CIHM
Microfiche
Series
(l\/lonographs)
ICI\/IH
Collection de
microfichos
(monographies)
Canadian Inatituta for Hiatorical Microraproductiona /
Inatitut Canadian da microraproductiona historiquaa
Technical and Bibliographic Notes / Notes techniques et bibiiographiques
The Institute has attempted to obtain the best original
copy available for lilming. Features of this copy which
may be bibliographicatiy unique, which may alter any of
the images in the reproduction, or which may
significantly change the usual method of filming are
cheeiced below.
□ Coloured covers /
Couveilure de couieur
□ Covers damaged /
Couverture endommagte
□ Covers restored and/or laminated /
Couverture restaur^ et/bu peHiculte
I [ Cover title missing / Le titre de couverture manque
I I Coloured maps / Cartes g^ographiques en couieur
□ Coloured ink (i.e. other than blue or black) /
Encre de couieur (i.e. autre que bleue ou noire)
□ Coloured plates and/or illustrations /
Planches et/ou illustrations en couieur
□ Bound with other material /
Reli^ avec d'autres documents
□ Only edition available /
Seule Edition disponible
□ Tight binding may cause shadows or distortion along
interior margin / La reliure serree peut causer de
I'ombre ou de la distorsion le long de la marge
intdrieure.
□ Blank leaves added during restorations may appear
within the text. Whenever possible, these have been
omitted from filming / II se peut que certaines pages
blanches ajout^es lors d'une restauration
apparaissent dans le texte, mais, lorsque cela 6tait
possible, ces pages n'ont pas 6t6 filmees.
L'Institut a microfilm^ le meilleur exemplaire qu'il lui a
possible de se procurer. Les details de cet exem-
plaire qui sent peut-6tre uniques du point de vue bibli-
ographique, qui peuvent modifier une image reproduite,
ou qui peuvent exiger une modification dans la mittto*
de nomraie de fibrtage sont indiquit d-dessous.
I [ Coloured pages / Pages de couieur
I I Pages damaged / Pages endommagees
Pages resUHad and/br laminated /
Pages rastawtea at/ou pelllcul^es
Pages discoloured, stained or foxed /
Pages d^color^es, tachet^es ou piqu^es
I I Pages detached/ Pages (tftach^
j I Showthrough/ Transparence
Quality of print varies /
Quality inhale de I'impression
Includes supplementary material /
CorT^}rend du matdriel suppldmentaire
r "1 Pages wholly or partially obscured by errata slips,
-» tissues, etc., have been refilmed to ensure the best
possible image / Les pages totalement ou
partiellement obscurcies par un feuillet d'errata, une
pelure, etc., ont 6X6 film^ k nouveau de fafon &
obtenir la meUleure image (K>ssible.
□ Opposing pages with varying colouration or
discolourations are filmed twice to ensure the best
possible image / Les pages s'opposant ayant des
colorations variables ou des decolorations sont
filmdes deux fois afin d'obtenir la meilleure image
possible.
""TT Additional comments / This copy is a photoraproduction.
^ Commentaires supplementaires:
This item is filmed at tha reduction ratio checlctd below /
Ce document eet film* au Uux de rWuGtton ifM«qu4 cl-d«tiou«.
lOx
14x
18X
22x
I i I I I I I I I
t2x
16X
20x
24x
26x
i L
30x
2ex
32x
Th« copy filmed hare has b««n raproducad thanks
to th« g«n«rositv of:
National Gallery of Canada,
Library
L'exemplaira filmd fut raproduit grica A la
gAnirosit* da:
Husee des BeauK-Arts Ai Canada,
Bibliotheque
The images appearing hare are the best quality
possible considering the condition and legibility
of the original copy and in keeping with the
fiimlnfl contract apocif icatione.
Les images suivantas ont 6xi reproduites avec le
plua grand soin. compto tenu de la condition at
do la nenet* de I'exemplaire film*, et en
conformity avec !•• eonditiona du contret da
filmage.
Original copias in printed paper covers sre filmed
beginning with the front cover and ending on
the laat page with a printed or llluatrated impres-
sion, or the back cover when appropriate. All
other original copies are filmed beginning on the
first page with a printed or illustrated impres-
sion, and ending on the last page with a printed
or iiluetratad impraeaion.
Lea axemplairas origineux dont la couverture en
papier est imprimAe sont filmAs en eommencant
par le premier plat et an tarminant soit par la
darniAra page qui comporte una ampreinta
d'imprassion ou d'illustration, soit par le second
plat, salon la caa. Tous les autras axemplairas
originaux sont filmia en commenpent par la
premiere page qui comporte una ampreinta
d'imprassion ou d'illustration at an tarminant par
la darnitra paga qui comporte una taila
amprainte.
The last recorded frame on each microfiche
shall contain the symbol — ^ (meaning "CON-
TINUED"), or the symbol V Imeaning "END"),
whichever appiiee.
