'
£1(1/3 2 6'C
■
Vt* CVlVVAJBr
Wf
**&*.£**>*
&
i
'KSBjftfliAN HISIUmCAL SUCItlY,
f29 6'G
In
r
I
f
_y.
j
;
;
a
^
<£<*>
TIE C 1 i
E
I
AN EXTENSIVE COLLECTION OF NEW AND OLD TUNES, CONSISTING OF ARRANGEMENTS FROM THE
OLD MASTERS, AND MODERN EUROPEAN WRITERS; GEMS FROM THE CONTINENTAL SCHOOL,
WITH VALUABLE SELECTIONS (KINDLY PERMITTED) FROM LIVING AMERICAN COMPOSERS:
ALSO, A VARIETY OF NEW PLECES BY THE AUTHOR, WITH SOME OF THE CHOICEST
PRODUCTIONS FROM HIS FORMER PUBLICATIONS.
INCLUDING ALSO,
A MELODEON INSTRUCTOR;
BY THE USE OF WHICH, A KNOWLEDGE OF ALL INSTRUMENTS OF THE ORGAN KIND MAY BE EASILY ACQUIRED
BY VIRGIL CORYDON T A Y L 0 R,
ORGANIST AND DIRECTOR OF MUSIC, STRONG PLACE CHURCH, BROOKLYN, AND AUTHOR OF TAYLOR'S "SACRED MINSTREL,"
"GOLDEN LYRE," "CHORAL ANTHEMS," "CONCORDIA," ETC., ETC.
FIFTH EDITION.
NEW YORK:
PUBLISHED BY DANIEL BURGESS & CO., 60 JOHN STREET.
FOR SALE BY ALL BOOKSELLERS.
1855.
Entered, according to Act of Congress, in the year Eighteen Hundred and Fifty-four,
BY VIRGIL CORYDON TAYLOR,
In the Clerk's Office of the District Court of the Southern District of New York.
N.B. — All tunes, and other descriptions of music contained in this work, to which an asterisk (*) is affixed, are claimed as the property
of the copyright owner.
2T|)omaB 33. SmftJ),
8TEREOTYPER AND ELECTROTYPER,
216 William Street, New York.
PREFACE.
A general enumeration of the leading features of this work, is given in the title-page ; but for a more particular
indication of the same, we invite attention to the following observations : —
Utility, Variety, Attractiveness; are the cardinal and fundamental characteristics, steadily aimed at in its
arrangement :
Completeness, without undue extension of its limits — so as to augment its cost — and without reducing its typography
to an objectionable minuteness :
Simplification of the elements, omitting everything not positively essential to the learner ; explaining, neither too
much nor too little, that which is given ; abridging thereby, without detriment to the class, the labors of the teacher :
A Melodeon Instructor, a series of progressive exercises, by the use of which, a thorough knowledge of this
Instrument — as far as possible — becomes a matter of self -acquirement
New Tunes. In this feature of the work, the greatest diversity of tastes cannot fail of being amply satisfied.
Many beautiful arrangements will be found from European writers of both the old and modern schools, together with
valuable contributions from American amateurs and teachers. And so far as the original portion is concerned, we trust
that the work will show a result, worthy of our own humble efforts.
Old Tunes. A general selection from every available source, has been made in this department, embracing the
entire catalogue of those known to be popular and useful, including many favorite relics from the Continental writers,
such as Montgomery ; whose classical identity will be remembered by the fuge it contains, on the original words set to
it, "Long for a cooling stream at hand," etc.
Odd Metbes. While we do not claim in this regard, that we have provided for every odd metre found in all Hymn
Books in use, (an accomplishment which has never yet been effected,) we still believe that but/ew Hymns of this descrip-
tion can be found which the Chime will not afford appropriate tunes for. But, ivere we to adapt music for all the Hymns
of the odd metres in the various Hymn Books, it would be necessary in many instances, even then, to write music for
each separate verse • as the measure is so irregular in many peculiar metres, that no other course would obviate this diffi-
culty. (As an example of this, note the discrepancy of measure between first and second verses of hymn, "Vital spark
of heavenly flame.") When the use of such hymns cannot be avoided, it is better to sing. them to Hymn Chants, than to
attempt them to music that is not written out in full for each verse.
The Organ Score. No labor or expense has been spared, to make the Chime, in every respect, a Practical Book :
hence, we have arranged the harmony in full score (upon the two lower staves) throughout the entire work. With this
arrangement, the music can be performed by persons who have but a sligL.1 acquaintance with a keyed instrument,
without a knoivledge of thorough bass.
»
The Anthems, are less in number, less difficult (generally), and better adapted to subserve purposes of utility, such
as the opening and closing of Public Worship, occasional use, etc., than those of the author's preceding publications.
The "Cantata!" "Where is it? Could you not have given one for the Chime?" Yes! friends, if we had
thought it advisable to make our work in a diminutive type, and condense one third of its tunes upon two staves, this
could easily have been done. Yet, but few choirs out of the mass which use a collection- of Psalmody, have the time to
devote to practice such a species of composition; and again, the plot, being of a specific cast, detached portions are
wholly unsuited for any occasion when the words are required to be of appropriate and particular applicability. We
are warm friends of Oratorios, but think if better that they should be published in some other connection, than in a work
designed for so staple use, as a collection of Psalmody.
July 1st, 1854
V. C. TAYLOR
(address, poughkeepsik, n. y)
SIMPLIFICATION OF THE
ELEMENTS OF VOCAL MUSIC.
Note. — The chief requisites in writing the elements of music are, not to
explain loo much nor too little. In the first error, the learner loses the main
idea amid a cloud of bewildering technicalities ; and in the second, he fails
to apprehend the point premised, from the want of its being concisely and
perspicuously rendered. Again, a book may contain the necessary details
of the rudiments, but instead of their being arranged so as to render its
classification strictly inductive, they may exhibit a promiscuousness and
confusion comparable to that of articles of household furniture which have
been suddenly removed in time of a fire. In the following presentation of
the elements, they will be stated in such a manner as greatly to alleviate
the task of the teacher in the time usually appropriated for their eluci-
dation.
CHAPTEE I.
1, Music is expressed to the eye by means of certain characters; which
will severally be considered in their order, as follows :
Notes represent musical sounds ; and their names and value are as
follows :
A Wliole Note o is equal
to two Q & Halves ;
to four * • f 0 Quarters ;
toeig,uUL_C_j* C ' ' '
Eighths ;
to sixteen
00O0O000&00000&9 Sixteenths ■
U ■{■■« mi hum www **&&&*i?x0& i.MLenuis ,
^■l I I ■■■■■!■ I ■l»3 &&**&<* + *>
»60mm0»000»000000*»mo»®ooe0»*0»»
to tllirtv-twoH—y™ I I I I I < iij ill ji Hill ****^*>*»<<^<**'^^*IV*»^ Ttiirtv spmndg
'J LUUpTl P i'i hi i Tin in ill ***><n>ti>*»*»*'**>*>J>+*'*<*0 "nit} -seconds.
TO LENGTHEN" NOTES.
2. A Dot placed after them adds one-half to their length. A dotted G'
equals ^ & ; a dotted «3 * equals p • ; a dotted |» * equals P +.
3. Notes twice dotted are three quarters as long again. A &' ' twice
dotted equals & & » ; &&" equals ie f f J »f * * equals* * ft.
SIMPLIFICATION OF THE
TO DECREASE THE VALUE OF NOTES.
4, Any three notes of the same denomination, having the figure 3 placed
over or under them, are reduced in length to the time of two. Thus,
3
F F .* are equal to only two j* .• ;
3
* |F F are equal to only two F F, etc.
5, The figure 6 reduces six notes of the same kind to the time of four.
» M • M are thus reduced to four j* j* I* f *>
F F |* |F F F are equal to only four F |F F F, etc.
N0TEi — it often occurs in instrumental music, especially in accompaniments, that notes
grouped as sixes are played as double triplets. It is then a source of much perplexity
to determine the intent of such arrangements. If the accent is given with any degree
of strength in such passages, they would be better expressed to be written in double the
number of groups, or in triplets.
Note Second. — There is so much that is wholly arbitrary in the structural form of
musical elements, that it is proper to anticipate all the queries, however unimportant in
themselves, which may suggest themselves under this head to the mind of the learner.
In pursuance to this remark, it may be said that, —
6. The manner of writing notes — whether with their stems up, thus, —
I ^ ^ or down, & F P 5, is immaterial, as their value
©' J J F* I I U >
is the same in either case. It is also unimportant whether their hooks are
connected, thus, ^^™T^> or are detached, ^ > ^ ^.
f 4 4 4 4 m m 4
7. When two or more notes are sung to one syllable, they are said to be
slurred. Whole, Half, or Quarter Notes are slurred by this character, —
*" ""•, being placed cither over or under them, thus, —
w
Eighth, Sixteenth, Thirty-second, and Sixty-fourth notes are slurred by
uniting their hooks, thus, —
©
m FR ffl S
m m m m m m 4 4 4 m m
Examples of Whole, Half, and Quarters being slurred.
Q Q & & Gf & & & F 4 m 4
A -
men.
A -
men.
Eighths, Sixteenths, etc.
JT3 J* Jfi J* Eft $
men.
QUESTIONS.
1. By what means is music expressed to the eye? What characters represent musical
sounds ? What are the names and value of notes ? 2. How can you make a note one-
half longer? A whole note dotted receives the additional value of what note ? A half,
what ? 3. How can you make notes three quarters as long again ? A whole note dotted
twice receives the additional value of what two notes ? 4. By what means can you de-
crease the length of notes ? Does it matter whether the figure 3 is placed over or under
three notes, when their length is to be reduced to the time of two of the same kind ?
(No.) 5. How are six notes reduced to the time of four ? 6. In writing notes, is it mate-
rial whether their stems are carried up or down ? Does it matter, either, whether their
hooks are attached or v/etaehed ? 7. By what means can two or more notes be sung to
one syllable? When whole, half, and quarter notes are slurred, it is done by means of
the character called a slur being placed over or under them ; but how are eighths, six-
teenths, &c. slurred together ?
CHAPTER II
RESTS.
1, The value of a silver dollar may be represented by a bank bill of a
corresponding amount ; so all notes in music have characters which exhibit
theCr length and value, called Rests.
ELEMENTS OF MUSIC,
2, Rests are denominated marks of silence, and are called by the name of
the notes which they represent : as Whole note rest, Half, Qaarter, etc.
A Whole note rest hangs upon a line - - "*■"
A Half note rest stands upon a line, - - _»_
A Quarter rest, the wing turns to the right, [*
A Eighth, wing turns to the left, - - - j
A Sixteenth, two wings to the left, - - - 3
A Thirty-second, three wings to the left, - 3
A Sixty-fourth, four wings to the left,
I
Note. — We find many singers of advanced age, who cannot, ■without referring to the
elements of music, distinguish between the whole and half, and the quarter and eighth
rests. To obviate this difficulty as far as possible, the half and quarter rests in this
work have been slightly modified in form, so as to prevent their being confounded with
the whole and eighth rests.
3. The forms of rests used in the body of this work, in the improved style,
are as follows. Whole ~™~, half ~*~~, quarter ["", eighth J.
4. Rests may be once or twice dotted, the same as notes ; thus :
QUESTIONS.
1. What characters in music represent the silent duration of notes ? 2. What are
rests denominated ? By what other names are rests distinguished than as marks of
silence? How do you distinguish a whole note rest ? How a half? Quarter? Eighth?
Sixteenth ? Thirty -second ? Sixty-fourth ? 4. In what way can you lengthen the dura-
tion of rests ? Can a rest be dotted more than once ?
CHAPTER III.
EXPLANATION OP VARIOUS MUSICAL CHARACTERS.
1. A Staff in music consists of five lines and four spaces, and is used to
write music upon, thus : —
A — ji — f* — i
2. The lines and spaces of the staff are named by the first seven letters of
the alphabet.
3. On the Treble, Alto, and Tenor staves, the letters applying to the lines
— F-
are — B ; to the spaces, (they spell) — ^-
— E-
4. On the Base staff, the alphabet commences on the lower space :-
i _ A
-G —
-B —
-D-
5. In counting the lines and spaces of the staff, always commence at the
bottom, and count upwards.
6. When notes are written above or below the staff, added lines and spaces
are used, thus : —
jQ_
-Q-
-&-
o*
~cr
-&■
7. When notes are written above or below the staff, the first seven letters
are repeated : none are used beyond G.
Treble.
-c-
G
-B-
-D-
-A-
— C-
TJ
3^=z:
8
SIMPLIFICATION OF THE
Base.
_j>
-E-
-D-J
-E-
r5nr
8. To find what letter a note is on when above or below the staff, adopt
the following process. Call the note thus placed above or below the staff,
one ; and count each line and space until you arrive at eight, within the
staff ; and this last will be the same letter as that on which the note was
placed without the limits of the staff.
-£2-1.
Treble.
s~
-8B-
The note above the staff is B, because 8 comes on B within the staff.
Treble.
-8B-
2 A
Eight comes on B again ; hence the note below the staff is on B.
9. Apply the same process in counting notes without the limits of the base
staff.
10. The letters apply to the base staff differently from what they do in
the treble, alto, and tenor ; and the distinction thus existing is marked by
the use of different Clefs.
11. The various clefs used in this work are as follows: for Base 5g ; for
Tenor Jjgr ; for Treble and Alto E5. They are variously named, according
to the parts to which they apply ; as, Base Clef, Tenor Clef, and Treble.
12. In singing or playing the degrees of the base staff, when you arrive
at the letter E, the sound and letter is the same as the lower line of the
tenor staff; and in ascending the tenor staff, the fourth space is both the
same letter and sound as the lower line in the treble staff.
EXAMPLE.
Treble.
Base.
Tenor. WJ-u-G
DE • same E as fc3T~~~
I)
E » • same E as
-eE —
13. The relation of the base and treble staves is as follows : the line above
the base staff, and the one below the treble, being the same letter and
sound.
1
Middle -€?- C.
14. The learner will understand that the several parts in a piece of music
(bass, treble, alto, and tenor') arc designed to move along with a uniform
velocity ; and it will be observed that the staves of the several parts are
intersected at regular intervals with lines drawn across them, (the staves,)
and these are called Bars, and arc used for dividing the music into
Measures.
Bar. Measure. Bar. Measure. Bar.
1
15. In church music, a large bar, called the Double Bar,
end of a line of poetry, or strain.
shows the
ELEMENTS OF VOCAL MUSIC
9
EXAMPLE.
0 0 f f
~f-
- t=
^
The heavens de - clare thy glo - ry, Lord.
16. Double bars in this form, H;, denote a close in a tune.
17. A Brace < connects the parts sung together in a piece of music.
18. A Score (see tunes in the body of the work) consists of all the parts
connected by a brace.
Note. — To avoid all tendency to a wrong apprehension of the mechanical arrange-
ment of a work of this kind, the double bar will be found to extend across the staff only
when the measure preceding it is full, thus : —
±
1
When the measure is not full at the close of a strain, it will be used thus : —
3t
:pz=p^z
QUESTIONS.
1. What is the name of the character upon which music is written? 2. How are the
lines and spaces of the staff named ? 3. How do the letters apply to the lines of the
treble and tenor staves ? How to the spaces ? 4r. Where does the alphabet commence
on the base staff ? 6. In counting the lines and spaces of the staff, where do you com-
mence ? 6. On what are notes written when placed above or below the staff ? 7. When
notes are written above or below the staff, are there other letters than the first seven
used — as H, I, J, &c. ? 8. How do you proceed to ascertain the letter a note stands on
when written above or below the staff ? 10. As the letters apply differently to the base
staff from what they do in the treble and tenor, by what characters are the several parts
distinguished? 11 How are the various clefs named? 12. E in the third space of the
base corresponds to what line or space in the tenor? E in the fourth line of the tenor
corresponds to what line or space in the treble ? 13. What letter occupies the first line
above the base, and the first line below the treble staves ? What else is it called ? 14.
What characters are drawn across the staff ? Into what do they divide music ? 15. What
character shows the end of a strain? 16. What is the form of a close in music? 17.
What is a brace ? 18. What is a score ?
CHAPTER IV.
TIME.
1. The department of Time in music is founded on the length of sounds.
Note. — Teacher illustrate this subject, by giving two sounds with his voice or on an
instrument, one long and the other short, stating that, in a general sense, that means time ;
but that, in a more specific sense, time implies that influence which causes a choir of sing-
ers, or a company of soldiers, to move together as one voice, or with one step.
2. The former manner of expressing common time was by the -Q, and
the barred -(£- ; but the modern mode of indicating all varieties is by
figures, thus : —
or by figures with a small note under them, thus : —
r r r r r- r- r- f
3. In this work, the figure in all cases denotes the number of beats to a
measure, and the small note under the figure is called the beat note, because
it always receives just one beat. But when the time changes after the com-
mencement of a piece, the figure only (without the note underneath) will be
used.
Note. — In the former works of the Editor, (except the " Concordia " Glee Book), he
has employed the Quarter Note as the beat note ; but he has found that in pieces
where the higher denominations of notes — the sixteenth and thirty-second — were em-
ployed to any considerable extent, singers too frequently imagined that such mu*i<- must
necessarily be difficult of execution. To prevent such an impression, (which, however
10
SIMPLIFICATION OF THE
is entirely groundless), in the present work, both the half and quarter -will be used for
the beat note, instead of the quarter alone. Quadruple time we have discarded, (with
an occasional exception), because of the liability with the beginner of confounding the
manner of beating it with triple time. During an incipient stage of practice, the singer
is quite apt, after making the leftward beat in quadruple time, to bring the hand up
instead of carrying it to the right. For this reason, nearly all pieces in common time in
this work will be written in two-half, or two-quarter time.
Manner or
Two-half time,
Three-half time,
Two-half dotted,
Three-quarter dotted, p . , down, left, up
Beating Time,
p, down and up,
e>, down, left, up.
p . , down and up.
Note. — The former manner of writing compound time, by the figures 6-8, 6-4, &c, is
erroneous, because it is sung with but two beats to the measure ; whereas the numerator,
in the fraction expressing the time, would require six beats instead of two. In this
work, therefore, compound time is called " two-half time dotted," and " three-half time
dotted ;" the figure indicating the number of beats to a measure, the same as the other
forms of time.
QUESTIONS.
1. What department in music is founded on the length of sounds ? 2. In this book,
what is it that denotes the number of beats to a measure ? What note is called the beat
note ? If the time changes in a piece of music in this work after its commencement,
what alone is used to express it ?
CHAPTER
MELODY.
V.
1. The variation of musical sounds, as respects their pitch, (high or low),
forms the department in music called Melody.
2. There are but seven primary sounds, and from these all music is
derived. The eighth is but the repetition of the first, and forms, with the
seven other sounds, an octave.
3. There are certain fixed arrangements of the seven primary sounds
which form the musical Scales.
4. There are three scales used in music, called the Major, Minor, and
Chromatic Scales.
Note. — The Editor, in a former book, the " Golden Lyre," has fallen in with the
attempt to substitute some term for designating the various distances in the scales, other
than that of " tone " and " half-tone." But in spite of all our laudable (?) attempts at
reformation on this point, custom — that tyrant which dominates all usages — persists in
adhering to the old land-marks, and saying — in speaking of various musical intervals —
" tone " and " half-tone." And we find all musicians of notoriety (in the instrumental
department, especially,) retaining its use ; and as the objection against it is only
because it gives two significations to the word " tone," seeing we find the same criticism
may be made upon a large portion of the English vocabulary, we shall return to its use
again in this work.
"). Strictly speaking, an interval implies any distance in the pitch of
sounds other than a tone or half-tone. We may then say — the interval of
a half-tone, of a tone, a third, fifth, etc.
Form of the Major Scale. .
From 7 \ & to 8, a half-tone.
From 6 & to 7, a tone.
From 5 Q to 6, a tone .
From 4 ( e to 5, a tone.
From 3 I 0 to 4, a half-tone.
From 2 e to 3, a tone.
From 1 S to 2, a tone.
ELEMENTS OF VOCAL MUSIC
11
6. The major scale first applied to the staff, commences on C, thus :-
FOR TREBLE, ALTO, AND TENOK.
t
Syllables, Do
Pronounced Doc
Numerals, 1
Letters, C
FOR BASE.
On the Use of the Syllables.
Note to Teachers and Leaders. — Many of you, who have always been accustomed
to the use of the syllables in your classes and choirs, will have about the same feeling
upon being recommended to discontinue their use, that a cripple would have if advised
to throw aside his crutches : but the alarm is a useless one. Our reasons for advising
the disuse of the syllables are not without due weight. For some years past we have
spent much time in visiting various sections of' the country for the purpose of holding
musical associations for the improvement of singers in style, expression, and vocal exe-
cution : aud no one impediment against a proper aud effective use of words in singing —
exhibiting the sentiment they embody — has proved more formidable than the mechanical
effect of note singing ; — the words, by such singers, are used to sing the tune to, and not
the tune to sing the words to. " But," I am asked, " how are we to get the sounds, unless
we sing the syllables V Practice the scale in all the different keys, most thoroughly, to
the syllable " La ;" and it is important also to read tunes — with or without singing them
— by the numerals. But, above all, classes and choirs should practice with the piano or
melodeon. The latter instrument is now so common, there is no excuse for a choir being
without one. And still more essential is the use of these instruments for classes, choirs,
or individual practice, to correct the almost universal fault whieh exists among singers
not accustomed to their use, of making the third in the Major Scale nearly as sharp as
the fourth, and the seventh as high as the eighth.
QUESTIONS.
1. What department is formed in music by the variation of the pitch of sounds ? 2.
How many primary sounds are there ? From what is all music derived ? In singing
the seven sounds, if we add the eighth, what does it form ? 3. What is formed by a cer-
tain fixed relation of the seven sounds, together with the eighth ? 4. What are the
names of the three scales used in music ? 5. Strictly speaking, what is an interval in
music ? 6. On what letter does the major scale commence, when first applied to the
staff?
CHAPTER VI.
EXPLANATION OF FLATS, SHARPS, ETC.
1. A Sharp, #, placed before a note, #0, raises it half a tone.
2. A Flat, \j, placed before a note, \?o, lowers its pitch half a tone.
3. A Natural, ^, placed before a note, ^£7, restores a note having been
made flat or sharp to its original sound.
4. A Double Sharp, x, raises the pitch of a note a whole tone.
5. A Double Flat, bb, lowers the pitch of a sound a whole degree.
6. A Signature is the flats or sharps placed at the commencement of a
tune. (See tunes in the body of the book.)
7. A Natural Signature is a tune having neither flats nor sharps at its
commencement. (See tunes in the ! ook.)
8. Accidentals are flats, sharps, or naturals, placed before notes in a piece
of music; and they affect all notes on the same letters with themselves in
the same measure, unless contradicted by another accidental unlike itself.
Natural Accidental.
Flat Accidental.
*±
Se
b—t-t*-
&±
Sharp Accidental.
3E4
Accidental Contradicted.
-J$w-
12
SIMPLIFICATION OF THE
9. Accidentals extend their influence into a succeeding measure when
the first note in it is the same as the last in the preceding :
Thus :—
or thus : —
=t
Jm
-&-
\. . .i
:£*:
-e»-
i
Note. — A performer upon the organ, piano, or melodeon, who plays from the score,
(the four parts), sees things in a different light from what the singer does, who merely
reads a sinyk part: and hence, when an accidental occurs in any one of the four parts,
and the same letter is used in another part before occurring again in the one where it
(the accidental) was first introduced, it is customary — as a guide to the organist — to
contradict such accidentals in the other parts, so that he may not be in doubt as to the
extent of their influence.
EXAMPLE.
It will be observed that, in this example, B has not been flatted in the base ; still a
oatural is placed before it the first time it occurs after the B being made flat in the
treble,
QUESTIONS.
1. What effect doea a sharp liave when placed before a note? 2. What is the effect
of aflat* 8. Of a natural? 4. Of a double-sharp ? 5. Of a double-flat? (5. What is
a signature? 1. Whal i a natural signature? 8. What are accidentals ? How far do
accidentals extend their influence? 9. Under what circumstauces do accidentals extend
their infiueuco into a succeeding measure ?
CHAPTEE VII.
THE SIGNATURES, SHOWING THE COMMENCEMENT OF
THE' SCALES.
It The structure of the scale is always the same, let it commence on
whatever letter it may. Do is always the first syllable of the Major scale,
and La of the Minor.
2t The Key-note of a piece of music is always the last note of the base,
from which the several parts derive their pitch. In the major scale it is
always Do; in the minor La.
3, To change the place of the scale, (or " transpose" it,) the signature
must change also : as it takes a new signature every time it is moved from
one letter to another.
Natural.
Seven Flats.
Bl
i>e
La
Edbn=
±=fc
BT»o
La
I
One Sharp.
Six Flats.
fl-Do
£>La
Two Sharps
^F
iL_fe_
La
1
Five Flats.
-O-Do —
-O La --
|pzte§
•g-po
La
i
Three Sharps.
Four Flats.
Four Sharps
ELEMENTS OF
Three Flats.
eTJ5"
ILa.
Five Sharps.
Two Flats.
©-Do
(9-La
«
Do
La
i
Six Sharps.
One Flat.
-g-Do
La
Seven Sharps.
JS'atural (again.)
:#=*
gPB^E
:=g:
Do
La
I
Note. — We find from experience that the above illustration of the signatures is the
best method of imparting an idea to the learner of the relation of the scales.
1, Transposition is the moving of the scale from one letter lo another
upon the staff, by changing the signature.
5 1 Do is always the first letter above the last sharp ; and Jive letters above
(or four below)' the last fat.
QUESTIONS.
1. Is the structure of the scale permanent or changeable ? What is always the first
syllable of the major scale ? What of the minor ? 2. What is the key-note of a piece
of music ? How do the several parts obtain their pitch ? 3. To change the place of
the scale, what else must be changed ? Natural signature, where is Do ? One sharp,
where? Two sharps, where ? Three sharps ? Four? Five? Six? Seven? One flat,
where is Do": Two flats? Three? Four? Five? Six? Seven? Do on C, what
signature ? Do on G, what ? On D, what ? On A ? On E ? On B ? On F# ? On C^ ?
Do on F, what signature? OnBJ2? On EJ2? OnA&? OnDJ2? On GJ2? On CJ2 ?
4. What is meant by transposition ? 5. How may the place of Do be found ?
VOCAL MUSIC. 13
CHAPTER VIII.
FORCE.
1. An Organ tone is a sound of uniform power from beginning to end.
2. A Crescendo commences soft and ends loud. — =d
3. A Diminuendo begins loud and ends soft. ~^=-
4. A Swell combines the crescendo and diminuendo. -<zr==-
MUSICAL CHARACTERS EXPLAINED.
5. A Whole Note Rest, -«-, denotes a silent measure in all varieties of
time.
6. A Hold, n~, placed over notes, rests, bars, or a vacant part of the
measure, denotes s suspension of the time, according to the discretion of the
performer.
I^\
EXAMPLE.
O f>
I
p p
m w
0 . .
fi
■» » 1
r *
v ^ 1
- 1 — U -
[_
1
7. A Repeat shows what part of a piece is sung twice, and is marked by
dots in the following manner : —
I
QUESTIONS.
1. What is an organ, tone in singing ? 2. What a crescendo ? :>. Wliat a diminuendo I
A swell ? 5. What character is used to fill a silcnl measure in all varieties of time I
What character denotes a suspension of the time? '7. How is a part of a piece of
4,
6,
music marked, that is to be sung twice '.
14
SIMPLIFICATION OF THE
CHAPTER IX.
MINOR AND CHROMATIC SCALES.
1, The Minor Scale commences on La, the 6th of the Major scale ; but
its form differs from that of the Major, as illustrated in the following
examples. Its form differs also in descending from that of ascending.
MINOR SCALE ASCENDING.
8 (&
From 7 \ q to 8, a half-tone.
From 6 { & to 7, a tone and a half.
From 5 ( & to 6, a half-tone.
From 4 © to 5, a tour.
From 3 j Q to 4, a tone.
From 2 I © to 3, a half-tone.
From 1 q to 2, a tone.
MINOR SCALE DESCENDING.
From 8 © to 7, a tone.
From 7 © to 6, a tone.
From 6 j © to 5, a half-tone.
Si
From 5 \ © to 4, a tone.
From 4 e to 3, a tone.
From 3 j & to 2, a half-tone.
From 2 j e to 1, a tone.
1 Q
MINOR SCALE APPLIED TO THE STAFF.
ASCENDING. DESCENDING.
La Si Do Re Mi Fa
1 2 3 4 5 6
*^q
1
*o-
<rj.
o-
rr
i
w
zg:
-rj<">
-&-
X2
*3
Sol La
7 8
La Sol Fa Ali Re Do Si La
8 7 6 5 4 3 2 1
m
-&-&
&-
jCJl
&-
X£.
I
2. The Chromatic Scale is formed by dividing the five tones, and adding
to them the two half-tones of the Major Scale, making twelve intervals and
thirteen sounds.
Note. — Sing the chromatic scale to the syllable La ; then there will be no possibility
of mistaking a change of syllable for a change of sound.
CHROMATIC SCALE.
■&*%■«:.
zr^cr
-<5—rT-%n—e>-#& f7~m
&-
JOT.
§
iq:
i»z*§L-=zz±z2:
-«-£e»-
:c2i
-o-4?©— o-fecr
i
La, la, etc.
Note. — Let all who would learn the chromatic scale, pay particular attention to the
practice of the following exercise.
Important Exercises.
No. 1.
o~,
&-
~c*
-&-#Q-
rr
~or
-Q-
<J o (J#Ct
=t
-o — -l
:g2^Q-j^_zQ-T>gg3'z=gz±zg
n
o r* q-#q — &
7==X
=fc=fc
zzzo^xj^^—et^dzzz gz: -Q-r? o fJ -&Je&—TJ — :
m
h&:
o-j-e>-rj-&-
rj
&-b&
f>
I
° (J ° V ° bo (J
-o-^rtzr
-&-
-4
bzl-
I
-&-
ELEMENTS OF VOCAL MUSIC
No. 2.
bo— 4te) I bo I fro
-o- -o- -o- -o-
-o-
-o-
-o-
3o£
-o-
:*ct
-o-
i£a:
-o-
-££
:^2
-Q-
-O-
:*<*
-o-
i^zlj^^ . q_ bo Q ho_
-O-
±Ot
-o
zfeo:
-o-
-o-
-o-
bot#Q:
-O-
i^ta:
=5
o-
-&
-M-bo-
-o
=P=bo^
22
-O-
I
QUESTIONS.
1. On what part of the major scale does the minor commence ? Give the form of the
minor scale ascending. In descending. 2. How is the chromatic scale formed ?
CHAPTER X.
EXPLANATIONS OF FORCE AND TIME.
1. Accent is a stress of voice given to the down beat.
Loud Soft Loud Soft Loud Soft <> Loud Soft Soft Loud Soft Soft <>
izt
0—0-
T^
f — 0 0 0
-0—0—0-
IjGT
2. In the following forms of t time, the accent gives place to the swell
tone.
<> Soft. <> Soft.
?~7> p:
=P=
15
Note.— Teacher, Leader, and Scholar,— Pay particular attention to the following ob-
servations upon beating time.
3. A beat consists of its motion and point of rest.
4. In singing two notes at a beat, the first is sung to the motion, (or first
half,) and the second to the point of rest (or last half.)
Motion. Point of rest. Motion. Point of rest.
tt
SE
m
5. A tune commencing in the following form of measure, would be said
to commence at the left point of rest.
^
Zp—9Z
-*» — ^
~-W fi JL
t=fr
At the up point of rest.
I
At the down point of rest.
3:=*:
ipzzp:
QUESTIONS.
1. What is accent ? 2. Measure in three-quarter time, commencing with a half-note,
what is the accent changed to ? 3. Of what does a beat consist ? 4. Which of two
notes sung at a beat is sung to the motion ? What is the second sung to ?
16
SIMPLIFICATION OF THE
CHAPTER XI
REMARKS TO TEACHERS.
Although you may have thoroughly instructed your class in all the foregoing prin-
ciples, yet their knowledge at this stage of their advancement is only theoretical
— not, experimental or practical ; and now it remains for you to adopt such a course
as shall at once render the instruction you have imparted both tangible and useful. To
give your class a practical idea of time, play upon some instrument a spirited melody,
(a march is preferable to any other style of music), and require your singers to beat the
time thoroughly and carefully during its performance. Then practise them in singing
" Old Hundred " or " Dundee," or other melody they are familiar with, and require them
to beat the time to it. This singing may be done from memory ; as there will then be no
tnxing of the attention to apply the time to it theoretically. Then practise them in sing-
ing for about a minute at a time, the whole, half, quarter, and other denominations of
notes, beating the time as they sing.
Note. — Let the singers of the four parts practise the following exercises together, to
the syllable La, keeping strict time.
Miscellaneous.
No. 1.
f C| G |G |C I « 1 0 I J J U J U J U J UJ J I J J J J IJ J J J IJ J ; Jl J J J J I
t mi an inn jtj: i ot un 1:773 un u j j j 1 j j j j i j j u j \ * \ * 1
p <©• I » • I o • I o ' IB o & \g> & \o & I a <s? I g a eJ \ e? & & \& e? e? I # 0 0 0 0 0 \0 0 0 0 0 0 \
J7r.J771J7T*\J?71J7nJ7T2i: J J J i J 1 J J J J J J I J J J I J J J I » J |s J I «• I
Dotted Notes.
No. 2.
P
a
in 1 1 in 111 1 1 1 ri ri 1 n n 1 m ri i n ri rrn rrn. nm r=m,
• 0\O • 0 & ' 0\G • #I«C • 0 l0'0 0'0 \0>0 0'0 \0'0 0'0 \0'0 0'0 l0'00'0 0'0 0'0\0'0 0'0 0'0 0'0l
P
fm nrni rrrq rr-ni i n ri i Is i ri i r i r-j j in in in in in 11 i
#•# #•# #•# #•#!#•• 0-0 0-0 0'0\ 0'0 0'0 \0'0 0'0 \0'0 0'0 l£> ' 0\C? • 0\<2 ' »\Z2 - 0\& • 0\G GllO I
ELEMENTS OF MUSIC. J 7
-3-1 n n mi r*i M n rm rrn rrT=!| r=rm m rmi i n n h i
,0 0>00>90'9 \0 - 0 0 ' 0 0 • 9 %0'0 0'99'0 0'00'9 @'0\0'0 0'00'00'00'0 0'0l 0 ' 0 0 • 0 0> ' 0 \0 * \
Two-quarter Time Dotted, (Compound.) No. 3.
-2- m m I m mi i r i h J i* l ^1 ™ rm I nF SE I ,T^ rT^ mq rr^i 1 1
(•• 900000190099010 0 09 \0 0 O 0 10 0000 0 0000 I 0 0000 9 0000 I 0 0 00 0 9 00 0 0 00 0 0 00 I &. |
Miscellaneous. No. 4.
ir# P# # ##|# 09 0 001 0 0 00010 0 000t 0000 000X0000 000\ <&-0\&'0l gS-00\Si'00l O>000\?2*000\
? I U I U II U I U 1 1 I I I I II I I I I I LLU I I I ILUJ ! I I 1 1 I II ill U li U 1 1 - I LU I
SYNCOPATION. (See No. 5).
A Syncope is the transposition of the principles of accent, commencing a measure with a short note, which is succeeded by one or more of a lower
denomination — and ending with a note of the same kind as the first. The accent is also given to the second note, if the measure has but two beats ; if
four beats, then the first half of each note after the first is accented throughout the measure, except the last, which, like the first, is made light.
No. 5.
First Example. Second Example. Third Example.
~P <PP<PP<PP<PP<?3 3 *P < < < P o P > > P
?r f rlr r fir r rlr r rlr r ccrlr r xr\ p r r r r rlr r r r r\fr r r rlrr r r\
Notes with Rests. No. 6.
~%~ &-**- 1 &*- V*^ I -*nS? I 0 0-^- 1 0 0-^- K*-# 0 1 -^-0 9 10 9 0 0^- I 0 0 0 0-^A f0 0 0\r*0 00 1^ 000^000 \~ 000*10001
i° i II lil i lii li i iTi I 1 1 Iljjj Ilxjjti i i r\ 1 1 Plu 'lu I 'lu 1lu I
Note. — The foregoing forms of time embrace all that are ever used in works of psalmody, and, indeed, all the essential ones used in instrumental music. Every leader of a
choir who would make independent singers of those under his direction, should often practise them thoroughly on these lessons, as any idea of practical time cannot be obtained
without.
MELODIC EXERCISES BY THE NUMERALS.
Slow at first, and faster, by degrees. C7
13243546 5 768867564534231|14253647588574635241|
Slow. ,-, ^s Slow. ,-, ^ Miscellaneous. ^
1526374884736251|162738837261|81817 2 817281728172817 2 81|
(chime — 2)
18
SIMPLIFICATION OF THE
EXERCISES IN MELODY.
Treble, Alto, and Tenor Practise often — practise long — practise faithfully on the following Exercise.
fB=£Et=£E=p
JdpK
0— ¥-
*
Base.
P f P f> &c-
l^=i
=t
=t
P f P f> &c
£
mpm
IE
MELODIC EXERCISES ON THE STAFF.
K-» 1»» 1«» lf» ^r/»
SigS :~j jj: EEzzpE
^f^Ppffigg^S^^i^^^l^llp
La la la, &c.
V^»m^^P&£::**--*0*fi~-r*-»M—M0*
i^p^^^^iii^ii"ggggii^g^g
EXERCISES FOR ACQUIRING THE TRILL.
Sing through the scale in the same maimer of these examples: first slowly, and gradually increase.
"ft
=fc
-e>- ^ -*- m -0-
Ah!
No. 1.
Treble & Alto.
ELEMENTS OF VOCAL MUSIC.
EASY EXERCISES FOR THE VOICE.
As Vocal Exercises ; sing to the syllable La, or by the Numerals.
19
I
i
4=4
La la la la la la la, &e.
Base & Tenor.
:QI
"g---g--
PP
EEE
I
?2=/Q
iftzz^~w^t-
jUZ
_Q_
EHSH
^
I^ZSZJ* _>.
=g:
<3I
|Q:
QZZpZ
rr
i i
^rr
-^
« — *-
n
€2 ■ Q 0 -* 0 — 0 — #—#—«-
i — ! —
^0—0-
No. 2.
:B=±B3£*±g=#
so<iqia— g:
«r^r
i
ZZ^EoLoZT
o-
^
=f3#0
&
No. 4.
Each part here mind its own time.
TTTTTfF T T |
feR
i-m-^-j
t-? — r?
szzro:
T7~rr-
22ZII
-Q-
£
I
3=4
gti^eWS
35B
Y&cJo
-g=s=g-gr p'-f'p'
3e==
©?
73: Q
zzzzjqj::
-e — e>
Q__P
=J
==
:er
^J^_oL. J d
i i
Q==Q
Z2
I
-«- -*s>- -o- -^ -e>-
zx^rprp=p=p:
Z2_::^3
ff
£2_
W^-d
-0-
-GL -«- JQ ^>
-G>7
US
^
o:
CE£
ill lit
<9i
r>
h
THE MELODEON INSTRUCTOR.
This Instrument hasoflate come so universally into use, and its capacity-
being designed especially for church music ; a work for general use would
be incomplete without it contained proper instruction for the learner of this
instrument. But the first question to be settled is — What is the best mode of
writing exercises for it — Shall it be by figures, or by condensing the four parts
upon the treble and base staff, — or shall it be by the score ? As there is every
objection to the first plan, and nothing in its favor, wc must conclude that
some other way is preferable. But, to explain. The chords indicated by
figures do not tell you the denomination of the note ; they do not tell you
whether a note is dotted, nor do they reveal anything to you, only the fact,
that a note of some kind is a certain distance from the base ; but to tell what
kind of a note it is, you must look at it ; and if this has to be done to deter-
mine the denomination of it, it is an easy matter also to see what letter it is
on — or, in other words, what chord it is in. But the scholar may inquire,
" How am I to learn harmony, or to become a scientific performer on an
organ, piano, or melodeon, unless I play by the figures ?" Remember that
the figures are simply a mode for expressing the harmonic combinations;
they are not the science itself, any more than words are ideas ; and as it is
better to receive the musical idea directly than " through a glass darkly "
by the figures, hence, we again repeat, that we dispense with them.
There are a few fundamental rules in harmony which, if music is properly
arranged, the scholar will soon acquire, by " reading from the score." And
indeed, it may be said that all the rules of musical composition can be
acquired by reading the productions of various authors, even without a mu-
sical grammar or text-book. The reason is obvious: all works on harmony
and musical composition are simply the exponents of those principles which
all correct compositions embody. And an analysis of those principles can
be as easily effected by studying the compositions themselves as the works
which treat of them.
Among the few rules which the scholar must commit to memory before
attempting to practise the melodeon, are the following :
Avoid all consecutive fifths and octaves, in forming chords ; also avoid
doubling the third, especially when the base note is on it, or, in what is
termed the first inversion of the common chord.
Consecutive Fifths.
Consecutive Octaves.
W
zcn
-&-
:cz:
&—T
&-
-&-
XZZ3L
Double Thirds.
Thus : or thus :
w
rj
JTT.
REMARKS UPON STYLE IN PLATING THE MELODEON.
In playing a wind instrument of the organ kind, care must be taken to
play the notes as smoothly and connectedly as possible. In moving the
fingers from one chord to another, let those which are to strike a succeeding
chord be ready to fall on the keys the instant the preceding one is left,
so that there shall be no break in the sound.
If the piece requires to be played staccato, (short and distinct,) only let
the treble and alto be thus played ; while the base and tenor should be
held down through a succession of notes on the same letter ; i. e., if four
quarlers should occur in the base and tenor, all on the same letter, play
them as a whole note.
KEY-BOARD OF A MELODEON, SERAPHINE, OR ORGAN".
21
BLACK KEYS.
GABCDEEGABCDEFG4BCDEIGABCDEFGABCDEFG
—- —
22
THE MELODEON INSTRUCTOR
Note. — In order to learn the application of the letters to the keys, first ascertain
the locality of any given letter ; say, that of C. This, it will be observed, is found
immediately at the left of each group of the two black keys. (The first group at the
left of the key-board belongs to the group of threes, it not being full, owing to its not
embracing F#, below the first G.) From this reckoning point (C), it is easy to trace
the letters — as they apply to the keys — up or down the key-board.
Note II. — All the elements preceding the Melodeon exercises in this work, must be
thoroughly committed by the learner, before attempting this latter department of musical
practice. No additional explanation of the rudimeuis will succeed the Melodeon study,
as, once learned, they apply alike to both vocal and instrumental music. In fingering,
the X denotes the thumb.
EXERCISES IN FINGERING.
\
r\ x
i
2
1
3
2
i
X X
i
2
1
3
2
1
X
J--2 oj
o
U
— & —
. c _1
— & — -•
CJ 1 o o
-©— G»-
^l fU_.
-& &—
—
4^—^-
-o— &-
—n—h
L-» B--f-^ — M —
L 1
-1 1
-j J — -l
— 1
1 —
V
X
i
X
3
1
n
X
-e-
X
1 4 -&-
r — r~j ■ — — ■ — — i
1
n
X
3
" f i
1
X
1
■
4
(#2-
. ty
,, 1
»1*
z~— E
^ p
fJ 1
rj i
r
1
.-, . ■ J B
*-p:
*=
-»-
3
3=£
4
^2_
?2=
TZ-
-&-
3
o-
-<s>-
:~C2:
SP^
4=
£Eee
t=:
/:<§
f%:
i
x
zen
-&
X
321
x
-o-
^z;
_Q_
— e>-
£=t=
4=
-*— #-
— 2 X
t=
3
1 X
::=t:
::zzec
t
-o-
:a:
_Q_
~^-
.<Q_
X
-&-
jpr
-JCL
i
i
Scale of C Major.
\
-t
■0- *o x1
rfkz$£L
THE MELODEON INSTRUCTOR.
MAJOR AND MINOR SCALES
.^_ 32 1 Key of A Minor.
Xr> , I
23
:Sfc-
-H-
^
-:-1-
x_
&
t-v
Wfr^*
X
■ Xs
itE2
S
-#-*o 1X
S?
3£S?
-x-
3
m
E^«
st^
4 3'
^X | X3^£^^3 x/<?
23 4
Cr Major.
mm
IS
*» l23
las
as
*-->^3
*i-
£■ Minor.
5SS5
X
12
sat *h£*i
,x
**,*#-
3^>^
X
X-
ft
ss
^-1 Fft#^— l-i
4+
Z> Major
3n
4 3
5 J/mo»
a
<3 f
yl*«. f «4 1Y n Minor. 9LL3 ', 3o
23 4 _ihtlx3
^
Iff*
■©-
24
A Major.
THE MELODEON INSTRUCTOR
E Major.
m
W\ i
^•ff
X***-
FR
S&=
*3=
atS^S
■*-8^f*
2 ix^ *
X
x"i2X ,ix^-4-»|Xi, ^2i
X
WJt
^-
s
22J
7f7 Major.
ZJ Minor.
l3 *i 3.
3^'l2 X .1 ; 12 X 21X^"
**r
Pj^gg^
CT-fflf!
H^h:
.x_
Efezf: '
-*-*>
2J11 XUX2
4 . S31 X2,
X
I
"©-
Z# J/,/r,-.
Ei
r^m^o^
s£
2iT ? * ,x i x, x i
ffi&£&
^3xf ^
THE MELODEON INSTRUCTOR.
25
No. 1.
4 X 2 X 1X3X 2 4 3
ptz.-# — 0-
£
EXERCISES IN FINGERING. F. hunten.
21 2 3X1 42 13 2 4 3 4 2_
J-p— f— f^
£:
.^ * 0 — I p — i 1 1 1 f m — i «— 0 m — i 0 1 m- & — i w— i 1 1
T*
-£■:
^
I
^
H1 ^:
=|:
=t
f-*
a
-j- » -»- i
2 3*23
4
"f- ^
No. 2.
F. HUNTEN.
X 2
4 , r
4
_!_-..
£21
2
3C
:*:
0 — 0-
-P—*-
I
£:
_QI
3X1
4X2
3X1
4X2
3X1 3
HE
tr*-:*;
s^r
f
SES3
M
W=*=P
»
^^^
^c^e
16l~»~PL
~W • t—t
^i^
I
i
a
No. 3.
2*-5 3<
F. HTJNTEN.
:oi:
-— i-
-e>-
<y
jtt^:
^*-
d=P:
£=
I
26
THE MELODEON INSTRUCTOR.
A, B, C.
Fine. 4
-#i
-0 — m-
-0 — 0-
T*=F
^3-
IKZzmz
?
"f
-X — 1-
-Q-
H
-W=.mz
0 — *
gfe=£fe^&
M2 i r
,*■■ i
t=
-4-
-0-
--F
1
i
X
=F
1
£
£5
X
F
pgs
JAVA MARCH.
r#+«-*-«-«-«,7# -0
V-=->~0-0^0-0-
m
c--
0 0.0 0-
i n j
&£gd=§
^
=*===*=
.*£:
i
i-r-
3?
:B:
^^^^Bg^p^^^teS^^^E
•■«:-««
n. I" M
1TT
W45
ML0-97ji
■ZKZIZS
No. 6.
THE MELODEON INSTRUCTOR
THE BLUE JUNIATA.
27
Words and Melodf by Mrs. SULLIVAN.
i^n^n^
=«
^5135
m
*—%-
J^—S-l^.
^zj£_
^
^Z3t
Thro' the for-ests go-ing; Loose were her jet-ty locks, In wa-vy tress-es flov.--ing.
^_ -^- -^- -^-j^- -0—0- -0- -0- -0- -0- m -j- -0—m-
I 9—0-0- m -0- J
Gay was the mountain-song
Of bright Alfarata,
Where sweep the waters
Of the blue Juniata.
Strong and true my arrows are
In my painted quiver ;
Swift goes my light canoe
Adown the rapid river.
Bold is my warrior good,
The love of Alfarata ;
Proud waves his snowy plume
Along the Juniata.
Soft and low he speaks to me,
And then, his war-cry sounding,
Rings his voice in thunder loud,
From height to height resounding.
So sang the Indian girl,
Bright Alfarata,
Where sweep the waters
Of the blue Juniata.
Fleeting years have borne away
The voice of Alfarata ;
Still sweeps the river on,
Blue Juniata.
28
THE MELODEON INSTRUCTOR.
" ARE WE ALMOST THERE ?"
FLORENCE VANE.
Note.— A young lady had visited the South for her health ; but, finding that she hourly grew worse, her friends hurried her home. On the journey she was very much exhausted, and continually
inquired, " Are we almost there ?" She died just before reaching home. A friend, who accompanied her, wrote the following song.
Andante. iw i i
-f-f*r i i=:FJ~ ^HH
:*z3t
-e-
:q:
-©-
-G*-
there? Are we
al
most there ?" said a
As she drew near home ; " Ave
3=t
-«r— 1-# — l-#-
x±
' * rfri^:
/
£
S?
£
icizafc
:e±
H9-
HQt
X2
^
I
those our pop - lar trees that rear Their forms so high 'gainst the heaven's blue dome?
£:
i^^i=I^|3
£:
^
=t
:»t
5
£
^:
^ — &
-&-
^
-©-
S
:£
-G-
^
tugn gainst tne neaven s Diue aome f m . -t
f
Then she talked of her flowers, and she thought of the well
Where the cool waters dashed o'er the large white stone;
And she thought it would soothe, like a fairy spell,
i lould J!i.: drink of that fount when her fever was on.
3.
While yet bo young, and her bloom grew less,
They had borne her away to a kindlier clime;
For she would not tell that 'twas only distress
That had gathered life's rose in its sweet spring time.
And she had looked where they bade her look,
At many a ruin and many a shrine,
At the sculptured niche, and the shady nook,
And watched from high places the sun'B decline.
And in secret she sighed for a quiet spot,
Where she oft had played in childhood's hour ;
Though shrub or flow'ret marked it not,
It was dearer to her than the gayest bower.
THE MELODEON INSTRUCTOR.
29
CHAPTER XII.
EXPRESSION AND STYLE OF PERFORMANCE.
It Vocal music partakes of two general styles of performance ; one is
close and connected, called Legato ; the other pointed and distinct, called
Staccato. ,
2# In the first, the sound is sustained on one note until the following one
is struck, thereby blending them together. In the second, the notes are cut
short of their real time, and the beat is made up of a rest, sufficiently
long to give it its full duration.
3. The staccato style of music is preferable in most instances for choir
use, inasmuch as there is less liability to an inert and dragging style.
ORNAMENTAL NOTES.
4. Small notes immediately preceding larger ones are called Appoggia-
tures. They are not considered strictly as belonging to the harmony of a
chord ; but nevertheless they borrow their time, according to their value,
from the note that succeeds them. They always occur in the accented part
of the measure.
EXAMPLE.
Written.
Performed.
5. A small note immediately following a large one is called an After
Note. This also takes as much time from the preceding or essential note
as its denomination indicates ; and always occurs on the wnaccented part
of the measure.
EXAMPLE.
Written.
Performed.
-t
T*
HI
m
-a-
afci
I
6. A Trill (tr) is produced by the alternate repetition of two conjoint
sounds — the principal note and the next above.
7. A trill should combine rapidity and brilliancy of execution. They
are most commonly introduced on the note preceding the final one in a
cadence.
Written. Performed.
-fr ' — ~ "s
*-0-*~0-*~0-*-0-W-0 ■*-0-P-0-*-0
Sill
8. A Turn ('^) consists of a principal sound, with one a tone above,
and another a half-tone below.
Written. Performed.
-3-
9. When the turn is introduced on a dotted note, the principal note is
struck first.
Written.
Performed.
qezr
T*-
g^gjgl
10. The Portamento is a delicate manner of carrying or sliding the voice
from one note to another so as to blend or connect the sounds. It is more
prominent in a descending progression of melody than in an ascending. In
psalmody, there are but few tunes which admit of its introduction. In
secular music, its effect, when appropriate, is pleasing.
Note. — As the foregoing chapter pertains to an advanced part of the elements, questions are
omitted.
EXPLANATION OF MUSICAL TERMS.
Accelerando, accelerating the time by degrees, faster and
faster.
Adagio, as an adverb; meaning moderately slow. As a
substantive, designating a piece of music of a particu-
lar character, in a slow movement ; as, " An Adagio
by Haydn," &e.
Ad libituri, at pleasure, without respect to time.
Affetluoso, denoting the character of a piece of music ;
meaning tenderly and affecting.
Allegretto, less quick than Allegro.
Allegro, quick and sprightly movement.
Alto, the second Treble.
Andante, in a distinct and exact manner, like the steps in
walking ; as a grade of tune, it indicates a movement
between quick and slow.
Anthem, a musical composition set to words of the Sacred
Scriptures.
Arioso, in a light, airy planner.
Arpeggio, in the manner of the harp ; chords struck in
quick succession.
A tempo, in time.
Baritone, a voice whose register is between the Base and
Tenor.
Base, the lowest part in harmony.
Cadence, or Cadenza, the closing of a strain ; also, a fanciful
extemporaneous strain introduced at the close of a
6ong or melody.
Cantabile, in a graceful, flowing style of performance.
Cantata, a vocal composition of several movements.
Chantant, in the style of a chant.
Choir, a company of singers ; also the part of the church
which they occupy.
Choral, a slow style of music, written mostly in notes of
equal length, but sometimes applied to all varieties
of measure in slow movement.
Chromatic, ascending or descending by half-tones. (Sec
Rudiments, Chrom itic Scali . |
Chromatic Interval, an interval between a note and the
sam'' letter flatti I ,.ed.
Coda, a passage at the end of a composition, which forms
a final do
Con Spirito, witli spirit, animation.
Contralto, the Alto or Second Treble.
Coro, chorus.
Da Capo, from the beginning, and ending at the word
" Fine."
Declamando, in a speaking or declaiming style.
Devozione, devotional.
Dolce, sweet, soft, and delicate.
Duo, (Ital.) in English, Duett or Duetto, for two voiees.
Fspressivo, with expression.
Fahet, or Falsetto, a term applied to that register of the
male voice above its natural compass, which resembles
a female voice ; hence called false, or assumed.
Fine, or Finale, the end.
Forzando, forz~, or/2. (See Sforzando.)
Fugata, in the style of a fugue.
Fugue, a musical composttion in which the subject or
theme is sustained by one or more of the parts alter-
nately throughout the piece.
Grazioso, with grace and smoothness.
Imitation, music in which there is a repetition of the same
melody in the various parts, without preserving that
exactness in the intervals which is required in a fugue.
Interlude, an instrumental passage introduced between two
vocal passages ; or between the singing of two stanzas
in church music.
Interval, the distance between any two sounds in music.
Lamentabile, Lamentevole, mournfully.
Larghetlo, slow, but not so slow as Largo.
Largo, a very slow, and rather soft movement, in which
the tones are sustained iu their full length, and exe-
cuted with the utmost taste and expression.
Legato, in a smooth, gliding manner.
Loco, as written.
Mm si, ma, majestic, with dignity and grandeur.
Melody, an agreeable succession of sounds ; or, any succes-
sion of sounds.
Moderate, in moderate time.
Motet, Moletlo, a piece of sacred music iu several parts
and movements.
Ohliaa'a, indispensable; applied to accompaniments which
cannot be left, out without destroying the intended
effect of the piece.
Oral,, mi, a saered musical drama.
Orchestra, that part of a concert-room, theatre, etc., appro-
priated to musical performers: also the body of the
performers themselves.
Ottava Alta, (abbreviated 8va.), to be played an octave
above, until contradicted by the word loco ; (which see.)
Overture, an introductory symphony to an oratorio,
opera, <fcc.
Pastorale, an elegant movement written in 6-8, or 12-8
time.
Pietoso, in a religious style.
Portamento, the manner of sustaining and conducting the
voice from one sound to another.
Presto, quick.
Prestissimo, very quick.
Primo, the first or leading part.
Quartette, a piece of four parts, for a single voice, or in-
strument to each part.
Quintette, a piece of five obligate parts, each performed
by a single voice or instrument.
Rallentando, softer and slower by degrees; abating, or re-
tarding.
Recitative, a species of music between singing and speak-
ing, or musical declamation in which the singer uses the
inflections and tones of the speaking voice ; in which,
also, he is not restricted in sound or time, so long as
he keeps to the harmony of the measure.
Rehearsal, a private execution of music before performed
iu public.
Rinforzando, Rinf increasing suddenly in power -===^.
Risoluto, resolute, bold.
Sentimento, with feeling, tenderly.
Sforzando, suddenly diminishing a sound ^==~.
Solfeggio, a vocal exercise sung with the syllables Do, Re,
Ac, or to a single word, as Amen. -
Soli, the plural of Solo, one voice or instrument to a part.
Solo, a piece or passage for a single voice or instrument.
Sostcnuto, in a sustained manner.
Spirit oxo, with spirit.
Staccato, notes struck in a quick, short, and detached
maimer.
Subject, the leading idea, or text, in a piece of music.
Symphony, an elaborate composition for instruments.
Tempo, time.
Tempo Primo, the original time.
Trio, a composition for three voices or instruments.
Vigoroso, vigorous, bold.
Vivace, sprightly, cheerful, and quick
a
BLEST HOUR. L. M.
Rather Slow. With Feeling, and devoid of Show.
V. 0. T.
S3
=f
3
iBE3HE
=fc
m
mzrm:
-1*4-4-
©
e-r-9- 9—9—9—9 -O-
9-9-
^=&
J
Blest hour, when mortal man re - tires To hold com - munion with his God, To send to heaven his warm desires,
Blest hour, when earthly cares re - sign Their em - pire o'er his anxious breast, While, all a - round, the calm divine
Blest hour, when God himself draws nigh, Well pleased his people's voice to hear, To hush the pen - i - ten - tial sigh,
And listen to the sa - cred word.
Proclaims the ho - ly day of rest.
And wipe a - way the mourner's tear.
e^eS!
I
i T f -
0 i r I
32
GREENWOOD. L. M.
V. C. T.
Delicate
- =ta q=jtap; =}=!=* =PRpW* ^rp= ]
^*
r
^
fetesl&^spei
i
=t:
«^r^
^=
^=r
B
*& — •
22:
PP
1. Sweet is the scene when Christians die, When ho- ly souls re- tire to rest : How mild- ly beams the clos - ing eye ! How gen - tly heaves th' expiring breast !
* 2. So fades a sum - mer cloud a - way ; So sinks the gale when storms are o'er ; So gen - tly shuts the eye of day ; So dies a wave a long the shore.
^^
'-
— t^ s& — =+^=1 ^l^t- ^0- — 1-tP
I
-J- J -J- i I i J-3- o
IEz
GC
=F
©-
Dl*
f
:|-_:
a:
-j-
m
|n=pr|=J
T
4W,
t?
• Sing the 3d stanza of this Hymn to " Smithfield, " below.
f^?
'&-
P
jo:
P
z?:
P
I
SMITHFIELD. L. M.
From the "Sacred Minstrel."
Simplified and improved.
Katlicr Past.
^r
fc-«E3
J-*
o*-cj
3E
-Q-
i
-e>- -o- -#- -0-&-
0--^-#
EE
-G>-
-€J-
i^izot
II
-e-^e>
1. Je - sus, thy boundless love to me No thought can reach, no tongue declare; U - nite my thankful heart to thee, And reign without a ri - val there.
2. Thy love, how cheer-ing is its ray ! All pain be - fore its presence flies ; Care, an- guish, sorrow, melt a - way Wher- e'er its heal- ing beams a - rise.
£
I Ili-Oll
^-*
I
B fl 1 | 1 J J-4
r f
-J-4
fi*--
33«33=
fejl
-&—&-
-0—0-
r r r r
r
*Zj*
&:*
«
Q
^
■ 1 —
I I I , -J- -J- J- J- J -J- J -&- -o- -J- -J- -J-j j
*'-— t*1 — s — 3 -t— r>~Ti — * 1 J ~T-_ rj —
t=_h_ip_r_| pi, — j_
t=C
f
<2
5
£
Medium Time. Accent the 1st and 3d quarters in a measure.
-0 — 0 — 0 — 9
LOWVILLE. L. M.
33
? a=P
9- -O-
p~p=
=2=
±
zzl
-4h^9--9-
*fe
3tt
=t
-*—*—*—*
1. An - oth - er six days' -work is done; An-oth-er Sab-bath is be - gun: Re-turn, my soul — en - joy thy rest; Im-prove the day thy God has blest
2. Oh ! that our thoughts and thanks may rise, As grate-ful in - cense to the skies; And draw from heaven that sweet repose, That none but he that feels it, knows
4
I
t
-0 — 9— m-
r
*=£■
S
-0 — 0-
mat
jtiMzwl
3EE
l,t f
zzzzs:::
0—1.^'
I
#
F—M-
3
az^zi^z^:
1 — i — r
4- J- -J- , , _JL J- J- ^_J-_-i:_j
r?
-e — x
J J J-
r
1-
£
s
FrF
p-fJT I 'I — h-t-F-l^11^"
r
r
MARSHFIELD. L. M.
C hantaiu Style.
*=p:
l=£
^z:»:
g
I
I
£
#— •-
±r-
-0—9—0-
*>—0—0
-0—0-
m
1
1
9—1—0
1
I
-9-
-0- -0- -0- -g- -p- " -*- -»- -^- • -9- -W- -W~ - -e*- -6/-
1. So let our lips and lives ex - press The ho - ly gos-pel we pro-fess; So let our works and vir-tues shine, To prove the doc - trine all di - vine.
2. Thus shall we best pro-claim a -broad The hon- ors of our Sa - viour God, When Ids sal - va - tion reigns with-in, And grace sub-duos the power of sin.
s
-]-
-J-
mz^zji
-A
3=5
£
r^=Fp=Ff
I
T
v- r x "r
I
J- -J- -i-
fzrE
4-4-J-
1—t— M i '
(chimb — 8)
S:
r 1 i . i r
*=*=
x-r--
£
i — r-
J
r
f r T^Tf
:pzrp__pz^c
i i I 1
t1 r r 1r f"
rJ J J j. J
r
-J-
-©-
I
34
WARE. L. M.
Medium. Staccato.
N. D. GOtTLD.
S#=^*
nzpzzpz^:
f^E^f-'-'d*
m
-&-
?±ct31*±
e>-
1. From ev- ery stormy wind that blows, From ev- ery swelling tide of woes, There is a calm, a sure re - treat, Tis found beneath the mer - cy - seat.
3. There is a scene, where spirits blend, Where friend holds fellowship with friend ; Though sundered far, by faith they meet, A - round one common mer - cy - seat.
-T-M-J-
J , J J,
1— H — I — \-0-rri 1— t — -■--
.1 J. X J_ JL . _J_ J_
J J J -J- M
i^^E
■&-
«-*=ta»
3ft
r
<j
m
<2i
E
ffh
©-
s:
3 — -e
J J^-J--^
J-
£
^z^:
P-
AVON.
Staccato.
pzazpz:.
:: ipzixjczpziiz ^ezzjczszzJz ^ztb:*:
it:=^tz=zzzzt3tzzz±zz£zzz3t:zz:,:t:
L. M.
e>-
lf=W—W
t=t=:
V. O. T.
=5
P
£
pzz^izpz
!■;
m-o o
CJ
0
+=*.
X
&-
=4
^r>-v-*--^-^-
rJ
|ZZEEq:
fc^
a££it
^:
Z2I
-d-1©
i
1. With one consent, let all the earth To God their cheer- fill voi- ces raise; Glad homage pay, with aw- ful mirth, And sing be - fore him songs of praise.
H. O, en- ter then his temple gate ; Thence to his courts de - vout-ly press ; And still your grate - ful hymns re- peat; And still his name with prais-es bless.
,, BE^zfeBE,ZE5ZBFj= jEjZfBEiJz*E* T
-■&■
I - 1111 iiyillUD 1 C" UCilt, iXUU OHH "iO i«imc v».ii/i* j|/ittio-^o i..rn oo.
_p_jLZt^_-__*.
:MP~
r
3JE
J
Ff?frrrr?^
*
J- . -J- J , j . J- J- J- 1 • J- J- -J. J- . J- J- 1 1 JLJL j J-_.
— fzi-Q--zz"- .."IT?"^ •^iPP^^1-* 0— — W — m~CA -M^f — '- — F.-
[
IVISON. L. M.
Medium time.
V. O. T.
35
f
-0-0-
-&-
::zrrp=:
r>
-0-9-0-
O-
I — i 1 ■_,
=£
G> «r — #— 0-
£2=p:
:t=z±
p ip::::p:
^BLITE
1. Oh praise the Lord in that blest place, From -whence his goodness largely flows : Praise him in heaven, where he his face Unveiled in perfect glo - ry shows.
2. Praise him for all the might-y acts, Which he in our be - half hath done ; His kindness this re - turn ex- acts, With wliieh our praise should equal run.
-J^r-^ — r- - i -:ivrH l-T- ~t~
Medium time.
MORAVIA. L. M.
In the old Continental style. V. C. T.
-G>- -9-
9—j
I:
-&--ej-
& — &-
9 — 9-
#9- -9
liili
zJ—d
i
=t
^ ^
I£±
-e>-
&-
TT
"^
I
1. Life is the time to serve the Lord, The time t' insure the great re - ward ; And while the lamp holds out to burn, The vi - lest sin - ner may re - turn.
2. Life is the hour that God hath given T' escape from hell, and fly to heaven ; The day of grace — and mortals may Se - cure the blessings of the day.
36
RUSSIA. L. M.
REED.'
™=t
£
-\-
*e-
zs£
ipt
False are the men of high de
gree ;
The
bas - er sort are
ty:t
E^t
0— L-&-
False are the men of high de
gree ;
The
bas - er sort are van
ty:t
rzzpz
BtZZ±=fc IZZIZZZZ^ZZ^
^*
^
fc
1^
False are the men of high de - gree ;
The
bas - er sort are van
ty:t
Laid
J*Z*I
3EE
^:
=t=t=t
£
T-0 — m — e
t
«*-
Laid in the bal - ance
\ 1 r=-S
-#-
r
#&-
Laid in the bal - ance, both ap - pear Light as
puff of emp - ty
air,
l
II
i
air.
2
^
Laid in the bal - ance, both
ap
■O-
emp
MZZ^r
I
p—ft
pear Light as a puff of emp - ty air, air.
in the bal - ance, both ap - pear Light as a puff of emp - ty air, Light as a puff of emp - ty
ipzzpzzrp:
4=
t=St±
0 — m — 0 — »#-
both ap - pear Light as a puff
of
emp
-0-
=F
ty
gzz=*z=£*=zg
air,
1
air.
2
izst
£
air,
Light as
puff of ' emp - ty
air,
* This tune and Exhortation are among the gems of the old Continental " School." They arc inserted here without change of words, "alteration or emendation
■lightest degree would direst them ol their antique and distinctive character. To give them their pristine appearance, there should be a scrupulous eschewal, in the
mentation, and the pitch should be taken from a pitch-pipe.
t Be careful, in pronouncing here, lo avoid giving the " ty " the sound of " tee."
;" because, to modernize them
performance, of any species of
in the
instru-
EXHORTATION. L. M.
DOOLITTLB.*
87
Now in
the heat of youth - - ful blood, Re - mem-ber
m==zi
-6—
f- -6 g-
your Cre - a
God;
Be - hold the months come
^
-0-0-0
:3
?c=p[=p=qpc
Behold the months come hast'ning on, When
:*=]:
fe
je=«2:
a
iszzb:
«=
-H-
fi
#— H-
:f
:£
:£=£
:•£
^P
Be - hold the months come hast'ning on, When you shall say, " my joys are gone,"
When you shall say, " my joys are gone."
S3
3t=*I
d-::
3=4=
^zz:
-f-
hold the months come hast-'ning on, When you shall say, " my joys
-&-
9 — a-
=t
i=g=lz=E
*=£+
M
gone,
=E=E
£:
=t
t^Bitzztz1^
hast-'ning on, When you shall say, '• my joys are gone,"
=t=i
#
When you shall say, "my joys are gone.'
H hi
[£:±$ zzzz^zzfc
:z2:
i
y~^~/g
1=
:*-:::
±z
you shall say, " my joys are gone,"
m
-0—0-
'—
When you shall say, " my joys are gone," When you shall say, " my joys are gone."
(£Z^Z
-0
±+
--&--
:=zz?r
jL
=t=
&]
When you shall say, " my joys
gone,
When you shall say, " my joys are gone."
* This tune, like the one opposite, is given here as a faithful transcript from Smith and Little's Collection, published in the last century ; and, as a composition of its time, is by no means of an inferior
stamp.
T As respects sharp sevenths, here we introduce them occasionally where it seems not absolutely inadmissible so to do. It is, however, with trreat ihfuler.ee that we do so. We think ihe safer way is
to let the taste and discrimination of the singer decide the matter, and make them sharv or natural, •• ad libitum j" as cither way will doubtless be equally effective
38
TEMPLE. L. M. *
Arranged from KING.
Witt
fti=±Lzt=f=£±i=t==p_p
?2zp=^=i:^zpz^z
-t-
I
i
Let eveiy creature rise and bring Glory and honor to our King ;
■e-t-e-
K
:p
EEE
££&£
±P
I
ifesl^^ffli
-©—
Earth
shall re - spond the joy-
ful
straia
wh-&
ffi
w
E
HE
-p
^T^
g^gi.
S^-S1-!—
'
-f — t-
f^#-|-C'-#-0
1
nr-rrTT
Q-9-&-
£
While an - gels strike their lyres a - gain,
f=C=p=p:±p=f=p
f=!?=zztpzi=pz±l|!ztz£^
■4— r
_«_. 3^zdi. 3~3_ ]
fT
f7©7
"P-
^?e
f_r
Let every creature rise and bring Glory and honor to our King ;
m
E
r?
:i
p
i-i-p-
:^EF
Earth shall re - spond the joy - ful strain.
ir*A 4- j _ J- j 1 • i W- . 1-1> J- JL
TURNER. L. M.
5
?c=
*?EP
B^
^=g^j3p^pSg*^^
t=S=
P-I-#T
V C. T.
Altered from a tune in the "Minstrel"
W^ffr
-
£
p:
0- €^
§S^B^S^
p-
■*4#id±
3
Re - viv - ing sleep ! thy shelt'ring wing Is o'er the couch of labor spread; Sweet min-is-ter, un - earthly thing, That hov - ers round the tired one's head
-T~~r-f — rr~rf
JL
_ 1 l i ' I f I ' ' i ) II , l_=±J_l
+ 1±l~i- j-i- J-lj-J-J-
j=Pi — ri ! — j-1! — -rr-r1 — r
ipii
#
I-
4tJ
p^T
J
1
wm
gH
J >^j.i
Etzpt:
SEE
-g j— T»-
fz±h_C
WARRINGTON. L. M.
In a slow and dignifled manner.
R. HARRISON.
1. Just are thy ways, an J true thy word, Great Rook of my se - cure abode; Who is a God, be - side the Lord? Or where's a re*- fuge like our God?
2. Tis he that girds me with his might, Gives me his ho - ly sword to wield ; And while with sin and hell I fight, Spreads his sal - va - tion for my shield.
w
ppgEp
J- j
^s&^ssk
J I
?2
P
_Q_
-|-
TT
n
3-4-
HS
Q—ri
ztotct
-£3--*V
o.
©-
*J=j
fc_fc
f-r
s^ifi
^:I:Q
*s^
xi
r.»
^
-J- * J
-i-
-e>
o
m
£2Z£2
a^:^
>-&
GH
I
±4
4 _ J_
J-
f fs
a:
-q
cr
I
zzp
P>
■&-
^*
-*%»
^OL
&
ezzz::
^)
TJL
a
T_f7
Yi ~^~r~o '. r~
f
ARNHEIM. L. M.
Majestic
S. HOLTOKE.
i3H
-#-e-
©-
ft
TJ-TJr
-©- -&- -jj -&-
&-T-+
=t
c>-c^
p
=t=t=
■%dr-&jt
&-&-
&-
be
O O
G>-
=t
±C±
1. E - ter - nal God — ee - les - tial King, Ex-alt-ed be thy glorious name; Let hosts in heaven thy praises sing, And saints on earth thy love pro - claim.
2. My heart is fixed on thee, my God, I rest my hope on thee a - lone; I'll spread thy sacred truths a - broad, To all man - kind thy love make known.
4r- -H-r . 1 1— It- -n- J ■ . J .jixjizjj;
3r
T* — *"1 1 T"
- -\-m-0 — f
J-0-p— p — d-
-&-
0-0
Si
4
tpp
r
4^
I2:c£»
f-p-
P:z_*
e?
z±
4 J-
E&^aa
&
o-
r-rrr
4^4
o
'■J-
Wff r •
£=£
«-
J*
yF¥
J 1"
.-- o-&-
CJ
\
J J-
-&-•
— r
4 J-J-
0—0-0
piir^i— :p
PL
£Ef3
ET
J_
j6 r> fd if
^
40
Slovr, with Majesty.
SS:
9=
m
-0- -&-&-
&-&-
a
:ez
:^E3
zsqo:
CORSICA.
33S
L. M. *
©-
&
15
£f
©-©--- -, —
/7
m
tiztzzztzzE
o-g> — &-,
t
-*--&-&-
&-&
&
■&-
pr
«-©-
&-
1
=$
?--£)^-&-
T±ZJr-x
-lO-GrJ
1. Ye mighty ru-lers. of the land, Give praise and glo - ry to the Lord ; And -while be - fore his throne ye stand, His great and powerful acts re- cord.
2. Oh render un - to God a - bove, The hon - ors which to him be - long ; And in the tern- pie of his love Let worship flow from every tongue.
i I I
±
:
o o-1-
==^£
r^=£z
EH
T
:f=f:
rJ •
r
Octaves.
ist
diz^
pLp
i
?z
-0-'
;
©-
-J-T-^
K
ffl5
r r Tf
M
z^-jt
m
&-&
&-&£
p=»=
-^-,
r r
j j
rp
-:p^-j[— pi
©
-©-
rf
ct
r
£2ZQZ!
*=
I
^6>-
pEE
I
CLINTON. L. M. *
Majestic, and very Slow.
From tho German.
fe
PZ0QFS..
TT.
-&-
rj
f>
:!
9
O &-
-H —
©-
ie:
pzzp:
pr^cpzp:
EE
rj
-0-0 -0
© — © ©
p
to/"
f
•>
re g .
-©^
=»
:*z*:
3
®— ©
4:
-©-
© ^
335
-»-«-{-©-
tofc
©-
I
-©-
4
©-
:c£
-0-0-0- * * -0~+
I
1. I. Hid, let thy goodness lead our land, Still saved by thine almigh - ty hand, The (ri - bate of its love to bring To thee, our Saviour ancl our King.
2. Let ev- ery pub- lie tem- pie raise Tri- umph-ant songs of ho - ly praise ; Let ev - eiy peaceful, private home A temple, Lord, to thee be - come
4,^-l-jl-J^J \_±4 ^_j M-
TKIVOLI. L. M.
Staccato* Let the words be plainly spoken.
V. 0. T.
41
■+■
%T
-g-
9-9-9-
IDTZJOr
SEI
£21
ftjtJt:
& — &-
I(Q_
O
-o-
i"jg^
ill!
till
ill!
1 1 i 1
=tt
i
^±
^:
-^©-
J:
-t
cr
z*-£=jr*-+
j___^_
itjt
-9—0-
z2:
SS3
*
&- -£>- -O- C-V -&- -0- -9-9—9—9- «-' -©^- -©-
1. When -we, our -wearied limbs to rest, Sat down by proud Euphra- tes' stream, "We wept, with doleful tho'ts oppressed, And Zi - on was our mournful theme.
2. Our harps, that, when with joy we sung, "Were wont their tuneful parts to bear, With si -lent strings, ne-gleet- ed hung, On willow trees that withered there.
-J
2
-&— L9-0-9-P-
T TTT
&
-0-
_l_..
J
&=±3±±
^
=t
&— a- L&.
H B-^— -9zr9^-9-r
*2l
EfS
^
J- 4-
r r r frr'f r f r
0 0 0 0
h-r-
pc
-p=
J_TJ
&=fe:
P=p*
-»-*-
q:
J- J J -J-J- J.
3±±
:l:
e-
-(©-
p
T^
■&-0-&-M-
«=?==
r
4*
-&
•-*1-
z±
r
35
£*r
r>
EI
©-
I
-P
f=
r
€>
-0--1-
:cr
I
FUTURITY. L. M.
■With Earnestness.
From TAYLOR'S " Sacred Minstrel."
1. E - ter- ni - ty is just at hand, And shall I waste my ebb- ing sand ? And care-less view de - part - ing day, And throw my inch of time a - way ?
2. E - ter- ni - ty ! — tremendous sound ! — To guil- ty souls a dreadful wound ! But oh ! if Christ and heaven be mine, How sweet the ac- cents ! — how di - vine !
r&—J-\~rr1 — | — ^ — in — I
txidzi^i
i-H-Ar-J-4-r-l-,--
gjzJ~j7*|X3L-g:tgJjr
42
ALBUERA. L. M.
Not too Fast.
ff2
£=5E
=p
q=05=i=:
e»
-&-
P33
4=
=t
f »
T f T T
V. 0. T.
&-
&-
Z2I
P
qr»:
«*-«-
t=f=
P=p:
E
?2=
E
# -
Ritaid.
S3
=t
5
&>
H&-
| J 1 ^— •-0—0 — K 1_£=J |_|
±«=e£
^3-
■0- -0- - -0- ~ -0- 11 1 1 I 1 1
3. A - wake the trumpet's lof - ty sound, To spread our sa- cred pleas- ure round ; A-wake each voice, and strike each string, And to the solemn or- gan sing,
T r T T T ,
rSb:
si
m
JHjfc^i
ej
-o-
;;pzR
4=
e£^:
jJnOaiffluaja
i^3— j:i
:£=£
*zj£zz*::e>
rr-^-f-
zzefci
e^iEii
«=
e±
Unisons.
^9t=
4=fc=tf
-Sir
.tittzafc
4a:
:p:
^
4
f-:
r
i§
p:
:p:
^--J-ri
Si
j j_ 4- -S-: j- j- J. J. J- J- j -J-
*„*.
Pasl.
[SB
-•-#-
Hc^zzp:
e>-
^ -g»
— »— -F^-1 — I — Tl — -»-+
MENDON
tea
rh
L. M.
£
TT-ZpH
E
■•— •— •-#»-:FP:
i i
1111
-Q-
TC
r
I
German Air.
f>
^i #-*-•- tf—*^ :&^*- -©f fi*r«fZL
— 'ztt=z=t:±fz=[=3[i=bt<?zt
!zzzz±
&—0
I
Ft5?ff?a^^CTH^^^^§^^^^^^i^^
1. The heavens declare thy glo - ry, Lord,
In ev- cry star thy wis - dom sliiues ; But when our eyes be - hold thy word, We read thy name in fair - er lines.
iM^rl j J-W i- j' j J J J -p- i J J" J 'J -JlA"JI-/_J_ J.J,
^-»T~1''=3z=iZ2izrrzHrzzzra^^
-I-
■i ,
<3Z
p
Slightly faster than Medium
NEW HAMBURGH. L. M. (for class practice.) *
«■- m0w-^-G>- • 0 a -A0—O- • 0 0W -0- ^0- v q a • v — ' ^& -0-
1. O bap - py day, that fixed rny choice On thee, my Saviour, and my God ; Well may this glow - ing heart re - joice, And tell its rap-tures all a - broad
pi, ,n, r~ ~, i or. rm
H-
#^^T#pf^
4
•Szti^feCT^
,'J-
Lt"
■0-^-0-
fr- r r
m
Q — &*-
iJzE*
W-
o? 0s — !•-
— W —
£
:!:
~J
a
j
s:
*=?
■d~r
r
I
r
l l I i I I ! 1 I
— P —
*
P=p:
t=
C
i
Not too Fast.
3:
TATNALL. L. M. (old.)
3±
£3
Fk~#H*
T=t
a-
|l=?±2fcz£t.
m ■ J m
- :=i:©-#W :-l — t =1=^=+=f s^*-*- -sZ^zz — :«t jzzc z^zzjzfczlz^izf: zpzj
: -g-|~tg~rs'~*-glTs''
£
»
C--H — H M
1. Arise in all thy splendor, Lord ; Let power attend thy gracious word ; Unveil the beauties of thy face, And show the glories of thy grace. And show the glories of thy grace.
I
H=
.&-1 j_ j. _^_ j_ j_ , j ?LJ- D J- -U- j - J
i&
i
=
^
-St-
:t
rM
_Z^JS
I Ik
£W#
tztzjz
Pi
-J- J-f-p ^"j__
JJi^pgfZZZpZ:
44
OTTAWA. L. M.
Animated. .
3Lfi-
mzifL
i
g— *- tzziIzzz:*— F-
:§zzizz=E
zizz^zzffiLzzgzprqiz
&&
ZBZZE
£3i=i=E:
Curo.
3H
£=t
•— <P-
=1-
^r~* ~w
i
« — ^— »
•-*-
L^SS^^Et&^S
3
# — ^f-^-Q
£
1. Lord, bow delight - ful 'tis to see A whole as - sem - bly worship thee ! At once they sing — at once they pray — They hear of heaven, and learn the way.
2. I have been there, and still would go : Tis like the dawn of heaven be-low : Not all that care - less sin-ners say, Shall tempt me to for-get this day.
«
t^-j-
I
EIEe -f fW
zi"
«
E
:J=|=J:
±=£
3=2
U
I
J J
*=
4=
a j j_ i^ j_
3=
4-d- IJ^J— i— 4
ft £ . f f;'M; r
d i— I— fr-| c-
zjzzz^z^Jzkizzzhi
p • g « Ls : EZ
IS
E?
-J- J- J-
Hfrlf T-'-f ;f-7
£
rtz?:
J.v,i -J -J -J
J- -JL J. J_
ipzracip:
r- r-i-
TjEZjEZJL
3=r
1
ZEPHYR. L. M.
/
|--g — a— g|g— — *-j-g — s»--{-g — |- 1 g— h-
V7. B. BRADBURY
From the "New York Choralist." — By permission.
pz:
£
z^rtrp
I
3ig=E
m/
Ores.
z|zznJTz|:0_ .izjzzzj:
■azz#rt
fcjfet^
zzat
^a^^g
-^- - -«r- -j^— «- ■* -S1- -^- -©- ^_^
L I - sus can make a dy - ing bed Feel soft as down - y pillows are, While on his breast I lay my head, And breathe my life out sweetly there.
1. Win should we start and fear to die? What timorous worms we mortals are ! Death is the gate of end - less joy, And yet we dread to en - tur there.
4—U
w~-i
■
~J:&
T_T
B
r-
-j- x j-j-
0
fz.e
r
^
£=£!
r— t-
u
- =f ==:4rz±zt: :f=:^Et^=*=^E=±z SSti=#=E=HEHEzzziz=feE
Medium Time.
Eaa
=t
DELAWARE. L. M.
pipe zpzjEzjrzw:. qsr-js
ijazpz:
P=p_*_*
S£
Trzw-jF
*
45
-4-
I
kfizst
jtzizatzi:
a
0
=5^
j£=Mzi*z=M:
H-
it
3EE
-#— * — •— •
IH=S5BS
-S'-SH- -i?-1-© I—
^ ' -*--« — »
T=j=
=t
-b
-S"- -0-~-0- -0- -0- ~®
1. Zi - ona-wake! — thy strength re - new, Put on thy robes of beau-teous hue; Church of our God, a - rise and shine, Bright with the beams of truth di - vine
2. Soon shall thy ra - diance stream a - far, Wide as the heathen na - tions are; Gen - tiles and kings thy light shall view : All shall ad - mire and love thee too.
1^
fczd:
:=]:
3t=^=*=3t±^
r r ■*- r r
??-
:zEEt
f— f-
izj^=*:
f-f-f-
-r-f-
-a a-
3:
0
±±
.1-IX-L-L-L+-IX
-^-^-o-
J- -J- -L -i- J-
ls'iEs'
v
I I
-t-f-
*3i=
-0—0-
puip:
r
SH
p=^
3
■r V 2| — 9'
^
-i — r
I
WINDHAM. L. M.
fczzfcb
3t3t=3t
ist_d:
~i -J I J" 3tjJt~2ti2±: :^i^i:dilr^
tet=
REED.
piisEI^
e--
iSL
_Tn:^iip:
t=W=
1111111
SI
-*id
s
I-^ S^^'S^T"^ s* "*":
i3r~s^
J — ^ — I
E
-tir-d-
ffii
r£±S*
3=?=*:
"^ ^: "^
1. Broad is tho road that leads to death, And thou-sauds -walk to - geth-er there : But -wis - dom shows a nar - row path, With here and there a tra - vel - er.
-a-zz
=t
^zzdi
zfcq:
r
\
|E3
4_^J L^J
-5*—^
:| I -I-
=fc
tizztrz
^
i=3
r -f r r 4tr
S3g|iigi3
■®-+-«'^^— ?;
ES
j&.f :-T-:p. "P
z^;P:
— f-
Prwpp
-J J. J. JL
"f *r r
J_J!JL
I
b-t
qt=?
?=n
e-^-p-
*=*:
I
:£==£
i i
HI
^
The cadence here used, as well as the general arrangement of the time, brings it nearer the original form, we believe, than is found in any other modern publication.
46
DUKE STREET. L. M.
i)
55
-F-H-:
^-0-^t^z:^
3gz±3=3tS5Izi
-«■#*
*=p=t^
^
«
£2
P=P=
r
J-
J. HATTOW.
P." i- . i i- i i l II ■*-*£, I C3 I ' '^J*
Lord, when thou didst as - cend on high, Ten thousands angels filled the sky ; Those heavenly guards a-round thee wait, Like chariots, that
EJBEfczzG
attend thy state.
I V-JV J-J.
o — -«Te
=±Z
sa
E:
■B—P-
5*
-S>- -S>- -g-
*7£ZZ£
_*. V- -J- J U -d- -J+± -o- J- J -J- -d- • jLsl VJ
=t
zf
ZC
lz^E^g^E^|^|g=f
t=t
ROTHWELL
L. M.
&ff 0 .q\-9-. _i K.
t=-
R=
ezpviprzp.
t=W:
fe
rffiSEe
zS
is
r
tfi^Ls:
£
tzzjz
3te
1. Sing to the Lord, who loud proclaims His various and his saving names; Oh may they not be heard alone, But by our sure experience known, But by our sure experience known.
I I, I- 1, I 1 I, I — l-rgf — It-]— [r-l-fV^ n |-rr^— f3i 1 li 1 iT»^H^ r
^&raSSp$zzaSzSfflffl: :
i i r n«J t i i i u i i i u. rTrz^r1- rri I i n r
^esJ*
zt
I I I
ffl
mgftrwtc
\^>-
To thee our souls in faith arise, To thee we lift ex-pect-ing eyes ; We boldly thro' the desert tread, For God will guard, where God shall lead, For God will guard, where, &c.
'Urn
ife
=te
H-«-I-»r— rf-U «£ 1
~ _Tf2_
ftP=^=t
©-■— l-f-zS-^-P-aT*^— -rf Z ■ -al — 0$\ — (--P— *-P— r-T "F T rVr^-F
i
*E#:
-j— i— i — i-
—•—it-r*
±
4-
*z*z*-^
£=^
WELLS
ztzzuzzz:
r=3z^=J
E
i « r
Life is the time to serve the Lord, The time t' in-sure the great re-ward ; And while the lamp holds out to burn, The vi - lest Bin
»
L. M.
Jdzdzz;
±=±
HOLDRAYD.
r
?
f
gggg
-w—e ©-
Vh J -d-
zz9z
^^
« s — ©-t — o —•-©-+——# — r-~Pr-r- ■ — t-*- f — -§•
_,__
1-
f
3p
--h
r#
(
STONE. L. M.
:e:
*=*
V. O. T. 47
Theme from a tune in the "Minstrel."
^EZJt
fEzfiizJzzp
m
■^
=4=
ntz*
0-0
Sin-ner, 0 'why so thoughtless grown ? Why in such dreadful haste to die ? Dar - ing to leap to worlds unknown ! Heedless a-gainst thy God to fly!
I
b^p
-s>-
i
r r
f r
2
EE2
5
-»-t/-»
e=2L£
±t
iU_ i.
33:
:-rJ
Jzi
4t
f— ^
-i- J- J- J-
4
hst
d L_|_J
]^
=1
£?=*=*
^:
-P-
r-f-r^-r
I
^=#:
>T?"T
53:
J-
J- J- J-
-J- J-
T
^J^l
IS
t~i-
-f—
rr- 1
!S^£jt3tz
^z:
B R 0 S S. L. M.
^:st
#»EjE^zSs£
^
T
S3
^^
3
zsbttfc*
#-«
£*=«
:=£
::;dEz*:jfc3:
' -0-e- -&-m m -a- -&- -a-^ -e- ' <s _s_
Great is the Lord ! — what tongue can frame An honor equal to his name ? How aw-ful are his
-4
4—d
I
glo - rious ways ! The Lord is dread
-&- -a- -e-r
ful in his praise!
©a»
j^j_Aj.
-■-^-r-i-*-" — &- ■ ~ . -"-*—* — F — t-
-*- tTT T TTTTT
48
BLANFORD.* L. M.
Rather Fast.
is
M=±=t
Z*ZZ^I
VI
p — \-P- -f—f—a^W- ^-—P^- ^^^g-p^ :pzzp-:gzzzj
^zzd:
izzT
zpzip:
V. 0. T
^=N-l
-p=ZTj.
±t:
I
J-
1. The heavens declare thy glo - ry, Lord, In eve-ry star thy wis-dom shines ; But when our eyes behold thy word, We read thy name in fair-er lines.
2. The rolling sun — the changing light, And nights, and days, thy power confess ; But that blest volume thou hast writ Reveals thy jus-tice and thy grace.
±—±
Jtzat
i5=4^&3=3*=3
zdzd
l.MSON.
& — o-
J- J- -I
e
T-
-o—o—m-
r r -r, r
t
zzz^zz|zzjz::zi
f
H2— ?
-•— •-
J- i . ' - -J- J; J- -J-
j- J- -j- J-
1=3=Bt
f-
f — r
3
=t
J- -JL
it
£
f-
t?=
-• — »-
pza:
t-
r
g
Jzrpz:
r
:f2zz£i
I 1"
i
DARUE. L. M.
Chantant.— Medium Time.
zgzfabd
V=W=*
-T"i!i
t*p-*- ?2zqp_^_^ -p"- ?-+-*- p±£b-*-*
P
V. C. T.
:pzurzp_£r
1=
H
iE
s
33
HzS
'j:
4*-W
■t
1
zi
4^LUIU±=
T=]:=:
4
II
is
•>- -•»- -c- • -•>- -#- -a1- -©-
1. No more, my God — I boast no more Of all the du - ties I have done ; I quit the hopes I held he - fore, To trust the me-rits of thy Son.
4. The best o - be - dience of my hands Dares not ap - pear be-fore thy throne ; But faith can an - swer thy de-mands, By pleading what my Lord has done.
-i — C Y l',l — H--«i;, i i , — i
a
'!;
Z2 • __ ^_ -*. s- • f ^^ p • i'^c r Z3Z: f
rrrf r rtr" l f ' r f f -*-
-#— #— #4— — #-- * t£-" ■ --#—#+5— —--#_-#_ -
^
r-
+f»_iz*=*
— f-f-
5:
zSzz
h
r
ip—zt^zzr—
=Sz3
>— {-
r
JL J. -J- -I . J-J J
f"
g
^:z*z
! W__a.
FF«="
U
m
EFiEzz
l~
P
1-
p-#
J. J. J. ^_ J. JL
■•— #-
P""^p~H~:
"t-
1
* The universal lue made of these four tunes, wherever Die author's works have been introduced, together with repeated requests from teachers and leaders, induce their republication in this oo-
lection. The simplicity of their character renders them practically available.
Quite Fast & Staccato.
z£
:p=p=pz3E:?!=p:
+— l-
f—
:EEE^.
9~*=*
NORTHFIELD
L. M.
)
=1
3EE
a^:*:
V. O. T
49
^rfF
=t
atzi:
^=E«
it=#z3:
3=E
3;
jtz#:
13
Szs:
-o — x
H
1. Je - sus ! and shall it ev - er be — A mor-tal man a-shamed of tbee ? A-sbamed of tbee — whom an-gels praise? Whose glories shine thro' end-less days.
2. A-shamed of Je-sus ? — that dear friend Ou whom mv hopes of beav'n de - pend ? No ! — when I blush, be this my shame — That I no more re - vere his name.
LAWRENCE. L. M.
Medium Time only.
V. C. T.
b
s
izt
■0 — &-
-4—Ve-
m
^usz^zzis:
p=q=jg=y-pr-f-f:
±t
1
-L —
i
T=$
^-*
jtZMl
J-
s
zizat
:?
^t
a
«
*Z3t=3£=W±2
I
-S>- -fli- -#M -♦- -#- -S>- -S*- -S"- w -S1- -€?- -Or
1. We've no a - bid - ing ci - ty here; We seek a land beyond our sight; Zi - on its name — the Lord is there; It shines with ev-er - last - mg light.
2. Oh ! sweet a - bode of peace and love, Where pilgrims, freed from toil, are blest ! Had I the pin - ions of a dove, I'd fly to thee — and be at rest.
(chime — 4)
50
ELY HI A. L. M. *
With Expression. Gliding manner.
From a Tyrolean Theme.
/
1. Lidulgent Lord, thy goodness reigns Through all the wide, celestial plains; And thence its streams redundant flow, And cheer th' abodes of men below, And cheer, Ac.
4. Let nature burst into a song ; Ye ech< ling iii lis, the notes prolong ; Earth, seas, and stars, your anthems raise, All v> teal with your Maker's praise, All vocal with your, &c.
j — u^LUi TTV-i ■■",. i 15^1, ";i — i — i — I — i^,
SAFF 0 E 1).
Rather Faster than Medium,
A-f-frr — rlr^ — n — :
S5>*
■<a-^-
£
+-*-\-
i=^&:
L. M
Italian Melody.
^
5^gS*
-*~^:
/
//
^
ft
1. Oh, hap - py day, that fixed my choice On thee, my Saviour, and my Uod ; Well may this glow-ing heart re - joice,' And tell
2. Oh, hap- py l»i)inl, that seals ray vows To him who merits all my love ! Let cheer - ful an - thems fill the house, While to
ci
ismm
its rap - tures all a - broad,
his al - tar now I move.
f-r
* J§
rSS'S
di
—I — \-~d»-
<7
r
S=fe&
£*S£&ffl£
r-^-f-^t-r3
1
j,A^-i iJ i 3--*'- j JJ-J-^t J- ^A* -iL J- J-. ^ n pJ-J-J-. >n HJ- i_4 .J-i=s i r>-^ J
=— <S — T I "3. ^^ — w~r*T~ 2~r — * — 1 — "i ' ~r=^ 1 -1 — --■ -j-i 1 ■ — t — <^j — * -J -1— * 1 * J~r~* — *-F r* r- — r-0 r^-— *#— r- F — r #—
UX BRIDGE. L. M.
