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Cobblestone 73
A Creative
Documentary
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Cobblestone 1}>
Introduction
6
Arts
19
Arts and Sciences
177
Business
245
Comniunity Services
281
Education
295
Occupational Therapy
297
Organizations
iQl
Sports
316
Halloween
il^
Election 11
?>31
Introduction
We may read and study history, yet never come to
accept that we represent a history of our own. We
seek to extend our minds through books and media,
and in so doing, extend ourselves to others, that
they might know and understand what we are or
have been. Thus through forms of art and literature,
we can represent more than could Paleolithic man
or Sir Francis Drake; we can reach toward better
understanding of man and his changes by offering
to other men, insight to our changes.
We have come to an age now that we can see
these metamorphoses in ourselves and feel dated
by them — We remember the Kennedy era and the
twist. We may someday find it necessary to defend
our causes to our children and fail to understand
why they cannot see the same significance in them.
We may even allow that significance to fade from
our own minds with age. We may look at the faces
here and forget the names; read the words and only
faintly understand.
That this may be more than an annual record of
events, more than a yearbook in its most obsolete
concept — We have sought rather that it be a book
of change, a book of time. For we are time and the
space it occuppies. We are history. And if we may
be so fortunate to write and record a history of our
own, let it be this: a creative documentary.
> > '• '•
♦ ♦' i. ♦
• • • • • • • *
• '4 • ♦
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\fi^_^.y
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• ,♦ ♦ .♦ .
President Warren W. Brandt
• ,♦ -• .• .♦ .'
The School of the Arts
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We have replaced some of the childlike responses
and feelings toward the space we live in; we have
learned the beauty of simplicity and form and so
given new simplicity to our lives — molded ourselves
into some of those forms and observed as those
forms transgressed into others. And yet we remain
the same; overwhelmed by the newness of our dis-
coveries, the freshness we knew as children, and
the ability to see all over again.
Art Education
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• .♦ * .♦ .• »•
Sherry Potts
Allen Lewis
Alan Landis
Glenn Hamm
Michael Ferris
Alan Schantz
Dorothy Simpson
Priscilla Hynson
Arthur Miller
Cathie Thomas and a friend.
Susan Eramian
-^ ^*' ^"^ *" 4 ♦
♦ .♦ ♦ .♦
Linda Podolak
Cathy Coughlin
Rolanda Scott
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Joan Harvey
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Dusty Larrabee
Ray Tolson
Pam Meekins
Evelyn Jonas
Pam Jeffries
Wilson G. Roberts
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Leslie Irwin
"If we roughly date the Impressionistic interval from
1875 to 1910, we see a period of dominance lasting
approximately thirty-five years. Since then no
school or style, from Futurism to Fauvism, From
Cubism to Surrealism, has dominated the scene for
even that long. One after another, styles supplant
one another. The most enduring twentieth-century
school, Abstract Expressionism, held away for at
most twenty years, from 1940 to 1960, then to be
followed by a wild succession — 'Pop,' lasting per-
haps five years, 'Op,' managing to grip the publics'
attention for two or three years, then the emergence,
appropriately enough, of 'Kinetic Art' whose raison
d'etre is transcience."
Alvin Toffler, Future Shock
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♦ .« ^ .♦ .♦ '*
Art History
Mr. Allan Ross
Mrs. Sharon G. Jones
Mr. Dennis Halloran
Dr. Regina Perry
Dr. Maurice Bonds
Dr. C. Krishna Gairola
Dr. Hinter Reiter
♦ > ,♦ ,♦ .♦ / »' ':
'. \ • * ♦ • > ♦
Dennis Graff
• ♦ > ♦
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Laura Dyer
"The impulse toward transcience in art explains the
whole development of that most transcience of art
works, the 'happening.' The happening, according
to its proponents, is ideally performed once and
once only. The happening is the Kleenex Tissue of
art."
Alvin Toffler, Future Shock
^^-^^ '^
"Twiggy, the Beatles, John Glenn, Billie Sol Estes,
Bob Dylan, Jack Ruby, Norman Mailer, Eichmann,
Jean-Paul Sartre, Georgi Malenkov, Jacqueline
Kennedy — thousands of 'personalities' parade
across the stage of contemporary history. Real
people, magnified and projected by the mass media,
they are stored as images in the minds of millions of
people who have never met them, never spoken to
them, never seen them 'in person.' They take on a
reality almost as (and sometimes even more) in-
tense than that of many people with whom we do
have 'in-person' relationships."
Alvin Toffler, Future Shock
.♦ .♦ .♦ .♦ »
Communication Arts & Design
Ed Bedno
Charles Magistro
Arthur Biehl
John T. Hilton
Sid Schatzky
Bob Martin
Phil Meggs
Charles Scalin
Nicholas Apgar
William Bevilaqua
Bill Phelan
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Sharon Sebastian
John MacLellan
Bernadette Takach
Eleanor Lewis
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Russell Hanchin
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Rick Haines
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Jon Parks
Mary Ferris
Lynn McEntee
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Chuck
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Leta Hall
Danny Vaden
# • # * ♦
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Chuck Tomkinson
Mike Collins
Dennis Voss
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Meg Thomsen
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Dan Smith
RaeMaupin
Chuck Noland
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Alan Weimer
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Janice Henry
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Dale Moore
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"Signs of our time are quite often expressed in
our art. Today it is quite literally expressed in the
paintings that copy street signs. Again there is the
spectre of a group of our serious artists sitting in
conference, like a table of gods, pronouncing the
death of beauty. Another example that gives visible
expression is the painted copy of a photo blow-up
of such machinery as the automobile, or the sculp-
ture cast from life of an auto worker — as an object.
