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CATALOGUE  OF  THE  WORKS  OF  ART 

BELONGING    TO 

THE   CITY  OF  NEW  YORK 


C  A  T  A  L  ^ 

OF  THE 

WORKS  O^  '  ' 

BELONGING    H 

THE  CITY  OF  NEW 

PREPARED   AND    ISSUED 

THE    ART    C  0  M  M  I  S  -s  : 
OF    THE    CITY     01 
NEW     YORK 


NEW    YORK 
M       C       M       1 


_J 


C  ATA  L  O  G  U  E 

OF   THE 

WORKS  OF  ART 

BELONGING   TO 

THE  CITY  OF  NEW  YORK 


K 


PREPARED    AND    ISSUED    BY 

THE    ART    COMMISSION 

OF    THE     CITY     OF 

NEW     YORK 


NEW    YORK 
M       C       M       I       X 


COPYRIGHT,    1909,    BY 
THE    CITY    OF    NEW    YORK 


ART    COMMISSION    OF    THE 
CITY    OF    NEW    YORK 

AS    CONSTITUTED    IN 
1  909 


RobertW.de  Forest,  President     John    Bigelow, 


Trustee  of  Metropolitan  Museum  of  Art 

Frank  D.  Millet,  Vice-President 
Painter 

John  B.  Pine,  Secretary 

George  B.  McClellan, 

Mayor  of  the  City  of  New  York 

A.  Augustus  Healy, 

President  of   Brool<lyn    Institute  of  Arts 
and  Sciences 


President  of  the  New  York  Public  Library 

Arnold  W.  Brunner, 

Architect 

Charles  Howland  Russell 
Frederic  B.  Pratt 
Herbert  Adams, 

Sculptor 


FORMER  MEMBERS  OF  THE  ART  COMMISSION 

since  its  establishment  under  the 
charter  of    1808 


Robert  A.  Van  Wyck,  Ex-officio,     Samuel  P.  Avery, 


Mayor,  January  ],  1898,  to  December  31. 

IQOl. 


January   1,   1898,  to  December  31,   i8qq; 
January  1,  IQOO,  to  December  31,  1902. 


Henry  G.  Marquand,  Ex-officio.     John  La  Faroe, 


President   Metropolitan   Museum   of   Art, 
January  1,  i8q8,  to  February  26,  igoi, 

Charles  T.  Barney, 

February  14  to  December  31,  1808;  Janu- 
ary 2,  i8q9,  to  December  31,  igoi. 


February  14,  1898,  to  December  31,  1900. 

Daniel  C.  French, 

February  14,  1898,  to  December  31,  1899; 
January  1,  1900,  to  December  31,  1902. 

Frederick   Dielman, 

„  r-     .«     .r  lanuarv  1,  1901.  to  December  31,  1903- 

Charles  F.  McKim, 

February  14  to  December  31.  1898:  Janu-       JoHN    DE    WiTT    WaRNER, 
ary  2,  1899,  to  December  31,  1901.  January  1,  1902,  to  December  31,  1904. 

Henry  E.  Howland,  Henry  Rutgers  Marshall, 

February  14,  1898,  to  December  31,  1900,  January  1,  1902.  to  December  31,  1904- 


MEMBERS     OF     THE     ART     COMMISSION     SINCE     ITS      ESTABLISHMENT 


William  J.  Coombs, 

February  24,  igo2,  to  December  ji,  11)03. 

Frederic  W.  Rhinelander, 

Ex-OFFICIO, 

President  Metropolitan  iVluseum  of  Art, 
February  26,  1Q02,  to  September  25, 
1Q04. 

Seth  Low,  Ex-officio, 

Mayor,  January  1,  1Q02.  to  December  31, 
1Q03. 

A.  Phimister  Proctor, 

January  1,  1903,  to  December  31,  iQoi;. 

LOYALL  FaRRAGUT, 

January  1,  1Q03,  to  December  31,  1005. 


J.  Pierpont  Morgan,   Ex-officio, 

President   Metropolitan   Museum  of  Art, 
November  21,    1904,   to   December  31, 

1 907. 

J.  Carroll  Beckwith, 

January  1,  1904,  to  December  31,  1906, 

John  D.  Crimmins, 

January  1,  1904,  to  December  31,  1906. 

Walter  Cook, 

January  1,  1905;  resigned  June  28,  1907. 

John  J.  Boyle, 

January  1,  1905,  to  December  31,  1908. 

Howard  Mansfield, 

January  1,  1906,  to  December  31,  1908. 


INTRODUCTION 


INTRODUCTION 


PAINTINGS 

THE  City  of  New  York  began  its  valuable  collection  of  por- 
traits in  1790  by  requesting  President  Washington  "to 
permit  Mr.  Trumbull  to  take  his  portrait  to  be  placed  in 
the  City  Hall  as  a  monument  to  the  respect  which  the  in- 
habitants of  this  City  have  toward  him."  In  the  autumn 
of  1804 — soon  after  the  tragedy  at  Weehawken — the  Common 
Council  commissioned  Colonel  Trumbull  to  paint  the  portrait  of 
Alexander  Hamilton.  The  selection  of  this  artist  was  a  wise  one, 
as  he  had  previously  painted  several  portraits  of  Secretary  Hamil- 
ton from  life.  He  also  made  use  of  Cerracchi's  white  marble  bust 
of  Hamilton  (now  in  the  Lenox  Library).  For  seventy-five  years 
the  Common  Council  continued  this  policy  of  securing  the  portraits 
of  distinguished  men,  not  officially  connected  with  the  State  or 
City,  but  who  by  conspicuous  public  service  had  won  the  admira- 
tion of  its  inhabitants. 

The  series  of  Governor's  portraits  was  begun  in  1791,  when  Colo- 
nel Trumbull  was  commissioned  to  take  the  portrait  of  Governor 
George  Clinton.  The  collection  includes  the  portrait  or  each 
Governor  of  New  York,  from  Governor  George  Clinton  to  Governor 
Dix. 

In  1804  the  Common  Council  commissioned  Colonel  Trumbull  to 
paint  the  portraits  of  "the  chief  magistrates  of  this  City  since  the 
Revolution."  This  order  included  Mayors  Duane,  Varick,  and 
Livingston,  and  the  City  continued  to  have  portraits  of  its  Mayors 
painted  down  to  Mayor  Gunther. 

The  City  has  in  its  collection  four  portraits  of  Washington,  three 
of  Clay,  and  four  of  De  Witt  Clinton.     There  were  two  of  Governor 


INTRODUCTION 

Stuyvesant  painted  and  paid  for  by  the  City,  but  one  of  them  has 
disappeared. 

In  addition  to  securing  for  the  City  this  invaluable  collection  of 
portraits,  the  Common  Council  showed  its  lively  interest  in  art  by 
occasionally  visiting  in  a  body  a  public  exhibition  of  paintings. 
Sometimes  they  not  only  visited  it  themselves  but  passed  a  resolu- 
tion urging  the  citizens  "to  avail  themselves  of  an  opportunity 
to  improve  their  taste"  by  going  to  see  a  painting  such  as  "The 
Court  of  Death,"  by  Rembrandt  Peale,  exhibited  at  the  Academy 
in  1820. 

The  Common  Council  of  Brooklyn  confined  itself  in  the  main  to 
securing  portraits  of  the  Mayors  of  the  City.  It  began  its  collec- 
tion in  1834  with  the  portrait  of  Mayor  George  Hall,  and  attempted 
to  secure  the  portrait  of  every  Mayor  to  1898,  the  year  of  con- 
solidation. It  has  failed,  however,  to  secure  the  portraits  of  three 
Mayors,  who  refused  to  sit  for  their  portrait  on  the  ground  that  in 
their  opinion  it  was  not  a  legitimate  expenditure  of  public  money. 
In  addition  to  its  Mayors,  Brooklyn  purchased  two  of  the  portraits 
of  Washington  and  one  of  Clay.  The  portraits  of  Judges  in  the 
County  Court  House  and  Hall  of  Records  in  Brooklyn  were  all 
presented  to  the  City. 

These  portraits  hang  in  various  public  buildings  throughout  the 
City.  By  far  the  largest  number  are  to  be  found  in  the  City  Hall, 
but  by  referring  to  the  geographical  index,  at  the  end  of  the  book, 
it  will  be  seen  that  they  decorate  the  walls  of  many  municipal 
offices. 

Until  the  establishment  of  the  Art  Commission  in  1898,  the  care 
of  paintings  was  entrusted  to  different  officials,  so  that  at  various 
times  each  of  the  following  have  been  custodians  of  the  paintings: 
The  keeper  of  the  City  Hall;  Clerk  of  Common  Council;  Committee 
on  Arts  and  Sciences,  and  the  Department  of  Public  Works. 


SCULPTURE 

In  the  years  between  the  founding  of  the  United  States  Govern- 
ment and  1850  various  attempts  were  made  to  induce  the  Common 
Council  to  erect  statues  to  distinguished  men,  and  individuals  and 
certain  societies  sought  to  enlist  the  cooperation  of  the  citizens  to 
honor  men  in  this  way.     All  efforts  to  secure  either  public  or  private 


INTRODUCTION 

funds  for  erecting  statues  were  unsuccessful  during  the  first  sixty 
years  following  the  Revolution.  The  first  piece  of  sculpture 
bought  by  the  City  was  the  white  marble  bust  of  Henry  Clay,  pur- 
chased in  1852,  although  a  few  busts  were  presented  to  the  City 
much  earlier  than  this. 

The  record  in  Brooklyn  and  the  other  boroughs  is  as  bare  as  that 
of  Manhattan.  While,  to-day,  the  City  of  New  York  possesses 
many  statues,  monuments,  and  fountains,  nearly  all  of  them  have 
been  presented  to  the  municipality.  The  citizens  have  been 
liberal  in  this  respect,  and  the  streets  and  parks  are  adorned  in 
many  places  with   masterpieces  of  sculpture. 

In  the  preparation  of  this  catalogue,  it  has  been  found  necessary 
to  examine  the  manuscript  and  printed  proceedings  of  the  legisla- 
tive bodies  of  Manhattan  and  Brooklyn,  the  ledgers  and  journals 
of  the  Comptroller's  office,  as  well  as  many  works  of  reference. 
Until  this  investigation  was  undertaken  comparatively  little  was 
known  about  the  works  of  art  belonging  to  the  city.  This  catalogue 
is  believed  to  give,  for  the  first  time,  accurate  and  authentic  in- 
formation. Nothing  has  been  taken  on  faith.  Every  fact  has 
been  verified.  Wherever  uncertainty  exists  that  fact  has  been 
indicated  and  in  such  cases  it  is  hoped  that  the  circulation  of  this 
catalogue  may  elicit  further  information.  A  card  catalogue  in 
the  offices  of  the  Commission  contains  the  reference  for  every  fact 
stated. 

All  inscriptions  have  been  copied  verbatim,  without  attempting 
to  correct  the  errors,  if  any,  contained  therein.  Where  it  has  been 
possible  to  decipher  the  signature  of  the  artist,  this  has  been  given. 
The  asterisk  (*)  is  used  to  indicate  the  fact  of  official  approval  by 
the  Art  Commission,  before  acquisition  by  the  City. 

In  determining  whether  a  painting,  sculpture,  or  structure  is  a 
work  of  art,  the  definition  used  in  the  Charter  in  defining  the  powers 
of  the  Art  Commission  has  been  liberally  construed.  Section  637 
provides:  "The  term  'work  of  art,'  as  used  in  this  title,  shall  apply 
to  and  include  all  paintings,  mural  decorations,  stained  glass, 
statues,  bas-reliefs,  or  other  sculptures,  monuments,  fountains, 
arches,  or  other  structures  of  a  permanent  character  intended  for 
ornament  or  commemoration." 

In  selecting  the  works  of  art  for  reproduction,  a  somewhat  difl"er- 
ent  method  has  been  adopted  than  is  customary  in  the  ordinary 
catalogue.     Three  factors  have  been  considered  in  the  selection  of 


INTRODUCTION 

an  object  reproduced  in  this  volume — its  excellence  as  a  work  of 
art,  the  prominence  of  the  subject  of  the  portrait  or  statue,  and 
its  rarity. 

It  may  be  mentioned  that  time  has  had  its  effect  upon  many  of 
the  portraits,  and  that  some  of  them  are  so  placed  that  photographs 
suitable  for  successful  reproduction  were  not  obtainable — and  there- 
fore such  subjects  have  lost  much  of  their  original  effectiveness. 

The  portraits  are  arranged  in  the  order  in  which  they  were  ac- 
quired by  the  City.  Those  of  which  no  record  of  their  acquisition 
has  been  found  have  been  placed  at  the  end  of  the  list. 

The  mural  decorations,  stained  glass,  and  sculpture  are  arranged 
geographically. 

This  catalogue  includes  only  the  works  of  art  acquired  by  the  City 
previous  to  September  i,  1908. 


CONTENTS 

PAGE 

Members  of  the  Art  Commission viii 

Introduction ix 

Contents xiii 

List  of  Illustrations xv 

Catalogue  of  Paintings 

Arranged  in  the  order  of  their  acquisition  by  the  City  of 

New  York i 

Catalogue  of  Mural  Decorations 8i 

Catalogues  of  Sculpture 

In  the  Borough  of  Manhattan 103 

In  the  Borough  of  Brooklyn  .      ; 197 

In  the  Borough  of  the  Bronx 219 

In  the  Borough  of  Queens 227 


LIST  OF  ILLUSTRATIONS 


PAINTINGS 


The  City  Hall   .      . 
George  Washington 
George  Clinton 
John  Jay     .      .      . 
Alexander  Hamilton 
James  Duane    . 
Richard  Varick 
Edward  Livingston 
Marinus  Willett      . 
Morgan  Lewis  . 
Daniel  D.  Tompkins 
Peter  Stuyvesant   . 
Jonathan  Williams 
Stephen  Decatur    . 
William  Bainbridge 
Isaac  Hull   . 
Thomas  McDonough 
Oliver  Hazard  Perry 
Jacob  RadcliflF  .      . 
James  Monroe  . 
Andrew  Jackson     . 

Stephen  Allen  . 

Marquis  de  Lafayette 

John  Stanford  . 

William  Paulding 
De  Witt  Clinton 


FACING 
ARTIST                                                                  I'AGE 

.     John  McComb,  Jr.                  Title. 

.     John  Trumbull 

3 

John  Trumbull 

4 

John  Trumbull 

6 

John  Trumbull 

8 

John  Trumbull 

10 

John  Trumbull 

12 

John  Trumbull 

14 

John  Trumbull 

16 

.     John  Trumbull 

18 

.     John  Trumbull 

20 

John  Trumbull 

22 

.     Thomas  Sully  . 

24 

.     Thomas  Sully   . 

26 

.     John  Wesley  Jarvis 

28 

.     John  Wesley  Jarvis 

30 

.     John  Wesley  Jarvis 

32 

John  Wesley  Jarvis 

34 

John  Trumbull 

36 

.     John  Vanderlyn 

38 

John  Vanderlyn 

40 

Samuel  L.  Waldo,  A.N 

A. 

•      ■     William  Jewett,  A.N. A.                 42 

Samuel  Finley  Breese  Morse, 

■      •         N.A 44 

Samuel  Finley  Breese  Morse, 

•      •      •         N.A 46 

Samuel  Finley  Breese  Morse, 

■      •      •         N.A 48 

.     George  Catlin    . 

50 

LIST    OF    ILLUSTRATIONS 


FACING 
PAGE 


Philip  Hone John  Vanderlyn 


John  Christopher  Yates 

Christopher  Columbus 

Martin  Van  Buren 
Walter  Bowne 
Gideon  Lee 
George  Hall       ... 
William  Learned  Marcy 
William  Henry  Seward 
James  Harper  . 
William  C.  Bouck 
John  Young 
Jose  Antonio  Paez 
David  Thomas  Valentine 
Townsend  Harris   . 
Winfield  Scott  .      .      .      . 
Thomas  Jefferson  . 
Henry  Clay       .      .      .      . 
George  Brinton  McClellan 
Richard  L.  Larremore 
Seth  Low 

Daniel  D.  Whitney 
"Veulvan  Cara" 
Charles  A.  Schieren 
Andrew  H.  Green  . 
Henry  Hudson 
James  Kent 
Robert  Kelly    .      . 


John  Vanderlyn      .      .      .      . 
Samuel  Finley  Breese  Morse 

N.A 

Henry  Inman,  N.A.     . 
Robert  Walter  Weir,  N.A. 
Henry  Inman,  N.A.     . 
James  Frothingham,  N.A. 
William  Page,  N.A.     .      . 
Henry  Inman,  N.A.     , 
Henry  Inman,  N.A.     . 
Charles  Loring  Elliott,  N.A 
Henry  Peters  Gray,  N.A. 
Charles  Wesley  Jarvis 
Charles  Wesley  Jarvis 

J.  Bogle,  N.A 

Miner  K.  Kellogg  . 
Charles  Wesley  Jarvis 
P.  Staunton      .... 
William  H.  Powell,  A.N.A. 
Thomas  Hicks,  N.A.    . 
William  Merritt  Chase,  N.A 
Thomas  Jensen 
Arturo  Michelena  . 
Richard  Creifelds  . 
B.  Kramer-Scheiro 
Count  Pulaski  . 
Rembrandt  Peale,  N.A. 
Daniel  Huntington 


52 
54 

56 

58 
60 
62 
64 
66 
68 
70 
72 

74 
76 

78 
80 

85 
86 


90 
92 

94 
96 
98 
100 
102 
105 
106 


MURAL   PAINTINGS 

Edward  Simmons  .  no 

Henry  Siddons  Mowbray,  N.A  112 

Robert  Reid,  N.A.  114 

Willard  Leroy  Metcaif  116 

Edward  Simmons  .  118 
Edwin     Howland     Blashfield, 

N.A 120 

Wisdom Henry  Oliver  Walker,  N.A.    .  122 

xvi 


Justice 

Transmission  of  Law  . 

Justice 

Banishment  of  Discord 
Justice  of  the  Law 

The  Power  of  the  Law 


LIST    OF    ILLUSTRATIONS 


SUBJECT  ARTIST  PAGE 

The  Reign  of  Law       .      .      .  Kenyon  Cox,  N.A.       .      .      .  124 

Thejudicial  and  Other  Virtues  Joseph  Lauber       ....  126 

Opening  of  the  Erie  Canal      .  Charles  Yardley  1  urner,  N.A.  128 


SCULPTURE 


John  Ericsson  . 
Abraham  de  Peyster 
Benjamin  Franklin 

Nathan  Hale 


New  York  in  Its  Infancy 
Jacob  H.  Schiff  Fountain 
Peter  Cooper    .      .      .      . 
Memorial  Fountain 

Alexander  Lyman  Holley 

Washington  Arch  . 
Abraham  Lincoln  . 
Marquis  de  Lafayette 

George  Washington     . 

Fountain     .... 
David  Glasgow  Farragut 
William  Jenkins  Worth 
Horace  Greeley 
Washington  Irving 
William  Tecumseh  Sherm 
Christopher  Columbus 

William  Shakespeare  . 

Indian  Hunter 

Tigress  and  Cubs 
The  Falconer    . 
Daniel  Webster 
Fountain 

Bethesda  Fountain 
Richard  Morris  Hunt 
Still  Hunt    .      .      . 


Jonathan  Scott  Hartley,  N.A. 
George  Edwin  Bissell  . 

E.  Plassman 

Frederick    William    MacMon- 

nies,  N.A 

Philip  Martiny,  A.N. A.     .      . 
Arnold  W.  Brunner 
Augustus  Saint  Gaudens,  N.A. 
Bruno  Louis  Zimm 
John    Quincy    Adams   Ward, 

N.A 

Stanford  White      .... 
Henry  Kirke  Brown,  N.A. 
Frederic  Auguste  Bartholdi   . 
John   Quincy    Adams    Ward, 

N.A 

Karl  Adolf  Donndorf  . 
Augustus  Saint  Gaudens,  N.A 
James  Goodwin  Batterson  . 
Alexander  Doyle  .... 
Friedrich  Beer  .... 
Augustus  Saint  Gaudens,  N.A. 
Gaetano  Russo  .... 
John    Quincy    Adams    Ward, 

N.A 

John    Ouincy    Adams    Ward, 

N.A 

Auguste  Cain 

George  Simonds     .... 

Thomas  Ball 

Olin  Levi  Warner,  N.A.    . 
Emma  Stebbins     .... 
Daniel  Chester  French,  N.A.   . 
Edward  Kemeys    .... 


30 

32 
34 

36 
38 
40 
42 
44 

46 

48 
50 

52 

54 
56 

58 
60 
62 
64 
66 
68 

70 

72 
74 
76 
78 
80 
82 
84 
86 


LIST    OF     ILLUSTRATIONS 


siinircT 
Joliann    ('.hristo|ih     I'licdiii,-! 

von  Schiller  ... 
George  Wasliinglon 
Egyptian  Obelisk   . 
Soldiers'   and    Sailors'   Monu 

inent 

Franz  Sigel        .... 


Grant's  Tomb  . 
George  Washington     . 

Henry  Ward  Becchcr 

Ulysses  Simpson  Grant 

I  ienry  Warner  Slocum 

Soldiers' and  Sailors'  Memorial 
Arch 

James  S.  T.  Slranahan 

Henry  W.  Maxwell 
Lioness  and  (Aibs  . 


I  hv  I  lorse  Tamers 

I'anlhers      .... 

Italian  I'onntain 
Botanical  Garden  I'ounlain 

Soldiers'  Monument     . 


FACING 

AHUM  I'AOl-. 

G.  I..  Kichler    .      .  .188 

jean  Anioine  I  loudon  190 

Unknown 192 

Gharles  W.  Stoiighton 

Arthur  A.  Stoughton  .  194 

Paul  !•:.  Duboy 

Karl  Francis  Theodore  Biltcr, 

N.A 199 

John  Hemingway  Duncan  200 

Henry  Merwin  Shrady  202 
John    Quincy    Adams    Ward, 

N.A: 204 

William  Ordway  I'arlriilge  206 
I'rederick    William    MacMon- 

nies,  N.A 208 

|ohn  1 1.  Duncan                  .  210 

l-rederick   William    MacMon- 

nies,  N.A 212 

Augustus  SainI  Gaudens.N.A.  214 

Victor  Peter 216 

I'rederick    William    MacMon- 

nies,  N.A 218 

Ale.xander  I'himisler  Proctor, 

N.A 221 

Unknown 222 

Garl  \i.  TelTl 224 

Iredcrick    Wellington    Ruck- 

sluhl 234 


CATALOGUE   OF   WORKS 
OF  ART 


PAINTINGS 


CATALOG! 

PAINTINGS 

ARRANGED   IN   THE   ORDER 

ACQUISITION    BY    THE    <  i  i 

GEORGE  WASH1N(.' 
1732-1799 

PRESIDENT   OF   THE   UNITED   STA  ^ 

ARTIST 

JOHN    TRUMBULL 

1756-184 < 

Wearing  a  Colonial  uniform  of  bull 
boots,  he  stands,  with  right  knee  bent 
is  turned  slightly  to  the  left,  with  th. 
His  right  arm,  raised  on  a  level  w^' ' 
saddle,  and  the  hand,  loosely 
over  the  pommel.     His  lefr  '<-'■'■■ 
chapeau  and  sword.     1  he  ' 
its  knee.     In    the    immed 
Green,  with  a  pedestal  si, 
plot  surrounded  by  an  in 
ground  is  seen  the  corner  of  a  i^ 
saluting  two  mounted  officers  <• 
corner  of  a  stone  wall.     I 
the  middle  background  i*^ 
long,  low  brick  barrai  ' 
a  flagstaff.     New  Yo; 
as  far  as  the  Narrow- 

Staten  Island.         noTOMlHaAW    3051O30 
signed:    i;>. 

YH 

Height,  108  in.;  width,  TftoaMuaT  mhoi 


GEORGE   WASHINGTON 

BY 
JOHN    TRUMBULL 


CATALOGUE 

PAINTINGS 

ARRANGED    IN    THE    ORDER    OF    THEIR 
ACQUISITION    BY    THE    CITY 


GEORGE   WASHINGTON 
1 732- 1 799 

PRESIDENT   OF   THE    UNITED   STATES,     1 789-97 

ARTIST 

JOHN    TRUMBULL 

I756-1843 

Wearing  a  Colonial  uniform  of  buff  and  blue  with  black  cavalry 
boots,  he  stands,  with  right  knee  bent,  beside  a  white  horse.  His  face 
is  turned  slightly  to  the  left,  with  the  eyes  looking  straight  ahead. 
His  right  arm,  raised  on  a  level  with  his  shoulder,  rests  on  the  brown 
saddle,  and  the  hand,  loosely  holding  the  reins,  drops  forward 
over  the  pommel.  His  left  hand,  resting  against  his  hip,  holds  his 
chapeau  and  sword.  The  horse,  with  left  foreleg  raised,  is  biting 
its  knee.  In  the  immediate  background  is  a  view  of  Bowling 
Green,  with  a  pedestal  standing  in  the  center  of  a  circular  grass 
plot  surrounded  by  an  iron  fence.  In  the  immediate  right  back- 
ground is  seen  the  corner  of  a  building  before  which  stands  a  soldier 
saluting  two  mounted  officers  followed  by  others  coming  around  the 
corner  of  a  stone  wall.  Extending  part  way  across  the  scene  in 
the  middle  background  is  a  paling,  behind  which,  on  the  left,  are 
long,  low  brick  barracks  with  the  Stars  and  Stripes  floating  from 
a  flagstaff.  New  York  Bay,  covered  with  many  vessels,  is  shown 
as  far  as  the  Narrows,  and  from  its  opposite  shore  rise  the  hills  of 
Staten  Island. 

signed:     JN.    TRUMBULL    NEW    YORK     1 79O 

Height,  108  in.;  width,  72  in.  Painted  for  the  City  in  1790. 


CATALOGUE     OF     WORKS    OF     A  RT  — PA  I NTI NGS 

GEORGE   CLINTON 

1739-18  I  2 

GOVERNOR    OF    NEW    YORK,     1777-95;     180I-04 

VICE-PRESIDENT   OF    THE    UNITED    STATES,     1805-I2 

ARTIST 

JOHN    TRUMBULL 

I  756- I  843 

Dressed  in  a  Colonial  uniform  of  buff  and  blue,  he  stands  on  the 
alert  in  the  foreground  of  a  wild  and  picturesque  landscape.  He 
is  in  full  front  view  with  his  head  turned  a  little  to  the  right;  his 
eyes,  slightly  raised,  look  straight  ahead  into  the  distance.  In 
his  right  hand  is  a  drawn  sword  with  the  point  resting  on  the 
ground;  his  left,  holding  a  glove,  hangs  at  his  side,  in  the  left 
foreground  lie  two  cannon  balls  at  the  base  of  a  pile  of  rocks  sur- 
mounted by  trees  in  autumn  foliage.  The  butt  of  a  cannon  lying 
on  the  ground  projects  into  the  right  foreground;  beyond,  a  battle 
between  British  and  Colonial  troops  is  raging  on  the  border  of  a 
lake,  and  against  the  farther  shore  at  the  base  of  mountains  are 
several  vessels  on  fire,  while  above  the  scene  rises  the  thick  smoke 
of  battle. 

signed:     J.    TRUMBULL     1 79 1 

Height,  108  in.;  width,  71 J  in.  Painted  for  the  City  in  1791. 

JOHN   JAY 

1745-1829 

GOVERNOR    OF    NEW    YORK,     I795-180I 

ARTIST 

JOHN    TRUMBULL 

1756-1843 

Dressed  in  black  and  wearing  a  powdered  wig,  he  stands  leaning 
lightly  on  his  right  elbow,  which  rests  on  the  back  of  an  armchair 
upholstered  in  dark  red  brocade.  He  is  in  three-quarters  view  to 
the  right,  with  face  and  eyes  turned  in  the  same  direction.  His 
left  foot  is  advanced  with  the  knee  slightly  bent,  and  his  extended 
left  hand  rests  with  the  index  finger  between  the  pages  of  a  book 
standing  on  a  table  with  an  ample  dark-green  cover.  Over  his 
head  is  draped  in  ample  folds  around  the  bases  of  two  columns  a 
dark-red  curtain,  beneath  which  glimpses  of  blue  sky  are  shown 
through  thick,  brown  clouds. 

Height,  89  in.;  width,  60^  in.  Painted  for  the  City  in  1805. 


GEORGE   CLINTON 

BY 
JOHN    TRUMBULL 

FOR    DESCRIPTION    SEE    PAGE    4 


GOV! 
VICE-PREbi; 


Dress:  ue,  he  stands  on  the 

alert  in  t-  landscape.     He 

i<;  in  f';M  lo  the  right;  his 

e  distance.     In 

resting  on  the 

ie.     In  the  left 

!e  of  rocks  sur- 

.  '.r  a  cannon  lying 

nd;  beyond,  a  battle 

^•'1  the  border  of  a 

mountains  are 

le  thick  smoke 


nted  for  the  City  in  1791. 


1 795- 1 80 1 


Dresse?  owdered  wig,  he  stands  leaning 

lightly  on  1  the  back  of  an  armchair 

upholsteri.  in  three-quarters  view  to 

the  right,  ■      -;ame  direction.     His 

left  foot  i^^  it,  and  his  extended 

left  hand  ■  the  pages  of  a  book 

standing  ■  t-n  cover.     Over  his 

head  is  dr .  es  of  two  columns  a 

dark-red  curtail^  ;                                    -.  .    .i   blue  sky  are  shown 

through  thick,  b;  HOT^fLD   HO^lOHi) 

Height,  89  in.;  'a                         for  the  City  in  1805. 

JJUaMUJlT    HHOI 


CATALOGUE     OF     WORKS    OF     A  RT  — PAINTINGS 

ALEXANDER   HAMILTON 
1757-1804 

SECRETARY    OF    THE    TREASURY,     I789-95 
COMMANDER-IN-CHIEF    UNITED    STATES    ARMY,     1799-1804 

ARTIST 

JOHN    TRUMBULL 

1756-1843 

Standing  in  a  graceful  and  dignified  attitude  with  right  foot 
advanced,  the  taper  fingers  of  the  left  hand  resting  on  his  hip,  and 
his  right  hand,  extended  a  little  below  the  shoulder,  palm  upward, 
in  gesture,  is  the  figure  of  a  gentleman,  dressed  in  black,  with  knee- 
breeches,  white  stock  and  tie.  He  is  in  three-quarters  view  to  the 
left,  with  his  face  and  eyes  in  the  same  direction,  in  the  right 
background  is  a  mahogany  armchair  upholstered  in  brown,  above 
which  hangs  a  dark  red  curtain  looped  in  deep  folds  above  the 
head  of  the  figure.  In  the  left  foreground,  against  the  pedestal  of 
two  large  marble  columns,  is  a  mahogany  table,  upon  which  are 
books  and  documents,  and  across  the  corner  is  spread  out  a  large 
manuscript.  Beneath  the  table  are  several  large  books  and  a 
loosely-rolled  document. 

Height,  94  in.;  width,  60  in.  Painted  for  the  City  in  1805. 


JAMES   DUANE 
■733-1797 

MAYOR   OF    NEW    YORK,    1 784-89 

ARTIST 
JOHN   TRUMBULL 

1756-1843 

The  head  and  shoulders  of  a  gentleman  with  long  powdered 
hair,  curling  at  the  ends,  is  in  front  view  with  his  face  turned  to  the 
left  and  his  keen,  dark  eyes  looking  straight  ahead.  He  is  dressed 
in  a  black  suit  with  white  stock  and  jabot,  and  above  his  left 
shoulder  is  shown  a  mass  of  dark  red  drapery. 

Height,  30  in.;  width,  24  in.  Painted  for  the  City  in  1805. 


CATALOGUE    OF    WORKS    OF    A  RT— PAl  NTINGS 

RICHARD   VARICK 

1753-1831 

MAYOR   OF    NEW   YORK,     I789-180I 

ARTIST 

JOHN   TRUMBULL 

1756-1843 

This  is  the  half-length  figure  of  an  elderly  gentleman  of  refined 
and  noble  mien,  dressed  in  black,  with  an  ample  white  tie.  He 
sits  beside  a  column  in  three-quarters  view  to  the  right,  with  his 
left  hand  resting  on  his  other  wrist,  and  his  face  turned  toward  the 
front,  while  his  large  brown  eyes,  with  a  placid  expression,  look 
straight  before  him.  Beyond  the  column  in  the  right  background 
is  shown  the  sky  with  sunset  clouds. 

Height,  31  in.;  width,  25  in.  Painted  for  the  City  in  1805. 

EDWARD   LIVINGSTON 

1764-1836 

MAYOR   OF    NEW    YORK,     180I-O3 

ARTIST 

JOHN    TRUMBULL 

1756-1843 

This  shows  the  head  and  shoulders  of  a  man  in  three-quarters 
view  to  the  left,  his  large  eyes  looking  calmly  at  the  spectator.  He 
wears  a  plain  suit  of  black,  with  ample  white  stock. 

Height,  31  in.;  width,  25  in.  Painted  for  the  City  in  1805. 

MARINUS   WILLETT 
1740-1830 

MAYOR   OF    NEW   YORK,    1807-08 

ARTIST 

JOHN    TRUMBULL 

1756-1843 

Dressed  in  a  simple  suit  of  black  with  a  white  stock  is  the  head 
and  shoulders  of  a  gentleman  in  three-quarters  view  to  the  left, 
with  his  face  turned  toward  the  front,  and  his  eyes  looking  directly 
at  the  spectator. 

Height,  31  in.;  width,  25  in.  Painted  for  the  City  in  1808. 

6 


JOHN   JAY 

BY 
JOHN    TRUMBULL 

FOR    DFSCRIPTION    SEE    PAGE    4 


RKS    OF    ART— PAINTINGS 


80 1 


gentleman  of  refinec 
mple  white  tie.  He 
^  the  right,  with  hi, 
.;e  turned  toward  the 
icid  expression,  look 
he  right  background 

\hp  ritv  in   1805. 


.,  ill  three-quarters 
vies  j.l  the  spectator.     He 

wea  stock. 

Hei'  Painted  for  the  City  in  1805 


^  the  heat 

th..     lot; 


I  -  Ya 

1 1  eight.  31  in.;  width.  iijuaMusr  vthol         -  for  the  City  in  1808 


CATALOGUE    OF    WORKS    OF    A  RT  — PAINTINGS 

MORGAN    LEWIS 

1754-1844 

GOVERNOR   OF    NEW    YORK,     1804-07 

ARTIST 

JOHN    TRUMBULL 

1756-1843 

This  is  a  full-length  figure  of  an  officer,  dressed  in  Colonial  uni- 
form, with  collar  and  cuffs  ornamented  with  bars  of  red  and  gold 
braid  and,  beneath  a  brown  leather  belt,  a  red  silk  sash  with  long 
ends  hangs  from  the  left  hip.  He  stands  in  nearly  front  view,  and 
the  eyes,  turned  slightly  to  the  right,  look  v/ith  quizzical  expression 
at  the  spectator.  His  right  hand,  loosely  holding  a  glove,  hangs 
at  his  side,  and  his  left  rests  on  the  hilt  of  a  sword  with  a  richly 
ornamented  scabbard.  Over  a  chair,  in  the  right  background,  is 
thrown  a  red-lined,  black  cloak  with  embroidered  edge.  Beyond 
a  fluted  column  in  the  left  background  are  shown  a  few  trees  in 
autumn  foliage  against  a  blue  sky  with  white  clouds. 

Height,  95  in.;  width,  6i  in.  Painted  for  the  City  in  1808. 


DANIEL   D.   TOMPKINS 

1 774- 1 82 5 

GOVERNOR    OF    NEW    YORK,     1807-I7 
VICE-PRESIDENT   OF   THE    UNITED   STATES,    1817-25 

ARTIST 

JOHN    TRUMBULL 
I  756- I  843 

The  figure  of  a  gentleman  dressed  in  black,  in  easy,  graceful 
pose,  stands  in  three-quarters  view  to  the  left  with  the  right  foot 
advanced  and  the  knee  slightly  bent.  His  face  is  turned  toward 
the  front  and  his  calm  blue  eyes  look  straight  out  of  the  picture. 
His  left  hand  hangs  at  his  side,  and  his  right,  holding  a  roll  of 
manuscript,  rests  on  papers  spread  near  four  large  books  across  the 
corner  of  a  mahogany  desk,  behind  which  is  shown  the  lower  part 
of  a  column.  In  the  right  background  are  shown  a  mahogany  arm- 
chair upholstered  in  red  and  the  pedestal  and  lower  parts  of 
columns.     A  rich  brown  tone  pervades  the  entire  picture. 

Height,  94i  in.;  width,  61^  in.  Painted  for  the  City  in  1808. 


CATALOGUE    OF    WORKS    OF    A  RT  — PA  I  NTI NGS 

PETER   STUYVESANT 
1 592-1672 

GOVERNOR    OF    NEW    YORK,     1647-1664 

ARTIST 

JOHN    TRUMBULL 

1756-1843 

The  head  and  bust  of  a  man  is  seen  in  three-quarters  view  to 
the  right,  the  eyes  looking  directly  at  the  spectator.  He  wears  a 
black  skull  cap,  a  broad  white  collar,  steel  armor,  and  an  orange 
sash  over  the  right  shoulder. 

Height,  30  in.;  width,  25  in.  Copied  for  the  City  in  1808. 

JONATHAN   WILLIAMS 

1750-181 5 

CHIEF-ENGINEER,    UNITED    STATES    ARMY,     1805-12 

ARTIST 

THOMAS    SULLY 

I  783- 1 872 

Dressed  in  a  military  coat  with  gold  epaulettes  is  a  half-length 
figure  in  three-quarters  view  to  the  right,  with  his  face  and  eyes  in 
the  same  direction.  His  right  arm  rests  on  a  book  and  the  hand 
holds  a  partly  unrolled  plan  of  fortifications. 

Height,  30  in.;  width,  26  in.  Painted  for  the  City  in  1813. 

STEPHEN    DECATUR 

1779-1820 

AN    AMERICAN    NAVAL    OFFICER 

ARTIST 

THOMAS    SULLY 

1783-1872 

The  officer,  dressed  in  a  Colonial  uniform,  with  large  epaulettes, 
stands  erect  and  alert,  with  left  foot  advanced,  his  right  side  to  the 
spectator  and  his  face  turned  slightly  toward  the  front.  His  right 
hand  is  supported  on  the  hilt  of  his  sheathed  sword,  the  point  of 
the  scabbard  resting  on  the  ground,  and  his  left  rests  near  a  port- 
folio on  the  brown  pedestal  of  a  fluted  column.  In  front  of  him 
are  seen  Castle  William  and  New  York  Bay  as  far  as  the  Narrows. 

signed:  t.  s.  1814 

Height,  94  in.;  width,  66  in.  Painted  for  the  City  in  1814. 


ALEXANDER   HAMILTON 

BY 

JOHN    TRUMBULl- 

FOR    DESCRIPTION    SEE    PAGE    5 


■  to 

rs  a 
nc;e 


Height,  30  .?^o8. 


ARMY,    1805-12 


''>'^--'^'  paulettes  is  a  iiaif-length 

with  his  lace  and  eyes  in 

L -  on  a  book  and  the  hand 

holds  a  pn  ^cations. 

HeigH*^   "  Painted  for  the  City  in  1813. 

; rATUR 


Tf!  rm,  with  large  epaulettes, 
stands  ^  ji  "H.  his  right  side  to  the 
spectator  ihe  front.  His  right 
hand  i^  ^'  ■  sword,  the  poisit  of 
the  :  ft  rests  near  a  port- 
folio .  ".In  front  of  him 
are  seen  Ca»Uc  >  the  Narrows. 

HOTJIMAH    Hda^A/.3AA 
Height,  94  in.;  widi  ya  '''•r  the  City  in  1814. 

JJUaWlUJiT    HHO[ 
5    30A1    338    MOlTIIJlDaaa    «03 


CATALOGUE     OF     WORKS    OF     A  RT  — PA  I NTI NGS 

WILLIAM    BAINBRIDGE 

•774-1833 

COMMANDER    OF    THE    "CONSTITUTION,"    DEC.    29,     l8l2 

ARTIST 

JOHN    WESLEY    JARVIS 

I  780- I  840 

Dressed  in  a  naval  uniform  of  white  trousers  and  blue  coat, 
with  two  rows  of  brass  buttons,  the  ofiicer  stands  bareheaded  on 
the  deck  of  a  ship,  in  front  view,  with  his  face  turned  to  the  right 
and  his  eyes  gazing  straight  ahead.  His  weight  is  supported  en- 
tirely on  his  right  leg  and  his  raised  left  foot  rests  on  cannon  balls 
in  a  case.  The  thumb  of  the  left  hand  hangs  in  the  trousers' 
pocket,  while  the  right,  grasping  a  drawn  sword,  drops  at  his  side. 
In  the  background  a  cloud  of  thick  smoke  pervades  nearly  the 
whole  scene,  and  in  the  right  are  shown  various  parts  of  a  battle- 
ship. 

signed:  jarvis 
Height,  88  in.;  width,  60  in.  Painted  for  the  City  in  1814. 


ISAAC    HULL 
■773-"843 

A   COMMODORE 

ARTIST 

JOHN    WESLEY    JARVIS 

1780-1840 

A  STURDY  naval  officer,  dressed  in  a  uniform  of  white  trousers 
and  blue  coat,  with  a  double  row  of  brass  buttons,  stands  on  the 
deck  of  a  ship,  in  nearly  front  view,  with  his  eyes,  slightly  turned, 
looking  mildly  at  the  spectator,  and  his  left  hand  resting  beside  a 
field-glass  on  a  capstan.  His  right  hand  holds  a  drawn  sword 
resting  on  its  point  on  the  deck,  and  at  his  feet  in  the  left  fore- 
ground lies  a  chapeau.  The  background  is  filled  with  smoke, 
through  which  the  shrouds  of  a  ship  are  seen. 

signed:  jarvis 

Height,  94  in.;  width,  60  in.  Painted  for  the  City  in  181 5. 


CATALOGUE    OF     WORKS    OF     A  RT  — PAI NTI NGS 

ALEXANDER  MACOMB 

1782-1841 

COMMANDER-IN-CHIEF  UNITED  STATES  ARMY,    1828-4I 

ARTIST 

SAMUEL    L.    WALDO,   A.N.A. 

I  783- 1 86  I 

In  a  landscape  indistinctly  representing  a  battle-field,  an  officer, 
in  Colonial  uniform,  with  a  light-blue  ribbon  around  his  neck,  stands 
in  three-quarters  view  to  the  right,  with  his  face  turned  toward 
the  front  and  the  eyes  looking  calmly  at  the  spectator.  His  left 
foot  is  advanced,  with  the  knee  bent,  and  his  left  hand,  holding  a 
chap>eau  with  white  pompon,  rests  on  the  hilt  of  a  sheathed  sword 
as  a  cane,  while  his  right,  clasping  the  tassels  of  his  red  sash,  rests 
against  his  hip.  The  breech  of  a  cannon  is  shown  lying  in  the 
dust  in  the  left  foreground,  and  beyond  is  a  soldier  holding  a  white 
horse.  In  the  right  background  the  wheel  of  a  gun-carriage  leans 
on  its  broken  axle.     The  sky  is  nearly  hidden  by  smoke. 

signed:   S.    L.    WALDO 

Height,  94  in.;  width,  60  in.  Painted  for  the  City  in  1815. 


THOMAS  Mcdonough 

1783-1825 

AN    AMERICAN    NAVAL   OFFICER 

ARTIST 

JOHN    WESLEY   JARVIS 

1780-1840 

Dressed  in  a  uniform  of  blue  coat  with  gold  epaulettes  and  two 
rows  of  brass  buttons,  white  trousers  and  moderately  tall  boots,  an 
officer  stands  in  front  view  with  his  face  turned  to  the  right.  His 
left  arm  rests  against  his  hip  and  his  right  is  extended  somewhat 
behind  him,  with  the  hand  holding  a  naval  hat,  resting  on  an  edge 
of  rock  under  a  clump  of  trees.  In  the  right  background  is  shown 
a  bay  with  ships  at  anchor  and  with  hills  on  its  farther  shore,  be- 
neath an  orange-colored  sky. 

signed:   JARVIS 

Height,  94  in.;  width,  60  in.  Painted  for  the  City  in  181 5. 


JAMES   DUANE 

BY 
JOHN    TRUMBULL 

FOR    DESCRIPTION    SEE    PACE    5 


CATALOGUE    OF    W 

A" 

COMMANDER - 


1828-41 


In  a  landsc. 
in  Colonial  nr 
in  three- 
the  froni 
ioot  is  ai 
chafjeau  ^ 
as  a  cane 
against  i; 
dust  in  th 
horse.     ! . 
on  its  bruftTi! 


-field,  an  oflFicer, 

his  neck,  stands 

;  turned  toward 

tator.     His  left 

hand,  holding  a 

sheathed  sword 

-  red  sash,  rests 

n  lying  in  the 

'  ling  a  white 

riasre  leans 


Height, 


!y  in  1815. 


DRF.SSl-i' 


left  arcn 
behind  h; 
of  rock  u 
a  bay  wi; 
neatn  an  or.-. 


-AVAL  OFFICER 

(    JARVIS 
^O 

'  with  iinid  eoaulettes  and  two 
ly  tall  boots,  an 
the  right.  His 
;nded  somewhat 
sting  on  an  edge 
ground  is  shown 
irther  shore,  be- 


HKAUa   83MA[ 


Height,  94  in.;  width,  6<3-^^^' 


HHOt 


5  30A1   -13?  woiTTunsna  sioh 


he  City  in  1815 


CATALOGUE    OF     WORKS    OF     ART  —  PAINTINGS 

JACOB    BROWN 

1 775- 1 828 

GENERAL-IN-CHIEF  UNITED  STATES  ARMY,    182I-28 

ARTIST 

JOHN    WESLEY    JARVIS 

I  780- 1 840 

The  figure  of  an  officer  dressed  in  Colonial  uniform  is  represented 
standing  on  a  battle-field,  in  front  view,  with  the  eyes  looking 
directly  at  the  spectator.  His  left  foot  is  slightly  advanced  with 
the  knee  bent,  and  his  left  hand  holds  a  pair  of  gloves  against  his 
breast,  while  his  right,  hanging  by  his  side,  grasps  a  drawn  sword. 
In  the  right  background  are  dimly  seen  two  troopers  galloping 
furiously,  and  clouds  of  smoke  rise  in  the  left  background. 

Height,  94  in.;  width,  60  in.  Painted  for  the  City  in  181 5. 


OLIVER   HAZARD   PERRY 

1785-1819 

COMMANDER   ON    LAKE    ERIE,     1812-I3 

ARTIST 

JOHN    WESLEY   JARVIS 

1780-1840 

A  YOUNG  naval  officer,  surrounded  by  three  sailors  without  coats, 
is  standing  bareheaded,  in  an  attitude  of  decisive  action,  in  a  green 
rowboat.  His  dark  blue  naval  coat  is  wide  open,  showing  his  white 
waistcoat,  ruffled  shirt,  and  black  stock,  which,  with  white  trousers 
and  black  belt,  complete  his  uniform.  His  left  foot,  with  the  knee 
much  bent,  rests  on  one  seat  of  the  boat,  and  his  right  foot  on 
another.  His  body  leans  to  the  right,  in  front  view  with  his  face, 
framed  in  auburn  hair  and  side  whiskers,  turned  to  the  left  and  his 
brown  eyes  gazing  straight  ahead.  His  tightly  clenched  right  hand 
is  thrust  downward  at  his  side;  his  left  arm,  enveloped  in  a  pennant, 
is  outstretched,  with  the  hand  pointing  toward  a  vessel  under  full 
sail  in  the  right  background.  One  of  the  sailors,  dressed  in  a  blue 
and  white  striped  shirt,  is  kneeling  behind  the  officer  on  the  left, 
another  grasping  an  oar  sits  at  his  feet,  while  the  third,  with  red 
waistcoat,  is  kneeling  at  the  right  and  pushing  with  a  pike  against 
the  side  of  a  vessel  on  fire  in  the  immediate  background. 

Height,  96  in.;  width,  60  in.  Painted  for  the  City  in  i8i6. 


CATALOGUE     OF     WORKS     OF     A  RT  — PA  I NTINGS 

JACOB    RADCLIFF 
1 764- 1 84 1 

MAYOR   OF    NEW    YORK,     1810-II;    1815-18 

ARTIST 

JOHN    TRUMBULL 

1756-1843 

Against  red  drapery  hangings  is  the  head  and  shoulders  of  a 
man  in  three-quarters  view  to  the  right,  with  his  face  turned 
toward  the  front,  and  his  eyes  looking  directly  at  the  spectator. 
He  is  dressed  in  a  roll-collared  black  coat,  a  white  stock,  and  jabot. 

Height,  31  in.;  width,  25  in.  Painted  for  the  City  in  1816. 


JOSEPH   GARDNER   SWIFT 

1783-1865 

UNITED   STATES    SURVEYOR,    PORT   OF    NEW    YORK,    1818-27 

ARTIST 

JOHN    WESLEY    JARVIS 

I  780- I  840 

Standing  in  an  extensive  landscape  is  the  figure  of  a  man  dressed 
in  a  uniform  of  dark  blue  with  a  single  row  of  small  brass  buttons 
and  gold  epaulettes.  He  is  in  nearly  front  view  with  his  face  turned 
slightly  to  the  right  and  his  eyes  looking  straight  ahead.  Over  his 
left  arm  hangs  a  heavy  gray  cloak  and  the  hand  holds  a  high- 
crowned  hat,  while  his  clenched  right  hand  hangs  at  his  side.  In 
the  background  are  seen  groups  of  laborers,  while  on  the  extreme 
right  stands  an  orderly  holding  a  saddled  horse.  Beyond  the  men 
is  a  body  of  water,  with  low  hills  on  its  farther  shore. 

signed:   JARVIS 

Height,  94  in.;  width,  60  in.  Painted  for  the  City  in  1817. 


RICHARD    VARICK 

BY 
JOHN    TRUMBULL 
FOR    DESCRIPTION    SEE    PAGE    6 


AINTINGS 


Ac  . 
man 
towar 
He  is 

Heish 


ind  shoulders  of  a 

■'   ^\5  face  turned 

the  spectator. 

.  jjck,  and  jabot. 

jr  the  City  in  1816. 


iS 18-27 


St/ 


re  of  a  man  dressed 


Sl.^.....,.    ... 

left  arm  h. 
crowned  h.: 
the  backgn 
right  standi 
is  a  body  of  wau 


and  holds  a  high- 

igs  at  his  side.     In 

•iile  on  the  extreme 

Beyond  the  men 

liicr  shore. 


>1.)1>1AV    CIHA-HDIH 

Height,  94  in.;  width,  60  ;'  ^^  nted  for  the  City  in  1817. 

J.juawiuxi    nHO[ 

d  30A1  332  noiTimaaaa  no^ 


CATALOGUE     OF     WORKS     OF     A  RT  — PAI NTINGS 

CADWALLADER   DAVID   GOLDEN 
1 769-1834 

MAYOR   OF    NEW   YORK,    1818-2I 

ARTIST 
SAMUEL    L.    WALDO,    A.N. A. 

1 783- 1 86 1 

This  is  the  head  and  shoulders  of  an  elderly  gentleman,  in  three- 
quarters  view  to  the  left,  with  his  face  turned  nearly  to  the  front 
and  his  eyes  looking  mildly  at  the  spectator.  He  is  dressed  in 
black  with  a  white  linen  stock. 

Height,  30  in.;  width,  25  in.  Painted  for  the  City  in  1819. 


JAMES   MONROE 
1758-1831 

PRESIDENT   OF   THE    UNITED   STATES,     1817-25 

ARTIST 
JOHN    VANDERLYN 

1776-1852 

The  white  knee-breeches,  waistcoat,  stockings,  and  shirt  ruffle, 
with  black  coat  and  shoes,  give  an  air  of  distinction  and  elegance 
to  the  figure  of  a  man  standing  in  front  view  with  his  face  turned 
to  the  right  and  the  eyes  looking  straight  ahead.  His  left  foot  is 
advanced,  and  his  left  hand  is  supported  by  the  thumb  in  the 
trousers'  pocket,  while  his  right  hand  rests  on  a  large  map  of  Florida 
partly  unrolled  on  a  table  covered  with  green  drapery.  A  strip  of 
red  plush  with  yellow  fringe  hangs  from  the  corner  above  the 
table,  under  which  lie  two  large  books.  In  the  right  background 
stands  an  armchair  upholstered  in  red,  and  beyond,  through  a 
window,  the  corner  of  a  building  is  shown  against  a  dull  gray  sky. 

signed:   J.    VANDERLYN     1822 

Height,  100  in.;  width,  64  in.  Painted  for  the  City  in  1822. 


.CATALOGUE     OF     WORKS     OF     ART  —  PAINTINGS 

ANDREW  JACKSON 

1 767- 1 84 5 

PRESIDENT  OF   THE   UNITED   STATES,    1829-37 

ARTIST 

JOHN    VANDERLYN 

I776-1852 

Dressed  in  a  uniform  of  blue  coat,  white  trousers,  high  cavalry 
boots,  and  a  red  sash  tied  about  his  waist  in  a  large  bow  on  the 
right  hip,  he  stands  alert  on  a  battle-field,  with  his  anxious  face 
turned  a  little  to  the  left  and  his  eyes  slightly  raised,  gazing  straight 
ahead.  Grasped  in  his  right  hand,  resting  on  the  left  hip,  a  sword 
is  swung  out  horizontally,  and  a  heavy  cloak  is  carried  across  the 
left  arm  with  a  chapeau  in  his  hand.  In  the  left  background  an 
excited  sorrel  charger  is  held  by  an  orderly  with  shako  and  white 
pompon.  Soldiers  in  action  are  seen  in  the  right  background,  and 
over  all  rises  the  thick  smoke  of  battle. 

signed:   J.    VANDERLYN     [823 

Height,  96  in.;  width,  64  in.  Painted  for  the  City  in  1823. 


STEPHEN   ALLEN 

1767-1852 

MAYOR   OF    NEW   YORK,     182I-23 

ARTISTS 

SA.MUEL    L.    WALDO,    A.N.A. 

1783-1861 

AND 

WILLIAM   JEWETT,    A.N.A. 

I795-1873 

This  is  the  half-length  figure  of  a  sturdy,  cheerful-faced  man, 
in  three-quarters  view  to  the  right,  with  the  eyes  looking  straight 
out  of  the  picture.  His  right  hand  grasps  the  first  page  of  a  docu- 
ment with  the  arm  resting  on  a  table  beside  letters  and  papers, 
while  behind  his  right  shoulder  hangs  a  piece  of  red  drapery. 

signed:   WALDO    &   JEWETT,    1 824 

Height,  32  in.;  width,  26  in.  Painted  for  the  Gty  in  1824. 


EDWARD    LIVINGSTON 

BY 

JOHN    TRUMBULL 

FOR    DESCRIPTION    SEE    PAGE    6 


PAINTINGS 


Dres  rs,  high  cavalr 

hnnu     .  jrge  bow  on  th 

his  anxious  fac 
i,  gazing  straigh 
aheatl.  left  hip,  a  sword 

is  swur  irried  across  the 

left  background  an 

exc  ;hako  and  white 

pon  background,  and 

ove 


Heig.-i,  '^^  rity  in  1823. 


^21-23 


This  ,  cheerful-faced  man, 
in  three  -  eyes  looking  straight 
out  of  t;  e  of  a  docu- 
ment W)  ind  papers, 
while  behir;^  •'  (•-■-'■  uuipery. 

/lOT^DHlVlJ    a^AWa32  4 

Height,  32  in                                 va  r  the  City  in  1824. 

IJUaMUMT    l4HO[ 

d    30A<I    333     l/fOIT<l  151^230  5103 


CATALOGUE     OF     WORKS    OF     A  RT  — PAl  NTI NGS 

MARQUIS   DE    LAFAYETTE 
1757-1834 

MAJOR-GENERAL    IN    AMERICAN    ARMY,    1 777-8 1 

ARTIST 

SAMUEL   FINLEY    BREESE    MORSE,    N.A. 

I79I-1872 

Dressed  in  a  black  coat,  a  white  waistcoat,  buff  trousers,  and 
an  ample,  red-lined  black  cloak  over  the  left  shoulder,  the  figure  of 
a  gentleman  past  middle  age  stands  with  the  left  foot  advanced  on 
a  portico  overlooking  an  extensive  landscape,  through  which  winds 
a  river  beneath  a  brilliant  sunset  sky.  He  is  in  front  view,  with  his 
face  turned  to  the  left,  and  his  eyes,  turned  still  more,  gaze  into  the 
distance.  His  right  hand  rests  on  his  cloak,  which  partly  drapes 
a  pedestal  holding  the  busts  of  Washington  and  Franklin,  while 
his  left,  loosely  clasping  the  cloak,  hangs  at  his  side.  Projecting 
into  the  right  background  is  a  massive  balustrade,  whose  post  is 
surmounted  by  an  urn  holding  a  slender  plant  with  a  single  blossom. 

signed:  morse 

Height,  96  in.;  width,  64  in.  Painted  for  the  City  in  1824. 


JOHN   STANFORD 

1754-1834 

AN    AMERICAN    DIVINE 

ARTIST 

SAMUEL    FINLEY    BREESE    MORSE,    N.A. 

179I-1872 

Seated  in  an  easy-chair  upholstered  in  green,  is  a  portly  gentle- 
man with  abundant  gray  hair  and  dressed  in  a  loosely  fitting  suit 
of  black.  He  is  in  full  face,  with  his  dark  eyes  looking  straight 
out  of  the  picture,  but  his  body  is  turned  slightly  to  the  left  with 
the  knees  concealed  beneath  a  table  covered  with  brown  figured 
drapery.  A  large  book  lies  open  before  him,  with  his  right  arm 
resting  on  the  page  and  the  hand  clasping  its  upper  edge,  while 
his  left  arm  rests  on  the  chair  arm.  In  the  background  is  draped 
a  bright  red  curtain. 

signed:  s.  f.  b.  morse 
Height,  56  in.;  width,  44  in.  Painted  for  the  City  in  1826. 


CATALOGUE     OF     WORKS     OF     A  RT  — PA  I NTI NGS 

WILLIAM    PAULDING 
1 780- 1 860 

MAYOR    OF    NEW    YORK,     1 823-25;     1 826-29 

ARTIST 

SAMUEL    FINLEY    BREESE    MORSE,    N.A. 

1791-1872 

Seated  in  a  red  easy-chair,  against  a  background  of  red  drapery, 
is  a  half-length  figure  in  three-quarters  view  to  the  left,  with  the 
face  turned  toward  the  front,  and  the  eyes  looking  directly  at  the 
spectator.     The  left  arm  rests  on  the  arm  of  the  chair. 

Height,  33  in.;  width,  26  in.  Painted  for  the  City  in  1826. 


DE  WITT  CLINTON 
1769-1828 

GOVERNOR    OF    NEW    YORK,     1817-23;     1828 

ARTIST 

GEORGE    CATLIN 

1796-1872 

In  a  somewhat  theatrical  pose  stands  a  full-length  figure  draped 
in  an  ample  black  cloak  with  red  lining,  thrown  over  his  left  shoulder 
and  under  his  right  arm  and  held  together  on  the  breast  by  his  left 
hand,  while  his  right,  holding  a  roll  of  manuscript,  hangs  at  his 
side.  He  is  in  front  view  with  his  face  turned  to  the  right  and  the 
eyes  looking  straight  ahead.  The  background  is  a  heavy,  dark  red 
curtain  pushed  back  a  little  at  the  right,  showing,  over  the  tops  of 
buildings,  a  river  with  steep  hills  rising  from  the  distant  shore, 
above  which  the  sun  is  breaking  through  heavy  clouds. 

Height,  96  in.;  width,  6i  in.  Painted  for  the  City  in  1827. 


MARINUS   WILLETT 

BY 

JOHN    TRUMBULL 

FOR    DESCRIPTION    SEE    PACE    6 


SEATPr 

is  a  half-: 
face  turrii 
spectator. 

Height,  3 


\1    PAULDiNO 
-80-1860 

ORK,    1823-25;    1826-29 

\RTIST 

BREESE    MORSE,    N.A. 
')  1-1872 

t  a  background  of  red  draper}'. 

ers  view  to  the  left,  with  the 

:  directly  at  the 

air. 

Painted  for  the  City  in  1826. 


;  ON 
817-23;  182^ 


In  .  length  figure  draped 

in  an  :  over  his  left  shoulder 

-m.'  the  breast  by  his  left 

ascript,  hangs  at  his 
to  the  right  and  the 
eyes  look;  is  a  heavy,  dark  red 

curtain  pu  -'ng.  over  the  tops  of 

buildings,  a   liv.:  ..   ;rom  the  distant  shore, 

above  which  the  -^'-i^j^  j  jjyy^   PUMI^'Awl'*^'^^'^  clouds. 
Height,  9<'  va  ^'ainted  for  the  City  in  1827. 

JJUHMUflT    KHOl 
d  30A1  ana  noiTqia.oaaa  hoh 


CATALOGUE     OF     WORKS    OF     A  RT  — PA  I  NTI  NGS 

PHILIP   HONE 

1781-1851 

MAYOR   OF    NEW   YORK,     1825-26 

ARTIST 

JOHN    VANDERLYN 

I  776- I  852 

A  HALF-LENGTH  figure  of  a  gentleman,  dressed  in  black,  with  an 
ample  white  stock,  is  apparently  considering  a  document  held  with 
both  hands.  With  his  right  arm  resting  on  a  table  covered  with 
green  drapery,  he  is  seated  in  front  view  with  his  face  turned  to  the 
left  and  his  thoughtful  eyes  looking  straight  ahead.  Behind  him 
hangs  a  red  curtain  and  in  the  left  background  is  seen  a  yellowish 
sunset  sky. 

Height,  36  in.;  width,  30  in.  Painted  for  the  City  in  1827. 


JOSEPH   CHRISTOPHER   YATES 

1768-1837 

GOVERNOR   OF    NEW    YORK,    1823-25 

ARTIST 

JOHN    VANDERLYN 

1 776- I  852 

A  FULL-LENGTH  Standing  figure  is  dressed  in  black,  with  his  body 
turned  slightly  to  the  right  and  his  face  in  nearly  front  view,  while 
his  blue  eyes,  turned  a  little  to  the  left,  look  pleasantly  at  the 
spectator.  His  right  hand  rests  against  his  hip,  and  his  left,  with 
the  index  finger  between  the  leaves  of  a  book,  rests  on  a  table 
covered  with  a  dark  blue  cloth.  The  table  is  littered  with  books 
and  documents,  and  above  it  in  the  corner  is  draped  a  small  red 
curtain,  in  the  left  foreground  three  books  stand  on  the  floor  near 
an  armchair,  across  which  lies  a  black  cloak.  Beyond  the  chair, 
through  a  partly  opened  mahogany  door,  a  ruddy  sky  is  seen  through 
a  small  section  of  a  window,  from  which  a  dark  green  curtain  has 
been  looped  back. 

signed:   J.    VANDERLYN     1827 

Height,  91  in.;  width,  63J  in.  Painted  for  the  City  in  1827. 


CATALOGUE     OF     WORKS     OF     A  RT  — PA  I NTI NGS 

CHRISTOPHER   COLUMBUS 
1 446- 1 506 

DISCOVERER    OF    AMERICA,     I492 

ARTIST 

SAMUEL    FINLEY    BREESE    MORSE,    N.A. 

I79I-1872 

A  YOUNG  man,  dressed  in  a  richly  embroidered  black  doublet  and 
wearing  a  stiffly  starched  ruff,  is  seated  with  his  left  side  toward 
the  spectator  and  his  face  in  nearly  front  view,  with  his  large,  dark 
eyes  looking  straight  ahead.  He  is  seen  in  half-length,  with  his 
right  hand,  holding  a  mariner's  compass,  resting  on  a  shelf  in  front 
of  him,  while  his  clenched  left  lies  on  a  table  at  his  side.  A  dark 
red  curtain  in  the  background  is  drawn  back  at  the  left,  disclosing 
a  city  at  the  foot  of  lofty  mountains.* 

Height,  25  in.;  width,  20  in.  Copied  for  the  City  in  1828. 


MARTIN   VAN    BUREN 
1 782- 1 862 

GOVERNOR    OF    NEW    YORK,    JANUARY     I    TO    .MARCH     12,     1 829 
PRESIDENT    OF    THE    UNITED    STATES,     1837-4I 

ARTIST 
HENRY    IN.MAN,    N.A. 

I  80  I- I  846 

Dressed  in  a  full  suit  of  black,  he  stands  turned  to  the  right,  but 
facing  nearly  front.  The  left  foot  is  advanced,  with  the  knee 
slightly  bent;  the  right  arm  hangs  by  his  side,  while  the  left  elbow 
rests  on  a  pile  of  books  on  a  table  covered  with  thick  red  drapery, 
falling  in  heavy  folds  upon  the  floor.  In  his  left  hand  he  holds  a 
letter  resting  on  an  open  book  Iving  on  the  table  beside  a  large 
bronze  inkstand.  Back  of  the  table  is  seen  the  lower  part  of  a  fluted 
column,  from  which  extends  across  the  scene  a  balustrade  sup- 
porting on  its  left  end  a  large  urn.  The  State  capitol  is  shown 
among  trees  in  the  left  background. 

Height,  96  in.;  width,  64  in.  Painted  for  the  City  in  1830. 

*  The  portrait  of  which  this  is  a  copy  was  presented  to  the  State  of  New  York  by  Maria 
Farmar  in  1784.     It  was  probably  painted  in   i  592  and  intended  to  represent  Columbus  at 
the  age  of  23.     In  the  lower  left  comer  were  painted  in  characters  of  the  Sixteenth  Century: 
"An°.  1592.    /Eta  23." 


MORGAN    LEWIS 

BY 
JOHN    TRUMBULL 

FOR    DESCRIPTION    SEE    PAGE    7 


right  har.. 
of  him,  V. 
red  curtain  m 
a  city  at  the  f 

Height,  2 


ack  doublet  and 
iett  side  toward 
ih  his  large,  darl. 
■length,  with  hi; 
n  a  shelf  in  front 
.s  side.  A  dark 
^ck  at  the  left,  disclosing 

jpied  for  the  City  in  1828. 


MARCH   12,   1829 
.   1837-41 


Drc<;-  -  nirned  to  the  right,  but 
facin  need,  with  the  knee 
sligh'  ,  while  the  left  elbow 
rests  on  th  thick  red  drapery, 
falling  in  left  hand  he  holds  a 
letter  re^-  table  beside  a  large 
bronze  in:  lower  part  of  a  fluted 
column,  :e  a  balustrade  sup- 
porting c  ate  capitol  is  shown 
among  tr- 

Height,  91  nted  for  the  City  in  1830. 

*  The  portrait  c  State  of  New  York  by  Maria 

Farmar  in  1784.     It  <iVf/3A     [/J/ Q^J^^^f/lled  to  represent  Columbus  ai 

the  age  of  23.     In  the  low  -         ^  ^  .      -,,rjciers  of  the  Sixteenth  Centurv: 

Ya 

IJUaWiUHT    WHO[ 
^  HDA1  aaa  norTiiji.'j^Mn  aoi 


CATALOGUE     OF     WORKS    OF     A  RT  — PAINTINGS 

WALTER   BOWNE 
1 770- 1 846 

MAYOR    OF    NEW    YORK,     1829-33 

ARTIST 
ROBERT    WALTER    WEIR,    N.A. 
I  803- I  889 

The  half-length  figure  of  a  man  is  seated  in  an  armchair  up- 
holstered in  red,  in  three-quarters  view  to  the  left,  and  his  eyes 
looking  out  of  the  picture.  With  both  hands  resting  on  his  lap,  he 
holds  a  package  of  documents,  and  behind  him  is  draped  a  dark, 
fringed  curtain,  drawn  back  at  the  left,  showing  a  body  of  water 
with  buildings  on  the  shore  beyond. 

Height,  36  in.;  width,  29  in.  Painted  for  the  City  in  1833. 


ENOS  THOMPSON   THROOP 
1 784- 1 874 

GOVERNOR    OF    NEW    YORK,     1829-32 

ARTIST 
ROBERT   WALTER    WEIR,    N.A. 
1 803- I  889 

A  GRACEFUL  and  dignified  gentleman  dressed  in  black  with  a 
white  stock  is  standing  by  a  table  covered  with  thick,  brown, 
fringed  drapery.  He  is  in  front  view,  with  the  face  turned  a  little 
to  the  right  and  the  eyes  looking  straight  ahead.  The  right  arm  is 
akimbo,  with  the  back  of  the  hand  resting  against  the  hip,  while 
the  tips  of  the  fingers  of  the  left  hand  rest  lightly  on  a  document 
spread  out  on  the  table,  over  the  edge  of  which  hangs  a  large  red 
seal.  On  the  table  lies  a  sword  near  writing  materials  and  a  silk 
hat.  In  the  left  background  stands  a  chair  with  its  upholstered 
back  decorated  with  the  seal  of  the  State.  A  heavy,  brownish-red 
curtain  hangs  across  the  entire  background,  except  that  it  is 
slightly  swung  back  from  the  left  side,  disclosing  a  distant  landscape 
with  a  small  lake. 

Height,  96  in.;  width,  60  in.  Painted  for  the  City  in  1833. 

'9 


CATALOGUE     OF     WORKS     OF     ART — PAINTINGS 

GIDEON   LEE 

177S-1S41 

MAYOR   OF   NEW   YORK,    1 833-34 

ARTIST 
HENRY'    INMAN,   N^\. 

1S0I-1S46 

W'earjn'g  an  ample  black  cloak  and  seated  in  a  chair  upholstered 
in  red.  is  a  half-length  figure  in  neariy  front  view,  with  the  face  and 
eyes  in  the  same  direction.  He  holds  a  roUed-up  document  in 
his  right  hand,  and  over  his  left  shoulder  is  sho'WTi  a  circular  fort 
cm  the  shore  of  a  bay. 

Height,  34  in.;  width,  2S  in.  Painted  for  the  City  in  1834 


GEORGE   HALL 

1795-1857 

MAYOR   OF    BROOKL'i'N,    1834;    lS|;5-56 

ARTIST 

JAMES    FROTHINGHAM,    N-A. 

1786-1864 

Relie\"ED  against  a  red  curtain  is  a  half-length  figure  of  a  gen- 
tlonan  in  the  prime  erf  life,  with  short  side-whiskers.  Dressed  in  a 
suit  of  black,  he  is  in  three-quarters  view  to  the  right  -with  his  face 
turned  to-»-ard  the  front,  and  his  eyes,  turned  still  more,  look 
directly  at  the  spectator.  His  easy-chair,  upholstered  in  red,  is 
drawn  close  up  to  a  table  vinth  a  red  cover,  on  which  rests  his  right 
hand  holding  an  opai  letter  near  books  and  papers.  A  distant 
landscape  is  shown  beyond  the  base  of  a  column  in  the  right  back- 
groand. 

Hdght,  36  in.;  width,  30  in.  Painted  for  the  QtA*  in  1836. 


DANIEL  D.  TOMPKINS 

BY 

JOHN"   TRL'MBULL 

FOR   DESCRimOX   SEE    rAGE   7 


Wearing  ai 
in  red,  is  :'  '■ 
eyes    in 
his  right 
on  the  sli 

Height,  34  lu 


air  upholstered 

th  the  face  and 

p  document  ir 

:i   rirrnlnr  fori 


ic  yjiy  in  1034 


!4;   1855-56 


Relie\ 
tleman  in 
suit  of  bi 
turned  l< 
directly  j 
drawn  clo 

hand  holui-.t,  .,.,., 
landscape  is  shown  beyjiui    r 
ground  aKI>ISMOT 


alt-length  figure  of  a  gen- 
ie-whiskers.    Dressed  in  : 
V  to  the  right  with  his  fact 
.,   turned  still  more,  loci 
iir,  upholstered  in  red,  i 
r,  on  which  rests  his  righ: 
.:,  and  papers.     A  distan 
■J  .)  column  in  the  right  back 
A3WAQ 


Height,  36  in.;  width,  30  11 

°  ■'  JJUaWlUaT    WHO[ 


lilted  for  the  City  in  1836, 


^    HOAH     338    l/rOIT<II5l:>?3a    HOI 


CATALOGUE     OF     WORKS    OF.  A  RT  — PAI  NTI  NGS 

CORNELIUS   VAN  WYCK   LAWRENCE 
1791-1861 

MAYOR   OF    NEW   YORK,     1834-37 

ARTIST 

HENRY    INMAN,   N.A. 

I  801-1846 

This  is  a  half-length  figure  in  an  easy,  dignified  posture,  with  a 
map  partly  unrolled  in  his  left  hand,  and  with  his  right  hand  thrust 
into  the  bosom  of  his  black  coat.  He  is  in  three-quarters  view  to 
the  right,  with  his  face  turned  toward  the  front,  and  his  large  brown 
eyes  look  pleasantly  at  the  spectator.  A  small  piece  of  red  drapery 
is  shown  above  the  left  elbow,  and  beyond  is  a  dark  sky  with  the 
light  concentrated  near  the  horizon.  In  the  left  background  the 
lower  part  of  a  column  is  seen. 

Height,  36  in.;  width,  30  in.  Painted  for  the  City  in  1837. 


JONATHAN   TROTTER 
1797-1855 

MAYOR    OF    BROOKLYN,     1835-36 

ARTISTS 

SAMUEL    L.    WALDO,    A. N.A. 

1 783- 1  86  I 

AND 

WILLIAM    S.    JEWETT,    A.N. A. 

1795-1873 

Dressed  in  a  simple  suit  of  black,  the  half-length  figure  of  a  gen- 
tleman in  the  prime  of  life  is  seated  in  an  easy-chair  upholstered  in 
red.  His  body  is  turned  slightly  to  the  left,  but  his  face  is  to  the 
front  and  his  eyes  look  straight  out  of  the  picture.  His  left  arm 
rests  on  the  arm  of  the  chair  and  his  right  hand,  clasping  folded 
papers,  lies  on  a  green-topped  table,  above  which,  in  the  upper 
left-hand  corner  of  the  picture,  hangs  a  red,  fringed  drapery. 

Height,  36  in.;  width,  30  in.  Painted  for  the  City  in  1838. 


CATALOGUE    OF     WORKS    OF     A  RT  — PA  1 NTI NGS 

WILLIAM    LEARNED   MARCY 

1786-1857 

GOVERNOR   OF    NEW    YORK,     ■  833-38 

ARTIST 

WILLIAM    PAGE,    N.A. 

181I-1885 

A  MAN  of  large  stature,  in  the  prime  of  life,  seated  by  a  table  in 
a  chair  upholstered  in  red  with  arms  tipped  with  eagles'  heads,  is 
considering  a  document  held  with  the  left  hand  resting  on  his  knee 
and  with  the  right  on  the  arm  of  his  chair.  It  is  a  full-length  por- 
trait in  three-quarters  view  to  the  right,  with  the  body  and  face 
turned  a  little  toward  the  front,  and  the  eyes,  turned  still  more, 
look  inquiringly  at  the  spectator.  His  right  elbow  rests  on  a  book, 
with  clasps,  lying  near  an  inkstand  on  a  table  covered  with  a  heavy 
Oriental  fringed  rug  of  various  colors,  in  the  upper  left  hand 
background  a  portion  of  a  flag  is  visible,  and  in  the  right  back- 
ground the  lower  part  of  a  column  is  seen,  having  on  the  dado  of 
its  pedestal  the  painted  seal  of  the  State,  and  through  a  narrow 
opening  at  the  right  a  distant  landscape  is  seen. 

signed:  wpage  n.  york   1839 

Height,  ioQ§  in.;  width,  73  in.  Painted  for  the  City  in  1839. 


AARON   CLARK 
1 785- 1 86 1 

MAYOR    OF    NEW    YORK,     1 837-39 

ARTIST 

HENRY    INMAN,    N.A. 

I  80  I- I  846 

Leaning  gracefully  with  his  right  arm  on  the  pedestal  of  a 
column  is  a  three-quarters  length  figure  of  a  gentleman  dressed  in 
black,  in  nearly  front  view,  with  the  eyes  looking  cheerfully  out  of 
the  picture.  His  left  hand,  holding  his  gloves,  rests  against  his 
hip,  and  over  his  left  shoulder  is  seen  a  clump  of  trees  at  the  edge 
of  a  wide  expanse  of  water  which  extends  to  a  round  fort  on  the 
distant  shore. 

Height,  40  in.;  width,  32  in.  Painted  for  the  City  in  1839. 


PETER   STUYVESANT 

BY 
JOHN    TRUMBULL 

FOR    DESCRIPTION    SEE    PAGE    8 


w 


A   MAN 

a  chaii   i: 

con 

and 

trait  ut  ■ 

turned  ? 

look 

with 

Orier; 

baci- 

groi- 

Its   ' 


seated  by  a  table  ir 

irh  eagles'  heads,  i: 

Ting  on  his  kne; 

full-length  por- 

body  and  face 

rned  still  more 

rests  on  a  boo!-:, 

cd  with  a  heav 

ipper  left  hant" 

the  right   back 

.  on  the  dado  ci 

rough  a  narrou 


Hei 


iur  the  City  in  1839. 


1837-39 


Li  irm  on  the  pedestal  of  , 

colui  of  a  gentleman  dressed  in 

black,  ..  -  lr>oking  cheerfully  out  ol 

the  pictu  ves,  rests  against  hi- 

hip,  and  -  ip  of  trees  at  the  edge 

of  a  wide  is  to  a  round  fort  on  the 

distant  sh. 

