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' JW .
LAMONT LIBRARY
IN HONOR OF
DWIGHT P.ROBINSON
CLASS OF 1890
PRESIDENT OF
THE ASSOCIATED HARVARD CLUBS
I9JI-I93J
OVERSEER OF HARVARD COLLEGE
I9JI-I9J7
LAMONT LIBRARY
TRANSFERRED
HAF
LITERARY LIVES
EDITED BT
W. ROBERTSON NICOLL
CHARLOTTE BRONTE
AND HER SISTERS
LITERARY LIVES
Bdited by W. Robertson Niooll, LX^.D.
MATTHBW ARNOLD. By 6. W. B. RttSseU.
OARDOTAL NBWMAN. By William Barry, D.D.
JORH BUNTAN. By W. Hale Wbite.
OOVBHTRT PATMORB. By Bdmand Gosse.
BSHB8T RBNAN. By William Barry, D.D.
OlARbOTTB BRONTB. By Clement K. Shorter.
WALTER SCOTT. By A. Lanf.
R, I, RUTTON. By W. Robertson Niooll.
QOBTIB. By Bdwaid Dowden.
■AIUTT. By Louise Imogen Gniney.
•m^ TttliBt, lUostrated, $i .00 net. Postage xo cts.
no/Mr. A. B. Nkholh
Ttjcrri5\'^ .'iivc?*
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CLEMl. •■ : ^ •;''iU.;.i^
NEW YORK
CHARLKS SCRihNEirs SONS
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CHARLOTTE BRONTE
AND HER SISTERS
BY
CLEMENT K. SHORTER
ILLUSTRA TED
NEW YORK
CHARLES SCRIBNER'S SONS
1905
HARVAR;^
^ >,/-:><' J lL J<\ university
Copyright, 1905, by
CHARLES SCRIBNER'S SONS
Published, October, 1905
TNOW omeoTOirr
rannrma and bookbimnnq oommnt
NEW YOMC
CONTENTS
CHAPTER I
PAGE
The Father of Charlotte Bronte ... i
CHAPTER II
The Mother of Charlotte Bronte . . . ii
CHAPTER III
Thornton 17
CHAPTER IV
Childhood at Haworth 25
CHAPTER V
Schooldays. 1831-1835 33
CHAPTER VI
Governess Life 39
V
vi CONTENTS
CHAPTER VII
PAGE
The Pension Heger, Brussels 57
CHAPTER VIII
Poems 73
CHAPTER IX
Branwell Bronte 83
CHAPTER X
The Publications of Mr. Newby . . . .103
/
CHAPTER XI
WuTHERiNG Heights ii8
CHAPTER XII
Anne Bronte 134
CHAPTER XIII
/ Jane Eyre 147
CHAPTER XIV
Shirley 171
»
CONTENTS vu
CHAPTER XV
PAGE
ViLLETTE AND ThE PrOFESSOR I9I
CHAPTER XVI
Marriage and Death 215
CHAPTER XVII
The Glamour of the Brontes 229
LIST OF ILLUSTRATIONS
Charlotte Bronte (Mrs. Arthur Bell NichoUs) Frontispiece
FACING
PAGE
The Rev. Patrick Bronte 2
Charlotte Bronte's Birthplace, Thornton, York-
shire i8
The Old Parsonage, Haworth, as It stood at the
time that the Bronte family occupied it
(1820-1861) 30
Haworth Old Church 40
Patrick Branwell Bronte 96
The first page of the manuscript of Jane Eyre 160
M. Paul Heger, the hero of Villette and The
Professor 198
The Rev, Arthur Bell Nicholls 224
INTRODUCTION
This book may seem at first sight only an unto-
ward accident, due to the exigencies of including all
well known names in a series entitled " Literary
Lives." Mrs. Gaskell, it may be said, wrote the
only Life of Charlotte Bronte that everyone should
read. This is, in a measure, true, but much new
material has been published since Mrs. Gaskell
wrote, and this material has not in the interval
been gathered together into one brief narrative.
I have to thank Messrs. Hodder & Stoughton for
any facts of that kind previously published in my
Charlotte Bronte and her Circle^ and Messrs.
Smith, Elder & Co. for the same indulgence with
regard to the Haworth Edition of Mrs. Gaskell's
Life^ to which I was privileged to add many notes.
The Haworth Edition of Mrs. Gaskell's Life must
for ever hold the field against others by virtue of
its mass of documents provided by the late Mr.
George Smith. I have added certain other un-
xii INTRODUCTION
published material to this little book although this
will be discerned only by the Bronte enthusiast who
knows the subject, as my friend the late Lionel
Johnson knew it, in its minutest detail.
Perhaps I shall best disarm criticism by stating
that I have tried to let Charlotte Bronte tell her
own story through the letters by her that have been
brought to light since Mrs. Gaskell wrote.
I have to thank two kind friends who love the
Brontes, Mrs. Wilfrid Meynell and Dr. Robert-
son NicoU, for reading my proof-sheets.
CHAPTER I
THE FATHER OF CHARLOTTE BRONTE
Patrick Bronte/ or Brunty, the father of
Charlotte Bronte, was an Irishman. He was bom
in a humble cottage in Emdale, County Down, on
St. Patrick's Day, March 17, 1777. Although he
came from the " Black North," from that partic-
ular part of Ireland where Protestantism flour-
ishes, largely through the infusion of English and
^ In the Baptismal Register of Drumballyioney the name
is entered " Brunty" and " Bruntee"; in the books of St. John's
College, Cambridge, on Patrick Bronte's admission in 1802-3
it is entered as Branty, in the Churchwardens' books at Harts-
head ''Brunty." But there seems to be no early signature of
Patrick Bronte's extant, and certainly no signature of his Irish
period, unless the inscription "Patrick Brunty, his book" which
Dr. Wright saw in an old "Arithmetic" may be counted genu-
ine, which I do not believe. A "Frank Prunty" was found by
Mr. David Martin at Newtonbuder in Co. Fermanagh, and he
claimed a distant relationship to the Brontes. At Cambridge
Mr. Bronte signed "Bronte," at Wethersfield "Bronte," at
Dewsbury Bronte or BrontS or BrontS. Not until he arrived
at Haworth do we find his signature as Bronte.
2 CHARLOTTE BRONTE
Scots blood, there is no evidence that there was a
particle of blood other than Irish flowing in the
veins of Patrick Brunty. His parents were of the
peasant class, although his father, Hugh Brunty,
would seem to have followed for a long period a
number of varied occupations, including work m
a limekiln and work in a comkiln. The book to
which we owe the only glimpse of Patrick's par-
entage, The Brontes in Ireland^ by Dr. Wri^t, is
so full of invention that it is difficult to derive
therefrom fragments of truth concerning the ear-
lier Brontes, or Bruntys. It would seem clear, how-
ever, that Hugh Brunty married one Alice Mc-
Clory, who had been brought up in the Roman
Catholic faith, but who, after her marriage in the
Protestant Church of Magherally, adopted the re-
ligion of her husband.^ Ten children were bom
to Hugh and Alice Brunty, and of these Patrick,
the eldest, alone has any interest for us.
After such education as the village school af-
forded, young Patrick Brunty became a weaver,
^ The Brontes in Ireland, or Facts Stranger than Fiction, by
Dr. William Wright, 1893.
THE FATHER 3
an industry then, as now, extensively cultivated
through Ulster. He could not have been more
than sixteen years of age when he took the position
of teacher in the Glascar Presbyterian School,
about a mile from the Brunty cottage at Emdale.
A year or two later Patrick became teacher of the
parish school of Drumballyroney, and there, dur-
ing his three years of schoolmastering\(it is sug-
gested that he may have saved the sum of a hun-
dred pounds or so. This enabled him to leave
Ireland for Cambridge, where he entered himself
at St. John's College on October i, 1802, changing
his name from Brunty to Bronte at this time.^ In
April of that year another Irishman, Henry John
Temple, who was also educated at St. John's, suc-
ceeded his father as Viscount Palmerston. Years
later Mr. Bronte wrote to the popular Minister on
a local question, but the formality of his reply
makes it probable that the peer and the whilom
^ Whether the name was assumed in honour of Nelson, who
about this time became Duke of Bronte, or whether his early
enthusiasm for Greek guided his change of name is not known.
His eldest daughter long afterwards signed herself in play as
Charlotte or rather as Charles Thunder.
4 CHARLOTTE BRONTE
peasant were never on speaking terms. Palmer-
stonwas at St. John's from April, 1803, to January,
1806.
We have his own statement, written in a copy of
Henry Kirke White's Verses^ that Bronte knew
the unfortunate young poet from Nottingham.
Kirke White became a sizar at St. John's in 1803,
through the influence of the once famous divine,
Charles Simeon. The one real friendship of
young Bronte's college life, however, was with an
enthusiastic disciple of Dr. Simeon, John Nunn,
who afterwards became a clergyman. Nunn re-
newed his acquaintance with Patrick Bronte some
years later, as we shall see. This is pretty well all
we know of Mr. Bronte at Cambridge, apart from
the fact that he was very successful in eking out his
slender means, winning three exhibitions for poor
scholars attached to St. John's. He was thus able
not only to support himself, but to astonish his
relatives in County Down with remittances — a
duty that he fulfilled all his days.
Mr. Bronte's first curacy was at Wethersfield in
Essex, where his name is to be found in the church
THE FATHER 5
books in October, 1 8o6. His vicar was Dr. Jowett
— a non-resident — ^who published a volume of Fil'
lage Sermons. The curate had, of course, all the
parish work in his hands. He lodged at the house
of an elderly maiden lady. Miss Mildred Davy,
and this doubtless gave Patrick Bronte his intro-
duction to the more lively home of Miss Davy's
widowed sister, Mrs. Burden Mrs. Burder was
the mother of four children, of whom the eldest
daughter, Mary, was at the time eighteen years
of age, and the courtship of Irish curate and Essex
lass was a matter of course. A stem uncle, watch-
ing over his niece's heritage, interrupted the cor-
respondence ; there was much heart-break, *doubt-
less many tears, and finally Mr. Bronte took flight
from Wethersfield.^ Mary Burder waited long
for intercepted letters that never came, and she was
still unwed when her old lover became a widower
in 1 82 1. She then received by letter a further offer
of marriage from Mr. Bronte, to which she an-
swered " No," and thus denied to the Bronte chil-
dren a kind stepmother. Three years later Mary
^ Lifi of Charlotte Bronte^ by Augustine Birrell, 1887.
6 CHARLOTTE BRONTE
Burder became Mrs. Silrce, the wife of a Non-
conformist minister of Wethersfield.
But this is to anticipate. At present we are only
concerned with a, for the moment, heartbroken
young curate who, anxious to escape from un-
pleasant conditions, has communicated with that
old college friend, John Nunn. Mr. Nunn held
a curacy at Shrewsbury at this time. From him
Mr. Bronte learnt that there was a vacancy at
Wellington, not far away. Of this parish John
Eyton, the famous antiquarian, was Vicar. Bronte
applied for and obtained the curacy, and with it
renewed pleasant intercourse with his old college
friend. But in a few months everything was
changed. John Nunn married, and the friendship
was snapped asunder. Patrick Bronte, with the
remembrance of Mary Burder's apparent faithless-
ness still very vivid was little in the humour for
comradeship with a married man. He seized the
earliest opportunity for taking up parish work else-
where, and this time his destiny took him to
Yorkshire, which county was to be his home for
the rest of his life. Dewsbury was his next place
THE FATHER 7
of sojourn. Before we accompany him to Dews-
bury, however, I may as well recall a pleasant
sequel to this friendship with Mr. Nunn that be-
longs to fifty years later. It is related in a letter
to me from Mr. Nunn's niece : —
"In 1857 I was staying with Mr. Nunn at
Thomdon, in Suffolk, of which place he was rector.
The good man had never read a novel in his life,
and of course had never heard of the famous
Bronte books. I was reading Mrs. Gaskell's Life
with absorbed interest, and one day my uncle said,
* I have heard lately a name mentioned with which
I was well familiar. What is it all about ? ' He
was told, when he added, * Patrick Bronte was
once my greatest friend.' Next morning my uncle
brought out a thick bundle of old letters and said,
' These were written by Patrick Bronte. They re-
late to his spiritual state. I have read them once
more and now I destroy them.' "
It was in January 1809 that this Wellington epi-
sode commenced, and at the end of the same year
Mr. Bronte began his long association with York-
shire as curate of Dewsbury. Mr. Bronte always
8 CHARLOTTE BRONTE
seemed to have secured " literary " vicars, and his
new vicar, Mr. Buckmaster, had some titles to
fame as a hymn writer and a contributor to the
magazines of the day. He was, moreover, the suc-
cessor at Dewsbury to the Rev. Matthew Powley,
who married the only daughter of Mary Unwin —
Cowper's " Mary " — and was a regular corre-
spondent of the poet.
At Dewsbury Mr. Bronte stayed two years, and
we may well assume that his vicar's literary activi-
ties kindled some desire for a similar reputation.
He wrote verses — ^and published them. In 1 8 1 1
there was issued at Halifax a volume entitled
Cottage Poems.^ It contains " An Epistle to the
Rev. J B while journeying for the recov-
^ It is an interesting fact that Mr. Bronte was not the first
of his own family with an inclination for writing. Dr. Douglas
Hyde, the well known Gaelic scholar, has in his possession a
manuscript volume in the Irish language, written by one Patrick
OTrunty in 1763. Patrick OTrunty was, I should imagine,
an elder brother of Mr. Bronte's father. The little book was
called The Adventures of the Son of the Ice Counsel ^^md there is a
colophon of which Dr. Douglas Hyde sends me the original and
a translation; he also saids me the first quatrain of Patrick
OTninty's poem: —
THE FATHER 9
ery of his health/' and there is much more of no
great distinction. Patrick Bronte did not publish
Cottage Poems until he reached his next curacy
at Hartshead-cum-Clifton. A slight disagreement,
the remark of a churchwarden that Mr. Buckmas-
ter should not " keep a dog and bark himself," in
other words, that the Vicar should not preach and
pay a curate for preaching, excited Mr. Bronte's
Colophon to the Adventures of the Son of Ice Counsel,
Guidhim beannocht gach leightheora a n-anoir na Trio-
noite agas na h-6ighe Muine air an sgribhneoir. Padruig ua
Pronntuidh mhic Neill, mhic Seathain, etc. April y^ 20, 1763.
I pray the blessing of each reader in honour of the Trinity
and of the Virgin Mary on the writer, that is Patrick OTninty,
son of Niall, son of Seathan, etc. April ye 20, 1763.
First Quatrain of Patrick O'Prunty's poem.
Nochad millean failte fior
Uaim do theachta an airdriogh
Thainic chugainn anois go mbuaidh
Na stiughraighthoir os donn priomhshluagh.
Ninety millions of true welcomes
From me to the coming of the high King
Who is come to us now with victory
As a guide over the chief-hosts.
lo CHARLOTTE BRONTE
anger, for it must be admitted that the curate was
quick-tempered. He promptly resigned. Mr.
Buckmaster, however, assisted his irascible friend
to his next appointment, one of greater security of
tenure — the incumbency of Hartshead-cum-Clifton
— and it was here that the young Irishman met
the woman who was to become his wife — ^the
mother of Charlotte Bronte.
CHAPTER II
THE MOTHER OF CHARLOTTE BRONTE
Curate then of Hartshcad, we find Patrick
Bronte at the age of thirty-four, healed, we may
believe, of the wound inflicted upon his heart by
a certain Essex romance and with mind bent on
marriage. Here there enters upon the scene a
quiet and gentle little woman from Cornwall —
Maria Branwell. Miss Branwell is one of a large
family, fairly prosperous, who reside in Penzance.
A family vault in St. Mary's churchyard in that
town records that Thomas Branwell died in 1808,
and that his wife followed him to the grave in the
following year. They had one son and six* daugh-
ters. Mr. Branwell is described as " assistant to
the corporation," whatever that official's duties may
have been. He left his daughters not entirely un-
provided for — I should judge with some thirty
pounds a year apiece. Maria Branwell came into
Yorkshire a year or two after her mother's death to
II
12 CHARLOTTE BRONTE
see some friends. She was In any case to make a
prolonged stay with her aunt, Mrs. Fennell, her
father's sister. Mr. Fennell was the Headmaster
of Woodhouse Green Wesleyan Academy, where
Maria Branwell's brother was a student. It was no
doubt his friendship with Mr. William Morgan,
the curate of the neighbouring church of Guiseley,
that gave Mr. Bronte his introduction to the Fen-
nells. Mr. Morgan was engaged to Maria Bran-
well's cousin, Jane Fennell. Patrick Bronte speed-
ily lost his heart. There were a few love-letters
between the engagement in August 1 8 1 2 and the
marriage on December 29th of that year, when at
Guiseley Church Maria Branwell became Mrs.
Bronte. There was a touch of romance in the very
wedding. A sister and a cousin of Mrs. Bronte
were married on the same day, the sister Charlotte
Branwell in far away Penzance to her cousin Jo-
seph Branwell, and Jane Fennell to Mr. Morgan.
Mr. Morgan performed the marriage ceremony
for Mr. and Mrs. Bronte, and Mr. Bronte in re-
turn officiated a few moments later to make his
wife's cousin Mrs. Morgan.
THE MOTHER 13
It was stated by a niece who died a year or
two ago that all three marriages were '^ profoundly
happy." ^ There is no room to doubt this, although
much ill-natured myth has gathered round Mr.
Bronte as a husband. But there is no disguising
the pathos of his wife's destiny. For her there
were eight years of married life in the cold, bleak
surroundings of Hartshead and Thornton, the giv-
ing birth to six successive children, and then, all
too quickly, death in the gaunt, comfortless rectory
at Haworth.
It has been said that Mrs. Gaskell exaggerated
the tragedy of Charlotte Bronte's life, but not the
most cheery optimist can find much sunshine in the
married life of her poor mother. Mr. Bronte may
have been a good husband. On the whole, he was
doubtless thoroughly kind and considerate. But
the best of men are prone to blindness in the face
of a gentle, lonely woman's needs, and one suspects
that the money spent in publishing his own well-
nigh worthless verses had better have been given
^Letter to the author from the late Miss Branwell, of
Penzance.
14 CHARLOTTE BRONTE
to his wife. But we may be sure that such a
thought never entered her head. The pathos of
Mrs. Bronte's brief married life is heightened by
the love-letters that the world has been privileged
to read. Maria Branwell at Wood House Grove
exchanged letters with Patrick Bronte at Harts-
head. Patrick's letters have not been preserved.
Maria's were read long years afterwards by her
daughter Charlotte, who remarked concerning
them : —
" A few days since a little incident happened
which curiously touched me. Papa put into my
hands a little packet of letters and papers, telling
me that they were mamma's, and that I might read
them. I did read them in a frame of mind I cannot
describe. The papers were yellow with time, all
having been written before I was born; it was
strange now to peruse, for the first time, the records
of a mind whence my own sprang, and most
strange, and at once sad and sweet, to find that
mind of a truly fine, pure, and elevated order.
They were written to papa before they were mar-
ried. There is a rectitude, a refinement, a con-
THE MOTHER 15
stancy, a modesty, a sense, a gentleness In them in-
describable. I wish that she had lived and that I
had known her." ^
The letters of Mrs. Bronte well deserve her
daughter's eulogy. They are beautiful letters,
these love-letters of ninety years since, with their
hopes of the future, their devotion, their playful
affection. " My dear saucy Pat " is the opening
line of one letter, which indeed continues with the
question, " What will you say when you get a real
right down scolding? " If ever a man secured the
love of a good woman, one feels that Mr. Bronte
was thus fortunate. But, as I have said, the sequel
is not rose-coloured. There came a constant succes-
sion of little children, and then the mother's death
a few months after the birth of the last child, Anne.
Mr. Bronte was five years at Hartshead-cum-
Clifton, and here two children were bom to him,
the first being named Maria and the second Eliza-
beth. During this period Mr. Bronte became an
industrious author.
He published in Halifax, as has already been
^ Letter to Ellen Nussey.
i6 CHARLOTTE BRONTE
said, a little volume of verse entitled Cottage
Poems in 1811, and in 18 13, about the time when
his first child was bom, yet another volume, called
The Rural Minstrel. This did not conclude his
literary activity during his first five years at Harts-
head, for a tiny prose volume, called The Cottage
in the Woody was also issued by him in Halifax
before he went to Thornton.
During his married life at Hartshead Mr.
Bronte lived in a house at the top of Clough Lane,
Hightown. Then a friend^ one Mr. Atkinson, of-
fered to exchange the living of Thornton for that
of Hartshead, and the exchange was effected. Mr.
Atkinson is of interest to us as the godfather of
Charlotte Bronte. His wife was also her god-
mother. She was a Miss Walter, of Lascelles
Hall, near Huddersfield, and it was to be near this
lady that the young curate exchanged with Mr.
Bronte. Mr. Atkinson remained in possession of
the perpetual curacy at Hartshead until 1866, and
he lived there until 1870. Both he and his wife
were very kind to Mr. Bronte's children, we are
told.
CHAPTER III
THORNTON
Thornton is even to-day a small, as it is also
a very ugly, village. It is some three miles from
Bradford in Yorkshire. We may assume that Mr.
Atkinson, in exchanging livings, sacrificed some-
thing of material good in his desire to be near his
future wife, with whom he acquired a competency.
Mr. Bronte also may have been influenced less by
monetary considerations than by the nearness of
Mr. Morgan, who, it will be remembered, was
married to his wife's cousin, and who about this
time became Vicar of Christ Church, Bradford.
The house to which the young mother removed in
May 1815, with her two little children — one a
babe of three months old — still stands. It is a
plain, unpicturesque structure, rendered more plain
and unpicturesque by the fact that half of its front-
age has been converted into a butcher's shop.
17
1 8 CHARLOTTE BRONTE
Near by there stands a new church, in the regis-
ters of which are recorded the baptisms of the fa-
mous Bronte children.
Opposite the then '' parsonage,*' if so mean a
house could ever have been dignified by such a
name, may be seen the ruin of the Old Bell Chapeli
where Mr. Bronte preached and where five of his
children were baptized. A baptism of one of
them indeed marks the early months of Mr.
Bronte's sojourn in Thornton. Elizabeth, who
had been born in Hartshead in the previous May,
was christened here in August. Mr. Fennell of-
ficiated, and a local magnate, Mr. Firth, and his
daughter were godfather and godmother, while
the second godmother was Miss Elizabeth Bran-
well, who had come from Penzance on her first
visit to her married sister, staying fully a year at
Thornton.
That Old Bell Chapel, built as a chapel-of-ease
to Bradford Parish Church, as was also Haworth
Church, six miles away, was to have still more
notable christenings. For Charlotte and Emily
Bronte were both bom in this unpretentious cot-
THORNTON 19
tage in Thornton — Charlotte on April 21, 18 16,
and Emily Jane on July 30, 1 8 1 8. The only boy,
who was christened Patrick Branwell, was bom
here on June 26, 18 17. Finally, the sixth and last
child put in an appearance. This was Anne, who
was bom January 17, 1820, very shortly before
her parents removed to Haworth.
Of the life of Mr. Bronte during those five
years at Thomton little is recorded. We know in-
deed that he still wrote verses and prose stories of
a kind, and that he contributed a sermon on " Con-
version " to the Pastoral Visitor. He had his
modest share of recognition from the critics then
and later. His friend Mr. Morgan described The
Cottage in the Wood in the Pastoral Visitor as " a
very amusing and instmctive tale," and so late as
1845, just before his daughters had made him fa-
mous, one Newsam, in his Poets of Yorkshire, de-
voted no less than five lines of appreciation (with
eighteen lines of quotation) to Mr. Bronte as a
poet.^ Mr. Bronte's work was, however, medio-
^ "The Poets of Yorkshire, comprising sketches and the
Lives and Specimens of the writing of those 'Children of Song'
so CHARLOTTE BRONTE
ere, and would long since have been forgotten wcfo
it not for his daughter's fame. It ia more pleasi-
ant to meet him in Thornton as a social rather
than as a literary luminary, and^ although our
knowledge of him is scanty in thta respect, it is in-
teresting as far as it goes. One Miss Elizabeth
Firth, who was in 1824 to become the wife of the
Rev. James Franks^ Vicar of Huddersfield, was
eighteen years of age when, in 18 15, the Rev. Patw
rick Bronte removed from Hartshead to Thomtoa.
She was living with her father at Kipping House,
Thornton. She had been, by the way, a pupil of
Miss Richmal Mangnall, the author of the once
famous Mangnall' s Questions. That lady was for
many years a schoolmistress in the neighbourhood
of Wakefield. Miss Firth made speedy acquaint-
ance with Mrs. Bronte, and, as we have seen, be-
came one of the child Elizabeth's godmothers.
Miss Firth kept a diary, a diary all too scanty.
who have been natives of, or otherwise connected with, the
county of York. Commenced by the late William Cartwrig^t
Newsam, completed and published for the benefit of his family
by John Holland." Price 5^. 250 copies printed. London:
Groombridge & Sons. Sheffield: Ridge & Jackson. 1845.
THORNTON 21
It oonsisted the merest notes in a pocket-bode.
"We drank tea at Mr. Bronte's,*' is one day*s
item, and ^' Mr. Bronte and Mrs. Morgan drank
test bene," is another; and so on through the five
years. Mr. Bronte is seen as a most sociable in-
dividual, and constant records of tea-drinking are
noted. On July 26, 18 16, we learn that "Miss
Branwell returned to Penzance," so that we know
from this and from no other source that she was
in attendance on the young mother when Charlotte
was bom. From one entry we learn that Miss
Firth had a mind of her own in literature. " Read
Old Mortality. Didn't like it," she says in her
diary. But she is kinder to some of Sir Walter
Scott's later books.
It is to Miss Firth alone that we are indebted
for the actual dates of birth of all the Bronte chil-
dren. On January 17,18 20, we find the announce-
ment of another accession to the Bronte family.
This was the day that Anne was bom. In that
month also k the record, '' Gave at Anne's chris-
tening, one pound." Altogether, one sighs over
the fact that Mistress Elizabeth Firth was not a
22 CHARLOTTE BRONTE
more voluble person. One real glimpse of Mrs.
Bronte as she impressed a sister woman, one vivid
picture of these years relative to the birth of Char-
lotte or Emily, one saying of the poor mother piti-
lessly hurrying to her doom, would have been pa-
thetically interesting. Two months after Anne's
birth we find the entry, " Mr. and Mrs. Bronte
came to dinner," and so it seems that both husband
and wife had their share of social life in those
days, to say nothing of the companionship of the
sister from Penzance.
Let me explain here that Mr. Bronte as incum-
bent of Thornton was called " minister." Thomas
Atkinson, who preceded Mr. Bronte, was " min-
ister," and so also was William Bishop, who suc-
ceeded him in 1820. Richard Henry Heap, who
came to Thornton in 1855, was the first ** vicar,"
the title that now obtains.
It may be added that Thornton has a history
quite apart from the Brontes. With all its exter-
nal sordidness, it has had a wide-reaching spiritual
THORNTON 23
activity. Here, a century before Mr. Bronte's ar-
rival had flourished eminent divines of Noncon-
formity, whose ashes rest amid the ruins of the Old
Bell Chapel. There, most notable of all, were
Joseph Lister and his son Accepted, whose name
savours so well of the older puritanism. Joseph
Lister, indeed, in his Autobiography, a book that
has had much fame in its day, explains the curious
name of young " Accepted." His wife was in
great spiritual depression when the child was bom.
This depression, we are told, was lifted almost
immediately, and then, as Lister says in the quaint
language of his age: —
" • • • the Lord was pleased to shine in upon
her soul again, to her great satisfaction, and she
was filled with peace and joy through believing;
in consideration of which we resolved to give him
this name; and God hath made him acceptable to
many souls, though it pleased the Lord to afflict
him with a great weakness in his joints . . . "
Mr. Bronte came, then, into an evangelical tra-
dition, and his wife's uncle, Mr. Fennell, who
about this time abandoned Wesleyanism and be-
a4 CHARLOTTE BRONTE
came a dergyman of the Church of England,
helped to keep hhn in toleration for all aspects of
the evangelical creed. Apparently he never quar-
relled with Nonconformity, although at a much
later date some of his curates at Haworth did.
Vigorous hatred of the tenets of the Church of
Rome he had imbibed from his North of Ireland
environment, and that sentiment was part of the
inheritance of his brilliant children, notably of his
daughter Charlotte.
CHAPTER IV
CHILDHOOD AT HAWORTH
Charlotte Bronte was a Utde girl of six
years of age when her father exchanged Thornton
for Haworth. We have no glimpse of her at
Thornton; we have little enough glimpse of the
child and her brother and sisters in the first years
at Haworth. When Mrs. Gaskell wrote, there
were people who well remembered the departure
of Mr. Bronte and his family — die carts laden
with the minister's furniture, the delicate mother
and her six little children, the eldest, Maria, only
seven years of age. The change, if change were
helpful, was all to that mother's advantage. The
house was much better situated, at a healthier alti*
tude, and pleasantly jutting on the glorious moors.
Given genuine health, Mrs. Bronte could have been
happy enough at Haworth — hapiner than at
Thornton. Bat physical health she had not, nor
«5
26 CHARLOTTE BRONTE
did her children inherit it from her, and therein
lay more than half the tragedy of their lives, and
the all too early death of every one of them.
Mrs. Bronte's stay in that moorland home was
not a long one. She and her family arrived at the
vicarage somewhere in April 1820. Mr. Bronte,
it is true, took the Haworth services from Feb-
ruary, but it is clear that he left his family behind
him then as the guests of the Firths, at Kipping
House. As a stalwart walker, the journey to and
fro could never have troubled him. His visits to
Thornton continue to be recorded in Miss Firth's
diary many times during this year 1820. In Sep-
tember of that year, after less than six months of
life In Haworth, Mrs. Bronte died. If we are to
believe gossip, the bereaved husband tried in two
quarters to find a stepmother for his little children.
He first applied to Mary Burder, of Wethers-
field, as we have seen, and then to Elizabeth Firth,
of Thornton. Twice refused, he turned to his
wife's sister, Elizabeth Branwell, of Penzance,
and asked her to come and be housekeeper and in
a manner a mother to his little ones. The duties
CHILDHOOD AT HAWORTH 27
were accepted and faithfully performed for twen-
ty-two years.
