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Full text of "The complete works of James Whitcomb Riley; in ten volumes, including poems and prose sketches, many of which have not heretofore been published; an authentic biography, an elaborate index and numerous illustrations in color from paintings by Howard Chandler Christy and Ethel Franklin Betts"

THE LIBRARY 

OF 
THE UNIVERSITY 

OF CALIFORNIA 
RIVERSIDE 






"And where's the Land of Used-to-be, does little baby wonder' 



Memorial Edition 



The Complete Works of 

James Whitcomb Riley 

IN TEN VOLUMES 

Including Poems and Prose Sketches, many 
of which have not heretofore been pub- 
lished; an authentic Biography, an 
elaborate Index and numerous Illus- 
trations in color from Paintings 
by Howard Chandler Christy 
and Ethel Franklin Setts 

VOLUME III 




HARPER fcf BROTHERS PUBLISHERS 

NEW YORK AND LONDON 






COPYRIGHT 

1883, 1885, 1887, 1888, 1890, 1891, 1892, 1893, 1894, 

1896, 1897, 1898, 1899, 1900, 1901, 1902, 1903, 1904, 

1905, 1906, 1907, 1908, 1909, 1910, 1911, 1912, 1913. 

BY JAMES WHITCOMB RILEY 

ALL RIGHTS RESERVED 
COPYRIGHT 1916 

JAMES WHITCOMB RILEY 



CONTENTS 

PAGE 

THE PASSING OF A HEART 573 

AN OLD- TIMER 574 

ERE I WENT MAD 576 

O HER BEAUTY 578 

THE SUMMER- TIME 579 

SONG OF PARTING 581 

THE WANDERING JEW 582 

THE USED-TO-BE 584 

AT UTTER LOAF 586 

MY OLD FRIEND 588 

KISSING THE ROD 590 

THE RIVAL 591 

THE LIGHT OF LOVE 592 

LET SOMETHING GOOD BE SAID 593 

THE OLD HAND-ORGAN 594 

HOME AT NIGHT 595 

A DREAM OF INSPIRATION 596 

THE PIPER'S SON 597 

His LAST PICTURE 598 

A VARIATION 600 

THERE Is A NEED 602 

To A SKULL 603 

THE VOICES 605 

MY HENRY 607 

LOVE'S AS BROAD AS LONG 609 

LOCKERBIE STREET 61 1 

THE OLD, OLD WISH 613 

A LIFE-LESSON 615 

A WATER-COLOR 616 

UNKNOWN FRIENDS 617 

THE SONG OF YESTERDAY. . . 618 



CONTENTS 

PAGE 

AN END 622 

HER CHOICE 623 

OUR OWN 624 

THE DRUM 625 

A CASE IN PINT 628 

OLE BULL 631 

A WRAITH OF SUMMER-TIME 632 

JACK THE GlANT-KlLLER 633 

REQUIESCAT 635 

AT SEA 637 

SOMEP'N COMMON-LIKE 638 

BLIND 639 

JUST AS OF OLD 647 

THE PRAYER PERFECT 648 

MONSIEUR LE SECRETAIRE 649 

A PHANTOM 650 

WHAT REDRESS 651 

A LOST LOVE 652 

LET Us FORGET 654 

THE SHOEMAKER 655 

IN THE CORRIDOR 657 

SUSPENSE 658 

A NONSENSE RHYME 659 

LOUELLA WAINIE 662 

FOR You 664 

MY FIRST SPECTACLES 665 

THE TEXT 666 

AN OUT- WORN SAPPHO 667 

WILLIAM BROWN 671 

THE NINE LITTLE GOBLINS 673 

WHY 675 

THE TOUCH OF LOVING HANDS 676 

THE OLD SCHOOL-CHUM 677 

A CUP OF TEA 679 

To THE SERENADER 681 

WHAT A DEAD MAN SAID 682 

A TEST f 684 



CONTENTS 

PAGE 

A SONG FOR CHRISTMAS 685 

SUN AND RAIN 687 

WITH HER FACE 688 

MY NIGHT 689 

THE HOUR BEFORE THE DAWN 690 

THE OLD YEAR AND THE NEW 691 

GOOD-BY, OLD YEAR 693 

As CREATED 694 

SOMEDAY 695 

FALSE AND TRUE 696 

A BALLAD FROM APRIL 697 

WHEN DE FOLKS is GONE 699 

THE TWINS 700 

THE ORCHARD LANDS OF LONG AGO 702 

BRUDDER SIMS 704 

DEFORMED 705 

WHILE THE MUSICIAN PLAYED 707 

FAITH 709 

BE OUR FORTUNES AS THEY MAY 710 

A HINT OF SPRING 711 

LAST NIGHT AND THIS 712 

LITTLE GIRLY-GIRL 713 

CLOSE THE BOOK 714 

THE MOTHER SAINTED 715 

THE LOST THRILL 718 

REACH YOUR HAND TO ME 719 

WE MUST GET HOME 720 

MABEL 724 

AT DUSK 726 

ANOTHER RIDE FROM GHENT TO Aix 727 

THE RIPEST PEACH 731 

BEDOUIN 732 

A DITTY OF No TONE 733 

THE SPHINX 735 

MOTHER GOOSE 736 

IN THE HEART OF JUNE 737 

MY BOY 738 



CONTENTS 

PAGE 

THE ASSASSIN 739 

BECAUSE 740 

PANSIES 741 

BABY'S DYING 742 

AN EMPTY GLOVE 743 

To THE CRICKET 745 

THE OLD-FASHIONED BIBLE 746 

THE LAND OF USED-TO-BE 748 

JUST TO BE GOOD 751 

A LOUNGER 752 

MR. WHAT'S-HIS-NAME 753 

UNCOMFORTED 756 

MY WHITE BREAD 758 

HE AND 1 760 

PROM A BALLOON 762 

A TWINTORETTE 763 

WHAT THEY SAID 764 

AFTER THE FROST 766 

CHARLES H. PHILIPS 767 

WHEN IT RAINS 769 

AN ASSASSIN 771 

BEST OF ALL 772 

MR. SlLBERBERG 773 

THE HEREAFTER 775 

THE LOVING CUP 776 

EROS 778 

THE QUIET LODGER 779 

THE BROOK-SONG 783 

BIN A-FISHIN' 785 

UNCLE DAN'L IN TOWN OVER SUNDAY 787 

EMERSON 789 

YOUR VIOLIN 790 

SOLDIERS HERE TO-DAY 792 

A WINDY DAY 796 

SHADOW AND SHINE 797 

THE OLD SWIMMIN'-HOLE 798 

THOUGHTS FER THE DISCURAGED FARMER. . . 801 



CONTENTS 

PAGE 
A GOOD-BY 804 

A SUMMER'S DAY 805 

A HYMB OF FAITH 808 

AT BROAD RIPPLE Sir 

THE COUNTRY EDITOR 813 

WORTERMELON TlME 814 

A SONG OF THE CRUISE 818 

MY PHILOSOFY 819 

WHEN AGE COMES ON 822 

THE CIRCUS-DAY PARADE 823 

WHEN THE FROST Is ON THE PUNKIN 826 

THAT NIGHT 829 

THE BAT 830 

ON THE DEATH OF LITTLE MAHAL A ASHCRAFT 831 

THE MULBERRY TREE 834 

AUGUST 836 

To MY OLD FRIEND, WILLIAM LEACHMAN 837 

THE GUIDE 842 

SUITER'S CLAIM 845 

DOLORES 847 

MY FIDDLE 848 

NORTH AND SOUTH 850 

THE DAYS GONE BY 852 

THE CLOVER 854 

GEORGE A. CAKK 857 

UI. 1 



The Complete Works 
of James Whitcomb Riley 

THE PASSING OF A HEART 

O TOUCH me with your hands 
For pity's sake! 

My brow throbs ever on with such an ache 
As only your cool touch may take away ; 
And so, I pray 

You, touch me with your hands! 

Touch touch me with your hands. 

Smooth back the hair 

You once caressed, and kissed, and called so fair 
That I did dream its gold would wear alway, 
And lo, to-day 

O touch me with your hands ! 

Just touch me with your hands, 

And let them press 
My weary eyelids with the old caress, 
And lull me till I sleep. Then go your way, 
That Death may say : 

He touched her with his hands. 



573 



AN OLD-TIMER 

HERE where the wayward stream 
Is restful as a dream, 
And where the banks o'erlook 
A pool from out whose deeps 
My pleased face upward peeps, 
I cast my hook. 

Silence and sunshine blent ! 
A Sabbath-like content 

Of wood and wave; a free- 
Hand landscape grandly wrought 
Of Summer's brightest thought 
And mastery. 

For here form, light and shade, 
And color all are laid 

With skill so rarely fine, 
The eye may even see 
The ripple tremblingly 
Lip at the line. 

I mark the dragon-fly 
Flit waveringly by 
In ever-veering flight, 

574 



AN OLD-TIMER 575 

Till, in a hush profound, 
I see him eddy round 

The "cork," and 'light! 

Ho ! with the boy's faith then 
Brimming my heart again, 

And knowing, soon or late, 
The "nibble" yet shall roll 
Its thrills along the pole, 
I breathless wait. 



ERE I WENT MAD 

ERE I went mad 
O you may never guess what dreams I had ! 
Such hosts of happy things did come to me. 
One time, it seemed, I knelt at some one's knee, 
My wee lips threaded with a strand of prayer, 
With kinks of kisses in it here and there 
To stay and tangle it the while I knit 
A mother's long-forgotten name in it. 
Be sure, I dreamed it all, but I was glad 
Ere I went mad ! 

Ere I went mad, 

I dreamed there came to me a fair-faced lad, 
Who led me by the wrist where blossoms grew 
In grassy lands, and where the skies were blue 
As his own eyes. And he did lisp and sing, 
And weave me wreaths where I sat marveling 
What little prince it was that crowned me queen 
And caught my face so cunningly between 
His dimple-dinted hands, and kept me glad 
Ere I went mad ! 

576 



ERE I WENT MAD 577 

Ere I went mad, 

Not even winter weather made me sad- 

I dreamed, indeed, the skies were ne'er so dull 

That his smile might not make them beautiful. 

And now, it seemed, he had grown O so fair 

And straight and strong that, when he smoothed 

my hair, 

I felt as any lily with drooped head 
That leans, in fields of grain unharvested, 
By some lithe stalk of barley pure and glad 
Ere I went mad ! 

Ere I went mad, 

The last of all the happy dreams I had 

Was of a peerless king a conqueror 

Who crowned me with a kiss, and throned me for 

One hour ! Ah, God of Mercy ! what a dream 

To tincture life with ! Yet I made no scream 

As I awakened with these eyes you see, 

That may not smile till love comes back to me, 

And lulls me back to those old dreams I had 

Ere I went mad ! 



OH, HER BEAUTY 

OH, her beauty was such that it dazzled my 
eyes 

Like a dreamer's, who, gazing in day-dying skies, 
Sees the snow of the clouds and the gold of the sun 
And the blue of the heavens all blended in one 
Indescribable luster of glorious light, 
Swooning into the moon of a midsummer night. 

Oh, her beauty was such that I fancied her hair 
Was a cloud of the tempest, tied up with a glare 
Of pale purple lightning, that darted and ran 
Through the coils like the blood in the veins of a 

man: 
And from dark silken billows that girdled her 

free, 
Her shoulder welled up like the moon from the sea. 

Oh, her beauty was such, as I knelt, with the tips 
Of the fingers uplifted she snatched from my lips, 
And saw the white flood of her wrath as it dashed 
O'er the features, that one moment later had flashed 
From my vision forever, I raised not a knee 
Till I had thanked God for so rescuing me. 

578 



THE SUMMER-TIME 

OTHE Summer-time to-day 
Makes my words 
Jes' flip up and fly away 
Like the birds! 

'Tain't no use to try to sing, 
With yer language on the wing, 
Jes' too glad fer anything 
But to stray 

Where it may 
Thue the sunny summer weather of the day ! 

Lordy ! what a Summer-time 

Fer to sing! 

But my words flops out o' rhyme, 
And they wing 

Furder yit beyent the view 
Than the swallers ever flew, 
Er a mortal wanted to 
'Less his eye 

Struck the sky 

Ez he kind o' sort o' thought he'd like to fly ! 
579 



580 THE SUMMER-TIME 

Ef I could sing sweet and low 

And my tongue 

Could twitter, don't you know, 
Ez I sung 

Of the Summer-time, 'y Jings! 
All the words and birds and things 
That kin warble, and hes wings, 
Would jes' swear 

And declare 
That they never heerd sich singin' anywhere! 



SONG OF PARTING 

SAY farewell, and let me go: 
Shatter every vow ! 
All the future can bestow 
Will be welcome now! 

And if this fair hand I touch 
I have worshiped overmuch, 
It was my mistake and so, 
Say farewell, and let me go. 

Say farewell, and let me go: 

Murmur no regret, 
Stay your tear-drops ere they flow 
Do not waste them yet! 

They might pour as pours the rain r 
And not wash away the pain : 
I have tried them and I know. 
Say farewell, and let me go. 

Say farewell, and let me go : 

Think me not untrue 
True as truth is, even so 
I am true to you! 

If the ghost of love may stay 
Where my fond heart dies to-day, 
I am with you alway so, 
Say farewell, and let me go. 
581 



THE WANDERING JEW 

THE stars are failing, and the sky 
Is like a field of faded flowers 
The winds on weary wings go by ; 

The moon hides, and the tempest lowers; 
And still through every clime and age 
I wander on a pilgrimage 
That all men know an idle quest, 
For that the goal I seek is REST ! 

I hear the voice of summer streams, 

And, following, I find the brink 
Of cooling springs, with childish dreams 
Returning as I bend to drink 

But suddenly, with startled eyes, 
My face looks on its grim disguise 
Of long gray beard ; and so, distressed, 
I hasten on, nor taste of rest. 

I come upon a merry group 

Of children in the dusky wood, 
Who answer back the owlet's whoop, 
That laughs as it had understood ; 
And I would pause a little space, 
But that each happy blossom-face 
Is like to one His hands have blessed 
Who sent me forth in search of rest. 
582 



THE WANDERING JEW 583 

Sometimes I fain would stay my feet 

In shady lanes, where huddled kine 
Couch in the grasses cool and sweet, 
And lift their patient eyes to mine ; 
But I, for thoughts that ever then 
Go back to Bethlehem again, 
Must needs fare on my weary quest, 
And weep for very need of rest. 

Is there no end ? I plead in vain : 

Lost worlds nor living answer me. 
Since Pontius Pilate's awful reign 
Have I not passed eternity? 

Have I not drunk the fetid breath 
Of every fevered phase of death, 
And come unscathed through every pest 
And scourge and plague that promised 
rest? 

Have I not seen the stars go out 

That shed their light o'er Galilee, 
And mighty kingdoms tossed about 
And crumbled clod-like in the sea ? 
Dead ashes of dead ages blow 
And cover me like drifting snow, 
And time laughs on as 'twere a jest 
That I have any need of rest. 



THE USED-TO-BE 

BEYOND the purple, hazy trees 
Of summer's utmost boundaries ; 
Beyond the sands beyond the seas 
Beyond the range of eyes like these, 
And only in the reach of the 
Enraptured gaze of Memory, 
There lies a land, long lost to me, 
The land of Used-to-be ! 

A land enchanted such as swung 
In golden seas when sirens clung 
Along their dripping brinks, and sung 
To Jason in that mystic tongue 
That dazed men with its melody 
O such a land, with such a sea 
Kissing its shores eternally, 
Is the fair Used-to-be. 

A land where music ever girds 
The air with belts of singing-birds, 
And sows all sounds with such sweet 
words, 

584 



THE USED-TO-BE 585 

That even in the low of herds 
A meaning lives so sweet to me, 
Lost laughter ripples limpidly 
From lips brimmed over with the glee 
Of rare old Used-to-be. 

Lost laughter, and the whistled tunes 
Of boyhood's mouth of crescent runes, 
That rounded, through long afternoons, 
To serenading plenilunes 
When starlight fell so mistily 
That, peering up from bended knee, 
I dreamed 'twas bridal drapery 
Snowed over Used-to-be. 

O land of love and dreamy thoughts, 
And shining fields, and shady spots 
Of coolest, greenest grassy plots, 
Embossed with wild forget-me-nots! 

And all ye blooms that longingly 

Lift your fair faces up to me 

Out of the past, I kiss in ye 
The lips of Used-to-be. 



AT UTTER LOAF 



Atf afternoon as ripe with heat 
As might the golden pippin be 
With mellowness if at my feet 
It dropped now from the apple-tree 
My hammock swings in lazily. 



II 



The boughs about me spread a shade 

That shields me from the sun, but weaves 
With breezy shuttles through the leaves 

Blue rifts of skies, to gleam and fade 
Upon the eyes that only see 
Just of themselves, all drowsily. 



Ill 



Above me drifts the fallen skein 

Of some tired spider, looped and blown, 

As fragile as a strand of rain, 

Across the air, and upward thrown 
By breaths of hay-fields newly mown 

So glimmering it is and fine, 

I doubt these drowsy eyes of mine. 
586 



'AT UTTER LOAF 587. 

IV 

Far-off and faint as voices pent 

In mines, and heard from underground, 

Come murmurs as of discontent, 
And clamorings of sullen sound 

The city sends me, as, I guess, 

To vex me, though they do but bless 

Me in my drowsy fastnesses. 



I have no care. I only know 

My hammock hides and holds me here 

In lands of shade a prisoner : 
While lazily the breezes blow 

Light leaves of sunshine over me, 
And back and forth and to and fro 

I swing, enwrapped in some hushed glee, 

Smiling at all things drowsily. 

in. 2 



MY OLD FRIEND 

YOU'VE a manner all so mellow, 
My old friend, 
That it cheers and warms a fellow, 

My old friend, 

Just to meet and greet you, and 
Feel the pressure of a hand 
That one may understand, 
My old friend. 

Though dimmed in youthful splendor, 

My old friend, 
Your smiles are still as tender, 

My old friend, 

And your eyes as true a blue 
As your childhood ever knew, 
And your laugh as merry, too, 

My old friend. 

For though your hair is faded, 

My old friend, 
And your step a trifle jaded, 

My old friend, 
588 



MY OLD FRIEND 

Old Time, with all his lures 
In the trophies he secures, 
Leaves young that heart of yours, 
My old friend. 

And so it is you cheer me, 

My old friend, 
For to know you and be near you, 

My old friend, 

Makes my hopes of clearer light, 
And my faith of surer sight, 
And my soul a purer white, 

My old friend. 



KISSING THE ROD 

O HEART of mine, we shouldn't 
Worry so! 
What we've missed of calm we couldn't 

Have, you know! 
What we've met of stormy pain, 
And of sorrow's driving rain, 
We can better meet again, 
If it blow ! 

We have erred in that dark hour 

We have known, 
When our tears fell with the shower, 

All alone! 

Were not shine and shower blent 
As the gracious Master meant? 
Let us temper our content 

With His own. 

For, we know, not every morrow 

Can be sad; 
So, forgetting all the sorrow 

We have had, 
Let us fold away our fears, 
And put by our foolish tears, 
And through all the coming years 

Just be glad. 



THE RIVAL 



ISO loved once, when Death came by I hid 
Away my face, 

And all my sweetheart's tresses she undid 
To make my hiding-place. 

The dread shade passed me thus unheeding; and 

I turned me then 
To calm my love kiss down her shielding hand 

And comfort her again. 

And lo ! she answered not : And she did sit 

All fixedly, 
With her fair face and the sweet smile of it, 

In love with Death, not me. 



591 



T 



THE LIGHT OF LOVE 

SONG 

HE clouds have deepened o'er the night 

Till, through the dark profound, 
The moon is but a stain of light, 

And all the stars are drowned ; 
And all the stars are drowned, my love, 

And all the skies are drear ; 
But what care we for light above, 

If light of love is here? 

The wind is like a wounded thing 

That beats about the gloom 
With baffled breast and drooping wing, 

And wail of deepest doom; 
And wail of deepest doom, my love; 

But what have we to fear 
From night, or rain, or winds above, 

With love and laughter here? 



592 



LET SOMETHING GOOD BE SAID 

WHEN over the fair fame of friend or foe 
The shadow of disgrace shall fall, instead 
Of words of blame, or proof of thus and so, 
Let something good be said. 

Forget not that no fellow-being yet 

May fall so low but love may lift his head : 
Even the cheek of shame with tears is wet, 
If something good be said. 

No generous heart may vainly turn aside 
In ways of sympathy; no soul so dead 
But may awaken strong and glorified, 
If something good be said. 

And so I charge ye, by the thorny crown, 

And by the cross on which the Saviour bled, 
And by your own soul's hope of fair renown, 
Let something good be said ! 



593 



THE OLD HAND-ORGAN 

HARSH- VOICED it was, and shrill and high, 
With hesitating stops and stutters, 
As though the vagrant melody, 

Playing so long about the gutters, 
Had been infected with some low 
Malignant type of vertigo. 

A stark-eyed man that stared the sun 

Square in the face, and without winking; 

His soldier cap pushed back, and one 

Scarred hand that grasped the crank, 

unshrinking 

But from the jingling discord made 
By shamefaced pennies as he played. 



594 



HOME AT NIGHT 

WHEN chirping crickets fainter cry, 
And pale stars blossom in the sky, 
And twilight's gloom has dimmed the bloom 
And blurred the butterfly : 

When locust-blossoms fleck the walk, 
And up the tiger-lily stalk 
The glowworm crawls and clings and falls 
And glimmers down the garden-walls : 

When buzzing things, with double wings 
Of crisp and raspish flutterings, 
Go whizzing by so very nigh 
One thinks of fangs and stings : 

O then, within, is stilled the din 
Of crib she rocks the baby in, 
And heart and gate and latch's weight 
Are lifted and the lips of Kate. 



595 



A DREAM OF INSPIRATION 

TO loll back, in a misty hammock, swung 
From tip to tip of a slim crescent moon 

That gems some royal-purple night of June 
To dream of songs that never have been sung 
Since the first stars were stilled and God was young 

And Heaven as lonesome as a lonesome tune : 

To lie thus, lost to earth, with lids aswoon ; 
By curious, cool winds back and forward flung, 

With fluttering hair, blurred eyes, and utter ease 
Adrift like lazy blood through every vein ; 

And then, the pulse of unvoiced melodies 
Timing the raptured sense to some refrain 

That knows nor words, nor rhymes, nor 
euphonies, 

Save Fancy's hinted chime of unknown seas. 



596 



THE PIPER'S SON 

IN olden days there dwelt a piper's son, 
Hight Thomas, who, belike from indigence, 

Or utter lack of virtuous preference 
Of honorable means of thrift, did, one 
Weak hour of temptation (weaker none!) 

Put by ye promptings of his better sense, 

And rashly gat him o'er a neighbor's fence 
Wherein ye corner was a paling run 
About a goodly pig ; and thence he lured, 

All surreptitiously, ye hapless beast, 
And had it slaughtered, salted down, and cured < 

Yea, even tricked and garnished for ye feast, 
Ere yet ye red-eyed Law had him immured, 

And round and soundly justice-of-ye-peaced. 



597 



HIS LAST PICTURE 

THE skies have! grown troubled and dreary ; 
The clouds gather fold upon fold ; 
The hand of the painter is weary 

And the pencil has dropped from its hold: 
The easel still leans in the grasses, 

And the palette beside on the lawn, 

But the rain o'er the sketch as it passes 

Weeps low for the artist is gone. 

The flowers whose fairy-like features 

Smiled up in his own as he wrought, 
And the leaves and the ferns were his teachers, 

And the tints of the sun what they taught; 
The low-swinging vines, and the mosses 

The shadow-filled boughs of the trees, 
And the blossomy spray as it tosses 

The song of the bird to the breeze. 

The silent white laugh of the lily 
He learned; and the smile of the rose 

Glowed back on his spirit until he 
Had mastered the blush as it glows ; 
598 



HIS LAST PICTURE 599 

And his pencil has touched and caressed them, 
And kissed them, through breaths of perfume, 

To the canvas that yet shall have blessed them 
With years of unwithering bloom. 

Then come ! Leave his palette and brushes 

And easel there, just as his hand 
Has left them, ere through the dark hushes 

Of death, to the shadowy land, 
He wended his way, happy-hearted 

As when, in his youth, his rapt eyes 
Swept the pathway of Fame where it started, 

To where it wound into the skies. 



A VARIATION 

I AM tired of this ! 
Nothing else but loving! 
Nothing else but kiss and kiss, 
Coo, and turtle-doving ! 

Can't you change the order some? 
Hate me just a little come! 

