung by Mr.
Cornelys in the Pantomime of The Lord
Mayor's Dav. [Words by J. O'Keeffe.]
[Dublin, 1783.] s. sh. 4". P.P. 6154. k.
Hibernian Magazine, July, 1783. A
different setting from that in the folio
edition of the Pantomime.
LORD OF THE MANOR. Partners
of my toils and pleasures. Yaudeville to
The Lord of the Manor. [By W. Jackson,
of Exeter.] Sung by Mr. Ryder, Mr.
Johnston, Mrs. Johnston, Mrs. Richards
and Miss Francis. [Dublin,
1781.] s. sh. 4". P.P. 6154. k.
Hibernian Magazine, June, 1781.
LOTICHIUS (Jacobus) Oratio de Musica :
Quam. . .inRegiaAcademia Gustaviana. . .
die 4. Jan. Anno 1040. . .enarrabat Jacobus
Lothichius, etc. Typis Acad. : Dorpati
Livonorum, 1040. 4^ 7897. a. 36.
LOVE. Love and Friendship. [Song,
begins : "As pleasing as Shades to a way-
faring Swain."] See Moze (J. H.)
Love reigns this Season. The First of
May. A favourite new Song sung by INIiss
Jameson in the Rotunda. T. Walker:
[Dublin, 1116.] s.sh.i". P.P^6154. k.
Hibernian Magazine, July, 1776.
LOVE— MINUETS
25
LOVE. Love's subtle Poison. Song.
See Love in a Village.
LOVE IN A VILLAGE. Love's subtle
Poison. A Quite New Song introduced by
Miss Catley in Love in a Village.
T. Walker : [Dublin, 1775.] s. sh. 4".
P.P. 6154. k.
Hibernian Magazine, April, 1775.
MADAN (:Martin) Arise 0 God of Grace.
Hymn , written by Dr. Watts. H Holland :
[London, 1790 ?] fol. H. 879. r. (5.)
MAID OF THE MILL. Trust me
wou'd you taste true Pleasure. [Song.]
lutroduc'd by Miss Wewitzer in the ]\Iaid
of the Mill. T. Walker: [Dublin,
1775.] s. sh. 4". P.P. 6154. k.
Hibernian Magazine, Dec, 1775.
MANFREDINI (Vincenzo) Regole
armoniche. . .Scconda edizione, corretta
ed accresciuta. A. Cesare :
Venczia, 1797. 8^ 785. g. 56.
MARCHES. Quick March of the 23d
Regiment. [P. F.] [Dublin,
1788.] s.sh. i". P.P. 6154. k.
Walker' s Hibernian Magazine, Feb. ,1188.
MARKED. INIark'd you her Eye of
heavenly blue. Song. See Shield (W.)
MARY. Mary's Dream. [Song.] See Moon.
The moon had climb'd the highest hill.e^c.
[1785.] s. sh. 4". 257. b. 15.
MAY (Henry) The Sailor's Invitation.
The Words and :\Iusic by Mr. H. :May,
etc. [Duet.] [London, 1756.] 8".
250. k. 16.
B. Martin's Miscellaneous Corresjyond-
cuce, etc.. Vol. I., p. 371.
MEESON (W.) See, Sophia, how the
tinctur'd Vale. Song, etc. [London,
175G.] 8". 250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc., Vol. L,p- 393.
MERCHI (GiACOMo) Sei Trio a Due
Violini e Basso . . . Opera v. Grave par
Mad""= Oger. [Separate Parts.]
Aux adresses ordinaircs de Musiqne :
Paris, [1755 ?] fol. g. 105.
Wanting the title-page of the Basso part,
u-liich is replaced by that of the com-
poser's Op. IX.
MERRY. The merry Dance I dearly love.
Song. See Richard Ccedr de Lion.
[La danse n' est pas ce qiiej'aime.]
MICHEL (Guillaume) II. Livre des
Chansons, etc. Robert Ballard :
Paris, 1641. 8". K. 4. f. 6. (1.)
III. Livre des Chansons, etc.
Robert Ballard : Paris, 1647. 8".
K. 4. f. 6. (2.)
MIDAS. Lovely nymph asswage my
anguish. A Favourite Song, sung by
Mr. Du Bellamy, this Season, in the
Character of ApoUo, in Midas, etc.
[London, 1768.] 8". P.P. 5440.
Universal Museum, August, 1768.
MINUETS. [Arranged chronologically.'] A
Minuet. [London, 1755.] 8°. 250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. HI., p. 7.
A Minuet. [London, 1755.] 8".
250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. I., p. 136.
A new Minuet. [London, 1755.] 8^
250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. I., p. 181.
The Anti-Jew jMinuet. By a Brother.
[London, 1755.] 8". 250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. I., p. 202.
A new Minuet. [London, 1755.] 8".
250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. I.,p- 217.
A New Minuet. [London, 1756.] 8".
250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. L, p. 353.
A New Minuet. [London, 1756.] 8",
250. k. 16,
B. Martin's Miscellaneo7is Correspond-
ence, etc.. Vol. I., p. 372.
]\Iiss Cotterill's Minuet. [London,
1757.] 8". 250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. IL,p. 549.
Lincoln Minuet. [London, 1757.] 8".
250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. IL, p- 566.
A new Minuet. [London, 1757.] 8-.
250. k. 17.
B. Martin's MiscellancoJis Correspond-
ence, etc.. Vol. II. , p. 596.
A new Minuet. [London, 1757.] 8".
250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. II., p- 608.
A Minuet. [London, 1758.] 8".
250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc., Vol. 11. , p. 878.
A new Minuet. [London, 1758.] 8".
250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc., Vol. II. , p. 720.
A Minuet. [London, 1755.] 8°.
250. k. 18.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. III., p. 34.
2G
MIRANDA— MY
MIRANDA. Miranda. [Song, begins:
" Miranda's Graces, heav'nly Charms."]
See Bagley ( )
MIRROR. The Mirror. [Song.]
See Bid. Bid Painting's, Pencil's mimic
Pow'rs, etc. [1784.] s. sh. 4".
P.P. 6154. k.
MIRTILLA. Mirtilla was handsome.
[Song.] See Baildon (J.)
MISS JENNY. ]\Iiss Jenny don't think
that I care for you. Moll in the Wad.
[Duet.] Sung at Astley's by Johaunot
and Mrs. Decastro. [Dublin, 1795.] 8'.