,.  •  ,  -  ,  T14A23V/UT2    ^313^,.     ^.     ^-^    •      q 

Height,  40  m. ;  widr  ^ /ifn^d  for  the  City  m  1839. 

JJUaMUilT    WHO[ 
8  aoAq  3Ha  noiTiisiaaaa  aoT 


CATALOGUE    OF    WORKS    OF    A  RT— PAI NTINGS 

JACOB    HAYS 

1772-1850 

HIGH    CONSTABLE,    180I-5O 

ARTIST 

J.    H.    SHEGOGUE,    N.A. 

1 80  5- 1 872 

Dressed  in  black,  with  roll-collar  dress-coat,  the  three-quarters 
length  figure  of  a  dignified  gentleman  stands  facing  the  spectator, 
with  his  body  turned  to  the  right.  His  left  hand  lies  on  a  balus- 
trade, above  which  is  looped  a  red  curtain,  and  his  right  rests  against 
his  hip.     Two  arched  openings  are  seen  in  the  left  iDackground. 

signed:    SHEGOGUE    1839 

Height,  50  in.;  width,  40  in.  Painted  for  the  City  in  1839. 


JEREMIAH   JOHNSON 
1766-1852 

MAYOR   OF    BROOKLYN,     1 837-38 

ARTIST 

WILLIAM    SIDNEY    MOUNT,    N.A. 

1806-1868 

A  HALF-LENGTH  figure,  dressed  in  a  suit  of  black,  with  ample 
white  stock,  is  in  front  view,  with  the  face  turned  to  the  right  and 
the  eyes  looking  straight  ahead.  In  his  right  hand  he  holds  a 
large,  open-faced  watch,  at  which  he  is  pointing  with  his  left  hand. 

Height,  36  in.;  width,  30  in.  Painted  for  the  City  in  1839. 

23 


JONATHAN   WlLIlAMS 

BY 

THOMAS    SULL^ 

1R    DHSCRIPTION    SEE    VGE    8 


CATALOGUE    OF    WORKS    OF    A  RT  — PAiNTIN  GS 

ACHMET   BEN    AMAR 

REPRESENTATIVE   OF    THE    IMAM   OF   MUSCAT 

ARTIST 

EDWARD   MOONEY,    N.A. 

1813-1887 

On  the  end  of  a  scarlet  sofa  is  seated  a  three-quarters  length 
figure  in  an  Oriental  costume  consisting  of  a  gaily  colored  turban, 
a  long,  black,  richly  embroidered  coat,  worn  over  a  white  under- 
garment girded  at  the  waist  by  a  broad  sash  in  bright  colors.  He 
is  in  three-quarters  view  to  the  right,  and  his  eyes  look  directly  at 
the  spectator.  Both  hands  rest  carelessly  on  his  lap,  and  at  his 
right  elbow  is  a  table  covered  with  green  drapery  on  which  are 
letters,  an  inkstand,  and  a  Turkish  pipe.  Above  the  table  hangs  a 
brocaded  yellow  drapery  and  through  an  opening  in  the  right  back- 
ground a  three-masted  vessel  is  seen  at  anchor. 

signed:  edw.  mooney,   1840 

Height,  42  in.;  width,  36  in.  Painted  for  the  City  in  1840. 


CYRUS   P.   SMITH 

1 800- 1 877 

MAYOR   OF    BROOKLYN,    1 839-4 1 

ARTIST 

JAMES    FROTHINGHAM,    N.A. 

1786-1864 

Seated  close  to  a  table  covered  with  red  oilcloth,  is  a  half- 
length  figure  dressed  in  a  suit  of  black.  He  is  in  three-quarters 
view  to  the  right,  with  his  face  turned  toward  the  front,  and  his 
keen,  dark  eyes,  turned  to  the  left,  look  directly  at  the  spectator. 
His  hands  lie  crossed  in  front  of  him  on  the  table,  the  left  holding  a 
sheet  of  paper,  the  right  a  quill  pen.  In  the  right  background  are 
seen  shelves  filled  with  books. 

Height,  36  in.;  width,  30  in.  Painted  for  the  City  in  1841. 

24 


JONATHAN   WILLIAMS 

BY 
THOMAS    SULLY 


FOR    DESCRIPTFON    SEE    I'AGE 


CATALOGUE    O' 


On  the  er 
figure  in 
a  long, 
garmeni 
IS  in  thrt 
the  ^-- 
rigf. 


hree-quarters  lengt 
qaily  colored  turban, 
over  a  white  under- 
in  bright  colors.     He 
s  eyes  look  directly  at 

IV  un  his  lap,  and  at  his 

en  drapery  on  which  are 
Above  the  table  hangs  a 

opening  in  the  right  back- 

nchor. 

40 
tinted  for  the  City  in  1840. 


SMITH 

1839-41 


SeATEP   ■-'  '-^'^   •'      >    '■'•'•■ 
length  t| 
view  to  ' 
keen,  da' 
His  hand 

sheet  of  paper  .         l'.  <       n. 

seen  shelves  fi!  2MA1JJ1W   HAHTAWOI 

Height,  36  in.;  width,  u)  )n.         ^a      Painted  for  the  City  in  1841 

YJJUa    8AMOHT 

8    30A1    332    HOIT1l5I.Jg3a    HOI 


red  oilcloth,  is  a  half- 
He  is  in  three-quarter 
>»vard  the  front,  and  hi 
it  the  spectator 
he  left  holding  j 
ri^l.t  background  are 


CATALOGUE    OF    WORKS    OF    ART— PAINTINGS 

ISAAC   L.   VARIAN 
1 793- 1 864 

MAYOR   OF    NEW   YORK,     1 839-4 1 

ARTIST 

HENRY    INMAN,   N.A. 

180I-1846 

Sitting  in  an  armchair,  upholstered  in  red,  is  the  half-length 
figure  of  a  man  dressed  in  black,  with  a  black  silk  waistcoat  and  a 
tight  black  stock.  He  is  in  nearly  front  view,  with  the  head 
slightly  inclined  to  the  left,  and  the  eyes  looking  directly  at  the 
spectator.  His  clenched  right  hand  rests  on  his  thigh,  and  his 
left  is  extended  on  a  document  which  lies  on  a  table  covered  with  a 
green  cloth  near  a  silver  inkstand.  In  the  left  background  hangs  a 
reddish-brown  drapery. 

Height,  44  in.;  width,  36  in.  Painted  for  the  City  in  1842. 


HENRY   C.   MURPHY 

1810-1882 

MAYOR   OF    BROOKLYN,     1842 

ARTIST 

JOHN    BARNARD    WHITTAKER 

183^ 

In  front  of  a  dull-gray  column  is  a  half-length  standing  figure 
with  thick  hair  and  side-whiskers,  in  three-quarters  view  to  the 
left,  with  the  face  turned  toward  the  front,  and  the  eyes,  turned  to 
the  right,  look  straight  out  of  the  picture.  He  is  dressed  in  black 
with  an  ample  black  stock,  and  his  right  hand  is  held  before  the 
waist  in  gesture,  while  his  left  rests  on  a  book.  Behind  him  is  an 
armchair  upholstered  in  red.  In  the  left  background  is  shown  a 
landscape  beneath  a  dark  sky. 

Height,  36  in.;  width,  30  in.  Painted  for  the  City  in  1843. 


CATALOGUE     OF     WORKS    OF     A  RT  — PAI NTI N  GS 

WILLIAM    HENRY   SEWARD 
1 80 1- 1 872 

GOVERNOR   OF    NEW    YORK,     1 839-42 

ARTIST 

HENRY    INMAN,    N.A. 

I  80  I- 1  846 

A  SLENDER  figure  stands  in  an  easy,  graceful  pose  on  a  driveway 
winding  across  a  lawn  to  a  closed  gate  in  the  middle  background. 
He  is  dressed  in  black,  his  body  slightly  turned  to  the  right,  his 
face  to  the  front,  and  his  eyes  look  pleasantly  at  the  spectator.  In 
the  left  hand,  held  at  ease  before  the  waist,  is  a  pair  of  buff  gloves. 
With  the  left  foot  advanced,  he  leans  lightly  on  the  right  arm  with 
the  hand  resting  on  the  back  of  a  garden  seat,  across  the  arm  of 
which  is  thrown  a  black  overcoat  with  red  lining,  while  on  the  seat 
lie  a  silk  hat,  white  silk  handkerchief,  and  a  few  letters.  Woods 
extend  from  the  garden  seat  to  a  hill  beyond  the  gate,  and  near 
them  a  man  and  dog  are  in  the  driveway,  which  continues  on  over 
hill  and  vale  through  a  wooded  landscape  to  a  lake,  beyond  which 
rise  low  mountains. 

Height,  98  in.;  width,  66  in.  Painted  for  the  City  in  1844. 


JOSEPH    SPRAGUE 
1783-1854 

MAYOR    OF    BROOKLYN,     1 843-44 

ARTIST 

JAMES    FROTHINGHAM,    N.A. 

I  786- 1  864 

A  GRAY-HAIRED  gentleman,  dressed  in  a  simple  suit  of  black,  is 
seated  in  a  red-upholstered  armchair  at  a  table  covered  with  a  red 
and  brown  oilcloth.  With  his  right  hand  resting  on  the  table,  and 
holding  a  large  sheet  of  manuscript  nearly  upright  before  him,  he 
is  seen  only  as  far  as  the  waist,  in  three-quarters  view  to  the  right, 
with  his  face  turned  toward  the  front  and  his  mild  eyes  looking 
directly  at  the  spectator. 

Height,  36  in.;  width,  30  in.  Painted  for  the  City  in  1845. 

26 


STEPHEN    DECATUR 

BY 
THOMAS    SULLY 

FOR    DESCRIPTION    SEE    PAGE    8 


■!    "'Se  on  a  drivewa- 
wir  ddle  backgrouni.! 

He  i  to  the  right,  hi 

fact  J 1  The  spectator.     1 

tht  a  pair  of  buff  glove: 

AVi  on  the  right  arm  wit* 

the  at,  across  the  arm  ( 

wh  ling,  while  on  the  se: 

few  letters.  Wood 
d  the  gate,  and  nej 
ich  continues  on  ovc 
a  lake,  beyond  whic! 

He,  ainted  for  the  City  in  1844 


-44 


A  i  black,  1 

seal'  with  a  re^ 

and  table,  an^ 

holu  re  him,  h^ 

is  seci)  L  -.iij_i]ici:>  view  lu  the  righ; 

^,f;^,  51UTA3Ha   M^^  ''^  '""^  'y''  '°°'^" 

Height,  ;  .,                  Painted  for  the  City  in  184- 

8  HDAi   33?  KOifiiJiaaaa  aoq 


CATALOGUE    OF    WORKS    OF    A  RT— PAINTINGS 

JAMES   HARPER 
1 795- 1 869 

MAYOR   OF    NEW   YORK,     1 844-45 

ARTISTS 

HENRY    INMAN,    N.A. 

1 80  I- 1 846 

AND 

DANIEL    HUNTINGTON,    N.A. 

I  8  1 6- 1 906 

Sitting  in  front  of  a  large  column,  in  an  armchair  upholstered  in 
red,  is  a  half-length  figure  dressed  in  black.  He  is  in  three-quarters 
view  to  the  left,  with  his  face  in  nearly  front  view,  and  his  eyes 
looking  through  his  spectacles  directly  at  the  spectator.  His  left 
hand  holds  a  document,  on  which  is  resting  the  point  of  a  quill  pen 
held  in  the  right  hand  with  the  arm  resting  near  two  red-bound 
books,  beside  a  bust  of  Franklin,  on  a  table  covered  with  dark-red 
drapery. 

Height,  42  in.;  width,  35  in.  Painted  for  the  City  in  1845. 


ROBERT   HUNTER   MORRIS 

1802-1855 

MAYOR   OF    NEW   YORK,     184I-44 

ARTIST 

FREDERICK    R.    SPENCER,    N.A. 

1805-1875 

The  three-quarters-length  figure  stands  with  the  left  hand  rest- 
ing against  the  hip  and  the  closed  right  hand  resting  near  docu- 
ments and  books  on  a  table  covered  with  red  drapery.  He  is  in 
three-quarters  view  to  the  left,  his  face,  wearing  a  puzzled  look, 
turned  toward  the  front,  and  his  eyes,  with  thoughtful  expression, 
look  straight  out  of  the  picture.  Above  the  table  hangs  a  small 
piece  of  red  draperv 

Height,  48  in.;  width,  36  in.  Painted  for  the  City  in  1846. 

27 


CATALOGUE    OF    WORKS    OF    ART  — PAINTINGS 

THOMAS   G.   TALMAGE 
1 80 1- 1 863 

MAYOR   OF    BROOKLYN,     1 845 

ARTIST 
FRANCIS    BICKNELL    CARPENTER,    A.N. A. 
1830-1900 

A  HALF-LENGTH  figure,  dressed  in  a  simple  suit  of  black,  is  seated 
in  an  easy-chair  upholstered  in  red.  His  body  is  turned  slightly 
to  the  right,  and  his  eyes,  turned  to  the  front,  look  straight  out  of 
the  picture.  His  right  arm  rests  easily  on  the  arm  of  the  chair, 
and  in  his  left  hand  he  holds  an  open  document.  A  light-brown 
curtain  is  draped  across  the  background. 

Height,  36  in.;  width,  28  in.  Painted  for  the  City  in  1846. 


WILLIAM    FREDERICK    HAVEMEYER 

1 804- 1 874 

MAYOR   OF    NEW    YORK,    1 845-46;    1 848-49 

ARTIST 

THOMPKINS    HARRISON    MATTESON,    A.N. A. 

1813-1884 

Seated,  with  crossed  legs,  in  a  red-upholstered  armchair,  is  the 
three-quarters-length  figure  of  a  man  with  his  left  hand,  holding  a 
book,  resting  on  his  knee,  and  his  right,  holding  a  quill  pen,  lying 
on  a  manuscript  near  a  pile  of  books,  behind  which  a  bust  is  in- 
distinctly shown.  He  is  in  nearly  full  face,  with  the  eyes  looking 
directly  at  the  spectator. 

Height,  42  in.;  width,  36  in.  Painted  for  the  City  in  1847. 

28 


WILLIAM    BAINRRIDGE 

BY 
JOHN    WESLEY   JARVIS 

FOR    DESCRIPTION    SEE    PAGE    Q 


'RKs  OF  ART— Paintings 

G.  TALMAGF 
01-1863 

BROOKLYN,     184- 

ARTIST 

CARPENTER,    A.N.A. 
■00 

A  pie  suit  of  black,  is  seated 

i'l  hndy  is  turned  slightl; 

,  look  straight  out  o 
•he  arm  of  the  chair, 
pen  document.    A  light-brown 
'Und. 

Heii  inted  for  the  City  in  1846. 


AVEMEYER 

-j6;   1848-49 

ilSON,    A.N.A. 


Seated  ^bolstered  armchair,  is  the 
three-'^"'  h  ^i^  left  hand,  holding  a 
book,  ng  a  quill  pen,  lymg 
on  a  ;. I  which  a  bust  is  in- 
distinctly shown.  T^^,„„,^,  ^  ace,  with  the  eyes  lookint; 
directly  at  the  siv.^^a'^a-^'^'fl  MAIJJlW                 ^                ^ 

Height,  42  in. ;  ^,,,^^^  .J^^^.^^  ^^^ated  for  the  City  in  1847. 

p  30A1   33a  nofrqiiiDgaa  aoi 


CATALOGUE    OF    WORKS    OF    A  RT  — PAINTINGS 

WILLIAM  C.    BOUCK 

1786-1859 

GOVERNOR   OF    NEW   YORK,     1 843-45 

ARTIST 
CHARLES    LORING    ELLIOTT,    N.A. 

1812-1868 

A  LARGE,  Sturdy-looking  man  with  thick  gray  hair  combed 
straight  up,  and  stiff  side-whiskers,  stands  with  right  foot  ad- 
vanced, his  body  turned  a  little  toward  the  left,  and  his  eyes  looking 
sternly  at  the  spectator.  His  dark-brown  overcoat,  with  broad, 
brown  velvet  collar  and  cuffs,  is  thrown  open,  showing  his  black 
suit.  He  is  holding  his  high-crowned  gray  beaver  hat  against  his 
cane  with  his  ungloved  right  hand,  while  his  left  hand  rests  against 
his  side.  Directly  behind  him,  in  an  early  autumn  landscape,  a 
brook  winds  across  the  scene,  beyond  which  a  green  house  with  red 
roof  is  dimly  seen  among  the  trees  in  the  right  background.  In 
the  left  background  a  gray  horse  is  grazing,  while  farther  in  the  dis- 
tance is  a  large  white  farmhouse. 

signed:   C.    L.    ELLIOTT    1847 

Height,  102^  in.;  width,  66  in.  Painted  for  the  City  in  1847. 


ANDREW   HUTCHINS   MICKLE 

1805-1863 

MAYOR   OF   NEW   YORK,     1 846-47 

ARTIST 

EDWARD    MOONEY,    N.A. 

1813-1887 

Sitting  in  an  easy  posture  in  an  armchair  upholstered  in  red, 
IS  the  half-length  figure  of  a  man  in  three-quarters  view  to  the 
right.  His  right  hand,  with  the  fingers  between  the  pages  of  a 
book,  rests  near  a  red  and  gold  mace  on  a  table  covered  with  olive- 
green  drapery,  and  his  left  lies  on  the  arm  of  the  chair,  beyond 
which,  through  a  narrow  opening,  is  seen  the  City  Hall. 

Height,  40  in.;  width,  36  in.  Painted  for  the  City  in  1847. 

29 


CATALOGUE     OF     WORKS     OF     A  RT  — PA  1  NTI  N  GS 

WILLIAM   V.    BRADY 

i8i 1-1870 

MAYOR    OF    NEW    YORK,     1 847-48 

ARTIST 

A.    H.    WENZLER,    N.A. 

-1871 

Seated  in  an  armchair  drawn  close  up  to  a  desk,  with  his  knees 
shown  beneath,  is  a  man  in  the  attitude  of  reading  a  letter.  He  is 
in  three-quarters  view  to  the  right  with  the  head  inclined  and  the 
eyes  fixed  on  the  letter  on  pale  blue  paper,  held  with  both  hands 
resting  on  the  edge  of  the  green-topped  desk,  on  which  lie  books 
and  papers. 

Height,  40  in.;  width,  34  in.  Painted  for  the  City  in  1848. 


SILAS   WRIGHT 
1 795- 1 847 

GOVERNOR   OF    NEW   YORK,     1 845-46 

ARTIST 

JAMES    WHITEHORNE,    N.A. 

1803-1888 

This  is  a  full-length  standing  figure  dressed  in  black.  He  is  in 
front  view,  with  his  face  turned  a  little  to  the  left,  the  eyes  looking 
downward  and  straight  ahead.  The  hands  hang  by  his  sides,  and 
in  the  left  is  a  roll  of  manuscript.  In  the  left  foreground,  a  round- 
topped  mahogany  table  is  visible,  covered  with  books,  an  inkstand, 
a  paper-weight  in  the  form  of  a  horse,  and  an  open  document.  Be- 
yond the  table,  through  an  open  window  with  paneled  casement, 
the  corner  of  a  large  building  is  seen,  against  a  sunset  sky  flecked 
with  pink-tinted  clouds.  A  red-upholstered  chair  stands  in  the 
right  background  against  a  rich,  brown  curtain  extending  in  heavy 
slanting  folds  from  ceiling  to  floor. 

signed:   J.    WHITEHORNE    PINXIT.    AD    1 849 

Height,  96  in.;  width,  66  in.  Painted  for  the  City  in  1849. 

30 


ISAAC    HULL 

BY 

JOHN    WESLEY    JARVIS 

FOR    DESCRIPTION    SEE    PAGE    9 


W!i 


Seated  in  a- 
shown  beneath, 
in  three-quarter 
eyes  fixed  on  t; 
resting  on  the 
and  papers. 

in.;  widi 


with  his  knees 
a  letter.  He  is 
KJined  and  the 
;th  both  hands 
vvhich  lie  books 

Painted  for  the  City  in  1848. 


ORK,   1845-46 


This  is 

front  vie'  . 
doW' 

in  thr 
topped  ill 
a  paper-\\ 
yond  the 
the  cornti 
with  pin! 
right  back 
slanting  f 


Height,  96  in. ; 


!  EHORNE,    K.A. 
,3-1888 

g  figure  dressed  in  black.     He  is  in 

r.  lit  Lie  to  the  left,  the  eyes  looking 

Js  hang  by  his  sides,  and 

left  foreground,  a  round- 

I  with  books,  an  inkstand, 

:  an  open  document.     Be- 

V  with  paneled  casement, 

linst  a  sunset  sky  flecked 

i;(>isiered  chair  stands  in  the 

vn  curtain  extending  in  heavy 

piNxiT.  AD  1849 
JJUH    3AA2iJ>;iinteJ  ''"V  the  Ciiy  in  1849. 


aiV5lA[    Y3J8HW    l/tHO[ 
Q    BOAT    H=I^    HOITIIJIDeaa    JiOl 


CATALOGUE     OF     WORKS    OF     A  RT  — PAI NTI NGS 

GEORGE   WASHINGTON 

1 732- 1 799 

PRESIDENT    OF    THE    UNITED    STATES,     1 789-97 

ARTIST 

COPIED    FROM    A    STUART    IN    FANEUIL    HALL    BY 

M.    M.    SWETT 

On  an  eminence  overlooking  a  scene  of  war  and  commotion,  in 
a  valley  beneath  a  lurid  sky,  in  a  calm  and  dignified  attitude, 
stands  General  Washington,  dressed  in  Colonial  uniform,  near  his 
white  charger.  He  is  in  front  view,  with  face  turned  to  the  left, 
and  his  eyes  looking  straight  ahead.  His  right  foot  is  advanced, 
and  his  right  hand,  holding  a  cocked  hat,  hangs  at  his  side,  while 
his  left,  holding  the  reins,  rests  upon  the  saddle.  The  horse  is  in 
perspective,  with  his  hind-quarters  in  the  foreground  and  his  head 
m  profile  with  open  mouth,  distended  nostril,  and  flashing  eye. 

Height,  100  in.;  width,  72  in.  Purchased  by  the  City  in  1849. 


ZACHARY   TAYLOR 

1784-1850 

PRESIDENT    OF    THE    UNITED    STATES,     1849-5O 


JOHN    VANDERLYN 
1776-1852 

Seated  in  an  attitude  of  dignified  ease,  in  a  red-upholstered  arm- 
chair, is  the  figure  of  a  portly  gentleman  dressed  in  black,  in  nearly 
front  view,  with  the  face  turned  to  the  left,  and  the  eyes  looking 
straight  ahead.  His  left  arm  rests  on  the  arm  of  the  chair  with  the 
hand  dropped  forward  in  his  lap,  and  his  right  hand  is  placed,  palm 
downward,  on  his  thigh.  Above  his  head,  drapery  of  olive-green 
color  hangs  in  massive  folds  and  nearly  conceals  a  column  in  the 
right  background,  before  which  stands  a  table  with  dark-blue 
cover,  with  a  book  lying  on  a  small  map  of  New  Mexico.  Through 
a  narrow  opening  in  the  left  background  are  shown  trees  in  autumn 
foliage  against  a  blue-and-white  sky. 

signed:    J.    VANDERLYN    PINXT.     185O 

Height,  96  in.;  width,  62  in.  Painted  for  the  City  in  1850. 


CATALOGUE    OF    WORKS    OF     A  RT  — PAINTINGS 

JOHN    YOUNG 

1802-1852 

GOVERNOR   OF    NEW    YORK,     1 847-49 

ARTIST 
HENRY    PETERS    GRAY,    N.A. 

1 8 19- 1877 

A  FULL-LENGTH  figure  Stands  on  a  small  platform,  with  the  body 
turned  slightly  to  the  left  and  the  face  in  the  same  direction,  while 
the  eyes,  turned  to  the  right,  look  inquiringly  at  the  spectator. 
His  left  hand  rests  against  his  hip,  and  his  right  on  the  pedestal  of 
a  column,  partly  concealed  by  heavy  dark-red  drapery,  hanging  in 
heavy  folds  across  the  background  to  the  bases  of  two  other 
columns. 

signed:    HENRY  PETERS  GRAY,  PAINTER    NEW  YORK     1849 

Height,  95  in.;  width,  632  in.  Painted  for  the  City  in  1849. 


GEORGE   WASHINGTON 
1732-1799 

PRESIDENT   OF   THE    UNITED   STATES,     1789-97 

ARTIST 

COPIED    BY 

JAMES    FROTHINGHAM,    N.A. 

1786-1864 

Dressed  in  a  Colonial  costume  of  black,  with  white  stock  and 
jabot,  President  Washington  stands  in  nearly  front  view,  with  his 
eyes  turned  to  the  right,  looking  directly  at  the  spectator.  His 
left  hand  clasps  his  sheathed  sword,  and  the  finger-tips  of  his  right 
hand  rest  on  a  large  document  lying  near  a  chapeau  and  an  inkstand, 
on  an  ample  piece  of  red  drapery,  across  the  corner  of  a  marble- 
topped  table  with  gilt  legs  in  the  form  of  modified  fasces.  An  arm- 
chair, upholstered  in  red,  stands  in  the  right  background  in  front 
of  two  columns,  to  the  right  of  which  is  seen  red  drapery,  and  to 
the  left  of  them,  extending  part  way  across  the  scene,  is  a  heavy 
mauve  curtain  looped  up,  disclosing  a  cloudy  sky. 

Height,  95  in.;  width,  60  in.  Purchased  by  the  City  in  1849. 

32 


THOMAS  Mcdonough 

BY 
JOHN    WESLEY    JARVIS 

FOR    DESCRIPTION    SEE    PAGE     lO 


OF    ART— PAINTINGS 


DUNG 

852 

YORK,     1847-49 


A  aform,  with  the  bo<;' 

turn  .:^K-  111  lut  same  direction,  whr 

the  k  inquiringly  at  the  spectato 

Hii.  1.. .  liH  his  right  on  the  pedestal  ' 

a  columri  rk-red  drapery,  hanging  ; 

heavy   !  the  bases  of  two  oth 
colu- 

r/M.-jitix  iNtvv  YORK   1849 

HeiL  Painted  for  the  City  in  184- 


LMTHD   STATES,    17^9-97 


iniAGHAM,    N.A. 
-86-1864 

D'  of  black,  with  white  stock  and 

jabot  in  nearly  front  view,  with  his 

eyes  iui:  directly  at  the  spectator.     His 

left  han.^  ,  and  the  finger-tips  of  his  right 

hand  near  a  chapeau  and  an  inkstand 

on  a  across  the  corner  of  a  marble 

toppea  T  lified  fasces.     An  arm 

chair,  up  background  in  fron 

of  two  a,  '^i\  10  .^ttfi  red  drapery,  and  ti 

the  left  (  ay  across  the  scene,  is  a  heav\ 

mauve  cu I.-..  ,,^,.^,,^       g  a  cloudy  sky. 

HOUOKOQoM   8AM0HT 

Height,  95  in.;  MidfS;,  s>.  :,  ^    Purcnased  by  the  City  in  1840 


SIV5IA[    Y3je3W    HHO|_ 
01    aoAi   aa«   noiTqm.jsga  aoi 


CATALOGUE    OF     WORKS    OF    A  RT  — PAINTINGS 

ISAAC  CHAUNCEY 
1 772- 1 840 

AN    AMERICAN    NAVAL   OFFICER 

The  head  and  shoulders  of  an  officer  are  in  nearly  full  face,  with 
his  keen  eyes  looking  straight  out  of  the  picture.  The  high  collar, 
reverse  breast,  and  cuflf  of  the  coat  of  his  naval  uniform  are  trimmed 
with  double  rows  of  gold  braid  and  brass  buttons,  and  heavily- 
fringed  epaulettes  adorn  his  shoulders.  His  left  arm  rests  beside 
him,  and  in  his  hand  he  holds  a  small  map,  partly  unrolled. 

Height,  36  in.;  width,  26  in.  Given  to  the  City  in  1849. 


EDWARD   COPELAND 
1793-1859 

MAYOR    OF    BROOKLYN,     1 849 

ARTIST 
JAMES    FROTHINGHAM,    N.A. 

I  786- 1 864 

Relieved  against  a  brown  curtain  is  a  half-length  standing 
figure,  dressed  in  a  suit  of  black  with  a  white  stock.  He  is  in 
three-quarters  view  to  the  right,  with  his  face  to  the  front,  and  his 
eyes  looking  at  the  spectator.  In  the  right  background,  beneath 
the  curtain,  is  seen  the  base  of  a  column,  and  beyond  is  shown  a 
glimpse  of  a  body  of  water. 

Height,  36  in.;  width,  30  in.  Painted  for  the  City  in  1850. 


FRANCIS    B.   STRYKER 

181 1- 1 892 

MAYOR   OF    BROOKLYN,     1 846-48 

ARTIST 

JAMES    FROTHINGHAM,    N.A. 

I  786- I  864 

A  FIGURE  dressed  in  a  simple  suit  of  black  is  standing  in  an  ex- 
tensive landscape  beneath  a  dark  sky.  He  is  seen  only  to  the 
waist,  in  nearly  front  view,  with  his  face  turned  to  the  left,  and 
the  eyes  looking  straight  ahead.  Part  of  his  right  hand  is  seen 
holding  a  cane  reversed  under  the  arm. 

Height,  36  in.;  width,  30  in.  Painted  for  the  City  in  1850. 

33 


CATALOGUE    OF    WORKS    OF    A  RT— PAI NTI NGS 

JOSE   ANTONIO   PAEZ 

1790-1873 

PRESIDENT    VENEZUELA,     183I-35;    1839-43 

VENEZUELA    GENERAL   AND    PATRIOT 

DIED    IN    NEW    YORK 

ARTIST 
CHARLES   WESLEY   JARVIS 

A  MIDDLE-AGED  man  in  black  coat  and  white  waistcoat  sits  in 
front  view,  with  his  face  turned  to  the  left  and  the  eyes  looking 
Straight  ahead.  He  is  shown  to  the  waist  only,  and  the  oval  of 
the  frame  partly  covers  his  right  hand,  in  which  is  a  roll  of  manu- 
script.    A  bit  of  red  drapery  is  seen  in  the  left  background. 

Height,  36  in.;  width,  28  in.  Painted  for  the  City  in  185 1. 

SAMUEL   SMITH 

1 788- 1 872 

MAYOR   OF    BROOKLYN,     185O 

ARTIST 

JAMES    FROTHINGHAM,    N.A. 

1786-1864 

A  HALF-LENGTH  figure,  dressed  in  a  suit  of  black  with  white  stock, 
is  seated  in  a  red-upholstered  armchair  drawn  close  up  to  a  table 
with  a  red  cover.  He  is  in  three-quarters  view  to  the  left,  with  his 
face  turned  toward  the  spectator  and  his  eyes  looking  straight  out 
of  the  picture.  His  hands  lie  clasped  before  him  on  a  sheet  of 
manuscript  on  the  table. 

Height,  36  in.;  width,  30  in.  Painted  for  the  City  in  1851. 

UNKNOWN 

ARTIST 

DANIEL    HUNTINGTON,    N.A. 

1816-1 906 

Seated  in  an  easy-chair  upholstered  in  red,  is  a  half-length 
figure  in  front  view,  with  his  face  turned  to  the  right  and  his  eyes 
looking  straight  ahead.  His  left  hand  holds  a  pamphlet  with  the 
index  finger  between  the  pages,  while  the  arm  rests  on  the  arm  of 
the  chair.     A  brown  curtain  hangs  in  the  left  background. 

Height,  44  in.;  width,  34  in.  Given  to  the  City  in  185 1. 

34 


OLIVER    HAZARD    PERRY 

BY 
JOHN    WESLEY   JARVIS 

FOR    DESCRIPTION    SEE    PAGE     II 


OF    ART— PAINTINGS 


1831-35;    'B39-43 


A  v.y: 
fro 
str, 

the  irarae  pa 
script.     Aoi' 

Height,  36  in.;  width, 


WhSLEY    JARVlb 

'.ci<  coat  and  white  waistcoat  sits  i 

lied  to  the  left  and  the  eyes  lookir 

^  to  the  wr-ift  only,  and  the  oval  ■ 

lich  is  a  roll  of  mam 

;i  background. 

tinted  for  the  City  in  185 


SAM 


OKLYN,    1850 


ARTIST 

IAA1RS    \  I'l  )rHiNr.i-fAM.   \'. 


A  HALF-LENGTH  t 

is  seated  in  a  red- 

with  a  red  cover.     He  1 

face  turned  toward  the 

of  the  picture.     His  haiiu-.  nc 

manuscript  on  the  table. 

Height,  36  in.;  width,  30  in. 


a  su;i  'ji  black  with  white  stoc' 
chair  drawn  close  up  to  a  tab, 
w  to  the  left,  with  his 
looking  straight  out 
e  him  on  a  sheet  of 


iinted  for  the  City  in  185 1 


UNKNOWN 


^GTON,   N.A. 

1 S 1 6- 1 906 

hnir  imhnlstered  in  red,  is  a  half-lengtb 
turned  to  the  right  and  his  eye 
.and  holds  a  pamphlet  with  th 
ai;e5», while  the  arm  rests  on  the  arm  > 
Ifll^AHh^lilV  Ibkdkground. 

Height,  44  in.;  width,  3^,^,,^^  ^aTaaw  wof"  ^°  ^^^  ^'^^  '"  '^^' 


Seatf 
figure  in 
looking  SI 
index  finger  betv 
the  chair.     A  brown  i 


n   30A1   :i3^  WoiTii^oeaa  noi 


CATALOGUE    OF    WORKS    OF    ART  — PAINTINGS 

HAMILTON    FISH 
1 808- 1 893 

GOVERNOR   OF   NEW    YORK,     1849-50 

ARTIST 

THOMAS   HICKS,    N.A. 

1 823- 1 890 

Erect,  in  front  of  an  elaborately  carved  desk  with  couchant  lion 
feet,  stands  a  man,  having,  apparently,  just  entered  the  room.  He 
is  in  three-quarters  view  to  the  left,  with  the  face  turned  slightly 
toward  the  front  and  the  eyes  looking  directly  at  the  spectator. 
His  left  hand  rests  against  his  hip,  and  his  right  rests  impressively 
on  a  large  document,  across  the  top  of  which,  in  large  letters,  may 
be  seen:  "Homestead  Exemp."  On  the  floor  in  the  left  fore- 
ground are  several  large  books;  others  lie  on  the  desk  with  a  row  of 
worn,  leather-covered  volumes  across  its  top,  above  which  stands 
a  marble  bust  of  Washington.  In  the  right  background  a  large 
circular  replica  of  a  seal  hangs  by  a  red  cord,  and  beneath  this 
stands  a  red-upholstered  armchair,  on  which  lie  a  black  coat,  a 
silk  hat,  and  a  document. 

signed:   T.    HICKS    NEW    YORK     1852 

Height,  108  in.;  width,  78  in.  Painted  for  the  City  in  1852. 


DAVID   THOMAS   VALENTINE 
1 80 1- 1869 

CLERK    OF    COMMON    COUNCIL,    1 837-69 

ARTIST 
CHARLES    WESLEY    JARVIS 

The  half-length  figure  of  a  portly  gentleman,  dressed  in  black, 
with  smooth  face  and  flowing  gray  hair,  sits  turned  toward  the 
right,  but  looking  to  the  front.  He  holds  a  document  in  his  right 
hand,  and  two  large  books  appear  in  the  background,  at  the  right. 

signed:   C.    W.   JARVIS 

Height,  36  in.;  width,  30  in.  Painted  for  the  City  in  1852. 

35 


CATALOGUE    OF    WORKS    OF    A  RT— PA  I NTI NGS 

JAMES   ST.   CLAIR   MORTON 
1829-1864 

A    UNITED   STATES   GENERAL 

ARTIST 
CHARLES    WESLEY    JARVIS 

Dressed  in  a  Colonial  uniform,  with  gold  epaulettes  and  a  richly 
embroidered  collar  and  a  front  similarly  embroidered  and  bearing 
the  decoration  of  the  Cincinnati,  is  the  half-length  seated  figure  of 
an  officer  with  high  forehead,  flowing  white  hair,  and  short  side- 
whiskers.  His  hands,  wearing  gauntlets,  lie  crossed  before  him, 
the  left  hand  clasping  the  blade  of  a  sword  with  its  hilt  resting  in 
the  hollow  of  the  arm  under  a  chapeau  held  in  the  right  hand.  Be- 
hind the  figure,  draped  in  deep  folds,  is  the  national  flag,  and  in  the 
background,  at  the  left,  is  seen  a  stone  fort  or  battery  at  the  water's 
edge,  suggesting  Castle  William. 

signed:   chas.  jarvis 

Height,  36  in.;  width,  28  in.  Painted  for  the  City  in  1852. 


AMBROSE   C.    KINGSLAND 

1878 

mayor    of    new    YORK,     185I-52 

ARTIST 

CHARLES    LORING    ELLIOTT,    N.A. 

1812-1868 

Seated  in  an  armchair  upholstered  in  red,  is  the  half-length 
figure  of  a  man  in  three-quarters  view  to  the  left  and  the  eyes 
looking  directly  at  the  spectator.  His  right  hand  rests  on  a  map 
which  is  spread  out  before  him,  near  books  and  documents,  while 
his  left  grasps  the  corner  of  the  map  hanging  over  the  edge  of  the 
table. 

Height,  45  in.;  width,  34  in.  Painted  for  the  City  in  1853. 

36 


JACOB    RADCLIFF 

BY 

JOHN    TRUMBUl  1. 

FOR    DESCRIPTION    SEE    PAGE     i: 


painted  for  the  Qty  in 


>LAND 


i,  is  the 


T^f  JDQAfl    fl'     /  ^ver  the 

fa 
u  ja»/ jxT  y.Ho\^'-'-^  fof  the  City  in  185; 


CATALOGUE     OF     WORKS    OF     ART  — PAINTl  NGS 

MILLARD   FILLMORE 
1800-1874 

PRESIDENT   OF   THE    UNITED   STATES,    1850-53 

ARTIST 

FRANCIS    BICKNELL    CARPENTER,    A.N. A. 

I  830- 1 900 

On  a  conspicuous  carpet  of  large  pattern  and  many  bright  colors, 
stands  a  figure  wearing  an  ample  black  cloak  with  a  broad  velvet 
collar.  He  is  in  front  view,  with  his  face  turned  to  the  right  and 
his  eyes  looking  straight  ahead.  His  left  arm  is  concealed,  but  the 
hand  is  shown  gathering  the  cloak  together  at  his  waist,  and  his 
right  hand,  holding  a  roll  of  manuscript,  hangs  at  his  side.  A 
carved  armchair,  upholstered  in  red,  is  shown  in  the  right  back- 
ground against  a  panelled  wainscoting,  above  which  is  a  large  wall 
panel,  and,  in  the  left  background,  is  seen  the  corner  of  a  heavy, 
gold  picture-frame. 

signed:    F.  B.  CARPENTER    1853 

Height,  96  in.;  width,  66  in.  Painted  for  the  City  in  1853. 


CONKLIN    BRUSH 

1 794- 1 870 

MAYOR   OF    BROOKLYN,    185I-52 

ARTIST 

FRANCIS    BICKNELL    CARPENTER,    A.N. A. 

1830-1900 

Seated  in  an  easy-chair  upholstered  in  red,  and  dressed  in  a 
simple  suit  of  black,  is  a  half-length  figure  in  three-quarters  view  to 
the  left,  with  the  face  turned  toward  the  front  and  the  eyes  looking 
directly  at  the  spectator.  His  left  arm  rests  on  the  arm  of  the 
chair,  and  his  right  hand,  holding  a  pen,  lies  on  a  sheet  of  paper 
on  a  table  near  three  large  books. 

Height,  36  in.;  width,  28  in.  Painted  for  the  City  in  1854. 

37 


CATALOGUE    OF    WORKS    OF    A  RT— PA  I NTI NGS 

WARD    BENJAMIN    BURNETT 

1811-1884 

AN    AMERICAN    GENERAL 

ARTIST 

J.    H.    SHEGOGUE,   N.A. 

1805-1872 

Dressed  in  a  blue  uniform  with  two  rows  of  brass  buttons, 
stands  a  figure  with  left  foot  advanced,  in  front  view,  with  the 
face  turned  to  the  right,  and  the  eyes  looking  straight  ahead.  His 
right  hand,  holding  a  cap,  hangs  at  his  side,  and  his  left  rests  on  a 
map  of  Mexico  spread  out  on  a  pedestal  above  which,  near  a  column, 
are  furled  the  Stars  and  Stripes.  On  the  floor,  in  the  left  back- 
ground, is  a  basket  filled  with  medals,  behind  which  kneel  two 
soldiers,  one  of  whom  is  holding  a  flag.  Beyond  is  shown  a  land- 
scape with  a  circular  fort  in  the  distance. 

signed:    SHEGOGUE    1854 

Height,  96  in.;  width,  60  in.  Painted  for  the  City  in  1854. 


DE  WITT  CLINTON 

1769-1828 

PRESIDENT   OF    THE    PUBLIC   SCHOOL    SOCIETY,    1805-28 

ARTIST 

WM.    H.    POWELL,    A. N.A. 

1824-1879 

Standing  erect,  in  an  easy  posture,  is  the  half-length  figure  of 
a  man  in  the  prime  of  life,  with  his  left  arm  resting  lightly  near 
buff  gloves  on  a  blue-topped  table,  and  his  right  hand  thrust  into 
the  bosom  of  his  black  coat.  Behind  his  left  shoulder  is  shown  a 
mass  of  red  drapery  against  a  fluted  pilaster,  and  a  similar  pilaster 
is  seen  in  the  left  background. 

signed:  w  h  POWELL  1854 

Height,  47  in.;  width,  37  in.  Given  to  the  City  in  1854. 

38 


JAMES   MONROE 

BY 

JOHN    VANDERLYN 

FOR    DESCRIPTION    SEE    PACE    I3 


BENJAMIN 


Dressed 
stands  a  fig 
face  tu' 
right  h. 
map  of 
are  fun 


ows  of  brass  buttor 

front  view,  with  r 

Hght  ahead.     \ 

his  left  rests  or 

sial  above  which,  near  a  colun; 

On  the  floor,  in  the  left  bat 

'-'s,  behind  which  kneel  t\ 

Beyond  is  shown  a  Ian 


Height,  96  ir 


.OGUE   1854 

Painted  for' the  City  in  18- 


Stanc . 
a  man  m  th 
buff  gloves  ( 
the  bosom  o- 
mass  of  red 
is  seen  in  the 


Height,  47  in. 


,759-1828 

atlC   SCHOOL   SOCIETY,    1805-28 

\RTIST 

HLL,    A.N. A. 
-,-'879 

nosture,  is  the  half-length  figure 

his  left  arm  resting  lightly  nc 

.',  and  his  right  hand  thrust  in 

hind  his  left  shoulder  is  shown 

I  ed  pilaster,  and  a  similar  pilast 

POWELL    1854 

w,dtl^Q^'^0^'   23MAL  Given  to  the  City  in  i8- 
Ya 


i^YJSiaaKAv^MHOL 
fi   aOAi  338  noiTqisiDeaa  hoi 


CATALOGUE    OF    WORKS    OF    A  RT— PAINTI NGS 

HENRY   CLAY 

1777-1852 

UNITED   STATES    SENATOR,     1806-O7;    1810-II;    1831-42;    1849-52 

ARTIST 
CHARLES   WESLEY   JARVIS 

In  the  attitude  of  making  a  speech,  a  man  dressed  in  black,  with 
loosely  fitting  overcoat  of  the  same  color,  is  standing  at  the  edge 
of  a  rostrum,  in  front  view,  with  his  face  turned  a  little  to  the 
left,  and  his  eyes,  slightly  raised,  gazing  intently  into  the  distance. 
The  right  foot  is  advanced,  and  the  right  arm,  slightly  crooked,  and 
with  conspicuously  extended  index  finger,  is  raised  a  little  above 
the  shoulder  in  an  emphatic  gesture,  while  the  left  hand,  loosely 
holding  a  brown  cane,  hangs  by  his  side.  Beyond  a  column  in  the 
right  background  a  statue  of  Minerva  is  shown  beneath  an  arch, 
on  a  pier  of  which  is  a  ruddy  glow  of  an  evening  landscape  con- 
tinued into  the  left  background  beyond  a  pair  of  delicately  fluted 
columns. 

signed:    C    W    JARVIS 

Height,  100  in.;  width,  72  in.  Painted  for  the  City  in  1854. 


EDWARD   A.    LAMBERT 

1813-1878 

MAYOR   OF    BROOKLYN,     1 853-54 

ARTIST 

FRANCIS    BICKNELL   CARPENTER,    A.N. A. 

1830-1900 

A  GENTLEMAN,  with  his  face  framed  by  a  short-cropped  beard, 
is  seated  with  crossed  legs  in  an  easy-chair  upholstered  in  red.  He 
is  seen  to  the  knees,  dressed  in  a  simple  suit  of  black,  in  three- 
quarters  view  to  the  right,  with  his  face  turned  to  the  left  and  his 
large  eyes  looking  straight  out  of  the  picture.  His  right  hand, 
holding  a  folded  manuscript,  rests  on  his  lap.  A  table  with  a  green 
cover,  strewn  with  documents  and  books,  stands  in  the  left  fore- 
ground, and  a  narrow  strip  of  olive-green  drapery  hangs  in  the 
right  background. 

Height,  36  in.;  width,  30  in.  Painted  for  the  City  in  1854. 

39 


CATALOGUE     OF     WORKS     OF     A  RT  — PA  I  NTI  NGS 

GEORGE   T.   TRIMBLE 
1793-1872 

PRESIDENT   OF    PUBLIC    SCHOOL    SOCIETY,     1 847-53 

ARTIST 

THOMAS    HICKS,    N.A. 

1823-1890 

A  FULL-LENGTH  figure  Stands  erect  near  an  open  door  with  his 
left  hand  hanging  by  his  side  and  his  right  holding  an  open  book 
before  him.  He  is  in  three-quarters  view  to  the  left,  with  his  face 
turned  toward  the  front,  and  his  kindly  eyes  looking  at  the  specta- 
tor. Behind  him  is  a  plain  table  covered  with  books,  and  in  front 
of  him  a  chair,  on  which  lie  a  brown  overcoat  and  a  silk  hat.  In 
the  left  background,  groups  of  children  are  seen  playing  about  a 
brick  building  inscribed  across  its  front:  "new  york  public 
SCHOOL  no.  i." 

signed:    T.    HICKS.    NEW    YORK.     1854 

Height,  108  in.;  width,  78  in.  Given  to  the  City  in  1854. 


TOWNSEND   HARRIS 

1803-1878 

minister   to  JAPAN,    1859-61 

ARTIST 

J.    bogle,    N.A. 

1817-1873 

Dressed  in  black,  with  a  figured  brown  waistcoat,  is  a  three- 
quarters-length  figure  in  full  face,  with  his  right  arm  resting  near 
books  on  the  red  cover  of  a  table,  and  his  left  on  the  arm  of  the  red- 
upholstered  chair  in  which  he  is  sitting. 

signed:  j.  bogle   1855 

Height,  46  in.;  width,  36  in.  Given  to  the  City  in  1855. 


ANDREW   JACKSON 

BY 
JOHN    VANDERLYN 

FOR    DESCRIPTION    SEE    PACE     I4 


ORKS    OF    ART— PAINTINGS 

IMBLE 

IC   SCHOOL   SOCIETY,    1 847-53 
ARTIST 

v     I  n  !"■  K  s       K    A  _ 


A  Fs.  reel  near  an  open  door  with 

left  hs'  '  his  right  holding  an  open  b< 

be'  >"W  to  the  left,  with  his  t 

tu  eyes  looking  at  the  spec 

tor.     I  'cd  with  books,  and  in  f r 

of  him  vercoat  and  a  silk  hat. 

thr  '"'"  niuien  are  seen  playing  abou 

hi  its.  front:   "new   York   pub 

NEW   YORK.     1854 

Height,  loy  in.,  width,  7S  la.  Given  to  the  City  in  i' 


ARRIS 
1 803-1878 

M    ..'STER  TO  JAPAN.    lS^o-6l 

ARTIST 

1-    BOGLE,    N./.. 

1817-1873 

Drf  1  figured  brown  waistcoat,  is  a  three- , 

qi'p-^f  I  face,  with  his  right  arm  resting  near 

bo  able,  and  his  left  on  the  arm  of  the  red- 

up:  e  is  sitting. 

o:  J.   BOGLE   1855 

Height,  ^  uiven  to  the  City  in  1055. 

MYJJiaaHAV    HHO[ 
^[   HDA1   aae  noiTirsiDeaa  aoi 


CATALOGUE    OF    WORKS    OF    A  RT  — PAl  NTI NGS 

WASHINGTON    HUNT 
i8i 1-1867 

GOVERNOR   OF    NEW    YORK,     1851-52 

ARTIST 
CHARLES    LORING    ELLIOTT,    N.A. 

1812-1868 

In  a  rotunda,  as  if  ready  to  go  out,  a  figure  is  standing  at  the 
head  of  a  circular  stairway  with  a  heavy  balustrade  leading  down 
into  the  left  background.  He  is  in  three-quarters  view  to  the 
left,  with  his  face  turned  toward  the  front  and  the  eyes  looking 
straight  ahead.  His  right  hand  is  thrust  into  the  bosom  of  his 
coat,  and  in  his  left  he  holds  a  cane  and  silk  hat,  while  over  the 
arm  is  thrown  a  brown  overcoat.  The  balustrade  directly  behind 
the  figure,  at  the  head  of  the  stairway,  is  repeated  across  the 
background,  and  behind  this,  on  the  left,  is  a  mahogany  door.  In 
the  middle  is  a  fluted  Corinthian  pilaster,  and  on  the  right  the 
paneled  end  of  a  cupboard  is  seen  through  a  doorway,  above  which 
is  a  marble  bust. 

signed:    C.    L.    ELLIOTT    1855 

Height,  102  in.;  width,  65!  in.  Painted  for  the  City  in  1855. 


JACOB   AARON   WESTERVELT 
1800-1879 

MAYOR   OF    NEW    YORK,     1853-54 

ARTIST 

EDWARD    MOONEY,    N.A. 

1813-1887 

Seated  in  a  red-upholstered  armchair  and  leaning  lightly  with 
his  right  arm  on  a  table  strewn  with  books  and  documents,  and 
covered  with  green  drapery,  is  the  three-quarters-length  figure  of 
a  man,  wearing  an  overcoat  with  broad  velvet  collar.  He  is  in 
nearly  front  view,  with  the  eyes  turned  to  the  right,  looking  directly 
at  the  spectator. 

Height,  42  in.;  width,  36  in.  Painted  for  the  City  in  1855. 

41 


CATALOGUE     OF     WORKS    OF     ART  —  PAINTINGS 

BARON    FREDERICK   WILHELM   VON   STEUBEN 
'730-1794 

A    PRUSSIAN-AMERICAN    GENERAL 

ARTIST 

GERLANDO   MARSIGLIA,    N.A. 

1 792- I  850 

COPIED    FROM    A    PORTRAIT    BY 

ROBERT    EDGE    PINE 

The  three-quarters-length  standing  figure  of  an  ofificer  is  in 
front  view,  with  face  turned  to  the  right  and  the  eyes  looking 
straight  ahead.  He  is  dressed  in  Colonial  uniform  of  buff  and  blue, 
with  two  decorations  on  his  coat  and  another  suspended  from  a 
red  ribbon  about  his  neck.  His  left  hand,  holding  gloves,  hangs 
at  his  side,  and  his  extended  right  rests  on  the  pommel  of  a  sword. 

Height,  48  in.;  width,  36  in.  Purchased  by  the  City  in  1855. 


GEORGE    HALL 

1795-1857 

MAYOR    OF    BROOKLYN,     1834;     1855-56 

ARTIST 

FRANCIS    BICKNELL    CARPENTER,    A. N.A 

1830-1900 

Dressed  in  a  suit  of  black,  a  portly  gentleman  with  gray  hair 
and  short,  gray  side-whiskers  is  seated  erect  in  an  easy-chair  up- 
holstered in  red.  He  is  seen  to  the  knees,  in  three-quarters  view 
to  the  left,  with  his  eyes,  turned  slightly  to  the  right,  looking  out 
of  the  picture.  His  left  arm  rests  on  the  arm  of  the  chair  and  his 
right  hand  is  thrust  into  the  bosom  of  his  coat.  In  the  left  back- 
ground is  a  red-topped  desk  laden  with  books  and  papers. 

Height,  36  in.;  width,  30  in.  Painted  for  the  City  in  1856. 

42 


STEPHEN   ALLEN 

BY 

SAMUEL    L.    WALDO,    A.N. A.,    WILLIAM    JEWETT,    A.N. A. 
FOR    DESCRIPTION    SEE    PAGE     I4 


CATALOGUE    OF-   WORKS    OF    ART  -PA INTJNGS 


BARON   FREDERICK  WI^ 


1730-  , 

A    PRUSSIAN-AMERICAN    GENti'-. 

ARTIST 
GERLANDO    MARSIGLIA,    N.A. 

r85o 
PORTRAIT   BY 


STEUBEN 


The  tint! 
front  view, 
straight  ahea 
with  two  de. 
red  ribbon  a 
at  his  side,  an 

Height,  ..''■■'  •• 


i't]]^  ngure  of  an  officer  is  in 
'.he  right  and  the  eyes  looking 
olonial  uniform  of  buflf  and  blue, 
and  another  suspended  from  a 
eft  hand,  holding  gloves,  hangs 
rests  on  the  pommel  of  a  sword. 

"-rchased  by  the  City  in  1855. 


CARPENTER,   A. N.A 

'900 

Dres-^ed  i;  a  with  gray  h; 

and  shor^    •■'  ._i^^..i  m  an  easy-chair  u 

holstere  lees,  in  three-quarters  vie 

to  the  1-j    ,  „-'-ly  to  the  right,  looking  o: 

of  the  pictur  on  the  arm  of  the  chair  and  h 

right  hand  i^  iu  of  his  coat.     In  the  left  bad 
ground  is  a  red-toppeu  ac->K  Uidcfi  with  books  and  papers. 

Height,  36  in.;  width  '^'W^   '^^"''^Ii^ted  for  the  City  in  18; 

Ya 

.A.H.A    .TTaWa^    MAIJJIW    ,.A.H.A    .OQJAW    .J    JHUMAZ 

^1   30A1  33a  noiniflDaaa  5103 


CATALOGUE    OF    WORKS    OF    A  RT— PAINTINGS 

FERNANDO  WOOD 
1812-1881 

MAYOR   OF    NEW   YORK,     1855-58;    1860-61 
ARTIST 

CHARLES    LORING    ELLIOTT,    N.A. 
1812-1868 

Dressed  in  a  tightly  fitting  black  coat  is  a  three-quarters-length 
standing  figure  in  nearly  front  view,  with  the  eyes  looking  pleas- 
antly out  of  the  picture.  His  left  hand  rests  against  his  hip  and 
his  right  on  a  table,  on  which  are  a  roll  of  manuscript  and  a  leather- 
bound  book  against  a  light-brown  drapery  which  extends  across 
the  background. 

signed:    HON.    FERNANDO    WOOD    BY    C.    L.    ELLIOTT     1857 

Height,  45  in.;  width,  35  in.  Painted  for  the  City  in  1857. 


CALEB   SMITH   WOODHULL 

1 792- 1 866 

MAYOR    OF    NEW    YORK,     1849-5I 

ARTIST 
CHARLES    WESLEY    JARVIS 

Sitting  erect  in  a  chair  upholstered  in  red,  is  the  half-length 
figure  of  a  man  in  three-quarters  view  to  the  left,  with  the  face 
nearly  in  front  view  and  the  eyes  looking  directly  at  the  spectator. 
His  left  arm  rests  easily  on  the  arm  of  the  chair  and  at  his  side 
stand  two  large  books. 

signed:  chas.  jarvis  pinxt   1857 

Height,  36  in.;  width,  29  in.  Painted  for  the  City  in  1857. 

43 


CATALOGUE     OF     WORKS     OF     A  RT  — PAINTINGS 

DANIEL   PHCENIX    INGRAHAM 

1 804- 1 88 1 

JUSTICE   OF    SUPREME    COURT,    1 858-74 

ARTIST 

CHARLES    LORING    ELLIOTT,    N.A. 

1812-1868 

The  three-quarters-length  figure  of  a  man  is  seated  in  a  red- 
upholstered  armchair,  with  his  body  turned  to  the  right,  but  his 
face  turned  toward  the  front  and  the  eyes  turned  still  more,  look- 
ing directly  at  the  spectator.  His  right  arm  rests  on  the  arm  of 
the  chair,  with  a  document  in  the  hand,  and  his  left  hand,  holding 
spectacles,  rests  on  a  green-topped  table,  on  which  lie  books.  A 
light-brown  curtain  hangs  in  the  left  background. 

signed:    ELLIOTT     1858 

Height,  50  in.;  width,  40  in.  Given  to  the  Court  in  1858. 


WINFIELD   SCOTT 
1768-1866 

COMMANDER-IN-CHIEF    UNITED    STATES    ARMY,     I  84  1-6  I 

ARTIST 

MINER    K.    KELLOGG 

1839- 

Dressed  in  a  blue  uniform,  with  brass  buttons,  a  yellow  sash 
about  his  waist,  knotted  at  the  left  hip,  is  the  full-length  figure  of 
a  man  in  nearly  front  view,  with  the  face  turned  to  the  left  and  the 
eyes  looking  straight  ahead.  His  right  foot,  advanced,  bears  his 
whole  weight,  and  his  extended  right  hand  holds  his  chapeau, 
ornamented  with  a  large  yellow  pompon,  while  his  left  hand,  hang- 
ing at  his  side,  grasps  the  scabbard  of  a  sword.  The  background 
is  a  stone  wall  and  pilasters  in  a  rich  brown  tone. 

signed:    M.    K.    KELLOGG,     1858 

Height,  106  in.;  width,  70  in.  Painted  for  the  City  in  1858. 

44 


MARQUIS    DE    LAFAYETTE 

BY 
SAMUEL    FINLEY    BREESE    MORSE,    N.A. 


FOR    nFSCRIPTlON    SFF    PAHF     1^ 


CATALOGUE    OF    WORKS    OF    A  RT— PAINTINGS 

DANIEL    PHCENIX    INGRAHAM 

:  -i04- 1 88 1 

JUST  :  REME   COl''<^      i,9=:fi-74 

ARTIST 
CHARLES    LORING    ELLIOT  f,  ■ 

1812- 1 868 

The  three-quarters-length   figure  of  a  man  is  seated  in  a  rer 

upholstered  armchair,  with  his  h  '          -   "'  to  the  right,  but  h 

face  turned  toward  the  front  and  irned  still  more,  lool 

ing  directly  at  the  sped"  "      '  .,.11  rests  on  the  arm  ' 

the  chair,  with  a  docunv  and  his  left  hand,  holdir 

spectacles,  rests  on  a  gr  ■    t.n  which  lie  books. 

light-brown  curtain  har.  '  i 


Height,  50  in.;  width,  40  in. 


to  the  Court  in  18=;' 


COMMANDER 


UNITED   STATES    ARMY,     1 84 1-6 1 


ARTIST 
MiNbR    K.    KELIOGG 


Dres'  o  outtons,  a  yellow  .-.a 

about  h  is  the  full-length  figure 

a  man  ir:  -    . -e  turned  to  the  left  and  tl 

eyes  1o<j  His  right  foot,  advanced,  bears  h: 

whole  V,  Jed   right  hand  holds  his  chapeat- 

ornamei;  w  pompon,  while  his  left  hand,  hanj. 

ing  at  hl^  ibbard  of  a  sword.     The  backgrouri. 
is  a  stone  v...  ..^.^^yXIXj^  §tf  WS^%%- 

^IGNhP      M..    KygKELLOGG,     iS^iS 

Height,  io6  \n.-A'Mdii'^ftp:m-^z33Ha  Y^sjmeiSUM/^e  City  in  185:^ 

?l     30A1     HH?    .1jpT<?lHD?3n    SI01 


CATALOGUE    OF     WORKS    OF     A  RT— PAINTI NGS 

SAMUEL  S.    POWELL 
i8i 5-1879 

MAYOR    OF    BROOKLYN,     1857-60 


JAMES    FROTHINGHAM,    N.A. 
I  786- I  864 

A  HALF-LENGTH  figure  is  in  three-quarters  view  to  the  right  with 
the  face  turned  to  the  front  and  the  eyes  looking  straight  out  of 
the  picture.  He  is  dressed  in  a  simple  suit  of  black,  and  in  his 
right  hand  is  a  document.  In  the  right  background  are  shown 
two  books. 

Height,  36  in.;  width,  30  in.  Painted  for  the  City  in  1858. 


JOHN   ALSOP    KING 

1 788- 1 867 

GOVERNOR   OF    NEW   YORK,    1857-58 

ARTIST 

THOMAS    HICKS,    N.A. 

I  823- I  890 

A  FULL-LENGTH  figurc  dressed  in  a  black  frock  coat  stands  in 
front  view,  before  a  high,  round-topped  window.  Framed  by 
gray  hair,  curling  over  the  top  of  his  head,  his  face,  beaming  with 
a  cordial  smile,  is  turned  slightly  to  the  right,  with  the  spectacled 
eyes  looking  straight  ahead.  His  right  hand,  holding  a  letter, 
hangs  at  his  side,  and  his  left  rests  on  the  corner  of  an  elaborately 
carved  desk,  on  the  green  top  of  which  are  piled  in  confusion  books 
of  many  colors.  Behind  the  desk  and  to  the  right  of  the  window, 
hangs  in  straight  folds  a  yellow  brocaded  curtain  with  its  upper 
part  in  shadow.  A  similar  curtain  hangs  at  the  left  of  the  window, 
the  lower  part  looped  back  beside  an  armchair  upholstered  in  red, 
on  which  lie  a  black  cloak  and  silk  hat. 

signed:   THOMAS    HICKS    i860 

Height,  100  in.;  width,  66  in.  Painted  for  the  City  in  i860. 

45 


CATALOGUE    OF     WORKS    OF    A  RT  — PAI NTINGS 

MARTIN    KALBEFLEISCH 

1 804- 1 873 

MAYOR   OF    BROOKLYN,     1861-63;    1 868-7 1 

ARTIST 

JUNIUS    BRUTUS    STEARNS,    N.A. 

1810-1885 

A  HALF-LENGTH  figure,  dressed  in  a  loosely  fitting  suit  of  black, 
is  seated  in  a  chair  upholstered  in  green,  in  front  view,  with  his 
face  turned  slightly  to  the  left  and  his  eyes  looking  straight  ahead. 
His  right  hand  rests  on  the  arm  of  the  chair  and  his  left  arm  lies  on 
a  table  with  a  red  cover. 

signed:   J.    B.    STEARNS    1860 

Height,  42  in.;  width,  34  in.  Painted  for  the  City  in  i860. 


DANIEL   FAWCETT  TIEMANN 
1 80 5- 1 899 

MAYOR   OF    NEW   YORK,    1858-59 

ARTIST 

THOMAS    HICKS,    N.A. 

1823-1890 

Leaning  easily,  with  his  left  elbow  on  the  sloping,  green  top  of 
a  desk  strewn  with  books  and  documents,  is  a  three-quarters- 
length  figure  in  nearly  front  view,  with  his  eyes,  turned  to  the 
right,  looking  kindly  at  the  spectator.  His  left  hand  clasps  a 
roll  of  manuscript,  and  his  right  hangs  at  his  side,  nearly  touching 
an  armchair,  on  which  lie  an  overcoat  and  a  black  hat.  In  the 
left  background  hangs  a  yellow  curtain  in  shadow. 

signed:   T.    HICKS,    i860 

Height,  47  in.;  width,  36  in.  Painted  for  the  City  in  i860. 

46 


JOHN   STANFORD 


SAMUEL    FINLKY     BREESE    MORSE,    N.A. 
FOR    DESCRIPTION    SEE    PAGE     IS 


CATALOGUE    OF     WORK  -PAINTINGS 

MARTIN  KALBFTl  EISCH 

MAYOR  OF  1868-71 

JUNIUS    BR  '.\. 

r-LENGTH  v  fitting  suit  of  blac; 

^..,^0  in  a  '"111  I'nmt  view,  with  li 

face  turned  s!  !g  straight  ahea. 

!  ii.  liL'hl  han..i  us  left  arm  lies  <  ■ 
ith  a  red  . 

Height,  42  in.;  width,  34  in.  i  for  the  City  in  i86i 


WCETT  TIEMANN 

,   1858-59 


Lean!  m  the  sloping,  green  top 

a  desk  nents,  is  a   three-quarter 

length  1  ih  his  eyes,  turned  to  th 

right,  K  r.     His  left  hand  clasps 

roll  of  m  at  his  side,  nearly  touchir 

an  armci  t  and  a  black  hat.     In  t: 
left  backgroi;                                     -r;i;ii  m  shadow. 

a5i6T^K1^  "i^ftol 

Height,  47  in.;  width,  36  in.  vaPainted  for  the  City  in  186 

.AM  ,H2JioM  a^aaaa  yhjmh  Jaui^As 
(I  aoAT  HHa  noiTiiaaRHo  mot 


CATALOGUE    OF    WORKS    OF    A  RT  — PA  I  NTl  NGS 

ROBERT  ANDERSON 

1805-1871 

COMMANDER    AT    FT.    SUMTER,    APRIL     I2-I3,     1 86 1 

ARTIST 

WILLIAM    H.    POWELL,    A.N. A. 

I  824- I  879 

Standing  within  the  low  stone  enclosure  of  a  fort,  is  the  figure 
of  an  ofificer  in  blue  uniform,  his  army  belt  partly  covering  a  dull- 
red  sash  with  long  tassels  hanging  near  the  hilt  of  his  sword.  He 
is  in  front  view,  with  the  face  turned  a  little  to  the  right  and  the 
eyes  looking  straight  ahead.  His  left  foot  is  advanced,  and  his 
left  hand  rests  near  his  cap  on  the  stone  parapet,  while  his  right, 
holding  a  field-glass,  hangs  at  his  side,  in  the  left  background  are 
shown  a  mounted  cannon  and  on  the  floor  near  its  carriage  a  pyra- 
mid of  cannon  balls.  In  the  right  background  is  seen  a  broad 
sheet  of  water,  and  on  its  farther  shore  extensive  fortifications 
beneath  a  dull,  gray  sky. 

signed:   W.    H.    POWELL    1861 

Height,  102  in.;  width,  70  in.  Painted  for  the  City  in  1861. 


HORATIO   SEYMOUR 
1 8 1 o- 1 886 

GOVERNOR   OF    NEW   YORK,     1853-54;    1863-64 

ARTIST 

CHARLES    LORING    ELLIOTT,    N.A. 

1812-1868 

The  full-length  standing  figure  of  a  gentleman  of  middle 
age,  dressed  in  dark  brown,  stands  in  three-quarters  view  to  the 
right  with  his  face  turned  toward  the  front,  and  his  eyes,  looking 
pleasantly  at  the  spectator.  His  right  hand  hangs  by  his  side, 
and  his  left  rests  on  a  book,  with  the  index  finger  between  its 
pages,  near  other  books  and  documents,  on  a  table  covered  with 
heavy  purple  drapery  with  a  wide  figured  border.  In  the  left 
foreground  is  an  armchair  upholstered  in  dark  green  against  a  brown 
silk  curtain  hanging  in  heavy  folds.  On  a  white  marble  pedestal 
in  the  right  background  stands  a  marble  bust,  and  above  it  is  a 
portion  of  an  oval  picture. 

signed:   C.    L.    ELLIOTT    1 86 1 

Height,  105  in.;  width,  66  in.  Painted  for  the  City  in  1861. 

47 


CATALOGUE    OF    WORKS    OF    ART— PAINTINGS 

HARRY   HOWARD 

1822-1896 

CHIEF   OF   NEW   YORK    FIRE    DEPARTMENT,     1857-60 

ARTIST 

JOSEPH    HOFFMANN    JOHNSON 

I  82  I- 1 890 

Dressed  in  a  fireman's  reddish-brown  uniform,  with  the  word 
"Chief"  on  the  helmet,  a  figure  in  violent  action  stands  on  the 
block  pavement  of  a  city  street.  He  is  in  front  view,  with  the 
face  turned  to  the  right,  and  his  keen  eyes  look  straight  ahead. 
His  right  foot  advanced,  with  the  knee  bent,  bears  the  whole 
weight  of  his  body,  and  his  right  arm^  extended  above  his  shoulder, 
points  with  the  index  finger,  while  the  left,  holding  a  speaking- 
trumpet,  hangs  at  his  side.  In  the  left  foreground  is  a  hydrant 
with  a  hose  attached,  which  is  stretched  back  and  forth  along  the 
pavement  behind  the  figure.  In  the  distance  extends  a  long  row 
of  five-story  buildings,  from  one  of  which,  near  the  left,  roll  masses 
of  black  smoke.  Fire  engines  surrounded  by  people  play  streams 
of  water  upon  the  burning  building,  and  in  the  right  background 
other  engines  are  shown  hurrying  to  the  scene. 

signed:   J.    H.   JOHNSON,    1861 

Height,  100  in.;  width,  72  in.  Painted  for  the  City  in  1861. 

THOMAS  JEFFERSON 

1743-1826 

PRESIDENT    OF    THE    UNITED    STATES,     180I-O9 


CHARLES    WESLEY   JARVIS 

Engrossed  in  literary  composition,  a  man  with  gray  hair, 
parted  in  the  middle,  is  seated,  with  crossed  legs,  in  an  armchair 
upholstered  in  dark  green.  He  is  dressed  in  a  full  suit  of  black 
with  knee-breeches,  silk  stockings,  conspicuous  silver  shoe-buckles, 
and  sits  leaning  slightly  forward,  with  his  body  turned  a  very  little 
to  the  left,  gazing  meditatively  straight  ahead.  His  right  hand, 
holding  a  quill  pen,  rests  on  a  manuscript  lying  near  books  on  a 
table  covered  with  dark-red  drapery,  ornamented  with  narrow 
bands  of  velvet  of  a  darker  hue,  and  his  left  hangs  over  the  arm  of 
the  chair,  with  large  sheets  of  manuscript  loosely  held  between  the 
fingers. 

Height,  94  in.;  width,  60  in.  Painted  for  the  City  in  1863. 


WILLIAM    PAULDING 

BY 
SAMUEL    FINLEY    BREESE    MORSE,    N.A. 

FOR    DESCRIPTION    SEE    PAGE     1 6 


CATALOGUE    >  \RT— PAINT1NG3 


CHIEF 


Dressed  if".  form,  with  the  word 


J  m  rr.e  right  background 
-  scene. 

)M,    1861 

Heii;i!.,  minted  for  the  Qty  in  1861. 


ED   STATES,    1801-09 

T 


:Y   JARVIS 


a   man   with   gray   hair. 


on  a 

r.  arrow 

ba:  the  arm  of 

the  :>etween  the 

finger;.  O/.iaJJAl    I/.A1JJ17/ 

Height,  94  in.;  width.  60  in.     ''a  Painted  for  the  City  in  1863. 

.A./    .aaSlOtf.    3233Ha  -YHJitn    J3UMA2 

a" 


CATALOGUE    OF    WORKS    OF    ART  — PAINTI NGS 

EDWIN    DENNISON   MORGAN 
1811-1883 

GOVERNOR   OF    NEW    YORK,     1859-62 

ARTIST 

DANIEL   HUNTINGTON,    N.A. 

18 16-1906 

The  full-length  figure  of  a  gentleman  in  the  prime  of  life,  with 
thick  side-whiskers,  is  standing  erect  with  his  body  turned  slightly 
to  the  left,  but  with  his  face  to  the  front  and  his  keen  eyes  looking 
straight  out  of  the  picture.  His  brown  overcoat,  with  broad  velvet 
collar,  is  unbuttoned,  exposing  his  black  suit.  His  left  hand  hangs 
at  his  side,  and  with  his  right  he  is  in  the  act  of  lifting  a  document 
from  a  pile  lying  near  a  sword,  books  and  a  bust  of  Washington 
on  a  table  covered  with  a  rich  Oriental  rug.  In  the  right  back- 
ground is  a  mahogany  armchair  upholstered  in  dark  brown,  behind 
which  hangs  a  mass  of  green  drapery.  A  landscape  is  shown  be- 
yond a  column  in  the  left  background. 

signed:  d.  h.    1864 

Height,  I02  in.;  width,  66  in.  Painted  for  the  City  in  1864. 


WILLIAM    E.   CURTIS 
1823-1880 

president   OF    BOARD   OF    EDUCATION,     1859-63 


H.    A.    LOOP,    N.A. 
183I-1895 

A  BEARDED  gentleman,  seated  with  crossed  legs  in  an  easy-chair 
upholstered  in  red,  is  seen  as  far  as  the  knees  in  three-quarters 
view  to  the  right,  with  his  eyes  turned  to  the  front  looking  at  the 
spectator.  His  right  arm  rests  on  the  arm  of  the  chair,  and  his 
left  near  books  and  a  terrestrial  globe  on  a  table. 

signed:  h.  a.  loop  '64 

Height,  48  in.;  width,  38  in.  Given  to  the  City  in  1864. 

49 


CATALOGUE     OF     WORKS     OF     A  RT— P  A  I  NTINGS 

THOMAS  JEREMIAH 

-1872 

PRESIDENT    BOARD   OF    EDUCATION,    1 843 

ARTIST 
WILLIAM    VER    BRYCK 

In  an  oval  frame  is  the  head  and  shoulders  of  a  gray-haired  man 
with  side-whiskers,  dressed  in  a  simple  suit  of  black,  with  his  body 
turned  a  little  to  the  left,  but  with  his  face  and  eyes  to  the  front. 

signed:    W.    VER    BRYCK     1 864 

Height,  30  in.;  width,  25  in.  Given  to  the  City  in  1864. 


HENRY   CLAY 

1777-1852 

UNITED    STATES   SENATOR 

ARTIST 
P.    STAUNTON 

Dressed  in  a  suit  of  black,  the  figure  of  an  elderly  gentleman, 
with  thin  gray  hair,  is  standing  on  a  rostrum,  in  an  attitude  of 
making  a  speech.  His  body  is  turned  to  the  right  and  leans  a 
little  in  the  same  direction,  but  his  face  is  turned  to  the  left,  and 
the  eyes,  slightly  raised,  look  straight  ahead.  His  left  hand  is 
lifting  a  document  from  among  others  lying  on  a  desk  covered  with 
an  ample  green  drapery,  and  his  right  hand  is  held  before  the 
breast  in  an  expressive  gesture.  On  the  floor  at  the  right  are 
books  and  a  roll  of  documents,  and  behind  the  desk  is  shown  a 
red  screen,  above  which  is  seen  the  top  of  a  door.  An  armchair 
upholstered  in  green  stands  in  the  left  background  near  a  column. 

signed:    p.    STAUNTON    N.    O.     1847 

Height,  108  in.;  width,  72  in.  Purchased  by  the  City  in  1865. 

50 


DE   WITT   CLINTON 

BY 
GEORGE    CATLIN 

FOR    DESCRIPTION    SEE     PAGE     l6 


CATALOGUE    OF    WORKS    O. 


THOMAS  JERL 

-1872 
pRESini:  ,:   so^rd  of  t. 


-'43 


Height,  30  in.;  wi 


,,;u^i,-  v.:  a  giay-haircd  man 
suit  of  black,  with  his  body 
.  ._  lace  and  eye<;  tn  ihe  front. 

R    BRYCK    1864 

Given  to  the  City  in  1864. 


HNATOR 


Dressed  in  a  suit  of  black. 
with  thin  gray  hair,  i?     "      ' 
making  a  speech.     Hi 
iittle  in  the  same  direc 
the  eyes,  slightly  rais^ 
lifting  a  document  fn.! 
an  ami 
breast  > 

books  and  a  ioii 
red  screen,  above 
upholstered  in  gr , 


the  figure  of  an  elderly  gentleman, 

.1  rostrum,  in  an  attitude  of 

:d  to  the  right  and  leans  a 

see  is  turned  to  the  left,  and 

ht  ahead.     His  left  hand  is 

i  lying  on  a  desk  covered  with 

s  right  hand  is  held  before  the 

On  the  floor  at  the  right  are 

ind  behind  the  desk  is  shown  a 

he  top  of  a  door.     An  armchair 

:  left  background  near  a  colun 

.TON  N.  o.   1847 


Height,  108  in.;  widm  72 


'  '   "'    '  ^Purchased  by  the  City  in  18 


WUTAD    30JI030 


CATALOGUE    OF     WORKS     OF     A  RT— PAINTINGS 

GEORGE   WASHINGTON 
'732-1799 

PRESIDENT   OF    THE    UNITED    STATES,     1 789-97 

President  Washington  stands  in  front  view,  with  his  face 
turned  slightly  to  the  left  and  his  eyes  looking  straight  ahead.  He 
is  dressed  in  a  Colonial  costume  of  black  with  white  stock  and 
jabot.  His  left  hand,  hanging  at  his  side,  clasps  his  sword,  and 
his  right  is  extended  a  little  below  the  shoulder,  in  gesture. 
In  the  left  background  stands  a  marble-topped  table  with  giJt  legs 
in  the  form  of  modified  fasces.  .Across  its  comer  lies  an  ample 
piece  of  red  draper\",  on  which  rests  a  looselv  rolled  document, 
and  near  it  are  a  chapeau,  an  inkstand,  and  two  books.  In  the 
right  background  is  a  gilt  chair  upholstered  in  red,  and  bevond  it 
are  two  massive  columns  with  cord  and  tassels  across  their  front, 
and  behind  them  voluminous  red  draper}-,  which  extends  across 
the  scene  to  a  similar  column  with  cord  and  tassels.  Through  a 
small  opening  beneath  the  curtain,  in  the  left  background,  the  skv 
is  seen. 