Returning for a moment to Mrs. Bronte, we find
her life story to be a brief and unquestionably a
pathetic one. She is preserved for us in her daugh-
ter's biography by a number of love-letters and by
a brief religious essay of no particular individual-
ity.* Mr. Bronte was deeply attached to his wife,
and there is no reason to accept for a moment the
various foolish stories of his treatment of her in
those later days of her life. The value of the
scandalous Haworth stories that have stuck to Mr.
Bronte, although Mrs. Gaskell was compelled to
withdraw them from later editions of her Life, may
be gauged from the fact that Mr. Bronte had only,
as we have seen, six months of married life at Ha-
worth, while at Thornton he was in every way in-
clined to sociability. ' Some measure of moroseness
may, however, have come over Mr. Bronte in the
period following his bereavement. Taking him-
* The love-letters are in the possession of Mr. A. B. NichoUs.
The manuscript entitled "The Advantages of Poverty in Re-
ligious Concerns" is in my library.
28 CHARLOTTE BRONTE
self and his woric seriously, he did not care to let
that work be interrupted too much by his children.
They therefore pursued their studies and partook
of their meals very much under their aunt's guid-
ance, their father frequently haying his meals
alone. They met in his study — ^the parlour— cmi
the right-hand side of the doorway as you enter
the house, for tea, but they saw little of him dur-
ing the rest of the day.
We may imagine, then, these six children work-
ing the samplers that remain to us, at their aunt's
knee, reading such little books as came into their
hands — ^books, we may be sure, too " old " for the
little people. They had the usual experiences of
orphan children, much grim kindness from aunt
and servants. The servants of that time, Sarah
and Nancy Garrs, were asked for their impres-
sions in later life, and then at least they were enthu-
siastic. Never was so kind a master as Mr.
Bronte, never so clever a little child as Charlotte.
We may accept such testimony with a grain of salt,
but the main fact remains that it was a reasonably
happy home until the educational problem asserted
CHILDHOOD AT HAWORTH 29
ttsdf. Educatiofi has alwa3rs special credentials
for the self<4nade man, and Mr. Bronte not un-
naturally availed himself of the Clergy Daughters*
School at Casterton, where a good subsidized
education was provided at fourteen pounds a
year. Maria, the eldest girl, entered the school
on Jiily I, 1824, and Elizabeth, aged nine, on
the same day. Charlotte entered on August
10, 1824, and Emily November 25 of that
year, the former being eight years old and the
latter less than six. The school brought no
happiness to the four delicate, anaemic children.
No boarding school of that epoch would have done
so. Such places are only possible for the physi-
cally robust. But there is not much need to asso-
ciate too closely the sad fate of Maria and Eliza-
beth Bronte — ^both of whom left the school in
1825 to die — ^with the actual defects of the cheap
boarding school system of the period. Maria left
in February, and died in May; Elizabeth left in
May, and died on June 15. On June i Charlotte
and Emily returned to Haworth. Charlotte
Bronte long years afterwards was to gibbet for all
30 CHARLOTTE BRONTE
time the worst aspects of our inferior girls' schools
in " Lowood," of Jane Eyre, as Dickens, a little
later, was to gibbet the inferior boys' schools in
" Dotheboys Hall " of Nicholas Nickleby. After
Miss Bronte's death her biographer, Mrs. Gaskell,
got into trouble for her identification of the Lo-
wood of Jane Eyre with the Casterton presided
over by the Rev. Cams Wilson. A very consider-
able mass of opinion was brought together from
old pupils to prove that, even when the little
Brontes were there, Casterton was a most exem-
plary institution. The point is scarcely worth dis-
puting over now. Much more depends upon health
in early childhood than at any other time. Food
that to one child is a torture to eat, to another pro-
vides a real gratification of appetite; an environ-
ment that to one child is hell, to another is para-
dise. The little Bronte girls had fragile constitu-
tions and therein, it cannot be too often repeated,
lay the whole tragedy of their lives.
There was little of tragedy, but much of happi-
ness, however, in the years immediately following
their leaving Casterton and the death of the two
CHILDHOOD AT HAWORTH 31
elder sisters. Miss Branwell was doubtless a very
prim personage, although kindly withal. There
is no reason to suppose but that she did her best
for the four orphaned children, of whom Char-
lotte, the eldest, was nine years of age when she
left Cowan Bridge, and fourteen when she entered
Roe Head School. Those five years were, as I
have said, fairly happy. There is a copy of The
Imitation of Christ extant, given to Charlotte in
1826, and there are other books that we know the
children read during this period, including Scott's
Tales of a Grandfather. They also commenced
to write " original compositions," as so many chil-
dren of precocious tendencies do— to the joy of
fond and ambitious parents. But I am not sure
that children often cultivate the minute handwrit-
ing that was affected by the Bronte prodigies.
There are perhaps a hundred little manuscript
books in existence, principally the work of Char-
lotte and Branwell, some few, however, by Emily
and Anne. They were compiled in a micro-
scopic handwriting probably from reasons of econ-
omy. Pence, we may be sure, were scarce with the
32 CHARLOTTE BRONTE
little ones. The booklets were stitched and cov-
ered, sugar-paper being in most cases used for the
wrappers. It is not possible to trace any particular
talent in these little books, many of which bear the
date 1829. Assuredly hundreds of children who
have never come to fame have written quite as well.
It was noteworthy, however, that the little Brontes
had their heroes, who were also the heroes of the
hour. They took the victorious Duke of Welling-
ton to their hearts, and also the duke's sons, the
Marquis of Douro and Lord Charles Wellesley,
who figure largely in their tiny pages. It was a
life of dreams, of a kind that children delight in,
that indeed makes the life of childhood ever alter-
nately beautiful and terrible. On the wild moors
behind the house there must have been in any case
much supreme happiness for the little Brontes in
those early years that preceded the real schooldays
now opening to them.
(
CHAPTER V
SCHOOLDAYS. 1831— 1835.
In January 1831, Charlotte Bronte became a
pupil at Roe Head, Dewsbury. The headmistress
was a Miss Margaret Wooler, who survived her
famous pupil by many long years, dying in 1885.
There were never more than ten pupils during the
year and a half that Charlotte was at school, but
among them were two to whom we owe all of most
interest concerning Miss Bronte in the years before
fame came to her. These fellow pupils were Ellen
Nussey and Mary Taylor, each of them fourteen
years of age, that is to say, a year younger than
their friend. Of both Mary Taylor and Ellen
Nussey Miss Bronte has left vivid descriptions, full
of insight and characterization that time was to
verify. Miss Taylor was business-like, matter-of-
fact, " intellectual " ; Miss Nussey was simply
pretty and lovable, but hero-worshipping to an al-
33
34 CHARLOTTE BRONTE
most morbid degree. Both girls had to undergo
great vicissitudes of fortune, their families falling
on evil days in later years, but Miss Taylor was
to have the wider experience, and the larger out-
look upon life. She went to New Zealand to " set
up shop," as she expressed it, only returning to
England when she had secured a competency.^
Miss Nussey lived to a good old age in the district
where her childhood had been passed. From
1857, when she gave Mrs. Gaskell material assist-
ance in her Life, until her death in 1897, she was
always accessible to the admirers of Charlotte
Bronte, and she carefully preserved the volumi-
nous correspondence of her friend, most of which
has been published.^ It is to Ellen Nussey that we
owe all the best glimpses of Charlotte Bronte as
^ Miss Mary Taylor wrote two books. Miss Miles, a Tale
of Yorkshire Life, and The First Duty of Woman, The last
thirty years of her life were spent at Gromersal, near her early
home. Here she died in 1893. Miss Taylor refused to say
anything about Charlotte Bronte during the twenty later years
of her life and she destroyed all her friend's letters.
^ In Mrs. Gaskell's Life, Sir Wemyss Reid's Monograph,
and in Charlotte Bronte and bet Circle. There were over five
hundred letters in all.
SCHOOLDAYS 35
she grows to womanhood; it is to Mary Taylor,
however, that we owe the first impression of her in
these years at Roe Head: —
" I first saw her coming out of a covered cart,
in very old-fashioned clothes, and looking very cold
and miserable. She was coming to school at Miss
Wooler's. When she appeared in the schoolroom
her dress was changed, but just as old. She looked
a little old woman, so shortsighted that she always
appeared to be seeking something, and moving her
head from side to side to catch a sight of it. She
was very shy and nervous, and spoke with a strong
Irish accent. When a book was given to her she
dropped her head over it till her nose nearly
touched it, and when she was told to hold her head
up, up went the book after it, still close to her nose,
so that it was not possible to help laughing." ^
Mary Taylor goes on to describe the growth of
her friendship with Miss Bronte, the keen political
arguments that took place — for they were at school
together in the year of the great Reform Bill.
^ From a letter written by Mary Taylor from New Zealand
to Mrs. Gaskell.
36 CHARLOTTE BRONTE
This was really a very happy time in Charlotte
Bronte's life. She was devoted to her two friends,
kindly disposed to the rest of her schoolfellows,
and attached to Miss Woolen The school was
small enough for her nervous, shy temperament
not to give her much concern, her holidays were
passed at her friends' homes in the neighbourhood,
her childhood's griefs, the loss of her elder sisters,
were too remote, and there was at this time no
premonition of trouble to come. She loved paint-
ing and drawing, and there are very many speci-
mens of her work extant that are of this period.
They are not, however, of great merit. It was as
an artist in words that Charlotte Bronte was to
excel. To Roe Head also she owed a fair knowl-
edge of French, as a translation by her of the first
book of Voltaire's Henriade^ indicates. With
French as a spoken language she was to become
acquainted by-and-by, as we shall see. Suffice to
say that she went back to Haworth and to her
family circle with a fairly presentable equipment
for a girl of sixteen who had to " coach " her
^ In the possession of the present writer.
SCHOOLDAYS 37
younger sisters and assist in many ways to make
the vicar's slender stipend go as far as possible.
In the middle of 1832, then, Charlotte Bronte
returned to Haworth, and her life there is best
presented in an extract from a letter to Ellen
Nussey : —
" You ask me to give you a description of the
manner in which I have passed every day since I
left school. This is soon done, as an account of
one day is an account of all. In the mornings from
nine o'clock to half-past twelve I instruct my sisters
and draw, then we walk till dinner; after dinner I
sew till tea-time, and after tea I either read, write,
do a little fancy-work, or draw, as I please. Thus
in one delightful, though monotonous course, my
life is passed. I have only been out to tea twice
since I came home. We are expecting company
this afternoon, and on Tuesday next we shall have
all the female teachers of the Sunday school to
tea."
This letter was written in 1832, and so three
years were allowed to pass, their only tangible rec-
ords for us to-day being certain drawings that bear
38 CHARLOTTE BRONTE
the dates of this period, and certain little manu-
scripts not greatly superior to those of the earlier
childhood years, and giving no promise whatever
of the literary success that was ultimately to come.
The manuscripts of these later years were mainly
written in verse form.
In 1835 Mr. Bronte and his family apparently
held a committee of ways and means. The children
were growing up, and a grown-up family of three
girls and one boy could not be expected permanent-
ly to occupy the not very commodious parsonage.
Branwell, moreover, was to be an artist, which in-
volved expense. He was to go to London to study
at the Royal Academy Schools, and his sisters real-
ized that they also should think of some occupa-
tion, and thus relieve the family exchequer. Char-
lotte's turn came first. In July 1835 she returned
to Miss Wooler's school at Roe Head as a govern-
ess, the warm friendship that she had ever felt for
her old schoolmistress justifying the supposition
that here would be the career with the least possible
chance of failure.
CHAPTER VI
GOVERNESS LIFE
Charlotte returned to Roe Head as a govern-
ess in July 1835, and she was accompanied by her
sister Emily, who entered the school as a pupil.
She writes as follows concerning her plans, to her
friend Miss Nussey : —
" I had hoped to have had the extreme pleasure
of seeing you at Haworth this summer, but human
affairs are mutable and human resolutions must
bend to the course of events. We are all about to
divide, break up, separate. Emily is going to
school, Branwell is going to London, and I am go-
mg to be a governess. This last determination I
formed myself, knowing I should have to take the
step sometime, and * better sune as syne * to use the
Scotch proverb ; and knowing well that papa would
have enough to do with his limited income should
Branwell be placed at the Royal Academy and
Emily at Roe Head. Where am I going to reside ?
39
40 CHARLOTTE BRONTE
you will ask. Within four miles of yourself, dear-
est, at a place neither of us are unacquainted with,
being no other than the identical Roe Head men-
tioned above. Yes, I am going to teach in the very
school where I was myself taught. Miss Wooler
made me the offer, and I preferred it to one or two
proposals of private governess-ship, which I had
before received. I am sad, very sad, at the thought
of leaving home, but duty, necessity, these are stem
mistresses who will not be disobeyed. Did I not
once say, Ellen, you ought to be thankful for your
independence ? I felt what I said at the time, and
I repeat it now with double earnestness ; if anything
would cheer me, it is the idea of being so near you.
Surely you and Polly will come and see me; it
would be wrong in me to doubt it; you were never
unkind yet. Emily and I leave home on the 29th
of this month ; the idea of being together consoles
us both somewhat, and in truth, since I must enter
a situation, ' my lines have fallen in pleasant
places.' I both love and respect Miss Wooler.
What did you mean, Ellen, by saying that you
knew the reason why I wished to have a letter from
I
r
GOVERNESS LIFE 41
your sister Mercy? The sentence hurt me, though
I did not quite understand it. My only rea-
son was a desire to correspond with a person I
have a regard for. Give my love both to her and
to S., and Miss Nussey.'*
Charlotte Bronte's governess period is however
^he least pleasant to survey of any aspect of her
*ife. She was ill adapted for the position of look-
^'^g after a miscellaneous crowd of girls. She hated
^l>e work, and she had a bitter tongue when facing
^U the petty discomforts of such a position. Still
less was she suited for her after-position of a nur-
^ery governess. Great animal spirits, immense
^elf-confidence, all the qualities that made this ever
Arduous career possible although rarely pleasant,
^ere utterly lacking to this shy retiring woman.
Charlotte Bronte was little more than nineteen
years of age when she went to Roe Head as gov-
erness. The year following Miss Wooler removed
her school to Dewsbury. This was just before the
Christmas of 1836. Charlotte was but a year at
this latter place when she returned home, broken
in health and spirits.
412 CHARLOTTE BRONTE
Emily, now aged seventeen, went with her sister
as we have stated. After three months, however,
she utterly broke down with this constant contact
with strangers, and went back to Haworth, Anne
taking her place in the school as a pupil.
There is nothing to add to what has already been
printed again and again concerning this period.
What we know of it we owe to her two friends,
Ellen Nussey and Mary Taylor. With both she
corresponded regularly, and her Sundays were fre-
quently spent at the house of one or the other.
Ellen Nussey had her home at this time and un-
til 1837 at The Rydings, near Birstall, a beautiful
house in its own grounds which young Branwell
Bronte described when he visited it as " paradise."
It doubtless meant something in her development
that at an impressionable age Charlotte should
have been introduced occasionally to a prosper-
ous, and even luxurious environment. She loved
Ellen Nussey, moreover, although she had no
common ground of intellectual interest. Her let-
ters to her are frequent, and they are always affec-
tionate. But she has herself well described the
GOVERNESS LIFE 43
limitations of the friendship in a letter to a later
friend : —
" True friendship is no gourd, springing up in
a night and withering in a day. When I first saw
Ellen I did not care for her; we were schoolfel-
lows. In course of time we learnt each other's
faults and good points. We were contrasts — still,
we suited. Affection was first a germ, then a sap-
ling, then a strong tree — ^now, no new friend, how-
ever lofty or profound in intellect, not even Miss
Martineau herself— could be to me what Ellen is ;
yet she is no more than a conscientious, observant,
calm, well-bred Yorkshire girl. She is without ro-
mance. If she attempts to read poetry, or poetic
prose, aloud, I am irritated and deprive her of the
book; if she talks of it, I stop my ears; but she is
good; she is true; she is faithful, and I love her." ^
Of more importance however in Miss Bronte's
intellectual growth was her friendship with Mary
Taylor, the *' dear Polly " and " dear Pag " of
many a letter unhappily destroyed. One would
^ Letter to W. S. Williams in Charlotte Bronie and Her Circle^
page tos.
^ 44 CHARLOTTE BRONTE
gladly have possessed a clearer picture than exists
of that other home into which Charlotte was wel-
} corned in these dreary, governess days. The Tay-
^ lors are, however, well depicted in the Yorkes, of
I
Shirley. It was a pleasant house, this at Gomersal,
and it may still be seen from the road from which
it is separated by a high brick wall. Here Mr.
[ Taylor's family dwelt for many years, and when
; the young governess entered the circle we may be
sure that argument waxed fast and furious. For
j Charlotte Bronte was " Church " to the backbone,
[ and " State " as understood by the followers of
) Wellington equally to the backbone, while the Tay-
; lor family were Dissenters and Democrats. From
; those days onward it is clear that a larger religious
I toleration, a larger human sympathy than she had
4
I hitherto known gathered in Charlotte Bronte's
mind, and Mary Taylor must have been mainly in-
strumental in giving her this. " Mary alone," she
says in one of her letters, ^^ has more energy and
] power in her nature than any ten men you can pick
i out in the united parishes of Birstall and Ha-
worth." Or we may take this other picture where
GOVERNESS LIFE 45
^e IS presented as Rose Yorke in Shirley: —
^ * Rose Is a still, and sometimes a stubborn girl
xiow; her mother wants to make of her such a
"woman as she is herself — a woman of dark and
<lreary duties ; and Rose has a mind full-set, thick-
sown, with the germs of ideas her mother never
knew. It is agony to her often to have these ideas
trampled on and repressed. She has never re-
belled yet; but if hard driven, she will rebel one
day, and then it will be once for all."
The Christmas holidays of 1836 were spent at
home, at Haworth, and even then some kind of lit-
erary aspirations must have begun with the young
people, for we find Charlotte corresponding with
Southey, then Poet Laureate. We find Branwell
Bronte also writing letters to the Editor of Black-
wood's Magazine begging for the insertion of his
contributions, and sending to Wordsworth drafts
of his projected books. When the Christmas holi-
days were over Charlotte returned to the inevitable
"grind," as she called it, not this time to Roe
Head but to the new school-house at Dewsbury
Moor. In March of 1837 she obtained a long-
46 CHARLOTTE BRONTE
delayed answer from Southey — a kind and consid-
erate letter from a busy man to a stranger — advis-
ing that she should not think about literature, A
fragment of her reply is worth printing : —
" My father is a clergyman of limited though
competent income, and I am the eldest of his chil-
dren. He expended quite as much in my education
as he could afford in justice to the rest, I thought
it therefore my duty, when I left school, to become
a governess. In that capacity I find enough to oc-
cupy my thoughts all day long, and my head and
hands too, without having a moment's time for one
dream of the imagination. In the evenings, I con-
fess, I do think, but I never trouble any one else
with my thoughts. I carefully avoid any appear-
ance of preoccupation and eccentricity, which
might lead those I live amongst to suspect the na-
ture of my pursuits. Following my father's ad-
vice — ^who from my childhood has counselled me,
just in the wise and friendly tone of your letter —
I have endeavoured not only attentively to observe
all the duties a woman ought to fulfil, but to feel
deeply interested in them. I don't always sue-
GOVERNESS LIFE 47
ceed, for sometimes when Fm teaching or sewing I
would rather be reading or writing; but I try to
deny myself; and my father's approbation amply
rewarded me for the privation. Once more allow
me to thank you with sincere gratitude. I trust I
shall never more feel ambitious to see my name in
print; if the wish should rise, Fll look at Southey's
letter, and suppress it." ^
At the end of 1837, as the Christmas holidays
were coming on, Charlotte had a " breeze " with
Miss Wooler concerning her sister Anne, who was
still a pupil at the school. Robust in health her-
self. Miss Wooler perhaps took little account of
the ailments of others. Anne had what to the
schoolmistress was merely a slight cold ; to her de-
voted sister it was much more, and Charlotte was
right; it was doubtless the beginning of that con-
sumption which was all too soon to end her sister's
life. The alienation was but temporary, and Miss
Wooler and her pupil parted the best of friends.
Charlotte and Anne went home, and the latter did
^ See Southey's Life^ vol. vi. pp. 329-30, for two letters from
Southey to Charlotte Bronte.
48 CHARLOTTE BRONTE
not again return to Dewsbury. The three sisters
were together for a time, Charlotte returned
alone to Dewsbury after the Christmas holidays,
but at the beginning of June, 1838, she went back
to Ha worth, " a shattered wreck," as she described
herself in a letter to one of her friends.
It was but a few months after this, while still at
home at Haworth, she received her first offer of
marriage — from a clergyman, Henry Nussey, the
brother of her friend Ellen. He was at this time
Curate of Donnington in Sussex; he afterwards
became Rector of Hathersage in Derbyshire, and
here Charlotte Bronte spent a memorable three
weeks' holiday with Ellen Nussey some time later,
with the result that she was able to introduce
an element of Derbyshire scenery into her books.^
Charlotte Bronte went to stay at Hathersage with
her friend Ellen while the vicar was on his honey-
moon, for it did not take him long to recover from
the blow of Miss Bronte's rejection of his suit.
He had indeed told her frankly enough that he
^ In Hathersage Church is an altar tomb to Robert Eyre,
who fought at Agincourt, and to his wife, Joan Eyre. Hather-
sage is of course the village of Morton of Jane Eyre.
GOVERNESS LIFE 49
wanted some one to look after his housekeeping,
and Charlotte had sufficient romance in her com-
position to feel that this was not quite an adequate
courtship. That she had her own strong views on
the subject is shown by a letter which I print here,
written soon afterwards to a friend whose love-
affair also came to nothing. It is dated November
20, 1840.
" That last letter of thine treated of matters so
high and important I cannot delay answering it for
a day. Now, Ellen, I am about to write thee a
discourse and a piece of advice which thou must
take as if it came from thy grandmother, but in the
first place, before I begin with thee, I have a word
to whisper in the ear of Mr. Lincoln, and I wish it
could reach him.
" In the name of St. Chrysostom, St. Simeon and
St. Jude, why does not that amiable young gentle-
man come forward like a man and say all he has to
say to yourself personally, instead of trifling with
kinsmen and kinswomen? Mr. Lincoln, I say,
walk or ride over to Brookny some fine morning,
where you will find Miss Ellen sitting in the draw-
50 CHARLOTTE BRONTE
ing room making a little white frock for the Jew's
basket, and say, ' Miss Ellen, I want to speak to
you.' Miss Ellen will of course civilly answer,
* I'm at your service, Mr. Lincoln,' and then when
the room is cleared of all but yourself and herself,
just take a chair near her, insist upon her laying
down that silly Jew basket work, and listening to
you, then begin in a clear, distinct, deferential but
determined voice — ' Miss Ellen, I have a question
to put to you, a very important question — ^will you
take me as your husband, for better, for worse?
I am not a rich man, but I have sufficient to support
us, I am not a great man, but I love you honestly
and truly. Miss Ellen, if you knew the world bet-
ter you would see that this is an offer not to be de-
spised — a kind attached heart, and a moderate
competency.' Do this, Mr. Lincoln, and you may
succeed; go on writing sentimental and love-sick
letters to Henry, and I would not give sixpence for
your suit.
" So much for Mr. Lincoln. Now, Ellen, your
turn comes to swallow the black bolus — called a
friendly advice. Here I am under difficulties, be-
GOVERNESS LIFE 51
cause I don't know Mr. Lincoln ; if I did I would
give you my opinion roundly in two words. Is the
man a fool? Is he a knave or humbug, a hypo-
crite, a ninny, a noodle? If he is any or all of
these things of course there is no sense in trifling
with him — cut him short at once, blast his hopes
with lightning rapidity and keenness.
*' Is he something better than this? Has he at
least common sense, a good disposition, a manage-
able temper? Then, Ellen, consider the matter.
You feel a disgust towards him now, an utter re-
pugnance, very likely, but be so good as to remem-
ber you don't know him, you have only had three
or four days' acquaintance with him; longer and
closer intimacy might reconcile you to a wonderful
extent. And now I'll tell you a word of truth at
which you may be offended or not as you like.
From what I know of your character, and I think
I know it pretty well, I should say you will never
love before marriage. After that ceremony is
over, and after you have had some months to settle
down, and to get accustomed to the creature you
have taken for your worse half, you will probably
52 CHARLOTTE BRONTE
make a most affectionate and happy wife, even if
the individual should not prove all you could wish,
you will be indulgent towards his little foibles and
will not feel much annoyance at them. This will
especially be the case if he should have sense suffi-
cient to allow you to guide him in important mat-
ters. Such being the case, Ellen, I hope you will
not have the romantic folly to wait for the waken-
ing of what the French call * Une Grande Passion J
My good girl, * Une grande passion ' is * une
grande Folic.' I have told you so before, and I
tell it you again. Moderation in all things is wis-
dom. When you are as old as I am ( I am sixty at
least, being your grandmother) you will find that
the majority of those worldly precepts, whose
seeming coldness shocks and repels us in youth, are
founded in wisdom. Did you not once say to me in
all childlike simplicity, * I thought, Charlotte, no
young ladies should fall in love till the offer was
actually made ? ' I forget what answer I made at
the time, but I now reply after due consideration,
' Right as a glove, the maxim is just, and I hope
you will always attend to it.' I will even extend
GOVERNESS LIFE S3
and confirm it — ^no young lady should fall in love
till the offer has been made, accepted, the marriage
ceremony performed, and the first half-year of
wedded life has passed away ; a woman may then
begin to love, but with very great precaution, very
coolly, very moderately, very rationally. If she
ever loves so much that a harsh word or a cold
look from her husband cuts her to the heart, she is
a fool — if she ever loves so much that her hus-
band's will is her law, and that she has got into a
habit of watching his look in order that she may
anticipate his wishes, she will soon be a neglected
fool. Did I not once tell you of an instance of a
relative of mine who cared for a young lady until
he began to suspect that she cared more for him
and then instantly conceived a sort of contempt for
her ? You know to whom I allude — ^never as you
value your ears mention the circumstance — ^but I
have two studies, you are my study for the success,
the credit, and the respectability of a quiet tranquil
diaracter. Mary is my study — for the contempt,
the remorse, the misconstruction which follow the
development of feelings in themselves noble, warm.
54 CHARLOTTE BRONTE
generous, devoted and profound, but which being
too freely revealed, too frankly bestowed, are not
estimated at their real value. God bless her, I
never hope to see In this world a character more
truly noble — she would die willingly for one she
loved, her Intellect and her attainments are of the
highest standard. Yet I doubt whether Mary will
ever marry.
" I think I may as well conclude the letter, for
after all I can give you no advice worth receiving,
all I have to say may be comprised in a very brief
sentence. On one hand don't accept if you are
certain you cannot tolerate the man— on the other
hand don't refuse because you cannot adore him.
As to little Walter M , I think he will not die
of love of anybody — ^you might safely coquette
with him a trifle If you were so disposed without
fear of having a broken heart on your conscience.
His reverence expresses himself very strongly on
the subject of young ladles saying ' No ' when they
mean * Yes.' He assures me he means nothing per-
sonal. I hope not. I tried to find something ad-
mirable In him and failed.
GOVERNESS LIFE 55
'' Assuredly I quite agree with him in his disap-
probation of such a senseless course. It is folly
indeed for the tongue to stammer a negative when
the heart is proclaiming an aflGirmative. Or rather
it is an act of heroic self-denial of which I for one
confess myself wholly incapable. / would not tell
juch a lie to gain a thousand pounds. Write to
me again soon and let me know how it all
goes on." ^
Instead of plunging into matrimony, Charlotte
Bronte twice entered upon the duties of a govern-
ess in a private family. Her first " situation," as
she calls it, was with a Mrs. Sidgwick, and we find
her in June 1839 writing to her sister Emily from
the Sidgwick family mansion at Stonegappe in
Yorkshire, explaining that her life there was thor-
oughly hateful to her. Mr. A. C. Benson, the
well-known critic and a cousin of the Sidgwicks,
has epitomised the situation when he says that
she clearly had no gifts for the management
of children ; and also that she was in a very mor-
^ See Appendix for other letters.
56 CHARLOTTE BRONTE
bid condition the whole time she was at Stone-
gappe.*
She seems to have been happier when, after a
few months at home, she took up a second situa-
tion as governess in the family of Mr. and Mrs,
White at Upperwood House, Rawdon, Yorkshire,
where she had only two pupils, a girl of eight and
a boy of six ; and where certainly the father of the
family did his best now and hereafter to prove him-
self a friend to Miss Bronte. It was he doubtless
who assisted with his advice in the scheme for go-
ing abroad, the enterprise which was the turning-
point in Charlotte Bronte's career, and which un-
doubtedly made her the famous author she event-
ually became.
^ Life of Edward White Benson^ sometime Archbishop of
Canterhuryy by A. C. Benson. Mr. Benson asserts that one of
the children told him that if Miss Bronte was desired to accom-
pany them to church — "Oh, Miss Bronte, do run up and put on
your things, we want to start " — she was plunged in dudgeon
because she was being treated as a hireling. If, in consequence,
she was not invited to accompany them, she was infinitely de-
pressed because she was treated as an outcast and a friendless
dependent.
CHAPTER VII
THE PENSION H^GER, BRUSSELS
It is in my judgment exceedingly probable that
had not circumstances led Charlotte Bronte to
spend some time in Brussels, the world would never
have heard of her and of her sisters. Charlotte
was nearly twenty-six years of age when she went
on the Continent, and she had accomplished noth-
ing noteworthy. She had indeed written copiously
in prose and verse, but her work will not bear any
critical examination. Let it be remembered that
she was of an age at which Fanny Burney had al-
ready won renown with Evelina. At twenty-two
Jane Austen had written Pride and Prejudice, and
Sense and Sensibility, two supremely great novels.
Before John Keats had reached these years he had
written his many immortal poems, and had gone
to his grave. One has only to compare with the
achievement of many of her peers in literature what
57
58 CHARLOTTE BRONTE
Miss Bronte had accomplished up to this time, in
spite of much strenuous literary ambition. Some
of her earlier work has been printed, not on account
of its merits, but through the rashness of hero-wor-
ship, and much of it, still in manuscript, may be
examined by the curious.* Not the most lenient of
critics can here discover the least suggestion of the
genius that was to find its earliest expression in
The Professor, the novel in which our author first
attempted to woo the publishers and in which she
also first described the entirely new world wherein
her soul had been unbound. The sojourn in Brus-
sels, I suggest again, made Miss Bronte an author.
