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e ^ib)iopiiile_.
" Once upon a midnight dreary, while I pondered, weak and weary
Over many a quaint and curious volume of forgotten lore
While 1 nodded, nearly napping "—Edgar Allan Poe.
[Facsimile reproduction of "Ye Bibliophile," an original black and whitf
SKETCH BY E. J. MEEKER, AND MADE FOR " NeW YorK BIBLIOPHILE" 4 v
WORK OF Henry de Pene du Bois, now in the press. Number 222, nl
THIS COLLECTION.] ^■'^■^ °''
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A.
"Ml:
Ciitarg
anb
^rt Collection
of
Mtm^ ire Jlene ^\x Uois,
0f l^jewr ^0t;^^
Author of — "An Historical Essay on the Art of Bookbinding," American
Correspondent of "Le Livre" (Octave Uzanne, Editor), etc., etc.
NEW YORK:
GEORGE A. LEAVITT AND CO.,
78? AND 789 Broadway.
June, 1887.
y^\
" Livres nouveaulx, livres vielz et antiques."— Etienne Dolet. ,
Gilles Menage somewhere wrote over two hundred years ago;— "Les
livres ont toujours ete la passion des honnStes gens."
And that is the reason, I suppose,' why Me. Henet de Pbnb dtj Bois is
so popular in New York as a Bibliophile and Grolierite. I presume further,
that it is also the reason why he gave to literature his interesting volunie on
the ' ' Art of Bookbinding, " — is why he has been chosen as the American cor-
respoiident of that fascinating Parisiail magazine, "Le Livre," whose des-
tinies are superintended by Octave TJzanne, the author of some of the most
delightful works in the French language— and' is why Me. Pbnb du Bois
has been engaged for so long a time on the compilation of his volume on
American book-collectors entitled — "New York Bibliophile," and which
will be shortly issued from the Paris press.
The Library and Art Collection of Mb. Pene dtj Bois has been his sole,
hobby during many years, and he daily could truly repeat the wordspenned
by old Pynson in the sixteenth century: —
" Styll am I besy bookes assemblyBge, ^ ^
For to have plenty it is a pleasaunt thynge."
I
His Collection had great newspaper notoriety before he contemplated
putting it on the market in consequence of his intention of living altogether
in Paris after September of this . year. The Collection of this Louisianian
Creole — for Me. Pbnb du Bois is a native of New Orleans — has long been,
in the words of "Town Topics" — "the envy of brother enthusiasts," and
"To-Day" two years ago, spoke of his— " noteworthy assemblage of
French classics and fine bindings," adding, "Me. Pbnb du Bois isanephew
of the French author Hbnei db Pbne and a collector of decided inherited
taste."
Any number of extracts might be reprinted in regard to the value of the
Library of Me. Pbnb du Bois, whom the " Art Amateur" styled— "con-
noisseur in the arts of the bibliophile," but two more and those from the
",New York Tribune " will suffice. On the third of June, 1883, that jour-
nal said: —
" A gjood book-collector here is Hbnetde Pbnb du Bois. He is said to
be of Huguenot extraction and is the New York contributor to ' Le Livre '
of Paris. He has an Immense Libkaby, in Brooklyn, strong in the French
PROEM. iii
classics, in fine editions, and in old Gothic books Mr. Penb du
Bois, it is said, can tell a Durer by merely feeling the paper, and he owns
a copy of the ' Roman de la Rose,' which cost six hundred dollars."
The "New York Tribune " six months ago, when a rumor of the dis-
persal of the Collection had been bruited around, stated further : —
" the Library of Hbnbt Penb du Bois, a well known member of
the Grolier Club. Mb. Penb dd Bois has lived in New York for many
years, but has decided to return to his own country and, as a preliminary
step, is going to dispose of his entire Library. As the author of the well-
known 'Essay on the Art of Bookbinding,' his Collection is naturally rich
in specimens of that art. On the bindings of some of these volumes are
such names as Trautz-Bauzonnet, Derome, ChamboUe-Duru, Rousselle, and
well-known American and English binders. These gorgeously-tooled cov-
ers guard treasures such as vellum manuscripts, black letters, examples
of Aldus, Elzevir, Hardouyn, Galliot du Pre and other master printers.
Modern examples include first and limited editions, classics and biblio-
graphical works. Some fine prints and water-colors, as well as some inter-
esting autographs, complete the collection."
" Good wine needs no bush" may be all very well, but the endorsement
of the results of years of book-finding and book-hunting by the newspapers
quoted above, is almost a necessity in the face of the cynical scepticism
which seems to environ everything in association with the sumptuous
hoards of the bibliophilistic amateur, who devotes his life to collecting and
who believes in the suggestions of the eminent poet and book-connoisseur
Frederick Locker-Lampson: —
" It is a good thing to read books, and it need not be a bad thing to write
them; but it is a pious thing to preserve those that have been sometime writ-
ten; the collecting, and mending, and binding, and cataloguing of books
are all means to such an end,"
* *
The "Penb du Bois Catalogue" has been arranged in Ten Divisions
as follows: —
I. Art, comprising Painting, Sculpture, Architecture, Costume, Her-
aldry, Choice Bindings, etc. ; also. Illustrated Books, many of which are
Unique Numbers 1 to 352
II. Vellum Manuscripts, including Illuminated Treasures and Later
Manuscripts, etc Numbers 353 to 888
III. Original Autographs . Numbers 389 to 532
IV. Early Typogbapht, consisting of Incunabula, Black Letters, and
other Rare Books printed before the year 1600 — -also splendid Aldine and
Elzevirian Imprints Numbers 523 to 693
V. BiBLiOGRAPHy, and Authorities on Literature, Binding, Book-plates,
etc., also Rare Book Catalogues Numbers 694 to 866
VI. CuRiosA and Faceti^, including Rare Illustrated French Erotica,
Books of Emblems, the Dance of Death, etc., etc Numbers 867 to 1821
VII. Poetry and Drama Numbers 1332 to 1565
VIII. Varia LiTBBARiA, including History, Americana, Biography, Fic-
tion, Travels, etc. ; also some Addenda, mostly duplicates, and consigned
from another source Numbers 1566 to 1883
iv PROEM.
IX. Peints and Aquakblles Numbers 1883 to 3457
X. CuBios AHD LrBBAKT FuKNiTUKB Numbers 2458 to 2496
* *
*
The "Pene du Bois Catalogue," the first auction bibliography issued
in America with page illustrations, begins with the Division devoted
entirely to "Abt, Uniquely Illtjstkateu Booe:s, Bindings, etc." This
section is arranged alphabetically and numbers 1-352. It comprises the
best French, Gennan, American and English authorities on the Fine Arts. '
It makes in itself a nearly perfect library for general reference purposes on
the various subjects incorporated in the department.
Pre-eminent among the gems of the First Division are two of the vellum
volumes, issued by the Grolier Club. "A Decree of Star Chamber,"
one of two copies on vellum, and the only example that can ever be sold,
as the other is preserved in the safe of the Grolier Club to -be owned for-
ever by that organization. Mk. Pens dtj Bois had his<:opy most superbly
bound in Paris byLortib, with the arms of Jean Grolier in colored leathers
on the sides. He is also the owner of one of the two vellum copies of the
Grolier Club's reprint of the "Kubaiyat" of Omar Khayyam. Two other
Grolier Club books are in the Catalogue — Robert Hoe's work on "Book-
binding," a limited edition of two hundred copies, and " Knickerbocker's
History of New York," limited to one hundred and seventy-seven copies.
Quite a number of unique books are in this Division: — Sir Walter
Scott's "Works and Life" — a magnificent copy illustrated with additions
making three thousand engravings in all, and splendidly bound in sev-
enteen volumes by Tout; an extra-illustrated Bryan's "Painters and
Engravers," the London edition of 1821 extended from two volumes to
fourteen by the insertion of many hundreds of prints, embracing portraits
of the artists mentioned or specimens of their work ; Robert Hoe's edition
of Maberly's "Print Collector," a large paper copy extra-illustrated with
eighty extremely rare and original prints by Durer, Beham, Rembrandt,
Hollar, Raphael-Morghen, and other masters of the burin ; Pepys's " Diary,"
ten volumes extra-illustrated with portraits and views; the "Cambridge
Portfolio," with numerous additional illustrations; Durand's "Souve-
nirs" of the great French General Hoche, extra-illustrated; Le Roy de St.
Croix on the " Marseillaise Hymn, " uniquejy extended; proofs before let-
ters on India paper of many of the gems of the " London Art Journal," in
square large folio; etc.
It is but to be expected thdt we shall find many grand reliures in the
library, of an authority on book-binding. Mb. Pene du Bois's own book on
" Bookbinding " is presented in a. form as handsome as it is possible to have
it. The author's own copy is a limited edition of one, is printed entirely on
Japan paper, is uniquely extra-illustrated with rare engravings, and is su-
perbly bound in doubll by Bradstreets, who printed the book. A volume
that cannot fail to attract attention Is a copy of De Thou's " History," pre-
sented by its author to King Henry the Fourth of France, dedicated to
that monarch, printed by Bstienne, and bound under the supervision of De
Thou, by Clovis Eve, for Henry of Navarre. Another royal binding of im-
portance must have special mention. It is King Louis the Thirteenth's
copy of the "True Points of the Catholic Faith," and is a presentation
one from the author, Cardinal Richelieu, to his master. Needless to say
PROEM. , V
the covers are one mass of fleurs-de-lys, which also decorate handsomely
bound volumes formerly helongingto King Louis Philippe. Among other
historical bindings are tomes that were the property of Napoleon the Third,
Madame de Pompadour, Prince Demidofl, the Duke of Marlborough and
other eminent personages. Eeliures of interest by Derome, Du Seuil, etc. ;
examples of alto-relievo silver bindings; hand-painted eighteenth century
specimens; volumes stamped with the royal arms of France and an artistic
engraved papier-mache binding, are in this Division of the Catalogue.
In tbis galaxy of art, literature and illustration are editions-de-luxe
and volumes illustrated with the best etchings. There are: — a set of
" Original Etchings by American Artists," India paper proofs, with dupli-
cates on Japan paper; the etchings of the " New York Etching Club,"
signed artists"proofs on India paper; Koehler's luxurious work on "Etch-
ing, " with proofs on Japan paper; a limited edition of fifty impressions,
and one of the choicest sets of " Poets and Etchers," published at Boston,
1883; "A Score of Etchings," brilliant proofs before letters; the very
scarce Young's " Leicester Gallery," a large paper copy with proofs on
India paper; a Holland paper example of the " One Hundred Chefs-
d'CEuvres in Parisian Collections"; Jutsum's " Mastei-pieces of German,
French and Dutch Art," proofs before letters and mostly on Japan paper;
and John Kay's " Caricature Portraits," a fine copy of the best edition,
and published in 1838 in " Edinbro' town."
Some really magnificent galleries of engravings are in this section,
viz. : — the " LeBrun Gallery," three volumes, Paris, 1792-96, and with two
hundred and one copperplates; "Art Treasures of America," limited
edition and India proofs; an original subscriber's copy of the " Gallery
of Contemporilry Art "; " the French Aquarellists," limited edition, heavy
vellum paper; the " Italian School of Design," with masterpieces of illus-
tration engraved by Bartolbzzi and others; the " Luxembourg Gallery,"
Paris 1710, with magnificent plates after Rubens by Edelinck, Audran,
etc. ; " Masterpieces of French Art," limited edition, India proofs before
letters; and the " New Gallery of British Art," the edition deluxe, with
proofs before letters on India paper.
Quite a number of works on costume, such as Guillaumot and Planche,
are in this Division, including a handsome copy of Pyne's " Costume of
Great Britain," the plates of which are colored by hand.
The somewhat kindred subject of heraldry has a few representatives : —
the " Blason des Couleurs," the limited reprint and uniquely colored;
GuiUim's "Display of Heraldry," 1677-79; and the rare French heraldic
and genealogical authorities of De Milleville, JoufEroy des Eschavaunes
and the Marquis de Magny.
A large number of volumes are devoted to Biblical illustration, among
them being those of Kraus, La Trobe, Martin, Royaumont and Stimmer,
also Curmer's beautiful edition of the "New Testament,"' and a large
paper copy of Bida's " Gospels," proofs before all letters and in a magnifi-
cent reliure of David.
Nearly the whole of the First Division warrants particular attention
being called to it in entirety, number by number. In addition to those I
have already specified, I pick out alphabetically some extremely choice
books of beauty and luSury : — " L'Art," the gr,eat French art magazine for
the years ,1878-83, inclusive; limited subscription edition of " Les Arts
vi PROEM.
Somptuaires," with colored plates by Ciappori; Bartlett and Seattle's
"Switzerland," large paper, with open letter proofs; Batty's "Select
Views of Europe," an almost unique copy, with the plates in three states,:
and another work by Batty, his "French Scenery," with the plates in two
states; Dante Gabriel Rossetti's copy of Hans Burgkmair, fifty-two folio
wood engravings; many works illustrated by Gustave Dore; the privately
printed " Monuments of Design," by Baron Vivant Denon; the 1633
Arnheim edition of Albert Durer's " Human Proportion"; a collection of
nearly one hundred engravers' proofs — an unique, large paper and India
paper assemblage, mostly proofs before letters, lyith the artists' autograph
signatures thereon; Schmidt's beautifully Illustrated edition of the
"Poems" and " House of Brandenburg," by the warrior monarch Fred-
erick the Great; subscription edition of the " Gazette des Beaux-Arts,"
in fifty -four volumes, from the commencement in 1859 to 1883 inclusive;
largest paper copy of Gell and Gaudy's "Pompeiana," with dupli-
cate India proofs before letters; Gonse's "Japanese Art," also the
French edition of Audsley and Bowes's work on the same subject ; edition-
de-luxe of "Great Modern Painters," with proofs on India paper; Hamer-
ton's art works, including large paper copies and original editions of his
"Landscape" and "Graphic Arts"; "Labyrinthe Royal," printed at
Avignon in 1601, bemg a very rare, contemporary work on Henry of Na-
varre and Marie de Medicis, his Queen; Ars6ne Houssaye's splendid folio
volume on Molifire, limited edition; large paper copy of Ireland's "Views
on the River Thames "; the original edition in forty volumes of Jardine's
" Naturalist's Library "; Kueller and Wauters' splendid work on "Ancient
Historic Tapestries"; many of Paul Lacroix's charming works of an art
character; original subscriber's copy of Lodge's "Portraits" in parts, as
issued; Mayer's "Oriental Views," with delightfully colored plates;
Michaud's "Crusades," illustrated by Dore, and splendidly bound by Dupre;
largepapercopy of "Paradise Lost, "with John Martin's plates, London,
1827; Perrot and Chipiez's " History of Art," in six volumes; a large paper
copy of the Du Bois edition of Plutarch, with duplicate sets on India paper
and proofs of the plates in two states ; largest paper copy of Pugin and
Heath's "Paris," with India proofs before all letters; Rapin's "English
History," with Vertue and Houbraken's plates; Renouvier's privately
printed work on engraving, a presentation copy from Charles Sumner;
Rossetti's "Blessed Damozel," one of a limited edition of thirty-five
copies, with India proofs; a splendidly illustrated work by Peter Paul
Rubens, published at Antwerp in 1642; original edition of Ruskin's
" Seven Lamps of Architecture," as well as a large paper copy of the last
edition of the same; limited " Jouaust " edition of ■' Paul and Virginia,"
elegantly bound by Smeers ; large paper copy of the " Picturesque Tour
of the Seine," published by Ackermann in 1821; "Romeo and Juliet,"
limited edition on Japan paper of Dicksee's charming designs; Sotheby's
"Principia Typographica," three volumes, limited edition; the "Anti-
quarian Itinerary," large paper and profusely illustrated; signed artist's
proofs of Barnard's " Sketches " to Thackeray; and " Lives of the Archi-
tects and Sculptors," bound by the famous bibliopegistic house of Cham-
boUe-Duru.
These are a few samples of what the Art Division" of the "Pene du
Bois Catalogxtb " is composed, There, is hardly a great, engraver or
PROEM. vii
master in painting and sculpture, of ancient and modern times, l)ut who is
found in some form or another in the department, and there are volumes
entirely devoted to narrating and illustrating the lives and art work of the
great painters, but more particularly — Cellini, Boucher, Jean Bologne,
Raffaello Sanzio, Claude LoiTaine, Kaulbach, Millet, Rembrandt, Rey-
nolds, Sal vat or Rosa and Van Dyck.
* *
*
The " Manuscript Division," Numbers 353-388, of the "Penb du
Bois Collection." has as fine an exhibit of choiceness of vellum exam-
ples and loveliness of illumination as were brought together in either the
Trivulzio, Rushton M. Dorman or Rush C. Hawkins MSS.— all of which
were sold by the Lbavitts, within the last thirteen months.
The human mind can conceive of nothing of greater beauty in hand-
painted missal work than the glorious " Pirmin-Didot Hours " in this Col-
lection, and which I have no doubt belonged to King Charles the Sixth of
Prance. Here, among the Pbnb du Bois treasures is this fifteenth
century vellum manuscript of foimer royal ownership, dazzling the eyes
with forty-three pavnted miniatures, three hundred and Ihirty-eight pages,
upon which are ten thousand inches of illuminated border, and with
thousands of illuminated capitals and sentence finials in colors heightened
with gold. Such a volume can only be seen in the Bibliothfique Nation-
ale, the British Museum or the libraries of the extremely wealthy.
Vying in importance with the last named is the " Golden Legend " of
James de Voraigne, a fourteenth century codex with one hundred and
two miniatures, and thousands of illuminated initials on the seven hundred
and fifty-six large-quarto pages of vellum. This manuscript of Italian
workmanship, has been valued at two thousand dollars.
Of a different school and of equal literary value is the magnificent four-
teenth century " Testament de Jehan de Meung," which, charming as it is
in illuminated work, is equally so in the reliure, which is by the famous
Petit of Paris.
Devotional illuminated vellum manuscripts make up a good quota of
the Second Division.
The different schools of medieval miniaturists are all in this section.
Thus we have — an early fourteenth century Anglo-Norman " Missale
Romanum," with thirteen miniatures and hundreds of capitals in gold and
colors, on the last page being over twenty lines of ancient English verse
written about the time of Chaucer; a splendid Fifteenth century " Horse"
of Flemish execution, with thirty miniature paintings and hundreds of
capitals, all in gold and colors so exquisitely finished that it may have been
the Xvork of John Van Eyck; a handsome " Getydenboek," or Dutch
missal of the fifteenth century with beautifully illuminated miniatures,
borders and capitals ; and an early fifteenth century " Heures de la Vierge "
of French workmanship, on vellum, with ten miniatures, capitals and
borders, forming full-page illuminations in colors heightened with gold,
and hundreds of other lovelily decorated initial letters that exhibit all the
scrupulous care and patient detail, so peculiar to French manuscripts of
that date.
Some her^dic drawings and MSS. will interest genealogists; an early
seventeenth century diploma of the University of Padua will delight
Shakespearean collectors ; an erotic volume on vellum in French script
viii PROEM.
will titillate the senses of amateurs who gather f acetise ; and a beautifully
written "History of Belle Isle en-Mer " will charm bibliopegists as well as
antiquaries, it being in a reliure by Trautz-Bauzonnet.
Some authorities on illumination, including a manuscript volume that
tells the secrets of the almost lost art of the preparation of gold and
colors for manuscript work; two framed paintings on vellum some centuries
old; and some of the beautiful chromolithographic reproductions of the
Arundel Society, are in this department.
Three printed tomes made unique by hand illumination must be called
attention to. These are two " Horse,", printed by the Hardouyns, one
being In a Grolier binding, was issued from the press in 1499, and has
forty-six painted miniatures in colors, heightened with gold; and an —
Unique large paper copy of the " Eomau de la Violette," with two sets
of plates, one deliciously illuminated in a manner fully equal to that of the
best monastic miniaturists of the middle ages. This handsome volume
was the property of King Louis Pliilippe's son, the Due d'Aumale, who
has recently given to the French nation, as a museum, the Palace of Chan-
tilly and its famous library.
' * *
"Okiginal Autographs" is the title of the Third Division, and it
includes nearly one hundred and forty numbers of rare and interesting
documents or signatures of historical and eminent personages.
Me. Pene dtj Bois some years ago was left by the will of its owner the
"Russell Collection of Autographs " of United States presidents, states-
men, authors, etc. This will be found in the catalogue as an unit, and is
number 518. It comprises a collection of over two hundred and twenty
letters, wholly in the caligraphy of the various writers, or sei^arate signa-
tures, some of the last mentioned with MSS. above them. This unique,
most valuable and interesting gathering contains signatures or handwriting
of ten of the United States presidents, commencing with Washington,
The " Russell Collection " has also letters or signatures of governors of
states, pofets, artists, singers, historians, philanthropists, actors, etc. A
notable feature of the Collection is an addition by Longfellow to the
" Psalm of Life," and a letter in which Edward Everett tells the story of
his association with Jenny Lind.
The next number to the last named is the " Comedie Franpalse Tom-
bola" of autographs of distinguished members of the French stage,
authors, critics, etc. This album, which the "New York Tribune"
priced at one thousand dollars, is full of fascinating reading matter in the
handwriting of some of the most prominent people associated with French
literature and the Paris stage. It includes among other valuable MSS. an
original quatrain entitled "Liberty and Love," one of the last productions
of the pen of the great novelist Alexander Dumas.
The Autograph Division has some extremely important documents
and letters outside of numbers 518 and 519.
Among them are three quarto pages entirely in the handwriting of Vol-
taire, in which he writes fully to Tauler, respecting his " Sificle de
Louis XIV."
Equally desirable from the amateur's standpoint are the following
letters:— one from Henry the Fourth of France and Navarre to the Count
of Viereville, in which the "white plumed king " requests that nobleman
PJROEM. ix
-to devote all his attention to the counteracting of plots of assassins;
another from Louis the Thirteenth, at the dictation of his master, Car-
dinal Richelieu, in relation to the Due de Guise and his fellow conspira-
tors; one from that despicable sensualist King Louis Quinze to the Presi-
dent of the Parliament, at Paris: and another with the signature of
Caulaincourt, Duke of Vicenza, to the American Minister at the Court of
the Tuileries and on behalf of the Great Napoleon, who on his return from
Elba desired to continue the friendly relations that had existed between
France and the United States.
There are also other historical papers of equal consideration written
by, or dictated, or with the signatures of: — Anne of Austria; Abd-el-
Kader; Admiral de Bourbon, Count of Toulouse; the Due de Choiseul;
General Dumoulin; Foucquet, Duke of Belleisle; Citizen Henriot; Napo-
leon the First; Necker; Prince Talleyrand; and Cardinal de Bemis, who
orders the arrest of an aristocratic brace of elopers, on behalf of the Pope.
, Mr. Penb du Boib purchased some years ago from the " Alfred Bovet
Collection " quite a number of letters, some combined with sketches, by
eminent artists. These will be found in this Division, and are of: —
"Cham," Chardin, Corot, Couture, Daumier, Delacroix, Delaroche,
Dor§, Girome, Baron Gros, Jacque , Meissonier, RafiEet, Regnault, etc.
Sardou, Augier, Scribe and Ponsard are among those who represent the
dramatists, and Adam, Auber, Berlioz, Carafa, Cherubini, Gounod,
Halevy, Masse, Meyerbeer, Offenbach, Poniatowski, Reyer, Rossini,
Thomas and Verdi, the musical composers.
As a litterateur of distinction, Mr. Pene du Bois had a strong penchant
for letters written by the authors of France. He has examples of: —
About, Juliette Lamber Adam, BSranger, Berat, Bourgoing, Capefigue,
Copp§e, Courcelles, Cuvier, Droz, both the elder and younger Dumas,
Q'uizot, Hugo, Humboldt, Janin, Lamartine, Lammenais, Lecureux,
Legendre, LittrS, Martin, Merimee, Mignet, Morellet, Peignot, RSmusat,
Sainte-Beuve, Sandeau, Barcey, Simon, Sully-Prudhomme, Thiers, Tocque-
ville, Topffer, Vernet, Villemain, Werdet and Uzanne.
* #
«
"Division the Fourth — Early Typography" is arranged chronologi-
cally. It commences with number 533, ends with 693, and is arranged in
three sections: — I. Tomes printed between 1470 and 1600; II. Aldine
Imprints ; and III. Elzevirian Imprints.
The Incunables range from 1470 to 1500, the first book in the depart-
ment being printed with the types of Qunther Zainer, at Augsburg, about
the first named date. They also comprise examples of the presses of
Venice, Strasburg, Cologne, Leipsic, Milan, etc. , including likewise, one of
the tallest copies in this country, of the first edition of the "Nuremberg
Chronicle" printed by Koberger in 1493, and illustrated with over two
thousand wood engravings by PleydenwurfE and Michael Wolgemuth, the
Master of Albert Durer. In contrast with this " editio princeps " can be
compared the second edition of the same grand work, published at Augs-
burg in 1497.
Mr. Pbne du Bois has made a specialty of collecting ihe most beautiful
and expensive imprints of the Parisian press. His "Meschinot,"one of
the most desirable volumes published by the famous Galliot du Pre, whose
books are rising higher in the estimation of bibliophiles every year, is the
X PROEM.
1528 edition. When displayed at the Grolier Club, last year, it was asserted
by the press, to be the grandest piece of Trautz-Bauzonnet's reliure m the
exhibition. A fac-simile of the double of this bibelot, will be found on
page 155 of the Catalogue an^ through the kindness of my friend IngersoU
Lockwood, who chose it for his " Bookmaker" articles on bindings, as
the choicest example of the tooling of Trautz-Bauzonnet in A.merica. Gal-
liot du Pre is also shown to excellent advantage by three other volumes-
one of which is a " Jehan Le Maire " imprinted in 1531, with numerous
woodcuts, also charmingly bound by Bauzonnet; two delightful bibe-
lots, the "Ordonnances" of 1^3 and 1534 respectively, both demonstrating
the typographical beauty of Galliot du Pre's issues. They are bound by
Thibaron-Echaubard.
The Parisian Sixteenth Century Typothetse are well exemplified in
the Library and proved by volume after volume, to have infused that true
sesthetic taste into book publishing, which they hold to this day. When we
turn over the pages of these lovely bibelots with Kenaissaijce initials and
beauteous fleurons, we can immediately recognize the part "Lutetia''
played in the art typographic, by changing the rough, crude harshness of
the Teutonic Influence into what became the cultured apotheosis of the
highest recognition, by the printery, of the love of the true and the beau-
tiful.
The earliest example of the press of Paris is the "editio princeps"of
"St. Hilary," printed by Jodocus Badius in 1510. Then follow Regnault's
1518 "Breviarium Eomanum" illustrated with very beautifully exe-
cuted wood-engravings and the text rubricated throughout; "Le Jardin de
Plaisaunce" — extremely rare, with curious wood-block illustrations and
printed by Philip Lenoir in 1537; Jean Marot's "Poems," the original
edition of 1533, printed by Geoffrey Tory and bound by Duru in red
crushed levant; a fine example of Maioli reliure ona " Greek Testament"
by Robert Bstienne, 1549, and another specimen of the same genre of
binding, the " Chronicle of Philip de Comines," imprinted by Groulleau in
1551; Sorbin's " Allegresse de la France " bound by Thibaron-Echaubard '
and printed by Chaudiere in 1569; the remarkably rare work of Coppier
de Valley on the " Massacre of St. Bartholomew " printed in the year of
that outrage on humanity and bound & la Jansen by Duru; " La Puce de
Madame Des Roches " — excessively rare, printed by Angelier in 1573 and
bound by Simier; the extremely rare Estienne and 1573 original edition
of the ' ' Poems " of Des Portes, bound by Chambolle-Duru ; the 1573 edition
of Joachim du Bellay's poetical works, printed by Morel and bound by
Thibaron-Echaubard in the Jansenist style ; a very rare bibelot on the offen-
sive King Henry the Third of France, from the press of Chesneau in 1574
and bound by Cape; an extremely rare work by the unfortunate scholar
and bibliopole Henry Estienne, printed in 1579; the 1581 edition of Pel-
letier's " Poems " elegantly bound by Niedree; the remarkably rare and
excessively curious collection of four bibelots on Henry the Third of Prance,
issued in 1589 and bound by Thibaron; and an extremely scarce and charm-
ingly bound volume on the ' ' Peace between France and Spain," Paris, 1598.
Two of the grandest works, however, in this superb collection of
sixteenth century imprints are — the 1573, and best edition of the
PROEM. xi
"Chronicles of Monstrelet," published by Pierre rHulUier, and
splendidly bound by Bertrand ; and —
The magnificent and exceedingly rare " Montaigne " of 1595, superbly
bound by Belz-Niedree in lemon levant mojocco, double with crushed red
levant morocco, and edges gilt on marble, an edition that Brunet says "is
perfectly and correctly executed, and so continues until the present day for
the authenticity of text." •
Nothing like the collection of Aldine Imprints in this Catalogue has
ever been offered at public auction in America. There are over fifty
numbers running from 607 to 658, and which are chronologically arranged
from 1501 to 1593, inclusive, to which are added some Aldine bibliography
and Manutian literature. Most of these volumes came from the Syston
Park Library. They exhibit not only aU the changes of imprints, but of
types, such as Italic, over which the Aldi had a monopoly, and improve-
ments in the Greek and Roman fonts.
Hardly a volume of these fifty lacks the famous "Anchor and Dolphin''
stamp in gold upon the sides by Duru, Lewis, Bozerian, or Roger Payne.
One, however, a 1566 " Caesar," edited by Paulus Manutius, is the finest
piece of Grolieresque tooling in the entire Collection.
Where the Aldi leave off, the Elzevirs begin.
There are some forty numbers with the Elzevirian Imprints of
Leyden, Amsterdam, and even Utrecht, attesting the prolific work of their
presses. The dates of issue run from 1624 to 1689. Nearly every one is
bound by Roger Payne, and in red crinkled morocco. They include the
first duodecimo recorded by Berard, the best Elzevir "Terence,'' and
numerous popular volumes on jurisprudence, medicine, classics, etc.
There is hardly one, but what has the delightfully engraved titles, which
make Elzevirs so desirable. Many editions are not mentioned by Berard,
they ai'e so rare, and all are the " ne plus ultra " of Elzeviriana.
Besides the early typography, with Illustrations already named,
attention should be called to: — the 1514 "Passion of Christ," with its
quaint engravings on wood; the numismatically illustrated "Lives of
Emperors," printed at Lyons in 1550; a "Vulgate Testament "of 1560,
with curious woodcuts; the 1591 Venice edition of the work on "Human
Proportion," of Albert Durer; Luther's " New Testament," printed at
Nuremberg, 1594 — 1606, with curious illustrations; Speckle's "Archi-
tecture," Strasburg, 1599; and the "Brabant Chronicle," of 1600,
illustrated with admirably executed page portraits.
The German and Swiss Reformations have many numbers in this depart-
ment. The earliest is a Luther tract printed at Leipsic in 1519; two were
illustrated by Hans Holbein in his earlier days at Basle and Zurich; and
Lucas Cranach also adorned some brochures of the reformers with wood-
cuts. The 1523 tractate of Erasmus antedates Panzer as a Zurich imprint.
The following volumes of particular interest are also in the Fourth
Division: — the extraordinarily rare and original edition of Dionysius
Afer's " Description of the Earth,'' and printed at Perrara in 1512; the
1521 "Pliny," printed by Cratander at Basle; the "Flanders Chronicle,"
most curiously illustrated with wood-block engravings, and printed in
1531, at Antwerp, by Wm. Vosterman ; Dante, an edition issued at Venice,
in 1536, with numerous wood-block cuts, and bound by Tout, a la Jansen;
Sebastian Munster's work on " Navigation," printed in 1587 at Basle, and
xii PROEM.
illustrated with many wood engravings; Boccaccio's " Genealogy of the
Gods "Venice, 1581, and the Giunta "Decameron, of 1587; Koccas
" Bibliotheca Vaticana," printed at the Vatican, 1591 ; aid-
President deThou's copy oi^the Lyons " Herodian." of 1559, with that
grand old bibliophile's autograph signature.
"Bibi-iogkaphtaotAuthObitibs on Literature, BmDiKGS, etc "
constitute the Fifth Division. There are over one hundred and seventy
numbers, ranging from 694 to 866. .„ , j. j
Many limited editions of rare works on these subjects, will be discovered
in the bibliographical department. , ,,-d-ui-
The Dibdiniana include-a portion of the page proofs of the Biblio-
theca Spenceriana," covered with the good bibliophile's interlineations and
corrections— they are so diffuse as to be as bewildering as a maze; a large ,
paper copy of the 1843 and best edition of the " Bibliomania ;" and-an
unusually tall copy of the "^des Althoi-pianse." There are also large
paper copies of-Brissard-Binet's " Lif e and Editions of Cazin"; Lang's
" Books and Bookmen;'' Auguste de Reume's " Varietes Bibliographiques
etLitteraires;" Wynne's "Private Libraries of New York;" Johnson's
" Typographia;" and Home's " Bibliography."
Bauchart's "Women Bibliophiles of France "is one of fifty copies on
China paper.
I should also notice:— the Peignotiana, twenty numbers, mostly limited
editions and unique; Bigmore and Wyman's "Bibliography of Print-
ing;" Leypoldt's "American Catalogue," three large_quarto volumes bound
by Bradstreets; the facetious "Bibliotheca Scatologica;" Barbier on
"Anonymous Works;" the bibliogi-aphical volumes of Paul Lacroix,
Nisard and Querard ; Marius-Michel's "History of Bookbinding," profusely
illustrated and in two volumes; Max Eooses's Christopher Plantin and his
editions; the " Fontaine Catalogue " 1875-1879, bound by Bertrand; and
" Le Bibliophile Francais," seven volumes bound by Belz-Niedree.
Among the library book catalogues of rarity are those of— J. C.
Brunei; Pirmip-Didot, twelve volumes; Charles Nodier, an unique copy;
Guilbert de Pixergcourt, large paper, with notes by Nodier and Paul
Lacroix ; Baron James de Eothschild; the Rowf ant Library, with frontispiece
by George Cruikshank; and— the bogus Count deFortsas Library by Eenier
Hubert Ghislain Chalon, of Mons, the king of bibliographical hoaxers.
Before leaving this section, it is a duty to advert to the most striking
feature in it, and which is —
The "Pbnb Dtr Bois Collection of Book-Plates, Early Typographical
Devices and Later Printers' Marks," one of the finest "ex-libris" gather-
ings in this country, and containing six hundred and fourteen examples
dating from the beginning of the sixteenth century. Of these, nearly one
hundred and fifty are printers' marks, and the balance, over four hundred
and sixty are book-plates, mostly heraldic and of distinguished personages
and blue-blood families, such as the Bonapartes and Bourbons.
* *
*
The Sixth Division is the "Ctjeiosa and Faceti^." It embraces
867 to 1321, over four hundred and fifty numbers alphabetized, a larger
PROEM. xiii
quantity than Las ever been sold before in this country at auction, in one
collection.
Nearly the whole of the numbers in the Division are either large paper,
limited, suppressed, or choice paper editions, or have some peculiar
bibliographical excellence, or desirable feature about them.
Many are unique. For instance, we have a copy of the " Lady of the
Camelias " with original unpublished verses in the handwriting of Alex-
ander Dumas flls, ar(d there are five pages of his own good round hand on
the ill-fated heroine of his romance, who in real life, was Marie Duplessis
— while mentioning this, I should also speak of a limited edition-deluxe
of the same work in large octavo and bound by Rousselle. Cazotte's
"Amorous Devil," bound by Trioullier, is also unique. It is a copy of
the rare 1845 edition having, in addition to Beaumont's charming wood-
cuts, another set of illustrations in two states. Huart's facetious mili-
tary work is colored by hand. The very beautiful edition of Curmer's
"Perrault," printed from engraved plates, has added to its own fine illus-
trations a set of India proofs, mounted on Japan paper, of etchings by
Lalauze. An early edition of Voltaire's "Pucelle" extra illustrated, is
bound by Derome. The Guizot edition of "Abelard and Eloisa" is large
paper and is made unique by the addition of nearly thirty plates. And a
rare volume " La France Libre" has some inserted original MSS., in the
handwriting of its author, the celebrated French Revolutionist, Camille
Desmoulins.
The following editions-de-luxe, printed entirely on either China, What-
man or Japan papers, etc., add to the bibliophilistic interest of the extraor-
dinar}' and erotic books in this section : —
"The Amours of Henri Quatre" is one of twelve copies entirely on
Japan paper, with the portraits of himself and mistresses, in two states; the
"Chants Historiques et Populaires," bound by Champs, is printed on blue
paper and is one of twelve copies; Daudet's amusing volume " Tgrtarin
sur les Alpes " illustrated with aquarelles, is a heavy Japan paper example,
and the same author's " Prodigious Adventures of Tarrascon, '' is large
paper; Dondey's satirical work on the French Romantic School, is one of
ten copies on Japan ; the "Amorous Life " of the libidinous Du Barry, the
mistress of that senSualistic Minotaur, Louis the Fifteenth, is bound by
Rousselle, and is a China paper copy, with the portraits in two states, both
Holland and China; a handsome reliure of Pagnant covers a Japan paper
copy of Du Buisson's "Tableau de la Volupte," illustrated with Eisen's
erotic plates ; Gaultier Gargville's salacious poems is one of ten on China
paper; Marie Garcia's "Confessions d'Antonine" is one of seven on
China; a thick Japan paper copy of the magnificent edition-de-luxe of
Juliette Lamber Adam's "Song of the Newly Wed," with splendid por-
trait and erotic etchings, is one of the handsomest specimens of French
typography belonging to Mb. Penb dtj Bois; Legouve's "Meritedes Fern
mes," a Whatman paper example, is bound by Rousselle, and has Lalauze's
frontispiece in three slates; Pezay's "Zelis au Bain " is one of ten copies on
Japan paper, bound by Pagnant, as is also the " Toilette des Dames," pub-
lislied in the same series; Saint Albin's "Salle d'Armes" is a China paper
copy, of a limited issue of twenty; Quantin's "Ovide" with tinted vig-
nettes, bound by Rousselle, is a China paper issue, and the "Anacreon
and Sappho," the "Bucolics" of Virgil and the "Lucien,"in the same
xiv PROEM.
series, are not only superbly bound by Amand, but are on Japan paper;
" Son Altesse la Femme," by Octave Uzanne, tie friend of Mr. Pbnb dtj
Bois, is on Japan paper, and among other erotic works of his, is a magnificent
copy on China paper of "Moeurs Secretes," charmingly illustrated by
Avril and luxuriously bound with double by Bradstreets.
An unique collection of satirical cartoons, broadsides, etc., principally
issued during the Paris Commune, is one of the features of the Curiosa
Division. It includes nearly nine hundred pieces, all of great historical
interest, and illustrates a most eventful period in the annals of the centre
of civilization.
The delightful novel of " Manon Lescaut " is represented by four dif-
ferent editions— the Glady, Jouaust, Lemerre and Bourdin. All are " de-
luxe.'' The first-named is on China paper, and is in a beautiful reliure,
copied after a volume belonging to Queen Margaret, and has a superb
double. The Jouaust copy is unique, extra-illustrated, one of twenty
copies on China paper, is bound by Bertrand and formerly belonged td
Jules Janin, who edited another edition of the work. Marius Michel's
binding on the Lemerre edition is a beautiful example of inlaid work and
tooling; the Bourdin is a large paper.
The Collection boasts the possession of Madame de Pompadour's copy
of " Rabelais." There are also three other editions: — that edited by Paul
Lacroix and in a devotional binding; an origiijal issue of Dore's illustrated
edition; and the Lemerre, handsomely printed and a limited issue on
Holland paper.
There are seven numbers of Restif de la Bretonne, including some orig-
inals, and a magnificent volume in folio with his text to Preudenberg and
Moreau's erotic plates.
The Curiosa and Pacetise of the seventeenth and eighteenth cen-
turies in the Division, include some extremely rare and valuable works,
such as: — Alkmar's " Eeynard the Fox," with Ewerdingen's illustrations,
Leipsic, 1752; the suppressed and excessively rare "Amours of Anne of
Austria"; Boileau's " Satires,'" one of the earliest editions and bound by
Hardy-Menil; the " Amorous History of the Gauls," the extremely rare
original edition; the Chevalier d' Aceilly's "Poems," the original issue of
1667, bound by Hardy-Menil; the "Memoires de Montmartre," 1786,
bound by Chainbolle-Duru; two of the erotic works of the younger Crebil-
lon, one of which is his "Moral Sopha"; the 1616 " New Recreations "
of Bonaventure des Periers, very rare and bound by Duru, also the 1711
and 1753 editions of his " Cymbalum Mundi," the last-named in a binding
by Capi; the extremely rare and early satirical work on the French
Academy, by Antoine Furetifire and bound by Bauzonnet; the original
edition of the "Leviathan," of Hobbes of Malmesbury; a very rare, sup-
pressed and erotic work on the Jesuits with facetious title-page, printed at
Cologne in 1725 and superbly bound in mosaiced morocco by Chatelin-
Dr. William King's privately printed and suppressed "Toast," 1736, and
of the greatest rarity; the "Liaisons Dangereuses, " with erotic plates and
the original edition ; a magnificent copy of the ' ' Farmers' General "
edition of La Fontaine, bound by Chambolle-Duru; also other editions of
the " Tales," illustrations by Fragonard and others, and a large paper copy
of the 1796 edition of the "Fables" of La Fontaine; seven splendid
editions of Le Sage's works, among them the 1747 "Gil Bias," bound by
PROEM. XV
David, and tie extremely rare edition of his "Turcarct," bound by Cham-
bolle-Duru; the Marshal Dulie of Luxembourg's "Amours," Cologne,
1694; the excessively rare and original French edition of "Lazarillode
Tormes," Brussels, 1699, bound by Rousselle; the original edition of
Merimee's " La Guzla," in a Marius-Michel reliure; Mlrabeau's, "Errotika
Biblion," the very rare original edition of 1783; the " True Falconer" of
the Chevalier de Morals, Paris, 1683; the "New Founding Hospital for
Wit," 1698; the magnificently illustrated "Metamorphoses" of Ovid,
Paris, 1767, in a handsome reliure; the original edition of the "Confes-
sions" of Jean Jacques Rousseau ; the extraordinary " Parthenologia " of
Dr. Schurig, Dresden, 1729-33; Voltaire's "Henriade," the 1770 edition
and with Eisen's plates, in a Derome binding; and
Francois Barrfime's "Grand Banquier de France,'" the original edition,
bound by Parisot, and almost unique, the only other copy known being in
the " Bibliothfique Nationale."
Limited editions of great rarity, some of which have been already speci-
fied, are in the department. To these should be added: — Aretino, in both
Italian and Latin; Beaumont's "Women and the Sword," illustrated by
Meissonier and bound by Amand; the Jouaust " VarietSs Historiques et
Litteraires'' of Fournier; Blondeau's "Erotic Dictionary," also Delvan's,
bound by Rousselle; the Lemonnyer " Baisers," of Dorat, large paper and
superbly bound in red levant; Arsfine Houssaye's "Sonnets," bound by
Rousselle and magnificently illustrated ; the Orso series of bibelots, erotic
reprints from rare originals; the first edition of the " Nineteenth Century
Satyrical Parnassus," very erotic; Poggio, both in French and English;
Sauval's " Scandalous Chronicle," large paper; Tillier's large paper " Mon
Oncle Benjamin"; "Gamiani,'* the erotic masterpiece of "George Sand"
and Alfred de Musset; Jesse's "Beau Brummell "; Pisanus-Fraxi's erotic
bibliographies; and the Sieur Theopliile's "Parnasse Satyrique," for the
writing of which the author was condemned to be burnt alive.
' Among other notable books in the Facetious Division are: — the original
editions of Balzac's " Physiology of Marriage "and "Cesar Birotteau;"
Tony Johannot's "Don Quixote;" large paper copy of the "Contes
Remois, " illustrated by Meissonier; the Didot minimos — Hamilton, Vol-
taire, etc., bound by Niedree; a large paper " Songe du Poliphile," bound
by Rameau; a large paper " Contes etNouvelles," illustrated by Duplessis-
Berteaux ; Coran's " Rimes Galantes," large paper ; Cunningham's
"Nell Gwyn," large paper; Vivant Denon's etchings, limited edition,
including the Priapic series; Dinaux's "Societes Badines," very scarce,
erotic and curious; the "Antiquities of Herculaneum and Pompeii," in
French, with the " Secret Museum-" and eight framed water-colors after
the same; large paper copy of Jules Janin's "L'Ane Mort;" the " Ananga
Ranga," of Kalyana Malla; the Didot edition of Legouve's "Merit of
Women," large paper; " Faublas," with plates; Marmontel's "Contes
Moraux," Paris, 1765; quite a number of Marc de Montifaud's facetious
works, with etchings; "Histoire des Papes," ten volumes, and wickedly
illustrated; Topffer's humorous albums, very scarce; the Marquis de Sade's
" Justine," one of a hundred and fifty, and an exceptionally fine copy of
the rare, original edition of his " Crimes of Love," bound by Hardy; and
a large paper copy of the "Utopia" of Sir Thomas More, edited by
Dibdin, printed by Bulmer, and bound by Bedford.
xvi PROEM.
The books on Emblems and the "Dance of Death " have been placed in
this department. Of the first named there are:— the 1653 Cats; the 1630
Cramer; the 1648 and 1659 Saavedra-Faxardo; the 1698 Boria; the 1710-11
Conlin; the 1614 Beza; and the excessively rare, original edition of George
Wither's " Emblemes, Ancient and Moderne," printed at London in 1635.
Full as this section is, like the rest of the Collection, of handsome reliures,
the following ought not to be forgotten :—Anquetil's "Intrigue du Cab-
inet," the Hamilton Palace copy bound byDerome; the "Melusine" of
Jehan d' Arras, limited edition, and bound in red crushed levant by Hardy;
the " Avantvres dv Baron de Fseneste," in a binding by Cape; Barbey
D'Aurevilly's exceedingly rare work on "Beau Brummell;" and the
original edition of t.he " Chansons " of Beranger, in a splendid reliure of
Thouvenin.
» *
" PoetEt and Dbama," the Seventh Division, takes in numbers 1323 to
1565 inclusive.
Dramatic literature has its rarest volume in this section, in an unique
copy, luxuriously bound, of the original edition of the "Figaro " of Beau-
marchais, of whose works there are other first editions. " Molifere, the
Shakespeare of France," is done honor to, in ten numbers, among them,
being the very rare Elzevir MoliSre of Amsterdam, 1683-1689; a large
paper copy of Van Laun's translation with Lalauze's etchings-; the Utrecht
edition, in-French, of 1713* and the Paris of 1823, 1834-26, and 1843; a
China paper copy of Houssaye's " Comediennes de Moli^re," with the
portraits in three states, and Coquelin on Molifere's " Misanthrope," on
China paper— both handsomely bound by Bradstreets.
There are: — a beautiful edition of the 1717 Terence, in French, with
plates, and bound byRousselle; the "British Theatiical Gralleiy," London,
1835; a collection of eighty photographs of French members of the stage;
the " Galerie Theatrale," one hundred and forty-four full-length portraits,
and limited to ninety-nine copies; Houssaye's "History of the ComfediS
Frangaise," 1680-1880; and several volumes from the library, and stamped
with the initial, of the great French tragedienne, Bachel.
The English stage is shown in the following editions: Beaumont and
Fletcher, the first collected edition of 1647; the Baskerville 1671 edition of
Congreve, bound by Belz-Niedree; Mrs. Centlivre's " Dramatip Works,''
an exceedingly fine copy of the first edition of 1760-71, bound by Derome;
Henry Sotheran's limited edition of the " Dramatists of the Restoration,"
fourteen volumes; large paper copy of Ford's "Dramatic Works," edited
by Gifford and Dyce; Greene's " Plays," edited by Dyce, and a limited
edition printed by Whittingham; limited Chiswick Press and best edition
of Marlowe; large paper copy of Massinger, printed by Bulmer; a large
paper copy of Middletou's " Dramatic Works," bound by Rivifire, excess-
ively rare; large paper copy of Pickering's edition of " Peele," bound by
Bedford; Sheridan, limited edition, and printed by De Vinne; large paper
copy of Webster's "Dramatic Works," published by Pickering; and
Important Sliakespeareana, first and foremost of which is John Payne
Collier's privately printed "Shakespeare,'' limited to fifty-eight sets of
eight volumes each, and for subscribers only; also — edition-de-luxe of
Shakespeare, with Monzies's etchings; minimo Corrall edition, by Picker-
ing; Ballantyne's " Shakespeare," large paper; Hudson's handy edition
of Shakespeare ; and Parker Norris's portraits of the ' ' Bard of Avon. "
PROEM. xvii
French Poetry has many more numbers than those already mentioned,
belonging to the previous Divisions. There are — the " Anciens Poetes de
France," printed b3'Jouau8t and edited by Guessardin ten volumes; the
extremely raTe"Tragiqves," of D'Aubigny, printed at Geneva in 1616;
Boileau, the 1747 edition in five volumes;' Qombauld's " Epigrammes,"
original edition, Paris, 1657; large paper copy of the Abbe De La Bue's
great work on the troubadours; Barbey d'Aurevilly's "Poesies,"' large
paper, privately printed and bound by ChamboUe-Duru; the
"Poems " of Clotilde de Surville, bound by Thouvenin, and the plates in
five states; nine numbers of TheophUe Gautier's works, some originals,
one, a limited edition, and another printed on China paper; Delphine
Gay's "Last Day of Pompeii," bound by Belz-Niedree and a presenta-
tion copy to Madame Recamier; Guizot's copy of Merimee's " La
Jaquerie " ; Alfred de Musset's complete works, an elegant copy in eleven
volumes, and bound by Smeers; and—
Victor Hugo's " Works," some original, limited editions on China and
other papers, and some splendidly bound by Amand and Maritis-Michel.
English and American poetry have some desirable editions for
book-lovers: — Aytoun's "Lays of the Scottish Cavaliers," handsomely
bound; Mrs". Browning's "Poems," large paper and limited edition on
Holland; large paper " Burns " in six volumes; Keats, a Whatman paper
copy of the Buxton-Forman edition, only thirty printed, also the limited
edition of the same poet, printed by De Vinne; Nicholas Rowe's " Phar-
salia " of Lucan, large paper; beautiful copy of the first edition of Henry
More's "Platonica," Cambridge, 1642; Longfellow's "Works," large
paper copy of the Riverside edition, in eleven volumes; the " Amon-
tillado " Poe, with India proofs; Pope's Works in French, and illustrated
by Marillier; Hoole's " Tasso," large paper, printed by Bensley, 1803, and
two other editions in French, one with Cochin's, and the other with the
Gravelot plates; Tom Taylor's "Songs of Brittany," superbly bound by
Alfred Matthews in elegant morocco double; original edition of Dore's
"Vivien" and "Guinevere," of Tennyson, engraver's proofs on India
paper; edition -de-luxe of Wordsworth in eight volumes; and — the "Percy
Society's Publications" in thirty volumes, with the suppressed brochures.
Some unique, large paper and rare gems for the bibliomaniac have
to be mentioned : — Ariosto, Paris, 1795, large paper, unique, and with two
sets of proofs before letters of the superb engravings; a splendid example
of 'the typography of Bodoni, printed at Parma in 1793; the Lemerre
edition of Dante, on China paper, and bound by Cuzin; the charmingly
illustrated Didot "Homfire,"' a large paper copy; a beautiful large paper
example of Care's " Virgil," with the plates of Lempereur, Tardieu, etc. ;
and a delightful copy of the " Psalms," translated into French by Clement
Marot and Theodore Beza, a fine specimen of the' reliure of the genre Le
Gascon.
# *
*
" Division VIII. — Varia Literakm.," beginning with number 1566,
and ending with 1882, concludes the whole of the books and MSS. of the
Pbne Do Bois Collection.
Among the rarities of this Division, are: — the editio princeps of Pas-
cal's " Provinciales," printed at Cologne in 1657, a volume of excessive
scarcity, bound by Cape, and a magnificent copy; also one of the equally
xviii PEOEM.
excessively rare original edition of the "PensSes" of Pascal, Paris, IGfO,
a superb copy, bound by Lortic; extremely rare Funeral Orations by Bos-
suet, Bourdaloue and Flecbier, original editions, and bound by TrautZr
Bauzonnet and Chambolle-Duru; Saint Keal's "Conjuration des Es-
pagnols," Paris, 1674,, very rare, and bound by Trautz-Bauzonnet; original
edition of Thackeray's " Vanity Fair " ; the very rare " Oliver Cromwell
Memoirs," London, 1740, with plates by Audran, Faber, etc. ; Terence^
printed by Baskerville, 1773; " Napoleoniana," which belonged to the late
Prince Demidoff, also a relic of the Second Empire, stamped with the
arms of ISTapoleon III. ; Citizen Gregoire's volume on " Trees of Liberty",
Unique, and bound by Duru; a most extraordinary collection of two hundred
and four original caricatures of Isaac, Eobert and George Cruikshank, Kow-
landson. Woodward and Gillray, all etched on copper, published 1807-19,
and colored by hand; Prince Paul DemidofE's copy of Xavier de Maistre;
the 1827 Montesquieu, bound by Purgold and tooled by Bauzonnet ;
Sainctyon's "Grand Tamerlan," Amsterdam, 1678, and bound by Thou-
venin; and the " Contes" of Charles Nodier, original edition and
unique.
The Americana include— the 1685 chap-book life of Columbus, by
his son; Hennepin's "Louisiana," the first edition of Paris, 1683; a copy
of the " Massachusetts Indian Psalter " of 1709, extremely rare, but incom-
plete; excessively rare, and early "Laws of New York," printed in 1763,
1765-83, and 1789; also the "Natural History of New York," eighteen
volumes; Schoolcraft's "Indians'!; "Presidential Messages of "Washing-
ton," 1793-97; Noah Webster's "English Language," Boston, 1789, and
bound by Eousselle; and that valuable recently published authority, the
"America Heraldica " of Count de Valcour- Vermont.
History embraces good editions of the works of Lingard, Milman,
Burnet and Prescott, the two last named large paper copies. '
Notable books also in this Eighth Division are — a large paper copy
of "Jane Eyre" with duplicate signed proofs, on Japan paper; Thomas
Carlyle, edition-de-luxe, in twenty volumes; Fenelon's "Telemaque,"
Paris, 1834, and bound by Simier; Washington Irving's "Sketch Book,"
edition-de-luxe and large paper; also the same of the works of Nathaniel
Hawthorne in thirteen' volumes; Littre's " French Dictionary," five thick,
large quarto volumes ; Mercator's Atlas, Amsterdam, 1628 ; Saint Pierre's
"Paul and Virginia," with India proof illustrations, and a large paper
copy in French, with Chodowiecki's beautiful etchings of the " Clarissa
Harlowe," of the old London bookseller-novelist, Samuel Richardson, and
the limited edition-de-luxe of the same author, in twelve volumes, and
published by Henry Sotheran.
To this Division have been joined some volumes from the private library
of the late Josiah Sutherland, Judge of the Supreme Court of New York,
and from other sources, some duplicate copies of works already catalogued
in the preceding seven Divisions. Among these are: — "the French
Aquarellists"; Gonse's " Japanese Art ;" " Grands Peintres Franpaises ";
Hamerton's " Graphic Arts," large paper ; limited edition of Keats,
Sheridan and Pe'pys; Van Laun's Moliere, with Lalauze's etchings; Pisanus
Fraxi's erotic bibliographies; and Koehler's " OriginallEtchings by Ameri-
can Artists," proofs in two states, or India and Japan. , ■
PROEM. xix
"PBnjTS AND Aquarelles " is the title of the Ninth Division, compris-
ing numbers 1883—3457.
The original water-colors, crayons and other sketches are all by emi-
nent masters. About the most important of these art works belonging to
Mb. Pbnb dtt Bois is the " Queen Esther and Haman" of the eighteenth
century artist Fragonard. There are two Chodowieckis, one of a " Peda-
gogue," the other of a " Girl and her Brother." An oU painting by Hob-
bema has been executed on ancient copper, the verso of which has a
medieval " Madonna and Child," probably some four hundred years old.
Felix O. C. Barley's painting of " Washington Irving and His Friends at
Sunnyside," will be found in this Division. Its purchaser will receive an
autograph letter of the artist relating a curious circumstance in connection
with this design, for which Darley was paid seven hundred dollars.
Among the other originals are: — "Sunday Morning," by Bellows;
"Going to the Colonies," by the inimitable Kowlandson; "A Japanese
Study," by Somm; Horace Velrnefs " Napolieon the Third at the Battle
of Solferino;" Gavarni's "Beautiful Equestrians" and " Mother Pipelot,"
two characteristic water-colors; the "Martyrdom of St. Ovide," by Joiive-
net; " Ye Bibliophile," the original black and white made by Meeker for
the frontispiece of the forthcoming volume of Mr. Penb du Bois;
" Tasso " by Stothard; an aquarelle by W. Lloyd; the " Spirit of the Cru
sades," an oil study painted for Mb. Pene dtj Bois by Victor Naegle; an
" Italian Beggar," by Ceccia; " Portrait of a Yoimg Girl," by C. J. Bridg-
man; " A Cavalry Engagement," by Dietrich the Younger; four Bacchan-
alian subjects by Deschanelli and Dhoult; "Dutch Peasant," by Picart;
"Marshal Turenne at the Siege of Turin," charcoal study by Lerigue;
"the Soldier's Promenade" and "the Devotees," by Caffi; and "Bel
shazzar's Feast," an ancient painting on parchment attributed to Hemskirk.
There are many engravings by the Old Masters, nearly all of which are
fine, original, excellent impressions. Albert Durer's well-known " Virgin
with the Monkey," plates from his " Little Passion," and original wood-
cuts by him are of importance. The masterpiece of Lucas Van Leyden,
the " Ecce Homo,'' as well as his " Crucifixion," are excellent examples . -
Sebald Beham's "Pacientia," of which a facsimile will be found at the
commencement of the "Print Division," Wolgemuth's "Knight in
Armor" and a number of Incunabulic wood engi-avlngs should all be
carefully inspected by amateurs.
Bega, Berghem, Claude Lorraine, Dietrich, Dujardin, Hollar, Rem-
brandt, Van Dyck and "Waterloo are among the Old Masters represented
by original etchings from their burins.
It is safe to say that, with the exception of one notable sale, there has
never been congregated together at auction in the United States so remark-
able and valuable a collection of engravings as those described in the
"Pene du Bois Catalogue," and by the aid of one of the best experts
on prints 'in America, and whose decision on mooted questions is generally
regarded as authoritative.
It is impossible to particularize in this Proem on the merits and beauties
of all these brilliant prints. I shall content myself with indicating the
more important specimens. These are: —
Raphael Morghen's " Transfiguration " and "Madonna" after Raffaello-
Sanzio; "Apollo and the Muses" after Mengs, and the "Repose in
XX PROEM.
Egypt " after Poussin; Mandel's "Madonna della Sedia," after Baffaello, a
grand open letter proof; Richomme's "Triumph of Galatea" after
Raffaello and "Thetis" after Gerard: H. C. MuUer's "Psyche" after
Prudhon; Laugier's •" Sappho" after Gros, a proof before letters on India
paper; Massard's "Atala" after Girodet; Nanteuil's "Louis Quatorze "
and "Pierre de Coislin," portraits by St. Aubin; Strangers "Venus" after
Guido and his "Venus and Adonis"; Anderloni's "Holy FamUy";
Audran's " Portrait of Colbert"; several worthy of more attention by Bar-
tolozzi, Beauvarlet and De Launay, among which, by the last named, is the
erotic " Too Inquisitive Wife " and " I Will Pass; " Bervic's " Education
of Achilles " and " Louis Seize," the last an impression before the plate
was broken; " St. John " and " St. Sophia," both proofs before letters by
Bettelini; Bouillard's " Daphne and Apollo," open letter proof; Calamat-
ta's " Portrait of Dante," proof before letters; " MUe. Clairon as Medea "
by Laurent Cars and Beauvarlet; Drevet's "Louis Quatorze," "Boileau,"
etc.; Edelinck's masterpiece "Philip de Champagne," also his "Ducde
Berry" and "Due d'Anjou"; Ficquet's "La Fontaine"; Forster's"La
Vierge a la Legende " after Baffaello, the engraver's tenth proof, and an
open letter proof of his "Three Graces"; Francois's "Birth of Venus,"
after Cabanel; remarque proof of Hollyer's "Portrait of Napoleon" alfter
David; Jacquemart's "Moses," after Michael Angelo, proof on parchment;
Le Bus's " Daphnis and Chloe," after Boucher; Longhi's "Bonaparte";
Eyland's ' ' Triumph of Ventis, " after Angelica KaufEmann and his " Jupiter
and Leda"; Schuppen's "Portrait of Louis the Dauphin"; proof of
Scriven's Portrait of "Nell Gwynne "; " Vidal's " Confidential Soubrette,"
and "the Toilette Merchant" after Laurens; Aristide Louis's "Portrait
of Napoleon" known as the "snuff-box," after Delaroche, a trial
proof; Wille's "Little Physician" after Netscher, his "Jean Baptiste
Masse" and other portraits; and Lalauze's " Entry of Charles the Fifth
into Antwerp " after Hans Makart, a subscriber's proof on Japan paper. ,
Modern Etching, which has had such great popularity of late years, is
most admirably exemplified in original impressions by: —
"Appian; Bastien-Lepage; Bocourt, an artist's proof signed of his
"Reply of Mirabeau "; Bracquemond; Brunet-Debaines; Casanova; Cham-
poUion; Corot; Courtry; Coutil; Daubigny; Delacroix; Denon; Delaille,
a remarque proof; Fey en-Perrin ; Flameng; Forluny; Birket Foster ; Gail-
lard; Gaucherel; Gautier; Girodet; Gravier, his "Lady Teazle," "Rosa-
lind" and "Faithful," all remarque proofs; Guerard; Seymour-Haden,
his "Cowdray," "Egham Lock," first state, "Old Chelsea," "Brig at
Anchor," and "Twickenham"; Hedouin ; ^Charles Jacque; Jacquemart;
Angelica Kauffmann; Lalauze; Lansyer; David Law; Le Gros; L'Hullier;
Leloir; Louis; Meryon; Marshall; Millet; CO. Murray; Waltner; Whistler,
his "Boats at Mooring," "Chelsea," etc., and last, but not least, Meis-
sonier, of whose own etched work there is his "Rapport," a proof, and
" Punchinello."
The American school of etching, acknowledged by European con-
noisseurs to be one of the best in the world, is proved to be so by examples
of Coleman, Ferris, Swain-Giflord, Hamilton, William Hart, Hopkins, and
Peter Moraii . These are ' ' de luxe, " being on either Satin, or India and Japan
papers.
In this Collection of Prints but few of the greater ancient and modern
painters are unrepresented by engraved or etched work after their master-
PROEM. xxi
pieces. The graver has done honor and paid tribute to the brush of —
Boucher, Meissonier, Fortuny, Dupre, Fragonard, Gerome, Millet, Murillo,
Guido, Huet, Le Brun, Greuze, Claude, Cabanel, Benjamin Constant, Ary
ScheflEer, Ostade, Raffaello Sanzio, Turner, Chaplin, Gavarni, Tissot,
David, Hals, Makart, Morris, Troyon, Correggio, Eisen, Domenichino,
Veronese, Bonaat, Titian, Mengs, Barbarelli, Delaroche, Laurens, Netscher
and Du Bois.
The Tenth Division, and last, consists of some forty numbers of
" CuKios AND Library Furniture."
There are a few ceramic specimens, such as a Royal Dresden plaque
painted after Wouvermann, for King Augustus the First, of Poland, at
the beginning of the eighteenth century — and pieces of SSvres porcelain,
■which belonged to the Emperor Napoleon the Third, and came from the
palaces of St. Cloud and the Tuileries.
Some objects in bronze and other metals are in the section, viz. : — statu-
ettes of John Gutenberg, Napoleon the First and Frederick the Great; a
clock and pendants belonging to the De Penb family, and which Theophile
Gautier described in his "Capitaine Fracasse"; an ancient bronze relievo,
the "Blind Beggars" ; also another — "Satyrs Toying with a Nymph";
and a medieval guild insignia, a massive iron key two feet high, carried in
procession by a " moyen-age " trades-union of locksmiths at Nuremberg,
four hundred years ago.
A Hindoo and phallic carved ivory; a seventeenth century Venetian
ivory wedding casket; and a cameo portrait of the Great Napoleon, sculp-
tured from a piece of his monolith in the " Invalides," at Paris, by the de-
signer of the sarcophagus of the " Little Corporal," will all be found in this
department, as well as two remarkable specimens of ancient, transparent,
painted glass, one of early English origin, made of pot-metal glass, and the
other attributed to the brush of Albert Durer, and so described in the San
Donato Palace Catalogue, and which was purchased at the auction sale of
the Art Collection of Prince Demidoif .
The mode of distribution among other collectors was decided by Mr.
Pene du Bois in favor of the only rational method by which a connoisseur,
who desires to sell his treasures, can do so in the easiest and most profitable
manner. He sent them to auction. He sent them, like a sensible man, to
George A. Lbavitt and Co., the oldest and best auction house in Amer- ,
ica ; one which was founded over half a century ago, and has gone through
various mutations of firm name from the time when it had two separate
heads, who united. These were the celebrated book-auctioneer Kebsb
and the late Senator James E. Coolet, the father-in-law of Mr. George
A. Leavitt, who came from an old family of New York booksellers and
publishers.
It is the same old reliable house of business it ever was, and it may not be
out of place here to give a list of a few of the names and figures of some of
the Art Sales of ,Paintings, Statuary, etc., which aggregated over 110,000
each, conducted by George A. Lbavitt and Co., between January, 1873,
and May, 1887 :
J. H. Sherwood, $127,069 for two sales iu 1873 and 1880; John Wolfe,
$117,715; S. P. Avery, $113,503.50 for four sales in 1876, 1878, 1880 and
xxii PROEM.
1881; Thomas Reid, $105,744 for two sales in 1881 and 1885; J. Abner
' Harper, $105,490; Milton S. Lathom, $101,305; Adolf Kohn, $93,242.50 for
four sales ln'1874, 1877, 1882 and 1883; H. T. Chapman, Jr., $87,359.50
for two sales in 1873 and 1875; H. L. Dousman, $82,655; Albert Spencer,
$82,530; J. Strieker Jenkins, $74,338.04 for two sales in 1876 and 1879; S. ,
A. Ooale, Jr., $71,477; J. C. Runkle, $66,195; R. E. Moore, $54,298.70 for
five sales in 1874, 1875, 1876, 1877 and 1878; Knoedler & Co., $51,344 for two
sales in 1879 and 1880; Levi P. Morton and Robert Hoe, $50,687.50; Beriah
"Wall, $47,570; John Pondir, $46,208; Benj. Nathan Estate, $39,117; Le
Grand Lockwood, $84,361.29; "William Henry Hurlburt, $31,955.85; Judge
C. H. Truax, $31,750 ; "A "Well-known Philadelphia Connoisseur," $30,-
943:50; George H. Andrews, $80,601; Cottier &" Co. , P0,580; J. P. Beau-
mont, $30,417.50; A. D. Morgan, $39,148.50; "William Libbey, $37,550; B.
F. Carver, $26,393; "W. B. Duncan Estate, $24,847.15; A. D. Huyvetter,
$23,668; Stephen Harris, $31,970; Stewart Brown, $30,830; R. H. "Witt-
haus, $19,244.65; Thomas "Walsh, $17,480; G. H. Kensett, $17,165.41; R.
B. Livermore, $17,060; J. L. Graham, $17,003.34; A. L. Vouros,
$16,765.55; Hannah Stiner, $16,752.50; M. G. Murphy, $16,493.88 ; J. F.,
Henry, $16,330; P. L. Everard &Co., $15,857.50; Isaac Walker, $15,656;
Richard R. Haines, $15,571.47; S. H. Godkin, $14,830.50; Thomas Gilbert,
$14,204; Carlton Gates Estate, $13,942.90; Eugene "Weeks, $13,833.50;
Artists' Fund Society, $13,707.49; Davis Jones Estate, $13,375; "W. Manton,
$13,126; T. P. Rossiter Estate, $12,923.89; "W. R. "Williams, $13,694;
Benj. Fitch, $13,097.50; Mary E. Feyh, $11,758.17; T. J. Taylor, $11,471;
"W. S. Macy, $11,358; "W. J. Kerr. $11,237; S. Michelena, $10,903; George
Longman, $10,685.55; J. H. Dolph, $10,620.69; Louis J. Jordan,
$10,375.49; Susan Paulmier, $10,335.45; "W. P. Shaw, $10,381.47; Eugene
Boban, $10,325.88; John LaFarge, $10,000.
Sales of Paintings, etc., running up into thousands of dollars each have
also been conducted by the Lbavitts. I extract from a schedule of only
notable sales, which foots up to over three millions of dollars, such names
as:— J. R. Brevoort, Joseph Mozier, James Boylan, J. O. Eaton, P. Viani,
"William Powell, Jr., L. Prang & Co., Francis Tomes, J. C. Brevoort, Prof.
Bossi, R.~E. Moore, L. H. Tasker, "W. D. Paterson, D. E. "V"an Valkenberg,
C. A. Falk, J. N. Balestier, J. M Crapo, C. L. Frost, J. Milbank, J.
McCormick, J. M. Patterson, S. B. "Wright, Louis Durr, Governor Caleb
Lyon and B. Homer Dixon.
Millions upon millions of dollars worth of books have been sold on behalf
of the publishers of this country at the "Leavitt Book Tbade Sales"
and in accordance with the system originated by Senator Cooley about
1835, and continued for over sixty years since by himself and his succes-
sors down to the auction house now represented by Mr. Eugene O'Connor,
who preserves the old trade name of the business inherited by his prede-
cessor, Mr. George A. Leavitt.
And this firm of George A. Leavitt and Co. have charge of the
" Pekb Du Bois Collection."
Of the same character of Library Auction Sales as thai to take place
next month have been the few following out of over a thousand others,
which have been held under the Leavitt aegis since 1876:
The Brinley Library, $113,494.37, parts one to four, inclusive with
the fifth part still to be sold; Joseph J. Cooke, $69,904.73; Henry 6-
PROEM. xxiii
Murphy, $50,278.63; William Menzies, $49,860.68; Rushton M. Dorman,
$24,310.00; CharlesTracy, $19,138;01; Charles Fiske Harris, $16,610 65;
J. H. V. Arnold, $16,421.38; Eben Tasker, $14,677.56; Alexander Far-
num, $14,423,75; General Rush C. Hawkins, $13,163.08; Dr. David King,
$13,484.01; Almon W. Griswold, $12,325.13; S. H. Remsen, $9,059.14;
Bartholomew Skaats, $8,114.43 ; W. C. Prescott, $7,991.79 ; Harrison
Library, $7,667.84; Charles O'Conor, $7,481.63; S. F. Olney, $6,950.98;
Senator Matt. H. Carpenter, $6,864.69; Governor William Beach Law-
rence, $6,772.39; Charles Storrs, $5,943.84; Senator H. B. Anthony,
$4,939.17; and James L. Claghorn, $4,763.82.
The above named twenty-four Library Sales make up by themselves a
total of $503,630.59!
*,*
I would not have entered upon these details in this place, but for the
fact that the well-known bibliopole, Mr. E. F. Bonaventure, has lately
printed a, brief essay on "Books and Book CoUectiiig.'' No one is more
willing than myself to acknowledge that he has done as much, if not more,
good than any one of his business rivals, in the spread of the knowledge and
recognition of what are good bindings, what authors should be collected,
./ and what editions should be chosen for the shelves of the collector, but, I
am not willing to endorse his advice to book amateurs in respect to the
where, when and how they should only buy. It may be all very well for
him to personally object to book auction sales, but he has no right to try
and dissuade connoisseurs from purchasing at them.
How is the library of a living collector, or the estate of a dead one to be
realized to its uttermost value unless by the book auction? It might suit
Mr. Bonaventure, the bookdealer, and his confreres to buy libraries "en
bloc " for the minimum amount possible, but it would be manifestly im-
possible for him to give as much with a due regard to the modest profits of
his business as could be obtained in the open competition of every book
collector and bookdealer in the United States, on every lot, by itself, at
a library auction sale. There may be occasional bargains, and there may
be prices paid far more than what some booksellers might charge, but, after ■
all, the book, auction is the crucial test of normal market book values.
Since reference has been made to Mr. Bonaventure, I will now finish with
him, by quoting from him: —
" The cost of rare books, at sales, is invariably much higher than the
same works would command at stores. The demand in all cases where
real rarities are involved is always so great as to put an excessive premium
on the object of competition."
If American book auction sales depended upon dealers alone. Heaven
help literary property. In London and Paris the book auctioneer is the
best friend of the bookseller, and he is always regarded as such. It is
about the only mart now-a-days where purchases can be made for the
shelves of the bookdealer, and it is a well-known fact that at a recent sale
in London, one bibliopolist's bill amounted to over a million of dollars,
and for which he was given credit.
I am confident with such societies in our midst as the Grolier Club,
which is doing good missionary work, and with magazines devoted to the
exploitation of old books, that the collecting of private libraries will be more
popular than ever, and with the corresponding increase in the number of
xxiv PHOBM.
amateurs will also come greater knowledge of prices, not only among book-
dbalers, but among bookbuyers. The last named, it has been my experi-
ence to discover, know the commercial as well as the literary value of
books better than the majority of American booksellers. In fact, most
bookdealers have learned more from their customers, than they have
from their books pf reference. ' ' Experien tia docet. "
* *
*
The " Pbne DTJ Bois Collection, "from which I have wandered very
considerably, is, however, the real matter with which we have to do. It
can be safely asserted that no such Collection of Fine Bindings, Good
Editions, Modern Standard "Works of Real Merit, Ancient Book Nuggets,
Beautiful Manuscripts and Bare Prints have been sold in New York for
many years back. In purchasing from this Collection, connoisseurs and
dealers will have the beneflt of the ripe experience of a master, who has
proyed his being a true Bibllognoste in cold type, as well as by his book-
shelves. The dispersion of such a Library and such Prints is a positive
public benefit. It gives an opportunity for the exhibition of treasures of
literature and art. It spreads the knowledge which is requisite for both
the bibliophile and the bibliopole who, in purchasing from the " Penbdtj
Bois Collection," will do so in the interests of wisdom and culture.
The truest friends a man can have are his books. They are not only
useful but ornamental, not only exhilarating but thoughtful aud restful.
Quaint old Thomas Puller pointed out their real value when he wrote in
the old long ago :
"To divert at anytime a troublesome fancy, run to thy books; they
presently fix thee to them and drive the other out of thy thoughts, they
always receive thee with the same kindness."
CHARLES SOTHERAN.
New York Press. Club,
May 13, 1887.
[Frontispiece to " Terentius," Lyons, 1493.]
of the
The sizes of books in this catalogue are defined relatively to signatures and
according to the following page, height and inch measurements :
Large Folio, over 18 inches ; Folio, below 18 and over 13 ; Small Folio,
below 13 and over 11,
Large Quarto, below 15 and over 11 ; Quarto, below 11 and over 8 ;
Small Quarto, below 8 and over 6.
Large Octavo, below 11 and over 9 ; Octavo, below 9 and over 8 ; Small
Octavo and Twelvemo, below 8 and over 6. Minimo, below 6 inches.
These eleven designations preserve the important part of the nomenclature
formsriy used, and do away with the old technical paper prefixes, such as
" Royal," " Fpolscap," " Crown," etc., as well as the confusing smaller sizes
of the past. These represented in all, both big and little, some two hundred
possible book sizes, ranging from an "Antiquarian Folio," to a "Pot
i28mo."
As the old specific definitions are now gradually becoming almost obsolete,
this new schedule was formulated. It was wisely recognized that the present
time is inopportune for the measurement of books by the metric system.
C. S.
THE PENE D U BOIS COLLECTION.
COMPRISING
Painting, Sculpture, Architecture, Postume, Heraldry,
Choice Bindings, etc.; also Illustrated Books, Many of
WHICH ARE Unique.
" Ars est celare artem."
ESOPI Phrygis Fabvlse. [Greek and Latin Text
in parallel columns.] Square minimo, veUum.
Cologne, apvd loannem Tornaesivm, 1619
Rare. With curious wood-block cuts, Jncluding portrait
of ^sop on title.
CURMER'S BEAUTIFUL EDITION OF THOMAS A'KEMPIS.
2 A'KEMPIS (Thomas). LTmitation de Jfisus Christ, Tra-
duction Nouvelle de M. L'Abb^ Dassance. Illuminated
frontispiece and title in gold and colors — also every page sur-
rounded with an elegant woodcut border, — tiumerous vignettes,
fancy initial letters, etc. Large 8vo, fresh half blue mo-
rocco gilt, top edge gilt, others uncut. Paris, 1835-42
Chrmer's beautifully illustrated edition of the ' ' Imitation of Christ," in splen-
did condition, with margins equal to large paper.
3 ALBUM, containing a large number of vignette illustrations by
Campiglia, Pazzi, Gregorij, De Ghende,' Moreau
le jeune, Simonet, etc"., some of nudes. Large 4to, fine
red morocco gilt, blue watered silk, ends, edges gilt.
With heraldic book-plate of the Earl Grosvenor.
4 ALDINE (The), a Typographic Art Journal. Profusely
illustrated with charming wood engravings, etc. Vols. 5, 6
and 7 in 3 vols. Folio, half morocco (Vol. 7 lacks title).
N.Y., 1873-74
THE PENE D U BOIS COLLECTION.
5 ALLESSON (L. E.). Abbildungen der Rindvieh und An-
dem Hansthier — Racen mit Text von Weckherlin. 30
tinted lithographed plates of cattle. Oblong large folio.
Stuttgart, 1827
ORIGINAL ETCHINGS BY AMERICAN ARTISTS— EDITION-
DE-LUXE— WITH INDIA PROOFS AND SEPARATE
ARTISTS' PROOFS ON JAPAN PAPER.
6 AMERICAN ETCHINGS.— ORIGINAL ETCHINGS by
AMERICAN ARTISTS. With an Introduction and De-
scriptions by S. R. KoEHLER. 20 etchings — Proofs on
India paper, Whatman paper cover, in cloth case; also
another set of Artists' Proofs of the same on Japan
paper, Signed, mounted on cardboard with heavy plate
mats in portfolio, fresh half morocco, cloth sides, nickel
lock and key. Together 2 vols. Square large folio.
N. Y., 1883
EDITION-DE-LUXE, limited to 203 impressions, each numbered and
signed by the editor S. R. Koehlef, of which this is No. 166. This is a series
of twenty original etchings, of greater merit and artistic excellence than has ever
before been offered in book form. The work is a purely original one in concep-
tion and execution. It is truly representative not only of American art, but of
the individual excellence of each of the twenty artists who have contributed to
its pages. , The following is a list of subjects and etchers: —
■^^inter Evening, . . . Henry Farrer.
His Own Doctor, . . . T. W. Wood, V.P.N. A.
The Inner Harbor, Gloucester, . Stephen Parrish.
A Tower of Cortes, . Thomas Moran, A.N.A.
The Ponte Vecchio, .... Joseph Pennell.
The Lion in Love, . . F. S. Church, A.N.A.
An Old New England Orchard, . . George H. Smillie, N. A.
" 'Tween the Gloamin' and the Mirk, When the
Kye Come Hame," . . . Mrs. M. Nimmo MoRAN.
The Three Cows, . . . .J. Foxcroft Cole.
Canal Boats on the Thames, . . Chas. A. Platt.
" And Drive Dull Care Away," . I. M. Gaugengigl.
The Deserted Mill, . . . Kruseman VanElten, N.A.
Harvest at San Juan, New Mexico, . . Peter Moran.
A Cloudy Day in Venice, . . Samuel Colman, N.A.
The Mora Players, .... Frederick Dielman, N.A.
The Mouth of the Apponigansett, . R. Swain Gifford, N.A.
Fishing Boats on the Beach at Scheveningen, M. F. H. De Haas, N.A.
At Marblehead Neck, . . . Jas. D. Smillie, N.A.
The Smugglers' Landing-Place, . . J. C. Nicoll, A. N.A.
Twilight, . . . . . J. A. S. Monks.
' ''The great variety of these subjects by twenty representative American etchers
will be noticeable at a glance. Europe and America have both furnished
themes, and the time-honored glories of Florence and Venice are found side by
'side with the almost tropical .splendor of Mexico and the simpler, but not less
poetical, scenery of the coast of New England, while the Indian and the negro
stand upon the same basis, as regards their artistic usefulness, with the cavalier
of the seventeenth century. Nor is the ideal note wanting, although the prevail-
ing key is decidedly realistic." — Introduction.
4 THE PENE DU BOIS COLLECTION.
EDITION-DE-LUXE OF TWENTY ORIGINAL AMERICAN
ETCHINGS.
7 AMERICAN ETCHINGS.— TWENTY ORIGINAL
AMERICAN ETCHINGS, Published under the
AUSPICES OF THE " Ncw York Etching Club." Edition-
DE-LuxE, Numbered and Signed Artists' Proofs on
India paper, Introduction and description of each etch-
ing by S. R. KoEHLER. Square large folio, fresh three-
quarter russia gilt, beveled sides, top edge gilt, others
uncut. N. Y., 1884
No. 13 of LIMITED EDITION of IQS coples, with impressions on India paper.
These etchings are truly characteristic not only of American art and of the
individual excellence of each artist who contributes a sketch, but also in the
minor details of paper, printing and typography.
The following artists and subjects are represented: — " The Olive Trees of the
Riviera," by Samuel Colman; "Rye, England," by Charles A. Platt;
"Business Neglected," by J. G. Brown; "The Pool," by Peter Moran;
"Evening, New York Harbor," by Henry Farrer; " An Interesting Chap-
ter," by Percy Moran; "The Thames at Limehouse," by C. A. Vanderhoff;
"A Summer Afternoon," by Ellis F. Miller; " Thinking It Over," by T.
W. Wood; "Solitude," by E. L. Peirce; "The Castle of San Juan de Ulva,
Vera Cruz," by Thomas Moran; " Bellissima," by I. M. Gaugengigl; "Gar-
diner's Bay, L. I.," by Mrs. M. N. Moran; " Harbor Scene," by J. C. Nicoll;
"A Symphony, Nineteenth Century," by F. S. Church; " The Cottage by the
Sea," by Kruseman Van Elten; " The First Needlework," by Seymour J.
Guy; " Mills at Mispek," by Stephen Parrish; " A Japanese Fantasy, " by
Leon Moran," and " Below Chestnut Street Bridge, Philadelphia," by Joseph
Pennell.
8 American Historical and Literary Curiosities. First
and Second Series (complete). Collected and edited by
J. Jay Smith and John F. Watson. Consisting of fac.
similes of original documents relating to the events of the
Revolution, etc., etc. — with a variety of reliques, antiquities
and modern autpgraphs. Large 4to, cloth, gilt (foxed).
Phila., 1847
This valuable and interesting publication is entirely out of print and difficult
to find.
9 Amsterdam Exhibition. — Catalogue Illustre Officiel de la
Section des Beaux- Arts de I'Exposition Universelle d' Am-
sterdam, 1883. Illustrated with some 200 reproductions,
after the original designs of the artists. 8vo, fresh
crushed levant morocco, ,top edge gilt, others uncut.
Paris, 1883
THE PENE DU BOIS COLLECTION.
THE MAGNIFICENT SERIES OF FRENCH AQUAREL-
LISTS.
10 AQUARELLES.— SOCIETY OF FRENCH AQUAREL-
LISTS. Text by the best French Critics. Illustrated
with plates in photogravure — printed in tint, and with
designs in fac-simile by Louis Leloir, Edouard De-
TAILLE, GUSTAVE Dor6, JULIEN Le BLANT, JuLES
Worms, Eugene Lambert, Edouard De Beaumont,
Mme. La Baronne N. De Rothschild, Ferdinand
Heilbuth, a. De Neuville, Georges Vibert, Eu-
gene Lami, Jules Jacquemart, Charles Delort,
James Tissot, and others. 2 vols, in i. Large folio, half
morocco, silk sides and ties, totally uncut.
Paris, Goupil &" Co., 1883
Out of print and scarce. No. 7 of Limited Edition, on very heavy
French vellum paper.
This volume, representing the best art work of the " Society des Aquarel-
listes," or French Society of Water Colorists, is printed on magnificent vellum
paper from the mills of Marais. The work of each artist in the volume or
Hude is composed of five subjects in color both in text and separate plate. There
are twenty- four in all of these dtudes or studies. They each form a delightful
series of illustrations, and include a frontispiece, vignettes and plates inde-
pendent of the text. A number of pen- designs, studies and crayon sketches
profusely illustrate the text, which is thus collaborated by the artist whose water-
colors are given.
The artists represented and described in this magnificent work are — Louis
Leloir, Edouard Detaille, Gustave Dore, Ernest Duez, F. Louis Fran9ais, Mau-
rice Leloir, Ferdinand Heilbuth, Mme. Madelaine Lemaire, A. de Neuville,
Georges Vibert, Eugene Lami, Roger Jourdain, L. Eugene Lambert, Jules
Worms, Julian Le Blant, Jules Jacquemart, Charles Delort, James Tissot, Henri
Harpignies, Edouard de Beaumont, Baronne Nathaniel de Rothschild, Henri
Baron, Eugene Isabey and Gustave Jacquet.
11 Art Age (The), a Monthly Illustrated Newspaper, from
the Commencement, April, 1883, to March, 1886, inclu-
sive (Part 15, October, 1884, lacking); also — Art Journal,
L'Art Moderne and Art Amateur. Together 40 parts.
Square folio, in cloth portfolio. N. Y., etc., 1877-87
GRAND WORK ON ANCIENT ART, WITH ETCHINGS.
12 ART ANCIEN d I'Exposition de 1878 par MM. ,Ed. de
Beaumont, Th. Biais, Edmond Bonnaffe, Frederic
Darcel, Henri Darcel, Duranty, H. Ephrussi, Ben-
jamin FiLLON, P. Gasnault, Henri Lavoix, Paul
Mantz, Eug. Piot, a. R. de Liesville, O. Rayet,
Arthur Rhone, et Mme. Germaine de Poligny, sous
la Direction de M. Louis GolsrsE, Redacteur en chef de
la " Gazette des Beaux-Arts." Profusely illustrated with
etchings and other illustrations — some on India paper.
Thick large 4to, sewed, uncut. Paris, ^. Quantin, 1879
Among the etchers whose work will be found in the above are — Jacquemart,
Gaillard, Le Rat, Gaujean, Gaucherel, Dujardin, ChampoUion, Gilbert, etc.
6 THE PENE DU BOIS COLLECTION.
"L'ART"— THE SPLENDIDLY PRINTED AND ILLUS-
TRATED FRENCH MAGAZINE.
13 ART.— L'ART, Revue Hebdomad aire Illustr^e, for
the years 1879-80 inclusive [each year in 4 vols.]. To-
gether 8 vols. With numerous full-page etchings, wood
engravings, etc., after or by the best modern masters. Folio,
half red morocco, top edges gilt, others uncut.
Paris, 1879-80
Thick paper edition. Thig magnificent art work has no rival in its pecu-
liar excellencies. The best etchers and artists of Europe have been united to
make this splendid magazine, with its charming typography, the superior of
either the " Portfolio" or the " Art Journal."
' ' There has, up to the present time, been no such spirited venture as. the
art journal established in Paris at the beginning of the present year (1875),
under the laconic name of ' L'Art.' It has defects, but it has the great merit
of being full of life and energy. The wonder is how a journal on such an im-
portant scale can find the degree of public support which must be necessary to ■
its existence. The proprietors of ' Z.'y4?-^' do not rest satisfied with an appeal
to their own fellow-citizens or even fellow-countrymen; they have agents all
the world over, even at such places as Bucharest and Constantinople.. The
proprietors of ' L'Art ' evidently intend to give it as cosmopolitan a character
as they possibly can. The list of writers includes men of three or four differ-
ent nations, and the subjects treated comprise everything of artistic interest in
the world. It is evident that the proprietors of 'L'Art' are doing their. best
to improve it. . . . The publication is always lively and interesting, though not
governed by much severity of taste. It is full of what the French call actuality.
The proprietors seem determined to spare no effort, and we cordially wish them
success." — Philip Gilbert Hamerton.
14 ART. — L'ART, Revue Hebdomadaire Illustree, for
the years 1881-83 inclusive [each year in 4 vols.]. To-
gether 12 vols. Folio, red cloth, top edges gilt.
Paris, 1881-83
MAGNIFICENT WORK ON ALL THE ARTS.
IS' ARTS SOMPTUAIRES (Les), Histoire du Costume et de
I'Ameublement et des Arts et Industries qui s'y Ratta-
chent sous la direction de HaugardMauge, Dessins de
Clus. Ciappori — Introduction G^n^rale et Texte Explica-
tif par Ch. Louandre. Illustrated with several hundred
beautiful plates in rich colors designed by Ciappori. 3
vols. 4to, half red morocco, top edges gilt, others uncut.
Paris, chez Pauteur, 1852-58
Very scarce. Issued by subscription at 400 francs unbound. This is a
superb work and the handsomely executed chromolithographic plates in gold and
colors embrace a multitude of subjects — armor, missal work, costume, stained
glass, heraldry, painting, sculpture, jewelry, etc.— exhibiting the. manners, cus-
toms, beliefs, superstitions of the peoples of Europe from ' the Fifth to the
Seventeenth Century inclusive.
THE PENE DU BOIS COLLECTION.
"ART TREASURES OF AMERICA"— INDIA PROOFS.
i6 ART TREASURES OF AMERICA. Illustrated with about
1 60 photogravures. Proofs on India taper, and several
hundred engravings on wood. 10 sections folio (complete)
and each in a silk-covered portfolio. Phila., 1883
Limited edition, of which this is No. 127, and is an original subscriber's
copy complete. This work gives a description and a list of the contents of the
principal picture galleries of New York, Boston, Philadelphia, Brooklyn, Chi-
cago, Providence, St. Louis, Cincinnati, San Francisco, Louisville, Washington,
Montreal, Fall River, Cleveland, Taunton, New Haven, Rochester, Pittsburgh,
etc., etc.
FOUR EARLY VOLUMES OF " L' ARTISTE."
17 ARTISTE (L'j, Nouvelle S^rie. Vols, i to 4 inclusive.
Profusely illustrated with engravings, lithographs and etch-
ings after the great old and modern masters. Large 4to,
half red morocco, cloth sides (binding rubbed and a cover
loose). Paris, 1857-58
The admirable art magazine, " L'Artiste," contains most excellent prints by
Veyrassat, Masson, Gavarni, Metzmacher, Bracquemond, C. Nanteuil, etc.
Some are on India paper and the descriptive text is by the best art critics of
France. >
THE FRENCH EDITION OF THE KERAMIC ART OF
JAPAN.
18 AUDSLEY (G. A.) et BOWES (J. L.). La C6ramique
Japonaise. Containing 2>'2' full-page plates (17 of which are
in gold and colors') and descriptive text, with numerous wood
engravings printed in colors y produced from original
Japanese works of the greatest beauty, representing the entire
range of Japanese Keramic Art, ancient and modern. Large
8vo, illuminated cloth, beveled sides, gilt top edge, others
uncut. Paris, Firmin Didot, 1881
This -is the French edition of the splendid work on "Japanese Ceramics " of
Audsley and Bowes. The plates are exactly the same as those published in the
London edition of Henry Sotheran. The translation was made by Louisy, and
the work was printed under the direction of Racinet.
" The glory of this book is the chromolithography ; for which, indeed, some
new name ought to be invented, so unlike is it to anything which has been called
chromolithography before. No one who has not seen them, or others resem-
bling them, can form any conception of the powers of Japanese artists."
AKER (W. S.). Medallic Portraits of Wash-
ington. Portrait. 4to, half morocco, cloth
sides, totally uncut. Phila., 1884
Beautifully printed on heavy paper. Containing all the known Washington
pieces, to the extent of six hundred and fifty-one numbers, accurately
described and arranged into appropriate groups, each group being preceded by
historical and critical notices; the whole supplemented by a copious index, care-
fully prepared with a view to its use as a means of reference.
8 THE PENE DU BOIS COLLECTION.
LARGE PAPER COPY OF BARTLETT AND BEATTIE'S
SWITZERLAND-WITH OPEN LETTER PROOFS.
20 BARTLETT (W. H.). 109 illustrations to William Beat-
tie's " Switzerland." — Open Letter Proofs on India
PAPER. Folio, half red morocco, cloth sides (rubbed).
London, 1836
Large paper, and brilliant impressions of these beautiful plates, with the in-
serted book-plate of James L. Claghoru. A few of the mounts are foxed
slightly.
William Henry Bartlett was the most eminent of the pupils educated by John
Britton, the architectural antiquary. He traveled extensively through America,
Europe, Asia and Africa.
21 BARBER (Mrs. Mary). Some Drawings of Ancient Em-
broidery. 30 specimens on 30 large plates, executed in the
first style of chromolithography. Large 4to, cloth gilt
extra, gilt edges.
London and Manchester, Henry Sotheran 6^ Co., 1880
' ' This most beautiful series of illustrations of fine old embroidery was the
work, we believe, of many years' careful study on the part of the lady author,
who prepared it as her contribution to the work of Church restoration, at the
suggestion of one of our greatest and universally respected architects, Mr,
Butterfield. Mrs. Barber having died before her laborious work was pub-
lished, Mr. Butterfield undertook, at her request, to superintend its issue; and
a superb book it is, and most instructive to all who are interested in the wide
subject of Church embroidery, and the worthy production of Church vest-
ments."— Literary Churchman.
TUER'S BEAUTIFUL WORK ON BART0L02ZL
22 BARTOLOZZI and his Works Illustrated. Biograph-
ical, Anecdotal and Descriptive. By Andrew W. Tuer.
Being an Account of the Ljfe and Career of FRAN-
CESCO BARTOLOZZI, R. A.; with remarks on his
Prints: Why sought after ; increasing rise in value ; modern
reprints from worn-out plates, and how to distinguish;
falsely tinted, and how to distinguish ; a list of copper-
plates known to be still in existence ; Bartolozzi's Pupils;
Sketches of their Lives ; Collecting Prints as a hobby, and
as a profitable hobby; How to judge Prints ; Proofs and
" states " of Prints ; How to handle Prints ; Deceptions
' with Prints ; Stipple Engraving, with Descriptions and Il-
lustrations ; Print Sales ; Art Auction Rooms, general
gossip, and including the most extensive list of this great
master's works yet compiled. Finely printed .in old-face
THE PENE DU BOtS COLLECTION. 5
type, with 1^ fine plates in red and bistre, by Bartolozzi. 2
vols, large 4to, antique vellum binding, top edges gilt,
others uncut, and interleaved for additions.
London, Field and Tuer, n. d.
Mr. Tuer has succeeded in cataloguing upward of 2,000 examples of these
fashionable prints; the largest list hitherto compiled — Le Blanc's — contained
only 700. Among the illustrations are a pair of beautiful and exquisitely fin-
ished fancy subjects in stipple, from copper-plates engraved by Bartolozzi in
1783, in brilliant condition, entitled: "A St. James's Beauty," and "A St.
Giles's Beauty," painted in red on old paper; and a pair of highly finished por-
traits, from the original copper-plates, of Sarah, Countess of Kinnoul, and
Robert Auriol, Earl of Kinnoul, engraved by CaroHne Watson in 1799, also in
brilliant condition, printed on old paper in brown ink; a charming vignette of
Cupid printed in red; a ticket for the Mansion House ball, 1773, etc., all printed
direct from the plates.
BATTY'S SELECT VIEWS— WITH THE PLATES IN THREE
STATES.
23 BATTY (Robert, Lieut.-Col., F.R.S). Select Views of Some
of the Principal Cities of Europe, with Descriptive Text.
92 fine plates engraved from original paintings by R. Graves,
F. B. Becker, E. Goodall, W. R. Smith, R. Batty, H.
Le Keux and others. Large 4to, old half morocco gilt,
top edge gilt, others uncut (a few plates foxed slightly).
London, Moon, Boys is" Graves, 1832
Excessively rare. This almost unique book has the thirty fine plates in
three states — Finished India Proofs, Unfinished Etchings on India and Outline
Key Plates. The vignette title is in two states, both on India paper; one
finished and the other Etched and unfinished.
A very limited number were published in this manner at ;^36, i.e., $180, and
the fact that any impressions were taken of the etched plates is unknown to
both AUibone and Lowndes.
LARGEST PAPER COPY OF BATTY'S FRENCH SCENERY
—WITH THE PLATES IN TWO STATES.
24 BATTY. French Scenery. Illustrated with 117 fine plates
— Proofs on India paper — from original drawings by the
author, engraved by Heath, Finden, Wallis atid other
e7ninent engravers. Large 4to, half morocco, cloth sides,
top edge gilt, others uncut.
London, Rodwell &• Martin, 1822
Largest paper and very scarce. Published at ;f3i los., i.e., $157, with
PLATES IN two STATES, finished engravings and unfinished etchings — both
states on India paper.
25 BAURENSEIND (Michael). Schreib Kiinst. With nu-
merous plates of caligraphy and engraved title by Christo-
pher Weigel. Oblong 4to, vellum. Nuremberg, 17 16
Rare. Weigel is best known as an engraver of Scripture prints. He also
engraved in mezzotint.
10 THE PENE DU BO IS COLLECTION.
26 BAXTER (Thomas). An Illustration of the Egyptian,
Grecian and Roman Costume, with Descriptions. Eronf.
and 40 fine outlines, some of nudes, selected, drq,mn^ and
engraved by the author {foxed slightly and front, stained).
-4to, boards, uncut. London, 1810
Very scarce and exceedingly valuable to artists, sculptors and collectors on
account of its faithful delineation of the antique.
27 Bayet (C). Prdcis d'Histoire de I'Art. Hundreds of fac-
similes from paintings, bronzes, sculptures, etc. Small 8vo,
paper. Paris, Quantin, n. d.
28 Bazinghen Collection Catalogue, partially priced ; also —
HuRLBERT Collection Catalogue. 2 pieces. Sewed.
29 BEHMEN (Jacob), FEHLAUEN (George), etc. Neuein-
gerichteter Vielvermehrter Geistlicher Frauen Zimer
Spiegel. Engraved front., title and numerous plates of
women, commencing with " Eve," an apple in her hand and
a tiger skin around her middle. Thick minimo, black
morocco, gilt, one brass clasp. Nuremberg, 1666
Rare. Stamped on the side in gold with "V. M., 1673."
30 BELINA (A. M. de). Nos Peintres Dessin^s par Eux-
memes. Notes Humoristiques et Esquisses Biographiques.
Numerous portraits of great modern artists, sketched by them-
selves. Syo, paper, uncut. Paris, 1883
31 BERGERAT (Emile). Theophile Gautier, Peintre-
Etude, suivie du Catalogue de son CEuvre peint dessin^
et gravd. 8vo, sewed, uncut. Paris, 1877
Limited edition of 10 copies on China paper and 100 on "papier verge,"
of vv'hich the above is one of the last named of this interesting volume on Theo-
phile Gautier.
32 Bernatz und Schubert. Bilder aus dem Heiligen Lande,
mit erlauterndem Texte. Engraved title and numerous
plates on India paper after the original pictures of Ber-
natz. Oblong 4to, I vol. (complete and in 4 parts), sewed.
Stuttgart, 1839
33 BERND (C. S. T.). Die Allgemeine Wappenwissenschaft.
Engraved heraldic plates. Large 8vo, sewed, uncut.
(2 copies.) Bonn, 1849
LARGE PAPER COPY OF THE ILLUSTRATED BEURNON-
VILLE CATALOGUE.
34 BEURNONVILLE.— Catalogue des Tableaux Anciens
DE Tous les Ecoles composant la. Tres Importante Col-
lection de M. le Baron de Beurnonville. Illustrated
.with full-page engravings and etchings after works of the
most celebrated masters, some erotic. Thick large 4to
cloth, totally uncut. Paj-is, 1881
Large paper and limited edition. Handsomely printed on heavy toned
paper, and with beautiful impressions of the plates.
THE PENE DU BOIS COLLECTION. . ii
35 BIBLISCHE GESCHICHTE Erzahlt nach den Worten
der Schrift. IVM numerous illustrations on wood after
SCHNORR, DiETHE, ElsTER, RiTTER, GrOSSE, JaEGER,
NiEPER a«(/ Seitz — a/j-(? rubricated title and capitals — and
red line borders. Large 4to, paper, uncut. Leipzig, n. d.
MAGNIFICENT LARGE PAPER COPY OF BIDA'S GOSPELS
BOUND BY DAVID— PROOFS BEFORE LETTERS.
36 BIDA.— LES SAINTS EVANGILES.' Traduction da
BossuET, tir^e des CEuvres de Bossuet, par M. H.
Wallon, Membre de ITnstitut. Magnificent plates, wood
engravings, etc. 2 vols, square large folio, superbly bound
by DAVID and in fresh red crushed levant morocco, extra
gilt, rounded corners, inside gold borders, edges gilt on
marble, and in drop leather lined cases. Paris, 1873
LARGE PAPER PROOFS BEFORE ALL LETTERS. No. 69 of
limited edition.
These splendid volumes can be counted among the grandest works ever issued
by the French press. The plates were designed by Bida, and engraved under
the direction of Ed. Hedouin by Henriette Browne, Bida, Bodmer, Bracque-
mond, Chaplin, Deblois,' Flameng, Gaucherel, Gilbert, Girardet, Haussoulier,
Hedouin, Massard, Mouilleron, Nanteuil and Veyrassat. The ornaments in
the text —titles, chapter heads, initial letters, head and tail pieces — were designed
by Ch. Rossigneux and engraved on steel by Gaucherel. The " caract^res
typographiques " were specially engraved by F. Viel-Castel after thedesigns of
Ch. Rossigneux. The etchings were printed by Salmon and the text with red
borders and occasional rubrications by Claye. The paper was specially manu-
fadtured for the work by C. and J. Honig-Breet at Zaandyle, Holland.
Alexander Bida, the celebrated French artist, according to Clement and Hut-
ton's "Artists of the Nineteenth Century," was — "born at Toulouse, 1813.
Officer of the Legion of Honor and the Order of Leopold. Pupil of Delacroix.
Water-color artist and designer. Has visited the East. The following pencil-
drawings are at the Luxembourg: ' Refectory of Greek Monks '(1857); ' Evening
Call in the Crimea ' (1857); ' The Field of Boaz, Bethlehem ' (1861); ' Massacre
of Mamelukes ' (1861); and ' Prayer in a Mosque.' Bida has sometimes painted
portraits. His exquisite designs for the Gospels are well known by their exhibi-
tion in- 1867 and at other times since then. This artist has made many designs
for ' Le Tour du Monde.' At the Walters Gallery, Baltimore, are three pic-
tures by Bida, — ' The Prayer upon the House-Top,' 'Moses on a Mountain,
resting on a Rock,' and a representation of the custom in some Eastern country
where annually the people prostrate themselves for a horse and rider to pass
over their bodies. This artist represents with wonderful power the life and
scenery of Oriental countries, and his scriptural scenes are not surpassed in force
and directness by any other painters of like motives."
P. G. Hamerton, writing in " Etching and Etchers" of utility in etching as
a mode of illustrating fine books, says: — " The most noteworthy instance of
this i^ its employment by M. Hachette for his unprecedented edition of the
' Four Gospels,' illustrated by Bida with one hundred and twenty-eight pictorial
compositions, which were etched by Bida himself, and fifteen other etchers. The
enormous sum of money lavished on the production of this work would never
have been risked twenty years ago on an enterprise which depended upon etch-
ing for its success. At that time a publisher determined to invest fifty thousand
pounds in a monumental enterprise would have selected line engraving as a
matter of course, and the intensity of the general prejudice against etching,
both in the trade and out of it, would have prevented him from even taking it
THE PENE DU BO IS COLLECTION.
into consideration as an admissible kind of art. Times are changed, however.
The fame and splendor of this great publication, of which a hundred and forty
proof copies on Dutch paper were sold at ;^85 apiece, whilst £1^ was the price
of an ordinary one, ought not entirely to eclipse many minor publications, which
have been illustrated with a few plates."
37 BIDA. — L'HisToiRE de Joseph traduite de la Sainte Bible
par Lemaistre de Sacy. With beautifully executed plates
after the magnificent designs of Bida, also other illustrations
in the text and every page surrounded by red-line borders.
Square large folio (loose). Paris, Hachette, 1878
Splendid edition, on vellum paper.
38 BIGOT (Charles). Raphael and the Villa Farnesina.
Translated from the French by Mary Healey. With 15
engravings of Raphael's masterpieces by Tiburce de
Mare. 4to, fresh paper, uncut. London, 1884'
This edition was limited to 150 copies, all numbered and signed, of which the
above is No. 4.
[" The Bookbinder," a Sixteenth Century cut by Jost Amman.]
iitxaitxfls 0f %xiXtxts\ atrd IHaXuje.
SPLENDIDLY BOUND COPY OF "THE ART OF BOOK-
BINDING "-LIMITED EDITION OF ONE AND EXTRA
ILLUSTATED.
39 PENE DU BOIS (Henry de, U. S. Editor of Le Livre\
HISTORICAL ESSAY on the ART of BOOKBIND-
ING. 4to, superbly bound by Bradstreet, in crushed blue
THE PENE DU BOIS COLLECTION. 13
levant morocco, double with crushed red levant morocco
ends, pointille lace-work borders tooled in gilt, with the
corners mosaiced in blue morocco gilt, also white silk ends,
tooled gilt borders, leather joints, top edge gilt, others
uncut, with the covers bound in.
N. Y., Bradstreet Press, 1883
UNIQUE AND author's own Copy, of limited edition on thin Japan
PAPER OF one copy.
EXTRA ILLUSTRATED with engravings mostly on India and mounted
on THICK Japan paper. Among these are — •' Chiffonier Discovering Rats
Eating a Book "; " Incasing a book "; fine portraits of Napoleon by Racinet,
of President De Thou, of Amyot by Scriven after Laguiche; of Charlemagne,
and of Charles V. ; Lalauze's title to " Caprices d'un Bibliophile."
The volume is arranged in the following order — Preface, Bibliopegia, the
Catenati, of Morocco Leather Binding, Grolierii et Amicorum, Jacques Auguste
de Thou, of Bookbinders and Bibliography.
Mr. Du Bois seems to have explored the dark ages, by the aid of a pretty
clear light from intelligent sources, and succeeded in gathering much information
about celebrated books of great value, in elaborate and jeweled bindings," etc.
— The Paper World.
ROBERT HOE'S WORK ON BOOKBINDING— THE GROLIER
CLUB LIMITED EDITION.
40 HOE (Robert). A Lecture on Bookbinding as a Fine Art,
delivered before the Grolier Club, February 26, 1885.
With 63 plates, page reproductions of bindings. 4to, half
cloth, top edge gilt, others rough.
N. Y., published by the Grolier Club, 1886
Limited edition. " The Publication Committee of the Grolier Club certify
that this is one of two hundred copies of a special edition of ' Bookbinding as a
Fine Art,' printed in the form of demy quarto on Holland paper, in the month
of November, 1886." — Printed note on end paper preceding half-title.
HENRY THE FOURTH'S COPY OF DE THOU— A PRESEN-
TATION VOLUME AND PROBABLY BOUND BY CLOVIS
EVE.
41 JSintlinfl.— I lAC. AVGVSTII I THVANII | Histor-
lARVM I svi Temporis | . With large printer s mark of
the EsTiENNES on the title. Thick folio. Original royal
binding of vellum gilt, edges gilt, with outer cover
' of vellum, with flaps, also drop case.
I Parisiis, | apud Viduam Mamerti Patissonii
typographi Regij. \ In officina Roberti
Stephani. \ M.DCIIII. | [1604J
MAGNIFICENTLY BOUND COPY of PRESIDENT de THOU'S
" History of his Own Time," and belonging to KING HENRY the
FOURTH of France and Navarre, to whom it is dedicated. '
The reliure is doubtless that of Clovis Eve. It is of vellum and each of the
four corners of both sides has the royal crown and the letter '' H," below which
is " IIII." The back has no bands and is alternately tooled with a royal crown
above the letter " H," and a regal crown above a " fleur-de-lys. " On each
14 THE PENEDU BOIS COLLECTION..
side is stamped in gold an heraldic achievement, five and a half inches tall— at .the
top of which is a large royal crown from which proceed in circular shape
a collar of " SS." and the collar of the " Saint Esprit and depending
therefrom the Cross with dove in the centre, or badge of the order. The middle
is taken up with three distant cognizances, each surmounted with a regal crown
—a shield charged with the royal lilies of France to the dexter— a shield bear-
ing the arms of Navarre " de geules, k une chaine d'or (na vara), posee seloil
toutes les partitions c'est-a-dire en double arle, en Sautoir, et en ecartele to
the sinister— and below two sprays of laurel, in the centre of which is the letter
" W '*
The relationship of Henry the Fourth, the owner of this volume ; De Thou, the
author of it, by whom it was presented to the King; and Clovis Eve, the reheur
who probably bound it, is told in the following extracts from Cundall s " Book-
bindings Ancient and Modern, " pp. 67-68 and 72-73 : —
"The most celebrated amateur and patron of bookbinding, at the end of the
sixteenth century, was Jacques Auguste De Thou (better known to bibliographers
by his Latinized name, Thuanus). He was President of the Parliament of
Paris under Henry IV. and distinguished as a great, historian. He was also an
intimate friend of Grolier. It was his son who, was executed by Richelieu with
Cinq Mars at Lyons in 1642. Pere Jacob in his ' Traite des plus belles Biblio-
theques,' speaks of the large number of books possessed by the President, all of
which are bound in morocco or gilded calf skin, which is another extravagance
in this Parnassus of the Muses.
'• In a letter to M. Pauline, Paris, M. Jerome Pichon gives precise details as
to the bindings of these books. From him we learn how many kinds of bind-
ings Auguste de Thou had adopted; red, green and lemon morocco— the last
more especially for books relating to the exact sciences — fawn-colored calf with
gold lines — a solid and rich style of binding afterwards adopted by the President
de Longueil, and also by Du Fay — and lastly white vellum. In this last class
of bindings De Thou imitated the style of the Elzevirs, with the difference that
he had his arms stamped upon them, and had them embellished with gold lines
in spite of the difficulty of wprk upon vellum. The edges of these books were
gilt
"In 1593, in the reign of Henry IV., De Thou was appointed keeper of the
Royal Library in place of D'Amyot. He then employed Clovis Eve, whose
shop was at iVlont St. Hilaire, close to the Royal Library, to bind the King's
books, and in all probability availed himself of his services for his own library.
This Clovis Eve was both a bookseller and a bookbinder, which, as we have
already seen, was a necessary combination. ' Some even,' as we read in the
Guide des Corps Marchands, in the chapter upon bookbinders and gilders, ' some
even possessed a printing-office.' These were the privileged few, who in Paris
possessed the same right of uniting all the industries of a book as Aldus did in
Venice. Those who confined themselves solely to the industry of bookbinding
were usually in the employ of some rich amateur, and formed part of his house-
hold, like those employed, by Grolier. We know that Malherbe, by the recom-
mendation of his bookbinder, Provence, sent a youth to Pieresc, who was a great
lover of well-bound books. Clbvis Eve is little known as a bookseller, prob-
ably because the exigencies of his duty as the King's bookbinder occupied
him completely. In 1605 he was still in ofiice, but five years later his son
Nicholas had succeeded him. He, in his turn was succeeded by his son
Clovis, who was King's bookbinder up to 1631. We also hear of Louis Le
Due as binder to Henry IV. in 1598.
' ' The Eves were almost the only binders who succeeded in making two sides
of a book and its back the three parts of one congruous whole. The backs are
WITHOUT BANDS and the square lettering is in pleasing contrast to the flowing
beauty of the ornament. To Clovis Eve are probably due the beautiful volumes
in green morocco, with the fleur-de-luce bearing the royal arms of Louis XIII.
Many of them, following the fashion of using Greek letters, have a lambda
' a' at each corner; on those bound for Henry IV. occurs sometimes the letter
THE PENE DU BOIS COLLECTION. iS
H, with or without the number IIII. following it. A few had the inscription
' Henrici IIII., patris patriae virtutum restitutoris.' "
This volume is noticeable outside of its binding and historical associations as
a magnificent example of typography. It is in splendid condition, with margins
between three and four inches in 'width, and is a grand specimen of one of the
best Parisian presses, it having been printed by a member of the Stephanus or
Estienne family. From Bigmore and Wyman's ' ' Bibliography of Printing "
we learn that Henry Estienne, the first printer of that name, was a man of noble
birth, but little is known of his early history. He alienated himself from his
family and abandoned his title, preferring to win distinction in promoting the
then comparatively new Art of Printing, and thus throwing open the sources of
learning to students generally. He had three sons-^Francis,^ Robert and Charles
— all printers of distinction. The youngest son, a printer of Paris, was even a
finer scholar than his brothers. During his youth he traveled much thrpughout
Europe, increasing the vast stores of his learning upon scientific and artistic
subjects. On his return to Paris he became a physician. About the time
(1556) his brother Robert fled, to Geneva, Charles, impelled by his inherited
tastes, abandoned the profession he was adorning, and established himself as a
printer. He produced a very large number of books, which appeared with extra-
ordinary rapidity. His great merit won him the title of *' King's Printer, " which
was never granted to Henry. He remained " Rex typographus " from 1551 to
1561. He also wrote a number of works upon scientific subjects, and others
on grammar and criticism. He died in affluent circumstances. For nearly two
hundred years some member of his family was carrying on the art typographic
in France and Switzerland with the greatest distinction. The above was exe-
cuted by Robert Estienne, one of the most celebrated of the Parisian typothets.
The dedication reads — " Christianissimo Franc, et Navar. Regi Henrico
IIII." and the above, as stated, was the presentation copy of its famous biblio-
philistic author to the Monarch who Macaulay has made the hero of his " Battle
of Ivry " —
" Oh! was there ever such a knight, in friendship or in war.
As our sovereign lord. King Henry, the soldier of Navarre.'' .
After various mutations it came into the possession of John, Baron Carteret of
Hawnes — whose heraldic book-plate adorns one of its end papers — and thence to
New York, where it now shine's as one of the brightest gems of the Pene duBois
Collection.
KING LOUIS THE THIRTEENTH'S COPY OF THE "PRIN-
CIPAL POINTS OF THE FAITH," AND PRESENTATION
COPY OF THE AUTHOR. CARDINAL RICHELIEU.
42 33tnt(tn£. — RICHELIEU. Les Principavx Poincts de
LA FoY Catholiqve Defendvs contre lescrit Ad-
DRESSE Av Roy p^r les Ministres de Charenton par
MoNSEiGNEVR l'Eminentissime CARDINAL DVC DE
RICHELIEV. Fine engraved title by M.Y.\A.^.^, fine her-
aldic head-pieces, engraved initials, etc. Large 4to, hand-
somely bound in red morocco, extra gilt, broad gold bor-
ders,-coat- of-arms on the sides, gold dentelle borders, gilt
edges. Paris, de V Imprimerie Roy ale dv Lovre, 1642
VERY RARE and a grand copy of Richelieu's defence of the Catholic
Faith, with broad margins, and dedicated to King Louis the Thirteenth, whose
copy it was, and to whom it was presented by the great Cardinal. It afterwards
came into the " Bibliotheca Lamoniana " and still later into that of "John
Townley, Esq." It has both the book-plates of those collections. On page
1 6 THE PENE DU BO IS COLLECTION.
three, it is stamped with the royal library mark , and on the back and title is
the shelf number, "D4g. " v i • w
The volume is a regal example of binding. The tooling on the back is a
crown above a fleur de lys," repeated several times. In the centre of the cover
are the arms of Louis the Thirteenth, surrounded by the grand collars and
crosses of the Orders of Saint Esprit and of Saint Louis— these are surmounted
by a crown— and the whole is encircled by a wreath. The broad wide gold
borders are composed principally of fleurs-de-lys.
KING LOUIS PHILIPPE'S COPY OF BAILLY.
43 iStnlrCnfl.— BAILLY (M. a.). Expose de 1' Administration
Generate et Locale des Finances du Royaume Uni de la
Grande Bretagne et d'Irlande. 2 vols. 8vo, red crinkled
morocco extra, inside tooled borders, leather joints, gilt
edges. Paris, Firmin Didot, 1837
Very Scarce. King Louis Philippe's copy and stamped on both the back
and sides of both volumes with crown and monogram "L. P. O." The false
titles are stamped with ducal coronet, monogram and — " Eibliotheque de S. A.
R. Mgr. Le Due D'Orleans."
KING LOUIS PHILIPPE— A VOLUME WITH HIS ARMS.
44 JSintlinfl.— BONNELLIER (Hippolyte). Guy Eder—
Tome Troisifeme. Red morocco extra. Paris, 1830
Formerly the property of King Louis Philippe and stamped on the sides
with his coat of-arms (" the lilies of France with Orleans label"), crown, the
grand collars and insignias of various orders, standards, etc. Stamped on the
title-v" Eibliotheque du Roi, Palais Royal."
THE EMPEROR NAPOLEON THE THIRD'S COPY OF AN
OPERA OF BELLINI.
45 JSluTflUfl.— BELLINI et ROMANI. Les Capulets et Les .
Montaigus, Trag6die Lyrique, Paroles de Felix Romani,
Musique de Vincent Bellini. Small 8vo, green watered
silk, gilt inside dentelle borders, edges gilt. Paris, /1849
This volume, the libretto of Bellini's opera based upon " Romeo and Juliet,"
came from the Library of the Emperor Napoleon the Third. It is bound in green
watered silk, and is profusely gilt. The, borders are principally composed of
pansies. On the front cover is an imperial crown above the letter " N," and
the back is decorated with t)ie Napoleonic crown and eagle.
MADAME DE POMPADOUR'S COPY OF THE "HISTORY
OF CHARLES THE FIFTH," WITH HER COAT ARMOR
STAMPED ON THE SIDES.
46 JBintrtltfl.— VERA ET FIGUEROA (Don Jean Antoine
de, Comte de la Rocca, etc.). Histoire de I'Empereur
Charles V., traduite d'Espagnol en Francois par le Sieur
DU Perron Le Hayer, etc. i vol. in 2. Minimo, mot-
tled calf gilt, red edges. Brussels, Francois Foppens, 1663
Rare, evidently from the press of the Elzevirs, as their well-known cut of the
buffalo's head appears over the dedication. For the purpose of making this
minimo into two volumes a second title was carefully added in MS. to what is
THE PENE DU BO IS COLLECTION. 17
changed into Vol. 2, and the last two lines of page 159 have been also written in
at the end of Vol. i.
The coat armor of Madame de Pompadour is stamped in gold on both sides
of both volumes. The bearings are "three towers, two and one," the shield is
surmounted by a coronet and rests upon a mantle lined with ermine, the exterior
of which is decorated with "towers. The stamp on these volumes is a varia-
tion of that reproduced in Bauchart's " Les Femmes Bibliophiles." who says
that the Marquise gathered a library together at great cost. After her death a
catalogue was made of her books by the Parisian bookseller Jean Th. Herissant,
from the cards furnished by her librarian, the Abbe de la Garde. Most of her
books, like the above, were bound by Derome le Jeune.
PRINCE DEMIDOFF'S COPY OF AN EXCESSIVELY RARE
PIECE OF NAPOLEONIANA— WITH THE ARMS OF THE
KING OF ROME.
47 35ttltJinfl.— BUTTURA (Antonio). Nascendo il Primo
FiGLio A NAPOLEONE IL GRANDE ode, recata in un'
Ode Francese da Gianbattista Chaussard. Small 8vo,
red crinkled morocco gilt, stamped on the sides in gold
with large heraldic achievement, gold dentelle borders,
blue watered silk ends, gilt edges. [Paris], 181 1
MOST RARE and limited edition, printed without place of publication or
printer's name. It is the original text of Buttura, and French translation by
Chaussard on opposite pages of the ode of the former on the birth of the King
of Rome, son of the great Napoleon and Maria Louisa.
It is stamped on the sides with the arms of Napoleon's heir and exhibits the
heraldry of Rome, France, Milan, Lombardy, Venice and Savoy. On an end
paper is the stamp — " Bibliotheque de San Donato," showing it came from the
Library of Prince Demidoff, a relative of the Bonapartes.
THE DUKE OF MARLBOROUGH'S COPY OF A SEVEN-
TEENTH CENTURY NEW TESTAMENT.
48 33fn^tnfl.— Le NOUVEAU testament de Nostra
Seigneur Jesus Christ, Traduit en Frangois, selon I'Edi-
tion Vulgate, avec les Differences du Grec. Engraved
title by Van Schuppen after De Champagne. Small 8vo,
crushed sage morocco gilt, edges gilt on marble.
Mons, Gaspard Migeot, 1667
Rare, and every page is carefully ruled with red ink. On the sides are
stamped in gold a cor9net, coat-of arms and supporters. The styl^ of the tool-
ing on back is that of Derome — a bunch of flowers springing from a vase being
the most frequent tool used. On an end paper is a label bearing the arms of
the Duke of Marlborough and below the inscription — ''from the Sunderland
Library, Blenheim Palace. Purchased, March, 1883, by Bernard Quaritch, 15
Piccadilly, London."
GERMAN BINDING, WITH SILVER ALTO-RELIEVO
ORNAMENTS.
49 iStlltltnfi. — Andachtsbuch fur Gebildete Katholiken.
Engraved front., vignette title and plates. Small 8vo, red
mor., extra gilt, edges gilt, silver clasps. Bamberg, 1798
Rare. Very fine example of German binding of the last century, with large
silver clasp on which are depicted fruits in alto-relievo, also large attach-
1 8 THE PENE DU BO IS 'COLLECTION.
ments to the clasp, measuring four inches by three and three.eighths and repre-
senting on one side ' ' The Fall of Manna in the Wilderness," and on the other—
' ' The Spies returning from the Promised Land with Grapes. " Above these two
subjects are the heads of cherubs.
EIGHTEENTH CENTURY GERMAN BINDING, WITH
SILVER CHAIN, ETC.
50 JStntfllTB.— Christelyk Onderwys en Gebeden Getrok-
ken. Front. Small 8vo, bound in shagreen, with silver
corners, two clasps, etc., gilt edges tooled. Venlo, [1775]
Rare. This -curious specimen of eighteenth century binding has two clasps,
which with the attachments are floriated and with birds thereon. The eight
corners are similarly ornamented, also the two attachments, to which is joined a
long link chain, to enable the owner to allow it to swing from the arm.
51 IStnlltnS. — Nakateni (Wilhelm, i?./". 5./.). Himmlisch
Palm-Gartlein. Drey und zwanzigster druck. Plates and
front. Minimo, black morocco gilt, clasps, edges gilt.
Cologne, 1778
Rare. Curious eighteenth century binding with metal rims, clasps and twelve
bosses on each side.
HAND-PAINTED GERMAN BINDINGS OF THE LAST
CENTURY.
52 JSintriUfi.— REGENSBURGISCHES LIEDER. Manual
mit Alten und Neuen Evangelischen Psalmen und Lobge-
sangen vermehret nibst einer bequemen Lieder Concor-
danz. Minimo, painted vellum gilt, edges gilt and paneled.
n. p., H. G. Zunkel, 1742
UNIQUE EXAMPLE of eighteenth century hand-painted binding. The
body of this reliure is white vellum. On the back, painted by hand, are groups
of flowers. On the foreside is represented, also painted by hand, Mary Magdalene
at the foot of the cross upon which is. the dying Saviour, and on the back of the
cover is King David seated with the harp on his knees. The borders of both
sides are stamped in gold. The edges are gilt, upon which are roses painted by
hand.
53 JSiUlrinfl.— LUTKENRAM (J.). Der Vorschmack Gott-
licher Gute durch Ottes Knade. Portrait of author and
plate. ' izmo, painted vellum, gilt edges.
Braunschweig, 1712
Unique specimen of ornamental vellum binding painted by hand. The back
and sides are original paintings of tulips. The borders are also painted in various
colors by hand and finished by gold tooling, giving a most admirable result in
illuminational effect.
ARTISTIC PAPIER MACHE AND ENGRAVED BINDING.
54 JStntriUfl.— SALM (Madame la Comtesse de). Poesies.
Small 8vo, half morocco gilt, papier mach6 sides, gilt
edges., Paris, F. Didot, 181 1
Rare. This very curious binding was e.Kecuted by F. Levervre. The back
is half red morocco gilt, with tooling of Cupid, roses, etc. The ends are green
THE PENE DU BO IS COLLECTION. 19
watered silk. The sides are papier mache lacquered. Before the lacquer work
was put on the borders were tooled and emblematic designs were engraved
thereon and gilded. That on the front side represents two Cupids — one is
happily flying; the other is dejectedly seated, on a rock, beside a bush, bis
quiver and arrows on the ground. The artist who thus employed the burin
has signed the design and in the left corner — "Callier, nee Foxon." The
engraving on the back-side is of a grape vine, on three of the leaves of which
has been engraved the words — " J'aime jusqu'i I'ivresse," which may be trans-
lated— " I love almost to madness."
RARE EIGHTEENTH CENTURY BINDING STAMPED
WITH THE ROYAL ARMS OF FRANCE.