P.P. 6154. k.
Walker's Hibernian Magazine, March,
1795.
MODERATION. IModeratiou and Altera-
tion. [Song.] Sec Battle of Hexham.
MODERATO. II Moderate. [Song.]
Sec Howard (S.)
MOLL. Moll in the Wad. [Duet.]
See Miss Jenny. INIiss Jenny don't think
that I care for you, etc. [1795.] 8 .
P.P. 6154. k.
MOON. The moon had climb'd the highest
hill. Marifs Dream. [Song.]
[Edinburgh, 1785.] s. sh. 4". 257. b. 15.
Edinburgh Magazine, Dec, 1785.
MORA. Mora shook her locks. The
Cottage Boy. A favourite Song ; with a
Piano-forte or Harp Accompaniment.
[Dublin, 1793.] s. sh. 4". P.P. 6154. k.
Walker's Hibernian Magazine, October,
1793.
MORN. The Morn is past. Hymn.
See Flackton (W.)
MORNING. INIorning. [Song, begins :
' See, from the East.'] See Howard (S.)
The Morning Chase. [Song.] Src Aurora.
Aurora bedapples the gray bending skies,
etc. [By W. Boyton.] [1797.] 8'.
P.P. 6154. k.
MOZE (J. H.) As the Thames silent
Stream. A Neio Song.
[London, 1757.] 8". 250. k. 17.
B. Martin's Miscellaneous Corrcspond-
eyice, etc.. Vol. II., p. 4G8.
Beauty's Power. [Song.] The Words
after Anacreon, etc. [London, 1757.] 8".
250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc., Vol. II., p. 588.
Cease fond Youth. A Song, [words] by
J. N., etc. [London, 1756.] 8".
250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. I.,p>. 234.
The Complaint, etc. [Song.]
{London, 1758.] 8°. 250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. II., p. 919.
MOZE (J. H.) Dear Ned, let us taste the
true Pleasures of Wine. A Song, etc.
[London, 1757.] 8°. 250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc., Vol. II., p. 547.
A Farewell to the Summer's Diversions.
A Song. The Words by Mr. J. Duick,
etc. [London, 1755.] 8". 250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. I., p. 180.
The Indolent Swain, etc. [Song.]
[London, 1757.] 8". 250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. II., p. 687.
Love and Friendship, etc. [Song.]
[London, 1758.] 8°. 250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc., Vol. II., p. 877.
The new flown birds the shepherds sing.
A Song, etc. [London, 1757.] 8'\
250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. II., p. 607.
On Friendship, etc. [Song.]
[London, 1758.] 8°. 250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc., Vol. II., p. 820.
To thy fair shrine, 0 heav'n-born maid.
A Song, etc. [London, 1759.] 8".
250. k. 18.
B. Martin's Miscellaneous Correspond-
ence, etc., Vol. III., p. 252.
When first I saw my Fanny's Face. A
Song. [Words] Bv J. N., etc.
[London, 1755.] 8". 250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. I., p. 216.
While from our looks, dear nymph, you
guess. A Neiv Song, etc.
[London, 1756.] 8". 250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc., Vol. I., p. 352.
Young Damon would often frequent the
green shade. A Song. [Words] By R. R.,
etc. [London, 1755.] 8'\ 250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. I., p. 166.
MURPHY (S.) Daphnis's Complaint.
[Song.] [Duhlin,~\VilS. s. sh. i".
P.P. 6154. k.
Hibernian Magazine, July, 1778.
MUTUAL. The Mutual Symptoms.
[Song.] See Arne (T. A.)
MY. My ain kind Deary-0. Song.
See Will. Will ye gang o'er the ley-rigg,
etc. [1789.] 8". " P.P. 6225.
My Chloe seen. Love's transports stole.
A Neiv Song. The Words by ISIr. Vaiighau.
[London, 1762.] 8". P.P. 5440.
Universal Miiseum, May, 1762.
MY— OP
27
MY. My Jockey is the blithest Lad. A
Favourite Song. Sung by jMrs. Baddely,
at Vauxhall. [London, 1767.] S'.
P.P. 5440.
Universal Museum, Seiifejuber, 1767.
My Laddie is gang'd far away. Neiv
Jockey. A Favourite Scotch Song, sung ;
by Miss Froud, at Marybone Gardens. j
[Lotidon, 1768.] 8". P.P. 5440. !
Universal Museum, October, 1768.
My Lodging is on the cold Ground, &c.
[Song.] As sung by Signior Rauziui [sic]
at the Rotunda. [Dublin, 1783.] s. sli. 4".
P.P. 6154. k. '
Hibernian Magazine, October, 1783.
My Sandy is the sweetest Swain. Blithe
Sandy. [Song.] [Dublin, 177'J.] s. sh. 4".
P.P. 6154. k.
Hibernian Magazine, October, 177'J.
IMy Sukey, while I fondly gaze. Song.
See Bag LEY ( )
]\Iy true hearty fellows, who smoke with
such glee. Agnes and Toby : or, The
Pipes and the Jug. [Song.]— A Sequel to
Garrick's Brown Jug. — Written by I\Ir.
T. B[onnor]. [Aberdeen, 1788.] S".
P.P. 6225.
Aberdeen Magazine, Vol. I., September,
1788.
MY GRANDMOTHER. Dicky Gossip.
[Song.] Sung by IMr. Johannot, in the
new Opera of ' My Grandmother.' [By
S. Storace.] [Dublin, 1795.] 8".
P.P. 6154. k.
Walker's Hibernian Magazine, -January,
17'J5.
MYRTILLA. IMyrtilla. [Song, begins:
' To heave her white Bosom.']
See Smith (J. C.)
NANNY. The new Song of Nanny.
See Hark. Hark, my Love, on ev'ry
Sprav, etc. [1776.] s. sJt. 4' .
P.P. 6154. k.
NEW. The new flown Birds the shep-
herds sing. Song. See Moze (J. H.)
New Jockey. [Song.] See I\Iy. My
Laddie is gang'd far away, etc.
[1768.] 8^ P.P. 5440.
The New Spinning- Wheel. [Song.]
See One. One summer's eve as Nancv
fair, etc. [1768.] 8". P.P. 5440.
NICOLAI (Valentino) Three Sonatas
and three Duets for the Harpsichord or
Piano Forte and a Violin Obligato . . .
Op" VII. Longman and Bvoderip :
London, [1784?] fol. g. 420. n. (2.)