It had long been the desire of the three girls to
set up school on their own account in the Haworth
Parsonage. Each in turn had found her work as
governess a position of absolute tragedy. Anne
had held two such situations, Emily one, and
Charlotte, as we have seen, also two. To Emily
1 Xhere are MSS. in the British Museum and in the Bronte
Kuseum» Haworth. See also The Adventures of Ernest Alem-
ItrU t faiiy tale by Charlotte Bronte, edited by Thomas J. Wise,
tirt5* and Poems by Charlotte^ Emily and Anne Bronte^ now for
^fffttime frintedy Dodd, Mead & Q)., 1902.
THE PENSION H^GER, BRUSSELS 59
the thing must have been an unmitigated tragedy,
and to all of them it was clearly unendurable. It
xiras during this time that the school project was
first mooted, and Charlotte wrote to her friend
Ellen Nussey —
" You will not mention our school scheme at
present. A project not actually commenced is al-
ways uncertain. • • • I have one aching feeling
at my heart ( I must allude to it, though I had re-
solved not to) . It is about Anne ; she has so much
to endure : far, far more than I have. When my
thoughts turn to her, they always see her as a pa-
tient, persecuted stranger. I know what concealed
susceptibility is in her nature when her feelings are
wounded. I wish I could be with her, to adminis-
ter a little balm. She is more lonely, less gifted
with the power of making friends, even than
I am.*'
There would be more freedom in a home school,
but then every one, with candid friendship, called
attention to the fact that without " languages " an
independent position as school-mistress was out of
6o CHARLOTTE BRONTE
the question. Some of their old school friends had
been to Brussels. Two of them, Mary and Mar-
tha Taylor, were there at the time, but meanwlule
there were some who strongly advised an '^ Institu-
tion " at Lille. Finally, however, Brussels was de-
cided on. A little earlier, writing from her gover-
ness post at Mrs. White's, Charlotte had made an
urgent appeal to the aunt to advance them some
money. Miss Branwell had already promised her
nieces the loan of £ioo from her savings for the
school project, in order that furniture might be
bought, circulars printed, and so on. Why not,
Charlotte asks her aunt, advance the money to help
us in Brussels? " In half a year," she says, " I
could acquire a thorough familiarity with French.
I could improve greatly in Italian, and even get a
dash of German." The end of the letter is worth
quoting in full —
" I feel an absolute conviction that, if this ad-
vantage were allowed us, it would be the making
of us for life. Papa will perhaps think it a wild
and ambitious scheme; but who ever rose in the
world without ambition ? When he left Ireland to
THE PENSION Hl^GER, BRUSSELS 6i
go to Cambridge University, he was as ambitious
as I am now. I want us all to go on. I know we
Iiave talents and I want them to be turned to ac-
count. I look to you, aunt, to help us. I think
you will not refuse. I know, if you consent, it shall
not be my fault if you ever repent your kindness."
Finally Miss Branwell acceded to her niece's
appeal; the Maison d'Education of Madame
Heger in the Rue d'Isabelle, Brussels, was decided
on, and Charlotte and Emily went there in Feb-
ruary, 1842, staying for two days in London on
the way. Mr. Bronte accompanied his children on
this expedition, giving himself his first and only
visit to the Continent, while it gave his daughters
their first view of London. Mr. Bronte stayed but
one night in Brussels. The next morning he re-
turned to England and to Haworth, and his daugh-
ters devoted themselves strenuously to their work.
They found themselves in a school once again,
but now as pupils, not as teachers; and in a way
they were fairly happy during their first six months
in Brussels. There were forty day pupils, and
twelve boarders. All the boarders slept in one long
62 CHARLOTTE BRONTE
room, which, with Its rows of lltde beds, and Its
passage between, after the fashion of the wards of
a hospital may still be seen ; and indeed the place
had its sprinkling of English pupils until quite re-
cent years. There are several Englishwomen still
living who were pupils of Madame Heger In the
generations that followed the Brontes. The pres-
ent writer has spent more than one pleasant hour
in a drawing-room in Bayswater where he has
heard three amiable and cultivated gentlewomen
recall with full hearts their old memories of the
Pensionnat Heger. They were the daughters of
a Dr. Wheelwright residing in Brussels for his
health. One of them, Laetitia, became very inti-
mate with Charlotte, another and younger sister
Sarah Anne, was able to remember certain music
lessons when Emily was her instructor, and proved,
as the child thought, not too kindly a teacher to the
little girl who indeed as an adult has clearly none
of the admiration for Emily that she gave to
Charlotte.
There were two other English girls In Brussels
at the time who have their place in this story:
THE PENSION H^GER, BRUSSELS 63
Mary and Martha Taylor. The old schoolfellows
of Dewsbury were not at the same school as Char-
lotte, but at a more expensive establishment, the
Chateau de Koekelberg. Here Martha fell ill
and died, and but a few weeks later Charlotte and
Anne were hastily summoned home by the illness
of the aunt to whose generosity they owed their
few months in Brussels.
Miss Branwell died on October 29, 1842. Her
two nieces did not reach Haworth until the begin-
ning of November. They found themselves mon-
etarily the richer by their aunt's death. The three
girls inherited some five hundred pounds apiece of
the old lady's careful investments, not enough
to enrich the household much, as the aunt's income
had died with her, but sufficient to make things
easier as far as the school project was concerned.
Now they need not go to Bridlington, as was con-
templated earlier. They might alter the parson-
age a little, utilize their aunt's bedroom, and take
at least two or three pupils.
But meanwhile Anne had still a " situation "
that had in it many advantages. She was govern-
64 CHARLOTTE BRONTE
ess to the daughters of a clergyman — Mr. Robin-
son, of Thorpe Green. Why not let Emily keep
house and Charlotte be allowed to spend yet an-
other year at Brussels in order to make herself
more thoroughly proficient?
M. Heger had taken the keenest interest in his
pupils and had written to their father expressing
regret at their hasty departure from the school.
He suggested that one or both of them might wish
to return in a position of perfect independence as
English governess.
It was this offer that Charlotte determined to
accept, and in January, 1843, she set out, this time
alone, on her eventful journey, leaving Haworth
on Friday morning, and reaching Brussels on Sun-
day evening. Here a new life began. She was
now a governess — Mademoiselle Charlotte — ^with
many special privileges, working hard in her own
time at German, and conducting the English class
besides superintending other classes at times. To
the native governesses she found herself in antag-
onism — in fact, it must be admitted that Mes-
dames Blanche, Sophie, and Hausse, her three col-
THE PENSION H^GER, BRUSSELS 65
leagues, were not merely not tolerated, but were
hated very cordially. There were compensations,
however. She had the Wheelwright family and a
certain Mary Dixon for friends in the city. She
had also at the first the good will not only of M.
Heger, but of his wife. " Whenever I turn back,"
she writes, " to compare what I am with what I
was, my place here with my place at Mrs. Sidg-
wick's, or Mrs. White's, I am thankful."
Then will seem to have come a change. Writ-
mg to her brother Branwell, she says —
" Among 120 persons which compose the daily
population of this house, I can discern only one or
two who deserve anything like regard. This is not
owing to foolish fastidiousness on my part, but to
the absence of decent qualities on theirs. They
have not intellect or politeness or good-nature or
good-feeling. They are nothing. I don't hate
them — ^hatred would be too warm a feeling. They
have no sensations themselves, and they excite
none. But one wearies from day to day of caring
nothing, fearing nothing, liking nothing, hat-
ing nothing, being nothing, doing nothing — ^yes, I
66 CHARLOTTE BRONTE
teach, and sometimes get red in the face with im-
patience at their stupidity. But don't think I ever
scold or fly into a passion. If I spoke warmly, as
warmly as I sometimes used to do at Roe Head,
they would think me mad. Nobody ever gets into
a passion here. Such a thing is not known. The
phlegm that thickens their blood is too gluey to
boil. They are very false in their relations with
each other, but they rarely quarrel, and friendship
is a folly they are unacquainted with. The black
Swan, M. Heger, is the only sole veritable excep-
tion to this rule (for Madame, always cool and
always reasoning, is not quite an exception^ . But
I rarely speak to Monsieur now, for not being a
pupil I have little or nothing to do with him.
From time to time he shows his kind-heartedness
by loading me with books, so that I am still indebt-
ed to him for all the pleasure or amusement I have.
Except for the total want of companionship I have
nothing to complain of." *
Still more melancholy was her condition by Sep-
tember when she wrote to her sister Emily the let-
^ Charlotte Bronte and her Circle*
THE PENSION H^GER, BRUSSELS 67
ter which told of her confession to a priest of the
Roman Catholic Church, an incident so skilfully
made use of in her novel Villette —
" Yesterday I went on a pilgrimage to the cem-
etery, and far beyond it on to a hill where there
was nothing but fields as far as the horizon. When
I came back it was evening, but I had such a repug-
nance to return to the house, which contained noth-
ing that I cared for, I still kept threading the
streets in the neighbourhood of the Rue d'Isabelle
and avoiding it. I found myself opposite to Ste.
Gudule, and the bell, whose voice you know, began
to toll for evening salut. I went in, quite alone
(which procedure you will say is not much like
me), wandered about the aisles where a few old
women were saying their prayers, till vespers be-
gan. I stayed till they were over. Still I could
not leave the church or force myself to go home —
to school, I mean. An odd whim came into my
head. In a solitary part of the cathedral six or
seven people still remained kneeling by the con-
fessionals. In two confessionals I saw a priest. I
felt as if I did not care what I did, provided it was
68 CHARLOTTE BRONTE
not absolutely wrong, and that it served to vary my
life and yield a moment's interest. I took a fancy
to change myself into a Catholic and go and make
a real confession to see what it was like. Know-
ing me as you do, you will think this odd, but when
people are by themselves they have singular fan-
cies. A penitent was occupied in confessing. They
do not go into the sort of pew or cloister which the
priest occupies, but kneel down on the steps and
confess through a grating. Both the confessor and
the penitent whisper very low, you can hardly
hear their voices. After I had watched two or
three penitents go and return I approached at last
and knelt down in a niche which was just vacated.
I had to kneel there ten minutes waiting, for on the
other side was another penitent invisible to me. At
last that one went away, and a little wooden door
inside the grating opened, and I saw the priest lean-
ing his ear towards me. I was obliged to begin,
and yet I did not know a word of the formula with
which they always commence their confessions. It
was a funny position. I felt precisely as I did when
alone on the Thames at midnight. I commenced
THE PENSION H^GER, BRUSSELS 69
with saying I was a foreigner, and had been
brought up a Protestant. The priest asked if I
was a Protestant then. I somehow could not tell a
lie, and said ' yes.' He replied that in that case I
could not * jouir du bonheur de la confesse; ' but
I was determined to confess ; and at last he said he
would allow me because it might be the first step
towards returning to the true Church. I actually
did confess — a real confession. When I had done
he told me his address, and said that every morn-
ing I was to go to the rue du Pare — to his house —
and he would reason with me, and try to convince
me of the error and enormity of being a Protes-
tant! I promised faithfully to go. Of course,
however, the adventure stops there, and I hope I
shall never see the priest again. I think you had
better not tell papa of this. He will not under-
stand that it was only a freak, and will perhaps
think I am going to turn Catholic." ^
This morbidness increased, and at the end of the
year she resolved to go home, her father's increas-
ing tendency to blindness fortifying her resolution.
^ Charlotte Bronte and Her Circle,
70 CHARLOTTE BRONTE
Armed with a certificate from M. Heger that told
of her qualifications for teaching the French
language, she started for England, and was
again in Haworth at the beginning of January
1844.
A few days later she wrote to a friend —
" Every one asks me what I am going to do,
now that I am returned home ; and every one seems
to expect that I should immediately commence a
school. In truth, it is what I should wish to do. I
desire it above all things. I have sufficient money
for the undertaking, and I hope now sufficient qual-
ifications to give me a fair chance of success ; yet I
cannot permit myself to enter upon life — ^to touch
the object which seems now within my reach, and
which I have been so long straining to attain. You
will ask me why. It is on papa's account; he is
now, as you know, getting old, and it grieves me to
tell you that he is losing his sight. I have felt for
some months that I ought not to be away from
him ; and I feel now that it would be too selfish to
leave him (at least as long as Branwell and Anne
are absent) , in order to pursue selfish interests of
THE PENSION H^GER, BRUSSELS 71
my own. With the help of God I will try to deny
myself in this matter, and to wait.
" I suffered much before I left Brussels. I
think, however long I live, I shall not forget what
the parting with M. Heger cost me; it grieved me
so much to grieve him, who has been so true, Idnd
and disinterested a friend. At parting he gave me
a kind of diploma certifying my abilities as a teach-
er, sealed with the seal of the Athenee Royal, of
which he is professor. I was much surprised also
at the degree of regret expressed by my Belgian
pupils, when they knew I was going to leave. I
did not think it had been in their phlegmatic
nature. . . ."
I have said that Brussels episode was the turn-
ing-point of Charlotte Bronte's career. To what
extent this was due to the personal influence of M.
Heger, the first man of any real cultivation she
had 80 far met — for Mr. Bronte's Cambridge ca-
reer left him essentially illiterate, and his curates
were worse — it Is not easy to say. M. Heger kin-
dled her intellectual Impulses, and that was no
small thing. That he won any very great control
72 CHARLOTTE BRONTE
over her moral nature there is no reason to believe.
Surely one takes the nature of an artist too pedan-
tically to assume that her heroes in Villette and
The Professor are primarily biographical.
It is sufficient that M. Heger knew good litera-
ture from bad, that he had a sense of perspective,
and that his teaching, his criticism, his loans of
books, all made for a sound education. Charlotte
Bronte, despite her genius, could not, one may be-
lieve, have " arrived " had she not met M. Heger.
She went to Brussels full of the crude ambitions,
the semi-literary impulses that are so common on
the fringe of the writing world. She left Brussels
a woman of genuine cultivation, of educated tastes,
armed with just the equipment that was to enable
her to write the books of which two generations
of her countrjmien have been justly proud.
CHAPTER VIII
POEMS
The idea of starting a school which had been
the primary motive for the Brussels enterprise nat-
urally gathered shape when Charlotte rejoined her
sisters at Haworth in the beginning of 1844. As
a first step applications were made to one or two
friends — ^to Mrs. White, for example, in whose
family Charlotte had been a nursery governess be-
fore she left for Brussels. But these friends had
already arranged for their children's education
elsewhere, and there was nothing for it but adver-
tisement. A circular was printed, offering board
and education for £35 per annum, with sundry
" extras," including the French and German that
it had taken the girls so much trouble and expense
to acquire. All was in vain, however. " Every
one wishes us well, but there are no pupils to be
had," Charlotte writes to a friend. Yet a little
73
74 CHARLOTTE BRONTE
later she writes again : " We have made no alter-
ations yet in our house. It would be folly to do
so, while there is so little likelihood of ever getting
pupils."
So a year rolled on and still another in the quiet
Yorkshire parsonage. Time made it clear that not
only were there no pupils to be had but that they
were not even desirable. Branwell, the once much
loved brother was at home, hopelessly wrecking his
life with dram drinking and drugs, the father fight-
ing his son's malady as best he could, sleeping in
the same room with him. " The poor old man and
I have had a terrible night of it," Branwell is re-
ported to have been heard to mutter one morning ;
^^ he does his best, the poor old man, but it is all
over with me."
" Meanwhile, life wears away," Charlotte
writes in March, 1845 5 "^ shall soon be thirty; and
I have done nothing yet." But before that year
had closed the three sisters were busy in the always
exhilarating occupation of preparing a book for
the press. This was a volume of poems. Char-
lotte has herself recorded the circumstances under
POEMS 75
which she, Emily and Anne published this little
volume, through which they hoped to climb the
ladder of fame. She has told us that in the au-
timin of 1845 ^^^ accidentally lighted upon a MS.
volume of verse in Emily's handwriting which she
considered to be " condensed and terse, vigorous
and genuine." " It took hours," her sister tells
us, " to reconcile her to the discovery I had made,
and days to persuade her that such poems merited
publication."
An interesting glimpse is here given us by
Charlotte of Emily's remarkable aloofness. So
shy was she that " on the recesses of her mind not
even those nearest and dearest to her could, with
impunity, intrude unlicensed." Anne, less pain-
fully reticent, speedily produced her compositions,
" intimating that, since Emily's had given me
pleasure, I might like to look at hers." " I could
not," Charlotte continues, " but be a partial judge,
yet I thought that those verses, too, had a sweet,
serene pathos of their own."
The three sisters determined to publish. To find
a publisher on any terms was, however, not easy.
76 CHARLOTTE BRONTE
Many to whom they applied did not even trouble
to answer. Finally they arranged with two young
booksellers and stationers of Paternoster Row —
Aylott & Jones — ^who did but little publishing, but
who, a few years later, were to give their imprint
to the four parts of The Germ, that interesting
adventure of the Pre-Raphaelite Brethren. From
the correspondence with Aylott & Jones, which has
been preserved, we learn that the three sisters paid
£36 10^. for the printing and binding, and yet an-
other £10 or £12 for advertising the book. Ten
years later, when Charlotte had made a reputation
with Jane Eyre, her publishers, Smith, Elder, gave
her £24 for the copyright, and they reissued the
book with a new title page, using up the old sheets.
Even then there was no call for a second edition.
The little book of less than 200 pages duly ap-
peared. It was reviewed in the Athenaeum^ where
the critic discovered that Ellis possessed ^^ a fine
quaint spirit " and " an evident power of wing,
that may reach heights not here attempted."
There is a letter from Charlotte extant in which
she thanks the editor of The Dublin University
POEMS 77
Magazine for " the indulgent notice '* that ap-
peared in his last issue.^ As an outcome of it all,
but two copies only were sold. Undismayed at the
world's coldness, Charlotte " used up " some of
the copies by sending them to the leaders of con-
temporary literature — ^to Wordsworth, Tennyson,
Lockhart, and De Quincey among others.
There were nineteen poems by Currer Bell in
the little volume, twenty-one by Ellis, and the same
number by Acton. Charlotte has said the last
word on the collection when in the preface to her
sister's Remains ^ she said : —
"The book was printed; it is scarcely known,
and all of it that merits to be known are the poems
of Ellis Bell. The fixed conviction I held, and
hold, of the worth of these poems has not indeed
received the confirmation of much favourable crit-
icism ; but I must retain it notwithstanding."
Ellis Bell, indeed, was the poet. Currer was to
give one out of many demonstrations of the fact
^ It is given in full in a note to the Haworth Edition of Mrs.
Gaskell's Life.
^ In the introduction to the 1850 edition of fFutbering Heights
and Agnes Grey,
78 CHARLOTTE BRONTE
that a writer may be a most forcible and effective
master of prose, and yet have no capacity whatever
for verse that deserves to be called poetry. Anne
Bronte, however, or "Acton Bell," wrote verse
that has at least found its way into some hymn-
books. It is a distinction that would probably
have pleased her more than any other kind of lit-
erary fame.
Ellis Bell was, it will ever be acknowledged, the
one poet of a family many members of which at-
tempted verse. The lines in this little volume en-
titled ** The Old Stoic " will certainly keep their
place in English literature for all time: —
Riches I hold in light esteem;
And love I laugh to scom;
And lust of fame was but a dream
That vanished with the mom:
And if I pray, the only prayer
That moves my lips for me
Is, "Leave the heart that now I bear.
And give me liberty!"
Yes, as my swift days near their goal,
Tis all that I implore;
In life and death, a chainless soul.
With courage to endure.
POEMS 79
In the " Selections " from the poems by Ellis
and Acton Bell that Charlotte Bronte added to
the 1850 edition of fVuthering Heights, there Is
contained a biographical fragment that is unap-
proachable in its simple pathos. No biographer
would be well advised to try to paraphrase what is
here said, or indeed to change it by a line : —
" My sister Emily loved the moors. Flowers
brighter than the rose bloomed in the blackest of
the heath for her ; out of a sullen hollow in a livid
hill-side her mind could make an Eden. She
found in the bleak solitude many and dear delights ;
and not the least and best-loved was — ^liberty.
"After the age of twenty, having meantime
studied alone with diligence and perseverance, she
went with me to an establishment on the Continent :
the same suffering and conflict ensued, heightened
by the strong recoil of her upright, heretic and
English spirit from the gentle Jesuitry of the for-
eign and Romish system. Once more she seemed
sinking, but this time she rallied through the mere
8o CHARLOTTE BRONTE
force of resolution: with inward remorse and
shame she looked back on her former failure, and
resolved to conquer in this second ordeal. She did
conquer; but the victory cost her dear. She was
never happy till she carried her hard-won knowl-
edge back to the remote English village, the old
parsonage-house, and desolate Yorkshire hills. A
very few years more, and she looked her last on
those hills, and breathed her last in that house, and
under the aisle of that obscure village church she
found her last lowly resting-place. Merciful was
the decree that spared her when she was a stranger
in a strange land, and guarded her dying bed with
kindred love and congenial constancy."
In those " Selections " also Charlotte Bronte has
preserved for us a poem of supreme worth, a poem
that will take its place as one of the very best in all
literature written by a woman. ** They were," her
sister tells us, " the last lines that Emily ever
wrote "
No coward soul is mine,
No trembler in the world's storm-troubled sphere:
I see Heaven's glories shine,
And faith shines equal, arming me from fear.
POEMS 81
O God within my breast.
Almighty, ever-present Deity!
Life — that in me has rest.
As I — ^undying Life — ^have power in Theel
Vain are the thousand creeds
That move men's hearts: unutterably vain;
Worthless as withered weeds,
Or idlest froth amid the boundless main.
To waken doubt in one
Holding so fast by Thine infinity;
So surely anchored on
The steadfast rock of immortality.
With wide-embracing love
Thy spirit animates eternal years.
Pervades and broods above.
Changes, sustains, dissolves, creates, and rears.
Though earth and man were gone.
And suns and universes ceased to be.
And Thou wert left alone,
Eveiy existence would exist in Thee.
There is not room for Death,
Nor atom that his might could render void :
Thou — ^Thou art Being and Breath,
And what Thou art may never be destroyed.
Not less memorable perhaps are the stanzas that
accompany the " Last Lines," and will be pre-
82 CHARLOTTE BRONTE
served with them in all competent anthologies of
English poetry: —
Often rebuked, yet always back returning
To those first feelings that were bom with me,
And leaving busy chase of wealth and learning
For idle dreams of things which cannot be:
To-day, I will seek not the shadowy region;
Its unsustaining vastness waxes drear;
And visions rising, legion after legion.
Bring the unreal world too strangely near*
I'll walk, but not in old heroic traces.
And not in paths of high morality.
And not among the half-disdnguished faces,
The clouded forms of long-past histoiy.
I'll walk where my own nature would be leading:
It vexes me to choose another guide:
Where the gray flocks in ferny glens are feeding,
Where the wild wind blows on the mountain side.
What have those lonely mountains worth revealing ?
More glory and more grief than I can tell:
The earth that wakes one human heart to feeling
Can centre both the worlds of Heaven and Hell.
CHAPTER IX
BRANWELL BRONTE
Branwell, or Patrick Branwell Bronte, was
twenty-nine years of age when his three sisters is-
sued their volume of poems, and he died two years
later without, as Charlotte tells us, ever having
known that his sisters had published a line, al-
though Jane Eyre^ Agnes Grey, The Tenant of
fVildfell Hall, and Wuthering Heights had all ap-
peared before his death. In after years, when the
whole family had become extinct, a rumour grew
up, which found its origin in Haworth gossip, to
the effect that Branwell wrote Wuthering Heights
— ^that he had claimed to have done so. Such a
rumour is discredited for any intelligent person by
Charlotte's disclaimer which was conveyed in a let-
ter to her friend, Mr. W. S. Williams, announcing
Branwell's death : —
" My unhappy brother never knew what his sis-
83
84 CHARLOTTE BRONTE
tcrs had done in literature — ^he was not aware that
they had ever published a line. We could not tell
him of our efforts for fear of causing him too deep
a pang of remorse for his own time misspent and
talents misapplied."
It is discredited further, if that were necessary,
from the fact that Branwell, with an " itch " for
writing, seems never to have produced prose or
poetry of any distinction. Charlotte's letters are
always full of character, Branwell's always inef-
fective, and his many little books that I have read
in manuscript, some of them written long after he
was twenty years of age, are singularly feeble.
The braggadocio of the entirely worthless young
man, anxious to shine and constantly talking of his
literary talents— of what he was always going to
achieve, could easily account for the fact that, look-
ing backwards, some of his old friends and cronies
would be persuaded that Branwell had actually as-
sured them that he wrote the book which was only
published ten months before his death — at a time
when he was in the lowest depths of alcoholism.
When he died fVuthering Heights had probably
BRANWELL BRONTE 85
not sold a hundred copies, and its authorship was
certainly an entire secret to these friends who did
not say one word about the son's claims until his
father had died thirteen years later.
The growth of the legend as to Branwell's au-
thorship is indeed amazing. We find for example
that Mr. January Searle, writing in The Mirror^
gives a most circumstantial account of conversa-
tions with Branwell concerning a story he had writ-
ten, and indeed he is made to discuss pretty freely
Charlotte's novel as well. Another acquaintance,
Newman Dearden, contributed to the Halifax
Guardian of 1867 some facts, as he called them,
whence we learn that Branwell read to this and
other friends, a large part of the story in manu-
script exactly as it reads in Wuthering Heights.
Yet another witness, Edward Sloane, of Halifax,
made similar statements, and Francis Grundy is
even more explicit as the following passage
indicates : —
" Patrick Bronte declared to me, and what his
sister said bore out the assertion, that he wrote a
great portion of Wuthering Heights himself. In-
86 CHARLOTTE BRONTE
deed, it is impossible for me to read that story with-
out meeting with many passages which I feel cer-
tain must have come from his pen. The weird
fancies of diseased genius with which he used to
entertain me in our long talks at Luddendenfoot
reappear in the pages of the novel, and I am in-
clined to believe that the very plot was his inven-
tion rather than his sister's." ^
All this " evidence " causes little commotion in
the mind of any one who has watched how legends
grow and gather force. Branwell could not have
written a line of Wuthering Heights, although he
did doubtless furnish phrases for the mouth of this
or that example of human wreckage flitting so
tragically through its pages. His last two years
of life, the years of his three sisters' greatest lit-
erary activity, were spent by him in utter debase-
ment entirely outside all intellectual interests. He
was the author of his sisters' books only so far as
he was the shameful cause of their intense isolation
during this period. " Branwell still remains at
home, and while he is here you shall not come.
^ Memories of the Past^ by Francis H. Grundy.
BRANWELL BRONTE 87
I am more confirmed in that resolution the more
I know of him," writes Charlotte to her friend,
Ellen Nussey, in November 1845, ^^^ thence to
his death, in September 1848, things grew worse
and worse.
Yet Branwell had started with high hopes and
higher dreams on the part of his sisters, who began
by thinking him so much more richly endowed than
themselves. A letter written by Charlotte to her
brother in 1832, when Branwell was fifteen years
of age and she was sixteen, commences with the
intimation that ^' as usual " she addresses her week-
ly letter to him, " because to you I find the most
to say." This intimate affection seems to have pre-
vailed until the time when Branwell took his flight
from the nest. How much he was the spoilt child
of the Haworth circle, the favourite in particular
of the aunt, who would necessarily think more of
him than of all her nieces put together, is shown
by reference to Anne Bronte's novel. The Tenant
of Wildfell Holly the book in which we have more
glimpses than in any other of the Bronte home
life; Mrs. Markham, in that story, is obviously a
88 CHARLOTTE BRONTE
picture of Miss Branwell, and precisely as Gilbert
Markham's sisters thought of their mother's par-
tiality would Branwell's sisters think about the
treatment meted out to their brother by his affec-
tionate aunt: —
" I was too late for tea : but my mother had
kindly kept the tea-pot and muffin warm upon the
hob, and, though she scolded me a little, readily
admitted my excuses; and when I complained of
the flavour of the overdrawn tea, she poured the
remainder into the slop-basin, and bade Rose put
some fresh into the pot, and reboil the kettle,
which offices were performed with great commo-
tion, and certain remarkable comments.
" * Well 1 — if it had been me now, I should have
had no tea at all — ^if it had been Fergus, even, he
would have to put up with such as there was, and
been told to be thankful, for it was far too good
for him; but you — ^we can't do too much for you.
It's always so— if there's anything particularly nice
at table, mamma winks and nods at me, to abstain
from it, and if I don't attend to that, she whispers,
" Don't eat so much of that, Rose; Gilbert will
BRANWELL BRONTE 89
like it for his supper " — I'm nothing at all. In the
parlour, it's " Come, Rose, put away your things,
and let's have the room nice and tidy against they
come in : and keep up a good fire ; Gilbert likes a
cheerful fire." In the kitchen — " Make that pie a
large one, Rose; I dare say the boys'U be hungry;
and don't put so much pepper in, they'll not like
it, I'm sure," or " Rose, don't put so many spices
in the pudding; Gilbert likes it plain," — or,
" Mind you put plenty of currants in the cake, Fer-
gus likes plenty." If I say, " Well, mamma, I
don't," I'm told I ought not to think of myself —
" you know. Rose, in all household matters, we
have only two things to consider, first, what's
proper to be done, and, secondly, what's most
agreeable to the gentlemen of the house — anything
will do for the ladies." '
And very good doctrine too,' said my mother,
' Gilbert thinks so I'm sure.' "
Branwell's life story in its concluding chapters
is not exhilarating. He was intended for a
painter, and there were dreams in the Haworth
parsonage of great fame to be acquired after study
(( (
90 CHARLOTTE BRONTE
at the Royal Academy Schools. He had already
shown some moderate talent in this direction under
the tuition of William Robinson, a portrait painter
of Leeds, at a time when it will be remembered
every town had its portrait painter and no photog-
rapher, when every sitting-room was decorated
or disfigured by huge canvases, representing the
heads of the family. Branwell had certainly as
much talent for portrait painting as many of these
" artists," and so to London he went with high
hopes. But London, it is clear, taught him nothing
that was of value to him ; perhaps it gave the first
impulse in his demoralization. In any case life in
London was too costly for the son of a poorly paid
village priest, and the boy returned home. This
was in 1835. For the next three years he would
have seemed to have done little but loaf about the
village, nominally a portrait painter, actually the
secretary of the Masonic Lodge at Haworth —
" The Lodge of the Three Graces," and the boon
companion of every one who enjoyed conviviality,
a most unfortunate life for a young man of twenty.