Lay aside your "dears," 

"Darlings," "kings," and "princes !" 
Call me knave, and dry your tears 
Nothing in me winces, 

Call me something low and base 
Something that will suit the case 1 

Wish I had your eyes 

And their drooping lashes! 
I would dry their teary lies 
Up with lightning-flashes 

Make your sobbing lips unsheathe 
All the glitter of your teeth ! 

Can't you lift one word 

With some pang of laughter 
Louder than the drowsy bird 
600 



'A VARIATION 60i 

Crooning 'neath the rafter? 
Just one bitter word, to shriek 
Madly at me as I speak ! 

How I hate the fair 

Beauty of your forehead! 
How I hate your fragrant hair ! 
How I hate the torrid 
Touches of your splendid lips, 
And the kiss that drips and drips! 

Ah, you pale at last ! 

And your face is lifted 
Like a white sail to the blast, 
And your hands are shifted 
Into fists : and, towering thus, 
You are simply glorious 1 

Now before me looms 

Something more than human ; 
Something more than beauty blooms 
In the wrath of Woman 
Something to bow down before 
Reverently and adore, 



THERE IS A NEED 

*THHERE is a need for every ache or pain 

JL That falls unto our lot. No heart may bleed 
That resignation may not heal again 

And teach us there's a need. 

There is a need for every tear that drips 

Adown the face of sorrow. None may heed, 
But weeping washes whiter on the lips 

Our prayers and there's a need. 

There is a need for weariness and dearth 

Of all that brings delight. At topmost speed 
Of pleasure sobs may break amid our mirth 
Unheard and there's a need. 

There is a need for all the growing load 

Of agony we bear as years succeed ; 
For lo, the Master's footprints in the road 
Before us There's a need. 



602 



TO A SKULL 

TURN your face this way; 
I'm not weary of it 
Every hour of every day 

More and more I love it 
Grinning in that jolly guise 
Of bare bones and empty eyes ! 

Was this hollow dome, 
Where I tap my finger, 

Once the spirit's narrow home- 
Where you loved to linger, 

Hiding, as to-day are we, 

From the selfsame destiny ? 

O'er and o'er again 
Have I put the query 

Was existence so in vain 
That you look so cheery? 

Death of such a benefit 

That you smile, possessing it? 

Did your throbbing brow 

Tire of all the flutter 
Of such fancyings as now 

in. 3 foi 



604 TO A SKULL 

You, at last, may utter 
In that grin so grimly bland 
Only death can understand? 

Has the shallow glee 

Of old dreams of pleasure 

Left you ever wholly free 
To float out, at leisure, 

O'er the shoreless, trackless trance 

Of unsounded circumstance? 

Only this I read 

In your changeless features, 
You, at least, have gained a meed 

Held from living creatures: 
You have naught to ask. Beside, 
You do grin so satisfied! 



THE VOICES 

DOWN in the night I hear them : 
The Voices unknown unguessed, 
That whisper, and lisp, and murmur, 
And will not let me rest. 

Voices that seem to question, 

In unknown words, of me, 
Of fabulous ventures, and hopes and dreams 

Of this and the World to be. 

Voices of mirth and music, 

As in sumptuous homes ; and sounds 
Of mourning, as of gathering friends 

In country burial-grounds. 

Cadence of maiden voices 

Their lovers' blent with these ; 
And of little children singing, 

As under orchard trees. 

And often, up from the chaos 

Of my deepest dreams, I hear 
Sounds of their phantom laughter 

Filling the atmosphere: 
605 



606 THE VOICES 

They call to me from the darkness ; 

They cry to me from the gloom, 
Till I start sometimes from my pillow 

And peer through the haunted room; 

When the face of the moon at the window 

Wears a pallor like my own, 
And seems to be listening with me 

To the low, mysterious tone, 

The low, mysterious clamor 

Of voices that seem to be 
Striving in vain to whisper 

Of secret things to me ; 

Of a something dread to be warned of ; 

Of a rapture yet withheld; 
Or hints of the marvelous beauty 

Of songs unsyllabled. 

But ever and ever the meaning 

Falters and fails and dies, 
And only the silence quavers 

With the sorrow of my sighs. 

And I answer : O Voices, ye may not 

Make me to understand 
Till my own voice, mingling with you, 

Laughs in the Shadow-land. 



MY HENRY 

HE'S jes' a great, big, awk'ard, hulkin' 
Feller, humped, and sort o' sulkin'- 
Like, and ruther still-appearin' 
Kind-as-ef he wuzn't keerin' 

Whether school helt out er not 
That's my Henry, to a dot ! 

Allus kind o' liked him whether 

Childern, er growed-up together! 

Fifteen year' ago and better, 

'Fore he ever knowed a letter, 
Run acrosst the little fool 
In my Primer-class at school. 

When the Teacher wuzn't lookin', 
He'd be th'owin' wads ; er crookin' 
Pins ; er sprinklin' pepper, more'n 
Likely, on the stove ; er borin' 

Gimlet-holes up thue his desk 
Nothin' that boy wouldn't resk! 

But, somehow, as I was goin' 
On to say, he seemed so knowin', 
Other ways, and cute and cunnin' 
607 



MY HENRY 

Allus wuz a notion runnin' 

Thue my giddy, fool-head he 
Jes' had be'n cut out f er me ! 

Don't go much on prophesyin', 
But last night whilse I wuz f ryin' 
Supper, with that man a-pitchin' 
Little Marthy round the kitchen, 

Think-says-I, "Them baby's eyes 
Is my Henry's, jes' p'cise!" 



LOVE'S AS BROAD AS LONG 

EOKY here! you fellers you 
Poets I'm a-talkin' to, 
Allus rhymin', right er wrong, 
'Bout your "little" love, and "long" 
Tears to me 'at nary one 
Of you fellers gits much fun 
Out o' lovin' tryin' to fit 
Out some fool-receet fer it! 
Love's as broad as long! 

Now, I 'low 'at love's a thing 
You cain't jes' set down and sing 
Out your order fer, and say 
You'll hev yourn a certain way; 
And how "long" a slice you'll take, 
Er how short 'cause love don't make 
No distinctions, and you'll find, 
When it comes, it's all one kind 
Jes' as broad as long ! 

Fust, one of you'll p'tend 
"Love's no idle song," and send 
Up his voice in jes' the song 
He's th'owed up on "Love me long !" 
609 



610 LOVE'S AS BROAD AS LONG 

Now, they hain't no womern needs 
No sich talk as that ! er heeds 
Sich advice as would infer 
You hed any doubts o' her ! 
Love's as broad as long. 

Ner I don't see any use, 
Er occasion, er excuse 
Per some other chap to say, 
In his passioneter way, 
"Love me madly, as of yore !" 
'Cause I've seed sich love afore, 
'At got fellers down, and jes' 
Wooled 'em round till they confessed 
Love was broad as long. 

No ; I'll tell you : You jes' let 
Love alone, and you kin bet, 
When the time comes, Love'll be 
Right on hands as punctchully 
As he was the day Eve sot 
Waitin', in the gyarden-spot, 
Fer ole Adam jes' to go 
On ahead and tell her so ! 
Love's as broad as long! 



LOCKERBIE STREET 

SUCH a dear little street it is, nestled away 
From the noise of the city and heat of the day, 
In cool shady coverts of whispering trees, 
With their leaves lifted up to shake hands with the 

breeze 

Which in all its wide wanderings never may meet 
With a resting-place fairer than Lockerbie Street ! 

There is such a relief, from the clangor and din 
Of the heart of the town, to go loitering in 
Through the dim, narrow walks, with the sheltering 

shade 

Of the trees waving over the long promenade, 
And littering lightly the ways of our feet 
With the gold of the sunshine of Lockerbie Street. 

And the nights that come down the dark pathways 

of dusk, 

With the stars in their tresses, and odors of musk 
In their moon-woven raiments, bespangled with 

dews, 

And looped up with lilies for lovers to use 
611 



612 LOCKERBIE STREET 

In the songs that they sing to the tinkle and beat 
Of their sweet serenadings through Lockerbie 
Street. 

O my Lockerbie Street ! You are fair to be seen 
Be it noon of the day, or the rare and serene 
Afternoon of the night you are one to my heart, 
And I love you above all the phrases of art, 
For no language could frame and no lips could 

repeat 
My rhyme-haunted raptures of Lockerbie Street. 



THE OLD, OLD WISH 

EST night, in some lost mood of meditation, 
The while my dreamy vision ranged the far 
Unfathomable arches of creation, 
I saw a falling star: 

And as my eyes swept round the path it embered 

With the swift-dying glory of its glow, 
With sudden intuition I remembered 
A wish of long ago 

A wish that, were it made so ran the fancy 

Of credulous young lover and of lass 
As fell a star, by some strange necromancy, 
Would surely come to pass. 

And, of itself, the wish, reiterated 

A thousand times in youth, flashed o'er my 

brain, 

And, like the star, as soon obliterated, 
Dropped into night again. 
613 



614 f tin OLD, OLD WISH 

For my old heart had wished for the unending 

Devotion of a little maid of nine 
And that the girl-heart, with the woman's 
blending, 
Might be forever mine. 

And so it was, with eyelids raised, and weighty 

With ripest clusterings of sorrow's dew, 
I cried aloud through Heaven : "O little Katie ! 
When will my wish come true?" 



A LIFE-LESSON 

r ~pHERE! little girl; don't cry! 
-L They have broken your doll, I know ; 
And your tea-set blue, 
And your play-house, too, 
Are things of the long ago ; 

But childish troubles will soon pass by. 
There ! little girl ; don't cry ! 

There ! little girl ; don't cry ! 

They have broken your slate, I know ; 
And the glad, wild ways 
Of your schoolgirl days 
Are things of the long ago ; 

But life and love will soon come by. 
There ! little girl ; don't cry ! 

There ! little girl ; don't cry ! 

They have broken your heart, I know ; 
And the rainbow gleams 
Of your youthful dreams 
Are things of the long ago ; 

But Heaven holds all for which you sigh. 
There ! little girl ; dcua't cry ! 
615 



A WATER-COLOR 

EW hidden in among the forest trees 
An artist's tilted easel, ankle-deep 
In tousled ferns and mosses, and in these 
A fluffy water-spaniel, half asleep 

Beside a sketch-book and a fallen hat 
A little wicker flask tossed into that. 

A sense of utter carelessness and grace 

Of pure abandon in the slumb'rous scene, 
As if the June, all hoydenish of face, 
Had romped herself to sleep there on the 

green, 
And brink and sagging bridge and sliding 

stream 
Were just romantic parcels of her dream. 



S16 



UNKNOWN FRIENDS 

O FRIENDS of mine, whose kindly words come 
to me 

Voiced only in lost lisps of ink and pen, 
If I had power to tell the good you do me, 
And how the blood you warm goes laughing through 

me, 
My tongue would babble baby-talk again. 

And I would toddle round the world to meet you 

Fall at your feet, and clamber to your knees 
And with glad, happy hands would reach and greet 

you, 

And twine my arms about you, and entreat you 
For leave to weave a thousand rhymes like 
these 

A thousand rhymes enwrought of nought but 
presses 

Of cherry-lip and apple-cheek and chin, 
And pats of honeyed palms, and rare caresses, 
And all the sweets of which as Fancy guesses 

She folds away her wings and swoons therein. 



617 



THE SONG OF YESTERDAY 



BUT yesterday 
I looked away 

O'er happy lands, where sunshine lay 
In golden blots, 
Inlaid with spots 
Of shade and wild forget-me-nots. 

My head was fair 

With flaxen hair, 
And fragrant breezes, faint and rare, 

And, warm with drouth 

From out the south, 
Blew all my curls across my mouth. 

And, cool and sweet, 

My naked feet 
Found dewy pathways through the wheat ; 

And out again 

Where, down the lane, 
The dust was dimpled with the rain. 
618 





'The song of yesterday" 



GiuJlerOuTet 

u 



THE SONG OF YESTERDAY 619 

II 

But yesterday! 

Adream, astray, 
From morning's red to evening's gray, 

O'er dales and hills 

Of daffodils 
And lorn sweet-fluting whippoorwills. 

I knew nor cares 

Nor tears nor prayers 
A mortal god, crowned unawares 

With sunset and 

A scepter-wand 
Of apple-blossoms in my hand! 

The dewy blue 

Of twilight grew 
To purple, with a star or two 

Whose lisping rays ' 

Failed in the blaze 
Of sudden fireflys through the haze. 



Ill 



But yesterday 
I heard the lay 

Of summer birds, when I, as they 
With breast and wing, 
All quivering 
m ._4 With life and love, could only sing. 



620 THE SONG OF YESTERDAY 

My head was leant 
Where, with it, blent 

A maiden's, o'er her instrument ; 
While all the night, 
From vale to height, 

Was filled with echoes of delight. 

And all our dreams 

Were lit with gleams 
Of that lost land of reedy streams, 

Along whose brim 

Forever swim 
Pan's lilies, laughing up at him. 

IV 

But yesterday! . . . 

O blooms of May, 
And summer roses where away? 

O stars above; 

And lips of love, 
And all the honeyed sweets thereof ! 

O lad and lass, 
And orchard pass, 

And briered lane, and daisied grass ! 
O gleam and gloom, 
And woodland bloom, 

And breezy breaths of all perfume ! 



THE SONG OF YESTERDAY, 621 

No more for me 

Or mine shall be 
Thy raptures save in memory, 

No more no more 

Till through the Door 
Of Glory gleam the days of yore. 



AN END 

GO away from me do ! I am tired of you ! 
That I loved you last May isn't this season, too ; 
And, you know, every spring there's a new bird to 

sing 
In the nest of the old, and a ghost on the wing ! 

Now, don't you assert that I'm simply a flirt 
And it's babyish for you to say that I hurt, 
And my words are a dart, when they're only a part 
Of your own fickle nature committed to heart. 

It was all a mistake, and I don't want to make 
The silly thing over for your silly sake 
Though I really once may have been such a dunce 
As to fancy you loved me, some far-away months. 

So, go away do ! I am tired clean through, 
And you can't make me even feel sorry for you 
For, with us, every spring there's a new bird to sing 
In the nest of the old, and a ghost on the vv'r 3. 



622 



HER CHOICE 

" A /T Y love or hate choose which you 
IVl will," 

He says ; and o'er the window-sill 
The rose-bush, jostled by the wind, 
Rasps at his hands, close-clenched behind, 
As she makes answer, smiling clear 
As is the day, "Your hate, my dear!" 

An interval of silence so 
Intensely still, the cattle's low 
Across the field's remotest rim 
Comes like a near moan up to him, 
While o'er the open sill once more 
The rose-bush rasps him as before. 

Then, with an impulse strange and new 
To him, he says : " 'Tis wise of you 
To choose thus for by such a choice 
You lose so little, that," his voice 
Breaks suddenly the rose-bush stirs 
But ah! his hands are safe in hers. 



623 



OUR OWN 

THEY walk here with us, hand in hand ; 
We gossip, knee by knee; 
They tell us all that they have planned 

Of all their joys to be, 
And, laughing, leave us : And, to-day, 

All desolate we cry 

Across wide waves of voiceless graves 
Good-by ! Good-by ! Good-by ! 



.624 



THE DRUM 

OTHE drum! 
There is some 

Intonation in thy grum 

Monotony of utterance that strikes the spirit dumb, 
As we hear 

Through the clear 

And unclouded atmosphere, 
Thy palpitating syllables roll in upon the ear ! 

There's a part 

Of the art 

Of thy music-throbbing heart 
That thrills a something in us that awakens with a 

start, 
And in rhyme 

With the chime 

And exactitude of time, 
Goes marching on to glory to thy melody sublime. 

And the guest 

Of the breast 

That thy rolling robs of rest 
Is a patriotic spirit as a Continental dressed ; 
625 



626 THE DRUM 

And he looms 

From the glooms 

Of a century of tombs, 
And the blood he spilled at Lexington in living 

beauty blooms. 

And his eyes 

Wear the guise 

Of a purpose pure and wise, 
As the love of them is lifted to a something in the 

skies 
That is bright 

Red and white, 

With a blur of starry light, 

As it laughs in silken ripples to the breezes day ant) 
night. 

There are deep 

Hushes creep 

O'er the pulses as they leap, 
As thy tumult, fainter growing, on the silence falls 

asleep, 
While the prayer 

Rising there 

Wills the sea and earth and air 
As a heritage to Freedom's sons and daughters 
everywhere. 

Then, with sound 
As profound 

As the thunderings resound, 



THE DRUM 627 

Come thy wild reverberations in a throe that shakes 

the ground, 
And a cry 

Flung on high, 

Like the flag it flutters by, 
Wings rapturously upward till it nestles in the sky. 

O the drum ! 

There is some 

Intonation in thy grum 

Monotony of utterance that strikes the spirit dumb, 
As we hear, 

Through the clear 

And unclouded atmosphere, 
Thy palpitating syllables roll in upon the ear ! 



A CASE IN P'INT 

WE don't go much on lawin* 
Here in around the mines ? 
Well, now, you're jest hurrahin' 

Like the wind amongst the pines ! 
Of course we allus aim to 

Give "the prisoner" a chance 
Though sometimes a jury's game to 
Ring a verdict in advance ! 

What wuz his name this feller 

'At stold the Jedge's mare 
Last spring ? wuz tryin' to sell her 

Down here at Rip and Tear, 
When "Faro Bill" dropped on him, 

And bagged him, sound and good 
And biznesslike, dog-gone him, 

As the constable a-could ! 

Well, anyway, his trial 

Wuz a case in p'int : He pled 
"Not guilty" a denial 

'At his attorney said 
628 



A CASE IN P'INT 629 

Could be substantiated 

On the grounds, 'at when the mare 
Wuz "stold," as claimed and stated, 

The defendant wuzn't square, 

But he'd be'n a testifyin', 

Round the raw edge of a spree 
At Stutsman's bar, a-tryin' 

To hold one drink in three, 
To "Jim-jams" > an d he reckoned 

'At his client's moral tone 
Could not be classed as second 

To the Jedge's er his own. 

"That savin'-clause is timely," 

Says the Jedge, a-turnin' back 
To color as sublimely 

As I've seed him turn a jack. 
"But," says he to the defendant, 

"Ef you didn't 'steal' the mare 
I'll ask ef your attendant 

'Pharos William,' didn't swear 

"You wuzn't 'full' when captured ?" 

Then, a-drawin' of his gun, 
The Jedge went on, enraptured 

With the trail 'at he'd begun, 
"I'll tax your re-collection 

To enquire ef you know 
That hoss left my protection 

On'y jes* five hours ago? 



650 A CASE IN P'lNf 

"In consequence, it follers, 

No man as drunk as you- 
And I'll bet a hundred dollars 

To the opposition's two ! 
Could sober to the beauty 

Of the standerd you present 
This writin' hence my duty 

Plainly is to circumvent " 

And afore the jury knowed it, 

Bang ! his gun went ! "And I'll ask/' 
He went on, as he th'owed it 

Up to finish out his task, 
"Ef it's mortal?" then, betrayin' 

Some emotion, with a bow, 
He closed by simply sayin' 

"You can take the witness now 1" 



OLE BULL 

DEAD ; IN BERGEN, NORWAY ; AUGUST 18, 1880 

THE minstrel's mystic wand 
Has fallen from his hand ; 
Stilled is the tuneful shell; 
The airs he used to play 
For us but yesterday 
Have failed and died away 
In sad farewell. 

Forgive O noble heart, 
Whose pure and gracious art 

Enraptured, all these years, 
Sang sweet, and sweeter yet 
Above all sounds that fret, 
And all sobs of regret 

Forgive our tears ! 

Forgive us, weeping thus 
That thou art gone from us 

Because thy song divine, 
Too, with the master, gone, 
Leaves us to listen on 
In silence till the dawn 

That now is thine. 
631 



A WRAITH OF SUMMER-TIME 

IN its color, shade and shine, 
'Twas a summer warm as wine, 
With an effervescent flavoring of flowered 

bough and vine, 
And a fragrance and a taste 
Of ripe roses gone to waste, 
And a dreamy sense of sun- and moon- and 
starlight interlaced. 

'Twas a summer such as broods 

O'er enchanted solitudes, 

Where the hand of Fancy leads us through 

voluptuary moods, 
And with lavish love outpours 
All the wealth of out-of-doors, 
And woos our feet o'er velvet paths and 

honeysuckle floors. 

'Twas a summer-time long dead, 

And its roses, white and red, 

And its reeds and water-lilies down along 

the river-bed, 
O they all are ghostly things 
For the ripple never sings, 
And the rocking lily never even rustles as it 

rings ! 

632 



JACK THE GIANT-KILLER 

Bad Boy's Version 

TELL you a story an' it's a f ac' : 
Wunst wuz a little boy, name wuz Jack, 
An' he had sword an' buckle an' strap 
Maked of gold, an' a " 'visibul cap" ; 
An' he killed Gi'nts 'at et whole cows 
Th' horns an' all an' pigs an' sows ! 
But Jack, his golding sword wuz, oh ! 
So awful sharp 'at he could go 
An' cut th' ole Gi'nts clean in two 
'Fore 'ey knowed what he wuz goin' to do ! 
An' one ole Gi'nt, he had four 
Heads, an' name wuz "Bumblebore" 
An' he wuz feared o' Jack 'cause he, 
Jack, he killed six five ten three, 
An' all o' th' uther ole Gi'nts but him : 
An' thay wuz a place Jack haf to swim 
'Fore he could git t' ole "Bumblebore" 
Nen thay wuz "griffuns" at the door : 
But Jack, he thist plunged in an' swum 
Clean acrost ; an' when he come 
To th' uther side, he thist put on 
633 



634 JACK THE GIANT-KILLER 

His " 'visibul cap," an' nen, dog-gone ! 

You couldn't see him at all ! An' so 

He slewed the "griffuns" boff, you know! 

Nen wuz a horn hunged over his head, 

High on th' wall, an' words 'at read, 

"Whoever kin this trumput blow 

Shall cause the Gi'nt's overth'ow !" 

An' Jack, he thist reached up an' blowed 

The stuffin' out of it ! an' th'owed 

Th' castul gates wide open, an' 

Nen tuk his gold sword in his han', 

An' thist marched in t' ole "Bumblebore," 

An', 'fore he knowed, he put 'bout four 

Heads on him an' chopped 'em off, too ! 

Wisht 'at I'd been Jack ! don't you ? 



REQUIESCAT 

BE it life, be it death, there is nearing 
The dawn of a glorious day, 
When the murmurs of doubt we are hearing 

In silence shall dwindle away; 
And the hush and content that we covet 

The rest that we need, and the sleep 
That abides with the eyelids that love it, 
Shall come as we weep. 

We shall listen no more to the sobbing 

Of sorrowing lips, and the sound 
In our pillows at night of the throbbing 

Of feverish hearts will have found 
The quiet beyond understanding, 

The rush and the moan of the rain, 
That shall beat on the shingles, demanding 

Admittance in vain. 

The hand on the dial shall number 
The hours unmarked ; and the bell 

Shall waken us not from the slumber 
That knows neither tolling of knell 

in- 5 635 



636 REQUIESCAT 

Nor the peals of glad melody showered 
Like roses of song o'er the pave 

Where the bride and the groom walk their 

flowered 
Green way to the grave. 

In that dawn, when it breaks, we shall wonder 

No more why the heavens send back 
To our prayers but the answer of thunder, 

And the lightning-scrawl, writ on the black 
Of the storm in a language no mortal 

May read till his questioning sight 
Shall have pierced through the innermost 
portal 

Of death to the light. 



AT SEA 

YEA, we go down to sea in ships 
But Hope remains behind, 
And Love, with laughter on his lips, 

And Peace, of passive mind ; 
While out across the deeps of night, 

With lifted sails of prayer, 
We voyage off in quest of light, 
Nor find it anywhere. 

O Thou who wroughtest earth and sea, 

Yet keepest from our eyes 
The shores of an eternity 

In calms of Paradise, 
Blow back upon our foolish quest 

With all the driving rain 
Of blinding tears and wild unrest, 

And waft us home again ! 



637 



SOMEP'N COMMON-LIKE 

SOMEP'N 'at's common-like, and good 
And plain, and easy understood ; 
Somep'n 'at folks like me and you 
Kin understand, and relish, too, 
And find some sermint in 'at hits 
The spot, and sticks and benefits. 

We don't need nothin' extry fine ; 
'Cause, take the run o' minds like mine, 
And we'll go more on good horse-sense 
Than all your flowery eloquence; 
And we'll jedge best of honest acts 
By Nature's statement of the facts. 

So when you're wantin' to express 
Your misery, er happiness, 
Er anything 'at's wuth the time 
O' telling in plain talk er rhyme 
Jes' sort o' let your subject run 
As ef the Lord wuz listenun. 