"There is a trendiness toward the impersonal, a
kind of anesthetizing of the self, producing a state
of paralysis which at once seems to say, 'I don't
care about esthetics, beauty, love and that humanis-
tic cult,' but at the same time reflects a deep de-
spondence and loss of will. No wonder we find the
counter of this trend in such best sellers as 7^e
Greening of America and the story of a soaring will
in Jonathan Livingston Seagull. In these and similar
events of our day, as in the renewed interest in vari-
ous religions, we hear a call to the awareness of
self to move beyond this world."
John T. Hilton
• J* -♦ •• .' »
Blair Worden
Kim Wheeler
Julie Woodhouse
--■-yKi:,-;^-v-Nv-T'?;-^- ■■■. ;
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Steve Macko
Bill Edwards
Bob Fink
Ann Smith
Dennis Blackburn
Debbie Simpson
Carlos Robles
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■* ** * ^A A A ^
John Dworak
Randy Thompson
Peter Wong
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• ,♦ -• •• .' *
George Moore
Janet Brown
Jay Cruse
"The past went that-a-way. When faced with a to-
tally new situation, we tend always to attach our-
selves to the objects, to the flavor of the most recent
past. We look at the present through a rear-view
mirror. We march backwards into the future."
Marshall McLuhan
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♦^i^VV
Craft:
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Jack Earl
Richard Butz
Barbara Johnson
Ken Winebrenner
Nancy Thompson
Allan Eastman
Thomas Siefke
Jack Kerrigan
Joe Distefano
fvf 'rt:t-!'r
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Barbara Havorka
Janice Stokes
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Catherine Miller
Anne Holland
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Norine Ellwood
Linda Moss
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Joan Gushing
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Anne Barker
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Laura Ralls
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Kim McKlveen
84
Beth Hooper
85
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Linda Hawkinson
Bill Brauer
Ken Lee
86
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'All the world's a stage."
Shakespeare
Drama
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Pat Raskin
Kenneth Campbe
Ted Greene
Kenneth Campbell
Jim Buss
Maury Erickson
Sue Baker
Sue Baker
Becky Collins
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Karen Sawyer
Claudia Quimby
Larry Verbit
Betsy Rawls Patterson
Peggy Truman
Midge Doll
Bruce Doll
Ken Doll
Barbie Doll
I
95
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ichael Casteel
Susane Wiesensale
* '* •- ,. # # ♦ '
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Richard Hankins
Rita Buckner
Mimi Madden
- * .. # #
, % \ .♦ • _♦ .• >
Dennis P. Hood
Pat Raskin
♦ ♦ ♦ ♦
Gordon Macke
Marcia Ferrara
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"Fashion is a form of ugliness so intolerable we
must alter it every six months."
Oscar Wilde
106
^♦•^^*
Fashion Design
K*j^:f^i^
Mrs. Otti Y. Windmueller
Henry Swartz
Carole C. Steinke
Nancy Herrington
Charles O. Sigler
Greta Burg
Jan Rimmel
Jean Tucker
Cherie Martin
Suzer Walther
Bonnie Crane
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Debbie Jett
Marcy Cacicedo
Carolyn Brown
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Sandy Cooney
"The selection of a life style, whether consciously
done or not, powerfully shapes the individual's
future. It does this by imposing order, a set of prin-
ciples or criteria on the choices he makes in his
daily life. This becomes clear if we examine how
such choices are actually made. The young couple
setting out to furnish their apartment may look at
literally hundreds of different lamps, scores of dif-
ferent sizes, models and styles before selecting,
say, the Tiffany lamp. Having surveyed a "universe"
of possibilities, they zero in on one. This scan-and-
select procedure is repeated with respect to rugs,
sofa, drapes, dining room chairs, etc. In fact, some-
thing like this same procedure is followed not mere-
ly in furnishing their home, but also in their adop-
tion of ideas, friends, even the vocabulary they use
and the values they espouse."
Alvin Toffler, "Future Shock"
::^!
Interior Design
Interior Design Faculty
Terry Rothgeb
Ben D. Gunter
Novem IVI. IVlason
Dorothy Hamilton
Jerry J. Field
Dorothy M. Hardy
Steven W. Teczar
Ringo Yung
Doug Honnold
Joan Freeman
Lisa Gall
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Vicki Crown
Theresa O'Neal
Margery Freas
Gail Babnew
Nancy Edward
Bruce Dearmond
♦ ♦ ♦■♦ V '
Lee Deford
Kay Jennings
James Morris
^^^
Stephen Hanback
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Dan Harshman
Sue Wagniere Harshman
Anne Lasetter
Robbie Finder Schiff
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Linda Sandora
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Anne Hart
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Sylvia Zunda
Christine Corrado
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Stuart Lobel
"An art form is the manifestation of a huge prefer-
ence for one mode of experience. Asked what music
he liked, IVIozart said, 'No music' Artists are not
consumers."