Mapa. plates, charts, etc., may bo filmed at
different reduction ratios. Those too large to be
entirely included in one exposure are filmed
beginning in the upper left hand corner, left to
right and top to bottom, as many frames as
required. The following diagrams illustrate the
method:
Un des symboles suivants apparaltra sur la
derniire image da chaque microfiche, salon le
cas: la symbola signifia "A SUIVRE ". la
avmboia ▼ aignifia "FIN".
Les cartes, plenches. tableeux, etc.. peuvent etre
filmAs A das taux da reduction diffArents.
Lorsque la document est trop grand pour dtre
raproduit an un seul clich6, il est film6 ^ partir
de Tangle supArieur gauche, de gauche A droite.
et de haut en bas. en prenant la nombre
d'images nicessaire. Las diagrammes suivants
illustrant la mathode.
I II i*i-liniw>MMrii
■ri
FOREWORD
j-IE i.-y-p of seven artists whose
- :'.-rci arc here exhibited have
I :cr several years held a like
•.-Isicr concerning Art inCanada.
Tr.iy Lre all imbued with the
idea ih-t an Art must grow and
f!ov?er in the lar.d before the country will be a
real h&- e for its people. »^
^ That this Art w.l! difier from the Art of the
r.Tst, ar.d :rc— the rrtscnt day Art, of any people;
- ;erEed;r.g r.othir.g. cnly adding to what has
i-n dcre. A'-SO i: ietrr.s inevitable v.-hen some-
t'.y.- vital and d;s-.:r.c;ive arises it will be met —
(:) by ridicule, ab-se or indifference,
(2) The SD-called Art lovers, having a deeply
rooted idea that Art is a matter of picture
bcyir.g lhrcj.;h -.he medium of the auc-
tior.eer or dealer, v.'iil refuse to recognize
arythir.g that does not come up to the
ccTT.mercialired. iraported standard of the
picture-sale rooa.
prefer t:
en-ich the salesman than
actions by artists native to
the la::''. \'.b.rse wcrk is more distinctive,
tdviial - * -
Th;
acce:
onri
country.
. and of greater value to the
ic) The — c-e sc;hi::icated v/ill n;tet it with:
"If > &u have r.o traditions, no background,
no Art is rcssibls." Howthen dotraditions
arise? Or they will tay that anything
produced wiD shortly
seded — which is to si
been . ' ever w.-1'l te woi
will say ir.y:h:-. ; th
patting their c.-.t. taci
Art and country.
Finally: A very small i
ir.di\*idua!s, realizing tl
s cour.tr*.- derends upci
Vrcrd?,i:s Dfeds. a-.d i
ing that Art is ar. es»tnt
existence th*y \vi'A we
any form cf Art expre:
interprets the spirit of
5 The artists here represei
tence of being the only one
significant work. But they d(
hc!d that their work is sigi
value to the country. Th
A. E. Russell, the Irish write;
can ever hope to rise beyond
where there is not unbounded
Its humanity can do.
And
do not believe they can eqi
stature of any hunianity wh
this world, then they had b
becosse servants to somiC su
^ A word as you view the pi
invite adverse critidsm. ]
greatest evil they have to cc
they would ask ycu — do yo
contain only what you alread
they argue, that you should 1
pictts-es that thaw you what
see for yoorsd^wt.
\
I shortly die dnd be super-
3 is to say that, nothing has
•in bs worth the 'doing. They
■thin; that sounds erudite,
D'A-n tacks at the evpense of
y small gro-jp of intelligent
sa'.Lzir.g that I'r.i greatness of
ends upon three things: "its
eds. ar.d its Art." Rccogniz-
ar. ei-tr.tial quality in human
• wi'H welcome and support
^rt expression that sincerely
spirit of a nation's growth.
represented make no pre-
only ones in Canada doing
I'jt they do r.iost emphatically
:k is significant and of real
tr>-. They also hold with
"Ish writer, "that no country
c beyond a vulgar mediocrity
sbounded confidence in what
3." And that, "if a people
r can equal or surpass
anity which has been npcn
ey had better emigrate and
some superior people."
ew the pictures. The artiste
icism. Indifference is the
ave to contend with. But
: — do you read books that
oj already know? If not,
I should hardly want to tec
yoa what you can already
C
.Gfi
,T62
CATALOGUE
EXHIBITION
OF PAINTINGS
MAY 7th-. MAY 27th
19.0 .
PKICS: U CENTS
ART MUSEUM
OP TORONTO
C
CI
i
CATALOGUE
Frank Cakmichael
1. Sprir.f .
2. Auvjmri SurJiiiit
J. November
4. An Au'.umn Lar.4«ei^
5 , 6. Sk«tch«t. ««ch
* 7-14. 8k«tehc* ••eh
L' . Harris
15. Portrait
16. Portrait
17. Portrait
18. Po.-tr«i:
19.
20.
ai.
