Skip to main content

Full text of "Catalogue [microform] : exhibition of paintings, May 7th -May 27th, 1920"

See other formats


CIHM 

Microfiche 

Series 

(l\/lonographs) 


ICI\/IH 

Collection  de 

microfichos 

(monographies) 


Canadian  Inatituta  for  Hiatorical  Microraproductiona  / 


Inatitut  Canadian  da  microraproductiona  historiquaa 


Technical  and  Bibliographic  Notes  /  Notes  techniques  et  bibiiographiques 


The  Institute  has  attempted  to  obtain  the  best  original 
copy  available  for  lilming.  Features  of  this  copy  which 
may  be  bibliographicatiy  unique,  which  may  alter  any  of 
the  images  in  the  reproduction,  or  which  may 
significantly  change  the  usual  method  of  filming  are 
cheeiced  below. 

□ Coloured  covers  / 
Couveilure  de  couieur 

□ Covers  damaged  / 
Couverture  endommagte 

□ Covers  restored  and/or  laminated  / 
Couverture  restaur^  et/bu  peHiculte 

I    [  Cover  title  missing  /  Le  titre  de  couverture  manque 

I    I  Coloured  maps  /  Cartes  g^ographiques  en  couieur 

□ Coloured  ink  (i.e.  other  than  blue  or  black)  / 
Encre  de  couieur  (i.e.  autre  que  bleue  ou  noire) 

□ Coloured  plates  and/or  illustrations  / 
Planches  et/ou  illustrations  en  couieur 

□ Bound  with  other  material  / 
Reli^  avec  d'autres  documents 

□ Only  edition  available  / 
Seule  Edition  disponible 

□ Tight  binding  may  cause  shadows  or  distortion  along 
interior  margin  /  La  reliure  serree  peut  causer  de 
I'ombre  ou  de  la  distorsion  le  long  de  la  marge 
intdrieure. 

□ Blank  leaves  added  during  restorations  may  appear 
within  the  text.  Whenever  possible,  these  have  been 
omitted  from  filming  /  II  se  peut  que  certaines  pages 
blanches  ajout^es  lors  d'une  restauration 
apparaissent  dans  le  texte,  mais,  lorsque  cela  6tait 
possible,  ces  pages  n'ont  pas  6t6  filmees. 


L'Institut  a  microfilm^  le  meilleur  exemplaire  qu'il  lui  a 
possible  de  se  procurer.  Les  details  de  cet  exem- 
plaire qui  sent  peut-6tre  uniques  du  point  de  vue  bibli- 
ographique,  qui  peuvent  modifier  une  image  reproduite, 
ou  qui  peuvent  exiger  une  modification  dans  la  mittto* 
de  nomraie  de  fibrtage  sont  indiquit  d-dessous. 

I    [  Coloured  pages  /  Pages  de  couieur 

I    I  Pages  damaged  /  Pages  endommagees 


Pages  resUHad  and/br  laminated  / 
Pages  rastawtea  at/ou  pelllcul^es 


Pages  discoloured,  stained  or  foxed  / 
Pages  d^color^es,  tachet^es  ou  piqu^es 


I  I  Pages  detached/ Pages  (tftach^ 
j    I  Showthrough/ Transparence 


Quality  of  print  varies  / 
Quality  inhale  de  I'impression 


Includes  supplementary  material  / 
CorT^}rend  du  matdriel  suppldmentaire 


r  "1  Pages  wholly  or  partially  obscured  by  errata  slips, 
-»  tissues,  etc.,  have  been  refilmed  to  ensure  the  best 
possible  image  /  Les  pages  totalement  ou 
partiellement  obscurcies  par  un  feuillet  d'errata,  une 
pelure,  etc.,  ont  6X6  film^  k  nouveau  de  fafon  & 
obtenir  la  meUleure  image  (K>ssible. 

