Full text of "Coraddi"
coraddi • special
edition
Volume 1 A Tabloid Of Poetry
(^■il
J-^SUC^'J Wiff, AjoV£Ma£fi J9j/9?l
CortMl Special Edition. Paga 2
Coraddl Special Edition
Coraddl is pleased to present a tabloid of poetry— an
Idea that has been in the making for two years, and has
finally been realized. In this special edition, we offer
you not only some of the best student poetry at UNC-G,
but some of the best faculty poetry as well.
We would like to give special thanks to The
Carolinian, and Its Editor, Kendra Smith, for assistance
with this publication.
Editor
Associate Editor
Art Director
Business Manager
Advertising Manager
Advertising Salesperson
Cover Design
Mary Acosta
Vicki Bosch
Chuck Newman
Elizabeth F. House
Gene Hayworth
Fred Pierce
Mary Jane Maxwell
Lori Pfeffer
Lisa Powell
Stan McCulloch
Amy Stapleton
Mark Wallace
Molly Winner
CONTRIBUTORS
Student
Victoria Bosch Beth Pollock
Karen Hitchcock Carol Saunders
Chuck Newman Kathy Scherff
Bruce Plephoff
Clyde F.Smith
Teresa Taylor
Mark Wallace
Molly Winner
Faculty
Fred Chappell
Charles P.P. Tisdale David Rigsbee
It was odd
drinking wrne
from the little
globed glass you once
kept your goldfish in.
a year ago she swam
round and round
this miniature bowl
never touching the sides
and never getting anywhere
just a pretty piece
of live gold
barely existing
on your dresser
by the mirror
Beth Pollock
Drought
Carol Saunders
The flowers shed
Their petals on
the cracked
Earth.
laying in
sunlight
where Rivers
run low
the Animal's thirst
^oesunquenched.
Everything
depends on
the Rain.
Last Chapter
Karen Hitchcock
And Dorothy grew old. older than rags
Heaped and drooping and covered in sags.
The country grew dimmer and dust filled the air.
And Dorothy pulled at her old matted hair.
Wind hugged around corners, moaning a song
Of frightening fingers feeling along
Cracks between boards that were bending with pain,
Creaking and drying and waiting for rain-
And Dorothy lay in her usual place,
Her eyes of old marble burnishing space.
With their gleam of a candle, remembering years
And the wax of her memory running like tears.
So Dorothy remembered and twisting her smiles,
She crept through her stories and placed them in piles
With the yellowing quilts, useless and (hin.
That she drew to herself in a crumbling skin.
But she turned from her time, hushing its speech.
Letting go of her covers and opening her reach,
She sank back in pillows, feathers ancient and broken,
And listened and waited for something unspoken.
The rain fled its maker, hurriedly seeking
The earth's creviced warmth, amber and reeking.
And Dorothy flew from the tangles and pain.
Leaving behind Kansas' dust once again.
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Condtff Special EdiKon. Page 3
Tenaya Canyon
Clyde F. Smith
I hear a constricted release of breath from the kitchen.
I look at my journal,
close it, put it away.
My pen had made only vague scratches.
I open my mail.
A cat enters the room and jumps into the shadow of my lap.
I toss it to the shadows beneath the desk.
It is not my cat.
It is not my house.
I understand the refugee.
I understand the hostage.
I hear the dishes clanking together,
the whine of hot water,
the scratching of a brillo pad
on my favorite chipped cup.
I turn the radio on and gulp warm water from the dull glass.
Ice cubes long gone.
I read the mail and listen to the cat
playing with the electric cords.
He has a skin disease and is restless.
My wisdom teeth are coming in and i have thick calluses
on my hands and feet.
I write a tetter to Heidi.
I call her a bitch, a slut, a whore.
I crv and mark up the letter,
then remember a postcard,
the postcard of Tenaya Canyon.
I find it and write:
Dear Heidi,
I wrote you a strange letter.
I decided not to send it.
I hope you have sweet dreams.