Wanting the Violin part.
NO. [A third setting.] No Glory I covet.
.4 New Song. [London, 1758.] 8".
250. k. 17.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. II., p. 780.
No Stars again shall hurt vou from above.
Duett. See Purcell (H.)" [The Tempest.]
NOELS. Noels et Cantiques Spirituels.
See AuxcousTEAUX (A.)
NON. Nou dubitare bell' idol mio.
Rondeau. See Giordani (T.)
Non temer bell' idol mio, &c. A favourite
Italian Song, sung by Signior Manzoletto,
at the Rotunda.
[Dublin, 1781.] s. sh. 4'\ P.P. 6154^ k.
Hibernian Magazine, September, 1781.
This is not the song from Bertoni's
' Demofoonte.'
NOW. Now the happy Knot is ty'd.
Colinet, etc. [Song, by t. A. Arne.]
[London, 1759.] s. sh. 8".
1. 600. d. (156.)
A cutting from the Lady's Magazine for
November, 1759.
O. 0 come, sweet Mary, come to me. [Song.]
See When. When night, and left upon
mv guard. [1793.] s. sh. 4".
P.P. 6154. k.
O dieu puissant. Hvmne.
See Bruni (A. B.)
Oh Lord, what a terrible fright
Td much rather stay. [Song.]
Johannot. [Dublin, 1795.] 8".
P.P. 6154. k
I am in.
Sung by
Walker's Hibernian Magazine, Feb.,
1795.
0 mon peuple, que vous ai-je fait ? Lcs
Adieux de I'infortune Louis XVI a son
Peuple. [Song!] [Dublin, 1797.] 8^
P.P. 6154. k.
Hibernian Magazine, March, 1797.
Oh Sandy why leav'st thou thy Nelly to
mourn? Thro' the Wood Laddie, as sung
by ]\Iiss Wright at Vauxhall.
[London, 1765.] 8^ P.P. 5440.
Universal Museum, June, 1765.
Oh think on my Fate. TJie Galley Slave.
[Song, from W. Reeve's Entertainment,
The Purse.] [Diiblin, 1195.] 8".
P.P. 6154. k.
Walker's Hibernian Magazine, Marcli,
1795.
OF. Of Ups and Downs we daily see. The
Ups and Doivns of Life. A favourite Song,
from the Opera of The Choleric Fathers
[by W. Shield], Sung by Sir. Wilson, etc.
[Aberdeen, 1788.] S''. P.P. 6225.
Aberdeen Magazine, December, 1788.
28
OLD— POLL
OLD. Old Towler. Song. See Bright.
Bright Chanticleer proclaims the dawn,
etc. [By C. Dibdin.] 1795. 8\
P.P. 6154. k.
OM. Om Bachus Du ar Qud. A Swedish
Song. [Edinburgh, 1785.] s. sh. 4°.
257. b. 14.
Edinburgh Magazine, May, 1785.
ON". On an unfortunate Maid. [Song.]
See Howard (S.)
On Friendship. [Song, begins : "Ye sacred
Muses, aid my Song."] See Moze (J. H.)
On tree-topt hill or turfted green. Trce-
topt Hill. A new Song. [By M. C.
Festing.] \_London, 1764.] 8^
P.P. 5440.
Universal Museum, March, 1764.
ONE. One eve to chace our cares away.
A New Song. [London, 1764.] 8".
250. k. 19.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. IV., p. 706.
One Evening at ambrosial Feast. True
Blue ; or, Britain's Glory. [Song.]
[Aberdeen, 1789.] 8". P.P. 6225.
Aberdeen Magazine, July, 1789.
One Ev'ning in Spring, when the ]\Ieadows
were gay. Song. See Atkinson (W.)
One summer's eve as Nancy fair. Tlte
Neiv Spinning-Wheel. [Song.]
[London, 1768.] 8". P.P. 5440.
Universal Museum, December, 1768.
OSWALD (James)
See Apollo's Collection. Apollo's Col-
lection, being XII Duettos for Two Ger-
man Flutes or two Violins. . .by. . .Sig"" F.
Geminiani. . .Mr. Oswald. Lib. l"-", etc.
[1750?] fol. h. 2052. (3.)
See Apollo's Collection. Apollo's Collec-
tion, being six Sonatas. . .for two German
Flutes or two Violins. . .by. . .Sig'^ Tartini
...Mr. Oswald. Book 2". [1755?] fol.
h. 2052. (4.)
OVEREND (:Marmaduke) For fragrant
sweets of genial Spring. A Glee, for
Three Voices, adapted to be played by
Two Performers or by One only, the Bass
. . .figured for the Accompanyment of the
Harpsichord or Piano Forte, etc.
S. A. d P. Thompson :
London, [1780 ?] fol. G. 806. v. (2.)
How sweet the Breath of milky Kine.
Glee II. [For three voices, with accom-
isaniments.] (Let the wearied taste in
Sleep. A Catch for Three Voices.)
Messrs. Thompsons : [London, 1785 ?] fol.
G. 806. V. (3.)
The composer's name is given in an
autograph signature.
Let the wearied taste in Sleep. A Catch
for Three Voices, See supra : How sweet
the Breath, etc.
PARTNERS. Partners of my toils and
pleasures. Vaudeville.
See Lord op the Manor.
PESCH (Carl August) Six Duetts for
Two Violins. [Separate Parts.]
Welckcr : London, [1770 ?] fol.
h. 219. f. (6.)
PHILLIS. Phyllis. [Song, begins
' Young Pliyllis, one morning.']
See BOYCE (W.)
Phillis. [Song.] See Come. Come tell
me, dear Phillis, etc. 1778. s. sh. 4°.
P.P. 6154. k.
PHCEBUS. Phoebus meaner Themes dis-
daining. The British Fair. [Song.] Sung
by jMiss Wright at Vauxhall.
[Londo7i, 1765.] 8". P.P. 5440.
Universal Museum, September, 1765.
PIGEON. The Pidgeon. Song.
See Why. Why tarries my Love, etc.
[By W. Leeves.] [1784.] s. sh. 4".
P.P. 6154. k.
PIPER. A Piper on the Meadows. [Song.]
[Dublin,-] 1796. 8». P.P. 6154. k.
Walker's Hibertiian Magazine, Feb.,
1796.
PLAINTIVE. The Plaintive Lover
[Song.] See How
morning, etc. [1784.] s. sh. 4'
P.P. 6154. k
How delightful is the
PLAISIRS. Les Plaisirs Champetres.