He did, however, continue his art studies under
BRANWELL BRONTE 91
Robinson at Leeds, and painted many portraits
there and at Bradford. There is a very human
picture of him in one of Charlotte's letters to a
friend, dated 1838, when Branwell was twenty-
one. Her friends, Mary and Martha Taylor,
were visiting her : —
" They are making such a noise about me, I
cannot write any more. Mary is playing on the
piano; Martha is chattering as fast as her little
tongue can run; and Branwell is standing before
her, laughing at her vivacity."
The beginning of January 1840 saw Branwell at
Broughton-in-Furness, as tutor in the family of a
Mr. Postlethwaite, concerning which experience of
his all we know is from a letter which says : —
" I am fixed in a little retired town by the sea-
shore, among the wild woody hills that rise around
me — huge, rocky, and capped with clouds. My
employer is a retired county magistrate, a large
landowner, and of a right hearty and generous dis-
position. His wife is a quiet, silent and amiable
woman, and his sons are two fine spirited lads." *
^ Leyland's Bronte Family,
92 CHARLOTTE BRONTE
Branwell did not lodge with the family, but with
a surgeon in the town. His tutorship was probably
a dire failure, although Mr. Leyland declares that
it ended at Mr. Bronte's instigation in June, that is,
after five months. It is scarcely probable that Mr.
Bronte could have desired that his son should once
more enter upon the loafing life at Haworth, nor
can Branwell's next effort to earn a living be con-
sidered a rise in social position. In October 1840,
he obtained a situation as clerk-in-charge at Sower-
by Bridge Station, on the Leeds and Manchester
Railway. Hence he was transferred after a few
months to Luddendenfoot, on the same line.
Here we have pictures of him from two quarters —
Mr. Francis Grundy and Mr. William Heaton.
The former was a railway engineer stationed in the
district, who thus describes Branwell at this
time : —
" Insignificantly small; a mass of red hair, which
he wore brushed high off his forehead — to help his
height, I fancy; a great, lumpy, intellectual fore-
head, nearly half the size of the whole facial con-
tour ; small ferrety eyes, deep-sunk, and still further
BRANWELL BRONTE 93
hidden by the never removed spectacles ; prominent
nose, but weak lower features. Small and thin of
person, he was the reverse of attractive at first
sight." 1
Mr. Heaton apparently had a great admiration
for the railway clerk, unless, as we suspect, this
came like so many of the reminiscences of Bran-
well, as a sentiment born of after knowledge of the
genius of the family, when to have known any one
of the dead and gone Brontes was to reap a kind
of reflected glory throughout Yorkshire, and in-
deed everjrwhere. That Branwell should have
been able to quote scraps of popular poetry was,
we see, a sign of power to this admirer: —
" His talents were of a very exalted kind. I
have heard him quote pieces from the Bard of
Avon, from Shelley, Wordsworth and Byron, as
well as from Butler's HudibraSj in such a manner
as often made me wish I had been a scholar, as
he was." ^
If he were a " scholar," Branwell, unhappily,
^ Pictures of the Past^ by Francis H. Grundy, 1879.
2 The Bronte Familyy by Francis A. Leyland, 1886.
94 CHARLOTTE BRONTE
lacked the practicality that would have made a
competent railway booking-clerk, and after twelve
months at Luddendenfoot he was dismissed by
the Company, it having been found that the ac-
counts at this station were in utter confusion. Pre-
liminary to leaving he had to appear before some
of the directors, when his most intimate friend,
William Weightman — Mr. Bronte's curate at Ha-
worth at the time — accompanied him.
It was at this period, early in 1842, that a defi-
nite deterioration took place in Branwell. His sis-
ters Charlotte and Emily were in Brussels, Anne
was in a situation as governess, the aunt was dying.
Branwell was spending all his time in the village
inn. One last effort he made to earn a livelihood.
He was engaged as tutor in the family where Anne
was a governess — her second position of the kind.
This was with Mr. Edmund Robinson, a wealthy
clergyman not holding any living, but residing at
Thorpe Green, Little Ouseburn, in Yorkshire.
Here began — in 1842 — ^the sordid "romance,"
concerning which too much has been written.
Branwell became enamoured of his employer's
BRANWELL BRONTE 95
wife and persuaded himself and all his friends that
he had received encouragement. That Mrs. Rob-
inson, many years younger than her husband, did
feel a certain kindliness for the eccentric youth is
undoubted. Anne Bronte, who was on the spot,
clearly felt that she was considerably to blame.
But that she was entirely guiltless of any serious
wrong may now be accepted as indisputable. The
legend that grew up in the Haworth home had no
basis but in the perfervid imagination of the now
thoroughly debased Branwell, who talked contin-
uously of his wrongs after Mr. Robinson had
turned him out of the house, who declared that the
woman loved him and would marry him when her
fast-failing husband died. Mr. Robinson died,
and Branwell spread the further legend that the
widow would marry him had her husband not
made a will which would render her penniless did
she do so. The will of Mr. Robinson, who died
in May 1846, demonstrates that he put no restraint
whatever upon the future action of his wife. Bran-
well succeeded in disgusting his sisters, and en-
tirely alienating them, but at the same time they
96 CHARLOTTE BRONTE
accepted too easily his own account of the affair.
Mrs. Gaskell and Miss Nussey, for example, were
both persuaded that Branwell Bronte's disastrous
end was due to a wicked intrigue. So entirely had
Mrs. Gaskell caught Charlotte Bronte's own view
of her brother's end that she told Miss Nussey of
her intention to avenge him upon the " wicked
woman." Throwing all discretion to the winds,
she ventured, in the first edition of her Life of
Charlotte Bronte^ upon an attack on Mrs. Robin-
son that is surprising in its vehemence and its libel-
ousness. That she escaped with an apology and
the withdrawal of the offending passages in later
editions of the Life must be counted for greater
good fortune than she recognised.
Meanwhile let us turn to Branwell as we see
him in his last days in his sister's correspondence.
Writing to Ellen Nussey, in April 1846, Char-
lotte says : —
" Branwell stays at home, and degenerates in-
stead of improving. It has been lately intimated
to him that he would be received again on the rail-
road where he was formerly stationed if he would
trick Branwell BroMi
BRANWELL BRONTE 97
behave more steadily, but he refuses to make an
effort ; he will not work ; and at home he is a drain
on every resource — an impediment to all hap-
piness."
A year later things are no better, there is the
same story of wreckage and powerlessness of will.
In May 1847 she writes: —
" Branwell is quieter now, and for a reason : he
has got to the end of a considerable sum of money,
and consequently is obliged to restrict himself in
some degree."
In yet another year it is the same, for in July
1848 we have the following: —
" Branwell is the same in conduct as ever. His
constitution seems much shattered. Papa, and
sometimes all of us, have sad nights with him : he
sleeps most of the day, and consequently will lie
awake at night."
Then, in September 1848 came the end, as one
of Charlotte's letters describes it: —
" * We have hurried our dead out of our sight.*
A lull begins to succeed the gloomy tumult of last
week. It is not permitted us to grieve for him
98 CHARLOTTE BRONTE
who is gone as others grieve for those they lose.
The removal of our only brother must necessarily
be regarded by us rather in the light of a mercy
than a chastisement. Branwell was his father's and
his sisters' pride and hope in boyhood, but since
manhood the case has been otherwise. It has been
our lot to see him take a wrong bent ; to hope, ex-
pect, wait his return to the right path ; to know the
sickness of hope deferred, the dismay of prayer
baffled ; to experience despair at last — and now to
behold the sudden early obscure close of what
might have been a noble career.
" I do not weep from a sense of bereavement —
there is no prop withdrawn, no consolation torn
away, no dear companion lost — ^but for the wreck
of talent, the ruin of promise, the untimely dreary
extinction of what might have been a burning and
a shining light. My brother was a year my junior.
I had aspirations and ambitions for him once, long
ago— they have perished mournfully. Nothing
remains of him but a memory of errors and suffer-
ings. There is such a bitterness of pity for his life
and death, such a yearning for the emptiness of his
BRANWELL BRONTE 99
whole existence as I cannot describe. I trust time
will allay these feelings.
" My poor father naturally thought more of his
only son than of his daughters, and, much and long
as he had suffered on his account, he cried out for
his loss like David for that of Absalom — ^my son 1
my son I — and refused at first to be comforted.
" When I looked upon the noble face and fore-
head of my dead brother (nature had favoured
him with a fairer outside as well as a finer consti-
tution than his sisters) and asked myself what had
made him go ever wrong, tend ever downwards,
when he had so many gifts to induce to, and aid in,
an upward course, I seemed to receive an oppres-
sive revelation of the feebleness of humanity— of
the inadequacy of even genius to lead to true great-
ness if unaided by religion and principle. In the
value, or even the reality, of these two things he
would never believe till within a few days of his
end; and then all at once he seemed to open his
heart to a conviction of their existence and worth.
loo CHARLOTTE BRONTE
The remembrance of this strange change now com-
forts my poor father greatly. I myself, with pain-
ful, mournful joy, heard him praying softly in his
dying moments; and to the last prayer which my
father offered up at his bedside he added, * Amen.'
How unusual that word appeared from his lips, of
course you, who did not know him, cannot con-
ceive. Akin to this alteration was that in his feel-
ings towards his relations — ^all the bitterness
seemed gone.
" When the struggle was over, and a marble
calm began to succeed the last dread agony, I felt,
as I had never felt before, that there was peace and
forgiveness for him in Heaven. All his errors —
to speak plainly, all his vices — ^seemed nothing to
me in that moment: every wrong he had done,
every pain he had caused, vanished; his sufferings
only were remembered ; the wrench to the natural
affections only was left. If man can thus expe-
rience total oblivion of his fellow's imperfections,
how much more can the Eternal Being, who made
man, forgive His creature?
" Had his sins been scarlet in their dye, I believe
BRANWELL BRONTE loi
now they are white as wool. He Is at rest, and
that comforts us all. Long before he quitted this
world, life had no happiness for him." ^
A very substantial literature has been devoted
to Branwell Bronte, a circumstance that can only
be accounted for from the fact that he had so con-
siderable an influence upon the life and work of
his sisters. On that account alone we cannot say
with Mr. Augustine Birrell, that we have " no use
for this young man." Quite a collection of docu-
ments concerning him are to be found in a book
by Mr. Francis Leyland, called The Bronte Fam-
ily. Mr. Leyland's two volumes were principally
taken up with extracts from Branwell's writings,
and he appeared to see in these indications of a
genius which is certainly not there. Branwell must
have had an interesting personality before his final
deterioration, at least compared with the type of
people among whom he was thrown; but he was
not endowed with gifts of a very high order. Had
it not been for the literary successes of his sisters
^ Extracts from two letters to W. S. Williams, in Charlotte
Bronte and Her Circle,
loa CHARLOTTE BRONTE
his name would long since have been forgotten.
We do not owe to him a single memorable line.
For the three or four years before his death he suc-
ceeded in making every one in his home profound-
ly miserable. Whether that was a gain to art or
not cannot easily be decided; but even taking into
consideration the indirect service to his sisters by
the unconscious suggestion of ^' copy/' one may
yet say with unqualified emphasis that it would
have been better for poor Branwell Bronte and
for every one connected with him if he had never
been bom.
CHAPTER X
THE PUBLICATIONS OF MR. NEWBY
It was in April 1846 that Charlotte Bronte
wrote the first letter that gave indications that the
little village of Haworth had in its midst three
young women whose hearts were palpitating with
ambition to shine in prose composition as well as
in poetry. This letter was addressed to Aylott
& Jones, the booksellers, who had engaged to is-
sue for Charlotte and her sisters a little volume of
poems. It was thus she wrote, signing her own
name : —
" C, E., and A.' Bell are now preparing for the
press a work of fiction consisting of three distinct
and unconnected tales, which may be published
either together, as a work of three volumes of the
ordinary novel size, or separately as single vol-
umes, as shall be deemed most advisable."
The authors. Miss Bronte explained, still main-
103
I04 CHARLOTTE BRONTE
taining the pleasant fiction that she was acting for
three young men in her father's parish, were not
prepared to publish at their own expense. Would
Aylott & Jones, she asked, consider the MSS.,
and would they publish in the event of thinking its
contents such as to warrant the expectation of sue-
cess? Messrs. Aylott & Jones courteously re-
plied that they did not wish to enter upon piiblish-
♦
ing ventures of this kind, but they gav^ advice as
to the methods of approaching the various London
houses which issued fiction, and for this Charlotte
Bronte thanked them cordially in a later letter.
The three novels that the sisters then cherished
the hope of publishing were The Professor by
Charlotte, fFuthering Heights by Emily, and
Agnes Grey by Anne. The precise manner in
which The Professor became detached from the
books by Emily and Anne has never been made
clear. All three sisters sent their books travelling
from publisher to publisher, and Charlotte, in the
hour of her success, more than once referred to the
unfortunate journey of The Professor, which, it
may be added, reached Smith and Elder in a wrap-
PUBLICATIONS OF MR. NEWBY 105
per that bore other tell-tale addresses. To Mr.
George Henry Lewes she wrote years later : —
" My work (a tale in one volume) being com-
pleted, I offered it to a publisher. He said it was
original, faithful to nature, but he did not feel war-
ranted in accepting it ; such a work would not sell.
I tried six publishers in succession ; they all told me
it was deficient in ' startling interest ' and * thrill-
ing excitement,' that it would never suit the circu-
lating libraries, and as it was on those libraries the
success of fiction mainly depended, they could not
undertake to publish what would be overlooked
there." ^
Mrs. Gaskell records that some of the refusals
were not over-courteously worded. Then came
the oft-recorded triumph when the firm of Smith
and Elder, in rejecting The Professor, declared
that a work in three volumes would meet with care-
ful attention — and Jane Eyre was accepted. At a
much later date Charlotte tried, more than once,
to persuade her publishers to print The Professor,
and being refused, wrote half-angrily, half-re-
^ Mrs. Gaskell, Haworth Edition, May 20, 1847.
io6 CHARLOTTE BRONTE
proachfully, to her friend Mr. George Smith, de-
claring that the book had now been refused nine
times by " The Trade," three of the refusals hav-
ing come from the house that had been so willing
to publish her later books. " My feelings," she
continued, " can only be paralleled by those of a
doting parent towards an idiot child," Mr. Will-
iams sharing with her, she declared, the distinction
of being the only person who saw merit in it.^
But all this is to anticipate — ^yet it was a curious
irony of fate that left the work of the one of the
three sisters who was to obtain any substantial pop-
ularity thus stranded, while the work of Emily and
Anne found itself at least printed, although not
published. It is clear that fVuthering Heights and
Agnes Grey also " travelled," but it is probable
that The Professor vf2iS being retained for consid-
eration at some other publisher's when the other
stories fell into the hands of Mr. Newby. Miss
Bronte afterwards said that they were accepted
" on terms somewhat impoverishing to the two
authors." In any case Charlotte speedily caught
^ Mrs. Gaskell, Haworth Edition, page 516.
PUBLICATIONS OF MR. NEWBY 107
up in the race. Thus she writes to Mr. W. S. Will-
iams on November 10, 1847: —
*' A prose work, by Ellis and Acton, will soon
appear ; it should have been out, indeed, long since,
for the first proof sheets were already in the press
at the commencement of last August, before Cur-
rer Bell had placed the MS. of Jane Eyre in your
hands. Mr. Newby, however, does not do busi-
ness like Messrs. Smith and Elder; a different spirit
seems to preside at Mortimer Street to that which
guides the helm at 65, Cornhill. . . . My re-
lations have suffered from exhausting delay and
procrastination, while I have to acknowledge the
benefits of a management at once business-like and
gentleman-like, energetic and considerate. I should
like to know if Mr. Newby often acts as he has
done to my relations, or whether this is an excep-
tional instance of his method. Do you know, and
can you tell me anything about him ? "
Mr. Newby, who thus accepted JVuthering
Heights and Agnes Grey^ the only novel by Emily
Bronte, and the first novel by Anne, appears to
have belonged to the order of publishers described
io8 CHARLOTTE BRONTE
by Robert Louis Stevenson when he said of the late
Mr. Kegan Paul, '' Kegan is a good fellow, but
Paul is a d — d scoundrel." There would however
appear to have been little of the " good fellow "
about Newby, for although professing to be
shocked at Wuthering Heights, he published it for
a consideration, and when Jane Eyre had taken the
world by storm, he gave out that his books by the
Bells were by the same author, and promptly ac-
cepted another novel by Anne — The Tenant of
fVildfell Hall — on the fly-leaf of which he insert-
ed an advertisement of Wuthering Heights and
Agnes Grey, containing " Opinions of the Press."
The Spectator declares that " the work bears affin-
ity to Jane Eyre^ John Bull, that it is " written
with considerable ability." Douglas Jerrold's
Journal that " the work is strangely original. It
reminds us of Jane Eyre. The author is a Salvator
Rosa with his pen. We strongly recommend all
our readers who love novelty to get this story, for
we can promise them they never read anything like
it before. It is like Jane Eyre.^^ " It is a colos-
sal performance," said the Atlas.
cc
PUBLICATIONS OF MR. NEWBY 109
In this connection it is well worth while repeat-
ing the review in the Athenaeum for December 25,
1847. There is surely something very fascinating
about old reviews of books that afterwards become
classics : —
Wuthering Heights^ by Ellis Bell; Agnes
Grey, by Acton Bell; 3 vols.
" Jane Eyre, it will be recollected, was edited
by Mr. Currer Bell. Here are two tales so nearly
related to Jane Eyre in cast of thought, incident
and language as to excite some curiosity. All three
might be the work of one hand, but the first issued
remains the best. In spite of much power and clev-
erness, in spite of its truth to life in the remote
nooks and comers of England, Wuthering Heights
is a disagreeable story. The Bells seem to affect
painful and exceptional subjects: the misdeeds and
oppressions of tyranny, the eccentricities of ' wom-
an's fantasy.' They do not turn away from dwell-
ing upon those physical acts of cruelty which we
know to have their warrant in the real annals of
crime and suffering, but the contemplation of which
true taste rejects. The brutal master of the lonely
no CHARLOTTE BRONTE
house on fVuthering Heights — a prison which
might be pictured from life — has doubtless had his
prototype in those ungenial and remote districts
where human beings, like the trees, grow gnarled
and dwarfed and distorted by the inclement cli-
mate; but he might have been indicated with far
fewer touches, in place of so entirely filling the can-
vas that there is hardly a scene untainted by his
presence. It was a like dreariness, a like unfortu-
nate selection of objects, which cut short the popu-
larity of Charlotte Smith's novels, rich though they
be in true pathos and faithful descriptions of na-
ture. Enough of what is mean and bitterly pain-
ful and degrading gathers round every one of us
during the course of his pilgrimage through this
vale of tears to absolve the artist from choosing
his incidents and characters out of such a dismal
catalogue; and if the Bells, singly or collectively,
are contemplating future or frequent utterances in
fiction, let us hope that they will spare us further
interiors so gloomy as the one here elaborated with
such dismal minuteness. In this respect Agnes
Grey is more acceptable to us, though less power-
PUBLICATIONS OF MR. NEWBY iii
ful. It is the tale of a governess who undergoes
much that is in the real bond of a governess's en-
durance ; but the new victim's trials are of a more
ignoble quality than those which awaited Jane
Eyre. In the house of the Bloomfields the govern-
ess is subjected to torment by terrible children (as
the French have it) ; in that of the Murrays she has
to witness the ruin wrought by false indulgence on
two coquettish girls, whose coquetries jeopardise
her own heart's secret. In both these tales there is
so much feeling for character, and nice marking
of scenery, that we cannot leave them without once
again warning their authors against what is eccen-
tric and unpleasant. Never was there a period in
our history of Society when we English could so
ill afford to dispense with sunshine."
But to return to Mr. Newby, who published, as
we have seen, from Mortimer Street, Cavendish
Square, and later (from 1850 to 1874) in Wel-
beck Street. He seems to have cared only for mak-
ing money out of his authors — ^nothing at all for
the literary honours of the business. One of his
own brothers said to Mrs. Riddell, the novelist —
112 CHARLOTTE BRONTE
" Were I you I would not say that Newby had
published anything for me."
Altogether Newby published nine volumes for
the Brontes, and these original nine volumes are
before me as I write. Three volumes containing
The Tenant of Wtldfell Hall, by Anne Bronte,
and three further volumes form a second edition
of that book. To this Anne wrote a Preface. Far
more valuable are the three volumes containing
fVuthering Heights and Agnes Grey. A catalogue
at the end of these volumes indicates that Mr.
Newby had at any rate many good authors on his
lists. There we find a book by George Grote —
Letters on the Recent Politics of Switzerland — a
book by Leopold von Ranke, A History of the Ro-
man Monarchy and Captain Medwin's Life of
Shelley. But for the most part the books are now
long forgotten novels; association with fFuthering
Heights would probably be Mr. Newby's one lit-
erary distinction to-day were it not that one only
remembers that he added additional bitterness to
the always essentially unhappy life of Emily
Bronte.
PUBLICATIONS OF MR. NEWBY 113
In 1848 Charlotte Bronte frankly tells her
friends of Smith and Elder, who were prepared to
publish Ellis and Acton as well as Currer Bell, that
her sisters are pledged to Newby for their next
novels, that being one of his conditions for publi-
cation of their first works. It was however a letter
from Newby to an American firm, stating that to
the best of his belief the three Bells were all one
person, that made Charlotte and Anne start for
London to disclose their separate identities to
Charlotte's own publishers.
The best account of that visit is contained in a
letter that Charlotte wrote to her friend Mary
Taylor, then in New Zealand. It is dated Septem-
ber 4, 1848, and in it she tells her friend that her
sister Anne had published another book called The
Tenant of Wild fell Hall, for which £25 had been
paid; and she adds, " that as Acton Bell's publisher
is a shuffling scamp I expect no more." She does
not say, as she might have done, that the book was
selling solely on account of the enormous success
of Jane Eyre, but she does tell Miss Taylor of
Newby's assertion that Jane Eyre, fFuthering
114 CHARLOTTE BRONTE
Heights, Agnes Grey and The Tenant of Wildfell
Hall were all the productions of one writer.
" This," she adds, " is a lie, as Newby had been
told repeatedly that they were the productions of
three different authors." A letter from Smith and
Elder stating their troubles in the matter led to the
experience which is best detailed in the following
passage : —
" The upshot of it was that on the very day I
received Smith and Elder's letter Anne and I
packed up a small box, sent it down to Keighley,
set out ourselves after tea, walked through a snow-
storm to the station, got to Leeds, and whirled up
by the night train to London, with the view of
proving our separate identity to Smith and Elder,
and confronting Newby with his lie.
" We arrived at the Chapter Coffee-house (our
old place, Polly ; we did not well know where else
to go) about eight o'clock in the morning. We
washed ourselves, had some breakfast, sat for a
few minutes, and then set off in queer inward ex-
citement to 65, Comhill. Neither Mr. Smith nor
Mr. Williams knew we were coming; they had
PUBLICATIONS OF MR. NEWBY 115
never seen us ; they did not know whether wc were
men or women, but had always written to us as
men."
The recognition at 65, Comhill, was very dra-
matic, and the pleasant gossip with Mr. Smith and
with his manager Mr. Williams, is related in de-
tail. Then came visitors in the evening to that
modest inn in Ivy Lane, Paternoster Row, — Mr.
Smith in evening dress, and his sisters, " two
elegant young ladies in full dress," the goal being
the opera, where Charlotte, with a sick headache,
was intensely self-conscious of what she called her
" clownishness," while Anne " was calm and gentle
as she always is."
The following day Mr. Williams took the two
sisters to church, and in the afternoon Mr. Smith
went with his carriage to take them to dine with his
mother at Bayswater. " The rooms, the drawing-
room especially, looked splendid to us." On Mon-
day came another round of pleasure, and on Tues-
day the sisters returned to Haworth. This letter
concludes with the statement, "We saw Mr.
Newby; but of him more another time."
ii6 CHARLOTTE BRONTE
It is a pity we have not that further letter, but
there are other glimpses of Mr. Newby and his
dealings. We learn, for example, that a further
£25 was paid by Mr. Newby on The Tenant of
Wildfell Hall, but no more. Wuthering Heights
and Agnes Grey were published on condition that
the authors shared the risks with the publisher, and
they advanced £50 accordingly. There is no doubt
that the other books sold sufficiently well to give
more than that amount of author's profit — ^largely
on the strength of the success of Jane Eyre, and
the current belief that they were by the same au-
thor — ^yet Newby would seem never to have re-
turned the £50, although Charlotte tried to extract
it from him. " Do not give yourself much trouble
nbout Mr. Newby," Charlotte writes later, "I have
not the least expectation that you will be able to
act anything from him. He has an evasive, shuf-
ting plan of meeting, or rather eluding, such de-
mands, against which it is fatiguing to contend " ;
nnd to the same correspondent, her friend Mr.
iJwrgc Smith, she writes still later: " As to Mr.
X<irbyi he charms me. First there is the f ascinat-
PUBLICATIONS OF MR. NEWBY 117
ing coyness with which he shuns your pursuit
..." and she goes on to animadvert In a simi-
lar strain to the way in which she considered Mr.
Newby had robbed her sisters, pretending he had
spent all the profits of Wuthering Heights in ad-
vertising it. There pretty well one may leave Mr.
Newby, and pass on to the books the publication
of which gave him his only distinction.
CHAPTER XI
WUTHERING HEIGHTS
Emily Bronte has been called the Sphinx of
our modem literature. Among English novelists
she must always* hold a position of eminence, al-
though by virtue only of one book — Wuthering
Heights. That book has a place by itself. There
are greater novels doubtless, novels replete with
humour and insight — qualities that it has not. But
there is no book that has so entirely won the suf-
frage of some of the best minds of each genera-
tion since it appeared. This recognition began
with Sydney Dobell, the author of Balder; it was
continued by Mr. Matthew Arnold, whose oft-
quoted lines will be remembered, written concern-
ing one : —
. . . whose soul
Knew no fellow for might,
Passion, vehemence, grief.
Daring, since Byron died.
ii8
WUTHERING HEIGHTS 119
It culminated in the splendid eloquence of Mr.
Swinburne, who places it with King Lear, the
Duchess of Malfi, and The Bride of Lammer"
moor^ the well-weighed utterances of Mrs. Hum-
phry Ward, to whom Emily Bronte's book is
" pure mind and passion," ^ and of Maurice Mae-
terlinck,^ whose tribute is the more interesting in
that Belgium was the only country that Emily
Bronte visited. — Sydney Dobell's criticism has nat-
urally the most interest because it happens to be
one of those contemporary verdicts which pos-
terity has endorsed. In the Palladium of Septem-
ber 1850, Mr. Dobell declared " that there were
passages in Wuthering Heights of which any nov-
elist, past or present, might be proud."
" There are few things in modem prose to sur-
pass these pages for native power," Mr. Dobell
says of the first part of Wuthering Heights. The
critic who treats of contemporaries almost always
hesitates and halts in the dispensing of praise un-
^ The Athenaeum^ June i6, 1883.
2 The Haworth Edition of Wuthering Heights. Introdttcdon
by Mrs. Humphry Ward.
3 Wisdom and Destiny^ by Maurice Maeterlinck.
lao CHARLOTTE BRONTE
less supported by popular applause. There was lit-
tle enough of popular applause to greet Wuthering
Heights at its first advent, and Mr. Dobell proved
himself a good judge of literature in saying as
much as he did. He scarcely accepted, it is true,
Currer Bell's repudiation of identity with Ellis.
But he clearly felt that Ellis's work was a thing
apart. He hinted, indeed, that Wuthering
Heights was an earlier work by the author of Jane
Eyre, but he evidently had grave doubts concerning
his own suggestion. To decide on the merits of a
book of prose is, he urged, very much a matter of
time. Does it remain in our memories ? Do those
who come after us find it equally unforgettable ?
Sydney Dobell quoted certain passages when he
wrote of Wuthering Heights to demonstrate his
point that when one had once read some of its de-
scriptions one never forgot them. He selected for
example that amazing account of Lockwood's dis-
turbed night, the child's face at the window : —
" Terror made me curse ; and, finding it useless
to attempt shaking the creature off, I pulled its
wrist on to the broken pane, and rubbed it to and
WUTHERING HEIGHTS lai
fro till the blood ran down and soaked the bed-
clothes : still it wailed ' Let me in 1 ' and maintained
its tenacious grip, almost maddening me with
fear."
This and the description of Heathcliff's anguish
when Lockwood tells him of his nightmare are in-
stanced by Dobell as unforgettable passages, and
time has proved that his instinct was sound. Writ-
ing later concerning this review which concerned
itself with Jane Eyre as well, Charlotte Bronte
said to Miss Martineau : —
'^ One passage In it touched a deep chord. I
mean when allusion is made to my sister Emily's
novel Wuthering Heights; the justice there ren-
dered comes indeed late, the wreath awarded drops
in a grave, but no matter — I am grateful."
Yet, when all is said it is Charlotte Bronte's own
tribute to her sister's novel that is the best of all : —
" Wuthering Heights was hewn in a wild work-
shop, with simple tools, out of homely materials.
The statuary found a granite block on a solitary
moor; gazing thereon he saw how from the crag
might be elicited a head, savage, swart, sinister; a
122 CHARLOTTE BRONTE
form moulded with at least one element of grand-
cur — power. He wrought with a rude chisel, and
from no model but the vision of his meditations.
With time and labour the crag took human shape ;
and there it stands colossal, dark and frowning,
half-statue, half-rock; in the former sense, terrible
and goblin-like; in the latter, almost beautiful, for
its colouring is of mellow grey, and moorland moss
clothes it; and heath, with its blooming bells and
balmy fragrance, grows faithfully close to the
giant's foot."
4t ♦ ♦ ♦ 4t 4t
The silent and perhaps rather grim Emily took
no part in the Sunday School and social work at
Haworth that occupied her two sisters ; she shrank
away with her dogs from all human companionship
whenever possible, roaming over those moors
which brought her the only happiness and joy that
$hc ever knew. She made no friends at Brussels,
no single " comrade " at Miss Wooler's school.