Height,  96  in.;  width,  60  in.  Purchased  by  the  Gty  in  1865. 


GEORGE   OPD^  KE 
1807-18S0 

-MAYOR   OF    NEW   YORK,    1S62-63 

ARTIST 

CHARLES    LORING    ELLIOTT,    N.A. 

1812-1S6S 

Seated  in  an  elaborately  carded  armchair  is  a  three-quarters- 
length  figure,  seen  as  far  as  the  knees,  with  his  body  tumeid  to  the 
left,  his  head  slightly  inclined  in  the  same  direction,  and  his  face 
nearly  in  front  view,  with  his  eyes  looking  at  the  spectator.  His 
left  hand  lies  in  his  lap,  and  his  right  rests  near  a  pile  of  books  on 
a  table  covered  with  red  draf)er\\ 

signed:    ELLIOTT    1S66 

Height,  42  in.;  width,  34  in.  Painted  for  the  Gty  in  1866. 


CATALOGUE     OF     WORKS     OF     ART — PAINTINGS 

ALFRED   M.   WOOD 

1828- 

MAYOR    OF    BROOKLYN,     1 864-65 

ARTIST 
ALANSON    FISHER,    A.N. A. 
1807- I  884 

Sitting  with  crossed  legs  in  an  easy-chair  upholstered  in  dark 
red,  is  a  three-quarters-length  figure  dressed  in  a  suit  of  black. 
His  body  is  turned  to  the  left,  but  his  face,  with  side-whiskers,  is 
to  the  front,  and  his  calm  eyes  look  straight  at  the  spectator.  His 
left  arm  rests  easily  on  the  arm  of  the  chair,  while  his  right  lies 
near  rolls  of  manuscript  on  a  table  with  a  green  cover. 

Height,  42  in.;  width,  32  in.  Painted  for  the  City  in  1866. 


JAMES   M.   McLEAN 

PRESIDENT   OF    BOARD   OF    EDUCATION,     1 864-67 

ARTIST 
DANIEL    HUNTINGTON,    N.A. 

1 8 1 6- 1 906 

A  MAN  with  long  side-whiskers  is  seated  erect,  in  full  face,  with 
his  right  hand  placed  on  his  knee,  and  his  left  arm  resting  on  a 
table  covered  with  a  rich  Oriental  rug.  He  is  seen  as  far  as  the 
knees,  and  is  dressed  in  a  black  coat,  gray  trousers,  and  light- 
colored  waistcoat.  Red  drapery  is  massed  in  heavy  folds  in  the 
right  background. 

signed:    D.    HUNTINGTON     1 867 

Height,  46  in.;  width,  36  in.  Given  to  the  City  in  1867. 

52 


;  lSF^37s^g^^;>i 


PHILIP   HONE 

BY 

JOHN    VANDERLYN 

FOR    DESCRIPTION    SRE    PAGR     I7 


CATALOG 


.|-Kt,U     .Vi 
1828- 


SlTTING  with   C 

red,  is  a  thr 
His  body  is 
to  the  front, 
left  arm  res! 
near  rolls  of  mani. 

Height,  42  in.;  wi^ 


FISHER., 

1807-1884 


-hair  upholstered  in  dark 
d  in  a  suit  of  black, 
with  side-whiskers,  is 
at  the  spectator.  His 
r,  while  his  right  lies 
>.en  cover. 

-J  for  the  City  in  186 


A  ma: 
his  right 
table  covere... 
knees,  and  ' 
colored  v\ 
right  ba 

Height,  46  in.:  wi.i; 


1 864-67 

ARTIST 

'^'MNGTON,    N.A. 
1906 

ted  erect,  in  full  face,  with 

id  his  left  arm  resting  on  a 

rug.     He  is  seen  as  far  as  the 

coat,  gray  trousers,  and  light- 

-T)   IS  massed  in  heavy  folds  in  the 

'  -  ~3l^OH  '^TJfiW   '867 
:    ;(>  \v.         Ya  Given  to  the  City  in  1867. 

nYJjiaaHAV  nHO^ 
^1   30A1  3  3?  ^oiTTiaDsan  Jim 


CATALOGUE    OF    WORKS    OF    A  RT  — PAINTINGS 

GEORGE   G.    REYNOLDS 
1821-1892 

JUDGE    OF    THE    CITY    COURT,     1 86 1-66;     1 873-86 

ARTIST 

MATTHEW   WILSON 

18 14-1892 

Dressed  in  black  is  the  three-quarters-length  seated  figure  of  a 
gentleman  with  wavy  iron-gray  hair  and  short  side-whiskers.  His 
body  is  turned  to  the  left,  but  his  face  and  eves  are  to  the  front. 
His  left  arm  rests  on  the  back  of  the  chair  and'his  right  hand  on  an 
open  book  lying  on  a  table. 

Height,  44  in.;  width,  34  in.  Given  to  the  Court  in  1867. 


GEORGE    BRINTON   McCLELLAN 

^  1 826- 1 885 

major-general  commanding  the  ARMY  OF  THE   POTOMAC,    1861-62 

ARTIST 

WILLIAM    H.    POWELL,    A.N. A. 

I  824- I  879 

A  GENERAL  in  full  Uniform,  mounted  on  a  spirited  bay  charger, 
is  riding  in  an  extensive  flat  landscape.  The  horse  is  turned  a 
little  to  the  right,  but  the  General's  body  is  in  front  view,  with  the 
face  turned  to  the  left  and  the  eyes  gazing  into  the  distance.  His 
hands  are  encased  in  white  gauntlets,  the  left  holding  the  reins, 
and  the  right,  clasping  a  field-glass,  rests  on  his  thigh.  He  is 
followed  by  five  mounted  generals  in  the  left  background,  and  on 
the  right,  in  the  distance,  woods  are  shown  in  summer  foliage. 
The  generals  are  covered  with  a  reddish-brown  dust  thrown  up  by 
the  prancing  feet  of  the  chargers,  and  over  them  hangs  a  leaden 
sky. 

signed:    POWELL 

Height,  106  in.;  width,  82  in.  Painted  for  the  City  in  1868. 

53 


CATALOGUE     OF     WORKS     OF     A  RT  — PA  I  NTl  NGS 

SAMUEL   BOOTH 
i8 1 8-1902 

MAYOR    OF    BROOKLYN,     1 866-67 

ARTIST 
JUNIUS    BRUTUS    STEARNS,    N.A. 


A  GENTLEMAN  with  short  side-whiskers  and  dressed  in  a  loosely 
fitting  suit  of  black,  is  seated  with  crossed  legs  in  a  chair  uphol- 
stered in  green.  He  is  seen  as  far  as  the  knees,  with  his  body 
turned  slightly  to  the  left  and  his  face  and  eyes  in  the  same  direc- 
tion. His  left  hand,  with  a  finger  between  the  pages  of  a  red- 
covered  book,  rests  on  the  arm  of  the  chair,  and  his  right  arm  on 
a  red-topped  table. 

signed:    STEARNS    68 

Height,  42  in.;  width,  36  in.  Painted  for  the  City  in  1868. 


MYRON    HOLLEY   CLARK 

1 806- 1 892 

GOVERNOR    OF    NEW    YORK,     1855-56 

ARTIST 

FRANCIS    BICKNELL    CARPENTER,    A. N.A. 

1830-1900 

The  Governor,  in  somber  black,  stands  in  front  of  the  massive 
square  pedestal  of  a  marble  column.  He  is  turned  to  the  left,  but 
is  facing  to  the  front.  His  right  hand  holds  gloves  and  a  cane,  and 
his  left  a  silk  hat.  A  large  fountain  is  playing  in  the  left  back- 
ground, and  beyond  is  a  wooded  park. 

signed:    F.    B.    CARPENTER,     1 868 

Height,  100  in.;  width,  66  in.  Painted  for  the  City  in  1868. 

54 


JOHN   CHRISTOPHER    YATES 

BY 
JOHN    VANDERLYN 

FOR    DESCRIPTION    SFE     PAOR     1 7 


CATALOGUE 


—  PAINTINGS 


BOOTH 


A  GENTLEMAN  v 

fitting  suit  of  blav. 
stered  in  green.     Me 
turned  slightly  to  the  > 
tion.     His  left  hand, 
covered  book,  rests  on 
a  red-topped  t.M.- 

Height,  42  in.;  \\; 


nd  dressed  in  a  loosely 
i  legs  in  a  chair  uphol- 
-  the  knees,  with  his  body 
and  eyes  in  the  same  direc- 
•tween  the  pages  of  a  red- 
chair,  and  his  right  arm  on 

UARNS   68 

Painted  for  the  Lity  in  1868. 


;.nT<0\    HOLLEY   CLARK 
I  t>o(y- 1 892 
GOVERNOR   OF    NEW   YORK,    1855-56 

ARTIST 

fRANCtS    BICKNELL   CARPEN'THR,    A.N'. A. 
1830-190^ 

!!!!;■  ...            ,,  iron  I  01  me  mas= 

square  y  turned  to  the  left,  i 

is  facing  lu  a.iu  uuius  gloves  and  a  cane,  ; 

his  left  a  sil-  nain  is  playing  in  the  left  ba 

ground,  and  I:.  ,  irk. 

Height,  100  in.;  width,  60  inyg  Painted  tor  the  City  in  i&' 

l/tYJ5!3aHAV:jflHO[ 


CATALOGUE     OF     WORKS     OF     A  RT  — PAI NTI N  GS 

REUBEN    E.    FENTON 
1819-1885 

GOVERNOR    OF    NEW    YORK,     1 865-69 

ARTIST 

WILLIAM    PAGE,    N.A. 

181I-1885 

Between  a  library  table  with  green  leather  top  and  a  chair  up- 
holstered in  green,  stands  a  figure  in  front  view,  with  the  face  and 
eyes  turned  slightly  to  the  right,  in  the  attitude  of  receiving  a 
visitor.  He  wears  a  full  beard  and  is  dressed  in  black.  His  left 
hand,  partly  closed,  is  held  before  him,  while  the  finger-tips  of  his 
right  hand  rest  on  a  large  document  with  a  red  seal  spread  out  on 
the  table  and  hanging  over  the  edge.  Lying  on  the  document  are 
two  large  bound  books,  and  beside  it  are  a  bundle  of  papers  and  a 
glass  inkstand  holding  a  quill  pen.  In  the  right  background  the 
edge  of  a  map  is  disclosed  near  a  narrow  strip  of  window  with  a 
paneled  casement  and  a  window-seat  strewn  with  documents. 

Height,  99I  in.;  width,  66  in.  Painted  for  the  City  in  1870. 


GRENVILLE   T.   JENKS 
1839-1870 

MEMBER    KINGS    COUNTY    BAR,     1 863-7O 

ARTIST 

MATTHEW    WILSON 

1814-1892 

The  head  and  shoulders  of  a  gentleman  in  the  prime  of  life,  with 
long  whiskers,  is  in  three-quarters  view  to  the  right,  with  his  face 
and  eyes  in  the  same  direction. 

Height,  29^  in.;  width,  24^  in.  Given  to  the  Court  in  1870. 

55 


CATALOGUE    OF    WORKS    OF    A  RT  — PA  I  NTl  NGS 

JOHN   THOMPSON    HOFFMAN 

1828-1888 

GOVERNOR   OF    NEW    YORK,     1869-72 

ARTIST 

JACOB    H.    LAZARUS,    A.N. A. 

I  823- 189  I 

The  three-quarters-length  standing  portrait,  in  full  front  view, 
has  the  face  turned  a  little  to  the  left,  and  the  eyes  looking  straight 
ahead.  A  brown  overcoat  is  carried  across  the  left  arm,  while  his 
right,  holding  a  silk  hat,  hangs  by  his  side.  On  the  right,  from  top 
to  bottom,  is  a  narrow  strip  of  heavy  red  drapery,  and  in  the  left 
background  beyond  a  stone  wall,  a  cupola,  and  tree-tops  are  seen 
against  a  blue  sky  mottled  with  white  clouds. 

signed:  j.  h.  LAZARUS   1870 

Height,  66  in.;  width,  48  in.  Painted  for  the  City  in  1870. 


RICHARD    L.    LARREMORE 

1830-1890 

JUSTICE   OF    SUPREME   COURT 

ARTIST 

THOMAS    HICKS,    N.A. 

1823-1890 


Seated  with  crossed  legs  in  an  easy-chair  upholstered  in  red,  is 
a  three-quarters-length  figure  in  the  attitude  of  considering  a  docu- 
ment held  on  his  knee  by  his  right  hand.  With  both  arms  resting 
on  the  arms  of  the  chair,  he  is  turned  slightly  to  the  left,  and  his 
thoughtful  eyes  look  straight  ahead.  Books  piled  on  a  chair  are 
seen  in  the  right  background,  and  in  the  left  are  shown  documents 
lying  on  a  table,  above  which  hangs  a  red  curtain. 

signed:  t.  HICKS   1870 

Height,  50  in.;  width,  40  in.  Given  to  the  City  in  1870. 

s6 


'i 


CHRISTOPHER   COLUMBUS 

BY 

SAMUEL    FINLEY    BREESE    MORSE,    N.A. 

FOR    DKSCRIPTION    SEE     PAGE     |8 


CATAL' 


WORKS    OF    ART  — PAINTINGS 


THOMPSON   HOFFMAN 

1828 

-OR   OF    K  1869-72 


The  thro 
has  the  face 
ahead.  A  1 
right,  holdii: 
to  bottom, 
background 
against  a  blue 


Height,  (:^  in.;  v 


rait,  in  full  front  view, 
he  eyes  looi<ing  straight 
the  left  arm,  while  his 
On  the  right,  from  top  • 
drapery,  and  in  the  ' 
and  tree-tops  are  ^, 

.  Li.i. 
870 

Painted  for  the  City  in  iP 


Rlv 


ilREMORE 


ARTfST 

-    MICKS,    N.A. 


-1890 


Seated  with  c 
a  three-quarters-! 
ment  held  on  his  knc:_ 
on  the  arms  of  the  ch 
thoughtful  eyes  look 
seen  m  the  right  back^ 
lying  on  a  table,  abov.. 


■■-chair  upholstered  in  red 
titude  of  considering  a  do 
md.  With  both  arms  rest 
i  slightly  to  the  left,  and] 
Books  piled  on  a  chair 
he  left  are  shown  docume 
red  curtain. 


2Ua  MISW0EP  513 H!^OT8l^3 


Height,  50  in.;  width,  40  in. 


Ya 


Given  to  the  City  in  i{ 


.A.M  ,38JiOM  aeaaaa  yhjur  jauMAa 

81     30A«I    338    HOITIlJiaasa    J101 


CATALOGUE    OF    WORKS    OF    A  RT  — PAINTINGS 

CHARLES  GODFREY   GUNTHER 

1822-1885 

MAYOR   OF    NEW   YORK,    1 864-65 

ARTIST 

THOMAS    HICKS,    N.A. 

I  823- 1  890 

A  THREE-QUARTERS-LENGTH  figure.  Wearing  a  fur-trimmed  over- 
coat, is  seated  in  an  armchair  upholstered  in  red,  the  body  turned 
to  the  left,  with  the  face  in  the  same  direction,  and  the  eyes  look- 
ing out  of  the  picture.  His  left  hand  rests  on  the  arm  of  the  chair, 
and  his  right  lies  near  a  few  books  on  a  table  covered  with  bro- 
caded red  drapery,  which  is  repeated  in  the  lower  right  background. 

signed:  t.  HICKS   1872 

Height,  50  in.;  width,  36  in.  Painted  for  the  City  in  1872. 


HAMILTON  W.   ROBINSON 

1814-1 879 

judge   of    court   of   COMMON    PLEAS,     1870-79 

ARTIST 

THOMAS   JENSEN 

1831- 

Seated  in  an  armchair  upholstered  in  blue,  with  legs  crossed,  is 
the  three-quarters-length  figure  of  a  white-haired  gentleman,  with 
his  body  turned  to  the  right  but  his  face  to  the  front.  In  the  left 
background  stands  a  table  with  purple  cover,  on  which  lie  books 
and  documents. 

signed:  ths.  jensen   1872 

Height,  48  in.;  width,  36  in.  Given  to  the  Court  in  1872. 

57 


CATALOGUE     OF     WORKS    OF     ART  —  PAINTINGS 

JOHN   A.    LOTT 

1 805-1 878 

MEMBER   OF   COMMISSION    OF    APPEALS,     1870-75 

ARTIST 

THOMAS   JENSEN 

1831- 

Dressed  in  a  simple  suit  of  black,  the  three-quarters-length 
figure  of  a  portly  gentleman  with  gray  hair  is  seated  in  an  easy- 
chair,  with  his  body  turned  a  little  to  the  left,  but  with  his  face 
and  eyes  to  the  front.  His  left  hand  rests  on  a  book  in  his  lap, 
and  his  right  on  his  knee  beside  a  table,  on  which  are  books  and 
documents. 

signed:  ths  jensen   1873 

Height,  49J  in.;  width,  39^  in.  Given  to  the  Court  in  1873. 


JAMES  TROY 

1835- 

JUDGE    COUNTY   COURT,    PART    I,     1 868-72 

ARTIST 
THOMAS   JENSEN 


Dressed  in  a  simple  suit  of  black,  the  three-quarters-length 
figure  of  a  gentleman  in  the  prime  of  life,  with  dark  hair  and  side- 
whiskers,  is  turned  a  little  to  the  right,  but  his  face  and  eyes  are  to 
the  front.  His  right  hand  grasps  the  lapel  of  his  coat,  and  his  left 
rests  on  an  open  book  near  other  books  on  a  table. 

signed:  ths  jensen  73 

Height,  49  in.;  width,  39  in.  Given  to  the  Court  in  1873. 

58 


MARTIN    VAN    BUREN 


HENRY    INMAN,  N.A. 
FOR.  DESCRIPTION    SRE    PAGE     |8 


CATALOGUE    OF     WORKS    OF 

MEMBc^ 


Dressft  three-quarters-length 

ray  tiair  is  seated  in  an  easy- 

to  the  left,  but  with  his  face 

"■  rests  on  a  book  in  his  lap, 

.  on  which  are  books  and 

NSEN   1873 

Given  to  the  Court  in  1873. 


:^0Y 

PART    i,     1868-72 


Dresse;  f  black,  the  three-quarters-le 

figure  of  3  "•"  of  life,  with  dark  hair  and 

whiskers,  ;  ht,  but  his  face  and  eyes  ::• 

the  front.  e  lapel  of  his  coat,  and  hi 

rests  on  an  open  fx>  r  books  on  a  table. 

M3iiua  ]AAH  mT^tAm 

Height,  49  in.;  width    ,  ;  ''^  Given  to  the  Court  in  . 

.A.W  .WAMHI    YilWHH 

58 
81   HOA1  33^  HOiTiianeaa. HOT 


CATALOGUE    OF    WORKS    OF    A  RT— PAINTINGS 

JOHN   W.    BROWN 

1 796- 1 87 5 

JUSTICE   OF    SUPREME   COURT,    2D    DEPT.,    1850-65 

ARTIST 

JARED    B.    FLAGG,    N.A. 

1820-1899 

Dressed  in  simple  blaci<,  is  tiie  standing  half-length  figure  of  a 
gentleman  with  gray  hair  and  whiskers.  His  body  is  turned  to  the 
left,  and  his  face  and  eyes  are  in  the  same  direction.  His  left  arm 
hangs  at  his  side  and  his  right  hand  is  thrust  into  the  bosom  of  his 
coat. 

signed:  flagg   1876 
Height,  44  in.;  width,  36  in.  Given  to  the  Court  in  1876. 


JOHN   W.    HUNTER 
1 807- 1 900 

MAYOR    OF    BROOKLYN,     1874-75 

ARTIST 

JOHN    BARNARD    WHITTAKER 

1836 

Sitting  erect,  is  a  half-length  figure  dressed  in  a  simple  suit  of 
black,  in  front  view,  with  the  face  turned  a  little  to  the  right,  and 
the  keen  eyes  looking  straight  ahead.  His  left  hand  rests  on  the 
arm  of  the  chair  and  his  right  lies  on  a  sheet  of  manuscript  on  a 
red-topped  table. 

signed:   J.    B.    WHITTAKER 

Height,  44  in.;  width,  34  in.  Painted  for  the  City  in  1876. 

59 


CATALOGUE     OF     WORKS     OF     A  RT— PAINTI NGS 

JOHN   ADAMS   DIX 
1 798- 1 879 

GOVERNOR   OF    NEW   YORK,     1B73-75 

ARTIST 

ANNA    MERRITT    (NEE    LEa) 

1844- 

A  GRAY-HAIRED,  fugged-faccd  officer  in  a  blue  uniform  with  two 
rows  of  brass  buttons,  stands  in  full  face  with  his  serious  eyes  look- 
ing directly  at  the  spectator.  In  his  right  hand,  held  in  front  of 
his  waist,  is  a  quill  pen,  and  the  open  palm  of  his  left  hand  rests 
on  a  legible  document  lying  on  a  large  green  blotter  on  a  carved 
desk.  This  document  closes  with  the  memorable  words:  "If  any 
one  attempts  to  haul  down  the  American  flag,  shoot  him  on  the 
spot." 

Signed:  "John  A.  Dix 

Sec.  of  the  Treasury." 
A  piece  of  red  drapery  lies  on  an  armchair  in  the  left  background, 
and  beyond,  through  an  open  window,  is  seen  a  great  crowd  of 
people,  over  whose  heads  float  the  Stars  and  Stripes,  and  above 
them  towers  the  dome  of  the  National  Capitol  against  a  blue  sky 
with  white  clouds.  In  the  upper  right  background  is  shown  the 
corner  of  a  large  painting  of  a  ship  on  stormy  waters. 

signed:  anna  m.  lea,   1877 

Height,  96  in.;  width,  60  in.  Painted  for  the  City  in  1877. 

FREDERICK   A.   SCHROEDER 

1 83 3- 1 899 

MAYOR    OF    BROOKLYN,     1 876-77 

ARTIST 

THOMAS   JENSEN 

183I- 

Relieved  against  a  grayish-brown  background  is  a  three-quar- 
ters-length figure  dressed  in  a  suit  of  black  and  seated  in  a  mahogany 
armchair  upholstered  in  dark  red.  His  body  is  turned  to  the  right 
and  his  face  to  the  front,  with  the  eyes  looking  at  the  spectator. 
His  right  hand,  holding  an  open  letter,  rests  in  his  lap,  and  his  left 
arm  lies  near  books  on  a  table,  above  which  is  shown  a  corner  of 
a  map  of  Brooklyn. 

signed:  ths  jensen 

Height,  48  in.;  width,  40  in.  Painted  for  the  City  in  1878 

60 


i 
I 


WALTER    BOWNE 

BY 
ROBERT    WALTER    WEIR,    N.A. 

FOR    DESCRIPTION    SEE    PACE     l8 


t 


CATALOGUfi 


»^V     '^vnRKS    Ol 


1798-1879 

)F   NEW    YO^ 


A  GRAY-HAIRE 

rows  of  brass  bu  i 
ing  directly  at  ? 
his  waist,  is  a  q^ 
on  a  legible  doc 
desk.  This  doc 
one  attempts  to 
spot." 


them  tower 
with  white  ^.,.. 
corner  of  a  large 


Height,  £16  in.;  v 


r  in  a  blue  uniform  with  two 

ith  his  serious  eyes  look- 

'  hand,  held  in  front  of 

'  "f  his  left  hand  rests 

letter  on  a  carved 

Die  words:  "If  any 

ncan  flag,  shoot  him  on  the 

■■•X 

e  Treasury." 
in  the  left  background, 
seen  a  great  crowd  of 
and  Stripes,  and  above 
.Mo\  agamst  a  blue  sky 
ickground  is  shown  'f^' 
ny  waters. 

u  \,   1877 

Painted  for  the  City  in  1877. 


A.   SCHROEDER 
-1899 

.OK    Or    t'KUOKLYN,    1876-77 

ARTIST 

IHOMAS   JENSEN 
183  I- 

Reueved  asfainst  .•>.  sfraviih-hrown  background  is  a  three-qi 


ters-length  f 
armchair  u; 
and  his  face  10 
His  right  hand,  1  - 
arm  lies  near  boo^: 
a  map  of  Brooklyn. 


of  black  and  seated  in  a  mahog 

His  body  is  turned  to  the  ri 

ves  looking  at  the  specta' 

,  rests  in  his  lap,  and  his  i 

-    .  :.      0  which  is  shown  a  cornei 

HHWOa    ^HTJAW 


Height,  48  in.;  wid^':'4r9'iW'^  hhtjaw  ^§^99  for  the  City  in  iS 

81   30A1  3  3a  v.qminD?.3a  s^o^ 


CATALOGUE    OF    WORKS    OF    A  RT— PAINTINGS 

JASPER  W.   GILBERT 

1812-1898 

JUSTICE   OF    SUPREME   COURT,    2D   DEPT.,     1866-82 

ARTIST 

THOMAS   JENSEN 
1831- 

The  figure  of  a  man  seated  in  an  armchair  with  his  body  turned 
a  Httle  to  the  right  and  his  face  and  eyes  in  the  same  direction.  He 
is  seen  below  the  knees,  with  his  hands  resting  on  the  arms  of  the 
chair.  In  the  right  background  is  a  table  with  books  and  docu- 
ments. 

signed:  ths  jensen    1883 

Height,  49  in.;  width,  39  in.  Given  to  the  Court  in  1883. 


JAMES   HOWELL 

1829- 

MAYOR   OF    BROOKLYN,     1878-81 

ARTIST 
THOMAS   JENSEN 
183I- 

Sitting  in  an  easy,  dignified  posture  in  front  view,  with  his  face 
turned  to  the  right  and  his  eyes  looking  straight  ahead,  is  a  three- 
quarters-length  figure  dressed  in  a  simple  suit  of  black.  He  holds 
an  open  letter  in  his  left  hand,  and  his  right  arm  rests  near  books 
and  documents  on  a  walnut  desk  with  a  green  top. 

signed:  ths  jensen   1883 

Height,  50  in.;  width,  42  in.  Painted  for  the  City  in  1883. 


CATALOGUE     OF     WORKS    OF     ART  —  PAINTINGS 

JOSEPH   NEILSON 

1815-1888 

JUDGE   OF   CITY   COURT   OF    BROOKLYN,    187I-82 

ARTIST 

THOMAS   JENSEN 

1831- 

Dressed  in  black,  the  three-quarters-length  figure  of  a  portly 
gentleman  is  seated  with  his  body  turned  a  little  toward  the  right, 
but  with  his  face  toward  the  front  and  his  eyes  looking  straight  at 
the  spectator.  His  left  arm  rests  on  the  arm  of  a  chair,  and  his 
right  arm  lies  on  a  table.  In  the  right  background  are  shelves 
filled  with  books. 

signed:  ths  jensen   1883 

Height,  48  in.;  width,  38  in.  Given  to  the  Court  in  1883. 


SETH    LOW 

1850- 

MAYOR   of    BROOKLYN,    1881-85 

ARTIST 

WILLIAM    MERRITT    CHASE,    N.A. 

1849- 

A  GENTLEMAN  in  the  prime  of  life,  dressed  in  a  closely  fitting 
black  frock-coat  and  gray  trousers,  stands  beside  a  table  in  full 
face.  He  is  seen  as  far  as  the  knees,  with  his  left  hand  hanging  at 
his  side,  and  his  right  rests  near  books  and  papers  on  a  mahogany 
table. 

Height,  57  in.;  width,  37  in.  Painted  for  the  City  in  1885. 

62 


GIDEON    LEE 

BY 

HENRY    INMAN,    N.A. 

FOR    DESCRIPTION    SEE    PAGE    20 


CATALOGUE    OF    WORKS    OF     A  RT --P  A  I  NTINGS 


JUDGE    n; 


Dressed  in  blac! 

gentleman  is  sv--  • 
but  with  his  f 
the  spectator, 
right  arm  lies 
filled  with  boor 


Height,  4&  in.;  wuh 


!0^,EPH   M 

15-1888 
.;r  OF  BROO'<">*j     1871-82 

iRTrST 

■i-.'-'MA-:    1  FN  SEN 

c-quarters-Iength  figure  of  a  port!) 

urned  a  little  toward  the  right 

nd  his  eyes  looking  straight  a 

.    on  the  arm  of  a  chair,  and  hi: 

1  the  right  background  are  shelve: 

us  JENSEN    1883 

Given  to  the  Court  in  1883 


SETH    LOW 
1850- 

MAYOR  OF    BROOKLYN,    iS 


1 1-85 


ARTIST 

^RRITT   CHASE,    N.A. 


A   GENTLEMAN    IP 

black  frock-coat  a; 
face.     He  is  seen  as 
his  side,  and  his  righ; 
table. 


01  jite,  dressed  in  a  closely  t 

users,  stands  beside  a  table  1 

;  c  knees,  with  his  left  hand  hang) 

•3ajt'4^d>'a<5toQnd  papers  on  a  mah' 


Height,  57  in.;  width,  pf.m  .wamhi  Yjiikinted  for  the  City  in 


OS  30A1  a3R  i^oiT'iiHDsnn  am 


CATALOGUE    OF    WORKS    OF    A  RT  — PAINTINGS 

NOAH    DAVIS 

i8 1 8-1902 

PRESIDING   JUSTICE,    APPELLATE    COURT,    1 874-86 

ARTIST 

DANIEL    HUNTINGTON,    N.A. 
18 16-1906 

The  half-length  figure  of  a  gentleman  is  seated  in  an  armchair, 
upholstered  in  red,  in  front  view,  but  with  his  face  turned  to  the 
left  and  his  eyes  looking  straight  ahead.  His  arms  rest  on  the  arms 
of  the  chair,  with  the  right  hand  holding  a  book. 

signed:    D.    HUNTINGTON    1 886 

Height,  43  in.;  width,  34  in.  Given  to  the  Court  in  1886. 


JOHN   DIKEMAN 
1795-1879 

judge    COUNTY   COURT,    PART    I,     1860-68 


THOMAS   JENSEN 
183I- 

The  three-quarters-length  figure  of  a  gentleman  with  gray  hair 
and  whiskers  is  seated  with  crossed  legs  in  an  armchair.  His 
body  is  turned  a  little  to  the  right,  but  his  face  is  to  the  front,  with 
the  eyes  looking  straight  out  of  the  picture.  His  arms  rest  on  the 
arms  of  the  chair,  with  the  hands  holding  a  document  on  his  lap. 
In  the  left  background  is  a  table,  on  which  lie  an  open  book  and 
documents. 

signed:  ths  jensen    1887 

Height,  49  in.;  width,  39  in.  Given  to  the  Court  in  1887. 

63 


CATALOGUE     OF     WORKS    OF     A  RT  — PAINTI NGS 

DANIEL   D.   WHITNEY 

1819- 

MAYOR    OF    BROOKLYN,     1 886-87 

ARTIST 

THOMAS   JENSEN 

183I- 

Dressed  in  a  black  business  suit,  a  gentleman  is  seated  erect  in 
a  chair  upholstered  in  red  plush.  The  figure  is  seen  as  far  as  the 
knees,  in  three-quarters  view  to  the  left,  with  his  face  turned 
toward  the  spectator  and  his  eyes  looking  straight  out  of  the 
picture.  His  left  hand  rests  on  his  knee,  and  his  right  holds  a  rolled- 
up  document,  with  the  arm  lying  near  books  and  documents  on  a 
mahogany  table  with  a  purple  leather  top.  An  olive-green  cur- 
tain hangs  in  the  right  background. 

signed:  ths  jensen   1888 

Height,  50  in.;  width,  40  in.  Painted  for  the  City  in  1888. 


JACOB    I.    BERGEN 

1 832- 1 885 

SURROGATE   JUDGE,    KINGS   COUNTY,    1 884-87 

ARTIST 
THOMAS   JENSEN 
183I- 

This  is  the  head  and  shoulders  of  a  gentleman  with  long  side-' 
whiskers.  He  is  in  front  view,  with  his  face  turned  slightly  to  the  ' 
right  and  his  eyes  looking  straight  out  of  the  picture. 

signed:   THS   JENSEN     1 889 

Height,  30  in.;  width,  25  in.  Given  to  the  Court  in  1889. 


GF.ORGF.    HALL 


JAMI'lS'    I-ROTHINC.HAM,    N.A. 
FOR    DESCRIPTION    SEE    PAGE    20 


Dresse:  cieman  is  seated  erect  in 


\n  oiive-green 


SEN    1888 
Heigh  Painted  for  the  City  in  1S88. 


couvnr, 


Heigh  i€^<^  to  the  G>urt  in 

OC   30A1    33a    ^aittlKXVl   SKf=l 


CATALOGUE    OF    WORKS    OF    A  RT  — PAINTINGS 

ABRAHAM    LOTT 

1831-1889 

SURROGATE   JUDGE,    KINGS   COUNTY,    1887 

ARTIST 

THOMAS   JENSEN 

1831- 

Dressed  in  black,  is  the  head  and  shoulders  of  a  gentleman  with 
gray  chin-whiskers.  His  body  is  turned  a  little  to  the  left  and  his 
face  and  spectacled  eyes  in  the  same  direction. 

signed:  ths  jensen    1889 

Height,  30  in.;  width,  25  in.  Given  to  the  Court  in  i88q. 


ERASTUS  COOKE 

1818-1885 

justice  of  supreme  court,  2D  dept.,   1880 

artist 

H.    COOKE 

This  is  the  head  and  shoulders  of  a  gray-haired  gentleman  in 
full  face.     He  is  dressed  in  a  simple  suit  of  black. 

signed:    H.   COOKE   90 

Height,  29I  in.;  width,  24^  in.  Given  to  the  Court  in  1890. 


WALTER   L.   LIVINGSTON 

1830- 

SURROGATE   JUDGE,    KINGS   COUNTY,    1880-83 

ARTIST 

THOMAS   JENSEN 
183I- 

Dressed  in  black,  is  the  head  and  shoulders  of  a  gentleman  with 
long  whiskers  in  three-quarters  view  to  the  left,  with  his  face  and 
eyes  in  the  same  direction. 

signed:   THS   JENSEN     I 89O 

Height,  30  in.;  width,  25  in.  Given  to  the  Court  in  1890. 

65 


CATALOGUE    OF    WORKS    OF    ART  —  PAINTINGS 

J.    EDWARD   SIMMONS 

1841- 

PRESIDENT    BOARD   OF    EDUCATION,    1 886-9 1 

ARTIST 

T.    W.    WOOD,    A.N. A. 

1823- 1903 

The  head  and  shoulders  of  a  man  is  in  front  view,  with  his  face 
turned  to  the  right  and  his  eyes  looking  straight  ahead.  He  wears 
a  modern  costume  of  black  coat  and  waistcoat,  low  collar,  and 
spotted  tie. 

signed:  t.  w.  wood  1890 

Height,  31  in.;  width,  26  in.  Given  to  the  City  in  1890. 

WILLIAM    D.   VEEDER 

1835- 

SURROGATE   JUDGE,    KINGS   COUNTY,     1 866-77 

ARTIST 

THOMAS   JENSEN 

1831- 

Dressed  in  black,  is  the  head  and  shoulders  of  a  gentleman,  with 
his  body  turned  a  little  to  the  right,  his  face  and  eyes  in  the  same 
direction. 

signed:  ths  jensen   1890 

Height,  30  in.;  width,  25  in.  Given  to  the  Court  in  1890. 

JUDAH    B.   VOORHEES 

CHIEF    CLERK,    SURROGATE    COURT,    1855-9O 

ARTIST 

THOMAS    JENSEN 

183I- 

Dressed  in  a  loosely  fitting  black  coat,  is  the  head  and  shoulders 
of  a  gentleman  with  iron-gray  hair  and  gray  chin-whiskers,  in  front 
view,  with  his  face  turned  a  little  to  the  left  and  his  eyes  looking 
straight  ahead.  J 

signed:  ths  jensen   1891  ^ 

Height,  30  in.;  width,  25  in.  Given  to  the  Court  in  1891. 

66 


WILLIAM    LEARNED   MARCY 


WILLIAM    PAGE,    N.A. 
FOR    DESCRIPTION    SEE     PAGE    22 


CATALOGUE    OF    WORKS    OF    ART— PAINTINGS 

m  SIMMONS 

PRESIDENT  MION.    1886-9! 


The  head  and  sho 
turned  to  the  right  ;i 
a  modern  costume 
spotted  tie. 

Height,  31  in.;  wiui 


i'^  in  front  view,  with  his  face 
ing  straight  ahead.  He  wears 
r,d  waistcoat,  low  collar,  and 

OOD    1890 

Given  to  the  City  in  1890. 


SURROGAl 


D.  VEEDER 

S   COUNTY,    1866-77 


Dressed  in  black, 
his  body  turned  a  Is 

''■'-orion. 

s 

Height,  30  in,;  width 


-houlders  of  a  gentleman,  with 
his  face  and  eyes  in  the  same 

1890 
Given  to  the  Court  in  1800. 


'ORHEES 

>GATE   COURT,    1855-90 


Dresse  Ati,  is  the  head  and  shou: 

of  a  gentl-:  -d  gray  chin-whiskers,  in  i 

view,  with  ...    ..  '  the  left  and  his  eyes  lot 
straight  ahead. 

Y351AM  a.lt^5HA3JE?MM9lUIW 

Height,  30  in.;  width,  .25  in.         ^a        Given  to  the  Court  in  i 

.AM    <30A5    MAIJJIW 
££  30A1  dae  KOiTiiHoaaa  510a 


CATALOGUE    OF    WORKS    OF    A  RT  — PAINTINGS 

"VUELVAN   CARA!" 

ARTIST 
ARTURO   MICHELENA 

1 868- 1 898 
Inscription: 

VUELVAN    CARa! 

EPISODIO    DE    LAS    QUESERAS    DEL    MEDIO. 

A    LA    CIUDAD    DE    NEW    YORK    LA    JUNTA    DIRECTIVA. 

DEL   "CENTENARIO    DE    PAEZ." 

CARACAS   J  UN  10    I  3    DE    I  89O. 

In  an  extensive,  flat  landscape,  brilliantly  colored  by  the  early 
morning  sun,  a  strategic  military  movement  is  represented.  In 
the  middle  of  the  composition,  a  commander,  in  red  blouse,  white 
trousers,  and  broad-brimmed  straw  hat  ornamented  with  plumes, 
with  a  sword  hanging  at  his  side,  has  suddenly  reined  in  his 
powerful  white  charger  upon  its  hind  legs.  He  is  waving  his 
lance  vigorously  at  a  motley  group  of  mounted  men,  who  are  riding 
wildly  to  the  left  but  turning  their  heads  to  look  at  their  leader, 
who,  judging  from  the  title  of  the  picture,  "Vuelvan  Cara!" 
(About  Face!),  is  evidently  shouting  this  word  of  command. 

signed:    ARTURO   MICHELENA.    CARACAS — 189O 

Height,  1 14  in.;  width,  186  in.  Given  to  the  City  in  1891. 


ROSWELL  C.    BRAINARD 

1 8 19- 1 879 

SURROGATE   JUDGE,    KINGS   COUNTY,     1858-66 

ARTIST 

THOMAS   JENSEN 

1831- 

The  head  and  shoulders  of  a  gentleman  with  iron-gray  whiskers 
is  in  three-cjuarters  view  to  the  left,  and  his  face  and  eyes  in  the 
same  direction. 

signed:  ths  jensen   1893 

Height,  30  in.;  width,  25  in.  Given  to  the  Court  in  1893. 

67 


CATALOGUE    OF    WORKS    OF    A  RT  — PAI  NTl  NGS 

ABRAM   H.   DAILEY 
1831-1907 

SURROGATE   JUDGE,    KINGS   COUNTY,     1 877-84 

ARTIST 

THOMAS   JENSEN 

183I- 

This  is  the  head  and  shoulders  of  a  gentleman  with  long  iron- 
gray  whiskers.  His  body  is  turned  a  little  to  the  left,  and  his  face 
and  eyes  are  in  the  same  direction. 

signed:  ths  jensen   1893 

Height,  30  in.;  width,  25  in.  Given  to  the  Court  in  1893. 


JESSE   C.   SMITH 

1 808- 1 888 
surrogate  judge,  kings  county,   1850-55 

ARTIST 

THOMAS   JENSEN 
183I- 

Dressed  in  black,  is  the  head  and  shoulders  of  a  gentleman  with 
gray  hair  and  whiskers  in  full  face. 

signed:  ths  jensen   1893 

Height,  30  in.;  width,  25  in.  Given  to  the  Court  in  1893. 

JOSEPH    F.    BARNARD 
1823-1904 

JUSTICE    SUPREME    COURT,    2D    DEPT.,     1864-93 

ARTIST 

THOMAS    JENSEN 

183I- 

This  is  the  head  and  shoulders  of  a  gentleman  past  middle  life, 
with  his  body  turned  a  little  toward  the  right,  but  his  face  to  the 
front,  and  his  eyes  looking  directly  at  the  spectator. 

signed:  ths  jensen    1894 

Height,  30  in.;  width,  25  in.  Given  to  the  Court  in  1894. 


WILLIAM  HENRY  SEWARD 

BY 
HENRY    INMAN,    N.A. 

FOR    DESCRIPTION    SEF    PAGE    26 


CATALOCUF 


1.    DAILEV 

1907 

;ngs  county.    tS-77-84 


This  is  ti 
gray  whiskei:-. 
and  eves  are  in 


Height,  30  in.:  width. 


of  a  gentleman  with  long  iron-^ 


Given  to  the  Court  in  1893. 


iTH 


'50-55 


oulders  of  a  gentleman  with 


093 
uiven  to  the  Court  in  1893. 


JUSTI, 


RNARD 

■D    DEPT.,     1864-93 


This  is  the  he-  iders  ot  a  gentleman  past  middle  life, 

with  his  body  tur  toward  the  right,  but  his  face  to  the 

front,  and  his  eye.-  ...rectly  at  the  spectator. 

QHAWaa  YMHaWEMAilSfctlV/ 
Height,  30  in.;  width,  25  in         '^^        Given  to  the  Court  in  18; 

.A.M    ,WAMKI    YMH3H 

t-.d 

^E   iDAi  Hag  noiTqifloaaa  aoi 


CATALOGUE    OF    WORKS    OF    A  RT  — PAINTI NGS 

CHARLES   A.   SCHIEREN 
1842- 

MAYOR   OF    BROOKLYN,     1 894-95 

ARTIST 

RICHARD    CREIFELDS 

.853- 

A  GENTLEMAN  in  the  prime  of  life,  with  dark  side-whiskers,  and 
dressed  in  a  black  frock-coat  and  dull-gray  trousers,  is  seated  in  a 
dignified  posture  with  crossed  legs  in  a  mahogany  armchair  up- 
holstered in  brown  plush.  He  is  seen  below  the  knees,  turned 
slightly  to  the  left,  with  his  eyes  looking  through  spectacles  out  of 
the  picture.  His  left  hand,  holding  a  letter,  lies  on  his  lap,  and 
his  right  arm  rests  on  the  arm  of  the  chair  with  a  pen  in  the  hand. 
A  few  documents  lie  on  a  table  in  the  left  background,  and  above 
it  is  looped  a  gray  curtain,  which  extends  across  the  scene. 

signed:    R.   CREIFELDS 

Height,  52  in.;  width,  40  in.  Given  to  the  City  in  1897. 


CHARLES   H.   VAN    BRUNT 
1836- 

JUDGE   OF    SUPREME   COURT,     1883- 

ARTIST 

ALFRED   QUINTON    COLLINS,    A.N. A. 

1 862- 1 903 

Dressed  in  the  official  black  gown,  a  gray-bearded  gentleman  is 
^seated  in  full  face,  with  his  right  hand  resting  on  his  lap  and  his 
left  arm  on  a  table  covered  with  velvet.     The  figure  is  seen  below 
the  knees. 

signed:    ALFRED   Q.    COLLINS    1897 

Height,  60  in.;  width,  38  in.  Given  to  the  Court  in  1897. 

69 


CATALOGUE    OF    WORKS    OF    A  RT  — PAl  NTINGS 

ALEXANDER   McCUE 

1 827- 1 889 

JUDGE   OF   CITY   COURT   OF    BROOKLYN,     1 849-54 

ARTIST 

HAROLD    L.    MACDONALD 

1861- 

This  is  the  head  and  shoulders  of  a  gentleman  with  gray  hair, 
in  three-quarters  view  to  the  right,  with  his  face  and  eyes  in  the 
same  direction. 

signed:    HAROLD   MACDONALD    '97 

Height,  31^  in.;  width,  26^  in.  Given  to  the  Court  in  1897. 


JOSEPH   W.   CARROLL 
1 859- 1 899 

CHIEF   CLERK,    SURROGATE    COURT,    KINGS   COUNTY,    1 890-99 

ARTIST 

THOMAS   JENSEN 

183I- 

This  is  the  head  and  shoulders  of  a  gentleman  in  the  prime  of 
life,  in  front  view,  but  with  his  face  turned  to  the  right  and  his 
spectacled  eyes  looking  straight  out  of  the  picture. 

SIGNED:   THS   JENSEN     1899 

Height,  30  in.;  width,  25  in.  Given  to  the  Court  in  1899. 


NATHANIEL   H.   CLEMENT 

JUSTICE   OF    SUPREME   COURT,    1896 

ARTIST 
HENRY    STANLEY   TODD 

Dressed  in  a  suit  of  black,  is  the  head  and  shoulders  of  a  gen- 
tleman with  long  iron-gray  side-whiskers.  He  is  in  front  view, 
with  his  face  turned  to  the  left  and  his  eyes  looking  straight  out  of 
the  picture. 

SIGNED:   TODD   99  « 

Height,  33  in.;  width,  26^  in.  Given  to  the  Court  in  1899. 

70 


JAMES   HARPER 


HENRY    INMAN,    N.A. 
FOR    DESCRIPTION    SEE    PAGE    27 


CATALOCLit    OF    WORKS    OF     -  k- i- -PAINTINGS 


same  direction 
Height,  31 


N'DER    M. 

27-1889 

'■•T  OF    BKC  ;0-=,,.1 

ARTIST 

:,.    MACDONA.  0 
:86l- 

ers  of  a  gentleman  with  gray  hair, 
ight,  with  his  face  a"'^  -^^  '^•=  "■>  f^- 

r>    MArnnvjALD   '97 

iiven  to  the  Court  in  1897 


.\\   CARROLL 

I,    KINGS  COUNTY,    1890-f! 


ntleman  in  the  prin- 
ned  to  the  right  an_ 
picture. 


Height,  30 


iven  to  the  Court  in 


tlem. 
with  ■--  - 
the  picture 


.ANL£Y    TODD 

tK.>  i-,oq(j  and  shoulders  of  a 
s.     He  is  in  front 

fS  lookina-  straight  - 


^3q>lAH    ?3MA\ 
Height,  33  in.;  wiJt'       '^^ 

.A.H    .HAMWI    YJ1W3H 
^£  30A1  aaa  noirsrsiDaga  >ioa 


Given  to  the  Court  in 


CATALOGUE    OF    WORKS    OF    ART — PAINTINGS 

RODMAN    B.   DAWSON 

1825-1893 

SURROGATE   JUDGE,    KINGS   COUNTY,    1855-58 

ARTIST 

THOMAS   JENSEN 

1831- 

The  head  and  shoulders  of  a  gentleman  with  black,  curly  hair 
is  in  front  view  with  his  face  turned  a  little  to  the  right,  the  eyes 
looking  straight  ahead. 

signed:  ths  jensen   1900 

Height,  30  in.;  width,  25  in.  Given  to  the  Court  in  1900. 

ANDREW   B.    HODGES 

1812-1876 

SURROGATE   JUDGE,    KINGS   COUNTY,    1 846-49 

ARTIST 

THOMAS   JENSEN 

1831- 

The  head  and  shoulders  of  a  portly  gentleman  is  in  front  view, 
with  his  face  turned  a  little  to  the  left,  the  eyes  looking  straight 
ahead. 

signed:  ths  jensen    1900 

Height,  30  in.;  width,  25  in.  Given  to  the  Court  in  1900. 


GEORGE    B.   ABBOTT 
1850- 

SURROGATE   JUDGE,    KINGS   COUNTY,     1889-I9OI 

ARTIST 

THOMAS   JENSEN 

183I- 

Dressed  in  black,  is  the  half-length  figure  of  a  gentleman  with 
gray  hair  and  goatee,  seated  in  an  armchair  in  three-quarters 
view  to  the  right,  with  his  face  and  eyes  in  the  same  direction. 

signed:  ths  jensen   1902 

Height,  30  in.;  width,  25  in.  Given  to  the  Court  in  1902. 

71 


CATALOGUE    OF    WORKS    OF     A  RT  — PAINTI NGS 

JAMES   EMOTT 
1 823- 1 884 

JUSTICE   OF   SUPREME   COURT,    2D   DEPT.,    1855-63 

ARTIST 
HENRY    STANLEY   TODD 

Seated  erect  in  an  easy-chair,  is  the  figure  of  a  gentleman  in  the 
prime  of  life,  with  black  hair  and  side-whiskers.  Seen  as  far  as  the 
knees,  he  is  in  three-quarters  view  to  the  left  with  his  face  and 
eyes  turned  toward  the  front.  His  left  arm  rests  on  the  arm  of 
the  chair,  and  his  right  arm  lies  on  a  table  near  books  and  docu- 
ments. 

signed:    H.    STANLEY   TODD    1902 

Height,  44  in.;  width,  35^  in.  Given  to  the  Court  in  1902. 


MICHAEL   F.   McGOLDRICK 

1856- 

CHIEF   CLERK,    SURROGATE   COURT,    KINGS   COUNTY,    1899-I902 

ARTIST 

THOMAS   JENSEN 

1831- 

Dressed  in  black,  is  the  head  and  shoulders  of  a  gentleman  in 
the  prime  of  life,  with  his  body  turned  slightly  to  the  right  and  his 
face  and  eyes  in  the  same  direction. 

signed:  ths  jensen   1902. 

Height,  30  in.;  width,  25  in.  Given  to  the  Court  in  1902. 

72 


WILLIAM   C.    BOUCK 

BY 
CHARLES    LORING    ELLIOTT,    N.A. 

FOR    DESCRIPTION    SEE    PAGE    29 


CATALOGUE    OF    WORKS    OF     A  RT  — PAINTINGS 

JAMES   r-. 
jusTiCF  '■»'-  «'""  75-63 


SEAThD  ereci 
prime  of  life,  w 


:'~  gentienian  in  me 

Seen  as  far  as  the 

1:  with  his  face  and 

-ests  on  the  arm  of 

.  .;ear  books  and  dncu- 

o   1902 
ven  to  the  G)urt  in  1902. 


CHIEF   CLER'r 


McGOLDRICK 

KINGS   COUNTY,    1899-I902 


Dressed  in  ! 
the  prime  of  lite 
face  and  eyes  in  the  idiv.c.  ».i. 


d  and  shoulders  of  a  gentlem: 
.  turned  slightly  to  the  right  an 
:tion. 


Height,  30  in.;  width  ya  Given  to  the  Court  in 

.AM    .TTOIJJH    Ol^fcaOJ    aajHAHD 

Q£    30Aq     33?    HOIT<II5I3«3a    SI03 


CATALOGUE    OF    WORKS    OF    A  RT  — PAINTINGS 

*WILLIAM   L.   STRONG 
1827-1900 

MAYOR   OF    NEW   YORK,     1 895-97 

ARTIST 
B.    KRAMER-SCHEIRO 

Seated  with  crossed  legs  in  a  yellowish-brown  armchair,  is  the 
three-quarters-length  figure  of  a  man  in  nearly  front  view,  with 
the  head  slightly  inclined  to  the  left  and  the  eyes  looking  straight 
at  the  spectator.  His  right  hand  rests  in  his  lap  and  the  left  clasps 
the  arm  of  the  chair. 

signed:    B.    KRAMER-SCHEIRO    1898 

Height,  50  in.;  width,  38  in.  Given  to  the  City  in  1902. 


*ANDREW   HASWELL  GREEN 

1820-1903 

comptroller,   1871-76 

ARTIST 

henry  MOSLER 

1841- 

A  GRAY-BEARDED  gentleman,  dressed  in  a  simple  suit  of  black,  is 
seated  with  crossed  legs  in  an  easy-chair  upholstered  in  Oriental 
material  of  many  colors.  He  is  turned  slightly  to  the  left,  but 
facing  to  the  front.  His  left  arm,  with  an  open  document  in  the 
hand,  rests  on  the  arm  of  the  chair,  and  his  right  lies  on  a  table 
covered  with  green  drapery,  and  above  are  shelves  partly  concealed 
by  an  olive-green  curtain  looped  back,  disclosing  several  books. 

Height,  72  in.;  width,  48  in.  Painted  for  the  City  in  1903. 

73 


CATALOGUE     OF     WORKS     OF     A  RT  — PAI NTINGS 

*RICHARD   RIKER 

1773-1842 

RECORDER   OF   NEW   YORK   CITY,    1815,    1819,    182I-23,    1 824-38 

ARTIST 
GEORGE    WILLOUGHBY    MAYNARD,    N.A. 
1843- 

A  HALF-LENGTH  figure,  with  the  right  side  toward  the  spectator, 
but  with  the  face  turned  toward  the  front.  The  right  hand  holds 
a  letter,  with  the  elbow  resting  on  a  table,  over  which  hangs  red 
drapery,  in  the  background  is  a  dark  red  curtain  looped  up  at  the 
right  side. 

signed:   G.    W.    MAYNARD   AFTER   J.    FROTHINGHAM 

Height,  38  in.;  width,  30  in.  Given  to  the  Court  in  1904. 

ABRAHAM    B.   TAPPEN 

-1896 

ARTIST 

IRVING    R.    WILES 

1861- 

Dressed  in  a  simple  suit  of  black,  the  head  and  shoulders  of  a 
gentleman  with  white  hair  and  beard  is  turned  a  little  to  the  left, 
with  his  face  and  eyes  in  the  same  direction. 

signed:    IRVING    R.    WILES. 

Height,  30  in.;  width,  25  in.  Given  to  the  Court  in  1907. 

JOSIAH    INGERSOLL 
1763-1839 

WARDEN    OF   THE    PORT   OF    NEW   YORK,     182O-39 

ARTIST 
UNKNOWN 

Dressed  in  a  dark-blue  dress  coat,  buflF  trousers,  white  waistcoat 
and  ample  stock,  is  the  three-quarters-length  standing  figure  of  a 
gentleman  in  the  prime  of  life.  He  is  in  full  face  and  his  brown 
eyes  look  directly  at  the  spectator.  In  his  right  hand  he  holds  a 
telescope,  and  with  his  left  he  is  casually  pointing  to  a  full-rigged 
vessel  in  the  extreme  left  of  the  background,  which  consists  of  a 
calm  sea  beneath  a  partly  clouded  sky. 

Height,  38  in.;  width,  33  in.  Given  to  the  City  in  1908. 


JOHN    YOUNG 

BY 
HENRY    PETERS    GRAY,    N.A. 

FOR    DESCRIPTION    SEE    PAGE    32 


CATALOGUE     OF     W< 


A  INTINGS 


RECORDER  OF    NbW 


19,    1021-23,    1^24-38 
V    MAYNARD,   N.A. 


A  HALF-LENGTH  figure. 

but  with  the  fac-^  r  ,,„„  ! 
a  letter,  with  t! 
drapery.    In  fh: 
right  side. 

signed:  c. 

Height,  38  in.;  width 


ht  side  toward  the  spectator, 
front.  The  right  hand  holds 
i  table,  over  which  hangs  red 
:    T,\]  riirr;ii"n  looped  up  at  the 

l-.R    J.    KKOmlNGHAM 

Given  to  the  Court  in  1904. 


.\PPEN 


.rii,; 

R.   WILES 

■i6i- 

Dressed  in  a  ^•"•' 
gentleman  with 

with  his  face  aii 

' ' -k.  the  head  and  shoulders  of  a 
i  is  turned  a  little  to  the  left, 
i'tection. 

!NG    R.    WILES. 

Height,  30  in.;  width 

Given  to  the  Court  in  1907. 

JUSI 


:rsoll 


WARDEN   OF   THE    PORT  OF   NEW   YORK,    1 82O-39 


Dressed  in  a  dark 
and  ample  stock,  i^ 
gentleman  in  th 
eyes  look  direct; 
telescope,  and  w 
vessel  m  the  ex' 
calm  sea  beneath  ^  ;. 

Height,  38  in.;  width. 


coat,  buff  trousers,  white  waistv 
juarters-length  standing  figure 
iile.     He  is  in  full  face  and  his  br 
t^ectator.     In  his  right  hand  he  ho!' 
he  is  casually  pointing  to  a  full-ri,L 
of  the  background,  which  consists 
r;i>  dW^©Vski^fiOL 
33  in.  Ya         Given  to  the  City  in  r 

.AM    ,YA>IO    eJIHTHI    YJIM3H 

7-1 

£f    30A1     333    HOITIIJIDeSa    M03 


CATALOGUE    OF     WORKS    OF    ART  —  PAINTINGS 

*ROBERT  T.    HAWS 

1815-1863 

COMPTROLLER   OF   THE   CITY   OF    NEW    YORK,    1 859-63 

ARTIST 
UNKNOWN 

The  head  and  shoulders  of  a  man  dressed  in  a  simple  suit  of 
black  is  in  front  view,  with  his  face  turned  a  little  to  the  right,  and 
his  eyes  looking  straight  ahead. 

Height,  35  in.;  width,  29  in.  Given  to  the  City  in  1908. 

ERASTUS   C.    BENEDICT 

1 800- 1 880 

PRESIDENT   OF    BOARD   OF    EDUCATION,    185O-54 

ARTIST 
UNKNOWN 

A  GRAY-BEARDED  man  in  front  view,  with  his  eyes  looking 
straight  out  of  the  picture,  is  seated  with  crossed  legs  in  an  easy- 
chair  upholstered  in  red.  His  clenched  right  hand  rests  on  his 
knee,  and  his  left  holds  a  letter,  the  arm  lying  on  a  table  with  a 
yellow  cover.  A  fold  of  green  drapery  hangs  in  the  left  back- 
ground. 

Height,  46  in.;  width,  36  in.  Given  to  the  City. 

SIMON    BOLIVAR 
1783-1830 

A   VENEZUELAN    GENERAL   AND   STATESMAN 

ARTIST 
CHARLES    WESLEY   JARVIS 

Dressed  in  red  trousers  and  a  dark-blue  coat,  with  the  collar, 
revers,  cuffs,  and  belt  richly  ornamented  with  heavy  gold  braid, 
and  with  an  orange  sash  about  his  waist,  is  the  figure  of  a  man  in 
nearly  front  view,  with  his  face  to  the  left,  in  profile,  and  his  dark 
eyes  looking  straight  ahead.  He  is  seen  to  the  hips,  with  his  left 
hand  grasping  the  pommel  of  his  sword.  The  head  of  a  rearing 
charger  is  seen  in  profile  in  the  left  background. 

signed:  c.  w.  j. 

Height,  36  in.;  width,  30  in. 

75 


CATALOGUE     OF     WORKS    OF     A  RT  — PAINTINGS 

ALEXANDER   WARFIELD    BRADFORD 

1815-1867 

SURROGATE    JUDGE,    THREE    TERMS 

ARTIST 
UNKNOWN 

Dressed  in  a  black  suit,  with  silk  waistcoat  and  tie,  is  the 
figure  of  a  gentleman  seated  with  crossed  legs,  in  a  chair  uphol- 
stered in  green,  at  the  corner  of  a  green-topped  table,  on  which 
lies  his  left  hand  holding  a  bundle  of  documents.  His  right  hand 
lies  in  his  lap. 

Height,  44  in.;  width,  34  in. 

JOHN    R.    BRADY 
1 82 1- 1 89 1 

JUSTICE    OF    SUPREME    COURT,     1877-189I 

ARTIST 

THOMAS    LE    CLEAR,    N.A. 

1818-1882 

Seated  in  front  of  a  bookcase  in  a  red  upholstered  armchair,  is 
the  figure  of  a  gentleman  in  three-quarters  view  to  the  left,  with 
his  face  turned  toward  the  front  and  the  eyes,  turned  still  more, 
look  straight  out  of  the  picture.  His  hands  rest  on  his  knees. 
In  the  right  background  is  shown  a  narrow  green  curtain. 

signed:  t.  le  clear  n.a. 

Height,  50  in.;  width,  36  in.  Given  to  the  Court. 

HENRY   CLAY 

1777-1852 

UNITED     STATES     SENATOR 

ARTIST 
UNKNOWN 

Apparently  in  the  act  of  making  a  speech,  the  figure  stands  in 
front  view,  with  the  face  slightly  turned  to  the  left  and  the  eyes 
looking  straight  ahead.  His  left  foot  is  advanced,  and  his  left 
hand  rests  impressively  on  a  document  lying  on  a  dark-colored 
desk,  near  two  books,  while  his  partly  closed  right  hand  is  held 
before  his  waist.     Behind  him  is  looped  a  heavy  dark-red  drapery. 

Height,  90  in.;  width,  58  in. 

76 


JOSE  ANTONIO   PAEZ 

BY 
CHARLES  WESLEY  JARVIS 

FOR   DESCiUPTION     SEE    PAGE    34 


' 


CATALOGUE    OF.  WORKS    '  -^.>iiNGS 

ALEXANDER  WARFILlu    t-kaDFORD 
1815-1867 

SURROGATE  JUDGE,   THREE   TERMS 

ARTIST 
UNKNOWN 

Dressed  in  a  black  suit,  with  silk  waistcoat  and  tie,  is  the 
figure  of  a  gentleman  seated  with  crossed  legs,  in  a  chair  uphol- 
stered in  green,  at  the  corner  of  a  green-topped  table,  on  which 
lies  his  left  hand  holding  a  bundle  of  documents.  His  right  hand 
lies  in  his  lap. 

Height,  44  in.;  width,  34  in. 

JOHN    R     ! 

18. 

JUSTICE    OF    SUrR:  1877-18QI 


Seated  in  front  of  a  bookcase  in  a  red  upholstered  armchair,  is 
the  figure  of  a  gentleman  in  three-quarters  view  to  the  left,  with 
his  face  turned  toward  the  front  and  the  eyes,  turned  still  more, 
look  straight  out  of  the  picture.  His  hands  rest  on  his  knee,. 
In  the  right  background  is  shown  a  narrow  green  curtain. 

signed:  t.  le  clear  n.a. 

Height,  50  in.;  width,  36  in.  Given  to  the  Court., 

HENRV    (LAY 

1777-1852 

united  states   senator 

artist 

UNKNOWN 

Apparenti  ^•  in  rh.-  .,  ;    if  making  a  Speech,  the  figure  stano 
front  view,  v  turned  to  the  left  and  the 

looking  str:-  it  foot  is  advanced,  and  his 

hand  rests  iniptt->  :  .<  i ,    nn  a  document  lying  on  a  dark-col' 
desk,  near  two  '^'^{Pg^cf'- Wfixj^^^iKirtlv  do^       right  hand  is 
before  his  waist.     Beiiind  nm  B  loopecraTieavy  dark-red  drape 

Ya 
Height,  90  in.;  wid^jf^^ii^^jg^^  eajjiAHo 

t^f     30A1    332     HOITSIJIOasa   5I03 


CATALOGUE    OF    WORKS    OF    A  RT— PAI NTINGS 

DE  WITT  CLINTON 

1 769- 1 828 

PRESIDENT   OF   THE    PUBLIC    SCHOOL   SOCIETY,    1805-28 

ARTIST 

THOMAS   HICKS,    N,A. 

1 823- 1  890 

The  three-quarters  length  figure  of  a  man,  turned  slightly  to  the 
left,  with  his  face  and  eyes  in  the  same  direction,  is  standing  beside 
a  table  on  which  his  left  hand  rests  on  a  manuscript  near  a  few 
books.  At  the  left  of  the  figure  is  seen  the  red  back  of  a  sofa,  and 
across  the  background  is  a  red  curtain,  which,  drawn  aside,  re- 
veals at  the  left  a  dark  brown  sky. 

Height,  54  in.;  width,  39^  in.  Given  to  the  City. 


DEWITT  CLINTON 
1769-1828 

MAYOR   OF    NEW   YORK,    1803-07;    1809-IO;    181I-15 

ARTIST 
PARMECELLI 

Against  an  ample,  light-brown  drapery  is  a  half-length  figure  in 
three-quarters  view  to  the  right,  with  his  face  turned  toward  the 
front,  and  his  eyes  looking  directly  at  the  spectator.  The  hands, 
clasping  a  book,  rest  in  front  of  him  near  a  column  partly  concealed 
by  the  drapery. 

Height,  31  in.;  width,  25  in.  Painted  for  the  City. 


CHARLES   PATRICK   DALY 

1816- 

JUDGE   OF   COURT   OF   COMMON    PLEAS,    1844-1885 

ARTIST 
UNKNOWN 

The  figure  of  a  bearded  man  in  three-quarters  view  to  the  left, 
is  seen  as  far  as  the  knees,  seated  beside  a  table.  His  right  hand 
rests  on  his  knee  and  his  left  arm  lies  beside  books  and  documents 
on  a  table  with  a  blue  cover. 

Height,  50  in.;  width,  40  in.  Given  to  the  Court. 

77 


CATALOGUE    OF     WORKS    OF    A  RT  — PAI NTINGS 

JOHN  GREENWOOD 

1798-1887 

JtjrXlfl   OF    THE    CITY   COURT   OF    BROOKLYN,    lH<^r^^^ 

ARTIST 
UNKNOWN 

Dressed  in  black,  the  three-quarters  length  figure  of  a  gentle- 
man with  black  hair  and  closely  cropped  iron-gray  whiskers  is 
seated  in  an  armchair,  with  his  face  and  eyes  toward  the  front. 
His  right  arm  rests  on  the  arm  of  a  chair  with  the  hand  holding  a 
letter,  and  his  left  arm  on  the  table  near  books  and  documents. 

Height,  44  in.;  width,  34  in.  Given  to  the  Court. 

HENRY   HUDSON 
-161 1 

AN   ENGLISH   NAVIGATOR 

ARTIST 
COUNT   PULASKI 

This  is  the  head  and  shoulders  of  a  bearded  man  in  the  prime  of 
life,  in  nearly  front  view.  He  is  dressed  in  a  black  doublet,  with 
a  broad,  stiffly  starched  ruff  around  his  neck,  which  frames  the 
lower  part  of  his  face. 

Height,  30  in.;  width,  24  in. 

JA.MES   KENT 

1763-1847 

chief    justice    of    new    YORK    SUPREME    COURT,     1804-I4 
CHANCELLOR,    1814-23 

ARTIST 

REMBRANDT    PEALE,    N.A. 

1778-1860 

This  is  a  half-length  figure  dressed  in  a  black  coat  with  high, 
rolling  ccAUr.  Turned  vj  that  his  left  arm  rests  easily  across  the 
back  of  the  red  upholstered  chair,  he  faces  the  spectator,  but  his 
eyes  are  raised  and  turned  to  the  left.  A  red  curtain  extending 
across  the  background  is  lor^ped  up  at  the  left,  disclosing  several 
Ixxjks. 

Height,  36  in.;  width,  30  in. 

7^ 


DAVID  THOMAS   VALEKTIXF 

BY 
CHARLES  WTESLEY  JARVI*. 


CATALOGUE    OF    WORKS    OF    ART  — PAINTINGS 


JUDGE 


Dressed  in  black 
man  with  black  ha 
seated  in  an  armchj 
His  right  arm  rests  ■ 
'•^ttei-,  and  his  left  arr 

;-;   ';.rit,  44  in.;  width 


REENWOOD 

,S-i887 

VRT  OF    BROOKLYN,     (849-54 


RTIST 
KNOWN 


ters  length  figure  of  a  gentle- 
ropped  iron-gray  whiskers  is 
e  and  eyes  toward  the  front, 
chair  with  the  hand  holding  a 
ear  books  and  documents. 

Given  to  the  G>urt. 


■n<;oM 


This  is  the  head  r. 
life,  in  nearly  front 
a  broad,  stiffly  stare , 
lower  part  of  his  fac* 

Height,  30  in.;  width,  24  ; 


rded  man  in  the  prime  ot 
in  a  black  doublet,  with 
"  ;-'■     'hich  frames  '' 


1705-1047 

CHIEF    JUSTICE    OF    NEW    YORK    SUPREME    COURT,     1804-I4 
CHANCELLOR,    1814-23 

ARTIST 

REMBRANDT    PEALE,   N.A. 

1778-1860 

This  is  .  ^h  fia;iT^-  dressed  in  a  black  coat  with  \ 

rolling  collar.  his  left  arm  rests  easily  acros 

back  of  the  re-  jir,  he  faces  the  spectator,  bu; 

books.  Ya 


Che  left,  disclosing  se 


u  •  u*     z:  -eivjiALiXajaaw  aajjiAHO 
Height,  36  in.;  wrath,  30  in 

^g  30A1   33?  i/roiTiiJiDeaa  J103 


CATALOGUE    OF    WORKS    OF    A  RT  — PAI NTINGS 

ROBERT    KELLY 

1 808- 1 856 

PRESIDENT   OF   THE    BOARD   OF    EDUCATION,     1 848-49 

ARTIST 
DANIEL    HUNTINGTON 

1 8 1 6- 1 906 

Seated  in  an  armchair  upholstered  in  brown,  in  an  attitude  of 
dignified  ease,  is  the  three-quarters  length  figure  of  a  man  in  full 
face,  dressed  in  a  simple  suit  of  black.  His  cheek  rests  on  his 
left  hand,  supported  with  his  elbow  on  a  table  covered  with  a  rich 
Oriental  rug,  and  his  right  hand  lies  on  the  arm  of  his  chair.  In 
the  left  background  is  shown  a  large  school  building. 

signed:    D.    HUNTINGTON 

Height,  47  in.;  width,  37  in.  Given  to  the  City. 

JAMES    R.   MANLEY 
1782-1851 

PRESIDENT   STATE    MEDICAL   SOCIETY,    1 826-27 

ARTIST 
UNKNOWN 

In  an  oval  frame  is  the  head  and  shoulders  of  a  man  with  flowing 
white  hair.  He  is  dressed  in  a  simple  suit  of  black,  with  low-cut 
waistcoat  and  a  high  white  stock.  His  body  is  turned  slightly  to 
the  left,  with  his  face  toward  the  front,  and  his  keen  eyes  turned 
still  more,  look  directly  at  the  spectator. 

Height,  30  in.;  width,  25  in. 

HENRY   A.   MOORE 

1 826- 1 896 

JUDGE    OF   COUNTY   COURT,    PART    I,    1 872-95 

ARTIST 
GEORGIA    DOUGLAS 

Dressed  in  black,  is  the  half-length  figure  of  a  gentleman  with 
iron-gray  hair  and  black  whiskers,  seated  with  his  chair  drawn 
close  up  to  a  table.  His  body  is  turned  to  the  left,  and  his  face 
and  eyes  are  in  the  same  direction.  His  left  arm  rests  on  the  arm 
of  a  chair,  and  his  right  on  a  book  lying  on  a  table. 

Height,  49  in.;  width,  39  in.  Given  to  the  Court. 

79 


CATALOGUE    OF    WORKS    OF    A  RT  — PAI NTINGS 

CALVIN    E.    PRATT 

1828- 

JUSTICE    OF    SUPREME    COURT,    2D   DEPT.,     1 870-96 

ARTIST 
RICHARD    CREIFELDS 

1853- 

The  three-quarters-length  figure  of  a  man  with  gray  beard  is 
seated  in  full  face  in  an  easy-chair,  on  the  arms  of  which  are  resting 
his  hands,  with  the  right  one  holding  a  book.  In  the  left  back- 
ground is  a  table,  on  which  are  books  and  documents. 

signed:    R.    CREIFELDS 

Height,  49^  in.;  width,  ^gh  in.  Given  to  the  City. 

BERNARD   SMYTH 

PRESIDENT   OF   THE    BOARD   OF    EDUCATION,    1 870-72 

ARTIST 
UNKNOWN 

Dressed  in  a  simple  suit  of  black,  an  elderly  gentleman,  with 
long,  full  beard,  is  seated  with  crossed  legs  in  full  face,  with  his 
.eyes  turned  slightly  to  the  right.  He  is  seen  in  three-quarters 
length,  with  his  right  arm  resting  on  the  arm  of  the  chair,  and  his 
left,  holding  in  the  hand  an  open  letter,  lies  near  a  tray  with  cut- 
glass  ink  bottles,  on  a  table  with  a  red  cover.  In  the  left  back- 
ground is  seen  a  mass  of  red  drapery. 

Height,  50  in.;  width,  40  in.  Given  to  the  City. 

SELAH    B.   STRONG 

1792-1872 

JUSTICE    OF    supreme    COURT,    2D    DEPT.,     1 847-49;     185I-60 

ARTIST 
UNKNOWN 

The  three-quarters-length  figure  of  a  gentleman  is  seated  in  an 
easy-chair,  with  his  body  turned  a  little  toward  the  right  and  with 
his  face  and  spectacled  eyes  in  the  same  direction.  His  hands  rest 
on  the  arms  of  the  chair,  the  left  holding  a  book.  In  the  right  back- 
ground is  a  table,  on  which  lie  three  law  books. 

Height,  50  in.;  width,  39  in.  Given  to  the  City. 


I 


TOWNSEND    HARRIS 

BY 

J.     BOGI.F,    N.A. 

FOR    nfiSCRIPTION    SFK     I'Ar,|:    40 


JUS^' 


c     l^U  U  K  I 


07U-9U 


seated  ; 
his  han 
ground 


Height,  49^  in.;  w 


ARTIST 

KiCHARD   CREIFFH 


ngth  figu 

casy-chai  > 
;ht  one  hi 
•iich  are  buui-.- 


■n  with  gray  beard 
IS  of  which  are  resti 
ik.     In  the  left  bac 
iiiu  uocuments. 


"NHD:    R.    CREIFELDS 


Given  to  the  Gil 


PRESIDENT 


^RD  SMYTH 

'roucATioN,  1870-72 


Dressed  in  a  - 
long,  full  beard,  i~ 
■  eyes  turned  slightly   u 
length,  with  his  right  a. 
left,  holding  in  the  har 
glass  ink  bottles,  on  a 

.  seen  a  mass  o!  i.  J 

,0  in.;  width,  40  in. 


3n  elderly  gentleman,  wi' 
i  legs  in  full  face,  with  !■ 
e  is  seen  in  three-quartt 
le  arm  of  the  chair,  and  ! 
. .  lies  near  a  tray  with  ci; 
d  cover.     In  the  left  bac 

Given  to  the  '  ; 


.-(■LAM     b.    blKU?>J(j 

1792-1872 

JUSTICE    OF   SUPREME    COURT,    2D    DEPT.,    1847-49;    1851-60 

ARTIST 
UNKNOWN 


tleman  is  seated  in 
ard  the  right  and  v 


The  three-quar! 
easy-chair,  with  hi 

his  face  and  spectacittl  ^  --  ,.  iiic  sauu.  oirection.  His  hanH 
on  the  arms  of  the  clg|ifj5ilAH£  (GbiiftBlii^WhBok.  In  the  right 
ground  is  a  table,  on  wh  rh  iic  ^ree  law  books. 

Height,  !;o  in.;  width,    -  j*.n  .ajooa  .]  Given  to  the  Ci' 

Of.  :^.^A.1   h^«  n(SiT<iisf:)?3n  hot 


CATALOGUE    OF     WORKS    OF    A  RT  — PAI NTI NGS 

GEORGE   THOMSON 

1827-1886 

JUDGE   OF   CITY   COURT   OF    BROOKLYN,     1867-72 

ARTIST 
UNKNOWN 

A  GENTLEMAN  with  iron-gray  hair  and  beard  is  sitting  with 
crossed  legs,  slightly  turned  to  the  left.  He  is  seen  as  far  as  the 
knees,  with  the  thumb  of  his  left  hand  resting  in  the  pocket  of  his 
waistcoat,  and  his  right  hand  hes  on  a  table  beside  a  book  and 
documents. 

Height,  43  in.;  width,  35  in.  Given  to  the  City. 


MICHAEL   ULSHOEFFER 
1 793- 1 88 1 

JUDGE   OF   COURT   OF   COMMON    PLEAS,    1834-49 

ARTIST 
UNKNOWN 

Seated  in  a  red-upholstered  armchair  is  the  three-quarters-length 
figure  of  a  gentleman  in  the  prime  of  life.  He  is  m  full  face,  and 
his  arms  rest  on  the  arms  of  the  chair,  in  the  background  is  a  table 
covered  with  blue  drapery,  on  which  are  piled  leather-covered 
books. 

Height,  50  in.;  width,  40  in.  Given  to  the  Court. 


JOHN   WAKEFIELD   FRANCIS 
-1861 

member    of    STAFF    OF    BELLEVUE    HOSPITAL,     1 847-6 1 

ARTIST 
UNKNOWN 

In  an  oval  frame  is  the  head  and  shoulders  of  a  gentleman  in  full 
face,  with  long,  thick  gray  hair,  and  his  large  dark  eyes  look  directly 
at  the  spectator.  He  is  dressed  in  a  simple  suit  of  black,  with  turn- 
over collar  and  narrow  stock. 

Height,  30  in.;  width,  25  in.  Given  to  the  City. 