BLIND 

YOU think it is a sorry thing 
That I am blind. Your pitying 
Is welcome to me ; yet indeed, 
I think I have but little need 
Of it. Though you may marvel much 
That we, who see by sense of touch 
And taste and hearing, see things you 
May never look upon ; and true 
Is it that even in the scent 
Of blossoms we find something meant 
No eyes have in their faces read, 
Or wept to see interpreted. 

And you might think it strange if now 
I told you you were smiling. How 
Do I know that? I hold your hand 
Its language I can understand 
Give both to me, and I will show 
You many other things I know. 
Listen : We never met before 
Till now ? Well, you are something lower 
Than five- feet-eight in height ; and you 
Are slender ; and your eyes are blue 
Your mother's eyes your mother's hair 
639 



640 BLIND 

Your mother's likeness everywhere 

Save in your walk and that is quite 

Your father's ; nervous. Am I right ? 

I thought so. And you used to sing, 

But have neglected everything 

Of vocalism though you may 

Still thrum on the guitar, and play 

A little on the violin, 

I know that by the callus in 

The finger-tips of your left hand 

And, by the by, though nature planned 

You as most men, you are, I see, 

"L^/f-handed," too, the mystery 

Is clear, though, your right arm has been 

Broken, to "break" the left one in. 

And so, you see, though blind of sight, 

I still have ways of seeing quite 

Too well for you to sympathize 

Excessively, with your good eyes. 

Though once, perhaps, to be sincere, 

Within the whole asylum here, 

From cupola to basement hall, 

I was the blindest of them all ! 

Let us move farther down the walk 
The man here waiting hears my talk, 
And is disturbed ; besides, he may 
Not be quite friendly anyway. 
In fact (this will be far enough ; 
Sit down) the man just spoken of 
Was once a friend of mine. He came 



BLIND 641 

For treatment here from Burlingame 
A rich though brilliant student there, 
Who read his eyes out of repair, 
And groped his way up here, where we 
Became acquainted, and where he 
Met one of our girl-teachers, and, 
If you'll believe me, asked her hand 
In marriage, though the girl was blind 
As I am and the girl declined. 
Odd, wasn't it ? Look, you can see 
Him waiting there. Fine, isn't he ? 
And handsome, eloquently wide 
And high of brow, and dignified 
With every outward grace, his sight 
Restored to him, clear and bright 
As day-dawn; waiting, waiting still 
For the blind girl that never will 
Be wife of his. How do I know? 
You will recall a while ago 
I told you he and I were friends. 
In all that friendship comprehends, 
I was his friend, I swear ! why, now, 
Remembering his love, and how 
His confidence was all my own, 
I hear, in fancy, the low tone 
Of his deep voice, so full of pride 
And passion, yet so pacified 
With his affliction, that it seems 
An utterance sent out of dreams 
Of saddest melody, withal 
So sorrowfully musical 



642 BLIND 

It was, and is, must ever be 

But I'm digressing, pardon me. 

7 knew not anything of love 

In those days, but of that above 

All worldly passion, for my art 

Music, and that, with all my heart 

And soul, blent in a love too great 

For words of mine to estimate. 

And though among my pupils she 

Whose love my friend sought came to me, 

I only knew her fingers' touch 

Because they loitered overmuch 

In simple scales, and needs must be 

Untangled almost constantly. 

But she was bright in other ways, 

And quick of thought ; with ready plays 

Of wit, and with a voice as sweet 

To listen to as one might meet 

In any oratorio 

And once I gravely told her so, 

And, at my words, her limpid tone 

Of laughter faltered to a moan, 

And fell from that into a sigh 

That quavered all so wearily, 

That I, without the tear that crept 

Between the keys, had known she wept ; 

And yet the hand I reached for then 

She caught away, and laughed again. 

And when that evening I strolled 

With my old friend, I, smiling, told 

Him I believed the girl and he 



BUND (A3 

Were matched and mated perfectly : 

He was so noble; she, so fair 

Of speech, and womanly of air ; 

He, strong, ambitious ; she, as mild 

And artless even as a child ; 

And with a nature, I was sure, 

As worshipful as it was pure 

And sweet, and brimmed with tender things 

Beyond his rarest fancyings. 

He stopped me solemnly. He knew, 

He said, how good, and just, and true 

Was all I said of her ; but as 

For his own virtues, let them pass, 

Since they were nothing to the one 

That he had set his heart upon ; 

For but that morning she had turned 

Forever from him. Then I learned 

That for a month he had delayed 

His going from us, with no aid 

Of hope to hold him, meeting still 

Her ever-firm denial, till 

Not even in his new-found sight 

He found one comfort or delight. 

And as his voice broke there, I felt 

The brother-heart within me melt 

In warm compassion for his own 

That throbbed so utterly alone. 

And then a sudden fancy hit 

Along my brain ; and coupling it 

With a belief that I, indeed, 

Might help my friend in his great need, 



644 BLIND 

I warmly said that I would go 
Myself, if he decided so, 
And see her for him that I knew 
My pleadings would be listened to 
Most seriously, and that she 
Should love him, listening to me. 
Go ; bless me ! And that was the last 
The last time his warm hand shut fast 
Within my own so empty since, 
That the remembered finger-prints 
I've kissed a thousand times, and wet 
Them with the tears of all regret ! 

I know not how to rightly tell 

How fared my quest, and what befell 

Me, coming in the presence of 

That blind girl, and her blinder love. 

I know but little else than that 

Above the chair in which she sat 

I leant reached for, and found her hand, 

And held it for a moment, and 

Took up the other held them both 

As might a friend, I will take oath : 

Spoke leisurely, as might a man 

Praying for no thing other than 

He thinks Heaven's justice : She was blind, 

I said, and yet a noble mind 

Most truly loved her ; one whose fond 

Clear-sighted vision looked beyond 

The bounds of her infirmity, 

And saw the woman, perfectly 



BLIND 645 

Modeled, and wrought out pure and true 
And lovable. She quailed, and drew 
Her hands away, but closer still 
I caught them. "Rack me as you will !" 
She cried out sharply "Call me 'blind' 
Love ever is I am resigned ! 
Blind is your friend ; as blind as he 
Am I but blindest of the three 
Yea, blind as death you will not see 
My love for you is killing me !" 

There is a memory that may 
Not ever wholly fade away 
From out my heart, so bright and fair 
The light of it still glimmers there. 
Why, it did seem as though my sight 
Flamed back upon me, dazzling white 
And godlike. Not one other word 
Of hers I listened for or heard, 
But I saw songs sung in her eyes 
Till they did swoon up drowning-wise, 
As my mad lips did strike her own, 
And we flashed one, and one alone ! 
Ah ! was it treachery for me 
To kneel there, drinking eagerly 
That torrent-flow of words that swept 
Out laughingly the tears she wept ? 
Sweet words ! O sweeter far, maybe, 
Than light of day to those that see, 
God knows, who did the rapture send 
To me, and hold it from my friend. 



646 BLIND 

And we were married half a year 
Ago. And he is waiting here, 
Heedless of that or anything, 
But just that he is lingering 
To say good-by to her, and bow 
As you may see him doing now, 
For there's her footstep in the hall ; 
God bless her ! help him ! save us all ! 



JUST AS OF OLD 

JUST as of old ! The world rolls on and on ; 
The day dies into night night into dawn 
Dawn into dusk through centuries untold. 
Just as of old. 

Time loiters not. The river ever flows, 
Its brink or white with blossoms or with snows ; 
Its tide or warm with spring or winter cold : 
Just as of old. 

Lo ! where is the beginning, where the end 
Of living, loving, longing? Listen, friend! 
God answers with a silence of pure gold 
Just as of old. 



647 



THE PRAYER PERFECT 

DEAR Lord! kind Lord! 
Gracious Lord! I pray 
Thou wilt look on all I love, 

Tenderly to-day! 
Weed their hearts of weariness ; 

Scatter every care 
Down a wake of angel-wings 
Winnowing the air. 

Bring unto the sorrowing 

All release from pain; 
Let the lips of laughter 

Overflow again; 
And with all the needy 

O divide, I pray, 
This vast treasure of content 

That is mine to-day ! 



648 



MONSIEUR LE SECRETAIRE 

[JOHN CLARK RIDPATH] 

MON cher Monsieur le Secretaire, 
Your song flits with me everywhere ; 
It lights on Fancy's prow and sings 
Me on divinest voyagings : 
And when my ruler love would fain 
Be laid upon it high again 
It mounts, and hugs itself from me 
With rapturous wings still dwindlingly 
On ! on ! till but a ghost is there 
Of song, Monsieur le Secretaire ! 



649 



A PHANTOM 

ETTLE baby, you have wandered far away, 
And your fairy face comes back to me 

to-day, 

But I can not feel the strands 
Of your tresses, nor the play 
Of the dainty velvet-touches of your hands. 

Little baby, you were mine to hug and hold ; 
Now your arms cling not about me as of old 

O my dream of rest come true, 
And my richer wealth than gold, 

And the surest hope of Heaven that I knew ! 

O for the lisp long silent, and the tone 

Of merriment once mingled with my own 

For the laughter of your lips, 

And the kisses plucked and thrown 

In the lavish wastings of your finger-tips ! 

Little baby, O as then, come back to me, 
And be again just as you used to be, 
For this phantom of you stands 

All too cold and silently, 
And will not kiss nor touch me with its hands. 
650 



WHAT REDRESS 

I PRAY you, do not use this thing 
For vengeance ; but if questioning 
What wound, when dealt your humankind, 
Goes deepest, surely he will find 
Who wrongs you, loving him no less 
There's nothing hurts like tenderness. 



IU.-G 651' 



A LOST LOVE 

"TT^WAS a summer ago when he left me here - 
J- A summer of smiles, with never a tear 
Till I said to him, with a sob, my dear, 
Good-by, my lover; good-by! 

For I loved him, O as the stars love night ! 
And my cheeks for him flashed red and white 
When first he called me his Heart's delight, 
Good-by, my lover; good-by! 

The touch of his hand was a thing divine 
As he sat with me in the soft moonshine 
And drank of my love as men drink wine, 
Good-by, my lover; good-by! 

And never a night as I knelt in prayer, 
In thought as white as our own souls were, 
But in fancy he came and he kissed me there, 
Good-by, my lover; good-by! 

But now ah, now! what an empty place 
My whole heart is ! Of the old embrace 
And the kiss I loved there lives no trace 
Good-by, my lover; good-by! 
652 



A LOST LOVE o 

He sailed not over the stormy sea, 
And he went not down in the waves not he 
But O, he is lost for he married me 
Good-by, my lover; good-by! 



LET US FORGET 

El us forget. What matters it that we 
Once reigned o'er happy realms of long ago, 
And talked of love, and let our voices low, 
And ruled for some brief sessions royally? 
What if we sung, or laughed, or wept maybe? 
It has availed not anything, and so 
Let it go by that we may better know 
How poor a thing is lost to you and me. 

But yesterday I kissed your lips, and yet 
Did thrill you not enough to shake the dew 

From your drenched lids and missed, with no 

regret, 
Your kiss shot back, with sharp breaths failing 

you: 

And so, to-day, while our worn eyes are wet 
With all this waste of tears, let us forget ! 



654 



THE SHOEMAKER 

THOU Poet, who, like any lark, 
Dost whet thy beak and trill 
From misty morn till murky dark, 

Nor ever pipe thy fill : 
Hast thou not, in thy cheery note, 

One poor chirp to confer 
One verseful twitter to devote 
Unto the Shoe-ma-ker? 

At early dawn he doth peg in 

His noble work and brave ; 
And eke from cark and worldly sin 

He seeketh soles to save ; 
And all day long, with quip and song, 

Thus stitcheth he the way 
Our feet may know the right from wrong. 

Nor ever go astray. 

Soak kip in mind the Shoe-ma-ker, 

Nor slight his lasting fame : 
Alway he waxeth tenderer 

In warmth of our acclaim ; 
655 



656 THE SHOEMAKER 

Ay, more than any artisan 

We glory in his art 
Who ne'er, to help the under man, 

Neglects the upper part. 

But toe the mark for him, and heel 
Respond to thee in kine 

Or kid or calf, shouldst thou reveal 
A taste so superfine : 

Thus let him jest join in his laugh 
Draw on his stock, and be 

A shoer'd there's no rival half- 
Sole liberal as he. 

Then, Poet, hail the Shoe-ma-ker 

For all his goodly deeds, 
Yea, bless him free for booting thee- 

The first of all thy needs ! 
And when at last his eyes grow dim, 

And nerveless drops his clamp, 
In golden shoon pray think of him 

Upon his latest tramp. 



IN THE CORRIDOR 

A I ! at last alone, love ! 
Now the band may play 
Till its sweetest tone, love, 
Swoons and dies away ! 
They who most will miss us 

We're not caring for 
Who of them could kiss us 
In the corridor? 

Had we only known, dear, 

Ere this long delay, 
Just how all alone, dear, 

We might waltz away, 
Then for hours, like this, love, 

We are longing for, 
We'd have still to kiss, love, 

In the corridor ! 

Nestle in my heart, love ; 

Hug and hold me close 
Time will come to part, love, 

Ere a fellow knows ; 
There ! the Strauss is ended 

Whirl across the floor, 
Isn't waltzing splendid 

In the corridor? 
657 



SUSPENSE 

A WOMAN'S figure, on a ground of night 
Inlaid with sallow stars that dimly stare 
Down in the lonesome eyes, uplifted there 
As in vague hope some alien lance of light 
Might pierce their woe. The tears that blind her 

sight 

The salt and bitter blood of her despair 
Her hands toss back through torrents of her 

hair 

And grip toward God with anguish infinite. 
And O the carven mouth, with all its great 
Intensity of longing frozen fast 

In such a smile as well may designate 
The slowly murdered heart, that, to the last, 
Conceals each newer wound, and back at Fate 
Throbs Love's eternal lie "Lo, I can wait !" 



658 



A NONSENSE RHYME 

R:NGLETY-JING! 
And what will we sing ? 
Some little crinkety-crankety thing 
That rhymes and chimes, 
And skips, sometimes, 
As though wound up with a kink in the spring. 

Grunkety-krung ! 
And chunkety-plung ! 
Sing the song that the bullfrog sung, 
A song of the soul 
Of a mad tadpole 
That met his fate in a leaky bowl : 
And it's O for the first false wiggle he made 
In a sea of pale pink lemonade ! 

And it's O for the thirst 

Within him pent, 
And the hopes that burst 

As his reason went 

When his strong arm failed and his strength was 
spent ! 

659 



1660 A NONSENSE RHYME 

Sing, O sing 
Of the things that cling, 
And the claws that clutch and the fangs that 
sting- 
Till the tadpole's tongue 
And his tail upflung 
Quavered and failed with a song unsung ! 

O the dank despair in the rank morass, 
Where the crawfish crouch in the cring- 
ing grass, 

And the long limp rune of the loon wails on 
For the mad, sad soul 
Of a bad tadpole 

Forever lost and gone ! 

Jinglety-jee! 
And now we'll see 
What the last of the lay shall be, 

As the dismal tip of the tune, O friends, 
Swoons away and the long tale ends. 
And it's O and alack ! 

For the tangled legs 
And the spangled back 

Of the green grig's eggs, 
And the unstrung strain 
Of the strange refrain 
That the winds wind up like a strand of rain ! 

And it's O, 

Also, 
For the ears wreathed low, 



r A NONSENSE RHYME 661 

Like a laurel-wreath on the lifted brow 
Of the frog that chants of the why and how, 
And the wherefore too, and the thus and so 
Of the wail he weaves in a woof of woe ! 
Twangle, then, with your wrangling strings, 
The tinkling links of a thousand things ! 
And clang the pang of a maddening moan 
Till the Echo, hid in a land unknown, 

Shall leap as he hears, and hoot and hoo 
Like the wretched wraith of a Whoopty- 
Doo! 



LOUELLA WAINIE 

EUELLA WAINIE! where are you? 
Do you not hear me as I cry ? 
Dusk is falling ; I feel the dew ; 
And the dark will be here by and by : 
I hear no thing but the owl's hoo-hoo ! 
Louella Wainie 1 where are you ? 

Hand in hand to the pasture bars 
We came loitering, Lou and I, 
Long ere the fireflies coaxed the stars 
Out of their hiding-place on high. 
O how sadly the cattle moo ! 
Louella Wainie ! where are you ? 

Laughingly we parted here 

"I will go this way," said she, 
"And you will go that way, my dear" 
Kissing her dainty hand at me 
And the hazels hid her from my view. 
Louella Wainie ! where are you ? 

Is there ever a sadder thing 

Than to stand on the farther brink 
Of twilight, hearing the marsh-frogs sing? 
662 



'LOUELLA WAINIB 663 

Nothing could sadder be, I think ! 

And ah! how the night-fog chills one 

through. 
Louella Wainie ! where are you ? 

Water-lilies and oozy leaves 

Lazy bubbles that bulge and stare 
Up at the moon through the gloom it weaves 
Out of the willows waving there ! 
Is it despair I am wading through ? 
Louella Wainie ! where are you ? 

Louella Wainie, listen to me, 

Listen, and send me some reply, 
For so will I call unceasingly 

Till death shall answer me by and by 
Answer, and help me to find you too ! 
Louella Wainie ! where are you ? 



FOR YOU 

FOR you, I could forget the gay 
Delirium of merriment, 
And let my laughter die away 
In endless silence of content. 

I could forget, for your dear sake, 
The utter emptiness and ache 
Of every loss I ever knew. 
What could I not forget for you ? 

I could forget the just deserts 

Of mine own sins, and so erase 
The tear that burns, the smile that hurts, 
And all that mars and masks my face. 
For your fair sake I could forget 
The bonds of life that chafe and fret, 
Nor care if death were false or true. 
What could I not forget for you ? 

What could I not forget ? Ah me ! 

One thing I know would still abide 
Forever in my memory, 

Though all of love were lost beside 
I yet would feel how first the wine 
Of your sweet lips made fools of mine 
Until they sung, all drunken through 
"What could I not forget for you ?" 



664 



AT first I laughed for it was quite 
An oddity to see 
My reflex looking from the glass 
Through spectacles at me. 

But as I gazed I really found 
They so improved my sight 

That many wrinkles in my face 
Were mixed with my delight; 

And many streaks of silver, too, 

Were gleaming in my hair, 
With quite a hint of baldness that 

I never dreamed was there. 

And as I readjusted them 
And winked in slow surprise, 

A something like a mist had come 
Between them and my eyes. 

And, peering vainly still, the old 

Optician said to me, 
The while he took them from my nose 

And wiped them hastily : 

"Jes' now, of course, your eyes is apt: 
To water some but where 

Is any man's on earth that won't 
The first he has to wear ?" 
665 



THE TEXT 

THE text : Love thou thy fellow man ! 
He may have sinned ; One proof in- 
deed, 

He is thy fellow, reach thy hand 
And help him in his need ! 

Love thou thy fellow man. He may 

Have wronged thee then, the less excuse 

Thou hast for wronging him. Obey 
What he has dared refuse ! 

Love thou thy fellow man for, be 

His life a light or heavy load, 
No less he needs the love of thee 

To help him on his road. 



566 



AN OUT-WORN SAPPHO 

HOW tired I am ! I sink down all alone 
Here by the wayside of the Present. Lo, 
Even as a child I hide my face and moan 
A little girl that may no farther go : 
The path above me only seems to grow 

More rugged, climbing still, and ever briered 
With keener thorns of pain than these below ; 
And O the bleeding feet that falter so 
And are so very tired ! 

Why, I have journeyed from the far-off Lands 

Of Babyhood where baby-lilies blew 
Their trumpets in mine ears, and filled my hands 
With treasures of perfume and honey-dew, 
And where the orchard shadows ever drew 
Their cool arms round me when my cheeks 

were fired 

With too much joy, and lulled mine eyelids to, 
And only let the starshine trickle through 
In sprays, when I was tired ! 

Yet I remember, when the butterfly 
Went flickering about me like a flame 
m.-7 667 



668 AN OUT-WORN SAPPHO 

That quenched itself in roses suddenly, 

How oft I wished that / might blaze the same, 
And in some rose-wreath nestle with my name, 

While all the world looked on it and admired. 
Poor moth! Along my wavering flight toward 

fame 
The winds drive backward, and my wings are 

lame 
And broken, bruised and tired ! 

I hardly know the path from those old times ; 

I know at first it was a smoother one 
Than this that hurries past me now, and climbs 
So high, its far cliffs even hide the sun 
And shroud in gloom my journey scarce begun. 
I could not do quite all the world required 
I could not do quite all I should have done, 
And in my eagerness I have outrun 

My strength and I am tired. . . ; 

Just tired ! But when of old I had the stay 

Of mother-hands, O very sweet indeed 
It was to dream that all the weary way 

I should but follow where I now must lead 
For long ago they left me in my need, 

And, groping on alone, I tripped and mired 
Among rank grasses where the serpents breed 
In knotted coils about the feet of speed. 
There first it was I tired. 



AN OUT-WORN SAPPHO 669 

And yet I staggered on, and bore my load 

Right gallantly: The sun, in summer-time, 
In lazy belts came slipping down the road 
To woo me on, with many a glimmering rhyme 
Rained from the golden rim of some fair clime, 
That, hovering beyond the clouds, inspired 
My failing heart with fancies so sublime 
I half forgot my path of dust and grime, 
Though I was growing tired. 

And there were many voices cheering me : 

I listened to sweet praises where the wind 
Went laughing o'er my shoulders gleefully 
And scattering my love-songs far behind; 
Until, at last, I thought the world so kind 
So rich in all my yearning soul desired 
So generous so loyally inclined, 
I grew to love and trust it. ... I was blind 
Yea, blind as I was tired ! 

And yet one hand held me in creature-touch : 

And O, how fain it was, how true and strong, 
How it did hold my heart up like a crutch, 
Till, in my dreams, I joyed to walk along 
The toilsome way, contented with a song 

'Twas all of earthly things I had acquired, 
And 'twas enough, I feigned, or right or wrong, 
Since, binding me to man a mortal thong 
It stayed me, growing tired. . . . 



670 'AN OUT-WORN SAPPHO 

Yea, I had e'en resigned me to the strait 

Of earthly rulership had bowed my head 
Acceptant of the master-mind the great 
One lover lord of all, the perfected 
Kiss-comrade of my soul ; had stammering said 

My prayers to him ; all all that he desired 
I rendered sacredly as we were wed. 
Nay nay ! 'twas but a myth I worshiped. 
And God of love ! how tired ! 

For, O my friends, to lose the latest grasp 

To feel the last hope slipping from its hold 
To feel the one fond hand within your clasp 
Fall slack, and loosen with a touch so cold 
Its pressure may not warm you as of old 

Before the light of love had thus expired 
To know your tears are worthless, though they 

rolled 

Their torrents out in molten drops of gold. 
God's pity ! I am tired ! 

And I must rest. Yet do not say "She died*' 

In speaking of me, sleeping here alone. 
I kiss the grassy grave I sink beside^ 
And close mine eyes in slumber all mine own : 
Hereafter I shall neither sob nor moan 

Nor murmur one complaint ; all I desired, 
And failed in life to find, will now be known 
So let me dream. Good night ! And on the stone 
Say simply: She was tired. 



WILLIAM BROWN 

" T T E bore the name of William Brown" 
JL JL His name, at least, did not go down 
With him that day 
He went the way 
Of certain death where duty lay. 

He looked his fate full in the face 
He saw his watery resting-place 

Undaunted, and 

With firmer hand 

Held others' hopes in sure command. 

The hopes of full three hundred lives 
Aye, babes unborn, and promised wives 1 

"The odds are dread," 

He must have said, 

"Here, God, is one poor life instead." 

No time for praying overmuch 
No time for tears, or woman's touch 
Of tenderness, 
Or child's caress 

His last "God bless them !" stopped at 
"bless" 
671 



672 WILLIAM BROWN 

Thus man and engine, nerved with steel, 
Clasped iron hands for woe or weal, 
And so went down 
Where dark waves drown 
All but the name of William Brown. 



THE NINE LITTLE GOBLINS 

THEY all climbed up on a high board- fence 
Nine little goblins, with green-glass eyes 
Nine little goblins that had no sense, 
And couldn't tell coppers from cold mince pies ; 
And they all climbed up on the fence, and sat 
And I asked them what they were staring at. 

And the first one said, as he scratched his head 

With a queer little arm that reached out of his ear 
And rasped its claws in his hair so red 
"This is what this little arm is f er !" 
And he scratched and stared, and the next one 

said, 
"How on earth do you scratch your head ?" 

