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The Commeworative Medal in the Service
of Germany

LIBRARY

THE UNIVERSITY
OF CALIFORNIA

SANTA BARBARA

PRESENTED BY
A. RUSSELL BUCHANAN

The Commemorative

Medal in the Service

OF Germany

G. F. HILL. MA..

KEEPER OF THE DEPARTMENT OF COINS
AND MEDALS. BRITISH MUSEUM

LONGMANS, GREEN AND CO.

39 PATERNOSTER ROW, LONDON

FOURTH AVENUE AND 3OTH STREET, NEW YORK

BOMBAY. CALCUTTA, AND MADRAS

I9I7

PRidE SIXPENCE NET

THE COMMEMORATIVE MEDAL
IN THE SERVICE OF GERMANY

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The Commemorative

Medal in the Service

OF Germany

G. F. HILL. MA.

KEEPER OF THE DEPARTMENT OF COINS
AND MEDALS. BRITISH MUSEUM

LONGMANS, GREEN AND CO

39 PATERNOSTER ROW, LONDON

FOURTH AVENIE AND 3OTH STREET, NEW YORK
BOMBAY, CALCUTTA, AND MADRAS

191 7

Digitized by the Internet Archive

in 2007 with funding from

IVIicrosoft Corporation

http://www.archive.org/details/commemorativemeOOhilliala

LIST OF MEDALS ILLUSTRATED

Fig. 1 . The New Triple Alliance Frontispiece

Fig. 2. A Zeppelin Raid on London - - - II

Fig. 3. The German Crown Prince - - - 12

Fig. 4. A German " Victory-Penny " - - - 14

Fig. 5. Grand- Admiral von Tirpitz - - - 16

Fig. 6. Grand- Admiral von Tirpitz - - - 17

Fig. 7. The Allied Powers 19

Fig. 8. The Foreign Ministers of the Entente - 20

Fig. 9. A Bismarck Medal ----- 22

Fig. 10. "To Paris— 1914" 23

Fig. 1 1 . The Sinking of the Lusitania - - - 24

Fig. 12. The Torpedoing of the 'Uubantia - - 25

Fig. 13. The Three Counts von Spee - - - 27

Fig. 14. The Landing of the Indians at Marseilles 28

Fig. 15. The Wooing of the Balkan Kings - - 28

Fig. 1 6. Italy's Withdrawal from the Triple Alliance 30

Fig. 17. American Neutrality - - - - - 31

The majority of the illustrations have
been reproduced from photographs of
the plaster casts exhibited at the 'Oictoria
and Jilbert Museum, South Kensington,
by ^/nc/ permission of the director.

The Commemorative Medal
IN THE Service of Germany

/'^NE of the most curious of the campaigns which
^-^ have been conducted by Germany with the
twofold object of influencing the mmds of neutrals
and of maintaming enthusiasm for the war within her
own borders is to be seen in the issue, in innumer-
able variety, of commemorative medals, a selected
number of which are illustrated m these pages.
There have been few periods since the sixteenth
century during which the efficacy of the medal as a
vehicle for political manifesto has not been recog-
nised by some Government or other. But never has
this instrument been employed with so much zest,
or with so frank an appeal to the lower passions to
which war must always give rein, as it has in Germany
during the present conflict. Whether the issue of
these medals, which appear as the product of artists
working on their own account or for private firms,
has been actually organised, as some have supposed,
by the German Government or not is a matter of
indifference. They express the popular feeling in
the same way, and are doubtless under the same sort
of control, as the German Press.