Rather faster than Medium.
^fe
L. MASON. 51
From "Carmina Sacra " — By permission.
!E£:3=3:SE
:a:
■fr»__gz:p-3g-
F=R=
-^— ^
il=
IIIlE^PgSI
cb-
fzsi
3t
i:=z"z±
afczf:
=i
rEfe
=t
Stt3£=*Z3fc=*
==q=j:
— i-
-€>-*■
=t
3tZ?I
=t
I
* -s>- -s>- -s>- "--'
The heavens declare thv glo - ry, Lord, In every star thy wis - dom shines ; But when our eyes be-hold thy word, We read thy name in fair - er lines.
,F#=tt=l=^=i=^
— i—
=p:
ZtlJ
TJ~4— I-
r i j. r r y.
zt|=± ::*=*=*==
4
:=f
Tz
-o
— J— I— I-
zez:*z:*:
, i .1 -LU
f-n-f-f-V-r
U,J^.^Ji;
eJ-
tp=p
JL
J-
i
TJ J ^
J- J-
-e--»
^=»:
i-
4
j-
r-
j_ j. 4 J- j-
-s
I:
1 f-
r^-^4
2=^;
! 1—
i
With Majesty,
iS^Jz
^ZZJt±
DENSLOW. L. M.
3bzl>
a
m
=
^jr—m-th-^
-&
iz
2tdE=»i
V. C. T;
In imitation of the German School
^=z
5=**
::2i
1
=p
=1
f
=j:
*i
:^e;
zt
=t
*#
±^:
I
K&&
=g==g^g
Judge me, O Lord — and prove my ways ; And try my reins — and tiy my heart : My faith upon thy pro - mise stays, Nor from thy law my feet de - part.
±=ttL
1=?
rrr
33
kt
-0-m-
T±±A*j>
r r "'.
j j ±
bb
=zz£±s
zEzzztzfo
t3t
TZZZZZEZJ
.-©-
r
i — r
r r r r • r ' r
j J JTj. -^
tr-O 0-0+S
ezzzi
r r r r
Hi
Zi jj
-©-
Iz*
H
52
RUTLAND. L. M
Rather Fast. Legat
c>
Not wholly original.
f
m
i
££
*=S
tgg^liligl
±==t=±tde:
^3
*«*
fema^glBligfeil
=6
1. How blest the sacred tie that binds, la sweet communion, kindred minds; How swift the heavenly course they run, Whose hearts, whose faith, whose hopes, are one!
2. To each the soul of each how dear ! What tender love, what ho-ly fear! How doth the generous flame within Re - fine from earth, and cleanse from sin !
t=Tf
J, JL J. J. .4.
i£=*
■r-f-
r
p-i. — i-.
JL^L
^l
■»— •■
i*l
K
4--it
"&?
::*:
f— f
=*
r
;1=
1
.
J*^=£
MANSION.
i£
r r
1-^
L. M.
Peculiarly adapted to Church service.
E&k_e_o!: :
\
<
■•-•■
t==W=
EEI*
-£•-•-
pi
rj
&—e* o
I
^t^
:p=p:
«:
p:
f^Tp
t=t
»
-q-
to:
V. 0. T.
m
i
3
-0 — q — |-Q-rj
ipl
=)=t
:c>z?=?
E2
3S
-e
::q
=t
:*±ct
-r3
QLZlilD11
^e>
S
1. We've no abid-ing ei - ty here; We seek a hind beyond our sight; Zi - on its name — the Lord is there;. It shines with ev - et - lasting light.
2. Oh! sweet abode of peace and love, Where pilgrims, freed from toil, are blest 1 Had I the pinions of a dove, I'd fly to thee — and be at rest,
i ii. i . i i i i i i . i ii. ii
..aJllJJdT
t=r
-ii
rj.\
r
9. — I — q ._— .. — . J — fl 9L
^^zp=tr
rj
-&-
Fj^pfed^^
t=
<!iiD:
I
r r
4t4
f=«
|, , J,J--}-4ht-h_^JLJ,J"1 i,^ L_i_
-f - J- -9—ti-* — 4— J— rs- f*-#- J — I 1 — ^+— 1 — -+-— l-Fr
I-:
w-
h9-
• J- JL
j , J- J-
Si
<s>
■o-
:qi:
\
With Majesty
' 3
MONMOUTH. L. M. (a choral page.)
LUTHER.
53
z-z±zz:zi
2T-
Fz^:
E^ESsSgS
1:
F3
^-gj-d-gfafr
;ifez§if
pzz[
fez*
g— ^
^EEB
J£t£
=t
=f
^f3=^
st^z^
3333
dzzffteste
=tF=t
=»
->-s>-
zzjzzzzzfdzsfc
=1
^izzzzzt
;j*?
5=t=4==|l
st=±±sL±t
In robes of judgment, lo ! he comes, Shakes the wide earth — and cleaves the tombs, Before him bnrns devouring fire — The mountains melt — the seas re-tire, The mountains, <fcc,
Z4r4-r , P'„" , U 1" "l-rn r r~r ■'■"' U Z. t . -. ■ " -M n-f-Mr-J-
I
A
zzd
xz:
-p-
rr
1=?
J. j.j, 1X4-
'-
lzj@z^E:8:i@z5t
t=T-
t=di
3Z=1
E3:
rr:
r
4:
±2ZZ±d
-&■-
1
izlz+tdz?±"zz?z
! — £-l£
=):
■sts
-p-
im^
m
z£
•©-©•
F-f
-<9|-<S-
=1
ize
^LidsU, -j- j5zzz3x-i J j u^_^
aei
P=F
iti.i
'ZO--J&-
m
r
r
r
NAZARETH. L. M.
Slowly.
S. WEBBE.
2=£
szzp^
=!=3=F
:^zz£pzEj|*M«
zt
szs:
-ke-^
z
fcEizI
^=^
P
2=^:
z:
=P
^2ztp
^zzs:
t=
ZZZI
£=^
:z
d?-
i^zzJ lg_diKzzg:
:=t
**-*-
^z4zzrp=^qzSz^zrzzzrp
igfct
=t=?
•y-JV*- '
-©-l
^ — — —
Great God, in - dulge my hum-ble claim, Thou art my hope — my joy — my rest; The glo - ries that compose thy name Stand all en - gaged to make me blest.
1 j t 1 1 1 1 1 1 1 1 . — ..
/
54
BANTAM. L. M.
V. O T
/
Medium Time.
m
TtJt
o
m
^±+\±^z°ziJiz*i-!
■& —
JC
-C
wt
-U-i-i- — r
±at
^SEI^iEi
w/
±t^F
=t
?jfe=H:
=^^
:£*
<5 '-
H
fcdz
^=t
1^
?ZZZ±±^±lH*
:^=t
fesa
:iz±d
;=t
^«pl
1. Come, dear - est Lord, and bless this day, Come, bear our thoughts from earth away ; Now let our no -blest pas - sions rise, With ar - dor to their native skies.
2. Come, Ho - ly Spi-rit, all
J J"
di - vine, With rays of light up-on us shine ; And let our wait-ing souls be blest, On this sweet day of sacred rest.
^-d^-HHrH-H-rH^r-lJrJjJH^---^ r H ft !>*.
m
rtw^f
j j
r
:i:
-^ J1
J=2=lS
3*
r— r
^
£
3
s — r-ip
-\
^-r& -9.
I-
1,1 ,-1 u- — J —J
■&-J—&
*LbQ -J- J j J J
«©-
-•— -e
■O y—
:t=
J. j J_
t
Meilium Time.
W^»*
£+
H
jazpqe^ar
t
1=
DARLEY
L. M.
F*
£?— *
£
W. H. W. DARLEY. By permission.
C2I
^Ji-^p
h-
J?P±
4z^z^5fazztJz£=z==I-^e
tt4=l
i^^ilisi^s^s
atitszafiazdd
1. Wliy on the bending willows hung, Israel, still sleeps the tuneful string? Still mute remains the sullen tongue, And Zion's song desires to sing ? And Zion's Bong desires to sing ?
1. Father of mercies, in thy house We pay OUT homage and our vows, "VVliile with a grateful heart we share These pledges of our Saviour's care, These pledges of OUT Saviour's care.
J_j_J__JL _J_J , , ', ^ij_i: 1 1- m „J-
[=B
eS
sb±
i— r
r
i-PF —
r»Tf2^©-
3E3E
m^
J=P
WARD. L. M.
Smooth and connected Style.
=M
=t
^Pipiiig
x*-2
^-^
iat
5=1^
■J-
»- -£z?
3:
«ta<
&»
atzi.
&—*—
1. Loug as I live, all-bounteous Lord! My song thy glo - ries shall re - cord ; Thy praise, my God, shall fill the strain, While life or be - ing shall re - main.
2. Sweet are the thoughts which fill my breast, When on thy va - rious works they rest : God, my Cre - a - tor, lifts my voice : In God, my Sa - viour, I re - joiee.
=N=*
: rr
;
tkSt
±±
* D>
ri-4-
li
0—01
tt
♦zat
f-tSrf-
=Wtf=:
=F
atafc
atz*
j ; ^-j j
•zbfcti
*zat
zrzzfiz^z*
H 1— p
£=±
g — g-
i
-W-
-0—0-0-
f-
1^
F
r
i^
r r
j . ;
^-fr-f
EP
g
Medium Time.
SE
HEBRON. L. M.
0—0-
P
— SZZ2t
a>z^:
=t
=fc
L. MASON. .
From "Carmina Sacra " — By permission.
at
zsESzst
-»--# — ©-
3tZS±
I
{
It
-&—G—&-
-e — 0-
atafczzt
-*-+z*
T-*-%9-
:t
-*—*-v—d-
z=§
4:
aZZSt
-S>-
i^p^
1. Thus far the Lord has led me on ; Thus far his power pro-longs my days ; And ev-ery eve-ning shall make known Some fresh memorial of his grace.
3. 1 lay my bo - dy down to sleep ; Peace is the pil - low of my head ; While well appoint-ed an - gels keep Their watchful sta-tions round my bed.
HjHF
3
p j&\
3t
r r
j j j
-*-*-
t-
J
at
i=d
f-f-r-
5!
£H"T
f— d~
4-4-
i
-o-
-r-r-f-
z^^z^zzS^T
1 J-
-0 — 0 — s-
-r—
1 — r
3C
-&—&-
J-a-
:t
azrt
-p-^-M"
« — i — i—
j-1
j- a J J j J
r
=#-£-
1-
--L-I-
h-
i
56
SUMMERVILLE. L. M.
Quite Brisk
Wz
0—0-0 -o
■ s
»-*
g— T-t- iSzztS :^zi:^zit*: :^z*z&irfsz*z^^£z&: S
L_J 1_±| 1 ^ ( 1 J. J- J 1
From "Sacred Lyre." New Arrangement
_zz=p:
EfH
/
m
Ores.
-,b—\
[zzz^^zzzz^zpgizjzzHfczqzzz^^
1. Sweet is the work, my God, my King, To praise thy name, give thanks, and sing; To show thy love by morning light, And talk of all thy truth at night, And talk of all, &c.
2 Sweet is the day of sacred rest — No mortal care shall seize my breast ; Ua, mav my heart in tune be found, Like David's harp of solemn sound, Like David's harp, <fec.
Ifz*z?S=: ~^~
•zb-.g g.-Le
r r r
r r f ' r r r
^
; o i Zj
izrizz
J J J J.J J j J
^^fegp
-j- j
r rj. -p=h
zr^z^zfez^zzz^:jz33lgz^I^zB^
-r_p_^±^£_f_f^±^_p^_pzt^pztizz:F±p.a±
i iii i —J— _ i J -
. 0-0A
1TT
-J — J — J-
LU±^J^u+UJJ^
m
tzi-£-£z?.:PL
t-t-F
WETHERSFIELD. L. M.
O 0
-'-0-0-0-
-i~ F P1
221
4=t
r
I
*
Rather Fast.
5E3
Melody in the Base.
PzPr: nJT-d- -p— i
:tzzzt±fctztt:z±±rz^±tzl1z
V
ipzz^ziz
p;=|^||^^|^
If
ztajr — rz
1
=t
Jp
-s> — ©-
&zq3zzjq fc^z=^q:^Bqi&3=&zfc|to^^3q=fi
Sz^ZzJ l3£lM+£i^9i+J3£r^
1. Sweet is the work, my God, my King, To praise thy name, give thanks, and sing; To show thy love by morn-ing liirbt. And talk of all thy truth at night.
'-'. Sweet is the day of sa-credrcst — No mor-tal care shall seize my breast; Oil, may my heart in tune be foiiu 1, Like Da ■ vid's harp of solemn sound.
L Y 0 0 M I N G. L. M.
Altered from ZELTER.
57
Medium Time
Mr
&fc
-& o
-o- -P—e— -o-\-o- -
:::[
^•p^=P
■&^\-e-
=t
33:f#3?:±l-?:
J-M-*-
0
F
;:^2=
£**
B
Z L.^jl«_I#^S_h l^-S1 ld-0j *-0_Q.X
a
m
=p
?z^:
rf^=:
-i-
E
^-^s'-d-
;zc
±2±z*
LC-*1
e-^^e-
1. Je -
2- Thy
^±Szi
sus, thy boundless love to me No thought can reach, no tongue declare ; U -
love, how cheer-ing is its ray ! All pain before its presence flies ; Care,
±±=k&±^&±=&,
nite my thankful heart to thee, And reign without a ri-val there,
an - guish, sorrow, melt a - way, Where'er its heal-ing beams a-rise.
I
-2Z. :??*_: :«zEf z*= ^*=B=Et± 3
^^Fdte^^ydJS
Ul
f
■£ fc :p^f: zzzV 33: zdfE
#-■ —
J J J.
LLJ i rJM^i ^JJLo-^iX i J ^ir^JJ.. i _
SCHMIDT.
Slowly, with Expression.
:fe:
zbj|
-0-
0—0-1-0
S 0—S-
ptf=F
» i-j-
L.
M. *
:f2=e:zf5=l
Ez'zt
-* — Q-
a^
z^:
=r*
t=
— — - — 0ZId— *— e — •^ — •—5rt—
a
-& — *~ & —
1. As bo -dy, when the soul has fled, As bar - ren trees, de - cayed and dead, Is faith; a hope-less, life - less thing, If not of righteous deeds the spring.
2. One cup of heal-ing oil and wine, One tear-drop shed on mer - cy^s shrine, Is thrice more grateful. Lord, to thee, Than lift - ed eye or bend-ed knee.
:zir
^_
-G-
T
-0—e-
T~t
0- -s>zz^z
I
1:
:i3£iz?£±:d=zifcz2£
:^::::<2:
r r
1 -«M-s>-
r j- j- j- j.
£— ?-H:
bzzfzztr*
JL -J-
f
J J
?t=f=^=l
f. r r y f- f
^
i i
--©-
i '
:c:
3=
I
58
ZENIA. L. M.
Loud and Spirited. — Staccato-
Dr. BOYCE.
iS^ifce:
t- ®- -s
I
--&-
-o-\-s-
-0—9—9-
'W-W
:t
i
=):
a— *-*-
5
I
£±
£
t
=t
-9—9—9-
-x
st
ztezzzttt
m
-d~ti-
s ■
-•— fif-1-©
1. My opening eyes with rap - ture see The dawn of thy re - turn - ing day ; My thoughts, O God, ascend to thee, While thus my ear - ly vows I pay.
3. Triumphant smiles the vic-tor's brow, Fanned by some guardian an - gel's wing : O grave 1 where is thy victory now, And where, O death, where is thy sting.
Ill, , , , , . J
r~f—r
*-«- -a — >h
—*■&-
I*
•"•-Ti-i-Tp-J-J-W
1
t:
f*
I
REPOSE. L. M.
Slowly, with distinct uttcranee
I. B. WOODBURY. By Permission
lay my bo - dy down to sleep, Peace is the pil - low of my head, While well ap - pointed an - gels keep Their watchful guard a-round my bed.
mid the raging storm, his word Speaks peace ami comfort to our hearts.
* 4. In gen-tler language, there the Lord The coun-sel of his grace im-parts ; A
J J J
j
f r
j j j j
d
— 1-
— I — — I-
r — r — f-
J J -J-
r
j j
J" ± ^ J
J J • J J J
^>
-rP-
E»=t£t=tEE
iz::?:
■f-
« — ■ —
I
* For the foregoing portion ot these words, sco " Marks," on the following page.
MARKS. L. M.
V. O T.
59
With Majesty. Not too Fast.
w
0-0-
0-0-
■g-|-|g-
0-0-0 9
SB
:p
-© — ©-
P»-
^
■&—Q—
i
£±:
t
-#-«-
e—e-
£11
1X-
m.
=r
a
a=
^
bo
=j:
JS&tfc
3;
H— ha— r~
rf*5t
4
+ .
§*
2. The Lord proclaims bis power aloud Thro' ev -ery ocean, ev - ery
* 8. The Lord sits sovereign on the flood, O'er earth he reigns forev - er
4 '
land ; His voice divides the watery cloud, And lightnings blaze
King ; But makes his church his blest a-bode, Where we his aw
^Si
at his command,
ful glo - ries sing.
MOBILE. L. M.
*
In measured Style
Theme by CHAPFLE.
nz?r
-Jth
0tS-0—*-^9~,
1. O praise the Lord in that blest place, From whence his goodness large-lyflows ; Praise him in heaven, where hehis face Unveiled in per - feet glo - ry shows.
2. Praise him for all the mighty acts, Wkichhe in our be - half hath done ; His kindness this re -turn ex - acts, With which our praise should equal run.
3. Let all who vi - tal breath en-joy, The breath he doth to them af-ford, In just returns of praise em - ploy : Let every orea -ture praise the Lord
-1 ■ T-r^H* ..i I ft'--T- ■— , i It— \ — > r P^r^r1 -n 1 .T— l^-f^i
f=£
r
t
r
O — 9-
f—r
j£i&
ri=£
?z^:
:«*.
rf
^Hrf-
p:=p=*:
.c m
r r r H
-0-
-r
*dzri&
ttfi
i=
-iSJ
■<=^-r-^
III
r
J J L J
1"
* Sing the 4th verse of this Hymn to " Repose," on the preceding page, " In gentler language," &c.
pz*:
P
^-l-x
-6
60
DEPARTURE.* L. M.
Larghetto, con Espressivo,
C=±F=F
J?
^ — 0
■0-0—0—0-0—0-
±t=t=t=4=t=t
S L* S L^ -rf i^l
^ ^ 9 9 & &>
~— ^
F=Pr=F
(double.)
v. o. T.
t±ezat=ML
£*■
mp
A
^
=P
5
o — 0
'¥^0—$
=F
:£:
-•-»■-
I
-0
ggEfe
5
-4
>-!>■
"»-*-
E3
f 1. Sweet is the scene when Christians die, When lio-ly souls re-tire to rest : How mildly beams the clos-ing eye ! How gen-tly heaves th'expiring breast.
sfcfi!
^i=«:«z9z
f—0-0-
r — r
^=|V
-:
«*?»
BEz3=£
=£
o &
e-
:tf:
r — r
r — r
EP
i_«U J_J_J
=*±fz«=t=fc
ezza:
9£:
-v-r-
=ff
J. LI ! LLLJ, LL^L J J
dEE3=U=£zr;i
T
±G>
I
j .;
=^=ze±t=:
p£B=t*:
*
:dzzat
■JLJ1
I
kfc
^-■--#-
t:
£-
szz^zz:
H 1 #-
&>-W-\ —
e=Et
? rf
Q—0-
?-*
^m
p
Leu.
£±r=T--r,l*
-0-0-0-
j=SH*
z^=?=*:
!@Si
#feg
3
'^=^±fz$^=^ez±^z!:
E=P
•©— •■
B7-1
1 L^
2. So fades a summer cloud a - way ; So sinks the gale when storms are o'er ; So gen-tly shuts the eye of
±~
fogg^
=£
£=£
:*z*:
zzzO^jzizJptz^^F
s>-
SS
HBEzH5!
r — r
J
1
^z*bst:
-»-•
0-00
H£
tt=±4„l-l *_d
r^-;nr
• ; j
^z§*
. 0-0-0— -I — ■-(-.
._X.f r_T_r____I
J__ J_J„. _1 l_l J___J_
«g
day ; So dies a wave a - long the shore.
n
?-*
©-^J-©-
ra=
fc=E
zszzzzi:
1
* Written expressly for the words set ; and may be sung as a Quartett or Semi-Chorus,
t Sing the last versa (if this Hymn to "Zenia," page 58.
rz=E
ANTHEM. L. M.
Quite Fast and Staccato.
±:
V. 0. T.
61
*
==5±~'
::p=p:
mf
0—0—0—0 O
L\ -
9E
-9—0—0 ~&-
I
z±>__9_q:izj_-Z] _:zf
fz±:f±
5EE
— i-
^:
=1:
ISt
-©-
:*-?:
-9—e
-^f-&
i
1. Oh come, loud anthems let us sing, Loud thanks to our al - mighty King ; For we our voi - ces high should raise, "When our sal-va-tion's rock we praise.
2. In - to his presence let us haste, To thank him for his fa - vors past ; To him ad - dress, in joy - ful song, Praises which to his name be - long.
J, I J i ,,,.4 ' ' ' ' ■ '
/
Medium Time
QUITO. L. M.
Air br HORSLEY.
—w0L&m — 0LO- — L^ ^s1- ' * i-—^K9L -L^J i__^ J CJ 1 —
1. God in his earthly temple lays Foundation for his heavenly praise ; He likes the tents of Jacob well, But still iu Zion loves to dwell. But still in Zion loves to dwell
2. His mercy visits every house That pay their night and morning vows; But makes a more delightful stay. Where churches meet to praise and pray, Where, <fcc.
M ^ -I
&M&
F-
j-^'i.
1I11I1S
±•4.
IS
> >
C 0 C H I N Q U I A. L. M.
V. O. T.
0 9
9-9
as
PP=
p=t
*
^ r r ' r i r^ r i^ i r i ■■• -i r i r ^ r i i r: — ~r
=—==- ?»/> , ft*---- - -' - - ^rz- - .■■- mf _ ^1
± -L X* — ar_J_^_^_Le__tf,-L^_^J_^__^..Lfl__ e-LM 1 -±~ e-± — m.l.0 I^_.«ZT5ZI^
kt±
1. Let one loud song of praise a - rise
2. Let all of good this bo - som fires,
I I I I/-N I
^iiJZzz^Jzzjti^zzag
To God, whose goodness ceaseless flows ; Who dwells enthroned above the skies, Anil life and breath on all be - stows.
To him, sole good, give prais- es due ; Let all the truth himself inspires, U - nite to sing him on - ly true.
u
0
±
9—0
9Z9:
M f TMr rrrr-r
^ppl^^ip
J J J J J J j J J J J" J J J J J J
izzfezzzzz:
P
==2?
FF5
@E
a
.0 J*-4-
*=«:
9—9^
FF
\
Rather Faster than Medium,
INGALLS. L. M.
9 — 9-
-r
9—9
g^tfipirir'^i
up
=1
szzzl
~W\»— ~-&-4
o o
■& — ff-4-©— f-f*
r
Written from a Tyrolean Theme
Slow.
22Z3EZ
Solo
^1^
Com.
-In
J9
sa
=ra
SlOW.
gj J3«U '^
1. E - ter- nal God, al - mighty cause Of earth, and sea, and worlds unknown ; All things are subject to thy laws. All things dc - pend on thee a - lone.
2. Thy glo- rious be- ing sing-ly stands, Of all, with- in it- self, pos-sessed ; Con- trolled by none are thy com-mands ; Thou, from thy - self a- lone, art blest.
Slow.
U±l£dB
ef)'bf|
SE |EE£ :?z=z 3E3 :2zz£ EBJ :*«z#t±#BJf^: SEE :iz*ffiz=Ezl 3feE=^f: SS *»z: 3=2 zl EE
_^TfLzi_i:r_zzt2tz^
_p_ __'__ J_I Lfc kl _J J • J - ~A_:lll J; |; j-, _
s-pztez*zzizrzzi:pT:zzIzzpz&
r^fri=zzliz»zie-gz±^-^ JzH—EzriizztzziLtzztiizifcz^
^^
-#zzT^I=zzzzpEEr
ztzzlt^Ipzz^zzitzEE
SLUMBER
Gentle and Expressive
■=r3q5=QE
=3±2zafcf=i
1. A - sleep in Je - sus ! bless-ed sleep, From which none ev - er wakes to weep — A calm and nn - dis-turbed re-pose, ITn-brok-en by the last of foes.
3. A - sleep in Je - sus! peaceful rest, Whose wak-ing is su-preuie ly blest: No fear, no foe shall dim that hour That man-i - fests the Saviour's power.
fcoirj
£±
t±
t
J
f-
^
:=M
f
;
; j j ; ;
mm=?=
±fefcf±
-K
—r
3E*=
3-^5:
-& — @-
f-f^t-T
3t=za:
; ; j
4-t
0
; ;
+-
-^P
J J
==-l «= *=^=iT
-0—0-
+4,
it
±
M-f-r:=5f-f=rJ±
0—0-
-0-
£
2^E
LUTON. L. M.
Animated
G-. BURDER.
&fc
fc
I
^-1<S — ©-
1
tfc
®~#-
(7-
±
2£-*z
•«-•
^
is> — JXs>-t—
-#211,5! Jig,'
1. With all my powers of heart and tongue, I'll praise my Mak-et* in
4. I'll sing thy truth and mer-cy, Lord ; I'll sing the wonders of
\
-fr-fr?-*- -g— g- -g
t
T
r~r
my song ; Angels shall hear the notes I raise, Approve the song,
thy word ; Not all the works and names below, So much thy power
and join the praise,
and glo - ry show.
iiddd^y
3^
■-o P
-'
f
rf-r
r-f-
I
f»i
a:
-Yfr-
-f tf:
^7
^S"
I
K
a:.®:
F
1
J-i-Jr**±r
rf^
J J J J J^-i^ j A J j ,
~ I \0iT- I— * I, ' \<L ■-
J-
i
"er
•©--#-
p
64
PA GIF IC. L. M.
Swell Voice, with Expression.
V. O. 1.
^ir-E
±L
\£z£i
Lh-
^Szztzfcl^
nil ' I L — i —
=F
?-*-•
fefc=
&—*■■
=£zzpr
:t=
^U"JlWr'l-JfaE
2. No more fatigue — no more dis-tress. Nor sin, nor death shall reaeh the place ; No groans shall mingle with the songs Which warble from im-mor-tal tongues.
czfzrp
rf^i
f3
_ft £>_ <a- —2
a
■At—
-£>-©-
z±^r
B
Fh=a-
=©:
ipzzzz
-?£:-&-
^;H==trf
— I— «-- -9-.
■51 r4- ^**-
-iS 0mj-G>—9~L
f— -Z^-d^- -S" JLJ ? r— d#>
-*■-«>
-r«-
^szz*:
?2l_aE
-I h-i — ■-#
*=
SP
SURREY. L. M.
Medium.
COSTELLOW.
'
F
±1=4=±=t
?zzi:z£zzE
God is the ref - uge of his saints, When storms of sharp dis - tress in - vade ; Ere we can of - fer our com - plaints,
'
-B-
p-r-
-L-O 0-
m
t~
:?=*
9
— «~ j— * — ,
s>
a
=t?=i
« — d- x-h
1-T
=r
:Pt
^£§3
j—e-
ztkbzzzt
t=
=*
-P *=:Zz
=t
:zstzz|z:
4
:[=z±
:#■:
^
ss-fez
KHzi
'
-s-
ffiZSS
lizzfz
•zM
zz&zzSEz^f^z:^:
z=t
p*
Be - hold
him pres
eat with
7 -r r — -iff
his aid, Be - hold
X
3
him pres - eut with . . his aid.
3
f
^PBS^Pi
r
IShF
±t
3
t*
ZS
-«— #-
zpzziz-i
tzzzzzc:
=t
*— •
fct=
£
KENT. L. M.
Rather slower than Medium.
Dr. GREENE
ffig.ztr.o' —
|t^p T7 p P
0 9,
F:
^-FfMf-"^- JSw^fc^^I
«-- ©-
sfcg:
F=F
F — F
l-
65
Hi
:»z*:
5
3^33
«-■-©— s^
5CZ2I
=F
2=zt
•y^:
53
3=[53^a
— «-JL j «-- L._j
s>— ©-
5*— ^ST
I
1. "Where shall we go to seek and find A ha - bi - ta - tion for our God? A dwelling for th' Eter - nal mind A-mong the sons of flesh and blood?
2. The God of Ja - cob chose the hill Of Zi - on for his an - cient rest ; And Zi - on is his dwelling still ; His church is with his presence blest.
35S
r~r
**i
E
^
i
r ■<- 7 -f
'-iadr
r fTf r'Ti
?i
U-
±fcfc
-©-x
*=
J J J
±F=P
ij_J_-^p^
J J
-&—e-
-&- -
r
g^E
IE
^
:e:
:i?^
r
l
1
I
ARNON. L. M.
Glidine
5T=fe
Arranged from BOST.
^ 0 &-&-0-& -e-\\~\\ *\e-rm — r -s1 — »- ^rtY
F=Fh=K=FF=S^pS=?i^5aE
*=M-3±
1. Come, wea - ry souls, with sin oppressed, O come ! ac - cept the pro-mised rest : The Saviour's gra - cious call o
2. Oppressed with guilt — a pain - ful load, O come, and bow be - fore your God 1 Di-vine com-pas - sion, migh-ty
I
9 0S -*-&
bey, And cast your gloom-y fears a-way.
Live, With all the pain - ful load re-move.
SS5
=V-^r-W
r
^feS:
fcnMU
£fc££
r
i i i" 4 ' '
r
(chime — 5)
J-
J*J
J-.
— _^« ■ ■■ f* —
t=
-j^
h
r
'3£
&=&=*%&
66
Medium.
H I L L I A R. L. M. (double.)
V. O. T,
zbzazz:
£
-0—e-
Jzzziaz^zIzSz:
=fc
-0—O-
■zk-
-o — 0—1
P-1-0Z
-e-
JtisL
-o—o-
m
zzbzss:
0—0-
-0
fel
& — o-
33
=*
-s» — «- -©-
=J±zt
:4=JJ-«
-*— ^_
T^=
-«—©
— L -)__s,__^-XSi 0—^-0
zt
S3JES^
1. Far from my thoughts vain world, begone ; Let my re - li - gious hours a - lone; Fain would my eyes my Sa - viour see ; I wait a vis - it, Lord, from thee
fefcfbf:
-gr-
id
:^:
4-4 — U-4
f;T - *"
J J J J
T-f — r
~S
-# — ©-
±±zt
ipZZpZZaZZp:
^f'-
~W
.f-T-rr
T
j^_.
F»E
f^zz4zrzf!:=
at
«
r r
rr
£=
i-4-d 1-
s-zzizjzsz :^zzdzzzizizzjz ittir
J J J J J
rpzzpzifszzac
1 — Ff
EE
?2=P=jS=*r
J_J_J_J_ z
J J J J
f^
t~
f
_J_^__
:zzzzzz^zp
■S> # — L
[~ 1 '
zzzzjEzzzzfe
izzzzEzzzzzl~^z "
==ip
-9—e-
4-=tr
-jt::dz\
J-h
3§
0—S>-
=w
-»--£?
£
Soil.
Coro.
-b:
£fc
=t
=1=3
: ._|Zj_^zz4_l_:±qrzj_ff
i#_#_r — g, — S-L0-& —
0
-0—G-
J.-SI #_^.#_
33
-« — . —
4
•1*.
1-&-
2. Oh! warm my heart with ho - ly fire, Aud kin - die there a pure de-sire : Come, sa - cred Spi - rit from a - bove, And ' fill my soul with heavenly love.
izfe—
&z
r r
4-1— fH-
zizbz*:
-0—0-
^=przpzp:
:P==jb:
ROXBURY. L. M.
The present arrangement of the 2d strain renders it more practical than its former one.
^Ee
e-m
ji
-9
■■*-*
-ad-H-
\e— -e — 3-
■e-o — q
v. a t.
T-T -T-T-T
67
-®-9-
#-
Soli.
Coro.
±:
In the last measure but one. Tenor and
Base staccato, Treble and Alto legato.
2r
3
:rf:
I
5
ill
s^-fe
£=*
O—Q-
9-
-m
■?±?zat
s
#-
JI2±2
-»
o
«£d±
3*
i:
:^:
<
=fc
1. Thou great In-struct-or, lest I stray, Oh teach my err-ing feet thy way ; Thy truth, with ev - er fresh de-light, Shall guide my err- mg steps a -right.
2. How oft my heart's af - fec-tions yield, And •wander o'er the world's wide field ! My rov-ing pas-sions, Lord, re-claim ; TJ - nite them all to fear thy name.
£
)±fcf
s?-«
? — f — i
4
P=f*=
-:
:f_=*
--*>— r-*--s
r-f^
3p
T^ii0^yj.
r
^S5
3
LJr
:p=p:
5=22:
■S-S-
HE
j- -j- r
-f2=
M—
-g-c »tt~ ■"
r
BLOCKLEY. L. M.
*
LZfc
Medium Time.
r±±:
Ft
tstzst
&-Q- -SJ-S: -&-&
FPFF
■s-s
:se:
Pps:
l£
■©-©-
=t
zj — tir—e-p
?35
ill!
Arranged from J. BLOCKLEY.
13=22122
t=t
I
971
ifeE
»M3
m
£±.
f=?f*=i*
*at=t*
#f+g-d-
a
© — s>
±d=^
==£:=j==4
1
-«V-
iS
35
^-^g
q:=t===!X=|=
d^S===*
mf
§§3
F
o
f
>
WLT&L
zzezi
1: Far from my thoughts, vain world, be gone ; Let my religious hours a - lone ;
2. 0 warm my heart with ho -ly fire, And kindle there a pure de - sire :
* Fain would my eyes my Sa-viour see ; I wait a vis-it. Lord, from thee.
Come, Sa-cred Spi - rit, from a - bove, And fill my soul with heavenly love.
{
%th.
%Z
f=P
«s-
£=f£
PF*.
±±t
£=^31
-_£_L
f-'-ftd
W#
j j j
(License.)
r-r f
isfflffl
?::?ffl£==
BL
fe-bf-
£=22=23:
I
j j j j
fpt
f"
-v^
s*
Sv"
PF^rtfhf-rZ
4
4-1
: tH — r#H-^-r- ri— l-^Td^~WT<t9
-J
f*:^
EE3
=^NM
zip:
fc
r
I
/tv
•s>--
#+s-
i
E
J J
rg-^-
1
?
J . J L
fpzrala:
m — i-i — h —
22=22
h
68
REMSEN.* L. M.
V. C. T.
Medium Time
/
5I3E
v&±±
±-
-€>-
ztzq:
3=*
-#— ©-
S
~-E
-0—0—G-
-• 0 ©-
:zj:
-©-
£13
1. Wait, 0 my soul, thy Maker's will Tu - multuous pas-sions, all be still! Nor let a murmuring thought arise — His ways are just — his
8. Wait, then, my soul — sub-mis-sive wait, Prostrate be - fore his aw-ful seat ; 'Midst all the ter - rors of his rod, Still trust a wise and
-i— ^-i-h-^—m — ;: r r i i . _r \"\ — i-
**=s
=tf
-*-*-^— &
w?&
-p-
x
-p— rnr
z^Eslzlzst
r
fe±±e=:
J_J-^L
-f-r
j- 1 j j.
aE
counsels wise,
gra-cious God.
zzazr^z:*:
3EE
r
t— r-fen f-r
iz^izzfc
?EE
pt(=
I
r^_j_i_g_T
J
P
fc^t
r—r-f — r
r
r
zstzH:
:S
J J J J-
"ffZjrZ^ST-
Y±r=:\
4-4-
rT r 7 r
-©-
:*z:p:
4-Ur^-l
=f
I '
rV
fe
\
Brisk, l>ut not too Fast.
:b
SWIFTSHIRE.f
ftfrrMmmm
3BE
-0-0-0-
=t
^•5
1. Stand up, my gouL shake off thy fears, And gird the gospel armor on; March to the gates of endless joy, Where Jesus thy great Captain's gone. Where Jesus thy great Captain's gone.
4. There shall I wear a starry crown, And triumph in almighty grace ; While all the armies of (he skies Join in my glorious Leader's praise, Join in my glorious Leader's praise.
Unisons. — ff T" f f f Con. 6th.
-J. J
.jjj-i-JiiiT-i ,-^^j ,j. j
This tune is well adapted to congregational singing, on account of its entire simplicity of character.
t This tone mav be usetf to enliven sleep? classes
tSjjfPr
:?CZE
ii
FEDERAL STREET. L. M.
Medium Time.
(
^Hr^dr-w^-ihj-i
Jfe
:±\=r-
-9—0—0
,- —e-
Tt
H. K. OLIVER. Bf Permission.
< <
69
'P— 0— 0-
m
i
£*3£
»/
/
< <
£±
±
-e — 0—9
±2:
5
stnai
~ti-^*r
I
=F
I
©-j-*
:*:•-
^z:gz:*z:i
g
1. See gen-tle pa-tience smile on pain, See dy-ing hope re - vive a - gain ; Hope wipes the tear from sorrow's eye, While faith points upward to the sky.
1. Re-turn, my rov - ing heart, re - turn. And life's vain shadows chase no more ; Seek out some so - li - tude to mourn, And thy for - sa - ken God im - plore.
S^s
$±.
g-f~r t^fr
2±=
fe^
-© — » — 0-
±h
r
■S1 — 9—0--n—m
» f—z—7~
,—--
■^S— r-*-
j j Ke-
rn
-jfL
»T-^:-r-!
t— r~ r
j- j- j
-9—0—=-
:4
f— r
•
rf
ffi
fct
^3
12:
I
-J- J
J- J J
.r^r_r
w-9
1
T®-
?2Z=2I
1
< <
Medium Time. Staccato
HALIFAX.
L. M.
%
5±§-x
N^tr-1
-« @ 0 0
^-0
wz
9-
-0—0 — 0r
dzzzzt
M^J-LiB^P
1. The peace which God a-lone re - veals, And hy his word of grace im-parts, Which on - ly the be - liev - er feels, Di - rect, and keep, and cheer our henrts !
2. And may the ho - ly Three in One, The Father, Word, and Com - for - ter, Pour an a - bun-dant bless - ing down On ev - ery soul as - senibled hero.
i-iri=t±4
ZZLe 2-1-*- — ,
*=•=•:
«qp]
:»zc±±^
J-
9-
0 Z%-
I J- -J- 1 J- j -J- i
ICI
g 7
i— p
:eE
i &-
=P=#
1 — 9Z
F-(-
1 1 -Uj- j-
a
70
ALLENDALE. L. M.
V. C. T.
Rather Fast.
i
ith
^W
±
Ffg
1— Lr--| <«*-- 1\- ' L M— I 1— Ll «*-L( j J-^—«>-L^' 1-
S"
tztzt
s
;i±s*
zirsi
E£
-G>—L£>
±^
=B^T
C XC/
-*-
zt
fzj:zHfaz]ZzIqz§:z:|zzz::zrjq— EjzrzzzBzfzl
=tt
3t»*
zzj:
H
1. Return, my rov - ing heart, re - turn, And life's vain sha-dows chase no more ; Seek out some sol - i - tude to mourn, And thy for-sa - ken God im-plore.
3. Thro' all the wind -Lugs of my heart, My search let heavenly wisdom guide ; And still its beams un-err - ing dart, Till all be known and pu - ri-fied.
skbzjz*: zzlzi?: afczt*
x:±rzzJi^zz*TZ;
-r
rvr* r
4-
■4-
44
-rr- Ff.'r r T
zjz=i^ii=iz:
4— r44-r4
fi_p — ,-Lp fM-a «M-p #->-s p-lf (_X| L-.
4^4=34
4:«3FBdrt|
gzfcp*
+&JL^^^L^+ -J-
:pc
:t
tzrzzz
fep:
fei
:?=#
FF
jj^:
About Medium Time.
lis
i — r
CASINI
^zpzzzp
J-J ^
J -J.
J- J- J- -J.
r-
^=|E
tafc2
T-rr^
:p=:^^:z=p:
:pzz:*: :pzp: tzzzl^zzz:
XJ-] j J-izJr-i.
L. M.
|-^d=ai
2=p:
=1-
pzr_
V. C. T.
Slow.
SjC — zt^ llg—glg — ^r^!_?_Zil_T^j — qisl_-^xSi_tfli<p — -i^ — #zl# — f,_x^-_ #— 1« — *— £# ^x^—fix^-^Xs, ^-XgiJ —
1. There seems :
2. The birds that i
is a voice in ev - ery gale, A tongue in cv - cry ope - ning flower, Which tells, O Lord, the wondrous tale Of thy indulgence, love, and power.
;hat rise on quiv - ering wing, Appear to hymn their Mak-er's praise ; And all the miu-gling sounds of spring To thee a general an - them raise.
-h-l , r_uJ1zrx_|T_l_l_-j-T47 ^-J^-^THzm^Tlu_-_r___T_1._-T_^B_T 1 Tzg J Tj 4TEv_h
s b :< ^^fe^^g^g|^^^zpz^=r^^^^-^^&
i4j
'
r
>.,3.-n
J-j-jiizz:
J- J.
zz^=zz,xp:z^z:rx
zzzzzzzzzzzzz^zzp
9 6
— r^_ « — | ,^_L — _» — < — »(-+i — I — . — — m--0 9
ftr-ftf=fit
&
sT pI1 trpi^pfTlrTP
Slovrly.
ATHOL
±r
L. M.
V. O. T. 71
Of the German School.
,t>
5±2
±=p^:
-L J. e-X.C—C-L-f tfi_l_tf_u^-J„0,__Ci_L_^ — ^._
*-£[*-J
-£? —0
3
3:
a1 &i
-&■
^-0-**-
I
1. As - sembled at thy great com-mand, Be - fore thy face, dread King, we stand : The voice that marshalled every star, Has called thy peo-ple from a - far.
2. We meet, thro' distant lands to spread The truth for which the mar-tyrs bled ; A - long the line — to ei - ther pole — The thnn-der of thy praise to rolL
=bc
**— r -Lf-fv- r— r
itrA
tefcsst
i. :«b£ J_J- J J*l
J-
*±=£=?E
^=r«:
*-^
t-
© — «- -
-J-T
J
r-fe?
I:
r— r
— #■
f-r-
-i-h-i— h-
J J -J- J
3Ep=z£3£:
:■='
-J-
• -o-
Irt
:«zizez
-J- J- J.
i:jzzF^z=n:=p=piqzz4
s<:
5
~*=W-
ttSL
+Aa
T :■■'-»' V
t
,«-^*-
i_i
^L-4
:«z:«:
fe
I
In Choral Style.
ALDEBARAN. L. M.
V. C. T.
Of the German Sehool.
3. From morning dawn to evening close, On thee, O Lord, our hopes re - pose : To thy great:
1. Oft have our ears, great God, been taught What for our fathers thou hast wrought, While, with a
name, with joy, we'll raise Tri-umphant songs of grate - ful praise.
dor-ing minds, they told The wonders of thy -works of old.
SlS
&F
-&-
=J=
r-J , ,.- 1 d-
list
r
! — L-y j_j j — i
^jjgEJjffgl^
flW
:f^
±
i h i — L__| — l J
-«?-§-©
s
f- f-'r p
b=st=:
zzfcz strdzd
±t±£
±ztif
- _ . J2 — -a j-
l—j-J s-
=fei£
^r4^
J -J-
? J 4
f
3
— tr
f-
u
±izd
i
— <9-
f
I
72
EDWARDS. L. M.
Smooth and Gliding. Let the four parts be well sustained
H. D. HOPKINS. Montpelier, Vt.
\
0^
m
=£
Soli.
a
**=
-*=>< jN-r
oro.
^m
ggf
53
&±o
^=t
zizjzigEsziszE^^
0- 0— \- 0-0— 0—9—- Lflu 910. 0— L — ±-£—±0 ff_-.-_.L_j (_X^_J ^__#_^ (_Ltfl-_]_|__lJ —
-00^-0-
3. There is a stream whose gen-tle flow Supplies the ei - ty of our God; Life, love, and joy, still gliding through, And watering our di - vine a - bode.
4. That sa-cred stream, thine ho - ly word, Supports our faith, our fear cou-trols ; Sweet peace thy pro-mi-ses af - ford, And give new strength to faint-ing souls.
it* * ■ >
#t
Err ir-zri j ! ! ! V^rn^H^^^^^rr^yf^
W
T-U^
;; j j j.
RF
>• -ar-j-|g-r~i — I 1 1 _..,*— it~
SUMPTER.
si
p
f«— p=
P=r«:
P3
L. M.
Not too Slow.
h
H. C. FULLER. Suffield, Conn.
S__*±*:
*
_:
=ig?
T=l=t
i
*F
~0 — 0
rpzrzlqzzzzzuLZizzp:
iffzl__:3zz_z:_zz[z:
_|____Zl_ ± — tz
^
I
22 :p — [_._Lzz^-_^ — iti- — • zt ^ _
:zfz
— *ZE_ 0-1 0 — 0-±0 0.1^— .*l0 0ZJ-0 0JL0 0.L0 4-S.0 — __
"^~_
1. Re - turn, my wandering soul, re-turn, A ml seek an, in - jured Father's face; Those warm de-sires that in thro burn Were kindled by re - deem-ing grace.
2. lie • turn, my wandering soul, re-turn, And seek a Fa - titer's melting heart ; His pitying eyes thy grief dis-cern, His heavenly balm shall heal thy smart.
tat
r
£Ef:
-J__»
3_ #zi *z i_E_z :«zzzzz :p_^zE____£__3_i*_z__ z___zfc 5=1
J -J- j _ j i J - J J J J J _j_
r — r
r
5!P
I
r
AUBER
In a slow and graceful Style
Arranged from AUBER.
1. Great God, to thee my evening song, With humble grati-tude I raise ; O, let thy mer - ey tune my tongue, And fill my heart with live-ly praise.
My davs, unclouded as they pass, And every gen-tly-rol - ling hour, Are mon - u - ments of wondrous grace, And witness to thy love and power.
'
T— j_j-j-j-
g_lM,2££=F
±fc
PP
t-^-r-r
-R—0-
-J±
^n^Lr^^^^u_i^
+±-
-0-
f=Vf-?~- :g="p=^=F=t#F:^=P=g-^
:t=
±t
a=^
rr-
*J
LOUVAK* L. M.
Iu a slow and graceful Style.
V. O. T.
b^t
s^zkzjfuL
3=r&
^
i*
?z-4-2z*z:-j±
W^~
jg=B^z=j
to
1=
:a:
itz:
t
I
m
£BE
£±
f=5
dEi:
r:
->-©-
4q= q — 3=P-
4M — a1—1© — «'-x
=:
sL6
=t
=r
:^:
c-
m
-&—G- . -«- -0—Sh-
1. There's notliing bright, a - bove, below, From flow'rs that bloom to stars that glow, But in its light my soul can see Some fea-ture of the De - i - ty.
2. There's nothing dark, a - bovc, be - low, But in its gloom I trace his love, And meekly wait that mo-mcnt when His touch shall turn all bright a - gain.
S±=td=rt
"P U--1 L-U-L-l— 4
i i
* This tune siv ;ld be sung quite/nsf, and not in too measured time.
MESMER. L. M.
V. C. T.
Slightly Faster than Medium. .
izjrizL^zjzizt
pes
-a.
=\:
r^jt.-jtutz
&■
=w==fa
^
Kzat*
#■ ■?.
p^p
:F
I
m
Elli
&e
fc=jd
Dim,
m
^^^s^ss^^^i
©
»£•->-!
*zz»:
35
-♦"•
fflq;
4w
#-•
\
<
I
1. When the soft dews of kind-ly sleep, My weary eyelids gen-tly steep, Be my last thought — how sweet to rest, For - ev - er on my Saviour's breast.
1. Come, gracious Spi-rit, heavenly Dove, With light and comfort from a-bove ; Be thou our Guardian, thou our Guide ; O'er ev - ery thought and step preside.
&fc
^2
4
:i(z^:
fe^i*
r
rVf-
£>
^-tT^-
^
I
r-f-
j_J-
4J3
i t
TALAHASSEE.* L. M. *
e*±
Fast. Speak the words short and distinct.
±
Q
^zZJZZ^ZZteZJZZJIZirzj:
:|*z*zz:]:§e*|*z*zz^*
=fc=£
3jfc
:* d.
:3zz*i|i^l:^z
:*:zff:
1:
fc*
=}:
:s*z=^
mf
blE§Z
-i*»-
/
___J ^_J «*_Xr^i | J X B —
^
_Xl)_^.^IZ^^|Td_i_?.Jiq : ]_±ZJZZ]X#,_^_Ta, — #-"-t#t- IZLlZ^-JZl-IjI^ — ^_-Xir
-«i- • » -0-9- 9 9 -fir -9- ©~#- ' -#- -0- 9 -0-0-
K
T=t
#- *» -0—0 v m -0 -0- -®—0- -0- -0-
1 . I [ow swect-ly flowed the gos-pel sound From lips of gen-tle - ness and grace, When listening thousands gathered round. And joy and glad-ness filled the place.
2. From heaven he came, of heaven he spoke, To heaven he Led his followers' way ; Dark clouds of gloomy night he broke, Uu-veil - ing
mt?
-•— L — »-..x — e1*--? -fL9\-9— L — «J-r~r— l. — f— -V- — •-J — r-Ts-1- — •a^— r — h
df:
■J .j J ,J
J-J-J-J
,l_/J -j-Z—j-- _ri_j-__j_j-
:«=pd
:0
z*:
zt:
r
zii
:^:
:(d_x^_#^lztl_
an im - mur - fcal day.
*-£d^.
-J- -51 J- U j.
V-'-zi;
i.»*:i — fl
W
t==t
Tlus time ie well adiiptril lo class practice
L I N W 0 0 D. L. M. *
75
Medium Time
iyoj
£2t
*±
-»-«-
_«•?_!_
afc
J:
srfzEi
© - 5
j*:
:«:
«-■-©-
=]=£»
*=*z:£: zthfc istzst: -=*— ^
3EFE
m
Sei
£±
^fzzd:
^=f==f
=1
-a<— *~g-
-<5
I
z:
4-
=t
=t
:«=*:
-© — o~
*
S
i
1. While now, up - on this Sabbath eve, Thy house, Al-mighty God, we leave, "Tis sweet, as sinks the set-ting sun, To think on all our du - ties done.
2. 0 ! ev - er - more may all our bliss Be peace-ful, pure, di-vine, like this ; And may each Sabbath, as it flies, Fit us for joy be - yond the skies.
— i — w— i — _r^— i-
=fe
=t
-m-
:fz
at
jg.
-9-
T
=
dA^L
:s:
j . ; j r r r [ j j j j j j j j
J- ~_zz— J-^J — J-J- - ,~— -i- -
frr^f
m
f r
f^-'e
E^S
r rr
*-»—*-
:i
m—&
;«-f©;
J— J-
-m-0—0
P=f=T=^F
2==|2:
J_J-
-t>
«
s
2=^211
r-
VELASCO. L. M. *
Rather Fast, and Staccato.
teEzt
W
*£=z£
H-
H-
<9— 0
=1:
Ei: 3t3t3t3t Z*
=t
=1:
E
n#— m o
^33
■*—*-*— *~d — d
Si
*Jcs£=t
3tzz*z±:
■-*— *-
3=33
==*
i=jzz±
o-
=fc
=»
53g
-t
^
^3
4:
1. Zi - on awake ; thy strength re-new; Put on thy robes of beau-teous hue ; Church of our God, a - rise, and shine, Bright with the beams of truth di - vine.
2. Soon shall thy radiance stream a - far, Wide as the heathen na - tions are ; Gen-tiles and kings thv light shall view ; All shall ad-mire and love thee, too.
-I r-r-H ri . r . T-— -t- J-^J I-t-H 1. I 1 J'J.4-
s£59
=*
~t-
F
J J
:=fzi£
zfzisfcl
=t
-_i3_h_.'& — ^ — ^ — s-
J-T
-r— t
J
=t
3^
:»z:*:
=t
3fc
-e>-
1
I
-s-
^
P-M
^J— J— J
— &
r r r f r r
r V v^ r r r r rx ry^. r
j j J
p
^
-s-
-:
f:
4-
9
F
F
-T-j— j— j— j-
i
^#-
f^fz^
*F
El
76
SINCLAIR. L. M. *
Gentle.
Theme derived from "Grace Sinclair."
*fW
yfeb-u
fe-^-plita
-:
*
star i^ziaiicfcli1
to a — r?1^"
:*3t
— #x__ztz
E
ib*q
S
£EB=
£±
*fzi
i^^ps
i
z£z:
izzz*:
i=£
Ritard.
^:
3
■Gh-jg
1. The morning flowers display their sweets, Ana, nj, their silk - en leaves unfold, As care - less of the noon -tide heats, As fear - less of the eve - ning cold.
2. Nipt by the wind's uu-tirne - ly blast, Parched by the sun's di - rect-er ray, The mo - ment-a - ry glo - ries waste, The short-lived beauties die a - way.
fV hi I'^'V h I I J-—S _ ■ /—N ^-s I^V h I I
^
U
rr
^7
f*F
F
^
r— ,* f— .-
-wftgzw.
f~
-I -r
-Ljj«
>^df^=^— r-|5j£:l^l:
i=*==J5
J AJ.
--<9- <
I
With Feeling.
SOLITUDE. L. M. (for four voices only.)
-0 i 0-
£3L
i±EE
slf-
-o-
tot
xSP
3?
Bl
it
V. C. T.
sbzitr-stiE
* o
* <>
*
-L_^-X
5pl
5=8=4
q*Ci
1. "I'is midnight; and on 01 -
2. "I'is midnight] and fromaH
=1=^
s
3^ ta^F
=t
^=Z*I
3:
?n/'
"d
i^fciijfzjz^zfo
Ritard.
■ — I— H-
- -\-td-
=£"
•JzH
m
d
ive's brow The star is dimin'd that lately shone : 'Tis midnight; in the gar - den, now. The suffering Saviour prays a - lone.
re-moved, The Saviour wrestles lone, with fears ;E en that dis- ci - pie whom he loved Heeds not bis Master's grief and tears.
i ±±i £3:i iii fi r r:*-f r r r -?f r + n* F-r-
J , V
±dzto
f
— f»-f>>K
Hb~ f
1
&
II
£2
,.".. J-J.'fJJ JJ J~J r, ,,,' B r±±Si=Efcri= J-tJ— J-iJ-i-
■±f=f*
• To other than Hie words get, miik the small notes in iliese measures of the Alto and Treble.
/
\
Slowly, with Pathos.
'BE^::
?Ekt
-0—0
3=4
fc*
i
PATTERSON
-rlT^—
L. M.
77
ztazr tf:
»:3!=^-
P
* -»
::st
4
Szt*::2
4=t
s<~ah -g — d~ -g
I
-:
1. God is the re - fuge of his saints, When storms of sharp distress in-vade : Ere we canof-fer our complaints, Be-hold him present with his aid.
3. There is a stream, whose gen-tle flow, Sup-plies the ci - ty of " our God ! Life, love, and joy still gliding through, And watering our di - vine a - bode.
g
=t
£^#3
J J J
—i
2n:
^===jr
I^F^
±*%t
J-
=1:
at
F
e
I
^Jaa
id:
r^-r^^ff^^fr^F'^^r r 7 :r
S^p
4-
o\
:z.
F--4— i«t^
I
-J_J.
J .
J J J
J J
■6— 0— 4
f=f=f
t
m
-Q 3
tfff rr
-
^t±±^t
Q^
F±t=p
I:
W=
f r
! I
rf
m
■G—&-
F
'p—p-
I
/
\
TREi\TOX. L. M.
Rather Faster than Medium.
ggffffff
t9— <9-
IsyMzwzzmzk
=l=t
V. O. T
June 20th, 1S53.
=1
3:e:
^
e-0-0- -o—o- -o
r:
3E
33
3fc£
m
T T T T
r t t t :
m/
I T f T
S^EfctS^
Soli.
f '"/'".
ifrV.
~-fc&
Z^ZMzfZ±JZZZ±t±ZZd±
rt
S
*
■e>~
b)
z=p$:z-=fzt
Sfe3
-!-#-
Aj^U
:d_-^±i
4==
* *
H=
it
?±az=t±
Whv on the bending willows hung, Israel, still sleeps thy tuneful string; Still mute remains the sullen tongue, And Zion's song denies to sing, And Zion's song domes to sing.
J ' ' r-\— U
g
£es
ithZK
t=i=bi=l
S Mzwtzfzf: tzzf.: ^=F£ 3-atS rg:
~t
-r^-^
wlzf—f-fir-
J J J J J J J J
fe^-i
^fc^f
- -(©— ©-
s-\s
J-J--J-J-
r r t r
j , j j j
f-f-f-
— s't^ — I — I — i-H — 'id-
-*ze:^
Wrrfr
=t
11 i i i i i
-J-
: j :^; :#
,
r--
j
z*z^=tzWz
r *~f r rr
-\n-t-
slp&--
1
-•-•■
■G—S-
G-\-^-
=EzEE?
-U
Jll
III II
If a high Tenor voice be available, let it take this Duett instead of the Alto
PF
■#-#-
1
i
78
Chantant.
•WZ-Z—
0—0-0 — 0
*=!=¥&=&
-g-*g
SANGERFIELD.
L. M.
From the " Gloria In Excelsis.
-e—e~
-3-0—0-
-©-■
t
SEE
-•-#-
rzzzzzrzzzl
m
H
=l=«=t=i
-t
zz2
-s>- —
^z^
— m—m-
*—0-\-d-kp*
-d— d-
3
-^-"-
I
1. Come, gracious Spi-rit, heavenly Dove, With light and com-fort from a - bove ; Be thou our Guardian, thou our Guide ; O'er every thought and step pre - side.
2. To us the light of truth dis - play, And make us know and choose thy way; Plant ho - ly fear in ev - ery heart, That we from God may ne'er de-part.
-f 0-
=£
S^ESg^^i
:=j==t
idzzd:
r rv r r r
j J.J J J j_z
r }
#L
t-T
e—ri- s—l-0- -0-T-0-0—0- ■-&—&- -Ca-|-«i- 0~0-0
irL
-0-0--0-+-H &-
ijEz^:
1 1 JL-s
t
-?L-'-S±l-10
O
-I &-
&
-e—s-
_ZZBZCZ_.
.W^W-P~W-
zz^2:
IE?
-I--
t
zTz^zzzhfazifr
r r f ■
>-[-
r
I
SALE M. L. M.
Slow, eivin« the Sextuple Accent.
zpzz^z:*:
cztzl
zdTzSzJ^zz^zrtEmz^zH
-v=*.
" K. L. F. F."
By permission.
*&±
fu±.
m
^^^BzzfzztzM
"d— ^~d— *"•-•
-C*-
zt=zjzztlizj
-d— *-c»-
-& 0-0—0-
M
0-0-tf- 4
1. 0, hap -py saints, -who dwell in light, And walk with Je - sus, clothed in white ! Safe land - ed on that poace-ful shore, Where pilgrims meet to part no more.
2. Re-leased from sor- row, care, and strife. And welcomed to an end - less life, Their souls have now be - gun to prove The height and depth of Je - sus' love.
•
t
0-0jd-0-
f r "f- f f-r-p- r • ■ r f . • r
I" ' r r ' ' r
(-.^-^^:i=g=pz^-^ziziz±z-iziizzzz
kz/.-rtT— h"f — h: =pzzpzzzlzzf s=
L_J_1 zzztr-ng-rif^-r
r
L-ptpzzzfzzpzzf:
j ill j ,
izjzjzjzrrpizpzizz: •Lzr^—pzpz^irizz zzzzz
-^If4 izzzdzzzzzQEPzEt^*
^Iz+zd zl *t f— r-P » .if r;«-
jtn oi j e - sus love.
-F
t=.iM=:
-I — i
r-
pH
FRANKLIN. L. M. *
Distinct, and avoid dragging.
German Style.
79
1^=*=*
%f
mf
t=F:±
■=t
K
&
-P=P-
W=i*z
=F>
F-
p
*&-
h-?l — h-T^-i — g-
*=£
i
S£
3:
=t
1:
#ST
0 tf-
-©-
=t=t
-j_LJ:
3
-\-
33S
iz:*:
=]:
-d~ &
ill
1. So let our lips and lives ex - press The ho - ly gos - pel we pro - fess ; So let our works and vir - tucs shine, To prove the doctrine all di - vine.
4. Re - li - gion bears our spi - rits up, While we ex - pect that blessed hope, The bright ap-pear-ance of the Lord, And faith stands leaning on his word.
_ — ; — ,_j — i_q — ] — ^_ j j_
i
^z
&£=£=£=£
td-dz=±^
p
J j
w—w^
J J
±
'&—&—<
S
f5™ T
zdzzd:
r — r — r
3EE
» — ■#- ©
C==£— {:
£
t=&z!±ri
J- ■ * J :'Jr
-4-
r-
r
r
. J J J J
J . , J -J- J
*:
33
=Jf=j
— \—s-
°~
1
IMALY. L. M. *
Rather Fast, with Life. Staccato.
■V
%
fc£fES:iEEf
zszze:
--o—\
&:
*—&-
:z:
-jstzjat
£
e
-0—0-
0—0—0—0-
Q B
nzzij
0— 0— P— W-1&-
?»/
=fc
ntj
£=»
=t
-*--*-
z±
1-Jr*-
t:
4—0—0
3=
f
1
^
■«r
-^ — 0-
Shz
y— g— 4-
i
3EEE
0—0-
±?3zi?z:t!:
2. The world's foundations by his hand
-J-
Were laid, and shall for - ev - er stand ; The swelling billows know their bound, While to his praise they roll a - round.
fe£
3E*=EE3=35
:':
t-
0-^—0-
0-r
J J J J- J J-
*=t
=fc
J*Zj£
UNISON.
f-P» 1— 3— 4- ——0—^-f-\S^^9—0—f—i-9±3 H- -3—ff
r r r r r r r r f f
-c- p C IF.; Lig
^5^
:*=p:
=P=^
-I — h-
^
-^-^T
SEE^E
H
P=p:
^
P^
© — (9—-
80
ROLLO. L. M.
Medium Time.
9bs
|
E
:t:
^^
«S
:HE=rE
■-*»~f-*»-
P=Q#
4=t
:a<z=*:
V. C. T
•-
m
/'
=5b
:«:
zt
•
^
z|:
=4
!=«=:*
^=H*
!*z?£
S»-
PE
«--■
=t
3
:**
as
H5^-
a*
^
J
**S3«
I
O, all ye peo - pie, clap your bands, And with, tii - um-phant voi - ces sing; No force the mighty power withstands, Of God, the u - ni - ver - sal King.
/
FRAMINGHAM. L. M.
Rather Fast.
-0- -o
3*1
B
F
m
b
t±:
®^?^I
Si
Je=z*
tefe
ztig:
X=-
-^S, 1.
F^p
1:
#Z — J-1-^ — ^ ^
-o-
=t
53:
=4
z±s>:
*:±?z=fcte
:t=BaSB==3fc5zS3
iizi
3-0.
gfeBpaf
^-J-«-IJ— J-- L-aJ ■
*^-*
Come hi - ther, all ye wea - ry souls, Ye hcav - y - la - den sin - ners, come ; I'll give you rest from all your toils, And raise you to my heavenly home.
M
(gpF£
1 J
m
3-5:
-0+0- ^-0 *
44t
4:
P
^-:-^-^
r r r r r r r r
,_H L ' I _| 1 _| 1 ' 1 -|.^-4-^f^— , -
zfcat 3tz-t -I^jti t—1- =3=.-: zzz^izzz?:: SBz g=BE
zz^^zcfz^p^^
J J J J J J
1-
m
-<9— r
F
;==^
t
^Ej3^E£i^ig
JLJ
f rr r
*-*
f
1§
OLD HUNDRED. L. M.
81
1. Be thou, 0 God, ex - alt - ed high ; And as thy glo - ry fills the sky, So let it be on earth displayed, Till thou art here, as there, o - beyed.
1. Ye nations round the earth, re - joice Be - fore the Lord, your sovereign King ; Serve him with cheerful heart and voice, With all your tongues his glo - ry sing.
Music, OLD HUNDRED.
TEMPERANCE ODE.
Words by Mrs. L. H. SIGOTJRWEY.
1. There sprang a tree of dead - ly name, Its poisonous breath, its baleful dew, Scorched the green earth, like la-va -flame, And ev - ery plant of mer-cy slew.
2. From clime to clime its branch-es spread Their fear-ful fruits of sin and woe ; — The Prince of Darkness loved its shade, And toiled its fi - ery seed to sow.
3. Faith poured her prayer at midnight hour, The hand of zeal at noon-day wrought, And ar-rnor of ce - les-tial power The chil-dren of the Cross be - sought.
4. Be - hold ! the axe its pride shall wound, Thro' its cleft boughs the sunbeams shine, Its blast-ed blossoms strew the ground, — Give glory to the Arm Di - vine.
5. And still Je - ho-vah's aid im - plore, From isle to isle, from sea to sea; — From peo-pled earth's re - motest shore, To root that deadly U - pas tree.
Medium Time.
ROCKINGHAM. L. M. (for congregational use.)
3
=t
-&-
?&.
=£
-6»__J
\
-a-
-&-*—&-
J
j!z*i
=t
L. MASON.
By Permission.
3m:
!:
-e—l
3. Thy praise, O God, shall tune the lyre, Thy love our joy - ful song in - spire ; To thee our cor - dial thanks be paid, Our sure defence — our constant aid.
}&£=%±j£:
:ti:
-&—iy-
I
-*—&
M
J:
=t=t
at
-a-
S3
=t
-s>-
4. Why, then, ray soul, art thou cast down ? Why art thou anx-ious and distressed ? Hope thou in God, his rner - ey own, For
"-?
lii^
aFfTF
£
i=P=
^=^=
EE
ir*£
*=^I
1
?
S
w -a
I shall yet en
joy his rest.
M=0
i
(chime 6.)
82
EFFINGHAM. L. M.
Rather Fast.
-4-
t?±*&
sg
±3?
-#--©-
I
wm
i&=i
=t
4
m
-p&
5
-*^d~
=£33
d-m
3
-j-t^fif
#.-
'■&-&»■
tat
i
1«
n£«=a!:
-0
-"-
1. Come, gra-cious Spi - rit, heavenly Dove, With light and comfort from above; Be thou our Guardian, thou our Guide; O'er ev
2. To us the light of truth dis- play, And make us know and choose thy -way; Plant holy fear in ev - cry heart, That we
1-4
=fc
f
"J.
t r
i^L+t^^i*
=4
ltd:
r r r r
ery thought and step pre - side,
from God may ne'er de - part.
"J 1 ^
WKflFTT8?
I — e
xu.
=
r r r
-*-jS>J
t±s=t
3E
PORTUGAL.
Ig
_i.
r r
1
-•-#-
1
T. THORLEY
*t
^IggpgS
zdl^—d1— &— *
L. M.
::£
«
tf^g^ft^
^
it
5*"^
^
— -L«— _- _j — U — I —
1. Up to the fieldsTwhei-e an - gels lie, And liv-ing wa- tcrs gen - tly roll, Fain wouldmythoughts as -send on high, Butsin hangs bea-vy on my soul.
2. O, might I once mount up and see The glories of th'e - ter - nal skies ! How vain a thing this world would be ! How empty all its fleet - ing joys!
(
*:>
#_„ ## ,..j rG^
-lr
tt
• fj*^
*&
»==
zRE
J
J:
34=:
r r r>-r
I
SUNDERLAND. L. M
With Animation
1. With mv -whole heart I'll love thy name, Je - ho-vah ! thee my strength I claim ; My rock, my foi-tress, where I fly ; My great de - liv-'rer, always nigh.
2. My God, thy names of grace im - part The strength that cheers my fainting heart ; In thee I trust, nor dan - ger dread, Thine arm the buck-ler o'er my head.
- f--0- -G-G- ~G-i-9 -0-^-j —
|&*:=i:f_i&
-* — « — & — I *-»
-}-^
=t
f r r
j J ± j-i J -J- J.
3E*
t=tt
2=21
-S-©-
f
I
IOWA. L. St
Smooth and Gliding. Legato.
sr
^=^:
=£=*^
4— f
s
-&-Q-
B
*=t
^>:=,
-©-©-
-4
:^-gs:
- 9fc
*
*=£:
:zz_.
&
££
-G-^-0-
e— ■—
sdb*
c7
■«-d-
-&-&
= 3=H:
-"-51-
-hz^ J-^t-^-^-
1. My God, how end -less is thy love! Thy gifts are ev- ery evening new ; And morning mercies from a - bove Gen-tly dis - til like ear - ly dew.
2. Thou spread'st the cur-tains of the night, Great Guardian of my sleeping hours ; Thy sovereign word re-stores the light, And quickens all my drow-sy powers.
a
g--2j^--zffi#
t—*r
j~=-e-£i
t
j j -J- j-J- J-jJ-j. -J--j--J- 4
r*rrr r
1-
t-t
f
±j3
— M-»
J J * .j'-j j J J _^_ >^- 1-J-,J -^J - > : -,^ y-
~3-G-
I I I
01-;ra.-'rf-ifirrir
r
f=t
-S G-
W-
84
BURTIS. L. M. *
Theme from DONIZETTI.
Rather Fast.
gfe
PP
:»s — *:
?
~-^=P
rat
-#-#-
3t=*
d«
a
3
^
■iF^
3E
ate
g&il
?«/
,SWi.
Core »i
m/
Slow.
Vd¥t — r
=T
*-+
*
^
?±
19 — *■
K^
3E=
=t
,
1
1. Now be my heart inspired to sing The glories of my Saviour King ; He comes with blessings from above, And wins the nations to his love, And wins the nations to his love.
2. Thy throne,0 God.forever stands ; Grace is the sceptre in thy hands : Thy laws and works are just and right, But truth andmercy thy delight, But truth and mercy thy delight.
n=t
#£3
tSEP
■4-J-4-
■SeS^
f±£
0.
=±
r t
f P f V t
Sfefc
1 ,, *
j j ' •
4 -*
HE
p
-s> — ■•■
■©— #-
IV-!. J
r ; ir*
U
w-
1 JT-1"^-
t±5&E zjfibfsG -£&&=,
*=J
qqd^d^^=xr=U=t^r^3;r
rrTTTr r> f/rr r^f^
-s
H£
z&&
H — #-
3EE3
S3^X(2- -*:
i i
L JiJ
-©— #•
f=t=lfR
BID ELL. L. M.
*
Brisk and Easy Movement.
/
Arranged for this work from DONIZETTI.
t^P
giglS^
F
3E£
•S> 0-
■s -#-
SE=E
•s> #-
s
r^
■«—
I:
d
g
#^
f=t*±f
^'^
^
1
6
3^:
s
£— *
s
I
£fci
n
1. We've no a- bid - ing cit - y here ; We seek a land beyond our sight ; Zion its name — the Lord is there ; It shines with everlasting light, It shines with everlasting light.
2. Oh ! sweet abode of peace and love, Where pilgrims, freed from I oil, are blest! Had I the pinions of a dove, I'd fly to th.ee — and be at rest, I'd fly to thee — and be at rest.
1 : J_-i
3t±
>—
i J d
'■'i
^m
r r '
I J- J J
1 — ' — t-
P=PI
23BE _&j lg=r£ 2=_- n
& ^
K
i
m
4 -»■
J j
^m
<
l-! h-._, — h.
• •
r
S3
I A I A 1 }HA ± i_\ j
en I a .. ~m~. _Li9 it: — zrcl
f=f
:3E^
* Use either of these endings, but not both.
r~r
o *
I I
T-i-
r r
Hf
CAPE ANN. L. M.
Medium Time. With Feeling, i
V. C. T.
85
S3
y£
-&-' "g — d~
tt
^±tt:
.JZL
d-S-
ZZt
zdzz*
<9— •■-©- 9-9-G^—O^-
E.
£
-©-
S5
Htt3£
^=^:
=F
=t
:f:
SS
i3
-«'-©,-5> — G-*~&
S-±Q
it
=t
:?z^z^
=t
=tFt
:*zd
T
fe
-_«*,-
S
1. Come, weary souls, with sin distressed, Come, and accept the prom - ised rest ; The Saviour's gracious call obey, And cast your gloomy fears a - way.
3. Here mercy's boundless ocean flows, To cleanse your guilt and heal your woes ; Pardon, and life, and endless peace; How rich the gift ! how free the grace !
«— #
1. There is a riv - er pure and bright, "Whose streams make glad the heavenly plains, Where, in eter -ni-ty of light, The ci - ty of our God re- mains.
2. Built by the word of his com - mand, With his un - clouded pres - ence blest, Firm as his throne the'bulwarks stand — There is our home, our hope, our rest.
*=*TfPtf\
j— i-
m
T
ULidzfz
3d
t
it IV
j 1 lj- n, n
■m
,^--s
J_ J-J-JL
-*~0
=£=t=:±f
HEBE
<?— i-
, rr j j . P n j j j /
^S
3
- -@^£L-
tfcf
I
86
i
In a Gentle, Quiet Manner.
%
«
-0—6-
rz
■e — 0— e>-
STRAWBI KYYALE
=1
L. M. *
0—6-
^Zjf
p •••■ P1
t=t
I
I":
if:*
=t
=t
i=bt=a:
at 2!
33=
zl
1. From ev - ery stormy wiad that blows, From every swelling tide of woes, There is a calm, a sure re-treat ; Tis found be-fore the mer - cy - seat.
8. There is a scene where spirits blend, Where friend holds fellowship with friend; Though sundered far, by faith they meet Around one common mer - cy - seat.
g' k ;[.: -ifrrabn i. U! i r.J.l'Trt ■&i<ha-i7
;#a-rlli J.j-Jjd= 4=feta
j j j J j
-0—O-Y0
=t=t
j J
=z=*f±H
Prn
t—M=0--.
iaEiSB^S
r f r
^
rf
£*
— I---H — i— h— •— I—
o o
-0-
J J J J
J
j Jfj
1
^
I
w
-0—6-
^4^F-f^ff
MARCHARD. L. M.
j.
--S--
F
I
Medium Time.
/
PBj^gggggEi^ig
=J=lri
V. O. T.
August 6th, IS35 *
atzM
:d=l-jt:;d
&zfz#thfc
H
zj
rltii
^R=^S
4t£fi
=W=l:
:3a
zj:
4
^ziin
Soft - ly t!ie shade of eve - ning falls, Sprinkling the earth with dewy tears ; While nature's voice to slum-ber calls, And silence reigns a - mid the spheres.
-azr-T>— M-W-tH-t^t rr^ I-t^P-^— r4 I ■ 1 l-r-4-l hrJ_J_J^T-J-JT-)_J-ST-J-J F3TH — l-r-J — PWr t ■—
- J- J _.j_T j
zzzzfztzJQztzitzr^
J-TJ-_--'
jg — \-m-
©r£>
i.J, i ..
t=(U
-j-i/ up j-z/ — w -j-s *"T 0~ IT
-j-j—'
J.
-rW--0- -o — «-f — — *-
T©-
ttj=
S^
• This tune is one of the Author's earliest compositions.
K E N Y 0 N. L. M. *
87
Mediuntt Chantant Style.
fe
£te
-0—0-
Z9ZZ9ZZj=jL
22
3ES
-• — 0— » — »-
-0—0-
BEE"!
t=t
atPz:*:
22=2:
59
*=±3i
-4-0-O-4
I
=£
-al— #-»i-
"I
-©-
0—0—9-
n
-.
:i:
1. My soul, thy great Ore - a - tor praise ; When clothed in his ce-les-tial rays, He in full ma-jes-ty ap - pears, And
2. How strange thy works ! how great thy skill ! While every land thy riches fill : Thy wisdom round the world we see — This
+
-* • d-
i
like a
spacious
robe his
earth is
glo - ry wears.
full of thee.
£*
to=±
=fc
^Z3t3tl<3tZ*
r r
5-4— £
I
r r
az±:*:
r
*zj£=z
f
S|5
-© — a
n
J-
J J J
f-r^
i
a 0 — 0-
izzfzzf:
0
±
0—0-
-O-
-l
E
rtT'fTf
j—j—j-
in
*
:E
r
J-
J-
-» — 0-
i^zzstr^
i
r
J j J ,* ...
f
=2=2:
I
WARREN. L. M.
V. O. T.
Staccato.
#:
fat: :*:3t*z*±2^2±2
i
H^
i
3
=t
-*±±
■=\
izsfc *zj£l9zj*L ^-d'\ ia.
=t
Is§e
m
«?/
=P
St*.
:_-
1
tzaztt
lilPg^
=Shft
m
:^
fcifai
*~9
;-§§!
-"-H— d~ L
I
-*-*
-d-d-
l±Z&3tt
1. How pleasant, how divinely fair, O Lord of Hosts, thy dwellings are ! With long desire rny spi - rit faints To meet th' as-sem - blies of thy saints.
2. My flesh would rest in thine abode ; My pant-ing heart cries out for God; My God, my King, why should I be So far from all my joys and thee?
*5
fc£
J±
3=m
__j^
e^e
fc2
&f
n r f°-
t
sais
j j j
r r r
*
• tf
zjfcifct
zj:
rffr r
*^
£
*0\^9
W
9-0-9
t
E
■&-
e
i
it:
© — #-
^za:
-a=P~
-J^ J-J_J-J_J-T-J_J-
j J J
r
n:
±ty=2i=^=t3£=£±3=ti
-s — »-
^p:
I
t*
^
f
f
ff
Slow ; the * ths short and light
EVENING.
0-0 , P-T 1 -fi-J- ^
zjzztzzt*zzzBz:*za
L. M,
V. O. T
BE
*:z*fc: zjstSzfiitz: ztzzzziztz: ztztafcG
el LJ e ** I I ^
*-» — 0-
TtnL
¥.
I
mp
m
Dim.
gt^
3±afc*=±3fc
^z^zS:z^z?zz+F:3zz^zz^
:=j:
-#•-*—
I
1. Still evening comes, with gen-tle shade, Sweet harbiu-ger of balm-y rest, From toilsome hours and anxious thoughts Revolving in the pen-sive breast.
,1— p
£=«=?
S:
a r j- ■ - r ■ ■ / r
?Z^SBZ^Zi!HE5^,:^H=^^
— i-r-". — f—0-r — * — e—& -» — *-*'0- ?~?&—f
j
*#■
#-f^
-J-
-0 — 0-0 — 0-
p^$
J-
-»— 0-0-1-0
J
I REN A. L. M.
Medium Time. (Better upon Db.)
V. C. T.
#=£
szfq^—i^zzi'^z^iz— zzrzzzz
:U=±
m/
0-00
r ? ?
?*;*:
1
^ElE^SEBSEtA.
i — I —
rn
=t
FEfc :*:tt=t= SEE
:*zi»"
/
S
r:
sS:
^
.m/
*£z^
&=fca£
r-#=J3^_ZjZZJZl^_^_^_^_I^JI^^^Tq__^-i4r^ZI#T#_0l«^--^-^--#«-L*-e-«
1 111*121
1^1
•#V
1. God iu his earthly temple lavs Foundation for his heavenly praise; He likes the tents of Jacob well. But still in Zion loves to dwell, But still in Zi- on loves to dwell.
^
*
•^#-» =>-•
tt
H~
nv
f-0-0-0
s» >• ^
zl j^zei ' i!zi_*z*zfz3^z*±±iwzr-^z"J J
>z|?zfezz£: f--<- ^^zHzzziLzz zfeEfz^
0 0 ►!>
';±zl
^ I*
•-•— '■ '0-Y0-0 o ^0-0+ +«* ' FF
Medium Movement.
:4
BLEND ON. L. M.
131ARDINL
89
ll
SlM
n=ppt-
-e—v
(=tz03t3t
i
*a£
=t
i
<
^S
&=±3t
=P
* -0- m-9-9
&—*
-e
#-*-*
=t
sF^?*^
^
=*
-51-
<-J-G).
m
~x~*&-
-&
:dz£
=1=
*:
& a
t
-^tjt^l*
I
1. Great is the Lord ! what tongue can frame An ho - nor e - qual to his name ? How aw - ful are his glo - rious ways ! The Lord is dread-ful in his praise !
2. The world's foun-da-tions by his hand Were laid, and shall for - ev - er stand ; The swelling billows know their bound, While to his praise they roll a - round.
r4-4
*fet
«
f
3t±
1=t
2tz£
±3t
G
r r rrr r r r
I
%
t¥
rrr r r t
ST. MARKS. L. M.
Choral-like. Majestic,
TUCKET.
=*ff
fcl
"*-*-*
z:
B
#— «>
•1:
ffitt
=:
^q
3
i^^,-
*-«&
I
[Darkness and clouds of aw-ful shade His dazzling glo-ry shroud in state ; Justice and truth his guards are made, And fixed by his pa - vil - ion wait.]
1. Be thou ex-alt- ed, 0 my God, A-bove the heavens where an-gels dwell ; Thy power on earth be known a - broad, And land to land thy won - ders tell.
^W
m
r^r f
-*-£>-
f
J,
-\
-trpF
i=irjy
r r
*=Ft
pj=r^
*£
R
J-.j J.J, j
^
« — »^
9fe
-#-r£
g--J— jj 1 1
^
#E
J J J
PPr
pfH
90
Medium Time.
NEW HARTFORD. L. M.
V. 0. T
t"
0*
m
BE
^ri=t=Ft
H-r»
rft
t
EztzzZc*
EE£
=t
*=^S=33±^
i
E
i
!SEl£g5=ggigligi=a==gil
1. Judge me, 0 Lord — and prove my ways ; And try my reins — and try my heart : My faith up - on thy pro - mise stays, Nor from thy law my feet de - part.
3. I love thy ha - bi - ta - tion, Lord, The temple, where thine ho-nors dwell ; There shall I hear thy ho - ly word, And there thy works of won-der tell.
4^ ^ ^T_ _T hh_ ^ ,_..■: I ,. ; ..l-jj-.-J.J'.N I r~r- ,^4^^^-^-
=}
i
*zz*:
=t
izziit
qpt
r T=
±*zb£z*
Tn r
^:
=*5
=t
33.
Pi?
*££:
l=;
£=£=£
1 x"T*_T^r — r* &~
_| L^ p^
i i i in ' it
J" J 1
0
\
ff^*
£=}
':
:*z*:
£zj>
-•-
zzl A J
j»Z=3sZK
Lzzzizzrrf-'t
Si
&^
es
ipef
J-i_,
$*3&~3=f*p£
i-
i
LUELLEN. L. M. *
Medium, Distinct, Speaking Style.
3=±=t=bpt=l
*zz*zzizz*:: :2z=dz :c
I
=t
tzzz£
n
E
*ZZ*I
w
sfcsfczz
if
®£z±=3fc
z|^z:^fegz^W^^^^E
■&- s- -e-
1. Great Source of be - ing and of love! Thou wal crest, nil the worlds a-boYe; And all the joys which mortals know, From thine exhaustless foun-tain flow.
2. A sa - cred. spring, at thy command, From Zi - on's mount, in Canaan's land, Be - side thy temple cleaves the ground, And pours its limpid stream a-rouad.
4, 1, , I j.J^b;
*-M
=t
rtzzafc
r
f-xr— f-
:zjzzz]zrdzzzz]:Tz:
-" eZIe r *
f— f-
15?
1 i I 1 J i_i "
ZZZE*
-=l-
ts
Pf=F-"
i:=!
o-
XZ
-o-
f r r
-j-
fezzzJz-iEt *zz*zzfzzz*z Szlzzzf *zz*:z«zz* zzzzz zzzEE
fc£ *_rzTp__f_^_f.zrF__pz± i£_^z±^Jz;
J J J J J J
I
F:±f=p=te=:tF=f^=±F=|=
J
tzzzt-i
•~J— «-
■m—W-
J-J—l
=1=
^py*
OBERLIN. L. M.
Medium.
V. O. T.
91
ZJ_ZJZlZi W.0 —0—0-T.0
zzjzjzzzzrzj:
zaziist
=»
Jtr: 2:
-9—9-
j> ■*
zaotrzdnra!:
izzi:
■•— e»-
ipzafcii
gi
m
m/
m
CJ-,
as.
:z£2:
gzzzz*:
=pfc:^faqzBz:z^:^:
-I h-U - — I— \-%-0 — 9—0-
-0-
<j3
z*z
jifqziz^
pa3:S
&*
3^Z§:
=fc:
«>-
i** — i«*-
r
35
i
^
See gen-tle pa - tieace smile on pain ; See dy - ing hope re - vive a - gaia ; Hope wipes the tear from sorrow's eye ; While faith points upward to the sky.
9Z=3t-*l
j ; ; j
Z^-Z^- -j- J i 0^0--0— '*"• — : '
fc2:
tf
^ttlel
Sfc^EppEBQE^^p^^
r jTj- j r< ^r j'-T r ^ "'G rr ~7^ j rr CT r
r^-ftf— 9—9- 9-^-9- -9—0r- -M-f 9—9-9- -?=T— -\-?-?— -g-g-jj ^-H— j- .. £zFr
ST ONE FIELD. L. M.
WW
-C
i
w
3
zzl
JOHN STANLY. (England.)
st=«4*»*^;:
SI
£z±z*:i*
it?*:
^fbtafcz*
2tZ*I
?=•>
istJS
<
m
?n/"
Soli..
Coro.
A
=1=4
-&—z£-&-4
4z*t
■d
Hi
© ®-L
t=tm
3v
^ah
o — 0-
as
VfaS — ■*
33
*
'#-•-
a
•jt
»*»t2rV
I
God of the seas, thine awful voice Bids all the roll -ing waves re- joiee ; And one soft word of thy command Can sink them si -lent on the sand.
M
EF*
44
4
*E
-4
:ez:*
fit
J J
rJ-
•zV#
zl
0m— 9-
'"9
LM*-^
Xt
--o
92
KELLY. L. M.
*
Very Fast.
36
In part oorrowed.
4T=?c:
%dth
*Z*ZMT.j2
3
feg
szzp:
j=?c=«
?=^i
H 1-
:=t
:<£:*=*:
£ZZjE
35
=t
I^fcZZ
H-
i
;3E5^:
-#-
ztiizz^zfczz*
=t
T
H-
2ZZ*
fd"
-X-O 1-0-0-0-Xs, 0-i-O. «_£<2 «Xs. 0i--d
4;
-y=N -r
4
• -^
I
(
1. Soon may the last, glad song a -rise, Thro' all the myriads of the skies — That song of triumph which re-cords That all the earth is now the Lord's.
3. O, let that glo-rious anthem swell; Let host to host the tri-umph tell, That not one reb - el heart re-mains, But o - ver all the Sa - viour reigns.
-I-UI-^h l-H— fr-, rr. ^ It— r^r—,-^~-\UTJ 1
=£z3z*:
*z«:
t r r r
*F
W^tErl
-r
J-i
f— f-
rt
zzdzzst:
--J-I- .
3
if
-J- J -J- 0- J- J- -J- j
ztEzdzzzzzzz^8!: itat zzzlzz: :?zz*: St :iz*z«- ^izft
J*
±
©
._ pz
r
:«:
f"
j— j-TJ—J,-TJ— j_
HzS^^p^p
r
Not too Fast.
WJyMr-rlr^^
PTON. L. M.
zzzzzziz^z>zsz^Tznzz:=lir:zzz:
at^afc*:
wtzijriz*
I
w/ ■ __
-0- .. -*-
1. Bless, O my soul, the liv - ing God; Call home thy thoughts, that roam abroad; Let all the powers with-in me join
2. Let every land his power con - fess ; Let all the earth a - dore his grace ; My heart and tongue, with rapture, j"iti
In work and worship so di - vine.
Iu work and worship so di -vine.
at :z*zzzzz^z: zizzj: ::Hz»z| :!zz*zi<z*
FTt-ff-Y-rr — r -j r
> js I -J- j J- , Ij.
0J-0-J--J t ?--T J-x-» ~M
tz i^~-.--mz±:*=.wr~ :zzziz# :£q«z£:f :
^tfa±d:
S^
» -J- -J
^gz^IZ^zrdlZ-3^^
^zz*z zfziizfzzzzzf ?z3zzz :iz?z_zzzF:=zz?z: :^zH:
5=F6
f
fei^E
j J__
?eeeI
j j* ,; ,/ , j— juj __ J, ;, / j 0l ;^-Tj , j „ j
-a *~p
^£3zp
I-
-zcjzzi.
Pi
INVITATION. L. M.
Animated, but not teo Fast.
V. C. T.
93
=3SfS
fe*
*-*-*-
zXzt :2=MzJa£=Jz*: 3=Eir
EEE5g:i
*itfl
*
I
*=¥
t&£-
3=3:
I
33=3
-&-o-
0-0-0 0 4-
iliPzP:
■0-0-
±t=t=t
:*iP:
P-4
:=
-s> ©-"-S1
It
jg 1 0 gl-lg_X!!:
-0-0—0-0— 0
1. Come hither, all ye weary souk, Ye heavy-laden sinners, come ; I'll give you rest from all your toils, Aud raise you to my heavenly home, And raise you to my, <fcc.
2. They shall find rest who learn of me, I'm of a meek and lowly mind ; But passion rages like the sea, And pride is restless as the wind, And pride is restless as the wind.
BE
Mi
-e*-
=t
PzPzij:
=1:
SSE
TTTT-0-
J_J_j_JU_J_J
T
^rT-r^rr^?1
•h 1 1 I— I— It 1 — l^-rJ-J — I l-V-1 '— 1— |— tr-f- 1— I U-l [Til A n r-
r-rrr-j-p^- — 4 — l— *-u-L-r=p — r~ ^t^t — ^F1*— rE3^
■J-^-il-f-^T*— r r — T zT<^-ZjJzzzz_ LTg__ r_
■pip:
r-r
*==P=t
i> — ' 1
I
Medium Time,
\
:£=?
#±z±
?
jr.
EE£^3
t
=^«
=±*=fc
:«^±=?=?iH5d3j2
PERRIN.
Pl==
•©-■-5>- -
L
5=3
M.
V. C. T.
EE
3
:£
ER3
■jtjtzdL
H
pzfe|^ZZplzZ
**■
«-«— I «
"•^•-"^-^ip-p-
=«=
P*-p
=e
■S'-r-fl'-*1-^
E
-S"-1-©-
gqzqzzjzz}
tf» C
zjzzi)ifc=i^:irq^|Eg
1. Lord, how delightful 'tis to see A whole assembly worship thee ! At once they sing — at once they pray — They hear of heaven, and learn the war, They hear of, <fcc.
2. I have been there, and still would go : 'Tis like the dawn of heaven below : Not all that careless sinners say, Shall tempt me to forget this day, Shall tempt me to, <fec.
-- -1 ~1 a -I -+F — ■— H— 1—+-*--l — I-
:i*3=fc=t* SEE J « O
vyi^rfrWt
:rt
JL JL±.J. J._
:$=£-
r
j j j J
4-
}=3=i
-»
■0-0-9-0
-rrr
j-rg-. J # j-
eg
r
33
iPzP
0
-dzipJ-JqT^TJ=4=T===|z=
ik^zzz^izzPPizzSszfB:
K
tO~
E
— It
S^H
^=^:
He
94
CHATHAM.* L. M. *
Slow and Distinct.
iii*
&
<
:*z*zs:
t-
*z:zzElz3:
■*z+-*z±.o4
■jlZmtMl
£zlzd:
*zMz+z*i
32Z
1
=t
-o-^-e
I
-#- •
fills the
33
-0-0-0
1. Be thou, O God ! ex - alt - ed high; And, as thy glo-ry fills the sky. So let it be on earth di-s-played, Till thou art here, as there, o
3. Thy praises, Lord, I will re-sound To all the listening na- tions round; Thy mer-cy highest heaven transcends ; Thy truth beyond the clouds ex
izrfrzzb
=t
jtnL
if=*3t
T
TTT
-J-J-J-
J-
1 J
rrri^r
zdzlzazzjzjz^z*
^r— ip^r-r-'-r-
?zl:
:*z*z*:
-j j , y .J, i kzbttH
T.p:
]1
£-•
W
* *■
i=ri
Tr-
?3=i
-f-r-r-r-
-m-m-0-l-
z:z2tjz£zz*z
at?:
=t
r— PiLfjtf- -r-rj
f-
-a-
beyed.
tends.
=4
5==3iz
1
©-- 0-0
£3
f-t-
=p=::z:
:t=t
f
i
Medium. Staccato.
STERLING. L. M. (chant.)
*-#-tf-«zizg: — g_jze_t_s, — #_J.J_d — ©jz© — ^zzjTZZJ_t_
-o- -0-0-0-0- ~ ~ ^ ^-r -o
1. Oh ! come, loud anthems let us sing. Loud thanks to our Al-nugh-ty King; For we our voices high should raise. When our sal - va-tion's Rock we praise
3. Oh! let us to his courts re - pair, And bow with ad - o - ra - tion there ; Down on our knees, do vout-ly, all Be - fore the Lord our Ma - ker fall.
-I ' ' ' ' ' ' ' ' * '■'■■■'
-*-*-BMm—&r-w0
£ _|__j_4 _|
4 at
r_f_
rr- r
d=
P—4jr^—O~r-0-0-0-0-f~d J t-©-!-©— •-•- -r-^ d— r
ffiz|z*i«z*z^*B=*
j
33=
=.
J:
r f r
-r-r
=fc
r_r
r r
I
istH:
,. . J J,J-TJ-J-T-i
tz=l:1 — r-^^-f-1^
zrpztr
g
* May be used as a substitute for " OU1 Hundred."
MOSCOW. L. M. *
95
Medium, Expressive.
\
d2t
■x=x=x
**
i:
-tirv-ti—*-
^z=]=^=l:i=l=1
du^BaL. idzzMdE&'i
2=P=£:
K
=t
z*=at
=t
}===!•
i^zE]
£=**J:*
5
:=t
zt
^sl
=1:
=t
-~^^
H=
f"^-
y^--
-•— s>
S1 9 — &-*-
h-
:=
:1=
d=^zg±qr=p=t==ro
#J-£-
SI
-&-•-&- -#-<■' v— ' » -0---&- -0- -O- ~ -0- ' " -O- -0-0- " -*-", ' ^ -&*-&'
1. God of my life, to thee be - long The grateful heart, the joy-ful song ; Touched by thy love, each tuneful chord Resounds the goodness of the Lord.
2. Thou hast preserved my fleet - ing breath And chased the gloomy shades of death ; The veuomed arrows vain-ly fly, While God, our great deliverer's nigh.
4
ft*
s-^s-
—
j£z*.
*£*
r
r r
—j — rj~
i i i
J-J.
fi
1:
P=f=F
B3
r4— i— f
I:
i
Z2=z^=tZ£Z^z_£
...
-J-J-J-
J- -J- J-
f— r~ r~r
*'i=]=!
•rath*
:£*
4
^-r-Z^Td-
T r rrrf fr-^ f r r'r'
1
=£=*:
:p±t=
J_
gzz^zzpzg:
Medium Time. With Care and Expression.