H. Marshall McLuhan
<%%%>>>''
Music
Peter Sacco
Dr. Ira Lieberman
Wayne Batty
Dr. Donald Tennant
Jeanette Cross
Peter Zaret
Carl Pfeifer
Melissa Wuslich
Gisela Depkat
Milton Cherry
John Savage
Dr. Ardyth Lohuis
Ronald Thomas
# ♦ # «- ^
4v ''? <•» 'J\"
Sarah Driscoll
David Hall
136
Pedetha Arrington
Lynn Loewenthal
"I was interested, and still am, in starting from the
unknown. I'm still looking for steps that break the
mold and disturb the traditional apparatus. I have
the feeling every time I make a new piece that at last
I'm beginning."
Merce Cunningham
Painting & Printmaking
Maynee
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Carolyn Levy
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John Denton
Patricia Denton
Doug Stone
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Carolyn Yancy
143
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Margaret Hill !
Jay Kirby Bohannan
Stephanie Cooper
Wendy Baer
Prudence Kimbrough
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Matthew Rudisill
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Susan Gerner
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David Jacks
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Kathleen Wilburn
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John Pharis
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Riley Montgomery ^-'-\'
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Les Smith
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Raffaello DeGregorio
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Richard Kevorkian
Morris Yarowski
Richard Carlyon
James Bradford
Thomas DeSmidt
Bernard Martin
Philip Wetton
James Bumgardner
David Sucec
Gerald Donate
Jewett Cambell
Jack Solomon
David Sauer
James Miller
Sal Federico
David Freed
Milo Russell
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Sculpture
Charles R. Henry
Harold E. North
Myron Helfgott
David E. Thompson
Lester Van Winkle
Jose Puig
Charles C. Renick
Robert L. Kinter
Allen Hurdle
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Janice Arone
Sherry Childress
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Sandra Pogue
Bonnie Biggs
Stephanie Cooper
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D. Brian Jensen
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Dale Quarterman
David Bremer
Cliff Dixon
John Heroy
George Nan
Peter Harholt
i*-h:
School of Arts and Sciences
The Afro-American Studies Program at V.C.U. is
an interdisciplinary program whose emphasis is the
interpretation and explication of that total phenome-
non called the Black Experience. It is based on the
assumption that people of African descent possess
modes of expressions and experiences that are
deeply rooted in their socio-cultural heritage. Black
Studies then attempts to view the varied forces and
counter forces acting and interacting within the
total fabric of black life and culture. It is concerned
with specific orientations and specific prospectives
based upon this unique socio-cultural heritage. It
is a new approach to scholarship and teaching that
points toward new perspectives on viewing the
world, and of new approaches in constructing and
explaining realities.
E»WF
Afro-American Studies
Rutledge M. Dennis
Charles Jarmon
Virginius B. Thornton III
« # -4 ♦
Biology
t •'t
William Eshbach
Peggy Elder
4 't U > >
. « » 4 *
184
David Clarke
David Beales
"The only form of discourse of which I approve,"
Miss R. said in her dry, tense voice, "is the litany.
I believe our masters and teachers as well as plain
citizens should confine themselves to what can
safely be said. Thus when I hear the words pewter,
snake, tea. Fad -6 sherry, serviette, fenestration,
crown, blue coming from the mouth of some public
official, or some raw youth, I am not disappointed.
Vertical organization is also possible," Miss R. said,
"as in
pewter
snake
tea
Fad =6 sherry
serviette
fenestration
crown
blue.
I run to liquids and colors," she said, "but you, you
may run to something else, my virgin, my darling, my
thistle, my poppet, my own. Young people," Miss R.
said, "run to more and more unpleasant combina-
tions as they sense the nature of our society. Some
people," Miss R. said, "run to conceits or wisdom
but I hold to the hard, brown, nutlike word. I might
point out that there is enough aesthetic excitement
here to satisfy anyone but a damned fool."
Donald Barthelme, "Unspeakable
Practices, Unnatural Acts"
186
English
A. Bryant Mangum
Michael D. Linn
Raymond P. Rhineiiart
Gertrude Curtler
C.W. Griffin
M. Thomas Inge '
Maurice Duke
J. Edwin Whiteseil
Albert M. Lyies
David E. Ingold
George C. Longest
Elizabeth R. Reynolds
Edward C. Pepie Jr.
Nicholas Sharp
RogerP. Hailes
AnnM.Woodlief
Douglas K. Morris
Mary Virginia Welch
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Jim LePrade
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Evonnie Terry
Alberta Spence
Patricia Fowler
Ralph Holmes
DougTrolan
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Maria Lopez Otin , History
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Robert J. Austin
Philip J. Schwarz
Sara E. Teeter
George E. IVIunro
James T. Moore
Francis C. Nelson
L.Winston Smith
JamesW. Ely, Jr.