55 15 tntr 1110.— LOUIS XVI.— SACRE ET COURONNE-
MENT DE LOUIS XVI. Roi de France et de Navarre a
Rheims le II. Juin 1775, Precede de Recherches sur le
Sacre des Rois de France depuis Clovis jusqu'a Louis
XV., et suivi d'un Journal Historique de ce qui c'est pass6
a cette Auguste C^remonie. Enriched with a very large
number of plates, head and tail-pieces, etc., engraved by Le
SiEUR Patas — also folding map. Thick 8vo, handsomely
bound in fine old original Spanish calf gilt, edges gilt on
red. Paris, 1775
Very rare and with handsome binding, on the back and corners of which are
fleurs-de-lys and stamped on the sides with the royal arms of France, crown,
collar of the " Saint Esprit," etc.
56 J5inttinfl.— ALMANACK ROYALE Annee Bissextile,
MDCCLXXXVIII. Thick small 8vo, fine old red crushed
morocco gilt, inside gold borders, edges gilt. Paris, 1788
Rare. A good example of late eighteenth century French binding. It is
tooled in the style of Dusseuil. On the sides are stamped in gold the monogram
" H. D.," between the fleurons, immediately above the tower being a serpent.
A sans culotte has been at work on the label at the back. He has erased the
word " Royal " thereon, also on the title with ink the words — " Royal," " a sa
Majeste," "Monseigneur le Due d'Orleans " and " Roi," also the royal arms
and crown on the title vignette.
57 JSintflltfl.— ALMANACK ROYAL ■ Annee Commune
MDCCXCI. pr^sent6 a Sa Majesty pour la premiere
fois en 1699, par Laurent D'Houry, editeur. Thick
small 8vo, fine old stamped red morocco extra gilt, fan-
farre pattern, blue raw silk ends, gilt edges.
Paris, la veuve d'Houry, 1791
Fine eighteenth century example of stamped binding.
58 JBinttinfl.— ALMANACK IMPERIAL pour I'an
M.DCCC.VI. Thick small 8vo, red crinkled morocco
gilt, inside gold borders, edges gilt. Paris, Testu, 1806
Scarce. Handsomely bound, with the Imperial eagle and grand cross of
the Legion of Honor on the back, and the letter "D" between a chaplet
and two branches.
20 THE PENEDU BOIS COLLECTION.
59 JSinirillfl.— ALMANACH ROYAL pour I'an MDCCC-
XVIII. Thick small 8vo, green crinkled morocco gilt,
inside gold tooled borders, edges gilt. Paris, Testu, 1818
Very Scarce. The back is tooled with fleurs-de-Iys, and on the sides are
stamped the royal arms and crown of France, etc.
60 iSfnttlltfl. — ^NOTICE DES Tableaux Exposes dans la
Galerie du Musee Royal. Small 8vo, red crinkled mo-
' rocco gilt, inside gold borders, edges gilt. Paris, 1816
Stamped on the sides in gold, with the crown and royal arms of France, with
the grand collar and cross of the Order of Saint Esprit. The tooling on the
back and the dentelle borders are composed almost entirely of fienrs-de-lys.
61 iStntfttlg. — Lectiones TheologiCvE de Sacramento Ordinis
et de SS. Trinitate. 2 vols, small 8vo, fine old red mo-
rocco gilt, edges gilt. Rouen, 1781-82
These charming examples of Derome's reliure are dedicated to Cardinal La
Rochefoucauld and have his coat armor above the dedications.
62 jlStntfttlQ. — La Constitution Francaise, decretie par
I'Assemblee Nationale Constituante, aux Annies 1789,
1790 et 1791. Colored maps. Minimo, morocco gilt,
edges gilt on red. Paris, 1791
A good example of the typography of "Didot jeune,'' in an eighteenth
century red morocco reliure.
LIMITED EDITION OF TWO COPIES OF A CURIOUS
WORK.
63 SStntlttlQ. — Recueil de Quelques Pieces Curieuses sur
rOrigine des Etrennes et Diverses Particularit^s de cette
Coutume chez las Franpais. 8vo, red crinkled morocco,
watered silk ends gilt tooled, leather joints, totally uncut,
8vo. ' Paris, Dentu, n. d.
Almost unique, being No. 2 of a limited edition of two copies.
FRENCH PATRIOTIC RELIURE— ILLUSTRATIVE OF THE
TRICOLOR.
64 iJintrinfl.—CLARETIE (Jules). Le Drapeau— Edition Illus-
tr^e. With page engravings by A. de Neuville, en-
gravings on wood after the designs of Edmond Morin, and
an etched portrait of the author by A. Gilbert, with colored
borders in red, white and blue. 4to, citron crushed levant
morocco gilt, inlaid with colored leathers, blue and red
silk ends, with vellum joints, gilt edges. Paris, 1879
Limited edition printed on vellum paper by Quantin.
This work on the " French Flag" is what may be called patriotically bound
by BOULINEAU, of Paris. The back is inlaid with red, white and blue leathers
on the citron morocco. The front side is paneled gilt — at the four corners are
small squares of inlaid red, white and blue— and the centre is similarly inlaid
with the tricolor.
THE PENE DU BOIS COLLECTION. 21
65 J3fntr(nfl.— PLINIJ SECVNDI Historic Mvndi Libri
XXXVII. ed. Iacobvs Dalecampivs, variis Qvoqve
' SiGiSM. Gelenii, Fredenandi Pintiani et aliorum
Lectionibus. Vignette on title, which is rubricated. Thick
folio, fine stamped old pigskin, on wooden boards, two
brass clasps (MS. name of former owner on title).
[Geneva,] Svmptibvs lacobi Crispini, 163 1
Rare. Dibdin says this is — " A work beyond all praise; but in no subse-
quent edition has its merits been sufficiently appreciated." James Crespin was
a descendant of John Crespin. who left France for Geneva at the beginning of
the sixteenth century, on account of religious difficulties. After having been a
lawyer he became a printer.
66 JSiUttinfl.— CHRISTIADOS LIBELLUS Denno Recog-
nitus et locupletus ab autore Ioachimo a Beust. Numer-
ous very curious woodcuts. 1 2 mo, vellum . Wittenberg, 1 6 1 6
Rare. Bound in vellum and a portion of ancient manuscript with red and
black script. The text of the volume is polyglot — Latin, Greek, Hebrew and
German.
{[^"BINDING. The above are a few bindings of interest, but those exe-
cuted by the great relieurs will be found under the names of those authors, etc. ,
whose works they beautify.
67 BLANC (Charles, Member of the Institute). Grammaire des
Arts du Dessin — Architecture, Sculpture, Peinture, Jar-
dins, Gravures en Pierres Fines, Gravure en Medailles,
Gravure en Taille-Douce, Eau Forte, Mani^re Noire,
Aquatinte, Gravure en Bois, Camaien, Gravure en Couleurs,
Lithographic. Profusely illustrated with wood engravings,
many full-page. 4to, half calf gilt, top edge gilt, others
uncut. Paris, Renouard, 1870
Handsomely printed by J. Claye.
68 BOLOGNE (Jean). La Vie et I'CEuvre de, par Abel Des-
jardins d'apres les Manuscrits Inddits recuellis par M.
Foucques de Vagnouville. Profusely illustrated with
numerous full-page plates and other illustrations in the text.
Folio, fresh cloth, edges uncut. Paris, Quantin, 1883
The celebrated sculptor Jean de Bologne was bom 1524 and died 1605. His
style was founded on that of Michael Angelo. His best-known work is the
equestrian statue of Henri IV. on the Pont Neuf at Paris.
69 BONNAFFE (Edmond.) Les collectioneurs de I'Ancienne
France, Notes d'un Amateur. Small 8vo, sfewed, uncut.
Paris, 1873
Limited edition of 6 copies on parchment and 600 on papier vergi, of which
the above is one of the last named.
70 [BONNAFF!^.] Les Collectioneurs de I'Ancienne Rome.
Rubricated title, with border. Small 8vo, sewed, uncut.
Paris, 1867
No. 13 of a limited issue of 45 copies on " papier velin," with wide margins.
22 THE PENE DU BOIS COLLECTION.
7 1 • BOSC (Ernest, Architect). Dictionnaire de I'Art, de la Curi-
osity et du Bibelot. Profusely illustrated with wood engrav-
ings, many full-page, also many plates illuminated m metals
and colors. Thick large 8vo, fresh three-quarters levant
morocco, gilt top edge, others uncut. ;
Paris, Firmin-JJtdot, 1883
A most valuable dictionary of art, archEeology, antiques, curios, jewelry, books,
etc., and most articles of bijouterie and vertu.
72 BOUCHER (Fran9ois). iZp^aie^ designed by Boucher to
illustrate the works of MOLIERE, reduced and etched by
T. De M.A.KE— also three portraits, two vignettes and vignette
title. Large 4to, in portfolio. Paris, Lefilleul, 188.1
No 221 of LIMITED EDITION of 6oo copies, of which 60 are on Japan paper
like the above, which is also a copy with artist's signed proofs as well as on
Japan paper.
73 BouTON (V. M,, Engraver). Traits Elementaire et Pratique
pour Appendre a Graver sans Maitre. Small 8vo, cloth.
Paris, n. d.
Limited edition, all copies signed by the author like the above. With
engraved title facsimile of Grolier binding, cuts, fancy initials, etc.
EXTRA ILLUSTRATED COPY OF BRYAN'S PAINTERS
AND ENGRAVERS— AND EXTENDED FROM TWO
VOLUMES TO FOURTEEN.
74 BRYAN (Michael). A BIOGRAPHICAL and CRITI-
CAL DICTIONARY of PAINTERS and ENGRAV-
ERS, from the Revival of the Art under CIMABUE, and
the alleged Discovery of Engraving by Finiguerra to the
Present Time ; with the Ciphers, Monograms and Marks
used by each Engraver; and an ample list of their works.
Together with two Indexes, Alphabetical and Chronologi-
cal : to which is prefixed an Introduction containing a
brief account of the Painters of Antiquity. Fine original
impression of the portrait of ^'s.xKTti. 2 vols, extended to
14 iJy the insertion of nearly 800 prints — portraits of the
Artists and specimens of their Works, many of which are
rare and valuable, with a set of 14 extra, titlerpages, especially
printed for this copy. Thick 4to, half russia extra, uncut.
London, 1821
UNIQUE AND SPLENDIDLY EXTRA-ILLUSTRATED WORK.
This copy of Bryan's great book contains a collection of prints that, at this day,
it would be difficult to duplicate. It comprises portraits of nearly all the most
distinguished artists of the past, with engravings and etchings after their works,
also original etchings by the artists themselves. '
This is the only edition of Bryan that can be illustrated with any degree of
perfection, it being of quarto size and the type large and clear. Well illustrated
as this copy is, it can be further embellished by the addition of other engravings
without rebinding, as it is interleaved with old-fashioned hand-made paper for
THE FENE D U BOIS COLLECTION. 23
that purpose. The following is an analysis of the portraits and subjects in the
different volumes :
Vol. I.— Portraits of Van Achen, Aikman, Albani, Albertinelli, Aldegrever
(2, one very fine and rare), Correggio (2), Allori (2), Altdotfer, M. Angelo (2),
Colonna, Cerquozzi. Sofonisba Angosciola, Artois (2), Asselyn, Backer, Bagli-
oni, Bagnacavallo, Baillu, Baker, Baldovinetti, Van Balen, etc. Specimens or
subjects engraved or painted by Abati, Correggio; Appleman (a Landscape proof
before letter) Cecchi, Freeman, Kilian, Rossi, Battaglia, Zentner, de lode. Mays-
sens, Van Asch, Bailey, Backhuysen, Hollar, Bannerman, etc.
Vol. 2. — Portraits of Barry, iJauer, Mrs. Beale and her son Charles, Becca-
fumi, Beham, Delia Bella (2, one engraved by Hollar), Bellini, Berghem, De Bie
(2), Bloemaert (2), Le Blon, Boccaccino, Bonvicino, Vander Borcht, Bordoni,
Boscoli, Bosschaert, Both (2), Botticelli, etc. Specimens or subjects engraved
by Romney, Chambers, Mary Beale, Bega, Delia Bella (2 original etchings),
Beich, Van Bemmell, Rembrandt, Schiavonetti, Berghem, Vostermanns, Blank-
hof, Bloemaert, Evedi, Betti, Richeton, Bonvicino, W. Hollar, Bordone, Collin,
Comer, etc.
Vol. 3. — Portraits of Boucher, Bramer, Brueghel (3), Brongino, Bronkhorst,
Brower (2), Le Brun, Burgkmair, Buffaimacco, Bugiardini, Cagliari, Calcar,
,Callot(3), Cambiasco, Carapi, Annibale Caracci, Agostino Caracci, Lodovico
Caracci, Caravaggio (2), Cigoli, Carloni, Carpaccio, Carpi, Castagno, Castelli,
Carallini, etc. Specimens or subjects engraved or painted by Cochin, Cars.
Vander Does, Breenberg, Vandyck, Brill, Brongino, Jenkins, Bronkhorst, Larg-
illiere, CoVner, Paul Veronese, Femell, Canaletti, Heath, Ferretti, Caracci,
Nicholson, Varrall, Caravaggio, Casanova, Godefroy, Castiglione (2, original
etchings), etc.
Vol. 4. — Portraits of Caredone, Aepino, Cimabue, Van Cleeve, De Cleyn,
Clovis, Comode, Cotes, Samuel Cooper, Coques, Corte, Cortona, Cosiers, Costa,
Coypel, Cranach (2), De Grayer, Currado, Dandini, Danckert, Delmont,
Deynum, Deutsch, Dow, Dicpenbeck, Vandiest, Le Piper, Dobson, Domeni-
chino, etc. Specimens or Subjects engraved or painted by Cheron, Cecchi,
Miller, Evedi, Cooper, Coques, Borgognone, Ferretti, Campana, Cortona, De
lode. Falconet, Menabusni, Neefs, Vandyck, Cuyp (7 examples), Dahl, Batta,
Decker, Waumans, Collin, Paul Pontius, Van Diest, Bannerman, Domenichino
(5 examples), Dow (5 examples), etc.
Vol. 5. — Portraits of Albert Durer (3), Elsheimer (2), Empoli, Van Es, Hu-
bert and John Van Eyck, Fabriano, Faithorne, Farinato, Ferrari, Le Fevre,
John Hayles, Fiesole, Floris (2), Fontana, La Fage, Francesca, Franco, Fran-
cois, Fatter, Farini, Gaddi, Del Garbo, Garofalo, etc. Specimens and Subjects
engraved or painted by Albert Durer (2, the Death of the Virgin and St.
Veronica's handkerchief, both scarce), Frei, Ferretti, Elsheimer, Betti, Hollar,
Everdingen, Ferg, Major, Ferri, Chambers, Feti, Waumans, Franchoys, Fuller,
Fyt, Gainsborough (3 examples), Lightfoot, Shaw, W. R. Smith, Garbiere,
Boutrois, Garofalo, Rolls, etc.
Vol. 6. — Portraits of Genga, Artemesia Gentileschi, Horatio Gentileschi (2),
Mascall, Gerbier, Ghirlandajo, Gibson, Mrs. Gibson, Gimignani, Giorgione,
Goltzius, Granacci, Greenhill, Van Belcamp, Geldorp, Garrard, Guercino,
Hannemann, Hayman, Van Heck, Daniel Van Heil, John Van Heil, Leo Van
Heil, Heraskerk, Hilliard, Hodges, Van Hoeck, Hoefnagel (2), Hogarth,
Holbein (4, all scarce), Hollar, Henry Hondius, Abraham Hondius, Honthorst
(2), etc. Specimens and Subjects engraved or painted by Gessi, Walker,
Giorgione, Corner, Goldberg, Van Goyen (2 examples), Pariset, Falconet, Van
Heck, De Hiem, Van Heil, De Bourdonay, De Heusch, Van Heyden, Dance,
Daniell, Hobbema (2 examples), Coques, Hogarth, Hundecooter, Hondius,
Meyssens, etc.
Vol. 7. — Portraits of Jamesone, Jansen, De lode (3), Jordaens, Van Kessel,
Ketel, Kilian, Klocker, Kneller, Knufer, Koeck, Laer (2), Lairesse, Lambert,
Lanfranco (2), Laniere, Largilliere, Lely, Leoni, Luca, Van Leyden (2), Liber-
ale, Pordenone, Ligozzi, Van Lirt, Lippo, Lippi, Lombard (2), Claude Lor-
24 THE PENE DU BOIS COLLECTION.
rain (2, one engraved by J. Boydell, very fine and rare), Lotto, etc. Speci-
mens and Subjects engraved or painted by Hutenberg (2), Van Huysum (2
examples), Huysman (2 examples), Jamesone, Janson, Jansen, Du Jardm, De
lode, Jordaens, Kalf, Quellinus, Kierings, Knufper, De lode, Koning, Lyvyus,
Vander I,eeuw, Leoni Lingelback (2 examples), J. Boydell, Claude Lorram
(5 examples). Lotto, etc.
Vol. 8.— Portraits of Mabuse (2), Maganza, Mannozzi, Mantegna (2), Man-
zuoli, Masse, Matham, Quintin, Matsys, Parmigiano (2), Medina, Mehus,
Memmi, Mercier, Merian, Messina, Vander Meulen, Meyer, Meyers, Meyssens,
Miel, Mieris (mezzotint by Bathon, very fine and rare), Mignard, Mirevelt (2,
one engraved by Delphius after Vandyck, very fine and scarce), Momper
(engraved by Vosterman after Van Dyck, fine), Monamy, Monoyer, etc. Speci-
mens and Subjects engraved or painted by Sandrart, Mariani (2 examples),
Cochin, Vander Does, Medina, Mercier, Metzu (2 examples). Van der Meulen,
Meyssens, Pariset, Falconet, Miel, Hibbart, Francis Mile (2 examples), Mire-
velt, Pellegrino, Mola, Molenaer, Momper, Bretfaerton, Kneller, etc.
Vol. 9.— Portraits of Perugino, Charles Moor, Antonio More, Morland,
Moroni, Morto, Murray, Mytens, Naldini, Nienlant, I. Oliver, Peter Oliver,
Adam Van Dort, Opie, Orley, Orcagna, Pagani, Paggi, Palma (2), Passignano,
etc. Specimens and Subjects engraved or painted by F. Moucheron, I.
Moucheron, Murillo, Vandyck, Betti, Vander Neer (3 examples), Zetner,
Meyssens, Maria di Fiori, I. Oliver, Opie, Ridley, Ostade (3 examples), Pagani,
Ceechirs, etc.
Vol. 10.— Portraits of Penni (2), Peruzzi, Pesello, B. Peters, Poelemburg (2,
one engraved by De lode after Vandyck, fine), PoUajuolo, Da Ponte (Bassano),
Pontormo, Porbus, Fra BartoUomeo, Salviati, Paul Potter, Poussin, Prestel,
Primaticcio, Procaccini, Provenzale, Puligo, Quellinus (3), Raphael (2), Bra-
mante, Francesco Fracia, Marc Antonio, Raggi, Rembrandt, Guido, Sir Joshua
Reynolds (engraved by Facius alter Gilbert, open letter proof, very fine and
rare), Ricci (2), Jonathan Richardson (rare), Riccio, etc. Specimens and
Subjects engraved or painted by Peruzzi, Hollar, Vostermans, Lips, Del
Piombo, De lode. Van Dyck, Bessano, Ferretti, Claussin, Potter (2 examples),
Poussin, (7 examples), Zetner, Prestel (rare etching of himself), Sandrart,
Pynacker (2 examples) Quellinus, Lauwersj Raphael, Rembrandt (3 examples),
Guido, Stuart, Reynolds (2 examples), Bretherton, etc.
Vol. II. — Portraits of Ricke, Rigaud (2), Riley, Riminaldi, Roestraten,
Romano, Rombouts, Roncalli, Roselli, Rosso (2), Rubens (2), Prince Rupert,
Rustici, Ryckaert, Sacchi, Sadeler (4), Salini, Salimberi, Salviati, Del Sarto (3),
Savery (2), Schalcken, Schiavone, Schoen, Schorel, Schurmans, Schut,
Schwartz, Scorza, Segers (2), Snayers, Snyders, Soest, Sogliani, Van Son, etc.
Specimens and Subjects engraved or painted by Ricke, Dance, Bannerman,
Phelps, Julio Romano, Romeyn, Roos, Salvator Rosa (3 examples), Kilian,
Vandyck, Rubens, Garner, Dobson, Chambers, Ruysdael (4 examples), Ryckert,
Bouttats, Chapelet, l,anglois, Del Sarto, Freeman, Mongin, Schagen, Schalcken,
Schidoni, Vosterman, De lode, Israel Sylvestre (2 examples), A. Stock, Corner,
Sneyders, etc.
Vol. 12.— Portraits of Ribera, Sprangher (2), Stalbemt, Stamina, Steenwyck
(2), Stimmer, Stevens, Stone, Strada, Streater, Strozzi, Stubbs, Subtermans,
Le Sueur, Sybrecht, Tempesta, Teniers, Testa, Theodore, Thielen, Tiarini,
Tibaldi, Tillemans, Tintoretto (2), Titi, Titian, Trevigi, De Troy, Del Vaga,
Vandyck (2), Vanloo, Vanni, Vaniiini, Vansomer, Vasari, Uccello, Udine, etc.
Specimens and Subjects engraved or painted by Boulonois, Jan Steen, Steen-
wyck, Vosterman, Stoop, Lely, Bretherton, Francin, Ferretti, Swanefeld (2
examples), Teniers (6 examples), Terburg, Bouttats, Collin, Van Thulden,
Tilborgh, Hissings, Tintoretto (5 examples), Titian (3 examples). Van Tol
(2 examples), Turchi, Valentin, Vandyck (4 examples). Chambers, De Vargas,
Vecchia, etc.
Vol. 13.— Portraits of Van Veen, Velasquez (rare), Vande Velde, Veneziano,
Verhaecht, Verrio, Vignali, Leonardo da Vinci, Visscher, Volterra, De Vos,
THE PENE DU BOIS COLLECTION. zS
Vosterman, Vouet (2), Vroom. Waegman, Watteau, Vander Werf, Vander'
Weyde, White, Willaerts, Willemans, Wissing, Winstanley, De Wit, Wolge-
mut (rare portrait of this early wood-engraver, master of Albert Durer, and
designer and engraver of the cuts in the celebrated Nuremberg Chronicle),
Worlidge, Wouters, Wouvermans, Wyck, Zeloti, etc. Specimens and Sub-
jects engraved or painted by Vander Velde (7 examples), Kneller, Van
Caukercken, Vernet (2 examples), Victovis, da Vinci, Sandrart, Vivares,
VIeiger, Di Voltei;re, Boulonois, Vandyck, De Voys (2 subjects), De Vries,
Waterloo (2 subjects), Hibbart, Watteau, Bourne, Weeninx, Van Steen,
Wildens, Heckenuer, Wilson, (3 examples), Collin, Wouters, Wouvermans (5
examples), Wyck, Wjnants (6 examples), etc.
Vol. 14. — Portraits of Zucchero (Taddeo), Frederick Zucchero, Sir H. Bacon,
Sir F. Bourgeois, Flatman, Gyles, Hoppner, Ozias Humphrey (rare), Ann
Killigrew, Edward Pierce, Paul Sanby, Tilson, etc. Specimens and Subjects
engraved or painted by Zorg, Zucchero, Zucherelli, Bacon, Chambers, Ridley,
Colloppy, Kamp, Flatman, Godefroy, Dance, Daniell, Bannerman,' Falconet,
Pariset, Tilson, Chambers, etc.
75 BRYAN (Michael). Dictionary of Painters and Engravers,
Biograpliical and Critical. New Edition Revised and
Enlarged, edited by Robert Edmund Graves, B.A.; of
the British Museum. Vol. i (A-K— all published). Thick
large Svo, fresh cloth, totally uncut. London, 1886
"Since the appearance of the last edition of Bryan's ' Dictionary of Painters
and Engravers,' which was issued in 1849, the publication of many valuable
works on art and monographs on artists, some of them embodying the results
of careful researches among city records, guild books and church registers, par-
ticularly in Italy and in the Netherlands, has furnished many new sources from
which material has been derived for the correction and enlargement of this
work. Most especially is the editor indebted to the invaluable works of Messrs.
Crowe & Cavalcaselle, Burckhardt, Milanesi and Morelli on the Italian painters,
of Messrs. Crowe & Cavalcaselle, Weale and Kramm on Flemish and Dutch
art, and of the late Sir William Stirling-Maxwell on the artists of Spain.
" Besides the addition of a large number of names which were not included
in the former edition or its supplement, new authority has been given to every
one of the old entries by a careful revision, and in most instances by important
changes. In several cases the notices have been supplied by contributors
specially qualified for the task, such as Mr. W. B. Scott, Dr. J. P. Richter, the
late Mrs. Heaton and others. These will be distinguished by the writer's
initials. It is anticipated that the new matter introduced will enlarge the work
to double its former size." — From the Preface.
DANTE GABRIEL ROSSETTI'S COPY OF HANS BURGK-
MAIR.
76 BURGKMAIR (Hans). A collection of 52 large woodcuts
by this Master ; representing Scenes in the Life of the
Emperor Maximilian. Folio, morocco extra, uncut.
Circa 1520
Very rare and curious. Brilliant original impressions in fine condition,
from the collection of Dante Gabriel Rossetti, the poet-painter, and with his
autograph on a fly-leaf. They are very curious, showing, with a fidelity ob-
tained from but few other sources, the domestic and military habits and
customs, architecture, and costumes of the middle ages, by a remarkable and
eminent artist of that period. The binding of the above is rubbed somewhat.
" Hans Burgkmair was born at Augsburg in 1472, and died 1559. It has
been supposed that he studied under Durer, but there is only a difference of one
2 6 THE PENE DU BOIS COLLECTION.
year in their ases, and Burgkraair's style differs materially from that of Durer;
he was rather a founder of a school of his own. Several of his pictures are pre-
served at Augsburg, and possess considerable merit. "—Spooner.
"The work as a whole bears the stamp of Burgkmair's genius. The subjects
from the youth and the education of the hero are clearly and vividly treated, and
the political and domestic scenes, by which they are followed, afford us an in-
sight into the court life of those days. Stately and dignified personages are
paraded before us with all their brilliant surroundings, and there is especially
one charmingly artless picture of the young king with his consort, Mary of
Burgundy, seated together and engaged in sweet converse in the garden, ' each
the other's speech acquiring,' as runs the pretty legend beneath. The battle
scenes also, with the combats of the pikemen, display great excellence and a
direct study of nature." — Woltmann.
1
ACCIA (F.): Jerusalem, seu Palsestina Nova
[with German Text] . Engraved title, map and
numerous plates. 4to, old calf. Vienna, 1706 ^
Stamped on sides with coronet and coat-of-arms of former owner.
UNIQUE COPY OF THE CAMBRIDGE PORTFOLIO.
78 CAMBRIDGE PORTFOLIO (The), edited by the Rev.
T. Smith, M.A., Fellow and Tutor of Gonville and Caius
College. Illustrated with many portraits, etchings of the
colleges, halls, churches and principal objects of antiquity at
Cambridge, wood-carvings, etc., a?id many woodcuts. 2 vols.
large 4to, half olive morocco, gilt edges. Cambridge, 1840
Unique and extra-illustrated copy, with many choice prints on India
paper, portraits; also Bruin's very large bird's-eye view of Cambridge in 1575 in
the finest state, and which the catalogue cutting inserted says is worth
£,\ IIS. 6d. The same cutting also prices the above at ^^4 4s.
HANDSOME VOLUME ON ECCLESIASTICAL ARCHITEC-
TURE.
79 CATHEDRAL CHURCHES of England and Wales,
Descriptive, Historical, Pictorial. Eight fine plates on
India paper, and numerous wood engravings. Large 4to,
fresh cloth gilt, beveled sides, top edge gilt, others uncut.
London, 1885
The text is written by those best acquainted with the various cathedrals, every
one of which have their distinctive features illustrated.
80 Catlin (George). Manners, Customs and Condition of
the North American Indians. Vol. 2. Map and numer-
ous plates from Catlin's own drawings. Large 8vo, cloth,
uncut. London, 1845
81 CATTERMOLE.— Evenings at Haddon Hall, edited by the
Baroness de Calabrella. With 24 steel plates after
George Cattermole, engraved by Stocks, Goodyear,
C. and H. Rolls, Bentley, Brandard, Cousen, Grif-
THE PENE DU BO IS COLLECTION. 27
FiTHS, Fisher, Radcliffe, Englehart, Higham and
Allen {some foxed slightly). Thick large 8vo, old cloth,
gilt edges. London, Henry Colburn, 1846
There are signs in George Cattermole's works of very peculiar gifts, and
I perhaps also of peculiar genius The antiquarian feeling of Cattertnole
is pure, earnest and natural; and I think his imagination originally vigorous;
certainly his fancy, his grasp of momentary passion, considerable; his sense of
action in the human body, vivid and ready." — Ruskin.
THE LIFE OF CELLINI, BOUND IN JANSEN STYLE.
82 CELLINI (Benvenuto). Vie, Ecrite par lui-meme. Traduc-
tion de Leopold Leclanche. Notes et Index de M.
Franco. Illustrated with 9 etchings by F. Laguillermie,
and reproductions of the works of Cellini, some in metal.
Thick large 8vo, fresh crushed levant morocco, a la Jansen,
inside gold dentelle borders, top edge gilt, others uncut.
Paris, 1 88 1
Handsomely printed by Quantin on superfine paper.
HOLLAND PAPER COPY OF THE "ONE HUNDRED CHEFS
D'CEUVRE."
83 CENT CHEFS-D'CEUVRE COLLECTIONS PARIS-
lENNES. Text by Albert Wolff. 100 superb etchings,
executed by the best living French etchers expressly for this
work, the subjects embracing 100 of the greatest modern paint-
ings— Text and plates all printed throughout upon fine Hol-
land PAPER. Complete in 12 parts. Folio, satin port-
folio, with silk ties. Paris, 1885
No 142 OF EDITION LIMITED TO 675 NUMBERED COPIES. Undoubtedly the
most beautiful book of modem etchings extant, any description of which must
fall short of doing it justice. Every etching is by an eminent French etcher, and
is done expressly for this work. It is very different from the general ' ' book of
etchings " made up of old plates.
The painters represented are Boucher, Greuze, Hals, Hobbema, Leys, Metzu,
Francesco Raibolini, Rembrandt, Teniers, Terburg, Vande Velde, Corot, Dau-
bigny, Decampes, Delacroix, Diaz, Duprd, Fortuny, Fromentin, Gericault,
Isabey, Marilhat, Meissonier, Millet, Rousseau, Scheffer and Troyon; the en-
gravers by Toussaint, Gery-Bichard, Lefort, Lalauze, Boulard fils, Courtry,
ChampoUion, Greux, R. de Los Rios, Rajon, Bracquemond, Kratke, Mordant,
Chauvel, and others.
84 CHAMPFLEURY (Jules Fleury Husson, dit Champfleury).
Le Violon de Faience — Nouvelle edition, avant Propos de
I'Auteur. With 34 etchings by Jules Adeline, and rubri-
cated title. Small 4to, sewed. Paris, L. Conquet, 1885
No. 78 of a LIMITED EDITION of 150 copies on Imperial Japan paper — and
the whole work limited to 500 copies in all, of which 350 were on " papier velin
du Marais."
This is a very beautiful volume, and the etchings (of which the plates were
destroyed) are most delightful and brilliant. Like the text, which was printed
by Lahure, they were struck off on heavy Japan paper, and by Chardon Aine.
28 THE PENE DU BOIS COLLECTION.
85 CHARLES v., Roi de France. Eloge Historique de,
par M. de Villette. Fine engraved portrait of King
Charles the Fifth by Le Vasseur, vignette title with
head and tail pieces by Eisen and Simonet. 4to, half calf,
top edge gilt, others uncut, by Petit-Simier. Paris, 1767
Rare, with dedicatory letter to Voltaire from the author. The head-piece
over the second part contains a fine portrait by Eisen of Bertrand du Guesclin.
The Marquis de Villette, author of the above, married — " une jeune personne
charmante " who had been brought up by Voltaire and Madame Denis. He
bought the Chateau of Ferney after the death of Voltaire and conserved the
philosopher's heart.
86 CHATTO (W. A.). Treatise on Wood Engraving. With
upwards of 400 wood engravings by John Jackson. Thick
4to, fresh half red morocco gilt, top edge gilt, others uncut.
N. Y. [London], n. d.
87 Chauvigne (A. A., fils). Decoration sur Porcelaine et
Faience pr^c^d6 d'une. Notice Historique sur I'Art C^ra-
mique. Small 8vo, sewe'd, uncut.
Paris, Edouard Rouveyre, 1880
88 CLAUDE LORRAIN. Sa Vie et ses CEuvres d'apres des
Documents In^dits, par Mme. Mark Pattison, auteur de
" The Renaissance in France," suivi d'un Catalogue des
CEuvres de Claude Lorrain, conserv6es dans les Musees
et dans les Collections Particulieres de I'Europe. Pro-
fusely illustrated. Large 4to, sewpd, uncut. Paris, 1884
" The landscapes of other great artists, as Gaspar Poussin and Salvator Rosa,
engage little of our time and contemplation to run over the scanty confines of
their scenery compared with the august and boundless expanse of Claude." —
Spooner.
89 COHEN (Henry). Guide de I'Amateur de Livres a Vig-
nettes du XVni= Siecle. 8vo, fresh half morocco, top
edge citron,, others uncut. Paris, 1870
Limited edition of 550 copies printed by Jouaust on China, Whatman and
Holland papers, of which the above is No. 386. This work contains the descrip-
tion of more than 450 works illustrated by Boucher, Cochin, Gravelot, Eisen,
Moreau, Marillier, Monnet, Le Barbier, etc., with plates, vignettes, head and
tail pieces, and the names of the artists who have cooperated as designers or
engravers.
90 COLLECTION de VIGNETTES. Scrap Book, contain-
ing a large number of Vignette Illustrations by Moreau
LE jeune and CampiglIa, many of Nudes, etc. Oblong
4to, half green morocco, gilt, cloth sides.
91 COLLIGNON (Maxime). Manuel d'Archdologie Grecque
Profusely illustrated with objects of Greek art and archce-
ology. 8vo, fresh half crushed red levant morocco top
edge gilt, others uncut, covers bound in. '
Paris, Quantin, n. d.
THE PENE DU BOJS COLLECTION. 29
92 COSTUMES MILITAIRES, with Text by A. Guillaumot
fils. A series <?/ 50 plates in colors of military costumes from
1789 to 1815 designed by Charlet. Large 4to, loose in
portfolio. Paris, 1886
No. 40 of limited edition.
93 CROWE (J. A.) ««(/ CAVALCASELLE (G. B.). The Life
of TITIAN, with some Account of His Family. With
portrait and illustrations. 2 vols. 8vo, fresh half calf gilt,
marbled edges. London, 1881
' Second edition. ' ' No such gap has existed in the history of art as that
which is filled by the present volumes. Everything on the subject is now super-
seded. Here will be found in a digested and orderly form all the materials
gathered by Jacobi, Cadorin, Bermudez, Sandrart, Hume, Gachard, Pungileoni,
Morelli, Lorenzi, Campori, and others, and additional information of great
value derived from the letters found at Simancas, letters from Titian, Charles
the Fifth, Philip the Second, and others." — London Athenaum.
94 CRUIKSHANK (Robert).— Chronicles of the Bastille-
First Series — The Bertaudifere, an Historical Romance.
With the admirably executed plates of Robert Cruikshank.
8vo, fres"h half morocco, gilt edges.
London, T. C. Newby, 1845
Very scarce. A fine copy, with good impressions of the plates. It has been
believed that Miss Emma Robinson was the author of " Whitef riars, " the above
and "other historical novels of the Harrison Ainsworth breed."
95 CRUIKSHANK (George).— The Horseshoe, the True
Legend of St. Dunstan and the Devil, by Edward G.
Flight. With illustrations drawn by George Cruik-
shank and engraved by John Thompson. 4to, half calf
gilt, edges gilt. London, Z>. Bogue, n. d.
This copy has the text and plates mounted on drawing paper and ruled with
lines in red ink.
lANTE ALIGHIERI. The Vision of Hell, Pur-
gatory and Paradise, translated by Cary. Illus-
trated with the marvellous designs of Gustave
Dor6. 2 vols, in 7. Very thick large 4to, fresh
half morocco gilt, beveled cloth sides, gilt edges.
London, n. d.
Scarce and out of print. Full of the loftiest imaginative insight — the tenderest
gaze of fancy. " The most Dantesque work on Dante that was ever produced."
— London Times.
97 DAVILLIER (C, Baron). Spain, translated by J. Thom-
son. Profusely illustrated by Gustave Dor£. Thick
large 4to, fresh half morocco gilt, beveled sides, gilt edges.
N. Y. (London), 1876
" With us Dore is better known as a designer on wood, an illustrator with an
imagination grotesque and prolific beyond all precedent — a mind Teutonic rather
than French in its character, looking not so much on the surface of things as at
what is hidden underneath, studying the moral of life; a French Albert Durer,
to whom existence is less a comedy than a tragedy." — S. G. W. Benjamin.
30 THE PENE DU BOIS COLLECTION.
98 DELABORDE (Henri, Viscount). La Gravure en Italie.
Avant Marc-Antoine (1452-1505). Profusely illustrated.
Large 4to, fresh illuminated cloth, beveled sides, top gilt
edge, others uncut. Paris, n. d.
The author of this most important volume on primitive engraving commences
with a description of the Florentine Niellos. The work is exhaustive and
is full of fac-similes of the most noteworthy early Italian prints.
99 Delff (Willem Jacobszoon). L'CEuvre de, D^crit par D.
Franken. Fine portrait by J. Taanman and facsimile
painter's marks. 4to, fresh cloth. Amsterdam, 1872
DENON'S ARTS OF DESIGN— PRIVATELY PRINTED.
100 DENON (Vivant, Baroti). Monuments des Arts ilu
Dessin CHEZ LES Peuples tant Anciens que Modernes,
recueillis par le Baron Denon, Ancien Directeur-G6n-
6ral des Musses de France, pour Servir a I'Histoire des
Arts; lithographies par ses soins et sousses yeux. Decrits
et expliques par Armaury Duval. 310 plates. 4 vols,
large folio, half green morocco, gilt, top edges gilt (some
pp. slightly foxed). Paris, Firmin Didot, 1829
Privately printed. A monumental work. Vol. i contains " Origine,
progres et decadence des Arts du dessin leur Renaissance en Europe " ; Vol. 2,
" Ecoles de peinture, depuis la Renaissance des Arts, Ecoles Italiques "; Vol. 3,
the same; Vol. 4, Ecoles Fran9aises. The whole comprising Denon 's Catalogue
of his own extraoi*dinary collection of Antiquities, Curiosities, Paintings, Draw-
ings and Works of Art. It was printed at his private expense for presentation
only. Copies have been sold abroad for large sums, and but few have reached
this country. Brunet, in speaking of this fine work, says — " Recueil interessant,
tire a 250 exemplaires seulement. Le premier volume est specialement consacre
a I'histoire des Arts du Dessin chez les differens peuples du monde; les trois
autres se rapportent k I'histoire de la Peinture en Europe, depuis I'epoque de la -
renaissance des Arts. "
loi Descriptions Pittoresques de Jardins du Gout le Plus
Moderne. With some 30 plates. 4to, half mottled sheep
gilt, citron edges (foxed slightly).
Very scarce. Leipzig, 1802
102 DICKENS (Charles). A Series of Character Sketches from
Dickens from Original Drawings by Frederick Barnard.
d plates. Large folio, loose in portfolio. London, 1884
Proofs on India paper. These sketches are of—" Mr. Pecksniff," " Mr.
Peggotty," "Rogue Riderhood," "Little Nell and her Grandfather," "Mr.
Weller, Sen., and Mr. Weller, Jun.," and "Caleb Plummer and his Blind
Daughter."
103 D0R6. The Legend of the Wandering Jew. Poem,
with Prologue and Epilogue, by Pierre Dupont; Biblio-
graphical Notice by Paul Lacroix (Bibliophile Jacob);
with The Complaint and Beranger's Ballad set to Music
by Ernest DoRi. Translated with Critical Remarks by
George W. Thornbury. Illustrated with 12 large draw-
THE PENE DU BO IS COLLECTION. 31
ings on wood by Gustave Dor£, engraved by Gauchard,
RouGET and Jahyer. Large square folio, half roan, gilt
edges. London, Addey (^ Co., 1857
First and best edition, with brilliant impressions of the celebrated plates.
" M. Dore, the well-known illustrator of the sublime pantomime of Rabelais,
that clown Luther of Satirists, has presented to the art-world the Legend of the
Wandering Jew, in a series of grotesque yet epical pictures, truthful as Holbein,
exact as Durer, broadly humorous as Hogarth. Of Dore's genius, it seems
almost a work of supererogation to say much. Every one who turns over these
pages will at once acknowledge the profundity and versatility of his infagination,
the brilliancy of his fancy, the power of his pathos, the richness of his poetry.
His figures are as individualized as Sterne's wise buffooneries. His landscape
is luminous with picturesque beauty, and radiant with local truth." — George
W. Thornbury.
104 DULAURE (J. A.). Histoire Physique, Civile et Morale
de Paris depuis les Premiers Temps Historiques jusqu'^
nos Jours. Illustrated with numerous steel engravings of
views, etc., of Paris. 8 vols. 8vo, half russia, uncut, by
KoEHLER. Paris, Ledentu, 1834
A most valuable history of Paris, with a description of all its monuments and
buildings, its manners, customs, etc., etc.
"Get ouvrage est le fruit de longues recherches; mais malheuresement en le
composant I'auteur a ete trop preoccupe de sa haine centre les pretres, les rois
et les nobles, pour conserver toute I'impartialite qu'on est en droit d'attendre
d'un historien. Ge defaut, qui nuira sans doutes beaucoup au succes futur de
r Histoire de Paris, a ete cependant, la cause principale de la vogue momentanee
qu'elle a obtenue." — Brunet.
105 DUNLAP (William). History of the Rise and Progress of
the Arts of Design in the United States. 2 vols, large 8vo,
boards (foxed slightly). Rare. N. Y., 1834
106 Dumas (F. G.). Paris Salon Catalogues, 1879 to 1882
inclusive. Illustrated with hundreds of original designs by
the artists themselves. 4 vols. 8vo, fresh half morocco, top
edges gilt, others uncut. Paris, 1881-82
DURER'S CELEBRATED WORK ON HUMAN PROPORTION
—THE ARNHEIM EDITION OF 1622 IN DUTCH.
106* DURER. — Beschryvinghe van Albrecht Dvrer, van de
Menschelijcke Proportion, etc. In't Latijn ende Hoogh-
duytsch tot Nurenbergh ghedruct tot koste van syne nae-
ghelaten Wednvve, In't laer ons Heeren, 1527. Pro-
fusely illustrated with plates, many folding, diagrams, tables,
etc. Small folio, vellum foxed and title mended).
Arnhem, Ian lansz Boeckverhooper, 1622
Rare. This work of Durer on proportion is said to have resulted from his
studies of his picture of Adam and Eve. His works were written in German,
and after his death translated into Latin. The above has been retranslated
into Dutch. The figures illustrating it were executed by Durer in a most
^ admirable manner.
" He [Durer] was the first artist in Germany who practised and taught the
rules of perspective, and of the proportions of the human figure according to
mathematical principles." — Spooner.
32 THE PENE DU BO IS COLLECTION.
107 DuRER (Albrecht). In seiner Bedentung fur die Moderne
Befestigungiskunst, dargestellt von G. -V. Imhof. Nu-
merous folding plates. Large 8vo, sewed, uncut.
Nordlingen, 187 1
108 Duval (Mathias). Precis d'Anatomie a I'Usage des Artistes.
Profusely illustrated. Small 8vo, half crushed red levant
morocco, top edge gilt, others uncut. Paris, Quantin, n. d.
BERHARD (H. W.). Catalonien in Malerischer,
Architectonischer und Antiquarischer Beziehung.
^opiates of Spanish views, subjects, and architec-
ture. Large folio, half vellum, cloth sides.
Leipzig, n. d.
no EIGHTEEN ETCHINGS by English, French and German
Artists. With Notes by Philip Gilbert Hamerton.
Folio, cloth, gilt edges. London, 1877
r
The original etchings, not process reproductions, in the above are by Abel
Lurat, W. Wise, Francis Seymour-Haden, BrunetDebaines, A. Legros, C.
Beyer, P. G. Hamerton, Ernest George, A. Briend, J. D. Watson, L. Friedrich
and A. Queyroy.
UNIQUE AND FINE COLLECTION OF ENGRAVERS'
PROOFS.
Ill ENGRAVINGS. A Collection of nearly 150 En-
gravings ON STEEL, EXECUTED, MOSTLY IN LINE, IN
the highest style of the art, for the " book of
Beauty," " Keepsake," " Book of Gems," " Landscape
Annual," " Lyrics of the Heart," Turner's
" Tours," and other Annuals — by the following dis-
tinguished engravers : Lumb Stocks, R. Wallis, J. T.
Wilmore, J. B. Allen, John Pye, R. Brandard, W.
Miller, E. J. Roberts, J. Goodyear, C. Heath, and
J. Cousin; after paintings or drawings by M. A. Shee, J.
West, J. M. W. Turner, D. Roberts, J. D. Harding,
C. Stanfield, R. Smirke, G. R. Lewis, T. Uwins, S.
Prout, T. Stothard, W. Harvey, G. Cattermole,
R. P. Bonnington, E. Landseer, D. Maclise, Sir W.
Beechey, J. M. Wright, etc. 2 vols, folio, old half mo-
rocco extra, gilt edges (not uniform in color).
London, v. d.
UNIQUE. The whole of the exquisite engravings in these volumes are
choice large paper proofs, on India paper, mostly before letters, and a large pro-
portion are presentation impressions with the autographs of th^e artists. They
embrace a great variety of subjects, and if any Grangerite wishes to break up
such a collection matter will be found suitable for insertion in Shakespeare,
Scott, Byron, Cowper, Don Quixote, Walton's Angler, Edgeworth's Tales, etc.',
etc. Among the gems will be found the rare portrait of Shakespeare' after
THE PENE DU BOIS COLLECTION. 33
Boaden; the beautiful portraits of Cowper and Lingard, both engraved by
Lumb Stocks; " Byron's Dream," after Harding: " The Falls of the Rhine"
and " Virginia Water," after Turner; " Windsor Castle," after Harding; "The
Escurial," after Roberts; ''Venice," after Prout; "Interior at Abbotsford,"
after Roberts; " Pike Pool," after Inskipp, and a " Bull Fight at Seville," after
Roberts. All of these are the choicest selected proofs on India paper, before
letters, and most of them are signed by the engravers. Many others equally
deserve mention, but space forbids.
112 EuDEL (Paul). Le Truquage — les Contrefafons D6voildes.
Small 8vo, sewed, uncut. Paris, 1884
113 EuDEL. Collections et Collectioneurs. Small 8vo, sewed,
uncut. Paris, 1885
114 EuDEL. Le Hotel Drouot et la Curiosity en 1881 et 1882.
2 vols, small 8vo, sewed, uncut. Paris, 1882-83
Most interesting volumes on the great auction sales of Paris.
115 -EVANGILES (Les), de Notre Seigneur Jesus Christ, selon
S. Matthew, S. Marc, S. Luc, S. Jean, traduction de
Le Maistre de Sacy. With numerous illustrations, vig-
nettes by Theophile Fragonard — the text printed within
ornamental borders — illuminated front, and title. Large
8vo, crimson calf, extra gilt, marbled edges. Paris, 1837
The vignettes of Fragonard are ably supplemented by the typography of
Everat.
116 Evelyn (John). Sculptura; or, the History and Art of
Chalcography, and Engraving on Copper. Plate and copy
of a mezzotinto portrait engraved by Prince Rupert, also
inserted portrait of Evelyn after Worlidge. Small 8vo,
old calf. London, 1769
117 EXPOSITION DES BEAUX ARTS, Salon de 1881. 40
fine photogravures on India paper, of the principal pic-
tures of the year and 150 other illustrations, with ^20 pages
of letterpress. Large 8vo, half morocco gilt, top edge gilt.
Paris, 1881
No. 527 of limited edition of 550 numbered copies on Holland paper. The
text by Bernard, Goetschy, Montrosier, Saint Juirs, Schefer, StouUig, Vachon,
Volabregne and De Veyran.
118 EXPOSITION DES BEAUX-ARTS, Salon de 1882. 40
fine photogravures of the principal pictures of the year and
180 other illustrations, %vith ^20 pages of letterpress. Large
8vo, half morocco gilt, top edge gilt, other uncut.
Paris, 1882
No. 206 of 581 numbered copies. The text by Burty, Bernard, Champier,
Drumont, Fleurichamp, Goetschy, CatuUe Mendes, Montrosier and Schefer.
34 THE PENE D U BOIS COLLECTION.
ETIS (F. J.). La Musique raise a la Portde de
tout le Monde. Small 8vo, half calf (covers
loose and stained). Paris, 1830
Fetis, the Belgian composer and writer on music, is best known by his
" Universal Biography of Music and Bibliography of Music."
THE LAST EDITION OF FERGUSSON'S ARCHITECTURE.
120 FERGUSSON (James). History of Architecture; in
all Countries, from the Earliest Time to the Present Day.
With hundreds of engravings. 2 vols, thick square 8vo,
fresh cloth, top edges gilt. N. Y., 1883
" Mr. Fergusson's beautiful and most popular books have superseded all other
Histories of Architecture. It is not only that the extraordinary abundance of
his illustrations gives him a special advantage over all his rivals or predecessors,
but no other writer has ever had so firm a grasp of his subject, or has been so
well qualified to deal with it in all its branches." — Saturday Review.
121 FIRMIN-DIDOT, (Ambroise). Catalogue Illustrd des Des-
sins et Estampes Composant la Collection de, precdd^
d'Introductions par* M. Charles Blanc et M. Georges
DuPLESSis. Facsimile plates at the end of celebrated en-
gravings in the Firmin-Didot collection. Thick 4to, half
morocco gilt. Paris, 1877
No. 99 of LIMITED EDITION of 200 copies On Holland Paper. The Firmin-
Didot Collection of Prints was one of the most famous in Europe. It was sold
by auction at the Hotel Drouot, Paris, in May, 1877.
122 FIRMIN DIDOT. Essai Typographique et Bibliogra-
phique sur I'Histoire de la Gravure sur Bois, pour faire
suite aux Costumes Anciens et. Modernes de CiSsar Ve-
CELLio. 8vo, fresh red crushed levant morocco, inside
dentelle gold borders, edges gilt on marble, by Thibaron-
EcHAURARD. Paris, 1863
Presentation copy, with the original signature of the author.
123 FiRMiN-DiDOT. Another copy of the same. Sewed, uncut.
124 Fisher's Drawing- Room Scrap-Book, with Poetical Illustra-
tions by L. E. L[andon]. Numerous steel plates (some foxed
slightly). 4to, half morocco, cloth sides, gilt edges.
London, 1833
125 Fifty Cartoons of Eminent Personages from the Whitehall
Review. Large 4to, cloth. [London], 1880
Includes portraits of Prince of Wales, Gladstone, Disraeli, Queen of Spain,
Pope Leo XIII., etc., also a number of Empresses, Princesses, Duchesses,
Countesses and Mrs. Langtry.
126 FLAXMAN (John). 39 outline plates illustrative of Homer.
Large 4to, paper. Carlsruhe, 1829
127 Flaxman. 33 outline plates to the "Iliad''' of YiouE.^, en-
graved by Scnao^^. Small 4to. Leipzig, 1859
THE PENE DU BOIS COLLECTION. 35
128 FORREST (C. ^.,Lieut.-Col.). Picturesque Tour along the
Rivers Ganges and Jumna in India. With map, 24
highly finished views and 2 vignettes in aquatint, l-arge 4to,
old cloth, gilt edges (map stained).
London, R. Ackermann, 1824
Rare and beautifully colored plates.
' ' This beautiful work presents the most picturesque scenes of the valleys of
these most celebrated rivers. With the description much history is interspersed. "
— Allibone.
129 FOSTER (Birket). Gems of Art. Chromo-Lithographed
by Thomas Kell. 12 exquisite facsimiles of the original
water-color drawings, mounted in passe-partouts. Large
square folio in portfolio. London, McQueen, 1874
Very scarce, on account of the sets having been broken up for framing.
Birket Foster was elected an associate of the Society of Painters in Water-
Colors in 1859 and a full member three years after. His pleasant rural
scenes, devoted almost exclusively to the portrayal of child-life, have always been
most popular This series comprises: — " The Blackbird " ; "The Ride on the
Donkey"; " The Pet Calf " ; " Blowing Bubbles" ; " Returning from Market " :
"Feeding Pigeons"; " Children Catching Butterflies "; " Going to the Spring " ;
"Shrimping"; "Filling the Pitcher"; "Come Baby!" and " Birdnesting."
S. C. Hall wrote in the London A rt Journal: — ' ' Birket Foster's pictures recall
to our memory the dear remembrance of our own childhood, it has done us more
good to gaze upon them than to have placed before our eyes the grandest piece
of historical painting, or the finest example of mural decoration ever conceived
by the subtlest artist."
FREDERIC THE GREAT'S HISTORY OF THE HOUSE
OF BRANDENBURG AND POEMS, ILLUSTRATED BY
SCHMIDT.
129* [FREDERIC THE Great.] — M^moires pour Servir a
I'Histoire de la Maison de Brandebourg. Illustrated with
engraved title, 12 portraits of Prussian rulers and some 35
vignettes, all engraved by the celebrated master G. F. Schmidt.
4 vols, in 2. 4to, old mottled sheep gilt, marbled sides and
edges. Berlin, Chretien Frederic Voss, 1767
VERY RARE. The third volume of the above is bound up with Frederic
the Great's " Poesies Diverses," imprinted at Berlin by Chretien Frederic Voss
in 1760, which is also illustrated with vignettes and engraved initials.
George Frederic Schmidt, who illustrated the above, was a Prussian engraver
who studied in Paris under Nicholas Larmessin. Spooner says: — " He acquired
a skill in haildling the graver, with a neatness and firmness seldom surpassed.
In 1742 he was received into the Academy at Paris, and engraved for his recep-
tion-piece his fine portrait of P. Mignard. In 1744 he returned to Berlin, and
was soon after appointed engraver to the King. In 1757 he went to St. Peters-
burg at the invitation of the Empress Elizabeth, and executed several portraits
and other plates with great success. In 1762 he returned.to Berlin, where he
discovered a new talent in etching and engraved several plates in the manner of
Rembrandt, which were greatly admired; he also engraved in the manner of
Delia Bella and Benedetto Castiglione with equal success."
130 Frommel (C., Professor). Baden und Seine Umgebungen
in Malerische Ansichten, mit Beschreibung von Schreiber.
Numerous steel engravings of views, i vol. in 4 parts.
4to, sewed. Carlsruhe, 1825
36 THE PENE D U BOIS COLLECTION.
131 FRENCH REVOLUTION.^Tafereelen van de Staatsom-
wenteling in Fraurijk. With hundreds of plates illustrative
of the French Revolution— portraits of distinguished char-
acters, generals, orators, statesmen, etc., under the Revolution,
ConsuM and Empire — views, battles, scenes, executions, etc.,
etc. [many folded). 2 vols. 8vo, boards.
Amsterdam, 1794-1827
Very scarce and excellent collection for the purpose of extra illustrating the
stirring times of the First Republic and the First Empire of France.
132 ij^^^^ALERIE des Belvedere in Wien in ihren Meister-
werhen. Illustrated with steel plates in the Vienna
Gallery fl//^r Raffaelo.Del Sarto,Correggio,
Parmigiano, Titian, Carracci, Guido, Hol-
bein, Cranach, Van Eyck, Rubens, Van Dyck,
Teniers, Murillo, Rembrandt, Dow, etc. Large 4to,
paper, uncut.
133 GALLERIE Lebender Britischer Kunstler. [With
German Text.] 2?> steel plates after the original paintings
of Turner, Roberts, Harding, Clennel, Dewint,
Austin, Stanfield, Bonnington, Prout, CatteriJiole,
Fielding, Cox, etc. 4to, boards. Berlin, n. d.
ORIGINAL SUBSCRIBER'S COPY OF THE " GALLERY OF
CONTEMPORARY ART."
134 GALLERY of CONTEMPORARY ART, an Illustrated
Review of the Recent Art Productions of all Nations by
Armand Silvestre and others, edited by J. Eugene
Reed, do fine photogravures, proof s on India paper, and
nearly 150 wood engravings in text. 6 sections, folio in
cloth portfolios with ties. Phila., 1884
No. 125 of Imperial Edition, limited to 1,000 copies, of which this is an
original subscriber's copy.
The following artists are represented in this magnificent series of photograv-
ures:— C. E. Armand-Dumaresq, Albert Aublet, Henry Bacon, J. F. Balla-
voine, G. Becker, Jan Van Beers, Jean Banner, B. Beyschlag, J. A. Breton,
F. A. Bridgeman, J. Caraud, A. Casanova, C. A. Coessin de la Fosse, P. C.
Comte, Benjamin Constant, J. Coomans, P. A. Cot, ,G. Courbet, L. L. Cou-
turier, J. E. Danton, H. A. Diffenbach, Madame A. Enault, G. Ferrier, Louis
Gallait, Jean Geoffroy, Victor Giraud, Alfred Gues, G. Haquette, F. Heilbuth,
P. G. Jeanniot, L. Jimenez, J. Jimenez-Aranda, Marcellin Laporte, Henri
LeroUe, Hector Le Roux, Chester Loomis, A. Maignan, E. Manet, B. Masson,
E. Medard, L. Melingue, G. Moreau de Tours, H. Moster, C. L. Muller, J.
de Nittis, F. Pelez, L. Perrault, E. Pinchart, P. A. Protuis, E. Richter, J.
Rongier, A. Schreyer, A. Stevens, J. G. Vibert, G. Werthemer, Florent Wil-
lems and Felix Ziem.
In addition to the above nearly every artist and sculptor of note referred to in
the text is, where practicable, illustrated by a wood engraving.
7'HE PE.NE D U BOIS COLLECTION. 37
SUBSCRIPTION EDITION OF THE " GAZETTE DES
BEAUX-ARTS," COMPLETE FROM 1859 TO 1883, in 54
VOLUMES.
135 GAZETTE DES BEAUX-ARTS, Courrier Europ^en de
I'Art et de la Curiosity — R^dacteur en Chef, M. Charles
Blanc, from the commencement in 1859 to 1883, inclusive.
50 vols., including the " Exposition Catalogue, 1878," half
red morocco, not quite uniform, and 4 vols, in parts as
issued. Together 54 vols. 4to (a few pp. in some vols,
slightly foxed). Paris, 1859 to 1883
Complete set and very scarce subscription edition in perfect con-
dition. The text is by tiie best European Art Critics and Experts, and is pro-
fusely illustrated with beautiful woodcuts, steel engravings and etchings, many
on India paper and proofs before letters by or after — Flameng, Geffroy, Nilson,
Lehmann, Dien, Gainsborough, Rembrandt, Blanc, Delacroix, Curzon, Dau-
bigny, Raphael, Bracquemond, Le Vieux, Jacquemart, Poussin, Rosotte, O'Con-
nell, Hauser, Albert Durer, Millet, Greuze, Goya, Watteau, Hedouin, Degroux,
Gaucherel, Delanne, Leonardo da Vinci, Jacque, Ingres, Gerome, Fromentin,
Meissonier, Hemling, Flandrin, Appian, Sir Joshua Reynolds, Velasquez,
Cabanel, Baudry, Carey, Gigoux, Chardin, Guillermie, Rubens. Didier, Scheffer,
Lalanne, Brion, La Guillermie, Achard, Campagnola, Hals, Bronzino,Deveaux,
Fragonard, Goncourt. Popelin, Schreyer, Durand, Leys, Paul Potter, Schenck,
Lambert, Van de Meer, Valentin Hedouin, Van Eyck, Van Goyen, Lopez,
Lalauze, Legros, Madrazo, Sant, Gaujean, Gubl, Kaulbach, ChampoUion, Gil-
bert, Menze, Lenbach, Unger, Montefiore, Rajon, Adrien Brauwer,T. de Marc,
Prudhon, Menzel, Munkacsy, Mongin, Amberger, and others, including all
the most distinguished etchers and engravers in Europe.
136 Gazette des Beaux-Arts, Courrier Europ^en de I'Art et
de la Curiosite for the Year 1881. With numerous beauti-
ful etchings and illustrations. Large Svo, i vol. (complete
and in 12 parts), sewed. Paris, 1881
137 Gleichnisse des Herrn nach denWorten der Schrift. 16
illustrations after Schnorr, Fuhrich, Grosse, Jaeger,
Nieper, Pletsch, Seitz ««</ Wislicenns — also vignettes,
ornamental borders and initials. 4to, boards.
Leipzig, Alphons Durr, 1869
LARGEST PAPER EDITION OF " POMPEIANA"— WITH
DUPLICATE PROOFS.
138 GELL (Sir Wm.) a;z(/ GANDY (John P.). Pompeiana. The
Topography, Edifices, and Ornaments of Pompeii, with
beautiful line engravings by Goodall, Cooke, Heath,
Pye, etc. Proofs on India paper, with a duplicate set
PROOFS before letters also on India paper. Thick
4to, fine old morocco grit, broad inside gold border, leather
joints, gilt edges (binding rubbed).
London, Rodwell and Martin, 181 7-19
LARGEST PAPER, vdth duplicate set of India proofs as stated above. The
proofs and etchings alone of this edition were published at £\% i8s. With
38 THE PENE DU BOIS COLLECTION.
heraldic book-plate of " Charles Beckford Long, " containing thirteen quarter-
ings, crest and motto.
This is the most satisfactory work ever published on Pompeii. It gives in a
small compass the result of the excavations for mayy years, from the commence-
ment of operations in 1748.
" I leave Topography to classic Gell." — Byron's "English Bards."
139 GELL a«(/GANDY. Pompeiana: the Topography, Edifices
and Ornaments of Pompeii. Numerous plates, other illus-
trations and vignettes. 8vo, fresh half morocco^ top edge
gilt, by R. W. Smith. London, 1875
140 GERNING (J. J. Von, Baron). Picturesque Tour along
the Rhine from Mentz to Cologne, with Illustrations of
the Scenes of Remarkable Events and Popular Traditions
Translated by John Black. Embellished with map and 24
BEAUTIFULLY COLORED engravings from original drawings
by M. ScHULTZ, engraved by T. Sutherland and others.
Large 4to, old cloth, gilt edges.
London, R. Acker mann, 1820
Very rare and beautifully colored plates.
141 Gerspach. La Mosaique. With numerous illustrations of
ancient mosaics. 8vo, fresh half crushed red levant mo-
rocco, top edge gilt, others uncut, covers bound in.
Paris, Quantin, n. d.
GOLDSMITH'S VICAR OF WAKEFIELD IN FRENCH, WITH
AQUARELLE ILLUSTRATIONS.
142 GOLDSMITH (Oliver). Le Vicaire de Wakefield.— Tra-
duction Nouvelle et Complete par B. H. Causseron.
Illustrated with numerous colored illustrations "d l' aquar-
elle " and in the text — vignettes, etc. Thick large 8vo, fresh
cloth, beveled sides, top edge gilt, others uncut.
Paris, n. d.
' One of the beautifully illustrated editions from the Quantin press.
143 GOLDSMITH. Der Landprediger von Wakefield. Illus-
trated with woodcuts by Ludwig Richter and J. G. Ful-
haas. Small 4to, cloth gilt, edges gilt. Leipzig, n. d.
The " Vicar of Wakefield," translated into German by Ernst Susemihl, with
life and essay on Goldsmith by Otto Roquette.
GONSE'S MAGNIFICENT WORK ON JAPANESE ART-
LIMITED EDITION.
144 GONSE (Louis, Directeur de la Gazette des Beaux Arts).
L'ART JAPONOIS. Illustrated by 64 full-page engrav-
ings, 30 of which are colored; there are in addition 13 etch-
ings, 21 plates in heliogravure by the BvjARum process, and
over 700 other engravings, exclusive of facsimiles of seals,
THE PENE DU BOIS COLLECTION.
39
autographs, etc. 2 vols, large 4to, fresh illuminated satin,
edges uncut. Paris, A. Quantin, 1883
No. 74 of limited edition on Japan paper. The imported price of the above
is 120 dollars. This magnificent work, of which but a limited edition was
published, met with a ready sale among all interested in Japanese art. The
work was the first published giving a general history of art in Japan. The
author, M. Gonse, himself a well-known collector, had unusually fine facilities
for the faithful performance of his work. The period reaches from the ninth
to the nineteenth century.
145 GOYA (Francisco). Etude Biographique et Critique suivie
de I'Essai d'un Catalogue Raisonn6 de son CEuvre Grav6
et Lithographic. Portrait. Large 8vo, half cloth.
Paris, Renouard, 1877
THE GREAT MODERN PAINTERS.
146 GRANDS PEINTRES FRANCA IS et Etrangers, Ouvrage
d'Art, Public avec le Concours Artistique des Maitres —
Texte par les Principaux Critiques d'Art. Profusely
illustrated with 450 photograimres and woodcuts. — Proofs
ON India paper. 2 vols, in 8 parts, folio, in portfolios
(complete as published). Paris, Goupil and Co., 1884
This exquisite book is one of the most magnificent specimens of book-making
of ancient or modem times. The text (pp. 384) and plates throughout are
printed on heavy paper. The reproductions on steel and wood consist of the
best examples of twenty-four of the leading artists of the present day, viz. : —
BouGUEREAU, Alma-Tadema, Munkacsy, Bonheur, Henner, Baudry,
Lefebvre, Bridgman, Knaus, Breton, Bonnat, Millais, Israels,
Jacque, Laurens, Van Marcke, De Nittis, Herkomer, Meissonier,
BoHLANGER, Chavannes, Madrazo, Me.sdag and Gerome.
Of the 450 illustrations, 24 are on India paper. But one of the most impor-
tant features of this grand exhibit is the reproduction in the text of the sketches
or studies of those masters of all that is greatest in art. Such an insight is sel-
dom vouchsafed to the uninitiated, and the originals are unattainable, even by
the wealthiest.
THE GROLIER CLUB'S " DECREE OF STAR CHAMBER,"
ON VELLUM— ALMOST UNIQUE, AND MAGNIFICENTLY
BOUND BY LORTIC, OF PARIS.
147 GROLIER CLUB.— A DECREE of STAR CHAMBER
Concerning Printing — Made July 11, 1637, Reprinted
by the Grolier Club, from the First Edition by Robert
Barker, 1637, with Preface and Appendix. Fac-
simile coat-of-arms, head-pieces, etc. — also illuminated
coat-of-arms of Grolier Club on title — and covers (which
are bound in the volume) printed in gold. 8vo, magnificently
bound by Lortic freres, of Paris, in crushed brown lev-
ant morocco gilt, and blind tooled, paneled, in the centre of
which is let in the heraldic bearings of the Grolier Club
- in colored and mosaiced leathers, the proper heraldic
40 THE PENE DU BOIS COLLECTION.
tiilctures. doubl6 with red crushed levant morocco, gilt
tooled borders, leather joints, and watered crimson silk
ends, gilt edges, in leather-lined cloth case.
[N. Y., 1884]
ALMOST UNIQUE, being one of Two privately prinjed vellum
COPIES only, of which the other is conserved in the safe of the Grolier Club, and
of a limited edition in all of—" one hundred and fifty copies printed from type,
in the month of December, 1884," and by Theo. L. De Vmne & Co. Ihe
circumstances of the acquisition of this copy by Mr. Pene du Bois is thus told
in "Town Topics ":—" The first book published by the Club, entitled 'A
Decree of Starre Chamber Concerning Printing,' consisted of 150 copies, two
being printed on vellum. These vellum copies were sold at auction by Mr.
William L. Andrews on Monday evening, after Mr. Hoe had finished his
address, and brought $81. The first choice went for $45 to Mr. Henri P. du
Bois, who is the New York correspondent of ' Le Livre,' and the second for
$36, to Mr. George A. Armour, of Chicago, who generously presented the copy
to the Club."
After Mr. du Bois purchased the copy in gilt vellum covers, as stated above,
he sent it to Paris to be bound, the reliure costing him over $60, making a total,
with duty, of nearly $125.
THE GROLIER CLUB'S RUBAIYAT OF OMAR KHAYYAM-
ONE OF A LIMITED ISSUE OF TWO COPIES ON VEL-
LUM.
148 GROLIER CLUB. — RUBAIYAT of OMAR KHAY-
YAM, the Astronomer Poet of Persia, Rendered into
English Verse by Edward Fitzgerald [Reprinted from
the edition of Bernard Quaritch, London, 1879]. Il-
luminated device of the Grolier Club in colors on the
title — and illuminated head-bands from examples in Owen
Jones's " Grammar of Ornament.^' 8vo, vellum cover
illuminated after an example in Audsley's " Outlines of
Ornament," totally uncut. N. Y., The Grolier Club, 1885
ALMOST UNIQUE, being one of two privately printed copies only
on vellum. The volume was one, as the end paper before the title states, of —
" One hundred and fifty copies on Japan paper, and two copies on vellum, printed
from type, for the Grolier Club of New York, in the month of May, 1885."
This was executed at the press of Theo. L. De Vinne & Co.
The sale of the two vellum copies of the "Rubaiyat" is narrated in the
" Book Mart " of December, 1885, as follows : — " The feature of the evening
was an amateur auction in which General Rush C. Hawkins displayed an
adaptability and versatility of description that would put to shame the average
book auctioneer who, as a rule, thumps and hammers, and bangs away without
any regard to consequences. A limited edition of only two vellum copies of
Fitzgerald's translation of ' Khayyam ' were disposed of. The first was
purchased after very lively competition for the sum of eighty dollars by Henri
P6ne du Bois, the American correspondent of Le Livre, who thus put to shame
the millionaires present, and proved that the leavening of the Club fey a French
bibliophile was just what was necessary. The other copy was bought by the
father of Seth Low, Mayor of Brooklyn."
THE PENE DU BOIS COLLECTION. 41
THE GROLIER CLUB'S EDITION OF WASHINGTON
IRVING'S KNICKERBOCKER— LIMITED EDITION OF
177 COPIES IN ALL.
149 GROLIER CLUB.— IRVING (Washington). A History
of New York from the Beginning of the World to the End
of the Dutch Dynasty; containing among Many Surprising
and Curious Matters the Unutterable Ponderings of
William the Doubter, and the Chivalric Achievements of
Peter the Headstrong — the Three Dutch Governors of
New Amsterdam; being the only Authentic History of the
Times that Ever Hath Been or Ever Will be. Published
by " DiEDRiCH Knickerbocker." A New Edition, con-
taining unpublished corrections of the Author, with illus-
trations by Geo. H. Boughton, Will. H. Drake and
Howard Pyle, and etchings by Henry C. Eno and F.
Raubicheck. 2 vols. 8vo, boards, rough edges.
N. Y ., printed for the Grolier Club, 1886
Privately printed for the members of the Grolier Club with the following
statement on the end paper preceding the title : — " The Publication Committee
of the Grolier Club certify that this copy is one of an edition of 175 copies on
Holland paper and 2 copies on vellum, all of which were printed in the month
of May, 1886. The printed list of subscribers and the summary of contents will
be found at the end of the second volume."
Boughton's etchings to the above are in three states, two of which are on
Japan before letters and one on handmade paper. The vignettes, head and
tail pieces, are in various shades of bistre and sepia. The printing is by De
Vinne.
150 GROLIER CLUB. Transactions of the Grolier Club,
from its Foundation, January, 1884, to July, 1885. Part
I. 4to, boards, uncut. N. Y., Grolier Club, 1885
With the above is a separate Catalogue of the Grolier Exhibition of " Modem
Book-bindings." The transactions commence with an account of Jean Grolier
— an account of Exhibitions of MSS., Etchings, Book Illustrations, etc. It
also contains addresses of Robert Hoe, Theodore L. De Vinne, William
Matthews, etc.
151 GROLIER. — Recherches sur Jean Grolier, sur sa Vie at
sa Bibliothfeque, suivies d'un Catalogue des Livres qui lui
ont Appartenu par M. Le Roux de Lincy. Thick large
8vo, sewed, uncut. Paris, L. Potier, 1866
This splendid work by the Secretary of the " Societe des Bibliophiles Fran^ais''
was printed by Jouaust on thick hand-made paper. It should more properly go
under Bibliography in this catalogue on account of its admirable subject-matter
and careful catalogue of the library of the great bibliophile, but as the publica-
tions of the Grolier Club are justly put in the "Art Division " this keeps them
company.
GROSE'S MILITARY ANTIQUITIES.
152 GROSE (Francis, E.S.A.). Military Antiquities, Respect-
ing a History of the English Army from the Conquest to
the Present Time, including a Treatise on Ancient Arms
42 THE PENE DU BOIS COLLECTION.
and Armour. Numerous fine copper-plates of arms, armor,
weapons, horse accoutrements, etc. 2 vols, thick 4to, calf,
gilt (titles cut slightly and joints broken). London, 181 2
Very scarce. This work is particularly valuable to collectors of ancient
arms and armor, as it contains much information that cannot be obtained in any
other authority, as the writer was for many years a member of the Heralds' Col-
lege, from which he resigned. He was Adjutant and Paymaster of the Surrey
Militia, but devoted much of his time to travehng through England, Scotland
and Wales sketching for the valuable works which he subsequently gave to the
world. Grose's habits, especially in early life, were of too convivial a character
for either his purse or his reputation, and many a jolly circle of "good fellows "
could answer in the affirmative the query of Burns —
' ' Ken ye auglit of Captain Grose ? "
Noble's sketch of his iSgure and character is truly graphic.
153 GuiCHARD (E.). De rAmeublement et de la Decoration
Intdrieure de nos Appartements. Small 8V0, sewed, uncut.
Paris, Edouard Rouveyre, 1 880
Limited edition of sixty copies, of which the above is cine on Seychall Mill
paper.
GUILLAUMOT'S EIGHTEENTH CENTURY COSTUMES.
154 GUILLAUMOT (A., Fils). Costumes du XVIII= Siecle
d'aprfes les Dessins de Watteau Fils, Desrais, Leclere,
Cochin, etc., tir^s de Collections Particulieres. 60 etchings
by GuiLLAUMOT, after Watteau, Cochin, etc. Large 4to,
cloth. Paris, H. Cagnon, n. d. ,
Limited edition printed on thick paper.
155 GUILLAUMOT. Costumes du XVIII= Siecle tires des
Pres-Saint Gervais avec I'Autorisation de MM. V. Sardc/u,
Ph. Gille et Ch. Lecocq. 20 etchings by A. Guillau-
MOT Fils, after the designs of Drauer. Large 4to, loose
in cover. Paris, 1874
Impressions on India printed on thick paper.
156 GuiLLAUMOT. Anbther copy of the preceding but ordinary
edition on thick paper.
AMERTON (Philip Gilbert). Thoughts about
Art. Small 8vo, cloth. Boston, 1882
HAMERTON'S "GRAPHIC ARTS "—ORIGINAL EDITION.
158 HAMERTON. THE GRAPHICARTS. A Treatise on
the Varieties of Drawing, Painting and Engraving, in com-
parison with each other and with Nature. With 54 illus-
trations after ancient and modern masters — Raphael, Mac-
lise, Turner, Leigh, Mulready, Harding, Holbein,
THE PENE D U BOIS COLLECTION. 43
DuRER, Bewick, Titian, Hollar, Rembrandt, Holt,
Hurst, Delanne, Visscher, Strange, etc., reproduced in
facsimile. Thick folio, fresh vellum, gilt, uncut, by Fawn.
London, Seeley, Jackson 6- Halliday, 1882
Large paper copy and limited edition of 350 copies, with proofs of the
plates on India paper.
Mr. Hamerton has enjoyed exceptional opportunities for gathering the ex-
perience and information necessary to a work like the above. Aided by the
confidence of the most distinguished artists of his time, Mr. Hamerton does
not write from the limited experience of one man, but expresses what may be
fairly considered to be the state of existing knowledge. Besides this, his pecu-
liar work as Editor of The Portfolio has brought him into the closest contact
with black and white art in all its reproducible forms, and made him minutely
acquainted with various processes of reproduction, and their respective merits.
Such a work as " The Graphic Arts " necessarily required illustration. The
publishers spared neither trouble nor expense in illustrating it as completely as
the present very advanced state of the printed arts would permit. All kinds of
engraving, and most kinds of drawing, are represented, either by the best living
masters or by the most able of their younger brethren; and with regard to the
dead, their best works are reproduced in very close facsimile .
LARGE PAPER COPY OF HAMERTON ON LANDSCAPE.
159 HAMERTON. Landscape. With original etchings and many
illustrations and drawings. Thick folio, fresh half morocco,
totally uncut. London, 1885
Large paper. Limited edition of 525 copies on superfine laid paper. The
above is the first edition and has briUiant impressions of the etchings, etc. , by or
after Palmer, Paris, Masse, Moore, Claude, Brandard, Yon, Courbet, Dameron,
Graham, Turner, Corot, Thomas, Girtin, Reynolds, Brunet-Debaines, Dawson,
Titian, Linnell, Hunt, Landseer, Murray, M'CuUoch, Cox, Parrish, Lalanne,
Daubigny, Harp-gnies, Greux, Slocombe, Hobbema, Huysmans, Guillaumet,
Durer, Hardy, Reid, Van Eyck, Pennell, etc. Many of these are original
etchings.
160 HAMERTON. Etching and Etchers. 35 etchings by
Haden, Palmer, Jacquemart, Chauvel, Jongkind, etc.
. Large Bvo, illuminated cloth, top edge gilt. London, 1876
The original edition of the above work is now rare and expensive. Copies
frequently sell for $75 to $100. With the heraldic book-plate of William Miller.
161 HAMERTON. Examples of Modern Etching, with Notes
by Philip Gilbert Hamerton. With 20 etchings by
Balfourier, Bodmer, Bracquemond, Chattock, Fla-
meng, Feyen-Perrin, Seymour-H^den, Hamerton,
Heseltine, Laguillermie, Lalanne, Legros, Lucas,
Palmer, Rajon and Veyrassat. Large 4to, cloth, gilt
edges. London, 1876
Hamerton's purpose in getting these plates together was to show the various
directions which the art of etching is tjJdng in the practice of skillful contem-
poraries, who have little in common beyond the employment of the same tech-
nical methods.
162 Hamerton. The Intellectual Life. Portrait of Da Vinci
etched by Yi.Kws.i!iG. i2mo, cloth. Boston, 1883
44 THE PENE DU BOIS COLLECTION.
163 Hamerton. Chapters on Animals. Small 8vo, cloth.
Boston, 1882
164 HAVARD (Henry). L'Art k travers las Moeurs. Illustratea
with numerous fine plates by Goutzwiller. Thick large
4to, cloth, beveled sides, gilt edges. Paris, 1882
Handsomely printed on thick paper.
165 HAVARD. Histoire de la Peinture HoUandaise. With
numerous illustrations after the great painters of Hollqrid.
8vo, fresh half crushed red levant morocco, top edge gilt,
others uncut, covers bound in. Paris, Quantin, 1882
166 HAVARD. La Hollande h. Vol d'Oiseau. Illustrated with
etchings by Maxime Lalanne, and other illustrations after
the same. Large 4to, silver cloth gilt, beveled sides, gilt
edges. Paris, 1881
167 Hefner (J. von). Trachten des Christlichen Mittelalters.
Vols. I to 3 inclusive. Illustrated with over 200 plates of
armor, medieval scenes, coats-of-arms, etc. Folded and uncut
(not complete). Mannheim, [1840]
VERY RARE CONTEMPORARY WORK ON HENRY OF
NAVARRE.
168 HENRI QUATRE.— LABYRINTHE ROYAL de l'Her-
CVLE Gavlois Triomphant svr le Sviect des Fortunes,
Batailles, Victoires, Trophees, Triomphes, Mariage et
autre faicts Heroiques et Memorables de Tres-Auguste et
tres Chrestien Prince Henry IIII Roy de Ffance et de
Nauarre. Represent^ a I'entree Triomphante de la Royne
en la c\\.i d'Auignon le 19 Nouembre I'an MDC ou sont
contenues les Magnificences et Triomphes dressez k cet
effect par la dite ville. Engraved title, portraits and plates.
4to, calf gilt, red edges. Avignon, laques Bramereau, 1601
VERY RARE. With fine contemporary portraits of Henry the Fourth and
Marie de Medicis, his Queen. Both have anagrams beneath them as follows:
' ' Henry de Bovrbon
Roy ne de Bonhevr."
" Marie de Medicis Royne
le me dis ia mere d'vn Roy."
Preceding the last-named is the bookseller's permission to publish, and signed
by Ferriol Gay, Vicar of the Inquisitor General of Avignon.
HERALDIC WORKS OF RARITY.
169 HERALDRY.— BLASON (Le) des Couleurs en Armas,
Livr^es at Devises par Sicille Herault d'Alphonse V.,
Roi d'Arragon — Publi6 et Annote par Hippolyte Coch-
eries. Small 4to, folded ready for binding and in cloth
cover. '^2x\%. Auguste Aubry, x^dri
Unique. Limited Edition, of 350 copies of which 310 were on "papier
verge," 20 on vellum paper, 9 on "papier chamois," 8 on China paper and 3 on
THE PENE DU BO IS COLLECTION 45
vellum. The above is carefully ruled in red throughout and under every line, as
well as on the borders. Many of the margins are three and a quarter inches in
width to a text of two and five-eighths wide. There are fac-similes of printers'
marks, head and tail pieces, and the shields descriptive of tinctures are colored
by hand in colors and metals.
The work was compiled between the years 1425 and 1458, and the above is
edited from the editions printed at the end of the fifteenth and beginning of the
sixteenth centuries.
170 HERALDRY — GMWAAU {1o\m, Pursuivant ai-Arms). A
DISPLAY OF HERALDRY: Manifesting a more Easie
Access to tlje Knowledge thereof than hath been Hitherto
published by any, through the Benefit of Method; where-
unto is now Reduced by the Study and Industry of JOHN
GUILLIM, to which is added a Treatise of Honour Mil-
itary and Civil, according to the Laws and Customs of
England, collected out of the most Authentick Authors,
both Ancient and Modern by Capt. J OH N LOGAN ; Illus-
trated with a Variety of Scvlptvres suitable to the several
subjects; to which is added a Catalogue of the Atchieve-
ments of the Nobility of England, with divers of the Gen-
try for examples of Bearings. IVitA loe, plates of heraldic
bearings, mostly 4 to the page, numerous armorial cuts in the
text and i(> page portraits — rubricated title {mounted). 3 vols,
in I. Thick folio, sheep (a few pp. holed and torn with-
out interference with the text generally). London, 1677-79
Very rare. The portraits are of — King Charles the Second ; King James
the Second, as Duke of York; George, Earl of Torrington; Anthony, Earl of
Shaftesbury; Heneage, Lord Finch; Charles, Earl of Carlisle, mended ; George,
Duke of Buckingham; Charles, Marquis of Winchester; William, Earl of Cra-
ven; Bertram, Earl of Ashburnham; Robert, Earl of Ailesbury; Thomas Belasyse,
Viscount Falconberg (Cromwell's son-in-law); Cacily, Baron Baltimore; Henry
Somerset, Marquis of Worcester; Henry, Earl of Arlington, Sir William De la
More.
Richard Blome, the editor and publisher of the above, was — ' ' originally^ ruler
of books and paper, who hath since practised, for divers years, progging tricks in
employing necessitous persons to write in several arts."
171 HERALDRY.— COLLECTANEA HERALDIC^. Small
4to, calf, gilt edges. v. p., v. d.
Very rare collection of works on heraldry, from the libraries of and with the
heraldic book-plates of James Maldment and William Bentham.
It includes the following : — Storm (J. J.), " Theses des ^Principes dv Blason,
ou I'Art Heraldiqve," armorial cuts, Le Mans, 1600; MoUer (D. G.), " Pro-
mulsis Artis HeraldiciE," Altdorf, n. d. ; Schmerzel (M.), " De Natvra et Indvle
Artis Heraldicse," Halle, 1740; " De Artis Heraldicae Exercitatio II. in Alma
Philursea," Leipsic, i68g; " De Jure Insignium," large engraved shield, Wurtz
hurg, 1723; Linchivs (I. T.), " De Probatione per Insignia et anna Gentilitia,"
Altdorf, 1716; Waldshmidt (W.), " De Milatione Insignivm et Sigillorvm,"
Leipsic, 1746; Fichtner (I. G.), " De Fractione Insignivm, Altdorf, 1751.
172 HERALDRY —ESCHAVAUNES (Jouffroy de). Ar-
morial Universel precede d'un Trait6 Complet de la
Science du Blason et suivi d'un Supplement. Engraved
46 THE PENE DU BOIS COLLECTION.
fronts., heraldic wood engravings, page illustrations and
numerous coats-of-arms in GOLD and COLORS. 2 vols,
large 8vo, cloth, gilt edges (slightly foxed).
Very rare. Paris, Curmer, 1844-48
173 HERALDRY.— MAGNY (Claude Drigon, Marquis de).
Nouveau Traits Historique et Arch^ologique de la Vraie
et Parfaite Science des Armoires. Over i,o plates in gold
AND COLORS, containing more than a thousand illuminated
coats-of-arms, also vignettes and fancy initial letters. Thick
large 4to, half russia, uncut. Paris, 1856
Very scarce. The author of the above and other heraldic works was made
a Marquis by the Pope. He founded an heraldic college in Paris in 1841 and
did a thriving trade. After his death in 1879, his two sons continued the gene-
alogical business.
174 HERALDRY.— MILLEVILLE (Henri J, G. de). Ar-
morial Historique de la Noblesse de France. Illuminated
front, and numeroiis coats-of-arms, views of castles, etc.
Large 8vo, cloth, gilt edges.
Very scarce. Paris, Amyot, n. d.
17s Herzogthum Nassau. Numerous plates. Large 8vo, boards
(stained). Wiesbaden, 1846
176 HISTOIRE DES QUATRE Fils AYMON tres Nobles et
tres Vaillans Chevaliers, introduction et Notes par
CHARLES MARCILLY. Every page illustrated through-
out the text and over the text with designs in colors by
Eugene Gr asset — " gravure et impression par CnA.^i,^s
GiLLOT." 4to, fancy cloth binding in gold and color,
beveled sides, top edge gilt, others uncut. Paris, 1883
Limited edition on Japan paper, of which 100 copies were printed on paper
from the Imperial manufactories of Japan, and 100 on " papier de Chine."
UNIQUE LIFE OF GENERAL HOCHE.
177 HOCHE (Lazare, General). SOUVENIRS et COR-
RESPONDENCE, par HYPPOLITE DURAND. Pro-
fusely EXTRA ILLUSTRATED. 8vo, frcsh half crushed levant
morocco gilt, top edge gilt, others uncut, by Ad. Berthaud.
Paris, 1832
UNIQUE, CURIOUS and very exact life of the great French Republican
General Lazare Hoche.
This copy is extra-illustrated by original autograph of Hoche to military
docurnent dated the Third year of the French Republic; Assignat of "cinq
livres"; 21 portraits and three other plates, among these are four of Hoche by
Pregot, Le Pachez, Lambert and Bonneville; portraits of Revelliere-Lepeaux,
Rembell and Paul Barras, members of the Directory, by J. B. Compagnie; por-
traits of Napoleon, 2 and proofs before all letters, and another by Jaubert; also
portraits of Houchard, Pichegru, St. Just, Montaigne, Bertrand du Guesclin,
William Pitt, Marquis de Bonchamp, Charette, Cadoudal, Voltaire and Chenier.
Likewise plates of events in Heche's career by Duplessis-Bertaux, R. Vinheles,
D. Vrydag and S. Fisher.
THE PENE DU BOIS COLLECTION. 47
178 HOLBEIN (Hans), par Paul Mantz. With 21 fine large
etchings and 50 engravings on wood. Square folio, cloth,
uncut. Paris, 1879
Handsomely printed on thick paper, and engraved under the direction of
Edouard Li^vre. Some of the prints are on Holland paper and others on India.
The text is full of illustratibns, including " The Dance of Death."
179 HOLLAR. — A Description of the Works of the Ingenious
Delineator and Engraver WENCESLAUS HOLLAR,
disposed into Classes of Different Sorts; with some Account
of His Life. 2 vignette portraits, 1 on title, and views. 4to,
half crushed levant morocco, top edge gilt, by E. Rous-
SELLE.
London, printed for the Editor G[eorge] V\ertue], a
Member of the Society of Antiquaries, 1745
Very rare. Wenceslaus Hollar was born at Prague in 1607 and died in
1677 — "in the deepest poverty and distress, under the most afflicting circum-
stances." Spooner writes as follows of engravings by Hollar: — "There are
about 2,400 prints by this artist, executed with great lightness, freedom and
spirit, but in a firm and finished style. Some of his prints possess considerable
merit, and his subjects comprise portraits, Jandscapes, animals, insects, still
life, ruins, furs, shells, etc. Large prices have been obtained for a few of his
, prints, which have become extremely rare."
GUSTAVE DORE'S BIBLE— ELEGANTLY BOUND.
180 HOLY BIBLE, containing Old and New Testaments accord-
ing to the Authorized Version. Profusely illustrated by
GusTAVE Dor£. 2 vols, thick large 4to, magnificently
bound in fresh brown morocco, raised beveled panels,
extra gilt and inlaid with blue morocco on backs and sides,
with broad inside gold borders, watered silk ends, gilt
edges. London, n. d.
A splendidly bound copy of the " Holy Bible," illustrated with the wonderful
and characteristic designs of the great modem master Gustave Dore.
LIMITED EDITION OF HOUSSAYE'S WORK ON MOLIERE.
181 HOUSSAYE (Arsene, ancien directeur de la ConMie Fran-
(aise). MoLiBRE, sa Femme et sa Fille. Magnificently
-• illusirated with full-page etchings, wood engravings, etc., vig-
nettes, head and tail pieces — portraits, scenes in the life of
MoLifeRE, scenes in his plays — numerous rubrications through-
out the work, rubricated title, etc., etc., also many illustrations
in red. Square folio, fresh three-quarters red crushed
levant morocco, extra gilt, green morocco mosaic let into
the back, top edge gilt, others uncut. Paris, Dentu, 1880
No. 1 50 of a limited edition of 500 copies in all, of which the above is one of
the Holland paper copies printed by Fran9ois Dehons, and sealed with the
' ' cachet de Moli^re " in red wax. The above copy has the parchment paper
covers bound in.
48 THE PENE D U BOIS COLLECTION.
182 HOUSSAYE. Histoire de I'Art Fran?ais au Dix Huitifeme
Sifecle — CousTON, Bouchardon, Houdon, PigAlle, Clo-
DioN, RiGAUD, Largilliere, Watteau, Lancret, San-
TERRE, Van Loo, La Tour, Chardin, Greuze, Vernet,
Boucher, Fragonard, David, Prudhon, Campra,
Rameau, Gr^try, etc. Front, of portraits on India
paper. 8vo, fresh half morocco gilt, top edge gilt, others
uncut. YdiXVS,, Henri Plan, \i()0
183 HULME (F. Edward). Suggestions in Floral Design. 52
fine plates in gold and colors. Large 4to, fresh illuminated
cloth, beveled sides. London, n. d.
These Floral Designs have all been kept bold in form, simple in color, and
of a size that should present no difficulties in reproduction. The volume is full
of suggestive ornamental decoration that cannot fail to be of the greatest value
to both manufacturer and designer.
184 I^^SnlLLUSTRATION NOUVELLE par une Soci^t6
de Peintres-Graveurs ^ I'Eau-Forte 1868-75. 7
vols in 2. .A collection of over 300 etchings by the
best modern French artists. Thick large folio,
half crushed levant morocco gilt, top edges gilt.
Paris, A Cadart, 1868-75
The earlier volumes of these charming series of etchings are very scarce in a
complete form, almost all the sets having been broken up and the separate
prints peddled out at so much a-piece.
LARGE PAPER COPY OF IRELAND'S THAMES VIEWS.
185 IRELAND (Samuel). Picturesque Views on the River
Thames, from its Source in Gloucestershire to the Nore,
with Observations on Public Buildings and Other Works
of Art in its Vicinity, c^d fine copper-plates printed in sepia
and woodcuts in text. 2 vols. 4to, mottled calf gilt, yellow
edges (stained slightly and i vol. rebacked). London, 1792
LARGE PAPER, and with very fine impressions of the plates. A similar
copy to the above sold at the Beckford sale for £,i^ 5s.
BARTOLOZZI AND OTHER ENGRAVERS' PLATES, AFTER
THE OLD ITALIAN MASTERS.
186 ITALIAN SCHOOL OF DESIGN. A Series of Select
Studies, from the Original Drawings of the most Eminent
Masters. A series of ^\ beautifully executed plates, en-
graved by F. Bartolozzi and others. 4to, half morocco,
gilt edges. , London, 1842
Very scarce. Includes choice examples by Guercino, Michael Angelo,
Domenichino, Annibale, Ludovico and Agostino Carracci, P. da Cortona^
Carlo Maratti, Elisabetta Sirani, Pellegrino, Tibaldi, Franceschino, etc. etc!
Published at ;^io IDS. ''
THE PENE DU BOIS COLLECTION. 49
187 ITALIAN MASTERS, Drawings by, with Critical Notes
by J. CoMYNS Carr. With mounted facsimiles reproduced
by the autotype process from the originals in the collec-
tion at the British Museum, Square large folio, half
morocco, cloth and beveled sides. London, 1877
The masters illustrated in these beautiful reproductions are — Andrea Man-
tegna, Pietro Perugino, Francesco Francia, Raphael, Leonardo da Vinci,
Lorenzo di Credi, Michael Angelo Buonarotti, Titian, Paul Veronese,
Andrea del Sarto, Giulio Pippi, called Romano, Benvenuto Tissio da Garofalo
and Jacopo Liozzi.
AMESON (Anna). History of our Lord, as
exemplified in Works of Art with that of His
Types; St. John Baptist and other Persons of
the Old and New Testament. Continued and
Completed by Lady Eastlake. With 31 etch-
ings and 281 wood engravings from paintings, mosaics and
ancient ivory carvings. 2 vols, fresh tree-marbled calf gilt
extra, inside gold borders, edges gilt. London, 1864-72
Best EDITION. "One of the most eloquent of our female writers; full of
feeling and fancy; a true enthusiast, with a glowing soul." — Christopher
North.
Eastlake, in his preface to " Kugler's Hand-book of Italian Painting," truly
remarks: — " Some acquaintance with the legends and superstitions of the
Middle Ages is necessary to the intelligence of many of the Italian and German
works of art as the knowledge of heathen mythology is to explain the subjects
of Greek vases and marbles. By a fortunate combination of artistic talent and
appreciation with precision of thought, and a power of setting forth the older
legends in poetical language, Mrs. Jameson was singularly qualified for the task
she had undertaken. She at once succeeded in arousing an interest, and in sup-
plying information in a condensed and agreeable form."
" Mrs. Jameson's work would deserve a high place regarded only as a book
of antiquarian inquiry. With admirable taste and judgment, both of pen and
pencil, she has opened a curious branch of learning well-nigh forgotten among
us — the vestiges of which, nevertheless, surround us on every side." —
Edinburgh Review.
189 Janin (Jules). Voyage en Italie. With engraved title and
views by, or after J. D. Harding, W. R. Smith, E.
Challis, W. Radclyffe," J. B. Allen, James Redaway,
E. Goodhall, Samuel Prout, Charles Heath, J. T.
WiLLMORE, W. Wallis, Thomas Higham, W. H. Bart-
lett, F. W. Topham, and fine portrait of Raffaelo
Sanzio, engraved by W. Holl. Large Svo, half smooth
red morocco, gilt (a few pages slightly spotted and one
margin torn). Paris, 1839
The margins are equal to large paper.
so THE PENE DU BOIS COLLECTION.
ORIGINAL EDITION OF JARDINE'S NATURALIST'S
LIBRARY.
190 JARDINE (Sir William, ^«r/. ). The NATURALIST'S
LIBRARY. \, 200 fine plates, mostly colored by hand.
40 vols, uniform, fresh half green calf, gilt top, edges gilt.
Edinburgh, 1833-44
Very scarce and the original Edinburgh edition with the impressions of the
plates much brighter and more carefully colored by hand than in the 1844-55
reissue of H.G. Bohn. The volumes were published at six shillings each in
boards. The new and handsome binding of this copy is worth at least one
dollar and a quarter a volume.
' In the preparation of this valuable series Sir Wm. Jardine was assisted by '
Swainson, Waterhouse, MacGillivray, Bushman, Selby, Scombur^, Hamilton,
Smith, Hamilton and James Duncan. Each volume contains a memoir of a
celebrated Naturalist. " Blackwood's Magazine " styles its editor " an excellent
practical observer," and the " London Athenaeum " pays that — "This book is
perhaps the most interesting, the most beautiful and the cheapest series ever
offered to the public."
It is divided into four series — " Mammalia," " Ornithology," '' Entomology "
and "Ichthyology." There are 13 volumes of "Mammalia" containing an
introduction in one volume, and the following separate volumes — Lions and
Tigers; British Quadrupeds; Horses; Elephants, etc.; Marsupialia; Seals, etc.;
Whales, etc.; Monkeys. "Dogs" are in two volumes, as are the ruminating
animals — Deer, Antelopes, Goats, Sheep, Oxen, etc. The " Entomology " is in
14 vols. — British Birds, 4 vols.; Sun Birds; Humming Birds, 2 vols.; Game
Birds; Pigeons; Parrots; Birds of Western Africa, 2 vols. ; Fly Catchers; Pheas-
ants, Peacocks, etc. There are seven volumes of " Entomology" — Introduction;
British Butterflies; British Moths, etc.; Foreign Butterflies; Foreign Moths;
Beetles; Bees. The " Ichthyology" is in six volumes— Introduction and Foreign
Fishes; British Fishes, 2 vols.; Perch, etc.; Fishes of Guiana, etc., 2 vols.
EDITION-DE-LUXE OF THE MASTERPIECES OF GERMAN,
FLEMISH AND DUTCH ART.
191 JUTSUM (Carl T.). MEISTERWERKE OF GERMAN
ART. Part i, Early German, Flemish and Dutch Painters.
Part 2, Contemporary German Art. Illustrated with 113
etchings, line engravings and " lichtdrucks," proofs before
LETTER, mostly ON Japan PAPER, and with over 200
engravings on wood and facsimiles of artists' sketches. 2 vols,
in 10 sections as published. Folio, contained in two satin
covered portfolios with ties) N. Y., 1883
Limited etition, of which this is number 314. The text throughout is beau-
tifully printed on fine Holland paper, and is a masterly and comprehensive
illustrated review of German, Flemish and Dutch art, from Albert Durer to
Hans Makart; including Cranach, Cornelius, Claude, Chodowicki, Cuyp, Burg-
mair, Breughel, Both, Berghem, Becker, Balen, Dow, Dietz, Van Eyck, Goltzius,
Hals, Hobbema, Holbein, Jansen, Kauffman, Kaulbach, Knaus, Leutze, Lucas
Van Leyden, Matsys, Max, Metger, Mieris, MuUer, Ostade, Perugino, Piloty,
Rembrandt, Rubens, Ruysdael, Schongauer, Steen, Steinla, Teniers, T^rberg,
Unger, Vandyck, Wohlgemuth, Wouverman, and many others too numerous to
mention here.
The illustrations are worthy of the text ; the etchings are all by celebrities of
the modern school — many being; original painters' etchings; the line engravings
are the most superb efforts that the masters of the burin are capable of producing
THE PENE DU BOIS COLLECTION. 51
— both etchings and engravings are proofs before letters on Japan paper. The
' ' lichtdrucks " are beautiful fac-simile reproductions in color of chalk and water-
color drawings. The engravings on wood interspersed throughout the text are
most interesting, in many cases being fac-similes of sketches, and studies by the
principal artists which have never before been engraved.
^^^^lALIDASA. Sakoontala, or the Lost Ring, an
jM^V^'-'. Indian Drama, translated into English Prose and
'S^^r:; Verse from the Sanskrit of Kalidasa, by Monier
agl(^B^':- Williams. Beautifully illuminated borders and
=^=^^^=^ head-pieces by Owen Jones. 4to, illuminated
cover, uncut. N. Y., 1885
No. 103 of Limited Large Paper edition of about 120 copies on Japan paper,
with head-pieces and borders in color by De Vinne.
Several editions of this great Indian drama have appeared abroad, but this is,
we think, the first attempt to bring it to the notice of American readers- The
best evidence of its appreciation by scholars is perhaps shown in Goethe's lines:
" Would'st thou the young year's blossoms and the fruits of its decline.
And all by which the soul is charmed, enraptured, feasted, fed ?
Would'st thou the earth and heaven itself in one sole name combine ?
I name thee, O Sakoontala ! and all at once is said. "
The pictorial borders to the illustrations, as well as the other illuminations, are
taken from MSS. in the British Museum. The Sakoontala was first made
known to the .world, by the translation of Sir William Jones, in 1789, and until
this event Sanskrit dramatic literature was unknown. Of all the Indian poets
the most celebrated was Kalidasa, who flourished in the middle of the century
preceding the Christian era. The translation by Monier Williams has long been
a favorite with Oriental scholars . Says Humboldt: "The Poems of Kalidasa
contain charming descriptions of nature, and his tenderness of feeling and rich-
ness of creative fancy entitle him to a high place in the ranks of the Poets of
Nations."
193 KAULBACH (Wilhelmvon). Kaulbach Album, text von
Dr. Julius Grosse. Illustrated with many plates of a
humorous character after Kaulbach, and engraved by J. G.
Flegel. Oblong 4to, old cloth (foxed somewhat).
Stuttgart, n. d.
Scarce and with good impressions of the plates on India paper.
KAY'S PORTRAITS— FINE COPY OF THE BEST EDITION.
194 KAY (John). A Series of Original Portraits and
Caricature Etchings, by the late John Kay, Minia-
ture Painter, Edinburgh ; with Biographical Sketches
and Illustrative Anecdotes. [Edited by H. Pat6n.] 357
portraits and etchings. 2 vols, thick 4to, half morocco.
Edinburgh, 1837-38
Very rare. An unusually fine and perfect copy of the first and best edition
of this rare collection. John Kay, the author of these prints, was born in 1742,
near Dalkeith, Scotland, and very early gave strong proofs of natural artistic
ability. He was, however, when in his thirteenth year, apprenticed by his relatives
to a barber in Edinburgh, which "profession " he carried on formany years. In
1785, when in his forty-third year, he conceived the idea of attempting to etch on
copper. Some prints which he published met with such unexpected success,
52 THE PENE DU BO IS COLLECTION.
that he resolved to shave no more, and to devote himself entirely to art. He
started a small print shop in Parliament Square, Edinburgh, where he sold his
productions, and the windows of which being always filled with his most recent
works, used to be a great attraction to the loungers of the time ; and to almost
the year of his death {1826) at the age of 84 he continued to delight and amuse
his patrons with the productions of his needle. For a period of half a century
few persons of any notoriety who figured in the Scottish capital escaped his
notice, and he occasionally indulged in caricaturing such local incidents as might
amuse the public. In this way he formed a collection altogether unique. Indeed,
Chambers in his " Lives of Illustrious Scotchmen," says: "that no city in the
empire can boast of so curious a chronicle " It may be added that his etchings
were universally admitted to possess one merit, which of itself at this day stamps
them as of great value, namely, that of being exact and faithful likenesses of the
persons intended to be represented.
EDITION-DE-LUXE OF KOEHLER'S GREAT WORK ON
ETCHING— WITH PROOFS ON JAPAN PAPER.
iQS KOEHLER (S. R.). Etching, an Outline of its Technical
Processes and its History, with some remarks on Collec-
tions and Collecting. The text illustrated by numerous
reproductions and accompanied by Tp fine plates by old and
modern etchers i proof s on Japan paper mounted on card-
board, with heavy mats, loose in portfolio. Together 2 vols.
Large 4to and square large folio, uniform fresh half russia
gilt, cloth sides. N. Y., 1885
EDITION-DE-LUXE, limited to sixty copies, with the plates all numbered
and signed by the author, of which this is No. 12, and published at $100 to
subscribers only.
The following subjects and etchers are represented: — " Evening, " by R. S.
Gifford, N. A.; " Summer," by J. M. Gangengigl ; " Twilight in Arizona," by
T. Moran, N. A. ; " The Fisherman's Home, by C. A. Vanderhoof; "Charles
V. and his Brother Ferdinand, " byC B. Hofer; "The Sudarium," after Dttrer;
"Hunter and Dogs," after Pieter de Laer; "Mother with the Black Veil,"
after Rembrandt; "The Man Riding a Donkey," after Nicholas Berghem
" The Mountebank," by Dietricy; " Peasant Woman driving Pigs into a Stable,"
byjacque; " La Rue des Toiles, Bourges," after Meryon; " View in Amsterdam,"
by Lalanne; " Tripod," after Gouthiere, by Jacquemart; "TheFallsof Tivoli,"
byG. L. Brown; "Sweet is the Hour of Rest," by Henry Farrer; " Annes-
quam," by S. Parrish; "A Fallow Field," by J. D. Smillie, N. A.; "Rue du
Mont Cenis, Montmartre," by C. A. Piatt; " The Home of the Muskrat," by
Mrs. M. N. Moran; " Church of San Miguel and Pueblo House, at Santa Fe,
N. M.," by Peter Moran; " A Street in London," by J. M'N. Whistler; " View
in Venice," by Otto H. Bacher; "Scene in Venice," by C. Corwin; "Portrait
of a Man (Le Doreur)," by Flameng, after Rembrandt; " Soldier and Laughing
Girl," by Jacquemart, after Van der Meer van Delft; "Hen Defending her
Brood," by Unger, after Snyders; "Landscape and Sheep," by J. D. Smillie,
after Jacque; Trial plate to illustrate technical points; "Portrait of an Old
Lady," by Rajon, after Rembrandt, in two states.
SPLENDID WORK ON ANCIENT HISTORIC TAPESTRIES.
196 KUELLER ««^WAUTERS. Historic Tapestries at the
National Exposition of Belgium, j88o, with French text
byALPHONSEWAUTERS. Illustrated with 12^, reproductions,
THE PENE JDU BOIS COLLECTION. 53
some COLORED in fac-simile of the most ancient tapestries
of Flanders, Gobelin and other sources, mostly executed after
the drawings of H. F. Kueller, '■'■Artiste Feintre," and
from the originals themselves. One volume (complete and
in II parts), in fresh half morocco portfolio, with cloth
sides, flaps and ties. Brussels, 1881-82
Limited edition. This is one of the grandest works ever published on
ancient European Tapestry. There is a good general index and separate indices
to the various parts, the examples were loaned by many of the European monarchs
and from the collections of the best museums, nobility, churches and other
sources wherever available. The subjects of the tapestries are historical, classical,
legendary, erotic and scriptural, many being taken from the works of the great
mediaeval masters. Such an united collection can probably never be gathered
together again, and the form in which it is now presented is of incalculable ser-
vice to painters, designers, art decorators, and all those who are now aiding the
nineteenth century Renaissance, whether as workers, patrons or connoisseurs.
The work is dedicated to the King of the Belgians.
197 KRAUS (John Ulric). HISTORISCHE BILDER BIBEL.
188 admirably executed plates, four to the page. Folio, old
half sheep. Augsburg, 1702
Very scarce. This eminent engraver, Spooner says, was — " bom at Augs-
burg in 1645 and died there in 1719. He imitated in engraving the manner of
J. Le Clerc. He also copied several of the prints of Albert Durer and Lucas
Van Leyden. He engraved some landscapes and perspective views, and many
biblical subjects from his own designs for the booksellers."
198 KRAUS. SiGNORUM Veterum Icones. a collection of t^o
plates of ancient statuary — mostly of nudes. Small folio,
cloth. Rare. Augsburg, n. d.
ACROIX (Paul, Bibliophile Jacob). Louis XII.
et Anne de Bretagne. Chronique de I'Histoire
de France. Illustrated with \^ chromolithographs,
1 15 page engravings and about 200 wood engravings
in the text after original designs of the period de-
scribed in the text of the volume. Thick 4to, fresh half red
morocco, cloth sides gilt, edges gilt.
Paris, Georges Hurtel, 1882
This splendid work was illustrated by — Lalauze, etcher; Garcia, Thiercy,
Piret and Tissot, aquarellists; Goutzwiller, Thadee, Garcia, Kreutzberger,
Hurtel, etc., designers; Nordmann, Chataignon, Danne, Levie, Garcia-Mincia,
Cottelot and Benard, chromolithographers; etc.
200 LACROIX. XVIIe Siecle : Lettres, Sciences et Arts-
France, 1590-1700. Illustrated with 17 fine colored plates
and 300 woodcuts. Thick large 8vo, fresh half red mo-
rocco gilt, edges gilt. Paris, Firmin-Didot, 1882
Beautiful and instructive, Lacroix's books have no equal in the annals of art
and literature.
54 THE PENEDU BOIS COLLECTION.
201 LACROIX. XVIIIe Siecle: Institutions, Usages et Cos-
tumes— France, 1 700-1 789. Illustrated with 2 1 fine colored
plates and 350 woodcuts. Thick large 8vo, fre,sh half red
morocco gilt, edges gilt. Paris, 1878
The illustrations are after Watteau, Vanloo, Rigaud, Boucher, Lancret, J.
Vernet, Chardin, Jeanrat, Bouchardon, Saint Aubin, Eisen, Gravelot, Moreati,
Cochin, Wille, Debucour, etc.
202 LACROIX. Sciences et Lettres au Moyen Age et h. I'epoque
de la Renaissance. With ij, fine colored plates executed by
Compere,- Daumont, Pralou a^w^f Werner, and /i^oo wood-
cuts. Thick large 8vo, fresh half red morocco gilt, edges
gilt. Paris, 1877
The plates in this volume are taken from the best manuscripts, miniatures and
books in the principal public and private libraries of Europe; the Louvre,
Musee de Du Sommerard, Bibliothique Mazarin, etc. ; from the great collections
of Belgium, Germany, England, Italy, etc.; the private collections of M.
Rothschild, the Brothers Boisseree, Due de Luynes, etc. No pains have been
spared to make the work an universal gallery of the Middle Ages and the Re-
naissance. The letter-press also is extremely valuable, as it reunites in a com-
pendious form the information comprised in many expensive works; and places
at the disposal of the ordinary reader information which hitherto has been the
sole property of the rich and the learned.
203 LACROIX. The XVIIIth Century, its Institutions, Cus-
toms and Costumes — France, 1700-89. Illustrated with
21 chromolithographs and 350 wood engravings after "^ kt-
TEAu, Vanloo, Rigaud, Boucher, Lancret, J. Vernet,
Chardin, Jeanrat, Bouchardon, Saint-Aubin, Eisen,
Gravelot, Moreau, Cochin, Wille, Debucour, etc.
Thick large 8vo, half red morocco, gilt. London, n. d.
204 [LACROIX.] Curiosites de I'Histoire des Arts par " P. L.
Jacob, Bibliophile." Small 8vo, old half morocco, top
edge gilt. Paris, 1858
Very scarce. Containing articles on parchment and paper, playing cards,
origin of printing, book-binding, jewelry and medieval music.
205 LALANNE. — Chez Victor Hugo par "Un Passant." Illus-
trated with 12 etchings by Maxime Lalanne. Large 8vo,
half morocco, totally uncut. Paris, 1864
An interesting volume on Victor Hugo, illustrated with etchings by Lalanne.
206 LANDON (C. P.). Annales du Mus^e et de I'Ecole Mod-
erne des Beaux-Arts. Nunierous plates and portraits.
Vols. I and 2. Small 8vo, half roan (not uniform).
Paris, 1805
207 LANDON. Annales du Musde — Salon de 1817. Outline
plates, some folded and of nudes. Small 8vo, half roan.
Paris, 1 81 7
THE PENE DU BOIS COLLECTION. 55
208 Landscape Franqais (Le) — France. Engraved title and
charming steel plates of views. Small 8vo, calf gilt, inside
gold border, edges gilt. Paris, 1834
With broad margins equal to large paper and beautifully illustrated. The
text is by Hugo, Nodier, Laraartine, Saint-Beuve and others.
209 LANGE"NDYK (P.). De Graaven van Holland in Jaar-
^ichten. Illustrated with vignette titles, engraved false title
and T,2 portraits of the rulers of Holland from the earliest
times. 2 vols, small 4to, vellum.
Very scarce. Haarlem, /. Bosch, 1745
210 LA TROBE (J. A.). Scripture Illustrations, Geography
and Topography of the Bible. Numerous engravings on
steel and wood — also maps. Large 4to, half morocco, top
edge gilt. London, 1838
211 LAURENT-RICHARD Collection. Catalogue de Tab-
leaux Modernes et de Tableaux Anciens [with preface by
Emile Bergerat]-. Numerous charming etchings after or
by Gaujean, Courbet, Couture, Lefort, Massard,
- Delacroix, Hedouin, etc. Large 8vo, paper, uncut.
Paris, 1878
FINE UNCUT COPY OF THE LEBRUN GALLERY.
212 LEBRUN (T. P. P.) Gal^rie des Peintres Flamands,
HoLLANDAis ET Allemands. Ouvrage enrichi de Deux
Cent une Planches gravies d'aprls les meilleurs Tableaux de
ces Maitres, par les plus habiles Artistes de France, de Hol-
lande et d'Allemagne. 3 vols, folio, boards, uncut.
Paris, 1792-96
An unusually fine and perfect copy of this rare Gallery, which contains 201
fine copper-plates after the Old Masters of the Flemish, Dutch and German
Schools, including examples of Rembrandt, Durer, Holbein, Rubens, Vandyck.
Potter, Teniers, Ostade, Hals, Dow, Bol, Mieris, Terburg, Metzu, Waterloo,
Netscher, Bergen, etc., etc., engraved by Houbraken, Deguevanviller, Vinkles,
Zancher, Le Bas, Guttenberg and others of the best engravers of the period.
This fine work, which was twenty years in publishing, is one of the most
interesting of its class, and exhibits nearly all the best pictures of the Flemish
School, with the history, description and mercantile value of each, written by a
painter whose whole life was devoted to this particular department.
The picture dealers in all countries refer to the opinion of Lebrun as of the
first authority.
212* LENCKER (John). Perspectiva in welcher ein seichter
Weg allerley ding es Seyen Corpora Gebew vnd was muglich
in Grund Zulegen ist versuckt oder vnversuckt dauch gar
geringe Instrument in die Perspective, etc., etc. Engraved
title, portrait by Lucas Killian, diagrams, etc. {title mended).
Small folio, old boards. Nuremberg, [1616]
VERY RARE and early work on perspective. The dedication is dated
" Numberg den 14 Novembris Anno 1571." Hans Lencker was a famous
engraver on precious metals, as well as on copper, some engravings from the
last named, and dated 1573, bear his mark.
56 THE PENE DU BOIS COLLECTION.
213 LEROY (Louis). Les Pensionnaires du Louvre. Numer-
ous illustrations by Paul Renouard. Large 4to, fresh
cloth gilt, beveled sides, edges gilt. Paris, 1880
UNIQUE WORK ON THE MARSEILLAISE HYMN.
214 LE ROY DE SAINT CROIX. Le Chant de Guerre pour
I'Arm^e du Rhin, ou la Marseillaise— Paroles et Musique
de la Marseillaise, Son Histoire, contestations a propos de
son Auteur, Imitations et Parodies de ce' Chant National
Franpais. Extra illustrated with nearly 40 plates, some of
■which are inlaid, or are proofs, or on Japan on India pa-
per, etc. ' Large 8vo, bound by "Trigullier sr. de
Petit-Simier" in fresh half crushed red levant morocco,
extra gilt back, top edge gilt, others uncut, with the covers
bound in. Strasbourg, 1880
UNIQUE and EXTRA ILLUSTRATED. Bound up with the above
are — " Encore la Marseillaise et Rouget de Lisle par Le Roy de Sainte Croix,"
Strasburg, 1880, and "La Marseillaise and Rouget de Lisle par Le Roy de
Sainte Croix," Strasburg, 1880.
Among the plates in the above are — " The Siege of the Bastille," " Rouget
de Lisle Singing the Marseillaise," views of Strasburg and the Champ de Mars,
also portraits of Michael Angelo, Victor Hugo, Beranger., De Musset, Rachel,
Vernet,Pichegru, Rouget de Lisle, Madame Roland, Byron, Kleber, Henry IV.,
Kotzebue, Napoleon I., St. Cyr, etc., etc.
215 Leroy (Charles). Ramollot au Salon. With etched front.
by Felix R^gamey. 8vo, sewed, uncut. Paris, 1883
216 LETTRES (Les) et les ARTS— REVUE ILLUSTREE.
With numerous etchings, engravings, facsimiles and other
illustrations, mostly full page and many in the text. Vols, i
to 4 inclusive (complete, and in 12 parts), sewed, uncut.
Paris, Boussod Valadon et Cie, 1886
Included with the above lot is a morocco extra gilt reading portfolio for the
same.
Among the contributors to these volumes were — MM. E. Caro, F. Coppee,
Maxime du Camp, Alexander Dumas, Ludovic Halevy, Leconte de Lisle,
Desire Nisard, iSdouard Pailleron, and Jules Simon of the ' ' Academic Fran-
'9aise": and MM. Jules Zeller, Jules Breton, Leo Delibes, Charles Gounod and
Ernest Reyer of the " Institut"; also MM. Aderer, Marcel Ballot, Camille
Benoit, Barbev d'Aurevilly, Th. Bentzon, Rene de Boisdeflre, Paul Bourget,
Maurice Bouchor, Henri Bouchot, Anton, Briickner, Ignaz BrilU, Fernand
Calmettes, F. de Carpegna, Henri Cazalis, Chabouillet, Henri Cochin, James
Darmesteter, Auguste Dorchain, Dr. Dujardin-Beaumetz, Anatole France, Louis
Ganderax, Theophile Gautier fils, Mme! Judith Gautier, MM. Gerspach,
Edouard Grenier, Maurice Hamel, Jose- Maria de Heredia, Paul Hervieu,
Henry Houssaye, Paria Korigan, Capitaine Kudelka, Leopold Lacour, Octave
Lacroix, Henri Laujol, Jules Lemaitre, Andre Lemoyne, Achille Luchaire,
Frederic Masson, Guy de Maupassant, F. de Mely, Eugene Milntz, Pierre de
Nolhac, Jacques Normand, Georges Ohnet, E. Paladilhe, Armand de Pont-
martin, Claudius Poppelin, Emile Pouvillon, Adolphe Racot, Dr. Renaut, Victor
Roger, Charles Salomon, Francisque Sarcey, Jacques Sauge, A. de Saint-Albin,
Armand Silvestre, Andre Theuriet, Maurice Tourneux, Antony Valabr^gue,
Vicomte E.-M. de Vogile, Ch.-M. Widor, Charles Yriarte, Mile. Helen Zim-
mem, etc., etc.
THE PENE DU BOIS COLLECTION. 57
THOMAS DE LEU— VERY RARE AND CURIOUS COLLEC-
TION OF EARLY SEVENTEENTH CENTURY ENGRAV-
INGS.
216* LEU (Thomas de). Beatse semperqz Virgini. Marie, 6i
plates; Quindecim Misteria Rosarii B. Mari^ Virginis,
Paris, chez Pierre Firens, 1616, 3 plates ; Les Sainctes
Images de Diev le P^re et Diev le Fils, Auecques les
representations des Neuf Anges, etc., Paris, chez Nicolas
de Mathoniere, 1608, 12 plates j Le Christ et les 12
Apotres, i/^ plates j Septem Vrbis Ecclesias primariae Indvl-
gentiarvm, I.: le Clerc excud., T plates ; S. Vvo, S. Leo-
NARDvs, S. Franciscvs DE Pavla, SS. Ignatii Loyola
et Fr. Xaverii. Together loi very rare and beautiful
plates. 4to, maroon colored morocco extra, gilt back,
sides and edges, by De Watines. Paris, 1608, etc.
Very RARE. Priced $75; see inserted catalogue cutting.
217 LIEVRE (Edouard). Works of Art in the Collections of
England, with Descriptions. 50 plates, drawn by Lievre,
and etched by Bracquemond, Courtry, Flameng, Greux,
Le Rat, Lhermitte, T. Lievre, Muzelle, 'Rajon,
Randell a«(/ Valentin. Square large folio, loose in
cover. London, n. d.
Limited edition of 500 copies only printed on Holland paper by T. Claye,
of Paris.
This beautiful work contains fifty admirably executed etchings of some of the
most chaste objects of art selected from the best English collections— carvings,
ceramics, bronzes, armor, jewels, plate, etc., etc.
218 LINTON (W. J.). The History of WOOD ENGRAV-
ING IN AMERICA. With numerous illustrations, some
full-page, after or by Anderson, Adams, Jonnard, Linton,
Closson, etc. Large 4to, half cloth, veneer sides, edges
uncut. London, 1882
Limited edition, and each signed with the original autograph of the author.
AN ORIGINAL SUBSCRIBER'S COPY OF LODGE'S POR-
TRAITS.
219 LODGE (Edmund). Portraits of Illustrious Person-
ages OF Great Britain, with Biographical and Historical
Memoirs. Third edition. With an entirely new set of
plates and 60 additional subjects, in all 240 fine portraits.
12 vols, [complete in 80 parts, as published] large 8vo,
paper. London, 1829-35
An original Subscriber's copy, and cost £y) unbound, i.e., $150.
" It is impossible to conceive a work which ought to be more interesting to
the present age than that which exhibits before our eyes our ' fathers as they
lived,' accompanied with such memorials of their lives and characters as enable
us to compare their persons and countenances with their sentiments and
actions."— Sir Walter Scott.
" These volumes contain not fewer than 240 portraits by the most celebrated
artists, from original paintings in the possession of the nobility and gentry of
58 THE PENE DU BOIS COLLECTION.
this country. The plan was admirable, and the execution of it throughout is
entitled to equal praise. . . . Such a union of various talents, such a gallery
of illustrious dead, was scarcely ever before presented to the public, its colors
almost as vivid and sparkling as if the originals occupied the canvas whence
their copies were taken. " — DiBDiN.
PROOFS BEFORE LETTERS ON INDIA PAPER OF MANY
OF THE BEST "ART JOURNAL" PLATES.
220 LONDON ART JOURNAL. 37 plates, proofs befork
LETTERS ON India PAPER, mounted Oil thin card, with extra
wide margins. Square large folio, half morocco, beveled
cloth sides, gilt edges (rubbed). London, n. d.
This magntficent volume contains fine impressions of many of the prin-
cipal plates issued in the " London Art Journal.''
The subjects, painters, sculptors and engravers represented are: — " The Case-
ment," by J. Stephenson, after G. Newton, R. A.; "Landing of the Prince of
Orange," by W. Miller, after J. M. W. Turner, R. A.; "The Newspaper,"
byC. W. Sharpe, after T. S. Good; "The Dangerous Plavmate," by E. J.
Portbury, after W. Etty, R. A.; "Cavalier's Pets," by J. O'utrim, after Sir E.
Landseer, R. A.; "The Fisherman's House," by A. Willimore, after F.
Danby, A. R. A.; " Yorick and the Grisette," by H. Bourne, after G. S. New-
ton, R. A.; "Ruins in Italy," by T. A. Prior, after R. Wilson, R. A.;
" Florimel and the Witch," by G. A. Periam, after F. R. Pickersgill, A. R. A.;
" The Installation," by W. Taylor, after B. West, P. R. A. ; " Hebe," by W.
H. Mote, from the Statue by Canova; " The Tambourine," by C. Rolls, after
P. Williams; " The Filatrice," engraved by E. Roffe, from the Statue in pos-
session of the Duke of Devonshire; " The Stolen Bow," by P. Lightfoot, after
W. Hilton, R. A.; " Protecting Angels," by E. Roffe, from the Bas-Relief by
Ernest Rietschel; "Morning" and "Night," by Roose, from Bas-Reliefs by
Thorwaldsen; " Rest in the Desert," by J. Cousen, after, W. Miller; "Musi-
dora," by J. H. Baker, from Statue by R. J. Wyatt; "Crossing the Ford," by
L. Stocks, after W. Mulready, R. A.; "Juliet and the Nurse," by S. Sangster,
after H. Briggs, R. A.; "Sea-Shore in Holland," by J. C. Bentley, after Sir
A. W. Callcott, R. A.; "The Mother," from the Group by J. H. Foley,
A. R. A.; "The Bagpiper," by R. C, Bell, after Sir David Wilkie, R. A.;
" The Son of Niobe,'' by J. H. Baker, after J. Leeb; "The RafHe for the
Watch," by G. Greatbach, after W. Bird, R. A.; "The Infant Bacchus," by
T. Vernon, after Sir M. A. Shee, P. R. A.; " Napoleonis Mater," by W, H.
Mote, from the Statue by Canova; "Highland Mary," by Edwin Roffe, from
the Statue by B. E. Spence; " Persian Warrior," by C. Cousen, after W. Etty,
R. A.; "Lady Godiva," by J. B. Allen, after G. Jones, R. A.; "The Farm
Yard," by J. Godfrey, after T. S. Cooper, A. R. A.; "The Bashful Beggar,"
by W. H. Mote, from Group by M. Gandolphi, of Milan; " Council of Horses, "
by T. A. Prior, after J. Ward, R. A.; "The Faithful Messenger," by E.