□ Opposing  pages  with  varying  colouration  or 
discolourations  are  filmed  twice  to  ensure  the  best 
possible  image  /  Les  pages  s'opposant  ayant  des 
colorations  variables  ou  des  decolorations  sont 
filmdes  deux  fois  afin  d'obtenir  la  meilleure  image 
possible. 


""TT  Additional  comments  /  This  copy  is  a  photoraproduction. 

^  Commentaires  supplementaires: 


This  item  is  filmed  at  tha  reduction  ratio  checlctd  below  / 

Ce  document  eet  film*  au  Uux  de  rWuGtton  ifM«qu4  cl-d«tiou«. 


lOx 


14x 


18X 


22x 


I   i    I   I    I    I   I   I  I 


t2x 


16X 


20x 


24x 


26x 


 i  L 


30x 


2ex 


32x 


Th«  copy  filmed  hare  has  b««n  raproducad  thanks 
to  th«  g«n«rositv  of: 

National  Gallery  of  Canada, 
Library 


L'exemplaira  filmd  fut  raproduit  grica  A  la 
gAnirosit*  da: 

Husee  des  BeauK-Arts  Ai  Canada, 

Bibliotheque 


The  images  appearing  hare  are  the  best  quality 

possible  considering  the  condition  and  legibility 
of  the  original  copy  and  in  keeping  with  the 
fiimlnfl  contract  apocif icatione. 


Les  images  suivantas  ont  6xi  reproduites  avec  le 
plua  grand  soin.  compto  tenu  de  la  condition  at 
do  la  nenet*  de  I'exemplaire  film*,  et  en 
conformity  avec  !••  eonditiona  du  contret  da 
filmage. 


Original  copias  in  printed  paper  covers  sre  filmed 
beginning  with  the  front  cover  and  ending  on 
the  laat  page  with  a  printed  or  llluatrated  impres- 
sion, or  the  back  cover  when  appropriate.  All 
other  original  copies  are  filmed  beginning  on  the 
first  page  with  a  printed  or  illustrated  impres- 
sion, and  ending  on  the  last  page  with  a  printed 
or  iiluetratad  impraeaion. 


Lea  axemplairas  origineux  dont  la  couverture  en 
papier  est  imprimAe  sont  filmAs  en  eommencant 
par  le  premier  plat  et  an  tarminant  soit  par  la 
darniAra  page  qui  comporte  una  ampreinta 
d'imprassion  ou  d'illustration,  soit  par  le  second 
plat,  salon  la  caa.  Tous  les  autras  axemplairas 
originaux  sont  filmia  en  commenpent  par  la 
premiere  page  qui  comporte  una  ampreinta 
d'imprassion  ou  d'illustration  at  an  tarminant  par 
la  darnitra  paga  qui  comporte  una  taila 
amprainte. 


The  last  recorded  frame  on  each  microfiche 

shall  contain  the  symbol  — ^  (meaning  "CON- 
TINUED"), or  the  symbol  V  Imeaning  "END"), 
whichever  appiiee. 

Mapa.  plates,  charts,  etc.,  may  bo  filmed  at 
different  reduction  ratios.  Those  too  large  to  be 
entirely  included  in  one  exposure  are  filmed 
beginning  in  the  upper  left  hand  corner,  left  to 
right  and  top  to  bottom,  as  many  frames  as 
required.  The  following  diagrams  illustrate  the 
method: 


Un  des  symboles  suivants  apparaltra  sur  la 
derniire  image  da  chaque  microfiche,  salon  le 
cas:  la  symbola        signifia  "A  SUIVRE  ".  la 
avmboia  ▼  aignifia  "FIN". 

Les  cartes,  plenches.  tableeux,  etc..  peuvent  etre 

filmAs  A  das  taux  da  reduction  diffArents. 
Lorsque  la  document  est  trop  grand  pour  dtre 
raproduit  an  un  seul  clich6,  il  est  film6  ^  partir 
de  Tangle  supArieur  gauche,  de  gauche  A  droite. 
et  de  haut  en  bas.  en  prenant  la  nombre 
d'images  nicessaire.  Las  diagrammes  suivants 
illustrant  la  mathode. 