&=53^
-=^-
1—
VINEVALE
Pl=H
?2=p:
a
J_ J.
J-J-
:z2=_*
i i
rr
&
■pp
lgS|gEgps|3EZp5=g=p|ip
0-^0 I-^ — y— L
1. The flowery spring, at God's command, Perfumes the air, and paints the laud : The sum-mer rays with vi - gor shine, To raise the corn, and cheer the vine.
3. The changing seasons, months, and days, Demand sue - cess-ive songs of praise ; And be the cheerful ho - mage paid, With morn-ing light, and eve - ning shade.
n
' j^LQ _J-J_l_J — J <U ~
:Ep±t±=R
J-0—0J& — =«=Te
J. J-
=z^S
96
FLUSHING. L. M. *
Rather Slow,
/
:*z«L:
=H=P=ri:pi
-0-0
zzzE*:
0—0—0-
3
0-0— &
1^
ZZZ^ZZZZzK:
*3tiE>
!■;
-0—0-
zit^zrz+BAatz*
:zi3
3
-Q—0
=*=»
I
=**fcj
1. As show-ers on meadows newly mown. Our God shall send his Spi - rit down : E - ter - nal Source of grace divine, What soul - re - freshing drops are thine !
'2. That heav-enly in - flucnce let us fiud In ho - ly si - leuee of the mind, While ev - ery grace maintains its bloom, Dif - fus - ing wide its rich perfume.
m
~~
£=
*±
^-t-Tf-z
:*:
f*
i
j j
-JL
j j
-0-
■f-
S=
*=p:
^
35
z^ipzjdj
*=•
j jvj-
zzczfjzzzrg-r— fzfgzzzfzz^zzyyg
-r
I
l£
UVu
r r r
J-J4*J.
Zizz^zzzi^iz ?2zz:#z^z:*ztzzz:zz:eztr
E^— 'mi i i— t3g— gz£3E
Faster than Medium.
W-
■e---0--o-
=t
^*
CULWORTH. L. M
z^zz^zxzt-zjzfzL-4^
-H --S1 ©— -i
r
Arranged from BISHOP.
&-*0
tt£
Q—\-Q~- ^>—G- G
r^3_C_^tgZ^ZZtg_ _^Ztg_.Z_TgZ 5IIg__^±gZ^£ZtSZ — fr^ZjZZ-ZLlgZ^IcL gH^—ZjZZTe, ©J d-# -T'«=^?'1:0- H^ "^
^~^-
-^ -LS' Q-l-Q—Q-J-Q O-^^ "0X& &~
1. How pleasant, how di - vine - ly fair, 0 Lord of hosts, thy dwellings are ! With long dc-.sire my spi - rit faints To meet th' assemblies of thy saints.
2. My flesh would rest in thine a - bode ; My panting heart cries out for God ; My God, my King, why should I be So far from, all my joys and thee ?
iizziJJizr^^rzzzzzz^ '
*rta-»- "«— zj «-— r-h 73— r-zr- 73— zj- 75 — zr- t= — zj — rt-t— -r^r*- 73— r~ 1 r "zmiv —— ~ — ; isTr
m^^m
zzzEzz^-^
^=^
£=£
J ,1-pJ
rt^f^
With Majesty^ Heavy.
^*fz?z?
-j— s>-
o—o
*•--,
=t
:2zi
I
AMBROZE. L. M.
Arranged from Dr. MADAN.
97
— 1-6> — - -0—0- -M—G—&
^t=
mt-t-d-^-s'- '-&-£ -e>W
ri^-T==±te
tt±
:**
t*:Br
M^-f-l-t
>±3
&-&-
-
i^5
■^-S^
dlS^fefct
i^^|z]:zjzqzIZZ]]J£|=4^TpTixpT aB53^
©3-Fw-q ^- -*^-sP- ■zt=rH=ia. ^3tg3
^
&-
■©-1
^
1. From all who dwell be - low the skies, Let the Cre - a - tor's praise a - rise ; Let the Re-deemer's name be sung, Through every land, by ev - ery tongue.
2. E - ter - nal are thy mer - cies, Lord ; E-ter-nal truth at - tends thy word ; Thy praise shall sound from shore to shore, Till suns shall rise and set no more.
-- L — s ^—G>±a— a^as-W-a-f—i-^-B—,
^4-4-
1S$-?f^
r r r -
■M-.
-I-
;zpt?
rrprr
S
=#Z
■>-&■
I
Medium Time.
*§t3
p— g — #-
?z=^:
i
HAMBURGH. L. M.
Gregorian Chani. Arr. by L. MASON.
Q— 0 — 0- ~P—S-~- '-0
:qz .
© — *-
d
*--©-
g-|g-:E-g-j<— g
f==F
(zfc
~:
z£±b£
I
— #^ LS> — *--©— 0 — #-Ls> — «^J-S' 1*1 -q — *^-G — &
^A
z&#
0
*$
=t
E
-£>- -tf- ^r
l§
1. Kingdoms aud thrones to God be-long; Crown him, ye na - tions, in your song : His wondrous name and power rehearse ; His honors shall en - rich your verse.
2. He rides and thunders through the sky, His name, Je-ho-vah, souuds on high : Praise him a-loud, ye sons of grace ; Ye saints, re-joice be - fore his face.
te±t
=1=x
• r r r
3
i
«=t
i
-s> — •-
-^4=3*
T
±M»PF^
(OHIME — 7)
r~rf
r
isi
G — «
,r#: ~^—0m- -Q~
r
3^Pf-f^1
-S> — 0 — 0-
r~r
tb:
r
2Z=**±
J J J^ J^J, jj^
£=#
SB
ib=tt±?z±
i^U^
=2=p:
r
±t=
i
TT j
■p=w=w.
t
i~
98
Chantiint.
b*=?.-S:
zztzzzzit
1 — i — i — i- -
o — 0-0-0—9
e—\-e-
0-0-
APPLBTON.
gsrJL-
iSbfciziigd
P=
M.
i^zp:
Dr. BOTOB.
^ — £z -j£zk.$L
-0-0-
1
SSt
rtdt
=f
:1:
=F
-0-0-9-0-
3
1.0 for a sight, a pleas-iag sight, Of our al-mighty Fa -ther's throne ! There sits our Saviour, crowned with light, Clothed with a body like our own.
2. A- doring saints a -round him stand, And thrones and powers be fore him fall; The God shines gracious thro' the man, And sheds bright glories on them all.
«— ■ —
3?
:*3:
±F±=fc±=
?*=£:
00-9-0
HHs
^IIP
r-rrr
i ...J J. J J-'i-f^n
-e>-
-0-0-
±^J:
P=tt=F
-I-
-Z—T-e-f^'-
+T±rf±M
?z*z?-*z
1=
SEE
J~J--#J-M-^--x
£=JL
9-0 9
zj:
zt
*=*=
^ -•=
i-
'J J
si
J
r r f r
dzzdn±fctq
E
r — r
-0-0 -9^
r • r . r t
liefczst
-4
S
J J J
Jzdtt
J J J J
*=
, — ©.
J-
DANVERS. L. M.
pzzpzi
L. MASON.
I
With Energy.
^ztzfz?:
*gJX»-J&pg
PF
-•-•-
K
-I©
R
2z8:
E
fzzztizzzz*
r^p=:==
-© — ©■
=== — uTzzz^ipizz: z=-iz^zzcz|Tz;zrz
^ztzziEfizU=izztzztxzzz^&B
Eizi*3
■©--BJ-
Si
1. Awake, my tongue— thy tribute bring To Him who gave thee power to sing; Praise Him, who is all praise a-hove, The sour.ee of wis- dom and of love.
3. Thro' each bright world above, be-hold Ten thousand thousand charms uu-fold : Earth, air, and mighty seas combine,. To speak his wis - dom all di - vine.
3. Thro' each bright workl above, be-nol(l Ten thousand thousand charms uu-fold : 1
p^:zfz^=P*zbz^
i 1 . -J- 1
3z?: :^zzfrr±zi*#*fcl:?: zzzz 7° •
-i r- — — 1 ?;t»— •t">5 — S —
^giP^lzileiz
1 J J J
±3=
izzrii^zzrEp:
T7
-J- J-
gff^fff
\
BEIK L. M.
Somewhat Faster than Medium.
mm
! f
3E
fc£±
-*— « — «
V. O. T
99
i=M
- -6>- g -j-0-0-
^m^s^^_
f ?
-0—&~
=fc
©— *
I
1. How sweet the hour of clos - ing day. When all is peaceful and se - rene, And when the sun, with cloudless ray, Sheds mel-low lus - tre o'er the scene.
2. Such is the Christian's part-ing hour ; So peace-ful-lv he sinks to rest ; When faith, endued from heaven with power, Sustains and cheers lus languid breast.
3r3
3
r
J J j
it
r
=^
f~
<?_
=t
r~-f-
■e-r
I
—
rtr±rfe
i±±J
J J J -Lj.. J J- J J .
j
^^§^^^
SIDALE.
L. M.
<2=£L
£?
J J
r
=±f=trt
zr
r-
«— •■
#
Medium Time.
B
-■-• -/9
*-#« -g
^S^S*
i
:§*:
--©
£
FFP
o
FzV*:
- -3 »- -©
I-
:t=±
^
P
S^zzzq:
iiS|g|fe^
rizz:zi=±^zz:
*^
!*#<:
H
1. O, where is now that glowing love That marked our union with the Lord ? Our hearts were fixed on things above, Nor could the world a joy
3. Where are the happy sea - sons spent In fel - low-ship with him we loved ? The sacred joy, the sweet content, The blessed - ness that then_
3^» y~^
zz^^q=zpSz^rf:qqT-—^z==lT^*q^
i , . '_j_ ■] i .. n i i -•*- J - r r
af - ford,
we proved.
rIZzbllzl_^i<^
^rfbw^Ep^3qn. -Z3z^»3^zS=z^z^zIcEtzFEfzpr^
zzErzziezttzBzz^zzi^^
p r i - uj-i
*50,
4=
i
The last two measures of the first strain can be used in place of the last two of the fourth, if the latter are not plain enough for all adaptations.
100
BELZONI. L. M.
Tranquil and Gentle.
V 0. T.
(
$
~RF
I ==zp=:
=01- i- r r r '
E
e—m—o-
Tv-
'■&—m—6h\-B- s> — »—e — #-
lEtBiL
1*--P--
V-~-e-±-e-'-
^=±1=^
S— S>-
I
S3E
&
-■Lfif — « J — *_l>-i__ ^ — a -^d-J-Si — ^ — (•-- Lfi" — a ~J J--1-»J — « — s
^9—0—jBT
■Q—f—e-
^-±©-==1— ^— #-i
o—m—#-
4-e
■MZ*Z
j£
=£
-•-©-
a
4. Je - sus can make a dy - ing bed Feel soft as downy pillows are, While on his breast I lean my head, And breathe mv life out sweet-ly there.
~ -4-
*£&.
*zt^=t^=*zj2.
it
a
in:
— i— ^ — i — «_ ..
-jf—G
HP
^" 33* TT P «
J J J J J J
ztezzzz^iqp:
j J J J J J J J J J J J
*:*
S3
±2=st
SSi!*
J J
-J- JL
-J- J . J . J.J
.p — ^ — 1_
r
-W-
-0-U-0-
r
i — r^-
ipzzpe
=P=p:
:t=
PC
*:i(?±£:
Ill
CALEB. L. M. *
Rather Faster than Medium. , .
%*±$=*=
jEf
&fo
E
Cow.
3=t
^jz^l^^gp
F=|zgzzzppz=3|ztlt|z^zz:|:z^
1. My God, ac-eept my ear - ly vows, Like morning in - cense in thine honse ; And let my night-ly wor-ship rise, Sweet as the evening sa - cri - fice.
3dffcd
d:
fcfcf^fgfe
:
rnrf
j j
as
*=afc
irwur^; ,J_ J_,J_ j ,P l-.J _ {Vm k{_ -J^^JLJ *' J J. J ■.J-.'|jJlj3:-^-lJ «n.J ^V^r-
BURBANK. L. M.
Medium Time. Calm, Gentle.
V. O. T.
/
*£
■$*:
m
e— 0—0-^-0— 0-
=1=
f
e--\-0 '-0—0— p—m-
■s — o
o — Y-e—0—0- -0—0
I:
* — r*-P=
it
101
fefcfc;
S1 — •-
=t
ff— •-
itzafc
I
g--
*-0 4-0
3?3
1
©-*-*-
0 — a>-
-H ■.-
a Li
-jL
^:
1. As in soft si-lence, ver - nal showers Descend and cheer the fainting flowers, So in the se-cre-cy of love Falls the sweet influence from a - bove
:j— J^-4-==£I===P=i=^^ '
II
— f
r
zjrqzzq:
?--?
j j j j j j .; j . j j j j J
6 J
=B=t=zt
■9 — 0-
r • *
S
P=np= ?o=pp:
■I—
lit
£— js:
j j j j j j .; j
■ist
as
:*:
J.
J.
r
1=FS==J=
-0—0-
:*-*
_»-_
jczp:
i i i
FOLGER L. M.
Ratlicr Slowly.
V. 0. T
e—e~ -g-r-g- -g
*f=
j— f:
=T=t
:stf-
if^:
t±=t=t
g— gg
Si
*:*^:
&£f
-#-d- 'd-
—- LS,-r-*-J-«*
E
.£—£,-±0.
=t
SiH
Zjt-e^
_?±2=2t
333
*;
g-
i^H
■H— f-
g—
1
1. When sins and fears pre-vail-ing rise, And fainting hope al-most ex - pires, To thee, O Lord, I lift my eyes, To thee I breathe my soul's de - sires.
3_-_l 0
-4
i=*=dt±d
Fp -f
i^aBteCTBmaE
-^r^^i^fjr-
-.-r^-g-x;
J
■g— g-
-£>-
1-
t=
-J -J J
1
t^=T
Jj J F^ J J;
tiisrzci
:Ff¥=P=1r
•g— 19-
I
102
Fast ; decidedly.
i£a
bt
2i
a ■ —
PENDLETON.
22:
C. M.
V. C. T. "Cathedral style.'
gHH
i
-s>-
2::
2ZZ3:::
I
a=
=f
:r_s_
1
-a-
=fr
:*2:
s
=t =
=t:
11111
1. My drow - sy powers ! why sleep ye so ? A - wake, my slug - gish soul 1 Noth-ing has balf thy work to do, Yet noth - ing half so dulL
5. Lord, shall we lie so slug - gish still, Aud nev - er act our parts? — Come, ho- ly Dove, from th' heaveuly hill, And melt our fro - zen hearts.
S3
4-r-
tdz
T
-4
r
=t
m^
:±
1
.J-.
^^r*
r
sczs:
r
i:
r
-j-
251
-^-T
M — r
-©--
4r — 4-
-A- -O 1-
rEZzqszzia:
■J-nr
3t^=
r
— I— J- 1— J- 1— L L ■__
GARDNER. C. M. *
Slowly. (Alia Chorale .)
1 — 1 — j — 0 — « — { — ■-»
J j X] X^_^, x 1
#ZP^=rC
PC
:t=:
:S5
■±=±5
fc&tttz— £
t
Arranged from T. SWAN,
in
iz§i=!zi:f33:*=S
14
<y:l^v«:^_^xg_^
:=):
SEES
-*'
•-#
±dz=**±;
£
=F
1. O God, our help in ages past, Our hope for years to come ; Our shel - ter from the storm - y blast,
2. Be-neaththeshad-ow of thythrone, Thy saiuts have dwelt se-cure ; Suf - fi cient is thine arm a -lone,
And our e - ter - nal
And our de - fence is
home ;—
sure.
±=
I
-a-
■ !-^=i
:»-fEzi
4^544
H-
Ee
'^Er^bt
:t
p_ m^-9.
*=l=t=
I
rf-
»-+©
f
rf p
zf=tf_ tzfzif
to
£:
--©-
4=
LpzzzfczJ*:
*-
J-
r r
— i?-
r-
4
I
t3-
r
I
RESIGNATION. C. M.
Gently, and quite Slow.
V„ O. T.
103
WW
ZHT.^=WZW
-IT-
*=*~
?zzli*
m
4=
:«:
-e~e — 1
f
:p_#_p-
-»-
-«\-
raz^r
fe
— e — g-o ^
=fc
-S'-rS'-
1
TO
3:
*-•-
3
-*-•-
:B
53B3
^z.12:
-«?r3
z*-\re — •zz?^:
4q~
,_e — ©
I
— j-j — 1-^-0
S
I
-StS-
1. In trou-ble and in grief, 0 God, Thy smile hath cheered my way; And joy hath bud-ded from each thorn That round my foot-steps lay.
2. The hours of pain have yield - ed good Which prosperous days re - fused ; As herbs, tho' scent-less when en - tire, Spread fragrance when they're bruised.
0 ' -l-J-J-J -T-4--1— |-
- - - *—0 — *-+—*-+-&-& — h
M=^n'rF-.f>:H — r~T^Tl~|~Tnrl"fVnrfr
f-i— =J-^=_f-J5_ I— j- _ztd_^=tq=J_ z3zzJtL
4-a)^J-
:z??zz*:
1 — r-p-
rr
w-
f-
l
HEBER. CM.
GEO KINGSLEY.
Smooth and connected Style, Db will suit this tune better than C.
3zzd:
ijizzpzi^zzp:
^_p_p_ f
?:
^=^
:=£
bee:
i
1-4-
e o-
It
-0 — S>-
1
z^^zizid:
^--L
±Z*I
zpz zzzzbzzzz^: zzzzzszqzzzt r_=]=zz}^=]=|'
-^z^~ ~sr ~^!zT
-^-f-g
3
-*>-
P
1. By cool Si - lo - am's sha - dy rill, How fair the li - ly grows! How sweet the breath, be- neath the hill, Of Sharon's dew - y
2. Lo ! such the child, whose ear - ly feet The paths of peace have trod, Whose se - cret heart, with influence sweet, Is upwards drawn to
3. By cool Si - lo - am's sha - dy rill, The li - ly must de - cay ; The rose that blooms be-neath the hill, Must shortly fade a
rose !
God!
way.
w
-0— *
~j> — ^
—0—S-
1 —
— a-
T
J-
:z^
^zz^zj2:
-J- • -J- -J-
x
-3 —
-4-
-jZ^zMt.
P=^=P:
-^Fl
0--O—B
E
E3
Z2
o
^
zf
-0-—G-
-h-
ipzpizszzp
p:
i — r-
1
4
fefea
:pz3zz?r
1 — U~l — I-
J-
Z2t
j. -i.
•r-
-©—
f r r t r -
3t=t=
HI
104
Medium Time.
-&z.
E?==
^ZthZTZH^Zt
W=W-
zl:
H U N T E R S V I L L E
G. M.
T. HASTINGS. By- permission.
1 T 1^ 1 " 1 ~T "T ~T~
zzzgzzz:: -zrzzqzzztzzlzzzjzzil: izzzizzjz
1 i r
i
^~
zr
i
.1
=t
=tz1==J=t
13
3:
fzp
fzz
1. How pre- cious is the book di - vine, By in - spi - ra - fcion given! Bright as a lamp, its doctrines shine, To guide our souls to heaven.
2. It swcet-ly cheers our droop-ing hearts, In this dark vale of tears; Life, light, and joy, it still im - parts, And quell our ris - ing fears.
\
T
T — f~r
— g—
— I &
j. jl . j; 1 _j, -j. j
ztMz
T
3
r f
3 — :sr
i±fc±
— p — 1 —
:dzz*zz*:
!
=*
^
fczz:
.
:t=±
j— j— j— ikr-re
zzppz
r •;
4-
r r r
j£zg—j-
Quite Past.
TSL »
-I— j— — 1 —
-\-m-—0 — 0-
zmrw:
*=
iszzazziz*:
z^zzt^
1 — i — ^r1 — r^r-
BROWN. C. M.
^zzezzjarlz^:
£
E^
I^ZI
be
, -j- ^ -J- j
£
p±p
I
W. B. BRADBURY. By permission.
P*=£
t=£fcrzd=zzfcit:=^^
l==t=
EzzS=3E=t=zz^z^zz^fezzzzz3zzzgzzE3EE
=£
r-iife£pii
1. I love to steal a - while a - way From ev - cry cum-bering care, And spend the hours of set - ting day In hum-ble, grute-ful prayer.
2. I love in sol - i - tudfl to shed The pea-i - ten-tial tear, And all his prom-is - es to plead, Where none but God can hear.
TT-I t-J L-H -p.-) -tin—;] I-J-Ttj-Jj I J ■ I i— W-r4 E— I R-T-l ! t-4T-t-T-
fc
j.
j-^-j-
l^f
:<*:
-J -J- -J- -J- J J- J- J _
-0 0—m-0-Y-P- ?0—m— Hf-^— ■-
rzzrBgzEfzzz#^l=£iz£=zz^z^^
iij
J.
J- J-
tz
£
:EE
J-
:g~rr
Not too Slow
BEMEKTON. C. M.
te?fzzzt: tT"t~^ :
H. W. GREATOREX.*
* From his Collection, by permission of himself and publishers, Messrs. Stanford and Swords, 137 Broadway, New York.
PARK PLACE. C. M.
V. C. T.
Choral.
K^3
=PC
t=t=±-
a:
-9-
I"
Z
*=ZjE
9—\?
-9-
p=p:
i=f=
■fzzzz^:
:«:
in
s>
S^
*±=3±
:zzcz4
1— •-
2
- F'.-f
■•— r
afct
•■
"»— #
=t=Ft
zzEzFz^S
z±
*
1
^:
a
»- ~*4T -gr "*"
1. Show me, O Lord, thy sa - cred way, Thy truths to me re - late ; For thou art God, whom I o - bey — On thee I dai - ly wait.
4. O keep my soul, and set me free, Pre-serve me, Lord, from shame: For I have placed my hope in thee, And trust - ed in thy name.
1
%=*:
z±
4-
-j—« — p-
B
f-f~xf-U
, J- J. J.
r
'
-j-
-r— f-r-
:fzzz:Cz±.!*zzrzz
— i-T4
-* 9 m 1 ' !
EPFEP?
BE
t-
3a:
-J-T
■9-
J- J..4- J
r
-H-
:§:
■F
J -«- j
3C
tf=
J- J-
9 —
iz
r t7-
106
CHINA. C. M.
TIMOTHY SWAN.
Heavy, but not too Slow.
-o — e-
2ZZ^I
/
g»5
w
22Z_
3z?
^— p:
^zzp:
o
— p
- -g — I —
fPPP
s
)-e— g-
■g— g-
3
:?:dzsr±
1353
2z^:*
SZ^*
-g-
#2
-© —
4
•+
'-M*.
3
I§
1. Why do we mourn de - part - ed friends, Or shake at death's a - larms? Tis but the voice that Je - sus sends, To call us to his arms.
2. Are we not tend-ing up -ward too, To heaven's de - sired a - bode? — Why should we wish the hours more slow, Which keeps us from our God?
Pj 3
?*: :zz3z#: ^ziBzizt rszzz*
J -J-
:az2*?::
f
I
3 I
p*-p .ie_:pz:
szz^z
r-
This tune was composed at Suffield, Conn. The author was born at Northfield, Mass., July 23d, 1758, where he died on his birthday, 1842, aged eighty-four years.
ST. ANN'S. CM. D, croft.
I
'
Slow and Heavy.
#::bizz«z]z0ZZ)9:q
tztZzztzztTZZZt
I
±t
1
--W=&-
-M--
I
^
r^^ligfegz^z^^^^
1. E - ter - nal source of joys di - vine, To thee my soul as - pires ; Oh ! could I say " The Lord is- mine !" 'Tis all my soul de - sires.
2. My hope, my trust, my life, my Lord, As - sure me of thy love ; Oh ! speak the kind, trans - port - ing word, And bid my fears re - move.
J- '
r-^-f
-+.
-
j- -i j- J- j.
Ezgtezt
i-
-»- -4-
-J-
r
f
-P-H-
J- -J- -J-
:&};:
^zz,
z^=E±i
$=u=
tf-
■*— r—
I
DEMPSTER. CM.
Quite Fast ; in an easy, nowing style.
W. R DEMPSTER.
107
3E
-pzzpr.^:
■0 -&-
EE
szzpir
l—
m
mf
pzzpprijsp.
a:
-9-
D
im.
P=^
±=j
-
:l:
^r^-^
**i-
-iT»-
Js-
-j— —t
±32:
±
9±£—9:
I
1. When ver - dure clothes the fer - tile vale, And blossoms deck the spray, And fragrance breathes in ev - ery gale, How sweet the ver - nal day !
2. Hark ! how the fea - thered war-blers sing ! Tis na - ture's cheer - ful voice ; Soft mu - sic hails the love - ly spring, And woods and fields re-joiee.
trr— r ~ f— rJr?.-rf — F
I
rj
-i
SERENITY.* C. M.
Calmly and Gentle.
V. C. T.
1:
=f
I
1:9
:t:t
1. Be - hold the west- em eve - ning light! It melts in deep'ning gloom; So calm -ly Chris - tians sink a - way, De-scend-ing to the tomb.
2. The wind breathes low, the withering leaf Scarce whis - pers from the tree; So gen - tlv flows the part - ing breath, When good men cease to be.
ini ! Is ! \ i> r I a i j* \ ~ * 1 Is h
m
a-f — «— if
j: J-
r
£2:
-i—
r — r
=E
at
-fr
:**=•
fr
-1
^:Hl9.i:8::
ri-flr.
Ji-fJ
J- J- ,£ J-
r
| _____ • • # * * — 9 9 9 4 _\~9
~W-
i
$
* Tins tune has met with marked favor wherever the author's publications have been introduced.
-tr-r
1-
r
108 (a page of old minor tunes.)
i , r,,. .
F3 ]
-v~, » — l
±
0-0— i
I I I
5
3E**
WALSALL.
C. M.
PURCELL.
—z* rt ™ — a —
:£?
S
ft
s
m
^ i
1. My soul lies cleav - ing to
J
i* i _> >J ' — ^ ' I
the dust; Lord, give me life di - vine ; From vain de -sires, and ev - ery lust, Turn off these eyes of mine.
pBE
T
& 1 -0-\kd—S—r&
0«,
r*H~
--» S> =5 — r P—
t?3=
£E=
=1
M— n
£=ias;
Qui
-i-S-
0-0-0-
I— f"
^
^
BURFORD. 0. M.
L^.l
3
3t
d=^=i^Q:
i i
1, Teach me the mea-sure of
-« — Ls*
3ffiE
flfc
I
-o e-
<s ©-
te=^
T5l—
-gj-ri-
j=r"e -«-
J-
PURCELL.
-g---c<-
« l~y-^
-O ff(S— L& —
==H-«-d-iJ
my days, Thou Ma -ker of my frame ; I -would sur - vey life s nar - row space, And learn how frail
i
m
■6* '
am.
\
^3
-tf— feJ-
ffa:
-<2-
gfeSfefefEtj
— g^ffl — jW-
n
i^*
H2-
•■©-
fe
J
4^-
I
3E5E
_G-
«-- p — p
E
GRAFTON,
-;
^=^to=g
rr
=*t
J
=t=^
1. How oft,
T?
C. M.
fc
r
3E*
— #
i-U— J3
1 1 I I . ! I
- las ! this wretched heart Has wan-dered from the Lord ! How oft my rov - ing thoughts de-part, For - get - ful
1
C0 « L# # — 1 L_
j I ,.| J ^ J J_J „i J J
1 „i
r
1
f=r
of
his word !
fai
ii
tHOKAL. In two Parts,
COLESHILL.
C. M.
(As sung in days of yore.)
[Without addition, alteration, or emendation.]
1. How shorl and has - ty
^=^^^^EjB^^p=gj^^^^g3=g|^^5^
5
hJl
is
our life!
How vast our Boud's af - fairs! Yet sense-less mor - tals vain - ly strive To la- vish out their years.
! i i
x: —
I
P
=f3EEfc=:
£
:p-
E
3E2
«a 8
EE
m
With Dignity and plain Articulation.
MONTGOMERY. CM. (double.)
MORGAN* vs. MOORE. 109
A continental Gem.
V:
^^k^nm-trt^^^^^JM+tj
~* y—^
Early, my God, without delay, I haste to seek thy face ; My thirsty spirit faints a - way Without thy cheering grace,
So
~2r
V9—
■s — 0
s—
1
!==E3:
-H 1-
BEE
:-?-
-G-.-±
L_ — _ jO.
:*_e^s=-._ _
^=F
Early, my God, without delay, I haste to seek thy face; My thirsty spirit faints a - way Without thy cheering grace,
g^EB5g]E^
-P— «=S— «- H #— *— r-
So pilgrims on the
'W=E~-l-
3z
CL-\-?—0-0
.1 ■ 1 1
V-^
*— «-
3
P^r-^flg
xt
xES
#— »"
£±f=r
-^r
_i_i_
-*— i*-
-?— i*-
>*--*-
-5 g:
Early, my God, without delay, I haste to seek thy face; My thirsty spirit faints a - way Without thy cheering grace, So pilgrims on the scorching sand, So
Iht
■*• ■#- -0-0- ,
±=£r
:Ex£
-?—*—*-
-I — h
-«— #
f^
— r-l 1 "3
*=>
:&
w ea X
JO i.
See#=£
:sk±V
a?
So pilgrims on the scorching sand, So pilgrims on the
3=?=^*:
^r
*=~=^
"«-#-*-
»l
-0 — 0 — 0 — 0-
s
M «_^«_
« ^
5^
*-FM^
v-v-
*^E
_&-
EEI
r^ttf^^p^feipi
pilgrims on the scorching sand, Beneath a burning sky, Long for a cooling stream at hand, . Long for a cooling stream at hand, Long for a cooling stream at hand, And they must drink or die
-H — | n 1 1 n — i 1 r— i — ! — i 1 — i rr-i — <* ■ r— n — ' ' — ' — ' — ^~
t=J 4
5^^
S5
-0 0-
*-P-0
W-L
7t±-,
^=^
-0-0-
— e= — l# ^_= — #_*_»_i i~&— 0-1 0.
-*tg"
scorch - - ing sand, Beneath a bunting sky,
<3 : »-r- ... i — •-
i
-*— *— ^
'# — 0 — # — #-
fEB
Long for a cooling stream, . Long for a cooling stream at hand. Long for a cooling stream at hand, And they must drink or die.
rp-i — : a'-r^ 5
-0-0-0-
-*-£
.'. 48 ! I
s
(2 s-ft
^=fra:^
Bl
pilgrims on the scorching sand. Beneath a burning sky,
Long for a cooling stream at hand, Long for a cooling stream at hand. And they must drink or die.
■*■ *•■•- ' — - ■*-■*- -*k."*- ■*" ■*-
i_
B
f-H»-f
s
=E±
±=t=
^
L_[:_jg ng-g~<-» XjC^— fJ^j=x[xppxjL-»— a.
±
scorch
ing sand, Beneath a burn-ing sky,
Long for a cooling stream . at hand, Long for a cooling stream at hand. And they must drink or die.
* Classical authorities are not settled as to whom the authorship of this celebrated old piece is attributable. Smith and Little ascribe it to Morgan, and other antiquated collections to .Moore.
Amid such contrariety we credit it to both, presuming that between the tii-o, justice will fall where it belongs Owing to a certain freedom or waywardness in the progression of the several parts of
these old tunes, we omit arranging them for the organ, for it seems to be their preference to-be " executed " without any such instrumental assistance.
110
ALBION. C. M.
isLel
Rather Fast. Exact Time.
V. 0. T.
:=t=:
V=
i5EEBE|zj
:?c::2
*=
-EE^
=5
-©— -S1
:pr
S 5- ■-
s
1. Faith is the bright-est e - vi - dence Of things beyond our sight ; It pier - ces through the vail of sense, And dwells in heaven-ly light.
3. By faith we know the world was made By God's al - might - y word ; We know the heavens and earth shall fade, And be a - gain res - tored.
r r r f-f- -r- -r f -f- r f • fr r T \ T f rrr
l j- .J- J-j-J-
T~
^2=3:
V1
J- J I j
iffEE
i i
z^yp-rp-jpr-^
=
:(=
i
j- j 4 J.
r
f — h-
3=^2:
1 — r
^A^
t:
i-
p=z*:
r
-p-
-f-V
JL J-
2:
&Hi
— f-
i
1 — *-
/
OMNIPOTENCE. C. M. *
Quite Fast, and very Starrato.
^
zpzzpzzp:::
T=
=£>:::
ii
pq=
p-rr f =f =f=j
L-4— ■ -I^=
:=]:
:£=z
tf=
=F
3
3
I
3
^— p— p
3=5
-5f F"If=-
:p=pzz^:
Ili^gi^^
=t
±3£
I
:=t
3
=i:
And rides up - on
-^-*is' — t—
-o- -0- -0- -0- -0- -o-
1. God moves in a mys - te - rious way, His won-ders to per - form ; He plants his foot - steps in the sea, And rides up - on the storm.
2 Deep in un - fa - thorn - a - ble mines, Of nev - er - fail - tng skill, He trea-sures up his bright de - sigus, And works his sove - reign will.
i.\ L.
JiZZP
razzz:
fez4
i
UNISONS,
J- -.
J- J-
J-
X
«* — :■-
£3E
j?—*—*
t— -*-- 4— — j —
p— p:f:
1 — h-1-
1-
r r r
j j
-•=z=4e£zz3
r r
j-J.
■U-4— U
UNISONS.
? \-& • 0-
Sd
1-
H-^_ZZ7L
m
ST
^^
I
f \
■p-
-s— 1
i
CAMDEN. C. M.
Slowly, with Feeling.
-0-0
3fc±Z3
3zfE=±
^ffi
0-0-00
m
t:
^czp:
v. a. t. Ill
An Extract from th« "Sacred Minstrel.'
— — L- 1 »x#_»_*HIs,_J—
-0 0 0
#-J- *•- -1 ! 1 ±— -9— 0**-
1. And can mine eyes, without a
2. Blest Je-sus, let those tears of
tea^
thine
Sir
1 — C-tf-^-'— y 'g- — *0L~ri *-J-«-7*J— ki— L-d |-T_q_C_
**^-ty
-O-
A weep - ing Sa - viuur seel Shall I not weep his groans to hear, Who groaned
Sub - due each stub - born foe ; Come, fill my heart with love di - vine, And bid
s- -^- S-
and died for me.
my sor - rows flow.
4
*=*=3
4
t=^t
m
-rrr
4-^U
i&5
-Ef-
33"
i — i — h-
?£=r«
h~t-
-j-
J ! f
=t
ZSi
-r-A-A,
rrr
T-i-
£:
'°JZ9
a
^FF=*
£=s
Ef
t
WZjE
J-tJ-tt-J-J
-J- J-
»E
£=F=i
*z*=*:
i — ■-M-t-
4-
j- j-
^=#:
1 — i-
:£=£=::
J J-*
--%-
1=£
3S
1
ptj-c
tt
|E
medium. Avoid Dullness of Manner.
Soli
==,=t±b=r
£=2*-
VOLGA
— ^i
tEEr
C. M.
Coro f
■e-\s
e-0
E
SbZi
PI
4
7. C. T.
■*£.
P=js
&
in
Coro mf
~^-A-
0^-0-0
m
^ S—f-
=F
«
V-e-^-tf-tf-
55
d— 2^"
434
st_*
T?
-«-©—«
4=t4q
4=t
zt:d
^
:zt:
I
j©—
33
a
1. The Saviour calls — let ev-ery ear Attend the heavenly sound; Ye donbtiog souls, dismiss your fear ; Hope smiles re viv- ing round, Hope smiles re-viv- ing round.
2. For ev - ery thirst-y, long-ing heart, Here, streams of bounty flow; And life, and health, and bliss impart, To ban-ish mor-tal woe, To ban-ish mor-tal woe.
— a-
±dzf*
H
. O—j-
r rf
13
A
-4=4
ttez:
3tx
3—
3 —
4 J
m
■At 1 J 1, 1 4
-4J4J-I
'iiii
E
it
r
* Db is ^referable to C for this tune, if not too high.
Ij5
■e—o-
B r-— — r - 1 ■ — r"
m
Mil j_ _
-©-
::^:
J
112
FLOWER-VALE. C. M.
<
<
Slowly, with Pathos.
g^zi— :— ^- =zt
gS:
i
:«:
zzzzJzzi
zzzzB
J
Soli.
12-
V. C. T. From the "MinstreL
*:^i
?^EpE
:p=3
in
Coro.
• • i ',| -I j ' 'J=^!fH:^-t3jb^q-n4Ht-
1. O that I knew the se - cret place, Where I might find my God ! I'd spread my wants be - fore his face, And pour my woes a - broad.
2. I'd tell him how my sins a - rise — What sor - rows I sus - tain, How grace de - cays, and com - fort dies, And leaves my heart in pain.
-+- ! I l-l-
r— f ^^—
m
=fc
1 1 x
-f-
f—t
:2zzrd:
f-
-I— I— V
r r f
Bz*
-,■=>,-
*zi*z
zkT
S-IJZ* 0 J Z ,5 ri9-TH — «
g^^pz^zp£z!j±zi
-s—
J. I J- J- _1
-0-
-J21
ZZEt
f r^f
:*z?:
£
r
J
• -m
B Y E F I E L D. CM.
With Fervor and Emotion. Staccato.
1 1
THOS. HASTINGS. By permission
zjz:zjzzz!=z£.
I
i=ztz:h_+2^_jizzztdzzzzz|zz^^
zzS±^=3^3gz^zz^S^^^^^3^SEi=
3
1. Prayer is the soul's sin-cere de - sire,
2. Prayer is the burden of a sigh,
Un - ut - tcred or
The fall - ing of
-a- -o- -o-
ex- pressed, The mo - tion of a hid -den fire. That trembles in the breast.
a tear, The up - ward glancing of an eye, When none but God is near.
I
:^zzjzqzzi:zzzMz:Z!:::z!:z=z! i=
j. j. ji.i-i.j- ± ^ j , ., j.-- j. ■ -.-• x-:-X'.:x x J.-.J., 4- J- j, j..r
WTfrtrr-r-rf
J-U-J--
^
iBzijizzp:
iEl3
i£zzzz±
-0—0-
Se&e
HYRCANUS. 0. M.
Allegretto.
O. LYMAN, Hartford, Conn.
Presented for this work.
113
igf
\
-Jt-'P
=t
i^p
SS3EES
- — e-
mm
3?
m
5
•^
IS
£=£1=35
*at«zfi
Cow.
:=t
M:±=.*:j2
-t
— H
lift
Earth has engaged my love too long, Tis time I
agraffe
S^^^iffiBi
tstzi
^ ft1 l r T-r-
, , -w-J- -J- J , ,
mine eyes Upward, dear Father*, to thy throne, And to my native skies : . . . And to my na-tive skies.
rrr r
r-f-
fmWww
2fc
^-r— U-
si:*:
:!
^
fit-VV-p-^MLafL--f
•*:
J±2<3
P
=ff^^fF?r=:^^FP:=:===:rF:^F^:
=an~rt==1Pt:-F=r — —^-^-r-
--,
X
J.
!£:£=£
tJ^-4-
qfzwzp.
i
*» «*
r
+F*
I
WINTER. C. M.
In Choral Style. Medium Movement.
READ.
H-
*=lz«
±:^=fzzitzElz|
o
^
f=*
3:
«r
=Pff
:*±*
^^
^*
S
=t
S
•-^-^r^:
t*_=*:
=£
=r
0 0
^H
1. Oh that the Lord would guide my ways, To keep his sta - tutes still ! Oh that my God would grant me grace To know and do his will !
fc
-4
-I l-T
tm
$
t=tf
r-i
f— rH
§&E*
m
-j-
fe-f-
i t0
-J- J.
JL
-0-
-J-
+ bjJ -J-
£
r r
J- .^ -fi.-J
(chime — 8)
1-
^P
114:
Slowly, with Feeling.
V^ZpZZWZM^
FERR1S.
-prrjpz^-pziL.
C. M.
T. HASTINGS
By Permission.
sc=s
1=
|±E*
zziz^lsz:
- ^k^z? t=S= eeE^
&z_d:
tizrd-fdzzzzj.
zzzhz^-j^zjzzjz
zzrfiszElza'zikziS
I
2. I saw one hanging on a tree, In ag - o - nies and blood ; He fixed his languid eyes on me, As near his cross I stood, As near his cross I stood.
4. Mv conscience felt and owned the guilt; It plunged me in des-pair; I saw my sins his blood had spilt, And helped to nail him there, And helped to nail him there.
QEaziztf ttztz: <^i*t TZ^rik. :3zi Izi: : Jzlzs^z* :z=* J:
-J
-©-
IE?
4-
3t=t
■f^—Pf
I2ZI
=f-rF
m
J-J
-©— •-•-r-
3£
z^zfzzz
J- J._U
ia
1
zii^z^pzzzzigz ^izz™_s- _.
ii3EiElzt:lzzEfe=EE
J, _J._;_4.J-J. _J^zJ_- j ^ , j'-J-j
f-f-f^M*
£
h-
E
— &-
F=FP
¥H-
iiil
j— j-
j.^iK
?2=^:
PR
m
BLACKBURN. C. M.
Medium.
W^
ijzzzjzzzi:
MziMzzd:
zzg— j^r^z^
_ 0 — ^zza._^—
^-Tzjzzjzzzjz-*1^--
|^E3:
=1
zipzzczz:
t=
ffiEE
£
P
#— 0-
■m-
\zzz\zi
jiZiZjZL
I
Szzzffrte
^~? y_w~*~e~ ^~*^~?~$ *-&t^d-~
=t
^zz*:
zazzlz^
1=P=±
^
IZ2ZXZ
1. Be - hold" thy wait-ing ser-vant, Lord, De - vot-ed to thy fear; Re - mera-ber and con - firm thy word, For all my hopes are there.
2. Hast thou not sent sal - va-tion down, And promised quickening grace? Doth not my heart ad - dress thy throne ? ' And yet thy love de - lays.
\
m
=1
B£3
-o
\
=t
r *r r
j-j—j-
3=
idzz ^
±t
II
z:j3E^I:E=gzjzzl
_ 1 i ■— -J_J_J.
zJzz
dzz^
r
l
4-r
est
a El
3S
^I
-J-
g — |— jg-
-J— J_
j
-f—f-
-J- J.
rzz^zzzzzz^rzzt^
^J:
=3=**
BE
4--
— ©—
«==:
I 1
TT
-©—
£
H
ASHMEAD. C. M.
V. O. T.
Rather Fast and Staccato.
H£
-a— a-
I
=Sz:i:::st=2>
& — #—#■
35^
E
■f-^dt.
-jtZfT.
^P~W-
TT«?
B?=F=^
115
m
-0- -0- -«- -«- -if- -«- r©-
1. 'Twas in the watches of the night,
2. While I lay rest-ing on my bed,
ms
EBB
=t=p=i
:*=*:
=t
«£=•
-s*- -*- -«- -s>- -©- -&■
I thought up -on thy power; I kept thy love - ly face in sight, A - mid the
My soul a - rose on high ; My God, my life, my hope, I said, Bring thy sal
e L-J I- -t.-'-kj — I-
ISS^S
dark
va
est hour,
tion nigh.
-©- -0- -0- -O-
9- -Ch-
j_JJ j_j
r r t r r r r -'.,r r
-h-
:p«=P
3E
i
4— J-J-ri-i-i^
?2-=P==p:
t^t
*J
gferf^p^
Spfc
J J-L
*
::2i
igili^^
1 JlI
1-
I
L^Z£Z=?r
I
Quite Fast.
Eft^I
HH
fc
f2Z^:
V=3Z-
E3
*■£:
CLARENDON,
C. M.
I. TUCKER
s£=s£
1
— 1=
2Sfc
ij^^pg^^gp
^-j-^g±g
tdzzt
=t
Eff
-**
^=*^±^
IzzS^^SzS
1. What shall I ren - der to my God, For
2. A - mong the saints that fill thy house, My
all his kind - ness shown ? My feet shall vis - it
offerings shall be paid; There shall my zeal per
thine a - bode, My songs ad
form the vows My soul in
-0--o- -e-
dress thy throne,
an - guish made.
:z
"t-t
=t
*f
^:
■OS-
£
Te-
f
'-&'-
■LJlAx
tzti
r r r
I
£=£^e
H
h"
iszzzjs:
-r
J-
rrn i I !
?zp
lift
Quite Fast.
mm
in
'f
EEE
H3=
EE
ST. JOHN'S. C. M.
^S~P
z-
&=&
Soli
Coro.
?zzcz2zre
=4
s^zs*:
=t
:gzzq:
:3i
Szi:
^zzqzztzrzjBzl _I — ±r
1. Now shall my so- lemn vows
be paid To that al - mighty power, Who heard the long re - quest I made In
sgEjg
drf^idfci*
^
^©-
S&^
=hp:
^-jt
zjzpz'^iz^:
:£3;
E*z?
-3 C^_s'
my dis-tress-ful hour.
iim
fr-ffirW
azzzrzzz *3±z£=£zzr — -tzzzizzizzizjzp
-l
XI
I ,©-■
IE
&■
r-
«p=
IE
BOLTON C. M.
Quite Fast.
IeS
f=ff;£p
-oTs-
:p: :^:pz: :pzqpE ?z=zz:: :pz:ir
©=p:
a=z
tt
^FF
pZIi-IICZn
±
£t=t
at*:
-#- -©-
h --) — I f — ■ — k —I — i — i — -+ -- H
^±dEjzid^£dz:9>±dz^^idJ
=&I
dz:*±d
z°z:d
Soli
Coro.
J~
£
gH
Iffifflffi
1. Te hum - ble souls, approach your God With songs of sacred praise : For he is good — immensely good, And kind are all his ways, And kind are all his ways.
M
fz.9±
tf=f=H
F-f
-i-
- j* — ©.
=ta
^
j j.;-j-hI j- j- j-j j.^.-j,^- .j
.If_^L
^LTg~-Jp-^TJ^#'~JriTJ^ST~^'
f-
frzi^izi^z^Izzz^i
p£
ag^g-zg
±f:
EE
1=
Ezzz
zL_ "zz> Jz_i J_,
iz^^^S^ll^E^lz^lf
For the sake of economy in space, these old standard tunes are in modem works usually published on but two staves , but with an occasional exception we have adopted the use of the full score
fer them, for the reason that to many young singers, especially, they are as new as any other tunes, and hence require to be as fully and plainly arranged as the newer pieces ar«.
b
IeeS
-6 K K
f-T-TT
DUNDEE. CM.
Scottish.
117
IS
=p= '-&-&-
=fa
ff
2ti::?=3±
qB=?Z
-tu — u
31=
P--gJ-
;*-■
=t
:d:±:st=2t
4:
1
g
J
.^^fcfafc
-gJ—sfc
33
zsttst
II
-©- -©-
1. Let not de-spair nor fell re - venge Be to my bo - som koown ; Ob, give me tears for oth - ers' woe, And pa - tienee for my own.
2. Feed me, O Lord, with need-ful food: I ask not wealth, or fame: But give me eyes to view thy works, A beart to praise tby name.
With Animated Expression.
B^3
T=±
-o-
333
LUTZEN. CM
0
=*
is:
0 — ■ — «-
£
Attributed to LUTHER
^Se^^^eS
/
^
fa*:
=1:
=t
:*=*:
5B:
=t=*
is
1. Come, Ho - ly Ghost, in - spire our songs With tliine im - mor - tal flame ; En - large our hearts, un - loose our tongues, To praise the Sa-viour's name
2. How great the rich - es of his grace! He left bis throne a - bove : And swift, to save our ru - ined race, He flew, on wiugs of love.
_J — | J — l_j — h , rrH—_4_r-J — LA 1-,-f-a-l-T-l — U-4*
t£=at
£=F
J&ZZlt
r-r-
±=&=-
SEJ
Hr1! — f
nrs
it
f-
:':
IS
J. -, J :■; ± » J ■..i-i.^Uj
j- J- -J-
1 — r
-«-
f— f-v
afczpF
1=P£
-r—
e:
«
J-
n
?
r#-
J.
r . r
3=^=9
r — r
:=t
iJ=f-r
^
F
II
^
1-^
Ell
118
VIENNA.* CM.
Slowly.
V. C. T.
:&-*-JL
pcqc:
o
ipZISZ
I
pz^:
?zzj2i
JizE3z^-
Thy Laud a - lone
-,b-
=f
2z±:
-s>- -•- -»-
1. Author of good — to thee we turn : Thine ev - er - wake-ful
eye
Alone can all our wants dis - cern-
£f
'J
z2z=m-*i
3
f-
4
F*
ss
iiife
Thy hand a - lone sup - ply.
-J
— ^
r r r
F=£
pp±^B
=P
"zzzzzzzz Lj
:Fh=1 f~~t>— g-
JL J, J. J- J- J.
L| p-
i
=!-
zzfcs*
it
4
J- J- .J.
[[it --rr r
st:stz*zz*:
FFF
Quite Fast.
* For small choirs and well trained voices.
ME RID EN. C. M.
1—
Thy hand a - lone
u*
1
sup - • ply.
TH. CLARK.
^m
p=!^z15=Qt=rtz&ttiz[==E^fctftzzzz
^-j:p::gz^r
111
His won - di-ous acts, <fec.
z^z2^z2idz?iizzSdzrfiz^^t3z3=^=-±?=?#S=!£
:izz1±
g
5^:
&zM~+.
SE
«3
Bta££
2=3
1. O all ye lands, rejoice in God, Sing praises to his name ; Let all the earth, with one accord, His wondrous acts proclaim, His wondrous acts proclaim, His wondrous acts proclaim.
ttzopzi-M
±+ J j J
USE
H ©t-J
^3
; ' HZZZTZZZZI
.xf_f_±ZZ^±f_tr_r
z^&zz^aL-f^
— J 0 (©a,
fftj izizzbz
t
• l-iTfTiy*
BUR WELL. CM.
Gentle and Quiet,
V. C. T.
119
ztazzz
mk-3?— ?~
-0 — q — e—
m^
3
0 — &-
TJ
m — • — s — e-
' =F=&:
=}
9 J d \-3
±t4
•—•-&—&
I
1 — 1 T
d-^—l—d-
m
=F
I
:=t
-&— d
I
»:
izzizzst
B
=t
-*-©-
1, Whom have we, Lord, in heaven but thee, And -whom on eavth be- side? Where else for sue - cor can we flee, Or in whose strength confide ?
2. Thou art our por - tion here be -low, Our prom-ised bliss a - bove ; Ne'er may our souls an ob - ject know So precious as thy love.
=!==]:
i^i— £:
=t
-1:
r r ? ?
j j j j j
r_r_r
j j j
^tes
r
j j
r ••"-(',/■• f r
i
:=t
-*~*—d:
dzdz-J-
— I — » — s>-
i
hfefcz:
*z£
t~
-i — r
g=pzzpzz|:
t
-g —
r 7 f ~<7~f~^L"
j j j j j j
— g_Le_
=t
I:
-H-
:P=F=F
J J J J j
s£=5-
I
t:
t-
ORTONVILLE. C. M.
Medium Movement
<
THOS. HASTINGS. By permission.
dzqd:=ti
1. Ma-jes - tic sweetness sits enthroned Up - on the Saviour's brow ; His head with radiant glories crowned, His lips with grace o'erflow, His lips with grace o'erflow.
2. No mor - tal can with him compare, A-mong the sons of men ; Fair-er is he than all the fair Who fill the heavenlv train, Who fill the heavenly train.
-4-
f
I
-j— -j-- 1 1.
s=:^-::?=e=
T
_ — i
J- -j-
*=#=£
(2 J ?L_
=t
S> •>— !
-e — i
r
j jj
22=2
J^^jd=:^-^i4^^x4±H:
S— 9-
:<==*::?.
"r r r - r
3==rg==:E=tg? ~g=g=a :fc; zi
-F- ===F-{g— n*4F— j— I — l—rfi^
j J J
r
— «i-
— ©-
H
p=C
«
120
Unite Fast. In the swell voice, and highly expressive
zfe
IB
fa*±
m
HE
P
BLOSSOM
m
C. M.
Arranged from CLIFTON.
r
:::p:
tt
Sf
=±3t
---©-
i
vfe~
£=r
i
-c
nxp-^
• 0
az=i«B±
U
:£*=*
=t=t
:stz*i
=J=t
rsfczi:
=t
^=zi
33^i
-•-0-
4^::zj=fe:
a*
4
I
1. Dear re - fuge of my wea - ry bouI, On thee, when sor - rows rise, On thee, when waves of trou - ble roll, My faint - ing hope re - lies.
2. To thee I toll each ris - ing grief, For thou a - lone canst heal ; Thy word can bring a sweet re - lief, For ev - erv pain I feel.
A rr4- -J-i-J ^-j-^E^ ^ r^-4,J !,~-U4^J U-l
=*=t
r f r
— Hi— f gfg — »'— -?:
d T-d h-z* ^-H h"d hT-^— Wl l-T-r— r-
f—f-H—f-
:*:
J-
j^A^J.
f- -fHt
P
ESE
■s — t
Lo_»^_l
0- -Q-
J—J J
f=±f:
-*K
P- J
TTT
J* J. J. j
t:
I
-1 — r
r
CAMBRIDGE. C. M.
\
jl>
Rather Fast.
Dr. RANDALL.
?3=\
t=3±
-•-•■
zj-g-g--g"g-H
F^
ifzz^iErt
;£—
3i
z:?zr^
lie conques
he, <fec.
1. Sing to the Lord a new made song, Who wondrous things lias done; With his right hand and holy arm, The conquest he has won, The conquest lie, <fcc, The conquest, &c.
2. The Lord has thro' th' astonished world Displayed bis saving might, And made his righteous acts appear In all the heathens1 sight, in all the, &c, In all the, <fec.
S3G
EEfb
15=2
=±b
J J J
1
-ft
j it 1 j.
0~g~\-0-\--Q
I
r
its!:
:FFr
P-
fUeZte
f"
— -©-Kl — m—m—VO-G —
t
--t
Fzpt^fcziztz
•1
i- Lj.JLj
SEES
TT>|| ■■'
IE
pJTT-m-m-
I
VERNON.
Allegretto.
=£
m
££
4>-o — K:
S=333
L*
:*zIj
C. M
fas:
V. O. T.
i
• a)
^t^=«T=F^
a£:tl
■0 0 a
Soli.
Cow.
Soli
Con
as
0-0TW0^£.
■a#-H- -A-
'=£
*-#
=^
E
*-*-
•-"-^
121
1§
iit!1
e
h:
ati;
I
1. Lord, thou wilt hear nie whenl pray; I am for ev - er thine: I fear be-fore thee all the day, Nor would I dare to sin, Nor would I dare to sin.
2. And while I rest my weary head, From care and business free, Tis sweet conversing, on my bed, With my own heart and thee, With my own heart and thee.
Gentle and Flowing Style. Moderato Sostenuto.
jig, P-9
t
:ffl
£
1=C
-0
LEWNEL. C. M.
~0»\9-g>0--~-'^
-H— rl — H h-
(Tensr and Alto keep the time in the 3d strain )
m
m
=i=^qp==
■•— »-
t=t=±.
^ztf:
A
^t
0—0-
V. C. T.
mm
Soli.
Coro. on
mf
±
• ~0 Zm^ &
1. 0 could I find, from day to day, A nearness to my God ; Then should my hours glide sweet a - way, While lean-ing on his word, While leaning on his word.
3. Blest Je-sus, come, and rule my heart, And make me wholly thine ; That I may nev-er more de - part, Nor grieve thv love di- vine, Nor grieve thy love di-vine,
^ I . I T T I- I . I r A, ft.. Ul > -U3lr4~l-rJ— JVJ-JT
i^^i
l^f"?
&ifep
r -*'
f
1^SS3S
-^¥-
98*
§§g
:«c
Hid— z=E ^d-^Vj-^rd-^T ^-^Jttdnd-d
*^
?*
':
•-#
3 *..«,
r
J_J J j. J. -
«-*
m
122
SWANWICK. C. M
Rather Fast
£z^=g^:^zPztz|jz^z^z^^
£zzz3zjzz^£dzz*:%Bdzi^fc^
1. A - rise, ye peo-ple, and a - dore, Exult -ing strike the chord; Let all the earth — from shore to shore, Confess th' almighty Lord, Confess th' almighty Lord.
2. Glad shouts aloud, wide echoing round, Th'ascending God pro-claim ; Th'angelic choir respond the sound, And shake cre-a-tion's frame, And shake cre-a-tion's frame.
<
g5
SzJ
Ejz :?zz«iz: zzz* z %bt. iEfcz := 3f *zjjz±±Ez: aSi SF^fr :r£Ei 3^bE :?= ~=lzz :zzzz*tf*:*z: zfzjl
i — r
rr
PATMOS. C. M.
\
Medium Time.
its
Gregorian.
3:
zizzE
z3tzztdE=izzSazztitz=*
=t
±:zi!
■
— F-g— • — #-f-g-:-» -f-g-^-gf- — f
I
zs
&—*—*-
}==4
=4t
zizB
o->
I
=t
-d— tf-
^^^^S
1. Shine, mighty God, on Zi - on shine, With beams of heavenly grace ; Re-veal thy power through ev-ery land, . And show thy smil - ing face.
3. Sing to tlie Lord, ye dis - tant lauds, Sing loud with so - lemn voice ; Let ev - cry tongue ex - alt .his praise, And ev-ery heart re - joice.
4-4. l-4-U-r-!-
z^zzizzzh
4 4
:zt
fe^
r r r~t r
j_ J j j.j j
^zzfjgzzf
zdzz:
r r r r r
-JL
zzizzf:
r-t-"
fzzHe±a:tzzztz±z?zzt
-zzczpzzp:
t-^-^-t-
nrzzL.
t=t=
J j-J- 0 J J J J.J J . j c_ J_J _J_Tzz_Ji_T r_
;zzz±ziz_-zzr z^ z: pzzazca: • i^ix^zziziz — C , ,,—-4- «-P Fr
:p±f:
«
EEEEfc
1
e-
h
£
DUNCHURCH. C. M.
Slowly,
Scottish.
123
=t
=t
:F=F:pj— g }:g?— g -FaPT-a-H- 3=frg— ^3"g"
1
rfe
<* — ««- -
S S-
-© ©-
E
Mf:
zFT-a:
izfcs:
o—tf-
4
4
^Z^±^— dr.
3=F
zt
=4
3*:
&
=t=c
&=£.
:^=pt::=j=^-:^:
I
1. Long as I live. I'll bless thy name, My King, my God of love ; My -work and joy shall be the same, In bright-er worlds a - bove.
2. Great is the Lord — his power unknown, Oh let his praise be great ; I'll sing the hon - ors of thy throne, Thy works of grace re - peat.
Medium.
figg
CHESTER. CM.
s-
I ■-! 1 1
II
±rzz_d±d 1
-\-&-
SZ=Ph
iEP
THOS. HASTINGS.
L|—
=t
I
&— g- ^ht^ -°~a
1. How oft, a - las ! this wretched heart Has wandered from the Lord ! How oft my roving thoughts depart, Forgetful of his word ! Forget - ful of his word I
2. Yet sovereign mercy calls " Return ;" Dear Lord, and may I come ? My vile ingrat-i - tude I mourn, O take the wanderer home, O take the wanderer home.
SSI
=1=3
&£
f-
J J
=£
J -J- ^L J J J J ,
53
2±±S±
=i
u
■&-
=hSJ& ^eO^SE
^
■s ©-
r
■S> — Q-
£SE±EEE£:f5
=f
■e—o-
1ft
2=^
ip*£W=
•c5 19-
F
124
VOLINDIA.
Medium Time.
3
M.
f T T T f f T
V. C. T.
f-F — 0
MS
I] -—-4
_i 1_
-A— j-
*=e
p=^
< >
*s
^— •
4= =4=4:
4="3
iz?
1. Dear Lord, and will thy pardouiug love Em- bract.- a
Coro f
(Alto be careful here.)
f-f-t-r
t=F
:2z
J6=BzE:
g
H
"'/
=t
=«
=t
: =&zz1zzSlzz1±-fi:
-wretch so vile ? Wilt thou my load of guilt re-move, Aud bless me with thy smile !
— 2 — i — i — i~ — i— ip r— L' — ' — M J ±^^ — zzy~ — — I — I- J r~^ ^^ — — ^^ ' — — — I — —
VOLASKA.
till (Base be careful here.)
C. M. *
Mocleriito. Con Expressive
^m
^1" T Tf'f r-<F^4-^
Arr. for this work, from J. W. WIESEWTHAL.
SP,
0-0-
0—0-
MWfflB
*=#?
tj:
^
i^^^t^^S^^
1. Do not I love thee, 0 my Lord? Be - hold my heart, and see : And turn each worthless idol out, That dares to ri - yal thee, That dares to ri - val thee.
2. Do not I love thee from my 6oul? Then let me nothing love : Dead be my heart to ev-ery joy, Which thou dost not ap - prove, Which thou dost not approve
<fe? !?6=3= =£ ftftt ■ *»P *= :- ==F= =|=B -=+*: jl~^43^= ?TirT ^^^^^w°Et±h^: *:*:_ ±±E
J jP ±-;£th.j±- Jj -5 j j.j jj j_j j'j-j. ; j -. : j; ,i=-U j
iz-r * — * 1 f1 — c-ic^ci! — t._^_1_it_|__ij._|_=t( 1 j: _i «!_l_|=a=c.rt__J:_
BELLONDI. 0. M.
Medium. To be sung alternately with the tune below.
fe
^Efc
= ^EE
=E£
Arranged for this work from
the late OLIVER SHAW, Providence.
LOW /T\
125
5
r.
M
■©— »-
SStziEEt:
Ten thousand thousand are their tongues,
And blessings, more than we can give,
2D SOPRANO.
^
i£fe
^EEE
^EE
i — *-
-
#^»a
S*
6
■S> 0
3
£3
^
\&zrt
S
»s <*
£
1. Come, let us join our cheerful songs. With angels round the throne; Ten thousand thousand are their tongues, .... But all their joys are one, But all their joys . are one.
Je-sus is worthy to receive Honor and power divine ; And"blessings,more than we . . can give Be, Lord, forever thine, Be, Lord.forev - - er thine.
SOi.0. — ^ coro.
m
&—+
##-£*
'PFF
mm?}
&
**»
*»
^
*zrE*M.
-&-*■-
-s> — ^
■G> — -0
— c •
(2— #T»a
-» r-rF* — zrr*^ rr» — ^rr^ — »t»s ■ t&> — i — i ■ —
§¥SS
fe
E
V0U.1L.
T-»"
EE
l-\<9~&-r-*-\- «-
gfei
J J J
-<S>— *-
££*
I I I I
4 Si id'
'J -
-fir
MYRITON. 0. M.
Medium. This tune may be used separately from the one above.
V. C. T.
0-
1 1-
F=F
s-
0
■of—:
rj
:&
rt
-rb'
ALTO, change to upper frta.tr at third strain.
2D SOPRANO.
i
0 'a
1
-0-->-&
*ZZt3£^ZZZ*Z±&
S
f=^=*F
-s> — j— »-
E
P
2. " Wor-thy the Lamb that died," they cry, "To be ex - alt - ed thus:" "Worthy the Lamb," our lips re- ply, "For he was slain for us."
4. Let all that dwell a - bove the sky, And air, and earth, and seas, Con - spire to lift thy glo - ries high, And speak thy end - less praise.
k
1ST SOPRANO.
s-
sfei
X
Hi
-0-
■~zzif. ~rjg ' • ? f—
:Td=;
=ti
i
f=f
A— A-
1 rV-
l I
4 TO
E
3E£
^JE£
■S> 0-
l^^EQEEE
■51 0-
« — ■ — #-
-© — -#-
126
;
Slightly Faster than Medium.
±--o I — \~-
'it±pz
9 — l I — i 1 — I —
f—e — m—±- -0—0 —
:^:zat
W—W
J E D D 0.
5-=4==t=l=q?=^3i
C. M
3E=
*
W—W-W
t=
35
~^
F=F^
--S»-
±i
i
)gzb^_g
*— o 1— -M 1 •— L^ 0 0-1-&-
•zM
0-0-
33=3
-©-J-
Hence from my soul sad thoughts be gone, And leave me to my joys ; My tongue shall triumph in my God,
4
■i-O-
=t
m
-,t±
t=g
=t
:*:z*:
±zb±
«=±
ioXU
"H— !-• *•-* 0—d- —±r\-0 f— ?0 •- ~jA-J0-G—
And make a joy - ful noise.
E
•zfv
t-^±f--f=±^-
0-*
f1
mt
09-
j j.
j. -j- j. j.
p=pc: ::^~zp=zp^p:: i^pzq
it
;?=•
3EJ33^
J J
n
.^1
f
u
I
*:
-2:
I
HENSLY. C. M.
*
Subject from PALESTRINA.
Slowly, with Simplicity.
EEt!
g
i
E ^-»--a — f-i — I — | — ■ — -
===t=*33=M=
#-#-
==fe3
i
\
C s._I-#—# o g-d-0-%0 C ^s.-X^—^, s, S>-I-_ j-I^CZ' — a s,_X_#__tf 2 e__L_#_.#_S>.
I
1. Since all the varying scenes of time, God's watchful eye sur - veys, Oh, who so wise to choose our lot,. Or to ap-point our ways I
3. Why should we doubt a Fa-ther's love, So constant and so kind; To his un - err - ing, gra-cious will, Be ev-ery wish re - signed.
!a>:?
jEJ3JZJz£±Ef
r
r_r_r_r
f-*r
sii
r
:=3:
3
zx:
3:3
J -J-J-.Jr J J
?=
-t—
13
-J-
r
-0—0-
3
3fcz«££«=
f— r— ^— r
j -JL j.
I
5=pc
— ©-
^
pzrp:
£
J J
5
*
..j.-
f^Ttt
r
t=
«L -^ J J J j
-F-
BRADFORD. C. M.
Slowly, with Expression
HANDEL.
127
E
:*=:!S*::?
-9--Q
±4
n
:fcg
£fej==g
=t
4
§
a
z±=z
0-
1. E - ter - nal Source of joys di-vine, To thee my soul as - pires ; Oh! could I say, ' The Lord is mine!' Tis all my soul de-sirea.
2. My hope, my trust, my life, my Lord, As - sure me of thy love ; Oh ! speak the kind, transport - ing word, And bid my fears re - move.
=b
£±
fc*
^
£
r
SEn^
±±£
r
■J— ^
-f-xr-
J] j J J
I — EP^-^pF
k--— JTgH
=»
r
^z^:
-ft
l — *«- -»j —
P=£
h-
:r
i^J-
1
r
»P
H
r
r
1*
h
Medium Time,
*±
±=*
© /©— ©■
I — lU-[-ti=
igl
LITCHFIELD. CM.
L. MASON. By Permission.
V o
t=n=
■e—
m.
--
■-Q-
-e-
$3
■o— P:
±t=t:
W-0-a
*£
crzizzte?:
3
^1
1. Sweet was the time when first I felt The Saviour's pardoning blood, Ap - plied to cleanse my soul from guilt. And bring me home to God.
2. Soon as the morn the light revealed, His prais - es tuned my tongue ; And when the eve - ning shades prevailed, His love was all my song.
128
Rather Fast. Bold and Staccato.
=p2=
HANSON. C. M.
A PAGK FOR WORDS REQUIRING A CHANGE OF TUNES. ,
V. C. T.
I
L£=£zia*:
zz*zz5z£lz5
a -t9 — •-- ~G-\*—m — o — U-
«* — M 1— ■ -* ^
f=s=
i
mf
Ores.
:zfc=9=
sEfcfE
ifszqsi
m
ZZit
-©— ■ • 1- — e-^^—A-O1-^ 0^i-.o 9 #_. L# ^.X-g,—! ^ — # «_L* — ^-M±0 — c_
\
1. Give me the wings of faith, to rise With -in the veil, and see The saints a - bove, how great their joys, How bright their glo - ries be.
(* id verse to Turn belov •
3. I ask them whence their victory came ; They, with u - nit - ed breath, As - cribe their conquest to the Lamb, Their triumph to his death.
255=3=
t^&dzzj
?
i=^i
T
; ; ;
iCzzfczz f-±f-=±=^=i==iz±itz:?fZT^d=5
:£
-« — «
-i» — ^ —
7 j
:
T
H-
r — r
r
r 7^j r r rf
±dz
, ; ; ; ;
zzzsz^zp
#— Lr~-H
szz/i:
sjzfe
■tr-fcr4! — h
H0LL1STER. C. M.
Slowly. Staccato and Expressive. For the sake of contrast with the the above, sing this tune Soli.
j
:zp:
u=i
f§
V. 0. T.
^
^zzzz"-
=^3
0 — »—
EZZip:
:*zzl ?
*zz:p:
=£
3z£
t:
:iz:
m
mp mf p r==- mjf r==-
c 1 — 0-±0—o — j. *-J-# — ^_L-^-_ — 0-J-0 — *-*~m 01 r a--. — <*— ' — x o — 1M — o^j— ' r -L# — ^-L-#-.-1 —
'1. Once they were mourning here be - low, And bathed their couch with tears ; They wrestled hard, as we do now, With sins, and doubts, and fears.
(* Remainder of Hymn above.)
J
£zfcz
: i.
_[Z_r__Ir_.c_p^_pZT_r
=t
; j j
^jEz?
p
H-
rr
^-fc^z^zzpzf^izzzjzz
3£zzjz*z1zzzz:3Ezzzz
, ; i j j j j . -j- j j j .
Si
:pz=p=p:
-1-
IE
i
Rntlter Fast.
BRATTLE STREET. C. M. (double.)
FLEYEL.
129
|M I
ifefcf-gz:
J-0-- -0 s-'. '-0-\ -& -
-■^ L_, 1 1 0-
i — r
-e — ■&-
:f=f=:
-@-
:F
~r~
:?:±E|
r^zzqs:
±=tt
izbzsizzj:
±
-j
s>— d-
3=4= :
:2z=2£
EE
&-• — «*-■
3
=*
zfeiitz*— 3£
^:
ill
4-
53
« — s*--1-^—
1. While thee I seek, pro - tect - ing Power ! Be my vain wishes stilled ; And may this con - se - crat - ed hour With bet - ter hopes be filled.
3. In each e - vent of life, how clear Thy rul - ing hand I see ! Each bless-ing to my 6oul most dear, Be - cause con - ferred by thee.
3 I 13
•-ft--g-Hqd=*
Lite:
zpzzzC:
=4
*=$=*.
5tt
zizt
lpE3:
tr,
j j j j .j j j j
-"-^--j — i — ^H"~# -|-»-g-|-s'-^-a »-• |-
j J J Jl J J
=M:
-?—
4^z=2£
5EE
±2
n«z*-
Pf-r^
fezbf:
?2=p:
ZO^W-
4=
t-
-L-e-
A=£=
r
J J.J j j j . j j
T
^~PT"P
:-
1 — r
I
=t
f* r
=£— -r£
lj-T
T-
==BE
-*— L-j-#- -g— •— 0- -e-
K
±=P:
-(2=
=F
&>&
Goro.
b~b— ]-.:.
±g=tfi£
=t
H
33
^O . ^-ISi— fr*
4=4
2=*:?"
33J
4=
2=2j!t
gffl
-&-
m
±
2. Thy love the power of thought bestowed ; To thee my thoughts would soar : Thy mer - cy o'er my life has flowed ; That mer - cy
4. In ev - ery joy that crowns my days, In ev - ery pain I bear, My heart shall find de - light in praise, Or seek re -
i , , ^n "T^ i IT"
I a - dore.
lief in prayer.
^ztz:
tzMztd
-Mf
3:
rf
f-^
±C=
:==F===FH iT=~^
H-»
H-
=i
SltA:
P^F=f?
s<z=s!£
±2
at: /iV a
r-f
— r-
2=
J J
p:
:l
K
-r^-T
J . J J
( CHIME — 9)
P
E
I
£
130
Slowly, in the Swell Voice.
E£z£
3^
HAMLIN. C. M. *
Arranged from HAYDN.
Soli.
— i ^3r_pf [— rp —
two.
Sj^E-=|^E|^=p;gi^agp^p^gpi
s
1. Since all the va - rying scenes of time, God's watchful eye sur-veys, Oh, who so wise to choose our lot, Or to ap - point our ways.
2. Why should we doubt a Fa - ther's love, So constant and so kind; To his un - err-iug gra - cious will, Be ev - - - ery wish re-signed.
W-» ^zt= 99 Stag rzElzf:: zz*: fzz
2 i I w, lL_[ZZfZIZ^ «© ___TH_r.I_;?.
, J- , -J- J J-
Ui_J£
*ztf:
1
^4
■*^-#J^*— IJ-r-
-j -gJ-4-
3=3E
^SUSg
j j ii
-r
S
5CPE
r-
ZZJZPZZDE
.•— --I — J-h-
«T, P.-
iS
Medium Time.
izzfef
pzpzp:
:P^
= ^}=
K
--•-#-©
-0-S-O
FOUNTAIN. C. M.
-g— |-g-
b'V-a-.-i hit JM m lj J jriPri^r^fH^
■-©-■-—
at
=£
I
1. There is a fountain filled with blood, Drawn from Inimanuel's veins ; And sinners, plunged beneath that flood, Lose all their guilty stains, Lose all their guilty stains,
2. The dying thief rejoiced to see That fountain in his day; 0 may 1 there, though vile as he, Wash all my sins a - way, Wash all my sins a -way.
BE
. J.J1JL , . JLJ. .'.>,. / J* J . J.JLJ. . , ,
way,
23
J-.-£ J- J-.^ J-
s
■+
;*r
-j-.Jj J
SI
joptp
Medium.
M E N C E. C. M.
Contributed by H. FULLER, Sheffield, Oonn.
131
'±h.
5b:
-0-—»—»—0-
X E Pi
:'=£:
-p — \s>
i
=r|
*Z^=pzpr
tt=4
i
:©-*-^
•©— ©- -©—
I
! g> I # . #— » — #-•-© 5>
i^i^is
1. O all ye nations, praise the Lord, Each with a different tongue, In every language learn his 'word. And let his name be sung, And let his name be sung.
2. His mer - cy reigns thro' every land, Pro -claim his grace a -broad; Forever firm his truth shill stand, Praise ye the faithful God, Praise ye the faithful God.
£±
53
£z£
-0—9 — 0-
A-
istr^l
±
A —
dz=J:
€zss:
& — 13
_ — »~p-
ttd=&=^cM±iW
+-V-0-0-O
-# 0 #-
\j±.
i i
HP*
J Li J J
r: ~3 2::L-Z5zrzz=: ^z±?z^zi
=J=:
J J
H r-
E
f^ijeegie?1
w=
i:
*-=-»-
j j j
! i I
i
^^rtf-f-tfS
With Energy, but not too Fast.
~&±
W=K
£E3=«:
*=X
w^tdtA:
LINTS. CM.
V. O. T.
-0 0-%0 0-
f
?=
m
>/
E
■2tzs£
m
^
333
s=*
a:
1. Be - gin the high, ce - les - tial strain, My raptured soul, and sing
2. Ye curl - ing fountains, as ye roll Tour sil - ver waves a - long,
^
* —mr
ibz^t
■0 — •-
3EI
o xo
-e—
3t±±
I
I
A sacred hymn of grateful praise To heaven's al-might - y King.
Re -peat to all your verdant shores Thesub-ject of the song.
132
PEACE. C. M.
Slowly, Steady, and calm Expression
V 0. T.
- -U-M «-- -
rfztfEzft
ze
pz^zr^ — tf_lJ__
g&ftiglp
=£fct
•-*-
■9 x*^f — &-T& — •::]I^H-*^I«I-I'~
1. There is an hour of hallowed peace For those with cares oppressed, When sighs and sorrow-ing tears shall cease, And all be hushed to rest.
2. Tis then the soul is freed from fears, And doubts which here an - noy ; Then they that oft had sown in tears Shall reap a - gain in joy.
hushed
\
gzz^fz^zz^z^^
£_ jj -^ ?L.l_jz- J — — J J_ L—jftm J ..-J.- J . j p -H J / ; J- — £_. J_ I,, j^ J i_ J. •
Slowly, -with strictest care of Expression.
The Treble must be aung by a high, flexible voice.
VESPER. 0. M.
zfez
-qixqqn I-4-Ht*
tSizfziz :s<zzz*z: :^J:z
t
(quartett.)
zp
zzzzzztzpzzzl:
■♦-g— 1-»-
iH
1. The so - lemn still - ness of the night, That fills the si - lent air, And all that breathes a - long the shore, In-vites to so - lemn prayer.
1. I love to steal a - while a - way From ev - ery cum-bering care, And spend the hours of set - tiug day . In hum-ble, grate-ful prayer.
ztezqzz
r
M
^zrzl^qzz^iz^z^z^f z5f3 :
Piano, or Oman, very softly
^ f~—T H-'-,h— i I lL-bJ=LiJ:-f U^HWiH-f-h- '-[-
zz£zjz?:z^±z!:*:zjzjzi:j:
t^tTM.j ' -I fczj - ,1 II i
<>
SyjJ/j Let it be sung with care, and by a good voice.
r^"
xpqzz
f r • . - r
izzzfz^iiprr-t^z;
:pzz^ipz!Hzzzz
J J
J- J-
<> ■.'•
r1i> :^T^fe.' iVlli li rTJ- il -I fcV
fit
J
J
If
;-pzzz:p:
i 1_J ill! -
:tt£=£itz:zzrf
~) H
tzzLrftzzzJi^:
J-TJ— J-T^
dtzC
S E F T O N. C. M. *
133
Medium Time. Staccato.
1. Why should the chil-dren of a King, Go mourning all their days ? — Great Com-fort-er ? descend, and bring Some to - kens of thy grace.
CHRISTMAS. C. M.
HANDEL.
/
srzb
Quite Fast.
a-T»-
P
■e-e-
sH
F
-f-
£3
±ri
P—s- -e-e-
±4
|^£^|S|^
zzfe:
£=^=
=£
a-a~
3
zp
3E
-L^ ®--V^
1 v sa
m
r^R==T=£
*=#3=jb±?:
J:
=3,
1. A-wake, my soul, stretch every nerve, And press with vigor on :
&lz^
J J J
pippt^z-^-
r
Ezbz^bpL
zzzb±
^ZT
zzzpfiq:zHf=i=l^F|=q=i
zz^zfcrfpr^^lzz,
A heavenly race demands thy zeal, A bright, immortal crown, A bright, immortal crown.
I
4-
:?z^;a
H
-if_r
J_ 4_l J- J J
zrjzzjizj:3zTzrzi^
:fz^:
-fc|
rrr-xrf
IP
j
:M
F±±
szp:
ilzE
z:
J J Jrf
f2_J X
5
izfe::
134
MAJESTY. CM. (double.)
Altered and newly Arranged from BILLINGS.
Medium Time.
S3B£=I
b±^
f
-0-O
&
ia:
3=£
£
c
±izk*
-®-o*
ig
ttt£
1^-1
■O-r
his spi-rit from on high,
And thus ful - fils his word.
&ii
t=±.
•n
-i — i-
:=f
•-#--L5> G>~>~0—&-
Sa
-©--•■©
1. Let songs of prais - es fill the sky, Be - hold th' ascended Lord,
I
Sends down his spi-rit from on high,
And thus ful-fils his word.
:_fez_£>_:z!::
yj-
WTFr
r
r r
J J
ft
Sends down his spi - rit from on high, And thus
0-jPL <L^. ^ ~ ^ J J J J uJ J • . J _J_
ful - fils his word.
And thus ful-fils liis word.
Very Staccato.
^-fr-f-
t=t=P
ipzzp:
t=t=:
3=*
zq-pp-— z—i:
4-
fe£±rffWJi
?n
C5w
^ T_I_~ ~ 1 9-^-m 0 * •— t-H— ; -~ L~ * * 0-L-0 9- -L * <? H— L© "—
4. Come, Ho - ly Spi - rit ! from a - hove, With thy cc - les - tial fire ; Oh come ! with ho - ly zeal and love Each, heart and tongue in - spire 1
:fcjj4-jU
j j
^±zlz34=
t=t:
S
J
#
if::
J J
:*:
-4 1-
-f-
T—f
Q—
I
BE
azf-.
4=
^
LLu i_i_pJ-j_.
4=
:3
3
Eg
f
I
AUBURN. CM.
V. O. T.
135
medium.
-Z=fr£
2=
0- -g — 0^—p-
i 1 1 *-i '
B
:P=^:
p — 0 p
a
*=t
niztstzP:
9^9-1
m
Soli.
Coro.
Soli.
0
oro.
S> — 0-O-
a*
±hei:
-4-0-&-
--&-
0-e-\-0
-9—
4
53
-^c
1. When trouble fills my soul with grief, Oh, hide not, Lord, thy face ; For I can hope for no re-lief, Un - aid - ed by thy grace, Un-aid-edby thy grace.
2. Our Fathers, trusting in thy word, Reposed their hope in thee; In thee protection found, O Lord, And life and lib - er - ty, And life and lib - er - ty.
i
fi^fr-i
=¥
t
:*z2:
4=t
stat
r-rr
r r r
iiiiliiiiltii
zfez^rp: ipzzpzpzpz pziMzput
fe-h-P— t- -i — i — i — *— -i — i — i — ■
±f±ri
i^zizzz
:p=s:
H-n-V----— J | . t -r- ir-Tj-j.-J-J-T^-r-
jljrr ^zm=fs=jn izzzzzpzizpi : «- :=qp= ??-P : e^FF
MULVANIA.
Rather Slowly.
fctrfc
fa
9—0-9 — 4
rn
-p — 0-O-Y-0 -*-
-0-O-0- p-rp-lza
9—0-9-
C. M.
?2
*
Words by H. H. HAWLEY, TJtica.
0-9-\^0- -J *-© — *- -©-F+-
p— 2-
s^-s-
9-9-
£
/
fcfc
rd:
p-szi:
e;e
■9—0-^-0^9-^
:|=4
55
-f-g— g-^-
^3
-•-©-
~-\
Izjz^zzPi^;
z:
ISO:
«tSH
£
1. There is a hope, a blessed hope, More precious and more bright Than all the joyless mock -er -y The world esteems delight, The world esteems de - light.
2. There is a star, a love-ly star, That lights the deepest gloom, And sheds a brilliant radiance o'er The prospects of the tomb, The prospects of the tomb.
A
-'-Hr — r— J^-*-©-1 —
. rrT- f-r^rrf — r
-^-u1
-44-
i i
-4,
i
136
Medium Time.
ffi£=
:£=£
*cj=&zj*zzj£.
=t=t
:£=£
Hi
:s>
ERI :AT
C. M.
V. O. T.
dz=d::::i3=i^
*=*:
-t—
=t
1
=te
fest'
»»/
/
£±
±
:£
-L-SI-
I
1. My drowsy powers ! why sleep ye so ?
2. Lord, shall we lie so sluggish Btill,
I
mf
5£
i
m
3E3
-&—•-—
i
Awake, my sluggish soul ! Nothing has half thy work to do,
Aud nev - er f« ■; our parts? — Come, holy Dove, from th' heavenly hill.
Yet nothing's half so dull.
And melt our fro - zen hearts.
medium.
^SS
ipzzp:
:t=t=
=t
^=*
ANDRUS.
■> — gz
C. M. *
te£
BE
=t
:/■:
:st
4=
HI
iq=^=4
©--L
afczf:
=f=t
H=E
zgzzzsz
'*=3=3=bs£ ::*=*
=1:
I
1. Sweet is the memory of thy grace, My God, my heavenly King; Let age to age thy righteousness, In songs of glo - ry sing.
2. God reigns on high, but ne'er confines His goodness to the skies; Through all the earth Iris bounty shines, And ev - ery want supplies.
3^
s
:*:
-I
±=t
^A -a ,--j — 1 — l_J_l
"'• b.~,,3
S2:
r
•
-i.
i i j-
-^rz&zz
t_f ^zr_p — j, — r r_
-J
*3C
— ©-
r
dzzJ:
c
fzzfc
zzzF*=*zzzi
HE
d=J
r
sr-a-z
r
£:
^
dz=g-| zgz zgzzz^zzzgzzzzgzz:
j- J- 1 j.
T
f:
J_j J_J
i=g£i
F:
(Zzzzrgzzzgz
h
I
JORDAN. 0. M.
Quite Fast.
iiSS bih-'sf zrzd _
ItizzzBzidzz^
I «
^
:zzz2ZTp
TZ
in
-*+
53
(double.)
BILLINGS.
137
r:
I-
F
qiz^zqiz — zzzx
■o^*—**
^
4:
tzzhEfezE
Es
^
:::
lESSE
-© — e-
& — •
W
z|=
— W?1 s^lszz^zig —
-© — s>-
m
-s •^»i«
T
-J-©-
5
© — e-
s
•gr
1. There is a land of pure de - light, Where saints im-mor - tal reign ; E - ter - nal day ex - eludes the night, And plea-sures ba - nish pain.
SE£
&fc
-t
1
zfczst
«-V~
:*z*
£dd=^d==ad
^z^^z:|
r
IS5^
*±=£
J J-
— r©-
i-=W^V-
-J- J- ,lJ Ml
5EE3
^tr
x-H-
j^zzd
*z*
jj_l _J_J JL
»
s
- p
<9-
^fFF^
w.
J J-
"Tfefj-
J
I
:^d:
t
:z
ar^zz^zi^zE
r — f— °— r
p_ p-i- — ^
t— -i
*j2zzz^zIpz--jzFfczz^zi1
ir:zzzbz±| — ' ' 1 — J— i.
1s=~pl
^S^gS
111111111
th
3. Sweet fields, be - yond the swell - ing flood, Stand dressed in liv - ing green : So to the Jews fair Ca - naan stood, While Jor - dan rolled bet - ween.
X^J^X^-M^_MJ — yTJ-4^— +TH -rzi- ' ' '
zzfz^zrLzrzist
fc¥
£
-f
*
E
*
#z£-zlz£^j
i
=*t±
fcfe -
S
^zz^.
f— r
T_i —
j
s
r
^z:
*=
J- -±
rr-r f
^
P*
2=^:
1
138
(
rbfa
In Choral Style. Moderate
=4=4
^-ZP:
!*•
STEPHENS. CM.
ri
Rev. Wm. JONES.
P
m
Soli.
±t=fcti
:E
3*1=*
£
IS
Goro.
±
• 0-1-9- 9 I g r~*~0
J
1. Great Shepherd
3. Help us, -with
of thy peo - pie, hear !
ho - ly fear and joy,
gp3i|p
Thy pres - ence now dis-play; We kneel with -in thy house of prayer, — O give us hearts to pray.
To kneel be - fore thy face ; 0 make us, creatures of thy power, The chil - dren of thy grace.
*3T
t=4
a
t:^
1_(?.
E*
Srt.=Aj=to
— f—J~
\ --T II
"i J
l2n#
kfezfc
HH
j.
E
j~
E
n
4
U
cr
-4
r
-4
r— r
4-4
f"
*=^
•rt
■7"
=a
4
T-Ti
^m
Lfr
l£
l»-r-»— J-r-o— JrT-^— Z~r- J-r-J— J-- ,-J-— J---.-J— r-
MEDFIELD. CM.
Variable Time, from Moderato to Allegretto.
SilS:
K
:*:
=2
d=t
:tf:
3E5
t
-# — 0j
Ef
r
±pl=h
MATHER.
P
»',
^
if
'
1. My Shepherd will sup - ply my need, Je - ho
2. He brings my wandering spi - lit back, When I
vah is his name ; In pastures fresh he makes me feed, Be - side the liv - iug stream,
for - sake his ways ; And leads me, for liis mer - cy's sake, In paths of truth and grace.
;b:»»a
SSEE5E?
4
r~r
-rnL
-A-J pi±j ^4-^s. H ^lr^-1-T-J h-+— --
r-# — j — rj-
£2 a :_zz=ri:«_:71^zf|==p=£z
?:
1*
—*-rt — — — tf^T,1— *~p»-r-r*-
-r— r
BS:
i i J
t
D-U-
I J r
STILLWELL. C. M. *
139
Slowly,
aiowiy,
iMizzfeZTeZZZZ*-
1
I
f=t=
33^
-* *
tz -&B-£i ' -■■ ■- E5EE?
ez*z«:
ii
&g
lE£B£
33
=5
zt
Z*I32=^
§11
-■-© — »-*
4
0-0-0-0
1. Oh, could our thoughts and -wishes fly Above these gloomy shades, To those bright worlds beyond the sky, Which sorrow ne'er invades, Which sorrow ne'er invades.
2. There, joys un-seeu by mortal eyes, Or reason's fee-ble ray, In ever-blooming prospect rise, Exposed to no de - cay, Exposed to no de - cay.
A^i^te
-f-rr
r r-TT
1^=^
i-jv^.;-t
J
#-»-
4
I
=zEfc±zz£:
ff
W=W=0^0
E
^1
*z*:
^-^
J4-XJ
IS
-tf
pzpzpzpc
Rather Fast
r
CHESTERFIELD.
3dg
zzpziS
rt-rT-r#
° -«-
z£
0-0-
3EPC-ZZ
?
*EzE*
rf
i--©-
ZE3
! — h— B—^:- -<s — •- 0-2-0* :i4— F—
gs
?»/
p=
/&??:
C. M
1=
*=#:
pt
til
eS
CWo.
*sa
iS
• — 0-yG
=J=qs
-a-
%*
-*-fc|*-
Ef
3S3
0-0-9-
mm
0- i-s>-J —
1. High let us swell our tune - ful notes, And join th'an-gel - ic throng; For an - gels no such love have known, To wake the cheerful song. •
2. Glo - ry to God, in high - est strains, In high - est words be paid ; His glo - ry by our lips pro-claimed, And by our lives dis - played.
^W
S^S
ii
^=^=3=3
r
tkzsB
±zi£±z
r— r
-4
4-4-
1-0-
3ET
:p=r*=
:tz
U f
4-4
t*zzj:
=*
tf_z*:
#=*
J _J J-J- ^J
33
#:»
W='
^^
£:*-
S:
^z*:
-■*-*-%— t*
T^L
1=
SEf
4^-
IZZZ_ JZZZZL -ZJ_ J.
J
?FF1FFFt
-j-
4+4
i-J- JI 4.
^P-r*
S
140
JUNIATA. CM. (fugata.)
V. O. T.
In Moderate mid exact Time. Staccato, and avoid a drawling manner
.■* -+■
«
&•
:g
T,==Z^ZT
\-»-^~»Xi
Soli.
:rii
3f£Mp»=s
:S:i|
BZPZSt!
<?■
-WW-
&£*£$
4
^35
rfi
:zto
*±^3333
4
A light to shine upon the road That leads me to the Lamb,
Coro.f
■fr-f*
ize+Pzi
i L
That leads me to the Lamb.
?ra
^
4
Bii
-#j-«^— *
•■-tf-L*-
izat
1. Oh ! for a closer walk with God, A cairn and heavenly frame, A calm and heavenly frame, A light to shine upon the road
fl^^iS^i^
J—
fr^=^^pzpfe=pzprg
- -| 1 « 1 B-l U-^— k=-l- ■**■
L^_U 11—
Tts— b-r
I t*»-
SiE^t=r-^Ezi=:
JLJLJlT^rjj^J-J-JT4l
r
■»-•-
:^z{n
That leads me to the Lamb, That leads me to the Lamb.
;;
-*-*
IE
0-0-0-
£&*
£;
jjlj-lj-
I
A calm and heavenly frame,
That leads me to the Lamb, .
\
Faster than Medium.
WILMINGTON. C. M.
T T !
Anonymous.
Altered and arranged entirely anew.
r iisier man jieaiuiiii t T T w ^ Auereu ana arraneea entirely anew.
mf Soli. -===; r=- Cb?-o. «=c:
*a
-s>-
n
See Israel's gen
1 T I
tie Shepherd stands, With all en - gag - iiig charms ; Hark! how he calls his ten - der lambs, And folds them in his arms.
SsP
£=3
-4
m
b,,3
■0—0-
^ZiJ?2ZH#Z±=pp- tiprr-
^
-L-rJ
r Wf ,'ff >ta
H
EEJ?i
«x^
tJrirr3:
?
jw
-. i0--^O 5— T T—
=3=?
j:-
F
EEJEESEE^P
Slov»»i .
£±.
':.
:S
life
BARBY,
C. M.
TAWStJH.
141
z^tz rfH-j: 3t=3= 3i
S=Sfc5=5^S3
i
aS
=r
I
-#--»- -S>-
a
&
#-L£-
B
g
-«-L-S>-
-i~s> O-L-O 9-*--0 9.±.99^0 1_\ — KZZ
3. Hope looks be - yond the bounds of time, When what we now de - plore Shall rise in full, im - mor - tal prime, And bloom to fade no more.
1. How sweet and aw - ful is the place, With Christ within the doors, While ev - er - last - ing love dia - plays The choic-est of her stores.
Medium Time.
Ti§>b b p d" ' 9 ' #
5
LLOYD. C. M.
:t=4=4=t
*
(Suitable for Congregational 8inging.)
r^1-*— *—&
s
-jt—*—&i
zm
i
{
53t
i^±z
I
=t
=T
EE3E3
-e>-L-9-
zx
-&-
I
s- -9- -0- -e>- -9- . v -o- -e>- -9- -9- -&-
1. Once more, my soul, the ris - ing day Sa - lutes thy wak - ing eyes : Once more, my voice, thy tri - bute pay To him who rules the skies.
5. Great God, let all my hours be thine, While I en - joy the light ; Then shall my sun in smiles de - eline, And bring a peace-ful nighti
S'-L
!==]:
^ 9 g— |-
-I-
fe*
r r r
j — j_
r
r
-r_r — r
:4-
:*z=zt
rt
:8:
atz^
iz= £
=1
g:
r r
J— J— f
j
-j — j. — j__^
r— r— r
4— j-
-l-
-p-*-,.
-^-T-*
zatzgrt
t— r
-J- j
*±z£
^==p:
:«=32=pa:
f1
?~i* PJ-A
:p_£c:
:| — 1 U
142
With Animation.
--gr~#-Q — #"
g> » o|?
^=SS
D U N L A P. CM.
V. C. T.
:**_*
2Q 2E
-&— /g-
35SgF
/T\
i^pn
SE
J2-±{2t
tt
<s--s^
SB
1. Oh ! for a closer walk with God,
2. Where is the blessedness I knew,
A calm and heavenly frame — . A light, to shine upon the road
When first I saw the Lord ? Where ia the soul-refreshing view
That leads me
Of Je - sus
to
and
mm
w
■G—0-Gh-
3
&
v r
&-.-&-
B-^Ei 3=3=S=3=-i
S> .— «-.-J-©-i— S-.
-0-G-
I1
!
■O-0--G — #-
the Lamb,
his word.
w^
ffiB±S^3EJE
3,
'-.-e.
■«.-«,
1. Oh ! for a closer walk with God, A calm and heavenly frame — Alight, to shine upon the road That leads me to the Lamb, That leads me to the Lamb.
