FROM THE LIBRARY OF
REV. LOUIS FITZGERALD BENSON, D. D.
BEQUEATHED BY HIM TO
THE LIBRARY OF
PRINCETON THEOLOGICAL SEMINARY
c2/6 J—
[ryassMP/fegrcp ana mmw w&asm
THE] EASY ~IN^$RU€TOR
OR,
.1 .YEW METHOD OE TE.lfHf.yG
SACIiEB HARMONY.
CONTAINING,
-I. The Rudiments of Music on an improved Plan, wherein th< and Timing,of the Notes are famili the weai ! Capacity.
-II. \ iii i . :, i ion ol PSALM TUNES and ANTHEMS, from the most celebrated Authors, with a number composed in
:iikI Ann n a, t ■ntin l\ new ; suited to nil the Metres sung in ilu < 'hurches in the LTuited Si
Published hr the U»o • 1 SINGING SOCDE1 IKS in g«fe»M, but more [>arti( nlarly lor tV'M' who Itave jw< the advantage ol an I\- rRUCTOB
terent 1
Apse i\l
I5Y WILLIAM LITTLE 1 WILLIAM SMITH.
The Music Types of this Book are sea red Lm i Patent 'from t he United Suites.
I! ghta to make or u«- them may be obtained liy*fc>;>lyiiv.; u> the publishers.
IHWIll' MP—— 1 — m—
i
6
PRINTBB BY WEBSTERS 81 SKINNERS AND OLIVER STEELE,
And sold at their respective Book-Stores, at the corner of State and<f earl-itrects, ajj>l at No. U7 South Market-street.
1831.
m
0
SSSSMSM
ADVERTISEMENT,
As Ike Authors are well aware, that whatever has the appearance of novelty is, from this very circumstance, in danger of meeting witn an un-
favourable reception; they request nothing more than a critical observation of the certificate annexed, and an impartial examination of the method
proposed, being willing to submit the merit of the performance to the determination of the candid arid judicious. As the introduction of the four
singing syllables, by characters, shewing at sight the name of the notes, may perhaps be considered as subjecting those who are taught in this
manner to difficulty in understanding other books, wiih<**t this assistance— the authors would just observe, that if pupils are made acquainted
with the principle here laid down, the objection will 6e found by experience, more specious than solid. To this it might be added, that in the
old wav, there are no less than seven different w»/s of applying the four singing syllables to the lines and spaces, which is attended with great
difficulty: But this difficulty is entirely remoW upon the present plan ; and we know of no objection to this plan, unless that it is not in use ;
which objection is no objection at all, or * least, cannot be decisive, as this would give currency to the entire rejection and exclusion of all im-
provements whatever. And as the nov^y of a singing book rendered so easy, from its improvements, that any person of a tolerable voice might
actually learn the art of psalmody w^ioul an instructor, if they could but obtain the sounds of the eight notes, which has led its advocates to re-
quest a publication of the same- We have therefore, the pleasure to inform the public, that since subscriptions have been in circulation for this-
book, we have been honoured with upwards of three thousand subscribers : In consequence of which, we flatter ourselves that this book will
meet with a kind reception.
WILLIAM LITTLE.
Philadelphia, August 15th, 1798. WILLIAM SMITH."
The Committee appointed by the URANIAN SOCIETY of Philadelphia, to examine a Singing Book, entitled
"THE EASY INSTRUCTOR," hy William Utile,
Report — That having carefully examined the same, they find it contains a weii digested system of principles and rules, and a judicious collec-
tion of tunes : And from the improvement of having only four significant characters, indicating, at sight, the names of the notes, and a sliding
rule for timing the same, this book is considered easier to be learned than any we have seen.
Were it possible to acquire the sound of the bight notes but by imitation, they verily believe they might be obtained by the help of this book ;
even without an instructor.
The committee arc of opinion, the Author merits the patronage and encouragement of all friends to Church Music.
EDWARD STAMMERS,
RICHARD T. LEECH.
PREFACE.
icy call up
ii, „,i,ui »r> thp Kirrrd sen he of the temple, hi n wnai rapture ao im\ ues« uuc u* hilus — mm »>nai iu.^ uv uaj v«.. -,.--• • ---
feK J llso r S dit!u daty-fl it a good thing to give thanks unto the Lrd, and to sing praises unto thy nam*. 0 thou Most
lZh" W 1 1 L or i frltgoTto 14 prai™ «£• our God ; Jbr A S pliant, and fart, fa- com% 0*f «* *J Lord a m. 'ong-
"! ;, J ," lid K«W«to Ik ZrT-blm to — /- /*f «« •***»}* day <o Azy Nor hath Christian** dispensed
v Sli HMous song as an unmeaning ceremony, or an unprofitable sacrifice. It commands us to »W the F ath<
ther in spirit and in trulli ; but
wiiti rpli«nous son" a* an umncan ng ceremony, or an unproniame sacriiwe. u cuunuauu., »a «» ^i«' "•« » «"« «■ *{» - — - , '
er *e£t eii^hose outward acknowleJ^nents IfaS fitly express and cherish the pious temp«£ Our blessed LorS was please, 1 to com -
\ V .;« a i of worahin bv his own example, under circumstances the most affecting. He concluded ft* celebration ot that supper, whicn was
crate tins a; t c I « ors . by ns own «?™P^ , , ; , f ,|v cxhorteu to thc ob^ance of this duty .—Let i of
iHfjJSR £?&* S E adjusting ot another iSpsaZ, and iymn, and ^ «,. ; tinging ** grc ce h un-r
'"'Dm^st^'idoubtedly the language of nature : It originates from our frame and constitution : Do loft) ^platjons, dented joy -and
fcrvo^affin -ive beauty and diprit? to language, and associate with the charms of poetry, by a kindred la* ^ch the Creator h itb estab-
u53« The lefsingiy unite with strains of sweet and solemn harmony. And there are two principal vjews, in <*kh mu. u to
atr-ctions and that it hath no expression for malignant and tormenting passions; thc sorrow, therefore, to which it is Mttneo, . noma oc r
wUhl^pe-ihe penitence whichit expresses, cheered with the sense of pardon, and the mournful scenes on winch it somctuncs dwefla, ...-Jia
ted with thc glorious views and consolations of the gospel. -fr-rf.nn • • .» is thc prerogative of this
In the second place, music not only decently expresses but powerfully excites and improves the i dej out affection , , 7,,/'^,'?^ attention ■
•noble art to cheel and invigorate the mind-to still the tumultuous passious-to calm the troubled thoughts, and to fix the wandering attention .
4 THE EASY INSTRUCTOR.
Arid hereby it happily composes and prepares the heart for the exercise of public worship. But it further boasts a wondrous efficacy in leading
to that peculiar temper which becomes the subject of praise, and is favorable to religious impression. It can strike the mind with solemnity and
awe, or melt with tenderness and love — can animate with hope and gladness, or call forth the sensations of devout and affectionate sorrows;
even separate and unconnected, it can influence the various passions and movements of the soul ; but it na irally seeks an alliance, and must be
'oined with becoming sentiments and language, in order \o 'produce its full and proper effect ; and never is its energy so conspicuous and delight-
ful, as when consecrated to the service of religion, and employed in the courts of the living God — Here it displays its noblest use, and brightest
glory; here alone it meets with themes thai fill the capacity of an immortal mind, and claims its noblest powers and affections. What voice of
song so honorable, so elevating and delightful 1 To rvhom shall the breath ascend in melodious accents, if not to him who first inspired it ? Where
shall admiration take its loftiest flight, but to I'-.e throne of the everlasting Jehovah? Or what shall awake our glory, and kindle our warmest
gratitude, if not the remembrance of his daily mercies, and the praise of redeeming love ? When the union of the hi art ad voice arc thus happily
arranged — when sublime subjects of praise are accompanied with expressive harmony, and the pleasure of genuine levotion heightened by the
charms of singing, we participate of the niost pure, rational, noble and exquisite enjoyments that human nature is . ible of receiving: — The
soul forgets the confinement with the body, is elevated beyond the cares and tumults of this mortal state, and seems for a while transported to
the blissful regions of perfect love a-id joy : And it is worthy. of remark, that the sacred writings delight to repres< n< the heavenly felicity under
this image: And though such language be allowed to be figurative — though eye hath not seen, nor ear heard, neither hath it i tiered into the heart of
man to • nceive i'-e things llmt God hath prepared for them that love him, yet our most natural — our most just conceptions of the happiness of the
heaven _, vorld, is that whi^ we have been describing, viz. sublime devotion, accompanied with rapturous delight.
The human mind is nr* only capable of extensive knowledge, but is incapable of being entirely in a slate of s ipfhenes s . Tins thirst for happi-
ness implantt d in (lie human breast, must have some object for its pursuit ; therefore the Almighty has made us c | ible of enjoying pure and in-
tellectual pleasure*; and we find if improvements are neglected among young people, their manners at once verge towards heathenism. And
since it is impra ticable for any entirely to separate their children from meeting among young people, those who wish to promote civilization, will
see the importance of bending the young mind to something that will ornament and refine society, even if they ' vc a sep Crate design in it. The
funds of knowledge in the minds of most young people, are not sufficient to carry on a discourse of any considerable length : therefore, we find
that their evenings are often spent in a very simple manner; nothing more will be heard than insignificant jokes, ami vulgarism seems to be the
highest entertainment; but when they have tasted the more pure pleasures, such as flow from music, the young circle seems to look with contempt
on the former manner in which they spent their time, which then seemed to hover them over the summit of bliss. But besides the more imme-
diate propriety and use of divine song in the ordinances of religion, its indirect advantages have a claim to our regard. It is not only in itself
delightful and profitable, but it gives animation to other parts of public worship — it revives the attention — recruits the exhausted spirits, and be-
gets a happy composure and tranquillity. It is peculiarly agreeable as a social act, and that in which every person may be employed. Nor is it
Uie least of its benefits, that it a-ssociates pleasing ideas with divine worship, and makes us glad when we go into the house of the Lord. It is also
THE EASY INSTRUCTOR.
a bond of union in religious societies, promotes the reguhr attendance of their members, and seldom fads of adding totoe* numbers. But
th re se m o be , » -7 >i g more in mLc to unite with our own experience and the wisdom of past ages. The early - found th. -r
ace n t a remlrkab e a tfohment to psalmo.lv, and altnosl every risl .g seel have availed themsel i its important d. mtagt
E32S3S that where pleasure is the^soletrttonti n lotircteofafl ifflerior nature. Bu! is it not a commendable poll 3 .pro-
, rigularT^ni Zee upon places of worship by any means that are not r, pn hensible? Will nol the most beneficial conseq **£
„. ,,,.7 K- there not every reason to expect it.ut persona who frequent the hous< d Go i with thu. view alonft will not he umnten s£ . . th other
. of el in on '-That they who come to sing may lean, to pray-thal tb< j whose only wish it wa i to be entertained, may fan I th, mselves
S£ cteS anlfmproveS ] 8ulh is the happy tendency of well regulated song in the house of God; hut alas- ow seldom »tta. .... 1 of he
s, rvice accompanied with its proper effect. It was the remark ol an eminent writer, too applicable to the present tune, that Hie worship in
wS we TouMmos csemElethe inhabitants ofheaven, is the worst performed .upon earth." His pious labours have greatlj enriched ^the
matter of song and hereby contributed to remove one cause of this compfafct; but in the manner there still remains a miserable defect.-Too
often does aTsmcefuTsilUce prevail to the utter neglect of this duty-too often arc dissonance and discord substituted for the -harms pi me o-
dTand lir,no,\- and the singing ^formed in a way to carelessly arj indecently that as the same writer observes «ins tea o ^K^
rations to tbemosl Bivine and delightful sensations, it awakens our regret, and touches all the strings oi uneasiness within us But wthisow-
n' , ea e wl el, nno, bVienumd, or doth it not imply reproach and blame? Will nol truth oblige us to confess, that thefau rests not ...
a Dw . o .uturaV las,: anil anilities, nor of sufficient leisure, 1 u in agreal carelessne* and neglect? ^^t^^S^^^
.surmount every difficulty, and lead to a suitable proficiency in tins happy art. An exercise so pleasing and attractive, seem, only to want re ula
tion and method.
Time-
THE two first moods of Common Time have four beats in a bar, and may be performed in the following manner viz The first beat, Strike
the end of the fingers on what you beat upon ; the second beat, bring down the heel 0 the hand : the third beat, raise the hand hal ™7«P. *«
lourth beat, raise the band clear up. The third and fourth moods of Common, and the first and second of Compound I .me, have M^irobetta
in a bar, and the best method we know of measuring time in these four mood,, is by beating with the hand, saying one with it up and two
VToarrive a1 an exactness in this mode of calculating, the learner may beat by the motion of a pendulum vibrating in a second, without paying
any regard to the notes. Tor by this method he will become habituated to regularity and exact proportion.
6 THE EASY INSTRUCTOR.
Beating of lime should be attended to before any attempt to sounding the notes is made, (j&J»tjng and beating frequently, while learning the
rules, will be of great service. A large motion of the hand is best at first, but as soon as the learner can beat with accuracy, a small motion is
sufficient.
To attain to exactness, it will be necessary that the learner should name and beat the time of notes in each bar, both of the eight notes and a
number of the plain tunes, in the different moods of time set to the eight notes in this performance, without sounding, until a perfect knowledge
of their variety is obtained, after which, they may proceed to those that are more complex and difficult.
Having complied with these directions, the learner will acquire the time of the notes with much greater ease and exactness, than if his au<*v>.
tion was directed to three things at once — the name, the time, and the sound of the notes.
As much depends on a proper knowledge of time, I would recommend to teachers to make use of a sliding rule, or something that will cover
the notes, so as to admit to the view of the pupil only such note or note:-, as shall determine the first half of a bar at a time; by which means
they will acquire exactness in beating, and give to each its due proportion.
This may be considered by some as an useless novelty, but we can assure them, from long experience, that the effect will convince litem of its
being worthy of attention, and much the quickest and easiest method to ascertain the exact time of the notes.
©f Managing the TFoice.
If directions, given by ancient and modern critics, (for the modulating of the voice) to those who are desirous of excelling in public speaking,
are necessarv, directions are particularly requisite to enable the student in music to sing with grace and energy; therefore,
1st. Above all things affectation should be guarded against — for whilst it is contrary to that humility which ever ought to characterise the de-
vout worshipper, it must be an enemy to the natural ease which always distinguishes the judicious performance.
2d. Care should 1>l- taken to begin with a proper pitch of the voice, otherwise it is impossible to preserve the melodious connexion of the notes,
or the harmony of the parts; for if at the commencement of a tune the voice is too low, languor must prevail ; if too high, an unnatural endeavour
to maintain a proportioned elevation throughout the whole performance.
3d. The articulation must be as distinct as the sound will possibly admit; for in this, vocal music has the preference of instmincntal — that
while the ear is delighted, the mind is informed.
THE EASY INSTRUCTOR.
4th. Though it is the opinion of most wiikrs, that the learners should take the parts best adapted to their respective voices • let them occa-
sionally try the different parts; not only because it makes them better acquainted with the nature and degrees of sounds, but because it has a
tendency to improve the voice, to file off what is too rough, aud what is too effeminate to render more energetic ; whereas monotony is other* isc
apt to take place. By attending to this direction the evil will be greatly guarded against.
5th. Those who have but indifferent voices, will find great benefit, if alter faithfully trying an easy tune themselves, they can gel a good singer
to sing with them; and by attending to his performance they will instantly perceive a difference — the ear will soon experience a pleasing superi-
ority, and the learner, at every succeeding effort, will find that his mechanical sensibility, if we may be allowed the expression, is great]} improved
General Observations.
The learner must endeavor to know the characters, with their time, in the eight notes. Learning twenty or thirty of the plain tunc* well bv
note, before he attempts to sing by word, after which he may sing them over by word.
In keeping time on the rests, or silent beats, I would recommend not to count the whole, and thus commit them to memory but to heat one
bar at a time, and thus continue throughout the tune. This we find is the most easy and accurate method of keeping time on the rests particu-
larly fuged tunes.
Teachers commit an imperceptible error in singing too much with their pupils, and in allowing them to unite in concert, before they can readily
name and time the notes themselves, without assistance. If voices are ever so good, there can be no musn , n here ignorance in i lies'* particulars
occasions frequent interruption. This mortifying circumstance has induced us t<> try this experiment of gaining fluency in nan as the not) b, and
an accuracy of keeping of time, before we suffered our pupils to attempt to unite in the p;;rts ; and the effect eoni in< J u> that it i- si ef-
fectual method to correct the error; which we flatter oursO\ s all who make a trial of will find to exceed their most sanguine expectations.
The high notes in all parts should be sung soft and clear, but not taint : The low notes full anil bold, but not harsh. 'I he best gent ral rule of
singing in concert is, for each individual to sing so soft as '<- !;< >r distinctly the other parts. The practice of singing soft will • the
advantage of the learner, not only from the opportunity it will give him of hearing and imitating his teacher, but it is the best, ami D oat ready
way of cultivating his own, and making it mi lodious.
When music is repeated, the sound should increase together with the emphasis : In tunes that repeat, the strength of voice should increase in
the parts engaged, while the others are falling in with spirit; in which case, the pronunciation should be as distinct mid emphatical as possible.
S THE EASY INSTRUCTOR
When singing in concert, no one, except the teacher or leader, should attempt a solo which does not belong to the part which he is singing ; it
destroys the very intent of the composition, and intimates to the audience, that the person or persons to whom the solo particularly belongs, was
inadequate to the performance.
All solos should be sung softer than the parts when moving together.