I  II  i*i-liniw>MMrii 


■ri 


FOREWORD 


j-IE  i.-y-p  of  seven  artists  whose 
-  :'.-rci  arc  here  exhibited  have 
I  :cr  several  years  held  a  like 
•.-Isicr  concerning  Art  inCanada. 
Tr.iy  Lre  all  imbued  with  the 
idea  ih-t  an  Art  must  grow  and 
f!ov?er  in  the  lar.d  before  the  country  will  be  a 
real  h&-  e  for  its  people.  »^ 

^  That  this  Art  w.l!  difier  from  the  Art  of  the 
r.Tst,  ar.d  :rc—  the  rrtscnt  day  Art, of  any  people; 
-  ;erEed;r.g  r.othir.g.  cnly  adding  to  what  has 
i-n  dcre.  A'-SO  i:  ietrr.s  inevitable  v.-hen  some- 
t'.y.-   vital  and  d;s-.:r.c;ive  arises  it  will  be  met — 

(:)  by  ridicule,  ab-se  or  indifference, 

(2)  The  SD-called  Art  lovers,  having  a  deeply 
rooted  idea  that  Art  is  a  matter  of  picture 
bcyir.g  lhrcj.;h  -.he  medium  of  the  auc- 
tior.eer  or  dealer,  v.'iil  refuse  to  recognize 
arythir.g  that  does  not  come  up  to  the 
ccTT.mercialired.  iraported  standard  of  the 
picture-sale  rooa. 


prefer  t: 


en-ich  the  salesman  than 
actions  by  artists  native  to 
the  la::''.  \'.b.rse  wcrk  is  more  distinctive, 
tdviial  -   *  - 


Th; 

acce: 


onri 


country. 


.  and  of  greater  value  to  the 


ic)  The  — c-e  sc;hi::icated  v/ill  n;tet  it  with: 
"If  >  &u  have  r.o  traditions,  no  background, 
no  Art  is  rcssibls."  Howthen  dotraditions 
arise?    Or  they  will  tay  that  anything 


produced  wiD  shortly 
seded — which  is  to  si 
been  .  '  ever  w.-1'l  te  woi 

will  say  ir.y:h:-. ;  th 
patting  their  c.-.t.  taci 
Art  and  country. 

Finally:    A  very  small  i 
ir.di\*idua!s,  realizing  tl 


s  cour.tr*.-  derends  upci 
Vrcrd?,i:s  Dfeds.  a-.d  i 
ing  that  Art  is  ar.  es»tnt 
existence  th*y  \vi'A  we 
any  form  cf  Art  expre: 
interprets  the  spirit  of 

5  The  artists  here  represei 
tence  of  being  the  only  one 
significant  work.  But  they  d( 
hc!d  that  their  work  is  sigi 
value  to  the  country.  Th 
A.  E.  Russell,  the  Irish  write; 
can  ever  hope  to  rise  beyond 
where  there  is  not  unbounded 


Its  humanity  can  do. 


And 


do  not  believe  they  can  eqi 
stature  of  any  hunianity  wh 
this  world,  then  they  had  b 
becosse  servants  to  somiC  su 

^  A  word  as  you  view  the  pi 
invite  adverse  critidsm.  ] 
greatest  evil  they  have  to  cc 
they  would  ask  ycu — do  yo 
contain  only  what  you  alread 
they  argue,  that  you  should  1 
pictts-es  that  thaw  you  what 
see  for  yoorsd^wt. 