2. Where is the blessedness I knew, When first I saw the Lord? . Where is the soul-refreshing view Of Jesus and his word, Of Jesus and his word.
l
fet*±
WW^
-s)-«hsl— *-
-U-4
5§£
rrrr
-i — l — »- — *-■-» — «
-gl-v— I
>?. r; >
trrgj
-L
a&
d
in i
i i
T f
1. Oh ! for a closer walk with God,
2. Where is the blessedness I knew,
J J
A calm and heavenly frame — . A light, to shine upon the road
When first I saw the Lord ? Where is the soul-refreshing view
i
That leads me
Of Je - sus
± J. J.JJ J ^
J J- J
u
x
u*^
to the Lamb,
and his word.
With Life.
DEVIZES. C. M.
p^zmm&gm
S-
liH
j
a
f«#
— =f^-
^s
S
=1=
TUCKER,
£££*£
2EI
gi|piil^^
1. Come, let US join our cheerful songs, With angels round the throne: Ten thousand thousand arc their tongues, But all .their joys are one, But all their joys are one.
8. Je - sus is win1- thv to re - ceive Honor and power di - vine; Aud blessings, more than we can give, Be, Lord, for-ev - er thine, Be, Lord, for-ev - er thine.
^j^^-j^^U-j
■*-t-<F+-f g-J--
ATLAS. C. M.
*
Slowly.
Theme from ROMBERG.
143
£fc
kt
jfc£zzd:
:t=
iZTZizzqzri^zzi^zzz: izz
m/>
1-
— t-
*zz*:
.=]:
Ores.
— ©-
izazzazp:
)zzzi±
Hlf
d— s>
Si-
all
:*:d:
J:
/
1. Keep si - lence — all ere - a - ted things, And wait your Ma - ker's nod ;
3. His pro- vi - dence un- folds his book, And makes his coun- sels shine;
33fa.I'lil j^r|\r il-gj^O] J#i
M&-
4-=J:
3zze;
^ ffifc
ttz*fcfc£
ii»
Jrd
■•-»-©
f_lr_r
p~-
e-^\-»
tut
±izg±2ri
My soul stands trembling, while she sings The hon- ors of her God
Each ope-ning leaf — and ev - ery stroke, Ful- fils some deep de - sign.
-\ 1 — f-rj-u J tA — taJ ijsf - J-T-i — i— t4-
=F*F
?zl
r r r
-e — -r&
9
F
— ©-
ft
£
tzzz:
IZZ£
y
Slow, making the notes short.
zzzzlf
iz3r_£:
-•-•-
:t
»*
©
^
DESIRE
-H ■ ><— > k — •--, . —
-\0-0-+0 r -G\G
pz*£zzfez
C. M. *
Continental Style.
.*
S-9
=t
zz^z^zazi^gRr^-Zjtfrpzzdz^
=f==fc
:s£za
zS
g£*
-fef-a— **
±zzs
4:
£i
-«
I
*
ab-j9
zszs
*z
m
*~&&43
itozgzzt3gE^5z^z=^zz|E
1. When fainting in the sultry waste, And parched with thirst extreme, The weary pilgrim longs to taste The cool, refresh- ing stream, The cool, refresh - ing stream.
2. So longs the wea-ry, fainting mind, Oppressed with sin and woes, Some soul-reviving spring to find, Whence heavenly comfort flows, Whence heavenly comfort flows.
-^-r-1— ^- t-t- ^Tlt^ T, --Tiki:** JVl ^^-r- -r~_
i=*s?
i i.i i. j
ttest
0^0-
1-4-
Q.1A
=PhPE
jjzz=izzj_i--z^z.
j j.; j
: '-hX- — 0—0-Xg- - © p
izztsztztziltzzzazzlz*
^zztfzzzp
-e- 0^0-
:£=
^
il
j^— j.
-0—0— S
FTTT-^^t
JL_J_
r
-J-T— j
igzHZSt
Srfff
J_j_
32=2=1
_.£-
I I
144
ENSWORTH. C. M.
Medium Time. (Transposed from Eb )
V. O T.
L22Z_C-h._f2_
-• — &- O
Hi
±Z
9 m-
-0-9-
Soli.
Coro.
a-— -a — e-m- -
£
£5£
>h
i?-
=£
=j-rj=t=5
:*:z*:
-!-#-
5H3
::3t
ii
— fcrF— «
n
P
T=i
:*=*:
'-=\-
jeje
4. To thee my trembling spi-rit flies. With sin and grief op-pressed; Thy gen - tie voice dis-pels my fears, And lulls . . my cares to
5. Lead on, dear Shepherd ! — led by thee, Wo e - vil shall 1 fear; Soon shall I reach thy fold a-bove, And praise . . thee bet - ter
rest.
there.
\
&*&
±hf
:z:
HB
FP
1— rr
f— f-±f
tt*
-I-
g-r^-ir p-rffep
-4-n-H
t«
=fc=*
- --©-
I
DRUMMOND. C. M.
V. O. T.
Rather Fast.
to
^=£
e
--— T-#^P | r-
:t:
^=:*a
B=
t0§
Slow.
g.^fe
'
ilEf
i ^zzr^ ia»_#=*zz=zrzT^^. — ^^ ^_x_^_t_
1. What glo - ry gilds the sacred page, Ma - jes-tio, like the sun: It gives a light to ev-eryage ; It gives — but bor rows none.
2. The power that gave it still supplies The gracious light and heat : Its truths up-on the nations rise ; They rise — but nev - - er 6et.
(Solo may bo »une by Tenor or Treble
ibbrEi^f
gy?
f±£-^a
^
f
RETIREMENT.* C. M.
Slowly, with Care and Attention.
^z^zaEz^:x*:z
zz*fzrt
IZ.
SEEi
=tFtqz=p=t
i
-4-9-
:s-s
&
3Etle
-d3
£
3CT
a££
-«-
V. O. T.
rP-X
145
1
^zzi:
&£
±^3?
IP
±=
+-&-*-*
-9-r
^Sz^^feB
1. Far from the world, O Lord! I flee, From strife and tumult far; From scenes where sin is waging still Its most successful war, Its most sue -cessful war.
2. The calm re-treat, the si - lent shade, With prayer and praise agree ; And seem by thy sweet bounty made For those who follow thee, For those who follow thee.
Very Slow.^_po not hurry third and fourth measures
Ft
A good Tenor is particularly requisite for this tune.
C. M.
LANSING.
V. C. T.
fr-t^
-d-
qzzzj:
=t=T
^d—d~
-i-
d-d-
39
=±
•z*z*z*
ggEE
-i— n-
»—»—*—»-
rzpzzz
?
I
1. Oh 'twas a joy - ful sound to hear Our tribes de - voutly say,
2. At Salem's court we must ap - pear, With our as - sembled powers,
1 Up, Israel, to the temple haste, And keep your festal day ! And keep your festal day P
In strong and beauteous order ranged, Like her united towers, Like her united towers.
i
<
(
3L
fcr:
-«- -S>-j
z:
Ir-M-fVJ
&
J J
r f 7 r r
PS
EztzzzzzzP
tf
(CHIME— 10) |*T f" f f ' '
r r r
i ■; J
r r_ r r_ r
^TT--£:J 4-1 - i.J ' -H- — ^T^-^zJzEz>iJ^zd3zi^zLzztTzzxz:
=zfizzj^z^3^^^=|:jS"*i3=1^^|^-*^= :53B:zfF
z^±ESz:Fpz^£z^
£fc£Z
r
146
BUCKINGHAM. C. M.
Quite Fast, but not in an exact and mechanical manner.
V. 0. T.
\
-0-
\— H o—\s—a-^—\& — o- -_
=t=±t
X
1
i
-m
m
Ore.:
es.
k±
-
-c)—*-
-tat
1^3
*-^d—*-
-d—*~
tf-
1
=J=t
*—*—*
Z3:
- J~S> — j_JJ — _j — L__j -J— • — l
^-"-d-
1. Great Fa - ther of each per - feet gift, Be - hold thy servants wait ; With long - ing eyes and lift - ed hands, We flock
-4-0-
3
U:
I
a
our
Pi
round thy gate.
2. Oh shed a - broad that roy - al gift, Thy Spi - lit from a - bove, To bless our eyes with sa - cred light. And fire our hearts with love.
d-d — ItH — rrtT-TT id — ^m- -&T-\--r-4-^4- --wH — r-r-^-^-r- -T J- -t1^
-4-
r r r r r
r0—^-
Iffi
J
-.-
J.
.
1 — r
B
i-ft
r ? r r* r r r "r r r ?rf"~* r ET -■**-? r*
> P--©
-*r
t=±LT3
h
-o-
r
Slowly.
3E3:
*£:
« o — _i — _i — _i — i.
?:±jtz:iz^:
WOODSTOCK
3
— r
C. M.
:pzzp:
i
r-
=j3
'w
^=P:
L^i — ' — i ^»
F
I
J. DTJTTOJS, Jr.
-i —
-»— *— 0-
£EES53
=fc
Z2i
s
zlz-zMzz— t:
-#-^"*-5»-
i*-r-*-a-
IH] — ^_
3
:^:
33
1. I
2. I
3
fcfe?
love to steal a - while a - way From ev - cry cum-bering
love in so - li - tude to shed The pen - i - ten tial
4
care,
tear,
3ES
-0—9-
t-a>— w'—4-x-9-
m
And spend the hours of set - ting day In hum-ble, grate - ful prayer.
And all his pro - mi - ses to plead, Where none but God can hear.
tt
r r
j
7-T"" f r'T r" r r
\r r r
7 7 f
sum
r
^I-JLJ r..|Bll-J ..^'j-ilLj
- 0 • 0 a
■p=i
l=Fm
- --g-~i~g
^=s:
f
g3
4
-J- J
r
p^
—,9-.
ST. MARTINS. CM.
Medium.
TANSUR.
147
tm
-0--9
+■- I- &■
o—e-
rj-o — c
—&■
±^L
zSJiijJE
£=3
Coro.
1. 0 all ye na
2. His love is great-
*n*
■©-©-
rt=
— i— t— i— i- .
=£
g-^-
-d-d-
I
tions, praise the Lord, His glo - pious acts proclaim; The fullness - of
his- mer - cy sure — And faith - ful is his word ; His truth for ev
his grace re-cord, And mag - ni - fy his name.
er shall en-dure ; For-ev - er praise the Lord.
2 O -9
# ~o~gj Viz — ^zg~:^7gqrr_g_<gz
%m
-f
§
£
*3
&-&
■^4-f-Pr-MVTT hV --^tzn-S t fA-— Ji4-r-f-hA44— It Jr J^-
sop.
rr
fi-e-
_t
zpiteqn
:p:
i
U3
3==£=
© — r^
I
With Animation, but not too Fast.
»w
£
4=
=t
I*
M E A R.
— &-—
C. M. (ftjgata.)
Anonymous.
K
/
L,^ 1 ± X^ ko— ' -1- —
=se
Nt£
3—
S
333
a
g^^g^J^EEEPgJE^PP
1. Oh, 'twas a joy - ful sound to hear Our tribes de - vout - ly say, "Up, Is - rael, to the tern -pie haste. And keep your fes - tal day!
2. At Sa - lem's court we must ap - pear, With our as - sem-bled powers, In strong and beauteous or - der ranged, Like her u - ni - ted towers.
fcf:
-p-
=5
£
=ti=J=;r
f f,
':
3331
r
=«
^_2_
fzzt
*=
*— **T, •■
HH
zrpz
4=g
r Li it
'rvJ J
J "* -i
-g f-H-
±=
£EI
^J] g-J ./-^Jl 'J3-+
5h
•=F*:
±
-fl-J
I — F
pi
* The peculiarity of the present arrangement of this piece, is, that in the third and fourth strains some one part has two eighths to a beat. Melodies do not often admit of such harmonic construction.
This, in contrast with " Mear," as generally known, will give it quite a new character
148
WOODLAND. CM.
Medium, with Expression.
3:
*fcz£
-»-o — m-
m
ML
W. D. GOULD.
1^ By Permission.
1. O could our thoughts and wishes fly, A-bove these gloomy shades, To those bright worlds beyond the sky, To those bright worlds beyond the sky, Which sorrow ne'er invades.
2. There, joys unseen by mor-tal eyes, Or rea-son's feeble ray, In ev - er-blooming prospect rise, In ev - er-blooming prospect rise, Exposed to no de-cay.
i.iiliJI ' j.-'/i I ±1.111 ta j .„.. ^ /r ,-;. /
— — ^rjf ^~£ ~~T~? — "~j*"T~ —
:^:==:p=fcj£%-
" 4=dzizJ=|=d=E
S&E
JAZER. C. M.
IVIedium Time. Legato
WM. B. BRADBURY.
From the "New York Choralist," by Permission
1. 0 for that ten - der - ness of heart, Which bows be - fore the Lord! That owns how just and good thou art, And trem - bles at thy word.
2. O for those hum - ble, con - trite tears, Which from re - pent-ance flow! That sense of guilt Which, trembling, fears The long - sus-pend - ed blow.
ESzfili^z^Ft11?
f r r r r rr f f * f
i^fgfiPpF^PP
PARMA. C. M. (double.)
Quite Fast.
fcf
WE£
£=£:
=C
as
tfziiezizz:
£=«=£
:#zz*z:d!
Anonymous.
Abridged from the originals
149
Coro.
si->r
~y^~
J — L
^— *
1. Be - hold the glo - rie9 of the Lamb, A - mid his Fa - ther's throne ; Pre - pare new honors for his name, And songs be - fore un - known.
3. Those are the prayers of all the saints, And these the hymns they raise ; Je - sus is kind to our complaints, He loves to hear our praise.
J^J
qp^zr^zzzpzzr,
~Y—\ 1 1 h
W~ w~
:*=£=£
-J-l-i-
^^
9 >
g
5=
fa:
^:
:M=£
bziz*:
£=»
*z:*z*:
■#—«—#-
^zi£
&
*=iife&taE8
«*3^zfz*
3E
*—0—0
m
rnp
Soli, raf
Coro. f
m=3t
— — *-^z^
T^-^l
^^
«=:
Jzzjzzjzz^J:*
zjzz
-r ~^r-i~rm-
JS-I^
TO
N--yV~3:
•-
i§
f-tf-Ts'— -4-3— ^
2. Let eld - ers worship at his feet, The church a-dore a - round. With vials full of o - dors sweet. And harps of sweeter sound, And harps of sweeter sound.
4. Thou hast redeemed our souls with blood, Hast set the prisoners free, Hast made us kings and priests to God, And we shall reign with thee, And we shall reign with thee.
z^gzzz^E^^^^zz^^z^
Szzzzizzzfz^z-S^z^zzzzzzrzzz^E^zz:?
•*t
*z*z*z*:
-%=z*
£_£-
; ; ; j .
^z*zfe:*z|J:
3=ra*
SjSr
>^*
^ N-
if
r1
x.
■s
t=
:£
^A^MJ)r.\rrP-
ji
« — #-
*z:*:
-0—9
t:
H
^rf^
rv
P
150
Medium Time.
•z:£zzzg:
m
L0-
-e
=s
ARLINGTON. C. M.
Dr. ARNE.
Tf
Z±2ZZ*ZZ£ZZZ
_zSzTgzgzi:£
zHzrzizzzijzzJ-
''-rSSzizgzi:
i — Fr
T4
__rM_?_
-S»-i
r
fc
t£zi»zizzg
-g-g-'-e— t-w~ * — <s — --&■
to
I love thy charming name ; Tis mu - sic
my ear ;
I
Z2ZIZZI
Fain would I sound it out
r
so loud That earth and heaven might hear.
I
J=
hr—
J
3E
fezzzzUztzzl:^z|*zz-
itzzzzz f-^-f
j2_ j*Lt
--<2-
I
Medium.
1P^
!I?-L_
F-
~=l=zr
f— *— g-l
£
ROCHESTER. CM.
ESS
A. WILLIAMS.
1. God, my sup - port
er and my hope, My help for
4-
2. Thy counsels, Lord, shall guide my feet Thro' this dark -wil - der - ness ; Thine hand con- duct me
; ^zczizzzzzz:
t=£
itzltz
:*zzt:
o-\e>- '-* — 0~
=t
-h-
r r l,
near thy seat, To dwell be - fore
:=t
thy face.
gztr-t-— yEi
i
PETERBOROUGH. C. M.
Rather Fast.
d=h±d=ri
9
^^tFi — i — i — r i — j2-W
=fc
LezI?3=p=Sp=z^zIg=Eg3»i-?i|f==jf=I:p=gi?fJ:i:
1. Once more, my soul, the i is
J jL jL :•: :*: -£.
ing day Sa - lutes thy wnk - ing eyes ; Once more,
ri=') ,-
:pzzp:
zzzizzcazzz?;
-o-
.d. _d_ _d_
nore, my vmc
zzizzzezizzzz
+S-B-I #— <
voice, thy tri - bute pay
- -_f : A. A
who rules the skies.
I I II
ef
Exact and measured Time. Staccato.
:-l 1 — l-if©-
ONEIDA. CM.
151
3*
izf
:*ziz*
t±
E &ZjE~ ' J~~*^
=z^zzzz=*tE
:«£*:
=3
Izatat
:-t^:
lg
=£
^^
I
3
^:
=t
-d-
__^=jia_:_ip,^_#ia — a
#
»-»
-©-
^fzzzdzztt
1. Come, ho-ly Spi - rit, from a - bove, With thy celestial fire ; Come, and with flames of zeal and love Our hearts and tongues inspire, Our hearts and tongues inspire
2. The Spi-rit, by his heav'nly breath, New life creates within; He quickens sin - ners from the death Of tres-pas-ses and sin, Of tres-pas-ses and sin.
r£fazzjzz5
$Ef==a£*zi!±z2
r r r r
E
»
itit
f-T
:i;
=£
=±r
f r
*t*z*:t£zzz*
r r r r • r
3=&
:Sfe-*-
=F=r=r:
?z3z£:
isfct
J-J-J-
|-»-»-»:
#- -jr-
1 I
d:
=f^=
=P=p:
E
r r
pzpzs:
Z
zsLzzlzifciz*
33
±a:
S
These two tunes can be used for the same Hymn, where the words require a change.
ALLEGAN. CM.
^=f£
I
V O. T.
With Pathos.
^E^EEi.
%--
=fc
3=^=1;
ggO0~EF
?z::azzsL
a*
:**:
^f
=t
a
z:
i
-s>- -o-
-*- "d"
3
I
1. In vain we lav - ish out our lives To ga - ther empty wind ; The choicest blessings earth can yield Will starve a hun - gry mind.
But God can ev - ery want sup - ply, And -fill our hearts with peace ; He gives by pro - mise, and by oath, The rich - es
his grace.
feczza
zjzzzzzf^zfljzB^^l^pzzzz^
^zzjrfazzWfzz^^azzzz:^:TzgzzzjjB U_Jba_ »' JZJ_^=I^
r f r
s-
p
:r
j j
J—J
I2Z±tZ
J-T.
— <9 — +-i
I
>
•a—
I
Consecutive Oct. licensed-
F^
152
NORWALK. C. M.
?3
:gz±zz*zl
=t=t
alzz*— d:
J—t—P-
zzjqzzjzzzr
t=
II
ztqrf
^:
E^z*z: ziEEzfcst zM
BEg
:<2zmt
I
Sf
2*:
1:
z±
*-x-*— *— £-
l
-G-
7-5*-
fat^
-• — #— S>-
4=t
-*—*—&-
3a
2d:**
•at
=t
:*
1. The Saviour calls ; let ev - ery ear At - tend the heavenly sound ;
4=4
Ye doubting souls, dismiss your fear ; Hope
m
smiles
re - viv - ins round.
m
=t=t
P5
E?£^
r r
j— /.
S^~ *— gzzTzz z*
^
£-**-
-j-J
-<s>—
F
lafczafczzi
j=ftE
f f r
3g
-#— o — o-
lizzpzz^zf
rf
-j-
r~r~r
Jz^z:^zz^zzbrf-fc:fc?
3fe
"f f r • ej"
J— J_J J-_J_J — J-^— J-^
=t
J .
f11?11^
I±:zzrzztzzzztzzzzt
r f
I
?— a:
SULDEN. C. M.
-c
Theme from BALFE.
s
\
*=s
m
rz
*Sb?o.
±$z
E5
d:
=t
zz§^z*
*zzs<
1
Ooro.
Ores.
Accel.
i53
=t
zzpfz
^
zjzzpztgEzlz&zzSz1:qzizz]zIzz^zg
^zzzizh^zz^^zz^f:*:3z,zJt3zzz3--±
^o —
A Tempo.
E
3=4
£
f
r-
r
i
g
*j
-p—f—r-
■*-¥-¥-
-#—»->-
■\ — I — t-
J — i — i —
tf
zjz»zjzgzz*
£
i i
J_J_J-
J J
1. I love to steal a - while a - way From ev - ery cumbering care, And spend the hours of set - ting day
2. I love in sol - i - tude to shed The pen - i - ten - tial tear, And all his prom - is - es to plea
In hum - ble, fer - vent prayer,
to plead Where none but God can hear.
fcnzzz
p
4=
-t~
jjjJm j j
»agp
|zzz|z:±z|z:tzzz:tzttz:zztz:±
J-
3=p:
=F
J-
Jz£
r r
# *
^
£
trf r
F1^1
1
MORAVIAN HYMN. C. M.
(double.)
153
r£^=?:
w±=&
-a-
d— Lid
r
tt-
^Sls;
,'T
i
i
-©-
-I
—s:
-U4
*=?
gzzpi^zaz:!::
D. C
::szz:
I t^t
j£i-Q — 0*.
1. I'm not a - shamed to own my Lord, Or to de - fend his cause, )
n?
m
Main -tain the ho - nor of his word, The glo - ry of his cross, j 2. Je-sus, my God, I know his name; His name is all my trust; Nor
will he put my soul to shame, Nor let my hope be lost.
I " 1
fc3L
^zgr~&
O-r^O
1
-T-O-
-O'^-e — -»gTg-
iU
&~rS-
-ESS
A
z:.rz^2
i i
J- ♦
LU- .d.
^ i
4-
'P^
©— l^s
F^*
-*^"T-©
:*
=«?
I=P-
I
With Vigor. I
h=±
f
1. O, all
-£-
±£
f
13:
i
EMMERSON. C. M.
Chantant.
=t=t
3**
1 S~. r1-*-^- ~ * f-1 -n ~ P~ X ■^ 0 • -•-
I
-p— p
I
ye lands, re - joice in God, Sing praises to his name ; Let all
r* j j j -*- j jL J-
> p p" ?
the earth, with one ac - cord, His wondrou9 acts pro - claim.
I
a -g- ■
As
E±f=Efc==Ei 1 f-:ti — r±:g • -F
1=*=F
-0-
—v%—^—0i
S
-© —
T-©-
+a
=p=i}=_tr
it
COLCHESTER,
C. M.
WILLIAMS.
ggJMMS 1 * ■■ ^Tt^g
1. Oh 'twas a joy - ful sound to hear Our tribes de - vout-ly say, ' Up, Is - rael, to the tern - pie haste, And keep your fes - tal day ! '
J I
'■*+■
r
T3L
EE
our fes
-'^=^-
J-
¥.
154
BROOK FIELD. CM. *
With Life and Expression, though vallier Slow.
^n
-i#-#>4
—i 1 ■— m-
r-r^—IT-
£
Partly from BELLINI.
_^LZ1
m
9
£^E
nd*:
£
(
iSbZi.
/
Coro.
^^^^^^^^^S^^^^^^^^S^rl
1, How far be-yond our mor - tal sight
2. O, could my long-ing spir - it rise
./ss
n
^-JjTzfijzfi
4
The Lord of glo - ry dwells! A veil of in - ter - pos-ing night His rar-diant face con-ceals.
On strong im - mor - tal wing, And reach thy pal-ace in the skies, My Sa-viour and my King!
55
f--1-
-m
r— -P—T0 -0—ij-m— —
£*==£*
faHEibL
mg»
^
s
*£
P-jg-PJ
p=£
*£
^S
P=f:
r
JE£
zitialr^idat^
-m-m-
-4-
:*z*:
te
-t
1 M M<
B^
-•-#-
§=_£s£t=^
Allegretto. Messa di Voce
TIFFANY. 0. M.
(If convenient, change the key of this tunc to Db.)
B> [S, P>,1
V. C. T.
m
TZ&ZZ^T
1. When lan-guor and dis - case in - vadc
2. Sweet to look in - ward and at - tend
Tills trembling house of clay, Tis sweet to look be - yond my pain,
The whispers of his love; Sweet to look up -ward, to the place
■H a
And long to fly a - way.
Where Je-6us pleiids a-bove.
■>
J-TJ_J-
%
J^_/:_- _Z" _^L
J * /
• ♦ »
fefeii^fetsi!
j j j .J .
B£
s
-#-•-
££^
X
' j- toil
HONESDALE. C. M.
Slowly, with Pathos. Staccato.
V. (J. T.
%~-±
M—*~*—*
E
±
-*—&— d:
32-
fet
-, I T::= 1 1 — H — 9 — 0 T O -■ i
-s #
=1:
155
=1=1:
-*— *— #■
53=3
s
-©-
22Z_zrr'
■3
=j=t
5?z±*=*:
EHdE
#-*-©
i
1. Mis - ta - ken souls, that dream of heaven, And make their emp - ty boast Of in - ward joys, and sins for - given, While they are slaves to lust!
2. Vain are our fan - cy's air - y flights, If faith be cold and dead; None but a liv - ing power u - nites To Christ, the liv - ing head.
#j±H=4
^r r r r r
\
3=g
p»
j- j j
r f
■J : J
T=|=^
=1=t
=fc4
r r
j-
:«/zzizzA=rz
r r r r
j j
s
tej
pQzzzj
fe==f
i
<9 * — 4
Wz:-z-liP:
ZPZT
~-o — \-e-
i — i — i — r
3E3
fc*ZZ *ZZB:
T
I
Supplicatory. Gentle and subdued. Plain Articulation
ELTON. C. M.
V. C. T.
Words by MONTGOMERY
z^^--^lzz^:^=M==1==^f==i=:
az=*z=^3btgzzfz=^==*z^g£gE
{
mp <-
<
z^zz^zqzqzzlz: =^zz^
==
3=P
S
1. Prayer is the bur - den of
2. Prayer is the Chris-tian's vi
a sigh, The fall - ing of
tal breath, The Chris-tian's na
a tear
tive air ;
The up - ward glancing of an eye,
His watchword at the gates of death — He
When none but God-vis neat
gpE3zfcff
u r r ;
zz]zrf=£zj:
en - ters heaven by prayer
156
WHITEHALL.
Not too Fast.
C. M. *
Arranged from J. H. TOBLER.
\
*&■
fc=f
m
i
lEiEEZiSt.
:33E33
3P=t
&—*=*z
L^ii^Si^^isl^lEgsi
1. To our Redeemer's glorious name. Awake the sa - cred song! 0, may his love — immortal flame — Tune every heart and tongue, Tune every heart and tongue.
2. His love what mortal thought can reach ! What mortal tongue display ! Im -a - gi- nation's utmost stretch In wonder dies a-way, In wonder dies a - way.
Ill I J J I -d-
1 I I J I I I I -St- I I
j , + 1 1 , 1 1 ±1 j 1 1 J- J-i 11 1 J- 4. Li
£=r*
I
PLEASANT VALLEY. CM.
V. C.'T.
Brisk, with Resolution.
6E3:
WVEZ
i^±
f
t=
=±
■#-•-— r— -J— #- -©— ■-=— I 1— • © ■ —-#-+•—•—» s 0- -Q — .— -— 1- -0 — 1 1-
^§
=£:
2"
1. O'er mountain-tops, the mount of God, In lat-tcr days shall rise — A -bove the sum -nuts of the hills — And draw the wondering eyes.
2. To this thejoy-ful na-tions round, All tribes and tongues shall flow; "Up to the mount of God," they say, "And to his house we'll go.
&3
*=£=*
=£
-4
/
-J-/'-J--#- J.
r r r r
ssz^lzizt - *zzz
^-^ *' --•-+•-•— 0-0-0 — •— #■
r?:=lzrz»
Lz
«=P=
J,
r fr
J^-J-
1zz^=SeSzS^|q
j-
3T=r__ XIZZZ3
B=?
W
fz^:
53=5
35
P
t—tm
i-*
J
t
^ri
£rf
zzzl
r
iat
TEHAMA. C. M.
With subdued Expression.
Melody newly arranged.
157
iSE3=3=5:
1
3=
*±
b-e-
m — d~ d~
■st=st
zztzlz*
tf-
zzL^fz
'/??/>
Cres.
I-^PI
4-
?2=p:
-i — i — i — i— 1-#
dziiazzszzstilzz:
mp
Cres.
m-
=t
=*
t
LJ^-X-^
-©— »--«-
#-*
33
:#z£zr-2—
1. Spi - rit of peace, ce - les - tial Dove, How ex - eel - lent thy praise ! No rich - er gift than Christian love Thy gra-cious power dis - plays.
2. Sweet as the dew on herb and flower, That si - lent - ly dis - tils, At evening's soft and bal - my hour, On Zi - on's fruit-ful hills.
I
£E£
r r
j.
*=$
333
it
A
Y^
rt
H-
il. I J J
-*=?-
r -rr ^^r • r r"rr r •
2i
i
T — F
=t
*i*
J-U
!S&
rj — j-
i i
J-^L
S
Jh-
J- J — J- J.
r&-
^z^zzsi::
=t=t
tic:
3£=*
r r *fr
wi^is^g
£Ee
-2=rr
I
* Gg, if performed in TJf.
MIAMI. C. M.
With Majesty. Staccato.
V. C. T.
*=£
1
zi:
=t
s^
^
sbd&£
E
=t
M:
atzi:
atzz*
"iiE£
£
i
/
^-4—1-
m
:z:
#
m
»/
3t
fi
Jzi
=t
±#
*£
izl
d-^-*—*-
~E>
-d—d-
S-^-d'
1. The Lord our God is clothed with might ; The winds o - bey his will; He speaks, and in the heavenly height The roll - ing sun stands still.
2. Re - bel. ye waves, and o'er the land With threatening as - pect roar ; The Lord up - lifts his aw - ful hand, And chains you to the shore.
This tuna Is suitable oiuv for words requiring great force of utterance
158
About Medium Time.
COKONATION. CM.
O. HOLDEN.
{
'-a g ^— # V* M 0-
:prrj— rp:
fctj
*£Ej£
ElEE^Ft
=^=«-
t
ot/
/SWi.
»"/
^Fft-# r -i ' ^ — # — #— *-L«— #— # — *-' « — #J-© -; — i 1 ' ' ' — ^Se — ^—•3-» — 0 — 0 — 0->-0 —0 > — »-*-©'- _T ^ ' \—L.
1. All hail, the great Immanuel's name ! Let angel's prostrate fall : Bring forth the royal diadem. And crown him Lord of all, Bring forth the royal diadem, And crown him Lord of all
5. Let every kindred — every tribe, Ou this terrestrial ball, To him all majesty ascribe, And crown him Lord of all, To him all majesty ascribe, And crown him Lord of all.
fe^E: -*—*-*—*- lt=*=±Ez if-* tft±. istiJt f=5tt :tH*d*=E -g=gi isr-fri 771*+ — g-aF*1 AjErrt'U- za±= :x**=*-3- -g- J
mrfotnL
T i
r
j. j.
ggte^fi
1 r
ii
-»-
J j
?c=p:
iSilfelaii
'r'f t r
EZlJZl
y — I 1 — L, 1 — 1_| 1 — p_l_, »—!-»- — f— »- — f— L» »- — I H *=-' 0— r *—
S^1
S^SESBEJEft
■l i i
:tt=f=p:
hS
RINDGB. CM.
With Spirit.
L, MASON.
-9—0-
0—0—* — iJ^-e-1-* — * — •— 0Js
P
-#■ ' — #
1. Let every mortal ear attend, And every heart rejoice ; The trumpet of the gospel sounds, With an inviting voice, The trumpet of the gospel sounds, With an inviting voice.
4. Ho ! ye that pant for living streams, And pine away and die— Here you may quench your raging thirst With springs that never dry, Here you may quench your raging thirst, <fec.
ALBREE. C. M.
159
Slow.
£-2 -
«IZZ£=£
qzzizzzj=zfzzferzzzzzizjzz=^ ' 1 11=17
3=B— *=*=: dzzaa^iztfz: zf=t3tz?= zlzz^pzzJziSzzfz^z: Uzzdz: *— FF
-^ — ■— » — »—» — L*#-**— *--• •— l* — « *—*--* — m—t-s — *-- » — i«— *— iz* — »— 1~0 ■ .
i i i . i i Af i r r -#- r. i i i LL II
Un - conscious of her load 1 The heart unchanged can nev - er
rise
r* r*
To hap -pi - ness and God.
! j£jL J J J_
_Z#Z~fZ-»~
*-=zj£itZ
Ef%frfe-£
BROWNELL. C. M.
Slow.
z==tasqsd=^iL =z^=r=z4=q^=tf=l — I — I— fS^dS^c:
£zzF*z Jz^ziz^: f z»z»zTtz: JzfzSz^* ±:zzfztr*zz*zz: zj«z* *zz: JEFF
1= zzzr — ■>-£— F — L~J>-U T — * — — - — 1»— m — 1_
1. And will the Lord thus condescend To visit sinful worms ? Thus at the door shall mercy stand In all her winning forms ? In all her
iff- -*>-- *L -0—0—^—
}£*£
win - ning forms ?
jqzjzz^TT^TTJT^^
4. Dear Lord, exert thy conquering grace ; Thy mighty power display : One beam of glory from thy face Can melt my sin away, Can melt my
way.
zfi
«:
*-*-*-*
S
*-•-
3E
=F
v-o-m—m
pzzitfea«Z=^3?zz^:z|pzbzpzpzip:Ie:zzf
j ■-' — H 1 ' — -ta-#— I ' 1 1 1- — I 1 1 r
1 J> -^ X^^_|ZZZ4_I>_^_[Z — f_XI L.
Ezz?zf^I
BALERMA. C. M.
Scotch.
Rather Fast.
It
53
te*
it
Hip
i ii rr r r
O, hap - py is the man who hears
J. *L A. -J. I i i i
Jt±
-I-
:iz£
-^-■-^- -d
-S» —
Et
f-
_*
*- f
5
In - struction's warn - ing voice ; And who, ce - les - tial wis - dom makes His ear
EjEPEEE ±t*z+z zs^zzf E
IS?
-t=F
¥==F
J:
?=Frp=raf-
T»
i IV
i
ly, on - ly choice.
.J* J J
H
T£> 0-TS> — 9-
iziizE
:|z£jf!zZZZ
■ Ml ft
t:F
I
160
SPKINGFIELD. C. M.
Medium Movement.
( Be careful to keep the time correctly in the
second measure of the third strain.) V. 0. T.
=P
gas
2t
:t3=fi
ift
33
3-r
3=
?=*:
^
si
zzzgz*zEz^±tzzz[z:zt^zz±pzz}zzlz^^^
«Sb/i or Semi-Curo. <> :==- <-> ■ Coro. -=d — =rr=- — =n
1. I wait- ed meek-ly for the Lord, He bowed to hear my cry; He saw me rest- ing on his word, And brought sal - va - tion nio-h.
2. I'll spread his works of grace h - broad, — The saints with joy shall hear, And sin - ners learn to make my God Their on - ly hope and fear.
—=Fz-zz:rzz:-zz::r^ • ■ ^TT^^^^^J-A-^d^^^-^-^F^
1 ' ^ ! \ ± ± ± ± ±. „ i , » nj±i-.' r
zzzzzz3zi*zz^z±?=z:z=it=z=tisft==--U
t=f=:±P
J1_TJ_I J
:pz±
rS
=tf
M
Sti±+-l\.l
T~
#fc*
Paster than Medium.
GALENA. CM.
^zffcfzjzz
obfo' to ^Ae 2/uVri strain.
v. o. T.
:zzz£zzhzz>:dzzzj
z
=£rf:
z"
dZZZZZZT
i
ZJZZZfc^T
rtt
:i=E
M£
II
zqzzpzzzriTq^q- Tq_r q^q^z-iqzzqiJzqzz^zzzzEznz: zjzzzpzzsiqzzzzzz: :zl_ ztqzzzq-rpiqzzqziqzpz
~*ZIjfc*zLfezz^dzt:zzgzz*:zzazfeiz:^
third strain. i j » <> r>- Cbro. i i i i -=c:r=- <> / rr=-
zlllzlliilil^ipiSiPlPi^iizlz^lipi
-00- -0- -0- m -0W- -O- -0- -0- -0- • -#--«-^- * -#-
man kind- ness meets re - turn, And owns the grate-ful tie ; If ten-der thoughts with-in us burn, To feel a friend is nigh, —
1 n/\f txraf- mn»» an _ nnrvta Irtll T^ho rfi-nt _ i _ t i,l.. inn n-nrn T1/^ ^{mt, TrrVirt rlirt/1 rm*. f«n^a tr. i i 1 1 . J I Anil Duvn fi^m .!...,( t. nn/l -rxmr. 1
1, If hu - man _
2. 0, shall not war- mer ac - cents tell
Ana owns the grate-lul tie; It ten-der thoughts witn-in us burn, lo teel a mend is nigh,—
The grat - i - tude we owe To him who died, our fears to quell, And save from death and woe !
z^z^zfizz-
^=fcfz
1 "Tnr~
^^^Fz^-^— Jzjz"
»^=^zz^^&=:z3fz[i=
zl=lz^=!^gzzItzzzuEfe=^^zz^jzz^zIt=
j- j_ji_i- JL j:_ ;— ; j — j— j
K
-
_fZf=g
FRIZZELLE. C. M.
Medium Time.
Congregational Tune.
181
5E3
-G- S- -0- ^^ . ^ -0- w -o- -a-
1. 0, in the mora of life, when youth With vi - tnl ar - dor glows, And shines in all the fair - est charms That beau-ty can dis - close,—
2. Deep in thy soul, be - fore its poveers Are yet by vice en - slaved, Be thy Cre - a - - tor's glo - rious name And cha - rac - ter en - graved.
-4-t-H— ; , r, rr-J— J
J=i
wm
r r
<KJ; J- j
r~r — r
3^
=t
£=.&.
~W=¥-
n
j — j — j — j_t.
r r
r
T"
S
:•=£:
-©£
-r—r
it
- —
-#— g— f
^^p:
1 — r
E
4-^-4— J — J
pf-T
=f=?:
I
£
I
RICHMOND. C. M.
AVith Distinctness
-■L-O . I 4
• -o- -p- -*-
1. My soul, tri - um - phant in the Lord, Pro-claim thy joys a - broad, And march with ho - ly vi - gor on, Sup - port - ed by thy God.
2. Through ev - ery wind - ing maze of life, His hand has been my guide ; And in his long - ex - pe-rienced care My heart shall still con - fide.
(chime — 11)
162
GENEVA. C. M.
JOHN COLE, Baltimore.
In Medium Time, with cheerlul Expression.
==£=£''
zzttzzjrzztzjiz]
> <* *»■ S* >"
When all thy mercies, O my God,
zzzzzzipzqiiqzzqiq— ztzzzzz
i^r*:
PP£
J-ta-i^
If jj IJffijfaSyjf
Transported with the view, I'm lost,
When all
When all thy mercies, O
EPSqJqFl:
r
34
my God, My ris-ing soul surveys, Transport - ed with
In wonder,
the view, I'm lost In won - der, love, and praise.
-+-+.
1=1=+
El *
at*
fcS:
. ■_,_ _,__-_f_r__,_*. _^^# »-»- -f -f—f-0- -99 (JH» J#* -9'-f-m~j~ -A- fi-s-
r-f-ry— ^^ ' LjTr--r^I^^^-Ir-f-g— I===-Jr-t^-r-raLJg-t-
, , , > e i -J- -J- i , _ , i _
J JVJ
When all thy mercies, O my God,
Allegretto, with Expression, and not too loud.
r
ELLBRY.
fe
f=LWjE=?.
•I — i^-
W=tj2
r
Transported with the view, I'm lost
C. M.
^^I^zLtzzrt±zzzzzzrzzzzzz^±tztL
V. 0. T.
^ra^feegpg
^^ztz'zt^zzfz!
-0---Q-
P^=
-¥- Q— I »" '-O—0 — ©-
:g^zzzgl-U-4--lf:
<> Cbro. m
^^glfe.^rasS^^SSB
J--©-
!|ZE3EfE3Z^z|ZiZEZ|af
1. Thou love-ly source of true delight, Whom I . . un - seen, a-dorc; Up. - veil thy beauties to my sight, That I may love
5. Je - sus, my Lord, my life, my light, 0 come with bliss - ful ray ; Break thro' the gloomy shades of night, And 'chase my fears
thee more.
a - way.
^H^f^Fr
HH
J J _J. J _ A J _i J _-l /. J J J J. J— „ff ., ■J2i*—ll ~kat
— ■ — -+ + : — + ---+-^-h-T+^# ^i — +<<^ ■— r* — r-l— r-l— .* -I— 4-1 %\%
„ , i ,> J J_J_j jJ J. J J J J -J- J_ J J ,
Z-2
SP
:=S3S^izz-£
rr
ir^t-—f-
-f f -F|— P-
i
HERKIMER. CM. *
Slightly Faster than Medium.
^*ft=f
W^
tz
0-0
m
&:•*»
H-Htt
:#*:
*=£
Wot an original Theme.
=1
:ElS3
z.:
+•-
163
IP
Soli.
Goro.
**^
mt
^^
;•-#-
B
^-*
:i;
S
Ej::£]z-3t:ig:zh-f
-*--•-&
I
1. Why, O my soul, 0 why de-pressed? And whence thine anx - ious fears ? Let for - mer fa-vors fix thy trust, And cheek thy ris - ing tears.
2. Af - flic - tion is a storm - y deep, Where wave sue - ceeds to wave ; Tho' o'er my head the bil - lows roll, I know the Lord can save.
-1-
■rr~TT
*=*+
M
3=
, J_J j -+J
zzzzzizzzLzztzziz:
r
izzr
-■-#-
— r
==>:
^
=}:
:=»
t^i:
H rt
J J ;.-JLj-J
— i-
-tMA-
H
^
-< r- — »-
e—^0-
zr
1
353=
rFrfr
<?
*z5
f-
r
Hi
££
j j4
t
f c
1 — * T-
f-v
J J .
i
^La_
p
Medium Time.
WATERBURY.
=z=E
0
-i9 9- --©
C. M.
Z^zF^zf^
V. C T.
Arranged from the "Minstrel.'
zzzzz 72:
P
--©-
s
V
<
I
=1:
d*z3:
-0-^0
zd±
1
-+
3?
>2 -#
•zst
P^l^^gl^Pii^iil
1. E - ter-nal Spi-rit! — God of truth! Our contrite hearts in - spire : Kin-die the flame of heaven - ly love, And feed
2. "Us thine to soothe the sorrowing mind, With guilt and fear oppressed : 'Tis thine to bid the dy - ing live, And give
S=F
the pure de - sire,
the wea - ry rest.
LESSEE : Jlfezzez Ei=EiEE=E2-r£fc ===ff_ *£=
^=fz"r!zzi=:^=fx-zt=r-
-i ,-CHpzz
-Le — fL-L-r-rl
-*-*■
-t-
-•-£-
J
ffil
J J
3t
[P^-T^f-
M:st
P^FP??™
rH;T~rr
izzp:
s
I
164
REESE. C. M. *
Medium.
\
1
e-*-i-
^zzzjzzzjEI:
■EEEi
:^z
:*zzst
-}-0~ — 0 — o ^-J~«l — * — e — ^— *-© — ■ —
1. Oh, that thy stat - utes ev - ery hour Might dwell up - on my mind! Thence I de -rive a quickening power, And dai - ly peace I find.
2. To rned - i - tate thy pre - cepts, Lord, Shall be my sweet em - ploy ; My soul shall ne'er for - get thy word, Thy word is all my joy.
, LL O
-9
m
-f
■• -*— ?— 5±*zz^zz^zzz*
r r r r
j . ; J : J J J J
3
tf=p=+=p?=±*±f
P ==p:
zpzzp:
I
1 — i — r
J J
j . ; j
J
-Pi
r~ |-
r
CALAVARY.
C. M.
=1^:
i
Hi
t
r
J-j^_j
j j
-<9 — e-
i — F
HI
*
Fast. (Inserted in the original form of time.)
Arranged from VERDI.
■ .IMt ill.-' I'' U ill II.' tun- Ml. II IHIIIJ (II IIIIII' I
:^fc^rzzf:|zzfi±|iz^^^
a » o9
Pff
££S5e
3H
1. Awake, ye saints, and raise your eyes, And lift your voices high! Awake, and praise that sovereign love That shows salvation nigh, Awake, and praise, etc., That shows, &q.
4. Ye wheels of nature, speed your course; Ye mortal powers, decay; Fast as ye bring the night of death, Ye bring eternal day, Fast as-ye bring, &c, Ye bring eternal day.
(Nil *» '
- pipzpIzzzjFzpIzzzzzzzzzf p. qipKs^S
i
•zfzst
iic
j j j
Js 1AAA i^
J J
~'p pes ipiazzip zz: :pz.
tz£z5±t==f:tz?t~=JT--#±*=^=^
33
t"
1
:tzil±
\
[
Slow and Subdned. Cantablle
BERMUDA. CM. (first arrangemant.)
V. C, T.
165
— 0—j *-i—& — ^— ■— « — ■ —
1. Ob, that I knew the se - cret place
2. I'd tell him how my sins a - rise,
Where I might find my God ; I'd spread my wants be - fore his face, And pour my woes a - broad.
"What sorrows I sus-tain; How grace de - cays, and com -fort dies, And leaves my heart in pain.
:*:#£:
to±=i
=£
f-rf
-o —
» '-
1
-0-
p J J-
J . ; LA J
tz-tzU
±
W.
^=p:
i£_zrz~_s — 9
r ^r
+
^^
h
-U-l
zj_zz_£ifcjzj-
lf--*,-FgH=ri
fTr.rJlg
*zf#.
3S
#
fe
-J- J.
i
BERMUDA. C. M
Moderate Gentle and Flowing Style
(second arrangement.)
i^=t=&
1. Oh, that I knew the se - cret place Where I might find my God! I'd spread niy wants be - fore his face, And pour my woes a -broad.
2. I'd tell him how my sins a - rise, What sor-rows I sus-tain; How grace de - cays, and com -fort dies, And leaves my heart in pain.
«*— 4*1 l__N_-w £__fe, C— fi_-A
3
:^?§
I
s
t^z
:z^z:
»
:i^B^SzzzSfet
JL J-.;
tr-fj
J *
E zzt:izz4zq=£^BSS=ziSz3?tezgS^t
_ ZZJ JzZ&M_ZZZJZ -et-f-f- -Sh_ZJ_ =q_ ^ tf-£ f t5— zr
=J=*-: — izr^_^ezr^pz:^zrp_tf_ezL^_^ZTaz_g._i^_e:
n >— ' _
dzzzfe
tJl_t £_£
i^ZZzfefl
B=ep9
iBi[j_[L3^Eitr i rz
i &,> Jj. J
I
166
Calm and Gentle. Cantabile
MEDITATION. C. M.
V. C. T.
:«^pes
rj=£
3
#- «
=£==£
^3Ef
-#-•-
=FT-r, £
■3=?T3=3f3=FFT
:*zlz*z: :?£:*: :?z*z:j:*,zz<q:*zl
z^gl
=T=£:
=1
=1
:_LU_lnzzti:
m
aSWi".
63bro.
y.w/.
.#3:_f_ PJ--W— i*^— l*^-«i^- — ^— l# 1 #— L^_ ^_
=M
jP^SBteW^Mr
1. I love to steal a - 'while a-way From ev-ery cumbering care ; And spend tlie hours of setting day In humble, grateful prayer. In humble, grateful prayer
2. I lova, in sol - i - tude to shed The pen-i - ten-tial tear ; And all his promis - es I plead, When none but God is near, When none but God is near.
J V
z
=t=fc
s
TTr^f
D-J }j_ )__)_ J^_/_ J_J__ J__J
tt:
r±t=zfz±i*4=^
r
=2
2fctf
...X J]-.j «l/_tj
•zszif LI^ziz*:
■I *#—- L 1 [_J-|
r
-J-j j j
^*-.f±t=—
Erizbz±Ezjz±_^f^±tzEtz:
Slowly. Calm and Gentle
Cal
CONSECRATION. C. M.
(Dedication of Children to God.)
V. C. T
:§V
0—9-
fcj
///
*•■
#«
iER|Z3p^^Zp
Willi flowing Ic-nrs,
and thankful hearts,
Soli.
4. With flow-ing tears,
I
With Life, but not too Fast. Staccato.
Hf3£E
Mzfc
^=PC
=t
ANTIOCH.
C. M.
From HANDEL— Newly arranged.
167
EE£
:z=p3i
ff
Soli.
=1=n=4
•#Jz*
j~&-
=t
-*-£>-
33
=t
I J QJ-i|:.rT#^«LJJ|J-h
==i:
^g
1. Joy to the world! the Lord is come! Let earth re - ceive
2. Joy to the earth ! the Sav - iour reigns ! Let men their songs
her King; Let ev - ery heart pre-pare him room,
em - ploy ; While fields, and floods, rocks, hills and plains
:£*:£
-4 FT
m-
---O-
=t
^zr±
E
--1-
-1 V
T-r-f-
p_pj^i-^-iLztp =:pf:j7 ■
^
:t==
3Si
•-^
:a:
JEE
-_£-L
t » i f
r-fcs:
-#-
0-9—0 — # ©
*
=te
-«L ^
2d Ending.
-^ 3
r
:•*
S
d.
I
Coro.
I f f
And heav'n and na-ture sing,
And heav'n and na - ture sing, And heav'n aud na - ture sing.
fe^"
i^#==*>=t«-
^=5
—0—4>—&*
5
— i-
*z^:
=*
=t
i^
And heav'n and ua - ture sing.
Re - peat the sounding joy,
! I » f
And heav'n and na - ture sing,
Re - peat the sounding joy,
And heav'n .... and na - ture sing.
Re - peat the sounding joy.
-d" -& ~&-
r
0 0?
u
ft
:£:
W
3==5
st=^=3':
B
33
:9 *
=!=£:
-&—C-
,=f=q:=
r. r r cr^1 : D"
And heav'n and na-ture sing, And heav'n and na - ture sing, And heav'n and na - ture sing.
J_.J } J j }___. J J J -J J J . ± i • -J- J .Jj_
am
J.
r p p °
tf
T~
1 — i-
?2=z=s: :=p=
I — I-
Z3I
r r f
J. J j
* For words like the 3d stanza of this Hymn, pass from the conclusion of the Duett (upper score) to the 2d ending.
*=&
2
BE
168
SYLVESTER. S. M.
Slightly Faster than Medium.
V. 0. T.
t-PZ-l- -P-^-P— 0-
I 'i j — I -fi -| — I *-0-\-e— 0— 0
3E
p=p
■
-•— 0-
-pz^_
?=F*
=t
I
I
5
^=^z
3
•H 1 — H
d^S g ' ° ~
1. My soul, be on thy guard, Ten thousand foes a - rise; The hosts of sin are pressing hard To draw thee from the skiea, To draw thee from the skies.
2. Oh w at eh, and fight, and pray ; The bat -tie ne'er give o'er; Re - new it bold - ly ev - ery day, And help di - vine im-plore, And help di - vine im-plore.
£
-r-rr
E5E
0—0
0-
T
-0 — &■
44- It
11
J- J..J- j J.J.. J. j J J. J J. .
izE^z==zt zzzpizztp:: :,
i # — 0-*-F- — 0 — I 1 — J-i
r i i i I r i
:*z±
d -1 — | — | — I — I-
_] — -i — i — I— ^— 0-
*-f-f-r
3Cr*z
t
t—h
UMAGO. S. M.
r -r-
f— f-
2:
r-r-f
m
X-P=
z^zlz
-*i-
-&-
o_ _
I2£
Tempo di Chorale. (Alia di Capella.)
Common Theme.
IS
W=*r
H —
\t
~t=±\
3
-1 0 o
£
3E
i
zr==zf=z^H:zzzr:tq--jzzt :
— L* — *— "-j
1. Sing praises to our God,
2. Midst heathen ua, - tions place
And bless his
The glo - ries
-rV-J
-a-
p:
e
q-:z^Eir=gSEB=q^g=fF
-#-#
sa - cred name ; His great sal - va - tion, all a - broad, From day to day pro - claim,
of his throne ; And let the won - deis of his grace Thro' all the earth be known.
r-f
-£
ZSZJ_-
r
; jl j. -j-
I — 1"
«tz==itl*
£
« — :g T ^ • -■-#■
_!-
P=P=±jc
JL
-F
-JL
J
:^z
3EIZ*
4
:::t=t
lip
DOREMUS. S. M.
Medium Time
&
v. a t.
169
I_i 1 — i 1 — i — m s ,
-S>
3
O
-9-
±
-9-
9 — \-*—L9-j — I-
KE^EfflEg
»-*
:»
+za£j*z
-9- -9
Pf
1. Have mer - cy, Lord, on me, As thou wert ev - er kind ; Let me, op - pressed -with loads of guilt, Thy wont - ed par - don find.
3. Blot out my cry - ing sins, Nor me in an - ger view ; Cre - ate in me a heart that's clean, An up - right mind re - new.
I
tS
f r f r
f=F^
g-a^-
Mr
-J- j j
?
?E
1
U j -J- j
q:qq: =f=|=|=: ill_|-4- :
rf r r
-L-©
:?r
* ~wr~
0 9
r r r n ' r ; f j r
3=p
s ■
I
=5
I
t-
1 — r
^-o-
T
r
MELVEN. S. M.
Medium Movement.
V. C. T.
=**=
?3E?E2
I
-f r-
-I ^-
-9 9-
zt^B^
t=
:*=£mt:
:sEg
£:
:£:
Soli.
o
Coro.
H
3=
S
-9-
EE
1^
*-
g
» — i8*
:^==»:
:a!
,^3
=t
z&i:
9- m ' ' -9- -9- -p^9 -e>-
1. If, through un - ruf-fled seas, T'ward heaven we calm - ly sail, With grateful hearts, O God, to thee, We'll own the fostering gale.
w
2. But should the surg - es rise, And rest de - lay to come, Blest be the sor - row, kind the storm, Which drives us near - er home.
4* ^ ^ — F^-V-IV1 ^-^M^L-^V- r» > ]-
d-v— -I— -9
|3EEj^EpgBEj
'-(§-? & 9--. 1 f O— *■
m
-J- f [» -J- -J-
~^-f~^
1
r j
T
^^
t J rTr7 -
-w-
3EEE
a^Er*
!■* b* '&
— JL
J- -«i-
s
?=:
Et
e=Eic
,t_j.
rrj T
£
-I —
m
170
SPRINGVALE. S. M.
Medium.
V. C. T.
F3
*=*
m
:__:__!__£
H 1 1 1 *—0
-0
^
fspt
£:
:fc
#•-
Hz*:
3_
^ESESZZjZZfZZZ^HE^
^S
_i
ft:
-»-* *
1
1. A charge to keep I have, A God
2. To serve the pre - sent age, My call
*-J_ *
to glo - ri - fy ;
im* to ful - fil,-
A nev
Oh, may
er - dy - ing soul to save, And fit
it all my powers en - gage To do
IN
S- -J- -Si-
it for the sky : —
my Mas - ter's will.
i=Rt£a==_j:
e_J.fi o-A.-0—L. 9 m -_J.fi ^- p_L_fi__*_t.»J_s,.
J- -I -I J.
r r
-j- j-
PF=I
r
:t=zt_t_ 2_:lz:pz r^
_______p r±z_
*—*—&:
_____:
r _ r
2:
I
r
4-W
s> ■ —
r
i*
K* I* I*
SILVER STREET. S. M
With Animation
I. SMITH.
@i_=t=___I:
:q=zzj
__3_E
-£?- -
:1:
I
z_.
__33_t_fc=^=Fi=5
zz=_±_=?_^=ffl___
=t
_*_*_£*
3
mm
1. Come, sound his praise a - broad, And hymns of glo - ry sing: Je - ho - vah is the sove - reign God, The u - ni - ver
2. Come, wor - ship at his throne, Come, bow be - fore the Lord; We are his work, and not our own; He formed us by
r c
__t
s
£«=___£
-i-
:?_;
UNISONS.
s-
i_z*zz
&-.
-J-
6al King,
his word.
--J-
^™^&^__i_EF__a^^
=D2=_:
E
ju
-j- j.
j. -j. j-
:p:
r
«J— T
-J- ■
-j- -J-
^s^|_ii^pi^^
i.
E
NEBO. S. M.
Slightly Faster than Medium.
THOS. HASTINGS. By permission.
171
zz±t
s=«=:^7-:
:s^2:
:lz±P
-^=>.-
-£=pi~-JO0l-JSL-GL
e
3zp
XT J: "IHjg-jjdfMtE
-t±t=
-0—0- -O-G
=tzt
I
l8:z:
— 0—0^0-*-J-&^o •-L^ — m-M-0-0-L&-^> 0
4 — I
2=*3=*
=t
SP
-ei*-1^--
-j — i-
JH
-e>~
1. How beauteous are their feet, Who stand on Zi - on's hill, "Who bring salvation on their tongues, And words of peace reveal. And words of peace reveal.
-r-l ,-J U-l-J-^ IzThir iJ
:±zzE
T TTJ
i — »- ■ — -- p— p-
-- -f- rf
*zfe~:
fb
-r-f-
+F— F-
B
r .
-« — #
=j
^z^zJzpz:
U^
2z:«:
fr
-j-j-
J- ^LJ- -.
-&—*■
WSx.
xbzjk.
-J-4tW
t=
~2z
f
SI
f-f
HOREB. S. M.
Medium Time.
V. C. T.
ZiZilip
IP f
e - &-&-*
■copzerp.
&~a
SE
_HEF*
3tZ
s
<
=t
-«- -5>- -»- -5-*
=t
*-*-^
=±
Q—0-O-
-^&
-0
1. The Lord my shepherd is, I shall be well sup -plied; Since he is mine, and I am his, What can I want be - side ? What can I want be - side?
-£•_
■dr-J-
Hti--
:j±3£
r
r
r-xr^ — r
9-
r
S=^:
-33
atat
-j Wo — 0—A It J-l— 1—4-
t=t=zr
T
=fz:
_t_d:*L
0ff0-0]-G>— '\&.& I
J J
Hpf=EEpxp=£r:
^
azzpzi^zz*
r
r
:ez:
I:
E
:_t_zfii
j ,4';j.-U
f
c.^c
M-
172
HENRY. S. M.
Rather Fast.
S. B POND.
Abridged from Common Measure
1. Be - hold,
2. But where
the morn - ing sun Be - gius his glo - rious way ; His beams thro' all
the gos - pel comes, It spreads di - vi - ner light ; It calls dead sin
9-0-
the na - tions run, And life and light con-vcy.
ners from their tombs, And gives the blind their sight.
Medium Time.
LANESBORO.' S. M.
?-s
■o-o—-&-s>
i^ztltzhz:izz3rzz_
t=
+^°-
W^
=z!ZE
AbridgeiHrom Common Measure
■P-
-p»-prrjpz^
m
$
E
L| 1_
V.Q'- — -x
:-l— -1-4--1 I t— r— 1 — =1
■ r-
1LM
*»
-a- . -<?
1. Yc servants of the Lord, Each in his of-fiee. wait ; With joy o - bey his heaven-ly word, With joy
2. Let all your lamps be bright, Ami trim the golden flame ; (iird up your loins, as in his sight, Gird up
zrJzzE :=£=§=£ 3=3 S=S 33=5= 3
S55
U#tf '-f^J
I
all your lamj)S be bright, Ami trim the g(nu«;u niiiii« , unu up your iojus, a.s iu ius bigui, unu i
, , U. J- i . . . i ,.,-'.
i:
3? :
joy o - bey his heaven-ly word, With joy o - bey Ins heavenly word, And watch be-lore Ins gate,
i up your loins, as in his sight, Gird up your loins, as in liis sight, For aw-ful is his name.
j 1 j. I Si i '.*• j J- -J-U J- j J-
Very Fast.
53H
o — <-i_|:p_#- :p — P P — P — - '-&
LONSDALE. S. M. (double.)
Melody from COKELLI.
173
t=
|*=^P=P=p:
— •-■«
5
s
5
PzzfzzPzi
33
±=r
^
R
£3
zj— zrjzz^izizzrj
?zPzi±pzz*zz*zP
IS
3=
^-»-
3. The bill of Zi - on yields
4-
zrhrPzzPzzPzzJz*
^5
r— f-
9
A thousand sa - cred sweets
-T3 ' ■' ' -Fl
Be
^
1 I I
r— r — r=^±^:=zEz!T£zfe=zp=fa--^^
fore we reach the heavenly fields, Or
-®-^X« •_P— #_
■walk the gol - den streets.
T
:"
f
izzzzrz^z:*:
14-^
,
n- j -n -J- -j-
3f
a=±F
s
-j- j
_T"J J. J- j. 4.
-
i^JJzPi^pzzpzzpzzzp:
^t — | — | r
J J £XLa
I:
r r- r '
r— u^
=C5r
£:
:i
=t
£:
^
■*=*=+-
-»-
t
*_*_«
£
:P±P:
iztz
Then let our songs a
bound,
We're inarching thro' Imma - nuel's ground To fair - er worlds on high.
imP=?zP=w3*z=E=«z^fc
4. Then let our songs a - bound,
iP__z?zPr«
be
a9
dry;
is
:f-=f-r
zfrzzpzzPzz::
And ev - ery tear
We're marching thro' Imma - nuel's ground To fair - er worlds on higli.
rPT'^^ CrV
£=£
5,4-4-4-4
irPzzPizPzz?:
r— r— r
i n
PzzPz*:
tf
£
r
t=t
4-
^s
-J 1
£
:£
Sp=p=*zpzi_:^
:t
P
Then let our songs a - bound,
:«:
:t:
*->
z*z^:
«-^-E
^\-
4 1-i
— « »-
x] j. j. j j.
=fi- =- =
tsF£
I
,*
And ev-ery tear be dry; We're marching thro' Imma-nuel's ground To fair - er worlds on high.
LUNENBURGH. S. M.
Mediumi
IRVING W. HARTSHORN, Lunenburgh, Vt.
zEz=e
^~wz~z.p
I
tfofo
Coro.
irzz*I*i
4
:*:
3f
?z^zi:
=£
*zfzi:
*
H
=t
=t
1. Sweet is the work, O Lord, Thy glo - nous name to sing, To praise and pray, to hear thy word, And grate - ful offerings bring.
2. Sweet, at the dawn - ing light, Thy boundless love to Ml, And, when ap - proaeli the shades of night, Still on the theme to dwell.
I
^
fzzrz
^
ttdtzM
f-f-
J- 1
:*z*:
H -j— t— J — I — lL-r— 1 — \— I
rr r
p_izz|zzt|t__, — zzfc;
tr
-4
3fc
B~*
Z^L J
£
J-
-J- J-
f
-S-
l£
:?:
:iz#:
IZZCZ
^X-f-4-
££p:
*z?z: fzsriz J: *zf_*
e
5
R=F
--J-
^SlE*
-U-4
f-PH8-
II;
Et
J. -J
-iij.j
•=p=
r
^
Staccato.
fzzt
SINOPE. S. M. *
pzzzpzzp:
tzzzztrz£:
f^:?=B^
?:
z±fdztzzFt=zzt==^^z±:^:zztzty:
3=tt±£
E?
=P-
zzztzr
S
£=£
J--©-
33
=t
:*zzz*
•zz*zi:
?z±:^zz^:
:-}-
sSiSIS
1. Blest are
'J. Si ill to
the pure in heart, For they shall see our God
the low - ly soul, He doth
3 lirtzzz-fzzEzz^izzzz
-J- J.,iii
Tlie se
himself im - part, And for
1-
cret of the Lord is theirs; Their sofd is his a - bode,
liis tern - pie and his throne Se - lects the pure in heart.
=£=£:
'-\
j_ -j. j- . j! £ ;
S
z=ei:
T-j-
r^=£
-0-
-j- . -/. j^
-j j
© 0 Q— .-I
I ..i j- i
-i- j
^=-—W-
o-
I
DOVER. S. M.
175
Medium.
~fzz?
Mi+i
^=P=
K
:^__^_^2_^s:
^rwzr/i*
E
:p-:
pp=faai
tF
2d Ending,
az:pz±:=pq^g:
I
=]===!=-
ssE^^rf
:^z:?z^z
r^::
— *— a-
Hi
1. Great is the Lord, our God, And let his praise be great; He makes the church his blest a -bode, His most de-light - ful seat.
2. In Zi - on God is known, A re - fuge in distress ; How bright has his sal - va-tion shone, How fair his heavenly grace.
ATHENS. S. M. *
Semplice, Divoto. Sempre Sotto Voce.
2. Thy king-dom come — thy will
-0- -e- -@
The prayer w
On earth be done in love ;
1. Our heaven-ly Fa - ther, hear The prayer we of - fer now ; Thy name be hal - lowed far and near, To thee all na - tions bow.
n mi iv. i i] *n r^ _ ii_ tl . .1 ■„ 1 A ~ *..*-~ ! - -.fe^w. f.,1 £1 tT\\it not* . fa/if lnm a - boVC
As saints and ser - a - phim ful - fil
Thy per - feet law
r r j j J J j ri ,
J- >
r
r
G-
I
176
LAMARTINE. S. M. *
With Animation. Quick and I,onrt.
Arranged for this work from Dr. WM. JACKSON.
12
I
£
-2=^
:F:
se=
-P-— W-^-^9
%
-/=*—,<=*-
£zp
-r^V—r-
~F=-P+-
I
1
4
:z±=z|zzjz;zfczzj
£z±®^*zt^Jz^zz*z*:±:22zz*zt£
-4-
-©—
I;
=1=3
:dz=**=b2
=t
±^:
£
1. Come, we that love the Lord, Aud let our joys be known ; Join in a song with sweet ac - cord, And thus sur - round the throne.
3. The hill of Zi - on yields A thousand sa - cred sweets, Be - fore we reach the heavenly fields, Or walk the gold - en streets.
4. Then let our songs a - bound, And ev - ery tear be dry ; We're marching thro' Im-man - uel's ground, To fair - er worlds on high.
I I I
7^«:
J4
Cz
___ JJ J
gz^zz'zfezz-*
St±3±=
J- 1
J- 1
13=*-
P*
:zsl
1
-r-
-i
r
111
G 0
EEE
v
0
-l
BE
ze:
T—
— f
f— - r
±^:
I
-3-
-t—
5>:
r-
WARNER. S. M.
Spirited.
ga^^^^^fegz^^Sfe
A'-//. /
Jzt
From the "Choir."
ISgil
lizzzz^zEzzTqzq:zlIlzltofczizi
if^z^zt^zEizJfldzfidz^kz'zz
Gbro. /
iilz^Sli^
I
1. lour harps, ye trembling saints, Down from the willows take ; Loud to the praise of love divine, Bid every string awake. Bid.every string awake, Bid ev- ery string a -wake.
Jt Jho' in a foreign land, We are not far from home; And nearer to our house above. We every moment, come. We every moinrnl come, We ev - ery moment come.
8. His grace will, to the end, Stronger and brighter shine : Nor present things, nor thiugs to come, Shall quench this spark divine, Shall quench this spark divine, Shall, &u.
{
M A R V 1 N. S. M.
Medium Time.
5^
'
f=*
ZTZjZZZZzpzjzz =jqpd=Hq=4=J==M==a=5=i=i
V. O. T.
?E=5
177
1 — r~
IsH
jirrj.j)j.jh>=^
4=t
aztzdizziifazEjJld £I^zgzjz±az=E
-S>- -#- -©-
2. O, bless this sa - cred rite, To bring us near to thee ; And may we find, that ns our day Our strength shall al - so be.
1. Here, Sa - viour, we would come, In thine ap - point - ed way ; O - be - dient to thy high commands, Our sol - emu vows we pay.
Rather Slowly.*
i-fcit
=hwt
S3
£
GOLDEN HILL. S. M.
J*.*^
:£: zzpzzzz: =B=f=J= rp==p= :
4?
Western Tune.
-p—dr
I
5?=
3
I
3
S
I^ZZZSzlSZZZS*:
^dw^ir.-H
=fc— i~
llpil^l^l
.-jl^- ^
1. To God, in whom I trust. I lift my heart and voice ; Oh '. let me not be put to shame, Nor let my foes re - joice.
2. Thy mer - cies, and thv love, O Lord, re - call to mind; And gia - cious-ly con - tin - ue still, As thou wert ev - er, kind.
^k-J £rJ ri-r-J l-r-J £rS>' rV4
(CHJJJB — 12)
• This tune is the furtherest possible remove from the Staccato style.
178
2Z^_a
Quite Fast.
53
BURNETT. S. M. (double.)
Anonj-mous.
pz=pz:?gipcz|zpr::
t-
3S
•— -o^o^
m
ipzqszzpnzp
EE
:2^2£zf
I
=1=1=1
— i-
— zq — | — izrrqpr . :
zzih#z?z±2z2£zz^zi
4==t
ic^zzi:
=C
s
-L©TS'
z_*z±:2:
£=ta
=4=
3
-zzziziztzizzr
—I — *— ^ #— -I-
o-^&z
zt
islzst
1. The Lord my shep-herd is; I shall be well sup -plied; Since he is mine, and I am his, What can I want be - side?
3. If e'er I go a - stray, He doth my soul re - claim ; And guides me in his own right way, For his most ho - ly name.
«^z^zzzJzr:dz=:jz=zt=z^=T:
£
*±
=zzpazqaz3E?2ipz
Coro.
:t=
£zzpj
2T2Z
tzz^z±pztz:z!±:±
Ig
3qp
M=
Ezrzi
tt=t
zrrn~lT"1=rziziqzzqzqzqi— zzzy:
*zzbh* ^zzlidi: ^z^ziStztzS
0T&-.
zjzzzttzn
hsbrriz^J
©-fir.
:zj±d
t
3=SBE
tdzd:
/Sbfo'. ' Coro. /
2. He leads me to the place Where heavenly pasture grows ; Where living wa - tersgent-ly pass, And full sal - va - tion flows, And full sal - va - tion flows.
4. While he affords his aid, I cannot yield to fear ; Tho' I should walk thro' death's dark shade My shepherd's with me there, My shepherd's with me there.
-■I J L^ '■ '
tit
4—4-
ttt
U-
'^?<mm^
33ZR
jzd:
i
r
^SLZlfz
f-*t
-4 — I
H-rH 1 l-i-Sl—-
drd-nr »-
Pf-
:zt
.dd=
|Hf— ^h^rf^^-p-rr^-T-rp
"*-?:
J_ J- J- J- J- J- .J-. J---J-
zf&EI^zzzz^zzzl^zHg
-J- J- 1
p£2
pL^iLl^
- -©-51-
I
FLATBUSH. S. M. *
Medium. With Expression.
^^-P=^ZOTJ&$-
-I — J-
:p=p=|=p:
-» — •-
=P=P=«
179
IP
i^
Jl
rb
t=si
:fc
-t
I
-«-
i
3
"y
*=*:
J
:=t
1. The day is past and gone, The' eve - ning shades ap - pear; Oh, may I ev - er keep in mind, The night of death draws near.
2. Lord keep me safe this night, Se - cure from all my fears ; May an - gels guard me while I sleep, Till morning light ap - pears.
-a— — «-
d=t
=t
I
Z=X — e_
fcatz*:
i
P=£
r~¥7 f
E
-p~
EE
afczfzz*
* f . r -r
^:
f_z±^
J. J- J. 1 J- J- -J- J-
r-r-f— ^-f-rt-r
-L.J
S?
*£
©—
=t
B
zvzzmi
^E£S
-&-
?
«-
I
Slowly. In a Gliding Style.
£
^^
:4
=J*:d=t
-:
D ANTON. S. M.
S^
E
f=t
^z:^
A-
NAGELL
From the "Psalmista."— By permission.
itp:
3=£
o:
I
1. Sweet is the work, O Lord, Thy glo - rious name to sing, To praise and pray — to hear thy word,
2. Sweet — at the dawn-ing light, Thy boundless love to tell; And when ap - proach the shades of night,
And grate - ful offerings bring.
Still on the theme to dwell.
180
Rather Slowly.
1st Tenor.
SHELBY. S. M.
Quartett for Male Voices.
sn
BEEB
=p=p=p:=p:
4- h
-L.^ ^ ^ ^_
*m
-0 0 0 0
:t
13
2d Tenor.
zbxi
ia-^zz
b
^
:=^=q^=^=^rt=^=T
:*zzizz*zz*:
jLftKtd*-
^^Ettff
11
=4=
:a!z:
=1
£
=J=:
=|
zzJzzzitizizzrE
1. The swift-de - clin - ing day, How fast its mo- merits fly ; While evening's broad and gloom - y shade Gains on the -west - em sky.
2. Ye mortals, mark its pace, And use the hours of light ; For know, its Ma - ker can com - mand An in - stant, end - less night.
1st Base.
lizzfzzrz
£=t
lot — 2 — &
iEE
-0 0 0
■m m m m— ■— v
ESEH!z±E
0—W—0
£=£=&=£
£=
^FrF^Wt
:F=
2d Base.
— £— f 0^-0— 9— 0 — 0— f-#~'-F-T-b ? g ^— F \~*-0-\-*
ae=:
««; — S
-9—0-
3
tEE?
:=t
m
Medium
Ciotzzz
: — r — r~
=t
OLMUTZ. S. M.
Gregorian Chant.
:£zz?z :zdzi:?z! z^zzjz^zz^zz^zz^zgpgzibp:
-# — a> — s — ^@~-
^zzizzgzl
*=•=£:
=f=:
— ©-
I
izfe:
*-b-
3z=
rj__zjzzzj — ^±^_zz^iJL*_*_s£=§s_±_ffl zizt^_zj_^ g_tg_*_a=_d_±aL_*.
1. Your harps, ye trembling saints, Down from the wil - lows take: Loud to the praise of love di - vine, Bid
6. Blest is the man, O God, That stays him - self on thee ! — Who waits for thy sal - va - tion, Lord, Shall
-I — I — \*-A-
/ .'■ aL-L
— s>—
ev - ery string a - wake,
thy sal - va - tion see.
i
qqp-T-T-d 1
^zz^zzz^:^|zz^z£g3rJzz3=EzFI z:zrzrf:zh==j
3z=^Ez1:
b~t — o-\-0 — 0
J J
f"1 I"
:[z:
E^m
J. j-j
j j j
iz^z zz zlz^z lizzizzjzzztz JtzzF:
l^zzzVzzf
f~ f ,'p.f 7 T^-f
T"
ISZIZSL
i
f— r
Treble, be careful to sing the last note of the third strain on D, instead of Bp p as is generally written.
r
:|zzzz:^zz»zzpz-
HIl
ESSEX. S. M.
V. O. T.
181
Medium.
u
I
3
i
^±
-3J—*—*±
B
-p — & — *-
istz^z:::
B
E3
:=]:
&t
33
SUNI
BE5
^— ^-t^
*±2fa£±±2zz£z±Z22
-£—4-+
jj—ti-
4. My gracious God, how plain Ave thy di - rec-tions given! Oh! may I nev - er read in vain, But find the path to heaven!
3. How per -feet is thy word! And all thy judgments just! For - ev - er sure thy prom-ise, Lord, And we se - cure - ly trust.
f-f-f-1— L
J- Tl_ i-Jj-
LISBON
S.
M.
Rather Fast.
±o \
rb-» — *
D. B.EBD, New Haven, (about 1800.)
0—0-
*=fc=*j:
-T 1"
33
1:
-s-
EE
35
h:
/Sbtf.
3
I
=t
=t
:z£:±a£z*:=sfcz^=±Z22
3E5
-irt
=t
1. "Wel-come, sweet day of rest,
4. My will-ing soul would stay
■»—*—&-
l2ZiIZ
^=X=X
Goro. f
P
That saw the Lord a
In such a frame as
rise; Wel-come to this re - viv - ing breast, And these re - joic - ing eyes I
this, Till called to rise, and soar a - way, To ev - er - last - ing bliss.
— 1—4-
?=*=
182
BOVINA. S. M. *
\
With Life
Theme from a Chant by DUFUIS.
*=*=*
-©-
F
,S
iSE*
d
Fzz^z^i^zlz*
F1}
-©-^£-
=tf
HEsE:^
•+
I
±3
^
s
=1
m
4=t
13
=t
:£=£:
=l==t
liz^zzxdzzzz*
I
=±
3l^£4:
— i-
=t
1. The Lord my shepherd is ; I shall be -well sup - plied ; Since he is mine, and I am his, What can I want be - side ?
2. He leads me to the place, Wheve heavenly pas - ture grows ; Where liv - ing wa - ters gent - ly pass, And fall sal - va - tion flows.
at
±=d:
i
T-4
3
=*
4-r
3t
f f * f
J J . J
I
j j- j
■=f±f^
!?zz
— JLT
f— f-
-I U
f"
J- J j J
. . . i J J J- J- , i J , -J- - -J- i J .
<9 _ — s- -1P-Q — ©-- -
3E
r
WALE.
pHl
rta-
r
r
I
Ittedimn.
EH
fc=£ri
S. M.
? ?
V. 0. T.
9 0
m
SS
-o 0 0-
«* > >
i t »
-§=££:
FFF
-#=^
ij=
I
*»--?—
4. My gra - cious God, how plain Are thy di - rcc-tions given !
3. How per - feet is thy word! And all thy judgements just !
h hj X\.&
Oh ! may I ncv - er read in vain,
For - ev - er sure thy pro - mise, Lord,
Bnt find the path to heaven.
And we se - cure - ly trust.
s
r ^r
j j
r
j J
r
j .
IVJ_JjT-J C--I-L— j— V Wd l-r^^-d3jH-^ MVf»-|— tt- cr
r r .' ;
j ji j f- j; j li
I 1 —
1* ?
£
F
J
if
»_a^
r — m — _ — „ —
tae
m
LABORDE. S. M. *
Moderate Close and Gliding
3
Theme from VERDI
183
1. Oh, bless - ed souls are they Whose sins are cov - ered o'er ; Di - vine - ly blest, to whom the Lord Im - putes their guilt no more.
2. They mourn their fol - lies past, And keep their hearts with care ; Their lips and lives, with - out de - ceit, Shall prove their faith Bin - cere.
4-4
z*z<t
t^m
LJ-4
:*=*
-4-4
*~*L
-4
-•-•-
-4
rr
r
XT
-J-
K-+
f- — f-
*z-st
-4
-9
±5:
JJ L>Ulj---l--J-J-J:J--0-rl
*»
m
i-j-j -i-j-j
& — »--&
Ytzz£z£i
r^-FF
BRAD EX. S. M.
-«i^=v-
■f-
J 4
fi
T-»-^— 4-T— I-
'ft >
Je^;
-j- J j-J
£=*:
-»-#
f
I
About a Medium movement.
W. B. BRADBURY.
From the " Psalmodist." By permission.
FF=^FJ
fcrjEEt
I
I
¥=W
j£±J2
e:
0
4=
pFf*
£
±*=
p
Ritard.
i
4?^
=4
:q=:
*•-
*t±±%£z
s
X-g,-
"^-^
1. The swift -de - clin - ing day, How fast its mo-ments fly! While eve - ning's broad and gloom - y shade Gains on the west -em sky.
2. Ye mor-tals, mark its pace, And use the hours of light; For know, its Mak - er can com-mand An in - stant, end -less night.
-t
^M
•j:.--£-./-J,;.-jn
-m-
-l \~
j=:
-&-
Lm^Ua J_Ti
*=£:
I
£
-»-
1 — r
2
J
J
r
T7
4: r
g==3^=g=f
:t
^—Fg-
I
,-i7i — -.^-Tf^i.-'i '",
184
CULVER. S. M. *
£±
Medium, but with Animation.
German Theme.
±=Szt
/
-0— v
:£
:ES
J==*ipt=fc
zfzgd:
::1
=iz::SEE3
0—0
?2zz:p:
^
.'
~-+W--o
I
•^
a — L_« a — _ 1
^T-t
<? 7^~X-A &—l-0-—0—0 0
-&-
=tt±*
4z=zti
g — aH-g-
I
1. Grace 'tis a charming sound, Har -mo- nious to the ear! Heaven with the ech - o shall re- sound, And all the earth shall hoar.
2. Grace first contrived a way To save re- bol-lious in.-m; And all its steps that grace dis - play Which drew the won - drous plan.
/
-L — &-
4
H |-T-J— |-j-#.
f — ■-#- -f4-4^
-4
P=F
I
^g-tr^-
k±£
?2=
-J"
:
■■-itzit--^
^JZLT-«L_t3J-
J-^F-4
— 1_. i-i 1 1 — l. 1 — j_) y,
-?—*:
»=
6
EEEbE
J J-i p
J j
S§|
GONZALES. S. M.
Lively. In Kxact Time.
V. 0. T.
;±fz
53*
/■^
-Su
=s,
f=t
::t3zz=,iHE
=f=tF=t=F
h:: ^—l-h-1^-- ^-0-0\s>-^-\-0-0-» p— ~& — ff
t
-tf-
J--©
-0—0'
__2ZL — ji_^_#_ a-Tgj h n~*— «— J— 0— 0 L " J 0-01^-^—0--— L — _■__
1. "The Lord is risen in -deed!" — Then jus - tice asks no more ; Mer - cy and truth are now agreed, Who stood opposed before, Who stood opposed before.
2. "The Lord is risen in -deed I" — Then is his work performed; The mighty captive now is freed, And death, our foe, disarmed, And death, our foe, disarm*
med.
&JL7-1--
4
4=j=jz^
/
^JzhfzzfcE
-L J
zbrstzztfzd:
£=£
-r~r-
J J . J J J
f=3 r 1
j j j j j J
— 1-
-4
■ , [ 1-1 1
f ■ 7y7>e^^^i^ff
- -C?-fif — -
j j ;,->.j j.j..5»'j
i^-^-n
^pppSHtgs
DAWN. S. M.
Uentlt- mid Gliding. Messa dl Voce
V 0 T.
185
r#-h#--#vd-#-
1. How sweet the melt-ing lay, Which breaks up - on the ear, When at the hour of ris - ing day, Christians u - nite in prayer.
2. The breez - es waft their cries, Up to Je - ho - vah's throne j He lis - tens to their hum - ble sighs, And sends his bless - ings dowa
iia:
s
/
J:
^h
&m
"5— f*r
J
=£*
h
r^Cz:
3
^
-g-*-H»
J**-
:f!=L£±p=z^
«fefi
*2:
sB*
r^hfr
r*T— m-
grnjaggfflai i jii rit
W
; j.^ ^j j
:p?:=
??=p:
it:
J J+Jj J^^JJ
P^pFff
BE
*»»— l
pz:zpzzp:
f"
J ft
111
-JL
t-
o
F
PIO
DURHAM. S. M. *
Devotional.
3
z£z£d==±U^?U^
i*z"Bz*
^n?
tfcfct
=|:
£
53
4=t
^
m
^t:
':
— I I — a — j-
8
=£:
M=X1
I
£
1. Come to the house of prayer, O thou af - flict - ed, come ; The God of peace shall meet thee there ; He makes that house
2. Come to the house of prayer, Ye who are hap - py now ; In sweet ac - cord your voi - ces raise, In kin - dred horn
-te
t— -rV-
E
:kfe±
r t t s s
:r
j
:*=*
L-«L. Jzjjdbgz: =•=•— f=3= — =3= «H»- i?=tzz
^ s i
; ; ; ; j
his home,
age bow.
— *n
E£rf
-0-
r
i
f
t
s
F
^
:^zi!i_p
-i — ■-**-
I
•■T-— —
C5S=
186
With Life and Animation.
MZtlZ^Z
EiSziozs
WATCHMAN. S. M.
LEACH.
-0---Q
Q—\&2
1
&t
-o—\s-
-g—
==F
=fe
^zzfzzE?:
*
:**
I
SazafofaqL llfazzz^zizzazH^zzr
-g — =• — -"— — g--1-^— ^-J— "■ — *z^ — 9~' "~d
1. "We come with joy - ful song, To hail this hap -py morn; Glad tid
00
=4=
i— f
-^^
1
ings from an an - gel's tongue, " This day . . is Je - sus born !"
2. What transports doth his name To sin - ful men af - ford ! His glo - rious ti - ties we pro - claim — A Sa - viour — Christ — the Lord !
Usu-
^S^psE§
j. ->.
t=
!=st
f
11
I
I
/
Medium
rfeZSZI
:3z
CALMAR. S. M.
Gregorian Chant.
,J^±E^
0 — 0-
~TCX=X
■-gJ—Ti—
-a — 0—W^
U
q=
g 0—0-
~?FP
zzzztzrzzzjz,
P
fc=3=
■© — ©
^
z±z:«c
#— ff-L-c — o—L-e — "-^ — #— «M--e> h— '--g 0^-0—0 — •— •,-i-c g— L-g — ■— — - — — **-J-
:zjz±
-a— t-
i
4. My gra-cious God, how plain Are thy di - rec - tions given 1 Oh ! may I nev-er read in vain, But find the path to heaven.
3. How per-fect is thy word ! And all thy judg - meuts just 1 For - ev - or sure thy prom - ise, Lord, And we se - cure - ly trust.
±=fc±d=d:
#=?=*
=fc=i
-g -+ -»— « »— »~
.r"_r_r__r:
— J-t
td=d
I
-4-
±a*
ife
:!z±£
t
-g o—\
r
— J-
HI
I£Z
:ra:
1
zs:
J-
J-
-• 7T
-fV
J — « B..—
£
j
^
:~sr-
I
PADDINGTON. S. M.
187
Choral, majestic.
!Mm
/
p3S
i — \-
XF
r
t-
zl-zzt:
i — £-
5
=ft
2d Endins
in
t--1
ff
I
£zfc
=:
-
3E
-I 1— r-
1. Siug prais- es to our God, And bless bis sa * cred name : His great sal- va- tion, all a- broad, From day to day proclaim, From day to day proclaim.
2. 'Midst heathen na - tions place The glo - ries of his throne ; And let the wonders of his grace Thro' all the earth be known, Thro' all the earth be known.
II, ii l i I I i . I I ! I i I i fS
J_J J_J
f
-H--
fz&azfSL:f*z&
j ti
-J-
f=
&
Jj
I -J- — w
.*— f-BH F— p
f
n
£
i
OLDFOE D. S. M.
Author unknown.
-0
O-
:«t
:*zzl?:
!
=P
?/l
//;
'/
?/i
-# — «-
-0 — 0— L0 0 ±-0 0—L-0> 0--L0 0 J- 0 — 0—^0 — # x 9_XM w X_# 0-J--0 ^— i~0 — 5— I
Be
1. I lift my soul to God ; My trust is in mt name : Let not my foes that seek my blood, Still triumph in my shame.
2. From ear - ly dawn-iug light Till eve - ning shades a - rise, For thy sal- va - tion. Lord, I wait, With ev - er - loug- ing eves.
szzfe
0-i
r— r
J J
T— r
Hl
r — r
zfe#:
E
-J— J-rJ ±
ilill
r-f
J -J- J , ^
izze:
±C=XI
F
I-
E*
J J J
:zz#z:
t=
K
5^
-»-
1-
ri — F
ii
r4
-rJ
-
-
188
Slow.
ffilzfa
^^EE
e—\-<5
zr
ROSLIN. S. M. *
=1=
x-s,_.
i^zJztzz
£=1 — I — I-
=fe=U4^— l4t
?zJz*z z3z*zz^z2zzLf * :^zH:
BE
f=?z±^=^zt^=?zEgzS:t*
3
:£*-
pg=i
-«-
3i
m
1. Sweet is the work, O Lord, Thy glo - rious Dame to sing, To praise and pray, to hear thy word, And
2. Sweet, at the dawn - Lag light, Thy boundless love to tell, And, when ap - proach the shades of night, Still
-lij — -J- — »a ,lo
izjzzzj:
grateful offerings bring; —
on the theme to dwell.
stb:
=t
3b£:
T
:=j=
:pr rjz^pt=^
J-
J- J-
r
j
L*:i:r"zz:*Jz«zz:^
(fzftzrfFzpzjip m gzzzgzi|zpz:|zpz[zg
zz^ziifzztzzLi^zzz:^ 1 J^=±t±^
ipiizzziBip:
:*zzzp:
ft
4=
zpzzp:
^P
r
r p
■*f--F
-©-
\
Quite Fast.
HEWLETT. S. M.
1 — l~
V. 0. T.
rfc±
E
EE
:il
iZz[~SE£feaZZerZilE!<E
z±zjpjzzz
>-zbfz=£
=m=\
Coro.f
W
i=t±
:*:*
--©-
tS
Slow.
1- 3J *— d— *-x«'— -»*
3
3E5
t3t
=l
feM^3=t3
£=W
IP
1. Re-joiee! the Lord is King! Your Lord and King a-dore; Ye rausomcd^iiints. give thanks and sing, And tri -
6. Re-joice in glo - rious hope 1 Je - sus, the Judge, shall come, And take his Wait - ing ser - vauts up To their
uniph ev - er - more 1
e - ter - nal home.
:b=a:=
h^M
==fc
'3E.
I
j.
■zfeziBEzsiE
±ziizzS:
_J_4
#i?zrzi
_J_J_.
jz pzrtft—ft—ftz zsl
-:fczz:Et=ri=m:
m-r-o-^
-O—
EE£rzEE=?
i==E
ERFURTH. S. M.
Lamentevale.
V. C. T.
Altered from the Minstrel.
^
-**-
S
-0 o
-«»•-
zpEl±:
-przzziz-tjzj
189
tee
-t-t
EEE
-i — i—
=t
BE zz^
*:it?:zzz:?z±:?:zzi
*-*
I
-s»-
t|*-
2. Our mo-mentsfly a - pace, Our fee - ble powers de - cay ; Swift as a flood, our has - ty days Are sweep - ing us a - way.
3. Then, if our days must fly, We'll keep their end in sight ; We'll spend them all in wis - dom's way, And let them speed their flight.
±hJ.
=t
=t
J- J.
rj -? ift— nrr^i
z^Ei
r
*-&>-
i
T3t
r
^4
r^r
tr
r*=r*
4— J-w
*:
S
^ ^zzizz^i:
:?:£:
4~J
tr
Izz^l^zlzP^PI
Lf r
-g-
1—
r-
1-
t-
b j j J _
-g
I
:t£
I
CAIRO. S. M. *
Slowly.
c>
z±
^_zz
£zz*
3-
:*:•:
-S'tS'-
E
z3§6
"■?2=ip:
1— t^ET
-©-
F
-©--©-
1^5?
zz^fJ
:=!:
z]=ztt=H=
1. My form - er hopes are fled,
3. When I re - view my ways,
-0.
333-
-a — 9—#-e-
=z=z=n;
_i — i — ■-
j- -&-&-
zz
My ter - ror now be - gins ; I feel, a - las ! that I am dead Iu tres - pass - es and sins.
I dread im - pend-ing doom : But sure a friend - ly whis - per says, " Flee from the wrath to come."
j* 1 1 >• *r—
0 — ^^_*_L_SI_SU
3^5
*=faz2£p:
ztidz
■r r "r r r ri
J-pJ ^—r^-TJ^
r
izzztazzr—z!:
4
zdzz:*:
=t
K
-f—
t
:^zi|zp:
r — i^fr-f-^-rr — Pr — f~r — Pr-^ — r --S
=£
Si
:r=*:£
•SvC-
j i j J jj
I
i~
pTPT
£zfe
*=
?=F
^ffzz^zzp:
t=g
190
ASSYRIA.
With Simplicity. Variable_Movement.
zzISEE
r*Ml
-e:
-r — \—
t-
f*33
:ZS
a3=s
S. M.
4
±*~±:z&
^
J-i— *zr
r - ■ f*
V. O. T.
-1=
Et
:2zz*:
:*z?z
fe^q
e
a
m
:zbz
ifcb
*8=
•-« -L-S1
::=tq=q^'
6 Og
.1
■m-x-&-
— r
3i
'--L-S'~
3
isEzIz:*
:3
1. With hum-ble heart and tongue, My God, to thee I pray : Oh ! bring me now, while I am young, To thee, the liv - ing way.
4. Oh ! let thy word of grace, My warm-est thoughts em-ploy ; Be this through all my fol - lowing days, My trea - sure and my joy.
m
)EzbzJE3*z,zzzzf z?zz*i ::f~ lz+± zzzzzzizzzzfz: zztzAz+z izzzrzf:
1— _i_r_r_i_r — pzcp r_i^z__r_ip_r_^iz: ^ — f_
.— ••,. ,v „ , p ^-^LJltzi j^_j__^_^J_ j J j_ ±_
^te^iL4_ z^zzzp: zzzzzzt rpziz:^ j z, i^z^z: izzzziz:*:: npzz^
:klt?_--pzzz}:_zz^_}j ^^i^zizzp^^p^^,^^,^^
t
tzzzzit
f— r
_| kr-f-j-l-Td-Jzi
— f— I 1 gj ,—«-+--'— I-
J-J-T-J— J-
li :J-"
J- J-
T — r
3t
r
£
t=F±ff
T-S-
I±
J—J-
r
N j
pzzrz
STUART. S. M.
\
.Smoothly
V. C. T.
'
*zM~*:
11
m
^
v
g-JrFtR
-/=\-
^
qz^zp2= zzp
iztzzi^zt
zzizz^zzzni:
-dZZ!
£
i&'d.
zibz
fcb
ww
S
•— •-
=£=R5
-0-00L
m
-m- w •" -c-
1. My Ma-ker and my King!
6. O, let thy grace in - spire
efzz^z^zzizazl
— ■~--j-#— 0— ±o9-*-^— 1& 0*-
^T
3^3=
3
t*
t=tzf:
^3
o — 0— *-& — 0 3
tine my all I owe ; Thy sovereign boun - ty is the spring Whence all my bless - ings flow.
My soul with strength di - vine ; Let all my powers to thee as - pire, And all my days be thine
3 r- v w 1 ^&
I
r f r ^T r .r; y 'y. f'T* "Ty31 — ^r — rr-1^ oP11™^ — r -p— f5— x-f
j_?j j 1 j i_-i z.iJL_iizL.^ — . u±-i_ j ^-L -
-bzi^zzz^zzzzz^^pz^zjizz-^zlz^zgzjizz: " /-> ^ P~l~"t <? p I >~^= ~3z#:: t~ (
b-fr-f- ,jzzy-4g_pz|L i^ jz^, i-tj^p^-i^— pHfezziizzzEi — r-fc^— pEzzgzzij
izzzdzfz^zttzz'zfj
1 . J J- , !
m
:zs:
t-z:
CEEESCO. S. M. *
Medium Time. Highly Expressive
Melody in part from DONIZETTI.
±2z
±
i
I
*z£jL
4
i^K
t~
t=
s^
W-O-
00*s::l_~:z£Z
191
i
tll=
fe±
£
:**
M5
:J=tt
-d-*r
•^-*-
«- -#
9_9
±9-
±M
■0-y-—
H
S
HI
1. Come, Ho - ly Spi-rit, come, With en - er - gy di-vine; And on this poor he - night -ed soul "With heams of mer-cy.
2. Oh! melt this fro-zen heart; This stubborn 'will sub - due ; Each e - vil pas-sion o - ver - come, And form me all a
±k
^
— ] iT- t-^HHt — t— J i !■ i J-^t4»'J-VH-^ 1
1^5?
r r
-r~r
bJl-L-pr
»
J_£— J-
TEZZjezzjn
£=£=?