81 


MURAL    DECORATIONS 


MURAL    DECORATP  »NS 
AND  WHERE   PLACED 

CITY    HALL 

ALOERMANIC    CHAMBER 

NEW  YORK  CITY  RECEIVING  Th, 
OF  THE  NATIONS 


TABER   SEARS  ><    BRECK 

18-0- 

AND   FREDERIC  C.  MARTI' 

ents  New  York  as  t^-  - 
The  scene  is  laid 

ample  re 
r  part  of 

I.     On  the  ieli  ng  lemaie 

;ng  an  olive  hxo  ok  in  her 

•at  censer,  from  ur.ich  i: 

draped  male  figure  of  : 

behind,  who  grasps  the  he  r.^li  ot  a  ca 

hand  and  carries  under  his  left  arm  a 

•'•'  of  the  cen*--    ■    —  -  -     - 

th.     His 


from  behind,  wearing  a  white  rob: 
n  her  left  hand  a  scepter.  To  he 
wnoie  lefr  h  nd  rests  upon  a  shield  bear 
City:  h;  r:j  ,r  grasps  a  sword.  Beneai: 
upon  wh.a.  they  stand  the^^i^^e^j^^^.^^.^^ 

-'    Ya 

OOOJJ3>J    .A    HJy.Uf. 

^    30A1    334    XOIT1ISI0<3n    SI01 


. 


^ 


WINFIELD   SCOTT 

BY 
MINER    K.    KELLOGG 

FOR    DESCRIPTION    SEE    PACE    44 


ARTISTS 

TABER   SEARS 

WASHINGTON 

1870- 

1863- 

MURAL    DECORATIONS 
AND   WHERE   PLACED 

CITY    HALL 

ALDERMANIC    CHAMBER 

NEW  YORK  CITY   RECEIVING  THE  TRIBUTES 
OF  THE   NATIONS 


BRECK 
1863- 
AND   FREDERIC   C.    MARTIN 

This  panel  represents  New  York  as  the  eastern  gateway  of  the 
American  Continent.  The  scene  is  laid  upon  a  structure  symbolic 
of  a  gateway  by  the  sea.  The  central  figure,  robed  in  white  and 
with  ample  red  cloak  falling  from  her  shoulders  and  enveloping  the 
lower  part  of  her  body,  sits  enthroned,  holding  in  her  left  hand  a 
scroll.  On  the  left  is  a  standing  female  figure,  robed  in  green,  and 
holding  an  olive  branch  and  book  in  her  right  hand.  Behind  her  is 
a  great  censer,  from  which  incense  rises.  Just  below  her  is  a  par- 
tially draped  male  figure  of  powerful  muscular  development,  seen 
from  behind,  who  grasps  the  handle  of  a  basket  of  fruits  with  his 
right  hand  and  carries  under  his  left  arm  a  sheaf  of  wheat.  To 
the  right  of  the  central  figure  reclines  a  bearded  man,  nude  save  for 
a  loin-cloth.  His  right  forearm  rests  upon  a  capstan,  around 
which  a  cable  is  coiled,  and  with  his  left  hand  he  holds  aloft  a 
pennant.  To  the  extreme  left  and  right  of  the  group  are  two 
kneeling  female  figures  carrying  the  ends  of  a  garland  of  red  roses 
which  passes  behind  the  figures.  At  the  foot  of  the  stairway  lead- 
ing to  the  throne,  on  the  right-hand  side,  stands  a  female  figure, 
seen  from  behind,  wearing  a  white  robe  and  yellow  mantle,  hold- 
ing in  her  left  hand  a  scepter.  To  her  left  stands  a  nude  boy, 
whose  left  hand  rests  upon  a  shield  bearing  the  arms  of  New  York 
City;  his  right  grasps  a  sword.  Beneath  the  arch  of  the  structure 
upon  which  they  stand  the  sea  is  seen;  to  the  left  a  large  sail  flying 


CATALOGUE  OF  WORKS  OF  ART — MURAL  DECORATIONS 

the  pennant  of  the  United  States;  to  the  right  masts,  sails,  and 
Brooi<lyn  Bridge  in  the  distance. 

signed:    TABER    sears     1903    assisted    by   GEORGE    W.    BRECK    AND 
FRED   C.    MARTIN 

An  elliptical  panel,  size  41  ft.  5  in.  by  23  ft.  10  in. 
Painted  for  the  City  in  1903. 

CRIMINAL    COURTS    BUILDING 

COURTROOM — NORTH     WALL 

JUSTICE 

ATTENDED    BY   THE    RIGHTS   OF   MAN    AND  THE    FATES 

ARTIST 

EDWARD   SIMMONS 

1852- 

The  central  panel  depicts  a  female  figure  standing  erect,  clothed 
in  a  classic  garb  of  white,  with  the  flag  of  the  United  States  over 
her  left  shoulder.  In  her  outstretched  arm  she  holds  aloft  the 
scales,  unevenly  balanced;  in  her  right  hand  a  crystal  globe,  sur- 
mounted by  a  cross.  She  stands  upon  the  highest  of  three  marble 
stairs,  in  front  of  a  brazen  door  set  with  nails.  Above  her  head, 
two  nude  figures  hovering  in  the  air,  hold  aloft  the  arms  of  the  City 
and  the  State  of  New  York,  emblazoned  upon  shields.  At  the  base 
of  the  stairway,  each  standing  with  one  foot  upon  the  lower  step, 
are  two  figures  of  children  in  white  tunics;  one  with  a  sword,  the 
other  with  a  dove.     Upon  the  highest  marble  step  is  the  inscription: 

JUSTICE 

In  the  left  panel  are  three  male  figures  clad  in  classic  white 
draperies,  and  seated  upon  a  marble  bench  at  the  base  of  a  great 
column  to  the  right.  The  figure  on  the  left  holds  aloft  his  right 
hand  with  a  broken  chain  hanging  from  a  handcuff  on  his  wrist. 
The  middle  figure  holds  with  his  right  and  left  hands  the  wrists  of 
his  comrades.  His  face  is  turned  toward  the  right-hand  figure, 
who  holds  in  his  left  hand  a  compass,  in  his  right  a  sphere.  Above 
the  heads  of  the  three  figures  are  the  inscriptions: 

LIBERTY  FRATERNITY  EQUALITY 

In  the  right  panel  are  three  female  figures  in  classic  white  dra- 
peries, seated  upon  a  marble  bench  at  the  base  of  a  column  to  the 
left.     At  the  left  is  the  figure  of  an  old  woman,  her  head  covered 

86 


THOMAS   JEFFERSON 

BY 
CHARLES    WESLEY    JARVIS 
I  OR    nF.Sr.RIPTION    SEE    PAGE    48 


CATALOGUE    OF    WORKS    OF    ART — MURAL    DECORATIONS 


the  penri 
Brookly 


Painu 


United  States;  to  the  right  masts,  sails,  and 
the  distance. 

RS    1903    ASSISTED    BY  GEORGE   W.    BRECK    AND 
FRED  C.    MARTIN 

I,  size  41  ft.  ^  in.  by  25  ft.  10  in. 
ity  in  190-1 


CRIM 


ORTH    WALL 


HTS  OF   MAN   AND  THE   FATES 

^T 
MMONS 


The  central  pane 
in  a  classic  garb  oJ 
her  'f^ff  ihniiMpr 
sea: 
mo': 

stairs,  in  fron 
two  nude  figu 
and  the  State 
of  the  stairwa 
are  two  f: 
other  wi; 


le  figure  standing  erect,  clothed 

flag  of  the  United  States  over 

rhpt]  arm  she  holds  aloft  the 

hand  a  crystal  globe,  sur- 

he  highest  of  three  marble 

I  with  nails.     Above  her  head, 

,  hold  aloft  the  arms  of  the  Cit) 

)ned  upon  shields.     At  the  bast 

ii  one  foot  upon  the  lower  strp 

•'  tunics;  one  with  a  swoi 

3t  marble  step  is  the  insci 


s  ngures  ciad  iii  classiL 
le  bench  at  the  base  of  - 
m  the  left  holds  aloft  hi 
^  from  a  handcuff  on  hk 
ght  and  left  hands  the  wi 
toward  the  right-hand 
s,  in  his  right  a  sphere. 
e  inscriptions: 

liberty  ...    ...ITY  EQUALITY 

In  the  right  pane!  are  three  female  figures  in  classic  whi; 
peries,  seated  uprn  .>^QZSi2T^-Si\)  ^fflPHSe  of  a  column 
left.     At  the  left  is  'hi   L.  "     ■  Yan  old  woman,  her  head  c> 
aivjiAi  YHjagw  eajjiAHD 


In  the  lefi 
draperies,  ano 
column  to  the 
hand  with  a 
The  middle  fi;. 
his  comrades 
who  holds  in  h 
the  heads  of  the  11 : 


I 


CATALOGUE     OF    WORKS    OF    ART— MURAL    DECORATIONS 

with  a  mantle.  Stretched  across  her  lap  is  a  thread  which  she  holds 
with  her  right  hand  and  severs  with  the  shears  in  her  left.  Her  face 
is  in  profile  to  the  right.  The  central  figure,  with  her  face  turned  to 
the  left  and  with  her  hands  far  apart,  grasps  the  same  thread  which 
continues  on  across  the  lap  of  the  third  figure  to  a  distaff  wound 
about  with  wool  held  in  her  left  hand.  Her  smiling  face  is  turned 
upward.  A  nude  infant  resting  in  her  lap  clasps  in  its  little  hand 
the  thread.  At  the  end  of  the  thread,  on  the  floor  to  the  left,  lies 
a  skull.  In  the  lower  right-hand  corner  of  the  panel  is  the  in- 
scription: 

THE    FATES 

and  above  the  heads  of  the  three  women: 

SEVERER  MEASURER  SPINNER 

signed:    "EDWARD   SIMMONS,    1895.      COPYRIGHT    1898." 

Central  panel:  height,  14  ft  4  in.;  width,  6  ft.  7  in. 
Side  panels:  height,  7  ft.;  width,  10  ft.  6^4  in. 

INSCRI PTION 

PRESENTED   TO   THE    CITY   OF    NEW   YORK 

BY 

THE    MUNICIPAL   ART   SOCIETY 

SEPTEMBER   THE   THIRTIETH   MDCCCIXCIV 


APPELLATE   COURT 

MAIN     HALL — NORTH     WALL 

TRANSMISSION   OF  THE    LAW 

ARTIST 

HENRY    SIDDONS   MOWBRAY,   N.A. 

1855- 

The  frieze  along  the  entire  north  wall,  facing  the  entrance,  de- 
picts the  Transmission  of  the  Law.  it  is  composed  of  a  representa- 
tion of  The  Law  herself  and  of  eight  historical  groups.  These 
groups  are  joined  by  winged  allegorical  female  figures  in  classical 
draperies,  each  of  whom  holds  a  narrow  scroll.  They  are  sus- 
pended over  a  dark-blue  background  decorated  with  a  monogram 
,of  the  word  LEX. 


CATALOGUE  OF  WORKS  OF  ART — MURAL  DECORATIONS 

At  the  extreme  left  end  of  the  frieze  is  shown  a  lofty  mountain; 
from  the  sky  above  it,  two  hands  holding  tablets  surrounded  by  a 
halo  of  light  are  extended  toward  a  stately  male  figure  clothed  in 
white,  with  an  ample  blue  scarf  over  his  head.  His  right  hand  is 
extended  toward  the  tablets,  while  his  left  holds  a  shepherd's 
crook.  On  the  right,  clothed  in  bright  colors,  stands  a  Hebrew 
warrior  with  spear  and  shield,  holding  in  his  arms  a  gilt  chest.  In- 
scription: 

MOSAIC 

In  the  next  group  an  Egyptian  king,  in  a  close-fitting  blue  and 
gold  tunic,  and  with  the  royal  attributes,  sits  enthroned.  On  his 
right  hand  is  an  Egyptian  warrior  with  spear  and  helmet,  clad  in  a 
close-fitting  red-and-gold  tunic.     Inscription: 


The  next  group  shows  a  Greek  lawgiver,  young  and  bearded, 
seated  against  the  pedestal  of  two  mighty  columns.  He  is  en- 
veloped in  a  brownish  pallium,  and  holds  in  his  left  hand  a  tablet, 
in  his  right  a  stylus.  Standing  at  his  side,  in  a  green  pallium,  is  a 
Greek  orator,  bearded  and  old,  grasping  in  his  right  hand  a  scroll, 
and  gesticulating  with  his  left.  Between  them  is  a  bronze  image 
of  Athena.     Inscription: 

GREEK 

There  follows,  on  the  left  return  of  the  elevator,  a  Roman  em- 
peror, clad  in  a  coat  of  mail  and  red  cloak,  who  sits  enthroned, 
with  a  globe  in  his  right  hand,  a  sword  in  his  left.  To  the  left 
stands  a  Roman  soldier  in  a  red  mantle  with  shield  and  spear.  In- 
scription: 

ROMAN 

Above  the  elevator  and  opposite  the  entrance  is  represented 
"The  Law."  Clothed  in  purple  and  ermine,  a  female  figure  sits 
enthroned,  holding  in  her  right  hand  a  sword  and  in  her  left  the 
scales.  On  each  side  of  her  is  a  winged  female  figure.  They  hold 
above  her  head  a  tablet  inscribed  lex  and  in  their  other  hands 
garlands. 

On  the  right  return  of  the  elevator,  robed  in  purple  and  gold, 
and  seated  on  a  stately  throne,  is  a  Byzantine  emperor,  holding  a 
globe  in  his  left  hand.  To  the  right,  a  figure,  with  shaven  tonsure 
and  a  long  blue,  red,  and  gold  regalia,  holds  a  scroll  in  his  left  hand, 
and  in  his  right,  another.     Inscription: 

BYZANTINE 

In  the  next  group  a  Norman  king,  clothed  in  purple,  blue,  red, 
and  gold,  sits  enthroned,  his  left  hand  resting  on  a  sword  sheathed 


HENRY   CLAY 

BY 

P.    STAUNTON 


FOR    DESCRIPTION    SEE    PAGE    5O 


CATALOGUE     OF    WORKS    OF    ART 


DECORATIONS 


At  the  extreme  left  f 
from  the  sky  above  i^ 
halo  of  light  are  e- 
white,  with  an  am; 
extended  toward  the 
crook.     On  the  right, 
warrior  with  spear  and 
scription: 


iwn  a  lofty  mounts 
blets  surrounde'^  ^ 
male  figure  clci 
id.     His  right 
ft   holds  a  she 
iors,  stands  a  i 
arms  a  gilt  ches 


In  the  next  grot 
gold  tunic,  and  wi 
right  hand  is  an  E,t 
close-fitting  red-ant 


.,.  a  close-fitting  b^ 
es,  sits  enthroned. 
^pear  and  helmet,  ci 


. .._  next  group  sIt 
seated  against  thi 

veloped  'n  a  browr 
in  '■ 

and  gcsticulacmg 
of  Athena.     Inscr; 


lawgiver,  young  and  bearded, 

lighty  columns.     He  is  en- 

ilds  in  his  left  hand  a  tablet, 

ins  side,  in  a  green  pallium,  is  a 

isping  in  his  right  hand  a  scroll 

i)etween  them  is  a  bronze  imag' 


There  follows,  '• 
peror,  clad  in  a  c 
with  a  globe  in  Iv 
stands  a  Roman  s' 
scription : 


rn  of  the  elevator,  a  Roman  en 
;  red  cloak,  who  sits  enthrone 
sword  in  his  left.    To  the  1* 
antle  with  shield  and  spear      ! 


Above  the  * ' 
"The  Law." 
enthroned,  h 
scales.  On  > 
above  her  h' 
garlands. 

On  the  right 
and  seated  o 
globe  in  his  1. 
and  a  long  bh 
and  in  his  ri.t: ' 


^'^osite  the  entrance  is  represei, 
and  ermine,  a  female  figure 
and  a  sword  and  in  her  left 
vinged  female  figure.     They 
i  LEX  and  in  their  other  '  .>:■ 

vator,  robed  in  purple  and  g 
a  Byzantine  emperor,  hold  it 
lit,  a  figure,  with  shaven  ton 

ilia,  holds  a  scroll  in  his  left  i 
tion: 


..'_.-..  NTINE 

In  the  next  gnui;     !    n, m  an  King,  clothed  m  purple,  bl 
and  gold,  sits  enthroned,  his  lelt  nand  resting  on  a  sword  s! 


MOTMUAT2    .1 


Of    30A1    33a    t/IOn<flS(?>Z3a    JI03 


CATALOGUE  OF  WORKS  OF  ART — MURAL  DECORATIONS 

in  a  red  scabbard,  his  right  resting  upon  a  sealed  document,  the 
end  of  which  is  grasped  by  a  knight  dressed  in  a  red  helmet  and 
a  coat  of  mail  reaching  to  the  ankles.  A  sword  hangs  from  his 
girdle  and  he  holds  a  lance  and  shield,  ornamented  with  the  three 
lions  rampant.     Inscription: 


Then  follows  Common  Law.  A  laborer,  in  sleeveless  brown  tunic 
and  blue  breeches,  bearing  a  scythe  in  his  right  hand,  faces  the 
spectator.  He  clasps  with  his  left  hand  the  left  hand  of  a  king. 
The  latter,  seen  from  the  rear,  wears  a  long  scarlet-and-gold  man- 
tle, lined  with  ermine,  and  has  a  sword  in  his  right  hand.  They 
stand  before  a  sort  of  Gothic  altar,  upon  which  the  scroll  of  a 
charter  is  seen.     Inscription: 

COMMON    LAW 

The  last  group.  Modern  Law,  shows  two  modern  lawyers  in  black 
robes.  The  one  to  the  left  holds  a  book,  the  other  a  document. 
To  the  right  the  Capitol  at  Washington  is  seen  in  the  distance 
amidst  trees.     Inscription: 

modern  law 
signed:  h.  siddons  mowbray. — copyright,   1899. 


Height,  3  ft.  8  in.;  width,  62  ft. 
Painted  for  the  City  in  1899. 


main   hall — east   wall 

JUSTICE 
artist 

ROBERT   REID,   N.A. 

1862- 

In  the  panel  of  the  east  wall,  the  central  figure  is  a  female,  clad 
in  an  ermine  robe,  lined  with  red,  with  a  purple  scarf.  She  sits 
enthroned  in  a  classic  landscape,  rich  in  foliage,  with  blue  moun- 
tains in  the  background.  She  holds  a  sword  in  her  right  hand  and 
scales  in  her  left,  with  an  open  book  on  her  knees.  On  each  side  of 
her  is  a  winged  female  figure,  seated  and  clothed  in  rich  purple  and 
green  brocade.  The  one  on  the  left  suckles  an  infant,  the  other, 
on  the  right,  holds  two  cornucopias.  Next  to  these  female  figures 
are  two  standing  male  figures  dressed  in  classic  robes,  representing 
"Peace"  to  the  left,  in  purple,  and  "Prosperity"  to  the  right,  in 


CATALOGUE    OF    WORKS    OF    ART — MURAL    DECORATIONS 

green.  The  next  group  to  the  left  is  "Education."  A  male 
figure,  clothed  in  white  with  a  purple  scarf,  is  teaching  a  nude 
youth  from  a  large  book,  while  to  the  left  "Religion,"  a  standing 
female  figure  with  a  surplice  over  her  white  robe,  holds  a  lamp  in 
her  left  hand  and  in  her  right  an  open  book.  To  the  left  stands  a 
female  figure  in  a  green  robe  leaning  on  a  spear. 

At  the  other  end  of  the  frieze,  to  the  right  of  "Prosperity," 
is  a  group  representing  the  "Fine  Arts."  A  female  figure  stands 
clothed  in  white  with  an  ample  purple  scarf,  holding  before  her  a 
mask.  Next  to  the  right  is  a  female  figure  dressed  in  white,  with 
her  hands  resting  on  a  harp,  and  next,  at  the  end  of  the  panel,  is  a 
standing  winged  male  figure,  semi-nude. 

Height,  3  ft.  8  in.;  width,  19  ft.  5  in. 
Painted  for  the  City  in  1899. 

The  south  wall,  to  the  left  of  the  entrance,  continues  the  pre- 
ceding group.  The  first  figure,  to  the  left,  is  "Poetry,"  seen  full 
face  and  holding  a  scroll ;  the  second  is  "  Painting,"  in  clinging  white 
draperies,  seen  from  behind,  holding  brushes  and  palette;  the  third 
is  "Sculpture,"  a  male  figure  in  garb  of  coarse  material;  the  fourth, 
a  female  figure  facing  the  beholder,  is  "Architecture,"  bearing  a 
compass  and  a  plan.  Further  to  the  right  is  the  seated  winged  figure 
of  "Fame,"  holding  a  wreath  in  her  right  hand.  A  palm  branch 
is  in  her  lap,  and  her  left  hand  encircles  a  kneeling  youthful  figure. 
On  the  extreme  right  of  the  panel  is  the  profile  figure  of  a  young 
man  bearing  a  banner. 

signed:    COPYRIGHT    1899    ROBERT    REID 

Height,  3  ft.  8  in.;  width,  8  ft.  loj;  in. 
Painted  for  the  City  in  1899. 


MAIN     HALL — SOUTH    WALL 

EQUITY 

ARTIST 

CHARLES    YARDLEY   TURNER,    N.A. 

1850- 

In  the  lunette  of  the  south  wall,  to  the  left  of  the  entrance, 
"  Equity  "  is  represented  as  a  winged  female  figure  standing  at  the 
base  of  a  mighty  column.  She  is  robed  in  red  and  her  ample 
green  cloak  is  thrown  back.     Her  outstretched  right  arm  holds  a 

90 


GEORGE    BRINTON    McCLELLAN 

BY 

WILLIAM    H.    POWELL,    A.N. A. 

FOR    DESCRIPTION    SEE    PAGE    53 


CATALOGl"^ 


v.  UK/^L     DECORATIONS 


green.     The    ; 
figure,  clothe, 
youth  from  a 
female  figure  with 
her  left  hand  and  h 
female  figure  in  a  green 
At  the  other  end  of 
is  a  group  representing 
clothed  in  white  with  a 
mask.     Next  t'l  th,^  n..- 
her  hands  re? 
standing  wing 

Height,  3  ft.  8  in.;  wiJ 
Painted  for  the  City  in 


a  female  figure  facing 
comp:\ss  ?.nd  a  plan.     F;' 
of 
is  ii 

',e  r,gn;  -a  rue  pjnei 
banner. 


:     "Education."     A   ma 

'    is  teaching  a  nu.. 

Religion,"  a  standir 

iobe,  holds  a  lamp 

To  the  left  stands 

J  >pear. 

he  right  of  "Prosperity, 

A  female  figure  stand 

scarf,  holding  before  her 

ure  dressed  m  white,  wii 

A  the  end  of  the  panel,  is 


""'^'-^"ce,  continues  the  pr 
'S  "Poetry,"  seen  fi 
mg,"  in  clingin?  v.1-i' 
and  palette;  tl 
e  material;  the 
Architecture,"  bearing 
t  is  the  seated  winged  figu 
^ht  hand.     A  palm  branch 
a  kneeling  youthful  figure, 
the  profile  figure  of  a  yount; 


signed:  copyright  u 


ROBERT   REID 


Height,  3  ft.  8  in 
Painted  for  the  ( 


ft.  loK  in. 


V.AIN     ft  ML— SOUTH    WALL 


FQUITY 


ARTIST 

Y    TURNER,    N.A. 


!n  the  lunette  ■  !1,  to  the  left  of  the  ent 

"  Equity"  is^r«'"  '  '-^'".aie  figure  standing 

base  of  a  W'-'^^  i  "'■'  /"l/I</ia    TQ5ft939d  and  her 

green  cloak  :          .  yh             _     r-tched  right  arm  h 

.AM. A    ,JJ3W01    .H    MAI.I.IIW 
f^    30A1     33^     HOITIlSnSSn    5103 


CATALOGUE    OF     WORKS    OF     ART — MURAL     DECORATIONS 

globe,  her  left,  a  sheathed  sword.     To  the  left,  sits  a  nude  child 
holding  the  scales.     Inscription: 

EQUITY 
signed:    COPYRIGHT    BY    C.    Y.    TURNER 1 899 

Height,  3  ft.  8  in.;  width,  2  ft.  7  in.  (at  base). 
Painted  for  the  City  in  1899. 


MAIN    HALL— SOUTH    WALL 

LAW 

ARTIST 

CHARLES  YARDLEY  TURNER,  N.A. 

1850- 

The  lunette  of  the  south  wall,  to  the  right  of  the  entrance,  repre- 
sents "  Law,"  a  similar  winged  figure  in  a  red  robe  and  green  mantle, 
standing  with  left  hand  outstretched  and  right  pointing  to  a  scroll 
with  the  inscription  lex.  On  the  right  is  a  seated  nude  child 
holding  a  mirror.     Inscription: 


signed:  copyright  by  c.  y.  turner — i) 


Height,  3  ft.  8  in.;  width,  2  ft.  8  in.  (at  base). 
Painted  for  the  City  in  1899. 


MAIN     hall WEST    WALL 


JUSTICE 


ARTIST 
WILLARD    LEROY    METCALF 


The  subject  of  this  panel  is  the  practical  administration  of  jus- 
tice through  law  and  equity.  The  central  group  is  arranged  about 
a  marble  exedra,  with  standards  at  either  end,  in  the  midst  of  a 
wooded  landscape  with  a  promontory  and  an  arm  of  the  sea  in  the 
distance.  A  winged  female  figure  in  a  white  robe  and  blue  mantle, 
wearing  a  golden  breastplate,  stands  in  front  of  the  seat  in  the 
center  of  the  exedra,  holding  with  both  hands  a  sword.     To  the 


CATALOGUE    OF    WORKS    OF    ART — MURAL    DECORATIONS 

left  Stands  a  nude  boy  with  a  tablet  inscribed  justitia;  to  the 
right  another  boy  holding  aloft  the  scales.  Seated  at  the  left  end 
of  the  exedra  is  a  female  figure  in  a  rich  brocaded  robe,  trimmed 
with  ermine,  her  left  arm  supports  a  large  book  upon  her  knees, 
and  her  right  elbow  rests  upon  the  arm  of  the  exedra,  upon  which 
a  peacock  is  perched. 

Near  the  left  end  of  the  exedra  a  female  figure,  with  her  head 
crowned  with  long  red  hair,  is  bowed  to  the  earth,  and  her  nude 
body  is  enveloped  with  transparent  red  draperies.  Behind  her 
stands  a  male  figure  in  Greek  armor,  spear  in  hand,  his  right  arm 
is  stretched  over  the  figure  of  a  seated  woman  with  upturned  face 
and  a  nude  boy  reclining  against  her  knee.  To  the  extreme  left 
are  two  cloaked  figures.  At  the  right  end  of  the  exedra  sits  a 
female  figure  partly  robed  in  brocade  and  holding  a  crystal  globe. 
At  her  feet  a  draped  female  figure  bends  over  and  bewails  the 
corpse  of  a  man.  Next  to  the  right,  kneels  a  female  figure  with 
clasped  hands,  and  behind  her  stands  a  male  figure  with  bound 
hands  and  bowed  head,  and  to  the  right  a  warrior  in  classic  armor 
is  seen  from  the  rear  leaning  on  his  spear. 

signed:  copyright  1899  by  w.  l.  metcalf 

Height,  3  ft.  8  in.;  width,  19  ft.  5  in. 
Painted  for  the  City  in  1899. 


MAIN    HALL — SOUTH    WALL 

BANISHMENT  OF   DISCORD 

ARTIST 
WILLARD    LEROY    METCALF 

1858- 

This  is  a  continuation  of  the  preceding.  To  the  extreme  left 
of  the  panel,  an  almost  nude  female  figure,  horned  and  with  flut- 
tering red  hair,  flees  before  a  youth,  nude  to  the  waist,  swinging  a 
scourge.  She  holds  in  her  right  hand  a  knife,  in  her  left  a  torch. 
In  the  group  to  the  right,  a  partly  kneeling  male  figure  holds  by  a 
leash  two  hounds  struggling  to  get  away.  An  erect  female  figure 
in  classic  armor  with  a  shield  stands  in  a  protecting  attitude  over 
the  figure  of  a  scantily  clad  woman  sitting  at  her  feet.  Behind  them 
a  female,  nude,  is  discharging  an  arrow  at  the  first-mentioned  figure. 
The  head  and  outstretched  arm  of  a  child  are  seen  at  the  extreme 
right  of  the  panel. 


Height,  3  ft.  8  in.;  width,  8  ft. 
Painted  for  the  City  in  1899. 


92 


RICHARD    L.    LARREMORE 

BY 
THOMAS    HICKS,    N.A. 

FOR    DESCRIPTION    SEE    PACE    56 


CATALOGl 

'RK5    OF    AK- 

OECORATIONS 

left  stands  a  nude 

bo^ 

IUSTITIA;    to   ti 

right  another  boy  r 
of  the  exedra  is  a 

d  at  the  left  er, 

,'d  robe,  trimme 

will           '    "    '' " 

■■.   >;!ppo 

'•"'K  upon  her  knee 

an' 
a  ! 

5  upon  tl- 

e  exedra,  upon  whic 

of  the  t 

figure,  with  her  he? 

CTO 

red 

h,iir 

■  earth,  and  her  nuc 

body  IS 
stands  a 

raperies.     Behind  h, 
n  hand,  his  right  ar 

is  stretched  u 

m  with  upturned  fai 

and  a  nude  ' 

To  the  extreme  Ic 

are  two 

end  of  the  exedra  sits 

female  f 
At  her 

id  holding  a  crystal  glob 
'    over  and  bewails  ti 

corpse  c 
da-—' 

a  female  figure  wi 
;    iiale  figure  with  boui 

ha: 

is  Sw> - 

■  a  warrior  in  classic  anti 

signed: 

COP 

L.   METCALF 

,  3  ft.  8  in 

d  for  the  • 

BANISHMENI    OF  DISCORD 

ARTIST 
WII  LARD    LEROY    METCALF 


Ttiib    IS    a    Cum,. 

of  the  panel,  an  ar 
tering  red  hair   tl 
scourge.     She 
in  the  group  ■ 
leash  two  hounds 
in  classic  armor  w. 
the  figure  of  a  scan: 
a  female,  nude,  is  a 
The  head  and  outstr. 
right  of  the  panel. 


Height,  3  ft."o"nr.:  vvttj 
Painted  for  the  ( 


)   m 

A.K 


1858- 

u,.  -----^(;^ing.    To  the  extreme  left 
'ure,  horned  and  with  flut- 
..ude  to  the  waist,  swinging  a 
ind  a  knife,  in  her  left  a  torch, 
kneeling  male  figure  holds  by  a 
i  away.     An  erect  female  figu^ 
ids  in  a  protecting  attitude  ovi 
sitting  at  her  feet.     Behind  the: 
row  at  the  first-mentioned  figun 
arm  of  a  child  are  seen  at  the  extrens  .• 

,SADIH    2AMOHT 


dj  aoAq  333  H01T1 151023a  aoi 


CATALOGUE  OF  WORKS  OF  ART— MURAL  DECORATIONS 


COURTROOM — EAST  WALL 

JUSTICE  OF  THE   LAW 

ARTIST 

EDWARD   SIMMONS 

1852- 

In  the  center  of  the  panel  to  the  left,  a  female  figure,  robed  in 
white,  stands  before  a  throne  in  a  golden,  semicircular  apse  of  the 
wall.  Her  right  hand  rests  on  the  shoulder  of  a  youthful  female 
figure  with  her  face  in  profile  to  the  left  and  enveloped  in  rich  bro- 
cade, the  front  of  which  gathered  up  in  her  left  hand  is  filled  with 
fruits.  Her  left  hand  extends  behind  a  similar  figure  leaning  toward 
her  and  pressing  with  her  left  arm  a  dove  against  her  breast.  In 
the  left  foreground  is  a  woman  robed  in  black,  holding  an  infant 
to  her  breast  with  her  right  hand,  while  her  left  rests  on  the  fruit, 
and  her  eyes  look  upward.  Behind  her  is  seen  a  male  figure  in  red 
shirt  and  leather  apron,  with  uplifted  left  hand. 

At  the  base  of  the  marble  steps  sits  a  rosy,  fair-haired  infant, 
who  caresses  a  guinea  pig  with  its  right  hand,  and  with  its  left, 
a  rabbit.  In  the  right  side  of  the  panel,  a  male  figure  of  power- 
ful muscular  development,  seen  from  the  rear,  leans  forward  in  a 
threatening  attitude,  but  he  is  restrained  by  the  blue-robed  figure 
standing  just  beyond,  who  with  her  hands  grasps  his  wrist  and 
shoulder. 

In  the  upper  part  of  the  painting,  hovering  over  the  central  figure, 
are  two  nude  children,  one  holding  a  book  and  a  vessel,  the  other 
a  book  and  wreath.  In  the  foreground  of  the  panel,  to  the  extreme 
right  and  left,  are  two  bovs  with  shields  and  fasces.  The  scene  is 
laid  in  a  hall  with  blue-and-gold  mosaics  and  gleaming  marble 
floors. 

signed:  copyright  by  edward  simmons   1899 

Height,  10  ft.  6  in.;  width,  9  ft.  105^  in. 
Painted  for  the  City  in  1899. 

inscription 

justice  stands  flanked  by  peace  at  her  left  .  PLENTY  AT 

her  right. 

peace  recoils  from  brute  force  withheld  by  fear  .   plenty 

assists  the  needy   . 

LABOR    BEHIND    HER    HAILS    JUSTICE     .     MERCY    (A    CHILD)     IN 
THE    FOREGROUND    . 

93 


CATALOGUE    OF    WORKS    OF    ART — MURAL     DECORATIONS 
COURTROOM — EAST    WALL 

SEAL  OF  THE   CITY   OF  NEW   YORK 

ARTIST 

GEORGE   WILLOUGHBY   MAYNARD,   N.A. 

1843- 

The  two  subjects  on  either  side  of  the  three  large  panels  repre- 
sent the  Seals  of  the  City  and  State  of  New  York.  That  of  the 
City,  on  the  left,  shows  in  the  shield  the  wings  of  a  windmill,  two 
beavers  and  two  casks,  with  the  inscription,  Manhattan.  This 
shield  is  set  upon  a  decorative  escutcheon,  against  which  two  seated 
figures  lean.  The  figure  on  the  left  is  dressed  in  the  costume  of  a 
sailor,  holding  in  his  right  hand  a  sounding-line,  in  his  left,  a  mast 
with  cross-trees.  On  the  right  is  the  figure  of  an  Indian,  nude  to 
the  waist,  bearing  in  one  hand  bow  and  arrows,  in  the  other,  a 
string  of  wampum.  On  either  side  is  a  flagstaff  with  floating 
pennant.  The  one  to  the  left  bears  a  tablet  with  the  inscription 
MDCLXxxvi,  the  year  in  which  the  Dongan  charter  of  New  York 
City  was  granted,  the  other  a  similar  tablet,  with  the  inscription 
MCM,  the  date  of  the  completion  of  the  Court  House. 

signed:   COPYRIGHT    BY    GEO.    W.    MAYNARD — 1 899 

Height,  4  ft.  3  in.;  width,  14  ft.  7  in. 
Painted  for  the  City  in  1899. 


COURTROOM — EAST    WALL 

THE   POWER  OF  THE   LAW 

ARTIST 
EDWIN    HOWLAND    BLASHFIELD,    N.A. 

1848- 

The  panel  to  the  right  represents  The  Power  of  the  Law.  In  the 
center  a  heroic  female  figure  in  white  vestments,  with  golden  breast- 
and  shoulder-plates,  standing  before  a  seat,  is  in  the  act  of  drawing  a 
sword  from  its  sheath.  Two  female  figures  in  transparent  draperies, 
hovering  in  the  air,  hold  a  crown  over  her  head.  Before  her  a  kneel- 
ing female  figure  in  modern  gray  garb,  holds  a  document  in  her  up- 
raised left  hand.  The  first  figure  on  the  left  is  a  Roman  magis- 
trate, in  richly  embroidered  green  toga,  who  holds  a  scroll.     To  the 

94 


SETH    LOW 

BY 

WILLIAM    MERRITT    CHASE,    N.A. 

FOR    DESCRIPTION    SFE    PAGE    62 


CATALOGUE    OF    WORKS    OF    ART- 
COURTROOM —  EAS: 

SEAL  OF  THE  C.ITi 


ECORATIONS 


v'  YORK 


GEORGE  WILLOUGHBY   MAYNARD,   N.A. 


5  subjects 
O...C  u,,c  Seals  of  th 
City,  on  the  left,  sh 

hea^er^   and    two  r 


sailor,  hoiamg  m  Iv 
with  cross-trees.     C- 
the  waist,  bearing 
string  of  wampum, 
pennant.     The  one  i 
MDCLXXXVi,  the  yea 
Cit\ -    — ^-i      1 


1843- 

on  either  side  of  the  three  large  panels  repre 

'  '  "      •'  '  --ne  of  New  York.    That  of  th 
d  the  wings  of  a  windmill,  tw 
'nscription,  Manhattan.    Th- 
heon,  against  which  two  seate 
is  dressed  in  the  costume  of 
unding-line,  in  his  left,  a  ma? 
te  figure  of  an  Indian,  nude  1 
w  and  arrows,  in  the  other, 
de  is  a  flagstaff  with  floatin 
o  s  a  tablet  with  the  inscri 

r  ir  Dongan  charter  of  New 

liar  tablet,  with  the  inscii 
'he  Court  House. 


signed:   COP': 


Height,  4  ft.  3  in.;  wid: 
Painted  for  the  City  in  1899. 


W.    MAYNARD — 1 899 


COL..  EAST    WALL 

THE   POWER  OF  THE   LAW 


EDWIN    HOV/l.AND    BLASHFIELD,    N.A. 


The  panel  to  the  v 
center  a  heroic  femal 
and  shoulder-plates 
sword  from  its  sheai 
hovering  in  the  air,  h'  ■ 


1848- 

Fhe  Power  of  the  Law.     In  the 

e  vestments,  with  golden  breast- 

etore  a  seat,  is  in  the  act  of  drawing  a 

m.-Hle  figures  in  transparent  draperies. 

n  over  her  head.     Before  her  a  kneel- 


ing female  figure  in  modem  gm^'^^i),  holds  a  document  in'  her  up- 
raised left  hand.     The  TirsrniL'Tfi%45n  the  left  is  a  Roman  magi^ 
trate,  in  richly  embroidered  k;!<tftn  toga,  who  holds  a  scroll.     To  th 


'A    .aaAHD    TT15IJI3M    MAIJJIW 

94 

L()    33A1     33»    HOIT1l5ID»3fl    MOH 


CATALOGUE     OF     WORKS    OF     ART— MURAL     DECORATIONS 

left  is  seen  the  head  and  shoulders  of  a  man  in  wig  and  scarlet 
robe.  Further  to  the  left  is  a  male  figure  in  a  black  robe,  holding 
a  book  inscribed  civil  law.  To  the  right  of  the  central  figure 
stands  a  bearded  figure  in  a  richly  embroidered  robe.  He  holds  a 
book  in  his  right  hand.  Next  on  the  right  is  a  figure  in  a  rich 
purple-and-gold  stole,  with  a  bishop's  mitre,  holding  a  crozier  in 
his  left  hand.  To  the  extreme  right  is  a  figure  in  a  black  robe, 
clasping  a  book  with  the  inscription,  common  law.  In  the  lower 
corners  of  the  panel,  two  fair-haired  children  support  shields  con- 
taining the  seals  of  the  Court  of  Appeals.  The  one  to  the  left  is 
}  inscribed,  uphold  the  right;  the  other,  prevent  the  wrong. 
The  background  is  a  blue  field  with  heraldic  devices,  with  a  golden 
mosaic  in  the  center. 

signed:  copyright  1899  by  edwin  howland  blashfield 

Height,  10  ft.  6  in.;  width,  9  ft.  10-^  in. 
Painted  for  the  City  in  1899. 

inscription 

THE    law    draws    HER    SWORD    IN    BEHALF    OF    APPEAL;    ON     EITHER 

SIDE  SHE  IS  SVPPORTED  BY  MAGISTRATES  AND  FIGVRES  TYPIFYING 
ROMAN     LAW,     CANON     LAW,     AND     COMMON      (ANGLO-SAXON)      LAW. 


COURTROOM — EAST    WALL 

WISDOM 

ARTIST 

HENRY   OLIVER   WALKER,    N.A. 

1843- 

In  the  center  of  the  panel  a  female  figure,  clad  in  a  white  robe 
and  a  green  mantle,  and  with  her  arms  outstretched,  descends 
the  stairway  of  a  throne  between  two  mighty  columns.  To  the 
right,  a  nude  and  winged  child  descends  before  her.  In  the  fore- 
ground, to  the  left,  sits  a  youthful  male  figure,  partially  draped  in 
a  purple  cloak,  his  hands  clasped  and  his  eyes  cast  upon  the  ground. 
To  the  left  a  winged  male  figure,  partially  draped  in  a  blue  cloak, 
gently  touches  him  with  his  left  hand  and  with  his  right  points 
upward.  Between  this  and  the  central  figure  are  seen  in  profile, 
in  red  robes,  two  female  figures.  In  the  foreground,  to  the  right, 
sits  a  female  figure  in  a  red  robe,  with  her  face  turned  upward  to 
the  left,  and  holding  an  open  scroll  across  her  lap.     Above  her, 

95 


CATALOGUE     OF    WORKS     OF     ART — MURAL     DECORATIONS 

seen  in  profile,  is  the  figure  of  a  bearded  old  man  leaning  upon  a 
staff.  Beside  him  is  a  female  figure  with  folded  hands,  and  to  the 
extreme  right  are  the  head  of  a  boy  and  the  figure  of  a  girl  in  a 
green  cloak. 

signed:   COPYRIGHT    1 899    BY    HENRY   OLIVER   WALKER 

Height,  10  ft.  6  in.;  width,  9  ft.  105^  in. 
Painted  for  the  City  in  1899. 

INSCRIPTION 

WISDOM 

ATTENDED    BY    LEARNING    EXPERIENCE    HUMILITY   AND    LOVE 

AND    BY    FAITH    PATIENCE    DOUBT    AND    INSPIRATION 

DOTH    NOT   WISDOM   CRY 

AND   UNDERSTANDING    PUT   FORTH    HER   VOICE 

BY    ME    PRINCES    RULE    AND   NOBLES 

EVEN    ALL   THE   JUDGES   OF   THE    EARTH 


COURTROOM — EAST    WALL 

SEAL  OF   THE   STATE   OF   NEW   YORK 

ARTIST 

GEORGE   WILLOUGHBY   MAYNARD,    N.A. 

1843- 

To  the  right  of  the  three  large  panels  is  the  Seal  of  the  State  of 
New  York.  It  shows  in  the  shield  a  sun  rising  over  three  mountains 
and  in  the  foreground  the  sea  with  two  vessels.  Beneath  is  the 
motto  EXCELSIOR.  The  shield  is  placed  upon  an  escutcheon  deco- 
rated with  garlands.  On  each  side  is  a  seated  female  figure.  The 
one  on  the  left  holding  aloft  a  Phrygian  cap  upon  a  staff;  the  one  on 
the  right  is  blindfolded  and  bears  the  sword  and  scales.  As  in  the 
previous  panel,  there  are  two  fiagstaflfs;  one  with  the  inscription 
MDCCLXxvii,  the  year  of  the  adoption  of  the  constitution  of  New 
York  State,  the  other  mcm. 

signed:   COPYRIGHT    BY    GEO.    W.    MAYNARD — 1 899 


Height,  4  ft.  3  in.;  width,  14  ft.  7  in. 
Painted  for  the  City  in  1899. 


mmm 


DANIEI.    1).    WHITNHY 

BY 

THOMAS    JENSEN 

FOR    DESCRIPTION    SEE    PAGE    64 


CATALOGUE    OF    WORKS    OF    ART— MURAL    DECORATIONS 

seen  in  profile,  is  the  figure  of  a  bearded  old  man  leaning  upon  . 
stafi".     Beside  him  is  a  female  figure  with  folded  hands,  and  to  th 
extreme  right  are  the  head  of  a  boy  and  the  figure  of  a  girl  in 
green  cloak. 

signed:  copyright   1899  by  henry  01  ivfr  walker 

Height,  10  ft.  6  in.;  width,  9  ft.  lo^i*  in. 
Painted  for  the  City  ir 

i  \  b  C  K  1  IM  !  U  ,N 

WISDOM 

ATTENDED   BY   LEARNING    EXPERIENCE   HUMILITY   AND   LOVE 

AND    BY    FAITH    PATIENCE    DOUBT   AND    INSPIRATION 

DOTH   NOT  WISDOM   CRY 

AND    UNDERSTANDING    PUT    FORTH    HER   VOICE 

BY   ME    PRINCES    RULE    AND   NOBLES 

EVEN    ALL   THE   JUDGES    OF   THE    EARTH 


COURTROOM — EAST    WALL 

SEAL  OF  THE  STATE  OF  NEW   YORK 

ARTIST 

GEORGE   WILLOUGHBY   MAYNARD,   N.A. 

1843- 

To  the  right  of  the  three  large  panels  is  the  Seal  of  the  S: 
New  York.  It  shows  in  the  shield  a  sun  rising  over  three  mor 
and  in  the  foreground  the  sea  with  two  vessels.  Beneath 
motto  EXCELSIOR.  The  shield  is  placed  upon  an  escutcheoi' 
rated  with  garlands.  On  each  side  is  a  seated  female  figure 
one  on  the  left  holding  aloft  a  Phrygian  cap  upon  a  stafi";  the 
the  right  is  blindfolded  and  bears  the  sword  and  scales.  As 
previous  panel,  there  are  two  flagstaffs;  one  with  the  insc 
MDCCLXxvii,  the  year  of  the  adoption  of  the  constitution  ( 
York  State,  the  other  mcm. 

signed:   COPYRIGHT    BY   GEO.   W.    MAYNARD — 1899 

Height,4ft.3in.;^^IMT!H1^7•9^.^'^^^^^° 
Painted  for  the  City  in  1899. 

•/[H2M3I    2AMOHT 

{id    H0A1    33P.    H01T1I51D23a    HOH 


CATALOGUE     OF     WORKS     OF     ART — MURAL     DECORATIONS 
COURTROOM — WEST    WALL 

THE    REIGN   OF   LAW 

ARTIST 

KENYON    COX,   N.A. 

1856- 

The  panel  to  the  extreme  left  on  the  west  wall  represents  Com- 
mon Law.  (14  ft.  7  in.  long,  by  4  ft.  3  m.  high.)  in  the  center  of 
the  picture  is  a  seated  female  figure  dressed  in  white  with  a  blue 
mantle.  She  holds  a  sealed  document  in  her  right  hand,  and  her 
left  hand  rests  on  her  knee.  On  each  side  of  her  is  a  nude  boy,  bear- 
ing a  fascis.  To  the  left  is  a  half-reclining  female  figure  in  white 
with  a  green  mantle  and  holding  in  her  hand  an  endless  chain. 
At  the  right  end  of  the  panel,  robed  in  yellow  and  red,  reclines  a 
female  figure  holding  scales,  in  the  center  of  the  panel,  on  the  ex- 
treme right  of  the  west  wall  (14  ft.  3  in.  long  by  4  ft.  3  in.  high),  is 
a  female  figure,  who  points  with  her  right  hand  to  a  book  of  statutes 
resting  on  her  lap.  She  is  attended  on  the  left  by  a  nude  boy  bear- 
ing the  ballot  box,  on  the  right  by  another  leaning  upon  a  sheathed 
sword.  To  the  left  of  the  bearer  of  the  ballot  box  sits  a  female 
figure  clothed  in  red.  Her  left  arm  reposes  upon  an  opened  bird 
cage.  Her  right  hand  holds  a  staff  surmounted  by  a  red  Phrygian  cap. 
To  the  right  of  the  central  group  is  an  armed  female  figure  half  re- 
clining, and  enveloped  in  a  purple  cloak.  She  holds  in  her  left  hand 
an  oak  bough.  The  panel  to  the  left  of  the  judges'  dais  (9  ft.  lof  in. 
long,  by  4  ft.  3  in.  high)  is  a  half-reclining  yellow-robed  female 
figure  with  a  wreath  of  wheat  ears  about  her  head.  Her  left  arm 
rests  upon  a  hamper  full  of  bread,  while  with  her  right  she  places 
a  loaf  of  bread  into  the  hand  of  a  seated  male,  nude,  of  powerful 
proportions,  whose  left  hand  rests  upon  a  hammer.  To  the  right  of  the 
dais  (9  ft.  10 J  in.  long,  by  4  ft.  3  in.  high),  a  reclining  female  figure 
in  red-and-blue  vestments  holds  in  her  right  hand  an  olive  branch, 
and  with  her  left  hand  points  to  two  doves  in  the  upper  left-hand 
corner.  To  the  right  is  a  seated  nude  male  figure,  wearing  the 
winged  helmet  and  sandals.  His  left  hand  grasps  an  oar,  his  right 
a  bag  of  treasure. 

signed:   COPYRIGHT    1 898    BY    KENYON    COX 

Painted  for  the  City  in  1898. 

INSCRIPTION 

LAW    REIGNS 
JUS    LEX 

97 


CATALOGUE  OF  WORKS  OF  ART — MURAL  DECORATIONS 


COURTROOM — NORTH  AND  SOUTH  WALLS 

THE   JUDICIAL  AND   OTHER   VIRTUES 

ARTIST 

JOSEPH    LAUBER 

1855- 

Beginning  at  the  left  corner  of  the  south  wall,  is  the  figure  of  a 
woman  in  a  red  robe  and  golden  breastplate,  who  sits  enthroned, 
holding  in  her  right  hand  a  scepter  and  in  her  left  a  tablet,  resting 
upon  the  arm  of  the  throne,  with  the  following  inscription: 

DILIGITE    JUSTITIAM    QUI    JUDICATIS    TERRAM 

The  next  is  a  semi-kneeling  figure  in  a  blue  robe,  holding  in  her  right 
hand  a  mirror.  The  next  is  the  seated  figure  of  an  aged  and  power- 
ful man,  with  long  white  beard,  enveloped  in  a  red  mantle.  On 
his  knee  rests  a  scroll;  his  left  hand  holds  a  skull  and  his  right  a 
sprig  of  apple  blossom;  then  comes  a  nude  boy,  represented  as 
David,  his  right  hand  grasping  the  sling^  and  then  a  similar  figure 
standing  erect  with  sword  and  shield.  The  next  figure  is  a  seated 
old  man  in  a  red  robe  with  white  beard  and  hair.  His  body  is  nude 
to  the  waist,  and  his  fingers  are  active  in  disputation.  At  his  side 
is  a  vessel  containing  scrolls.  Then  follows  a  semi-kneeling  female 
figure  robed  in  yellow  and  bearing  in  her  left  hand  a  torch  and  in 
her  right  a  tablet  with  the  inscription: 

FAX    MENTIS    INCENDIUM    GLORIyt 

At  the  right  end  of  the  wall  is  the  figure  of  a  woman  robed  in  white, 
yellow  and  purple,  and  seated  upon  a  marble  throne.  Her  left 
hand  holds  a  compass,  her  right  is  extended  in  gesture. 

In  the  left  corner  of  the  north  wall  is  a  seated  female  figure  with 
a  red  mantle  covering  her  head,  in  her  hands  a  bridle  and  bit.  The 
next  figure  to  the  right  is  depicted  as  a  young  Roman.  He  rests 
upon  one  knee,  his  right  hand  supporting  a  tablet  inscribed  lex, 
his  left  hand  holds  a  sword.  Then  follows  a  green-robed  female  fig- 
ure on  one  knee,  holding  in  her  hands  a  transparent  sphere,  through 
which  she  gazes.  The  next  is  a  nude  boy,  standing  in  easy  posture. 
He  holds  in  his  left  hand  a  scroll,  while  with  his  right  he  makes  a 
gesture,  in  the  act  of  pleading.  Following  this  is  a  similar  figure  in  a 
firm  posture,  represented  as  drawing  a  veil  across  his  mouth.  The 
next  is  a  seated  female  in  green  robe  bending  over  a  book;  at  her 
feet  are  several  tomes.  Then  comes  a  kneeling  nude  youth,  who 
holds  in  his  right  hand  two  swords  together  by  the  blades,  in  his 
left  the  fascis.  The  last  figure  in  the  right-hand  corner  is  a  youth- 
ful nude  figure  seated  upon  a  marble  throne.     His  right  hand  rests 


i 


CATALOGUE  OF  WO  ECORATIONS 


Beginning  at  the  left  is  the  figure  of  a     ■ 

i-iman  in  a  reJ  robe  n.  ,io  sits  enthroned       1 


sits  enthroned 
left  a  tablet,  restin 

!r  inscription: 


The  next  is  a  semi-kneel;  ding  in  her  righ 

h?nd  a  mirror.     The  nex  :io;?d  and  power- 

with  long  white  :.c.^:J,  cn..^yped  ■  lantle.     Or: 

rests  a  scroll;  his  left  hand  holds  a  his  right  ? 

.-.prig  Of         '     '  '  .fs  a  nud;  Jed  a. 

David,  h;  sling,  an  '  igur- 

standing  cjcul  wmi  .^ ■.•...  ■  '       '■'-- 

old  man  in  a  red  robe  wi 

to  the  waist,  and  his  fin^.  .     ,,......  ,,. 

is  a  vessel  containing  scrolls.      1  hen  follows  '. 

figure  robed  in  yellow  and  bearing  in  her  lefr 
a  tablet  with  the  inscription: 

FAX   MENTIS    INCENDIUM    GLORI/E 

,At  the  right  end  of  the  wall  is  the  figure  of  a  wom-n  robed  in 
and  seated  upon  a 
s,  he  righ*^  i«  exter 

■  vlt  corne;  •  .<)]  is  a  seaLuJ  tcmale  ii^ur- 

Hie  coven:  cr  hands  a  bridle  and  bit 


ure  hands  a  i 

whs:  a  nude  bo;,  _ 

He  holds  in  his  left  ;oll,  while  with 

gesture,  in  the  act  ol  Following  thi> 

firm  posture,  reprey  r  a  veil  across  his  mouth. 

next  is  a  seated  fei,  i)e  bending  over  a  book;  : 

everal  tomci.  ihcn  ccmes  a  :  '  ;jde  youth 
lis  right  hand  two  swords  tog  e  blades, 

if  I  The  last  figure  in  the  rigni-nana  corner  is  a  y 

ful  '  seated  upon  a  marble  throne.     His  right  hand 


I 


•«' 

v/'* 

s 

% 

-4- 

TV 

Sr  ^^'^  1^' 


CATALOGUE     OF    WORKS    OF     ART— MURAL     DECORATIONS 

upon  an  unsheathed  sword,  his  left  upon  two  volumes,  the  upper- 
most being  inscribed  lex  suprema,  the  lower  lex  civitatis. 

signed:  jos.  lauber  copyright  1899 

Height,  3  ft.  3  J  in.;  width  of  each  of  four  corner  figures,  3  ft.  6^  in. 
Width  of  each  of  the  other  figures  on  south  wail,  2  ft.  i^  in.;  on 
north  wall,  1  ft.  3!  in. 

Painted  for  the  City  in  1899. 


COURTROOM 

STAINED   GLASS 
artist 

D.    MAITLAND   ARMSTRONG,    A.N. A. 
1836- 

The  dome  and  the  windows  in  the  north  and  south  walls  of  the 
Courtroom  consist  of  stained  glass  in  designs  of  fruit,  leaves  and 
flowers,  interwoven  with  heraldic  devices.  The  prevailing  colors 
are  green  and  yellow. 

signed:    MAITLAND   ARMSTRONG    FECIT    1899 
INSCRIPTIONS — WINDOWS 


LEGVM 

MINISTRI 

MAGISTRATVS 

LIVINGSTON 

LVX 

BVTLER 

LEGVM 

INTERPRETES 

JVDICES 

HAMILTON 

LEX 

KENT 


LEGVM 

NEQVE 

OMNES    SERVI 

PERFRINGI 

SVMVS 

POTENTIA 

MARCY 

JAY 

JUS 

LEX 

OGDEN 

O'CONOR 

JUS   CIVILE 

NEQVE 

NEQVE    INFLECTI 

ADVLTERARI    PECVNIA 

GRATIA 

DEBET 

VAN    BUREN 

CLINTON 

LVX 

JVS 

FISH 

SPENCER 

99 

CATALOGUE  OF  WORKS  OF  ART — MURAL  DECORATIONS 

COURTROOM  — CONTINUED 

INSCRIPTION — DOME 


STORY 

CHOATE 

EXCELSIOR 

PINKNEY 

TANEY 
EXCELSIOR 


MARSHALL 
WEBSTER 
EXCELSIOR 


SHAW 

LEGARE 

EXCELSIOR 

BARRETT 

VAN    BRUNT 

RUMSEY 


DE    WITT    CLINTON    HIGH    SCHOOL 


OPENING   OF   THE    ERIE   CANAL 

ARTIST 

CHARLES    YARDLEY    TURNER,    N.A. 

1850- 

*  ENTERING   THE    MOHAWK    VALLEY 

In  an  extensive  Autumn  landscape  is  shown  a  group  of  eight 
persons,  five  gentlemen  and  three  ladies,  all  but  one  standing  on 
the  prow  of  a  canal  boat  decorated  with  garlands  of  Autumn 
leaves.  The  figure  to  the  right,  a  tall  man  in  a  dark  green  over- 
coat, has  standing  by  his  side  a  lady  dressed  in  purple.  To  the 
left  is  seated  a  lady  dressed  in  red,  with  a  long  white  fichu  and 
holding  over  her  head  a  red  parasol.  Behind  and  to  the  left  of  her 
are  grouped  the  other  five  figures,  dressed  in  various  colors  of 
purple,  green  and  blue.  Above  them,  on  a  stone  pier,  is  a  young 
man  reclining  against  a  beam. 

signed:     COPYRIGHT     BY     C.     Y.     TURNER — 1905.      F.     C.      STAHR — 
ASSISTANT 

Height,  12  ft.  II  in.;  width,  15  ft.  6^  in. 
Painted  for  the  City  in  1905. 


CHARLES   A.    SCHIEREN 

BY 

RICHARD   CREIFELDS 

FOR    DESCRIPTION    SEE    PAGE    69 


CATALOGUE    OF    WORKS    OF    ART — MURAL    DECORATIONS 

COURTROOM  — CONTINUED 

INSCRIPTION DOMh 


MARSHALL 

WEBSTER 

EXCELSIOR 

STORY 

SHAW 

CHOATE 

LEGARE 

EXCELSIOR 

EXCELSIOR 

PINKNEY 

BARRETT 

TANEY 

VAN    BRUNT 

EXCELSIOR 

RUMSEY 

DE    V 


Oi 


H    SCHOOL 
r  THE   ERIE  CANAL 


RNER,    N.A. 


THE   MOHAWK   VALLEY 


In  an  ex 
persons,  fiv  i 

the  prow  ( 
leaves.     Th 
coat,  has  s' 
left  is  seatt 
holding  ove,  ..^ 
are  grouped   the 
purple,  green  an  . 
man  reclining  against  a  beam 


landscape  is  shown  a  group  of  e- 

three  ladies,  all  but  one  standing 

■rated  with  garlands  of  Auti 

a  tall  man  in  a  dark  green 

iady  dressed  in  purple.     To; 

-ed,  with  a  long  white  fichu 

ol.     Behind  and  to  the  left  ofl 

res,  dressed  in  various  colorj 

io-ii.  on  a  stone  pier,  is  a  yc 


signed:    CO' 


.      Y.      ...K- 
ASSISTANT 


CO. — 1905.      F.     C.     STAf^ 


Height,  12  li.  1 1  li..;  ^Mdth,  15  ft.  6^  in. 
Painted  for  the  City  in  1005. 

H3^3IHD2   .A   23J5IAH3 


8aj3HI3JID   a>IAH3I5I 


CATALOGUE     OF     WORKS    OF     ART — MURAL     DECORATIONS 
*THE    MARRIAGE   OF   THE    WATERS 

This  is  a  group  consisting  of  about  twenty  figures  of  gentlemen 
standing  on  the  prow  of  a  canal  boat,  the  side  of  which  is  decor- 
ated with  an  American  flag.  To  the  left  is  a  gentleman  holding 
high  a  bucket,  from  which  he  is  pouring  water  over  the  side  of  the 
boat.  Just  to  the  right  stands  a  keg  labeled  "Water  of  Lake 
Erie,"  and  next  to  this  a  table  covered  with  an  ample  red  cloth  on 
which  stand  several  bottles.  The  rest  of  the  gentlemen,  several 
of  whom  are  in  the  uniforms  of  various  nations,  stand  grouped  be- 
hind the  table  on  a  series  of  steps,  and  above  their  heads  floats  a 
banner  on  which  the  seal  of  the  City  of  New  York  is  conspicuous. 
In  the  background  are  many  vessels  profusely  decorated  with  the 
flags  of  all  nations. 

signed:  copyright  by  C.  Y.  turner — 1905.      F.  C.  STAHR.  ASST. 

Height,  12  ft.  II  in.;  width,  15  ft.  6h  in. 
Painted  for  the  City  in  1906. 


COLLEGE    OF    THE    CITY    OF    NEW    YORK 


*THE   GRADUATE 

ARTIST 

EDWIN    HOWLAND    BLASHFIELD,    N.A. 

1848- 

In  the  center,  clothed  in  pale  blue  draperies,  a  colossal  female 
figure  is  seated  on  a  white  marble  throne  and  holds  the  earth  in 
her  hands.  A  fire  burns  on  a  low  altar  at  her  feet.  On  the  marble 
steps  leading  to  the  throne  stands  a  young  man  wearing  a  college 
gown.  He  holds  a  lighted  torch  in  his  right  hand  and  in  his  left 
an  academic  cap.  To  the  right  stands  the  figure  of  a  woman  dressed 
in  a  richly-embroidered  blue  gown  and  a  red  Phrygian  cap.  Her 
left  hand,  holding  a  diploma,  is  extended  towards  the  young  man, 
while  with  her  right  she  points  upward.  Further  down  the  steps, 
to  the  right,  stands  a  female  figure  robed  in  red  and  holding  in  her 
right  hand  a  sword  and  in  her  left  a  scourge,  resting  on  her  shoulder. 
Seated  in  a  semicircle  on  either  side  of  the  central  figure  are  ten 
female  figures  dressed  in  white  and  pale  yellow,  and  two  on  each 
side  wearing  red  mantles.  Below  these,  on  either  side,  is  a  group 
of  seated  male  figures  dressed  in  various  colors  (purple,  blue  and 
red).     Still  further  below,  at  the  left,  is  a  group  of  young  men 


CATALOGUE  OF  WORKS  OF  ART — MURAL  DECORATIONS 

dressed  in  modern  costumes  of  people  in  various  walks  of  life.  On 
the  opposite  side  is  a  group  of  young  men,  some  of  them  wearing 
college  gowns  and  others  college  athletic  costumes.  In  the  upper 
part  of  the  painting,  on  either  side,  partly  enveloped  in  clouds  of 
smoke  arising  from  the  altar,  are  two  groups  of  children,  the  one 
at  the  left  holding  an  open  volume,  the  one  at  the  right  a  glass 
retort.  The  background  of  the  upper  part  of  the  painting  consists 
of  dark  purple  tree  trunks  and  foliage  against  a  blue  sky. 

signed:    designed    and   executed   by 
edwin    howland    blashfield   i907-08 
his  assistants  were  alonzo  e.  foringer  and  vincenzo 
aderente 

Height,  22  ft.;  width,  41  ft. 
Painted  for  the  City  in  1908. 


INSCRIPTION 

DOTH*NOT*WISDOM*CRY  *  *  *  SHE*STANDETH*ON*THE*TOP*OF*HIGH 
PLACES,  BY*THE*WAY*IN*THE*PLACES*OF*THE*PATHS.*SHE*CRIETH*AT 
*THE*GATES,*AT*THE*ENTRY*OF*THE*CITY,  AT*THE*COMING*  IN*AT* 

THE*DOORS 


WADLEIGH    HIGH   SCHOOL 

STAINED   GLASS   WINDOW 

One  of  the  windows  in  the  lobby  is  of  stained  glass,  in  the  centre 
of  which  is  a  bust  portrait  of  Goethe  with  the  face  in  profile  to  the 
right. 

INSCRI  PTIONS 
GOETHE 

•PRESENTED-TO- 

•THE- 

•  WADLEIGH    HIGH  •  SCHOOL  • 

■  BY- 

■THECLASSOF-  IQOy- 


ANDREW    H.    GREEN 

BY 

B.    KRAMER    SCHEIRO 

FOR    DESCRIPTION    SEE    PAGE    73 


CATALOGUE    OF    WORKS 

dressed  in  modern  costumes  o 
the  opposite  side  is  a  group  > 
college  gowns  and  others  colli 
part  of  the  painting,  on  eitht 
smoke  arising  from  the  altar, 
at  the  left  holding  an  open  \ 
retort.  The  background  of  tin 
of  dark  purple  tree  trunks  and  i^ 

signed:     DESIGNE^n 
EDWIN     HOWLA: 
HIS  ASSISTANTS  WERE  A! 

ADbri 

Height,  22  ft.;  width,  41  ft. 
Painted  for  the  City  in  1908. 


Mur<-,  L     oECORATIONS 

various  walks  of  life.  On 
vien,  some  of  them  wearin. 
:  costumes.  In  the  uppei 
ily  enveloped  in  clouds  of 
roups  of  children,  the  one 
■  one  at  the  right  a  glass 
rt  of  the  painting  consists 
iainst  a  blue  sky. 

-XECUTED  BY 
:  LD  1907-08 
■INGER  AND  VINCENZO 


ION 


DOTH♦NOT•WISDOM*CR^  ,TANDETH*ON*THE*TOP*OF*HIGH 

PLACES,   BY*THE*WAY*IN*T)!! -;      V   l-S*OF*THE*PATHS.*SHE*CRIETH*AT 
*THE*GATES,*AT*THE*ENTRY*OF*THE»ClTY,  AT»THE*COMlNG*IN*AT* 

THE*DOORS 


WADLL..M,    Miort   SCHOOL 

STAINED   GLASS  WINDOW 

One  of  the  windows  in  tht^  lobby  is  of  stained  glass,  in  the  centre 
of  which  is  a  bust  portrait  of  Goethe  with  the  face  in  profile  to  the 
right. 

INSCRIPTIONS 
GOETHE 

^^^rrSF.NTED-TG- 
THE- 
^H    HIGH •SCHOOL • 
•BY• 


t^339fo^Vl¥^\^§>fm?A 


OJIIHH08    JIHMAJIH     .8 
£Y    aOAl    332    Kom  1513830    5I01 


SCULPTURE 


SCULPTURE 

BATTERY    PARK 

*JOHN  ERICSSON 
1803-1889 

INVENTED  THE   MONITOR   IN    1862 

ARTISTS 

JONATHAN   SCOTT   HARTLEY,   N.A.   SCULPTOR 

1845- 

AND 

F.    E.   WALLIS,   ARCHITECT 

Vearing  an  overcoat  open,  showing  a  t  med  froc'- 

coat  beneath,  a  bronze  figure,  heroic  size,  sr 
advanced  and  the  knee  slightly  bent.  Hi^ 
the  front  and  he  holds  before  him,  with  his  k 
of  a  "monitor,"  while  his  right,  holding  a  r 
with  mechanical  drawings,  hangs  at  his  side 
polished  granite  pedestal,  below  the  surb 
bronze  tablet  representing  respectively  in 
and  another  battleship  in  action;  battlesh: 
full  sail;  various  mechanical  devices,  and  T 

.;  fire. 

signed:  j.  s.  hartle..  ^■^^.^.  . 
inscripttok 

•  the  •  city  •  of 

ERECTS    •    THIS    •    SlAiui: 
MEMORY    •    OF    ■    A    •    CITIZEN 
•    GENIUS    ■     HAS    ■    CONT'-'" 
•    TO    •    THE    •    GREATNESS 
•    REPUBLIC    •    AND    • 
GRESS    •    OF    •    THE 

■    APRIL    •     2(' 


i^^^MlM^ 


N    •    JULY 
•     BORN     • 

DIFD         T>;     •     NEW     ■''fORK 

DiBAJWi    THU03 


8^  HOA«i  ans  MoiTTijiaaaa  Hoq 


HENRY    HUDSON 

BY 

COUNT    PULASKI 

FOR    DESCRIPTION    SEE    PAGE    78 


SCULPTURE 
BATTERY    PARK 


*JOHN   ERICSSON 

1 803- 1 889 

INVENTED   THE    MONITOR    IN 


1862 


ARTISTS 

JONATHAN    SCOTT   HARTLEY,   N.A.    SCULPTOR 

1845- 

AND 

F.    E.   WALLIS,   ARCHITECT 

Wearing  an  overcoat  open,  showing  a  tightly  buttoned  frock- 
coat  beneath,  a  bronze  figure,  heroic  size,  stands  with  the  left  foot 
advanced  and  the  knee  slightly  bent.  His  face  and  eyes  are  to 
the  front  and  he  holds  before  him,  with  his  left  hand,  a  small  model 
of  a  "monitor,"  while  his  right,  holding  a  mass  of  papers  covered 
with  mechanical  drawings,  hangs  at  his  side.  On  each  side  of  the 
polished  granite  pedestal,  below  the  surbase,  is  a  rectangular 
bronze  tablet  representing  respectively  in  low  relief:  A  monitor 
and  another  battleship  in  action;  battleship  "Princeton"  under 
full  sail;  various  mechanical  devices,  and  firemen  using  an  engine 
at  a  fire. 

signed:  j.  s.  hartley,  sculp:  f.  e.  wallis.  arch: 


INSCRIPTIONS 

•  the   • 

CITY    •    OF    •    NEW    •    YORK    • 

ERECTS 

•    THIS    •    STATUE    •    TO    ■    THE 

memory 

•    OF    •     A     •    CITIZEN    •    WHOSE 

•    GENIUS    •     HAS    •    CONTRIBUTED    ■ 
•    TO     •    THE     ■     GREATNESS     •     OF     •     THE     • 
•     REPUBLIC     ■     AND     ■     THE     ■     PRO 
GRESS    •    OF    ■    THE     •    WORLD    ■ 

•    APRIL    ■     26    ■     1893     • 

ON    •    JULY    •     31     •     1803    •    JOHN    •     ERICSSON     •    WAS 

■     BORN     ■     IN     •     LANGSBANSHYTTAN     •     SWEDEN     ■ 
•    DIED    •     IN     •    NEW    •    YORK    ■    MARCH     •    8    •     1889    • 

105 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

BOWLING    GREEN 


ABRAHAM   DE   PEYSTER 

1658-1728 

MAYOR   OF   NEW   YORK,     169I-95 
ACTING-GOVERNOR   OF   NEW    YORK,     I  70  I 

ARTIST 

GEORGE    EDWIN    BISSELL 

1839- 

Dressed  in  an  ample  cloak  over  an  eighteenth  century  costume 
is  a  seated  figure  in  bronze,  heroic  size,  on  a  simple  granite  pedestal. 
His  face,  framed  by  a  wig  with  long  curls,  is  turned  to  the  right 
with  the  eyes  looking  straight  ahead.  His  right  hand  rests  on  his 
thigh  and  his  left  arm,  extending  across  his  breast,  is  supported  on 
the  pommel  of  his  sword,  with  the  hand  clasping  a  partly  unrolled 
document. 

signed:   GEO.    E.    BISSELL    SCULPTOR    1896. 
INSCRIPTIONS 

Abraham  de  Peyster 

1685  Alderman,   1691-95  Mayor,  1701  Comptroller, 

and   1708  Receiver  General  of  the  Port,  of  New  York; 

1698  Member  of  Earl  Bellomont's  Council; 

1698  Associate  Judge  of  the  Supreme  Court; 

1 700  Colonel  commanding  Regiment  of  Militia  or  City  Trained  Bands, 

1701  Chief  Justice;  1701  President  of  the  King's  Council  and  thus 

Acting  Governor  of  the  Province  of  New  York; 

1706-172 1  Treasurer  of  the  Provinces  of  New  York  and  New  Jersey. 

Born  8th  July,   1657  -  Died  2d  Aug.   1728. 

Johannes,  Col.  Abraham  de  Peyster's  father, 

was  Burgomaster  1673,  Alderman   i666-'9,   i673-'6, 

and  Deputy  Mayor,  N.  Y.   1677; 

Johannes  Jr.,  his  son.  Alderman   i70o-'i-'io.  Mayor  1698. 


Erected  by 

John  Watts  de  Peyster, 

7th  generation,  in  direct  descent, 

resident  of  and  6th  born  in, 

I  St  Ward,  City  of  New  York. 

106 


JAMES    KENT 

BY 
REMBRANDT    PEALE,    N.A. 
FOR    DESCRIPTION    SEE     PAGE    7? 


CATALOGUE    OF    WORKS    OF    A  RT— SCULPTU  RE 

BOWLING    GREEN 
ABRAHAM   DF.    PEYSTER 

..;-■;     •  --J 

MAYOR    O'-"  %,     1691-95 

W   YORK,    1 70 1 


Dressed  in  an  ample  r'o^k  over  an  eighteenth  century  costt' 

is  a  seated  figure  in  brc  on  a  simple  granite  pedes 

His  facp.  framed  hv  3  curls,  is  turned  to  the  r.. 

wi  '                   '     '  His  right  hand  rests  on 

th  s  his  breast,  is  supported 

the  LH_)]miici  ui  1111  J  a;  -  iiand  clasping  a  partly  unrolk 
document. 

signed:   ceo.    Z.  -iiSELL   SCULPTOR    1896. 


!e  Peyster 
i(^Q-    A  Horn.  -1 1  or,  1701  Comptroller, 

an  e  Port,  of  New  Yori;; 

'lont's  Council; 
Court; 
1700C01  :ty  Trained  Bands, 

1701  Chiet  Justice  .  ol  the  King's  Council  and  thu> 

Acting  C  Province  of  New  York; 

171'  ""  f  New  York  and  New  Jersey. 

1  2d  Aug.  1728. 
Peyster's  father, 
an  i666-'9,  i6jy'6, 
.^.^j   .  ..,  N.  Y.  1677; 

Johannes  Jr.,  his  :  nan  1700-'! -'10,  Mayor  1698. 


"rf.ied  by 

de  Peyster, 
71  n  direct  descent, 

/.  Ti4a>l  i23MA^th  bom  in, 

isf     ■  3!  lY^j'     of  New  York. 

.A.n  .3JAH1  Tai4A::aaM35i 

8\  30A1  33?  noiTiiflDaaa  5103 


CATALOGUE     OF     WORKS    OF     ART — SCULPTURE 

PRINTING    HOUSE    SQUARE 

BENJAMIN    FRANKLIN 

1 706- 1 790 

PRINTER,    PHILOSOPHER,    STATESMAN,    DIPLOMATIST,    AUTHOR 

ARTIST 
E.    PLASSMANN 

Dressed  in  Colonial  costume,  a  bronze  figure,  heroic  size,  of  a 
gentleman  with  long  hair,  stands  with  left  foot  advanced  and  the 
knee  bent,  on  a  simple  granite  pedestal.  His  left  hand,  holding  a 
copy  of  "Pennsylvania  Gazette,"  hangs  at  his  side,  and  his  right 
is  extended  palm  downward  on  a  level  with  his  hip,  in  gesture. 

signed:    E.    PLASSMANN    SCULP'.    N.    Y. 

Given  to  the  City  in  1872. 


CITY    HALL    PARK 

NATHAN    HALE 
1 75 5- 1 776 

AN    AMERICAN     PATRIOT    CAPTAIN     IN    THE    COLONIAL    ARMY,     1 776. 
EXECUTED    AS   A    SPY    BY    BRITISH    IN     1 776 

ARTIST 

FREDERICK    WILLIAM    MAC  MONNIES,    N.A. 

1865- 

Dressed  in  a  Colonial  costume,  is  a  bronze  figure,  heroic  size,  of 
a  young  man  standing  on  a  round  granite  pedestal.  His  head  is 
thrown  slightly  backward  in  defiance,  and  his  noble  and  refined, 
youthful  face,  wearing  a  look  of  resignation,  is  turned  to  the  left, 
and  the  eyes  slightly  lowered,  look  straight  ahead.     His  arms  are 

107 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

CITY    HALL   PARK— CONTINUED 

bound  behind  him  with  a  cord  at  the  elbows,  and  the  hands  hang 
helplessly  at  his  sides,  while  his  feet  are  bound  with  a  similar  cord. 

signed:    FREDERICK   MAC  MONNIES    PARIS    1890. 

Given  to  the  City  in  1893. 

INSCRIPTIONS 

NATHAN  HALE 

A  CAPTAIN 

IN  THE  REGULAR 

ARMY 

OF  THE 

UNITED   STATES 

WHO   GAVE    HIS    LIFE 

FOR   HIS   COUNTRY 

IN    THE   CITY   OF 

NEW   YORK 

SEPT         22ND 

1776. 

I    REGRET   THAT    I    HAVE    BUT   ONE    LIFE   TO    LOSE    FOR   MY   COUNTRY 

ERECTED   BY   THE   SONS  OF  THE   REVOLUTION   OF   THE   STATE   OF 
NEW   YORK 

EXECI    MONUMENTUM    AERE    PERENNUS 
1776  1883 

SONS   OF   THE    REVOLUTION. 


FOUNTAIN 

ARTIST 

UNKNOWN 

A  GRANITE  basin  about  30  ft.  square.  In  the  center  rises  a 
granite  column,  around  which  is  a  granite  basin  about  10  ft.  in 
diameter,  above  this  a  granite  umbrella,  over  which  the  water 
flows.  The  top  is  surmounted  by  a  bronze  fixture.  The  entire 
structure  is  about  15  ft.  high. 

Erected  by  the  City  in  1872. 