Notes tied with each other, should be sung softer than when one note answers to a syllable, and should be swelled in the throat, with the
teeth and lips a little asunder, and sung if possible to one breath, which should be taken previously, at the beginning of each slur which is con-
tinued to any considerable length.
To obtain the true sounds of the intervals, the learner will find great advantage by repeating the sound over and over from the last notes- he is
attempting to sound, until he can obtain the sounds he would wish to retain : Proceeding in this manner, an indifferent voice may be greatly cul-
tivated, when a hasty performance would not only be to no advantage, but discouraging indeed.
The Modes of Time expressed by Figures.
The under figure shews into how many parts the semibreve is divided, and the upper figure shews how many of the same parts fill a bar. In
the first mood of treble time, $, the upper figure shews that there are three notes contained in a bar; the lower figure determines that they are
minims, because two of them make a semibreve. Also, in the second mood, £, the upper figure shews you there are three notes contained in a
T»ar; the lower one that they are crotchets, because four of them will make one semibreve. And so all other modes, which are expressed by fig-
ures according to their marks.
Propriety in accenting is rather to be acquired by example than precept ; therefore, teachers ought to be exceedingly attentive to this particular :
For much of the beauty and energy of music depends upon proper emphasis. To accent such notes as fall on accented syllables, or emphatical
words, let them fall on which part of the bar they may, is the best and most natural rule, and the highest perfection of accent. There are several
other graces, which have a pleasing effect when executed in an accurate manner; but as they are entirely impracticable for learners, I pass their
explanation.
Treble «$• Tenor
V
K-
D
C
B
A
(i
r
rnier.
-so
faw
< (j— f::
A-
<;
F-
B
D-
C
B-
A
G-
Bass.
&
sol
-faw
MD
-law
sol
■faw
-law
sol
-faw
Ian
-so I
faw
-Mi
law
->ol
i
This char-
r, called
1I1 (1 cliff is us-
ed in Treble and
Tenor, and usu-
ally stands on the
s'cond line.
th<
This char-
acter, called
counter cliff,
is used in Coun-
ter, and stands on
the middle line.
Sol
-
Law
a
Mi
Faw
^ Semibreve
Minim
E
E
P-
I—
P-
Notes. Rests.
Q
p
Crotchet
^ Quaver
Semiquavet
P Demisamiquaver
ft
d.
=?
e==
Round Square Diamond Trianglo
A half note represents the semitones between
2 Rirs
This char- ini and faw ana law and faw
acter, called
the Hiss cliff, is
used in Bass, and
stands on the 4ih
line.
The natural place tor mi is in B.
Accent is a certain force of
which, when a
bar consists of 1st
two or three
equal parts, is
on the first.
9
souod
l<t
EE
w
When of four,
it is on the first
and third.
When of six,
it is on the first
and fourth.
A semibrevc rest fills a bar 111 all
moods of time; the other rests are
marks ol silence, equal in time to
the notes after which they are call-
ed.
The fir«;t column shews the name? of
(be lines and spaces — the second the
names and order of the noies.
But if B be flat Mi is in . . E •
if B and E . . . . A I
if B E and A . . . 1> I
ifBEAandD. . . « |
If V be sharp Mi is in . F
If Fand (' C
If F c and (J ... «.'
If P C G and D . . D
10 A SCALE OF NOTES, AND THEIR PROPORTION.
1 Setnibrevc is equal to 2 Minims, 4 Crotchets, 8 quavers, 16 Semiquavers, 32 Demisemiquavers.
[iiiEiiiigi
W9"
*ai BififtEfW
4-4 h— H-4-"W«tta!b»t»i»h
Brace
Shews how many parts are sung to-
gether.
Stave
_.3_Z| — Staccato i
Five lines with their spaces, whereon ~*~Hz!zZ'
music is written. "tTZig— [Z— ^ .
Ledger [s added when notes ascend or descend ~ fZZ j , i *~
line beyond the stave. [ — {-
Flat b Set before a note sinks it half a tone. — ^P~H — | ' '
eIIii
Sharp gr Set before a note raises it half a tone.
Placed on each letter before made fiat or ZZZZ&SS5ZZ
Natural 4 sharp, reduces the music to the natural -&B-3«-F-*-
i:~t~~T7~{T —
Drawn over or under any number of Pi*^ — ' \'_\~
tes, shows they are all sung to one syl- l-Ft^— 3JrJ—
le. b ' ZnEttziziz
scale.
Slur
notes,
lable.
,)otor . ■ At the right hand of a note adds to k -J3r.-_-J— .
point half its length. F- 1 -
„. „ Over or under any three notes, shows ~»3— pj |
.1,™. .Uo„ ->,-o o,„-.n '.r, tl,» tnnp nf «vvr> _p.«p ]-_^
Sinele
that they are sung in the time of two.
Divides the time according to the measure
Bar 4 note.
Shews when to repeat.
Double -
Bar :
Shews that a note thus marked must be
sung in a very distinct manner.
HEEHE
Direct MC At the end of a stave, shows the plaee of -j
the first note on the following stave. I
<C\ I9\ >?\
Hold <*i Notes thus marked are lield beyond their ZT~CZtT~sH
usual time. — T~ ' 1 r--1
Repeat ^ Sliews that the tune is repeated from it to "•£3~Hz'
— ' • the next double bar or close. ! "T^_rJ_
: j s. :
J: Denotes a repetition af preceding words. ___
Peace,
ESS
At the end of a strain that is repeated, the
At the end ol a strain that is repeated, the I 2
I 2 note or notes under 1 is sung before the re- -j—i-jm-t^-J^^l—- __
peat, and those under 2 after ; but if tied iiJ^Iipzl::! Close ."Jill
with a -.lur. both are sung after the repeat. I_*!~*l£_I_J
11
Close ."Ml Shows the end of a tune.
mm
First ZZ Jas a senubreve or its quantity in a measure, sung in tne time of four seconds : four beats in a bar, two down ^7— — ~ __T !
S^l. and two up. ' Z5. Q |_p;r:
o — r—
pi
Second ±~ Has the same measure note, and beat in the same manner, only half as quick again.
d <l ti u (I (I ii j
ZZ Has the same measure note, and sung as quick again as the first : two beats in a bar. one down and one up. -^^-^JpZHZiZ Jz
o 3 ---- d
Fourth -£■ Has a minim in a measure, and beat as the third mood, only a third quicker. W H~Tii k 1 -j
- IE=fEEB
•§ First
o
fj Contains three minims, or their quantity, in a measure, sung in the time of three seconds : two beats don
Sg. and one up. "u
d ii d u (I u
5
£, Second DE Contains three crotchets in a measure, and beat in the same manner, only half as quick again.
a.
4«
£ Third Contains three quavers in a measure, and beat as the second mood, only a third quicker.
" mum
d d u d (I u d .1 u
Ml- I In t-f-^-TZ
12 First S Contains six crotchets in a measure, sung in the time of two seconds : two beats, one down and one un &sZi
3.3 3 »' ^-~ S
-< 94
Eh
U Second
Q Contains six quavers in a measure, and beat as the first, only half as quick again.
£2 N. B. The hand fulls at the beginning of every bar in all moods of time.
The Eight Notes.
*z-&
Intervals Proved.
F~*
sntzzCTzr-
iBSi
mm
^^^^^^^^m^mmm^mm^^
Syncopation.
Syncopation is when notes are so placed that the hand must rise and fall not always at the beginning of each note, but often in the middle.
Printed.
mmmwmmwmwmWwB
p_ift
tlfczi-
z±:£d
tfcztd
mm%
3U11°
These are called driving notes, and are something difficult ; but the above example shows both how sung and printed.
Scale of Flats and Sharps.
The following Scale shows the number of Flats and Sharps belonging to all the Flat and Sharp Keys commonly used
Sharp Key. Flat Key.
BATH. L. M. Sharp Key on A.
13
r
ililii^^^iill^iiS^l^^^Iii^sEi
iliill^ilSigilS
-o-p— »—©-©— F-c---:f=t=-©-T — gf-
Natuw witli open volume stands, To spread her Maker's praise abroad ; And every labour of his hands, Shews something worthy of a God.
giiiiliifIMilliEiii=lii
iiliiilliiiiiSi^lliii^i^i^^i^^^
r-ti 1
TWENTY-FIFTH, S. M. Flat Key on A.
iiilliiSIiifiiSHlli^i^l
■fipEIE
HI
I lift mv viiil to God. My trust is in !:i nun'- ;
La not my iocs that seek my hi Still triumph in n
|a^j^^aq^|Jff I -| f\ H rr ^JJ^Sd^ s ^i
a^s i iiiii
14
FLORIDA. S. M. Flat Key on D.
© J=_ (• E" _ ^ _IE p_U fhrS T-
±±±±ttt=J
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Let sinners take their course, And choose the road to death ; But in the worship of my God, I'll spend my daily breath. But in, kc.
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WINDHAM. L. M. Flat Key on F.
jjjb ,z:zffizg:Iz=z|=z^^
^m-oVP
Egp=Ep||^:|:^g!l^
ioad thRt le-ids tt> death, A.nd thousands walk together there.? But w
^.zz,--z=z:tia«:^zf5zz^q:pizi=z|iizzq
ARVINGTON. C. M. Sharp Key on C.
15
should we mourn departing friends, Or shake ai death's alarms ? 'Tis but the voice whii h .1 sus sends, To call them to bis arms.
Wl,y should we mourn departing friends Or shake at death's alarms ? Tis bul tli ■ roice whi. To cull them to his aims.
rr
:£
B D RW A Y. C. M. '
ZZ-L 1 J i g,1 ■-■-
feS^il^ii^iiisll^ii^i ll'tlSl^i
Awake my heart, arise my tongue, Prepare a tuneful voice ; In (Jod the life of all my j II 'ice. Aloud, fcc.
■1 __
^43K^§
Fi^PPS
Awake my heart, arise my tongue, Prepare a tuneful voice ; In God the life of aU my joys, Aloud will I rejoice. Aloud, bo.
m
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©ALSTON. P.M. Sharp Key on E
U A w » i v X1 • — , _. j
•4^r~fl^^"^1vi l^-^^ i - 'T-rzpzt 1 (-— l-k! — w--J-i — i- Li-^ r-
jtZ- :tt;pZ..XT^Z _v_-X:— M- ~i- cheerful zeal, We haste to Ziort's hill,
" How picas'* and blest was I, To hear the people cry, -■^T^TT-TIZtir' ** ^P^FF-^}~3EE3E
t^"'ll-"Z^l"j2_S'X-Sl-5-l.-i-t--M k-- 1M-U-1— ' v An(i there our vows and honors pay.
" Come let us seek our God to-day ;'
B v *« Uome let us seen urn «"« ■•« — j i _
,,!,«■„ „, do, where'er n be,- Were tra.'llms to »e g.a.e.
:'-:-:2^:i--=rz:iTZ=±rtz_ci:J: 1 t_i — e— j- j^.
17
jg^jipg-EJEUELCT:
STAFFORD. S. M. Sharp Key on A.
reprrfTH^^
Bee wli.it a living stone.
The builders did refuse ;
r^tf^rr^^TF7^
liiiil^ii-SiiilllilJiii
lid refuse; i et God li;ith built hi.-* chinch thereon, Yet God, Sec. Iq
r^ftP
IHi
!^E|^S^l^S^I^Piigillliii
^
Continued.
/ 2
spite of em i
ROCHESTER. CM. Sharp Key on A.
^flljfsgfiat
Come l< I 116 join our cheerful songs, With aiigej* round the throne ; Ten thousand thousand arc dicir tongnef,
But .ill Uieir j.>TS arc one
Slite?fflBi liiiiiiSlailliSiili^S
t 18
OLD HUNDRED. L. M. Sharp Key on A.
RtTfr^i-^-^Tp-pT^-^T^-^T-^-Ti-pT-P — P-Tp-s^-pT^^i-iciP-P^P-p?^-p-5sT=-p7s-Prf ^-FTpi^^^Ht
5EE#zzzxzljzzpT:zzi-zfo
Ye nations round the earth rejoice, Before the Lord your Sov'reign King ; Serve him with cheerful heart and voice, With all your tongues his glory sing.
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ma
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COLCHESTER. CM. Sharp Key on D.
/- "N
IliSg|i^^iii?ifiliSliIiiilil^r^
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My onver ceasing tong shall show, The Mercy of the Lord ; And make succeeding ages know, How faithful is his word.
pgl^ir^ii^^^g^i^pil|?I^lgiili:^
:
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CASTLE-STREET. L. M. Sharp Kry on G.
19
S^IFiggiBi^SlS&lSSlKiijS
IligiiSiiliiiiSiiiiiiiiiiiiiiE^iilii
Sweet is the work, my God, my King, To praise thy name, give thanks and sing ; To show thy lore by morning light, And talk of
Continued.
ALESBURY.
S. M. Flat Key on A.
^l^HJiPiiig
all ihy truths m m^lit. And talk, he.
iiniliiliii
.HHilliglll
The God we worship now, Will guide us till we die ; Will be our God while hero below*
■&■
,'■ .fr
ours above tbe sky.
iiiESliiism§i§iSll^El^
20
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^^Siai^iig
, t>
6ILBOA. S. M. Flat Key on E
• N
~r~~~ taisi — f-
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And must this body die, This mortal frame decay ;
And must these ac-
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And must this body die
This mortal frame decay ;
And must these ac-
I!
a^^a^Ef^ f r "EfcjT. v p„;T ■F=ff-CF~ri"~^~iE^pl
iliiliSiiilllll^gi^il^^liiilgiliyi
tive limbs of mine, Lie mouid'ring in
the clay ? Lie mouid'ring, Sic.
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live limbs of mine, Lie mouid'ring in the clay ? Lie mouid'ring, £cc.
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WELLS. L. M. Sharp Key on G.
^HifgiliiiiSrlSISiili
21
JF^
BE
Life is the time t" serve the Lord, The time .' ensure the great reward ; And while the lamp hold* out to burn, The vilest >innei veiny return.
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BHIGHTHELMSTOJf E. C. M. Sharp Key .... A.
gggggafcj*,! uji u ^t^Bigi^B^
O that the »o.n of men would praise Tho goodness of the Lord ; And those that see thy wond'rous ways, Thy wohd'rous love record.
r# !■
^a^ffig^Sig^irSl
O that the son* of men would pruise The goodness of the Lord ; And those that see thy trond'rous wBys, Thy wond rons love record.
H;> j j if rag? i r piftfrf ft- j i4;riir^^^r^ai
22
BLENDON. L« M. Sharp Key on D.
^^^l^Si^l^^S^^ii
Jesus, my all, to heav'n is gone, He whom I fix my hopes upon : Hi* track I see, airl I'll pursue The narrow war, till him I view
|; piiir^il^SiSpiE^iigiigSSll
Jesus, my all, to heav'n is gone, He whom I fix my hopes upon : His track I see, and I'll pursue The narrow way, till him I view.
f i ?r>: iUi_=zr==r~z-.T ^isiszniszsqisZ— T-j-jzzjizzzTz^igz£jgzzj ^r":z3rzz3ZZZzrJzzzz^i=ndidT-r~^-*~
Ii ^SS-^^zEJ^-fcH — &±~ =- F-^HF^i — prz|z4 iKzzl-t-pig-zzi^^ — ^p FF^-^f
MESSIA H. C. M. Biiarp Key on E.
zzrizjzznzz^Tzzj:
:J^]jg"in""~^T^~f"^~'r£^ ft i ^~'~UT^-T\ : Izzpzzt: — r-zzCzzJz\izQ.zzzf^z^zazzzzrr^~^-\ "1 C
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I know that my Redeemer lives. And ever prays for me; Salvation to his saints he gives, And life and liberty.
l_«
Pla^^^^^^^^^^^^p^^^ip
24
MEAR. CM. Sharp Key on G.
liiilllillliliiii^iliiiili^iiiiiili^
Will Go<l forever cast u-> oil', His wrath forever smoke, Against the people of bis love, His little chosen flock?
"# — zzzz|ztzsi5tz-~zzi;Jzz)zzt--i:
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EVENING HYMN. L. M. Sharp Key on B.
Glory to thee, my God, this night, Forall the blessings of the light ; Keep me, O keep me, King of Kings, Under the shadow of thy wings.
«»,f .fv to the;, ray God* this night, For all the blessings of the light ; Keep mc, O keep me, King of Kings, Under the shadow of thv wings.
I^'-iy J I , J"
$&=*
JORDAN. CM. Shgrp Key en A.
25
MdT:
© — e —
lEiSglep^^ll^iifli^ilirillill
Where s;iints iinuio
Then: is a land of pure delight. Where saints immortal reign ; Infinite day excludes the night, And pleasures banish pain
jiizi^T^nn^giTT ■ i - p i v tk&ivsvm&m*
S\w • t fields be_\ ond the swelling flood, Stand dress'd in living green ; So to the Jiws old Caiman stood, While Jordan roU'd be* i
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20
GREENWICH. L. 31. Flat Key on E.
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11 ZTZ . __" 1*_E ! i , C X_X
=pr
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Lord what a thoughtless wretch was I, To mourn avid murmur and repine, To see the wicked piac'd on high, In pride and robes of honor shine.
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zzfc- [zz — zizszi- Ez|z— i'- ztt^ "tzsz^~ji — — { — g~g~|g~ j z— ? — Bzxmzftzi!'" jzje if'uz'ii" zzizzizi
EzrzIzzzztEzz^zf^
r.:it, Oh, their end, their dreadful end ! Thy sanctuary taught me so ; On slipp'iy rocks I see them stand, And fiery biilotft's roll below
j :zczpzTzz»zzpTzzEZz-z:jzzzTz4z
:zizlzztzzbzizzzzztiizzrzr_z;iz?zizj:z
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DUNKIRK. CM. Rhorp Key on G.