««*ft«ft*ft«*« «*«««***««*«**«««*#««***«««««
Molly Winner
don/t get me hysterical
i ain/t no baby doll to squeeze
to cry out
little squeals of pleasure.
tie a scarf around my neck/ tight
it was so cold but you kept me warm
you kept me silent
but i wanted to cry out.
i didn/t coz you had that look on your face.
you paid me well for free but i gave it to you
don/t you ever stop dreaming.
the lime we were on that wet grass
i w/ my petticoat peeping overmy thighs
&you laughing.
you wanted to dance make me free
i wanted to twist but you made me cry
you saw my white legs then you burst them open
open
open wider it won/t hurt
you said
i believed you.
i saw right then you had a way w/ words.
words you made them jump
fire at me
sting mc
burn bad
drop Ihem off your tongue bitter
hot sin
tongue of love
takeit outon me.
you knew i was your
jewel eyed
green eyed
princess
blonde hair
it was blonde on blonde just like the pictures
those pictures
you saw.
didn/t know they were me til now
well now you know
now you don/t need pictures anymore.
you took my blonde hair right up your lane
right up my alley
cat
almost but i/m kitten
kitten playful wanna make me purr.
rumble throat i try to catch it back-
can/t appear too eager.
til you saw i was not untouched
but you only made me purr
w/ your fire words & my blonde hair
so silky you put it in your mouth
to see if it would melt,
umm— does it taste good?
1 linew you/d like it
that/swhy i keep It
fine for you
can you plop my little ju ju bead
The dead
are led
by their
beds
Restless,
to sleep.
An insomniac
lies
(down).
KathyScherff
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Coratfd' Special Edillon, Page i
The Death of a Poet
Honor's hostage, the poet, is dead,
the viclim of careless and deceitful talk.
D'Anthes drilled out his heart with lead
and felled him like a clover stalk.
His soul had never any room to spare
for dishonor, shame, embarrassment, or spleen.
But when the world had an opinion to air
he revolted (as usual!). Now death intervenes,
for he was murdered. So what use
are these crocodile tears? These fatuous eulogies?
This gross retching up of lame excuses?
Death was Fate's unalterable decree.
When you first knew him didn't you
run after, a pack of syncophantic liars,
and just for fun pucker up and blow
the kindling of his barely lighted fires?
So what now? You should rejoice —
the last tortures were ghastly! Death
consumed him as (ire to a stick: his voice
(his garland!) died out with his breath.
As his blase murderer took aim,
mercy figured as the least of his vices.
Though empty, his heart beat the same
as always, and his trigger-hand was ice.
Why should it tremble? Like them,
like all the kiss-ass flunkies who bank
on perquisites, money, favor, and rank,
he was tossed our way by fate's whim.
A foreigner, he loathed our country too
(our barbarous countrv!), its language and traits;
he was bored stiff by our national debates
and of the poet he raised his hand to.
A Respectable Man
(Tolstoy's notebook)
I didn't sleep well and got up
and wrote about bravery. And so 1 forgot
to sit and reflect on the muzhiks.
This morning I looked frequently
In the mirror (only a ludicrous thing _
can come of this!), but I was happy
nonetheless with the deception and so
snuggled back into bed with a book.
718 W. Market St.
919-273-1396
'Quality service is
our trademark, '*
He's dead now. the grave's done its part.
Just like the unknown singer whose curse
was thai cat-like jealousy chose him for its mouse.
his Lensky, sung in immortal verse,
proves how subtly life follows art.
Why did he exchange his true friends' trust
for the envy, hypocrisy, anxiety, and lust
of the suffocating haute monde?
Why did he offer slanderers his hand
and make hollow men his confidantes
who could, from youth, show wisdom on demand?
Once they snatched the old wreath from his head
they put on thorns disguised with laurel leaf.
The hidden needles made their poison spread
as they cut his forehead underneath.
So the dissembling and shabbiness persisted
until the final days were frantic with alarms
of his decline. His death consisted
of hope and revenge dying in each other's arms.
The music that moved us - it gave
us such delight ■ is gone, the air is still.
The singer's only refuge is his grave,
his lips clamped light with the Reaper's seal.
And you, so hypersensitive to your worth
(your only pedigree's the blood of brutes)
would wreck the few whose misfortune (besides birth)
was to cross the wide path of your dirty boots.
You who crawl and fester around the throne
are the antithesis of Freedom, Fame and Genius.