The medals which have up to the present found
their way to neutral countries comprise at least 580
different varieties, and are of many classes. There

10 THE COMMEMORATIVE MEDAL

are the usual patriotic pieces, which appeal to national
sentiment, such as the different portraits of the
German Emperor accompanied by quotations from
his speech in the Reichstag on August 4, 1914:
*' For me there are no longer any parties — all are
Germans ; in self-defence, with a pure conscience and
clean hands, we draw the sword." To the same
category belong the pieces which lay stress on the
union between Germany and her Allies. A certain
Professor Paul Sturm is responsible for two or three
such productions, on which the portraits of the German
Emperor, the late Emperor Franz Josef, and the Sultan
of Turkey appear together. The motto assigns the
** Glory to God alone," and discreetly leaves to
the beholder the distribution of the shame between
the three persons represented. The reverse of one
of these pieces (see Frontispiece) shows soldiers of
the three Allies as brothers in arms, while a long
inscription complains that " England wishes to starve
us out, Russia to plunder and rob us, France to lay our
land waste with fire, and Italy to avenge the ruin of
Belgium." Italy should feel duly impressed by the
noble indignation of the German professor at her
criminal failure to sympathise with the most striking
exemplification of Germany's superior culture.

The victories, real or imaginary, which have been
gained by the armies or navies of the Central Powers
have naturally been commemorated. By April, 1916,
over one hundred of the so-called " Victory-Pennies "
had been struck in silver for sale for a trifling sum.

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They are small pieces, about the size of a threepenny-
bit, with a loop for hanging on a watch-chain, and
have on one side a uniform design, a Victory, with the
nscription : "God hath blessed our brave Armies,"
or " the Allied Armies." On the other side is an
inscription recording the exploits. Among these may
be noted the " Zeppelin Attacks on the London
Docks, night of 31 May to June 1, 9 10 and 12-13
Aug., 7-8 and 8-9 Sept., 1915 " ; the " Bombardment
of Scarborough and Hartlepool by German Ships,
16 Dec, 1914 " (Fig. 4) ; the " Attempts of the French
to break through between Verdun, Ailly, Apremont, and
Flirey repulsed, 5-8 Apr., 1915 "; and the " Victories
in Violent Battles at Ypres and Nieuport, Oct.-Dec,
1914. The production of these pendants has doubt-
less gone on, and the German "victories" at Arras, on
the Somme, and at Messines, as well as the repulse
of the " attempts of the French to break through at
Verdun " in August, 1917, have, we trust, been duly
commemorated.

German sentiment turns naturally to hero-worship,
and the medals have fallen into line with this tendency.
Innumerable are the portraits, not only of the leaders
of royal birth, the Crown Prince, Prince Eitel Fried-
rich, the King of Bavaria, Crown Prince Rupprecht,
Prince Leopold, the King of Saxony, the Grand Duke
of Baden, Duke Albrecht of Wiirttemberg ; not only
of the well-known leaders of less exalted origin,
Field-Marshal von Falkenhayn, Field-Marshal von
der Goltz, Field-Marshal von Hindenburg, General

14 THE COMMEMORATIVE MEDAL

von Kluck, Field-Marshal von Mackensen, or — in
the other elements — of Vice-Admiral von Spec and
Grand-Admiral von Tirpitz and Count Zeppelin ; but
we have portraits of heroes of more modest rank, such
as von Miicke (whose escape in a sailing vessel from
Keelmg Island to Hodeida must be almost forgotten

Fig. 4, A GERMAN " VICTOR Y-PENNY " (enlargfd).

On the obverse is the figure of Victory flying forward with a flaming
sword and a laurel wreath, and the inscription : '"' God hath blessed
the Allied Armies."

On the reverse the inscription : " Bombardment of Scarborough and
Hartlepool by German Ships, 16th December, 1914."

by now) ; of von Miiller, the Captain of the Emden ;
and of Weddigen, who torpedoed the three cruisers.
In civil life, the Chancellor, von Bethmann-Hollweg ;
the Secretary to the Treasury, Dr. Helfferich ;
and even the Prussian Minister of Agriculture, Frei-
herr von Schorlemer-Lieser, are included in the
gallery along with the professor who invented the
42-centimetre gun. The portraits are a singular