108 


ROBERT    KELLY 

BY 

DANIEL    HUNTINGTON 

FOR    DESCRIPTION    SEE    PACE    79 


« 


CATALOGUE    OF    WORKS    OF    ART— SCULPTU RE 

CITY   HALL  PARK— CONTINUED 

bound  behind  him  with  a  cord  at  the  elbows,  and  the  hands  han 
helplessly  at  his  sides,  while  his  feet  are  bound  with  a  similar  core 

signed:    FREDERICK    •' ♦  >...c    PARIS    1890. 

Given  to  the  City  in  1893. 

INSCRIPTIONS 

NATHAN    HALt 

A   CAPTAIN 

IN   THE    REGULAR 

ARMY 

OF   THE 

UNITEil    STATES 

WHO  GAVE   HIS   LIFE 

FOR   HIS   COUNTRY 

JN   THE   CITY   OF 

NEW   YORK 

SEP''        i2ND 

1776. 

I   REGRET  THAT   I    HAVE    BUT  ONE   LIFE   TO   LOSE   FOR   MY   COUNTRY 

ERECTED   BY  THE  SONS  OF  THE   REVOLUTION  OF  THE   STATE  OF 
NEW   YORK 

EXECI    MONUMENTUM   AERE    PERENNUS 
1776  1883 

SONS   OF   THE    REVOLUTION. 

FOUNTAIN 

ARTIST 
UNKNOWN 

A  GRANITE  basin  ab  square.     In  the  center  rises    . 

granite  column,  around  a  granite  basin  about  lo  ft.  >■ 

diameter,  above  this  a  gioi<i;c  umbrella,  over  which  the  watf 
flows.  The  top  is  surmounted  by  a  bronze  fixture.  The  entir 
structure  is  about  i^  {Y.M^^yi   T5t3a05I 

Erected  by  the  City  in  187;  va 

WOTOWITMLiy^  JHIHAO 
Q^    HOA-i    333    HOirqiJlDSHa    HOT 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

CITY    HALL   PARK  — CONTINUED 
♦PROVOST   PRISON   TABLET 

ARTIST 

UNKNOWN 

INSCRIPTION 

NEAR  THIS    SITE    STOOD 

THE    PROVOST    PRISON 

WHERE    PATRIOTS    DIED   FOR 

THE   CAUSE   OF   FREEDOM 

I  776- 1  783 

ERECTED    BY 

THE    MARY   WASHINGTON 

COLONIAL   CHAPTER 

DAUGHTERS   OF   THE 

AMERICAN    REVOLUTION 

APRIL    15    A    D    I90I 


ON    S.W.    CORNER   OF   CITY   HALL 

A  BRONZE  TABLET 

ARTIST 

UNKNOWN 

INSCRIPTION 
NEAR   THIS    SPOT    IN    THE    PRESENCE   OF 

GENERAL  GEORGE  WASHINGTON 

THE    DECLARATION    OF 

INDEPENDENCE 

WAS    READ   AND    PUBLISHED 

TO   THE 

AMERICAN    ARMY 

JULY    9th    1776. 

ERECTED  BY  THE 

SONS  OF  THE  REVOLUTION. 

NOV  25        1892 

109 


CATALOGUE    OF    WORKS    OF     ART — SCULPTURE 

CITY    HALL 

ROTUNDA 

THOMAS  JEFFERSON 

1 743- 1 826 

PRESIDENT   OF   THE    UNITED   STATES,     180I-09 


PIERRE   JEAN    DAVID 

(DAVID   d' ANGERS) 

1 789- 1 856 

This  is  a  copy  in  plaster  of  a  life-sized  bronze  statue  in  the 
Capitol  at  Washington.  He  stands  with  his  left  foot  advanced, 
his  right  arm  across  his  chest,  and  his  left  hand  holding  beside  him 
a  large  manuscript,  on  which  is  inscribed  the  Declaration  of  Inde- 
pendence. 

signed:  p.  j.  DAVID  d'angers   1833 

INSCRI PTION 

presented   TO   THE    CORPORATION 

OF    THE    CITY    OF    NEW    YORK 

BY    COMMODORE    URIAH    P.    LEVY, 

OF    THE    UNITED    STATES    NAVY 

FEBRUARY   61"    1834 


HORACE   GREELEY 

181 1-1872 

FOUNDER    OF    THE    NEW    YORK    TRIBUNE,     1 84 1 

ARTIST 
UNKNOWN 

A  WHITE  plaster  bust,  life  size. 


i 


i'S 


JUSTICE 

BY 
EDWARD    SIMMONS 
FOR    DESCRIPTION    SEE    PAGE 


A, 


CATALOGUE    OF     WORKS    OF     A RT— SCU L PTURE 

CITY   HALL— CONTINUED 
governor's   room 

HENRY   CLAY 

1777-1852 

A    UNITED   STATES   SENATOR 

ARTIST 
M.    PRUDEN 

An  undraped  white  marble  bust,  life  size,  stands  on  a  fluted 
marble  pedestal.  His  face  is  turned  to  the  left  and  his  eyes  look 
straight  ahead. 

signed:  henry  clay,   1849.    m.  pruden.     'sc. 

Purchased  by  the  City  in  1852. 


DE  WITT  CLINTON 

1769-1828 

governor   of    new   YORK,     1817-23;    1825-28 

ARTIST 

UNKNOWN 

A  WHITE  marble  bust,  life  size,  draped  with  a  richly  embroidered 
toga,  stands  on  a  rectangular  granite  pedestal.  His  face  is  turned 
to  the  right,  with  the  eyes  looking  straight  ahead. 

INSCRIPTION 
DE    WITT    CLINTON 


WILLIAM   F.    HAVEMEYER 

1 804- 1 874 

mayor    of    new    YORK,     1 845-46;     1 848-49 

ARTIST 
JULIA   GRIFFIN 

A  WHITE  plaster  bust,  life  size. 

SIGNED:   JULIA    GRIFFIN,    MARCH,    1874 
III 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

CITY    HALL  — CONTINUED 

governor's  room 

VAN   WYCK 


artist 

UNKNOWN 


A  WHITE  plaster  bust,  life  size. 


GEORGE   WASHINGTON 

'732-1799 

PRESIDENT   OF    UNITED   STATES,     1789-97 

ARTIST 
UNKNOWN 


A  WHITE  plaster  bust,  life  size. 


*  GEORGE   WASHINGTON 
1732-1799 

PRESIDENT   OF    UNITED   STATES,    1 789-97 

ARTIST 

PIERRE   JEAN    DAVID    (dAVID   d'aNGERS) 

1789-1856 

COPIED    BY    LOUIS   NOEL 

A  BRONZE  bust,  heroic  size,  stands  on  a  breche  violet  marble 
pedestal  on  the  front  of  which  is  a  bronze  scroll  bearing  the  inscrip- 
tion. The  face  is  to  the  front  and  the  eyes  look  straight  ahead. 
This  is  a  copy  of  a  bust  in  the  museum  in  Angers,  France. 

signed:  DAVID  d'angers   1828 

INSCRIPTION 

GEORGE    WASHINGTON 

BY 

DAVID   d'angers 

PRESENTED 

BY    THE 

HON.   JEFFERSON    M.    LEVY 

TO   THE 

CITY   OF    NEW   YORK 

MDCCCCV 

I  12 


^ 

< 

< 

J 

>■'' 

< 

u. 

ai 

o 

03 

^ 

z 

O 

a 

o  >- 

—     B5 

If) 

CO 

z 

C/2 

o 

5 

Q 
Q 

Ln 

< 

>- 

oi 

Qi 

H 

w 

CATALOGUE  OF  WORKS  OF  ART— SCULPTURE 

CITY  ONTINUED 

VAN   WYCK 

":t 

/  life  size. 

GFOROE   WA«;H?NGT0N 

\TES,    17815-97 

ARTIST 
UNKNOWN 

A>\'F'!'  life  size. 

5        O  vj£,..^i>u.,    ^-v.noniNGTON 

^      s  1732-1799 

[^    ^    2  -IDENT  OF   UNITED   STATES,    1789-97 

3  £^  ARTIST 

5  ^  PIERRE  JEAN    DAVID    (DAVID   d'aNGERS) 

I        S  1 789- 1856 

?  ij3  COPIED   BY   LOUIS   NOEL 

!v         — : 

~  NZE  bust,  heroic  size,  stands  on  a  breche  violet  r 

n  the  front  of  which  is  a  bronze  scroll  bearing  the  , 
tion.      i  he  face  is  to  the  front  and  the  eyes  look  straight  anead. 
This  is  a  copy  of  a  bust  in  the  museum  in  Angers,  France. 

SIGNED;   DAVID   D'aNGERS    1828 
INSCRIPTION 

■r.rnar.p   WASHINGTON 
BY 
ID   d'aNGERS 
PRESENTED 

BY   THE 

-PERSON   M.    LEVY 

TO   THE 

CITY    OF    NEW   YORK 

MDCCCCV 

1 12 


I 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

CITY    HALL  — CONTINUED 

COUNCIL    CHAMBER 

JOHN  JAY 

1 745- 1 829 

CHIEF   JUSTICE    UNITED   STATES    SUPREME    COURT,    1 789-95 

ARTIST 

JOHN    FRAZEE,    N.A. 

179O-1852 

A  WHITE  marble  bust,  life  size,  draped  with  a  toga,  stands  on  a 
round  marble  pedestal.  His  face  is  to  the  front  and  the  eyes  look 
straight  ahead. 

SIGNED:    FRAZEE 

Given  to  the  City  in  1835. 

JOHN   MARSHALL 

1755-1835 

CHIEF   JUSTICE    UNITED   STATES    SUPREME    COURT,     180I-35 

ARTIST 
UNKNOWN 

A  WHITE  marble  bust,  life  size,  partly  draped  with  a  toga,  stands 
on  a  round  marble  pedestal.     His  face  and  e\'es  are  to  the  front. 


COUNTY    COURT    HOUSE 

PART     XVIII 

*  GEORGE   PEIRCE   ANDREWS 

1 83 5- 1 902 

JUSTICE   OF    SUPREME   COURT,    1885--I902 

ARTIST 

GEORGE   T.    BREWSTER 

1862- 

Dressed  in  judicial  robes  is  a  mural  bronze  bust,  slightly  larger 
"3 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

COUNTY  COURT  HOUSE  — CONTINU  ED 

than  life  size,  resting  on  a  representation  of  a  judge's  desk,  on  which 
lie  the  hands  holding  a  paper. 

signed:  GEO:  T.  brewster:  sc.   1903. 

Given  to  the  City  in  1903. 

INSCRIPTION 

GEORGE  -  PEIRCE  -  ANDREWS 
BORN  -  SEPT  -  29  -  1835  -  DIED  -  MAY 
24  -  1902  -  JUSTICE  -  OF  -  SUPREME 
COURT  -  1885  -  1902  -  CORPORATION 
COUNSEL  -  1880  -  1884  -  ASSISTANT 
U  -  S  -  DISTRICT  -  ATTORNEY  -  1861 
_  1866. 

PART    XIV 

FREDERICK   SMYTH 
1 834- 1 900 

JUSTICE   OF    SUPREME   COURT,     1896-I9OO 

ARTIST 
UNKNOWN 

In  the  upper  part  of  a  large  bronze  tablet,  bearing  the  inscription, 
is  the  head  of  a  man  in  middle  relief,  with  his  face  turned  to  the  left. 

INSCRI  PTIONS 

IN     .     MEMORY     .     OF 
FREDERICK     .     SMYTH 
BORN     •     JVLY     •      15     •      1834     ■     DIED    •     AVGVST     •      18     ■      I900 
jVSTICE     •     OF     •     THE     ■     SVPREME     •     COVRT 

1  896 1 900 

RECORDER     •     OF     ■    THE     •     CITY     •    OF     ■     NEW     •     YORK 
1879  1894 

"the     •     BENCH     •     HAS     •     LOST     •     ONE     ■     OF     •     ITS     ■     MOST 

ABLE     •     VPRIGHT     •     AND     •     INDVSTRIOVS     ■     MEMBERS 

THE     •     LAW     •     AND     •     ITS     ■     ADMINISTRATION     ■     AN 

VNTIRING         AND     •     WISE     •     EXPONENT     ■     AND     ■     GVIDE 

AND     •     THE     •     BAR     ■     A     ■     KIND     •     ATTENTIVE     ■     AND 

CONSIDERATE     ■     FRIEND." 

RESOLVTIONS     •    OF     ■     BENCH  AND     ■     BAR     ■     OCT     •     19OO. 

114 


'■V?^^' '.'■"■ 


CATALOGUE    OF    WORKS    OF    ART— SCULPTURE 

COUNTY  COURT  HOUSE  — CONTINUED 

ize,  resting  on  a  representation  of  a  judge's  desk,  on  which 
aper. 

r.o:  r.  BREWSTER:  sc.   1903. 

Given  to  the  City  in  1903. 

INSCRIPTION 

GEORGE   -    PEIRCE   -   ANDREWS 
BORN  -SEPT   -    29-   1835   -    DIED  -   MAY 
24   -    1902    -    JUSTICE    -   OF    -    SUPREME 
COURT   -    l88<;     -     1902    -    CORPORATION 
COUNSEL    -        "  884    -    ASSISTANT 

U    -    S    -   11  vTTORNEY  -    1861 

1866. 


FREDERICK  SMYTH 
1834-1900 


> 

S  JUSTICE   OF   SUPREME   COURT,    1896-19OO 

Q  H  ARTIST 


i5    ■<    _j  UNKNOWN 

3       Cj  the  upper  part  of  a  large  bronze  tablet,  bearing  the  inscriptic 
S    isIRe  head  of  a  man  in  middle  relief,  with  his  face  turned  to  the  lei 

o 

^  INSCRIPTIONS 

IN     .    MEMORY    .    OF 

FREDERICK     .    SMYTH 

Bi.iKN     •     JVLY     ■     15     ■      1834    ■     DIED    ■     AVGVST     ■      18     ■      M  -  u 

JVSTICE    •    OF     ■    THE    ■    SVPREME    •    COVRT 

1896  —  1900 

RECORDER    ■    OF    •    THE    •    CITY    ■    OF    ■    NEW    •    YORK 

1 879  —  1 894 

"the    •     BENCH    •    HAS         LOST    -    ONE    •    OP    •     ITS    ■    MOST 

ABLE    •    VPRIGHT    •    AND    •     INDVSTRIOVS    •    MEMBERS 

THE     •    LAW    •    AND    •    ITS    •    ADMINISTRATION    ■    AN 

VNTIRING         AND         WISE     •     EXPONENT    ■    AND    •    GVIDE 

AND    •    THE     ■     BAR         A     ■     KIND    ■    ATTENTIVE    •    AND 

CONSIDERATE    •     FRIEND." 

RESOLVTlONS    ■    OF    •     BENCH     •    AND    •     BAR    ■    OCT    ■     1901 
114 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

COUNTY  COURT  HOUSE  — CONTINUED 

PART     XV 

THOMAS   ADDIS   EMMET 

1 764- 1 827 

ATTORNEY-GENERAL   OF    STATE,     l8l2 

ARTIST 
OLLAVIANO    GIOVANNAZZI 

This  is  a  life-sized  white  marble  bust,  with  the  face  and  eyes  to 
the  front. 

signed:    OLLAVIANO    GIOVANNAZZI    FEC.    LA     1828 

Given  to  the  Court  in  1828. 

inscription 

thomae  •   addis   •   emmet 

VIRO 

DOCTRINA     •     IVRIS     •     SCIENTIA     •     ELOQVENTIA 

PRAESTANTISSIMO 

INTER    •     HAEC    •    SVBSELLIA     •     ET    •    OFFICII     •    MVNERA 

SVBITA     •     MORTE     •     CORREPTO 

SOCII     •     FORENSES    •     POSVERVNT 

PART     XV 


JOHN   TREAT    IRVING 

1778-1838 


ARTIST 
UNKNOWN 

A  BUST  relief  in  white  marble  encircled  by  a  wreath. 
Given  to  the  Court. 

INSCRIPTION 

VIRO    ■    HONORATO 

lOANNI     •    T    •     IRVING 

QVEM    •    IVDICIS    •    OFFICIO    •    MVLTOS    ■    PER    ■    ANNOS    •    FVNGENTEM 

ET   ■    LEGVM    ■    DOCTRINA    ■    ET   •   MORVM    •    INTEGRITAS    ■    FELICISSIME    . 

CONDECORABANT 

IVRISCONSVLTI         NEO     •     EBORACENSES     ■    QVIBUS     •     ET     •     AMICI     ■ 

ET    •    MAGISTRI 

TAM    •    TRISTE     •     RELIQVIT    •    DESIDERIVM 

H     •    M     •     PONENDVM    •    CVRAVERVNT 

"5 


CATALOGUE     OF     WORKS     OF     ART — SCULPTURE 

COUNTY  COURT  HOUSE  — CONTINUED 

PART    XV 

JOHN   SLOSS   HOBART  TABLET 

ARTIST 
UNKNOWN 

INSCRIPTION 

John  Sloss  Hobart 

His  birth  at  Fairfield  in  Connecticut; 
his  Father  the  Pastor  of  the  Church  there. 
A  Judge  of  the  Supreme  Court  of  this  State 
from  1777  to  1798,  when  He  "attained  the  Age 
of  Sixty  Years." — afterwards,  in  the  same 
year,  appointed  Judge  of  the  District  Court 
of  the  LI.  S.  within  this  District;  and  continued 
in  the  Trust  to  his  Death  1805 

As  a  Man  -  firm 

As  a  Citizen  -  zealous 

As  a  Judge  -  distinguishing 

As  a  Christian  -  sincere 
This  Tablet  is  placed  to  his  memory 

by  One,  to  whom 
"As  a  friend  -  as  close  as  a  Brother." 

PART    XVIII 

*  HENRY    RUTGERS    BEEKMAN   TABLET 

ARTIST 
WILLIAM    F.    BEEKIVIAN 

INSCRIPTION 

INTEGER    VITAE    SCELERISQUE    PURUS. 

IN    IVIEMORY 

OF 

HENRY    RUTGERS    BEEKMAN 

BORN    DEC.    8th     1845 

DIED    DEC.     17th     1900. 

PRESIDENT    OF    DEPARTMENT    OF    PARKS 

1885    TO     1887 

PRESIDENT  OF  BOARD  OF  ALDERMEN 

1887  TO  1888 
COUNSEL  TO  THE  CORPORATION 

1888  TO  1889 

JUDGE    OF    THE    SUPERIOR    COURT 

1894  TO     1895 
JUSTICE   OF   THE    SUPREME    COURT 

1895  TO    1900. 

116 


J 


UE    OF    V.    ■  \RT — SCULPTURE 

COUNTY   COURT   HOUSE  — CONTINUED 


JOHN   SLOSS    HOBART  TABLET 

ARTIST 

UNK-JOWN 


John  irt 

His  birth  at  Fair!'  cut; 

his  Father  the  Pa  rch  there. 

A  Judge  of  the  S  .  f  this  State 

from  1777  to  ijq:  tained  the  Age 

of  Sixty  Years."-  the  same 

year,  appointed  1 1  irict  Court 

of  the  U.  S.  withi'  and  continued 

in  the  Trast  to  hi.s  ^., o^j 

As  a  Man  -  firm 

As  a  Citizen  -  zealous 

As  a  Judge  -  distinguishing 

As  a  Christian  -  sincere 
This  Tablet  is  placed  to  his  memory 

by  One,  to  whom 
"  As  a  friend  -  as  close  as  a  Brother." 

PART  xvin 


*  HENRY    RUTGERS    BEEKMAN   TABLET 

ARTIST 
WILLIAM    F.    BEEKMAN 

INSCRIPTION 
INTEGER   VITAE   SCELERISQUE    PURUS. 


IN    MEMORY 

OF 

HENRY    RUTGERS    BEEKMAN 

BORN    DEC.    8th    1845 

DIED    DEC.    17th     1900. 

PRESIDENT   OF    DEPARTMENT   OF    PARKS 

1885    TO    1887 

PRESIDENT   OF    BOARD   OF   ALDERMEN 

1887  TO    1888 
COUNSEL   TO   THE   CORPORATION 

1888  TO    1889 

JUDGE    OK   THE    SUPERIOR   COURT 

1894  TO    1895 
JUSTICE   OF    THE    SUPREME    COURT 

1895  TO    1900. 

116 


CATALOGUE     OF     WORKS     OF     ART — SCULPTURE 

COUNTY  COURT  HOUSE— CONTI NUED 

PART    XVIII 

HAMILTON   W.    ROBINSON   TABLET 

ARTIST 
UNKNOWN 

INSCRIPTION 

IN     •    MEMORY    •    OF 

HAMILTON    W.    ROBINSON 

BORN     •    NOV    •    25     •     1814    :    DIED    •    APRIL    ■    7    •     1879 

JUDGE     •    OF    •    THE    •    COURT    •    OF    •    COMMON     •     PLEAS    •    FOR 

THE    ■   CITY    •   AND   ■   COUNTY    •   OF    •    NEW    ■    YORK    •    1870   •      1879 

"an   •  HONOR  •  TO  ■  THE  •  JUDICIARY  •  AND  •  TO  •  OUR  •    PROFESSION" 

HIS  ■  URBANITY   ■   AND  •   SINCERITY  ■   ENDEARED  ■  HIM   •  TO   •    US    ■  AND 

[his    •    PROBITY 

his  ■  learning  •  and  •  his  •  faithfulness  •  to  •  duty 

[commanded 
universal  •  respect  •  we  •  cherish  •  pleasant  •  recollections  of 
his  •  well  ■  spent  •  life  •  and  ■  revere  ■  his  •  memory    •  as 
an    •   able    ■   and   ■    upright   ■   judge 

resolutions   •   of   •    bench    •   and   •    bar: 

APRIL     ■     24    ■      1879. 

HALL    OF    RECORDS 

CHAMBERS     STREET     FAfADE 

*STATUES 

ABOUT   THE    LARGE    CENTRAL    WINDOW    IN    THE    ATTIC    ROOF 

ARTIST 

HENRY    KIRKE    BUSH-BROWN 

1857- 

CHILDHOOD 

Seated  on  either  side  of  the  peak  of  the  window  is  a  nude 
figure  of  an  infant,  heroic  size,  with  one  hand  resting  on  a  shield, 
the  Other  grasping  its  ankle. 

Purchased  by  the  City  in  1902. 

117 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

HALL  OF  RECORDS— CONTINUED 

*  SPRING 

A  CARYATID  in  granite,  heroic  size.     Her  face  is  wreathed  in 
large  blossoms.     Her  two  hands  grasp  the  drapery  on  her  head. 
Purchased  by  the  City  in  1902. 

*  SUMMER 

A  MALE  caryatid  in  granite,  heroic  size.     He  holds  at  his  right 
side  an  inverted  cornucopia,  empty. 
Purchased  by  the  City  in  1903. 

*  AUTUMN 

A  CARYATID  in  granite,  heroic  size.  She  has  grape-leaves  and 
bunches  of  grapes  entwined  in  her  hair,  and  holds  in  front  of  her  an 
inverted  cornucopia. 

Purchased  by  the  City  in  1903. 

*  WINTER 

A  MALE  caryatid  in  granite,  heroic  size.     With  wind-whipped 
beard,  he  is  holding  his  cloak  tightly  around  him. 
Purchased  by  the  City  in  1903. 

*  PHILOSOPHY 

A  HALF-RECLINING  figure  of  3.  bald-headed  man,  in  granite, 
heroic  size.  His  left  side  and  arm  rest  against  a  globe.  His  right 
arm  extended,  holds  a  skull  on  his  knee,  at  which  he  is  intently 
gazing. 

Purchased  by  the  City  in  1903. 

*  POETRY 

A  HALF-RECLINING  figure  of  a  young  man,  heroic  size,  in  granite. 
His  head  is  bound  with  a  wreath;  in  his  left  hand  a  medallion  of 
Dante's  head;  in  his  right  hand  a  quill  pen. 

Purchased  by  the  City  in  1903. 

*  MATERNITY 

A  SEATED  female  figure,  heroic  size,  in  granite,  holding  a  baby  on 
her  lap. 

Purchased  by  the  City  in  1903. 

118 


JUSTICE    OF   THE    LAW 

BY 
EDWARD    SIMMONS 

FOR    DESCRIPTION    SEE    PAGE    93 


AT  F    WORKS    OF    A  fiT— SCU  LPTURE 

HALL  OF   RECORD^-  ;UED 


A  CARVAT  e  is  wreathed  i 

large  bit  v  on  her  head. 

Purch 

*  SUMMER 

ranite,  heroic  size.     He  holds  at  his  rig 

side  -  .  :..   .._.jpia,  empty. 

Purchased  by  the  City  in  1903. 


iAi;,     i!)ie  has  grape-leaves    ii 
I  air,  and  holds  in  front  of  her 


size.     With  wind-whipped 
jund  him. 


c  City  in 


*  PHILOSOPHY 


iiMi/i-headed  man,  in  granite, 
inst  a  globe.  His  right 
at  which  he  is  intently 


le  Citv  in  ;. 


A  HALF-RECLINING  figure  of  3  voung 
His  head  is  bound  with   ^  •        '■:;  in  In-  i^n  nanu  a  lucuaiimu  >  f 
Dante's  head;  in  his  rij.  quill  pen. 

Purchased  by  the  Cit      

*  MATERNITY 

A  SEATED  female  figure,  heroic  size,  in  granite,  holding  a  1 
her  lap.  WAJ   3HT  lO   33IT2UL 

Purchased  by  the  City  in  i903Ya 

ewoMMiiasajiAwaa 

59    30A1    332    MOIT1 1513230    5I03 


CATALOGUE     OF     WORKS     OF     ART — SCULPTURE 


HALL  OF   RECORDS— CONTINUED 


*  HERITAGE 

A  SEATED  group  in  granite,  heroic  size.     A  male  figure  holds  on 
his  lap  a  child. 

Purchased  by  the  City  in  1903. 


CHAMBERS     STREET     FAfADE 

STATUES 

ON    THE    CHIEF    CORNICE,    CATALOGUED    IN    ORDER 
FROM    LEFT    TO    RIGHT 

ARTIST 
PHILIP   MARTINY,    A.N.A. 

1858- 

*  DAVID   PIETERSEN   DE   VRIES 

LIVED    IN    SEVENTEENTH    CENTURY 
PATROON    OF    A    COLONY   ON    STATEN    ISLAND   ABOUT    1640 

A  GRANITE  Statue,  heroic  size.     He  stands  holding  his  hat  against 
his  hip  with  his  right  hand,  and  in  his  left,  his  gloves. 
Purchased  by  the  City  in  1904. 

*  CALEB    HEATHCOTE 

1665-172 1 

MAYOR   OF    NEW   YORK,     I7M-14 

A  GRANITE  statue,  heroic  size.     Dressed  in  clerical  garb,  he  holds 
before  him,  with  both  hands,  a  document. 
Purchased  by  the  City  in  1904. 

*DE   WITT  CLINTON 

1 769- 1 828 

GOVERNOR   OF    NEW   YORK,     1817-23;    1 828 
MAYOR   OF    NEW    YORK,     1803-O7;    1809-IO;    1811-I5 

A  GRANITE  Statue,  heroic  size.     A  heavy  overcoat  hangs  from 
his  shoulders,  and  in  each  hand  is  a  roll  of  manuscript. 
j    Purchased  by  the  City  in  1905. 

''  1 19 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

HALL  OF   RECORDS— CONTINUED 

*ABRAM   STEVENS   HEWITT 
1822-1903 

MAYOR   OF    NEW    YORK,    1 887-88 

A  GRANITE  figure,  heroic  size,  of  a  man  standing  with  feet  apart 
and  his  right  hand  resting  on  a  mass  of  drapery  lying  on  a  column 
at  his  side,  while  in  his  left  hand,  held  before  his  waist,  is  a  roll. 

Purchased  by  the  City  in  1906. 

*  PHILIP   HONE 

1781-1851 

MAYOR   OF    NEW   YORK,     1825-26 

A  GRANITE  statue,  heroic  size.  In  his  right  hand  a  pen;  in  his 
left,  a  scroll. 

Purchased  by  the  City  in  1906. 

*  PETER   STUYVESANT 

1 592-1672 

DIRECTOR-GENERAL   OF    NEW   NETHERLANDS,    1647-64 

A  GRANITE  Statue,  heroic  size.  He  stands  squarely  on  his 
wooden  leg,  with  his  hat  in  his  left  hand  and  a  walking-stick  in  his 
right. 

Purchased  by  the  City  in  1905. 

*CADWALLADER    DAVID   COLDEN 

1 769- 1 834 

MAYOR   OF    NEW   YORK,     1818-21 

A  GRANITE  statue,  in  Colonial  dress,  heroic  size,  with  a  roll  in  the 
right  hand. 

Purchased  by  the  City  in  1905. 

*  JAMES   DUANE 

'733-1797 

MAYOR   OF    NEW    YORK,    1 784-89 

A  GRANITE  statue,  heroic  size.     A  cloak  hangs  over  his  left  arm, 
and  in  his  left  hand  is  a  cane. 
Purchased  by  the  City  in  1906. 


THE    POWER  OF  THE    LAW 

BY 

EDWIN    HOWLAND    BLASHFIELD,    N.A. 

FOR    DESCRIPTION    SEE    PAGE    94 


CA  SCULPTURE 

RECORI  ^TINUED 

*ABRAM   STEVEN  r 

1 822- 1 90 i 

MAYOR   OF    NEW   YORK,    1 887-88 

A  GR  oic  size,  of  a  man  standing  with  feet  ap 

^  '  ^■'  •■"    "  "  "liiss  of  drapery  lying  on  a  coli 

field  before  his  waist,  is  a  rol| 


■^  rrn  i.i 
178., 
<X   OF   NEW    YORK,    1 825-26 

^,  ..eroic  -i'f       '"  Hi<;  nght  hand  a  pen 

:e  Citv  in 

E.NCRAL  IHERLANDS,    I  647- 6 J 


lif.r, 


"    "Stands    squarely   o,. 
J  a  walking-stick  in 


*CADa  \i  iADER   DAVID  GOLDEN 
1769-1834 

MAYOK    (yp    NEW    YORK,     1818-2I 

size,  with  a  rci 


*  JAMES 

MAYOR   OF   NEV, 

Purchased  by  the  City  in  io<M 

.A.n  .ajHiTHaAJa  quajwoh  mwaa 

120 

^Q    30A1    332    HOIT<]ISI3a3a    5101 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

HALL  OF   RECORDS— CONTINUED 

CHAMBERS    STREET    ENTRANCE 

TWO  GROUPS 

ARTIST 
PHILIP    MARTINY     A.N.A. 
1858- 

*NEW   YORK    IN    REVOLUTIONARY   TIMES 

A  GROUP  of  three  figures,  heroic  size,  in  granite,  stands  on  a 
pedestal  of  the  same  material.  Wearing  a  helmet,  and  dressed  in 
a  loosely  fitting  robe  falling  in  ample  folds  about  her  feet,  the 
figure  of  a  woman  stands  with  her  head  turned  a  little  to  the  right 
and  her  eyes  nearly  closed.  Her  left  hand  holds  a  torch,  and  her 
right  supports  a  globe  on  the  arm  of  a  massive  chair,  with  its  con- 
cave back  reaching  to  her  shoulders.  At  her  right,  a  figure  in 
Colonial  uniform  stands  with  the  right  leg  thrown  forward,  the  right 
hand  against  the  hip  and  the  left  grasping  the  barrel  of  a  musket 
standing  at  his  side.  At  her  left  stands  a  female  figure  in  three- 
quarters  view  to  the  right.  She  is  dressed  in  a  simple  costume, 
with  a  kerchief  about  her  shoulders,  and  her  left  hand,  clasping  a 
sickle  and  a  fold  of  her  apron,  hangs  at  her  side,  while  in  the  hollow 
of  her  right  arm  she  holds  a  large  bunch  of  long-stemmed  flowers. 

Purchased  by  the  City  in  1907. 


*NEW   YORK    IN    ITS    INFANCY 

A  GROUP  of  three  figures  in  granite,  heroic  size,  stands  on  a  granite 
pedestal.  Dressed  in  a  simple  robe  hanging  in  ample  folds,  a  fe- 
male figure  stands  in  front  of  a  massive  chair,  with  its  concave  back 
reaching  above  her  shoulders.  She  wears  a  crown,  her  face  and 
eyes  are  to  the  front,  her  right  hand  holds  a  document,  and  her  left 
rests  on  two  books  standing  on  the  arm  of  the  chair.  At  her  right 
stands  an  Indian  wearing  only  a  feather  head-dress,  a  necklace  and 
a  narrow  leather  apron.  His  right  hand  rests  on  the  handle  of  an 
oar  thrust  into  the  prow  of  a  canoe,  and  his  left,  holding  arrows, 
hangs  at  his  side.  At  her  left  stands  a  figure  dressed  in  Colonial 
costume,  with  his  clenched  right  hand  against  his  side  and  his  left 
clasping  the  collar  of  his  cloak. 

Purchased  by  the  City  in  1907. 


CATALOGUE     OF     WORKS    OF     ART — SCULPTURE 

HALL  OF   RECORDS— CONTINUED 

CENTRE     STREET    FAf;ADE 

STATUES 

ABOUT   THE    LARGE    CENTRAL   WINDOW   IN    THE    ATTIC    ROOF 

ARTIST 
HENRY    KIRKE    BUSH-BROWN 

1857- 

*  RECORDER 

A  HALF-RECLINING  figurc  of  3.  bearded  man,  heroic  size,  in 
granite.  Under  his  left  arm  he  holds  a  book,  with  his  right  he  is 
writing  in  an  open  volume  across  his  knee. 

Purchased  by  the  City  in  1903. 

*  KEEPER  OF  THE    ROLLS 

A  SEATED  figure  in  granite,  heroic  size,  of  a  young  man  examining 
a  half-opened  roll  lying  across  his  knees. 
Purchased  by  the  City  in  1903. 

STATUES 

ON     THE     CHIEF     CORNICE,     CATALOGUED     IN     ORDER 
FROM    LEFT    TO    RIGHT 

ARTIST 

PHILIP    MARTINY,   A.N. A. 

1858- 

*  CHEMISTRY 

A  FEMALE  figure  in  granite,  heroic  size.  With  her  left  hand  she 
holds  a  book  against  her  bosom;  in  her  right,  a  wreath.  At  her 
feet  stands  an  antique  retort  on  a  pile  of  books,  and  beside  them  a 
mortar  and  pestle. 

Purchased  by  the  City  in  1905. 

*  MEDICINE 

A  FEMALE  figure  in  granite,  heroic  size.  At  her  left,  a  snake  is 
coiled  about  a  small  column;  at  her  feet,  a  skull  rests  on  a  pile  of 
books. 

Purchased  by  the  City  in  1905. 


WISDOM 

BY 

HENRY    OLIVER    WALKER,    N.A. 

FOR    DESCRIPTION    SEE    PAGE    95 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

H  iJS— CONTINUED 

CENTRP    STREET    FA(;:ADE 

UES 

ABOUT   THE  l^NTRAL   WINDOW    IN    THE   ATTIC    ROOF 

ARTIST 

HENRY    KIRKE    BUSH-BROWN 

1857- 

*  RECORDER 

A   HA  f^ure    vf  n    bearded   man,   heroic   size, 
granite.  •  book,  with  his  right  he 

writin?  ee. 

P 

*  KEEPEi  'I    ROLLS 

-.  ^■-•■--  '-  - ■•  f -^  young  man  exauiui! 


ON  aLOGUED    in    ORDl 

IKiJV,     I       :    :     !■>    RIGHT 

ARTIST 

PHILIP    MARTINY,  A.N.A. 

1858- 

*  CHEMISTRY 

A  FEMALE  figure  in  granite,  heroic  size.  With  her  left  hand  she 
holds  a  book  against  her  bosom;  in  her  -•-'-*  -  wreath.  At  h  ■ 
feet  stands  an  antique  retort  on  a  pile  id  beside  then^ 

mortar  and  pestle. 

Purchased  by  the  City  in  1905. 

♦MEDICINE 

A  FEMALE  figure  in  granite,  heroic  size.     At  her  left,  a  S' 
coiled  about  a  small  column;  at  her  feet,  a  skull  rests  on  a 

books.  Moaeiw 

Purchased  by  the  City  '     ^  '  ya 

.A.M    .JI3>IJAW -aaVIJO    Y5IW3H 
?Q  30A1  33a  KoirqiflDaaa  »o3 


1 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

HALL  OF   RECORDS— CONTINUED 

*  INDUSTRY 

A  FEMALE  figure  in  granite,  heroic  size.     She  holds  in  her  right 
hand  a  sheet  of  metal;  behind  her  stands  an  anvil. 
Purchased  by  the  City  in  1905. 


♦COMMERCE 

A  FEMALE  figure  in  granite,  heroic  size.  In  her  right  hand  the 
caduceus;  on  her  head  the  winged  hat;  at  her  feet,  fruits;  beside 
her,  a  bale  of  goods. 

Purchased  by  the  City  in  1905. 


*  NAVIGATION 

A  FEMALE  figure  in  granite,  heroic  size.     In  her  left  hand  a  model 
of  a  primitive  ship;  at  her  right  side  stands  an  anchor. 
Purchased  by  the  City  in  1905. 


*  INDUSTRIAL  ART 

A  FEMALE  figure  in  granite,  heroic  size.  On  her  left  arm  she 
holds  a  vase,  while  at  her  feet  stands  another;  in  her  right  hand  are 
flowers. 

Purchased  by  the  City  in  1905. 


*  MUSIC 

A  FEMALE  figure  in  granite,  heroic  size.  With  her  left  hand  she 
holds  a  sheet  of  music  to  her  bosom;  in  her  right,  a  lyre.  At  her 
feet  stands  a  model  of  primitive  organ  pipes. 

Purchased  by  the  City  in  1905. 


*  ARCHITECTURE 

A  FEMALE  figure  in  granite,  heroic  size.  With  both  hands  she 
holds  in  front  of  her  a  mass  of  clay;  at  her  feet  stands  a  partial 
view  of  the  facade  of  the  Parthenon. 

Purchased  by  the  City  in  1905. 

123 


CATALOGUE     OF     WORKS    OF     ART — SCULPTURE 

HALL  OF   RECORDS— CONTINUED 

CENTRE    STREET    ENTRANCE 

TWO  STATUES 

ARTIST 

PHILIP    MARTINY,    A.N.A. 

1858- 

*JUSTICE 

Dressed  in  voluminous  drapery,  a  female  figure,  heroic  size,  in 
granite,  is  seated  in  an  armchair  of  the  same  material.  Her  head 
is  inclined  to  the  right,  with  the  eyes  looking  straight  ahead.  She 
holds  a  roll  in  her  right  hand,  and  her  left  rests  on  the  rim  of  a 
shield  standing  on  its  edge  at  her  side,  and  behind  this  stands  a 
sword. 

Purchased  by  the  City  in  1906. 


*AUTHORITY 

A  FEMALE  figure,  heroic  size,  in  granite,  is  seated  in  an  armchair 
of  the  same  material.  At  her  left  elbow  and  right  shoulder  oak 
leaves  are  entwined  with  her  ample  draperies;  her  head  is  inclined 
to  the  left  with  the  eyes  looking  straight  ahead.  In  her  left  hand 
is  a  roll  and  her  right  rests  on  the  end  of  a  granite  fascis  standing 
at  her  side. 

Purchased  by  the  City  in  1906. 


READE    STREET    ELEVATION 

STATUES 

ABOUT  THE    LARGE   CENTRAL   WINDOW    IN   THE   ATTIC   ROOF 

ARTIST 

HENRY    KIRKE    BUSH-BROWN 

1857- 

*  STUDY 

A  HALF-RECLINING  youth,  in  granite,  heroic  size.  His  left  elbow 
rests  on  a  pile  of  books;  his  head  leans  on  his  hand;  in  his  right  hand 
is  an  open  book. 

Purchased  by  the  City  in  1903. 

124 


V^fTiT 


CATALOGUE  OF  Wi  SCULPTURE 

HALL  OF  RECORDS— CONTINUED 

CENTRE    ST?':rT    r  •:  ■  ■,   iNCE 

TW'f 

PHILIP 


Dressed  in 

c,r;inite,  is  seai 

IS  inclined  to  r 

holds  a  roll  in 

shield  standing  on  us  eagc 
^  sword. 
=     Purchased  by  the  '^"^^  -" 


*JUSTiCl-. 

!S  drapery,  a  female  figure,  heroic  size,  ir 

rmchair  of  the  same  material.     Her  headj 

oking  straight  ahead.     Sfc 

left  rests  on  the  rim  ofj 

ner    ;  c-,  and  behind  this  stands j 


u   ■<   s     A  fem/- 
s   "   Oof  the  s: 

2        ujleavc-  - 


bQ 


City  in  1006. 


jPJT'- 


:,  !s  seated  in  an  armchair 
V  and  right  shoulder  oak 
eries;  her  head  is  incline.-^ 
■  ahead.     In  her  left  har, 
f'  -^  granite  fascis  staii'ii' 


ABOUT  THE   LARGE  CI 


l^LEVATION 


ES 


INDOW   IN  THE  ATTIC  ROOF 


ARTI-:  i 

HENKY    MKKE    BUSH-BROWN 

1857- 

*  STUDY 


A  HALF-RECLININ  ~ 

rests  on  a  pile  of  bO' 
is  an  open  book. 

Purchased  by  the  City  in  1903 


granite,  heroic  size.     His  left 
d  leans  on  his  hand;  in  his  right 


1:4 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

HALL  OF   RECORDS— CONTINUED 

*  INSTRUCTION 

A  HALF-RECLINING  figure  of  a  young  man  in  granite,  heroic  size. 
His  right  elbow  rests  on  a  pile  of  books.  His  left  hand  holds  a  book 
open  on  his  knees. 

Purchased  by  the  City  in  1903. 


*  HISTORY 

A  HALF-RECLINING  male  figure  in  granite,  heroic  size.  His  left 
elbow  rests  on  his  knee,  with  his  chin  on  his  hand,  in  which  he  holds 
a  bunch  of  keys.  He  reclines  on  his  left  elbow,  resting  on  a  locked 
chest. 

Purchased  by  the  City  in  1902. 


*LAW 

A  SEATED  male  figure  in  granite,  heroic  size.     He  is  holding  an 
open  book  on  his  knees. 

Purchased  by  the  City  in  1902. 


STATUES 

ON    THE    CHIEF    CORNICE,     CATALOGUED    IN    ORDER 
FROM    LEFT   TO    RIGHT 

ARTIST 
PHILIP    MARTINY,    A.N. A. 


*  JUSTICE 

A  FEMALE  figure  in  granite,  heroic  size.  Against  her  right  side 
she  holds  a  sword  and  a  pair  of  scales.  At  her  feet  stands  the 
headman's  ax  and  block. 

Purchased  by  the  City  in  1905. 


*  ELECTRICITY 

A  FEMALE  figure  in  granite,  heroic  size.     In  her  right  hand  she 
holds  a  palm  branch;  in  her  left,  a  spindle-like  object. 
Purchased  by  the  City  in  1905. 

125 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

HALL  OF   RECORDS— CONTINUED 

♦PRINTING 

A  FIGURE  of  a  young  man  in  granite,  heroic  size.  He  is  clad  in 
the  dress  of  printers  who  used  hand-presses  and  he  stands  with  such 
a  press  behind  him. 

Purchased  by  the  City  in  1905. 

*  FORCE 

A  NUDE  figure  of  a  man  in  granite,  heroic  size.  He  holds  a  club 
across  his  left  shoulder.  Between  his  feet  is  the  head  of  a  dead 
lion,  whose  skin  is  more  or  less  entangled  with  the  legs  of  the  statue. 

Purchased  by  the  City  in  1905. 

*  TRADITION 

A  FIGURE  of  an  old  man  in  granite,  heroic  size.     He  holds  a 
crook  against  his  right  side  and  an  open  scroll  in  front  of  him. 
Purchased  by  the  City  in  1905. 

*  IRON    AGE 

A  FIGURE  of  a  young  man  in  granite,  heroic  size.  He  stands  in 
front  of  a  mechanical  device.  Over  his  right  shoulder  hang  ropes 
and  in  his  left  hand  he  holds  a  pair  of  pincers. 

Purchased  by  the  City  in  1905. 

*  PAINTING 

A  FEMALE  figure  in  granite,  heroic  size.     In  her  left  hand  is  a 
mirror;  in  her  right,  brushes  and  palette;  behind  her,  an  easel. 
Purchased  by  the  City  in  1905. 

*  SCULPTURE 

A  FEMALE  figure  in  granite,  heroic  size.     Her  right  hand  rests  on 
a  torso  of  a  man;  her  left  hand  holds  a  mallet  and  chisels. 
Purchased  by  the  City  in  1905. 

126 


CATALOGUE    OF    WORKS 

HALL  OF   RECOR 
*  PRIN 


-SCULPTURE 

vTINUED 


A  FIGURE  of  a  young  man  in  gnmue.  heroic  size.     He  is  clad 
the  dress  of  printers  who  used  han-'         --s  and  he  stands  with  sue 
a  press  behind  him. 

Purchu&d  by  the  City  in  190= 


A  NUDE  figure  of  a  man  in 
across  hi^left  shoulder.  Be 
lionujwho^  skin  is  more  or  less  tn 

PSrcha§;d  by  the  City  in  rgoc. 

5        ^ 


eroic  size.     He  holds  a  ch; 

feet  is  the  head  of  a  de, 

aagled  with  the  legs  of  the  statu 


id 
UJ 
2      .AlFiGURE  of  an  old 

00  croj^  against  his  right 
>      Purchased  by  the  Cit  ^ 

<-    ■<  Q 

as  r: 

1  S 

-0  >. 


in;tt.',  heroic  size.     He  holds 
open  scroll  in  front  of  him. 


-        > 

/G^iGURE  of  a  younj." 
froig  of  a  mechanical 
andan  hiaSleft  hand  he 

Purcha§;d  bv  the  Csi 

UJ 
X 
H 


A    FEMALE   figure 

mirror;  in  her  righi 
Purcha^pd  by  the 


inite,  heroic  size.  He  stands 
er  his  right  shoulder  hang  r'^ 
of  pincers. 


:  iXG 

)ic  size.     In  her  left  hand 
lette;  behind  her,  an  easel 


*  SCULPTURE 

A  FEMALE  figure  in  granite,  heroic  size.     Her  right  hand  rt 
a  torso  of  a  man;  her  left  hand  holds  a  mallet  and  chisels. 
Purchased  by  the  City  in  1905. 

126 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

HALL  OF   RECORDS  — CONTINUED 

WEST     ELEVATION 

STATUES 

ABOUT  THE    LARGE   CENTRAL   WINDOW    IN   THE   ATTIC   ROOF 

ARTIST 

HENRY    KIRKE    BUSH-BROWN 

1857- 

*  INDUSTRY 

A  SEATED  figure  in  granite,  heroic  size,  of  a  young  man  wearing  a 
leather  apron.  His  left  forearm  rests  upon  an  anvil;  his  right  hand 
on  his  knee. 

Purchased  by  the  City  in  1903. 

*  COMMERCE 

A  SEATED  female  figure  in  granite,  heroic  size.     She  holds  in  her 
hands  a  rudder,  with  her  right  elbow  resting  on  a  pulley. 
Purchased  by  the  City  in  1903. 

CHAMBERS     STREET    VESTIBULE 

TWO    GROUPS 

ARTIST 

ALBERT   WEINERT 

1863- 

*  CONSOLIDATION   OF   GREATER   NEW   YORK 

A  GROUP,  life  size,  in  white  marble.  In  the  center  stands  a  youth; 
on  his  left,  a  seated  female  figure  handing  him  a  key;  on  his  right, 
a  female  figure  with  an  open  scroll  across  her  lap,  with  her  left  arm 
resting  on  the  City  Hall  in  low  relief 

Purchased  by  the  City  in  1906. 

INSCRIPTION 

CONSOLIDATION 
I  OF 

GREATER   NEW    YORK 
1898. 

127 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

HALL  OF   RECORDS— CONTINUED 

*  RECORDING  THE  PURCHASE  OF  MANHATTAN  ISLAND 

A  GROUP  in  white  marble,  life  size.  In  the  center  a  youth 
reaching  a  bag  of  gold  to  a  female  figure  seated  at  his  right,  who 
holds  in  her  hands  a  tablet  and  stylus;  on  the  youth's  left  is  a 
seated  Indian. 

Purchased  by  the  City  in  1906. 

INSCRIPTION 

RECORDING   THE    PURCHASE 

OF   MANHATTAN    ISLAND 

1626 


CRIMINAL    COURTS    BUILDING 

*  REBECCA   SALOME    FOSTER 
1 848- 1 902 

ARTIST 
KARL    BITTER,    N.A.,    SCULPTOR 

1 868- 

CHARLES    ROLLINSON    LAMB,    ARCHITECT 

A  MARBLE  relief  in  gilt  Renaissance  frame.  A  winged  female 
figure  in  mezzo-relief,  consoles  a  mourner  (in  high  relief),  with  bent 
head,  and  hand  supporting  his  chin.  Her  right  hand  rests  upon 
his  neck,  her  left  on  his  shoulder.  Above  is  a  medallion  with  a 
portrait  of  the  deceased,  in  middle  relief. 

SIGNED:    KARL    ■     BITTER    •     INV    •     ET    •     FEC    •    MCMIII 

Given  to  the  City  in  1903. 

INSCRIPTION 

REBECCA    SALOME    FOSTER 

OCT     ■     24     ■      1848    -    FEB     •     22     •      1902 

ON    HER    LIPS    WAS   THE    LAW   OF    KINDNESS 

128 


H 


Z 


CATALOGUE    OF    \\  -SCULPTURE 


HALL  '>S   -CONTINUED 


'  \NHATTAN  ISLAM 

1  the  center  a  you 
ated  at  his  right,  w' 
■  the  youth's  left  is 


RECORDING   THE    PURCHASE 

Qf     V,AMLJATTAN     ISLAND 

:6 


\L    COURTS 

uj  

X 

H  *  REBECCA   SALOME   FOSTER 

jj  1848-1002 

o  ''^"^ 

S  kar;  ;.a.,  sculptor 

S  ,868- 

UJ 

_Q  CHARLES    ROLLJNSON    LAMB,    ARCHITECT 

o  .      .       . 

relief  in  gilt  Renaissance  frame.     A  winged  fema 

''■  -^K,r   -  .,  /;_,  Y[[gYi  relief),  with  be- 

tight  hand  rests  up. 

portrait  of  the  deceased  .  relief. 

■:    KARL    •    BIMEK    •    INV    •    ET    •    FEC    •    MCMIII 

•e  City  in  ioo"i. 

.scription 
rebecca  salome  foster 

OCT    ■    24    •     1848   -   FEB    ■    22    •     1902 
ON    HER   LIPS   WAS   THE    LAW   OF    KINDNESS 

128 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

SEWARD    PARK 
JACOB    H.   SCHIFF   FOUNTAIN 

ARTIST 

ARNOLD   W.    BRUNNER,    ARCHITECT 

1857- 

Ornamental  fountain.  Large  basin  15  ft.  x  3  ft.,  from  center 
of  which  rises  a  column  supporting  two  bronze  basins,  one  above 
the  other.  Semicircular  seats  on  two  sides  about  25  ft.  long.  All 
of  dark  gray  granite  except  the  two  basins. 

INSCRIPTIONS 

PRESENTED 

TO 

THE   CITY   OF    NEW   YORK 

1895 

"and  THERE 
SHALL  COME 
WATER  OUT  OF 
IT,  THAT  THE 
PEOPLE  MAY 
DRINK." 

EXODUS  -  XVII  -  6 


COOPER    SQUARE 

PETER  COOPER 
1791-1883 

AN     AMERICAN     INVENTOR,     MANUFACTURER     AND     PHILANTHROPIST 

ARTIST 

AUGUSTUS    SAINT    GAUDENS,    N.A. 

I  848- 1 907 

Seated  in  a  massive  bronze  chair  standing  on  a  white  marble 
pedestal,  is  a  bearded  figure  in  bronze,  heroic  size.  His  face  is 
turned  a  little  to  the  left,  and  his  kindly  eyes  look  straight  ahead. 
His  left  hand  grasps  a  heavy  cane  standing  out  a  little  from  the 

129 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

COOPER  SQUARE  — CONTINUED 

chair,  and  his  clenched  right  hand  rests  in  his  lap.  The  statue 
stands  beneath  a  massive  marble  canopy  supported  by  Ionic 
granite  columns. 

signed:  avgvstvs  •  saint  -  gavdens    fecit  ■  m  •  d  ■  c  ■  c  •  c  •  xciv: 

INSCRIPTIONS 

peter    •    COOPER    • 

BORN     • 

FEBRVARY     ■     XII     •     A     •     D    ■ 

M       D   ■    C   •    C   •    XCI     ■ 

DIED     • 

APRIL     •     III  A     •     D 

M        D    •    C    •    C    •    CLXXXIII     • 

ERECTED    •     BY    •    THE    • 

CITIZENS     ■     OF     •     NEW     •     YORK     ■     IN     • 

GRATEFVL     •     REMEMBRANCE 

OF 

PETER     •     COOPER     • 

FOVNDER     •     OF     •     THE     • 

COOPER     •     VNION 

FOR     •     THE     •     ADVANCEMENT    ■ 

OF     ■     SCIENCE     •     AND     •     ART    • 

ANNO     •     DOMINI     • 

M    •    D       C       C        C        XCVII     ■ 


NEWCOMB    FOUNTAIN 

ARTIST 
UNKNOWN 

A  SHAFT  8  feet  high,  6  feet  wide  and  i  foot  thick,  composed  of 
blocks  of  rough-cut  granite.  On  one  side  a  granite  basin,  nearly 
round,  about  6  feet  in  diameter,  for  horses;  on  the  opposite  side,  a 
small  iron  basin  for  the  surplus  water  flowing  from  the  mouth  of  a 
contorted  dolphin.  The  shaft  is  surmounted  by  an  iron  ornament 
about  4  feet  high. 

inscription 

The  Gift  of 

Marie  Guise  Newcomb 
to 

THE    AMERICAN    SOCIETY 

FOR  THE    PREVENTION    OF 

CRUELTY   TO   ANIMALS 

1894 

130 


JOHN    ERICSSON 

BY 

JONATHAN    SCOTT    HARTLEY,    N.A. 

FOR    DESCRIPTION    SEE    PAGE     IO5 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

COOPER  SQUARE  — CONTINUED 

chair,  and  his  clenched  right  hand  rests  in  his  lap.  The  statue 
stands  beneath  a  massive  marble  canopy  supported  by  lonir 
granite  columns. 


SAINT  -  GAVDENS  ■  FECIT     M  ■  D  ■  C  ■  C  •  C  ■  XCIV : 
INSCRIPTIONS 


PETER 

■    COOPER    • 

BORN     • 

FEBRVARY 

•     XII     ■    A    ■     D    • 

M    •    D   • 

C       C   •    XCI     • 

DIED    • 

APRIL 

UI         A    ■    D 

M       D   •   C 

C       CLXXXHI     • 

ERECTED 

BV    •    THE    • 

CITIZENS    •    OF    • 

NEW    •    YORK    ■    IN 

GRATEFVL 

REMEMBRANCE 

OF 

PETER 

COOPER    ■ 

FOVNDER 

OF         THE    • 

' 

VNION     • 

FOR 

'VANCEMENT    ■ 

OF 

AND     •     ART     • 

iMINI     • 

M 

xcvii 

NLWCuAib    hUUNTAIN 


A  SHAFT  8  feet  h'~'     ' 
blocks  of  rough-cu 
round,  about  6  feet  .. 
small  iron  basin  for  the 
contorted  dolphin.     The 
about  4  feet  high. 


ARTIST 
UNKNOWN 


':•  and  I  foot  thick,  composed  of 
ne  side  a  granite  basin,  nearly 
:■  horses;  on  the  opposite  side,  a 
:  er  flowing  from  tne  mouth  of  a 

urmounted  by  an  iron  ornament 


INSCRIPTION 

i  ■<fc'  Gift  of 
lUisE  Newcomb 
to 

^lETY 


ViW-^^^^^^k-iv^UfMii  OF 

CRU  L  i, !  j-YSo     \  \  !  M  A LS 
.AM    ,Y3JT5IAH    O^OOa    WAHTAKO[ 
?OI     30A1    332    MOITTISOeaa    S103 


i 


CATALOGUE    OF    WORKS    OF    A  RT— SCULPTU  RE 

ASTOR    PLACE 

SAMUEL   SULLIVAN   COX 
1 824- 1 889 

MEMBER   OF    CONGRESS,    1 857-65;    1 869-73;    1 875-85;    1 888-89 

ARTIST 

LOUISE    LAWSON 

186- 

A  BRONZE  figure,  heroic  size,  is  standing  erect  on  a  granite  pedes- 
tal. He  is  dressed  in  a  tigiitly  fitting  frock  coat,  with  his  face 
turned  slightly  to  the  left,  and  his  eyes  looking  straight  ahead. 
His  right  arm  is  raised  above  the  shoulder  with  the  index  finger 
pointing  upward,  while  his  clenched  left  hand  hangs  at  his  side. 

signed:    LOUISE    LAWSON    SCULPTOR 
INSCRIPTIONS 


SAMUEL    SULLIVAN    COX 

THE    LETTER   CARRIER'S    FRIEND. 

ERECTED    IN    GRATEFUL   AND    LOVING   MEMORY 

OF    HIS 

SERVICES    IN    CONGRESS 

BY    THE 

LETTER   CARRIERS   OF    NEW   YORK,    HIS    HOME, 

AND    OF    THE 

UNITED    STATES,    HIS    COUNTRY 

JULY    4th,     189I 


COMMITTEE 

GEORGE    H.    NEWSOM,    CHAIRMAN 

THOMAS    MURPHY,    TREASURER      JAMES    GREER,    SECRETARY 

JAMES    McVEY       BERNARD    S.    KENNEDY 

MICHAEL   J.    HARNEY      CHARLES    P.    KELLY 


THE    LETTER    CARRIERS 

OF   THE    FOLLOWING   CITIES 

ERECTED   THIS    MONUMENT    TO 

SAMUEL   SULLIVAN    COX 

[Here  follows  a  list  of  about  two  hundred  cities.] 
'3> 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

HUDSON    PARK 
FIREMEN'S   MONUMENT 

ARTIST 
UNKNOWN 

A  SIMPLE  granite  sarcophagus  is  placed  on  a  rectangular  granite 
pedestal.  Its  top  is  adorned  with  firemen's  helmets  and  a  lamp 
carved  in  high  relief. 

INSCRIPTIONS 

THIS    MONUMENT    IS    ERECTED 

BY    THE    MEMBERS    OF 

EAGLE    FIRE    ENGINE    COMPANY 

NO.     13 

IN    CONNEXION    WITH    THE    FRIENDS    OF    THE 

DECEASED 

TO  COMMEMORATE  THE  SAD  EVENT 

CONNECTED  WITH  THEIR  DEATH 

AND  THE  LOSS 

WHICH  THEY  DEPLORE 

HERE  ARE  INTERRED 

the  bodies  of 

EUGENE    UNDERHILL 

aged  20  years  7  months  and  9  days 
and 

FREDERICK    A.    WARD 

aged  22  years   i   month  and   16  days 

Who  lost  their  lives  by  the  falling  of  a  Building 

while  engaged 

in  the  discharge  of  their  duty  as  Firemen 

on  the  first  day  of  July 

mdcccxxxiv 

THIS   GROUND   WAS    USED   AS    A   CEMETERY 

BY   TRINITY    PARISH 

DURING   THE    YEARS    1  834- 1  898. 

IT    WAS    MADE    A    PUBLIC    PARK 

BY    THE    CITY    OF    NEW    YORK 

IN    THE    YEAR     1 897-8. 

THIS    MONUMENT   STOOD    IN    THE    CEMETERY 

AND    WAS    REMOVED   TO   THIS    SPOT 

IN    THE    YEAR    1 898. 

132 


ABRAHAM    DE    PEYSTER 

BY 

GEORGE    EDWIN    BISSELL 

FOR    DESCRIPTION    SEE    PACE     Io6 


granite  sa;  n  a  rectangular  gra. 

pt  s  lop  is  :  s  helmets  and  a  la 

c;  h  relief. 


THIS    MON.      .      ■-r    IS     PRECTED 
BV 

i-;agle    F.' 

NO.     i  j 

IN    Cr>NNEXrON    WITH    THE    FRIENDS    C 

SAD    EVENT 

A 


aged  20  years  7  months  and  9  days 

WARD 

as^ed  2-  ;  and  16  days 

their  Iivl  ailing  of  a  Building 

,ed 
m  the  discharge  oi   :i:eir  duty  as  Firemen 
on  the  first  day  of  July 
mdcccxxxiv 


THIS    GROl  'SED   AS   A   CEMETERY 

■  Y    PARISH 

DURING     nil.    YEARS    1834-1898. 

IT   WAS   MADE    A    PUBLIC    PARK 

BY   "^     '        '^"'   OF   NEW   YORK 

\R    1897-8. 

THIS    MONl CD    IN    THE    CEMETERY 

Ya 
jjHaeia   mv/d3  HOJioao 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

HUDSON    PARK  — CONTINUED 

IN    MEMORIAM 

THE    CITY    OF    NEW    YORK 

DEVOTES    TO    THE    SERVICE    AND    COMFORT   OF    THE    LIVING 

THIS    GROUND 

FORMERLY    USED    BY    TRINITY    PARISH 

AS    A    BURIAL    PLACE    FOR    THE    DEAD, 

WHOSE    NAMES,    ALTHOUGH    NOT    INSCRIBED, 

ARE    HEREBY    REVERENTLY    COMMEMORATED. 

A.    D.    MDCCCXCVIII 

FOUNTAIN 

ARTIST 

UNKNOWN 

At  the  base  of  the  pavilion  are  three  lions'  heads;  out  of  their 
mouths  water  flows  over  sculptural  figures  of  dolphins,  shells,  etc., 
into  a  large  irregular  basin  connected  with  the  oblong  basin  of  the 
sunken  garden.  

TOMPKINS    SQUARE 
FOUNTAIN 

ARTIST 
UNKNOWN 

A  GRANITE  pavilion  6  feet  square  by  12  feet  high,  surmounted  by 
a  bronze  female  figure  representing  a  water  bearer.  On  the  front 
side  of  the  low  pedestal  supporting  this  figure  is  inscribed  M.  S. ; 
on  the  rear,  1891 ;  on  each  side,  L.  Below  the  roof  of  molding  are 
cut  in  the  granite,  one  word  on  each  side: 

FAITH  HOPE  CHARITY  TEMPERANCE 

In  the  center  of  the  pavilion  is  the  stump  of  a  granite  column,  out 
of  which  the  water  flows.  

*  MEMORIAL   FOUNTAIN 

ARTIST 
BRUNO    LOUIS    ZIMM 

.875- 

A  PYRAMIDAL  shaft  of  pink  Knoxville  marble,  8  feet  high.  On 
the  front  is  an  ornamental  basin  and  above  this  a  lion's  head,  from 

■33 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

TOMPKINS   SQUARE  — CONTINUED 

which  the  water  flows,  and  a  low  relief  representing  two  children 
watching  a  distant  steamboat. 

signed:       b  •    l  •   ZIMM   • 

Given  to  the  City  in  1906. 

inscription 

•  they  were   ■ 
•    earth's   ■ 

•     PVREST    ■ 

•     CHILDREN     ■ 

•     YOVNG    AND    • 
■     FAIR     • 

ERECTED 

IN    MEMORY    OF 

THOSE   WHO    LOST 

THEIR    LIVES 

IN    THE    DISASTER    TO 

THE    STEAMER 

GENERAL    SLOCVM 

JVNE    XV 

MCMIV 

DEDICATED 

BY 

THE    SYMPATHETIC   SOCIETY 

OF    GERMAN    LADIES 

IN    THE    YEAR    OF    OVR    LORD 

MCMVI 

WASHINGTON    SQUARE 

ALEXANDER   LYMAN    HOLLEY 

1832-1882 

AN    AMERICAN    INVENTOR    AND    ENGINEER 

ARTIST 

JOHN    QUINCY    ADAMS    WARD,    N.A. 

1830- 

A  BRONZE  bust,  heroic  size,  stands  on  an  ornamental  white  marble 
pedestal  consisting  of  a  central  pillar  joined  to  two  smaller  pillars 

'34 


BENJAMIN    FRANKLIN 

BY 

E.     PLASSMAN 
FOR    DRSCRIPTION    SEE    PAGE     IO7 


CATALOGUE  OF  WO  SCULPTURE 

TOMPKINS  SQL  riNUED 

which  the  water  flows,  and  a  low  relief  --(^■''■esenting  two  children 
watching  a  distant  steamboat. 

signed: 

Given  to  the  City  in  1906. 


ERECIfcD 

IN    MEMORY   OF 

THOSE   WHO    LOST 

THEIR    LIVES 

IN    THE    DISASTER   TO 

THE    STEAMER 

GENERAL   SLOCVM 

JVNE    XV 

MCMIV 

DEDICATED 

BY 

SYMPATHETIC   SOCIETY 

OF   GERMAN    LADIES 

IN    THE    YEAR   OF   OVR    LORD 

MCMVI 

WASHINGTON    SQUARE 

ALEXANDER  LYMAN   HOLLEY 
1832-1882 

AN   AMERICAN    INVENTOR   AND   ENGINEER 

ARTIST 

JOHN   QUINCY   ADAMS   WARD,   N.A. 

1830- 

A  BRONZE  bust,  H«MQiC>IWl!5??art4*M!A^.t»ia'a'amentaI  white  marbi' 
pedestal  consisting  of  a  centralYgillar  joined  to  two  smaller  pillar:- 

MAwiaeAjifl  .3 

^01  aoA«i  33a  noiTiisiDeaa  jioh 


CATALOGUE    OF    WORKS     OF     ART — SCULPTURE 

WASHINGTON  SQUARE  — CONT  INUED 

by  simple  screens.     He  is  dressed  in  a  heavy  overcoat  and  his  face 
is  turned  sHghtly  to  the  left,  with  the  eyes  looking  straight  ahead. 

signed:  j.  q.  a.  ward,  sculptor,  n.  y.   1889 

Given  to  the  City  in  1S89. 

inscriptions 

BORN    IN    LAKEVILLE, 

CONN.    JULY    20th,     1832. 

DIED    IN    BROOKLYN,    N.    Y., 

JANUARY    29th,     1882. 

IN    HONOR    OF 
ALEXANDER    LYMAN    HOLLEY 

FOREMOST    AMONG    THOSE 

WHOSE    GENIUS    AND    ENERGY 

ESTABLISHED    IN    AMERICA 

AND    IMPROVED 

THROUGHOUT   THE    WORLD 

THE    MANUFACTURE    OF 

BESSEMER    STEEL 

THIS    MEMORIAL    IS    ERECTED 

BY    ENGINEERS 

OF    TWO    HEMISPHERES. 

GIUSEPPE   GARIBALDI 

1 807- 1 882 

AN    ITALIAN    PATRIOT 

ARTIST 
G.    TURINI 

Dressed  in  the  Garibaldian  uniform,  a  bronze  figure,  heroic  size, 
stands  with  the  left  foot  well  advanced,  on  a  simple  granite  pedestal. 
His  head,  with  long,  thick  hair  exposed  below  his  round  cap,  is  in- 
clined to  the  right,  and  his  full-bearded  face  is  turned  to  the  left, 
with  the  serious  eyes  looking  straight  ahead.  His  left  hand  grasps 
his  scabbard,  and  his  right  arm,  from  beneath  the  skirt  of  his  outer 
garment,  thrown  up  over  the  shoulder,  reaches  across  his  chest, 
the  hand  grasping  the  hilt  of  his  partly  drawn  sword. 

signed:    G.    TURINI    SCULPTOR 

Given  to  the  City  in  1888. 

'35 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

WASHINGTON  SQUARE  — CONT  1  NUED 

INSCRIPTIONS 

GARIBALDI 
1807   -    1882 

IL    II    GIUGNO 

MDCCCLXXXVIII 

GLI    ITALIANI 

DEGLI    STATI    UNITI 

d'    AMERICA 

ERESSERO 


WASHINGTON  ARCH 

ARTIST 

STANFORD    WHITE,    ARCHITECT 

1853-I906 

This  is  a  granite  structure  77  feet  high,  62  feet  wide,  with  an 
arch  47  feet  high  and  a  span  of  30  feet.  Above  the  piers  the  struc- 
ture is  richly  ornamented  with  carving. 

INSCRIPTIONS 

TO   COMMEMORATE    THE    ONE    HUNDREDTH    ANNIVERSARY 

OF    THE    INAUGURATION    OF    GEORGE    WASHINGTON 

AS    FIRST    PRESIDENT    OF    THE    UNITED    STATES. 

ERECTED    BY   THE    PEOPLE    OF   THE    CITY   OF    NEW    YORK. 

LET    US    RAISE    A    STANDARD   TO   WHICH    THE    WISE 
AND    THE    HONEST    CAN    REPAIR        THE    EVENT 
IS    IN    THE    HAND   OF    GOD      *      WASHINGTON 

MDCCCLXXXIX 


FOUNTAIN 

ARTIST 
UNKNOWN 

A  CIRCULAR  basin  about  50  feet  in  diameter,  enclosed  by  a  missive 
jranite  coping  about  2  feet  high. 

136 


^ 


9- 


NATHAN    HALE 

BY 

FREDERICK    WILLIAM    MACMONNIES,  N.A. 

FOR    DESCRIPTION    SEE    PAGE     1 07 


ART— SCULPTURE 

GTON  SQUARE  — CONTINUED 

TNSrf  iPTlONS 

1    •';     ■     1662 

IL    H    GIUGNO 

MDCCCLXXXVin 

GLi    ITALIANI 

DEGLl    ST  ATI    UNITI 

d'    AMERICA 

HlfESSERO 


WASHINGTON  ARCH 

ARTIST 

STANFORD   WHITE,    ARCHITECT 

1853-1906 

This  is  a  granite  structure  77  feet  high,  62  feet  wide,  with  an 
arch  47  feet  high  and  a  span  of  30  feet.  Above  the  piers  the  struc- 
ture is  richly  ornamented  with  carving. 

INSCRIPTIONS 

TO   COMMEMORATE   THE    ONE    HUNDREDTH    ANNIVERSARY 

OF   THE    INAUGURATION    OF   GEORGE    WASHINGTON 

AS   FIRST    PRESIDENT   OF   THE    UNITED   STATES. 

ERECTED    BY   THE    PEOPLE   OF   THE    CITY   OF    NEW    YORK. 

LET   US    RAISE   A   STANDARD  TO  WHICH  THE   WISE 
AND  THE    HONEST   CAN    REPAIR       THE    EVENT 
IS   IN   THE   HAND   OF   GOD      *      WASHINGTON 

MDCCCLXXXIX 


FOUNTAIN 

ARTIST 
UNKNOWN 

A  CIRCULAR  basin  J  MUi.        crt  in  diameter,  enclosed  by  am. 
granite  coping  about  a^eW'H  .^Ht^HTAK 

.AM  ,2aiWHOM3AM    MAIJJIW    >IDIJI3a3jn 
"joi   30A1  33S  noiTRiflDaaa  aoi 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

UNION    SQUARE 

ABRAHAM    LINCOLN 

1 809- 1 865 

PRESIDENT   OF   THE    UNITED   STATES,     1861-65 

ARTIST 

HENRY    KIRKE    BROWN,    N.A. 

1814-1886 

A  BRONZE  figure,  heroic  size,  with  whiskers  on  the  lower  part  of 
his  face  and  with  the  face  and  eyes  to  the  front,  stands  with  the 
left  foot  advanced  on  a  granite  pedestal.  His  cloak,  drawn  round 
over  the  right  shoulder,  is  gathered  in  ample  folds  against  his 
breast  with  his  right  hand,  while  his  left  hand,  holding  a  roll,  hangs 
at  his  side. 

Given  to  the  City  in  1868. 

INSCRIPTION 
■   WITH   ■   CHARITY   ■   FOR   •   ALL   •   WITH   ■   MALICE   •   TOWARD  •   NONE   • 


MARQUIS   DE    LAFAYETTE 

1757-1834 

MAJOR-GENERAL    IN    COLONIAL   ARMY,     I777-81 

ARTIST 

FREDERIC    AUGUSTE    BARTHOLDI 

1834-1904 

Dressed  in  an  eighteenth-century  uniform,  a  bronze  figure, 
heroic  size,  stands  with  left  foot  advanced  on  a  plinth  in  the  form 
of  a  ship's  prow.  His  eyes  are  raised  and  gaze  into  the  distance. 
His  left  arm  is  concealed  by  a  toga  hanging  in  ample  folds  from 
his  left  shoulder  and  his  left  hand,  with  palm  up,  is  extended  down- 
's? 


CATALOGUE    OF    WORKS    OF    A RT— SCU L PTU RE 

UNION   SQUARE  — CONTINUED 

ward  in  gesture,  while  his  right  holds  against  his  breast  an  un- 
sheathed sword. 

signed:  a.  bartholdi,    1873 

inscriptions 

"as  SOON  AS  I  HEARD  OF 

AMERICAN  INDEPENDENCE, 

MY  HEART 

WAS    ENLISTED." 

1776. 

TO   THE   CITY   OF    NEW   YORK, 

FRANCE, 

IN    REMEMBRANCE    OF    SYMPATHY 

IN    TIME    OF    TRIAL, 

1870    -     1871. 

ERECTED     1876. 

GEORGE   WASHINGTON 

1732-1799 

FIRST    PRESIDENT   OF   THE    UNITED   STATES,     1789-97 

ARTISTS 

HENRY    KIRKE    BROWN,   N.A. 

1814-1886 

AND 

JOHN    QUINCY    ADAMS    WARD,   N.A. 

1830- 

An  equestrian  statue  in  bronze,  heroic  size,  stands  on  a  simple 
granite  pedestal.  Washington  is  dressed  in  Colonial  uniform,  and 
his  face  is  to  the  front,  with  the  eyes,  slightly  raised,  gazing  into  the 
distance.  His  right  arm,  extended,  is  raised  above  the  shoulder 
with  the  hand,  palm  outward,  in  expressive  gesture,  while  his  left 
hand,  holding  a  chapeau  and  the  reins,  guides  his  charger,  which 
with  arched  neck  and  left  foreleg  raised  is  in  the  act  of  walking. 

signed:    H.    K.    BROWN    SCULPTOR.      J.    Q.    A.    WARD.    ASST.     1854 

Given  to  the  City  in  1854. 

INSCRIPTION 

WASHINGTON 
.38 

i 


"WM 


p. 


j^ 


NEW   YORK    IN    ITS    INFANCY 

BY 
PHILIP    MARTINY,    A.N. A. 

FOR    DESCRIPTION    SEE    PAGE     121 


CATALC"  ORKS    OF    ART      ■"CULPTURE 

JED 

ward  in  gesture,  nst  his  breast  an  ur 

sheathed  sword. 


AS    S! 
AMERi  . 


TO  THE 

iRK, 

IN   REMEM 

>VMl^ATHy 

IN 

1  >.  ,  -. 

lAL, 

ERECTtD 

1876. 

J   WAS[J 
1732-179.,, 

SlDHNl    OF    THE    UNITED    STAIES,     1 789-97 

ARTISTS 
HENRY    KIRKE    BROWN,   N.A. 

1814-1886 

AND 

JOHN    QUINCY    ADAMS   WARD,   N.A. 

1830- 

An  e  in  bronze,  heroic  size,  stands  on  a  simple 

granite  j  hington  is  dressed  in  Colonial  uniform,  and 

his  face  is  to  the  front,  with  the  eyes,  slightly  raised,  gazing  into  th 
distance.  His  right  arm,  extended,  is  raised  above  the  should^ 
with  the  hand,  palm  outward,  in  expressive  gesture,  while  his  If 
hand,  holding  a  chapeau  and  the  rems,  guides  his  charger,  whic 
with  arched  neck  and  left  foreleg  raised  is  in  the  act  of  walking. 

signed:   H.    K.    brown    SCL'trxoR.       J.   Q.    A.   WARD,    ASST.    1854 

Given  to  the  City  in  1854 

Ya 

.A.M. A   ,YHrRiiftMM(5TiiMI1 
i£i  30Aq  3aa  noiTitJiDaaa  jiot 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

UNION   SQUARE  — CONTINUED 
FOUNTAIN 

ARTIST 
KARL    ADOLF    DONNDORF 

1835- 

A  GROUP  in  bronze,  heroic  size.  A  female  figure  holds  a  child  on 
her  right  arm;  with  her  left  hand  she  assists  a  child  to  hold  a  water 
pitcher.  The  pedestal  is  a  massive  bronze  pillar,  on  four  sides  of 
which  are  basins  to  catch  the  water  flowing  from  four  large  lions' 
heads.  Pedestal  further  ornamented  with  bugs,  moths,  lizards, 
etc.,  in  relief.     It  rests  on  a  large  irregular  pink  marble  base. 

signed:    a.    DONNDORF.    FEC.    STUTTGART.    DEUTSCHLAND 

Purchased  by  the  City  in  1881. 


FOUNTAIN 

ARTIST 

UNKNOWN 

A  CIRCULAR  basin  about  25  feet  in  diameter,  the  rim  of  which 
is  a  massive  granite  coping  about  1  foot  high.  In  the  center  of  the 
basin  is  a  fixture  out  of  which  the  water  shoots  in  a  spray. 


MADISON    SQUARE 

*  CHESTER  ALAN   ARTHUR 
1830-1886 

PRESIDENT    OF    THE    UNITED    STATES,     1881-85 

ARTIST 

GEORGE    EDWIN    BISSELL 

1839- 

A  BRONZE  figure,  heroic  size,  of  a  gentleman  with  side-whiskers, 
stands  erect  on  a   granite   pedestal  with   carved    moldings.     His 

■39 


CATALOGUE     OF    WORKS    OF    ART — SCULPTURE 

MADISON   SQUARE— CONTINUED 

face  and  eyes  are  to  the  front;  his  right  hand  is  held  at  ease  before 
his  waist,  and  with  his  left  he  holds  a  small  book  resting  against 
his  thigh.  Behind  him  stands  an  armchair  and  under  his  feet  is 
an  oriental  rug,  which  partly  covers  the  front  of  the  plinth. 

signed:    GEO.    E.    BISSELL    SCULPTOR    1898 

Given  to  the  City  in  1898. 