[Dance Tune. P. F.] [Dublin,']m6. 8\
P.P. 6154. k.
Hibernian Magazine, June, 1776.
PLATONIC. Platonic Love. [Song.]
See Arne (T. A.)
PLEASURES. The Pleasures of a Rural
Life. [Song.]
See Barker (.J.) of Ahlborough.
The Pleasures of the Chase. Song.
See Dibdin (C.) [The Wags.]
PLEYEL (Ignaz Joseph)
2. Instrumental Duets.
b. Pianoforte and Violin.
Two Grand Sonatas for the Piano Forte,
or Harpsichord, with an Accompanyment,
for the Violin, ad Libitum. . .Op. 7.
J. Bland : London, [1790 ?] fol.
g. 420. o. (2.)
Wanting the Violin part.
10. Vocal Music.
Tho' Pity I cannot deny, &c. [Song, by
I. J. Pleyel.] Sung... in the Haunted
Tower. [1790.] s. sh. 4". P.P. 6154. k.
Sec Haunted Tower.
POLL. Poll and my Partner Joe. Song-
See Dibdin (C.) [I loas d'ye see a Water-
man.]
POOR— QUEEN
29
POOR SOLDIER. Dithemm doodle. A
favourite Soug in the new Opera of the
Poor Soldier. [By W. Shield.] Sung by
Mr. Ryder. [Dublin, 178i.] s. sh. i\
P.P. 6154. k.
Hibernian Magazine, Feb., 1784.
Good Morrow to your Night-cap. [Song.]
Sung by Mr. Ryder in the new Opera of
The Poor Soldier. [By W. Shield.]
[Dublin, 1794.] s. sh. 4°. P.P. 6154. k.
Hibernian Magazine, Feb., 1784.
POOR VULCAN. Vulcan's Petition.
[Song.] Sung by Mr. Bowles, in the
Character of Jupiter, in Poor Vulcan.
[Written and composed by C. Dibdin.]
[Dublin, 1781.] s. sh. 4°. " P.P. 6154. k.
Hibernian Magazine, March, 1781.
Would you give me leave to knock you
down. A Catch in Poor Vulcan. [Written
and composed bv C. Dibdin.] [Dublin,
1781.] s. sh. i'\ P.P. 6154. k.
Hibernian Magazme, April, 1781.
POTTER ( ) Captain. Freedom. [Song.]
Written ... by J. E. Moore, etc.
[Dublin,-] 1796. 8\ P.P. 6154. k.
Walker's Hibernian Magazme, July,
1796.
POTTER (John) The Despairing Lover,
etc. [Song.] [Aberdeen, 1791.] 8°.
P.P. 6225.
Aberdeen Magazine, June, 1791.
PRAISE. Praise for Creation and Provi-
dence. [Hymn.] See I. I sing th'
almighty Pow'r of God, etc. [1762.] 8°.
P.P. 324. n.
PRIDE. The Pride of May. [Song.]
See Arne (T. A.)
PROTEUS. Good Father, be peaceful.
A Song. Sung by Mr. Beard in Proteus,
or Harlequin in China. [London,
1755.] 8°. 250. k. 16.
B. Martin's Miscellaneous Correspond-
ence, etc.. Vol. I., p. 27.
PSALMS.
4. English.
Seuen Sobs of a SorrowfuU Soule for Sinne :
Comprehending those seuen Psalms of . . .
Dauid, commoulie called Poeniteutiall ;
framed into a form of familiar praiers,
and reduced into meetre by W. Hunnis,
etc. 1615. 12\ Case 51. aa. 8.
See Hunnis (W.)
12. Italian.
Salmi di David, tradotti in lingua volgare
Italiana, & accommodati al canto de i
Frances!. Per Messer Francesco Perrotto.
Appresso Giovanni di Tonics :
[Geneva,] 1603. 16^ 3433. a. 10.
PSALMS.
13. Latin.
Psalmorum Davidis Paraphrasis Poetica
Georgii Buchanani . . . Argumentis ac
]Melodiis Explicata atque Illustrata. (In
Georgii Buchanani Paraphrasin Psalm-
orum Collectanea. Nathanis Chytroei, c^c.)
Tyjns S. G. Sumptibus Thomas Malthiis :
Londini, 1683. 24\ 3438. de. 44.
PURCELL (Daniel) [The Northern
Lass.] Mr. D. Purcell's IMusick in the
Comedy [by R. Brome] call'd the Northern
Lass. [First Violin and Bass Parts.] 2 pts.
[London, 1706 ?] obi. fol. d. 24. (21.)
[The Patriot.] Mr. D. Purcells Aires in
the Tragedy [by C. Gildon] call'd the
Patriot or the Itallian Conspiracy. [First
Violin and Bass Part.] 2 pts. [London,
1703 ?] obi. fol. d. 24. (13.)
[The Unhappy Penitent.] Mr. D: Purcells
Ayrs in the Tragedy [by Mrs. Trotter] of
the unhappy Penitent. [First Violin and
Bass Parts.] 2 pts. [London,
1701 ?] obi. fol. d. 24. (3.)
PURCELL (Henry)
2. Vocal Music.
c. Dramatic Music.
King Arthur.
Two Daughters of this aged Stream.
Favourite Duct [by H. Purcell], etc.
1779. s. s/t. 4". See King Arthur.
P.P. 6154. k.
The Tempest.
Halcion Days now wars are ending.
Favourite Song, in the Music composed
for the Tempest, etc. [Edinburgh,
1785.] s. sh. 4". 257. b. 14.
Edinburgh Magazine, March, 1785.
No Stars again shall hurt you from above.
Duett, in the Music composed for the
Tempest, etc. [Edinburgh,
1785.] s. sh. 4". 257. b. 14.
Edijiburgh Magazine, Feb., 1785.
d. Catches, Duets and Single So7igs.
Sum up all the delights. A Catch, etc,
[By H. Purcell.] See Sum.
[1781.] s. sh. 4°. P.P. 6154. k.
6. Index.
Halcion Days now Wars are ending.
See [The Tempest.]
No Stars again shall hurt you from above.
See [The Teinpest.]
QUEEN. The Queen of Love. [Song.]
See Swift (W.)