When she died — ^before her thirtieth birthday —
^ was as isolated from all companionship but that
^ her sister Anne as she had been twenty years
WUTHERING HEIGHTS 123
Not one scrap of self-revelation did Emily leave
behind, two colourless letters to a friend of Char-
lotte's being well nigh the only memorials in her
handwriting that have been preserved.^ Her book
also reveals nothing. Anne's novels were trans-
parent transcripts from her narrow life. Charlotte
transferred every incident of her experience into
her books. Emily was never more aloof than in
her great novel. It is dramatic, it is vivid and pas-
sionate, but it is never self-revealing. Emily
learned German when in Brussels, and must have
read the weird tales of Hoffman ; she had, it may
be, heard her father tell stories from Irish tradition
as Dr. Wright and Miss Mary Robinson both as-
sert. She had nearer home not only her own broth-
er's miserable story with its mock heroics, but many
other uncanny traditions of a kind to which York-
shire is certainly as prone as County Down. Did
she use any of these things? No one can say.
All speculation as to sources of inspiration is far
beside the mark in appraising Emily Bronte's gen-
^ These are apparently lost. The letters were given by
Ellen Nussey to the late Lord Houghton, but have never been
seen by his son the present Earl of Crewe.
124 CHARLOTTE BRONTE
ius. Wuthering Heights Is a book by itself, with
less indebtedness to earlier literature than most
great novels. In my judgment it is the greatest
book ever written by a woman. Those who have
read it again and again and have found that it
gripped them more forcibly at each succeeding
reading have put it to a test indeed. Quotation
from the book conveys little idea of its sustained
power, although to quote such a passage as the one
where Catherine Linton is in the incoherencies of
her deathbed is to recall sentences that stand out
boldly in the records of English fiction : —
" * That's a turkey's,' she murmured to herself,
* and this is a wild duck's, and this is a pigeon's.
Ah, they put pigeons' feathers in the pillows — ^no
wonder I couldn't die I Let me take care to throw
it on the floor when I lie down. And here is a
moorcock's; and this — I should know it among a
thousand — it's a lapwing's. Bonny bird, wheeling
over our heads in the middle of the moor. It
wanted to get to its nest, for the clouds had touched
the swells, and It felt rain coming. This feather
was picked up from the heath, the bird was not
WUTHERING HEIGHTS 125
shot; we saw its nest in the winter, full of little
skeletons. Heathcliff set a trap over it, and the
old ones dare not come. I made him promise he'd
never shoot a lapwing after that, and he didn't.
Yes, here are more I Did he shoot my lapwings,
Nelly ? Are they red, any of them ? Let me look.'
4t 4c 4t 4s 4s 4t
" • I see in you, Nelly,' she continued dreamily,
* an aged woman ; you have grey hair and bent
shoulders. This bed is the fairy cave under Penis-
ton Crag, and you are gathering elf-bolts to hurt
our heifers; pretending while I am near that they
are only locks of wool. That's what you'll come
to fifty years hence; I know you are not so now.
I'm not wandering; you're mistaken, or else I
should believe you really were that withered hag,
and I should think I was under Peniston Crag ; and
I'm conscious it's night, and there are two candles
on the table making the black press shine like jet.'
4c 4s 4t 4t 4s 4s
" * One time, however, we were near quarrel-
ling. He said the pleasantest manner of spending
a hot July day was lying from morning till evening
126 CHARLOTTE BRONTE
on a bank of heath in the middle of the moors,
with the bees humming dreamily about among the
bloom, and the larks singing high up over head,
and the blue sky, and bright sun shining steadily
and cloudlessly. That was his most perfect idea of
heaven's happiness— mine was rocking in a rustling
green tree, with a west wind blowing, and bright,
white clouds flitting rapidly above; and not only
larks, but throstles, and blackbirds, and linnets,
and cuckoos pouring out music on every side, and
the moors seen at a distance, broken into cool
dusky dells ; but close by great swells of long grass
undulating in waves to the breeze ; and woods and
sounding water, and the whole world awake and
wild with joy. He wanted all to lie in an ecstasy
of peace; I wanted all to sparkle and dance in a
glorious jubilee.' "
These passages and many like them may be read
again and again, but indeed I know of no novel
that may be read repeatedly with more satisfaction.
The whole group of tragic figures pass before us,
and we are moved as in the presence of great trag-
edy. Emily Bronte was quite a young woman
WUTHERING HEIGHTS lay
when she wrote this book. One aknost feels that
it was necessary that she should die. Any further
work from her pen must almost have been in the
nature of an anteclimax. It were better that
fVuthering Heights should stand, as does its au-
thor, in splendid isolation.
Let us picture for a moment, as well as we are
able, the author of this remarkable novel. We
meet her as a child of five at the Clergy Daughters'
School at Casterton, where attached to her name
inscribed in the books we are told that she " reads
very prettily " ; after that her home was all in all
to her for many years, with a brief interval of
three unhappy months at Miss Wooler's school.
Then came certain miserable months as a govern-
ess at Law Hill, near Halifax,^ and a happier in-
^ Qiarlotte writes from Dewsbuiy Moor (October 2, 1836) : —
"My sister Emily is gone into a situation as teacher in a large
school of near forty pupils, near Halifax. I have had one
letter from her since her departure — it gives an appalling ac-
count of her duties. Hard labour from six in the morning until
near eleven at night, with only one half-hour of exercise be-
tween. This is slavery. I fear she will never stand it.** —
Mrs. Gaskell's Life.
ia8 CHARLOTTE BRONTE
terval of a year in Brussels. Very scanty, indeed,
is the record of these episodes. Only when her sis-
ters had persuaded her to face the world in print
docs the picture become clearer. Take for ex-
ample the following from a letter of Charlotte's
to Mr. Williams : —
" I should much — ^very much — like to take that
quiet view of the ' great world ' you allude to, but
I have as yet won no right to give myself such a
treat: it must be for some future day — ^when, I
don't know. Ellis, I imagine, would soon turn
aside from the spectacle in disgust. I do not think
he admits it as his creed that ' the proper study of
mankind is man ' — at least not the artificial man of
cities. In some points I consider Ellis somewhat
of a theorist: now and then he broaches ideas
which strike my sense as much more daring and
orig^al than practical; his reason may be in ad-
yznct of mine, but certainly it often travels a dif-
ferent road. I should say Ellis will not be seen in
lus full strength till he is seen as an essayist."
And this sadder passage from a letter to Miss
£llcnNussey:—
Lilian Whiting* s New Book
THE OUTLOOK BEAUTIFUL
By Lilian Whiting, author of " The World
ful," " The Spiritual Significance," " Boston Days,"
etc. i6mo. Decorated cloth, $i.oo net White
and gold, $1.25 net.
THE OUTLOOK BEAUTIFUL " is to some degree the
outgrowth of thought suggested by hundreds of letters
from strangers referring to convictions expressed in several
of her preceding books — letters vital in their intense interest
regarding the mystery of death and the relations between the
life that now is and that which is to come. As a church-
woman Miss Whiting naturally turns first of all to the
teaching of the Divine Master, and her argument is that
faith, alone, is enough for the supremest reliance on immor-
tality ; but that if to faith be added the larger extension of
knowledge, revealed by modern science and by psychic
research, the religious faith is thereby only informed to a
more complete and reverent grasp of spiritual truth. Miss
Whiting regards all human relations as being practically
divine relations, friendship being, as Emerson so well says,
'* for aid and comfort in all the passages of life and death '' ;
and she endeavors to portray the natural continuity of all
these sweet relations beyond that change which we call
death, but through which is really entered the " life more
abundant." The theme is as universal as is life itself, and the
same winning magnetism of personal relation between the
writer and the reader, that so signally characterizes many
of the previous books of Lilian Whiting, will be recognized
in "The Outlook Beautiful."
Contents: The Delusion of Death; Realize the Ideals;
Friendship a Divine Relation; The Ethereal Realm; The
Supreme Purpose of Jesus; An Inward Stillness; The
Miracle Moment.
LITTLE, BROWN, & CO., Publishers, Boston
Ihe tie 01 »i»»'*'* *-
I30 CHARLOTTE BRONTE
think a certain harshness in her powerful and pe-
culiar character only makes me cling to her more.
But this is all family egotism (so to speak)— ex-
cuse it, and, above all, never allude to it, or to the
name Emily, when you write to me. I do not al-
ways show your letters, but I never withhold them
when they are inquired after." *
Then we have the remarkable passage in a fur-
ther letter to Mr. Williams : —
** The North American Review is worth read-
ing ; there is no mincing the matter there. What a
bad set the Bells must be I What appalling books
they write 1 To-day, as Emily appeared a little
easier, I thought the Review would amuse her, so
I read it aloud to her and Anne. As I sat between
them at our quiet but now somewhat melancholy
fireside, I studied the two ferocious authors. Ellis,
the ' man of uncommon talents, but dogged, bru-
tal) and morose,' sat leaning back in his easy chair
drawing his impeded breath as he best could,
and looking, alas I piteously pale and wasted ; it is
not his wont to laugh, but he smiled half-amused
^ Charlotte Bronte and her Circle.
WUTHERING HEIGHTS 131
and half in scorn as he listened. Acton was sew-
ing, no emotion ever stirs him to loquacity, so he
only smiled too, dropping at the same time a single
word of calm amazement to hear his character so
darkly portrayed. I wonder what the reviewer
would have thought of his own sagacity could he
have beheld the pair as I did. Vainly, too, might
he have looked round for the masculine partner In
the firm of ' Bell & Co.' How I laugh in my sleeve
when I read the solemn assertions that Jane Eyre
was written in partnership, and that it ' bears the
marks of more than one mind and one sex.'
" The wise critics would certainly sink a degree
In their own estimation if they knew that yours or
Mr. Smith's was the first masculine hand that
touched the MS. of Jane Eyre, and that till you or
he read it no masculine eye had scanned a line of
Its contents, no masculine ear heard a phrase from
its pages. However, the view they take of the
matter rather pleases me than otherwise. If they
like, I am not unwilling they should think a dozen
ladies and gentlemen aided at the compilation of
the book. Strange patchwork It must seem to them
131 CHARLOTTE BRONTE
— this chapter being penned by Nfr., and that by
Miss or Mrs. Bell; that character or scene being
delineated by the husband, that other by the wife !
The gentleman, of course, doing the rough work,
the lady getting up the finer parts. I admire the
idea vastly."
And the final scene in a letter written December
25, 1848. Emily having died on the 19th: —
" Emily is nowhere here now, her wasted mor-
tal remains are taken out of the house. We have
laid her cherished head under the church aisle be-
side my mother's, my two sisters* — dead long ago
— and my poor, hapless brother's. But a small
remnant of the race is left — so my poor father
thinks.
" Well, the loss is ours, not hers, and some sad
comfort I take, as I hear the wind blow and feel
the cutting keenness of the frost, in knowing that
the elements bring her no more suffering ; their se-
verity cannot reach her grave ; her fever is quieted,
her restlessness soothed, her deep, hollow cough is
hushed for ever ; we do not hear it in the night nor
listen for it in the morning; we have not the con-
WUTHERING HEIGHTS 133
flict of the strangely strong spirit and the fragile
frame before us — relentless conflict — once seen,
never to be forgotten. A dreary calm reigns round
us, in the midst of which we seek resignation.
" I will not now ask why Emily was torn from
us in the fullness of our attachment, rooted up in
the prime of her own days, in the promise of her
powers; why her existence now lies like a field of
green com trodden down, like a tree in full bearing
struck at the root. I will only say, sweet is rest
after labour and calm after tempest, and repeat
again and again that Emily knows that now." ^
To add anything to these words of Charlotte
Bronte's would be little less than sacrilege. Emily
died young, but she left behind her some imperish-
able poems and an equally imperishable novel, of
which Mr. Swinburne has written : "It may be
true that not many will ever take it to their hearts ;
it is certain that those who do like it will like
nothing very much better in the whole world of
poetry or prose."
^ Letter to Mr. W. S. Williams m Cbarhm BroiOS and ber
Circle*
CHAPTER XII
ANNE BRONTE
Those who write or talk as if books live only
by their intrinsic merits, ignore the fact that a very
slight accident may often cause the survival of a
work of very moderate power. There cannot be
a doubt, for example, but that the novels of Anne
Bronte would scarcely have maintained their place
had their author been an isolated writer unsupport-
ed by the environment that Mrs. Gaskell's biogra-
phy has made familiar to us all. Such books as
Jane Eyre and Fillette, Shirley and JVuthering
Heights must in any case have been certain of a
permanent place in literature, but Anne Bronte's
Agnes Grey and The Tenant of JVildfell Hall
would almost undoubtedly have died. There
seems, if we examine them carefully, less reason
for their survival than for the works of Mrs.
Marsh and Miss Kavanagh, books that had a very
134
ANNE BRONTE 135
great vogue in the " forties " and " fifties." Let
us grant then that Anne Bronte's stories are not
great books ; they nevertheless attract us by virtue
of their autobiographical character, and they make
pleasant unpretentious reading even to-day. Agnes
Grey, the first of them, was, as we have seen,
bound up with JVuthering Heights, and such is the
frequent futility of contemporary criticism that it
is not surprising that many reviewers found it pref-
erable to the titanic story that accompanied it.
The Tenant of Wildfell Hall had indeed one very
frank critic who loved its author. It was pro-
nounced " scarcely worth republication " by Anne*s
devoted sister Charlotte when she wrote a preface
to a new edition of it. Yet such is the " glamour "
of the Brontes, that edition after edition of the
book has been issued and sold in our time, the ex-
haustion of the copyright forty-two years after first
publication having given occasion for at least four
or five new issues by separate publishers. Here
then it is clearly imperative to recognize the po-
tency of the personal element in literature.
Both the novels of Anne Bronte are transcripts
136 CHARLOTTE BRONTE
of the life she knew and little more. This is the
factor that differentiates the man or woman of
genius from the merely average writer. Anne was
not capable of transmuting experience through
that wonderful crucible that produces the highest
truth of literature, that subtle presentation which
carries conviction to our souls and makes us say —
here is great art. She had no genius, no passion.
The photographic quality that she possessed has,
however, its value. We go to Anne Bronte more
readily than to Charlotte and Emily for a picture
of what life was like for a nursery governess in the
" forties," and we find her pictures in Agnes Grey
thoroughly interesting in consequence; we may go
to her also for a very clear impression of the family
circle at Haworth, and of the life she saw and
heard of outside the rectory walls, when we read
The Tenant of JVildfell Hall. If there is little
imagination, there is at least a clear narrative of
her brother's escapades as far as she had compre-
hended them, adding thereto, as she doubtless did,
sundry episodes in the lives of others that scandal
had conveyed to her.
ANNE BRONTE 137
But it is scarcely necessary to take the novels
of Anne Bronte too seriously, even were criticism
the province of this little biography, which it is not.
It suffices that she was a softening, benign atmos-
phere in a house where father, aunt and elder sis-
ters, whatever their other fine qualities, would seem
to have lacked softness and benignity. The father
was ever an egoist, the aunt the embodiment of
kindness, but severe, Charlotte, as we know, was
strenuous, and Emily profoundly melancholy. But
Mr. NichoUs, writing fifty years after her death,
recalled the ** gentle " Anne; and that influence of
gentleness must have run like a silken cord through
the somewhat tumultuous lives of the two clever
sisters, both of whom had hearts ever aflame, im-
aginations ever alert for action outside the narrow
walls of that simple prosaic home.
Emily, we are told, was inseparable from Anne
in the years during which the elder sister Charlotte
seemed to lean upon some friend from the outer
world — ^EUen Nussey, Mary Taylor, or Laetitia
Wheelwright. Charlotte had a gift for friendship
which stood her In good stead when she found her-
138 CHARLOTTE BRONTE
self alone in the world. Her sisters had not this
gift, and were thrown back upon one another's
company.
Anne Bronte, as we have seen, was carried as a
baby from Thornton to Haworth while her moth-
er's life was ebbing away. Perhaps this was why
she was her aunt's favourite, always by her side in
her earliest years. Later she and Emily were in-
separable. We know next to nothing of Anne's
experiences as governess, first with Mrs. Ingram
of Blake Hall, and next with Mrs. Robinson at
Thorpe Green. Indeed it is only from Charlotte's
letters that we learn anything of material impor-
tance concerning Anne, although Miss Nussey
writes of the youngest sister as so much the " pret-
tiest " of the three, with " light brown hair, violet
blue eyes and pencilled eyebrows, and an almost
transparent complexion." One would have liked to
have heard Anne's version of that sordid drama at
Thorpe Green, where Branwell was, or professed
to be, carrying on a flirtation with the mistress
of the house. Anne must have seen something
to vex her innocent soul, or she would on her
ANNE BRONTE 139
return to Haworth have insisted that Branwell's
** love story " was purely imaginary. It was the
attitude of Anne on this subject that persuaded
Mr. NichoUs, with whom I discussed the question,
that Branwell was not entirely to blame, that there
had at least been some indiscreet flirtation, calcu-
lated to disarrange further an already ill-balanced
mind.
Writing in her diary in July, 1845, Anne
says, recalling what she had written four years
earlier : —
" How many things have happened since it was
written — some pleasant, some far otherwise. Yet
I was then at Thorpe Green, and now I am only
just escaped from it. I was wishing to leave it
then, and if I had known that I had four years
longer to stay how wretched I should have been;
but during my stay I have had some very unpleas-
ant and undreamt-of experience of human nature.
Others have seen more changes. Charlotte has left
Mr. White's and been twice to Brussels, where she
stayed each time nearly a year. Emily has been
there too, and stayed nearly a year. Branwell has
I40 CHARLOTTE BRONTE
left Luddendenfoot, and been a tutor at Thorpe
Green, and had much tribulation and ill health.
He was very ill on Thursday, but he went with
John Brown to Liverpool, where he now is, I sup-
pose ; and we hope he will be better and do better
in future. This is a dismal, cloudy, wet even-
ing. We have had so far a very cold wet summer.
Charlotte has lately been to Hathersage, in Derby-
shire, on a visit of three weeks to Ellen Nussey.
She is now sitting sewing in the dining-room.
Emily is ironing upstairs. I am sitting in the din-
ing-room in the rocking-chair before the fire with
my feet on the fender. Papa is in the parlour.
Tabby and Martha are, I think, in the kitchen.
Keeper and Flossy are, I do not know where. Lit-
tle Dick is hopping in his cage. When the last pa-
per was written we were thinking of setting up a
school* The scheme has been dropped, and long
after taken up again and dropped again because we
could not get pupils. Charlotte is thinking about
getting another situation. She wishes to go to
F*ri$% Will she go ? She has let Flossy in, by-the-
|qr« and she is now lying on the sofa. Emily is en-
ANNE BRONTE 141
gaged in writing the Emperor Julius's life. She
has read some of it, and I want very much to hear
the rest. She is writing some poetry, too. I won-
der what it is about? I have begun the third
volume of Passages in the Life of an Individual.
I wish I had finished it. This afternoon I began
to set about making my grey figured silk frock
that was dyed at Keighley. What sort of a hand
shall I make of it?"^
This is but a fragment of the published diary,
but it contains many points of interest. The " very
unpleasant and undreamt-of experience of human
nature " must have referred to the trouble between
her brother and the mother of her pupils. The
speculation as to Charlotte's going to Paris is note-
worthy. Instead of that, Charlotte and her sisters
published poems and novels, with the result that
we all know. The Poems appeared the following
year, Jane Eyre in October, 1847, ^^^ Agnes Grey
in December. The two editions of The Tenant of
JVildfell Hall appeared in 1848, the year that
Branwell and Emily died, and Anne followed her
^ Charlotte Bronte and Her Circle,
142 CHARLOTTE BRONTE
brother and sister in 1849. As we have traced
Emily's pathway to the grave, so we may trace
Anne's in her sister's melancholy letters : —
'^ Anne and I sit alone and in seclusion as you
fancy us, but we do not study. Anne cannot study
now, she can scarcely read; she occupies Emily's
chair ; she does not get well. A week ago we sent
for a medical man of skill and experience from
Leeds to see her. He examined her with the steth-
oscope. His report I forbear to dwell on for the
present — even skilful physicians have often been
mistaken in their conjectures.
" My first impulse was to hasten her away to a
warmer climate, but this was forbidden : she must
not travel; she is not to stir from the house this
winter ; the temperature of her room is to be kept
constantly equal.
" When we lost Emily I thought we had drained
the very dregs of our cup of trial, but now when I
hear Anne cough as Emily coughed, I tremble lest
there should be exquisite bitterness yet to taste.
However, I must not look forwards, nor must I
look backwards. Too often I feel like one cross-
ANNE BRONTE 143
ing an abyss on a narrow plank — a glance round
might quite unnerve.
" Anne is very patient in her illness, as patient
as Emily was unflinching. I recall one sister and
look at the other with a sort of reverence as well as
affection — ^under the test of suffering — ^neither has
faltered.
" Anne continues a little better — ^the mild
weather suits her. At times I hear the renewal of
hope's whisper, but I dare not listen too fondly;
she deceived me cruelly before. A sudden change
to cold would be the test. I dread such change,
but must not anticipate. Spring lies before us, and
then summer — surely we may hope a little 1 "
But hope was slight indeed, as a letter to Ellen
Nussey, describing a projected visit to Scarbor-
ough, indicated. Anne had been to Scarborough
three or four times during her governess days, and
wished to see the place again. After stating that
they had secured rooms on the cliffs with a sea view,
she continues : —
" If Anne is to get any good she must have
every advantage. Miss Outhwaitey her godmoth-
144 CHARLOTTE BRONTE
er, left her in her will a legaqr of £200, and she
cannot employ her money better than in obtaining
what may prolong existence, if it does not restore
health. We hope to leave home on the 23rd, and
I think it will be advisable to rest at York, and stay
all night there. I hope this arrangement will suit
you. We reckon on your society, dear Ellen, as a
real privilege and pleasure. We shall take little
luggage, and shall have to buy bonnets and dresses
and several other things either at York or Scar-
boro*; which place do you think would be best?
Oh, if it would please God to strengthen and revive
Anne, how happy we might be together ! His wiU,
however, must be done, and if she is not to recover,
it remains to pray for strength and patience."
Then we have a letter from Scarborough to Mr.
Smith Williams : —
" I am thankful to say we reached our destina-
tion safely, having rested one night at York. We
found assistance wherever we needed it ; there was
alwaj's an arm ready to do for my sister what I
was not quite strong enough to do : lift her in and
out of the carriage, carry her across the line, etc
ANNE BRONTE 145
" It made her happy to see both York and its
Minster, and Scarboro' and its bay once more.
There is yet no revival of bodily strength — I fear
indeed the slow ebb continues. People who see her
tell me I must not expect her to last long — ^but it is
something to cheer her mind.
" Our lodgings are pleasant. As Anne sits at
the window she can look down on the sea, which
this morning is calm as glass. She says if she could
breathe more freely she would be comfortable at
this moment — ^but she cannot breathe freely.
" My friend Ellen is with us. I find her pres-
ence a solace. She is a calm, steady girl — ^not bril-
liant, but good and true. She suits and has always
suited me well. I like her, with her phlegm, re-
pose, sense, and sincerity, better than I should like
the most talented without these qualifications."
And then the scene closes with this last little
note, written to her friend Mr. Williams : —
" My dear Sir, — My poor sister is taken quiet-
ly home at last. She died on Monday. With al-
most her last breath she said she was happy, and
146 CHARLOTTE BRONTE
thanked God that death was come, and come so
gently. I did not think it would be so soon."
Anne Bronte is buried in Scarborough Church-
yard, where the inscription on her tomb runs as
follows : —
" Here lie the remains of Anne Bronte, daugh-
ter of the Rev. P. Bronte, Incumbent of Haworth,
Yorkshire. She died, aged 28, May 28th, 1849."
She also left behind her some "last verses,"
which have found their way into the hjrnmologies
of many of the Churches : —
I hoped that with the hrave and strong
My portioned task may lie.
To toil amid the busy throng
With purpose pure and high.
CHAPTER XIII
JANE EYRE
Charlotte Bronte was thirty-one years and
SIX months old when Jane Eyre was published. The
passing of her first novel from publisher to pub-
lisher has already been noted. In a fortunate hour
the manuscript of The Professor fell into the hands
of Mr. Smith Williams the " reader " to Smith,
Elder & Co. Mr. Williams, who was bom in
1800 and died in 1875, possessed a genuine liter-
ary faculty. He was the brother-in-law of Charles
Wells, the author of Joseph and his Brethren.
When Keats left England for an early grave in
Rome it was Mr. Williams who saw him off.
Hazlitt, Leigh Hunt, Thackeray and Ruskin val-
ued highly his judgment. He compiled a volume
of Selections from Mr. Ruskin's writings which is
still much prized by the curious. The publisher's
** reader " or book-taster is but human, and often
147
148 CHARLOTTE BRONTE
makes mistakes. Certainly the five readers of the
five publishing houses which sent ba(^ The Pro-
fessor with curt refusals had reasons for regret-
ting their mistake in this instance — even from a
merely commercial point of view,^ and perhaps
more from the point of view of glory.
Mr. Williams recognized the undoubted ability
of The Professor^ but those were the days when
the three-volumed novel was a fetish. We have
seen the way in which Mr. Newby bound up Wuth-
ering Heights and Agnes Grey in order to make
them look like a single three-volumed book. By
no possibility could The Professor have been made
to stretch to more than two volumes. Besides this,
although Mr. Williams liked it another influential
member of the staff, Mr. James Taylor, did not,
and after both had reported to their " chief,"
^ The total sum paid for the entire copyright of Charlotte
Bronte's four novels was £1,750 — £500 each for Jane Eyre^
Shirley and Villette^ and £250 for The Professor. In the year
1860— twelve years after the publication of Jane Eyre — the
publishers admitted to having made a clear profit of £10,000.
Mr. George Smith was once offered £500 for the manuscript
of Jane Eyre,
JANE EYRE 149
Mr. George Smith, the letter went forth from the
office In Comhill which was to bring yet another
refusal to the mysterious but ever persevering Mr.
Currer Bell at Haworth. But Currer Bell after-
wards declared in print that this refusal was
'^ couched in language so delicate, reasonable and
courteous, as to be more cheering than some ac-
ceptances." It assigned a lack of varied interest in
the tale as well as the length as the cause of rejec-
tion, therefore Currer Bell replied that he had
nearly completed a novel in three volumes, and
this Mr. Williams asked to see.
On August 24, 1847, ^he manuscript of Jane
Eyre was sent to Cornhill, and then there was no
hesitation. The author was reading proof sheets
during September, and in the middle of October
the book was published. The critics were enthu-
siastic, the public more so. " The most extraordi-
nary production that has issued from the press for
years," said the Weekly Chronicle. " Decidedly
the best novel of the season," said the Westminster
Review. In looking through these old reviews
one is struck by their judgment and insight If
I50 CHARLOTTE BRONTE
there was good creative work produced in the ** for-
ties " and " fifties," there was also good criticism.
Miss Bronte enjoyed to the full the burst of
sympathetic and appreciative criticism that came to
her. Perhaps the critique that delighted her most
was one by Eugene Forcade in the Revue des Deux
Mondes, the one that gave her actual and indeed
deep-rooted pain the article by Miss Rigby in the
Quarterly Review. " The subtle-thoughted, keen-
eyed, quick-feeling Frenchman " is her judgment
of Forcade, and his notice of Jane Eyre is " the
most acceptable to the author of any that has yet
appeared." ^ As for the review of Jane Eyre in
the Quarterly, it is not too much to say that it al-
most made Charlotte Bronte repent its authorship.
Yet Miss Rigby wrote with no desire to be other
than fair. She was a staunch Conservative, and
the book seemed to her to be wildly Radical. She
believed the author to be a man — as her editor
did ^ — for in her world no woman was so ignorant
^ Letter to W. S. Williams, November i6, 1848.
^ Lockhait, her editor, writes as follows to his contributor^
Miss Rigby, after he had received the first part of her review: —
" I know nothing of the writers^ but the common rumour is diat
I
^
JANE EYRE 151
of the daintier aspects of life : the fitting garment
for this or that occasion, the delicacies of refined
cookery I How could Miss Rigby have guessed
that it was the timid, sensitive daughter of a coun-
try clergyman, herself a warm adherent of Church
and State, who had written this extraordinary
book I The author she thought was clearly a man,
and if it had been a man the sentence that so pained
Miss Bronte — the suggestion that if the author
were a woman it must be one " who had forfeited
the society of her sex " — ^would have fallen harm-
less. The sentence was not more cruelly personal
than every author was liable to suflEer from in those
days. A certain great historian did not, we may
they are brothers of the weaving order in some Lancashire town.
At first it was generally said Currer was a lady, and Mayfair
circumstandalizes by making her the cbere amie of Mr. Thack-
eray. But your skill in ''dress" settles the question of sex. I
think, however, some women must have assisted in the school
scenes of Jane Eyre, which have a striking air of truthfulness to
me. I should say you might as well glance at the novels by
Acton and Ellis Bell — Wuthering Heights is one of them. If
you have any friend about Manchester, it would, I suppose, be
easy to learn accurately as to the position of these men." — Jour-
nds and Correspondence of Lady Eastlake, edited by her nephew,
Charles Eastlake Smith, 1895.
152 CHARLOTTE BRONTE
be sure, enjoy being called " Mr. Babbletongue
Macaulay " by The Times. In any case, many
compensations for a young writer might have been
found in the Quarterly article had not the author
criticized been the sensitive Charlotte Bronte.
The " equal popularity " of Jane Eyre and Vanity
Fair is referred to, and the reviewer admits that
the book is '^ remarkable." It is true that she adds
that " we have no remembrance of another con-
taining such undoubted power with such horrid
taste." Certainly judged by the standards — the
Conservative standards — of those days, when the
majority of well-nurtured women were brought up
on strictly conventional lines, the taste of the book
was bound to be called in question, and the critic
who did so was not necessarily a " nauseous hypo-
crite," as Mr. Augustine Birrell rather extrava-
gantly calls her. A generation that has been
brought up upon " sex " novels has other stand-
ards of taste. It was its very unconventionality
which made the book so popular sixty years since.
What is it that makes the book's appeal to us
to-day ?