Roffe, from Statue by J. Geefs, of Antwerp; "Cupid Bound," by E. R. Whit-
field, after T. Stothard, R. A.; "The Tired Soldier," by F. Croll,' after F.
Goodall.
221 LUBKE (Wilhelm). Ecclesiastical Art in Germany
during the Middle Ages, translated with Appendix by L.
A. Wheatley. Illustrated with 184 engravings. Large
8vo, cloth. Edinburgh, 1877
" To all interested in the study of ecclesiastical art, the appearance of this
volume will be welcome, both on account of the vast research which it exhibits,
and the number and evident utility of the illustrations."
THE PENE DU BOIS COLLECTION. 59
ABERLY (J.). The Print Collector. An Intro-
duction to the Knowledge of Ancient Prints,
with Suggestions as to the Mode of Collecting.
Edited with an Introduction and Notes by
Robert Hoe,- Jr. With illustrations. Thick
large 8vo, fresh half crushed levant morocco, top edges
gilt. , N. Y., 1880
" The book commends itself alone without comment to all collectors and
lovers of prints, and it is so wholly without rivals in its comprehensiveness and
accuracy that its publication makes it at once a necessary part of every collector's
library, while as a history of engraving and kindred arts it is invaluable to all
classes of intelligent readers. " — N. V. Evening Post.
EXTRA ILLUSTRATED AND LARGE PAPER COPY OF
ROBERT HOE'S EDITION OF MABERLY'S PRINT COL-
LECTOR.
223 MABERLY. The PRINT COLLECTOR— An Introduc-
tion to the Knowledge necessary for forming a Collection
of Ancient Prints, with an Appendix containing Field-
ing's Treatise on the Practice of Engraving. Edited with
Notes, an Account of Contemporary Etching and Etchers,
and a Bibliography of Engraving by ROBERT HOE, Jr.
Thick 4to. Elegantly bound by R. W. Smith in full green
crushed levant morocco, extra tooled, gilt back, paneled
sides in gilt, double with red crushed levant morocco,
lace-work pointille and dentelle tooled gilt borders, leather
joints, top edge gilt, others uncut, and in drop cloth case.
N. Y., 1880
UNIQUE AND LARGE PAPER, limited to 50 copies, printed on What-
man's hand-made paper and one copy printed on vellum, of which this is No. 45.
This copy has been enriched by the insertion of upwards of 80 extra illustra-
tions, including fine specimens of almost every style of engraving described in
the volume, with some portraits and examples of the work of most of the famous
engravers and etchers mentioned.
Among the rare originals will be found the famous ' ' Great Horse " of Albert
Durer; "St. Bartholomew," "St. Thomas," "St. Matthew " and " St. Philip,"
all engraved by Hans Sebald Beham; Allegorical Subject, by Henry Aldegrever;
"St. Peter," by Henry Goltzius; "Jesus and the Samaritan Woman, "by Rem-
brandt; Landscape, by John Both; " Dogs," by W. Hollar; " Lady Boyd," by J.
McArdell; "Portrait of Raphael Morghen," engraved by himself; "Female
Head," etched by Bartolozzi; "The Laughing Audience," by W. Hogarth;
also original etchings by Seymour Haden, J. A. M. Whistler, C. Meryon, L.
Flameng, C. Jacque, J. Jacquemart, A. Appian, Henry Farrer and a complete
proof set of Daubigny's "Voyage de Bateaux."
Where it has been difficult to obtain fine, original impressions of the early
Masters, such as Martin Schoen, Albert Durer, Marc Antonio, Lucas Van
Leyden, Paul Potter, Claude, Rembrandt, Berghem, Callot, etc., the want has
been supplied by the famous reproductions of Armand Durand. These prints,
copied from the finest impressions in existence, are of such wonderful fidelity
that it is sometimes difficult for even experts to detect a difference between the
copy and the original. Among them will Jje found the world-famed "Knight
and Death," ' ' St. George," and " Crest with a Skull," of Albert Durer; "Adam
and Eve," "Venus" and "Poetry," of Marc Antonio; "St. Veronica's Veil"
6o THE PENE DU BO IS COLLECTION.
and the " Nativity," of Martin Schoen; " Christ and Mary Magdalen," of Lucas
Van Leyden ; ' ' Burgomaster Six, " " Jewish Bride, " " The Mill and the Beg-
gars," of Rembrandt, etc., etc. The whole forms a valuable, curious and
instructive collection which commends itself to all those interested m the beau-
tiful art of engraving.
224 MAQUET (Auguste). Paris sous Louis XIV.— Monuments
et Vues. Numerous illustrations., portraits, views, etc.
Large 4to, sewed, uncut.
Paris, Laplace Sanchez et Cie, 1883
A grand work printed in large type on thick paper.
225 MARIE (Adrien). Une Journ^e d'Enfant Compositions
Inddites par Adrien Marie [with English Text]. 20
plates in colored heliogravure of Dujardin. Large 4to.
Illuminated cloth. N. Y., 1884
Adrien Marie is one of those inordinately successful illustrators whom pub-
lishers try to keep at the work of book-decoration, but who are pushed by an
invincible impulse towards oil-painting and canvas. The above consists of
numerous charming drawings printed in various shades of ink. It has been pro-
nounced by all the press as one of the most delightful records of child-life ever
published.
" ' Une Journee d'Enfant ' here you see.
In twenty drawings by Marie —
Supremely Skilful.
The clever Artist here unfurls.
The hopes and fears of little girls
Short-frocked and Frillful !
In bed, in bath, at dinner, tea,
At lessons, music, romping. We,
A Baby Beauty clearly see.
Divinely Wilful !"
— London Punch.
226 Marlborough (Duke of). Catalogue of Collection of Pic-
tures of, from Blenheim Palace — First Portion. Large
8vo, sewed. London, 1886
227 MARTIAL ACHIEVEMENTS of Great Britain and her
Allies from 1799 to 1815. Vignette titles and 52 fine plates
engraved in aquatint by Sutherland, Clark, Du-
BOURG and others from desigfis by W. Heath. Large 4to,
old half morocco, totally uncut.
London, J. Jenkins, 1814
228 MARTIN (John). Illustrations of the Bible. 20 fine plates
engraved in mezzotinto. Folio, old cloth, uncut.
London, Charles Tilt, 1838
Rake. By the famous illustrator of Milton, who not only made these grand
designs, but engraved them with his own hand.
THE PENE DU BOIS COLLECTION. 6i
MASTERPIECES OF FRENCH ART— THE SPLENDID IM-
PERIAL EDITION.
229 MASTERPIECES of FRENCH ART ILLUSTRATED:
being a Biographical History of Art in France from the
Earliest Period to and Including the Salon of 1882. By
Louis ViARDOT and other Writers, edited by Wm. A.
Armstrong. Illustrated with the choicest works of the best
French Artists, Ancient and Modern, and consisting of 100
photogravure plates, India paper proofs before letters,
and over 100 wood engravings by French Artists. 2 vols,
folio, and done up in ten sections (or parts), each in a
loose fresh cloth portfolio. Phila., Gebbie 6^ Co., 1882
Imperial Edition, and issued in ten sections, at $12.50 each, to subscribers
only. . Each section contains 10 photogravure plates, India proofs before let-
ters with about forty pages of tejtf, India proofs, and wood engravings, and en-
closed in a cloth portfolio.
The Imperial Edition was limited to one thousand copies, and no more will
be printed. The above is No. g6.
MAYER'S ORIENTAL VIEWS— COLORED PLATES.
230 MAYER (LuiGi). ORIENTAL VIEWS, i. e.:—
I. Views in Egypt from Original Drawings in the Posses-
sion of Sir Robert Ainslie, taken During His Embassy
to Constantinople. With Historical Observations on the
Manners and Customs of the Natives. 49 finely colored
plates engraved by and under the direction of Thomas
Milton.
II. Views in the Ottoman Dominions in Europe and
Some of the Mediterranean Islands from the Original
Drawings taken for Sir Robert Ainslie. With Histori-
cal and Descriptive Text in French and English. 35
finely colored plates.
III. Views in the Ottoman Empire, chiefly in Caramania,
a Part of Asia Minor Hitherto Unexplored with Some
Curious Selections from the Islands of Rhodes and Cyprus
and the Celebrated Cities of Corinth, Carthage and Tripoli.
With Historical and Descriptive Text in French and Eng-
lish. 2i, finely colored plates.
Together 3 vols. Folio, fine old russia, extra gilt (re-
backed and a few pages foxed).
'LondiOn, printed by T. Bensley, 1801-10
A very fine collection of Oriental views, and which are colored equal to water-
color drawing^.
231 MAYNARD (L'Abbd U.). La Sainte Vierge. With 14
beautiful plates in colors and metals, 3 photogravures and
200 woodcuts by Huyot. Thick large 8vo, fresh half red
morocco gilt, edges gilt. Paris, Firmin-Didot, 1877
In this superb volume are reproduced many of the grandest works of Durer,
Holbein, Raffaelo, Cranach, Correggio, Van Eyck, Michael Angelo, Rubens,
Titian, Paul Veronese, etc.
62 THE PENE DU BOIS COLLECTION.
232 MENARD (Rend). I,' Art en Alsace-Lorraine. Illustrated
with numerous fine etchings on Holland paper, woodcuts and
facsimiles. Thick large 8vo, paper, uncut. Paris, 1876
The hundreds of illustrations in this handsomely printed and superb work
were executed under the direction of Leon Gaucherel.
233 MERIAN (Matthew). Florilegivm Renovatvm et Avctvm
Variorvm Maximeqve Rariorvm Germinvm, Florvm ac
Plantarvm. Engraved front., vignette title and nearly 180
botanical and horticultural plates — with MS. index at the
end. Small folio, boards, uncut.
Frankfort, apud Matthaeum Merianum, 1641
Rare. There were two Matthew Merians, one, the eminent Swiss designer
and engraver, married the daughter of Theodore De Bry, and was the instructor
of the celebrated Hollar. He died at Frankfort in 1651. Matthew Merian,
the younger, is said to have studied painting successively under Sandrart, Rubens
and Van Dyck. He was famous for his equestrian portraits and etched a few
plates.
234 MERIMEE (Prosper) — ses Portraits, ses Dessins, sa Biblio-
theque. Etude par Maurice Tourneux. Portraits on
India paper, cuts and vignettes. Small 4to, fresh half
crushed levant morocco, top edge gilt, others uncut, and
with the covers bound in by Bradstreets.
Paris, Charavay frer£s, 1879
Limited edition, printed on heavy laid paper.
235 MEYE (Heinrich). The Stone Sculptures of Copan and
Quirigua. With Historical and Descriptive Text by Dr.
Julius Schmidt. Translated from the German by A. D.
Savage, late of the New York Metropolitan Museum.
With 20 plates drawn by Meye. Square large folio, fresh
half morocco, cloth sides, top edge gilt. N. Y., 1883
Published at twenty dollars. The sculptured monoliths of Copan and Quiri-
gua, reproduced in the plates, rank indisputably with the most interesting and
noteworthy monuments of tropical America. They clearly betray the end for
which they were produced — to display, embodied in stone, to the population
settled in these regions, and to hand down to after-generations, the religious
ideas ind traditions which reigned in the spiritual life of these people. The
number of places in Central America which at the present day attract attention
by the presence of these monolith statues is by no means large — that is, if we
look for an assemblage of many such statues on one spot. In most of the better-
known collections of ruins, the statues occur singly, or else, as in the case of
Santa Lucia Cosumalhualpa, the sculptured figures are represented exclusively
by reliefs.
236 MEYER (Julius). Geschichte der Modernen Franzosichen
Melerei seit, 1789. Profusely illustrated with page wood-
engravings. 2 vols, large 8vo, paper, uncut
Leipzig, 1866-67
THE PENE DU BOIS COLLECTION. 63
SPLENDID COPY OF MICHAUD'S CRUSADES AND ILLUS-
TRATED BY DORE.
237 MICHAUD (Joseph). HISTOIRE des CROISADES par
MICHAUD, de TAcadeinie Fran9aise. Illustrated with
100 grand plates, after the magnificent and characteristic
original designs of Gustave Dor£, and engraved by '&^1.-
LENGER, DOMS, GUSMAN, JOUNARD, PaNNEMAKER,
PiSAN and Quesnel — also vignette portraits on titles of
Dor£ and Michaud. 2 vols, square folio, splendidly
bound by Dupr^ in crimson crushed levant morocco,
elegantly tooled on the backs and sides, rounded corners,
also broad inside gilt dentelle borders, edges gilt.
Paris, Furne Jouvet et Cie., 1877
A splendid edition of Michaud's grand " History of the Crusades,'' splendidly
printed by Corbeil, splendidly illustrated by Dore, and splendidly bound by
Dupre.
238 MIELOT (Jean). Vie de Sainte Catherine d'Alexan-
DRiE, Texte Revu et Rapprochd du Fran^ais Moderne,
par Marius Sepet de la Bibliothfeque Nationale. Numer-
ous exquisite chromolithographs by Urrabieta, Daumont
and Leveil, wood engravings and initial letters, photogra-
vures, etc., and every page surrounded with charming tinted
borders. Thick large 8vo, half red morocco, extra gilt,
cloth sides, gilt edges. Paris, Georges Hurtrel, i88r
Jean Mielot, the author of this work, was one of the secretaries of Philip the
Good, Duke of Burgundy.
THE LIFE AND ART WORK OF THE FRENCH PAINTER,
MILLET.
239 MILLET (J. F.). La Vie et I'CEuvre de, par Alfred Sen-
* siER— Manuscrit public par Paul Mantz, avec de Nom-
breuses Illustrations. Profusely illustrated with portraits of
Millet, heliogravures and other page illustrations after his
works, atid numerous others in the text. Large 4to, fresh
half crushed red levant morocco, top edge gilt, others
uncut. Paris, Quantin, 1881
This is a complete biography and thorough account of the art work of the
great French painter, Jean Francois Millet. It is admirably illustrated.
" The late M. Millet, besides being a landscape-painter, was a great figure-
painter. In the opinion of many, and those not the admirers of the newest
phase of French art, the Courbet-Manet-Corot school, he was the first French
painter of his time. Certainly, the French school has never produced an artist
with such thorough devotion to nature, or who has so truthfully rendered scenes
and emotions of natural life, his works having nothing theatrical or cynical
about them."— Theophile Gautier.
64 THE PENE DU BOIS COLLECTION.
LARGE PAPER COPY OF MARTIN'S MILTON.
240 MILTON. PARADISE LOST. Splendid Edition.
Handsomely printed in large type and illustrated with the
celebrated series of engravings by John Martin. 2 vols.
4to, half morocco gilt, top edges gilt, others uncut (foxed
sHghtly). London, Septimus Prowett, 1827
Large paper copy, original edition and brilliant impressions of the plates. The
finest edition both in illustration and typography of Paradise Lost.
" It may be doubted whether the Creator ever created one altogether so great
as Milton, taking into one view at once his manly virtues, his superhuman
genius, his zeal for truth, for true piety, for freedom, his eloquence in display.-
ing it, his contempt of personal power, his glory and exultation in his country."
— W. S. Landor.
241 MITCHELL (L. M.) A History of Ancient Sculpture.
Numerous fine woodcuts and six plates iti phototype. Thick
large 8vo, fresh cloth, top edge gilt, others uncut.
N. Y., 1383
242 MONTROSIER (Eugene). Les Artistes Modernes — Qua-
trieme Partie — Peintres Divers. With 40 biographies illus-
trated -with designs and sketches, ornamental letters, and head-
pieces by G. Fraipont — also 40 photogravures on India
PAPER, and the whole of the text tinted and with borders.
Large 8vo, cloth, top edge gilt. - Paris, 1884
243 MOREAU LE Jeune. 18 plates, engraved title and por-
trait engraved by Dubouchet, after the engravings designed
by MoREAU LE Jeune in 1776-83, and to serve as a history of
eighteenth century manners and costume. Large 4to, loose
in cloth gilt portfolio, with cloth flaps. Paris, 1881
Limited edition of 490 impressions only of these plates were issued.
244 MoRiTZ (K. P.) Gotterlehre oder Mythologische Dichtun-
gen der Alten. Numerous outline mythological plates,
i2mo, half sheep. Berlin, n. d.
245 MUSSET (Alfred de). Etchings to illustrate the works of
Alfred de Musset — Four Series. 42 etchings designed by
Henry Pill£, and engraved by Louis Monzies. 4 port-
folios. Small 4to, boards. Paris, 1878
246 MVSAEVM HISTORICVM et Physicvm Ioannis Imperi-
AUS Phil, et Med. Vicentini, etc. Engraved title and nu-
merous copper-plate portraits. 4to, marbled boards.
Yemce, apud Juntas, 16^0
Rare and a good example from the celebrated press of the great Florentine
printers — the Giunti or Juntse. On the last page is the Giunta printer's mark
" a fleur-de-lys and Cupids." Among the more important portraits in the above
volume are those of Arnold of Villanova, Alciatus, Cardinal Baronius, Heinsius,
Guiccardini, Strada, Davila, Grotius, Scaliger, Porta, Paulus Manutius, Ray-
mond LuUi, Cardinal Pole, Bellarraine, Tasso, etc.
THE PENE DU BOIS COLLECTION. 65
THE MUSEE NAPOLEON— WITH GOOD IMPRESSIONS OF
THE PLATES.
247 MUSEE NAPOLEON. Les Monumens Antiques du Mus^e
Napoleon, avec explications par J. G. Schweighaeuser et
Louis Petit Radel. With numerous plates designed and
engraved by Thomas Piroli and published by F. and P.
PiRANESi. 4 vols. 4to, old Spanish calf gilt, edges gilt.
Paris, Panckoucke, 1804-6
With excellent impressions of the plates of the sculpture of ancient Greece
and Rome.
W^wJlAPOLEON EN EGYPTE, Waterloo et le Fils de
J]!^&||: rHomme par Barth]£l£my et M^ry, prdc6d6s
^^^^ti d'une Notice Litt6raire par M. Tissot, de I'Acad-
'ijjP^SLS: 6mie Frangaise. With numerous illustrations by
i^^^=^=^^^^^ Horace Vernet and Hte. Bellange, those
which are full page being on Ivi'DiA.-vA.'e'E.K and slightly foxed.
Large 8vo, half morocco, gilt (rubbed). Paris_. n. d.
Very scarce and India-paper proofs.
THE NATIONAL GALLERY— FIRST EDITION.
249 NATIONAL GALLERY of Pictures by the Great Masters.
Presented by Individuals or Purchased by Grant of Parlia-
ment. 114 fine engravings on steel, with descriptions. 2
vols. 4to, roan, gilt edges.
London, Jones's Temple of the Muses, n. d.
First and best edition. This collection contains engravings on steel in
stipple and line of the most famous paintings in the British National Gallery —
subjects by Hogarth, West, Wilson, Copley, Beaumont, Reynolds, Gainsbor-
ough, Wilkie, Jackson, Beechey, Opie, Poussin, Canaletta, Correggio, Velas-
quez, Caracci, Tintoretto, Vandyck, Giorgione, Claude Titian, Rubens, Guido,
Domenichino, Rembrandt, Murillo, Raphael, etc., etc., A few are foxed.
250 NATIONAL GALLERY (The). Etchings from, with
Notes by R. N. Wornum. 18 fine plates. Large 4to,
cloth gilt, edges gilt. London, 1876
These plates after Masaccio, Bellini, Giorgione, Moroni, Mantegna, Velas-
quez, Rembrandt, Cuyp, Maes, Hobbema, Reynolds, Gainsborough, Turner
and Landseer were etched by Flameng, Le Rat, Rajon, Wise, Waltner, Brunet-
Debaines, Gaucherel, Richeton, and Chattock.
251 NATIONAL PORTRAIT GALLERY of Illustrious and
' Eminent Personages of the Nineteenth Century, with
Memoirs. About 150 portraits finely engraved on steel after
Reynolds, Lawrence, Shee, Phillips, Pickersgill,
Hoppner, etc., etc. .Vols, i, 2, 3 and 4. Large 8vo, half
russia. London, 1834
First and best edition with fine impressions of the plates. Uniformly
printed with and forming a most admirable continuation to Lodge's portraits.
A very desirable set for illustrators, containing, as it does, all the important
celebrities — literary, legal, naval, military, theological, political — of the present
century.
66 THEPENE DU BOIS COLLECTION.
252 NATIONAL PORTRAIT GALLERY of Distinguished
Americans, with Biographical Sketches. With supplement-
ary volume. Profusely illustrated with steel portraits. 5
vols, large 8vo, cloth. Phila., 1852-67
EDITION-DE-LUXE OF THE GALLERY OF BRITISH ART
—PROOFS BEFORE LETTERS ON INDIA PAPER.
253 NEW GALLERY of BRITISH ART, with Descriptive
Text. Consisting of loo engravings on steel from the works
of distinguished British painters — Proofs before letters
ON India paper. 10 Sections (complete with title and
index). Large square folio, loose in morocco portfolio,
with flaps and silk ties. N. Y., 1883
No. 461 of Limited edition-de luxe sold to subscribers only.
The artists represented in this beautiful series are: — H. Dawson, F. Goodall,
Erskine NicoU, F. HoU, J. Phillip, T. Creswick, Sir Edwin Landseer, Daniel
Maclise, P. H. Calderon, R. Ansdell, J. S. Copley, W. Mulready,,Sir T.
Lawrence, Sir J. Reynolds, Sir A. Callcott, Marcus Stone, T. B'aed, D.
Roberts, W. Collins,- Mrs. E. M. Wood, G. J. Pinwell, G. Romney, J.
Linnell, G. H. Fripp, C. W. Cope, J. F. Herring, P. Williams, T. Unwins,
E. M. Ward, G. E. Herring, Sir M. A. Shee, J. S. Raven, F. Tayler,
T. Gainsborough, B. W. Leader, S. L. Fildes, J. C. Loutherbourg, C. S.
Lidderdale, W. F. Witherington, Miss R. Solomon, A. Solomon, G. Jones,
G. Smith, F. R. Lee, T. S. Cooper, Frederick Leighton, J. Nash, E. J. Poynter,
R. Wilson, H. P. Briggs, C. Stanfield, L. J. Pott, W. Callow, J. Pettie, S.
Bough, A. Cooper, T. M. Richardson, Sir David Wilkie, F. R. Lee, Sir W.
Allan, W. Evans, E. Davis, T. S. Goode, J. A. Hammersley, W. P. Frith,
Vicot Cole, R. A. Hfllingford, J. Tennant, R. Rothwell, J. D. Harding, R. P.
Bonnington, H. T. Dawson, Joseph Clark, Holman Hunt, G. Lance, Sir C. L.
Eastlake, W. Hogarth, Birket Foster, Jacob Thompson, C. W. NichoUs, J.
Constable, H. Le Jeune, A. Clint, D. W. Wynfield, J. A. Bell, J. E. Millais,
C. J. Lewis, A. H. Burr, C. R. Leslie, G. Chambers, H. Jutsum, J. V. Gibson,
J. C. Hook, H. Wyatt, J. W. Inchbold, C. Landseer, T. Graham and P.
Nasmyth.
The beautiful plates were engraved by L. Stocks, J. C. Bentley, C. Cousen, J.
Redway, F. Joubert, W. Greatbach, W. Richardson, E. Challis, H. Bourne, C.
W. Sharpe, F. A. I-Ieath, R. Graves, E. Goodall, W. Finden and other well-
known engravers.
254 NEWTE (Thomas). Prospects and Observations on a Tour
in England and Scotland. Natural, Economical and
Literary. Map and numerous plates engraved by F. Gary
fro7n designs of A. Grant. 4to, old mottled calf, extra
gilt, marbled edges. London, 1791
' ' Newte's Tour is a work replete with profound research and useful infor-
mation. It was written by Dr. Wm. Thompson. " — Dr. Parr.
255 NUMISMATIC— Zepernick (C. F.). Die Munzen und
Medaillen der Ehemaligen Capitel und Sedisvacanzen bei
den Cathedralen und Kirchen der Deutschen Erz-, Hoch-
und Unmittelbaren Reichs-Stifter. Numerous numismatic
plates of coins and medals, descriptive MS. on some. 4to,
boards. Rare. Halle, 1848
THE PENE D U BOIS COLLECTION. 67
jgSgplPPENHEIM (Ancel, expert). Connaissances
i^^^ Necessaries a un Amateur d'Objets d'Art et de
a^^ Curiosity. Small 8vo, fresh half crushed levant
1^^^: morocco, top edge gilt, others uncut.
Paris, Rouveyre, 1879
Limited edition of 100 copies on parchment, Japan, China, tinted and
Whatman paper, of which the above is one of the last named. Many of the
lines in the text, the fleurons, printer's marks, etc., are printed in sepia.
This work contains an alphabetical list of objects, the date of their manu-
facture, the commercial price, etc. The volume is invaluable to a collector of
curios or objects of art.
257 ORTELIUS (Hieronymus). Schone Bildnus in Kupferge-
stochen, etc. Numerous plates of biblical women, com-
mencing with Eve spinning from an impromptu distaff,
Susannah, the woman taken in adultery, etc. Small 4to,
cloth (title mounted and some pp. stained). Augusta, 16 10
Very rare and curious 17th century engravings, some of nudes.
HJARIS SALON.— Catalogue Illustre du Salon,
publie sous la Direction de F. G. Dumas, 1880
to 1886 inclusive. With several thousands of
reproductions from the original designs of the
artists. 7 vols. 8vo, fresh half red crushed levant
morocco, top edges gilt, other uncut. Paris, i88c3-86
259 PATTISON (Mrs. Mark). The Renaissance of Art in
France. With 19 illustrations on steel. 2 vols. 8vo, fresh
half morocco, top edges gilt, others uncut. London, 1879
Written by the present wife of Sir Charles Dilke. "This is the first complete
account that has appeared of one of the most important, and at the same time
difficult, periods in the history of French art. ... In any case Mrs. Pattison's
work even now is an indispensable guide to its subject. No reader will lay down
the work, carefully thought out and attractively written, without a feeling of
satisfaction, and there is probably no map in this special branch of art who
would not have been glad to have written such a work." — London Athenirum.
260 PEIGNOT (Gabriel). De la Maison Royale de France, ou
Precis Genealogique et Anecdotique sur la Famille de
Bourbon et sur les Illustres Aieux, depuis Saint Arnoul,
en 596; etc. Portraits. Small 8vo, half morocco.
Paris, 1815
Very rare, and No. 66 of a hmited edition.
HENRY DE PENE'S LIFE OF THE COUNT DE CHAMBORD.
261 PfeNE (Henri de). HENRI de FRANCE. Illustrated
with numerous portraits and other illustrations, including
etchings, line engravings, facsimile aquarelles, fusains, etc.,
etc. Large 4to, half levant morocco, top edge gilt.
Paris, Oudin, 1884
This volume, written by the uncle of Mr. Pene du Bois, is a biography of the
late Count de Chambord, the soi-disant King Henri V. of France.
68 THE PENE D U BOIS COLLECTION.
262 PENNANT (Thomas). Some Account of London. Map,
portraits, folding plates of views, antiquities, etc., some
engraved by Heath and mostly proofs before letters.
Small 8vo, fresh half calf gilt, citron edges. London, 1813
Very scarce in this fine state. "This work is one of the most pleasing topo-
graphical performances that has ever appeared." — Lowndes.
EXTRA ILLUSTRATED COPY OF PEPYS" DIARY.
263 PEPYS (Samuel). Diary and Correspondence of, from his
MS. Cypher in the Pepysian Library, with a Life and Notes
by Richard Lord Braybrooke, deciphered with Addi-
tional Notes by Rev. Mynors Bright, M.A. Facsimiles,
etc. 10 vols: 8vo, half levant morocco, by R. W. Smith,
top edges gilt, others uncut. N. Y., 1884
Unique. No. 79 of a limited edition of 169 copies of which the above is on
Holland paper.
This copy is illustrated by the addition of about 100 portraits and views, some
of which are very fine and scarce, including some splendid proofs on India paper,
including Pepys after Hales, NellGwyn after Lely, Wilmot after Lely, Sir Isaac
Newton after Kneller, Duchess of Cleveland after Lely, Sir C. Wren after
Kneller, the Earl of Clarendon after Lely, Countess of Rochester after Lely,
Inigo Jones after Vandyck, Mrs. Pepys after Hales, etc. , etc.
" The best book of its kind in the English language. Pepys is marvellously
entertaining: the times and the man peep out in a thousand odd circumstances
and amusing expressions. The ablest picture of the age in which the writer
lived, and a work of standard importance in English literature." — London Athe-
naum.
THE HISTORY OF ART BY PERROT AND CHIPIEZ.
264 PERROT (Georges) and CHIPIEZ (Charles). History of
Art. Translated and Edited by Walter Armstrong,
/. e.: —
I. History of Art in Phoenicia and its Dependencies, from
the French. Illustrated with 644 engravings in the text and
\o steel and colored plates. 2 vols.
II. History of Art in Ancient Egypt. Illustrated with 598
engravings in the text and 14 steel and colored plates. 2
vols.
III. History of Art in Chaldsea and Assyria. Illustrated
with 452 engravings in the text and 15 steel and colored plates.
2 vols.
Together 6 vols. 4to, fresh half red levant morocco, top
edges gilt, others uncut. London, 1883-85
" M. Perrot's name as a classical scholar and archjeologist, and M. Chipiez's
as a penetrating critic of architecture, stand so high that any work from their
pens is sure of a warm welcome from all students of the material remains of
antiquity. These volumes are the first instalment of an undertaking which has
for its aim the history and critical analysis of that great organic growth which,
beginning with the Pharaohs and ending vrith the Roman Emperors, forms what
is called Antique Art." — Preface.
THE PENE DU BOIS COLLECTION. 69
265 PERSIUS.— AvLi Persii Flacci Satyras Sex ad Fidem
Optimarvm Editionvm, etc., edidit G. F. Sebaldvs.
Every page of the text and numerous charming illustrations
engraved by J. M. Schmidt. 8vo, mottled calf gilt, marbled
edges. Rare. Nuremberg, 1765
266 PICTURESQUE AMERICA, or the Land We Live In, ed
ited by William Cullen Bryant. Numerous engravings
on steel and wood by American artists. Parts i to 19 inclu-
sive. Large 4to, sewed. N. Y., n. d.
267 PICTURESQUE SKETCHES, comprising Architectural
Sculpture, Statues, Monuments, Tombs, Fountains, Capi-
tals, Cathedrals, Iron-Work, Details of Ornament, etc. 26
plates. Oblong 4to. Boston, 1885
268 PLANCHE (J. R.). Cyclopaedia of Costume, including
Notices of Contemporaneous Fashions on the Continent
of Europe. Profusely illustrated with colored and metal
plates, mostly from MSS., and woodcuts. Thick 4to, fresh
half red morocco gilt, top edge gilt, others uncut.
N. Y. [London], 1877
THE DU BOIS EDITION OF PLUTARCH-LARGE PAPER—
WITH DUPLICATE SETS OF INDIA PROOFS OF THE
PLATES AND IN TWO STATES.
269 PLUTARCH. — Vies des Hommes Illustres de PLU-
TARQUE traduites du Grec par D. Ricard. Illustrated
with plates and portraits from statues, bas-reliefs, etc. — the
plates IN TWO states on India paper — one before let-
ters— also maps, some colored. 15 vols, in 27 (all with
separate titles). Large 8vo, fresh half red morocco
(slightly foxed in some vols., etc.)
Paris, chez F. Aug. du Bois, ^diteur-proprietairc, 1837-41
LARGE PAPER, with double set of India proofs as stated above.
Dominic Ricard devoted almost his entire life to his' translation and edition of
Plutarch. He interpreted this grand old author from the most correct texts,
and with an exactitude of historic truth that entirely put into the shade the labors
of his predecessors Amyot, Tallemant and Dacier. His version is clear, and
reads easily and agreeably.
The beautiful plates and carefully executed maps were taken from the most
authentic sources.
269* POE. LeCorbeau [The Raven], Poeme, par Edgar Poe.
Traduction Francaise de St^phane Mallarm£. Avec
illustrations par Edouard Manet. Folio, paper.
Paris, 1875
No. 102 of an edition limited to 240 copies, each signed, like the above, by
the translator and the artist, the celebrated Manet, the leader of the realistic
school of painting in France.
70 THE PENE DU BOIS COLLECTION.
270 POETISCHER BILDERSCHATZ der Vornhemsten Bib-
lischen Geschichte des Alten und Neuen Testamentes.
Illustrated with 300 half-page engravings. 2 vols, in i.
8vo, marbled calf extra gilt, edges gilt and tooled.
Leipzig, 1758
Rare. Fine old eighteenth century binding, with admirably executed
prints and two vignettes on titles.
LIMITED EDITION OF POETS AND ETCHERS— SIGNED
PROOFS.
271 POETS AND ETCHERS.— Poems by T. B. Aldrich, W.
C. Bryant, R. W. Emerson, J. R. Lowell, H. W. Long-
fellow and J. G. Whittier. — Etchings by K. F. Bel-
lows, Samuel Colman, Henry Farrer, R. Swain-Gif-
FORD and J. D. Smillie. Square large folio, loose in cloth
portfolio, with inside leather joints. Boston, 1882
Limited edition of fifty impressions, the above being No. 2.
These charming etchings, illustrating the works of our greatest American
poets, are all, to the number of twenty, signed by the etchers themselves. They
are in cut cardboard mounts and are China paper proofs before letters. The
text is illustrated further by a number of vignettes by Smillie, Bellows, Colman,
Farrer and Swain-Gifford.
272 PORTFOLIO (The). An Artistic Periodical, edited by P.
G. Hamerton. Profusely illustrated with fine large
etchings and photogravures. Folio, half morocco, gilt top
edge. London, 1876"
Probably no fine art periodical has enjoyed so well-deserved a reputation as
Hamerton's Portfolio ; and as it is now universally conceded that by etchings
alone can the colors of painting be presented to the imagination, the earlier por-
tions of this famous periodical will increase in value daily.
LARGEST PAPER COPY OF PUGIN AND HEATH'S PARIS
—WITH INDIA PROOFS BEFORE ALL LETTERS.
273 PUGIN and HEATH. Paris and its Environs Displayed,
with Topographical and Historical Descriptions by L. T.
Ventouij-Lac. a series of 200 picturesque views from
drawings by Augustus Pugin and engraved by C. Heath.
2 vols, in I. Thick large 4to, morocco extra gilt, edges
gilt (foxed slightly and binding rubbed). London, 1833
LARGEST PAPER INDIA PROOFS BEFORE ALL LETTERS, and
pubhshed at £,% 8s. With both English and French texts.
" The works of Mr. Pugin are invaluable to the antiquary, as well as to the
artist and architect." — Allibone.
274 PusCHNER (J. G.). Blumen Buch. Nearly 50 plates of
flowers. Large 4to, sewed, uncut. n. p., n. d.
Rare. Puschner flourished at Nuremburg from about 1670 to 1720. He is
best known as an engraver of portraits.
THE PENE DU BO IS COLLECTION. ji
PYNE'S COSTUME— WITH PLATES COLORED BY HAND.
275 PYNE (W. H.). The COSTUME of GREAT BRITAIN.
60 fine plates beautifully colored by hand in facsimile of the
original drawings. Folio, half roan, uncut (binding
rubbed). London, William Miller, 1808
An UNUSUALLY FINE copy of this rare and valuable book, of which a very
limited number were issued. It was never reprinted on account of the great
expense attending its publication. The text was printed at the celebrated Press
of W. BULMER, and each print engraved in aquatint on copper, and exquisitely
colored by hand in fac-simile of Pyne's very clever and artistic drawings. This
artist is well and favorably known as the author of " The Microcosm," a work
to which many artists (Turner included), are indebted fpr the spirited figures in
many of their foregrounds. He is also the author of that magnificent publica-
tion, " The History of Royal Residences in Great Britain," and many other
works issued by the celebrated publisher; Ackermann.
AFFAELO (Sanzio). The Book of Raphael's
Cartoons, by R. Cattermole. Portrait, vig-
nette title and fine steel plates ejigraved by A. W.
Warren. 8vo, cloth gilt, uncut. London, 1845
" The engravings by Warren are gems of themselves." — Monthly Review.
277 RAMBOSSON (J.). Les Harmonies du Son at I'Histoire
des Instruments de Musique. Illustrated with 200 wood
engravings and 5 chromolithographic plates. Thick large
8vo, fresh half morocco gilt, cloth sides, gilt edges.
Paris, Eirmin-Didot, 1878
One of the most important works on music published in this century.
RAPIN'S ENGLAND, WITH VERTUE AND HOUBRAKEN'S
PLATES.
278 RAPIN DE THOYRAS. History of England, translated
by Tindal. Maps and the series of heads .and tfionuments
by Vertue and Houbraken; also numismatic plates. 5
vols, thick folio, old calf, gilt. London, i-] ^■^-/ii.i
Fine clean copy, with good impressions of the plates.
" Rapin and Hume are our two great historians. Rapin is important, and
always unaffected and laborious — a work which may readily and ought always to
be compared with Huilrie. It is full, valuable, and a sort of substitute in the
absence of all other writers. Tindal is not unworthy to be the successor of
Rapin; equally diligent and copious, with the same attachment of the best
interests of Englishmen, and, like his predecessor, a sort of general substitute
in the absence of other writers. " — Professor Smyth.
279 REMBRANDT (Paul). L'OEuvre Complet de Rembrandt,
decrit et comment^ par M. Charles Blanc. 2 vols. 8vo,
fresh half red crushed levant morocco, top edges gilt,.
others uncut, by Ad. Bertrand. Paris, n. d.
The best authority on Rembrandt, with a "catalogue raisonne " of all the
etchings of the master and of his paintings. There are no illustrations to this
issue, the text being left blank in places for the insertion of cuts or etchings.
' ' Rembrandt van Rhyn holds a distinguished place among the most popular
engravers of his country. This extraordinary artist, who owed everything to
72 THE PENE DU BOIS COLLECTION.
nature, has established an epoch in engraving more than any other master. He
was the inventor of a process, for which he was entirely indebted to his genius,
and which has thrown a charm over his prints that is indescribable. His plates
are partly etched, frequently much assisted with the dry point, and occasionally,
though rarely, finished with the graver They evince the most extraordinary
facility of hand, and display the most consummate intelligence of the effect of
light and shadow. His point, playful and free, sports, if the expression may be
allowed, in picturesque disorder, and, by an enchanting negligence, produces,
as if by accident, the most surprising effects, which are, however, always regu-
lated by his perfect acquaintance with the principles of chiar-oscuro." —
Bryan.
280 Renouard (J.). Croquis d'Animaux. , 16 humorous colored
page plates. 4to, boards, red edges. [Paris, n. d.]
RENOUVIER ON ENGRAVING — PRIVATELY PRINTED
AND WITH INSERTED LETTER OF CHARLES SUM-
NER.
281 RENOUVIER (Jules). Des Types et des Mani&res des
Maitres Graveurs pour Servir k I'Histoire de la Gravure
en Italic, en Allemagne, dans les Pays-Bays et en France —
XVe Siecle. Large 4to, half morocco gilt, top edge gilt,
others uncut. Montpelier, 1853
Very scarce, privately printed and presentation copy with autograph
letter inserted of Charles Sumner, who writes: — "At Mr. Furness's, 3d Dec. 'sg.
Dear Mr. Hammersley. Here is a copy of Renouvier's unpublished work on
Engravers, which I hope may interest you. I beg you to accept it as a Souvenii'
of the pleasant hours which I passed in examining- your collections. Believe
me. My dear Sir, with much regard. Sincerely yours, Charles Sumner."
282 RENOUVIER. Des Gravures sur Bois dans les Livres de
Simon VosTRE,Libraire d'Heures — avec un Avant — Propos
par Georges Duplessis. 8vo, sewed, uncut.
Paris, Auguste Aubry, 1862
Limited edition, with illustrations in fac-simile of the wood engravings
printed in the fifteenth century in Books of Hours by the famous typographer,
Simon Vostre.
283 RENOUVIER. Des Gravures en Bois dans les Livres
d'Anthoine Verard, Maitre Libraire, Imprimeur, En-
lumineur et Tailleur sur Bois de Paris, 1485-1512. 8vo,
fresh half crushed red levant morocco gilt, top edge gilt,
others uncut, by Niedri^e. Paris, 1859
_ Limited edition of 200 copies and with fac-simile illustrations of the
Dance of Death," in the works printed by the great French printer, Anthoine
Verard, 1485-1512.
284 Revue de l'Art Chretien. Profusely illustrated, many full-
page plates, and illuminated in gold and colors — every page
■with carmine border. Jany., April and October, 1884;
Jan., April and October, 1885; April, July and October,
1886. Together 9 parts. Large 4to, sewed.
Lille, 1884-86
THE PENE DU BOIS COLLECTION. 73
285 REYNOLDS (Sir Joshua, P.R.A). Works. Vols. 2 and
3. 8vo, fine old calf gilt, marbled edges. London, 1809
Presentation copy. With inscription on sides:— "Presented to Mr. Rob-
ert Ball Hughes by the Royal Academy of Art for the best basso-relievo . Lon-
don, December 10, 1823."
286 Rhine (The), from Mayence to Cologne [with German
text]. Engraved title and numerous plates of scenery. Ob-
long small 4to, cloth. London, n. d.
287 RiEDEL (G. F.). A collection of over 750 separate engravings
of natural history on some ^o plates. Folio, half sheep.
288 RIGOLLET. Histoire des Arts du Dessin depuis I'Epoque
Romaine jusqu'a la Fin du XlVe Sifecle. With separate
volume of engraved plates of antiquities, paintings, statuary,
etc., etc. Together 3 vols. 4to (i), and 8vo (2).
Paris, 1863-64
289 RIS (L. Clement de, Conservateur du Musie de Versailles).
Les Amateurs d'Autrefois. With 8 etched portraits. Thick
large 8vo, fresh half crushed crimson levant morocco, top
edge gilt, others uncut, with covers bound in and by Brad-
streets. Paris, Plan, 1877
Limited edition and on thick hand-made paper. The connoisseurs whose
collections and lives are narrated in this handsomely printed volume are — Jean
Grolier, Jacques Auguste de Thou, Claude Magis, Cardinal Mazarin, Michael
de MaroUes, Evrard Jabach, Countess de Verrue, Pierre Croyat, Antoine de la
Roque, Leon de Madaillan, Count de Lassay, Count de Caylus, Jean de
Julienne, Pierre Jean Mariette, Auguste Blondel de Gagny, Paul Randon de
Boisset, Laurent de la Live de JuUy and Vivant Denon. The eight etched por-
traits are of the more important of these collectors. There is a good biblio-
graphical index in addition to the general and alphabetical one.
290 Robert (Karl). Le Fusian sans Maitre, Trait6 Pratique et
Complet sur I'Etude du Paysage et Fusain. Plates.
Large 8vo, boards, uncut. Paris, 1874
Printed on heavy paper. An important work on art, being a treatise on
crayon work with the fusain.
291 Romberg (J. A.) and Steger (F.). Geschichte der Bau-
kunst bei den Assyrien, Medern, Babyloniern, Persern,
Phoniciern, Israeliten und Indern. With numerous plates
illustrating the architecture of ancient Asia. Large 4to,
boards. Leipzig, 1844
292 Rosa (Salvator). Life and Times of, by Lady Morgan.
Portrait and inserted front. 2 vols. 8vo, half russia gilt.
' LondiOn, Henry Colburn, 1824
' ' Lady Morgan has produced two of the most amusing octavos we have met
with, even in this biographical age." — Edinburgh Magazine,
74 THE PENE DU BOIS COLLECTION.
THE BLESSED DAMOZEL— LIMITED EDITION OF
THIRTY-FIVE COPIES, WITH INDIA PROOFS.
293 ROSSETTI (Dante Gabriel). The Blessed Damozel.
Illustrated with i-eproductions after the designs of Kenyon
Cox. Large 4to, vellum gilt, beveled sides, top edge
gilt, others uncut. N. Y., 1886
The above is one of the edition with proof impressions on India paper, limited
to thirty-iive copies. The appendix is by Mrs.. Schuyler Van Rensselaer.
294 Roth (J. M.). Augsburgsches Friedens Gedachtuns, das
ist Friedens Vemahlde welche seit Anno 1650, etc. With
numerous historical and allegorical plates relating to the
antials of Augsburg. Oblong large 4to, boards (last few
pages mounted). • Augsburg, circa 1741
29s ROYAUMONT {Sieux &e, feu Monsieur Le Maitre de Sacy
et Prieur de Sombreval). L'Histoire du Vieux et du
Nouveau Testament, avec des Explications Edifiantes,
Tiroes des Saints Peres, pour R^gler les Moeurs dans toutes
Sortes de Conditions. Illustrated with over 260 copper-
plate engravings by De Vel — some plates of nudes, etc.
Thick small 8vo, vellum (MS. on title, stained and some
pages torn). Brussels, 1747
A Rare copy of Royaumont Priced £,\t i6s. in a London bookseller's
recent catalogue.
SPLENDID ILLUSTRATIONS BY PETER PAUL RUBENS-
ANTWERP, 1642.
296 RUBENS (Peter Paul). Pompa introitus Ferdinandi
AusTRiACi, Hispaniar. Infantis, etc., in Urbem Antwerpiam,
Iconibus a P. P. RUBENIS delineatis et comment.. G.
Gevartii illustrata. With 40 superb f'ull-page engravings,
and many of them large folded plates designed by Peter Paul
Rubens, and engraved by Paulus Pontius and Th. a
Thulden, and hundreds of numismatic and medalli'c plates in
text. Square large folio, old calf extra gilt, edges gilt.
A.nt^ex'g, loannes Meursius, 1641 [1642]
Rare, with remarkably fine impressions of the plates. It contains the
very rare portrait of Prince Ferdinand designed by Rubens and engraved by
Paulus Pontius, fine views of Antwerp, and is an extremely useful book for a
decorative artist or architect.
THE LUXEMBOURG GALLERY-PARIS, 1710.
297 RUBENS. La GALLERIE dv PALAIS dv LUXEM-
BOURG, peinte par Rubens. Magnificent portrait of
Rubens after Van Dyck and engraved by Audran, dedica-
tory plate with portrait of Ma-ri^ de MediciS^ engraved by
M.ASSF., portraits of Francis and Jeanue de Medicis ^jk
Rubens engraved by Edelinck, and 20 are plates, some
THE PENE DU BOIS COLLECTION. 75
double size, after the paintings of YLvB^as drawn by Nattier
and engraved by Chastellon, Duchange, Loir, Audran,
Trouvain, Pic art, Simonneau a«(/ Vermeulen. Large
. folio, half roan. Paris, Duchange, Graveur du Roy, 17 10
A splendid copy, with brilliant impressions of the plates after the grand paint-
ings of Rubens in the Luxembourg.
298 RUSKIN (John). The Seven Lamps of Architecture. With
the original illustrations drawn and engraved by the author.
Large 8vo, original cloth, top edge gilt, others uncut.
London, Smith, Elder is' Co., 1849
Very scarce and original edition. This is one of the rarest of Ruskin's
works.
" To Mr. Ruskin art has a deep moral and religious significance, both in its
uses and in its connection with the character and condition of the artist. Every
touch is, for him, the thought of a human intellect and the voice of a human
heart. " He seems to kiss the very footsteps of that art of which he is the great
expositor. " — London Times.
299 RUSKIN. The Seven Lamps of Architecture. With illus-
trations drawn by the author. Thick 4to, fresh boards,
totally uncut.
Sunnyside, Orpington. Kent, George Allen, 1880
Large paper and printed at the Chiswick Press on heavy Whatman paper.
3°° |::><a^ai::|AINT ARROMAN (Raoul de). La Gravure a
I'Eau-Forte, Essai Historique; also — Comment
Je Deviens Graveur k I'Eau-Forte, par le Comte
Lepic. Etched portrait. Svo, boards, totally
uncut. Paris, Vve. Cadart, 1876
Limited edition on thick paper and with charming head and tail pieces, and
initial letters.
THE HOLY BIBLE, SPLENDIDLY ILLUSTRATED.
361 SAINTE BIBLE (La), Traduite par Lemaistre de Sacy.
Illustrated with numerous steel engravings by or after Raf-
faelo, Francois, Horace Vernet, Lecomte, Girodet,
Prudhon, Murillo and the other great masters of ancient
and modern times. 4 vols, large Svo, green morocco, inside
gold dentelle borders, green watered silk ends, leather
joints and gilt edges. Paris, Fume et Cie., 1841-45
A splendid copy of this beautifully illustrated French translation of the Holy
Bible.
302 SAINTE BIBLE (La), Ancien et Nouveau Testament,
Recit et Commentaire par L'Abbe F. R. Salmon, du
Diocese de Paris, Chanoine Honoraire de Chalons. Illus-
trated with 24 wood engravings by ScHi^ORR. Red morocco,
extra gilt, edges gilt. Paris, Firmiti-Didot, 1878
76 THE PENE DU BOIS COLLECTION.
LIMITED EDITION OF " PAUL AND VIRGINIA," ELE-
GANTLY BOUND BY SMEERS.
303 SAINT PIERRE (Bernardin de). PAUL ET VIR-
GINIE, pR]5cfo£ d'une Preface par JULES JANIN.
Illustrated with etchings on India paper by V. Foulquier.
Large 8vo, elegantly bound by Smeers in crushed dark
green levant morocco, most beautifully tooled in gold,
with floriation and geometrical designs on the sides and
back, inside gold tooled borders and edges gilt on
marble. Paris, Jouaust, 1869
No. 122 of a LIMITED EDITION of 342 numbered copies in all, on parch-
ment, Whatman, China and papier vergS, of which the above is one of the
last named. This charmingly printed edition is dedicated by Jouaust to his
master and friend, Leon Curmer, to the artist whose name is inseparable from
that of Bernardin de Saint Pierre.
CURMER'S BEAUTIFUL EDITION OF THE NEW TES-
TAMENT.
304 SAINTS EVANGILES (Les). Traduits de la Vulgate,
par M. L'AsBfi Dassance, Vicaire G^ndral de Mont-
pellier. Illustrated with plates by Tony Johannot, Cave-
lier, G^rard-Seguin and Breviere — also every page sur-
rounded with woodcut border. 2 vols, large 8vo, purple
crinkled morocco gilt, inside gold borders, leather joints,
covers bound in, edges gilt, by E. H. Schaefer.
Paris, 1836
A handsome copy of Curmer's beautiful edition, which is now very scarce
and high priced. The above has illuminated frontispiece, the maps colored and
many of the plates on India paper.
THE PARIS SALON— FOLIO AND SUPERBLY ILLUS-
TRATED.
305 SALON DE PARIS ILLUSTRE— 1885. Texte par Maurice
de Seigneur. Illustrated with 130 photogravures — some
tinted. Square folio, fresh half morocco, top edge gilt,
others uncut. Paris, Jules Lemonnyer, 1885
This splendidly illustrated volume, containing reproductions of the works of
the great contemporary French artists, was superbly printed by Pillet and
Dumoulin. It is entirely out of print and scarce, although not two years old.
The hst of the painters and sculptors whose works are given in this volume shows
that not a master has been overlooked.
306 SALVARDI (Natale). Collezione Scelta dei Monumenti
Sepolcrali del Comune Cimitero di Bologna. With numer-
ous plates of monuments, statuary, etc. Square folio half
green morocco, cloth sides (rubbed). Bologna,' 1825
Prince Demidoff's copy and from the library of San Donate.
THE PENE DU BOIS COLLECTION. 77
LARGE PAPER COPY OF THE PICTURESQUE TOUR OF
THE SEINE.
307 SAUVAN (M.) Picturesque Tour of the Seine from Paris
to the Sea, with Particulars, Historical and Descriptive.
Map. vignette title, tail-piece, and 24 finely colored engrav-
ings by Sutherland, Haveli: and others, from original
drawings by A. Pugin and J. Gendall. Square folio,
fresh half green morocco gilt, beveled cloth sides, gilt
edges. London, R. Ackermann, 1821
Large paper and fine copy, with splendid impressions of the magnificent
plates. Published at ;£^ 6 6s ., in boards.
308 SCHEVCHZER (J. J.). Kupfer Bibel in welcher die
Physica Sacra, Beheiligte Natur Wissenschafft. Numerous
handsomely executed plates. 4 vols, thick folio, vellum.
Augsburg, 1731-35
Rare. This splendid work is illustrated with some 750 beautiful engravings,
remarkably fine impressions.
309 SCHMOLZE (Carl Heinrich). An Artist's Poems. Trans-
lated by C. G. Leland. With 7 facsimile illustrations
from the original lead pencil drawings of the author.
Large 4to, half calf (front, stained). Phila., 1864
Published exclusively for the benefit of the Great Central Fair for the
U. S. Sanitary Commission.
310 Schreiber (Alois). Teutschland und die Teutschen.
Numerous plates illustrative of the history of Germany en-
graved by Oberthur after the original designs of Metten-
LEITER, also four engraved titles. 4to, half calf, gilt.
Carlsruhe, 1823
"A SCORE OF ETCHINGS"— PROOFS BEFORE LETTERS.
311 SCORE OF ETCHINGS (A), with text by ROGER
RIORDAN. Square folio, fresh cloth, beveled sides, top
edge gilt, others uncut. N. Y., n. d.
Brilliant proofs before letters and printed on fine heavy plate
paper. The subjects and etchers represented are: — "Birthplace of
Jfean Cousin,'' by P. G. Hamerton ; "Rundhurst," by J. P. Hazel-
tine; " When Rosy Plumelets Tuft the Larch," by R. S. Chattock;
"The Parish Clerk," by C. Waltner, after Gainsborough; "Purfleet,"
by F. S. Haden; "Edward J. Poynter," by Alphonse Legros; "Edin-
burgh from the Moors," by A. Brunet-Debaines ; "A Ground Swell," by
G. S. Ferrier; "Whitby Harbour," by Leon Richeton, after David Law;
" Jedburgh,"by C. O. Murray, after G. Reid, R.S.A.; "Shaking the Nets,"by
Colin Hunter; "The Messenger," by Hubert Herkomer; "The Ferry, " by
K. W. Macbeth; " Coniston," by David Law; "Chelsea," by C. J. Watson;
"Fish Market at St. Malo," by Leon L'Hermitte; "Roxana," by Thomas
Riley; " Cellardyke Harbor," by T. Chauvel, after Samuel Bough, R.S.A.;
"Lane near Tenby," by T. S. Townsend; "West Highlanders," by C. O.
Murray, after J- MacWhirter, A.R.A.
78 THE PENEDU BOIS COLLECTION.
UNIQUE, MAGNIFICENT AND EXTRA ILLUSTRATED SET
OF THE WORKS AND LIFE OF SIR WALTER SCOTT.
312 SCOTT (Sir Walter). The Waverley Novels, the Splen-
did Abbotsford Edition, with the finest possible impres-
sions of the 2,000 woodcuts and 120 steel plates executed pur-
posely for this edition, 10 vols. ; Poetical Works, with por-
trait after Raeburn, and the series of beautiful views drawn
especially for this edition by J. M. W. Turner, i vol.; Mis-
cellaneous Prose Works, with portraits of Dryden,
Swift, Smollett, Mackenzie, Gifford, Jeffrey, Home,
Napoleon, etc., and a series of exquisite views drawn
especially for this edition by J. M. W. Turner, 3 vols.;
Lockhart's Life of the Author, with a series of por-
traits of the Scott family, brilliant proofs on India-
paper, and views of Abbotsford, etc., some of which are
drawn by J. M. W. Turner i vol.
The whole EXTRA ILLUSTRATED by the inser-
tion OF 528 Portraits, Views, etc., 123 of which are
proofs ON India-paper and 50 are proofs before let-
ter, making an aggregate of nearly 3,000 engrav-
ings IN all.
TOGETHER 17 vols, thick large 8vo, uniformly
bound as a set in polished calf extra, gilt tooled backs and
sides, contents lettered, broad inside gold tooling, top
edges gilt, others uncut, by Tout. Edinburgh, 1842-47
UNIQUE AND SPLENDID SET of SCOTT.
The Abbotsford Edition of the Waverley Novels, the largest and handsomest
in 'existence, has now become scarce. The illustrations comprise engravings on
steel and wood by the most notable artists of the day, including, Stanfield, Wil-
kie, Turner. Martin, Landseer, Roberts, Maclise, Allan, Harvey, Mac Ian,
K. Meadows, Phiz, Fairholt, Miller, Goodall, Horsburgh, Wilmore, Bran-
dard, etc.
This copy has been further enriched by the insertion of 528 extra plates.
Below will be found an analysis of all the engravings on steel in each volume: —
Vol. I of the "Abbotsford Waverley" contains 58 steel engravings, includ-
ing the inserted plates. 12 of these are proofs on India paper, 4 before letter;
II portraits, engraved by or after Gordon, Leslie, Chalon, Letocque, Briggs,
Insiiipp, etc.; 26 views, engraved by or after Stanfield, Turner, Roberts,
Barrett, Harding, Cattermole; AUom, Westall, De Wint, Fielding, etc., and 21
illustrations of incidents, engraved by or after Faed, B. Foster, Stejjhanoff,
Landseer, Maclise, Melville, Cooper, George Cruikshank, etc.
Vol. 2. contains 50 steel engravings. 12 of these are proofs on India paper,
4 before letter; g portraits, engraved by or after Wright, Catterraole, Cook,
Parris, Lely, Cooper,- Shaw, etc. ; ig views, engraved by or after Miller, Stan-
field, Turner, Finden, Melville, Bentley, Wilson, Purser, Brandard, Armitage,
Nasmyth, Forrest, Goodall, Daniell, Richardson, Allen, Thomson, Miller,
Reinagle, Engleheart, etc.; and 20 illustrations of incidents, engraved by or
after Selous, Foster, Landseer, Cruikshank, Cooper, Warren, Chisholm. Engle-
heart, Phillips, Sharpe, Harvey, Stephenson, Davis, Carter, etc.
Vol. 3. contains 58 steel engravings. II of these are proofs on India paper,
4 before letter; 6 portraits, engraved by or after Cooper, Ryall, Boxall, Medina,
Aikman, Leslie, Mote, etc. ; 32 views, engraved by or after Horsburgh, Sands,
Barrett, Alloni, Taylor, Westall, Finden, Robson, Miller, Nasmyth, W. B.
THE PENE DU BOIS COLLECTION. 79
Smith, Lizars, Tingle, Staines, De Wint, Sadler, Forrest, Murdock, Roberts,
Goodall, Skene, Daniell, etc. ; and 20 illustrations of incidents, engraved by or
after Stokes, Horsley, Mclan, Melville, Chalon, Shenton, Harvey, Staines,
Cruikshank, A, Cooper, Phillips, Faed, Goodall, Fraser, Linnell, Presbury,
Stephanoff, Rolls, etc.
Vol. 4 contains 63 steel engravings. 15 of these are proofs on India paper,
6 before letter; 9 portraits, engraved by or after Etty, Robinson, Lely, Cooper,
Vandyck, Shaw, Edmonston, Cochran, Stone, Freeman, Hart, Vertue, West,
etc. ; 37 views, engraved by or after Thomson, Prout, Melville, Finden, Field-
ing, Turner, Kernot, Stanfield, Nasipyth, Miller, Fisher, Robson, Leitch,
Fraser, Aikman, Presbury, Wilkie, Whittock, Lambert, De Wint, Hart, AUom,
Cattermole, Goodyear, Le Keux, Mansel, Bentley, Nash, etc. ; and 17 illustra-
tions of incidents, engraved by or after Frith, Lumb Stocks, George Cruikshank,
Duncan, Sangster, Stone, Stephenson, Faed, Cawse, Taylor, Hart, Lightfoot,
Goodyear, Davenport, etc.
Vol. 5 contains 53 steel engravings. 8 of these are proofs on India paper, 4 '
before letter; 13 portraits, engraved by or after Howard, Scriven, Prentiss,
Adcock, Faulkner, Cook, Shaw, Cooper, Landseer, Lewis, Zucchero, Lizars,
etc.; 23 views, engraved by or after Stanfield, Brandard, Forrest, Melville,
Presbury, Allom, Le Petit, Lacey, Roberts, Finden, Staines, Miller, Prout,
Stothard, Radclyffe, Lizars, Gastineau, Turner, Allen, Cousen, J. Smith, Copley,
Fielding, etc.; and 15 illustrations of incidents, engraved by or after Landseer,
Portbury, Chisholm, Engleheart, Cruikshank, Amald, Floyd, Fraser, Faed,
Croll, Watt, Hill, Miller, etc.
Vol. 6 contains 48 steel engravings. 15 of these are proofs on India paper, 4
before letter ; 13 portraits, engraved by or after Stump, Meyer, Carpenter,
Scriven, Cooper, Oliver, Garrard, Shaw, Zucchero, Etty, Ryall, Leslie, Mote,
etc. ; 13 views, engraved by or after Cousen, Constable, Stanfield, Miller,
Barrett, De Wint, AUom, Collins, Brandard, Horsburgh, Richardson, Purser,
etc. , and 16 illustrations of incidents, engraved by or after Horsley, Stephenson,
Melville, Cruikshank, Shenton, Leslie, Watt, Fraser, Engleheart, Chisholm,
Allom, Prior, Faed, Lumb Stocks, Frank Stone, Sangster, Bentley, Cooper,
Freebaim, etc.
Vol 7 contains 44 steel engravings. 10 of these are proofs on India paper, 4
before letter; 13 portraits, engraved by or after Shaw, Scougal, Cooper, Pass,
Boxall, Robinson, Deleram, Mulready, Ryall, Howard, Cook, Jansen, Kneller,
etc. ; 1 8 views, engraved by or after Roberts, Skene, Leitch, Cousen, Topham,
Horsburgh, Richardson, Allom, Clark, I^owry, Gastineau, Forrest, Austin,
Finden, etc. ; and 14 illustrations of incidents, engraved by or after Egg,
Stephenson, Wright, Cruikshank, Adlard, Franklin, Boxall, Fox, Chisholm,
Staines, Ward, Sharpe, Webster, Bacon, Wilkie, Hart, etc.
Vol. 8 contains 30 steel engravings. 7 of these are proofs on India paper, 4
before letter; 3 portraits, engraved by or after Shaw, Rochard, Robinson, etc. ;
13 views, engraved by or after Stanfield, Miller, Prout, Finden, Brandard,
Brockedon, Westall, Baton, Terry, etc.; and 15 illustrations of incidents,
engraved by or after Elmore, Stephenson, Wright, Allom, Presbury, Cruik-
shank, Franklin, Portbury, Landseer, Graves, Sofomon, Radclyffe, Walker,
Leslie. Goodyear, , Topham, Lightfoot, etc.
Vol. 9 contains 37 steel engravings. 8 of these are proofs on India paper,
4 before letter; 3 portraits, engraved by or after Parris, Inskipp, Hart, etc.; 21
views, engraved by or after Chisholm, Finden, Copley Fielding, Stanfield,
Horsburgh, Cattermole, David Roberts, Miller, Cousen, Barret, Petit Penson,
Lucy Clive, Penson, Barber, David Wilkie, Goodall, etc. ; and 13 illustrations
of incidents, engraved by or after Taylor, Lemon, Inskipp, Graves, Franklin,
Bentley, Cruikshank, Topham, Elmore, Pickersgill, Lumb Stocks, etc.
Vol. 10 contains 29 steel engravings. 8 are proofs on India paper, 3 before
letter; 6 portraits, engraved by or after Greenshields, Chalon, Robinson,
Sharpe, Vandyck, etc.; 12 views, engraved by or after Westall, Finden, Cres-
wick, Evans, Forrest, McCuUoch, Copley Fielding, Paton, Miller, etc. ; 10 illus-
8o THE PENE DU BOIS COLLECTION.
trations of incidents, engraved by or after Stephenson, Frith, Cruikshank, Chis-
holm, Franklin, Presbnry, Topham, Bentley, Windus, Radclyffe, etc.
Vol. 1 1 contains 30 steel engravings. 7 are proofs on India paper, 4 before
letter; 4 portraits, engraved by or after Corbould, Landseer, Wagstaff, Scriven,
etc.; 13 views, engraved by or after Cousen. Stanfield, Forrest, Brandard,
Goodall, Robson, Allen, Prout, Sands, etc. ; and 14 illustrations of incidents,
engraved by or after Faed, Stephenson, Hill, Miller, Cruikshank, Franklin,
Bell, Hook, Capone, etc.
Vol. 12 contains 16 steel engravings, 4 are proofs on India paper, 2 before
letter; 3 portraits, engraved by or after Wilkie, Cooper, Wright, etc.; 7 views,
engraved by or after AUom, Miller, Forrest, Richardson, Brown, McCuUoch,
etc. ; and 5 illustrations of incidents, engraved by or after Absolon, Bell, Cruik-
shank, Topham, etc.
The "Poetical Works " contain 66 steel engravings. 8 portraits, engraved by
or after Raeburn, Horsburgh, Kneller, Chalon, Phillips, Robinson, Hart, etc. ;
and 58 views and illustrations of incidents, engraved by or after Turner, Miller,
Roberts, Jeavons, Copley Fielding, Nixon, Barret, Goodall, W. R. Smith,
Cooke, Horsburgh, Dewint, Callcott, Cotman, Varrall, Stanley, Higham, Rob-
son, Adlard, Bentley, Cattermole, Wilkinson, Bolmer, John Pye. Fisher, Webb,
Lewis, Hart, WaUis, Willmore, Le Keux, Kernot, Harding, Radclyffe, A.
Cooper, Brandard, Creswick, Austin, Armytage, etc.
The " Miscellaneous Prose Works," Vol. i, contains 20 steel engravings. ' 7
portraits, engraved by or after Kneller, Horsburgh, Bindon, Colvin Smith,
Hoppner, Shaw, Gordon, Lizars, Raeburn, etc. ; and 13 views, engraved by or
after Turner, Miller, Allan, Hill, Richardson, Forrest, etc.
" Prose Works," Vol. 2, contains 20 steel engravings. 2 portraits of Napo-
leon after Isabey and Steuben, and 18 exquisite views drawn by J. M. W. Tur-
ner, including The Simplon, Paris, Hotel de Ville, Mayence, Brienne, Placenza,
Verona, Venice, Quai Conti, St. Clpud, Rouen, Vincennes, Milan, Fontain-
bleau, Brussels. Malmaison and The Belerophon.
" Prose Works, " Vol. 3, contains 11 steel engravings. Views drawn by J.
M. W. Turner purposely for this work, including Stirling, Dunfermline, Nor-
ham Castle, Linlithgow, Craigmillar Castle, Dunstaffnage, Killiecrankie, Glen-
coe. Loch Ness, Edinburgh and Inverness.
Lockhart's " Life of Scott" contains 13 steel engravings. 8 portraits of the
Scott family, viz. : " Beardie '' Scott, Walter Scott (father of Sir Walter), Anne
(mother of Sir Walter), Lady Scott, Sir Walter Scott, after Raeburn, Anne
Scott (daughter of Sir Walter), Mrs. Lockhart (daughter of Sir Walter), and J.
G. Lockhart. All of these, except the last, are brilliant proofs on India paper;
also view of Abbotsf ord, engraved by Miller, after Turner (proof) ; the Library
at Abbotsf ord, engraved by Bell, after Allan; Entrance Hall, Abbotsf ord,
engraved by Douglas, after Allan (proof), and Chiefswood, near Abbotsford,
engraved by W. Miller, after J. M. W. Turner.
LIMITED EDITION ON JAPAN PAPER OF DICKSEE'S
DESIGNS TO " ROMEO AND JULIET."
313 SHAKESPEARE. — Twelve supers Photogravures of
Scenes in " ROMEO and JULIET ''—from the original
drawings by Frank Dicksee, A.R.A. — Proofs on Japan
PAPER — mounted on cardboard with heavy plate mats
enclosed in handsome old gold colored silk plush casket, lined
with white satin. Paris, Goupil ^ Co., n. d.
Limited Edition-de-Luxe.
The subjects in Shakespeare's immortal play represented in this set are as
follows:— " Street Fray between Montagues and Capulets"; "The Balcony
Scene"; Friar Laurence"; "The Secret Marriage — leaving the Friar's Cell";
" Death of Tybalt"; "Juliet and Nurse"; " Romeo and JuUet in the Hall of
the Capulets"; " Romeo in Friar Laurence's Cell" ; " The Message" ; "Romeo
and the Apothecary"; " Juliet in Trance," and "Romeo at Juliet's Tomb."
THE PENE DU BOIS COLLECTION. 8i
THE CRIES OF LONDON— THIRTY FINE ETCHINGS.
314 SMITH (John Thomas, late Keeper of the Prints in the
British Museum). The Cries of London, Exhibiting
Several of the Itinerant Traders of Ancient and Modern
Times, with Memoir by J. B. Nichols. 30 fine etchings,
copied from rare engravings, or drawn from life by the
author, also portrait by Skelton, from original drawing
by J. Jackson, R.A. 4to, fresh half red morocco gilt, top
edge gilt, others uncut.
Very.scarce. London, J. B. Nichols &> Son, 1839
LIMITED EDITION OF "THE OLD ENGLISH POTTER."
315 SOLON (L. M.). Art of the Old English Potter [an
account of the Progress of the Craft in England]. Illus-
trated by 50 beautiful etchings by the author. Square folio,
fresh cloth, totally uncut. London, 1883
260 copies only printed, and sumptuously, on hand-made paper, of which the
above is number 71, and signed.
THE PRINCIPIA TYPOGRAPHICA OF S. LEIGH
SOTHEBY.
316 SOTHEBY (S. Leigh). Principia Typographica: the
Block-Books, or Xylographic Delineations of Scripture
History issued in Holland, Flanders and Germany during
The Fifteenth Century, exemplified in connection
with the Origin of Printing, with Notices on the Paper-
Marks of the Period. Illustrated with 120 large en-
gravings, some in colors, in exact similitude of the very rare
Original Block-Books. 3 vols, large 4to, half morgcco, un-
cut. 'London, printed for the Author, 1858
Only 215 copies of this work ont of the 250 printed were sold. The re-
mainder were presented to public libraries and otherwise specially reserved, but
not for sale.
The above copy has the inserted heraldic book-plate of Major Grylls, and
was " collated and bound by Charles Tuckett, Jr., British Museum, 1858." It
is but slightly foxed.
One of the most important works ever produced upon the history of early
printing, on which it throws great additional light. It contains an extended
examination of the various" editions of the block-books (or books printed from
wooden blocks), the earliest productions of the art, issued in Holland, Flanders,
and Germany, such as the Apocalypsis S. Johannis, Biblia Pauperum, Ars
Moriendi, Cantica Canticorum, Liber Regum, Temptationes Dsemonum, Ars
Memorandi, Endkrist, Quindecim Signa, De Generalione Christi, Miribilia
IlomEe, etc.
It is not, however, confined to a history of block-books, for it gives minute
accounts, accompanied by exact fac-similes, of some of the most interesting and
rare works printed with movable type in the infancy of the art. such as the
Donatusis, Doctrinale, Catonis Disticha, Horarium, Faceti^ Morales, Speculum
HumauEe Salvationis, Bartolomseus van de Proprietaten der Dinghen, Exhor-
tatio contra Turcos, Literse Indulgentiarum, etc. An essay upon early paper
marks, illustrated by numerous cuts, concludes the work, which contains up-
wards of 120 plates, many of them colored, and more than 200 engravings on
wood.
82 THE PENE DU BOIS COLLECTION.
SPLENDID SPORTING WORK, PUBLISHED BY "THE
CENTURY"— WITH JAPAN PROOFS.
317 SPORT WITH GUN AND ROD in American Woods and
Waters, edited by Alfred^ M. Mayer, Professor in the
Stevens Institute of Technology. Profusely illustrated
with Japan proofs, full-page illustrations and numerous
cuts in the text. Thick 4to, cloth, beveled sides, top edge
gilt, others uncut. N. Y., The Century Co., 1883
A beautifully printed volume on plate paper from the press of Theo. L. De
Vinne.
There are iten charming Japan proofs from the drawings of Mills, Gary,
Beard and Trumbull, and engraved by Kingsley, MuUer, Whitney, Davidson,
etc.
There are nearly 30 page plates after Foote, Gifford, Ward, Beard, Rix,
Parrish, etc., and engraved by some of the best modern American engravers,
as are the hundreds of other illustrations in the text.
The letter-press is from the pens of Alfred M. Mayer, Charles C. Ward,
James Gordon, Rowland E. Robinson, Lew Wallace, George Bird Gunnell,
Lord Dunraven, W. M. Laffan, J. Harrison Mills, John Muir, Frederick
Schwatka, Barnet Phillips, Edward Seymour, James A. Henshall, Maurice
Thompson, A. G. Wilkinson, Francis Endicott, Thaddeus Norris, A. R. Mac-
donough, Charles Dudley Warner, etc.
318 STIMMER.— Neue Kunstliche Figuren Biblischer Histo-
rien, Gruntlich von Tobia Stimmer gerissen und zu Gotts-
, forchtiger ergetzung und achtiger hertzen mit artigen
Reimen begriffen durch "J. F. G. M." Every page illus-
trated with facsimile wood engravings and borders. Small
4to, light brown morocco, stamped with antique design,
red edges. Basle, 1576
L1.MITED FAC-siMiLE REPRINT by George Hirth, of Munich and Leipzig,
1881. These religious cuts by Tobias Stimmer were commended by Rubens,
who declared that he had studied them with attention, and derived much in-
struction from them.
LARGE PAPER COPY OF THE PROFUSELY ILLUSTRATED
"ANTIQUARIAN ITINERARY."
319 [STORER (James).] Antiquarian Itinerary, compris-
ing Specimens of Architecture, Monastic, Castellated and
Domestic; with other Vestiges of Antiquity in Great
Britain. Illustrated with nearly 350 fine copper-plates and
numerous woodcuts in text. 7 vols. 8vo, smooth red morocco
elegant, gilt edges (not quite uniform in tooling, and
rubbed slightly). London, 1815-18
Large paper, and with beautiful and early impressions of the copper-plates
and wood engravings. The above was James Comerford's copy, and contains
his inserted heraldic book-plate.
320 STOTHERT (James). French and Spanish Painters.
Portrait and numerous fine steel plates, engraved by Hous-
SOULLIER, Morgan, 'BoiLviN and others from famous
pictures. Thick 4to, cloth gilt, edges gilt.
Phila. (London), n. d.
THE PENE D U BOIS COLLECTION. 83
321 STURT (J.). The Orthodox Communicant. With en-
graved borders and vignettes to the text, the whole of which
is also printed from engraved text. Small 8vo, old calf.
London, 172 1
Rare and fine example of an entirely engraved work. With the imprint —
" London, engraven and sold by J. Sturt in Golden Lion Court in Aldersgate
Street, MDCCXXI." John Sturt is noticed in Spooner as an engraver, whose
chief excellence consisted in engraving ornamental letters and scriptural
vignettes.
HACKERAY (William Makepeace). The Ma-
hogany Tree. With 24 illustrations by Frank
T. Merrill, some on Japan paper, and mounted
on cardboard. Square folio, fresh half morocco,
in imitation of mahogany, cloth sides, top edge
gilt. Boston, 1887
Limited Japanese paper edition of 100 copies, of which the above is
No. 31.
"The literary history of 'The Mahogany Tree, ' like that of happy nations,
is exceedingly meagre. It was published anonymously in ' Punch.' The author
omitted the second stanza when reprinting it among the first collections of his
poems, more wisely restoring it in a later edition." — J. J. Roche.
SIGNED AI?TIST'S PROOFS OF BARNARD'S "CHARACTER
SKETCHES" TO THACKERAY.
323 THACKERAY. — Character Sketches from, in six illustra-
tions by Frederick Barnard, artist's signed proofs on
Japan paper, mounted on cardboard, with heavy plate
mats in portfolio, with ties. Square large folio.
London, n, d.
Limited Edition-de-Luxe, of which this copy is No. 69.
The characters represented in this magnificent series are: — " Major Pen-
dennis"; "Dobbin"; " The Little Sister " ; "Captain Costigan"; "Colonel
Newcome '' ; and " Lady Gaunt. "
324 THAMES (The). 75 fine engravings by W. B. and George
CooYiEyfrom designs ^t/'Dewint, Hughes, Owen, Arnold,
Barrett, Clennel and others. 4to, old half roan.
London, W. B. Cooke, 1822
325 THOMSON (Stephen). Masterpieces of Antique Art, with
Descriptive Text. 25 examples in permanent photography
from the celebrated collections in the Vatican, The Louvre,
and the British Museum. Large 4to, cloth extra gilt,
edges gilt (a few plates loose). London, 1878
Printed at the Elzevir Press.
326 THORNBURY (Walter). Historical and Legendary Bal-
lads and Songs. With illustrations by Whistler, Walker,
Tenniel, Watson, Small, Sandys, Pinwell, Morten,
84 THE PENE JDU BOIS COLLECTION.
Lawless and many others. 4to, fresh cloth, gilt, beveled
sides, gilt edges. London, 1876
Walter Thornbury says in his Preface to the above: — " To this volume the
author has devoted the pleasantest and sunniest hours of the last twenty five
years. The classified index which he subjoins will show that his verses are
bound together in a certain sequence, and that they have sprung spontaneously
out of various lines of study and of thought."
327 Tiffin (W. F.). Gossip about Portraits, principally En-
graved Portraits. Small 8vo, cloth. , London, 1866
A charming volume, brimful of interest to collectors of prints, and particularly
to portrait collectors, interspersed with varied biographical, anecdotal and liter-
ary memoranda.
Contents: — Introductory; Portrait Collections; Remarks on Plagiarisms;
Portraits and Portrait Painters; Portraits and Poets; Portraits Wanted; False,
Unsatisfactory, and Altered Portraits; Collectors and Collections; Prints and
Print-sellers; with General Index, etc.
328 TOMBLESON'S Rheinansichten. Numerous steel plates —
views of the Rhine. Parts i to 22 in 11 pieces. Large 8 vo,
sewed.
TOPFFER'S CHARMINGLY ILLUSTRATED WORKS.
329 TOPFFER (R.). Premiers Voyages en Zigzag ou Excursions
d'un Pensionnat en Vacances dans les Cantons Suisses et
sur le Revers Italien des Alpes, illustrated with 54 page
illustrations and a large number of vignettes in the text after
the designs of the author; also —
TOPFFER, Nouveaux Voyages en Zigzag a la Grande
Chartreuse autour du Mont Blanc dans les Valines
d'Herens, de Zermatt, au Grimsel, a Genes et a la Cor-
niche, pr^cddds d'une notice de Topffer par M. Sainte-
Beuve, de I'Acaddmie Fran^aise. Illustrated after the
original designs of Topffer by Calame, Karl Girardet,
Francais, D'Aubigny, deBar, Gagnet and Forest.
TOGETHER 2 vols. Large 8vo, half morocco gilt,
cloth sides, gilt edges. Paris, 1870-74
These charming works of Topffer, who died in 1846, show his artistic genius
and the Joss to art caused by the malady of his eyes, which forced him to relin-
quish the profession of a painter.
330 TOPFFER. Reflexions et Menus— Propos d'un Peintre
Genevois, ou Essai sur le Beau dans les Arts. 2 vols,
small 8vo, folded (ready for binding). Paris, 1848
With notice of the life and works of the author by Albert Aubert.
331 TURENNE: sa Vie, les Institutions, Militaires de son
temps par Jules Roy. With fine chroma-lithographs
and several hundred other illustrations. Large 8vo, fresh
half red morocco gilt, edges gilt. Paris, 1884
Handsomely printed by Pillet and Dumoulin. The following artists and
engravers participated in this work: — I-ix, Adrien Marie, Lep^re, Goutzwiller,
Nordmann, Huyot, Baude, MoUer, Jeaugeon, Petit. Gillot, etc.
THE PENE DU BOIS COLLECTION. 85
332 TURNER (J. M. W.). Annual Tour: Wanderings by
the Loire, by Leitch Ritchie. With 21 highly finished
line engravings of the most beautiful scenery, from draw-
ings by J. M. W. Turner {some foxed'). Large 8vo, in
the original morocco gilt binding, edges gilt.
London, 1833
Large paper and original edition, with very fine impressions of the plates.
The engraved title has been cut and mounted and there is an inserted vignette
title from the " Rivers of France."
333 li;lffe»SlP 1 HRSPRUNG der Europaeischen Reiche. A
collection of 30 engraved plates of historical sub-
jects, with engraved descriptions below, also en-
graved title and index. Large 8vo, boards.
Augsburg, [1705]
Rare, a curious collection and depicting noteworthy incidents in the history
of Europe from the earliest times.
FIFTEEN VOLUMES OF A PARIS ILLUSTRATED JOURNAL.
334 UNIVERS ILLUSTRE. Journal YLeoAomaAmx&'profusely
illitstrated, for the years 1858 to 1868 (/. e.: Vol. i. No. i.
May 2, 1858, to No. 702, June 27, 1868, inclusive). To-
gether 15 vols. Half roan (some slightly rubbed).
Paris, 1858-68
ACHON (Marius). L'Ancien Hotel de Ville de
Paris, 1533-1871. 121 full-page etchings and
heliogravures, and 2^ in the text ; also numerous
other illustrations. Large 4to, sewed, uncut.
Paris, Quantin, 1882
This SUPERB monograph of the Paris Hotel de Ville, burned down by the
Communists in 1871, was published under the auspices of the Municipal Coun-
cil of Paris.
336 VAN DYCK (Antoine). Sa Vie et son CEuvre par Jules
Guiffrey. Profusely illustrated with etchings and other
full-page plates, also illustrations in the text, facsimiles, etc.
Folio, cloth uncut. Paris, Quantin, 1882
According to Fuseli, Van Dyck deserves the next place after Titian in portrait
painting. He was a perfect master of drawing and chiaroscuro.
RARE EARLY EDITION OF VASARI'S PAINTING.
337 VASARI (Giorgio). Trattato della Pittvre. Woodblock
portrait of N A^A^i. 4to, sheep. Florence, 16 19
Very rare, and printed by Giandonato and Bernardo Giunti, and with the
device " a fleur-de-lys " of that famous house of typographers, Dedicated —
" in Georgii Vasarii Arretini pjptops celeberriuji historias."
86 THE PENE D U BOIS COLLECTION.
338 VECELLIO (Cesare). Costumes Anciens et Modernes—
Habiti Antichi et Moderni di tutto il Mondo. Illustrated
with 513 engravings on wood iy Huyot of costumes, and the
size of the page after the designs traditionally ascribed to
Titian, z vols. 8vo, fresh half red morocco gilt, top
edges gilt. Paris, Firmin Didot, i860
An absolutely uncut copy of the original edition, bound by Trautz, produced
2,480 francs at the sale of R. M. S. Turner. Another copy of the same was
priced in a Coombes (Duprat) catalogue, $225 .
339 VENICE. — Un Mois a Venise ou Recueil de Vues Pittor-
esques, avec un Texte Historique et Explic^tif. Illus-
trated after the drawings of Count de Forbin and M.
Dejuinne, historical painter, lithographed by Arnout,
Aubry-Lecomte, Coupin, Fragonard, Gudin, Mau-
ZAissE, ScHMiT, Vauzelle and Villeneuve. Large
folio, half morocco. Paris, Engelmann, 1825
Impressions on India paper.
340 VERNON (A. Gosmond de). Les Campagnes de Lbuis
. XV., le Bien Aime, Representees par des Figures Alle-
g6riques, avec une Explication Historique. 46 plates, in-
cluding engraved title — all with engraved letter-press and
charming medallions, illustrative of the wars ^yKiNG Louis
the Fifteenth. Large 4to, mottled calf gilt, red edges.
Paris, 1751
Rare, and published by the author.
341 VERSAILLES GALLERY. A collection of over 30 plates
ON India paper, consisting of military and naval battle
scenes, views, portraits of Marshals, Generals and Admirals,
historical scenes, relating to Napoleon, Louis Philippe,
etc. Large folio, half roan.
LIVES OF ARCHITECTS AND SCULPTORS, BOUND BY
CHAMBOLLE-DURU.
342 VIES DES FAMEUX ARCHITECTES et SCULP-
TEURS, depuis la Renaissance des Arts, avec la Descrip-
tion de leurs Ouvrages. Par M. D* * *, de I'Academie
Royale des Belles Lettres de la Rochelle. Engraved fronts,
by J. Robert, after Renon. 2 vols. 8vo, green crushed
levant morocco extra, rounded corners, inside gold den-
telle borders, edges gilt on marble.
Paris, Debure Paine, \i%i
Very rare and fine copy, of these important lives of famous sculptors and
architects. The handsome binding is by ChamboUe-Duru, and is dated 1864.
343 VILLARS (P.). L'Angleterre, I'Ecosse et I'lrlande. Illus-
trated with 600 engravings and 4 maps. Large 4to, cloth
gilt, beveled sides, gilt edges. Paris, Quantin, n. d.
Great Britain and Ireland seen through French spectacles, and illustrated by
French artists.
THE PENE DU BOIS COLLECTION. 87
LARGE PAPER COPY OF THE SPLENDID 1789 EDITION OF
VITRUVIUS.
344 VITRUVIUS. — Element'a Architectur^e Civilis ad
VITRUVII Veterumque Disciplinam et Recentiorum
PrKsertim a Palladh Exempla Probatoria Concinnata
auctore Henrico Aldrich S. T. P. ^dis Christi olim
Decano. Eine portrait by Heath, after Kneller, and
numerous plates (some foxed^. Thick large 8vo, mottled
calf, gilt. Oxford, 1789
Large and thick paper, with the heraldic book-plate (crest, coronet, shield,
supporters and motto) of " De Pollier."
Aldrich was eminent as a controversialist, as an architect and as a musician.
In his first character — as a disputant-s-Brunet places him among the more dis-
tinguished divines " who managed and directed this controversial war."
Eustace styles the above — "a very clear and concise treatise on the general
principles, proportions and terms of this art."
345 l^wpFpE i* II A L K E R (George). Descriptive Catalogue of
Choice Original Pictures by the Most Esteemed
Italian, French, Flemish, Dutch and British
Schools. Part the First. 8vo, smooth morocco
gilt, interleaved, edges gilt. Edinburgh, 1807
346 WALLON (H., Secretaire de VAcad^mie des Inscriptions et
Belles-Lettres). Jeanne D'Arc. Illustrated with 15
chromo-lithographic plates and 200 fine engravings on wood
after monuments of art, facsimiles, etc., etc. Thick large
8vo, fresh half levant morocco gilt, top edge gilt, others
uncut. Paris, Z'/afc^, 1876
Uniform with the Works of Paul Lacroix.
Contents; An account of the arms and military dresses of the period, accom-
panied by descriptive figures taken from the seals of the Archives; a map of
feudal France by M. Aug. Longnon, a new work of the highest importance to
the history of the 15th century; a study of the worship shown to Joan of Arc in
the French and foreign literatures (it is known that during the lifetime of Joan,
her wonderful mission was represented on the stage); fac-similes of letters oif
Joan, etc., etc.
347 WALPOLE (Horatio, .£'ar/^/Cr/(?^^). Works. Numerous
fine portraits, views, plans, etc. Vols, i, 2 and 3. Large
4to, half russia (foxed slightly). London, 1798
With inserted heraldic book-plate of the Borris Library.
"The best letter writer in the English language." — Sir Walter Scott.
" What then is the charm, the irresistible charm of Walpole's writings? It
consists, we think, in the art of amusing without exciting." — -Macaulay.
"There is an irresistible charm in all the writings of Horace Walpole. We
own that we expect to see fresh Humes and fresh Burkes before we again fal(
in with that peculiar combination of moral and intellectual qualities to which his
productions owe their extraordinary popularity. " — Edinburgh Review.
88 THE PENE DU BOIS COLLECTION.
348 WESTALL (William) and OWEN (Samuel). Picturesque
Tour of the River Thames. Illustrated by map and twenty-
four beautiful page plates and two vignettes in aquatint.
Large 4to, old cloth, gilt edges (top margins of few plates
stained slightly). London, R. Ackermann, 1828
Rare and a beautifully illustrated volume.
349 WESTMACOTT (C. M.). British Galleries of Painting and
Sculpture, Comprising a General, Historical and Critical
Catalogue with Separate Notices of Every Work of Fine
Art in the Principal Collections. Fine engraved portraits,
interior views, etc., by Wageman, Cattermole, Le Keux
and others.^ 8vo, half calf (joints broken and name on
title). London, 1824
Very scarce. "Charles Molloy Westmacott, long famous, or rather in-
famous, as the proprietor and editor of ' The Age, ' which levied black-mail
without mercy." — Allibone.
350 WILSON GALLERY.— Prix d'Adjudication des Tableaux
de Premier Ordre Anciens et Modernes qui Composaient
la Galerie de M. John W. Wilson. With numerous etch-
ings after the great old and modern masters by Greux,
Waltner, Rajon, Gaucherel, Jacquemart, Lalauze,
Martinez, Lemaire, Flameng, etc. Large 4to, sewed,
uncut. [Paris], 1881
This wonderful collection of paintings sold for over two million and thirty
thousand francs.
WOLTMANN AND WOERMANN'S " HISTORY OF PAINT-
ING," IN TREE MARBLED CALF.
351 WOLTMANN (Alfred) a^z^WOERMANN (Karl). History
of Ancient, Early Christian Mediaeval Painting. Trans-
lated from the German, and edited by Prof. Sidney Col-
viN, of Cambridge University, and (Vol. 2) by, Clara.
Bell. Profusely illustrated with portraits and facsimiles
of sculpture, painting and ceramics. 2 vols, thick square
large 8vo, fresh tree marbled calf extra, inside gold
borders, gilt edges. N. Y., 1880-85
Vol. I was published at $15 in tree calf, and Vol. 2, " The Painting of the
Renaissance," at $12. 50 in cloth.
The amazing industry and learning of Professor Woltmann is all his own; so
is his fidelity to history as well as his painstaking conscientiousness. All this
combined makes Woltniann's work the best manual and the best reference book
on the history of painting to be found in the English language.
" The work is a great treatise, broad as art itself in scope, scrupulously faith-
ful in treatment, and founded upon scholarship the profoundest and most ad-
mirably balanced." — N. y. Evening Fast.
THE PENE DU BOIS COLLECTION.
89
OUNG (John, Engraver in Mezzotinto and Keeper
of the British Institution). Catalogue of Pic-
tures by British Artists, in the Possession of Sir
John Fleming Leicester, Bart. With 69 fine
etchings, proofs on India paper. Large 4to,
morocco extra gilt, edges gilt (rubbed).
LiOndon/prinfed by Bulmer &' Nichol, 182 1
LARGE PAPER and very scarce, with superb and early impressions of the
Published at £,^ 4s.
9°
THE PENE DU BO IS COLLECTION.
'% V ' /• •
II. ^jellunx piawttscriyts^
including
Illuminated Treasures and Later MSS., etc.
" Tant d'actes merveilleux en cest oeuvre lirez.
Que de nul autre apres esmerveille serez.
Et porvrez vous S9ayans du plaisir id prendre,
Vous nou S9avans pourrant en riant y apprendre."
— Henri Estienne, M.D.LXVI.
EARLY FOURTEENTH CENTURY ANGLO-NORMAN MIS-
SAL ON VELLUM, WITH THIRTEEN MINIATURES
AND HUNDREDS OF CAPITALS IN GOLD AND COLORS.
353 JWS.— "MISSALE ROMANUM." A Fourteenth
Century Manuscript of early Anglo-Norman Exe-
cution AND written in LaTIN AND IN BLACK AND RED
Gothic script, on 90 leaves or iSo pages Of vellum.
With eleven miniatures in capitals and with Jim
borders illuminated in colors and heightened with gold — and
hundreds of small capitals in red, blue and gold — also hun-
dreds of yet smaller capitals in blue, finished with red scroll-
work. 4to (eight and three-quarter inches by five and
seven-eighths), old calf, paneled gilt, with gold Grolier-
esque designs in the centre, on wooden boards, gilt edges.
■ S^c. XIV.
UNIQUE ORIGINAL manuscript of the early fourteenth century in Latin
and on vellum.
This ancient missal is of early English workmanship and is an example of a
THE PENE DU BO IS COLLECTION. 91
very rare class of manuscripts. It is in admirable condition, considering its age,
over 550 years old.
The painted miniatures are very curious in their details and treatment — the
illuminated borders are of chaste conventional Gothic floriation and are height-
ened with gold — and the hundreds of small capitals scattered throughout the
volume are carefully painted and from many of them proceed green foliage. The
margins are very broad, measuring nearly three inches at the bottom, one and
five-eighths at the fore, and one and a half at the top. On the last page are
over twenty lines of ancient English verse, being an address to the Holy
Virgin Mother and written about the time of Chaucer.
The first painting is on the first page and is of — "The Annunciation."
Like nearly all the other miniatures, the faces and hands of the figures are of a
ghastly appearance and the drawing is very crude. Then follow — II., "The
Agony in the Garden " — Christ kneels before a chalice with a host therein and
three of the disciples are huddled together sleeping; III., " Arrest of Jesus " —
the Saviour with hands extended — disciple with sword has just struck off the ear
of the high priest's servant; IV., " Christ before Pilate"; V., " Christ bearing
the Cross toCalvary "; VI., " The Crucifixion," with the Virgin and St. John at
the foot Of the Cross; VII., "The Descent from the Cross"; VIII., "Christ
being laid in the Tomb "; IX., " The Saviour" — Jesus in blue robe, seated ona
a rainbow — holds out His hands on which are the stigmata, as on the feet and
side — two naked swords point at His head; X. , " Burial Scene," three tonsured
ecclesiastics in colored copes surround a bier covered with a black pall on which
white cross and tears; XI. , " All Souls " — this is depicted by two angels lifting
up in a white cloth a kneeling corpse entirely nude.
CURIOUS FOURTEENTH CENTURY MANUSCRIPT ON
VELLUM.
354 iWS.— PASSIO S. KATHARINE VIRGINIS and
SERMONES AUGUSTINI DE PASSIONE DOMINI.
A Fourteenth Century Manuscript in Latin on
43 LEAVES OR 86 PAGES OF VELLUM. With curious page
miniature of "the Crucifixion.''' Minimo (five and three-
eighths inches by three and three-quarters), original vellum
binding on thick beveled wooden boards, with strap, clasp
and brass-hinged catch and pin. SjEC. XIV.
UNIQUE ORIGINAL manuscript on vellum and of the fourteenth centiuy.
This is a very curious example of German workmanship, and is in its original
binding. The ends are from a much earlier MS. The script is Gothic and in
black, with occasional rubrications and floriated initials in red. Some pages are
wormed. The miniature is in the middle of the volume. It represents "the
Crucified Saviour, with an Angel holding a Chalice, into which pours blood from
the wounded side of Jesus — on the upper portion of the Cross is INRI, and
on each side are the Sun and Moon. "
FIFTEENTH CENTURY DEVOTIONAL MSS.
355 iW<S.— LATIN PRAYER BOOK, to which is added—
"ALTARIS CUM ORATIONIBUS POST MISSAM
DICENDIS." Two Manuscripts in one volume — the
first being on 54 leaves or 108 pages of vellum
and Gothic script — the other on 45 leaves or 90
PAGES OF paper. With floriated capitals, some in gold
and color. Minimo (four and a half inches by three and
92 THE PENE DU JBOIS COLLECTION.
three-quarters), original pigskin on wooden boards, red
edges, with brass clasps. S^ec. XV.
UNIQUE ORIGINAL MANUSCRIPTS of the fifteenth century, in Latin and
of German origin.
At the end of the vellum MS. is the date 1449, and above is a legend show-
ing that it came from the monastery of St. Afra, probably from the_ same con-
ventual house of Benedictines that number 372 did. It is in its original bind-
ing, which is stamped on the sides with floriated ornamentation, antique heads,
etc.
ILLUMINATED MINIATURE OF THE FIFTEENTH
CENTURY, ON VELLUM.
356 JJIS.— "THE JUDGMENT OF SOLOMON." An
Illuminated Miniature on vellum of the early
PART OF the Fifteenth Century (measuring five and a
half inches by four and an eighth). In passe-partout.
S^c. XV.
UNIQUE ORIGINAL MINIATURE On vellum, illuminated in gold and colors
and of Flemish origin.
The subject of the painting is "The Judgment of King Solomon." This is
surrounded by a floriated border. The "wise king" is seated on his throne.
Behind him is a gold and colored hanging, above which is a purple canopy.
Solomon is represented with gray hair, moustache and beard. Upon his head
is a cup of maintenance with a feather — all blue. His robe is blue, with ermine
tippet— his surtout is gold and purple — his legs are in grey trunk hose, and
his pointed shoes are of purple. Before him kneeling is an unhappy mother
imploring the life of her infant, who, bleeding from the breast, is held in the
air by a soldier, about to hew it in two with his upraised sword. There is
another soldier in attendance. Both are accoutred and helmeted in medieval
armor. In the perspective is dimly seen a landscape and the blue sky.
UNIQUE PAINTING ON VELLUM, WITH NUMEROUS
MINIATURES THEREIN.
357 JWS.— ORIGINAL SEVENTEENTH CENTURY RE-
LIGIOUS PAINTING ON VELLUM, measuring fif-
teen and one-eighth inches by ten and five-eighths. Neatly
framed. S^c. XVII.
UNIQUE AND ORIGINAL PAINTING On vellum of the seventeenth century
and of German origin.
This appears to be an art offering from the nuns of a German convent dedi-
cated to St. Walburga to their father confessor, Augustine Troster. The centre
figure is allegorical, probably "Religion," holding a medallion portrait of a
nun, who is perhaps the Mother Abbess. Above is the "eye of God in a
triangle and glory. " The medallion is held on the other side by a cherub and
below is a shield of arms. Around the archway to the left-hand side are the
portraits in medallions of twenty-six nuns, each with a name on the border.
Below this arch some buildings are depicted, and probably represent the con-
vent, of which an account is given from A.D. 870 to 1664. At the right hand
corner, near the allegorical figure referred to, are three cherubs — one points to
the principal medallion, another holds a crosier and a ring, and the third has
a painter's palette. At the top of this colored illumination is another medallion
of a nun, below which is a coat-of-arms Three cherubs surround this medal-
lion— one with a crosier, another with a crown, and another with a lily. There
are many scriptural mottoes scattered throughout the painting, which is signed
— " L. Bodotourf ." At the bottom is a two-line presentation inscription •■ —
' ' Zur Bestandig Thauranden Angevenden offeiirt Disz,
P. Augustinus Troster Beicht-Vatter ad S. Walburgam."
THE PENE DU BOIS COLLECTION. 93
FIFTEENTH CENTURY MANUSCRIPT.
358 JWS.— " EXPOSITIO CANONIS MISS^." An ancient
Latin manuscript on seven leaves or fourteen pages. Small
folio (twelve and a quarter inches by eight and a half),
sewed. S^ec. XV.
UNIQUE ORIGINAL fifteenth century manuscript, with one floriated capi-
tal and in semi-Gothic script.
"THE GOLDEN LEGEND" OF JAMES DE VORAIGNE— A
REMARKABLE FOURTEENTH CENTURY CODEX WITH
ONE HUNDRED AND TWO MINIATURES AND THOU-
SANDS OF ILLUMINATED INITIALS— ON 756 PAGES
OF VELLUM.
359 aiWS.—" LEGEND A SANCTORUM." A Magnificent
' Fourteenth Century Manuscript in Latin on vel-
lum, CONSISTING OF 378 LEAVES OR 756 PAGES OF GOTHIC
SCRIPT IN BLACK AND RED, ILLUMINATED WITH I02 MINI-
ATURES IN COLORS HEIGHTENED WITH GOLD, 6 LARGE
CAPITALS IN GOLD AND COLORS WITH BORDERS AROUND
THE PAGE AND THOUSANDS OF SMALLER INITIALS IN
RED, BLUE AND VIOLET, WITH SCROLL-WORK DEPENDING
THEREFROM. Very thick large 4to (twelve inches by nine),
old morocco. S^c. XIV.
UNIQUE ILLUMINATED VELLUM and ORIGINIAL MANU-
SCRIPT OF THE FOURTEENTH CENTURY of the ITALIAN
SCHOOL of PALEOGRAPHY, and in SPLENDID CONDITION.
This GRAND VOLUME is the complete and perfect codex of the " Golden
Legend " of Jacobus de Voragino. It is most carefully written in double col-
umns of black Gothic script, with a considerable portion of the text, the head
lines, subject titles, marginalia, and many initial letters in red. Throughout the
manuscript are thousands of capitals in colors, surrounded with delicate pen
scroll-work. A large number of these have floriated work springing from them
and running into the margins.
There are six large initial letters in gold and colors. These are lovely examples
of Gothic decoration. They are interlaced with floriation, not only in the centre
and sides of the capitals themselves, but in the entire outer margins of the
pages, and in the middle between the double-columned text.
At the commencement of the book are ten prefatory pages. These begin
with the names of the saints alphabetically arranged. Then follow short treat-
ises, or directions as to "perfect penance (de perfectione penitenticB)" "'Ccx.
duty of confession," "the ten precepts," "the evil effects of luxury, intem-
perance, falsehood, voluptuousness," etc. At the end of these ten pages is a
sentence beginning " iste liber est," but the remainder has been erased. This
doubtless gave the date of execution the name of the illuminator or that of the
owner.
The "Lives of the Saints" then follow and are paginated " I "-
" CCCLXXIII." As already stated, they are decorated with one hundred and
94 THE PENE DU BOIS COLLECTION.
two miniatures. These are most chaste specimens of mediaeval art-work and so
beautifully and minutely painted that they will bear favorable inspection under
the strongest lenses. Two are slightly rubbed, but hardly worth calling atten-
tion to.
On the second page of the text is a fine miniature depicting "the Advent of
Christ." On either side of the Saviour are the Virgin and St. John. The Re-
deemer is in a sitting position, habited in a violet robe, showing on His hands
and side the stigmata. Two swords are pointed at His temples. Before Him
are two naked figures coming out of the earth. The background is covered with
golden decoration.
The rest of the miniatures are equally ornate and each is on a golden ground
and measures on an average nearly three square inches — some are still larger.
The subjects of these paintings are: —
"St. Andrew with Cross"; "St. Barbara, Palm in Hand, beside a Castle";
"St. Nicholas Mitred, with Crosier"; " St Ambrose Writing at Desk " ; "St.
Lucia"; "St. Thomas Pointing at the Wounded Side of the Saviour"; "The
Nativity of Jesus "; " St. Stephen "; " St. John Compiling his Gospel "; " Mas-
sacre of the Innocents"; "Martyrdom of St. Thomas a Becket"; "Pope
Sylvester "; " The Circumcision of Christ," very curious; " Visit of the Magi,"
six figures; "St. Paul"; "St. Anthony, with Crosier and Pig"; "St. Sebas-
tian"; "St. Agnes"; "St. Vincent, the Martyr"; " Conversion of St. Paul,"
the saint with heels kicking in the air and on his horse's back; " Martyrdom of
St Julian"; " The Purification of the B. V. M," five figures; "St. Blaise";
" St. Agatha": " St. Peter the Apostle," crowned with papal tiara; " St. Mat-
thew"; " Pope Gregory"; " St. Benedict"; " The Annunciation "; "The Cru-
cifixion," five figures; " The Resurrection," four figures; "St. Secundus"; "St.
George and the Dragon "; " St; Mary of Egypt "; " St. Peter Martyr." and in
the Dominican habit; "St. Philip"; "St. James the Less"; "St. Helena
Holding the Cross"; "St. John the Apostle ";" Four Tonsured Ecclesiastics
Attended by Cross Bearers, and Chanting the Litanies " ; "St. Barnabas "; "St.
John the Baptist"; "Martyrdom of St. Peter"; "Martyrdom of St. Paul";
"St. Margaret and Dragon " ; "St. Alexis"; "St. Mary Magdalene"; "St.
Christina"; "St. James the Great"; "St. Christopher with Infant Christ";
"The Seven Sleepers " ; "St. M artha and Dragon " ; "St Peter ' ad vincula '";
" St. Dominick and Dragon "; " St. Laurence with Gridiron "; " the Assump-
tion;" large miniature, nearly five inches in height, with fourteen figures therein;
" St. Bernard and the Devil"; " St. Bartholomew and -Devil"; " St. Augustine
with Books and Writing"; "Decollation of St. John the Baptist'; "St.
Egidius"; " Nativity of the Virgin," very curious — St. Anne holds the B. V. M.
on her Ijnees as a babe, who is nursing a yet smaller Infant Jesus; " St.
Adrian "; " St. Matthew Writing his Gospel vrith Angel in Attendance "; " St.
Maurice"; " St. Justina " ; "Saints Cosmas and Damian"; "St. Michael the
Archangel"; "St. Francis"; "St. Denis Holding his Decapitated Head";
" St. Leonard "; " St. Luke Writing his Gospel "; " St. Ursula and the Eleven
Thousand Virgins"; "Saints Simon and Jude"; "St. Eustache"; "Com-
memoration of the Dead, " two surpliced monks and hooded figure standing
before a bier; "St. Martin"; "St. Cecilia": "St. Clement"; "St. Kath-
erine"; "St. Eligis"; "St. Nicasius"; "Martyrdom of St. Jacob"; "St.
Louis"; "Balaam and Jehosaphat"; "St. Elisabeth of Hungary"; "St.
Clara": "St. Isidore"; St. Lazare"; "St. Thomas Aquinas"; "St. Alban";
"St. Boniface"; "Faith, Hope and Charity with the B. V. M."; "St. Wal-
burga"; "St. Bavo"; "St. Nicholas of Toledo"; "St. Lieven"; "St.
Donatus": "St. Victor"; "St. Anthony"; and "St. Antoninus." The last
is heraldic, the habit of the saint, the banner in his hand and the caparison of
his horse being — "gules, charged with a billet argent."
This wonderful mediaeval encyclopedia of hagiology was compiled by the
ItaUan author Giacomo da Varaggio, whose name has been Latinized into
" Jacobus de Voragino " and Anglicized into "James of Voraigne." He took
this surname from his native town in Northern Italy of Varaggio or Varazzo, a
THE PENE D U BOIS COLLECTION. 95
seaport on the Gulf of Genoa, a few miles from Savona, the birthplace o \ Popes
Sextus IV. and Julius II. He was born about A.D. 1230 and died at Genoa on
July 14, 1298. He took the Dominican habit and became at an early age the
Provincial of his order in Lombardy. This was about 1267. In 1292 he was
elected Archbishop of Genoa — "and by his ability, his moderation, and his
exemplary life, he played a most influential part in the public affairs of his time,
bein^ called more than once into the Councils of the Popes themselves and in
affairs of difficulty."
No work was ever more popular than the Archbishop's marvellous production,
of which the above is one of the grandest copies in existence. Its original title
was—" Historia Lombardica, seu Legenda Sanctorum." The admiration of his
contemporaries did not allow it to remain with so comparatively humble a desig- '
nation and they called it the " hegenda. Aurea," Ang'lice "The Golden Legend,"
which it has ever since been styled. Timperley writes: — "The 'Lives of the
. Saints ' were denominated ' Legends ' from being statedly read in the churches,
and this compilation received the epithet Golden, from its extraordinary popu-
larity, or the supposed value of its contents. The library of no monastery was
without it. Every private person who was able purchased it; and for a long
time after the invention of printing, no work was more frequently issued from
the press. It was written by Jacobus de Voraigne, a Dominican friar and Arch-
bishop of Genoa, who died in the year 1298."
Henry Wadsworth Longfellow in the notes to his " Golden Legend," wherein
are stated his reasons for taking' that name as the title of one of his most
delightful poems, said: — " He (the Archbishop) called his book simply ' Legends
of the Saints,' the epithet of Golden was given it by his admirers; for as Wynkyn
de Worde says — ' Like as passeth gold in value all other books, so this Legend
exceedeth all other bodks. ' But Edward Leigh, in much distress of mind, calls
it — ' a book viritten by a man of leaden heart for the basenesse of the errours,
that are without wit or reason, and of a brazen forehead, for his impudent bold-
nesse in reporting things so fabulous and incredible."
" This work, the great text book of the legendary lore of the Middle Ages,
was translated into French in the fourteenth century by Jean de Vignay, and in
the fifteenth into English by William Caxton."
The text of the "Golden Legend" consists, as we learn from another
authority, of a hundred and seventy-seven sections, each of which is devoted to
a particular saint or festival, selected according to the order of the calendar in
its execution. The work, as may well be supposed from its age, is far from crit-
ical, but it is deserving of study as a literary monument of the period, and as
illustrating the religious habits and views of the Christians of that time. It
presents a very different phase of the mediaeval mind from that which. is exhib-
ited in the acute and severely philosophical lucubrations of the schools; but
both must be read together in order to make up the intellectual ideal of the
time.
Some of the most important hagiologies have been based upon that of Arch-
bishop de Voraigne, such as " The Lives of the Saints " of Nadal, Ribadeneira,
Bollandus and Alban Butler.
In the works of Quetif and Echard, Isaac Disraeli, Timperley and Brunet
will be found much information concerning the "Golden Legend." Over a
hundred printed editions have been issued since the invention of typography.
The first was a Black Letter in Latin printed according to Panzer about 1470 —
others followed in rapid succession from the types of Gering, Zainer, de Hoem-
borch, Sensenschmidt, Arnold, Paffrset, etc. — the last pubUshed being the Paris
edition of 1843 in two volumes, translated by Gustave Brunet. The first French
translation was printed at Lyons in 1476 by John Batailier; the first Italian at
Venice in 1476 by Nicholas Jenson; the first Dutch at Delft in 1472; the first
Bohemian at Pilsen circa 1475-1479; and the first English at Westminster in
1483 — "by me Wyllyam Caxton."
The copy of the " Golden Legend " described above can hardly be equalled
in the elegance of the miniatures, the freshness of the vellum, and the legibility
96 THE PENE D U BOIS COLLECTION.
of script by any other manuscript codex of Archbishop de Voraigne's work in
existence. Although examples in manuscript of the '_' Legenda Aurea " may not
be quite as rare as ''hen's teeth," but few are known, among these being, one
bequeathed in 1449 by Walter, Lord Hungerfofd, to Lady Margaret, wife of
Sir Robert Hungerford, his son^" my best ' Legend of the Lives of the Saints'
in French, and covered with red cloth " — and yet another — a magnificent original
manuscript of the " Golden Legend-" sold to the Duke of Norfolk in 1803 and
claimed to have been — " near five hundred years old," to have been executed for
the Queen of Philip de Valois and was described as beingi— " an immense folio
volume, perhaps the most curious of the kind in the world, every leaf of the
finest vellum, all the capital letters illuminated in gold and rich (Colors, with
upwards of two hundred miniatures of the different saints, etc."
A description that tallies somewhat with the codex now under consideration,
which if not illuminated for a Queen of France must have been executed — on
account of its gorgeous art- work and beautiful miniatures — for a member
of one of the great reigning Kduses of Europe in the Moyen-Age — possibly for
a Visconti or for a De Medici.
MAGNIFICENT FOURTEENTH CENTURY VELLUM EX-
AMPLE OF JEHAN DE MEUNG— WITH MANY CAPI-
TALS IN GOLD AND COLORS— IN SPLENDID MODERN
BINDING BY PETIT, OF PARIS.
360 J^<S.— LE TESTAMENT DE MAISTRE JEHAN
DE MEUNG. A Fourteenth Century Manuscript .
IN OLD French Verse on 33 leaves or 66 pages of
vellum, with 109 capitals in gold and colors. 8vo
(eight and a half inches by five and five-eighths), MAG-
NIFICENTLY BOUND by PETIT, of Paris, in
crushed levant dark blue morocco, super-elegant,
elaborately tooled back and sides in gold, the last named
being pointing in imitation of lace-work, the ends doubU,
THE PENE DU £OIS COLLECTION.
97
["Jehan de MEUNG,"a Fourteenth Century French Illuminated Manuscript,
AND SPLENDIDLY BOUND IN DARK BLUE LEVANT MOROCCO DOUBLE, BY PeTIT,
OF Paris. Number 360 of the ".Pene du Bois Collection."]
98 THE PENE D U BOIS COLLECTION.
with SMOOTH, CRIMSON MOROCCO, with most chastely
tooled gold borders, pointille and dentelle, leather joints
and gilt edges. "SiRC Xly.
UNIQUE, SPLENDID and ORIGINAL EARLY FRENCH TROU-
VERE MANUSCRIPT of the fourteenth century on vellum and illuminated
in gold and colors.
This relic of the beginnings of the poetry of France, which culminated in a
Voltaire and a Hugo, should be of deep and absorbing interest to students of
literature. It is one of the few works left to posterity of the writings of the
celebrated Jehan de Meung (Meun or Mehun), otherwise known as ' ' Clopinel "
or "le Boiteux," one of the authors of the "Romauntof the Rose,'' commenced
by Guillaume de Lorris, and which later became an early English classic
through the genius of Geoffrey Chaucer.
It is in beautiful condition. The vellum is almost as white as driven snow.
The script, over five centuries old, is so clear that it can, although in old
French, be read with ease by a lower-class public school boy. The colored
initials, to the number of over a hundred, are as brilliant and bright with gold
as if painted twenty-four hours ago.
And the reliure is one of the handsomest modern French bibliopegists can
offer as a chef-d'teuvre.
The author of this ancient manuscript was jehan de Meung, the French
trouvere, who was born at Meung-sur-Loire in the thirteenth century, and died
in Paris about 1318. This scion of a rich iind distinguished family received as
profound an education as his time afforded. In the words of a chronicler anent
De Meung we learn that he was: — " Solemnel, maistre et docteur en sainte
the'ologie, philosophie tresparfont, sachant tout ce qui a entendement humain et
scible. " He was the friend of Dante, whom he met in Paris. But his princi-
pal title to fame rests upon the fact of his having completed that grand medi-
eval work, the " Roman de la Rose," begun by De Lorris, and in the thousands
of verses which he added thereto Jehan De Meung not only kept to the spirit
of the original, but added to that delicate allegory, keen satire of the most
subtle character.-
Several other works of his were printed in the early portion of the sixteenth
century — for details . of which the reader is referred to the third volume of
Brunet. Among these are the "Miroir d'Alchyraie," " le Dodechedron de
Fortune," " les Loys de Trepassez avecques le pelerinage maistre Jean de
Meung," "la Forest de Tristesse," " le Codicille et Testament de maistre
Jeha. de Meun " and " les Sept Articles de la Foy et les Proverbes dorez selon
Maistre Jean de Meung."
The " Codicil and Testament" were printed at the end of the " Roman de
la Rose" in the three editions of 1735, of "ranVII."and of 1810. The "Seven
Articles of the Faith and the Golden Proverbs adbording to Maistre Jehan de
Meung" were also reprinted under the designation of " Tresor" in the edition
of the "Roman de la Rose " of " Meon," and in the editions of 1735 and
" I'an VII." under the title of the "Testament de Jehan de Meung."
THE PENE DU BOIS COLLECTION. 99
The engraving illustrative of the beautiful reliure on the above manuscript
has been presented in this catalogue owing to the kindness of Howard Lock-
wood and Co,, publishers of " The American Book Maker," who have loaned
the electrotype. A most valuable series of articles on " Bookbinding as an Art
and Industry," from the pen of IngersoU Lockwood, Esq., author, lawyer and
Titan, have been appearing for some time past in that very live magazine. The
numbers for February, March and April, 1887, each contained illustrations of
specimens of book-binding in the Pene du Bois library. Writing up the
" Jehan de Meung," as an example of Petit's binding, IngersoU Lockwood says
in the April "American Book Maker'': —
" The peculiar excellence of modern French tooling must be sought for in its
brilliancy, accuracy and evenness, both as to balance and depth. No matter
how mathematically accurate and how brilliant » pattern may be in its general
execution, if, upon a close and critical examination of the work, the eye can
detect unevenness in the depth of the work, the binding sinks into the category
of mediocrity. So, too, a piece of fine tooling loses much of its charm when
worked upon poorly made and ill-jointed covers which are either too stiff to open
with any ease, or when opened betray a lack of alignment and solidity, without
which no book may be said to be well bound. That some of the French bind-
ers in their striving for rich and elegant exteriors fell short of necessary mechan-
ical excellence is undeniable. Cape, now* deceased, was one of these. His
rich and graceful toolings often decorate books which are wofuUy lacking in
strength and solidity. And the same criticism may with justice be made of
other famous names.
' ' But in one respect modem French binders stand upon a vantage-ground
which is literally unassailable. They do not attempt to spread upon book-covers
any of the exaggerated, ridiculous or fantastic shapes and figures which the
' popular tastes ' of the day are so pleased to see stamped upon book exteriors.
They turn with ever-increasing reverence and admiration to the works of the
old masters, Maioli, Grolier, the Eves, Le Gascon, Derome, etc., for styles,
designs and leading motives.
" To these illustrious predecessors, Cape, Marius-Michel, Petit, Trautz,
Lortic, Niedree, Pagnant, Riviere, Smeers, Thibaron-Joly, Chambolle-Duru,
etc., turned, or still turn, for their patterns and designs, just as the truly great
litttrateurs of modern times have followed the safe lead of great masters in the
classic ages. In our times, however — and so, too, it happened in the days of the
Maioli and Grolier — the real artist, whose trained eye and skillful hand works
out the beautiful design which glows upon the cover, is utterly unknown to the
general public. The famous firm-style or name of the business house swallows
up every individuality and personality under its guidance. This is probably
unavoidable ; at any rate, the collector and amateur rarely take thought of
any one save the name of the house of which the covers bear the imprint.
" The cut \i. e., of Mr. Pene du Bois's " Jehan de Meung"] on this page
represents a Petit gold tooling upon blue levant of very delicate workmanship.
The student will perceive that in this piece of work, Petit, instead of attempt-
ing to invent something new and startling, preferred to follow the footsteps of
one of the older masters in book decoration, namely, Der6me. This pattern
may be called a Der6me dentelle border. Naturally, the camera gives only a
faint rendering of the effect of this beautiful piece of tooling. The doubli is of
red levant, likewise richly tooled."
loo
THE PENE DU BO IS COLLECTION.
THE fcLORIOUS " FIRMIN-DIDOT HOURS," OR PERHAPS,
MORE CORRECTLY, KING CHARLES THE SIXTH'S—
DECORATED WITH FORTY-THREE MINIATURES
AND NEARLY THREE HUNDRED AND FORTY ILLU-
MINATED BORDERS, ALL HEIGHTENED WITH GOLD—
ALSO THOUSANDS OF ILLUMINATED SENTENCE
FINIALS AND CAPITALS.
361 JW[<S.— "HEURES DE LA SAINTE VIERGE." A
MAGNIFICENT MANUSCRIPT IN LaTIN, WITH CALENDAR IN
OLD French on 169 leaves or 338 pages of splendid
VELLUM IN BLACK GOTHIC SCRIPT, WITH OCCASIONAL
PASSAGES IN RED. With 19 PAGE MINIATURES,
EXQUISITELY painted with brilliant coloration height-
ened WITH GOLD, each with charming capitals and four-
sided borders similarly illuminated — 24 SMALLER MINIA-
TURES, illustrating the calendar, and of delightful ex-
ecution, with borders in gold and colors — 304 illuminated
pages, other than the above named, each with border on
three sides of the text — three blank pages — and THOU-
SANDS OF ILLUMINATED CAPITALS and sentence
finials, all highly decorated and heightened with burnished
gold. Thick small 4to (eight inches tall by five and a half
wide), olive velvet, with gilt edges. Smc. XV.
UNIQUE and regal manuscript of the most splendid character, executed on
■(fellum by a French scribe, and illuminated by miniaturists in the first quarter of
THE PENE D U BOIS COLLECTION.
the Fifteenth Century, and most probably for King Charles the Sixth of
France.
This loveliest of Hours of the " B. V. M " was one of the medieval art features
of the famous Firmin-Didot collection at Paris. It was the property of one of
the greatest of modern bibliophiles, and his red and gold library stamp will be
found on one of the ends, of which "Ala Bible d'or, 1698-1850, Bibliotheca
Ambrosii Firmin-Didot " is the legend thereon, between the Greek and Latin
mottoes on the pages of an open book, between six other tomes. It was pro-
tected at the Firmin-Didot sale and bought in by the Veuve Didot, but who
afterwards privately disposed of it.
First, as to the borders. To form an idea of the enormous labor expended
upon the decoration of the'text of this missal, it can be easily shown that the
volume contains nearly 10,000 inches or some goo feet of illuminated bor-
der, HEIGHTENED WITH GOLD ! Every page of the 335, with script thereon,
has a border averaging an inch and a half in width. These 335 borders on the
pages, with simple text only, are on three sides thereof — those with miniatures
have them on all four sides. This precious volume must have taken years and
years to complete — for outside of the miniature paintings there are many thou-
sands of capital letters and sentence finials, all of which, when held against the
light, blaze with an iridescent glow from the highly burnished gold, standing
up solidly on every page from the mass of beauteous colored decoration.
The rich ornamentation of the borders are very striking. As in almost all the
French manuscripts of the beginning of the Fifteenth Century, the decorative
principle in MSS. of the Fourteenth Century, consisting of gilded conventional
Gothic foliage, are here found with new designs added thereto, introducing
actual flora and fauna, with birds like the peacock, the parrot, and others of
varied hues. The text, on most of the pages, is separated from the outside bor-
der by a listel or fillet, of a golden ground, with small colored ornaments. In
the pages with miniatures these listels are developed into a second border which
encloses text and painting on three sides.
The nineteen large miniatures are square in shape on the three lower sides — and
semi-arched above. Their breadth is uniform, but the height varies. Some of
these paintings are by a different hand. Others are particularly noticeable, as
showing incontestably the influence of Flemish upon early French art. The 24
smaller miniatures are in the calendar, which is written in old French. It takes
up the first twelve leaves. The script thereof is gold, azure and carmine — the
numerals are of pure gold. The small miniatures which decorate the calendar
are placed in pairs on the recto of each leaf, those at the bottom are of a circular
form, and represent the signs of the Zodiac. Those laterally are of a rectangu-
lar shape and have for their subjects scenes depicting rural occupations proper
to each month, or the recreations of a country life.
It must not be forgotten, in examining this manuscript, that it is over 450 years
old, and that the almost miraculous condition and brilliancy of the miniatures and
borders are due to the fact that its scribe and painters' worked for all time and for
the glory of their religion, and not for mere pelf. Their materials and applica-
tion of them are now nearly a lost art. Hence every page is the best that
genius and faithful toil could produce — and but two of the borders, which are
slightly rubbed, show aught of either age or use. The volume itself was
rebound a century or two ago. When this was done, some of the leaves with
miniatures were partially remounted and carefully grafted on to new vellum at
the inner margins in order to give greater durability and safety while binding.
A noteworthy feature of the miniatures is the landscapes and occasional archi-
tectural details which fill up the backgrounds of even the smaller ones as well as
the larger.
The Zodiacal miniatures are not quite the orthodox or conventional ones.
January's water-carrier is nude, and while running, upsets the contents of his
pitcher. The fishes of February are so large that they each take up a bay.
March has a ram which is very lamb-like. April's bull is pavring the ground.
I02 THE PENE DU BO IS COLLECTION.
The gemini of May are represented by a blue habited virgin, whose head is deco-
rated with a tall pointed head-dress, and whose arms are tightly lashed around
the neck of a callow medieval youth, who seems to rather like it, although
astonished . June's boiled lobster is gilded. The lion of July has been starved
and looks hungry. The virgin of August holds a palm branch, and has golden
hair. September's scales are held unevenly balanced by a handsome woman,
whose eyes are not blindfolded. October shows that the medieval artist knew
little about scorpions — he has depicted an amphibian more like a crocodile. The
' ' Sagittarius " of November is half lion and half medieval archer, and is habited
in blue, with a red and brown peaked cap. December's big goat has a fleece as
white as snow.
The miniatures on the right-hand side of the different months in the calendar
give us an insight into the occupations and costumes of the farmer and peasant
of the Middle Ages. They are similar to those depicted in the works of Paul
Lacroix on this period, and which were taken from missals. These painted min-
iatures are as follows : — January, a husbandman seated at table, and his wife or
daughter, with tall pointed head-dress, bringing in a dish ; February, a stout
rustic, seated and blowing up the fire in an open grate with a pair of bellows,
while his wife toys with his hair; March, a gardener and female planting;
April, the chase, a hunter blowing a horn and accompanied by youthful attend-
ant, habited in red with black cap; May, a male and female riding pillion; June,
a laborer mowing, and woman to the left with a pitcher on her head, a basket in
one hand and a jug in the other; July, a husbandman reaping and a seated
female tying up the sheaves; August, thrashing the grain; September, one
farmer sowing — another ploughing; October, teeading the vintage; November,
husbandman and wife gathering fruit; December, farmer killing a pig with an
axe, his wife looking on and holding dish.