30
RAMEAU— SHIELD
EAMEALT (Jean Philippk)
^Vt' AroLLO's Collection. Apollo's Col-
lection, being XII Duettos for Two Ger-
man Flutes or two Violins. . .by. . .Sig' P.
Geminiani . . .liP Rameau . . . Lib. 1"'", dc.
[1750?] fol. h. 2052. (3.)
See Apollo's Collection. Apollo's Col-
lection, being six Sonatas . . . for two
German Flutes or two Violins . . . by . . .
Sig' Tartini . . . :\P Rameau . . . Book 2''.
[1755?] fol. h. 2052. (4.)
BANNIE (John) The Braes of Yarrow.
A new Scotch Song. [Aberdeen,
1789.] 8". P.P. 6225.
Aberdeen Magazine, October, 17S'J.
REELS. The Marquis of Huntly's Reel.
[Song.] The Words by the Author of
Tullichgorum. See Tune. Tune your
fiddles, etc. [1789.] 8". P.P. 6225.
Mrs. Stewart's Reel. [Dublin, 1795.] 8".
P.P. 6154. k.
Walker's Hibernian Magazine, Jan.,
1795.
The Opera Reel. [P. F.] [Dublin,
1795.] 8". P.P. 6154. k.
Walker's Hibernian Magazine, April,
1795.
EEEVE (William)
1. Operas, Entertainments, Ballets, &c.
The Purse.
The Galley Slave. See 0. Oh think on
my Fate, etc. [Song, from W. Reeve's
Entertainment, The Purse.] [1795.] S".
P.P. 6154. k.
REINHARDUS (Andreas) Musica,
Blue Guidonis Aretini, de vsu & constitu-
tione Monochordi, Dialogus ; jam denuo
recognitus, ab Andrea Eeinhardo, etc,
1604. 12". 7898. aaaa. 8.
See GuiDO, Aretinus.
HETZEL (August Johann) Isabel. A
Cantata, etc. Printed for James ((; John
Simpson's: London, [1180?] fol.
G. 806. V. (6.)
EICHARD CCEUR DE LION. [La
danse u'est pas ce que j'aime.] The merry
Dance I dearly love. Song in Richard
Cceur de Lion, etc. [By A. E. M. Gretry.]
[Aberdeen, 1791.] s. s7;. obi. 8".
P.P. 6225.
Aberdeen Magazine, September, 1791.
ROSE. The Rose. [Song.]
See Blooming. Blooming, beauteous,
fragrant Flow'r. [17G3.] 8". P.P. 324. n.
[Another setting.] The Rose had been
wash'd. [Song.] See Crotch (W.)
SAILOR. The Sailor's Invitation. [Duet.]
See May (H.)
SAILOR. The Sailor's Journal. [Song.]
>Ve 'TwAS. Twas post meridian half past
four, etc. [By C. Dibdin.] 179G. 8".
P.P. 6154. k.
SAINT KILDA. S' Kilda Song. See By.
By the stream so cold and clear, etc.
[1787.] s. sh. 4". 257. b. 18.
SAN MARTINI (Giuseppe)
See Apollo's Collection. Apollo's Collec-
tion, being XII Duettos for Two German
Flutes or Two Violins ... by ... Sig'
Geminiani, S' Martini. . .Lib. 1"% etc.
[1750?] fol. h. 2052. (3.)
See Apollo's Collection. Apollo's Collec-
tion, being six Sonatas. . .for two German
Flutes or two Violins. . .by. . .Sig'' Tartini
. . .S' Martini. . .Book 2''. [1755 ?] fol.
h. 2052. (4.)
SARTI (Giuseppe) Hush ! such Counsel
do not give, &c. [Song, by G. Sarti.]
Sung. . .in the Haunted Tower.
[1790.] s. sh. 4". P.P. 6154. k.
See Haunted Tower.
SAW. Saw you Phaibe pass this way.
Song. See Boyce (W.)
SE. Se do mhoUa. Highland Song.
[Edinburgh, 1185.] s. sh. 4°. 257. b. 15.
Edinburgh Magazine, July, 1785.
SEA. The Sea Boy reefs the Sail. Song.
See Lady op the Manor.
SECOND. Second Thoughts are best.
[Song.] See Hook (J.)
SEE. See, Sophia, how the tinctur'd vale.
Song. See ]\Ieeson (W.)
See the Leaves around us falling. The
Fall of the Leaf. A Sacred Ode, etc.
[London,] 1760. 8". P.P. 324. n.
The Christian's Magazine, June, 1760,
p. 86.
SERRE (Jean de) Les Dons des Enfans
de Latone : La Musique ct la Chasse du
Cerf, etc. [By J. de Serre.] 1734. 8°.
See Dons des Enfants de Latone.
1065. 1. 2.
SEX. [Another edition.] The Sex. [Song.]
See As. As Jockey was walking one
j\Iidsummer Morn, c^c. [1755?] s. sh. fol.
I. 600. d. (179.)
SHIELD (William)
1. Operas, Pantomimes, Entertain-
ments, &c.
The Choleric Fathers.
The Ups and Downs of Life. See Op. '
Of Ups and Downs wc daily see... Song
from . . . The Choleric Fathers [by W.
Shield], etc. [1788.] 8". P.P. 6225.
The Czar Peter.
Old Towler. A favourite Hunting Song,
etc. [By C. Dibdin.] See Bright.
Bright Chantecleer proclaims the dawn,
etc. 1795. 8". P.P. 6154. k.
SHIELD— SWEETER
31
SHIELD (WiixiAM)
The Farmer.
The Plough Boy. Sec Flaxen-headkd.
A flaxen-headed cow boy, etc. [Soug,
from W. Shield's Opera," The Farmer.]
[1789.] S'\ P.P. 6225.
Gad a mercy. [Soug.] Sung by Mr.
Munden. . .in" The Farmer [by W. Shield].
[1793.] s. sh. 4t\ See Farmkk.
P.P. 6154. k.
Marian.
Patty Clover. A favourite Song, etc.
[Dublin, 1788.] s. sh. 4". P.P. 6154. k.
]y'alker's Hibernian Magazine, Oct., 1788.
Robin Hood.
The favourite Song. . .1 traversal Judah's
barren Sand, etc. [Aberdeen, 1789.] 8'\
P.P. 6225.
Aberdeen Magazine, April, 1789.
2. Songs, Duets, Glees, &c.
b. Single Works.
Mark'd you her Eye of heavenly blue, &c.
A celebrated new Song... The Words by
Mr. Sheridan. [Dublin, 1788.] s. sh. 4".