You hide behind the law's skirts and groan
in ecstasy when Justice shrivels from disuse.
David Rigsbee
From now on, in order to amend my affairs
I must dally inspect my stupidity
in person, so to speak; slop building castles
in the air and disdaining the forms
adopted by all other people but me.
Accordingly I made rules; Constantly force
your mind to act with all its possible strength.
That is Rule 1 . The second follows:
What you've decided to do, do well.
and do not matter what. And the corollaries:
Think over every order from the management
of the estate. No retreat from reality
Faculty
But God judges, you masters of irrelevance!
His justice is sure, though He bides His tiriie.
He reads your reptilian thoughts in advance
and counts your baksheesh a spiritual crime.
Your denunciations will be totally passe
at the Judgment; your wits will desert you
and even your black blood will not wash away
the good poet's blood, which comes from virtue!
(1837)
Mikhail Lermonlov (18 1 7- 184 1}
adapted from the Russian
Note: Alexander Pushkin, Russia 's foremost poet,
died in January of 1837, following a duel with a French
attache,
one Baron d'Anthes, concerning the whereabouts
ofl^adame Pushkin 's affections. Lermontov's
partisan outburst earned him arrest and exile from
the Tsar, but also conferred on him his first fame.
He was 22.
The Lensky mentioned in the poem 's third part Is
the melancholy poet in Pushkin's novel-in-verse
Eugene Onegin. Ironically, he too dies in a duel.
permitted! If need be, be cold and flat,
but only after close scrutiny
and dire necessity. At parties
dance with the most Important ladles.
Speak distinctly, but offer no Impressions
you will have to live up to next time
in society. Choose difficult positions
and be foresquare In front of onlookers.
Try both to begin and end the conversation
always, but without habitual arguing
and constant changing from Russian to French.
Act! And carry on despite confusion.
Seek out the company of people
higher than yourself, for they harmonize
with the sphere of the possible, and theirs
Is an ease that time strangely sweetens.
Thus the key will be to draw a map
in advance for a day, a month, a whole
life, and as many days as I can be true
to my resolve I will continue to set myself
in advance. I must always know
at rigid intersections of time and place
how long I will stay and with what
to concern myself. Doubtless most
of these resolutions will be aftered,
bui all alterations must be explained
In the notebook, whose useful goal Is
that t must rise after, and be something.
As for you, 1 know you'll never believe
that I can change. You'll say, "So,
still at zero!" No, this time I'll
change in an entirely different way.
Before, I would mumble to myself.
"Now, let's do something," and sink.
But this time, God willing, I will
change, and someday be a respectable man.
Fred Chappell
The Queen
"Sing to the blue mountain, my dear one.
Where do you wander?
The skies muffle over with cloud
And the seas founder."
No letter, Marco, has come as you promised.
The linnet has relreated as the zone of sun
Fell south, the corn is gathered all in,
And early snow embitters the mountainside.
Yet I receive no sign.
My fancy portrays you lying broken
By robbers or horrid beast, and all bloodstained
Your mangled harp. Still worse,
New love may possess your mind
And you forget me, plying verse
To music, tuning compliments
To bluer eyes and brighter hair.
How anxiously I pace the battlements
And pretend to keep my eyes on
The shriveled gardens below
While watching the horizon.
Perhaps tomorrow shall bring news of you,
I think, and lay me down to sleep.
But this tomorrow comes on as empty
As the sky is deep.
"How carefree the song you sang me
When the meadow overflowed with white clover,
How winsome the vow you made me
To be my true and pliant- hearted lover."
In Castle Tzlngal I sigh long sighs
And wish I were a silly child again,
Nestled beneath my father's stout roof
And never stolen away to be the wife
Of an iron and fruitless man.
All I'd unremembered I remembered when
You struck the harp and sang the old old ballad.
Unbearable sweetness overcame my head
And heart. I gnawed my inner lip,
Recalling the voice of my gentle mother
When your voice lifted up.
I am not suited for the intricate gloom
And thorny Intrigue of a blackguard time.
There is a child, a sunny child.
Who dances within my breast and combs
Her sunny hair and coddles a painted mammet.
In these bleak years i am defiled
By the drunken ambitions, the nightmare designs
Of a petty Mahomet.