And he laughed like the screech of a rusty hinge 

Laughed and laughed till his face grew black; 
And when he choked, with a final twinge 
Of his stifling laughter, he thumped his back 
With a fist that grew on the end of his tail 
Till the breath came back to his lips so pale. 

And the third little goblin leered round at me 

And there were no lids on his eyes at all, 
And he clucked one eye, and he says, says he, 
"What is the style of your socks this fall?" 
And he clapped his heels and I sighed to see 
That he had hands where his feet should be. 
673 



LlbMRt 

; 



674 THE NINE LITTLE GOBLINS 

Then a bald-faced goblin, gray and grim, 

Bowed his head, and I saw him slip 

His eyebrows off, as I looked at him, 

And paste them over his upper lip ; 

And then he moaned in remorseful pain 
"Would Ah, would I'd me brows again !" 

And then the whole of the goblin band 
Rocked on the fence-top to and fro, 
And clung, in a long row, hand in hand, 
Singing the songs that they used to know 
Singing the songs that their grandsires sung 
In the goo-goo days of the goblin-tongue. 

And ever they kept their green-glass eyes 

Fixed on me with a stony stare 
Till my own grew glazed with a dread surmise, 
And my hat whooped up on my lifted hair, 
And I felt the heart in my breast snap to, 
As you've heard the lid of a snuff-box do. 

And they sang : "You're asleep ! There is no board- 
fence, 

And never a goblin with green-glass eyes ! 
Tis only a vision the mind invents 
After a supper of cold mince pies. 

And you're doomed to dream this way," they 

said, 

"And you shan't wake up till you're clean 
plum dead!" 



WHY 

WHY are they written all these lovers' 
rhymes? 

I catch faint perfumes of the blossoms white 
That maidens drape their tresses with at night, 
And, through dim smiles of beauty and the din 
Of the musicians' harp and violin, 
I hear, enwound and blended with the dance, 
The voice whose echo is this utterance, 
Why are they written all these lovers' rhymes? 

Why are they written all these lovers' rhymes? 
I see but vacant windows, curtained o'er 
With webs whose architects forevermore 
Race up and down their slender threads to bind 
The buzzing fly's wings whirless, and to wind 
The living victim in his winding sheet. 
I shudder, and with whispering lips repeat, 

Why are they written all these lovers' rhymes? 

Why are they written all these lovers' rhymes? 
What will you have for answer ? Shall I say 
That he who sings the merriest roundelay 
Hath neither joy nor hope? and he who sings 
The lightest, sweetest, tenderest of things 
E at utters moan on moan of keenest pain, 
So aches his heart to ask and ask in vain, 

Why are they written all these lovers' rhymes? 
675 



THE TOUCH OF LOVING HANDS 

IMITATED 

TIGHT falls the rain-drop on the fallen leaf, 

J * And light o'er harvest-plain and garnered 

sheaf 
But lightlier falls the touch of loving hands. 

Light falls the dusk of mild midsummer night, 
And light the first star's faltering lance of light 
On glimmering lawns, but lightlier loving 
hands. 

And light the feathery flake of early snows, 
Or wisp of thistle-down that no wind blows, 
And light the dew, but lightlier loving hands. 

Light-falling dusk, or dew, or summer rain, 
Or down of snow or thistle all are vain, 
Far lightlier falls the touch of loving hands. 



676 



THE OLD SCHOOL-CHUM 



H 



E puts the poem by, to say 
His eyes are not themselves to-day ! 



A sudden glamour o'er his sight 
A something vague, indefinite 

An oft-recurring blur that blinds 
The printed meaning of the lines, 

And leaves the mind all dusk and dim 
In swimming darkness strange to him ! 

It is not childishness, I guess, 
Yet something of the tenderness 

That used to wet his lashes when 
A boy seems troubling him again ; 

The old emotion, sweet and wild, 
That drove him truant when a child, 

That he might hide the tears that fell 
Above the lesson "Little Nell." 
677 



678 Tti OLD 



And so it is he puts aside 
The poem he has vainly tried 

To follow ; and, as one who sighs 
In failure, through a poor disguise 

Of smiles, he dries his tears, to say 
His eyes are not themselves to-day. 



A CUP OF TEA 

1HAVE sipped, with drooping lashes, 
Dreamy draughts of Verzenay ; 
I have flourished brandy-smashes 

In the wildest sort of way ; 
I have joked with "Tom and Jerry" 
Till "wee hours ayont the twal" 
But I've found my tea the very 
Safest tipple of them all ! 

Tis a mystical potation 

That exceeds in warmth of glow 
And divine exhilaration 

All the drugs of long ago 
All of old magicians' potions 

Of Medea's philtered spells 
Or of fabled isles and oceans 

Where the Lotos-eater dwells ! 

Though I've reveled o'er late lunches 

With blase dramatic stars, 
And absorbed their wit and punches 

And the fumes of their cigars 
679 



680 A CUP OF TEA 

Drank in the latest story, 
With a cocktail either end, 

I have drained a deeper glory 
In a cup of tea, my friend. 

Green, Black, Moyune, Formosa, 

Congou, Amboy, Pingsuey 
No odds the name it knows ah, 

Fill a cup of it for me ! 
And, as I clink my china 

Against your goblet's brim, 
My tea in steam shall twine a 

Fragrant laurel round its rim. 



TO THE SERENADER 

TINKLE on, O sweet guitar, 
Let the dancing fingers 
Loiter where the low notes are 

Blended with the singer's: 
Let the midnight pour the moon's 

Mellow wine of glory 
Down upon him through the tune's 
Old romantic story! 

I am listening, my love, 

Through the cautious lattice, 
Wondering why the stars above 

All are blinking at us ; 
Wondering if his eyes from there 

Catch the moonbeam's shimmer 
As it lights the robe I wear 

With a ghostly glimmer. 

Lilt thy song, and lute away 

In the wildest fashion : 
Pour thy rippling roundelay 

O'er the heights of passion ! 
Flash it down the fretted strings 

Till thy mad lips, missing 
All but smothered whisperings, 

Press this rose I'm kissing. 
681 



WHAT A DEAD MAN SAID 

HEAR what a dead man said to me. 
His lips moved not, and the eyelids lay 
Shut as the leaves of a white rose may 
Ere the wan bud blooms out perfectly ; 
And the lifeless hands they were stiffly crossed 
As they always cross them over the breast 
When the soul goes nude and the corpse is dressed ; 
And over the form, in its long sleep lost, 
From forehead down to the pointed feet 
That peaked the foot of the winding-sheet, 
Pallid patience and perfect rest. 
It was the voice of a dream, may be, 
But it seemed that the dead man said to me : 
"I, indeed, am the man that died 
Yesternight and you weep for this ; 
But, lo, I am with you, side by side, 
As we have walked when the summer sun 
Made the smiles of our faces one, 
And touched our lips with the same warm kiss. 
Do not doubt that I tell you true 
I am the man you once called friend, 
And caught my hand when I came te you, 
And loosed it onjy because the end 
682 



WHAT A DEAD MAN SAID 683 

Of the path I walked of a sudden stopped 

And a dead man's hand must needs be dropped 

And I though it's strange to think so now 

/ have wept, as you weep for me, 

And pressed hot palms to my aching brow 

And moaned through the long night ceaselessly. 

Yet have I lived to forget my pain, 

As you will live to Be glad again 

Though never so glad as this hour am I, 

Tasting a rapture of delight 

Vast as the heavens are infinite, 

And dear as the hour I came to die. 

Living and loving, I dreamed my cup 

Brimmed sometimes, and with marvelings 

I have lifted and tipped it up 

And drunk to the dregs of all sweet things. 

Living, 'twas but a dream of bliss 

Now I realize all it is ; 

And now my only shadow of grief 

Is that I may not give relief 

Unto those living and dreaming on, 

And woo them graveward, as I have gone, 

And show death's loveliness, for they 

Shudder and shrink as they walk this way, 

Never dreaming that all they dread 

Is their purest delight when dead." 

Thus it was, or it seemed to be, 

That the voice of the dead man spoke to me. 

HI. 8 



A TEST 

"" I ''WAS a test I designed, in a quiet conceit 
A Of myself, and the thoroughly fixed and conv 

plete 

Satisfaction I felt in the utter control 
Of the guileless young heart of the girl of my soul. 

So we parted. I said it were better we should 
That she could forget me I knew that she could; 
For I never was worthy so tender a heart, 
And so for her sake it were better to part. 

She averted her gaze, and she sighed and looked sad 
As I held out my hand for the ring that she had 
With the bitterer speech that I hoped she might be 
Resigned to look up and be happy with me. 

'Twas a test, as I said but God pity your grief, 
At a moment like this when a smile of relief 
Shall leap to the lips of the woman you prize, 
And no mist of distress in her glorious eyes. 



684 



A SONG FOR CHRISTMAS 

CHANT me a rhyme of Christmas- 
Sing me a jovial song, 
And though it is filled with laughter, 
Let it be pure and strong. 

Let it be clear and ringing, 

And though it mirthful be, 
Let a low, sweet voice of pathos 

Run through the melody. 

Sing of the hearts brimmed over 
With the story of the day 

Of the echo of childish voices 
That will not die away. 

Of the blare of the tasseled bugle, 
And the timeless clatter and beat 

Of the drum that throbs to muster 
Squadrons of scampering feet. 

But O let your voice fall fainter, 
Till, blent with a minor tone, 

You temper your song with the beauty 
Of the pity Christ hath shown : 
685 



686 



And sing one verse for the voiceless ; 

And yet, ere the song be done, 
A verse for the ears that hear not, 

And a verse for the sightless one : 

For though it be time for singing 

A merry Christmas glee, 
Let a low, sweet voice of pathos 

Run through the melody. 



SUN AND RAIN 

AJL day the sun and rain have been as friends, 
Each vying with the other which shall be 

Most generous in dowering earth and sea 
With their glad wealth, till each, as it descends, 
Is mingled with the other, where it blends 

In one warm, glimmering mist that falls on me 

As once God's smile fell over Galilee. 
The lily-cup, filled with it, droops and bends 

Like some white saint beside a sylvan shrine 
In silent prayer ; the roses at my feet, 

Baptized with it as with a crimson wine, 
Gleam radiant in grasses grown so sweet; 

The blossoms lift, with tenderness divine, 

Their wet eyes heavenward with these of mine. 



687 



WITH HER FACE 

WITH her face between his hands ! 
Was it any wonder she 
Stood atiptoe tremblingly? 
As his lips along the strands 
Of her hair went lavishing 
Tides of kisses, such as swing 
Love's arms to like iron bands. 
With her face between his hands ! 

And the hands the hands that pressed 
The glad face Ah ! where are they ? 
Folded limp, and laid away 
Idly over idle breast? 
He whose kisses drenched her hair, 
As he caught and held her there, 
In Love's alien, lost lands, 
With her face between his hands ? 

Was it long and long ago, 

When her face was not as now, 
Dim with tears? nor wan her brow 
As a winter-night of snow ? 
Nay, anointing still the strands 
Of her hair, his kisses flow 
Flood-wise, as she dreaming stands, 
With her face between his hands. 
688 



MY NIGHT 

HUSH! hush! list, heart of mine, and hearken 
low! 

You do not guess how tender is the Night, 

And in what faintest murmurs of delight 
Her deep, dim-throated utterances flow 
Across the memories of long-ago ! 

Hark ! do your senses catch the exquisite 

Staccatos of a bird that dreams he sings? 
Nay, then, you hear not rightly, 'tis a blur 

Of misty love-notes, laughs and whisperings 
The Night pours o'er the lips that fondle her, 

And that faint breeze, filled with all fragrant 
sighs, 

That is her breath that quavers lover-wise 
O blessed sweetheart, with thy swart, sweet kiss, 
Baptize me, drown me in black swirls of bliss ! 



689 



THE HOUR BEFORE THE DAWN 

THE hour before the dawn ! 
O ye who grope therein, with fear and 

dread 

And agony of soul, be comforted, 
Knowing, ere long, the darkness will be gone, 

And down its dusky aisles the light be shed ; 
Therefore, in utter trust, fare on fare on, 
This hour before the dawn! 



690 



THE OLD YEAR AND THE NEW 



A~> one in sorrow looks upon 
The dead face of a loyal friend, 
By the dim light of New Year's dawn 
I saw the Old Year end. 

Upon the pallid features lay 

The dear old smile so warm and bright 
Ere thus its cheer had died away 

In ashes of delight. 

The hands that I had learned to love 
With strength of passion half divine, 

Were folded now, all heedless of 
The emptiness of mine. 

The eyes that once had shed their bright 
Sweet looks like sunshine, now were dull, 

And ever lidded from the light 
That made them beautiful. 



II 



The chimes of bells were in the air, 
And sounds of mirth in hall and street, 

With pealing laughter everywhere 
And throb of dancing feet : 
691 



W2 THE OLD YEAR AND THE NEW. 

The mirth and the convivial din 
Of revelers in wanton glee, 

With tunes of harp and violin 
In tangled harmony. 

But with a sense of nameless dread, 
I turned me, from the merry face 

Of this newcomer, to my dead; 
And, kneeling there a space, 

I sobbed aloud, all tearfully : 

By this dear face so fixed and cold, 

O Lord, let not this New Year be 
As happy as the old! 



GOOD-BY, OLD YEAR 



Old Year! 
Good-by ! 
We have been happy you and I ; 

We have been glad in many ways ; 
And now, that you have come to die, 

Remembering our happy days, 
'Tis hard to say, "Good-by 
Good-by, Old Year! 
Good-by!" 

Good-by, Old Year! 

Good-by ! 
We have seen sorrow you and I 

Such hopeless sorrow, grief and care, 
That now, that you have come to die, 

Remembering our old despair, 
'Tis sweet to say, "Good-by 
Good-by, Old Year ! 
Good-by!" 



693 



AS CREATED 

r I ""HERE'S a space for good to bloom in 

X Every heart of man or woman, 
And however wild or human, 

Or however brimmed with gall, 
Never heart may beat without it ; 
And the darkest heart to doubt it 
Has something good about it 
After all. 



694 



SOMEDAY 

OOMEDAY: So many tearful eyes 
O Are watching for thy dawning light ; 
So many faces toward the skies 
Are weary of the night ! 

So many failing prayers that reel 
And stagger upward through the storm, 

And yearning hands that reach and feel 
No pressure true and warm. 

So many hearts whose crimson wine 

Is wasted to a purple stain 
And blurred and streaked with drops of brine 

Upon the lips of Pain. 

Oh, come to them ! these weary ones ! 

Or if thou still must bide a while, 
Make stronger yet the hope that runs 

Before thy coming smile : 

And haste and find them where they wait 
Let summer-winds blow down that way, 

And all they long for, soon or late, 
Bring round to them, Someday. 
695 



FALSE AND TRUE 

ONE said : "Here is my hand to lean upon 
As long as you may need it." And one said : 

"Believe me true to you till I am dead." 
And one, whose dainty way it was to fawn 
About my face, with mellow fingers drawn 

Most soothingly o'er brow and drooping head, 

Sighed tremulously : "Till my breath is fled 
Know I am faithful !" . . . Now, all these are gone 

And many like to them and yet I make 
No bitter moan above their grassy graves 

Alas ! they are not dead for me to take 
Such sorry comfort ! but my heart behaves 

Most graciously, since one who never spake 

A vow is true to me for true love's sake. 



A BALLAD FROM APRIL 

I AM dazed and bewildered with living 
A life but an intricate skein 
Of hopes and despairs and thanksgiving 

Wound up and unraveled again 
Till it seems, whether waking or sleeping, 

I am wondering ever the while 
At a something that smiles when I'm weeping, 
And a something that weeps when I smile. 

And I walk through the world as one dreaming 

Who knows not the night from the day, 
For I look on the stars that are gleaming, 

And lo, they have vanished away : 
And I look on the sweet-summer daylight, 

And e'en as I gaze it is fled, 
And, veiled in a cold, misty, gray light, 

The winter is there in its stead. 

I feel in my palms the warm fingers 
Of numberless friends and I look, 

And lo, not a one of them lingers 
To give back the pleasure he took ; 
697 



698 A BALLAD FROM APRIL 

And I lift my sad eyes to the faces 

All tenderly fixed on my own, 
But they wither away in grimaces 

That scorn me, and leave me alone. 

And I turn to the woman that told me 

Her love would live on until death 
But her arms they no longer enfold me, 

Though barely the dew of her breath 
Is dry on the forehead so pallid 

That droops like the weariest thing 
O'er this most inharmonious ballad 

That ever a sorrow may sing. 

So I'm dazed and bewildered with living 

A life but an intricate skein 
Of hopes and despairs and thanksgiving 

Wound up and unraveled again 
Till it seems, whether waking or sleeping, 

I am wondering ever the while 
At a something that smiles when I'm weeping 

And a something that weeps when I smile. 



WHEN DE FOLKS IS GONE 

WHAT dat scratchin' at de kitchen do'? 
Done heah'n dat f oh an hour er mo' ! 
Tell you, Mr. Niggah, das sho's you' bo'n, 
Hit's mighty lonesome waitin' when de folks is 
gone ! 

Blame my trap ! how de wind do blow ! 
An' dis is das de night foh de witches, sho' ! 
Dey's trouble gon' to waste when de old slut whine, 
An' you heah de cat a-spittin' when de moon don't 
shine ! 

Chime my fiddle, an' de bridge go "bang!" 
An' I lef ' 'er right back whah she allus hang, 
An' de tribble snap short an' de apern split 
When dey no mortal man wah a-tetchin' hit! 

Dah ! Now, what? How de ole j'ice cracks ! 
'Spec' dis house, ef hit tell plain fac's, 
'Ud talk about de ha'nts wid dey long tails on 
What das'n't on'y come when de folks is gone ! 

What I tuk an' done ef a sho'-'nuff ghos' 
Pop right up by de ole bed-pos' ? 
What dat shinin' f ru de front do' crack ? . . . 
God bress de Lo'd ! hit's de folks got back ! 
in. 9 699 



THE TWINS 

ONE'S the pictur' of his Pa, 
And the other of her Ma 
Jes' the bossest pair o' babies 'at a mortal 

ever saw! 

And we love 'em as the bees 
Loves the blossoms on the trees, 
A-ridin' and a-rompin' in the breeze ! 

One's got her Mammy's eyes 
Soft and blue as Apurl-skies 
With the same sort of a smile, like Yes, 

and mouth about her size, 
Dimples, too, in cheek and chin, 
'At my lips jes' wallers in, 
A-goin' to work, er gittin' home ag'in. 

And the other Well, they say 
That he's got his Daddy's way 
O' bein' ruther soberfied, er ruther extry 

gay 

That he eether cries his best, 
Er he laughs his howlin'est 
Like all he lacked was buttons and a vest ! 
700 



THE TWINS 701 

Look at her! and look at him! 

Talk about yer "Ch&ru-biml" 

Roll 'em up in dreams together, rosy arm 

and chubby limb ! 
O we love 'em as the bees 
Loves the blossoms on the trees, 
A-ridin' and a-rompin' in the breeze ! 



THE ORCHARD LANDS OF LONG AGO 



orchard lands of Long Ago ! 
-I- O drowsy winds, awake, and blow 
The snowy blossoms back to me, 
And all the buds that used to be ! 
Blow back along the grassy ways 
Of truant feet, and lift the haze 
Of happy summer from the trees 
That trail their tresses in the seas 
Of grain that float and overflow 
The orchard lands of Long Ago ! 

Blow back the melody that slips 
In lazy laughter from the lips 
That marvel much if any kiss 
Is sweeter than the apple's is. 
Blow back the twitter of the birds 
The lisp, the titter, and the words 
Of merriment that found the shine 
Of summer-time a glorious wine 
That drenched the leaves that loved it so, 
In orchard lands of Long Ago ! 
702, 



THE ORCHARD LANDS OF LONG AGO 703 

O memory ! alight and sing 
Where rosy-bellied pippins cling, 
And golden russets glint and gleam, 
As, in the old Arabian dream, 
The fruits of that enchanted tree 
The glad Aladdin robbed for me ! 
And, drowsy winds, awake and fan 
My blood as when it overran 
A heart ripe as the apples grow 
In orchard lands of Long Ago ! 



BRUDDER SIMS 

DAH'S Brudder Sims ! Dast slam yo' Bible shet 
An' lef ' dat man alone kase he's de boss 

Ob all de preachahs ev' I come across ! 
Day's no twis' in dat gospil book, I bet, 
Ut Brudder Sims cain't splanify, an' set 

You' min' at eaze ! Wat's Moses an' de Laws ? 

Wat's fo'ty days an' nights ut Noey toss 
Aroun' de Dil-ooge ? Wat dem Chillen et 

De Lo'd rain down ? Wat s'prise ole Joney so 
In dat whale's inna'ds? Wat dat laddah mean 

Ut Jacop see ? an' wha' dat laddah go ? 
Who clim dat laddah? Wha' dat laddah lean?- 

An' wha' dat laddah now ? "Dast chalk yo' toe 

Wid Faith," sez Brudder Sims, "an' den you 
knowl" 



704) 



DEFORMED 

/^ROUGHED at the corner of the street 
V-*' She sits all day, with face too white 
And hands too wasted to be sweet 
In anybody's sight. 

Her form is shrunken, and a pair 
Of crutches leaning at her side 

Are crossed like homely hands in prayer 
At quiet eventide. 

Her eyes two lustrous, weary things 
Have learned a look that ever aches, 

Despite the ready jinglings 
The passer's penny makes. 

And, noting this, I pause and muse 
If any precious promise touch 

This heart that has so much to lose 
If dreaming overmuch 

And, in a vision, mistily 

Her future womanhood appears, 
A picture framed with agony 

And drenched with ceaseless tears 
705 



706 DEFORMED 

Where never lover comes to claim 
The hand outheld so yearningly 

The laughing babe that lisps her name 
Is but a fantasy ! 

And, brooding thus, all swift and wild 
A daring fancy, strangely sweet, 

Comes o'er me, that the crippled child 
That crouches at my feet 

Has found her head a resting-place 
Upon my shoulder, while my kiss 

Across the pallor of her face 
Leaves crimson trails of bliss. 



WHILE THE MUSICIAN PLAYED 

OIT was but a dream I had 
While the musician played ! 
And here the sky, and here the glad 

Old ocean kissed the glade ; 
And here the laughing ripples ran, 

And here the roses grew 
That threw a kiss to every man 
That voyaged with the crew. 

Our silken sails in lazy folds 

Drooped in the breathless breeze : 
As o'er a field of marigolds 

Our eyes swam o'er the seas ; 
While here the eddies lisped and purled 

Around the island's rim, 
And up from out the underworld 

We saw the mermen swim. 

And it was dawn and middle-day 
And midnight for the moon 

On silver rounds across the bay 
Had climbed the skies of June, 
707 



708 WHILE THE MUSICIAN PLAYED 

And there the glowing, glorious king 
Of day ruled o'er his realm, 

With stars of midnight glittering 
About his diadem. 

The sea-gull reeled on languid wing 

In circles round the mast, 
We heard the songs the sirens sing 

As we went sailing past ; 
And up and down the golden sands 

A thousand fairy throngs 
Flung at us from their flashing hands 

The echoes of their songs. 

O it was but a dream I had 

While the musician played! 
For here the sky, and here the glad 

Old ocean kissed the glade ; 
And here the laughing ripples ran, 

And here the roses grew 
That threw a kiss to every man 

That voyaged with the crew. 



FAITH 

THE sea was breaking at my feet, 
And looking out across the tide, 
Where placid waves and heaven meet, 
I thought me of the Other Side. 

For on the beach on which I stood 

Were wastes of sands, and wash, arid roar, 

Low clouds, and gloom, and solitude, 
And wrecks, and ruins nothing more. 

"O, tell me if beyond the sea 
A heavenly port there is !" I cried, 

And back the echoes laughingly 
"There is ! there is !" replied. 



709 



BE OUR FORTUNES AS THEY MAY 

BE our fortunes as they may, 
Touched with loss or sorrow, 
Saddest eyes that weep to-day 
May be glad to-morrow. 

Yesterday the rain was here, 

And the winds were blowing- 
Sky and earth and atmosphere 
Brimmed and overflowing. 

But to-day the sun is out, 

And the drear November 
We were then so vexed about 

Now we scarce remember. 

Yesterday you lost a friend 
Bless your heart and love it ! 

For you scarce could comprehend 
All the aching of it ; 

But I sing to you and say : 
Let the lost friend sorrow 

Here's another come to-day, 
Others may to-morrow. 



710 



A HINT OF SPRING 



but a hint of Spring for still 
The atmosphere was sharp and chill, 
Save where the genial sunshine smote 
The shoulders of my overcoat, 
And o'er the snow beneath my feet 
Laid spectral fences down the street. 