P.P. 6154. k.
Walker's Hibernian Magazine, July,
1788.
Tbo' Bacchus niav boast, &c. An admir'd
...Song, t'^c. [By W. Shield.]
[1790.] s. sh. 4°. P.P. 6154. k.
See Though.
5. Index op Songs.
I travers'd Judah's barren Sand.
See [Robin Hood.]
The Ups and Downs of Life,
^ee [The Choleric Fathers.]
SILVIA. Silvia. Song [begins: 'The
gladd'ning sun returns']. See Ible (\V.)
SLIGHTED. The Slighted Maid. [Song.]
Sfc Baildon (J.)
SMILING. Smiling Love, to thee belong.
Roundelay, See Linley (T.) the Elder.
SMITH (John Christopjiku) Myrtilla.
[Song.] [Lo)ulon, IToG.J 8".
P.P. 5439. b.
Universal Visiter and Monthly Memo-
rialist, April, 175G.
SON-IN-LAW. Alia stagion novella.
The facountc Song in the Son-in-Law,
sung by Mrs. Daly. (Adapted for the
Guittar, by R. Gaudry.) [Dublin,
1781.] s. sh. 4". P.P. 6154. k.
Hibcr)iian ^fagazinc, Juli), 1781.
The Son in Law. Comic Opera.
See Arnold (S.)
SOUND. Sound the fife, beat the dram.
llic Female Captain. An admired Song,
sung bv Mrs. Wrighten at Vauxhall.
[Dublin, 1783.] s. sh. 4". P.P. 6154. k.
Hibernian Magazine, July, 1783.
SPINNING-WHEEL. The Spinning
Wheel. [Soug.j See Baildon (J.)
SPORTSMAN. The Sportsman goes out.
[Song.] ^Vt; Hook (J.)
SPRING. Spring returns, the Fawns
advance. Song. See Bag lev ( )
STEVENSON {Sir John Andrew) The
Rising Aurora. .4 Farourite New Hunii)ig
Song. Sung by Mr. Tuke. [Dublin,
1783.] s. sh. 4". P.P. 6154. k.
Hibernian Magazine, Dec., 1783.
STILL. Still the Lark finds Repose.
Rondo. See Linley (T.) the Elder. [The
Si)anisJi liivals.']
STOLTZER (Thomas) Sec Hymns.
[10. Datin.] Sacrorum Hymnorum Liber
Primus — Centum & triginta quatuor
Hymnos continens, ex optimis quibusq}
Authoribus musicis coUoetus, Inter quos
. . .sunt, Thomas Stoltzer, Henricus Fiuck,
etc. [1542.] obi. 4". K. 4. d. 16.
STORAGE (Stephen)
1. Operas, Entertainments, Ballet.
Lodoiska.
Thy Mistress bids thee haste away.
See Ye. Ye streams that round my
prison creep, etc. [Soug, from Lodoiska,
by S. Storace.] [1795.] 8'\
P.P. 6154. k.
^ly Grandmother.
Dicky Gossip. [Song.] Sung by Mr.
Johannot in... 'My Grandmother.' [By
S. Storace.] [1795."] 8". P.P. 6154. k.
See ^fV GHANDMOTIIKT!.
STRATHSPEYS. The I'rince of Wales's
Strathspev. [P. F.] [Dublin, 1795.] 8".
P.P. 6154. k.
Walker's Hibernian Magazine, May,
1795.
SUM. Sum up all the delights. A Catch.
For Three Voices. [By H. Purcell.]
[Dublin, 1781.] s. sh. 4". P.P. 6154. k.
Hibernian Magazi)ie, August, 1781.
SUP. A Sup of good Whiskey will make
vou glad. [Song.] [Dublin, 1795.] 8".
P.P. 6154. k.
Walker's Hiber)iian Magazi)ie, Ju)ie,
1795.
SURVEY. Survey ray fair that lucid
stream. Song. See Hook (J.)
SWAIN. A Swain, undone by am'rous
woe. A Neio Song, etc. ^London,
17G4.] 8". P.P. 5440.
Univeisal Museum, October, 17G4. _,
SWEET. Sweet Lavender. [Song.]
Ste How. How happy was of late each
morn, etc. [1795.] 8". P.P. 6154. k.
Sweet Rosalind. Song. See Swift (W.)
SWEETER. Sweeter than the Blushing
Rose. Duett. See CuzENS (B.)
32
SWIFT— 'TIS
SWIFT (William) Angelic fair. A Song,
etc. \_London, 1755.] 8". 250. k. 16.
B. Martin's Miscellaneous Corresiwncl-
ence,ctc., Vol. I., p. 118.
The Distressed Lover. A New Song, etc.
[London, 1763.] 8". P.P. 5440.
Universal Museum, July, 1763.
Fly swift, ye minutes. A Love Song.
Addressed to Miss A. B. of Stowe, etc.
[London, 1764.] 8". P.P. 5440.
Universal Museum, October, 1764.
The Happy Nymphs. [Song.] The Words
by a Young Lady, etc. [London,
1764.] 8°. P.P- 5440.
Universal Museum, May, 1764.
Liberty, a New Song, etc. [London,
1766.] 8«. P-P. 5440.
Universal Museum, April, 1766.
The Queen of Love, etc. [Song.]
[London, 1767.] 8°. P.P. 5440.
Universal Museum, August, 1767.
Sweet Eosalind. A Song, etc. [London,
1764.] 8». P.P. 5440.
Universal Museum, January, 1764.
The Virgin Unmask'd, a New Song, etc.
[London, 1766.] 8". P.P. 5440.
Universal Museum, Fehrtiary, 1766.
You bid me, fair, conceal my love. A
Neil) Song. Addressed to Miss Polly
Stow, etc. [London, 1765.] 8°.
P.P. 5440.
Universal Museum, February, 1765.
Young Damon. A New Song, etc.
[London, 1763.] 8^ P.P. 5440.
Universal Museum, August, 1763.
TALLIS (Thomas) See Glory. Glory to
Thee my God this Night. The Evening
Hymn, etc. [By T. Tallis.] 1760. 8^
P.P. 324. n.
TARTARIAN AIRS. Tartarian Airs.
[Edinburgh, 1774.] 8°. P.P. 6199. b.
Edinburgh Magazine and Bcvieiv, Feb.,
1774.