^J—Jl-U-J-J -tJ-J-J-J-
:*zr
r-
CHAHDON.
p=l:
jz=pr.zp—!2
:*=
^-i M^-ij
f
ip=e:
I
Rather Fast.
Ii£
S[Hr-pr-j
:dz:
=fc^t
i-Jj5_#-
lut :3zz« :: ::dz^z
Arranged from J. H. TTJLLY
•akfcSS
f#I
|S|ra33SzpS^p^E!||ztipp5liP
5 « «
JSSH=1
-»- E)» -S>-
1. Welcome, sweet day of rest, That saw the Lord a - rise ; Wei - come to this re - viv-ing breast, And these re - joic - ing eyes ! And these re - joic - ing eyes !
2. My will - ing soul would stay In such a frame as this, Till called to rise, and soar a - way To ev - er - last - ing bliss, To ev - er - last - ing bliss.
±h
bW
-4
ifym-
r$rt
d:
3t*I
d-=±d
:j£:
E*Z±
t—rtf.
i4
t=n
I
u
■*&*
rMrr
^*l
\—r
S
4
z&tz=*
+M
t
EHI-*
t
f-
1
r
*ito
£=*
r
j -i j.
=i
-g*— ^
^=p:
E3
a-*-*
i--©-
t=F
r
533
j-^j—j- TjJ_j_
:£=*:
£
f
WE
?EC3C?2
a
192
D U R E L L. S. M.
Slightly Faster than Medium, only, but with Animation
V. 0. T.
til
^Sg^Sgg^fee
pi*=P-p:q*:p^7«.w-|t=jf32:pi:F
?e£
g^e
f " m f m ^ff «==_ St. =~
-I «-#-jJ-]t — ef-m-m-tt-rniG- *- — 0-0-0—L0 x #-l «->-L i--1-! — L L# M- — I «*' q-±q — ■--
<* s- -0- -0- r ■
1. Our Captain leads us on ; He beckons from the skies, He reaches out a starry crown, And bids us take the prize, He reaches out the starry crown, And bids us take the prize.
2. " Be faithful unto death, Partake my victoi-y, Aud thou shalt wear tlus glorious wreath, And thou shalt reign with me, And thou shalt wear this glorious wreath, And thou," <fcc.
-I0- Pi
f^~ r—»:: r.'-/f
SKcSS£
* Treble singers should not allow themselves to think that such passages as this are beyond their compass. A voice that cannot reach At) is not a Treble voice, it is only Mezzo Soprano. Still, there
are many Soprano singers, from not knowing their own powers, imagine that they cannot sing as high into — at least — two topes, as, by a little practice, they find they can.
Medium. Not Loud or Boisterous.
tb
^2:
=p=ra:
HEATH FORD.
S. M.
■1 1—
y^-fg
-e-
=F=±
3
V. C. T.
Same theme as above, only in a slower movement
W^W^S
S
iS:
i-F=F
:u:
I -£-_ — 0^1^ — »-!© — si-La .-r
1. Howhon - ored is the place Where we a- dor - ing stand! — Zi - on, the glo - ry of the earth, And beau - ty of tho laud.
4. J 1 ere taste un-min - gled joys, And live in per - feet peace, You, that have known Je - ho - vah's name, And ven - tured on his grace.
;i±£
*:ij±
-4-
fct
t=£=i±=f=j:
r
J.!
~r~ . —
-J— -Ht ^ H-4-
fl±zfc:
ff
jL
J-
J- J-
c
-J- J- -J-
flr=£
_I_P f_ IX e — I-p |,_IL|
3
a
r
r_^_r
^sjgafepp
e;
£
±Z
J- J-
-o-
Hsl
*=^zi-^±r^frf
j J-i.J- J i
S¥
SEES
£
Quite Fast. Melody in the Alto and Tenor.
BETHOREN.
S. M. *
Arranged from Dr. PRING
193
b%z
££-&
5
q==t
-**-
J--S>-
=t
-**■
:=1=q:
-&0
t
I
1. O bless the Lord, my soul, Let all with - in me join, And aid my tongue to bless his name, Whose fa - vors are di - vine.
2. O bless the Lord, my soul, Nor let his mer - eies lie For - got - ten in un - thank - ful - ness, And with - out prai - ses die.
Fast and Spirited.
&±
t-
3
s
KENSINGTON.
S. M.
Arranged from a Chant, by V. C. T.
P-
:pqpi
s
j£
&
w£ -m
I
2^
fc
i
-^iM:
:*=*:
^^SSg|3
1. A - rise, and bless the Lord, Te peo - pie of his choice ; A - rise, and bless the Lord your God, "With heart, and soul, and voice.
2. Though high a - bove all praise, A - bove all bless - ing high, Who would not fear his ho - ly name, And laud, and mag - ui - fy ?
liOTSr- t-t-1- r-FVd h— -rr-i r-r^ r-r-Hr^l £--tVl- ~fN
(tfliUIE — 13)
194
ZELTE. S. M.
O. T.
Medium, with Delicacy.
—iiA
z?EB:
zh-hj
fe-f-
d+zdl
2^^:
dzdz
-/=>,-
#-»-
3zjz*
-<#-#-
H
:=iz=F^g::
-d— *-
=f
-c*— »-
i
zsz
iL5
i-a— 9^
I=|^z?i3i^zlp^l|z3^
1. Se-rene I laid me down, Be - neath his guar-dian care; I slept — and I a - woke and found My kind Pre - ser - ver near.
2. Thus does thine arm sup - port This weak, de - fence - less frame ; But whence these fa- vors, Lord, to me, All worth-less as I am?
■±Jt
=M
■+ZJt
■L-&-
T
E5
t r t r
5
h:
r^fw^
s
=tJz^T=azzfa:J
»
:*:?
f-y±fr4jn__^±f
J J
rff
^E!z£
—q — »—\-e-
ZZzfz
11
J J J
-r
j
a
W=Pf=r*F=e
J E N I 0. S. M. *
Medium. Chamant.
/
BtF. b ;r~r
£=fci#=
?
:»=£
9~-M~-*—*ZL*i
r^ri-
33
£=£:
*zzz*z:*z^:
:lz:*zz*zz*:
itzztzat
:mzsl
ldzzlz:d—d^zd
-d J-d. -d- ~a— d~-
[— ^-.t^L^-^ ^y ir~| z^s^~*~d^T0\ s—d—d-xd^ #--,-i^— _=q_q_^_i.#_1,_qcx-s,_i=-
1. Thy boun - ties, gracious Lord, With gral - i - tude we own; We praise thy prov - i-den-tial care, That showers its bless- iligs down.
2. With joy thy peo-ple bring Their off- 'rings round thy throne ; With thankful souls, be-hold, we- pay A trib-ute of thine own.
zzS:fczidh*:zzzfc:?zi*z±
s
izzfezs:
Efc
r
r
-j-
f f
^zzjzzq^zz^zz^zzz^^zz^zzjzzipzz^^g =4=qj J ll
zf * z"z d zz^zz^z&zzzj'zzfzz^zt^zzzzijzzizz^ztfz^zi^izdzzt!:
r / ; ; r ^y? *: ?r! r f f r
_J £-JV T .ir^-~ /-^l Jz_X_£ J J J _
:fc:
:S=f
Sin
*=
LANNING. S. M.
Rather Fast.
Arranged from a Chant
195
Stf
4—9 9 — •-
*E3E£
=i-P=
££
^:
SB
BEEE
32:
-*»-
zt=
i=
I
fct=S
:d:
*— ^
9 J--* K — *■ a 9
zszzs
9-
-9-
I
1. My Ma - ker, and my King! To tliee my all I owe; Thy sovereign bounty is the spring, Whence all my
6 Oh let thy grace in - spire My soul with strength di - vine; Let all dtj powers to thee as - pire, And all my
-i — r^-
!±z^zz^E*EtizE«B=£z^^
d:
1. i 1
r r
-J- j
:»:
:f:
j ; ; ; ;
r r
§
:
blessings flow,
days be thine.
-I-
A~90
r
wm
i
tE^
fe-v-
]i»:
P
9 -\ ^
•J- J
I
niciliuni!
---,©-
%±
:zp=z
SHIRLAND.
S. M.
STANLEY. (English.)
^
sziia
3t£
±^£
#-£*
.-5-
I
£3
J
=i
=£
3*
* C13— ^— X— *-' — I*=>' W ' 'W ^t-J * #!~"^
-•— «"-
-©-
4
1
1. Be - hold the morn-ing sun Be - gins his glo - rious way; His beams through all the na - tions run, And life and light con - vey.
2. But where the gos - pel comes, It spreads di - vin - er light, It calls dead sin - ncrs from their tombs, And gives the blind their sight.
3fc=£
o
I
JL
r f f ' r
*m
=w=w
£=•«*
Eli
t^f^f^nt^.
a%1-|"t
s*S=F
fc*E
j j-J-i lj
IE
-6>-
r
£
196
H E R S C H E L. S. M.
V. 0. T.
Medium,
:^=£
E
^
13
=Ffl=P5
::#^z^::i3=Bzf
fe
=££:
tt-m*
-i —
&&
EHggSS
Coro.
■^
Hall.
fcz?zi*z*z:rztz*z:^zi:?^z
&*£=•
3E3
S
»*i
HE
1. The man is ev - er blest
2. But makes the law of God
Win shuns the sin -ner's ways,
His stud - y and de - light,
ei'igEiippiip;
A - mong their eoun - cils nev - er stands, Nor takes the scorn-er's place.
A - midst the la - bors of the day, And watch - es of the night.
3a
gabS
1*t=?tt=±=±&df=±*
fe*:
-at— -&mi rl— I- -^-1
Iz*z ~+mE35 a$H= =t=&
1 1 1 -A J}
;
-fi— fe-r M3- A ^zH -i-d~r
Is Crr- lt~ f- r r •
i
^iiii^itiisiiii^
-j-
S&
BERTRAND. S. M. *
Slowly, and the Solo Ad Lib.
/T\
Arranged from FAESIELLO.
\
*f
fazzj
=^5£l^§!
P
"J
fc=t
SZgEi:
o-
=t
:**==£
? — #~z^ — pz -^
77^- Solo may be sung alternately by Treble and Tenor.
s
a
»£=£
:I3
«r
rl:
-0-
3E
=t=J:
-*— s>-
^^-
£
1. Most gra - eious God, re - Teal Thy will con-cern-ing me; What - e'er I do — what - e'er I feel, ' I fol - low thy de - cree.
2. The coun - sels of thy 1 Be on my heart im - pressed, It then shall at thy bid -' ding move, And at thy bid - ding rest.
^^
:pzizzzjzzz:=jz
tgztefc:H
Solo
w
^-d#3d^
Coro.
£e£
Q=rf
s-
1 1 1 J- J- j
pzzztzzt
33
itdt
-#-w
liS
1 j
£
z.i=^£p±^l^-+
g=^=p:-
t-
t r r r-r
^Ezf^
► — o
IS
HUDSON. S. M.
Medium.
T. HASTINGS. From the "Musica Sacra.'
197
*£
i
^2ZZJ
-e- -e-
o— s — e
^
=t
st±±:
I
fc±
■&*-&—&
=t
■«— d— L-z?
=4=4
=t
-0-j-
EB=flB=6H
g— a
1
<s>
1. Come, sound his praise a - broad,
2. Come, wor - ship at his throne,
And hymns of glo - ry sing :
Come, bow be - fore the Lord ;
^-d-
&—'—
Je - ho - vah is the sove - reign God, The un - i - ver - sal King.
We are his work, and not our own ; He formed us by his word.
The suspension of the Base at the close of the 1st and 2d strains, was a common arrangement in the older works
ST. THOMAS. S. M.
Rather Fast
f*f
x
>m
-£>-
e>
E
~m—\- a — .-^i
3=3
3fc
at
:st
HANDEL, or WILLIAMS, (probably the latter.)
-»4-,a — — &—
0 9-
:=m
H-#-
°zM:
E
HE
~mz.?i
:=t
it
:*_=*:
:4
=t=t=t
■-t
v<
r1
it
-T
—I-
1. My Sa - viour, and my King, Thy ho - nors are
2. Thy laws, 0 God, are right, Thy throne shall ev
r4-
Wt
-0-
^t^l
a.
r~'^ — W
.^^ — j=1 _| — p
J -J-
-i — r
-#-
di - vine ; Thy lips with bless-ings o - ver - flow, And ev - ery grace is thine,
er stand ; And thy vie - to - rious gos - pel prove A scep-tre in thy hand.
ML^T«£-rg^=fr-TJ--r4r — r
='
*E1E'
f — rJ=P-
F
x
d=
-J-
0—\-0
r r
0
=
-J-
"© 0
f-*~\-0-
j-
ri-
;
j— j-
iy
trl — W-F — P
-J=^
r " p
-~ j
£
198
LAB4K S. M.
Slow. Staccato.
•-«-
qpt;
=ggzJzabpi^*
*» — =j-
*
»-»
££*
atzd:
:p=
EE
From "Spiritual Songs." t3" Permission.
2d Ending. C\
g
zazbtzs!:
11
fe^y^^^-f^^^ife^?^1^
MBe
1. My soul, be on thy guard ! Ten thousand foes a - rise ; The hosts of sin are press -ing hard To draw thee from the skies.
2. Oh ! watch, and fight, and pray ; The battle ne'er give o'er ; Re - new it boldly ev - ery day, And help di -vine im-plore
3 *
Srf-y
!fc£=5=
33=±^3t: iEzzz ^tzEE >zzzzzz:?_
rt4=l=iH
z::*zat*z,
«z±f=^=^zzzF
:2zz?:
3k
±
s
— I-
y£=t
=t
-4
zzst
J-J-J-4
§g
iM
fc
zf:
ZJZESZZ4;
Jii, j_J i
0-9 •
{zzzz
f2=z^:
f^-r-
zEzzzE
4 -f2-
f^
f"
it*1"'
I
■f-
I
z^:
zl
Rather Fast.
/
CLAPTON. S. M.
■d—tiSL
2d Ending.
JONES.
1
Z5g=^IZZ|iZfZ|5ZZ|z^E
1. Thy name, al-miglily Lord, Shall sound thro' dis-tant lands ; Great is thy grace — and sure thy word ; Thy truth for- ev - er. stands.
2. Far be thine hon-or spread, And long thy praise cn-dure, Till morning light and eve-uing shade Shall be ex-changed no more.
TOZjITZF£Eg
Unisons.
^
?E^EZEi
r ,r r r
W
itiilg^
-1-rJ
^^^^a^^i i i
Unisons.
^-ETzzzz'^T^zzi^zzfg:
^^p^ogy^
zz
mmmEmm
f rr f t
>3z:
^T
I
PRIESTLEY. S. M. *
199
Rather Faster than Medium
Or-
-£
^S*
i-
:*zz*:
-0-
£5
=t
E
=E
:£±:lz*z
=t
zszzzzfc
=1=3
I
*Sb?*.
Coro.
z^zqzjzzpzpqqzzpzr
i
1. My son, know tbou the Lord, Thy f;i - tliers' God o - bey; Seek his pro-teet - ing care by night. His guar - dian hand by day.
2. Call while he may be found, Oh seek him while he's near ; Serve him with all thy heart and mind, And wor - ship him with fear.
Sg-J: e_Jz*:zzzJ — jzz^zjz*-! — ? — c — p__i_r ,*zzzt_^ *-i^ — * t szi:^ — a — T-- — &-T&7—Z-
ItzBzr
r
r
i=S=S=±f=-^
1^
:t=±
;
jlt-j j
r £
^z£
:f £=E
r
j-
=F
==BE
NORTH AM. S. M.
Soft and Gentle
V. O T.
*z:z*:
3H
=f
zzp
1. How charming is the place Where my Re - deem - er God Un - veils the glo - rics of his face,
% Here, on the mer - cy seat, With ra-diant glo- ry crowned, Our joy - ful eyes be - hold him sit,
-| | ■ 1 . — r— ~r-r- ~r- N=f-r- i-r~l- -f*-rM^ ^4~
BE^zzqjjgz^zq^zfz^E
_^zi^_zpt_#T^^^zpzg tz
3 ^-^RB*zz3tfcz:fzHzzz:^z±:^zzdzt?zz«:
r r f r r r • r f • r r
3t
r- ;
p#-g^zz
Xz:- & * — H—
"TTZTj-
j — jpS
zz:
1
\
>— |-g
1-Li
tzzfzt^zzfzzbf
zczz£=
±z!z£z
-sv
eN
-r-J-
; r r
1-5-
:F:
o
And sheds his
And smile on
pHzzzzzn
s
■s , i
love
all
a - broad!
a - round.
u
ft-
c?
0
r
-j-
f1
-j
n
za:
]pl
200
F A L K I R K. S. M. *
^■^
But Slightly Faster than Medium.
mzm.
??±±:
1M=£
#—#-•-*
3^
zt_c:
3Z2I
£
&
9~W
3
09W~ J
S2ZK
1. Our Captain leads us on. He beckons from the skies : He readies out a starry crown. And bids us take the prize ; He reaches out a starry crown, And bids us take the p;-ize.
2. " Be faithful unto death. Partake mv vietorv. And thou shalt wear this g. :i.>us wreath. And thou shalt reign with me. And thou shalt wear this glorious wreath. And thou," <fce
n
s*±±*
-#-»-
E
J J '
BSE
i*
^U
J J J J ;
» ♦ • » » » «
TSj
£
;
I
•-•-•-
-f~v
■' J
1 — I — I-
5-£>-
.-- -.-
J-J-
m
iS-^-
Medium. Cheerful.
^T
SPARTA. S. M. *
;-l=S^f
m
Di
m
:gz~s:
ile^L^f #:##fp_=±#:
1. While my Re - deemer's near, Mv Sbep - herd and my Guide. I bid fare-well to ev •- ry f. ar. My wants are all sup - pWd.
2. To ev - er fra - grant meada, 'Where rich a - bun -danee grows. His gra - cious hand in - dul - gent leads, And guards my sweet re -&**•
ASHBURNEK.* S. M. (double.)
V. O. T.
201
1st Voice. SOLI.
*3E
fc=t
^T~=
dEEE
"SE^
* -#-
r
1. Oh ! bless - ed souls are they, Whose sius are coy - ered o'er ; Di - vine - Iy blest — to whom the Lord I in - putes their guilt no more.
2d Voice.
ag
:
4=
-Si*
3. While I con - cealed my guilt, I
Instrumental. I
felt the fest - ering wound ; But I eon-fessod my sins to thee. And rea - dy par - don found.
*-a
^
t=-
T
— 4
^Et^z
s^is
t=*=;
3£
Com
*:
:?^=£=£:
e:3
fc-d^F
o
-ah-T-^-
Bt
I
-is-
q
r^— iV
3*=£
^eS-
/r>
SEESti^^S
^_J *—g
2. They mourn their fol - lies past, And keep their hearts with care ; Their lips and lives, with - out do - eeit. Shall prove their faith Bin - core.
4. Let sin - ners learn to pray; Let saints keep near the throue ; Our help, in times of deep dis - tress. Is found in God a - lone.
-I— J-^ J-^J=^
3t
m
*#
=2=8:
; *r j* r r r>
FFt
^— P=f:
E
fc«Ptpf
I •
M*
LHtr?
r f
J^ K
TJ J- J J J J tl^LJ-j. J -*- p-^^L
S
,,
K
>■
o C
a ■
f^F
H
• As sung by the Choir of the Editor, at Strong Plaee Church, Brooklyn.
202
HOSE A. S. M.
f=*=3
Faster than Medium.
n
Arranged from the German.
^Z5TJ
zsL
df—d—d
farnrt
-1:
dzz^J: SEBzi i^=2t
Sz^_=-::q=|
foffzEES
S>— «*
K
-■-©-
©— '-S' — {&-
i=£@3
5
=t
-"-©-
=t=t
-a— a-
I
-J
-*-*-
1:
s^— s*-
3
1. To bless thy cbo - sen race, In mer - cy, Lord, in - cline ; And cause the brightness of thy face On all thy saints to sliine ;
2. That so thy won-drous way May thro' the world be known; While dis - tant worlds their horn -age pay, And thy sal - va - tion own.
I
r
=t
r
±
4
;j
r
=1
l=3t:±
td=d
-©-
IM— M-f
BE
rkf
?—T
-4
±t=
ipz:
-j-
—,-^—4-
B:
r
ZfcStZ^
f=t=
EEEE
j_j
-l-
:^—
3=i=<
ZflwL
rfccfcq
f3
T-i9-
I — I-
--P-.1 p
--&
r f r
s
Err
I
LINSEY. S. M.
V. C. T.
Medium.
^#_SX — q_i-^_q _#_ rr_H- —0-^-0—0—0 — 0zi 1^ — # — q_*_i^ — ^h--^ — #o-
ssiP
=1=1:
i
=«SeeH3e3e*e«
=t=:
m
=t
t=±_=t—
*=*:
=SS£
fcl
■* — ri
IS
-s>- «■ -#- » " -a- " -0-
1. O, bless the Lord, my soul! His grace to thee pro-claim; And all that is with -in
2. 0, bless the Lord, my soull His mer-cies bear in mind; For - get not all his ben
:1:
zygzztdz
~d~
me . join
e - fits ;
To bless his ho - ly name.
The Lord to thee is kind.
r r r r r r ■ r '
*-r:±=*=4
-4-r
1 *s-
J— J ; J-TJ-
:f^=r:
i^rzz:
3EE
TZ
*
J 4
T
J-
r
*
z±
-9-
_=r;=b£=
:r:
J- +
ES^EfeEEEE
r— #r
T^^rt
©
p?
1-
Jc=±±=ri=
^£^1
J— J J
-h-
4
-© — ~b —
MIDDLETON. S. M.
With Earnest Emotion, keeping exact time, and not too Slow
V. C. T.
203
^3=P
\
1. Oh for the death of those
2. Their bo - dies, in the ground
r^T?==:?==?=?:
to£
=Jzr
Who slum-ber in the Lord!
In si - lent hope may lie,
Oh be like theirs my last re - pose, Like theirs my last
Till the last trum-pet's joy - ful sound Shall call them to
re
the
-©-
ward.
skies.
igg
t
r
in
±t
\
-^~^-
t=3L
W±P—*—&
piEJCZpZip:
-I h
SEEE
-h&
£=£=
£
1 j i — ij
-# — - « — -~—r4 , —
s
j
^
PERSIA.
With Earnestness and Cheerfulness.
jS S »*!
j^4
>-#-?—*-
-**
-*-*—*—d
H
T=i=
at:
-■-»— -*^-r—
J ^i_
S. M.
V. C. T.
gl
P
1 —
Soli.
t=fc:
ZE
"» 1~
EE3
iszsus:
C—0—0-
Coro.
J:
H
aSpE^EgpEBfe^^
-« — •--•-©
1. O God, to earth in - cline, With mer - cies from a - bove ; And let thy pre-senee rouud us shine.With beams of heavenly love, With beamsof heavenly love.
2. Thro' all the earth be - low, Thy ways of grace proclaim, Till dis - tant na-tions hear and know The Sa-viour's blessed name, The Saviour's blessed name.
\
204
\
V
LORAIN. S. M. (soprani duett.)
V. O. T.
Medium.
:i
ft
aEI=a«
This Duett may be sung alternately with Thatcher or Honesley. As sung in the Author's Choir, Strong Place Church,
■0-
:«a>:
s
*
1st Voice*
1. O God, to earth in- cline, With mer-cies from a - bove; And let thy presence round us shine, "With beams of
id 1
T*=&
gmj^K^TP
tf=t--=Q
i^Jzi
heaveuly love.
m
#=33*1 T&-p- i^HzEjz
^
ZdZZl
2d Voice.
2. Through all the earth be - low, Thy ways of grace pro - claim, Till dis - tant na - tions hear and know The Saviour's
bless - ed name.
Instrumental.
Sett* 9*
%=+=^
r-(S—
I ~p* T~i T — \-m T~m~ —
:p=p:
3
IEt
a=£
»»-?
EK
(
BEat
St**
Medium.
4-
5
latitat
i-1-H-l-H-
bzfazat^afc:
THATCHER.
it
+•.-*-+-+
aEE*
S. M.
HANDEL.
The common arrangement. (See Honesley.)
t\
mm
■^--
i
-0- ^ — ~G~
zr
— L-C-
4
*
I
=t
5
-•— L-s>
— »-- L i~o O— L-G> ■ —
1. O God, to earth in - cline, With mer-cies from a -bove; And let thy pres-ence round us shine, With beams of heavenly love.
2. Through all the earth be - low, Thy ways of grace proclaim, Till dis - taut na - tions hear and know The Sa - viour's bless - ed name.
-4
H
r r r>
Td—\ l—i 1 T I 1 l-i ; n 1 1— ,- J 1 l-T-
b4±±rfbd
BE
pzjr*
J — J — »
*
uiTu j
iR^ip:
T — r
J-J-J-
-I-
r — r
±zz±
£¥=*?=&
33E
J J-
r
_TJii:r_i=:
i JL
53
z^rzf:
HONESLEY. S. M. *
Slightly Faster than Medium. For a plainer Arrangement of the same subject, see Thatcher.
^ S7\ i
Arranged for this work from HANDEL
205
-H — *- -# 'J—0-S9- — * — «-
m&sm
tt
:e=E=*e*e
±I±J
pgpppjj
^l-
Sfe
jt*d
1EE
=T
■g-6>-
=E
-~-r
^
s
r
T"#
£**
=3+J-j— «-#— Utj-Ei^-0-* c 3=1 — r=_3J.
EI
1. O Lord, our heavenly King, Thy name is all di-vine ; Thy glories round the earth are spread. And o'er the heavens they shine, And o'er the heavens they shine.
5. How rich thy bounties are ! How wondrous are thy ways ! That from the dust, thy power should frame A monument of praise, A mon - u - ment of praise.
JBbfc
mm
m
+.-£
4-4
JtjtL
i I
S5
-t
-+nt
\ I I
i: SrBRE-r^fez =^S ^=±^±J=r =fE&^*
•f- I I f ' I ' <T 'I
Jt-farrH
SEt£:-
— — «-r-j— — ^— j — -rf j *--r~*
R
SEE
iEz5=EEE
s
*— s>-
— EF^E
3*~
-I-
-»-*
*^
-•_ _i- -^ '_V -^i, «(_-.
I
I
:s=#;
CARLOS. S. M.
Legato.
V.C. T.
fi&
B
3=31
jB—
3
3=
itt#:
f3
Slow.
1
»
:a:
i
35
3
i
S^
3^:
-*-#-
5:
5
(
3SPC
1. The day is past and gone, The eve - ning shades ap - pear ; Oh, may I ev - er keep in mind, The night of death draws near.
2. Lord, keep me safe this night, Se - cure from all my fears ; May an - gels guurd me while 1 sleep, Till morn - ing light ap - pears.
S5^'»» t
wS
£
:=QB
1 —
* S S A
-m
jji^xl^J
i i
~CT
rH_-!-I-J-H— U-
, ME- — rV— t
j— _i-
i— #-
3
-r-A-
zt
Jzfl
■4-
ata
4-J-4S*-
I
t=F
— -i— r.g-
F
■s>
EE=£=E
J— i-^
_^-
3EIE
<5
J-.f.Jj, P,.^
~f*^
f=
206
BLADENBURG. S. M.
\
Choral.
German.
£*2zz
fldfc
=t
- 9-
&-
E3
5
-#
iq=t=tpf
-#-
-«-
±30.
— f--g — [— t
=*=fcr
0-
I
1. Ex - alt the Lord our God, And wor - ship at his feet;
4. Ex - alt the Lord our God, Whose grace is still the same ;
hios±
r
0
$3.
»ss
J-H—j-rl—
rat
r r '
=t
*=*:
T
-J-
His na - ture is all ho - li - ness, And mer - cy is his seat-
Still he's a God of ho - li - ness, And jeal - ous for his name.
J— U-l-
_P_
f==r±r
-e>
-4
=t
=*p
1 r
T~i~-
P^±M=^±
13EB
4-
■J-
-i — r-
__J_
13
1=
-J—J—
J -J- J
-1 — r
f:
t:
I
GREGORIAN. S. M.
Medium. The JMhs Staccato.
2Eje
==&
*=
J?*
-■-©-
13
-E-N--I:
/?\
From a Gregorian Chant.
m
in
$*£
^^3S5
0— i~e ^-J--# — * — 9- — ^-± -e •—•--# — •— 0 m— L -pi 1 — 4 — -pi—1-* — •— # — -0-J-& — »—
1. How gen - tie God's com-mauds! How kind his pre - cepts are I Come, cast your bur - dens on the Lord, And trust his con - stant care.
2. His houn - ty will pro - vide ; His saints so - cure - ly dwell ; That hand, which bears ere - a - tion up, Shall guard his chil - dren well.
N_J |_T-J ^_r_^_^_n _T T_^,S_^
3C±=b
=tB3=*=^=: =*=&: ^Z3t=2= ±: iirfczfe zj-*— * — «=fez£*zz*zJzjz: iS£±; zjzzf E
.#■*
t=t
; j - j
*=*:
=¥33E
r
=£
iJL
-t—
j
*£
J-j — *
j j ; j j.
-1 —
— t
fc=£
l^Ef*
-^W
zzzzzipe:
I
HERNANDO. S. M. *
Medium. With Accuracy and Expression.
/
*:**i
3e=S
=t=ei
•-•-
■d--+
Arr. with Alterations and Additions from HANDEL.
=fr
--e
207
3
1
rx
0- ^ ' — ' v — ' s~— '
z^izfiq-qSpq^zi-H
gag
:**
E-Xg,.
I
=1=
— I-
1. To God, in -whom I trust, I lift my heart and voice ; Oh ! let me not be put to sha
2. Thy mer-cie; and thy love, O Lord, re - call to mind; And gra - cious - ly con- tin- ue still,
Nor let
As thou
my foes re-joice.
wert ev - er, kind.
DERBY. S. M.
Slowly.
Contributed by H. K. OLIVER.
*3r
-#±=t
■o — e — e
E:
f_m-
=t
list
=t
II
:i:
HS
::T:
Mz^m
=t
I
X+9r.
}*£±=£
3p
i m-J-a-
m
M—st
— o — 0 — ir?__lS,H3_gii:5; sm^-jL-^iLs, — ^_ ls m
2. I hear at morn and even, At noon and mid - night hour, The cho - ral har - mo - nies of heaven Se - raph - ic mu - sic pour.
3. 0, then my spi - rit faints To reach the land I love — The bright in-her - i - tance of saints, My glo - rious home a - bove.
=**£
i
-4
to=±
±
&&
j -i
±3
rj
j
dad
J-^-j
f-
■&—&r.t
d:
ff-f
m
f—r
tizzWz
t:
f— r
-r — FY^
I
J J J^j J
r
-#i
II
ijiii ^^n^.^i3.'.^^. J
t:
id
EpEE
"5:
3:
I
208
KIRBY. S. M.
Quite Fast. , , i
Arranged from an English Theme
*z±=z ==
^-;?-dz
o
U
9 O
«=
o
L3E Sit ^=^ SBE fetf:
■© — © — ©•
r*f=F
H
#=4
J--&-&-
4=±4
■Q-0^
2(1 Ending.
z#fa
±t=»
=t^=z^z;
±z^z
xc — s,_l#_#u_#_#_j:j — s,_. l,s,_ — #.±2 — #_i — ex 1 — .#_i ig J ic?-J--
1. Let sorjo-s of end - less praise From ev - ery na- tion rise; Let all the lands their tribute raise To God, who rules the skies,
2. His mer-cy and his love Are boundless as his name ; And all e - ter-ui - ty shall prove His truth re - mains the same.
SEBESEf
b^zz*=pA
t
?zJzr
f
@ 9 0
I
^7— r- r-r-rr-Y
ff T-.7
=t=*£M=
■Sr
:aT, j
r ■- r f
■f-
r
BRITAIN. S. M.
V. 0. T.
With Animation, hut not too Fast.
3BE
:?s=P
rV-f*
fct
1
■=]
I
M^rf
0-0-0-
M^ti*^ ^^^
33
•— »
■0 '% 0— ~X^-0—0-0—
iSlilg
^^^^^^^z^^a^^^^f^^i^^a
1. Awnke,and sing the song Of Mo-ses and the Lamb ! Wake every heartand ev-cry tongue, To praise the Saviour's name, To praise the Saviour's name.
2 Sing of his dv - nag love— Sing of his ris - ing power — Sing how he in- ter - cedes a- bove, For us; whose sins he bore, For us, whose sins he bore.
&hk
.0 0-
■*±
; j
Lrf~f
□ziz=k=£z£:
ffijjd;
j jj
r T
B R E N E S
With Expression. Calm, gentle, and composed Manner
5H
1. Se - rene I laid me down,
2. Thus does thine arm sup-port
Be - neath his guar
This weak, de - fence
dian care : I slept — and I a - woke,
less frame ; But whence these fa - vors, Lord,
\
rf^i
te±±=t
tr
ittdat;
rf-
■0 W-J-"— ; m-\- -* * » *•■
—o-
=}
r
3
:?£
and found My kind Pre - ser ver near.
to me, All worth-less as I am?
r--
fLM.
=P
*^
j
P=s
j ; ; j j j
as
«:
-r
I r-
r
J=tic=tEr
U ~ J—
♦U--J-
-J-
P=P-
4=
H
^jj
m±
y ij
f?f
#-#-
§§
TURIN. S. M.
With deep Solemnity, subdued tone. Medium Time
V. C. T
s — a 9 10 — ^-L-»— — »■
1. Did Christ o'er
2. The Son of
sin - ners weep, And shall our cheeks be dry ?
God in tears, The wondering an - gels see !
<
(
3&&r
m=*
^
^
^
:*z*
j Q j j j . ; 4
533
=c
=t
:*:
f-
T r * •
Let floods of
Be thou as
r— C
pen - i - ten - tial grief Burst forth from ev - ery eye.
ton - ished, O my soul ! He shed those tears for thee.
^ — Ft —
3EE
(CHTME — It)
T
=3
— r
J
:*:
r~r
1
=£5
-# — i-
=t
tirr
Ii— I — m^
f
23:
H—
210
Slowly, with Exactness.
1st Voice.
CARROLL.* S. M. (duo soprani.)
Sing this tune alternately with Cyprus.
=t
+3t
E
v£
m
V. 0. T.
^/^ \ / N |^ ^
1. The Lord my shepherd is ; I shall be well
2d Voice.
supplied ; Since he is mine, and I .
am his,
What can
=1
aSfzE
^ — #.
?
rP=*.
3. If e'er I go as - tray, He doth my soul .
Instrumental,
m
**j£
<* Q&-m
I want be - side!
•j/*
Si
*i^*«=r3^
p^a
^g^f^Eel^Egg^Egg^lg
reclaim ; And guides me in his own
right way, For his most ho - ly name.
£££
±:t:
«3»
=t
*:*z*:
EEE
* Dwo. as sung by Mrs. Taylor and Mrs. Ingalls, at Strong Place Church, Brooklyn.
CYPRUS. S. M.
Rather Fast.
7. 0. T.
*zMz
:ES^=f:
±t=fe:
-0-0-0-
::^z:pzjEfcziz
=t
it=t
pz^:
f
3Ee
p§H
/
m
/
Slow.
tj
^S1
±*z*z*z±
|azzFpzfE3|EE
E333
±***
^-r
1. The Lord my Shepherd is; I shall be well
2. He leads me to the place, Where heavenly pas
(.See directions above.)
, i-r-j I C-
sup - plied ; Since he is mine, and I am his, What can I want be - side f
ture grows ; Where liv - ing wa - ters . gen - tly pass, And full sal - va - tion flows.
„ J J J -J- J J ,
-HrZY-t- * r*
£
EEEE
t=-"=£
j ;.; j j j
t — r
dzxJ^-J-T;zr=zrTd-dS'
E^:
r
rrr;
rTT
3K
— r
*ZVl*
HiS
r-f
£
j . a >»-• i - 1. i
M
I
Medium.
COLUMBO. L. P. M., or L. M. 6 lines.
211
From the "Manhattan Collection," by permission.
m
■&—+-
£» »f=£±:E*
3^F
-sJ-gg—
<g— *-
^-•^
Ef3
B O
fEEJ33E
■e — ©-
a — it:"
a
1. The Lord my pas-ture shall pre - pare, And feed me •with a shep -herd's care ; His pre-sence shall my wants sup - ply, And guard me -with a watch-ful eye :
%
w
f
-3F=S*
**~*
Jd=fc
I
#-#-HS 6 '-O-' '-^— *-»J #-#-LS <* L
:E
^— ^v- #f
i i
fr~^
a — s>-
3E
F
■•^ •
nHi
fce^
5=iE
■s) — s*
■st
'-9 — S2-
•p — ST-
ISt:^
^
c ;
-© — s>-
E^£
2=1=:
=u
J
#eSS
2
1
EES3
3=^:
a
P^f
My noon-day walks he shall at - tend, And all my mid - night hours de - fend.
I I I I I J J
*;:
$£
s — s-
£
z
s — s-
& (2-
I
2
i
V
s &
?-\
-<=a-#
4-
•*-±-±
=*l
9—«
s)-
~
5f i I i
SB
23PEE
■®-— ^
-© (9-
^^r-^p
-o*-
-#-
fe^
=£*:
=!=±
S£
ST. H E L E N'S. L. P. M., or L. M. 6 lines.
JENNINGS.
m
EF2
ElS
£e£
fEE
1. Let all the earth their voices raise, To sing a psalm of lof- ty praise
■|.,jVjr+
t=t
33
g M
H In
^
i^S
53=3
3=f
-t=
•I ■— 0
33
§^S
To sing and bless Je - ho - vah's name ; His glo - ry let the hea - then know, His won - ders to the na - tions show, And aU his sav - mg works pro-claim.
i
i i
7 <Z
EE*E
I i f I I I
3=±3±e£e
iEESI
* — *-#
H— W-
d=^3:
f f If '1^
i^
:t=d
EE±E
r-
-#-1 — f-
*=£=*
£
— r ■ y x
u 1 r
212
(Words from the Common Prayer Book, Sel. 43.)
Quite Fast.
B R E V 1 N T. L. P. M., or L. M. 6 lines.
yuite rasi. ^.
£fa
t
±
S
3S
-0-
ff
5^
£=
H. W. GREATOREX.
From "Greatorex's Collection," By Permission.
-— --zzi-zzrtzzq:
t:
53
=£:
9-
^Hggi^E
-»-
— i-
3zE
-«-
1. The Lord hath spoke, the might - y God Hath sent his sum - mons all a - broad, From dawn - ing light till day de - clines ;
3. As - sem - ble all my saints to me (Thus runs the great, di - vine de - cree,) That in my last - ing cov' - nant live,
ir-^zjt
£±
t=(z
=fc
~$
-t
tht
J
-j=n-£-
—* — -
\~
*-•„
r*
T
r
T=5^
f-
:=£
17
e
I
^=
0:
f1
3
S±
=±
-M
r
-0-
33E
m
-I
=ZI#_^_Z # ^ZI^__^_J #_IZ —I ■ -
The list' - ning earth his voice hath heard, And ho from Zi - on hath ap-peared, Where beau - ty in per - fee - tion shines.
And off' - rings bring with con - stant care : The heavens his jus - tice shall de - clare, For God Him - self shall scu - tence give.
— •-#■=3 — •— ]~w-
_l— — j —
ifefc
:E3
^ . J J **
; j
J
7 j
£=z£zfc±E:
-£-Ff— f-rt
fPFP-
J J .
::::£:
:£z±±:z:
e!
Slightly Faster than Medium.
C R E A T I 0 JST. L. P. M., or L. M. 6 lines.
HAYDN.
213
i?
i^HI
*ZZ?1
F=F
^E^g
'0 TT
•s •
-#=*
^gE=f
-©--' — »-
F=F
BHsr
gas;
-^=*
1. With grateful hearts, with joyful tongues, To God « raise un - ni - ted songs ; His power and mer- cy we proclaim : Through every age. 0, may we own
tfasEt
^:
S
&—.-•-
*
4-
£
P
FT
=fr
rfT
-4-^-J
4-
I
5>q
-3
e
2S
HeS
-T-#"
EE
•5S
=P
©-1-
**
=t
#~ 2
g"T— »-
-©-
zzJzzz
0*0
-o — s>-
-<S> S-
■S 9-
£EB
•^
BLUE BELL. L. P. M., or L. M. 6 lines.
¥=*
SS
©-•-»-
frzrpt^
2*a-
is
Je - ho - vah here has fixed his throne, And triumph in his mighty name.
jfe
F=F
II- -N I
■£-
tfW
Jjj-i,
:^zz^i
G> ^—0
I I
5§3
§£
T±t
^?*-
^r*0\~
9—9-
S-r
f ra
=i \ij
#T
-S — «-
r
1. I love the volume of thy word ; "What light and joys those leaves afford
i
M
-(= -p= -f5-
t—F
ttf I I
^FE
iSii
e
g
8
kn
-F-l K-
35t
■9—
n
A \-
±3&
-9 0
,
-9-
To souls be -nighted and distressed ! Thy precepts guide my doubtful way, Thy fear for-bids my feet to stray, Thy pro - mise leads my heart to rest.
m=fri
'II I ■ '
B ,-
— i — H a — i — I —
I
■±-jL
&
-*—0-
§I&
m
-c<-
"&— i-f-^g-
t==i
Wsi
i££
s
^£t
:EE
i«— »
n==
FP
-i~~
r
214
Tail.
R A PTU R E. C. P. M.
HABWOOD
in one me-k>-diotui con -eert rise, To swell th'in-epiriug theme.
~msm
mm% i m
SS^M^^M
A I T H L 0 N E. C. P. M.
...
"
s
33 *
td=fc
German.
5 ;
t=
* #
*F
■e=^zr.
' '±EE
1. 0 thou that hear'et the prayer of faith, Wilt thou not save a soul from death,
5
:e
■ 9
53
L
PE^
-P
^-i » •
msM* ■ -igfep^g^pPfe
0 *
£
=f:BF3
Tliat fasts it - bc If on thi
hare. DO re
;
I s : tg s
fuge of my own, But fly to what my Lord hath done, And suf - fared once for me
p — *•>.* \
c ■
F
I
~rgn
^ •
i 5 ^— ©;
pi- 1
SANFORD. C. P. M.
With earnest Emotion. Allegretto.
V. O. T.
215
£=SE
um
dzzdzid
:1
23?:
-^-i-
qpfc=}s=£=£i
I^ZI*!
^^r^^l^^=pfe^^gg^^E^i
&mi> Chorus.
:*rf:
S
CW /
I'd soar and touch the
SE
^q-
t
1
^51
-#- -•- -4-
*
z±3=±J:±
e
• -^- -#- • -»- -,i- -•- • -0- -0- -^- -gh -^- -^
z:*z*:
"»- #,'L«t
Oh, could! speak the matchless worth, Oh, could I sound the glo - ries forth, Which in my Sa-viour shine!
»
*s=e
=t
-0—0-
I'd soar and touch the heavenly strings, the
&*££
is — - r
=£
r r *
.^zz*:
^r r
jil_J i
333*=^
0i-L0 — 0— L0— -0— ' • — *— L0-&j— Ls> — -*-■
n. r» p» i ^1 1
=*zt*:
Cbro. f the h7en " lv S
I'd soar and touch the
n^r-T
pzrpzzpz:
zzpz:*:
~t;z£:
< < 0
F73^1
-
3fc
heaven-ly strings.
iZE^zipzzzpizrzrjiziiZiT— zizzz cz
c^£zfez3==3EzStt=tfe:i§
w
=£.
< < <>
*=«bat
heaven-ly strings, And vie with Gabriel while he sings, In notes al- most di - vine, In notes al- most di - vine, In notes al - most di
1 — d V^^>j j r n^^jsjs 1 ^ h is is h I I* 1 r* j ,
\t=±=±
w$~-
--&-
stvmgs,
_J_ J. J. ? .
-*- -m -0-.-0-
f#fey^Mferp_^ziM^
Jl r r r < f <,> ; *I , r ' J
-i -*- -'- — — ■*■ -*- . r ■ j; J i j* J • J
£ter
1
r
r0 0 0 0-
■ J-
.-..
^zzzitz
£
gf — -9 g, g, gf — -. j , ,e- — -- . 1 _ _
heaveu-ly strings.
216
SOUTHBRIDG- E.*
Rather Fast, f
bzz^^:±fzz:^zz^zE*:*:*z**
m
zj_tf I?---*.
o---»- -&-
p
Ttr-Q-
/
OJP. M.
V. 0. T.
i=t
t*
-,-e— [ jzjzqijZq.^: -=l-r-'':«- -
=rf=0=5=SEP3^
=t
2£z=£
£
>
? iEz ~*i*:*,:zzfin:?
seba
— ^t*
c
4fe*
Ip
1. Oh, could I speak the match - less worth, Oh, could J sound the o;lo - ries forth. Which in my Sa - viour shine! I'd soar and touch the heavenly strings,
zzQzzzraizij- qz=izf^z— izz^dl^T^.did *+=*tt£r
>
>
H
I — 1»-
n±£ipzt£±£±zf
-(•-*
'-(—(•-
"ffl>
'-
t±%\
:J£
zzzl1*:
SEP
iM^'zzfczzz
=I±fiz3
j-^-^-j-
scptz^rjqe
£
o'
pLszi^lpzzalzzzzzzzIra:^^
r2— f2-
--G-
r
J J .
t=
EE
±t
<
zfezzz;- hzjzz}z~ — ~T~:zz^:j:idzzz-z]zrz!zz!zz!zijzi:d=zzpT?~- — z-izz^zjizzzcz.
L _ — _ . J_ ^^.l^ ,_JL, 1 ZLZZZ IZ 4ZI| ^L — L -
ra And vie, &c. y -<c — • ff Ritard. - -
i— D-»- •*» J «- e *-o*-H~ - J-J--4- z^_q_q_*_. .g, l#i#.^*.^_ ji J-z+_ zq — a.
And vie
with Gabriel while
rrn
he sings In notes almost di - vine, In notes al - most di - vine.
tz^zr^rflL-fzp^z^fWjH
JJJ pi J . Jj J J J . J:'J>" -i- J J; . ^
zizb:EEEz=Ez?zltzTzizzrfc
And vie,<Sic
This tune forms a good exercise for class practice. I '
r*
2. I'd sing the precious blood he spilt,
My ransom from the dreadful guilt
Of sin and wrath divine :
I'd siog his glorious righteousness,
In which all-perfect, heavenly dress
My soul shall ever shine.
3. I'd sing the characters he bears,
And all the forms of love he wears,
Exalted on his throne :
In loftiest songs of sweetest praise,
I would to everlasting days
Make all his glories known.
4. Well, the delightful day will come,
When my dear Lord will bring me home,
And I shall see his face ;
Then, with my Saviour, brother, friend,
A blest eternity I'll spend,
Triumphant in his grace.
CARLTON. C. P. M. *
Allegretto, VIgoroso.
V. C. T.
217
HE?L-*
£±
t
P=^=P=P:
-a— *—*=*— *— }~
-3EE
— tzzc:
j* «*_
A
EzzE^a
1^
c
:?z:E?
:~_S=:rramzp-_-_p:
-«_J 1 1 _, , ,
m
Ores.
f
k±i£
s^b£
-#- -0- -0- m 9 -0- ~m- -
BE
z£=£:
:*=*:
#— i-g.
_i — ___) — \m
aae
©
=p
1. My God, thy boundless love I praise ; How bright on high its glo - ries blaze ! How sweetly bloom be - low ! It streams from thine eternal throne ;
r* h i P >
fcri
t
-0 -x -0 — 0 — f — f — 0 — 0— \-o , — \-~M — . — e. — r — , — , _ -u ._
r t
fe=^=
±££
S ! f j t
i—r-f
£&=*-
A
r— ^I3t
J-
if=H*— t— U"
:I3E
■> — >-
-r— r
=fci~p:
th
5
?e=p=*z
/SbZi.
(3
bro.
Ritard.
^
^=t
0 . ■ 1-
=£=£
*=s£
2EI5
- -a> — iti#-
J— 4-
=P
j--©— i
I
2. Tis love that paints the purple morn.
And bids the clouds, in air upborne,
Their genial drops distil :
In every vernal beam it glows,
And breathes iu every gale that blows,
And glides in every rill.
Thro' heaven its joys for - ev
And o'er the earth they flow,
And o'er the earth they flow.
- 3. But in the gospel it appears,
In sweeter, fairer characters,
And charms the ravished breast ;
There, love immortal leaves the sky,
To wipe the drooping mourner's eye,
And give the weary rest.
4. Then let the love that makes me blest,
With cheerful praise inspire my breast,
And ardent gratitude ;
And all my thoughts and passions tend
To thee, my Father and my Friend,
My soul's eternal good.
218
DAL ST ON. S. P. M.
<
In Medium Time. Staccato.
A. WILLIAMS
0
?EEE£
:£=pt=£=qs
ratz:*:
— i — p — 4 — - — i— -
=t=p=fc=&=f*==l^
istz:*:
%¥
The Lord Je - ho - vah reigns, And roy - al state main - tains,
-4-
4-
^^^^m
i=±
'*=££
^=fc
m
SEjESEjEEg^E*
S—0 F— * — L— • #— J-F — F-
* * " *» I m/ 1 ^ ^
EI*EZ#EE?ZZ^
His head with aw - ful glo - ries crowned ; Ar-rayed in rohes of light
f* is r* *■
-Mz=3tz
f
-r
£
K=t
3EE*
TO
■0 0 0 0-
i i i r
iF ^ ^ u»
ii
H^^^Eg
t=£
£
3EI
3t=ZZ*E±
:*=t:
EE
=*=
:£z#:
:£=£:
:*=*:
3e?
£=£=^:
MzzMzzzmzzM:
i
3:
Be - girt with sovereign might, And rays of maj - es - ty a - round.
?#=*:
[
££
I __| — 1| * — * — F— * *> — »M-L ■• -
/
fr>
ig^lEiiii^iii^ii!^
MALTORIA.
Affetuoso. i
S. P. M. *
!*£=±
-9—0— -e>
:£eS
S5t
PeS
1
1. Friend af - ter friend de - parts: Who hath not lost a friend f
zz^zS—*—*-
*» F
Wr&zt—PzrJ*.
r-
_£?_£_
^rF — Fb-ib— b— i*— ■M=T-ztL»— :»ee«-t*— r
±t_j.
?z:?=>:
1*» 1
— I — J---
P
g=z^zt:gz^tizEi=^iEz=^f^EzlT^-F
There is no u - nion here of hearts, That finds not here an end ; Were this frail world our fi - nal rest, Liv - ing or dy - iug, none were blest.
£pi 0— 0~T*— * — t5c
=E=£-*::i*zz!:-*z:
it*
-e-
P
IeH
-pTtH-
p-+0 — 0-
3z£:
* * k* 1«* Sl I I I
■0—0—0—0-
V^-U-M-
BURKETT. S. P. M.
V. O. T.
219
Medium. Close and Gliding,
m-y-T
m
HI
a
Soli.
■+-
=EE£
fa§h=M
:2:fcs»:~?=*
3ffi
0-0-m — i:
1 — l — \^-0-
qpfep
Trebles.
a
oro.
xb-
£=
Si
5dse
i
=t
1. How pleased and blest was I To hear the peo-ple cry, "Come, let us seek our God
:=J=t
g^^tt
:ffl£
«t*3ifc
£z*
Id:
A
4
==t
r— i±-5_7t±zz
r r
r_r
3g
If:
pzzszte:
to-day!"
PP
*B
STes, with a cheerful zeal, We haste to Zi - on's hill,
I
W
^j
-JL
^4?
li
r
Z=j=I=±=£l
i
fc
t-rr-
JL
SO
I — y— b— •— -I — r ^ 1 — *-» — a— -•—
&&*=?=t=t^l
-*—*-
3
±=£.
\
m
^Z^TZZSZ^^^T^^zq^T^Z^lg
.^-^•_#_p#
£
■0—0-
t
u,__u__.^.
^SSE
tr-±£=t=U
t±-j£-
t-w-0
mp mf
And there our vows and honors pay, And there our vows and honors pay, And there our vows and ho-nors pay, And there our vows
:^
I
Ritard.
and ho - nors pay.
5=b=£=qs==£=£
x£#
=r-=3
\=3£=*Z
x£#— 0
a
*z!;t£
:£=£*
*-*-*=*:
=£
■«:
:*z
<*-
And there
vows
4*
_4^^45-^
J^J*J»J!LA-£-£
tzjtutz -*z=*-*zpt~ M-tzie-Jt
ez:#z:*zrz
f-^-r-f^-x^-r-f-^f^f-f-f^^^f^M•■
^
and ho - no is pay.
y-g J- r-H— — r
*=*:
IEfe
-L
14. LI* ■ S,J.
-*—&
ZMZ^fl
:p—>zl
~*~~W-
£Et
J j.j
-l 1 —
0 — • — h ■ i
-*»— *>-
,S»_2_
j__ji_«_l jj^^ ; ; ^ ^ -j-
j.j- j
f-^r
1
n j
••— • — h
^_^_
^-fg
p
+^=»=*^w
0 — 0 — F— P-
£i£=S
-^--l
>l_z:
And there our vows and ho-nors pay, And ther« our tows
F
and ho - nors pay.
220
Medium
±
to
S5E
m
P=2—
-:
it
:<e:
o
H
BETFEL.
■P
S. P. M.
^lliililipliii^igi^S
*_ C-
s
:*=*:
=t
— ^i — '~
1. How pleased and Meet was I
4. May peace at - tend thy gate,
? F— r-=V
^3=i
-0
To hear the peo - pie cry, "Come, let us seek our God to - day!" Yes, with a cheer - ful zeal,
And joy with - in thee wait To bless the soul of ev - ery guest ; The man who seeks thy peace,
Jigi
• .-i j-j
f-
I
4=
:*:
5=
1=
UNISONS.
IS
-P_^_
-P
£:
13
-T»-
J^
r
;
:p:
m
^g3E
1
-l^_
*
:p=M
■+-— -
f— :B-f-
=£
t±ib?z::*=*
j=n=f5i-
^z^zPzf:
&&
ti:
to
— i-
£
*•*-•-
•3
/a 1 1 —
EE£tE
-H--i-e
Cbro. #
"We haste to Zi - - on's hill.
And wish-es thine in - crease,
And there our vows and ho
A thou - sand bless - ings on
nors pay, And there our vows
him rest, A thou - sand bless
and ho - nors pay.
ings on him rest.
J. J. J: j. j: J. " Cit-J _
§£
£
b
JE£
t- -r-^-f— r— ^ — r
, rr? 'V
Allegretto. Staccato.
NASHUA.
feB^EgSESE^
S. H. M
fa
*
221
:F
:?=fc-5
¥i
'-*-*>
i-±-fe
SUSI
fcg^S
A
S5^I
-^
1. Faith is the Christian's prop. Whereon his sorrows lean : It is the substance of his hope. His proof of things unseen : It is the an-chor of his soul When tempests rage, and billows roll.
2. Faith is the the polar star, That guides the Christian's way. Directs his wanderings from afar To realms of endless day ; It points the course, where'er he roam, And safely leads the pilgrim horns.
3. Faith is the rainbow's form, Hung on the brow of heaven, The glory of the passing storm, The pledge of mercy given ; It is the bright triumphal arch, Through which the saints to glory march.
S
te
pzt
S N
*— <t
--K-N
-l-
E
i£V-V.M
i1 b r>
*• V: V M.
0 — -»- — #— f»j— <-0-i — 0— <-f f 0 h— L| f- L & , f_ — 0-J-y, — y-f—U v— Y- *- bl — 0— 0—i — -•+ i/-l-t/ — \/ — ', — *-, L» » — ' i-
jjuu^
/
With Seriousness.
--N
iSWi.
S=F
-# — h-*#
V— y— m.
S. *\*
=ft
HAWLEY.
fe^
C. H. M.
V. C. T.
!»*-» — •#
v-SF
^
■?=P=F
T=f=W-
&
-±
«►— *«
Ores.
Coro. in.
Rail.
-H*-1-*^-* -S-t^— ^— 0-T-0-
A-fy
^E^^zJvJ
-#■ *■
*— #
@3g
f^*,-
■s —
*■*- -+-^ — d-
— h
PH?
-fcrV
-0—0
-5
S
1. O, what is life ? 'tis like a flower, That blossoms and is gone ; It flourish-es its lit - tie hour, With all its beauty on : Death comes, and, like a wintry day, It cuts the lovely flower away.
2. O, what is life ? 'tis like the bow That glistens in the sky ; We love lo see its colors glow ; But while we look, (hey die : Life fails as soon ; to-day, 'tis here, To-morrow it may disap - pear.
3. Lord, what is life \ if spent with thee In humble praise and prayer, How long or short our life may be, We feel no anxious care : Tho' life depart, our joys shall last, When life and all ltsjoys are past.
■ j 0— 9 — w~*-9 w 9 m & 0~~*-0 9 -- Ft— •-p 0 rj—%~0-\ i—i #"— ; _ ■
srrj
-■&±?
g
222
Medium. Treble. Soil.
)%±±
gz^Epzfrzz^zz
IIZI
£*
rz£?:
£
BULWER. C. H. M. *
Theme bjr H. H. W
JzZpZZfci
3==t=
-£=(==,-
*zz*:
==?=! =
t
aztetSe
-h
1. When I can trust my all with God, In tri - al's fear - ful hour, Bow, all re-signed, beneath his rod, And bless bis
T
spa - ring power,
Alto. Soli.
^==^
*±t
3= _
9
jE^E±
q=J=«
EB:
-4
:*=z*zz*:
ji~ idzJzPzizzzp: z^zzzs^zziz: :*Elz*zzz=*zzjz
_ZZE^ ^ZI^ZZZE — -L ^_,__B_
iS
3zzzE
2. O, to be brought to Je - sus' feet, Tho' tri - als fix me there, Is still a priv - i - lege most sweet ; For he will
Inst.
hear my prayer ;
S#Tft4r-y-
S
w
g^gl
m
:3=
BE
W=*l*i
3
\
Coro.
*±t
E
••— 9-9— 9-
4=£
*zz*
«?'
1 — — I — m-\—
p
*zzjzdzj=z*z*z?z?
»==
pz^zz^:
]*H*»-
">~>
i
SzzS^z^z^zIBzziBzC
=£
*=*t=5t
53
-•-»•-
zz-szizszgszzi
«T- •-
9—9-9-
*#-^ #ZT_# _tf ^-P_^Z*_^ZI#_ <H»--# p ■■^-1#— »^ J 5 -
A joy springs up a - mid distress, A foun-tain in the
Tho' sighs and tears its language be, The Lord is nigh to
wil - der-ness, A joy springs up amid dis- tress, A fountain in the wil - derness.
an - swer me, Tho' sighs and tears its language be, The Lord is nigh to an - swer me.
^m^m^^AMi^d=^^
S-#3R
*:
-r-r— r
r—r-r — T
r~ rr
■l^
~T
^d=J=fi
*z*z*:
:*z»:
•z::*
SB
m
T_JLj- J ;'-: £ , .J .' jV ■ j: " , J -JjJ J -4 ; ,;;. ff J J7 , j . Ij
Pm^^rfz^zJzTtrT ^ ,£ r Jr ! r.C ■ f Jftc rf r f \r^t
tr
pz:p:
ri
Quirk.
gpj
if
stzit
DEPEW.
m
7s. *
Arranged from MOZART.
223
1=
IP
:»:
P^bt"tt~ps
=t
f-»~^
pgs^^p^rag^iPlPlllpip^
1. Lord of hosts, how love-ly, fair, Ev'n on earth, thy tern - pies are ! Here thy wait-ing peo - pie see
2. From thy gracious presence flows Bliss that soft - ens all our woes ; While thy Spirit's ho
Much of heaven-
ly fire Warms our hearts
^-J — ptT_j_-l_T-rJL-,pT-|--| — ,._! — | r^MdW-i^rE^:
^
J- JibJ
HE
**
F=*=
j i
s— F:
3E
and much of thee,
with pure de - sire.
^S
tf+
■-I— •dr
tf:
m
j-_ j- j^
a
':-
A
•;
**
EE
*•
=02:
-,-
m
MILGROVE. 7s. *
With Animation.
Arranged from MILGROVE.
tTsr-£_
ijzzjs:
-?* d-
-& &■
t
I
l^B'-
:p=^z
1=
»
m
v— e-
^zz^:
$
I
(Z=£~-
i^zzp:
:t=
i
F=':
3
o — ©--■-
3
-&—&-
m
1:2=2:
=933
*:«:
2= :
1=
m
3=
I
1. Praise the Lord — his glo - ry bless — Praise him in his ho - - li - ness; Praise him as the theme in - spires, Praise him as his fame re - quires.
4. All who dwell be - neath his light, In his praise your hearts u - nite ; While the stream of song is poured, Praise and mag - ni - fy the Lord.
224
With Spirit, and in exact time.
43
Pfegi^S
*=^
£
BARTLETT. 7s. (double.) *
:=b±_-fc=igzz±h-1
Arranged from MOZART.
1
*?
PES
i-^
h^i^
#^r4
4
1. Hark! the her- aid an - gels sing, "G-lo-ry to the new-bom King ! Peace on earth, and mer-cy mild, God and sin-ners rec-on -ciled."
4. Veiled in flesh, the God-heacl see, Hail th' in-car-nate De - i - ty! Pleased as man with men t' ap - pear, See the great Im - man-uel here.
i n ,— I* l HH , I j f1§ ' £ '. i"V 7 , I rs - r, iHR j J i r S 0 i
--^
r^zzzzz5ffi*z*f*zl^li
T -r r. JL^^tr f ^
fe
zz*zxiz*2#*xi£ixdzizz
p#C:
tfz±
#:
V-Mr
i
:£T£
,-c — !_^ ..
f=£
-j-
-0--T) -i- i j -#- J
SeIIS
r
r=t
♦— *-
i
P-j 4 -•-4
i
--?M
] * J
— 4— — tf- -
r~cr
ZC
r •
:*fc*
®i
^
:g=z*
J&fr.
»z:p
3T
13
¥=0
Coro.
0—0-
z:
HeH
*:*:
P-*-?-
t=
I
zEzqzqqzzz,
=t=j~i
I
2. Joy-ful, all ye na - tions, rise, Join the tri - umph of the skies; With th' an- gel-ic host pro - claim, "Christ is born in
6. Hail the heaven-bom Prince of Peace I Hail the Sun of Right -eous-ness! Light and life to all he brings, Risen-with heal-iug
Soli.
r r fy
zffef^&p
na
tpzp=fc±p
A
Beth - le - hem."
on his wings.
r
p
SSSS^SI
■-j -j-
TABOR. 7s. 6 lines.
medium.
¥3
m>
JEIZ3E
— I ^_
A ■ 1^-
■i—
ass
9 9 9-
M
5
THOMAS HASTINGS. By Permission. ^&0
-&-.
:>
S3
5
:.E
£P
CLOSE.
f^
D. C.
=P
£
1
&
fc£=p:
33
-fV— N
t
atzafcat
jtzMZZit
1. Rock of A - ges ! cleft for me, Let me hide my - self in thee ; Let the wa - ter and the blood, From thy side, a heal - ing flood,
Be of fear and sin the cure, Save me, Lord, and make me pure.
2. Should my tears for ev - er flow, Should my zeal no Ian - guor know, This for sin could not a - tone ; Thou must save, and thou a - lone !
In my hand no price I bring ! Sim - ply to the cross I cling.
-fhf-
r
-r-t
-£-fc
I
a*z=f:
r
■t±£
at
J
n
r
-i — i*
::_,:
r s s r
-H
^-£
E^=
-9-
f • r s s
^P=F
r
j^ -j-
r
4-;,
ji
X -<£ J.
s
33
iFt
-J^P-W
-t—
r
WARZEL.
:rf=U
P2=?C
"I"
D. C.
7s.
Majestic.
==
t=±
I
:t=
#■
=;:
±t
1
P=pc
■t-
J. BIDWELL PECK.*
-ft— r
-#-#-
±at=3t
izzi:
-«— o-
m
3
=fr
*-#
1
3
I
*z±i=2*:
SI
1. Praise to
2. All that
:£z*z
God ! — im - mor - tal praise, For the love that crowns our days : Bounteous source of ev - ery joy, Let thy praise our tongues em - ploy,
spring, with boun-teous hand, Scat-ters o'er the smii-ing land; All that lib - eral au-tumn pours From her rich, o'er - flow - ing stores.
4^- -;,, L. .-■•*, _ _ „ , tH _T4— UJ J_U4
r~r
3t
-fe:=3t
^rrrn
*~ * 9-
' T
J-
5EE
* r r
_■_, — «— tp — »-
±P=£
^L
4 j- J- J
:p=±p
i
at
r
*=;
P=F
-©-
J.
r
-j- j- JH
bna±d
1
1
at=p:
t
I
p
r
1
*=p:
r-
p=p=
?
t
(chime 15)
• Head Base Singer in the Editor's Choir, at Strong Place Church, Brooklyn.
226
Slowly and Staccato
B B N E Y E N T 0. 7s. (double.)
S. WEBBB.
sees
-^-K*-
P=P:
-0—m
=t
:*zs>:
i
S
4=tp
i=*±tz^3t:
3=
■9—0—0 — 0
:?zz*zJzl1:z*z^z:*E^z:*z:Pzz:zzzz
3
lizatzafc
1. While, with ceaseless course, the sun Hasted thro' the for - mer year, Ma- ny souls their race have run, Never more to meet us here :
We a lit - tie Ion - ger wait, But how lit- tie none can know.
S§i=gfei
Fixed in an e- ter-nal state,
1 1 \-^-T0 1 1 I-t-T^—
3lZ£Z
I
*-f-t
-4-4
T~r
=M*
^^m^^^^L
■ft
PE1
-J-
-0-
-J-J-J-^-4-J-J-
-0—0—0- -0-^—0~O-\
*
.J. J, 4 4- .4
I
pzipzzpzipztp:
FFH^
s?
II
ZZfc
-i —
:^54=zP:at===!it=H'RB- :F5F
rp=przr*rzp:
t=
*=
:»z?r
I
Slowly.
M A R T Y N. 7s. (double.)
* — 0 — 0 0 — 0- 1 — •„ 0 &-H
They have done with all below :
±=P^1
j. -i j. j. j. .j- j.
?^^^¥
P=jE
i
jz:
':
pt=t
:2z^z:
IB
Ft
tizztzti:
MARSH.
D. C
&±5±^ZdZZ
s
dzzPz^zzz35zzJz3zt^zzir?zz?dazz:izfeziziitEz2zz
Pzs*zzP:
=£
3
szzdzjbzz^j
J Ma - ry to the Sa-viour's tomb, Hasted at the ear - ly dawn,
( Spice she brought, and sweet perfume, But the Lord she loved had gone :
I j For a while she ling'- ring stood,
\ ( Filled with sorrow and sur - prise ;
ry to the Sa-viour's tomb, Hasted at the ear - ly
she brought, and sweet perfume, But the Lord she loved
D. C. Trembling, while a crys - tal flood, Issued from her weeping eyes
sD. C.
<t
4
r
4
q. 0 .-0-0 — 0- .- —
ipze-
4 4 J- 1 4.J. jQ_
f-frf^
Mr5
L^ 0-0-
Lh
►-©-
j_ J ..1_,jQ
D. C.
hs-^9-
Lr
t
■O+0-.
BRENNAN. 7s.
Q,utck. In a movement resembling Compound Time
7. 0. T.
227
-0- -e-
1. Lord, be - fore thy presence come,
-&- -*- -G-
Bow we down with ho - ly fear ; Call our err - ing footsteps home,
-l
•4
r
f-
'-
t
±£
^i,i.i
r ^ f
-J- -L J J
igp^SPP
=t
:(-
iliS
-#-
:e=^:
1 — r
I
-J- J-
-o-
-f-
n
Let us feel that thou art near,
X\ h ~^A-
HI
f-
-f^f
±
e-r
H
:t:
f-
ft
HOWD
With caret Swell tone.
li^is^sEiS
1. Sa - cred wis-dom! be my guide; Suf-fer not my feet to slide; Or, from thine all per - feet way,.
. b
ff=£
3=3
-s-
-4-
3t
f— f"
--6^
1
W=
r-f-
_^__l^ — ,44^-^ pn ■ -H-
In the path of sin to stray.
OS
j-4. j. j. j j.
1
32:
II
i -J. l:J:j. J- J- J- J-_J- J- -*- J,;-j- -J-
4=
:£=*:
si
^
H
^.,i.M J-fl j
1-1
eMU
228
NINEVEH. 7s. *
/
Lively.
ri>
-P-
=m
dt=fri
5eez^
1EESE
©
«
ii
i
:#»:
£3
#<
Arranged from HAYDN.
. t> /Tv (C>
ingiii^iiiiE
b^i
:=H2|
-v=v-
=fc=fc
~
rts C\
■s-
2
zzidrdzzi:
H
sfcat
=t
2>zzi:±dzz3t±dztzt:d:
H
—I-
=£3
I*=2
IE
=t=t
^zz^fezzddfezag:
1
=toz:qz:zf*
Sri
1. Wake the song of ju - bi-lee,
2. All ye na - tions join and sing,
Loud
" Christ,
*at
^Efc
-4
-4-
J:
as might - y thunders roar,
of lords and kings, is King :"
Or the full - ness of the sea,
Let it sound from shore to shore-
l^g
•t
-tf-r-S'
J | J
r-cy-yjp y-py g?-jg g-r5 »--
SH
±^
f— -
E
When it breaks up - on the shore.
Je - sus reigns for - ev - er - more
■fesM^
-LJ~f— ^f-"-
*t=P
H
_j J-ir J J
4*
l9-
^S
*J-
J-
<s>-£»-
-J- J-
I),
r
:?2-3c
t— f
r
J J
p:
f-fr
±±
i
Ff
-J-J
r
I
Choral. Majestic.
bo ,
«
P=ff
WARRINER. 7s.
V. O. T.
I
4=£
i
=t
i
=t=M
izafc
1. On thy church, O Power di - vine, Cause thy glo - rious face to shine ; Till the na - tions from a .- far Hail her as their guid - ing star.
2. Then shall God, with lav - ish hand, Scat - ter bless - ings o'er the land; And the world's remot - est bound With the voice of praise re - sound.
9
r f r f
3
feb^zz=rE;L=
BIzfzzfzzp.-i£:
J
1
J j: J
r
:*=*:
--£(-
f— f:
-J-
1
r-
:Jzzziz:
^zz^lgzzzgzzt,;
Mc
£
P
-J- J
t"
■-©-
■I
i
- - pi
f=U=t
b-
In a elose connected Style. Cantabile
+
S
REFUGE.
:t±
7 s. (double.)
v. c. T.
229
S>li.
Hil
mm^
1. Je - sus, Sa - viour of my soul, Let me to thy
2. Oth - er ref - uge have I none — Help-less hangs my
bo - som fly ; While the ra - ging bil - lows roll, While the tem-pest still is high ;
soul on thee ; Leave, oh ! leave me not a - lone ! Still sup - port and com - fort me.
^m
m
§p^E?
J J
-J- j J +
'--
*=
=F
J
^~0
=UJ
H
m
t
i
r r
j j
i— f-
:±
'
m
"—fT-ZJ— I #- .»
■r
r
-•-
r— P-
«
?=t±
1
~¥=EP-
m
J- J
I
1 — r
r
\~
All my trust on thee is stayed , All my help from thee I bring : Cov - er my de - fence - less head With the sha - dow of thy wing.
Hide me, 0 my Sa-viour I hide, Till the storm of life be past ; Safe in - to the ha - ven guide — Oh ! re - ceive my soul at last.
ft-tj — i — (-.-j-^J-J-r^-rH — U-i— ±\tA — tr+- r-4—
-)-
:*:
atze
4-
C=P=tF=tf
«* |"i M ««» , |
®bfc
:Czqs:i:£
-F — l-=r=:
if-
r
^f
m
h
1 — h-
-tf-
-£5-
r
* The Dynamic directions given to this tune apply only to the words of the first stanza.
230
Rather Fast.
(
\l^i-m-.
4=fc
I
NUEEMBURG
4=4:
7b.
:t=
*?4
Pzl
l>
.-*
i=B=g'^— **-BEtjZJtf
=ft
a
t=M
3
^-qjfr^-^-f .y i-g-^-^— g-^u-^o. «_*#T^__ti
#l^— *#j-5i-
1. Lord of hosts, bow love - ly, fair, Ev'n on earth thy tern - pies are ! Here thy wait - ing peo - pie see Much of heaven, and much of thee.
2. From thy gra - cious pres-ence flows Bliss that soft - ens all our woes; While thy Spi - rit's ho - ly fire Warms our hearts with pure de - sire.
Szziz^zizzzjzirzjizz'z^zz:^
»=i -~ =•= ^z==4-=*z: z^zzt*z=?z 3d*: zzzriz? z^fclzzjz ESzBzzS ^zztfE* E*z3
=£bf===zziz=±Ei=£=fcizpz^
T J & _l
ppli
DILVORTH. 7s.
Medium. BS in preferable to the given key.
•saz: *
rr>:
tzjzzzz^ziz^
fast
zl=-ziz«i=^
II
,-#-«
m
/■■
zzzzz:
Z"
I
• —0-
fc==t
*zzy=
=1=F==*
m
V. 0. T.
> i* hfj
:-ftz^£=g
I
>
>
m
(Vs\ <>
i>
^
^z^^^az^^^zz^^z^^-^^j: j |j; ?|j j^^g^
1. Saviour, bless thy word to all,
2. Thino own gracious message bless,
Quick and powerful let it
Follow it with power di
prove,
vine;
Oh, may sin - ncrs hear thy call, — Let thy peo - pie grow in love.
Give the gos - pel great sue - cess — Thine the work, the glo - ry thine.
, J J] , r , p L_. : t s ; i J j . J fil ; j ^;y; -J I/"":"- J jj j. .
r
h-
^
p
SALEM. 7s. *
231
\
Quite Fast.
cfe
mz
4
m
rt=tr
1
3=t
gl
TO
3=
Iffil
zzfz:*=*:Bz=rjJ^_ Jtjr: =fcg=^s5z^ii^=i±^— -Rz^^^Ig=:g--iiL-z:EEgzzgzfg=g=fa=l^=f^— E
1. Praise the Lord — bis glo - ry bless — Praise him in his ho - li - ness ;
2. Let the tram-pet's lof - ty sound Spread its loud - est notes a - round ;
ft _| fel L
m-
f-fcr-'f—f-
Praise him as the theme in - spires, Praise him as his fame re - quires.
Let the harp u - nite in praise, With the sa - cred mins - trel's lays.
ipi
t±
P=f
n i l
-«-TJ
4=
-«— *-T
:p:
E=zEi;=E±==:t:t=t
t=t=K=J:
J. 4±, _JL
t-
s>-
r
i
/
Rather Slowly.
h
b-
^
f=t=td=i=±
tSoIi.
it:
i
RESURRECTION. 7s.
V. O. T.
,g=-fo=Jg="P— P
t^=^±
g
— ©-
**
I
Cbro. m
:zfc
/'
feEfd
l^fM
2
is§ii
=#
^-•^
-•#
1§§I
^— 2^-
ZT
'•&^±L
-O-1-
I
s£±£
=J=t=t
:s£=st
:sLM«
ZEiz&=-t3==^3^z=^Tdz=^J:-zzE
>zzri:
1. An - gels ! roll the rock a - way ! Death ! yield up thy rnight-y prey ! See ! he ri - ses from the tomb, Ri - ses with im - mor - tal bloom.
2. Tis the Sa-viour — se - raphs, raise Your tri - umph - ant shouts of praise; Let the earth's re - mo - test bound Hear the joy - in - spi - ring sound.
fezf
r r 'ftr r
^zrfa=z^zzi^i=^Hb?=zS
zzztz^zzrdd:^ _ <g J. ^~ gdzgzdbz^rzed:
=
r r r r rf
IT
=p=f=
s-
n
=s
iHlliiil=l
I:
-f2-
J J
pc:^=t=
&-
0*
J J J
4=
o-
I
232
ITHACA. 7s.
Medium Time. Legato.
V. O. T.
■bm-
£=#=
m
=t
m
=t
££l
*A
3=ft
>bzfclzzj?=
R
t
=F±i
*?■
«
•© — #■
#^#-F-
SEE
<ti©— «
© 0—
^
d—-*-
555
£*£feS§liiiil
si
:»-#-
3
S(_J-_
1. Lord, we come be-fore thee now ; At thy feet we hum - bly bow ; O, do not our suit dis-dain ; Shall we seek thee, Lord, in vain ?
2. Lord, on thee our souls de - pend ; In com-pas-sion now de-scend; Fill our hearts with thy rich grace ; Tune our lips to sing thy praise.
fez^t:
s*zb
'
-f-r
j_bJ_ -
r
fzBgzzz3=^z^^^m=ziEE^
ifct
-r
zzJz£zz*:izE
1 — r
r
¥
j—©
^— ^tP
r=Ue=s;
i — r
ipzp
J J J JjaJ^!:
^z^fc-3zq=
d ' r
*-f?z±:t=:
r
4.
i
CANASTOTA. 7s. *
Quite Fast.
±:
£±.
p 1 — L-
f
tr
z?fe
3=
3:l£?
t
mm
Arranged from a Foreign Theme
2ZZI
?c=P=
n
£z±
£
3:
— I — i — i 1 — e ■*- -
i— 0-+— 3. L-e ^x
zF=H:
ptt+zi
1. Now be-gin the heaven -ly theme ; Sing a-loud in Je - sus' name ; Ye who his sal - va - tion prove, Ti'i-umph in ro - deem - ing love.
a - bove, —
5. Hith-er, then, your mu - sic bring; Strike a-loud each cheerful string ; Mor-tals, join the host
<
i
4r
4
—0—0-* \-*-0a— £_[_.
.- • ~0~~ I
I mson. v
J
&-?f*-t~—i-F-
Join to praise re - deem - ing love.
n
£
& bd£=Fz
zz^zbfzztz
I Unison. II \
f^zzpgzz-,— pz:f:f^zP:Fzzp=Fz=z^^zzp:ff4iz^P==^^z: :J — 3=b:
:EjzSzizf__.| i_Ll^zEzfcE=^~l — ^tz=[r£izEEzEzzzzzzzzz±zI— --^-H1 — P
:t^ztz^:i^zzzr=fczEzE[z4zz:ztfLj U-D^iEg=fcr1-^
Quite Fast. Joyful Expression. Staccato.
^
fefep
iz ~f — #~ Is1
/'
i
ADVENT
7 s.
V. O. T.
233
F
#
F
m
:p=:^
I
sfzfe
:B-* — #■
3^3
-"-S1-
I
Bright and joy - fill is the morn, For to us a Child is born ; From the high-est realms of heaven Un - to us a Son is given.
m
-4
T— r
~r~r
±j&L
i
*=*:
£
f— f-'r-tf
3
j--©-
J J J
gJi-3-g
±^=t=t
I
J J J J J J
I
:-
^*
it
1
P=t
t=fc&ti
i
fcHl
:**
±fz±^z:
=*
1
•zzp:
E=E
*_
«£=:|
1 -J- -J. -J- ,
n
:kh
r-f- -r^f
p .1
i
■! —
3!
I
r
U--1^
r
j-u—
r
\
Rather Slowly.
r~h— ST"
£zS
122:
d:
9 G
CHERUBINI.
7s.
t«=
£
f=
i^g
Altered from OHERTTBIWI.
=» ^T
^
3
--©-7-1
£zii
3:
:=t
££
53
Keep me, Sa-viour, near thy side ;
Let thy coun-sel be my guide ;
i
Wzz
feU
•a<:
=t
?ZL?*
^S^^^S
4— f— pcz=-Tr__^i^r crp_r.zrpr_r-rpI
If ev - er let me from thee rove
' ,jJ-iTJ4
Sweet-ly draw me by
thy love.
±E5
-P-4-r
±ztx
j j J ;j
-i h-2* — m
-^r-T-y
frry
,--©-
fp=
<5-
r
E
4j i
a
J
t-^-2-
J J - J n
o
r
234
Slow, and sing every ^nearly as sticrt as a C.
Sotto Vece.
fefc
.0 0.
trf
-»
£=
s
KINGSLEY. 7s. (double.)
^
<£
:iF±k
:t
-#— -e-
:t=fc:
^>
s=t=t
i
GEO. KINGSLEY.
From " The Hour of Prayer."
By Permission. - ^
*— 9\—*
-0-
it:
<z
-E:
o
E
tet
&fc
f
» . 0— L0 0 — 0 *~ ZL\7' S~~t>~(^ — 9s — ^ — s s — -+-.- 9 * — • — * — * — #~~^~^ — * — w — 9* & —
1. Lamb of God, who thee re - eeive, Who in thee de - sire to live, Day and night they cry to thee, As thou art, so let us be !
3. Dust and ash - es though we be, Full of guilt and mis - e - ry; Thine we are, thou Son of God! Take the purchase of thy blood.
£
9---9- -• — a — 0 — 9— -f-f-|-^-r-ai-±^ — e — d ~'S-~
s s
s
-r^r
1SZZS
_4
9—0
ZS.
T-f-t-r
SP^^Sr!
j.. ; ; ; ; ; j
f-
U-tr
-i —
-M—
z^tpizzprttzzpzzir
— l-i 1 — +i — i h-
r
I 9 ' 9-
*> * *»
f=
zpzfpzpzpzpiezf: ■=
9T3B".
£=£«
<£
*-*
Sri
/-v Coro.-
9—9-
I) h-3— r—
±tz=W=z
!
MZJE
0—9-
-
iil
:-v
2. Fix — oh fix our wavering mind ! To thy cross our spirits bind : Gladly now we would be clean ! Cleanse our hearts from every sin, Cleanse our hearts from every sin.
4. Sin-ners who in thee be - lieve, Ev-er • lasting life re - ceive; They with joy behold thy face, Triumph in thy pardoning "grace, Triumph in thy pardoning grace.
feZl
P^
□&£££&■
r* h h p*
jzj^zj:Ei^
■•-"-•- -#■ / / J hi Is r r i
i|S
iliilSipp
M I N T U R N. 7s. *
Medium. Legato
fez
Arranged from DONIZETTL
235
•Mzzfele
e— o-
P=P
1
?=*
Z±
| &j- g9~0~ -~&_
m
^
j££*L
tf*
4
:?£
I
£zfe
i=£
z£zd^:^zrz
It
«-»-B-1-Si-|-»-
zj_^I
=t
s'-s'-
4±i
ift't
Sg§I§=i
~r
S"-^*-1-©
I
1. Now the shades of night are
2. Make our souls as noon - day
izz_fz£-
gone, Now is passed the ear-ly dawn; Lord, we would be thine to
clear, Ban-ish ev - ery doubt and fear: In the vine-yard, Lord, to
day : Drive the shades of sin a - way.
day, We would la - bor, we would pray.
£
J J
X J- J- J-
Lfc=2=jH=?z:
±=bf=t:
T^T
i
I
<
^2ZI
Medium.
3
^
gZ#ZI
±5£
^p:
l^L
m
HEROLD.
itz^zzzpit
7s.
:*=*:
^
H
Arranged from HEROLD.
rg-g— g
^:
ntzafczat
^
r*f
3
j=jjzP^==jjzE^N
#— — «-*_^ 1 »--L« ff © — i-«
=t
-#
zzszz^zri
^— %
m
:=t
j-ar — e—o-
I
1. Gra-eious Spi-rit — Love di - vine! Let thy light with -in me shine ; All my guilt - y fears re - limve ;
8. Life and peace to me im - part, Seal sal - va - tion on my heart ; Dwell thy - self with - in my breast,
Fill me with thy heavenly love.
Earn - est of im-mor-tal rest.
KS
1%M
■f— r
£-
+Mz
fe
T4
I
— | H-r
— — *,#- -
fl
J-
-^
■M
Izr-'-^-rz^z^z^^—fz :zzzzz=«=:|zzzz*zz*=zz
-4-
•5?
-i5**
J^=i-g
Z=ZD!Z=t=q
rj_r__r_r_
J__j J_[zj_„J
I
^±t±=0Z
*z=£
r— r
0.1 J-
I
it
4=
:pz=tr
I
236
To be sung in alternation with the lower tune.
CRETE.* 7s. (a treble solo.)
£±i
$
5SfF
-g-l-~j i
^fc
"T© »W—
Ji
ft
m
►#«-■
V. O. T.
In imitation of the Scotch.
ft
F—\ ■! - I #-i — -) 1-8
1. Who, O Lord, when life is o'er, Shall to heaven's blest mansions soar ; "Who, an ev - er -welcome guest, In thy ho •
3. He, who shuns the sin - ner's road, Loving those who love their God ; Who, with hope and faith unfeigned, Treads the path
ly place shall rest ?
by thee or-dained.
INSTRUMENTAL.
S±£
E5E
=1
— *—&■
& j-
f=f:±r~dE
CZS2=pr.^3^i:
=f:
S^
PS
E
Sees
S> *_ -|
i
* Some of our Choirs, especially such as are destitute of efficient instrumental aid, may look upon tunes like '-Crete," and wonder why we give them a place in our work ; as they require an ability
on the pari of the singer, not every where (for want of sufficient practice and culture) to be found. To such inquiries we briefly reply :— First, if choirs can not sing them, there are tunes enough,
which are simple, winch can be used in their stead ; second, the practice of such music, is, in the highest sense, beneficial to any singer wishing to advance beyond the precincts of mere ordinary plain
Psalmody . third, in nearly all Congregations, since we have had of late so much fine Concert singing, there are persons whose tastes frequently crave something a little above the common style of
four-part singing.
Medium.
i
;§
11
0—0
fc-rF
-e — 0-
1=f=
THEBES. 7s. *
Written on a Theme by MOZART.
**
t±
HI
1
Yo
VJZ9ZZ
=ft
m=&^^m
st=E±Sf3
Mt
a-m-
igii^PiiSiiSiiiiii
1. Who, 0 Lord, when life is o'er, Shall to heaven's blest mansions soar ; Who, an ev - er wel-come guest, In thy ho - ly place shall rest ?
3 He, who shuns the sin - ner's road, Lov - ing those who love their God; Who, with hope and faith un - feigned, Treads the path by thee or-dained.
H
3
tp:
d=id=J3
0-V1 *
r~lP r
J J
-1 %0LJ-~ ^-LU-UU
mm
±=t
im~ a — t-^—W —
"--H ±-^^ ±'^=r-\ Xl "
M I L 0. 7s.
&b±
Slowly, with Feeling.
V. O. T.
237
&&
£4=
:r;
p:
s>-
I
W
:fc:
-#h
P
=£
±t=
:*=:*:
:*=£:
mtm-&¥j$r&
Stfel
:*:
3=
agg
1«-tf
=t
a - way ;
P
:*i
I3igi^^l^l
1. Soft - ly now the light of day Fades up -on our sight a -way; Free from care, from la - bor free, Lord, we would com - mune with thee.
2. Soon for us the light of day Shall for-ev - er pass a -way; Then, from sin and sor - row free, Take us, Lord, to dwell with thee.
r\ — nri ■ i Jit*— -h"d— **n
^s
±
r
*i:d=3
A
r
*
J- j!±:jl
fS^
±±
r
-J-
-r-fr
r
*J-fflr
T
t^ESS
£
g
*=**
r_^r
J
1=1
r
'-
ml^&mm
4
_
-J-
ipzzp:
m
i£7j. jl
?r=zsr:
Pz±t=t=±a
I
Choral.
SBfc:
2t
El3E:
*=z*:±Jz^<£=
=t
PLBYBL'S HYMN. 7s.
PLEYEL.
I
=t
22=fcfcafc
:^z::
<?
Hdl
i
izz*:
=fc
:^:
=t
:st
m
tf
inp
&fe
2£:
^
^:
"#■
i
S-^9
=£
^«-
^*"
mf
I
E&
t
im
1. Thou that dost my life pro - long, Kindly aid my morning song ; Thankful, from my couch I rise,
2. Thou didst hear my evening cry ; Thy preserr - ing hand was nigh : Peaceful slum - bers thou hast shed,
To the God that rules the skies.
Grateful to my wea - ry head.
55*3:
±53=
— L-J-tH — is-i
3
1^=5?
z=±*-£=M=pt==£
h*t-
r
i—i-
■A-
n
r~r
t^ — h
- -m -
r — r
-0-
?
*=p
3=±Z=t= =P-
-=3
i
W-
I
J-^-^^-r^
■^z=^Ex
r
JL.
r.» ';r -,;•
-L- S>
l
i^j i_a
-fe»-
4-
iS
r
4
=t
r~r^-[;
:?z:^.
=t
£
■j-.-*
PE^3p
r
i
238
BEAUMONT. 7s. 6 lines. *
\
Allegretto Moderate Bold and Cheerful
Arranged from BEAUMONT,
Expressly for this work.
#— L-0 •w*-L- O c
1. Christ, whose glo
2. Dark and cheer
ry fills
less is
the skies,
the morn ;
T
T
^•zzzzitliTftfzifzihtz
Christ, the true,
If thy light
:?z*z*zJzt:*
the on
is hid
3=tt
TO-*
z§?zzz*z
*^#
-J-4
fezfcztzpzztizi
it: ;
j.i j
r
ly light, Sun of Righ-teous-ness, a
from me, Joy - less is the day's re
rise !
turn.
gz^z^S^zfJz^IzJET
:~:
iS
J iS.
E
r
t
±_._r
«u*
1-
£*
:z£i
1
fez£zp=pr
[iz±
:^zz^r
:^zzp:
=F=ff
±0=
w^t=w
-r-
j=
:p=3
&
gzi
=t
Et=^:
I
Cres.
>
^
:=fc3==t
rfzi-d
=t
>
Day - spring,
Tri-umph o'er the shades of night: Day- spring, from on high, be
Till thy mer-cy's beams I see ; Till thy in - ward light im
J3
, f — zzzzT;
near ;
part,
" i j if rr^ryif i -^\*=*
Day-star,
Day - star, in my heart
Glad my eyes,' and warm
i.nJiM,ni\f-\ j. i. -j
np
my
pear!
heart.
J- -J- J-
:t
r
r
3jp=gE§
r
&=i=r«=
:fe~fe
£
~W=W-
? i: ; y J r^f- J .-
-^3- n
t:
Lr4
:z
t=£tf=f
I — F-0- -
-n-^-
j j. i j-
&^P^#
zzp:
I
Day - »pring,
Day-star,
HOLLEY.
Transposed from E^, in which key the Alto in 1st strain is below the compass of ordinary voices.
7s.
GEO. HEWS. ZOO
(Piano-Forte builder — JJoston.)
/
fefcz:
Soli.
-e— h-
s
3z
m
Cora.
Q—l-O—^-
I
:&:
ii
--6>— ^-
I
-d H-
131
i
«— #^-
zsfczz:
i=t
7 #g-3-
1. Soft - ly now the light of day Fades up - on our sight a - way ; Free from care, from la - bor free; Lord we would com - muue with thee.
2. Soon for us the light of day Shall for - ev - er pass a - way ; Then, from sin and sor - row free, Take us, Lord, to dwell with thee.
I
=(=&
m
1 — &
-A — U
Wf o
WS-h-f-
±
t
i
m?
-*•
v=^--
I
i
I
^L—-
-&-
-L-O-
I
BBLLBFONTB. 7s.
Quite Fast.
V. C. T.
k£
*£
-tf — -©
1
:=5^
=t
jZZ*:
^•EEtzz^:
/
gEEl^^l^pi
/
fc£
-J— — 1^-
£=q^=^
=t
H;
:5=d^z
-*— *~
it
8*
-«-
•#«
:*z*:
=M
ife
1. Children of the heavenly King, As ye jour - ney, sweet-ly sing ; Sing your Sa-viour's wor - thy praise, Glo - rious in his works and ways.
2. Ye are tra-velling home to God, In the way the fa - thers trod ; They are hap - py now — and ye Soon their hap - pi - ness shall see.
P^s=p^cB^:z==-==z=^p_|.-J_^'L_^_?L4?L===:-| — .__p=EzpzT»zzz=zzzzrie=f=:=^ — l_ r=iz==i=p=
240
WORSHIP. 7s. 6 lines.
— ?JZL^ — ^-1
Medium Movement.
L. MASON.
From "B. A. Collection."
By permission.
:EEEE
^==£
jt^Mi
j_i — _
£=£=B
=^=ft;=t^=):
3i33
TO
TO£>
TO/
'/»
j*fc;
■=5
3EEjE^=E
-•— — 0 ■ 0—
=£
-#— *— *-
53:
d »-^-*- "^ ~j
-0T-. •-
3E^
=S
±&.
l£=fc
=^S53
.#•-
1. Safe - ly through an - oth - er -week God has brought us on our way ; Let us now a blessing seek, Waiting in his courts to - day,—
S. Here we come thy name to praise ; Let us feel thy presence near ; May thy glo - ry meet our eyes, While we in thy house ap - pear ;
a * f 0 J
tzrf
=£-£
:£*:
^
fe=tl=G=&=E=
8
-v-fc
^ / -.1 1 J-
-^_I
iJE*:
-#:
£:
:£=£
±£Efai
EEE
m
t:
:fe=
*=#:
I
Soli
Coro.f
Cres.
=S
&=
:=M^
istz^
9z=M — #_pg_l_q__q^___<y_^_#.^ — 0—0^0 0 — m — ^-^g=p:
Day of all the week the best, Emblem of e - ter - ual rest, Day of all the week the best, Emblem of e
Here af - ford us, Lord, a taste Of our ev - er - last - ing feast, Here af - ford us, Lord, a taste Of 'our ev - er
ter - nal rest.
last - iug feast.
S 1 — ~T
mm
-0-*~~
£l_£
H
^te
■St
f*=ft
--t:
T
I"f t'II.1
r^rt , r f-r r 7 -re
I
±z=&d
IS
:£=
I
NEBRASKA. 7s.
Medium.
aF33
V. 0. T.
241
1. Who, O Lord, when life is o'er, Shall to heaven's blest mansions soar ? Who, an ev - er - welcome guest, In thy ho - ly place shall rest ?
2. He whose heart thy love has warmed ; He whose will to thine conformed, Bids his life un - sul - lied run ; He whose words and thoughts are one.
:**
3~
t&
ctr
t
-*z£l
=fc
-g-
ff f
rjsz\
1
-s>-
r
m
T^Tf
FTP ff
3&
i
#:
=te
n
£?=£
3&11I
S^
fi
J-jJ-
f p-2 r
1 ■ i
j-
£>
P
1
Quite Fast, with Easy Movement.
*£=£
F
fc*
q=
f&—& — I© — •-^i
JLi 1 * I ' L _ __
-z3£l
KILTON. 7s.
&
*
Arranged.
i^fl
<
~.
m
J:
£=*
je
istzzatstp1.