E
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EVERYDAY PRICES AT
SCHOOL KIDSI
I shall not bide here ever.
The poppy chalice shall cease my sorrow.
Or the river.
"As the lone long wind unwinds
Her bobbin of white thread
She sings a song of rejoicing
That she never wed." *
I am a captive lullabye in a land
Of battlesong; no one here
Loves fair word or silken hand.
My mother had not fitted me to brave
The lurid terror of my dreams of knives
Or the labyrinthine whispers that assail.
Asterve my wits. Here no man walks;
But sneaks or stamps or stalks.
And no one tells a tale but the telltale.
And no one thrives here but the mad
CortdOi Special Edillon. PaQe S
Faculty
Or guilty, I dare not confess
In chapel to receive assoitment;
The priest is but a spy.
All this world hates the good.
And I'm afraid that I
Will come to be of these and lose
My soul, dishonor my noble blood.
"Sing sing the silver willow
That flourishes by the stream
Sing sing the pink mallow
Like a faint flame."
Charles P.R. Tisdale
Vapor Trail
Because it cannot be spoken of
That Is why the sky is blue.
Blue, now, beyond bedroom window,
The silver speck breathes its white cloud
Across this square of morning.
There in the cockpit of his dream
Sun glitters the goggled birdman
Climbing through his silent hour
Where heart feels its beat
Exceed the tongue to tell it with.
Dear, at the window
My breath is fog on the glass.
I am writing four words
With my finger. Even before
"Loving you" is done, "I am" evaporates.
Spaces
Through the peepholes in the spiderpiani
Your eyes play hide and seek with a daddy
Gone spooky over lunch. Peanut butter
Cheeks giggle at the teasing of a ghost
Hell-bent on lasting one more Halloween.
The centerpiece is a camouflage of green,
Unseasonal mask, no false face,
A dozen honest glimpses through the blades,
Outside the leaves are falling off the trees.
This morning you hid yourself In the pile
I gathered to a mountain with my rake,
Running the teeth gingerly through the grass,
Careful not to jerk the newest roots.
The tangles unkinked like your hair at daylight
Filtered through my comb the drops of flour paste
Which i;esterday missed your paper dolls
And in the nightfall of your pumpkin moon
Paved the broompalh that switch might ride.
Tomorrow I will wake to the spaces
Reaching out beyond the autumn's end.
You can see so much when the limbs are bare—
The neighbor's laundry flapping on the line,
Smoke curling from the chimneys on the hill,
The unobtruded sun flooding the window
With the chilly thought of another winter
Looking down and through the space
Between the branches of the trees. I will hunt
For your face buried in the sky and miss
The day we knew things too close to sec through.
^*'" JijEaioi' Of ^%E^-^ ^% _. .^ ^»f^ ^%aL#'^ ^^fs.
THE CORNER
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Cortflfl'S(WCl»iedillon.Pags6
Home Run
Bruce Piephoff
Here I am at last
What more could I ask
on my thirtieth birthday
Typer. Home Run cigarettes, Java, a job, low rent (35$/mo.)
Irash pile in the yard, take around fhe bend, six pack in the frig
mice in the cupboard, snake in the attic, stray dog under the house
wild deer to admire, glue, lemon oil, Cream of Wheat
for the mice to eat while I'm asleep
No symphony of flushing toilets, thorazine, LSD. christian publications
ECT. pre frontal lobotomy, TM or other psychedelic experiences
shit stains in my undenwear
thumbtacks, crayons, shoe polish, rat poison
and other harmless objects like
a dog who's easy to live with, stamps, paper, cassette recorder
guitars, chairs, warm weather coming, stolen pens and pencils
cashews, avocado, tuna,
a sharp knife, rope, books, scrapbook and other dangerous articles
including mirrors, memories, a telephone and a ladder where the
side porch steps should be, stars in the sky, noone to say goodbye to
No algebra, permutations, locus of points, tedious tax forms, loan payments
Ice to melt, then boil for coffee, backgammon board, naked lady poker cards
a small harmless wart on my butt
visine, wood to build a fire in the front yard with
a leak tn the roof, snow drifts in the living room, 2 oranges,
a dozen eggs, and 3 frozen dill pickles
no neighbors, no clothes, a hat and a hard on
No family to disappoint, no steel eyes like national fingerpicks to look at
A broken window pane and a slight breeze through that pane
No bloated wallet, $$$, platinum blondes or mercury marquis w/dlvorcc
No shaky knees, liver, heart ground or sky
fleas.flies and bees and nightmares about you
and other dreams from Debussy, Van Gogh, Rimbaud when i can sleep
a flute, a kerosene lamp, no Dylan or Elvis records, Groucho nose and
glasses w mustache, Jesus comic book, no barbells to lift or liver and whey...