TARTINI (Giuseppe) See Apollo's
Collection. Apollo's Collection, being
six Sonatas . . . for two German Flutes or
two Violins . . . by . . . Sig' Tartini . . .
Book 2\ [1755 ?] fol. h. 2052. (4.)
TELL. TeU me my Lute, can thy fond
Strain. Song. See Duenna.
Tell me no more of pointed darts. A
Lad-y's Advice to her Lover. [Song.]
[London, 1759.] s. sh. 8".
I. 600. d. (155.)
A cutting from the Lady's Magazine for
September, 1759.
THAINY MENZIES. Thainy Menzies'
bonny Mary. [Song.] See Wilson (W.)
THERE. There's cauld kail in Aberdeen.
Cauld Kail in Aberdeen. [Song.] The
Words by his G[race] The D[uke] of
G[ordon]. [Aberdeen, 1788.] 8°.
P.P. 6225.
Aberdeen Magazine, November, 1788.
There was a fair Maiden. Song.
See DiBDiN (C.)
THOMPSON (Michael)
See Thomson (M.)
THOMSON (Michael) Fanny no more,
etc. [Song.] [Dublin, 1780.] s. sh. 4°.
P.P. 6154. k.
Hibernian Magazine, Dec, 1780.
Hibernia's Advice to the Fair. A new
Song . . . The Words by the Rev. M
S [Dublin, 1779.] s. sh. 4°.
P.P. 6154. k.
Hibernian Magazine, Aug., 1779.
Weep, Britons, weep. [Song.J Epitaph
on David Garrick, Esq., etc. [Dublin,
1779.] s. sh. 4°. P.P. 6154. k.
Hibernian Magazine, June, 1779. Muti-
lated.
THOUGrH. Tho' Bacchus may boast, &c.
An admir'd New Song, etc. [By W.
Shield.] [Dublin, 1790.] s. sh. 4°.
P.P. 6154. k.
Walker's Hibernian Magazine, July,
1790.
Tho' lovely Delia thou art coy. Song.
See Bag LEY ( )
Tho' Pity I cannot deny. [Song.]
See Haunted Tower.
Tho' wisdom will preach about joy. A
Neio Drinking Song. The words by
G. A. Stevens. [Aberdeen, 1789.] 8".
P.P. 6225.
Aberdeen Magazine, July, 1789.
THROUGH. Thro' the Wood Laddie.
See 0. Oh Sandy why leav'st thou thy
Nelly to mourn, etc. [1765.] 8°.
^ P.P. 5440.
THUNDERING. The thund'ring cannon
rend the sky. La Carmagnole, a Favourite
French Dance. Parodied by T. Dutton.
[Song.] [Dublin, 1794.] s. sh. 4°.
^ P.P. 6154. k.
Walker's Hibernian Magazine, October,
1794.
THY. Thy Mistress bids thee haste away.
See Ye. Ye streams that round_ my
prison creep, etc. [Song, from Lodoiska,
by S. Storace.] [1795.] 8".
^ P.P. 6154. k.
'TIS. 'Tis not Belinda's iv'ry neck.
Belinda's Charms. [Song, by R. Hudson.]
[Dublin,-] 1795. 8°. P.P. 6154. k.
Walker's Hibernian Magazine, August,
1795,
TO -WHAT
33
TO, To celebrate Thy Praise, 0 Lord.
Hymn. See F., Mr.
To heal the Smart a Bee had made. The
Bee. A new Song sung by I\Ir. Lowe.
[Lcnidm, 1750?] s.sh.iol.
I. 600. d. (170.)
To thy fair shrine, O heav'u-boru maid.
Song. See Moze (J. H.)
To woo me and win me. Colin's Success.
[Song.] Sung by Mrs. Chambers at
Marybon Gardens. [By W. Defesch.]
[London, 1755 ?] s. sh. fol.
L 600. d. (169.)
TOAST. The Toast. [Song.] See Come.
Come every Man now give his Toast, etc.
[From ' Poor Vulcan,' words and music by
C. Dibdin.] [1781.] s. sh. 4°.
P.P. 6154. k.
TOM TRUELOVE. Tom Truelove woo'd
the sweetest fair. Tom Trnelove's Knell.
[Song, from C. Dibdin's Entertainment,
♦ Great News.'] [Dublin,] 1769. 8°.
P.P. 6154. k.
Walker's Hibernian Magazine, Jan.,
1796.
TOUCHSTONE. Gentle Echo, &e.
[Trio.] Sung by Mrs. Johnston, Mr.
Johnston, &c in the Touchstone. [Words
and music by C. Dibdin.] [Dublin,
1781.] s. sh. 4". P.P. 6154. k.
Hibernian Magazine, Feb., 1781.
TREE-TOPT. Trec-topt Hill. Song.
See On. On tree-topt hill, etc. [By
M. C. Festiug.] [1764.] 8°. P.P. 5440.
TRUE. True Blue; or, Britain's Glory.
[Song.] See One. One Evening at
ambrosial Feast, etc. [1789.] 8".
P.P. 6225.
TRUST. Trust me wou'd you taste true
Pleasure. [Song.]
See Maid of the Mill.
TUNE. Tune your fiddles, tune them
sweetly. The Marquis of Huntly's Reel.
[Song.] The Words by the Author of
Tullichgorum. [Aberdeen, 1789.] 8".
P.P. 6225.
Aberdeen Magazine, February, 1789.
TURN. Turn, fair Clora. Damon and
Clora. A Duett. [By H. Harington.]
T. Walker : [Dublin, 1778.] s. sh. 4".
P.P. 6154. k.
Hibernian Magazine, Oct., 1778.
'TWAS. 'Twas post meridian half past
four. The Sailor's Journal. [Song, from
' Will of the Wisp,' by C. Dibdin.]
[Dublin,] 1796. 8°. P.P. 6154. k.
Walker's Hibernian Magazine, March,
1796.
VOL. II.
'TWAS. 'Twas you. Sir. Admiral Keppel ;
A new Catch, by way of Sandwich, or Bon
Morceau. The principle [sic] Part not
by Sir Hugh. [Adapted to the Earl of
Mornington's Catch ' 'Twas you. Sir.']
[Dublin, 1779.] s. sh. 4°. P.P. 6154. k.
Hibernian Magazine, July, 1779.
TWIGGLE. Twiggle and a Friz. [Song.]
See London. London Town is just like a
Barber's Shop, etc. [1787.] s. sh. 4".