-
1
I
fc=£zBt£^
rr«
^#*
2*=*
3
il
=1
s-
n
Z9-*^
I
irS*
1. Now the shades of night are gone ; Now is passed the ear - ly dawn ; Lord, we would be thiue to - day,
2. Make our souls as noon - day clear; Ban - ish ev - ery doubt and fear; In thy vineyard, Lord, to-day,
Drive the shades of sin a -way.
We would la - bor, we would pray.
m
»
1:
~\-
o
M^r-rT^r
-fe4
J J J
3
1
J
1=
(cHlMEr— 16)
srL« -— : :^zz" -o * — :rz5zt=— := :t^£± l ^zsztzsizziz ^^~ 1 :l~i_ll-
.;-J- -l
tFT=±F=F
--©-
£
i
f^
*
§
itE
nS-^ij
ft
242
AZORES. 7s. *
Slowly.
ifsi
?z*z*
_*
^=mm
tot
Arranged from liANDEL.
Pi*5_p_S?_|_
■_• _/ ' 1 __. 1 L_| 1
ZzBz
=_£_
4=
-s> — *-
cJ— *-
||p3
-£?-
^
=t
"#*
J— « ■-
—!-_>•
!*=*
:_*zzit
-*--©-
H
s — 1_
I have sought the world a - round, Paths of sin and sor-row trod, Peace and com - fort no-where found.
1. Peo-ple of the liv - ing God,
2. Now to you my spi - rit turns, — Turns, a fu - gi - tive un - blest ; Breth-ren, where your al - tar burns, O re - ceive me in - to rest.
\
&__f-
-fr:
tt
*z+:
=fci
~l
r f
^ r r>
^z^p^g|^^|3==^^z^
r_r
-*_■-_/- -J — -| — h-
T=f~
f
ft:
rr-
ip:
H
^fe«
_-^_-_-_-
t_tt
*z*gzi<:
-_^_|__L_|
__«
JU_*
_=£_
i___
r — r
i£
;#=*
t
0#<9-
Medium.
=*=#
*_-£
— \-
zdzzdzz-jdzzd.
=t±t
4:
Si-
i -i, r j
I
_zz_zz_:
B R E N T. 7s.
1
PP
=h
r
ZMZS-tzZl—-
Zz^ffizzm
J_J-
£
VZj-
>4AA-
Z£_X_
1
v. o. T.
__:____
^zz^zl^zlzgzzjzg-^-lz^p^f1^"-^
&§?_
fezf«zp|z|3z^
-G S>— l -I S>
-fit
5^Es_E__3E3___
d~$d
ni
4-r-
S
-s> — #-
=p=_ipif
-© — ■-© — s— l o— e- -L
5
-s>—
"2"
1
3=$
^.J:___.__5.
P
-©-■ —
1. Lord, we come be - fore thee now; At thy feet we hum-bly bow; Oh, do not our suit dis-dain! Shall we seek thee, Lord, in vain?
3. In thine own ap - point - ed way, Now we seek thee — here we stay ; Lord, we know not how to- go, Till a bless-ing thou be - stow.
t
!
_l
:__
zzdzz
l_-_jfo.jy_e._lL, p__r?7-E_
:=J-r-#r=±^=:p:
\G-
J— -J J-
i— L
I
A— 1
to>=f=it=(
r, ' - -
WILNA
7s.
Larghetto. Glissando.
Ifct
3:
<
<
<
4-Ir-J-r-
>
<
<
I t DC l dli .111 in IIiaHC UlC ill li'..1
Be careful to make the notes in ths triplets of equal length.
V. C. T.
243
:«zz*:
1
=t
«zz*:
I
<
O:
+-I r-
?z=i£
g, 1 99. — L C#ff±# — — _. Lg, 1
C 3 3 ~
=t
IC3
O
<
<
<
at»
=F
fzzat
=fc=f
© — i-^ — 0 — j-«f
-«-
=t
C — 1~XG-
o q ^ 3
1. Thou that dost my life pro - long, Kind-ly aid my mora-iug song; Thank-ful from my couch I rise, To the God that rules the skies.
2. Thou didst hear my eve-ning cry; Thy pre - serv - ing hand was nigh; Peace-ful slum-bers thou hast shed, Grate-ful to my wea.ry head.
3 ^^'
Avoid singing this tune in a lifeless and drawling manner. Observe strictly the dynamic characters given it
WARNING. 7s. *
Slow, with Earnest and Entreating Expression.
£
sfcfcq==t=s=t%=E=F
0—0-
O
pzqzzzzszzzzizizzzzzzLi
1-^ . J -0—0- 0 — • — 0
1
Sing the Eighths staccato, and be careful to observe the dynamic directions throughout the piecs.
P — 0—0-
ZZ$±W
■•-•—*-
Jz*zz*E^tzj
< < ^_ < ures. ■ —
^BZ|ZF^g^SS
m — 0 — ^ — 1-^__^ — 0- -j-±0—0 — s
H
■?Vt
j— **-
1
O
<
<
<>
H*=^
1. Haste, 0 sin-ner, now be wise;
2. Haste, and mer - ey now im - plore ;
-j-0-
Stay not for the mor- row's sun, Wis -'dom, if you still de - spise,
Stay not for the mor - row's sun ; Lest thy sea - son should be o'er,
:z:
*--g 0 — 0-
Kard - er is it to be won.
Ere this eve-ning's stage be run.
l
Sa
t/-J.J:J^-,|
m
*zar
IzzzfzzfzztzzztzzU:
JQE
i m j j- ; j j j j . -1 i j x
4-
/ V^
I I
«rTi J
=r*=£:
I
J-v^L
-* i ■ JL
-^-T-f:
h-r
I
2U
Choral, wilh Awe and Solemnity.
LUTHER. 8s & 7s. (peculiar.)
(Only for the words set.)
Partly from HANDEL
\
U Jl ! I i I
:::?EJEE»fc35E!:
1. Great God, what do I 6ee and hear ? The end of things ere - a - ted ; The Judge of man I see ap - pear, On clouds of glo - ry seat - ed :
2. The dead in Christ shall first a - rise, At the last trum-pet's sound - ing, Caught up to meet him in the skies, With joy their Lord sur - round - ing :
S. But sin - ners, filled with guilt-y fears, Be - hold his wrath pre - vail - ing ; For they shall rise, and find their tears And sighs are un - a - vail - ing :
j-rJ-
=?EEEEEz=t±t=!
!=*=£
\
<
w
|=,:~:
3=t
*EE*
1
iH
rn
mf
=*=±
e 0—L-4, 0-±-O 0— L-w 0-X-* ^_- L-^ ^~L~J 4 -31
33^
-^ — J-*y-#i3r-*— ■-
Tlie tram - pet sounds ; the graves re - store The dead which they con - taiued be - fore : Pre - pare my soul to
No gloom - y fears their souls dis - may ; His pres - ence sheds e - ter - nal day On those pfe - pared to
The day of grace is past and gone; Trembling they stand be - fore the throne, All un - pre - pared to
-J \
meet
meet
meet
him.
him.
him.
r r ' ' r U . V *
m
Do is preferable for this tune to C.
if
m
i
The Tenor, or Tenor and Base may be omitted.
MOUNT VERNON. 8s & 7s.
m
jzzijzizzzrj:
fzzzz
t'-
t=£=^±=±
L. MASON. Z4lb
From "B. A. Coll." By permission
z
i
=2=
-^ M~L-0- 1—*--* l-L-4
9 -•- -0-
*~3
-a — o si-
=T
I
£=£±1
-I
I
-40- - -0- --y -^- ~o-
1. Sis - ter, thou wast mild and love - ly, Gen-tle as the summer breeze, Pleasant as the air of evening, When it floats a - mong the trees.
2. Peaceful be thy si - lent slum-ber — Peaceful in the grave so low : Thou no more wilt join our num-ber ; Thou no more our songs shalt know.
r r ■ r f '
r — r
*
*£
it
f f ffr
T
:3z:E:*zz*:
r— r
±:t
-4
/Cv
3EBZI
-J — 1
1§EE3|1
Quite Fast.
zzhsszizzzq
zzzizzzizzzx:
leg
fcfefe
HSfe
:f=t
gHH
T r
in
3zzi
3=*
z£z
©-©-
3tz±^tEttttfczbaEFt:t|
BO WRING. 8s&7s.
V. 0. T.
z=t
P=^:
z^E±E^fe^:t±EEEE±t^S=±Ff
it
-g -g+g'-Wfg— »r*
i§
±u
S
©v~«
i2z2?±2
Zt^&
J-o-
•ztesfe
~-~l-
t
zEzF^
4— W-h
rf
*±s£3£±2z
^
zjz:
^=±^^1
i
1. In the cross of Christ I glory, Towering o'er the wrecks of time; All the light of saered sto - ry Gathers round its head sublime, Gathers round its head sublime.
3. When the sun of bliss is beaming Light and love upon my way, From the cross the radiance streaming Adds new lustre to the day, Adds new lus - tre to the day.
,b-
I JJ-J.-J-V.J
^^^M&t
±§
j j
-^ i .—
■0—0-
■S-&
m
I
n 1
p>jp.-rp.^_-°i?zz.
=p^
:t=:
•g-g-
i
V
g-f-g-
_l-4
0
-g-g --
:z~zzJ~"?^
Udzfedd:
«£r*
f:#iz£
.©--
-h
:J^
£
[
zzi^isz:
r -g-l
J.
r
— ^ -]
h^— 1 — 1
ig
246
Slow.
Iift=
i;
GLENDALK* 8s & 7s.
(To be sung in connection with the following tune.)
v. a. t.
Ill
dare.
erns:
=t
1
-,<=».■
t\
IZZMl
TSZTjl
i
Efc
^n
1
azzstt
iE=iii|^^ipi=i
1. See the leaves a -round us fall-ing, Dry and •withered, to the ground. Thus to thoughtless mor - tals call - ing, In a sad and sol - emn sound, —
2. " Youth, on length of days presum - ing, Who the paths of pleas - ure tread, View us, late in beau - ty bloom-ing, Numbered now a - mong the dead.
3. "What tho' yet no loss - es grieve you ; Gay with health and many a grace; Let not cloud -less skies de - ceive you ; Sum - mer gives to au-tumn place.
i3E
>
t
3
srz?:
^zs:
i
*a:
12:
-~t
3ttl
Sob.
Cord
*.r
mmimmm=m^mjm
-f-
J-
=t
ufctf?
fe=
f-
=t
=1:
_■_© Q--0
-i-Z
J-
:?c
1
i
r
This simple tune will be found highly expressive of the sentiment of the words, and must be sung with all possible feeling and emotion.
GLADE HILL. 8s & 7s.
-^IliSH
Slightly Faster than the Above.
V. C. T.
^gXJTJTTT^fgz^E^zlEF
*=£:
-.z&nw-w-*.
±j£
sz*.
Soli.-
Coro.
-&.-4-*-l\
4. On the tree of life e - tcrnal Let our highest hopes be stayed ; This alone, for -ever vernal, Bears a leaf that shall not fade, Bears a leaf that shall not fade.
2±E±
&--•
i
?*z£z=a.x:«tf=il::,
-1-T4:
FR-efc:
'zzzfz:
0 -»
uuuu
-f- ^T f r Cr ° • f 1 r-r— «-r~i- *~r (Pf r ^ f rh pc j^^^: ° •
jil
-0-0-0 ~— 0- -0—
^^^SEp?l^^^^=Ei=Efezf
il
{
FENNELAND.
S]*iritoso. Bold and Loud. No suspension of time at the double bars.
biiyzzzzzzjzizzp^rzp:
8s & 7s. (double.)
7. 0. T.
247
^feP
T-
P
J^
]-•-•
G=G^
9 9
F
_i — i — ^_
-*»—*»-
i^rzz
I £z3:
£
fffe
1. Lo! the Lord Je-ho-vah liv - eth ! He's my rock, I bless his name! He, my God, sal-va-tion giy - eth ; All ye lands, ex- alt his fame.
3. O'er his en - e - mies ex - alt - ed, Great Re - deem - er, see him rise ! Tho' by powers of hell as - sault - ed, God sup - ports him to the skies.
^iiq
&=^=AJ:zz:^z^
fe$-h , — 0—f—f * J— I-* —* W1—-* 1 — ^H~d— I I — —0—f-
T
IZJZIZZKIZl
-0--* — I—*-
fes
:*z
i=a
-.-
; ; j .
§^z:&zpz:pzl#:iz«zz^zl^zzpz:|zpz^z: :
-^-b — k-P — i — P— -i P— ^— B — I 1 — "-i — i
; j . ; 7 ; j ; ; j .
r
^ "
j
4*
K* K*
_2 ?_•_ —r?-- -^T ^~ j — '-
z^z*z*z±*ziz*z:zj^z: zazzaczHZpZz,*
-I — J-i — | — -U— 1 j— * 1 j — *-[-,-+-
r-TTT
fezbzjz:
1
3E5
=:zzfc£z£
zzzpzra:
*— I — I — hr
aSWi
Coro.
*f
q5Z£
5=t
I
^ZZZjZ^EfEZ^^Z^ZqE^eZ^^ZS^ZZ^ZES^fZZE
ifcte
••— •-
:^=£:
-*-•-
0
2. God, Mes - si - ah's cause main -tain- ing, Shall his righteous throne ex-tend : O'er the world the Saviour reign-ing, Earth shall at his footstool bend.
4. Je - sus, hail! enthroned in glo - ry, Therefor - ev - er to a - bide; All the heavenly host a - dore thee, Seat-ed at thy Father's throne.
!*>■"! ^ p* Is
u pa
^ij-PZZZl
zzzEztz^
rs S'7'
f— r— Lrj-
zzl
-0
-O—r
i
3*
£z*z
.
?zi2zz*z=*:
zzzztt
_^»_j.
-*—
3?:
; ; j.
gsilii
BE
-* — *»-
3ZZPZZ1'
^
W=l
— r^rr-* ~ * — -r
I
,*— ^_L
§1
248
GREENVILLE. 8s & 7s. 6 lines.
ROUSSEAU.
»
D. C.
- *zEi:
I
I
m
^m
W11F
zjzzzzjz:»:::^zz:*s
:s>:
1&&
=tF=t=t
str±tdz=±=
:t±
=1=4
£-jt
=t
=t
1. Lead us, Heavenly Father, lead us O'er the world's tern- pest-uous sea; Guard us, guide us, keep us, feed us,
I). C. Still pos - sessing ev - ery bless ing, If our God our Fa - thor be.
For we
=«
MzzM.
have no help but thee ;
M=&L
-j£
o
4=t=
*=GF
ife^^^i^l^g^l^feg^l
2. Spi - rit
Z>. C. Thus pro
of our God de - seending,
vid - cd, pardoned, guid - ed
-(?- -•- -G-
Fill our hearts with heavenly joy.
No -thing shall our peace de - stroy
Love with kind af - fections blending,
Pleasures time can nev - er cloy ;
D. C.
mum
r-r-lT=g
SICILIAN HYMN. 8s & 7s.
(Words adapted to the closing of religious exercises.)
'z0~0
1
:t:±
:[=zzt=±t
IH
^pjiteg^g-ri
1. What of truth we have been hear - ing, Fix, 0 Lord, in
3E
ev - ery heart ; In the
day of thy
t#&m&&m
ap - pear-ing, May we' share thy peo- pie's part.
2. Truth ! how sa - cred is the treasure] Teach us, Lord, its worth to know; Vain the
3. Till we leave this world for - ev - er, May we live be - neath thine eye ; This our
hope, and short the
aim, our sole en
leasure, Which from o
eav-or, Thine to live, and thine to
ther sources flow,
die.
jlJ
EEffi:
0- -0^-0^Tl0^0.T.0^_a.
M
j- j.
D— -cwl
ff=f^^^^=ffr^ffl *..' l I J * I r
E
A— <!>
IIeeIeS^H
Xo Faster than Medium.
b-TT-
GOSHEN. 8s & 7s. * (sabbath evening worship.)
249
*W-
e=
m
V
:H=:
4
lye----*-*.
3
:F
=i
<S> ©- -s> •— &-
l
S^
£=fc
E:
3=t
1 — -
^— d~ M-G
1
3=
© -&-
it
I
J~&-
-©■
-« fii-K —
-
=£
-•
ijj=£=t=t
i-^
1. Lo ! the day of rest de-clin-eth; Gath-erfast the shades of night — May the Sun, that ev - ershin-eth,
2. Soft - ly now the dew is fall - ing ; Peace o'er all the scene is spread ; On his chil-dren meek-ly call - ing,
3. While thine ear of love address-ing, Thus our part-ing hymn we sing ; Fa - ther, give thine eve-ning blessing ; Fold us safe be-neath thy wing.
Fill our souls with heavenly light.
Pu - rer influence God will shed.
I
3
1=^
± J J J J
. J.
1
di
,-H 0-G ^■
ttji^:
4.-1
th£
?zzzw--e—0-P—P-~-
f=t=t=l
--Q-
I
J-J
P—W~V-
t=
jC
JU±
:|— © j- 0~f -^-f-|-©— s»t
J J J — — A-.i'
Mrh-^fa
ff-
r-f — *-*
n
r
i^zzgzqszz?:
:t__L_r_r.
Tr~W~P=ff- ?^=i2Z=:
:z
m
j j j j j
^=a
— s-
^
I
AMAZON. 8s & 7s.
Moderate. Glissando.
Russian Air.
=z%=fc£
ft^=i:
P[-t-1Pt±
-0—0
*=st
s
© — *-
g
»-
R-^-n — Hh — hFj [T -j-I|~~t=
©
=t
s
3
:^:
I
=t
I
1. Light of those, whose dreary dwelling Bor-ders -on the shades of death,
2. Thou, of life and light, Ore - a - tor ! In our deepest dark-ness rise ;
Rise on us, thy - self re - veal - ing, Rise, and chase the clouds be - neath.
Scat-ter all the night of na-ture; Pour the day up- on our eyes.
Ill III
q=t=t
^
LJ LJ ±_j
I
i— rJ
t:
Tjr.
-0-
£
250
MYRTLE. 8s & 7s. *
Medium Time. Flowing Style
ra
Soli
Coro.
From the " Golden Lyre."
spsss
^ L—t>—^ .jjz^r*~r~0 -*-•—+*-•— -*v-L*v«7J-#^ 9^*2? •
Miyji^jjpgg
1. Sa-viour, source of every blessing, Tune my heart to grateful
2. Teach me some me-lo-dious measure, Sung by raptured saints a
lays ; Streams of mercy, nev-er ceasing,
bove ; Fill my soul with sa - cred pleasure,
0.0-
Call for cease - less songs of praise.
While I sing re - deem-ing love.
\
p±*zMi
fRC:
T=t
rf*::?zP
r?
^■j^aJ.^^U^M
P
t=zpH
zp:
pj
ELYAH
3=zfpzpz^|
jjg^s^j
tm
J,J,.„.
Yf3
Allrgretto. Staccato. No suspension of time at the Double Bars
Jr^r—
£b
:e:
±t=z-
^z=f == — -^zsStig :i=S;z :
Gbra /'
— N-
!B2x=phr=£lJ n| j-jf-
1. Hark! what mean those holy voices, Sweetly sounding thro' the skies? Lo! th' angelic host rejoi - ces, Heavenly hallo -hi jahs rise. Heavenly hal - le - lu - jahs rise.
2. Hear them tell the wondrous story. Hear them chant in hymns of joy, - Glory in the highest, glo - ry ! Glory be to God most high ! Glory be to God most high 1"
\
J
T T
l— N fr t ;
> I
mm
:
T+T
±hE±z
:i:
^MuM*
K J. K jW-J-J. J" J J_ ....
*UL&
zfziifXiPK
*:^zz
> ^ ht» T-f*-^.- tP t -h^ d *V — J~nr — it
CEMETERY. 8s & 7s. *
251
Slowly, with Feeling.
1 ^__^_^_1L_^ J 1 1.
mm
'=£
g
^
6*:
:i==£:
3
5=15
izzbz
t
1
zjzzzf?:
=t
0—0-
1
FF-
0—0—0-
§=^iiS=i!^
t±*=i
s>-.
dead
1. One sweet flower has drooped and faded, One sweet in - fant voice has fled, One fair brow the grave has sha-ded, One dear school-mate now is
2. But we feel no thought of sad - ness, For our friend is hap - py now ; She has knelt in soul - felt glad-ness, Where the blessed an - gels bow.
3. She has gone to heaven be - fore us, But she turns and waves her hand, Point-ing to the glo - ries o'er us, In that hap - py spi - rit land.
4. May our foot-steps nev - er fal - ter In the path that she has trod; May wewor-ship at the al - tar Of the great and liv - ing God.
:k±=£
I i:'t~* *,ritf.d j J • £■ ~; J- J LJ-
pzzzz— zzzzzf — _ ,_zzzzjzzzzzz,zz — |Z-,— =jz^z=^^-^r^-=====^=^^^=^=ar=|===^|:
^r=m=
t=H
?szzt=
t~r
IMMUTABILITY. 8s & 7s. *
Medium.
2=lsE-£=zH
k~fr~> ~d- #
=£
*Z3t3tj*L
f=3=
=t
:2zzs:
*zaCzutt:3L=d
=t=t
Jfc*
jtzzdi
i
^EH1
sk±
-±
=t
#- . -0—0—1'- w
i
c*-
=t
*z^:
— +
-e—0-
o-
ESS=B
*-*-
-l-
1
-© Lg,
:8£=;z
P
>^
-S- -0- _ -«-#-^- » -S- -s>- ^ • -S- -&- " w -0
1. The- o-ries, which thousands cherish, Pass like clouds that sweep the sky ; Creeds and dogmas all may per-ish; Truth her
2. From the glorious heavens a-bove her, She has shed her beams a-broad, That the souls who tru-ly love her, May be
1 «-
=t
=J?zfe=±:
L0~0-^-^-
T'T rr f r
-J-^-J—^J— J— J— J-
=t
F_f=
pzlpzpzpz^dqszzjszJzt
i iiii i i
-j— j j.
^zzrzt
rf— d— d—
*z^-
?-f-f-f-
I
f-
. 1 1 1 j ^
P
s
s--#-
•— •
^z:p:
3:
1
ZZpZZtZZjZZT
f: f f r r r
-J- J ..J: J. J,.JV
z^zzd:
?zzzzia
t^ r~r
self can nev - er die.
come the sons of God.
ft-|— . i-T-
z*zzz?z2
■f— r
r
Z2ZZ,C
J-J-r^
f
J
ZS1
"?_T
J— J-
3l
zazze:
iiszziz;
252
INDUS. 8s & 7s. (double.;
V. 0. T.
Motlerato. Aflfctiioso. (Lamcntevole.)
/
IS"<
f
-0—0—0-
V — *» — ^—L-0» — *»-
V=W
:t=t
<©— ®-
** — & — i-
(For Funeral occasions.)
-S> — 0—0-
£
-<* — *-
IDE
f=f£
J
-0-
:3E
<>
-=zz Sing the Js Staccato.
S£ _L_^__«I — 0— 0-1.0— 0 0 — ■_ W—0——a,-±-^S — 0 #— *-
<>
-0—r-9-
zpzmr^zzpzzzj
^itZ^Z^zJzlza*
^=^
:=£l
:£=£
^t
1. Cease, ye mourners, cease to languish O'er the grave of those you love ; Pain, and death, and night, and an - guish, En-tcr not the world a - bove.
3. Light and peace at once de - riv - ing From the hand of God most high, In hk glo - rious presence liv - ing, They shall nev - er — nev - er die.
£fc
f—O --0—0
?§zz^z**t:zs
3§e£
zz&z
f
SS
r
tzBzt
=£:
-f-r
5
-0-
-f—
H
:js=£
-f--0-
'X M J
-*—f—-f—?— i
itf^n<.;j;..£
iifzizjiz^i^i^z^z^zzt
±±
Bzp:zz*z^z*zto:zpzzpEI : _ Iz=p-|=p=p= :
f — l 1 — i — i — W — I — I 1 — \~0~0-e^—0-\-0—0 — i — ■-! — i — •■
J
^/ j
J
J-
f-^f-f
HP
vi/ *»
r
r
_^_i
:s:z|zz£zt
*z:*:
Lii
* ** </
\1/
-0-JL—0 0 •"
-1 — FVtr
SE
IS.
zt=£zjs=p*
qz-zzir.zpTqzzq^qrzq^pzqz— =z=
^nzpzLW-
S
ipzzp:
i
Ifeb:
-i«* — n»-
t*»— K»-
-I —
-*" — ^—
Soli.
Tutti.
Rail
«3*
iziz^ziizt
zz-z1zzz:zizizqzzz^z^:q^Tlzqzqz-zq^=I
BzIzzMf: gzz^zz^pzgz^zzLgz:^
=£=i
2. While our si - lent steps are straying, Lonely, through night's dcep'ning shade, Glory's brightest beams are play -ing Round th' im-mor - tal spirit's head.
4. Endless pleasure, pain ex - clud- ing, Sickness there no more can come; There, no fear of woe in- trud-ing, Sheds o'er heaven a moment's gloom.
ttez^z
:!zb:
£=e=fc{±
^3ES
-^-z^tH M^^r*v3-J-— £-£t-\ ^-zszj^izd-iz-
z^dzHzz^z^^-zzzzz:iz?z:^Jzz^z-jzzJzHzTft
-J- JL h • , : .? hL J- ^ r ,
£~-E-JL£
^zzjzrpz^:
*
J j
HI
— *-- S»-
iZZ^E^
1
MOULTRIE. 8s & 7s. (double.) *
253
Quite Lively.
Theme in Upper Score not wholly Original.
/
srzfc
&b- ■*— g--r-a +
-e — s-
r i l=
*$
W--e~0-
I
?-•-*
© 45-
9-fe &-X-S f5- +^IiZ(»:^
f^F^
^g|^l=£
;i.
0*-*ZT&—&
ziza:
i
Sfcj£
a
^— s*-
z> — ar»
3
1^
1. Glorious things of thee are spok-en, Zi - on, ci - ty of our God ; He whose word can ne'er be brok - en Chose thee for his own a - bode.
3. On the Kock of a - ges founded, What can shake her sure re -pose? With sal-vation's wall sur - rounded, She can smile at all her foes.
BE
-f—t-x?-
=&±f*=ZT±Z
f rr r f
'-d-^FW^f-t-
~4--f
- _tf_f.
i=t
-H —
I P Tr r P
J J J J J
s>-
r
r_j_.
a©-
■r
i
^p
jii,
s
-«*--r
r rr
=t
H
I
F
I — r
<S— re5-
i
j. J>, jljL J.j
I — h-
pup
2. Lord, thy church is still thy dwelling, Still is precious in thy sight, Ju - dah's temple far ex - celling. Beaming with the goa - pel's light.
4. See, the streams of liv - ing wa-ters, Springing from e - ter - nal love, Well sup -ply her sons and daughters, And all fear of waut re - move.
J_l_I I- ' , - i - 1 1 i i i -
2ZZT2IZ3:
=*
=t
— i—
aE
^-b^?'
■© — ©-
i
bz
*— ^
J J_J i^J_J -Ji^jij
g^^^Eg
»F
1— 1-
©
It
iH
254:
Rather Slowly
nfejizzzzz
ERITH. 8s&7s. (double.)
^
i3
».
P
Arranged from the Spanish.
-Q-. 11 1 Nr
. ff _=_--- Dim.
ff
i— =qs: :=|zzz«zzzj:z
1. Sa-viour, source of ev-eiy blessing, Tune my heart to grateful lays ; Streams of mer-cy, nev - er ceas - ing, Call for ceaseless songs of praise.
3. Thou didst seek me when a stran-ger, "Wandering from the fold of God ; Thou, to save my soul from dan - ger, Didst re - deem me with thy blood.
i p* J U_|— #4- r^-£i— h ^A i>H ,
i
r -;
j .; j.j
-a— r— P
j j j j j
-4-
I —
^E±E
f— BrT
-|-
r
s
3 ..1 » i.
— *---m-
r
t
^_i
zzzzzzt
S5_=i=p:
r< 3.
EZZEEZf:
P*
:t=±!
:izzpz£*
7np
t=£
-•— s—
to/
=f=f=t=±f=F
ee!
:*zz?
/
ztzzz§ESzzz j=^gzzz]z|-z:?; :
=f
3
^_^-L^_d_
d:
2. Teach me some me - lo - dious mea-sure, Sung by rap-tured saints a - bove ; Fill my soul with sa - cred plea-sure, While I sing re - deem-ing love.
4. Bv thy hand re - stored, de - fend-ed, Safe thro' life, thus far, I'm come; Safe, O Lord, when life is end - ed, Bring me to my heavenly home.
IS I I ^ ^ '~ - 3 . i I
S i* i ' i v* ■ i ■ O • t ■ r%*- • i ^ a J | | |S
_-|— ^-J—^J-J P-rG I I M— «M— J rr-f-2! 1 M f>H n *~ "J— *T
^fe_Z.
; J -J-J J . j
J
-r~£
:t=:
J ..Jl J J J- ^- 4*+ J . J J__J J J J
zzfr=^r-==t=
^Z±ZZ=gzl|t±fziizZ!
I 1-
:^f=SEfezz5
ztzzztd
h
Lr
i — h-
-<s> — e-
l_j-
£
V
— -O-
I
^ > ' i I »* I I ' I I '
* In the "Golden Lyre" we attempted to bring this tune more within the range of ordinary Treble voices by transposing it to A flat, and by giving portions of the Melody to the lower parts. But
it loses so much of its characteristic life and buoyancy, that we again restore it to its former key, as found m the "Sacred Minstrel "
Varied, from Medinm to Allegretto. fl>
Z I 0 N. 8s, 7s & 4.
*ztz^±
T»-iTj!?74
THOMAS HASTINGS
By Permission.
*> *
35
¥5?:
■»—0-
m-H-^h^*
>
^^gxCT^g^l£^^fenEg^
Cora.
.zzszsx _i :
: J 0 — 0-^0— Lft^-^-^ZTZ^JZ
1 j On the mountain's top appearing, Lo ! the sacred herald stands ! |
' ) Welcome news to Zi-on bear-ing, Zi - on long in hostile lands. \ Mourning captive ! God himself shall loose thy bands, Mourning captive ! God himself shall loose, die.
Q ( Lo ! thy sun is risen in glo-ry ! God himself appears thy friend ; )
" I All thy foes shall flee before thee; Here their boasted triumphs end. ) Great deliverance Zion's King will surely send, Great deliverance Zion's King will surely send.
is C i iN -*- -»~ -*~ i* £ " I* 15 ii is C i Is
IBEa
;./ j j jV
t±t
pzijtzjczimTw:
tzzipzpzpz :tz£z|zzz=: sziiz^zSz :p=^zpz Jlpzgzpz^
With Life.
r
WILMANTIC. 8s, 7s & 4.
j J./ J J /./ j'j m J J ;
^zjz»z^zfpz^z:fzJzitz^zt=ipzEi;
Melody by ROSSINI.
\
*=ftz£
^zrzzrrzzzsxzlzzjiizpzcri
^ Close.
:**:
-©-
i
D. C.
:£z#:§rzzzr:
&z2z:
-r-— L-«'-L#v*—J-*-*-J-«l-«|-1-» ^-.-•-L«V-«|— Lp * L0-*-0— 0-1-0 0—L^-~^—i~0 '-■ ■-* U~LW 'm d
1. May the glorious day of promise Come, and spread its cheer -ful ray, When the scattered sheep of Is - rael Shall no long - er go a
When ho-sannas, When ho-san-nas, With u - ni - ted voice they cry. , ^ ^
stray ;
^=*^-
*±=f=i=t±
5
=Bd=£ddqd=±|=*5
r
p=*
j
J-^-T^
*i£fc*=*
rj_j
fitj4
r l^t r «r r r
r-r
zzz>±^pfct
zlzr^ziszT^zzJzzhTjz:;
*=*£tt
**
H
*,-T% f '
±*Q&&S
S, *:■:* J-:T ,W- KIT.* M^IJ I .^.,£4-U*J
*#
fcfc
f=F
ifi
=£
g
#z:p:
izzfcd^ztpzpdfc
i
£*
-•-'-0-
D. C.
P
1
256
K E L S E Y.
Variable Movement; from Medium to Quite Fast.
8s, 7s & 4s.
V. 0. T;
-b^r
Jizzi~az:*zsdi*.
1
0^
fe=53F
/
4-b-
s~»-B-r
~-P*je*ie:
mf
b—b — P=P=
E^"f .1 1 -
■&Z3T.
£
-e —
m
5*±£
-±-a
=nq:
^T*^
-ig^^.
0^90
3^
"T~t
j- ©-
t*— d-
e^s
Ores.
+-«-
0-9
tefzM
*»P
=T=t
ra/
b-b-q-
I
1. May the glorious day of promise Come, and spread its cheerful ray, When the seat-tered sheep of Is
2. p Lord ! how long wilt thou be angiy ? Shall thy wrath for ev-er burn? Rise ! re-deem thine an - cient peo
fcb
MJ^m^m
__!!1«._J!WJ£_
•id:*:*
Hizdzti
=L££
f^ i' i
-4-
idzzzd:
=t
±
?z*:
=t
:e:z5zd
1
rael Shall no long - er go astray ;
pie ; Their transgressions from them turn.
n
J
fe
bzzt?z:pr:^z:pi:±tr
I
J.J J.-J--^7Tj
^_J_J_J-Tl.zzzz::lj_
.-•1 "fczre [^izpr^ijKtgzjs:
t±
3ZCCI
i -J- -J-
4- £? B—r
±JCzfzzz
^zzp:
i-
t.J. lj.
©-r<2
J J
zzztz:Izzzzz2L
\x~
=p
n
_ / ' '
p,bZ-ZZ*ZZ^3EE3E3=p|i^zizZiEZ^E
kbzzdz
,J=J:
Slowly.
BRAHAM. 8s, 7s & 4s. . *
Arranged from BHAHAM.
m£\nrm§EM
lp=Ft=t±
When ho-san-naa,When hosan-nas With u - nit-ed voice they cry.
King of Is -rael, King of Is -rael Come, and set thy peo -pie free.
jzz^z&iJ^^ziz^^jT^Jtr-
^e-rY-t
ZJEELd
fc?=;
z—=t*z*:i*z
=&=
^z±tcz
•*i*
PI
xSbZu
-*- -«- ^ »#- -«- -*-*-l — l*-#-
1. Guide me, 0 thou great Je-ho-vah, Pilgrim thro' this bar-ren land; I am weak, but
2. 0 - pen now the crystal fountain, Whence the healing streams do flow ; Let the fie - ry
r
zx-^xQ-
___L ^ _J *
l-H?^
■^m^gmm&m^mz^
iE^H^
pzzzp:
^=
BRAHAM. (concluded.)
257
I
pzpztpZ^R
4-
• — +-.
t=n
U — b
Coro.
F
^
feS
l**st
JSfei^l
•itiis<
thou art mighty; Hold me with thy power -ful hand: Hold me with thy powerful hand : Bread of heaven, Bread of heaven, Feed me till I want no more,
cloud-y pil-lar Lead me all my jour - ney through, Lead me all my journey through: Strong De-liverer, Strong De-liverer, Be thou still my strength and shield.
I
£
SHJgsp*:
t i J i i i-r I .- f f
H^l
»%•-
t— r
r
h
Majestic. Not too Slow
III
SUFFOLK. 8s, 7s & 4s.
fe^
a
=t:;
zzfcs:
;«/
F
=t
>=!
:p=p:
»?/
e^s
*=5
f1
:£=ifc£z:ffz
:=Ml
*z:e<
pzzp:
S
*Zj£
ri
?=*:
£
/
#
^-J=j^
=1:
=t
*=*:
=t
-l Lo! he comes, with clouds de-scend-ing, Once for fa - vored sin - ners slain!)
° | Thou-sand thou-sand saints at - tend - ing, Swell the tri-umphof his train: \ Hal-le - lu - jah ! Hal - le - lu - jah! Jesus comes — and comes to reign.
&-
fcabrjt
r r
j j j
•—•-: =«E :r=tJzz=? -•— *zBzzj- 3=zfc*Ez
f
T«— *— ^
4^4- -I
*IZ*
-4— pa.
atzizi
r-rx-^r
=W:
f-=-"-f-f-1f-
-p-
(Chime — 1?)
EEe:
i
n
P
*F=f
r-q
••— #•
sps:
£
E
1
i— f-U-»
l=
pi
258
Slightly Faster than Medium, only
CAZENOVIA. 8s, 7s & 4s.
V. 0. T.
5^
«f
-Q—
f
f • P (g-
^
4=:
m
E
t=*t=t=
*
s
&£
=c
=t
=4
m
*-*-
4 . 4 O £
1. Lo! he com- eth : countless trumpets Wake to life the slumbering dead ; 'Mid ten thou - sand saints and an - gels See their great, ex - alt- ed Head ;
IN * <"~s3 •— n I 113 1
i
fef— •-r^-o— g-
T 7 r r r - ■ ■ r f
e^
^
r r
m
=t
=t
ft • r
£=£
r^r
±t=c=t
1=
i
t=f
g--#
r f f, rj .i-ii'i
I
«t
i
:p
a
/
-#-g — g-
E
i
^
l«l ending-
isdpis;
-g — g
B
g|
-+g--
(In singing the 2d ending, omit last two notes of the 1st.)
-JM iTl—fi
&==
tizzMzzt.
1U
i
*z*
=3
^:
rTg W^-9\o g ;
:s£±
mil
Hal- le- lu - jah ! Hal - le - lu - jah ! Welcome, welcome, Son of God, Welcome, welcome, Son of God,
-id- dW »— py — 14— n- — ^-dq:^
H=3zffr3B^
f ' / f r f v f r
zzzfzzt
of God.
'-SO ending*
-J-JZ--
J J
-©- J-
2fc:i?rzj
fzr±_^_
IS
:=F-£^=F#-l,-L-t=E=!;^=^^t—
at*
J^J^PfHll
2.
Full of joyful expectation,
Saints behold the Judge appear ;
Truth and justice go before him ;
Now the joyful sentence hear :
Hallelujah !
Welcome, welcome, Judge divine.
3.
" Come, ye blessed of my Father ;
Enter into life and joy ;
Banish all your fears and sorrows •
Endless praiBe be your employ .
Hallelujah I
Welcome, welcome to the skios.
Slowly and Heavy.
ENFIELD. 8s, 7s & 4s.
(Or may be used for 8s and 7 s, 6 lines.)
Subject from CHEETHAM.
259
3B3-
t*=±
e — g
3t
=»
?~ti—d-
I
j&.
1. Lo! lie come8, with clouds descending, Once for favored sinners slain! Thousand thousand saints at -tending, Swell the triumph of his train
I
t
i ii
F
S h
I
2— *■
-I-
3
IS
g—g- -A—,
G—Q-^—S
■e—e~
-«-
-^
s*^
F
G—G-
i
— ©-
-^=v-
:F
rr
1
— .- — 0
G—G—V-G ^:=
zqE
4:
1
BOYDEN. 8s, 7s & 4s. *
-z*zxi
%
^=X
Medium.
2t2±
I
G--G--G — G--G
I
:&:
?*=
Hal - le - lu - jah ! Halle - lu - jah ! Je - sus comes, and comes to reign.
:-:
■a — g-
rr
■pr-p-
T
i—r
w-
■m
-G—G-
:«=±t=r:
G—G-
■G—G-
I
G—G-
•5>— <9-
~g~~T
-©-
£_#_£_*:
1 — t — i — I —
1
i— H—
^=^
l
1. Come, ye sin - ners, poor and wretched, Come, in mercy's gracious hour,
Z&
—I-
£=£=?:
r
4=4
+G
G-
t— i — i — tf-f-p-FV-f-^-
i — t~h
^— §— g — #— g
±£
=±=tt=t=
zazipzip:
-\~G- '-0—G--0:T^
1
IcEEHEE
t:
£— P-P=E
-© — #-
t=
=t
I
pzzgz^z:
?:iizstz£d
g
Je - sus rea - dy stands to save you, Full of pit - y, love, and power 1 He is a - ble, He is a - ble.
-0 — G-
-G—
T
t
He is will - ing — doubt no more.
^ w' ' Soli. -P~ ' Com) ^— ' ^
=t=1=«
b a m'-d-nt
-0—G-
m
-0—G-
=t
=t
I
I
=t
t=*:
©-^
£P
260
\
Slightly Faster than Medium.
BRINKRIFF. 8s, 7s & 4s. *
> «
-&r>-_2¥
1. O'er the realms of pa - gan darkness Let the eye of pit - y gaze ; See the kindreds of the peo - pie Lost in sin's be - wildering maze ;
2. Light of them that sit in dark-ness, Rise and shine ; thy blessings bring : Light to light-en all the Gen - tiles, Rise with heal - ing in thy -wing :
&
*=f:
y-pz
:£
i
=e=j=i
3.
Mny the heathen, now adoring
Idol gods of wood and stone,
Come, and, worshipping before him,
Serve the living God alone :
Let thy glory
fill the earth as floods the sea
4.
Thou, to whom all power is given,
Speak the word ; at thy command,
Let the company of heralds
Spread thy name from laud to land ;
Lord, be with them,
Alway, to the end of time.
With Feeling, and not too Slow.
LACONIA. 8s, 7s&4s.
(The Missionary's Farewell.)
V. 0. T.
August 11th, 1853
261
--%-
HH
I
:=^:^=e
1
*±t
#- J- -I g-u.
CTZ^z:
^^
I
3
=t
W£
©—•--©—
istst
1. Yes,
2. Home,
3. Scenes
my na - tive
thy joys are
of sa - cred
land, I
pass - ing
peace and
love thee
love - ly-
pleas - ure,
All thy scenes, I love them veil : Friends, con -nee - tions, hap- py country, Can I bid
Joys no stran-ger heart can tell: Hap- py home, in - deed I love thee: Can I, can
Ho - ly days and Sab - bath bell, Rich - est, bright - est, sweet - est treasure, Can I say
you
I
=£=;
**:
I
±
?zst^z
-0-
I
:*:
to=i=^
I
i
I
all fare - well ? Can I leave you, Can I leave you, Far in hea - then lands to dwell ?
say, " Fare-well ?" Can I leave thee, Can I leave thee, Far in hea - theu lands to dwell ?
last fare - well ? Can I leave you, Can I leave you, Far in hea - then lands to dwell ?
=*=
mt
*m.
:?mmz
-4-+
3fe
-4-4
3Pt
*:
^EEEE
13
1
-^ ^ — J — --J — J — J-
221-
±5
"g~~
Wo
^-r-r
-r
j
-j— T
i
I
4. Yes, I hasten from you gladly —
From the scenes I loved so well :
Far away, ye billows, bear me :
Lovely, native land, farewell:
Pleased I leave thee,
Far in heathen lands to dwell.
5. In the deserts let me labor ;
On the mountains let me tell
How he died — the blessed Saviour —
To redeem a world from hell :
Let me hasten,
Far in heathen lands to dwell.
6. Bear me on, thou restless ocean;
Let the winds my canvass swell :
Heaves my heart with warm emotion
While I g" Far hence to dwell;
Glad I bid thee,
Native land, farewell, farewell.
262
Rather Fast.
3B
if=fc
g
HUBEKT. 8s, 7s & 4s. *
EEzzzlESE
? — |-gy-»— f» —
4
ELfe=«
=t
1
1. An -gels, from the realms of glo - ry, Wing your flight o'er all the earth; Ye, who sang ere - a - tion's sto - ry, Now pro-claim Mes - si - ah's birth :
SizR
J ^ |_|_k
4=d=
-I— U-J-
-1— d — bed
*zz*zz*zizzz2
=1:
zzPzfezz^zzPzzj^zzgzlzj— jzBz=^=g=jzfs--3^zz^zIg=^=i=^
f rf r i i i i
lei
-+
i
■S-r-0-
^
r^~r*~
=1
'ill
i
:2zz*z±*zz*
zjzzzjzqp^zz?:
z*=2fc|zt=|:
P— P— p:
*zzgzz£zza>zz*:
=j=t
stzsl:
I
=*f
-• — »
=t
zzxzr
0-0-9—0-
0-0-9—9
m
4
22=?s=^=*d::
i
Come and worship, Come and worship — Worship Christ, the new-born King.
f— »
~p~r " f1
^
g33EzffizzE^EEz^^^3zEfE
z'z'zfz^ztiz^zgzzizE^zzzH^^^zzipzt^zE
— c
•«9-
r
vigz^zpiz^:
-o—&-
. -zqzzqzr^;*
znzh^zPt
»-# — - CP-
■h-
l£
i
33;
-PP1©-?,-^!©-
Slowly.
CALABRIA. 8s, 7s & 4s. *
Bzlfed
=M
£
—dr-d—ij—i)
±
I
slzzst
IE
1. Day of Judgment, day of won-ders ! Hark 1 the trum-pet's aw - ful sound-
^SS
itb±|l:
f
-©- r
st:
m
42 , ei
Q S-
n
zsd
£©
^
^zbzE^zz:
z^zfazigzzd-h-
T*
S
■x
iH
£=fe=s=d=d-
dz±
-j:
5>zzp
3
o — &-
t:
3=F
:p
1
=1:
.g_^zJzzjzzg:
rt
: 3L.-©.
HI
Loud-er than a thou - 6and thun-ders, Shakes the vast ere - a - tion round: How the summons, How the summons Will the sin-ner's heart con - found.
iziP
ISLZISr
r
£ZZj2I
r-^zzg-ig— J-rJ. taJ
i—l— "t-i-
jz-zz^i?zz3zT^^zT3z:pSzz9zT
J :pzzs2db=^zfe=-zp: z^zitzzzzzzt
a_, ,__!, — ^|_^pti_c=i_l9_T
zj — jJj — ^MP 1- -3— o-
:<£=£
Q-^-Q 0-±9-
I !
9— rS-
r
P
"r
J-e— <=-
PS
9—9
I^^SP^^^^^^^^^^
3^
zjzzzj:
:at
izzz^zz
£
With Feeling.
RUTLAND. 8s, 7s & 4s. *
Theme from J. P. H.
263
/
*£
Sb?.
:t=
-#- 0
i
t=
il
s>
I
-# - --©
1
=t
=t
•z*:
1. Chil-dren, hear the melt-ing sto - ry
2. Yield no more to sin and fol - ly,
1
z:
=3=3
i
«—
3
^EgE=14=jz=^=zzrzz^EE
r-t£±zz±?zzzzzCz
i f f f 1
fcjf
E±i»
l
Of the Lamb that once was slain ; 'Tis the Lord of Hfe and glo - ry, Shall he plead with you in vain?
So dis - pleas-ing in his sight: Je - sus loves the pure and ho - ly; They a - lone are his de -light;
I 1 1-
1:
&
if:
4=
«=
1 1
1
i
f Tf
.1 . j -J-
-«r-
-f— as.
I
o-
=F
:*:
f=t
J J J
I
r r r
J. -_j_ j j_ J. _j. 4
-l~T» J , J .-I-T-I— j , h- r
_^-
.J J J
f"
J J
pzzpf:
W=W=W=W-
*=-
I
r
1=^
zl
lB=?=
\
— #-
-• — m-
ti
I
5L-ZJ*
Hi
iH
4=
??i
7)1
m/
:t
I
izj:
=t=:
I
=£
=t
^zzd:
-L-©
i
=£
:--1:
*—*—*
BEzSE3
t*zz*zz*zz*
1
Shall he plead with you in vain ? O, re - ceive him, O, re - ceive him, And sal - va - tion now ob - tain, And sal - va - tion now ob - tain.
They a - lone are his de - light; Seek his fa - vor, Seek his fa - vor, And your hearts to him u - nite, And your hearts to him u - nite.
j£
d=*F
tt
^ztz=t=p=p::±f
J. 1 1 1 1
■~d — °*
g — r
-i — i-
M^f-f
i
J=i
-4
i==tz
:F
jz*zz?zz*zz^
t£zzpzzpzt:
4:
M-
J- J-
-j-
_j_ >_
J J J J
n
m-
^e
I
p=ls=tp=|=±1=,
-I — h-
»=p:
r
m
*-j — | m — 0-
1 — I-
F
264
TILLERY. H. M.
*
If in Two-half time. Slow. If in Four-quarter time. Fast.
Arranged from G. D. H.
SHE3E
:i=*EtW=fc
m
*=W-
j— f=
BE
7*
7=X=E%
jtZ*~*L
=F
1 L# — ^ —
=1
BE
-b
z23E
fzfa
!3^=i§EiiS=^
lizzi:
-t~ 1=
■ — j — ^ — j— • — — ■-
*zi
S>- ~9- -9- -9- -9- -&-
1. Ye tribes of Ad - am, join
2. The shin - ing worlds a - bove
With heaven, and earth, and seas,
In glorious or - der stand,
And of - fer notes di - vine
Or in swift cour - ses move
%
»
J — U
zsLatzafc
zzz^fezSf
-*- r r r "^
r
To your Ore - a - tor's praise.
By his su - preme command.
J- J- J.
j:
-j- J-
j-
-h-
W-
^~
Zt=
— a s_i
g3
-J^-
15.
=t=3
i-u
t-
^=*
s
-b-P=
t==t:
t=tzt=zt=:
4=
iz*:
3=
:pz^:
:^z=f:z±z~=£zj
=1
i=±
t=t=
tt
I' — ■.
^=-'W-9-
t=
:=l=q
£
:i
~i
ZJI
*==?
zzzzzzzgzz'z^ziz^zzzi^z^zziihi^zzlj 4zzz=*zi::*zz*zzn'— z:*:
zd:
I
Ye ho - ly throng Of an - gels bright, In worlds of light Be - gin the song, la worlds of light Be - gin the song.
He spake the word, And all their frame From noth - ing came, To praise the Lord, From uoth - ing came, To praise the Lord.
-i i . ! J r^-rri~i~J-j-.--)-4-
— 0-
- f ' f:
-J- J.
■t=f
J- J-
=r-d-
f—f P-
f— r— f-
e
zz"z*z±:*zz*
=£
— |-
j*Z?
3:S=Szbi
-^f— r
II
-*.
•'.
6
£
ipzzzpzzzp;
- _g_zs —p- ' J J_ _ z j :j,_j #z>
f-*-t-
J-J
i£t:
H
ZERNO. H. M.
Medium.
V. C. T.
265
as
i*=t
r±
s
Zfcl
E
2t=::id^Bz
TX
£^
stz
£
i5
m
*=±S=at
1. To God I lift mine eyes, From him is
2. My feet shall nev - er slide, And fall in
-r4 ►
±
^Efa:
=t=
=*e
all my aid; The God that built the
fa - tal snares, Since God, my guard and
skies, And earth and
guide, De - fends me
na - ture made :
from my fears.
-i P4-
=1:
g
s>-
J J J
=3
333
r r r' r
— — #s'-
-5-
4
-©
=£=f=tz*
-::
=t
fl
— i-
r f
^rn^
f
-/© r
=fl
t.
£zbl£z:
P.
Jj J-TJ J— TJ
:p2=zez:
Jzzzzpz:
§
I2ZZT
3EC
:l
t
fS~r~f~
(
O
*:
zt?:
zz±iz±*fc*z^zjz
God is the tower To which I
Those wakeful eyes, That nev - er
fly : His grace
sleep, Shall Is
is nigh
rael keep
In ev - ery hour, His grace
When dan - gers rise, Shall Is
»Z~.
is nigh
rael keep
*
:J^
-t~\
:£:"
1
stz—3ti :fczor azzHz
fzzzc'
tfcJ-4-
c_
f-r
-1-
*£i2:
^#:
3t
-S-T©
If
E
J . J
z#_*
In ev - ery hour.
When dangers rise.
J ,J- Uj-,-
*=p
2z=alz±?-
I
%=
*zpz^z£
1 — I — h
-^-J-
J-
H
266
JUL LI EN. H. M.
V. C T.
Rather Fast.
£zb:
fc*i=»z^feB
/'
F
**=&
IE*
=±
i
W—W—W:
t~
~r
-€hr
D
un.
-09-0-
^=t=d:
»-#jh
■— # — • — 9 — dr—m
tj
£
35
-0- -st-. - 7 ... .
1. Wei - come, de - light - ful morn ! Thou day of sa - cred rest ; I hail thy kind re - turn ; Lord, make these ino-ments blest I
2. Now may the King de - scend, And fill his throne of grace ; Thy scep-tre, Lord, ex - tend, While saints ad - dress thy face :
3. De - scend, ce - les - tial Dove, With all thy quickening powers Dis - close a Sa-viour's love, And bless these sa - cred hours.
i . rt
gSafea
/
r^-f-y
m
J
§bhz3t
=*!zfc£
S=E
r
=t=:
J J J J J
^=^==^=»^
j
_J_ J. J. J_ JL
t=B=fc££
IE?
pzz^:
4=
.J. J.
r
-J- j
-©-
EE
^T-j^
f=F
53
1
-•— •-
£=»*
-0-
/
:p:
--©-
-»— 1-0— m— 0-
JJi7n.
ri
«
:*:i
I
fcfc^:
£:
From low de
Let sin - nets
Then shall my
tSEp
-©_—
z±
T±ZZ2fct*z!
s
33B
•- #
*:*:
a ,j — I _« 1
lights, and mor - tal
feel thy quick - enin
soul new life ob
toys, I soar to reach im - mor
word, And learn to know and fear
tain, Nor Sabbaths be in - dulged
tal joys, I soar to reach im - mor - tal joys,
the Lord, And learn to know and fear the Lord,
in vain, Nor Sabbaths be iu-dulged in vain.
/
PALMER. H. M. *
Lofty and Majestic.
From the "Minstrel."
267
*?=!=:
*=f
=1
Iih3=5:
E
^=1:
jtzzMi
e--
E
E
E
=1:
j*=j£
-i— r#-
=N^
^gSzt
1. To spend one sa - cred day, Where God and saints a - bide, Af-fords di - vi - ner joy Than thousand days beside : Where God re - sorts, I love it more
.J-.-l- J,Jt^,^j:j-J f-rd l-M-H l-J-rd-4-r-1
*£
=?^=q:: =p= , — p qzE
r r -d- r r
3
!=t
^3=
m
zIV
/'
i— r-
i^zzp:
f"
r
j=j#^ffl
#
i — r
— 1 1 1 — e»-
— F-J— I 9 V- F-
I I I
--©-
■^-^Htip:
-*fr
m
^f
*r
•S--
It
i— #— -I — l-^f
:*=<£
S^
£±E»:
F
& O-- -Q-^jr
LENOX. H. M.
s:
rpr::
— ©-
:*
To keep the door Thau shine in
courts.
?*=f
-• — 0-
mf
1 — rr
=F
1-
-o-
1 — r\-
,£±zs2^_bz
:#:
I
gzEJJl
Allegretto. Staccato
EDSON.
pazzt
^=£=J
&=fe
=£;
0-JE
:f=f=TJ^F
1. Te tribes of Ad - am, join With heav'n, and earth, and seas, And of- fer notes di - vine
sb-
T=^i:
J
=fc
IT
j—0-
-i m-
:i=*=*zz*z
r
^zzp:
*zfa2=i
'-t)-
*
5oH*^ *-**
£
t
-0~
rF
— =u=
fife
fc=£
=tt
-T-
zf
:£=£=£=£
*—*—*-
:tzzt=zt
r:
£=£
:p:
I
To your Cre - a - tor's praise. Te ho - ly throng Of an - gels bright, Te ho - ly throng Of an - gels bright, In worlds of light Be - gin the 6ong.
-PvJ5— >— £— i*,-i . . I- Is r» — T ^ >. - N-fi~fi--g— Er-p»— p»— (> — t^. .. .. ps4
-■M-
=tsri
IP
^
ttsf
Soli)
P *» »*
9
* + * Com,
:&
F^Trnrrp^^F^
£=&
-t
J:
SEB
ng
268
S T. P H I L I P S. H. M.
(
Slowly.
Vt±
=h
tctttrid
\z*z ~&*~?1~ ~?
i*
LEVESQUE.
_A~ M-M—n s ft
t=x=.
r
1. Great Fa - ther of man - kind, We bless that wondrous grace Which could for Gentiles find With - in thy courts a place ; How kind the
HAWTHORNE. H. M.
W^
■**%*
J
S. G. S.
EB
-j—
s
care Our God dis - plays, For us to raise A house of prayer.
?£±
=t
t=t
III!
^EE*
t-
:t=fct=
UUS
3
s
L L I
I
lillililgll
1 — ->« — i
— 0 —m-f—.
i=±
:^—
I;
fcafcS
=»
:*_*=*:
idELsL
^^
F*^
Wf
1. Come, ye who love the Lord, And feel his quickening power,
~J hn-1 1 1-
&— L-0 — • 0-
BE
-i — I — M —
a****
r
r
I
ES
=t
3EE*=E
t=f=w=t
IS *:
D - nite, with one ac-cord, His good-ness to a-dore: To heaven and earth a- loud pro - claim Your great Re - deerner's glo - rious name
\
£zg=:
-a-
*
mm
-_0_ 0 0 1--G-
2<Z±
=1:
«jn^_^_^_^_
-J — l
iE^E'E^:
«»
rrrr
vjd
d=±
33
st
t=t=t:
i i
£>=2:
.
Affetuoss.
CANTINE. H. M. *
Arraneed from H. RUSSELL.
269
02^=^
=5=nF — F—
s
3=^
o
-P-
fet^
js-f.
3}
P-.W
T
■fgag
£-P-
J-P- -(s|#«- |»-P
W
s
il
s
(=--©-
=t
■#■•*■•*■
Bf
-©— -
=t
I
4=*:
«~5*
I
g-Si
g
O-Cr
B
«-©—
O—G-
Sfeg
TIT * * ^
1. Where is my Saviour now, Whose smiles I once possessed? Till he re - turn, I bow, By heaviest grief oppressed : My days of happiness are gone, And I am left to weep a-lone.
2. Where can the mourner go, And tell his tale of grief ? Ah ! who can soothe his wo, And give him sweet relief? Earth cannot heal the wounded breast,Or give the troubled sinner rest.
1 \h-\-
K^
sfcfe.
P-3-
JS
f
-2-*-
kt
=£*
"p— p-
&2
I ^
.!*_
1— r*-
:**:
S
-*•-
■\^-x*'.w-r»—t-f- -&~*r -±-*-^r -&—&*. f-i-©— «^H— J I)sA-s-e>--\ s>—eo
I I
:p_fs:
4
?3E
1 — 1-
1 '
I I !
1 i 1 i 1
O fit -G- -*- -*-
Bt
EE
o
t
:3E£
^-r
I I, il
'9-^g-
F=|=
-*- -gr-UjJ- |j^ -s>-
->
CTf
ff*
:s-P-
a
g§
Medium, only, majestic.
LAMOIN. H. M.
V. C. T.
-?=m
EE
p P p
iim
t^jF1 -r-»-#— #— *— -<— | h— "-c
33a
^^
2=P"
S£
35
* *-0p
&--&--
:i:
S-
BE
-^*
33
-•— *
S
* — 0 — 0 — *-
5
Pggg
-» » a — '-*-\-m * tf — *-|-s>— 0-^-f— — -\*-
1. Te boundless realms of joy, Exalt your Maker's name : His praise your songs employ Above the starry frame : Your voices raise, Te cherubim, And seraphim, To sing his praise.
2. Let all adore the Lord, And praise his holy name, By whose almighty word They all from nothing came ; And all shall last, From changes free ; His firm decree Stands ever fast.
/
I I I
-4- -*- -4- -+- -o-.
(W0— • # — # — -J- -G> r3-*- -f — tf--* — P~ -±r ~* — * — * —*—*- *— l -* — * — • - -* ' -0 > — M
j?JL-4
*=*^=W:
f -a
-r- 1 — 1 F^f—i — 1 — ^:x-f,~'l"^
J J i 1
P-P-
r~r^r=fL
±r
U J
ss^fa
^—W^^—P-
4-4-.
1 J 0 . -J) •£ J i> ^ '■ 1 ^ l> 1 J J
1 —
r^^F
?
:e
■p-i-
r
I
270
FROSS. H. M.
But sliglitly Faster than Medium
V. 0. T.
fzzezl
£— £— £z: joi l:?zi ?
f=*=f==f=
3
F
r1"
I
2=
g
*»-
T*«^
3
=f
:z*zi»z%*zzgzzJ::bz:z*zBzz*^zz^azz*zB
:*zz*:
S=ic
1. Yes! the Re- deem - er rose, The Sa - viour left the dead, And o'er our hell - ish foes High raised his conquering head ; ( Omit to |fW
2. Behold th' an - gel - ic bands In full as- sernbly meet, To wait his high commands, And wor - ship at his feet. Joy- ful they come, And sing their way
r^T J l-T. i- -r-T-l 1 — i — I-
El r— 1+— I i
iztfzzzfz^zz Jz zjzlzz: :zzz*zz"zz*_ •zzJ*z?zF
td — I — I — I-
JL , J. -J- -J- -J. J- J.
f
fe
P
ttztz
zpzzpzzp:
t=t
-e — ,
pz^:
T=*
m
3d Ending for tlie 1st verse only.
kbz:*:
^
*=**:
*=
$=
t=ztzt±-:
I
(This transition will require the aid of an Organ, Piano, or Melodeon, to enable the voices to strike it with certainty.)
izzjf!:
It
S^S^jfazjZJZfj-^-
:*z±*
■j-
b
^BB
zlzzz:
-^
t2ZtZ
From realms of day
)
To Je - sus' tomb.
In wild dis - may, The guards around Fall to the ground, And sink a - way.
■J-
T-O
gg-W-fr
T©-
-4
r-
■4- -i
J- 42-
f — r-
-i -i j
zIlH
k±=3^=te=i
:t
I f
fi-^id—
-I 1— fi-n
Ife^l
QJ. J- J. J- j- PJ- J- j , A -J- -J- J j
fzz^zz^fzttzzizz^zzzz^fcizzizzzzzrzzizizzri-z
EEF-F=Ez: | , | pT^jh-f f „- f^S
ii r_ | — pi zzzezzzzzx p zizz
£
SEASONS. H. M. *
.Medium.
Arranged from "Golden Lyre.'
271
"CV P-
82
^
3E
St
(Sing either, but not both of the commencements. The difference is in the Alto, the 2d being plainer than the 1st.)
1st commencement. 2d commencement.
±
3?*=s?*:
o
—l-
-» — # V
-9-
— r
\
3"
1. Mark the soft - fall - ing snow, Mark the soft - fall - ing snow, And the dif - fu - sive rami To heaven, from whence it fell, It turns not
2. Ar - rayed in beauteous green, Ar - rayed in beauteous green, The hills and val - leys shine, And man and beast are fed By prov - i -
3. "So," saith the God of grac, "So," saith the God of grace, "My gos - pel shall de - scend, Al- might -y to ef - feet The pur -pose
--J-T-J 1- , - r - , 1 1-^ T r rxi , 1
S^:
±
T
W2=
d,
r
:*e— bp±=.~
-*izr •z:=?Elz?:
r — r
0 W. ■
r
^-r-^f
s
t£±p
-i J
r
r
£
T3L
=f*-#»-
=^:
I
-J- J- , J J-
e
■+-
=?£
f 1 — -• — t-
I
5
To heaven
from
—
whence
it
<»
back
dence
I
EE
4—
?3^
«
t==
a^=s
ZjiW
<?
Slow.
I
^~<^
E
=t
*=2=*=^
B3333
— -■ — i-^ — i — 1—» — i-
t*±t
a
i
I
a
di -
in -
gain ; But wa - ters earth Through ev - ery pore, And calls forth all Her
vine : The har - vest bows Its gold - en ears, The co - pious seed Of
tend ; Mil - lions of souls Shall feel its power, And bear it down To
se
fu
mil
cret
ture
lions
store,
years,
more."
fell, It turns not back
gain;
272
H A D D A M. H. M.
Rather Fast.
English
^=£
at
■e — e-
E
Bt
nzzz
\-tG-
a
z£z:s£
zj ,g_Xg — s^Ts — 4
|S|e|||
*=fi * -g
1. The Lord Je - ho - vah reigns, His throne is built on high; The gar-ments he as-sumes Are light and ma - jes - ty; His
t
m
53
*=fcEpf
!=iz±£zz^=±2_f=±
^=&
=t
r
^=J
T4
«fc"Bt
-&-
2
3E
-£>— r
El
S=33B
f=±t^F±
Bf
S3ZZ
=©=15?
glo - ries shine With
l
=p:
zzLtzTrzzrfrzzizzfcz
-F
I ■: -J| 1,4
TRIUMPH. H. M.
%
*=e
-I
zjzzzzjzii
=M=3
beams so bright, No
-<9 [-23 — *
-| -|-g *-
Iztz£z£i|zzz:*^2:
mor - tal eye Can bear the sight.
Wp
:fz*:
1=
4
3J
FF
^Zfig
-© — J-
IIP
!?z:lzg
;f=f=±f=— =f==±l=t
.gL_g— Ljzzz
i
English.
e3
ba.
1. A - wake, our draw
J u>
. ±zzzE3|z=zz£ ,
sy souls. And burst the sloth - ful band; The
^zzzpzszizpz
-==t7tt=Jzti
!»
fzz*±
3C
I
^W
rrhri
^z^x^zfcf^zzFzzi^- .zztrzjzzzztpj
=1
3zE*
i
=t
=ft
Our no - - blest songs de-mand: Aus-pi-cious mom ! thy blissful rays Bright se - raphs hail; in songs of praise.
liz^zzz^fczzzzipfezzzzzpil^
won - ders of this day Our no - - blest songs de-mand: Aus-pi-cious morn ! thy blissful rays Bright se - raphs hail; in songs of j
m
=t==w
=b tf * 3*
zttzzzzzzzz
■jl-ol
Izi
2fe
r© -=
Hi
r
-#--«
— #- -£?
Off
miii
WARSAW. H. M.
Rather Fast. Staccato.
=±=3=
T. CLARK. England. 273
Instrumental Base by the Editor.
g=3|t§E3
ET
3EI
Jz£
-e
e—
^H
3 *
#
-G—±-Q
3dt
-S1-
«r
^z^:
From hini
all
-I-
my aid; The God that built the skies, And earth and
r— , — I — l-r— ^ J
'-F— 0 — »-* —
4r
€>
JE*
T-4-
-l-
^:
=~t
r r
r
==qg3=jz=gz
^?=i=
S^^E#^§©E^
^Udd^^=k=:ii
S^
2. My feet shall never slide,
And fall in fatal snares,
Since God, my guard and guide,
Defends me from my fears.
Those wakeful eyes,
That never sleep,
Shall Israel keep
When dangers rise.
3. No burning heats by day,
Nor blasts of evening air,
Shall take my health away,
If God be with me there :
Thou art my sun,
And thou mv shade.
To guard my head
By night or noon.
4. Hast thou not given thy word
To save my soul from death ?
And I can trust my Lord
To keep my mortal breath :
I'll go and come, Till from on high
Nor fear io die, Thou oall me home.
274
E=b:
W ith Life.
^f&— 0—9 ~-A 1
•ZJiL
IHZZ*
V^m-
BRITANNIA. H. M.
:rzr£r+
Anonymous
t=f=t^
:z|zzz£:
;*«
j£j£
^
rfri
»2!
1=z£::*zzp:
■bz*
*(==£
^11
1 Yo tribes of Ad- am, join With heaven, and earth, and seas, And of - fer notes di - vine To our Cro - a - tor's praise. Ye ho - ly throng Of an - gels bright,
ft f_ LzS:
•
B^BE^;
=+> •
a
-=3-
HE :^g=:^:f-
— rr^-^T-i — y
Ezfez:
znr
-f-
■m
:azrizjzzzH::pzzz
**zzt?zz*£z::tz=f
rzzz*3-
In worlds of light, In worlds of light Be - gin the soug.
t
^zz=*zTp:z:sz:±^-*z±f*£:2zz:±,izz,*z:±:*
W
■M>
±z£:
£
BETHUEN. H. M. *
-Pi
Medium. Staccato*
ty-TT^i ^t—> — > — ^ — f
Arranged from a French air.
at z^zz*:
0
e
z^^zzq'^Tz^^zz^ztazzzz
zzizzpfcez: *:z:*zz3zz*z 3zzzl:
To God I lift mine ey.es
-PS
From him is all my aid;
-JS-P,
|z^^iz^sa^^EZ£jEfiz=E
'-* -^ '-^ - ^ w ^ >^
b±:Efc3?±^=r*
tezfzzjtttzzi
feb— ^::=
zzz#:
=£l
•Hi-
:*zz*zzz 1
^-^-H-
^=^=l:^zz^z|jzr-^^z^fcg[4^:p:
The God that built the skies, And earth and un - ture made: God is the tower To which I fly : His grace is nigh In ev - - ery hour,
p» r* . ts n N N On]** i J* K
jgte;
r.
5§zb:5 jz|Kiz*z=*zziHM:pzI*zzpzft zzpzl* • i :
ilzLzH*zz*zz*zz*z :p— 9~ M:zzfezxza=g::zifcz zz^zzzzfz izzzE
^* k_£._>. k ■ #— *-- b *t-^ t t 1 E
J^^|Z_ ^ ^ -^-p- ^ ^ L^p^-L H-ff-H-i b-i^-v-E
A little Faster than Medium.
fate
t
z^zzt^zznzzzrzzzt
LUZON. H. M.
(Well adapted to class practice.)
V. C. T.
275
-6>— f^g
4==fc
=t
i
e;*z:zfel
=t
E=t= =t=p=f zit^zziS:
rziz^
/
»//■
P
#
££
-^~
^:
^=^g3zzr3^^=E5E|^z^^z^Ei
H=S
*
T#" -#" "#■ . .-*_^-*-#-
1. Rise, Sun of glo - ry, rise, And chase the shades of night, Which now oh - scure the skies, And hide thy sa-ored light:
2. Now send thy spi - rit down On all the na - tions, Lord, With great sue - cess to crown The preach - ing of thy word.
3. Then shall thy king-dom come A - mong our fall - en race, And all the earth be - come The tem - pie of thy grace.
-ft-Q-d i , ^ i i i ; *--»-
f=*
-F=^=
-0-
**~1T^~— — » " '■
t-
=!=&
:*zzi:
O chase these dis
That hea - then lands
Whence pure de - vo
0-^-0
T-»-
z: -fz^z3=^3=q=^=l==t=Rq
T-l
P
1=
^fcqgJJEp
F
==* «> : z_^ — «z: :^-«zzjz_| — [
wts=
:»:
-•-•-
"
^^
•-#
IzSUl
mal shades a - way, And bring the bright, mil - len - nial day, And bring the bv:ght, mil - len
may own thy sway, And cast their i - dol gods a - way. And cast their i - dol gods
tion shall as - oend. And songs of praise, till time shall end, And songs of praise till time
nial day 1
a - way.
shall end.
'
27G
HARWICH. H. M.
Medium. Staccato.
\
<
(
fc
o
-9-
*EE
-a — P — o-
1 . Lord of the worlds a - bore, How pleasant and bow fair
*EE
« — •-
S
:q=i==1=^T:=1=:-
d— •— M=mL 'a 1 a)., if:
*=t=
:t=:
fcfc
1 i i '
c — t — — a — jd-r-^ — ■ <~r — 1 hr — i
The dwellings of thy love, Thine earthly tem-ples are : To thine a - bode My
1 .4 — 1^4 _j_T_| — | — | — l
:=ft
m%
tEE
^=p=q:
-r-r-
1=1:
3
:S«:
--©-
i i
ir-t-
^zz^zrie
-g-
:P:
# — «_
i — i — i — r
^=N
P— -—4-=- p- p-
:F=t
i=
*=
=t
H P 1-— -P-
BRIMFIELD. H. M. *
heart as - pires, With warm de - sires To see my God
_J -J_ 1 _ 1 . 1- 1 l_, '
J2 a. — Is — _ — g — \--m 1 1 — t*~ I — I 1 — I — |
W-
-&-
\
m
%
--S-
~p~
s
^
±=fc=£:
:p=J
t^ — «_:
K=5 :
t:
Rather Fast.
~3E~
**fcE^^
•33
a
:=5
^5
:•=*
EL
1. Wei - come, de - light - ful morn; Sweet day of sa - cred rest,
MStJE
fzzfd
TT~jT7 ,f ,.|j=rg^=f=j-s
<
jig ~T mXm-—c'-Xm~--m-0-:f-m ~ — £1 — =f — —m-e-A-e—aXm—a-Xm Is—m-m-T* »
^pi
I hail thv kind re -turn; Lord, make these moments blest : From low de - sires And fleet-iug toys, I soar to reach Im- mor -tal joys.
15-1 — F
p
I
I soar to reach Im - mor - tal joys.
I
§g^EglEpEagg^p^|[gpE^^E^EE|g
I soar to reach Im, - mor - tal joys,
irtf
-# — #-
FERNALD. H. M. *
Rather Slowly
Derived from the Tyrolean
277
£±:
:*:
M=z*
*z£
i— -i ■-«-
=5=5
— i-
i=3
:*:
E:
:^:
-•-£-•-
— I-
-s>-
1
I
t=t
^— *— ^— ^
=1
=f
s
-«-*-«
t*-
Lord of the worlds a
How pleas - ant and how fair The dwellings of thy love, Thine earth - ly tern - pies, are !
0, happy souls, who pray
Where God appoints to hear !
O, happy men, who pay
Their constant service there !
They praise thee still ;
And happy they
Who love the way
To Zion's hill.
They go from strength to strength,
Through tliis dark vale of tears,
Till eacli arrives at length,
Till each in heaven appears :
O glorious scat, I Shall thither bring
When God, our King, I Our willing feet !
278
Medium Movement.
izfeixiizz
DWINELLE. 8s. (double.) *
Arranged from RDSsfii^H
-0
*=p:
-0-
<5-^\-0
0—s-
F=q=±FF=F
B=£Z-*
==*=&*
3?
-#— © — •-
jcip:
=F
zlzlzlzf=
p:Mz^zz,fZMz:£
t=
i — »-
=4-
#3
-rS-.-
=E5
1. A debtor to mercy a - lone, Of cov - e - nant mercy I sing ; Nor fear, with thy righteousness on, My person and offering to bring ;
2. The work which his goodness be - gan, The arm of his strength will complete; His promise is yea, and a - men, And uev-er was for ■ feit - ed yot;
— -p— - U— P
I l
_Ss_Ifc£Z3t+^
Ft
zl±±z=3t=
J J J J ^ -J- j J
'J J J J -J- #
zp—mn-M—^—0-
.i_^_ . ^ J_ J ■
T-r
^b:
:*z:b<:
— * ~j--i \0- o-
-0-0-
\=n=$=tn=t
0- -^p-_\&
«=
pzs:
t=:t:
US
«=^x^:zzz:^:zzz|
Hzf
^ ^TZj — *-Ts_ 0-ZoUL^. 2ZCE — ^__~_I B_^.Ij:^ — 0.L-O—Q «M« ._5) — «-±^jl ± X i-LC^-Xg, *__
-^ — G-*~0—G 0-±0-G — =~>SI*r^ — "— — ■— -""ZZTS^
The ter - rors of law, and of God, With me can have nothing to do; My Saviour's o-bedience and blood Hide all my trans -gressions from view.
Things fu-ture, nor things that are now, Not all things, be - low nor a- bove, (Jan make him his purpose fore -go, Or soy- er my soul from his love.
-J! JlJ~J~l
xb-b-g-fg — 0—0'
l— — _— xz: — e — b_
"r" r
f-F-
-J-J-
f— rT
-J
F»
g,' 1 L
^zzz^zJ:
r
^— J-
J i-
r
=}=+!»=&
zqzzzzpizzjzzqijzrzzizzqz}
• rjSz3zz3^^z:;«:
i
if_ZS__rpf:ii_^-fxp---
^=rb-b-|»-F © •— •- h r 1 Sl O
— -^Pl — [ — F^ — r-4-Jq==-J=i] — i
-0—0-Q
r-r
0--O-
J J_ <U_ J -J . J. i -J izfL_<L J ■-■
zzzzlzzzp:±:pz:pzzp;l*z:p — *3p- • p: :
^zti^zz^t:±:tz:r=t:irzz=zzt:it:=zzt:±-=
J
i—r-
I':
*3
Rather Fast. , i i i
9--0-0- -0 — 0— 0-
-S-
SPRING
Et:**?*?3
=P=t
3tn*z«t±:2
3^
8s.
-0-T0-0 —j—0-
THOS. CLARK.
0
K
W
vzzpzrjt:
£
-0—0-0*
279
=j
iS>
«35
1. The winter is o - ver and gone, The thrush whistles sweet on the spray, The turtle breathes forth her soft moan, The lark mounts and warbles a - way.
2. Shall ev - er - y creature a - round Their voi - ees in concert a - nite, And I, the most favored, be found, In praising, to take less de - light.
3. Awake, then, my harp, and my lute ! Sweet organs, your notes softly swell ! No longer my lips shall be mute, The Saviour's high praises to tell.
h±±
':
iSEE
-i-
j.; j j j j
o
r
^fc 5=0E ^d&5t ESS
F-T
^^^Frf^F
^*
£
^oipzp:
t=»
1 h
EE
±t*±£-4
j j.; j
at
^
9-0-0
-E
-t—
MTjnmz
w^
s
a
J -J-
I^ZZI
f-
i-JLfl
1
I
Rather Fast.
:d=atzr
EJ:^
i~s:
:t=
BERKLEY.
8s.
G. H. LUCAS.
::?a£3t
:p=^:
I'lT^iziizjL
Hzwt
-d—*—wt
t=r
m
=t
3E
»—«-•-©■
j:
s
Si 0
-0—0-L-3-
=t
9 ' ' h
-# — «-
I
::*=£
1. This God is the God we a - dore, Our faithful, un-change - a -ble Friend, Whose love is as large as his power, And neither knows measure nor end.
2. 'Tis Je - sus, the first and the last, Whose Spi - lit shall guide us safe home ; We'll praise him for all that is past, And trust him for all that's to come.
«*e=i
r r
f-r
:i
r-r-
:2z:!
F*
T — r
S> ZS
^ifc-^-ig;
ij, i.jj
J.4--J- j J-.
¥±E*
^=r*=
:p:zp:
K
■f— r— r
-J- J-
-3—0—0-
:&
=t
-f— r
f-
— 0-
:z—
-t-e:
1
:az:
0ZZ07
K
SI
__»j±rs_: — L_ 1-L _.L — -j
:*:
■r-r-r^T
Hi
-&-
4Tj. .,; ,j. j
.i i i
-<*-•
4=
:pzzmz:»:
m
280
DE FLEURY. 8s. (double.)
Familiar Melody.
/
3:
j}—--
:4=£
*4
°EE\d
±=ta:
-0—0—0
■t
=±
3
1—ngri
*-*-*-
I J * I J-J^j—J— J :, 1 1 1 Ef
*^-
1. How sweet on thy bo - som to rest, When nature's af - fliction is near ! The soul that can trust thee is blest, Thy smiles bring my freedom from fear.
3. This promise shall be to my soul A messen - ger sent f-om the skies, An anchor when billows shall roll, A refuge when tempests a - rise.
T=i
r r
4-
tzfcl
Liz
I • 1 1 1 1 1 1 1 •
3pz3Ezp-p--jEi:
j. J J J -J- J
^zip=^:
j j
je-
-4
dr
t—t~ -*--*-
:r=r-
Z3t
:i
J. • i I 2 j.
r r •
^~
£f
0
\
^
3=
£EK
*-*zzMz
T&:
I*
tf t2
1^-U-r— L-4=t=
,9— 0—0-0-
~
3E
:p_*-zp:::^z
1=
H
q:
0 ©
— u
—2*-- ^—0— *—0—0'—9'-Ld~— d~
zt=*=*z3
3=3
zzqiiq:
^^^t
2. The Lord has
4. 0 Saviour,
.J_.
in
the
kindness declared
promise ful - iil,
-0-0,-0'— *
That those who will trust in his name Shall in the sharp conflict be spared, His mer - cy and love to proclaim.
Its com -fort impart to my mind; Then calmly I'll bow to thy will, To the cup of af - fliction resigned.
J
I2IZ
m
j
J
J
JL
t:
in
J
r r r r
j
J
s^~
j j
. i i 1
4 j i I
j . j j j
jgzqrry-j
4- J
f
JL
tt
t=
Io-
t=
£
tq:
P
G A R L JST E Y. 8s. (peculiar.)
( Written expressly for the words set. )
V. C. T.
>
281
c^:
>
>
>
>
= *=t
^3
-*-i
w-d—
1. Bless - ed be thy name for- ev- er,
2. Thou who slumberest not, nor sleepest,
«
*--s
gz
ffi
*-£-
BpgEppj
-&- ~9- -O- ~ ~ -0- -0~ &~
Thou canst guard thy creatures, sleeping ; Heal the heart long broke with weepinc.
hf^^di
-S-- L;
:*z£:
r r p
-5>- -^- -S>- ^ w "•-©-
Thou of life the glorious Giver
Blest are they thou kindly keepest: Thou of ev - ery good the Gi - ver, Bless- ed be thy name for - ev - er
=tef
fefcrf
r r t r r r / r
*±Ze£
-0-
^:
r~t-
*=£=-*
-\-
i rr
r~±p
^ES=£Ei5ffi
r r r r
»-g^=g-~ —
>
?=*-
j-
^
5=jC
.JU-
P?
GORTON.
8s.
Rather Fast.
ffiS
?zE?
tE£
rzz3F^
=t
^-frP— i
1=1==*
9—9-9-
O —
s
9*^9
**:•
£±
fM=5
— *— L& & — c -±c — ^ — ff-1*-^-*-^1 9 — ©--L« 9-Q J-«-^ — ©— L # — « — 0-X&&-0 — ^_L^_I —
e— -0— *-s-
1. O thou, whose compas - sion - ate care For - bids my fond heart to complain, Now gracious- ly teach me to bear The weight of af - fliotiou and pain.
2. Though eheerless my days seem to flow, Though weary and wakeful my nights, What comfort it gives me to know 'Tis the hand of a Father that smites !
282
Slowly. Alto Soil.
it
A D 0 N U S. 7s & 6s. (peculiar.) *
Subject in part from HANDEL.
i±:
:*zs:
^ =
=3-
zsl
*:?:
H-
^
I
•zzt_
■-©
^fe~J=E
1. Time is wing-ing us a - "way To our e - ter - nal home; Life is but a win-ter's day — A jour - ney to the tomb:
Treble Soli.
dtfcf
C±±±:
E^S?
# — *-,
.^:
^^=^^=^=^=^=1=1=^
P=^
:LE=ff=
rjjjTOWr^
-5>-
'f-T-*-*
±?=2£:
I
Accompaniment.
^i=+r-F — lzzzz:
i=
■rf-
H—
-r#-
■H±
fzzzzrf
±=r-
zz: zzzzhzfczz ±
E
Izz^
±=£
i
HSi
Coro. — Affetuoso.
tjzzzzzzzz
h—e-^s-
$.
s — s_:?2_p
p=t=i!
HI
=t
izztz
Omit this score the second time through, and sing the lower one. — Repeat the upper score for second stanza.
±J9
G^XP-
ifezzl
Ezfe:
-o-\
fr<9-
s
zzbz±t
P~P~:
I
£=fc
Youth and vi - gor soon will flee, Bloom-ing beau - ty lose its charms ; All that's mor - tal soon shall be En - closed in death's cold arms.
Ill 1 I
=t
-e — a
I=?^T
5
s—&-
:^2ZZ^±2zztz^zz^z±5Zi«lzS±|zz*zi±izzl:
=S
I I
i^zizztzzzfiz:
zr^zzg=rzzfazzzl=IzzzEz£
zztzz:flzzizSzis2z±?zztzz:
T&-
=t
z:
._© — e>— l-s1 — H^+j—
^"f"1!®" ^*=
tg:
3E±
Fimn
r
— j-
^ G-
Z2ZZ
r
t
.szzp:
*=
=£
E
^zzfzqzfc^zSzHzfezzh:
zzzzzjfe^zztfzzfzlzzzlz:
Coro. — Allceretto. (For second stanza.)
g-Uzzz-:z:izzzzTzzzz:izzr:
I=t:
i=t=
.©— -
-©—
I
/
Dim.
ir^^^S
5- -«-
_-_ — ^=^
±|?E
tfEEyUU
But the Christian shall en -joy Health and beauty soon a-bove, Where no world-Ty griefs an - noy, Se-cure in Je - sus' love, Se - cure in Je - sus' love.
iz:l7ztzrfti±;i?-^fct^zzz±zzztz=bz^:±^
t=t=±r=:
:t=zbz^:±zzttzz^::
\
Moaeraio.
fezirzz:
i^zfe
'
RIVERTON
^
7s & 6s.
S
::
=t=
ut
rp;
V. C. T. ZOO
Inscribed to Mrs. H. B. Cortland, N. Y.
ZJZi — i sr— z Ni
h-
m
£fcF3=F
x : — # ^ _d_ ^ * #—L-«^^ — • — • — ^~*-& J — • — e
—
1. As flows the ra - pid riv - er,
2. As moons are ev - er wan - ing.
>~h-?— »— -
With chan - nel broad and free,
As hastes the sun a - way,
*~
Its wa - ters rip - pi ing ev - er,
As storm - y winds, corn-plain - ing,
I
a- J--&
:--
i^=
S3=E
■& —
And hast - ing to the sea,
Bring on the win - try day,
-i 'I i.J |J. Fi^TTTT' _f Tv-H 1. j-WtJ^^
0 — ■ — 0—1 — ^ — ^ — 0 — ^— fn — e— 0 — •— — 0 — -j 1-- P^ 0 — c — I — ;- zi —
*— f Mr -t//3 — ^tt^-r-*-.-M— r ,j^_^-(
EPZI
; r
-© -L
f
1-
-I
P
»l> h J-
rt
S=S=Pf=F=^
HI
:EZE*
IT:
^
==&
IS
,_ — ^ ^a,-
z^q=tj=4=::
:=£
:*=!=*
zzetz
E
0-&*—9-
0
3
tfeiH
So life is on - ward flow - ing,
So fast the night comes o'er ns —
And days of off - ered peace, And man is swiftly going Where calls of mer - ev cease.
The dark - ness of the grave ; And death is just be - fore us : God takes the life he gave.
qziff-zszizzcz^z^Tzzzzzzz
0 . ^_^_*_^izzzzzzp
P-f-i- E J-P •-- M-p f-
■■
284
WEBB. 7s & 6s.
G. J. WEBB.
Medium Time.
& — 0 — 0 — e — & — I -0-
-i —
-0—0-
:=]:
:^zi£z8z*:
■0-
Jztz:
-* — »-
$=$z
-#— J=#-
=fc
-# — # — 0 — ^-
^=—
pa:
1. The morn - ing light is break - ing ; The darkness dis - ap - pears ; The sons of earth are wak - ing To pen - i - ten - tial tears.
^-#=4
izfzzfzi:
-4
*
^zrzfzz— :? z: z%izzz±z\
t '
EEEH3
zkzztzzfzzir^z
-0 0-
O
*—*-T\ — * — r
izszzzazzgzs:
:cz±:t:zzfz=Bztz
±
4 I-
zizz*:
zzsBzzzzS:
-i. rJ-H-izt
fW*F=r-T
-*-+:|:
4
r-r-
"f-
-4-
-1 » *
*zz*:
P=#:
:=]=
— S>-
^fezzjz
=1
La'zzzez: -o^-v—j—*zz z?zzz«zzlz*
3=F=3
-* — •-
e> — 0 — I —
-g — 0—\-\— I — H I 0-—0 — g — I — 4~| | — rf — 0 1 I I"51'! —
s — ,_,
23
*z±*zzzzs>zz
=fc=t
-0 — 0-
^-~z
gi
Each breeze that sweeps the o - cean Brings tid -ings from a
far
Z0\Z±Z^Z^ZZ0ZZZ0ZZZZWi
zzbzzizizd-
t)
-I l-T
-0 — r-0-
^!>
-0-^0— —0
Sees
» — *
TZ£Z
I
I
JL.
-JtZT-0
-4
-r-r
_Q j
Of na - tions in coin - mo tion, Pre -pared for Zi - on's -war.
=H-d-rf
gn
<J» -r
=t3
T
^zzzzqzzjz^:
i — f — F
i i
i§=¥
-0—0
HE
tfc — 1—14-14
3:
-• — *-
s
=t=P
IL
Slowly.
zpz
fEEP=
PETERSHAM. 7s & 6s. *
Arranged from the Scotch.
M*S
zvzz£zzz:ez
i"
•zz£
£
&
zzzztzzztzzzfzzztzfazzlitz
-•-• — s»
?szc
EEEgEE
/
]. The mel - low eve is glid - ing Se - rene - ly down the west; So, ev - ery care sub - sid - ing, My soul would sink to rest
r-r-r?
r-
b 2 0
PZZZ0ZZZJ2Z
Hfs-T=Et==t=t:
-jprZZZFZZlP
i i i _
;^^=iqzI:3EzlE3=3EEz^zzfr
pzzzzt-dzlz^zzpziipzzpzzpzzzp:
Fast.
AMSTERDAM. 7s & 6s.
Fine.
Dr. NARES.
285
D. C.
zkz=zzz*ztrz±ziz
=34
■0—0-
±t=Xt
^iliSi^^l^
^
-I —
a
z±=£
±-
1
I Rise, my soul, and stretch thy wings.Thy better portioo truce, |
j Rise from tran-si-tor-y things Toward heav'n.thy native place. \ (Omit ) Sun, and moon, and stars de - cay, Time shall soon this earth re-move,
D. C. Rise, my soul, and haste a - way, To (Omit ) seats prepared a-bove.
p=Uzjz^i^d:i*=dqd=to=TF^&^T
Fine.
3»-—
Lt>z:£z
,• -^
r
lg
f=
-H
Fine.
*— 2*T2^ — ■1-0— ^0- -* — 0- -J-I-B0- -M — h
fflF=ffg^^g^^^^TO^a
MISSIONARY HYMN. 7s & 6s.
L. MASON, 1824.
Medium.
zz£:
fcdqpt
I
rpzzpzpzla:^—*:
1. From Greenland's i - cy moun - tains, From In - dia's co - ral strand
IflZIC:
SE
Ez*E
=t=J
j*—K=ZfZ±d.
£EEE
:4
t=*=£
±
Efc
zsfzzlz,
-4
-0i
4
Where Af - rie's sun - nv foun - tains Roll down their gold -en sand;
>-+^ — j ■ | T- — 0
^zz^z^z^^z|z^zSzzizBzzizzizz^zzzzjzz|:
|zZZZ^JzZ*ZZ^ZzIz±gzz£zZZZ*Z±^
i=*
£=E
-»- -«- -0-
I
— r* 0-
=F=F
«zzp:
=9?-
izzzi
0- &
-0
ee'ze
0
zz
4
:4
?zzi:
^zzpzzazz^z: ^zzz^zzc z^s:
itzzztzztzztzzlzzzz^zzzzzt:
PC
From many an an - cieut nv
t"
St
1=
er, From many a palm - y plain,
-J 1-
4
-^ €-
jzzzz*
is:
E*
T*=p
M — r
zz^zz*:
^z^:
They call us to de - liv - er
£3£
-0
IS
zzzjzziz zdzz*zz*=z'z
ifzzzzitzlSzzpzzpzzpz
» r
533
Their land from er - ror's chain.
4
=?
Z>_-
F4
:t:
•*— • 0 0-\O-
EbEEEE
ppppn
:£EE:
286
Rather Fast.
ONDEI. 7s & 6s.
{Anniversary Song for 4th of July.)
*
:*=p:
B=
-# — 0-
I?
sczazzzj:
t3
t:
ee
=t
ES:
gill
:Ezt
=t=t
4:
3
33
-«-
_^_ -£,_ -■ m m fr m <• #_ _.#_
1. We come, with joy and glad - ness, To breathe our songs of praise, Nor let one note of
2. The sound is wax - ing strong - er, And thrones and na - tions hear, — Proud men shall rule no
3. And then shall sink the moun - tains, Where pride and power are crowned, And peace, like gen - tie
sad - ness
long - er,
foun - tains,
Be min - gled in our lays ;
For God the Lord is near;
Shall shed its pure-ness round;
f~
'
J-
r
j- -I J-
f r r r r r r tr r r r r f r r r f r
a
r
IJZZpZZ^fZZ^Z
t-
I
x-| r
tp
J J J J
$=t==*
4~.
J- J- J- -JL
-J-
zzJEpEfzpzzpizg—
i — i — r
-i — r
3&*=±3?
r r
PrPW
*=zt±z?=z*z=,=fz±tizzti==^z£E
_«.
E3=3
azzp:
*==£
.1
EH
t=±
jt^:
=t
3
:?=:•:*
j— ©— ■--
I
3333
»=»3Hr*:
3
s
—fit #-
33 ||33l33|333333|33E33i:E3|3_: g
3333
i
©
©
For 'tis a hal-lowed sto - ry, This theme of Freedom's birth ; Our fa - there' deeds of glo -. ry Are
And He will crush op - pres - sion, And raise the hum-ble mind, And give the earth's pos - ses - sion A
O Ood ! we would a - dore thee, And in thy shad-OW rest; Our fa - there bowed be - fore thee,. Anil
cell - oed round the earth.
rnong the good and kind,
trust - ed, and were blc6t.
-I-W-I-
* '
J
m
j
0
^
3^ 4-3-3_g^ ^^,_3.3_,_,3_^4-_^_g^
DRYDEN. 7s&6s.
M •' ■ I i inn
V. O T.
287
ss
f=3^=±*±t=±±±
SEE
--&.
■=*■ — r ' r— p-i-
3?
g-XTl?, i-.jf
3EEiEjzpiEE=
P=-f2— *-
__/Tn
3E
-f-
ZtZZ^EZZ^ZZ$R|z;
=t=t
l=tZZZt_
1. From ev - ery earth - lv plea - sure, From cv - cry trim - Blent joy,
2. From ev - ery pier - cing sor - row, That heaves our breast bo - day,
From ev - ery mor - tal trea - sure, That soon will fade and die; —
Or threat -ens us to - mor - row, Hope turns our eyes a - way,
-I-
i- J- j. -J- j
j -*-
zzzLi? .-4?rhg .i-Lazzzg: ~az=acEci :
• | '] —
rl — r
f-
r
^
r
F
13
rpzir
-\=±
-p
zazzp
TTZ^tH-
^izpSzztzEE
IEEEEESEE
^r^-l-J4-i
-•-»-
— i-
-0-
0 I 0
t=fc
SiiPS
PPPlSl^^grSI^iilill^glll^j
No long - er these d<
On wings of faith as
sir ing, Up - ward our wish - es tend, To no - bier bliss as - pir -
cend - ing, We see the land of light, And feel our sor rows end
O-
end.
light.
I*
wish - es tend, TO no - bier bliss as - pir - ing, And joys that nev - er end.
land of light, And feel our sor - rows end - ing, In in - fi - nite de - light.
I i i_ i_ __f~-\ '~v- - rz__,_JSH ^ HTI. s~- _
-f f—\ — f f ■ 0- -0 I J-f-0 — I- J- -m 0-*~?-\-0—j — 0-0+0 — I — I H — M-
i J- J J- J J. J. J. JL -JL J. , j _
■^ ~^ ^^z^zzzzzzzzzzpz^z^zzzipiz^^z^T^zzTj:
288
ALVA.* 7s & 4s.