The larger miniatures will be now described: — I., " Salvator Mundi " — this is
a wonderful piece of portrait painting, three-quarter figure — the eyes blue and
features most expressive — the hair dark — the beard and moustache lighter — tunic
blue, over which is a red cope with gold border — one hand gives benediction —
other holds a crystal orb surmounted by a gold cross — the border to this minia-
ture is very fine, with peacock, two birds with variegated plumes, strawberries
and other fruit, foliage and flowers; II., " St. John at Patmos"- — the saint,
with golden hair, in blue and red habit, holds an open book — beside him an eagle
on a barrel holding bunch of palms — the two figures take up nearly the whole
of Patmos — to the fore on the mainland is the devil dancing in impotent rage — in
the sky an angel — other islands in the distance — two, with cities surrounded by
fortified walls; III., "St. Luke" — he is painting the Virgin's portrait, which is
on an easel — features of saint very fine — to the fore a winged bull holding label
" S. Lucas"; IV., "St. Matthew" — the Evangelist is seated under a canopy
attached to what is apparently a monastic house — on his knees an open book,
and is in the act of dipping his pen into an inkstand held by a white-robed, blue-
winged angel in attendance — architectural details and lineaments of figures most
excellent; v., "St. Mark "—like the preceding, St. Mark is engaged in the com-
pilation of his gospel — he is seated vrithin doors beneath a crimson and gold
canopy, although side of house entirely open, there is a ruddy fire in the grate —
in the foreground the symbolical winged lion; VI., " Madonnaand Child "— B.
v. M., clad in blue robe and golden-hau-ed, seated reading under a crimson and
green tent,_ the front of which is held up by two angels — in the foreground the
Infant Saviour led in a walking machine by an angel — another angel engaged in
preparing food for the Holy Child, in a saucepan over a fire on the ground;
VII., " the Visitation " — St. Elizabeth with white coif, hands clasped, genuflects
before the Virgin, who has a large nimbus around her golden hair and is clad in
blue and gold— behind them two female figures, one with box on head, the other
a basket, both hold domestic objects on staff vrpon their shoulders — landscape of
medieval castle and town; VIII., "the Crucifixion" — Christ with stigmata on
the cross, two thieves on each side, but with their arms tiedoverthe cross-pieces
THE PENE DU BOIS COLLECTION. 103
— soldier in act of piercing the Saviour's side — to the left group of holy women,
to the right soldiers in medieval costume; IX., " Descent of the Holy Ghost " —
B. V. M. seated in midst of Apostles — the faces gems of miniature painting
and most lifelike; X., "the Annunciation " — Virgin kneeling reading, habited in
blue and gold with ermine lining — angel with red cope, blue and gold border and
blue and gold wings, holds legend " Ave Gracia Plena Dns. tecum," both figures
within quadrangle of chateau, displaying on turrets numerous small shields of the
royal arms of France, three golden fleurs-de-lys on a blue ground— sun dial on
tower — God the Father surrounded by angels in the heavens — capital " D "
with peacock in glory and border with strawberries, pheasant, green parrot, pea-
cock, etc., very fine; XI., " Coronation of the Virgin " — Christ with whitd peaked
hat on throne, holding crystal orb — Virgin kneeling before Him attended by
angel who holds her blue and gold mantle — three angels with legends and crown
above the figures — four angels entirely red in the foreground, all the figures in
separate blue firmaments with stars; XII., " Flight into Egypt " — Virgin and
child on mule — St. Joseph leading — female attendant with basket on head and
staff on shoulder following — handsome architectural background; XIII.,
"David" — the Psalmist seated within castle court — shield with royal arms of
France over gateway ; XI V. , " the Nativity " — Infant Saviour on the ground con-
nected with golden rays emanating from God the Father in the heavens — Virgin
and St. Joseph kneeling — ^mule with curious expression ; XV. , ' ' Angel appear-
ing to Shepherds " — one shepherd with hands clasped kneeling, another drinking
water from well— -in the foreground golden-haired Virgin holding lamb; XVI.,
" the Presentation in the Temple " — Virgin kneeling and five figures, including
high priest, surrounding the altar, on which is the Infant Christ — the background
chancel of the Cathedral of Notre Dame of Paris, across which is a blue and
gold hanging, on which are the golden lilies of France— male figure to the
foreground, evidently a likeness of Kir^g Charles the Sixth of France, and his
foot rests upon a brass, showing inscription, coats-of-arms and effigy on tesse-
lated floor; XVII., " Visit of the Wise Men " — Virgin seated on richly decorated
bed with canopy, one of the magi kneeling, the other two, both crowned, standing,
the one to the left in blue doublet pink hoSe and ood-piece, and pointed black
shoes; XVIII., " a Funeral Scene " — four pall-bearers carrying bier with blue
pall — four black-robed figures carrying candles on which are shields ' ' argent
a bend gules charged with five billets " — other figures, including priests, also
architectural details, very fine; XIX., "Pontifical High Mass " — the Pope kneel-
ing offering the chalice — has nimbus around his tonsured head, and gold chasuble
with black designs — two tonsured cardinals in attendance, both are kneehng, one
. holding tiara and the other a pontifical cross — the Saviour, with stigmata and sur-
rounded by the emblems of the Passion, appears in a vision over the altar — in the
middle centre are four spirit heads in blue and gold nebulous glory.
The^ lengthy description of these miniatures is not unwarranted. They are
as carefully and minutely executed as in any medieval missal extant. They can
only be seen under a magnifying glass to be appreciated, words almost failing to
express their beauty and microscopical workmanship.
This entrancingly lovely ' ' Horse " has been called at the head of this
description, the " Firmin-Didot Hours. " It should be more properly styled the
" Hours of King Charles the Sixth of France, surnamed the "Well-Beloved."
Not only is this clearly possible on account of the period of its execution, but
by two separate facts — First, that monarch's portrait given in the sixteenth min-
iature above described, and — Secondly, that many of the miniatures have blended
in their composition, shields charged with the royal arms of France. King
Charles the Sixth, whose wife was Isabella of Bavaria, reigned on the French
throne from 1380 to 1422, and this missal was illuminated before the last named
date.
It is, nevertheless, a regal manuscript, whether executed for a King of France
or not, it having for its motif the rendering of the highest artistic genius and
loftiest religious reverence to the " Regina Ccelorum." It is the "Hours
1 of the Queen of Heaven."
104 THE PENE DU BOIS COLLECTION.
SPLENDID FIFTEENTH CENTURY "HOURS" OF FLEM-
ISH EXECUTION, WITH THIRTY MINIATURES, AND
HUNDREDS OF CAPITALS— ALL IN GOLD AND COL-
ORS.
362 JM[S.— "HORiEBEAT^ MARI^ VIRGIN'IS, CUM
CALENDARIO." A Fifteenth Century vellum
" Hours " in Latin, with the Calendar in old
French and of Flemish workmanship on 160 leaves
or 320 pages of Gothic Script in black. Highly orna-
mented with 15 large miniatures with capitals arid borders
in colors heightened with gold — iS smaller and similar —
and hundreds of smaller capitals and sentence finials in gold
and colors. Small 4to (six and seven-eighths inches by
four and five-eighths), dark blue morocco gilt tooled — the
ends double with morocco of the same color and some-
what similarly tooled, the edges gilt and lettered on the
back—" Heures— M. S. Sup. Perg. Seec. XV." S^c. XV.
UNIQUE ORIGINAL Fifteenth Century " Heures" on vellum, and the
text executed by a Flemish scribe in Latin and French.
This is a beautiful missal. The colors are most delicately painted upon the
vellum, which is thin and of superior quality. The gold is highly burnished and
the margins measure an inch and a half to two and one-eighth inches in width.
The Calendar is peculiarly rich in color and the gold stands out in shining
relief from every number or day of the month and from many of the saints'
names, which are altogether in metal. Two of the miriiatures are very slightly
rubbed and the last page a little holed. The borders are particularly delightful.
They represent fruit, flowers and conventional Gothic foliage. Some are
worked up into geometrical ornamentations, squares, triangles, etc. , into which
are blended the brilliantly painted floriations.
The miniatures, as stated j are thirty in number. Nearly all have charming
landscapes for their backgrounds. The gold on the habits of the personages
shown is very lightly and chastely put on. The subjects are of: — I., " St. John
Writing with Eagle in Attendance"; II., "St. Luke Compiling his Gospel " ;
III., "St. Matthew, with Angel"; IV., "St. Mark Reading his Gospel, with
Lion"; V., "Madonna and Child, with Angels"; VI., "Virgin and Dead
Christ"; VIZ., "The Annunciation," angel with fleurs-de-lys wand and dal-
matic of crimson and gold — the Holy Ghost fluttering above; VIII., "The
Visitation"; IX., " The Nativity "; X., " Angel appearing to the Shepherds " ;
XI., " The Adoration of the Wise Men"; XII., " The Presentation in the
Temple "; XIII., " The Flight into Egypt " ; XIV., " The Coronation of the
Virgin"; XV., "King David before an Altar"; XVI., " The Crucifixion " ;
XVII., " The Descent of the Holy Ghost "; XVIII., " Job and his Friends ";
XIX., " The Madonna and Child" — Virgin crowned seated on dais — the Infant
Christ on her knee listening to the music of two angels, one of whom has a
harp, the other a mandolin ; XX., " The Trinity "—God the Father, with triple
tiara and orb in one hand, and other resting on open book, which Jesus also aids
in holding— the Dove between them; XXI.," St. Michael slaying the Dragon";
XXII., "St. John the Baptist"; XXIIL, "St. James Reading " ; XXIV.,
"St. Christopher and Infant Christ " ; XXV., " Martyrdom of St. Sebastian";
XXVL, "St. Nicholas"; XXVIL, "St. Katherine"; XXVIII., "St. Bar-
bara";XXIX., "St. Margaret and Dragon "; XXX. , "St. Genevieve."
It is impossible to find a missal more exquisitely finished in the delineation of
the faces depicted in its miniatures than the above. All the subjects are
minutely, almost microscopically finished, and the work is of such a high order,
particularly in the landscapes, visages and shading, that they can only have been
executed by one of the great Flemish masters, perchance by the inventor of
painting in oil-colors — ^John Van Eyck !
THE PENE D U BOIS COLLECTION. log
HANDSOME MISSAL IN DUTCH AND OF THE FIFTEENTH
CENTURY— WITH BEAUTIFULLY ILLUMINATED MIN-
IATURES, BORDERS AND CAPITALS ON VELLUM.
363 J«S.— "GETYDENBOEK, MET KALENDER." A
Fifteenth Century Missal in the Dutch language,
AND consisting OF 191 LEAVES OR 382 PAGES OF VELLUM
IN BLACK Gothic script, with occasional rubrications,
and with five large painted miniatures and borders,
illuminated in colors and heightened with gold — and 37
capitals in gold and colors with floriated borders. Small 4to,
(six and one-eighth inches by four and three-eighths). In
original calf binding, blind tooled, rounded corners, on
wooden boards and rebacked with morocco, two brass
clasps. S^c. XV.
UNIQUE ORIGINAL missal, or " Hours," in Dutch, on vellum.
This is an admirable example of medieval illumination executed in the Low
Countries at the beginning of the Fifteenth Century. The vellum is of good
quality, and the script is plain and bold, although not large. The margins
measure an inch and a half to two inches in width.
All the miniatures have backgrounds of burnished and heavy gold. The
first, immediately following the Calendar, which is perfect, represents "the
Annunciation." The B. V. M. , golden haired and with nimbus, is clad in a red
habit, over which is thrown a blue cloak. She is kneeling before a pre-dieu,
on which is a book of devotions. An angel in blue and pink habit, with red
and blue wings and with golden hair, holds a scroll with the legend — -"Ave
gratia plena dominus tecvm." The ground is gold, to the right is a red curtain
and the floor is tesselated. Around the miniature is blue and green foliage,
heightened with gold.
" Christ holding an Orb in One Hand and with the Other giving a Benedic-
tion," is the subject of the second miniature. The Saviour is depicted with
golden hair, and is habited in a pink robe. Two of His fingers are upraised.
The background is of heavy gold and the foreground is green. It has
similarly floriated borders to the preceding described painting.
" The Descent of the Holy Ghost " is the third miniature. The Virgin is
habited in blue, and upon the nimbussed heads of the Apostles are tongues of
fire. The background is gold, the foreground is tesselated and the borders
are floriated.
The fourth miniature represents "the Psalmist." His hair and beard are
white — he is habited in pink, with a blue cloak, the lining of which is of
ermine. His harp is before him. To the right of the golden background
God the Father appears in a cloud — the foreground is green, the borders are of
gold and colors.
The last miniature shows — ' ' God the Father Holding in a Cloth Three Nude
Figures." He is habited in red and blue. The chair upon which He is seated,
and the general appearance of His white hair and beard, give the Creator a
wonderful likeness to the figure of the Roman Jupiter.
The thirty-seven large capitals are very beautifully executed in colors and
gold — ^the borders are very chaste and of a simple character of decorative
treatment. The text is complete, and it is not certain but there may have
been another miniature before the page commencing — " Hier beghint die lange
cruys."
As an example of early Dutch illumination it is hardly possible to desire a
more excellent specimen, and it is in astonishingly good condition. The re-
ligious wars after the Reformation make ensamples of Holland workmanship
of great rarity.
io6 THE PENE D U BOIS COLLECTION.
EARLY FIFTEENTH CENTURY HOURS OF FRENCH
WORKMANSHIP ON VELLUM, WITH TEN MINIA-
TURES.
364 mS.— "HEURES DE LA SAINTE VIERGE." A
Fifteenth Century Manuscript on 125 leaves or
250 PAGES OF vellum AND IN GOTHIC SCRIPT. With lO
miniatures, capitals and borders, forming full-page illumina-
tions in colors heightened with gold and hundreds of capitals
in gold and colors. Small \to (six and three-eighths inches
by four and seven-eighths), handsomely bound by R. W.
Smith in crushed red turkey morocco elegant, handsomely
tooled back and corners, broad inside leather borders,
tooled with gold, leather joints, edges gilt. SiEC. XV.
UNIQUE Original Fifteenth Century Missal on vellum, with Latin text and'
calendar, complete and in old French.
This very handsome manuscript is written in a bold Gothic type. The very
large number of small capitals and sentence finials, to the number of over a
thousand are superbly executed in blue and pink, finished with burnished gold.
A few pages are rubbed or have erased later script in some margins, one page is
holed and two leaves are lacking, otherwise the MS. is a perfect gem of medieval
workmanship. The margins to the text measure two inches to an inch and a
half in width.
The miniatures are delightfully painted — the features of the various person-
ages depicted being very minutely and carefully executed. The miseal exhibits
all the scrupulous care and patient detail so peculiar to the French MSS. of the
period of its production. The borders are charmingly finished with fruits and
flowers. These are very choice, and are conjoined to a conventional Gothic
foliage.
The miniatures represent: — " The Annunciation," the Virgin is in her bed-
room seated with an open book on her knees — the angei, golden-haired, red and
blue winged, kneels and holds in one hand a staff, at the top of which is a
fleur-de-lys ; " The Visitation " — St. Elizabeth kneels before the Virgin — each
is crowned with a nimbus — on one side is a dwelling house — on the other a
mountain — in the distance is a landscape ending with a castle terminating the
perspective; " The Nativity " — St. Joseph and the Virgin kneeling beside the
newly born Saviour — two animals in the rear of the stable, which is open at the
sides, in the distance being a landscape; "The Angel appearing to the
Shepherds " — two shepherds kneeling, one points to an angel in the sky, who
holds a label with the motto: "Et in terra" — behind them is a green clad
mount — and in the distance two mountains, both with buildings at their sum-
mits ; " The Flight into Egypt"; " God the Father crowning the Virgin," both
seated on a dais — the decoration behind is of fleurs-de-lys on a purple ground;
" The Crucifixion," the Christ with the blood pouring from His side — Centurion
cap-i-pie pointing with one finger at the Saviour — one hand holds a curious
shield, formed of a human face ; " Descent of the Holy Ghost "; " The Psalm-
ist," kneeling, habited in blue, with ermine tippet, and crown on head — a land-
scape in the distance; " Job" — three of his neighbors are commiserating the lot
of the holy prophet, who has his arms crossed over his naked body, the sores on
which are being tormented by worms, and below the middle, he is buried in
a dung-hill.
THE PENE D U BOIS COLLECTION. 107
THE CELEBRATION OF THE MASS— AN EARLY SIX-
TEENTH CENTURY VELLUM SPECIMEN.
365 laS. — "PR^PARATIO AD CELEBRATIONEM
MISS^," ETC. A Latin Manuscript in Roman script
ON 38 LEAVES OR 76 PAGES OF VELLUM. With rubrications.
Oblong minimo (three and a quarter inches by four and
five-eighths), stamped leather, rebacked. S^c. XVI.
UNIQUE Original Early Sixteenth Century manuscript on vellum.
This minimo MS., which is well used, is in its original binding of stamped
leather. On the front cover are the letters " E. V.," and on the back the
date "i6i8."
UNIQUE AND MAGNIFICENT COPY OF THE "HOURS OF
THE B. V. M." OF GILLET AND GERMAIN HARDOUYN
ON VELLUM AND ILLUMINATED BY HAND.
366 Knuminatrti5IacftlLetttr.~"HEURES A LUSAiGE
DE ROME TOUT AU LONG SAS. RIENS RE-
QUERIR AUEC LES FIGURES DE LAPOCA-
LIPSE." A SUPERB " Hours " printed in Black
Letter on ii6 leaves or 232 pages of vellum. With
1% page miniatures, colored by hand and heightened
WITH gold — 28 smaller MINIATURES — one half page —
woodcut borders around every page — and hundreds of small
capitals and finials to text in gold and colors. Octavo (eight
and one-eighth inches by five and one-eighth). Old black
calf gilt, with Grolieresque designs of interlaced ornamen-
tation,in gold. Paris, S^ec. XV. [1499]
UNIQUE MAGNIFICENT PERFECT EXAMPLE OF VERY EARLY BLACK LETTER
and printed " Hours of the Blessed Virgin " on vellum illuminated by hand.
The colophon reads that this splendid " Horse " was: — " Imprimees a Paris
par Guillaume Anabat Imprimeur demourant en la Rue Sainct Jeha. de beau-
iuaU a leseigne des Louis pres les grandes escolles de decret pour Gillet Har-
DOUYN Libraire demourat. au bout du pont au change a lenseigne de la Rose
et pour German Hardoityn Libraire demourant deuat le Palais entre les deux
portes a lymaige saincte Marguerite. Tout pour le mieulx."
The text is almost entirely in Latin, with the exception of a portion of the
Calendar, some prayers and litany at the end, etc., in old French. The calendar
commences 1500 and ends 1520 — the date of imprint can be therefore assigned
to 1499.
The strangest feature in this " Hours " is the woodcut on the first page, of
which the title, consisting of three lines, occupies but a small space at the bottom
of the page. This illustration, which is illuminated in gold and colors, any one
not acquainted with the details of ancient bibliography would take for the
frontispiece. It is, however, only the Hardouyn device, exhibiting the mytho-
io8 THE PENE DU BOIS COLLECTION.
logical scene of " Hercules rescuing Dejanira from the Centaur Nessus.
Speaking of the Hardouyns, Gillet and Germain, Dibdin says: — " They were
both unquestionably very beautiful printers, and maintained a prodigious traffic
in the sale of devotional volumes; their productions being upon the vfhole fully
equal to those of Kerver, Pigouchet or Vostre."
On the verso of the first leaf is a skeleton or anatomical figure, beneath whose
legs is a Zany. At the four corners of the page four persons are depicted — one
with a monkey, one with a lion, one with a pig, and another with a lamb.
The other page miniatures, all of which are painted by hand, are of: — "' St.
John the Evangelist " — he holds a chalice, from which issues a serpent, in allusion
to his driving the poison in that form from a cup which had been presented to
him to drink — at his feet are two corpses — in the background are the would-be
poisoner, the Empeior Domitian and attendants — as in all the other miniatures
the physiognomies are beautifully painted and will bear the closest scrutiny;
"The Kiss of Judas" — the Roman soldiers seizing Christ — Jerusalem in the
distance, etc.; "The Church and Justice — Pity and Wisdom'' — allegorical — an
angel stands behind the four figures — the Trinity in the Heavens, etc.; "the
Annunciation;" "The Crucifixion" — Christ and the two thieves on crosses —
the Centurion on white horse — Virgin at foot of cross — other figures, etc. ; " De-
scent of Holy Ghost," with the Virgin seated among the Apostles; "the
Nativity" — Virgin kneeling before Infant Christ — St. Joseph^male figures,
around stable — cattle, etc. ; " Angels Appearing to the Shepherds; " ' ' The Visit
of the Magi; " "The Circumcision " — Virgin kneeling with white cloth in hand —
St. Joseph with basket of dove; — High Priest in Archbishop's mitre and cope
holding Infant Jesus; "Flight into Egypt" — St. Joseph leading mule on which
St. Mary and Christ — two angels following — attendant with casket on head;
"Death of the Virgin"— soul of B. V. M. ascending to heaven in glory —
apostles, etc. ; " King David sending Uriah forth to Battle " — Uriah in medieval
armor; "The Raising of Lazarus;" and " The Flagellation of Christ."
The most curious of these miniatures is that under which is the inscription: —
"Comet, lepereur. Octovien p. sa monutio. de sa sibile vit la glorieuse vierge
marie q. tenoit so. petit-enfant." This is explained on pages 277-78 of Clement's
" Legendary and Mythological Art" as follows: — "When the Roman Senate
decreed divine honors to Augustus [Octavius], he consulted the I'iburtine Sibyl
whether he ought to receive them . She replied that it was more becoming for
him, whose power was declining, to go away from her silently, for a Hebrew
child should be born who should reign over the gods themselves. Or that a
king should come from Heaven whose kingdom would never end. Another
version relates that the heavens were opened and a vision of the Virgin with the
Infant Saviour in her arms, standing on an altar, was shown him, and a voice
was heard saying, ' Haec ara filii Dei ' (this is the Son of God). The Emperor
adored the vision and reported it to the Senate. And in remembrance of it he
erected upon the Capitol an altar inscribed, ' Ara primogeniti Dei.' On this
spot stands the Church of S. Maria in Capitolio or the ' Ara cceli.' "
The smaller miniatures are of: — "Saints Luke, Matthew and Mark" (3);
Christ with Orb: " The Saviour Rising from the Tomb "; " Holy Ghost"; " St.
Veronica with Veil" ; "St. Michael and Dragon"; " Christ with Agnus Dei";
"St. John"; "Saints Peter and Paul"; "St. James"; "St. Stephen"; "St.
Lawrence with Gridiron"; "St. Christopher and Christ''; "St. Sebastian";
" St. Nicholas "; "St. Claude"; "St. Anthony"; "St. Anne"; "St. Mary
Magdalen"; " St. Katherine " ; " St. Margaret "; "St Barbara"; " St. Appo-
lonia "; " God the Father"; and "The Annunciation " — one large.
This handsome missal is as fine a printed " Hours" as it is possible to obtain.
Not only are the painted large and small miniatures, the capitals and finials to
sentences as choice as can be, but the unpainted woodcut borders around every
page are beautiful examples of Renaissance' ornamentation and the best of their
kind — humorous, religious, secular and floriated representation being most
artistically treated and blended,
THE PENE DU BOIS COLLECTION. 109
UNIQUE VELLUM HOURS PRINTED BY GERMAIN
HARDOUYN, AND ILLUMINATED BY HAND.
367 KlluintnaUtr JSlacft anur.— "HOre beate ma-
rie VIRGINIS SECUNDUM USUM ROMANUM
TOTALITER AD LONGU. SINE REQUIRE. CUM
MULTIS SUFFRAGIIS ET ORATIONIBUS DE
NOUO ADDITIS." Numerous miniatures, capital letters
and borders illuminated by hand in gold and colors.
Minimo (five and five-eighths inches by three and three-
eighths), crimson plush. SjEC. XVI.
UNIQUE and very rare example of the press of the Hardouins, printed
on vellum. The colophon reads that it was — " nouuelement imprimees a Paris
par Germain Hardouyn Marchant Imprimeur et Libraire demourat. aud. lieu
entre ses deux portes du Palays a senseigne Saincte Marguerite." The calendar
commences 1529. This is an admirable specimen, and, with the exception of a
few stains hardly worth considering, is in the best condition.
CURIOUS CONVENTUAL AND HERALDIC MANUSCRIPTS.
368 |«S.— SEVENTEENTH CENTURY HERALDIC
ANip MONASTIC MSS. Two Latin Manuscripts of
iz8 LEAVES OR 256 PAGES, with 37 COATS-OF-ARMS em-
blazoned in their proper tinctures. 2 vols, small 4to (six and
seven-eighths inches by four and a half), vellum.
S^c. XVII.
UNIQUE ORIGINAL SEVENTEENTH CENTURY MANUSCRIPTS in Latin and
- of German origin.
These two curious little volumes — bound in vellum taken from a folio choir
book — were evidently compiled in the seventeenth century by some monk in
the Abbey of Neresheim, which is in Wuirtemburg, on an affluent of the
Danube, and thirty miles from Ulm. They were apparently his " common- place
books," although elsewhere styled " The Journal of the Monastery of Nere-
sheim." The good monk to whom they belonged filled their pages with extracts
from the Fathers, from Greek and Latin authors, and, above all, amid many
interesting facts relating to his conventual house, with a list of the Abbots of
Ne^-esheim, the dates of their elections, their deaths, etc. He gives drawings of
the coat-of-arms emblazoned in gold and colors of thirty six successive abbots —
from the first, Ornestus, who died A.D. 1096, to the thirty-sixth Memiradus
Denich, elected Abbot August the 13th, 1647.
VELLUM DIPLOMA FROM THE UNIVERSITY OF PADUA,
DATED 1626.
369 |«<S.— SEVENTEENTH CENTURY DIPLOMA
FROM THE UNIVERSITY OF PADUA. A Manu-
script in Latin on 6 leaves or 12 pages of vellum,
IN Roman and Italic script. With full-page gilt
floriated border and coat-of-arms, and numerous capitals and
portions of the text in gold. 4to (eight and five-eighths
inches by seven and five-eighths), old red morocco extra
gilt, with silk ties. S^c. XVII.
UNIQUE original early seventeenth century manuscript on VEL-
LUM.
This most interesting document, dated June the 25th, 1626, is the diploma
granted to Peter Weissensee, upon his acquiring the degree of Doctor of Phi-
no THE PENE D U BO IS COLLECTION.
losophy and Medicine. There are seven original signatures attached of the
officials of the University of Padua, viz. : Augustine Belligotti, C^sar Cremoni-
nus, John CoUe, John Prevotius, John Thuilus, Claus Jacobseus Danus and
Petrus Merius. There are also named in the document — Christopher Burchard,
Caspar Saur and John Valentinus.
The decoration on the first page is floriated in red and gold. Above is a
coat-of-arms charged with a passion flower and the crest of a swan on a helmet.
Portions of the text not in italics are in gold uncial letter.
This diploma, issued three years after the publication of the first folio of
Shakespeare, forcibly reminds one of the opening lines of ' ' The Taming of the
Shrew": —
" Tranio, since — for the great desire I had
To see fair Padua, nursery of the arts, —
I am arriv'd for fruitful Lombardy,
The pleasant garden of great Italy:
And, by my father's love and leave, am arm'd
With his good will and thy good company,
Most trusty servant, well approv'd in all;
Here let us breathe and happily institute
A course of learning and ingenious studies."
The University of Padua, one of the most famous in Europe, was founded by
Charlemagne, and was restored by the Emperor Frederick the Second in the
year 1222. It now embraces nearly 50 professorships, and is attended by some
2,000 students. Connected with the university are an anatomical theatre and
botanic garden, both dating from the sixteenth century, and each the first of its
kind in Europe.
FAC-SIMILE ON VELLUM OF A RARE EROTIC WORK,
AND BOUND BY THOUVENIN.
370 ptS.— "LES PRESOMPTIOI^JS DES FEMMES." An
Eighteenth Century French Manuscript on eight
LEAVES OR sixteen PAGES OF VELLUM — WITH CURIOUS
DRAWING ON TITLE. Minimo (five and five-eighths inches
by three and three-quarters). Elegantly bound by Thou-
VENiN in crinkled crimson morocco gilt, gold tooled inside
borders, and blue watered silk ends. S.ffi;c. XVIII.
UNIQUE AND EROTIC original eighteenth century vellum manu-
script IN French.
This is a f ac-simile of the excessively rare edition of the ' ' Conjectures of
Women " of William Coquillart imprinted, as the title shows: — " A Roven, Chez
Abraham Cousturier pres le Palais : au Sacrifice d' Abraham " — and of which
Brunei writes as follows in the fourth volume of the ' ' Manuel du Libraire" : —
' ' Edition originale de cette piece en vers, laquelle n'est autre chose que la
Rubriche (sic) commen9ant de presomptionibus, mofceau qui termine la premiere
partie des Droits nouveaulx de Guil. Coquillart (voy. ce nom). Cette pi^ce est
reimprimee dans le 36. vol. du Recueil de M. Montaiglon. II y en existait deja
une reimpression fac-simile faite a P^ris chez Pinard, en 1830, qui n'a ete tiree
qu'a 42 exemplaires, dont 32 sur pap. de Hollande, 4 sur pap. de Chine rose,
4 sur pap. de Chine jaune-paille et 2 sur velin.
' ' Presomptions signifie ici conjectures. D'apres I'exterieur des f emmes, leur
air, leur habillement, I'auteur presume leur conduite cachee; et il entre dans des
details grossierement obsc^nes."
This vellum fac-simile has a MS. memorandum on one of the ends — " Sale by
Sotheby, 1817" — also a pencil note, as follows — " Manuscrit de Fyot, repro-
duction d'une piJce fort rare." On an end paper is the book-plate of the —
" Bibliothique de Mr. J. Renard."
The French poet WilHatn Coquillart was born 'at Rheims in 142 1 — he died in
THE PENE DU BO IS COLLECTION. iii
1510. He was the official canon ("chanoine officiel ") and grand chanter of
Rheims Cathedral. He word-painted the manners of his time and the loves of
the bourgeoisie in a lively and natural manner full of truly naive humor and
fifteenth century erudition of language, His verse is easy and full of action,
but better adapted to comedy than to satire
Brunet devotes over two and a half pages to his works, of which the earliest
was printed towards the end of the first century of typography. Jean Treppeul,
Galliot du Pre, Alain Lotrain, Jehan Janot, Jeanne de Mamef , and other eminent
early printers of Paris printed much of his poetry. The best editions of his com-
plete works are Coustelier's, in T723; that re-edited by Tarbe, 1847, and by Ch.
d'Hericourt, printed in 1857 in the "Collection Elzevirienne. "
BEAUTIFULLY WRITTEN MANUSCRIPT OF 650 QUARTO
PAGES OF AN UNPUBLISHED AWORK — BOUND BY
BAUZONNET-TRAUTZ.
371 |«<S,— HISTOIRE DE BELLE-ISLE-EN-MER PAR
LE R. P. FRANgOIS MARIE DE BELLE-ISLE,
CAPUCIN, AUTREMENT LE R. P. LE GALLEN,
1754." A BEAUTIFULLY WRITTEN MANUSCRIPT IN B'RENCH
OF 325 LEAVES OR 650 PAGES OF SUPERFINE WhaTMAN
PAPER with EXQUISITELY ILLUMINATED tUle in GOLD
AND COLORS, Spirited original WATER-COLOR DRAWING of
Belle-Isle-en-Mer — false title and page with date in gold
AND COLORS, with uarrow border — and every page with care-
fully executed borders of ruled red lines. Thick 4to (nine
and five- eighths inches by seven). Bound by Bauzonnet-
Trautz in dark brown morocco, tooled inside gold borders,
and gilt edges. S^c. XVIII.-XIX.
UNIQUE Original French Manuscript, of most carefully executed and
beautiful script on Whatman paper.
This is an unpublished history of " Belle- Isle-en-Mer" (Beautiful Isle in the
Sea), an island on the Western coast of France and in the Atlantic. Belle-Isle
is in the Department of Morbihan, a part of Ancient Brittany. It is some eight
miles from Quiberon, which is defended by Fort Penthi^vre, and is remarkable
as the last stronghold in 1795 of about 7,000 Royalists, who, after a most des-
perate struggle against the troops of the French Republic, eventually surrendered
to General Hoche.
Belle-Isle forms a canton and is defended by its citadel. It was taken by the
English in 1761 and held by them until 1763. The population is from g,ooo to
10,000, most of whom are engaged in the pilchard fishery. The island, which
is eleven miles by six, is noted for its grain and superior breed of draught horses.
It has several small ports, has good anchorage and is nearly surrounded by rocks.
The admirable water-color sketch illustrating the manuscript displays some of its
salient features.
There are two titles to this unique MS. — the first or false title, which is in gold
and colors and is worded as stated above, is surrounded by a dentelle border, of
which there is another on the verso of the page upon which is the inscription
— "Commencee en 1748 et Finie le 1754." On the back of the water-color
marine view alluded to is — " Vue de Belle-Isle-en-Mer, 1840." The second, or
real title is similarly worded, but with the addition of the date " 1754 " It is a
beautiful example of modern illumination in gold and colors. The style is some-
what Moresque, with red. green and white, touched up with red, and of diamond
or lozenge shape decoration. These are heightened with gold, also the word
" Histoire " and line " Belle-Isle-en-Mer," which is of jewelled design. In the
THE PENE D U BOIS COLLECTION.
upper part of this illuminated page are two circles of white and crimson, sur-
rounded with gold.
The text of the manuscript commences with the dedication — " A mes tres
chers et honores compatriotes," and is signed " F. F. M. D. B. C." This is
followed by a preface commencing page 6 and ending on page 26. The work
is divided into five books running from pages 27 to 612. Then comes a supple-
ment by the author which is followed by the copyist's certificate and three pages
of notes by M. Detaille, Mayor of Belle-Isle.
The certificate just referred to reads: — " I, the undersigned Jean Baptiste le
Gallen, nephew of the author, certify the present copy conforms to the manu-
script in the handwriting of the author, belonging to M. Detaille, now Mayor
[" Major "] of the place, and no other changes have been made than the inscrip-
tion paragraphs, while in the original, are in the margins, as also some numbered
pages of reference, which are not the same in the author's as in this copy. In
support of which I have signed, and in this faith I have added to this copy as in
the original. At Belle-Isle-en-Mer, October 31, 1789, signed, Le Gallen,
cadet. ^^
This history is very complete. The first book commences with " Islands in
General" — then refers to the formation of the Island, its antiquity and indi-
genuous population, of Roman medals found there, a Roman camp, and gives its
annals in good narrative and chronologically. Many of the historical references
are of importance, as Belle- Isle, being a point of vantage in war-time, played a
conspicuous part in medievalism and later times.
The great mterest of the MS. is attached to the fact of its having been asso-
ciated with the fortunes of the Foucquet family. ^ Anciently a seigneury of the
King, Belle-Isle became the property of the Foucquets, of whom the most cele-
brated members in history and literature were — the famous Superintendent
Nicholas Foucquet, the patron of La Fontaine and Corneille, and devoted friend
of St. Evremond and Madame de Sevigne — and the grandson of the last-named
Charles Louis Auguste Foucquet, who was in 1740 made a Marshal of France, in
1758 Minister of War, in 1749 a member of the Academic Fran9aise, and in
1748 a peer of France by the title of Duke of Belle-Isle. Vide number 431 in
the following division of this catalogue.
ARTISTIC EIGHTEENTH CENTURY MANUSCRIPT.
372 JWS.—"FESTA PROPRIA O. S. B. IN MONASTERIO
AD SANCTA MAFFRAM 1776." A Latin Manuscript
ON 91 LEAVES OR 182 PAGES, WITH ONE PAGE AND TWO
HALF PAGES OF MS. INSERTED, ALL IN RoMAN TYPE IN
BLACK AND RED. With f Our pages ornamented in gold and
colors, others with decorations or landscape pen drawings, 14
smaller pen drawings, ^<) floriated or rubricated capitals, and
numerous arabesque or floriated ornaments throughout. Small
8vo (seven and one-eighth inches by four), morocco extra
gilt, edges gilt. S^c. XVIII.
UNIQUE ORIGINAL MANUSCRIPT in Latin and of German origin.
The first ornamented full page is the title lettered as above and which is sur-
rounded by sprays of " forget-me-nots." The second full page consists of a
wreath of flowers encircling:— " S. M. Antonia," evidently showing the volume
was a gift to the Mother Superior of the Benedictine Convent of St. Afra.
The third full-page represents a pair of scales depending from a human heart ;
below the weighted down arm of the scale is the letter " G."— below the other
" O." On this page the "sun " and "moon," the letters "A" and " O " and
some ferns are represented. The fourth page decoration is the monogram of
the " B. V. M. " within a glory in the upper half — and in the lower a drawing of
a Winter scene. In a three-quarter page is depicted " Autumn " below the
monogram "I H S." Two half-pages are devoted to landscapesof "Winter"
and " Spring."
THE PENE DU BO IS COLLECTION. 113
MANUSCRIPT TREATISE ON MINIATURE PAINTING,.
WITH SECRETS FOR THE PREPARATION OF GOLD
AND COLORS.
373 iWS.— "TRAITE DE MIGNATURE POUR AP-
PENDRE AISEMENT A PEINTRE SANS MAITRE,
AVEC LE SECRET DE FAIRE LES PLUS BELLES COULEURS,
l'or, etc. An Eighteenth Century Manuscript in French of
6?i leaves or 1^6 pages. Small 8vo (six and three-eighths
inches by three and seven-eighths), bound by Quinet in
morocco gilt, gold tooled inside borders, edges gilt.
S^c. XVIII.
UNIQUE ORIGINAL MANUSCRIPT of the last century in French.
According to a printed cutting on an end paper of the above, this Treatise on
miniature painting was attributed by the great French bibliographer Brunet to
Lavoye-Mignot. It is very carefully written and the script is clear and easy to
follow. There are over a hundred and thirty valuable instructions for the
painting of miniatures as well as a large number of secrets as to the preparation
of colors and metals for illuminational work.
EIGHTEENTH CENTURY FRENCH MANUSCRIPT.
374 iWS.— " LIVRE D'EXAMEN." An Eighteenth Cen-
tury Manuscript in French carefully written on
134 LEAVES OR 268 pages, EACH BORDERED WITH LINES
RULED IN RED. Small 8vo (over six and a half inches by
four), fine old crushed crimson levant morocco, back extra
gilt, inside borders gold tooled, and edges gilt on marble.
S^c. XVIII.
UNIQUE ORIGINAL EIGHTEENTH CENTURY FRENCH MANUSCRIPT in binding
of that date and in good condition.
The above MS. consists of 56 separate chapters, each on a particular " Exam-
ination of Conscience." These are preceded by " Renouellement de la Profes-
sion du Baptesme," " Renonciation " and " Promesse." The script is excellent
and the subject matter Catholic.
MANUSCRIPT ON THE SONGS OF FRANCE.
375 fttS.— "LA CHANSON FRAN^AISE— RECUEILPAR
E. OUDEN, 1840," etc. Small 8vo (six and seven-eighths
inches by four and five-eighths), calf gilt, inside gold bor-
ders, lemon edges. S^c. XIX.
UNIQUE. There are twenty pages of carefully written MS. in the above,
which not only contains what is named in the title, but also a portion of a criti-
cism on — " Les Chansons de Desaugiers ou la Journee d'un Epicine — Vaude-
ville en 5 actes de MM. Theaulon et de Courcy, 1836," and others on " Les
Chansons de Beranger [1833]," " Sur la Chanson," etc.
These are bound up with ' ' Memoire Historique sur la Chanson en General et
en Particulier sur la Cnanson Fran9oise, par M. Meusnier de Querlon. To this is
a frontispiece engraved by Le Mire after Gravelot. Querlon was bom 1702,
died 1780, and was the author, among other works, of — " Psaphion, ou le Cour-
tisan de Smyme."
114 THE PENE DU BO IS COLLECTION.
UNIQUE MS. BEAUTIFULLY WRITTEN BY A PHILADEL-
PHIAN IN 1812.
376 JWS.— "PIECES ON VARIOUS SUBJECTS by J. S.
[Joseph Spencer], Philadelphia, MDCCCXII." A
Manuscript beautifully written in blue and red
IN Roman letter, and occasional Greek, on 34 leaves
or 68 pages. Small 8vo, old red roan gilt, edges gilt.
S^c. XIX.
Unique original manuscript containing — ' ' A Speech on the Rise, Progress
and Utility of Literature; Museeus, or the Man of Study; on Nature; the
Advantages of Knowledge; an Ode to Liberty; an Epigram; the Portrait of a
Patriot; the Stranger; a Song on Spring; Hymn to Harmodius and Aristogniton;
Notes."
The name of the writer appears at the end of the first piece. The first page
reads — "Presented to Misp Mary Coulter, by her sincere friend and admirer,
the Author."
UNIQUE COLLECTION OF SOME 2,200 COATS-OF-ARMS
COLORED BY HAND.
377 J«S— HERALDIC AND MANUSCRIPT COLLEC-
TION, l e.:—
I. "Liber A. Wapen Sammlung." A collection of 76
page coats-of-arms, 16 half-page and 128 smaller, on 58
leaves or n 6 pages.
This consists of coats-of-arms of Emperors, Kings, Free (!) Republics,
Princes and Dukes, with an Index. Many have numerous quarterings^ — particu-
larly the first of the Holy Roman Empire. All are emblazoned in their proper
tinctures, and all the quarterings, as well as the names of the owners of the
shields, are added in MS. Some of these illustrations are original, others are
engraved plates with the colors added by hand.
II. " Liber B. Wapen Sammlung." A collection of 58
page coats-of-arms, 4 half-page and 296 smaller, on 57
leaves or 114 pages.
Comprising coats of-arms of the Counts of the Holy Roman Empire, also of
some Danish, Swedish, Polish and Prussian Counts, with Index. The same
remarks as in note to " I." will apply to this. In both " Libers A and B " the
large inserted or pasted coats of-arms are cut out of a collection entitled: " Der
Durchlauchtigen Welt— New vermehrter und verbesseter Geschichte Geschlechte
und Wappen Calender auf das Jahr 1740. Nilrnberg in Veriegjing Christoph
Weigels des Altem Wittib Gedruckt bei Lorentz Bieling."
III. "C. Register fur die Wapen Sammlung." An
Index of eight leaves or sixteen pages in MS.
IV. " Liber D. Wapen Sammlung. A Collection of 637
coats-of-arms on 45 leaves or 90 pages.
The coats-of-arms in this volume are all originals, first tricked in ink, then
filled in with the proper colors. They are the heraldic bearings of the knights
and noblemen of the Holy Roman Empire — also of several other noblemen,
with Index. The coats of-arms Nos. 354-417 and 435-445 in the above are
surmounted with marquisial crowns ! Not only are these families not titled,
but there are, in Germany, no marquises— but only barons and counts— besides
the higher nobility.
THE PENE DU BO IS COLLECTION nS
V. "Liber E. Sammlung von Allen einzelnen Pro-
viNZEN Wapen." a collection of 761 coats-of-arms on
48 leaves or 96 pages.
In the above are the armorial achievements of all the separate provinces of
Europe — as Empires, Kingdoms, Republics, Duchies, Principalities, Counties
(? Earldoms), Seignories, etc. AH the above are entirely original heraldic
sketches painted by hand.
VI. " Liber F. Wapen Sammlung von Geistlichen Fur-
STEN.'' A collection of 70 coat-of-arms on 10 leaves or
20 pages.
These are the coats-of-arms of the Princes of the CathoUc Church — Popes,
Cardinals, Princes of the Holy Roman Empire, Archbishops, Prince Abbots
and Abbesse^, with Index. All are originals done by hand with the exception
of that of the large shield of Cardinal Rohan, Bishop of Strassburg. Between
the arms of the abbesses of Gandersheim and Quedlingburg are those of ' ' Doc-
tor Martin lluther."
VII. " Liber G. Wapen Sammlung." A collection of
105 coat-of-arms on 14 leaves or 28 pages.
These are the heraldry of the Free Imperial Cities, of the Cities of the
Principality (Churfursstlich) of Saxony, of the Duchy of Wurtemberg and of
some of the Duchy of Silesia, with an Index. All are original painted or ink
drawings.
VIII. " H. Register Wapen Sammlung." An Index of
16 leaves or 32 pages in MS.
Together 8 vols. 4to, sewed. S^c. XVIII.
UNIQUE. This interesting collection of nearly 2,200 heraldic bearings is
of the greatest value to students of Heraldry, particularly of Germany, it con-
taining numerous shields not to be found elsewhere. Nearly all the coat-of-
arms in the series are colored and drawn by hand. The volumes are of German
origin and must have taken many years to study out, as all the emblazonings
are painted in the proper heraldic tinctures, an undertaking of great magnitude,
and only possible after years of patient study and toilsome research.
ANOTHER HERALDIC COLLECTION PAINTED BY HAND.
378 HERALDIC ALBUMS. With 3,325 coats of arms mostly
of German Sovereigns, nobility and landed proprietors —
nearly all of which are painted by hand in the proper
heraldic tinctures. 2 vols, thick oblong minimo,
boards. , S^c. XVIII
Unique. The above contains, as stated, over 3,300 different shields.
Altogether the two volumes make 688 pages, including the manuscript indices
to the various achievements. The heraldic colors are painted by hand on en-
gravings believed to have been taken from Siebmacher's " Wappenbuch," pub-
lished at Nuremberg in the first half of the seventeenth century, of which
there have since been other editions. The last, not yet completed, is much
enlarged and altered as to families ; many of those in the above albums, it
must be supposed, have become extinct in the male line, and are now only
represented by females, collateral descendants, or lost heirs.
ii6 THE PENE DU BOIS COLLECTION.
379 NOUVELLES HEURES GOTHIQUES, d'apres les
Manuscripts des Bibliotheques Nation ales et Par-
TicuLiERES. Nearly 200 pages of exquisite medieval
ornamentation chromolithographed in gold and colors
after ancient missals, together with large miniatures,
etc. Small 4to, crushed dark green levant mo-
rocco, inside gold dentelle borders, watered green silk
ends and two pierced and engraved silver clasps of Gothic
floriated design, in cloth box.
Paris, Leroy, Secail &" Cie., n. d.
380 HEVRES ROMAINES avec Figures par A. Qveyroy
gravees par a. Gvsman. Every page illustrated with
woodcut borders, some full-page wood engravings — rubricated
# throughout. Small 4to, folded, uncut and loose, in boards.
Tovrs, Alfred Mame et fils, 1874
k beautiful volume printed on " papier verge," in the style of the Hardouin
and Vostre Hours. The illustrations by Queyroy, engraved by Gusman, suc-
ceed in carrying out most delightfully the manner of the fifteenth and sixteenth
century printed missals. '
THE DUC D'AUMALE'S UNIQUE LARGE PAPER COPY OF
THE " ROMAN DE LA VIOLETTE "—WITH TWO SETS
OF PLATES, ONE BEAUTIFULLY ILLUMINATED BY
HAND IN GOLD AND COLORS.
381 GIBERT DE MONTREUIL. ROMAN DE LA VIO-
LETTE ou DE GERARD DE NEVERS en vers du
XIIIe Siecle, public pour la Premiere Fois d'apres
Deux Manuscrits de la BiBLiOTHfequE Royale, par
FRANCISQUE MICHEL. With two sets of the beau-
tiful plates, after the original manuscripts, one of the sets
being illuminated by hand in gold and colors. Thick
8vo, crushed red levant morocco extra, inside gold tooled
borders, gilt edges, by Muller. Paris, 1834
UNIQUE, LARGE PAPER, and from the library of the Duke D'Aumale,
son of King Louis Philippe. It is stamped with his coat of arms on the
title, and was sold as a duplicate copy. The above is No 2g of a limited edi-
tion of 200 copies, was printed on vellum, China paper, Holland paper and
vellum paper. It is considerably enhanced by the double set of plates, one set
of which is illuminated with all the beauty peculiar to ancient missals.
ARUNDEL SOCIETY REPRODUCTIONS IN GOLD AND
COLORS AFTER THE OLD MASTERS.
382 MEISTER STEPHEN.— Reproductions after, in gold
and colors, being the series of five beautifully
EXECUTED chromolithographs AFTER THE ORIGINALS
BY Meister Stephen, of the famous " TRIPTYCH of
COLOGNE." Framed in ebonized triptych, with glass
before each of the five pictures.
These five magnificent ai^t works were issued by the "Arundel Society,
or Society for Promoting the Knowledge of Art by Copying and Publishing
THE PENE D U BOIS COLLECTION. 1 1 7
Important Works of Ancient Masters, " and which was so named after Thomas
Howard, Earl of Arundel — living in the Reigns of James I. and Charles I. —
who has been called the '' Father of vertu in England " and " the Maecenas of
all polite arts."
These grand art works of Meister Stephen are united in one beautiful whole
by three ebonized and gold folding frames, with brass Gothic hinges. When
extended they measure as an unit 4 feet 8^ inches by 22 inches.
The centre piece represents the " Three Kings of Cologne " — or " Wise Men
with attendants worshipping the Madonna and Child." The side inner panels
depict "St. Ursula" to the left, and "St. Stephen of Hungary" to the right.
Tlie two outer panels when brought together, in order to close the triptych,
form "the Annunciation of the B. V. M."
383 PINTURICCHIO (Bernardino). "St. Catherine of
Alexandria Pi^eading before her Judges." Splendid
chromolithographic reproduction (2 1^ inches by
l8-|) ISSUED BY THE " ArUNDEL SOCIETY,'' AFTER THE
ORIGINAL IN THE VATICAN at Rome. In black walnut and
gold frame, with deep mount and glass.
Pinturicchio studied under Pietro Perugino, and assisted him in many of his
principal works, both at Rome and Perugia. Upon the command of Cardinal
Francesco Piccolomini, afterwards Pope Pius III., he decorated the Sacristy of
the Cathedral of Siena, "with works of such magnitude," says Lanzi, "as
perhaps had never before been entrusted to a single master." He was aided by
Raffaelo Sanzio, and the same writer states that he had — "painted with much
applause at Rome before Raflaelo was born."
384 "MADONNA AND CHILD," superb chromolitho-
GRAPHIC REPRODUCTION IN GOLD AND COLORS ISSUED BY
THE "Arundel Society,'' after one of the Old
Masters, who preceded Raffaelo. In maple and gold
frame, with glass.
This beautiful reproduction has two quatered shields at the lower corners. It
measures, independent of- its black mount, nearly 20 inches by 10 and a half.
SPLENDID WORK ON MEDIEVAL ILLUMINATION.
385 SEGHERS (Louis). Tr£sor Caligraphique Recueil de
Lettrines Initiales, etc., de Moyen Age et de I'Epoque de
la Renaissance, par Louis Seghers, Dessinateur Calli-
graphe de S. M. le Roi des Belges. Illustrated with 46
loose chromolUhographic plates in gold and colors from Early
Manuscripts, Medieval Illuminated Works and Incunabula,
by Albert Durer and others. Oblong large 4to, fresh
cloth gilt, portfolio, with pocket. Anvers, n. d.
This splendid work has the prefatory matter and index in French, German
and English.
386 SOLEIL (Felix). Les HEURES GOTHIQUES et la
Litt^rature Pieuse aux XV<= et XVI« Siecles. Charming
etched frontispiece by J. Adeline, 24 facsimile reproduc-
ii8 THE PENE DU BOIS COLLECTION.
tions after printed " ITours,'" and six original designs of
Antoine, Duplais, Destouches. Large 8vo, sewed,
uncut. Rouen, E. Aug^, 1882
No. 254 of LIMITED EDITION ot 300 copies, of which 200 only were sold.
The title-page is rubricated, and one-half of the text is beautifully printed in
handsome Gothic letter. This volume says nearly all that is to be said about
the bibliography, typography, etc., of the vellum Hours printed at the end of
the fifteenth and beginning of the sixteenth century by Simon Vostre, Thielman
Kerve'r, Gillet et Germain Hardouyn, Jehan de Brie, etc. The plates are in fac-
simile of their Horje, also of those of Pigouchet and Godard, as well as of the
' ' Danse Macabre de Kermaria ", i. e. Dance of Death at Kermaria.
387 DENIS (Ferdinand). Histoire de rOrnamentation des
Manuscrits. Illustrated with 140 page and vignette wood-
engravings, after miniatures, capitals, etc., in ancient MSS.
Large 8vo, three-quarters crushed levant morocco, top
edge gilt, others uncut. Paris, Edouard Rouveyre, 1880
Limited edition of 600 copies only of this beautifully illustrated and printed
volume on the ornamentation of manuscripts.
388 Marche (A. Lecoq de la). Les Manuscrits et la Miniature.
Hundreds of facsimiles of miniatures and initial letters
from ancient MSS. Small 8vo, fresh cloth.
Paris, Quantin, n. d.
THE FENE DU BOIS COLLECTION. 119
III. ©rijgiwal giutjcrgra^jtts.
" Malvolio. — By my life, this is my lady's. hand; these be her very Cs, her
U's and her T's, and thus makes her great P's. It is, in contempt of question,
her hand." — Shakespeare, " Twelfth Night."
INTERESTING LETTER IN ARABIC OF ABD-EL-KADER.
389 ABD-EL-KADER (Sidi-el-Hadji-Ouled-Mahiddin, the cele-
brated defender of the Arab Nationality). A. L. S. in
Arabic. 1 p., folio, dated 1276, i. e. 1859.
Rare. This letter in the handwriting of Abd-el-Kader and stamped with his
seal, is accompanied by a French translation made by Meyer Ali, Interpreter of
the Army. It is dated from Damas, where he generously defended the Christ-
ians against the murderous fury of the Druses and for which he was made a
Grand Cross of the Legion of Honor. The name of this great patriot wiU be
ever remembered in connection with the French conquest of Algeria. For a
Mohammedan of his exalted position Abd-el-Kader was singularly virtuous, as he
only had three wives and twenty-four children, whereas King Solomon and the
Defenders of the Faithful counted theirs by hundreds.
390 ABOUT (Edmond, author of "La Grice Contemporaine" etc.).
A. L. S., I p., 8vo.
A request for a box at the theatre.
391 ADAM {^Kd.o\^)a.& ChsixlQS, French composer, musical critic and
author of "Souvenirs d'un Musicien"). A. L. S., i p.,
minimo. With envelope.
392 ADAM (Juliette Lamber, French authoress). A. L. S., i p.,
8vo.
Juliette Lamber is one of the most notable French women of the age. After
the death of her second husband, Antoine Edmond Adam, the distinguished
French statesman, her house became one of the great political and literary centres
of France, where was founded " La Nouvelle Revue," and many of the political
movements of Leon Gambetta.
393 American and English Litt]Srateurs. Signatures.
(13 pieces)
Includes signatures of — Goldwin Smith, Edgar Fawcett, Bonamy Price, Leone
Levi, Richard Grant White, Julian Hawthorne (2), Edward A. Freeman, Eliza-
beth Stuart Phelps, Henry James, etc.
120 THE PENE DU BOIS COLLECTION.
LETTER OF ANNE OF AUSTRIA WITH HER SIGNATURE
TO THIS IMPORTANT HISTORICAL STATE PAPER.
394 ANNE OF AUSTRIA (Queen Regent of France, mother of
Louis XIV., wife of Louis XIII. and daughter of Philip
II. of Spain). L. S., i p., 4to, dated " Melun, le 24 Juin
1652."
EXTREMELY RARE. This letter, written to Monsieur Frual, Seigneur de
la'TuroIiere, is signed in bold script "Anne," is addressed, and has two wax
seals of the Queen Regent, with crown, and impaled shield of France and Spain.
It refers to Louis XIV. as " Roy monsieur men Filz," speaks of the regard in
which the writer holds M. Frual and wishes to see him in association with im-
portant matters of state before he leaves for Dauphiny on his way to Piedmont.
Anne of Austria was virtually separated from her husband for nearly a quarter
of a century through the machinations of Cardinal Richelieu. She became Queen
Regent in 1643 and Cardinal Mazarin was chosen as her chief adviser. Two
curious personal peculiarities are related of her in the biographies — ' ' her antip-
athy to roses, so strong that, while passionately fond of flowers and perfumes,
she could not endure even the picture of a rose ; and the extraordinary delicacy
of her skin, which made Mazarin remark that ' if her majesty were condemned
to the infernal regions, her hell would be to sleep in brown hoUands
395 AUBER (D. F. E., the great French musical composer, author
of"Fra Diavolo," etc.). A. L. S., i p., 8vo.
Note to Monsieur Denis requesting the pleasure ot being permitted to have a
box to see " L'Ambassadrice. "
396 AUGIER (Guillaume Victor Emile, French dramatic poet,
Commander of the Legion of Honor and Member of the "Aca-
demic Fran^aise " and of the Institute). A. L. S., i p.,
8vo.
Emile Augier, by an imperial decree of July 27, 1870, was made a Senator
of France — "pour services rendus par ses productions litteraires. "
397 AUGIER. Another. A. L. S., i p., minimo.
Augier returns a domino with his thanks and a "pour boire'' for the
" garfons."
398 BARRY {^., French officer on the staff of General Gardanne).
A. L. S., 2 pp., 4to, dated " 13 Floreal Pan 70 de la R.
Fran^aise.''
399 BECCHI (Fraltuoso, Secretary of the Academy of Gasea).
A. L. S., 2 pp., 4to, dated "Florence, August 12th, 1838."
400 BERANGER (Jean Pierre A&, the great French poet). A.
L. S., I p., 8vo.
Interesting letter from Beranger to M. Blaize, nephew of Lammenais.
401 B^JLAT {Yr€di€nc, French poet and ballad writer). A. L. S.,
I p., 8vo.
Letter to the editor of " L'Artiste."
402 BERLIOZ (Louis Hector, French musical composer, critic
and author). A. L. S., i p., 8vo.
>{ote to — " Mon Cher Seligman."
THE PENE r> U BOIS COLLECTION. 121
INTERESTING LETTER OF CARDINAL DE BERNIS.
403 BERNIS (Francois Joachim de Pierres de, Cardinal, poet,
Minister to Louis XV., and French Ambassador). A. L. S.,
I p., small folio, dated — "a Albano ce 17 Octobre 1787."
EXTREMELY RARE and interesting, being a letter to M. de Latour,
President of the Parliament of Provence and Intendant of that province at Aix.
Cardinal de Bernis, whose fame as a poet has reached our days, does not exhibit
much romance in this document. He instructs M. de Latour, on behalf of the
Pope and the Cardinal Secretary, to have arrested Count Carrati and Anne Mar-
chioness Massa, who have eloped from Bologna and embarked at Leghorn for
Marseilles.
Cardinal de Bernis, one of the most remarkable men of the reign of Louis
the Fifteenth, owed his dignities to the friendship of Madame de Pompadour,
whose dimples he had flattered in his " Petits Trous": —
" Ainsi qu' Hebe, la jeune Pompadour
A deux jolis trous sur la joue;
Deux trous charmants ou le plaisir se joue,
Qui furent f aits par la main de I'Amour. "
For these and other erotic verses the King's mistress had him made a Cardi-
nal, Ambassador to Venice, Minister of Foreign Affairs, etc. In his early
days his Eminence was the boon companion of Voltaire, Buffon and Fontenelle,
as well as the intimate of Madame Dupin and the Princess de Rohan. Mar-
montel says of de Bernis — " bien joufflu, bien frais, bieij poupin, en compagnie
du gentil Bernard, il amusa de ses jolis vers les joyeux soupers de Paris. "
404 BoissANVEUR (Captain in the French Navy). A. L. S., 2 pp.,
4to, dated — " Brest, le 27 Vendemiaire, I'an 11 de laRepub-
lique Fran9aise une at indivisible."
Rare. This interesting souvenir of the First French Republic is written on
paper headed " Liberte, Egalite — Le Capitainexde Vaisseau chef de Mouvement
du Port," and to the " Contre Amiral chef militaire de le Marine."
405 BOURBON (Louis Auguste de, Count of Toulouse, Admiral
of France, etc.). Document signed and dated — "Paris, le
22 Mars, 1 72 1." I p., folio.
Rare. This is an order to pay 11,000 livres for naval expenses. It is
signed by the Count of Toulouse, the bastard son of Louis the Fourteenth, by
his mistress Madame de Montespan. He was bom 1678, and died 1737, leav-
ing a son, the Duke, of Penthi^vre, who, by his wife, Mary of Modena, had
two children, I. — Prince de Lamballe, whose wife, Louisa of Savoy, was mur-
dered by the Revolutionists in 1792, and IL — Louisa of Bourbon, the wife of
" Egalite," Duke of Orleans, guillotined in 1793, and the father of King Louis
Philippe.
406 BOURGOING (Jean Frangois de. Baron, diplomat and
author). Autograph Memorandum signed, i p. and dated
— "Leipzig, May 31, 1809."
Rare. Baron de Bourgoing was born at Nevers in 1748, served early in
the French army, and successively acted as Secretary of Legation, and lastly as
Ambassador at various courts. He died while Envoy at Dresden, in 18 11. His
principal works are — " The Picture of Modem Spain," and "Historical and
Philosophical Memoirs of Pius VI."
122 THE PENE DU BOIS COLLECTION.
407 BRIBES (Vincent, Adjutant- General in the French Repub-
lican Army). A. L. S., 3 pp., small folio, dated— "an
8me de la Republique." _ \
Rare. An interesting official letter written to the General of Division Gard-
anne, one of the principal commanders of the army of the First French
Republic. The paper has a printed heading with a vignette of the " Goddess
of Liberty."
408 CAPEFIGUE (Jean Baptiste Honors Raymond, French
historian and publicist'). A. L. S., i p., 8vo.
Interesting LEtxER, respecting communications to the " Figaro.'' By one
of the most prolific and eminent authors of France in the nineteenth century.
He was born in 1802, and died 1872. His most charming works are his lives of
Madame Pompadour, the Countess du Barry, Mdlle. de la Valliere, Madame de
Montespan and others of the same genre.
409 CARAFA DE COLOBRANO (M. H. F. A. V. P.,
musical composer, born, 1785; died, 1872). A. L. S., i p.,
small 8vo. 1835.
The celebrated musician, Caraf a, is best known to us in these days by his
" Massaniello," an opera as remarkable for the popularity of its melodies, as for
its instrumentation. In early life, Carafa was a soldier and was decorated by
Murat with the Legion of Honor. At the tim^ of his death he was a member
of the French Institute and of the Academie des Beaux-Arts.
MOST INTERESTING STATE DOCUMENT RELATIVE TO
THE FRIENDLY RELATIONS OF THE GREAT NAPO-
LEON WITH THE U.S.— A LETTER FROM THE DUKE
OF VICENZA.
410 CAULAINCOURT (Armand A. L., Duke of Vicenza, aid-
de-camp to Napoleon, statesman and diplomat). L. S., i p.,
small folio, dated — "Paris, April loth, 1815."
Deeply interesting. This is a letter sent by the celebrated Duke of
Vicenza during the ' ' Hundred Days " while Minister of Foreign Affairs to William
Harris Crawford, the U. S. Minister to France, enclosing a personal letter from
the Emperor Napoleon to the President of the U. S., informing him of his
■ return from Elba and desiring a continuance of the friendly relations which had
existed between France and this country.
411 " CHAM " (i. e.. Count Amed^ de N06, French caricaturist ).
A. L. S., I p., 8vo.
Signed " Cham," and over the signature is the line " Je vous einbrasse sur le
front." This is a note addressed to Charles Francois Marchal, the artist and
pupil of Francois du Bois. Cham on the superscription calls this unfortunate
painter, who committed suicide on account of loss of eyesight, ." notre peintre. "
" Cham " took his pseudonym from the fact that his father, the Count de Noe,
cursed him on account of his desire to become an artist. ' ' Cham " is the French
for " Ham," the son of " Noe."
412 CHARDIN (Jean Baptiste Simeon, \%th century French
artist). Sepia sketch. 4to and signed;
As Mr. Pene du Bois purchased this from the Alfred Bovet collection of auto-
graphs, it is placed, although a drawing, in this division. It represents a savant
seated before a desk on which he is writing — in front of him is a globe, picture
and other objects. On the floor is a coffer signed " Chardin."
This artist has been compared by his countrymen to Gabriel Metzu. He was
a member of the Royal Academy at Paris and one of the portrait painters to the
King.
THE, PENE D U BOIS COLLECTION. 123
413 CHERUBINI (L. C. Z. A., composer and founder of the
French Conservatory of Music). Document signed, r p.,
8vo, dated — "Paris, Dec. 20, 1827."
This is a certificate given by the great composer to L. J. Morin and is signed
and stamped by Cherubini as the Director of the "I'Ecole Royale de Musique
et de Declamation. " When Beethoven heard the composer's opera of ' ' Faniska "
he said that Cherubini was the first dramatic composer |Of his time, and Haydn
embraced him and called him his son. He was for twenty years the principal of
the Conservatory of Music, had been connected with that institution for forty-
eight years and was the instructor of thousands of eminent musicians.
414 CHOISEUL (Due de. Major- General of the National Guard
of Palis and diplomat). L. S., i p., 4to, dated — "May
6th, 1820."
This is a confidential letter from the Duke to the Baron de Monville, Colonel
of the loth Legion, headed " pour vous seul " and requesting, him in view of
possible revolutionary trouble, to pay the most scrupulous attention to everything
said and done in his legion. It is in fact a letter in which one nobleman asks
another to act as a " mouchard."
415 CLERMONT TONNERRE {Duke, Minister of War and
General). Document, 2 pp., small folio, and dated —
" Paris, April 20, 1822."
This document, with printed head of the " Etat Major-General Garde Na-
tionale de Paris, " is signed by the Duke as Major-General and is addressed to
the Count de Vaulgrennaud, Colonel of the loth Legion.
416 COPPEE (Francois Edouard Joachim, French litterateur and
archivist of the Comedie Fran(aise). A. L. S , i p., 8vo.
This note, entirely in the handwriting of this distinguished poet and drama-
tist, is a recommendation of Mile. Maria Barthelemy as an aspirant for his-
trionic honors.
417 CORMENIN (L. M. De la Haye, Viscount and French pub-
licist). A. L. S., I p., 8vo.
Signed. This is an interesting letter from Viscount de Cormenin, who died
in 1868, to Villemain, the celebrated historian.
418 COROT (Jean Baptiste Camille, painter and officer of the
Legion of Honor). A. L. S., i p., minimo.
A brief note to Petit, the Parisian art connoisseur, and entirely in the hand-
writing of the great French artist of whom Jarves wrote: — "Corot stands
apart. Critics call him a master."
419 COURCELLES (J. B. P. J., Chevalier de, historiographer
and genealogist). L. S., i p., 8vo, dated — " March 2Sth,
1822."
The Chevalier de Courcelles was the director of the "Bureau General de la
Noblesse de France." Originally a notary, he started in the genealogical busi-
ness by purchasing the heraldic cabinet of Viton de Saint AUais. He v/rote
nearly thirty volumes of genealogy. Those on the ancient nobility of France
have always been deemed authoritative.
420 COUTURE (Thomas, historical painter and author of the
"■ Romains de la Decadence "). A. L. S., 2 pp., 8vo; also a
pen sketch made by Couture in 1846 representing a
124 THE PENE DU BO IS COLLECTION.
"gavroche"; also etched portrait of Couture made oy
Leon La Roche in 1847. (3 pieces)
Very interesting, and from the Alfred Bovet Collection. The sketch of
the Paris gamin made by this artist is signed by G. G. Chardin, his brother
painter, who writes above his name that it was made by Couture, at his house,
in 1846. The letter of Couture is very curious. He requests a general high
in the service of the Emperor Napoleon HI. to repudiate on his behalf to his
Majesty an abominable forgery which had appeared in the "Figaro." He
always wishes to remain in the service of the Emperor, and has no time to
lose in hunting down literary rascalities, and to give the lie to calumnies.
421 CUVIER (G. L. C. F. D., the great French naturalist). A.
L. S , I p., 4to.
This is a letter of Baron Cuvier, one of the most celebrated members of the
French Academy, written by him as temporary director of the Museum of
Natural History, to the almost equally eminent naturalist, Lacepede, in which
the writer expresses his regret at a letter of resignation. After the death of the
last named, in 1825, Cuvier pronounced the eulogy on him.
422 DAUMIER (Honor6, French caricaturist). A. L. S. in
pencil, 2 pp., 4to; also grotesque caricature of gentle-
man taking off his hat most politely to a lady, and thus
exposing the baldness of his cranium. (2)
Daumier, one of the oldest artistic contributors to the " Charivari," died in
1879, after his humorous sketches of a radical political character had been
renewed after an interval of nearly twenty years, caused by the hostility to him
of the "'man of Sedan." He ranks in French caricature alone with Gavami
and Cham. The back of the sketch described above is covered with MS., and
his autograph letter is vmtten on matters artistic to his brother artist, Jeanron.
423 DE LA CROIX (F. V. Eugene, painter. Member of the
Institute and Cemmander of the Legion of Honor), i p.,
4to. ^
Most rare. This valuable piece was purchased, like the preceding number,
by Mr. Bene du Bois at the sale of the Alfret Bovet Collection. It had been
previously bought by its former owner at the sale made after the death of
Eugene De la Croix. It is partly autographic and partly aquarelle. The
MS. consists of memoranda relating to the male and female figures and archi-
tectural studies made by the artist at Tangiers during his celebrated voyage to
Morocco in 1832. The sketches are colored. At the Oppenheim sale, Paris,
in 1877, the Duke D'Aumale paid for his " Two Foscari " seventy thousand five
hundred francs.
" That which makes De la Croix the greatest artist of the nineteenth century,
and perhaps the last of the grand family, is that he unites all the faculties of
the painter, the poet and the historian by an innate power and a profound
knowledge." — Sylvestre.
424 DE LA ROCHE (Hippolyte, called'2z.u\ artist, member of
the Institute, officer of the Legion of Honor and professor
of painting at the " Ecole des Beau- Arts). A. L. S , i p.,
minimo.
This is a note from Paul De la Roche to the celebrated French physician and
author, Trosseau, in which he asks him to come as quickly as possible to his
house as — "one of my children is suffering."
At the San Donato sale De la Roche's painting of Lady Jane Grey sold for
onehundred and ten thousand francs, and at the Delessert sale in 1869 his St.
Cecilia brought .^840, nearly one hundred and seventy thousand francs.
THE PENE DU BOIS COLLECTION. 125
425 DORE (Gustave, French painter and Chevalier of the Legion
of Honor). A. L. S., i p., 8vo, and dated — " February 27,
1873-"
Interesting, and relates to the editions of a work illustrated by him.
426 DROZ (Antoine Gustave, French litterateur'). A. L. S.,
2 pp., minimo, dated — "Dec. 30, 1871,''
Droz will be ever remembered by his first work, entitled — " Monsieur, Madame
et Bebe."
427 DUMAS (Alexander pfere, novelist and dramatist). A. L. S.,
I p., 8vo.
This is a billet doux of the greatest writer of fiction, in which he makes an
assignation with his ' ' dear Marie, " at three o'clock in the afternoon, if she has
nothing to do, and wishes to "causer" with her. He ends the note with
"mille tendresses.^ A. Dumas." Evidently showing that the author of " Monte
Cristo" had as little fear of being compromised as years after, when he had his
photograph taken with Ada Isaacs Menken in an almost nude condition.
428 DUMAS (Alexander fils, novelist and dramatist) A. L. S.,
I p., 8vo.
A note from the author of the " Lady of the Camelias " to an acquaintance
asking him not to call until three or four o'clock, as he always works until
then.
429 DUMAS, THE Younger. A. L. S., i p., 8vo.
Very characteristic. The writer desires a friend to delay a visit, as he
has to take an emetic.
430 DUMOULIN (Charles, General of the first French Re-
public). Document signed and dated at Caen — " I'an VIII.
de la Republique Francaise, une et indivisible." 2 pp.,
small folio.
This document, which is signed by Dumoulin as General of Brigade, relates
to the sum of thirty- four thousand " livres " imposed upon the southern cantons
of the Department of La Manche.
431 FOUCQUET (Charles Louis Auguste, Duke of Belle Isle,
Marshal of France and Minister of Louis the Fifteenth).
L. S., I p., 4to, dated—" Metz, 1738."
The Duke of Belle Isle, one of the greatest statesmen and generals that
France has produced, was born in 1684, and died in 1761. He distinguished
himself in the war of the Spanish Succession, became Lieutenant-General in
1732, took part in the siege of Philipsburg, and procured the cession of Lor-
raine to France. Created Marshal of France about 1740, he commanded in
Germany against the Imperialists, took Prague, was sent as Ambassador to the
Diet at Frankfort, and procured the election of Charles VII. Being taken by
the English, he was brought to England, where he was confined some months.
He was afterwards created duke and peer, admitted to the French Academy,
and made Minister of War in 1757.
Vide—" History of the Belle Isle," No. 371 in the previous division of this
catalogue.
432 GARDANNE (Stanislas, General in the army of the First
French Republic). A. L. S., 2 pp., 4to, and dated—" 22
Brumaire An 8," letter of 3 pp.,4to, dated "February 28,
126 THE PENE DU BOIS COLLECTION.
1814," from the brother of Gen. Gardanne to his
widow; document, 3 pp., small folio, signed with numerous
signatures, sealed and dated—" An huit," from the muni-
cipality of Cresson to General Gardanne; document
signed, 2 pp., small folio, from the Prefect of the Depart-
ment of Var to the Minister of War in relation to the
claims of Captain Gardanne for promotion; document
with four signatures of ofificers and seal of 8ist Regiment
of the Army of Italy in reference to Captain Gardanne,
dated Padua, June 7th, 1808. (S pieces)
433 GEROME (Jean Leon, French artist. Member of the French
Institute, officer of the Legion of Honor, grand medallist,
etc). A. L. S., I p., 8vo, dated—" Oct. 6th, 1868."
This is a letter from the great painter Gerome to a friend, expressing his
sorrow at the death of Monsieur Lefevre.
434 GOUNOD (Charles Francois, musical composer and Member
of the French Institute). A. L. S., i p., 8vo, dated—" Oct.
10, 1879."
Gounod will have an immortal fame as the composer of " Faust."
435 GROS (Antoine Jean, Baron, historical painter). Origi-
nal PEN-AND-INK design, with his signature and four-
teen autographic lines, oblong 4to.
Purchased by Mr. Pene du Bois from the Bovet collection.
This design represents a man seated and digging his nails into his chest — he
has a remorseful expression. Baron Gros explains his subject in reproducing a
passage from Mirabeau, in which the great orator describes the remorse which
assailed both Oliver Cromwell and Clive, the founder of the British Empire in
India.
436 GUIZOT (F. p. G., statesman, historian, etc.). A. L. S.,
I p., 8vo.
This letter from Guizot requests that an office-seeker of the name of Gustave
de Castillon shall be sent as a courier to Russia. The historian informs his
correspondent, whom he styles Monsieur le Marquis, that the Duke de Monte-
bello has promised that his friend shall have the desired position.
437 GUIZOT. Another, from the same, i p., 8vo, and dated
from — " the Ministry of Foreign Affairs.
438 HALEVY (F., musical composer). A. L. S., 2 pp., 8vo,
dated — " February 19, 1849."
Interesting letter, by one of the greatest composers of France, relative to
matters theatrical, by the uncle of the celebrated dramatic author Ludovic
Halevy, and brother of the French litterateur Leon Halevy.
439 HENRIOT (Francois, French revolutionist and commander
of the Revolutionary Guard of Paris). Document signed
" le Commandant Gal., Henriot,'' i p., 4to.
Deeply interesting document, in which the audacious and infamous Hen-
riot orders the " Citizen Montalant " to be confined in a secret cell at the prison
de I'Abbaye. Henriot was military commander of Paris during the Reign of
THE PENE DU BOIS COLLECTION. 127
Terror. At the time of the breaking out of the Revolution he was a convicted
felon. In the terrible scenes of August and September, 1792, he headed the
Sans Culottes. The triumph of Marat made him Generalissimo of the National
Guard. On the occasion of the arrest of Robespierre by Barras he was hurled
half drunk out of a window at the Hotel de Ville and was executed the day fol-
lowing along with Robespierre.
SPLENDID SIGNATURE OF KING HENRY THE FOURTH
TO A MOST DEEPLY INTERESTING LETTER OF HIS-
TORICAL IMPORTANCE.
440 HENRI IV. (King of France and Navarre). L. S., i p.,
folio, and dated — " Tours, March 26th, 1589."
Most rare . This is a relic of the hero of Ivry and is of the deepest interest.
It is a letter written by Henri, then King of Navarre, to the Count of Vireville,
requesting him to devote all his attention to counteracting the plots of the con-
spirators who have threatened his life. In view of the assassination of Henry
IV. by Ravaillac a few years later, this letter is of great importance. It was
written in the year of Henry of Navarre's accession to the throne of France and
previous to the assassination of his brother-in-law and predecessor, Henry III.
Henry the Great and the Good, as the lower orders of France up to the time
of the Revolution used to call him, was full of excellent qualities, but —
' ' Inordinate love of women was his worst fault, the cause of much evil in his
own and succeeding reigns, for his prodigaHty and weak indulgence to his
favorite mistresses, Gabrielle d'Estrees and Henrietta d'Entragues, and his affec-
tion for his natural children, which they bore him, were a scandal to the nation
and a source of impoverishing embarrassment to the Government."
441 HERCAULT (Pons de 1', French deputy, 1837). A. L. S.,
2 pp., 8vo.
The tenor of this statesman's note is — ' ' that God proposes but woman
disposes."
442 HUGO (Victor, author). A. L. S., i p., 4to, dated — " Paris,
July 19, 1849."
A letter from the author of " Les Miserables " to the Duke de Sotemayor,
Ambassador of Spain, in which he thanks that noble for services rendered in
connection with Louis Bastida.
443 HUMBOLDT (Alexander Von, author and scientist). A.
L. S., 2 pp., 4to, dated — "Berlin, March 4th, 1844."
Addressed to Monsieur Frederic Lacroix, Paris. Written in French, full of
matters geographical and in which Humboldt calls himself an almost antedilu-
vian traveler.
444 HUMBOLDT. A. L. S., 3 pp., minimo. A French letter
of a personal and social nature.
445 JACOB (Count, Admiral of the French navy, born 1768,
died 1854). Document signed by the officers of the
frigate " Bellona," and Count Jacob as Captain, and
dated — " an 6 de la republique." 2 pp., folio.
446 JACQUE (Charles Emile, painter and etcher). A. L. S.,
I p., 8vo.
Very interesting autograph letter and somewhat curious. Jacque writes
to a picture dealer and asks him in true Bohemian phraseology to let him have
four hundred francs. At the bottom of the note is a sketch in which the artist
depicts himself with sabots, surrounded by chickens and holding out his hand for
the four hundred francs, which the dealer is trying not to find in his vest pocket.
128 THE PENEDU BOIS COLLECTION.
447 JANIN (Jules Gabriel, French critic and author'). A. L. S.,
I p., 8vo, dated April s, 1859.
Jules Janin writes to Amyot that Gerome wishes to borrow certain daguerreo-
types. Amyot endorses the letter by writing to M. Leblanche, asking him to
oblige the celebrated artist.
448 JANIN. A. L. S., 2 pp., 8vo.
A letter to an intimate friend on matters domestic and social.
449 JOLY (Francois). Document signed and relating to pecu-
niary and other transactions between the Joly, Dubois
and Garnier families in the year 1666. i p., small folio.
450 Lahrbush (Friedrich, captain). A. L. S., i p., 8vo.
The writer was famous on account of having died at the age of II I years and
25 days.
451 LAMARTINE (Alphonse M. L. P. De, President of the
Second French Republic, poet, etc.). A. L. S., 2 pp., small
folio, dated — "Florence, May 20, 1827."
In this letter, addressed to the Marquis Clermont -Tonnerre, Minisf* of War,
Lamartine, in his official capacity as Charge-d' -affaires in Tuscany, requests the
services of the Minister on behalf of Count Bentivoglio, a former officer under
Napoleon, who desires to return to the French army.
452 LAMARTINE. A. L. S., i p., 8vo.
Lamartine requests his friend Poujoulat, the distinguished French litterateur,
to have inserted in his journal an account of an oration which he has to pro-
nounce at the Hotel de Ville.
453 LAMARTINE. A. L. S., i p., 8vo [March 13, 1839].
A note from the poet to the Countess de Girardin relative to his having broken
an engagement in order to attend her reception. Stamped in the corner with
Lamartine's initials and coronet.
454 LAMENNAIS(Felicite Robert dej/f^/^mcffl/flz^/y^^;;-). A. L. S.,
I p., 8vo, dated — " July 31, 1841."
The Abbe Lamennais, who, it is asserted, became a heretic because Leo XII.
would not promote him to a cardinalate, writes in this letter to Monsieur
Parisot asking for an authorization for Meissonier to see him at Saint Pelagie.
The request was evidently granted, as the note is endorsed in French — " once a
week. "
455 LA TOUR-DUPIN (French Minister of State). A. L. S.,
I p., 8vo, dated — "June 13, 1767."
456 LECUREUX {the French bibliophile). A. L. S., i p., 8vo,
"October 27, 1858."
A bibliographical note in reference to a rare work. Th6 writer's life has been
told by OctaVe Uzanne.
457 LEGENDRE (A. M., the eminent French mathematician and
Member of the Academy). Document dated " an trois "
and signed by Legendre and fourteen other members of
THE PENE DU BO IS COLLECTION. 129
the National Convention, including Lomont, Dubois-
Cranc6, Merlin, etc. 2 pp., folio.
This document has the printed heading of the National Convention above
the official seal of the Goddess of Liberty. Before and after the great French
Revolution Legendre received naught but honors from the various governments
of France, but in 1824 Louis XVIII. deprived him of a pension of three
thousand francs because he had not voted in the Academy for the ministerial
candidate.
458 LITTRE (Emile, publicist and philologist). A. L. S., i p.,
minimo, dated — " Oct. 19, 1875."
IMPORTANT HISTORICAL AND STATE DOCUMENT WITH
THE SIGNATURE OF LOUIS THE THIRTEENTH.
459 LOUIS XlYl., King of France. A Document signed by
THE King and countersigned, 5 pp., folio, dated — " June
i2th, 1641."
VERY RARE. This important historical manuscript is a confidential letter
sent by King Louis XIII. at the dictation of Cardinal Richelieu to the Count
de Vireville instructing him to do all in his power against the suspected con-
spirators, the Du]<e de Guise, the Count de Soissons and the Duke de Bouillon.
King Louis XIII. claims in this letter that a rebellion is possible and that the King
of bpain has been so worked upon by the emissaries of these malcontents that an
invasion of France appears imminent. The Soissons League against Richelieu
was one of the most important events in the history of France during the second
quarter of the 17th century. The finale of these episodes was wound up in
the year this document was written by the tragic death of Louis, Count of
Soissons (grandson of the first Prince of Conde) at La Marffee, and the condem-
nation to death by the Parliament of Paris of Henry the Fifth, Duke of Guise,
but who, on the death of Louis XIIL, returned to France and eventually
became notorious under Louis XIV. for his domestic infelicities, his gallantries,
his imprisonment in Spain and his treacherous betrayal of his best friends.
460 LOUIS XIV. A sonnet addressed to " Le Grand Mon-
arque " on the elevation of his grandson, the second son
of the Dauphin, to the throne of Spain under the title of
Philip V. i p., 4to.
This poetical epistle was written by a Spanish admirer of Louis XIV.
LOUIS THE FIFTEENTH'S SIGNATURE TO A STATE
DOCUMENT ADDRESSED TO THE PRESIDENT OF
THE PARLIAMENT AT PARIS.
461 LOUIS XV. (King of France, called " le Men aim^"). A
document signed " Louis " and dated — " Versailles, Nov.
27,1751." I p., folio.
EXCESSIVELY RARE. This document is countersigned by the Duke
d'Argenson and is addressed to M. Olivier de Senozan, President of the fourth
chamber of " Enquetes "of " my Parliament of Paris." The King orders him
to resume his functions under pain of disobedience.
This historical document emanated from one of the worst of the many bad
kings with which France has been cursed. His long reign of nearly sixty years
was one continued carnival of debauchery, and the extravagances which he lavished
upon his du Barrys, Pompadours and Parc-aux-Cerfs not only cost his grandson
I30 THE PENE DU BO IS CQLLECTIQN.
his head, but his own life. We read — " Louis, who had for some time suffered
from, a disease contracted through vice, was seized with smallpox, the infection
of which was communicated by a young girl who had been brought to him. On
loth May, 1774, he died, so far from being regretted that his funeral was a sort
of popular festival and was celebrated with pasquils and merry ballads. "
462 MARTIN (Henri, French historian and Member of the Insti-
tute, etc.) A. L. S., 2 pp., 8vo, dated — " Paris, June 6,
1873-"
Refers to Viollet-le-Duc, de la Borderie et de Boisselle. Henri Martin, who
was also christened " Bon Louis," was one of the greatest historians of France.
His history of that country stands very high in the estimation of his compatriots.
He occupied the seat in the Academie Fran^aise previously held by Adolphe
Thiers. He defeated Taine by a vote of 18 to 15.
463 MARTIN. A. L. S., i p., 8vo, dated—" July 4, 1862."
Apology for silence on account of illness.
464 MASSE (Felix Marie Victor, French composer, Member of
the Institute, etc.) . A. L. S., i p., 8vo, dated — " Septem-
ber 18, 1871."
Letter of the composer ofthe very popular " Noces de Jeannette," asking M.
Martinet for a box with four seats. Masse became a member of the Academy of
Beaux-Arts on the death of Auber.
465 MEISSONIER (Jean 'Louis 'E.tnest, painter. Member of the
Institute, Commander of the Legion of Honor, etc.). A. L.
S., I p., minimo, dated — "July 2, 1867."
Friendly letter to General Rou and stamped with monogram. Meissonier's
painting called '' 1807 " was sold to the late A. T. Stewart for over three hun-
dred thousand francs. It was recently resold for $67,000, and was presented to
the Metropolitan Museum of Art by Judge Henry Hilton.
466 M;ERIMEE (Prosper, French litterateur). A. L. S., i p.,
8vo.
_ Invitation to a friend to have a "bad breakfast" with him on Sunday morn-
mg at eleven.
467 MEYERBEER (Jacob, celebrated musical composer). A. L.
S., I p., Bvo.
This is a letter in regard to the libretto of one of the operas of Meyerbeer
whose musical genius was such that even at five years of age he could spon-
taneously play tunes on the piano. His " Robert le Diable " was received on
Its production with enthusiasm, and the " Huguenots" in 1836 made him reach
the climax of his fame.
468 MIGNET (F. a. a. a., French historian. Academician, etc.).
A. L. S., I p., 8vo. ' ''
ttP^'^-"''''"" °^ f" invitation to breakfast. During the reign of Napoleon
111. Mignet rested on his celebrity as the author of the " History of the French
Revolution, a period which he regards more from a moral than from a philo-
sophical standpoint. It has therefore been charged with leading to fatalism.
469 MIGNET. A. L. S., i p., 8vo.
Letter to Monsieur Lemoyne, dated — "Jan. 16."
THE FENE DU BO IS COLLECTION. 131
470 MIGNET. A. L. S., 1 p., 8vo.
Written in the third person to the Count de Kalckreuth, and as perpetual
secretary of the Academy of Moral and Political Sciences of the French Insti-
tute. With engraved artistic heading.
471 MONTBAREY {Le Prince de. Minister of Louis XV.).
A. L. S., \ p., 4to, dated — "Versailles, December, 10, 1780."
Requests advice from the Lieutenant-General le Marquis de Voyer in relation
to a matter of a delicate character in which a lady is concerned.
472 MORELLET {Kt\.6x€, French litterateur and friend of Ben-
jamin Franklin). A. L. S., to the Count Algrolli,
dated — "Florence, Jan. 5, 1759," 2 pp., 4to; also — copy of
a 4to letter of 4 pp. written to Lord Henry Petty,
Chancellor of the English Exchequer and son of the Mar-
quis of Lansdowne. (2 pieces)
With English translations of the above. In the second letter referred to and
written in l8o6 the Abbe Morellet thanks Lord Henry Petty for the books
forwarded to him through Lord Lauderdale. Refers to the Malthusian theory
and states that he regards England as the centre of the light and civilzation of
Europe. He also expresses his great admiration of the writings of Jeremy
Bentham.
NAPOLEON THE FIRST— THE ORIGINAL MINUTES OF
AN OFFICIAL DOCUMENT DICTATED BY THE EM-
PEROR.
473 NAPOLEON BONAPARTE (Emperor of France, called
" the Great "). Document, 7 pp., small folio.
Five of these pages consist of the original notes dictated by Napoleon, Feb-
ruary I2th, 1812, on the distribution of bread to the indigent population of
Paris. It includes a very neatly written two-page schedule of the localities
requiring assistance.
474 NECKER (J a.cq\xes, financier and Minister of France, under
Louis X VI.). L. S., I p., .small 4to, stamped with heraldic
seal, dated — "Versailles, Sept. 13,1785." With portrait.
A letter to Monsieur Boissel, thanking him for a work which he had sent to
the father of Madame de Stael. Necker further states that he has given Louis
XVI. the copy of the same destined for his Majesty. The last few years of the
reign of that King were but one continuous sending into exile and recalling to
ministerial duties the vain and egotistical writer of the above letter. Necker
was not guillotined like his master, but died in his bed at Geneva, in 1804.
475 OFFENBACH (Jacques, musical composer). L. S., i p.,
8vo, dated—" Paris, Jan. 9, 1856."
Note from the composer of the " Grand Duchess of Gerolstein," "Orpheus
in Hell," etc., telling his correspondent that the "Bouffes Parisiens " — great
and little — will be only too happy to receive him when he will accord them a
visit.
476 PALMSTJERNA (Baron, diplomat). A. L. S., i p., 4to,
dated — "Sept. 7th, 1840"; also L. S. signed and sealed
from HippoLYTE de St. Anthoine to M. H. F. Delano
132 THE PENE DU BOIS COLLECTION.
informing him that he has been elected a Member of the
Institute of Africa, dated — " Dec. 25, 1851." (2 pieces.)
The last mentioned is headed with the names of the presidents, including the
Duke de Valentinois, the Prince de Rohan Rochfort, and the Prince Soutzo of
the African Institute for the abolition of slavery and the civilization of Africa.
477 PEIGNOT (Etienne Gabriel, the celebrated French biblio-
grapher'). A. L. S., I p., 8vo, dated — " Dijon, August 22,
1812."
Very characteristic letter of the most distinguished book expert of the
first half of this century, and the only one whom all the bibliographers following
the lead of Brunet accept the assertions of with implicit faith. Peignot recom-
mends his friend to keep away from bad company, and above all such that would
make him remember the scourge of St. Hilary, the only cause of all our evils.
Then he asks after " la Soeusceu," and tells his friend to embrace her for him.
He winds up with a request in rhyme that his " Xavier" would let him have
"those 412 francs."
478 PHELLIPON (Baron, General of the National Guard of
Paris). L. S., 4to, with receipt for 88 francs and 65 cen-
tin^es.
The above document dated August 11, 1814, has a vignette head of the fleur-
de-lys and royal crown of France, and four months after Napoleon had been
sent to Elba. The document is interesting as it is dated between that period
and the " Hundred Days."
479 PONIATOWSKI (J. M. X. F. J., Prince, French Senator
and musical composer). A. L. S., 2 pp., 8vo.
This is stamped on the corner with the princely crown of the Poniatowskis,
and it is a cool request to the celebrated French vaudevillist Neree Desabres to
let the Prince officiate as a champion dead-head. He complains that the last
time he wanted seats he did not get any. He will be contented with only ten
this time, although he really wants twelve, as well as four boxes.
480 PONSARD (Francois, French dramatist). A. L. S., i p.,
8vo.
This is almost as refreshing as the last-named. Ponsard writes from Vienna
that he wishes the Director of the Odeon to let his cousin and her family, com-
posed of pretty girls, have a box.
481 QUANTIN (A., bibliophile and bibliopole). A. L. S., i p.,
8vo, dated— "Nov. 12, 1881."
482 RAFFET (D. A. M., French artist. Chevalier of the Legion
of Honor, etc.) A. L. S., i p., 8vo.
Raffet was one of the greatest water-colorists and book illustrators of his
time. He was the intimate friend of Prince Demidoff, and so great was his
enthusiasm for art that it is said that on one occasion he obtained the head of
a young soldier, shut himself up with his ghastly treasure and made numerous
studies of it — " in order to master the strange pallor and painful mysteries of
death."
THE PENE DU BOIS COLLECTION. 133
483 REGNAULT (A. G. H., painter, prix de Rome, 1866).
Original pen and ink sketch, with signature and autograph
lines at the bottom. With portrait by Blanchard on
India paper.
This sketch was made by Regnault at college when he was fifteen years old.
It represents a schoolmaster practicing a method of forcing a rule into the head
of a boy. With an air of stern determination the dominie grips with both
hands the ears of the scholar with all his strength — result, boy with contortion
of fingers and dancing in agony. This humorous design is of great interest, in
view of the glorious death of Regnault at the battle of Buzenval before Paris,
Jan. ig, 1871, and but a comparatively brief period after exhibiting such pic-
tures as the "Salome" and the " Execution without Judgment."
Mr. Pene du Bois purchased this sketch at the sale of the Alfred Bovet col-
lection, and it is a pathetic relic of the distinguished artist of whom Paul Mantz
wrote, after the painter's sad death — " Regnault, crowned already With a preco-
cious glory, scarcely at the first chapter of his book ; his art was young like his
soul .... there remains to us only his work, which is but a radiant beginning,
and the example of his death, which plainly shows the culture of art extinguishes
not the religion of patriotism in the soul."
484 REMtJSAT (Charles F. M., Count de, author, statesman.
Member of the Institute, etc.) A. L. S., i p., 4to.
Letter of recommendation for political office for an unhappy but interesting
young man. Charles de Remusat, who died in 1875, became the Minister of For-
eign Affairs under Thiers, and later French Minister to Italy, was a son of the
celebrated Madame de Remusat, whose " Memoires" created such a stir in the
world of letters and the "haul monde."
485 RENAUDIN {Admiral of the French Navy). Document to
the General-in-Chief of the Army, signed by Renaudin
and others, i p.
Admiral Renaudin was born in 1757, died in iSog.
486 REYER (L. E. E. Rey, French musical composer, litterateur.
Member of the Institute and Academy of Beaux- Arts ^ A. L.
S., I p., small 8vo.
A request to his " dear D'Hormoy " to let him have a box at the theatre.
487 RICHINI (Paul, President of the municipality of Alexandria).
L. S., I p., 4to, dated "20th Flgreal, An 7."
A petition to General Gardanne on behalf of his brother Vincent Richini,
who wishes to enter the French army.
488 ROSSINI (Gioacchino, the greatest composer in this century
of the Italian lyric stage). Document signed — "Gioac-
chino Rossini," and dated — " Firenze li 25 Settemb. 1854,"
I p., 4to.
A receipt for £^, 77g 8s. , to Leopoldo Pini, advocate. ' ' In Rossini's early
works he developed with great felicity the type established by his Italian pre-
decessors. These compositions are characterized by sterling melody, brilliant
instrumentation and enjoyable vivacity. ' Guillaume Tell, ' though equally origi-
nal, approaches far more nearly to the character of the German school. "
489 ROUVEYRE (Edouard, bibliophile, bibliographer and biblio-
pole). A. L. S., 2 pp., 8vo.
The author of some of the most charming volumes for bookmen issued during
the past few years.
134 THE PENE DU BOIS COLLECTION.
49a SAINTE-BEUVE (Charles h.ugv&'iva., French critic and poet).
A. L. S., I p., 8vo, dated — " November 21st, 1870."
A letter to the librarian of the French Institute in regard to various works.
" En 1865 ses [Saint Beuve's] liaisons avec deux membres de la Famille Im-
pe'riale, plus encore que sa grande notoriete litteraire, le firent entrer au Senat. "
— Vapereau.
491 SANDEAU (Leonard Sylvain Jules, French litterateur and
Member of the Academic Fran(aise). A. L. S., i p., 8vo.
Jules Sandeau's intrigue with George Sand was the principal cause of his
entering literature. In 1831 the first work of both was written in collaboration
under the nom-de-plume of Jules Sand. Later Sandeau became more eminent
as a dramatist than as a writer of fiction.
492 SANDEAU. A. L. S., i p., 8vo.
A demand from the playwright for a box at the theatre.
493 SARCEY (Francisque, French litterateur). A. L. S., 2 pp.,
minimo.
A note to a friend in regard to a criticism on Sarcey by Alberic Second .
Sarcey has been for years in continual hot water in matters literary. His cele-
brated controversy in regard to Chinese children devoured by pigs and his con-
demnation to three thousand francs fine and > fifteen days in prison for having
denounced the miracle of Lourdes have given him notoriety on both sides of the
Atlantic.
494 SARDOU (Victorien, French dramatist and Academician).
A. L. S., I p., 8vo.
The great popularity in this country of " Daniel Rochat, " in which Sardou
makes a powerful plea in favor of divorce, has made us forget many of his
earlier and brighter plays.
495 SARDOU. A. L. S., i p., minimo.
496 SCALONI (Francesco, Italian litterateur).' A. L. S., 1 p.,
4to, dated—" 1840."
A key to the " Hypercalipse " of Hugo Foscolo, and being a communication
to Dr. Baldasari Lambertenghi of Como.
497 SCRIBE (Augustin Eugene, French dramatist and Acade-
mician). A. L. S., I p., 8vo.
A note to his friend Mons. de St. George and invitation to breakfast. Scribe
died at Paris in 1861 after fifty-five years of successful playwriting. His first
piece was written by him when he was eighteen years old, in collaboration with
some friends.
498 SIMON (Jules Francois Suisse, French writer, Senator,
Member of the Institute). A. L. S., 2 pp., 8vo, dated
—"Jan. 21, 1844."
A very interesting literary letter to a friend, probably Pauthier, the Orientalist,
in which he refers to his knowledge of Greek philosophy and his ignorance of
Chinese metaphysics, which were much more elevated than he had previously
thought. He writes "such ignorance ought to surprise you." This great
Frenchman has played one of the most conspicuous parts in the politics of
Europe for more than a quarter of a century and particularly during the infancy
of the present stable and glorious French Republic.
THE PENE DU BOIS COLLECTION. 135
499 SOLIVERES (de, distinguished French army officer'). A. L.
S-, 3 pp., 4to, dated — "February 9, 1827."
Written on note paper headed " Etat Major-General Garde Nationale de
Paris. " This letter is really one of the celebrated Marshal Oudinot, Duke of
Reggio, but it is signed on behalf of the Commander-in-Chief by the above-
named, who was his "Colonel d'Etat Major" and Secretary General. It is a
scolding epistle to Mons. Pieult, Mayor of the Tenth Arrondissement in relation
to military matters.
500 SULLY-PRUDHOMME (R. F. K., French poet and Acade-
mician). A. L. S., I p., minimo, dated — "Feb. 26, 1883."
501 TALLEYRAND-PERIGORD (C. M. de, diplomat, states-
man, Bishop of Autun, Prince, etc.). A document of 1 1
pages, large 4to, with many signatures and among others
that of Prince Talleyrand, stamped with various seals of
the first French Republic and dated at Paris in the tenth
year of the same.
This is a state document and the last few lines read as follows — " the under-
signed chargi dts affaires of the French RepubUc to the United States certifies
that the foregoing is the signature of Mr. Talleyrand, Minister of Foreign Affairs
in France. Given under my hand and seal of office at Baltimore, Feb. 23, 1804.
L. A. PiCHON."
Napoleon's celebrated Minister signs his name "Ch. Mau. Talleyrand." He
was one of the most unscrupulous and subtle of modern diplomatists. During
his entire life he was nothing but a theological and political turncoat. While an
abbe his conduct was so grossly immoral that Loiiis XVI. for many years refused
to give him any ecclesiastical preferment, and it was only his adminibtrdtive
abilities that caused the mitre of the See of Autun to be placed upon his un-
worthy head. He was excommunicated by the Pope, and although Napoleon
made him a Prince and used what Carlyle calls "his vulpine understanding"
for some of the most tremendous of his many European coups d '^tat, the nick-
name given Talleyrand by the Empress Josephine will always cling to his memory
and chronicle him as the " Maudit Boiteux," i. c, the " cursed cripple."
502 THIERS (Louis Adolphe, President of the third French Re-
public and historian). A. L. S., i p., small 8vo, dated —
" May 28th, 1839," with stamped envelope in the hand-
writing of Thiers and of a later date. (2 pieces)
A note from the celebrated historian of the French Revolution to Pauthier
asking that eminent Orientalist to let him have a copy of his work on "China,"
in which, he says, he is deeply interested, more particularly on account of the
subject having been treated by his friend.
503 THOMAS (Charles Louis Ambroise, French composer and
Member of the French Institute). A. L. S., i p., 8vo.
Letter accepting invitation from Theodore de Larminois to the eminent com-
poser, who replaced Auber as the director of the Conservatoire at Paris in
1871.
504 TILDEN (Samuel J., American statesman and Governor of
New York State). Two documents signed. (2 pieces)
136 THE PENE DU BO IS COLLECTION.
505 TOCQUEVILLE (A. Ch. C. de, Erench statesman and
author). A. L. S., 2 pp., 8vo, dated—" Dec. 30, 1850."
Written during the period De Tocqueville was Minister of Foreign Affairs of
the second French Republic to a colleague. It is a letter of sympathy on the
loss of his friend's mother. De Tocqueville also speaks of his own health as
rapidly mending.
506 TOPFFER (R., French author and novelist). Document
signed mentioning "Clarissa Harlowe." Minimo, 1834.
Vide numbers 329 and 330 in the previous division for works of this author.
■507 TODCHER {Director of the French East India Company).
L. S., I p., 4to, dated— " A I'Orient, le 30 Jer., 1748."
With heraldic wax seal, coronet, shield and supporters, ad-
dressed to " Monsieur Bigot de la Mothe, Intendant
de la Marine a Brest."
508 VALEE (Sylvain Charles, Marshal of France and Count).
L. S., I p., folio, addressed to the Minister of State,
dated — "Algiers, 30th of August, 1840," and signed by
Count Val^e as the Marshal Governor o^ Algeria rela-
tive to army matters and the transportation service in the
Algerian province of Oran.
509 VAULGRENNAUD (A. A&, distinguished officer in the French
army). A. L. S., 3 pp., small 8vo, addressed to " Mons.
Beville a Paris,'' and stamped with wax heraldic seal.
510 VERDI (Giuseppe, operatic composer). A. L. S., i p.', mini-
mo, with envelope.
A brief note from the immortal author of " La Traviata " and " II Trova-
tore."
511 VERNE (Jules, French author). A. L. S., i p., 8vo.
Enclosing ticket for box at the Porte St. Martin. The writer of sensational
fiction tells his friend that madame should have vreitten to the theatrical director,
but he is only too delighted to be of service.
512 VIGNY (Alfred de, French poet and novelist). A. L. S.,
I p., 8vo, dated— "May 28, 1850."
Characteristic letter from the author of "Cinq-Mars."
513 VILLEMAIN (Able Yra.nco\s, French author and Secretary
of the Academic Fran(aise). A. L. S., i p., 8vo.
Villemain's works on French literature and history will be counted among the
classics of this age. ■ He incurred the eternal enmity of Charles X. for drawring
up, along with Chateaubriand and Lacretelle, the petition addressed by the
French Academy to that monarch against the reestablishment in France of the
censorship of the press.
514 VIRY (Arthaud &t, distinguished French army officer). A.
L. S., 2 pp., 4to, dated — "December 20, 1811."
A confidential letter from one of Napoleon's soldiers to a friend.
THE PENE DU BOIS COLLECTION. 137
EXTREMELY INTERESTING LETTER OF THREE PAGES
OF VOLTAIRE, IN REFERENCE TO HIS "SIECLE DE
LOUIS XIV."
515 VOLTAIRE (Francois, Marie Arouet de, the most famous
of all the authors of France). A letter signed " V " and
dated — "a Ferney 5« Mars, 1768," 3 pp., 4to.
VERY RARE. One of the most important -letters in the Pene du Bois Col-
lection. The immortal author of the " Henriade " and " La Pucelle" wrote
these three pages to Mons. de Tauler. Voltaire tells him that three-quarters of
the new edition of the " Siecle de Louis Quatorze" are printed. He asks for
anetdotes on Jansenism, and says that he is aware that politics enter into the
quarrels of the Jansenists and Molinists. As to the will attributed to Cardinal
Richelieu, he wishes all the information possible, and requests Mons. Tauler to
show this letter to the Duke de Choiseul. He adds that the Duchess d'Aguillon
had sought at the OfEce of Foreign Affairs for all that was favorable to the
opinion of Voltaire on this matter. If there is any new light on the subject, he
is willing to publicly retract, and will say that the Cardinal Richelieu made a
blunder in politics as ridiculous and bad as he made in theology. The succinct
narration, so badly compiled by the Abbe de Boureis under the eyes of the Car-
dinal, Voltaire says, has nothing in common with the " testament." It shows,
on the contrary, that document is suppositious. The will of Cardinal
Richelieu ought to say what Louis XIII. ought to do when he should lose
his minister. Voltaire writes that it ought to speak of the education of the
Dauphin; of the negotiations with Sweden, the Duke de Weimar and the other
German princes against the house of Austria; how the war can be continued
and be brought to an advantageous peace ; what precautions should be taken
against the Huguenots; what form of regency should be established in the event
of Louis XIII. succumbing to his long illnesses, etc. These are the instructions,
Voltaire sfates, a Minister of State should have given, but he does not say a
word of what is indispensable, and he speaks " des sottisses enormes dignes du
Chevalier de Moulin et de I'ex-Capuchin Maubert sur des choses tres inutiles."
516 UZANNE (Octave, editor of " Le Livre," author of " The
Fan," etc.). A. L. S., 2 pp., 8vo, dated Paris, " February 20,
1882," with envelope.
Note from Uzanne to Mr. Pene du Bois, making him the American corre-
spondent of " Le Livre."
517 WERDET (Edmond, celebrated French bibliographer). A.
L. S., I p., 4to, dated—" isth of Sept. 1856."
Interesting letter to Anguste Aubry. The distinguished bibliographer
Werdet published the larger portion of the works of Balzac. He wrote that
humorist's life, as well as other works more or less of a bibliophilistic charac-
ter, such as his " Histoire du Livre en France " in five volumes.
THE GRAND RUSSELL COLLECTION OF AUTOGRAPHS
OF U. S. PRESIDENTS, AUTHORS, STATESMEN,
ETC.— MANY OF CONSIDERABLE VALUE.
518 AUTOGRAPHS. A COLLECTION of over 220
LETTERS WHOLLY in the caligraphy of the various
138 THE PENEDU BO IS COLLECTION.
WRITERS, OR SEPARATE SIGNATURES, SOME OF THE LAST
NAMED WITH MS. IN THE SAME HAND ABOVE THEM. ThE
WHOLE IN A SMALL OCTAVO MOROCCO ALBUM, WITH, TWO
BRASS CLASPS.
UNIQUE, MOST INTERESTING and VALUABLE COLLECTION.
This album contains 223 signatures,-exclusive of three on — " A Bill of One
Shilling — Proclamation, is Emitted by a L!aw of the Colony of New Jersey,
passed in the Fourteenth Year of the Reign of His Majesty King George the
Third. Dated March 25, 1776." They include the signatures or handwriting
of ten Presidents of the United States, i. e. : — George Washington, James K.
Polk, Zachary Taylor, John Tyler, Martin Van Buren, Millard Fillmore, John
Quincy Adams, James Madison, James Buchanan and Franklin Pierce.
There are the signatures of statesmen, governors of States, poets, artists,
singers, authors, physicians, ecclesiastics, historians, philanthropists, military
and naval officers, actors, etc.
Also will be found verses and extracts by and from peo. Ticknor, H. W. Long-
fellow, Th. Starr King, T. W. Parsons, Oliver Wendell Holmes, Charles
Sprague, Charles James Sprague (son and grandson of Samuel, of the
" Boston tea party, ), Nathan B. Shurtleff, Ellas Boudinot (President of Con-
gress, 1782), John Phillips, Ben. Silliman, Joseph Leidy, Thaddeus W. Harris,
etc.
Among the signatures are those of Sir Charles Lyell, Commodore Perry,
Maria Mitchell, of Vassar College; Rembrandt Peale, E. F. Ellet, Thomas
Bailey Aldrich, G. P. Morris (author of " Woodman, Spare that Tree "), John
G. Saxe, B. P. Shillaber ("Mrs. Partington"), Charlotte Cushman, J. Papi-
neau, Paul Morphy, Wm. Prescott, Ch. Lowell, Jenny Lind, Adelaide Ristori,
Fanny Kemble, H. B. Stowe, L. Sigourney, Edwin Booth, J. Wilkes Booth,
Daniel Webster, Henry Clay, Jefferson Davis, Caleb Gushing (2), Sam. Ward,
R. H. Dana, L. Agassiz, Emerson, F. D. Huntingdon, Jared Sparks, W. A.
Seward, Marcy, Benton, Lewis Cass, John Hancock, 1759; James Bowdoin,
B. Silliman, Jr., Humboldt, Mary Somerville, Adam Badeau, Chas. Mackay,
B. Taylor, Motley, Washington Irving, G. W. Curtis, C. M. Sedgwick,
William Cullen Bryant, A. Potter, John Eliot, 1791; Beecher, H. H. Milman,
Sam. Appleton, Nathan Appleton, Lord Castlereagh, Baroness Burdett
Coutts, A. Lang, George Rawlinson, etc.
Specially worthy of note is a letter dated — "Boston, 12 Sept.,
1859," and of four pages, from Edward Everett, written in the album
over his signature, telling of his acquaintance with Jenny Liud. On leaf
5 is a five cent silver piece of 1840, given him by " the Swedish Nightin-
gale," and inimediately following is her autograph signed to a list of the charit-
able institutions of Boston, and the amounts donated each, the proceeds of a
concert given by her.
Henry W. Longfellow's lines on a half-sheet of paper are: —
' ' All are architects of Fate,
Working in these walls of Time;
. Some with massive deeds and great,
Some with ornaments of rhyme.
— Henry W. Longfellow.''
Oliver Wendell Holmes on leaf 22 contributes two verses of original poetry
over his signature, dated — " Boston, Nov. 3rd, 1839."
President John Tyler is represented by a note to Horace P. Chandler, dated
— "Sherwood Forrest, Oct. 13, 1859." ,
These references give an indication of the character of the collection. It was
made by a devoted autograph collector, Mrs. Russell, who left it as a legacy in
her will to Mr. Pene du Eois.
THE PENE DU BO IS COLLECTION. 139
THE "COMEDIE FRANCAISE TOMBOLA" COLLECTION
OF AUTOGRAPHS OF DISTINGUISHED MEMBERS OF
THE FRENCH STAGE, AUTHORS, CRITICS, ETC.
519 "ALBUM D'AUTOGRAPHES DE LA TOMBOLA DES
ARTISTES DRAMATIQUES." Oblong quarto.
UNIQUE AND SPLENDID COLLECTION of AUTOGRAPHS and
referred to by the " New York Tribune," on June 3, 1883, as follows : — " He
[Mr. Pene du Bois] owns an autograph album by the French artists
which is worth one thousand dollars." This, although an exaggeration as to
the actual worth of the collection, is an indication of its being of great value.
This album of autographs consists of several hundreds of signed letters and
signatures with autographs of the leading men and women of letters, dramatists,
critics, actors, actresses and singers of France. It is an autograph "omnium gath-
erum" gotten up by the secretary of the "Comedie Fran9aise" for the "Societe des
, Artistes Dramatiques," and was raffled off in a tombola or lottery for the benefit
of that society after the Commune of 187 1, and upon the return of a portion
of the members of the " Comedie Fran9aise" from London. This lottery was
held in Paris in 1871, and resulted in handing over a goodly sum to the desti-
tute members of the stage who, during the siege and Commune, had played to
empty houses. Contributions from all the professionals and men of letters
available were joined together, as well as many letters written previously by
notabilities and in the possession of sympathizers of this charitable cause.
Among the more important signed autographs letters are those of — Beranger,
a letter, 1854, to Emile Thierry thanking him for the pretty songs he has for-
warded; Alexander Dumas the Elder, an original quatrain entitled "Liberty
and Love," one of the last productions from his pen, also a letter from the
same; Ed. Thierry, " The Sentinel," a poem of sixteen lines; Cherubini, signa-
ture and two pages of music in his handwriting, being an " examen de solfege";
Count de Las Casas, author of " Memorial of St. Helena" in reference to that
work; L.iboulaye, refers to his novel of "Abdallah"; Lamartine, receipt of three
hundred francs from Hachette. the publisher; George Sand, a three-page auto-
graph letter signed and dated Oct. 20, 1856, in reference to a play produced at
the Odeon; Ponson de Terrail, request for a box; Madame de St. Ouen, the
authoress; Michelet, letter dated July 30, i860, requesting Mons. Demoliere to
send the money due him on account of his "Louis XI." and other works; Sainte-
Beuve, a demand dated Dec. 26, 1859, for three hundred francs for an unwrit-
ten work; E. Arnal, the "Artist," an original poem of eighteen lines; P.
Lefort, poem in four verses, " La Cinqantaine" ; A. De Forge, Minister of War,
request for a box; etc.
There are also letters (A. L. S.) from the following: — Emile Girardin, Camille
Dorti, Victorien, Marie Delaporte, Jeanne Boudois, Couder, N. Roqueplin (dra-
matic critic), Paiil Dhormoy, Cherie Ad. Adam, Adblphe, Duprez, Angela, S.
Duchesney, Marie Favart, Bagier, Dormeuil, J. Roubaud, Frederic Thomas,
Legouve, Muriel, Ouvrie, V. Cochinat (2), C. Montaland, Lemeuil, Grassot, P.
de Gasparin, Quatrefages (scientist), Beauvallet, Dr. Blanche, Altaroche (man-
aging editor of "Charivari"), Alberic Second, Ch. Nuitter, E. Monvey, Jeanne
Sabbatier, Delacour, Leon Cogniard, Paul Dalloz, M. Escudier, B. Jouvin (of
the "Figaro"), Octave Lacroix, C. Laurent, Jules Prevel, Tony Revillon, L.
Buloz (2), V. Bourey, Munoz, M. Petit, Elisa Picardi, A. Pasca, Desiree, Cas-
tagnary, Paul de Saint Victor, etc., etc.
An\ong the numerous signatures, many of which have original lines above
them, are those of — Etienne Senescal (sketch and verses from Alfred de Musset),
Levesto, Verteuil, Davesnes, Leon Gaillard, Eug. Garraud, Augfustine Brohan,
Bonval, Nathalie, C. Jouassain, Madeleine Brohan, Edile Requ^r, Victoria
Lafontaine, Emilie Dubois, Aruauld Plessy, Zelia Poussin, Emilia Guyot,
Marie Favart, Emma Fleury, Marie Lloyd, Rose Barretta, Dinah Felix
140 THE PENE DU BO IS COLLECTION.
(Rachel's sister), Marie Roger, Jeanne Tordin, Rosa Didier, R. Deschaumes,
Pauline Granger, Edmee Ramille, V. Angelot, D.. Macqiiet, E. Devoyod,
Deligny-Derval, M. Lemoine Montigny, Eug. Maisot, A. Landrol, Frances, P.
Esquier, Mdlle. Berton, Louvel, Renaudin, E. Pradeau, Paul Boisselot, Blanche
Pierson, Eugene Herold, Regnier, G. Duprez, Got (four lines of poetry), L.
Delaunay, Talbot, P. Leroux, Maubant, Louis Monrose, P. Bressant, H.
Lafontaine, C. Coquelin (verses from Hugo in reply to attack of Veuillot on
" The Actor"), Mirecour, Chery, Tronchet, Febvre, Eugene Provost, L. Barre,
Moutet, G. Guichard, C. Gibeau, Verdellet, Prud'hon, Boucher, Ch. Masset,
etc., etc.
There are also many cartes- de-visite of the company of the "Comedie Fran-
9aise," such as: — Regnier, Barre, Monrose, Bressant, Lafontaine, Fevre,
Jouassain, etc.
520 Autograph Portfolio. Large 4to, half morocco, cloth
sides, with cloth flaps and ties.
521 BovET (Alfred). Catalogue de la Precieuse Collection d'Au-
tographes composant le Cabinet de, — Series I, II, III, IV
and "VIII. 2 vols. 4to, sewed. Paris, 1885
Illustrated with numerous fac-simile autographs and sketches.
522 FONTAINE (P. Jul.). Manuel de I'Amateur d'Auto-
graphes. 8vo, old roan, gilt. Paris, 1836
An invaluable work for autograph collectors. Loose with the above is a
long article on autograph collecting by Paul Eudel.
THE PENE DU BOIS COLLECTION. 141
[The printing press of Jodocus Badivs ml "ascensivs'
I5IO — VIDE NUMBER 54I OF THIS DIVISION."]
OF Paris, in
IV. ^^rlg ^gyjofirayltg^
consisting of
Incunabula, Black Letters and other Rare Books
PRINTED before THE YEAR 160O ALSO SPLENDID ALDINE AND
Elzevirian Imprints.
" Incunables ! for you I sigh,
Black letter, at thy founts I kneel,
Old tales of Perrault's nursery,
For you I'd go without a meal !
For Books wherein did Aldus deal
And rare Galiot du Pre I pine.
The watches, of the nig^t reveal
The Books that never can be mine !"
— Andrevit Lang.
ST. JEROME ON THE DIVINE ESSENCE— AN EXCESS-
IVELY RARE INCUNABULIC SPECIMEN.
523 i51acfe aetter.— HIERONYMUS (Beatus). Liber de
Essencia Diuinitatis: also — Thoma de Aquino, de Arti-
culis Fidei et Ecclesie Sacramentis. 4to, boards.
[? Augsburg, Gunther Zainer, circa 1470]
EXTREMELY RARE. Printed on thick paper in handsome old Gothic
types, with the initial letters and date " MCCCCLXX " addtd in red.
This volume was printed with the same font of type as the " Imitatio
Christi " and by Gunther Zainer of Reutlingen, the first printer of Augsburg.
142 THE PENE DU BO IS COLLECTION.
Several writers have given 1466 as the date of the first book printed at Augs-
burg and by Zainer. General Hawkins, in his valuable work on "the First
Books and Printers of the Fifteenth Century," claihis the first with a date
printed in Augsburg, to have been St. Bonaventure's Meditations, by Zainer, in
1468, and adds — " It might almost be said that the first school of wood-engraving
in Europe was founded in that city." This, of course, means outside of xylo-
graphic books.
Gunther Zainer's imprints, write Bigmore and Wyman — " were all printed in
the semi-Roman character, first used by the Cologne printers; but in 1472 he
introduced for the first time a true Roman letter in imitation of that cast by
Jenson at Venice."
COMPANION INCUNABLE TO THE PRECEDING NUMBER.
524 J3lacfe aetter.— BEATUS HIERONYMUS, Liber de
Viris Illustrib. Large 4to, boards.
[? Augsburg, Gunther Zainer, circa 1470]
EXTREMELY RARE. Printed with the same types as the last named—
the initial letters added in red, also this colophon in MS. — '' Liber pvb. G.
Zayner Avgvsta A.D. MCCCCLXX."
St. Jerome, author of the above and preceding work, is also known in biog-
raphy as " Eusebius Hieronymus Sophronius." He was born on the confines
of Dalmatia, circa 331-345. He retired to the desert of Chalcis in 374, and
became a priest at Antioch four years later. For three years after he lived at
Constantinople in close intimacy with Gregory Nazianzen. In 382, St. Jerome
came to Rome and acted as the secretary of Pope Damasius, engaging in his
great work of biblical revision. He was celebrated chiefly for his Pelagian
controversies, and died on September 30, in the year 420. Erasmus edited his
works. St. Jerome is — " universally regarded as the most learned and eloquent
of the Latin Fathers. "
FATHER ROSENHEIM'S " ROSEUM MEMORIALE "—
PRINTED ABOUT 1482.
525 JSlacfe Uttttr.— ROSENHEIM (Petrus de). ROSEUM
MEMORIALE diuinorum eloquiorum copilatum. per
FRATREM PETRUS DE ROSENHEIM monachum mon-
ASTERII MELLICENSIS ORDINIS SaNCTI BeNEDICTI. Small
4to, half calf. [? Memmingen, Albert Kunne, circa 1482]
EXTREMELY RARE. This was probably printed by Albert Kunne, the
first printer at Memmingen, 'otV^ Hain, 1398. 47 leaves and 33-34 lines to the
page. The first initial letter "R" is illuminated in gold and colors, with
floriated border.
" The earliest specimen of the typography of this town [Memmingen] is an
edition of the well-known chronicle entitled ' Fasisculus Temporum.'
This work was executed by Albertus Kunne de Duderstadt, who had previously
been a printer at Trent, and who appears to have reigned without a rival at
Meminingen, as more than fifty of his books are mentioned by Panzer in the
XVth century, but not one single volume executed by any other printer." —
Cotton.
THE "VIOLA SANCTORUM," PRINTED WITH THE TYPES
OF ANTHONY SORG IN 1482.
526 JJlacft fLttter,— VIOLA sanctorum. 4to, old half
stamped calf, on wooden boards.
[? Augsburg, Anthony Sorg^ 1482
EXTREMELY RARE, with some of the initial letters illuminated in gold
and colors. With contemporary marginalia and some pages stained, 118 leaves.
THE PENE DU BOIS COLLECTION". 143
28-31 lines to the page. The colophon of this martyrology reads: — I , "Viola
sanctoru. explicit feliciter Anno dni. MCCCCLXXXII." The types are those
of Anthony Sorg. Cotton states: — " In 1472 a press was erected in the
monastery of SS. Ulric and Afra [at Augsburg], but no book issued from it
before 1474 now remains. Anthony Sorg, who is supposed to have printed for
the monastery, says of one of his books that it is not — ' cyrographatus, sed stan-
neis karacteribus artificialiter effigiatus.' "
HANDSOMELY BOUND CICERO— VENICE, 1483.
527 CICERONIS Epistolas cum HUBERTINI CLERICI
CoMMENTO. Thick small folio, handsomely bound in red
morocco extra gilt, inside gold borders, leather joints, gilt
edges. - Venice, 1483
VERY RARE and printed in Roman type, and the commentary in a
smaller font than the text. There are occasional marginalia. The first and
last pages are carefully mounted. The colophon shows that the volume was
printed: — " Accuratissime, optinoqz. charactere impensis Andree de Asula Bar-
tholomeiqz alexadrini socior. Venetiis impressi : Anno salutis dominice
MCCCCLXXXIII. pridie calendas februarias. Laus deo. "
Brunet quotes two vellum copies of the above edition having been sold
between $125 and $150, as follows: — " 31 liv. 10 sh. Williams; 23 liv. 10 sh.
Butler."
Nicholas Jenson is claimed to have been the first Venetian printer, who was
considered — ' ' the only printer of merit in that age, and the productions of his
press are far superior to those of any other." Timperley says that in 1458 —
' ' King Charles the Seventh, King of France, having received private infor-
mation of the invention of printing at Mentz, sent Nicholas Jenson, or Jenso-
nius, an engraver of coins and medals at Paris, to obtain a knowledge of the
art. Having succeeded he returned to France, when he found his patron dead;
upon which he returned to Venice and commenced letter founder and printer;
he excelled in all branches of the art, and more than are united with it. He
first determined the form and proportion of the present Roman character. The
date of his first work is 1471, and the last 1481, in which year he is supposed
to have died."
Paul Lacroix (Bibliophile Jacob) printed an unqualified statement that Jenson
introduced typography into Venice, but that honor is now generally conceded
to John de Spire, presumably of Spire on the Rhine.
VERY RARE FIFTEENTH CENTURY EDITION OF "THE
SERAPHIC DOCTOR."
528 3Blatit HCtter.— BONAVENTURE (Saint). Breiulo
QUiu. SANCTI BONAUENTURE de ordine minoru.
Large 4to, black vellum.
71. p.. Anno dni. MCCCC.LXXXIIII. [1484]
VERY RARE incunable with neither the place of printing nor the printer's
name given in the colophon. It is rubricated throughout by hand and the prin-
cipal capitals are also in red or blue. From a MS. note on the title, this vol-
ume originally belonged to the library of the convent of the Minorites at
Wurtzburg. ■ On an end paper is the note — " See ' Spenceriana,' Vol. 3, p. 197."
The author of this work was St. Bonaventure, the " Seraphic Doctor," and
great scholist of the Franciscans, who was bom in Tuscany, A. D. 1221, and
died at Lyons in 1274, universally regretted as the second of the two great lights
which illumined that age. His works, besides the above, consist of Exposi-
tion of Genesis, Psalms, Ecclesiasticus, Wisdom, Lamentations, Matthew, Luke
144 THE PENE DU BOIS COLLECTION.
and John; Sermons; Commentaries on the Four Books of Sentences; seventy-
three tracts.
Dante has added to Bonaventure's immortality by placing him in his " Para^
diso." Luther considered Saint Bonaventure as a most excellent man; Bellar-
mine as beloved by God and man. Alexander de Hales (his preceptor) used to
say that Brother Bonaventure seemed not to partake of Adam's sin. Gerson ■
greatly admired him and recommended the study of his works, which obtained
for him the title of Seraphic Doctor,- — his companion when he took his Doc- '
tor's Degree, being the Angelic Doctor, St. Thomas Aquinas.
" Bonaventure, called the Seraphic Doctor, was a scholar, a man of an acute
mind, a good writer, and a very devout man. He united mystic with scholastic
theology, and was a voluminous writer on practical religion. His works com-
prise commentaries on the scriptures ; a full comment on the sentences of Lom-
bard; a great number of tracts, chiefly on ascetic and practical subjects; letters;
sermons; etc." — Dr. Murdock.