\ 

I  shortly  die  dnd  be  super- 

3  is  to  say  that,  nothing  has 
•in  bs  worth  the  'doing.  They 

■thin;  that  sounds  erudite, 
D'A-n  tacks  at  the  evpense  of 

y  small  gro-jp  of  intelligent 
sa'.Lzir.g  that  I'r.i  greatness  of 
ends  upon  three  things:  "its 
eds.  ar.d  its  Art."  Rccogniz- 
ar.  ei-tr.tial  quality  in  human 
•  wi'H  welcome  and  support 
^rt  expression  that  sincerely 
spirit  of  a  nation's  growth. 

represented  make  no  pre- 
only  ones  in  Canada  doing 
I'jt  they  do  r.iost  emphatically 
:k  is  significant  and  of  real 
tr>-.  They  also  hold  with 
"Ish  writer,  "that  no  country 
c  beyond  a  vulgar  mediocrity 
sbounded  confidence  in  what 
3."  And  that,  "if  a  people 
r  can  equal  or  surpass 
anity  which  has  been  npcn 
ey  had  better  emigrate  and 

some  superior  people." 

ew  the  pictures.  The  artiste 
icism.  Indifference  is  the 
ave  to  contend  with.  But 
: — do  you  read  books  that 
oj  already  know?  If  not, 
I  should  hardly  want  to  tec 
yoa  what  you  can  already 


C 

.Gfi 
,T62 


CATALOGUE 
EXHIBITION 
OF  PAINTINGS 
MAY  7th-. MAY  27th 
19.0  . 


PKICS:  U  CENTS 


ART  MUSEUM 
OP  TORONTO 


C 

CI 


i 


CATALOGUE 


Frank  Cakmichael 

1.  Sprir.f  .  

2.  Auvjmri  SurJiiiit  

J.  November  

4.  An  Au'.umn  Lar.4«ei^  

5  ,  6.  Sk«tch«t.   ««ch 

*  7-14.  8k«tehc*  ••eh 

L'  .  Harris 

15.  Portrait    

16.  Portrait   

17.  Portrait  

18.  Po.-tr«i:   

19. 
20. 

ai. 

33. 

33. 
24. 

25. 