My shadow, even, seemed to be 

Elate with some new buoyancy, 

And bowed and bobbed in my advance 

With trippingest extravagance, 

And, when the birds chirpt out somewhere, 

It seemed to wheel with me and stare. 

Above I heard a rasping stir 

And on a roof the carpenter 

Was perched, and prodding rusty leaves 

From out the choked and dripping eaves 

And some one, hammering about, 

Was taking all the windows out. 

Old scraps of shingles fell before 
The noisy mansion's open door; 
And wrangling children raked the yard, 
And labored much, and laughed as hard, 
And fired the burning trash I smelt 
And sniffed again so good T felt ! 
711 



LAST NIGHT AND THIS 



EST night how deep the darkness was 
And well I knew its depths, because 
I waded it from shore to shore, 
Thinking to reach the light no more. 

She would not even touch my hand. 
The winds rose and the cedars fanned 
The moon out, and the stars fled back 
In heaven and hid and all was black ! 

But ah ! To-night a summons came, 
Signed with a tear-drop for a name, 
For as I wondering kissed it, lo, 
A line beneath it told me so. 

And now the moon hangs over me 
A disk of dazzling brilliancy, 
And every star-tip stabs my sight 
With splintered glitterings of light! 



712 



LITTLE GIRLY-GIRL 

ETTLE Girly-Girl, of you 
Still forever I am dreaming. 
Laughing eyes of limpid blue 

Tresses glimmering and gleaming 
Like glad waters running over 
Shelving shallows, rimmed with clover, 
Trembling where the eddies whirl, 
Gurgling, "Little Girly-Girl!" 

For your name it came to me 

Down the brink of brooks that brought it 
Out of Paradise and we 

Love and I we, leaning, caught it 
From the ripples romping nigh us, 
And the bubbles bumping by us 

Over shoals of pebbled pearl, 

Lilting, "Little Girly-Girl!" 

That was long and long ago, 

But in memory the tender 
Winds of summer weather blow, 

And the roses burst in splendor ; 
And the meadow's grassy billows 
Break in blossoms round the willows 

Where the currents curve and curl, 

Calling, "Little Girly-Girl!" 
713 



CLOSE THE BOOK 

CLOSE the book, and leave the tale 
All unfinished. It is best : 
Brighter fancy will not fail 
To relate the rest. 

We have read it on and on, 
Till each character, in sooth, 

By the master-touches drawn, 
Is a living truth. 

Leave it so, and let us sit, 
With the volume laid away 

Cut no other leaf of it, 
But as Fancy may. 

Then the friends that we have met 

In its pages will endure, 
And the villain, even yet, 

May be white and pure. 

Close the book, and leave the tale 

All unfinished. It is best : 
Brighter fancy will not fail 

To relate the rest. 

714 



THE MOTHER SAINTED 

FAIR girl, fond wife, and dear 
Young mother, sleeping here 
So quietly, 

Tell us what dream is thine 
What miracle divine 
Is wrought in thee ! 

Once was it yesterday, 
Or but one hour away ? 

The folded hands 
Were quick to greet our own 
Now are they God's alone ? 

Who understands? 

Who, bending low to fold 
The fingers as of old 

In pressure warm, 
But muses, "Surely she 
Will reach one touch to me, 

And break the charm !" 

And yet she does not stir ; / 
Such silence lies on her 
We hear the drip 

HI. 10 7*5 



716 THE MOTHER SAINTED 

Of tear-drops as we press 
Our kisses answerless 
On brow and lip. 

Not e'en the yearning touch 
Of lips she loved so much 

She made their breath 
One with her own, will she 
Give answer to and be 

Wooed back from death. 

And though he kneel and plead 
Who was her greatest need, 

And on her cheek 
Lay the soft baby-face 
In its old resting-place, 

She will not speak. 

So brave she was, and good 
In worth of womanhood 

So like the snow 
She, smiling, gave her life 
To blend the name of wife 

With mother. So, 

God sees in her a worth 
Too great for this dull earth, 

And, beckoning, stands 
At Heaven's open gate 
Where all His angels wait 
With welcoming hands. 



THE MOTHER SAINTED 717 

Then, like her, reconciled, 
O parent, husband, child, 

And mourning friend, 
Smile out as smiles the light 
Of day above the night, 

And wait the end. 



THE LOST THRILL 

I GROW so weary, someway, of all things 
That love and loving have vouchsafed to 
me, 

Since now all dreamed-of sweets of ecstacy 
Am I possessed of : The caress that clings 
The lips that mix with mine with murmurings 

No language may interpret, and the free, 

Unfettered brood of kisses, hungrily 
Feasting in swarms on honeyed blossomings 
Of passion's fullest flower For yet I miss 

The essence that alone makes love divine 
The subtle flavoring no tang of this 

Weak wine of melody may here define : 
A something found and lost in the first kiss 

A lover ever poured through lips of mine. 



718 



REACH YOUR HAND TO ME 

REACH your hand to me, my friend, 
With its heartiest caress 
Sometime there will come an end 
To its present faithfulness 
Sometime I may ask in vain 
For the touch of it again, 
When between us land or sea 
Holds it ever back from me. 

Sometime I may need it so, 

Groping somewhere in the night, 
It will seem to me as though 
Just a touch, however light, 
Would make all the darkness day, 
And along some sunny way 
Lead me through an April-shower 
Of my tears to this fair hour. 

O the present is too sweet 
To go on forever thus ! 
Round the corner of the street 

Who can say what waits for us ? 
Meeting greeting, night and day, 
Faring each the selfsame way 
Still somewhere the path must end-- 
Reach your hand to me, my friend ! 
719 



WE MUST GET HOME 

WE must get home ! How could we stray like 
this? 

So far from home, we know not where it is, 
Only in some fair, apple-blossomy place 
Of children's faces and the mother's face 
We dimly dream it, till the vision clears 
Even in the eyes of fancy, glad with tears. 

We must get home for we have been away 
So long, it seems forever and a day! 
And O so very homesick we have grown, 
The laughter of the world is like a moan 
In our tired hearing, and its song as vain, 
We must get home we must get home again ! 

We must get home ! With heart and soul we yearn 
To find the long-lost pathway, and return! . . . 
The child's shout lifted from the questing band 
Of old folk, faring weary, hand in hand, 
But faces brightening, as if clouds at last 
Were showering sunshine on us as they passed. 

720 



WE MUST GET HOME 721 

We must get home : It hurts so, staying here, 
Where fond hearts must be wept out tear by tear, 
And where to wear wet lashes means, at best, 
When most our lack, the least our hope of rest 
When most our need of joy, the more our pain 
We must get home we must get home again ! 

We must get home home to the simple things 
The morning-glories twirling up the strings 
And bugling color, as they blared in blue- 
And-white o'er garden-gates we scampered through ; 
The long grape-arbor, with its under-shade 
Blue as the green and purple overlaid. 

We must get home : All is so quiet there : 
The touch of loving hands on brow and hair 
Dim rooms, wherein the sunshine is made mild 
The lost love of the mother and the child 
Restored in restful lullabies of rain, 
We must get home we must get home again ! 

The rows of sweetcorn and the China beans 
Beyond the lettuce-beds where, towering, leans 
The giant sunflower in barbaric pride 
Guarding the barn-door and the lane outside; 
The honeysuckles, midst the hollyhocks, 
That clamber almost to the martin-box. 



722 WE MUST GET HOME 

We must get home, where, as we nod and drowse, 
Time humors us and tiptoes through the house, 
And loves us best when sleeping baby-wise, 
With dreams not tear-drops brimming our 

clenched eyes, 
Pure dreams that know nor taint nor earthly 

stain 
We must get home we must get home again ! 

We must get home ! There only may we find 
The little playmates that we left behind, 
Some racing down the road ; some by the brook ; 
Some droning at their desks, with wistful look 
Across the fields and orchards farther still 
Where laughs and weeps the old wheel at the mill. 

We must get home ! The willow-whistle's call 
Trills crisp and liquid as the waterfall 
Mocking the trillers in the cherry-trees 
And making discord of such rhymes as these, 
That know nor lilt nor cadence but the birds 
First warbled then all poets afterwards. 

We must get home ; and, unremembering there 
All gain of all ambition otherwhere, 
Rest from the feverish victory, and the crown 
Of conquest whose waste glory weighs us down. 
Fame's fairest gifts we toss back with disdain 
We must get home we must get home again 1 



WE MUST GET HOME 723 

We must get home again we must we must ! 

(Our rainy faces pelted in the dust) 

Creep back from the vain quest through endless 

strife 

To find not anywhere in all of life 
A happier happiness than blest us then. . . . 
We must get home we must get home again ! 



MABEL 

SWEET little face, so full of slumber now 
Sweet lips unlifted now with any kiss 
Sweet dimpled cheek and chin, and snowy brow,- 
What quietude is this? 

O speak ! Have you forgotten, yesterday, 

How gladly you came running to the gate 
To meet us in the old familiar way, 
So joyous so elate 

So filled with wildest glee, yet so serene 

With innocence of song and childish chat, 
With all the dear caresses in between 
Have you forgotten that ? 

Have you forgotten, knowing gentler charms, 
The boisterous love of one you ran to greet 
When you last met, who caught you in his arms 
And kissed you, in the street? 

Not very many days have passed since then, 

And yet between that kiss and him there lies 
No pathway of return unless again, 
In streets of Paradise, 
724 



MABEL 725 

Your eager feet come twinkling down the gold 

Of some bright thoroughfare ethereal, 
To meet and greet him there just as of old. 
Till then, farewell farewell. 



AT DUSK 

A SOMETHING quiet and subdued 
In all the faces that we meet ; 
A sense of rest, a solitude 
O'er all the crowded street ; 
The very noises seem to be 
Crude utterings of harmony, 
And all we hear, and all we see, 
Has in it something sweet. 

Thoughts come to us as from a dream 

Of some long-vanished yesterday ; 
The voices of the children seem 
Like ours, when young as they ; 
The hand of Charity extends 
To meet Misfortune's, where it blends, 
Veiled by the dusk and oh, my friends, 
Would it were dusk alway ! 



726 



ANOTHER RIDE FROM GHENT TO AIX 

WE sprang for the side-holts my gripsack 
and I 

It dangled I dangled we both dangled by. 
"Good speed!" cried mine host, as we landed at 

last 
"Speed?" chuckled the watch we went lumbering 

past; 
Behind shut the switch, and out through the rear 

door 
I glared while we waited a half hour more. 

I had missed the express that went thundering 

down 

Ten minutes before to my next lecture town, 
And my only hope left was to catch this "wild 

freight," 
Which the landlord remarked was "most luckily 

late 

But the twenty miles distance was easily done, 
If they run half as fast as they usually run 1" 

Not a word to each other we struck a snail's 

pace 

Conductor and brakeman ne'er changing a place 
Save at the next watering-tank, where they all 
727 



728 ANOTHER RIDE FROM GHENT TO AIX 

Got out strolled about cut their names on the 

wall, 

Or listlessly loitered on down to the pile 
Of sawed wood just beyond us, to doze for a while. 

Twas high noon at starting, but while we drew 

near 

"Arcady" I said, "We'll not make it, I fear ! 
I must strike Aix by eight, and it's three o'clock 

now; 
Let me stoke up that engine, and I'll show you 

how!" 

At which the conductor, with patience sublime, 
Smiled up from his novel with, "Plenty of time !" 

At "Trask," as we jolted stock-still as a stone, 

I heard a cow bawl in a five o'clock tone ; 

And the steam from the saw-mill looked misty and 

thin, 

And the snarl of the saw had been stifled within : 
And a frowzy-haired boy, with a hat full of chips, 
Came out and stared up with a smile on his lips. 

At "Booneville," I groaned, "Can't I telegraph on?" 
No! Why? " 'Cause the telegraph-man had just 

gone 

To visit his folks in Almo" and one heard 
The sharp snap of my teeth through the throat of a 

word, 

That I dragged for a mile and a half up the track, 
And strangled it there, and came skulkingly back. 



ANOTHER RIDE FROM GHENT TO AIX 729 

Again we were off. It was twilight, and more, 

As we rolled o'er a bridge where beneath us the 

roar 

Of a river came up with so wooing an air 
I mechanic'ly strapped myself fast in my chair 
As a brakeman slid open the door for more light, 
Saying: "Captain, brace up, for your town is in 

sight!" 

"How they'll greet me !" and all in a moment 

"che-wang !" 
And the train stopped again, with a bump and a 

bang. 

What was it? "The section-hands, just in ad- 
vance." 

And I spit on my hands, and I rolled up my pants, 
And I dumb like an imp that the fiends had let loose 
Up out of the depths of that deadly caboose. 

I ran the train's length I lept safe to the ground 
And the legend still lives that for five miles around 
They heard my voice hailing the hand-car that 

yanked 

Me aboard at my bidding, and gallantly cranked, 
As I groveled and clung, with my eyes in eclipse, 
And a rim of red foam round my rapturous lips. 

Then I cast loose my ulster each ear-tab let fall > 
Kicked off both my shoes let go arctics and all 
Stood up with the boys leaned patted each head 



730 ANOTHER RIDE FROM GHENT TO AIX 

As it bobbed up and down with the speed that we 

sped; 
Clapped my hands laughed and sang any noise, 

bad or good, 
Till at length into Aix we rotated and stood. 

And all I remember is friends flocking round 

As I unsheathed ;my head from a hole in the 

ground ; 

And no voice but was praising that hand-car divine, 
As I rubbed down its spokes with that lecture of 

mine, 

Which (the citizens voted by common consent) 
Was no more than its due. 'Twas the lecture they 

meant. 



THE RIPEST PEACH 

' I ^HE ripest peach is highest on the tree 
A And so her love, beyond the reach of me, 
Is dearest in my sight. Sweet breezes, bow 
Her heart down to me where I worship now ! 

She looms aloft where every eye may see 
The ripest peach is highest on the tree. 
Such fruitage as her love I know, alas ! 
I may not reach here from the orchard grass. 

I drink the sunshine showered past her lips 
As roses drain the dewdrop as it drips. 
The ripest peach is highest on the tree, 
And so mine eyes gaze upward eagerly. 

Why why do I not turn away in wrath 
And pluck some heart here hanging in my path ? 
Love's lower boughs bend with them but, ah me ! 
The ripest peach is highest on the tree ! 



,-!! 731 



BEDOUIN 

OLOVE is like an untamed steed ! 
So hot of heart and wild of speed, 
And with fierce freedom so in love, 
The desert is not vast enough, 
With all its leagues of glimmering sands, 
To pasture it ! Ah, that my hands 
Were more than human in their strength, 
That my deft lariat at length 
Might safely noose this splendid thing 
That so defies all conquering ! 
Ho ! but to see it whirl and reel 
The sands spurt forward and to feel 
The quivering tension of the thong 
That throned me high, with shriek and song ! 
To grapple tufts of tossing mane 
To spurn it to its feet again, 
And then, sans saddle, rein or bit, 
To lash the mad life out of it ! 



732 



A DITTY OF NO TONE 
Piped to the Spirit of John Keats 



WOULD that my lips might pour out in thy 
praise 

A fitting melody an air sublime, 
A song sun-washed and draped in dreamy haze 

The floss and velvet of luxurious rhyme : 
A lay wrought of warm languors, and o'er-brimmed 
With balminess, and fragrance of wild flowers 
Such as the droning bee ne'er wearies of 
Such thoughts as might be hymned 
To thee from this midsummer land of ours 
Through shower and sunshine, blent for very 
love. 

II 

Deep silences in woody aisles wherethrough 
Cool paths go loitering, and where the trill 

Of best-remembered birds hath something new 
In cadence for the hearing lingering still 



733 



734 A DITTY OF NO TONE 

Through all the open day that lies beyond ; 
Reaches of pasture-lands, vine-wreathen oaks, 

Majestic still in pathos of decay ; 
The road the wayside pond 

Wherein the dragon-fly an instant soaks 
His filmy wing-tips ere he flits away. 

Ill 

And I would pluck from out the dank, rich mold, 

Thick-shaded from the sun of noon, the long 
Lithe stalks of barley, topped with ruddy gold, 

And braid them in the meshes of my song ; 
And with them I would tangle wheat and rye, 

And wisps of greenest grass the katydid 

E'er crept beneath the blades of, sulkily, 
As harvest-hands went by ; 

And weave of all, as wildest fancy bid, 
A crown of mingled song and bloom for thee. 



THE SPHINX 

I KNOW all about the Sphinx 
I know even what she thinks, 
Staring with her stony eyes 
Up forever at the skies. 

For last night I dreamed that she 
Told me all the mystery 
Why for aeons mute she sat : 
She was just cut out for that! 



735 



MOTHER GOOSE 

DEAR Mother Goose! most motherly and 
dear 

Of all good mothers who have laps wherein 
We children nestle safest from all sin, 

I cuddle to thy bosom, with no fear 

There to confess that though thy cap be queer, 
And thy curls gimlety, and thy cheeks thin, 
And though the winkered mole upon thy chin 

Tickles thy very nose-tip, still to hear 
The jolly jingles of mine infancy 

Crooned by thee, makes mine eager arms, as now, 
To twine about thy neck, full tenderly 

Drawing the dear old face down, that thy brow 
May dip into my purest kiss, and be 
Crowned ever with the baby-love of me. 



736 



IN THE HEART OF JUNE 

IN the heart of June, love, 
You and I together, 
On from dawn till noon, love, 

Laughing with the weather; 
Blending both our souls, love, 

In the selfsame tune, 
Drinking all life holds, love, 
In the heart of June. 

In the heart of June, love, 

With its golden weather, 
Underneath the moon, love, 

You and I together. 
Ah ! how sweet to seem, love, 

Drugged and half aswoon 
With this luscious dream, love, 

In the heart of June. 



737 



MY BOY 

YOU smile and you smoke your cigar, 
my boy; 

You walk with a languid swing; 
You tinkle and tune your guitar, my boy, 

And lift up your voice and sing ; 
The midnight moon is a friend of yours, 

And a serenade your joy 
And it's only an age like mine that cures 
A trouble like yours, my boy ! 



738 



THE ASSASSIN 

FLING him amongst the cobbles of the street 
Midmost along a mob's most turbid tide ; 
Stun him with tumult upon every side 
Wrangling of hoarsened voices that repeat 
His awful guilt and howl for vengeance meet ; 
Let white-faced women stare, all torrid-eyed, 
With hair blown forward, and with jaws dropped 

wide, 

And some face like his mother's glimmer sweet 
An instant in the hot core of his eyes. 

Then snatch him with claw hands, and thong his 

head 
That he may look no way but toward the skies 

That glower lividly and crackle red, 
There let some knuckled fist of lightning rise 
Draw backward flickeringly and knock him dead. 



739 



BECAUSE 

WHY did we meet long years of yore? 
And why did we strike hands and 

say: 

"We will be friends, and nothing more" ; 
Why are we musing thus to-day ? 
'Because because was just because, 
And no one knew just why it was. 

Why did I say good-by to you ? 

Why did I sail across the main? 

Why did I love not heaven's own blue 

Until I touched these shores again? 

Because because was just because, 

And you nor I knew why it was. 

Why are my arms about you now, 

And happy tears upon your cheek? 
And why my kisses on your brow ? 
Look up in thankfulness and speak ! 
Because because was just because, 
And only God knew why it was. 



-40 



PANSIES 

PANSIES ! Pansies ! How I love you, pansies ! 
Jaunty-faced, laughing-lipped and dewy-eyed 

with glee ; 

Would my song but blossom out in little five-leaf 
stanzas 

As delicate in fancies 
As your beauty is to me ! 

But my eyes shall smile on you, and my hands 

infold you, 
Pet, caress, and lift you to the lips that love 

you so, 

That, shut ever in the years that may mildew or 
mold you, 

My fancy shall behold you 
Fair as in the long ago. 



/41 



BABY'S DYING 

BABY'S dying, 
Do not stir 
Let her spirit lightly float 
Through the sighing 
Lips of her 

Still the murmur in the throat; 
Let the moan of grief be curbed-^ 
Baby must not be disturbed ! 

Baby's dying, 
Do not stir 

Let her pure life lightly swim 
Through the sighing 
Lips of her 

Out from us and up to HIM 
Let her leave us with that smile 
Kiss and miss her after while. 



742 



AN EMPTY GLOVE 



A^ empty glove long withering in the grasp 
Of Time's cold palm. I lift it to my lips, 
And lo, once more I thrill beneath its clasp, 
In fancy, as with odorous finger-tips 

It reaches from the years that used to be 
And proffers back love, life and all, to me. 

II 

Ah ! beautiful she was beyond belief: 

Her face was fair and lustrous as the moon's ; 
Her eyes too large for small delight or grief, 
The smiles of them were Laughter's afternoons ; 
Their tears were April showers, and their 

love 

All sweetest speech swoons ere it speaks 
thereof. 

Ill 

White-fruited cocoa shown against the shell 
Were not so white as was her brow below 
The cloven tresses of the hair that fell 
743 



744 AN EMPTY GLOVE 

Across her neck and shoulders of nude snow ; 
Her cheeks chaste pallor, with a crimson 

stain 
Her mouth was like a red rose rinsed with rain. 

IV 

And this was she my fancy held as good 

As fair and lovable in every wise 
As peerless in pure worth of womanhood 
As was her wondrous beauty in men's eyes. 
Yet, all alone, I kiss this empty glove 
The poor husk of the hand I loved and love. 



TO THE CRICKET 

HT^HE chiming seas may clang ; and Tubal Cain 
1- May clink his tinkling metals as he may ; 

Or Pan may sit and pipe his breath away ; 
Or Orpheus wake his most entrancing strain 
Till not a note of melody remain ! 

But thou, O cricket, with thy roundelay, 

Shalt laugh them all to scorn ! So wilt thou, 

pray 
Trill me thy glad song o'er and o'er again : 

I shall not weary ; there is purest worth 
In thy sweet prattle, since it sings the lone 

Heart home again. Thy warbling hath no 

dearth 
Of childish memories no harsher tone 

Than we might listen to in gentlest mirth, 

Thou poor plebeian minstrel of the hearth. 



(745) 



THE OLD-FASHIONED BIBLE 

HOW dear to my heart are the scenes of my 
childhood 

That now but in mem'ry I sadly review ; 
The old meeting-house at the edge of the wildwood, 

The rail fence and horses all tethered thereto ; 
The low, sloping roof, and the bell in the steeple, 

The doves that came fluttering out overhead 
As it solemnly gathered the God-fearing people 
To hear the old Bible my grandfather read. 
The old-fashioned Bible 

The dust-covered Bible 
The leathern-bound Bible my grandfather read. 

The blessed old volume ! The face bent above it 

As now I recall it is gravely severe, 
Though the reverent eye that droops downward to 

love it 

Makes grander the text through the lens of a tear, 
And, as down his features it trickles and glistens, 
The cough of the deacon is stilled, and his head 
Like a haloed patriarch's leans as he listens 
To hear the old Bible my grandfather read. 
The old-fashioned Bible 

The dust-covered Bible 

The leathern-bound Bible my grandfather read. 
746 



THE OLD-FASHIONED BIBLE 747 

Ah ! who shall look backward with scorn and 

derision 

And scoff the old book though it uselessly lies 
In the dust of the past, while this newer revision 

Lisps on of a hope and a home in the skies ? 
Shall the voice of the Master be stifled and riven ? 

Shall we hear but a tithe of the words He has said, 
When so long He has, listening, leaned out of 

Heaven 

To hear the old Bible my grandfather read? 
The old-fashioned Bible 

The dust-covered Bible 
The leathern-bound Bible my grandfather read. 

in. 12 



THE LAND OF USED-TO-BE 



AsTD where's the Land of Used-to-be, does little 
baby wonder? 
Oh, we will clap a magic saddle over "Poppie's" 

knee 
And ride away around the world, and in and out 

and under 

The whole of all the golden sunny Summer-time 
and see. 

Leisurely and lazy-like we'll jostle on our journey, 
And let the pony bathe his hooves and cool them 

in the dew, 
As he sidles down the shady way, and lags along the 

ferny 

And green, grassy edges of the lane we travel 
through. 

And then we'll canter on to catch the bauble of the 

thistle 

As it bumps among the butterflies and glimmers 
down the sun, 

748 



THE LAND OF USED-TO-BE 749 

To leave us laughing, all content to hear the robin 

whistle 

Or guess what Katydid is saying little Katy's 
done. 