2?
fgggfflffifi&pffig§ I f V J I J ^#pgS ^J J Ti'lfl fr j j |J V} \
Cr *- — ~_l
- i : to ihe Lord Jehovah's nninc. And in his strength rejoice ; When Ids salvation is our theme, Exalted he our voice.
With
mmn
(•--—£" * — -r-G — *-
V 7'rT p— F? r^R r r lp-fc^-ph .Q rFr.rTi>:[i»Fr:g=p-!>fr":[S^
Sirg to th( I. ird Jehovah's name, And in his strength rejoice ; When his salvation is our theme, Exalted be our voice.
With
[^Sj^^^^rff^f^^^^at^^^^^i
— - i»#^i
I ^SS^BBBI^^IJifcriag&i
thanks approach his awful sight, And psalms of honor sing: The fjord's a (jod of boundless might, The whole creation's king, The,
thanks approach his awful si-hr. And psalms of honor sing : The Lord's a God of boundless might. The whole creation's king, The, fcc.
^xq^^jm7RrlfTrH-^rJfJNlM' t \u^m
28
GREENFIELD. P. M. Flat Key on A.
SBHSSBH^Si^ffla
IBS
p-pipt'
iiilllillllii^rt
God is our refuge in distress, A present help when dangers press ; In him undaunted we'll confide, Tlio' earth were from her centre tost,
I
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id mountains in the ocean lost, Torn piecemeal by the roaring tide.
Ht*Ht;-__ _ ^
Continued.
BRIDGEPORT. S. M.
Flat Key on A.
f^feiiSiSliSllilili^Iiil
feBiiiiiliiiiHiEifil
H
*/?.-
i^l|lltSEJgEgl=S
From lowest depths of woe, To God I send my cry ; Lord, hear my supplications now, And gracio'usly reply.
'g^gEggz
c\ —
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S^^r^S
tSZIZ_lZ]ZZ2" "
— -I — [— {-ar»-r — T~ I— t~~
&;::^t=t
29
EzzzIzggE;
-F-
PLYMOUTH. L. M. Sharp Key on G.
Illllilliillipilllilll
s
HHHHH^
^5-
ELJ J f~p j J 1 J jpE^fli
Eternal source of every joy !
Well may thy praise our lips employ,
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While in thy temple we appear,
To hail thee sov'r'eign <>f the year.
ii§?E
±:
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— ^—
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30
K O K WICH. S. M. Flat Key on A.
: 91 zzEEEEz zEizfcl-jzrSEB^
My sorrows like a flood, Impatient of restraint ; Into thy bosom O — Into thy bosom, O my God, Pour out a long complaint.
■n • — V i 2
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ll^SSiilSillili
3=£"
S£SS*
<MI— F
" iffifezoizii
L'_J
• . ,«>f|) ._-— « i , .
VIRGINIA. CM. Flat Key on E.
ir^iz^zzTzin
SsE ZZ — — T^ * — jjZC- jZ'T ^L_SZ: — IZZT" 1 ZTTZZ^EiZ' UZZZy r f"j~ j"~
i 2
S3
Thy words the raging winds control, And rule the boist'rous deep; Thou mak'st the sleeping billows roll, The rolling billows sleep. The, &.C.
IsiigBlligiiiiiiiliglizllili^B
2
znz
f
32
St.MARTIH' S. C. M. Sharp Key on A.
: gpz^zp-Tz— fzT pzztzrgzz ^=g|=?E§Ef^Efeg|f EhSEEr"1
To God I cry'd with mournful voice, I sought his gracious ear, In tlie sad hour when trouble rose, And fill'd my heart with fear.
iiilSig"^^iiffiS^^lfeilSS5&S-a
^F^-zi-k— E4z^:=zF±z: — ^F51 — °~ ^lEEFftEzp tiEzzI ^ — TB-^-
t-r%^zbizzrzrLlja^^J^jgrz^dzzazrJ^J — Lls±:ibi|zbbtzzz±:dz^-brbiz.-piz=z:
— -U-r
m
LENOX. P. M.
~TP~v:
H !"rp Key on (.'.
iziat&bKEEtttEE:
Ye tribes of Adam join With heav'n and earth and seas, And offer notes divine To your Creatoi - ;iraUe ; Ye holy tlirong Of angels bright,
I
IliiiiigfMiiffiliSiiiisi^iiiii^iSi^
iHI^^
\.l '.:
E5ztz!te£ribEESzz3ilfcE
In worlds of light, Begin the song
I 2
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1
WAREHAM. C. M.
Sharp Key on G.
33
^firp | |Q H Fi^B^OT-l' *■ 1 n EMjii.i,i^a
How large the promise, liow divine,
U| .
To Abr'hatn and his seed ,
I'll be a God 10 thee and thine,
mmmEamffiTffWFZB^rrr? r \ ^^m
eK
Hon- lar^c the promise, how divine,
To Ahr'hain and his seed ;
Ml be a God to thee and thine,
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mmm
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Supply i:;
JsTFB
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a!l tlieir need. be
ffMTTH^lNri'S^^
:zcfc^
5-
1
God to thee and thine, Supplying
all their need.
^^^^^^^^^^^^^^^^^^^^^
Supplying all their need. I'll be
God to thee and thine, Supplying
all their need.
^EEE-Jdljhip
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34
TUNBRIDGE. CM. Flat Key on D.
fe
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£5feS=S£
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zza?
ia-z*z±=iz
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Our sins, alas how strong they be ! And like a violent sea, They bi'eak on duty, Lord, to thee,
21331:
And hurry us away.
O* 5 — w._lf:_H..i-ZFB--B-- --■■- ^-+h-h-+ — » — »—+-■• — S
IjjlBS^FEEilillJ
EEiSIzlEzEzSzKzt^^
zz&tTdzzzziztzpzIzEzz^
The waves of trouble, how they rise ! HoV loud the tempests roar ! Bui death shall land our weary souls, S*fe on the heav'nty shore.
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u ^1 r p \ rrPHrtir pT rTTOt-f-p-T^I fTyfr £p&^
WANTAGE CM. Flat Key on D.
35
mmw£WMmwmwmfmmmm$wmmm
Our 'lavs run thoughtlessly along, Without a moment's stay ; Just like a story or a song, We pass our lives I
SPiillllllzlizli^isi^iiill^liiiiiJi
— e__. —
P L E Y E L L 's HYMN. CM. Sharp Key on 15.
So lades the lovely blooming flftVr, Frau «roiling solace of an hour! So soon our transient comforts fly, And pleasure only bloom
36
BRIDGEWATER. L. M. Sharp Key on C.
.t — 1 1 i
^SiepifgSPIIil^llgii§liSIg^
ECi
tt
» i«i » ="f
jfe
i
Sweet is the work, my God, my King, To praise thy name, give thanks and sing ; To shew thy love by morning light, And talk of all thy truths at night.
^zBl
liSSg^lliiSIPiiSiiigi
j J. —
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s^p
m
BURFORD. CM. Flat Key on A.
53:
3
lzk:
p_i:p_p.
::-jzz*::k
-#e*--'
t=zzE
igiiiE
"^ifeilL?^1
O sun of righteousness arise,
t£lz°E3E3
With healing in thy wing; To my diseas'd, my fainting soul, Life and salvation bring.
illlil^iiliiiii^ii^iSl^ilifelillW^
O sun of righteousness arise,
With healing in thy wing ; To my diseas'd, my fainting soul, Life and salvation bring.
1=
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3:
mmwimmwmmmmmMm^^&
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BEVERLY. P. M. Sharp Key on F
if ■ j i u g jJi i r i r r i? ji it re ff .^ .^ ^
Your Maker's praise becomes your voice ;
37
-«
Ye holy souls in (iod rejoice
Great is your theme, your songs be new ; Sing of his
ii^iiiai^l^illlililisyg^liill
Ye holy souls in God rejoice :
Your Maker's praise becomes your voice ;
Great is your iheme, your songs be new : Sing of his
[^^^^^^pEJE^^g^MfejEfeSEJ
z
>Z£
rstz*V:isr
£Sp
iRfFFff
name, hisword, his ways, His works of nature and of grace, How wise, how holy, just and true. M Howwise, how holy, just and true.
§iiiiiiis§iiiiiiiii^ilii^piigi^Eg
name, hisword, his ways, His works of nature and of grace, Howwise, how holy, just and true. Howwise, Howwbe, bow holy, just and true.
*=\ nTJlflOTffgiJruJiJfiff^g
38
DUNDEE. CM. Sharp Key on G.
~ _js>_ J* _ —»- _ ^ _
ElliligiiliiiiSiiilliiiiSiiSIS^
■-r#— i
^
OtzzSz
E^ii^^^g^^^^Bfe^^^^^S^^^^Si
t
Let not despair nor fell revenge, Be to my bosom known ; O give rue tears for other's woes,
And patience for my own.
^iiiiliili^iliiliiliilliiiSPiig^i
l^^p^^^^^^^^^^^^^i^pi.
CHELMSFORD. CM. Fiat Key on A.
:zziz-zz:pzxr~=f®iiszpi~rpiZDZzpzi=c~zi:^zcizcz:
Long have I sat beneath the sound Of thy salvation, Lord ; But still how weak my faith is found, And knowledge of thy word
A-
^^z^^pz^^pgpzp|zezg4n^^|zzz.
~^zzlill?Elzlzi§
ESzcz
I
I
Long have I sat beneath the sound Of thy salvation, Lord ; But still how weak my faith is found, And knowledge of thy word.
g-i-g—t-^T p-T-a t "1 ~B~- ,'
mmB^^^MM^^^mmmmimmmm
•
St. A S A P H ' S. C. M. Sharp Key on B.
39
££
'Nirrin ■ i ■ 1 ■ hHfc*i^
fc
Jesus our Lord ascend tliy throne, And near thy Father sit ; In Zion shall thy power be known, And make thy foes submit. What wonders
EErBEEfcEEBiEiifeE^
I
Jesus our Lord ascend thy throne, And near th i; ; In Zion shall thy power be known 'And make thy foes submit. What wonders
^^Sffl^^^S^Sa
shall thy gospel do ; Thy conwrts shall surpass, The num'rous drops the nura'rous drops of moi ai 4 flew, And own thy love was <;reat.
shall thy -o*p«.l do; Thy convert- shall surpass, The nura'rous dtops, the num'rous drops m' morning dew Ami own inv lore was [
«^ff- T
c^Gfiffib 1 11 1 1 n 1 1 1 1 i"nrrTiftinnniiErj
40
BRADFORD. CM. Sharp Key on E. (A Sacramental Hymn.)
43=£
*-
fell
:*■
3-^i
i^iimiiiiiiiiaea
1. How sweet and awful is the place, Willi Christ within the doors ; While everlasting love displays The choicest of her stores, The, fc.c.
2. While all our hearts and all our songs, Join to admire the feast, Each of us cry with thankful tongues, Lord, why was I a guest ? Lord, &,c.
___ P»p-fc.T-_ T-i— .
g^S
3. 'Twas the same lov« that spread the feast, That sweetly forc'd us in ; Else we had still refus'd to taste, And pevish'd in our sin. And, fcc.
SOUTHWELL. S. M, Flat Key on G.
♦./
Siiilili§i5iiiii^iiEllil:IIiigiliiiilli-S^
I lift my soul to God, My trust is in hu name ; Let not my foes that seek my blood.
Still triumph in my shaihe.
/7\
H'd — ^ — !-!*•
z3t£
I lift my soul to God, My trust is in his name ;
Let not my foes that seek my blood,
•a~
=P
Still triumph
/7\
zr
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—w~.
ARMLEY. L. M. Flat Key on A.
41
, S^K^~ tr^5ES±fcSfeK=t±r zSEr-EfcS z^:&f lEzzjz* EBEfEE
zzzzjitz:
-prq-F-^j — pj~"° — ft~'T~g~F~T"3~^i T^ — ^ | T~ft~~P~T~g~p~j~g~rT~ ~
EEET
To Jesus our exalted Lord, That name in heav'n and earth adore ;
•2-d.
Fain nould our hearts and voices raise, A cheerful song
it. z~~Tzzz:izjj:zzzrj:;LiJQip-gi m^iezp~ izz zzEJCEZiJizTziz
iEfE'£fefe^ESEE£Efc]^gkrlE:riil
zzjiz?— -EZi^^pizzizzz
Hzzz^zdizzzzt:
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HULL. C. M. Flat Key on A.
i-ElPlli
— i-t^tH — i — j j ■—
i^S
zczpzr^zfqiDElZEpjp:
»&UQ.
lllliiEligillli
— PtP-Pt-^-t— -
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" Hark ! from the tombs a mournful sound, ike.
fEZZIZZZJSZDI^-QlCLfZEZIZrHIZZ,
!SSiM^^iliiiES^i^SSifa
^^mss^^
42
BETHESDA. P. M. Sharp Key on G.
^^pn raj=fp v i\ j u swn i u^pgE^gi
^isiiilisiiiiiiiiiiggEiiiiiiifiii
Lord of the worlds above,
"T— ff — 3
How pleasant and how fair,
The dwellings of thy love,
Thy
iisiiiiiii^iiPiiiiigiiiiiiiEiiii^^
=m==t==±==MZ=L
£
i=
lifii
l» h>
=±±
^E^EpE||E^fE^E|E^^^E|EpEp
earthly temples are.
To thine abode
My heart aspires,
With warm desires,
To see my God
■ ■ - 1 — '"^ — asl___ 1 . j 1 __ , A.
i-
T~r~-nrT
3E£EJ
k.
Pil^iirii^l-milil^i
CORONATION. CM. Sharp Key on A.
o^tizz:
?*
Sfr^^= W'^Jfr E^«|=z=: z±=2
l-'— Li-
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:£titH3:p3=
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43
1
[r^trs^3!*
. .,. ^j^mj^SL
FljjsizSzzfe^
All hail the pow'r of Jesus' name ! Let angels prostrate, fall ; Bring forth the royal diadem, And crown him Lord of all.
SUTTON. S. 31. Sharp Key on F.
||pzzz9z|zf3^^
tP-1 -»--*-«,-
Behold the lofty sky, Declares its Maker God ; And all the starry works on high, Proclaim his pow'r abroad.
iii^iiiillilii^llIllillliiPliiil'
gzzzzzi
Behold the lofty sky, Declares its maker God ; And all the starry works on high, Proclaim his pow'r abroad.
,— , ^-k_
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fc-fr— zg — z: "fr-fr— : — zkz: :
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44
MONTAGUE. L. M. Flat Key on D
liiiiiisiiiiiii^iiiiiiiliEii^
gi^**5
Ye sons of men with joy record, The various wonders of the Lord ; And let his pow'r and goodness sound, Thro' all your tribes the earth around
asg*
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S-EBJ
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Let the high heav'ns your songs invite, The spacious fields of brilliant light, Where sun and moon and planets roll, And stars that glow from pole to pole.
T--r- — il:g*--T j— xj r— t i-P 1 z~i"Z~!l_*~&l — - — a — tr~~~T~~~ o~
PENSANCE. CM. Sharp Key on F.
45
'
Qi"^[ffiilSiSilii©ii©^S"€P^i
IIm-hu: i
lo the prince of liglit, Who cloth'd himself in ciay ;
■* rr-
Enter'd the iron gates of death, And tore the bars away.
Hosjnna
Who cloth'd himself in clay ; Enter'd the iron gates of death. And tore the bareaway.
r_Q^T:^-_
W^M^^S^^^^^^^
^^^^SSg^^KpPglliS
Death » oo more thekinSof dread, Since ot.r Emmanuel rose ; He took the tyrant's sting away, And spotfd our
Death is no more the king of dread, Since our Immanuel rose ; He took the tyrant's st.ng away, And spofl'd oui heUMh_foes.
^^p|E^ffi 1 1 ' ii i r in n r TrnTnr
l^-s
L~
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46
LORN. L. M. Sharp Key on G.
l^l^iii^i^iiiigil!il^SIiIiiiEi
^^affi^^g^^^^S^^^^a
Look down, O Lord, with pitying eye; Tho' loud our crimes for vengeance cry, Let mercy's louder voice prevail, Nor thy long suffering patience fail.
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WINDSOR. CM. Flat Key on A.
p_ _ _ _ _^_a_ _p_p„ _p_p_ _q_ p _p_p _^!T!^ x _'TS_p_.r_p_ _^r— — —
-P-T-P-P-T-H-
PZTJSQ^LZ
My God, how many are my fears !
How fast my foes increase !
Their number, how it multiplies!
How fatal to my peace !
Ei§|E^E^ES&=Bry|E#iiEfl^|EfB^EEBSE^i
t^Eiimiiiii^^Ii^^lillliiiiilllEpi
f
BROOKFIELD. L. M.
Flat Key on D.
47
-AnJH'inrfrfp^s^^^^B^dif. rHHrT ip
lil^i^iiii^i^iepiJiiililli^liii
Look down in pity, Lord, and see The mighty woes that burden mo ;
Down to the dust nn life is brought.
Like one Ions
ffarmrjir r n *mmmm?gmi a r r ^r r \nrrm
S. M. Sharp Key on A.
J4-I 1 L
Continued.
-ft'r»q"~
m
-'-
buried and forgot.