Janipher R.Greene
N. Wikstrom
Virginius B.Thornton III
Michael W. Messmer
A. Guy Hope
John D. Lyie
William E.Blake, Jr.
Sandra M. Hawley
ThelmaS. Biddle
Arnold Schuetz
Ruth D. See
Robert M. Talbert
Henri Warmenhoven
John S. Taylor
Daniel P.Jordan
Alan V. Briceland
Albert A. Rogers
HaroldE. Greer, Jr.
F. Edward Lund
Larry D. Minock
Martha Jane Byrne
Olive Ann Smith
George Gundy
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Melody Wayland
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James Fulton
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Brian Johnson (economics)
Paul Hagan (history)
Richard Hatcher
Claud Stowers
Jane Walker
Linton Smith
Mark Fetter
Lynwood Franklin
JimVigen
Richard Knox
"The cease-fire has been bullet-riddled, and the
U.S. withdrawal was far from complete last week.
But there was one sure sign of vanishing American
involvement: the daily military press briefing, an
eight-year-old Saigon Spectacle known as the Five
o'clock Follies, had its final performance with an
American cast. Army Major Jere Forbus, the last
Follies star, sighed, "Well, we may not have been
perfect, but we outlasted "Fiddler on the Roof."
The Associated Press Saigon bureau chief, Richard
Pyle, was less benign but more accurate when he
called the briefings, "the longest playing tragicom-
edy in Southeast Asia's theatre of the absurd."
"Time", February 12, 1973
206
i ♦ ♦ ^
Journalism
♦-♦.■♦i.:^
Journalism Faculty
George T. Crutchfield
James E. Grimsley
Jack R. Hunter
Valts E. Jegermanls
William H. Turpin
►:t.«:vv:.
Stuart Samuels
Alton Buie
Dulcie Murdock
PhilSager
William Burton
W. L.Jennings
*; Mariane Matera
David Alien
Becl<i Bruner
Bob Walker
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Philosophy
Eric Deudon
Jim iVlead
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Psychology
Barbara Cruz
... V v
Cathy Mosby
Carol Hitchings
220
Susan Jacobson
Ray Marshall
Sue Irby
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Lawrence Baxter
Mary Jane Green
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Mary Ellen Taylor
Ken Gerlach
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John Newby
Robert Wooding
Andrew Akinseye
Wayne Weeks
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MarkO'Leary
Maribeth Detamore
Joseph Gahan
James Storie
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Sociology
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BilB^V!.-' . -MftUt - r
J. Bernard Murphy
L. Evelyn Roache
Leonard Kovit
Rutledge M. Dennis
Edward S. Knipe
John McGrath III
Janet Schiff
Gwen Brown
Jacqueline Brame
Megan Ebert
William Copeland
* .♦ > .♦ -
Pat Keener
4 • * 4 >- ' -
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Judy Lew
Alicia Harris
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Douglas Baker Randall Packet!
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School of Business
Accounting
Mervyn Wingfield
Moyer Wayne Hazelwood
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Juanita Brown Leatherberry
Buck Brooks
Administration
Shook Hing Woo
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Leonard N. Reid, Advertising
William J. Di Paola, Advertising
Jon Sedel
Ronald N. Gerhart, Advertising
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Jim Scott
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Charles Fielding
Jim Burch
Jim Mahoney
Alan Walker "Alos"
"Most people think advertising is Tony Randall. In
fact, they think this business is made of up 90,000
Tony Randalls. Guys all very suave, all very Tony
Randall. They've been fed the idea from Hollywood
that an advertising man is a slick, sharp guy. The
people knov\/ zip about advertising."
From Those Wonder Folks . . .
Jerry Delia Femina
John Sigler
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261
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Brian Johnson
Debbie Kimble
Rex Anderson
Joe Ondishko Painting and Printmaking
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Freyda M.Lazarus
M. Dean Dowdy
AlvinK.Welzel
Kathyrn M. McGreary
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Steve Brock
Ann Dauberman
Betty Thomas
John Velebik
Carolyn Lambert
David Gootnick
Iris Johnson
Owen Fields
Dorothy Lee
W. L. Tucker
Jane Williams
Nancy Dittman
Jo Ann Sherron
Howard Jackson
James Boykin
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Irene E. Drawer
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Dave Williams
Pat Long
Michael Nicholas
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Terry Barry
Dawn Hunt
Nancy Day
Wyatt Moorefield
Diane Mitchell
Wendy Crannage
Nancy Cougiil
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Stephen A. Pflieger
David Garraghty
Albert J. Scott Jr.