7. 0. T.
\
Moderato.
*=?=*=
*£*£==:
=t
$=*£
s
*=*
»-#-
§
=t
1
*=2
Mft=S=±
~
<?
%& -*%*
fa^iJ^BTTtTJ.. 1WSI
=t
3
IE
-S1-
1. When the vale of death ap - pears, Faint and cold this mor - tal clay, Kind fore - run - ner, soothe my fears, Light me thro' the dark-some way;
%1
'*=£
FF
& — ■•-
r r r
:*:=pc
_tJ_j._tj^__j._J_J_-j^-^
rf=J:
T
-I — t
f— r
^j-
r
1
izd=i=r
d=CTt=£
4
r-t-y
t-
F
a
-*£z±r=
*=*=«=
r-i-
«*:
r r r i r r r r r i r- ; r
_j_ j^_J_T^J_^^_j_J_TJ_J_:]:^_ij__j.
1
i-t-
£3E
r
1
*==;
MteeII
£=#=F
=P
S
=te
i
tzQzz*
&
o
=t
I
/
Ores.
=P
^-
I
Break the shad-ows, Break the shad-ows, Ush - er
ter - ual day.
+EE*E: 3EEE: 1^-— ±=±
I
*d^
z*=;
si*
j . -j- -j-
#
3E:
5j-ra
jlU
# .-v -J __^ . ^ 4-
r_lil^]
Lf r
* Sing also, to UiJs tune, liii wwrta, " il.uk ! from yonder uioui.t arise.''
Upward from this dying state
Bid my waiting soul aspire ;
Open thou the crystal gate;
To thy praise attune my lyre :
Then, triumphant,
I will join the immortal choir.
3.
When the mighty trumpet blown,
Shall the judgment dawn proclaim-,
From the central, burning throne,
'Mid creation's final flame,
With the ransomed,
Thou wilt own my worthless name.
ES3
:::
jj—ff—d- -*—■*— a—d- ;
=P
GRANGER. 8s & 6s. (peculiar.) *
qzizjzzzzjzizizizjzzzJ:
289
.f—9—&-
=t
®zi:»zz*zzizz:;
3=f
rfzat
zzlzEi**-zdz=a
*z:stz2*z=S:3:
:sL?ztz
1. My God, my Fa - ther, while I stray Far from my home on life's rough way ; Oh teach me from my heart to say, Thy will, my God, be done.
I_fe-h»J
-t
■M--+-&.
-e—
-Q- -0- -0- -o-
=fc=i
-0 — 0—O-
-!
■0 — 0—£>-
-J — I — I— 4-th — M
1:
rrr ,
-s o-
:*zzezza:
13= z}
*-*
-0- -s>-
—H~E&-e — sZZE-£ — a I n EZ
-s- 1 G>
Sfci#==t
Hr-f— e£
-j ;H'-U-4-;feP=iS
iz:*zz^z=2zzltzzztzzzt
E
■• — » — s-
3Z
=t
z^zzpziz^zzzlzzz^z^
zf— Llzzlgzzgzz^zg
0—0— SI-
E
:p£M=F
2z3=s:
3i^
I
With Spirit
CARL IN I. 8s & 6s. (peculiar.) *
S:?zzz-iz*z*z
*#fcz£
=P=tb=t
jtzfzfi
q^-^^^-^I=F^"z!zzFzTzF1=El=^::i
Eg^j
1. Sing halle - lu - jah ! praise the Lord ! Sing with a cheer - ful voice ;
111 f» |* p»
-01— 0^ «~
zzzi^zzzzz^zzt+J 1
iAlzzzz*-sz^z: f— v
Unisons. J-
i — t — 0-0-0-
Exalt our God with one ac-cord, And in his name re - joice ; Jfe'er cease to
^=:U=jzi
dzzj.zzzz£z£z£
*Z*Z7P"
771
zztz£zzz^z^zgzjz_
I I
** tf &
~W=W-
^g=ggzJ^Z^5£5
Unisons. Jh
0-0-0-
0
r-
-0—0-
tzzfc
£5
I L«t» I I N I 'J
gll
szzs
E
1
^i^
^zipzrp:
-4H
*££
ti«
sing, thou ransomed host,
r*-#-
q=l:
■i—
liH^z^gipipiiii^^^^
To Father, Son, and Ho - ly Ghost, Till, in the realms of endless light. Tour praises shall u - nite, Your praises 6hall u-nite.
P* f»> f H I I Is
=*=3=»
#
tn=r
F
Cres
HfiK:
Z-AJ-JzE^-^T-J-i-d-I Td-^TzHT^-X-ZZ^^-^TzF^zjT^—^'
0— L0— »-*-»—* L0— 03-e-*— -0-0-0-L0— 0~L0-0T& * 0 0-0-x-0 0X0- — ^r
^ 0 \0)
JZ.
azzp:
Efi
i — r
.5
£ — Pr
PP.
4-
(t'HIME 19)
il^^iz^z^^issiS^l
290
BADEW.
Medium
/
8s & 6s. *
zjq
Subject from BEETHOVEN
il±n
^.:
SM-P
ysssete
^^r^
tt
±*
3
o
g-ig^td- b&Zld^g
li
3~
±^z^t
if
I
1. Blest is the hour when cares depart. And earthly scenes are far, When tears of woe forget to start, And gently dawns up-on the heart De-vo-tion's ho - ly
2. Blest is the place where angola bend To hear our worship rise. Where kindred thoughts their musings blend, And all the soul's affections tend Beyond the veiling
star,
skies.
SS^zfcp:
P ? .1 I
=t
s-
_| j.
o-o
I
±h
r ■ r r ' r
-r-
fe#^^SE33
i i
tp=F
f
e-rJ-r— ^-ri
p p f-f-f-Le-r-*- -
*
J— J-
•s— (9- e — e-
? • T
:z£ji
?-*>
P-fe*-
i
r
«=te
M-r^
El:
f-r
^-T^-*L
f f f f T —
:51a::
i
J— JL
j_^_x_
:t==
r
pj
GARDEN. 8s & 6s.
Slowly.
V. C. T.
jg^jg^JEEEJgg
S^JE^j
O-0-&
It
^Zff
b=^tfczt=±=z^
55
te
•5^
fe
I1==bq=zc
:at£
±£z£t?Z
-m'^gti-&
=P
2^
i
1. Beyond where Cedi'on's waters flow, Be-hold the suffering Sa-viour go To sad Gctbsemanc ; His countenance is all di-vine. Yet grief appears in every line.
2. He bows beneath the sins of men; He cries to God, and cries a - gain, In sad Gethseniaue; He lifts his mournful eyes a-bove, "My Father, can this cup re-move ?"
ifebf
ilEHf"E£
£=£
0
F*=
s C q — !Ll
SSiST
SlgH
©— ©-
•©— o-
r
3=3
k?-<9'
§
4~
■J-i.
Hi
Rather Fast. (InDborD.)
"WILL YOU GO?
(9- -#
4=
:3=feE
3IEE
-©-
J
=fc
8s & 6s. (peculiar.)
T^ — * 0 j js-R
V- C. T.
291
£#— » — \-
F=F^-=
*=jc
1
=t
-*—&-*—*-
»- -W — r
1. We're travel-iDg home to heaven a-bove, Will you go? will you go ?<To sing a Saviour's dying love, Will you go ? will you go ? Our sun will there no more go down,
±±3 -I, -" •! i^Wi-J
#33
*m.
4
!_, I — J — ' •— | ) ' 1 1" ! W~~\ >
!-p-r 9 — S — * ~ — *j-g~»Hr* ~~*~^~ i^j "5"
-4 J ! 0
' » 0-
rg
*- [- I ' I | | i i ; i ■ i I I \ ■ i
2 We're goin°- to walk the plains of light, Will you go ? will you go ? Where perfect day excludes the night, \\ ill you go ? will you go ? The crown of life we there shall wear,
3 The way to heaven is straight and plain, Will you go ? will you go ? Re -pent, be - lieve, be born again, Will you go \ will you go ? The Saviour cries aloud to thee,
§SS
m
w
<J
=£
±E
3=
G^X-Q
F
Gh+-\-0-
©-
_* :«-
^£
■» — » — i — I — m-
tJ=tt=
fc--fiz®
P
g^tjp^
*
-©-
JS
SSE*EE
^EHE
-p—
UNADILLA.
8s & 6s. *
From the Tyrolean.
&£
Our moon no more will be withdrawn, Our days of mourning past and gone, Will you go ? will you go ?
'J , L_i
Sf
m%
m
'
• *
=t
I I
r i r
-^ZJZJSt
~P7
9ZL J'^fLr^-
fr^t
££
The palm of vie - tory ev - er bear, And all the joys of heaven share, Will you go ? will you go ?
Take up thy cross and fol - low me, You then shall my salva-tion see, Will you go ? will you go ?
M
msm
=FtF=F
=1 — *
-0 0 0 0-
=F-F:
=*=©^
"o~
1|f
3^
r- '
P_
rez
3H
i
^
rk
* — 0-0-
afcj*
1. There is an hour of peaceful rest
^m
a
ipj:
hs:
^
'£l
m^
9-\r-6--d sr
o
■s
HE
:2±
J&
l£^Eh
P=t
s
tefc
rrr
L^-H ,J Is ;1-
(cH — a — r -* -i *- ■
To mourning wanderers given;
f ff m
the els a"
<--!-
-» — 0-0
1 I f
-©-
L-L^-U-
j_j_
— h-+*— *— '-H ^ — — J-r-hJ-H-r^H — h— I J h
r
p *-
rfn:
joy for souls dis - tressed, A balm for ev - ery wounded breast ; 'Tis found a - lone in heaven.
iite
ES
5
hSi
J^
sH-gJ-
3E
(2-
I
«>
H=-
i"
3^
- — -
* -r
292
Medium.
tS|p£§
F
0- s --W-
M=
P^ r'TTT1
G E N I N.
*4
8s & 7s. *
Theme from PLEYEL.
*±±.
X
^=p
0~\~0
--H— »+©■
:at
I
^IgSiifi
s> — •>-"-
r-X-
«*■'©-
q:
i
1. Create, O God, my powers a-new, Make my whole heart sincere and true ; Oh cast me not in wrath away, Nor let thy soul-enlivening ray Still cease to shine.
2. Restore thy favor, bliss divine ! Those heavenly joys that once were mine ; Let thy good Spirit, kind and free, Uphold and guide my steps to thee, Thou God of love.
3. Then will I teach thy sacred ways ; With holy zeal proclaim thy praise ; Till sinners leave the dangerous road, Forsake their sins, and turn to God With hearts sincere.
s^=*rr_r:rT=rr_pH_ — fj^-pe-X-
MmiiiWi
£
-m—
-i
1
STANDISH.
With Feeling.
'
R=
8s & 7s. (peculiar.)
V. O. T.
m
K=m
W—0-0 -e • Xp\+—P~-i
PFPP
ste
-H-
-*—0—^
r©-.— -^i-1*1— ^ #-l-Lc-^-Lo— *—
1. O lay not up up - on this earth Your hope, your joy, your treasure ;
2. Barth'B joys, like dew-drops, fade a - way, Like clouds its visions van-ish;
Here sor
A - bove
-row clouds the pilgrim's path, And blights each opening pleasure.
, no night can chase the day ; Those joys no change can ban-ish.
-Am— 0-0-
ggsyftfefefcH
L.J-J
-*—\ 1—
J, j J;' J- J J
ilzzitzitzicd^zz^zdF'
i^ , _^J J U. J J J-Lfl^-J-W
E=E
::b-^r^i-g:t,| — '*
Mr"
Medium. Staccato*
FONDELINO. 8s & 4s. (peculiar.)
From a MS. by CARTNEY,
293
»^
*-\&-_ -f — f — G-V&- 'fs>
h±\=f=FtF-!-f=tF=*P±F
m
541*-
-*-«-i-9-
-&-£.
■P~&-
'Ztz&EML
Egg
b
-• -. -,-•-
^
=x
4-
&—G-
Soli.
Coro.
s — s»-
F=F=tl
3E?
-"*£
:*3fc
^
IS
=3
**
saSdSS
^er1--^-*^
\
God of evening and of morning, Great Source of all ! ,
Wlnle our hearts with love are burning, [Omit . . j Prostrate we fall ; Now thy sacred throne addressing, And our follies all confessing, We entreat a Father's blessing, Lord, hear our call.
I
Medium.
CRIP EN. 8s & 4s.
Arranged from "CARLOS."
1. Alas ! how poor and little worth Are all those flittering toys of earth That lure us here ! Dreams of a sleep that death must break : Alas ! before it bids us wake, They disappear.
3. Our birthis but a starting-place ; Life is the running of the lace, And death the goal : There all those glittering toys are brought ; That path alone, of all uusought.Is found of all
4. O, let the soul its slumbers break, Arouse its senses, and awake To see how soon Life, like its glories, glides away, And the stern foot-steps of decay Come stealing on.
A-A-M
tf-Tr-i — »J-» &i-a o->-?L-&-& — Ls> s>J-i5> &
§#i
.tfcsdqs
pq
f=cp
,
«-!=■
S>- I \-6>- I
32
-i
i '
& f?f-LS> S>J-G-i>;>r^LS> &->
fs~fe-
P P
_'*
■o-a-
-!— I-
^gjgr-rar- J2_d[.
U-
!fet
-^p
— .*
H=c
IS
f-c
-^-^g-rg si-
-J
1 1 i
<«l si
35
-«2-_f2-
jg fg- -s— (2-
Ci
^£UJ.
,J 1A
-f
-&--■
W=V
"f£
294
Close and Gliding Style.
MAYHEW. 8s & 4s. *
-a
s — *— #-
-* —
•^0-
i — h
f?:
»-
^
S3
I
V
5:
:3T
^K
''¥
&-
E
3=±
/o ** 1- azi jo
#-- '&
:E^
3
»— 3 — *-
3^
s
«
3:
i
1. There is a calm for those who weep, A rest for wea - ry pil-grims found: They soft- ly lie, and sweet-ly sleep, Low in the ground
2. The storm that sweeps the wiii - try sky No more (lis - turbs their deep re - pose, Than sum - mer eve - ning's la - test sigh, That shuts the rose.
3. Then, tra - veller in the vale of tears, To realms of ev - er - last - ing light, Thro' time's dark wil - der - ness of years, Pur - sue thy flight.
-4
p3ga=pif
=t
3~~J
9:3
- ■
1 -
mm
1—
;eee
sHi-r
' i r r
J- i,
-*#
-eS—
/
Medium only. Staccato
n
ORLANDO. 8s & 4s.
V. C. T
Hark, hark ! the.gospel trumpet sounds, Through earth and heaven the echo bounds ; Pardon and peace by Jesus' blood ! Sinners are reconciled to God By grace divine.
1. Hark, hark ! the gospel trumpet sounds,
2. Gome, sinners, hear the joyful news,
~*
Through earth and heaven the echo bounds ; Pardon and peace by Je-sus' blood ! Sinners are reconciled to God By grace divine !
Nor long - er dare the grace refuse ; Mercy an 1 justice here combine, Goodness and truth harmonious join, T' invite you near.
mmmmm
s
D
EHE
-A
ff
u
% —-
1-I--N
J-H-J^
C O
-0-00
J J
5 ^
' ' T \" »■ » r*~
Mill
h
I I
I I
-fJ
rr
ij M i j
— I — #-» r — 0-0-0-r,* a , d- . «r --r«--^-r»— .-«-«— «>- ,-«■-«
-:ir -: I - _LLLlIH: jag W*fff?f= ff ^j=cgi
1 EzT-tpri-X.]; ; H— L— i i I -Li— t— LgJ,^ pq
-»-. J —
^- - - \0 G--0-P--
?•
~Q-&-
^
Through earth and heaven the echo bounds ; Pardon and peace by Jesus' blood I Sinners are reconciled to God By grace divine
OTUMBA. 8s&9s. *
295
Slightly Faster than Medium.
(Be careful here of the time.)
I
&J0-0-0-
:«e
2^"
s^»-*-#
■5^
— I 1— s»— ©-
a» •
=t
izifc
st*:
«
:2za:
I
1. Weep not for the saint thatas-eends To par-take of the joys of the sky; "Weep not for the ser - aph that bends With the •worshipping chorus on
2. Weep not for the spi - rit now crowned With the garland to martyrdom given ; 0, weep not for him : he has found His reward and his refuge in
3. But weep for their sor-rows who stand And la - ment o'er the dead by his grave ; Who sigh when they muse on the land Of their home far away o'er the
i — J — I — 1-Hi
— , r ; t~~ "^ -,t~) — i — —
- ztq=q=qtq=q:iq= -4-i-J-J
*±3zsz^z-±3z3±i=S?zfrz?:
rrf-n
:i
dzZTLWL
p
#za'z*zitf:2z^
-i-
d=S
33
O .9
I
'r
:fzP=*:
^pttz^
high.
heaven.
wave.
3~
r
P
J J J J
U-J--J-^zzzz==*=<
Pathetic.
C 0 R L I S. 8s, 6s & 4s.
V. C. T.
^J
£
£91
t
ie=e:
— B-«— !
=^=^:
-o
re:
*=«
M-
:EC
I
fct
^^ILs,-^
=F=f
-s*— a-
:se
-c»-
I2Z2£
-S>— ©■
^W
=t
3H=5E
-9—9-
— ^S1 — S1-8 — i 1-
-e—L-e-
&
3
-*-*-
I
1. Fa - ther, who in the ol - ive shade, When the dark hour came on. Didst, with a breath of heavenly aid. Strengthen thy Son, Strengthen thy Son.
2. O, by the an-guish of that night, Send us down blest re - lief ; Or, to the chastened, let thy might Hal - low this grief, Hal - low this grief.
3. And thou, that when the star - ry sky Saw the dread strife be - gun, Didst teach a - dor - ing faith to cry, " Thy will be done," " Thy will be done."
<!
HE
r
■d-s-ds-
»-*•£ —
T-
S—rS-
!f-fer
z±lJ4lL:
S==t:
1=
"f ft
J j J
:::2z:s?:
© — ©-
r
F
pc
F
-e-£o-
-S>-r-
3
fciidzstrjfc
-9—f-
=fc=t*
E*
„ ~ «
r
«~4
e — Jj-
J |
1 JL
:^z
-h-
i£=e:
S
iJTp ■fflH^Mi
F=±±=^:
296
i
§5
Medium Time.
=£
GUSTAVUS. 7s, 6s & 8s.
{Funeral Hymn.)
Theme from ORDWAT
3E
=P=p:
ziisbEL*:
:d.-zz«t
=«
::*— *:
=t
1 \=t
= =H
£
1. Bi'o - ther,* thou
2. Bro - ther, thou
3. Bro - ther, thou
art gone
art gone
art gone
to rest,
to rest,
to rest,
hee ; For thou
We will not weep for thee;
Thine is an ear - ly tomb ; But Je
Thy toils and cares are o'er ; And sor
ins
art now where oft on earth
sus summoned thee a - way,
row, pain, and suffering, now
Thy spi - rit longed to be.
Thy Sa - viour called thee home.
Shall ne'er dis - tress thee more.
-4-
3
VJ±.
J . J
=t
r • r
f-
^-^-j-.^-^---tJ-_j.
j . j j J
^^:
fiEEf
F
T=F
-J
BE
J-.-J-
<9— -4
-J J J-
J J . J J . J
-e-
istzz*:
t- i
ztnl=z}
I
Or Sister, if occasion require to be thus used.
HAZEL. 5s & 12s.
/
Quite Fast.
i> f I
— £f£
=t
#=*:
e=i
■f
=tq=4
S
i 1 ■j— i — j. - —i—
t:
:t:
W=ZW—W=-'-'^-
W-
|§g^S
1. Come, lit us a
2. His a - dor - a - ble
Our
m
new Uur jour - ney pur - sue— Roll round with the year, And nev - er" stand still till
will Let us glad - ly ful - fil; And our tal - cuts im - prove By the patience of hope, and
the
the
Mas - ter
la - bor
a])
of
pear,
love.
'l„Z=z
J-
J.
f
-J-
^^^^^^a^^^^yiApBi
J____J J 1 . J -,- »
J-
J-
-- o
:
*
EEr
J. -j-'J- -J- -j
. S±£— dirafc::
J
:±ffc£
HiHi^I^I
Rather Fast.
-m.
*=£=p:
m
-*—*—#.
QUINTZ.
7s & 5s. *
Arranged from H. B.
297
-0 — 0-
1 1—
I
I
4=F=t
*— *— *— *—
8*3=*:
J:
::=4=^
aLzat
^
:t
it
Ezfzz^:
=4=4:
— i-
-«-
^=§
1. On-ward speed thy conquering flight, An - gel, on - ward speed ; Cast a - broad thy ra - diant light, Bid the shades re - cede ; Tread the i - dols
2. On-ward speed thy conquering flight, An - gel, on-ward haste; Quickly on each mountain's height Be thy standard placed; Let thy bliss-ful
P-l L
--*%e!
:*=*:
:d==]:
-0—1-
2r
iff
i^n:
J r
91
r
i
=t
r r r r
-9 y1-
--£-
t^
1
r • .r
±
B— • — « — « 1 — |-
&
-J— J
r
j.
tpzzpzzjezrpzt
1—0 0 0-
1
*=
£
g
:s£
-g<-|-| — r
^:
i^^Jiili
€^~ "-
ztz*:
:=]:
— ©-
:tz?:
=i=t
:?zi:
PEg
:s£
I
in the dust,
ti - dings float
Heathen fanes des - troy, Spread the gos - pel's ho - ly trust, Spread the gos - pel's joy. Spread the gos
Far o'er vale and hill, Till the sweetly - ech - oing note Ev - ery bo - som thrill, Ev - ery bo
pel's joy.
som thrill.
,
298
*t
'*--&
I
K I M E L B R. 7s & 8s. (peculiar.)
ZzJz=^
t
-• — &
:*zz*zj*:
StZZt
I
zjzzzMzzzt
*-■ — *— '0— 9
o
ijZZZiEEEtgZSZEj
1
g=S3EZfi
1. Lift not thou the -wail - ing voice ; Weep not : 'tis a Chris-tian di - eth: Up, where blessed saints re - joice, Ransomed, now the spi - rit fli - eth:
2. They who die in Christ are blest: Ours be, then, no thought of griev-ing : Sweet - ly with their God they rest, All their toils aud trou-bles leav-ing:
I
0—0-
r s r r r * r
j . ; j j -J- . j
^z^zzqzzzjzzzjziJ-ifezzzWdzzzM^
: r^zRzziz^zziz: £ zz*zz*zzf z3zfc*zz*zz*
-I-
±E*
-P-J
r • ,r r r r • ; r r r ' / r r r • r
*F
I
zzzzzzzzzpzrazzeizp:
f
I3Z1Z1
1 f . . Lg ^o L.ffl _l — L
ntp-y-*
y=pzl
izzj:
-© — o-
I
/TS
Be
$
£ZtZzfe^E=fe=£
W=T0.
Jz»zz*
ffi
:=fc
t:
s
fes^
n
~A 1- — I — J~ -~—\ 1«* — I — Z) _ J .
*zz*z:#zz*zt:*zz^z:zjzz*zi:^iz:*z^zz«»z
!||zzss
*— 3zzJz-^-1-^^-*zsz-_sz:r*-^— s^^S-^
High in heaven's o wn light she dwelleth; Full the spng of triumph swell-eth : Freed from earth, and earth-ly Fail -ing, Lift for her no voice of wail - ing.
So be OUTB the faith that sa-vcth, Hope that ev - ery tri - al bra-veth, Love that to the end en- du -reth, And.'thro' Christ, the crown se-cu - rcth.
'izfi^zz^zzFzT:' : * ^zzzzJifzz^zzrzzzCziT*:: t^S^zz^^^i^SziStfEiJ^^aB
* -^ J . J J -J-. p j ■ J - /_j _JL j
gzzz=zz:zz~^^izza=:<i~y~i-p- * 0^~y-j9--w7~p — w^TW^-^— 0— *-J>— ^- — a — =zJzgEzzzLz._j_Lj
HE
f dJLgztz
i
AMERICA. 6s & 4s.
Faster than Medium
English National Air.
299
3-
1. Praise ye Jehovah's name,Praise thro' his courts proclaim, Rise and adore ; High o'er the heavens above Sound hi* great acts of love, While his rich grace we prove, Vast as his power.
2. Now let the trumpet raise Sounds of triumphant praise, Wide as his fame : There let the harp be found ; Organs, with solemn sound,Roll your deep notes around,Filled with his name.
5±§n
±h
+-U4U
*±(±
zBztz^: M^ZLW-^: t=f =^= :pzn|r^z ^zfnwi —£—-:*:: tzzrz^z: :nzTz\zz mzn^z^z :=z==z ::
i i i i
'-
i^i
°
:*z:2l
-
i i i
— i —
a3^
J ! i
m
WZft
Xr-
m
JAELL
Moderate
V. C. T.
1. Low- ly and solemn be Thy children's cry to thee, Fa - ther di-vine, — A hymn of suppliant breath, Owning that life and death A- like are thine.
2. 0 Fa - ther, iu that hour, When earth all helping power Shall dis - a- vow, When spear, and shield, and crown Jn faintness are cast down, Sus- tain us, thou I
:£=£=&G
-I
i
£_£.
-I
r4-
-ftu-g^AH-
300
tag -J- J jzzjzpj
)=S
& — @ — & — &-
f
feb.'
■9
zzzzc
-s-
-®—@-
IRVING.
-J— J-
■MzzM.
GJ <9
O — -*--• — 0 — 9 — »-
6s & 4s.
Arranged from THOS MOORE
T©- -;©-
=t
z^E?1^
— j -« — «^-«-j — *-
1. Child of sin and sor- row, Filled with dis-may, Wait not for to-mor-row, Yield thee to-day, Heaven bids thee come, While yet there's room :
2. Child of sin and sor-row, Why wilt thou die ? Come, while thou canst borrow Help from on high; Grieve not that love, Which from a - bove.
-0- -0-
0 — 0 — 0-
M b_S,d
I±£ZZ2Zzt
•t- -*- i I
■0—0 — 0 0-
izzt
•-0-
-*- -G-
■P—-i
■\ — n
i
4
abV
^cz^
i rj
i i i i i i i i i i r u -?--*- i r i i
Child of sin and sor - row, Hear and o - bey ; Heaven bids thee come, While yet there's room: Child of sin and sor - row, Hear and o - bey.
Child of sin and sor - row, Would bring thee uigh : Grieve not that love, Which from a - bove, Child of sin and sor - row, Would bring thee nigh.
fcfcg
0—0—^—0
izzzzzfzztz
'—.'<? e
4£
^b h 0_m_l
i
_Jzzz?:
_*_-?:
E-s — 0
-o-
-o-
s
±t=
■s —
zztipzzp
'-^EB.
LjMl
CHILD OF SIN AND SORROW.
From "Spiritual Songs."
By permission.
^
tu
4:
I:
j j_iJ. i-i
afcti-VFF*'
f
TT
■•'—0-j- -o—f-i — I — i —
11 r r r i
i*rii=t=t
MiSzdzfc*
I
4-4-
i i r
-Ztzzztpzzp-zelsi
- w- ;
z^zzz1=jl?z^z:p=^fcztf
zitzjzzjzgzgi sz 2z:t^z:?z?f szztz
d 3z«
*FT r
1. Child of sin and sorrow; Filled with dismay, Wait nol for to mor-row, Yield thee to-day, Heav'n bids Hue eoino.Whilc} H I hero's room. Child ofsinandsorrow,Hear and obey.
2. Child of ;- in; and sorrow, Why wilt thou die ?Come, while thouCanstborro'wHelpfromoD nigh; GrieVe not that love, Which from above, Child of sin and sorrow, Would bring thee nigh.
| |_j*_#Zp_G.
i
.«_#Lc_
^ 1 1 f— 0-0-0-0-\
£> C
.-! |_#L-*p j2
-° d .1.6
1 J J * I , . I J
-©
.2__<2_
JJ_<
:f«z^»z»Lz:^zJE[zz:zzEfe^
HILL. 6s & 4s.
Medium.
THOS. HASTINGS. 301
^ Permission, from the "3. Songs."
(
FAITH. 6s & 4s. (peculiar.)
THOS. HASTINGS.
By Permission, from the " S. Songs."
-Q- -&- -0-0-
1. My faith looks up to thee, Thou Lamb of Calvary ; Saviour divine, Now hear me while I pray, Take all my guilt away ; O, let me from this day, Be whol - ly thine.
2. May thy rich grace impart Strength to my fainting heart ; My zeal inspire ; As thou hast died for me, O, may my love to thee, Pure, warm, and changeless be — A living fire.
-H-4H — £-1
3^rt
J._J_J_ TJ. J_
-0-0.
P^=p:
=*1
■[—■a—*-*
-I- J- J
3t3t
-J-
1 J.
m
rr
I
=1:
=t
I
302
Bold.
1=S
*t
•-•
p
S'FEE
ITALIAN HYMN. 6s & 4s.
■— j — «-H — |-^-»-g-}-g~ g~*T — ! — r
GIAEDINI.
P
^p=s£S
F
1t=3
ft
&£
=1=1=1:
-*--*--*-
qzq:
■**-^-1^
£
faz=E=3E
:#z*
z?:fe
*
#
t=
XL.
F
1
J:
'J
3£+:
j=&t*^
=3
ff ~9
SSffi
«-»-*
1^
1. Come, thou Al - mighty King, Help us thy name to sing, Help us to praise ; Father all glo - ri-ous, O'er all vietori-ous, Come, and reign over us, Ancient of Days.
2. Jesus, our Lord, descend ; From all our foes defend, Nor let us fall ; Let thine almighty aid Our sure defence be made, Our souls on thee be staved ; Lord, hear our call
__J >-> .-&■/. . i . , ! i . i IS
ggg^jggg^1^
r r r rr r r
SE=*
£
••-*
=H=*
£
r
j
tb
1 1 1
:^=d;i:
]-:£znpt=F;izjz^
r r r
=£
!=£*
:t=i
F^
f
rti^
fcz
pe
■0-0-0-
z= ipzzpz?
J .-J- J , , J- J .
*R=£
w^w^w-
t
J-4
-»— •-
r
fe-1-
i
ZIROLESE. 6s.
=&=
za:
1
^=rt
M. JTJLLIEN.
Aria in ''La Prima Donna.'
-°j±z&
— -f-# — » — 0
gfczrzr
=r
^
ESSE
?1
if^^g=^p"^=pi
i
iSpllgSifj
3
SI
-•- -s>-
Or on the wa - ters cast,
A - round us and a - broad,
Their ash - es shall be watched, And gathered at
Shall spring a pleu - teous seed Of ' wit - ness - es
I
1. Flung to the heed - less winds,
2. And from that scattered dust,
the last :
for God.
j j j
f-
r
#=t
j j j
j j
j '
-0
T
-J
:d~
ff^-f^^r. f^z^^^i^^mt=i^=^^
Choral
iz
*?S=
iL?.=Jz-
:fc
mf
m
:4:
HATFIELD. 6s. *
35feEE
303
I
©
=±=±t
re
-0
-1 H
H 1'
|**»-i
~:@
I
L±:
2:
-• •— L-* 0>
— I rf-
=£=?
^ m—L-m •-- L-* «»-- L-a
3^
--»*■
3S
I
@
s*tb
1. The God who reigns a - lone, O'er earth, and sea, and sky, Let men 'with prais - es own, And sound his hon - ors high,
2. Him, all in heaven a - hove, Him, all on earth be - low, Th'ex - haust-less Source of love, The great Cre - a tor know
^4
r
0
1
1
?"
r—r
5f
m
=t
r
^=^=d==^
r t *v
±
gv»j
J J -L
J J
tfafcE
^~
f=
r
E
0 •-
— I—
EE
j 4 J
r
J
r
:<9i
:e:
-^^4— i 1 — 4/-i 5 H
P- J ... O.
si
r
J=s:
-©-
E=?z::z?zz=3
NILE. 6s.
:^
^2-
:p=p:
*=
?EE
«-
I
»>f jj-fe-jiaa
-s>— L- ©-
I
-©-
:i>:
—I-
3
J:
:=F
11
s ■
1. Once more, be - fore we part, We'll bless the Sa - viour's name ; Let ev - ery tongue and heart Praise and a - doi the same.
2. Lord, in thy name we come, Thy bless - ing still im-part; We meet in Je - sus' name, And in his name we part.
£±3
t=z
=t
-e-
I
=F
=t
£=*:
r r
-r-f
A
dry.-. J^AM^py
i i
J r-f
I
EfoS
J J
J-,
J J
±zfc£=t
1EE
1 — Fr
EE£
:pzzp:
-© ■— I—
-F #— #-
-I 1 r-
304
JUSTIN. 6s&9s.
Fast.
^S*liSll
I— «+<9-
8-0^-0
az£
0-0-0-
EEZE
tf-tf-
«
— I PO-— I
=t
:*:
SEti
i — I
a
P^
'g-f— *Tj*
±:i
Wh
■-ha— '-»—*-+ —
*=J=J
^S
ti
±3t
_=iz:?
^Lz*:
3EI:
V V V »
1. Come a - wav to the skies, My be - lov - ed, a - rise ! And re-joice in the day thou wert born : On this fes - ti - val day, Come, ex - ult-ing, a - way,
£E3==-SzHE
*3*r
k=t
fcBzz^z:
r
P?^i
-f*-fc
ffl
> &•"
r
«
=i=i
r?
■#— #-
-4
£=n
f
EE
-©-
ir= i— — pz:^=fg=^=^:i^=^z^^rzzz^^^=^#=:^:^^zzzz_=
}ARIA.
I.J 111 i
J _ _ -Q
itzzrzzzzfczzE
¥
:£=
==Wta=i=ra==l=
KI*
«=t
EESfe^
jfe
g?r~^
/
And with singing to Zi-on return, And with singing to Zi- on return;
liz#fe(
3
^r#cp — :
V*
Slowly.
-f^m-i4H0-
M
3SZ3
-0-m-m-\
8s, 3s & 6s.
V. O. T
*z*z*z}
1 &—*■ — ■ » -•-&—■ —
-0-4-0 -0* 9 5r -»-•- -«r* -0-4- -&-
1. Ere I sleep, for ev-ery fa-vor This day showed by my God, I do bless my Sa - viour.
BAVARIA. 5s & 10s.
Allegretto, Declamando. Staccato.
V. C T.
305
53
~» — I-
ati:
^g^^m^M
rf=t
-0 — #-
-W=&
3t
** B-tf
EE
=*-r*
:E
:±
SE
ra
> ? <>
&fr.
Goto.
mf-
ff
>
■ Soli, p < > «=rr==-
Iiarghetto, Cantabile.
<>
l^E
SB
* * * — #-
*
i
T-
-*-#-
-*-»
1. No war nor bat- tie sound Was heard the earth a - round, No hos - tile chiefs to fu-rious com -bat ran; But peace - ful was the night,
-&L— J , . PU— ^ J*JU— fc
j- -j- r f r ^
m^-f-
^-HS»-
£:
-,©-J r
Soli.pO
o
<>
Coro. ^>p
<> Cres.
- > i?iV.
>
\r
,-b I-
:*=td
±±=£
3
^
In which the Prince of
Trebles. •
light
-9— — ^— ^ —
His reign of peace up - on the earth
be -
gan.
rreDies./ — s /— n
l
l
i
seSl
t=t
4qF=t
3^=#t
Hr¥~:
j ; ;
; . .; ; j
f~Z
wl—wz
±&
2 T
r!~r
(chime — 20)
EEI2:
¥
rs
t
i
I
2. No conqueror's sword he bore,
Nor warlike armor wore,
Nor haughty passions roused to contest wild.
In peace and love he came,
And gentle was his reign,
Which o'er the world he spread by influence mild.
3. Unwilling kings obeyed.
And sheathed the battle blade,
And called their bloody legions from the field.
Iu silent awe they wait,
And close the warrior's gate,
Nor know to whom their homage thus they yield,
4. The peaceful conqueror goes,
And triumphs o'er his foes,
His weapons drawn from armories above.
Behold the vanquished sit,
Submissive at his feet,
And strife and hate are changed to peace and love.
306
KYLE. 6s & 5s. (peculiar.)
m
^=S^=&:
-9—9-
1. Thro' thy protect - ing care, Kept till the dawning, Taught to draw near in prayer, Heed we the warning : O thou great One in Three, Gladly our souls would he
2. God of our sleeping hours, Watch o'er us waking, All our imperfect powers In thine hands tak-ing : In us thy work fulfil, Be with thy children still,
IS I*
Fta
w
j ; -L-s- j
j ;; j j
^
t-T-
;fzrf=£
ffez
• *
^^-i:
r-
*-*-
g^^
J
#=p=zjz:-:
-^_^-
J
^SESEJEE
-ft_xe
Li?
— I — I — t \—^—9—\~\ - H-
-~e-
^-«-
1
k-H— i-r-f
^-k*»-#»-*-
KANTZ. 6s & 5s. *
Kzz*:
/
-£:
-#— 0
0303^3
With Care anl Exactness
-** — *•-*•
5ZV
^
Ever - more praising thee, God of the morn - ing.
Those who o - bey thy will Nev - er for- siik -ing.
r* is
-j — £_£n
.j ..rg'iu
r r r r f f
4J
r j- ; r
susigiigii
1. When shall we meet a - gain! — Meet ne'er to sev - er? When will Peace, wreath her chain
2. When shall love pure - ly flow Pure as life's riv - er ? When shall sweet friendship glow
zjij-^ztz^ztdzzizzzsg:
Izz zz±*z3=:fc: 1 £=£ij± ±l
3^
zzfzizzz:
-P — r — p — -p P-.-P— -h* — 1
4-
!Hfh
mmm^
J — *
zzffizzzjSzl:
K A IST T Z. CONCLUDED.
307
Round
Change
us for - ev - er? Our hearts will ne'er repose Safe from each blast that blows In this dark vale of woes — Never —
less for - ev - er ? Where joys ce - lestial thrill, Where bliss each heart shall fill. And fears of parting chill, Never —
no,
no,
*2
=£
#— j— y— ■& — \+- ^t—9 —
ji
^ *!,
<
r r 7 !
0 — m — I — i 1 — 0 —
-f=:fs>:zzf::':z
" • C_i
=):
3=3:
■&-*-
J J .
T
*=?
pfq
tiT
E
:^=p:
-H 1 —
V==W-
-i j -J- -J- •-;- ;
rr_
«
zmz^z
-i- -*•
Quite Slow: Distinct, and in Steady Time.
t=
<
V7
never !
never !
CN < C>
=F
-© —
"-i I i *»— i*»— g— }-i — y
— ±fz
! r
1
■# — ©-
< ^
1
ILLSLY. 6s & 10s.
*
SS:
^^l-**-****^*
jE±£^
-r— +
Tt
^nwimjfifr.
is—] — Hf- j-H— I — f
m
es.
7/1
,jti£trt:iL*L-tfiat2ifc
IS
dtfc
5^
3
^=S=&*
j±—\ i-La-*kJ-fi®-' — 0-0-0^-0-0 0-0^-0-0^0-* — 0-0-0^0-^^-* — 0-0-0^0-0^0-* — •-*-*-■ — 0-^-w-L0-00±-±-^ —
-0-.-0- "i -s1- -0- -0-
1. Thou, who didst stoop below, To drain the cup of woe, And wear the form of frail mortalit v. Thy bless"d labors done, Thy crown of victory won. Has: pass'd from earth, nass'4 to thy home on high.
2. It was no path of flowers, Thro' this dark world of ours, Beloved of the Father, thou didst tread ; And shall we, in dismay, Shrink, from the narrow way, When clouds and darkness are around it spread ?
< < ^. 1 . . -* ^ <* <* «° I < . «* #* ^ ^ ^
±1
£Sz
^ma
tt.
tfafc*f
xj, _j— a J
Ij£t^tt*\0>- *\l l!^O^Xu£EB
>>>,«.>
^W3^
^ *• ^ ^ ^
.
308
WHARTON". 6s & 5s.
Slowly.
From " Sacred Minstrel." V. C. T.
fc£
iexeect
£*
**-« 0
■s>-«
:^
5t
=t«
M
Effi
mP—c-
Sfe:
e^eeE
*3£
W:
d==£
i
5=3=:T=^lr5=:=i==^
=1
HE
1. Our Fa - ther in hea- ven, We hal - low thy name ! May thy king - dom ho - ly On earth be the same ! Oh give to ns dai - ly
2. For - give our transgressions, And teach us to know That hum - ble com - pas- sion Which par- dons each foe : Keep us from temp - ta - tion,
M
&—±
E3H!
I ■--*■"■"■
=t
«=|=^=3;
P-l-0
'-t^t-
:?eei£:
'*-»-
^-h
EE
-0--0—J0
=6=a
g^EEE*
-L-S1-
3g
«a
3:
=z=EE
^
^
=£
E-r0-«-
Coro.
^
?#:
See
S
Our por - tion of bread;
From weak - ncss and sin,
It is from
And thine be
z£-jZf±+ —
3EEE^Ef
£=*:
:*=*:
jgg
£=J=t=*f
^
thy
the
boun - ty That
glo - ry, . . .
*t
T* *"
ev - er — A
IeeeeI
, — #-
=t
F
i=S
-'IEEE
g— r~ri*^
E^E
EtEJi
ttzzzt^fc^
t-F
E^^^EpfeEEgEJEJ
Bt=r
^=1
H
£
iPEpEEEipi
-Q — T-F-
-•--
£
ciJ-^lj.-^Tn
I
HOSMEK. 6s, 8s & 4s.
309
Rather Fast.
Sac:
V=r
PLZ^ZM
I
T=$
a_* *i
*
0
J=t
£--&EEL
t-
wr-p—p—jr
?=±
«E3
*z=<£
»
I
rt
=tet
*=&=*=3£
3=EE&
I
P^i
1. Yes, God him - self hath sworn, — I on his oath de - pend, — I shall, on ea - gle's wings up - borne, To heaven as - cend: I sball be- hold his
2. Though nature's strength decay, And death and hell with-stand, To Ca-naan's bounds I urge my way, At his com - mand : The wa - tery deep I
! — i — i — v
f— f — ' f l r — f ' r — r — f—-^r
:&:
t—t—t-H— r-f— f-
B
f- r rf — r
fz=^:
r— r
tt?
j- j- j.
jl j. j. j, j. j_
E
I
J_ J— -J-JL—J
i-J
J- J-
E
^ J .j . J- + +
j-
pzzpzzpczp:
i — ri — r
t-
t~
r
BE
pzzpzzpzzp:
P
p:
fe
=P=^z
3E5
*zz*:
:*=;
^— ^
face,
pass,
I shall his power a - dore,
With Je - sus in my view,
I i
xfe—
izztz*:
-s--f-
J-
-JL 4. -J-
±=E
And sing the won-ders of his grace
And thro' the howl - ing wil - der - ness
-0-
For
My
ev -
way
=t
^3
er -
pur
^1
more,
sue.
p=zptr_f._r._
£:
£^
«
*=
-f~r
m
j-
j-
I
b=P:
-e-
E
-• r-
J- -J
J-
-J-
4=
1=
t~
I
The goodly land I see,
With peace and plenty blest,
The land of sacred liberty
And endless rest :
There milk and honey flow,
And oil and wine abound,
And trees of life for ever grow,
AVith mercy crowned.
There dwells the Lord our King,
The Lord our Righteousness,
Triumphant o'er the world and sk>,
The Prince of Peace,
On Ziou's saore'd height,
His kingdom still maintains,
And, glorious with his saints in light,
For ever reigns.
310
CHALD^EA. 10s. *
Medium.
"fa
Arranged from W M. BENNETT.
Soli.
^^«i^
( 'pro.
:F±t:
M^gqyif
£
±q=t
-a- -0- *s w
Along the banks where Babel's current flows. Our captive bands in deep despondence strayed. While Zion's fall in sad remembrance rose. Her friends, her children, mingled with the dead
The tuneless harp, that once with joy we strung.When praise employed, and mirth inspired the lay, In mournful silence, on the willows hung, And growing grief prolonged the tedious day.
fczE? t ?£ii :2z*±?z*: fzf: :?zlz} az* IE*: zj^ iS^:
— -p_z_ifzz*± — i^-ztzxip — ?± — ,_ir — tfe i — • ± —
HBJzffI?=?fezfHzi:e±dz3*itffB
■©-«
J J
J- + J-
— r
zzz "Eli? ::zz*
r-rT—r- rr
zfcifcz
zrbzzczSz
zj:
i:=
:fzzz:
a?^
P
zipzpzpzp:
fizzztzfctifc
zr
DANTE. 10s.
rr
t
pisnr
r-rr"TF:
it
S§
f-
^zpfezefezi:zlzz^Jzz:±ziii:pz:«izzzF|:
|zztiit=3t=— ^zEipz^fczizttzzztazdE
i i i i i
Slew. I liuncini.
V. C. T.
\
I*^
0-0-0
■0-0-0
^'r i TTTT^fl-r':'TJFfTTTir V
11
3z±zt?zzfzt~zpz"i^^
ztfSzIzi
flMfcfc=£d
zfzp^zzpzz^^^^
1 . Along iln banks wfc< re Babel's currenl flows. OtiRcaptive bands in deep despondence strayed. While Zion's fall in sad remembrance rose, Her friends, her children, mingled with the dead.
2. The tuneless harp, that once Willi joy we strung, \Vh< n praise employed, and mirth inspired the lay, In mournful silence, on the willows hung, And growing grief prolonged the tedious day.
3 i^SSz3zrzj3z^i-z] | |
u E tezfctfzffizizfz^&lSrfzi
J
1 fclgp
J ILL J
i l i '-H-
j j j
lijztzjzzizzj:
0 9 0
f f
J J J J
3=3
-$z-Ls,~:_-_?— r -V-i—f" r
Lr-
J -J J
-- J — i — lx^— dn-zj-zz — zb
ztE*z?z?z?T?z:?:fezz:fc
_rZt_LLtzt__t.p._.p„rtr_f-t|i.z*_* Ij, — tL
J J J J J J J
pipz^zie:^—:
zz:z ^zzzzzTlz:zzi|5z1:^ipzpz|tz«gz:e:ie
LI DEN. 10s. *
311
Slow and Staceato.
1. Again the day returns of bo-ly rest, Which, when he made the world, Jeho-vah blest ; When, like his own, he bade our labors cease, And all be piety, and all be peace.
2. Let us devote this con-se-crated day To learn his will, and all we learn o-bey ; So shall he hear, when fervently we raise Our supplications, and our songs of praise.
PS*
J J J
■© — ■ ^ — # — •—■
anfete
*^ffi±
*zpz|r:szpz?z*z
T±-
:t±
.15.
m
f-rr
izzzzn,"
r~r
~M
i i
f-r-
i
«—»-«
■*-
id.
Ml
l
n
=t
jgib:
az*:
-X
-^
g
■©— S>
r r,r • r
j j .; j J J jj
::?zlzz£z£z*:
p— r
H
3Z3
r
--©
I
r r^ ■ r,
4
—tit
r
:az#:
I
■&-&•-
rr
l
SAVANNAH. 10s.
FLEYEL.
s
Allegretto. Staccato.
IS ?«. N
£z£
#t*
*ut*:
i=£
ns-ns-^*-
-
*zgz«stsz«:
#4
g?z*:
-X
fzSzf
i:
:£z>:
>» T
*za£*:
s
771
>
<
m
<
z£
i^ae
z^s
e-i—9-
O—O
^ZSZ'S
4,-0-0—e-
&
a
ZE
«>-©
Z^
3:
W
00^—-A—L0-0j
From Jesse's root, behold a branch arise, Whose sacred flower with fragrance fills the skies ; The sick and weak the healing plant shall aid, From storms a shelter, and from heat a shade
l»> pi p» i^1 J__j _, , Si IS |S F* I . i I IS S S. ^ ! I i IS N rS P
F— =ff-i — •— L f — p— L-r»— 1
HF^E
JL
:s.
r
*z*z*
:*
I-
•»-r-t^=F-g >-
S^
Ft
.J--J-
=:
S
kze-a£rd.
izf:
rr
iz*z*
rrr^r
«?
-©-
r
=1zzz^
{
* L.
sirs:
■i ■-!
r
ji^
j
tr-r-
■d-«--iri-a/-^-d— -
zzz-^r-r
^z^zizza^zzz
fFtT?
^
t
i-i-
0-0:
J-.-JL
'p^zzpzipzz:
4
3="5
* 0 -
.*_.<*_
^iJ^^dHi^-^^Jzxdzzkizrz
gM^BzjpzaJz^zzzgjBzE:
S^
^
ipztr
312
L1SD0N. lis.
V. O. T.
Quite Fast
t^=9_^lH=|— -
m-bm-^M — 0-*-* J —
1 I -would not liveal- way; I ask not to stay Where storm af - ter storm ri - ses dark o'er the way ; The few lu - cid mornings that dawn onus here
2! I wouldnot liveal- way ' thus fettered by sin— Temp-ta - lion without and cor- rup - tion with- in: E'en the rap - ture of par- don is mingled with fears,
£ES
&fe
±f=*
zt
==*
rf
da=tizf-
1^
:!:
-^-
— — b — 1 O" r
Pf^Pf
^S
»EEt
:::=t
±st
^
-j:
^
EK
=t
j-
1
r — P — t-
H— -I- b
J-rr-4-t-r-
J J J J
53:
-4-
1
F
.j-
J J J
fcrfcife^
*
£
fc
"f-
J- J-
-0-
rf
E
J.
J- j.
© — 0—0
J- J
a
fci:
to
-»-»
■»— »-
:--
^-i— \-~\0— 0— 9-\e-
Slow.
-* 0
£
I
=fc
^ife
-1
fe^-U
%
i
o !■<?■
Hsl
:=t
:t
«£:?=!=£:£
gp
clouded with fear.
Are followed by gloom, or be- clouded with fear, Arc followed by gloom, or be
And the cup of thauksgiv-ing with penitent tears, And the cup of thanksgiv- ing with penitent tears.
N I ,,. - , I I _| \-4-^ slow-
I
8. I would not live alway ; no — welcome the tomb :
Since Jesus hath lain there, I dread not the gloom ;
There sweet be my rest till he bid me arise
To hail him in triumph descending the skies.
4. Who, who would live alway away from his God —
Away from yon heaven, that blissful abode,
Where rivers of pleasure flow bright o'er the plains,
And the noontide of glory eternally reigns?
6. There saints of all ages in harmony meet,
Their Saviour and brethren transported to greet :
While anthems of rapture unceasingly roll,
And the smile of the Lord is the feast of the soul.
EAST ON. lis.
V. O T.
313
Medium.
£±
*Wt
-0—0
-0- -&
H —
t
f [P; J~^~
=i3EE
-0—0—0-
-0—0-
+Z*L
&30=
^
1. The Lord is my Shep - herd ; no want shall I know ; I feed in green pas - tures, safe fold - ed to rest ; He lead - eth my soul where the
2. Thro' the val - ley and sha - dow of death though I stray, Since thou art my Guar - dian, no e - vil I fear ; Thy rod shall de - fend me, thy
Soli.
\**±,
J* i J*
=t
*£fr
i
~»~~0~
■-J-+&—1-0-
0 — 0^-s— v-
iii I
l I l
d
=t=t
1 0 - -+#-J~
?
— I-
#-
-« K-L^ #
■S> «> — 4
u
;r-i
SI*
B^£
f=st
:^zp:
ipz^r
:p=:p:
£L^_pr
:?=?:
P
:?±Ezit:
0—0- -I — B-l—
Coro.
#*#
#±
gzzjiiqz^:
-<?--
still wa-ters flow,
staff be my stay ;
■S 0-
±=ht^t-
-0—0-
Slow.
-0—0-
=P*
::=]=-
£
*fc
fi
Re - stores me when wandering, re-deems when op-pressed,
No harm can be - fall with my Com - fort - er near,
i n
Re - stores me when wan - dering, re - deems when op-pressed.
No harm can be - fall with my Com - fort - er near.
m=\
u
fT
&
J:
&
4
:«Z3£
-£
j*=£j*z
±rri
~-M-.-0-.-
.©-—■-,
fff
T-l-
r
:^:
JV-A
IS
k=fc
jzpfi
±tz=t=*
-*— #-
±t=
EH
I^ZZ^I
■o-
-P h-r*- -I-^-^-V-J
i
-»-Tf2
M/ Slow1
DAUGHTER OF ZION. lis. *
=t
o
I
=*
-i-©-
Daughter of Zion, awake from thy sadness; j ' j Bright o'er the hills dawns the day-star ) ' ' "■ — ■*
Awake, for thy foes shall op- ) press thee no more ; j of gladness ; Arise, for the ) night of thy sor
3ZB
-0-
'0'
-Sh
-0- -0-
-o-
32:
r-
_2_
:<s:
-Q-
r
-2
32ZZ
-©-
HeP
314
Slowly.
BRUNSWICK. lis & 10s.
"Come, ye Disconsolate."
S. WEBBB.
I
1
•- -0-
^
z==mz
■jtUtL
11111
Sob.
m^
t:
I
=1=1=1:
2zz*zz*:
:=F=i:r-:
Coro.
i i
^
-^--y-J
1. Come, ye dis - con - so - late, wher - e'er you lan-guish : Come, at the shrine of God fer - vent - ly kneel ; Here bring your wounded hearts, here tell your anguish ;
2. Joy of the com-fort-less, light of the straying, Hope when all o - thers die, fade - less and pure, Here speaks the Comforter, in God's name 6ay - ing,
zz:ZZZJzrLzz^Zzg
J .
tf=--
:;
-4- J-
=£
t-
|ss;
— — -p
i
*
5£EE
-I —
±Z
-m-m-
4-T-4-
zzrzzzs:
i
F»izzTr=:
-» — o
1
I
Earth has no sof - row that heaven can-not heal.
Earth has no sor - row that heaven can-not cure.
m
&-6 — 0 — ■•
:pz=a:
t=t=
ii^gy*
Rather Fast.
HOLYOKE. lis, or 12s & lis.
^—0T
t=f
i
GEO. KINGSLEY.
zzzf
4=:
P
:t=t=±t
pz: :pzr_pzzp:: ;gEH; zzzzpzzpz =pg J- r
i — + — h- — ^iP^1-*1?-* — i — i— F-h — ■ — fc-
pzfazhkzze-sii^zpz^
£ -J-04- -0- \ I "N I ' * I "IT -0- -0- I I I b*
*d|
^ i r r i • *>
lis. I would not live al - way ; I ask not to stay Where storm af - ter storm ns - es
12s & lis. Thou art gone to the gtave. but we will not deplore thee; Though sor-rows and darkness en-
— g— •-?# 1 — ^tp* — H — »-Tl— =^-1-T>#-.--tf^-#- — I — 1=f-#-}-p — p-+
tgilzCTj^fcg:
«*, sx
-*rr |zzz^^zzzzzzzFzPzSzz^zz
^ifz-za'z" ^~r_"
zz
Z!==£Z=1ZT
r-
4T+4r-
~ =3=CT=-=rj ^jr:T=j:F*==j=,zFf =f=jt=S OT=i=zzz9S
:*zzz5=?zzfizz:
i
i
(lurk o'er the way; The
- com ■ pass the tomb, TLc
few In - cid morn - ings that dawn on us here Are fol - lowod by gloom, or
Sa - viour haa pass'd thro' its por --tals be - fore thee, And the lamp of his love is
be -
thy
01
*z±z<=l
i
cloud ril with fear.
guide thro' the gloom.
t=
OPHIR. 12s & lis. *
315
Rather Fast
\
fffi-p — i_ _q_q_p. .0- j_^. -^_^ — l _zzq_i_|- ._| — , — |. .0-0-9. 0-0-0. -&-*—\. J w.- y -A-9—J- — 1- j-^- -^ — !-■-+ ■ -I=—|— ff ^^-^ H-- 4 -^ - P-
^4_0X#_#_^i^_*_«J-*_«_#x#-j — ^x0-0-0± j. -i 0±0 — \—0±o g-ig 9 *±-*-o |X# n_jT*_#_zi_] 0 ,iq_c_
.... ■•- . . -•'- -0- , -0- -O-
Hark, sinner, while God from on high doth entreat thee, And warnings with accents of mercy doth blend ; Give ear to his voice, lest in judgment he meet thee; " The harvest is passing, the summer will end
0- -0 — 7- f^j -f-T- ZM-0- -0-0-0±p—f--r\r—r--r±f—s-^±^-d r— ?+•-?-?-
;=t
j.j_j.^_j.j_j.j-
15
-h"
l_i_J-i — i — 1_
r
pzpz^
t--r--r
-J-J-i
t-
*=*:
j-ll-0-j J-J-
?-*
rr
*=r*=r*
a
Quite Fast.
:fe:a:
PLENITUDE.
r
lls & 8s.
ezpz^z^z^
-f~h
_«L JU J_^
r
ffaGD
fZ*ir^
*Z^_
Sgl
ri>^=
Jzzpz^z^zjzzpf:
zz^ztez*:
From " B. A. Collection." By Permission
— .0—^ —
V9-0-
-_ziz±«!zei:^z?_tf:
I
9 , . . &
1. The Lord is great : ye hosts of heaven, adore him, And ye who tread this earthly ball ; la ho-ly songs rejoice aloud he - fore him, And shout his praise, who made you all.
2. The Lord is great : his maj-es - ty how glorious ! Resound his praise from shore to shore ; O'er sin, and death, and hell, now made vi
-0-f-0-j-0-W
Unisons.
L— f
Htt
n
: victorious, He rules and reigns forevermore.
ffzizizz?:
e
r -'*:■*
f*r
A^— T T-TT-fH t4**
pzi^^=^^=iz^z4
rt^Tyr* £: J,) j,;j
P=i=
*£
T*^
3=
M?— u*
r
szb:
i-f-
J4 J
rzzS
Unisons.
gl -flF
;3zfezl^zr?zl
::
0-0
JL
J4..;
=K
■•-f--
L-rr
i
t
±Z
Ll L-
316
Medium.
A LAN THUS. lis & 8s.
v. a. t.
• — »-
=t
r
BE
-
EHiE
3
1 I g* o
i i i
E
S^B
-0 — 0 — « — 0 — 0-
0 — 0 — 0 — 0 — 0-
1 0
f=p*
0-
JM-
r
-0-0—0 a
-^a"'-\
■a' a
! I ^ i i i i i 'i i i • > ' i r ; i- \ \ j
1. 0 thou, in -whose presenoe my soul takes delight, On whom in af - flic - tion I call ; My comfort by day, and my song in the night, My hope, my salvation, my all.
I J N J I J *-J J II I I N I I I" • T-, I I N
tfE±£
1 h
^
i
3E=jE
-p-|~- 1-
H«^«-
gl -si
h TT
3^
h-
R^
*ZJL1*.
*LL
£o/».
0—fi
f-f
53
M-
^ 1 1-
3-#-
I
ypf
Coro. May repeat Coro.
\ — I — I — I — | — V
-*—*-,
J
1 — I—
I I
Where dost thou at noontide resort with thy sheep, To feed on the pastures of love, Say, why in the valley of death should I weep
I J .!*•>, I |
i j \j \ f — r YT | |
J. J^ii^jii^
I
-#— *-
t— t
n-p
tt=5f- :
•©J-
*— ?=
-«--«-
3^3
Or a - lone in the wilderness rove ?
n h I i I i I J
^.tsi-
P-P"
=F
t=t:
it
Fast.
ORANGE. lis & 8s. *
i if r rr r rr r ! i i rrrTT.nrn rrr
a
r
$-rj:
^^m
*~-0- -0- -0- ■<*■
1 Stand np, 0 ye heralds, your mis-sion proclaim, And wide be your banners unfurled ; Declare to the hca-then Imma - nuel's name, Speak, speak to a perishing world.
0-r* — * 4-r* 9 *-r * i -
Si l\-Y-\0 % -Z-Cfszzzi- JLl • V-0— e-f0 — » — ,_p#
*^*-r0-f0 0 »-+* P »-p
^>
J^iJ
*ChE
■I — r-h
fc
t=
d:
millions unnumbered, in darkness profound, Still groping their desolate -way; Urv
i 4 J J J-4J J Xii J i J i rj J
millions unnumbered, in daikness profound, SSI1 groping their desolate way; Unheard the mild accents of mercy's sweet sound, Unseen the bright glimmerings of day.
0— ,-• m m— rt m m— i — ■
S
FOLSOM. lis & 10s.
Rather Fast
MOZART.
317
1. Brightest and best of the sons of the morning, Dawn on our darkness, and lend us thine aid ; Star of the east, the ho - ri - zon a - doming,
3
~ i i r f i i f i ii p
H
^"^
§b
I
i i
0 — 0—,
T
tefi-
r
-r*-L| F— 0 \-x-%~0-*-0 & — 0-
-S-
9-01
=t
X=r*
1:
T©
1
l^=fel
^$:e
s> — 0—0-
0 0—0
±Z=3t
o — e
■Q 0 — 0-
F
"Ij. J : - w
-0-&0-
ZZtdZ=MZ3t
0 — *— •-
*F=F
H
fcq:
MONTAGUE. 10s & lis.
Faster than ">Ii ilium.
From "H. & H. Coll."
Guide where the in - fant Re - deemer is laid.
£
=t
:*z*
HI
©-a
The God of glory sends his summons forth,CalIs the south nations, and awakes the north ; From east to
=Jt«3afczpzff:
^ST-T
ffl^
toz
0-0-0-
-i—
E
:E — *-+±
&=&
$-&--
-X-0 — 0
s — e— 0-0-c
j=a£
az3/r.t3=i
azE
P*:T*
1
west the sovereign orders spread.Thro' distant worlds and regions of the dead : The trumpet sounds ; hell trembles ; heaven rejoices ; Lift up your heads, ye saiuts.with cheerful voices.
z^zz^zzrzzzzzr
=^-U
4u
-4-0-02**-
318
Quite Fast, Exact Time, & Staccato.
GALLATIN. 10 & lis. (6 lines.) *
g a
i^fc
t
^=?1J!^
*z*zs£:
*z*zdznfc
I
-0-0-m-
£E
1
-0-0-0 0-0-0
S
: -££=£=£ 'z*-+-&=±
4=
SB
r*T2i
House of our God, with cheerful anthems ring, While all our lips and hearts his glory sing ; The opeuiug year his graces shall proclaim, And all its days be vo-cal with his name ;
¥S
'«£=•=«=?
r
?-*■
ri-q=pte-
W-Z-f * * &^ ^*#0- P
1 — £■-- -J 1-
:=t
4-4-lT-i — !— I— |T-4— ,-
i i i
DP*
sr-^-rrr
i
S&a
-^~--*#rj
#fcc
5
-0-0-0J-O
<5 0-
P
Pf=
gSlgpE
s=p
ICZT
tfatsifc
»-#
@ -#-04« »
=g
^P*
=-?=p3z^&=^^'
Ezt==^=:t=±5==^=^=^:
3
German.
<
=j
4&==l=fc
==*
t=^r£Ufj^L
:M--^-4-l.
— f-~
zzzzr:
[iPi
The Lord is good, his mercy never end-ing, His blessings in perpetual showers des-cend - ing.
£-9=:
I I
:rrFEr
—0-0- iti — ar-'-»i-^-*-«— 0-0-0
m-
0-0 0\O
I
-•-»■
^..rtnCpTX'n^j
-IT FT imTT^flm
0-0-0
jzz*=£-
ppgPf
?TZ2>
HINTON. 10s & lis.
5zs:=bi|zq^qzzz|:Tzt§=zta=q=zqL
1. 0, wor - ship the King, all glo - ri - ous a - bove,
■pr p-
III1!
§fcfcfa
±zb±
fc=t=
F=f
E&
e±E
-» +c — •— »-+£>-
H — "
i33±=ta^3=H
ii^zrtzqziqzpp-ziip
^
•— •:t**-*— (•-
n:
:t
BE*
And grate-ful - ly sing his won - der - ful love, Our Shield and De-fend - er, the An-cient of Days, Pa - vil - ioned in splen-dor, and gird - ed with praise.
l^w-
1
:0zz?zt-
. if i-1 Jr. * i ■•■■ "=F=
izzznip-
^irrmrTr^f^
Rather Fast.
KS
t-*jriS=*=*
-Q—9-0-
DEVONSHIRE
10s & lis.
Prof. NORTON.
319
t=F
-«-«■
fzzzpxpzLzi
0
-#-•■
K
sz*:
:±Zz±fzztZ?±?:
=t
I
:z2:
P 1 L_
o~^it.
15
9-0-0
ittcx
S>v -•+•-'
^*"
:g#:*i?z
£B
=P
0-0-0- -0-0-0-
-4r-i-,
Jxg^z^zjgzgjn
1. Te servants of God, your Master proclaim, And publish abroad his wonderful name ; The name all-victorious of Jesus extol ; His kingdom is glorious, he rules over all.
2. God ruleth on high, almighty to save ; And still he is nigh, his presence we have : The great congregation his triumph shall sing, Ascribing salvation to Jesus our King.
LYONS. 10s & lis. (4 lines.)
HAYDN.
Allegretto, Staccato. Strong accent on the first paitot the measure.
T-" ^zzzzlxztzzki
mf
*=
Klgz^IlBZ*
zaz:F:zjpz*z*
0-0
zzMH—izr
::?:zl:#|
r~ii~1~i
bz'ffzzz^fez^zg^
m
±AZAt
0-0-0
rizdzz]r4zidd=d=t
-0—j- -0
I
Soli. m
Coro. Ores.
:§£±tt=fcl==fa=t
Sht^zikstjthiid
6
:zt
j:zzr:zjzz±:zfq:zlzz
z^zwidz^ht^Mz?
ift'to /v7. :
•±*i*3t
IE
O praise ye the Lord, prepare a new song, And let all his saints in full concert join ; "With voices united the anthem prolong, And show forth his praises in music divine.
..,, ,111, J I^JA4— r+±^l ' -" ■ ' ' ■ ' ' ' ' ' ' ' ' ' n
S
/
r r
j
•z*z zzz* zzzzz
*zfel
lo^LuU
±±
IB
M-
EgglS
j^.j.Z^Z-Jj.-j.Z^
g
320
BURLINGTON. 12s, lis & 8s.
Fast.
From ''B. A. doll." By permission
zr
-0—0
p—p:
ig^g^
P
:t=:
-0—0-
1. The Prince of sal - va-tion in triumph is rid-ing, And glo-ry at-tends him a - long his bright way : The tidings of grace on the breezes are gliding,
PORTUGUESE HYMN. lis.
Medium.
J •■ i 1 — i — i
SQ
And nations are owning his sway
— I-
-0-
r ; ■ :
III
-e — •-
"-F-
e — 0— 0
iEEE
~-o — 0—W-
HI
=£=*
=t
3:
:^=^=J:
r*zdt£
1. The Lord is my Shepherd; no want shall I know; I feed in green pastures, safe fold - ed to rest;
3 £i=^=^il:^|=:?:g:^:iz3
r i i
-0—&
f i~ e> — i -- t-w
L i I . 1 In*
*fcr::
SFFrF?
±2=qc^
p_ p^^iff
/ — \
=£
abut
?
Core
£ -0—0-
-0-
■0—0—0-
£
:^i:
®e
r
^ — #-
:#:::d
:1"
d==tf=]=3KtS
«-
I
He leadeth my soul where the still waters flow ; Restores me when wandering, Restores me when wandering. Restores me when wandering, redeems when oppressed.
W-
o
o—
p-0
gz:q:igz:q=:qqFq-_z|zzpqzpi-=zfirt:qq=pi=q
*9
«=P=j e
4=
I
t=
-*j~P
E
IS^S
IE?
T*
3
+-hf
■0—0—0-
SAVE, LORD, OR WE PERISH. 12s.
V. 0. T.
321
Willi Energy and Expression.
The Seaman's Prayer.
"I—
_^z^z^:
1 . When thro' the torn sail the wild tempest is streaming, When o'er the dark wave the red lightning is gleaming.Nor hope lends a ray, the poor seaman to cherish, We fly to our Maker,
2. O Jesus, once rocked on the breast of the billow, A - roused by the shriek of despair from thy pillow,Now seated in glory, the mariner cherish, Who cries in his anguish,
=*^-
M3
i^r-l— T
*fcf
0-0-0—0—0-
0—0
-o-
3. And, O, when the whirlwind of passion is raging, When sin in our hearts its sad warfare is waging, Then send down thy grace, thy redeemed to cherish,Re-buke the destroyer,
*£§=
E=f
PISGAH.
Dim.
tfe*=
-£
>
=*
Jtzzdr.
"Save,
Dim.
Lord, or we per - ish."
>
K
SE^=iSz[i__LlL-U-i-_L-
3F-
e£=r^2:
'$£>-
^=
Dim.
IS2:
T-O-
-*—*:
-^--0
z:
Medium.
0—0—0—0-
P. M.
o
l=e3e
— /r-
0—0
From "Handel and Haydn Coll.'
: h*H :
fr
m
JtZ*l
rH=J!
1. Head of the church tri-umph-ant, We joy - ful - ly a - dore thee; Till thou appear, thy members here, Shall
=t
j0 ft.
tt*t
^i
£-1 —
* *
0—0—0-0
±t=
-*— •
TUT T
2E3E
1=
:£:
I*Z*I
:*:id
-/r-
§E§
t^Sl
-0-0-0
nzz^
*£
q-=^
:t
sing like those in glo - ry. We lift our hearts and voi-ces In blest an - ti - ci - pa - tion, And cry aloud — and give to God The praise of our sal-va-tion,
«
E
=5=1^#
P1
r
3E5
^3
^-«3y
4=
■c-
a . ^ ^ ^ /O
i — r
^Ix^-J ^A — \-t-\ P-J J-TA PH — \-T3 r-
:^zt
^
(chime — 21)
t=t
£•
z£:
j*=!*i
iHH
l^-i 1-
::q:
i
322
SOLO. Half a Second to a Beat.
SEE, DAYLIGHT IS FADING.
V. O T-
I — p— 0-h — g-^
i
=t
z:=j:
II
»
-#-*■
:*±zi:
it
V*
1. See, daylight is failing o'er earth and o'er ocean, The sun has gone down on the far-distant sea j O, now. in the hush of life's fit- ful corn-motion. We lift our tired spirits, dear Saviour, to thee.
i ]
^=#3
JJ j c-i-ir c -j-j A*-g J^? Mi fMfj- J
zzzz Jsizs: z^r_ ~~*~#" z^zzzz: lr"*~r~ i^zzzz: : :zzj?z^
«|gli^Sigl^ftll=li^isgi
=P
:zzz:Ezczjzz|izzz^ijzzjzFp
2. Full oft wast thou found afar on the mountain, As eventide spread her dark wing o'er the wave; Thou Son of the Highest, and life's endless fountain, Be with us, we pray thee, to bless and to save.
J J J1 J J_i_^
4=fc
zjzz
Sz:f±fz*z*±*
3^
F^^f-W
*K
'
*zjr
f-rr
j j
r i «f i i i i i* i i
■piDEacpz^lzzzzz:
I — i — i— -i — I — f— 1-® — •-
i ju _ j j^ Li j.jn j j j j j i j j .y j -+ j j j.; j j.
p:3efpzo|pzpi^pzpz*Ip=^|__^^^
CHANT
WHERE THE WICKED CEASE
J_4
i— trr
V. 0. T. Words by ADELA ADAMS.
_2_
fcft-1
P3»=
TFWfF
1. When temptation's darts as- j When the world is dark around l How sweet, to muse with joy- ("Where the wicked cease
sail ns, when by care and sor - row prest, ( us, And all within de- void of rest— ( ful faith, On the mansions of the blest, \ from troubling, And the wea - ry are at rest!"
2. When the friends we love so j Touched by death, turn from us i 'Tis joy to think we soon shall roeel ( " Where the wicked cease
dearly, And in whom our fond hopes meet, ) early, Ami Ic-iivcusfortheirheavenlyseat, I them In heaven, and be wjth them a guest, \ from troubling, And the wea - ry are at rest!"
3. When the war of life is end- j When earthly scenes recede from j 'Twill be seraphic bliss to rise, j "Where the wicked cease
ed, When its toils and cares are o'er, j view, And we the tide shall stem no more, ( And receive the crown of the blest, I from troubling, And the wea - ry are at rest!"
_d_cL<2 a j_tfU e -A-<L^ a -. a J, J L
(_.r
LET THE WORDS OF MY MOUTH. *
323
Medium.
E±lz=j=fezV-U4-lt=t
&m
- -^-r-d— a* — 4 -5-i — 4-
±^-*±<sz^±&-JzMzgtezzJz*±&
~JZ
*^9-*
m
[
Stzi
Let the words of my mouth, and the mea-i - ta-tions of my heart, be always ac - cept - a - ble in thy sight, 0 Lord, mv strength and my Redeemer, be al-wavs ac-cept-a-ble, ac-
at-*-.
lt-
-f_f-
r r
£*?
,*z*z»:
F=w=F
f=?
r ttr- * i rTf r :p f$-« l j ! i r
i i j i. i i
^zi:
£W
^
J*4- J- J-
-g^»
tt
It
•#-•-
:t
I
^— #-•
BE
p&jc
.. j: ^ -j, j, j. j. j. j. j_ j,^ jl j
1S--0 <9--# «v — -©■
p^
£=r*
US
t-r
-L- «4
1 — r
j f 'I t
{
- cept - a - ble in thy sight, O Lord, our strength and our Redeemer ; be al-ways ac - cept - a - ble m thy sight, O Lord, our strength and our Redeemer. Amen, Amen, Amen, A - men.
. r i i h T^ .lil * < I . i , i ^ i ti , f. i. PP*
=¥=*
m
u
C=^Pf-f-Jf— P^f-f
+?&&*.
— < It ; — i — ItH
£=
-i
fT
-U
£4,
latSHZZI
t=p^±t±
g—gt&—g>i
t=t
tzM
P2
II | I
Sz£sti:
-j-.-JJL^lj j ^ ,_ j ; J- J, J- J^ _^_J. J-j-4- J^ J. J_ ^ lbi-j.,4- J- J -J- J- J- J- J ., -J--«-
P/>
=£
©- -g—g-
■P-G-
F
i i i i
£=^
i-xrrr
■0—m-e- -G—G
—
-•-••
BE
I
324
Medium.
THE WANDERER NO MORE WILL ROAM. * Arranged from DONIZETTL
1 Behold what manner of love the Father hath bestowed upon us, that we should be called the sons of God ! Beloved, now are we the sons of God "—1 John, hi. 1, 2.
,&-<?— 0+0-0-0-0+0-
:zt»=fc:
rr-trtr-
-0-0
— It
W^i
zlzzf
1^4-
mZlMZ+Jt
z*±
i
-jte_*T%*
m
=i
0-0^-0-
■0-050-0- --P^^i^ Jzqzjzz:z1:zlzzz^r
?5t=j:=J=**
=t
-*-0±*zt:
f*
* 1. The wanderer no more will roam, The lost one to the fold hath come, The prodigal is weleom'd home, 0 Lamb of God, in thee, The prodigal is weleom'd home, O Lamb of God, in thee.
2 Tho' clad in ra"s, by sin defiled, The Father hath embraced his child, And I am pardoned, reconcil'd, 0 Lamb of God, in thee, And I am pardoned, reconcil'd, 0 Lamb of God, in thee.
^~ f^fFtFf^FF^
-n-
i
Xzn^Lfr^if: —0-0-0-0— -g-#^Vp
_W_-tr4-4-Ul1A|-.
'f-t-'f
MS
^¥=0
Izjzsfcfi*:
j
^b—?—0-\-0
t-0-0-
-+■
0^-0-0-
0-0 0 0
It is the Father's joy to bless,
His love provides for me a dress,
I A robe of spotless righteousness,
O Lamb of God, in thee.:||
Now shall my famished soul be fed,
A feast of love for me is spread,
I :I feed upon the children's bread,
O Lamb of God, in thee.:||
%LLt
J-.J-
rs
-rrr
£|*
w*.
i=m
i&
Yea, in the fulness of his grace,
He puts me in the children's place,
|| : Where I may gaze upon his face,
0 Lamb of God, in thee.:|
I cannot half his love express,
Yet, Lord, with joy my lips confess
||:This blessed portion I possess,
O Lamb of God, in thce.:||
It is thy precious name I bear,
It is thy spotless robe I wear,
I -.Therefore the' Father's love I share,
O Lamb of God, in thee.: |J
And when I in thy likeness shine,
The glory and the praise be thine
|:That everlasting joy is mine,
0 Lamb of God, in thee.: ||
* Poetry from the " American Messenger." For the above, and other similar selections of beautiful words contained in this work,' the Editor makes due acknowledgement to Mr. Irving W. Harts-
horn, of Lunenburg, Vermont.
FATHER, THY HAND HATH FORMED.
V. C. T. Words by MARY HOWITT.
!
Solo. Rather Fast. , s~~* i ,--v /■ — N ^-s I /-^ I -r — IN w ^— s • ^—s I ^-^ s — N ^
r
1. Fa - ther, thy hand hath formed the flower, And flung it on the ver
t
» I=drfiz=gz±g— rr
r
dant lea ; Thou badst it ope
t—i-±
fzzp:
1
C 1
p==t
at summer's hour, Its hues of beau - ty speak of Thee.
J J J' "jLJ J J__J 1 J) J i
£=±=t£b
f=C=
1
FATHER, THY HAND. concluded.
325
CHORUS. Allegretto.
! I f » I
0 0 0-0
J0 T f T T t
-0-\-0 -0-0-9
f
=r?
-G--&-
-p-=£L.-.e
:l:
-he-
F
±z
^&-G
±
iHH
H
=t=l
=1
=t
- -&—&-
The dew-drop gleaming on the spray, From wild-birds in their wanderings,From streamlets leaping to the sea, From all earth's fair and lovely things, Doth living praise ascend to Thee ;
I f I. f f
-,b-
r r r - r r r r r r ^r r r r r r
_«r*ifu
£4-4
t-Wr
f-MF-r-f-f^F-f
hizdzEbizg
:C=P
l.H , l^LdLd
f— f
«— ©-
.p__p-.X
p=p==«
-s^-^-
I I I
4—
i J J J J J jJJ 4- -j- j- 4. j- j- -^ j j . ;_j__tf jj,, j__j jj i i jj jbi4J-l j-J-j
— fe — #f#-»-»-#t#-#~»-»f[—- p—f
£
» f f T T
±t=t
■©--©-
±t
-t-i-fr1^
*©-©■
-b t
r r ? t
<s- » » i
0—0—4
±r=r=t
•©— <9-
■3—0-
2=^
■e—s-
■&—Q-
{=-{-:
.#-©-
4=1=4:
al-g-*1-
7^-±t
d
<?> o
il*
I
m^ f
~r
m
*:i?=?z::tez=^=±s?
4=
^=r c2:
S
These, with their silent tongues proclaim The varied wonders of thy name, The varied wonders of thy name, The va - ried won - devs of
! ! f T 1 I , I. >-s ' I
f-
t—r
P-
-r
::
zp=C
J J J J J J
r_r.Xp_._F_Lp_^*l
326
I WILL ARISE AND GO TO MY FATHER.
Slowly.
m
Soli
W
m
I will
Soli.
a - rise,
I will a - rise, will a - rise and so
:szz*:
zjzzz^izs
0 ■#-
: =-1-4-4- :^: 3zzzS q=t=«: =1=4=^ :
to my Fa - ther; Aud will say
£z*za<:
31
^
t-H
t-i — 1 — M^-
atzafc:
3
^
r-y-^-f-
un - to him, Fa - ther, Fa- ther, I have sinned, have
r-l— A-H— rn NM 1,-;.IT
-b-
3
mm
PZZ^I
4-J-, J
0
-j-
E
i — i — r
£?zzz:
tz
zpzzpzzt:
-i — i — J-1 —
:rf
r-
, r
-#-#-
=£
_^_g_
■•-/•-
I
Ores. r=— y o m/" **
c6-
-^ —
Dun, — a
izH:
:zsz^Bzzt3^^K^E|zzVzc&iztif^fazzi
3zit±?zf:rj*z^f±zz?z*ziiz3zs:f3z±^ziz*zfaz^:
=£
3zz*:±*z*z*zi:
fiEutE
:^zSziiz:*l:I*ziz^ziz±*z*z5.-SzF
sinned, I have sinned against heaven aud before thee, before thee ; And am no more worthy to be called thy son, Andain no move worthy to be called thy son.
zzzz zzzsz^Hzz^z^z^Hziz^rijzqzzL-Tzzizl
1
4-4
JL -£ -J--/- ,-/:-J- J- -/--/-
r • HhF "
.J. J. J. J..J.
55 bf^f
J
!V^J— 1-t— I — 1 srr-i h-f3 r-ft-P-j
: S^zfarJ^jF^^Jai
-£hW-j
4-1 —
?z*
rf-
r
m£&
•;•>■ jzEl J__j.-i JzzzU 1
x-L' M
With Majesty, Slowly.
w
ft
w
BEFOEE JEHOVAH'S AWFUL THRONE.
>
Dr. MADAN.
327
sfcst
e—0-
gz^:t&—,
--£
S5
0-0-
-A 1
-\-
=St=£±S
??y?
TO
W
>f
Dim.
=§L
-0- -&- -&- s- s>
3
-e- -o- -g-. -0- s- s>- -o—0-
&—0-m V -0-^a-O- . -0- -0-r0- -0-W 9-0-G—^-09 -Q- -0
-0- -O-
*=tg
Before Je - ho - vah's awful throne, Ye nations, bow with sa - cred joy ; Know that the Lord is God a - lone ; He can ere - ate, and he destroy,
-0--G-
BEE
~t
=f
1S=
nr -3 — sz -
— « — n — ~ —
-t© — S>-
r r r rr
h^
r
:p=i
d-^d-
©—
J-*
0-
tSEE
a:: rczzpz :
M-
ttd^;
«^^
I -Jvi^r* — J-
1 — rr
S=?£
zazi
irzazip:
-J-
One third faster.
Eg
¥--~P=^r-
f
e-0-
Dim. -
33EHt
Soli.
p
m
-\ , r
—I — \-Lm'T0-m—ii
=t
-s>--^- -0
V-^-rd -
-0- sir -#-
#-^- -©-"
0^&
3
##
=t
=Ft
£«- -» «•
S1- ^-^ «■ ' -0—0-0—0-
He can ere - ate, and he de-stroy, His sovereign power, with-out our aid, Made us of clay, and formed us men; And wheu, like wandering sheep, we strayed, He
Sg-fe
3^5
fz*:
s
JS
±fatilri=t±
±
©— .-- L|
-4— •
-&o=e^
rf
■f—
_e_ ^1 »_*1,_*#±€r.^ -L
4-1
r
fcfct
?>-* i^-p-r
-**:
rf=^:
*z*=*:
-#»-
T=t
■dzjtizdL
r
=?*-
I
328
1^
BEFORE JEHOVAH'S AWFUL THRONE.
•iiild- Fast.
^S
■*■ 9
■&—&-
0—9
CONTINUED.
3
»_:e__s_
\—
Coro.f
j— j — ^±-\-
4 1 — ^-Lmt-
-- 1 l-J-
-o- -m- -0-J-0- ~-m-^- s-
8±:
SSZEE
-O- -#- -G-
fi
+— #.
Q—Q- O
brought us to his fold again, He brought us to his fold agaiu. "We'll crowd thy gates with thank
ful songs, High as the heaven our voi
HH
ces raise ; And
4M$M
•:::pzzp:
±t=t=t
:pzp:
J*£
^zzp:
*:
t.»ff
^
??z^:
:pzp:
±t=t=
§z?:E:
S*
1
■o-o-
EE3:±*':*^tt=:*--±fc?:Id=34zzz±3z4:±:z=i
i j ii-©- -©-5)- -s>-
earth with her ten thousaud. thousand, thousand tongues, Shall fill thy courts with sounding praise, Shall fill thy courts with sounding praise, Shall fill thy courts with sounding praise.
E*z»*
t—fz
fr'f-
«:
P
# «-
t±tt:?E3fe:
■0-0-
ztfZzf!:
t
Unisons.
-Q-. -^- -J- . -J- -J- . -J- -J- . -J- -J- . -J- -s- -0-. # -
-J- J J ■ J .
igggagii
Unisons.
-.-J- J-J-
Z2Z
T r
r
pc«=
a ■•+*-■
iiiiiiiiS
1111
22-..
BEFORE JEHOVAH'S AWFUL THRONE.
r i I r
CONCLUDED.
329
— i — ,_
-*^-*-
~7| ! J | | J
tzie:
t=t
-s>-
— I — -+-©-
:st:::a
E=pc
t=±t=t=
pr*:
m
P
f
^S
-0—9—-&'
=fc=:
2fc±d:
i 1 i -©- -s>-
-«l- -*- -^-* -#-#- -#- * -9-
IP
:q:±*
33
?~9#07& -~+-~^- -#
3
1
Wide, Wide as the world is thy command, Vast as e - ter - ni - ty, e - ter - ni - ty thy love ; Firm as a rock thy truth shall stand, When roll - ing years shall
-d~-
=P
f •* S
=t
:dz^;
3:
3=«=
*zabi:
Unisons.
-©-
Jtei
s
==^BEZ
a
f \
1— E
f »
T~ f~ f~" T~*T~ T I Unisons.
r
^r
£z»
r*f r
iSgii
:**
r
J-S>-
r tjr r
«
— i-
-&-?-
&=3*±±z+
-0—&-
gHli
^p=p=
-^1=:
1
/
r
— ©-
-©-
±£
IZZTZ
I
Dim.
a
#=t:
1
s
■ — i — i
■-©-
— — i — i — 1+ — i
-0- ^-~ -f-j-d-'
<-**-&
p- -&--#■
cease to move, shall cease to move, When roll - ing years shall cease to move, When roll
H- 1— i — I
■*-*
-o- -o-
rfWr-
±£-j2
fjt
-I
w
J-a-
t-
-&-. -0- -9- -o-
ing years shall cease to move, shall cease to move
r
=E
-&—
*¥■
F=^F?
#z=pc
(— h
■±-?X J . J
*# j—H- — | 1 1 — I — >
if-, 1 I I I
::q=d:
1 — F
Ezzp:
0* _«_ .Q. _©_ _s,-#
1-
?ZZ3E
j
=Ftt
-©-- •-
=E=
I
330
SOLO. Medium Time.
BROTHER, REST FROM SIN AND SORROW.
Fare thee well. Burial Hymn.
V. 0. T.
:«i
P-g-
t=E3t=£
P~
ffl
-p— ©-
*2t
4
=fc=l
zzzzjzz3
1S§
1. Brother, rest from sin and sorrow ; Death is o'er, and hfe is won ; On thy slumber dawns no mor - row: Rest ; thine earthly race is run, Rest ; thine earthly race is run.
:szp:
^_5..gZj
-» — I — Ms-^ — ig^-1-©— i— - — x
! I ! I i i
bfz
zEE
©-
i±t=F±
QUARTETT or CHORUS.
£z£z^=j2C=pz#z
t=t=±t
:dz:*:
h6>- j jh
©=p:
-a— a-
|===f==t==t=±t=t==t=
izp:zp:?2=:pzp:
3
?z=P
fezz?nfer=3z
-s4
S=*=5=*
tezzdzi±
-&r*.
^~,
\
m
Brother, wake ; the night is waning ; Endless day is round thee poured ; En - ter thou the rest re - main-ing For the peo - pie of the Lord, For the peo - pie of the Lord.
-/» —
J J1J.J J J1J J.u) H -fllJ-i^N J1J J J'ilJ JJ..JLUJ1 Jl 1 }-\
-0—0+0^,-0^-0— 0r -0—0++ 1 £ 0—0+0— 0-&S-0A-0 0-0—0- -% f-0 0+-+T-0— 4
Ff f ffvftf
33
"f-
S3
Zd
-S>— # -1 0—0—0—0-
EHEkiZBfc::
#B5
-2?-*
^-j-hj^r
M-
-J-J-i
-0—0- -
r
zpz^c =-P=fc£ zzzzzzFz?! J: zztzfz
h
J-
r
jpzzszzzp:
s>-
t=
-M
:zzz^
SOLO.
/
f-r
^ . '/j""v ^ ^ Rail. -
P 0'r
f ! !
t=
Brother, wake ; for He who loved tliec, — He who died that thou mightst live, — He who graciously approved thee, — Waits thy crown of joy to give, Waits thj evown of joy to givt.
=q^p~zznazrz^^jy[r— -— t-jzz— 1 ; \ ]— Izzzizzjzzzzzlzzzjzl
z^zppipzpzfiaz^z^zzzi :
++TT-T1-T I" F '
:^S=i=
zztzfc
QXJARTETT or CHORUS.
BROTHER, REST FROM SIN AND SORROW.
331
:-
3
9- G^-G-
-s>—
zzz^zzfc^zzJzz
-G-G-
— i—
-9—G-
=•=?:
PP if in Coro, P if in Quartett.
Tenor or Alto, first seven and a half measures.
'■a—m-P—H
/
£=*=*
1
:zzi-
=t
\
"d— +
zj:
-c^z?
:=]:
-*- -G-G- -j-
-o-
-m—o-
9—G-
-C- -G- -9- ~G- -9-
Fare thee well ! fare thee well ! fare thee well; tho' woe is blend-ing With the tones of earth - ly love, Triumph high, and joy un - end - ing. Wait thee
_4-^p==q=qj--H--l-^Ld=
t=t
-.^—9\Z
■=t
4~-
r r r r ~r f r r ~f-r
r r
r r f
-G-
3tET
■4 1
r-J— ^r«h-«J— j
— — 4-==P=*
rr_r
f-
-J-r-4— J-d-vJ— J-W— J— izz J-d— ^
1=1
pzp:
I — p-r^ri-
1
pzzazzpzzp:
r
-i — r
r r r
:£=£
--J-
IStZjt
zp=C=C
-J—J-
:f— r— f— r-±
-\~
zp—ft-
:«=
J J J J- i
ZZ3IZZZZZZ
zpzzp:
-i
r
zz
t=
/
£±
^zp:
=t
-St^
ZZSZ
-H~S'-r S1-;
G^G-
I£Z2ZZ^
tt=f
il
-©-©-
PP
-G-
^- —
1^
i
©-T-S'--L-^
z:
^zjizzzc
-©-©-
h3zS
zzHzzzj:
"S^S* — ^
in the realms a - bove, Wait thee in
-4.--J.-j. J- *..#•. J
zsfc
J I
the realms
:z
-f-r
^zzjzzziizi;
zztfzzifzziS?:
i^zs:
F-t-f-
.4-4-
^zi2
J J-. "J J -iyi.
:t=:
!T-(S-
•rr
3=
bove ;
Fare thee well,
-G-rG-
-GtGt -^^- -5), -2J5. -g-^SK
Fare thee well, Fare thee welL . .
z3zE5zJ4z0zzz:
-y-:4 — . — r±-s^-£— -»-
'f •••'f "r1
:f
f
-s-a^-1-
1-
-©-s-
r
z2zd<
f T '
4W-
-S'r-O «
zrzz
. *—L-G.G'.
zfzdz^
fi^-Hr-h
3ir-.
-(-r^
r
-s—
-^
. . zzjzlzz:
?v"r • r
i
£>— M
M-
^
P
332
SOLO. Treble.
3:
THE DRUNKARD'S CHILD.
A Temperance Ode.
j-/ '* m- ii i J: I
V. O. T.
&==i=^=^5=i^=5S:
"ST
Go weep, as I
have wept,
-*- r
zz-zz?
■f "4- "
&©'#©-
:P:
r ? r.
O'er a loved fa - ther's fall,
T
fz#?:
. — P-
=t
3=5
r •*?- r f
SS
©-
See ev - ei-y pro-mised bless-ing swept, Youth's sweetness turned to gall, Life's
wxja
iw*
:::
3ZZZI
:=]=:
-#©-
3£
f:
-©-j-
:::a:
\
-I-
zk
-g:#zi
-4-
szzp:
"
ZpZiqKZpiIIZ
-0—4-
-H» 1»-
•^'
sri=£±i:
=]---#— -«--©-#©
r0--r^T-
r
==l-:q
-i— ^ — © — ^-^
3
fading flowers strewed all the way, That brought me up to wo-man's day, That brought me up to wo - man's day. SYM.
© — U- -©— H- -
— «*J-©— -2-1
1
£#£
idfczztzzzzzls:
-©-
=]==£
ZBZWZZj
=£
zzjzzz:
:*£
=F
-m-m^-P-
^gii=g=ag
-©-
-©-
\
=t
3tt<±zr*
r f :-?■
rf=t
-fr
5 * * IC
Lp__T_
id
© v
#©-
4
r
1
-I— J-
dzn^:i^.—±
F~F
22zzzzi
r
:-=!=t
r^
r
r^-
©v#»-
sLzzztt
2 fcS^J ^-~~ ^
:--
1
b$-#Jkj£- ZZ
:S~#:#_ £ — jz:
Go to thy mo - ther's side, And her crushed bo-som cheer, Thy own deep an-guish hide,Wipe from her cheek the tear, Wipe from her cheek the tear;
±f-
-f:
:szz: :
22Z?z£:
?z=^:!ii=S:^ztrf?=zzzdt
t#
& - :tf zzfezj:
SYM.
?#-*^-
l=c^^§SiS
3==fc3
Kail.
CHORUS.TORecitant.
©x
-©-
-©-
SE
®t
Al:"\;i;;,11":::r,!l,rc and i *S^?££F&£' \ **>* &*» «n^^ &*,** trace t&. n - *>
withernl I now
dark hair now ! With
O
e- 0 0-m m^-^-m-m 0.^-0-*-
±Ez;bzEzE±pz^zpzj?iE=:&t=p:
Octaves.
THE DRUNKARD'S CHILD. concluded.
Octaves.
333
to
=p
-0—0-
-0—0-
M=W
==IT*ZS<=^Z*Z^:tM2z:*=*
r P \0 i «*> i i i«* i
j — P-l — #- 0—0-0—
T
£=ti
^T"#-
-W-
*3^i:t :g*:z:*z*Z£f =: :
\ I h * I l»» I. i ' 1^ l
back to him, Whose plighted faith, in early youth, Promised e-ter - nal love and truth, But 'who, forsworn, hath yielded up That promise to the curs-ed cup ; And
-0—0—0-
W-W
«=p:
==tz
-0-0-
■*' 0-0- 0-0
MrY-
r ut r
i ^
r-
*_*
giili
r
S
==]-Td=j:T:^=r^:zJ:Tz]=tT:
?~ P~P
pq=q^z=mz=rfx=pz4
=W
/T\
mi
9*
3B=B=3
3t:
0-
0—
f
i
led her down, through love and light, And all that made her prospects bright ; And chained her there, 'mid want and strife, That lowly thing, a drunkard's wife ; And
^
%±
a_d-^0L^*L- S d ,d - dd_djL
-0—0 — 0-
1— r—h
;| — r
■0—0-
Fr
F
i i
0—0
1 — u-r— r
r~r
-0—0-
-i — i —
Lr
:t
0 ,0- . d d . e J . «> J »y ^ ^^_-g-^g-
W=*-v=JF
t=tzztz^z±
?2Z=?2:
g< . «l
T— I-
^>
>
-©-^-•-J-
3
I i ^—-i
i
stamp'd on childhood's brow so mild, That withering blight,
I | I I , ' v I
J-J-J-J
-•- -0- -0- %0-
-0- -0- -0- -&■
I U >— 1 !
that withering blight,
|ErzESl==zzfS
IP
the drunkard's child!