WARREN
msjLMm^i
:fztSE^ep:r[
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to pi o i? ff iF Pi * i.-~h»» »r • IP pi o ftfriFPl'^Hf
=PT I1 1 IE-Ll_l^JJXJlHXf i li iffi p eeB!
Let all our tongues be one, To praise, our Go i <>n high. W h" from liis basomw nt his son, To fetrh us strangers nigh.
3t=iz;-C3=~i^=x^==i=:=zxzr zrjp?£:pDz:p:p:r-:z=^zizz-xzzz:i:p._ zj^---.! — TC
£CTfffPFff
48
BRAY. C. M.
Sharp Key on G.
__ I Li , ^^J-Li
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— $
■Vs^ta
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zi±J^£^^^^^^^§^^^^^^^^^^^E
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Awake my heart, arise my tongue, Prepare a tuneful voice; In God the life of all my joys, Aloud will I rejoice. Aloud, k.c.
ANGEL'S HYMN. L. M. Sharp Key on G.
illSlHiiili
EEE^EEgfeE?:
iT — '^-'—tr^-^'- p-}e-£?E-6£-e-— -T e
fe±lzcfcJ.i-rzr.tzizzEjz:
.Jz — j 1 — i — ■-
iiliEflli
The G')d of our salvation hears, The groans of Zion mixt with tears ; Yet when he comes with kind designs, Thro' all the way his terror shines.
r#— IT 1-
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^Stz£
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DORSET. C. M. Flat Key on D. 49
II. ar, gracious God, my humble moan ; To thee I breathe my sighs ! When will the tedious night he gone ? And when the dawn asse '
i^iiSiiiipl=IiplipiipIpiiillpiii
Hear, graciou-* Cod, my humble moan ; To thee I breathe my sighs ! When will the tedious night be gqne ? And when the dawn an-.- ?
ii^liS^i^iOPiSilEiillSiiH^il^li
My God ! O could I make the claim, My father and my friend ! And call thee mine, by •? ry name On which tl nd.
My God! O could I mike the claim, ^; I my friend ! And call thee mine, by ev'ry name On which ihy saints depenU.
iiliiiiiigili ^l^iPllIil^yyil
50
HUNDRED & FORTY- EIGHTH. L. M. Sharp Key on G.
<Ht-pt
*-
v ,/ s . _' _i v. • •»«__• Ln< Lad Uww v^_^ ^ ^
Loud hallelujah to the Lord,
From distant worlds where creatures dwell !
[ ■ IB -^ ~~
Let heav'n begin the
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soleimi word,
And sound it dreadful down to hell.
Let heav'n, &lc.
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fel
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Hundred and Forty-Eighth continued. ^ - ^ 51
szrp.=^«
ESHESEfefiSi
Tlie Lord how absolute lie reign*, ■ Let every angel bend the knee ; Sing of his love in heav'nlv strains, And speak how fierce his terrors be
minimi
3=g#trf[ 1 J J T7T ■ T
A r ■■ 1_»J - ,-a 1
l^i^iiIIiiii^I?ilgll?SillsllPil i .
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'ffife
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High on a throne his glories dwell, An awful throne of shining bliss ; Fly thro' the world, O sun, and tell, How dark thy beams comp ir'd tu his.
^^i^i^iiiii^fiiiii^EEiiEilEklililfiS
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52
MIDDLETOWN. P. M. Sharp Key on A.
1^^^^^^^^^^^^
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MM
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I — i — J- 1 — *
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Hail the day that saw him rise, Ravish'd from our wishful eyes ; Christ awhile to mortals giv'n, Re-ascends his native heav'ii.
:^zzz~3=izE=Ez£;z^^^ t ^ ^«=
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li'iiiiili^lliiliiiiiilllli^liilil^iii
-i Tii T. FT — "~^~T — ' T i ~T~l~n ¥""-1 — f i 1 iT Hi r'FT"^111 — P—r—- ~£zz:pz±zpz zziizztt Jii
There the pompous triumph waits; • Lift your heads, eternal gates ; Wide unfold the radiant scene^ Take the king of glory in.
zczbT-ztitzciE£ttd=itzbitlU^i^ — ±J=±I_
m^^^^^^^m^^^^^smm».
PORTUGAL. L. M.
Sharp Key on G.
53
yvTnrirffSEFFH^ * ' n ni run- ! 11: il .e n n n ii i c
14
iiiif!Sii!iil|^iili!liil?!l^
s
LV i -J»- l La L
How lovely, how divinely sweet, O Lord, lliy sacred couits appear1! F;iin would my Ion ;ing passions meet, The glories of thy presence
HYMN TO THE TRINITY.
rift-o;* zT-^t t-1 it
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2LIZ bz.>z£±kz^i:=z: aizczuzLzzzzrzi: 3^ sr-± zzdzi-g-r Ht-ir-H
P ^zzzzzzEtz^Ezzizz*^^ Jz3z£ Jbz^izzd I*z^z4rtzzz
i^izzizfllS^
P
i\l. Sharp Bey on G.
ELzz?izzlzizzEzB^iiE^
tzHE
-M. , 1_
* thou Alniiglitv K ■. _. Belp us thy name to sing, Help us to praise ! Father all glorious, O'er all victorious, Conte and reign over us, Ancient of
t ^mmmmmm%*m
■iFtiz
.
PCiptC
ssflli^iit
.To-iis utu Lord, arise,
tei ntu enemies.
And make tin m fall !
I ■ thy almighty aid
Out sine di fence be made,
Om souls on thee be stay'd ;
Lord, hear our call !
3, Come thou incarnate Word,
Cud on tin mighty vumi,
Our pray'r attend !
Coma and thy people bless.
And give thy word success ;
Spirit of holiness,
On us descend !
Come holy comforter,
Tlij -u. » - -I *> ii nca ) Urn
In this (dad hour!
Thou who almighty art,
Now ride in ev'ry heart,
Anil ne'er from us depart,
Spirit of poiv'r!
To the great one in three,
Eteriial ntaises be,
Hence everrrfore !
Hisnor'reign majesty
May we in glory M
And to eternity.
Love and adore I
54
DISMISSION HYMN. P. M. Sharp Key on F.
flliHg^iSi^^ilgi^iSiiii
=£Sfe
Lord dismiss us wiih thy bio-iKb, Hope and comfort from above ; Let us each, thy peace possessing, Triumph in redeeming love
» i si fizz ' "~r~T~~'*"i * ' — r^~*~^~^T"J~QT— 17 t| — pT — r^~"J tt !?r.p~Hg'~;^;?T zz_:i ppzzzrt tr__ rnszzzizsTj j_
Thanks we give, and adoration, For the gospel's joyful sound ; May the fruits of thy salvation, In our hearts and lives be found.
-r: t <^*-
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_Q__Q__JQ_£L ._[ P-+-P
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FOUNTAIN. L. M. Sharp Key on C.
t-rn-m n
llil2iii§ilgililgiiiilll^iliilg|
rtS
,_aT_s:
Shall I forsake that heav'nly Friend,
I
Forbid it, that my wandVing heart
zz^fiHtElEai^BiSl^
5EBf
On whom my noblest hopes depend ?
From thee, my Saviour, should depart.
.ii^lPPi^lgiPiigiriliiSElilliiPllSi
i
to==c:
B~—"^
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SYMPHONY. P. M. Sharp Key on E.
FF
55
r^Higii^iEPiiiEiiiiiS
j-B-
ililiftllliiliE
Behold the jud^e. descends, liis guards are nigh ;
Heav'n, earth and hell draw ■\<,u< let all things come. To hear liisju
'
^iyis^lgliiii^liSigflllliiliiiglil^P-yEyr-
Tempests and fire attend him down the sky !
ilfeli^^ffiS^^iiliKi^^Siti&
-m-T-r^-Mzr:
""P"PnryT~g~T p -"P"! — Erf fP^rr H >fgi if-ffih' ' f^^TT"*"!^
• © ©
and the sinner's doom ; But gather fust my saints, the jud^e commands ; Bring them, ye angels, from their distant lands.
^^m
E|=ESEpS|||E|EE^E|Eip^§;F|||E|§|§5
56
in
MALMSBURT. L. M. Sharp Key on D.
z^z
_U± H^
..■H_fc-.
Celestial worlds, your Maker's name, Resound thro' cv'ry shining coast; Our God a greater praise will claim, Where he un-
-^-"TpT^B-^-^j-r — >-
t=Pqi
l^TZZ^ZIZZZItZlh^ZZTtZ^IZ^
JrHzizrpz: :=iz: zz: r^ - -IP^F — F~t'^" f 'f*f~o~^T~ hlF~r~~g
Celestial worlds, your Maker's name, Resound thro' ev'ry shining coast ; Our God a greater praise will claim, Where he
nn-
ll
E0C7#=3:F — d TZZJ ZZ&sfcBEzE
ifczizzzzzs
Continued.
iSt^p
ztEfeglr
pz*zj!:
-tE=ipkSC3I§zz:
iiiiSIl!
£±f=£=d
GUILFORD.
S. M. Flat Key on A.
jAJ'.uP^r
■«-3*j )
folds liis glories most.
is:
~£zzazizgi:
(bids his glories most.
CZ — _z i__ci_c — t r >1~~
^g^ZpipzemzapzpizazZziifzzgizEzaziazpi^zeriiazpzcznrpzT^zc
:[zizzzizzzxzzzTzzz_zi-zzzizzzzziz_f.iz_:i:_z[_:iz_zp;
I hear the voice of woe, I hear a brothers sigh ; Then let my heart with pity flow, With tears of love mine eye
iiiliiiiiiigiiill^iii^^^
"Kfs^
8BB tiiiggi^iiiiiiililiiliiEzll^
mum
P E L H A M. S. M. Sharp Key on D.
67
y-LJr—,* — I — r-
zfeza
iiiiiiiliiiiiiliPi
My soul repeat his praise,
Whose mercies are so great ;
Whose anger is so slow to rise,
So ready to abate.
M f J f* Jtrrt I -I I J p.l ■' -I U -125 M rT tf^fi^44Hr-H
- I-J — __l_a_ J_l_^ZgZIZ^ZZZlZB_| — I 3ZT-B-J— -J—U-l — U — CZI— 1-*^^ — l^.-pZX±ZgLZ3a
My soul repeat his praise, Whose mercies are so great ;
. P t , -
Whose anger is so slow to rise,
— ( — i
-R
gl^^^SSzSJlililrgitElfEfeEiEfe
So ready to abate,
-£r-r
$^
:z*ziznz=z±=z:
m
-
High as the hcav'ns are. rais'd Above the earth we tread, So far the riches of his grace Our highest thoughts exceed. Our highest, &.c.
:z y:^
zzczzzzl-izzj:
lli„h as the hcav'ns are rau'd Above the earth we tread, So far the riches of his grace Our highest thoughts exceed. Onr higheaj, kc
;g^^sr^^§fa-:l^pj
©-•-T
¥"F
FppTririTFg
58
PECKHAM. S. M. Sharp Key on D.
liHiiiigili^g-Slilglig
^iSciffl^zSaffad
Behold the morning sun
Begins his glorious way ,
His heams through all the nations run,
And life and light convey.
iiiiiiliiiilgSSg^liiiSigii
Behold the morning sun
Begins his glorious way ;
His beams through all the nations run,
And life and light convey.
lazizziz^rzaiqizizzdziz
zszi=zzi:§z
— >— —t— —
p. _
m
Gr
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DENMARK. L. M. Sharp Key on D.
* Air. Modorato.
piiiilSllliiliSiiSsilliiSJiiiiiSi
Before Jehovah's awful throne, Ye nations bow with sacred'joy ; Know that the Lord is God alone ; He can create, and he destroy.
»«~P1-r---r-H-"!--?T 1 : r: A I i. l-fr— HT-g
ffiT^rtl
Hz
~zfezE^5g^EE^g£gBIjzgg£
t— k— »it
*iJ^i;iglp
Before Jehovah's awful throne. Ye nations bow with sacred joy ; Know that the Lord is God alone; He can create, and he destroy.
szjzszrff:
&^m^sM^^^^^M^w^^
He can create, and he destroy.
m#Sf
Made us of clay, and form'd us men ; And
Me can create, and he destroy,
Denmark continued.
EE.rd:ld^±J-
His sov'reign pow'r, without our aid,
His sov'reign pow'r, without our aid, Made us of clay, and form'd us men ;
89
E35333E
And
when like wand'ring sheep we stray'd. He brought us to his fold again.
He brought us to Ins fold again.
^^g^^^^qTffffg^i^pb|jj|^^
when like wand'ring sheep we stray'd. He brought us to his fold again. "l- brought us to his fold again
-C»-f— |-^-~=-T-C
t^HtTH-#^n7-rrrnTrTTri
iH
s
s
II
60
Denmark continued. duet.
Treble Andante Affettuoso.
f (i'<f> ,', "~ ~1~ . ■ J — -gr J ■ t j~T~Z~ ~ ~ T- fr~ > ^— 1 PWjg~r -T ■£
We are his people,
we
his
care. Our souls and all ouv
mortal
frame ; What
.iriiy^EiEEi^^^EiE^i^^piiSifeiEfe!
f.
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ka-w^' Sussm*-
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1 l^^^j^^gzg^^^^z^^z^^r^
. f^~q:=P~ff~k~T~tgT~~ ' " — f— - =^— :
lasting,
lasting honours
shall we rear,
Almighty
Maker,
to thy name.
H
T y~^TT"R»^^SE£E^
! — -\ — -v Y" I — zztziz^t^ r™^- — rrrTl —
■— ■ — Udbub-
wms&mmm
:±~
PEEjEE£j
What
lasting honours
shall we rear,
Almighty
Maker,
to thy name.
p^EiiEEaPfpgftiii^^iiilliiiii^^ii
Lend
Denmark continued.
Soft.
61
Loud.
And ea,th. and earth, with her ten thousand thousand
SillP^IiitilSS
We'll crowd thy gates with thankful songs, High as the heav'ns our voices rassej
We'll crowd thy gate* with thankful songs, High as the heav'ns our voices raise ;
And earth, and earth, with her ten thousand thousand
i — ~ ?
r'
tongues, Shall fill thy court, with sounding pra.se. Shall fill thy conns with soundjm praise. Shall HI. M fill thy courts - kfa soundo^use^
" to^cT Shall fill thy courts with sounding praise. ShaU fill thy courts with sounding praise. Shall fill, shall fill thy courts with sou,,.,,,, praise.
62
Denmark continued.
|^^P^^^^T-irTTn:^mrpj]^^^
Wide, wide as the world is thy command, Viast as eternity, eternity, thy love ; Firm as a rock thy truth must stand,
When
ypil?ll^iillillil^li5l^iiiilil^g^
Wide, wide as the world is thy command, Vast as eternity, eternity, thy love ; Firm as a rock thy truth must stand,
When
E±z5E±t^E:::E^E±z£EE±dzEEE
_: — i_p. i_pv'--F- — T-F-b-wt — Tzf?-TH»--»^rT-^V-T:F*-sr?:-F:ni—
Soft.
Loud.
rolling years shall cease to rno\e, shall cease to move When rolling years shall cease to move.
When rolling, he.
zztiit -i* SEE ErHr -tpSSH^tS- St & t& 5±£ !s±itfcttfc[=tf=dB ~-L=: 3 :&&£&;
rolling years shall cease to move, shall cease to move. When rolling years shall cease to move.
_ -tt _^Z__
When rolling, kc.
t^^SiilI^=liiilizJSilllik^feiElfeii§l
SMYRNA. C. M. Sharp Key on A.
6Jt
z__ "_^-zz=zJ=rttitz|i=ti^qszi^^pj:^f"rti:f2Zxi:^_ exipzszfzz izzzipz *zsi:*z*zffZ£T:- zjzzzz
Why should the chihlrcn of a king Go mourning all their days ? Great comforter, descend and bring Some tokens of thy grace Thou art
T
3i?:
E^&lEPESc
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Z3ZZ.1
3!Z"4
zEElE:-2lE^lEE=ESit|E-:EE5ElilEl^
Wliv should the children of a king Go mourning ail their days ? Great comforter, descend and bring Some tokens of thy grace
--**-* — tF-Pt-^H-tI t-
B^^g^^^^^^^^^^^il^^^^
Thou art
If-
''Hrnffirrr^^gB^^y^^B^^^^^g^^P
the earnest of his love, The pledge of joys to come ; And thy sofi wings, celestial dove, Will safe convey me home. And thy, kc
j3^iiiiiiigi^iiigip^-^iiiiiPipEiiiii^i
the earnest of his love, The pledge of joys to come ; And thy soft wings, celestial dove, Will safe convey mc home. And thy, fcc
SiliiPll^illiiiiliEiilEi^gi^iliiiiJ
64
fe
SUNDAY. CM. Sharp Key on D.
i^iiiiiiii^fe^^iiigifeiS^
iff. u
The Lord of Sabbath let us praise. In concert with the blest, Who joyful in harmonious lays, Employ an endless rest.
/7\ /TV /J\
^^^^^^M^^^^^^&^^^^^m
The Lord of Sabbath let us pra>se, In concert with the blest, Who joyful in harmonious lays, Employ an endless rest.
Liiiiiiglliil^liiS^^iiii4lili^^S
BEDFORD. CM.
Sharp Key on F.
H
-_.—__ — I — &__]_
^Z$EEEE+zl%EF
:t
-f-^-PJJ^-erf ^~^f ~P-P"f~" ^F~Fm "^^tt"
BKS=
=-&.-, ^-=-T-?-fr-Tfc-frrfr-y^Hy*
Jehovah'- name, And in his strength rejoice; When Irs salvation is our theme, Exalted be our voice.