IN THE SERVICE OF GERMANY 15

collection, particularly striking by reason of what
appears to be the official expression of frightfulness
which characterises most of the military leaders. But
not all of them have succeeded in the assumption of
the desired degree of ferocity ; General von Kluck's
expression, especially on the medal on which the
German Eagle is seen gazing at the distant fortifica-
tions of Paris, is wistful, almost to the verge of tears ;
Count Zeppelin (Fig. 2) looks merely stolid ; while
Admiral von Tirpitz (Figs. 5, 6) is nothing if not genial.
The medals of the protagonist of the submarine
campaign are curiously interesting in their revelation
of German idealism in its latest form. Many of them
bear the motto : *' Gott strafe England," and the date
of the initiation of the campaign, 18th February, 1915.
The submarines are shown at their work of establishing
the ** Freedom of the Seas " ; but the medallists have
done their best, presumably in keeping with the
cheerful countenance of the Admiral, to lighten the
situation with humour of expression or motto. The
German Neptune (Fig. 5), who shakes his fist and
shouts his curses at the British ships as they sink in
the offing, betrays by his attitude nothing but impotent
and childish rage ; the conch through which, on
another medal (Fig. 6), he blows defiance at the
shores of England, is so modelled as to suggest a
paper bag, which will eventually be burst with due
effect ; and Professor Sturm, with masterly ineptitude,
has chosen the words : " Our orders are to sink the
ship and save the crew," as a motto for a strange

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THE COMMEMORATIVE MEDAL 17

scene in which a boat containing the crew of a
sinking ship is coming alongside a submarine, on the
forepart of which are two gigantic rats, larger in scale
than any human being.

A critic is always able to detect unconscious humour
in the works of an artist with whose intellectual and

Fig. 6. GRAND-ADMIRAL VON TIRPITZ.
By A. LOWENTAL.

On the obverse is a portrait of Grand- Admiral von Tirpitz.

On ihe reverse, Neptune rising from the sea and blowing a conch , in
the background is the EngHsh coast, with the words: "God punish
England," and the date: " 18th February, 1915."

moral attitude he is out of sympathy. It is therefore
with no intention of condemnation, but merely in
order to indicate the difference in outlook between
the Germans and the rest of the world, that we call
attention to such belises as those of the authors of
the von Tirpitz medals. Equally precious instances
of what appears to a non-German to be failure to see
the real point of a statement, whether in terms of

18 THE COMMEMORATIVE MEDAL

art or in words, can be culled in large numbers from
other medals. The portrait of the Crown Prince on
a large medal by Gotz (Fig. 3) is said to be a good
likeness ; but, if that is so, the caricaturist's occupation
is surely gone. The Italian medallists of the Renais-
sance, whom some of the German school have studied
with considerable care, were ruthless in their exposure
of the vicious qualities of some of their sitters ; but
they never failed to render at the same time that
touch of distinction, of nobility, which is charac-
teristic of the gentlemen of the Italian Renaissance.
But we must doubtless make allowance for the differ-
ence of race. This medal of the Crown Prince has
on its reverse a figure of the young hero Siegfried
attacking with his broadsword the four-headed dragon
which symbolises the Triple Entente united with
Belgium. Nothing but a failure of the authorities to
see the significance of the contrast between the
relentless portrait on the obverse and the Wagnerian
hero on the reverse can account for the omission to
prosecute the artist for lese-majeste ; the more so as
the dragon, in spite of the hero's theatrical efforts, is
still intact in all her features.

Theatrical, again, is the reproduction of the statue
of Bismarck standing in a ship decorated with eagles*
heads (Fig. 9). The artist has conveyed, with complete
success, the suggestion that the hero has taken refuge
in an arm-chair from the rising tide, which is about
to overwhelm him, in spite of his protests, which are
recorded on the other side of this group of medals :

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THE COMMEMORATIVE MEDAL 21

" Gott strafe England " ; " False England, beware " ;
and " Ceterum censeo Bntanniam esse delendam."

The fact that the threat to Pans never became effec-
tive is one which the medallists of the Entente might
well have commemorated. But their enemies have
saved them the trouble. Lowental's design (Fig. 10)
for the reverse of the small medal of General von Kluck
represents a naked Fury, brandishing a torch, and
riding " To Paris — 1914." On a larger medal of the
same hero, the German Eagle, perched on a gun,
looks hungrily at the fortifications of its coveted prey,
and it is hardly fancy that detects an expression of
disappointment on the face of the baffled general.
The difficulty which has been experienced in neutral
countries in obtaining specimens of this medal
suggests that these criticisms may have suggested
themselves even to the German authorities.