Larry Charles Bowman
School of Education
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Laurie Baker
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Vicki Spracker
GlendaHarrell
Webster Maughan
Kristi Hutcheson
Carol Wright
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Jamie Sanders
Susan Murray
Nancy Tucker
Sherry Richards
Richard Chaddicl<, History
Nancy Trader
Martha Christian
Susan Riddles
Susan Volz
Ruby Williams
Diane Harvey
Frances James
f» fi- r^ \ :'•
Occupational Therapy
Cherrie Brown
Patti Kirstein
Lois Greentree
Linda Whittaker
Linda SangI
Pam Stacl<house
Midge and IVIichael Elliot
Dorie Cronrath
Emily Piven
Sue Chain
LawsonBrauer
Born Died
7/23/50 1/12/73
Sandra Gibbs
Born Died
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/ ♦ * ♦
Commonwealth Times
Arthur Tomaszewski
Michael Wootton
BobbiSykes
Charles Beck
EdSlipek
Gail Barnes
Steven Traver
JoeKurata
MarkBruch
AIRainey
Organizations
* « * ♦
WJRB
RADia 820
OFFICE-STUDIO
VOICE OF VCU
Spectrum
Martha Jane Byrne
Julie Byrne
Regis Kilpatrick
CandyWelsh
ChristinaWigren
Andrew Lundberg
David Flynn
JohnMacLellan
Nyeusi Theatre Troupe
La Verne Johnson
Keith Setzer
Simon Richardson
Wendy Blackwell
R.M.Ellis
Kermit G. Payne
Patricia Johnson
Velesto Courts
Jonathan Fisher
Jerry Bass
Montross Cones
Alexandrian Society
Carol Murray
JaneWalker
Richard Chadick
JimVigen
Eileen Osmolov
Bill Thomas
Casey Kane
Bill Fisher
AldenBlgelow
EricMunson
RoseBeaudry
Alan Brenner
JohnDeaton
Norman Jefferson
Joe Parker
Rick Lewis
Evon Carignan
Sigma Delta Chi
Vicki Maddox
Bob Walker
Debbie Groome
RickLobb
Cheryl Dale
Earl Mclntyre
Dog
VCU Newman
Bernie Hains
Debbie Leecy
Marcie Goldberg
Cameron Kay
Wayne Shields
Jim Harris
Brother Martin Casper
Jim McNeal
Mary Long
Mary Gutberlet
^J^Y^'
••^
Public Relations Student Society
„ o ot America
Susan Spirn
Donald Cowdrey
Richard Faulkner
Carille Greenberg
Peggy Rosner
Jerome Waddy
Van Hampton
Vicki Maddox
Joyce Reynolds
Nancy Kercheval
Jim Biggers
Jotin Burke
Earl Mclntyre
Michael Whitlow
Cheryl Dale
Partricia Petrochilli
Janice Clark
Alton Buie
Leonard Reid
Scott Leake
Carlton Brooks
Gary Thompson
Ron Clements
VCU Ring Committee
Shelly Neas
Claudia Bowyer
Jim Bradley
John Jones
Tibby Chamberlain
Jackson
Karle Ruffing
Cyndi Gimby
Karen Alexander
Raymond Hodgson
Occupational Therapy Club
Don Cronrath
Jean Cerny
Pam Stackhouse
Sue Brown
Bonnie Crocetti
Kathy Miller
Barbara Lyons
Lynn Levmson
Jean Crawford
David Bollinger
Sue Cham
Emily Piven — President
Brenda Street — Secretary
Carol Subic — Historian
Program Board
Henry Rhone
Beverly M.Coleman
JackieG. Williams
Michael Binns
Ron Carpenter
Eddie Pickett
TedSisk
Appropriations Board
Jim Vigen
JohnSperry
BrendaKriegel
Barry Holman
MikeMcDonough
Ivan Morton
Susan Morris
Alfred T.Matthews
KathyLiebel
Langston Hughes Literary Society
Eddie Pickett
Carol Allison
John Lewis
John Short
Angie Johnson
Ins Lee
Georgette Jones
Alvina Jones
Raymond Cousins
R. M. Dennis
Dale Powell
Students In Health Science Careers
Iris Lee
Lester Brown
Jerry Green
Harry Fields
Ella Brown
Margie Clarke
Allyson Roberts
James Hall
Charisse Spencer
Georgette Jones
Otis Owens
Gail Grannum
VCU Women's Honor Society
Sue Chain
Marjorie A. Smith
Teresa Barry
Carolyn Brown
Emily Piven
Rose Beaudry
Carolyn Clary
Sharon Dance
Lee Eberhart
Harriet Ganderson
Verna Graff
Laurence Groner
Marilyn Hill
Evelyn Lampert
Juanita B. Leatherberry
Linda Loth
Gayle Otey
Pamela Stackhouse
Pauline Stoneburner
Brenda Street
Linda Sue Thompson
Jane Walker
Ruby Williams
Sara Teeter, Sponsor
Lucie Johnson, Sponsor
Jane Bell Gladding. Advisor
student Education Association
Pauline Stoneburner
Jacqueline Marks
Andrea Turner
Pam Tyler
Martha Thompson
Debi Furr
Dixie Hickman
Ernest Poe
June Krauss
Shirley Chin
313
Sigma Phi Epsiion
Mike Woodward
MikeLandrum
Gary Ford
Frank Carroll
TonySuhre
Steve Hawks
Bill Via
Harold Bane
John Hagerman
Rick Knox
Lin Norman
JoeWells
Kevin Moeller
Johnny McCauley
KappaSigma
Rudy Sheets
Jim Oliver
Jim Bradley
Billy Hale
Carl McLeod
Jerry Moore
Robert Einhaus
John Mines
Brett Hagen
Stephen Richards
Tom Parl<er
Edward Wright Jr.