^g^g"pz|zg^: -^pq^Tp^^zi^pzE^^zp^zBzgij^rpz is^^+^^trz- p zjzzz+i^ jzEIzzzz flj
>a fBf-°-^ 1 ■ p-F--a*.f-e-f--4- ■■]* -T^f ^F-; -^r T--[-T- f— f — ^-e p -r--°l ^--et-^.-il1:
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PLEYEL'S HYMN SECOND. L. M. Sharp Key on F.
G5
f
Sl^^BSiyS^iglBBHlffiBrE
While '.lice I seek, protecting pow'r. Be my vain wishes still'd ; And may tin's consecrated hour With better hopes be lill'd
rfr v pi r-LT7TT^HB?fJ]^^pp^^^gr[rf <J Ji, J-H
la^Frrrfi^gr^TJ^^^^^lfflffF^^
trt=±
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Thy lo?e the pow'r of thought bestow'd, To thee my thoughts would soar ; Thy mercy o'er my fife lias flow d. That mere; I adore.
5 ■
^^^^^B^^fc^^P^g.^BB
66
HABAKKUK. P. M. Sharp Key on C
gggE
Away my unbelieving fear ! Fear shall in me no more take place : My Saviour doth not yet appear, He hides the brightness of his face.
"^-—-S^Pt — i~t-~T-.— i — ^-i-P-Q-, »T— -~-^rg»fT — m-
SiSEiilliilsiliS^SiiffiitEll
Away my unbelieving fear ! Fear shall in me no more take place : Mv Saviour doth not yet appear, He hides the brightness of his face.
jSii^^^^^^^fepppgE^s^pg^^ipp^
But shall I therefore let him go, And basely to the tempter yield ? No, in the strength of Jesus, no ; I never will give up my shield.
Eut shall I therefore let him go, And basely to the tempter yield ? No, in the strength of Jesus, no; I never will give up my shield.
-m — f- r*— T- -
Habakkuk continued.
67
[Jjjjjjt^a^jl^^^
Altlio' tlic vine its fruit deny, Altlio' the olive yield no oil ; The tvilh'riug fig tree droop and die, The field illiule the tiller's toil ;
-■"1 J <
i§l^Elf«P^li :P*Jil'^liPl^^iI^|Et5i^i:=lf
Aliho' the vine its fruit deny, Aliho' the olive yield no oil ; The with'iing fig tree droop and die, The field illude the tiller's toil ;
Sg^^^fgE^^^g^ppg^^pP^
;?siltiEj|l|EiEg^lg|-^i:#siEgil
The empty stall no herd afford, And perish all the bleating race ; Yet will I triumph in tne Lord, The God of my salvation praise.
jEgBEEt r r> ir 1 3 r^ wviir ffrTrTfTLTTfltfTfag
The empty stall no herd afford, And perish all the bleating race ; Yet will I triumph in the Lord, The God of my salvation praise.
«--
=3=i
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m&m
^rnr^
*
JgP^g^^JEa
68
CARTHAGE. L. M. Flat Key on C.
^^fefe^TO^
1 iJJfeizp^izrjSE
Father of all, omniscient Mind,
-*-sZ--zz(2-±-tz±=b=±zt
«>
Thy wisdom who can comprehend ?
"Szzz^zizi&izgzi:
-u
t-\
— Ub*I ■ 1 1— — '
Its highest point what eye can find,
rT-rrc — -, 0 —
Or to its
ZZIZJSZfkZKITZ^tZIl ^Z^riZlZZZl-ZZ'KZZI
i^^jTTcrn^^^aBi^i^^^
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^Eg£l£^EZfEJEf-*
•, a_ -ft- m— —
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:izP::pL^zrz^zzz^zi=P:_z^zq.zi.[=zzzzTitzz.
Its highest point what eye can find,
Or to its lowest depths descend ?
lowest depths descend ?
u
jft ._ » £»_ p
=-*=:
&
HlgHHm
69
M O R IV IJtf G HYMN. Six Line L. M. Blmrp Key on E.
iS^~ziif z|EJ*J zhrizizrpizEfz(^iEzi3_4^ripizpzJ^Etp^wzJzrri7JiE jzzzzjzzz: »H ,j^zz;zj:zzt3
^3^^
zl±t fTTl^ET^f" n^EFEE^I-r^H1^ t~ff EeS= EFE F"TH
Soon as the mofn salutes your eyes, Ami loin s»eot sleep refresh'd you rise, Think on i he Author of the light,
i. *> j If* ^ I ^i4T£-fF3t=»ffiT^ B~fcSI
IliiliillliiPlilii^iiiiiiililglilli
f:
l^P=^f^s^_= ii^lS |l^§ pi HPH^ ;
iiiiitp^^M^ii KE5B HI iii!l§§!I§iS
Ami praise him for thai glorious sight ;
His mercy infinite implore, His goodness infinite
s^s^ss^s^^mps m
Piiliilillgiyyiiiliilili^iHiP^iill
70
:1l2-:
g£
♦^=£:
£«Se
BUCKINGHAM. JD. M. Flat Key on A.
fflf^-rSj— ■ s — ^--f-s — ry~\ — F-eJs-eTs- Fl_c_E~cI~~cI~~ — E~ i~ — — H"— iE — ^ — EtJ^^^J'd Fif~ E — ^"T'^It
Help, Lord! for men of virtue fail, Religion loses ground -, The sons of wickedness prevail,
gg^gg
*Khr-
And treacheries abound.
eh£§hf
~X"iEz?_gi is~pj-]zz t — iz_s
:szl— !
PLYMOUTH. C. M. Flat Key on A.
azezJCZBTc:
piiiiiiiiiii^iifiili^ESiiiliiiP^i^i
O God of mercy, hear my call, My load of guilt remove ; Break down this separating wall, That bars me from thy love.
Ig^^^z^iiSg^^igg^i^^
Siii^pi^ili^gg^l^^iiS^i^l
'
-*-
>3EE?5
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BA1VGOR. CM. Flat Key on E.
ri
fll^aiiSillilg^^l^iiF
s^g^irFntTTrTrriTt r i ? n r '^mmrrimz*
Let nif to some wild desert go, And find a peaceful home, ^Vllere storms of malice never blow, Temptations never come.
^^jfmTrKr^JiWfWJEi r .1 r f N i Ipi
r -<=^— T 1
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SALEM. S. M. Sharp Key on G.
fte-52:
ll
Far as thy name is known, The world declares thy praise ; Thy saints. O Lord, before thy throne, Th>'ir songs of honour rafse.
72
HOTHAM.
7's.
Or Hymn 89, Dutch Church Collection.
zzzfczq — qz qrqr=lz=|rqz^"---^^q:zipz|zq=q:zi|zqz=]zi|=fzqzqiq=^:qzq-- — i^^zqzz^zzzqzzjzzzzjz:
BEE^z£z3zz
jg^^iii^i^^^^r^^^^^ffrt"^^
Jesus, lover of my soul, Let me to thy bosom (ly ; While the nearer waters roll, While the tempest still is high : Hide me, O my
EEZZzzzzzzzjEzfcr%z3zfzzz|z — i_q:_i — [_z1-::i_z]_q_f__zp_- — - — fc _ i — ~ . 1 {. — i'„.,.zzi: — 3—»z» — \-i~7 ~~t-— j t
zz^zzz£zzzi : rzzz-~zz:izzz:iTZz:z zzzzif zJsz3zz;iz|zz}zzdziz
zz ^-Eh-J-s F? fli
zifztz :z vc zlzzzz^z3' ^~Eizzzzzgizz^z*^f ^z53± Ji±^z^^^fEEz&zcz:M£^£t^±=*~E^fi
Saviour, hide, 'Till the storm of life is past ; Safe into the haven guide,
£zzzzT7T~r~E g^^zjjZZjr^-T-r-f-
O receive,
O receive, O receive my soul at last.
aiHHHiliiiiill
IZ
2. Oilier refuge have I none.
Hangs my helpless soul on thee;
Leave, ah ! leave me not alone.
Still support and comfort me :
All my trusi on tliei is stav'd.
All my help on thee I bring;
Cover my defenceless head,
With the shadow of thy wing.
3. Thou, O Christ, art all I want,
More than all in thee I find ;
Raise the fallen, cheer the faint,
Ileal the sick and lead ine blind-
Just and holy is thy name.
I am all unrighteousness ;
False and full of sin I am.
Thou art full of truth and grace.
4. Plenteous grace with thee is found,
Grace to cover all my sins ;
Let the healing streams abound.
Make and keep me pure within:
Thou of life the fountain art,
Freely let me take of thee ;
Spring thou up within my heart,
Rise to all eternity..'
PHILADELPHIA. L. M. Sharp Key on A.
73
^^g^mm^^^^^^^
Who shall ihe Lord's elect condemn? 'TisGod who justifies their souls ; And mercy like a mighty stream, O'er all their sins divinely rolls.
Who shall the Lord's elect condemn ? Tis Go'l who justifies their souls ; And mercy like a mighty stream. O'er all their sins divinely rolls.
-fc— w. flu
sBflirrrNciiErn
]¥frr.lrJryrtfffTlrJ nl
ZSgZZ^EZIlSTpt
4—r— ±-\— i
ZFTJ 7 J I J-j^4-J^U4iE
Who shall adjudge the saints to nell » 'Tis Christ who suffer'd in their stead : And the salvation to fulfil Behold aim rising from the dead.
Who shall adjudge the saints to hell ? Tis Christ who r iffer'd in their stead ; And the salvation to fulfil. Behold him rising from the dead-
74
*
WORCESTER P. M. Flat Key on D.
Pia e Andanle
In this world of sin and sorrow, Compass'd round with many a care, From eternity we borrow Hope, that can exclude despair
m^.
^h
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SPnSSSVHpSS
In this world of sin and sorrow. Compass'd round with many a care, From eternity we borrow Hope, that can exclude despair.
l=
Vivace.
Thee, triumphant God and Saviour. In the glass of faith I see ; O assist each faint endeavour. Raise our earth-born souls to thee.
Thee, triumphant God and Saviour, In the glass of faith I see ; O assist each faint endeavour, Raise our earth-born souls to thee.
K
:-zzz |zzzz5Zz:z:i^^sz£z£z:[lrzL zzz zzz zir z3f
Worcester continued.
75
Adagio. Andante.
Place that awful scene before us, Of the hut tremendous day, When to life Uibu wilt restore us ; Ling'ring ages
■T^z^-jzzzzrz zpz ;F==~K5£eEiEEEJEi":lE»E*EEE3E;EEE=:
^r^J^^^^^f^^^l^^IS^^N^^^E^^
Place that an ful scene before us, Of the last-tremendous dayj
When to life thou wilt restore us ,
Ling'ring nges
BBBSglfflSMBiffixaEEm^
:
I -ace.
ha^te away,
haste away,
haste, haste, haste away. Then this vile and sinful nature, Incor-
/7\
haste away,
baste away,
n-
naste, haste, haste away, Tlien this vile and sinful nature. lncor-
<7\
nrr. u f-tr-i >i irrJifHm5 f
76
Worcester continued.
|fli£l^^iE=^ii§JlE^Eiiliil^ElEii|^i
3?
mi
ruption shall put on ; Life renewing, glorious Saviour, Let thy gracious will be done. Let thy gracious will be done.
5-**=-
■-
Z±Z%T.
-t
m
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k
ruption shall put on ; Life renewing, glorious Saviour, Let thy gracious will be done. Let thv gracious will be done.
j^ii|iE^=P^E^E^iis^P|EpP^5i|EipEEaE
IRISH. CM. Sharp Key on G.
&"
Lord, in the morning thou shalt hear My voice ascending high ; To thee will I direct my rray'r To thee lift up mine eye.
Zi-zjzz tzt± pq^ziq
«_»_£_■.._,»___* ^p-
iSi^iliiiii^iiSiiyi
±^=zh±tn!
ITALY. L. M. Sharp Key on B.
77
Mine int'rest in his heav'nly love ;
Exceeds the blessing of the vine.
SMBss^SiSiigH^p^^s
Let him embrace my soul, and prove
The voice that tells me thou art mine,
On thee th' anointing
IP^^gp^^g^gfaPi^^^
fW
dzW:
^^^^^J^^|4^Jgj.l^JLLl±-J-i^SB
And spread the savor of his name ;
Draws virgin iouIs to meet thy face.
l^liiSiiSliiiSilliiSii^i^a^-' ^
spirits came,
_J9
That oil ot glar.ness and o! grace.
Draw, virgin souls to meet thy taco
[^g^^i^r^iTrrrnTti'FTTTf^^^^^^^^
78
FUNERAL ANTHEM. Flat Key on F
lEztozEzzz^izirzz:
j CTifozzzznzi:szzi^zz£z:pgzgz;»:zz iz^zezzzizzszz pziz^zz zz:ppzczpz:pn:z:zzjp|z:gzz£z:
:b:
m
I heard a great voice from heav'n, saying unto me.
write from henceforth, write from henceforth,
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r^Ilfr k u-^-s.-T-^,-— i — s— f — : i-s-Z-S—E — B — $_i ^r_3_a_s_l_i — ,_. ZL- "~i "T"T1 — I
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zazazazlzszz i^zIzHz^=z=zIz^:z:=TiBzfzz=— izza^
z- - — -Efc- =[£&£±£ zzz - Eazizzd^jZ^ zcz
zt:zzzhEIzzzzz?^z|rp "^z|ZP=I=FE^zzSE?=Izz °EsES£- gzzEE iizfzRzf Egz^zzf z31Ez:EiiE|
wriic from henceforth, blessed are the dead that die in the Lord ;
1
Yea, saith the spirit, for they rest,
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ziz^ziziziz:^zgzizgz^z^-izz]zzzjzzz|z:izziz=izz^zzz:zziizz— zzizzpzr:iz^zftziz5z:zzz|gz- 1
Funeral Anthem continued.
79
^T — ;
jlZ — "
for (hey
rest,
for thi'v
rest,
for they rest,
from their labours, from their labours,
liiill^liliillie^iEilllili'iiliifE^ii
l^prfflf^^^ «!' I'll ijj^ff
rfzt=^-^-^^=»-=*^=ft--^^=^^==T=^^-=?=T^-©-T-
rzp~iz^zp=n-ri^r"M-r-pip-pLj. ■ ~—^~T *i I T 1 F55T-
from their labours and their works, which do follow, follow, follow, which do follow them,
E:E3
which tlo follow tin in.
^-^^-[-F-p^ = it'll "— 1 m[Ti ^1 ' a ' ° I 'T ' M Iy
80
f
:^I3s£g|gz^|=gz|3z|^=p
MAJESTY. C. M. Sharp Key on F.
aSMBS
li^iililiiailiiliii^lll^ilgilS^
The Lord descended from above, And bow'J the heav'ns most high; And underneath his feet he cast The darkness of the sky.
— zzzr— :p*tor.-qzzjizzzqizfez£^
I lli=liP^^ii^|:liili^liiilil3|pE||g- muni
i»n cnerurj and on cherubim,
zdizzE ~j : z? — j *vp-n —
*l
z : z 1 z= :zizzrB_±zt=zEf.zbziEz:±SztQtt=rt:-fcEzEr0: EEdzziEE
iMrgo. Ma. Pit.
NEW-YORK, Sharp Key on F
Si
r
iTIII^pJgmi i\ j]j,y i r p^^f^pJin^ i ff fl Q l
1 Am. Vital spark of heav'nly flame. Quit, Oh ! quit this mortal frame ; Trembling, hoping, ling'ring, flying, OIi ! the pain, the bliss of dying.
I
zzzzzzzzzztz^zz^zizSz^
*+s -
Vital spark of heav'nly flame, Quit, Oh! quit this mortal frame ; Trembling) hoping, ling'ring, flying, Oh! the pain, tlic bliss of dying.
zIIeSI:
i — t
Ui ■ I'm faTvF T J t
EgzSJilil^^
Ceasf, fond nature, cease- thy strife, And let me languish into life.
ZffZ£Z»£
Mark'
ilaik ! they whisper ;
augeis
itifcrt
^ttrr rr \r r r gjH J J j irc > Uflflfltfi ^ fj+fl^^
Cease, fond nature, cease thy strife. And let me languish into life.
Hark! tney wnisper ; angels say, tnev whisper; angeis
k.«.
L:
^-t-T tF-i r r rr tr=H= jf \n tTFrm— j—
^n
62
New- York continued
lfzrp==3q
i^^gjgjggBrai^^p^a
say, they whisper, angels say ; Hark! they whisper, angels say, Sister spirit, come away; Sister spirit, come away.
t I
z^zj===[^^
I say:
Hark! Hark! they whisper, angels say, Sister spirit, come away •
Sister spirit, come away
iliiliiiiliiiilillliii^E^l^lillglSi^
I Hark ! they whisper, angels say ,
V-
Pin.
Ores.
Pin.
_zzj~3t_"d. ,1m — : Hi ^3 i_ .jdidzLii jfad—zt ±1.1 i~ "pzzt4Z_jd_zj_sizzl — ~ ]_^i w~tzHzz2— '^d^Litw^— ^fi--
What is this absorbs me quite, Steals my senses, shuts my sight ; Drowns my spirit, draws my breath ; Tell me, my soul, can this be
What is this absorbs me quite, Steals my senses, shuts my sight ; Drowns my spirit, draws my breath ; Tell me, my soul, can this be
^^S^lri^giSgpgg^^I^Sl
.W/i"
na.
Pia
New-York continued.
Andante. Crts.
83
Por.
Dim.