EARLY MEMMINGEN WORK ON THE ANTI-CHRIST.
529 JSlaCtt aetttr.-QUESTIO DETERMINATA est in
QUODLIBETO STUDIJ EfFORDENSIS AnNO 1486 POST BAR-
THOLOMEI AD Petitione multor. tam religiosoru qz
SECULARii CONTRA TRiPiLiCEM ERRORE. Small 4to, boards.
Memmingen [? Albert Kunne], circa i486
Very rare. The colophon reads simply — " Impressum Memmingen." The
volume is one on the Antichrist and consists of 44 leaves. Vide Hain, 1,154.
A i486 VOLUME OF A METAPHYSICAL NATURE.
530 3SIaCi& SLfttCt. PROSPER DE UITA COTEPLATINA DE
UITA ACTUALI DEQZ UITIIS ANERIS VIRTUTIBUS. 4tO,
boards. [? Strasburg,] i486
Very RARE,with MS. name over title, of convent where it was originally con-
served. 49 leaves, 2 columns and 36 lines to the page. Vide Hain, 13418.
The initials are added by hand in red — some of the larger ones in red and gold.
Strasburg, where the above was doubtless printed, is one of those towns which
put in a claim to the honor of giving birth to the typographic art, and it has
been concluded by Schoefiiin and others that John Gutenberg printed there
between the years 1440 and 1450. Gen. Hawkins quotes in his " First Books
and Printers," a Bible that was probably printed at Strasburg between the years
1459-61 by John Mentelin, who he claims to have been the first printer of old
Argentoratvm. "
FRANCIS NIGER'S EPISTOLARY ART, IMPRINTED CIRCA
1487.
531 JSlacfe UrttCC— RODUS EPisTOLANDi FRANCISCI
NIGRI. Very curious early wdod block on title of ''the author,
birch in hand, teaching three scholars^ Small 4to, paper.
[? Cologne, circa 1487]
Very rare. On an end paper is a page of contemporary MS. The date
" 1487 " will be found in the centre of the volume. 44 leaves, 36 lines to the
page.
The above has every indication of having been imprinted at Cologne, where
Ulric Zell was the first printer, who had been one of Peter Schoeffer's hands at
Mayence Bigmore and Wyman vjrrite concerning Zell: — " He was an indus-
trious printer there [at Cologne] for more than forty years, but never printed a
book in German, nor did he adopt any of the improvements of the printers of
THE PENS DU BOIS COLLECTION. 145
Italy. He adhered rigidly to the severe style of his master, Schoeffer, printing
all his books from three sizes of a rude face of a round Gothic type. Madden
supposes that he went to Cologne in 1462, and was engaged by the Brotherhood
of the Life in Common at Weidenbach, near that city, to assist them with his
new art of printing in their pious task of making books. Zeil's name appears
for the first time in a book dated 1466, which date may be accepted as indicative
of the time when he left the monastery and began to print on his account."
JOHN NEUNHAUSER'S FAMOUS EPISTLE TO POPE
INNOCENT— PROBABLY PRINTED AT ROME IN 1490.
532 JSlaCft JLetter.— JOHANNIS NEUNHAUSER Decre-
tor. Doctoris Ecclesie Ratisponensis decani: Illustris-
simi principis Alberti Bauarie Ducis: ad Innocentiu.
pont. max. oratoris: pollicite obedientie oratuincula. Small
4to, sewed. [? Rome, Stephen Planck, circa 1490]
Extremely rare, four pages and attributed by Hain, No. 11,696, as above,
to an early printer of Rome, of which the first typothetse were Conrad
Sweynhym and Arnold Pannartz.
MAGNIFICENT AND VERY TALL COPY OF THE NUREM-
BERG CHRONICLE IN THE ORIGINAL BINDING, AND
WITH BRILLIANT IMPRESSIONS OF THE WOOD EN-
GRAVINGS—THE EDITIO PRINCEPS PRINTED BY
ANTHONY KOBERGER IN 1493.
533 35latft ILetttr.— [SCHEDEL(Hartman).]— I Registrum
I huius ope- | ris libri cro- | nicarum | cu figuris et imagi-
I bus ab inicio mudi. | Illustrated with over 2,000 wood
engravings, and executed by William Pleydenwurff and
Albert Durer's master, Michael Wolgemuth. Thick
large folio (eighteen and seven-eighths inches by over
twelve and seven-eighths), in the original and contempor-
ary fifteenth century stamped pigskin binding on wooden
boards.
Nuremburg, " Ad in \ tuitu. autem et preces
providoru. ciuiu Sebaldi Schreyer | et Sebastian
Kamermaister hunc librum dominus Antho | nius Ko-
berger Nuremberge impressit. Adhibitis tame vi \ ris
mathematicis pingendiqz arte peritissimis. Michaele |
Wolgemut et Wilhelmo Pleydenwurff, quaru. solerti
acu- I ratissimaqz animadversione turn ciuitatem turn illus-
trium I virorum figure inserte sunt. Consummatii. autem
duodeci- | ma mensis Julij, anno salutis nre. 1493. |
VERY RARE and a splendid copy, far taller than ordinary
EXAMPLES, AND WITH MORE BRILLIANT IMPRESSIONS OF THE WOOD ENGRAV-
INGS.
This copy contains between folios CCLXVI. and CCLXVII. the unpaginated
ten pages of — " De Sarmacia regione Europe" lacking in so many copies, as
well as the cut of "Joannes Septimus," i. e., Pope Joan and her baby on the
verso of folio " CLXIX," which is generally either destroyed by cutting out or
by erasure. Facing this is a loose MS. note anent Pope Joan by a former six-
146 THE PENE D U BO IS COLLECTION.
teenth century owner. A few pages at the beginning and end are, as in niost
copies, slightly wormed, some are neatly mended and a few are slightly stained,
but hardly worth mentioning. Two of the three blank leaves which were
inserted by Koberger for future additions in MS. by owners, i. e., '• Sexta etas
mundi CCLX." and " folium CCLXI.," have been added from a. sUghtly shorter
copy. The foUo CCLIX. is the only one wanting, but like the two just men-
tioned, being blank, does not interfere with the text, which is perfect and com-
plete throughout. On the title are two lines in MS., one of a former possessor,
who signs himself — " Hieronimus Reijff, Anno 1570."
The reliure is paneled in oblong and diamond-shaped compartments, _ in
which are stamped floriated ornaments, conventional roses, etc. It is the origi-
nal binding and was probably executed in the bindery of the printer Anthony
Koberger, one of the most famous of all the early German typothetse.
Timperley , partly quoting Ottley, records under the year 1493 : — ' ' The ' Chron-
icle of Nuremberg, ' illustrated with more than two thousand woodcuts, reckon-
ing those that are given more than once over, was published and embellished
by Michael Wohlgemuth, a celebrated engraver and painter. It professes to
furnish figures ' from the beginning of the world,' and contains views of Scrip-
ture histories and of cities and scenery, the latter bearing scarcely any resemb-
lance to the places mentioned. Michael Wohlgemuth was born at Nuremberg
in 1435, and died in 1519. He is thought to have invented etching; but the
chief honor of Wohlgemuth is that of his having been tutor to Albert Durer,
the most celebrated artist in the annals of engraving. His mark is ' M. W.' or
■W.'only."
" It appears to have been the ancient practice of those masters who furnished
designs for the wood-engravers to work from, carefully to avoid all cross hatch-
ings, which it is probable, were considered as beyond the power of xylographists
to represent. Wohlgemuth perceived that, though difficult, this was not impos-
sible; and in the cuts to the 'Nuremberg Chronicle,' the execution of which,
besides furnishing the designs, he doubtless superintended, a successful attempt
was first made to imitate the bold hatchings of a pen-drawing, crossing each
other, as occasion prompted the designer in various directions. To him belongs
the praise of having been the first who duly appreciated the powers of this art;
and it is more than probable that he proved with his own hand, to the subordi-
nate artists employed under him, the practicability of that style of workmanship
which he had acquired."
THE SECOND EDITION OF THE " NUREMBERG CHRON-
ICLE," PRINTED AT AUGSBURG IN 1497 BY JOHN
SCHENSPERGER.
534 J5latfe ilCttCr.— [SCHEDEL.] Liber Cronicarum cum
Figuris et Ymaginibus ab Inicio Mundi usqz. nunc tem-
poris. Illustrated with over 2,000 woodcuts by Pleydetst-
wuRFF and Wolgemuth. Thick small folio, old stamped
pigskin, one clasp (some pp. wormed, a leaf torn and back
broken). Augsburg, Johannes Schensperger, 1497
Black Letter and very rare. This is the second Latin or Augsburg edi-
tion of the Nuremberg Chronicle, of which the first was printed by Anthony
Koberger at Nuremberg in 1493, vide the preceding number.
" This volume is not only famous for its woodcuts, but it is an authority
sometimes quoted in support of the claim to the discovery of America by Martin
Behaim, before Columbus. The passage referred to occurs on the reverse of
fol. 290, where the writer of the chronicle, after speaking of the discoveries
made through the efforts of Prince Henry, of Portugal, the Navigator, proceeds
to relate that subsequently, in the year 1483, Joao II., of that country,' a king
of most exalted mind, supplied some galleys with provisions, and sent them
beyond the Pillars of Hercules to make explorations in the South towards Ethi-
THE PENE DU BOIS COLLECTION. 147
opia, under the command of Jacob Can (Diogo Cam) and Martin Behaim, of
Nuremberg, in Upper Germany; a Bohemian of good family, who was both
well acquainted with the situation of the earth and used to the sea, and who
understood thoroughly the longitudes and latitudes of Ptolemy in the West,
from experience and long navigating; and that these two sailed into the Southern
Ocean under favorable auspices, coasting jiot far from the shore, and crossed
the equator into another world, where, when they stood with their faces towards
the East, they projected a shadow on their right hand towards the South. Thus
by their industry they opened another world before that unknown to us, and for
many years afterwards unoccupied by any persons except some Genoese, who
did so, however, to no purpose. Having in this way finished their voyage, they
returned to Portugal in the 26th month, many of the crew having died in con-
sequence of the extreme heat of the climate. In proof of their discovery, they
brought home with them pepper, grains of Paradise, and many others which it
would be tedious to enumerate.
" It is partly from the slender grounds which this description affords, that the
claim of the discovery of America is set up for Martin Behaim. There is really
nothing in the statement to warrant the idea that he ever saw America, but on
the contrary, that hugging the coast south of Gibraltar, he saw only Africa. He
thus crossed the equator, which had not been accomplished previously, and was
therefore the opening to Europeans of another hemisphere, or world, but not the
discovery of what came to be called by distinction the New World. It seems,
therefore, unnecessary to adduce the circumstance which was disclosed through
the researches of Mr. von Murr, that the whole passage is interpolated by
another hand in the manuscript which still exists.
" Martin Behaim constructed a globe, which still exists, showing the whole
face of the earth as he supposed it to exist, filling up the sea of darkness which
lay beyond the limits of Western Europe. In it he laid down the Canary
Islands, the Cape Verd Islands, Madeira and the Azores, which were then well
known, and beyond them to the West, the fabulous Antila and Saint Brandan,
and then, without any intermediate continent, and at no great distance the
islands of Cathai and Zipangu (Japan), mentioned by Marco Polo. This globe
was made, it is said, in 1492, the same year in which Columbus made his first
voyage and discovery. It does not show any portion of America, but does
exhibit many islands which are not named, both Nprth and South of Zipangu,
which, of course, could have no reference to the islands discovered by Columbus
several thousand miles east of that island." — Henry C. Murphy.
ABBOT TRITHEMIUS, OF SPANHEIM— HIS PRAISES OF
ST. ANNE— LEIPSIC, 1494.
635 iSlaCft ILfttCr, | De LaUDIBUS SAN I CTISSIME MATRIS
ANNE TRACTAT. I PERQUAM UTILIS DOMI. JOHANIS |
TRITEMIJ ABBATIS SpANHEMENSIS I ORDINISDINIPATRIS
Benedicti. I Small 4to, sewed.
Leipsic, Melchior Lotter, 1494
VERY RARE, in Gothic letter, and slightly holed. ( F^sV,* Hain 15,631.) The
colophon reads: " Impressum Liptzk per Melchior Letter. " The date will be
found at the bottom of the third page.
This tractate was written by the Abbot Trithemius who in the " Chronicon
Spanheimense," under the year 1450, states that printing was invented by his
contemporary John Gutenberg, who — "lived at Mentz in a house called the Zum
Junghen, but afterwards known by the name of the Printing House."
The first printer at Leipsic was Marcus Brand according to Hawkins and other
bibliographers, while some have written in favor of giving Conrad Kacheloven
the first place. Cotton says: — " The earliest printers were Conrad Kacheloven
and Marcus Brand or Brandiss. Until the year 1500 the Gothic letter was exclu-
sively used by the Leipsic printers; Melchior Lotterus having the credit of being
the first to adopt the Roman letter.
148 THE PENE DU BOIS COLLECTION.
NICHOLAS DE LYRA'S POSTIL'S PRINTED BY ANTHONY
KOBERGER AT NUREMBERG IN i494-
536 iSIacft JLettEC— | Repertorium in postillaz famo | si
ET EGREGII DOCTORIS FRATRIS NI- | CO LAI DE LYRA
SUPER VE. ET NO. TESTA. | 4to, Stamped pigskin on
wooden boards, with brass clasp.
Nuremberg, Anthony Koberger, 1494
VERY RARE. A fine example of Koberger's typography with many of the
initials added in red by hand, and according to a contemporary MS. on the first
page: — " Codex iste attinet Closterio Wessoprunnen. "
The author of the Postils was Nicholas de Lyra, vel. Lyranus, who was bom
about 1270 and died in 1340. This celebrated biblical commentator was a
French monk, who knew more about Greek and Hebrew, it was said, than any
scholar of his time. His commentary has always been greatly. esteemed by the
learned.
' ' Celebratissima est inter scriptores Medi ^vi Glossa ilia, quae Ordinaria
dicitur, quia commune omnium interpretum fuit refugium, tantaeque auctori-
tatis, etc." — Masch.
" Nuremberg was amongst the first places to admit the newly- discovered art
of printing. Its earliest known specimen is the ' Comestorium Vitiorum ' of
Franciscus de Retza, executed by John Sensenschmidt, in 1470." — Cotton's
" Typographical Gazetteer," p. 199.
' ' Nuremberg. This city occupies a prominent position in the early history of
printing, particularly on account of the enterprise of one of its printers,
Anthony Koberger, who had more presses at work and produced a greater
number of books than any other printers of his time." — Rush C. Hawkins's
" First Books and Printers of the Fifteenth Century" p. 5.
INTERESTING CHRONICLE AND GENEALOGICAL INCU-
NABLE.
537 FERNUS (Michael).- Epitoma de Requo Apvlie et
SiciLiE redvcens svmmatim in vnvm qvecvnqvse de eo
tangvnt historici incidenter et sparsim dvm vniversaliter
rervm omnivm gesta describvnt. Small 4to, sewed.
[? Milan], 1495
' EXTREMELY RARE. Printed in Roman types, with many charming
initial letters, The date at the end of the dedication of the author at Milan to
Pomponius Laetus is given as " M.CCCC.XCV." There is also another dedica-
tion to Pope Alexander the Sixth, Borgia. At the end of the " Caput XXX."
are some very interesting genealogical details.
This is a a good example of the Milanese press. Philippus de Lavagina has
been considered'by many as the first Milan printer — but it is believed now that
he only hired typothetse, of whom the first was probably Zarotus of Parma,
1470-71, who was followed by Christopher Valdarfer from Venice in 1474, and
by John Bonus in 1475.
BONAVENTURE'S SACRED THEOLOGY— BASLE, 1501.
538 i5lacft fLettCt.— BONAVENTURE. Compedium sacre
theologie paupis Sancti Bonaueture e: doctoris sera-
phici Sacro sancte romane ecclesie cardinalis et Albanens-
THE PENE DU BOIS COLLECTION. 149
sis epiter ordine minorum. Thick 4to, old half calf on
wooden boards, brass clasp.
Basle, impressum per magistru Jacobu de pfortzen, 1501
VERY RARE and from the library of the conventual house of Buxheim,
with its coat-of-arms on the dedicatory page, which, like a few others, is wormed
slightly. The fifth page is rubricated and the large capital in red is touched
up with yellow. The title, which is red, is mounted. The three pages pre-
ceding the index have many MS. notes by a sixteenth century hand.
" Basle was the first city in Switzerland which could boast of the art of print-
ing, which is thought to have been carried thither by Berthold Rodt of Hanau —
formerly employed in the office of FUst at Mayence — between the years 1460
and 1465." — Cotton.
CURIOUSLY ILLUSTRATED VOLUME FROM THE PRESS
OF JOHN GRUNINGER.
539 DE ORIGINE SACERDOTII et IMPERII, etc. Pro-
I fusely illustrated with wood engravings and charming capitals.
Large 4to, sewed. Strasburg, John Gruninger, 1504
EXTREMELY RARE and commencing folio VII. With numerous large-
sized wood engravings of Popes, Emperors, etc., with coats-of-arms, etc., the
first page having a large shield of heraldic bearings over the words " Prefatio —
ViuatRex Maximilianus. " The text, which is partly black letter, but principally
Roman, has many most delightful initial letters.
" Towards the close of the XVth century John Gruninger possessed a flourish-
ing printing establishment at Strasburg, from which he sent forth a Terence,
Horace, Virgil, and some other books filled with curious and interesting wood
engravings; amongst them is an edition of Brandt's ' Stultifera Navis,' published
in 1497." — Cotton.
CARDINAL HUGO'S EXPOSITION OF THE MASS— 1507.
540 JSlacK iL0tt0r — ExposiTio MissE DOMINI HUGONIS
Cardinalis ordinis Predicatorum. Small 410, cloth.
Nuremberg, impressa per Hieronymum Holtzel, 1507
VERY RARE, some pp. wormed and with curious early woodblock affixed
under title of the " Madonna and Child'' within large capital letter.
THE EDITIO-PRINCEPS OF ST. HILARY OF POITIERS,
PRINTED BY ASCENSIUS OF PARIS.
541 HILARY (St.)— Opera complura SANCTI HYLARII
Episcopi hac Serie compressa. Vignette on title and
many charming initial letters. Thick 4to, stamped pigskin
on beveled wooden boards.
Paris, impressa sunt in edib. Ascensianis Parrhisiis, 15 10
EXTREMELY RARE and editio princeps of the works of St. Hilary, with
rubricated title and the vignette on which is the press of the printer Jodocus
Badius, vel Ascensius. A fac-simile of this cut is at the head of this division of
the catalogue. Some pages are wormed.
This copy came from the library of the Benedictine monastery of SS. Ulric
and Affra at Augsburg. On the title is a contemporary MS. note to that effect,
and there is also a very old heraldic book-plate of the same conventual insti-
tution. This volume is the earliest example of the Paris press in the Pene du
Bois Collection. According to Cotton : — ' ' There is no doubt that Paris witnessed
the exercise of the art of printing so early as 1470, in which year, through the
ISO THE PENE DU BOIS COLLECTION.
exertions of two of its learned professors, Guillaume Fichet and Jean de la
Pierre, a press was set up in the college of the Sorbonne by the three illustrious
partners— Ulric Gering, Martin Crantz and Michael Friburger."
The printer of the above, Jodocus or Jose Badius, surnamed Ascensius, was
also a Latin poet and scholar. He was born at Asche, near Brussels, and, as
Rush C. Hawkins states— "is first mentioned in connection with printing as
a corrector of presses for Trechesell and De Vingle, in the city of Lyons, in 1495
or 1497. He remained there until about 1500, when he removed to Paris, where,
according to Panzer, in 1502 he established a printing house, which he called
'Prelum Ascensianum.' In 1507 he used for the first time for his device this
engraving {vide above] of the printing press as then constructed, which is
beUeved to be the earliest ever made of that subject."
" Les ceuvres de S. Hilaire de Poitiers ont ete imprimes pour la premiere
fois a Paris, chez Badius Ascensius, en 1510, in fol., edition que Maittaire cite
sous la date de 1500." — Brunet.
DIONYSIUS AFER— THE FIRST EDITION.— " EXTRA-
ORDINAIREMENT RARE."
542 DIONYSIUS AFER {Alexandrinus, Periegetes). Dionysii
Afri de situ orbis opus studiosis ne | cessarui quo gentes,
populi, urbes, maria, | fluraina explicantur, grsece scriptu. |
Idem in latinitate a Rhemnio gramatico, trans | latu., false
tractenus Prisciano adscriptum, | in quo prope duceta, loca
castiganimus, | quae at Plynio et reliqs. geographis | pluri-
mum accomodabunt. | In idem annotamenta grsecoru more
latine scripta, in quibus aliquot | antorum castigationes |
continentur. | Ccelii Calcagnini annotatio super | Anchiale,
et Rhemniai carminis pesitatio. | Small 4to, scarlet mo-
rocco, gilt edges (first page mended).
Ferrara: Joanes Maciochus Bondenus imprimebat,
Ferrarice Die XVIII. Decebris. Anno MDXII.
EXTRAORDINARILY RARE AND Emtio Princeps. SirM. Sykes's sale,
;fri IIS. Of this Brunei wrote: — "First edition so scarce that he has found
no copy."
This comprises a Latin translation as well as the original Greek text of the
well-known hexametrical description of the earth written by Dionysius Periegeles,
Libicus or Africanus, towards the latter part of the third century.
Dionysius is placed among early Americana on account of his indirect ref-
erences to our portion of the globe. The 1518 edition of Dionysius by the first
Vienna printer, John Winterburg, has on the reverse of the title slight allusions
to the recent Oceanic discoveries. On the title-page of the 1543 and Venetian
edition of this author by the poet-laureate Lemnius is a large woodcut, repre-
senting two globes, one issuing out of an open eye, the other with the word
"America."
THE PASSION OF CHRIST ILLUSTRATED WITH QUAINT
ENGRAVINGS ON WOOD.
543 JSlaCfe aetUr.— PASSIO domini mastri jesu christi
SM. SERIE QTTUOR. EUAGELISTURU: P. FRATRE DANIELE.
AGRICOLA. ORDis minoru. de obseruatia. Small 4to,
sewed. Basle, Petrus de Langendorff, 15 14
VERY RARE. This little volume is noticeable on account of the series of
woodcuts with which it is illustrated — as also the title. These are marked with
the monogram " V. G." Some of the initials are rubricated, there is a line of
MS. at the top of the title, and the edges are cut down into the marginalia.
THE PENE DU BOIS COLLECTION. 151
EARLY BREVIARY FROM THE PARIS PRESS, WITH VERY
CHARMING WOODCUTS.
544 13latfe aetter.— BREUIARIU. ROMANU. sub maiori
forma expulsis sumo. labore difformitatu. scopulis lipidis-
sime efformatu. extat. pulcherrimis decoratu. imaginib.
tam tpi. cz. sctis. cospiciunt, etc. Illustrated with beauti-
fully executed wood engravings — some full-page — rubricated
' throughout. Thick 4to, fine old stamped leather, rebacked
in morocco gilt, uncut.
Paris, impressum per Nicolaum higman allemanum Saxonien
— impesis honesti viri Francisci Regnault alme
vniuersitatis Parisien. librarii, 1518
EXTREMELY RARE, black letter and in splendid order. The leather
of the old binding has been preserved and mounted anew on levant morocco.
The sides are floriated Gothic, with a label, repeated on which is the legend
"Maria."
Francois Regnault commenced to print in Paris before the year 1500. He
ranks along with Hardouin, Kerver, Badius, Vostre, and the best of the earliest
Parisian printers. His well-known device an elephant and castle, the last-
named bearing the device " F. R." below which is a scroll with the words
" Francois Regnavlt," is on the last page of the volume above the colophon,
all enclosed within a beautiful woodcut border.
EXTREMELY RARE AND VERY EARLY LUTHER TRAC-
TATE.
545 asiacK fLetUr.— | de dispvta | tione lipsi-
CENSI, quantum ad Boemos obiter de- | flexa est,
Epistola HIERONYMI EMSER. | Ad ^gocerotem Em-
seriarivm | MARTINI LVTHERI additio. | Noster hie
.iEgoceron sine foeno, peccat in uno, | Quod non est Luce
linea ducta manu. | Small 4to, sewed. [Leipsic, 15 19]
EXTREMELY RARE, being one of the earliest tractates extant in refer-
ence to Martin Luther, and his celebrated controversy at Leipsic with Eckius,
in June, 15 19, which — "dispute originated in a challenge from Eckius to
Carlostadt. Luther's colleague and companion, to a public discussion concern-
ing the freedom of the will, and a challenge to Luther also to enter the lists
with him, while he defended the authority and supremacy of the Roman pon-
tiff."
The above imprint is taken from the end of Eraser's letter to John Zack, of
Prague. On the title is a large coat-of-arms and crest, with the legend in the
corner: — "Arma Hieronymi Eraser."
DA PONTE'S GRAMMATICAL ART— PARIS, 1520-25.
546 PONTANUS (Peter). GRAMMATiCiE Artis et Ars Versi-
ficatoria. Fine printer's marks on the titles. 3 vols, small
4to, fresh red russia, citron edges (some pp. stained).
Y^.\^s,, Bernard Aubry, \^2Ci-2e,
VERY RARE. Pierre da Ponte. the celebrated Flemish philologist and
author, was blind from his youth up. He died in 1529.
152 THE PENE DU BO IS COLLECTION.
THE IS2I PLINY OF CRATANDER.
547 PLINY.— I C. PLINII SECVNDI | Nuocomensis episto-
larum | libridece., in quibus mul | tse habentur epistolse |
no. ante impressae: | cu. pluribus ali- | is, quae pro- | xima
pa- I gella in | dica |' bit. Thick small 8vo, stamped
pigskin on wooden boards.
Basle, apvd And. Cratandrvm, 15 21
VERY RARE, and in Italic types, with engraved title, charming initial let-
ters and printer's device of Cratander on the last page — some colored. The
pages at the beginning are foxed and there are contemporary marginalia. Fol-
lowing Andreas Cratander's " To the Reader" is the epistle of Aldus Pius
Manutius to Aloysius Mocenicus.
VALUABLE EARLY LUTHER BROCHURE, WITH MOST
RARE WOOD ENGRAVING OF HANS HOLBEIN, 1521.
548 J5lacft aetUr.— | determinatio theo | lo-
GICE faculta- | tis Parisien. super Doctri- | na Luther-
lANA hacte- I nus per earn visa. | Small 4to, paper
(wormed slightly). Basle, impressum Uenuo basilee
per Nicolaum Lamparier., 1521
VERY RARE. This tractate is not only intei'esting as an early Luther
brochure, but as having on the title a wood-engraving executed by Hans Hol-
bein, and possibly the large initial letter on the second page, which is colored.
" As a wood engraver Holbein is said to have executed some works as early
as 15 1 1, and before his departure from Switzerland he engraved a great many
wooden cuts for the publishers of Basle, Zurich, Lyons and Leyden." —
Spooner.
EXTREMELY RARE WORK BY ERASMUS, 1522.
549 JJlacfe fLetttp,— ERASMUS.— I Ein expostulation | oder
klag Jhesu zu dem menschen der | vsz eyctnem mut will,
verd ampt wurt. | In latin durch.ERASMU von Ro |
TERDAM beschribe durch meister | Leo Jud Pfarzheir
zu eyn | fidlen vertutgcht. | Small 410, cloth.
Zurich, Christopher Froschouer, 1522
EXTREMELY RARE. This is one of the very earliest productions of the
Zurich press and antedates Panzer. The remarkable Renaissance title-page,
with border of children playing drums, fifes, etc. , and with vignette of Christ in
the centre, also of naked woman on toad, was probably cut by Holbein on the
wood.
" At what time it [Zurich] first adopted tjrpography, I have not learnt : the
earliest book noticed by Panzer bears date 1523 : but in the Bodleian collection
of German tracts on the Reformation, one of Luther's, printed at Zurich, is
dated 1521. Christopher Froschouer was the printer of most eminence and busi-
ness. " — Cotton.
RARE EXAMPLE OF THE CRATANDER PRESS.
550 CECOLAMPADIVS.— I Comparatio | regis et monachi,
avthore divo | lo. Chrysostomo, nuper a Ioanne | CEco-
LAMPADio uersa. | Small 4to, cloth.
Basle, apvd Andream Cratandrvm, 1523
VERY RARE, with woodblock initial letters and Cratander's device on the
title of — ' ' a nude winged Fortune on a ball . "
THE PENE DU BO IS COLLECTION. 153
EARLY REFORMATION TRACTATE OF ZWINGLI AND
ILLUSTRATED BY HANS HOLBEIN— 1525.
551 J5lacS: fLetter. — ZWINGLI.— I Naachhut von dem
Nacht- I mal oder Daucksagung Christi | durch HUL-
DRYCHEN ZWINGLI | in Latin beschryben vn. | durch
Georgen I Binder ver- | dutschet. | Small 4to.
Zurich, durch Johansen Nager, 1525
EXTREMELY RARE. This early tract of the great reformer Ulrich Zwingli
has a title-p^ge cut by Holbein. In the centre is a vignette of Christ carrying
the cross, and in the borders are death's heads, nude women, etc.
THE 1525 EDITION OF THE TUSCULAN ORATIONS
PRINTED AT VENICE.
552 CICERO. — I Tusculans qstio | nes Marci Tullii Cicero-
I Nis nouissime: post omnes impressiones | vbiqz locorum
excussas: adamussim | recognite: cunctisqz errorivus ex- |
purgate. Addito elegati alpha- | betico inditio nuc. pri-
mum I excogitato: quod | omnia scitu di- | gna | mirifice
demonstrat. | Curious woodblock cuts. Large 4to, half vel-
lum (stained).
Venice, /if r Benedictum Augustinumgz Bindonos, 1525
VERY RARE, with the title in red and the index in black Gothic types.
"LE JARDIN DE PLAISAUNCE" - EXTREMELY RARE,
WITH CURIOUS WOODCUTS AND PRINTED BY
PHILIP LE NOIR, OF PARIS, IN 1527.
553 JSlacfefLetter.— | Sensuitleiar | din de plaisa I
CE. etfleurde | Rethorique | contenant plusieurs | beaulx
liures: comme | le dorraet de Noblesse. Le chief de joy-
eusete: | auec plusieurs Rodeaulx et Balades en grat |
nobre come vous pourrez veoir p la table de | ce present
liure. Imprime nouellemet. liii | . Bubrifated title, very
curious woodblock illustrations, also on title, on verso of the
same, etc. Small 4to, fine old red morocco gilt, inside
dentelle gold borders, edges gilt.
Paris, Nouuellement imprime a Paris par Phelippe le Noir
libraire et relieur . . . I'an mil centz xxvii, [1527]
EXTREMELY RARE and handsome black letter, tooled a la Du Seuil.
With numerous strange woodcuts, some slightly suggestive, also printer's mark
on the last page, over which are the numerals "liii.," the same as on title, and
which refers to the number of sheets. The typographical mark of Philip Le
Noir {f.e., " the black ") is a shield with his monogram supported by a negro
and negress. The crest is a negro " couped." Around the device is the motto:
— " Cest mon desir a diev servir povr acqverir son dovlx plaisir."
Brunet says this work is a kind of " Art of Poetry," accompanied by a number
of examples selected from different poets of the 15th century such as Alain
Chartier, Charles d'Orleans, Villon, Coquillart, or composed by the anonymous
author himself, who assumed the nom-de-plume of " Infortune." As there is
very little order in the arrangement of the different pieces, it has been believed
that the work remains incomplete, and that we only possess a portion. Never-
theless Brunet goes on to state it is a very curious selection, and it holds a
distinguished place among the collections of the ancient French poets. In the
last piece, entitled " Le Cheualier outre par I'Amour de sa dame," will be found
the erotic passages that Goujet stigmatized as " impious and obscene."
154
THE PENE DU BOIS COLLECTION.
[Galliot Dv Pre — that Famous Paris Bibliopole's device, from the
" ORDONNANCES " OF 1534, AND NUMBER 559 OF THIS CATALOGUE.]
MESCHINOT'S EXCESSIVELY RARE "LUNETTES DES
PRINCES," PUBLISHED IN 1528 BY GALLIOT DU PRE
AND MAGNIFICENTLY BOUND BY TRAUTZ-BAUZON-
NET.
554 MESCHINOT.— | LES LUNETTES | DES PRINCES.
I Ensemble plusieurs ad | ditions & Ballades par |
noble home. lEHAN ME | SHINOT escuyer, de nou
I ueau Composees | Et se vendent au pre- | mier pillier
, de la grand | Salle du Pallays, par ] GALLIOT DU PRE
I M.D XXVIII I . Charming woodcut border on title and
initial letter at the beginning of the poem. Minimo, five and
three-eighths inches by three and a half, elegantly bound
by Trautz Bauzonnet in crimson crushed levant mo-
rocco d, la Jansen externally, and double with crushed
dark blue levant morocco, most sumptuously tooled in
richly ornamented compartments, with foliage and flowers,
in the centre the heraldic " ex libris " of Em. Bancel,
red morocco joints, edges gilt on marble.
Paris, imprimees ce XX iour doctobre Par maistre
Pierre Yi-dove. Libraire iure de Paris, Four honeste psonne.
Gailliot du Pre, aussy libraire iure. Aiat. sa boutique
au premier pillier de la grande salle du Palays.
M.D.XXVilL, /. e., 1528.
EXCESSIVELY RARE. The most charming bibelot in the collection of M.
Pene du Bois, and a beautiful example of Gailliot du Pre. He paid $300 to
THE PENE DV BOIS COLLECTION. 155
[" Les Lunettes des Princes," published by Galliot dv Pre, of Paris,
IN 1528, AND ELEGANTLY BOUND WITH GOLD TOOLED DOUBLE BY TRAUTZ-
Bauzonnet. Number 554 of the " Pene dv Bois Collection."]
IS6 THE PENE DU BO IS COLLECTION.
an Union Square book-dealer for it, vide inserted cutting from his catalogue
numbered 445. The text is round Roman letter, and the volume is the most
sought after of all the editions of the poetical works of Meschinot.
It is one of the only two or three Copies known, and came from the library
of Prince d'Essling, but it has been richly rebound by the greatest of modern
binders — Trautz-Bauzonnet.
It was exhibited at the Grolier Club exhibition of bindings. May 7-15, 1886,
and was thus spoken of in the New York Tribune account thereof : —
" Trautz-Bauzonnet 70 is the best piece of this artist's work in the exhibition.
The tooling is good. He is said to have excelled all modem workmen in this
particular. "
Morgand and Fatout in their catalogue of 1882 (vide inserted cutting) asked
3,000 francs for a copy (No. 655), also bound by Trautz-Bauzonnet, biit it was
not doubU like the above. In their 1876 catalogue the same firm of Paris
bibliopoles priced another copy, bound by Lortic, at 1,000 francs. Brunet
styles this edition; — "Jolie edition en lettres rondes; elle est rare et fort
recherchee. "
Goujet and Vapereau both notice favorably the writings of Meschinot, who was
born about 1415, at Nantes, and died September 12, 1491. The last-named
authority states the " Lunette des Princes " owed its popularity to — " des tours
de force, alors fort apprecies, comme rimes redoublees, alliterations, ■ vers
coupes de telle fa9on qu'ils pussent se lire par moitie separee, en avan9ant, en
retrogradant, de gauche i droite, de droite i gauche, etc. Le chef-d'oeuvre
en ce genre est une piece de Meschinot, consistant en huit lignes qui peuvent
se lire de trente-deux manieres differentes, en conservant toujours ' sens et
nme.'"
The fac-simile of this nugget of the "Pene du Bois Collection'' is
given through the courtesy of IngersoU Lockwood, Esq. , of the ' ' American
Book Maker," who loaned the electrotype of this illustration of the Mes-
chinot, as well as of other reliures. This engraving of the handsome doiibU
binding on this number, i. e., the " Lunettes des Princes," is referred to in the
following extract from the " American Book Maker" of March, 1887, in the
article on ' ' Bookbinding as an Art and Industry, " by Mr. IngersoU Lockwood,
who writes : — " Bauzonnet becomes an interesting figure somewhat later, for
he breaks away entirely from the bad methods of the First Empire and the
Restoration, and once again, after a long eclipse, the glories of the golden age
of bibliopegy shine forth with wholesome vigor. Large irons were laid aside,
and the delicate patterns, with which the names of the Eves, of Le Gascon,
Der6me, Padeloup and others are inseparably associated, reappeared upon book-
covers. So far as this beautiful art is concerned, the simoon of the Revolu-
tion passed over it without doing any more than temporary injury. Like the
herbage of the prairie which sprouts up sturdier and greener after the besom of
flame has passed over it, the art of book decoration in little more than a third
of a century had not only regained, but had even surpassed its old-time bril-
liancy, and to-day France is by right accredited with the honor of being the
first in the art. In 1833 Bauzonnet entered into partnership with a brother
decorator of distinction, Trautz, and the light cast by the conjunction of these
two stars of first magnitude is one which lends coveted distinction to a binding.
On page 67 J^of the 'American Book Maker,' for March, 1887] is given a
photo-engraving of a section of a very rich and delicate tooling executed by
Trautz-Bauzonnet in the double' of a rare old book entitled ' Les Lunettes des
Princes.' small octavo, printed in Paris in 1528. The binding by this cele-
brated firm is wrought in red morocco, with doiibU of dark blue. The camera
can give only a faint idea of the purity and delicacy of this tooling. It is in
the style of Eve, the laurel leaf and myrtle vine are the forms followed, the
design being broken into compartments. The imprint of the celebrated dual
firm-style will be found set directly under the lowest central compartment."
THE PENE DU BOIS COLLECTION. 157
GALLIOT DU PRE'S EDITION OF LE MAIRE AND BOUND
BY BAUZONNET.
555 LE MAIRE (Jehan). — | Les Troys | Liures des Illustra-
tions de Gau- I le: & singularitez de Troye, | nouuelle-
met. reueues & cor- | rigees oultre les preceden | tes Im-
pressions. I With many curious woodcuts. 3 vols, in i.
Thick minimo (five and five-eighths inches by three and a
half), handsomely bound by Bauzonnet in dark green
crushed levant morocco, edges gilt on marble.
Paris, par Galliot du pre, a la grant salle du Palais
au premier pillier. MDXXXI., z. f., 1531
' EXTREMELY RARE and very beautiful example of the most sought after
edition of this work, and which is considered one of the rarest volumes pub-
lished by Galliot du Pre. The colophon reads further that it was — " imprimez
a Paris par Maistre Pierre Vidoue pour Galliot du Pre."
This copy was imported from Paris for Mr. Pene du Bois at a cost of 325
francs, i. e'., $65, according to the inserted catalogue cutting (No. 6269) in the
book, where it is called — " tr^s bel exemplaire de I'edition les plus recherchee
de cet ouvrage et I'un des plus rares volumes publics par Galliot du Pre. " It has
the book-plate of the — " Bibliothique de M. Renard."
Its woodcuts are chrious. On the title is a vignette of a galley, etc. , the
device of Galliot du Pre — at one end is a man with a telescope — the other is
decorated with fieurs-de-lys. On the back of the title are two cuts, one of
nude gods and goddesses at Carthage, and the other of a battle at Troy, in
which are depicted Priam, Ascanius, Eneas, etc. The title and the fourth and
fifth pages are rubricated. There are other cuts, including one at the end of
the first volume of the printer, a naked woman, etc.
John Lemaire, called "de Beiges," the poet and French historian, was bom
in Belgium 1478, and died about 1 548. He was the nephew of the chronicler
Molinet, and succeeded him as the Librarian of Margaret of Austria, Governor
of the Low Countries. Towards the end of the reign of Louis the Twelfth
he was — "historiographer of the Court of France." Moke, in his " Histoire
de la Litterature Fran9aise," says: — " Des allegories parfois ingenieuses et sur-
tout une bonne facture du vers, assignent i Jean Lemaire la premiJire place
parmi ses contemporains." He laid down the rules of prosody which were
adopted by Marot, and he was one of the masters of Ronsard.
THE "FLANDERS CHRONICLE "—MOST CURIOUSLY IL-
LUSTRATED, AND THE 1531 ANTWERP EDITION.
556 iSlacftHetUr.— [ROOUERE(A. de).J DitsdieEXCEL-
LENTE CRONIKE va VLAENDERE Beghinnende
VA LIEDERICK bug den eersten Forestier, etc.
Profusely illustrated with curious woodblock engravings of
ancient scenes and incidents in the history of Flanders, por-
traits, coats-of-arms, etc. Thick small folio, calf, gilt.
Antwerp, Willem Vorsterman, 15 31
EXCESSIVELY RARE and splendidly printed black-letter copy of Hue's
"Chronicle of Flanders." The title-page is printed in black and red, three-
quarters thereof are taken up with a woodblock illustration of the Emperor
Charles V. in armor on horseback and attended by four mounted knights.
At the back of the title is a somewhat similar portrait of Charles the Fifth, but
not "capA-pie." The folios are paged I.-CCC. and then recommence, ending
LIX. The table follows. The first title is mended and mounted. There is
IS8 THE PENE DU BO IS COLLECTION.
also a second title, with a splendid three-quarter portrait of Charles the Fifth.
Before folio XLVI. of the second part is a double^ plate folded. Many of the
initial letters are charming examples of ornamental work. The colophon is
dated— " Anno MCCCCC. ende XXXI. (1531)- Ende es voleyndt den XI.
sten dach der maent Julij."
The name of the author, " Anthonis de Roouere," who describes himself as
"a noble rhetorician and musician," will be found on the verso of folio CCXXV.
Vide Santander, " Memoire Historiques sur la Biblioth^que dit de Bourgogne,'
page 149-
JEAN MAROT'S POEMS— THE ORIGINAL EDITION OF 1532
PRINTED BY GEOFFROY TORY AND BOUND BY
DURU.
557 MAROT.— | IAN MAROT | de Caen svr las Devx | heur-
eux Voyages de Genes & Venise victo- | rieusement mys a
fin, Par le treschrestien Roy | Loys Douziesme de ce nom.
Pere du Peuple. | Et veritablement escriptz par iceluy
Ian ma- I ROT, alors Poete & Escriuain de la tres mag-
nani | me Royne Anne, Duchesse de Bretaigne, & |
depuys, valet de chambre du treschrestie Roy | Fran-
coys, premier du nom. | Small 8vo (six and one-eighth .
inches by over three and seven-eighths). Bound by H.
DuRU in red crushed levant morocco, dentelle gold inside
borders, edges gilt on marble.
Paris, ce present Liure fort acheue dimprimer le XXII.
lour de lanuier, M.D.XXX.II. pour Pierre Rouset. diet
le Faulcheur, par Maistre Geuffroy Tory de Bourges, Im-
primeur du Roy, 1532.
EXCESSIVELY RARE, ORIGINAL EDITION, very fine copy and cost
M. Pene du Bois $45, as per inserted cutting of New York book-dealer.
Brunet says in regard to this volume: — " Edition en lettres rondes, la plus
ancienne que nous connaissions de ces poesies. EUe a ete publiee par Clement
Marot, quiy a joint une Epistre an Roy .... faissant mention de la mori de
Ian Maroi son pere, autheur de ce liure." This will be found on leaves ii.-iii.
of the above. On page 6g of the copy in this catalogue of Foumier's " L'Art
de Reliure en France," will be found the following probable reference to this
copy: — " Malheureusement, les deux exemplaires du Jean Marot, qui j'ai vus,
I'un en 1854 ilavente Berlin, I'autre I'annee d'apr^s chez Potier, avaient echange
leur ancienne reliure pour une plus moderne. , L'une avait ete relie de nouveau
par Bauzonnet, I'autre par Duru." At the bottom of the page is this MS.
note: — " Ce dernier est probablement celui qui figure dans le cabinet de Mr. H.
du Bois de Brooklyn. "
Jean Marot, the early French poet and father of the yet more celebrated Cle-
ment Marot, was born in 1463 and died 1523. It is believed his real family
name was Desmarets. The talent that he showed for poetry placed him under
the protection of Anne of Brittany. Later he was valet-de-chambre to Francis
the First. His poems, we are told — " Offrent de reele qualites, le natural
dans le tour, la justesse dans I'expression, la verite et quelquefois I'eclat dans la
peinture, le choix et la variete du rhythme. "
Geoffroy Tory, who printed the above, was one of the most distinguished
typothetae and authors of the beginning of the i6th century. Tory — "began
his literary career in Paris in 1505. Having a special fondness for art, he
began to practice wood-engraving, and finally determined to pursue art studies
in Italy. Here he became much interested in printing. As a wood engraver
THE PENE DU BO IS COLLECTION. 159
he was soon recognized as one of the chief artists of his time. He is supposed
to have engraved the elegant antique script used by Henry Stephens
The richly illustrated ' Books of Hours ' published by Tory are distinguished
by a combination of antique art with French grace and an abandonment of the
prevalent Gothic method of ornamentation."
In 1529 that singular book of Tory's the " Champ Fleury " was issued. He
also translated various Greek works into the French language. Francis the
First honored him with special privileges as a printer in consideration of the
choice ornamentation with which he decorated his books. His mark was —
"un Pot casse, remply de toute, sorts d'instrumens," and the motto — "non
plus." La Caille gives the history of Geoffroy Tory, who died in the year 1550,
at considerable length.
GALLIOT DU PRE'S EXTREMELY RARE " ORDONN-
ANCES" OF 1533 AND BOUND BY THIBARON-ECHAU-
BARD.
558 JSIacfe aettet.— | ordonnances et instruc-
tions faictes | par feux de bonne memoire les roys
CHARLES I SEPTIESME LOYS VNZIESME CHARLES HUYTIES- |
ME LOYS DOUZIESME et FRANCOIS PREMIER | du nom
Extraictes et collationnes aux | registres de la souueraine
court de | parlemet, a Paris Ensemble plu | sieurs autres
ordonnances | statuz edictz et declara | tions faictes par |
plusieurs au- | tres roys. | Ad | touste en | la fin dicelles
I oultre les pecede | tes. impressios plusieurs | ordon-
ances, faictes iusques | en Ian mil cinq cens trente trois
I ainsi que Ion pourra veoir en tour | nantle | fueil | let. |
Curious and charming 7uoodcut initials — tUle rubricated.
Thick small 8vo (six and one-eighth inches by three and
five-eighths). Elegantly bound by Thibaron-Echau-
BARD in crushed brown levant morocco gilt, tooled on
back and sieves with fleurs-de-lys, broad inside dentelle gold
borders, edges gilt on marble, uniform with number 559.
Paris, on les vend a Paris en la grant salle du palais au pre-
mier pillier en la bouticque de Galliot duPh.^, mar cAant
libraire iure en Luniuersite Mil. D. XXXIII. , i e., 1533
EXTREMELY RARE and a superb typographical specimen of the imprint
of Galliot du Pre.
The colophon ends: — ". . . et furet. acheuees dimprimer le vingtsixiesme iour ,
Daoust mil cinq cens trete et troys par Jehan sauetier imprimeur demourant en
la rue des carmes a Ihomme sauluaige."
On the recto and verso of leaf " CCCXXXIII." will be found the curious
" Ordonnance somptuaire " of June 8, 1532.
THE "ORDpNNANCES"OF 1534, WITH THE IMPRINT OF
GALLIOT DU PRE —AND BOUND BY THIBARON-
ECHAUBARD.
559 JBlatft attttr.— I ORDONNANCES | ROYAULX sur
le faict de la Justice et ab | breuiation des proces par tout
le Roy- I aulme de Frace. facites parle Roy | nostre sire:
Et publi^es en la | court de Parlement a Pa- | ris le six-
i6o THE PENEDU £01 S COLLECTION.
iesme iour du | moys de Septem- | bre Lan Mil | cinq cens
I XXXIV. I Auec priuilege. | Handsome printer's mark of
Galliot du Pre, also floriated initials and vignette cut of
the arms of France on the title. Small 4to. Elegantly bound
a la Du Seuil by Thibaron-Echaubard in crushed
brown levant morocco gilt, tooled on back and sides with
fleurs-de-lys, broad inside dentelle gold borders, edges gilt
on marble, uniform with number 558.
Paris, en la grand salle du Palais par Galliot du Pre
et Jehan Andre, Libraires, 1534
EXTREMELY RARE and BEAUTIFUL specimen of Galliot dti Pre in a
reliure of Thibaron.
The colophon reads: — | Fin des presentes Ordonnances Royaulx | nouuelle-
qjent faictes sur I'abbreuiation des | proces et imprimees a Paris par | Estienne
Caueiller pour Galiot | du pre Jehan Bon Homme | et Jehan Andre | libraires. |
MIL. D. XXXIV." On the opposite page is the delightful printer's mark of
Galliot du Pre — "A one-masted galley with a bearded old 'man at the helm,
rowed by six men, and at the stern another blowing a horn, from which proceed
the floriated ornamentation at the top of the device — there is also an angel
sounding forth the motto ' La Vogve Gvallee ' — on the side of the galley is the
monogram of Du Pre on a shield, and below on a label the name ' Galliot dv
Pre.' " This device will be found in facsimile over number 554.
CRATANDER'S EDITION OF CASSIANUS, 1534.
560 CASSIANUS.— I lOANNIS CASSIANI | yiri disertissimi,
de,| incarnatione Domini | libri VII. | iam recens sediti |
item Beati Cyrilli sermo, de eo quod uerbum | dei fac-
tum sit homo. I Small 8vo, stamped pigskin.
Basle, apvd And. Cratandrvm, 1534
Very rare. With numerous quaint initial letters and printer's mark of
Cratander at both the beginning and end.
DANTE— THE 1536 VENICE EDITION ELEGANTLY BOUND
BY TOUT, A LA JANSEN.
561 DANTE.— Comedia del Diving Poeta DANTHE ALI-
GHIERI, con la Dotta e leggiadra spositione d CHRIS-
TOPHORO LANDING: con somma diligentia e accura-
tissimo studio nuouamente corretta e emendata: dainfiniti
errori purgata, ac etiandio di vtilissime hostille ornata.
Aggivntavi di Nvovo vna copiosissima Tauola, nella quale
si contengono lestorie, fauole, sententie, e le cose memor-
abile e degne di annotatione che in tutta I'opera si ritro-
uano. Woodblock portrait of Dante on the title and nu-
merous cuts. Thick 4to, bound in the Jansen style by
Tout in levant morocco, beveled sides, inside gold bor-
ders, edges gilt. Venice, 1536
MOST RARE. A remarkably clean copy of this very rare edition of Dante
printed in italics, but with a few of the head-lines cut into by the binder's
plough. The many wood-engravings are very curious examples of the art, as
to both subjects and style. The imprint on the title reads — " In Venegia ad
instantia di M. Gioanni Giolitto da Trino," and on the colophon — " In Vin-
. THE PENE DU BOIS COLLECTION. i6i
eggia per M. Bernardini Stagnino MDXXXVI." Below is the printer's mark of
the last-named.
The commentary to Dante of Cristoforo Landino is considered by authorities
the best of the many on the works of "the Divine Poet." Landino was born
at Florence in 1424 and died there in 1504. He was the preceptor of Julian
and Lorenzo de Medici.
THE BULL OF POPE PAUL THE THIRD— ISSUED 1536.
562 39l[acft Uttter. — | Die bull vnsers heilig | sten
Herrn vnd Vaters Herren PAULI I aus Gottlicher
fursehung discs namens | des dritten Romischen Bischoffs
I ansatzung vnd ausschreibung | eines heiligen gemeinen
Concilii betressende. | Small 4to, boards. «. /., [1536]
VERY RARE. With large papal coat-of-arms on title and charged — " six
fleurs-de-lis, three, two and one." The date — " funffzehen hundert dreyssig
vnd sechs jare " will be found at the end of the papal bull and preceding the
list of Cardinals.
Paul the Third was one of the most famous Popes in history. He ordered
the Council of Trent, established the Inquisition, approved the order of Jesus,
excommunicated Henry the Eighth and died in 1549, two years after the murder
of his bastard son, Pier Luigi Farnese.
AGRIPPA'S VANITY OF THE SCIENCES, 1537.
563 AGRIPPA. — HENRICI CORNELII AGRIPP^ ab
Nettesheym, De Incertitudine et Vanitate scietiarum.
declamatio inuectina, denuo ab autore recognita et mar-
ginalibus Annotationibus aucta. Woodblock portrait on
title. i2mo, crinkled morocco extra, inside gold tooling,
edges gilt, by Vogel. n. p., 1537
Very rare and early edition. From the Danyan Library and with book-
plate— also contemporary MS. facing first chapter of text.
" Agrippa kept a Stygian pug,
r th' garb and habit of a dog.
That was his tutor, and the cur
Read to th' occult philosopher.
And taught him subtly to maintain
All other sciences are vain."
— Hudibras.
RARE AND EARLY WORK ON NAVIGATION BY SEBAS-
TIAN MUNSTER, PROFUSELY ILLUSTRATED.
564 15lacfe fLetter.— MUNSTER (Sebastian), ( Furmalung
vnd funftlich | beschreibung der Horologien nemlich
vvieman der Sonnen vren | mit mancherley weys vnd form
vnd auff allerley gattung ent- | werssen soil an die mauren
auff dieniedervnndauffgehebteebne | auss rotund schlecht
aussgraben vnd andere mancherley instru- | ment Gemacht
alien funftliebhabern zu gefalle durch Sebastiann Mun-
ster Burger zu Basel vnd | Ordinarium der selbigen stat
ho I hen schulenn. Numerous wood-engravings. Large
4to. Basle, Hcinrich Peter, 1537
VERY RARE, and by the editor of some of the best issues of the " Cos-
mographia " of Ptolemy. The quadrant, compass, sun dial and other illustra-
tions are very curious. The title is mounted and on the back is affixed an
interesting monthly sun dial diagram with coat-of-arms, etc.
i62 THE PENE DU BOIS COLLECTION.
THE GRYPHIUS EDITION OF JUSTIN.
565 — I IVSTINI I ex Trogi Pompeii I historiis externis libri |
XLIIII I His accessit | ex sex Avrelio vi- | ctore de uita
at tnoribus Romanarum Impe- | ratorum Epitome. | With
printer's device on title and on the last page. Small 4to,
stamped pigskin on wooden boards, with brass clasps.
Lyons, apvd Seb. Gryphivm, 1538
VERY RARE, with numerous contemporary marginalia and inserted MS.
notes.
EARLY REFORMATION BROCHURE.
566 iJlatfe Hetttr.— | DeR PrEDICANTEN ZU NU I RENBERG
schrifft an Ku- | precht von Moshaim | Dechaut zu Pas-
sau I Verteutscht. Small 4to, boards. Nuremberg, 1539
VERY RARE. The above interesting tractate is signed by—" Wenceslaus
Linck, Andreas Osiander, Vitus Theodorus, Thomas Venatorius."
RARE LUTHER TRACT.
567 JSlacS; Urtttr.— LUTHER (Martin). Von der Kirchen
was wer vnd wo sie sey vn wo bey man sie erkennen sol.
Small 4to, boards (title mended and stained).
Very rare. [PW^ittemberg], 1540
MELANCTHON'S LETTER TO THE LANDGRAVE OF
HESSE, 1540.
568 JSlacK fLEttfr.— MELANCTHON (Philip). Epistel an
den Landgraven zu Hessen, etc. Verdeutscht durch
JusTUM JoNAM. Small 4to, boards. Wittemberg,,i54o
VERY RARE. With engraved border to title by Cranach, of Pope, Car-
dinals, etc.
TRESLER, 1543— WITH CUTS ATTRIBUTED TO LUCAS
CRANACH.
569 TRESLER.— I DECLA | MATIONES ali | quot Theo-
logicEe de- | nuo ab Authore recogni- | tse, quarum inscrip-
tiones | sequenti offendes | pagella. | Avthore Floriano ]
Treslero Benedicten pu- | rano Coenobita. | Minimo, half
stamped pigskin, wooden boards, brass clasps.
n. p., Caspar Datz, 1543
VERY RARE, in good condition and printed in Italic letter. With wood-
block cut of " the Trinity " facing dedication, fine printer's mark and engraved
border on title —all probably by Lucas Cranach . ,
THE CONFESSION OF AUGSBURG— AN EARLY COPY.
570 jsiatfe actter — brundlicher vnd warhaff-
TIGER BERICHT dieser geschwinden practicken der
itzigen vnuersehenliche schnellen krieges mistung wider
die lehre des Glaubens an Jhesum Christum vnnd Stende
der Augspurgischen Confession. Small 4to, boards.
n. p., 1546
A KARE TRACT On the Augsburg confession.
THE PENE DU BOJS COLLECTION. 163
SCAEVOLA'S COMMENTARY ON CICERO-" OLD PARR'S"
COPY.
571 CICERO. — Commentaria in M. T. Ciceronis Orationem
pro T. A. MiLONE, Avtore Nicolao Scaevola. Minimo,
red morocco gilt, inside dentelle gold tooling, by C. Smith.
"R-Oxxit, J>er Antonium Bladum, 1549
Very rare, and with the autograph on the title of Dr. Samuel Parr, " Old
Parr." From the Syston Park Library, and with the book-plate of that collec-
tion inserted. This beautifully printed little volume is in italics, and the arms
on the title are those of Bishop Caracciolo, to whom the work is dedicated.
FINE EXAMPLE OF MAIOLI RELIURE ON A VOLUME
PRINTED BY ESTIENNE.
572 NOVUM TESTAMENTUM ex Bibliotheca Regia [Greek
Text]. Thick minimo, old mosaic calf, gilt edges.
Paris, ex officina Roberti Stephani, 1549
VERY RARE and a fine example of Maioli binding from the press of the
celebrated Estienne and from the library of Ambrose Firmin-Didot, whose book-
plate is inserted.
The reliure is of the usual Grolieresque geometrical design peculiar to Maioli
bindings, and with red, blue, white and green mosaic worked into the gilt
tooling.
' ■ Lovers of bookbinding rejoice when they meet with works from the library
of Maioli. Who and what Maioli was, and at exactly what period he lived, we
do not know, but he possessed a splendid library. It is supposed that Michel
Maioli, one of the first of Italian collectors, was his father or uncle Tommaso
Maioli's bindings were the perfection of art, whilst Michel's are less artistic." —
CUNDALL.
573 JSIaCfe SLetter.— LAMBECK (Heino). Compendium
Sciotericorum, das ist ein Kurtze und Brundliche Besch-
reibung allerhand sonnen Uhren und Natur. Many
diagrams. Small 4to, boards. Hamburg, 1549-76
Rare. A sixteenth century volume on navigation, etc. Rubricated title.
574 ISlaCft SLEttft- — Der Von Magdeburgh Entschuldigung
Bit Vund Gemeine Christliche Erinnerunge. Small 4to,
boards. Magdeburgh, Michael Lotther, 1549
RARE. With large woodblock arms and supporters of Magdeburgh on
title.
THE LIVES OF THE EMPERORS — LYONS, 1550- AND
NUMISMATICALLY ILLUSTRATED.
575 HUTTICHIUS (John).— | Imperatorum & Csesa- | rvm
Vitae, cvm | Imaginibus ad vinam efB- | giem expressis. |
Huic seditioni additi sunt cum Icunculis & elen | cho,
versus Ausonij Mycilli & Vellei poeta- | rum paucis ingen-
tem historiam complectentes. | Vignette on title and numerous
numismatic woodcuts of emperors. Small 8vo. Bound by
Mansell, successor to Hayday, in calf gilt, dentelle gold
borders and dead gold edges.
Lyons, apud Bathazarem Arnolletum, 1550
VERY RARE and an excellent copy of this little volume, which is decorated
i64 THE PENE DU BOIS COLLECTION.
with the portraits of emperors from ancient coins and medals. The printer's
device of Arnollet — ' ' a sea-horse and pair of scales " — is on the title.
Brunet says the portraits of the Roman, Byzantine and German emperors
engraved in this volume virere taken from the " Illustrium Imagines "of 1517.
The text is different from that Roman edition, being more complete, with dis-
tiches added and many additional portraits.
576 jSIaciK: ILctttr. — VERNEUTE vnd gepesserte Gerichts
Ordnung zu Nurnberg — Decretum in Senatur XXVIII.
Nouembris MDXLVIIII. Small 4to, boards.
Rare. Nuremburg, J. Paulo Fabritio, 1550
PHILIP DE COMINES' CHRONICLE IN A MAIOLI BINDING.
577 COMINES (Philippe de). — Cronique et Histoire composee
par Philippe de Comines, cheualier seigneur d'Argeton,
contenant les Choses aduenues durant le regne du Roy
LoYS vnziesme et Charles Huictiesme son fils. Nou-
uellement reueue et corrig^e. Thick minimo, old calf, gilt
edges. FSins, Estiene Groulleau, 1551
VERY RARE. In mosaic binding of the " genre Maioli " and of Grolier-
esque design. Every page is carefully ruled in red. The most judicious and
able history of the great Flemish statesman, Philip De Comines, which comprises
a period of thirty-four years during the reigns of Louis XI. and Charles VIII.
of France, was said by Catherine de Medicis to have made as many heretics in
politics as Luther's works had done in religion.
THE RARE FIRST FRENCH AND ITALIAN GRAMMAR.
578 ACHARISIO. — La Grammatica Volgare di M. Alberto
DE Gl' Acharisi d acento — La Grammaire de M. Albert
DE la Charisi Dacento, tourn^e de Tuscan en Francois.
Vignette on title. Small 8vo, old calf.
Louvaine, ex officina Bartholomei Grauij, 1555
VERY RARE, and the first French-Italian grammar, with the two lan-
guages in parallel columns.
SIXTEENTH CENTURY AND VALUABLE WORKS ON
GERMAN LAW— WITH QUAINT WOODCUTS.
579 JSlacfe iLtttCr.— STATUTEN BUCHGesatz Ordnungen
vnd Gebrauch Kaiserlicher Allgemainer vnd etlicher
Besonderer Land vnd Stett Rechten. Numerous wood
engravings, Frankfort, 1558; also —
GOBLER (Justin). Der Rechten Spiegel auss Naturli-
chem den Beschribnen, Gaistlichen, Weltlichen vnd and em
Gebrendlichen Rechten. Portraits and many curious
woodcuts. Frankfort, 1564
Together 2 vols, in i. Thick large 4to, half vellum.
VERY RARE. Two curious old German law-books, with quaint woodcuts.
One title is mended, the other mounted.
THE PENE DU BOIS COLLECTION. 165
PRESIDENT DE THOU'S COPY OF HERODIAN, AND WITH
THAT GRAND OLD BIBLIOPHILE'S AUTOGRAPH SIG-
NATURE.
580 HERODIAJSri Historiae de Imperio post Marcvm vel de
svis Temporibvs, Angelo Politiano Interprete. Minimo,
mottled vellum, red edges.
Lyons, apvd haered. Seb. Gryphii, 1559
VERY RARE, and with an eighteenth century note on the end paper, and in
French, to the effect that this volume came from the library of the cele-
brated De Thou, and that his autograph is at end of the book, written by him-
self.
His signature is given in the Latinized form — " Jacobi August! Thuani."
There are a few marginalia in his handwriting, also some caption contents.
A RELIC OF THE MAYFLOWER PILGRIMS.
581 JSIaCfe Utttfr.— FRANCK (Sebastian). Das Verbuth-
schiert mit Siben Sigeln Verschlossen Buch. Curious
woodblock on title — representing a man blindfolded and point-
ing at a volume with seven seals. Thick small folio,
stamped pigskin on wooden boards, with two brass clasps.
Pfortzheym, Georg Rahen, 1559
VERY RARE. On an end paper is the MS. note; — " This came over in the
May Flower." There is also on the title a MS, inscription, showing that it
belonged to the Jesuit College at Bamberg, in 1614. The preface has many
German marginalia in sixteenth century caligraphy.
VULGATE TESTAMENT OF 1560, WITH QUAINT
WOODCUTS.
582 TESTAMENTI NOVI Editio Vulgata. With numerous
woodcuts. Minimo, old stamped calf, red edges (title
cut). Lyons, apvd haeredes Seb. Gryphii, 1560
RARE. The wood engravings in the above are very curious.
583 EBER (Paul). Bevis Historic Popvli Ivdiaci a Reditv ex
Babylonico Exilio, etc. Minimo, stamped pigskin.
Wittenburg, Vitus Creutzer, 1560
Rare, and a curious example of stamped pigskin.
SIXTEENTH CENTURY EUCLID, AND PRINTED AT
BASLE, IN 1562.
584 JSlaCft Hetttr.— EUCLID. Die Sechs Erste Bucher
EuCLiDis vom Anfang oder Grund der Geometri. Nu-
merous woodblock diagrams. Small folio, stamped pigskin
(MS. name on title). Basle, 1562
RARE. Translated into German, with the additions of Wilhelm Holtzman,
of Augsburg.
1 66 THE PENE DU BOIS COLLECTION.
SORBIN'S CURIOUS WORK ON THE CALVINIST DEFEAT
IN 1569, AND BOUND BY THIBARON-ECHAUBARD.
585 SORBIN (Arnaud, Docteur en Theologie et predicateur de
Roy). Allegresse de la France, povr I'Hevrevse Victoire
obtenve entre Coignac et Chasteauneuf, le 13 de Mars,
1569, centre les Rebelles Caluinistes. Small 8vo, bound
by Thibaron-Echaubard, in crushed brown levant mo-
rocco, inside gold borders, gilt edges on red.
Paris, chez Guillaume Chaudiere, rue S. laques, a
Penseigne du Temps, et de l' Homme Sauvage, 1569
EXTREMELY RARE, and bound by Thibaron-Echaubard, pupils of MM.
Trautz et Bauzonnet. These verses, in honor of a victory over the " rebel
Calvinists," were written by the celebrated Sorbin, who seems, as a preacher and
grand leaguer, to have had a monopoly of funeral orations over the notable
personages of his time, vide Brunet. Among those upon whom he said the last
words were — ^Charles IX. , Cosmo de Medicis, the Constable Anne de Mont-
morency, the Duchess of Savoy, the Duchess of Lorraine and Bar, Count de
Caylus, the Duke De Nivernois, the Princess de Conde, etc.
The printer's mark of Chaudiere on title represents " Old Time, with the
legs of a satyr, sc)^heand hour-glass."
THE 1572 AND BEST EDITION OF THE CHRONICLES
OF MONSTRELET.
586 MONSTRELET.— | CHRONIQVES | d'ENGVERRAN
I DE MONSTRELET | gentil homme iadis demevrant |
a Cambray en Cambresis. | Contenans les cruelles guerres
ciuilles entre les maisons d'Orleans et de Bour- | gougne,
I'occupation de Paris et Normandie par les Anglois, I'ex-
pulsion I d'ieux, et autres choses memorables aduenues de
son temps en ce Royau- | me, et pays estranges. | His-
toire de bel exemple et de grand fruict aux Fran9ois, com-
mencant en I'an M.CCCC. | ou finist celle de lEAN
FROISSART, et finissant en I'an M.CCCC.LXVII. peu
outre le commencement de celle de Mess. PHILIPPES
DE COMMINES, I Reueue etcorrig^e sur I'exemplaire de
la Librairie du Roy, et enrichi d'abbregez | pour I'intro-
duction d'icelle, et de tables fort copieuses. | Vignette
device of printer on both titles, handsome initial letters, and
head and tailpieces. 2 vols, thick small folio, splendidly
bound by Ad. Bertrand in crushed red levant morocco,
extra g'ilt, citron edges.
Paris, chez Pierre VHuillier, rue sainct
laques a VOliuier, 1572
VERY RARE and a superbly bound copy in admirable condition of the 1572
and best edition of Monstrelet, of which Brunet says : —
" Cette edition est LA PLUS BELLE QUE NOUS AYONS DE CES
CHRONIQUES; et, quoique le texte en ait ete altera par I'editeur, ou la
recherche encore assez."
The same authority quotes the fact that a copy of this edition belonging to
De Thou sold at the Stanley sale in London for ^^136 los., nearly $700.
. This copy, of which the title of Vol. i is carefully mended in one place, has
the printer's mark on both titles of the bookseller L. Huillier, whose sign was at
THE PENE DU £018 COLLECTION. 167
the Olive. Within a Renaissance border is an olive tree, around which is the
motto — " Oliva frvcti fera in domo Dei psalis." In the foreground is a rock
with the monogram of L'Huillier, who on the back of the title has some Latin
verses, addressed — "A. P. Gamin, son of P. Gamin, citizen of Cambray." The
dedication to the King is signed by — " L'Huillier et Chaudiere, Libraires de
rVniuersite de Paris."
Rose, in his " New General Biographical Dictionary,'' writes: — " Enguerrand
de Monstrelet, a French chronicler of the fifteenth century, was a gentleman of
an ancient family in Cambray, of which city he died Governor in 1453. He left
a history of his own times, commencing with the year 1400, and carried down to
1453. -The best edition is that of Paris, 1572, 2 vols, folio.
" This work gives a faithful but prolix narrative of the wars between the
houses of Orleans and Burgundy, of the capture of Normandy and Paris by the
English and their expulsion, and of all the memorable events in France and
other countries during that period. It fills the space between the histories of
Froissart and Comines, and is reckoned particularly valuable on account of the
number of original documents which it contains."
THE REMARKABLY RARE WORK OF COPPIER DE VEL-
LAY ON THE ST. BARTHOLOMEW MASSACRE, AND
ISSUED IN THAT YEAR— BOUND BY DURU.
587 COPPIER DE VALLEY (James).— DELVGE DES
HUGUENOTZ | avec levr Tvm- | beau, & les noms des
chefs I & principaux, punys k Paris | le XXIIIJ | d'Aoust ?
I &autresiours | ensuynans, | 1572. | Par lACQ. COPP. '
DE VELLAY | Small 8vo, bound in 1853 by Duru, in
crushed red levant morocco, d la Jansen, with dentelle
gold inside borders, gilt edges.
Paris, par lean Dallier Libraire, demourat.
sur le pot. S. Michel, a Venseyne de la Rose blanche,
M.D.LXXII., i. e., 1572
EXTRAORDINARILY RARE, unmentioned by Brunei, and most interest-
ing volume, published the year of the Huguenot Massacre of St. Bartholomew,
and containing the names of the victims. From the library of J. Renard, and
with his "ex-libris." Imported for Mr. Pene du Bois, from Paris, for 175
francs, vide inserted catalogue cutting. On the title-page is a woodcut of a
rose, the sign of the celebrated Parisian bookseller Dallier. The above was
probably the author's copy, as the text is corrected in some places. It is also
most carefully ruled in red ink. The privilege to print reads : — " II est permis
A lean Dallier Libraire, de imprimer ou faire imprimer ce present Deluge, et
dessence i tous autres de ne I'imprimer dedans troys moys sur peine de confis-
catio. Faict le troisi^me iour d'Octobre, 1572."
THE "FLEA OF MADAME DES ROCHES," 1573— EXCES-
SIVELY RARE AND BOUND BY SIMIER.
588 DES ROCHES.— | La PVCE | de MADAME | DES-
ROCHES I qvi est | vn recveil de divers | Poemes Grecs,
Latin & Fran9Gis, | composez par plvsievrs | doctes per-
sonnages avx | Grans lours tenus a Poitiers I I'an
M.D.LXXIX. I 4to, bound by Simier, " R[elieur] du
Roi," in yellow calf gilt, edges gilt on marble.
Paris, pour Abel V Angelier au premier Pillier de la
grand salle du Palais, M.D.LXXXIII., i. e., 1573
EXCESSIVELY RARE, and priced 400 francs by Fatout in 1876, and sold
at the Didot sale previously for 220 francs. On the title is the printer's device
1 68 THE PENS D U BO IS COLLECTION.
of L'Angelier: — "An angel accepting Abraham's sacrifice of a ram." Facing
the title is a MS. description of the origin of this very curious book, and the
French poets Madeleine and Catherine des Roches. The story is also told in
Vapereau.
These two ladies held a distinguished place in sixteenth century literature.
In 1579, literary fetes were held at Poitiers. gtienne Pasquier, the poet, who
was a member of the tribunal which decided at this tournament of verses, paid
a visit to the two poetesses, and during his social talk with them saw a flea on
the neck of Catherine. The wits of the time learning of this circumstance, ex-
pended their rhyming energies on the occurence in French, Greek and Latin.
The above is the original edition of the collection of verses gathered by Pasquier
on " The Flea of Madame Des Roches."
Although this curiosity of literature was reprinted by the "Societedes Biblio-
philes" in 1871, the original still commands a very high price, as shown
ibove. The dtdication was written by " laqves de Sovrdfai " and Pasquier's
address to the reader ends with the following lines over his signature: —
" SvR LA PvcE
" Ne nous trompetez plus vostre Troien cheual,
Dont vindrent tant de Dues, o trompeuses trompettes,
Voz superbes discours n'ont rien a nous d'esgal.
Puis qu'vne PucE esclost tant de scauans Poetes."
THE EXTREMELY RARE ESTIENNE AND ORIGINAL
EDITION OF THE POEMS OF DES FORTES— BOUND
BY CHAMBOLLE-DURU.
589 DES PORTES.— I Les Premieres [ Oevvres de [
PHILIPPES I DES PORTES. | Av Roy de Pologne. |
8vo, superbly bound by Chambolle-Duru in crushed red
levant morocco, elegantly tooled gilt back and inside
dentelle borders, rounded corners, gilt edges.
Paris, de V Imprimerie de Robert Estienne, 1573
EXTREMELY RARE, original edition and splendid example of the
Estienne or Stephens press, and with large printer's device of the same on title —
" an old man beside an olive tree vrith the motto ' Noli altvm sapere,' " also
with broad margins and charming head and tail pieces and initial letters.
Priced 350 francs in vellum by Morgand-Fatout.
Philippe Des Portes, the celebrated French poet, was born in 1 546, and died
in 1606. He was a most remarkable writer, and went to Rome as secretary to
the Bishop of Puy, where he exhibited — ' ' une habilete, une souplesse de courti-
san, qui lui valurent de nombreuses faveurs." Charles IX. gave him 800
golden crowns for his little poem of "Rodomont." Henry III., whom he
accompanied to Poland and to whom the above volume is dedicated, made him
his reader and a counsellor of state. That monarch gave him the Abbeys of
Tiron, Josaphat, Bon Port, etc. Des Portes might have been Archbishop of
Bordeaux, but his licentious poetry stood in his way. He repaid Charles the
Ninth for his favors by singing the praises of Marie Touchet, and similarly
eulogized Marie de Cleves and Renee de Chateauneuf to please Henry the
Third, whose court, when it became the abode of effeminate young men,
received his eulogies. He was, as one authority states — " le louangeur des
mignons," J. ^., the panegyrist of the emasculated favorites of the King and
their unnatural vices. Des Portes thus praises the pederastic Henry: —
' ' Heureux en qui le del des thr^sors assemble,
Qu'il ait la face belle et la coeur genereux !
Vous I'honneur plus parfait des guerriers amoureux.
Nous faites voir encore Mars et Venus ensemble. "
He was a genuine book-lover, had a genuine love for letters, which he aided
by his wealth. His superb library was always at the disposal of friends like
Vauquelin, La Fresnaye, Du Perron and De Thou.
THE PENE DU BOIS COLLECTION. 169
JOACHIM DU BELLAYS POETICAL WORKS— THE EX-
TREMELY RARE 1573 EDITION, AND BOUND BY
THIBARON.
590 BELLAY.— I Les | OEVVRES I FRANCOISES de |
lOACHIM DV-BELLAY | Gentil-homme Angeuin, &
I Poete excellent de | ce temps. | Reueues, & de nou-
ueau augmentees des plusieurs | Poesies non encores im-
primees. | Av Roy Treschrestien. | Charles IX. | Thick
small 8vo (over six and a half inches by four and seven-
eighths). Elegantly bound a la Jansen by Thibaron-
EcHAUBARD in red crushed levant morocco, inside gold
dentelle borders, edges gilt on marble.
Paris, de Vimprimerie de Federic Morel.
Imprirneur du Roy M.D.LXXIII. Auec Priuilege
dudict Seigneur, 15 73
EXTREMELY RARE and a superb copy, with brilliant impressions of all
the fleurons and charming initials. The printer's mark is an olive tree of the
genre Estienne and Ekevir, with a Greek motto twisted around the trunk.
Brunet quotes the Garcia copy as having sold in i860 for 260 francs, but it
has since gone up much in value in the Parisian book market.
Joachim's du Bellay's poetry was the result of leisure hours enforced by long-
continued illness. He was greatly held in esteem by Francis I. , Henry II. and
Margaret of Navarre. He spent three years in Rome with his cousin, Cardinal
du Bellay, a great lover of literature and poetry, and the patron of Rabelais.
In his later years he was appointed by Eustace du Bellay, Archbishop of Paris,
to a canonry in that prelate's cathedral. Joachim du Bellay died of an apo-
plectic fit in 1559, at the age of thirty-five. In one of the epitaphs made on
him he was styled — " Pater elegantiarum, pater omnium leporum."
VERY RARE BIBELOT ON KING HENRY THE THIRD OF
FRANCE, ISSUED 1574— BOUND BY CAPE.
591 HENRY III. OF France. — | Panegyriqve | povr ( la
Bien- | Venve et Retovr | du Tres-Chrestien Henry |
Roy de France & de | Polougne | par | Messire Ant.
Fumee Cheualier, Seigneur | de Bland^, Conseiller du
Conseil priu^. | Small 8vo. Bound by Cape, in half
crushed levant morocco, uncut edges.
Paris, Nicolas Chesneau, 1574
VERY RARE bibelot on the return to France and accession of King Henry the
Third to the French throne. On the title is the printer's device of Chesneau,
which is somewhat like that of the Elzevirs and Estiennes. It is — " A chestnut
tree beside which stands an old man — on the trunk of the tree is a bunch of
arrows and the motto 'Concordia vis nescia vinci.'" Henri de Valois, says
Rose, in his ' ' Biographical Dictionary, " displayed — ' ' that strange and
odious mixture in his character, which has rendered his memory despicable.
Assembling about his person a few young men of dissolute habits, he abandoned
himself to the most infamous debaucheries, which were intermingled vrith the
practice of superstitious devotions and penances, while he lavished upon his
minions all the treasures of the state, spent his time in the most frivolous occu-
pations and resigned the reins of government to his mother, Catharine de
Medicis."
I70 THE PENE DU BOIS COLLECTION.
EXTREMELY RARE WORK OF HENRI ESTIENNE,
PRINTED IN 1579.
592 ESTIENNE (Henri).— | Proiect dv Livre \ intitule | De la
Precellence | du langage Fran9ois. | Par Henri Esti-
ENNE. I Le liure au lecteur, | lesuis ioyeux de pouuoir
autant plaire | Aux bons Franpois, qu'aux mauuais | veux
desplaire. | Vignette printer's mark of Estienne on title,
and every page ruled i7i red by hand. Small 8vo. Bound by
S. Thomason, in crushed blue levant morocco gilt, gold
dentelle borders, and edges gilt on marble.
Paris, par Mamert Patisson Imprimeur du Roy, 1 5 79
EXTREMELY RARE and a beautiful example on thick paper. Priced,
1883, in Morgand's catalogfue at 500 francs in vellum . This copy came from the
— " Bibliotheque de Mr. J. Renard," and has his "ex libris."
The life of the author of the above, Henri Estienne "the Second " (or
Stephens), is one of the most painful in the annals of bibliography. A man of
wonderful classical abilities, an author furnishing the greater part of the manu-
script for his compositors — he wasted through intemperance his paternal patri-
mony, became insolvent, and an indigent wanderer on the face of the earth.
After 1578, we are told — " his life was that of a hanger-on to the Court of
Henry III. of France — a weak and narrow-minded king, but a patron of liter-
ature and art. The rest of the life of this eminent printer is a very painful one
to recount. . . . He was seized by his last malady at Lyons and died in the
public hospital there. He was interred in the common cemetery, near the
Hotel Dieu, and a detachment of the burgher guard was obliged to turn out to
protect the funeral from the violence of the Catholic mob. This was at the end
of January, 1598 — not the beginning of March, as the old biographers say.
Henry's books are divided into three classes: — Editions of the classics, original
writings on the Greek and Latin languages, and writings on the French lan-
guage. He used as a device the olive-tree adopted by his father."
PELLETIER'S POEMS— THE 1581 EDITION— ELEGANTLY
BOUND BY NIEDREE.
593 PELLETIER.— | Evres | Poetiqves de | lAQVES PEL-
ETIER dv Mans, | Intitulez Louanges. | Aveq quelques
autres Ecriz du meme Auteur, | ancores non publi^z. |
Le Contenu et an la Page suivante. | 4to. Elegantly
bound by Niedree, in crushed red levant morocco gilt,
inside gold dentelle borders, edges gilt on marble.
Paris, chez Robert Coulombel, rue S. Ian de
Latran, a I'Anseigne d'Alde, 1581
EXTREMELY RARE and excellent copy of this curious work by Pelletier.
On the title is the assumed device of Coulumbel, "the anchor, dolphin and
name of 'Aldus.' " This copy came from the library of the Right Hon. Charles
Bathurst, of Lydney Park, and has his inserted book-plate. It has fine head
and tail pieces throughout. Mr. Pene ixL Bois paid an Union Square book-
dealer $75 for the above. . Morgand and Fatout priced a copy in their 1876
catalogue (No. 2,297) at 1,000 francs.
The peculiarity about the volume and which makes it so high-priced is its
strange orthography. This was invented by James Pelletier, and in the above he
THE PENE DU BO IS COLLECTION. 171
applies his method more completely than he does in his preceding works, of
which — " il est impossible de contester les avantages."
Pelletier was as distinguished a mathematician as he was a poet. He was
bom in 1517, and died 1582. Originally a secretary of Rene du Bellay, he
became the head of the Colleges of Bayeux and Mans. His verses are of the
school of Ronsard.
BOCCACCIO'S GENEALOGY OF THE GODS— VENICE, 1581.
594 BOCCACCIO (Giovanni). Le Geneologia de Gli Dei,
con la Spositione de Sensi AUegorici delle Fauole e con la
Dichiaratione dell' Historie appartenenti e detta materia.
Tradotta per M. Gioseppe Betvssi da Bassano. Vignette
on title and charming woodblock initials. 4to, vellum.
Venice, Zoppini, 1581
VERY RARE and an admirable example. Printed in Italic letter. The
woodcut initials are of nudes.
THE 1587 GIUNTA DECAMERON.
595 BOCCACCIO. II Decamerone, alia sua Intera Perfettione
Ridotto Ora in Questa Vltima Editione del Medesimo
per tutto Migliorato. Charming woodcut initials. 4to,
vellum. Florence, Givnti fratelli, 1527
VERY RARE. The title supplied in MS. With the woodblock printer's
device of the celebrated Giuntas on the last page.
REMARKABLY RARE AND EXCESSIVELY CURIOUS COL-
LECTION OF BIBELOTS ON HENRY III. OF FRANCE-
BOUND BY THIBARON.
596 HENRY III.,OF FRANCE.— I.— | Histoire | Admirable a
la I Posterite des Faits | et Gestes de Henry | de Valois. |
Comparez en tous poincts auec ceux de | Loys Faineant:
& la miserable fin | de I'vn & de I'autre. | Auec vn nou-
ueau & fatal Anagramme du | nom du diet Henry de
Valois. ) Paris, chez Pierre des Hayes, 1589; also —
II.— [ Les I Sorceleries | de Henry deVa | lois, et les Obla-
I tions qu'il faisoit au diable | dans le bois de Vin- |
cennes. | Curious vignette on title and page illustration of
demons. [Paris,] chez Didier Millot, 1589 ; also —
III. — 'I Discovrs | avx Francois, svr | I'admirable Accident
de I la Mort de Henry de Valois, n'ague- | res Roy de
France, lequel (peu auant son decez) auoit este excom-
muni6 | par nostre S. Pere le Pape Sixte cin- | quiesme a
present scant, pour ses per- | fidies & desloyautez enuers
Dieu, son | Eglise, & ses Ministres. | Auec I'Histoire veri-
table de sa mort aduenue | au Bourg S. Cloud lez Paris le
premier | iour d'Aoust 1589, ou il a este tue | par Frere
172 THE PENE DU BOIS COLLECTION.
laques Clement, | Religieux de I'ordre S. | Dominique | .
Paris, chez Guillaume Bichon, 1589; also —
IV. — I Le I Testament | de Henry deValoys, | recommaride
a son Amy ( lean d'Espernon. | Faict a Blois, le septiesme
de Mars, 1589. | Auec vn coq al'asne. | \Yx\?,, chez laques
Varengles, 1589.
Together 4 pieces in i vol. Small 8vo. Splendidly bound by
Thibaron in red crushed levant morocco extra, inside gold
dentelle borders, rounded corners, edges gilt on marble.
Paris, 1589
EXCESSIVELY RARE. These fourpieces on the infamous Henry the Third,
the filthiest of all the Kings of France, were imported for Mr. Pene du Bois, at a
cost of 300 francs. Vide inserted catalogue cutting. This bibelot came from
the libraries of Chedard.A A. Renouard and E. M. Bancel — it has the "ex-
libris " of the two last-named collectors.
The second described brochure is the first edition and has the rare cuts of the
demons said to have been raised by the 'King at Vincennes. A copy of this alone
sold for 592 francs at the Desq sale.
On the title of the fourth, which is in verse, is a horrible suggestion in regard
to the sodomistic practices of Henry the Third, and the third tells the story of
his assassination by Jacques Clement, the Dominican monk.
DURER ON HUMAN PROPORTION— VENICE, 1591.
597 DURER. — Di Alberto Dvrero Pittore e Geometria Chia-
rissimo. Delia Simmetria de i Corpi Hvmani, Libri Quat-
tro Nuouamente tradotti dalla lingua Latina nella Italiana
da M. Gio. Paolo Gallvcci Salodiano. Numerous
plates, mostly folded. Large 4to, vellum.
Venice, Domenico Nicolini, 1591
VERY RARE, with book-plate—" Ex Bibliotheca L. B. de Thum et Geste-
lenburg cognominatoruih Zur Lauben."
ROCCA'S bibliotheca VATICANA— PRINTED AT THE
VATICAN PRINTING OFFICE IN 1591.
598 BIBLIOTHECA APOSTOLICA VATICANA a Sixxo
V. Pont. Max. in Splendidiorem, Commodiorem q. Locvm
Translata et a Fratre Angelo Roccha a Camerino, Or-
dinis Eremitarum S. Augustini, Sacrse Theologise Doctore,
Commentario Variarvm Artivm, ac Scientiarum Materijs
curiosis, ac diiificlimis sciticq. dignis refertissimo, illustrata.
With facsimiles, tables, numismatic cuts and coat-of-arms
on title of Pope Gregory XIV. 4to, vellum.
'R.ome, ex typographia Apostolica Vaticana, 1591
VERY RARE and printed at the press of the Vatican
Angelo Rocca, author of the above, was an Italian philologist, who was bom
in 1545 and died in 1B20. He was a monk of the Augustinian order, was Bishop
of Tagoste infartihus, and had charge of the Vatican printing office. He was
the founder of the Angelical Library in Rome and which is called after him. He
left his large literary collections to the Augustinian monastery there, upon the
express condition that it should be always open for the benefit of the public.
This was the first library in Rome to which the people had freedom of access.
THE PENE DU BO IS COLLECTION. 173
SIXTEENTH CENTURY VOLUME ON EGYPTIAN BOTANY.
599 ALPINUS (Prosper). De PLANTIS ^GYPTI. Nu-
merous botanical woodcut illustrations. 4to, vellum.
Venice, aj>ud Franciscum de Franciscis Senensem, 1592
' RARE BOTANICAL WORK — " ex bibliotheca equitis Antoni Francisci Marmi.''
CURIOUSLY ILLUSTRATED COPY OF LUTHER'S NEW
TESTAMENT.
600 LUTHER (Martinus). Das Newe Testament. Numerous
curious woodcuts. Thick small 4to, fine old stamped pig-
skin on wooden boards (foxed). Wittemberg, 1594-1606
VERY RARE. With two titles— one rubricated with large woodblock of
" Christ on the Cross, with the Elector of Saxony and Luther on either side " —
the other on page 229 commencing the epistles with vignette head of Luther.
There are also many other very curious woodcuts illustrative of the New Testa-
ment scattered through the text.
MAGNIFICENT AND EXTREMELY RARE COPY OF MON-
TAIGNE—THE BEST TEXT, SUPERBLY BOUND BY
BELZ-NIEDREE.
601 MONTAIGNE.— | Les | ESSAIS | de MICHEL SEI- |
GNEVR DE MONTAIGNE. | Edition novvelle, trovvee
apres | le deceds de I'Autheur, reueue et augmentee par
luy d'vn | tiers plus qu' aux precedentes Impressions. |
Numerous fleurons, head and tail pieces, charming initial let-
ters, printer'' s mark, etc. Thick folio, magnificently bound
by Belz-Niedree in lemon levant morocco gilt, with
crushed red levant morocco double ends, with broad lace
and pointing tooling, and dentelle borders, edges gilt on
marble.
Paris, chez Michel Sonnivs, rue sainct laques a I'escu
de Basle, 1595
EXTREMELY RARE and superb copy in splendid condition of the best
edition of Montaigne. The three books of the Essays are separately pagin-
ated.
To thoroughly appreciate this edition — which is the best text printed after the
death of Montaigne, which occurred in 1592, three years before the issue of the
above— one must carefully read the very long account given of it by Brunei in
his third volume. He states that before Montaigne died he left two copies of
the 1588 edition filled with corrections and additions in his handwriting. It was
from one of these copies that Mademoiselle de Goumay edited this edition,
which was printed at Paris by Abel I'Angelier (or Michel Sonnius) in 1595. The
editor in her preface does not give the ' ' avis " of Montaigne, but an eighteen-
page preface.
This volume, which Brunei says is perfectly and correctly executed,
CONTINUES UNTIL TO-DAY THE PRINCIPAL EDITION OF MONTAIGNE FOR THE
AUTHENTICITY OF THE TEXT.
Such is the judgment of J. F. Payen, at page six of his excellent " Notice
Bibliographique sur Montaigne," where he describes with scrupulous exactitude
the various editions of the " ' Essays. "
The differences noted by M. Payen in copies of this 1595 edition are men-
174 THE PENE DU BOIS COLLECTION.
tioned by Branet, one of which shows that the above is in the "primitive state''
as printed, viz.: the fourth line of page 70 commences "que vne."
The reliure of the above copy is magnificent, as fresh as when it left the
binder's hands, and as an example of modern binding it cannot be equalled.
" Montaigne is the earliest classical writer in the French language, the first
whom a gentleman is ashamed not to have read. No writer of the XVIth cen-
tury has given so much delight." — Hallam.
" Montaigne and Howell's Letters are my bed-side books. I like to hear
them tell their old stories over and over again. I am informed that both of
them tell coarse stories. I don't heed them, it was the custom of their time as
it is of Highlanders and Hottentots to dispense with a part of dress which we
all wear in cities. " — W.M.Thackeray.
EXTREMELY RARE AND CHARMINGLY BOUND BIBELOT
ON THE PEACE BETWEEN FRANCE AND SPAIN-
PARIS, 1598.
602 HENRY IV. OF France. — | Solemnit:^ | Faicte a Venise,
povr I rendre graces a Diev de la Paix, establie | entre le
Tres-Chrestien Roy de France, | & le Roy Catholique
d'Espagne. | Auec grand nombre de riches & industrieux |
Theatres, & I'interpretation de tout ce qu' y | estoit repre-
sent6 par les sept grandes | Confrairies de ladicte Ville. |
Obtenue par le soin, & assidues Oraisons' faictes a la |
diuine Majeste par nostre S. Pere le Pape | Clement
VIII. I louxte la Copie Italienne traduicte en Francois. |
Small 8vo, elegantly bound by Masson-De Bonnelle in
crushed crimson levant morocco, tooled on back with
fl,eurs-de-lys and on the sides at the corners with the same
and Grolieresque pattern in the centres, rounded corners,
inside gold dentelle borders, edges gilt on marble.
Paris, chez Denis Binet pres la parte Sainct Marcel, 1598
VERY RARE and extremely interesting bibelot on the ceremonies held at
Venice on the occasion of the peace signed between the King of Spain and
Henry the Fourth of France, in the year of the accession of the last named and
in which Henry the Third was assassinated.
On the title is the printer's device of Binet and also that of Venice — " St.
Mark writing his gospel with the winged liop beside him." At the end are the
arms of Pope Clement the Eighth on one page, and on the verso that of France
and Navarre surmounted by a royal crown.
SPECKLE'S ARCHITECTURE, PRINTED AT STRASBURG
IN 1599.
603 15lacfi: fLctter.— SPECKLE (Daniel). Architectura,
von Vestungen wie die zu Unzern Zeiten, an Statten,
Schlosern und Claussen zu Wasser, Land Berg vnd Thai,
etc. Engraved title and numerous plates, many double, also
illustrations in tfie text. Folio, old vellum, marbled edges.
Strasburg, Lazarus Zetzerer, 1599
VERY RARE architectural work full of illustrations and details.
THE PENE DU BOIS COLLECTION. 175
THE CHRONICLE OF BRABANT, PUBLISHED IN 1600,
WITH HANDSOME PORTRAITS.
604 BARLANDUS (Hadrian). DVGVM BRABANTI^
CHRONICA, item Brabantiadvs Poema Melchioris
Barlaei, Illustrated with admirably executed full-page por-
traits, achievement of arins and map, Antwerp, in Officina
Plantiana, 1600; also —
GOBELINI Personse, Decani Bilfeldensis et Officialis
Panderbornensis Cosmodromivm, etc., studio et opera Hen-
Rici Meibomi, with large printer'' s device on title and last
page, Frankfort, Andrew Wechel, 1599.
Together 2 vols, in i. Old stamped pigskin.
VERY RARE, particularly the Chronicle of the Dukes of Brabant, which
has superb and brilliant impressions of the plates.
JUSTINIAN'S INSTITUTES— THE 1600 INGOLSTADT EDI-
TION ADAPTED TO THE HOLY ROMAN EMPIRE—
WITH NUMEROUS ADDITIONS AND PLATES.
60s JSlatfe anter,— IMP. c^s. jvstiniani institv-
TiONES, das ist ein Auszugvnd Anleittunng etlicher Key-
serlichen vnnd ders Heyligen Romischen Reichs geschrib-
ner Rechten: Sampt angehangtem genchtlichen Process
Lehenrecht Halfsgerichtsordnung summa Rolandini von
Contracten vnd Testamenten Regulu Bartholomaei Socini,
etc., etc. With table of consanguinity, numerous large wood
engravings, rubricated title, etc. 5 vols, in i. Thick small
folio, old stamped pigskin on wooden boards, one brass
clasp. Ingoldstadt, durch Andream Angermayr, 1600
VERY RARE. With five distinct paginations and four title-pages. The
illustrations are curious, showing the method of dealing out law, making laws,
etc. , in Germany in the sixteenth century.
606 HAWKINS (Rush C). Titles of the First Books from the
Earliest Presses, established in different Cities, Towns,
and Monasteries in Europe before the end of the Fifteenth
Century, with Brief Notes upon their Printers. Illustrated
with reproductions of early types and first engravings of the
printing press — handsomely printed on heavy paper by De
ViNNE. Large 4to, cloth, uncut (pp. xxxii., 143).
N. Y. and London, 1884
No. 214 of limited edition of 300 copies, numbered. Dedicated to Father
Antonio Ceriani, Director of the Ambrosian Library at Milan, Italy— "as a
slight evidence of my respect for his character, admiration for his great learning,
appreciation of his friendship and kindly interest in my bibliographical occu-
pations. "
176 THE PENE DU BOIS COLLECTION.
' ' Manucia gens erudita nem. ignota
Hoc loci arte typographica excelluit. "
— Epitaph of Aldus the elder at Venice.
^l&int %mpxints,
JUVENAL AND PERSIUS, PRINTED BY ALDUS PIUS
MANUTIUS IN isoi.
607 ALDUS.— JUVENAL ET PERSIUS. Opera. Small
8vo, old calf gilt, marbled edges.
Venetiis, mdibus Aldi mense Augusta, MDI. (1501)
VERY RARE and good example of early Aldine imprint in Italic types. A
coat-of-arms is stamped in gold on the sides — the chief charge of which, or pos-
sibly crest, is a lion. Below are — "quarterly i and 4 three fleurs-delys, and 2
and 3 a bend f uselly. "
The above and nearly fifty following Aldine imprints constitute the largest and
most important collection in the United States of the publications of the most
famous typographers of Venice.
Aldus Pius Manutius was the founder of this great printing house. He was
born in 1449 or 1450 at Sermonetta in the Pontifical States. His baptismal name
was — " Theobaldo, the last two syllables of which served him for a nom-de-
plume, which was Latinized into Aldus, with the afiix of Manutius for his fam-
ily and sometimes of Romanus to indicate his country. In addition to all these
names he afterwards assumed that of Pius out of compliment to a pupil."
He commenced his typographical labors in Venice in 1496, and, as Bigmore
and Wyman state — " married the daughter of Andrew Torresano d'Asola, the
purchaser, in 1479, of the printing office of Nicholas Jenson, the celebrated
engraver who was sent by Louis XI. to Mayence in 1458, to discover the
secrets of the new art of printing. There is reason to believe that Aldus
was greatly assisted by this circumstance in the cutting of his new Greek types,
especially the cursive character. " ''
To Aldus we are indebted for Roman type of a neater cut, and he gave birth
to the Italic letter, which was primarily styled Venetian. Three Popes gave
Aldus the privilege of the sole use of this type for the period of fifteen years.
The elder Aldus died in 1515, leaving four sons, one of whom, Paul Manutius,
was then aged three years.
Between 1516 and 1529 the Aldine printing office was superintended by
Andrew d'Asola and his sons. From 153310 1571 all the editions of the Aldi
THE PENE D U BOIS COLLECTION. 177
were issued under the direction of Paul Manutius in the name of the successors
of Aldus, but during which time, however, the establishment was closed for
four years owing to quarrels between the son and the representatives of the
founder.
The Aldine dynasty ended just before the close of the sixteenth century and
upon the death of Aldus the Younger, whose editions were produced between
1572 and his decease in 1597.
Examples of all these periods— over a hundred years of typography — and
representing the various mutations of the printery established by Manutius will
be found in this elegant collection, nearly all the volumes of which, as well as
the Elzevirs following, came from the Syston Park Library and were bound by
Roger Payne, Bozerian, Duru, Lewis and other celebrated relieurs.
The device of the Aldi, a dolphin entwined around an anchor, it may be well
to add, was taken from a design found on the obverse of a medal of Vespasian
and one of Domitian. Aldus Manutius adopted the emblem as token of swift-
ness (the dolphin) in execution, combined with steadiness (the anchor) in con-
ception. This mark was used later in honor of Manutius by other notable
printers, such as the eminent William Pickering, a man who in matters typo-
graphic, and by the aid of the Whittinghams, or rather the Chiswick Press, was
the equal of any of his predecessors of the olden time.
SUIDA'S GREEK LEXICON, PRINTED BY ALDUS IN 1514.
608 ALDUS.— SUIDA. Lexicon Graece. Thick small folio,
crinkled morocco, extra gilt on the back, stamped in gold
on the sides, with Aldine dolphin, anchor and cable, in-
side gold borders, green watered silk ends and gilt edges,
by R. Storr.
Venetiis, in aedibvs Aldi et Andreae soceri mense Feb.
M.V.XIIII., i. e., 1514
VERY RARE. From the Syston Park Collection, with heraldic book-plate
inserted. It had previously belonged to Sir Mark Sykes, and a few pp. are
slightly stained.
The text is wholly in Greek. At both the beginning and end is the
Aldine device with the legend " Aldvs M. R." The printer's mark on title is
colored, and at the top is painted in the arms — "gu. a fess ar." This shield
is twice repeated. The initials "G. N." are beside the first named, and there
is also the signature " Guidi Nobilius," probably the name of the owner of
the coat-of-arms.
" Seconde edition, fait sur un autre manuscrit que la premiere de Milan,
1499. Le texte en est souvent meilleuf, et plusieurs lacunes y sont heureuse-
ment remplies. " — Renouard.
THE VERY RARE ALDINE EDITION OF JUSTIN.
609 ALDUS. — Justin, Trogi Pompei externas Historise in Com-
pendivm ab Ivstino redactae — Externorum Imperatorum
Uitae authore .^Emylio Probo. Small 8vo, red morocco,
extra gilt on the back and sides, with the Aldine device
in gold on the sides, edges gilt.
Venetiis, in aedibvs Aldi et Andreae Asvlani soceri
mense Ian. M.D.XXII, i. e., 1522
VERY RARE, printed in Italic letter, with the Aldine mark at the beginning
and the end. From the Syston Park Library, with heraldic book-plate.
Rose says Justin's work is — "Written with great purity and elegance, ex-
cepting here and there a word which savors of encroaching barbarism."
Of the above Dibdin states: — " This edition, to which Nepos is joined ac-
cording to Ernesti, is compiled from certain ancient MSS., and conjectural
178 THE PENE D U BOIS COLLECTION.
emendations. It was reprinted by the Juntae in 1525, which edition is said by
Grsevius to be of considerable authority. ... It is a very rare and correct edi-
tion ; much more so than its precursors in the XVth century."
THE ALDINE VALERIUS OF 1523, AND BOUND BY
BOZERIAN.
610 ALDUS.— VALERII FLACCI Argonavtica, lo. Baptist.^
Pij carmen ex quarto Argonauticon Apollonij, Orphei
Argonautica innominatv interprete. Small 8vo, elegantly
bound by Bozerian, in dark blue morocco, extra gilt on
the back and sides, the Aldine device in gold on the
sides, inside gold borders, vellum fly- leaves, gilt edges.
Venetiis, in aedibvs Aldi et Andreae Asvlani soceri
mense Maio M.D. XXIII., i. e., 1523
VERY RARE. Printed in Italic letter with the mark of the Aldi on the
title and last page. With the inserted Syston Park heraldic book-plate.
' ' This edition is said by Heinsius and Burman to contain many bold con-
jectures and glaring interpolations; although "the editor, Asulanus, has shewn
himself a scholar of no common erudition. It contains the ' Orphei Argonau»
tica ' from the preceding edition of Pius. Fine copies of it are obtained with
some difficulty." — T. F. Dibdin.
HERODIAN, BOTH IN GREEK AND LATIN, PRINTED BY
THE ALDI IN 1524.
611 ALDUS.— HERODIANI historiarum lib. VIII, Graece
pariter et Latine. Small Svo, morocco gilt, edg'es gilt.
Venice, in aedibus Aldi, et Andreae Asvlani
Soceri mense Septembri, 1524
VERY RARE, with both the Greek and Latin texts, and separate pagina-
tion. At both the beginning and end is the Aldine device. The tooling on
the back is an arrow piercing a wreath of vescica-piscis shape. Herodian's his-
tory of the Roman Emperors comprises the period between the death of Marcus
Antoninus, A. D. 180, and the accession of Gordian III. in 238. His style is
clear and elegant. The above edition, says Dibdin — ■' contains the truly ele-
gant Latin version of Politian. . . . Harwood has erroneously suj^osed that
Politian first published his version of Herodian after the Louvain edition of
1525."
THE GRAND 1524 FOLIO GREEK DICTIONARY, IM-
PRINTED BY ALDUS AND ASULANUS IN 1524.
612 ALDUS.— DICTIONARIVM GRAECVM cum Interpreta-
tione Latina, omnia., quae hactenus impressa sunt, copios-
simum. [Accedunt Opuscula Ammorici,, Orbicii, Joan-
Nis Grammatici, Corinthi, Herodiani, Chcerobosci,
Thom^ Magistri, Phrynici, Moschopuli, etc., Grsece].
Thick small folio, handsomely bound in red levant mo-
rocco, profusely tooled in gold on the back and sides, with
the Aldine device in gold on both sides, gilt edges.
Venetiis, in aedibvs Aldi, et AndrecB Asvlani soceri,
mense Decembri, M.D.XXIIII., i. e., 1524
VERY RARE. A handsome folio example with the usual device of
" Aldvs M. R." on both the title and last page. Back of the title is — " Fran-
ciscus Asulanus to the reader. "
From the Syston Park Library, and with the "ex-libris" of that collection
inserted.
THE PENE DU BOIS COLLECTION. 179
A VERY RARE ALDINE IMPRINT.
613 ALDUS.— STEUCHUS EGUBINUS (Augustinus) Recog-
nitio Veteris Testamenti ad Hebraicam Veritatem, collata
etiam Editione Septuaginta Interprete cum ipse ueritate
Hebraica nostra q. Translatione, cum Expositione Hebrae-
corum, ac Graecorum, etc. Small 4to, elegantly bound by
R. Storr in green morocco, extra gilt on the back and
sides, with the Aldine device in gold on the sides, green
watered silk ends, inside gold borders, edges gilt.
Venetiis, in aedibus Aldi et Andrem soceri,
MD.XXIX., i. e., 1529
VERY RARE, and so pronounced by Renouard — "volume tres-rare.'" With
the Syston Park "ex-libris" inserted. On the title is the warning: " Ne quis
alius aut Venetiis, aut usquam locorum hunc impune librum imprimat Senatus
Veneti decreto cautum est. MDXXIX."
"Volume rare, compose de 2li ff. chiffr. non compris 2 ff. prelim., et k la
fin une page d'errata,dont le verso est blanc. Ce livre est impr. avec un petit
caract. Rom., mele de Grec et d'Hebreu." — Brunet.
ISOCRATES AND OTHER GREEK AUTHORS, BOUND BY
C. LEWIS.
614 ALDUS. — ISOCRATES nvper accvrate recognitvs, et
avctvs — ISOCRATES, Alcidamas, Gorgias, Aristides,
Harpocration [Rhetores Graeci-Graece cura Aldi
Manutii]. Large 4to. Bound by C. Lewis in morocco
gilt, edges gilt, and with the Ai.dine device in gold on
the sides.
Venetiis, in aedibus haeredum Aldi Manutii, et
Andrece Asulani, mense lulio, M.D.XXXIIII., i. e., 1534
VERY RARE. With the Aldine anchor and dolphin in gold on the title
and last page, also dedication of — ' ' Aldvs Man. Rom. loanni Baptistae Equatio
Veneto, dated 1513. This copy has inserted the Syston Park "ex-libris."
FINE EXAMPLE OF ALDINE TYPOGRAPHY.
615 ALDUS.— GREGORII Nazanzeni Theologi Orationes
Novem Elegantissime. — GREGORII Nysseni liber de
Homine, quae omnia nunc primum, emendatissima, in
lucem prodeunt. 2 vols, in i. Minimo, dark blue mo-
rocco, extra gilt, with the Aldine anchor and dolphin in
gold on the sides, inside gold borders, edges gilt.
Venetiis, in aedibvs haeredvm Aldi, et Andrece Asvlani
soceri, M.D.XXXVI., i. e., 1536
VERY RARE and fine copy from the Syston Park Library, with inserted
heraldic book-plate. The colophon is at the end of the first volume — there is
' none to the second. The Aldine device is on the title of the first volume and
on the last page of the second. •■
A ROMAN SPECIMEN OF TYPOGRAPHY, WITH THE
TYPES OF THE ALDI— 1537.
616 ALDUS.— VALERI ANUS, Compendivm in Sphseram per
Pierivm Valerianvm Belvnensem. With numerous
woodcuts. Minimo, elegantly bound, with many blank
i8o THE PENE DU BOIS COLLECTION.
leaves at the end, in dark bliie morocco, extra gilt, with
the Aldine device in gold on the sides, gilt edges.
Rome, impressit RomcB Ant. Blades Platina
Asulanus, cum priuelgio, nequis alius Imprimat, sub
Anathematis poena, etpecunaria mulcia, ut in Breui
Apostolico continentur, 1537
VERY RARE, not in Renouard, and from the Syston Park Library, with
heraldic book-plate.
The above is printed with the Italic types of the Aldi, of which fonts they had
entire control, and were defended by the Holy See from typographical pirates,
who, offending, are threatened in the colophon with fine and anathema.
FORTUNIO'S ITALIAN GRAMMAR, PRINTED BY THE
YOUNGER ALDUS IN 1541.
617 ALDUS.— FoRTVNio (Messer Francesco) Regole Gram-
maticali della Volgar Lingva, Nvovamente Revisite, et
con somma Diligentia Corrette. Minimo, maroon mo-
rocco, elegantly tooled, with the Aldine device in gold on
the sides, edges gilt, many blank leaves at the end.
Venice, in casd de' figlivoli di Aldo, 1541
VERY RARE, first Aldine edition, with numerous contemporary MS. mar-
ginalia. From the Syston Park Library, with armorial " ex-libris."
" C'est la plus ancienne grammaire Italienne qui ait ete imprimee .... On
compte au moins quinze reimpressions dont trois faites a Venise chez les Aide,
en 1541, 1545 et 1552 pet in 8." — Brunet.
FERRARI'S EMENDATIONS TO CICERO'S PHILIPPICS-
ALDUS, 1542.
618 ALDVS.— HIERONYMI FERRARII ad Pavlvm Manv-
TivM Emendationes in Philippicas Ciceronis — Pavlvs
Manvtivs Aldi F. Cvm Senatvs Veneti Privilegio.
Small 8vo, red morocco extra gilt, edges gilt, with the
Aldine deyice in gold on the sides by R. Storr.
Venice, apvd Aldi filios, 1542
VERY RARE, printed in Italic types with the mark of the Aldi on the title
and the last page. With the heraldic book-plate of the Syston Park Library.
Paulus Manutius Aldus, at the time of the publication of the above, was
just thirty years old, and had given proofs of ripe scholarship.
AN ALDINE IMPRINT IN ROMAN LETTER— 1545.
619 ALDUS.— PARTHENIUS.—Bernardini Parthenii For-
oivliensis pro Lingva Latina Oratio. Small 4to, dark blue
morocco extra gilt, with the Aldine device in gold on the
sides, inside gold borders, gilt edges, blank leaves at the
end (a few pages slightly stained).
Venice, apvd Aldi filios, 1545
VERY RARE, printed in Roman types, with the anchor and dolphin of the
Aldi on the title and last page. With the heraldic book-plate of Syston Park.
THE PENE DU BO IS COLLECTION. i8i
CICERO DE RHETORICA, BY THE ALDI, 1546.
620 ALDUS.— CICERO, In Omnes de Arte Rhetorica M.
TvLLii CiCERONis libros, item in eos ad. C. Herenivm
Scriptos, Doctissimarvm Virorvm Commentaria, in Vnvm
Velvti corpvs redacta, etc. Thick small folio, handsomely
bound by R. Storr in maroon morocco extra gilt, with
the Aldine device in gold on the sides, inside gold bor-
ders, edges gilt (a few pages slightly stained at the bot-
tom). Y cnicQ, apvd Aldi filios, 1546
VERY RARE, from the Syston Park Library, with heraldic book-plate. On
the title is the autograph signature — " Guil von Sestick, 1623," also the Aldine
anchor and dolphin within a floriated ornament. On the last page is the coat-
of-arms of a Cardinal, with the motto " Dvrate " and beneath which are two
angels.
ITALIAN TRANSLATION OF TERENCE BOUND BY ROGER
PAYNE, AND WITH THE ALDUS IMPRINT OF 1546.
621 ALDUS.— TERENCE, Le Comedie di Terentio Volgari,
di Nvovo Ricorrette et a Miglior Tradottione Ridotte.
Minimo. Bound by Roger Payne in red morocco gilt,
edges gilt, with the Aldine device in gold on the sides.
Venice, in casa de' figlivoli di Aldo, 1546
VERY RARE. Printed in Italic types with the Aldine anchor and dolphin
on title and last page. With the inserted " ex-libris " of the Syston Park
library, at which sale the above (lot 1905) was described by the best English
expert, John Bohn, as bound by Roger Payne.
CINTHIUS-A GENUINE AND COUNTERFEIT ALDUS IN
CONTRAST— BOUND BY C. LEWIS.
622 ALDUS. — GiRALDi CiNTHio daFerrara (Giovan Battista)
Orbecche Tragedia, ^«tf vignette portrait of author, 1547;
also —
Orbecche TRAGEDiAdiM. Giovan Battista Giraldi
Cinthio di Ferrara, Venice, in casa de figlivoli d' Aldo,
1543-
ToGETHER2vols.ini. Minimo. Elegantly bound by C.
Lewis in purple morocco gilt, inside gold borders, the
Aldus device stamped in gold on the sides, edges gilt.
VERY RARE, a fine example of C. Lewis's binding, and so described in
the catalogue of the Syston Park Library, the " ex-libris" of which is inserted.
The 1547 imprint is one of the famous Aldine counterfeits. In this volume,
the original Italic types and forgery are side by side.
PAULUS MANUTIUS'S CICERONIC COMMENTARY, PUB-
LISHED BY HIMSELF AND BROTHERS IN 1547.
623 ALDUS.— MANVTIVS (Pavlvs) Commentarivs in Epistolas
CiCERONis ad Atticvm. Thick small 8vo, red morocco,
i82 THE PENE DU BOIS COLLECTION.
extra gilt, with the Aldine device in gold upon the sides,
edges gilt. Venice, apvd Aldi filios, 1547
VERY RARE, with the device of the anchor and dolphin with the legend
"Aldi filii " and with two cupids, satyr's head, etc., and a few lines of old MS.
on title in reference to the mark.
Concerning Paulus Manutius Aldus, vide the note to number 636 of this
catalogue.
THE GREEK ETYMOLOGY, PRINTED WITH THE ALDINE
TYPES IN IS49.
624 ALDUS. — Magnvm Etymologicvm Graec^e Linguae, nunc
recens Summa Adtribita Diligentia Excusum, et Innumer-
abilibus pene Dictionibus Locupletatum, Qvas Vt Facilivs
Cognoscere Lector possit, singulis manus index est
apposita. Adeo vt fere nihil in hoc libro desiderari iam
possit ab iis, qui Graecis Uteris nauant operam. Large
4to, dark blue morocco, extra gilt, with the Aldine device
in gold on the sides, inside gold borders, edges gilt (some
pp. stained).
Venetiis, apud Federicum Turrisanum (Aldus), 1549
VERY RARE, with the Aldine mark on the title and first page of text with
rubricated head-piece, captions and fancy initial. From the Syston Park
Library, with heraldic book-plate.
625 ALDUS.— VICTORIS FAVSTI Veneti Orationes Qvinqve,
eius Amicorum cura quam fieri potuit diligenter impressae.
4to, red morocco extra, with the Aldine device in gold on
the sides, inside gold borders, edges gilt, with blank leaves
at end. Venice, apvd Aldi filios, 155 1
Very rare, and a fine copy with board margins of this handsome Aldine
imprint. With the Syston Park Library book-plate inserted.
626 ALDUS.— STRACCHA (B.). De Mercatvra, sev Merca-
tore Tractavs, Venice, Aldus, 1553; also —
STRACCHA (B.). De Proxenetis et Proxeneteticis Trac-
tatus, Venice, apud lo. Baptistam et Melchiorem Sassam
fr aires, [1552]; also —
SANTERNA (P.). Tractatvs de Assecvratioribus et
Sponsionibus Mercatorum, Venice, apvd Baltassarem Con-
stantinvm, 1552.
TOGETHER 3 vols, in i. Thick minimo, red morocco,
extra gilt, with Aldine device in gold on the sides, edges
gilt. Venice, 1552-53
VERY RARE. From the Syston Park Collection, with heraldic book-plate and
MS. table of contents. The printer's device of the Sessas represents an eagle
with prey — the Aldine mirk is the usual anchor and dolphin, ydth cupids, satyrs,
cornucopias, etc. — and that of the Venetian printer Constantine is two hands,
issuing from clouds, and holding two entwined serpents on a staff, at the head of
which is a bird.
THE PENE DU BO IS COLLECTION. 183
627 ALDUS.— GIOVANNI CRISOSTOMO.archicescov. di Con-
stantinopoli. Libri tre della Prouidenza di Dio a Stagirio
Monaco, etc. Minimo, blue morocco elegant, Aldine
device in gold on the sides, edges gilt.
Venice, appresso il nobile huomo Torresano (Aldus), 1554
VERY RARE. With the Aldine device, different examples, on the title and
above the colophon. From the Syston Park Library, with inserted book-plate.
628 ALDUS.— SANCTI lOANNIS DAMASCENI Adversvs
Sanctarvm Imaginvm Oppvgnatores Oration es TresPEXRO
Francisco Zino Veronensi Interprete. Small Svo, maroon
morocco extra, gilt edges, with the Aldine device on the
sides, blank leaves at the end. Venice, Aldus, 1554
VERY RARE, the Syston Park Library copy, with book-plate. With
charming initial letters and a good specimen of the Aldine press in Roman
letter.
629 ALDUS.— SIGONIUS (Carolus). Fasti Consvlares ac Tri-
umphi Acti a Romvlo . Rege vsqve ad Ti. Caesarem,
eivsdem in Factvs et Trivmphos idest in Vniversam Ro-
manam Historiam Commentarivs, eiusdem de nominibus
Romanarum Liber. Large 4to, dark blue morocco extra
gilt, with Aldine device in gold on the sides, inside gold
borders and gilt edges.
Venice, apud Paulum Manutium, Aldi F., 1556
VERY RARE and a splendid example of Aldine typography. The mark of
the Aldi on the title is vrithin a wreath of fruit and flowers — it is also repeated on
the page after the " Fasti Consvlares. " There are also some charming initial
letters. With the Syston Park Library book-plate.
630 ALDUS.— MANVTIVS (Paulvs). Tre Libri de Lettere
Volgari di. Minimo, purple morocco extra gilt, with the
Aldine device in gold on the sides, dentelle gold inside
borders, edges gilt. Venice, Aldus, 1556
VERY RARE and lettered on back — "Editio princeps." A fine copy and
from Syston Park.
Printed at the author's own typographical establishment, vide number 636.
631 ALDUS.— CICERO, Le Fillipiche di Marco T. Cicerone
contra Marco Antonio, fatte Volgari per Girolamo
Ragazzioni. 4to, maroon morocco extra gilt, with the
Aldine device in gold on the sides, edges gilt.
Venice, appresso Pavlo Manutio, 1556
RARE. From the Syston Park Collection and with inserted heraldic book-
plate. A few pages slightly stained at the bottom.
This edition of Cicero's Philippics in Italian is dedicated by thetranslator to
Girolamo Ragazzoni.
632 ALDUS.— SIGONIUS (Carolus). Emendationvm Libri
Dvo Quorum Argumentum Proximae Pagellse Indicabunt.
1 84 THE PENE DU BOIS COLLECTION
4to, maroon morocco extra gilt, with the Aldine device in
gold on the sides, gilt edges. Venice, Aldus, 1557
RARE and a fine copy of this beautifully printed work with fancy initial
letters and printer's mark of the Aldi. From the Syston Park Library, with
book-plate.
633 ALDUS.— LINACRE (T.). De Emendata Structura Latini
Sermonis libri sex, cum Indice Copiosissimo. Minimo,
green morocco extra gilt, with the Aldine device in gold
on the sides, edges gilt.
Venice, apud Paulum Manutium, Aldi E.,
M.D.LVII., i. e., 1557
RARE and from the Syston Park Collection with inserted " ex-libris." With
the autograph signature on title of " D'Aless. Rossi."
" It has been remarked that though Linacre formed his own style on the
model of Quintillian, he took most of his authorities from Cicero. This treatise
[the above], the first-fruits of English erudition, was well received, and fre-
quently printed on the Continent. " — H ALLAM.
634 ALDUS. — lACOBI GRIFOLI Lucinianensis Orationes
Varies Variis in Locis Habitse. 4to,red morocco, extra
gilt, dentelle gold borders, stamped on the sides with the
Aldine device, gilt edges, by C. Smith. Venetiis, 1557
RARE. A fine copy with fancy initials and excellently printed. With the
inserted book-plate of the Syston Park Library.
63s ALDUS.— FALETI (Hieronymus). Orationes XIL Large
4to, brown morocco extra gilt, dentelle gold inside bor-
ders, with the device of the Aldi on the sides, edges gilt
by R. Storr (title mended). Venice, Aldus, 1558
VERY RARE. These orations, which include one on celibacy and another
on marriage, are principally obituarial and on King Sigismund of Poland, Car-
dinal Estienne, Alfonso Duke of Ferrara, Popes Paul the Third and Julius the
Third, etc. With the heraldic book-plate inserted of Syston Park. This copy in
1649 belonged to the college of the Order of Jesus at Louvain.
636 ALDUS.— ELEGANZE INISIEME con la Copia, della
Lingva Toscana e Latina, Scielte da ALDO MANUTIO
utilissime al comporre nell' una e 1' Altra Lingua. Minimo,
dark blue morocco extra gilt, with the Aldine device in
gold on the sides, inside gold dentelle borders, edges gilt.
Venice, Aldus, 1558
VERY RARE. A fine copy and printed in Italic letter. With the inserted
heraldic book-plate of the Syston Park Library.
Paulus Manutius, the son of Aldus and the author, publisher and printer of
the above, was born in 1512. Bigmore and Wyman write: — " Some say that
he was educated by Erasmus, but the statement is challenged. At an early
age he manifested a great love for learning and books, and labored in various
literary enterprises with the most indefatigable devotion. This excessive labor,
combined with a feeble constitution, soon nearly killed him, and for a time he
was compelled to renounce his studies . He became remarkably well versed in
the Latin language and his library contained copies of all the Roman classics.
Venice was very proud of him, and the Cardinals Bembo and Bernardin Maffeo
especially became his patrons. At the solicitation of Pius IV. he became
THE PENE DU BO IS COLLECTION. 185
head of the Apostolic Printing Establishment, the intention of the Pope (ulti-
mately carried out) in establishing which was the publication of a complete
collection of the Fathers. Manutius was charged, together with J. Poggianus
and C. Amalthee, to write, entirely in Latin,- ' the Catechism of the Council of
Trent.' For this purpose he wept to Rome in 1560, but left there to return
to Venice in 1570. He died in 1572. His son, Aide Manuce, a scholar and
printer of great eminence, continued his publications."
For other works by or on him, vide ante et supra.
637 ALDUS.— PAVLI MANVTII Epistolse, et Praefationes
qvae Dicvntvr. Vignette on title of angel with trumpet and
■motto on globe. Minimo, green morocco, extra gilt by R.
Storr, inside gold dentelle borders, with the Aldine
device in gold on the sides, gilt edges (some pp. stained).
Venice, in Academia Venetia, 1558
VERY RARE and from the Syston Park Library, with "ex-libris" of that
collection. Like the preceding number by Paul Manutius Aldus, and showing
that this famous printer was in correspondence with the most eminent men of
his time.
638 ALDUS.— SIGONIUS (Carolus). Orationes Septem. With
mark of Aldus within wreath on title. Small 4to, green
morocco, extra gilt, with the Aldine device in gold on the
sides, edges gilt, blank leaves at end. Venice, Aldus, 1560
RARE. Printed in Roman letter, with the inserted Syston Park book-plate.
" Sigonio merits the character of the ablest and most successful elucidator of
ancient history and antiquities in the age in which he lived. "^RosE.
639 ALDUS.— I HIERONYMI ] GABVCINII | Fanestris Me-
dici, I ac Philosophi, | de Comitiali Marbo | Libri III. |
cum priuilegio Senatus Veneti. | 4to, maroon morocco,
extra gilt, with the Aldine device in gold on the sides, in-
side gold dentelle borders, edges gilt, blank leaves at end.
Venice, Aldvs, 1561
VERY RARE. From the Syston Park collection, with heraldic book-plate.
Printed in Roman types.
VERY RARE ALDINE IMPRINT BY THE CELEBRATED
ANATOMIST FALLOPIO.
640 Al,puS.— I GABRIELIS | FALLOPPII Me- | dici Mv-
tinensis | Observationes | Anatomicse | ad Petvrvm Man-
UAM I Medicum Cremonensem. | Square minimo, dark
blue morocco, extra gilt, with the Aldine anchor, cable
and dolphin, in gold on the sides, inside gold borders,
edges gilt. Paris, apud Bernardum Turrisanum
via Jacobis, in Aldi bibliotheca, 1562
VERY RARE, from the Syston Park Library, with inserted book-plate. Also
with fleurons, fancy initial letters and the mark of ' ' Aldvs " on the title.
Gabriel Fallopio's — "merits as an anatomist are so great^that Haller begins with
him the epoch of the Italian school of anatomical inventors. His principal work
in this science was ' Observationes Anatomicse,' Venet. 1561, 8vo, several times
reprinted. He was the first who wrote accurately on the vessels and bones of
the foetus. He greatly improved the description of the tubes of the uterus,
which have since borne his name."
1 86 THE PENEDU BO IS COLLECTION.
641 ALDUS.— PORTIO (Camillo). La Congivra de' Baroni
del Regno di Napoli contra il Re Ferdinando Primo.
Bound by Storr in maroon morocco, extra gilt, with the
Aldine device on the sides, inside gold borders, edges
gilt and blank leaves at end. In Roma, 1565
Rare, a handsome specimen of Aldine Roman letter. With the Syston Park
heraldic book-plate inserted, and the Aldine anchor and dolphin on title.
642 ALDUS.— VICTORIUS REATINUS (Marianus). De
Sacramento Confessionis, seu Painitentise Historia, etc.
Rome, apud Paulum Manutium, Aldi F, 1566 ; also —
CONTARENI (Caspar, Cardinal). De Sacramentis
Christianas Legis et Catholicse Ecclesise, Florence, apud
Laurentium Torrentinum, 1553.