INSCRIPTION 

CHESTER     •     ALAN 

ARTHUR 

TWENTY-FIRST    •     PRESIDENT 

OF 

THE    •     UNITED    •    STATES 

OF    •    AMERICA. 


1 


ROSCOE   CONKLING 

1 829- 1 888 

MEMBER    OF    CONGRESS,     1859-63;     1865-67 
UNITED   STATES    SENATOR,     1 867-8 1 

ARTIST 

JOHN    QUINCY    ADAMS    WARD,  N.A. 

1830- 

A  BRONZE  figure,  heroic  size,  is  standing  on  a  simple  granite 
pedestal  in  the  attitude  of  making  a  speech.  His  full-bearded  face 
IS  turned  to  the  left,  with  his  eyes  looking  straight  ahead,  and  one 
side  of  his  unbuttoned  frock  coat  is  held  back  by  his  left  hand, 
with  the  thumb  resting  in  the  pocket  of  his  trousers,  while  his  right 
hand  is  extended  downward  in  gesture. 

signed:  j.  q.  a.  ward,  sculptor 

Given  to  the  City  in  1893. 

inscription 

roscoe  conkling 

140 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

MADISON  SQUARE— Continued 

face  and  eyes  are  to  the  front;  his  rierht  hand  is  held  at  ease  befoi 

ii  his  left  iv    '    '  '  "  book  resting  again 

him  Stan*  and  under  his  feet 

.11.  v^i.vMia:  ,.,  '^  partly  v.uv..,.  ,Mv   Mu.it  of  the  plinth. 

:-  O.    E.    BISSELL   SCULPTOR    1 898 

Given  to  the  City  in  1898. 

INSCRII 

CHESTER  ALAN 

ARTHUR 

TWENTY-FIRST         PRESIDENT 

S  °^ 

^  THE    •    UNITED    •    STATES 

_j  OF    •    AMERICA. 

c 


b  ROSCOE  CONKLING 

'^"  1 829- 1 888 

H:  MEMBER   OF   CONGRESS,     1859-63;    1865-67 

03  UNITED   STATES   SENATOR,    1 867-8 1 

Q 

U  ARTIST 

f—  JOHN   QUINCY    ADAMS   WARD,  N.A. 

183CH- 

A  BRONZE  figure,  heroic  size,  is  standing  on  a  simple  granite 
pedestal  in  the  attitude  of  making  a  speech.  His  full-bearded  fact- 
is  turned  to  the  left,  with  his  eyes  looking  straight  ahead,  and  onr 
side  of  his  unbuttoned  frock  coat  is  held  back  by  his  left  hand 
with  the  thumb  resting  in  the  pocket  of  his  trousers,  while  his  righ  ( 
hand  is  extended  downward  in  gesture. 

signed:  J.   Q.    a     w^rd     scriprni? 

Given  to  the  City  in  1893. 

INSCRIPTION 

ROSCOE   CONKLING 

140 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

MADISON   SQUARE  — CONTINUED 

DAVID   GLASGOW   FAR  RAG  UT 
1801-1870 

ADMIRAL    UNITED    STATES    NAVY,     1866-70 

ARTISTS 

AUGUSTUS    SAINT   GAUDENS,    N.A. 

1 848- 1 907 

AND 

STANFORD   WHITE 

1853-I906 

Dressed  in  the  uniform  of  an  admiral,  a  bronze  figure,  heroic  size, 
stands  erect,  with  the  right  foot  advanced  on  a  rectangular  pillar 
forming  the  center  of  a  semicircular  granite  pedestal.  His  face 
and  eyes  are  to  the  front.  His  right  hand  hangs  at  his  side  and  his 
left  holds  a  field  glass  before  his  waist.  The  front  of  the  pillar  is 
ornamented  with  an  unsheathed  sword  in  low  relief,  and  waves 
flowing  across  it  extend  to  the  concave  wings,  which  are  ornamented 
with  female  figures,  in  low  relief,  seated  with  their  backs  against  the 
central  pillar.  The  inner  base  of  each  wing  is  a  broad  seat  with 
the  arm  formed  of  the  figure  of  a  fish  springing  through  water. 

signed: 
avgvstvs  ■  saint  •  gavdens  ■  scvlptor  ■  stanford  •  white   • 
architect   ■    1880 

inscriptions 

david   ■   glasgow   •   farragvt 

that  •  the   •   memory   •  of   •   a   • 

daring  •   and  ■   sagaciovs   •   commander   •   and   ■ 

gentle      great-sovled  •  man  ■  whose  •   life  ■   from  •  child- 

-hood  •  was  •  given   •  to  •  his  •  covntry  •   bvt  •  who  ■ 

served  •  her  •   svpremely   ■   in   ■  the   ■   war  • 

for   •  the   •   vnion   •   m  ■  d     c  ■  c  •  c  •  lxi  -  m     d- 

-c  •  c  •  c  •  lxv  •   may   ■   be   •   preserved  ■   and  • 

•  that  •  they   ■  who  •  come   •   after  • 
■   will   ■   owe   •   him   •   so   •   mvch    •   may- 
he   •   was       seen   •    by   ■    friend   ■   and   • 

•  covntrymen   •   have   •   set   •    up   ■ 
monvment   •    a  ■  d   ■   m  •  d  •  c- 

C  •  C  •   L  •   xxxi:    ■ 

141 


HONORED 

•     AND 

HIM     •     AND 

•     WHO 

SEE     •     HIM 

•     AS     ■ 

FOE 

•     HIS 

THIS     • 

CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

MADISON   SQUARE  — CONTINUED 

BORN     •     NEAR     •     KNOXVILLE 

TENNESSEE     ■     IVLY     •     V     •     MDCCCI-    MID- 

-SHIPMAN     •     MDCCCX     •     BATTLE         OF     •     ESSEX     • 

AND    •     PHOEBE     ■     MARCH     ■     XXVHI     ■     M        D       C    •    C    ■    C        XIV- 

LIEVTENANT     ■     M    ■    D   •    C    ■    C    ■    C   •    XXV     •     COMMAND- 

-ERMDCCC-    XL!    •    CAPTAIN        M       D       C       CCLV- 

BATTLE     •     OF     •     NEW     •     ORLEANS     •     APRIL     • 

-XXV     •     M    •    D    ■    C    ■    C    •    C        LX    •    II     ■     REAR    •     ADMIRAL     ■     M- 

-D    •    C    •    C       C    •    LXII     •     BATTLE     ■     OF     •     MOBILE     •     BAY    •    AVGVST    • 

VMDCCC-     LXIV     •     VICE     •     ADMIRAL   •   DECEMBER     ■     XX- 

-III     •     M    •    D   ■   C   •   C       C   •    LXIV     •     FIRST     ■     ADMIRAL     ■     OF     •     THE    ■ 

VNITED    •     STATES    •    OF         AMERICA    •     IV- 

-LY    •    XXVI     •     M   ■    D   ■    C       C       C       LXVI    ■    DIED    •    AT    • 

PORTSMOVTH     •     NEW     ■     HAMPSHIRE     • 

AVGVST    •     XIV    ■    M    •    D   •   C   ■   C   •   C   •    LXX    ■    : 


WILLIAM    HENRY   SEWARD 
1801-1872 

GOVERNOR    OF    NEW    YORK,     1838-43 

UNITED   STATES    SENATOR,    1849-61 

SECRETARY   OF    STATE,     1861-69 

ARTIST 

RANDOLPH    ROGERS 

1825-1892 

Seated  with  crossed  legs  in  an  armchair  is  a  figure  in  bronze, 
heroic  size,  with  the  face  turned  to  the  left  and  the  eyes  looking 
straight  ahead.     Books  and  documents  are  piled  beneath  the  chair. 

signed:    RANDOLPH     ROGERS    INV.     ET    MOD.     ROMAE    MDCCCLXXV 

Given  to  the  City  in  1876. 

INSCRIPTION 

WILLIAM    H.    SEWARD 

GOVERNOR, 

U.    S.    SENATOR, 

SECRETARY   OF    STATE 

OF    U.    S. 

142 


w 
a, 
O 
O 
u 

w 

W 

a. 


cat'alogue  of  w< 


MADISON  SQU 


BORN    -    NEAR 

-           EE    ■     IVLY 

- 

VI    •   D       C 

A..  „ 

-     •     MARi-. . 

L: 

M   ■  D 

-ER   ■    M 

C  -   XLI 

BAfrLE    -    OF 

-XXV 

M   ■    D       C  •   C 

-D    ■    C    ■    C. 

c  ■  Lxn   -    E 

V       M        D 

C      C  •  C  ■    LX 1 

-III           M 

D      C      C      C 

VNITED    •     S 

-  ?T  U  R  E 


Q 

Cxi 

c 

J3 

> 

O 

o 

O 

■<    '^ 

~      35 

s 

io 

> 

'ui 

H 

tv 

Ui 

c 

J3 

(V 

C 

a 

c 

WILLIAM    HENRY   SEWARD 
-,    '838-43 


hen.  _  .   --._  -_ 

straight  ahead.     Books  a 

signed:    RANDOLPH     RO 

Given  to  the  Citv  in  1  • 


;>-o  t 


Tts  are  piled  beneath  the 

ET    MOD.    ROMAE    MD 


i\<;ri»!PTION 

REWARD 
U.    - 


CATALOGUE     OF     WORKS     OF     ART — sCULPTL'RE 

MADISON   SQUARE— CONTINUED 

WILLIAM  JENKINS   WORTH 
1 794- 1 849 

MAJOR-GEN ER.\L    UNITED    STATES    ARMY,     I  S4'5-4^ 

ARTIST 

JAMES   GOODWIN    BATTERSON,   ARCHITECT 

1 823- 1 90 1 

This  is  a  granite  obelisk  fifty  feet  high,  divided  into  sections  by 

double  bands  of  granite  between  which  are  inscribed  the  names  of 
battles.  The  front  dado  of  the  pedestal  is  adorned  with  a  small 
equestrian  high  relief,  in  bronze,  of  a  general  in  full  uniform,  holding 
aloft  an  unsheathed  sword  in  his  right  hand,  while,  with  his  other 
hand,  he  guides  his  horse,  galloping  to  the  left.  Against  the  lower 
section  of  the  shaft  is  a  massive  bronze  ornament  consisting  of 
cannon,  swords  and  other  weapons  interwoven.  In  front  of  this 
sits  a  bronze  eagle  with  wings  outspread. 

inscriptions 
maj.  gen.  worth. 

DUCIT    AMOR    PATRI.t 

BY    THE    CORPORATION 

OF    THE 

CITY    OF    NEW   YORK 

1857. 

HONOR   THE    BRAVE 

UNDER   THIS    MONUMENT    LIES   THE    BODY    OF 

WILLIAM   JENKINS   WORTH. 

BORN    IN    HUDSON,    N.   Y. 

MARCH     I,     1794. 

DIED    IN    TEXAS, 

MAY    7,     1849. 


CITY  OF  MEXICO 

MONTEREY 

VERA    CRUZ 

S.\N    ANTONIO 


PEROTE 

PUEBLA 
CERRO   GORDO 


FLORIDA 

CHIPPEWA 
FORT  GEORGE 


CONTRERAS 
CHURUBUSCO 

WEST    POINT 


CHAPULTEPEC    LUNDY  5  LANE   MOLING  DEL  REY 


CATALOGUE     OF     WORKS     OF     ART — SCULPTURE 

MADISON   SQUARE— CONTINUED 
FOUNTAIN 

ARTIST 
UNKNOWN 

A  CIRCULAR  basin  about  25  feet  in  diameter,  in  the  center  of 
which  the  water  rises  in  jets.  It  is  surrounded  by  a  low  granite 
rim,  on  which  sit  six  large  brown  granite  urns  at  regular  intervals. 

FOUNTAIN 

ARTIST 
UNKNOWN 

A  MASSIVE  irregular  granite  pillar.  The  base  is  divided  into  three 
irregular  spaces  by  large  granite  scrolls.  In  two  of  these  spaces 
are  granite  basins  for  horses,  the  third  space  is  for  persons. 

APPELLATE    COURT    BUILDING 

AT     ENTRANCE 

TWO  STATUES 

ARTIST 

FREDERICK    WELLINGTON    RUCKSTUHL 

1853- 

W  IS  DOM 

A  FIGURE  in  white  marble,  heroic  size,  with  long,  matted  beard, 
is  seated  with  a  tome  open  on  his  lap.  His  left  hand  grasps 
its  edge  and  his  right  is  pointing  at  the  page.  He  is  clad  in  a 
tunic,  and  over  his  head  is  draped  a  mantle  which  falls  about 
him  in  ample  folds. 

signed:    F.    W.    RUCKSTUHL    SCULP  -   1 900 

Purchased  by  the  City  in  1900. 

inscription 
every  law  not  based  on 

WISDOM 
IS    A    MENACE    TO   THE    STATE 

•44 


MEMORIAL   FOUNTAIN 

BY 

BRUNO    LOUIS    ZIMM 

FOR    DESCRIPTION    SEE    PAGE     I  33 


CATAIOGUE    OF    WORKS    OF    ART — SCULPTURE 


,QUARr  iNUED 

FOUNTAiN 


ARTISI 


A  r!„.  i  I  AR  h:).i!n  ^h(  ef,  in  the  center  of 

ed  by  a  low  granite 
at  regular  intervals. 


A  base  is  divided  inlo  three      _ 

irreg  In  two  of  these  spaces      * 

are  granite  Dasins  tor  norses,  tnt  inira  space  is  for  persons. 

AT  :g 

A  r     E  N  I  K  A  N  C  L 

TWO  S 

AR  !  IS! 
FREDERICK   WELLINGTON    RUCKSTUHL 

.853- 

WiSDOM 

A  FIGURE  in  white  marble,  heroic  size,  with  long,  matted  beard, 
is  seated  with  a  tome  open  on  his  lap.  His  left  hand  grasps 
its  edge  and  his  right  is  pointing  at  the  page.  He  is  clad  in  a 
«...„:-    .„,!   „.  „,    k,-.,   u,...  i   .     jraped  a  mantle  which  falls  about 

bIGNED;    F.    W.    RUCKSTUHL    SCULP  -   19OO 

Purchased  bv  the  Citv  in.  !fKX>. 

iCRIPTlON 
EVERY  LAW  NOT  BASED  ON 


Ya 

MMis  eibfOJ  owuaa 

ffl     HOAT     332    HOIT<JlflD83a    5i03 


CATALOGUE     OF     WORKS    OF     ART — SCULPTURE 

APPELLATE  COURT— CONTI  NU  ED 

FORCE 

Dressed  in  armor,  with  a  crested  helmet  and  a  long  mantle  fall- 
ing backward  from  his  shoulders  and  lying  in  ample  folds  across 
the  knees,  is  seated  a  male  figure  in  white  marble,  heroic  size,  with 
the  left  hand  resting  on  the  arm  of  the  chair,  and  the  right  grasp- 
ing a  short  sword  lying  across  the  knees. 

signed:  e.  [sic]  w.  ruckstuhl  sculp  -  1900 

Purchased  by  the  City  in  1900. 

INSCRIPTION 

WE    MUST    NOT    USE 

FORCE 

TILL   JUST    LAWS    ARE    DEFIED 


TWENTY-FIFTH     STREET     FAfADE 

ABOVE    THE    WINDOWS    WITHIN    THE    PORTICO 

ARTIST 

MAXIMILLIAN    M.    SCHWARTZOTT 

'855- 

MORNING   AND   NIGHT 

These  are  life-size  half-reclining  nude  figures  of  a  man  and  a 
woman.  The  man  is  bearded  and  leans  on  his  left  elbow,  with  the 
hand  on  an  hour-glass,  and  to  the  left  is  a  round  cartouche  of  the 
sun.  The  woman,  with  head  bowed  in  the  attitude  of  sleep,  leans 
on  her  right  elbow  and  her  head  is  partly  covered  by  a  scarf,  which 
extends  across  her  knees.  To  the  right  is  a  round  cartouche  of  a 
crescent  moon  surrounded  by  stars. 


NOON   AND    EVENING 

These  are  life-size  half-reclining  nude  figures  of  a  youth  and 
maiden.  The  maiden  is  reclining  in  easy  posture,  resting  on  her 
right  elbow,  and  on  the  wall  beside  her  is  a  cartouche  of  the  sun. 
The  youth  rests  on  his  left  elbow,  and  on  the  wall  beside  him  is  a 
cartouche  of  a  bat  with  wings  spread. 

'45 


CATALOGUE    OF    WORKS    OF    A RT— SCU LPTU RE 

APPELLATE  COURT  — CONT  INUED 

CENTER    OF    TWENTY-FIFTH    STREET    FAfADE 
PEDIMENT    FIGURES 

TRIUMPH   OF   LAW 

ARTIST 

CHARLES    HENRY    NIEHAUS,   N.A. 

1865- 

1n  the  center  of  the  pediment  above  the  portico  the  figure  of  a 
woman  sits  enthroned  in  a  classic  garb  and  mantle.  Her  hands 
hold  tablets  resting  upon  the  arms  of  the  throne.  The  one  on  her 
right  bearing  the  inscription: 

LEX 
SCRIPTA 

The  other,  on  her  left: 

LEX 
TRADITA 

At  the  sides  of  the  throne  are  kneeling  male  figures  in  armor,  the 
one  on  her  right  bearing  a  sword  and  wreath,  the  one  on  her  left  a 
sword  and  shield.  In  the  right  and  left  corners  of  the  pediment 
are  two  reclining  nude  figures.  The  left-hand  figure  is  a  bearded 
man  of  middle  age,  holding  in  his  right  hand  a  fascis,  with  a  ram 
behind  him.  The  figure  in  the  right-hand  corner  is  an  old  man, 
bald  and  with  a  long  beard.  His  right  elbow  rests  upon  a  vessel 
filled  with  scrolls;  he  peruses  an  unrolled  scroll  in  his  left  hand.  Be- 
hind him  is  an  owl  seated  on  a  crescent. 


FIGURES    ON     THE     ROO  F- B  A  L  U  ST  R  A  D  E     CATALOGUED     IN 
ORDER     FROM     LEFT    TO     RIGHT 

MOHAMMED 

570-632 

FOUNDER    OF    MOHAMMEDANISM 

ARTIST 

CHARLES    ALBERT    LOPEZ,    A.N.A. 

I  869- 1 906 

The  left-hand  figure,  Mohammed,  in  white  marble,  heroic  size, 
with  long  beard,  a  turban  on  his  head,  and  enveloped  in  flowing 

146 


I 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

APPELLATE  COURT  — CONTINUED 

TWENTY-FIFTH     STREET    FAfADE 

oriental  draperies,  stands  in  easy  posture,  his  weight  resting  on  his 
left  foot.  His  right  hand  grasps  a  scimeter,  and  with  his  arms  and 
left  hand  he  presses  the  Koran  against  his  left  breast. 

signed:   CHARLES   A.    LOPEZ    SCULPTOR 

Purchased  by  the  City  in  1899. 


ZOROASTER 

660    B.C. -583    B.C. 
FOUNDER   OF    THE    PERSO-IRANIAN    NATIONAL    RELIGION 

ARTIST 
EDWARD   CLARK    POTTER,    N.A. 

The  next  one,  in  white  marble,  heroic  size,  is  a  bearded  figure 
in  Persian  robes,  with  a  mantle  enveloping  his  left  arm  and 
shoulders  and  wearing  a  helmet.  His  right  arm  is  raised  in  gest- 
ure, and  his  left  grasps  a  goblet,  from  which  a  flame  issues. 

signed:    E.    C.    POTTER    SCULPTOR    '99 

Purchased  by  the  City  in  1899. 


ALFRED   THE   GREAT 
849-90 1 

KING    OF    THE    WEST    SAXONS,    87I-9OI 

ARTIST 

JONATHAN  SCOTT  HARTLEY,  N.A. 

1845- 

This  is  a  white  marble  figure,  heroic  size,  clad  in  a  loose  Saxon 
tunic  and  buskins,  with  long  mantle  falling  over  his  shoulders  to 
the  ground.  He  wears  the  crown  of  England.  His  right  hand 
grasps  a  sword,  his  left,  a  book. 

signed:   J.    S.    HARTLEY    SCULPTOR    99 

Purchased  by  the  City  in  1899. 
'47 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

APPELLATE   COURT —CONTINUED 

TWENTY-FIFTH     STREET     FAfADE 

LYCURGUS 

LIVED    ABOUT    THE    NINTH    CENTURY,    B.C. 
A    SPARTAN    LAWGIVER 

ARTIST 

GEORGE    EDWIN    BISSELL 

1839- 

This  is  a  white  marble  figure,  heroic  size,  with  a  cloak  thrown 
over  his  left  shoulder  while  his  right  is  shown  clothed  in  armor. 
His  right  hand  holds  a  scroll. 

signed:   GEO.    E.    BISSELL    SCULPTOR    I9OO 

Purchased  by  the  City  in  1900. 

JUSTICE 

ARTIST 

DANIEL  CHESTER  FRENCH,  N.A. 

1850- 

The  central  figure  of  a  group.  Justice,  in  white  marble,  heroic 
size,  standing  erect,  is  enveloped  in  a  classic  robe.  Her  bare  arms 
are  outstretched,  and  she  holds  in  her  hands  two  torches  at  the 
same  height  as  her  head.  On  either  side  is  a  seated  male  figure; 
the  one  to  her  right,  typifying  Power,  is  entirely  nude,  and  sits  in 
an  easy  position  with  his  foot  crossed  over  his  knee;  the  other, 
typifying  Study,  nude  to  the  waist,  sits  with  both  hands  holding 
an  open  book,  on  his  knees. 

Purchased  by  the  City  in  1900. 

SOLON 
638  B.C.-559  B.C. 

AN    ATHENIAN    LAWGIVER 

ARTIST 
HERBERT    ADAMS,    N.A. 


To  the  right  of  Justice  is  Solon,  a  standing  figure,  in  white  mar- 
ble, heroic  size,  with  cloak  thrown  over  his  left  shoulder.     His 

148 


WASHINGTON    ARCH 

BY 
STANFORD    WHITE 


FOR    DESCRIPTION    SEE    PAGE     i: 


CATALOGUE  OF  WOR;.:-  OF  A  1<  T — SCULPTURE 

APPELLATE   ...-.  ..  ■  -  ..uNTJNUED 

TWRNTY-FI  FTli       -.IKFFT      FACADE 


LIVED   ABOUT   THE    NINTH    CENTURY,    B.C. 
A    SPARTAN    LAWGIVER 

ARTIST 

GEORGE    EDWIN    BISSELL 

1839- 

This  is  a  white  marble  figure,  heroic  size,  with  a  cloak  thrc 
over  his  left  shoulder  while  his  right  is  shown  clothed  in  arm 
His  right  hand  holds  a  scroll. 

signed:   r  -SELL   SCULPTOR    1900 

Purchased  by  the  C:. ,„„>. 

JUSTICE 

ARTIST 

DANIEL  CHESTER  FRENCH,  N.A. 

1850- 

The  central  figure  of  a  group,  Justice,  in  white  marble,  herow 
size.  Standing  erect,  is  enveloped  in  a  classic  robe.     Her  bare  am 
are  outstretched,  and  she  holds  in  her  hands  two  torches  at  ti 
same  height  as  her  head.     On  either  side  is  a  seated  male  figiii 
the  one  to  her  right,  typifying  Power,  is  entirely  nude,  and  sits 
an  easy  position  with  his  foot  crossed  over  his  knee;  the  othe- 
typifying  Study,  nude  to  the  waist,  sits  with  both  hands  holding 
an  open  book,  on  his  knees. 

Purchased  by  the  City  in  1900. 

SOLON 

638    B.C.-559    B.C. 
AN    ATHENIAN    LAWGIVER 

ARTIST 

HERBERT   ADAMS,   N.A. 

1858- 

To  the  right  of  Justice  is  Solon,  a  standing  figure,  in  white  rr 
ble,  heroic  size,  wiMDJaLf»aM(S!Tr9*MHg'AWhis  left  shoulder. 

Y^48 
3TIHW    a>10HWAT8 

d{:i   30A1   aaa  woiTiijiDaaa  Jioa 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

APPELLATE   COURT —CONTINUED 

TWENTY-FIFTH     STREET     FAfADE 

right  hand  grasps  a  scroll,  his  left  is  extended  in  gesture  in  the 
manner  of  a  Greek  orator. 

signed:   H.   ADAMS   sc.   99 

Purchased  by  the  City  in  1899. 


LOUIS    IX 

121 5-1270 

KING   OF    FRANCE,     I226-70 

ARTIST 
JOHN    DONOGHUE 

1853- 

The  second  figure  to  the  right  of  Justice  is  Louis  IX  of  France, 
commonly  known  as  St.  Louis,  a  white  marble  statue,  heroic  size. 
He  stands  erect,  bearing  in  his  left  hand  the  scepter,  in  his  right  a 
charter.  His  robe  is  partially  covered  by  the  heavy  royal  cloak, 
fastened  with  a  clasp  on  his  right  shoulder. 

signed:    J.    DONOGHUE    SC.    99 

Purchased  by  the  City  in  1899. 


MANU 

MYTHICAL  AUTHOR  OF  "THE   LAWS  OF  MANU  " 

ARTIST 

HENRY    AUGUSTUS    LUKEMAN 

1870- 

The  third  figure  to  the  right  of  Justice,  is  Manu,  in  white  marble, 
heroic  size.  A  mantle  of  heavy  material  falls  from  his  head,  cover- 
ing his  body  except  the  face.  His  left  arm  is  bare  and  upon  his 
right  rests  a  seated  image  of  Brahma. 

SIGNED:    LUKEMAN.    SC.    '99' 

Purchased  by  the  City  in  1899. 

149 


CATALOGUE    OF    \VORK<    OF    A  RT— SCL  L  PTl  RE 

APPELLATE   COU RT  —  CON T 1  \ L" E D 

TWENTY-FIFTH    STREET    FAt;ADE 

FLAXILS   ANICIUS  JUSTINIAN 

BVIANTTNE    EMPEROR.    ^^7-565 

ARTIST 

HENRY    KIRKE    BLSH-BROWN 

,857- 

The  last  figure  is  Justinian,  in  white  marble.  hen)ic  size.  He 
is  represented  in  Roman  costume,  with  the  toga  throwTi  over  his 
left  shoulder  and  hanging  over  his  right  forearm.  In  his  other 
hand  he  holds  a  scrMI.  and  his  left  is  pressed  against  his  side. 

signed:  h.  k.  blsh-brown 

Purchased  by  the  Gty  in  iSoa 

MADISON     AVENLE     FACADE 

FIGCRES    ON     THE     ROOF-B  A  LUST  R  A  D  E  .     CATALOGUED     IN 
ORDER   FROM     LEFT    TO     RIGHT 

CONFUCIUS 

;:0    B.C-47S    B.C. 
A    CHINESE    PHILOSOPHER 

ARTIST 
FHIUP   MARTINY.  A.N.A. 

This  is  a  figure  in  white  marble,  heroic  size,  clad  in  an  em- 
broidered Chinese  robe  with  loose  sleeves,  and  a  crovsTi-like  cap. 
His  left  hand  grasps  a  scroll  and  his  right  clutches  his  beard. 

Purchased  by  the  Gt\-  in  1S99. 

PEACE 

ARTIST 

KARL    FR-\NCIS    THEODORE    BITTER.  N.A. 

186S- 

In  the  center  is  the  figure  of  a  woman,  heroic  size,  standing  erect 
in  classic  aarb  with  forearms  raised  and  holding  a  dove  in  her  right 


ABR.AHA.M   LINCOLN 


HENRV    KIRKE    BROVk-N,    N.A. 
FOR   DESCBJFTIOS    SEE    PAGE    1 37 


CATALOGUE    OF    WORKS    OF     ART — SCULPTURE 

APPELLATE   CO  ;  INUED 

TWENTY-FIFTH    STREET    FAfADE 

FLAVIUS  ANICIUS  JUSTINIAN 

483-56"; 

BYZANTINE    EMPEROR,    S  27-56^ 

ARTIS. 

HENRY    KIRKE    BUbH-HKUWN 

1857- 

re  is  Justinian,  in  white  marble,  heroic  size.     He 
11  Roman  costume,  with  the  toga  thrown  over  his 
er  and  hanging  over  his  right  forearm.      In  his  other 
Ids  a  scroll,  and  his  left  is  pressed  against  his  side. 

signed:  h.  k.  bush-brown 

Purchas'  '  '       '     City  in  1899. 

VENUE     FAfADF 

FIGURES     ON     THE     R  GO  F  -  B  A  L  U  ST  R  A  DE  ,     CATALOGUED     IN 
ORDER    FROM     LEFT    TO     RIGHT 

CONFUCIUS 

550    B.C.-478   B.C. 

A    CHINESE    PHILOSOPHER 

ARTIST 

P)!ILIP    MARTINY.  A.N. A. 


This  is  a  figure  in  wmte  maroie,  neroic  size,  clad  in  an  em- 
broidered Chinese  robe  with  loose  sleeves,  and  a  crown-like  cap. 
His  left  hand  grasps  a  scroll  and  his  right  clutches  his  beard. 

Purchased  by  the  City  in  1899. 

PEACE 

ARTIST 

KARL    FRANCIS    THEODORE    BITTER,  N.A. 

1868- 

1n  the  center  is  the  f^^r¥^^^4oMM^^^^<^size,  standing  er 
in  classic  garb  with  forearms  raised^jftid  holding  a  dove  in  her  n;ji 

.AM    .MWOJia    SHHin    YflMHH 

150 

^fl     3DA1    332    HOIT"]lJIDa3a    5103 


k-:^.^__. 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

APPELLATE  COURT —CONTINUED 

MADISON    AVENUE    FACADE 

hand.  To  the  right  sits  a  nude  figure  of  a  man  of  powerful  phy- 
sique with  his  right  arm  resting  on  a  fasces  and  his  left  reposing  on 
his  knee.  To  the  left  is  a  seated  female  figure,  nude  to  the  waist, 
with  her  left  hand  holding  a  vase  filled  with  fruit  and  her  right 
supporting  a  globe  upon  her  knee. 

signed:    KARL    BITTER    SC.    99 

Purchased  by  the  City  in  1899. 


MOSES 

HEBREW    LAWGIVER 

ARTIST 

WILLIAM    COUPER 

1853- 

The  figure  to  the  right  of  Peace,  with  long,  flowing  beard,  is  Moses, 
in  white  marble,  heroic  size.  He  wears  a  belted  robe  of  heavy 
fabric  and  his  powerfully  developed  arms  are  bare.  His  left  hand 
clutches  his  robe,  his  right,  the  tablets  of  the  law. 

signed:    WM    COUPER 

Purchased  by  the  City  in  1899. 


FOUR    CARYATIDS    SUPPORTING    THE    IONIC    CAPITALS    UPON 
WHICH  THE    CORNICE    OF    THE    ROOF    RESTS,    CATA- 
LOGUED   FROM    LEFT  TO    RIGHT 

ARTIST 

THOMAS    SHIELDS   CLARKE,    A.N.A. 

1860- 

WINTER 

:    A  WHITE  marble  statue,  heroic  size,  with  her  head  and  arms  en- 
veloped in  a  heavy  cloak.     To  her  left  is  a  censer,  from  which  a 
flame  arises. 
Purchased  by  the  City  in  1899. 

'5' 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

APPELLATE  COURT —CONTI  NUED 

MADISON     AVENUE     FAfADE 

AUTUMN 

This  figure,  in  white  marble,  heroic  size,  bears  in  her  hands  clus- 
ters of  grapes. 

Purchased  by  the  City  in  1899. 


SUMMER 

This  is  a  figure,  in  white  marble,  heroic  size,  holding  in  her  hand 
a  sickle  and  ears  of  wheat. 

Purchased  by  the  City  in  1899. 


SPRING 

The  last  figure  is  Spring,  in  white  marble,  heroic  size.  She  is 
nude  to  the  waist,  with  her  hands  hanging  at  her  sides,  grasping  a 
long  garland. 

Purchased  by  the  City  in  1899. 


MAIN    HALL 

CHARLES   O'CONOR 
1804-1884 

AN    AMERICAN    LAWYER 

ARTIST 

JAMES    WILSON    ALEXANDER    MACDONALD 

1824-1908 

This  is  a  white  marble  bust,  life  size,  in  classic  drapery,  of  a 
bearded  gentleman,  with  his  face  turned  to  the  right. 

152 


MARQUIS   DE    LAFAYETTE 

BY 
FREDERIC    AUGUSTE    BARTHOLDI 


FOR    DESCRIPTION    SEE    PAGE     I37 


CATALOGUE  OF  WORKS  OF  JLPTURE 

APpFLLATE  COURT- CONTINUED 

MADISON     AVENUE     ■  ACADE 

AUTUMN 

This  figure,  in  white  marble,  heroic  size,  bears  in  her  hand: 
ters  of  grapes. 

Purchased  by  the  City  in  1899. 


SUMMER 

This  is  a  iigure,  in  white  marble,  heroic  size,  holding  in  It 
a  sickle  and  ears  of  wheat. 
Purchased  by  the  City  in  1899. 


SPRING 

The  last  figure  is  Spring,  in  white  marble,  heroic  size.  She 
nude  to  the  waist,  with  her  hands  hanging  at  her  sides,  grasping 
long  garland. 

Purchased  by  the  City  in  1899. 


MAIN  hall 

CHARLES  O'CONOR 
1 804- 1 884 

AN    AMERICAN    LAWYER 

ARTIST 

JAMES   WILSON    ALEXANDER   MACDONALD 

1 824- 1 908 

This  is  a  white  marble  bust,  life  size,  in  classic  draper 
bearded  gentlengij-.-y^t^^i^ jacgjtprgf^^JiiTj^l  right. 

Yas: 
lOJOHTJlAa    3T2UOUA    31^303511 

■^{1   30A1   3RP.  noiTsiaaaaa  slo^ 


CATALOGUE    OF    WORKS    OF    ART— SCU LPTURE 


BELLEVUE    HOSPITAL 


MAIN     BUILDING 

AUSTIN   FLINT  TABLET 

ARTIST 
UNKNOWN 

INSCRIPTION 

IN     ■     MEMORY 

OF 

AUSTIN     •     FLINT     •     M.   D.   LL.   D. 

BORN     ■     OCT.    20     ■     1812  -DIED     ■     MARCH     •      I3     •      1 886. 

O 

ENTERING     ■     THE     •     PROFESSION 

WITH     •     BROAD    •    CULTURE     ■     AND         THOROUGH     •     EDUCATION 

HE     ■     REMAINED     •     AN     •     ACTIVE  PHYSICIAN 

TO    ■    THE     •     LAST    ■    DAY     •    OF     ■    HIS    •     LIFE. 

AS     •     A     •     MEDICAL     ■     WRITER         HE     •     ADDED 

TO     •     THE     ■     KNOWLEDGE     •    OF     •     THE     •     MEDICAL     ■     PROFESSION 

AND    ■    TO    •    MEDICAL    ■     SCIENCE. 

AS     •     A     ■    TEACHER     •     HE     •     WAS     •     LOVED         AND     •     RESPECTED 

BY    •    THOUSANDS    •    OF    •     PUPILS     •     IN        ALL    •     PARTS         OF    •    THE 

COUNTRY. 

AS     •     A  PHYSICIAN     ■     TO  BELLEVUE     •     HOSPITAL 

FOR     •     TWENTY-FIVE     •     YEARS     ■     HE     •     CONTRIBUTED     ■     LARGELY 

TO    •     ITS    •     REPUTATION     ■     BY     ■    HIS    •    CHARACTER 

ACQUIREMENTS    •     LABORS    •    AND    ■    WISE    •    COUNSELS. 

ERECTED-  BY   THE  ■  COMMISSIONERS  •  OF  •  PUBLIC  ■  CHARITIES  • 

AND   CORRECTION 


H.  H.  Porter,  President.     Thos.  S.  Brennan.     Chas.  E.  Simmons. 


•53 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 


BELLEVUE   HOSPI  TAL  — CONTI  NU  ED 

MAIN     BUILDING 

ALFRED   LEBBEUS   LOOMIS  TABLET 

ARTIST 

UNKNOWN 

INSCRIPTION 

IN    MEMORY 

OF 

ALFRED    LEBBEUS    LOOMIS   M.  D.  LL.  D. 

BORN    OCT.     l6,     1830   -    DIED   JAN.    23,     1895. 

A    MAN    OF    RARE    ATTAINMENTS. 
HE    HAD   A    STRONG   WILL,    UNTIRING    INDUSTRY 

AND    DIRECTNESS    OF    PURPOSE. 
THESE   TRAITS,    WITH    HIS    WELL   ORDERED   AND 

RESOURCEFUL    MIND    MADE    HIM    ONE    OF    THE 

ABLEST   OF    HIS    PROFESSION    AND    WON    FOR    HIM 

ITS    HIGHEST    HONORS. 

HE    MADE    MANY    VALUABLE    ADDITIONS    TO    MEDICAL 

LITERATURE,    AND    BY    HIS    UNUSUAL    POWERS    AS    A 

TEACHER    AND    PRACTITIONER    OF    MEDICINE,    COMPELLED 

THE    ADMIRATION    AND   CONFIDENCE    OF   ALL    WHO   CAME 

IN    CONTACT   WITH    HIM. 

THIS    HOSPITAL    ESPECIALLY    IS    INDEBTED   TO    HIM 

FOR   THIRTY    FIVE    YEARS   OF    FAITHFUL   WORK. 

BY    REASON    OF    HIS    SERVICE    IN    ITS   AMPHITHEATRE 

AND    IN    ITS   WARDS    HE    ADDED   NOT   ONLY   TO    ITS 

RENOWN    AS    A    CENTRE   OF    MEDICAL    EDUCATION, 

BUT   TO    ITS   GLORY    AS    A    REFUGE    FOR   THE    SICK. 

ERECTED   BY   THE    COMMISSIONERS   OF   CHARITIES   AND   CORRECTION. 


154 


k 


GEORGE   WASHINGTON 

BY 

JOHN    QUINCY    ADAMS    WARD,    N.A. 

FOR    DESCRIPTION    SEE    PAGE     1^8 


CATALOGUE  OF  WORKS  OF  ART— SCULPTURE 

BELLEVUE  HOSPITAL— CONTINUED 

MAIN     BUILDING 

ALFRED  LEBBEUS  LOOMIS  TABLET 

ARTIST 
UNKNOWN 

INSCRIPTION 

IN    MEMORY 

OF 

ALFRED   LEBBEUS   LOOMIS   M.  D.  LL.  D. 

BORN    OCT.     l6,     1830   -    DIED  JAN.    23,    1895. 

A    MAN    OF    RARE    ATTAINMENTS. 
HE   HAD  A    STRONG   WILL,    UNTIRING   INDUSTRY 

AND   DIRECTNESS   OF    PURPOSE. 
THESE   TRAITS,    WITH    HIS    WELL   ORDERED   AND 

RESOURCEFUL   MIND   MADE    HIM    ONE    OF   THE 

ABLEST   OF    HIS    PROFESSION    AND   WON    FOR    HIM 

ITS    HIGHEST    HONORS. 

HE    MADE    MANY   VALUABLE    ADDITIONS   TO   MEDICAL 

LITERATURE,    AND    BY    HIS    UNUSUAL    POWERS    AS    A 

TEACHER   AND    PRACTITIONER    OF    MEDICINE,    COMPELLED 

THE    ADMIRATION    AND   CONFIDENCE    OF    ALL   WHO   CAMP 

IN    CONTACT   WITH    HIM. 

THIS   HOSPITAL   ESPECIALLY    IS   INDEBTED  TO   HIM 

FOR  THIRTY   FIVE   YEARS   OF   FAITHFUL   WORK. 

BY    REASON    OF    HIS    SERVICE    IN    ITS   AMPHITHEATRE 

AND   IN    ITS  WARDS   HE    ADDED   NOT  ONLY  TO   ITS 

RENOWN    AS   A   CENTRE   OF   MEDICAL   EDUCATION, 

BUT  TO   ITS   GLORY   AS   A    REFUGE   FOR  THE   SICK. 

ERECTED   BY   THE   COMMISSIONERS   OF   CHARITIES   AND   CORRE 


HOrDKIH2AV/    H05I030 
Ya 

.A.H    .aJIAW    2MACJA    YDHIUQ    MHO[ 
8fi   30Aq  aaa  noiriiHaeaa  aoa 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 


BELLEVUE   HOSPITAL  — CONTI  NUED 

MAIN     BUILDING 

VALENTINE   MOTT  TABLET 

ARTIST 
UNKNOWN 

INSCRIPTION 

IN    MEMORIAM 

VALENTINE    MOTT,    M.  D.,  LL.D. 

BORN    AUG.    20th     I785,    DIED    APRIL    26th     1865. 

A    PIONEER    IN    SURGERY,    OF    WORLD-WIDE    FAME; 

HIS    MEMORY 

IS    EMBALMED    IN    THE    OPERATIONS    WHICH    HE    DEVISED, 

IN    THE    FAR    REACHING    INFLUENCE    OF    HIS    INSTRUCTIONS, 

AND   THE    KINDLY    RECOLLECTIONS    OF    HIS    LIFE. 

IN     GRATEFUL     REMEMBRANCE    OF     HIS    VALUABLE    AND    VOLUNTARY 

SERVICES 

DURING    A    PERIOD    OF    FIFTEEN    YEARS 

AS 

CONSULTING   SURGEON    OF    BELLEVUE    HOSPITAL, 

THIS   TABLET 

HAS    BEEN    ERECTED    BY    THE 

Commissioners  of  Public  Charities  and  Correction 

of  the 

City  of  New  York 

A.  D.  1866. 


'55 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 


BELLEVUE   HOSPITAL  — CONTI  NUED 

MAIN     BUILDING 

LEWIS  ALBERT  SAYRE  TABLET 

ARTIST 
UNKNOWN 

INSCRIPTION 

IN    MEMORY 

OF 

LEWIS    ALBERT    SAYRE,    M.    D. 

BORN    FEB.    29,     1820  -DIED    SEPT.    21,     I9OO. 

A    MAN    OF    SYMPATHETIC   NATURE, 

OF    FERTILE    RESOURCE   AND   OF 

INDOMITABLE    ENERGY, 

WHOSE    ZEALOUS    ATTENTION    TO    THE 

UNFORTUNATE    IN    THIS    INSTITUTION 

FOR   NEARLY    HALF   A   CENTURY 

ESTABLISHED    FOR    HIM    A    GREAT   NAME, 

FOR    THE    PROFESSION,    INCREASED 

RESPECT    AND    HONOR, 

AND    FOR    BELLEVUE    HOSPITAL    AND    THE 

COMMONWEALTH,    ADVANCED    RENOWN 

IN    BENEFICENT    LABOR    AND 

SURGICAL    ATTAINMENT. 

THIS   TABLET    IS    ERECTED   TO   COMMEMORATE 

THE    MANY    VIRTUES    OF    DR.    SAYRE    AND    HIS 

DEVOTION    TO   THE    POOR   WITHIN    THESE   WALLS 

BY   THE    COMMISSIONER   OF    PUBLIC   CHARITIES. 

JOHN    W,    KELLER,    COMMISSIONER. 


.56 


•m- 


FOUNTAIN 

BY 

KARL    ADOLF    DONNDORF 

FOR    DESCRIPTION    SEE    PAGE     1 39 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

BELLEVUE   HOSPITAL— CONTINUED 

MAIN     BUILDING 

LBERT  SAYRE  TABLET 

ARTIST 
UNKNOWN 

INSCRIPTION 

>;    MEMORY 
OF 

L. ^    ._LlERT    SAYRE,    M.    D. 

BORN    FEB.    29,    1820  -DIED   SEPT.    21,    I9OO. 

A  APATHETIC   NATURE, 

<.  RESOURCE    AND  OF 

INDGMiTABLE    ENERGY, 

WHOSE    ZEALOUS    ATTENTION    TO   THE 

UNFORTUNATE    IN    THIS    INSTITUTION 

,  OR   NEARLY    HALF    A   CENTURY 

- -rD    FOR    HIM    A   GREAT   NAME, 
;    PROFESSION,    INCREASED 
-■■'CT   AND   HONOR, 

UE    HOSPITAL   AND  THE 
H,    ADVANCED   RENOWN 
:        V5ENEFICENT    LABOR   AND 
SURGICAL   ATTAINMENT. 

THIS  TABLET   IS    ERECTED   TO   COMMEMORATE 

THE   MANY   VIRTUES   OF    DR.    SAYRE   AND   HIS 

DEVOTION   TO  THE    POOR   WITHIN   THESE   WALLS 

BY   THE    COMMISSIO: :~  BLIC   CHARITIES. 

JOHN    W,    KELuu.v;    .,w;,„V.ISSIONER. 


HIATHUOl 

Ya 

HKoawnoa  hjoqa  aha-a 

Qfl     30A1    332    HOIT1 1*13230    SI03 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 


BELLEVUE   HOSPITAL  — CONTI  NU  ED 


MAIN     BUILDING 

JAMES   RUSHMORE   WOOD   TABLET 

ARTIST 
UNKNOWN 

INSCRIPTION 

IN    MEMORIAM 

JAMES    RUSHMORE    WOOD,    M.  D.  L.L.  D. 

BORN    SEPTEMBER     14th     1816. 

DIED    MAY    4th     1882. 

A   TRUE   REFORMER   IN    SURGERY,   A  TEACHER  CELEBRATED   FOR  THE 

UNION 
OF   CLINICAL   AND   DIDACTIC    INSTRUCTION,   AN    UNSURPASSED   OPERA- 
TOR,   A    STAUNCH 
FRIEND    IN    MISFORTUNE. 
HIS    MEMORY 
WILL    EVER    LIVE    IN   THE    HEARTS   OF    THE    POOR,   TO 
WHOM    HE    WAS    ALWAYS    A    GENEROUS    FRIEND    IN    THE 
PROFESSION    WHICH    HE    HAS    DONE    SO   MUCH    TO   ADVANCE 
AND   IN    THE    AFFECTIONS   OF   THE    MEDICAL   STUDENTS 
IN    WHOM    HE    ALWAYS    FELT   THE    WARMEST    INTEREST. 

IN    KINDLY    REMEMBRANCE 

OF    HIS    FAITHFUL   AND    UNTIRING   SERVICES 

DURING   THE    PERIOD   OF 

THIRTY    FIVE    YEARS 

AS   ATTENDING    SURGEON 

TO    BELLEVUE    HOSPITAL. 

THIS   TABLET 

HAS    BEEN    ERECTED 

BY    THE    COMMISSIONERS    OF     PUBLIC    CHARITIES    AND    CORRECTION, 

CITY   OF   NEW    YORK. 


'57 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

GREELEY    SQUARE 

HORACE   GREELEY 

181 1-1872 

FOUNDED   THE    NEW    YORK    "TRIBUNE,"     1 84 1 

ARTIST 
ALEXANDER    DOYLE 

1857- 

A  FIGURE,  heroic  size,  in  bronze,  is  seated  in  an  armchair  of  the 
same  material,  on  a  granite  pedestal.  His  face,  fringed  with 
whiskers,  is  turned  slightly  to  the  left,  and  his  thoughtful  eyes  look 
straight  ahead.  His  left  arm  rests  on  the  arm  of  the  chair,  and 
his  right  hand,  holding  a  copy  of  a  newspaper,  hangs  at  his  side. 

signed:    ALEX.    DOYLE.    SCULPTOR 

Given  to  the  City  in  1890. 

JERRY   McAULEY    FOUNTAIN 

ARTIST 

unknown 

An  iron  box,  4  feet  square  by  10  feet  high.  Front  ornamented 
with  two  contorted  dolphins,  from  whose  mouths  water  runs  into 
a  semicircular  basin  for  horses.  Rear  ornamented  with  two 
hands,  holding  a  cup  out  of  which  water  flows  into  a  basin. 

INSCRIPTION 

ERECTED    BY 
THE    FRIENDS    OF 
JERRY    M^^AULEY. 

I    WILL    GIVE 

UNTO    HIM 

THAT    IS 

ATHIRST, 

OF    THE 

FOUNTAIN 

OF    THE 

WATER    OF 

LIFE    FREELY. 

REV.    XXI.    VI. 

158 


o 
o 

< 

o 


CATALOGUE    OF    WORKS    OF    ART— SCU L PTURE 


HERALD    SQUARE 

WILLIAM   EARL   DODGE 
1805-1883 

AN    AMERICAN    MERCHANT    AND    PHILANTHROPIST 

ARTIST 

JOHN    QUINCY    ADAMS    WARD,    N.A. 

1830- 

A  FIGURE,  heroic  size,  in  bronze,  stands  in  an  easy  attitude  with 
the  right  elbow  resting  on  books  lying  on  a  fluted,  bronze  column, 
and  the  left  hand  clasping  the  right.  His  right  foot  is  advanced 
with  the  knee  bent,  and  his  face  is  turned  upward,  with  the  eyes 
looking  straight  ahead. 

signed:  j.  q.  a.  ward  sculptor   1885 

inscriptions 

william  earl  dodge 

erected  by 

voluntary  subscription 

under  the  auspices  of  the 

chamber  of  commerce 

OF    THE 
STATE   OF    NEW    YORK 

i88s. 


'59 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 


FOURTH    AVENUE 

NEAR    THIRTY-SEVENTH    STREET 

*MARY    LINDLEY   MURRAY   TABLET 

ARTIST 
UNKNOWN 

INSCRIPTION 

IN    HONOR   OF 

MARY    LINDLEY    MURRAY 

WIFE   OF    ROBERT   MURRAY 

FOR   SERVICES    RENDERED    HER   COUNTRY 

DURING    THE    AMERICAN    REVOLUTION, 

ENTERTAINING   AT   HER    HOME,   ON    THIS    SITE, 

GEN.    HOWE    AND   HIS   OFFICERS,    UNTIL   THE 

AMERICAN    TROOPS    UNDER   GEN.    PUTNAM    ESCAPED. 

SEPTEMBER     I  5,     I776  NOVEMBER    25,     I903. 

ERECTED    BY 
KNICKERBOCKER   CHAPTER,    NEW    YORK    CITY. 
DAUGHTERS   OF   THE   AMERICAN    REVOLUTION. 


160 


H 


WILLIAM   JENKINS   WORTH 

BY 

JAMES    GOODWIN    BATTERSON 

FOR    DESCRIPTION    SEE    PAGE     1 43 


CATALOGL  jF    ART — SCULPTURE 


FOURTH    AVENUE 

NEAR    THIRTY-SEVENTH    STREET 

""'/   LINDLEY   MURRAY  TABLET 

ARTIST 

UNKNOWN 


IN    HO.MOR    OF 
MARY    LINDLEY    MURRAY 
ROBERT   MURRAY 
)  NDERED   HER  COUNTRY 

tr.    AMERICAN    REVOLUTION, 
AT   HER   HOME,    ON    THIS    SITE, 
MD   HIS   OFFICERS,    UNTIL   THE 
s    UNDER   GEN.    PUTNAM    ESCAPED. 

SEPTEMBER    1 5,    1776  NOVEMBER   25,    1903. 

ERECTED    BY 
KNICKERBOCKER  CHAPTER,   NEW   YORK   CITY. 
DAUGHTERS   OF   THE  AMERICAN    REVOLUTION. 


HT510W   2WI>IH3[  MAIJJIW 

Ya 

noeJiHTTAa  MLwaooo  aawiAL 

5^1     30A1    33e    HOIT«imD33a    JI03 


I 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

BRYANT    PARK 

WASHINGTON    IRVING 

1783-1859 

AN    AMERICAN    HISTORIAN,    ESSAYIST    AND    NOVELIST 

ARTIST 

FRIEDRICH    BEER 

1846- 

A  BRONZE  bust,  heroic  size,  with  low-cut  waistcoat,  high  collar, 
and  a  stock,  rests  on  a  pedestal  made  of  a  wooden  frame  covered 
with  sheets  of  bronze. 

signed:    BEER    1885 

Given  to  the  City  in  1885. 

INSCRIPTIONS 

WASHINGTON 
IRVING 

BORN     1783  -  DIED     1859. 


JAMES    MARION    SIMS 
1813-1883 

AN    AMERICAN    SURGEON 

ARTIST 
FERDINAND    VON    MILLER 

1842- 

A  BRONZE  Statue,  heroic  size,  of  a  gentleman  wearing  a  loosely 
fitting  overcoat  thrown  back  on  both  sides,  showing  a  tightly  fitting 
frock  coat  beneath,  stands  on  a  high  granite  pedestal,  with  the 
right  foot  advanced,  the  right  hand  held  to  the  breast,  while  the 
left,  holding  a  roll  of  manuscript,  hangs  naturally  at  his  side.  His 
face  is  turned  to  the  left  and  his  eyes  look  straight  ahead. 

SIGNED:    VON    MILLER    FEC.    MUNCHEN     1892 

Given  to  the  City  in  1892. 

i6i 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 


BRYANT  PARK— CONTINUED 

INSCRIPTIONS 
J.    MARION    SIMS    M.    D.    LL.    D. 

Born  in  South  Carolina,  1813 
Died  in  New  York  City,  1883. 

SURGEON    AND    PHILANTHROPIST 

FOUNDER  OF   THE   WOMAN's 
HOSPITAL   STATE   OF   N.    Y. 

HIS    BRILLIANT   ACHIEVEMENTS 

CARRIED   THE    FAME   OF 

AMERICAN    SURGERY 

THROUGHOUT   THE    CIVILIZED   WORLD. 

IN    RECOGNITION    OF    HIS    SERVICES    IN   THE    CAUSE   OF 

SCIENCE    AND    MANKIND 

HE    RECEIVED   THE    HIGHEST   HONORS 

IN    THE    GIFT   OF    HIS    COUNTRYMEN 

AND    DECORATIONS    FROM    THE    GOVERNMENTS   OF 

FRANCE,    PORTUGAL,    SPAIN,    BELGIUM 

&    ITALY. 

PRESENTED 
TO   THE   CITY   OF    NEW   YORK, 

BY 

HIS    PROFESSIONAL    FRIENDS, 

LOVING    PARENTS 

AND 

MANY    ADMIRERS, 

THROUGHOUT   THE   WORLD. 


162 


HORACE   GREELEY 

BY 

ALEXANDER    DOYLE 

FOR    DESCRIPTION    SEE     PAGE     r  58 


CATALOGUE  OF  WORKS  OF  ART— SCULPTURE 


BRYANT  PARK— CONTINUED 

INSCRIPTIONS 
J.    MARION    SIMS    M.    D.    LL.    D. 

Born  in  South  Carolina,  1813 
Died  in  New  York  City,  1883. 

SURGEON   AND   PHILANTHROPIST 

FOUNDER   OF   THE   WOMAN'S 
HOSPITAL   STATE   OF  N.   Y. 

HIS    BRILLIANT   ACHIEVEMENTS 

CARRIED  THE    FAME   OF 

AMERICAN    SURGERY 

THROUGHOUT  THE   CIVILIZED  WORLD. 

IN    RECOGNITION   OF   HIS   SERVICES    IN   THE   CAUSE   OF 

SCIENCE    AND   MANKIND 

HE    RECEIVED   THE    HIGHEST   HONORS 

IN   THE   GIFT  OF    HIS   COUNTRYMEN 

AND   DECORATIONS   FROM   THE   GOVERNMENTS   OF 

FRANCE,    PORTUGAL,    SPAIN,    BELGIUM 

&    ITALY. 

PRESENTED 

TO  THE   CITY   OF   NEW   YORK, 

BY 

HIS   PROFESSIONAL   FRIENDS, 
LOVING    PARENTS 

AND 
MANY   ADMIRERS, 

THROUGH("iT    rm-    WORLD. 


Y3J335IO   3DA510H 
va 

3JYOa    Jl'a^MAXHJA 

?]     30A1     33S    WOITI 1513230    SIOT 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 


CENTRAL    PARK 

AT    FIFTY-NINTH    STREET    AND    FIFTH    AVENUE     ENTRANCE 

*  WILLIAM  TECUMSEH   SHERMAN 
1 820- 1 89 1 

COMMANDER-IN-CHIEF    UNITED   STATES    ARMY,    1869-84 

ARTIST 

AUGUSTUS    SAINT   GAUDENS,   N.A. 

I  848- 1 907 

This  is  an  equestrian  statue  in  bronze,  gilded,  heroic  size,  in 
front  of  which  marches  a  winged  female  figure  with  a  palm  branch 
in  the  left  hand  and  with  the  uplifted  right  hand  pointing  forward. 
With  his  military  cape  fluttering  in  the  breeze,  the  General  sits 
erect  with  his  face  and  eyes  to  the  front.  His  right  hand,  holding 
a  hat,  hangs  at  his  side,  and  with  his  left  hand  holding  the  reins 
he  guides  his  spirited  charger  in  its  rapid  walk.  The  low  pedestal 
of  polished  granite  is  ornamented  on  each  side  with  three  bronze 
wreaths,  and  its  massive  base  is  approached  by  three  broad,  low 
steps. 

signed:    AVGVSTVS   •    SAINT-GAVDENS   •   M    ■   C   •   M    •    III 

Given  to  the  City  in  1903. 

INSCRIPTION 

TO   GENERAL 

WILLIAM    TECUMSEH    SHERMAN 

BORN    FEB    8    1820 

DIED    FEB    14     1891 

ERECTED    BY   CITIZENS   OF   NEW    YORK 

UNDER   THE    AUSPICES   OF   THE 

CHAMBER   OF    COMMERCE 
OF   THE    STATE   OF    NEW   YORK 


163 


CATALOGUE     OF     WORKS    OF     ART — SCULPTURE 

CENTRAL    PARK  — CONTINUED 

AT     COLUMBUS    CIRCLE 

CHRISTOPHER  COLUMBUS 

1 446- 1 506 

THE    DISCOVERER   OF   AMERICA 

ARTIST 
GAETANO    RUSSO 

A  MONUMENTAL  granite  column  standing  on  a  rectangular 
pedestal  with  a  series  of  bases  is  surmounted  by  a  colossal  white 
marble  figure  dressed  in  an  ample  cloak  and  wearing  a  small  cap, 
below  which  his  long  hair  is  conspicuous.  His  face  is  turned  to 
the  right  and  his  right  hand  hangs  at  his  side,  while  his  left  rests 
against  his  hip.  A  series  of  three  bronze  prows  project  from  two 
opposite  sides  of  the  column  and  the  other  two  sides  are  orna- 
mented with  two  bronze  anchors.  The  front  of  the  pedestal  is 
adorned  with  a  winged  figure  of  a  youth,  heroic  size,  in  white 
marble  who  is  examining  a  terrestrial  globe.  Below  this  figure  is 
a  bronze  tablet  six  feet  long  by  two  feet  wide  representing  the 
landing  of  Columbus  in  high  relief,  and  on  the  opposite  side  of  the 
pedestal  a  similar  bronze  tablet  represents  Columbus  leaving  Spain. 
Above  this  is  a  screaming  bronze  eagle  holding  two  shields. 

signed:  g.  russo.  invento  e  scolpi  roma   1894 

inscriptions 

high   up  on   shaft 

A 
CHRISTOFORO   COLOMBO 

WEST    SIDE    OF     PEDESTAL 

A 

CHRISTOFORO   COLOMBO 

GL'    ITALIANI    RESIDENTI    in    AMERICA 

IRRISO    PRIMA 

MINACCIATO    DURANTE    IL   VIAGGIO 

INCATENATO    DOPO 

SAPENDO    ESSER    GENEROSO    QUANTO    OPPRESSO 

DONAVA    UN    MONDO   AL   MONDO 

164 


3*' 
It 


WASHINGTON    IRVING 

BY 
FRIEDRICH    BEER 

for!  DESCRIPTION    SEE    PAGE     l6l 


CATAIOOrn    OF    WORKS    OF    A  Rl~- SCULPTURE 

^   ,  ...AL   PARK- CONTINUED 

AT    COLUMBUS    CIRCLE 

CHRISTOPHER  COLUMBUS 
1 446- 1 506 

THE    DISCOVERER   OK     IMJRICA 

ARTIST 
GAETANO    RUSbO 

A  MONUMENTAL  granite  column  standing  on  a  rectangi 
pedestal  with  a  series  of  bases  is  surmounted  by  a  colossal  w! 
marble  figure  dressed  in  an  ample  cloak  and  wearing  a  small  i. 
below  which  his  long  hair  is  conspicuous.  His  face  is  turne(' 
the  right  and  his  right  hand  hangs  at  his  side,  while  his  left  ri 
against  his  hip.  A  series  of  three  bronze  prows  project  from 
opposite  sides  of  the  column  and  the  other  two  sides  are  or 
mented  with  two  bronze  anchors.  The  front  of  the  pedest? 
adorned  with  a  winged  figure  of  a  youth,  heroic  size,  in  w 
marble  who  is  examining  a  terrestrial  globe.  Below  this  figur 
a  bronze  tablet  six  feet  long  by  two  feet  wide  representing 
landing  of  Columbus  in  high  relief,  and  on  the  opposite  side  of 
pedestal  a  similar  bronze  tablet  represents  Columbus  leaving  Sp. 
Above  this  is  a  screaming  bronze  eagle  holding  two  shields. 

signed:   G.    RUSSO.    invent©   E   SCOLPI    ROMA    1894 

INSCRIPTIONS 

HIGH    UP    ON    SHAFT 

A 

CHRISTOFORO    COLOMBO 

WEST    SIDE    OF     PEDESTAL 

A 

CHRISTOFORO   COLOMBO 

GL'    ITALIANI    RESIDENTI    in    AMERICA 

IRRISO    PRIMA 

.MINACCIATO    DURANTE    IL    VIAGGIO 

INCATENATO    DOPO 

SAPENDO    ESSER    GENEROSO   QUANTO   OPPRESS© 

DONAVA    UN    MONDO    AL    MONDO 

D^llVm    W0T0MIH2AW 

Ya 

Jiaaa  HOiJiaaijn 

idi   aoAi  aae  noiTiijijeaaijioa 


I 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

CENTRAL    PARK-CONTINUED 

la  gioia  e  la  gloria 

non  ebbero  mai  piu  sollenne  grido 

di  quello  che  risuono  in  vista 

della  prima  isola  americana 

terra!  terra! 

nel   12  ottobre   1 892 
quarto  centenario 

DELLA    SCOPERTA    d'aMERICA 
A    IMPERITURA    MEMORIA 


EAST    SIDE    OF     PEDESTAL 
TO 

christopher  columbus 
the  italians  resident  in  america 

scoffed  at  before, 
during  the  voyage,  menaced, 

after  it,  chained, 
as  generous  as  oppressed, 
to  the  world  he  gave  a  world. 

joy  and  glory 

never  uttered  a  more  thrilling  call 

than  that  which  resounded 

from  the  conquered  ocean 

in  sight  of  the  first  american  island 

land!  land! 

on  the  xii  of  october  mdcccxcii 

the  fourth  centenary 

of  the  discovery  of  america 

in  imperishable  remembrance 


WEST    SIDE    OF     BASE 

Per  iniziativa 

del  Progresso  Italo  Americano 

II  prime  giornale  Italiano  quotidiano 

negli  Stati  Uniti 

Cav.  Carlo  Barsotti  Editora  e  Propnetano 

165 


CATALOGUE     OF     WORKS    OF     ART — SCULPTURE 

CENTRAL    PARK  — CONTINUED 

NEAR    THE     PLAZA     ENTRANCE 

FRIEDRICH    HEINRICH    ALEXANDER    VON    HUMBOLDT 

1769-1859 

A    CELEBRATED   GERMAN    SCIENTIST   AND   AUTHOR 

ARTIST 

GUSTAV    BLAESER 

18  I  3-1874 

An  undraped  bronze  bust,  heroic  size,  stands  with  the  face  and 
eyes  to  the  front,  on  a  simple  granite  pedestal. 

signed:    GUST.    BLAESER.    FEC.    BERLIN     1 869 

Given  to  the  City  in  i86q. 

INSCRIPTION 
ALEXANDER    VON    HUMBOLDT 


NEAR    THE     PLAZA     ENTRANCE 

THOMAS   MOORE 

1779-1852 

AN    IRISH    POET 

ARTIST 
D.    B.    SHEAHAN 

Dressed  in  a  coat  with  broad  collar,  partly  concealed  by  a 
cloak  draped  about  the  shoulders,  is  a  bronze  bust,  heroic  size, 
standing  on  a  simple  granite  pedestal. 

SIGNED:    D.    B.    SHEAHAN    SCULPT   NEW   YORK    1879 

Given  to  the  City  in  1879. 

INSCRIPTION 

MOORE 
166 


:^ 


^LOGUE    OF    WOK  -CULPTURE 

CENTRAL    PARK  — CONTINUED 

N^EAR    THE    PLAZA     ENTRANCE 

FRIEDRICH    HEINRICH   ALEXANDER   VON    HUMBOLDT 
1769-1859 

A    CELEBRATED   GERMAN    SCIENTIST    AND    AUTHOR 

ARTISI 

GUSTAV    BLAESER 

1813-1874 

An  undraped  bronze  bust,  heroic  size,  stands  with  the  face  and 
eyes  to  the  front,  on  a  simple  granite  pedestal. 

signed:  gust,  blaeser.  fec.  berlin   1869 

Given  to  the  City  in  1869. 

> 

:^  inscription 

ALEXANDER    VON    HUMBOLDT 


s 

ic 

UJ 

X 

X 

CV) 

a 

c 

1 

> 

UJ 

V 

ro 

-i 

-1 

s 

> 

u 

(V 

UJ 

(V 

H 

c 

H 

s 

c 

> 

0 

— 

c 

L-M 

> 

L_ 

< 

NEAR    THE     PLAZA    ENTRANCE 

THOMAS   MOORE 
1779-1852 

AN    IRISH    POET 

ARTIST 
D.    B.    SHEAHAN 

Dressed  in  a  coat  with  broad  collar,  partly  concealed  by  a 
cloak  draped  about  the  shoulders,  is  a  bronze  bust,  heroic  ^■  — 
standing  on  a  simple  granite  pedestal. 

signed:  d.  b.  sheahan  sculpt  new  york  1879 

Given  to  the  City  in  1879. 

INSCRIPTION 

MOORE 
166 


^ 


••T^-;  w;'„>miii.^ 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

CENTRAL    PARK  — CONTINUED 

NEAR    COLUMBUS     CIRCLE     ENTRANCE 

COMMERCE 

ARTIST 

JULES    FESQUET 

1836-1882 

Clad  in  a  stola,  with  its  ample  folds  across  the  left  arm,  a  bronze 
female  figure,  heroic  size,  stands  on  a  simple  granite  pedestal.  On 
her  head  is  a  castellated  crown  encircled  by  ears  of  corn;  in  the 
hollow  of  her  left  arm  she  holds  a  caduceus;  her  right  hand  rests  on 
a  rudder  standing  at  her  side,  and  her  right  foot  is  advanced  with 
the  knee  bent. 

signed:    J.    FESQUET.    PARIS.     1864 

Given  to  the  City  in  1864. 

SOUTH  ENTRANCE  TO  THE  MALL 

CHRISTOPHER   COLUMBUS 
1 446- 1 506 

THE    DISCOVERER   OF    AMERICA,    I492 

ARTIST 
J.    SUNOL 

Dressed  in  a  heavy  fur-trimmed  sleeveless  coat  over  a  tunic,  a 
bronze  figure,  heroic  size,  stands  on  a  granite  pedestal.  His  face 
is  lifted  as  if  in  supplication,  with  the  eyes  gazing  upward.  His 
right  hand  clasps  a  flag  furled  about  its  staff  standing  at  his  side, 
while  his  left  is  extended  in  a  supplicatory  gesture.  A  terrestrial 
globe  rests  on  a  capstan  wound  with  cable  at  his  right. 

signed:  j.  sui^OL 

INSCRIPTION 

COLUMBUS 

PRESENTED    BY   CITIZENS   OF    NEW   YORK 

IN    COMMEMORATION    OF    THE 

FOUR    HUNDREDTH    ANNIVERSARY 

OF    THE 

DISCOVERY    OF    THE    NEW    WORLD 

OCTOBER    1492 

167 


CATALOGUE    OF    WORKS    OF    ART— SCU L PTU RE 

CENTRAL    PARK  — CONTINUED 

SOUTH  ENTRANCE  TO  THE  MALL 

WILLIAM   SHAKESPEARE 
1 564-1616 

ARTIST 

JOHN    QUINCY   ADAMS   WARD,   N.A. 

1830- 

Standing  on  a  granite  pedestal,  in  a  thoughtful  attitude,  with 
the  head  inclined  forward,  a  small  book  held  against  the  breast 
with  the  right  hand,  and  the  left  hand  resting  against  the  hip,  is  a 
figure  in  bronze,  heroic  size.  He  is  dressed  in  doublet  and  hose, 
with  a  short  cloak  hanging  from  his  shoulders,  and  his  right  foot 
is  advanced  so  that  the  weight  of  the  body  is  on  the  left. 

signed:  j.  q.  a.  ward,   1870 
inscription 

erected  by 
citizens  of  new  york 

APRIL    23     1864 

THE    THREE    HUNDREDTH    ANNIVERSARY 

OF    THE    BIRTH    OF 

SHAKESPEARE. 

NEAR    SOUTH     ENTRANCE    TO    THE     MALL 

INDIAN    HUNTER 

ARTIST 
JOHN    QUINCY    ADAMS    WARD,    N.A.  _ 

1830-  I 

With  long,  unkempt  hair,  and  clad  only  with  a  skin  about  the 
loins,  a  bronze  figure,  heroic  size,  stands  on  a  simple  granite  pedes- 
tal. He  leans  forward  on  the  right  leg  with  the  knee  bent,  and 
his  left  leg  is  extended  backward,  with  the  toes  just  touching  the 
plinth.  His  face  is  turned  to  the  left,  and  his  keen  eyes  look 
straight  ahead.  In  his  left  hand  he  holds  a  bow  and  arrow,  and 
his  right  hand  grasps  the  neck  of  a  dog  standing  alert  at  his  side. 

signed:  j.  q.  a.  ward  sculptor,  n.  y.   1866 

Given  to  the  City  in  1868. 

168 


CATALOGUE    OF    WC  ART— SCULPTU RE 

(  ONTINUED 

SOUTH  ENTRANCE  TO  THE  MALL 

WILLIAM  SHAKESPEARE 

1 564-1616 


Standing  < 

with  a  short 
is  advanced  st 

'1  attitude,  wi 
linst   the  brea 
inst  the  hip,  is 
-)ublet  and  ho^ 
id  his  right  fo 
.  __^_:. _^  _          ,  he  left. 

signed:  j.  q.  a.  ward,  1870 

C 

INSCRIPTION 
ERECTED    BY 

8 

CITIZENS   OF    NEW   YORK 

APRIL    23     1864 

THE    THREE    HUNDREDTH    ANNIVERSARY 

UJ 

OF   THE    BIRTH    OF 

SHAKESPEARE. 

-Q 

C 
H 

CV) 

>■ 

HE    MALL 

5 

INDI/. 

ARTIST 

JOHN    QUINCY    ADAMS    WARD,   N.A. 

1830- 

With  long,  unkempt  hair,  and  clad  only  with  a  skin  about  th 
loins,  a  bronze  figure,  heroic  size,  stands  on  a  simple  granite  pede- 
tal.  He  leans  forward  on  the  right  leg  with  the  knee  bent,  an 
his  left  leg  is  extended  backward,  with  the  toes  just  touching  tlv 
plinth.  His  face  is  turned  to  the  left,  and  his  keen  eyes  loo- 
straight  ahead.  In  his  left  hand  he  holds  a  bow  and  arrow,  an, 
his  right  hand  grasps  the  neck  of  a  dog  standing  alert  at  his  siii' 

SIGNED:  J.   Q.   A.   WARD   SCULPTOR.   N.   Y.    1 866 

Given  to  the  City  in  1868. 

168 


rf 


'     -'^    -r   JT 


i 


CATALOGUE    OF    WORKS    OF     ART — SCULPTURE 

CENTRAL    PARK  — CONTINUED 

ON    THE    MALL 

ROBERT   BURNS 
1 759-1 796 

SCOTTISH    LYRIC    POET 

ARTIST 
SIR    JOHN    STEELL 


This  is  a  colossal  bronze  figure  of  the  poet  seated  on  a  stump.  His 
head  is  thrown  back  and  inclined  to  the  left,  with  the  eyes  looking 
up.  About  him  is  draped  a  voluminous  mantle,  and  in  his  right 
hand  he  holds  a  quill  pen  before  him,  while  his  left  arm  hangs  over 
a  projecting  branch  of  the  stump.  At  his  feet,  near  a  plow-share, 
lies  a  scroll  on  which  is  engraved  part  of  the  poem  "To  Mary  in 
Heaven." 

inscriptions 


robert  burns 
presented 

TO   THE 
city   of    new   YORK 

by  admirers  of 

Scotia's  peasant  bard 

on  the   12 1ST.  anniversary 

of  his  birth 


Thou  ling'ring  star,  with  less'ning  ray. 
That  lov'st  to  greet  the  early  morn. 

Again  thou  usher'st  in  the  day 
My  Mary  from  my  soul  was  torn. 
O  Mary!  dear  departed  shade! 
Where  is  thy  place  of  blissful  rest? 
See'st  thou  thy  lover  lowly  laid? 
Hear'st  thou  the  groans  that  rend  his  breast? 
That  sacred  hour  can  I  forget. 
Can  1  forget  the  hallowed  grove 
Where  by  the  winding  Ayr  we  met, 

parting  love! 

169 


CATALOGUE    OF    WORKS    OF    ART—SCULPTURE 

CENTRAL    PARK-CONTINUED 

ON     THE     MALL 

SIR  WALTER  SCOTT 

1771-1832 

FAMOUS    SCOTTISH    NOVELIST   AND    POET 

ARTIST 

SIR    JOHN    STEELL 

1 804- 1  89  I 

Wrapped  in  a  voluminous  mantle,  with  the  head  inclined  for- 
ward in  thoughtful  attitude,  a  colossal  bronze  figure  is  seated  on  a 
rock  resting  on  a  granite  pedestal.  His  hands  clasp  a  book  in  his 
lap,  and  in  the  right  is  a  pencil.  A  dog  in  bronze  lies  at  his  feet, 
with  its  nose  pointed  up  toward  its  master. 

signed:  JN.    STEELL    R.S.A.    SCULPT.    EDINR.    1871 

INSCRIPTION 

WALTER    SCOTT 

PRESENTED   TO   THE    CITY   OF    NEW   YORK 
BY    RESIDENT    SCOTSMEN    AND   THEIR    SONS 

ON    1 5''i  AUGUST   1871 ; 

THE     lOOTH    ANNIVERSARY    OF    THE    BIRTH    OF 
SIR   WALTER   SCOTT.    BARONET. 


ON    THE    MALL 

FITZ-GREENE    HALLECK 

1790-1867 

AN    AMERICAN    POET 

ARTIST 

JAMES   WILSON    ALEXANDER   MacDONALD 

1 824- 1 908 

This  is  a  bronze  figure,  heroic  size,  seated  with  crossed  legs,  and 
with  a  cloak  over  the  left  shoulder  extending  across  the  lap  and 

170 


■^r^mmait, 


WILLIAM   SHAKESPEARE 

BY 
JOHN    QUINCY    ADAMS    WARD,    N.A. 

FOR    DESCRIPTION    SEE    PAGE     1 68 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

CENTRAL   PARK-CONTINUED 

ON    THE    MALL 

SIR  WALTER  SCOTT 
1771-1832 

FAMOUS    SCOTTISH    NOVELIST   AND   POET 

ARTIST 

SIR    ;"•'   '    ■      -'-^LL 

1 

\  a  voluminous  mantle,  with  the  head  inclined  for 
Jiiful  attitude,  a  colossal  bronze  figure  is  seated  on 
rock  resting  on  a  granite  pedestal.     His  hands  clasp  a  book 
lap,  and  in  the  ri?ht  is  a  pencil.     A  dog  in  bronze  lies  at  hi 
with  its  nose  rd  its  master. 

SIGNED  S.A.    SCULPT.    EDINR.    1871 

INSCRIPTION 

WALTER   SCOTT 

PRESENTED   TO   THE    CITY   OF    NEW   YORK 
BY    RE-  OTSMEN    AND   THEIR   SONS 

AUGUST    1871; 
THE     I  ERSARY    OF   THE    BIRTH   OF 

R   SCOTT.    BARONET. 


ON     THt     MALL 

1  ^ENE     H/ 

' 790-1867 
AN    AMERICAN    POET 

ARTIST 

JAMES    WILSON    ALEXANDE.  LD 

1824-1908 

This  is  a  bronze  figure,  heroic  size,  seated  with  crossed  leg 
with  a  cloak  over  a«/iefl2H(Mi/dd£eMAidldJWcross  the  h 

.A.W    .OMAVZ    aMAQA    Y3KIUQ    WHOJ^ 
8()r   aoAi  ana  noiT'iiHDaaa  aoa 


.> 


CATALOGUE    OF     WORKS    OF     A RT— SCU L PTU RE 

CENTRAL   PARK— CONTINUED 

falling  to  the  plinth.  His  right  hand,  holding  a  pencil,  is  dropped 
at  his  side,  while  in  his  left  he  holds  a  tablet,  and  his  face  is  turned 
to  the  right,  with  the  eyes  gazing  upward. 

signed:  WILSON  macdonald  sculptor  1876 

INSCRIPTION 
FITZ    GREENE    HALLECK 


NORTH     END    OF    THE    MALL 

LUDWIG   VAN    BEETHOVEN 
1 770- 1 827 

ARTIST 
HENRY    BAERER 

1837- 

A  BRONZE  bust,  heroic  size,  of  a  man  with  long  thick  hair,  stands 
on  a  granite  pedestal,  the  front  of  which  is  ornamented  with  a 
bronze  harp  encircled  with  a  wreath.  His  face  is  turned  to  the  left, 
and  his  eyes,  slightly  raised,  look  straight  ahead. 

signed:    HENRY    BAERER    SCULPTOR.    N.    Y. 