And pausing here a minute, where we hear the 

squirrel chuckle 
As he darts from out the underbrush and 

scampers up the tree, 
We will gather buds and locust-blossoms, leaves and 

honeysuckle, 

To wreathe around our foreheads, riding into 
Used-to-be; 

For here's the very rim of it that we go swinging 

over 
Dxjn't you hear the Fairy bugles, and the tinkle 

of the bells, 
And see the baby-bumblebees that tumble in the 

clover 

And dangle from the tilted pinks and tipsy pim- 
pernels ? 

And don't you see the merry faces of the daffo- 
dillies, 

And the jolly Johnny- jump-ups, and the butter- 
cups a-glee, 

And the low, lolling ripples ring around the water- 
lilies ? 

All greeting us with laughter, to the Land of 
Used-to-be ! 



750 THE LAND OF USED-TO-BE 

And here among the blossoms of the blooming vines 

and grasses, 
With a haze forever hanging in the sky forever 

blue, 
And with a breeze from over seas to kiss us as it 

passes, 

We will romp around forever as the airy Elfins 
do! 

For all the elves of earth and air are swarming here 

together 
The prankish Puck, King Oberon, and Queen 

Titania too; 
And dear old Mother Goose herself, as sunny as the 

weather, 

Comes dancing down the dewy walks to welcome 
me and you ! 



JUST TO BE GOOD 

JUST to be good 
This is enough enough! 
O we who find sin's billows wild and rough, 
Do we not feel how more than any gold 
Would be the blameless life we led of old 
While yet our lips knew but a mother's kiss ! 
Ah ! though we miss 
All else but this, 

To be good is enough ! 

It is enough 

Enough just to be good! 
To lift our hearts where they are understood, 
To let the thirst for worldly power and place 
Go unappeased ; to smile back in God's face . 
With the glad lips our mothers used to kiss. 
Ah ! though we miss 
All else but this, 

To be good is enough ! 



751 



A LOUNGER 

HE leaned against a lamp-post, lost 
In some mysterious reverie: 
His head was bowed ; his arms were crossed ; 

He yawned, and glanced evasively : 
Uncrossed his arms, and slowly put 

Them back again, and scratched his side 
Shifted his weight from foot to foot, 
And gazed out no-ward, idle-eyed. 

Grotesque of form and face and dress, 
And picturesque in every way 
A figure that from day to day 

Drooped with a limper laziness ; 
A figure such as artists lean, 
In pictures where distress is seen, 

Against low hovels where we guess 
No happiness has ever been. 



752 



MR. WHAT'S-HIS-NAME 

HPHEY called him Mr. What's-his-name : 

JL From where he was, or why he came, 
Or when, or what he found to do, 
Nobody in the city knew. 

He lived, it seemed, shut up alone 
In a low hovel of his own ; 
There cooked his meals and made his bed, 
Careless of all his neighbors said. 

His neighbors, too, said many things 
Expressive of grave wonderings, 
Since none of them had ever been 
Within his doors, or peered therein. 

In fact, grown watchful, they became 
Assured that Mr. What's-his-name 
Was up to something wrong indeed, 
Small doubt of it, we all agreed. 

At night were heard strange noises there,. 
When honest people everywhere 
Had long retired ; and his light 
Was often seen to burn all night 

753 



754 MR. WHATS-H1S-NAME 

He left his house but seldom then 
Would always hurry back again, 
As though he feared some stranger's knock, 
Finding him gone, might burst the lock. 

Besides, he carried, every day, 
At the one hour he went away, 
A basket, with the contents hid 
Beneath its woven willow lid. 

And so we grew to greatly blame 
This wary Mr. What's-his-name, 
And look on him with such distrust 
His actions seemed to sanction just. 

But when he died he died one day 
Dropped in the street while on his way 
To that old wretched hut of his 
You'll think it strange perhaps it is 

But when we lifted him, and past 
The threshold of his home at last, 
No man of all the crowd but stepped 
With reverence, ay, quailed and wept! 

What was it? Just a shriek of pain 
I pray to never hear again 
A withered woman, old and bowed, 
That fell and crawled and cried aloud 



MR. WHATS-H1S-NAME 755 

And kissed the dead man's matted hair 
Lifted his face and kissed him there 
Called to him, as she clutched his hand, 
In words no one could understand. 

Insane? Yes. Well, we, searching, found 
An unsigned letter, in a round 
Free hand, within the dead man's breast : 
"Look to my mother I'm at rest. 

"You'll find my money safely hid 
Under the lining of the lid 
Of my work-basket. It is hers, 
And God will bless her ministers !" 

And some day though he died unknown 
If through the City by the Throne 
I walk, all cleansed of earthly shame, 
I'll ask for Mr. What's-his-name. 



UNCOMFORTED 



ELLOINE! Lelloine! Don't you hear me 
calling ? 
Calling through the night for you, and calling 

through the day; 
Calling when the dawn is here, and when the dusk 

is falling 
Calling for my Lelloine the angels lured away ! 

Lelloine ! I call and listen, starting from my 

pillow 

In the hush of midnight, Lelloine ! I cry, 
And o'er the rainy window-pane I hear the weeping 

willow 
Trail its dripping leaves like baby-fingers in reply. 

Lelloine, I miss the glimmer of your glossy tresses, 
I miss the dainty velvet palms that nestled in my 

own; 
And all my mother-soul went out in answerless 

caresses, 

And a storm of tears and kisses when you left me 
here alone. 



756 



VNCOMFORTED 757 

I have prayed, O Lelloine, but Heaven will not hear 

me, 
I can not gain one sign from Him who leads you 

by the hand; 
And O it seems that ne'er again His mercy will 

come near me 

That He will never see my need, nor ever 
understand. 

Won't you listen, Lelloine? just a little leaning 
O'er the walls of Paradise lean and hear my 

prayer, 

And interpret death to Him in all its awful meaning, 
And tell Him you are lonely without your mother 
there. 



MY WHITE BREAD 

DEM good old days done past and gone 
In old Ca'line wha I wuz bo'n 
Wen my old Misst'ess she fust sayd, 
"Yo's a-eatin' yo' white braid !" 
Oh, dem's de times uts done gone by 
Wen de nights shine cla, an' de coon dim 1 

high, 

An' I sop my soul in 'possum-pie, 
Das a-eatin' my white braid! 

It's dem's de nights ut I cross my legs 
An' pat de fiV ez I twis' de pegs 
O' de banjo up twil de gals all sayd, 

"Yo's a-eatin' yo' white braid!" 
Oh, dem's de times ut I usen fo' to blow 
On de long reeds cut in de old by-o, 
An' de frogs jine in like dey glad fo' to know 

Fs a-eatin' my white braid. 

An' I shet my eyes fo' to conjuh up 
Dem good ole days ut fills my cup 
Wid de times ut fust ole Misst'ess sayd, 
"Yo's a-eatin' yo' white braid!" 

758 



MY WHITE BREAD 759 

Oh, dem's de dreams ut I fines de best ; 
An' bald an' gray ez a hornet's nest, 
I drap my head on de good Lord's breast, 
Says a-eatin' my white braid! 



TUST drifting on together 

J He and I 

As through the balmy weather 

Of July 

Drift two thistle-tufts embedded 
Each in each by zephyrs wedded-- 
Touring upward, giddy-headed, 
For the sky. 

And, veering up and onward, 

Do we seem 
Forever drifting dawnward 

In a dream, 

Where we meet song-birds that know us, 
And the winds their kisses blow us, 
While the years flow far below us 
Like a stream. 

And we are happy very 

He and I 
Aye, even glad and merry 

Though on high 
760 




"Just drifting on together 
He and I " 



HE AND I 761 

The heavens are sometimes shrouded 
By the midnight storm, and clouded 
Till the pallid moon is crowded 
From the sky. 

My spirit ne'er expresses 

Any choice 
But to clothe him with caresses 

And rejoice ; 
And as he laughs, it is in 
Such a tone the moonbeams glisten 
And the stars come out to listen 
To his voice. 

And so, whate'er the weather, 

He and I, 
With our lives linked thus together, 

Float and fly 

As two thistle-tufts embedded 
Each in each by zephyrs wedded* 
Touring upward, giddy-headed, 
For the sky. 



FROM A BALLOON 

HO ! we are loose. Hear how they shout, 
And how their clamor dwindles out 
Beneath us to the merest hum 
Of earthly acclamation. Come, 
Lean with me here and look below 
Why, bless you, man ! don't tremble so ! 
There is no need of fear up here 
Not higher than the buzzard swings 
About upon the atmosphere, 
With drowsy eyes and open wings ! 
There, steady, now, and feast your eyes ; 
See, we are tranced we do not rise ; 
It is the earth that sinks from us : 
But when I first beheld it thus, 
And felt the breezes downward flow, 
And heard all noises fail and die, 
Until but silence and the sky 
Above, around me, and below, 
Why, like you now, I swooned almost, 
With mingled awe and fear and glee 
As giddy as an hour-old ghost 
That stares into eternity. 



762 



A TWINTORETTE 

HO ! my little maiden 
With the glossy tresses, 
Come thou and dance with me 

A measure all divine ; 
Let my breast be laden 

With but thy caresses 
Come thou and glancingly 
Mate thy face with mine. 

Thou shalt trill a rondel, 

While my lips are purling 
Some dainty twitterings 

Sweeter than the birds' ; 
And, with arms that fondle 

Each as we go twirling, 
We will kiss, with twitterings, 
Lisps and loving words. 



m. is 763 



WHAT THEY SAID 

T T 7HISPERING to themselves apart, 
V V They who knew her said of her, 
"Dying of a broken heart 
Death her only comforter 
For the man she loved is dead 
She will follow soon !" they said. 

Beautiful? Ah! brush the dust 

From Raphael's fairest face, 
And restore it, as it must 

First have smiled back from its place 
On his easel as he leant 
Wrapt in awe and wonderment 1 

Why, to kiss the very hem 

Of the mourning-weeds she wore, 
Like the winds that rustled them, 
I had gone the round world o'er ; 
And to touch her hand I swear 
All things dareless I would dare ! 
764 



WHAT THEY SAID 765 

But unto themselves apart, 

Whispering, they said of her, 
"Dying of a broken heart 
Death her only comforter 
For the man she loved is dead 
She will follow soon !" they said. 

So I mutely turned away, 

Turned with sorrow and despair, 
Yearning still from day to day 
For that woman dying there, 
Till at last, by longing led, 
I returned to find her dead ? 

"Dead?" I know that word would tell 

Rhyming there but in this case 
"Wed" rhymes equally as well 
In the very selfsame place 
And, in fact, the latter word 
Is the one she had preferred. 

Yet unto themselves apart, 

Whisp'ring they had said of her 
"Dying of a broken heart 
Death her only comforter 
For the man she loved is dead 
She will follow soon!" they said. 



AFTER THE FROST 

A^TER the frost ! O the rose is dead, 
And the weeds lie pied in the garden-bed, 
And the peach tree's shade in the wan sunshine, 
Faint as the veins in these hands of mine, 
Streaks the gray of the orchard wall 
Where the vine rasps loose, and the last leaves 

fall, 

And the bare boughs writhe, and the winds are 
lost 

After the frost the frost! 

After the frost ! O the weary head 
And the hands and the heart are quieted ; 
And the lips we loved are locked at last, 
And kiss not back, though the rain falls fast 
And the lashes drip, and the soul makes moan, 
And on through the dead leaves walks alone 
Where the bare boughs writhe and the winds are 
lost- 
After the frost the frost ! 



766 



CHARLES H. PHILIPS 
OBIT NOVEMBER 5TH, 1881 

O FRIEND ! There is no way 
To bid farewell to thee! 
The words that we would say 
Above thy grave to-day 
Still falter and delay 
And fail us utterly. 

When walking with us here, 
The hand we loved to press 
Was gentle, and sincere 
As thy frank eyes were clear 
Through every smile and tear 
Of pleasure and distress. 

In years, young ; yet in thought 

Mature ; thy spirit, free, 

And fired with fervor caught 

Of thy proud sire, who fought 

His way to fame, and taught 

Its toilsome way to thee. 

767 



768 CHARLES H. PHILIPS 

So even thou hast gained 
The victory God-given 
Yea, as our cheeks are stained 
With tears, and our souls pained 
And mute, thou hast attained 
Thy high reward in Heaven ! 



WHEN IT RAINS 

WHEN it rains, and with the rain 
Never bird has heart to sing, 
And across the window-pane 
Is no sunlight glimmering; 
When the pitiless refrain 

Brings a tremor to the lips, 
Our tears are like the rain 
As it drips, drips, drips 
Like the sad, unceasing rain as it drips. 

When the light of heaven's blue 

Is blurred and blotted quite, 
And the dreary day to you 

Is but a long twilight; 
When it seems that ne'er again 

Shall the sun break its eclipse, 
Our tears are like the rain 

As it drips, drips, drips 

Like the endless, friendless rain as it drips. 
769 



770 WHEN IT RAINS 

When it rains ! weary heart, 

O be of better cheer ! 
The leaden clouds will part, 

And the morrow will be clear ; 
Take up your load again, 

With a prayer upon your lips, 
Thanking Heaven for the rain 

As it drips, drips, drips 

With the golden bow of promise as it 
drips. 



AN ASSASSIN 

CAT LIKE he creeps along where ways are 
dim, 

From covert unto covert's secrecy ; 
His shadow in the moonlight shrinks from him 
And crouches warily. 

He hugs strange envies to his breast, and nurses 

Wild hatreds, till the murderous hand he grips 
Falls, quivering with the tension of the curses 
He launches from his lips. 

Drenched in his victim's blood he holds high 

revel ; 

He mocks at justice, and in all men's eyes 
Insults his God and no one but the devil 

Is sorry when he dies. 



771 



o 



BEST OF ALL 

IF all good gifts that the Lord lets fall, 
Is not silence the best of all ? 



The deep, sweet hush when the song is closed, 
And every sound but a voiceless ghost ; 

And every sigh, as we listening leant, 
A breathless quiet of vast content ? 

The laughs we laughed have a purer ring 
With but their memory echoing ; 

And the joys we voiced, and the words we said, 
Seem so dearer for being dead. 

So of all good gifts that the Lord lets fall, 
Is not silence the best of all ? 



772 



MR. SILBERBERG 

AND LITTLE JULIUS 

I LIKE me yet dot leedle chile 
Vich climb my lap up in to-day, 
Unt took my cheap cigair avay, 
Unt laugh unt kiss me, purty-whvile, 
Possescially I like dose mout' 

Vich taste his moder's like unt so, 
Eef my cigair it gone glean out 
Yust let it go ! 

Vat I caire den for anyding ? 
Der "HERALDT" schlip out fon my handt 
Unt all my odvairtizement standt 
Mitout new changements boddering; 
I only t'ink I haf me dis 

One leedle boy to pet unt love 
Unt play me vit, unt hug unt kiss 
Unt dot's enough ! 

Der plans unt pairposes I vear 
Out in der vorld all fades avay, 
Unt vit der beeznis of der day 

I got me den no time to spare ; 
773 



774 MR. SILBERBERG 

Der caires of trade vas caires no more 
Dem cash accoundts dey dodge me by, 

Unt vit my chile I roll der floor, 
Unt laugh unt gry 1 

Ach ! f rient ! dem childens is der ones 
Dot got some happy times you bet ! 
Dot's vy ven I been growed up yet 
I visht I schtill been leedle vonce ! 
Unt ven dot leedle roozter tries 
Dem baby-tricks I used to do, 
My mout' it vater, unt my eyes 
Dey vater too ! 

Unt all der summer-time unt spring 
Of childhoodt it come back to me, 
So dot it vas a dream I see 
Ven I yust look at anyding! 
Unt ven dot leedle boy run' by, 

I t'ink "Dot's me" f on hour to hour 
Schtill chasing yet dose butterfly 
Fon flower to flower ! 

Oxpose I vas lots money vairt, 
Vit blenty schtone-f ront schtore to rent, 
Unt mor'gages at twelf-per tcent, 
Unt diamondts in my ruffled shairt, 
I make a'signment of all dot, 

Unt tairn it over vit a schmile 
Aber you please but, don'd forgot, 
I keep dot chile ! 



THE HEREAFTER 

HEREAFTER! O we need not waste 
Our smiles or tears, whate'er 

befall: 
No happiness but holds a taste 

Of something sweeter, after all ; 
No depth of agony but feels 

Some fragment of abiding trust, 
Whatever Death unlocks or seals, 
The mute beyond is just. 



775 



THE LOVING CUP 

TRANCED in the glamour of a dream 
Where banquet-lights and fancies gleam, 
And ripest wit and wine abound, 
And pledges hale go round and round, 
Lo, dazzled with enchanted rays 
As in the golden olden days 
Sir Galahad my eyes swim up 
To greet your splendor, Loving Cup ! 

What is the secret of your art, 
Linking together hand and heart 
Your myriad votaries who do 
Themselves most honor honoring you ? 
What gracious service have you done 
To win the name that you have won ? 
Kissing it back from tuneful lips 
That sing your praise between the sips ! 

Your spicy breath, O Loving Cup, 
That, like an incense steaming up, 
Full-freighted with a fragrance fine 
As ever swooned on sense of mine, 
776 



THE LOVING CUP 777 

Is rare enough. But then, ah me ! 
How rarer every memory 
That, rising with it, wreathes and blends 
In forms and faces of my friends ! 

Loving Cup ! in fancy still, 

1 clasp their hands, and feel the thrill 
Of fellowship that still endures 
While lips are theirs and wine is yours ! 
And while my memory journeys down 
The years that lead to Boston Town, 
Abide where first were rendered up 
Our mutual loves, O Loving Cup ! 



EROS 

THE storm of love has burst at last 
Full on me : All the world, before, 

Was like an alien, unknown shore 
Along whose verge I laughing passed. 

But now I laugh not any more, 
Bowed with a silence vast in weight 

As that which falls on one who stands 

For the first time on ocean sands, 
Seeing and feeling all the great 

Awe of the waves as they wash the lands 
And billow and wallow and undulate. 



778 



THE QUIET LODGER 

THE man that rooms next door to me : 
Two weeks ago, this very night, 
He took possession quietly, 
As any other lodger might 

But why the room next mine should so 
Attract him I was vexed to know, 
Because his quietude, in fine, 
Was far superior to mine. 

"Now, I like quiet, truth to tell, 

A tranquil life is sweet to me 
But this," I sneered, "suits me too well. 
He shuts his door so noiselessly, 
And glides about so very mute, 
In each mysterious pursuit, 
His silence is oppressive, and 
Too deep for me to understand." 

Sometimes, forgetting book or pen, 
I've found my head in breathless poise 

Lifted, and dropped in shame again, 
Hearing some alien ghost of noise 

in. 14 779 



780 THE Q UIET LODGER 

Some smothered sound that seemed to be 
A trunk-lid dropped unguardedly, 
Or the crisp writhings of some quire 
Of manuscript thrust in the fire. 

Then I have climbed, and closed in vain 

My transom, opening in the hall ; 
Or close against the window-pane 

Have pressed my fevered face, but all 
The day or night without held not 
A sight or sound or counter-thought 
To set my mind one instant free 
Of this man's silent mastery. 

And often I have paced the floor 

With muttering anger, far at night, 
Hearing, and cursing, o'er and o'er, 
The muffled noises, and the light 

And tireless movements of this guest 
Whose silence raged above my rest 
Hoarser than howling storms at sea 
The man that rooms next door to me. 

But twice or thrice, upon the stair, 

I've seen his face most strangely wan, 
Each time upon me unaware 

He came smooth'd past me, and was 

gone. 

So like a whisper he went by, 
I listened after, ear and eye, 
Nor could my chafing fancy tell 
meaning of one syllable. 



THE QUIET LODGER 781 

Last night I caught him, face to face, 

He entering his room, and I 
Glaring from mine : He paused a space 
And met my scowl all shrinkingly, 
But with full gentleness : The key 
Turned in his door and I could see 
It tremblingly withdrawn and put 
Inside, and then the door was shut. 

Then silence. Silence! why, last night 

The silence was tumultuous, 
And thundered on till broad daylight ; 
O never has it stunned me thus! 
It rolls, and moans, and mumbles yet. 
Ah, God ! how loud may silence get 
When man mocks at a brother man 
Who answers but as silence can ! 

The silence grew, and grew, and grew, 
Till at high noon to-day 'twas heard 
Throughout the house ; and men flocked 

through 

The echoing halls, with faces blurred 
With pallor, gloom, and fear, and awe, 
And shuddering at what they saw, 
The quiet lodger, as he lay 
Stark of the life he cast away. 

So strange to-night those voices there, 

Where all so quiet was before : 
They say the face has not a care 

Nor sorrow in it any more. . . . 



782 THE QUIET LOVGER 

His latest scrawl : "Forgive me You 
Who prayed, 'They know not what they 

do!'" 

My tears will never let me see 
This man that rooms next door to me 1 



THE BROOK-SONG 

ETLE brook! Little brook! 
You have such a happy look 
Such a very merry manner, as you swerve and curve 

and crook 

And your ripples, one and one, 
Reach each other's hands and run 
Like laughing little children in the sun! 

Little brook, sing to me : 
Sing about a bumblebee 
That tumbled from a lily-bell and grumbled mumb- 

lingly, 

Because he wet the film 
Of his wings, and had to swjni, 
While the water-bugs raced round and laughed at 
him! 

Little brook sing a song 
Of a leaf that sailed along 
Down the golden-braided center of your current 

swift and strong, 
And a dragon-fly that lit 
On the tilting rim of it, 
And rode away and wasn't scared a bit. 
783 



784 THE BROOK-SONG 

And sing how oft in glee 

Came a truant boy like me, 
Who loved to lean and listen to your lilting melody, 

Till the gurgle and refrain 

Of your music in his brain 
Wrought a happiness as keen to him as pain. 

Little brook laugh and leap ! 

Do not let the dreamer weep : 
Sing him all the songs of summer till he sink in 
softest sleep ; 

And then sing soft and low 

Through his dreams of long ago 
Sing back to him the rest he used to know ! 



BIN A-FISHIN' 

W'EN de sun's gone down, an' de moon 
is riz, 

Bin a-fishin' ! Bin a-fishin' ! 
It's I's aguine down wha' the by-o is ! 
Bin a-fishin' all night long! 

CHORUS 

Bin a-fishin' ! Bin a-fishin' ! 
Bin a-fishin' clean fum de dusk of night 
Twel away 'long on in de mornin' light. 

Bait my hook, un I plunk her down ! 

Bin a-fishin' ! Bin a-fishin' ! 
Un I lay dat catfish weigh five pound ! 

Bin a-fishin' all night long! 

CHORUS 

Folks tells me ut a sucker won't bite, 

Bin a-fishin' ! Bin a-fishin' ! 
Yit I lif out fo' last Chuesday night, 

Bin a-fishin 5 all night long! 

785 



786 BIN A-FISHIN' 

CHORUS 

Little fish nibble un de big fish come ; 

Bin a-fishin' ! Bin a-fishin' ! 
"Go way, little fish ! I want some !" 

Bin a-fishin' all night long! 

CHORUS 

Sez de bullfrog, "D-runk !" sez de ofe owl 
"Whoo!" 

Bin a-fishin' ! Bin a-fishin' ! 
'Spec, Mr. Nigger, dey's a-meanin' you, 

Bin a-fishin' all night long! 

CHORUS 



UNCLE DAN'L IN TOWN OVER SUNDAY 

ICAIN'T git used to city ways 
Ner never could, I' bet my hat ! 
Jevver know jes' whur I was raised ? 
Raised on a farm ! D' ever tell you that ? 
Was undoubtatly, I declare ! 
And now, on Sunday fun to spare 
Around a farm ! Why jes' to set 
Up on the top three-cornered rail 
Of Pap's old place, nigh La Fayette, 
I'd swap my soul off, hide and tail ! 
You fellers in the city here, 
You don't know nothin' ! S'pose to-day, 
This clatterin' Sunday, you waked up 
Without no jinglin'-janglin' bells, 
Ner rattlin' of the milkman's cup, 
Ner any swarm of screechin' birds 
Like these here English swallers S'pose 
Ut you could miss all noise like those, 
And git shet o' thinkin' of 'em afterwerds, 
And then, in the country, wake and hear 
Nothin' but silence wake and see 
Nothin' but green woods fur and near? 
What sort o' Sunday would that be? ... 
Wisht I hed you home with me ! 
787 



788 UNCLE DAN'L IN TOWN OVER SUNDAY 

Now think! The laziest of all days 

To git up any time er sleep 

Er jes' lay round and watch the haze 

A-dancin' 'crost the wheat, and keep 

My pipe a-goern laisurely, 

And puff and whiff as pleases me 

And ef I leave a trail of smoke 

Clean through the house, no one to say, 

"Wah ! throw that nasty thing away ; 

Hev some regyard f er decency !" 