JANE EYRE 153
To those who take no account of the qualities of
style, imagination and " point of view " in litera-
ture, Jane Eyre would now make no appeal. To
such, Hamlet would make no appeal. Is not the
whole story of the murdered king, the son who
feigns madness to revenge his father's murder, all
set down for us in Saxo Grammaticus, the Danish
chronicler ? In the actual incidents, in the plot of
Jane Eyre there is but little originality. It is
called " an autobiography," and in one sense it is,
as are all Miss Bronte's books, a very detailed au-
tobiography of the writer — of her reading life as
well as of her actual life. The^period during
which Jane Eyre was at Lowood Schaal- was but
a reflection of Charlotte Bronte's actual expe-
riences at Cowan Bridge, at any rate of her idea
of the school as it came back to her after an in-
terval of more than twenty years.
It is quite clear that her wonderful memory
enabled her to reproduce much of that child life
of hers, in a manner for the accuracy of which
credit has scarcely been given until quite recently.
A student of the Bronte story, Mr. Angus Mackay,
154 CHARLOTTE BRONTE
has however unearthed some of the actual literary
efforts of the Reverend Cams Wilson, the proto-
type of Mr. Brocklehurst.^ This critic has been
studying the writings of Mr. Wilson, particularly
certain books for the young by him, which Char-
lotte Bronte could never have seen. There was
one called Youthful Memoirs^ published in 1828,
full of deathbed scenes of little children, all of
whom were made to be singularly in love with
death. One little boy of three or four years of
age, for example, when asked whether he would
choose death or life, replied, " Death for me. I
am fonder of death." Mr. Brocklehurst^ says to
Jane Eyi'e, " Children younger than you die daily.
I buried a little child five years old only a day or
two since, a good little child, whose soul is now
in Heaven." Mr. Wilson's Youthful Memoirs
is full of the deathbeds of these good little chil-
dren. He says to Jane Eyre, " You have a wicked
heart, and you must pray God to change it, to
give you a new and clean heart, to take away
your heart of stone and give you a heart of flesh."
^ Mr. J. Angus Mackay, in the Bookman^
JANE EYRE 155
Almost these exact words occur in three of the
stories ; one of the little girls here says to a naughty
companion that " she must humble her pride and
pray to God, and He would be sure to take away
her heart of stone and give .her a heart of flesh."
Mr. Brocklehurst says, " I have a little boy
younger than you who knows six psalms by heart."
There are a number of such little boys in Youth-
ful Memoirs. At the close of the interview with
Jane Eyre, Mr. Brocklehurst gives her a tract
entitled "The Child's Guide; containing an ac-
count of the awfully sudden Death of Martha
G., a naughty child addicted to falsehood." One
of Mr. Wilson's little stories is actually entitled
Jn Awful History. Altogether, the student of
this unsavoury literature, Mr. Angus Mackay,
has proved up to the hilt, long after the con-
troversy is dead and buried, that. Miss Bronte's
description of the mental attitude of Mr. Ca-
ms Wilson was substantially accurate, however
much she may have exaggerated the demerits of
the place itself; and in spite of the fact that
the original of the heroic Miss Temple, a Mrs.
156 CHARLOTTE BRONTE
Harben, would seem to have repudiated the de-
scription altogether.
It was the same with Miss Bronte's governess
life, a hundred disagreeable incidents of which are
reflected in Jane Eyre's experiences of Mrs. Reed.
We know that a youthful Sidgwick threw a Bible
at Miss Bronte on one occasion, as John Reed
threw a copy of Bewick's Birds at Jane Eyre. It
is little to the point that Mrs. Sidgwick may have
been one of the kindest and best of women. Miss
Bronte found her insufferable. Well-nigh every
place and every person in the history of Jane Eyre
has been identified with a prototype in the life
story of Charlotte Bronte. In her letters Miss
Bronte writes of the dark face, the sardonic hu-
mour, the masterful manner of M. Paul Heger;
in her book she attributes these qualities to Fairfax
Rochester. The author spends three weeks at
Hathersage in Derbyshire, and to that neighbour-
hood she turns for much of the scenery of her
novel. Morton, in Jane Eyre, is easily identified
with Hathersage; the one is ten miles from
" S ," the other twenty miles from Sheffield.
JANE EYRE 157
All the villagers are engaged in the manufacture
of needles, as are those of Hathersage to-day.
Thornfield Hall, the seat of Mr. Rochester, has
been easily identified with Norton Conyers near
Ripon, which was in Miss Bronte's day the seat of
Mr. Greenwood, the father of Mrs. Sidgwick.
Miss Bronte visited the house when staying with
her pupils at Swarcliffe, Mr. Greenwood's summer
residence. Mr. Rochester's other house, where
Jane Eyre found him in his blindness, Ferndean
Manor, is WycoUar Hall near Colne, a hall which
is now a ruin, but which has attached to it the
story of a madwoman having set it on fire; and
also the tradition that the original owner. Squire
Cunliife, had some of the traits associated with
Rochester. Moor House, where the Rivers fam-
ily lived, has been identified with Moor Seats near
Hathersage; Gateshead Hall, where Mrs. Reed
lived, has been identified with Stonegappe near
Skipton, where, as we have seen, Charlotte Bronte
was governess to the Sidgwicks. So we might go
on for every village and every house mentioned
in the novel. As it is with place-names, so it is
158 CHARLOTTE BRONTE
with persons. For the raw material of her book
Miss Brcmte went to material available to all the
worl(L Some time ago there appeared in the Sat"
urday Review a letter calling attention to a little
book entitled Gleanings in Craven; or, The Tour-
isti Guide. In this book may be found the names
of Sir Ingram Clifford, of Skipton Castle ; of Miss
Richardson Currer, of Eshton Hall; and many
other names and places familiar to every resident
in the West Riding of Yorkshire. I do not for a
moment doubt but that Miss Bronte had read this
litde guide-book, a very discursive and ineffective
production, although for the name of Ingram she
need not have gone further than to the family
doctor to Haworth Parsonage, Dr. Ingram. To
describe Gleanings in Craven as a " key " to Jane
Eyre is, however, to ignore any number of other
" keys " provided by the long years of apprentice-
ship to novel-writing. I am not disinclined to
think indeed that whereas she had often heard of
Miss Currer, the name of Bell may really have
been suggested to her by the little book on Craven,
where there is a reference to "the celebrated
JANE EYRE 159
lawyer and one of his late Majesty's Counsels, the
late John Bell, Esqr." It has been stated that she
took the name of Bell from the second name of
Mr. Arthur Bell NichoUs, who was afterwards to
become her husband; but I have Mr. Nicholls's
assurance that this was not the case.
I have said that there are many " keys " to
Jane Eyre. One may find, for example, in Defoe's
Moll Flanders — a book which Miss Bronte had
of course read — a parallel incident to that where
Jane hears the voice of Rochester calling her, al-
though he is many miles away.
Moll calls in distress to Jemmy, her " Lanca-
shire husband," and Jemmy hears the cry. Moll,
it will be remembered, burst into a fit of crying,
calling him by his name, " O Jemmy 1 come back,
come back." The husband returned and told her
that twelve miles off in Delamere Forest he had
heard her calling to him aloud, and that he had
heard her voice calling "O Jemmy! O Jemmy!
come back, come back." This is not the only point in
common between Moll Flanders and Jane Eyre^ be-
cause Moll has a lover at Bath who has a " distem-
i6o CHARLOTTE BRONTE
pcrcd,'* insane wife, and begs Moll not to let that
be a bar to a marriage ; a little later, she is wooed
by a bank clerk whose wife is unfaithful, and this
man begs Moll Flanders to marry him without
waiting for his divorce. Such parallels have a
certain literary interest, although they in no way
reflect upon the essential originality of ]ane Eyre.
Charlotte Bronte's love of the preternatural would
have induced her to remember that incident in
Moll Flandersj although Mrs. Gaskell records
that Miss Bronte once referring to Jane hearing
Rochester's voice from a distance of many miles,
replied, "But, it is a true thing; it really hap-
pened ! " Did she mean by that, that it happened
in Defoe's apparently true narrative, or that it
came within her experience? It is quite possible
that it did come within her experience, and in any
case she had probably forgotten her reading of
Moll Flanders when she sat down to write Jane
Eyre.
Certainly she must have read from the Keighley
Library J Sicilian Romance^ by Mrs. Radcliffe,
where it will be remembered Count Mazzini shuts
^
— « «!f*^ 4<1_
fc.-^ ^c^ »»- — 1^ :- -^ A-L~^ . 1 — , , ^ .i, -ta-fiS
of Jane Eyre
JANE EYRE i6i
up his wife in a castle for fifteen years, although
the fact is unknown to the rest of the inhabitants,
who periodically hear noises and see strange
things. Miss Bronte refers to Ann Radcliffe in
Shirley J where Rose Yorke may be found reading
The Italian. In addition to these one acute critic ^
has found traces of Richardson's Pamela and Har-
riet Martineau's Deerbrook.
The real power of Jane Eyre is quite unafiFcctcd
by such small points as these, or even the, to me,
more interesting point as to the original of St.
John Rivers, one of the most striking characters
in the book. Mrs. Gaskell started the idea that
Rivers was intended for Mr. Henry Nussey, a
clergyman of the Church of England, who held
the living of Hathersage for a time, and was the
brother of Charlotte Bronte's great friend, Ellen
Nussey. Mr. Nussey, we know, offered marriage
to Charlotte Bronte, influenced it would seem
more by a keen desire for a housekeeper who
would look after the schools and attend to the coal
and blanket funds, than from any deep-seated af-
^ Dr. Robertson NicoU in his Introduction to Jane Eyre. .
1 62 CHARLOTTE BRONTE
fection; but there is no real resemblance between
Rivers and Mr. Nussey. I have had the advan-
tage of reading a volume of Mr. Nussey's Diary
and Sermons} Mr. Nussey has one point at least
in common with Rivers, in that during his days at
Cambridge he more than once records in his diary
that he has heard Mr. Simeon preach ; and Simeon
was the great Evangelical light of that epoch.
Mr. Nussey certainly did not lack for rigour, for
even when an undergraduate he recalls with satis-
faction, ** This evening at a full meeting Mr.
Heald exhorted from 2 Corinthians vi. 14, on the
action of a member having married a worldly-
minded man " ; on another occasion, that " Stayed
to supper ; never asked to take family prayers nor
to say grace. Much hurt that they did not see
the propriety and feel the necessity of this line of
conduct " ; and once more, Mr. Nussey writes in
his diary: ** Friday, 11 June, 1839. Obtained an
advance of £1 from Mr. Wakeford, a farmer and
^ This volume is in MSS., and is in the possession of Mr.
J. J. Stead, of Heckmondwike, York, to whose courtesy I am
indebted for its perusal.
JANE EYRE 163
coal-merchant in Earnley, with whom I spent the
evening at his house. He unfortunately became
offended at something Mr. Browne once uttered
in the pulpit, and thereupon left the Church and
joined the Dissenters at Chichester, where he still
continues. There seem some good traits in the
man, and I think he errs through ignorance rather
than wilfulness. May he be brought back again,
wandering sheep I " Side by side with such quota-
tions as these we have Mr. Nussey's matter-of-fact
attempts to get a wife. He first asked the
daughter of his former vicar, Lutwigge, whom he
characterizes as " a steady, intelligent, sensible
and, I trust, good girl, named Mary " ; she refused
him, and we have the following lines in his diary :
" On Tuesday last received a decisive reply from
M. A. L.'s papa ; a loss, but I trust a providential
one. Believe not her will, but her father's. All
right, but God knows best what is good for us,
for His church, and for His own glory. Write to
a Yorkshire friend, C. B." A little later on,
March 8, 1839, we find the record — ** Received
an unfavourable reply from * C. B.' The will of
i64 CHARLOTTE BRONTE
the Lord be done." ** C. B.," of course, is Char-
lotte Bronte, and some might find satisfaction in
the fact that the marriage which this matter-of-
fact individual attained to a very few months later
should have turned out unhappily. In Mr.
Nussey, however, we have not in the least Char-
lotte Bronte's creation, St. John Rivers. There
are a few references to missionary work in Mr.
Nussey's diary, but on the whole it is the diary
of a dull, uninspired person, with not sufficient
brains to be a high-souled fanatic; and it is a
high-souled fanatic that Miss Bronte depicts in her
book. That is why I am inclined to think that
the real prototype of Rivers existed for her not
in life but in literature; that she had read from
the Keighley Library Sargent's Memoir of Henry
Martyriy that devoted missionary from Cornwall,
of whom her aunt must have constantly spoken to
her, and her father also, for he was practically
contemporaneous with him at St. John's College,
Cambridge, a fact which probably led her to give
Rivers his Christian name of St. John. It was
Charles Simeon again, her father's favourite
JANE EYRE 165
preacher, who led Martyn to become a missionary.
Martyn, it will be remembered, translated the New
Testament into Hindustani. There are points also
in the relations with Miss Lydia Grenf ell, whom he
had hoped to take back with him to India when
he died of the plague, that unquestionably recall
St. John Rivers. Martyn has been described by
Sir James Stephen as ** the one heroic name which
adorns the Church of England from the days of
Queen Elizabeth to our own." ^
******
We may readily thrust aside, however, all these
inquiries as to " keys " to Jane Eyre^ and go to
the real heart of the book, which is quite indepen-
dent of plot and of prototype. It is in reality as \
original a novel as was ever submitted to the
judgment of the reading public. Here indeed was
a work of extraordinary power. In the first place,
the writer had a style, a vigorous, forcible style;
a style full of picturesque phraseology, character-
ized by that intense sincerity which is ever one of
^ Curiously enough, Henry Mart3ni has been made the hero
of a novel called Her Title of Honour^ published in 1 871 by
Holm Lee.
i66 CHARLOTTE BRONTE
/.
the greatest things in literature. No other poet
has better described the impressions made upon
his mind by the sky, the air, the sea. " Mistress
of some of the most great and simple prose of all
this century " is the criticism of a distinguished
woman critic of our day upon the work.^ One
might make an anthology of the fine passages
from her four books, as for example : —
" I looked at my love; it shivered in my heart
like a suffering child in a cold cradle."
3|e 3|e % % 4c 4c
" To see what a heavy lid day slowly lifted,
what a wan glance she flung upon the hills, you
would have thought the sun's fire quenched ir* last
night's floods."
4c 4c 4c 4c 4c 4c
" Not till the destroying angel of tempest had
achieved his perfect work would he fold the wings
whose waft was thunder, the tremor of whose
plumes was storm."
4c 4c 4c 4c 4c 4c
" The night is not calm ; the equinox still strug-
gles in its storms. The wild rains of the day are
^ Alice Meynell, in the Pall Mall Magazine, May 24, 1899.
JANE EYRE 167
abated; the great single cloud disparts, and rolls
away from Heaven, not passing and leaving a sea
of sapphire, but tossing buoyant before a con-
tinued, long-sounding, high-rushing moonlight
tempest. . . . No Endymion will watch for his
goddess to-night : there are no flocks on the moun-
tains."
But style alone does not add to the permanent
forces of literature. It is but that quality added
to the passionate sincerity of the writer that will
make each succeeding generation read Jane Eyre^
for here we have a book in which are crowded all
the deepest experiences of the human soul, a frank \
courageous attitude upon life, and death, and j
duty. Charlotte Bronte had read multitudes of 1
books, and she had been an observer of the hu-
manity around her, in that little world of rough,
rude men and conmionplacc women. To her had
come dreams of a wider, freer life, of profound
love, of heroic sacrifice. She had thought out all
the possibilities of a great passion in which love
1 68 CHARLOTTE BRONTE
: was king. In her own life she was the most self-
suppressed of human beings. She saw her debased
brother and her much-loved sisters taken from her
and buried within a stone's throw of the house which
was her home. Yet she clung to that home, and to
the father who had so peremptorily attempted to
prevent her marriage: finally she married to re-
tain to her father the occupancy of the melancholy
house which she might reasonably have hated and
desired to quit for ever. A dull, prosaic life she
had mapped out for herself at the call of duty;
but meanwhile her imagination ran riot, and love,
passionate love, a reckless throwing off of con-
ventions, was a part of her dreams, the imparting
of which was to throw English society into a fever
/ of interest. After the current novels of her day,
' Jane Eyre was a model of outspokenness, a veri-
table volcano. No wonder Miss Rigby said hard
things about it, things which caused critics who
wrote a generation later to be indignant. But
really the little Jane was upsetting the conventional
standards of her day, by sitting on Rochester's
knees. What would another Jane who wrote a
JANE EYRE 169
generation earlier have said? The fair Elizabeth
Bennet of Miss Austen's imagination could never
have caught the wealthy Mr. Darcy by such
means. But Charlotte Bronte had been fed on
strong literary food. She had been allowed to
" browse " in a library pretty indiscriminately, a
thing which did not often nappen to young girls
in the first half of last century. The books that
she obtained from Keighley must have included
the works of such essentially frank writers as
Swift and Defoe. Then, again, in her own home
there was doubtless not too much discrimination
so far as the men were concerned as to the border-
line. Her father was, after all, a peasant, and in
the habit of calling a spade a spade. If we may
judge from some of the letters unpublished and
unpublishable of the brother, Branwell Bronte, we
see also that his mind was of essentially coarse
fibre. Altogether, it is not in the least difficult
to comprehend that Miss Bronte was able to take
the attitude she did, and to write with a frankness
which was somewhat new in her day and gen-
eration. As a matter of fact, the criticism of the
I70 CHARLOTTE BRONTE
Quarterly^ was most to be regretted, in that it
frightened her, and tended to make her conven-
tional. The bad influences of this criticism is
traceable in Shirley^ which would otherwise prob-
ably have been a very much greater book than it
actually is.
^ The article is called Vanity Fair^ Jane Eyre^ and Govern^
esseSf and appeared in the Quarterly for Decemher, 1848.
CHAPTER XIV
SHIRLEY
In taking up a copy of Charlotte Bronte's
Shirley we find ourselves in an atmosphere more
easy of interpretation than that of any other book
written by the three sisters. Birstall in Yorkshire,
near Batley, is the real centre of the story; not
very far away you may come to Oakwell Hall,
the " Fieldhead " where Shirley lived, and within
easy reach also the Red House at Gomersall,
known in the book as " Briarmains," where the
family of Yorke lived. The school teacher. Miss
Wooler, as Mrs. Gaskell tells us in detail, was in
the habit of relating her memories of the great mill
riots at the beginning of the century. The attack
on Hollow's Mill in the book is but a picturesque
record of an actual event in April, 1812,^ when an
^ Her original idea was to call her stoiy Hollow's Mill and
not Shirley.
171
172 CHARLOTTE BRONTE
assault by some hundreds of starving cloth-
dressers, armed with pistols, hatchets and blud-
geons, was made upon the factory of Mr. Cart-
wright at Rawfolds, between Huddersfield and
Leeds. Mr. Cartwright, like Mr. Moore, had
foreign blood in his veins, dark eyes and com-
plexion; and Mr. Cartwright's successful defence
of his mill was but retold in picturesque form in
Shirley. Then in Mr. Helstone we have the pro-
totype of a Mr. Hammond Roberson of Heald's
Hall, who built a handsome church at Liversedge
— a fine old Tory who was intimate with Cart-
wright, and armed himself and his household in
his defence. It is he of whom it is told in Shirley
that he put the sweetheart of one of his servants
under the pump ; " Fanny " is the servant in
Shirley; it is " Betty " in Mrs. Gaskell's relation
of the actual circumstance. Almost every inci-
dent in the book, as for example the meeting of
the rival Dissenting and Church of England
schools in a narrow lane, has its counterpart in the
tradition or the actual experiences of Charlotte
Bronte's life in her Yorkshire home.
SHIRLEY 173
Equally plain is the presentation of the vari-
ous characters, not only of Matthew Helstone as
we have seen, and Mr. Cartwright, but far more
sharply defined are the three curates and the Yorke
family. Mr. Donne, the curate of Whinbury, for
example, has been easily identified as Mr. Grant
of Oxenhope; Mr. Malone, the curate of Briar-
field, as Mr. Smith of Haworth; while Mr. Sweet-
ing, the curate of Nunnerley, was Mr. Bradley of
Oakworth — ^the only one of the three who is still
living.^ The interesting Mr. Yorke who lived
^ "The very curates, poor fellows! show no resentment,'*
says Miss Bronte in one of her letters, "each characteristically
finds solace for his own wounds in crowing over his brethren.
Mr. Donne was, at first, a little disturbed; for a week or two
he was in disquietude, but he is now soothed down; only yes-
terday I had the pleasure of making him a comfortable cup of
tea, and seeing him sip it with revived complacency. It is a
curious fact that since he read Shirley^ he has come to the house
oftener than ever, and been remarkably meek and assiduous to
please. Some people's natures are veritable enigmas; I quite
expected to have had one good scene at least with him; but
as yet nothing of the sort has occurred."
Mr. Donne or Joseph Brett Grant was the master of the
Grammar School at the time. He became curate and after-
wards vicar of Oxenhope, where he died immensely esteemed
a quarter of a centuiy later. Peter Augustus Malone, who
was James William Smith in real life, was for two years curate
174 CHARLOTTE BRONTE
at Briarmains was Mr. Joshua Taylor, and his
daughters Mary Taylor and Martha Taylor, arc
presented respectively as Rose and Jessie Yorke.
Mrs. Pryor is Miss Margaret Wooler. As
for the heroine, Shirley, Mrs. Gaskell recalls a
to Mr. Bronte at Haworth. He had graduated at Trinity Col-
lege, Dublin, and after a two years' curacy at Haworth he be-
came curate of the neighbouring parish of Keighley. In 1847,
his family having suffered frightfully from the Irish famine, he
determined to tiy and build up a home for them in America, and
sailed for Canada. The last that was heard of him was from
Minnesota, where he was cutdng down trees for lumbermen; and
he probably perished on his way to the goldfields of California."^
David Sweeting, the third curate, was the Rev. James Ches-
terton Bradley (who had been educated at Queen's College,
Oxford), from the neighbouring parish of Oakworth, to which
he had been curate since 1845. He went in 1847 to All Saints',
Paddington; in 1856 he went to Corfe Castle, Dorset, and in 1863
he became rector of Sutton-under-Brayles, Warwickshire, a
living which he held unril 1904 when he retired; and is still living
at an advanced age at Richmond, Surrey. Mr. Bradley has al-
ways found great pleasure in recalling the fact that he was the
prototype of Mr. Sweeting in Shirley y although he declares that
the meetings of the curates at each other's lodgings were exclu-
sively for a series of two-hours readings of the Greek fathers,
and not for the drunken orgies described in Shirley,
* See A Well Known Character in Fiction^ the true story of
Mr. Peter Malone in Shirley ^ by his nephew, Robert Keating
Smith, in The Tatler, April 2, 1902.
SHIRLEY 175
conversation with Charlotte in which she stated
that the character was meant for her sister Emily .^
She said that the presentation of Shirley was an
attempt to draw Emily, as she would have been if
placed in circumstances of health and prosperity.
As to Caroline Helstone, there is some discrepancy
as to the prototype. Miss Ellen Nussey believed
herself tp have been intended for Caroline Hel-
stone, while on the other hand Miss Bronte's hus-
band declared that his wife had distinctly denied
this to him. Miss Bronte in one of her letters,
says : —
" I regret exceedingly that it is not in my power
to give any assurance of the substantial existence
of Miss Helstone. You must be satisfied if that
young lady has furnished your mind with a pleas-
ant idea ; she is a native of Dreamland."
We may fairly assume that there was some-
thing of Ellen Nussey, something of Anne Bronte,
a fragment of herself, and something also of
dreamland in " Caroline." " You are not to sup-
pose any of the characters in Shirley intended as
^ Lifff Haworth Edition, pag^ 30.
176 CHARLOTTE BRONT]
literal portiaits»'* she writes to a friend. *^ It
would not suit the roles of art, nor of my own
feelings to write in that style. We only suffer
reality to suggest^ never to dictate. The heroines
are abstractions, and the heroes also. Qualities I
have seen, loved and admired are here and there
put in as decorative gems, to be preserved in that
setting . . . since you say you could recognize the
originals of all except the heroines, pray whom
did you suppose the two Moores to represent? ''
It is not easy to g^ve an answer to that question
as regards Robert Moore, although Mrs. Gaskell
remarks that from the sons of the Taylor family
she drew " all that there was of truth in the char-
acter of the heroes of her first two works." ^
Robert Gerard Moore is obviously a very compos-
ite character, but his brother Louis has clearly most
of the characteristics of Monsieur Heger, who in-
deed appears in each novel in succession. He is
Professor Crimsworth, Fairfax Rochester, Louis
Moore, and Paul Emanuel, under different con-
ditions. The critics who have made much of the
^ Mrs. Gaskeirs Life^ page 232, Haworth Edition.
SHIRLEY 177
enthusiasm with which Charlotte Bronte regarded
her Brussels master and friend, might well take
note that in Shirley she not only attempted to de-
pict what her sister Emily would have been had
fortune endowed her with a good estate, but also
permitted her fancy to conceive what could have
taken place had M. Constantin Heger chanced to
have been a tutor exiled from Belgium and placed
by accident in the comfortable home of his re-
markable pupil. M. Heger, we are told, admired
Emily Bronte very much more than he did her
sister, and rated her genius higher. The sugges-
tion of the existence of a wild and undisciplined
passion for M. Heger, which has been more than
once hinted at, might be rejected by any thought-
ful reader of Shirley, recognizing as he will that
Monsieur Heger and his counterpart Louis Moore
have as many points in common as have Emily
Bronte and Shirley.
Mrs. Humphry Ward has demurred to Moore
as a poor effort of creation, and quotes Miss
Bronte's own confession : — " When I write about
women I am sure of my ground — in the other
178 CHARLOTTE BRONTE
case, I am not so sure." Mr. Swinburne is equally
contemptuous. Nevertheless the book only attains
to real distinction when Louis Moore appears on
the scene. The earlier half of it is too didactic,
too much concerned with the author's crude
theories of social life, and not very profound con-
ceptions of the social problem, of the relation of
capital to labour. Not imtil she resumes the story
after the death of her two sisters, not in fact until
we reach the chapter entitled " The Valley of the
Shadow of Death," do we find the writer on firm
ground. It is well to get away from the somewhat
cheap satire on the curates, from the tiresome and
insipid Caroline, to the various episodes of Shir-
ley's quaint courtship — ^the interesting facing of
the problem of a man's attitude to the woman he
loves when she has means and he has none.
Shirley was written under painful circumstances.
The first and second volumes were finished while
her brother and two sisters were living, the third
was begun and the book completed after all three
were gone from her. The earlier volumes, writ-
ten in the turmoil of hope deferred, of melancholy
SHIRLEY 179
anticipation of the inevitable, show a great falling
off from the power of Jane Eyre; but the last
volume, written in the unutterable loneliness of
bereavement, is quite masterly. " The two human
beings who understood me, and whom I under-
stood, are gone," she writes. Yet with the quiet
fortitude that was ever her characteristic, she
brought her task to a conclusion. The publishers
in Cornhill were entirely satisfied, and the book
was published in October, 1849. Again, as with
Jane Eyre^ the criticism that she most appreciated
came from Eugene Forcade in the Revue des Deux
Mondes. " With that man," she writes, " I
would shake hands if I saw him. I would say,
' You know me. Monsieur ; I shall deem it an
honour to know you.' I could not say so much
of the mass of the London critics." At the end
of November she paid her fourth visit to London
— ^the first that had in it anything of a social char-
acter. She was the guest of her publisher, Mr.
George Smith, then a young bachelor living with
his mother at Westbourne Place, Bishop's Road.
Before leaving Haworth she had had a copy of
i8o CHARLOTTE BRONTE
her book sent to Harriet Martmean with the fol-
lowing note enclosed: —
** Currer Bell offers a copy of SMHey to Miss
Martineau*s acceptance, in acknowledgment of
the pleasure and profit {sic) he had deriyed from
her woiks. When C. B. first read Deerbr€>ok he
tasted a new and keen pleasure, and experienced
a genuine benefiL In his mind Deerhrook ranks
with the writings that have really done him good,
added to his stodc of ideas and rectified his views
of life." 1
Miss Martineau replied, addressing her letter
to " Currer Bell, Esq.," but beginning it " Dear
Madam." On December 8 she received a letter
signed " Currer Bell," saying that the writer was
in town and desired to see her. Miss Martineau
has left an amusing account of the interview, the
arrival of a male visitor six feet high, whom some
of her friends believed to be the new author, and
finally the appearance of " Miss Bronte," whom
the footman announced as " Miss Brogden." " I
thought her the smallest creature I had ever seen,
^ Harriet Mardneau's Autobiography^ vol. 2.
SHIRLEY i8i
except at a fair," was Miss Martineau's first im-
pression. Miss Bronte saw others of her literary
idols, Thackeray in particular, to whom the second
edition of Jane Eyre was dedicated, and with
whom as " A Titan of mind " — she felt " fear-
fully stupid." In John Forster, afterwards to be-
come known to all as the biographer of Dickens,
she discovered a " loud swagger." The best ac-
count of the visit is contained in a letter to her
friend. Miss Wooler ^ : —
" Ellen Nussey, it seems, told you I spent a fort-
night in London last September; they wished me
very much to stay a month, alleging that I should
in that time be able to secure a complete circle
of acquaintance, but I found a fortnight of such
excitement quite enough. The whole day was
usually spent in sightseeing, and often the evening
was spent in society ; it was more than I could bear
for a length of time. On one occasion I met a
party of my critics — seven of them ; some of them
had been very bitter foes in print, but they were
^ From Charlotte Bronte and Her Circle^ where the letter is
wrongly dated.
•^ - n ■ : -
182 CHARLOTTE BRONTE
prodi^oiisly civQ fzcc to face. These
ycmrd infinitely grander, more pcxnpons, dashm^
showy, than the few authors I saw. \Ir. Thack-
eray, for instance, is a man of quiet simpk de-
meanour; he is however looked upon with some
awe and even distrust. His conversation is very
peculiar, too perverse to be pleasant. It was pro-
posed to me to see Charles Dickens, Lady Mor-
gan, Mesdames Trollope, Gore, and some others,
but I was aware these introducticms would bring
a degree of notoriety I was not disposed to en-
counter; I declined, therefore, with thanks."