INSCRIPTIONS 

BEETHOVEN 

ERECTED 

AND 

PRESENTED 

TO   THE 

CITY   OF    NEW    YORK 

BY   THE 

BEETHOVEN    MAENNERCHOR, 

ON    THEIR 

25TH    ANNIVERSARY 

JULY    22ND     1884. 

171 


CATALOGUE    OF     WORKS    OF     ART — SCULPTURE 

CENTRAL    PARK  — CONTINUED 

WEST    OF     NORTH     END    OF    THE     MALL 

EAGLES   AND   PREY 

ARTIST 

CHRISTIAN     FRATIN 

1 8  I O- 1 864 

This  is  a  bronze  group  consisting  of  two  ferocious-looking  eagles, 
with  their  wings  spread  and  their  talons  about  to  seize  a  dead  goat 
lying  between  them  on  a  rock. 

signed:  fratin  vetheuil  1850 
inscription 

presented  by 

g.  w.  burnham. 

mdccclxiii 

northwest  of  the   mall 
TIGRESS   AND   CUBS 

ARTIST 

AUGUSTE    CAIN 

1 822- 1  894 

With  head  held  high,  a  bronze  tigress,  heroic  size,  is  striding 
over  the  rocks  carrying  by  its  wing  a  dead  peacock  with  its  long 
tail  trailing  beneath  her  feet.  Two  yelping  cubs,  with  eyes  fixed 
on  the  prey,  are  scrambling  up  the  rock  in  front  of  their  mother. 

signed:   a.    CAIN    1866 

Given  to  the  City  in  1867. 

NEAR    WEST    SEVENTY-SECOND    STREET    ENTRANCE 

THE   FALCONER 

ARTIST 
GEORGE    SIMONDS 

Dressed  in  a  simple  doublet  and  hose,  a  bronze  figure,  heroic 
size,   stands  with   the  right   foot  advanced,  on  a   round  granite 

172 


INDIAN    HUNTER 

BY 

JOHN    QUINCY    ADAMS    WARD,    N.A. 

FOR    DESCRIPTION    SEE    PAGE     1 68 


CATALOGUE    OF    WORKS  SCULPTURE 

CEN'l  ! \'TINnFD 

•VEST    OF    ■  _.t 

AND   PREY 

ARTI^ 

CHRISTIAN     I  KAT1-. 

181O-1864 

This  is  a  bronze  group  consisting  of  two  ferocious-looking  e; 
^;vith  their  wings  spread  and  their  talons  about  to  seize  a  dea(' 
^^en  them  on  a  rock. 

signed:  fratin  vetheuil   1850 
inscription 
presented  by 

G.    W.    BURNHAM. 
MDCCCLXm 


■BS 


AUGUSit    CAIN 
1 822- 1  894 

With  head  held  high,  a  bronze  tigress,  heroic  size,  is  str 
over  the  rocks  carrying  by  its  wing  a  dead  peacock  with  its 
tail  trailing  beneath  her  feet.     Two  yelping  cubs,  with  eyes  : 
on  the  prey,  are  scrambling  up  the  rock  in  front  of  their  mothv 

signed:  A.   CAIN    1866 

.  ^<v.r.    fn    tKo  ritw    ;r,     ,  ^^~ 


NEAR    WEST    SEVENTY-SECOND    STREET    ENTRANCE 

THE  FALCONER 

ARTIST 
EGRGE    SIMONDS 

Drfsskd  in  a  simple  doublet  and  hose,  a  bronze  figure,  h 
size,   stands  with   the  right  foot  advanced,  on  a  round  gr. 

172 

>13THUH    l^AlQiAl 
va 

.AM    .QJIAW    aWlAQA    YDHIUQ    WHO[ 
8di  HOAi  33a  noiTiijiDaaa  jioi 


CATALOGUE     OF    WORKS    OF    ART — SCULPTURE 

CENTRAL    PARK  — CONTINUED 

pedestal.  His  body  bends  to  the  left,  but  his  face  is  turned  upward 
and  to  the  right,  while  his  eyes  are  fixed  on  a  falcon  with  wings 
spread  which  he  holds  aloft  in  his  gauntleted  left  hand.  His  right 
hand  is  held  before  his  waist. 

signed:    GEORGE    SIMONDS    ROMAE    SC.    MDCCCLXXI 

INSCRIPTION 

THE    FALCONER 

PRESENTED    BY    GEORGE    KEMP,    MDCCCLXXII 


NEAR    WEST    SEVENTY-SECOND    STREET    ENTRANCE 

DANIEL  WEBSTER 

1782-1852 

AN    AMERICAN    STATESMAN 

ARTIST 

THOMAS    BALL 

1819- 

A  COLOSSAL  bronze  figure,  stands  on  a  high  granite  pedestal  with 
a  small  column  at  each  corner  of  the  dado.  His  face  is  turned 
slightly  to  the  left  and  his  right  hand  is  thrust  into  the  bosom  of 
his  dress-coat,  while  his  left  hangs  at  his  side.  At  the  left,  an 
ample  cloak  is  thrown  over  a  low  column. 

signed:   THOMAS    BALL    INV.    ET   MOD. 
INSCRIPTIONS 

DANIEL    WEBSTER 

LIBERTY    AND    UNION, 

NOW    AND    FOREVER, 

ONE    AND    INSEPARABLE. 

PRESENTED    BY 
GORDON    W.    BURNHAM 
JULY    IV.    MDCCCLXXVI. 


CATALOGUE     OF     WORKS    OF     ART— SCU L PTU RE 

CENTRAL    PARK  — CONTINUED 

WEST    WALK,     OPPOSITE     SIXTY-SIXTH    STREET 

GIUSEPPE   MAZZINI 

1805-1872 

AN    ITALIAN    PATRIOT   AND    REVOLUTIONIST 

ARTIST 
G.    TURINI 

An  undraped  bronze  bust,  heroic  size,  stands  on  a  simple  granite 
pedestal.  He  wears  a  full  beard  and  his  face  is  turned  slightly 
to  the  right  with  the  eyes  turned  still  more  in  the  same  direction. 

signed:    G.   TURIN!    SCULPTOR   NEW    YORK     1876 

INSCRIPTIONS 

GIUSEPPE    MAZZINI 

DIO    E    IL    POPOLO 

PENSIERO  EDAZIONE 

PRESENTED 

TO   THE    CITY    OF    NEW   YORK 

BY   THE    ITALIANS 

IN   THE    U.    S.    OF   AMERICA 

1878 


WEST    WALK,    OPPOSITE    SIXTY-SEVENTH    STREET 

SEVENTH    REGIMENT   MEMORIAL 

ARTIST 

JOHN    QUINCY    ADAMS    WARD,    N.A. 

1830- 

A  SOLDIER  in  bronze,  heroic  size,  is  standing  with  his  left  foot 
advanced  and  the  knee  bent,  his  face  turned  to  the  left  with  the 
eyes  looking  straight  ahead.  The  cape  of  his  army  overcoat  is 
thrown  back  over  his  right  shoulder,  and  his  hands  clasp  the  barrel 
of  his  gun,  with  its  butt  resting  between  his  feet.     Each  dado  of 

'74 


O 
H 


--I 

oo 

~ 

CQ 

'f 

c 

> 

s 

U 

in 

> 

Q 

o 

U4 

H 

■< 

> 

M 

C 

C\J 

:5 

o 

CV) 

a 

c 

u 

u 

> 

io 

a 

a 

CATALOOl.F  RT— SCULPTURE 

CENTRAL   PARK  — CONTINUED 

UFsr    \VA1  K,     OPPOSITE    SIXTY-SIXTH    STREET 

GIUSEPPE   MAZZINI 
1805-1872 

AN    ITALIAN    PATRIOT  AND   REVOLUTIONIST 

ARTIST 
TURINI 

An  undraped  Dronze  dusi,  heroic  size,  stands  on  a  simple  grarm- 
pedestal.  He  wears  a  full  beard  and  his  face  is  turned  slightl\ 
to  the  right  with  the  eyes  turned  still  more  in  the  same  direction. 

signed:   G.   TURINI   SCULPTOR   NEW   YORK    1876 

.4 

INSCRIPTIONS 

GIUSEPPE    MAZZINI 

DIO    E    IL    POPOLO 

PENSIERO   EDAZIONE 

PRESENTED 

TO  THE   CITY   OF   NEW   YORK 

BY   THE    ITALIANS 

IN   THE   U.    S.    OF   AMERICA 

1878 


WEST    WALK,    OPPOSITE    SIXTY-SEVENTH    STREET 

SEVENTH   REGIMENT   MEMORIAL 

ARTIST 

JOHN   QUINCY    ADAMS   WARD,   N,A. 

1830- 

A  SOLDIER  in  bronze,  heroic  size,  is  standing  with  his  left  foot 
advanced  and  the  kn,ee  bent,  his  face  turned  to  the  left  with  the 
eyes  looking  straight  ahead.  The  cape  of  his  army  overcoat  is 
thrown  back  over  his  right  shoulder,  and  his  hands  clasp  the  barrel 
of  his  gun,  with  its  butt  resting  between  his  feet.     Each  dado  of 

174 


CATALOGUE    OF    WORKS    OF    A  RT— SCULPTURE 

CENTRAL    PARK  — CONTINUED 

the  granite  pedestal  is  ornamented  with  a  shield  in  high  relief  and 
each  side  of  its  base  with  an  heraldic  bronze  plaque. 

signed:  j.  q.  A.  WARD   1869 

INSCRIPTIONS 

THE 

SEVENTH    REGIMENT 

MEMORIAL 

OF 
1861  -  1865. 

PRO 
PATRIA 

ET 

GLORIA 

IN    HONOR   OF   THE    MEMBERS 

OF   THE 

SEVENTH    REGIMENT   N.    G.    S.    N.    Y. 

FIFTY    EIGHT    IN    NUMBER 

WHO    GAVE    THEIR    LIVES 

IN 

DEFENSE    OF    THE    UNION 

1861  -   1865 

ERECTED 

BY   THE 

SEVENTH    REGIMENT 

NATIONAL    GUARD    S.    N.    Y. 

MDCCCLXXIII     • 

OFF     EAST    DRIVE,    OPPOSITE    SEVENTY-EIGHTH     STREET 

FOUNTAIN 

ARTIST 

OLIN    LEVI    WARNER,   N.A. 

1 844- I  896 

A  LARGE  granite  slab,  9  feet  long  by  4  feet  high,  ornamented  with 
carvings  of  shells  and  other  sea  things.  On  one  side  a  large  drink- 
ing basin  for  horses,  in  the  form  of  a  shell;  on  the  other  side  a  fix- 
ture and  basin  for  persons.  On  each  side  of  this  latter  basin  is  a 
figure  of  a  boy  carved  in  low  relief. 

signed:   O.    L.    WARNER    1 89O. 
■75 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

CENTRAL    PARK  — CONTINUED 

ESPLANADE 

BETHESDA   FOUNTAIN 

ARTIST 

EMMA    STEBBINS 

1815-1882 

A  BRONZE  and  granite  drinking  fountain.  A  winged  female  figure 
stands  on  a  rock.  From  under  her  feet  flows  water  out  over  an 
umbrella-shaped  fixture,  beneath  which  stand  four  figures  of 
children  around  a  central  column.  Beneath  them  a  large  basin 
resting  on  columns  receives  the  water,  which  overflows  again  into 
a  basin. 

Erected  by  the  City  in  1873. 

WEST    OF    MALL 

FOUNTAIN 

ARTIST 
UNKNOWN 

A  CIRCULAR  basin  for  horses,  about  10  feet  in  diameter,  made  of 
artificial  granite  lined  with  copper,  in  the  center  rises  an  orna- 
mental fixture,  10  feet  high,  made  of  bronze,  granite  and  mosaic. 


SEVENTIETH     STREET     AND     FIFTH     AVENUE 

*  RICHARD   MORRIS   HUNT 
1828-1895 

AMERICAN    ARCHITECT 

ARTIST 

DANIEL  CHESTER  FRENCH,  N.A. 

1850- 

A  SEMICIRCULAR  granite  entablature,  ornamented  with  antefixae 
of  anthemion  design,  is  supported  on  a  high  base  by  eight  square 
pillars  and  four  Ionic  columns.      The  latter  stand  on  a  projection 

176 


THE    FALCONER 

BY 
GEORGE    SIMONDS 

rOR    DESCRIPTION    SEE    PAGE     \']2 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

CENTRAL   PARK  — CONTINUED 

ESPLANADE 

BETHESDA   FOUNTAIN 

ARTIST 

EMMA   STEBBINS 

1815-1882 

A  BRONZE  and  granite  drinking  fountain.  A  winged  female  figure 
stands  on  a  rock.  From  under  her  feet  flows  water  out  over  ar 
umbrella-shaped  fixture,  beneath  which  stand  four  figures  o 
children  around  a  central  column.  Beneath  them  a  large  basir 
resting  on  columns  receives  the  water  wl-.lrh  overflows  again  intc 
a  basin. 

Erected  bv  the  City  in  1873. 

WEST    OF    MALL 

FOUNTAIN 

ARTIST 
UNKNOWN 

A  CIRCULAR  basin  for  horses,  about  10  feet  in  diameter,  made  of 
artificial  granite  lined  with  copper.  In  the  center  rises  an  orna- 
mental fixture,  10  feet  high,  made  of  bronze,  granite  and  mosaic. 


SEVENTIETH    STREET    AND    FIFTH    AVENUE 

♦RICHARD  MORRIS   HUNT 
1 828- 1 895 

AMERICAN    ARCHITECT 


DANIEL    CHESTER    FRENCH,    N.A. 
1850- 

A  SEMICIRCULAR  granite  entablature,  ornamented  with  ante! 
of  anthemion  design,  is  supported  on  a  high  base  by  eight  sqv 
pillars  and  four  Ionic  coflmHODJ^e  3MEt  stand  on  a  projection 

eOKOMIfe    a05I030 

£^l     IIOAI     338    HOITIlJiDaSO    HOI 


CATALOGUE     OF     WORKS    OF     ART — SCULPTURE 

CENTRAL    PARK  — CONTINUED 

which  serves  as  a  back  to  a  low  seat.  In  the  center,  two  pilasters 
support  a  projection  of  the  entablature,  and,  in  fro'nt  of  the  screen  be- 
tween them,  stands  a  simple  pedestal  holding  a  bronze  bust,  heroic 
size,  of  a  man  with  his  bearded  face  turned  a  little  to  the  right.  On  a 
lower  pedestal,  against  each  end  of  the  structure,  stands  the  figure 
of  a  woman,  heroic  size,  in  simple,  classic  costume.  The  one  at  the 
left,  holds  in  her  left  hand,  before  her  waist,  a  palette  and  brushes, 
while  her  right  hand,  holding  a  hammer,  hangs  at  her  side.  The 
figure  at  the  right  end,  holds  in  both  hands,  before  her,  a  model 
of  a  building. 

signed:    DANIEL    •    C    ■     FRENCH     •     SCULPTOR    •     I9OO 
INSCRIPTIONS 


TO 

RICHARD    MORRIS    HVNT 

OCTOBER    31,     1828 

JVLY    31,     1895 

IN    RECOGNITION 

OF    HIS    SERVICES   TO 

THE   CAVSE    OF   ART 

IN    AMERICA 

THIS    MEMORIAL 

WAS    ERECTED     1 898    BY 

THE    ART   SOCIETIES 

OF    NEW    YORK 


THE   CENTVRY    ASSOCIATION 

THE    MUNICIPAL   ART   SOCIETY 

THE   METROPOLITAN    MVSEVM 

OF    ART 

THE   ARTIST   ARTIZANS 

OF    NEW    YORK 

THE    ARCHITECTVRAL    LEAGVE 

NATIONAL    SCVLPTVRE    SOCIETY 

NATIONAL    ACADEMY    OF     DESIGN 

SOCIETY   OF    AMERICAN    ARTISTS 

AMERICAN    INSTITVTE 

OF    ARCHITECTS 

AMERICAN    WATER    COLOR    SOCIETY 

SOCIETY   OF    BEAVX    ARTS   ARCHITECTS. 

177 


CATALOGUE     OF    WORKS     OF     ART — SCULPTURE 

CENTRAL    PARK  — CONTINUED 

NEAR     FIFTH     AVENUE     AND     SEVENTY-SECOND    STREET 
ENTRANCE 

SAMUEL   FINLEY    BREESE   MORSE 
1791-1872 

AMERICAN     ARTIST     AND     INVENTOR     OF     ELECTRIC     TELEGRAPH 

ARTIST 
BYRON    M.    PICKETT 

A  BRONZE  figure,  heroic  size,  of  a  man  with  long  hair  and  whiskers 
stands  on  a  granite  pedestal.  An  ample  cloak  hangs  from  his  right 
shoulder  covering  his  arm,  while  in  the  hand  he  holds  a  feather. 
His  left  hand  rests  on  a  Morse  telegraph  instrument  standing  on  a 
column. 

signed:    B.    M.    PICKETT.    SCULPT.     187O 

Given  to  the  City  in  1871. 

INSCRIPTION 
MORSE 


NEAR    FIFTH    AVENUE    AND    SEVENTY-SECOND    STREET 
ENTRANCE 

THE   PILGRIM 

ARTIST 

JOHN    QUINCY    ADAMS    WARD,    N.A. 

1830- 

Dressed  in  the  costume  of  the  seventeenth  century,  a  bronze 
figure,  heroic  size,  stands  with  the  right  foot  advanced  on  a  rough- 
hewn  granite  pedestal.  His  face  is  to  the  front  and  his  eyes  look 
Straight  ahead.  His  clenched  left  hand  hangs  at  his  side,  and  his 
right  rests  on  the  muzzle  of  a  gun  with  its  butt  standing  on  the 
plinth.  On  the  four  sides  of  the  pedestal  just  below  the  surbase 
are  four  low  reliefs  in  bronze,  representing  respectively:  "Bible  and 
Sword,"  "Commerce,"  "The  Mayflower,"  and  "Cross-bow  and 
Arrows." 

signed:  j.  q.  a.  ward  sculptor  1884 

178 


DANIEL  WEBSTER 

BY 
THOMAS    BALL 


FOR    DESCRIPTION    SEE    PAGE    1 73 


WORKS    OF    ART — SCULPTURE 

LtNTRAL    PARK  — CONTINUED 

NEAR    FIFTH    AVENUE    AND    SEVENTY-SECOND    STREET 
ENTRANtCE 

SAMUEL   FINLEY    BREESE   MORSE 
1791-1872 

AMERICAN     ARTIST     AND     INVENTOR     OF     ELECTRIC    TELEGRAPH 

ARTIST 
BYRON    M.    PICKETT 

A  BRONZE  figure,  heroic  size,  of  a  man  with  long  hair  and  whiskers 
stands  on  a  granite  pedestal.  An  ample  cloak  hangs  from  his  right 
shoulder  covering  his  arm,  while  in  the  hand  he  holds  a  feather. 
His  left  hand  rests  on  a  Morse  telegraph  instrument  standing  on  a 
column. 

signed:    B.    M.    PICKETT.    SCULPT.    1870 

Given  to  the  City  in  1871. 

inscription 

MORSE 


NEAR    FIFTH    AVENUE    AND    SEVENTY-SECOND    STREET 
ENTRANCE 

THE   PILGRIM 

ARTIST 

JOHN    QUINCY    ADAMS    WARD,   N.A. 

1830- 

Dress-ed  in  the  costume  of  the  seventeenth  century,  a  bronze 
figure,  heroic  size,  stands  with  the  right  foot  advanced  on  a  rough- 
hewn  granite  pedestal.  His  face  is  to  the  front  and  his  eyes  look 
straight  ahead.  His  clenched  left  hand  hangs  at  his  side,  and  his 
right  rests  on  the  muzzle  of  a  gun  with  its  butt  standing  on  the 
phnth.  On  the  four  sides  of  the  pedestal  just  below  the  surbase 
are  four  low  reliefs  in  bronze,  representing  respectively:  "Bible  ani' 
Sword,"  "Commerce,"  "The  Mayflower,"  and  "Cross-bow  and 
Arrows." 

SIGNE^^^^^^V^gf^^^^^PTOR    1884 

Ya  '7^ 

JJAa    aAMOHT 
£^I     30A1    332    HOITIIJlDaaa    J103 


CATALOGUE     OF     WORKS    OF     A  RT— SCU  L  PTURE 

CENTRAL    PARK-CONTINUED 

INSCRIPTIONS 

TO   COMMEMORATE 

THE    LANDING   OF   THE 

PILGRIM    FATHERS 

ON 

PLYMOUTH    ROCK 

DECEMBER    21,     162O. 

ERECTED    BY   THE 

NEW    ENGLAND   SOCIETY 

IN    THE    CITY    OF    NEW    YORK 

1885. 

EAST     DRIVE,     OPPOSITE     SEVENTY-SIXTH     STREET 

STILL   HUNT 

ARTIST 

EDWARD    KEMEYS 

1 843- 1 907 

Crouching  on  a  rock,  as  if  about  to  spring,  is  a  bronze  figure 
of  a  panther,  heroic  size.  With  head  turned  to  the  left,  ears  erect, 
its  keen  eyes  are  fixed  intently  straight  ahead. 

signed:    E.    KEMEYS 

Given  to  the  City. 

in    the     ramble,    opposite    SEVENTY-SIXTH     STREET 

JOHANN   CHRISTOPH    FRIEDRICH   VON   SCHILLER 

1759-1805 

GERMAN    POET,    DRAMATIST   AND   HISTORIAN 

ARTIST 
C.    L.    RICHTER 

With  long  hair  lying  in  curls  on  the  undraped  shoulders,  a 
bronze  bust,  heroic  size,  stands  on  a  simple  granite  pedestal. 

signed:   C.    L.    RICHTER    FECIT 
•79 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

CENTRAL    PARK  — CONTINUED 

INSCRIPTION 

SCHILLER 

ZUR 

HUNDERTJAHRIGEN    GEBURTSTAGSFEIER. 

DEN    9TEN    NOVEMBER     1859. 

DIE    DEUTSCHEN    IN    NEW    YORK. 


IN     THE     METROPOLITAN     MUSEUM     OF     ART 

GEORGE   WASHINGTON 

1732-1799 

FIRST    PRESIDENT    UNITED    STATES,    1 789-97 

ARTIST 

JEAN    ANTOINE    HOUDON 

1741-1828 

This  is  a  bronze  statue,  life  size,  of  Washington  dressed  in  Co- 
lonial costume,  with  his  face  slightly  raised  and  turned  a  little  to 
the  right.  His  left  foot  is  advanced,  with  the  knee  slightly  bent. 
His  right  hand  rests  on  his  cane  standing  out  from  his  body,  and 
his  left  hand  lies  on  a  cloak  lying  over  the  top  of  a  modified  fasces 
nearly  as  high  as  his  shoulder.     Behind  him  stands  a  plow. 

in  the  year  1784  the  State  of  Virginia  appropriated  1,000  guineas 
for  a  statue  of  Washington  to  be  made  of  the  purest  marble  by 
the  most  eminent  sculptor  of  Europe.  Jefferson  and  Franklin 
being  then  in  Europe  were  commissioned  to  make  arrangements. 
They  approached  Houdon,  though  the  sum  was  about  half  his 
usual  price.  He  said  that  it  would  be  the  glory  of  his  life  to  be 
enabled  to  place  his  name  humbly  upon  the  plinth  of  a  statue 
representing  that  good  and  great  man.  Houdon  arrived  in  this 
country  in  the  fall  of  1785.  He  went  direct  to  Mt.  Vernon,  where 
he  remained  a  fortnight  the  guest  of  Washington.  He  made 
plaster  casts  of  Washington's  head  and  his  whole  person  without 
clothing;  of  his  spurs,  watch  seals  and  walking-stick.  These  casts 
were  shipped  to  France,  where,  in  1788,  Houdon  completed  the 
white  marble  statue  which  stands  in  the  State  House  of  Virginia. 
Six  copies  were  made  in  bronze  at  the  foundry  of  W.  J.  Hubard  in 


I 
I 


FOUNTAIN 

BY 
OLIN     LEVI    WARNER,    N.A. 
FOR    DESCRIPTION    SEE     PAGE     1 75 


OGUn    OF    WORKS    OF    ART— SCULPTURE 

...  —  CONTINUED 

-CRIPTION 

SCHILLER 

ZUP 

-,  lAGShEltK. 
1859. 
.,;-^     ,j,^KJij^.  v'    YORK. 


IN    THE    METROPOLITAN     MUSEUM    OF    ART 


ARTIST 

OINE   HOUDON 
,41-1828 

This  is  -tatue,  life  size,  of  Washington  dressed  in 

'""'■^'  '"'^'  '^'^^  +'""'"  ■--''•riitly  raised  and  turned  a  littli 

J,  with  the  knee  slightly  b 
/  inding  out  from  his  body, 

his  leit  h;  -K  lying  over  the  top  of  a  modified  k' 

nearly  as  ,  ,ider.     Behind  him  stands  a  plow. 

!n  the  year  1784  the  State  of  Virginia  appropriated  1,000  gui; 
for  a  statue  of  Washington  to  be  made  of  the  purest  marb' 
the   most  eminent   sculptor  of  Europe.     Jefferson   and   Frai 
being  then  in  Europe  were  commissioned  to  make  arrangeni. 
They  approached   Houdon,  though  the  sum  was  about  hal 
usual  price.     He  said  that  it  would  be  the  glory  of  his  life  i 
..,      lo,^   try  place  his  name  humbly  upon  the  plinth  of  a  si 
g  that  good  and  great  man.     Houdon  arrived  in 
the  fall  of  1785.     He  went  direct  to  Mt.  Vernon,  v, : 
ed    a   fortnight    the  guest   of  Washington.     He   r 
ts  of  Washington's  head  and  his  whole  person  witi 
f  his  spurs,  watch  seals  and  walking-stick.     These 
;:ed  to  France,  where,  in   1788,  Houdon  complete^ 
Willie  marble  statue  whidKls'^Tifr^lsKifflthe  State  House  of  Vir: 
Six  copies  were  made  in  bronz^jfit  the  foundry  of  W.  J.  Huba: 

.A.w  .annHAwatvaj  wijo 

5^1   30A1   3aa  MoiTiiJiaaaa  aoi 


CATALOGUE     OF     WORKS    OF     A RT— SCU L PTU RE 

CENTRAL    PARK  — CONTINUED 

1857.  This  copy  was  placed  in  the  City  Hall  in  1859  and  nego- 
tiations to  have  the  city  purchase  it  for  $12,000  were  continued 
for  a  decade.     The  other  five  copies  are  in  the  following  places: 

Military  Institute,  Lexington,  Va. 

Raleigh,  N.  C. 

Columbia,  S.  C. 

Lafayette  Park,  St.  Louis,  Mo. 

Corcoran  Art  Gallery,  Washington,  D.  C. 

signed: 

fait  par  houdon,  citoyen  francais   i788.     futied  i.  m. 
gunthermann 

Given  to  the  City  in  1884. 

INSCRIPTIONS 

GEORGE    WASHINGTON 

WASHINGTON 

BRONZE    REPLICA    OF    A    MARBLE    STATUE    BY    HOUDON 
IN    THE    STATE    CAPITOL    AT    RICHMOND,    VIRGINIA 

PRESENTED    TO    THE    CITY    OF    NEW    YORK 
BY    THE    PUPILS    OF    THE    PUBLIC    SCHOOLS 

NEAR    THE     METROPOLITAN     MUSEUM 

EGYPTIAN   OBELISK 

ARTIST 
UNKNOWN 

A  MONOLITH  of  reddish-pink  Syene  granite  from  the  Assouan 
quarries.  It  is  71  feet  in  height,  rneasures  8  feet  8  inches  in  thick- 
ness at  the  base,  and  weighs  488,000  pounds.  Its  four  sides  are  in- 
scribed with  Egyptian  hieroglyphics,  principally  in  honor  of 
Thothmes  III  (b.c,  i 591-1565,  Lepsius),  who  caused  it  to  be 
erected  before  the  Temple  of  the  Sun  at  Heliopolis.  The  inscrip- 
tions on  one  of  the  sides  are  by  Rameses  II  (1292  to  1225  b.c). 
It  is  mounted  on  a  pedestal  of  the  same  granite,  and  is  kept  in 
place  by  four  bronze  crabs,  reproductions  of  the  original  supports 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

CENTRAL    PARK  — CONTINUED 

which  are  now  in  the  Metropolitan  Museum  of  Art.  The  base  is 
composed  of  the  original  three  steps  of  Egyptian  limestone.  On 
the  pincers  of  the  four  crabs  are  eight  inscriptions.  Beginning 
with  the  southeast  corner,  they  read  as  follows: 

INSCRIPTIONS 

L.     IH.    KAISAPOS 

BAPBAPOS   ANEOHKE 

APXITEKTONOTNT02 

nONTIOT 

REPRODUCED   FROM   THE   ORIGINAL 

QUARRIED   AT   SYENE    EGYPT    ERECTED 

AT    HELIOPOLIS    EGYPT    BY    THOTHMES    III 

IN    THE    SIXTEENTH    CENTURY    B.    C. 

[Above  the  inscription,  to  the  right,  is  a  cartouche  of  Thothmes  III.] 

REMOVED  TO  ALEXANDRIA  EGYPT 

AND  ERECTED  THERE  B.  C.  12, 

BY  THE  ROMANS. 

REMOVED   TO   THE    UNITED   STATES 

OF    AMERICA   A.    D.     1 88o   AND   ERECTED    IN 

NEW    YORK    CITY   JANUARY    22,     1 88 1 . 

PRESENTED   TO   THE 

UNITED   STATES    GOVERNMENT 

BY    ISMAIL,    KHEDIVE   OF    EGYPT. 

RUTHERFORD    BURCHARD    HAYES    PRESIDENT 

WILLIAM    MAXWELL    EVARTS    SECRETARY    OF 

STATE    OF    THE    UNITED    STATES. 

THE    COST   OF    REMOVING 

FROM    EGYPT   AND    PLACING   ON   THIS 

SPOT   THIS    OBELISQUE    PEDESTAL    AND    BASE 

WAS    BORNE    BY    WILLIAM    H.    VANDERBILT 

LIEUTENANT  COMMANDER 

HENRY  H.   GORRINGE  UNITED  STATES  NAVY 

DESIGNED   THE    PLANS    FOR   AND   SUPERINTENDED 

THE    REMOVAL    AND    REERECTION 

182 


i!j/ji; 


f^-^i 


< 

Z 

D 
O 
u.- 

< 
Q 
c/) 
W 
X 
H 
UJ 
CO 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

CENTRAL   PARK  — CONTINUED 

whic'r'  are  now  in  the  Metropolitan  Museum  of  Art.     The  base  is 
C'  ■  inal  three  steps  of  Egyptian  limestone.     On 

t.  !ur  crabs  are  eight  inscriptions.     Beginning 

wiin  Liiir;    'rjijicysi  corner,  they  read  as  follows; 

INSCRIPTIONS 

L.     IH.   KAISAPOS 

BAPBAPOS  ANEOHKE 

APXITEKT0N0TNT02 

nONTIOT 

REPRODUCED   FROM   THE   ORIGINAL 

QUARRIED   AT   SYENE    EGYPT    ERECTED 

AT    HELIOPOLIS    EGYPT    BY   THOTHMES    III 

IN    THE   SIXTEENTH   CENTURY    B.   C. 

[        n;         ascription,  to  the  right,  is  a  cartouche  of  Thothmes  III.] 


>  

H  REMOVED  TO  ALEXANDRIA    EGYPT 

^  AND   ERECTED  THERE    B.   C.    12, 

O  BY  THE    ROMANS. 

■  jj  

y,  REMOVED   TO   THE    UNITED    STATES 

Q  OF    AMERICA    A.    D.    1880   AND   ERECTED   IN 

[^  NEW   YORK   CITY  JANUARY    22,    1881. 

X  

H  PRESENTED  TO  THE 

^  UNITED   STATES   GOVERNMENT 

BY    ISMAIL,    KHEDIVE   OF    EGYPT. 

RUTHERFORD    BURCHARD   HAYES    PRESIDENT 

WILLIAM    MAXWELL    EVARTS    SECRETARY   OF 

STATE    OF   THE    UNITED    STATES. 

THE    COST   OF    REMOVING 

FROM    EGYPT   AND    PLACING   ON    THIS 

SPOT   THIS   OBELISQUE    PEDESTAL   AND    BASE 

WAS    BORNE    BY  WILLIAM   H.   VANDERBILT 

LIEUTENANT  COMMANDER 
\RY  H.  GORRINGE  UNITED  STATES  NAVY 
DESIGNED   THE    PLANS    FOR   AND   SUPERINTENDED 
THE    REMOVAL   AND   REERECTION 

182 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

CENTRAL    PARK  — CONTINUED 

NORTHWEST    OF    THE    METROPOLITAN    MUSEUM 

ALEXANDER   HAMILTON 
1757-1804 

SECRETARY   OF   TREASURY,    I789-95 
COMMANDER-IN-CHIEF    OF    ARMY,     I799-1804 

ARTIST 
CARL    CONRADS 

Dressed  in  Colonial  costume,  a  figure,  heroic  size,  in  granite, 
stands  with  the  left  foot  advanced  on  a  pedestal  of  the  same  ma- 
terial, on  the  projecting  base  of  which  he  carved  in  high  relief  a 
scabbard,  sword  and  chapeau.  His  face  is  turned  to  the  left,  with 
the  eyes  looking  straight  ahead.  He  holds  his  closed  right  hand 
against  his  breast  and  his  left,  holding  a  document,  rests  on  a  low 
granite  shaft. 

signed:   C.    CONRADS 

INSCRIPTION 

HAMILTON 

PRESENTED    BY 
JOHN    C.    HAMILTON, 


FIFTH    AVENUE    AND    NINETY-SIXTH    STREET    ENTRANCE 

ALBERT    BERTEL  THORVALDSEN 
1 770- 1 844 

A    DANISH    SCULPTOR 

ARTIST 
HIMSELF 

Dressed  in  a  short  chiton,  a  bronze  figure,  life  size,  of  a  man  in 
the  prime  of  life,  stands  with  the  left  foot  advanced,  on  a  granite 
pedestal.  His  head  is  inclined  slightly  forward,  with  the  eyes 
looking  straight  ahead.  His  right  hand,  grasping  a  hammer, 
hangs  at  his  side,  while  his  left  holds  a  chisel,  with  the  arm  resting 

■  83 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

CENTRAL    PARK-CONTINUED 

on  the  head  of  a  draped  classic  female  figure,  under  life  size.  The 
right  side  of  the  pedestal  is  ornamented  with  a  round  bronze  me- 
dallion of  a  winged  female  figure,  in  low  relief,  carrying  two  infants  in 
her  arms,  and  on  the  left  side  is  a  similar  medallion  with  the  figure 
carrying  on  her  back  an  infant,  holding  a  torch,  while  with  her 
hands  she  scatters  flowers. 

INSCRIPTIONS 
THORVALDSEN 

Nyso 
den  5.  Octob.  1839 

Kjobenhavn.   1892 

Erected  by  Danes  in  U.  S.  of  America. 


NORTHEAST  PART  OF  CENTRAL  PARK 

McGOWN'S    PASS  MONUMENT 

ARTIST 
WM.    W.    BOSWORTH 

An  uncut  granite  block,  6  feet  long,  2\  feet  high,  and  2  feet 
thick,  stands  on  a  polished  granite  base.  It  is  surmounted  by  an 
old  cannon.  On  one  side  stands  an  old  mortar,  on  the  other  a  bronze 
tablet. 

inscription 

this  eminence  commanding 

mcgown's  pass  ' 

was  occupied  by  british  troops  sept   i  5   1776 

and  evacuated  nov  2  1    1 783 

here  beginning  aug  18   1814  the  citizens  of  new  york 

built  fort  clinton  to  protect  the  city 

IN  THE    SECOND  WAR  ^°^  the_city  wITH  GREAT  BRITAIN 

THIS  TABLET  IS  ERECTED     ^^^^  history  club      gy  THE  CHILDREN  OF  THE 
CITY  HISTORY  CLUB  ""^  ^^'^  ^°'*'^  OF  NEW  YORK  A.D.  I  906 


o  s 


Q 
< 


V       I 


CATALOGUE    OF    WORKS    OF    ART— SCULPTURE 

'  ENTRAL    PARK-CONTINUED 

on  the  heiH  of  3  draped  classic  female  figure,  under  life  size.    The 
righi    '  '  destal  is  ornamented  with  a  round  bronze  me- 

dalli  male  figure,  in  low  relief,  carrying  two  infants  in 

^    •  anu     :,  me  left  side  is  a  similar  medallion  with  the  figure 

)n  her  back  an  infant,  holding  a  torch,  while  with  her 
■>..,. w^  ^..v  scatters  flowers. 

INSCRIPTIONS 
THORVALDSEN 

Nyso 
den  5.  Octob.  1839 

Kjobenhavn.  1892 

Erected  by  Danes  in  U.  S.  of  America. 

—1 

c  — 

EV 

—  NORTH  T    OF    CENTRAL    PARK 

ia  

;  O  N'S   PASS  MONUMENT 

_  ARTIST 

^33  WM.   W.    BOSWORTH 

>  .  ■ 

p\N  uncut  granite  block,  6  feet  long,  2^  feet  high,  and  2  feet 
tack,  stands  on  a  polished  granite  base.  It  is  surmounted  by  ai 
o?3l  cannon.     On  one  side  stands  an  old  mortar,  on  the  other  a  bronz 

tablet. 

inscription 

this  eminence  commanding 

mcgown's  pass  ■ 

was  occupied  by  british  troops  sept  15   i776 

and  evacuated  nov  2  1    1 783 

:iere  beginning  aug  18  1814  the  citizens  of  new  york 

built  fort  clinton  to  protect  the  city 

IN  THE   SECOND  WAR  ^°^  the^city  wITH  GREAT  BRITAIN 

THIS  TABLET  IS  ERECTED     city  history  club      bY  THE  CHILDREN  OF  .-■ 
CITY  HISTORY  CLUB  °''  ^^*  ^"""^  OF  NEW  YORK  A.D.   ' 


CATALOGUE    OF    WORKS    OF    ART— SCU LPTU RE 

CENTRAL    PARK— CONTINUED 

NORTHWEST      CENTRAL      PARK,      NEAR      ONE      HUNDRED      AND 
TENTH     STREET 

♦BLOCKHOUSE   TABLET 

ARTIST 
JOHN    WILLIAMS 

INSCRIPTION 

THIS    BLOCKHOUSE 
WAS    PART   OF   A    LINE   OF    FORTIFICATIONS 

EXTENDING    FROM   THE    HUDSON    TO   THE 

HARLEM    RIVER,    BUILT    FOR    THE    DEFENCE 

OF    NEW    YORK    BY    ITS    PATRIOTIC   CITIZENS 

DURING    THE    WAR    OF     1  8  I  2- I  8  I  5 

THIS    TABLET    IS    ERECTED    BY 

THE    women's    AUXILIARY    TO    THE    AMERICAN    SCENIC 

AND    HISTORIC    PRESERVATION    SOCIETY 

A.    D.     1905 


AT     BROADWAY     AND    SEVENTY-THIRD    STREET 

*  GIUSEPPE   VERDI 
I8I3-I90I 

AN    ITALIAN    OPERATIC   COMPOSER 

ARTIST 
PASQUALE    CIVILETTI 

A  FIGURE,  heroic  size,  in  white  Carrara  marble,  of  a  man  with 
full  beard  and  long  hair,  stands  with  the  right  foot  advanced 
on  a  polished,  dark  granite  pedestal,  consisting  of  an  irregular 
base  6^  feet  high,  surmounted  by  a  column  g}  feet  high.  His  face 
Is  turned  to  the  right,  and  over  his  left  arm  he  carries  a  heavy  cloak 
with  the  hand  resting  against  the  hip,  while  his  right  hand  hangs 
at  his  side.     Standing  on  projections  of  the  base,  at  equal  distances 

.85 


CATALOGUE    OF    WORKS    OF    ART— SCULPTURE 

CENTRAL    PARK  — CONTINUED 

from  one  another  around  the  column,  are  four  figures,  life  size,  in 
white  Carrara  marble,  representing  respectively  "ATda,"  "FalstafT," 
"Otello,"  and  "Farza  del  Destino,"  each  in  characteristic  costume 
and  posture.  Between  these  figures  are  white  marble  lyres  resting 
against  the  base  of  the  column. 

signed:  pasquale  civiletti,  Palermo 

Given  to  the  City  in  1906. 

inscription 

erected  by  the  italian  community  through  the  efforts  of 

chev.  c.  barsotti.  editor  of  the  italian 

daily  newspaper  il-progresso 

italo-americano 

OCTOBER    12,    1906 


RIVERSIDE    PARK 

AT    SEVENTY-SIXTH     STREET 

♦HAMILTON   FOUNTAIN 

ARTIST 
WARREN    &    WETMORE,    ARCHITECTS 

A  LARGE  shell-shaped  granite  basin  for  horses,  8  feet  high  and 
8  feet  wide.  Water  is  supplied  to  the  large  basin  from  a  small 
shell-shaped  basin  into  which  the  water  flows  from  a  dolphin's  head. 
The  back  of  the  fountain  forms  a  part  of  the  wall  of  the  Drive. 
The  whole  is  surmounted  by  an  eagle,  heroic  size,  with  uplifted  wings. 

Given  to  the  City  in  1906. 

INSCRIPTION 

BEQUEATHED  •  TO  •  THE  •  CITY  •  OF  •  NEW  •  YORK  ■  BY 
■  ROBERT • RAY • HAMILTON • 

186 


1?^» 


STILL    HLNT 

BV 

EDWARD    KEMEYS 

FOR    DESCRIPTION    SEE    PAGE    1 79 


CATALOGUE    OF    WORKS    OF    ART— SCULPTURE 

CENTRAL   PARK  — CONTINUED 

from  one  another  around  the  column,  are  four  figures,  life  size,  i 
white  Carrara  marble,  representing  respectively  "ATda,"  "FalstaflF, 
"Otello,"  and  "Farza  del  Destine,"  each  in  characteristic  costun- 
.  „  '  „..  t,,_.  i-'-^-een  these  figures  are  white  marble  lyres  restir 
ne  column. 

gxed:  pasquale  civiletti,  Palermo 

G^  Citv  in  1906. 

INSCRIPTION 

erected  1  ALIAN    community   THROUGH   THE    EFFORTS   Ot 

CHEW    C.    BARSOm.    EDITOR  OF   THE    ITALIAN 

DAILY   NEWSPAPER   IL-PROGRESSO 

ITALO-AMERICANO 

OCTOBER    12,    1906 


RIVERSIDE    PARK 

AT    SEVENTY-SIXTH    STREET 

♦HAMILTON   FOUNTAIN 

ARTie 
WARREN    &   WETMORE,    ARCHITECTS 

A  LARGE  shell-shaped  granite  basin  for  horses,  8  feet  high  and 
8  feet  wide.  Water  is  supplied  to  the  large  basin  from  a  small 
shell-shaped  basin  into  which  the  water  flows  from  a  dolphin's  head. 
The  back  of  the  fountain  forms  a  part  of  the  wall  of  the  D-^iv  e. 
The  whole  is  surmounted  by  an  eagle,  heroic  size,  with  uplifted  w;  ::s. 

Given  to  the  City  in  1906. 


INSCKIF  1  ION 


JEQUEATHEDT-p^-p,IE.jCfWp01 

■ROBERT- RAY    HAMI 

Ya 
aY3M3>i  d^waa 


(OFNEWYORK-BY 
LTON- 


Q\]  HOAi  332  noiTiiaDaaa  J103 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

RIVERSIDE  PARK— CONTINUED 

AT    NINETIETH    STREET 

*  SOLDIERS'   AND   SAILORS'   MONUMENT 

ARTISTS  ^  />     jj.  </        /t 

CHARLES    W.    STOUGHTON  -JV^^'^^   ^    Ct^it^    ^:f^jif-c>~ 

ARTHUR    A.    STOUGHTON  '9<^'^, 

PAUL    E.    DUBOY 

An  ornamental  circular  canopy  of  white  marble  rests  on  twelve 
fluted  Corinthian  columns  of  the  same  material,  standing  on  a 
massive  circular  base  entered  by  a  doorway.  Its  approaches  are 
elaborate  granite  and  marble  stairways  with  heavy  white  marble 
balustrades.  Near  by  are  large  cannon  mounted  on  rough-hewn 
granite  boulders. 

INSCRIPTIONS 

AROUND    TOP    OF    STRUCTURE     IN     LARGE     LETTERS 

TO  THE  MEMORY  OF  THE   BRAVE   SOLDIERS  AND  SAILORS  WHO  SAVED 

THE    UNION 

OVER     DOOR 

IN    MEMORIAM 

TABLET    ON     EAST    SIDE    OF    MONUMENT 

ERECTED    BY 

THE    CITY    OF    NEW    YORK 

MCM 

BRONZE    TABLET    ON     REAR    OF    STRUCTURE 

soldiers'    and    sailors'    MEMORIAL    MONUMENT 

OF    THE    CITY    OF    NEW    YORK. 

COMMISSIONERS, 

ROBERT   A.    VAN    WYCK,    MAYOR, 

GEORGE    C.    CLAUSEN,    PRESIDENT,    PARK    BOARD. 

JOHN    W.    GOFF,    RECORDER,    BIRD    S.    COLER,    COMPTROLLER. 

JOSEPH    A.    GOULDEN,    CHAIRMAN,    MEMORIAL    COMMITTEE, 

GRAND    ARMY    OF    THE    REPUBLIC. 

ARCHITECTS, 

CHARLES   W.    STOUGHTON,    ARTHUR   A.    STOUGHTON, 

PAUL    E.    DUBOY. 

BUILDERS,    CULLEN    AND   DWYER. 

187 


CATALOGUE    OF    WORKS    OF    ART— SCU  LPTU  RE 

RIVERSIDE   PARK— CONTINUED 

BRONZE     TABLET     SET     INTO     ONE     OF     THE     BROAD     STEPS 
IN     FRONT    OF    STRUCTURE 

ERECTED    BY 

THE   CITY   OF   NEW   YORK 

TO   COMMEMORATE   THE    VALOR 

OF   THE 

SOLDIERS    AND   SAILORS 

WHO    IN   THE   CIVIL   WAR 

FOUGHT   IN    DEFENSE   OF   THE    UNION. 

ON     A    HIGH     PILLAR    OF    THE     BALUSTRADE     STANDING 
SOUTHEAST    OF    STRUCTURE 

SOUTH    SIDE 

•NY-     VOLUNTEER    • 

•     REGIMENTS     • 
•    ACTIVELY    •     ENGAGED    • 

•  SEVENTY  SECOND  • 

•  SEVENTY  THIRD  • 

•  SEVENTY  FOURTH  • 

•  SEVENTY  NINTH  ■ 

•  EIGHTY  SECOND  • 
•  EIGHTY  THIRD  • 

WEST  SIDE 

FARRAGUT 
•     NEW    ORLEANS     •     FAIR    OAKS    • 

■     MALVERN    HILL    • 

•     HARPERS    FERRY     •     ANTIETAM     • 

•     lUKA     •     CORINTH     ■ 

•     FREDERICKSBURG     •     MURFREESBORO    • 

•     CHARLESTON     ■ 

•    JACKSON     •    CHANCELLORSVILLE    • 

NORTH    SIDE 

■     SICKLES    • 

•  WINSLOW     •     KELLY    • 

•  BARLOW     •     THOMAN     • 
•    CAMERON     •    SCOTT    ■ 

•    MURPHY    •     McMAHON    • 

•  WARREN     ■    MOESCH    • 

•  HUSTON     •    STETSON    • 

•    WINTHROP    ■ 


JOHANN    CHRISTOPH    FRIEDRICH    VON    SCHI1,LER 

BY 

C.    L.    RICHTER 

FOR    DESCRIPTION    SEE    PAGE     179 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

RIVERSIDE  PARK— CONTINUED 

INTO    ONE    OF    THE     BROAD    STEPS 
:..     :  KONT    OF    STRUCTURE 

ERECTED   BY 

THE   CITY   OF   NEW  YORK 

TO   COMMEMORATE   THE   VALOR 

OF   THE 

SOLDIERS   AND   SAILORS 

WHO   IN   THE   CIVIL  V/AR 

FOUGHT   IN    DEFENSE   OF  THE   UNION. 

ON     A    HIGH    PILLAR    OF    THE    BALUSTRADE     STANDING 
SOUTHEAST    OF    STRUCTURE 

SOUTH    SIDE 

•  N    •    Y    •    VOLUNTEER    • 

■     REGIMENTS    • 

•  ACTIVELY    •    ENGAGED    • 

•  SEVENTY   SECOND    ■ 

•  SEVENTY   THIRD    • 

■    SEVENTY    FOURTH     ■ 
*'4.r  ■    SEVENTY    NINTH    ■ 

•  EIGHTY    SECOND    • 
•     EIGHTY  THIRD 

WEST    SIDE 

FARRAGUT  ■ 
•  NEW  ORLEANS  ■  FAIR  OAKS  • 

■  MALVERN  HILL  • 
•  HARPERS  FERRY  •  ANTIETAM  • 

•  lUKA    ■    CORINTH     • 

•    FREDERICKSBURG    •    MURFREESBORO    • 

•    CHARLESTON    ■ 

•    JACKSON    •    CHANCELLORSVILLE    • 

NORTH    SIDE 

■    SICKLES    • 

•  WINSLOW    •    KELLY    • 
■    BARLOW    •    THOMAN    • 

•  CAMERON    ■    SCOTT    • 

•  MURPHY     ■     MCMAHON     • 

^3JJ1H38    HOV    l01i^G3l:H'^J||S!r^I^HD    HUAHOL 

•    WlMfHROP    • 
JIHTHDI^J    .D 

Q^l     30AS    332    MOIT11JI0S3a    5103 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

RIVERSIDE   PARK— CONTINUED 

EAST    SIDE 

•     GRANT    • 

■      ■     FORT    SUMTER     •     • 

•     BULL    RUN     •     HATTERAS    INLET    • 

•     BALLS    BLUFF     ■ 

•     PORT    ROYAL     •     FORT    HENRY     • 

.     ROANOKE    ISLAND 
•     HAMPTON    ROADS     ■     SHILOH     • 
•     ISLAND    NO     lO    • 


ON     A     HIGH     PILLAR    OF    THE     BALUSTRADE     STANDING 
SOUTHWEST    OF    STRUCTURE 

SOUTH    SIDE 

■    N     •    Y    •     VOLUNTEER    • 

•     REGIMENTS     • 

•    ACTIVELY    ENGAGED    • 

•  FIFTH     •     SEVENTH    • 
•     FORTY    SECOND    • 

■  FIFTY    NINTH     •  f 

■  SIXTY    FIRST    • 

■  SIXTY   NINTH     • 

•    SEVENTY    FIRST    • 

EAST    SIDE 

■  SHERMAN     ■ 

•    GETTYSBURG    ■     VICKSBURG    • 

■  PORT    HUDSON     • 

•  CHICKAMAUGA  •  CHATTANOOGA  ■ 

■  FORT    PILLOW     • 

■     WILDERNESS     •     SPOTTSYLVANIA     • 

■  COLD    HARBOR    • 

•     KENESAW    MOUNTAIN     ■     ATLANTA    • 

NORTH     SIDE 

■  WORDEN     • 

•  GUSHING    •     RIDER    - 

•  SICARD    •     KAEPLIS    • 

•  PHILIP     •     MEAGHER    • 

•  SMITH     ■     OLMSTEAD    • 
•    WILKES    •    TAYLOR    • 

•   wainwright  • 
i8q 


?     A?.T — iCL'LPTUR; 


Pvl  VERS  IDE   PARK— CONTINUED 


-     FORTES    - 
-    WIIJCrVGTOX    - 


AT    ONE    HCXDRED    AND    SIXTH    STREET 

*FR.\NZ  SIGEL 
1824-1902 

A   GERMAX-AMERICAX   GENERAL 

ARTIST 

KARL   FRAXaS  THEODORE   BrTTER.  N.A. 

1868- 

Ax  equestrian  statue  in  bronze,  heroic  size,  stands  on  a  simple 
granite  pedestal  at  the  head  of  a  fl^t  of  steps.  The  General  sits 
erect,  with  his  fiace  turned  to  the  ri^t  and  the  eyes  looking  straight 
ahead.  His  rig^t  hand,  holding  his  hat,  hangs  at  his  side,  while 
with  his  left  he  is  rdnti^  in  his  charger,  which,  with  arched  neck 
and  flashing  eyes,  is  straining  forward  against  the  bit. 

signed:  k.  b.  1907 

Given  to  the  Gty  in  1907. 

IXSCRimON 

-    FRANZ   SIGEL    • 
190 


C,E()R(-,F-    W  ASIIIN'cVrON 

HI 

JEAN    ANllUNI-:    HOL'IXIN 

FOR    1)1  SCKiniON    Sll      I'AO.K     1 8l) 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

RIVERSIDE  PARK— CONTINUED 

WEST    SIDE 

•    PORTER    • 
•    CHAMBERSBURG    ■    MOBILE    BAY    • 

•  WINCHESTER 

•  CEDAR  CREEK  •  FORT  FISHER  ■ 

•  WILMINGTON    • 

•     BENTONVILLE    •    FIVE    FORKS    ■ 

•  PETERSBURG 

■    RICHMOND    •    APPOMATTOX    ■ 


AT    ONE    HUNDRED    AND    SIXTH    STREET 

*  FRANZ  SIGEL 
1 824- 1 902 

A    GERMAN-AMERICAN    GENERAL 

ARTIST 

KARL    FRANCIS    THEOD,  K.,^. 

1868- 

i  Statue  in  bronze,  heroic  size,  stands  on  a  sim"'- 
gram:  at  the  head  of  a  flight  of  steps.     The  General 

erect,  ce  turned  to  the  right  and  the  eyes  looi<ing  str.' 

ahead.  His  right  hand,  holding  his  hat,  hangs  at  his  side,  ' 
with  his  left  he  is  reining  in  his  charger,  which,  with  arched  1 
and  flashing  eyes,  is  straining  forward  against  the  bit. 

SIGNED:    ^      R      i"07 

Given  to  the  City  in  1907. 

INSCRIPTION 

wotdi^^^aW^^o^oho 

WOaUOH    HMIOTMA    HA31 
081   30Aq  33a  noiTMiMoesa  5103 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

RIVERSIDE   PARK— CONTINUED 

AT    ONE    HUNDRED    AND    TWENTY-SECOND    STREET 

GRANT'S  TOMB    ^ 


JOHN    HEMINGWAY    DUNCAN 
1854- 


This  is  a  rectangular  granite  building,  90  feet  square  and  150 
feet  high,  with  a  massive  portico  supported  by  six  fluted  Doric 
columns.  It  is  surmounted  by  a  cylindrical  dome  surrounded  by 
a  gallery  of  Ionic  columns,  and  the  whole  is  topped  by  a  cone- 
shaped  roof. 

Given  to  the  City  in  1897.    7A^^   4^  -Ci-rr^-/^,    y^'c^  <t-<i,-v^  Cf^^^-^-^-^  Jt^  C^J-' 

lNSCRIPTIONS^C,JCx4f    c^     ./Lc^.-^     c^^^- ^^'^';^ 

VLYSSES     •     S     •    GRANT  ^T'y'- 

BORN     •    APRIL    XXVII    -   MDCCCXXII     f/SloS) 
DIED    •    JVLY    XXIII    -   MDCCCLXXXX       (/ SfO^ 

LET   US 
HAVE    PEACE 

MORNINGSIDE    PARK 

AT  ONE  HUNDRED  AND  TWENTY-THIRD  STREET 

*  BLOCKHOUSE   TABLET 

ARTIST 
J.    AND    R.    LAMB 

INSCRIPTION 

THIS  TABLET  MARKS  THE  REMAINS  OF  A  STONE 
TOWER,  A  PART  OF  A  LINE  OF  FORTIFICATIONS 
EXTENDING  FROM  THE  HUDSON  TO  THE  HARLEM 
RIVER,  BUILT  FOR  THE  DEFENCE  OF  THE  CITY  OF 
NEW  YORK  BY  ITS  PATRIOTIC  CITIZENS  DURING 
THE   WAR   OF    l8l2  -   1815. 

ERECTED    BY    THE 

women's   auxiliary   to   the    AMERICAN 

SCENIC   AND   HISTORIC    PRESERVATION    SOCIETY 

A.    D.     1904 

191 


9^    /r*sn^   i^    $^s*? 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 


WASHINGTON-LAFAYETTE    PARK 

AT  ONE  HUNDRED  AND  FOURTEENTH  STREET  AND 

MANHATTAN  AVENUE 

*  LAFAYETTE   AND   WASHINGTON 

MARQUIS    DE    LAFAYETTE 

'757-'834 

MAJOR-GENERAL    REVOLUTIONARY    ARMY,     I777-8l 

GEORGE    WASHINGTON 

1732-1799 

PRESIDENT   OF    UNITED   STATES,     1 789-97 

ARTIST 

FREDERIC   AUGUSTE    BARTHOLDI 

I  834- I  904 

Dressed  in  Colonial  uniforms,  two  bronze  figures,  heroic  size, 
stand  face  to  face,  with  right  hands  clasped,  on  a  white  marble 
pedestal.  The  figure  at  the  left,  nearly  in  profile,  leans  forward, 
with  the  weight  of  the  body  on  the  left  foot  and  the  left  hand  ex- 
tended above  his  head,  clasps  two  flags  standing  in  the  center  be- 
hind the  figures.  The  figure  at  the  right  stands  in  three-quarters 
view  to  the  left,  with  the  right  foot  advanced  and  the  knee  bent, 
while  his  left  hand  rests  on  the  hilt  of  his  sword. 

signed:    a.    BARTHOLDI,     189O 

INSCRIPTION 

LAFAYETTE-WASHINGTON 

PRESENTED   TO   THE    CITY   OF   NEW   YORK 

BY 

CHARLES     •     B     ■     ROUSS     • 

•    APRIL    •    NINETEENTH    -   NINETEEN     •    HUNDRED    • 


192 


UJ 

Q. 

CQ 
O 

-J 

>■ 

o) 

Z 

m 

z 

< 

^ 

n 

o 
z 

CATALOGUE    O  .  RT— SCULPTURE 


WASH;  LAFAYETTE    PARK 

"  ONE   '  AND  FOURTEENTH  STREET  AND 

sHATTAN  AVENUE 

*  LAFAYETTE   AND  WASHINGTON 

MARQUIS   DE   LAFAYETTE 

1757-1834 

MAJOR-GENERAL    REVOLUTIONARY   ARMY,    IJJjSl 

GEORGE   WASHINGTON 
-32-1799 

ITED   STATES,    1 789-97 

ARTIST 

FREDERIC    AUGUSTE    BARTHOLDI 

1S34-I904 

ijRESSEU  in  Colonial  uniforms,  two  bronze  figures,  heroic  size, 
s^m  face  to  face,  with  right  hands  clasped,  on  a  white  marble 
"estal.  The  figure  at  the  left,  nearly  in  profile,  leans  forward, 
wgh  the  weight  of  the  body  on  the  left  foot  and  the  left  hand  ex- 
t(?rtded  above  his  head,  clasps  two  flags  standing  in  the  center  be- 
h^d  the  figures.  The  figure  at  the  right  stands  in  three-quarters 
view  to  the  left,  with  the  right  foot  advanced  and  the  knee  bent, 
while  his  left  hand  rests  on  the  hilt  of  his  sword. 

signed:   a.    BARTHOLDI,    1890 

INSCRIPTION 

LAFAYETTE-WASHINGTON 

PRESENTED  TO   THE    CITY   OF   NEW   YORK 

BY 

CHARLES    •    B     ■    ROUSS    • 

APRIL    •    NINETEENTH   -  NINETEEN    •    HUNDRED 


192 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

HANCOCK    SQUARE 

AT     MANHATTAN     AVENUE     AND    ONE     HUNDRED    TWENTY- 
THIRD     STREET 

WINFIELD   SCOTT   HANCOCK 
1 824- 1 886 

BRIGADIER-GENERAL    UNITED   STATES    ARMY,     1861-1886 

ARTIST 

JAMES    WILSON    ALEXANDER    MacDONALD 

I  824- 1 908 

This  is  a  bronze  portrait  bust,  heroic  size,  on  a  granite  pedestal, 
with  the  head  and  eyes  turned  upward,  and  a  broad  ribbon  thrown 
over  the  otherwise  undraped  chest. 

signed:    1891.    WILSON    MacDONALD   SCULPTOR 

Given  to  the  City  in  189 1. 

INSCRIPTION 
HANCOCK 

ON    THE    SPEEDWAY 

AT    ONE    HUNDRED    AND    FIFTY-FIFTH    STREET 

HOOPER   FOUNTAIN 

ARTIST 

GEORGE    MARTIN    HUSS 

1853- 

A  LARGE  circular  granite  basin.  Baci<  of  it  rises  a  round  granite 
column  15  feet  high,  surmounted  by  a  bronze  fixture  enclosing  a 
globe.  Back  of  this,  a  granite  catch  basin  or  urn  for  drippings 
from  drinking  place  for  persons. 

signed:   GEORGE    MARTIN    HUSS    ARCHITECT 
INSCRIPTION 

PRESENTED   TO 

THE   CITY   OF    NEW   YORK 

BY 

JOHN    HOOPER 

ERECTED   MDCCCXCIV 

'93 


CATALOGUE    OF     WORKS     OF     ART — SCULPTURE 

WASHINGTON    HEIGHTS 
JUMEL   MANSION   TABLET 

ARTIST 
UNKNOWN 

inscription 

Washington's  head-quarters 
this  tablet  is  dedicated  by  the  washington  heights 

chapter    daughters    of    THE    AMERICAN    REVOLUTION 

TO    THE    MEMORY    OF    GENERAL    GEORGE    WASHINGTON 

WHO   OCCUPIED   THIS    MANSION    AS    HIS    HEAD-QUARTERS 

FROM    SEPTEMBER     i6th    TO    OCTOBER    21^^    x-^-jd.       BATTLE    OF 

HARLEM    HEIGHTS    SEPTEMBER     l6th.       COUNCILS    OF    WAR. 

PRESIDENT    WASHINGTON    VISITED   THIS    MANSION 

ACCOMPANIED    BY    HIS    CABINET   JULY     1 79O. 

MORRIS   HOUSE    1758     |     JUMEL  MANSION    1810     |     EARLE  CLIFF    I900, 

OFFICERS  AND    COMMITTEE 

MRS.    FERDINAND  PINNEY    EARLE    REGENT 

HENRIETTA    MESICK    BOSTWICK  SARAH    A.    BLACKSTONE 

EMILY    L.    BOSTWICK    FAY  J.    ELIZABETH    HOTCHKISS 

HARRIET    E.    LANDERS    ROBBINS  FLORENCE    BALLOU    POOLE 

ELIZA    JUMEL    CARYL  E.    FLORENCE    EATON 

ELLA   WILSON    KRAMER  MILDRED    E.    LANDERS   CHIPMAN 


JUMEL   MANSION   TABLET 


ARTIST 
UNKNOWN 


INSCRIPTION 


THIS    PROPERTY    WAS    ACQUIRED 

BY   THE   CITY   OF    NEW   YORK    UNDER 

THE   ADMINISTRATION    OF    SETH    LOW 

MAYOR    AND    FORMALLY    OPENED    AS 

A    PUBLIC    PARK    DECEMBER    28    I903 

COMMISSIONERS 

WILLIAM    R.    WILLCOX    PRESIDENT 

JOHN    E.    EUSTIS 

RICHARD   YOUNG 

GEORGE    S.   TERRY    SECRETARY 

194 


I 


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k 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

FORT    WASHINGTON    AVENUE 

AT    ONE    HUNDRED    EIGHTY-THIRD     STREET 

FORT  WASHINGTON   MONUMENT 

ARTIST 
UNKNOWN 

A  THIN  white  marble  pedestal  with  a  low  seat  is  placed  against  a 
rock  upon  which  stands  a  cannon  mounted  on  a  wooden  carriage. 
The  dado  of  the  pedestal  is  dark  granite  with  a  narrow  bronze 
frame  enclosing  the  inscription,  on  each  side  of  which  are  thin 
pilasters,  one  of  them  being  ornamented  with  a  bronze  sword  and 
wreath  and  the  other  with  a  bronze  torch  and  wreath. 

INSCRIPTION 

THIS    MEMORIAL    MARKS   THE    SITE    OF 

FORT    WASHINGTON 

CONSTRUCTED    BY   THE    CONTINENTAL   TROOPS 

IN    THE    SUMMER   OF    1 776 

TAKEN    BY    THE    BRITISH    AFTER    A    HEROIC    DEFENSE 

NOVEMBER    16,    1776 

REPOSSESSED    BY    THE    AMERICANS    UPON    THEIR 

TRIUMPHAL    ENTRY    INTO   THE   CITY   OF    NEW   YORK 

NOVEMBER    25,     I783 

ERECTED   THROUGH    THE   GENEROSITY   OF 

JAMES    GORDON    BENNETT 

BY   THE    EMPIRE    STATE    SOCIETY   OF   THE 

SONS   OF   THE    AMERICAN    REVOLUTION 

NOVEMBER    16,    I9OI 


IN  THE  BOROUGH  OF 
BROOKLYN 


IN    THE    B 


WILLIAMSBURG    I 

*  GEORGE   ^^  ^ 
17 

PRESIDENT   OF   THE    UNil 

ARTISI 

HENRY    MERWir 

1871- 


5^N  equestrian  bronze  Ftatne.  heroic  si7e.  fvt5' 
•p<  stal.     His  Colon- 
>&k  wrapped  abou: 

-^  'coking  straight  J'    .   i.     i  m;  rignt  n 
t  holds  the  reins  u!  his  charger,  stai 

'     SHRADY 
INSCRIPTIONS 

i  Y    FORGE 


IIS        MONUMENT    •    IS    •    PRESR 

•     BY    •    JAMES     ■    R    ■    T 
MEMBER    •    OF    •     54th-    55th-   U 
•    AND    •     REGISTER         OF         Kl\ 
■JMMITTEE     •    Of-     ■     SUPi;  K\'IS!o  .. 
2nd    IliBKUAWN 


J 

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uu 

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IX  THE  BOROUGH  OF 
BROOKLYN 

WILLIAMSBURG    BRIDGE    PLAZA 

*  GEORGE   WASHINGTON 
'732-1799 

PRESIDENT    OF    THE    UNITED    STATES,     1 789-97 

ARTIST 

HENRY    MERWIN    SHRADY 

187I- 

An  equestrian  bronze  statue,  heroic  size,  stands  on  a  high  granite 
pedestal.  His  Colonial  uniform  is  nearly  concealed  by  an  ample 
cloak  wrapped  about  him,  and  his  face  is  to  the  front,  with  the 
eyes  looking  straight  ahead.  His  right  hand  hangs  at  his  side  and 
his  left  holds  the  reins  of  his  charger,  standing  quietly  with  arched 
neck. 

signed:    H.    M.    SHRADY.     I906 
INSCRIPTIONS 

VALLEY    FORGE 


THIS     •     MONUMENT     •     IS     •     PRESENTED     •     TO     ■     THE     •     CITY 

•     BY     •    JAMES     •     R     ■     HOWE     • 

•     MEMBER     •    OF     ■     54th-    55th-    U     •     S     •     CONGRESS     ■ 

■    AND    •     REGISTER    ■    OF     ■     KINGS     ■    COUNTY     • 

COMMITTEE     ■    OF     •     SUPERVISION     •     AND     •    CONSTRUCTION 

■     2nd    FEBRUARY     ■      I9OI     ■ 

'99 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 


BOROUGH     HALL    PARK 

HENRY   WARD    BEECHER 

1813-1887 

PASTOR    PLYMOUTH    CONGREGATIONAL   CHURCH,    I  847- 1 887 

ARTIST 

JOHN   QUINCY    ADAMS   WARD,   N.A. 

1830- 

Wearing  a  heavy  overcoat  with  cape,  a  bronze  figure,  heroic  size, 
with  the  face  turned  to  the  right,  stands  with  the  left  foot  advanced, 
on  a  dark  granite  pedestal.  His  left  hand,  holding  a  soft  hat,  is  seen 
below  the  cape  of  his  coat,  and  his  right  hangs  at  his  side.  On  the 
left,  a  life-size  figure  of  a  barefooted  negress,  wearing  a  simple 
garment,  is  resting  her  left  knee  on  the  base  of  the  pedestal,  the 
surbase  of  which  she  grasps  with  her  right  hand,  while  with  her 
left  she  is  laying  a  palm  branch  at  the  feet  of  the  statue.  On  the 
right,  a  figure  of  a  small  girl,  holding  in  her  hands  the  end  of  a 
garland  hanging  from  the  top  of  the  pedestal,  stands  on  the  base, 
on  which  a  small  boy  is  sitting  on  his  jacket  with  his  arms  about 
the  girl. 

Given  to  the  City  in  1891. 

signed:  j.  q.  a.  ward  sculptor 

inscription 

henry  ward  beecher 

1813  1887 

THE    GRATEFUL   GIFT 

OF   MULTITUDES   OF 

ALL   CLASSES   CREEDS 

AND    CONDITIONS 

AT    HOME    AND    ABROAD 

TO    HONOR    THE    GREAT 

APOSTLE    OF    THE 
BROTHERHOOD   OF   MAN 


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7- 

CATALOGUE    O  OF    A RT— SCU LPTURE 


BOROUGH    HALL    PARK 

HENRY  WARD   BEECHER 
1813-1887 

■'lUTH   CONGREGA—^ ^, ,,.„,..      1847-1887 


V^  cape,  a  bronze  figure,  heroic  su" 

0  nghi,  stands  with  the  left  foot  ad\ 
i.     His  left  hand,  holding  a  soft  hat. 
■  ^  J  his  right  hangs  at  his  side.     < 
arefooted   negress,  wearing  a  > 
1^;  i-!L  Knee  on  the  base  of  the  pedest. 
^     ^  e  grasps  with  her  right  hand,  while  wi 

~     V        ,  'n   Nnnch  at  the  feet  of  the  statue.     C 

S     c    ng^  '.  holding  in  her  hands  the  en 

•=     °    ga^  -1  of  the  pedestal,  stands  on  the  j:„ 

S    ^    on-^icn  a  SI  sitting  on  his  jacket  with  his  arms  aboui 

"     ^   4he£;irl. 
i     §   »  qhen 

2  -     2 

5      ^  >  _.^..^„.   J.    i.    A.    WARD   SCULPTOR 

-       S  ^  INSCRIPTION 

»       X 

2    ° 

'~  HENRY 

1813  1887 

THE   GRATEFUL  GIFT 

OF   MULTITUDES   OF 

ALL   CLASSES   CREEDS 

AND  CONDITIONS 

AT   HOME   AND  ABROAD 

TO   HONOR   THE   GREAT 

APOSTLE   OF   THE 
BROTHERHOOD  OF   MAN 


CATALOGUE  OF  WORKS  OF  A RT— SCULPTURE 

BOROUGH    HALL 

BOROUGH    president's    OFFICE 

SAMUEL  S.   POWELL 
1815-1879 

MAYOR   OF    BROOKLYN,    1857-60;    1 872-73        ' 

ARTIST 

UNKNOWN 

Dressed  in  a  modern  costume,  with  the  face  and  eyes  to  the 
front,  is  a  white  marble  bust,  life  size. 
Purchased  by  the  City  in  1874. 


MUNICIPAL    BUILDING 

MARTIN    KALBFLEISCH 

1 804- 1 873 

MAYOR   OF    BROOKLYN,    1861-63;    1868-71 

ARTIST 
J.    McNAMEE 

A  WHITE  marble  bust,  life  size. 

signed:   J.    McNAMEE.    SCULPTOR     1877 

Purchased  by  the  City  in  1877. 


BOARD    OF    EDUCATION    BUILDING 

EPHRAIM  J.   WHITLOCK 

1 820-1 88 1 

PRESIDENT   OF    BOARD   OF    EDUCATION 

ARTIST 
UNKNOWN 

In  the  center  of  a  white  marble  oval  plaque  is  a  face  to  the  right 
in  middle  relief.  This  is  set  into  a  large  rectangular  slab  of  gray 
marble. 


I 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

BOARD  OF  EDUCATION  BU  I  LDl  NG  — CONTINUED 

INSCRIPTION 

In 
Grateful  Memory  Of 

EPHRAIM.    J.    WHITLOCK; 

FOR    23    YEARS    A    MEMBER 

OF   THE    BOARD   OF    EDUCATION, 

AND    FOR    I  I    YEARS    ITS 

PRESIDENT. 

DIED   JUNE    30'h     1881. 

BY   THE   TEACHERS   OF   THE    PUBLIC    SCHOOLS 

OF    BROOKLYN. 

EI    LAUDEM,    CUl    DEBITA. 


BEDFORD    AVENUE 

AT    DIVISION    AVENUE 

FOUNTAIN 

ARTIST 
UNKNOWN 

In  the  center  of  an  octagonal  basin  stands  an  urn-shaped  iron 
fountain  surmounted  by  the  figure  of  a  woman.  It  is  ornamented 
with  storks  and  children  in  cast-iron. 


FORT    GREENE    PARK 

EDWARD    FOWLER 

1827- 

BRIGADIER   GENERAL 

ARTIST 

HENRY    BAERER 

1837- 

Wearing  a  military  cloak  thrown  back  over  the  right  shoulder, 
disclosing  a  General's  uniform,  a  bronze  figure,  heroic  size,  stands 
with  the  left  foot  advanced  on  a  round  granite  pedestal.     His  face 


<  i:  ^ 


CATftOGUF    OF    WORKS    OF    A»T — SCULPTURE 

CONTINUE] 

IN 


'ON, 


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H 

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X 

S 

cv 

S 

cv 

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s; 

o 

BEDFORD    AVENUE 

AT    DIVISION    AVENUE 

FOUNTAIN 

ARTIST 
UNKNOWN 

J  L-iiiiU!ci!   Ill   i.a:3L-nuii. 

FORT    CRFFNF    PARK 

EDWA..^     X 

1827- 

BRIGADIER   GENERAL 

ARTIST 

HENRY    BAERER 

.837- 


urn-shaped  iron 
!t  is  ornamented 


Wearing  a  military  cloak  thrown  back  over  the  right  shoulder, 
disclosing  a  General's  uniform,  a  bronze  figure,  heroic  size,  stands 
with  the  left  foot  advanced  on  a  round  granite  pedestal.     His  face 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

FORT  GREENE   PARK  — CONTI  NU  ED 

is  turned  slightly  to  the  right,  with  the  eyes  looking  straight  ahead. 
His  left  hand  rests  on  the  pommel  of  his  sword  and  his  right  against 
his  hip. 

signed:  henry  baerer  sculptor  n.  y. 

inscription 

FOWLER 

erected    by   the   city   of    BROOKLYN 
IN  HONOR  OF  THE  SERVICES  RENDERED  BY  THE    I4TH.  REGT.  N.  Y.  S.  M. 
1861   -    1865 
BULL    RUN 
BINNS    HILL  FALMOUTH 

SPOTTSYLVANIA,    AUG.     1 862.  CHANTILLY 

FREDERICKSBURG  WILDERNESS 

MINE    RUN  LAUREL    HILL 

RAPPAHANNOCK    STATION  FITZHUGH    CROSSING 

SOUTH    MOUNTAIN  PORT    ROYAL 

CHANCELLORSVILLE  SEMINARY    HILL 

MANASSAS    PLAINS  SULPHUR    SPRINGS 

GETTYSBURG  ANTIETAM 

GROVETON  GAINESVILLE 

SPOTTSYLVANIA  -    I  864. 
DEDICATED   MAY     l8th.     I902. 


GRANT    SQUARE 

ULYSSES   SIMPSON   GRANT 

1822-1885 

AN    AMERICAN    GENERAL 
PRESIDENT   OF   THE    UNITED   STATES,    1 869-77 

ARTIST 
WILLIAM   ORDWAY    PARTRIDGE 

1861- 

An  equestrian  statue  in  bronze,  heroic  size,  stands  on  a  high 
granite  pedestal,  the  front  of  which  is  ornamented  with  a  bronze 
wreath.  The  General  wears  his  military  overcoat  unbuttoned,  ex- 
posing his  uniform  beneath.  His  face  is  turned  to  the  left,  with 
the  eyes  looking  straight  ahead.     His  gauntleted  right  hand  rests 

203 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

GRANT   SQUARE  — CONTINUED 

against  his  hip,  and  his  left  holds  the  reins  of  his  alert  charger,  with 
head  up,  ears  pointed  forward,  nostrils  distended,  and  eyes  look- 
ing intently  into  the  distance. 

signed:   WILLIAM  -  ORDWAY  -  PARTRIDGE    SCULPTOR  -   1895 

INSCRIPTION 

PRESENTED 

TO   THE    CITY 

BY   THE 

UNION    LEAGUE    CLUB 

OF 

BROOKLYN 

APRIL    27th     1896 


FOUNTAIN 

ARTIST 
UNKNOWN 

A  BRONZE  fountain,  15  feet  high,  composed  of  a  series  of  basins, 
one  above  another,  ornamented  with  figures  of  children. 