=££
%^-f-f— p
t i i
d_^LS_\
_— ^_T-_ — IZZJ
4^l:
Li i
0 *t /ri^ai
334
WHEN MORNING'S FIRST AND HALLOWED RAY.
V. C. T.
SOLO, Slowly-
£d=fc=W==P
_D_Q f
=ft
:— 3
?±— :
==f
i^>T
-0 — I 0+0—0—
=t
* w'-0-*—L0-0 —
fcfarSzz*
When mom - ing's first and hal - lowed ray Breaks with its trembling light,
z=±fcciz=z
To chase the pearl - y dews a - way, — Bring tear-drops of the night, —
0-? — +_*T—rm a_^T _ r0
m — ?
— . — »— p^ a-rn w—^- —m—^—i m~ t*~ ~i » — 1 1 » — i " — ' — i m — '
h-^>g \J*>*— ■0-\—j--»-\-^:- -y-zg^^ — i-J^-- -0-V-J—0—1 — : -0-V-J — m-\ — 4i J**- — b
See
L^'
?=&£m
CORO.
ft*4-f- ?=r^=^fe^
0—0-
mp
CT^=F=KE
Cm.
£i?zz£:=]zzz£
}=S=1=£
:*=*:
^P^S
My heart, O Lord, for - gets to rove, But ris - es, glad-ly free, On wings of ev
ing
f-f
r— r
nf-
=w
\ i ' i i i
love, Aud finds its home in thee.
j
JL
t*f
j . j
; j ; j ; jj
*zzpzzp:
£=£
tt=
-# * jf), »-+- LTf.f> ■•
igi^iii^igiiiippgpi|i|gg^ii|^ip
My heart, O Lord, for - gets to rove, But ris - es, glad - ly
free, On wings of ev - er -last - ing love, And finds
Ij^eIeIee
:T=P=Z^
*=¥=*=*:
P
^^u
#-»-
hi-
I
=j===i=r
£
its homo in thee.
-4t4-
QUARTETTE. Male Voices
1st Tenor.
JTK- -T-#
EN MORNING'S FIRST AND HALLOWED RAY. continued.
335
£±£
2^
=t
^ITIUJ
•-s-l-
f#
d ^ ^
rW#-
=F
=:pT-z:T"=Tpz^Tp:-zpq:^:z=:T— qz
t3ESzt±Ez9lftz^SztlL=ii
^*-
*at
•#-*»-
*:
**-F-
gill
2d Tenor
OTJ^ClfJ.IJrJljrT
When evening's silent shades descend, And nature sinks to rest, Still to my Father and my Friend, My wishes, My wishes, My wishes are addressed, My wishes, My wishes are addressed.
1st Bass. ^ — /7\ fo Cy
t=f=
ttWmjiztzLiw
tt=±tt
iSSli^eii
pep
«-£?■'
^
raurul^Hr- TTivr
2d Bass.
&*
b±±z*
#-«
t±£E=tzi=t£rf^i**=ztirft±::
:pz*
-t*-i-*
q:qzq:p:p:p
p£hc*=*t
*M— *»■
i^z_iz:
..0—0—
0—0-
JT
H
±t
fe±:
>^iz:
s^±:
=^S£^
/ts
A/a
Idzz^
,£>— * -O—-0-
1
is^fiyiliiigisiz
ZIZBB
Cbro. Slow, mp n
@Z?
t
SE
f3£
w C
i^rfte
S+w?
^
fa*
4
BE
<^
iSSR
g=*
Sym.
i ja>i ij*H — NtH
P#
And e'en when midnight's solemn gloom, Above, around is spread, Sweet dreams, Sweet dreams, Sweet dreams of everlasting bloom
* rtN T> I 3 3
=z4f^^^ij^^^^=i4j=4R=^
l^±z=J=-|±ff ^ifz^fe^:
p=pie±£
1=*
fcfc
-J-
^
T i~TJO — T T 1 I — T~fr'rTg — ?T[
z===izE^z±=ttE±=;I=3zzz3z±=titiHt£zt=if9
h-
zffzzpz^z
* J-JL '
J J • — j2_ J __ J ._
ES
336
WHEN MORNING'S FIRST AND HALLOWED RAY. continued.
pS^^^gS5jl^
£
.zTST^::=q:q:H=l
si—
t~~
£=**£-
Are hov ........ 'ring o'er my head, Are hov
1
t-p^p-
I — H
• *.— _U[ — I-
l-t I -I = -f^-f~fr -A
-±n
zrry^V
0*0*
^rmw^^mB-^F^ff^:
tt£J-J
T-P-
gzfc:
f- p
¥—
r r ! >■
I h-
•t "- tJ- --*■
-* i
/
Izt
£±:
1S^
piazp:*
^-Piiitiatzt
=ff
jF0-0P&m+-.
-f
t=attf±st*
i?S?
*h
S
=fc
=1
iHiil;
P--
Slowly, in
Hi
zt±
'ring o'er my head.
I dream of that fair land, O Lord, I dream of that fair land, 0 Lord, Where all thy
-era
ESi;
ztffclriz:
»» h
;a
^
:zzzzz™E|zzzz |EMdg2i|l^^
p ' j j/j-a^-V n j , j 1. x.
i=t=Z-J jz^J^QQJ-^
S-d 3 Gh — 0 >3 — £> P-H- H I— -I— I— -r— H+l 1 — (-1 — I— I — —J-+& #-+h 1— -i 1
-Sr-
r-
-^-j-jtj-4t^-
tztfct-tz^zPiz^iItzlifczzzzzrrzJ
WHEN MORNING'S FIRST AND HALLOWED RAY.
'
szfcz:
±hzsizzzzzz±
-W— P=
iizzz^zz
-e-9-
szz:
:zz*zz:
^r
-©-#- •©■
z:
l?z*±£
F— •+ I — ' — [~
Allegretto f
zpzzttzzzzjzz
?fe
0-
f^=a
concluded,
qezzz
337
lit:*:
itt:
# «-ff
I
m
1=1=
-&
saints
— 0^-0-0 •J-* — ^ — #
z:
?:a:?zs:
3=1=
•-*—•-
— tfcfc — i — i — -\ — I
— * ±0 jp 0 9 J-
£fc^*»„
shall be. Where all
~-j-p^ljd-
-p-r
thy saints shall be ; I wake to lean upon thy word, And still delight in thee, And still
J.
Q~ • '9 Tg » 0JSJL !
5-i- t^zz^pfEz-:
w:
r r ' rrr"
.Na 3
(.J
- — V«a-H-
delight in thee, I wake to lean up -
I , 3 3 3
py7^r|rrrpp7
P*,** 3
-H^-Y
--J.
zzzrtzjE
._ ^-gJ-i-jj , / ^ i J J J
c *z»zpz*: fizmzmzz: jEZZzfzzr. (= | | * |. :*zzfc p
r ^r
Mill
±z
pj
1=
(
fe±:
:(=[:=(=:
-h-
--s>-
:*:*:
q;
#_?z*z«^
=±l
t=*q
»-*-
c
-zz*zzpjjzzfzz*- =ji-fl
&fc
=lEEB
-- i-
-G-
±=t
=F
PzPzP
=t
on thy word. And still delight in thee, And
still de
m
iwzfz^
^
*^*
light in thee, And still delight in thee, And still
a
delisrht is
zzzst
I
thee.
ffr
J J J J J
msi
J —
?j£*±zz:PZ*P
r-t
+-*— H-y-
^zz?*-
r
=j=t
•?=£*
*-*:
I I I -O a
izPz^pg^
:'
-+4
I
*3=t£*
-4r
fz^-^fczpz^pz-
an^F
»w
X-f
S-P
1-
(tHIME 22)
llMJ- If K> ,J J j^ i, J- J- J7.TJJJ.J J. £
fc — I -j— i 1 0-?-0—— .m — I 1_ L_L — _ m—— -0- — I 1— u
. 1 L J. 1 i_X^ 1 L ^__) — L| 1
T
m
338
Slightly Faster than Medium.
LORD, DISMISS US WITH THY BLESSING, (dismission.)
tori
=tRB
fc±
-0-3-
jiz^i
e±M.-L*--
£±
:t=
jc^#:
3=
=1T
fz*3t:
11
/SWi
Coro.
2fc
L±
*i:
t
-&-&-■»■
-G—*~3
\Y\ iliTf^g
'-^-L -S» S>-J- -S>— tf--1-* '
-3,-^©
3
II
*tfcy
-0X3-
Lord, dis - miss us with thy bless - ing, Bid
-IT*
r
S3taz
j -J j
rt?
^-0- ^-n ^fcg- -^ jjz ^te^
us all de - part in peace ; Still on gos - pel - man - na feed - ing, Pure se - raph-ic love in-crease.
toifzt
im-
jz^cttj.
i
l J A M'lr
-.
rr i r
m
±±t=f^S=jti=t^:
tut
'-f'
\=*±±
P
Wlrft
m'.U..
h^^^ihi
5f*?
i=
r
r
. j^-
7-
f
2aa£
>
T f f f
I f
T T T f T
Cres. ^ f. , , , t i t
p=jz»:
F*=P
r.0^0—3- -^-0—0-0\V-0j--
-y~-\ — — • h — ^
>/J f f f T T T T T f T T
<
<
Fill each breast with con-so-lation, Upto thee our voices raise ; When we reach that blissful station, Then we'll give thee nobler praise, Then we'll give thee nobler praise.
! o'/r> .> I I. !.■. I. ' L '.
b-\)-3— 0
rr
i=<2:
-Fr—3©
-4 — r^-,T#--iiT^
>
:=J=
-0*'r
J J
-Ns*
JS^P
0-0-0-
HE
r
til
-p:
i i i *
i » i
i i i i
22=::
LORD, DISMISS US WITH THY BLESSING, concluded.
339
sr-tr
zte
=f
±=£
^lZXHW
SAL j)
Com. f
Tf —
Soli, p
Goro. ? f
irT--
tr-
m~+:
-o-
s^zfc
-£?—
*-■-£? — 0— 0—1-0
£:
-^ q«. »-
:*:!=*:
•=.9=j£.
HO-
. And we'll sing Halle - lu -jab, A-men;Hal-le - lu-jah; And -we'll sing Hallelu-jah! A- men! Hal - le - lu-jah! to God and the Lamb. Hal-le - lu-jah for
s^fa:
*W-
£
-p^-9-
&
4=^.
:?zar
r .'
#-#
7
T jj.1 ifi=
CE
«
-^-f8-*1'
:*z=*:
?t=3±f
t
1^3
k=iti=±
±=E
i^=^U
0—0-
I— tr-
pzipzzz:
.'r
i
p=?£?
P— f-
-j-
►— £-
L-E2:
s.
&
•--*-
■(•—4-
£h
-0—©-
z:
r^ pus
#.#
fczp:
far
-•-•-
«F
rs^ti
# ».
FF3EE^
=^^P=^
WjKZ?
Halle - lu-jah for - ex
er,
9 — S-
Hal-le - lu-jah for-ev - er, for - ev - er and ev-er, A- men, Hal - le - lu - jah,
» I
££ttfl
-Lh'
£=^
J3
-*^#-
■x
--«*
*=*z*z*z*:
i*z*=i:
-#--r
**^
=t
-f-
=f
=4
£zb:
er, Hal-le - lu-jah for - ev - er.
Hal-le -lu-jah for - ev- er and ev- er, A -men, Hal - le - lu - jah, A
±*
T^-.*^-,
Hi
IzMzM
r r :v
— 0-0-0— -d
&8RF=t
men, A-men, A-men.
-0-0-
r
r
pZZ±£=fa>
^r
340
THE MARINER'S PRAYER. (solo.)
Originally written for, and sung by Mrs. V. C. Taylor.
.Moderate Portamento
v. a t.
Words by MRS. HEMANS.
Dim.
1. Night
2. Stars
sinks on the wave
look o'er the sea;
Hoi
Few,
low
and
gusts
sad,
are sigh -
and shroud -
t
ing ; Sea - birds to
ed ; Faith, our light
their cave
shall be,
Through the
When all
£
gloom
else
are fly -
is cloud
ing.
ed;
O!
Thou,
should storms come sweeping,
whose voice comes thrilling.
Thou,
Wind
-V,'-
T-tpjsri-T — rrrr
in heav'n, un - sleep - ing, O'er thy ehil - dren vi - gil
and bil - low still - ing, Speak once more, our prayer ful
— =d Jiit. Z==— Accelerando.
o
±£
^
i
gi«i£ ±^±Mz^ --UrJArJ?- n if^BEf l^Er =gr tU~i-^
A Tempo.
tnrrt
■+*+
Cres.
Pl^=
^-^
w-
s)—-.
*
-. d
I I
gigs
_J_4 —
Jf-'r3h9rJh
ztt±±
■&■
*—3r
-* 5
^E&gfefi
3fc
V 5
te
S
•t? ^
^g=F
E=
£EE
r^
E
-r—
~<5
mmmm
n
keep-ing ; Hear, O ! hear and save,
- - fill - ing ; Pow - er dwells with thee ;
Hear, O ! hear and save, Hear,
01
hear
and
tr
'-*-'*—£-
save.
rr\ /«r\
■*»■ • -#■-#■ -5- ■*•
Si
Ht
:£r
.st
fc
±&2=±.
ZL
W^
7F
zrl
3-
rf\ /t\
33
1
I
Medium.
<
ORDINATION ANTHEM.
<
V. C. T.
341
H>-
-p-tr
:F:
-0-
:«tz*zztz
-#r
.5
-rf— rar~r~* — rl — --0—" '
3t
fcr£=fc5!=feE==;
atoe
0—0-0^0
=*£&£-
iiyiE?
zztm
::
£::
is:
■#- »"
^=t
*r-d\J d
2
PE
We bid thee wel-come, We bid thee wel-come, We bid thee welcome, in the name Of Je - sus, our ex - alt - ed head, Of Je - sus our ex - alt - ed head,
,b
s=m
^
Izptzzzzzzzt
fzzfct*
; r
nrr^^
zlz
J. j
9.
§z±:2
-■b-
:':
i — r
•— •-
» — 0-
J J j < j . | i _r ,
g I1'' J FtlfT^^
hi *"-
0-0
_*»_-2ZI
^— #
-£-*
tzifcz1
■*=-*■
J.
:£zaz:»:
1 n*-
3
\
Quite Fast
|:^fezz
fzaz^zitifzjizzE:
~^-*z^zib
at
■•-•-
5*ff
'z^z^zlpzazaz^ziiza:
-•— 0-
i^iMifrJtit:
pzHzzfc^z&:i|==jz=tzft
?z?z :*z*z: :
Come as a servant,
Come as a watchman,
:zb:
ff
*
*£
i:i:t
=£
«S
#z«?z*:
zjzzjzz-zzzz: ==e£«: zjzzr^z^z: zfc: Jzz^z>q'
srz^tzt-
=:
nS-V
:#z*z#
zjzz^zjzzz
iz*;^:*j
>->->--H-
-l-
zjzztzpzr-z-r
*Z9ZMZ$Z9Z±91*Z:0-*:
Come as a Shepherd,
Come as an angel, Come as a teacher, Come as a messenger of peace, Come as an angel, hence to
I
:*z^
—1-0-0-e-
MZ0Z
#T-i-»-H
g-t7-3->-f-f
Sil^siiiiiiiiii^iezz^=i
-P Ti 1 r-4— r— T»— 0---0-0-0-1} 1 1 -__I^#-L_ —4—-
'r0—0-'-0-0-0
tzztztzazz;
Come as a servant,
Come as a watchman,
-H •- 0-0— -#■• — <
342
ORDINATION ANTHEM.
/
fcfct==b=E-FU-fi-
t*>— 0.0r*-0- -0-
*z*z*z«:
m-
-M I »»-H _H Lb— I H -1- *»-! — **
CONTINUED
P=*
E3:
_3____|!_
jzjzp:
-f—
*ZZ?1
We never fail, nor faint, nor 6tray,
5__4zte£ izizz^zzf-zz*: =ttrf -ryrf-fc-l 3
: :-r-^:d-d:-1-*«,;;l:H-*t:H 1 —
;=t*-*-«::=l-H: ?P^4
:*±#z#:#:
=6
dSrii
■0-0-
-
•.*. rd.+idJijT+ri — I
«:
^
guide A band of pilgrims on their way ; That safely walking at thy side,We never fail, nor faint, nor stray We never fail, nor faint, nor stray,
fr—W _-- r-J 1 1 1 — l-^T-r— 1 *"H~ H— I— H-»^— It-I-H— ^ l-0-0-r0-0-0~-0-r-T0-r-0~-0-0T0-0-*-JJl-
zzzzz:*if -didf!i~ zrz~zzzzzz _ -zzf zCr^-zzzizzziz
n" r *r ; r : frT*r r *rr, ;r T : 7ziLif:±=^-f-ftf-f f-
j:-ju.
^ — ^__4__^j:_j_jl_j___^z_:__±- *_*
IfzzzzlzllfezSzbEE^zz?^
±00-0-0-^0-10
zzFzzE^^z-Ez^Szzzz^S^^-E
t:
zz^ztzzrizzzz^zzz-zz^z^^t1
j-*-*Z*jLJe!£0Z0
0-0-\ — l-Jl
_£__S
We never fail, nor faint, nor stray,
Slow.
Fast.
\
9
Soli
m
.. 321
1 221
ft#^»-#
j±fcfc
Si
0-0-0-0
Fft
Z
^^SS
p
Hm
Come, Come, Come, Come, (
'ome, Come as a teacher sent from God, Come as a messenger of peace. Filled with the Spirit, fired with love, Live to behold our large in-crense, And
large
j___v"
!,D'2 Eg W-zr>zl jgfczzrz:^ir_gq__zz^H^
;;;j ;j ; jj
fHr£-4i^H"g: . . -_-Z=_-Zzp_£-3-3_3=:
1 1 x_.j-.l_ .4 _^_c_+__i — r. £L± — . — r ryr
:z«z2zt^zjz:;z:j:
^-^-^p^^e^^^-^^ff
v ^ ^
Jl_l_____J__JU^J- T«-*-
--£j l J i^-.j
==5Ziz:0?=t
iSI
^_p_
I
b— 0-0-0-
ORDINATION ANTHEM.
Allegretto. Borrowed theme, eight measures.
CONTINUED.
343
zt
n ■ ' t>
i-u i ' t r r- Try - - J- " I y - J-i^a
31
twize™^^
m
V0-0-0^-0-
die to meet us all a - bove, How beauteous are their feet, Who stand on Zion's hill ! Who bring salvation on their tongues, And words of peace reveal. How
£=£33
■*-<*=*<
44E44-
_i — i i r*: i-
1=4=^:*
fTT
J J J . + X
J.J.
^.fz/jz^:*=fefzf_zl^z*za'j:*z:
zzzzizizzz:zg?z::
:^z^z|fz:*z*iiza3zz^
, ri i a — r
f T
0-0-0^0
Jii. sU.
** -«-
?zrf=tf=J
I
ilzZ^ZZZTZZailf
^zzt^iz&zh^zzzzzrzzzzrzzz^g,^
Zi-on, be-hold thy Saviour King.
-,b-
—0-0-0 — 0
S3fZ^ZZ^ZZf«g
— r-
izjzzzizzz
-#zi=aLT=I*z=E=ziiEzzzd=*zto
charming is their voice, How sweet their tidings are! Zion, be - hold thy
^ -i->+, ff f f f f J " r p— r r i t- r r
Sa - viour King, He reigns and triumphs here, He reigns and, <fec, He reigns and triumphs here. Zi-
Ji
^
j j ; j ; j ;
:^z£z£zEES
•-•
0-0-0-0—0
PF-fe-t— t
feS
T=^^i
:*z*
•+^zzz"±zzzfzzt±f:
— f — r-T|.-F^
£
0-0-0
0-0-0—0
-P:
*£
#-*-
i l!=W. II J}Jlj.
*z^
pzgpz
t=t=
-# -*
:izd
jarffzrz-J
344
ORDINATION ANTHEM. concluded.
[Plikm-r$*
"^fo^fr+rtlr c ^'^p^f^frf.
^g-*^
Xiv»T^|3
p:
Zion, behold thy Saviour King,
tzftE
Iep:
Hi tar d.
«=t
»v*
matt*
S3:
*z*z±*zi<
IS
on, be - hold thy Saviour King, He reigns and triumphs here, He rpigns and triumphs here, He reigns and triumphs here, He reigns
Zion. behold thy Saviour King, , *» \ ) J. .> ^ IN i IS I jS
and tri
umphs here.
-f^
•v#^
S:#L^r4^Q-^-^-
_-*:?.
tfj'fr*
i ^ — *— — * r~zf~ r - r— -p— -r — — — *t*rg- r^'f — #f" — , ■: ^-^-h
f±pi^£±=|bzfezp=t:=i^^^
EzrzzzfazzzzfzziEzSzzzzEz&zfcr^
«+>—
on, be - hold thy Sa - viour Kini* &>•
Slowly.
*=fe=t=±t=t=n
M-
s
a.*L_£
2z£
-o-
±$=£z
DEDICATION ANTHEM
JU-L_ 1 1 ' LL\==±±tB
V. 0. T.
&>IL
5ztoEz-i=3zi=
zzf=aSzffl=±3bt:
^-sHdzgrw
=*
3t
:zs?z:2:±
??=«:
B
?>ZZZ
t=
^m
/&??'.
(Chest voice, heavily.)
3tZ2t
=t=t
:std:
^zi:
^se=zdBz2^^a=4=SS^i=t=?
And will the great, e - ter-nal God On earth os - tab-liflh his a-bode? And will he, from his heavenly throne, A - vow our temples for his own?
I>b2—
id
^ Zl ^3 I
:fz^:
Trrblcs.
zttzizr:tt5ztrF£zzS^z:^^z^tz£
f=P:FfffF
^zt^zz
zz±zz?
z|zz
zaz*:
Saflil
And will the great, e - ter - nal Ood On earth en - tablish his a - bod« 1
P3E
mill
DEDICATION ANTHEM, continued.
345
CORO. Allegro.
\
tt=»
wz±z±:
■6-.
m
:*z.
teta
■m-1-*-0--6i—d
±=tq
^3
-I—
T &-
ff
VI
f
-F=
Long may they echo with thy praise ;
m
JE~[JI
rhH-tri
:*z*: :?
*s«:
wt±zMi
¥K
*:±2?z:#:
t±
f-V
1
These walls we to thy honor raise, we to thy honor raise ; These walls we to thy honor raise, thy hon - or raise ;
xfc-
fc+ri=d
r
':
O-J
FFFF
i i > i i i ' i i i i i
Long may they echo with thy praise,
3
■ 1 ^Zl-#z:=!
wEdzMzzzzv.
izfe
j. J J J j. J. , Jj
j, j i«-.J j . > j , j , - •;
r
— -«l
,,<$ b g — tP
§
zzr0-*-*
1
jt*z*~"?zrz
-*— # — *-#■
/
rn
P
ite— :
J !
f t
£**
1 — ?-
Lons
1
-*» — J-1-
-*»-NH
=»
:*Z*ZWZ:±*Z*Zj4z9±Zt
l=^zS=^E
. may they echo with thy praise ; Long may they echo with thy praise ;
Long may they echo,
/
0—0 0-
tst
i+JJ
zzftf
---
— w
ifcf.-*
%r
^e*
Ezzfrfl
-J — U- l*M*
1 I \A
3bt*
fzz^z^z..9z0ztz\0.±i[
hhf-Y-f-f-f-
i-
1-¥--*-fh
»-*-!-*— *-i»-»-I-ts 1 n-P-r—l— 0-±--*-t
Tip Pfp£^
echo,
Long may they
»
'
mzzMzMzzL
Szzfzzt
1P^
b-^
-^-j:
-#-*-
t
_*_J_#_J-rr2-
>%»?.. £>
*S^77i. ^>
/
_«•_•*_
£
TES
:* — h
SEE
- — ulj_
j ;;
zzzz?=£z:T-r—
It
Xzlwzzwzhz
-\ — h
346
sszt
DEDICATION ANTHEM, continued.
Ci SOLI. Slowly,
(
gk — 0-0-*^
0X& T I
-0-+S—S-
-&=&-
^±pp±t^=±t=^«=
**:*:
COKO. Quite Fast.
w-
6 \6 'd
echo with thy praise ; And thou, descending, fill
ft
=t
b
ft J 1 1 -4c --
the place, And thou, descending, fill the place With choi
SOLI. TREBLES.
=|=zzt zrsz'zrqzzzzt: izpz^z^z *•*£
W=m
cest to
=H
.^-uj
S>- -& — 0-
f-f-f-f- f-f f t p'FrrFFr-F
I I I SOLI. Slowly. U
■0—0-
E=3
kens of . . thy
ijiiz^rizz
Quite Fast.
%-fr-* 0 0 0- -
JEEEEB3
■s- -e--@-
■0—0-
0—
it=t
±^
i)
z!
'•^*-0-0—0-
z%
"£"3 — t
±*z*z*z?z*
*:^
:r::
rnzzn=qiq==
^ES^Szz:
zfcz:
zzd:
zzrtzE
zisfc-L
-x
zz)zztd~
=M
:stz±
grace, With choi - - cest to
- kens of
i^
thy grace.
:f— ±F"-:
-0^-0^0-
^-0-m — t-r»-^— •-'*-♦— Ht a -m 0t rr
Syni.
-©-
-0 -f-
— O-
-&.
-c ^
£
h
r^ZgZZZfZZIgZZJZL^ZZZiZZZ^Z,
T-FH/^r — P — i*— P- -• — • 0-0
zzEJffizzizzikiziktIlazzzSizzzpzki
-0-0
fTf
»©-
DEDICATION ANTHEM, continued.
347
%1-jr
Bb .
/
t=P
£±=£
SqU
z±:
Pastorale. Slow.
gzq^fzpzfc/E^z:
-IH- j-t-i — I hi — i — a — l H-^-jj — i-
_grzf5r):z^
~^=Z^ZZ]^3~Z^ZiZZi=T-ZZZj
ZV?«. Corp. m.
£
-\—\-~r
:zfc
?— z^zi^izzzE:
Here let the great Redeem-er reign, With all the gra-ces of his train; While power divine his word attends, To conquer foes and cheer his friends, While
-?.-0- 0*
**zi:
I r
-r^-f d~r
ft f» ,"; pay
333
a
SOLI. p
T— -. 1 *- 0.— 0-0-0--^ *_*_* Tff_«_^ r-^-r
«-»T
:ptzz»
JS^S
/
L-fc » 0-0-0-. + 0-0- J-
/
liztz^z^zztz:
ff-f--*^r« -.. y
Dim.
a
oro.
i^zz^zzM^g^^^fc^^t^S^S—^
zzz^z^ziz^zIirtfz^zizSzzizizzizSz^zijzzz
HI
power divine his word attends, To conquer foes and cheer his friends.
. ri P Pi P n
X Z_^.
Great
^=Ezz54*-:
j ; j ; j
4^
*-?-
S J L
:-b-
1-
-tn-tr
h-
-»-!»-^—
t-
f^7f-f
z*=zf-^
Sym.
00m* ^0-0^000^ J-
t^zz^ztiztl
J
r
Z^Z^I^tt
—I — t^f'*^1
0—0-
EL
-h7*-
~ztz*
*«£z**:
fcz^^lIrHtz^tf S^| • f *zgf Z#zi
tr-
-*~P
*Wz£z^j*z^&z:z:gzzi3z^
348
DEDICATION ANTHEM, concluded.
9-0-0
^zziz
lwz»m
CORO.
/
• r
=t
0
555
&■
z^zzaz
m
t=±
E
ft
Not too Fast.
^T11 '—* — StF" —SPzzM =l~5
=t=#p:
^5tt
d
«
=^=m=i
y-mi
tf
^zz*
^-Z^ —
#^53h
:1^=
*
z±z*f:
e3§I
9
=t=ft
=it
King of glo - ry, come, And with thy fa - vor crown This tem - pie as thy home, This peo - pie as thine own, Great King of glo - ry, come, And with thy fa - vor
*=t=^
ki*: t)
J J J —fct
-A-JX-
M^wyyrz?
-0-0-
tf
p-pj- r r r r i i i r u \_j p r p •
^ n *.
j j j j J., j. j. j. j. n
•«--#-
r±zz:
i^PPi
„].
*=*zz*z*
--hi
HHHf
*3f
-•— •-
5
-*-" r— +
f-
-i_
IHH
^5fta
ft^S
g*E^
IIS
*5jt*z^*zEz^B§t:
=t
zdzzfai
P
crown This tem - pie as tliy home, This peo-ple as thine own, This tern -pie as thy home, This people as thine own.
rf n *- . n .->h ■ , J . I J J J J rl^i , Lj
ii^iiipiSp^i
J-J-J-J-J
r n\r
#-»+£>
=£+ I:
^^^"-P-Pf— E*
1
J - J J J J- J I , J.J J ^-^5jc£a£.lJJ- J.,l'iLi:,'l I^Mnd-drr c
z zzi I3- j — Tv _s _#_#Tg.^_^rTpi»^.##.r# rp • — » j^ — ^ — — | — #-- H — ' — -# --«i— sM- It
*zfez=zz:
"5
CONCERT ANTHEM.
ALLEGRO.
{
z2
I
for Concerts, CIjanks§iuin§, Cfjristmas, geoications, or Installations.
1 l_±_1 T t T T 0 0 If "JiJZ •_•» #-#_ ^S
^^p-^^^r^^^ri-^^^rrn^^zt^-^-p^^z-r j -£ ±£izr^^bripzz=zcz^-=x
■ j ~i »i n_ c _i l zz zjl -J. •^ -5-S^*^* -+ — !-
£.
^fe^
#
¥ -^: ^ 3
.l71/
Trumpet Swell.
1
7*
-0-
» t
f^glz^E^Z^^EEZ^^^~Nri
Praise the Lord,
J
Praise the Lord, for un - to him be - longeth praise and thanks - giv - ing,
,f_ ?/ L
^FJhr^-U^=^M^M^^^^^4ff^^=^=^^^£
Praise the Lord,
ff ,
zJ
§L .__•: FrS
Praise the Lord,
■f-
for un - to him be - longeth praise, and thanks -giv - ing,
zr
S
2F
-j-
~i~ — r_
:3:
#-
ESJ3S
hI-
Cz
1 ?
J" £: -f-
■ f- 1 1
Proisc the Lord,
Praise the Lord,
and thanks - giv - ing, for
350
CONCERT ANTHEM, continued.
fF {F
for un - to him be - longeth praise and thanksgiving
™f 1 I T J J J
AJt
Praise the Lord,
I
Praise the Lord, for un - to him
ff ™L V i i
be - longeth praise, be
I I »
^M^^^^^=m^^^^^^^^^^^^^
for un - to him be - longeth praise and thanksgiving ;
Praise the Lord,
J
Praise the Lord, for un - to him
F f I
be - longeth praise, be
I t 1
M1
3=/ | i ^ =h^J J | m[ $ > > > k \ V V 5.
I* ' I I » k. Inst. JT Jfj. I OT;' h f J> f I | ?
un - to him be - longeth praise and thanksgiving ;
t t I _, ■ , 1 !
i^Ss
Praise the Lord,
Praise the Lord, for un - to him be - longeth praise, be
l™ i T t J I J t __? r f I __J f » 11
praise and thanksgiving ; for un
1
longeth praise,
t » ?
to him be - longeth praise, for un - to him be - longeth praise,
LI ! ! ) t t__ » _f I _J_ 1 ? J_
. . . and thanksgiving; for un - to him be - longeth praise, for un - to him be - longeth praise, for un - to him b<
I— t— C- Qfirr====s£* ,_r — r_t£=C *— tf— S — £—- g— t=2--g-*- f - •> - r— p— C— tg— g— g — =rtt_Mi-E:_ y
, , , =±±J t U u , j, , , TT J £J y v v .
,n *• A j. .J. im i i i i ' t . t » — = — i
T ! »
: : r
0
i
longeth praise, praise . . . and thanksgiving • for un - to him be - longeth praise, for uu - to him be - longeth praise,
CONCERT ANTHEM. continued.
351
fs
be - long - eth praise . . . and thanksgiving. For the multitude of his
longeth praise, for un - to him, for un
to him be - long - eth praise
>_ IS J L
! #_
J I
and thanksgiving.
! r
8:
-f* S s ^-r-r- s— ----,--' — —-f -k --*-- ? -P-rH H r » rrg— •JH— drai— » r# w
r-fcn-;
E@
t-Y
-fz
^ J
-j- -J.
s^rag^^
.: ; z
^
_L L — _£ L
be - long - eth praise
fi^^i^iissi^fe ±^m
and thanksgiving.
mf
For the multitude of his
— I I-E2-
J>. IV
S=^
HgSi§^^
mercies,
for the multitude of his mercies,
^^fe-^iEg===;p
the mul - ti - tude, the mul • ti - tude, the mul - ti - tude, the multitude of his mercies,
m mf
±±zi9zz?z:
--^::=>r>nv
3-*L-«U,
-> —
mercies,
for the multitude of his mercies
i ./V r n n
the mul ti - tude, the multitude of his mercie9,
i** * m *
J^*u
Is p» Is p» is mf Is rj* r _i*
L. .__!_ 7-r— _L. r ,_E_p . L_f L- £ r prft— t-i C-^f '„— J, L
r
Octaves
3
> <■« i*
the mul • ti - tude, the mul - ti - tude, the mul - ti - tude, the multitude of his mercies we will
EF*^ * I l-'"fij rJ— '- £— »— *~
mL -J-
q=f
j: j
J" -J-
33
=FIi *:
;(gB^
-*-j-
-j-
FE£EE£
isyilllilii
352
CONCERT ANTHEM. continued.
wM^immm^^^^^m^^^mn
for the multitude of his mercies, We will praise him, we will praise liim for the multitude of hia
r-
for the multitude of his mercies.
3 #" 3 "*'
t t
W £ JP'
3 '
e
!=fct
E^E
* — f-
r> t t
J- -i ..e -•*
t3T£ar
II
zne:
iSF^gga^^P£fe^r^^^^3^^5^^^P
praise him, we will praise him.
/
^
L3=F
vt-
jrzm:
SB*
sis
We will praise him, we will praise him, we will praise him for the
• I r C t
s
multitude of his
#
/«
t I
mercies.
Praise the Lord,
J.
— —
Praise the Lord, for un - to him be - long eth praise and thanksgiving, We will
_ff ff ^__1_J_ It
Praise the Lord,
:^=i:
ff.
Inst.
£
m
Praise the Lord, for un - to him be- longeth praise . . . . . . and thanksgiving,
■* ( «» - K — *
T t
1 ^i?llilEllii=f =f I :
J3& £3
;pufE _rf -_f : _
mercies.
Praise Lb« Lord,
Praise the Lord, for un • to him be-long-etli praise
and thanksgiving, We will praise him
GONCEHT ANTHEM.
N 3 1^ J I
CONTINUED.
353
m^mmm^^m^^^EE^
I
praise him, we
^ ill praise him for the multitude of his mercies,
3 3 J I
*iJbj^^fcai£^^ — fa
praise him, we will praise him for the multitude of his mercies,
i — r~*~r*:
[T T I i ~ 1 — — U • : -J | — ' l -l» £ U l« ">w^ will praise him, we will praise him,
•— L # #-C L— 3 L _L_
we will praise him, we will praise him for the multitude of his mercies,
TO
for
:*=E
i m ~ i — -p^- <sr-i zpzrffzzjE
tzzt
i — r~
m
the
mul
tude
i
:*ee«:
:zrs»— B»zz r
f his
:=N:::: yf^VH^n^—i^— yF1^-"-^1"
:SS
USS^
\
*-»
for the multitude of his mercies,
™ ■ ?__ !
for the multitude of his mercies,
3 t I
for the mul - ti
tude
of his
li=I^Si
for .... the multitude of his
eiI3-p7 r ^T -33-FU — 3 — fr- g^-F£— * «— ;—F;—;— ■—;—;— Ff — r — c— Ff, — — Ff — f-^-h-^f~ r—f— F
We will praise him, we will praise him for the multitude of his mercies
-v -> 3 i*
TO-£- ,
P ^j^^gE^^^^EEE^^Egigl^^
fur the mul - ti
tude
of his
of
his
mercies,
(chime — 23)
35 i
CONCERT ANTHEM. concluded.
ff
ff.
i^^gi^^^^feate^^^^^^^^^^m
mercies, we will praise him ev - er - more,
Mr-
we'll praise him ev - er - more, we'll praise him ev - er - more,
we'll praise him ev - er - more, we'll
L W
-00 9
mercies, we will praise him ev • er - more,
we'll praise him ev - er - more, we'll praise him ev • er - more, we'll praise him ev - er - more, we'll
jfs "is >'*■ \ •' V 1 ■] J' f' I I j '$>■ P >" 1 'J • m
c — i, — __,.?_r:;-_r — e — — cr cz_ ._ . _, — r. _ . , — L| — 2jl_jj — » — c. — ; — n 1 1 — t — s_-w — i - -i-i r
"tj "S u t" ' » T " " *
mercies, we will praise him ev er - more,
. we'll praise him ev - er more, we'll praise him ev - er • more,
. we'll praise him ev - er - more, we'll
^=^^^^^^^^^^^m^^^^r^^m
i
praise him ev - er - more, for - ev - er - more, for - ev - er, ev - er - more.
* *
-Gk
praise him ev - er - more, for - ev - er - more, for - ev - er, ev - er - more.
J. <> . , J rjn , J £un , %v M-1
tort j. |"-_4^H^i
•7 lj — — — ,*s ■ -0- -m- -my m, -G\ -m
d. | j -J- J -J- JL J- -•- -J- 1 * J- -J- J-
J J--+ J- + J
js^B^^^^g^g^^^^^^Ei g p
pt aise him ev - er - more, for pv - er • more, for - ev - er, ev • er - more.
# #
THE TURF SHALL BE MY FRAGRANT SHRINE.
To the Chorus, lower score, Slow.
t" SOLI.
:>
V. O. T.
355
\
jfc
&=zh±zfzz
SOLI.
lie
p
&
3gZBg3E§33I+3ig
— p 0f0-m 1 0-0-0-0— \^0r*-
) — ^f — # : ±3—0-
ZC
9 9-8 9-9-
ser's breath the mountain airs, And silent thoughts my on- ly prayers.
My cen - ser's breath the mountain airs, And silent thoughts my on- ly prayers.
9>9-E^~LS-0 L G~L0-—*—L99-0--L&-—9'-xm x ^-* -^W -4- x0_-^~-\ X9 -I- 0 P-r1— «—
The turf shall be my fragrant shrine ; My tern- pie. Lord, that areh of thine ; My cen- ser's breath the mountain airs, and si-lent thoughts my on - ly prayers.
zzbz^z ii^zzix— =^^--=]=Mz5==h[?=if i
B — i — ^_l_jZ- j# -Uj — 1_#- e
Q— U L
^z±3zz*-
1 ".
-i —r^" — H-M-0 — hr® "rH l~r^ — rl-i — i -t-H-»_'-s' — rH — — h~S~^T0 — — t
-i — H-+H-1— R-H — i--i & — — Hm-i— H — — t-+*^-*H H — i-*--e-if "^=-1-3-+
-i — •+^4-^»:+h — -•- -5 e-—^-\AA-A0 1 — 0-\—0—0-p 0,0 — •— 9\-B-0-ft-\
I i I t ! I I l I
-f---Lr-=rtz±z
flf f ir if
-4-f-
z^eSz
:£&=£
7
i"
-H-
i^zzpz
liz±z=jz:^
CORO. / A Quick and steady time,
ft— ZjZII
7-.
» ? i
-H-
7.
T
m
LTi, " J-.-J-. i;VJ-^:,j y J" ,J :J: j j :,Jj
r
r
:t=
#z*z:£i
M=
pZ*Z^Zp-gZZ£
-
My cen - ser's breath the mountain airs, Aud silent thoughts my on - ly prayers.
1
0 9 0-
-■6-
-&-
My choir
shall
V! ■ W~0—0-*-0-W— •*=?>— *•
be the moonlight waves. When mur - m'ring
i r r
IS TZZZ
zzzs — tzzizzzzzzzi:
— ZzzzTzzizztiziEt:
*=E
homeward to their caves ;
My choir shall be the moonlight waves,
:_ ; ■ W-0~0-
Z&ZZZ^Z
5
1:
-feZZiZT^^Z
S"Mr
When murm'ring homeward
fa£
fz*
zzizfc
H:
^SlZF
0-J—p^ — +p—
Hr£L
lit!
=T3=f=
to their caves ;
Or when the stillness of the sea, E'en
f I f
zm
3
4-
ur
^zfzt
f— j — r+~ * — #^^ — ■=p-^#
Mv choir
shall
:tz=t=tzzz:
n:
:pzz:
\ \ }_
WZZZZZMZZZJ9Z
If-
be the moonlight waves. When mur - m'ring homeward to their caves.
• I'ubli.tliuJ trum tue •• OnlJuii Lvre." bv general desire of the fncmls of tliat w.yk.
356
THE TURF SHALL BE MY FRAGRANT SHRINE, continued.
£fc
Hi
m^m
:zb:
£fc
more than music, breathes of thee.
8va.
^3=^*
0
=ftrf
•Ph
- - - - loco.
— 3 3 •— ■
/3 ^~^-W0^0-M ."^
& — . — __-i— i— A-** _-__^_
■J — 3 — **« -L \iS" -1-— 3 i*1^-
<S^m, in.
^ttMfffz1
7t
fe»*
Ff
EpEt £&£ _fap Ig^l-
i=^^=E^
:*±:
f±t=
±r
5
#-#-•-
#-#-
a
+=^=
-#-#
-«-#•
■0-0-0-
Ji'itard.
-^ _^- _w_ -^-j-^-9-
rf^r^^mfc^m
CORO. Faster than Medium. • ! t I
b i -r-i i - 1- -l t— — 1 i l- 1 i-
*Sk±£zEz±i
-0-0-0-
» I i
-t ! — I — h-r-h
z£z zz±»z :*z*z*z£z £z*utae
i r»,
■«—
to
■ i i i
The turf shall be
my fragrant shrine, My temple, Lord, that arch of thine ;
> >
,:;:-u -\~TT' '-,;. JW=P 00 I
5*±
zUfi
=t
£
-*- -0-0-0'-
The turf shall be my fragraat shrine,
-~r4g»?7f~irJ^ -• I ••-31^3 n h J-* gjpz£
My censer's breath the mountain airs, My censer's breath the
jzjz^zzzzzjzzzzzz
My tem - pie, Lord, that arch of thine ;
zzbz
.»• b
fin
=t»
?c=t=r
tit
My censer's .breath the mountain airs. My censer's breath the
-J- ^ j J
TlaAuif shall be
my fragrant shrine. My temple.Lord, that arch of tliine
) ZffiZ] -1 J J,.j j' , jJJ^ T_J._j_J_Tig J.1TJ_[.J_#T» * J _:_T_t_J.J. J J— J J-J-
f ^eS=E ^r«^wzsi ==#: fzizizsz :szczizi:: sqszfepE izz i&^zr.sz :^z:pz*d»zj=--zz: :*zpz*ztzt[zztzzjzjz::
iiii ii — • ^. ^
My censer's breath the mountain airs, My censer's breath the
MZtEI
>
trF1?— •-
THE TURF SHALL BE MY FRAGRANT SHRINE, continued
> Dim. > > P T T >
i — j — i — i-
-#— «
*=*:
-4
-0—m-
-©-T-73-T
^~
^=ft=:
357
I
^
And silent thoughts
i
p
m
i
thi
^=?=*---i
-©— ■
s
:W
=t
at±
:P=^
m
mountain airs, And silent thoughts my only prayers,
> > > > Dim. > > P
1 1 1 1 i C
And silent thoughts my on - ly prayers,
HE
-*r-r
^P-jw^-- — ^ —
^ w
s»— -s>— •-
ftT*
v-q-
M^z
f-
-£-
My choir shall be the moonlight waves.
-&-
•i'^i^;-j'-j
iSEEzzzHzztlt:
-^-J-
And si - lent thoughts mv on - Iv
prayers,
> . > > , >
mountain airs, And silent thoughts my only prayers.
^ri^rJT-r-7
■©■—
*— *-
S5
4-
J
When
£
--
Slow.
fe±:
4
* 2>
In Time.
— — -• * -0- -M-
4=
my on - ly prayers,
szz=:
v
My choir shall be
One Half Slower.
S O-f
■e — h
the moonlight waves.
Ft
Largo.
caves,
mu - sic breathes of
2=±=z
m
thee.
£fc
=t
•:*
*-*
:=j:
-rv-^ —
=fc=£
Slow.
■Q — -h — n H IS— i^T-iS- *—] T-t— x — ■
Or, when the stillness of the sea,
P + f\ \ s + f\
-4-Tzr
—Z - F * — *-
E'en more than music
j. One Half Slower.
T
?!f?s^f^§5i
=:
breathes of thee.
Largo. s~
"M
C> /?•
dtffZEfJt
e=^=d:
rfi
f*±f
murmuring homewards to their caves ;
E'en more
:i-_=p:
#__*.
=t=P
2=p:
than mu - sic breathes of thee.
- -iLu
t=
— ©-
j-
+-
caves,
Or when the stillness of the sea,
r
358
THE TURF SHALL BE MY FRAGRANT SHRINE, continued.
\
Allegro.
iszfczzi:
m
l:b:^=-z:p— zzfzz-zzj:±zlgg
g-zEJ
0 m
=1
zzt
ZEZ
Slow. />
zjzpz£
T T T T T
::^.^;^^_at;
i it i i it "
All light and silence, like thy throne,
Aud the pale stars shall be at night The on-ly eyes that watch my lite.
izfazzi
&fc-h
9-
G-1--0—T 1-
-:
z:
-e-^-d
zzbizzi
I'll seek by day
Allegro. -C
some glade unknown, All light
>
11
z:
P
=t=
Zt
i i i i
and silence, like thy throne
Slow.
T ? ! f T
=fc
All light aud silence, like thy throne,
p^l J_J_l^_IJL_J-JLi
rfrrf=&*:=3zSfqctsfe:=r=: izszz ipzzzizzqz^zztE— z^^zzz^iz^zzitiiiitzzz
„#g — p_^ — *J 1 — * q — i — £ 3 — i- q_qzzj_zj- q — __l_ qzzztzrzrzq_.^ tii
p ^ L|» — (• — fn* f ~ r— L* «--lS'-t-«j-* J-»3 — **-*-& — w— L — Z_> ^_? —
ht and silence, like thv throne, And the pale stars shall be at uight The ou - ly eyes that watch my rite.
And the pale stars shall be at night The on - ly eyes that watch my
T T T T r
:Sz=Ezi
WZW
?2==©::c:
:t:
Zpga
I'll seek by day some glade unknown, All light
1 I 1
and silence, like thy throne,
Allegretto. .6^
P^bizz rjzzzzzzzL
I
=±t=p
ZPZZPZTJF
-I —
1=
W
-h-
^
&±
ill
PI
iZ:
0—0—0—0-
:zt
zzzt
2z±<£z:*z
g|||E3i|:|E|g
Tne glories of thy
ilzzliSilliiiS
Thyheav'u, on which 'tis bliss to look. Shall be my pure and shin- ing book,
Allegretto. yT
z±zzzbd=
St
The glo - ries- of
.$*-■:.-.. pR p B • !../i«zzrzf^^zEz£if
thy wondrous ua
J..JLJ -J- J. J- -J- -J- J. -J. JL
j-T#- j-# -iTS.-^zT^ zzzz
kt
— r-
zpz:pz:rz:* i
izz^i
:p
±=£
z-pzzpzrpzl,
=i — F-FH
pzza
Cres
" m
pz=| — [- l II j | ;\+ULJ+====±
F
0_ -#- -•- -#-
3rzzzzzzzzz]3^d JHll^'f, , VJ|=CT
±zzzzzEz:rii^zrz-r *r:f tzzzzzrz±^z-z:r f
/# V f i » »
rift
/j j j j
£53
Where I shall reivd, in words of flame,
::±ttt:zE:±
The glories of
thy
THE TURF SHALL BE MY FRAGRANT SHRINE, continued.
359
wondrous name, "Where I
read, in wordsofflame.The glo
m
of thv 'wondrous name.
ff^
ff
th:
4±
-m — e
:F
£:
^
The
<
Where I
read, in -words of flame,
£fcj
^0
3=g3E-
be
my pure and shin
ing book, Where I
^ 1 \ff n
-4-0- -» — m—0 f-
can read, in words of flame,
i — « — I-
Where I can read, in
ICres.
■t— * i — -£ — a—
?~T~+
f-
=*-£
*=*:
■words of flame, The
I J ' ) Iff
<
<mj
-JL
r— r — tr
':
t=i
&=££=£
1
#J
Mzb:=a
=±fe±
-#— f*-
— h
p=z:?-zp-w:
Where I
can
read, in words of flame,
-■-
t
i=^p=*z£p&z^
J
±^zz>
tr-
III
— r
The
360
cfc-TEqi
THE TURF SHALL BE MY FRAGRANT SHRINK, concluded.
Iff ^
Dim.
+—*
jkzr^z*
*-^^
tz&ztjzjz-zz:.
mi
-&—&-
H^-ft^ti:
^-b-»— »-*t
fc*:
d:
•=3t
a:
— &-
=ri=^=f
*
:£=±=22
:=]:
I
glo-ries of thy wondrous name, thy wondrous name, thy wondrous nam e, thy
Ai-£2 J\i -I
drous
Psalmist. Hymn 757.
CHANTS.
No. 1. THESE MORTAL JOYS, (hymn.)
_«B — I — « ■_
3
V. O. T.
These mortal joys, how soon they fade ! How swift they pass a - way
-X i -J-
The dying flower reclines its head, The
O-
1~
1
V
No. 2. GLORIA IN EXCELSIS.
1. Glow be to
3. O Lord God,
9. For thou only
God on
heaven - ly
art
high,
King,
holy j
and on earth,
God the
thou .
leace, good
will
towards
men. 2
Fa - ther
Al
-
mighty. 4
>n - lv
art
the
Lord. 10
^mm\
r
i
2. We praise thee, we bless thee, we
4. O Lord, the only begotten Son,.
10. Thou only, 0 Christ, with the .
t
-4
_d_
-— Q-
t
r-4
iiiiUPH
r
- J.
wor
- ship
thee,
Je
- sus
Christ
Ho
- iy
Ghost,
we glorify thee, we give thanks to
O Lord God, Lamb of God,
art most high in the
1
thee
Son
glory
for
of
thy
Of
God
-L- ts C
great
the
the
glory. 3.
Father. 5.
Father.
/
^:
I
i
A-
3
5. That takest away the ....
6. Thou that takest away the .
7. Thou that takest away the .
8. Thou that sittest at the right hand of.
ttw±
-&-
i
1
zpzzz
sins of the
sins of the
sins of the
God tlm .
world,
world,
world,
Father, |
F I P
have
have
re -
have
r
T-O-
F:
_ —Q-
P
l
mercy
up -
on us.
6
mercy
up -
on us.
7
ceive
our
prayer.
8
mercv
up -
on us.
U.
362
fet
/
--I-
No. 3. VENITE EXULTEMUS. (double chant.)
Dr BOYOE.
f
=t
=H
Hi
:=]:
=t
T f
-#•-
:=£:
F
I
-*. "J. „
:t:
I
f:
i
i
1.
0 come, let us sing un -
to
the
Lord ;
3.
For the Lord is a .
great
-
God;
5.
The sea is his, and .
he
-
made it
t.
For he is the ....
Lord
our
God;
10.
Glory be to the Father, and .
to
the
Son,
let us heartily rejoice in the .
and a great
and his hands pre - - - - -
and we are the people of his pasture, and the
and .......
f
strength of
our
sal -
vatioa 2.
King a -
bove
all
gods. 4.
pared the
dry
-
land. 6.
sheep
of
his
hand. 8.
to the
Ho -
iy
Ghost. 11.
(
1
v=t
35
I
7
■=t
a
=t
**=-
:wi
-T-O-
i
£
rr-,
i,
with
our
of
his
- — © —
3=
psalms. 3.
also. 5.
M;iker. 7.
him. 9.:
truth. 10.
I
\
2. Let us come before his presence .
4. In his hand are all the corners
6. O come, let us worship, and .
8. 0 worship the Lord in the beauty of
:$: 9. For he cometh, for he cometh, to
11. As it was in the beginning .
Cheerful.
with
thanks-
giving
of
the
earth j
fall
-
down;
ho -
li -
ness ;
judge
the
earth;
is
-
now,
I
and show ourselves .
and the strength of the . . .
and kneel be - - - ...
let the whole earth . . . . .
and with righteousness to judge the world and the
aud ever ........
glad
in
hills
is
fore
the
stand
ID
peo -
te
shall
him
his
Lord
awe
with
Kb. 4. HOW PLEASANT. (hymn.)
world without end
V. O. T.
m
i
f
-o-
M
-e-
o-
:5— S
ZT
3=
-e-
How pleasant — how divinely fair, 0 Lord of hosts, thy dwell - ings are]
> III
-O -0- -9- -&-
With long desire my spirit faints, To meet th' as - sem - blies of
•
S3E
f
r-
r r-
of thv saints,
I
_ff
1-
I
No. 5. BENEDIC AN1MA MEA. (double chant.)
£&8—
#?
*=
■0—
I
I
0~
:i
I
Dr. WM. JACKSON.
363
—&-
— &-
. -| — f — ©
i;
1. Praise the Lord, ......
3. Who forgiveth ......
5. O praise the Lord, ye angels of his, ye that ex-
8. Glory he to the Father, and
0
my
all
thy
eel
in
to
the
soul ;
sin
strength,
Son,
and all that is within me .....
and
ye that fulfil his commandment, and hearken unto the
and .........
praise his
healeth
voice of
to the
ho
It
all thine in-
his
-
Ho
-iy
name. 2.
firmities. 4.
word. 6.
Ghost; 9.
:zi:
-4-
:*z::?
0-
1
45L
a
m
m--
t
-#9-
t--
$m
:t=
2. Praise the Lord, ..........
4. Who saveth thy . . . . . . . .
6. O praise the Lord, all ....... .
:$: 7. O speak good of the Lord, all ye works of his, in all places of .
9. As it was in the beginning, ........
0
my
ife fi-
om de-
ve
his
his
do -
is
-
r
soul, j and for
struction, | and crowneth thee with
hosts ; I ye servants of
minion. ! Praise thou the .
now, j and ever shall be
PiiliPI^
r-
t:
s
get
not
mercy
and .
his
that .
Lord,
-
world without
all
his
benefits ;
3.
lov -
mg
kindness.
5.
do
his
plea-sure.
7.:
0
my
soul.
8.
end.
A -
men.
Psalmist, Hymn 1133.
No. 6. 0 GOD, MY INMOST SOUL CONVERT.
(hymn.)
P=W
i
-4-
0-
&
I
O God, my inmost soul convert, And deeply on my thoughtful heart Eternal things im - press ; Cause me to feel their solemn weight, And tremble on the )
brink of fate, And j wake to
right - eous-ness.
§ss
fc==£
-4!_tf_
I
::0=tt=t
30!
No. 7. JUBILATE DEO. (double chant.)
Dr. PRING.
m=
i
rstr
-zr
I
■4
152=
— s>-
— /S-
1
-|—
!
* *•-
■*=
1. O, be joyful in the Lord,
3. O, go your way into his gates with thanksgiving, and into his
4. Glory be to the Father, and . ....
all
ye
cour
ts with
to
the
lauds ; II serve the Lord with gladness, and come before his
praise ; 1 be thankful unto him, and speak
Son,
and
pres-ence
good .
to the
with
a
of
his
Ho-
iy
song. 2.
name. 4.
Ghost. 6.
1
-p-
' ""* — *~T~~ g- —
=C
-o-
IE
$r-
1
r
3£
1
tpfc
J
t=
*=
_d_
I§
I
2. Be ye sure that the Lord
4. For the Lord is gracious, his mercy is
6. As it was in the beginning, .
he
is
God ;
i
er-
lasting ;
IS
now,
it is he that hath made us, and not we ourselves ;
we are his people, . . . . .
and his truth endureth from generation to .
and ever . . . . - .
aud
the
gen
shall
■ e -
be,
sh
of his
eep
ra
world without
I
pasture. 3.
tion. 6.
end.
CHORISTER'S INDEX TO WORDS, OF ALL METRES CONTAINED IN THE BOOK,
No i ►.— In addition to our remarks in the preface, on the subject of odd metres, we would further observe; that a9 our sole aim lias hern to produce a work of the most practical valnr, we have, therefore
given iii" various me! re j :i supply of appropriate tunes, according to their pro rnta importance in the scale of toe. SeYen-fiJjghths of the Hymns used in puljitcr worship, :ire of the Long, Common, short, Long I'ar-
tlcular, Comn Particular, short Particular, Sevens, Eights and Sevens, Bights, Sevens nod Fours, and Hallelujah measure : the provision, therefore, for these metres, in comparison to the various other odd oneg,
should la-, as seven to one \ et, except - ich Hymns as show a di i repancy ol measure between their several stanzas, we believe thai desirable tunes will be found in these pages for all iho odd metres in use.
Xhe difference, therefore, between a Chorister's index of exclusively odd metres— many of which, the tunes assigned for their performance to, he is directed to observe sundry "slurs," "repeats,'1 and "omissions,*1
— i«. the following arrangement not only meets the occasional wants of all odd metres of regular measure, but proves a guide in the adaptation of that portion of Psalmody, where the Leader's labors »re most general-
I] I on lined.
\ charge to keep itu
\ deb 878
Again the daj 31 l
\i.i ! how poor 293
All hail, the
Along the oanks '110
And can mine Ill
And will the 159
Angels from the 202
Angels! roll Ihe 231
\ noil pi ir mx days' 33
ml bless 193
Arise in all 43
I rise /e people lira
As body when 57
As How's the '-'83
Asleep in Jesus 63
Assembled at 71
\s showers 96, 101
Awake, and sing 208
Awake, my sold 133
a« ake ray tongue .98
Awake, our drowsy 278
Awake the trumpet's 42
Awake, ye saints 164
Author of good 118
He lln.u exalted 89
Re thou, OGod 81,94
Begin, my soul 214
Begin ihe high 131
Behold Hie glories 149
Behold II totaling.. 172, Kjl, 182,
IKti, 195.
Behold the western 107
Heboid thy 114
Beyond where • 'edron's 290
Blessed be thy 2R1 I By cool Siloam's 103
Bless, O my 92 Cease, ye mourners 252
Blest are the pure 174 [Child of sin and 3(io
Blest hour, win. n 31 Children, hear the 203
lilest is the hour 290
Bright and joyful. . .' 233
Brightest and besi :ti7
Broad is the 45
Brother, thou art 290
Children of 239
Christ, whose glory 238
Come away to 304
Come, dearest Lord. 54
Come, gracious 78, 82
CHORISTER'S INDEX.
365
Come hither.-. 80,93
Come, Holy Ghost II?
Come, Holy Spiril (S. M.) 101
Come, Holy Spirit, from 151
Come, let us anew 296
Come, let us join «5, 142
Come, sound his 170, 1 07
Come, thou Almighty 302
Come to the house 185
Come, weary 1)5, 85
Come we that > ,-., ,-,-
The h 1 1 1 ot ... 1
Come, ye disconsolate 314
Come, ye sinners 253
Come, ve that 2fi8
Create, O God 292
Daughter of Zion 313
Day of judgment 262
Dear Lord 124
Dear Refuge 120
Did Christ o'er 209
Do not I love 124
Early my God 109
Ere I sleep 304
Eternal God 39
Eternal God Almighty f>2
Eternal Source 105, 187
Eternal Spirit 163
Eternity is just 41
Exalt the Lord 200
Faith is the brightest 110
faith the Christian's 221
False are the men 30
Ear from my GO, 07
Ear from the 145
Father, who in 295
Flung to the 302
Friend after friend 218
From all who 97
From every earthly 287
From every stormy 38, 80
From Greenland's' 285
From Jesse's 311
From morning dawn 71
Give me the wings 253
Give to the Lord / -„
The Lord proclaims ( J
Glorious things 253
God in his 61, 88
God is the refuge 64, 72, 77
God of evening. 293
God of my liTe 95
God moves in a lit)
God, my supporter 150
Grace 'tis a 184
Gracious Spirit 235
Great Father of (C. M.) 146
Great Father of (H. M.) 268
Great God, indulge 53
Great God, to the 73
Great God, what do 244
Great Is the Lord (S. M.) 175
Great is the Lord(L. M.).47,79, 88
Great Shepherd 138
Great source of. 90
Guide oae, 0 250
Hark, hark | the 294
Hark, sinner 315
Hark! the herald 224
Hark! what mean 250
Haste, O sinner 213
Have mercy, Lord 169
Head ofthe 321
He reigns j 53
In robes. S
High let us 139
House of ..ur 318
How beauteous 171
How blest the 52
How charming 199
How sweetly Bowed 74
How far beyond 154
How gentle 200
How helpless 159
How honored is 192
How oft 108, 123
How pleasant 87, 96
How pleasant and 219, 200
How precious 104
How short 108
How sweet and 141
How sweet on thy 280
How sweet the (L. M.) 99
How sweet the <S. M.) 185
If human 100
If. through 169
I hear at morn 207
I lilt mv soul J87
I love thy 213
I love to steal 104, 140, 152, 106
I'm not asham'd 153
Indulgent Lord .50
In evil long I ...
I saw one. . (
In the cross of. 245
In trouble 103
In vain we 151
I waited meekly 160
I would not live 312,314
Jesus, and shall 49
Jesus, 1 love 150
Jesus, Saviour 229
Jesus, thy 32, 57
Joy to the world! 107
Judge me 51, 90
Just are thy 39
Keep silence 143
Kingdoms and thrones 97
Lamb of God 237
Lead us, Heavenly 218
Let all the earth 211
Let every creature 40
Let every mortal 158
Let not despair 117
Let one loud
Let son ;s ol (C. M.)
Lei songs of IS. Mi
Htje is the lime 35.
Lift not thou
Light of those
Lung as I live (C. M.)
Long as 1 lue \L. ,M.)
i.o ! In- comes 257,
Lo ! he cotneth
Lo ! the day
Lo ! the Lord
Lord, before tin
Lord, how delightful 44
Lord. let thy
Lord of hosts 223,
Lord of the worlds 276,
Lord, thou wilt
Lord, we come
Lord, when thou
Lowly and solemn
Majestic sweetness
Mark the soft
.Mary to the
May the glorious 25 5,
Mistaken souls
Most gracious God
My drowsy powers 102,
My faith looks
.My former hopes
My God, accept
My God, how
My God, my
My God, thy
My maker and my 190,-
My opening eyes.
My Saviour and
My Shepherd
My son, know
My soul, be on 168,
My soul lies
My soul, thy
My soul triumph ant
No more, my God
No war, nor
Now begin the
Now be my heart
Now in the heat
Now shall my
Now the shades 235,
O, all ye lands 118,
O all ye nations
O all ye nations, praise the Lord
O, all ve people
O, bless the 177, 193,
O come, loud 61
O could I
O could I speak 2'5,
O, could our 139,
O'er mountain.
O'er the realms..
O for a sight
.62
134
208
40
298
249
123
.55
250
258
249
247
227
93
.411
230
277
121
■:•■:
.46
29!)
1IU
271
220
256
155
196
136
301
189
too
.83
289
217
19.V
.58
l'.!7
138
199
19H
W8
.84
.37
116
241
[S3
131
I 17
.80
202
, 94
121
216
148
156
260
.98
O for that tenderness 148
O God, our help 102
<> God, to earth 203,204
O happy day 43, 50
O, happy is 159
i ). happy saints .78
oh bTessed souls 201
Oh! for a closer 140, 142
Oh lor the death 203
Oh, that thy 164
Oh 'twas a.'. 145, 147, 153
O. in the morn ml
O lay not up 202
t ) Lord our 205
Once more before 303
Once more my 141, 150
One sweet flower 251
On the mountain's 255
Oil thy church 228
Onward speed 297
O praise the 35, 59
O praise ye 319
(), that I knew 112, 165
O that the 113
t ) thon in whose 316
0 thou that 214
(l thou whose 281
Our Captain 192, 200
Oar Father in 308
Our heavenlv 175
O, what is life? 221
O, where is now 99
O worship the 318
People of the 242
Praise the Lord 223, 231
Praise to God 225
Praise ye Jehovah's 299
Prayeris the 1 12, 155
Rejoice ! the Lord [go
Return, my wandering 72
Return, my soul 70
Reviving sleep 38
Rise, my soul 285
Rise, Sun of. 275
Rock of ages 225
Sacred wisdom 227
Safely through 240
Saviour, bless thy 230
Saviour, source of 250, 254
See gentle patience 69
See Israel's gentle 140
See the leaves 240
Serene I laid 194, 209
Shine, mighty 122
Show me, 0 305
Since all the 126, 130
Sing hallelujah 289
Sing praises to 168, 187
Sing to the Lord 40
Sing to the Lord (CM.; 120
Sinner, O why 47
Sister, thou wast 245
Softly now the 237, 239
So let our •. 33, 79
Soon may the 92
Stand up, in; soul 08
.Stand up. O mv 310
S: Ml e\ ruing conies 88
Spirit of peace 157
Sweet is the (S. M.)...I74, 179, 186
Sweet is the memory 136
Sweet is the scene 32, 60
Sweet is the work 56
Sweet was the 127
Teach me 108
The day is 179, 205
The flowery . , 95
The God of 317
The God who 303
The heavens declare 42, 48, 51
The Lord hath spoken 212
The Lord is great 315
The Lord is my 313, 320
The Lord is risen 184
The Lord Jehovah (H.M.) 272
The Li ird Jehovah (S.P.M) 218
The Lord. my. . ..171, 178, 182,210
The Lord, my pasture 211
The Lord our 157
The man is 196
The mellow eve 284
The morning flowers 76
The morning light 284
Theories, which 251
The peace 69
The Prince of 320
The swift declining 180, t83
The winter is 279
There is a calm 294
There is a hope 135
There is a land 1 37
There is an hour of ) ,o0
hallowed peace... j"
There is an hour of ( .,n,
peaceful rest J "
There is a river 84
There seems a 70
The Saviour calls Ill, 152
The solemn stillness 132
Thine earthly ( „.
No more j • . . .
This is the God 279
Thou art gone 314
Thou great Instructor 67
Thou lovely source 162
Thou that dost 217, 243
Thou who didst 307
Thro' thy protecting 306
Thus far the > -s „-
I laymy... \ 55' 8o
Thy bounties 196
Thy name 198
Thy praises, 0 81
Time is winging 282
'Tis midnight 70
To bless thy 202
To-day the' 3til
To God, 1 lift 205, 273, 274
To God, in 177, 207
To our Redeemer's I5G
To spend one 267
'Twas in the watches 115
I'p to the 82
U ail, O my 68
Wake the song 228
VVe come with 186
We come with joy and 286
Weep not for 295
Welcome delightful 200, 272
Welcome sweet day 181, 191
We're traveling. . ." 291
We've no abiding 49, 52. 84
What glory gilds 144
What of truth 248
What shall 1 115
When all thy 102
When fainting in 143
When I can trust 222
When languor 154
When shall we 306
When sins and 101
When the soft 74
When the vale 288
When trouble fills 135
When thro' the 321
When verdure 107
When we our 41
Where is my 269
Where shall we O.'i
While my Redeemer's 200
While now, upon 75
While thee, I seek 129
While with ceaseless 226
Whom have we 119
Who, O God 236, 241
Why do we 106
Why, O my 163
Why on the 54, 77
Why should the 133
Why should we 44, 100
With all my 03
With humble heart 190
With my whole 83
With one consent 34
[ With youthful hearts 213
I Ye boundless 209
Ye humble 116
I Ye mighty 40
i Ye servants of. 172
! Ye servants of God 319
I v
Ye tribes of 264, 267, 274
Yes, God himself.
.309
Y'es, my native 261
Yes! the Redeemer 270
Your harps, ye 176, 180
Zion awake 45, 75
366
METRICAL INDEX TO TUNES,
L. M.
Albuera
Aldebaran
Allendale
Ambroze
Anlhem.
Appleton
Arnheim
Anion
Athol
Auber
A von
Hantam
Bein
Belzoni
Bidel
Blanford
'h>n
Hour
Blockley
Bross
Burbank
Caleb
Cape Ann
Casfna
Chatham
Clinton
Cochinauia
Corsica
' ul vorth
Danvers
Darley
Darue
Delaware
Denslow
Departure, Double
link.' Street
Edwards
Effingham
Kljria
Evening
Exhortation
Federal Street
Flushing
i olger
Fraraingham
Franklin
Futurity
Greenwood
Halifax
Hamburgh
Hebron
flilliar, (Double)..
llnaly
Ingalls
In million
low t
lrcni
34
54
99
100
84
48
B9
:!-.'
67
47
101
84
[00
85
70
Ivison
Kelly
42 Kenl
7 1 Kenyon
70 Lawrence
9T1 Linwood
i.l I... .van
98 Lowville
39 Lnellen
65 Luton
71 Lycoming
73 Mansion
Marchard
Marks
Marshfleld
Mention
Mesmer
Mobile
Monmouth
Moravia
Moscow
Nazareth
New Hamburgh.
New Hartford. . .
Northflold
Oberlin
Old Hundred
94 ' ntawa
40] Pacific
Parodist
Patterson
Perrin
Portugal
Quito
Hemsen
Hepose
Rockingham, . . .
Rolto
Rothwcll
Roxbury
Russia
Rutland
Safford
Salem
Sangerneld
Schmidt
Sidale
Sinclar
Bmilhfield
Solitude
St. Marks
Stone
StOnefleld
Straw burj vale . .
Sum men die. . . .
Sumpter
Sunderland
Surrev
35
92
65
87
49
75
7:i
33
911
(i3
5
S
86
59
53
42
74
59
S3
35
95
53
43
'.in
4!l
'.'I
81
44
04
85
',
93
82
61
68
58
81
HI
46
67
36
52
5i
78
78
57
90
76
63
38
70
94
89
47
til
m;
56
72
83
34
Swiftshire
Talahassee
Tat:. :'l
Tempi.
Trenton
Trivoii
Turner
Upton
Uxbridge
VelnscO
Vine Vale
Ward
Ware
Warren
Warrington
Wells
Wetherstii-kl. . . .
Windham
Zenia
Zephy r
C. M-
A\bion
A Ibree
Allegan
Andrus
Anil. it'll
Arlington
Ashmead
Atlas
Auburn
Balerma
Barby
BeHondi
Bemerton
Bermuda ..
Blackburn
Blossom
Bolton
Bradford
Brattle St., (Dbl;.
Brookfleld
Brown
Brownell
nam. . . .
Burford
Burwell
Byefleld
Calvary
Cambridge
Camden
i ihester
Ohesterfleld
China
Christmas
i Han ml. .n
i lolchester
Coleshill
Consecration. . . .
nil
159
i:,i
136
167
150
115
143
135
159
Ml
129
10.)
165
I n
120
I Hi
12
l :o
154
104
J 59
III.
108
119
112
I ill
120
ill
123
139
106
133
J 15,
I53i
108
1661
Coronation
li imster
Desire
Devizes
Iiruuiniond
Dunchurch
Dundee
Dunkip
Ellery
Elton
Lminersnn
Eiisworth
Er eville
Ferris
Flower Vale
Fountain
Frizzelle
Galena.:
Gardner
Geneva
Grafton
Hamlin
Hanson
Heber
Ilensly
Herkimer
11. .llister
llonesdale
Iliintersville
Hyrcanus
Jazcr
Jeddo
Jordon (Double)..
.luniala
Lansing
Lewnel
Lintz
Litchfield
Lloyd
I.utzen
.Majesty (Double) .
Mear
Mnllielil
Meditation
MelK'C
Meriden
Miami
Montgomery (dbl)
Moravian Hymn. .
Mulvania
Myrilon
Norwalk
< linnipotence
< ineiila
Ortonville
Park Place
Parma (Double). .
Palinos
Peace
Pendleton
136
M I
1)2
130
161
160
102
16-
108
130
12a
!03
126
163
128
155
101
113
148
126
137
Mo
145
121
131
127
111
117
134
147
138
166
131
118
:.v;
109
153
135
125
152
no
151
119
105
140
122
133
LOS
158 Peterborough . .
107 Pleasant valley.
I 13 Ree-e
142 Resignation
144; Retirement
123 Richmond
117 Rimlge :.
142 Rochester
162 SeftOB
155 Serenity
153 Springfield
144| St. Ann's
St. John's
St. Martin's
Stephens
Stillwell
Suhlen
Swanwick
Tehama
Tiffany
Vernon
Vesper
Vienna
Volaska ,
Volga
Volindia
Wals'ail
H alerbury
Whitehall
Wilmington
Winter
Woodland
Woodstock
S. M.
Ashburner (Dbl).
Assyria
Alliens
Bethoren
Bertram!
Bladenbtirg
Hot ma
Braden
Brenes
Britain
Burnett (Double).
i laird
i almar
Carlos
I 'lit". .11
i leresep
i liardon
i niter
Cyprus
Danlon
Dawn.*.
Derby
Doremus
Dover
150
156
. 164
103
145
161
158
150
133
107
160
106
116
147
138
139
152
122
157
154
121
132
118
124
111
124
108
163
15li
140
113
148
146
201
190
175
193
196
206
182
183
209
208
178
169
186
205
210
191
191
184
210
179
185
207
169
175.
Durell 192
Durham 185
Erfurth 169
Essex 18i
Falkirk 200
Flaibush 179
Colden Hill 177
Gonzales 184
Cregorian 206
Heathford 192
Henry 172
Hernando 207
llerschel 196
Hewlett 188
Honesley 205
Horeb 171
Hosea 202
Hudson 19'
■lellio 194
Kensington 193
Kirby 208
Lahan 198
Laborde 183
LamecJine 176
Lanesborough.. . . 172
Lanning 195
Linsey 202
Lisbon 181
Lonsdale 173
Lorain 204
Lunenburgh 174
Marvin 177
Melven 169
Middletown 203
Nebo 171
Northatn 199
Oldl'ord '. 187
Olmutz 180
Paddington 187
Peri-ia 203
Priestley 199
Roslin 188
Shelby 180
Shirland 195
Silver Street 170
Sinope 174
Sparta 200
Sprlngvaie 170
St. Thomas 197
Sluaii 190
Sylvester 168
Thatcher 204
Turin 209
Umago 168
Wale 182
Warner 176
Watchman 186
Zelte 194
L. P M. or L. M.
6 lines.
Blue-Bell 213
Brevint 212
Colombo 211
Creation 213
St. Helen's 211
C. P. M.
Ailhlone 214
Carlton 217
Raplure 214
Satiford 215
Southbridge 216
S. P. M.
Bethel 220
Burkett 219
Dalston 218
Maltoria 218
S. H. M.
Nashua 221
C. H. M.
Bulwer 222
Hawley 221
7's.
Advent 233
Azores 242
Barllett (Double). 224
Beaumont (6 l's).. 238
Bellefont 239
Beuevento (Dbl).. 226
Brennen 227
Brent.... 242
i 'anaslola 232
Cherubina -233
Crete 236
Depew 223
Dilwnrth 230
Herald 235
Holly : 239
Howd 227
Ithaca 232
Kilton 241
Kingsley (Double) 234
Martyn (Double). 226
Milgrove 223
Milo 237
Minlurn 235
Nebraska 241
Nineveh 228
Nuremburi^h 230
Pleyel's Hymn 237
Refuge (Double). . 229
Resurrection 231
Saland 231
Tabor (6 lines)... 22'
Thebes 231
Warriner 228
Warming 243
Warzel 225
Wihw 243
Worship (6 lines). 240
8's & 7's.
Amazon 249
Bowring 245
Cemetery 251
Elvah 25(1
Erilh (Double)... 254
Feiiii eland (Dbl).. 24'
Glade Hill 246
Glendale 246
Coshen 249
Greenville (6 l's;.. 248
Immutability 251
Indus (Double)... 252
Moultrie (Double) 253
Mount Vernon... 245
Myrtle 250
Sicilian Hymn 248
8's & 7's, Peculiar
Genin 292
Luther • 244
Standish 292
8'b, 7's & 4's.
Boytlen
Braham
Brinkriff
Calabria '.
Cazcnovia
F.ntield....
Hubert
Kelsey
I.aconia
Kiiihlnnd
Suffolk
Wilmantic
Zion
250
256
260
262
258
259
362
256
36 1
263
257
255
255
H.M.
Belhwen 274
Britannia 274
llrimfleld 276
Caniine 269
Fernald 277
Fross 270
Haddara 272
Harwich 270
Hawthorne 268
Jnllien m 266
Lamoin 260
Lenox 267
Luzon 275
Palmer 267
Seasons 271
SI. Philip's 268
Tillery 264
Triumph 272
Warsaw 273
Zerno 265
8's.
Berkley 279
De Fleury 'Dbl).. 280
Dwindle (Double) 278
Carlnev 281
Gorton 28 1
Spring 279
7s & 6's-
Adonus 282
Amsterdam 285
Dryden 287
Missionary Hymn. 285
Ondei 286
Petersham 284
Riverton 283
Webb 284
7'S & 4'S.
Alvah 288
8's & 6's.
Badew 290
Carlini 289
Gardner 290
Granger 289
L'nadilla 291
"Will yon go?".. 291
8's & 4's.
Cripen 293
Fondelino 293
Mayhew 294
Orlando 294
8'S & 9'8.
Otumba 295
8's, 6's & 4's.
Corlis 295
7'S, C's & 8*8.
Gusuivu* 296
METRICAL INDEX TO TUNES.
367
5's &12'8.
Hazel 296
7'S & 5'S.
Quintz 297
7's & 8's.
Kimeler 298
6's & 4*s.
America 299
"Child of Sin'*... 300
Faith 30!
Hill 301
Irving 300
Italian Hymn 30-'
Jaell 299
6'8.
Hatfield 303
Nile 3«3
Zirolese 302
6's & 9's.
Justin 304
8's, 3's & 6's.
Caria 304
5's & 10's.
Bavaria 305 ' IIKI> ■
Kvle 306
Wharton 303
6's & 10 's.
307
6's & 5's.
6's, 8's & 4's.
Kautz 306 ' Hesiner
309
10'S. |Lisdon 312
Charldaea 310 Portuguese Hymn 320
Dante 310
Liden 311
Savannah 311
It's & 10's.
Brunswick 314
Folsoin 317
H'S-
' Daughter of Zion' 313 12's & It's.
Easton 313|Holyoke 314
Holyoke 311 Ophir 315
It's & 8'S. Lyons 319
Alanthus 3 hj Montague 317
Orange 316 12's, It's & 8'S.
Plenitude 315 Burlington 320
10'S & 11'S.
Devonshire 319
(Jallalin 318
Hinton 318
12's.
'•Save Lord, or".. 321
P.M.
Pisgah 321
INDEX TO ANTHEMS, SENTENCES AND CHANTS.
Before Jehovah's Awful throne 32'
Brother, rest from sin and sorrow 330
Concert, Anthem 3J9
Dedication Anthem 344
Father, thy hand hath formed the
flower 324
I will arise and go to my father 3-26
Let the words of my mouth. 321
Lord, dismiss us with thy blessing. . . 336
Ordination Anthem 341
Save, Lord, or we perish 321
See day-light is fading 322
The wanderer no more will roam. . . . 324
The Drunkard's child 332
The Mariner's Prayer 340
The turf shall be my fragrant shrine.. 355
Where the wicked cease from 322
When morning's first and hallowed ray 334
CHANTS.
Ho.
1. These Mortal Joys (Hymn) 360
2. Gloria in Excelsis 361
No. 3. Venite Exultcmus (Double)... 362
4. How Pleasant (Hymn) 362
5. Benedic Anima Mea (Double) 364
6. OGod, my inmost soul convert. 364
7. Jubilate Deo 363
INDEX TO OLD TUNES
L. M.
Arnheim 39
Blendon 89
Duke Street 40
Effingham 82
Exhortation 37
Federal Street 69
Hamburgh 97
Hebron 55
Kent 65
Luton 63
Mention 42
Monmouth 53
Nazareth 53
Old Hundred 81
Portugal 82
Quito 61
Rockingham 81
Rothnell 46; Christmas
Surrey 64
Tatnal 43
Uxbridge 51
Ward 55
Ware 34
Wells 46
Windham 45
C. M.
Antioch 167
Arlington 150
Balerma 159
Bolton 116
Bradford 127
Brattle Street 129
Cambridge 120
China 106
. 133
Russia 36 coronation 158
Sterling 94 Devizes 142
Stunefleld 91 1 Dundee 117
Fountain 130
Geneva 162
Jordon 137
Litchfield 127
Lutzen 117
Mear 147
Ortonville 119
Parma 149
Patmos [28
Peterborough 150
Rochester 150
Si. Ann's 106
Si. John's 116
St. Martin's 147
Svvanw ick 1 22
Woodland 148
Woodstock ]46
S. M.
Dover 1 75
Golden Hill 177
Henry 1721
Lahan 198
Lanesboro' 172
Lisbon 181
I IIIIIUIZ 160
Paddington 18
Shi eland 195
Silver Street 170
St. Thomas 197
Thatcher 204
Watchman 186
MISCELLANEOUS.
Aithlone 214
Amsterdam 285
Benevento 226
Burlington 320
De Fleury 278
Dolstoji 218
Folsoni 317
Greenville 248
Haddam 272
Harwich 276
Hinton 318
Hotyoke (I would not) 314
Italian Hvmn 302
Lenox 267
LyonJ 319
MajfM
Mj^Kunry Hymn
Vernon 245
mburgh 230
yd- Hymn 237
ortuguese Hvmn 380
Rapture ." 214
Savannah 311
Sicilian Hymn 248
St. Hellen's 211
Tabor 225
Webb (The morning light) 2-4
Worship ("Safeh through,") 240
Zion ' 255
ALPHABETICAL INDEX.
Adonus 282
Advent 283
Aithlone 21-4
Alanthus 310
Albree 159
Albion 11»
Albuera 42
Aldebaran 71
Allegan 151
Allendale 70
Alva 288
Amazon 249
Ainbruze 9*
America 299
Amsterdam 285
Audrus I3G
Anthem 61
Antioch 167
Applulun 9-1
Arlington 158
4rnheim 39
Anion 65
Ashburner 201
Ashmead 115
Assyria 190
Athens 175
Athol 71
Atlas 143
Auber 73
Auburn 135
Avon 34
Azores 242
Badew 2911
Balerma 159
Bantam 54
Barby Ill
Barttetl 224
irla 305
Beaumont 238
Bein 99
Bellefonte 839
Bellondi 12
Belzonia 100
Bemerton I"."'
Benevenlo 229
Berkley 279
Bei muda 105
Bertrand 198
Bethel
Belboren 193
Betbuen 274
Bldell 84
Blackburn Ill
Bladeiiburg 206
Blanford 48
Blest Hour :u
Blendon 89
Blockloy Ii7
Blossom 120
Christmas.
Clapton
Clarendon.
Clinton
Blue Bell 213
Bolton 116
liovilia 182
BowriDg 245
Boyden 259 Cochinquia
Braden 183 '
Bradford 127
Braham 256
Brattle Street 129
Brenes 2Q9
Brennan 22'
Brent 242
Brevlni 212
Brirntleld 276
ISrinkrili 260
Britain 208
Britannia 274
llrookfieid 154
Bross 47
Brown 104
Brownell 159
Brunswick 314
Buckingham 146
Bulwer 22-2
Burbank 10)
Burford 108
Burkett 219
Burlington 320
Burnett 178! Demster
Burtis B4 Denslow
Burwell 119 Departure
IS\ field 112 Depew
bria 262] Derby
I 'u la vary 164 Desire
Caleb 100; Devizes
Calmer IBS Devonshire
Cambridge 120| Dilworth
Camden Ill Doremua
llota 238 Dover
Canline 269] Drummond
Cape Ann 85i Dryden
304 Duke Street
' 169 Donchurch
Carllni 289; Dundee
Colchester,
Coleshill
Columbo
Consecration
Corlis
Coronation
Corsica
Creation
Crete
Cripen
Culver
Culworth ,
Cyprus
Dalston
Dante
Dan ton
Danvers
Darley
Darue
Daughter of Ziou
Dawn
De Fleury
Delaware
Carlos 205
Carlton 217
Carroll 210
70
Cazenovia 258
Cemol iv 251
I :n
Chaldtea 310
Chardon 191
Chatham 94
Cherublni 233
Chester lit
Chesterfield 139
Child of Sin 300
China 100 Erfurth
Duniap
Durell
Durham
Dwindle . .
[l . . . .
ii ards.. .
EfQngham .
Ellery
Elton
Elvah
Eljria
Emmorsou.
Enfleld....
Ellsworth. .
133
198
115
40
62
151
108
211
166
295
158
40
213
2:!6
992
184
96
210
218
310
179
98
54
48
313
185
280
45
107
51
611
223
207
143
142
319
230
169
1
144
28
46
123
117
142
192
185
278
313
72
82
162
155
250
50
. 153
259
111
189
Erieville 136
Erith 2.54
Essex 181
Evening 88
Exhortation 76
Faith 301
Falkirk 200
Federal Street 09
I'Vnneland 247
Fernald 277
Ferris 114
Flatbush 179
Flower-Vale 112
Flushing 96
Folger 101
Folsoni 317
Fomlelino 292
Fountain 130
Framingham 80
Franklin 79
Frizzelle 161
Fross 270
Futurity 41
Galena 160
Gallatin 318
Garden 290
Gardner 102
Garlney 281
Geneva 162
Genin 293
Glade Hill 240
Glendale 24ii
Golden Hill 177
Gonzales 184
Gorton 281
Goshen 249
Grafton ioa
Granger 288
Greenville 248
Cn-cnwood 32
Gregorian 206
Custavus 29li
lladdam 272
Halifax 69
Hamburgh 97
Hamlin 130
Hanson 128
Harwich 276
Hawley 221
Hawthorne 268
Hatfield 303
Hazel 290
Heathford 192
lleber 103
Hebron 55
Henry 172
Hensley 126
Herkimer 163
Hernando 207
Herold 235
Herschel 190
Hewlett 188
Hill •. ... 301
Hilliar 66
Hinton 318
Holley 239
Hollister 128
Holyoke 314
Homsjey 205
Honesdale 156
Iloreb 171
Hosea 202
Hosmer 309
Howd 227
Hubert 262
H udsun 197
Huntersville 104
Hyrcanus 113
lllsly 307
lmaly 79
Immutability 251
Indus 252
[ngalls 62
Invitation 93
Iowa 83
Irena 88
Irving 300
Italian Hymn.... 302
Ithaca 232
[vison 35
Jaell 299
Jazer 148
Jeddo 126
Jeuto 194
Jordan IS
Jullien 266
Juniata 140
Justin 304
Kantz 306
Kelly 92
Kelsey 256
Kensington 193
Kent 65
Keuyon 87
Killon 241
Kitnelcr 298
Ktngsley 234
Kirby 208
Kvle 306
Laban 198
Labordc 183
Laconia 261
Lamartine 178
Lan 209
Lanesborough.. . . l
Lannlng 195
Lansing 145
Lawrence 49
Lenox
Lewnel
Liden
Linsey
Lintz
Linwood
Lisbon
Lisdon
Litchfield
Lloyd
Lonsdale
Lorain
Louvan
Lowville
Luellen
Lunenburgh
Luther
Luton
Lutzen
Luzon
Lycoming
Lyons
Majesty
Malloria
Mansion
Marchard
Marks...-
Marshfield
Marlyn
Marvin
Maybew
Mear.
Medfield
Meditation
Melven
Menee
Mendon
Meriden
Mesmer
Miami
Middletown
Milgrove
Milo
Mint urn
Missionary Hymn
Mobile
Monmouth
Montague
Montgomery
Mornv ia
Moravian Hymn .
Moscow
Moultrie
Mount Vernon.. .
Mulvania
Mvriton
Myrtle
Nashua
Nazareth
267
12'
311
202
131
75
181
312
127
141
173
204
73
33
90
174
244
63
117
275
57
319
134
219
52
86
59
33
226
177
294
147
138
166
109
131
42
118
74
157
203
233
23
223
285
59
5:1
317
109
35
153
9!
253
245
135
125
250
221
53
Nebo
Nebraska
New Hamburgh. .
New Hartford....
Nile
Nineveh
Northam
\orthfield
Norvvalk
Nuremburg
Oberlin
Oldford
Old Hundred
Olmutz
Omnipotence
Ondei
Oneida
Ophir
Orange
Orlando
Ortonville
Ottawa
Otumba
Pacific
Paddingtou
Palmer
Paradise
Park Place
Parma
Palmos
Patterson
Peace
Pendleton
Pen in
Persia
Peterborough
Petersham
Pisgah
Pleasant Valley. •.
Plenitude
Pleyel's Hymn
Portugal
Portuguese Hymn
Priestley
Quints
Quito
Rapture
Reese
Refuge
Remsen
Repose
Resignation
Resurrection
Retirement
Richmond
Rindge
Riverton
Rochester
Rockingham
171'Rollo
241 ! Rnslin
43 Rolhwell
90 Roxburg
303 Russia
228] Ruthland
199 Rutland
49 Saflbrd
152 Saland
230 Salem
Sanford
Sangerfield
Savannah
" Save, Lord, orv
Schmidt
Seasons
Serton
Serenity
Shelby.
91
186
81
[80
no
286
151
315
316
294! Shirland.
119
-II
995
in
18!
267
85
105
149
122
77
132
in-.'
93
803
150
284
331
156
315
231
68
320
1 09
293
III
81 1
164
229
68
58
103
231
145
It]
'158
283
150
81
Sicilian Hymn.. .
Sidale
Silver street
Sinclair
Sinope
Slumber
Smilhfleld
Solilude
Southbridge
Sparta
spring
Springfield
Springvalc
Standish . .
Stephens
Sterling
Slillwell
Stone..
Slonefiekl
Slrawburyvale. . .
St. Ann's
St. Helen's
St. John's
Si. Mark's
St. Minim's
St. Philip's
St, Thomas
Stuart
SuflbUt
Sulden
Siniimcrville
Sumpter
Sunderland
Surrey
Swanwirk
Switlshire
Sylvester
Tabor
80
188
46
67
30
263
52
50
231
78
215
78
311
321
57
271
133
107
180
195
248
99
170
76
174
63
52
76
210
200
279
160
170
293
138
94
139
47
91
86
100
211
110
89
14
208
197
190
257
152
56
72
83
64
122
68
168
225
Talahasaee 74
Tatnall 43
Tehama 157
Temple 38
Thatcher 204
Thebes 236
Tiffany 154
Tiller? 264
Trenton 77
Triumph 272
Trivoli 41
Turin 209
Turner 83
Umago 168
Unadilla 291
Upton 92
Uxbridge 51
Velasco 75
Vernon 121
Vesper 132
Vienna 118
Vinevale 95
V, laska 124
Volga Ill
Volindia 124
Wale 182
Walsal 108
Ward 55
Ware 34
Warming 243
Warner 176
Warren 87
Warrmer 228
Warrington 39
Warsaw 273
Warzel 225
Watchman 186
Waterburv 163
Webb...." 284
Wells 46
Weihcrsfield 55
Wharton 308
Whitehall 156
•' W ill you goV".. 291
Wilmantic 255
Wilmington 140
W'llnii 243
Windham 45
Whiter 113
Woodland 148
Woodstock 146
Worship 240
'/(■lie 191
/coin 59
Zephyr 44
Zerno 365
'/.ion 255
Zirolese. . . 302
' '
V&l
SACRED MUSIC BY V. C. TAYLOR
EN LYRE ; * ne-ft~ Collection of Church Music, adapted to tlie various metres now in
.'inthems, Sentences, and Chants, for Choir. pInging Classes, i.-c. 384 pages, usual style.
Lhis book, though recently published, has attaired a wide-spread, popularity. It is found conytaui I • •
op beauties not before discovered, the longer it is used.
/ TAYLOR'S SACRED MiNSTREL; or, American Churci Music Book. This was the first production Mr.
It is known and highly prized by most lovers of Sacred Music, and the constantly rushing tide of new a
baa Dot yet caused them to lay it aside.
Teachers of Sacred Music or Leaders of Choirs, wishing to examine either of the above works, with referent-
Ceive a copy without charge, by addressing a note to the publishers, giving the address, and stating the objec. for wl
ami
>rd
■new n
a musical author,
■rai works of tl. •
:- introduction, v til re-
:. the bool 'I.
jm
'■n^m, $11? Kmmmm^sf
Foi of (li'.rs who wish to use a portion of this work on special occasions, such as Than! »eui. at
--., >'. ■ ,1.: issued an edition in Parts of about 40 pa~es oach, in thin covers and cloth !j«i hichv 1"
at 25 cents each, or $2 50 per dozen. The complete work will still be furnished at same price as heretofore, viz. $1 pe
The Mus.e is graduated, so far as difficulties of reading are concerned, that in the First Part being piain aud si .., i ■ "id adi ■' '
to ordinary Sabbath exercise, while subsequent ones become progressively more difficult* and are better suited to Concert* nd
Either of the Parts, or the full work in any quantity, will be sent to any part of the country free of expense r;,r h iition
by the publishers of the amount of the same at retail prices
THE CONCORDIA: A NEW COLLECTION OF GLEES, QUARTETTES. TlilOS, fcC,
,\\
>1TI
ith-..
>f 'Sa
HA
For M .-.i< • ■ tk * sociatjons. and Social Ctrclkb, By V ■■ k Taviok,
"Choral Anthems," "< olden Lyre,' &c.
Tie bib uo<-k had >eeu conceived in Mr. Taylor's happiest mood. His numerous friends, ho have so long looked for a Collection
of gems i (' - il. r Music of hi 'treparation, will not I ointed in lhis work, jfhe words Lave i ullj seleet< d, so as to avoid the
childish not ■-■ i'un 1 in Glee Books. Se> ' the piyoes are arrau^ed for male voice-, ... ' the extrem ly low price of th •
i ...m'.o. Sul render it a desideratum for i1' 01. c or Quartette. Associations, i '.' ■ r musioal recreation in ordlii-
Singing Schools. '• w II • warded, in any quantity, to any part of the country, and tramporta'' a pina. on receipt of the price (25
nt' y) by the
r J*
^sasHSgr*^*
DAl'IL- BTJP.SSSS & 00.
^ _IHIHHB
Live Music Archive
Librivox Free Audio
Metropolitan Museum
Cleveland Museum of Art
Internet Arcade
Console Living Room
Books to Borrow
Open Library
TV News
Understanding 9/11