Sam Carey
Alan Rogers
Bill Thompson
W. C.Fowlkes
Ed Knight
Lambda Zeta Chapter
♦ *'* /J'Zj^
1 972 was the first year that
Virginia Commonwealth
University competed in the
NCAA University Division.
This marl<s a milestone in
the development of the VCU
athletic program.
' V ♦' ^
317
Wrestling
''^■lii<^
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Basketball
♦' ♦' V ♦'
Basketball
Dave Edwards, captain
Jesse Dark
WilliamZepplln
Bernard Harris
Howard Robertson
Jeffrey Hudgins
James Jones
Reginald Cain
Richard Jones
Thomas Motley
Adrain Anderson
Chuch Noe, coach
Dick Grubar, assistant coach
Charles Booker, assistant coach
Tom Jackson, manager
Cam Abell, trainer
* * * ♦ /
» • ' » • . ,*
Athletic Director Chuck
Noe has done a superb job
in making the VCU basket-
ball team a respected, up-
coming power. In three short
years Noe has logged an im-
pressive 49-17 win/loss rec-
ord, defeating schools like
North Carolina A&T, East
Tennessee and Eastern Ken-
tucky. He has hustled in
many areas of media com-
munications to make sure
the "Running Rams" get the
publicity they justly deserve.
Basketball has become
the popular sport at VCU. It
has succeeded in monopo-
lizing the campus sports
limelight, sharing little of its
glory with the other sports at
VCU — wrestling, swimming,
golf, baseball, women's bas-
ketball, water polo and field
hockey, among others. Stu-
dents involved in these
sports have become respon-
sible for generating support
and enthusiasm for their t,
sports activities. Indeed, one |
could easily venture to say t
that VCU sports have be-
come basketball oriented.
VCU is a growing univer-
sity and is striving to make a
name for itself in athletics.
Although the past season
has been a successful one
for most varsity sports, one
cannot help but question the
wisdom of focusing almost
complete attention on one
sport to the detriment of the
others. How can the other
varsity sports attract talent-
ed athletes to a school that
does not support them?
Virginia
Commoi
13ixtoa«rsi
r"^
11 _ i.,i|i«jw»ni.n ■«■*•
Men's Swim Team
Jay Fitzgerald, captain
Alan Flesh
Ty Gaston
Charlie Kouns
Win Hunter
Billy Harris
Doug Campbell
George Marchacos
George Moore
StuartWolk
Louis Brown
Craig Huggins
Louie Taylor
Doug Markel
WendelSissler
Armen Connie
Chuck Kratzert
Swim Team
Women's Swim Team
KarinZiegler, co-capt
Joyce Barton, co-capt
Jacque Barnes
Teresa Greer
Pat Hamilton
LinHilf
Gael Howell
Carol Izzo
Adrienne Jones
Pat Morrison
Leslie Jones
Barbara Van Dillen
DeniseWolf
Patrice Winter
Jackie Marson
Kathy Thompson
Diane Natalie
325
Aside from the well-known
accomplishments of VCU's
talented dribblers, other ath-
letes have done much to put
VCU on the map. The Wom-
en's Swim Team placed
fourth in the Women's Na-
tionals last year and defend-
ed theirState Championship
title by winning again in
1973. And the Water Polo
Team placed fourth in the
state tournament in theirfirst
year of competition.
Jack H.Schiltz, coach
PamHardey, manager
Denise Daniels, manager
Halloween
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Julie Woodhouse
Elizabeth Rowe
Toby Los Angeles
Keyhill Daiger
HerbieLand
Wayne Carey
Andrew Lundberg
Alex
Election 72
George McGovern per-
haps will go down in history
as the classic example of a
rare phenomenon: too
much, too late.
McGovern attempted to
rally a nation already tired of
crusades, weary of wrestling
with insoluble problems,
sick of an endless war but
unwilling simply to give up.
The preacher's son from
South Dakota misjudged the
temperof the times. He knew
that Americans wanted to
abandon some of the far-
flung outposts of their acci-
dental empire, and wanted
to concentrate on problems
in their own communities,
the "pressing domestic
needs" of so many news-
paper editorials.
But the question in Ameri-
can politics is often not what,
but how. Richard M. Nixon
offered policies much more
in line with the American tra-
dition of moderation, of dip-
ping the toe before taking
the plunge. George McGov-
ern offered — or what is more
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important, seemed to offer —
a precipitous retreat from
the world that Americans
have only recently realized
they are a real and important
part of. He offered New
Deal/Great Society solu-
tions to domestic needs,
right down to a badly ex-
plained and poorly devel-
oped plan that seemed to
promise every American
$1 000. He offered them when
it was evident that such pro-
grams in the recent past had
produced results in hugely
inverse proportions to the
money and effort expended.