257. b. 16.
TWO. Two Daughters of this aged Stream
are we. Duet. See King Arthur.
UNGRATEFUL.
[Song.] ,sVe Did.
Nymph adore, etc.
[1785.] s. sh. 4".
Ungrateful Nancy.
Did ever Swain a
[By M. Greene.]
257. b. 15.
UPS. The Ups and Downs of Life. Song.
See Shield (W.) [1. Operas. The Choleric
Fathers.]
VIRGIN. [Another setting.] The Virgin
Unmask'd. Song, ^^ee Swift (W.)
VULCAN. Vulcan's Petition. [Song.]
See Poor Vulcan.
WEDDING. The Wedding Day. Song.
See What. What Virgin or Shepherd in
Valley or Grove, etc. [By J. Hook.]
[1789.] s. sh. 4°. P.P. 6154. k.
WEEP. Weep, Britons, weep. [Song.]
See Thomson (M.)
WEISS (D.) See Gedichte. Gedichtc
von P. Engelhard, etc. [With music by
D. Weiss, etc.] 1782. 16".
11521. a. 13.
WELLESLEY (Garrett Colley) Earl
of Mornington. 'Twas you. Sir.
See 'Twas. 'Twas you. Sir. Admiral
Keppel; A new Catch, etc. [Adapted to
the Earl of Mornington's catch.]
[1779.] s. sh. 4". P.P. 6154. k.
WERTER. [Another setting.] Werter's
Sonnet. [Song.] See Haydn (F. J.) [5. d.
Quartetts. Pohl, No. 25. Poco adagio.]
WHAT. What ho! Charming Dance.
[Song.] See Ephesian Matron.
34
WHAT— YOUNG
WHAT. What Virgin or Shepherd in
Valley or Grove. The Wedding Day. A
favourite Song [by J. Hook] sung at
Astley's Amphitheatre. {Dublin,
1789.] s. sh. 4». P.P. 6154. k.
Walker's Hibernian Magazine, July,
1789.
WHEN. When first I saw my Fanny's
Face. Song. See MozE (J. H.)
When love hath charm'd. Ballad.
See Denby ( )
When night, and left upon my guard.
0 come, siveet Mary, come to me. [Song.]
[Dubliti, 1793.] s. sh. 4». P.P. 6154. k.
Walker's Hibernian Magazine, Decem-
ber, 1793.
When wilt thou cease. [Song.]
See Doctor and Apothbcaey.
WHILE. While from our looks, dear
nymph, yovi guess. Song.
See MozE (J. H.)
WHILST. Whilst in the Grove Timandra
walks. Song. .See Bagley ( )
WHY. Why tarries my Love. The
Pidgeon. An admired new Song by the
Author of Robin Gray [W. Leeves], sung
by Mrs. Kennedy. [Dublin,
1784.] 8. sh. 4". P.P. 6154. k.
Hibernian Magazine, Jan., 1784.
WILL. Will ye gang o'er the ley-rigg. An
improved Set of the favourite Scotch
Song, My ain kind Deary-0. [Aberdeen,
1789.] 8°. P.P. 6225.
Aberdeen Magazine, Augtcst, 1789.
WILSON (William) The Boatie rows.
See infra : [Twelve Original Scotch Songs.
Op. III. No. 8.]
1 sit o' my Sunkie, an' spin at my Wheel.
See infra: [Twelve Original Scotch Songs.
Op. III. No. .5.]
[Twelve Original Scotch Songs. Op. iii.
No. 3.] I sit o' my Sunkie, an' spin at
my Wheel. [Song.] . . . The Words by a
Gentleman of Aberdeen [i.e. John Mar-
shall]. [Aberdeeji, 1788.] 8". P.P. 6225.
Aberdeen MagcLzine, July, 1788.
[No. 8.] The favourite Song of The
Boatie Rows. The Words by a Gentleman
of Aberdeen. Adapted to Music by Mr.
Wilson. [Aberdeen,YiSQ.'\ 8°. P.P. 6225.
Aberdeen Magazine, August, 1788.
[No. 11.] Thainy Menzies' bonny
Mary. [Song.] The Words by a Gentleman
of Aberdeen [i.e. John Marshall]. Adapted
to music by Mr. Wilson. [Aberdeen,
1788.] 8". P.P. 6225.
Aberdeen Magazine, November, 1788.
WILSON (William) Thainy Menzies'
bonny Mary. See supra : [Twelve Original
Scotch Songs. Op. III. No. 11.]
WINTER. Winter. [Song, begins: 'Of
verdure stripp'd.'] See Howabd (S.)
The Winter its desolate Train. So^ig.
[Dublin, 1781.] s. sh. 4". P.P. 6154. k.
Hibernian Magazine, Jan., 1781.
WOULD. Would you give me leave.
Catch. See Poor Vulcan.
YE. Ye Heav'ns, if Innocence deserves
your Care. Catch for Three Ladies.
[Dublin, 1779.] s. sh. 4°. P.P. 6154. k.
Hibernian Magazine, Oct., 1779.
Ye Rivers so limpid. Absence. A Song
in the manner of Shenston, [words] by
T. Blacklock. [Edinburgh,
1774.] s. sh. obi. 8°. P.P. 6199. b.
Edinburgh Magazine and Bevieiv, March;
1774.
Ye streams that round my prison creep.
Thy Mistress bids thee haste aioay, dx.
[Song, from Lodoiska, by S. Storace.]
[Dublin, 1795.] 8°. P.P. 6154. k.
Walker's Hibernian Magazine, June,
1795.
YOU. [Another setting.] You bid me,
fair, conceal my love. Song.
See Swift (W.)
YOUNG. Young Colin stole my Heart
away. [Song.] See Fields. The Fields
were green, etc. 1779. s. sh. 4°.
P.P. 6154. k.
[Another edition.] Young Colin the
blithest upon the gay Green. The
Shepherd's Besohttion. [Song, by J.
Dunn.] The Words by Mr. Bo3^ce.
[London, 1760?] s.sh.iol.
I. 600. d. (180.)
Young Damon. Song [begins : ' I met
young Damon ']. See Swift (W.)
Young Damon would often frequent the
green shade. Song. See Moze (J. H.)
Young Jockey is the Lad. Song. See By.
By Tweed's clear stream, etc.
[1783.] s. sh. 4°. P.P. 6154. k.
Young Strephon, by a lonely Grove. Song.
See Green (T.)