EASTERN    PARKWAY 

AT    BEDFORD    AVENUE 

*  HENRY   WARNER   SLOCUM 
1 827- 1 894 

GENERAL    IN    UNITED    STATES    ARMY,     1861-65 

ARTIST 

FREDERICK    WILLIAM    MacMONNIES,    N.A. 

1865- 

A  BRONZE  equestrian  statue,  heroic  size,  stands  on  a  granite 
pedestal,  on  the  front  of  which  is  a  bronze  eagle  with  wings  spread, 
in  relief,  and  on  each  side  of  the  pedestal  are  two  bronze  medallions. 
The  General's  face  is  turned  to  the  right,  but  his  body  is  turned  to 

204 


HENRY    WARD    BEECHER 

BY 
JOHN    QUINCY    ADAMS    WARD,    N.A. 

FOR    DESCRIPTION    SEE    PACE    200 


C.  SCULPTURE 

GRANT   r  -CONT. 

hip,  nnd  e  reins  of  his  alert  ciiarger,  with 

■  d  torvvard,  nostrils  distended,  and  eyes  look- 
-  distance. 

signed:   WILLIAM  -  ORDWAY  -  PARTRIDGE    SCULPTOR  -   1895 

INSCRIPTION 

PRESENTED 

TO   THE    CITY 

BY    THE 

UNION    LEAGUE    CLUB 

OF 

BROOKLYN 

APRIL    27th    1896 


FOUNTAIN 

ARTIST 
UNKNOWN 

n,  15  feet  high,  composed  of  a  series  of  basin^. 
ornamented  with  figures  of  children. 


*  HENRY   WARNER   SLOCUM 
1 827- 1 894 

GENERAL    IN    UNITED   STATES    ARMY,    1861-65 

ARTIST 
FREDERICK    WILLIAM    MacMONNIES.    N.A. 

186=;-- 

A  BRONZE  equestrian  statue,  heroic  size,  stands  on  a  gr? 
pedestal,  on  the  front  of  which  is  a  bronze  eagle  with  wings  spr 
m  relief,  and  on  e^|[pi^^ghQ^/^^al/a^f^fcNq  bronze  medal' 
The  General's  face  is  turned  to^^e  right,  but  his  body  is  turn:. 

.A.W    .QJIAW    8MAa'A   YOKIUQ    WHO[ 
OOE    30AS    338    HOIT1 1513830    5I03 


II 


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^:^^M^i 


CATALOGUE    OF     WORKS    OF     ART — SCULPTURE 

EASTERN    PARKWAY  — CONTINUED 

the  left,  and  in  his  right  hand  he  holds  aloft  an  unsheathed  sword. 
With  his  left  hand  he  holds  taut  the  reins  of  his  spirited  charger 
walking  with  arched  neck. 
Given  to  the  City  in  1905. 

signed:  macmonnies 
inscription 

SLOCUM 

FLATBUSH    AVENUE   AND   SIXTH   AVENUE 
HOOPER   FOUNTAIN 

ARTIST 

UNKNOWN 

A  LARGE  circular  granite  basin.  Back  of  it  rises  a  granite 
column  I  5  feet  high,  surmounted  by  a  bronze  fixture  enclosing  a 
globe.  Back  of  this  a  granite  catch  basin  or  urn  for  drippings 
from  drinking  place  for  persons. 

INSCRIPTION 

PRESENTED   TO 

THE    CITY    OF 

BROOKLYN 

BY 

JOHN    HOOPER 

MDCCCXCVI 

PROSPECT    PARK    PLAZA 
SOLDIERS'   AND   SAILORS'   MEMORIAL  ARCH 

ARTIST 
JOHN    H.    DUNCAN 

This  is  a  granite  structure  with  a  height  and  width  of  80  feet, 
enclosing  an  arch  50  feet  high  and  50  feet  deep  at  the  base,  with  a 
span  of  35  feet.     It  is  surmounted  by  a  quadriga  in  bronze,  and 

205 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

PROSPECT  PARK  PLAZA  —  CONT  I  NUED 

two  colossal  bronze  groups — representing  "The  Army"  and  "The 
Navy,"  respectively — rest  on  the  columnar  embellishments  on  the 
front  of  each  pier.  Set  into  one  pier  beneath  the  arch  is  an 
equestrian  high  relief  of  Lincoln  and  in  the  other  pier  a  similar 
relief  of  Grant. 

Purchased  by  the  City  in  1892. 

INSCRIPTION 
TO   -   THE    -    DEFENDERS   -   OF    -  THE    -   UNION    -    1861-1865 


ON    THE    MEMORIAL    ARCH 

THREE   GROUPS 

ARTIST 

FREDERICK    WILLIAM    MacMONNIES,    N.A. 

1865- 

VICTORY 

This  is  a  quadriga  in  bronze,  heroic  size,  with  a  female  driver 
erect  in  the  chariot,  holding  aloft  with  her  right  hand  a  banner 
with  voluminous  fluttering  folds,  and  in  her  left,  an  unsheathed 
sword.  At  the  right  and  left  of  the  four  horses  are  winged  female 
figures  symbolical  of  victory. 

Purchased  by  the  City  in  1898. 


THE   NAVY 

This  large  group  in  bronze,  heroic  size,  is  composed  of  a  number 
of  sailors  standing  near  their  youthful  commander  who  holds  a 
speaking  trumpet  in  his  right  hand  and  points  eagerly  with  his 
left.  Above  the  group  is  a  nude  female  figure  wearing  a  helmet 
and  holding  aloft  in  her  left  hand  a  trident,  while  her  right  arm, 
with  an  extended  sword,  rests  across  the  back  of  an  eagle  with 
wings  outspread. 

Purchased  by  the  City  in  190 1. 

206 


ULYSSES   SIMPSON    GRANT 

BY 

WILLIAM    ORDWAY    PARTRIDGE 

FOR    DESCRIPTION    SEE    PAGE    2O3 


CATALOOUE  OF  WORKS  OF  ART — SCULPTURE 

PROSPEC!  ;NUED 

al  bronze  groui  e  Army"  and  "The 

Navy,  "  respectively — rest  ramnar  embellishments  on  the 

front  of  each   pier.     Set  pier  beneath  the   arch   is   an 

f                   high  relief  of  Li!  coin  and  in  the  other  pier  a  similar 

ant. 

1  ^,^,,c,o.cd  by  the  City  in  1892. 

INSCRIPTION 
TO   -   THE    -    DEFENDERS   -   OF   -  THE    -   UNION   -    1861-1865 


ON    THE     MEMORIAL     ARCH 


T^ 


ARTIST 

WILLIAM    MAcMi 

1865- 


This  is  a  quadriga  in 
erect  in  the  chariot, 
with  voluminous  fli 

right  ano 
;il  of  victi 
.  Lx,^xiucy.<i  ■  y  the  City  in 


roic  size,  with  a  female  driver 

.iofi  with  her  right  hand  a  banner 

ds,  and  in  her  left,  an  unsheathed 

four  horses  are  winged  female 


THE   NAVY 

This  large  group  in  bronze,  heroic  size,  is  composed  of  a  nuni 
of  sailors  standing  near  their  youthful  commander  who  hole 
speaking  trumpet  in  his  right  hand  and  points  eagerly  with 
left.  Above  the  group  is  a  nude  female  figure  wearing  a  hei 
and  holding  aloft  in  her  left  hand  a  trident,  while  her  right  a 
with  an  extmt^i^^&)T^O&'§t^}&r<MS^Jiick  of  an  eagle  s 
wings  'Outspread.  ya 

Purchased  by^^^,f^t^>^^^^^  ^^,^^,,^ 

306 
fO£  aoAT  :\3?.  noftiisiDaaa  sioi 


CATALOGUE    OF    WORKS    OF     ART— SCU LPTU RE 

PROSPECT  PARK  PLAZA  — CONTINUED 

THE  ARMY 

A  GROUP  of  a  number  of  figures,  in  bronze,  heroic  size,  chief 
among  which  are  the  head  and  fore-quarters  of  a  horse,  surrounded 
by  soldiers  with  guns,  and  conspicuous  among  them  a  young  officer 
pointing  eagerly  upward  and  a  drummer  boy  who  has  evidently 
been  wounded.  Dominating  the  group  is  a  horse  from  which  a 
cavalryman  has  just  fallen,  while  the  armor-clad,  winged  figure  of 
Victory,  blowing  a  trumpet,  rushes  forward  between  horse  and 
rider. 

Purchased  by  the  City  in  1901. 


ON    THE    PIERS    IN    THE    ARCHWAY 

TWO   RELIEFS 

ARTISTS 

WILLIAM    RUDOLF   o'dONOVAN,   A.N.A. 

1844- 

AND 

THOMAS    EAKINS,    N.A. 

1844- 

ABRAHAM    LINCOLN 

1809-1865 

PRESIDENT   OF    UNITED   STATES,     1861-1865 

This  is  an  equestrian  high  relief  in  bronze,  showing  President 
Lincoln  mounted  on  a  horse  standing  quietly,  with  its  right  side 
to  the  spectator  and  the  rein  hanging  loosely  on  its  neck.  His  face 
is  toward  the  spectator  and  his  right  arm  is  extended  downward 
with  the  hand  holding  a  high-crowned  hat,  while  his  left  hand,  idly 
holding  the  reins,  rests  on  the  pommel  of  the  saddle. 

signed: 

W    R   o'dONOVAN    &   THOMAS    EAKINS    SCULPTORS    1 893-4 

Purchased  by  the  City  in  1894. 
207 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

PROSPECT   PARK   PLAZA  — CONTINUED 

ULYSSES   SIMPSON   GRANT 
1822-1885 

PRESIDENT   OF    UNITED   STATES,     1 869-77 

This  is  an  equestrian  high  relief  in  bronze,  life  size,  showing  the 
General  in  familiar  uniform,  mounted  on  a  horse  slowly  walking  to 
the  left.  He  carries  no  sword,  and  idly  holds  in  his  left  hand  the 
double  reins  of  the  bridle. 

signed: 

W         R    •    o'dONOVAN.    &   THOMAS    EAKINS    SCULPTORS.     1 893-94 

Purchased  by  the  City  in  1894. 


FOUR  COLUMNS 

ARTIST 

FREDERICK    WILLIAM    MacMONNIES,    N.A. 

1865- 

These  are  fluted  Doric  columns  in  granite  standing  on  rectangular 
bases  of  the  same  material.  Each  is  surmounted  by  a  large  bronze 
globe,  and  eagle  with  wings  spread  and  curved  upward  with  their 
tips  nearly  meeting  above.  The  lower  part  of  the  column  is  en- 
larged by  four  upright  fasces  tipped  with  ball  and  eagle. 

Purchased  by  the  City  in  1901. 


*  ALEXANDER  J.   C.   SKENE 
1 839- 1 90 1 

PHYSICIAN    AND   SURGEON 

ARTIST 

J.    MASSEY    RHIND 

1860- 

This  is  a  portrait  bust  of  a  bearded  man,  in  bronze,  heroic  size. 
Over  the  shoulders  is  draped  an  academic  gown,  showing  beneath 
it  a  modern  coat  and  neckwear.  It  stands  on  a  white  marble 
pedestal,  against  a  large  white  marble  truncated  obelisk. 

signed:  massey  rhind  1905 

Given  to  the  City  in  1905. 

208 


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signed: 


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CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

PROSPECT  PARK  PLAZA  — CONTINUED 

INSCRIPTION 


ALEXANDER   J.    C.    SKENE 
M.    D.    LL.    D. 
PHYSICIAN 
PRESIDENT  FYVIE 

DEAN    AND  ABERDEENSHIRE 

GYNECOLOGIST  SCOTLAND 

1838 

HIGHMOUNT 

ULSTER   CO.    N.Y 

1900 


AUTHOR 

OF   THE    LONG 
ISLAND   HOSPITAL 
COLLEGE. 


GOUVERNEUR    KEMBLE   WARREN 

1830-1882 

GENERAL    IN    UNITED    STATES   ARMY,     1 862-82 

ARTIST 
HENRY    BAERER 

1837- 

A  BRONZE  figure,  heroic  size,  dressed  in  a  general's  uniform, 
stands  alert,  on  the  uncut  top  of  a  granite  pedestal,  partly  polished 
and  partly  rough-hewn.  With  left  foot  advanced,  the  weight  of  the 
body  is  on  his  right;  his  head  is  thrown  back  and  inclined  to  the 
left;  his  face  is  turned  to  the  right  and  the  eyes  gaze  straight  ahead. 
He  holds  a  field-glass  before  his  breast  with  his  left  hand,  while 
his  right  is  thrust  downward  in  expressive  gesture. 

signed:    HENRY    BAERER   SCULPT.    N.    Y. 

INSCRIPTIONS 

WARREN 


MAJOR   GENERAL 

GOUVERNEUR    KEMBLE   WARREN 

LIEUTENANT    COLONEL    CORPS    OF    ENGINEERS,    U.    S.    A, 

BORN    AT   COLD   SPRING   N.    Y.   JANUARY    8,     1830 

DIED    AT    NEWPORT    R.    I.    AUGUST    8,     1 882 

EVERYTHING   WITH    HIM   WAS    SUBORDINATE   TO    DUTY. 

209 


CATALOGUE     OF     WORKS     OF     A RT— SCU L PTURE 

PROSPECT  PARK  PLAZA  — CONTl  NUED 

GRADUATED    AT    WEST    POINT,     185O,    CORPS    OF    ENGINEERS 
U.    S.    ARMY,    CONDUCTED    EXPLORATIONS    WEST    OF    THE    MISSIS- 
SIPPI,   1855-58,   SERVED   IN   ARMY  OF   THE    POTOMAC,    1861-1865; 
ROSE    BY    MERIT    FROM    LIEUT.    COLONEL, —  5TH    NEW    YORK    VOLS., 

TO   MAJOR   GENERAL,    COMMANDING    5TH    ARMY   CORPS;    ENGAGED 
IN     17    GREAT    BATTLES    AND    TWENTY    MINOR    ACTIONS;    WAS    TWICE 
wounded;    SAVED    LITTLE    ROUND   TOP   AT   GETTYSBURG,    AND 
MADE    VICTORY   AT    FIVE    FORKS    DECISIVE.      OF    HIS    PROFES- 
SIONAL  SERVICES,     1865-82,   THE   CHIEF   OF    ENGINEERS    STATES 
IN  orders:  "in   SCIENTIFIC  INVESTIGATIONS  GENERAL 
WARREN   HAD  FEW  SUPERIORS,  AND  HIS   ELABORATE   REPORTS 
ON    SOME   OF   THE    MOST    IMPORTANT   WORKS   WHICH    HAVE    BEEN 
CONFIDED  TO  THE  CORPS  OF   ENGINEERS  ARE   AMONG  THE  MOST 
VALUABLE    CONTRIBUTIONS   TO    ITS    LITERATURE." 

Presented  To  The  City  of  Brooklyn. 

BY   G.    K.   WARREN    POST   No    286. 

Department  of  New  York. 

GRAND   ARMY   OF    THE    REPUBLIC. 
A.    D.     1896. 

THIS   STONE 

IS 

FROM    LITTLE    ROUNDTOP 

GETTYSBURG. 


JAMES   S.   T.   STRANAHAN 
1 808- 1 898 

CHIEF    FOUNDER   OF    PROSPECT    PARK 

ARTIST 

FREDERICK    WILLIAM    MacMONNIES,    N.A. 

1865- 

A  BRONZE  figure,  heroic  size,  stands  with  the  left  foot  slightly  ad- 
vanced, on  an  embellished  granite  pedestal.  Over  his  left  arm  he 
carries  an  overcoat,  with  a  cane  in  the  hand,  while  his  right  hand, 
holding  a  beaver  hat,  hangs  at  his  side. 

signed;    FREDERICK    MacMONNIES 

INSCRIPTIONS 

STRANAHAN 
210 


o 


CATALOOITE    OF    WORKS    OF    ART — SCULPTURE 

aRk  plaza— continued 

GRADUATED    AT    WEST    POINT,     iBfJO,    CORPS   OF    ENGINEERS 

R.MY,    CONTi  •     THE    MISSIS- 

-;5i;->8,  SL  :,  1861-1865; 

i     iNtW    YORK    VOLS., 

Y   corps;   ENGAGED 

->,    „">,.,. ..J    -..^^   .,,^.,.,    ,..,  .^,.v  actions;  was  twice 

ED;   saved    LITTLE    ROUND   TOP   AT   GETTYSBURG,   AND 
vir.TORY    Af    i  1\  !=    FORKS   DECISIVE.      OF   HIS    PROFES- 
SlL  IHE   CHIEF   OF    ENGINEERS   STATES 

^IC  INVESTIGATIONS  GENERAL 
:r  .'D  HIS  ELABORATE  REPORTS 

':::;:  r  works  which  have  been 

>  ^EERS  are  AMONG  THE  MOST 

TO    ITS   LITERATURE." 

>  '0   Ihe  City  of  Brooklyn. 
2  warren  post  No  286. 

O  Department  of  New  York. 

"^  grand  army  of  the  republic 

A.    D.     1896. 


UJ 


[^'  this  stone 

c  '^ 

u  from  little  roundtop 

5>  GETTYSBURG. 


>  JAMES  S.  T.  STRANAHAN 

1 808- 1 898 

ifl  CHIEF    founder  OF    PROSPECT   PARK 

UJ 

Q  ARTIST 

b  FREDERICK    WILLIAM   MacMONNIES,   N.A. 

cv^  1865- 

A  BRONZE  figure,  heroic  size,  stands  with  the  left  foot  slightly  ad- 
vanced, on  an  embellished  granite  pedestal.    Over  his  left  arm  h 
carries  an  overcoat,  with  a  cane  in  the  hand,  while  his  right  \\i'- 
holding  a  beaver  hat,  hangs  at  his  side. 

signed:   FREDERICK   MacMONNIES 

INSCRIPTIONS 

STRANAHAN 
210 


I. 


CATALOGUE    OF    WORKS    OF    A  RT— SCULPTURE 

PROSPECT  PARK  PLAZA  — CONTINUED 

JAMES    •    S     •    T 

STRANAHAN 

A   CITIZEN     •    OF     •     BROOKLYN 

HONORED     •     FOR     •    MANY 

NOBLE    •    SERVICES,   MOST 

GRATEFVLLY    •    AS    •    CHIEF 

FOVNDER     ■    OF 

PROSPECT    PARK 

I  89  I 

LECTOR    SI  MONVMENTVM 

REQVIRIS  CIRCVMSPICE 

ERECTED    •     BY     •    HIS 

FELLOW    •    CITIZENS 

DURING    •    HIS    •     LIFETIME 

AND    •    VNVEILED 

IN     -    HIS    ■     PRESENCE 

JVNE     •     VI     •     MDCCCXCI 

♦HENRY  W.  MAXWELL 
1 8 50- 1 902 

DEVOTEE   OF    PUBLIC    EDUCATION    AND   CHARITY 

ARTIST 

AUGUSTUS    SAINT   GAUDENS,  N.A. 

I  848- 1 907 

Placed  against  a  large  granite  bowlder  is  a  rectangular,  upright, 
bronze  plaque,  with  a  bust  portrait  in  moderate  relief,  encircled  by 
a  wreath  of  oak  leaves  bound  by  ribbons  at  the  top  and  bottom. 

signed:  a.  s.  g. 

Given  to  the  City  in  1903. 

inscriptions 

henry  —  w  —  maxwell 
mdcccl  mcmii 

•  this  ■  memorial  •  erected  •  by  •  his  • 
•  friends  ■  is  •  their  •  tribvte  ■  to  •  his  • 
•  devotion  •  to  •  pvblic  •  edvcation  •  and  • 
■  charity  •  in  •  the  •  city  •  of  ■  brooklyn  • 

21  I 


CATALOGUE    OF    WORKS    OF    ART      SCU L PTURE 

PROSPECT    PARK 

SULLIVAN     HEIGHTS 

JOHN    HOWARD   PAYNE 

1791-1852 

AUTHOR   OF    "home,    SWEET    HOME" 

ARTIST 

HENRY    BAERER 

1837- 

An  undraped  bronze  bust,  heroic  size,  stands  on  a  granite  pedestal. 
His  head  is  inclined  to  the  right  and  his  face,  fringed  with  whiskers, 
is  turned  to  the  left,  with  the  eyes  looking  straight  ahead. 

signed:    H     •     BAERER.    SCULPTOR.    NY-     1873 

INSCRIPTION 

TO 

John  Howard 

Payne. 

Actor,  Journalist,  Dramatist, 

and  the  Author  of 

"  Home,  Sweet  Home," 

THIS    MONUMENT    IS    ERECTED 

BY    THE 

FAUST    CLUB 

OF   THE    CITY   OF    BROOKLYN 

1873. 

ON  EAST  DRIVE  NORTHWEST  OF  DEER  PADDOCK  LAKE 

BATTLE    PASS   TABLET 

ARTIST 
UNKNOWN 

INSCRIPTION 
LINE     •  :■    OF     ■  :      DEFENSE 

•  :•   AUGUST     :■    27   ■  :•    1776   ■  :• 

BATTLE    •:•    OF     •:■     LONG    ■:      ISLAND 

175     •:•     FEET    ■:■    SOUTH   [> 

SITE    •:•    OF     •:■    VALLEY       :•    GROVE     ■:■    HOUSE 
<1 150    •:      FEET    •:■    NORTH 

212 


JAMES    S.    T.    STRANAHAN 


FREDERICK    WILLIAM    MACMONNIES,    N.A. 
FOR    DESCRIPTION    SEE    PACE    210 


CATALOGUE  OF  CULPTURE 


179I-1: 
AUTHOR  OF  "home 


.7.6,  Stands  on  a  granite  pedestal. 
his  face,  fringed  with  whiskers, 
is  turned  to  the  iefi,  ves  looking  straight  ahead. 

signed:    H         r  Aii-nK.    SCULPTOR.    NY-     1873 
INSCRIPTION 

TO 

John  Howard 
Payne. 
A'-  '       nalist.  Dramatist, 

e  Author  of 
1  iDiiM-,  Sweet  Home," 

THIS   MONUMENT    IS    ERECTED 

BY    THE 

ST   CLUB 

(■  Y    OF    BROOKLYN 

1873. 

ON    EAST    DRIVE    NORTHWEST   OF    DEER    PADDOCK    LAKH 

BATTLE   PASS  TABLET 

ARTIST 
UNKNOWN 

"ION 

LINE   •  :•   or      ;•   defense 

;     AUGUST   •  :•    27   • :-    1776     : 

battle   •:•  OF   •:•   long  •:•   island 

175     •:•     FEET    •:■    SOUTH   [> 

>^iTE   ■.-•v^HAVlMI-TgY.T:  .SiRgaMAV  "0"SE 

<] 150       ry^EET    •:■    NORTH 

.A.w  .aainMOMDAM  mwijjiw  HOiJiaaaaT 

0I£    30A1    338    HOITI 1513830    MOH 


CATALOGUE    OF     WORKS    OF     ART — SCULPTURE 

PROSPECT   PARK  — CONTINUED 

IN    THE    FLOWER    GARDEN 

LUDWIG   VAN    BEETHOVEN 
1770-1827 

ARTIST 

HENRY    BAERER 

1837- 

Dressed  in  the  eighteenth-century  costume,  a  bronze  bust, 
heroic  size,  stands  on  a  granite  pedestal.  His  face,  framed  by  long 
hair,  is  turned  to  the  left,  with  the  eyes  raised  and  turned  still  more 
in  the  same  direction. 

signed:  henry  baerer  sculptor  n.  y. 

inscriptions 

beethoven 

presented  to  the 

city  of  brooklyn 

by  the  united  german  singers 

of  the  city. 

first  prize  at  the 

17th    NATIONAL    SAENGERFEST, 

HELD   AT   NEW   YORK   JUNE    22-26. 

1894. 


WASHINGTON    IRVING 

1783-1859 

ARTIST 
HENRY    BAERER 

'837- 

An  undraped  bronze  bust,  heroic  size,  stands  on  a  gaine-shaped 
granite  pedestal.     He  faces  front  and  his  eyes  look  straight  ahead. 
Given  to  the  City  in  1871. 

213 


I 


CATALOGUE    OF    WORKS    OF    A RT— SCU LPTU R E 

PROSPECT  PARK  — CONTINUED 

IN    THE     FLOWER    GARDEN 

ABRAHAM   LINCOLN 
1 809- 1 865 

PRESIDENT   OF   THE    UNITED   STATES,    1861-65 

ARTIST 

HENRY    KIRKE    BROWN,    N.A. 

1814-1886 

A  BRONZE  figure,  heroic  size,  wearing  an  ample  cloak  about  the 
shoulders,  is  standing  with  the  left  knee  slightly  bent  and  holding 
in  the  left  hand  a  manuscript  at  which  he  is  pointing  with  the  right. 
On  each  side  of  the  pedestal  are  small  projections  supporting  bronze 
eagles,  while  the  front  and  rear  are  ornamented  with  wreaths, 
within  which  are  the  inscriptions. 

Given  to  the  City  in  1868. 

signed:   H    •     K         BROWN    sc 
INSCRIPTIONS 

U    S    N 
USA 

*  LIONESS   AND  CUBS 

ARTIST 

VICTOR    PETER 

1840- 

A  BRONZE  figure  of  a  lioness,  heroic  size,  is  lying  in  an  attitude  of 
great  contentment,  on  a  pedestal  about  six  inches  high.  Her  right 
fore  paw  is  extended  in  front  of  her  and  her  left  paw  partly  en- 
circles one  young  cub,  which  she  is  contentedly  licking,  while  two 
others  scramble  over  her. 

signed:    VTOR    PETER 

INSCRIPTION 

PRESENTED    BY    FREDERICK    MAC     •     MONNIES 
COPYRIGHT. 

214 


HENRY    W.    MAXWELL 

BY 
AUGUSTUS    SAINT    GAUDENS,  N.A. 


FOR    DESCRIPTION    SEE    PAGE    211 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

PROSPECT  PARK  — CONTINUED 

IN    THE    FLOWER    GARDEN 

ABRAHAM  LINCOLN 
1 809- 1 865 

PRESIDENT  OF   THE   UNITED   STATES,    1861-65 

ARTIST 
HENRY    KIRKE    BROWN, 
1814-1886 

A  BRONZE  figure,  heroic  size,  wearing  an  ample  cloak  about  the 
shoulders,  is  standing  with  the  left  knee  slightly  bent  and  holding 
in  the  left  hand  a  manuscript  at  which  he  is  pointing  with  the  right. 
On  each  side  of  the  pedestal  are  small  projections  supporting  bronze 
eagles,  while  the  front  and  rear  are  ornamented  with  wreaths, 
within  which  are  the  inscriptions. 

Given  to  the  City  in  1868. 

signed:   H    •    K    •    BROWN   sc 
INSCRIPTIONS 

U    S    N 
USA 

*  LIONESS  AND   CUBS 

ARTIST 

VICTOR    PETER 

1840- 

A  BRONZE  figure  of  a  lioness,  heroic  size,  is  lying  in  an  attitude  of 
great  contentment,  on  a  pedestal  about  six  inches  high.  Her  right 
fore  paw  is  extended  in  front  of  her  and  her  left  paw  partly  en- 
circles one  young  cub,  which  she  is  contentedly  licking,  while  two 
others  scramble  over  her. 

signed:   VTOR    PETER 

inscription 
presented  J.33W^AMckwway5?1/P3(H"^'ES 

COPYRIG^. 
.AM  ,aWHaU!A3>    THIAa    2UT2UOUA 
lis  30A1  aaa  noiTiijiDeaa  sioa 


CJATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

PROSPECT   PARK  — CONTINUED 

IN     THE     FLOWER    GARDEN 

THOMAS   MOORE 

1779-1852 

AN    IRISH    POET 

ARTIST 

JOHN    G.    DRADDY 

1833-I904 

A  BRONZE  bust,  heroic  size,  with  a  cloak  about  the  shoulders, 
stands  on  a  granite  pedestal  ornamented  with  a  bronze  harp  partly 
concealed  by  drapery.  His  face  is  turned  to  the  left  and  the  eyes, 
slightly  raised,  look  straight  ahead. 

signed:    DRADDY    FECET    1 879 
INSCRIPTIONS 


THOUGH    GLORY    BE    GONE 

AND   THOUGH    HOPE    FADE    AWAY 

THY    NAME,    LOVED    ERIN, 

SHALL    LIVE    IN    HIS    SONGS" 

ERECTED    BY   THE 

S^    PATRICK    SOCIETY 

OF    THE    CITY    OF    BROOKLYN 

TO    COMMEMORATE    THE 

CENTENNIAL    ANNIVERSARY 

OF   THE    BIRTH    OF 

"the    POET   OF    ALL    CIRCLES   AND 

THE    IDOL   OF    HIS   OWN." 

MAY    28.     1879. 


TWO   FOUNTAINS 

ARTIST 
UNKNOWN 

These  are  irregular-shaped  bronze  basins  on  granite  pedestals. 
From  the  center  rises  a  short  composite  pillar  out  of  four  sides  of 
which  the  water  flows. 

215 


CATALOGUE     OF     WORKS    OF     ART — SCULPTURE 

PROSPECT   PARK  — CONTINUED 

IN    THE    FLOWER    GARDEN 

WOLFGANG   AMADEUS   MOZART 
1756-1791 

ARTIST 
AUGUSTUS    MAX    JOHANNES    MUELLER 

1847- 

A  BRONZE  bust,  heroic  size,  is  in  the  costume  of  the  latter  part  of 
the  eighteenth  century,  with  high  coat-collar,  full  stock,  and  jabot. 
His  long  hair  is  combed  straight  back,  and  his  face  is  turned  slightly 
to  the  left,  with  the  eyes  looking  straight  ahead. 

signed:   A.    M.   J.    MUELLER    SCULPTOR    PHILADELPHIA,     1897 
INSCRIPTIONS 


PRESENTED    TO    THE 

CITY    OF    BROOKLYN 

BY   THE    UNITED 

GERMAN    SINGERS 

OF    THE    CITY. 

FIRST    PRIZE    AT   THE    1 8™ 

NATIONAL    SAENGERFEST, 

HELD    AT    PHILADELPHIA 

JUNE    23"° 

1897 


S.  K.  Saenger 

President. 

Arthur  Classen 

Conductor. 


216 


iC      CD 

o 


CATALOGUE    OF    WORKS    OF    ART — SCULPTURE 

PROSPECT  PARK  — CONTINUED 

IN    THE    FLOWER   GARDEN 

WOLFGANG  AMADEUS  MOZART 
1756-1791 

ARTIST 

AUGUSTUS   MAX  JOHANNES   MUELLER 

1847- 

A  BRONZE  bust,  heroic  size,  is  in  the  costume  of  the  latter  part  of 
the  eighteenth  century,  with  high  coat-coliar,  full  stock,  and  jabot. 
His  long  hair  is  combed  straight  back,  and  his  face  is  turned  sHghtly 
to  the  left,  with  the  eyes  looking  straight  ahead. 

^     STf^^Jpri-    A      M.   J.    MUELLER    SCULPTOR    PHILADELPHIA,     1897 

c 

o 

Q  INSCRIPTIONS 

s  _ 

> 


UJ  

2  PRESENTED   TO   THE 

L-  CITY   OF    BROOKLYN 

BY   THE    UNITED 

GERMAN    SINGERS 

OF   THE   CITY. 

FIRST    PRIZE    AT   THE    1 8™ 

NATIONAL   SAENGERFEST, 

HELD  AT    PHILADELPHIA 

JUNE   23'«° 

1897 


S.  K.  Saenger 

President. 

Arthur  Classen 

Conductor. 


216 


i 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

PROSPECT  PARK  — CONTINUED 

ON     LOOKOUT    HILL 

MARYLAND  MONUMENT 

ARTIST 

STANFORD    WHITE 

1853-I906 

Standing  on  a  square  granite  base  is  a  granite  shaft  with  a 
bronze  Corinthian  capital  surmounted  by  a  white  marble  globe. 

inscription 

in  honor  of 
Maryland's  fovr  hvndred 

WHO    ON    this    battle-field 

avgvst  27™    1776 

SAVED    THE    AMERICAN    ARMY 

ERECTED   THROVGH    THE    EFFORTS   OF   THE    MARYLAND   SOCIETY 
SONS    OF    THE    AMERICAN     REVOLVTION    AVGVST    27,     1895. 

TVAE     •    CORONASTI     ■    NOS     ■ 
SCVTO    ■     BONAE    ■     VOLVNTATIS 

GOOD   god!   WHAT    BRAVE    FELLOWS 
I    MVST   THIS    DAY    LOSE 

GEORGE    WASHINGTON 

PEDESTAL   CONTRIBUTED    BY   THE    DEPARTMENT   OF    PARKS 
CHARLES    A.    SCHIEREN,  FRANK    SQVIER, 

MAYOR.  COMMISSIONER. 

THIRD    STREET    ENTRANCE 

PANTHERS 

(two) 

ARTIST 
ALEXANDER    PHIMISTER    PROCTOR,    N.A. 

1862- 

On  high  granite  pedestals,  two  bronze  figures  of  panthers,  heroic 
size.  Stand  alert,  with  their  heads  raised  high  and  their  ears  pointing 
forward. 

217 


CATALOGUE     OF    WORKS    OF    ART — SCULPTURE 

PROSPECT    PARK  — CONTINUED 

OCEAN    AVENUE     ENTRANCE 

THE   HORSE  TAMERS 

(two) 

ARTIST 

FREDERICK    WILLIAM    MacMONNIES,   N.A. 

1865- 

These  are  two  companion  pairs  of  rearing  horses,  heroic  size,  in 
bronze.  Astride  of  one  of  the  horses  a  nude  youth,  brandishing  a 
whip,  struggles  to  control  the  plunging  animals. 

signed:  FREDERICK     •     MAC     •     MONNIES     •     SCVLP".     1898 

MAC-MONNIES    ■    SCVLPTEVR    •     I  8q8 


Purchased  by  the  City  in  iJ 


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CATALOGUE     OF    WORKS    OF    ART — SCULPTURE 

PROSPECT    PARK  — CONTINUED 

OCEAN    AVENUE    ENTRANCE 

THE    HORSE  TAMFRS 

(two) 

ARTIST 

FREDERICK    WILLIAM    MacMONNIES,    N.A. 

I  865- 


TH  ESE  S 

bronze, 
whip,  stru. 


Purchas 


tpanion  pairs  of  rearing  horses,  heroic  size,  in 
ne  of  the  horses  a  nude  youth,  brandishing  a 
itrol  the  plunging  animals. 


!CK    •    MAC    •    MONNIES 
IIES    •    SCVLPTEVR    • 


SCVLP".    li 


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IN  THE  BOROUGH  OF 
THE  BRONX 


,..    30ULEVA,;._ 


r    ONE    HUNDRED    AND    SIXTY-FIRST    ST 

*HEINRICH    HEINE   Pr 

1799-1856 

A   GERMAN    r 

Ak  I  i>  I 

ERNST    HERTER 

1846- 

A  MONUMENT  in  white  marble,  consisting  of  a  pillar  ab 
liigh,  surmounted  by  a  female  figure,  "Die  Lorelei,"  h 
)n  three  sides  of  the  pillar  are  low  reliefs:  of  "Heine,"  o. 
lolding  in  her  arms  a  young  man,  and  of  a  young  man 
iragon,  respectively.     The  pillar  stands  on  a  large  rv.:. 
elabor  ith  many  kinds  of  aqua t 
plant                                     ::  space  around  the  base 
oy  projecting  marble  work,  OP 
c  size.     The  whole  is  surroun, 
L,.^  water  flows  from  the  large  sheii-^,i.. 
ides  of  the  pillar.     Each  of  these  shells  1 
1  the  mom  li  of  a  dolphin. 

SIGNED:    PROF!  RTER.    BERLIN.    FECIT.    1897 


To  THE  Memory  the  Germans  in  America. 

2513HTHAq 

IhREM   ORi'  „„    itUTSCHEN    IN    AmERIKA. 

I  a 

.A.M    ,>10T305iq    JIHTaiMIHI    JIHOVTAXHJA 
^i£  HOAi  33P.  woiTiiHoaaa  ao3 


PANTHERS 

BY 

ALEXANDER    PHIMISTER    PROCTOR,    N.A. 

FOR    DESCRIPTION    SEE    PAGE    217 


IN    THE    BOROUGH    OF 
THE    BRONX 

GRAND    BOULEVARD 

AT    ONE    HUNDRED    AND    SIXTY-FIRST    STREET 

*HE1NR1CH    HEINE    FOUNTAIN 
1 799- 1 856 

A    GERMAN    POET   AND   CRITIC 

ARTIST 

ERNST   HERTER 

1846- 

A  MONUMENT  in  white  marble,  consisting  of  a  pillar  about  8  feet 
high,  surmounted  by  a  female  figure,  "Die  Lorelei,"  heroic  size. 
On  three  sides  of  the  pillar  are  low  reliefs:  of  "  Heine,"  of  a  Sphinx 
holding  in  her  arms  a  young  man,  and  of  a  young  man  killing  a 
dragon,  respectively.  The  pillar  stands  on  a  large  marble  base 
elaborately  ornamented  with  many  kinds  of  aquatic  animals  and 
plants  in  high  relief.  The  space  around  the  base  is  divided  into 
three  large  segments  by  projecting  marble  work,  on  each  of  which 
sits  a  mermaid,  heroic  size.  The  whole  is  surrounded  by  a  large 
basin,  into  which  the  water  flows  from  the  large  shell-shaped  basins 
fastened  to  the  sides  of  the  pillar.  Each  of  these  shells  is  supplied 
with  water  from  the  mouth  of  a  dolphin. 

signed:  professor  e.  herter,  berlin.  fecit.    1897 

inscriptions 

HEINRICH    HEINE. 

To  THE  Memory  of  their  Great  Poet  the  Germans  in  America. 

Ihrem  Grossen  Dichter  die  Deutschen  in  Amerika. 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

ZOOLOGICAL    PARK 
LYDIG   MEMORIAL   ARCH 

ARTIST 
HEINS    &    LA    FAROE 

This  is  a  gateway  consisting  of  two  massive  pillars  of  cut  stone 
surmounted  by  an  arch  of  ornamental  wrought-iron  work. 

INSCRIPTIONS 

ERECTED 

IN    MEMORY   OF 

PHILIP    MESIER 

LYDIG 

AND 

CATHERINE    SUYDAM 

LYDIG 

BY    THEIR    DAUGHTER 

FLORENCE    LYDIG 

STURGIS 

A.    D.     1903. 

THESE    LANDS  THESE    FORESTS 

BECAME    THE    HOME  WERE    PRESERVED 

OF  AND    PROTECTED 

THE    LYDIG    FAMILY  UNTIL    ACQUIRED 
A.    D.     1802.  BY    THE    CITY. 

AND    BY    THEM  A.    D.     1 888. 

*1TAL1AN    FOUNTAIN 

ARTIST 
UNKNOWN 

In  the  center  of  a  circular  basin  about  forty-five  feet  in  diameter 
stands  an  urn-shaped  basin  about  half  as  large,  from  the  center  of 
which  rises  a  shaft  holding  a  smaller  basin  supporting  a  shaft,  on 
top  of  which  rests  a  still  smaller  basin  surmounted  by  the  figure  of 
a  goose  with  its  neck  extended  straight  upwards.  Around  the 
large  urn-basin  are  two  figures  of  mermen  and  two  of  mermaids, 
each  supporting  with  head  and  hands  a  large  shell  with  its  edge 
resting  on  the  edge  of  the  basin.  In  each  shell  is  a  sea-horse  carry- 
ing on  its  back  a  child. 

Given  to  the  City  in  1903. 


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O 
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i    i       > 


i5^K?    CF     ART — SCLLPTURE 
^  ._    .    ^  R  K 

LYDIG  :     { 


iNSCP. 

ERr 
jv-     ,.- 


AND 


BY 

S  f: 

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of  cut  St 
;.rk. 


■p  fe^t  ITl  dlSTT!"' 


CATALOGUE     OF    WORKS    OF    A RT— SCUL PTURE 

ZOOLOGICAL   PARK  — CONTINUED 
FOUR   LIONS 

ARTIST 

ELI    HARVEY 

1860- 

On  either  side  of  the  two  entrances  to  the  lion  house  is  the  figure 
of  a  Hon,  heroic  size,  in  limestone.  Each  one  is  seated  on  its 
haunches  in  an  attitude  of  dignified  repose. 

signed:    ELI    •    HARVEY    •    SC. 

In  addition,  the  buildings  in  the  Zoological  Park  are  profusely 
ornamented  with  animal  sculptures.  The  pediments,  cornices, 
entrances,  and  doorways  are  adorned  with  full  figures  of  apes,  mon- 
keys, birds,  pelicans,  and  baboons,  and  the  cornices,  gutter-facings, 
the  sides  of  the  buildings,  and  the  capitals  of  the  columns  are  or- 
namented with  heads  of  mammals,  birds,  and  reptiles.  These  are 
all  executed  in  realistic  fashion. 


PELHAM    PARKWAY    BRIDGE 
*CAROLUS   LINNAEUS   TABLET 

ARTIST 
TIFFANY    &    CO. 

signed:    TIFFANY    &    CO. 

INSCRIPTION 

•     LINNAEVS    • 
•     BOTANIST    •     AND     •     ZOOLOGIST     • 

•     BORN    •     RASHVLT    • 

•     SWEDEN     •    MAY     •     23     •      1 707     • 

•     DIED    •     HAMMARBY     • 

•     SWEDEN     •    JANVARY     •      lO    .      I778    • 

■  THIS  BRIDGE  •  WAS  •  DEDICATED  • 
BY  •  THE  ■  NEW  •  YORK  ■  ACADEMY 
■    OF     ■     SCIENCES    ■    MAY    •     23     ■     1907    • 

223 


CATALOGUE    OF    WORKS    OF    A RT— SCU LPTU RE 

BRONX    PARK 
*  BOTANICAL  GARDEN    FOUNTAIN 

ARTIST 

CARL    E.    TEFFT 

1874- 

This  is  a  bronze  group,  heroic  size,  of  the  head  and  shoulders  of 
two  rearing  horses  with  webbed  forefeet.  A  nude  female  figure 
of  hilarious  mien  is  astride  the  one  at  the  left,  which  she  guides 
with  her  right  hand,  while  she  swings  her  left  hand  backward  in, 
merry  gesture.  A  nude  boy  tries  to  control  the  horse  at  the  right, 
and  i^n  his  right  hand  holds  a  fish  by  the  tail.  Above  the  horses, 
a  nude  boy  sits  on  the  back  of  a  dolphin  on  a  large  globe.  Water 
flows  from  beneath  the  plinth  into  a  large  basin  below,  in  the  left  side 
of  which  is  a  bronze  merman  looking  up  in  a  startled  manner  at 
the  plunging  animals  and  in  the  right  side  of  the  basin  a  bronze 
mermaid  turns  partly  round  to  look  at  the  group  above  her  as  she 
hurries  to  get  out  of  their  way. 

signed:   CARL   -   TEFFT.    SCULPTOR 

Purchased  by  the  City  in  1905. 


VAN    CORTLANDT    PARK 
*  SULLIVAN    MEMORIAL   FOUNTAIN 

ARTISTS 

FRANK    E.    WALLIS,    ARCHITECT 

AND 

JONATHAN    SCOTT    HARTLEY,    N.A.,    SCULPTOR 

1845- 

This  is  a  granite  column  9  feet  6  inches  high  and  4  feet  6  inches 
wide,  with  an  ornamental  top,  into  each  side  of  which  is  set  a  bronze 
medallion  with  the  head  of  a  man  in  middle  relief.  At  the  base 
is  a  circular  basin  for  horses. 

medallions  signed:  j.  s.  hartley  s=    1906 
224 


¥^  I 


m  4 


CATALOGUE    OF    WORKS    OF    ART— SCULPTURE 

BRONX    PARK 
siCAL  GARDEN   FOUNTAIN 

ARTIST 
CARL    E.    TEFFT 

1874- 

This  is  a  bronze  group,  heroic  size,  of  the  head  and  shoulders  of 
two  rearina  hnr  <  with  wcbbed  forefeet.  A  nude  female  figure 
of  hila  tride  the  one  at  the  left,  which  she  guides 

with  h  while  she  swings  her  left  hand  backward  in, 

merry  gesture.  A  nude  boy  tries  to  control  the  horse  at  the  right, 
and  m  his  right  hand  holds  a  fish  by  the  tail.  Above  the  horses, 
aSiude  boy  sits  on  the  back  of  a  dolphin  on  a  large  globe.  Water 
f^ws  from  beneath  the  plinth  into  a  large  basin  below,  in  the  left  side 
ofiwhich  is  merman  looking  up  in  a  startled  manner  at 

t&  plunfTir  and  in  the  right  side  of  the  basin  a  bronze 

TTTjrmr'i  '  round  to  look  at  the  group  above  her  as  she 

htirries  .eir  way. 

■^  signed:  carl  -  tefft.  sculptor 


.     ■<  §Pi^'''^hased  by  the  CIiv  in  iqo^. 


O  ANDT    PARK 

ca 

*SULL1\  \L   FOUNTAIN 

artists 
frank  e.  wallis,  architect 

AND 

JONATHAN    SCOTT   HARTLEY,    N.A.,   SCULPTOR 

1845- 

This  is  a  granite  column  9  feet  6  inches  high  and  4  feet  6  inches 
wide,  with  an  ornamental  top,  into  each  side  of  which  is  set  a  bronze 
medallion  with  the  head  of  a  man  in  middle  relief.  At  the  base 
is  a  circular  basin  for  horses. 

MEDALLIONS   SIGNED:  J.    S.    HARTLEY   S=     1906 
224 


CATALOGUE     OF     WORKS     OF     ART — SCULPTURE 

VAN  CORTLANDT   PAR  K  — CONTINUED 

INSCRIPTIONS 

IN    HONOR    OF 

ALGERNON    SYDNEY    SVLLIVAN 

JVRIST    -    STATESMAN    -   ORATOR 

BORN     1826  DIED    1887 

AN    IMMACVLATE    LIFE 

DEVOTED 

WITH    NEVER    FAILING   FIDELITY 

TO    PVBLIC 

AND    PRIVATE   TRVSTS 

IN    HONOR   OF 

ALGERNON    SYDNEY    SVLLIVAN 

JVRIST   -    STATESMAN    -    ORATOR 

BORN     1826  DIED     1887 

HE    REACHED   OVT 

BOTH    HANDS 

IN    CONSTANT    HELPFVLNESS 

TO    HIS 

FELLOWMEN 

ERECTED    BY 

CITIZENS 

OF 

NEW    YORK 

1906 

FRANK    E    WALLIS 

ARCHITECT 

*JOSIAH    PORTER 

1 830- 1 894 

ADJUTANT     GENERAL   N.    G.    N.    Y.     1886-1894 

ARTIST 
WILLIAM    CLARK    NOBLE 

Dressed  in  a  general's  uniform,  a  bronze  figure,  heroic  size,  is 
standing  erect  on  a  granite  pedestal.  With  his  face  and  eyes  to 
the  front,  he  holds  a  chapeau  against  his  hip  with  his  right  hand, 
while  his  left  rests  on  the  hilt  of  his  sword  with  its  point  on  the 
ground. 

signed:   W.    CLARK    NOBLE    SC 

Given  to  the  City  in  1902. 

225 


CATALOGUE    OF     WORKS    OF     ART— SCU LPTU RE 

VAN   CORTLANDT   PAR  K  — CONT  I  NUED 

INSCRIPTIONS 
MAJOR   GENERAL 

PORTER 

ADJUTANT    GENERAL 

STATE    OF    NEW    YORK. 

1886   -     1894. 

ERECTED    BY 

THE    NATIONAL    GUARD   OF    NEW    YORK 

IN    APPRECIATION    OF    HIS    FIDELITY 

AS    A    PATRIOT, 

HIS    QUALITIES    AS    A    SOLDIER, 

AND    HIS    SERVICES    IN    BEHALF    OF 

THE    NATIONAL    GUARD. 

HE    LABORED 

TO    INCREASE    THE    EFFICIENCY, 

PERFECT   THE    DISCIPLINE    AND 

ELEVATE   THE    STANDARD   OF 

THE    NATIONAL    GUARD. 

JOSIAH    PORTER 

r^    .     LIEUT.     I"    .     BATTERY 

MASS.    VOLS.     1 86 1, 

CAPTAIN,   JULY    1861    TO 

SEPTEMBER     1 862. 

CAPTAIN    22ND.    REGIMENT,    N.    G.    N.    Y. 

JUNE     1865, 

MAJOR,    MAY     1867, 

LIEUT.    COLONEL,    JANUARY     1 869, 

COLONEL,    OCTOBER     1 869, 

MAJOR    GENERAL    AND 
ADJUTANT   GENERAL,    1 886. 


i 


IN  THE   BOROUGH   OF 
QUEENS 


I 


IN    THE    BOROUGH    OF 
Q.U  E  E  N  S 

LONG    ISLAND    CITY 

JACKSON     AND    THOMPSON     AVENUES 

FOUNTAIN 

ARTIST 
UNKNOWN 

A  CIRCULAR  basin  rimmed  with  granite,  rising  one  foot  above  the 
pavement.  In  the  center,  on  a  pedestal  of  stones,  stands  an  iron 
urn  about  6  feet  high;  its  basin  about  4  feet  in  diameter. 


COLLEGE    POINT 

COLLEGE     AVENUE     AND    THIRTEENTH     STREET 

CONRAD   POPPENHUSEN 

1818-1883 

FOUNDER    POPPENHUSEN    INSTITUTE 

ARTIST 

HENRY    BAERER 

1837- 

An  undraped  bronze  bust,  heroic  size,  stands  on  a  granite  pedes- 
tal. The  face  with  a  fringe  of  close-cropped  whiskers  is  turned  to 
the  left  with  the  eyes  looking  straight  ahead. 

signed:    H.    BAERER    SCULPTOR    N.    Y. 

Given  to  the  City  in  1884. 

229 


CATALOGUE     OF     WORKS    OF     ART — SCULPTURE 

COLLEGE   POINT  — CONTINUED 

INSCRIPTION 

POPPENHUSEN 

To  THE  Memory 

Of 

The  Benefactor  Of 

COLLEGE    POINT. 

erected   NOV.     I,    1884. 

FLUSHING 

AT    JAMAICA     AND    MADISON     AVENUES 

ELLIMAN    FOUNTAIN 
artist 

UNKNOWN 

A  GRANITE  slab   10  feet  high  by  4  feet  wide.     On  each  side  a 
lion's  head,  out  of  which  water  flows  into  a  basin. 

inscriptions 

all  my  springs 

are  in  thee  for  in 

thee  is  the  fountain 

OF    LIFE 

ERECTED 

BY   THE 

PEOPLE   OF 

FLUSHING    IN 

THE    YEAR 

MDCCCXCVI 

THIS    FOUNTAIN    IS 

PLACED    HERE    IN 

MEMORY    OF 

MARY    LAWRENCE    ELLIMAN 

WHO    WAS    AN    ACTIVE 

PHILANTHROPIST    AND    A 

WARM    ADVOCATE    OF 
TEMPERANCE    REFORM. 

230 


CATALOGUE    OF     WORKS    OF     ART — SCULPTURE 

FLUSHING     PARK— CONTINUED 

AT     BOWNE     AVENUE     AND     BROADWAY 

FOX   MONUMENT 

(GEORGE    fox) 

1 624- 1 69  I 

FOUNDER    OF    THE    SOCIETY    OF    FRIENDS 

ARTIST 
UNKNOWN 

An  irregular  block  of  rough  granite,  5  feet  by  4  feet  at  base  and 
rising  to  a  peak;  about  4  feet  high.  One  side  polished  for  in- 
scription. 

INSCRIPTIONS 

HERE 
STOOD   THE 

FOX   OAKS 

BENEATH  WHOSE  BRANCHES 

GEORGE    FOX 

FOUNDER    OF    THE    SOCIETY    OF    FRIENDS 
PREACHED  JUNE    7th    1672. 

ERECTED    BY    THE    FLUSHING    HISTORICAL    SOCIETY     I907. 


FLUSHING    PARK 
FOUNTAIN 

ARTIST 

UNKNOWN 

A  CIRCULAR  basin  30  feet  in  diameter  with  an  iron  rim  i  foot 
high,  ornamented  at  regular  intervals  with  iron  urns  1  foot  high. 
In  center  of  basin,  an  irregular  pillar  surmounted  by  figure  of 
Neptune  with  trident,  beneath  his  feet  a  shell-shaped  umbrella  over 
which  the  water  runs  into  a  large  basin.  Between  the  umbrella 
and  basin  the  pillar  is  encircled  by  three  mermaids  holding  hands. 
Below  the  basin  four  figures  of  mermen. 

231 


CATALOGUE     OF     WORKS    OF     ART — SCULPTURE 

FLUSHING    PARK  — CONTINUED 
SOLDIERS'   MONUMENT 

ARTIST 

UNKNOWN 

A  SIMPLE  granite  obelisk,  divided  into  three  sections  by  double 
bands  of  granite,  is  separated  from  its  pedestal  of  the  same  material 
by  a  heavy  molding,  forming  an  obtuse-angled  arch  on  each  side. 

inscriptions 

Erected 

In  Memory  of  the 

Patriotic  Volunteers 

FROM 

Flushing 

WHO 

Sacrificed  Their  Lives 

In  the  War 
For  the  Preservation 

Of  Our  Union 
1861  1865. 


CAP'    W" 
LIEU'    EMIL   SCHUBERT 
SG'    AL-"    A.    FOWLER 


C.    DERMODY 

SG'    W""     H.    TERRY 

CORP     WASH"     W.    FOWLER 


HENRY    APEL 
JOHN    B.    BAUER 
JOHN    BRADY 
L.    BRUNNEMER 
JOHN    BUCKLEY 
JOHN    W.    BYRD 
JA=    BYRNS 
THADD5    CAMPBELL 
]0^    CATHCART 
VALENt    CLINCH 
W"    J.    CONN 
THO^   CONNER 


BENJ    COVERT 
TITUS    CROOKER 
HARS"    CURTIS 
PHILIP    DERCKES 
JOS    A.    DOBIECKI 
JOHN    DOHERTY 
JA^    E.    ELDERD 
CHA5    ERLING 
JA^    FEELY 
W"    H.    H.    FIELD 
GE°   H.    FOWLER 
W"    GOODWIN 


232 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 


FLUSHING    PARK  — CONTINUED 

CAP'    LOUIS    BRISKY 
SG<     BENJ    HARPELL  SG'    JA^    P.    SMITH 

CORP    GE°    HUNTSMAN  CORP    W™     E.   JOHNSTON 


W"i     GRIFFIN 
LOUIS    GROESEL 
SETH    HARPELL 
JOHN    HEFERMEHL 
VALEN»    HELFRICH 
JOHN    HEPPLER 
JOHN    J.    HICKS 
JOHN    W.    HINTSMAN 
JOHN    HODGES 
PATRICK    HURLEY 
GUILF''    JACKSON 
THO^   JACKSON 


THO^   H.   JENKINS 
ROBERT    KANZ 
JOHN    KENALEY 
PHILIP    KENNA 
JOHN    KEPPLER 
JO=    KIERSTEAD 
PETER    KIMMLER 
WASH"     G.    KNIGHT 
PHILIP    MAHER 
JACOB    MANNWEILER 
PATRICK    MARTIN 
THO^    M'CREADY 


CAP'    ELIJAH    W.    PECK 
SGT.    FREDl<    WERNER  SGT.    ADAM    WIRTH 

CORP.    JOHN    MARA  CORP.    LORENZO    D.    WOOD 


MARTIN    MOORE 
ED*     L.    MURRAY 
HENRY    NEIMER 
MARTIN    NIX 
ANTHONY    PARKS 
SAM'     G.     PORTLAND 
AND"     REINHARDT 
GOTHARD    RENICKER 
FRANK    RICHTER 
CHRIST"     SCHATZMAN 
GE°    W.    SCHENCK 
DAVID   SCHULTZ 


ELIAS   H.    SEAMAN 
CHA-^    D.    SMITH 
CHAs    STADER 
JA5    STARKINS 
JURGEN    STERNBERG 
J.    STEINBRUECKER 
JOHN    STONEBANKS 
CHA=    W.    TOWNSEND 
WILLIS    H.    TYRRELL 
GE"    VIX 

CARL    WIDDEMAN 
ROB'    WRIGHT   J^ 


233 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

JAMAICA 

AT    BERGEN     AND     HILLSIDE     AVENUES 

SOLDIERS'   MONUMENT 

ARTIST 

FREDERICK    WELLINGTON    RUCKSTUHL 

1853- 

On  a  simple  granite  pedestal,  a  winged  figure  of  a  woman  in 
bronze,  heroic  size,  is  in  the  attitude  of  moving  forward.  Dressed 
in  classic  draperies  falHng  in  ample  folds  about  her  feet,  her  face  is 
to  the  front  and  both  undraped  arms  are  extended  aloft  in  front  of 
her  uplifted  wings.  She  holds  a  wreath  in  her  left  hand  and  in  her 
right  a  palm  branch. 

signed:    F.    W.    RUCKSTUHL.    SCULPTOR.       1896 
INSCRIPTION 

1861  —  1865 


iK 


SOLDIERS'    MONUMENT 

BY 

FREDERICK    WELLINGTON    RUCKSTUHL 

FOR    DESCRIPTION    SEE    PAGE    2^4 


CATALOGUE  OF  WORKS  OF  ART — SCULPTURE 

JAMAICA 

AT    BERGEN    AND    HILLSIDE    AVENUES 

SOLDIERS'   MONUMFNT 

ARTIST 

FKhiJbKlc.K    WELLINGTON     kut^tvsiuML 
1853- 

On  a  simple  granite  pedestal,  a  winged  figure  of  a  woman  in 

bronze,  heroic  ^i/.K.  is  in  the  attitude  of  moving  forward.  Dressed 
in  le  folds  about  her  feet,  her  face  is 

tf  :  ms  are  extended  aloft  in  front  of 

vings.     S  ler  left  hand  and  in  her 

branch. 

signed:  f.  1896 

INSCKIPllON 

1861  —  1865 


TM3MUWOM   '2513iaJ02 

Ya 

jHUTe>i3U}i  HOTOMUJ3W  HoisiHaajn 

j^fE  aoAq  33«  noiTiiflaaaa  sioa 


INDEX 


ABBREVIATIONS 

USED    TO    INDICATE    THE    LOCATION    OF    PAINTINGS 

C   H        City  Hall.  B.  E.  Boardof  Education  Building. 

b'  h'  R   Brooklyn  Hall  of  Records.  B.  B.  H.      Brooklyn  Borough  Hall. 

A   C.        Appellate  Court.  C.  C,  H.       County  Court  House. 

H    R.       Hall  of  Records  (Manhattan).         B.  H.  Bellevue  Hospital. 

B  M    B.  Brooklyn  Municipal  Building.         Crim.  C.  B.  Crmimal  Courts  Building. 
C.  O.     Comptroller's  Office  (Stewart  Building). 


INDEX 

WHERE    A    SUBJECT    HAS    BEEN    PAINTED    BY    MORE    THAN 
ONE    ARTIST,    THE    NAMES    OF    THE    ARTISTS    ARE 
PRINTED    WITHIN    PARENTHESES 


INDEX    TO    PORTRAITS 


SUBJECT 

Abbott,  George  B b. 

Allen,  Stephen 

Anderson,  Robert. 

Bainbridge,  William 

Barnard,  Joseph  F b. 

Ben  Amar,  Achmet 

Benedict,  Erastus  C 

Bergen,  Jacob  I b. 

Boliver,  Simon 

Booth,  Samuel b. 

Bouck,  William  C 

Bowne,  Walter 

Bradford,  Alexander  Warfield 

Brady,  John  R 

Brady,  William  V 

Brainard,  Roswell  C a. 

Brown,  Jacob 

Brown,  John  W b. 

Brush,  Conklin b. 

Burnett,  Ward  Benjamin. . . . 

Carroll,  Joseph  W b. 

Chauncey,  Isaac 

Clark,  Aaron 

Clark,  Myron  Holley 

Clay,  Henry  (Jarvis) 

Clay,  Henry  (Staunton).   .  .b. 
Clay,  Henry  (Unknown). . .    . 

Clement,  Nathaniel  H b. 

Clinton,  DeWitt  (Catlin) 

Clinton,  DeWitt  (Powell). . .  . 

Clinton,  DeWitt  (Hicks) 

Clinton,  DeWitt  (Parmecelli). 


H.  R. 

M.  B. 


PAGE 

•  71 

■     '4 

•  47 


24 

75 
64 
75 
54 
29 
19 
76 
76 
30 
67 
II 

59 
37 

38 
70 

33 

22 

54 
39 
50 
76 
70 
16 
38 
77 
77 


SUBJECT 

Clinton,  George c.  h. 

Colden,  Cadwallader  David.  .  .c.  h. 

Columbus,  Christopher c.  h. 

Cooke,  Erastus b.  k.  r. 

Copeland,  Edward b.  b.  h. 

Curtis,  William  E s.  e. 

Dailey,  Abram  H b.  h.  r. 

Daly,  Charles  Patrick c.  c.  h, 

Davis,  Noah a.  c. 

Dawson,  Rodman  B b.  h.  r. 

Decatur,  Stephen c.  o. 

Dikeman,  John b.  h.  r. 

Dix,  John  Adams c.  h. 

Duane,  James c.  h. 

Emott,  James b.  h.  r, 

Fenton,  Reuben  E c.  h 

Fillmore,  Millard c.  h 

Fish,  Hamilton c.  h, 


PAGE 

4 
13 
18 

65 
33 
49 
68 

77 
63 
7' 

8 
63 
60 

5 
72 
55 
37 
35 


Francis,  John  Wakefield b.  h.  81 

Gilbert,  Jasper  W b.  h.  r.  61 

Green,  Andrew  Haswell c.  h.  73 

Greenwo'od,  John b.  h.  r.  78 

Gunther,  Charles  Godfrey c.  h.  57 

Hall,  George  (Carpenter).,  .b.  m.  b.  42 

Hall,  George  (Frothingham).B.  b.  h.  20 

Hamilton,  Alexander c.  h.  5 

Harper,  James c.  h.  27 

Harris,  Townsend b.  e.  40 

Havemeyer, William  Frederick. c.  h.  28 

Haws,  Robert  T c.  o.  75 

Hays,  Jacob c.  h.  23 

Hodges,  Andrew  B b.  h.  r.  71 


237 


INDEX 


SUBJECT 

Hoffman,  John  Thompson. .  .  .c.  h. 

Hone,  Philip c.  h. 

Howard,  Harry c.  h. 

Howell,  James b.  b.  h. 

Hudson,  Henry c.  h. 

Hull,  Isaac c.  h. 

Hunt,  Washington c.  h. 

Hunter,  John  W b.  b.  h. 

Ingersoll,  Josiah c.  h. 

Ingraham,  Daniel  Phoenix,       a.  c. 

Jackson,  Andrew c.  h. 

Jay,  John c.  h. 

Jefferson,  Thomas c.  h. 

Jenks,  Grenville  T b.  h.  r. 

Jeremiah,  Thomas b.  e. 

Johnson,  Jeremiah b.  b.  h. 

Kalbfleisch,  Martin b.  m.  a. 

Kelly,  Robert b.  e. 

Kent,  James h.  r. 

King,  John  Alsop c.  h. 

Kingsland,  Ambrose  C c.  h. 

Lafayette,  Marquis  De c.  h. 

Lambert,  Edward  A b.  m.  b. 

Larremore,  Richard  L b.  e. 

Lawrence,  Cornelius  Van  Wyck.c.  h. 

Lee,  Gideon c.  h. 

Lewis,  Morgan c.  h. 

Livingston,  Edward c.  H. 

Livingston,  Walter  L b.  h.  r. 

Lott,  Abraham e.  h.  r. 

Lott,  John  A B.  H.  R. 

Low,  Seth B.  B.H. 

Macomb,  Alexander c.  h. 

Manley,  James  R b.  h. 

Marcy,  William  Learned c.  h. 

McClellan,  George  Brinton. .  .c.  h. 

McCue,  Alexander b.  h.  r. 

McDonough,  Thomas c.  o. 

McGoldrick,  Michael  F b.  h.  r. 

McLean,  James  M b.  e. 

Mickle,  Andrew  Hutchins c.  h. 

Monroe,  James c.  h. 

Moore,  Henry  A b.  h.  r. 

Morgan,  Edwin  Dennison c.  h. 

Morris,  Robert  Hunter c.  h. 

Morton,  James  St.  Clair c.  h. 

Murphy,  Henry  C b.  m.  b. 

Neilson,  Joseph b.  h.  r. 

Opdyke,  George c.  h. 

Paez,  Josd  Antonio h.  r. 

Paulding,  William c.  h. 


PAGE  SUBJECT  PAGE 

56      Perry,  Oliver  Hazard.... h.  r.  ii 

17      Powell,  Samuel  S b.  b.  h.  45 

48      Pratt,  Calvin  E b.  h.  r.  80 

61       RadcIifT,  Jacob c.  h.  12 

78  Reynolds,  George  G b.  h.  r.  53 

9      Riker,  Richard crim.  c.  b.  74 

41       Robinson,  Hamilton  W c.  c.  h.  57 

59      Schieren,  Charles  A e.  b.  h.  69 

74      Schroeder,  Frederick  A b.  b.  h.  60 

44  Scott,  Winfield c.  h.  44 

14  Seward,  William  Henry c.  h.  26 

4      Seymour,  Horatio c.  h.  47 

48      Simmons,  J.  Edward b.  e.  66 

55  Smith,  Cyrus  P e.  b.  h.  24 

50      Smith,  Jesse  C b.  h.  r.  68 

23      Smith,  Samuel b.  m.  b.  34 

46      Smyth,  Bernard e.  e.  80 

79  Sprague,  Joseph b.  m.  b.  26 

78  Stanford,  John b.  h.  15 

45  Strong,  Selah  B b.  h.  r.  80 

36      Strong,  William  L c.  h.  73 

15  Stryker,  Francis  B b.  m.  b.  33 

39      Stuyvesant,  Peter c.  h.  8 

56  Swift,  Joseph  Gardner c.  h.  12 

21  Talmage,  Thomas  G b.  m.  b.  28 

20      Tappen,  Abraham  B b.  h.  r.  74 

7      Taylor,  Zachary c.  h.  31 

6      Thomson,  George b.  h.  r.  81 

65      Throop,  Enos  Thompson c.  h.  19 

65      Tiemann,  Daniel  Fawcett c.  h.  46 

58      Tompkins,  Daniel  D c.  h.  7 

62      Trimble,  George  T b.  e.  40 

10      Trotter,  Jonathan b.  a.  h.  21 

79  Troy,  James b.  h.  r.  58 

22  Ulshoeffer,  Michael c.  c.  h.  81 

53      Unknown a.  h.  34 

70      Valentine,  David  Thomas c.  h.  35 

10      Van  Buren,  Martin c.  h.  18 

72      Van  Brunt,  Charles  H a.  c.  69 

52      Varian,  Isaac  L c.  h.  25 

29      Varick,  Richard c.  h.  6 

13      Veeder,  William  D a.  h.  r.  66 

79      Voorhees,  Judah  B a.  h.  r.  66 

49  Von     Steuben,     Baron     Frederick 

27              Wilhelm c.  H.  42 

36      "Vuelvan  Cara!" c.  H.  67 

25  Washington,  George 

62              (Trumbell) c.  H.  3 

51  Washington,  George  (Swett).  .c.  h.  31 

34  Washington,  George  (Froth- 

16  ingham) b.  h.  32 

238 


SUBJECT  PAGE 

Washington,  George 

(Unknown) b.  b.  h.  51 

Westervelt,  Jacob  Aaron c.  h.  41 

Whitney,  Daniel  D b.  b.  h.  64 

Willett,  Marinus c,  h.  6 

Wilhams,  Jonathan h.  r.  8 


SUBJECT  PAGE 

Wood,  Alfred  M b.  b.  h.  52 

Wood,  Frenando c.  h.  43 

Woodhull,  Caleb  Smith c.  h.  43 

Wright,  Silas c.  h.  30 

Yates,  Joseph  Christopher.  .  .  .c.  h.  17 

Young,  John c.  h.  32 


INDEX    TO   MURAL   PAINTINGS 


Banishment  of  Discord 92 

Equity 90 

Justice  (Edw.  Simmons) 86 

Justice  (Robt.  Raid) 89 

Justice  (W.  L.  Metcalf) 91 

Justice  of  the  Law 93 

Law 91 

New     York    City     Receiving     the 

Tributes  of  the  Nations 85 


Opening  of  the  Erie  Canal 100 

Seal  of  the  City  of  New  York 94 

Seal  of  the  State  of  New  York 96 

The  Graduate lO! 

The  Judicial  and  Other  Virtues..  .  .  98 

The  Power  of  the  Law 94 

The  Reign  of  Law 97 

Transmission  of  the  Law 87 

Wisdom 95 


INDEX    TO    SCULPTURE 


Alfred  the  Great 147 

Andrews,  George  Peirce 113 

Architecture 123 

Army,  The 207 

Arthur,  Chester  Alan 139 

Authority 1 24 

Autumn  (Bush-Brown) 1 18 

Autumn  (Clarke) 152 

Battle  Pass  Tablet 212 

Bedford  Avenue  Fountain 202 

Beecher,  Henry  Ward 200 

Beekman,  Henry  Rutgers,  Tablet.  .  116 

Bethesda  Fountain 176 

Blockhouse  Tablet  (Lamb) 191 

Blockhouse  Tablet  (Williams) 185 

Botanical  Garden  Fountain 224 

Bums,  Robert 169 

Central  Park  Fountain 175 

Central  Park  Fountain 176 

Chemistry 122 

Childhood 117 

City  Hall  Tablet 109 

City  Hall  Park  Fountain 108 

Clay,  Henry in 

Clinton,  DeWitt  (Unknown) in 

Clinton,  DeWitt  (Martiny) 119 

Golden,  Cadwallader  David 120 

Columbus,  Christopher  (Russo) 164 


Columbus,  Christopher  (Suiiol). . . .  167 

Columns,  Four 208 

Commerce  (Fesquet) 167 

Commerce  (Martiny) 123 

Commerce  (Bush-Brown) 127 

Confucius 150 

Conkling,  Roscoe 140 

Consolidation  of  Greater  New  York.  127 

Cooper,  Peter 129 

Cox,  Samuel  Sullivan 131 

De  Peyster,  Abraham 106 

De  Vries,  David  Pietersen 119 

Dodge,  William  Earl 159 

Duane,  James 120 

Eagles  and  Prey 172 

Egyptian  Obelisk 181 

Electricity 125 

Elliman  Fountain 230 

Emmet,  Thomas  Addis 115 

Ericsson,  John 105 

Falconer,  The 172 

Farragut,  David  Glasgow 141 

Firemen 's  Monument 132 

Flint,  Austin,  Tablet 153 

Flower  Garden  Fountains 215 

Flushing  Park  Fountain 231 

Force  (Ruckstuhl) I45 

Force 1 26 


239 


SUBJECT 

Fort  Washington  Monument 

Foster,  Rebecca  Salome 

Fowler,  Edward 

Fox  Monument 

Franklin,  Benjamin 

Garibaldi,  Giuseppe 

Grant  Square  Fountain 

Grant's  Tomb 

Grant,  Ulysses  Simpson  (Partridge) 
Grant,  Ulysses  Simpson  (O'Dono- 

van  &  Eakins) 

Greeley,  Horace 

Greeley,  Horace  (Doyle) 

Hale,  Nathan 

Halleck,  Fitz  Greene 

Hamilton,  Alexander 

Hamilton  Fountain 

Hancock,  Winfield  Scott 

Havemeyer,  William  F 

Heathcote,  Caleb 

Heine,  Heinrich,  Fountain 

Heritage 

Hewitt,  Abram  Stevens 

History 

Hobart,  John  Sloss,  Tablet 

Holley,  Alexander  Lyman 

Hone,  Philip 

Hooper  Fountain 

Hooper  Fountain 

Horse  Tamers,  The 

Hudson  Park  Fountain 

Hunt,  Richard  Morris 

Indian  Hunter 

Industry  (Martiny) 

Industry  (Bush-Brown) 

Industrial  Art 

Instruction 

I  ron  Age 

Irving,  John  Treat 

Irving,  Washington  (Baerer) 

Irving.  Washington  (Beer) 

Italian  Fountain 

Jay,  John 

Jefferson,  Thomas 

Jumel  Mansion  Tablet 

Jumel  Mansion  Tablet 

Justice  (French) 

Justice  (Martiny) 

Justice  (Martiny) 

Justinian,  Flavius  Anicius 

Kalbfleisch,  Martin 


PAGE  SUBJECT  PAGE 

195       Keeper  of  the  Rolls 122 

128      LaFayette  and  Washington 192 

202  Lafayette,  Marquis  De 137 

23 1       Law 125 

107  Lincoln,  Abraham    (O' Donovan  & 

135              Eakins) 207 

204  Lincoln,  Abraham  (Brown) 214 

191       Lincoln,  Abraham  (Brown) 137 

203  Linnaeus,  Carolus,  Tablet 223 

Lions,  Four 223 

208      Lioness  and  Cubs 214 

no      Long  Island  City  Fountain 229 

158  Loomis,  Alfred  Lebbeus,  Tablet. . .  154 

107      Louis  IX 149 

170      Lycurgus 148 

183      Lydig  Memorial  Arch 222 

186      Madison  Square  Fountain 144 

193      Madison  Square  Fountain 144 

1 1 1      Manu 149 

119      Marshall,  John 113 

221  Maryland  Monument 217 

119  Maternity 118 

120  Maxwell.  Henry  W    211 

125      Mazzini,  Giuseppe   174 

1 16      McAuley,  Jerry,  Fountain 1 58 

134      McGowan's  Pass  Monument 184 

120      Medicine 122 

205  Memorial  Fountain 133 

193  Mohammed 146 

218      Moore,  Thomas  (Draddy)  215 

133      Moore,  Thomas  (Sheahan) 166 

176      Morning  and  Night 145 

168      Morse,  Samuel  Fin  ley  Breese 178 

123      Moses  151 

127      Mott,  Valentine,  Tablet 155 

123  Mozart.  Wolfgang  Amadeus 216 

125  Murray,  Mary  Lindley,  Tablet 160 

126  Music 123 

115      Navigation 123 

213      Navy.  The 206 

161      Newcomb  Fountain 130 

222  New  York  in  Its  Infancy 121 

1 13  New  York  in  Revolutionary  Times.  121 

1 10      Noon  and  Evening 145 

194  O'Conor,  Charles 152 

194      Painting 126 

148      Panthers 217 

124  Payne,  John  Howard 212 

125  Peace 150 

1 50      Philosophy 118 

201       Pilgrim,  The 178 

240 


SUBJECT  PAGE 

Poetry 1 18 

Poppenhusen,  Conrad 229 

Porter,  Josiah 225 

Powell,  Samuel  S 201 

Printing 126 

Provost  Prison  Tablet 109 

Recorder 122 

Recording  the   Purchase  of  Man- 
hattan Island 128 

Robinson,  Hamilton  W.,  Tablet.  .  .  117 

Sayre,  Lewis  Albert,  Tablet 156 

Schiff,  Jacob  H.,  Fountain 129 

Scott,  Sir  Walter 170 

Sculpture 126 

Seventh  Regiment  Memorial 174 

Seward,  William  Henry 142 

Shakespeare,  William 168 

Sherman,  William  Tecumsch 163 

Sigel,  Franz 190 

Sims,  James  Marion 161 

Skene,  Alexander  J.  C 208 

Slocum,  Henry  Warner 204 

Smyth,  Frederick 114 

Soldiers'  Monument,  Jamaica 234 

Soldiers'  and  Sailors'  Monument..  .  187 

Soldiers'  Monument,  Flushing 232 

Soldiers'  and  Sailors'  Memorial  Arch  205 

Solon 148 

Spring  (Bush-Brown) 118 

Spring  (Clarke) 152 

Still  Hunt 179 

Stranahan,  James  S.  T 210 

Study 124 

Stuyvesant,  Peter 120 

Sullivan  Memorial  Fountain 224 


SUBJECT  PAGE 

Summer  (Bush-Brown) 118 

Summer  ((Clarke) 152 

Thorvaldsen,  Albert  Bertel 183 

Tigress  and  Cubs 172 

Tompkins  Square  Fountain 133 

Tradition 1 26 

Triumph  of  Law 146 

Union  Square  Fountain  (Dondorf)  139 

Union  Square  Fountain  (Unknown)  139 

Van  Beethoven,  Ludwig(Baerer).  .  213 

Van  Beethoven,  Ludwig  (Baerer).  .  171 

Van  Wyck 112 

Verdi,  Giuseppe 185 

Victory 206 

Von  Humboldt,  Friedrich  Heinrich 

Alexander 166 

Von    Schiller,    Johann     Christoph 

Friedrich 179 

Warren,  Gouverneur  Kemble 209 

Washington  Arch 136 

Washington,  George  (Unknown)..  112 

Washington  George  (D'Angers).. .  .  1 12 

Washington  George  (Houdon) 180 

Washington,  George  (Shrady) 199 

Washington,    George     (Brown     & 

Ward) 138 

Washington  Square  Fountain 136 

Webster,  Daniel 173 

Whitlock,  Ephraim  J 201 

Winter  (Bush-Brown) 118 

Winter  (Clarke) 151 

Wisdom 1 44 

Wood,  James  Rushmore,  Tablet.  .  157 

Worth,  William  Jenkins 143 

Zoroaster 147 


241 


AUG  3  1  1970 


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