But even lack of humour begins to pall, and we
may pass to what must be our last category. The use
of the medal for satiric purposes has evidently
appealed strongly to the German public. It is on
the unimpeachable authority of a German specialist
publication that we must place under this head the
notorious Lusitania medal (Fig. 1 1 ). This is the work
of Karl Gotz, of Munich, whose initials appear on it.
In the issue for September, 1916, of the Blatter fur
Miinzfreunde, the organ of the Dresden Numismatic
Club and the Bavarian Numismatic Society, there is
a quotation from an English newspaper about this
medal and the strange light which it throws on the

22 THE COMMEMORATIVE MEDAL

mind of the German people. For the benefit of its
readers, the German periodical adds : " The piece
referred to is one of the satirical medals cast by Karl
Gotz at Munich, flagellating the levity of mind of
the Cunard Line."* A curious point remains to be
noted in this connexion. The attack on the Lusitania,

Fig. 9. A BISMARCK MEDAL.

On the obverse is the figure of Bismarck in armour, standing in a ship
among waves and drawing his sword.

On the reverse the inscription : " Ceterum censeo Britanniam esse
delendam " (For the rest, I hold that Britain must be destroyed).

according to the medal, was made on May 5, 1915.
As a matter of fact, the actual date was two days later.
Sinister deductions have been drawn from this

* " Gemeint ist eine der gegossenen Spottmiinzen von Karl
Gotz in Miinchen, die den Leichtsinn der Cunard-Line geiseit "
(p. 136).

Eberbach's medal on the same subject, which appeared later,
and has attained less notoriety, is inscribed : " Heimtiicke und
gewarnter Leichtsinn an Bord der Lusilania" (p. 155 of the
same periodical).

IN THE SERVICE OF GERMANY 23

discrepancy. But it must be doubted whether the
German naval authorities would have confided their
intentions to Herr Gotz in Munich, although it is quite
possible that he may have begun his design at the
time when the impudent German warning to intendmg
passengers was published in the American Press. In

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Fig. 10. "TO PARIS— 1914."

By OERTEL and LOWENTAL.

On the obverse is a portrait of General von Kluck, Signed by
Oertel, Berlin.

On the reverse is a naked Fury, riding on horseback and brandishing
a flaming torch,- below, in the distance, a town in flames,- with the
inscription: "To Paris — 1914." Signed by A. Lowental.

any case, the discrepancy is a good instance of the
way in which medallic evidence for historical events
needs to be verified.

If the satire of the Lusitania medal requires to be
expounded to the ordmary mind, there are other
pieces in which the satirical intent of the medallist
will be quite clear, even to the most unsympathetic

24 THE COMMEMORATIVE MEDAL

enemy. Such are the medals satinsmg the " Crafty
Spite " of the Entente (Fig. 7) ; the " Campaign of
Lies " conducted by the " Cabal of Incendiaries,"
our Foreign Ministers ( Fig. 8) ; the Landing of the
Indians at Marseilles (Fig. 14); the Wooing of the

Fig. 11. THE SINKING OF THE LUSITANIA.

By K. GOTZ.

On the obverse the Lusilania, loaded with munitions and aeroplanes, and
furnished with a ram like a battleship, sinking in the Atlantic. Above
are the words: "No Contraband!" and below: "The liner ^ Lusilania
sunk by a German submarine, 5th May, 1915."

On the reverse. Death at the office of the Cunard Line selling tickets to
a crowd of passengers ,• one of them is holding a newspaper with the
words: "Submarine Danger!" but they refuse to listen to the warning
of a German in a top hat. Above are the words : " Business first."

Balkan Kings (Fig. 15) ; Italy's Withdrawal from the
Trip'e Alliance (Fig. 16); and America's manu-
facture of munitions for the Entente (Fig. 1 7).

Such also IS the curious series of pieces cast in iron
by Eberbach, a sort of danse macabre, m which a
skeleton plays the leading role. It is not clear whether

IN THE SERVICE OF GERMANY 25

the medal in this series (Fig. 12) which satirises
'* England's Greeting to the Neutral Tubantia,'' and
represents Death discharging, on England's behalf, a
torpedo at the unfortunate Dutch vessel, was issued
before or after it was definitely proved that the
torpedo in question was a German one. Nor does it

Fig. 12. THE TORPEDOING OF THE TUBANTIA.