Crei.
mrmjmnmmu i j'ijjjijj jh jra^ffm^^
death? Tell me, my soul, can this be death ? The world re. edes, it disappears , Hcav'n opens on my eyes, My ears with sounds seraphic ring.
death? Tell me, my soul, can this be death ? The world recedes, it disappears ; Heav'n ooens on my eyes, My ears witrfsounas seraphic ring
E-T iilv k i hp
mmSiMu&s^W: ji ru-a^i-^^p^ya
Vivace For
I I 1
lilIiilliiiiliiLllli»Eiiii=i ^lP.?i=iiii
*
Lend, lend your wings; I mount, I fly : O grave, where is thy victory ? O grave, when; kthj victory? O death, where is thy sting ?
ssai^F|j^i^|^^Eg^^^EfP^^Pi:iE^^?=
Lend, lend your wings; I mount, I fly : O grave, where is thy victory ? O grave, where is thy victory ? O death, where is thy sling ?
t i i
rnrrTTiTpr ' r. r tr rr-fF^^Fe cm ir- rr. ^
84
New-York continued.
p-l^^l^&ifliiiiiiiliiplii^^iliiil
O grave, where is thy victory ? O death, where is thy sting ? Lend, lend your wings ; I mount, I fly :
* ' FT
O grave, where is thy
EllipgS^iiilliEl^illElilSiil^iEglli^l
O grave, where is thy victory ? O death, where is thy sting ? Lend, lend your wings ; I mount, I fly : O grave, where is thy
iiiiiiErillliEliElrlii^i^ii^iEg^l^Ii
zz3z^zzd~zjzzzizzl a — £zzs — ^ — zx^s_i — dr-r— zzi — 3 — H — H — r 1 — f—f-r — i-h fczi
victory ! thy victory ? O grave, where is thy victory ? thy victory ? O death, where is thy sting ? O death, where is thy sting ?
zgzzzz z-rzziziz^zazzqzqzrqr^zzqzqzizziz^zzlznzzzirqzzrzqzqzzn-'l-^i— zzzi
zpz^zlgzzzzz:Bz|z3£±zr^:gzzBi^zzaz^zpazBzzBralzzg^
victory? thy victory ? O grave, where is thy victory ? thy victory ? O death, where is thy sting ? O death, where is thy sting ?
.^iiiiiillMiiiili^Ii^giESli^iz^
New-Yonc continued
85
ic^-^p^g ^ . JJ 7 J | J J -j J i 'iAM^^^HttTT1^4^»
Lend, lend your wings ; I mount, I fly
O grave, wncrc is thy victory ? thy victory ? O death,
O death, where is thy sting ?
: j J^r 7^3
Iliiiigiiili^lPiiiiii^il^l
Lend, lend your wings ; I mount. I fly : O grave, where is thy victory ? thy victory ? O death. O death, where is thy sting ?
jLitii'i, n-iiu jtulw ^j, . . j - o ....
«\ T\ ^_ _~P__J_ _
:
MUNICH. L. M. Flat Key on B.
_ "" _ . ... , . . • i » > j • i n
iW. --• -*-%* — •--^ — — - ■
Ti. ituh'd ! til f.nohd ! so the Saviour cried, And rm, kly bow* las head and dy'd . tf finisUM ! yes. the race » run ; The battle's fought, the vicfry won.
*— — - Cv «"*■ ~" .Cv _._ '"^ ». __ m. .—— . ■-*-.— , ,
Tis llailh'd, ! Hk fin-h'd I n the Savour cried. And oeckly bow'd his head and dy'd Tfil bflM I yes, the race is run ; The baOfe'l faugkt. <he vicfry won.
86
Largo.
MUSIC. L. M. Sharp Key on E.
Pia.
iT^SEfi-r
3^SH§
iiriasiiiii^iii^ailiiill
And didst thou, Lord, for sinners bleed ? And could the sun behold the deed ? No, he withdrew his sick'ning
3-
And didst thou. Lord, for sinners bleed ? And could the sun behold the deed ? No, he withdrew his sick'ning
Llilll^il^IlliiiilLliiiililiiliil
Cres.
For.
Put.
mmwmm^s^mM^Bw^mMM^i^.
ray. And darkness veil'd the morning day. No, he withdrew his sick'ning ray, And darkness veil'd the morning day.
i -*
ray, And darkness veil'd the morning day. No, he withdrew his sick'ning ray, And darkness veil'd the morning day.
&F=
iliilHiiiisilililli^SlPi
GERMAN. L. M. Flat Key on D
87
fttTTT J i r r i mOu. r nfTrro; J f r;gT-g^a
O comt thou wounded Lamb of God
Conic, wash us in thy cleansing
blood
EZi_ii s£_k_»Z3I_= j
O come, thou wounded Lamb of God
-©
Come, wash us in thy cleansing
blood ,
t=t
TTa — g=T^i= In [T"> — [ J, J J" i > ■ I
Give us to know tliy love, then pain Is sweet, and life
, ~-^—
zrzizrdrzrzzr
32
— !
or death is gain.
Give us to know thy love, then pain Is sweet, and life
or death is gain.
3—^-
i
p f-,.ft
Pi
*
F^FFr CJjJfct I r ft
88
GREEN'S 100th. L. M. Sharp Key on A.
_.. _ _ _ _ >H-
Tazpzi§zpzf. §zpj:nz^fazp.TD -P i^zpz^zozpz^ozp^oz^^z p#£izazpzi*~z&iQzpzT^znzj
:3*Z3i
>U —
TazpziHzpiJ&zprnzzjazpiQipi^azpaipz^
^iiizEiiizikfelESziiHB=_i5EtkEfe^EEil:E^fe
Sweet is the work, my God my king, To praise thy name, give thanks and sing : To shew thy love by morning light, And talk of all thy truths at night.
^r^;^zzzzz3ZZz„zirz/i:igzzizzq:izzi).[Qz^.iz;z„ izzzzzi- zzazz izzzdzizzzzpizzziDz^zi^z^ziz—zzra-
frr±-.
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izzjzzIzzzBzzEi:^
^zz^izzzz:
DOVER. S. M. Sham Kev on F
izjzrrzzj:-
EzzSz^SilzzzrEHEz^
r-i-T—
Great is the Lord our God,
And let his praise be great ;
He makes his church his blest abode,
His most delightful scat.
fe^^^^^^^^^^^^p^^^^^S^^^g^^^g
Great is the Lord our God.
And let his praise be great
He makes his chui'h his blest abode.
His most delightful seat.
1/
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izzzzV^z -£3 ■ "Jzzizzzizzi-E-
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EASTER ANTHEM. Sharp Key on A
iEili^ig^ggll
• h
The Lord is risen indeed !
£si
Hallelujah !
The Lord is . isen indeed !
Hallelujah!
/■ -\
I
-. M - | ■ i -T^^1^flT?^fF^FnTTT7^^
l i -j ■ i - \-\ iTttrtTrttmtmmmm
Now is Christ risen from the dead, And become the first fruits of them that slept.
Now is Christ, &c.
■ ■ | ■ | - i ■ 1-^4-f ■ |fcg^4^_rlrr H CtiE^SB
i^anmEiit c tM i n
K_^_# — —
tSiillgiOHiS
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Easter Anthem continued,
:i=zp:
lllMiiiiii^i^illgimfliiili^liS
i^iiiiipji ii§iiirE^iie^SiiiSiiS
Hallelujah, Hallelujah, Hallelujah.
And did he rise ?
And did he rise ?
did he rise ? Hear it ye
mm^m^^^^^^m^^^mm^
ii^^fflgsa^s^a
Iz^^^^^pP^PE^^a^^^^^^^gl^^^^^^^^
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nations, hear it O ye dead ! He rose, he rose, he rose, he rose ; He burst the ban of death ! He, &tc. He, &ic. And triumph'd o'er the grave.
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szfc£z!
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Easter Anthem continued.
91
fzzz:
^iliiiiil^iiiili^iiiiiSiliip|g|Si!^
Then, then then 1 rose, then I ici^e, then I ro<e, then I rose ; then first humanitj triumphant pass'd the chrystal ports • i light And seis'd eternal
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T-t T^- I—r^- T^T-r*-1" T^^-ta-|-rFT-K-rT-Ttr-K>T^ * k> -,Mr Mk-r^-tr-fcr-y-r-^-— J— fcf*-T T
|T —
2
youth. Man all immortal, hail, hail; Heaven all lavish of strange gifts to man, Thine all the t;lory, man's the boundless bliss. Thine all, &.o.
2
Mill it ii i h ii -7ii ','iWLErj, 1 1, irr-titei i \m l Lirfr irspas
92
PORTSMOUTH. P. M. Sharp Key on B.
Ye tribes of Adani join With heaven and eanh ind seas, And offer notes divine To your Creator's praise, To your Creator's praise.
SgBlgB^^^B
Ye tribe? of Adair.' join With heaven and earth and sea«. And offer notes divine To your Creator's praise, To your Creator's praise.
; -i — — |t^ — p-m '
ii^^iliiilplgiE^lSllliliiiiii
f^=
*«■ .—
JefzS^:zr5-t=stzl:t±rtE::ESEt:b=tEE
Ye ho]y throng Of angels bright. In worlds of light. Begin the. song. Ye holy throng Of angels bright. In worlds, Sic.
M'£f
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Ye holy throng Of angels blight, In worlds of light, Begin the song. Ye holv throng Of angels bright, In worlds, kc
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(.
ARNHEIM. L. M. Sharp Key on D.
93
=FH4 l .nrTTt I [.■ Is— III 1 II'
! I^SEB^^gllRlfTIgB
-©-(B-4-©-*»--
All ye brighi armies of the skies, (i<. worship when' your Saviourlii 9; Angels and kings before him bow. Those Gods on b gh and Gods below.
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i g^z^zzz^z^r^j=gz| z|zzz>zzjzzr g|=^gr^ig=|zgIP|p^^gz^|%
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I
■
ARLINGTON. C. M. Sharp Key on <i.
J. '-us, with all thv saints above, My tongue would bear her part ; Would sound aloud ihv saving love, ind sing thj bli
ii§^^s|iiiiiii|zi^^iig^ii!iiii^:
— ■=
^1
94
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HALE. Ii. M. Sharp Key on C.
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— -H-3--?— TFe-Tddf — 3— = — T 3"3rr
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n~nT""T"i — d — jir."i — ',
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My God, accept my early vows, Like morning incense in thy house; And lei my nightly worship rise. Sweet as the morning sacrifice.
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ftbp
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C H A R M O U TU. C. M. Sharp Key on E.
l^^^^%fl^f^""Fitix^^^^^^^
~-l __G L_s*.=.
i
fe^^^^H^a^^^^iaaessij
§*2*ft
Save me, O Lord, from every foe, In thee my tmst I place ; Tho' all the good jhat I can do. Can ne'er deserve thy grace.
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iigliiliiiiiii^ii^SiilliPil^i^i^
RUTLAND. S. M. Sharp Key on D.
gzez2ihze
95
liiipPili^i^iiSlii^^P
Grace, 'tis j charming sound,
Harmonious to the ear;
Heav'n with the echo
sliall roound, And
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33SE
IsIIil?
Grace,* 'tis a charming sound, Harmonious to the ear;
i
Heav'n with the echo
E3
shall resound, And
mwiwmmm
all the earth shall hear. Heav'n with, Sec.
all the earth shall heat Heav'n with, Sec.
96
PORTUGUESE HYMN. P. M.
Sharp Key on A.
Hither, ye faithful, haste with songs of triumph ; To Bethlehem haste, the Lord of life to meet : To you this day is born a prince and
EEEfeEfeKEl
zrjzzj : Ji^z*z«z«:^pCT=:=i--=i==z:iz^3q5^ir ±^Ti±=jaE=3cmz aiz* ^ZjEznzpz
w^mss^^^&^SfWm^^^^m
'iSiSillisii^ll^s^i^iillii^S
Saviour ; O come and let us worship,
O come and let us worship,
O come and let us worship, at his
feet.
O Je->us, for sucv> wond'rous condescension.
Our praises and revVnce are an orTVrinp; meet :
Now is the word made fiVssh, and dwells among us
O come aud let us worship at his feot.
Shout his almighty name, ye choirs of angels,
And let the celestial courts his praise repeat,
Unto our God be glory in the highest ;
O come and let us worship at his feet.
iLZZzzzzazizz^^ffzziqzzzzzzrZzizz^iti— qzzzzrxi;
IT:
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PLYMPTON. CM. Flat Key on E
iliiPli
97
£3
:$
Hi^Sll^ii
Now let our
drooping hearts revive,
And all
our
tears
be
dry ;
^
.^Z*ZZ=i
:^=i
- — s-
- s-
=t
Now let our
drooping hearts revive,
our
tears
be
dry ;
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( 1 — j. >■ (— L— ! !■— I •—
And all
Ijg-P-JiXU J;l J.] Jill U ■ I _^_1_' ■! -l-^4=l=g=M
Why should t'nese
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eyes oe drown'd in grief
Which view a
Saviour nigh ?
S|==
■U.3 r .'1 1 jJ^rrTTf - I "* Ti!~TlJ!_iO_l_-Jl!f-
Why should these eyes be drown'd in grief,
M I - p 1 "
Which view a
e — 6
Sauoiir null '
a —
=nrri i "tt 1 1 in
98
ASHLEY. CM. Sharp Key on G.
f^i^s^ia^Bessii
Sing to the Lord ve distant lands, Ye tribes of ev'ry tongue ; His new discover'd grace demands, A new and nobler song.
14< — -H
Sip?pp^p|p^f#liL|ipiigri^i
Sing to the Lord ye distant lands, Ye tribes of ev'ry tongue • His new discover'd grace demands, A new and nobler song.
iiiiillilliiliiiililiilii^iiliiiiliSi
f-
CHORUS.
Glory, honor, praise and power, Be unto the Lamb forever; Jesus Christ is our redeemer, Hallelujah, Hallelujah, Hallelujah, Praise the Lord.
ffiSIWH^Si^^^S
| Glory, honor, praise and power, Be unto the Lamb forever ; Jesus Christ is our redeemer, Hallelujah, Hallelujah, Hallelujah, Praise the Lord.
If
CHINA. CM. ftharp Key on D.
Q9
^isgggi^iES^r^ggi^si
Why should we mourn departed friends, Or shake at death's alarum - "Tis but the voire that Jesus sends, To call us to his arms.
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ir-
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T R U K O. L. M. - arp Key on F.
p^ir^^TDrTrrrirTir^
-•■ -»
Father of mercies ! bow thine ear, Attentive to our earnest prayer ; We plead for those who plead for thee, Successful pleaders may they be.
k-»r
4b-
iiSiiiliftiiiil^ai
=»> i^rirTirfTfT
He?
s^
100
[pi
NEWARK. CM. Sharp Key on F.
When fancy spreads her boldest wings, And wanders unconfln'd Amid the various scenes of things, Which entertain the mind :
~— -iiiszziziz:
i— *?-
giliii^ipipi^isapiiliiisii
When fancy spreads her boldest wings. And wanders unconfin'd Amid the various scenes of things, Which entertain the mind ,
il^iiSiiiii^lSliiiiliaiiiE^iiS^
IliilgliiSillllll^lliiliil^lilli^^i?
In vain we trace creation o'er, In search of sacred rest ; The whole creation is too poor, To make us wholly blest.
3-£_c
^fcfc+p^^^i^^^^^^^^^^^^
In vair ive trace creation o'er, In search of sacred rest ; The whole creation is too poor, To make us wholly blest.
H:
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&
XEWMARK. CM.
<
Sharp Key on G.
101
j-H^i J Ik )i^tji^w^^^^^^
tfl^P^^^^ "jZlf^^f^ T [| op^jp-^-^a-pag-POo-fi | * yi | pp P-4-fe:
?EF :zEPt°zEzi=E:rPE:±E£rEEEE
I
Come holy spirit, heav'nly dove. With all thy quick'ning powers, Kindle a flame of sacred love, In these cold hearts of ours.
§iiliilEl^liiilglililiiiiEilislllPliS
Si. THOMAS. S. M. Sharp Key on A.
gin iii^i^iiiilii^iiiplii!llfe;iyis
To bless thy chosen race, In mercy. Lord, incline
And cause the brightness of thy face. On all ihv saints ■<> shine.
iilililiilllliiEllliilEliiiiEgi^as^
102
ARUNDEL
Sharp Key on B.
lS^liil^iiip^iiiiSiiiffiEg!giiiil
Thou, God, all glory, honor, pow'r, Art worthy to receive ; Since all things by thy pow*r were made. And by thy bounty live.
-— «tt- 1 !"■•"•" ! — TT — I i — "" IT "i
mMmmtmmm^Mm^immmmmmi^m^
Si. AUK'S. CM. Sharp Key on D.
f^i^^^^^^^g^l^B^^^g^^^^^p^^g
Illi^lliliiiliilllSiiilPiiiPlPiciiliilii^i
My God, my portion and my love, My everlasting all ; I've none but thee in heaven above, Or on this ear'hly ball.
#T-—
IL=
l^iaiiiriEiiiiiiiliiiSriiiig
S— =:
SS
±=t=t
1
103
DUNSTAN. L. M. Sharp Key on G.
^^il^llPJiiiiiiiPillillilllill^i
Awake, my soul, to hymns of praise, To God the song of triumph raise
Aclorn'd with
majes
iiliiliii^iiiiiilliiliiSil^Hililil^
rrir >ir-r-iTrTTirTT7"nTTrr \T\; i
- . , , m. — T_#
If
lill^^illli^^igEiiEiii^iEi ^i^iini
-* »
iil^giiiliililOIiliiii^llIiliiii
ty divine, What pomp, what glory. Lord, are thine ! What pomp, what gtoty,
Luid, are thine !
i^ill|a^Jii^Iii:g|i:|igil^||i|ilIilll
104
I
rdzq
:kzrz3
MARTIN'S LANE. L. M.