TOCETHER 2 vols, in i. Small 8vo, red morocco,
extra gilt, with the Aldine device in gold on the sides,
inside gold borders, gilt edges.
Rome, apud Paulum Manutium^ Aldi E., 1566
VERY RARE, with the Syston Park heraldic book-plate inserted.
SUPERB JEAN GROLIER RELIURE ON A 1566 ALDINE
C^SAR, EDITED BY PAUL MANUTIUS ALDUS.
643 ALDUS.— C. IVLII CAESARIS Commentariorvm. De
Bello-Gallico, Ciuli Pompeiano, Alexandrino, Africano,
Hispaniensi — Callise, Hispanise, locorumq. insignium
pictura Nomina turn Vetera, turn recentia explanata lo.
MiCHAELts. Brvti. SchoUa quibus loci plurimi obscuriores
explicantur Corrigente. Aldo. Manvtio. Pavlli. F.
With maps atid page cuts. Thick minimo, fine old con-
temporary Crolier binding. of dark brown morocco, the
sides and back covered with gilt floriated and scroll work
ornamentation, edges gilt.
Venice, in aedibus Manutianis, 1566
VERY RARE, and a superb piece of Grolieresque tooling, making the
volume fully worthy to have been among the treasures of Jean Grolier.
The printer's device of the Aldi will be'found on both the first 4nd last pages.
The text is in Italic letter.
644 ALDVS. — I DvE Orationi | di Gregorio Nazanzeno |
Theologo, I In una de le quali, si tratta quel che sia
Vescouado, et | 'quali debbiano efferi i Vesconi. | Ne 1'
altra, de 1' amor verso i Poueri. | Et | il primo sermone |
di S. Cecilio Cipriano | sopra 1' Elemosina. | Fatte in
Lingva Toscana ] dal Commendatore I ANNIBAL
CARD. I Col Priuilegio di N. S. PP. Pio V. | Et dell'
111. Sig. di Venetia. | 4to, maroon morocco, extra gilt,
with the Aldine device in gold on the sides, inside gold
borders, edges gilt, blank leaves at the end.
Venice, appresso Aldo Manvtio, 1569
VERY RARE, in Italic letter, with charming initial letters, and the mark
THE PENE DU BOIS COLLECTION. 187
of the Aldi on the title. From the Syston Park collection, with heraldic "ex-
libris. " Dedicated to Cardinal Farnese.
"From him [Annibal Caro] Ve have besides Italian translations from the
Greek of some of the works of Gregory Nazianzen and St. Cyprian, Aristotle's
Rhetoric, and History of Animals, which he left unfinished; several volumes of
his own familiar letters, together with those he wrote in the name of Cardinal
Farnese, are considered perfect models of elegance, grace and simplicity." —
Rose.
64s ALDUS.— I P. TERENTIVS | AFER | A. M. ANTO-
NIO MVRETO j Emendatvs | eivsdem MVRETI Argv-
menta | et Scholia | in Singfvlas Comoedias. | Thick
square minimo, bound by R. Storr in green crinkled
morocco, extra gilt, with the Aldine device in gold on
the sides, inside d,entelle gold borders, edges gilt.
Venice, apud Aldum, 1575
VERY RARE, and the Syston Park copy, with heraldic book-plate. The
first example in the collection printed by the grandson of Aldus Manutius.
On the title-page is an oblong vignette portrait of " Aldvs Pivs Manvtivs,"
the founder of the Aldi, and on the back of the title-page their crest, "an
eagle," their coronet and their arms — "in chief an eagle, in base an anchor
and dolphin," with the legend — " Ex privelgio Maximiliani II. Imp. Caes.
Avg," and below—" Editio Aldi Manutij PauUi F. Aldi IV."
646 ALDUS.— I In I Q HORATII FLACCI | Venvsini
Librum | de Arte Poetica | Aldi Manvstii | Pavlli F.
Aldi N. | Commentarius | Ad Bartholomaeum Capram,
Id. Francisci F. | luriconsultum. | 4to, maroon morocco,
extra gilt, with the device of the Aldi in gold on the sides,
inside gold borders, edges gilt, blank leaves at end.
Venice, apud Aldum, 1576
VERY RARE and from the library of Syston Park, with heraldic book-
plate.
This is a commentary on Horace by the grandson of the elder Aldus, whose
vignette portrait embellishes the title. There are also numerous initial letters
and fleurons, some with nudes.
647 ALDUS.— I PHILIPPI MOCENICI | Archiepiscopi |
Nicosiensis | Regni Cypri, etc. | Vniuersales Institutiones
ad hominum Perf actionem; | quatenus Industria parari
potest. I Large 410, green morocco, extra gilt, with Aldine
device in gold on the sides, inside gold dentelle borders,
gilt edges (some pp. stained). Venice, apud Aldum, 1781
VERY RARE. With the Syston Park book-plate inserted. The mark of
the Aldi on the title is a fine large example. There are also charming head and
tail-pieces and initial letters, as well as a handsome page plate of Renaissance
design at the end of the dedication to Gregory the Thirteenth.
648 ALDO MANNVCCI. Locvtioni di Terentio: ouero Modi
Famigliari di Dire: ne quali con la copie di Forme, e Con-
cetti si possone Latinamente spiegare tutte le occorenze
giornali: selti da Aldo Mannvcci. With vignette and
border on title, fleurons and initial letters, Small 8vo, green
1 88 THE PENE DU BO IS COLLECTION.
morocco extra gilt, with the Aldine device in gold on the
sides, inside gold borders, gilt edges. Venice, Aldus, 1585
VERY RARE, and from the Syston Park Library, with inserted book-plate.
On the title is the MS.: — " Ex libris Jacobi de Benedictis."
649 ALDO MANNUCCI. Eleganze insiene con la Copia della
Lingua Toscana, e I>atina. Scielte da Aldo Mannucci
vtilissime al comporre nell' una, e 1' altra lingua. Minimo,
purple morocco extra gilt, with the Aldine device in gold
on the sides, dentelle inside gold borders, edges gilt, by
C. Lewis. Venice, /r«j-<? ^/(Z^?, 1586
VERY RARE, and from the Syston Park Library sale, with heraldic book-
plate. With engraved border, including the dolphin and anchor of the Aldi,
fleurons and fancy initials. A fine copy with the exception of title mended in
margin and a leaf of the dedication.
EXCESSIVELY RARE ALDUS— ONLY THREE COPIES
KNOWN.
650 ALDUS MANUCCIUS. Inscriptionis Gordianse Vicetiae
Effossae Explicatio. Small 4to, bound by C. Lewis in
dark blue morocco gilt, with the Aldine device in gold
on the sides, dentelle inside gold borders, edges gilt, blank
leaves at the end. [Venice, Aldus, 1588]
EXCESSIVELY RARE, only three copies being known. The above,
which was the Syston Park copy, has a page of manuscript facing the first
leaf.
651 ALDUS.— CONTARINI (Gasparo). Delia Repvblica et
Magistrati di Venetia libri V. di M. GASPARO CON-
TARINI, che su poi Cardinale. With fancy initial letters
and fleurons. Small 4to, maroon morocco extra gilt, the
Aldine device in gold on the sides, gold inside dentelle
borders, edges gilt. Venice, Presso Aldo, 15 91
VERY RARE fine copy, and from the Syston Park Library with heraldic
book-plate. With matter on the same subject by Donato Giannotti, Sebastiano
Erizzo and Bartolomeo Caualcanti.
652 ALDUS.— I MARII NIZOLII | Brixellensis | Thesaurus
Ciceronianas. I In qvo post ipsivs Marii Nizolii
Additiones, | Basilij Zanchi et Doctissimorum aliorum
virorum, addita sunt | multa, et quiden diquissima per
Marcellum Squar- | cialupum, prout legenti patebit. |
Square folio, red morocco extra gilt, with the Aldine
device in gold on the sides, inside gold borders, edges
gilt. Venice, Aldus, 15 91
VERY RARE. From the Syston P^rk Library. With large anchor and
dolphin of the Aldi on title, and head pieces representing the presentation of a
volume to a Roman monarch. The colophon reads: — " Venetiis, MDXCI.
Apud Dominicum Nicolinum," to which might be added — " sed typis' Aldi."
653 ALDUS.— Converso et Passio SS. Martyrum Afr^, Hil-
ARiiE, DiGNiE, EvNOMiiSE, EvTROPi^, quse ante annos
THE PENE DU BOIS COLLECTION. 189
PAULLO minus MCCCC. cum Commentario Marci Vel-
SERi. Small 4to, dark blue morocco extra gilt, with the
Aldine device in gold on the sides, inside gold borders,
edges gilt, with blank leaves at the end.
Venice, apud Aldum, 1591
VERY RARE and fine copy, with the Syston Park book-plate inserted.
Charming initials and head-pieces.
654 ALDUS. — Delia VicissiTVDiNE O' Mvtabile Varieta delle
Cose neir Vniverso Libri XII., di Lvigi Regio Francese
tradotti dal Kr. Hercole Cato. 4to, dark blue crinkled
morocco, extra gilt, the Aldine device in gold on the
sides, inside gold borders, edges gilt, by R. Storr.
Venice, presso A Me, 1592
VERY RARE, with the "ex-libris" inserted of the Syston Park Library.
Printed in Italic types, with charming fleurons and initial letters.
65s ALDUS.— ORIBASII SARDIANI Collectorvra Medici-
nalivm Libri XVII., Qvi ex Magno Septvaginta Librorum
uolumine ad nostram setatem foil peruenerunt, Ioanne
Baptista Rasario, medico, Nouariensi, interprete.
Charming initial letters. Thick small 8vo, red morocco,
extra gilt, with the Aldine device in gold on the sides,
edges gilt.
Venice, apud Paulum Manutium, Aldi E., Cumpriuel-
gio Pont, Max. et Senatus Veneti, in annos XX., n. d.
VERY RARE. From the Syston Park Library, and with this note in MS. on
an end-paper: — " No copy of this edition seems ever to have been sold in any of
the famous collections. Extremely rare, not collated by Renouard, and men-
tioned among his ' Desiderata.' The editors of the ' Serie ' \vide No. 656] had
never seen it, as they merely give it on the authority of Volpi and Crevenna. "
656 ALDUS. — Serie dell' Edizione Aldine per Ordine Crono-
logico ed Alfabetico Terza Edizione con Emendazione e
Giunte. Small 8vo, crinkled purple morocco gilt, with the
Aldine device in gold on the sides, edges gilt, by R.
Storr. Ylorence, Giuseppe Molini, 1803
Rare. From the Syston Park Library, with heraldic book-plate, also with
the armorial "ex-libris of " Sylvester, Lord Glenbervie," on back of title and
the autograph signature on title of that British blue- blood.
The above admirable bibliography of the .Aldine editions has a folded sheet
genealogy of the Aldus Manutius family. It is of five generations, commenc-
ing with Manuzio da Bassiano, father of Aldo Pio Manuzio, whose wife was a
Torresani, and ending with Paolina Manuzio, the great-granddaughter of the
founder of the first Aldine press in Venice. It also shows intermarriages with
the Odoni and Giunta families.
657 ALDI PII MANUTII Scripta Tria Longe Rarissim^ a
Iacobo Morellio denuo Edita et Illustrata. Green mo-
rocco extra gilt, with the Aldine device in gold on the
sides, inside gold borders, gilt edges, blank leaves at the
end. Bassano, typis Remondinianis, 1806
RARE, and from the Syston Park Library, with inserted heraldic book-plate.
It has the anchor and dolphin of the Aldi on the title arid last page.
190 THE PENE DU BOIS COLLECTION.
FIRMIN-DIDOT'S WORK ON ALDUS MANUTIUS— A PRE-
SENTATION COPY FROM THE AUTHOR.
658 ALDE MANUCE et I'Hellenisme a Venise par Ambroise
FiRMiN-DiDOT de I'Academie des Inscriptions et Belles
Lettres. Portraits and fac-dmih. Thick 8vo, sewed,
uncut. Paris, Ambroise Firmin-Didot, 1875
PRESENTATION COPY, with autograph inscription of the author:—" A
Monsieur Reiset Directeur du Musee du Louvre hommage de la part de Ambr.
Firmin-Didot."
The volume is divided as follows: — " Hellenisme dans I'occident "; '' Isabella
D'Este, Marquise de Mantone": " Correspondance Inedite des Refugies Grecs
en Italie "; " Zacharias Calliergi et les Calligraphes Cretois"; " Premieres Im-
pressions Grecques " ; etc.
[The device of the Elzevirs.]
659 ELZEVIR. — Novum Testamentum Gr^cum, ex Regijs
alijsque optimis editionibus cum cura expressum. Minimo,
fine old morocco, tooled, extra gilt, edges gilt.
Leyden, ex officina Elzeviriana, 1624
VERY RARE, with MS. on end-papers and title leaf.
This " Greek Testament " is the first volume issued from the press of the
Elzevirs given in Berard's " Essai Bibliographique sur les Editions des Elze-
virs." None precede it — no work of earlier date is given in the chronological
list of the duodecimos in that authority. Berard says: — " Cette edition du
Nouveau Testament Grec est la premiere qui ait ete donne par les Elzevirs. EUe
passe pour la plus correcte, et celle de 1633 est regardee comme la plus
belle."
The last and best authorities on early printing, Messrs. Bigmore and Wyman,
write as follows respecting — "The Elzevir Family, who flourished in Holland
during the sixteenth and seventeenth centuries, (who) were famous for the ele-
gance of their type, the excellence of their press-work, the accuracy of their
text, and their successful efforts to introduce the duodecimo as an improvement
upon the larger and more expensive forms of books. Their type was highly
esteemed in this country, and furnished the model for that of the First Caslon.
Of twelve printers belonging to this family, at least seven were celebrated for
special excellence.
"Louis Elzevir, the first printer of the family, was born at Louvain, and
established himself at Leyden, His first book was an edition of Eutropius in
THE PENE DU BOIS COLLECTION. 191
1592, and it is excessively rare. He continued to print in that city until his tieath
in 1617. He adopted for his device the arms of the Batavian Republic and the
motto ' Concordia res parvse crescunt, ' which motto, adopted by Jo Steels, with
another device, Brunei and other bibliographers, were led to believe that Elze-
vir's and Steels's devices were the same.
" The five sons of Louis were all printers — the youngest, Bonaventure Elze-
vir, achieving great celebrity as the publisher of the famous duodecimo classics.
Louis, a grandson of the first Louis, was the founder of the Elzevir press of
Amsterdam
" The Elzevirs did not aim at luxury, like the Aldi and the Stephens, for
they printed only one work upon vellum, but devoted their endeavors to fur-
nishing accurate works for common use."
Respecting the Elzevirian device, of which a cut is given above, and which is
on the title of this number and most of those following, the bibliographers just
quoted, say: — " The emblem of the olive tree and vine, under it an old man
gathering fruit, on the other side on a scroll the motto, ' Non Solus ' (not alone),
was a later and better-known mark of these famous printers. The adopting for
their mark of the prolific vine — crowned by Grecian fable as the greatest blessing
to mankind, and the gift of the wise Minerva — was very appropriate for a family
so many in number and so multitudinous in works. "
Another mark of the Elzevirs, and which will be found on the titles of some
of the succeeding numbers represents: — "Minerva and her owl beneath an Olive
Tree with the motto — ' Ne extra olea.' "
SUTHOLT ON UNIVERSAL LAW— BOUND BY ROGER
PAYNE.
660 ELZEVIR.— SVTHOLT (Bernard). Dissertationes Vnde-
viginti quibus Universum Jus Institutionum ex Principiis
Explicatur, etc. Minimo. Bound by Roger Payne in red
crinkled morocco, gilt edges.
Leyden, ex Officina Elzeviriorum, 1633
VERY RARE, fine copy, and not mentioned in Berard, with the buffalo
head-line over the dedication.
This binding is correctly given as Roger Payne's on the authority of the
expert of Sotheby, Wilkinson and Hodge, who catalogued the library of the
late Sir John Hayford Thorold, Baronet, of Syston Park, Lincolnshire, the
book-plate of which collection will be found inserted in the above, as in nearly
all the following numbers of Elzeviriana.
Wherever Roger Payne is represented as the relieur of any volume in this
sub-division, it is asserted upon the expert testimony of that most able of living
British bibliographers, John Bohn.
THE SEVENTEENTH CENTURY ANATOMIST SPIGEL'S
"ISAGOGES"— BOUND BY ROGER PAYNE.
661 ELZEVIR.— SPIGEL {KAxxzxi, philos. ac Medici Patauini).
Isagoges in Rem Herbarium, Libri Duo. Minimo. Bound
by Roger Payne in red morocco, gilt edges.
Leyden, ex officirm Elzeviriana, 1633
VERY RARE, fine copy, unknown to Berard, and with handsomely en-
graved title. From the Syston Park sale, with heraldic book-plate. The en-
graved title is a brilliant impression. Priced $25 in a N. Y. catalogue.
Adrian Spigel, known also as Van den Spigel^ was one of the most eminent
medical writers of the sixteenth and seventeenth centuries. He was Professor
of Anatomy and Surgery at Padua — was made a Knight of St. Mark, and deco-
rated with a collar of gold.
192 THE PENE DU BOIS COLLECTION.
VERY RARE 1634 ELZEVIR IN A ROGER PAYNE
BINDING.
662 ELZEVIR.— IONSTON(Iohan.,2?^f/.7J/>^««). Enchiridion
Ethicvm, ex Sententiossissimis Dictis Concinnatum. Mi-
nimo. Bound by Roger Payne in red morocco gilt, edges
gilt. Leyden, ex officina Elseviriana, 1634
Very rare. Fine copy and from the Syston Park Library. Priced $22. 50
in a New York book catalogue. The author was a learned philological writer, a
talented musician, a college professor and a divine.
THE RAREST ELZEVIR TERENCE, 1635.
663 ELZEVIR.— PVB. TERENTII Comcediae sex ex Recen-
sione Heinsiana. Engraved title. Minimo, green mo-
rocco gilt, edges gilt on red.
Leyden, ex officina Elzeviriana, [635
VERY RARE. The engraved title represents ' ' Scipio crowning Venus,
nude." From the library of "Canheveau adcat. du Roy," vide bis name in
MS. on title. On end paper is the note — " Editio genuina. Lib. rariss,"
This is a rubricated copy. It is the best of the two editions of 1635 and
which Berard says is most sought after by amateurs, having the buffalo's
head over the dedicatory epistle of Heinsius, the Testimonia following, etc.,
and with page loi paginated in error 69, and page 104, 108. It Jias further the
rare index and the vignette portrait of Terence. At the MacCarthy sale a copy
sold for 66 francs — but it has gone up considerably in value within the last sixty
to seventy years.
AN ELZEVIR EDITION OF CALVIN NOT MENTIONED BY
BERARD, BOUND BY ROGER PAYNE.
664 ELZEVIR.— CALVIN (John). Analysis Paraphrastica
Theologicarum, Disputationibus contexta avctore
Daniele Colonio. Thick minimo. Bound by Roger
Payne in red morocco gilt, edges gilt on marble.
Leyden, ex officina Elzeviriana, 1636
VERY RArE. From the Syston Park collection, with library stamp on back
of title and " buffalo's head " cut over dedication. Priced $25 in a New York
book catalogue, vide inserted cutting. Not mentioned by Berard.
CLOPPENBURG'S RARE WORK ON SACRIFICES, AND IN
ROGER PAYNE'S BINDING.
665 ELZEVIR.— CLOPPENBVRG (J.); Sacrificiorvm Patri-
archalivm Scholia Sacra. Minimo. Bound by Roger
Payne in red morocco gilt, edges gilt.
Leyden, ex officina Elseviriorum, 1637
VERY RARE, and from the Syston Park collection. Not mentioned bv
Berard. ■'
THE PENE DU BOIS COLLECTION. 193
PATERCULUS, 1639, BOUND BY ROGER PAYNE.
666 ELZEVIR.— M. VELLEIVS PATERCVLVS cum Notis
Gerardi Vossii. G. F.j With engraved title. Minimo.
Bound by Roger Payne in red morocco gilt, edges gilt
on marble. Leyden, ex officina Elzeviriana, 1639
VERY RARE, the Syston Park copy, and priced $33 in a New York book
catalogue, see inserted cutting.
When the 1520 Froben and original edition of Paterculus appeared it was
considered throughout Italy to be a spurious work, and Asulanus in the preface
to his folio Livy did not hesitate to attack it. The style of Paterculus is pure
and elegant, showing internal evidence of its being genuine.
THE APHORISMS OF CORVINUS, BOUND BY ROGER
PAYNE.
667 ELZEVIR.— ARNOLDI JOHI. F. CORVINI J. V. D.
Digesta per Aphorismos Strictim Explicata. Thick
minimo. Bound by Roger Payne in red morocco, gilt,
edges gilt. Amsterdam, apud Ludov. Elzevirium, 1642
VERY RARE. The Syston Park copy, with engraved title. Under two of
the figures in front are engraved the words " Tribonianus " and " Theophilus."
THE AMSTERDAM ELZEVIR PRESS— AN EXAMPLE
BOUND BY ROGER PAYNE.
668 ELZEVIR.— VERUS (loannes Baptista). Rervm Vene-
tarvm Libri Quatuor ad Illustrissimum Petrum Conta-
RENUM Francisci F. Handsotiie engraved title of armor,
battle scene, arms, etc. Minimo. Bound by Roger Payne
in red crinkled morocco, edges gilt.
Amsterdam, apud Ludovicum Elzevirium, 1644
RARE, from the Syston Park Library. With the "buffalo's head " cut over
both dedication and first page of text.
THE ROMAN JURISPRUDENCE OF CORVINUS, IN ROGER
PAYNE'S BINDING.
669 ELZEVIR.— CORVIN (I.). Ivrisprvdentia Romana H.
VuLTEii Contracta. Fine engraved title, including figure
of " Justice," portrait of the author, etc. Minimo. Bound
by Roger Payne in red crinkled morocco, edges gilt.
Amsterdam, apud Ludovicum Elzevirium, 1644
RARE, from the Syston Park Library.
194 THE PENE D U BOIS COLLECTION.
PORTA ON NATURAL MAGIC— LEYDEN, 1644.
670 ELZEVIR.— PORTA (J. B., Neapolitani). Magise Natu-
ralis Libri Viginti. Engraved title, cuts, fancy initials:
Thick minimo, red crinkled morocco, edges gilt.
Leyden, apud Hieronymun de Vogel
[sed typis Elzevirii\ 1644
VERY RARE. From the Syston Park Library, with heraldic book-plate.
The " buffalo's head cut " of the Elzevirs will be found over the dedication.
Porta was an alchemist of the Arnold Da Villanova and Cardan school. He
was the founder of the " Secreti," a society fashioned somewhat after the style
of our modern Theosophical Societies. He had to defend himself in Rome
from the cjiarge of magical practices.
AN ELZEVIR GROTIUS, HANDSOMELY BOUND BY DURU.
671 ELZEVIR.— H. GROTII et aliorum Dissertationes de
Studiis Institutendis. Fine engraved title. Thick minimo.
Handsomely bound by Duru in crushed green levant
morocco, inside dentelle gold borders, and edges gilt on
marble. Avtxst&rAaxa, apud Ludovicum Elzevirium, 1645
RARE, and a superb copy on thick paper.
' ' Grotius hie Hugo est, Batavum captivus et exul
Legatus regni, Suecia magna tui."
THE LIFE OF ALEXANDER THE GREAT— BOUND BY
ROGER PAYNE.
672 ELZEVIR.— MATTHIA (Christian). Historia Alex-
Ai^jDRi Magni, sive Prodromus Quatuor Monarchiarum.
Minimo. Bound by Roger Payne in red morocco, gilt
edges. Amsterdam, apud Ludovicum Ehevirium, 1645
Rare, and from the Syston Park Library, with inserted heraldic book-plate.
On the printer's device on the title of above Minerva takes the place of the old
Philosopher. Priced $27. 50 in a New York book catalogue.
SUPERB COPY OF CHARRON ON WISDOM AND IN
FRENCH.
673 ELZEVIR.— CHARRON (Pierre). De la Sagesse— Trois
Livres. Handsomely engraved title. Minimo, vellum, gilt
edges. Leyden, chez les Elseviers, 1646
Rare, a beautiful Elzevir with broad margins and " suivant la vraye copie
de Bovrdeavx," with the book-plate inserted — " Bibliotheque de Mr. J.
Renard." The title represents four females tied to a pedestal on which stands
a naked woman, whose visage is seen reflected in a mirror, held by a hand pro-
ceeding from a cloud. Pierre Charro's work on ' ' Wisdom ' is really an abridg-
ment of Montaigne. On account of its scepticism it was threatened with sup-
pression by Parliament.
THE PENE DU BO IS COLLECTION. 195
A 1646 ELZEVIR DEDICATED TO DES CARTES— BOUND
BY ROGER PAYNE.
674 ELZEVIR.— HOGELANDE (Corn. Ab.). Cogitationes,
quibus Dei Existentia; item Animae Spiritalitas, et Possi-
bilis cum Corpore Unio Demonstrantur. Minimo. Bound
by Roger Payne in red morocco, gilt edges.
Amsterdam, apud Ludovicum Elzevirium, 1646
RARE. The Syston Park Library copy, and which was priced $25 in a New
York book catalogue, vide inserted cutting. Dedicated to Rene Des Cartes.
THE EMINENT DUTCH JURIST ARNOLD VINNEN'S " DE
PACTIS"— BOUND BY ROGER PAYNE.
675 ELZEVIR.— VINNIUS (Arnoldus, /. C). De Pactis
Tractatus, edente Simone Vinnio A. F. Philologo. Mini-
mo. Bound by Roger Payne in red crinkled morocco,
gilt edges. Leyden, ex officina Elzeviriorum, 1646
Rare. The Syston Park copy, and which was priced $25 in a New York
book-catalogue, vide inserted cutting. With the buffalo's head twice repeated.
AN ELZEVIR GROTIUS DEDICATED TO MAZARIN AND
IN ROGER PAYNE'S BINDING.
676 ELZEVIR.— GROTIUS (Hugo). Philosophorvm Senten-
tise de Fato et de eo quod in Nostra est Potestate.
Minimo. Bound by Roger Payne in red crinkled mo-
rocco, gilt edges.
Amsterdam, apud Ludovicum Elzevirium, 1648
VERY RARE, and dedicated to Cardinal Mazarin. The Syston Park Library
copy, and priced $33 in a New York book catalogue.
The bibliophile De Thou and Grotius were the warmest of friends, and cor-
responded together until the death of the former. For embracing the tenets of
Arminius Grotius was condemned to perpetual imprisonment, but escaped from
the fortress of Loevestein in a book chest.
LUBIN'S KEY TO THE GREEK LANGUAGE, 1651— BOUND
BY ROGER PAYNE.
677 ELZEVIR.— LVBIN (Eilardus). Clavis et Fvndamenta
Grsecae Lingvas. Minimo. Bound by Roger Payne in
red crinkled morocco, gilt edges.
Amsterdam, apud Ludovicum Elzevirium, 1651
Rare. The Syston Park Library copy, and with inserted heraldic book-
plate .
The celebrated philologist and theologian Eilard Lubin was Professor of
Poetry at Rostoch. Some of his works are devoted to the hypothesis of two
co-eternal principles, God and nothing, of which the latter stood in the place of
the evil principle of the Manicheans and other theorists.
196 THE PENE DU BOIS COLLECTION.
THE FAMOUS ENGLISH JURIST RICHARD ZOUCH'S ELE-
MENTS OF LAW— BOUND BY ROGER PAYNE.
678 ELZEVIR.— ZOVCHEVS (Richard). Elementa Jurispru-
dentiae Definitionibus, Regulis et Sententiis Selectoribus
Juris Civilis, Illustrata. Minimo. Bound by Roger
Payne in red morocco, gilt edges.
Leyden, apud Johannem et Danielem Elsevirios, 1652
VERY RARE. From the Syston Park Collection and with that heraldic
book-plate inserted.
Daniel Elzevir, named on the title of the above, was a son of Bonaventure,
achieved great fame in Leyden, and afterwards at Amsterdam, — " continuing to
print until his death in 1689 . . . His widow carried on the business
after his death; and the last book issued by the family was in 1712 by Abraham
Elzevir, alderman at Leyden, the sole survivor of the family."
HUGO GROTIUS'S MINOR WORKS IN ROGER PAYNE'S
RELIURE.
679 ELZEVIR.— GROTIUS (Hugo). Opuscula-Qusedam Hac-
tenus Inedita Aliaque ex Belgice editis Latine Versa—
Argumenta Theologici, Juridici, Politici. Minimo. Bound
by Roger Payne in red morocco, gilt edges.
Amsterdam, apud Ludovicum Elzevirium, 1652
VERY RARE. With the Minerva and owl cut of the Elzevirs on the title,
also the buffalo-head over the dedication and commencement of text. From the
Syston Park Library sale and priced $22, see inserted book-catalogue cutting.
" ROME ILLUSTRATED, " ELZEVIR, 1657— BOUND BY
ROGER PAYNE.
680 ELZEVIR.— ROMA ILLVSTRATA, sive Antiqvitatvm
Romanarvm Breviarivm, accessit Georgii Fabricii Chem-
nicensis Veteris Romae cum Nova Collatio ex Nova Recen-
sione Antonii ,Thysii J. C. Minimo. Bound by Roger
Payne in red crinkled morocco gilt, edges gilt.
Amsterdam, apud Ludovicum et Danielem Ehevirios, 1657
VERY RARE and fine copy. The false title is engraved, upon which is
depicted a female figure — on the real title is the Elzevir cut of Minerva, her
owl, etc. From the Syston Park sale and priced $30, see inserted catalogue
cutting.
A JURISPRUDENTIAL WORK OF CORVINUS — PRINTED
BY ELZEVIR AND BOUND BY ROGER PAYNE.
681 ELZEVIR.— CORVINUS (I. A.). Posthvmvs Pacianvs,
sev Definitiones luris utriusque, Viri Cl. Iulii Pacii a
Beriga, I. C, Posthume. Minimo. Bound by Roger
Payne in red crinkled morocco, gilt edges.
Amsterdam, apud Ludovicum et Danielem Ehevirios, 1659
Bare and from the Syston Park Library.
THE PENE DU BOJS COLLECTION. 197
HIPPOCRATES'S PRINCIPLES OF MEDICINE— AN ELZE-
VIR IMPRINT OF 1660 IN ROGER PAYNE'S BINDING.
]682 ELZEVIR. — Magni Hippocratis Coi, Medicorum Prin-
cipis, Coacae Prsenotiones, Grsece et Latine, opvs Divinvm,
cum Versione D. Anutii Foesii Mediomatricis et Notis
JoH. JONSTiNi Med. Doct. Thick minimo. Bound by
Roger Payne in red morocco, gilt edges.
Amsterdam, ex officina Elzeviriana, 1660
VERY RARE and from the Syston Park Library. Priced $27.50 in New
York book-dealer's catalogue, vide inserted cutting.
LIFE OF THE FAMOUS FATHER PAUL— BOUND BY ROGER
PAYNE.
683 ELZEVIR.— SARPI (Pere Pavl). La Vie de. Minimo.
Bound by Roger Payne in red crinkled morocco, gilt
edges. Leyden, chez Jean Elzevier, 1661
VERY RARE and from the Syston Park Library. Priced $30 in New York
book-dealer's catalogue, vide inserted cutting.
Father Paul is celebrated in literature as the author of the History of the
Council of Trent. ,
VIOLLET LE DUC'S COPY OF A 1663 ELZEVIR.
684 ELZEVIR.— AEGIDII MENAGII Poemata Qvarta Editio
Auctior et Emendatior. Vignette printer's device. Minimo,
smooth morocco gilt, edges gilt on marble.
Amsterdam, ex officina Elzeviriana, 1663
Rare and from the library of and with the book-plate of " Viollet le Due."
The text is in four languages — Greek, Latin. French and Italian. It also con-
tains verses in honor of the Elzevirs.
CORVINUS ON THE CANON LAW— BOUND BY ROGER
PAYNE.
685 ELZEVIR. — CORVIN (Arnold). Jus Canonicum per
Aphorismos strictim Explicatum. Minimo. Bound by
Roger Payne in red crinkled morocco, gilt edges.
Amsterdam, ex officina Elzeviriana, 1663
VERY RARE, fine copy and from the Syston Park Library, with inserted
heraldic book-plate.
GROTIUS ON THE TRUTH OF THE CHRISTIAN RELI-
GION—BOUND BY ROGER PAYNE.
686 ELZEVIR.— GROTIUS (Hugo). De Veritate Religionis ,
Christianse Editio Novissima. Minimo. Bound by Roger
Payne in red crinkled morocco, gilt edges.
Amsterdam, ex officina Elzeviriana, 1669
VERY RARE, fine copy and from the Syston Park Library, with inserted
heraldic book-plate. Priced $3Q jn New York book catalogue, vide inserted
cutting.
198 THE PENE DU BOIS COLLECTION.
EXCESSIVELY RARE ELZEVIR, PRINTED AT UTRECHT
BY PETER ELZEVIR— BOUND BY ROGER PAYNE.
687 ELZEVIR. — Pauli Colomesii Opuscula. Minimo. Bound
by Roger Payne in red crinkled morocco, gilt edges.
XJtr&cht, apud Eetr urn Elzevir turn, 1669
EXTREMELY RARE and unknown to Brunei, Berard, etc. From the
Syston Park Library, and with heraldic book-plate.
SCHELIUS ON THE LAW OF THE HOLY ROMAN EMPIRE
—IN ROGER PAYNE'S BINDING.
688 ELZEVIR. — Schelius (Rab. Herm.). De Jure Imperii
Liber Posthumus, editus cura Theophili Hogersii. Min-
imo. Bound by Roger Payne in red crinkled morocco,
gilt edges. Amsterdam, apud Danielem Elzevirium, 1671
VERY RARE, fine copy, and priced $25 in New York book catalogue, vide
inserted cutting. From the Syston Park Library, and with heraldic book-plate.
MARINI'S HEROIC POEM OF " L'ADONE "—BOUND BY
ROGER PAYNE.
689 ELZEVIR.— MARINI (J. B.). L'Adone, Poema Heroico,
con gli Argomenti del Conte Sanvitale e I'Allegorie di
Don Lorenzo Scoto. 4 vols, minimo. Bound by Roger
Payne in red crinkled morocco, gilt edges.
Amsterdam, D. Elsevier, 1678
VERY RARE, and from the Syston Park Library, with heraldic " ex-libris."
Priced $33 in a New York book catalogue, vide inserted cutting. Some of the
plates are missing, but otherwise a good copy.
Giambattista Marini, the eminent Italian poet, was bom in 1569 and died in
1625. He was patronized by Marie de Medicis, who settled upon him a liberal
pension. Marini is charged by Italian critics with being the great corrupter of
their poetry, by the introduction of extravagant figures and unnatural conceits,
which were called the stile Marinesco.
' ' Besides his [Marini's] Adone, of which there are many editions, one of the
best of which was that of Elzevir, Amsterdam, 167S, in 4 vols. l2mo, there are
' La Strage degli Innocenti,' ' Rime,' ' La Sampogue,' etc., and also a collec-
tion of letters." — Rose.
TAVERNIER'S VOYAGES, PRINTED BY THE ELZEVIRS.
690 ELZEVIR. — Les Six Voyages de Jean Baptiste Taver-
NiER, Ecuyer Baron d'Aubonne, en Turquie, en Perse et
aux Indes. Numerous plates and maps. 3 vols, minimo,
old calf. [Holland, Elzevir^ 1679
VERY RARE, and vide pp. 214-215 of Berard, as to the fact of this being
printed by the Elzevirs. The title only reads on the imprint — " Suivant la
Copie Imprimee a Paris." The Elzevir head-piece of the buffalo's head will be
found over the dedication "au Roy." A few pp. are slightly stained. Not the
least interesting portion of the work is the— " Relation de I'lnterieur du Serrail
du Grand Seigneur." Berard says it is difficult to find well-preserved copies of
the work, and over sixty years ago quotes a copy having sold at the Meon sale
for sixty francs.
THE PENE DU BO IS COLLECTION. 199
CIACCONIUS'S " DE TRICLINIO," IN FINE OLD GILT
VELLUM BINDING.
691 ELZEVIR.— CIACCONIVS (Petrus, Toletanus). De Tric-
linio sive de Modv Convivandi apud priscos Romanos et
de Convivorum Apparatu accedit Fulvii Ursini. Appen-
dix et HiER. Mercurialis de Accubitus in Ccena Anti-
quorum Origine Dissertatio. Engraved title and plates.
Minimo, vellum gilt, with coat-of-arms, coronet and sup-
porters stamped in gold on the sides.
Amsterdam, apud Henr. Wetstenium,
(sed typis Elzevirii,) 1689
VERY RARE and good piece of old vellum gilt binding, with heraldic
devices on both sides. This was a college prize in 1705 to — " Samueli Hoog-
stratano." The volume is devoted to an account of old Roman banquets,
cooking, etc.
692 ELZEVIR.— CATULLUS, TIBULLUS et PROPER-
TIUS accedunt Fragmenta Cornelio Gallo Inscripta.
Exquisitely engraved fronts., head and tail pieces. Minimo,
calf gilt, edges gilt. Leyden, 1743
Rare. With three titles, each of which has the printer's device of the Elze-
virs, ' ' an old man gathering fruit from an olive tree, upon which is the motto
' non solus '." Without the name of either printer or publisher.
LARGE PAPER COPY OF BERARD'S VALUABLE
ELZEVIRIAN BIBLIOGRAPHY.
693 ELZEVIR. — EssAi Bibliographique sur les Editions des
Elzevirs les plus Precieuses et les Plus Recherchdes pre-
cede d'une Notice sur ces Imprimeurs C^lfebres [par S.
B^rard]. Eront. of coat-of-arms and vignette on title. 8vo,
half morocco. Paris, Firmin Didot, 1822
LARGE PAPER, thick paper and totally uncut. A thorough bibliography and
history of the Elzevirs. It is now rare in any state.
THE PENE DU BOIS COLLECTION.
V. pMixrgr^irltg
Authorities on Literature, Binding, Book-plates, etc.,
also Rare Book Catalogues.
" Cataloguing is a handicraft just as much as any other mechanical trade; an
art to be learned by attention and diligent practice. When amateurs get to-
gether and talk about catalogues, the question is sure to come up 'What arrange-
ment do you prefer !' To discuss arrangement before you can prepare a title
for a catalogue is as if you would be a colorist before you can draw an outline."
— Blackburn.
694 ALBERT (Paul). La Litterature Franfaise des Origines a ,
la Fin au Dix-Huitifeme Siecle. 3 vols, small 8vo, sewed,
uncut. Paris, 1883-84
69s ASSELINEAU.— L'Enfer du Bibliophile vu et decrit par
Charles Asselineau. Small 8vo. Bound by V. Champs
in crushed blue levaint morocco, top edge gilt, others
uncut, with the covers bound in.
Paris, Jules Tardieu, i860
A remarkable work entitled " The Bibliophile's Hell." It could only have
been written by a Frenchman.
696 AsTOR Library. Catalogue of Periodicals and Serials, 1882;
Annual Reports, 1882-84; also Recent Accessions to July,
1885. Together 5 pieces. 8vo, paper. N. Y., 1882-85
THE PENE DU BOIS COLLECTION. 201
BARBIER'S BIBLIOGRAPHY OF ANONYMOUS WORKS.
697 BARBIER (Ant. Alex.). Dictionnaire des Ouvrages Ano-
nymes, Troisi^me Edition, revue et augment^e par MM.
Olivier Barbier, Ren£ et Paul Billard de la Biblio-
thfeque Nationale: Suite de la Seconde Edition des Super-
cheries Litteraries D^voil^es par J. M. Qu^rard publi^e
par MM. Gustave Brunet et Pierre Jannet, avec une
Table G^n^rale des Noms Reels des Ecrivains Anonymes
et Pseudonymes cites dans les Deux Ouvrages. 4 vols,
large 8vo, half green morocco, gilt. Paris, 1872-79
A work of incalculable value to librarians, bibliophiles and bibliographers, as
it is really a supplement to both Querard and Brunet. Two of the principal
members of the staff of the National Library of France have edited the four
volumes, which are complete. There is also a valuable table of Pseudonyms and
Anonyms, from which authorities on noms-de-plume have stolen without ac-
knowledgment.
BAUCHART'S WOMEN BIBLIOPHILES OF FRANCE— ONE
OF 50 COPIES ON CHINA PAPER.
698 BAUCHART (Ernest Quentin). Les Femmes Bibliophiles
de France (XVIe, XVIIe et XVIIIe Si^icles). With nu-
merous page coai-of-arms of distinguished women bibliophiles
— examples of bindings in their libraries — vignettes, head and
tail pieces, etc. 2 vols, large 4to, paper, uncut.
Paris, Damascene Morgand, r886
China paper copy. Of this most valuable work on heraldry, book-binding
arid bibliophilism only 350 copies were printed in all. This is No. 29 of fifty
copies entirely on China paper.
699 BEAUCHAMPS (J. de) et ROUVEYRE (Ed.). Guide
du Libraire-Antiquaire et du Bibliophile Vade-Mecum a
I'usage de tous ceux qui achetent ou vendent les Livres,
Livraisons 1-9 inclusive. Facsimiles, plates in metals and
colors of binding, samples of papers, etc. Large 8vo, sewed.
Paris, 1882-84
Limited edition of 100 copies on Japan, China and Seychall Mill papers.
700 BEHAGUE (Le Comte Octave de. Member of the Society of
French Bibliophiles'). Livres Rares et Curieux, composant
la Bibliothfeque de. 2 vols, large 8vo, sewed, uncut.
Paris, Ch. For quel, 1880
This wonderful collection was sold at the Hotel Drouot. The first part alone
of the above, consisting of 1985 numbers, sold for 652,910 francs. Part I of
this copy is priced in MS.
701 BENZON. — Catalogue des Livres Rares et Precieux Manu-
■ scrits et Imprimis provenant de la Bibliotheque de feu M.
Benzon. Large 8vo, sewed, uncut.
Paris, Bachelin-Deflorenne, 1875
Thick paper copy. Priced throughout by hand, with the names of the pur-
chasers. This was an extraordinary collection of bibliophilistic gems, MSS. , Incun-
ables, Aldines, Elzevirs, etc.
202 THE PENE D U BOIS COLLECTION.
702 BERALDI (Henri), 1865-1885, Bibliotheque d'un Biblio-
phile. 8vo, sewed, uncut. , Lille, L. Daniel, 1885
JJo. 19 of a limited edition of 200 copies on laid paper. This is a model
catalogue of a private library. M. Beraldi's collection is strong in Incunables,
MSS., Illustrated i8th century Facetis, Elzevirs, etc.
703 Berry (Duchesse de). Catalogue de Bibliotheque de.
Large 8vo, sewed, uncut. Paris, Labitte, 1885"
' 704 BIBLIOGRAPHER (The). A Journal of Book- Lore.
. A« *ira Vols. I to 4 inclusive. 4to, half roan, cloth sides.
London, Elliot Stock, 1882-83
THE "BIBLIOPHILE FRANCAIS "—SEVEN VOLUMES,
BOUND BY BELZ-NIEDREE.
705 BIBLIOPHILE FRANgAIS (Le)— Gazette Illustree des
Amateurs des Liv'res, d'Estampes et de Haute Curiosity.
Profusely illustrated with portraits of distinguished biblio-
philes, facsimiles of bindings, title-pages, etc., also numerous
illustrations in the text of coat armor, bindings, etc. Vols, i
to 7 inclusive. Thick large 8vo. Handsomely bound by
Belz-Niedree, in half red crushed levant morocco, top
edges gilt, others uncut. Paris, 1868-73
Very scarce. Published by Bachelin-Defiorenne and printed on " papier
verge " by Jules Eonaventure and Alcan-Levy.
706 Bibliotheque (La), de mon Oncle. Front, on India
PAPER {foxed slightly). 8vo, half morocco.
Geneva, imprimerie de la Bibliotheque Universelle, 1832
Very rare. Large paper and thick paper copy of the original edition of
this curious work of Topffer.
707 BIBLIOTHEQUE POETIQUE d'un Amateur. Catalogue
de. Large 8vo, sewed, uncut.
Paris, Auguste Aubry, 1869
Thick paper copy, priced by hand. This collection sold for 85,426 francs,
and consisted of — French and Italian poetry, books on vellum, remarkable
bindings, etc.
BIGMORE AND WYMAN'S BIBLIOGRAPHY OF PRINTING.
708 BIGMORE (E. C.) and WYMAN (C. W. H.). A Bibliogra-
phy of Printing, with Notes and Illustrations. Profusely
illustrated with fac- similes, portraits, etc. 3 vols. 4to, half
morocco, cloth sides, totally uncut.
London, Bernard Quaritch, 1880-86
Limited edition and printed for subscribers only. The latest and best
authority on bibliography in it being the kernel of all that has been written in
this direction by Panzer, Hain, Brunet, Lowndes, cum multis aliis.
" Mr. William Blades, Mr. Theodor Goebel, of Stuttgart; Mr. John Hessels,
of Cambridge; Mr. Louis Mohr, of Strasbourg; Mr. Theo. L. De Vinne, of
New York, and Mr. Van de Hagen, of Ghent, — names of the highest eminence
in this department of bibliography,— have all rendered invaluable aid, and con-
tributed most materially to the carrying out of an, enterprise, the results of which
are now in the hands of the reader." — Preface to Vol. III., 1886.
THE PENE DU BOIS COLLECTION. 203
709 BLANC (Marie, Madame Veuve). Catalogue de Livres
Anciens at Modernes de Littdratureetd'Histoire, Ouvrages
sur les Beaux-Arts, Grand Livres a Figures, etc. Large
8vo, sewed, uncut. Paris, 1882
Priced catalogue of 2,357 lots. This was one of the great Paris book-sales at
the Hotel Drouot and had an unique and immense collection of Napoleoniana.
The catalogue was printed on thick hand-made paper by Jouaust.
710 BOND (L. Montgomery, of Philadelphia). Catalogue of
Books, Autographs, Coins, etc. Sold at the Clinton Hall
Book Sale Rooms. Large 8vo, half morocco (last leaf
cut). N. Y., Leavitt, Strebeigh &= Co., Auctioneers, 1870
Large paper. This is an old-time catalogue of the Leavitts, a bibliopohstic
auction house, which keeps up its old reputation, has never failed and never can.
" The New York World " said through " Sol Pringle " in his " Sunday Chat,"
of Sunday, April 3d, 1887 : — ' ' If I should ever have a valuable collection of paint-
ings or books and wanted to auction them off, I think, in fact I know, I would
call upon George A. Leavitt & Co., the art auctioneers, at No. 787 Broadway,
to sell them for me. This house, founded forty years ago by James E. Cooley,
gives the public confidence in everything it sells. It has facilities for reaching
all people which other auction houses do not possess. They have conducted
many fine art sales, notably the J. A. Harper sale, at which $ioo,ooo was real-
ized; the sale of John Wolfe's collection, which netted $115,000, and J. C.
Runkle's art treasures, which were sold for $70, 000. Among the valuable libraries
sold by this house, I recall just now the sale of William Menzies's for $50,000,
, George Brinley's for $114,000, Joseph J. Cooke's, $70,000, Henry C. Murphy's
$50,000, and R. M. Dorman's, $24,000. George A. Leavitt & Co. also sold
August Belmont's, Legrand Lockwood's and F. S. Cozzens's collections of paint-
ings. The firm also conducts private house sales, as it did in the case of Mrs.
Mary E. Feyh's collections, at Which $12,000 was realized, and in the case of
Richard R. Haines's treasures, which sold for $10,000, and other noted sales too
numerous to mention."
711 BoBAN Collection of Antiquities, Curios and Coins, also
Books, Manuscript and Printed [Catalogued by Charles
SoTHERAN and Ed. Frossard]. With illustrations by
Paul Frenzeny. Large 8vo, sewed, totally uncut.
N. Y., Geo. A. Leavitt Ss' Co., 1886
712 BONNAFFE (Edmond). Les Amateurs de I'Ancienne
France. — Le Surintendant Foucquet. Numerous illus-
trations. Large 4to, sewed, uncut. Paris, 1882
713 Book-Lore, i8 parts; a/.f^' The Antiquary, 2 parts. Together
20 parts. 4to, paper. London, 1884-86
714 BOOKMART (The). From May, 1883 [Vol. i, No. i], to
August, 1886, being Vols, i, 2 3, complete, and part of
Vol. 4. Together 39 parts. Large 8vo, sewed.
Pittsburgh, 1883-86
Edited by Richard Halkett Lord, the stepson of Horace Mayhew.
' ' That charming litterateur Richard Halkett Lord, whose sparkling Dibdinian
verses printed in the ' Bookmart ' have evoked so much enthusiasm, will be our
new editor. Mr. Lord is eminently qualified for the position. An old-time
editor, a book critic, an author an4 an ardent bibliophile, he is the nian for tbe
204 THE PENE DU BOIS COLLECTION.
place. No one living on this continent has a better right than he has to occupy
our editorial chair. Mr. Lord has also been an intimate friend of some of the
great lights of contemporaneous English literature, including Thackeray and
Dickens. With young Charles Dickens he compiled the ' Life of Charles
Mathews ' and both the ' Dictionaries of the Thames and of London. ' Mr.
Lord has not only held editorial positions in the British metropolis but also at
its antipodes, in New Zealand. With such a record, to say nothing of his laurels
as a soldier and lawyer, Mr. Lord will bring to the editorship of this journal a
mine of book learning. "— The Bookmart.
715 [BossANGE (Hector).] Ma Bibliotheque Fran9aise. Small
8vo, half morocco, top edge gilt, others uncut.
Paris, J. Claye, 1855
Very SCARCE. Compiled by the head of the firm of "Hector Bossange et
Fils," on a similar plan to that of Henry Stevens' "My English Library."
This is a presentation copy, with the MS. inscription: — "au Rev. E. H. Chas-
sin, avec les assurances respectueuses de son obeissant serviteur, Hector Bos-
sange. Paris, 30 Mars 1S59."
716 BoucHOT (Henri). Le Livre — I'lllustration — la Reliure.
Numerous facsimiles of type, printers' marks, illustrations
and bindings. Small 8vo, fresh cloth. Paris, Quantin, n. d.
717 BoucHOT. Another copy of the same.
718 BOULMIER (Joseph). Etudes sur le Seizieme Siecle—
EsTiENNE DoLET, sa Vie, ses CEuvres, son Martyre.
Portraits, one on India paper and two duplicates, ordinary
impressions. Small 8vo, paper, uncut.
Paris, chez Auguste Aubry, 1857
Rare and limited edition, printed by Herissey — 50 on papier verge, 4 on
" papier de couleur," and 446 on "papier velin," of which the above is one of
the last-named.
This volume is dedicated to the late Ambroise Firmin Didot, and it tells the
tragic story of Estienne Dolet, who was burnt at Paris, in 1546, in consequence
of his refusal to retract heretical opinions expressed in a book printed by him.
719 BROOKLYN LIBRARY CATALOGUE, Analytical and
Classed, of Authors, Titles, Subjects and Classes. Thick
large 4to, fresh half morocco gilt, cloth sides, marbled
edges. Brooklyn, 1881
This is one of the best library bibliographies ever compiled for reference
purposes. Its I, no pages are a model for all librarians to follow. As a reference
work it is indispensable.
720 BRUNET (Gustave). La France Litt^raire au XVe Siecle.
8vo, cloth, uncut. Paris, A. Franck, 1865
Rare. This volume, printed by Jouaust, and limited to 300 copies, is a
" catalogue raisonne " of works in every department of literature imprinted in
the French language up to the year 1 500.
721 [BRUNET.] Bibliomania in the Present Day in France
and England ; or some Account of Celebrated Recent
Sales giving the prices at which the more important books
were sold, together with the prices brought by the same
THE PENE D U BOIS COLLECTION. 205
books in previous sales. From the French of Philom-
NESTE Junior [Gustave Brunet], with a Notice and
portrait of Trautz-Bauzonnet. 8vo, vellum, paper
cover. N. Y., 1880
722 BRUNET (Jacques Charles). Catalogue des Livres Rares
et Pr^cieux composant la Bibliotheque de, Premiere
Partie, Belles Reliures Anciennes et Modernes, etc., par-
tially priced ; the same, Deuxieme Partie, Ouvrages de
Divers Genres, etc. ; the same, Catalogues des Auto-
graphes Pr^cieux ; the same. Table Alphabetique des
Noms d'Auteurs. Together 4 vols. Half crushed red
levant morocco, top edge gilt, others uncut, by Rousselle
(i) and sewed (3). Paris, 1868
The catalogue of the private library of the author of the " Manuel du
Libraire," with a biographical account of forty pages of this eminent bibliophile
and authority.
723 Brunet. The same, "Premiere Partie." i vol. sewed.
724 Burton (John Hill). The Book-Hunter. Front. Small
8vo, half morocco, totally uncut. Edinburgh, 1885
A dainty little volume, full of the crumbs of conceit and the flowers of fancy,
forming an entertaining literary and bibliographical treat, dealing in a most de-
lightful way with the nature and functions of the Bibliomaniac, with numerous
anecdotes.
725 Campbell (Archibald, of Germantown). Catalogue of the
Library of. Large 8vo, half roan, top edge gilt, others
uncut. Phila., 1883
Priced neatly in MS.
726 CATALOGUES des Livres Rares et Pr^cieux composant la
Bibliotheque de M. P. G. P. Large 8vo, sewed, uncut.
Paris, Durel, 1882
Priced throughout in MS. The above is printed on toned paper, and has
numerous MSS. The prefatory pages are 23 in number.
727 Catalogue de Beaux Livres, Anciens, Rare et Curieux, etc.,
formant une Partie de la Bibliotheque de M. le Marquis
de G. . . . L. . . . 8vo, sewed, uncut.
Paris, Jules Martin, 1883
Priced catalogue in MS. Principally consisting of Manuscripts and Incun-
ables from the Didot, Yemeniz and other sales.
728 Catalogue Detailld, Raisonn6 et Anecdotique d'une Jolie
Collection de Livres Rare et Curieux. 8vo, sewed, uncut.
Paris, 187 1
Large paper and printed on thick paper. A most carefully compiled biblio-
graphy of a very curious collection, comprising many erotica.
729 Catalogue of a Magnificent Collection of Manuscripts
(491 lots). 4to, paper, uncut.
London, Sotheby, Wilkinson &' Hodge, 1876
2o6 THE PENE DU BOIS COLLECTION.
730 CAZIN (Hubert Martin). Cazin, sa Vie et ses Editions
par "un Cazophile." 8vo, cloth, by Planson.
Cazinopolis (Chalons-sur-Marne), 1863
Large paper, one of a limited edition of fifty copies, printed by T. Martin,
on "papier verge de Hollande," and edited by Brissart-Binet, bookseller at
Rheims.
731 CHASSANT (Alph.). Paleogra'phie des Chartes et des
Manuscrits de Xle au XVIIe Siecle. With folded fac-
simile plates. Small 8vo, fresh crushed dark green levant
morocco, top edge gilt, others uncut, covers bound in — by
Bradstreets. VaxKz, Auguste Aubry, 1876
Limited edition on papier verge. Of the greatest assistance in deciphering
ancient MSS.
732 Clarens (Jean Paul). Ecrivains et Penseurs, Essais
Critiques. Small 8vo, paper, uncut. Paris, 1886
Preceded by a letter from Sully Prudhomme, of the Academie Franf aise.
733 Cohen (Henry). Guide de I'Amateur de Livres a Vig-
nettes du XVnie Siecle. With etched front, by J. Chau-
VET. 8vo, sewed, totally uncut. Paris, Rouquette, 1873
No. 238 of limited edition of 550 copies on Whatman and Holland papers.
The above is the second edition, with double the number of articles .than in
the preceding issue. It also gives complete lists, of the works of Le Sage and
Restif de la Bretonne.
734 CRITIC (The). A Literary Journal, Critical and Eclectic.
Illustrated. Vols, i to 3 inclusive, Old Series; also Vols, i
and 2, New Series. Together 5 vols. Large 4to, fresh
cloth. N. Y., 1881-84
735 CUSHING (William, B. A.). Initials and Pseudonyms, a
Dictionary of Literary Disguises. Thick 8vo, fresh cloth,
beveled sides and interleaved for additions. N. Y., 1885
' ' Lefe revelations des auteurs anonymes et pseudonymes sont non-seulement
piquantes pour les gens du monde mais encore importantes pour I'historien lit-
teraire et le biographe ; ce sont la des myst^res des litterateurs que les erudites
on toujours cherche a decouvrir." — Querard.
736 [Delbergue-Cormont, ancien commissaire priseur.\ Cata-
logue des Livres Rares et Pr^cieux Manuscrits compo-
sant le Cabinet de. 8vo, sewed, uncut.
Paris, Forquet, 1883
Partially priced by hand.
737 D'HEILLY (Georges). Dictionnaire des Pseudonymes.
Small 8vo, sewed, uncut. Paris, 1869
A food digtjpnary of pseudonyms,
THE PENE DU BOIS COLLECTION. 207
DIBDINIANA.
738 DIBDIN (Thomas Frognall). BIBLIOTHECA SPEN-
CERIANA. Large 8vo, half russia.
UNIQUE and from the Library of "John Bailey Langhome," whose heraldic
book-plate is inserted on an end paper.
The above is lettered " Vol. II.," and consists of 500 pag;es of paginated re-
vises, with the manuscript corrections and considerable additions in MS. of the
great bibliographer, Thomas Frognall Dibdin. It shows how a careful describer
of rare books went over and over his proofs again and again, allowing no errors
to creep into his text if possible.
These revised page proofs are a lesson to bibliographers and printers. They
show what patience and perseverance are necessary, both on the part of a com-
piler, who does his allotted task with as scrupulous care as he can, and of the
typographer, who takes a genuine interest in the labor, which to him should be
both profit and honor.
But then Dibdin was not superficial. He was a bibhographer, "whose like
we ne'er shall look upon again, " and whose printers, like Buhner and Savage,
were ripe scholars of the character of Caxton and the Aldi, who loved their pro-
fession for the sake of knowledge, which is power.
S. Austin AUibone observes; — " Now, of all Englishmen who have ever
lived, there never was a man better suited to make a dry study attractive, and a
learned subject plain, than Dr. Dibdin of Roxburghe memory. This magician
could, with his pen, dress up a begrimed, uncouth-looking volume, in more
attractive style than could Grolier's binder with his most cunning tools. He
could convert ' Belindas ' and ' Almasas ' into Bibliomaniacs, and make a
dry catalogue of old English poetry more attractive than the last novel. It was
but necessary for him to apply the epithets ' excessively rare,, or ' exceedingly
curious,' and the neglected Caxton in your garret would buy you a year's cloth-
ing for your household, and the old family Bible would defray your Christmas
festivities. "
Dibdin's symptoms of the Book Disease are, (i) a passion for large paper, (2)
uncut, (3) illustrated, (4) unique, (5) vellum copies, (6) first editions, (7) true
editions, and (8) Black Letter, (9) private distribution, or at a private press, (10)
all the editions, or (11) connected with a particular author or subject. His
probable means of cure are, (i) directing our studies to useful works; (2) reprint-
ing scarce, and intrinsically valuable, productions; (3) editing our best ancient
authors, in prose or poetry, (4) erecting public institutions, and (5) studying
bibliography.
739 DIBDIN. .^DES ALTHORPiANiE ; or, An Account of the
Mansion, Books and Pictures at Althorp, the Residence of
George John, Earl Spencer, K.G., to which is added
a Supplement to the Bibliotheca Spenceriana. With 32
beautiful engravings of the most important pictures in the
gallery, and charming woodcuts on India paper. 2 vols,
large Svo, half russia gilt, marbled sides and edges.
London, Shakespeare Press, 1822
A VERY FINE and UNUSUALLY TALL COPY of this magnificent work. See the
author's " Reminiscences," II., 557-94, for the interesting account of the pub-
lication of this work, where it appears that the cost of engraving the portraits
was upwards of ;^2,ooo.
" This work is intended as a Supplement to the Bibliotheca Spenceriana,
forming Vols. 5 and 6. It contains an account of the ancestors of Earl Spencer,
a history of the mansion, with an account of the pictures, and 32 engravings of
the most important in the gallery, a systematic catalogue of editions of the
2o8 THE PENE DU BOIS COLLECTION.
Scriptures, an account of the Aldine editions, not contained in the former
volumes. A supplement to the worlcs printed in the fifteenth century." —
Lowndes.
740 DIBDIN. Bibliomania, or Book-Madness; a Biblio-
graphical Romance. New Edition, edited by Walmsley,
with a Supplement, and Key to the assumed characters in
the Drama. Steel front, and wood engravings. Large 8vo,
half roan, totally uncut (rubbed and slightly foxed).
London, 1842
Best edition, large paper, and very scarce in this slate. The word
" Book-Madness " is printed in red, and it also contains a brilliant impression
of the inserted portrait of "Mary, Queen of Scots," at page 254, which is
lacking in most copies. To this improved edition is added Preliminary Obser-
vations, a Supplement continuing the work, a Key to the Characters, and a
reprint of the " Epistle Addressed to Richard Heber" from the First Edition
of 1809.
Lowndes thus speaks of the Bibliomania: — "The Bibliomania is written in
dialogues or conversations, the characters introduced are well-known book col-
lectors of the author's acquaintance. The great; value of the work is in the
notes, which abound with anecdotes of Books and Book Collectors, and an
account of the rarer articles in their collections, and the prices at which they
were sold, extracted from the sale catalogues. This work has in a great degree
given a stimulus to the collecting of our early literature, and bibliography in
this country, on which subjects it will be always consulted as an authority. —
The characters personified are Aurelius, G. Chalmers, Esq.; Atticus, Richard
Heber, Esq.; Alfonso, Mr. Morell; Bernardo, J. Haslewood, Esq.; Gonzalo,
J. Dent, Esq.; Hortensius, W. BoUand, Esq.; Leontes, J. Bindley, Esq.;
Lepidus, Dr. Gosset; Lysander and Rosicrusius, the Author; JLoretizo, Sir M. M.
Sykes, Bart. ; Lavinia's husband, J. Harrison, Esq. ; Lisardo, R. Heathcote,
Esq.; Marcellus, Edmond Malone, Esq.; Mustafha, Mr. W. Gardiner;
Menander, Tom Warton; Malvolio, — ; Menelaus, Rev. H. Drury;
Mercurii, foss. Triphook and Griffiths; Nicas, G. Shepherd, Esq.; Narcotus,
Rev. J. Jones; Orlando, M. WodhuU, Esq.; Prospero, F. Douce, Esq.; Phile-
mon, J. Barwise, Esq.; Phormio, Rev. H. Vernon; Quisquilivs, G. Baker,
'Esq.; Rinaldo, Mr. Edwards; Sir Tristram, Sir Walter Scott, Bart.; Sycorax,
Joseph Ritson; Ulpian,'&.N. Utterson, Esq. Some copies have the words
' Book-Madness ' in the title-page printed in red. It was published at £,x 7s.,
and has brought ;^8 8s."
741 DIBDIN. Bibliomania, or Book-Madness, a Biblio-
graphical Romance. New Edition, with a Supplement,
and Key to the assumed characters in the Drama. Steel
front., engravings and rubrications. Thick 4to, half green
morocco, cloth sides, top edge gilt, others uncut, Rox-
burghe style. London, 1876
Large paper. "You have contrived to strew flowers over a path which, in
other hands, would have proved a very dull one; and all BibUomanes must
remember you long, as he who first united their antiquarian details with
good-humored raillery and cheerfulness." — SiR .Walter Scott to Dr.
DiBDIN.
742 DIBDIN. The Bibliographical Decameron; or, Ten
Days' Pleasant Discourse upon Illuminated Manuscripts
and Subjects connected with Early Engraving, Typo-
graphy and Bibliography. With numerous plates, fac-
THE PENE D U BOIS COLLECTION. 209
similes, and steel vignettes, many on India paper. 3 vols,
large 8vo, boards, top edges gilt (imperfect, 18 leaves and
several plates lacking).
London, printed for the author by W. Bulmer 6- Co.,
Shakespeare Press, 1817
The "beautiful specimen "of printing in gold, "glittering like the sun,"
missing in many copies, will be found in its place on page 417, Vol. II.
"The dialogue (of the Bibliographical Decameron) is cleverly sustained, and
the occasional Socratic form affords opportunity for numerous sallies of wit,
while the information conveyed is of more value than that contained in any other
of the doctor's works which affect greater sincerity."
The late Mr. Freeling, a distinguished book collector, enthusiastically
remarked — " If the gods could read, they would never be without a copy of the
Decameron in their side pocket! "
743 DoRMAN (Rushton M., of Chicago, Illinois). Catalogue of the
Library Manuscripts and Prints of, [compiled by Charles
Sotheran]. Large 8vo, sewed, uncut.
N. Y., George A. Leavitt &• Co., 1886
Thick paper, limited edition of twenty copies. 353 pages, 1,810 numbers,
and produced over $24,000, an average of over $13 a lot; one, the famous
" Sforza Missal," selling for $1,500.
744 EDWARDS (Edward). Lives of the Founders of the
British Museum; with Notices of its Chief Augmentors and
other Benefactors, 1570-1870. Front., vignette on title and
colored Hans. Thick 8vo, cloth, uncut. London, 1870
This valuable work is in a large measure based upon documents previously
unused and upon personal examination of the collections in the British Museum
gotten together by Cotton, Arundel, Harley,Compton, Sloane, Hamilton, Charles
Towneley, Payne Knight, Lansdowne, Bridgewater, George III., Banks,
Cracherode, Grenville, Fellows, Layard, Cureton, etc.
745 EUDEL (Paul). L'Hotel Drouot et la Curiositd en 1883,
en 1883-84, and en 1884-85. 3 vols, small 8vo, sewed,
uncut. Paris, 1884-86
The earlier volumes, each complete in itself, of these interesting books on fine
art and library auction sales in Paris will be found in the " Art Division,"
number 114.
746 Farnum (Alexander). Catalogue of Library of, [compiled
by Charles Sotheran]. Front. Thick large 8vo, sewed,
uncut. N. Y., George A. Leavitt &• Co., 1884
" To enumerate the riches of the Farnum Library would be to transcribe
almost the whole catalogue." — Art Age.
747 FERTIAULT (F.). Les Amoureux du Livre, Sonnets d'un
Bibliophile, Fantaisies, Commandements du Bibliophile,
Bibliophiliana, Notes et Anecdotes par F. Fertiault,
Pr(5face du " Bibliophile Jacob " (Paul Lacroix). Illus-
trated with 16 etchings by Jules Chevrier. Thick 8vo,
new half crushed dark blue levant morocco, top edge gilt,
others uncut with the covers bound in — by Am and, of
Paris. Paris, Claudin, 1877
Scarce. Limited edition on "papier verge." Dedicated to the Due D'Aumale.
210 THE PENEDU BOIS COLLECTION.
748 FERTIAULT.— 6'wfe^« etchings by Jules Chevrier, illus-^
trations of F. Fertiault's " Les Amoureux du Livre."
Large 8vo in portfolio.
Proofs before letters on Japan paper of these charming bibliophilistic etchings.
749 FILLON (B.). Monuments Typographiques et Livres
Rares et Prdcieux. Large 8vo, sewed, ttncut. Paris, 1883
Priced in MS. With historical and bibliographical notes by the celebrated
French book expert and paleographer Claudin.
FIRMIN-DIDOT'S NOTEWORTHY CATALOGUE.
750 FIRMIN-DIDOT (Ambroise). CATALOGUE Illustre
des Livres Pr6cieux, Manuscrits et Imprimes.- Profusely
illustrated with photogravure plates, some chromolitho-
graphic. 12 vols, large 4to, sewed, uncut. Paris, 1878-84
Limited edition of 500 numbered copies.
This set of this wonderful auction library catalogue of thousands of. pages
consists of the divisions: — June, 1878; May, 1879; June, 1881; June, 1882;
June, 1883, and June, 1884. All are accompanied with separate printed price
lists.
The illustrations to the above are mostly from the manuscripts of M. Firmin-
Didot, who had the finest collection in Europe, many far excelling in quality
those in the most important National Libraries. Some of the plates are in gold
and colors.
This "Catalogue," on account of its perfect compilation by a bibliographer
who knew his business and was no Bamumistic charlatan, now ranks as a kind
of supplement, so to speak, of Silvestre. Let rival cataloguers who egoisti-
cally plume themselves on knowing it all and having nothing to learn study
this bibliography of the Firmin-Didot collection and ponder. And let those,
never mind who they be, that ignorantly criticise, find fault and perennially
object, to catalogue descriptions, whether short or long, look over the pages and
see how they do these things in France. If they be honest and not captious,
or fractious, or mischievous, they will then forever hold their peace and in
future — "not bear false witness against their neighbor."
751 FONTAINE (Auguste). Catalogue de Livres Anciens et
Modernes, Rares et Curieux. 6 vols, in 5. Thick large
8vo. Bound by Ad. Bertrand in half-crushed red levant
morocco, top edges gilt, others uncut. Paris, 1870-79
This set includes Fontaine's splendid bibliographies for the years: — 1870-72,
'74i '75> '77> '78-79. The last volume, which has a rubricated title surrounded
with cut of armorial stamps on bindings, has a preface by Paul Lacroix — " M.
P.-L. Jacob, bibliophile."
752 FONTAINE DE RESBECQ (A. de). Voyages Litt^raires
sur les Quais de Paris, Lettres ^ un Bibliophile de Pro-
vince. Small 8vo, half morocco gilt, top edge gilt, others
uncut. Paris, Durand, 1857
Rare, with the .autograph of "A. J. Odell " on the title.
753 FORTS AS. — Catalogue d'une trfes-riche mais peu nom-
breuse Collection de Livres provenant de la Bibliothfeque
de feu M. le Comte J. N. A. de Fortsas, dont la vente
se fera a Binche, le 10 aotit 1840 k onze heures du matin,
THE PENE DU BO IS COLLECTION. 211
en r^tude & par le ministere de McMourlon, notaire, rue
d'Eglise, 9, 4me Edition; also — Documents et Particu-
larities Historiques sur le Catalogue du Comte de Fort-
SAS, numerous cuts and facsimiles. 2 vols, in i. Large
8vo, bound in three-quarters crushed orange levant mo-
rocco gilt, top edge gilt, others uncut. [Brussels], 1863
VERY SCARCE. This is a fac-simile reprint of the famous sale-catalogue
of Count de Fortsas, facile princeps among modern bibliographical hoaxers.
It contains a detailed description of his books, each of them, to say the least,
worth its weight in gold. This wonderful collection was announced to be sold
on a certain day in 1840 by auction. An extraordinary excitement was created
among book-collectors, who from far and near flocked together at Binche, a
small town in Belgium, where the sale was to take place. The day before the
sale, however, the newspapers of Brussels contained a notice that the little
town had bought the entire collection for its public library. This is not the
place for narrating all the serio-comic incidents of this rude practical joke;
suffice it to say that the whole affair from first to last was a downright catiard.
The Count de Fortsas and his book treasures were found to be a myth. As to
the catalogue, it had unquestionably been prepared with all savoir-faire of an
expert in bibliography ; the titles of the books with the appended notes seem so
attractive and authentic that one almost regrets that this unique coUectioh was
only "airy nothing," without a "local habitation" beyond this catalogue,
which will always occupy a foremost, though unenviable, place in the annals of
bibliographical hoaxing.
The author of this most witty and successful bibliographical joke was M.
Renier Hubert Ghislain Chalon, of Mons.
The fac-simile of the catalogue is printed on orange-colored paper — the
"Documents" on lemon paper. The last named is an indispensable supple-
ment to the Fortsas Catalogue. It is so arranged that in the Notes, Remarks
Adjuncts, etc., the whole of the "original catalogue" Js reproduced despite
the legal injunction against its reproduction. It contains also the orders and
correspondence of various bibliophiles relating to the sale ; articles from various
hterary journals, and a fac-simile of a letter from the bog^us Count de Fortsas.
754 FOURNIER (Edouard). L'Art de la Reliure en France
aux Derniers Slides. Small 8vo, half crushed blue levant
morocco, top edge gilt, others uncut. Paris, J. Gay, 1864
Unique, with inserted a. 1. s. of 2 pages of close MS., dated " Paris, 29 Fev.,
1868," and in reference to his edition of La Bruy^re.
755 FouRNiER. Catalogue des Livres, Manuscrits et des
Autographes, composant la Bibliotheque de feu M. Edou-
ard FouRNiER. 8vo, sewed, uncut. Paris, Labitte, 1880
Scarce and thick paper copy. 299 pages and 2,710 lots. With portrait and
life of Fournier by Jules Cousen.
756 FRANKLIN (Alfred). Histoire de la BiBLiOTHfeQUE Maza-
rine depuis sa Fondation jusqu'a nos Jours. Small 8vo,
half red morocco gilt, top edge gilt, others uncut.
Paris, Auguste Aubry, i860
Limited edition of 300 copies in all — the above being on "papier velin."
The author was one of the attaches of the Mazarin Library in Paris.
757 Eraser (John). The Humorous Chap-Books of Scotland.
Front. Parts i and 2. Small 8vo, cloth. N. Y., 1873
212 THE PENE DU BOIS COLLECTION.
758 GANAY (Le Marquis de). Catalogue d'un Choix de Livres
Rares et Pr^cieux, Manuscrits et Imprimis, composant le
Cabinet de. 8vo, sewed, uncut. Paris, Porquet, 1881
Priced catalogue. 267 lots of books, and which sold for 359,148 francs.
759 [GosFORD {Lord)^ Catalogue de Livres Rares et Precieux
la Plupart Relies en Matoquin Ancien avec Armoires pro-
venant de la Bibliotheque d'" un Amateur Anglais." Large
8vo, sewed, uncut. Paris, Ch. Porquet, 1882
Priced throughout and containing numerous remarkable bindings by eminent
binders and belonging to distinguished and historical personages.
760 HAWKINS (Rush C). Titles of the First Books from the
Earliest Presses, established in different Cities, Towns,
and Monasteries in Europe before the end of the Fifteenth
Century, with brief notes upon their printers. Illustrated
with reproductions of early types and first engravings of the
printing press — handsomely printed on heavy paper by De
ViNNE. Large 4to, cloth, uncut (pp. xxxii., 143).
N. Y. a«(/ London, 1884
Limited edition of 300 copies, numbered. Dedicated to Father Antonio
Ceriani, Director of the Ambrosian Library at Milan, Italy — " as a slight evi-
dence of my respect for his character, admiration for his great learning, appreci-
ation of his friendship and kindly interest in my bibliographical occupations. "
761 HAWKINS.— The Library of General Rush C. Hawkins,
of New York, [catalogued by Charles Sotheran, and with
Preface of eleven pages]. Cuts. Thick large 8vo, sewed,
uncut. N. Y., George A. Leavitt &• Co., 1887
2,578 lots, making 386 pages, and sold for over $13,000, i. e., over $5 a num-
ber, one set selling for $900.
LARGE PAPER COPY OF HORNE'S " BIBLIOGRAPHY."
762 HORNE (Thomas Hartwell). An Introduction to the
Study of Bibliography. To which is prefixed a Memoir
on the Public Libraries of the Ancients. Numerous plates
and facsimiles. 2 vols. 8vo, old stamped russia gilt, by
Roger Payne (name on title, and one cover loose).
London, 18 14
Large paper. Only 50 copies printed, and on thick paper.
"On page 92, et seg., is a chapter on Mexican and North American picture
writing. Prefaced is a memoir on the public libraries of the ancients. The
most useful work of the kind in the English language.'' — Sabin's Dictionary.
763 JANIN (Jules). Le. Livre. Thick large 8vo, sewed, uncut.
Paris, Flon, n. d.
A most charming book on books and book-collectors. It is dedicated — "to
the young bibliophile, the happy collector of original editions, M. James de
Rothschild."
THE PENE DU BOIS COLLECTION. 213
764 JANIN. Catalogue des Livres Rares et Prdcieux compo-
sant la Bibliothfeque de M. Jules Janin, Membre de
I'Academie Franfaise, avec une Preface par M. Louis
Ratisbonne. Large 8vo. Bound by Belz-Niedree in
half calf, totally uncut. Paris, Labitte, 1877
Large paper, and thick paper, printed by Jouaust, with etching of Janin by
Flameng, and view of his library by Lalauze. This is a presentation copy of
L. Potier, one of the cataloguers of the collection and experts of the sale to M.
Sacy. With the following MS. inscription: — " Monsieur S de Sacy hommage
respecteux du redacteur du Catalogue. L. Potier. "
THE BIBLIOTHECA SCATOLOGICA.
765 [JANNET, PAYEN et VEMANT.] Bibliothfeca Scato-
logica, ou Catalogue Raisonn^ des Livres Traitant des
Vertus Faits et Gestes de trfes Noble et tres Ingenieux
Messire Luc (a Rebours) Seigneur de la Chaise et autres
Lieux memement des ses Descendants et autres Person-
nages de lui Issus Ouvrage tres Utile pour bien et Propre-
ment s'Entretenir Es — Jours Gras de Careme — prenant
dispose dans I'Ordre des Lettres K, P, Q. Traduit du
Prussien en Enrichi de Notes tres Congruantes au Sujet
par Trois Savants en Us. 8vo, half morocco, uncut.
[Paris, Jannef\ Scatopolis chez les Marchands
d' Ainterges I'ann^e scatogene 5850, [1850]
Very rare. This facetious bibliography, written by Messieurs P. Jannet,
J. P. Payen and Aug. Vemant, is dedicated — "a Monsieur Q[uerard] Prince
des Bibliognostes," and was limited to 150 copies — i on "peauvelin," i on
Holland paper, 2 on China, 2 on " papier des diverses nuances," 4 on English
vellum paper, 25 on "papier scatochrome," and 115 on "papier verge fort."
" Cette facetie dont le titre donne un avant gout assez prononce n'a tiree
qu'i 150 exemplaires. " — Brunet.
766 JERSEY (Earl of). Catalogue of Osterley Park Library,
belonging to. Large 8vo, sewed. London, 1885
LARGE PAPER COPY OF JOHNSON'S TYPOGRAPHIA.
767 JOHNSON (John). Typographia, or the Printer's In-
structor; including an Account of the Origin of Printing,
with Biographical Notices of the Printers of England,
from Caxton to the close of the Sixteenth Century; [etc.].
Fronts, and wood engraved titles on India paper, and cuts.
2 vols, thick 8vo, half morocco extra, gilt top edges, other
edges uncut. London, 1824
Large paper. "An extremely useful book." — Lowndes.
AUibone states that the author was assisted in its compilation by Drs. Dibdin,
Wilkins and Fry, the Rev. H. Baker and others. He adds — " It is a valuable
work."
768 Kramm (M. C). Catalogue de la Bibliotheque et de la
Collection Artistique de. Portrait. Large 8vo, cloth,
uncut (name on portrait). Utrecht, 1875
214 THE PENE DU BOIS COLLECTION.
PAUL LACROIX'S BIBLIOPHILISTIC WORKS.
769 LACROIX (Paul, " P. L. Jacob, Bibliophile "). Recherches
Bibliographiques sur des Livres Rares et Curieux. Rubri-
cated title, small 8vo, new half crushed dark green levant
morocco, top edge gilt, others uncut.
Paris, Rouveyre, 1880
Limited edition of 600 copies, of which the above is No. 408 of 550 on
" papier verge. " Dedicated to Baron J. Pichon, President of the Society of
French Bibliophiles.
770 LACROIX. Enigmes et Ddcouvertes Bibliographiques par
" P. L. Jacob, BibHophile." i2mo. Bound by Champs
in half crushed maroon levant morocco gilt, top edge gilt,
others trimmed, with the covers bound in. Paris, 1866
No. 2 of 10 copies on "papier de Chine,'' and with an interesting inserted
autograph letter to M. Villars in 1859 on matters bibliographical, and signed
" Paul Lacroix." Dedicated to " Leopold Double."
771 LACROIX. Melanges Bibliographiques par " P. L. Jacob,
BibHophile." Small 8vo, sewed, uncut.
Paris, Libraire des Bibliophiles, 187 1
Edition Jouaust, No. 95 of 310 numbered examples, 300 on " papier verge "
and 10 on " papier de Chine." Dedicated to Ambroise Firmin-Didot.
772 LACROIX. Les Amateurs de Vieux Livres par "P. L.
Jacob, BibHophile." 8vo, boards, totally uncut.
Paris, Rouveyre, 1880
Limited edition of 60 copies, of which the above is one of 30 on Seychall Mill
paper. The title is rubricated, and the volume, which has charming fleurons,
was printed by Unsinger.
773 LACROIX. Dissertations Bibliographiques, par P. L.
Jacob, Bibliophile. Small 8vo. Handsomely bound by
Bradstreets in fresh half crushed levant morocco, top
edge gilt, others uncut, with the covers bound in.
Paris, Jules Gay, 1864
No. 141 of limited edition of 260 copies on " papier verge " and "papier de
Chine." Dedicated to Felix Delhasse, of Brussels.
774 LALANNE (Ludovic). Curiosit^s Bibliographiques.
Small 8vo, boards. Paris, 1857
Scarce, curious in matters useful to embryonic and pseudo bibliographers.
775 La Marche (A. Lecoy de). Les Manuscrits et la Minia-
ture. Profusely illustrated with cuts, mostly facsimiles
from ancient and medieval manuscripts. Small 8vo, fresh
cloth. Paris, A. Quantin, n. d.
776 [LAMBERT.] Catalogue de Beaux Livres Anciens et
Modernes provenant de la Bibliotheque de M. le Comte
DE R . . . Large 8vo, sewed, uncut. Paris, Jules Martin
This splendid sale of 209 lots of books sold for 21,035 francs. The catalogue
is priced.
THE PENE DU BOIS COLLECTION. 215
777 LANG (Andrew). Books and Book-Men. With illustra-
tions, tinted facsimiles of binding, etc. 8vo, boards, totally
uncut. N. Y., 1886
Large paper and No. 24 of limited edition of 100 copies printed at the
" Riverside Press."
Turning the pages, the book-lover will find in these " vagrom essays " much
agreeable chat about famous printers, artistic binders, old editions, book- stall
bargains, incredible prices, true and sham Elzevirs, eccentric collectors, biblio-
maniac freaks, and the like topics, the whole spiced with amusing anecdotes and
curious incidents, and made pleasant to read by that almost human interest
which Mt. Lang, like all true book-lovers, feels in the precious volumes of
which he speaks.
778 Lang. The same. 12010, fresh cloth, uncut.
779 LATOUR (Tenant de). Memoires d'un Bibliophile. Small
8vo, sewed, uncut. Paris, 1861
Letters on bibliography to the Countess of Ranc .... by Tenant de Latour,
who was the royal librarian at the Palace of Compiegne.
780 Lemaitre (Jules). Les Contemporains Etudes et Portraits
Littdraires. 2 vols, small 8vo, sewed, uncut. Paris, 1886
Includes essays on — De Banville, Sully-Prudhomme, Coppee, Grenier, Mdme.
Adam, Daudet and Mdme. Daudet, Renan, Bruneti^re, Zola, Maupassant, Sil-
testre, Sarcey, etc.
LEYPOLDT'S AMERICAN CATALOGUE— BOUND BY
BRADSTREETS.
781 LEYPOLDT (F.). The American Catalogue, i. e.:—
I. Author and Title Entries of Books in print and for
sale (including reprints and importations) July i, 1876,
compiled by Lynds E. Jones.
II. Subject Entries of Book in print and for sale (includ-
ing reprints and importations) July i, 1876, compiled
by Lynds E. Jones.
III. Author-and-Title Alphabet, Subject Alphabet, etc., of
Books recorded (including reprints and importations) July
I, 1876, to June 30, 1884, compiled, under direction of
R. R. Bowker, by Miss A. I. Appleton.
TOGETHER 3 vols. Thick large 4to, fresh half brown
crushed levant morocco, top edges gilt, others uncut, by
Bradstreets. N. Y., 1880-85
" The American Catalogue is the monument of Frederick Leypoldt. For
many years it was his chief purpose in life to lay the foundation of an American
bibliographical system on which there might be built a structure worthy of the
future of literature in this country. With what enthusiasm, at what cost he
■pursued that purpose, so far as it was given to him to do, only those nearest to
him can ever know. When he died, at the close of a life which was short
measured in years but long measured by the work which was crowded into it, he
had accomplished indeed only the foundation, and the fulfillments of his plans
rest with others.
"It is the bibliographer who of all men has most occasion to realize the
imperfection of human endeavor. Completeness in bibliography is an ignU
fatuus that eludes even the closest pursuit and the most painstaking accuracy,"
— R. R, BOWKER.
2i6 THE PENE DU BOIS COLLECTION.
782 Library Journal (The). Four odd parts in three. 4to,
paper. N. Y., 1885-86
783 Literary News, Book Buyer, Critic, Publisher's Weekly,
Literary World, etc. Together 34 odd parts. Large 8vo,
sewed. N. Y., etc., 1884-86
784 LivRE (Le). Revue du Monde Litt^raire Archives des
Ecrits de ce Temps, for March, May, July, August, October
and November, 1886. Illustrated with facsimiles, portraits,
etchings, etc. 6 parts. Large 8vo, sewed.
Paris, Quantin, 1886
Edited by Octave Uzanne — the American correspondent Henri de Pene du
Bois.
785 LivRE DU Bibliophile (Le). Deuxieme Edition. Small
8vo, sewed, uncut. Paris, Alphonse Lemerre, 1874
Limited edition on papier verge printed by J. Claye.
786 LivRES Pr^cieux et Manuscrits avec Miniatures composant
la Bibliotheque de " M. E. M. B." Large 8vo, sewed,
uncut. Paris, Labitte, 1882
An astonishing collection of 882 numbers and illustrated with fac-similes.
787 Loire (Louis). Anecdotes de la Vie Litt6raire. Small 8vo,
sewed, uncut. Paris, 1876
With preface by Emile de la BedoUi^re.
788 MARTIN (Alexis). Etude sur les Ex-Dono et D^dicaces
Autographies. Fac-similes. 4to, sewed, uncut.
Paris, J. Baur, 1877
Limited edition of 200 copies on "papier verge," 4 on China paper and 21
on "papier Wathmann," of which the above is one of the last named. This is
a curious bibliographical book, being devoted entirely to Presentation copies and
has fac-simile page inscriptions of Victor Hugo, Theophile Gautier, George
Sand, Jules Janin, Joseph Autran, Victorien Sardou and Charles Monselet.
MARIUS-MICHEL'S GRAND WORK ON BOOKBINDING.
789 MARIUS-MICHEL (M. M., Relieurs Doreurs). La Re-
liure Franpaise, depuis I'Invention de ITmprimerie jus-
qu'a la Fin du XVIIIe Sifecle; also — La Reliure Frangaise
Commerciale et Industrielle depuis ITnventibn de ITmpri-
merie jusqu'a Nos Jours. Profusely illustrated with plates,
heliogravure reproductions, original gilt and illuminated cloth
examples, and illustrations in the text, also etched front. 2
vols, large 4to, fresh half morocco, top edges gilt, others
uncut.
Paris, Damascine Morgand et Charles Fatout, 1880-81
This magnificent work of the celebrated French binders Marius-Michel is the
great authority on biWiopegy. No bibliophile should be without these volumes.>
790 Modern Methods of Illustrating Books. Edited by
Henry B. WheatliTy. Small 8vo, fresh cloth, uncut.
London, 1887
THE PENE DU BOIS COLLECTION. 217
794 MoNSELET (Charles). La Lorgnette Litteraire Dictionnaire
des Grands et des Petits Auteurs de Mon Temps. Small
4to, fresh half crushed dark brown levant morocco, top
edge gilt, others uncut. Paris, 1857
Very scarce and with the "Complement " to the above published in 1870, of
which but a very limited number were printed for bibliophiles only.
795 MORGAND et FATOUT. Bulletin de la Librairie Mor-
GAND ET Fatout. Vols. I and 2 [Nos. 1-7880]. Illus-
trated with numerous facsimiles of bindings, title-pages,
types, etc., some colored — also portrait of Trautz-
Bauzonnet. Thick 8vo, sewed, uncut. Paris, 1876-81
These volumes are of the greatest bibliographical value and without them it
is almost impossible to know or appreciate the present values of the rarest and
choicest bibliophilistic treasures, reliures, etc. No bibliopolist or librarian should
be without them continually at his fingers' ends.
796 MoRGAND et Fatout. Repertoire de la Libraire de. 8vo,
sewed, uncut. Paris, 1878
797 MoNTHEROT (J. B. F. M. dc, President of the Academy of
Lyons). La Bibliotheque de, Livres Anciens Rares et Curi-
eux Imprimis et Manuscrits. Large 8vo, sewed, uncut.
Paris, Jules Martin, 1880
Heavy thick paper edition printed by Chamerot. Priced in ink. The above
was a remarkable collection of 996 numbers of MSS., incunables, and other
rarities.
798 MOURAVIT (Gustave). Le Livre et la Petite Biblio-
theque d'Amateur Essai de Critique, d'Histoire et de
Philosophic Morale sur I'Amour des Livres. Thick small
8vo, fresh half crushed levant morocco gilt, with the covers
bound in, edges gilt. Paris, chez Auguste Aubry, [1861]
Very rare, large paper and on thick paper. This was the publisher's own
copy, presented to him by the author. On an end paper are the lines: — "A
Monsieur Aug. Aubry ['intelligent et habile editeur de tant de travaux utiles.
Hommage de I'Auteur — Gustave Mouravit." At the end is bound up a
criticism of the Bibliophile Jacob, who, among other complimentary remarks,
says: — " Le 'Livre' de M. Gustave Mouravit durera et restera; il a deja sa
place marquee dans I'armoire des Peignot et des Charles Nodier. "
799 New York Auction Catalogues. Simeon H. Remsen's
Library and H. PenE du Bois' Etchings; Private Library
of Art Books, MSS., etc.; also Grant White Library.
Together 3 pieces. 8vo and 4to, paper. N. Y., 1883-85
800 NISARD (Charles). Histoire des Livres Populaires, au de
la Littdrature du Colportage depuis le XVe siecle jusqu'a
30 Novembre, 1852. Numerous facsimiles, many of them
on India paper. 2 vols, large 8vo, bound in half green
morocco gilt, top edges gilt, others uncut. Paris, 1854
Very scarce, and priced in a recent Pickering catalogue ;^3 ids. This curi-
ous work narrates the history of popular books, and is a bibliography of the lit-
erature peddled by hawkers from the fifteenth century to the middle of the
nineteenth. '
2i8 THE PENE DU BOIS COLLECTION.
8oi NODIER (Charles). Description Raisonn^e d'une Jolie
Collection de Livres (Nouveaux Melanges tirds d'une petite
bibliotheque), par Ch. Nodier, pr6c6d6e d'une introduc-
tion par M. DuPLEssis. de la vie de Ch. Nodier, par F.
Wey, et d'une notice bibliographique sur ses ouvrages.
Thick 8vo, half calf, with blank leaves at the end.
Paris, J. Techener, 1844
Unique and very scarce. With printed price-list at the end of these 1254.
lots in 492 pages. Also a four-page brochure by Nodier of " Histoire de
I'lnventidn de I'lmprimerie par les Monuments."
There are also inserted in the volume two original letters written by the cele-
brated bibliographer. One is foolscap size of two pages to Joseph Fouche,
Duke of Otranto, in which he asks Napoleon's Minister of Police to aid him m
his endeavor to be useful — "to his country and to his King." It is dated from
' ' Rue Saint Lazare, No. 33," and was received by the Duke in July, 1815.
The other letter is written to a—" Cher et bienveillant ami," requesting the
loan of 100 francs.
802 Nodier. Questions de Litt^rature Legale— du Plagiat de
la Supposition d'Auteurs des Supercheries qui ont Rap-
port aux Livres. 8vo, half morocco, uncut.
Paris, Crapelet, 1828
Rare, second edition, considerably augmented and with the autograph on half
title of "A. J. Odell."
803 Oldcastle (John). Journals and Journalism, with a Guide
for Literary Beginners. With facsimile autographs.
Square minimo, vellum. London, Field and Tuer, 1880
804 Oldcastle. Guide for Literary Beginners. Fac-simik
autographs. Oblong minimo, boards, uncut. London, n. d.
PEIGNOT'S VERY RARE BIBLIOGRAPHICAL AND CURI-
OUS WORKS— PRINCIPALLY PRIVATELY PRINTED IN
LIMITED EDITION.
80s PEIGNOT (Gabriel). Dictionnaire Raisonn^ de Bibliolo-
gie, contenant, • 1°. L'Explication des principaux termes
relatifs k la Bibliographic, a I'Art Typographique, a la
Diplomatique, aux Langues, aux Archives, aux Manu-
scrits, aux Medailles, aux Antiquites; 2°. Des Notices
Historiques, d^taillees sur les principales Bibliotheques
Anciennes et Mod ernes; sur les plus celebres Imprimeurs
avec une indication des meilleures Editions sorties de leurs
Presses, et sur les Bibliographes, avec la Liste de leurs
Ouvrages; 3°. enfin, I'exposition des divers Systfemes
Bibliographiques, etc. Folded tables. 3 vols. 8vo, half
calf, gilt. Paris, 1802-4
VERY SCARCE. With the rare supplements to this most important biblio-
graphical authority.
The works of Peignot are of the greatest value to bibliographers and students
of the history of printing. He was a writer of great industry and of wide
knowledge.
' ' Etienne Gabriel Peignot, the great bibliographer, whose amiable erudition
has been testified to by so many of his contemporaries, was born at Arc-en-
THE PENE DU BO IS COLLECTION. 219
Barrois, 15th May, 1767. Originally a bookseller at Besanjon, he was
appointed librarian of the Ecole Centrale of La Haute SaSne, which had been
established in Vesoul, and threw heart and soul into his new duties. Abbeys
and convents for miles around Vesoul had been suppressed and pillaged. Their
intellectual treasures had been huddled together by ignorant hands, and were
exposed to all perils— by fire, by flood and by base uses. Peignot never rested
as long as he saw one of them still to be secured for his library. He was made
principal of Vesoul College, where he remained many years, and which he
, quitted when promoted to be master of Lyons College and District Inspector of
Classes. He discharged these duties with zeal, but it was always with delight
that he returned to books, though he did not desert society for his favorites; he
bore his share in company and trained up a family. No man has done more
than he to foster in France a love for bibliography. He left behind him no less
than fifty or more unpublished works in manuscript, among them a ' Myrio-
biblion Franpais," which in 1830 numbered twelve or fifteen volumes, and
increased daily. These contained above 3,000 references to, or critical notices
of select works, memoirs, dissertations and treaties on every kind of subject
published, either separately or in great literary and academical collections, each
summary having a reference to the page and volume of the work in which the
original was to be found. Some Paris publishers bought the manuscripts left
by Peignot and announced their publication, but they still remain in manuscript.
It has often been wondered how he was able to do so much work. His secret
was that from the hour he began to read, he began to write ; his left hand never held
a book that right hand had not a pen. Every leisure moment he gave to book
and pen; he noted everything he read or heard in commonplace books under
proper heads — authors, titles, subjects, words, thoughts, references to kindred
subjects. He lived to be eighty-three years old. He died at Dijon, April 14th,
1S49. His letters have been very recently published by his grandson, M. Emile
Peignot. The volume includes his correspondence from 1813 to 1845." —
BiGMORE AND Wyman, Vol. II., page 151.
. 806 PEIGNOT. Manual du Bibliophile, ou Traitd du Choix
des Livres, contenant des D^veloppemens sur les plus
propres i former une Collection precieuse, et particuliere-
ment sur les chefs-d'cEuvre de la Littdrature Sacree,
Grecque, Latine, Fran^aise, Etrangfere; avec les Jugemens
qu'en ont port6s les plus c^lebres Critiques, etc., etc. 2
vols. 8vo, half calf gilt, totally uncut. Dijon, 1823
UNIQUE and very scarce. Fine clean copy, with inserted three-page origi-
nal autograph letter signed " Gabriel Peignot," and dated " Dijon ce 31 Octobre
1828." It is written — "Ames chers et tres chers Lyonnais, " entirely in the
handwriting of this celebrated bibliognoste. He speaks of a charming dinner
he had been given and that he read in Lyons for his ' ' spiritual nourishment " a
novel of Walter Scott. He names many bibliophiles and gives a list of three
lots of books he had sent as presents — nine for the rector, six for M. Chouve,
and five for M. Rabanis. The first volume named is — "La Passion de J. C.
par Olivier Maillard gr. in 80. "
807 PEIGNOT. De la Libertd de la Presse a Dijon, au Com-
mencement du XVII= Sifecle, ou Histoire de I'lmpression
d'un Opuscule en Patois Bourguignon, public en 1609,
sur la demolition du Chateau de Talant. 8vo, boards,
totally uncut. Paris, 1836
Unique, limited edition of 150 copies, and at the end are 8 pages of MS.
extracts from the archives of Dijon respectively dated— Aug. 16, 1463; March 12,
1556; July 12, 1771. These are in the handwriting of Peignot. This volume
was bought of the "Veuve " of Peignot fils.
i2o THE PENE D U BOIS COLLECTION.
808 PEIGNOT. Essai Historique et Arch6ologique sur la
Reliure des Livres et sur I'etat de la Librairie chez les
Anciens. Plates. 8vo, fresh half red morocco, top edge
gilt, others uncut. Dijon, 1834
Limited edition of 200 copies of this interesting volume on ancient book-
binding, with the inserted book-plate of A. de St. Ferriol. On the false title is
this MS. note in the handwriting of Peignot: — " Imprime a 200 exres., dont
quelques une sur gd. pap. vel."
809 PEIGNOT. Nouvelles Recherches sur le Dicton Popu-
laire, " Faire Ripaille." 8vo, sewed as issued.
Dijon, 1836
Rare. Limited edition of 200 copies.
810 PEIGNOT. Dictionnaire Critique, Litteraire et Biblio-
graphique des Principaux Livres Condamnes au Feu,
Supprim^s ou Censures: Pr6c6d6 d'un Discours sur ces
Sortes d'Ouvrages par G. Peignot, Bibliothecaire de la
Haute-Saone, Membre de rAcad^mie Celtique de Paris,
et de Plusieurs Societ6s Littdraires. 2 vols, in i. 8vo,
half red morocco, top edge gilt. Paris, R^nouard, 1806
Rare and limited edition of this bibliography of books burnt by the common
hangman, censured or suppressed. This is one of the rarest Peignotiana. In
the preliminary discourse will be found the handwriting of Peignot.
811 PEIGNOT. Repertoire Bibliographique Universel, con-
tenant la Notice Raisonnee des Bibliographies Speciales
publi6es jusqu'a ce jour, et d'un Grand Nombre d'Autres
Ouvrages de Bibliographie, Relatifs, k I'Histoire Lit-
teraire, et a toutes les Parties de la Bibliologie. Thick
8vo, sewed, uncut. Paris, R^nouard, 18 12
Rare, limited edition, and printed by Crapelet.
812 PEIGNOT. Essai de Curiosit^s Bibliographiques, par
Gabriel Peignot, Bibliothecaire Central de la Haute-
Sa6ne. 8vo, half red morocco, top edge gilt.
Paris, Rdnouard, 1804
Rare, with two heraldic '" ex libris." one with supporters, the other of —
" Joseph Tasker, Middleton Hall, Essex, London." The volume is dedicated
to " Joseph Van Praet, Conservateur des Livres Imprimes de la Bibliotheque
Imperiale de France, I'un des Premiers Bibliographes de I'Europe."
813 PEIGNOT. Notice sur la Vie et les Ouvrages de M. C.
N. Amanton. 8vo, half morocco, top edge red.
Dijon, 1837
Rare, limited edition, and on end paper the MS. note — " Rel. par
Thomson."
814 PEIGNOT. Notice de XXII. Grandes Miniatures ou
Tableaux en Couleur, r^unis en t^te d'un Manuscrit du
XV-e Siecle; precddde de quelques Recherches sur I'Usage
THE PENE DU BOIS COLLECTION. 221
d'Enrichir les livres de ces Sortes d'Ornemens, chez les
Anciens et du Moyen Age. 8vo, half morocco, boards,
uncut. Dijon, 1832
Very kare — limited edition of 100 copies only, and on " papier velin.''
This copy has a MS. note to the effect that it was bought of the Widow
Peignot, etc. A valuable work on miniatures in ancient vellum MSS.
815 [PEIGNOT.] Arausemens Philologiques, ou Varietes en
tous Genres — Seconde Edition, Revue, Corrig^e et Aug-
ment^e par " G. P. Philomneste, A. B. A. V." 8vo,
boards, uncut. Very scarce. Dijon, 1824
815* PEIGNOT. — HiSTOIRE DE LA PASSION DE J^SUS ChrIST
compos^e en MCCCCXC. par le R. P. OLIVIER MAIL-
LARD; public en 1828 comme Monument de la Langue
Fran^aise au XVe Siecle. Avec une Notice sur I'Auteur
des Notes et une Table des Matieres par Gabriel Peig-
not. Large 8vo, boards, uncut.
Paris, Jules Renouard, 1828
Large paper, very rare, limited edition and printed on thick paper by
Crapelet.
816 PEIGNOT. Choix de Testamens Anciens et Modernes,
Remarquables par leur Importance, leur Singularity, ou
leur Bizarrerie, avec des Details Historiques et des Notes.
2 vols. 8vo, half morocco, top edges gilt, others uncut.
Paris, 1829
Rare. This very curious work on important, singular or eccentric wills was
limited to 1,000 copies and 20 on superfine paper, vide note in the handwriting
of Peignot on the half-title. This example came from the library of and has
the "ex-libris" of A. de St. Feriol.
816* [PEIGNOT.]— LTllustre Jacquemart de Dijon, De-
tails Historiques, Instructifs et Amusans sur ce Haut Per-
sonnage Domicilie en Plein air dans cette charmante
Ville, depuis 1382, publics avec sa Permission en 1832.
Le tout compost de Pieces et de Morceaux, tant en
P'rancais Vieux et Moderne, qu'en Patois Bourguignon;
entrelard^ de Notes Curieuses, et Ornd de la Representa-
tion du H^ros et de sa Famille, ddfigures d'apres nature,
et colloquys dans leur haut donjon a claire-voie. Front.
8vo, sewed, uncut. Dijon, 1832
Very scarce. Limited edition of 250 copies, with frontispiece of the
"Famille Jacmart " on the tower of the church of Notre Dame de Dijon.
From the library of and with book-plate of Doct. D. Bernard.
Peignot wrote the above under the pseudonym of " P. Perigal," an anagram
of " Gabriel P."
817 PEIGNOT. Recherches Historiques et Littdraires sur les
Danses des Morts et sur Torigine des Cartes a Jouer. Illus-
trated with lithographic plates and vignettes. 8vo, half
sheep, totally uncut. Dijon, 1826
Very rare. This is an exhaustive account of all that was known at the
time when Peignot wrote this work of the celebrated series of subjects called
THE PBNE D U BOIS COLLECTION.
" the Dance of Death,'' which were so frequently reproduced by the early wood
engravers. It also gives a full account of the origin of playing cards. This
volume ought to have gone into the division of " Facetiae," but it is put along
with others among bibliographical authorities so as to keep all of Mr. Pene du,
Bois's examples of Peignot together.
817* PEIGNOT. Elemens de Morale. Minimo, sewed, uncut.
Dijon, 1858
Very scarce, and to which is added — " Opuscules Moraux de Franklin: le
Bonhomme Richard et le Sifflet. "
818 [PEIGNOT.] Les Livre des Singularites par " G. P.
Philomneste," auteur des " Amusements Philologiques."
8vo, half green calf. Very scarce. Dijon, 1841
819 PEIGNOT. Essai Analytique sur I'Origine de la Langue
Franpaise et sur un Recueil de Monumens Authentiques
de cette Langue, classes Chronologiquement depuis le
IXe Siecle jusqu'au XVIIe, avec des Notes Historiques,
Philologiques et Bibliographiques. 8vo, sewed, uncut.
Dijon, 1835
Rare. This important philological work of Peignot was limited to 150
copies. It has on the half-title the "ex-libris " of " Doct. D. Bernard."
820 [PEIGNOT.] Recherches Historiques sur la Persorine de
J^sus Christ, sur celle de Marie, sur les Deux Genealogies
du Sauveur, et sur sa Famille; avec des Notes Philolo-
giques, des Tableaux Synoptiques, et une Ample Table des
Matieres. 8vo, half morocco, top edge gilt, others uncut..
Dijon, 1829
Rare. Peignot published this work.under the nom-de-plume of — ' ' un Ancien
Bibliothecaire. "
821 PEIGNOT. Documens Authentiques et Details Curieux
sur les Depenses de Louis XIV. Portrait of Louis the
Fourteenth. 8vo, half calf. Paris, R^nouard, 1827
Very, RARE. A curious work limited to 300 copies, of which 25 were on
"papier velin" and 275 on "beau papier fin." On the half-title is the auto-
graph of "A. J. Odell " and inside the cover is the heraldic book-plate of —
" Bibliotheque de Th. de Jonghe."
822 PEIGNOT. Recherches sur le Luxe des Remains dans
leur Ameublement avec des Notes. 8vo, half calf
Dijon, 1837
Limited edition of 150 copies.
823 PEIGNOT. Lettres Inddites de. Small 8vo, sewed, uncut.
Dijon, Darrantiire, 1884
Limited edition of no copies in all — 100 on Holland paper, 3 on China, 3
on Whatman, 3 on parchment paper, and i on parchment.
THE PENE DU BO IS COLLECTION. 223
824 PFISTER. — Notice d'un Livre Imprime a Bamberg en
1462 by Albert Pfister lue a I'lnstitut National par
" Camus. " Vignette on title and facsimiles. 4to, sewed,
uncut. Paris, Baudouin, an VII.
Rare. The fac-similes are of tjpes and woodblocks, the last named being
of the order of illustrations in the block-books.
825 PHILOBIBLION (The). A Monthly Bibliographical Jour-
nal, containing Critical Notices of, and Extracts from.
Rare, Curious and Valuable Old Books. Printed on India
paper. 2 vols. 4to, boards, uncut. N. Y., 1862-63
Scarce. Nearly all the surplus copies were accidentally destroyed by water.
The above is in splendid condition.
826 [PiCHON.] Catalogue des Livres Rares et Prdcieux Manu-
scrits et Imprimis de la Bibliothfeque de M. le Baron J.
P * * * * *. Large 8vo, sewed, uncut.
Paris, L. Potier, 1869
Priced throughout in MS. With a fourteen-page preface. The above rich
collection, consisting of 1,087 numbers, was sold at the Hotel Drouot and for
465,370 francs.
827 PiNART and other Paris Book Catalogues, one printed almost
entirely in old French Gothic types and " civilite.''
(6 pieces)
828 PIXERECOURT (Guilbert de). Biblioth^que de, avec des
Notes Litt6raires et Bibliographiques de ses Deux Ecellens
Amis CHARLES NODIER et PAUL LACROIX. Large
8vo, half calf, top edge marbled, others uncut.
Paris, 1838
Very rare, large paper and one of 80 copies on Holland paper and with
the ex-libris engraved on the title. This copy came from the library of " Henri
Lambert, avocat, Versailles," and has his book-plate on an endpaper. The
catalogue is priced in ink throughout. There is also added a printed price list
showing the entire collection, one of the rarest in Europe, sold for over 74,956
francs.
MAX ROOSES'S SPLENDID WORK ON CHRISTOPHER
PLANTIN.
829 PLANTIN. — CHRISTOPHE PLANTIN Imprimeur
Anversois par MAX ROOSES, Conservateur du Mus£e
Plantin-Moretus. lao plates, portraits, views and fac-
similes— also head and tail pieces, etc. Square folio, folded
and loose in sheets ready for binding.
Anvers, Jos. Maes, 1882
Imported price — fifty dollars. This grand volume of 450 pages on Christopher
Plantin gives a picture of that printer's astonishing activity. After an account
of his life, his relations with the scholars of his time, and his struggles during
the great events of the sixteenth century, for which the author has found much
new material in the archives of the printing house, M. Rooses deals with his
professional career, which is illustrated with numerous reproductions of the title-
pages, vignettes, etc., designed and engraved by contemporary artists who were
employed on the various works of Plantin.
224 THE PENE DU BOIS COLLECTION.
830 POTIER (L., Libraire de la Bibliothique JmpMale). Cata-
logue des Livres Rares et Prdcieux Mariuscrits et Imprimis
faisant partie de la Libraire de. Thick large 8vo, sewed,
uncut (a few pp. torn without hurting the text, and can be
easily mended). Paris, 1870
Potier was one of the great book-experts of France. The above was but a
part of his collection. There are 27 pages of prefatory matter. The cata-
logue itself makes 452 pages. This copy is priced throughout in ink, and shows
that this part alone brought 149,439 francs, but then that was in Paris, you
know, where there are amateurs who are true bibliognostes, and would not insult
a library or an auctioneer with two-for-acent bids. They do these things better
in France, you know.
QUERARD'S WORKS ON IMPORTANT LITERATURE.
831 QUERARD (J. M.). La France Littdraire, ou Dictionnaire
Bibliographique des Savants, Historiens et Gens de Lettres
de la France, ainsi que des Litterateurs Etrangers qui
ont Ecrit en Frangais, plus Particuliferement pendant les
XVIIIe et XIXe Sifecles. 10 vols. 8vo, fresh half red mo-
rocco gilt, top edges gilt.
Paris, chez Firmin Didoi pire et fils, 1827-39
VERY SCARCE. A work of great bibliographical importance, being sup-
plementary to Brunet and containing information as to editions to be found
noyhere else. Querard, in these volumes, describes: — i. Reprints of French
works in all ages; 2, Translations into French of all foreign authors ancient and
modern; and 3, reprints made in France of the original works of these authors.
This bibliography, therefore, covers a ground unattempted by Brunei, Lowndes,
or any of the authorities of any nation.
832 QUERARD. Les Supercheries Litt6raires D^voilees
Galerie des Ecrivains Fran9ais de toute I'Europe qui se
sont ' ddguis^s sous des Anagrammes, des Ast^ronymes,
des Criptonymes, des Initialismes, des Noms Litt^raires,
des Pseudonymes Fac^tieux ou Bizarres, etc., suivie 1° du
Dictionnaire des Ouvrages Anonymes par Ant. Alex.
Barbier, Troisieme Edition, R^vue et Augmentde par M.
Olivier Barbier, Conservateur sous Directeur adjoint 'k
la Bibliotheque Imperiale — 2° d'une Table Gen^rale des
Noms R6els des Ecrivains Anonymes et Pseudonymes
cites dans les Deux Ouvrages. 3 vols, thick large 8vo,
fresh three-quarters dark green crushed levant morocco,
top edges gilt. Paris, Paul Daffis, 1869
VERY SCARCE. A fine, tall, clean and handsome copy of the second
edition of QUerard's important work, and considerably enlarged by Gustave
Brunet and Pierre Jannet
This grand book is a work on pseudonyms, anagrams, asteronyms, crypto-
nyms, initialisms, literary names, anonyms, etc., etc., and not a slipshod make-
shift of a book gotten up for mere profit. It was the labor of love of Brunet,
Querard, Barbier and Jannet who made up a bibliographical quadrilateral of
unequalled authority.
THE PENE JDU BOIS COLLECTION. 225
833 Rees (J. Rogers). The Pleasures of a Book-Worm. Small
8vo, fresh cloth, totally uncut. N. Y., 1886
"If a man spends lavishly on his library you call him mad— ra bibliomaniac.
But you never call one a horse-maniac, though men ruin themselves every day
by their horses, and you do not hear of people ruining themselves by their
books ." — RusKiN.
834 Renard (J., of Lyons). Catalogue de la Partie Reservee
de. Small 8vo, sewed, uncut. Paris, 1884
A superb collection of rare and Gothic editions, bindings of celebrated per-
sonages, etc. . The ' catalogue was made by "A. Claudin, libraire-expert et
paleographe. "
83s RENOUVIER (Jules). Des Portraits d'Auteurs dans les
Livres du XVe Sifecle, avec un Avant Propos par Georges
DuPLESsis. 8vo, sewed, uncut.
Paris, Auguste Aubry, 1863
Limited edition of 214 copies, of which the above is "teinte a I'antique." A
valuable brochure on Incunabulic portraits in books.
836 REUME (Auguste de, Capitaine d'Artilkrie). Varidtds
Bibliographiques et Litt6raires. With numerous (100) fine
•woodcuts of printers' marks, vignettes, coats-of-arms and fancy
initials. Large 8vo, cloth, totally uncut. Brussels, 1848
Very rare, large paper and No. 69 of limited edition of 100 numbered
copies in all. This valuable work contains in alphabetical order, a list of the
early printers of Belgium, and other articles relating to the Elzevirs, Gutenberg,
Fust, etc. The valuable works of M. de Reume, of which the above is one of
the rarest, are reprints of articles in the " Bibliophile Beige." M. de Reume,
who was a Major on the staff in Brussels, was born in 1807; died, 1865.
837 Richard (Jules). L'Art de Former une Bibliotheque.
Small 8vo, fresh half morocco gilt, top edge gilt, others
uncut, with the covers bound in.
Paris, Rouveyre et Blond, 1883
Unique and limited edition of 100 copies. This has a portrait inserted of
this bibliomaniacal author, after Gavami — also a facsimile autograph.
838 RocHEBiLiERE (A.). Catalogue des Livres Rares et Curieux
en tous Genres composant la Bibliotheque de. 2 vols,
small 8vo, sewed, uncut. Paris, 1882-84
Part I priced by hand.
Monsieur Rochebiliire was the " Conservateur of the Library of Saint
Genevieve," and the above catalogue of his very valuable library was compiled
by — ■ ' A. Claudin, libraire-expert et paleographe. "
BARON ROTHSCHILD'S LIBRARY CATALOGUE.
839 ROTHSCHILD (James de, Baron). Catalogue des Livres
Composant la Bibliotheque de, Tome Primier (all pub-
lished). Profusely illustrated with facsimiles of title-
pages, illustrations in ancient books, some on Japan paper,
226 THE PENE DU BOIS COLLECTION.
facsimiles in gold and colors of bindings, portrait of the late
Baron James de Rothschild, etc. Thick large 8vo,
sewed, uncut. Paris, Danlaschie Morgand, 1884
Very limited edition. A splendid bibliography and profusely illustrated
of one of the grandest collections of books and bindings in Europe. The late
Baron James de Rothschild was a collector and amateur of the genre Grolier
and De Thou, and expended millions upon his marvellous library.
840 ROUVEYRE(Edouard) fl^a'UZANNE (Octave). Miscel-
lanies Bibliographiques. 3 vols. 8vo, fresh half dark
brown crushed levant morocco, top edges gilt, others
uncut. Paris, 1878-80
A new* clean, well-bound copy of this most desirable bibliognostic work,
edited by Rouveyre and the author of "The Fan," with the collaboration of
bibliophiles of world-wide reputation, such as Brunet, Paul Lacroix, Viau,
Champfleury, le BibUophile Job, etc .
841 Rouveyre. Connaissances Necessaires a un Bibliophile.
Many engravings, specimens of different papers used, etc. 2
vols, small 8vo, fresh half crushed levant morocco, top
edges gilt, others uncut. Paris, 1879-80
A capital compilation for the guidance of book collectors, containing a great
many interesting particulars about books, the collection, binding, preservation,
collation, means of cleaning, etc. , etc.
842 ROWFANT LIBRARY (The).— A Catalogue of the Printed
Books, Manuscripts, Autograph Letters, Drawings and
Pictures, collected by Frederick Locker-Lampson.
With heraldic illustrations, portrait — also front, by Peorge
Cruikshank. Large 8vo, fresh half smooth morocco,
top edge gilt, others uncut.
London, Bernard Quaritch, 1886
One of a limited edition of 150 copies printed for sale. The etching by
Cruikshank of ' ' Fairy Connoisseurs Inspecting Mr. Frederick Locker's Collec-
tion of Drawings, etc.," which forms the frontispiece to the volume, is one of
the first 250 impressions from the plate. The above also includes the etching
by Du Maurier of "Frederick Locker " and Andrew Lang's poem of " The
Rowfant Books": —
" The Rowfant books, how fair they shew.
The Quarto quaint, the Aldine tall
Print, autograph, portfolio !
Back from the outer air they call.
The athletes from the Tennis ball
This Rhymer from his rod and hooks,
Would I could sing them one and all.
The Rowfant books !"
843 Russell (John Fuller). Catalogue of Library of. Large
8vo, sewed. London, 1886
844 Sacy (Silvestre de, French Academician). Catalogue des
Livres Rares et Prdcieux relids par Boyet, Du Seuil,
Padeloup, Derome, Trautz-Bauzonnet. Large 8vo,
sewed, uncut. Paris, 1879
Priced in MS. by hand. The 922 lots sold for over 113,000 francs.
THE PENE DU BOIS COLLECTION. 227
845 Soci^TE DES Bibliophiles Francois. Notice des Publica-
tions Faites par. Small 4to, half calf, uncut, with covers
bound in. Paris, Leon Techener, 1879
Printed on Holland paper.
846 Stevens (Henry, of Vermont). Recollections of Mr. James
Lenox, of New York, and the Formation of his Library.
Portrait on China paper. Small 8vo, half cloth gilt,
totally uncut. London, Printed by C. Whittingham, 1886
Dedicated to his—" Old and valued friend Doctor George H. Moore, Super-
; intendent of the Lenox Library."
847 Suffolk and Berkshire (Earl of). Catalogue of Library of,
and three other Catalogues. 8vo and large 8vo, sewed.
London, 1886
848 Syston Park Library. Catalogue of Important Portion of,
belonging to the late Sir J. H. Thorold. Large 8vo,
sewed. London, 1884
849 TECHENER (J.). Bulletin du Bibliophile et du Bibliothe-
caire, contenant des Notices Bibliographiques, Philolo-
giques, Historiques, Litteraires. 12 vols, thick 8vo, sewed,
uncut. Paris, J. Techener, 1851-65
Very scarce. The above set of this admirable work, full of bibliographical
and bibliophilistic information, is just as the volumes were issued by Techener,
with all the peculiarities of title-pages and covers. It comprises the following
years^iSsi, '52, '53, '57, '58, '59, '60, '61, '62, '63, '64 and '65. Among the
contributors were all the principal librarians of France, connoisseurs, authors,
learned booksellers, and others, among whom is Chenu, who is designated as
' ' Elzevirophile."
850 Techener. Troisi^me Catalogue de Livres Anciens et
Modernes Rares et Curieux provenant de la Libraire de
. J. Joseph Techener pere. Large 8vo, sewed, uncut.
Priced in MS. Paris, 1865
851 TIMPERLEY (C, H.) Encyclopaedia of Literary and
Typographical Anecdote, being a Chronological Digest of
the most Interesting Facts Illustrative of the History of
Literature and Printing from the Earliest Period. Second
Edition, with a Continuation to the Present Time, and a
Practical Manual of Printing. Cuts, loose illustra-
tions, etc. Thick large 8vo, half morocco gilt, top edge '
gilt, others uncut. London, 1842
Fine copy of the " Second edition, to which is added a continuation to the
present time, comprising recent biographies, chiefly of booksellers, and a prac-
tical manual of printing." — Lowndes.
Timperley's work is one of the most accurate, laborious and voluminous com-
pilations ever made, and one to be gratefully remembered by all students of the
history of English literature and typography. The author was in early life a
soldier, had gone through many campaigns, had served at Waterloo, and had
well earned his pension of a shilling per diem. He was at one time a book-
seller, but had accepted bills to a large amount ; and in order to pay the debts
228 THE PENE DU JBOIS COLLECTION.
contracted he consigned his stock to an auctioneer, who, after disposing of it
by auction, ran off with the proceeds. Broken down by rnisfortune, he accepted
literary employment with Fisher and Jackson, the subscription-book publishers,
in whose service he died.
The man who knows not the name of " Timperley " is unworthy of the name
of book collector. In fact, so great is this old printer's fame that if one biblio-
grapher call upon a friend and send in the name of "Mr. Timperley" it is
known in an instant that one of the guild awaits the presence of another. The
surname of " Timperley" is the esoteric word among the craft bibhophilistic.
This, unlike the pass-words, grips, signs, etc. , of the Mystic Tie, or of the
Sheikhs of the Kaaba, is an op^n secret. Bookworms! Verhum sap.
852 Troubat (Jules). Plume et Pinceau, Etudes de Litterature
et d'Art. Rubricated title. Small 8vo, sewed, uncut.
Paris, 1878
Includes studies on — Rabelais, Voltaire, " I'Assommoir," Hugo, Gautier,
Courbet, Cabanel, etc. , etc.
853 UZANNE {Ociscve, editor of " Le Livre"). Caprices d'un
Bibliophile. Small 8vo, sewed, uncut. '
Paris, Rouveyre, 1878
Limited edition. Although published nine years ago, this little volume
is quite rare. It contains most interesting articles on book collectors, book sales
and book rarities; also on Restif de la Bretonne, Balzac, "le Cabinet d'un
Eroto-Bibliomane," etc.
854 UZANNE. Nos Amis les Livres Causeries sur la Littdra-
ture Cui-ieuse et la Libraire. Etched front, by H.
Manesse and loose inserted view of Chantilly. Small 8vo,
paper, gilt. Paris, Maison Quantin, 1886
855 VALLEE (Leon). Bibliographie des Bibliographies.
Thick large 8vo, fresh half crushed red levant morocco,
top edge gilt, others uncut, by Rousselle. Paris, 1883
The most complete catalogue of catalogues yet made. It is invaluable to
librarians, and treats as extensively of English and American Bibliography as
that of Continental Europe.
856 VAPEREAU (G.). Dictionnaire Universel des Littera-
teurs. Very thick large 8vo, half red morocco, cloth
sides. Paris, Hachette, 1876
A most useful 'work for bibliographers and students of literature. It gives a
list of the writers of all ages, is full of articles on curious literary subjects, and
is more or less of a bibliography.
857 ViOLLET LE Due. Catalogue des Livres composant la Bib-
liotheque de M. Viollet le Due, avec des Notes Biblio-
graphicjues, Biographiques et Litteraires, avec Supplement.
2 vols, in I. 8vo, half calf, gilt. Paris, 1843-47
Edouard Fournier's copy, and with his signature on the title. The first
volume is — "pour servir a I'histoire de la poesie en France"; the second is of —
" Chansons, Fabliaux, Contes en Vers et en Prose, Faceties, Pieces Comiques
et Burlesques, Dissertations Singuliires, Aventures Galantes, Amoureuses,
Prodigieuses. "
THE PENE DU BOIS COLLECTION. 229
858 WEISSE (John A., M.D., President American Philological
Society). Origin, Progress and Destiny of the English
Language and Literature. Svo. cloth, 700 pp.
N. Y., /. W. Bouton, 1879
The object of this work, to which the author has devoted his time and labors
for thirty years, is: i. To lay before the English speaking populations, in both
hemispheres, the real origin and progress of their language. 2. To make the
coming generation realize the superiority of their idiom over others, as to the
refinement and vigor of its vocabulary, clearness of diction, simplicity in gram-
mar, and directness in construction. 3. To show the inconsistency of so-called
English orthography. 4. To suggest a method to write and print English as it
is pronounced, and remove the few remaining irregularities from its grammar.
5. Last, To stimulate the English-speaking millions all over the globe, so to
simplify the uttering, writing, and printing of their language as to make it a
desideratum for universal adoption.
" The author has analyzed the philosophy of language by a new method, so
thorough that the deepest scholar can not cut a flaw in it; so clear that a school
boy of fifteen can comprehend it." — Philadelphia Press.
859 Werdet (Edmond, bibliophile). Histoire du Livre en France
jusq'en 1789. 3 vols, small Svo, sewed, uncut.
Paris, 1861-64
These three volumes comprise — " Origines du Livre Manuscrit, 1275-1470";
"Les Estienne, 1502-1664, at leur Devanciers depuis 1470"; " Les Didot
leurs Devanciers et Conteraporains 1500 a 1789."
860 Wheatley (H. B., F. S. a.). How to Form a Library.
Small Svo, fresh cloth. London, Elliol Stock, 1 886
861 WoDHULL (Michael). Catalogue of Library collected by,
and the Property of J. E. Severne. Large Svo, sewed.
London, 1886
LARGE PAPER COPY OF WYNNE'S PRIVATE LIBRARIES
OF NEW YORK.
862 WYNNE (James, M.D.). Private Libraries of New York.
With a plate of interior of Mr. Noyes's Library. Large
4to, cloth, uncut. N. Y., i860
LARGE PAPER, and No. 6 of limited edition of one hundred copies.
Among the principal libraries mentioned in this work are those of John Allan,
George Bancroft, Thomas B. Barton, J. Carson Brevoort, Rev. Dr. Chapin,
Almon W. Griswold, WiUiam Menzies, William Curtis Noyes, Dr. Purple,
George T. Strong, R. L. Stuart, Rich. Grant White, Henry C. Murphy and
Samuel J. Tilden.
863 YEMENIZ (M. W.). Catalogue de la Bibliotheque de,
pr^cedd d'un notice par M. Le Roux de Lincy, with
separate printed price-list. Together 2 vols. Thick large
Svo, sewed, uncut. Vaxis, Eachelin-Deflorenne, 1867
This famous library, sold at the Hotel Drouot, Paris, in 1867, brought
724,252 francs 75 centimes for the 3,954 lots.