$350 
3M 
450 

450 
50 
35 


Wa'.erfii;  fl.QOO 

Shacks   I.COO 

Wet  Day   500 

In  ibe  Ward   400 

Saturday  Morainf   400 

Falling  Sr.ow    500 

Decorative  Lsrlicare.   .  .    600 

26-29.  Sketches   not  for  aate 

A.  Y.  Jackson 

30.  The  Northland   |«00 

31.  Night— Georgian  Bay   200 

33.  A  Summer  Cottage   200 

33.  Storm— QiorsiaTi  Bay   200 

34.  A  Nova  Sco'-ia  V.Uags  . .    250 

35.  A  Fishing  Vi"i^e   350 

36.  Three  Rock  F^V.t   250 

37.  A  Storm  i.-.  .March   300 

33.  The  F.-ed  ly  Chi.-.r.el.   200 

39.  Cagna^chens  Lake  ;   250 

40.  Spring  in  Llevin   3C0 

41>47.  Sketches    not  for  eaJe 

FRAr;:<  H.  Johnston 

4'*.  Canyon  Aig-j-.a    $  50 

49.  Ref.eclions— Aaa*a  Caryon   75 

50.  Froth,  P*stera.  Be'.ow  Rapids   100 


ntANX  H.  JOKNSTG 

SV.  Near  Beaver  Meadow  

SS.  VosdlaodT^enry  

53.  Rjpi4«  on  the  Afawa   

54.  PaUicg  Lcavea  

55.  A'^trmn  Impresalon  

56.  Beaver  Mead   

57.  Fa::en  Tree  

53.  Wdd  Cherry  a.ni  Live  Forev 

59.  A-'grma  

SOi  Bald  Rock— Algatsa  

n.  Aatofltt— Algoma  

n.  Sproca  Taag!*— Xlgeiaa  — 
C3.  Bigt  of  th«  Portat  

64.  Fire  Swept— Algotsa  

65.  Beaver  Hatwta— Algottta . . . 

ARTHUR  Li 

68.  The  River  Driver*  

57.  Ltgg'.ng  

U.  Ka:ir'a.T  Harbor  

09.  S;rLr.g  in  Nova  Scotia  

70.  Spriagtimc  ofl  the  Farm. . . 

71.  Viater  

77.  ThaVaUay  

73.  Caaoufiage  

74.  The  River  

75^1.  Slcetefaca  

J.  E.  H.  hlAC 

82  The  Tangled  Gard-n  

83.  Pu.— ;'-dr.3  and  Pump  

54.  A  Laurer.tian  Village  

85.  The  Wild  River  

!«.  The  Little  FaU  

87.  A  Beaver  Dxm  

S3.  0::c:<r  A.'terr.oon — Laures 

£9.  B::ssc-i  T;!r.e   , 

SC.  Bc'jghs  

91.  W:r.i  Clouds   

92-^-  Sketches — Lake  Simcoe. 

S7.  Sketch — Algoma  

M-:OL  Skctehce  


9 


JO  KNSTON— (CoAtteiMd; 

idow   |1» 

ry  ». . :   18* 

•wi      UO 

  tot 

on   IM 

 too 

 ,   153 

Live  Forever   L50 

  ISO 

!E«   140 

a   UO 

!llfoa«   130 

n   UO 

B(sa   730 

Alcona   7M 

ITMUR  LiSMER 

r»   fece 

  eoo 

 ,. ..  fiCO 

kotia   MO 

t  Farm   360 

  XJ5 

  100 

 •.   100 

  m 

 neb  » 

H.  MacDonald 

■d  »n  not  for  sale 

^?   $153 

Uage     250 

  not  for  sa!c 

  250 

  ISO 

sn — Laurentians. .  . .  250 

   not  for  iz-'.t 

  100 



kc  Simcoe  tacli  2S 

  25 

 not  tor  sal* 


F.  HORSMAN  VaRLBY  ** 

in.  PorjT^?  -J  Mr.  V'aeer.t  lAf>'.*r 

Lo»r-«.il  by  M.-.  M»3»«y  a- i  iv  c--r-«iy  of 
lh«  Ti.-iia  ar.i  StewjrJi  cf  Hirt  H:a««. 

103,  Portmt  c'M.s*  Winlfreil  H:aJ   

IM.  rertraJ:  '.f  J.  E.  H.  MaeDanalJ,  A.R  C  A  

MS.  Ch«r«c*er  SV*:ch— Prof.  Barker  Falrtef  

too.  Tb«  Sssicsa  Ro«4— Acguit  1311  

107.  Th«  0.4  Ba»   $300 

too.  Farxa— Scath  Camp,  Se.^.'srd,  Bas.   130 

tOO>tt4.  Kuteoea  

R.  S.  Hbwton 

lt3.  Th«  Bar:;7a.ii   1200 

ttO.  The  W:-.:t«  Couaje   200 

tt7.  PoBt  Nesf— Pa.-:a    JOO 

R.  PILOT 

tU.  Noociar-        Buataehe   1*0 

11».  Tb«  YeU«w  Tr««   «0 

ALBERT  Robin soN 

120.  Retur:;;:  J  to  Boaeberrill*   $SCO 

131.  Orawlss  Ice   KO 


Frank  Carmiehacl 
A.  y.  Jatison 
J.  B.  H.  .MacDoaa^d 

Sluiio  B-j;:i:.- 
Smrs  Street  T:r:r.:a.  Ostsna 


Lawren  Harrle 

Arthur  L!sai«r 
P.  Hiraaaa  VarJey 
f 


Prank  H.  jDhr.stsn 
* 

club*  tai  ti  tr.aotur.ar.*.     Fir  f.;rd:«r  paftcu.*.-!  ass  y 

J.  B.  H.  Mas&iialJ.  3  Sewn  St.,  Toracto. 


R.  S.  Kevr:.-=. 
MontrM: 


INVITED  SXKtB:tOKS 
R.  Pilot 
Mestreal 


Albert  Rciiaaoa 
lijBtrtal