By EBERBACH.

On the obverse is Death as a skeleton crouching in the water, holding
in one hand a torpedo and in the other a floating mine, threatening a
ship saih'ng on the surface,- with the words: "England's Greeting
to the neutral Tubantia."

On the reverse, in an hexagonal field, is the inscription : " The best of
men cannot live in peace if it does not suit his wicked neighbour."*

much matter if, as a high German authority has said,
it is to be the Germans who will write the history of
this war.

A word should perhaps be said of the designers
who are chiefly responsible for this extraordinary

* The intcription appeari to be a variant of the following, from Schiller 't
tVilhtlm Tell. Act IV.. Scene 3 :—

" E$ kann der Fr"min«te nicht im Fricden bleiben,
Wenn c« dem b^^jen Nachbar nicht gefalll."

26 THE COMMEMORATIVE MEDAL

farrago. Of Professor Sturm we have already spoken.
Artistically, perhaps, he attains the distinction of
producing the worst composed and the most clumsily
modelled of all the medals we have seen, as they are
among the most ambitious.

Karl Gotz is a more competent craftsman, as is
shown by his modelling in the medals of the Crown
Prince, or by his design for the reverse of the
medal of Mackensen. He has two styles. One of
them, exemplified in the pieces just mentioned, is
intended to appeal to those who are familiar with
the works of the Renaissance. His medal of
Admiral von Tirpitz, whether consciously or not,
is artistically a lineal descendant of Joachim
Deschler*s medal of Hieronymus Paumgartner, a
Nuremberg churchwarden of the sixteenth century —
which is itself one of the richest instances of uncon-
scious humour in the whole world of art. Gotz's
other style is exemplified in the Lusitania medal ; it
corresponds to the satirical print, and makes no
attempt at composition, but simply crowds into the
space available all the details that it is thought will
amuse the populace.

Eberbach's work is of the same character as these
satirical pieces by Gotz, and appeals to nothing but
the taste for the gruesome. But a repetition of the
hackneyed skeleton motif, unless treated with the
imagination of a Felicien Rops, must be without
effect on a public that has in recent years supped
full with horrors more real by far.

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Fig i-i. iriE LANDING OF Thin iinui^aS AT MARSEILLES.

By K. GOTZ.
On the obverse is a British soldier in a kilt twisting the tail of an elephant on
which an Indian is seated, and driving it forward with the words : "All right,-
pass on to the battle-field."

On the reverse is a triumphal arch erected by the French Republic, and an
Indian carrying a poster running underneath it. The inscriptions <in French)
run : " Long live the English ! We are safe ! Tremendous attraction — the
Indians at Marseilles ! " <It will be noted that, in the twelve French words of
these inscriptions, there are five mistakes.)

Fig. 15. THE WOOING OF THE BALKAN KINGS.
By K. GOTZ.
On the obverse are a British soldier <in kilt and puttees only), the Emperor of
Russia with a knout under his arm. President Poincare and the King of Italy
joining in the "procession to the Balkans."

On the reverse are the heads of the three Balkan Kings : Ferdinand of Rumania,
Constantine of Greece, and Ferdinand of Bulgaria, behind a grating. On the
grating hang emblems of the four Powers of the Alliance : an apple for Italy, a
heart for the French Republic, a dolphin vomiting money for England, and a
clenched fist for Russia,- with the words: "Help, Balkans! Fight for us ! "

THE COMMEMORATIVE MEDAL 29

A. Lowental's reverse for the medal of General
von Kluck shows him to be skilful if academic m
composition ; but his figures are over- modelled.