To walk round barefoot, if you choose; 

Er saw the fiddle er dig some bait 

And go a-fishin' er pitch hoss shoes 

Out in the shade somewhurs, and wait 

For dinner-time, with an appetite 

Ut folks in town cain't equal quite ! 

To laze around the barn and poke 

Fer hens' nests er git up a match 

Betwixt the boys, and watch 'em scratch 

And rassle round, and sweat and swear 

And quarrel to their hearts' content; 

And me a- jes' a-settin' there 

A-hatchin' out more devilment ! 

What sort o' Sunday would that be ? . , 

Wisht I hed you home with me ! 



EMERSON 

CONCORD, APRIL 27, 1 882 

WHAT shall we say? In quietude, 
Within his home, in dreams un- 

guessed, 

He lies ; the grief a nation would 
Evince must be repressed. 

Nor meet is it the loud acclaim 

His countrymen would raise that he 
Has left the riches of his fame 
The whole world's legacy. 

Then, prayerful, let us pause until 
We find, as grateful spirits can, 
The way most worthy to fulfil 
The tribute due the man. 

Think what were best in his regard 

Who voyaged life in such a cause : 

Our simplest faith were best reward 

Our silence, best applause. 

789 



YOUR VIOLIN 

YOUR violin! Ah me! 
Twas fashioned o'er the sea, 
In storied Italy 

What matter where? 

It is its voice that sways 

And thrills me as it plays 

The airs of other days 

The days that were ! 

Then let your magic bow 
Glide lightly to and fro. 
I close my eyes, and so, 

In vast content, 
I kiss my hand to you, 
And to the tunes we knew 
Of old, as well as to 

Your instrument! 

Poured out of some dim dream 
Of lulling sounds that seem 
Like ripples of a stream 
Twanged lightly by 
790 



YOUR VIOLIN 791 

The slender, tender hands 
Of weeping-willow wands 
That droop where gleaming sands 
And pebbles lie. 

A melody that swoons 
In all the truant tunes 
Long listless afternoons 

Lure from the breeze, 
When woodland boughs are stirred. 
And moaning doves are heard, 
And laughter afterward 

Beneath the trees. 

Through all the chorusing, 
I hear on leaves of spring 
The drip and pattering 

Of April skies, 
With echoes faint and sweet 
As baby-angel feet 
Might wake along a street 

Of Paradise. 



SOLDIERS HERE TO-DAY 



SOLDIERS and saviors of the homes we love ; 
Heroes and patriots who marched away, 
And who marched back, and who marched on 

above 
All all are here to-day ! 

By the dear cause you fought for you are here ; 

At summons of bugle, and the drum 
Whose palpitating syllables were ne'er 
More musical, you come ! 

Here by the stars that bloom in fields of blue, 
And by the bird above with shielding wings ; 
And by the flag that floats out over you, 
With silken beckonings 

Ay, here beneath its folds are gathered all 
Who warred unscathed for blessings that it 

gave 

Still blessed its champion, though it but fall 
A shadow on his grave ! 
892 




t ,4^ 

"Soldiers here today" 



SOLDIERS HERE TO-DAY 793 

II 

We greet you, Victors, as in vast array 
You gather from the scenes of strife and 

death 

From spectral fortress-walls where curls away 
The cannon's latest breath. 

We greet you from the crumbling battlements 
Where once again the old flag feels the breeze 
Stroke out its tattered stripes and smooth its rents 
With rippling ecstasies. 

From living tombs where every hope seemed 

lost 

With famine quarantined by bristling guns 
The prison-pens the guards the "dead-line" 

crossed 
By riddled skeletons! 

From furrowed plains, sown thick with bursting 

shells 
From mountain gorge, and toppling crags 

o'erhead 

From wards of pestilential hospitals, 
And trenches of the dead. 



Ill 



In fancy all are here. The night is o'er, 
And through dissolving mists the morning 
gleams ; 



794 SOLDIERS HERE TO-DAY 

And clustered round their hearths we see once 

more 
The heroes of our dreams. 

Strong, tawny faces, some, and some are fair, 

And some are majrked with age's latest prime, 
And, seer-like, browed and aureoled with hair 
As hoar as winter-time. 

The faces of fond lovers, glorified 

The faces of the husband and the wife 
The babe's face nestled at the mother's side, 
And smiling back at life ; 

A bloom of happiness in every cheek 

A thrill of tingling joy in every vein 
In every soul a rapture they will seek 
In Heaven, and find again! 



IV 



'Tis not a vision only we who pay 

But the poor tribute of our praises here 
Are equal sharers in the guerdon they 
Purchased at price so dear. 

The angel, Peace, o'er all uplifts her hand, 

Waving the olive, and with heavenly eyes 
Shedding a light of love o'er sea and land 
As sunshine from the skies 



SOLDIERS HERE TO-DAY 795 

Her figure pedestaled on Freedom's soil 

Her sandals kissed with seas of golden grain 
Queen of a realm of joy-requited toil 
That glories in her reign. 

O blessed land of labor and reward ! 

O gracious Ruler, let Thy reign endure ; 
In pruning-hook and plough-share beat the sword, 
And reap the harvest sure! 

m. 15 



A WINDY DAY 

THE dawn was a dawn of splendor, 
And the blue of the morning skies 
Was as placid and deep and tender 

As the blue of a baby's eyes ; 
The sunshine flooded the mountain, 

And flashed over land and sea 
Like the spray of a glittering fountain. 
But the wind the wind Ah me ! 

Like a weird invisible spirit, 

It swooped in its airy flight ; 
And the earth, as the stress drew near it, 

Quailed as in mute affright ; 
The grass in the green fields quivered 

The waves of the smitten brook 
Chillily shuddered and shivered, 

And the reeds bowed down and shook. 

Like a sorrowful miserere 

It sobbed, and it blew and blew, 
Till the leaves on the trees looked weary, 

And my prayers were weary, too ; 
And then, like the sunshine's glimmer 

That failed in the awful strain, 
All the hope of my eyes grew dimmer 

In a spatter of spiteful rain. 
796 



SHADOW AND SHINE 

STORMS of the winter, and deepening 
snows, 

When will you end? I said, 
For the soul within me was numb with woes, 

And my heart uncomforted. 
When will you cease, O dismal days ? 

When will you set me free ? 
For the frozen world and its desolate ways 
Are all unloved of me! 

I waited long, but the answer came 

The kiss of the sunshine lay 
Warm as a flame on the lips that frame 

The song in my heart to-day. 
Blossoms of summer-time waved in the air, 

Glimmers of sun in the sea; 
Fair thoughts followed me everywhere, 

And the world was dear to me. 



797 



THE OLD SWIMMIN'-HOLE 

OH ! the old swimmin'-hole ! whare the crick so 
still and deep 

Looked like a baby-river that was laying half asleep, 
And the gurgle of the worter round the drift jest 

below 
Sounded like the laugh of something we onc't ust 

to know 

Before we could remember anything but the eyes 
Of the angels lookin' out as we left Paradise ; 
But the merry days of youth is beyond our controle, 
And it's hard to part f erever with the old swimmin'- 
hole. 

Oh ! the old swimmin'-hole ! In the happy days of 

yore, 

When I ust to lean above it on the old sickamore, 
Oh 1 it showed me a face in its warm sunny tide 
That gazed back at me so gay and glorified, 
It made me love myself, as I leaped to caress 
My shadder smilin' up at me with sich tenderness. 
But them days is past and gone, and old Time's 

tuck his toll 

From the old man come back to the old swimmin'- 
hole. 

798 







1 But the merry days of youth is beyond our controle, 
And it's hard to part ferever with the old swimmin' hole' 



THE OLD SWIMMIN'-HOLE 799 

Oh ! the old swimmin'-hole ! In the long, lazy days 

When the humdrum of school made so many run- 
a-ways, 

How plesant was the jurney down the old dusty 
lane, 

Whare the tracks of our bare feet was all printed so 
plane 

You could tell by the dent of the heel and the sole 

They was lots o' fun on hands at the old swimmin'- 
hole. 

But the lost joys is past ! Let your tears in sorrow 
roll 

Like the rain that ust to dapple up the old swimmin'- 
hole. 

Thare the bullrushes growed, and the cattails so tall, 
And the sunshine and shadder fell over it all ; 
And it mottled the worter with amber and gold 
Tel the glad lilies rocked in the ripples that rolled ; 
And the snake-feeder's four gauzy v/ings fluttered 

by 

Like the ghost of a daisy dropped out of the sky, 
Or a wownded apple-blossom in the breeze's 

controle 
As it cut acrost some orchurd to'rds the ol.d 

swimmin'-hole. 

Oh ! the old swimmin'-hole ! When I last saw the 

place, 
The scenes was all changed, like the change in my 

face; 



800 THE OLD SWIMMIN'-HOLE 

The bridge of the railroad now crosses the spot 
Whare the old divin'-log lays sunk and f ergot. 
And I stray down the banks whare the trees ust to 

be " 

But never again will theyr shade shelter me ! 
And I wish in my sorrow I could strip to the soul, 
And dive off in my grave like the old swimmin'-hole. 



THOUGHTS FER THE DISCURAGED 
FARMER 



T 



HE summer winds is sniffin' round the bloomin' 

locus' trees ; 
And the clover in the pastur is a big day fer the 

bees, 
And they been a-swiggin' honey, above board and 

on the sly, 
Tel they stutter in theyr buzzin' and stagger as they 

fly. 
The flicker on the fence-rail 'pears to jest spit on 

his wings 

And roll up his feathers, by the sassy way he sings ; 
And the hoss-fly is a-whettin'-up his forelegs fer 

biz, 
And the off-mare is a-switchin' all of her tale they 

is. 

You can hear the blackbirds jawin' as they f oiler up 

the plow 
Oh, theyr bound to git theyr brekfast, and theyr not 

a-carin' how; 

801 



802 THOUGHTS PER THE DISCURAGED FARMER 

So they quarrel in the f urries, and they quarrel on 
the wing 

But theyr peaceabler in pot-pies than any other 
thing : 

And it's when I git my shotgun drawed up in stiddy 
rest, 

She's as full of tribbelation as a yeller- jacket's nest; 

And a few shots before dinner, when the sun's 
a-shinin' right, 

Seems to kindo'-sorto' sharpen up a feller's appe- 
tite! 

They's been a heap o' rain, but the sun's out to-day, 
And the clouds of the wet spell is all cleared away, 
And the woods is all the greener, and the grass is 

greener still; 

It may rain again to-morry, but I don't think it will. 
Some says the crops is ruined, and the corn's 

drownded out, 
And propha-sy the wheat will be a failure, without 

doubt ; 
But the kind Providence that has never failed us 

yet, 
Will be on hands onc't more at the 'leventh hour, I 

bet! 

Does the medder-lark complane, as he swims high 

and dry 
Through the waves of the wind and the blue of the 

sky? 



THOUGHTS PER THE DISCURAGED FARMER bu. 

Does the quail set up and whissel in a disappinted 

way, 

Er hang his head in silunce, and sorrow all the day ? 
Is the chipmuck's health a-failin'? Does he walk, 

er does he run? 
Don't the buzzards ooze around up thare jest like 

they've allus done? 
Is they anything the matter with the rooster's lungs 

er voice ? 
Ort a mortul be complan : vhen dumb animals 

rejoice ? 

Then let us, one and all, be contentud with our lot ; 
The June is here this morning, and the sun is 

shining hot. 

Oh ! let us fill our harts up with the glory of the day, 
And banish ev'ry doubt and care and sorrow fur 

away! 

Whatever be our station, with Providence fer guide, 
Sich fine circumstances ort to make us satisfied ; 
Fer the world is full of roses, and the roses full of 

dew, 
And the dew is full of heavenly love that drips fer 

me and you. 



A GOOD-BY, 

OOD-BY, my friend!" 
He takes her hand 
The pressures blend : 
They understand 

But vaguely why, with drooping eye, 
Each moans "Good-by ! Good-by !" 

"Dear friend, good-by!" 

she could smile 
If she might cry 

A little while ! 

She says, "I ought to smile but I 
Forgive me There! Good-by!" 

"'Good-by?' Ah, no: 

1 hate," says he, 
"These 'good-bys' so!" 

"And //' says she, 

"Detest them so why, I should die 
Were this a real 'good-by' !" 



804 



A SUMMER'S DAY 

HT*HE Summer's put the idy in 
-L My head that I'm a boy ag'in ; 

And all around's so bright and gay 

I want to put my team away, 

And jest git out whare I can lay 

And soak my hide full of the day ! 
But work is work, and must be done 
Yit, as I work, I have my fun, 
Jest fancyin' these furries here 
Is childhood's paths onc't more so dear : 
And so I walk through medder-lands, 

And country lanes, and swampy trails 
Whare long bullrushes bresh my hands ; 

And, tilted on the ridered rails 
Of deadnin' fences, "Old Bob White" 
Whissels his name in high delight, 
And whirs away. I wunder still, 
Whichever way a boy's feet will 
Whare trees has fell, with tangled tops 

Whare dead leaves shakes, I stop fer breth, 
Heerin' the acorn as it drops 

H'istin' my chin up still as deth, 
And watchin' clos't, with upturned eyes, 

805 



806 'A SUMMER'S DAY 

The tree whare Mr. Squirrel tries 
To hide hisse'f above the limb, 
But lets his own tale tell on him. 
I wunder on in deeper glooms 

Git hungry, hearin' female cries 
From old farmhouses, whare perfumes 

Of harvest dinners seems to rise 
And ta'nt a feller, hart and brane, 
With memories he can't explane. 

I wunder through the underbresh, 

Whare pig-tracks, pintin' to'rds the crick, 

Is picked and printed in the fresh 

Black bottom-lands, like wimmern pick 

Theyr pie-crusts with a fork, some way, 

When bakin' f er camp-meetin' day. 

I wunder on and on and on, 

Tel my gray hair and beard is gone, 

And ev'ry wrinkle on my brow 

Is rubbed clean out and shaddered now 

With curls as brown and fare and fine 

As tenderls of the wild grape-vine 

That ust to climb the highest tree 

To keep the ripest ones fer me. 

I wunder still, and here I am 

Wadin' the ford below the dam 

The worter chucklin' round my knee 

At hornet-welt and bramble-scratch, 
And me a-slippin' 'crost to see 

Ef Tyner's plums is ripe, and size 



A SUMMER'S DAY 807 

The old man's wortermelon-patch, 

With juicy mouth and drouthy eyes. 
Then, after sich a day of mirth 
And happiness as worlds is wurth 

So tired that Heaven seems nigh about, 
The sweetest tiredness on earth 

Is to git home and flatten out 
So tired you can't lay flat enugh, 
And sorto' wish that you could spred 
Out like molasses on the bed, 
And jest drip off the aidges in 
The dreams that never comes ag'in. 



A HYMB OF FAITH 

OTHOU that doth all things devise 
> And fashon fer the best, 
He'p us who sees with mortul eyes 
To overlook the rest. 

They's times, of course, we grope in doubt, 

And in afflictions sore; 
So knock the louder, Lord, without, 

And we'll unlock the door. 

Make us to feel, when times looks bad 

And tears in pitty melts, 
Thou wast the only he'p we had 

When they was nothin' else. 

Death comes alike to ev'ry man 
That ever was borned on earth ; 

Then let us do the best we can 
To live fer all life's wurth. 

Ef storms and tempusts dred to see 
Makes black the heavens ore, 

They done the same in Galilee 
Two thousand years before. 



A HYMB OF FAITH 809 

But after all, the golden sun 

Poured out its floods on them 
That watched and waited f er the One 

Then borned in Bethlyham. 

Also, the star of holy writ 

Made noonday of the night, 
Whilse other stars that looked at it 

Was envious with delight. 

The sages then in wurship bowed, 

From ev'ry clime so fare ; 
O, sinner, think of that glad crowd 

That congergated thare! 

They was content to fall in ranks 
With One that knowed the way 

From good old Jurden's stormy banks 
Clean up to Jedgmunt Day. 

No matter, then, how all is mixed 

In our near-sighted eyes, 
All things is f er the best, and fixed 

Out straight in Paradise. 

Then take things as God sends 'em here, 

And, ef we live er die, 
Be more and more contenteder, 

Without a-astin' why. 



810 A HYMB OF FAITH 

O, Thou that doth all things devise 
And f ashon fer the best, 

He'p us who sees with mortul eyes 
To overlook the rest. 



AT BROAD RIPPLE 

A I, luxury ! Beyond the heat 
And dust of town, with dangling feet, 
Astride the rock below the dam, 
In the cool shadows where the calm 
Rests on the stream again, and all 
Is silent save the waterfall, 
I bait my hook and cast my line, 
And feel the best of life is mine. 

No high ambition may I claim 
I angle not for lordly game 
Of trout, or bass, or wary bream 
A black perch reaches the extreme 
Of my desires ; and "goggle-eyes" 
Are not a thing that I despise ; 
A sunfish, or a "chub," or "cat" 
A "silver-side" yea, even that 1 

In eloquent tranquillity 
The waters lisp and talk to me. 
Sometimes, far out, the surface breaks, 
As some proud bass an instant shakes 

ui. 16 811 



812 AT BROAD RIPPLE 

His glittering armor in the sun, 
And romping ripples, one by one, 
Come dallying across the space 
Where undulates my smiling face. 

The river's story flowing by, 
Forever sweet to ear and eye, 
Forever tenderly begun 
Forever new and never done. 
Thus lulled and sheltered in a shade 
Where never feverish cares invade, 
I bait my hook and cast my line, 
And feel the best of life is mine. 



THE COUNTRY EDITOR 

A THOUGHTFUL brow and face of 

-L\. sallow hue, 

But warm with welcome, as we find him there, 
Throned in his old misnomered "easy chair," 

Scrawling a "leader," or a book-review ; 

Or staring through the roof for something new 
With which to lift a wretched rival's hair, 
Or blow some petty clique in empty air 

And snap the party-ligaments in two. 
A man he is deserving well of thee, 

So be compassionate yea, pay thy dues, 
Nor pamper him with thy spring-poetry, 

But haul him wood, or something he can use ; 
And promptly act, nor tarry long when he 
Gnaweth his pen and glareth rabidly. 



R13 



WORTERMELON TIME 

OLD wortermelon time is a-comin' round ag'in, 
And they ain't no man a-livin' any tickleder'n 

me, 

Fer the way I hanker after wortermelons is a sin 
Which is the why and wharefore, as you can 
plainly see. 

Oh! it's in the sandy soil wortermelons does the 

best, 

And it's thare they'll lay and waller in the sun- 
shine and the dew 
Tel they wear all the green streaks clean off of theyr 

breast ; 

And you bet I ain't a-findin* any fault with them ; 
air you ? 

They ain't no better thing in the vegetable line ; 
And they don't need much 'tendin', as ev'ry 

farmer knows; 
And when theyr ripe and ready fer to pluck from 

the vine, 

I want to say to you theyr the best fruit that 
grows. 

814 



WORTERMELON TIME 815 

It's some likes the yeller-core, and some likes the 

red, 
And it's some says "The Little Californy" is the 

best; 
But the sweetest slice of all I ever wedged in my 

head, 

Is the old "Edingburg Mounting-sprout," of the 
West. 

You don't want no punkins nigh your wortermelon 

vines 
'Cause, some-way-another, they'll spile your 

melons, shore ; 
I've seed 'em taste like punkins, from the core to 

the rines, 
Which may be a fact you have heerd of before. 

But your melons that's raised right and 'tended to 

with care, 
You can walk around amongst 'em with a parent's 

pride and joy, 

And thump 'em on the heads with as fatherly a air 
As ef each one of them was your little girl er boy. 

I joy in my hart jest to hear that rippin' sound 
When you split one down the back and jolt the 

halves in two, 
And the friends you love the best is gethered all 

around 

And you says unto your sweethart, "Oh, here's 
the core fer you !" 



816 WORTERMELON TIME 

And I like to slice 'em up in big pieces fer 'em all, 
Espeshally the childern, and watch theyr high 

delight 
As one by one the rines with theyr pink notches 

falls, 

And they holler fer some more, with unquenched 
appetite. 

Boys takes to it natchurl, and I like to see 'em eat 
A slice of wortermelon's like a frenchharp in 

theyr hands, 
And when they "saw" it through theyr mouth sich 

music can't be beat 

'Cause it's music both the sperit and the stummick 
understands. 

Oh, they's more in wortermelons than the purty- 

colored meat, 
And the overflowin' sweetness of the worter 

squshed betwixt 
The up'ard and the down'ard motions of a feller's 

teeth, 

And it's the taste of ripe old age and juicy child- 
hood mixed. 

Fer I never taste a melon but my thoughts flies 

away 
To the summer-time of youth ; and again I see the 

dawn, 

And the fadin' afternoon of the long summer day, 
And the dusk and dew a-fallin', and the night 
a-comin' on. 



WORTERMELON TIME 817 

And thare's the corn around us, and the lispin' 

leaves and trees, 
And the stars a-peekin' down on us as still as 

silver mice, 
And us boys in the wortermelons on our hands and 

knees, 

And the new-moon hangin' ore us like a yeller- 
cored slice. 

Oh ! it's wortermelon time is a-comin' round ag'in, 
And they ain't no man a-livin' any tickelder'n me, 

Fer the way I hanker after wortermelons is a sin 
Which is the why and wharefore, as you can 
plainly see. 



A SONG OF THE CRUISE 

OTHE sun and the rain, and the rain and the 
sun! 
There'll be sunshine again when the tempest is 

done; 
And the storm will beat back when the shining is 

past; 

But in some happy haven we'll anchor at last. 
Then murmur no more, 
In lull or in roar, 
But smile and be brave till the voyage is o'er. 

O the rain and the sun, and the sun and the rain! 
When the tempest is done, then the sunshine again ; 
And in rapture we'll ride through the stormiest 

gales, 

For God's hand's on the helm and His breath in 
the sails. 

Then murmur no more, 
In lull or in roar, 
But smile and be brave till the voyage is o'er. 



818 



MY PHILOSOFY 

I AIN'T, ner don't p'tend to be, 
Much posted on philosofy ; 
But thare is times, when all alone, 
I work out idees of my own. 
And of these same thare is a few 
I'd like to jest refer to you 
Pervidin' that you don't object 
To listen clos't and rickollect. 

I allus argy that a man 
Who does about the best he can 
Is plenty good enugh to suit 
This lower mundane institute 
No matter ef his daily walk 
Is subject fer his neghbor's talk, 
And critic-minds of ev'ry whim 
Jest all git up and go fer him ! 

I knowed a feller onc't that had 
The yeller-janders mighty bad, 
And each and ev'ry friend he'd meet 
Would stop and give him some receet 
819 



820 MY PHILOSOFY 

Fer cuorin' of 'em. But he'd say 
He kindo' thought they'd go away 
Without no medicin', and boast 
That he'd git well without one doste. 

He kep" 1 a-yellerin' on and they 
Perdictin' that he'd die some day 
Before he knowed it ! Tuck his bed, 
The feller did, and lost his head, 
And wundered in his mind a spell 
Then rallied, and, at last, got well ; 
But ev'ry friend that said he'd die 
Went back on him eternally ! 

It's natchurl enugh, I guess, 

When some gits more and some gits less, 

Fer them-uns on the slimmest side 

To claim it ain't a fare divide ; 

And I've knowed some to lay and wait, 

And git up soon, and set up late, 

To ketch some feller they could hate 

Fer goin' at a faster gait. 

The signs is bad when folks commence 

A-findin' fault with Providence, 

And balkin' 'cause the earth don't shake 

At ev'ry prancin' step they take. 

No man is grate tel he can see 

How less than little he would be 

Ef stripped to self, and stark and bare 

He hung his sign out anywhare. 



MY PHILOSOFY 821 

My doctern is to lay aside 

Contensions, and be satisfied : 

Jest do your best, and praise er blame 

That f oilers that, counts jest the same. 

I've allus noticed grate success 

Is mixed with troubles, more er less, 

And it's the man who does the best 

That gits more kicks than all the rest. 



WHEN AGE COMES ON 

WHEN Age comes on ! 
The deepening dusk is where the dawn 
Once glittered splendid, and the dew, 
In honey-drips from red rose-lips, 

Was kissed away by me and you. 
And now across the frosty lawn 
Black footprints trail, and Age comes on 

And Age comes on! 
And biting wild-winds whistle through 
Our tattered hopes and Age comes on! 

When Age comes on ! 
O tide of raptures, long withdrawn, 

Flow back in summer floods, and fling 
Here at our feet our childhood sweet, 

And all the songs we used to sing! . . . 
Old loves, old friends all dead and gone 
Our old faith lost and Age comes on 
And Age comes on ! 