33.
33.
24.
25.
$350
3M
450
450
50
35
Wa'.erfii; fl.QOO
Shacks I.COO
Wet Day 500
In ibe Ward 400
Saturday Morainf 400
Falling Sr.ow 500
Decorative Lsrlicare. . . 600
26-29. Sketches not for aate
A. Y. Jackson
30. The Northland |«00
31. Night— Georgian Bay 200
33. A Summer Cottage 200
33. Storm— QiorsiaTi Bay 200
34. A Nova Sco'-ia V.Uags . . 250
35. A Fishing Vi"i^e 350
36. Three Rock F^V.t 250
37. A Storm i.-. .March 300
33. The F.-ed ly Chi.-.r.el. 200
39. Cagna^chens Lake ; 250
40. Spring in Llevin 3C0
41>47. Sketches not for eaJe
FRAr;:< H. Johnston
4'*. Canyon Aig-j-.a $ 50
49. Ref.eclions— Aaa*a Caryon 75
50. Froth, P*stera. Be'.ow Rapids 100
ntANX H. JOKNSTG
SV. Near Beaver Meadow
SS. VosdlaodT^enry
53. Rjpi4« on the Afawa
54. PaUicg Lcavea
55. A'^trmn Impresalon
56. Beaver Mead
57. Fa::en Tree
53. Wdd Cherry a.ni Live Forev
59. A-'grma
SOi Bald Rock— Algatsa
n. Aatofltt— Algoma
n. Sproca Taag!*— Xlgeiaa —
C3. Bigt of th« Portat
64. Fire Swept— Algotsa
65. Beaver Hatwta— Algottta . . .
ARTHUR Li
68. The River Driver*
57. Ltgg'.ng
U. Ka:ir'a.T Harbor
09. S;rLr.g in Nova Scotia
70. Spriagtimc ofl the Farm. . .
71. Viater
77. ThaVaUay
73. Caaoufiage
74. The River
75^1. Slcetefaca
J. E. H. hlAC
82 The Tangled Gard-n
83. Pu.— ;'-dr.3 and Pump
54. A Laurer.tian Village
85. The Wild River
!«. The Little FaU
87. A Beaver Dxm
S3. 0::c:<r A.'terr.oon — Laures
£9. B::ssc-i T;!r.e ,
SC. Bc'jghs
91. W:r.i Clouds
92-^- Sketches — Lake Simcoe.
S7. Sketch — Algoma
M-:OL Skctehce
9
JO KNSTON— (CoAtteiMd;
idow |1»
ry ». . : 18*
•wi UO
tot
on IM
too
, 153
Live Forever L50
ISO
!E« 140
a UO
!llfoa« 130
n UO
B(sa 730
Alcona 7M
ITMUR LiSMER
r» fece
eoo
,. .. fiCO
kotia MO
t Farm 360
XJ5
100
•. 100
m
neb »
H. MacDonald
■d »n not for sale
^? $153
Uage 250
not for sa!c
250
ISO
sn — Laurentians. . . . 250
not for iz-'.t
100
kc Simcoe tacli 2S
25
not tor sal*
F. HORSMAN VaRLBY **
in. PorjT^? -J Mr. V'aeer.t lAf>'.*r
Lo»r-«.il by M.-. M»3»«y a- i iv c--r-«iy of
lh« Ti.-iia ar.i StewjrJi cf Hirt H:a««.
103, Portmt c'M.s* Winlfreil H:aJ
IM. rertraJ: '.f J. E. H. MaeDanalJ, A.R C A
MS. Ch«r«c*er SV*:ch— Prof. Barker Falrtef
too. Tb« Sssicsa Ro«4— Acguit 1311
107. Th« 0.4 Ba» $300
too. Farxa— Scath Camp, Se.^.'srd, Bas. 130
tOO>tt4. Kuteoea
R. S. Hbwton
lt3. Th« Bar:;7a.ii 1200
ttO. The W:-.:t« Couaje 200
tt7. PoBt Nesf— Pa.-:a JOO
R. PILOT
tU. Noociar- Buataehe 1*0
11». Tb« YeU«w Tr«« «0
ALBERT Robin soN
120. Retur:;;: J to Boaeberrill* $SCO
131. Orawlss Ice KO
Frank Carmiehacl
A. y. Jatison
J. B. H. .MacDoaa^d
Sluiio B-j;:i:.-
Smrs Street T:r:r.:a. Ostsna
Lawren Harrle
Arthur L!sai«r
P. Hiraaaa VarJey
f
Prank H. jDhr.stsn
*
club* tai ti tr.aotur.ar.*. Fir f.;rd:«r paftcu.*.-! ass y
J. B. H. Mas&iialJ. 3 Sewn St., Toracto.
R. S. Kevr:.-=.
MontrM:
INVITED SXKtB:tOKS
R. Pilot
Mestreal
Albert Rciiaaoa
lijBtrtal