Most of all, he offered
them to a public suspicious
of political promises, bored
by endless rhetoric, and sick
of shouting and hectoring, a
public that wanted to be left
alone.
VCU was a microcosm of
the nation. The students sim-
ply were not interested. Ac-
tivism was low; on the other
hand, voter registration and
turnout appeared to be fairly
high. The vote appears to
have been about evenly
split. A canvas of 700 dormi-
tory students by the Young
Voters for the President
showed Nixon with 42.6 per
cent, McGovern with 38.7
per cent and 18.7 per cent
undecided.
Dormitory residents are a
distinct minority here, and
nobody knows how Fan-
dwelling art students or
commuting business stu-
dents might have voted. Of
the two voting precincts lo-
cated close to campus, Nix-
on carried one and McGov-
ern the other, both on close
votes.
The faculty seemed to fa-
vor Nixon, though not by
much. A poll conducted by
the Faculty Senate gave Nix-
on 52 per cent of the teach-
ers' vote and McGovern 42
Sissy Farenthold
L.Douglas Wilder
Liz Carpenter
per cent. Two teams of fac-
ulty members debated what
issues there were, with the
usual things said and the
usual easy points (tricky
Dick V. McGovern the moral-
ist) scored.
Partisans on both sides
did what they could to stir up
some interest. The YVP's
showed people how to use
absentee ballots — and many
did — and sponsored a three-
sided debate in Shafer
Court, with a representative
of the American Party as the
third man.
The Youth for McGovern
helped students register to
vote, and sat behind a table
before the Hibbs building
waiting for something to
happen.
But the Democrats stole
what little show there was
with a pretentiously named
Gloria Steinem
Terry McGovern
Winnebago bus called the
Grassroots Grasshopper.
The leading lady was Gloria
Steinem.
The supporting cast was
impressive in its own right —
George Rawlings, Liz Car-
penter, Ruth Harvey Charity
and McGovern's daughter
Terry, among others — but
400 university people do not
gather on a gray, overcast
day to hear ordinary politi-
cians.
Steinem, on the other
hand, got applause before
she opened her mouth.
She never raised her
voice, answered a reporter's
questions forthrightly in a
husky tone, and seemed
very much a term she might
reject — a lady.
No, she said, McGovern
had not kissed off the South.
No, he had not sold out wom-
en's rights at the convention.
Yes, the campaign was go-
ing well.
George Rawlings, the
Democratic national com-
mitteeman, was perhaps,
more realistic. McGovern's
campaign in Virginia, he
said, was "very difficult."
Like a great ship sinking,
McGovern sucked some
smaller craft down with him.
Foremost among these was
William Belser Spong, for-
merly the junior U.S. Senator
from Virginia.
Spong's problem was ex-
emplified by his brief visit to
this campus. Few people
would have recognized this
slight, bespectacled man in
a tan raincoat as a Senator.
And he said little. He refused
even to say if he would vote
for McGovern. Asked about
Scott's comment that the
people of Virginia were en-
titled to know, Spong man-
aged only a weak, "Well, I
wouldn't put it that way."
The combination of lack-
luster image and seemingly
extended reflection when
decision was in order was
fatal: five days after his visit
here, Spong was a lame
duck.
A far more articulate Dem-
ocrat than Spong also visit-
ed the campus: State Sen.
L. Douglas Wilder of Rich-
mond. The Senate's only
black, he represented Mc-
Govern in aShafer Arena de-
bate while Republican State
WyattDurrette
Harry Selden
336
Del. Wyatt Durrette of Fair-
fax spoke for Nixon and
Harry Selden, a Mechanics-
ville farm-machinery sales
and service man, represent-
ed John Schmitz of the
American Party.
In some ways, Selden was
the most interesting of the
lot. Sporting a John Birch
Society lapel pin, he criti-
cized Nixon far more severe-
ly than McGovern ever did:
"total dictatorship" will re-
sult from the President's de-
fense and fiscal policies, he
said.
Standing on the campus
of one of the largest state-
supported art schools in the
country, Selden criticized
"this tremendous over-em-
phasis on the arts, the crea-
tive arts like drama and lit-
erature. . . ."
Education was also a fa-
vorite topic of an entertain-
ing but little-known candi-
date for the Senate seat
Scott won : Horace E.
"Hunk" Henderson. His vi-
vacious wife Vera visited the
campus in search of hands
to shake, and told a reporter
that "education is one of the
most important things" in a
society.
The liberal Republican-
turned-independent (in pro-
test of the conservative take-
over of the GOP) tossed out
some startling ideas: col-
leges should abolish degree
requirements and let stu-
dents take whatever courses
they wish.
J^^^B Liz Carpenter
, > ■# > >
The campaign left an in-
triguing footnote in the per-
son of Vaughan Hargrave.
an engagingly freaky sopho-
more in. journalism from
Brunswick County. Simply
because "I do things like
that," Hargrave painted blue
and white stripes and a huge
red star on his face and went
to an election-eve rally in the
Coliseum featuring Vice
President Spiro T. Agnew.