Poor hearts ! have we not anything 
But longings left when Age comes on? 



822 



THE CIRCUS-DAY PARADE 

OH ! the Circus-Day Parade ! How the bugles 
played and played ! 
And how the glossy horses tossed their flossy manes 

and neighed, 
As the rattle and the rhyme of the tenor-drummer's 

time 

Filled all the hungry hearts of us with melody sub- 
lime! 

How the grand band-wagon shone with a splendor 
all its own, 

And glittered with a glory that our dreams had 
never known ! 

And how the boys behind, high and low of every 
kind, 

Marched in unconscious capture, with a rapture un- 
defined ! 

How the horsemen, two and two, with their plumes 

of white and blue 
And crimson, gold and purple, nodding by at me 

and you, 

823 



824 THE CIRCUS-DAY PARADE 

Waved the banners that they bore, as the knights in 

days of yore, 
Till our glad eyes gleamed and glistened like the 

spangles that they wore ! 

How the graceless-graceful stride of the elephant 

was eyed, 
And the capers of the little horse that cantered at 

his side! 
How the shambling camels, tame to the plaudits of 

their fame, 
With listless eyes came silent, masticating as they 

came. 

How the cages jolted past, with each wagon bat- 
tened fast, 

And the mystery within it only hinted of at last 

From the little grated square in the rear, and nos- 
ing there 

The snout of some strange animal that sniffed the 
outer air! 

And, last of all, The Clown, making mirth for all 

the town, 
With his lips curved ever upward and his eyebrows 

ever down, 
And his chief attention paid to the little mule that 

played 
A tattoo on the dashboard with his heels, in the 

Parade. 



THE CIRCUS-DAY PARADE 825 

Oh! the Circus-Day Parade! How the bugles 
played and played! 

And how the glossy horses tossed their flossy manes 
and neighed, 

As the rattle and the rhyme of the tenor-drummer's 
time 

Filled all the hungry hearts of us with melody sub- 
lime! 



WHEN THE FROST IS ON THE PUNKIN 

WHEN the frost is on the punkin and the 
fodder's in the shock, 

And you hear the kyouck and gobble of the strut- 
tin' turkey-cock, 

And the clackin' of the guineys, and the cluckin' of 
the hens, 

And the rooster's hallylooyer as he tiptoes on the 
fence ; 

O, it's then's the times a feller is a-feelin' at his 
best, 

With the risin' sun to greet him from a night of 
peaceful rest, 

As he leaves the house, bareheaded, and goes out 
to feed the stock, 

When the frost is on the punkin and the fodder's 
in the shock. 

They's something kindo' harty-like about the at- 

musfere 
When the heat of summer's over and the coolin' fall 

is here 
Of course we miss the flowers, and the blossums on 

the trees, 
And the mumble of the hummin'-birds and buzzin' 

of the bees; 

826 



WHEN THE FROST IS ON THE PUNKIN 827 

But the air's so appetizin'; and the landscape 

through the haze 
Of a crisp and sunny morning of the airly autumn 

days 
Is a pictur' that no painter has the colorin' to 

mock 
When the frost is on the punkin and the fodder's in 

the shock. 

The husky, rusty russel of the tossels of the corn, 
And the raspin' of the tangled leaves, as golden as 

the morn ; 
The stubble in the furries kindo' lonesome-like, 

but still 
A-preachin' sermuns to us of the barns they growed 

to fill ; 
The strawstack in the medder, and the reaper in the 

shed; 

The bosses in theyr stalls below the clover over- 
head ! 
O, it sets my hart a-clickin' like the tickin' of a 

clock, 
When the frost is on the punkin and the fodder's 

in the shock ! 

Then your apples all is getherd, and the ones a 

feller keeps 
Is poured around the celler-floor in red and yeller 

heaps ; 

m. 17 



828 WHEN THE FROST IS ON THE PUN KIN 

And your cider-makin' 's over, and your wimmern- 

folks is through 
With their mince and apple-butter, and theyr souse 

and saussage, too! . . . 
I don't know how to tell it but ef sich a thing 

could be 
As the Angels wantin' boardin', and they'd call 

around on me 
I'd want to 'commodate 'em all the whole-indurin' 

flock- 
When the frost is on the punkin and the fodder's in 

the shock 1 



THAT NIGHT 

YOU and I, and that night, with its perfume 
and glory! 

The scent of the locusts the light of the moon ; 
And the violin weaving the waltzers a story, 
Enmeshing their feet in the weft of the tune, 
Till their shadows uncertain 
Reeled round on the curtain, 
While under the trellis we drank in the June. 

Soaked through with the midnight the cedars were 

sleeping, 

Their shadowy tresses outlined in the bright 
Crystal, moon-smitten mists, where the fountain's 

heart, leaping 

Forever, forever burst, full with delight ; 
And its lisp on my spirit 
Fell faint as that near it 
Whose love like a lily bloomed out in the night. 

O your glove was an odorous sachet of blisses ! 
The breath of your fan was a breeze from 

Cathay ! 
And the rose at your throat was a nest of spilled 

kisses ! 

And the music ! in fancy I hear it to-day, 
As I sit here, confessing 
Our secret, and blessing 

My rival who found us, and waltzed you away. 
829 



T 



THE BAT 



IHOU dread, uncanny thing 1 , 
With fuzzy breast and leathern wing, 
In mad, zigzagging flight, 
Notching the dusk, and buffeting 
The black cheeks of the night, 
With grim delight ! 



II 



What witch's hand unhasps 
Thy keen claw-cornered wings 
From under the barn roof, and flings 

Thee forth, with chattering gasps, 
To scud the air, 

And nip the ladybug, and tear 

Her children's hearts out unaware? 

Ill 

The glowworm's glimmer, and the bright, 
Sad pulsings of the firefly's light, 

Are banquet lights to thee. 
O less than bird, and worse than beast, 
Thou Devil's self, or brat, at least, 

Grate not thy teeth at me! 
830 



ON THE DEATH OF LITTLE MAHALA 
ASHCRAFT 

"TITTLE Haly! Little Haly!" cheeps the robin 

J x in the tree ; 
"Little Haly!" sighs the clover, "Little Haly!" 

moans the bee ; 
"Little Haly! Little Haly!" calls the killdeer at 

twilight ; 
And the katydids and crickets hollers "Haly!" all 

the night. 

The sunflowers and the hollyhawks droops over the 
garden fence; 

The old path down the garden walks still holds her 
footprints' dents ; 

And the well-sweep's swingin' bucket seems to wait 
fer her to come 

And start it on its wortery errant down the old bee- 
gum. 

The beehives all is quiet ; and the little Jersey steer, 
When any one comes nigh it, acts so lonesome-like 
and queer ; 

831 



832 DEATH OF LITTLE M AH ALA ASHCRAFT 

And the little Banty chickens kindo' cutters faint 

and low, 
Like the hand that now was feedin' 'em was one 

they didn't know. 

They's sorrow in the waivin' leaves of all the apple 

trees ; 
And sorrow in the harvest-sheaves, and sorrow in 

the breeze; 
And sorrow in the twitter of the swallers 'round the 

shed; 
And all the song her redbird sings is "Little Haly's 

dead !" 

The medder 'pears to miss her, and the pathway 

through the grass, 
Whare the dewdrops ust to kiss her little bare feet 

as she passed; 
And the old pin in the gate-post seems to kindo'- 

sorto' doubt 
That Haly's little sunburnt hands'll ever pull it out 

Did her father er her mother ever love her more'n 

me, 
Er her sisters er her brother prize her love more 

tendurly ? 
I question and what answer? only tears, and 

tears alone, 
And ev'ry neghbor's eyes is full o' tear-drops as my 

own. 



DEATH OF LITTLE M AH ALA ASHCRAFT 833 

"Little Haly ! Little Haly !" cheeps the robin in the 
tree ; 

"Little Haly!" sighs the clover, "Little Haly!" 
moans the bee ; 

"Little Haly ! Little Haly !" calls the killdeer at twi- 
light, 

And the katydids and crickets hollers "Haly!" all 
the night. 



THE MULBERRY TREE 

OIT'S many's the scenes which is dear to my 
j mind 

As I think of my childhood so long left behind ; 
The home of my birth, with its old puncheon-floor, 
And the bright morning-glorys that growed round 

the door ; 

The warped clabboard roof whare the rain it run off 
Into streams of sweet dreams as I laid in the loft, 
Countin' all of the joys that was dearest to me, 
And a-thinkin' the most of the mulberry tree. 

And to-day as I dream, with both eyes wide-awake, 
I can see the old tree, and its limbs as they shake, 
And the long purple berries that rained on the 

ground 
Whare the pastur' was bald whare we trommpt it 

around. 

And again, peekin' up through the thick leafy shade, 
I can see the glad smiles of the friends when I 

strayed 

With my little bare feet from my own mother's knee 
To foller them off to the mulberry tree. 

Leanin' up in the forks, I can see the old rail, 
And the boy climbin' up it, claw, tooth, and toe- 
nail, 

834 



THE MULBERRY TREE 835 

And in fancy can hear, as he spits on his hands, 
The ring of his laugh and the rip of his pants. 
But that rail led to glory, as certin and shore 
As I'll never climb thare by that rout' any more 
What was all the green lauruls of Fame unto me, 
With my brows in the boughs of the mulberry tree ! 

Then it's who can fergit the old mulberry tree 
That he knowed in the days when his thoughts was 

as free 

As the flutterin' wings of the birds that flew out 
Of the tall wavin' tops as the boys come about? 
O, a crowd of my memories, laughin' and gay, 
Is a-climbin' the fence of that pastur' to-day, 
And a-pantin' with joy, as us boys ust to be, 
They go racin' acrost fer the mulberry tree. 



AUGUST 

O MELLOW month and merry month, 
Let me make love to you, 
And follow you around the world 

As knights their ladies do. 
I thought your sisters beautiful, 

Both May and April, too, 
But April she had rainy eyes, 
And May had eyes of blue. 

And June I liked the singing 

Of her lips and liked her smile 
But all her songs were promises 

Of something, after while ; 
And July's face the lights and shades 

That may not long beguile 
With alternations o'er the wheat 

The dreamer at the stile. 

But you ! ah, you are tropical, 

Your beauty is so rare ; 
Your eyes are clearer, deeper eyes 

Than any, anywhere ; 
Mysterious, imperious, 

Deliriously fair, 
O listless Andalusian maid, 

With bangles in your hairl 
836 



TO MY OLD FRIEND, WILLIAM LEACH- 
MAN 

FER forty year and better you have been a 
friend to me, 

Through days of sore afflictions and dire adversity, 
You allus had a kind word of counsul to impart, 
Which was like a healin' 'intment to the sorrow of 
my hart. 

When I buried my first womern, William Leach- 
man, it was you 

Had the only consolation that I could listen to 

Fer I knowed you had gone through it and had 
rallied from the blow, 

And when you said I'd do the same, I knowed you'd 
ort to know. 

But that time I'll long remember ; how I wundered 

here and thare 
Through the settin'-room and kitchen, and out in 

the open air 
And the snowflakes whirlin', whirlin', and the fields 

a frozen glare, 
And the neghbors' sleds and wagons congergatin' 

ev'rywhare. 



837 



838 TO MY OLD FRIEND, WILLIAM LEACHMAN 

I turned my eyes to'rds heaven, but the sun was hid 

away; 
I turned my eyes to'rds earth again, but all was cold 

and gray ; 
And the clock, like ice a-crackin', clickt the icy 

hours in two 
And my eyes'd never thawed out ef it hadn't been 

f er you ! 

We set thare by the smoke-house me and you out 
thare alone 

Me a-thinkin' you a-talkin' in a soothin' under- 
tone 

You a-talkin' me a-thinkin' of the summers long 
ago, ^ 

And a-writin' "Marthy Marthy" with my finger in 
the snow ! 

William Leachman, I can see you jest as plane as 

I could then ; 
And your hand is on my shoulder, and you rouse 

me up again; 
And I see the tears a-drippin' from your own eyes, 

as you say: 
"Be rickonciled and bear it we but linger fer a 

day!" 

At the last Old Settlers' Meetin' we went j'intly, 

you and me 
Your hosses and my wagon, as you wanted it to be ; 



And sence I can remember, from the time we've 

neghbored here, 
In all sich friendly actions you have double-done 

your sheer. 

It was better than the meetin', too, that nine-mile 

talk we had 
Of the times when we first settled here and travel 

was so bad ; 
When we had to go on hoss-back, and sometimes on 

"Shanks's mare," 
And "blaze" a road fer them behind that had to 

travel thare. 

And now we was a-trottin' 'long a level gravel pike, 
In a big two-hoss road- wagon, jest as easy as you 

like 
Two of us on the front seat, and our wimmern-folks 

behind, 
A-settin' in theyr Winsor-cheers in perfect peace of 

mind! 

And we pinted out old landmarks, nearly faded out 

of sight: 
Thare they ust to rob the stage-coach; thare Gash 

Morgan had the fight 
With the old stag-deer that pronged him how he 

battled fer his life, 
And lived to prove the story by the handle of his 

knife. 



840 TO MY OLD FRIEND, WILLIAM LEACHMAN 

Thare the first griss-mill was put up in the Settle- 
ment, and we 

Had tuck our grindin' to it in the Fall of Forty- 
three 

When we tuck our rifles with us, techin' elbows all 
the way, 

And a-stickin* right together ev'ry minute, night 
and day. 

Thare ust to stand the tavern that they called the 

"Travelers' Rest," 
And thare, beyent the covered bridge, "The Coun- 

terfitters' Nest" 
Whare they claimed the house was ha'nted that a 

man was murdered thare, 
And burried underneath the floor, er 'round the 

place somewhare. 

And the old Plank-road they laid along in Fifty-one 

er two 
You know we talked about the times when the old 

road was new: 
How "Uncle Sam" put down that road and never 

taxed the State 
Was a problum, don't you rickollect, we couldn't 

d/wonstrate ? 

Ways was devius, William Leachnian, that me and 

you has past ; 

But as I found you true at first, I find you true at 
last; 



TO MY OLD FRIEND, WILLIAM LEACH MAN 841 

And, now the time's a-comin' mighty nigh our jur- 

ney's end, 
I want to throw wide open all my soul to you, my 

friend. 

With the stren'th of all my bein', and the heat of 
hart and brane, 

And ev'ry livin' drop of blood in artery and vane, 

I love you and respect you, and I venerate your 
name, 

Fer the name of William Leachman and True Man- 
hood's jest the same! 



WE rode across the level plain 
We my sagacious guide and I. 
He knew the earth the air the sky ; 
He knew when it would blow or rain, 
And when the weather would be dry : 
The bended blades of grass spake out 
To him when Redskins were about ; 
The wagon tracks would tell him too, 
The very day that they rolled through : 
He knew their burden whence they came 
If any horse along were lame, 
And what its owner ought to do ; 
He knew when it would snow; he knew, 
By some strange intuition, when 
The buffalo would overflow 
The prairies like a flood, and then 
Recede in their stampede again. 
He knew all things yea, he did know 
The brand of liquor in my flask, 
And many times did tilt it up, 
Nor halt or hesitate one whit, 
Nor pause to slip the silver cup 
From off its crystal base, nor ask 
842 



THE GUIDE 843 

Why I preferred to drink from it. 

And more and more I plied him, and 

Did query of him o'er and o'er, 

And seek to lure from him the lore 

By which the man did understand 

These hidden things of sky and land : 

And, wrought upon, he sudden drew 

His bridle wheeled, and caught my hand 

Pressed it, as one that loved me true, 

And bade me listen. 

There be few 

Like tales as strange to listen to ! 

He told me all How, when a child, 

The Indians stole him there he laughed 

"They stole me and I stole their craft !" 

Then slowly winked both eyes, and smiled, 

And went on ramblingly, "And they 

They reared me, and I ran away 

'Twas winter, and the weather wild; 

And, caught up in the awful snows 

That bury wilderness and plain, 

I struggled on until I froze 

My feet ere human hands again 

Were reached to me in my distress, 

And lo, since then not any rain 

May fall upon me anywhere, 

Nor any cyclone's cussedness 

Slip up behind me unaware, 

Nor any change of cold, or heat, 

Or blow, or snow, but I do know 

It's coming, days and days before ; 

in. 18 



844 THE GUIDE 

I know it by my frozen feet 
I know it by my itching heels, 
And by the agony one feels 
Who knows that scratching nevermore 
Will bring to him the old and sweet 
Relief he knew ere thus endowed 
With knowledge that a certain cloud 
Will burst with storm on such a day, 
And when a snow will fall, and nay, 
I speak not falsely when I say 
That by my tingling heels and toes 
I measure time, and can disclose 
The date of month the week and lo, 
The very day and minute yea 
Look at your watch ! An hour ago 
And twenty minutes I did say 
Unto myself with bitter laugh, 
'In less than one hour and a half 
Will I be drunken!' Is it so?" 



SUITER'S CLAIM 

SAY ! you feller ! You 
With that spade and the pick ! 
What do you 'pose to do 

On this side o' the crick? 
Coin' to tackle this claim ? Well, I reckon 
You'll let up ag'in, purty quick! 

No bluff, understand, 

But the same has been tried, 
And the claim never panned 

Or the fellers has lied, 
For they tell of a dozen that tried it, 

And quit it most onsatisfied. 

The luck's dead ag'in' it! 

The first man I see 
That stuck a pick in it 

Proved that thing to me, 
For he sort o' took down, and got homesick, 

And went back whar he'd orto be ! 

Then others they worked it 
Some more or less, 
845 



846 SUTTER'S CLAIM 

But finally shirked it, 

In grades of distress, 
With an eye out a jaw or skull busted, 

Or some sort o' seriousness. 

The last one was plucky 

He wasn't afeerd, 
And bragged he was "lucky," 

And said that "he'd heerd 
A heap of bluff-talk," and swore awkard 

He'd work any claim that he keered ! 

Don't you strike nary lick 

With that pick till I'm through ; 

This-here feller talked slick 
And as peart-like as you ! 

And he says : "I'll abide here 
As long as I please !" 

But he didn't. ... He died here 
And I'm his disease ! 



DOLORES 

TITHE- ARMED, and with satin-soft shoulders 
-I ^ As white as the cream-crested wave ; 
With a gaze dazing every beholder's, 

She holds every gazer a slave : 
Her hair, a fair haze, is outfloated 

And flared in the air like a flame ; 
Bare-breasted, bare-browed and bare-throated 

Too smooth for the soothliest name. 

She wiles you with wine, and wrings for you 

Ripe juices o| citron and grape ; 
She lifts up her lute and sings for you 

Till the soul of you seeks no escape ; 
And you revel and reel with mad laughter, 

And fall at her feet, at her beck, 
And the scar of her sandal thereafter 

You wear like a gyve round your neck. 



847 



MY FIDDLE 

MY fiddle? Well, I kindo' keep her handy, 
don't you know ! 
Though I ain't so much inclined to tromp the strings 

and switch the bow 

As I was before the timber of my elbows got so dry. 
And my fingers was more limber-like and caperish 
and spry ; 

Yit I can plonk and plunk and plink, 

And tune her up and play, 
And jest lean back and laugh and wink 
At ev'ry rainy day ! 

My playin' 's only middlin' tunes I picked up when 

a boy 
The kindo'-sorto' fiddlin' that the folks call "cor- 

daroy" ; 
"The Old Fat Gal," and "Rye-straw," and "My 

Sailyor's on the Sea," 

Is the old cowtillions 7 "saw" when the ch'ice is 
left to me ; 

And so I plunk and plonk and plink, 

And rosum-up my bow 
And play the tunes that makes you think 
The devil's in your toe ! 
848 



MY FIDDLE 849 

I was allus a-romancin', do-less boy, to tell the 

truth, 

A-fiddlin' and a-dancin', and a-wastin' of my youth, 
And a-actin' and a-cuttin'-up all sorts o' silly pranks 
That wasn't worth a button of anybody's thanks ! 
But they tell me, when I used to plink 

And plonk and plunk and play, 
My music seemed to have the kink 
O' drivin' cares away ! 

That's how this here old riddle's won my hart's 

indurin' love ! 
From the strings acrost her middle, to the 

schreechin' keys above 
From her "apern," over "bridge," and to the ribbon 

round her throat, 

She's a wooin', cooin' pigeon, singin' "Love me" 
ev'ry note ! 

And so I pat her neck, and plink 

Her strings with lovin' hands, 
And, list'nin' clos't, I sometimes think 
She kindo' understands ! 



NORTH AND SOUTH 

OF the North I wove a dream, 
All bespangled with the gleam 
Of the glancing wings of swallows 
Dipping ripples in a stream, 
That, like a tide of wine, 
Wound through lands of shade and shine 
Where purple grapes hung bursting on the 
vine. 

And where orchard-boughs were bent 
Till their tawny fruitage blent 

With the golden wake that marked the 
Way the happy reapers went ; 
Where the dawn died into noon 
As the May-mists into June, 
And the dusk fell like a sweet face in a 
swoon. 

Of the South I dreamed : And there 
Came a vision clear and fair 

As the marvelous enchantments 
Of the mirage of the air ; 

850 



NORTH AND SOUTH 

And I saw the bayou-trees, 
With their lavish draperies, 
Hang heavy o'er the moon-washed cypress- 
knees. 

Peering from lush fens of rice, 
I beheld the Negro's eyes, 

Lit with that old superstition 
Death itself can not disguise ; 
And I saw the palm-tree nod 
Like an Oriental god, 
And the cotton froth and bubble from the 
pod. 

And I dreamed that North and South, 
With a sigh of dew and drouth, 

Blew each unto the other 
The salute of lip and mouth ; 
And I wakened, awed and thrilled 
Every doubting murmur stilled 
In the silence of the dream I found fulfilled 



THE DAYS GONE BY 

OTHE days gone by ! O the days gone by ! 
The apples in the orchard, and the pathway 

through the rye; 
The chirrup of the robin, and the whistle of the 

quail 

As he piped across the meadows sweet as any night- 
ingale ; 
When the bloom was on the clover, and the blue 

was in the sky, 

And my happy heart brimmed over, in the days 
gone by. 

In the days gone by, when my naked feet were 

tripped 
By the honeysuckle tangles where the water-lilies 

dipped, 
And the ripples of the river lipped the moss along 

the brink 
Where the placid-eyed and lazy-footed cattle came 

to drink, 
And the tilting snipe stood fearless of the truant's 

wayward cry 
And the splashing of the swimmer, in the days gone 

by. 

852 



THE DAYS GONE BY 853 

O the days gone by ! O the days gone by ! 

The music of the laughing lip, the luster of the eye ; 

The childish faith in fairies, and Aladdin's magic 

ring 
The simple, soul-reposing, glad belief in every 

thing, 
When life was like a story holding neither sob nor 

sigh, 
In the golden olden glory of the days gone by. 



THE CLOVER 

SOME sings of the lilly, and daisy, and rose, 
And the pansies and pinks that the Summer- 
time throws 

In the green grassy lap of the medder that lays 
Blinkin' up at the skyes through the sunshiny days ; 
But what is the lilly and all of the rest 
Of the flowers, to a man with a hart in his brest 
That was dipped brimmin' full of the honey and 

dew 
Of the sweet clover-blossoms his babyhood knew? 

I never set eyes on a clover-field now, 

Er fool round a stable, er climb in the mow, 

But my childhood comes back jest as clear and as 

plane 

As the smell of the clover I'm sniffin' again ; 
And I wunder away in a barefooted dream, 
Whare I tangle my toes in the blossoms that gleam 
With the dew of the dawn of the morning of love 
Ere it wept ore the graves that I'm weepin' above. 
854 



THE CLOVER 855 

And so I love clover it seems like a part 
Of the sacerdest sorrows and joys of my hart; 
And wharever it blossoms, oh, thare let me bow 
And thank the good God as I'm thankin' Him now ; 
And I pray to Him still fer the stren'th when I die, 
To go out in the clover and tell it good-by, 
And lovin'ly nestle my face in its bloom 
While my soul slips away on a breth of purfume. 



GEORGE A. CARR 

O PLAYMATE of the far-away 
And dear delights of Boyhood's day, 
And friend and comrade true and tried 
Through length of years of life beside, 
I bid you thus a fond farewell 
Too deep for words or tears to tell. 

But though I lose you, nevermore 
To greet you at the open door, 
To grasp your hand or see your smile, 
I shall be thankful all the while 
Because your love and loyalty 
Have made a happier world for me. 

So rest you, Playmate, in that land 
Still hidden from us by His hand, 
Where you may know again in truth 
All of the glad days of your youth- 
As when in days of endless ease 
We played beneath the apple trees. 
856 



Date 



Library Bureau Cat. No. 1137 




3 1210012399141