windows to stare out of(or peek out of) and walls covered with watercolor
paintings, crayon scratching, postcards, calendars, poems, letters,
pictures, construction paper valentines, lipstick and grease; also to stare at
crickets, dogs, a space heater, mice and the frig to listen to...
Life's not so horrible, alone at 30
without tv, on a Monday night at 3:05 am in Stem, NC
! put Al Jarreau on the antique 2 cylinder Voice of America Hi-Fi
[one speaker blown) and get a low voltage shock treatment
from the armature; the usual (treatment for manic depression)
then light a Home Run (the cure)
and watch Ty Cobb steal second, third, home
through the smoke
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Coraddi
Magazine
Coming
November 23
DTnonNDinon
nKDRDonGnE
DRDDIDNDDAD
MDEnRDIDCnA
A film by Tommy Dorset!,
Herbert Cambili, Jr.
and Richard Hodges
Free Showing Tonight!
6:30 p.m. Thurs. Nov. 19
Forney 211
Paris Salon: An Exhibition
Victoria Bosch
Crowded. Stuffy.
Wfiose gnarled, calloused fiand
forced brealh into this rock?
Steamy sweat on smooth white marble.
Blood flows beneath its icy surface.
Flesh. Chisled out of stone.
Still life passion: tangible sensuality.
Museum walls, curator's stare,
no consolation.
I find myself naked,
my secrets displayed,
set in artist's stone.
Contemplating Hamlet
Mark Wallace
Only men of grandeur arc giv'n to seeing ghosts.
But once, when I was small, I took it in my head
to spot one on the steps. Trembling I ran to boast
to Dad, who half-asleep lay dreaming in his bed,
that I had seen a great white figger, walking just
outside our house, so graceful I knew he was dead.
Dad dismissed me. "All," he said, "who quit this earth must
in their graves remain. None are while, and none can walk,
and none their shapes retain. The dead arc loaves of dust."
Falher-the ghosts of leaves, they cover you and, rustling, talk
of shifting souls. Child again as I take the Host,
your throng I watch for — there! or there!; at the stone I balk.
surfside
Chuck Newman
we are riding in my car.
this is the week of rain,
the wet month come a week early,
it has cleared some in the last two days.
the water on the streets is receding--
we get tired of the water on the streets,
my friend beside me is looking at the
bright color paintings In his new magazine,
and when we get home we will try on
our new shirts.
rain at the beach.
we can sleep late,
and the band outside the hotel
won't play in the afternoon.
caught inside by the rain.
melanic tells us to realize our bodies,
to holdall lines straight.
all the girls put on boys' shoes
and dance around the room
in their undenA/ear.
sometimes we have to get out.
we go to the wet strand for walks,
it is a chance to wear our new shirts,
and we can look at people.
my girlfriend wears linen pants on the beach
with the hem rolled up.
she goes into the ocean up to her knees
then runs out.
Many have tried. NONE HAVE SUCCEEDED.
New York Pizza is still the best.
Carolina
Circle Mall
621-3394
337 Tate St.
272-8953
M-Sat. 11 a.m.- 1 a.m.
Sun. 1 p.m.-l a.m.
CoradOl Special Edlllon, Pige 7
Our Relationship
Teresa Taylor
I hear you on the other side
of the door as i prick
my ears to
hear your presence beyond
the wooden structure
the keys jiggle in your
hands 1 can Imagine you
fumbling for the right
one
as you fumbled for
the right word
or the right touch
to please me
only to fall.
try another key now as
I reach for the door
handle
anxious to turn It
and open the door
as i am always
so eager for what
1 think may be
but never Is.
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