For some obscure reason,
a city policeman told him to
wash the paint off. When he
declined to do so, he was ar-
rested and charged under a
statute originally designed
to get at lynch mobs terroriz-
ing blacks. He was charged
with wearing "a mask or
other device" to conceal his
identity.
The case probably was
one of the more foolish
brought recently in the city,
and Hargrave's lawyers filed
a brief challenging the con-
stitutionality of the statute.
The law and its enforce-
ment is in practice strongly
political analysis and co
affected by politics: and
1973 is an election year for
such officials as local attor-
neys for the commonwealth.
Richmond's prosecutor,
Jose Davila, no doubt
weighed whatever points he
might score with the Nean-
derthal vote against the
silliness of the thing, and
dropped the charges.
Nixon's re-election scored
one for moderation. Har-
grave's victory scored one
for reason. Score two for
America,
mmentary by Richard L. Lobb
Since VCU is compacted into a rather small area,
there are about 1000 students per acre in the Fan.
Some live in garrets, others in communal groups,
and some with no fixed address at all. One of the
major signs of VCU becoming a real university is the
increasing number of people who just hang around
Shafer Street but never have or will take a course
here. There are guitar strummers, singers, the Hare
Krishna crowd, and the inevitable backpacker fresh
in from L.A. There is always someone ready to thumb
somewhere and you only have to name a destination
on WGOE to get three riders.
Howard Ozmon
The average VCU student is no genius but neither
is he a dummy, although one can find both. A profile
of the average student at VCU might be that he is
male/female, single (but involved) has an IQ be-
tween 100 and 130, reads 1 or 2 books a year (in addi-
tion to required texts) and knocks down a job some-
where a few hours each week. He is aware of the
customs: don't crack a book before exams, say "sir"
to all professors, and complain about the grade what-
ever it is. He knows that professors have their own
credo: cover the material, seldom change a grade,
and don't smile until semester-break.
Howard Ozmon
Louis Kahn
r ♦ ' ♦ '
t • '.^ • *
Being in the heart of Richmond one constantly
hears that VCU is or should be an urban university.
What that means no one is quite sure of, but they
think it means that the city and VCU should get closer
together. Squads of rubber-necking rednecks go
down Grace Street nightly and gawk at the hippie-
types in front of Hababas and The Village. VCU is a
curiosity, a factory for turning out professionals, but
it has not fully enjoyed the love of taxpayers, many
of whom tend to see all university students as a col-
lection of free-love, pot-smoking bums.
Howard Ozmon
Unlike the staid types in Boston or the so-called
snobs of UVa, VCU students are real people. Sons
and daughters of farmers, skilled workers, and pro-
fessional people, they come to VCU for a change of
viewpoints, lifestyles, the prospect of marriage, jobs,
and other affluent things of the future. They are prob-
ably affected and changed more by the people they
meet than anything that goes on in the classroom —
so what's new?
Howard Ozmon
It is difficult to put the VCU student in a mold. He
really escapes classification. He is part-time scholar,
student, party-goer, worrier, and change-agent. He
bends almost to the ground but will pop back when
you're not looking and surprising enough he is adapt-
able. I think that years from now when our students
are all alumni it will be difficult for them to think of
VCU as a fixed entity. The school has been and will
continue to be in transition. The student will look
back at this passage through college as a passage
through a world of unique sounds, sights, and ideas,
and accept it for the marvelous experience it really
^^^- Howard Ozmon
w -'' :■-' »'."
/» .> / .^T / -»
Cobblestone staff Sharon Sebastian
Alton Buie
Mike Abbott
Blair Worden
Janys Henry
Debbie Laub
Dennis Voss
Dale Moore
Dawn Furr
Sandy Adams
Phil Meggs
Cobblestone 73: a creative documentary
Alton Buie, Editor
Sandy Adams, Business Manager
Peggy Elder, Copy Editor
Dawn Furr, Copywriter
Michael Abbott, Art Director
Design and Photography:
Janys Henry
Debbie Laub
Dale Moore
Sharon Sebastian
Dennis Voss
Blair Worden
Thanks go out to that fearless designer and Ad-
visor, Phil Meggs.
Typography by Harlowe Typography, Inc. / Stock:
80 ib. Warren's Cameo Gloss / Printed by Western
Publishing Company
Special thanks to George Nan for his darkroom and
patience. More Thanks to Rick Lobb, Jay Fitzgerald
and Howard Ozmon for their time and efforts.
Quotes by Toffler are from Future Shock by Alvin
Toffller. Copyright '■ 1970 by Alvin Toffller. By per-
mission of Random House, Inc.
Quotes by McLuhan are from The Medium is the Mas-
sage by Marshall McLuhan and Quentin Fiore. Copy-
right© 1969 by Marshall McLuhan, Quentin Fiore and
Jerome Agel. By permission of Bantam Books, Inc.
".. .and who are you?"
"I — I hardly know . . . just at present — at least I know
who I was when I got up this morning, but I think I
must have been changed several times since then."
Lewis Carroll
Alice In Wonderland
iB»uiaiii
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