*"J ' L i ' I l'~i — r-^— — +■
■■■ ■" I i I — — —+"1
Sharp Key on F.
iiSSISiSSS^iiSi?^^^
iiES
Jehovah reigns, his throne is high, His robes are light and majesty ; His robes, &c
Jeltovah reigns, his throne is high, His robes are light and majesty ; His robes, &c
— x-x=±.
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— ■ Ttf2_d -4 +-f-" -d-tdn — — t-M-? — i N--+— •J&---J— 4— -J-I F+-P-^r
:zcri
SSEEiEiESE
He
His glory shines with beams so bright, Mo mortal can sustain the sight.
No mortal, he.
B9^^3gfiT7T^^f#Tf "FrfTf^pgo1 mp
"fi-|fc:5i"Ef'"
His glory shines with beams so bright. No mortal can sustain the sight.
No mortal, &c.
[ liiijiS^^^ig^ppipippigpp^EiEp
SILVER-STREET S. M. Sharp Key on C
105
f
3S5HE
is
r-e-p-
SH
Com. -Mind Ins praise abroad, And hymns of glory sing ; Jehovah is (he sov reign Lord, The universal Kins;.
irraiiJip-vP-f-J-u^-J;
-S— H ©
-#
TOTM7
aszi-5=XE=zHziqir^izpzr:
i§iS
n^T|Wrn^1
^^S^S^BStel
f|ME|i^||iiPlll|iigiiy|iiiP^Ei|E^^i^
— i-irrni. ■' i irriTirrrrimrffTri-rrn -t
Praise ye the Lord, Hallelujah ; Praise ye the LorJ, Hallelujah, :||: :'|: ye the Lord.
[-r-TTTTrp-rrr-i f r r i W r r iftirrri
i
106
SYDENHAM. CM. Sharp Key on C.
S5i
S=Sfc
^Ssuss^^iiffiSES
In God's own house pronounce his praise, His grace he there reveals ; To heav'n your joy and wonder raise, For there his glory dwells
^mm^msmgrngmmm^mm*
In God's own hoase pronounce his praise, His grace he there reveals ; To heav'n your joy and wonder raise, For there his glory dwells.
SiSiiSiiSiliigiii^iililttitai^
S^S^^SSiSHaSISi
Let all your sacred passions move, While you rehearse his deeds ; But the great work of saving love, Our highest praise exceeds.
jzsza^ipz©i-=pi=z=:qi===-izzir:rt
rszzzzzpizzzraia:©— t— rzzzr idrrzz izz z^zggipzei~=pizrz:rqzir~izzzz:zqiri pjQzpgMzpzzqziEpzzj
l
Let ail your sacred passions move, While you rehearse his deeds ; But the great work of saving love, Our highest praise exceeds.
i^SgSl^illlilg^llilli^^lii
22;
J
Sydenham continued.
107
fes7-- r i j [• ;.i r f i r tii rm=^^mf-^^m
Hallelujah,
Hallelujah,
Praise ye the Lord ; Hallelujah,
Hallelujah,
Praise ye the Lord.
-4+-
iilliiiliiillilliii^iitl^^i
iiliin;
-:E=F±^t-
.--— U— »*
!-==(L-*±r^:
; ._»»— l — 1_
*
#t#%Eg=EE
H 1-
1
u
S. All that have motion, life and breath, Proclaim your Maker blest ; Yet when my voice expires in death. My soul shall praise him best.
Sing the third verse in the Jirst strain, and endirith the Hallelujah
EVENING HYMN. L. M. Flat Key on A.
I. Sleep, downy sleep, come close my eyes, Tir'd with beholding vanities : Welcome, sweet sleep, thou driv'st away The toils and follies of the day.
2-P-^.
^eis^ssi^ssisi
K. On thy soft bosom let me lie, Forget the world and learn to die : O, Israel's watchful Shepherd, spread Thy guardian angels round my head.
l^^i^p^^^s^pig^i^£a^£pg}5=g^
3. Let not the spirits of the air, While I repose, my »oul ensnare ; But guard thy suppliant free from harms, Clatn'd in fhy «Terlaiting arm*.
108
St.HELEN >S. P. M. Sharp Key on C.
fliSli^i^illiiililiilliriilililiil
I|!Ez?=:B:
3C
r-P-
_P_(ft^_,
E|rp=rfz|^^^
Ye that delight to serve the Lord,
The honours of his name record,
His sacred name forever bless ;
-t-
li^lliilliilliPIillilililiiiiisili^^iiiil
zizEzaz
Li^iEiiiiiiiippiiiiijiii^iiiiiiiiiiiiii
If:
Eg^^p^^^^^^g^g^^^g^^^^^^l
Where'er the circling sun displays,
His rising beams or setting rays,
Let lands and seas his povv'r confess.
liiiiyiiii^iiiiiiiiiiEi^i^igiiiiiiii
us
Egg
iPiiiililiHilgHiiin
DEVIZES. CM.
Sharp Key on A.
10&
f
s» r rrir nem* ji wg^asssBBBfflBSi
-|*-=n
gTTrfHTHWJ
izpz©!©:
[!liliiiiifEg^=^iiifiii«
With my whclo heart 111 raise my song, Thy wonders I'll proclaim ; Thou sov'reign judge of right and wrong, Wilt put my^foes to shame.^Wilt, 8*c.
1 l^iillllii ?:ii^il&3J^^feS^^^liii
L
■:
lillllliE
WINCHESTER. L. M.
— d-4^-s-Te P — =-4©--4© ."jbxizr jzizitizzztrl : t utr.i — tzi — il_
Sharp Key on C.
h^-ic ^-4— ©- ■•-+-K-— =-+-»
iezisz^zM
5^4—
HHiii^iliiiii
r ©T-©-©-T©-©T-C-F-l©-f
e-£-iS-
t c ■ ~zzj-zpir?ZEZt?z&iz_.":p:.'i ^zeizzzci zsz ezi^i p »j-E
My refuge is the God of love; Why do my foes insult and cry, Fly like a tim'rous trembling dove, To distant woods and mountains fly ?
:c:
©H — 4- —
lll[PlEip||iip|iiE±ifPiiiii^!iii^
[sgnqj^i^uj i H M i " i, ri Ti.fi " irn'- fffggl
r^z
ztiz:
gzizzz
110
St. MICHAEL'S. P. M. Sharp Kev on A.
Hlil=i
£3E
^J^EiiilE^^^^il^lIlEiEi^E^i^^i
I
O praise ye the Lord,
Prepare your glad voice,
^^HH^H^H
His praise in the great
Assembly to sing.
p:rc:
|E=ill§ltllllil
— ©-
I
l^lil^Iiiil
u:
t-Q-Z*
IHH
3ElEi
"HI
I
te^^iiiii^^l^iliiiiliillliiii^^ j
lii^^i^i^iiiEiiiiiiiiiiiiii^^i^ii
In our great Creator.
Let Israel rejoice ;
And children of Zion, Be glad in their King.
S^^I=s^i^iEli=piE^iEES::iEgis^i
ije
p^^^l^^^^^pi^^^I
LANDAPF. P. M. Flat Key on A.
Ill
'SP^iS^glli-SlfS^t^iiii^S^^^
^B=-rVf f~i¥ ¥-m
fcrmmffmi i if mi i"i l ra*i r>ti-i i n 1 1 1
ary send, his summons forth, Calls the south nations, and awakes the north ; From east to west his soVreign orders spread, Thro'
_^irrr ..-i.u i Jr^FFHTfTTTT^nTrirTir rrr irtr
[■■I ri r n , | f, rTTI- 1 r y n TT'iC>J iiF'ia TJii I i'iTi r ■ i B
HtHlT f ■1-l^TvT r4 J <» 1 1
»-»
is of the dead. The trumpet sounds, hell trembles, heav'n rejoices ; Lift up your heads, ye Miats, with cheerful loicei.
— * Hirrritrr'ni II 'iliiill'rPiii i I ■■'*
wwmm
-j —
HHS
112
RICHFIELD. L. M. Sharp Key on D.
fe?*E£
Bless, O my soul, the living God,
"F —
Call home my thoughts that rove abroad ;
Let all the powers with-
^Pig^liiili^iiii^i^i^Eggi'Ei^
Bless, O my soul, the living God,
Call home my thoughts that rove abroad ;
Let all the powers with-
3=*
-»* k
cERfrfK r33zBe=feg£S£gBgg
^^^^^^^^^^^^^^^==^^3^^^^^^^^^^sbE^^^^fe=
in me join, In work and worship so divine.
In work and worship so divine.
P-P C '±*-^-r*-P-P-- P, I +tt ~1 I I _— i»-4-fc^-^4^yy*tT -i*- III I -^FF =Hb—
in me join
In work and worship so divine.
In work and worship so divine.
lii^gii^Hiii^l^i
:zzd
iliiE
LOUGHTON. CM. Sharp Key on B.
IIS
If
gggi j jir r i j uimhh t\* *\w w>i jij mai
Come let us join our cheerful songs, With angels round the throne ; Ten thousand thousand are their tongues, But all their joys are one.
#jjjirrijJNri»^ujaitr4rrimfhir!f;ihrirfU^
Come let us join our cheerful songs, With angels round the throne ; Ten thousand thousand are their tongues, But all their joys are one,
»% J jjj J TTrTir^W^T^TlrTp-Frrir ? ji r r lrrtlEpi
I
rfrl^J "J I r IP
Worthy the Lamb that died, they cry, To be exalted thus; Wc'hy the Lamb, our lips reply, For he was slain for us.
3#ft» h hi r :[ if ri mm iron r.r iff i-i : jftrt . f rtTifrfsi
Worthy the Lamb that died, they cry, To be exalted thus ; Worthy the Lamb, our lips reply, For he was slain for *«.
LlSHiggji^SSaf1^?^^^S^i
P3
H
114
LAMBETH. P. M. Sharp Key on E.
Encompass'd with clouds of distress, Just ready all hope to resign,
I pant for the
S^^^S^^^SS
light of thy face, And fear l it will never be mine ; Dishearten'd with waiting
long,
Ep^iiiEiiiifeiiEiiEpEiipiEyiEiEp^yEiE^i
^^^liliilliiiillliEiiiliilliiilfa
*=
ziiEt:
Lambeth continued.
115
^lil^lES^iliiPliillilPi^gllili
— n
J I J— j— iHhHPf "; I .. T~T — jJ^U==*=d=a I jj 'J/^l -=J4' J "pr^ty
sink at thy feet with my load,
All plaintive I pour out my song,
Anil ^t retell forth my hands unto Uod.
-i-J.-T-:!' II r>r-lX-LEirTt^^feSg^^^g^^
^IgipE^lNliiiiiilliiyilili^iE^i^iili
W ALSAL. C. M. Flat Key ira A.
i fPWSfggPfTTTr tJtx^5^^rTnnijyfeJ4y^
l^mg^^m&mls^^^^mgm
U-1 i .lb
Lord, in the morning thou »ha)t hear. My voice ascending high ; To> tbee will I direel my pray r. To the* lift up mine eye.
|s||§a||
\a\_ p|p-|
116
=&r;
fct
H
FARNDON. CM. Sharp Key on D.
-a-
=g=zrrip:pP P-f— l-£~ F^p-g— Fri3z?PzrizlzzzzrIz^
J£Ti
My shepherd will supply my need,
Jehovah is his name; In
My shepherd will
iggyrlfTrrg
:azz~
— 23i.!l — x — ©
supply my need, Jehovah is his name ; In
I
t—
(9 1 t
:azz:izz:
-^ « n^fea^
Q__a
s— »-t
-i
Z=P=5
i. T.
lUll
pastures fresh he makes
t:
feed, Beside
Izhzri— p=p=zzrg
-!-&=- n
I
the liv - ing stream.
zjzrd
D2irgmg^%fecte^ J J j 1: i-U-Ui
pastures fresh he makes me feed, Beside
tho liv - ing straam.
E-Hr-7-T^q^qrTT^
AMSTERDAM. P. M. Sharp Key on A.
117
ra^i^siiffis^gsissssgi
Rise my soul, and stretch thy wings. Thy better portion trace ; Rise from transitory things, Tow'rds heav'n thy native place. Sun and moon and
& fi\ f r frnrrrrrirmr^ j r r \rmam
4*3*
l=sv:
f
rr rirircri^^hrf^-rnrr^Hf-riFrrirrriT'-i J m-
stars decay,
Time shall soon this earth remove ;
Rise my soul, and haste away
To -.eats prepaid above.
fr p| I 1 JflTTfflll 1 kfTgTJfJLLLUfgB^^Bl
-k— t —
l^
Tft-tfrtffi I (' l <" M. r rXriJLJ i ,M s+ftTTW
2. Rivers to the ocean run,
Nor stay in all their course ;
Fire ascending seeks the sun,
Both speed them to ti eir course
So a soul that's born of God,
V .nit* to view his glorious face,
Upward tends to his abode,
To reit in his embrice.
3. Cease ye pilgrims, cease, to mourn,
Press onward to the prize ;
Soon our Saviour will return.
Triumphant in the skies :
Yet a season, and yon know
Happy entrance wiil be eiv'n,
And all our sorrows left below,
And earth exchang'd for hear'n.
ff-
118
TAMWORTH.
Porrposo.
P. M. Sharp Key on F. (hymn 19, dutch church col.)
Porrposo. Pitt. For.
IllililliiliilliilPllliilPimiii^^
Guide me, O thou great Jehovah,
Pilgrim through this barren land ;
I am weak, but thou art
J-* -V— \— J—
-(««•■
ziiig^jE^^irHz-^^^^zz^^^^fE^^^El^^
zr-^JE&iE"— =gr :
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SlliliiliSii^i^illilii^lEeiSiiil
«r
Pin. For. m
f=S3op3pm—' m-x+ ■■!*•■{■' f. tog— Zl-z-tZA l H T'iT^P^^f-fr-- l» \*Y , i It,
iEl#^r^^E!^UJ!^^li^ffl=5^a±bmE
mighl • , Hold me in tbv powerful hand
Bread of heav'n,
Bread of heav'n,
Feed me till I want no more.
ti-
ll-
llililiiiliilllil^iiliiilil^fil^il^
2. Open, Lord, thy chrystal fountain,
V\ hence the healing streams do flow ;
Let the fiery cloudy pillar
Lead me all my journey through :
Strong deliverer,
Be thou still my strength and shield.
S. When I tread the verge of Jordan,
Bid my anxious fears subside ;
Death of death and hell's destruction,
Land me safe on Canaan's side :
Songs of praises
I will ever give to thee.
DEFENCE. CM. Sharp Key on C.
119
K-
*=2mtM&mm&3B^mMt&mm
!i^^iiiii^siifCiiiig»isrj!ii^iiEii^
In thee, great God, with songs of praise, Our favour'd realms rejoice ; V.nd blest with thy salvation, raise Toli-i.":; t cheerful vi
=" ™ ^^iigs^a1^"5^ -*z -*^
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t. ■ - Mj .UJMBBF
j-Ez^ttty
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r.
^%:zzzzzqp:zzzf^zppiizrzjZfrZzpzjzzzzp^
CIMBELIJVE. L. M. Rat Key on D.
-iT*^k/
U2D dl-fpdjJVlllUd.Fl l|U || FypiR I zzHfc|z3
~'NlQ 'T T— — — >*~$T~ — — — "
-f'tT'TT^ IIS — "£r5~r= —
s — ztzz:_!zA[Zi_|z-t-_. i_z^L'S_$i_a_
Now let our mournful songs record The dying sorrows of our Lord, When lie coroplain'd in tears and blood, As one forsaken of his God.
^^zzz^zzzSi^S^^^^B^zz^^^z^=^^S^^Eze^^-^^^3^zzlzzt^^3E
Now let our mournful songs record Tiie dying sorrows of our Lord, When he complain'd in tears and blood As one forsaken of his God.
»l
zz^z>
•** | — ]T L_T ~T1 ■ J MtJI — T T Z_IQZSLI • -1 C_X ji JiZi L T i
zizp:^zzzTrz=
:zs:
iiS
120
R U S H T O N. P. M. Sharp Key on A. (hymn 10, dutch church col.)
Pia. Porte. Sym.
O what shall I do, My Saviour to praise ? So faithful and true, So plenteous in grace, So plenteous in grace ;
Vivace- Pia. Porte. Sym.
So strong to de-
mmmim^^m^^mmsM^mw^m
O what sha-11 I do, My Saviour to praise? So faithful and true, So plenteous in grace, So plenteous in grace ; So strong to de-
r -T-&-
SliililiiiiSiliiiiliiiiiSiiliPiii
3&:
=§£<
^%E^S^EgEJEgi^
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liver, So good to redeem, The weakest believer thai hangs upon him.
The weakest believer that hangs upon him.
iiriiirapSiiiiii^iSliliiiiS^l^
liver. So <*ood to redeem.
The weakest believer tnat hangs upon him.
The weakest believer that hangs upon him.
^H^^SB^^B^SI
HAVERHILL. CM. Sharp Key on G.
181
Air M'Vlrrato.