Taking up the thread of her life once more at
Haworth, Charlotte Bronte found the situation
well nigh intolerable. Something of the mental
anguish that she presents so powerfully as an epi-
sode in the life of Lucy Snowe in Villette would
seem to have visited her at this time, and she was
not without her tribulations arising out of the at-
titude of friends who had taken their cue from the
Quarterly Review article, or similar pronounce-
ments. There was her own kindly but strait-laced
governess, for example :
SHIRLEY 183
" I had a rather foolish letter from Miss
Wooler the other day. Some things in it nettled
me, especially an unnecessary, earnest assurance
that, in spite of all I had done in the writing line,
I still retained a place in her esteem. My answer
took strong and high ground at once. I said I
had been troubled by no doubts on the subject;
that I neither did her nor myself the injustice to
suppose there was anything in what I had written
to incur the just forfeiture of esteem. I was
aware, I intimated, that some persons thought
proper to take exceptions at Jane Eyre^ and that
for their own sakes I was sorry, as I invariably
found them individuals in whom the animal largely
predominated over the intellectual, persons by
nature coarse, by inclination sensual, whatever
they might be by education and principle."
The reviews of Shirley moreover were not all
enthusiastic. Mr. George Henry Lewes, had a
not too favourable word to say in the Edinburgh
Review^ which hurt her, and The Times review
she described as " acrimonious." In a letter to
Lewes she demanded to be judged as an author^
1 84 CHARLOTTE BRONTE
not as a woman. However she was able about
this time to escape from Haworth and to be the
guest of Sir James Kay-Shuttleworth at Gaw-
thorpe Hall, Lancashire. In June of this year
(1850) she was again in London, and saw the
Duke of Wellington, the hero of her girlhood,
" a real grand old man," received a morning call
from Thackeray — " I was moved to speak to him
of some of his shortcomings," and had an inter-
view with Lewes, whose face reminded her of her
sister Emily's and " almost moved me to tears.**
This holiday began at the Smiths', and concluded
at the Wheelwrights', her Brussels friends.
Writing to a friend from Mrs. Smith's new
house at Gloucester Terrace, Hyde Park, she
says : —
" Here I feel very comfortable. Mrs. Smith
treats me with a serene, equable kindness which
just suits me. Her son is, as before, genial and
kindly. I have seen very few persons, and am
not likely to see many, as the agreement was that
I was to be very quiet. We have been to the Ex-
hibition of the Royal Academy, to the Opera, and
SHIRLEY 185
the Zoological Gardens. The weather is splendid.
I shall not stay longer than a fortnight in London.
The feverishness and exhaustion beset me some-
what, but not quite so badly as before."
During this stay in London she sat to George
Richmond for the only portrait of her that has
any real value or authenticity — a crayon drawing
presented by Mr. George Smith to her father, and
pronounced by Mr. Bronte to be " a correct like-
ness " and " a graphic representation." ^
Then followed a short trip to Scotland, Mr.
George Smith and his sister being of the party.
A few weeks at Brookroyd with her friend Miss '^*^
Nussey and at Haworth, and she was again on
her travels, this time to be the guest of Sir James
Kay-Shuttleworth at his house, "The Briery,"
near Bowness. Here she met Mrs. Gaskell, thus
forming one of the most momentous friendships
in her destiny. " I was truly glad of her com-
^ This portrait, which has been many times reproduced,
occupied the position of honour in the parlour at Haworth until
Mr. Bronte's death. It is now hanging in the drawing-room of
Mr. Nicholls in his house in Ireland. He has kindly destined
it for the National Portrait Galleiy of London.
1 86 CHARLOTTE BRONTE
panionship. She is a woman of most genuine
talent, of cheerful, pleasing and cordial manners,
and I believe of a kind and good heart." ^
Miss Martineau was away at the time, but Miss
Bronte promised her a visit which was paid in
December of this same year, 1850. She was glad
to escape from her own morbid moods, and was
quite unable, as she says, " to bear the canker of
constant solitude." In the interval, however, at
Haworth, she busied herself by editing her sister's
Remmns. The task laid a great strain upon her,
" The reading over of papers, the renewal of re-
membrances, brought back the pang of bereave-
^ To Mrs. Gaskell she wrote upon her return to Haworth
a letter containing an interesting critique — Mr. Swinburne calls
it " inept " — ^upon Tennyson's newly-published poem : —
" I have read Tennyson's In Memoriam^ or rather part of it;
I closed the book when I got about half-way. It is beautiful;
it is mournful; it is monotonous. Many of the feelings ex-
pressed bear, in their utterance, the stamp of truth; yes, if
Arthur Hallam had been something nearer Alfred Tennyson,
his brother instead of his friend, I should have distrusted
this rhymed, and measured, and printed monument of grief.
What change the lapse of years may work, I do not know;
but it seems to me that bitter sorrow, while recent, does not
glow in verse.
SHIRLEY 187
ment, and occasioned a depression of spirits well-
nigh intolerable." The " Introduction " that she
wrote to the second edition of Wuthering Heights
is one of the most striking of her literary achieve-
ments. This book was published on December 10,
1850, and a week later she was with Miss Mar-
tineau at Ambleside. " She is both hard and
warm-hearted, abrupt and affectionate, liberal and
despotic " — such was Miss Bronte's sufficient
estimate of her hostess. At Ambleside she met
Matthew Arnold, " whose manner displeases from
its seeming foppery," and whose theological opin-
ions were, she regretted, " very vague and unset-
tled." Miss Bronte did not live to read Literature
and Dogma and God and the Bibky nor could she
have anticipated that the finest recognition of her
and her sisters that poetry had to offer would
come from the foppish youth she then met for the
first and only time. However she tells her friend
Miss Wooler, who had an interest in Dr. Arnold,
that during this visit she had seen much of the
Arnold family, " and daily admired in the widow
and children of one of the greatest and best men
1 88 CHARLOTTE BRONTE
of his time, the possession of qualities the most
estimable and enduring/'
At the end of May, 185I9 Miss Bronte is again
in London — the time for her longest and most en-
joyable visit — tempted thither by Mrs. Smith
on account of the Great Exhibition in Hyde Park
— ^the Crystal Palace, as it was called. She much
enjoyed listening to one of Thackeray's lectures
in Willis's Rooms. Here she was introduced to
Lord Houghton and other notable contemporaries,
and after the lecture she was mobbed by a crowd
of admirers as she passed trembling and agitated
to the doors. The Exhibition proved a " marvel-
lous, stirring and bewildering sight, but it is not
much in my way." She enjoyed more her later
visits, particularly one with Sir David Brewster,
but she was most at home in hearing D'Aubigne
preach; " it was pleasant, half sweet, half sad, to
hear the French language once more." How
much Rachel, the great French actress — then in
London — thrilled her every reader of Villette will
recall — " she is not a woman, she is a snake."
Then she was present at one of Samuel Rogers's
SHIRLEY 189
famous breakfasts, which in writing to her father,
who loved to hear of her recognition, she tactfully
says are " celebrated throughout Europe for their
peculiar refinement and taste." Returning from
this visit she spent two days with Mrs. Gaskell
at Manchester, and when back at home writes to
Mrs. Smith, referring to the contrast of the life
she has left and the life she is living. " Yet even
Haworth Parsonage docs not look gloomy in this
bright summer weather."
Altogether, the years 1850 and 185 1, in which
she wrote no single novel, were full of interesting
impressions for Charlotte Bronte. With all its
depressing moods, her life was no longer given up
to " darning a stocking, or making a pie in the
kitchen of an old parsonage in the obscurest of
Yorkshire villages," as she had once described it.
She corresponded with all her brothers and sisters
of letters, in whose work she was interested: she
had met most of them on equal terms. Moreover
the kindness of George Smith and his two hench-
men, Williams and Taylor, had put her in pos-
session of a great quantity of modem literature.
I90 CHARLOTTE BRONTE
not perhaps as helpful as the old romances and
biographies that she had borrowed so continuously
from the Keighley Library, but none the less
abounding in a new kind of interest for her ever
alert intelligence. Throughout this and the fol-
lowing years, indeed, her letters to these and other
London friends deal entirely with the books she
had borrowed from them, and they are consequent-
ly far more interesting letters than those written in
the period of obscurity to the friends of her girl-
hood. Ruskin's Stones of Venice^ Thackeray's
Esmond^ Sorrow's Bible in Spain^ and many other
books of importance are read and criticized with
judgment. This last phase of her intellectual
development could not but have had some eflFect
upon the crowning literary achievement of Char-
lotte Bronte's life — ^the writing of Villette.
CHAPTER XV
VILLETTE AND THE PROFESSOR
Some ten years ago I visited the scene of Fil-
lette, the Pensionnat Heger at Brussels. The
school had just been removed to another quarter
of the city, and the house was in an entirely dis-
mantled condition. This enabled me to make a
perhaps more intimate acquaintance with the build-
ing than I could otherwise have done. It per-
mitted my walking through the various rooms, and
tracing in minute detail every aspect of the place
that had been so vividly described, partly in The
Professor, but more in detail in Villette. Here
was the dormitory, now dismantled of its long
succession of beds, in one of which at the further
end, Lucy Snowc was frightened by the supposed
ghost of a nun. Then we came to the oratory,
with the niche no longer holding a crucifix. Fi-
nally we passed into the pleasant garden, with its
191
192 CHARLOTTE BRONTE
avenue of trees, and also the " allee defendue ''
forbidden to all but the teachers, because it was
overlooked by the neighbouring boys' school.
A visit to this house in the Rue D'Isabelle
enabled one to gauge the minuteness with which
Charlotte Bronte had followed every detail of
locality during her two years' sojourn in the city
she has called " Villette." There were still actu-
ally the old pear-trees, the same vine-clad berceau ;
everything indeed seemingly unchanged during
half a century in this quiet retired street in a city
which has made huge strides in other directions
during that period, which indeed has since then
raised in its midst many stately buildings, includ-
ing the most magnificent law courts in Europe.
It is truly wonderful how vegetation renews it-
self year by year in much the same form for in-
calculable periods. Those paths, and grass-plats,
could have undergone practically no change what-
ever in the long interval that separates the day
when Charlotte and Emily Bronte walked arm in
arm through them, strangely isolated from the
mass of their fellow-pupils, yet what changes have
VILLETTE 193
taken place in the great world since those days in
1 842 1 But here in the Brussels that I visited
there were many living links with that long ago.
I called upon M. Heger, who with his wife had
kept this school for so many years. The old pro-
fessor, who was eighty-five years old at this time,
was too ill to see me, and he died two years later.
His wife has already been dead for five years.
But all his children were flourishing in Brussels,
the son as a doctor of distinction, the daughters
still retaining the old school, just removed to an-
other building, which must for ever be associated
with the Bronte story. It was my privilege to
hold a long conversation with Mile. Heger, the
youngest child, the " Georgette " of Fillet te. I
found her kindly and communicative, and she gave
me some interesting memorials of Charlotte and
Emily — exercise books which it was wonderful
should have survived from these pupils more than
from hundreds of others that had attended the
Pensionnat before and after, but which were un-
doubtedly genuine. The attitude of the Heger
family had not always been so tolerant as I found
194 CHARLOTTE BRONTE
It, and truly it may be admitted that Villette was
a hard and a cruel blow, as they and their friends
may well have thought. It had been translated
into French and read by numbers of acquaintances
in Brussels who without being as malicious as the
author implied that all Belgians were, yet could
not have failed of an inclination to recognize and
to identify.
Thus one is not surprised to hear that when
Mrs. Gaskell went to Brussels in order to search
out material for the Life^ Madame Heger de-
clined to see her, although M. Heger " was kind
and communicative." M. Heger assuredly had
less to forgive than his wife. But how indispu-
tably cruel is the portrait of Madame Beck of
Villette and Mile. Reuter of The Professor. We
have undeniable evidence that Madame Heger
was a good wife, that she was surrounded even
to her death by a circle of friends who esteemed
her. We have no reason to suppose that the
picture of the Brussels schoolmistress In Villette
was any more a moral counterpart of Charlotte
Bronte's " Madame " than the portrait of Mrs.
VILLETTE 195
Reed in Jane Eyre resembled Mrs. Sidgwick,
whom the writer also doubtless had in her mind.
Genius is so frequently cruel in its portraiture,
and with a certain ostrich-like quality superadded.
It never knows that it is cruel and it never antic-
ipates identification. Charles Dickens frequently
denied that he had intended Harold Skimpole to
represent Leigh Hunt, and he must have been as-
tonished and aggrieved that his friends should in-
sist upon a recognition. Charlotte Bronte was in
no similar danger because there was no French
translation of Villette in her lifetime, but had this
not been so she would probably have urged, as is
the way with authors, that here as elsewhere was
merely a composite picture and not a portrait of
an individual. If only such identifications could
be thrust aside, our enjoyment and interest in the
presentation would be the greater, but that is not
possible. Yet if only we can forget its essential
cruelty, the portrait grips us. The clever, schem-
ing schoolmistress, watching all the threads of her
large establishment with a Napoleonic energy,
holds one breathless.
196 CHARLOTTE BRONTE
But biography insists upon identification, espe-
cially when the writer is pre-eminently a satirist,
and if Charlotte Bronte was cruel — artistically
cruel — ^to a woman whom she did not love, that
woman has been more than avenged by the per-
sistence with which Miss Bronte's own life has
been identified with her heroine Lucy Snowe. A
ruthless criticism has punished her in assigning to
her own nature, in all outward things so strong,
so firm, so full of self-reliance, the sufferings of
her heroine when brought face to face with Paul
Emanuel. A substantial book has been devoted to
this subject,* and it would be absurd to ignore it.
Hint and innuendo do more harm than a candid
facing of the facts. Was Charlotte Bronte then
In love with M. Heger? Was she In every respect
the counterpart of Lucy Snowe, or Lucy Frost as
in the original manuscript she Is many times
called? Many critics have urged the point while
carefully qualifying their position by an Insistence
that Charlotte Bronte never swerved for a mo-
ment from the path of strict moral action, that her
* The Brontes — Fact and Fiction, by Angus MacKay, 1897.
VILLETTE 197
life will bear the severest searching of the most
censorious. But such writers are anxious to prove
too much. From Dante to our day poets have
cultivated a kind of moral hysteria side by side
with a well-balanced common-sense outlook upon
life. Charlotte Bronte was the first woman writer
to whom the problem of sex appealed with all its
complications. Her mood was morbid if you will.
She thought much on the question of love, and
dwelt continually on the problem of the ideal
mate. M. Heger was the only man she had met
with real individuality and power, real culture and
capacity. The very fact that he recognized Emily
Bronte's genius speaks volumes for his perspicuity.
It is certain that no other man at that time had
the slightest inkling of it.
Charlotte Bronte did not like Madame Heger;
theirs were antipathetic natures, and there is noth-
ing more to be said on that point. If Madame
Heger had had a taste for fiction and had been
a governess say in Miss Margaret Wooler's school
at Roehead, she could have made just as unami-
able a portrait of Charlotte as the latter did of
198 CHARLOTTE BRONTE
her. There is however no derogation of the fair
fame of Charlotte Bronte in the assumption of her
critics, that she did think of M. Heger as uncon-
genially mated, that she may at times have al-
lowed herself to contemplate the might-have-
beens, the possibility of this man as her own hus-
band had circumstances willed it, or as her sister
Emily's husband, as we see she did in Shirley.
There was nothing wrong in all this, nothing that
Mrs. Grundy's most sour disciple could possibly
object to. If Charlotte Bronte preaches one thing
more than another, it is that we are to conquer
all inclinations that are the slightest degree in-
consistent with a very strict moral code. Certainly
she is very fond of a situation of the type that
her critics have assigned to her. Jane Eyre, for
example, it will be remembered, falls in love with
a man whom she finds too late belongs to another,
and so also does Lucy Snowe, in the case of John
Bretton.
But surely the critics have made rather too much
of the autobiographic nature of Villette, They
have not sufficiently grasped the fact that an
M. Paul Hittr
VILLETTE 199
artist cultivates emotions in order to make good
copy out of them. It is nothing to the point that
these emotions made Charlotte Bronte very miser-
able at times. The real artist is always a creature
of moods. It is quite another thing however to
suggest that when at Brussels, and suffering, as we
know she did suffer, Charlotte Bronte was actually
in anguish because she was not and could not be
the wife of M. Heger. He was, it is perfectly
clear, happily married. No one however has for
a moment suggested that Miss Bronte ever at-
tempted to draw from Madame Heger the love
of her husband, and really all the letters that have
come to light bearing upon that year at Brussels
which commenced in the January of 1843, seem
to show that she was far from seeing much of M.
Heger, and that she was really frightfully lonely.
She tells Branwell that she only sees M. Heger
once a week or so, and she informed Emily that
he had scolded her for her want of sociability, and
so concludes : —
" He has already given me a brief lecture on
universal bienveillance, and, perceiving that I
2CDO CHARLOTTE BRONTE
don't improve in consequence, I fancy he has taken
to considering me as a person to be let alone —
left to the error of her ways."
Yet another point has agitated the critics of
Villette — Charlotte Bronte's religion. She broad-
ened doubtless with the years. The age of Tenny-
son in poetry, Ruskin and Carlyle in prose, a
period when what was called the Broad Church
had captured some of the best minds in the Estab-
lished Religion, could not but have influenced her
as she began late in her career to read modem
writers. It is clear that her youth was formed
upon the older authors, her father's theological
guides and her own selection of books from the
library at Keighley, where it may safely be as-
sumed new books were seldom forthcoming. Not
until W. S. Williams and George Smith began to
send her books from London did her mind take
on a new aspect of truth. But of this there are
few traces in her novels. These reflect the views
she had imbibed in her childhood, and were of
VILLETTE 20I
that thoroughly Orange complexion which her
father had brought with him from Co. Down.
When she insists that people should hold by what
is " purest in doctrine and simplest in ritual " it
is clear that she implies that purity is only to
be obtained when ornateness is absent. A violent
hatred of Roman Catholicism, indeed, character-
izes her first novel. The Professor^ and her last
novel, Vtllette. Her girl pupils in Brussels had
an art of " bold, impudent flirtation, or a loose,
silly leer." " I am not a bigot in matters of
theology," she continues, " but I suspect the root
of the precocious impurity, so obvious, so general
in Popish countries, is to be found in the discipline,
if not the doctrines of the Church of Rome." If
she had been able to contrast impartially the moral
atmosphere of, let us say, an Irish village and a
Yorkshire village, then or now she might have dis-
covered that the root of the matter is elsewhere
to seek. Even her father's parish had more than
one scandal in her own day. Not even ordinary
truthfulness is credited to the religion of the rival
communion. " She is even sincere, so far as her
202 CHARLOTTE BRONTE
religion would permit her to be so/' is her ac-
count of one of the pupils in this same novel. The
Professor^ and her heroine is made to say that
she longs " to live once more among Protestants;
they are more honest than Catholics: these all
think it lawful to tell lies." When we come to
VillettCy things are even worse, or better as the
reader may choose to interpret it Methodism
receives little more favour. Her Dissenters are
nearly all ^' engrained rascals," as she calls one
of them.
But how unimportant it all is, although inter-
esting in a way. Every great writer in every age
has been very much in harmony with his environ-
ment, and a later age with other views of tolera-
tion cares for none of these things, but asks only
of the artistic achievement. Two widely diflfercnt
contemporary writers, Charlotte Bronte and
George Borrow were at one in their hatred of
Romanism. Yet both have received some of their
most eloquent appreciation from members of that
Church, and in any case it must not be forgotten
that Charlotte Bronte's most impressive hero,
VILLETTE 1203
Paul Emanuel, was a Roman Catholic, and that
she herself '' confessed " in a Roman Catholic
church.
4c 4( ♦ ♦ ♦ ♦
Villette is one of the great novels of literature.
Mrs. Bretton and Dr. John — ^pictures to some ex-
tent of Mr. George Smith and his mother — Gin-
evra Fanshawe and Paulina de Bassompierre are
very subordinate to the three characters who play
their fierce and spirited part on this tiny stage.
It is the novel of greatest intensity, of most genuine
passion, of most satiric strength in the period in
which it appeared. The book will always rank
as the principal achievement of its writer.
It is not difficult to understand why her pub-
lishers three times during her lifetime declined
Miss Bronte's request to publish The Professor.
Apart from its size — ^the impossibility of produc-
ing it as a three-volumed novel, there were many
elements of crudity. Young Cumsworth would
scarcely have been ten years at Eton, and would
certainly not have carried hence a great capacity
for reading and writing French and German. In
ao4 CHARLOTTE BRONTE
any case Villette was in many particulars but a
rewriting of The Professor. The incident of
shutting an unruly pupil up in a cupboard is re-
peated in both stories, and Madame Beck and
Mile. Renter indulge in much the same manoeuvres
with their scholars. Nevertheless The Professor ^
is full of good things, and Frances Henri is per-
haps the only woman character in Charlotte
Bronte's novels of real charm.
Villette was commenced at the beginning of
185 1, but not before she had felt compelled to
bow before a third and final refusal of her pub-
lisher to accept The Professor^ a story for which
she had evidently a peculiar affection. In May she
pays yet another visit to London, this time to see
the Great Exhibition in Hyde Park. To diat visit
I have already referred. At this time we find her
engaged in quite a copious correspondence, now
^ The original manuscript, now in the possession of Mr.
Thomas Wise, discloses that the book was first called Tbt
Master.
VILLETTE 20S
with her old friends, and now again with her new
friends in London. She writes for example to
Ellen Nussey, describing a visit to Leeds for the
purchase of a bonnet. " I got one which seemed
grave and quiet there among all the splendours,
but now it looks infinitely too gay with its pink
lining. I saw some beautiful silks of pale, sweet
colours, but had not the spirit nor the means to
launch out at the rate of five shillings per yard,
and went and bought a black silk at three shillings
after all." While to Mr. Smith she writes enthu-
siastically concerning Mr. Ruskin's Stones of
Venice^ which she had just read through. She
heard Cardinal Wiseman address a small meeting.
" He came swimming into the room, smiling, sim-
pering and bowing like a fat old lady, and looked
the picture of a sleek hypocrite. The Cardinal
spoke In a smooth whining manner, just like a
canting Methodist preacher," she added. We
hear nothing about authorship until September,
when in reply to a suggestion by Mr. George Smith
that she should give him her next book for serial
publication, she replied that " were she possessed
2o6 CHARLOTTE BRONTE
of the experience of a Thackeray, or the animal
spirit of a Dickens it might be possible, but even
then she would not publish a serial except on con-
dition that the last number was written before the
first came out." Her loyalty to her publisher was
extreme, for in yet another letter she expresses
her deep regret that it was quite impossible for
her to oblige him over this question of a serial.
At the close of the year there came a long and
serious illness, and as she was recovering she
stayed for a time with Ellen Nussey. '* The
solitude of my life I have certainly felt very keenly
this winter," she writes to a friend, "but every
one has his own burden to bear, and when there
is no available remedy it is right to be patient and
trust that Providence will in His own good time
lighten the load." The first few months of the
year 1852 Miss Bronte was struggling back to
health. In June of that year she went alone to
Filey, on the Yorkshire coast, and took the oppor-
tunity of looking at the tombstone of her sister
Anne in the churchyard of the old church at Scar-
borough. Then came a serious illness of her
VILLETTE 1207
father, and work on her novel was again post-
poned. We do not hear more about Villette until
the October of 1852, when she is able to send
her publisher the first half of the book. She is
agitated because there is no one to whom she is
able to read a single line, or ask a word of counsel.
** Jane Eyre was not written under such circum-
stances," she said, " nor were two-thirds of Shir-
ley. '^^ She would have liked it to be published
anonymously, or under some other pseudonym
than that of " Currer Bell," but gave way when
told by her publishers that it would very much
interfere with their interests. Writing to her
publisher a little later, she expresses a regret that
Villette touches no matter of public concern. " I
cannot write books handling the topics of the day ;
it is of no use trying," she said. " Nor can I
write a book for its moral." She is pleased that
her publisher likes the opening sections of die
book, and discusses with him its later stages, as
follows : —
" Lucy must not marry Dr. John; he is far too
youthful, handsome, bright-spirited, and sweet-
i2o8 CHARLOTTE BRONTE
tempered ; he is a * curled darling ' of Nature and
of Fortune, and must draw a prize in life's lottery.
His wife must be young, rich, pretty; he must
be made very happy indeed. If Lucy marries any-
body it must be the Professor — a man in whom
there is much to forgive, much to ' put up with/
But I am not leniently disposed towards Miss
Frost: from the beginning I never meant to ap-
point her lines in pleasant places. The conclusion
of this third volume it still a matter of some
anxiety."
As a matter of fact it would seem that the
conclusion of the book gave her considerable
trouble. Her father, to whom she read it, was
very anxious that it should end well, and that she
should make her hero and heroine marry and live
happily ever after. Her imagination had how-
ever been seized with the idea that Paul Emanuel
should lose his life at sea, hence the somewhat
ambiguous ending to the book. She did not wish
to hurt her father's feelings, but on the other
hand she did not wish to go against her artistic
conscience. At the end of November, 1852, Fil-
VILLETTE ao9
lette was finished. " The book, I think," she says,
in sending it away, " will not be considered pre-
tentious, nor is it of a character to excite hostility."
After this a week was spent with Ellen Nussey
at Brookroyd, a fortnight with Harriet Mar-
tineau at Ambleside, and in January the follow-
ing year she was again in London, staying with
her publishers, and correcting the proof-sheets of
her novel, the publication of which she deferred
until the end of the month in order to give Mrs.
Gaskell's Ruth the start in the papers; and on
this matter she writes to her friend, Mrs. Gaskell,
to the effect that '' Villette has no right to push
itself before Ruth; there is a goodness, a philan-
thropic purpose, a social use in the latter to which
the former cannot for an instant pretend."
Villette was published on January 24, 1853,
and was received with general acclamation. Near-
ly all the reviews were favourable, the principal
exception being one written by Miss Martineau
in the Daily News. Miss Martineau's points of
disagreement were twofold — she disagreed with
the author on the question of love, and she thought
aio CHARLOTTE BRONTE
her unfair to the Roman Catholic Church. On
the first point, at any rate, Miss Bronte's reply
to her friend was sufficiently effective — " I know
what love is, as I understand it, and if man or
woman should be ashamed of feeling such love,
then is there nothing right, noble, faithful, truth-
ful, unselfish in this earth, as I comprehend recti-
tude, nobleness, fidelity, truth and disinterested-
ness." In February she writes from Haworth to
thank Mr. George Smith for sending her an en-
graving of Thackeray's portrait by Lawrence.
At this time interest in her personality was grow-
ing steadily. The Bishop of the diocese came to
see Mr. Bronte, and spent the night in the vicar-
age. Miss Mulock, the author of John Halifax^
Gentleman^ and other correspondents wrote to her
for further particulars as to the fate of Paul
Emanuel. In April she was again with Mrs.
Gaskell at Manchester, and in September Mrs.
Gaskell visited her at Haworth, and we owe to
her quite the best description of Miss Bronte's
home in these last years of her life.
" I don't know that I ever saw a spot more
VILLETTE 211
exquisitely clean; the most dainty place for that
I ever saw. To be sure the life is like clockwork.
No one comes to the house; nothing disturbs the
deep repose; hardly a voice is heard; you catch
the ticking of the clock in the kitchen, or the buzz-
ing of a fly in the parlour all over the house. Miss
Bronte sits alone in her parlour, breakfasting with
her father in his study at nine o'clock. She helps
in the house work; for one of their servants.
Tabby, is nearly ninety, and the other only a girl.
Then I accompanied her in her walks on the sweep-
ing moors; the heather bloom had been blighted
by a thunderstorm a day or two before, and was
all of a livid brown colour, instead of the blaze
of purple glory it ought to-feave been. Oh 1 those
high, wild, desolate moors, up above the whole
world, and the very realms of silence 1 Hpme to
dinner at two. Mr. Bronte has his dinner sent
in to him. All the small table arrangements had
the same dainty simplicity about them. Then we
rested, and talked over the clear bright fire; it is
a cold country, and the fires gave a pretty warm
dancing light all over the house. The parlour has
am CHARLOTTE BRONTE
been evidently refurnished within the last few
years, since Miss Bronte's success has enabled her
to have a little more money to spend. Everything
fits into, and is in harmony with, the idea of a
country parsonage, possessed by people of very
moderate means. The prevailing colour of the
room is crimson, to make a warm setting for the
cold grey landscape without. There is her likeness
by Richmond, and an engraving from Lawrence's
picture of Thackeray; and two recesses, on each
side of the high, narrow, old-fashioned mantel-
piece, filled with books — ^books given to her, books
she has bought, and which tell of her individual
pursuits and tastes; not standard books."
Not less interesting is the account of a mere
stranger's visit to Miss Bronte at Haworth in
these days of lonely success : —
" I was shown across the lobby into the parlour
to the left, and there I found Miss Bronte, stand-
ing in the full light of the window, and I had am-
ple opportunity of fixing her upon my memory,
where her image is vividly present to this hour.
She was diminutive in height, and extremely frag-
VILLETTE 213
ile. Her hand was one of the smallest I ever
grasped. She had no pretensions to being con-
sidered beautiful, and was as far removed from
being plain. She had rather light brown hair,
somewhat thin, and drawn plainly over her brow.
Her complexion had no trace of colour in it, and
her lips were pallid also ; but she had a most sweet
smile, with a touch of tender melancholy in it. Al-
together she was as unpretending, undemonstra-
tive, quiet a little lady as you would well meet.
Her age I took to be about five-and-thirty. But
when you saw and felt her eyes, the spirit that
created Jane Eyre was revealed at once to you.
They were rather small, but of a very peculiar
colour, and had a strange lustre and intensity.
They were chameleon-like, a blending of various
brown and olive tints. But they looked you
through and through — and you felt they were
forming an opinion of you, not by mere acute not-
ing of Lavaterish physiognomical peculiarities,
but by a subtle penetration into the very marrow
of your mind, and the innermost core of your soul.
Taking my hand again, she apologised for her en-
214 CHARLOTTE BRONTE
forced absence, and, as she did so, she looked
right through me. There was no boldness in the
gaze, but an intense, direct, searching look, as of
one who had the gift to read hidden mysteries, and
the right to read them. I had a feeling that I
never experienced before or since, as though I was
being mesmerised."
Through the closing months of 1853 and the
early part of 1854 Miss Bronte, living quietly at
Haworth, was principally occupied in nursing her
father, who was getting very old and very blind.