Lastly, it must not be denied that occasionally,
even if the intention is not well carried out, the
German medallists have hit upon a meritorious
idea. The death of Count von Spec and his two
sons in the battle of the Falkland Islands impressed
Germany as deeply as the death of Craddock at
Coronel affected British feeling. Gotz's conception
of the German Eagle flying over a waste of waters to
lay a laurel branch upon their ocean grave (Fig. 13) is
one with which every citizen of a sea-going nation
will sympathise. It is all the more unfortunate
that so touching an idea has been carried
out with so imperfect a rendering both of the bird
and of the seascape, and with so little dignity in the
decorative elements of the design.

We may close our study of this development of
German propaganda with a reference to a peculiar
phase of it which is described in the pages of the
Berliner Munzbldtter, the organ of the united numis-
matic societies of Germany and Austria (September,

1916).

The writer, Dr. Heilbronn, who is or was on
active service, describes certain little medals, made
in iron as propaganda for the raising of money
through the driving of nails into wooden statues.
Whatever opinions may be held, says the gallant
<loctor, of the permanent artistic value of the statues

30 THE COMMEMORATIVE MEDAL

(the nobility of their object, he hastens to add, is
above all criticism), he is enthusiastic as to the beauty
of the medals, which have been too much neglected,
and he urges that collectors should interest them-
selves in preserving them. We are unable to judge of
Dr. Heilbronn's taste, though we may make a shrewd

Fig. 16. ITALY'S WITHDRAWAL FROM THE TRIPLE
ALLIANCE. By K, GOTZ.

On the obverse is an Italian attacking the Austrian Double-headed
Eagle from the back as it is engaged in driving off the Russian Bear
fromGalicia, with the words : "Italy's Policy or the Free Hand, 1915."

On the reverse is an Itaiian soldier, with a paper inscribed "Tripolis,"
his wrists held by an Austrian soldier, while a German soldier prods
him with his bayonet/ with the inscription: "Parasite of the Triple
Alliance — Defiler of the Loyal Alliance."

guess at its quality ; but his effusion has had the
interesting result of evoking a protest in the follow-
ing issue of the same periodical from another
numismatist.

A misunderstanding of the meaning of an old
Viennese trade-sign has, says this writer, originated a

IN THE SERVICE OF GERMANY 31

regular mania throughout Germany for driving in nails.
Protests on the part of the Berlin Academy of Arts and
various professors have entirely failed to discourage
the practice, which from the aesthetic standpoint cannot
be too heartily condemned, and which argues a
deplorable lack of sensibility in the public who indulge

Fig. 17. AMERICAN NEUTRALITY.

By K. GOTZ.

On the obverse is the head of President Wilson, wearing a laurel wreath,
the fillets embroidered with eagles. Below are the words <in English) :
" Liberty, Neutrality, Humanity."

On the reverse is Uncle Sam sitting beside a gun and a pile of cannon-
balls, offering a ship with one hand and clasping a bag of 1,000,000
dollars in the other, with the words <in German) : "America's Neutral
Trade."

in it, especially when the originals of these figures,
like Hindenburg, are still alive. " Our enemies are
not so very wrong if they describe these horrible mani-
festations of patriotic enthusiasm as barbarous, and
compare them with practices known in connexion
with negro art." After the war, these productions.

32 THE COMMEMORATIVE MEDAL

especially the " frightful Hmdenburg-Colossus," ought
to disappear from public view, or be preserved in some
museum as evidence of a strange lack of good taste.
And now, he adds, "the memory of this craze is to be
perpetuated in medals. We have in the last two years
unfortunately suffered from so much that is mediocre
m the sphere of the modern war-medal that it was
really quite unnecessary that anything more of that
kind should be laid upon us. That a real artist should
ever devote himself to producing such a medal is out
of the question, and no collector of taste will entertain
the idea of filling his cabinets with these commercial
products."

It is pleasant to be able to endorse this writer's
protest. But it is to be hoped, nevertheless, that some
museums devoted to the ethnology of primitive races
will preserve specimens of these " nailmg-medals.

Printed in Great Britain by The Menpes Printing <&• Engraving Co., Ltd.,
Craven House, Kingstuay, London, W.C.2.

THE LIBRARY
UNTVERSITY OF CALIFORNIA

Santa Barbara

THIS BOOK IS DUE ON THE LAST DATE
STAMPED BELOW.

50m-3,'(}8(U9242s8)9482

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