—it
•
^r^T^-.-Hhi,! i rrj^j-xrri; j-r-ac t n
:i=z=$=:t=^=r*ri=i=g:
I wait - ed meek - ly for the Lord, Till he vouch - <•■•»' l'
kind re-
^^^j^ffi f r rp^^EgEE^E^Trr p e=i
iiUl^lilgilliliiiiliil
rf-f |tl=C=#
Tf 1 1 [' f B
liillliliiiliiiilipilPl^liiillFfl^
beav'n mr hum - h|f
I ir r i r r^
7
ply; Who did liw gra - cious ear af - ford, And heard IY<
ill*
zz^zz?:
p
=rz=zS?=JZ?zz£i=T=l=zEztzi=z^=~
pf[irrtiun^^
122
Haverhn. continued.
BXlJf. .i 'H ' ) t^-44a=JL^^^^gBB5^
-**-
illililPiii^iiillPillii^^l^^EE
cry
He
-a — *-
took me from the dis - mal pit, When foun - der'd
deep
mi
ry
clay:
£
Hi*
.^
MC
=£=^
Hzz
a
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l5=i?SEEi==3EE=f^feE5
'lllPlillllll
==
tT=3r-
&3P
muMsn^^s^M
'
On
u__i — -i 3_j a — i — -1-
so - lid ground he plac'd my feet And suf fer'd not ray steps to stray.
hi
"O
E£
m
— Z3£T=Zf
_
HARBOROUGH. CM. Sharp Key on C.
12S
^SfflSSS
»,H^fTj£J
=^t:5~
K-iJz
AH hail the pow'r of Josus' name, Let angels prostrate fall ; Bring forth the royal diadem, And crown him, :[\: sflj crown him Lord of all.
l^^^gp^^i^i^^sis^i
rj^g
rtf-
OSSETT. S. M. Flat Key on E.
^zz5i
^Qpliliaii||li^^ilSppl^
^ass^a^HSP
My God, permit my tougue Tlus joy, to call thee mine; And let my early cries prevail, To taste thy love divine.
T«H
SI
-Q-e
3z::«z
t=4-U4-
Sigii
A.
124
CHRISTMAS. CM. Sharp Key ou G.
Pia.
For.
Joy to the world, the Lord is come,
U
Let earth receive her king ;
Let earth, &tc.
pE-^r
FiCT-tH^frF^^frlT f r iTT^f^^TrFffH-^^ffi
Pia.
For
=mBm^mMSn?J^3mm=zmmm I
Let ev'ry heart prepare him room. And heav'n and nature sing
A.nd heav'n, tic.
tfclll
/T\
- — ©—
flf=^f=f==Tffwr\,-\ ^r l -I* ,
If^— ft
PETERBOROUGH. CM.
Sharp Key on G.
125
^isll?liiili3li^iii^lil^^!il^^i^
I
r-
Once more, nn souT the rLsiti 5 sun Salutes thy waking eves ; Once more, iny voice, thy tribute pay, To him that rules the -ki ~.
^fcfz^USi-
F R O O M E. S. M. Sharp Key on B.
I+ZZTZ^ZZZD
azizqzzizMzzizs^zzziizzqiz zza zzzi -zzizz-Ji z:izz:z
^ _ _
iifi!iSi§iilSw
dziizibizzyizzLzit-tiUztittiZ
^^izjz^zii^zafi
^l^z^I^zz!
itztzzWpzytzbitorit
Shall wisdom cry aloud, And not her voice be heard ? The voice of God's eternal word, Deserves it no regard ? Deserves it no regard ?
r k-r It 1 1 t it -r^ r r(^
g^^^^W^iir^^BSi
If
126
UXBRIDGE. L,. M. Sharp Key on F:
How sweetly along the gay mead, The daisies and cowslips are seen ! The flocks as they carelessly feed, Rejoice in the beautiful green.
T-nffr^ TT-i t-!--! — l-r-^-*.--T-rs-k-r-r4 H>r-r-XT*-
How sweetly along the gay mead, The daisies and cowslips are seen ! The flocks as they carelessly feed, Rejoice in the beautiful green.
il^iiiiiSS^llili^iiilliiiiilllSi^
HEB33:
;izgzr=ziiL3;i:±
miii^iiiifiili
The vines that encircle the bow'rs, The herbage that springs from the sod ; Trees, plants, cooling fruits, and sweet flow'rs, All rise to the praise of my God.
mmm^^mMmmmmm^^^m
The vines that encircle the bow'rs, The herbage that springs from the sod ; Trees, plants, cooling fruits, and sweet flow'rs, All rise to the praise at my God.
^v""~"
gliili^ligiiiiigiliiliggfei^S
r
127
:zst
X=::
-^
LOVE DIVINE. P. M. Sharp Key on G.
ISflilfl
1. Love divine, all other love excelling ! Joy of heav n to earth come down ; Fix in us thy humble dwelling, All thy faithful mercies crown.
^iPls^iiSiillaiilil^^SS^ii^
2. Breathe, «J breathe thy loving spirit Into cv'ry troubl'd breast • Let as all in thee inherit, Let us rind thv promi^M re*£
I
ISIg^liiliiiieliiilia^^^iSii^
• _
ELlTt^^B^a^^OT^r^^^l^^^
Jesus, thou art all compassion, Pure unbounded love thou art I Visit us with thy salvation, Enter ev'ry trcmbli
§PlSliil^iiilii^iil3iiL^^ - - m
Take away the pow'r of sinning, Alpha and Omega be ; End of faith, as its beginning, Set our hearts at liberty.
~T —
Kl ' "
S. Come, almighty to deliver,
Let n- all thy life receive ;
Suddenly return, and nev&r,
iVever more thy temples leave !
Iiliiliil^ili^iiiiiiii^lf5-^r=a
Thee we »ould be alwayi blessing,
thee as thine hosts above ;
Pray and praise thee without ceasing,
Glory in thy precious love !
4. Finish then thy new creation,
Pure unspotted may we be ;
Let us see thy great salvation,
Perfectly resior'd by thee !
Chan,; d i om v iato « I ( > ry ,
Till in !•■ »v ii we >aki oai |»!ace ;
Till wo c;i^ < nu « rowBi before thee-,
l<«st in wonder, k»re, ana1 praise !
1 28 E A T O N. L. M. Sharp Key on E.
!zirSraEEEk==£3
i «^
g^pi^
And wipes the tear from sorrow's
eye,
F
Come, gentle patience, smile on pain; Then dying hope revives again,
lifliliilliliiliilllil^ii^liii^ii
l:
r — -Kt— 1 — l~T — t^~T~d~'3'J'rT"','i — iri"^? — r"T~T ■"■=H~*1>rt — t"TT — In — "^*TrT"r*1 £4- E^-« zizznzzizzjziij,.
_^ft ._ ___■._
k. J
zz zzizfziilz?z£z|zi£zz fzzLpzz^zif i ^fzzlz pzfll
While faith points upwards to the sky. And wipes the tear from sorrow's eye, 'While faith points upwards to the sky.
E^TffT^^^^^t^^^^tffT^rT? j-fpgMz^iilzfig
iiilililiiiilliiliipElzlPiiliillllgE
hr-:L-Tf»T-P-:;^::?-F-
129
IPii^gw
KENT. L. M. Sharp Key on E fc.
\\ here shall >vc go to seek anil find A hab' ta - tion for our God ! A dwelling for th'Etcmal Mind Among tlie sons of tlc-li aDd blood.
=P4^
IBHi
OHLAiVD. L. M. Sharp Key on C
Slliliiiiilliiili^S^i^EsllligililS
-. Till
■imimmmmmn\nurm?\\mmTfmr%
Eternal arc 1'iy merrier, Lord ; Eternal truth attends thy word: Thy praise shall sound from shci- t( -non-. 'I T •■ hi- 'ball rise and Fft no more.
' » • *~ Till
i30
»b3fe
SOMERSWORTH. L. M. Sharp Key on E is.
Soft.
;i^lliil^liiiiiliiiliiillliiElii
>— EZ
My
^t*
sad complaints in
:szz£
praises end. And tears of
g-|qzEzp|z*z» — ^z|zzl!zz jzf zjzjr
-P — m
gra - ti - tude descend; I throw my sackcloth
Ilimiiiii^iiilliEi
171 :'a.±y..JZ~.
_<* ♦—4. —a. - -a —
|EjEE^IE^zg:z:zzizz[iz^
Loud. .s— ~~.
lllliisiii^iii|ii^^E|i^iiE^|:||piiigi£
on the
z3E*Ez:s::
mm
n, iund, Ai. ease and glad - ness gird me round. And ease gladness gird me round.
iiiiiiiiii^iipiiiii|iiiiii^iiii
EEzldzzlizi^^
Ipre — r — I
BABYLON. L. M. Flat Key on G
)3i
iE^i:ll^3l^||:ilili5f
ezo::
-fir-J-E
lliillllii SSI
-e-p p_ ©-^I^-1e-pJe-=I^zFT5©3IP;i^*!Pi^gzErs.ii
==S f 1 rT~Tl n l[l ■' I ' ■' 1 . j I t I, - 1_1 1 1 ll=gg-BBEBE
Row let our mournful tonga record, Tne dying sorrows of ourJLord; Wlun'lie complaln'd in tears and blood, As one forsaken
-2;
r-ft-a
BARBY. C. M. Sharp Key on A.
! ->-it
Hope looks^beyond lhe|buunds of time, When, what we now deplore. Shall rise Bo. full im - mortal piinie, And bloom to Ride HO
m^jm^Mmimmmm^Mmmmm
pliii!lpiiiiiiipijiiii:ii|iiii^^|s
: EBi=3Ete
C »ftan ii n'-
jo: rn ffisSLii±Mjy=Ly^ga
132
CHESTERFIELD. CM. Sharp Key on A.
mmmmmmmWMMMtm^mmmmm
Lord, when my raptur'd thought surveys Creation's beauties o'er, All nature joins to tearh thy praise, And bid my soul rejoice.
Si^liiiil^iiliiililillllgi^ig^li
LONDON. C M. Sharp Key on F.
^ _^ ^_ O Q_^ tv
i m^^mm^^m^^mmg^^m
O holy, holy, holy Lord, Whom heav'nly hosts obey, The world is with thy glory fill'd, Of thy ma - jestic sway.
iiliilgiiiiiliiiiiiiiliiil
=*es=
i
mM^mm^^^mMm^^m^^m^i^m
133
33=
>=--2:
m
SWAJfWICK. C. M. Sharp Key on B fc.
ifczg^
-b-
• -T~- — _-c— T-Q-— E~*"~T~S"-=~~"iF'T~5~1~P — T~F~F — P — T — e — 5£"~T~°~T~r9 — T~~fi~
Soon shall the glorious
morn - inj; rone, When all thy saint9 shall rise, And clulh'd in
i^Iiiii^^^l^=l^i^ilii=liEiilE^ris
S£-H±ife
thei
r iin - nior - tal bloom.
At
lend theo to tlio skic^. At
tend thee
to the
^i||pi|^||^iiiEiHpi|iiiii*gzil|lliiii
zzri§zzz&Tidz=®zzz^zii— §~lz7^~Iq
gi"^
"irn-gg^ i r r f-+hp
134
WATCHMAN. S. M. Sharp Key on E fe.
fpiiliiliililiiiiiSil^liiiiigiiiiilil
Ab when shall I awake, From sin's soft soothing povv'r ; The sluiijljei from my spirit shake, And to
ZgZZir.ii bL^LCLMdEZ
pzjztzszmzzi
I E^^E^ffigg^gE^^a^SEH|
:Erzt3:s5Jr
£z§:±-.z:E±
iry^
SHIiiLAND. S. M. Sharp Key on A.
Il v* ~it— vrt — ""tH — ^T— !— - -;-fTr"-|— » T-» — — —F — •> T-- ■--§— —I— T — I — — ^j — i-f-H — -— P-wiT— - — — 1-— IT— '— — I — --T~4- , ~! T~l 1~TZT"l~Lr-
^
£ •- o ~
.T-r.
pz
— t — ■ — i
Ho lead? me to the place, Where heav'nly pastures grow; Where liv - iug wa - ters gen - tly pa*s. And full sal - vation flows.
-a-#—
igglipBKIPI^ifeilSig^SBI
li=r*
immmmmmimmwmmw^mmMmM
CALVARY. P. M. Sharp Key on C.
Hark ! the voice of love and . Sounds a - loud from Cal - va
rv ! See! it rends the rmK< > - mii'lc r.
UFTvnr\*&m\r rf i F r rrrg; i r r 1 1 r .rnrp ^
ten
3
Z3T
.
< /Ti
I /T\
,In time.
Shakes the c .rth and veils fie <kv -It is fini-'iM ! it is i "d !"' II.. ir the dying
— N t — n I /TV 1 /?s
Fg=Efej
__-SiT-P3 _
tigigiiii^iii- liiiiiii^ftiiiiiiiiiiii
/
13 4
INDEX.
TUXES.
Authors, Page. \
TUXES.
Authors.
Page.
TUXES. Authors.
Page.
TUXES.
Authors.
Alesbury,
19
Denmark,
Madan,
58
London, Dr. Croft,
132
Ritchfield,
Amsterdam,
117
Dcvjzes,
109
Lorn,
46
Rochester,
Angel's Hymn,
4l>
Disunion Hymn,
54
Loughton, Mulgrave,
113
Ruihton,
LoCKHART_.
Arlington,
Dr. Arne,
93 |
Dorset,
Dover,
Burnet,
49
Love Divine,
127
Rutland,
Armley,
41
88
Majesty, Billings,
80
Salem,
Arnheim,
HolYOKE,
93 !
Dundee,
38
Malmsbury,
56
Shisland,
Stanley',
Arundel,
102
Dunkirk,
27
Martin's Lane,
104
Silver-street,
Smith,
Arviugton,
15
Dunstan,
Madan,
103
Martyrs,
16
Smyrna,
Holden.
Ashley,
98
Easter Anthem,
BlLijNGS,
89
Mear, Brown,
24
Somersworth,
Babylon, R
AVENSCROFT,
131
Eaton,
Wyvim.,
128
Messiah, Handel,
22
Southwell,
Bangor,
71
Enfield,
Chandler,
23
Middletown, Bull,
55
Stafford,
Reed,
Barby,
131
Evening Hymn
24
Montague, Swan,
44
St. Ann's,
Dr. Croft,
Bath,
Handel,
13
Evening Hymn
Clark,
107
Morning Hymn,
69
St. Asaph's,
Mi lg rove.
Bedford,
W. Wheail,
64
Farndon,
lie
Munich, German,
85
St. Helen's,
Jennings,
Bethesda,
Darkiell,
42
Florida,
Wetmore,
14
Music, Dr. Arne,
86
St Martin's,
Sansun,
Beverly,
37
Fountain,
Leach,
54
Newark, Dr. Arne,
100
St. Michael's
Handel,
BlendoTi,
GlARDINI,
42
Froome,
Husband, .
125
Newmark, Bull,
101
St. Thomas,
Bradford,
40
Funeral Anthem, Billings,
78
New-York,
81
Sunday,
Bray,
G. Williams,
48
German,
87
Norwich,
30
Sutton,
Bridgeport,
28
Gilboa,
T. Olmsted,
20
Old Hundred, M. Luther,
18
Swanwick,
Lucas,
Bridgewater,
Edson,
36
Green's 100th,
Green,
88
Orland,
123
Sydenham,
Smith,
Brighthelrnstone,
21
Greenfield,
Edson,
28
Ossett,
123
Symphony,
MoRG AN.
Brooklield,
W. Billings,
47
Greenwich,
Meed,
26
Peckham, Smith,
58
Tamworth,
I.OCKHAHT,
Buckingham,
70
Guildford,
56
Pelham, F. Giardini,
57
Truro,
Handel,
Burford,
Purcell,
36
Habakkuk,
Madan,
66
Pensance, Purcell,
45
Tunbridge,
Burwa'y,
Handel,
15
Hale,
Hudson,
94
Peterborough,
125
Uxbridge,
Dr. Arne,
Calvary,
135
Harborough,
Shrubsole,
123
Phildelphia,
73
j Virginia,
Bbunson,
Cartridge,
Dalmer,
68
Haverhill,
Dr. Arnold,
121
Pleyel's Hymn, Pleyel,
35
Walsal,
Castle-stieet,
Mad an,
19
Hotham,
Madan,
72
Pleyel's Hymn 2d, Pleyel,
65
Wantage,
CI >rmouth,
Wainwright,
94
Hull,
Chttham,
41
Plymouth,
70
Warebam,
Arnold,
Chelinefor ',
38
Hymn to the Tr
nity, F. Giardini, 53
Plymouth,
29
Warren,
A. Lane,
Chesterfield,
Dr. Haweis,
132
Irish,
76
Plympton, Dr. Arnold,
97
Watchman,
Leach,
China,
Swan,
99
Italy,
Sacchini.
77
Portsmouth,
92
Wells,
Holdrad.
Christmas,
Madan,
124
Jordon,
W. Billings,
25
Portugal, T. Thorley,
53
Winchester,
Cimbeline,
Dr. Arne,
119
Kent,
G. Green,
129
Portuguese Hymn,
96
Windham,
Rbed.
Colchester,
A. Williams,
18
Lambeth,
Mulgrave,
114
Psalm 25th, Gillet,
13
Windsor,
KlRTY,
Coronation,
Holden,
43
Landaff,
111
Psalm 34th, Stevenson,
31
Worcester,
Madan.
Dalston,
A. Williams,
16
Lenox,
Edson,
32
Psalm 148th, Handel,
50
Be fence,
119
Little Marlborough,
31
Page.
112
17
120
95
71
134
105
63
130
40
17
102
39
108
32
110
101
64
43
133
10G
55
118
99
34
126
30
115
35
33
47
131
21
109
14
45
71
<
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:
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