230 THE PENE DU BOIS COLLECTION.
THE PENE DU BOIS COLLECTION OF BOOK-PLATES AND
PRINTERS' MARKS.
864 BOOK-PLATES, EARLY TYPOGRAPHICAL DE-
VICES, LATER PRINTERS' MARKS, etc, A col-
lection of ill \ examples, many very early, and dating from
the beginning of the sixteenth century. The whole in one
volume, thick large 4to, half russia, cloth sides, guards,
red edges.
UNIQUE, and a most remarkable, if not one of the finest, "ex-libris " col-
lections in this country. There are, all told, 466 book-plates, mostly heraldic
and of noble and distinguished personages or families. Some date from the
seventeenth century, and are of extreme rarity. There are also nearly 150
printers' marks, the larger number being title pages from sixteenth century works,
which have been thus ruthlessly destroyed.
Mr. Pene du Bois writes as follows respecting the collecting of book-plates :
" If humanity has a failing, it is to express possession. One puts his mono-
gram on his linen, his time-piece, the door of his brougham; if the owner be
great, the value of these objects is enhanced, if not, it is diminished. If the
mark of ownership was the work of an artist, the object marked is precious for
that reason alone; and if it is to be discarded as unworthy of the mark, the
mark itself should be preserved. Then, the man who collects book-plates is not
a maniac. Every artist from Durer to Edwin A. Abbey has made some draw-
ing for a friend, that he has forgotten and that does not appear in the catalogue
of his work. It is true especially of book-plates, and men wrho have meditated
on Mahomet's maxim that ' every hair has a shadow ' have snatched from the
Lethe the insignificant fleuron, initial or book-plate.
"They have done well, for the world likes to see an artist off his guard, and
the collector of book-plates has the familiar work of an artist. Now, in this
collection is ^Cat familiar History of Engraving from the earliest woodblock to
the zinc-plate. In it, a History of Manners from the grave epopee to the money
counter; in it, a History of Taste in every country. Desbarolles, who made a
science of the art of divining a man's character from his handwriting would have ,
liked to be enabled to tell it from his book-plate. Is he witty, grave, a student
or a mere dilettante? His, book-plate tells it; and a collection of book-plates
tells an infinity of other secrets to the devout, that do not go to the profane .
And the profane who looks wonderingly at monuments, at churches that are
theology in stone, at books that are to be studied in the light that comes through
stained glass, in ogival windows, with an artist's fervor, like symbols for the
symbols themselves. Wherefore the world's philosophy is probably in a collec-
tion of book-plates. — H. P. B."
This " Pene du Bois Collection of Book-Plates" is particularly rich in speci-
mens of ' ' ex-libris " used by the old noblesse of France as well as by the men of
the great French Revolution. As an indication of the wealth of the collection,
examples of the following may be specified as being included: — Napoleon I. and
III.; " Monsigneur le Comte d'Artois"; Cardinal Prince de Rohan; Berryer;
J. D. Cochin ; the Benedictine Monastery of Rayhrad at Breslau, founded
MXLVIII.; M. Haet; Joannes Petrus Buzot; E. A. Fischer; " B. de Foucheres-
Dufour, procureur du Roi a Douay "; M, Von der Mulhen; Agustin Quenson;
Joseph Garamph; I. B. Gastaldy, 1752; Jean Weibel; George Fairholme of Green-
hill, 1779; I. H. de Chaillet; "J. A. Claret-Delatourrette, 1719; Dr. Requin;
Wilfrid Chauvin; "Hon. Charles Hope Weir of Craigehall and Blackwood";
' ' Prefecture du Dept. de la Nievre " ; Michau de Montaran ; Germain Pichault
De Lamartiniere; "Rachel, the Tragedienne"; Van Der Heille; H. J. Rega;
" El Conde de Tepa "; " M. de Baron de Nervo "; Dr. J. M. W. Baumann; M.
Antoine; " M. Descartes — Conseiller au Parlement " ; Thomas Gueulette; M.
THE PENE DU BO IS COLLECTION. 231
Roederer; Baron Felix d'Henen de Culvillers; VioUet Le Due; Madame de
Gerangy; J. Gouillon; Hastings Elwin; " M. du Rosier, Vicomte de Magnieu ";
" James Walker of Innerdovat"; George Nicol; P. P. Cannae; "Honorable
Francis Henry Egerton, Prince of the Holy Roman Empire"; J. B. Lenoir-de-
Laroehe; Nicholas Menin; Dr. Bodard; J. P. Lamy; Lejay; Charles Nodier;
"Duke de Cortina"; I'Abbe Briot-de-la-Mallerie; "Julii Comitis de Meno";
Henri Lambert; " M. le Comte de Serans"; " M. le Baron Le Caix de Saint-
Aymour "; T. W. Carson; " M. Lambert, Intendant de la Maison de la Reine ";
D. D. d'Archambault, 1778; M. De Laus deBoissy; Berlin de Fligny; Worigny;
H. T. Baron; Duthyard; "M. Hurson, Conseiller au Parlement"; H. Simon
Dautreville; " Campbell of Monzie"; "M. Brochant du Bretlil, Conseiller au
Parlement"; P. C. Laurens, de Villedeuil; Janvier de Flainville; " Biblioth^que
du Regiment de Berri, Cavalerie"; A. De S. Marie; M. Danners; Emanuel
Barberot D'Autel; De Marescot; M. Murin; " Bibliotheca Woogiana "; Lavoi-
sier; La Rochefoucauld; Alexander M. F. P. de Dompierre; Thomas Powell;
" Le President Plenault de I'Aeademie Franyoise"; Ludovico Vaeher, 1768;
A. Franklin; Le Comte D. Boutourlin; David Fridlsender; Francis Joseph
Menage de Mondesir; Matthew F. Geoffrey; Le Doux; G. Nouet; C. D'Augyld;
Fouglroux de Secoal; F. Fallot; " Hieronimus Beausire, Aeadem et Architect
Regis"; " M. Terray, Intendant de Lyon "; "Louis Antoine; Paul Bourbon
Busset Citoyen Fran9ais, 1793"; Michau de Montaran; Lancelot Holland;
Joannes BizzaiTo; Henri Petit; Philippe Vonderweil; A. Louis; Haller; C. de
Chaussepierre; Elize Gulston; R. Chardey; "Charles de Baschi, Marquis
D'Aubais "; Joseph Xaupi; De Blanriez; G. M. Deplace; " La Bibliothique des
Grands Pensionaires "; G. C. Wilder; J. Giraldi; IJelahaye des Fosses; Henry
Thomas Buckle; Murat; " Louis E. de Lavergne Comte de Tressan "; Armand
Bertin; "Sir Ernest Gordon, Bart."; Le Comte de Fortia; Comte Joseph de
Lagondie; A. Koepfner; Sternberg; Longueval deBouquoy; N. F. Von Mulinen;
" Biblioth^que de la Belle Fontaine "; J. P. Le Drii; Bourneville; M. Lebrun;
A. Felibien; " Le Prince de la Moskowa "; Comte F. de Lagrange; " The Right
Hon. Charlotte Viscountess Howe"; R. W. St. John; " MonasteriiBesuensis";
Victor Due de Saint Simon Vermandois; F. de Brossard; N. F. B. Le Sage; F.
Mouchard, 1732; Viscount de la Maillardiere; L. de Lionne; J. B. Durey de
Noinville; Comte du Pare; E. Mey; T. Wood; J. Chartarius, 1742; Vietoris
Gay; B. H. De Fourey; Calandrini; A. de Lavergne; " Le Chevelier N. Du
Nouy"; Elizabet Dundas; F. Thormann; J. L. Beraud; M. Loyevis; H. de
Silva; G. de Fontaine; etc., etc.
Many of these book-plates were engraved or designed by well-known artists.
Amopg the names will be found:— D. Villiers; J. Martinet; Veyrier; Daudet;
A. Sergem; Fran9ois Montulay, 1754; G. Huot; Hughes; Laurent; C. N.
Cochin; Francois; Roy; J. B. Scotin; Bouchy; PoUett; M. Thevenard; P. Giffart;
A. Zingg Beaumont ; Choffard ; etc.
The printe^rs' devices embrace some admirable specimens such as : — Plantin,
Badius, Petit, Oporini, Kerver, Girault, Foucher, Birchman, Morel. Giunta,
Frellon, Chesneau, Sonnius, Gryphius, Marnef, Landry, Wechel, Millot, Richer,
Cramoisy, Moreau, Thierry, etc., etc.
This volume will make a splendid nucleus for some more ambitious collector
than Mr. Pene du Bois, and now that there is an "ex-libris" literature, the
value of book-plates has increased wonderfully within a few years.
865 BOOK PLATES.— Warren (J. Leicester, M. A). A Guide
to the Study of Book-Plates (ex-Libris). Numerous plates.
8vo, cloth, uncut. London, 1880
" When a volume in your catalogue contains an interesting or an early-dated
book-plate, it is well worth one more line of type to notify the fact. Even the
large book auctioneers might find this hint deserving of their serious attention."
— Preface.
232 THE PENE DU BOIS COLLECTION.
866 BOOK PLATES. — Poulet-Malassis (A.). Les Ex-
Libris Fran9ais depuis leur Origine- jusqu'a nos Jours.
With 24 page illustrations and facsimiles of book-plates,
some dating from the sixteenth and seventeenth centuries.
Large 8vo, three-quarters crushed red levant morocco,
with the covers bound in, top edge gilt, others- uncut, by
Lemarbelty. Paris, Roquette, 1875
Very scarce, and limited to 350 copies on " papier verge," and Whatman
and China papers. This is the great French authority on " ex-libris," or book-
plates.
THE PENE DU SOTS COLLECTION. 233
VI. ©urijcrsa atxxl Ifacjeti^e^
INCLUDING
Rare Illustrated French Erotica, Books of Emblems,
The Dance of Death, etc., etc.
' ' Books of which the principles are diseased or deformed must be kept on
the shelf of the scholar, as the man of science preserves monsters in glasses.
They belong to the study of the mind's morbid anatomy. But they
ought to be accurately labelled. Voltaire will still be a wit, notwithstanding
he is a scoffer. We may admire the brilliant spots and eyes of the viper, if we
acknowledge its venom and call it a reptile." — R. A. Willmott.
, BAILLARD ET HELOISE, ESSAI HISTORIQUE
PAR M. ET Mme. GUIZOT suivis des Lettres
d'ABAILLARD ET d'HELOISE, traduites sur
LES MANUSCRITS de la BIBLIOTHilQUE
ROYALE par M. ODAOUL. Nouvelle edition entiere-
, ment refondue. 8vo. Bound by AD. BERTRAND in
fresh half crushed red levant morocco gilt, top edge .gilt,
others uncut. Paris, Didier, 1853
UNIQUE and LARGE PAPER. This admirable edition is extra-illus-
trated with nearly thirty plates, mostly portraits. Among them are the fol-
lowing:— Portrait of " M. Guizot," by C. Cook; portraits of "Madame Gui-
zot," in two states, 6nished and unfinished; " Abelard," on India paper, engraved
by E. Groux; "Heloise"; "Charlemagne"; " Abelard and Heloise," proof
before letters: "Peter Bayle"; " Mirabeau," by Alex. Massard; "Shake-
speare," engraved by J. Swaine; " Tete de ^hrist," etching by Dufrene; " With
every bead I drop too soft a tear," painted by Westall, engraved by Heath;
"John the Baptist," engraved by John; " Mary Magdalene," engraved by J.
Rogers, afterGuido; " Tete de St. Pierre "; " St. Jerome," by J. Fuseli, after
Guido; " Moses and the Tablets of the Law," engraved by Voysard; " Virgil,"
by Salmon; "Heloise," by Ryley, engraved by Heath; "St. Bernard des
Alpes"; "Cssar," proof on India paper, engraved by Freeman; "Plato";
"Petrarch," engraved by Robt. Hart; "Racine," engraved by J. CoUyer;
"Chateaubriand"; "Des Cartes," engraved by W. HoU; " Lucien Bona-
parte"; " Monument to Abelard and Heloise"; " Lord Byron."
868 ALFIERI.— Delia Tirannide Libri Due di Vittorio
Alfieri aggiuntovi La Catilinaria e la Giugurtina tra-
dotte. Minimo, russia gilt, beveled sides, gold dentelle
borders, gilt edges. Florence, i860
Charming minimo edition of Alfieri's Utopian work in which the same
views are advanced as in latter times in the " Contrat Social," and more or less
by Henry George and the Socialists.
234 THE PENE DU BOIS COLLECTION.
" REYNARD THE FOX," ALB. VON EWERDINGEN'S ILLUS-
TRATIONS—PETER SCHENCK'S EDITION OF 1752.
869 ALKMAR (Heinrichs von). REINEKE der FUCHS mit
Schonen Kupfern nach der Ausgabe von 1498 ins Hoch-
deutsche ubersetzet und mit einer Abhandlung, von dem
Urheber, wahren Alter und grossen Werthe dieses Gedichte
versehen von Johann Christoph Gottscheden. Pro-
fusely illustrated. \X.o. Handsomely bound by W. Pratt
in Spanish calf giltl edges gilt on red.
Leipzig a«i/ Amsterdam, Peter Schenck, 1752
Kare original edition, with brilliant impressions of the illustrations,
and one of the most sought after editions of " Reynard the Fox," on account,
as Brunet states, of the 57 engravings of Alb. von Ewerdingen, and some by
Fokke, illustrations which, while most exact from the standpoint of natural his-
tory, truthfully tell the subject of the various fables.
The original designs of this work were sold at the White Knight's sale in
l8ig, and were purchased by Mr. Hibbert for nearly £<^ sterling, i. e., $450.
Alkmaer lived at the end of the fifteenth century. RoUagen asserts that
" Henry Alkmaer " was only a pseudonym of Nicholas Baumann, who revenged
himself on the Duke de Juliers by writing the above as a satire on the manners
of his time. It is certain that the " bas-allemand " edition of " Reinecke
Voss " of Alkmaer was a translation of ancient Flemish versions, probably
derived from the original French. Alkmaer, in his preface to the 1498 edition,
says that he had — " traduit le present livre du Welche et du Fran9ais."
870 ALKMAR. Another copy of the same edition. 4to, half
mottled sheep (some pp. stained).
87,1 Almanack des Dames pour I'an 1813. Vignette title and
plates, engraved by Forsell after Gerard Douw, See.
DEL PiOMBO, PoussiN, etc., One erotic. Square minimo, calf
gilt, inside gold tooling. Tubingen ««</ Paris, 1813
872 AMOURS DE la -Belle Rosine, Aventures Curieuses
d'une Jeune Fille de Quinze a Seize Ans. Small 8vp,
sewed, uncut. Erotic. Geneva, 1880
CHINA PAPER COPY OF THE " AMOURS OF HENRI
QUATRE "—WITH THE PORTRAITS IN TWO STATES.
873 AMOURS DE HENRI IV. par M. de Lescure. Illustrated
with portraits of Henry Quatre and his mistresses,
Gabrielle d'Estr^es, Henriette d'Entragues, Mar-
quise de Verneuil and Charlotte de Montmorency,
Princesse de Conde — in two states, befo7-e and after
letters — rubricated title. Small 8vo, sewed, uncut.
Paris, Achille Faure, 1864
No. 3 of 12 copies on China paper, and out of a limited edition of 100
copies on "papier de Chine," "papier Chamois," and "grand Jesus velin
d'Angouleme."
874 AMUSETTES des GRASSES et des Maigres contenant
douze douzaines de Calembourgs avec les Fariboles de M.
Plaisantin les Subtilit^s de la Comtesse Tation et l,es
THE PENE DU BOIS COLLECTION. 235
Remarques de I'Abb^ Vue redig^e par une Soci^t^ de
Caillettes. Engraved title and front, in facsimile. Small
8vo, paper, uncut. Paris, au cap de Bonne Esferance, n. d.
Rare, erotic and limited reprint of 200 copies on Holland paper, of
which this is No. 196.
875 ANECDOTES PIQUANTES de Bachaumont, Mai-
ROBERT, etc., pour Servir a I'Histoire de la Societe Fran-
9aise, a la Fin du Regne de Louis XV. (1762-1774) avec
des Notes et un Table Bio-Bibliographique publi^es par
Jean Gay, Membre de I'lnstitut National de Geneve.
Etched front, by J. Chauvet. Thick small 8vo, sewed,
uncut. Brussels, Gay et Douce, 1881
Limited edition, on " papier verge." These piquant anecdotes are full of
matters erotic, scandalous, dramatic, etc., which owe their birth to Piron,
Voisenon and many other i8th century wits, as well as the above-named. The
Bio-Bibliographic Index at the end is full of interesting details.
INTRIGUE UNDER HENRY QUATRE AND LOUIS TREIZE—
BOUND BY DEROME.
876 ANQUETIL (Louis Pierre). L'Intrigue du Cabinet sous
Henri IV. et Louis XIII., termin^e par la Fronde.
4 vols, small 8vo, yellow calf gilt, red edges, by Derome.
Paris, 1780
VERY RARE. This was the Hamilton Palace copy, and was priced £'i in
Robson and Kerslake's catalogue. May, 1883. Mr. Pene du Bois paid $25 for
it. Full of curious particulars of the contentions of the Frondeurs and Maza-
rins, as well as of the relations existing between Henri IV. and Gabrielle
d'Estrees, and affairs, not to be found elsewhere, of Marie de Medicis, Riche-
lieu, Louis XIV., Mazarin, Urbain Grandier, Conde, Baradas, etc.
AMOURS OF ANNE OF AUSTRIA.
877 ANNE d'AUTRICHE, Les Amours de— Nouvelle Edition
Revue et Corrigee. i2mo, sewed.
[Paris,] A Londres, aux depens de la compagnie, 1738
EXTREMELY RARE, and suppressed. Anne of Austria, wife of Louis
the Thirteenth and mother of Louis the Fourteenth, was one of the most
libidinous Queens who sat upon the throne of France.
878 ANNEE GALANTE— ou les Intrigues Secretes du Mar-
quis DE L * * *. Minimo, sewed, uncut.
Cologne, chez Pierre Marteau, n. d.
Erotic and rare.
879 ANNULAIRE AGATHOPEDIQUE et SAUCIAL.
Numerous very facetious woodcuts. Large 8vo, half
morocco gilt, top edge gilt, others uncut.
Brussels, imprime par les presses iconographiques d. la
Congrlve de I'Ordre des Agath V , chez a Labrone
et Compagnie, cycle IV., [n. d.]
Rare. With the autograph signature of "A. J. Odell" on the title. This
volume relates to the cuisine, the porcine, and is a burlesque on the Freemasons
and secret societies generally.
236 THE PENEDU BO IS COLLECTION.
PIETRO ARETINO— LIMITED EDITIONS.
88b ARETINO. — Les Ragionamenti ou Dialogues du Divin
PiETRO Aretino — Texte Italien et Traduction Complete
par le Traiducteur de " Dialogues de Luisa Sigea.'' Por-
trait. 6 vols, small 8vo, sewed, uncut. Paris, 1882
VERY EROTIC and limited edition of 100 copies, for " Isidore Liseux
et ses amis." The portrait is by Titian, and engraved by E. Burney after
Marc Antonio's celebrated print, a copy of which sold for ;^i,ooo, i. e., $5,000.
This edition is arranged in six volumes, as follows — I. La Vie des Religieuses;
II. La Vie des Femmes Mariees; III. La Vie des Courtisanes; IV. L'Edu-
cation de la Pippa; V. Les Roueries des Hommes; VI. La Ruffianerie. This
set is No. 4 of the "Musee Secret du Bibliophile."
"He [Aretino] began to write prose and verse satires, indelicate dialogues,
heroic cantos, sonnets, comedies, besides an immense quantity of letters,
which he addressed to all the princes, great men and ladies of his time,
sometimes flattering them or praising himself, and at others even threatening
them with the la.sh of his satire; ana from them all he received presents, which
enabled him to lead a dissolute life. He had the impudence lo style himself
' II Divino Aretino,' and boasted that he was the scourge of princes
He died suddenly in Venice, in 1557, by overturning his chair in an immoderate
fit of laughter at hearing an indecent story of his two sisters, who led a life as
infamous as his own." — Rose.
881 ARETINO. — Dialogues du Divin Pietro Aretino Entiere-
ment et Litteralement Traduits pour la Premiere fois.
6 vols, minimo, sewed, uncut. Paris et Londres, 1879-80
The "premiere partie," 3 vols., is the Isidore Liseux Edition, limited to 350
copies. The " seconde partie" has the imprint " A Londres."
882 [ARLES DE MONTIGNI.] Therese Philosophe ou M^-
moires pour Servir a I'Histoire du P. Dirrag et de
Mademoiselle Eradice. Small 8vo, sewed, uncut.
La Haye, n. d.
Rare, and based on the Father Girard and Catherine Cadiere scandal. The
authorship of this celebrated erotic novel has been attributed by Barbier to
Aries de Montigni, and who, according to the Abbe Sepher, was sent to the
Bastille for eighteen months as its author. The Marquis de Sade claimed it
was written by the Marquis D'Argens.
THE "MELUSINE" OF JEHAN D'ARRAS— LIMITED
EDITION, BOUND BY HARDY.
883 ARRAS (jEHAN D*). MELUSINE— Nouvelle Edition,
conforme icelle de 1478, revue et corrig^e avec une Pre-
face par M. Ch. Brunet, Inspecteur General, chef de
Bureau au Ministere de I'lnt^rieur. Minimo. Bound
by C. Hardy, of Paris, in crushed red levant morocco,
inside dentelle gold borders, rounded corners, edges gilt
on marble. Paris, P. Jannet, 1854
LIMITED EDITION of the Bibliotheque ^Izevirienne printed by Guirau-
det and Jouaust on the text of that of—" Maistre Steinschafer, natif de Suin-
furt, en la noble cite de Geneve, I'an de gr^ee 1478, au mois d'aoust."
" Melusine " was one of the most famous fifteenth century French romances.
THE PENE DU BOIS COLLECTION 237
884 ASSELINEAU (Charles). Les Sept Pechds Capitaux de
la Littdrature et le Paradis des Gens de Lettres. Portrait
by Leopold Flameng. Bound by V. Champs, in half
crushed brown levant morocco, the back gold tooled and
inlaid with red morocco, rounded corners, top edge gilt,
others uncut, cover bound in.
Paris, Alphonse Lemerre, 1872
Charming edition, printed on thick toned paper by J. Claye.
SEVENTEENTH CENTURY FACETIOUS ADVENTURES,
BOUND BY CAPE.
885 AVANTVRES (Les), dv Baron de F^eneste, Comprinses
en Quatre Parties — les Trois Premieres Reveues, Aug-
ment^es et Distinguees par Chapitres : ensemble la Qva-
triesme Partie Nouvellement Mise en Lumiere. Le tout
par le mesme Avthevr. Small 8vo. Bound by Cap£, in
crushed red levant morocco extra, dentelle gold inside
borders, edges gilt.
Av Dezert, imprimd aux despens de Vautheur, 1630
_ VERY RARE, facetious and curious. This is the complete original edi-
tion of this excessively scarce work. It has gold margins, is ' ' temoins " and is
bound by that distinguished French binder. Cape. Morgand and Fatout, in
their 1882 catalogue, asked for a copy of the above (No. 2757) 1,600 francs.
886 c^^ALZAC (Honore de).] PHYSIOLOGIE DU
MARIAGE, ou Meditations de Philosophe Eclec-
tique sur le Bonheur et le Malheur Conjugal pub-
li^es par " un Jeune C^libitaire.'' 2 vols. 8vo.
Bound by " Trioullier sr. de Petit-Simier," in crushed
dark blue levant morocco gilt, inside gold borders,
rounded corners, top edges gilt, others uncut.
Paris, Levavasseur, 1830
VERY RARE and original edition of this celebrated work on marriage,
by the celebrated author of the " Contes Drolatiques."
ORIGINAL EDITION OF "CESAR BIROTTEAU," BY
BALZAC.
887 BALZAC. Histoire de la Grandeur et de la Decadence de
Cesar Birotteau, Parfumeur, Chevalier de la Legion
d'Honneur, adjoint au Maire du 2e Arrondissement de la
Ville de Paris; Nouvelle Scene de la Vie Parisienne. 2
vols, in I. 8vo, half calf. Paris, chez I'editeur, 1838
Rare and original edition. At the end of the volume are some pages of
prospectus of Balzac's works, among which to appear in 1838 is — " les Cent
Contes Drolatiques colligez ez Abbaies de Tourayne et miz en lumiere par le
Sieur de Balzac. "
888 BALZAC. Les Fantaisies de Claudine. Minimo, half blue
morocco gilt, totally uncut. Paris, Eugene Didier, 1853
Rare. From the library of F. A. Duf our, with his library stamp on the half-
title.
238 THE PENE D U BOIS COLLECTION.
889 BANVILLE (Theodore de). La Lanterne Magiquc—
Camdes Parisiens, la Com^die Frangaise. Front, by G.
RocHEGROSSE. Small 8vo, sewed, uncut. Paris, 1883
RARE FRENCH WORK ON BEAU BRUMMELL— BOUND BY
LORTIC.
889* BARBEY d'AUREVILLY (J. A.). Du Dandysme et de
G. Brummell. Square minimo. Elegantly bound by Lor-
Tic FRERES, in crushed citron levant morocco gilt, inside
dentelle gold borders, rounded corners, edges " temoins "
and gilt on marble. Caen, B. Mancel, 1845
EXCESSIVELY RARE work on Dandyism and the celebrated Beau Brum-
mell. It is the first of Barbey d'Aurevilly's facetious volumes. Dedicated to
Monsieur Cesar Daly, editor of the "Revue de I'Architecture. " The reliure is
a very handsome specimen of Lortic's best v?ork.
890 BAUDELAIRE (Charles). Les Fleurs du Mai, preceddes
d'une notice par Theophile Gauxier. Portrait. Small
8vo, half calf, gilt. Paris, 1880
891 BATAILLE (Louis) et FEUGERE (Henri). Le Comae,
Comedie en Trois Actes. Small 8vo, sewed, uncut. ,
Paris, 1885
THE CELEBRATED AND ALMOST UNIQUE "GRAND
BANQUIER" BOUND BY PARISOT.
892 [BARREME (Francois)]. | Le LIURE des MONNOYES
ETRANGERES | ou | LE GRAND BANQUIER de
France | Dedie a MONSEIGNEUR COLBERT. |
Engraved title and other curious illustrations. Small 8vo.
Bound by Parisot of Paris in crushed red levant morocco,
extra gilt, rounded corners^ inside gold dentelle borders,
edges gilt on marble.
[Paris], /«r Barreme au bout du Pont neuf, n. d.
ALMOST UNIQUE and original edition of the " Livre des Monnoyes
Etrangeres," a work of 250 pages which was left in the above state, and was
published later in another form, with considerable additions, under the title of
' ' Comptes Faits. "
Only one other copy is known, and that in the Bibliotheque Nationale at
Paris. A parallel can be drawn between this unique volume and that of the
extremely rare " Le Patissier" of the Elzevirs.
But little is known of Fran9ois Barreme, who flourished at the end of the
seventeenth century. He was an accountant and a poet. In the " Magasin
Pittoresque" of 1852 — a copy of which accompanies the volume — ^is given a
four-page interesting account of Barreme, with illustrations from the above
extremely rare but almost forgotten work. Yet the phrases, " He is a true
Barreme," and ' ' He counts like Barreme," are proverbial expressions in France
to this dayi
Francois Barreme was born at Lyons about 1640. There is no knowledge of
his first ipathematical studies, but it is known that he traveled before coming to
Paris. We learn from his own statement that after having been to Rome and
nearly over the entire Mediterranean, he found himself in Maltese waters. There
he was attacked by a corsair coming from Toulon an(^ commanded by a certain
Captain Jacques. Notwithstanding the fact that his vessel was entirely manned
THE PENE DU BOIS COLLECTION. 239
[Fac-simile reproduction of the engraved title-page of the almost
UNIQUE and original EDITION OF " Le GrANDE BANQUIER DE FRANCE "
BY Francois Barreme, and being No. 892 of the " Pene du Bois
Collection."]
240 THE PENS DU BOIS COLLECTION.
by Frenchmen, Captain Jacques deemed it necessary to treat the ship as if she
had come from the coast of Barbary. All was given up to pillage. Barreme,
who would not submit tamely to an outrage which would either ruin him or
destroy his credit, resisted the enemy and received a terrific sword cut, the scar
of which he bore for ever after. He would inevitably have lost his life in
attempting to save a precious valise containing letters of credit on Leghorn if a
gentleman named Beaumartin had not arrested a second stroke of the deadly
sabre., This event happened on St. Martin's Day, but the exact calculator has
not fixed the date of his unhappy encounter with Captain Jacques so well as to
enable us to make anything but conjectures concerning the precise period he
visited the commercial cities of Italy and probably various other seaports of
Europe.
In 1668 we find Sieur Barreme married, settled in Paris, and living at the
extremity of the Rue Dauphine, near the Pont-Neuf . He made his calculations,
revised those of merchants, kept books according to a system of double entry,
and wrote verses in his leisure moments. It must be known that Barreme's
great passion was poetcy, and above all the composing of acrostics. He made'
them for King Louis Quatorze, for Colbert, and even for De La Reynie.
They were most assuredly the verses of a good calculator, for it was by the aid
of his "Stances Chretiennes" that he obtained a profitable privilege for his
' ' Comptes Fails. " He narrates the circumstances of this memorable event,^ and
&t the same time allows us to see in what naive estimation the mathematician
held the poet and the stanzas addressed to the King. This occurred in the year
1668:—
"On Friday, the 27th of January, six days 1 before the King left for the
Tranche Comte,' His Majesty, being at Paris in the Louvre, I knelt before
him and presented to him, on vellum, my ' Stances Chretiennes et Royales,'
supplicating him very humbly to accord me the privilege for them and the books
of the ' Comptes Faits' for public sale. He took the book, and after having
^read four lines, gave it to Monsignor the Duke de Saint Aignan, saying these
words: — ' I accord it, provided that is good.' The next day I gave myself the
honor of going to salute Monsignor the Duke de Saint-Aignan in iiis apartment
in the old Louvre, and having asked Vxia if he had had patience to read the
stanzas I had presented to His Majesty on the preceding day, he answered me
that it was easy to have patience to read beautiful and good things."
The works of Barreme, so poorly and coarsely printed in these tines, were
first published in an elegant and correct style and always with a certain amount
of costliness. The one from which we have taken the curious engraving repro-
duced herewith was very expensive in production at the date of its origin. Bear-
ing in mind the minute care then given to certain details, it can be supposed that
this engraved title represents a portrait of the author of the " Comptes Faits,"
and this gives it iconographic value. Without doubt the personage who holds
the letter of exchange is his son N. Barreme, or perhaps his son-in-law.
We have already spoken of the strange passion of Barreme for poetry. In
fact he did not content himself with composing the ," Stances Chretiennes et,
Royales " which obtained his privilege for hinr, he also addressed his effusions
to all the high functiortaries of the Court, as well as to all whose names were
noted m finance. The "Vessel of State," for instance, which figures at the
end of each of his sections of the " Grand Banquier de France," and which is
also intended to recall the arms of France, gives place to two most' burlesque
quatrains in honor of De La Reynie who had been the companion of the cele-
brated Regnard in Lapland, and afterwards became one of the ministers highest
in favor with Louis XIV.
The fortress surrounded by symbolical bastions, which is also inserted in the
book, depicts the capital of France. Barreme's work, according to the " Maga-
sin Pittoresque," appeared in February, 1687, yet the author was obliged to
leave it incomplete. He died in Paris, 1703, without being able to finish " Le
Grand Banquier de France," of which the above copy is almost unique, one
other only being known, as stated above, and which is in the Bibliotheque
Nationale at Paris.
THE PENE DU BOIS COLLECTION. 241
"WOMEN AND THE SWORD "—ILLUSTRATED BY MEIS-
SONIER, LIMITED EDITION, AND BOUND BY AMAND.
893 BEAUMONT (E. de). L'EP^E et les FEMMES. Ele-
gantly printed from large type on superfine paper, with five
full-page plates in photogravure after the Original Designs
by, E. Meissonier, made expressly for the author, and numerous
vignettes. Large 4to. Bound by Amand in blue crushed
levant morocco, top edge gilt, others uncut, covers bound
in. Paris, Jouaust, 1881
Edition limited to 500 copies. The edition was bought up by collectors
and amateurs for the fine series of illustrations after designs by Meissonier,
which were executed expressly as a matter of friendship for the author.
THE "CHANSONS" OF BERANGER— ORIGINAL EDITION
AND SPLENDIDLY BOUND BY THOUVENIN.
894 BERANGER (M. J. P. de). CHANSONS. 2 vols.
minimo. Bound by THOUVENIN in dark blue morocco,
extra gilt, inside gold borders, edges gilt (foxed some-
what). Paris, chez les marc hands de Tiouveautes, 182 1
VERY RARE, ORIGINAL EDITION and PRINTED by FIRMIN
DIDOT.
The facsimile illustration of the reliure on this number is the same as that
giyen in the "American Book Maker" of February, 1887, as one of the best
examples of Thouvenin's binding in this country. Mr. IngersoU Lockwood, in
his essay on " Bookbinding as an Art and an Industry," says: —
' ' These latter-day Romans [the Republicans of the First French Revolution]
cried out for Spartan simplicity. They fell upon the sumptuous bindings and
destroyed them as things to be hated. True, they must have books, but hence-
forth let them be clothed in republican simplicity, sheep or calf. And such
were, in fact, the books of the Revolution. In the place of delicate fillet,
dentelle, floral or geometrical tooling, popular taste called for and got the
Phrygian cap, the fasces of the lictor, sword and torch scales, and even a full-
length figure of Liberty herself. With the establishment of the Directory
there was a return to emblems of quite another genre — the frivolous and gallant,
the meretricious and erotic. At this period it was that the Bradel binding
(boards) took its rise in France. This half-binding could never succeed in
winning for itself in France that popularity which it was later destined to gain
and hold in England and America.
' ' Turning from this period of utter sterility in the art of book decoration, the
First Empire attracts attention through the work of its binder, the elder Boze-
rian. Like the period in which he was active, his work is gaudy, heavy and
lacking in taste; but he marks the dawn after the long night, and anything is
preferable to that wretched iconoclasm which hates art because it is bright and
• beautiful. The younger Bozerian, of the Restoration, even surpassed his
brother in the production of profusely gilded covers. He has been called the
' Brummell of Fine Bindings ' ; but the one fact that will ever secure him a place
in the book-lover's calendar is that Thouvenin was his pupil.
" Thouvenin, like the two Bozerians, was not a great artist, but he was
original. He was a man enamored of his art, his treatment of which at times
was delicate and refined. He was only too willing to turn back to the great
masters, but the public loved glitter and display. On this page [of the
" American Book Maker," February, 1887] will be found two specimens \i. e.,
of this " Beranger" and "Poesies de Clotilde," vide suprd\ oi Thouvenin's
tooling. They prove conclusively that this beautiful art, which had been sick
242 THE PENS DU BOIS COLLECTION.
unto death a quarter of a century before, was now at least convalescent. The
tooling of the back of the larger volume especially is refined and tasteful.-
" The position of Thouvenin was peculiar. But not infrequent in the world of
art. He was really not in sympathy with the art methods which his patrons' in
particular and the public in general forced him to follow. Thouvenin would
gladly have restored the glorious traditions of French book decoration, just als
he did the finish and solidity of Der6me's bindings, which had been during the
Revolution supplanted by cheap, flimsy work.. But there were two repellent
forces at work, two counter-currents which were ever ready to bear Thouvenin
aviray from his purpose. The first was "the prevailing fashion to imitate English
binders, although in reality superior work was done in Paris, and the second
was the craze of the romanticists, to whom a stamp in gilt of a cathedral door
was more pleasing than a gold tooling by Le Gascon. In his poem on book-
binding, p;)blished in 1822, Lesne, whose poetry was no better than his bind-
ing, has this couplet on the subject of Anglophobia :
' Get artiste amateur detruisit laifolie
De regarder I'anglais avec idolatrie. '
' ' The reference was to Bozerian, but it is no truer for that. Lesne . also
opened fire upon Dibdin, the bibliophile, for his strictures upon Thouvenin's
tooling. Dibdin was on the side of the plaque cutters. He accused the elder
Bozerian of being too much infatuated with gold tooling, and found fault
with Thouvenin for working with irons heated in fiery ovens. No doubt
Thouvenin would have been only too glad to depend upon his petits fers;
but what can one artist do when the public cry out for the stamp of a Gothic
cathedral upon a book ? It means for the artist either stamp work or starvation.
Thouvenin died in 1834."
ORIGINAL EDITION OF THE " CHANSONS NOUVELLES "
OF BERANGER— BOUND fev AMAND.
895 BERANGER. Chansons Nouvelles et Dernieres de P.
J. DE BERANGER, dediecs a M. Lucien Bonaparte. Small
8vo, half blue crushed levant morocco gilt, top edge gilt,
others uncut. Paris, Ferrotin, 1833
Original edition, and bound by Amand.
896 Beranger. Songs of, done into English Verse by William
Young. Small 8vo, cloth, uncut.
London, Blackwood cs' Sons, \?ii%
897 BERAT (Frederic). CHANSONS, PAROLES et
MUSIQUE. With illustrations ly T. Johannot, Raffet,
BiDA, Gendron, Lancelot, Mouilleron, E. Leroux,
Pauquet, a. MtTRSAUD, Grenier, C. Nanteuil, Gerard
Seguin and H. Pottin, engraved on wood by Jardin —
with portrait of the author, engraved by Auguste Blan-
CHARD after Victor Pollet. 8vo, yellow calf giltj
inside gold. borders, edges gilt (binding stained slightly).
Paris [1850]
Very SCARCE. The celebrated French composer,- Berat, was born in 1800
and died in 1855.
898 BEVERLAND.— La Peche Originale, traduit Librement du
Latin d'AoRiEN Beverland par J. Fr£d£ric Bernard.
R^impression sur TEdition la plus Complete de 1741,
notice Bio-Bibliographique par "un Bibliophile." Small
8vo, sewed, uncut. Paris, 1868
No. 98 on Holland paper of a limited edition of 237 copies,
THE PENE DU BOIS COLLECTION.
243
["Chansons de B£ranger," Paris, 1821. Gold Tooling by Thouvenin.
Number 894 of the Pene du Bois Collection.]
244 TIIE PENE D U BOIS COLLECTION.
"VARIETES HISTORIQUES ET LITTERAIRES"—
CURIOUS AND EROTIC REPRINTS.
899 BIBLI0TH£;QUE ELZEVIRIENNE. — Vari6t6s His-
toriques et Litt^raires Recueil de Pieces Volantes Rares
et Curieuses en Prose et en Vers Revues et Annot^es par
M. Edouard Fournier. 10 vols, small 8vo, cloth, uncut.
Paris, P. Jannet, etc., 1855-63
Printed by Jouaust, and a limited edition on " papier verge. " Tliis series
consists of reprints of very rare, early, erotic, curious and historical tractates,
many by forgotten authors, and all edited by the celebrated litterateur Edouard
Fournier.
TOUCHATOUT'S SATIRICAL AND REPUBLICAN HIS-
TORIES OF THE KINGS AND EMPERORS OF FRANCE.
900 BIENVENU (Charles Leon) — " Touchatout," His-
toires tintamarresques, /. €.:
I. HiSTOiRE DE France Tintamarresque depuis les
Temps les plus Recul^s jusqu'^ Nos Jours. Illustrated
by G. Lafosse, with the assistance of Draner, A. Gill,
P. Hadol, A. LE Petit, Robida, etc.
II. HisTOiRE Tintamarresque de Napoleon III. Pro-
fusely illustrated. Paris, 1877
III. La D^gringolade Impdriale — Seconde Partie de
I'Histoire Tintamarresque de Napoleon III. With
illustrations by G. Lafosse, mostly colored full page.
Paris, 1878
TOGETHER 3 vols. Large 8vo, half red morocco, gilt,
top edges gilt. Paris, 1877, etc.
Touchatout is one of the most honest French journalists and authors. He
believes in the Republic. In the above works, as well as in his writings in the
" Charivari," " Figaro " and other journals of the same order, he has ridiculed
ahd made into a veritable burlesque the Monarchists, both Legitimist and
Orleanist— and particularly the Imperialists, whose " Man of Sedan,'' M.
Badinguet, has been the principal target for satirical digs from his vitriol-
tipped pen.
901 BIGARURE (La), ou Meslange, Curieux, Instructif et
Amusant de Nouvelles, de Critique, de Morale, de
Poesies, et autre Matieres de Litt^rature, d'Evenements
Singuliers et Extraordinaires, d'Aventures Galantes,
d'Histoires Secrettes et de plusieurs autres Nouveaut^s
Amusantes avec des Reflexions Critiques sur chaque
Sujet. Vols. 2, 5, 8, 9 and 10. Small 8vo, paper, uncut.
La Haye, 1750-51
Erotic and very rare.
902 Bijou DES Dames. Plates by Blanchard (one torn)
Minimo, old morocco, gilt. Paris, i8o8
THE PENE DU BOIS COLLECTION. 245
903 [BLACKFORD (Henrietta Ely)], i. e., " Fanny Lear." Le
Roman d'une Americaine en Russie, accompagnd de Let-
tres Originales. Thick small 8vo, boards, rough edges.
Brussels, 1875
Limited edition, on thick Holland paper. " Fanny Lear,'' who died last
year, was a Philadelphian.
" The culmination of her romance was in Russia, in connection with the
Grand Duke Nicholas Constantinowich, the nephew of the Czar, whom she
met in St. Petersburg. He was a weak-minded youth, and purloined a part of
the Crown jewels for her to wear at a ball. He brought the jewels from Russia
to Paris, where they were living. He was compelled to desert her, and in
revenge, with the aid of some writer, she published a scandalous book entitled
' Le Roman d'une Americaine en Russie.' For this she was expelled from
Paris." — New York Times.
904 Blessebois (Pierre Corneille) le Lion D'Ang^Iie suivi du
Temple de Marsias. Small 8vo, paper, uncut.
Paris, Gay, 1862
Erotic. Only 115 copies printed, the above being No. 94.
905 BLONDEAU. — Dictionnaire Erotique Latin-Franpais
par Nicholas Blondeau, avocat en Parlement,Censeur des
Livres et^Inspecteur de I'Imprimdrie de Trevoux (XVIIIe
Siecle) Edit^ pour la Premiere Fois sur le Manuscrit
Original avec des Notes et Additions de Francois Nokl,
Inspecteur G^n^ral de I'Universite, Pr^c^de d"un Essai
sur la Langue Erotique par le Traducteur du Manuel
d'Erotologie de Forberg. Thick small 8vo, paper, uncut.
Paris, Isidore Liseux, 1885
No. 240 of 375 copies on Holland paper of the limited edition of this very
erotic volume, which is a philological curiosity.
906 [Blouet (Paul)], i. e., " Max O'Rell." John Bull and his
Island. Small 8vo, fresh cloth. N. Y., 1884
907 BOCCACCIO.— CONTES de BOCACE, Traduction Nou-
velle, Augmente de divers Contes et Nouvelles en Vers
imit^s de ce Poete C^lebre, par La Fontaine, Passerat,
Vergier, Perrault, Dorat et autres; et Enrichie de
Notes Historiques sur les Principaux Personnages que
BocACE a mis sur la Siene, et sur Usages Observes dans
le Siecle ou il Vivoit par A. Sabatier de Castres.
With portraits, engraved titles and numerous plates after or
by Gravelot, Cochin, Maillet, etc. 10 vols, minimo,
mottled sheep. Paris, 1801
Rare edition and excellently illustrated.
908 BOCCACCIO. II Decameron, tratto dall' Ottimo Testo
Scritto da Francesco d'Amaretto Manelli sull Origi-
nale dell' Autore. 5 vols, square minimo, sewed, uncut.
Venice, Vitarelli, 1813
Very scarce edition, and reprint of that of Lucca, 1761. With portrait of
Boccaccio by G. A. Zuliani.
246 THE PENE DU BOIS COLLECTION.
EARLY EDITION OF BOILEAU'S SATIRES— BOUND BY
HARDY-MENIL.
909 [BOILEAU.] Satires DV SieurD***. Engraved frontis-
piece, vignette title, head and tail pieces. Minimo. Bound
by Hardy-Menil, in crushed red levant morocco gilt,
inside gold borders, rounded corners, edges gilt on marble.
Paris, 1669
Very rare and ruled with red ink. This is the fourth original edition, and
contains more than those which preceded it, as well as the — ■" Discovrs au Roi."
It has vignette cuts, fleurons, etc.
910 BONNAFFE (Edmond). Physiologie du Curieux. Rubri-
cated title and printer'' s mark. Small 8vo, sewed, uncut.
Paris, 1 88 1
No. 444 on " papier verge de fil" of limited edition of 600 numbered
copies.
911 BOYER DE SAINTE-SUZANNE (Le Baron de).' Notes
d'un Curieux. 4to. Bound by E. Rousselle, in half
dark green levant morocco, top edge gilt, others uncut.
Monaco, 1878
No. 241 of a LIMITED edition of 300 numbered copies of this curious work,
which includes the following subjects: — " Lettre i ijn Curieux de Curiosites";
' ' les Acteurs et le Theatre chez les Romains " ; " Inventaire du Cardinal
Mazarin"; "les Administrateurs sous I'Ancien Regime"; "les Tapisseries
Tissees de Haute ou Basse Lisse"; " Lettres Inedites de Cliarles Nodier a
Jean de Bry "; " Demiere Lettre du General A. de Beauharnais."
912 BRAZIER (Nicolas). Chroniques des Petits Theatres de
Paris, Reimprimees avec Notice, Variantes et Notes par
Georges d'Heylli. 2 vols, thick small 8vo, vellum
paper, totally uncut.
Paris, Ed. Rouveyre et G. Blond, 1883
Limited edition on " papier verge " with new rubricated titles, as well as
fac-simile titles of the 1837 edition of this rare work, which is both dramatic
and facetious.
LARGE PAPER COPY OF JESSE'S LIFE OF BEAU
BRUMMELL.
913 BRUMMELL.— The Life of GEORGE BRUMMELL,
Esq., commonly called BEAU BRUMMELL. By Cap-
tain Jesse. * Revised and Annotated Edition from the
Author's own interleaved copy. With forty portraits in
color of Brummell and his contemporaries. 2 vols, thick
large 8vo, boards, totally uncut. London, 1886
LARGE PAPER and No. 30. Only one hundred and fifty numbered
copies of this fine edition printed — one hundred for England and fifty for
America.
This re-issue of Jesse's " Life of Beau Brummell," which has been a scarce
book for a long time, contains a quantity of new matter now published for the
first time, collected by the author, but which it was not deemed fitting to insert
in former editions. Many notes have also been added, as well as forty illustra-
tions, after Dighton and others, of contemporaries of Brummell.
THE PENE DU BOIS COLLECTION. 247
914 BRUMMELL. Another copy of the same. 2 vols, thick
large 8vo, fresh cloth, top edge gilt, others uncut.
N. Y. (London), 1886
Limited edition of 500 copies, printed from type, for sale in England and
America.
^915 BuRTY (Philippe). Maitres et Petits Maitres. Small 8vo,
sewed, uncut. Paris, 1877
EXTREMELY RARE ORIGINAL EDITION OF THE
AMOROUS HISTORY OF THE GAULS.
916 [BUSSY RABUTIN (Roger, Comte de)?^ Histoire Amour-
euse des Gaules. Minimo, old calf. A Liege, n. d.
EXTREMELY RARE. This is the first edition of this celebrated volume
of erotica and was so proved to be by an article in " Le Livre." On the title
the author's name is given in MS. as — " Messire Roger de Rabutin, Comte de
Bussy." This was the Odell copy and has that collector's signature on title. The
key to the names of the characters will be found on the leaf after the title.
This work, which has been described as worthy of Petronius Arbiter, was
written for the author's mistress, the Marquise de Montglas. He describes the
gallant adventures and intrigues of the great people of his own time, not for-
getting his cousin, Madame de Sevigne.
917 /S^AILLY (Jacques de).J DIVERSES PETITES
POESIES DV CHEVALLIER d'ACEILLY. Min-
imo. Elegantly bound by HARDY-MENIL in
red crushed levant morocco, super extra gilt, inside
gold dentelle borders, rounded corners, edges gilt on mar-
ble. Paris, Andre Cramoisy, 1667
Very rare. Original edition of these charming poems with the genuine
title, which was replaced in the larger number of copies, where the words "et
se donnent au Palais," were suppressed in consequence of being considered a
serious imprint. Didot, in his Catalogue of the 1878 sale (No. 358), says that
only three copies of the original edition were with the genuine title, and that
Charles Nodier, when he edited a new edition of this charming poet's works,
could neither procure nor see a copy. The Didot example in old morocco sold
for 157 francs. The above, in perfect condition, is in a superb binding by a cele-
brated house of Parisian relieurs.
918 Canonge (L. Placide). Maudit Passeport, ou les Infor-
tunes d'une Drogue. Small 8vo, sewed (foxed).
New Orleans, 1840
Very rare. Placide Canonge is one of the editors of " L'Abeille de la
Nouvelle Orleans, " the oldest French newspaper in this country. He is a writer
of great merit, and is thoroughly appreciated in France. Canonge would have
been a famous American if he had written in English, but Mr. Cable had never
heard of him when he wrote about the Creoles of Louisiana.
919 CAREL (A.). Folles de leur Corps. With illustrations by
HovY., printed in pink, also the title — other cuts, mostly face-
tious. 4to, fancy paper cover, uncut.
Paris, Ed. Monnier, 1884
A very curious work, somewhat erotic,
248 THE PENEDU BOIS COLLECTION.
920 Garnet d'un Mondain Gazette Parisienne, Anecdotique
et Curieuse, par " Etincelle." With facetious illustra-
tions by A. Ferdinandus, the plates colored. 8vo, pewed,
uncut. Paris, Ed. Rouveyre et G. Blond, 1882
Facetious and curious.
921 Carr:^ (Fabrice). Flagrant Delit — Comedie en un Acte.
Small 8vo, sewed, uncut. Paris, 1885
922 CARROSSES (Les), a Cinq Sols, ou les Omnibus du Dix-
septieme Siecle. Small 8vo, sewed, uncut.
Paris, Firmin-Didot, 1828
Large paper, limited edition on Holland paper of a very few copies, and
printed for the " Societe des Bibliophiles Franjaises." Presentation copy from
the author, vide MS. on cover.
9,23 CASANOVA (Jacques de Seingalt). A Collection of 48
steel engravings in illustration of his very facetious
Memoirs. (48)
Erotic and rare. Casanova's Memoirs, to which the above are illustra-
tions, transcend in interest those of all other adventurers from Gil Bias down-
wards, with the added merit of being genuine and not fictitious. Accomplished,
generous and of an audacity that never failed him in the most critical moments,
he visited every Coiirt of Europe, conversed with the most famous men, and
intrigued with women everywhere. He relates all these transactions with a
cynical precision that is sometimes frightful, and only to be forgiven in favor of
the terseness of the style and the brilliancy of the narrative.
UNIQUE COPY OF "LE DIABLE AMOUREUX," AND
BOUND BY TRIOULLIER.
924 CAZOTTE (Jacques). Le DIABLE AMOUREUX.
Roman Fantastique par J. CAZOTTE, pr^c^d^ de sa
Vie, de son Proces, et de ses Proph^ties et Revelations
par GERARD de NERVAL. Illustrated with 200 designs
by Edouard de Beaumont. 8vo, fresh half dark blue
crushed levant morocco gilt, top edge gilt, others uncut,
by " Trioullier Sr. de Petit-Simier."
Paris, Leon Gaurvet, 1845
UNIQUE COPY of this very rare edition, which is priced as high as 60
francs in Paris in boards. The above is unique, having, in addition to de Beau-
mont's charming woodcuts, three portraits of Cazotte, as well as a set of plates
in two states.
Cazotte's early life was spent among the Jesuits, to which order he ceded his
estates in the Isle of Martinique. After becoming an Illumine and Martinist
he brought an action against the Order of Jesus for the recovery of his prop-
erty. It was Cazotte who prophesied in 1788, at a reception, before the French
Revolution, the untimely fate that would befall, during the reign of terror,
many of his auditors of the " haut monde."
" ' Le Diable Amoureux,' donne par I'auteur comme une nouvelle emprunte
de I'Espagnol, est un conte tire de sa seule imagination. L'esprit et la gr^ce, la
vivacite et le naturel de la narration sont les qualites. " — Vapereau.
THE PENE DU BOIS COLLECTION. 249
925 CENT NOUVELLES NOUVELLES (Les), suivent les
Cent Nouvelles contenant les Cent Histoires Nouveaux,
Qui sont moult plaisans S, raconter en toutes bonnes
Compagnies; par Maniere de Joyeusete. 2 vols, minimo,
sprinkled calf gilt, inside gold borders, gilt edges, by
"Petit succr. de Simier."
A La Haye, chez P. Gosseet J. Neaulme, 1733
Rare, from the library of and with the heraldic book-plate of " Thos. For-
rest Betton."
Sir Walter Scott in " Quentin Durward " thus speaks of Louis XI. and the
above work: " He [Louis] even mingled in the comic adventures of obscure
intrigue with a freedom little consistent with the habitual and guarded jealousy
of his character, and he was so fond of this species of humble gallantry that he
caused a number of its gay and licentious anecdotes to be enrolled in a collection
well knov«i to book-collectors, in whose eyes (and the work is unfit for any other)
the right edition is very precious. "
926 Cent Recettes (Les), de Mile. Fran9oise. Thick 4to,
paper, uncut. Paris, Paul Ollendorff, 1886
This volume of choice cooking receipts is printed in large type on thick
paper.
DON QUIXOTE— ILLUSTRATED BY TONY JOHANNOT—
ORIGINAL EDITION.
927 CERVANTES SAAVEDRA (Michael de). L'Ingenieux
Hidalgo Don Quichotte de la Manche, traduit et Annot6
par Louis Viardot. Profusely illustrated with the hu-
morous and characteristic wood engravings of Tony Jo-
hannot. 2 vols, large 8vo. Bound by H. Crabbe in half
morocco, gilt. Paris, Dubochet, 1836-37
First edition of this extremely high-priced issue in Paris, and with brilliant
impressions of Tony Johannot's illustrations. The frontispieces are on India
paper and the figure of " LaTorralva" is turned to the right — in later issues to
the left.
928 CERVANTES. Don Quichotte de la Manche traduit de
I'Espagnol par Florian, Ouvrage Posthume. With plates
after Lefebvre, Lebarbier, etc., by Halbon, Coiny, Mas-
quelier, Gaucher, Godefroy, etc. 3 vols, small 8vo,
old Spanish sheep, gilt. Paris, Didot, 1799
929 Ce sont les Secres des Dames deffendus a Reveler publics
pour la Premiere Fois d'apres les Manuscrits du XVe
Sifecle, avec des Fac-simile, une Introduction, des Notes
et un Appendice par les Drs. Al. C * * * * et Ch. Ed.
C * * * *. Facsimiles printed in red and front, in 3 states
or tints. Small 8vo, vellum, paper, totally uncut.
Paris, Edouard Rouveyre, 1880
No. 34 of a limited edition of 342 copies on vellum, China and Holland
papers and "papier verge." This is one of 25 Holland paper copies — ^the text
is mostly in French Gothic and some is in red.
250 THE PENE DU BOIS COLLECTION.
930 Champsaur (F^licien). Paris — Le Massacre. Small 8vo,
sewed, uncut. Paris, 1885
A series of short essays on celebrated Parisians — Judic, Daudet, Nina de
Villars, Marie Colombier, un Amour de Gambetta, Croizette, Madame Adam,
Arsene Houssaye, etc.
CHANTS HISTORIQUES— LIMITED IMPRESSIONS OF
TWELVE COPIES ON COLORED PAPER.
931 CHANTS HISTORIQUES et POPULAIRES du Temps
de Charles VII. et de Louis XL publics pour la Premiere
fois d'apres le Manuscrit Original avec des Notices et une
Introduction par M. le Roux de Lincy. Small 8vo.
Bound by V. Champs in fresh half crushed dark green-
levant morocco, the back tooled in gold and inlaid with red
morocco, rounded corners, top edge gilt, others uncut,
covers bound in. Paris, Aug. Aubry, 1857
Rare. This is one of twelve copies on colored paper (blue) out of a
limited edition of 352 in all. This copy has the rubricated title in three states
— China paper, blue and pink.
932 CHASSANT (Alph., paleographer). Les Nobles' et les
Vilains du Temps Pass6 ou Recherches Critiques sur la
Noblesse et les Usurpations Nobiliaires,yr(3«^, and fleurons ;
also — Nobiliana, Curiosites Nobiliaires et Hdraldiques
Suite du Livre Intitule les Nobles et les Villaines, front.
Together 2 vols. Small 8vo, boards, uncut.
Paris, Aug. Aubry, 1857-58
Limited edition of 600 copies, the above being on ' ' papier verge. " This
very interesting volume enters fully into the right of " cuissage " and other
strange customs of feudalism.
"LES CONTES REMOIS"— LARGE PAPER COPY AND
ILLUSTRATED BY MEISSONIER.
933 CHEVIGNE (Louis, Comte de). Les Contes R6mois. Fine
portrait on India paper, after Debay — also numerous
engravings on wood after the original designs of E. Meis-
SONIER. Large 8vo, fresh half dark green morocco, extra
gilt, top edge gilt, others uncut.
Paris, Librairie de V Academic des Bibliophiles, 1868
Large paper edition of these facetious poems, of which a considerable por-
tion of the merit attached to them is owing to the fact of their having been
illustrated with the graphic designs of the great painter Meissonier.
934 CHEVIGNE. — Opinions des Journaux sur "les Contes
Remois." Small 8vo, paper, uncut. Paris, 1869
935 CHORIER. — ALVisiiE Sige^ Toletanae Satyra Sotadica de
Arcanis Amoris et Veneris Alvisia Hispanice scripsit
Latinitate donavit Joannes Meursius — re vera auctore
Nicolao Chorier. Small 8vo, sewed, uncut. Paris, 1885
Limited edition of too copies of this excessively erotic work. The first
edition of this work was printed in 1660, and was somewhat imperfect — the
above is the complete text. The notorious volume "I'EcoIe des Biches " was
written as a pendant to the above pederastic and tribadistic volume.
THE PENE DU BOIS COLLECTION. 251
936 CHORIER. — Les Dialogues de Luisa Sigea, ou Satire
Sotadique de Nicholas Chorier — pretendue ecrite en Es-
pagnol par Luisa Sigea at traduite en Latin par Jean
Meursius — Edition mixte Franco-Latine. 4 vols, small
8vo, sewed, uncut. Paris, Isidore Liseux, 1881
Very scarce and limited edition printed by Becus on Holland paper.
937 CHRONIQUE SCANDALEUSE (La), Publiee par
Octave Uzanne, avec Preface, Notes et Index. Tinted
front, by Lalauze, head-piece by Mongin, Jleurons and
fancy initial letters. Thick large Svo, sewed, uncut.
Paris, A. Quantin, 1879
Limited edition of the erotic " Scandalous Chronicle" on "papier verge,"
handsomely printed by Quantin and uniform with the remainder of the " Docu-
ments sur les Moeurs du XVIIIe Si^cle" edited by Octave Uzanne.
938 CIZE. — Histoire du Whigisme et du Torisme, compos6e par
Mr. de Cize cy-devant Officier au service d'Angleterre.
Small Svo, boards, uncut. Rare. Leipzig, 17 17
939 Claretie (Jules). La Vie a Paris, 1880, 1881, 1882 and
1885. 4 vols, small Svo, half red morocco, top edges gilt
(3) and sewed (i). Paris, iSSo-85
940 Cobb (Lyman). The Evil Tendencies of Corporal Punish-
ment. In two parts. Part i. Objections to the Use of the
Rod; Part 2, Substitutes for and Preventatives of the Use
of the Rod. Svo, cloth. N. Y., 1S47
941 Cohen (E, Yancey). Sir Cupid and other Poems. Svo,
limp vellum paper, totally uncut. Cambridge, 1884
Beautifully printed at the Bradstreet Press on heavy hot^ressed paper.
Issued by the author for private circulation among his personal friends.
942 COLLECTION d'Heroides et Pieces Fugitives de
DORAT, COLARDEAU, PeZAY, BlIN DE SaIN-MorE et
autres, 10 \ols., Frankfort, 1769; also uniform, " Rich-
ardet — Poeme," 2 vols., Liege, 1776. Together 12 vols.
Small Svo, sewed, uncut.
Rare. — A curious collection of French Erotica and Facetiae, mostly consist-
ing of reprints of rare works, both prose and verse, as well as unpublished
originals from very scarce MSS.
THE DIDOT MINIMO EDITION OF THE BEST FRENCH
WORKS— HAMILTON, VOLTAIRE, ETC.— BOUND BY
NIEDREE.
943 COLLECTION des MEILLEURS OUVRAGES de la
Langue Frangoise d^dide ^ Son Altesse Royale Madame
DuCHESSE d'Angouleme. 15 vols, square minimo. Bound
by NiEDREE in yellow calf gilt, inside dentelle gold bor-
ders, edges gilt. Paris, Didot, 1814-19
Limited edition, printed on "papier v^lin " by Didot. This charming
little series includes — " Memoires du Comte de Grammont, par Antoine Hamil-
252 THE PENE DU BO IS COLLECTION.
ton," 3 vols.; " Contes d' Hamilton," 3 vols. ; "La Henriade, poe'me de Vol-
taire, suivie des Notes et des Variantes," 2 vols.; " Lettres de la Coratesse de
Sancerre, suivies d'Aloise de Livarot, par Madame Riccoboni", 2 vols.; " Let-
tres de Myladv Juliette Catesby par Madame Riccoboni "; " Histoire du Mar-
quis de Cressy, suivie d'Ernestine par Madame Riccoboni;" ' Memoires du
Comte de Comminge par Madame de Tencin;" " Le Siege de Calais, Nouvelle
Historique par Madame de Tencin"; " Lettres de Mistriss Fanny Butlerd a
Mylord Charles Alfred Comte d'Erford par Madame Riccoboni."
944 CoLOMBEY (Emile). Ruelles Salons et Cabarets, Histoire
Anecdotique de la Litterature Franfaise. Small 8yo, half
morocco, top edge gilt (rubbed). Paris, 1858
Rare and cukious work on taverns and cabarets.
LARGE PAPER " SONGE DE POLIPHILE."
945 [COLUMNA (Francesco). J Songe. de Poliphile, Tra-
duction Libre de I'ltalien. 2 vols, small 4to. Bound by
Rameau in half crushed blue levant morocco, top edges
gilt, others uncut. Paris, Didot, 1804
LARGE PAPER and limited edition of this extremely rare and curious work
written by a Dominican monk of Venice.
946 Comic Salon de 1883 par H. de St a. Ludicrous carica-
tures of Paris Salon pictures. Large Svo, sewed.
Paris, 1883
"CONTES ET NOUVELLES"— ILLUSTRATED BY
DUPLESSIS-BERTAUX— LARGE PAPER COPY.
947 CONTES et NOUVELLES en Vers par Voltaire,
Vergier, S£nec£, Perrault, Moncrif, et le P. Ducer-
CEAu. Engraved portraits on titles and many vignette illus-
trations mostly facetious after the designs of Duplessis-
Bertaux. 2 vols, large 8vo, half dark blue morocco gilt,
edges gilt. Paris, Leclere fils, 1862
LARGE PAPER and limited edition of one hundred copies.
948 COPPEE (Fran9ois). Madame de Maintenon, Drame en
Cinq Actes avec Prologue en Vers represente pour la Prem-
iere Fois au Theatre National de I'Odeon le 12 Avril 1881.
Small Svo, paper, uncut. Paris, 1881
LARGE PAPER COPY OF GORAN'S GALLANT RHYMES-
BOUND BY TRIOULLIER.
949 CORAN (Charles). Rimes Galantes. 8vo, fresh half crushed
levant morocco, top edge gilt, others uncut by " Trioullxer
Sr. de Petit-Simier." Paris, librairie d'Amyot, 1847
Large paper and very scarce.
THE PENE pU BOIS COLLECTION. 253
THE FACETIOUS " MEMOIRES DE MONTMATRE" BOUND
BY CHAMBOLLE-DURU.
950 COUDRAY (Le Chevalier de). M^moires Litteraires de
Montmatre. Small 8vo. Bound by Chambolle-Duru,
1869, in crushed dark green levant morocco, extra gilt,
inside dentelle gold borders, rounded corners,totally uncut.
Neuchatel a/Zi/ Paris, 1786
VERY RARE, facetious, and in handsome Chambolle-Duru reliure. With
vignettes on title of the head of a donkey and at the end an ass. This was a
presentation copy, and at the bottom of the title is the following MS. note: —
" Par M. le Chevalier du Coudray, ancien Mousquetaire, auteur des Nouveaux
Essais Historiques sur Paris. Ces memoires plaisants m'ont ete donnes par
I'auteur, en I'Annee, 1788." Among the facetious matters broached in this
volume are — "In Favor of Unfaithful Women "; " the Origin of Beards and
their Variations "; "Historical Anecdotes on the Ass"; etc.
THE YOUNGER CREBILLON'S JAPANESE HISTORY.
951 CREBILLON le fils (C. P. J. de). L'Ecumoire, Histoire
Japonaise avec les Curieuses Figures de I'ddition "a
Pekin 1733." Tinted and facetious illustrations. Large
8vo, sewed, uncut. Brussels, Henry Kistemaechers, 1773-84
Erotic. Limited edition on Japan paper and tinted ' ' papier verge. "
The younger Crebillon, we are told, — '' was a gay companion so full of wit
and humor, and he wrote a series of licentious novels which pleased Miss Staf-
ford, a young, handsome and rich Englishwoman, so much that she came to
France and married him. "
The 1734 edition of the above work caused the imprisonment of the author at
Vincennes, it being claimed there were satirical concealed allusions to the Papal
bull " Unigenitus," Cardinal de Rohan and the Duchesse de Maine.
" Crebillon (fils) was bom in Paris in 1707, and died at the age of 70. It is
related that his father, who was a noted dramatist, being asked one day which
was his best production, pointed at his son, and said: ' I don't know which is
my best, but there is my worst. ' If his father was called the .lEschylus of France,
surely the son might be called the Petronius. M. d'Alembert once said: ' Cre-
billon, the father, paints in the blackest colors the crimes and wickedness of man.
The son draws with delicate and just pencil the refinements and shades, and even
graces of our vices, that seductive levity which renders the French what is called
amiable, but which does not signify worthy of being loved, in short our manners,
at once frivolous and corrupt, wherein the excess of depravity combines with
excess of ridiculousness. ' He was for a time in high repute for his wit and gaiety,
which made him a pleasant companion, and for his clever, but licentious novels,
which are best forgotten." — Gates.
952 CREBILLON le fils. Le Sopha, Conte Moral. Nouvelle
Edition. Fronts, by Bovinet after Binet. 2 vols, minimo,
sewed, uncut (foxed somewhat). Paris, chezPillot, an VII.
Very rare. This is one of the rarest of the works of the younger Crebillon,
and it is considered his most erotic, notwithstanding it is called on the title a
"moral tale."
953 CUNNINGHAM (Peter). The Story of Nell Gwyn
and the Sayings of Charles the Second. Portrait after
Lely on China paper and inserted plates of India
254 THE PENE DU BOIS COLLECTION.
PROOFS BEFORE LETTERS. Large 4to, folded loose in board
covers, suitable'for binding or extra illustration.
N. Y., ,1883
LARGE PAPER. No. 82 of 100 printed and numbered copies.
New edition, beautifully printed, with an index now first added.
954 CYRANO de BERGERAC (Savinien). CEuvres Comiques,
Galantes et Litteraires, ffl/w,Histoire Comique des Etats et
Empires et du Soleil. Nouvelles Editions revue et publiee
avec des Notes par " P. L. Jacob, bibliophile." 2 vols,
small 8vo, cloth, rough edges. Paris, 1858
" Edition Bibliotheque Gauloise "on " papier verge."
" J'aime mieux Bergerac et sa burlesque audace,
Que ces vers ou Motin se morfond et nous glace.''
— BOILEAU.
955 Crfgw AELLI (G.). Relic of the Italian Revolution of 1849,
with Preface and Index and Appropriate Descrip-
tions in English, Italian and French. 50 line engrav-
ings, executed on copper by the most eminent artists of
Rome. Oblong 4to, cloth. New Orleans, n. d.
' ' Secreted from the Papal Police after the Restoration of Order and just
imported into America."
THE " DANCE OF DEATH "—VARIOUS EDITIONS.
956 DANCE OF DEATH.— L' Alphabet de la Mort de Hans
Holbein, Entour6 de Bordures du XVIe Siecle et Sinois
d'Anciens Poemes Fran9ais sur le Sujet des Trois Mors et
des Trois Vis pubH^es d'apres^ les Manuscrits par Ana-
tole de Montaiglon. Vignette on title and every page
surrounded with borders, mostly illustrating the ^^ Dance of
Death'''' and taken from early printed books. 8vo, paper,
uncut. Paris, Tross, 1856
Rubens once said that he had learned a great deal from the pictures of the
" Dance of Death," and he recommended them strongly to the study of many
of his own profession, while Erasmus was sb much struck by the wonderful dis-
play of genius exhibited in this great work, that he conceived a strong friendship
for Holbein, sat to him for his picture, and recommended him to Sir Thomas
More, and to this incident England was indebted for the many excellent per-
formances which it afterwards received from his pencil.
957 Dance of Death. — La Danse des Morts comme elle est
Depeinte dans la Louable et C^lebre Ville de Basle pour
Servir d'un Miroir de Nature Humaine — (French and
German Text). With engraved illustrations after the
originals by Matthew Merian. Small 4to, cloth, red
edges. Basle, 1744-56
Rake. With two titles, the French dated 1756, and the German, which has
a c(iriously engraved border, 1744. This copy has the heraldic book-plate of
— " John- Lynch, D.D., Dein of Canterbury."
THE PENE DU BOIS COLLECTION. 255
958 Dance of Death at Basle. With the text in three lan-
guages— English, French and German. With numerous
wood engravings of the " Dance of Death " at Basle. 4to,
boards. Basle, n. d.
959 Dance of Death. — Massmann (H. F.). Die Baseler
Todtentanze in Getreuen Abbildungen. Small 8vo, with
separate large 4to volume of plates with 81 facsimile illus-
trations of the ^^ Dance of the Death" in 22 plates and 27
lithographs. Together 2 vols. Sewed.
Very scarce. Leipzig, 1847
960 Dance of Death. — Bilder des Todes oder Todtentanz
fur Alle Stande. With illustrations by Merkel engraved
by Flegel. 4to, sewed, uncut. Leipzig, 1850
961 DASSOUCY (Charles Corypeau). Aventures Burlesques.
Nouvelle Edition avec Preface et Notes par Emile
CoLOMBEY. Portrait on India paper. Small 8vo, cloth,
rough edges. Paris, 1858
" Biblioth^que Gauloise " limited edition, on " papier verge, " issued under
the direction of Paul Lacroix, who says: — " Ce volume est bien fait pour rehab-
iliter Dassoucy, une des victimes des arrets trop rigoureux de Boileau. II con-
tiendra plusieurs ouvrages en prose tr^s-gais et tr^samusants, qui n'ont pas ete
reimprimes depuis pres de deux siecles, et qui sont tr^s-rares par consequent.
Ce sont les Avantures de France, les Avantures d'ltalie, les Pensies dans le
Saint-Office de Rome, la Prison, etc. Ce sont enfin les memoires de Dassoucy
ecrits par lui-meme."
LIMITED EDITION OF ALPHONSE DAUDET'S TARTARIN
ON JAPAN PAPER.
962 DAUDET (Alphonse). Tartarin sur les Alpes — Nou-
veaux Exploits du H^ros Tarasconnais. Illustrated with
colored plates {aquarelles') by Aranda, de Beaumont,
Montenard, de Myrbach, Rossi, and numerous other
illustrations in the text, portrait of Daudet, etc. Thick
4to, sewed, totally uncut. Paris, Calmann-Levy, 1885
" Edition du Figaro." No. 55 of limited edition of 125 copies printed on
heavy Japan paper under the artistic direction of " Guillaume freres."
LARGE PAPER COPY OF TARASCON'S PRODIGIOUS
ADVENTURES.
963 DAUDET. — Aventures Prodigieuses de Tarascon. Pro-
fusely illustrated with vignettes and other cuts. Large 8vo,
cloth, illuminated cover, top edge gilt, others uncut.
Paris, Dentu, 1887
Large paper edition of this very eccentric work of Daudet.
964 DAUDET. Numa Roumestan — Moeurs Parisiennes. Small
8vo, cloth, uncut. Original edition. Paris, 1881
2S6 THE PENE DU BOIS COLLECTION.
965 Daudet. Le Nabab— Moeurs Parisiennes. Small 8vo, sewed,
uncut. Original edition. Paris, 1880
966 DAUMIER. Les Cent et Un Robert Macaire, Com-
poses et Dessines par M. H. Daumier sur les Idees et
Legendes de M. Ch. Philip on— texte par MM. Maurice
Alhoy et Louis Huart. ioi full-page lithographed
plates — all humorous^fleurons, etc. 4to, half smooth
green morocco, edges gilt. Paris, 1840
Very scarce.
967 [DEFOE (Daniel).] Histoire du Diable, traduite de
I'Anglais. Engraved fronts. 2 vols, bound in tree mar-
bled calf extra gilt, inside gold borders, edges gilt.
Amsterdam, aux d^pens de la Compagnie, 1729
Very scarce edition.
"Earless on high stood unabashed DeFoe."
— The Dunciad.
968 DELPIT (Albert). Les Amours Cruelles. Small 8vo.
Bound by Bradstreets in half crushed levant morocco,
top edge gilt, others uncut. Paris, 1884
969 Delpit. Les Maucroix, Com6die en Trois Actes en Prose.
Small 4to. Bound by V. Champs in half crushed levant
morocco, top edge gilt, covers bound in. Paris, 1883
970 Delpit. Mademoiselle de Bressi6r. Small 8vo, sewed,
uncut. Paris, 1886
VERY RARE AND LIMITED EDITION OF DELVAN'S
MODERN EROTIC DICTIONARY.
971 DELVAN (Alfred). DICTIONNAIRE EROTIQUE
MODERNE par "un Professeur de Langue Verte."
Nouvelle Edition Revue, Corrigde. Considerablement
Augment^e par I'Auteur et Enrichie de Nombreuses Cita-
tions. Thick small 8vo. Bound by E. Rousselle in
half crushed red levant morocco, top edge gilt, others
uncut. Bale, imprimerie de Karl Schmidt, n. d.
VERY RARE and very limited edition of this celebrated issue of Del-
van's "Modern Erotic Dictionary," printed on Holland paper exclusively for
the members of the Biblio-Aphrodiphile Society, and not to be — " mis dans le
commerce." This wonderful dictionary is a philological revelation and erotico-
physiological curiosity.
DEMOUSTIER'S MYTHOLOGY— WITH FREE PLATES.
972 DEMOUSTIER (C. a.). Lettres a £milie surJa Mytholo-
gie. Portrait and plates by Audouin, after Monnet,
some erotic (a few short). 3 vols, small Svo, half
morocco, gilt edges. Paris, Renouard, 1801
Very rare. With the heraldic book-plates of John Hunter and Henry Terry,
THE PENE DU BO/S COLLECTION. 257
973 DEMOUSTIER. Another edition of the same work.
Portrait by Tardieu, and charming erotic plates after
MoREAu, by D'Elvaux, De Ghendt, Friere, Simonet
and Thomas {some foxed slightly). 6 vols, in 3. 8vo,
tree-marbled calf extra gilt, inside gold dentelle borders.
Paris, Renouard, 1809
Very scarce and beautiful edition, in good condition.
DENON'S CELEBRATED ETCHINGS— INCLUDING THE
PRIAPIC SERIES.
974 DENON (ViVANT, ancien Directeur General des Musses).
L'CEUVRE GENERAL de, avec une Notice Tres
Detaill^e sur son CEuvre par M. D'ALBERT DE
LA FIZELIERE. Being a collection of 317 etchings,
mostly designed and engraved by this celebrated artist, the
whole forming the most complete and varied album possible
for the study of engraving and etching — also portraits.
2 vols. 4to, folded in sheets ready for binding.
Paris, A. Barraud, Libraire Editeur, 1873
Very scarce. Limited edition, printed on heavy paper, and of which this
copy is No. 77.
A series of 317 etchings by the gifted artist who executed the admirable
drawings for Bonaparte's great work on Egi-pt. The etchings are mostly
original, but include some copies of Rembrandt and other Old Masters. The
eleventh (suppressed) series, and which is included in the above, consists of
over thirty etchings of priapic and very erotic subjects. Among these is the
celebrated " Nun's Dream," " The Thirteenth Labor of Hercules," "Offerings
to the God Priapus," etc., etc.
975 Denon. Point de Lendemain. Minimo, sewed (no front).
Brussels, 1883
Erotic and limited edition of 510 copies.
976 [Denon.] Notice Bibliographique (sur) le Conte Point de
Lendemain. Small 8vo, sewed, uncut. Strasbourg, 1861
Large paper and rare.
977 DESBARROLLES (Ad.). Chiromancie Nouvelle— Les
Mystferes de la Main R^v^l^s et Expliques, Art de Con-
naitre la "Vie, le Caractere, les Aptitudes et la Destin^e de
Chacun d'apres la Seule Inspection des Mains. Numerous
cuts. Small 8vo, sewed, uncut. Paris, n. d.
978 Desbarrolles et Jean Hippolyte. Les Mystferes de
I'Ecriture Art de Juger les Hommes sur leurs Auto-
graphes. Facsimiles. Small 8vo, sewed, uncut.
Paris, 1884
979 DESMAREST (Pierre Marie). Temoignages Historiques
ou Quinze Ans de Haute Police sons Napoleon. 8vo,
boards, uncut (MS. name over dedication). Paris, 1833
Rare. The author was chief of Napoleon's "Haute Police" during the
Consulate and Empire.
258 THE PENE DU BOIS COLLECTION. '
UNIQUE COPY OF CAMILLE DESMOULINS— WITH
ORIGINAL MSS.
980 DESMOULINS (Camille). La France Libre. 8vo, sewed,
uncut. [Paris], 1789
Very rare, and a curious French Revolutionary brochure, written by the
celebrated Camille Desmoulins, who was guillotined in 1 794 along with Danton
and others.
Two octavo pages of original MS. in the handwriting of Desmoulins are
affixed to the brochure.
981 DESPORTES (Philippe). GEuvres de, avec une Introduc-
tion et des Notes par Alfred Michiels. Engraved front.
— facsimile title of the 1758 edition. Small 8vo, cloth,
rough edges. Paris, 1858
" Biblioth^que Gauloise " limited edition on " papier verge," issued under the
direction of Paul Lacroix, who says : — " Desportes est un grand poete, peut-
etre un de nos meilleurs poetes Franjais. Cependant ses poesies, dont il y a
plus de trente editions, n'avaient pas ete reimprimees depuis le commencement
du dix-septiime si^cle, M. Michiels a consacre une etude tres-importante a ce
poete eminent."
The 1573 "Estienne " edition of this libidinous poet's work will be found in
the " Early Typography" division of this catalogue. No. 589.
DES PERIERS'S NEW RECREATIONS— THE VERY RARE
1616 EDITION— BOUND BY DURU.
982 DES PERIERS (Bonaventure).— | Les | NOVVELLES |
RECREATIONS, et | loyevx devis | de feu Bonauen-
TURE DES Periers, valet | de chambre de la Royne | de
Nauarre I Augmentdes de plusieurs autres nouuelles |
fort ioyeuses et recreaiues, non | encores veues, ny
imprimees | par cy deuant. | Minimo. Bound by H.
DuRU in crushed red levant morocco, inside dentelle gold
borders, rounded corners, edges gilt on marble.
Lyons, /flr Noel Brvn, 16 16
VERY RARE EDITION, and charming little bibelot, bound by Duru.
Des Periers was the valet-de-chambre to Queen Margaret of Navarre, and he
had made one of the circle of distinguished wits and people'of genius who com-
posed her court. His motto throughout life was " Loisir et liberie," and his
death was a suicide's. He killed himself in the delirium of fever and despair,
with his sword. His " Nouvelles Recreations " are in the style of the " Hep-
tameron " of his mistress, and it was published for the first time after his death
by Nicholas Parisot and Jacques Pelletier.
" Dans les ' Recreations ' et le ' Cymbalum,' la prose est vive, aisee, claire,
enjouee, et bien qu'on n'y trouve pas I'energie et I'eloquence, c'est le style
d'un excellent prosateur." — Vapereau.
THE "CYMBALUM MUNDI" OF .BONAVENTURE DES
PERIERS. '
983 DES PERIERS.— CYMBALUM MUNDI, ou Dialogues
Satyriques sur Differens Sujets, avec une Lettre Critique
THE PENE DU BOIS COLLECTION. 259
par Prosper Marchand. Vignette on title. Minimo, old
calf, gilt. Amsterdam, chez Prosper Marchand, 1 7 1 1
Very rare, with the autograph of "A. J. Odefl" on top of title, which
is rubricated. This work, was not only so erotic, but so irreligious that it
was condemned by the Sorbonne. It was rigidly suppressed, and so severely,
that only one copy of the first edition is known. The above is one of the rarest
editions of this strange work.
ANOTHER COPY OF THE PRECEDING WORK— BOUND BY
CAPE.
984 DES PERIERS. The same, with— Lettre Critique par
Prosper Marchand — Nouvelle Edition, revue, corrigde
et augmentde de Notes et Remarques, communiquees par
plusieurs Savans. Engraved frontispiece, vignette title and
plates by B. Picart after F. de Barker. Small 8vo.
Handsomely bound by Cape in crushed red levant
morocco gilt, inside gold dentelle borders, rounded cor-
ners, gilt edges (t^moinsj. Amsterdam, 1753
Equally rare, with the above named, but with Picart's plates. It is
superbly bound by Cape.
985 DESPR:6aUX (Jean Etienne). Mes Passe-Temps: Chan-
sons suivies de I'Art de la Danse, Poeme en Quatre Chants
Calqu6 sur I'Art Podtique de Boileau Despr^aux.
Illustrated with engravings after the designs of Moreau le
JEUNE and with music — also silhouette portrait of the
author. 2 vols, three-quarters morocco, top edges gilt.
Paris, 1806
Very scarce. Printed by Crapelet.
986 DEUX BISCUITS (Les), Tragddie, traduite de la Langue
que' I'on Parlait jadis au Royaume d'Astracan, et mise
depuis peu en Vers Franpais. Small 8vo, sewed, uncut,
[Pais], se vend a Astracan chez un libraire
MDCCLII. (reprint) 1866
No. 107 of limited edition of 120 copies on Holland and China papers of this
erotic work.
987 D'EZE (G.) et MARCEL (A.). Histoire de la Coiffure des
Femmes en France. Illustrated with 242 cuts of head-
dresses and hair-dressing. Small 8vo, paper, uncut.
Paris, 1886
988 DIDEROT (Denis). I.e Neveu de Rameau, Nouvelle Edi-
tion Revue et Corrig^e sur les Diff^rents Textes avec une
Introduction par Charles Asselineau. Small 8vo,
boards, uncut. Paris, 1862
26o THE PENE DU BOIS COLLECTION.
DINAUX'S "SOCIETES BADINES"— VERY CURIOUS AND
EROTIC.
989 DINAUX (Arthur). Les Societ^s Badines Bachiques Lit-
t^raires et chantantes leur Histoire et leurs Travaux
Ouvrage Posthume de M. Arthur Dinaux revu et
classd par M. Gustave Brunet. With etched portrait by
G. Staal [loose). 2 vols. 8vo, fresh half crushed orange
levant morocco, top edges gilt, others uncut.
Paris, Bachelin-Deflorenne, 1867
Very scarce, erotic and curious.
990 DINAUX. The same. 2 vols. 8vo, paper, uncut.
991 [DONDEY (Theophile).] Lettre Inedite de Philoth^e
O'Neddy auteur de " Feu et Flamme " sur le Groupe Lit-
t^raire Romantique, dit des Bousingos — Theophile Gau-
tier, G:eRARD de Nerval, Petrus BoREit, Bouchardy,
Alphonse Brot, etc. Large 8vo, half calf uncut, with
the covers bound in. Paris, P. Houquette, 1875
Very rare. One of 10 copies on China paper out of an edition of 1 10 in
all.
EDITION-DE-LUXE OF DORAT'S KISSES AND LARGE
PAPER.
992 DORAT (C. J.). LES BAISERS, precedes du Mois de
Mai, poeme (par DORAT). Frontispiece and engraved
plate by Charles Eisen, engraved title, 22 vignettes, and 22
tail-pieces by Eisen, and 2 by Marillier. Large 8vo.
Superbly bound in red crushed levant morocco elegant,
inside gpld borders, edges gilt, others by De Samblancx-
Weckessen. Rouen, J. Lemmonyer, 1880
Large paper. No. 345 of limited edition on "papier verge." This is a
splendid reprint of one of the most charming books issued from the press in the
last century. A copy of the original edition was priced 3,000 francs, uncut
by Morgand Fatout, and another copy by the same, bound by Trautz-Bauzonnet,
2,200 francs. Also priced 35 guineas in a late London catalogue, bound in
ordinary calf.
993 DORAT. Poi^sies. 4 vols, minimo, old calf.
Geneva, 1777
A pretty little edition of the poems of the author of ' ' Les Baisers. "
994 DORAT. Podsies de. Fine portrait engraved by N. De
Launay. Minimo, sewed, uncut. Geneva, 1777
Very scarce edition of Dorat's charming and erotic poems.
995 [DORAT.] Mes Fantaisies — Troisieme Edition, Consider-
ablement Augmentd'e. Engraved false title, vignette on
title and head and tail pieces designed /!^>', Eisen and engraved
by De Longueil and De Ghendt. Small 4to, half calf,
red edges. La Haye et Paris, 1770
Rare. One of the volumes of Dorat's p 5ems containing pieces quite as
facetious as the " Baisers. "
THE PENE DU BOIS COLLECTION. 261
996 DORE. — Histoire aussi Interessante qu' Invraisemblable de
rinterpide Capitaine Castagnette, Neveu de THomme
a la Tete de Bois par " Manuel." Illustrated with 43
wood engravings, some full page, by Gustave Dor:6. Large
4to, half green morocco gilt, top edge gilt, others uncut.
Paris, 1S62
This is one of the most amusing works illustrated by Gustave Dore.
997 DOUZE FACETIES. 12 facetious pieces, with cuts repro-
duced in facsimile and of '■^ V ordre des cocus reformds'" and
'■'■ la patente des cocus." Small folio, paper.
Brussels, Gay et Douce, i88i
Very facetious and amorous. Limited edition of 500 copies, of which the
above is No. 428. The bibliographical notice before the preface shows that
only two of the patents in the above were known before the reprint, viz., that
of " Bavarde" and that of " Curieuse."
998 DRESDEN GALLERY. A collection of twelve erotic sub-
jects mostly from Heathen Mythology, photographs after
Rubens, Van Dyck, Guido, Titian, Palma Vecchio,
POUSSIN, KOFFMANN, MiCHEL AnGELO, PaUL VERONESE
and CoRREGGio. Small 4to, red cloth.
LARGE PAPER COPY OF GUSTAVE DROZ'S CHEF-
D'CEUVRE.
999 DROZ (Gustave). Monsieur, Madame et Bebe. With
numerous illustrations by Edmond Morin, and with etched
portrait-frontispiece of the author by Leopold Flameng.
Thick large 8vo, fresh half crushed red levant morocco,
top edge gilt, others uncut, with the colored covers
bound in. Paris, Victor Havard, \%']Z
Superb editionde-luxe, large paper, and printed on " papier veHn. "
CHINA PAPER COPY OF THE LIFE OF MADAME
DU BARRY.
1000 DU BARRY (La Conitesse). Sa vie Amoureuse — le Gaze-
tier' Cuirassd — Grimm-Bachaumont — les Chansons — les
Epigrammes — les Actes Officiels — ses Trois Amoureux —
Louis XV. — Lord Seymour — le Dug de Brissac — le
Tribunal Rdvolutionnaire — la Guillotine — Portraits Au-
thentiques — les Maitresses du Roi par Paul de Saint
Victor — Histoire de Madame du Barry par Arsene
Houssaye. With portraits in two states — Holland and
China paper. Small 4to. Bound by Emile Rousselle
in crushed purple levant morocco gilt, rounded corners,
inside dentelle gold borders, edges gilt {t^moins), with the
covers bound in. Paris, 1878
LIMITED EDITION of 25 copies on China paper. This superbly printed
volume is from the press of Alcan-Levy. The title-page is rubricated, and
some of the text is printed in red.
This life of the lecherous Du Barry, the complaisant mistress of Louis XV.,
is from the pen of Arsene Houssaye. Needless to suggest, it is erotic and
delightfully written in honor of the High Priestess of the Pare aux Cerfs.
262 THE PENE DU BOIS COLLECTION.
100 1 DU BARRY. Anecdotes sur, publi^es par Octave
UzANNE avec Preface et Index. Tinted front, by La-
LAUZE, heraldic head-piece by Gauzean, fleurons and fancy
initial letters. Thick large 8vo, sewed, uncut.
Paris, A. Quantin, 1880
Limited edition on " papier VERofi," handsomely printed by Quantin, and
uniform with the remainder of the " Documents sur les Moeurs du XVIIIe
Si^cle " edited by Octave Uzanne.
The above volume contains a pretty thoroughly complete collection of the
' ' Ana " of Louis the Fifteenth's celebrated mistress, who died by the guillotine
in 1793. The " Lettres Originales" of Madame Du Barry were forged by
Pidansat de Mairobert^and the two different editions of her " Memoires" by
Madame Guerard and La Mothe Langon.
JAPAN PAPER COPY OF THE TABLEAU DE LA VOLUPTE
HANDSOMELY BOUND BY PAGNANT.
1002 [DU BUISSON, i.e.'\ "M. D. B."— Tableau de la Volupte,
Poeme en Vers. Reimpression sur I'edition de " A Cythere,
177 1." With Eisen's erotic plates engraved by De Malval,
also head and tail pieces and initial letters designed by
Mesples — each page surrounded by a rose border. 8vo,
handsomely bound by Pagnant in brown crushed levant
morocco extra, inside gold borders, rounded corners and
gilt edges, in leather-lined drop case.
Paris, Edouard Rouveyre, 1882
One of 10 copies on Japan paper out of a liiIiited edition of 600 in all.
The plates and vignettes are in duplicate and in two colors — sepia and black.
The beautiful typography is the work of Unsinger's press.
Paul Ul rich Du Buisson was the author of the tragedies of " Nadir " and
" Scanderberg." He perished on the scaffold during the Reign of Terror along
with his friends Hebert and Ronsin.
1003 DuCRET (Alexandre). Les Brouillons de la Socidte. Small
8vo, sewed, uncut. Annecy, 1872
Dedicated to General Garibaldi.
1004 [DUDE V ANT (Amandine Lucile Aurora Dupin). J Letters
of George Sand, Translated and Edited by Raphael
Ledos de Beaufort, with Preface and Biographical
Sketch by the Translator. Illustrated with 6 portraits of
George Sand at various periods of her life. 3 vols. 8vo,
cloth. London, i886
The name of " George Sand " is said to have been given to Madame Dudevant
by Jules Sandeau, the academician, and was adopted by her to denote a mascu-
line style in her writings.
1005 DUFOUR (Pierre). Histoire de la Prostitution. Numer-
ous steel plates on India paper. 6 vols, in 3. 8vo, half
green morocco, top edges gilt, others trimftied.
Paris, 1851-53
In this learned work — the best we have on the subject — many of the chapters
are devoted to dissertations on matters of general interest to students of litera-
THE PENE D U BOIS COLLECTION. 263
ture. We instance chapter XXIV., containing a treatise on the erotica verba of
the French language, the Argot, its origin, etc.; also in chapter XXXII., a
highly interesting bibliographical account of the Aretino plates by Marc Antonio,
etc., etc.
The author was threatened with criminal prosecution, and pledged himself
never to reproduce the work ; it has now become scarce.
UNIQUE COPY OF DUMAS'S " LADY OF THE CAMELIAS,"
WITH ORIGINAL VERSES IN MS. BY THE AUTHOR ON
THE ILL-FATED HEROINE.
1006 DUMAS (Alexandre, fils). La Dame aux Cam^lias,
Preface par M. Jules Janin — Quatrieme Edition entiere-
ment revue et corrig^e. Small 8vo, half russia, gilt.
Paris, 1852
UNIQUE COPY. With inserted heraldic book-plate. This copy has inserted
five pages of original poetry in the handwriting of Alexandre Dumas fils and
written by him on the heroine of this most remarkable story, upon which is
founded " Camille " and " La Traviata." .
Mr. Pene du Bois writes that the above MS. is a — " Copy made by Alex.
Dumas fils — in his own hand, and as he says, ' de ma plus belle ecriture ' — of
verses written by him on his hearing of the death of Marie D(uplessis), who
was the ' Dame aux Camelias.' The verses were never published, save in the
edition of the play made for the artists of the ' Comedie Franpaise.' The
' Gaulois ' published lately a fragment of these verses, as a literary sensation.
The verses are accompanied by a letter to his fried Paul Foucher."
This MS. copy of the verses was in the possession of Mr. Pene du Bois pre-
vious to its publication.
LIMITED EDITION-DE-LUXE OF THE "LADY OF THE
CAMELIAS."
1007 DUMAS FILS. La Dame aux Camillas, Preface par M.
Jules Janin. Etched portrait of M.a-b.1^ T)vvTu^ss\^, proof
before letters. Large 8vo. Bound by E. Rousselle in
three-quarters crushed levant morocco, top edge gilt,
others uncut, covers bound in. Paris, 1872
No. 205 of limited edition of 500 numbered copies on Holland paper.
1008 Cfe* CILAW (Ary). The Romance of a German Court,
11?- a Translation of " Le Roi de Thessalie." 2 vols,
small 8vo, cloth. London, 1886
BOOKS OF EMBLEMS— INCLUDING THE ORIGINAL
EDITION OF GEORGE WITHER'S EMBLEMS.
1009 EMBLEMS.— WITHER (George).— | A | Collection | of
I Emblemes, | Ancient and | Moderne: | Quickened |
With Metricall lUvstrations, both | Morall and Divine: And
disposed into | Lotteries, | That Instruction, and Good
Counsell, may bee furthered | by an Honest and -Pleasant
Recreation. | By George Wither. | The First Booke | .
264 THE PENE DU BOIS COLLECTION.
Fine portrait, engraved title by Marshall, numerous plates
of emblems by Crispen Pass. Small folio, mottled calf, gilt.
London, printed by A. M. {Augustine Matthewe\ for
Henry Taunton, and are to be sold at his Shop in Saint
Dunstanes Church-yard, MDCXXXV.-
EXCESSIVELY RARE, and a fine copy of the original edition with all
the plates. With the heraldic book-plate (coronet, supporters nine quarterings)
of — " The Right Honble. Henrietta Countess of Pomfret Lady of the Bed-
chamber to the Queen." A few pp. are mended carefully and there are MS.
marginalia. The volume contains the leaf at the end of the " Lotteries," with
movable Index, which, Lowndes says, is so often wanting. On an end paper is
the following MS. note: —
" These engravings, in their original state, were first published at Cologne,
i6ii, vide RoUenhagen in Brunei. Wither borrowed the fine engravings and
destroyed the verses, substituting his own, see his first preface to the Reader,
towards the end, where he speaks. with suiEcient confidence of himself. But
now probably for one person who reads his verses, less admire his engravings.
The portrait of Wither is probably from an original by C. Jannsen, which sold
•in Gutch's sale for ;^I3. The frontispiece is not by Crispen de Pass, but by
one Wm. Marshall."
loio Emblems. — Cramer (Daniel). Octoginta Emblemata
Moralia Nova. Engraved title and symbolical illustrations.
Minimo, vellum (loose in cover).
Frankfort, Lvca Jenhisius, 1630
Very rare work on emblems, but lacking a few pages. The text and
illustrations are printed on one side pf the page only.
loii Emblems. — Saavedra-Faxardo (Don Diego de). Idea
de un Principe Politica representada en Cien Empresas.
With engraved title and 100 designs of emblems in the text.
Thick minimo, old calf (MS. name on back of title).
Amsterdam, apud loh. lansonium luoniprem, 1659
Very Scarce edition of this famous work on emblems.
1012 Emblems. — Saavedra Fachardo (Diego). L'Idea di vn
^ Prencipe Politico Christian o. Engraved false title, vignette
portrait on title and numerous engravings of eniblems.
4to, boards, vellum (stained). Rare. Venice, 1648
1013 Emblems.— CATS (Jacob).— JOH. V,AN BEVERWICK'S
Schat der Gesontheydt Met veerfen verciert door de Heer
lACOB CATS, Ridder, etc. Handsome portrait on title
find numerous emblematic engravings in the text — also
several false titles. Thick 4to, fine old red morocco gilt,
tooled gilt edges.
Amsterdam, Jan Jacobsz Schipper, 1652
Rare. The emblems and other works of Cats have for two centuries been
household books in Holland, both for their moral doctrine and the ingenious
designs with which Adrian Van de Venne symbolized their teachings.
THE PENE DU BOIS COLLECTION. 265
10 14 Emblems. — Boria (Joannes de). Moralische Sinn Bilder.
Vignette title, and with over 100 curious plates of emblems.
Small 4to, half sheep (foxed). Rare. Berlin, 1698
1015 Emblems. — Conlin (Albert Joseph). Der Christliche Welt
Weise beweinel die Thorbeit der Neuentdechten Narren
Welt. Numerous extremely curious and emblematic plates,
many erotic and diabolical. 2 vols, in i. Thick small
4to, old sheep (some plates mounted and a few pages
soiled, etc.) Very rare. Augsburg, 1710-11
1016 Emblems. — Bunyan (John). Divine Emblems, or Tem-
poral Things Spiritualised, etc., with Preface by Alexan-
der Smith. Engraved title and numerous emblematic
designs. Small 4to, cloth, gilt edges. London, n. d.
10 1 7 Emblems. — Beza (Theodoras). Poemata Varia, accessit
Iac. Lectii V. CI. lonah seu Poetica Paraphrasis. Nu-
merous cuts of emblems, etc. Minimo, boards.
Rare. ""-Pi ^^ typographia lacobi Stoer, 16 14
1018 ENTRETIENS (Les), des Cafds de Paris et les Differens
qui y sur Viennent. Par Mr. le Ce de M * * *. En-
graved front, also curious fletirons, head-pieces, etc. Minimo,
crushed green morocco extra, gold dentelle inside borders,
rounded corners, edges gilt on marble by Allo.
Trevoux, Etienne Ganeau, 1702
Erotic and very rare. This little volume contains many facetious pieces,
among which are — "Avanture dun Fourbisseur, qui trouva sa femme au Cafe
avec son amant, " '' frocez entre un Auteur et un Librairesse au sujet de Cocu-
age," and others better and worse.
1019 Epicure's Cook Book. Translated and Arranged by
" One of Them." i2mo, cloth. ' Rochester, N. Y., 1881
1020 Etudes sur la Toilette. A series of ten double-page
studies on the toilet extracted from "la Vie Parisienne.'''
Large 4to, sewed. Paris, n. d.
Erotic designs, more or less nude and exhibiting the various articles in the
transition of the toilet of the women of fashion and the demi-monde of Paris
and elsewhere.
T021 Etudes sur la Toilette. Another copy.
ABRITII. — Le Convent Hospitalier, Conte tire du
Livre de I'Origine des Proverbes d'ALOYSE Cyn-
THio de Gli Fabritii (XVIe Sifecle). Litterale-
ment traduit pour la Premiere Fois, Texte Italien
en Regard. Small 8vo, paper, uncut. Paris, 1885
Facetious. Limited edition of 120 copies, of which the above is No. 28.
On the cover is the note — "Avis aux Libraires. Edition privee. Ce volume
ne doit pas etre 'mis en vente ou expose dans les lieux publics' (Loi du 29 Juillet
l88i)."
266 THE PENE I) U BOIS COLLECTION.
1023 Fau (J.I. The Anatomy of the External Forms of Man,
intended for the Use of Artists, Painters and Sculptors. 20
fine lithographs, some of nudes, and with descriptions. Large
4to, in portfolio. London, n. d.
1024 Femmes Aujourdhui. a Series of twelve double pa^e
studies on the toilet, extracted from ''La Vie Parisienne."
Large 4to, sewed. Paris, n. d.
Erotic designs, more or less nude and exhibiting the various stages in the
developments of the life and toilet of fashionable women of the present day.
1025 Femmes Aujourdhui. Another copy.
1026 FERTIAULT (F.). Histoire Anecdotique et Pittoresque
de la Danse chez les Peuples Anciens et Modernes — He-
breux, Grecs, Romains, Franjais, Anglais, Chinois, AHe-
mands, Russes, Sauvages, Grecs Modernes, Italiens, Espag-
nols, etc. Minimo, vellum, covers bound in.
Paris, Auguste Aufiry, 1854
" La danse est une poesie muette." — Simonide.
1027 FETES ET COURTISANES de la GRfecE, Supplement
aux Voyages d'ANACHARSis et d'ANi^NOR, comprenant 1°,
la Chronique Religieuse des Anciens Grecs, Tableau de
leursMoeurs Publiques; 2° la Chronique qu' aucuns Nom-
meront Scandaleuse, Tableau de leurs Moeurs Privies; 3°
un Almanach Athdnien; 4° la Description des Danses
Grecques, etc. Fronts, by De Launay after Garnerey,
pupil of David — also costume plates. 4 vols. 8vo, sewed,
uncut (some pp. stained). Paris, 1831
Fourth edition of this celebrated work on the Festivals and Courtisans of
ancient Greece, with Anacreontic chants and music by Mehul.
1028 Feuillet (Octave). Julia de Tr^cceur. Small 8vo, sewed,
uncut. Paris, 1877
1029 FIELDING (Henry). Tom Jones, ou Histoire d'un En-
fant Trouv6, Traduction Nouvelle et Complete. 4 vols.
8vo, sewed, uncut (no illustrations).
Paris, Firmin-Didot, 1833
" What a master of composition Fielding was! Upon my word, I think the
CEdipus Tyrannus, the Alchemist, and Tom Jones, the three most perfect plots
ever planned; and how charming, how wholesome Fielding always is! To take
him up after Richardson is like emerging from a sick room heated by stoves into
an open lawn on a breezy day in May." — Coleridge.
1030 FILLE (La) de Madame Angot. Opera Comique en
Trois Actes — Paroles de Mm. Clairville, Siraudin et
KoNiNG — Musique de M. C. Lecocq — Notice Historique
par Jules Claretie. Music and numerous vignette illus-
trations by P. Hadol — and colored costume plates by Grevin.
Large 8vo. Bound by Lemarbeley in half cloth, totally
uncut, with the covers bound in. Paris, 1875
Original illustrated edition of this charming facetious opera, with the covers
bound in.
THE PENE DU BOIS COLLECTION. 267
1031 FLEURIOT (Zenaide). Raoul Daubry, chef de Famille.
Illustrated with 32 wood engravings by G. Delort. Thick
large 8vo, sewed, uncut. Paris, 1879
1032 FLORIAN (J. P. C. de). Fables, prdcedees d'une Notice
par Charles Nodier de rAcademie Franfaise et d'un
Essai sur la Fable. Illustrated with page illustrations
(some foxed slightly) and vignettes ^ Victor Adam. Large
8vo, crushed crimson levant morocco, inside gold dentelle
borders, edges gilt on marble. Paris, 1838
Rare edition of these charming fables. The above copy is bound by
David.
1033 FOURNEL (Victor). Du Role des Coups de Baton dans
les Relations Sociales et en Particulier dans I'Histoire
Litt6raire. Minimo, half morocco, top edge gilt, others
uncut. Paris, 1858
Scarce. A curious flagellational work on the rod.
1034 FouRNEL. Ce qu'on Voit dans les Rues de Paris. Small
8vo, half cloth, uncut (foxed slightly). Paris, 1858
1035 FOURNIER (Edouard). L'Esprit des Autres Recuelli' et
Racontd par Edouard Fournier. Small 4to, fresh half
crushed sage levant morocco', the back gold tooled and
inlaid with red morocco, rounded corners, top edge gilt,
others uncut, by V. Champs. Paris, 1857
Very scarce. Presentation copy with autograph of the author — " A son
ami Adolphe Delahays, Edouard Fournier."
1036 FOURNIER. L'Esprit dans I'Histoire Recherches et
Curiosit^s sur les Mots Historiques. Small 8vo, half red
morocco, gilt. Paris, 1857
Among other famous historical phrases Fournier tries to settle what lyas
really said in regard to the Old Guard at Waterloo. He asserts Cambronne used
one word only and not what is in the histories at all!
1037 FRAN^AIS (Les) — peints par Eux-Memes. Encyclo-
pedie Morale du Dix Neuvieme Siecle, 5 vols.; also con-
tinuation of the same, " Les Frangais des Provinces," 3
' vols. Together 8 vols. Profusely illustrated with page
wood engravings and in the text. 8 vols, large 8vo.
Paris, L. Curmer, 1841-42
Very scarce and humorous, with many facetious illustrations. Among the
contributors to this humorous work were: — Jules Janin, Balzac, Mme. Angelot,
Couailhac, Alphonse Karr, Reg^nault, Blaze, Delacroix, Francis Wey, Perrin,
Boul, Tissot, and many others. A copy was sold some time since in New York
for $55.00.
EXTREMELY RARE AND EARLY SATIRICAL WORK ON
THE FRENCH ACADEMY— BOUND BY BAUZONNET.
1038 FURETlfeRE (Antoine). Plan et Dessein du Poeme
AUegorique et Tragico-Burlesque, intitule les Couches de
I'Academie Fran^oise. Minimo, crushed green levant'
268 THE PENE D U BOIS COLLECTION.
morocco, extra gilt, inside gold borders, edges gilt, by
Bauzonnet. A.msie.rd2im, Pierre Brunei, 1687
VERY RARE. This curious work, which ridicules the French Academy,
was written by a member who was also Abbe de Chalivoy. With key to the
names including La Fontaine, Boyer, Charpentier, Le Clerc, etc. This copy
was bound by Bauzonnet, came from the Nodier Library, and has his
" ex-libris." Fureti^re aided his friends Racine and Boileau in their plays, and
his " Roman Bourgeois " was edited by Fournier and Asselineau.
' ' L'academicien Charpentier traita Furetiere d'escroc, de fils de laquais,
d'infame, de sacrilege, de protecteur de filous et de filles publiques, etc. Fure-
tiere repondit par des ' Factums, ' qui sont regardes comme des modeles mais
dont tous les traits ne sauraient etre entierement excuses par de langage de ses
adversaires. " — Vapereau.
1039 /^AGUIN.— L'lmmacul^e Conception de la Vierge
Marie, Poeme de Robert Gaguin, Docteur en
Sorbonne, General des Mathurins (XVe Siecle)
Suivi de Poesies Diverses, traduit pour la Premiere
fois, texte Latin en regard par Alcide Bonneau. Small
8vo, vellum paper, totally uncut.
Paris, Isidore Liseux, 1885
No. 76 of LIMITED EDITION of 170 copies On Holland paper, with rubricated
title, of this extraordinary volume, which treats a religious subject in a some-
what facetious manner.
CHINA PAPER OF THE "CONFESSION OF ANTONINE"—
ONE OF SEVEN COPIESi
1040 GARCIA (Marie). La Confession d'Antonine, preface de
L£oN Gozlau. Portrait of the author by Adrien Nar-
GEOT. Small 4to, half morocco, top edge marble, others
uncut. Paris, 1864
RARE. Limited edition of 125 copies in all, of which the above is one of
7 on China paper. Mdlle. Garcia was the intimate lady friend of Arsine
Houssaye. .
1041 GARGVILLE. — Les Chansons Folastres et Recreatives de
Gavltier Gargville Comesdien Ordinaire de I'Hotel
de Bourgougne. Nouvellement Revues, Corrig6es et
Augmentees Oultre les Precedentes Impressions. Curious
portrait. Small 4to, half morocco, top edge gilt.
Paris, A. Claudin, 1858
Limited edition of 300 copies, of which the above is one of lo on China
paper, of these salacious poems of Gargville.
Bound up with the above is: — " Bibliotheque Facetieuse Historique et Singu-
liere ou Reimpression de Pieces Curieuses, Rares ou Peu Connues des XVe,
XVIe et XVIle Si^cles." Paris, Claudin, 1858. A limited edition of 200
copies, of which this example is on lemon paper. It includes the following
reprints with separate titles and paginations: — " Regrets Funebres sur la Mort
du Joyeux Rendibilis," Paris, 1649; " Sur I'Enlevement des Reliques de
Sainct Fiacre," Anvers, 1643; " La Defensedu Pet pour leGalantdu Carnaval,
par le Sieur de S. And," Paris, 1652; " Le Nez Pourry de Theophraste
Renaudot Grand Gazetier de France et Espion de Mazarin, appelle dans les
Chroniques ' Nebulo Hebdomadar.us, de Patria Diabolarum ' avec sa Vie
Infame et Bouquine."
THE PENE DU BOIS COLLECTION. 269
GAVARNI'S DEVIL IN PARIS.
1042 GAVARNI. Le Diable a Paris, Paris et les Parisians,
Mceurs et Coutumes, Caracteres et Portraits des Habitants
de Paris, Tableau Complet de leur Vie Privee, Publique,
Politique, Artistique, Litteraire, Industrielle, etc., precede
d'une Histoire de Paris, par Theophile Lavallee. Pro-
fusely illustrated by Gavarni, Bertall, Champin, Ber-
TRAND, D'AuBiGNY and Francais. 2 vols, thick large
8vo, fresh half red morocco gilt, edges gilt (very slightly-
foxed). Paris, Hetzel, 1845-46
With text by George Sand, Stahl, Gozlan, Soulie, Nodier, Balzac, Karr,
Houssaye, Gautier, Feuillet, De Musset, etc. This copy came from the library
of " Paul Hoehner," and has his "ex-libris " on the titles.
1043- Gavarni. Le Diable a Paris. One volume \i.e. Vol. i].
Large 8vo, cloth. Paris, 1845
1044 GAY (Sophie). Le Mouquer Amoureux. 2 vols. 8vo, half
calf, gilt. Paris, i8'3o
Rare, and by the mother of Madame Emile de Girardin. From the library
of, and with the heraldic "ex-libris" of, Count Polydore de la Rochefoucauld.
1045 GAZETTE DE CYTHERE, publi^e par Octave Uzanne
avec Notice Historique. Tinted front, and erotic head-
piece by Gauzean, also fieurons and fancy initial letters.
Thick lairge 8vo, sewed, uncut. _ Paris, A. Quantin, 1881
Limited edition on " papier verge," handsomely printed by Quantin, and
uniform with the remainder of the "Documents sur les Moeurs du XVIIIe
Si^cle " edited by Octave Uzanne.
This facetious work contains — "Dedicatory Epistle to Venus'"; "The Modest
Capuchin Brother"; "Gallant Adventure of Lord M. . . ."; " Le Juif Petit-
maitre et Cocu"; "The Pleasures of Love Superior to those of Bacchus";
" The Young Widow of C. . . .";etc.
1046 GAZETTE DE CYTHERE. Another copy, sewed,
uncut.
1047 GAZETTE ANECDOTIQUE, Litteraire, Artistique et
Bibliographique publi^e par by G. D'Heylii. 25 parts (19-
24, 1885; i-ii, 1886; 14-21, 1886). Small 8vo, sewed.
Paris, Jouaust, 1885-86
1048 Gentil-Bernard (P. J. dit ^^ Bernard"). CEuvres Com-
pletes. Minimo, original mottled calf gilt, edges gilt (no
title). Paris, 1776
Rare. Includes his celebrated " Art of Love."
1049 GENJI MONOGATARI. The Most Celebrated of the
Classical Japanese Romances translated by Suyematz
Kenchio. Small 8vo, illuminated cloth, uncut.
London, Triibner &' Co., 1882
270 THE PENE DU BO IS COLLECTION.
1050 GESSNER (Solomon). CEuvres de. Portrait, charming
plates and engraved titles. 3 vols, minimo, calf gilt, edges
gilt. Paris, 1797
Includes — Daphnis, Idylls, Plays, etc.
1051 GINISTY (Paul). La Seconde Nuit, Roman Bouffe. Pre-
face d' Arm AND Silvestre. Illustrated with 66 facetious
cuts by Henriot. 8vo, sewed, uncut. Brussels, 1884
Erotic and limited edition on — "papier verge Anglais'' and Japan paper.
The above is one of the first named.
1052 GINISTY. Another copy of the same.
1053 GINISTY. Manuel du Parfait R6serviste. Small 8vo,
paper, uncut. , Paris, 1882
With humorous illustrations by Courboin and Jeanniot .
1054 GONCOURT (Jules et Edmond de). La Femme au Dix
Huitieme Siecle — Nouvelle Edition, Revue, Augmentee.
Illustrated with 64 reproductions on steel by Dujardin
after the eighteenth century originals. Thick 4to, sewed,
imitation morocco gilt, totally uncut.
Paris, Firmin-Didot, 1887
Many of the plates are colored by hand. Among the artists and engravers
whose works are reproduced in the above are — Vanloo, Moreau, Basan, Joulain,
Canot, Le Bas, Desmaisons, Leclerc, Dupin, Eisen, Gaillard, Saint-Aubin,
Lancret, Duclos, Cochin, Greuze, Coypel, Le Beau, Watteau, and others of
major or minor importance.
The work is in twelve chapters, showing the lifeof a woman of the eighteenth
century from the cradle to the grave, exhibiting such phases as marriage,
society, dissipation, love, beauty, etc., not forgetting " la fille galante."
1055 Goodman (William). Social History of Great Britain during
the Reigns of the Stuarts. Many woodcuts. 2 vols.
i2mo, cloth. N. Y., 1845
1056 GOURDAULT (Jules). La Femme dans tous les Pays.
Illustrated with 191 wood engravings. Large 8vo, fresh
half morocco gilt, cloth sides, gilt edges. Paris, 1882
An excellent work on " Woman in all Countries," including North and South
America.
GRANDVILLE'S FACETIOUSLY ILLUSTRATED WORKS.
1057 GRANDVILLE (J. J.) Scenes de la Vie Priv^e et
PuBLiQUE DES Animaux. Etudcs des Moeurs Contem-
poraines publics sous la Direction de M. P. J. Stahl avec
la Collaboration de MM. de Balzac, L'Heritier (de
I'Ain), Alfred de Musset, Paul de Musset, Charles
NoDiER, Madame M. M^nessier Nodier et Louis Viar-
dot. Profusely illustrated with facetious plates, head and
THE PENE DU BO IS COLLECTION. 271
tailpieces, vignettes, etc., by Grandville. 2 vols, thick 4to,
morocco extra gilt, inside gold borders, gilt edges.
Paris, J. Hetzel, 1842
Very scarce. A most amusing yjork, in which the text of notable French
authors is ably supplemented by the characteristic illustrations of Grandville,
who has here depicted the animal creation living, moving and having their being
in human intelligence and activity. Many of the designs in the above represent
well-known personages with the faces of animals. Grandville died in a lunatic
asylum in the year 1847.
1058 GRANDVILLE. Un Autre Monde. — Transformations,
Visions, Incarnations, Locomotions, Explorations, Peregri-
nations, Excursions, Stations, Cosmogonies, Fantasma-
gories. Reveries, Folatreries, Fac^ties, Lubies, Metamor-
phoses, Zoomorphoses, Lithomorphoses, Metempsycoses,
Apotheoses, et Autres Choses. With numerous facetious
plates, MA^fY colored by hand. Thick large 4to, folded
in sheets for binding. Paris, H. Fournier, 1844
Very scarce. With wide margins equal to large paper, and with very fine
impressions of the plates.
1059 GRANDVAL (F. C. R. de, le pire). Agathe ou la Chaste
Princesse, Tragedie. Small 8vo, sewed, uncut.
Paris, chez Duchesne, 1756 \reprint^^
No. 113 of limited edition of 120 copies on China and Holland paper of this
facetious tragedy. The imprint on back of half title is — "A Breda dans les
Pays Bas 1866."
1060 GRECOURT (J. B. J. W. de). CEuvres Diverses, Nou-
velle edition, augmentee du " Philotanus," de la "Biblio-
th^que des Damnes," etc. Portrait by Gurand, and fronts,
by Eisen after Baquoy. 4 vols, in 2. i2mo, half calf,
gilt. Amsterdam, 1772
Rare. " Si quelques unes [des Poesies de Grecourt] ont du piquant et de la
finesse, il en est un grand nombre de grossi^res etd'une licence cynique." —
Vapereau.
1 06 1 Grenville-Murray (E. C). Imprisoned in a Spanish
Convent, an English Girl's Experience. Numerous wood-
cuts. 8vo, fresh cloth, uncut. London, 1886
1062 Griffiths (Arthur). The Chronicles of Newgate [Lon-
don]. Numerous illustrations. Thick 8vo, cloth.
N. Y. (J^ondon), 1884
GRISIER'S FAMOUS WORK ON DUELLING.
1063 GRISIER (A.). Les Armes et le Duel— Preface Anec-
dotique par Alexandre Dumas, notice sur I'auteur par
Roger de Beauvoir, epitre en vers de Mery, lettres du
Comte D'H * * * et du Comte DT * * *. Portraits, plates
depicting duels, fencing, etc. Thick large 8vo, sewed,
uncut. Paris, 1864
Monsieur Grisier, Chevalier of the Legion of Honor, etc. , was Professor of
Arms to the Emperor Napoleon, the Cent Gardes, the Lycee Napoleon, etc.
272 THE PENE DU BO IS COLLECT/ON.
1064 GUERARD (Edmond). Dictionnaire Encyclopedique
d'Anecdotes Modernes, Anciennes, Franpaises et Etran-
g^res. 2 vols, thick small 8vo. Bound by Ad. Bertrand,
half red crushed levant morocco, top edges gilt.
Paris, Didot, 1872
1064* GuiNON (Albert) et Denier (Maurice). J'Epouse ma
Femme— Comddie en Deux Actes. Small Svo, sewed,
uncut. Paris, 1885
1065 GUYOT (Jules). Brdviaire de TAmour Experimental
Meditations sur le Mariage selon la Physiologic du Genre
Humain. Minimo, half r.ussia, top edge gilt, others
uncut, with the covers bound in. Paris, 1882
" Edition Elzevirienne," printed by Ch. Unsinger. _ This curious little
volume treating love and marriage from a strange standpoint has a biography
of the author and a lexicon added by Georges Barral and Ch. Dufaure de la
Prade.
1066 c^^ ALL (S. S.). Bliss of Marriage, or How to Get a
|(gNV Rich Wife. i2mo, cloth. New Orleans, 1858
1067 J^ HAMILTON (Antoine, Comte). CEuvres \i. e.,
C Memoires du Comte de Grammont, Contes,
Chansons, etc.]. Portraits and plates (some of nudes). 3
vols. Svo, sheep, uncut (stained in parts). Paris, 181 2
Renouard's EDITION, including the "Memoirs of Grammont," which are
universally admitted to be among the most witty and entertaining that have ever
been written. It was described by Gibbon as " a classic work, the delight of
every hian and woman of taste, " praised and edited by Sir Walter Scott, printed
in almost every language and every form, and found in every good historical
library. Some have said that it is too much imbued with the spirit of Charles
the Second's days to suit the severer code of the present age. But the reasons
which would keep these volumes away from the great mass of readers would be ,
equally applicable to nearly all v/riters of Charles the Second's period, and to
Pepys as well as to Ariosto, La Fontaine, Beaumont, Fletcher, Massinger, Pope,
and even Shakespeare.
1068 HANNON (Theodore). Rimes de Joie, avec une Preface
de J. K. HuYSMANS. 4 etched plates by Felicien Rops —
2 of nudes, one bibliophilistic . Small Svo, half cloth.
Erotic and rubricated. Limited edition of 480 Holland paper copies and
50 China.
1069 HEARN (Lafcadio). Stray Leaves from Strange Liter-
ature. Small Svo, illuminated cloth. Boston, 1884
Presentation copy froiiithe author. The above consists of stories recon-
structed from the Anvari-Soheili, Baital-Pachisi, Mahabharata, Pautchatantra,
Gulistan, Talmud, Kalewala, etc.
1070 HELIOGABALE ou Esquisse Morale de la Dissolution
Romaine sous les Empereurs. Engraved front, by Adam.
Svo, half morocco (stained). Paris, Dentu, 1802
Rare and full of erotic details concerning the Roman Emperors and Em-
presses.
THE PENE DC/ BO IS COLLECTION. 273
107 1 HELOISE ET ABAILLARD. Lettres de (French and
Latin Text). 3 vols, large 4to, boards, uncut (no plates).
Paris, Didot, 1796
THE ANTIQUITIES OF HERCULANEUM AND POMPEII,
INCLUDING THE SECRET MUSEUM.
1072 HERCULANEUM et POMPEII; Recueil General
des Peintures, Bronzes, Mosaiques, etc., decouverts
jusqu'S, ce jour et reproduits, d'apres tous les ouvrages
publies jusqu'k present, avec un Texte explicatif par M.
Barr]^. With 700 fine engravings by H. Roux, ain^. 8
vols, large 8vb, boards, totally uncut. Paris, Didot, 1870-77
This is tlie most complete work on the discoveries at Herculaneum and
Pompeii, exhibiting all the paintings, bronzes, miniatures, etc., hitherto pub-
lished in rare or expensive works, with the addition of many others which have
not previously appeared. The eighth volume, containing the " Musee Secret,"
is curious and uncommon; exhibitmg the lascivious indulgences of the ardent
Fompeians as depicted upon the walls of their baths and private apartments.
' ' We need not regret the departure of those times when modesty had no
cloak; when, like the brute, man and woman stood before each other unabashed
at their nakedness. The facility of enjoyment gave birth to satiety and disgust.
A frightful corruption of morals was the inevitable consequence of this state of
things, for excess of debauchery could alone reanimate desire, the prime mover
of enjoyment. Eternal glory to the religion which, overturning these impure
idols into the mire, and unrolling the code of chastity before our eyes, has made
our sensations purer and our pleasures keener." — Fanin.
1073 HERCULANEUM AND POMPEIL Eight Water-
Color Drawings, neatly framed, being faithful copies of
ancient fresco-paintings on the interior walls of houses at
Herculaneum and Pompeii.
Unique Italian Water-Color Drawings in facsimile, including the fol-
lowing subjects: — I., "Female Dancer," almost nude; II. ," Pomona, " partly
nude; III., "The Rope Dancer," entirely nude; IV., "A Bacchanal"; V.,
"The Festival of Flora," Dancing Figures (one entirely nude), with flowers;
VI., "Ceres"; VII., " Bleaching Linen " ; VIIL, "Quail."
1074 Histoires DebraillSes, par I'auteur de " Pommes d'Eve."
With tinted and erotic illustrations by ^^ joyeux artistes.^'
4to, large paper cover, uncut. Paris, Ed. Monnier, 1884
Facetious and limited edition on thick toned paper.
ORIGINAL EDITION OF HOBBES'S LEVIATHAN.
1075 HOBBES (Thomas, of Malmesbury). Leviathan, or the
Matter, Forme and Power of a Common- Wealth, Ecclesi-
asticall and Civill. Engraved false title (margin torn) and
diagram. Small folio, half calf, red edges (lacks portrait).
London, Andrew Crooke, 165 1
Very rare and original edition, of which HolUs's copy sold for ^-^ 4s.
" The atheistic and immoral theories of the 'Leviathan.' " — Hallam.
" To my booksellers for Hobbes's ' Leviathan,' which is now mightily called
for, and what was heretofore sold for 8s. I now give 23s. at the second-hand,
and is sold for 30s., it being a book the Bishop will not let be printed again." —
Pepys.
2 74 THE PENE DU BOIS COLLECTION.
1076 HOCHE (Jules). Les Parisiens chez Eux. Small 8vo,
paper, uncut. Paris, n. d.
HOGARTH MORALIZED— THE 1841 EDITION AND BOUND
BY MATTHEWS.
1077 HOGARTH MORALIZED: a Complete Edition of all
the Most Capital and Admired Worlcs of William
Hogarth, Accompanied by Concise and Comprehensive
Explanations of their Moral Tendency by the late Rev.
Dr. Trusler, to which are added an Introductory Essay
and Many Original and Selected Notes by John Major.
A new Edition Revised and Corrected, and Somewhat
Enlarged by the Same. Njimerous steel plates and wood
engravings. 8vo, fresh half morocco gilt, top edge gilt,
others uncut by Alfred Matthews.
London, Henry Washbourne, 1841
Admirable copy of this excellent edition.