In April however she was able to announce to her
friends that she was engaged to be married to her
father's curate, and on June 29 of this year,
1854, Charlotte Bronte became Mrs. Arthur Bell
Nicholls.
CHAPTER XVI
MARRIAGE AND DEATH
" I THINK he must be like all the curates I have
seen," Charlotte Bronte writes of one of them.
" They seem to me a self-seeking, vain, empty
race." Her experience had certainly been excep-
tionally wide, for until she went to Brussels at
twenty-six years of age she had met but few other
men in her father's house. Curates there had been
in abundance. To the three individuals described
in Shirleyj one may add at least six others, and
two of them desired to marry Miss Bronte — Mr.
Bryce and Mr. Nussey. Mr. Bryce proposed by
letter after one meeting, Mr. Nussey also declared
himself in similar fashion, and received in return
much good advice as to choosing a wife which, as
we have seen, he quickly took — in a fashion.
Miss Bronte had become famous when the next
proposal of marriage came to her. This was from
ai5
ai6 CHARLOTTE BRONTE
Mr. James Taylor, who was in the employment
of her publishers. The firm suggested to Miss
Bronte that Mr. Taylor should come to Haworth
for the manuscript of Shirley^ and her reply gave
an interesting glimpse of her peculiarly isolated
life. She told Mr. W. S. Williams that she could
not offer any male society as companions in the
neighbourhood, that her father " without being in
the least misanthropical or sour-natured, habit-
ually prefers solitude to society." Under these
circumstances Miss Bronte suggests that if Mr.
Taylor still desires to come for the manuscript, he
should only stay the one day. Mr. Taylor came,
and it is clear quickly lost his heart, and showed,
moreover, much more persistency than earlier
lovers. He began to lend her newspapers and
books, and went so far as to half propose, only
to be snubbed into silence for a period of nine
months, when he reappeared, or rather his
favourite newspaper, which came once again
through the post to Haworth. It was the Athe-
naum which formed the singular medium of this
quaint courtship. There are many references in
MARRIAGE AND DEATH aiy
Charlotte Bronte's letters to her friend Ellen
Nussey which seem to indicate that with still a
little more persistency James Taylor — " the little
man," as she calls him — ^might have won his suit,
the more particularly as he had a strong ally in
her father, and touched her by a certain resem-
blance to her brother Branwell. However his
firm sent him to India, and he accepted as final
Miss Bronte's definite refusal. He wrote to her
occasionally from Bombay, and her letters to him
have been published.^ When he returned to Eng-
land in 1856 Charlotte Bronte was dead.
Miss Bronte's fourth and this time successful
lover was Mr. Arthur Bell NichoUs, her father's
curate: one of that detested race which she had
satirized so bitterly in Shirley ^ and made so many
contemptuous references to In her letters. Of Mr.
Nicholls, however, she had early formed a kindly
judgment. Bom in 18 17, he was a Scot by origin,
an Irishman of Co. Antrim by birth. He was edu-
cated at the Royal School at Banagher by his
uncle, the Rev. Alan Bell, the headmaster. From
^ In Charlotte Bronte and Her Circle.
21 8 CHARLOTTE BRONTE
Trinity College, Dublin, he passed in 1 844 to the
curacy of Haworth, in succession to Mr. Smith,
the " Malone " of Shirley. In that novel, written,
it will be remembered, in 1849, ^^ ^^ pictured as
Mr. Macarthey : — " I am happy to be able to in-
form you with truth that this gentleman did as
much credit to his country as Malone had done
it discredit. . . . He laboured faithfully in the
parish : the schools, both Sunday and day-schools,
flourished under his sway like green bay-trees.
Being human, of course he had his faults; these
however were proper, steady-going clerical faults,
which many would call virtues: the circumstance
of finding himself invited to tea with a Dissenter
would unhinge him for a week. ..."
In 1846 Miss Bronte repudiated her friend's
suggestion that she was going to marry Mr.
NichoUs. '' He and his fellow curates," she said,
'' regard me as an old maid, and I regard them,
one and all, as highly uninteresting, narrow and
unattractive specimens of the coarser sex."
Mr. Nicholls however had his moment of tri-
umph, as we have seen, when Shirley appeared,
MARRIAGE AND DEATH 219
and thereon Miss Bronte wrote to her friend that
he had greeted the book with " roars of laughter."
" He would read all the scenes about the curates
aloud to papa. He triumphed in his own char-
acter." Two years later Mr. NichoUs appeared in
a more tragic role. He asked his vicar's daughter
to marry him. This was in December, 1852.
The incident, indispensable in the life story of
Charlotte Bronte, is best told in her own words :-=—
" On Monday evening Mr. NichoUs was here
to tea. I vaguely felt without clearly seeing, as
without seeing I have felt for some time, the mean-
ing of his constant looks, and strange, feverish
restraint. After tea I withdrew to the dining-
room as usual. As usual, Mr. Nicholls sat with
papa till between eight and nine o'clock; I then
heard him open the parlour door as if going. I
expected the clash of the front door. He stopped
in the passage ; he tapped ; like lightning it flashed
on me what was coming. He entered; he stood
before me. What his words were you can guess;
his manner you can hardly realize, nor can I for-
'^et it. Shaking from head to foot, looking deadly
aao CHARLOTTE BRONTE
pale, speaking low, vehemently) yet with difficulty,
he made me for the first time feel what it costs
a man to declare aflfection where he doubts
response.
'^ The spectacle of one ordinarily so statue-like
thus trembling, stirred, and overcome, gave me
a kind of strange shock. He spoke of sufferings
he had borne for months, of sufferings he could
endure no longer, and craved leave for some hope.
I could only entreat him to leave me then, and
promise a reply on the morrow. I asked him if
he had spoken to papa. He said he dared not.
I think I half led, half put him out of the room.
" When he was gone I immediately went to
papa, and told him what had taken place. Agita-
tion and anger disproportionate to the occasion
ensued ; if I had loved Mr. NichoUs and had heard
such epithets applied to him as were used, it would
have transported me past my patience ; as it was,
my blood boiled with a sense of injustice. But
papa worked himself into a state not to be trifled
with : the veins on his temples started up like whip-
cord, and his eyes became suddenly bloodshot. I
MARRIAGE AND DEATH 221
made haste to promise that Mr. NichoUs should
on the morrow have a distinct refusal.
" You must understand that a good share of
papa's anger arises from the idea, not altogether
groundless, that Mr. NichoUs has behaved with
disingenuousness in so long concealing his aim. I
am afraid also that papa thinks a little too much
about his want of money ; he says the match would
be a degradation, that I should be throwing myself
away, that he expects me, if I marry at all, to do
very diflferently; in short, his manner of viewing
the subject is on the whole far from being one in
which I can sympathize. My own objections arise
from a sense of incongruity and uncongeniality in
feelings, tastes, principles."
Here clearly was the first lover who realized in
a measure the ideal of love that Charlotte Bronte
had pictured in her dreams and in her stories — a
passionate man full of devotion, above all sus-
picion of wanting a wife for her intellectual at-
tainments or literary achievements. Whatever un-
congeniality there may have been in these par-
222 CHARLOTTE BRONTE
dollars was more than atoned for by her father's
action. A woman hates injustice to a man who
pays her the compliment of being in love with
her, and she is nearly always in love with love.
As a natural consequence a few months found
Charlotte Bronte deeply devoted to Mr. Nicholls,
who had betaken himself to another curacy at
Kirk-Smeaton by May of 1853, after five months
of difficulty and unpleasantness with Mr. Bronte.
His successor did not please, and to the complaints
of her father Miss Bronte had a ready retort.
She loved Mr. Nicholls, and corresponded with
him. If she married him they could live at the
rectory, and Mr. Bronte's old age would be se-
cured from trouble. To a man, very old and
very nearly blind, this was well-nigh an unanswer-
able appeal, and Mr. Bronte relented. Mr.
Nicholls exchanged back to Haworth, and the
wedding took place at Haworth Church on June
29, 1854, Mr. Sutcliffe Sowden, one of Mr,
Nicholls' friends, performing the ceremony. Miss
Wooler giving the bride away, and Miss Ellec
Nussey being the only bridesmaid.
MARRIAGE AND DEATH 223
The honeymoon was passed in Ireland — in a
run through Kerry and Cork Counties, and a stay
with her husband's relatives at Banagher in Kings
Co. " I must say I like my new relations," she
writes, " my dear husband, too, appears in a new
light in his own country. More than once I had
deep pleasure in hearing his praises on all sides.
... I pray to be enabled to repay as I ought
the affectionate devotion of a truthful, honourable
man."
And upon her return to Haworth she writes :
" Dear Nell, during the last six weeks the colour
of my thoughts is a good deal changed: I know
more of the realities of life than I once did. I
think many false ideas are propagated, perhaps
unintentionally. I think those married women
who indiscriminately urge their acquaintances to
marry, much to blame. For my own part, I can
only say with deepest sincerity and fuller signifi-
cance what I always said in theory, ' Wait God's
will.' Indeed, indeed, Nell, it is a solenm and
strange and perilous thing for a woman to become
a wife. Man's lot is far, far different. . . . Have
224 CHARLOTTE BRONTE
I told you how much better Mr. NichoUs b? He
looks quite strong and hale; he gained twelve
pounds during the first four weeks in Ireland. To
see this improvement in him has been a mam
source of happiness to me, and to speak truth, a
subject of wonder too."
The letters that follow clearly indicate that love
had followed respect and esteem, as had been her
'' theory " of marriage, and that she was becom-
ing entirely devoted to her husband. These few
months of married life were, it is certain, quite the
happiest of her life. We hear little, indeed, of
authorship — ^but they know little of authorship
who think that happiness in any robust sense and
the writing of works of imagination are synony-
mous terms. The months that Charlotte Bronte
was writing her books were probably the most
unhappy of her life. Now she took on domestic
duties. " The married woman can call but a very
small portion of each day her own," she writes.
But her end was approaching. Charlotte
Bronte had been but nine months a wife when
she died of an illness incidental to childbirth on
The Rev. Arthur Bell Nlcholls
I
f
p
II
.'I
f'
/
% l.i
MARRIAGE AND DEATH 225
March 31, 1855. In a letter to a friend from her
deathbed she writes, ^ I want to gnre yoo an as-
surance which I know will comfort yoo: diat is
that I find in my husband the tenderest nurse, the
kindest support, the best earthly comfort that ever
woman had. His patience never fails, and it is
tried by sad days and brokm ni^ts/' Then came
the last words to her husband — surely as pathetic
as any in the whole range of literary biography.
'* I am not going to die, am I? He will not
separate us, we have been so happy."
Charlotte Nicholls was buried beside her
mother, her brother Branwell, and her sister Emily
in the family vault in Haworth Church. For the
six years that followed his wife's death Mr*
Nicholls stayed on at Haworth. At the death of
Mr. Bronte he removed to Ireland, gave up the
Church as a profession, and engaged in farming —
an occupation he has pursued for nearly fifty
years.
The present writer first met Mr. Nicholls in
226 CHARLOTTE BRONTE
1895. ^^ ^^^ o^ ^^ anniversary of the great
novelist's death-day — March 31 — fifty years ear-
lier. Mr. Nicholls met me at Banagher station,
as I alighted from the Dublin train. Banagher
in Kings Co. is situated on the Shannon. It has
been inunortalized by a phrase — '' That bangs
Banagher." At the end of the village, near by the
Protestant Church, stood the pleasant farm-house
in which the former curate of Haworth was pass-
ing his declining years. The house was singularly
interesting in its multitude of Bronte relics. On
the walls of the drawing-room were Richmond's
portrait of Charlotte Bronte, the engravings of
Thackeray and Wellington that so delighted her
heart, water-colour drawings by all three sisters,
perhaps most noticeable, crude but not the less in-
teresting, Emily's picture of her dog " Keeper "
and Anne's " Flossy." On the staircase was a por-
trait of Branwell. I noted the two rocking-chairs
so frequently occupied by the younger sisters in
their last illness — in fact the whole house abounded
in pathetic memories of that strangely different
life in far away Yorkshire. It almost seemed as
MARRIAGE AND DEATH 227
if the wraiths of the immortal sisters had revisited
the land of their fathers — a land which with all
its romance and poetry had made no impression
upon them when they lived, although, as I have
said, Charlotte Bronte spent some happy weeks
there soon after marriage, and indeed had stayed
in this very house.
But what of Mr. NichoUs ? I had almost been
prepared for a narrow-minded, limited, austere
man. I had read estimates of him that inclined
to this view. Miss Ellen Nussey, the very per-
sonification of loyalty to the memory of her dear
friend, was nevertheless not kindly disposed to
Mr. NichoUs. From her Mrs. Gaskell had im-
bibed a prejudice that is expressed in more than
one letter I have seen. Mr. NichoUs had his
idiosyncrasies, as have most of us, and no one
could face the life of a country village without
incurring prejudice and misunderstanding. The
author of Cranford might well realize that. In
any case time, we may assume, had softened
down many angularities in Mr. NichoUs, as it
softens them with most men, and the genial man
who shook hands with me at Banagher station.
228 CHARLOTTE BRONTE
carried me off in his jaunting car to his pleasant
home and introduced me to his kindly family circle
was an entirely benign and liberal-minded man,
with no remnants in his nature of that intolerance
and pedantry that may or may not have been in
his nature half a century earlier. He was keenly
interested in everything that was going on in the
great world, very gratified at the universal recog-
nition of his wife's genius, and greatly apprecia-
tive of the homage that was now offered on all
sides.^
^ Mr. NichoUs was full of kindly memories of old Mr. Bronte.
He denied the many rumours that had so long flourished about
his eccentricities, while admitting that he had a temper on oc-
casions. He thought the earlier opposition to his marriage not
unnatural in a man who had learnt to value his daughter veiy
highly. "I had less than a hundred a year at the time/' he
remarked.
^
CHAPTER XVII
THE GLAMOUR OF THE BRONTES
Just as a love of Milton's Lycidas has been
proclaimed to be a touchstone of taste in poetry,
so I think may an appreciation of the Bronte
novels be counted as a touchstone of taste in prose
literature. This is more particularly the case
so far as Emily Bronte's fVuthering Heights is
concerned. Not to realize the high qualities of
that masterpiece of fiction is to be blind indeed to
all the conditions which go to make a great book.
fVuthering Heights is indeed unique in modem
literature ; it is entirely independent of all the fic-
tion that had gone before. Because Emily Bronte
learnt German and doubtless read many an eerie
German story, it has been suggested that this was
a literature that influenced her materially ; because
she had an Irish father, who may or may not
have told tales by the fireside recalling his boy-
229
230 CHARLOTTE BRONTE
hood, it has been claimed that here was the ma-
terial upon which she worked. Not one of these
suppositions will bear examination. The only ex-
ternal influence that would seem to have made this
wonderful book were those wild and silent moors
that the writer loved so well, and where we are
sure from earliest childhood she constantly kept
solitary conununion with all the weird phantasies
of her brain.
This element of mystery in all that concerned
Emily Bronte, the absence of a single line from
her to any correspondent furnishing some revela-
tion of character, the non-existence even of a por-
trait bearing the faintest resemblance to her, the
few casual glimpses of a personality that loved
dogs more than human beings, of a nature that
was quite unlike to many thousands of her fellow
countrywomen that were bom into the world in
these same days of the first quarter of the last
century — all these, combined with the fact that
every critic without exception that has been
brought into contact with her poetry and prose has
found it glorious, and you have here at least one
GLAMOUR OF THE BRONTES 231
element that provides a glamour to the story of
the Brontes.
A second element of this glamour is furnished
by the circumstance of the very existence of a
family of four children, all of them with a taste
for writing, and all of them destined to die young.
Branwell and Anne are but quite minor figures
in this strange drama, but that one family should
have produced two young girls of the calibre of
Emily and Charlotte is of itself an unique cir-
cumstance in English literature. Emily the reti-
cent, whose pages give forth not one single scrap
of self-revelation, who is as impersonal as Shak-
spere, revealed only in certain poems that hers was
on the whole a sombre pagan outlook upon life,
in which the riddle of the universe is found to be
insoluble. Charlotte on the other hand offering
us an entire contrast, taking us so abundantly into
her confidence alike in her letters and her books.
She has an opinion upon every subject. Here is
indeed no lack whatever of self-revelation, and
very piquant it all is. We know Charlotte
Bronte's attitude on the relation of capital and
232 CHARLOTTE BRONTE
labour, on the virtues of revealed religion, by
which she usually meant the tenets of the Church
of England, on books and on men ; there was not
a single human being, with the exception of her
own father, that she did not permit herself to
criticise with the utmost frankness. Her girl
friends, and the literary friends of later years,
every casual acquaintance indeed, equally came un-
der that satiric touch. The personal note was not
quite as common in literature then as it is to-day,
and that is why Charlotte Bronte's correspondence
will always have an attraction of its own. Added
to this, it is indisputable that she was a singularly
great novelist. It has recently been suggested that
the popularity of her books is on the wane. The
Idea probably arises from the experiences of one
or two publishers, but a dozen publishers at least
are at present engaged In issuing the Bronte
novels, and from Inquiries I have made I am satis-
fied that while not, and rightly, holding the same
vogue as do Scott, Dickens, and Thackeray, she
comes next to them in general acceptance among
the English novelists of the past.
GLAMOUR OF THE BRONTES 233
It is true she has limitations, most obvious in
Shirley, but to be found in a measure in all her
books ; a kindly benevolent outlook upon life there
is not. Some of her pictures of men and women
were grotesque even when written ; they are doubly
grotesque to-day without being far enough away
from us to enable us to feel that she is giving us
a picture of a bygone era. But when all limita-
tions are conceded, there still remain to us great
books, full of interest, of imperishable character
drawing. Jane Eyre and Lucy Snowe, Rochester
and Paul Emanuel, with a number of minor char-
acters are all drawn with a master touch, and while
new books must necessarily ever displace the old
with the majority of readers, there will never,
we may be sure, be a time when a student of litera-
ture will not find it essential to make the acquaint-
ance of this famous gallery of creations, that filled
so large a space in the reading of an earlier genera-
tion. These books must be read if only for their
style, if only for their fine passionate phrases, they
must be read still more for their fine moral and
intellectual qualities, for the stem sense of duty
234 CHARLOTTE BRONTE
that belongs to them, the soom of all meanness
and trickeryi the wonderful grasp of the hard facts
of life, of the stem facts of our being. ^* Life is
a battle," she said. " God grant that we may all
be able to fight it well." They will be read above
all because more truly than any other writer in
our fiction, Charlotte Bronte has pictured an ideal
of love which will always make its appeal to many
hearts. In her books we find the passionate devo-
tion of one human being to another, growing more
intense with time, based partly on intellectual sym-
pathy, partly on spiritual affinity, and yet again
upon absorbing passion. Most of our writers
love only to depict the casual devotion based
on a pretty face or a charming disposition.
Further, they have not dared to go until our
own time when the sex novelist has gone too
far.
Finally in considering this question of the
glamour of the Brontes, we come again to the
point of vivid interest that they have been able
to excite through their own personality. What
could be more marked in this way than the note
GLAMOUR OF THE BRONTES 235
that Charlotte Bronte wrote five years before she
died, concerning her sisters, some passages from
which have already been quoted in this little book,
and another and longer passage may well be
quoted here: —
" About five years ago," wrote Miss Bronte in
1850, "my two sisters and myself, after a pro-
longed period of separation, found ourselves re-
united, and at home. Resident in a remote district,
where education had made little progress, and
where, consequently, there was no inducement to
social intercourse beyond our own domestic circle,
we were wholly dependent on ourselves and each
other, on books and study, for the enjoyments and
occupations of life. The highest stimulus, as well
as the liveliest pleasure, we had known from child-
hood upwards lay in attempts at literary composi-
tion. We had very early cherished the dream
of becoming authors. This dream, never relin-
quished, even when distance divided and absorbing
tasks occupied us, now suddenly acquired strength
and consistency. It took the character of a re-
solve. We agreed to arrange a small selection of
2^6 CHARLOTTE BRONTE
our poans, and, if possible, get them printed.
Averse to personal publicity, we veiled our own
names under those of Currer, Ellis, and Acton
Bell ; the ambiguous choice being dictated by a sort
of conscientious scruple at assuming Christian
names positively masculine, while we did not like
to declare ourselves women, because — ^without at
that time suspecting that our mode of writing and
thinking was not what is called ^ feminine ' — we
had a vague impression that authoresses are liable
to be looked on with prejudice; we had noticed
how critics sometimes use for their chastisement
the weapon of personality and for their reward a
flattery which is not true praise. The bringing
out of our little book was hard work. As was
to be expected, neither we nor our poems were
at all wanted; but for this we had been prepared
at the outset. Though inexperienced ourselves, we
had read the experience of others. Through
many obstacles a way was at last made, and the
book was printed; it did not obtain much favour-
able criticism, and is scarcely known ; but ill-success
failed to crush us; the mere effort to succeed had
GLAMOUR OF THE BRONTES 237
given a wonderful zest to existence; it must be
pursued. We each, therefore, set to work on a
prose tale."
And then that final tribute to her sisters' memo-
ries: — "I may sum up all by saying that for
strangers they were nothing; for superficial ob-
servers less than nothing; but for those who had
known them all their lives in the intimacy of close
relationship, they were genuinely good, and truly
great."
Some six years after this tribute had been paid,
there came that splendid recognition by Mrs. Gas-
kell, an accomplished writer who has added more
than one book of enduring reputation to our liter-
ature. With so fine an imagination it was only
natural that she should write a beautiful book, a
book calculated still further to kindle popular in-
terest. It is not too much to say that Mrs. Gas-
kell's Life of Charlotte Bronte has received as en-
thusiastic praise from the critics as any one of her
own novels, or even the novels of the friend whose
238 CHARLOTTE BRONTE
fame she was to assist so largely. There are those
who have read that biography who have never
read the novels, and have found in its pathetic
story so effectively told a charm which pertains
to few biographies. I recall, however, a visit to
Mr. Bronte's successor at Haworth,^ in which that
gentleman, after courteously showing me over the
house, in which he had made many marked im-
provements, and to which he had added many ma-
terial comforts, took down from a shelf his copy
of Mrs. Gaskell's book and pointed out the old-
fashioned engraving of the parsonage as the
Brontes knew it. " Is that anything like the
place?" he asked triumphantly, wishing to em-
phasise what he considered the exaggeration of
its dreariness. It is not much like the Haworth
of to-day, but it is not unlike the spot as the
Bronte children knew it, and indeed, Mary Tay-
lor writing to thank Mrs. Gaskell for " a true
picture of a melancholy life," declared that it was
" not so gloomy as the truth," and that her friend
1 The Rev. John Wade, who was incumbent of Haworth
Hon 1861 to 1898.
GLAMOUR OF THE BRONTES 239
Charlotte Bronte, " a woman of first-rate talents,
industry and integrity," had lived all her life
" in a walking nightmare of * poverty and self-
suppression.' "
Following upon Mrs. Gaskell's notable picture
of the life of the Bronte sisters, we have had not
a few brilliant criticisms of their books. A long
succession of able men and women have in the
succeeding years offered homage at this shrine.
Mr. Swinburne has described Charlotte Bronte as
" a woman of the first order of genius," and has
not hesitated to place Emily still higher. But
perhaps, after all, the finest tribute to the genius
of Charlotte Bronte comes from Thackeray, who
after her death introduced a fragment of her work
called Entnta^ to the readers of the Cornhill
Magazine, ^'I fancied an austere little Joan of
Arc marching in upon us and rebuking our easy
lives, our easy morals I She gave me," he tells us,
" the impression of being a very pure, and lofty,
^ There were only some three small fragments of manu-
script left at Miss Bronte's death, all apparently written after
Villettey but not one of them of any real significance.
040 CHARLOTTE BRONTE
and high minded person. A great and holy rever-
ence of right and truth seemed to be with her
always. Who that has known her books has not
admired the artist's noble English, the burning
love of truth, the bravery, the simplicity, the In-
dignation at wrong, the eager sjonpathy, the pious
love and reverence, the passionate honour, so to
speak, of the woman? What a story Is that of
the family of poets In their solitude yonder on the
gloomy Yorkshire moors I "
APPENDIX
The following letters written to the brother
of the friend whose marriage was under ccmtem-
plation are interesting. The first is from Upper-
wood House, Rawdon: —
'^ I am about to employ part of a Sunday even-
ing in answering your letter. You wiU perhaps
think this hardly right, and yet I do not feel that
I am doing wrong. Sunday evening is ahnost my
only time of leisure, no one would blame me if
I were to spend this spare time in a pleasant diat
with a friend. Is it worse to spend it in writing
a friendly letter?
'^ I have just seen my little noisy charges depos-
ited snugly in their cribs — and I am ^tting alone in
the schoolroom with the quiet of a Sunday evening
pervading the grounds and gardens outside my
window. I owe yon a letter— can I choose a hetr
ter time than the present for paying my ddrt?
24t
04^ CHARLOTTE BRONTE
Now you need not expect any gossip or news, I
have none to tell you— even if I had I am not
at present in the mood to communicate them — ^you
will excuse an unconnected letter. If I had
thought you critical or captious I would have de-
clined the task of corresponding with you. When
I reflect indeed — it seems strange that I should
sit down to write without a feeling of formality
and restraint to an individual with whom I am
personally so little acquainted as I am with your-
self — ^but the fact is, I cannot be formal in a letter ;
if I write at all, I must write as I think. It seems
your sister has told you that I am become a gov-
erness again — as you say, it is indeed a hard thing
for flesh and blood to leave home, especially a
good home — ^not a wealthy or splendid one — ^my
home is humble and unattractive to strangers,
but to me it contains what I shall find nowhere
else in the world — the profound and intense affec-
tion which brothers and sisters feel for each other
when their minds are cast in the same mould, their
ideas drawn from the same source — ^when they
have clung to each other from childhood and
APPENDIX 243
when family disputes have never sprung up to
divide them.
" We are all separated now, and winning our
bread amongst strangers as we can — ^my sister
Anne is near York, my brother in a situation near
Halifax, I am here, Emily is the only one left at
home, where her usefulness and willingness make
her indispensable. Under these circumstances,
should we repine? I think not — our mutual af-
fection ought to comfort us under all difficulties —
if the God on whom we must all depend will but
vouchsafe us health and the power to continue in
the strict line of duty, so as never under any
temptation to swerve from it an inch — ^we shall
have ample reason to be grateful and contented.
" I do not pretend to say that I am always con-
tented ; a governess must often submit to have the
heart-ache. My employers, Mr. and Mrs. White,
are kind, worthy people in their way, but the chil-
dren are indulged. I have great difficulties to con-
tend with sometimes — ^perseverance will perhaps
conquer them — and it has gratified me much to
find that the parents are well satisfied with their
044 CHARLOTTE BRONTE
children's improvement in learning since I came.
But I am dwelling too much upon my own con-
cerns and feelings. It is true they are interesting
to me, but it is wholly impossible they should be
so to you, and therefore I hope you will slip the
last page, for I repent having written it.
" A fortnight since I had a letter from your
sister urging me to go to Brookwyd for a single
day. I felt such a longing to have a respite from
labour and to get once more amongst ' old familiar
faces ' that I conquered diffidence and aslced Mrs.
White to let me go. She complied, and I went
accordingly and had a most delightful holiday.
I saw your mother, your sisters, and brothers ; all
were well. Ellen talked of endeavouring to get
a situation somewhere. I did not encourage the
idea much — I advised her rather to go to you for
a while. I think she wants a change, and I dare-
say you would be glad to have her as a companion
for a few months.
" I inquired if there was any family of the name
of Barrett in this neighbourhood, but I cannot hear
of any such, though I understand there is a Mr.,
APPENDIX 24S
Mrs., and Miss Barwick — ^the name in pronuncia-
tion sounds very similar.
" My time is out. With sincere good wishes
for your welfare and kind love to your sister."
*' I think I told you I had heard something of
Mr. Lincoln's affair before, but I thought from
the long interval that had elapsed between his visit
to Brookwyd and his late declaration that some
impediment had occurred to prevent his proceed-
ing further. I own I am glad to hear that this
is not the case, for I know few things that would
please me better than to hear of Ellen's being well
married. This little adverb well is, however, a
condition of importance; it implies a great deal —
fitness of character, temper, pursuits, and com-
petency of fortune. Your description of Mr.
Lincoln seems to promise all these things ; there is
but one word in it that appears exceptionable —
you say he is eccentric. If his eccentricity is not
of a degrading or ridiculous character — ^if it does
not arise from weakness of mind — I think Ellen
would hardly be justified in considering it a serious
246 CHARLOTTE BRONTE
objection; but there Is a species of eccentricity
which, showing itself in silly and trifling forms,
often exposes its possessor to ridicule — ^this, as it
must necessarily weaken a wife's respect for her
husband, may be a great evil. I have advised
Ellen as strongly as my limited knowledge of the
business gives me a right to do, to accept Mr.
Lincoln in case he should make decided proposals.
In consequence of this advice, she seems to suspect
that I have had some hand in helping ' to cook
a certain hash which has been concocted at Eam-
ley.' I use her own words, which I cannot inter-
pret, for I do not comprehend them — ^you can
clear me of any such underhand and meddling
dealings. What I have had to say on the subject
has been said entirely to herself, and it amounted
simply to this : * If Mr. Lincoln is a good, honour-
able, and respectable man, take him, even though
you should not at present feel any violent affec-
tion for him — ^the folly of what the French call
" une grande passion " is not consistent with your
tranquil character; do not therefore wait for such
a feeling. If Mr. Lincoln be sensible and good-
APPENDIX 247
tempered, I do not doubt that in a little while you
would find yourself very happy and comfortable
as his wife.'
"You will see by these words that I am no
advocate for the false modesty which you com-
plain of, and which induces some young ladies to
say * No ' when they mean * Yes.' But if I know
Ellen, she is not one of this class— she ought not
therefore to be too closely urged; let her friends
state their opinion and give their advice, and leave
it to her own sense of right and reason to do
the rest. It seems to us better that she should
be married — ^but if she thinks otherwise, perhaps
she is the best judge. We know many evils are
escaped by eschewing matrimony, and since so
large a proportion of the young ladies of these
days pursue that rainbow-shade with such unre-
mitting eagerness, let us respect an exception who
turns aside and pronounces it only a coloured
vapour whose tints will fade on a close approach."
THE END