William Hogarth was one of those few original and extraordinary characters
with whom it has pleased Providence occasionally to bless the world, to enlighten
mankind, and to carry the arts and sciences necessary for their comfort,^ pleas-
ure and improvement, nearer to perfection. Moved by the impulse of genius
rather than the tuition of man, he traveled in a path unexplored by any before
him, and which remains closed to succeeding artists. Possessing by early practice
the knowledge of the art of engraving, he was enabled to disseminate by its
means the ingenious inventions of his mind in a manner more perfect than those
of other painters have been presented to the world, or than probably ever again
will be done, till another painter shall be his own engraver. Hogarth was one
of those great men whose works are destined to survive all the changes of taste
and all the caprices of fashion ; for valuable and interesting as they would be did
they do no more than preserve a faithful picture of contemporary manners, they
are to be still more highly estimated for containing those strokes of nature and
of genuine wit that are intelligible in every country and jn every age. In dignity
of subject, in grandeur of composition, in the technical beauties of execution, in
designs, in chiaro-oscuro. in exactness of imitation, in elegance and in graceful-
ness, Hogarth has been excelled by several; but no artist has ever yet produced
works that rival in expression and in character those of the great ethic painter —
works that will always continue to be admired in proportion to the care with
which they are studied.
1078 HOGARTH. Hogarth Illustrated from his own Manu-
scripts, Compiled and Arranged from the Originals by
John Ireland. Engraved vignette titles, one 7vith por-
trait, two fronts, and numerous plates (one front, short').
3 vols. 8vo, morocco gilt, edges gilt (somewhat foxed and
binding rubbed). 'London, printed by Bulmer, 1812
" The anchor which held Hogarth fastest to the public favor was the sincere
and deliberate belief — prevalent among the more serious of the substantial
orders — that his works were in the highest degree moral, and that they con-
tributed to the inculcation of virtue and piety. . . . The philosopher who
ever preached the sturdy English virtues that have made us what we are." —
Comhill Magazine.
1079 "HoNNi SoiT QUI Mal y Pense,"— Nouvclles par "On-
S6-Ki." Small 4to, paper, uncut. New Orleans, 1883
THE PENE DU BOIS COLLECTION. 275
1080 HONE (William). Apocryphal New Testament, being all
the Gospels, Epistles, etc., attributed to Jest/s Christ, His
Apostles, etc., and not Included in the New Testament.
8vo, cloth, uncut. London, /i^r the author, 1820 (reprint')
" By some persons of the multitude, commonly known by the name of
Christians, and who profess to suppose they do God service by calling them-
selves so, the editor has been attacked with a nialignity and fury that would
have graced the age of Mary and Elizabeth, when Catholics put to death
Protestants, and Protestants put to death Catholic^, for the sake of Him who
commanded mankind to 'love one another.'" — Second Preface.
1081 HOPING (J. A. J.). Institutiones Chiromanticae. Small
8vo, boards. Jena, 1689
Rare work in German on chiromancy.
ARSENE HOUSSAYE'S SONNETS— MAGNIFICENTLY
ILLUSTRATED AND LIMITED EDITION.
1082 HOUSSAYE (Arsene). Les Cent-et-un Sonnets. Por-
trait of HoussAYE, proofs before letters — also etchings and
engravings, mostly erotic, by or after Adrien Nargeot,
Paul Baudry, J. E. Aubert, Hugues Merle, la
GuiLLERMiE, Diaz, Masson, Metzmacher, etc. — also
numerous fleurons. Large 4to, fresh half red crushed lev-
ant morocco, top edge gilt, others uncut, with the vellum
covers bound in by E. Rousselle.
No. 20 of limited edition of 500 numbered copies, the above being on ' ' papier
velin."
1083 HOUSSAYE. Des Destinies de I'Ame. Small 8vo. Bound
by V. Champs in crushed dark blue levant morocco extra,
gilt and mosaiced on back with red morocco, top edge
gilt, others uncut. Paris, n. d.
Presentation copy, with the following autograph inscription of the author: —
" Miss North une belle chercheuse d'inconnu, Arsene Houssaye."
1084 HOUSSAYE. Les Mille et une Nuits Parisiennes. Nu-
merous vignette illustrations. 4 vols. 8vo, sewed, uncut.
Paris, 1875
This work contains the following: — " Le Marquis de Satanas"; "la
Descente aux Enfers Parisiens"; "un Ange sur la Terre"; "Don Juan
Vaincu "; "Monsieur Paul et Mademoiselle Virginie"; " le Peche de Jeune
d' Armaillac " ; " la Confession de Caroline"; " Madame Don Juan " ; " Para-
■ doxes Nocturnes sur les Femmes " ; " le Dernier Amour de Jeanne d' Armaillac " ;
etc.
1085 HOUSSAYE. Histoire Etrange d'une Fille du Monde.
Illustrated. 8vo, sewed, uncut. Paris, 1876
1086 HowiTT (William). History of Priestcraft. T2mo, cloth.
N. Y., 1833
276 THE PENE DU BOIS COLLECTION.
HUART'S FACETIOUS MILITARY WORK— COLORED BY
HAND.
1087 HUART (Adrien). La Nouvelle Vie Militaire. Profusely
illustrated with many full-page plates — mostly colored by
hand and after the designs of Drauer. Thick large 8vo,
half red morocco, top edge gilt. Paris, n. d.
Unique — colored by hand.
A most humorous work on the life of the modern French soldier, profusely
illustrated with very facetious designs. Some are double-page plates or folded.
1088 Humour, Wit and Satire of the Seventeenth Century.
Collected and Illustrated by John Ashton. Numerous
facsimiles of ancient prints. Small 8vo, fresh cloth, uncut.
N. Y. (Edinburgh), 1884
1089 Oy'MBERT (Barthelemy). Historiettes ou Novelles en
Vers. Engraved front., title and vignette head-pieces. '
8vo, boards. Amsterdam, 1774
Rare and facetious, particularly the engravings, which are by Nee and
Masquelier after Moreau le jeune.
1090 INDISCRET (L'), ou les Aventures Parisiennes. Small
8vo, half sheep (stained and MS. name on back of title). "
Londres et Paris, fean Francois Bastien, 1779
Very rare and full of erotic adventures.
1091 [IRELAND (W. H.).] Scribbleomania; or, The Printer's
Devil's Polichronicon, a Sublime Poem edited by "Anser-
Pen-Dragon, Esq. Vignette title. 8vo, half crushed
levant morocco gilt, top edge gilt, others uncut, by
Trioullier, successor to Petit-Simier. London, 1815
Very rare, by the author of the celebrated Shakespeare forgeries.
1092 O^ANIN (Jules). L'ANE MORT. Portrait, full-
page plates and many illustrations in the text, all de-
signed by Tony Johannot. Large 8vo, half calf
gilt, totally uncut (foxed).
Paris, Ernest B our din, 1842
Large paper and very rare. This is the oKginal edition of this famous
romance, and is of very unfrequent occurrence even in Paris.
1093 JENTY (C. N.). Demonstration d'e la Matrice d'une
Femme Grosse et de son Enfant a Terme. Six plhtes by
Charpentier, after Jean Van Riems, and four pages
■with engraved borders after Martinet. Large 4to, boards
(some pp. stained). Rare. Paris, 1759
THE PENE DU BO IS COLLECTION. 277
EXTRAORDINARY WORK ON THE JESUITS— BOUND BY
CHATELIN.
1094 JESUITES (Les), de la Maison Professe de Paris, en Belle
Humeur; also — Les Moines en Belle Humeur. Front. 2
vols, in I, minimo. Elegantly bound by Chatelin, of
Paris, in citron morocco, mosaiced in fed, green and pink
leathers, beautifully tooled, and light green " double " gilt,
edges gilt on marble. Cologne, chez Pierre Mar teau, 1725
VERY RARE. SUPPRESSED and EROTIC. Although this beautifully
bound bibelot has two distinct titles and three half-titles, the pagination
throughout runs continuously. The frontispiece represents two ecclesiastics
dancing and two with very " decollete " females in their laps. One has his hand
on the breast of one of the women, and with the other plays a symphony across
her waist with a violin bow. The other cleric has his arm on the shoulder of his
female partner, between whose knees he holds a violoncello. Beneath this cari-
cature are the words — '' Mon Pere mettez votre instrument entre mes jambes."
109s JOHNSON (Samuel, LL.D.). Poetical Review of the
Literary and Moral Character of, by John Courtenay.
4to, half mottled calf gilt, citron edges. London, 1786
Duplicate from the " Johnsoniana Library" of Lt.-Col. F. R. Grant, with his
inserted heraldic book-plate.
1096 [JONES (Justin).] The Belle of Boston, or the Rival
Students of Cambridge by "Harry Hazel." Large 8vo,
sewed. Boston, 1844
1097 CY^ ALYANA MALLA. Ananga Ranga, Traits Hin-
dou de I'Amour Conjugal, redig6 en Sanscrit par
I'Archi-Poete Kalyana Malla (XVIe Siecle).
Traduit sur la Premiere Version Anglaise (Cosmo-
poli, 1885) par Isidore Liseux. 8vo, sewed, totally uncut.
Paris, Isidore Liseux, 1886
No. 57. "Edition Unique a trois cents exemplaires numerotes." Pisanus
Fraxi, in his " Index Librorum Prohibitorum," devotes some eighteen pages to
an account of this remarkably erotic work, which enters into the most minute
details, and gives several thousand methods of having .sexual intercourse. It is
the great authority on the '" art of love " in the East, and was written over three
hundred years ago by Kalyana Malla.a Hindoo poet, for the benefit of a monarch
of the Lodi race. The verse of blessing reads: — "May this treatise [Ananga-
ranga] be beloved of man and woman as long as the Holy River Ganges springs
• from Shiva with his wife Gauri on his left side ; as long as Lakshmi loves Vishnu,
as long as Brahma is engaged in the study of the Vedas, and as long as the
earth, moon and sun endure."
" The treatise," write F. F.Arbuthnot and R. F. Burton, " originally written
in Sanskrit, has been translated into every language of the East that boasts a
literature, however humble. It becomes in Arabic and in Hindostani the Lizzat
en' Nissa — the ' Pleasures of Women ' ; in Maharati and Gujrati, it is the
Amanga-ranga, or ' Form of the Bodiless One' (Cupid). Generally, it is known
as the Spila Shastra, the ' Scripture of Play' {i.e., of Amorous Sport, To II.ufEiv.
or Kama-Shastra, the ' Writ of Desire ' or of ' the Hindu God of Love ' (Kama-
deva), and the vulgar call it ' Koka Pandit,' from the Prakrit name of the
supposed author. Lithographed copies have been printed by hundreds of thou-
sands, and the book is in the hands of both sexes and all ages throughout the
nearer East."
278 THE PENE DU BO IS COLLECTION.
"THE TOAST"— OF THE GREATEST RARITY AND
PRIVATELY PRINTED.
1098 [KING (William, LL.L>.)] THE TOAST, an Heroick
Poem in Four Books, Written originally in Latin by
Frederick Scheffer: now done into English, and Illus-
trated with Notes and Observations by Peregrine
O'DoNALD, Esq. Front, by Baron after Gravelot and
rubricated title. 4to, old calf, gilt. London, 1736
EXTREMELY RARE and privately printed. This copy has the MS. inscrip-
tion on fly-leaf — "From the Author, Thomas Hurst 1764" and an inserted
two-page manuscript key to the characters.
Lowndes says this is — "a violent satire against the Countess of Newburgh,
occasioned by a lawsuit which Dr. King had about an estate in Galway to which
he laid claim. A key to the characters will be found in ' the Second Journey
round the Library of a Bibliomaniac by William Davis,' 1825."
Allibone writes:^" On the death of the author the whole of the impression,
save sixty copies was destroyed by his executors. Reid's copy (2204 of his cata-
logue) with MS. key to ' The Toast ' was sold for ;^ 10 los."
Pisanus Fraxi was so enraptured with this Macaronic book that he devotes
twenty-five quarto pages to it in the " Centuria Librorum Absconditorum "
besides giving four pages of fac-simile. As a sample of the chaste poetic muse
of Dr. King the following description of the Countess of Newburgh may suffice: —
" There he saw the huge Mass tumble out of her Bed;
Like Bellona's her Stature, the Gorgon's her Head ;
Hollow Eyes with a Glare, like the Eyn of an Ox ;
And a Forehead deeply furrow'd, and matted grey Locks;
With a toothless wide Mouth, and a Beard on her Chin,
And a yellow rough Hide in the Place of a Skin;
Brawny shoulders up-rais'd; Cow-Udders; Imp's Teat;
And a pair of bow'd Legs, which were set on Splay Feet."
1099 CIgfjjA CAYORNE (R. P.). Les JOYEUSETES. With
etched front, by Henry Somm. Small 8vo, sewed,
uncut. Paris, Lemmonyer, 1882
Limited edition and facetious.
HOC La Cayorne. Another copy.
iioi LACHAMBEAUDIE (Pierre). Fables Populaires, avec
une Preface, par M. Emile Souvestre. Small 8vo, half
calf, gilt. Paris, Librairie Sociale, 1839
Presentation copy with the author's signature on the half title, also cor-
rections to the text in his handwriting.
LIAISONS DANGEREUSES BY CHODERLOS LACLOS.
1 102 [LACLOS (Pierre Ambroise Francois Choderlos).] Les
Liaisons Dangereuses, ou Lettres Recueillies dans une
Societe, et publi6es pour I'lnstruction de quelques autres.
Par M. C . . . de L . . . Charming erotic plates, mounted.
4 vols, minimo, half green morocco, top edges gilt. -
Amsterdam and Paris, 1782
Very rare, original edition and facetious. This amorous work was one
of those which Marie Antoinette and the Princess de Lamballe used to enjoy
THE PENE DU BOIS COLLECTION. 279
together at the Little Trianon. The success of this eighteenth century novel
was owing to its — " immoralite conforme au gout de I'epoque." The character
of the principal personage, the enemies of the author insisted he had based upon
his own peculiarities.
PAUL LACROIX'S FACETIOUS AND CURIOUS WORKS.
1 103 [LACROIX (Paul).] Vertu et Temperament Histoire du
Temps de la Restauration 1818-1820-1832 par "P. L.
Jacob, Bibliophile, Membre de Toutes les Academies."
2 vols. 8vo, half calf. Paris, 1832
Very rare and unique. Printed on yellow paper with erotic fronts, by
Tony Johannot. Presentation copy from the author with following MS. on
half-title — "A Monsieur Auguste Aubry souvenir de bibliophile, Paul Lacrobc.
Bibl. Jacob."
Also with inserted autograph letter signed of Paul Lacroix dated May, 1853,
in which he tells M. Aubry (?) that he sends him a book which has only the
merit of being unique.
1 104 LACROIX. Les Courtisannes de I'Ancienne Rome. Small
8vo, paper, uncut. Brussels, 1864
Limited edition on Holland paper.
1 105 [LACROIX.] L'Homme au Masque de Fer par " Paul
L. Jacob, Bibliophile." 8vo, half calf. Paris, 1837
Rare. This volume on the "Man in the Iron Mask " is dedicated to the
bibliophile Guilbert de Pixerecourt, and is an argument in favor of the Super-
intendent Foucquet being the victim of Louis the Fourteenth's saturnine ven-
geance.
1 106 [LACROIX.] Curiosit6s de I'Histoire des Croyances
Populaires au Moyen Age. Small 8vo, sewed, uncut.
Paris, 1859
Includes articles on — " Superstitions et Croyances Populaires, le Juif Errant,
les Blasphemateurs, les Demons de la Nuit, les Sorci^res et le Sabat, le Boeuf
Gras, les Origines du Mai de Naples."
1 107 LACROIX. Mystificateurs et Mystifies Histoires
Comiques. Small 8vo, paper, uncut. Paris, 1875
MAGNIFICENT COPY OF THE "FARMERS-GENERAL" EDI-
TION OF LA FONTAINE, BOUND BY CHAMBOLLE-
DURU.
1108 LA FONTAINE.— | Contes | et | Nouvelles | en Vers |
par M. DE La Fontaine | . 2 vols, small 8vo, bound in
full red crushed levant morocco extra, inside gold borders,
rounded corners and edges gilt on marble by Chambolle-
DuRU. A Amsterdam, 1762
SUPERB COPY in UNRIVALLED CONDITION of this BEAUTIFUL
EDITION, with brilliant impressions of the portraits, the numerous erotic
plates by Eisen, and charming head and tail pieces, vignettes, etc.
Among the " Livres de luxe" of the eighteenth century there is one which is
a marvel and a chef-d'oeuvre, an example without an equal in the richness of a
book. This work, the great monument and triumph of the "vignette," which
28o THE PENE DU BOIS COLLECTION.
rises above and crowns all other illustrations of the day, it is needless to state to
all amateurs, is the Tales of La Fontaine known as the edition of the " Fermiers-
G/n/raax," Si truly royal book of the last Mecoenean financiers; one of the
grandest of the intelUgent and sensual outlays of money of the reign of Louis
the Fifteenth, and an inimitable model of gallant engraving applied to the illus-
tration of light narrative.
1 109 LA FONTAINE. The same. 2 vols, small 8vo, half red
morocco gilt, top edges gilt, others uncut.
A Amsterdam, 1764
Very rare. This is the 1764 reprint of the " Farmers-General " edition, but
the plates, which are proofs before letters, are colored by hand.
mo LA FONTAINE. Contes et Nouvelles en Vers. 2 vols,
large 4to, fresh half red morocco gilt, top edges gilt, others '
uncut, by R. W. Smith (stained somewhat).
Paris, cAez Tilliard, 1809
This is a copy of the Tilliard edition, in large type and without any plates.
FRAGONARD'S EROTIC ILLUSTRATIONS TO
LA FONTAINE.
nil LA FONTAINE.— FRAGONARD (Honor^). Figures des
Contes de la Fontaine. 3 portraits, one by Edelinck, and
S7 etchings by Martial after Fragonard. Square folio,
10 parts [complete] and in cloth portfolio.
Paris, Rouquette, n. d.
Cat's head proofs of the limited issue, published at 500 francs, of these
celebrated designs of Fragonard, which were engraved by Martial with the
intention of illustrating the 1795 Didot edition of La Fontaine.
The artist, Honore Fragoriard, was born at Nice in 1733, and died in 1806.
Spooner says: " He studied under Boucher, and having carried off the grand
prize of the Academy, he went to Rome with the royal pension. On his return
to Paris he was elected a Royal Academician in 1765, on which occasion he
painted his fine picture of ' Callirrhoe ' as his reception piece, which was much
admired. His next work was the ' Visitation of the Virgin ' for the Duke of
Grammont. He soon, however, left the path of high and noble subjects which
he had hitherto followed, and painted bacchanals, conversations, and subjects of
French manners, many of which had an exceedingly licentious tendency."
1 112 LA FONTAINE. A series of 100 engravings to illustrate
the " Contes et Nouvelles " of La Fontaine, and designed
by Fragonard — including portraits, vignettes, etc. — A
DOUBLE SET, SHOWING THE COMPLETED AND UNFINISHED
PLATES, AND ALL ON Japan PAPER. Large 4to, in port-
folio.
LIMITED EDITION and on JAPAN PAPER. This set was gotten up
for the purpose of illustrating the Didot edition of La Fontaine, two volumes in
quarto and published at Paris in 1795.
THE PENE DU BO IS COLLECTION. 281
LARGE PAPER COPY OF LA FONTAINE'S FABLES, ILLUS-
TRATED—PARIS, 1796.
1113 LA FONTAINE. Fables de. With over 2^0 plates, en-
graved by Simon and Coiny. 6 vols, small 8vo, calf gilt,
inside gold borders, edges gilt.
Paris, Bossange, Masson et Besson, 1796
Large paper, on "papier velin,"' and very scarce. The Didot edition of
these plates, after the designs of Vivier, is very rare, vide Morgand and
Fatout catalogue cutting inserted, 1,200 francs, also a copy of the above on the
same, priced 500 francs.
1 1 14 LA FONTAINE. Fables, translated into English Verse
by Walter Thornbury. Portrait and numerous illus-
trations by GusTAVE DoRfi. Thick large 4to, fresh half
morocco gilt, beveled cloth sides, gilt edges.
London, n. d.
1115 LA FARRE (C. A., Marquis de). Poesies — Nouvelle
Edition Considdrablement Augment^e. Front. Minimo,
original mottled calf gilt, edges gilt. A Londres, 1781
Rare. Includes the " Opera de Panthee," of which La Farre wrote the
libretto and the Due d'Orleans the music. Chaulieu said this amorous poet and
noble was — " Forme de sentiments et de volupte, remph d'une aimable mol-
lesse, "
1 1 16 LA FIZELLIERE (Albert de). Histoire de la Crinoline,
suivie de la Satyre sur les Cerceaux, Paniers, etc., par le
Chevalier de Nisard et de I'lndignitd et I'Extravagance
des Paniers, par un Predicateur. Small 8vo. Bound by
CapiS in half morocco gilt, top edge gilt, others uncut,
covers bound in. Paris, ^^i5r)/, 1859
A CURIOUS VOLUME on that monstrosity, the crinoline, and showing it was
worn eight centuries before Christ, in Hesiod's time, and that Helen, when she
fled with Paris to Troy, wore a primitive kind of hoop skirt.
11 17 LA FIZELLIERE. Vins a la Mode et Cabarets au XVIIe
Si&cle. With etched front, by Maxime Lalanne. Small
8vo, half crushed levant morocco gilt, top edge gilt, others'
uncut, by Allo. Paris, chez Rene Pincebourde, 1866
Only a LIMITED EDITION on " papier verge," and for amateurs.
11 18 LA GRANGE-CHANCEL (F. J. de). Les Philippiques,
Odes. Edition' Definitive Collationn^e sur un Manuscrit
de I'Epoque avec Remarques Inedites. Thick 8vo, sewed,
uncut. Paris, 1876
Limited edition. With letter from Victor Hugo accepting the dedication
of the historical and biographical essay on Philippe of Orleans and La Grange-
Chancel by Leon de Labessade. La Grange-Chancel in this remarkable work
charged the Duke of Orleans with most infamous and immoral crimes. For the
first " Philippiques" their author was imprisoned for two years in the " lies
Saint Margfuerite," whence he escaped by the way of Sardinia and Spain to Hol-
land, where he finished the work.
282 THE PENS pU BOIS COLLECTION.
THICK JAPAN PAPER COPY OF THE MAGNIFICENT EDI-
TION OF JULIETTE LAMBER'S POEMS— WITH THE
PLATES IN TWO STATES.
1 1 19 LAMBER. — La Chanson des Nouveaux :6poux par
MADAME ADAM, JULIETTE LAMBER. With
splendid portrait of the author by Burney, and ten beau-
tiful etchitigs, mostly erotic, by Abot, Boisson, Boulard
riLs, CouRTRY, DuviviER, Lefort, Mercier, Monsanto,
ViON, Yon, all etched under the direction of LaguillermiIs,
after the original designs of Benjamin Constant, Ed.
Detaille, Gustave Dor£, Jean Paul Laurens, Jules
Lefebvre, Fernand Lemaitre, Hector le Roux, A.
MoROT, MuNKACSY and TouDOUZE — rubricated title. Large
4to, sewed, uncut, and in illuminated cloth cover, beveled
sides, and flaps. Paris, 1882
This MAGNIFICENT VOLUME of these charming poems, by the Recamier
of the Third French Republic, is No. 97 of one hundred copies entirely printed
on thick Japan paper— with the delig;htf ul and suggestive plates and portrait in
two states on Japan paper — proofs after letters and remarque proofs.
Vide No. 392 of this catalogue respecting Juliette Lamber Adam, the chere
amie, adviser and confidante of Leon Gambetta.
1 1 20 Larwood (Jacob) and Hotten (John Camden). History
of Signboards from the Earliest Times to the Present Day.
Colored front, and 100 illustrations in facsimile by F. Lar-
wood. Small 8vo, tree-marbled calf gilt, marbled edges.
London, J. C. Hotten, n. d.
1 12 1 LARCHEY (Lor^dan). Les Excentricities du Langage.
Small 8vo. Bound by Bradstreets in half crushed levant
morocco, top edge gilt, others uncut, covers bound in.
Paris, 1862
" Quatri^me edition — singulierement augmentee.'' Full of argot and other
words, some bold and bad, not mentioned by the cultured.
The above is a presentation copy, with the inscription on the title — " a M.
Pointel hommage de L. Larchey. '
1 1 22 LARCHEY. Another copy of the same. Paper, uncut.
LOVES OF THE GODS— WITH PLATES BY PICART—
PARIS, 1629.
1123 LA SERRE (Le Sieur). Les Amovrs des Dievx de
CvpiDON et PsicHE, dv Soleil et Clytie, de Ivpiter et
Danae, de Ivpiter et lo, de Ivpiter et Calisto, de
Neptvne et Amphitrite auec celles d'ORPHEK et sa
Descente aux Enfers. Erotic title and plates engraved by
Pic art, after Rabel. Thick small 8vo, fresh half calf
gilt, edges gilt (some pp. wormed).
Paris, Denis de Cay et Eustache d'Aubin, 1629
VERY RARE, and dedicated to Anne of Austria, of whom there' is a fine por-
trait by Picquet.
THE PENE DU BOIS COLLECTION. 283
1 1 24 LASSALLE (Albert de). L'Hotel des Haricots, Maison
I'Arret de la Garde Nationale de Paris. With numerous
humorous illustrations by Edmond Morin. Small 4to,
fresh half crushed brown levant morocco, top edge gilt,
others uncut, by " Trioullier Sr. de Petit-Simier,"
with the covers bound in. Paris, E. Dentu, n. d.
Facetious and very scarce.
1 125 LAYMANN (Paul, S. J.). AstrologiEe EcclesiasticEe at
Astri Inextincti a C asp arc Scioppio in lucem editi Cen-
svra. Small 4to, stamped pigskin on wooden boards,
with two clasps (foxed slightly). Dillingen, 1635
Rare and a curious work on astrology by a Jesuit. This fine piece of old
pigskin binding is stamped with two armorial shields, above which is a mitre.
EXCESSIVELY RARE SEVENTEENTH CENTURY
VOLUME.
1126 LE DONNEZVOUS GARDE DV TEMPS QVI
COVRT. Small 8vo. Bound in crushed sage morocco,
' broad inside gold borders, top edges gilt, others uncut.
n. p., n. d.
EXTREMELY RARE. Reprinted in the "Varieties Historiques et Lit-
teraires " of the " Biblioth^que Elzevirienne " by Edouard Fournier (Vol. 3, p.
, 185), with a note by that omnivorous scholar to the effect that it had escaped
the notice of all bibliographers.
LARGE PAPER COPY OF THE ORIGINAL EDITION OF
LEGOUVE'S " MERIT OF WOMEN."
1127 LEGOUVE (Gabriel). Le M6rite des Femmes et Autres
Poesies. Small 8vo, old mottled calf gilt, marbled edges
(back damaged). Paris, Renouard, 1813
Very rare, large paper, original edition and printed by Didot, with
plate by E. de Ghendt, after Guerin.
WHATMAN PAPER COPY OF THE PRECEDING WORK—
THE 1881 EDITION.
1128 LEGOUVE. Le M^rite des Femmes, suivis des Notes de
I'Auteur, avec une Preface par E. Legouve, de I'Acade-
mie Franpaise et des Extraits de son Histoire Morale des
Femmes. Frontispiece by Lalauze, proofs in three
states. Small 8vo. Bound by E. Rousselle in half
crushed blue levant morocco, top edge gilt, others uncut,
covers bound in. Paris, Librairie des Bibliophiles, 1881
No. 40 of limited edition of 40 copies on China and Whatman papers, the
above being one of the last named, with the frontispiece in three states of proof.
Presentation copy on the half-title, with lines from Victor Hugo.
1 1 29 LEGOUVE (Ernest). Histoire Morale des Femmes. 8vo,
boards, uncut. Paris, 1849
Very scarce and curious.
284 THE PENE DU BOIS COLLECTION.
1130 LEGOUX (Jules). Panoplie. With illustrations by '^pac
GERALD. Small 8vo, paper, uncut. Paris, 1884
1 131 Le Prince de Beaumont (Marie, fl«/«/r du '■'■ Magazin
Francois "). Civan Roi de Bungo, Histoire Japonnoise.
2 vols, in I. Small 8vo, old calf, gilt.
London, Jean Nourse, 1754
Rake, with heraldic stamp in gold on the sides. This female author, after
her separation from a "debauche' husband, lived for some time in England,
where ^the above humorous work was published.
SPLENDID EDITIONS OF LE SAGE'S WORKS— SOME
VERY RARE AND HANDSOMELY BOUND.
1 132 LE SAGE (Alain Rene). Histoire de Gil Glas de Santil-
lane — Derniere Edition Revue et Corrig^e. Numerous
plates, some facetious. 4 vols, small 8vo, fresh blue crushed
levant morocco elegant, rounded corners, inside gilt tool-
ing, edges gilt on marble by David.
Paris, /ar les Libr aires Associes, 1747
VERY RARE. A superb example of the last edition of "Gil Bias'' pub-
lished by the author. Priced 400 francs, vide inserted Morgand et Fatout
catalogue cutting.
' ' The fancy, the lightness, the spirit and the vivacity of the enchanting pen
of Le Sage." — Sir Walter Scott.
1 133 LE SAGE. The Adventures of Gil Bias de Santillane,
Translated from the French by Tobias Smollett, M.D.
Illustrated with the 15 highly finished and colored engrav-
ings known as the McLean series and from drawings
designed expressly for this edition. 3 vols. 8vo, half calf,
gilt. London, 18 19
A VERY SCARCE and well-executed edition.
1134 LE SAGE. Gil Bias von Santillana, nach dam Franzosis-
chen des Le Sage von W. C. Ch. Mylius. With plates by
Jury after Chodowiecky's designs. 6 vols, small Svo,
sewed, uncut. Rare. Leipzig, 1821
1135 LE SAGE.— I TURCARET. | COMEDIE. | par MON-
SIEUR LE SAGE. I Le prix est de vingt sols | Minimo.
Bound by Chambolle-Duru in red crushed levant
morocco, rounded corners, inside dentelle gold borders,
edges gilt on marble and "temoins."
I A Paris, | chez Pierre Ribon, sur le Quay \ des Augustitis,
a la Descente du Pont \ Neuf, d, V Image St. Louis, \
MDCCIX I Avec Approbation, et Privilege du Roy. [1709
EXTREMELY RARE, and very fine copy of the original edition of the
dramatic chef-d'ceuvre of Le Sage.
The preliminary pages comprise the title, on the verso of which are the names
of the actors, then follows " Critique de la Comedie de Turcaret, par le Diable
THE PENE DU BO IS COLLECTION. 285
Boiteux," a dialogue between Asmodeus and Cleo fas divided into two parts.
The "Approbation" is dated February 20, 1709, and the " Privilege" was given
March i of the same year.
This volume was imported unbound from Paris for Mr. Pene du Bois at a
cost of 300 francs, i. e. , $60, zdde the inserted catalogue cutting of Morgand-
Fatout.
1 136 LE SAGE. Asmodeus; or, the Devil on Two Sticks, with
Biographical Notice of the Author, by Jules Janin, trans-
lated by Joseph Thomas. Illustrated by Tony Johannot,
with the front, on India paper. 8vo, fresh half calf gilt,
top edge gilt, others uncut. London, 1842
A FINE TALL COPY of the ORIGINAL EDITION. Some critics have pronounced
the " Diable Boiteux" superior to Gil Bias.
Sir Walter Scott says of this delightful romance — " There is no book in exist-
ence in which so much of the human character, under all its various shades
and phases, is described in so few words, as in the ' Diable Boiteux.' The fancy,
the lightness, the spirit and the vivacity of the enchanting pen of Le Sage are
everywhere visible. To quote examples would be to quote the work through
almost every page. No work has afforded a greater stock of passages, which
have been generally employed as apophthegms, or illustrations of human nature
and actions.
' ' If there is anything like truth in Gray's opinion, that to lie upon a couch
and read new novels was no bad idea of Paradise, how would that beatitude
be enhanced, could human genius afford us another ' Gil Bias ' or a ' Devil on
Two Sticks!' "
1 137 LE SAGE. Asmodeus; or, the Devil upon Two Sticks.
With four fine etchings by R. de Los Rigs. Small 8vo, fresh
cloth, totally uncut. London, 1881
The above includes Le Sage's ' ' Dialogues Serious and Comic between Two
Chimneys of Madrid."
1138 LE SAGE. History of Vanillo Gonzales, surnamed the
Merry Bachelor. With four fine etchings by R. de Los
Rigs. Small 8vo, parchment, beveled sides, totally un-
cut. London, 1881
1 139 Lheureux (Paul). Disons des Monologues. Small 8vo,
sewed, uncut. Paris, 1886
1 140 LIFE, an Illustrated Comic Weekly. Vols, i, 2 and 4.
Large 4to, half roan, cloth sides. N. Y., 1883-84
Profusely illustrated with humorous designs by the best American caricaturists.
1141 LIREUX (Auguste). ASSEMBLEE NATIONALE
COMIQUE. Profusely illustrated with the very humorous
designs of " CHAM " — some full-page. Thick large 8vo,
half red morocco, gilt. Paris, 1850
Cham never made more facetious desigfns than will be found in this burlesque
w6rk on the National Assembly of the Second French Republic.
1142 LISLE (Lecomte de). Poemes Barbares. Small 8vo,
paper, uncut. Original edition. Paris, n. d.
285 THE PENE DU BOIS COLLECTION.
11420: Lisle. Poesies Barbares. Small 8vo, half calf, gilt.
Paris, 1862
1 143 [LONGUS.J Les Amours Pastorales de Daphnis et
Chlo£ avec Figures. Engraved false title, vignette on title,
plates, some erotic, vignette head-pieces and woodcut borders,
etc. Small 4to, half morocco.
La Haye, chez Jean Neaulme, 1764
Rare edition of Amyot's translation of ' ' Daphnis and Chloe. "
1144 LONGUS. Les Amours Pastorales de Daphnis et ChloS
[Traduities du Grec en Frangais par Jacques Aymot].
Minimo, fine "old French morocco gilt, edges gilt.
[Paris], 1745
Fine copy, containing engraved frontispiece by Coypel, several vignettes, and
the famous series of 28 plates, fine impressions, engraved after designs by the
Regent, Duke of Orleans.
It is a beautiful copy of the edition of 1745, but lacks unfortunately pages 83
and 84.
1145 LOSSOW (H.). Metamorphosen. 12 beautiful reproduc-
tions of the charming drawings of Lossow — mostly nudes
— and with rubricated and tinted title. Large 4to, loose in
fresh cloth portfolio, gilt, with inside flaps. Munich, 1884
Erotic. These charming studies after the " Metamorphoses " of Ovid rep-
resent " Pygmalion and Galatea," "The Three Graces," " Jupiter and lo,"'
" Europa and the Bull." "Andromeda," "Daphne," "Diana and her Nymphs
Surprised," "Dejanira," "Rape of Proserpine," " Rape of Orithya," "Judg-
ment of Paris " and " The Sirens."
1 146 LOUIS XI. — La Chronique de Louis XL dite Chronique
Scandaleuse Faussement Attribute a Jean de Troyes
Restitut^e a son Veritable Auteur par Auguste Vitu.
8vo, sewed, uncut. Paris, Librairie des Bibliophiles, 1873
Rare. No. 220 of limited edition of 350 numbered copies on "papier verge "
printed by Jouaust. This volume is valuable on account of its entering into the
details of many of the intrigues that Louis the Eleventh enjoyed with women of
mean condition.
HANDSOME SET OF FAUBLAS.
1147 LOUVETDECOUVRAYQ.B.). Les Amours du Cheva-
lier DE Faublas, Troisieme Edition revue par I'auteur.
Erotic plates after the designs of Melle, Marillier,
MoNNET, DeMarne, etc., engraved by Halbon, Dupr]£el,
Choffard, Le Mire and others. 4 vols. 8vo, half crushed
citron levant morocco, gilt top, edges gilt. Paris, an VI.
Rare and very erotic.
1148 LUCIU-S de Patras. La Luciade ou I'Ane, avec le
Texte Grec revu sur Plusieurs Manuscrits. Erotic title and
plates before letters. Small 8vo, sewed, uncut.
Paris, A. Bobee, 1818
Erotic and rare. Written in the style of the " Golden Ass " of Apuleius,
by Lucius de Patras, a Greek writer who lived in the second century of this era.'
THE PBNE D U BOIS COLLECTION. 287
" Jai lu les ' Metamorphoses ' de Lucius de Patras. La diction en est claire
et elegante, le style plein de douceur. II evite avec soin les agencements in-
solites de mots; mais pour le fond des choses, il recherche le merveilleux outre
mesure: c'est en quelque sorte un second Lucien. Les deux premiers livres
- reproduisent presque litteralement I'ouvrage de Lucien intitule ,' Lucius ou I'Ane, '
4 moinsque ce ne soit Llicien qui ait copie Lucius." — Photion.
THE AMOURS OF THE DUKE MARSHAL DE LUXEM-
BOURG—VERY RARE.
1 149 LUXEMBOURG (Marechal Due de). Histoire de Ses
Amours. Minimo, red crinkled morocco, extra gilt, gold
inside borders, edges gilt. Cologne, Pierre Batanar, 1694
Erotic and very rare. With curious allegorical frontispiece depicting the
hump-backed Duke, " France" and " Glory." This little volume narrates the
amorous intrigues of this great Marshal of France, who, among other great
victories, defeated King William the Third of England, at the battle of Nei~
winde. On one occasion, it is stated, that King said with angry impatience — ■
"What! shall I never beat this hump-back fellow ? " " Hump-back fellow ! ",
the Marshal remarked, ' ' What does he know of my back ? He never saw it . "
1150 /SWoVACROBE (Ambroise). La Flore Parnographique
— Glossaire de I'Ecole Naturaliste extrait des
CEuvres de M. Emile Zola et de ses Disciples.
With illustrations by Paul Lisson. Small 8vo,
paper, uncut. Paris, 1883
A philological" curiosity and a dictionary of Zolaistic argot.
1151 MAILLARD (Firmin). Recherches Historiques et Criti-
ques sur la Morgue. Small 8vo, boards, rough edges.
Paris, i860
Printed on " papier verge. " This volume on the Paris Morgue is very scarce.
1152 MARMONTEL (J. F.). Contes Moraux par M Mar-
MONTEL de I'Academie Francoise. Portrait by Cochin,
engraved by St. Aubin, engraved titles and plates from the
designs of Gravelot*. 3 vols, small 8vo, half morocco
gilt, top edges gilt, others uncut. Paris, J. Merlin, 1765
Very rare and charming edition of these delightful tales, which are the anti-
thesis of what their title represents. Marmontel's early success as a dramatic
author led him into a whirl of dissipation of which the above have been considered
as a mark of his repentance therefor. He was made Historiographer of France
through the influence of Madame de Pompadour. For a satire on the Duke
D'Aumont, he was sent to the Bastille and lost his position as sole editor of the
" Mercure de France," in which he published the " Moral Tales."
The above copy was priced $30, vide inserted catalogue cutting.
1153 MAROLLES (Michel de, abbe de Villeloin). Le Livre des
Peintres et Graveurs. Small 8vo, totally uncut.
Paris, 1872
' Second edition of the " Biblioth^que Elzevirienne. '' The above is edited,
with notes, by Georges Duplessis. Limited edition of 572 copies, and the above
is on " papier verge. "
2 88 THE PENE DU BOIS COLLECTION.
1154 MARTIN (D^siree). Les Veill^es d'une Soeur ou le
Destin d'un Brin de Mousse. Small 8vo, sewed, uncut.
New Orleans, 1877
1 155 MASSIMI.— Hecatelegium ou les Cents Elegies Satiriques
et Gaillardes de Pacifico Massimi, Poete d'Ascoli, XVe
Siecle-— Litt6ralement traduit pour la premiere fois, texte
Latin en regard. Thick large 8vo, sewed, uncut.
Paris, /tfz^r Isidore Liseux et ses amis, 1885
Erotic limited edition of 120 copies, of which the above is No. 53. On
the cover it is stated: — " Avis aux Libraires, Edition privee. Ce volume ne
doit pas etre ' mis en vente ou expose dans les lieux publics ' (Loi du 29 Juillet,
1881)."
" De tous ces ouvrages, c'est, en somme I'Hecatelegium qui survivra; Pacifico
Massimi se place, grace i ce recueil, parmi les poetes erotiques les plus auda-
cieux. Le cynisme de certaines pieces n'a ete depasse par personne, pas meme
par Baffo; d'autres, parmi les elegies amoureuses sent gracieuses ou spirituelles:
Nul, i notre connaisance, n'a encore fait la remarque qu'une centaine d'annees
avant Fraticisco Berni, qui a donne son nom au genre Bemesque. Pacifico avait
invente ce genre, et meme I'avait du premier coup porte a sa perfection." —
Isidore Liseux.
1 156 Matinees du Palais Royal. 2 vols, in i. Minimo, old
mottled calf gilt, red edges. Paris, J. F. Bastien, 1772
Salacious and scandalous.
1 1 57 MAYNARD (Frangois). Priap6es publi^es pour la Pre-
miere Fois d'apres les Manuscrits, et ^Suivies de quelques
Pifeces Analogues du mdme Auteur, Extraites de Diff^rents
Recueils. Small 8vo, paper, uncut. '
Freetown, imprimerie de la Bibliomaniac Society, 1 864
Erotic Limited edition of 82 copies, of which 2 are ou "peau velin,"
5 on" papier de HoUande," and 75 on "papier verge." Francois Maynard
was born in 1582, and died in 1646. He was the secretary of Queen Margaret
of Navarre. Like his mistress, he loved lubricity and had a libidinous pen.
1158 MAZARINADES CYNIQUES (Les), c'est a scavoir le
Temperament Amphibologique des " Testicules " de
Mazarin et la Custode de la Reyne qui dit tout. Small
8vo, sewed, uncut. Cologne, 1649-5 ^ (reprint)
Limited edition of 150 copies of this extraordinary little brochure, i^hich
is an infamous scandal as to the alleged relations existing between Cardinal
Mazarin and the widow of Louis XIII.
1 159 Men and Manners in America. By the author of
" Cyril Thornton." Large 8vo, cloth. Phila., 1833
1 160 MENDES (Catulle), PoesieSj i. e., Philomela, Pauleleia,
S^r^nades, Pagode, Soirs Moroses, Hesperus, le Soleil de
Minuit, etc. 5 vols, small 8vo, paper, uncut. Paris, 1885
116 1 Mendes. Le Fin du Fin, ou Conseils a un Jeune Homme
qui se Destine a 1' Amour. Minimo, sewed, uncut.
' Paris, Marplon et Flammarion, 1885
THE PENE D U BOIS COLLECTION. 289
ORIGINAL FRENCH EDITION OF LAZARILLO DE
TORMES— EXCESSIVELY RARE.
1162 [MENDOZA (Don Diego Hurtado de).]— | La Vie | et |
Avantures | de | Lazarille | de | Tormes | ecrites par
lui meme. I Traduction Nouvelle sur le veritable | Original
Espagnol ( . Portrait and facetious plates by J. Harre-
wijN, also fleur Otis. 2 vols, minimo, bound by E. Rous-
selle, in crushed dark green levant morocco, top edges
gilt. Brussels, chez George de Backer, 1699
ORIGINAL EDITION in French and excessively rare.
Wheeler, in his Dictionary of Fiction, calls the above — " a novel of low life,
the first of a class well known in Spanish literature under the name of the
' gusti picaresco ' or the style of the rogues, and made famous all over the world
in the brilliant imitation of it, Le Sage's 'Gil Bias.' " W. H. Hurlbut says: —
" Faithfully executed [it] would exhibit ... the type of the low-minded,
merry-making, vulgar and shallow ' Yankee,' the ideal Yankee, in whom Euro-
pean prejudices find, gracefully combined, the attractive traits of a Gines de
Passamonte and a Joseph Surface, a Lazaeillo de Tormes, and a Scapen and
an Autolycus."
1 163 MENDOZA. Life and Adventures of Lazarillo de
Tormes, translated by Thomas Roscoe; also Life and
Adventures of Guzman D'Alfarache, or the Spanish
Rogue, by Mateo Aleman, and translated by John H.
Brady. With eight fine etchings by R. de los Rios. 2
vols, fresh cloth, totally uncut. London, 1881
MERAY'S TROUVERES— BOUND BY AMAND.
1 164 MERAY (Antony). La Vie au Temps des Trouv^res
Croyances, Usages et Mceurs Intimes des Xle, Xlle et
XllleSi^cles d'apr^sles Lais,Chroniques,DitsetPaubliaux.
Woodcut border on title after J. de Tournes {Scec. X V/.).
Small 8vo, fresh half blue crushed levant morocco by
Amand, top edge gilt, others uncut, covers bound in.
Paris, A. Claudin, 1873
VERY CURIOUS, and full of the amorous and other adventures of such
troubadours or trouveres as Robert Wace, Ruttebeuf , Jehan de Conde, Gautier
de Coinsi, Jehan de Boves, Marie de France, Doete de Troyes, Justine de Levis,
Saincte des Frees and Barbe de Verrue.
1165 MERCIER (Alfred). La Fille du Pretre, R^cit Social. 3
vols, large 8vo, sewed, uncut. New Orleans, 1877-78
The " Daughter of the Priest " is in three parts — I., " Fausse Route "; II.,
"Expiation"; III., "Rehabilitation." Dr. Alfred Mercier, a poet, an essayist,
a novelist, an historian, and like Canonge is another Creole unknown to Mr.
Cable. The ' ' Journal of Philology " has published his dialectic stories of the
Creoles.
ORIGINAL EDITION OF LA GUZLA BOUND BY MARIUS-
MICHEL.
1 166 [MERIM^E (Prosper). J La Puzla, ou Choix de Podsies
Illyriques, recueillies, dans la Dalmatie, la Bosnie, la
290 THE PENE D U BOIS COLLECTION.
Croatie et I'Herzegowine. Front. Small 8vo. Bound by
Marius-Michel in crushed red levant morocco, inside
gold borders, rounded corners, edges gilt on marble.
Paris, 1827
VERY RARE, original edition and printed on " papier velin. " Among
the noteworthy pieces in this volume are — ^" L'Amante de Dannisich," " la Belle
Helene," " Maxime et Zoe," " sur le Vampirisme," "I'Amant en Bouteille,"
and ' ' Cara-Ali, le Vampire. "
SPLENDID EDITION OF THE "ARABIAN NIGHTS," ILLUS-
TRATED FROM THE DESIGNS OF GAVARNI AND
WATTIER.
11 67 MILLE ET UNE NUITS, Contes Arabes par Galland,
pr^c6des d'une Introduction par M. Jules Janin. With
numerous exquisite steel flates after the original designs of
Gavarni and Wattier and engraved by Outhewaitte,
Nargeot, Colin, Geuffroy, Delaunnoy and Lerouge
(a few slightly foxed). Large 8vo, half red morocco, gilt.
Paris, Morizot, 1864
The above is a good copy of one of the best illustrated "Arabian Nights."
1168 [MIRABEAU (G. H.de R.).] Errotika Biblion. Small
8vo, boards. 'R.ome, de Plmprimerie du Vatican, 1783
Very rare and original edition of the great Mirabeau's curious work, which
is one of the most erotic issued in the last century. The subjects are treated in
chapters headed as follows: — Anagogie, I'Anelytroide, ITscha, la Toproide, le
Thalaba, I'Anandryne, TAhropodie, Kadhe'sch, Behemah, I'Anoscopie and la
Linguammanie.
1 169 MIRABEAU. Another edition of the same. Small 8vo,
half calf . Brussels, 1867
Very rare and privately printed limited edition, corrected on the original of
1783 and of that of the year IX. of the French Republic, with the notes of the
edition of 1833 attributed to the Chevalier Pierrugues, and which give many more
details from the Bible and ancient monuments upon onanism, pederasty, tribadism
and linguamania.
1170 MIRECOURT (Eugene de). Fabriquede Romans— Mai-
son Alexandre Dumas et Compagnie. Large 8vo, cloth.
Paris, 1845
VERY SCARCE. Bound up with this satirical volume on the elder Dumas
is— Querard (J. M.), " Les Auteurs Deguises de la Litterature Francaise au
XIXe Sitele Essai Bibliographique pour Servir de Supplement aux Recherches
d' A. A. Barbier sur les Ouvrages Pseudonymes, " Paris, 1845. The last named
has MS. corrigenda.
1171 MOLINARI (M. G. de). Les Clubs Rouges pendant le
Siege de Paris. Front. Small 8vo, paper, uncut.
Paris, Gamier, 187 1
The author was the editor of the "Journal des Debats."
1172 MONNIER (Marc). Theatre de Marionnettes. Small 8vo,
boards, uncut. Geneva, F. Richard, 1871
Printed on thick toned paper with a preface on Marionnettes by Victor
Cherbuliez.
THE PENE DU BOIS COLLECTION. 291
MARC DE MONTIFAUD'S FACETIOUS WORKS— LIMITED
EDITIONS.
1173 MONTIFAUD (Marc de). Racine et La Voisin. With
a portrait of La Voisin, engraved by Hanriot, after Coy-
pel. Small 8vo, fresh half crushed levant lemon morocco,
top edge gilt, others uncut. Paris, 1878
Limited edition of 100 copies on Holland paper.
11 74 MONTIFAUD. Histoire d'HELOiSE et d'AsAiLARD. Small
8vo, fresh half crushed levant lemon morocco, top edge
gilt, others uncut. Paris, 1873
Limited edition on thick paper.
" Couvre-moi de baisers
Je reverai le reste."
— Eloys A Abailard.
1175 MONTIFAUD. Les Triomphs de I'Abbaye des Conards
avec une Notice sur la Fete des Fous par Marc de Monti-
FAUD. Small 8vo, fresh half crushed levant lemon morocco,
top edge gilt, others uncut.
Paris, libraire des Bibliophiles, 1874
Limited edition Jouaust of 320 numbered copies, of which lo were printed
on Whatman paper, 10 on China paper and 300 on "papier verge."
1 176 MbNTIFAUD. Les Courtisans de I'Antiquitd. With
erotic etchings by Aubry. Small 8vo. i vol. (complete
and in six parts), sewed as issued. Paris, 1883
Limited edition. Printed on thick laid paper. This gives an altogether differ-
ent account of the life of Mary Magdalene to that told in the New Testament.
On the title, which has no publisher's name, are the lines from Sappho: —
' ' L'amour brise mon ame, comme le vent renverse les chenes sur les montagnes. "
1177 MONTIFAUD. L'Abbesse du Paraclet, Histoire Galante
d'HELoiSE et d'ABAiLARD. Small 8vo, i vol. (complete
and in 3 parts), sewed, uncut as issued. Paris, 1873
Limited edition on thick paper, with three erotic etchings by Aubry.
11 78 MONTIFAUD. Entre Messe et Vepres, ou les Matinees
de Careme au Faubourg Saint-Germain. With seven erotic
frontispieces, etchings by Van Ruyss. 7 vols, small 8vo,
sewed, totally uncut as issued. Paris, 1872
Limited edition on thick laid paper. The stories of this new Decameron
are: — " Ad Majorem Dei Gloriam ; " Un Point d'Orgue"; " Midi a Quatorze
Heures"; "une Brimade dans le Grand Monde"; "Comment on entre au
Paradis"; " Le Pere Ambroise"; " Parce Que"; " Le Salut Militaire "; " le
Gendarme au Convent "; " un Mariage par Expertise "; " Avant la Noce."
1 1 79 MONTIFAUD. Les Joyeuses Nouvelles. With eleven
erotic etchings by Van Ruyss. 10 vols, small 8vo, sewed,
uncut. Paris, 1872
Limited edition on thick laid paper. On the title of each is the quotation
from Rabelais: " Or, esbandissez-vous, mes amours, et gaiemet lisez tout i
292 THE PENE DU BOIS COLLECTION.
I'aise du corps et au profit des reins," The stories are as follows:—" le Mariage
d'une Momie"; '"les Chevaliers du Bidet"; " Chaste et Pure "; "I'Expulse de
laRuedes Postes"; " Auquel des Deux " ; " les Moustaches du Capitaine ;
" une Greve de Femmes "; " le Passage de Venus "; ' le Mariage d'un Potache,
ou le Sommier a Musique"; "le Singe du Couvent"; "Comment on fait
Souffrir le Diable"; "le Passe Port"; "la Maniere de s'en Servir '; "les
DeTix Revanches."
1180 MONTIFAUD. Les Nouvelles Drolatiques. With ten
erotic etchings by Hanriot. 10 vols, small 8vo, sewed, un-
cut. Paris, 1880-81
Limited edition on thick laid paper. On the titles is the passage froin
Beroalde de Verville— " Ici n'y que pour rire." These new "Droll Stories "
are—: " les Delices de I'Esprit Saint et la Bassinoire "; " le Calice de Mme. de
Trigdnee"; " un Mariage a Constantinople " ; " un Point. . . de Tapisserie";
' ' un Serail a Vendre " ; "la Penitence du Cure de Tilly " ; "la Chaste Suzanne " ;
"une Messe Blanche"; " 1' Amende Honorable"; " le Telephone" " le
Curateur"; " le Necessaire et le Superflu "; " la Nourriche Seche "; " Par Pro-
curation"; " le Commis de chez Richard"; " le Phonographe du Seigneur ';
" Relevee de Son Voeu "; " ce pauvre Monsieur Duclamel". " le Jugement
de Paris "; "la Rue Sainte Amendee."
THE "TRUE FALCONER" OF THE CHEVALIER DE
MORAIS— PARIS, 1683.
1181 MORAIS.— I Le Veritable | Fauconnier. | Par Mre C. De
MoRAis, I Chevalier, Seigneur de | Fortille, cy-devant
chef I du Heron de la grande | Fauconnerie. | Dedie' au
Roy. I Numerous fleurons. Minimo, old half russia (title
stained).
I A Paris, | chez Gabriel Quinet, au \ Palais, d, V entree
de la Galerie des \ Prisonniers a I'Ange Gabriel, \ M.DC.
LXXXIII I avec privilege du Roy. \ 1683
EXTREMELY RARE volume on falconry.
1 1 82 MoRAUD (E.). L'Heritiere — Comedie en un Acte en
Prose. Small 8vo, sewed, uncut. Paris, 1886
LARGE PAPER COPY OF THOMAS FROGNALL DIBDIN'S
EDITION OF MORE'S "UTOPIA."
11 83 MORE (Sir Thomas). Utopia, translated by Raphe Rob-
inson, a. d. 1551, with copious Notes (including the whole
of Dr. Warner's) and a Bibliographical Introduction by
Dr. T. F. DIBDIN. Portrait and wood engravings on the
title and throughout the volume, with the rare plate of the
More Family.^ 4to, elegantly crinkled morocco, blind and
gilt tooled, inside gold border, edges gilt, and probably
bound by Bedford at an early period of his career (foxed
slightly). London, William Bulmer, 1808
"Large paper. Forty copies only printed; with the Private Plate
of 'The Family of Sir Thomas More, ' which is not in the small paper copies. "
— Menzies Catalogue, " prepared by Joseph Sabin."
' ' The Romance of the Utopia has a very common fate upon it — to be more
known and admired all the world over than here at home." — Bp. Burnet.
"When the Utopia of Sir Thomas More was first published it occasioned a
pleasant mistake. This political romance represents a perfect, but visionary
THE PENE DU BOIS COLLECTION. 293
republic, in an island supposed to have been newly discovered in America. ' As
this was the age of discovery,' says Granger,' the learned Budseus, and others,
took it for genuine history; and considered it as highly expedient that mis-
sionaries should be sent thither, in order to convert so wise a nation to Chris-
tianity."— D'ISRAELl's Curiosities of Literature.
1184 MOUTON (Eugene). La Physionomie Compar^e Traits
de I'Expression dans rHomme, dans la Nature et dans~
I'Art. Portrait of the author. Thick large 8vo, sewed,
uncut. Paris, 1885
1 185 Mus^E POUR RiRE, texte par Maurice Alhon, Louis
HuART et Ch. Philipon. With numerous facetious illus-
trations, some full page, by eminent French caricaturists.
Vols. I, 2 and 3. 4to, old half roan (foxed and stained).
Paris, 1839-40
1186 [MUSSET (Alfred de) and GEORGE SAND.] Gamiani
ou Deux Nuits d'Exces par Alcide, Baron de M * * *.
Minimo, sewed, uncut.
[Paris], a Londres, chez le concierge du Pigs Club, n. d.
EXTREMELY EROTIC, very limited edition, and written by Madame
Dudevant and Alfred de Musset during the period of their liaison. De Musset,
it is well known, and like his ancestor Mathurin Regnier, affected the satumalian
orgies described in this bibelot, which is equal to anything of the Marquis de
Sade's in lubricity. Only a limited edition was printed: — " cette edition rainis-
cule de ce livre, le chef-d'oeuvre du roman erotique modeme n'a ete tiree qu'a
104 ejtemplaires non mis dans la conmierce et uniquement reserves aux membres
du Pigs-Club."
1187 c^^ARREY (Charles). L'Education d'AcHiLLE. Small
8vo, paper, uncut. Paris, 1885
This is the modem French La Rochefoucauld and Chester-
field, and is adapted to our civilization. The old authorities
are played out. With this MS. note on page 35: — "As a rule now-a-days people
do not know how to flatter, it is a lost art in France. If you wish to flatter
Hugo do not tell him that he's a great poet, which is true; tell him he is a great
statesman, which is false."
1188 NATALIE par Mme. de * * *., publid par N. A. De
Sabandy. 8vo, half calf, gilt. Paris, 1833
Very scarce and printed by Firmin-Didot fr^res.
1189 NERCIAT (Andrea de). Le Diable au Corps, (Euvre
Posthume du trds-Recommandable Docteur Cazzone,
Membra Extraordinaire de la joyeuse Faculte phallo coiro-
pygo-glottonomique. 3 vols, small 8vo, sewed, uncut.
Geneva, 1786 (reprint')
Erotic and curious. This strange work is written in the style of the Mar-
quis de Sade and " ' Gamiani. "
294 THE PENE DU BOIS COLLECTION.
1 190 NEW FOUNDLING HOSPITAL for WIT, being a
Collection of Several Curious Pieces in Verse and Prose.
Humorous front. 12 mo, old calf. London, 1768
Facetious and consisting of pieces by — " Lord Chesterfield, Lord Hardwicke,
Lord Lyttelton, Sir C. H. Williams, Mr. Wilkes, Mr. Churchill, Mr. Garrick,
Mr. Potter, Dr. Akenside and other eminent persons. "
'119 1 New York Hards and Softs: which is the true Democracy,
by a National Democrat. Large 8vo, paper. N. Y., 1855
1 192 NOEL (Edouard). Le Roman d'un Jeune Homme Chauve,
Com^die-Bouffe en un Acte. Small 8vo, sewed, uncut.
Paris, 1886
THE "NEW DECAMERON"— ILLUSTRATED.
1193 NOUVEAU DECAMERON (Le). Portraits of Theo-
dore DE Banville, Alphonse Daudet, Catulle
Mendes, Leon Cladel, Emile Zola and Guy de
Maupassant, by Abot, also etchings by Vogel. 6 vols,
small 8vo, sewed, uncut. Paris, 1885-86
The six days are divided as follows: — " le Temps d' Aimer "; " Dans I'Ate-
lier"; " les Amours Mondaines"; "Comme il vous Plaira"; "la Rue et la
Route ''; " les Plus Tristes." The stories are erotic in the style of the " Hep-
tameron " and " Decameron,'' but nineteenth century, and from the pens of —
Theodore de Banville, Francois Coppee, Guy de Maupassant, Leon Cladel,
Catulle Mendes, Alphonse Daudet, Rene Maizeroy, Ernest d'Hervilly, Paul
Arene, Armand Silvestre, Edmond de Goncourt, Charles Monselet, Ludovic
Halevy, Aurelian SchoU, Emile Zola, Edmond About, Arsene Houssaye, Jules
Claretie, etc.
1 1 94 i^vLD FLAG (The). Large 4to, boards.
Fac-simile of newspaper published in 1864 during thirteen
months' imprisonment in Tyler, Smith Co., Texas.
1 195 OLIVIER (Jacqves). Alphabet de I'lmperfection et
Malice des Femmes. Minimo, vellum.
Lyons, Jean Goy, 1665
Rare, erotic and — "reueu, cbrrige et augmente d'vn friant dessert, et de
plusieurs Histoires en cette cinquieme edition pour les Courtizans de la Femme
mondaine."
Bound up with the above are the following rare pieces: — " Le Jaloux par
Force et le Bon-hevr des Femmes qui ont des Maris laloux, ensemble la Chambre
de lustice de 1' Amour avec la Reveue des Troupes d'Amour," Fribourg, 1668;
' ' Catechisme des Courtisans ou les Questions de la Cour et autres Galanteries, "
Cologne, 1668 ; " La Campagne de la Keyne ou Lettre Galante ecrlte a des dames
de la Cour de Monseigneur le Dauphin," 1668; "Reqveste presentee av Roy
par I'Archevesqve d'Ambrvm contre les Libelles diffamatories de Port Royal,
1667; etc.
1196 ORSO SERIES, «>.:—
I. Les Vertus et Propridtds des Mignons, suivant la Copie
25 Juillet 1576.
THE PENE DU BOIS COLLECTION. 295
II. Brevet d'apprentissage d'une Fille de modes a Ama-
toute, suivant la copie de 1769.
III. Les Diff^rents des chapons et des Coqs touchant
I'Alliance des Poules auec la conclusion d'y ceux, suivant
la copie a Paris, chez Pierre Chevalier au Mont Sainct
Hilaire, en la cour d'Albret.
IV. Farce Joyeuse tres Bonne, a Deux Personnages du
Gaudisseur qui se vante de ses faictz et ung Sot qui luy
respond au contraire, suivant la copie.
V. La Descouverte du Style Impudique des Courtisanes de
Normandi^ a celles de Paris, envoy^e pour estrennes, de
I'Invention d'une Courtisane Anglaise. Suivant la copie
a Paris, chez Nicholas Alexandre demourant rue
Neuve des Mathurins, 1618.
VI. Le Diet des Pays avec les Condicions des Femmes et
Plusieurs Aultres Belles Balades. Suivant la copie.
VII. Le Bruit qui Court de I'Espousde. Suivant la copie
MDCXIIII.
VIII. La Patenostre des VeroUez avec une Complaincte
contre les Medecins. Suivant la copie imprim^e MCXL.
TOGETHER 8 pieces. Square minimo, paper, uncut.
Berne, chez I'Orso, n. d.
Very rare and erotic collection of bibelots, reprinted on Holland paper and
"papier verge," from the extremely rare originals.
MAGNIFICENTLY ILLLUSTRATED " METAMORPHOSES "
OF OVID IN A HANDSOME RELIURE.
1197 OVID. Les Metamorphoses d'OviDE. 134 plates, with
engraved descriptions below the beautiful engravings by or
after Eisen, N. le Mire, De Longueil, Le Veau, N. De
' Launay, Massard, C. Monnet, Baquoy, H. Gravelot,
D. N£e, J. F. Rousseau, Binet, J. M. Moreau, J. B.
SiMONET, J. Le Roy, Duclos, E. De Ghendt, Le Prince,
L. J. Masquelier, F. Boucher, Aug. de St. Aubin,
Binet, Basan, L. Legrand, N. Ponce, S. C. Miger, St.
Gois, Moreau le Jeune, Helman, etc. (some foxed or
stained^and six short). Thick 4to, bound in handsome
maroon crinkled morocco extra gilt, inside gold borders,
edges gilt, and in cloth drop case.
Paris, Bassan et Le Mire, Graveurs, 1767
Very rare and erotic. This is one of the most magnificently illustrated
editions of Ovid's "Metamorphoses" in existence — the best i8th century
French engravers and designers having put their best work into it. Every
page, including the dedication to the Due de Chartres and the letterpress
descriptions, are engraved. It is an edition-de-luxe the like of which could not
be excelled in these times.
296 THE PENE DU BOIS COLLECTION.
1 198 OVID. — Le Metamorfosi di Ovidio ridotte da Gio.
Andrea dall'Anguillare, in ottaua mina al Christianis-
simo Re di Francia Henrico Secondo di nuoue dal
propiro auttore riuedute e Correte. Con I'Annotationi
di M. Gioseppe Horologgi, con Postille, e con gli
Argomenti nel principio di ciascuu libro di M. Fran-
cesco TuRCHi. Numerous curious wood engravings,
mostly erotic, also engraved title. Thick small 4to, boards
(MS. on title).
Rare. Venice, appresso Giouanni Alberti, 1589
1 199 OVID. — Las Metamorphoses d'OviDE, traduites en Vers
Franfois par T. Corneille. Minimo, crushed citron
levant morocco gilt, inside gold borders, edges gilt.
Paris, Gabriel Quinet, 1669
Very rare, with head and tail pieces on wood. From the " Bibliotheque
du Chateau de Cassan — Alexandre Martel," with inserted book plate, heraldic
shield and views. This is the original edition of the translation into French
verse of the Metamorphoses of Ovid, by Thomas Corneille, brother of Pierre
Corneille.
L AINE (Thomas). Die Theologischen Werke. 8vo,
sheep (foxed). Phila., 1847
PANTINS DES BOULEVARDS (Les), ou Bor-
dels de Thalie. Confessions paillardes des tri-
bades et catins des tr^teaux du Boulevard, recueillies par
le compere Mathieu, savoir; ouvrage aussi utile qu'agr^-
able, dedi6 a tous les baladins de la fin du XVIIIe siecle,
par leur espion ordinaire [Mayeur de St. Paul], i odd
vol. [au Theatre de Nicollet, aux associ^s, aux Beaujolais,
complete] small 8vo, sewed, uncut (no plates).
Paris, de I'imprimerie de Nicodime dans la Lune,
1 79 1 (reprint)
Limited edition of 206 copies.
"Tous les acteurs, actrices de la fin da XVIIIe siecle, figurent dans les
scenes lubriques de cet immonde pamphlet, melange de pros et de vers
orduriers. " — Lehec.
1202 PAPACY (The).— HISTOIRE DES PAPES, Crimes,
Meurtres, Empoi|Sonnements, Parricides, Adulteres, In-
cestes depuis Saint Pierre jusqu'^ Gregoire XVI. —
Histoire des Saints, des Martyrs, des Peres de I'Eglise, des
Ordres Religieux, des Conciles, des Cardinaux, de I'lnqui-
sition, des Schismes et des Grands Rdformateurs — Crimes
des Rois des Reines, et des Empereurs. Illustrated with
numerous steel engravings, some of nudes. 10 vols, large
8vo, half calf, gilt (foxed somewhat). Paris, 1842
VERY RARE and CURIOUS. A strange book full of terrible charges against
the Popes and other high ecclesiastics, also against monarchs of old and later
times.
THE PENE DU BOIS COLLECTION. 297
1203 PAPESSE JEANNE (La), Poeme en Dix Chants. With
curious woodblock head and tail pieces. Small 8vo, purple
morocco, broad inside gold borders, edges gold on marble.
La Haye, 1778
Very rare and suppressed. This remarkable volume on Pope Joan has
neither publisher's nor printer's name. It is a veritable curiosity of literature
and on account of the subject amorous in its language.
1204 PARNASSE LIBERTIN ou R^cueil de Podsies Libres.
Small 8vo, half morocco.
A Paillardisoroupolis, chez Le Dru cl Penseigne de
Priape, 1772
Very rare and very erotic, most of the poetry being in honor of the God
Phallus. Every page is surrounded by a woodcut border.
"PARNASSE SATYRIQUE"— A COPY OF THE LIMITED
ORIGINAL EDITION.
1205 PARNASSE SATYRIQUE (Le), du Dix Neuvi^me Siecle
Recueil de Vers Piquants et Gaillards de Beranger, V.
Hugo, E. Deschamps, A. Barbier, A. de Musset, Bar-
TH^LEMY, PrOTAT, G. NaDAUD, DE BaNVILLE, BaUDE-
laire, Monselet, etc. With facsimiles on India paper.
2 vols, small 8vo, fresh half red morocco, top edges gilt,
others uncut.
[Brussels], Rome a Penseigne des Sept Peches
Capitaux, n. d.
Rare, original edition and very erotic. Limited edition on thick " papier
verge de Holland."
1206 PARNASSE. — Le Nouveau Parnasse Satyrique du Dix
Neuvieme Siecle, suivi d'un Appendice au Parnasse
Satyrique. Small 8vo, cloth, uncut.
[Brussels], Eleutheropolis aux devantures des Librairies
ailleurs dans leures Arriireboutiques, 1866
Rare, original edition and equally erotic with the preceding number, to
which it is a supplementary volume.
1207 PARIS A L'EAU-FORTE, Actualit^-Curiositd-Fantaisie,
Nouvelle Serie. Numerous etchings by Charbonnel, Rops,
Gaucherel, Laurens, etc., some of nudes. 2 vols, in i.
Thick large 8vo, half roan. Very scarce. Paris, 1878
UNIQUE COLLECTION OF SATIRICAL CARTOONS, BROAD-
SIDES, NEWSPAPERS, BROCHURES, ETC., PRINCI-
PALLY ISSUED DURING THE PARIS COMMUNE.
1208 PARIS COMMUNE, DECLINE AND FALL OF THE
FRENCH EMPIRE, FRANCO-PRUSSIAN WAR,
THE THIRD FRENCH REPUBLIC, etc. An ex-
traordinary COLLECTION OF REVOLUTIONARY AND COM-
298 THE PENE DU BOIS COLLECTION.
MUNISTIC COLORED CARTOONS, BROADSIDES, NEWSPAPERS,
PAMPHLETS, ETC., ISSUED DURING THOSE PERIODS. In 3
half roan scrap books and 3 portfolios. (6)
UNIQUE. This is one of the remarkable numbers in the Pene du Bois
Collection.
It consists of three Scrap Books— one folio and two large quarto— containing
461 caricatures and cartoons, mostly colored by hand and three portfolios in
which are — the " Journal Oflficiel " 260 numbers; 50 miscellaneous newspapers
published during 1870-71; 12 broadsides, 1870-71; 7 proclamations of the Com-
mune; 66 pamphlets, some of great rarity, including the Pere Duchesne Series;
10 revolutionary ballads and 32 miscellaneous i;iewspapers, 1868-79.
These constitute an aggregate of nearly 900 separate pieces, each of which is
full of historical interest and united they make a whole of great value and
uniqueness.
Nothing more terrible can be shown in the history of the world than the
indictment of the Second Bonapartist Empire exhibited in the collection of car-
toons in the three scrap books. The Parisian caricaturists seemed to have con-
centrated the extremest bitterness of hate in their endeavors to delineate to the
people of France the treacheries, tyrannies and lusts of the twenty years of the
reign of the Emperor " Badinguet." Himself, his wife, his mistresses, his son,
his'relative^ and his ministers of state are presented in every manner possible to
the mind of men that could in any way horrible betoken infamy and degrada-
tion of the deepest and most criminal dye. Their personal peculiarities, their
debaucheries, even Incests, are sketched with pencils and crayons tipped, so to
say, with vitriol. The detestation of the Republican and Communistic artists
seem to have particularly been centered on the Empress Eugenie. The sacred
ties of a mother and wife are as bitterly attacked as could possibly be conceived
by even a Marquis de Sade, who had turned anarchist and still preserved the
lecherous and salacious environments which are a necessary concomitant of
aristocracies and dynasties. Many of the plates, colored by hand, are very
erotic, at times vulgarly so, and yet others display as much genius of conception
, as we find in the drawings of Gillray, Hogarth and Rowlandson.
Not only are the "Man of Sedan" and his intimates, Fleury, Maupas,
Rouher, Persigny, Pietri, Leboeuf, Ollivier, Duvernois, Granier de Cassagnac
and others, specified as being co-partners in the affections of the Empress, but
vile orgies are pictured as taking place in the Tuileries and St. Cloud, which,
according to the French Republican mind, appear to have been considered
monster brothels.
The Germans and the Versaillists are regarded as equally detestable. Thiers
and Jules Favre are shown in as vile colors as Bismarck and Kaiser William.
The Archbishop of Paris and his clergy are also the target of the vile attacks of
these artists of the Commune, who seem to have imagined the cassock was
simply a cloak for the most abandoned debaucheries.
On the other hand, these caricaturists exhibit as heroes and martyrs the men
of the Commune, and among these 461 cartoons will be found portraits of all
the notables whofigured in Paris during the Spring of 1871. There is also a
blank vellum commission in the National Guard of the Republic of 1870.
The " Journal OfHciel," or government publication, which may be considered
the text to these cartoons, begins September 4th, 1870, and ends May 23d,
1871, only six numbers being short. It includes those issued on the last
day of the Empire and the first day of the Third French Republic.
These few suggestions as to the contents of this collection give but a faint
idea of what it contains. It must be carefully examined to be appreciated and
understood. Let it suffice to say that these cartoons make a complete pictorial
history of the Paris Commune. The collection was gathered in the French
capital by a friend of Mr. Pene du Bois, who was locked up in Paris during
both the sieges by the Germans and Versaillists. To duplicate the collection is
impossible — only one anything similar has been in this country, and for which
a second-hand book firm asked close upon one thousand dollars!
THE PENE DU BOIS COLLECTION. 299
1209 PARIS COMMUNE.— Journal Officiel de la Republique
Fran^aise. March 20 to May 22, 187 1, inclusive. To-
gether, 64 Nos. Paris, 187 1
Very rare and interesting, having been published in Paris during the Com-
mune. All the numbers are entitled as above, with the exception of that of
March 30, 1871, which is styled "Journal OfEciel de la Commune de Paris."
1 2 10 PARIS GALANT. La Vie de Gargon dans les Hotels
Garnis pu I'Amour a la Minute Scenes de la Vie Toyeuse
entre Etudiants, Grisettes, Rapins, Courtisanes et Tru-
queuses par un Boheme Curieux loge a I'oeil au Grenier.
Erotic front. Small 8vo, sewed, uncut.
Paris, 1823 {reprint')
Facetious and limited edition of this reprint.
ORIGINAL EDITION OF THE RARE "PARIS CHANT ANT."
121 1 PARIS CHANTANT, Romances, Chansons et Chan-
sonnettes Contemporains — Texte par Marc Fournier,
Fertiault, Festeau, Moreau, H£g, Eugene Brif-
FAUT, etc. Illustrated with numerous page wood-engrav-
ings and cuts by Erench humorous designers — also music by
Festeau, Scudo, A. Harquerie, Ed. Douve, J. Vi-
MEux, Francois Schubert, etc. Large 8vo, half red
morocco, top edge gilt, others uncut. Paris, Lavigne, 1845
Very scarce and original edition of these facetious songs, with good im-
pressions of the wood engravings.
1212 PARNY (Evariste). CEuvres Choisies de, precedes d'une
Notice sur sa Vie et ses Ouvrages. Engraved front. 2
vols. 8vo, half calf. Paris and Brussels, 1824-26
Very scarce. The first volume is dated Paris, 1826, and is titled as com-
plete in itself — it contains a life of the poet Pamy and commences with his
"Poesies Erotiques." The second volume is dated Brussels, 1824, and the
title states that it contains — "la Guerre des Dieux," "le Paradis Perdu,"
" les Galanteries de la Bible," "les Rosecroix," and " Pieces inedites."
Voltaire called Pamy — "son cher Tibulle," and Fran9ais de Nantes pro-
claimed him—" le premier poete classique du Siecle de Louis XVI." Chateau-
briand wrote of him: — " Je n'ai point connu d'ecrivain qui fut plus semblable a
ses ouvrages; poete et Creole il ne lui fallait que le ciel de I'lnde, une fontaine,
un palmier et une f emme. "
1213 PARNY. CEuvres Diverses, Nouvelle Edition Corrigde et
Considdrablement Augmentee. Portrait. 2 vols, in 1.
i2mo, old calf gilt, edges gilt. Paris, 1802
Rare. The first volume is devoted almost entirely to the ' ' Poesies Erotiques "
of Pamy.
1214 [PENE (Henri de).) Paris Myst^rieux par " Mane," a«(/
le Paris Viveur par " Man6." Together 2 vols. Small 8vo,
half red morocco, top edges gilt. Paris, 1861-62
" Mane " is the pseudonym that Henri de Pene, the uncle of Mr. Pene du Bois,
used for his contributions to the " Independance Beige," after his famous duels,
in alphabetical order, with the ofiScers of the army in Paris. He had written a
300 THE PENE DU BOIS COLLECTION.
harmless paragraph in the "Figaro " that the army was good for nothing but to
drain the refreshment tables at public balls, and sustamed that opinion with his
sword in duels with officers whose names ran from " A " to " H." The tourna-
ments ceased at '' H," when a man named Hyene wounded him in the lung.
i2is PENE. Trop Belle. Small 8vo, paper, uncut. Paris, 1886
i2i6 PERFIDIES ASSASSINES (Les), Crimes et Escroqueries
d'un Bambocheur du Grand Ton, ou I'Amour et I'Hymen
qui la Gobeur, par un " Ecouter aux Portes," par fois
Farceur, par fois Grave, et meme Sermonneur. Engraved
erotic frontispiece. Minimo, half crushed levant morocco,
by Hardy. Paris, 1820
Very scarce and facetious.
UNIQUE COPY OF THE CURMER EDITION OF PERRAULT,
STRUCK OFF FROM ENGRAVED PLATES-DELIGHT-
FULLY ILLUSTRATED.
1217 PERRAULT (Charles). Contes du Temps Passe conte-
nant les F^es, le Petit Chaperon Rouge, Barbe-Bleue, le
Chat Botte, la Belle ou Bois Dormant, Cendrillon, le Petit
Poucet, Riquet a la Houppe, et Peau d'Ane-Pr6cedes
d'une Notice Litteraire sur Charles Perrault par M.
E. DE la Bedolliere. Illustrated by Pauquet, Marvy,
Jeanron, Jacque and Beauci^ — with the text engraved
by Blanchard. Large 8vo. Bound by E. Rousselle in
fresh half purple morocco gilt, top edge gilt, others uncut.
Paris, L. Curmer, 1843
UNIQUE COPY of this very beautiful edition of Curmer's Perrault, of which
copies sell in Paris for 350 francs, vide inserted catalogue cutting. The above
has a portrait of Perrault by Duflos inserted, also India proofs mounted on
Japan paper of etchings by A. Lalauze.
MAGNIFICENT EDITION ON JAPAN PAPER OF ZELIS AU
BAIN— BOUND BY PAGNANT.
1218 PEZAY (Le Marquis de). ZELIS AU BAIN.— Poeme en
Quatre Chants. — Reimpression sur I'edition de " Geneve,
s. d." With Eisen's erotic plates engraved by De Malval,
also head and tail pieces and initial leteers designed by
Mesples, — every page surrounded by a rose border. 8vo,
handsomely bound by Pagnant in brown crushed levant
morocco extra, inside gold borders, rounded corners and
gilt edges, in leather- lined drop case.
Paris, Edouard Rouveyre, 1882
One of 10 copies on Japan paper out of a limited edition of 600 in all.
The plates andvignettes are in duplicate and in two tints — sepia and black. The
beautiful typography is the work of Unsinger's press. *
The French poet, the Marquis de Pezay, was one of the instructors of Louis
the Sixteenth. As an imitator of Dorat he was styled — " Le clair de lune. " De
Pezay was the intimate friend of Voltaire, Rousseau and Grimm.
THE PENE DU BOIS COLLECTION. 301
1 2 19 PICCOLOMINI (Alessandro). La Raffaella Dialogue de
la Gentille Education (les Femmes, Traduction Nouvelle,
Texte Italien en regard par Alcide Bonneau. Small
8vo, sewed, uncut. Paris, Isidore Liseux, 1884
^ No. 134 of " Edition unique a cent cinquante (150) exemplaires numerates.''
This work was written by Archbishop Piccolomini of Patras and Coadjutor of
Sienna in the Sixteenth Century. It is decidedly erotic when it touches on
carnal matters, particularly in the dialogue between a young woman and an old
rouee of the female persuasion.
1220 PIEDAQUEL (Alexandre). Hier. Illustrated with charm-
ing designs in sepia by Paul Avril, vignettes and frontispiece.
Large 8vo, sewed, totally uncut.
Paris, Claude Motteroz, 1882
No. 365 of limited edition of 750 numbered copies on China, Japan, tinted
and vellum papers. The beautifully printed text is rubricated.
1221 PIGAULT-LEBRUN (G. C. A.). Le Citateur. Small
8vo, sewed, uncut. Brussels, Gay et Douce, 1879
Limited edition. " Bibliotheque Verte," No. 418 and printed in green ink.
Pigault-Lebrun was the literary father of both Paul de Kock and Honore de
Balzac. The " Citateur " first appeared at Paris in 1811 under the imprint of
" liambourg." In that year Napoleon the First, furious at an aggressive bull
of the Pope, ordered an edition of 100,000 copies of this satirical and erotic work
to be, distributed. After the Concordat the work was suppressed — " severement
prohibeet condamne en France." During the Restoration it was frequently
seized as contraband and was put on the Index as immoral and irreligious in 1825
and 1827.
SPLENDID SET OF PIGAULT-LEBRUN'S COMPLETE
WORKS, NEARLY ALL OF WHICH ARE FACETIOUS.
1222 PIGAULT-LEBRUN. (EUVRES COMPLETES. 20
vols. 8vo, half crushed red levant morocco, top edges gilt,
others uncut. Paris, J. N. Barba, 1822-24
A HANDSOME SET of the works of Pigault-Lebrun and printed by Firmin-Didot.
THE REMARKABLE AND EROTIC BIBLIOGRAPHIES OF
PISANUS-FRAXI— LIMITED EDITION.
1223 PISANUS-FRAXL— INDEX LIBRORUM PROHIBI-
TORUM, BEING Notes Bio — Biblio — Icono — graphical
AND Critical on Curious and Uncommon Books. By
PISANUS-FRAXI. India paper proofs of facetious
front, and "flagellation horse," also facsimiles ; the volume
handsomely printed in red and black on toned paper. Thick
4to, half turkey morocco, top edge gilt, others uncut.
London, privately printed, 1877
Very rare. Limited edition of 250 copies. The frontispiece is in three
states on Japan, India and Holland papers. The Falconer copy with this front-
ispiece in only one state sold in June of last year for $67 00. " Improper books,
however useful to the student or dear to the collector, are not ' virginibus pueris-
que ' ; they should be used with caution even by the mature; they should be looked
upon as poisons and treated as such; should be (so to say) distinctly labeled, and
only confided to those who understand their potency and are capable of rightly
using them." — Pisanus-Fraxi.
302 THE PENE DU BOIS COLLECTION.
1224 PISANUS-FRAXL— CENTURIA LIBRORUM ABS-
CONDITORUMy being Notes Bio— Biblio— Icono—
GRAPHICAL AND CRITICAL on Curious and Uncommon
Books by PISANUS-FRAXI. Front., plates and fac-
similes. Thick 4to, half turkey morocco, top edge gilt,
others uncut. 'London, privately printed, 1879
Very rake and high priced, the Falconer copy having sold for $49.00.
Limited edition of 250 copies.
" The present volume is a sequel to the ' Index Librorum Prohibitorum,'
which I had privately printed in 1877, and might with' propriety have formed
a second volume of that work, had I not for several reasons preferred rather to
alter the first part of the title, and to let each volume stand by itself, the more
so as each volume is complete in itself." — Pisanus-Fraxi, Preliminary Remarks
in above.
" This book for men alone is meant.
Book-worms or bibliophiles anent,
Of solid mind, of serious bent.
On curious, hidden books intent,
On odd research and learning. "
1225 POGGIO. The Facetiae, or Jocose Tales of Poggio, now
first Translated into English with the Latin Text. Beau-
tifully printed. 2 vols, small 8vo, vellum, uncut.
Paris, 1879
Only a small edition printed. Poggio was the first who edited anything in this
taste, and the Council of Trent placed this work on the Index Expurgatorius.
In addition to the original versions of tales familiar to the readers of Rabelais,
La Fontaine, etc. , these charmingly printed volumes are full of rich stories which
do not appear elsewhere.
1226 POGGIO. — Les Facdties de Pogge. Traduits en Franpais
avec le Texte Latin. — Edition complete. 2 vols, small
Svo, vellum, totally uncut. Paris, 1878
Isidore Liseux's edition in the " Petite Collection Elzevirienne."
1227 POGGIO. — Un Viellard doit-il se Marier? Dialogue de
Pogge, Florentin. Traduit en Franpais pour la Premiere
Fois par Alcide Bonneau — Texte Latin en Regard.
Rubricated title. Minimo, paper, totally uncut.
Paris, Isidore Liseux, 1877
Limited EDITION on "papier verge," and in the " Petite Collection Elze-
virienne."
1228 Poole (W. H.). Anglo-Israel, or the Anglo-Saxon Nation
identified with the Lost Tribes of Israel. 8vo, paper.
N. Y., 1880
1229 POP^ (Alexander). La Dunciade, Poeme, en Dix Chants.
Nouvelle edition, revue, corrigde et enrichie d'un Com-
mentaire plus complet que tous ceux des Editions prdcd-
dentes. Portrait of the translator, Charles Pallisot,
by MoNNET. Vellum gilt, red edges. A Londres, 17 81
Very scarce, with an interesting letter of Palissot on Claude Joseph Dorat.
THE PENE DU BO IS COLLECTION. 303
1230 POUGENS (Charles, of the French Institute, etc). Contes
en Vers et Podsies, also " les Quatre Ages," by the same.
2 vols, minimo, calf gilt, top edges gilt.
Paris, Didot, 1820-28
Very scarce. The last described is — " Seconde edition suivie du Portrait
d'une Jeune Fille par un PapiUon."
UNIQUE, MAGNIFICENT AND CHARMING EDITIONS OF
" MANON LESCAUT."
1 231 PREVOST D'EXILES (Antoine Francois, L'Abbi).
Manon Lescaut. Portraits, etchings, engraved title and
head and tail-pieces. 4to. Elegantly bound by R. W.
Smith in crushed brown levant morocco gilt, double pur-
ple morocco, extra gilt, edges gilt and in leather-lined drop
case. , Paris, Glady frires, 1875
No. 12 of 50 copies printed on China paper throughout of this charming vol-
ume of the " Collection de Galaup de Chasteuil."
This beautifully designed reliure is taken from a volume which belonged to
Queen Margaret. The back is tooled with the " Marguerite " flower or daisy.
On each side is a wreath of acorns and daisies. The purple doubU is one mass
of tooled gold daisies, with stalks and leaves.
This reliure is extremely creditable to the American binder, who has taken as
his model one of the most tasteful examples of sixteenth century French
bibliopegy.
1232 PREVOST D'EXILES. Manon Lescaut. Illustrated
with portrait by F. Schmidt and eight fine plates, proofs
BEFORE ALL LETTERS, and EXTRA ILLUSTRATED with
portrait and \o plates by J. Chauvet, also portrait and 10
plates by Leopold Flameng on heavy ribbed toned paper —
making T,\ plates in all. 8vo. Bound by Adolph Ber-
trand in crushed dark blue levant morocco, extra gilt,
rounded corners, inside dentelle gold borders, edges gilt
on marble. Paris, Jouaust, 1867
UNIQUE, EXTRA ILLUSTRATJED, and No. 4 of a limited edition
of 20 copies entirely on China paper and numbered. This was Jules Janin's
copy, and has his " exiibris " on the half-title. This edition is a reprint of the
original Amsterdam edition of 1753, edited by G. D'Heilly and F. Steenackers.
1233 PREVOST D'EXILES. Histoire du Chevalier des
Grieux et de Manon Lescaut. Engraved title by Bracque-
MOND. Minimo. Elegantly bound by Marius-Michel
in crushed green levant morocco, with beautiful ornamen-
tation on both sides in colored leathers (depicting a bunch
of wild lilies of the valley, red, white and purple, upon
which a butterfly has alighted), inside gold borders,
rounded corners, edges gilt on marble.
Paris, Alphonse Lemerre, 1870
Limited edition on white papier verge and in a delightful reliure of Marius-
Michel.
304 THE PENE DU BOIS COLLECTION.
1234 PREVOST D'EXILES. Histoire de Manon Lescaut et
du Chevalier des Grieux par I'Abbe Provost, prdc^dd
d'une Notice Historique sur I'Auteur par Jules Janin.
Front, with portrait ; profusely illustrated with page wood
engravings on India paper, andwoodcuts by Tony Johan-
not; also false titles printed in gold. Large 8vo, half
purple morocco, gilt edges (corners broken).
Paris, Ernest Bourdin et Cie, n. d.
LARGE PAPER, with splendid impressions of the engravings and beauti-
fully printed by Lacrampe with fancy head and tail pieces and fancy initial
letters. The page plates are proofs before letters on India paper.
1235 PRISME (Le), Encyclopedic Morale du Dix-Neuvieme
Siecle. With illustrations by Daumier, Gagniet, Ga-
varni, Grandville, Malapeau, Meissonier, Pauquet,
Penguilly, Raynond Pelez ««(/ Trimolet. Large 8vo,
half morocco (slightly foxed and binding rubbed).
Paris, L. Curmer, 1841
1236 ^^UANTIN (A.). Collection des Chefs d'CEuvres
Antiques: — Ovide, Les Amours, traduction du Cte.
DE Seguier. With tinted vignette engravings by
M^AULLE, after the designs of Meyer — borders col-
ored in pink. Minimo. Bound by Emile Rousselle in
crushed dark blue levant morocco, super elegant,'with red
morocco mosaiced into the back and sides, rounded cor-
ners, inside gold dentelle borders, edges gilt, covers
bound in. Paris, A. Quantin, 1879
Very limited edition on China paper out of an edition of 350 in all.
With inserted Cazin portrait of Ovid after Marillier and erotic plate by Barto-
lozzi.
A more thoroughly charming series of volumes than the ' ' Collections des
Chefs d'CEuvres Antiques," from the press of M. Quantin, it would be difficult
to name. In size, the volumes range with the celebrated editions of Horace
and Virgil, etc. , of M. Didot. The type is a round, open letter, devoid of
shading, with the appearance of having been cut rather than founded, the
impression being eminently pleasing and novel. Each volume is worked in two
or more colors, with the vignettes — which have been designed specially for
the series- in colors and gold in some of the volumes. ' The paper is of the
finest quality, while the press-work is as perfect as modern appliances and
the utmost care can render it. The volumes constituting this series will
undoubtedly be eagerly sought for and treasured by collectors and amateurs in
years to come. As a set, they are already scarce and difficult to procure.
1237 QUANTIN. — PoifisiES de Anacreon et de Sapho — Tra-
duction en Vers de M. de la Roche- Amyon, ancien Pro-
fesseur de Rhetorique. Illustrated with erotic vignettes in
tint from the designs of P. Avril — the borders in light
green. Minimo, bound by Amand in crushed red levant
THE PENE DU BOIS COLLECTION. 305
morocco extra, rounded corners, inside gold dentelle bor-
ders, top edge gilt, others uncut, covers bound in.
Paris, A. Quantin, 1882
Japan paper copy and limited edition of 50 copies. Bound by Amand of
Paris.
1Z38 QUANTIN-VIRGILE, les Bucoliques, traduction d'ANDRE
Lefevre. Illustrated with vignettes in tint after the designs
of AuGUSTE Leloir — the borders in light brown. Bound
by Amand in crushed blue levant morocco extra, rounded
corners, inside dentelle gold borders, top edge gilt, others
uncut, covers bound in. Paris, A. Quantin, 1881
Japan paper copy and limited edition of fifty. Bound by Amand.
1239 QUANTIN.— LUCIEN, Dialogues des Courtisanes, 'tra-
duction et Notices par A. J. Pons. Illustrated with erotic
vignettes in tint, heightened with gold from the designs of
H. Scott and F. M^aulle — the borders in green. Min-
imo, bound by Amand in crushed blue levant morocco
extra, rounded corners, inside dentelle gold borders, top
edge gilt, others uncut, covers bound in.
Paris, A. Quantin, 1881
Japan paper copy and limited edition of fifty. Bound by Amand.
DE FAURE'S EROTIC [POEM OF " LA TOILETTE DES
DAMES," ON JAPAN PAPER— WITH THE PLATES IN
DIFFERENT STATES, AND BOUND BY PAGNANT.
1240 QUATRE HEURES (Les)— de la Toilette des Dames—
Poeme Erotique par DE FAURE — Reimpression sur
I'Edition de Paris, Bastien, 1779. With frontispiece,
plates, vignette head and tail pieces by Leclerc, engraved by
Arrivet, Halbon, Legrand, Leroy and Patas — in
DIFFERENT STATES. 8vo, new crushcd levant morocco
extra, inside gold tooling, gilt edges, by Pagnant.
Va.x\s, Edouard Eouveyre, i88o
One of 10 copies on Japan paper out of a limited edition of 600 in all,
splendidly printed by Unsinger of Paris, with rose borders.
The very erotic plates and vignettes of Leclerc are in three states — bistre,
black and " crayon sanguine (genre Boucher)." This volume was dedicated to
the Princess de Lamballe, the Sapphic friend of Marie Antoinette.
1 241 c^^ ABELAIS (F.). CEuvres de, Nouvelle Edition,
Augment^e de Plusieurs Extraits, etc., et Notes,
etc., par " L. Jacob, bibliophile." Portrait
{foxed slightly). i zmo, morocco gilt, edges gilt.
Paris, 1843
This is a curiosity of literature and reliure, being a copy of Rabelais bound
in a religious manner with Latin cross on the sides and lettered " Paroissien
Complet," doubtless for the spiritual edification of some good Father, or for
some holy woman's boudoir . It may, however, have been done in honor of the
author, who was the Priest of Meudon as well as the inventor of the immortal
Pantagruel and Gargantua.
3o6 THE PENE D U BOIS COLLECTION.
MADAME DE POMPADOUR'S COPY OF RABELAIS.
1242 RABELAIS. — CEUVRES de MAITRE FRANgOIS
RABELAIS publi^es sous le Titre de Faits et Dits du
G6ant Gargantua et de son Fils Pantagruel avec la Prog-
nostication, I'Epitre de Limosin, la Creme Philosophale,
deux Epitres a deux Villes de Moeurs et d'Humeurs
Differentes, et des Remarques Historiques et Critiques de
Monsieur Le Duchat, sur tout I'Ouvrage. Engraved
title by J. B. Scotin. 6 vols, small 8vo, sprinkled calf, gilt
backs. [Paris], 1732
Very rare. " Nouvelle Edition augmentee de quelques remarques nou-
velles." With eighteenth century MS. inscription on the half-title of Vol. I. : —
" Bib. de Mme. de Pompadour, Cabinet."
Take the scholarly Father Prout, Dean Swift, and the Rev. Laurence Sterne,
at their very worst, throw in the rollicking spirit of the Rev. Thomas Barham,
with a spice of the wit of that "eminent ascetic," Sydney Smith, flavor it
strongly with the gross license of the " Table-Talk ", of the Rev. Dr. Martin
Luther, add the profligacy of Boccaccio, and you then have something akin to
the literary monstrosity called Rabelais.
ORIGINAL FOLIO EDITION OF DORE'S RABELAIS.
1243 RABELAIS. CEuvRES. Texte Collationn6 sur les Edi-
tiones Originales avec une vie de I'auteur, des Notes et un
Glossaire. Several hundred illustrations by Gustave Dork.
2 vols, thick square folio, cloth gilt, uncut (joints broken).
Paris, Gamier Freres, 1873
" Cardinal Duprat was so enamored of Rabelais's works that he was never
without a copy of them . Wherever he went, his Rabelais went with him.
Cardinal Jean du Bellay was possessed of the same feeling; he admired Rabelais
so much, that he refused a learned individual of the day a seat at his table
because he had not read The Book, for so Rabelais' singular narrative was
called." — Ventouillac.
1244 RABELAIS.— Les CEvvres de Maistre Francois Rabe-
lais Accompagnees d'une Notice sur sa Vie et ses
Ouvrages, d'une Etude Bibliographique, de Variantes,
d'un Commentaire, d'une Table des Noms Propres et d'un
Glossaire par Ch. Martz-Laveaux. Frinter''s mark on
titles, fleurons and fancy initial letters. 3 vols, small Svo,
sewed, totally uncut. Paris, Lemerre, 1868-73
Limited and handsomely printed edition on Holland paper by J. Claye.
" Beyond a doubt Rabelais was among the deepest as well as boldest thinkers
of his age. His buffoonery was not merely Brutus' rough stick, which contained
a rod of gold: it was necessary as an amulet against the monks and legates .
. . . The caricature of his filth and zanyism show fully he both knew and
felt the danger in which he stood. I could write a treatise in praise of the
moral elevation of Rabelais' work, which could make the church stare and the
conventicle groan, and yet would be truth and nothing but the truth. I class
Rabelais with the great creative minds of the world, Shakespeare, Dante, Cer-
vantes, etc." — S. T. Coleridge.
THE PENE DU BOIS COLLECTION. 307
1245 REBOUL (Jean, de Nimes). Les Traditionelles Nouvelles
Poesies. Small 8vo. Bound by V. Champs in crushed
dark blue levant morocco extra gilt and mosaiced on back
with red morocco, top edge gilt, others uncut, covers
bound in.' Paris, 1857
This curiosity of French literature was written by Jean Reboul, the famous
baker-poet.
FACETIOUS AND SATIRICAL WORK ON MONASTICISM
—WITH PLATES.
1246 RENVERSEMENT de la MORALE CHRETIENNE
par les Desordres du Monachisme — Omstootinge der
Christelyke Zeden door de wan-schik en ongeregeltheden
der Moniken. 25 caricatures of ecclesiastics. Small 4to.
Bound by Ad. Bertrand in half morocco gilt, edges gilt.
n. p., n. d.
Original edition, very rare and facetious, with preface in French and
Dutch, and the explanatory text in Dutch. On the title it is stated that the
book was sold in Holland by permission of Pope Innocent XI.
REMARKABLE COLLECTION OF THE STRANGE AND
FACETIOUS WRITINGS OF RESTIF DE LA BRETONNE.
1247 RESTIF DE LA BRETONNE.— Les Gynographes ou
Id^es de Deux Honn^tes-Femmes sur un Projet de Regle-
ment Propos6 k toute I'Europe, pour mettre les Femmes a
leur place, et op^rer le bonheur des deux sexes; avec des
Notes Historiques et Justificatives suivies des Noms des
Femmes c^lebres; Recueillis par N. E. Retif de la
Bret'one, editeur de I'Ouvrage. 8vo, half cloth, rough
edges, by Camille. La Haie, 1777
VERY RAREl The two parts in one volume with false title. The second
part contains the notes. Complete in itself and the third volume of the series
" Idees Singuliires."
One of Restif de la Bretonne's rarest works, and in which he usually used to
narrate the vicissitudes and amours of members of his family.
' ' Restif 's books are now very rare ; they will become more so, as they are
now sought after by the great amateurs of bibliographical curiosities. These
books contain the most interesting documents for the history of the manners of
the time. The peasants, the working men, the men of the people never had a
more faithful or more sympathetic painter than Restif de la Bretonne. His
works, in which, as in a mirror, the various aspects of French society from 1760
to iSos are reflected, will be monuments of the manners and morals of that
period, as the works of Petronius and Apuleius are of the Roman antiquity." —
Paul Lacroix.
1248 RESTIF DE LA BRETONNE. Le Pied de Fanchette
ou I'Orpheline Fran^aise; Histoire Intdressante et Morale.
3 vols, in I. Minimo, half sheep gilt, red edges.
La Haye, 1769
Very rare. With inserted heraldic book-plate— coronet and supporters.
3o8 THE PENE D U BOIS COLLECTION.
1249 [RESTIF DE LA BRETONNE.] Les Parisiennes ou
XL. Caracteres Generaux Pris dans les Mceurs Actuelles
propres a Servir 'k I'lnstruction des Personnes du Sexe.
Plates, some mounted. 4 vols, small 8vo, half morocco
gilt, marbled edges. Neuchatel, 1787
Very rare and arranged as follows — Vol. I, "les Jeunes Filles et les Filles-
a-Marier " ; Vol. 2, " les Nouvelles Mariees et les Mariees depuis 3 ans "; Vol.
3, "les Epouses a imiter, — a fuir "; Vol. 4, " les Jeunes Meres et — de Grands-
enfans."
In a note to a catalogue cutting inserted of a copy of the above priced 250
francs, it is stated the plates are by Binet. 1
1250 [RESTIF DE LA BRETONNE.] Les Posthumes; Let-
tres recues apres la Mort du Mari, par sa Femme, qui le
Croit a Florence. Par feu Cazotte. 4 vols, small 8vo.
Bouncjl by Beet in red morocco gilt, top edges gilt, others
uncut, and in cloth drop case. Paris, chez Duchine, 1802
Very rare, limited edition and one of the most curious of the works of
Restif. One of the strangest features of this set will be found at the
end of the fourth volume, where is given a list of all his eccentric works
then published, as "well as all he calculated that he intended to. These
amount to 777 Novels in looi Histories. A thorough analysis of Restif's pro-
jected mastodon literary labors is given and a list of 200 possible subscribers to
" M. Nicholas ou le Coeur Humain Devoile," beginning with the exiled King
and Queen, who were then non-residents of F ranee and did not return until
after Napoleon was sent to Elba.
1251 RESTIF DE LA BRETONNE. Histoire des Mceurs et
du Costume des Fran^ais dans le Dix-huitifeme Siecle,
revue etcorrigeepar M. Charles Brunet, Preface par M.
Anatole de Montaiglon, avec la Vie de Freuden-
BERG traduite de I'Allemand pour la Premiere Fois; also
Monument du Costume Physique et Moral de la Fin du
XVIIIe Siecle ou Tableaux de la Vie, texte par RESTIF
DE LA BRETONNE, revu et corrig6 par M. Charles
Brunet, preface par M. Anatole de Montaiglon.
Illustrated with numerous plates — proofs before letters.
2 vols, in I. Folio, half red morocco, totally uncut.
Paris, Leon Willem, 1876-78
EROTIC and RARE. The first described of the above is No. 145 of 500
numbered copies of which the above is one of 370 on vellum paper; the other
volume is No. 254 of a similar limited issue. This copy came from the library
of " Andrd(iv Dickson White," and has his inserted book-plate.
The " Mceurs et Costumes " are illustrated with 12 engravings, mostly erotic,
designed by Sigismond Freudenberg and executed by the best engravers.
The " Costume Physique et Moral " has 26 plates designed and engraved by
Moreau le Jeune, and other celebrated artists. All are proofs before letters.
THE PENE DU BO IS COLLECTION. 309
1252 [RESTIF DE LA BRETONNE.] Le Pornographe ou
Id^es d'un Honnete Homme sur une Projet de Reglement
pour les Prostitutes propre a Pr^venir les Malheurs qu'
Occasionne le Publicisme des Femmes avec des Notes
Historiques ^t Justificatives et une Etude Critique du Doc-
TEUR H. MiREUR DE Maiseille. Etched portrait by Chau-
VET. Thick small 8vo, sewed, uncut.
Brussels, Gay ct Douce, 1879
No 5 n of a Limited edition of 600 numbered copies This curious vol-
ume, by the French " Richardson," as Lavater called him, is a strange appeal in
favor of a reorganization of prostitution.
"Cette nouvelle reimpression du Pornographe est un glorieux homage rendu
a la memoire de Retif.' — MiREUR.
1253 RESTIF DE LA BRETONNE. Monsieur Nicolas ou le
Coeur Humain Devoile Memoires, Intimes de Restif de
LA Bretonne. 14 vols. 8vo, sewed, uncut.
Paris, Isidore Liseux, 1883
Erotic and curious. Reprinted from the unique and most rare edition, pub-
lished by Restif de la Bretonne himself in 1796. Charles Monselet says that of
all the works of Restif, Monsieur Nicolas is without doubt the most extraordi-
nary, and adds that there should be placed together in the same rank — the Con-
fessions of Rousseau, Monsieur Nicolas and the Memoirs of Casanova.
" Monsieur Nicolas est peut-etre superieur aux ' Confessions de J. J. Rous-
seau,' si Ton veut considcrer le chef-d'oeuvre de Restif comme une anatomic
morale du coeur humain." — Bibliophile Jacob.
1254 RHETORIQUE des PUTAINS, ou la Fameuse Maque-
relle, Ouvrage Imite de I'ltalien. 2 vols, in i. Small
8vo, sewed, uncut (one title only).
Paris, sur la copie imprim^e a Rome aux D^pens du
Saint Plre, 1794 {reprint)
Limited edition of this erotic work, printed exclusively for the members of
the Royal Society of Bibliophiles of Venice at the Ducal Palace. The plates to
this edition were issued separately.
1255 RIGAUD (Lucien). Dictionnaire des Lieux Communs de
la Conversation, du Style fipistolaire, du Theatre, du
Livre, du Journal, de la Tribune, du Barreau, de I'Oraison
Funebre, etc., etc. Small 8vo, three-quarters crushed
brown Ifvant morocco gilt, top edge gilt, others uncut.
Paris, 1 88 1
1256 ROBIDA. — Le Voyage deM.-DuMOLLET, Texte et Dessins
par A. RoBiDA. Profusely illustrated with humorous
illustrations, many in the text, many full-page and many
colored "a P aquarelle. Small folio, illuminated cloth.
Facetious. Paris, Georges Decaux, n. d.
310 THE BENE DU BOIS COLLECTION.
LA LANTERNE OF HENRI ROCHEFORT— EXTREMELY
RARE AND CONSECUTIVE SET.
1257 ROCHEFORT (Henri). LA LANTERNE, May 31st,
1868 (Vol. I, No. i), to October i6th, 1869, inclusive. 73
parts in 8 vols. Square minimo, half, red roan (4), half
vellum (3), and cloth (i). Paris, 1868-69
EXCESSIVELY RARE and particularly so in consecutive completeness like
the above set, as nearly every number was rigidly suppressed upon publication by
the Emperor Napoleon the Third's government. These small brochures of a
size that could be readily carried in the pocket were a phenomenon in literature.
Published every week and more or less secretly in Paris, and in Brussels or the
Hague when impossible in the French metropolis, the numbers came out regu-
larly, finding their way mysteriously into the hands of subscribers. It can be
safely asserted that " la Lanterne " did more to destroy the Empire than even
the Fall of Sedan. Rochefort never spared the Imperialists, and whether on
French or neutral soil, he mercilessly lashed their infamies and internal rotten-
ness. Had the Franco-Prussian war never taken place, the Napoleonic regime
was doomed, for owing to no one's efforts more than Rochef ort's, had the French
people come to the conclusion that the system of government, which fostered
such noxious reptiles and slimy vermin as the Emperor " Badinguet, " and his
mistress, " Margot Bellanger," should be put an end to. And it was, thanks to
men like Henri Rochefort, that the French Republic is now a glorious and con-
tinuous fact in civilization. " ^a ira. "
1258 ROQUELAURE (Gaston Jean Baptiste, Due de). Mem-
oires Secrets du Due de Roquelaure. 4 vols. i2mo,
paper. Paris, Alexandre Cadot, n. d.
Erotic and curious. The Due de Roquelaure, who was bom in 1617 and
died in 1683, is known traditionally as a kind of zany to the court of I^ouis XIV.
He was the father of one Marshal of France, and son of another. His " Mem-
oirs," one critic remarks, had a place in the " Bibliotheque bleue," for a long
time the only library of the people, and he comes down to our days — " avec son
grand cordon, avec sa clef de maitre de la garde-robe et son portrait enlaidi a"
flaisir, comme unesorte d'Esope grand seigneur, que la malice des bourgeois
aimait a se representer fustigant de sa verve grotesque les vices et les grandeurs
de la cour. "
1259 ROSTAND (Eugene). Ebauches. Small 8vo, half red
'morocco, top edge gilt, others uncut. Lyons, 1865
Printed on tinted paper with rubrications. Presentation copy with following
MS. of the author — "A Monsieur Amedee Achard hommage d'un jeune com-
patriote. EuG^NE Rostand."
THE FIRST EDITION OF JEAN JACQUES ROUSSEAU'S
CONFESSIONS.
1260 ROUSSEAU (Jean Jacques). Confessions, R^veuds du
Promeneur Solitaire et Nouvelles Lettres de J.J. Rous-
seau. With charming plates by or after Le Barbier,
Triere, Halbon, Dambrun, Romanet and Ingouf. 3
vols. 4to, Spanish calf gilt, edges gilt. Geneva, 1782-89
Very rare. These three volumes are of great value, as they contain the first
edition of BboksI.-XII. of the "Confessions." They consist of: — Vol. 10 of the
"Complete Collection of the Works of Rousseau," in which are " Les Confes-
sions," Books 1-6, and " Les Reveues-Promenades I-X; and Vols. 16 and
THE PENE DU BOTS COLLECTION. 311
17, being Vols, i and 2 of the " Second Supplement " to the Complete Works,
in which are " Books 7 to 12 " of " Les Confessions " and " NouveUes Lettres."
' ' Still is the impression of his [Rousseau's] lyorks vivid and strong. The charm
which cannot pa^s away is there — life breathing in dead words — the pulses of
passion — the thrilling of the frame still are there — the fresh beauty, the un-
dimraed lustre — these, light and vision-like as they seem, endure as marble. " —
Edinburgh Review.
1261 ROWLANDSON (Thomas). The Caricaturist, a Selec-
tion from his Works, with Anecdotal Descriptions of his
Famous Caricatures and a Sketch of his Life, Times and
Contemporaries, by Joseph Grego. Portrait and about
400 humorous, facetious and characteristic illustrations after
RowLANDSON. 2 vols. 4to, half red morocco gilt, cloth
sides, top edges gilt. N. Y. (London), 1880
' ' Almost simultaneously with the issue of Mr. Du Maurier's album of Punch
sketches, there has appeared a collection of work of the same class, representing
the England of a century ago. The illustrations to ' Dr. Syntax ' have kept the
name of Thomas Rowlandson alive among those who are not specially students ;
and among those who are, there is not much danger of its ever perishing. Mr.
Grego has now edited two goodly quartos devoted to him, and containing not
only a methodical catalogue of his work, but also an abundant allowance of ex-
amples selected with the double view of illustrating the work itself and consult-
ing modern notions of propriety But there is really not much harm in
Rowlandson, though he takes subjects and employs manners of treatment which
would hardly be suffered nowadays in Punch A useful lesson in the
social history of England, as well as a pleasant occupation of leisure moments."
— London Daily News.
1262 /S^ ADE (Donatien Alphonse Frangois, Marquis de).
JUSTINE ou les Malheurs de la Vertu Repro-
duction Textuelle de I'Edition original (en Hol-
lande, 1791). With an engraved front, by Chery.
Thick large 8vo, sewed, uncut. Paris, 1884
Most erotic. No. 42 of limited edition — "imprime a cent cinquante (150)
exemplaires pour Isidore Liseux et ses Amis." On the cover is the following: —
" Avis aux Libraires. Edition Privee. Ce volume ne doit pas etre ' mis en
vente ou expose dans les lieux publics.' " This is a fac-simile reprint of the first
edition of 1791.
The author of "Justine" was born in 1740, and died in the hospital at
Charenton in 1814. Pisanus-Fraxi writes: — " The Marquis de Sade is perhaps
one of the most extraordinary men who ever lived, and a very interesting subject
for psychological study; nature has produced some strange abortions, both
physical and moral, but probably never a greater mental monstrosity than Sade.
Sprung from a stock which was most pure and honorable, reared and educated
with the greatest care and simplicity, this mental monster burst forth suddenly,
as it were without apparent cause, and became at once the most depraved liber-
tine, the cruellest debauchee, the lewdest writer, and the most persistent propa-
gator of immorality the world ever saw."
Paul Lacroix, who has treated his memory with great leniency, endeavors to
prove that the Marquis considered himself justified in attempting to pervert the
whole human race; indeed it would seem that he did — " force his soul so to his
own conceit."
This descendant of Laura de Sade, PetrarcVs love, was, after several im-
prisonments, condemned to death for immorality. He, however, died a hope-
less monomaniac in 1814 at Charenton. Napoleon, in 1801, while First Consul,
ordered his perpetual incarceration as an incurable and dangerous lunatic.
312 THE PENE DU BO IS COLLECTION.
THE RARE ORIGINAL EDITION OF THE MAIIQUIS DE
SADE'S "CRIMES OF LOVE "—BOUND BY HARDY.
1263 SADE. Les Crimes de TAmour, Nouvelles H^roiques et
Tragiques; prdc^des d'un Id^e sur les Romans. En-
graved fronts. 4 vols, small 8vo. Bound by Hardy in
crushed orange levant morocco, inside gold dentelle bor-
ders, rounded corners, edges gilt on marble.
Paris, an VIII.
VERY RARE. An exceptionally choice copy of this rare original edition.
The Marquis de Sade, whose name is associated with every unnatural lust,
was one of the most extraordinary and most repulsive of mortals, and has been
the object of many special studies. See '^ Dissertations sur Quelques Points
Curieuxde I'ffist. Litt/r.," par Paul Lacroix, Paris, 1838; "Marquis de Sade
V Homme et ses Merits," Etude par M. G. Brunet, 1866; Dictionnaire de
L'Amour, 5 vols , 1838, etc., etc.
CHINA PAPER COPY OF SAINT ALBIN'S " SALLES
D'ARMES."
1264 SAINT ALBIN (A. de) Les Salles d'Armes. Profusely
illustrated with portraits of distinguished swordsmen, duel-
lists and warriors, and etched false title — all by Ch.
CouRTRY — fleurons and fancy initial letters. Large 8vo.
Bound by E. Rousselle in half crushed levant morocco
gilt, top edge gilt, others uncut, with the vellum covers
bound in. Paris, Glady frires, 1875
China paper copy No. 19 out of a limited issue of 20 and out of an edition
of 550 ifi all on China, Whatman and Van Gelder Zouen papers.
1265 [SAINTE-BEUVE (C. A.).] Voluptd. 2 vols. 8vo,
half sheep. Paris, Eugene Renduel, 1834
Very scarce and original edition. Author's presentation copy with MS.
of the author: — " A Madame Paulin hommage respectueux. Ste. Beuve."
' ' ' Volupte ' sorte de ' roman de la chair et de I'esprit ' tableau complaisant
des faiblesses de I'un et des revoltes de I'autre, veritable etude de pathologic
morale excitait plus de curiosite que d'interet." — Vapereau.
1266 SAINTE MARC (B.) et BOURBONNE {Le Marquis de).
Les Chroniques du Palais- Royal, Origine, Splendeur et
Decadence, les Dues et les Duchesses, la Regence, Thea-
tres, Caf^s, Restaurants, Tripots, les Galeries de Bois, etc.,
etc. Small 8vo, sewed, uncut (no illustrations).
Paris, n. d.
1267 SAINT MOR (Guy de). Peches Mortels. Illustrated in
tint by F. Bac, Destey, H. Y., Adrien Marie, Mars,
Napoli, Rochegrosse, Roy, and Scott — title gold and
tinted. 4to, fancy paper cover, uncut.
Paris, Ed. Monnier, 1884
Erotic and limited edition on thick tinted paper.
THE PENE D U BOIS COLLECTION. 3 1 3
1268 SAINT-NITOUCHE ou Histoire Galante de la Touriere
des Carmelites suivie de I'Histoire de la Duchapt, Celdbre
Marchande de Modes, publi6es pour la Premiere Fois au
Grand Complet, sur le Manuscrit Autographe de I'Auteur
pour Servir de Pendant au " Portier des Chartreux."
Small 8vo, sewed, uncut. Londres, 1830 (reprint^
Erotic. Holland paper and " Edition publiee exclusivement pour les
Bibliophiles Aphrodiphiles de Copenhag^ue at non autres."
1269 SAINT VICTOR (Paul de). Hommes et Dieux, Etudes
d'Histoire et de Littdrature. Small 8vo, paper, uncut.
Paris, 1872
1270 Sanborn (Kate). Vanity and Insanity of Genius. Small
8vo, fresh cloth, top edge gilt, others uncut. N. Y., 1886
1271 [SARGENT (Lucius Manlius). J Dealings with the Dead
by a "Sexton of the Old School." Engraved front, and
vignette title. 2 vols. 8vo, morocco, inside gold dentelle
borders. Boston, 1856
With inserted original letter respecting the authorship of the above from the
publishers of the "Boston Transcript," in which the work originally appeared as
a series of articles.
LARGE PAPER COPY OF SAUVAL'S SCANDALOUS
CHRONICLE.
1272 SAUVAL (Henri). La Chronique Scandaleuse de Paris,
ou Histoire des Mauvais Lieux. With 2 plates on Japan
paper by Vermorchen after Mallet. 4to, sewed, uncut.
Brussels, J. J. Gay, 1883
Erotic, large paper, and limited edition.
1273 SCARRON (Paul). Le Virgile Travesti, en vers burlesques,
par ScARRON avec la suite de Moreau de Brazey.
Nouvelle Edition, revue, annot6e et prdc^d^e d'une intro-
duction par M. Victor Fournel. Small 8vo, cloth, rough
edges. Paris, 1858
" Bibliothique Gaulgise " limited edition on "papier verge," issued under the
direction of Paul Lacroix, who says : — " C'etait li le senl ouvrage qui eilt sur-
vecu au Burlesque, condamne et mis i mort par Boileau. On pent le consid-
erer, en effet, comme le chef-d'oeuvre du genre, que la cour la plus polie et la
plus raffinee de I'Europe avail accepte comme un spirituel divertissement.
On lira le Virgile Travesti tant que le rire aura cours en France."
1274 SCHOLL (Aurelien). L'Esprit du Boulevard — les Cou-
lisses. Deuxifeme Edition. Small 8vo, paper, uncut.
Paris, 1887
3 14 THE PENE D U BOIS COLLECTION.
1275 SCHURIG {}li.^.r^:va., physician). Parthenologia Historica-
Medica hoc est Virginitatis Consideratio, qua adeam Per-
tinentes Pubertas et Menstruatio cum Opsarum Maturitate,
etc. 3 vols. 4to, boards, marbled edges (foxed).
Dresden, 1729-32
A remarkable work. Some of the most curious passages in these volumes are:
—Sale by auction of virgins among the Babylonians (p.. 25); " De Menstrui
Sanguinis usu " (p. 223); " de Statua uxoris Lothi " (p. 265); "de Notis Vir-
ginitatis ex Miraculis " (p 274); chastity put to the proof by a hot iron and boil-
ing water (p. 276); conception without sexual intercourse (p. 301); various
modes of infinublation of girls (p. 369); Andramytes, King of the Lydori, was
the inventor of the castration of women and Semiramis of that of men (p. 374);
' ' Virgo a Serpente Amata " (p. 382). Numerous historical and scientific anecdotes
are scattered throughout the volumes.
1276 SEWRIN (Charles Auguste). Premiere Nuit de Mes
Noces par " ^ewrin." 2 vols, in i. Small 8vo, sewed,
uncut. Brussels, Gay, 1883
Limited edition. A very curious work by Sewrin, who was born at Metz
in 1771. It is written somewhat after the style of Pigault- Lebrun and Paul de
Kock. The author also wrote " Les Trois Faublas de ce Temps-la."
1277 SHAPIRA FORGERY:— HE-SHE-IT. Egyptian Court
Chronicle, B. C. 1302, a Veracious and Truthful Version
Preserved and transcribed for General Use by the Peerless
Poet Laureate of His late Majesty Rhampsinnit III. Nu-
merous illustrations from the designs of C. M. Seyppel.
4to. .Bound in imitation mummy cloth, with leather straps
and big green seal on the sides.
Memphis, Pyramid Row, No. 36, Fifth floor,
close on Saturdays 2 P. M. [n. p., n. d.]
This work is an amusing parody on the Shapira MS. forgery. According
to the preface, this unique volume, the sole example of ancient Egyptian illus-
trated literature which has come down to us, was discovered just after the battle
of Tel el Kebir by a savant who noticed some strange characters on a slab
under the head of a sleeping guardsman, and who watched his opportunity and
dug underneath this stony pillow until he discovered this illustrated MS. of the
year 1302 B. C. The leaves of the volume are made to imitate papyrus, their
edges are worn and rubbed, and the surface of them is stained and discolored,
as though by £dl the juices of the earth and all the waters of the Nile. The
cover is of brown sackcloth, much torn and ravelled at the edges. A coarse
green string binds the leaves firmly to one another. One side of the cover is
ornamented with a broad seal of green wax, having an uncouth impression of
the head of " KOnig Ruppsippos." Divers conlical Egyptian stories are told in
verse, and the illustrations, with their combination of modern humor and ancient
form, are exceedingly laughable. The whole thing looks as though it had been
dug up out of the earth, which, indeed, is what is pretended. The author of
this ingenious burlesque is Karl Maria Seyppel, a young Dusseldorf artist, who
was assisted in his work by Professor Ebers and other eminent Egyptologists.
1278 SHAPIRA FORGERY.— SHARP, SHARPER, SHARP-
EST. A Humourous Tale of Old Egypt. Penned down
and depicted in the year 1315 A. C, by C. M. Seyppel,,
Court Painter and Poet Laureate of His Majesty King
THE PENE DU BO IS COLLECTION. 315
Rhampsinnit III., and done into English Tongue by Two
Mummies of the Old Dynasty. Memphis, 35 Mummies
Arcade (Ring three times). Quaintly illustrated. 4to,
imitation ancient mummy cloth cover, with ties, seal on
sides, etc.
This is a humorous Egyptological burlesque on the alleged papyrine, Moabite
stone and other bogus discoveries. The drawings are very ancient Egyptian,
and the paper an imitation of papyrus.
1279 SHAPIRA FORGERY.— SCHLAU, SCHLAUER, AM
SCHLAUSTEN, Aegyptische Humoreske. The German
edition of the above. Illuminated boards.
Dusseldorf, n. d.
Dedicated to Schliemann.
1280 Society in London, by "A Foreign Resident." Small
8vo, fresh cloth. London, 1885
"THE SENTIMENTAL JOURNEY," ILLUSTRATED BY
LELOIR.
1281 STERNE (Laurence). VOYAGE SENTIMENTAL en
France et en Italic. — Traduction de Emile Blemont.
With T2 heliogravure plates and 220 illustrations in the
text — all designed by Maurice Leloir. Large 4to, fancy
chromo-lithographic cover. Paris, 1884
This charming edition is printed on thick paper. Dr. AUibone calls Sterne —
" a standing reproach to the profession which he disgraced, grovelling in his
tastes, indiscreet , if not licentious in his habits, he lived unhonored and died
unlamented, save by those who found amusement in his wit or countenance in
his immorality."
1282 SuTTON (Charles). The New York Tombs, its Secrets
and its Mysteries: being a History of Noted Criminals,
with Narratives of their Crimes. Many woodcuts. Thick
large 8vo, cloth. N. Y., 1874
1283 SWIFT (Jonathan). Voyages de Gulliver. Profusely
illustrated with beautifully colored illnstrations. Thick
large 8vo, paper, uncut. Paris, n. d.
The French text in this handsome French edition of " Gulliver" was trans-
lated from the English by B. H. Gausseron. The charming colored illustra-
tions ^ I' aquarelle were designed by V. A. Poirson.
1284 SWIFT. Voyages de Gulliver dans des Gentries Loin-
taines. With humorous illustrations by Grandville and
front, on India paper. 2 vols, small 8vo, folded ready
for binding. Paris, 1838
3i6 THE PENS DU BOIS COLLECTION.
1285 C5>i«u-'ABARIN. CEuvres de, avec les Adventures du
Capitaine Rodomont, la Farce des Bossus et
autres Pieces Tabariniques. Engraved front, on
India paper. Small 8vo, cloth, rough edges.
Paris, Delahays, 1858
" Bibliotheque Gauloise " limited edition on "papier verge," issued under
tlie direction of Paul Lacroix. The above is a new edition of the works of
the famous seventeenth century "farceur " Tabarin, with notes and preface by
George d'Harmonville.
1286 TABLEAUX de la CIVILISATION et la Vie Seigneur-
iale en Allemagne dans la Derniere Periode du Moyen
Age d'apres un Manuscrit Allemand du XVe Siecle.
Exquisite head and tail pieces, also 25 curious plates of
tournaments, medieval life, etc. — rubricated title, etc. Large
4to, sewed, uncut. Paris, A. Quantin, 1885
- No. 188 of LIMITED EDITION ot 200 numbered copies, beautifully printed by
Quantin, and with erotic and eccentric, subjects taken from the celebrated
manuscript in the possession of the Goldast Family of Constance.
1287 TASSO (Torquato). Aminta Favola Boschereccia. Page
plates and vignette headpieces by Cochin. Small 8vo.
Bound by "Petit succr. de Simier" in half crushed levant
morocco, top edge gilt, others uncut.
Paris, "' Presso Nepvew Lihrajo" 1813
Very rare, printed by Didot, and with the exquisite erotic vignette heads in
duplicate, one set proofs on pink paper. The plates are also proofs before letters,
vide inserted cutting of " Morgand et Fatout," for a 150 franc copy of the
above.
1288 THEATRE des BOULEVARDS ou Recueil de Parades.
Facetious fronts. 3 vols, small 8vo, half red crushed
levant morocco, marbled sides and edges.
A. Mahon, Gtlles Langlois, 1756
This rare and erotic work has been attributed to the pens of various persons,
among others the Count de Gaylus, the Duke de la Valliere, and to the Duke de
Nivernois. It includes — " La Confiance des Cocus"; " Le Doight Mouille " ;
" Le Marchand de Merde"; " Leandre, Magician ";" Isabelle Grosse par
Vertu " ; " L'Amant Poussif"; " L'Amant Gochemard"; " Cassandre aux
Indes"; " La Mere Rivale"; etc.
1289 THIERS (Jean Baptiste). Histoire des Perruques. i2mo,
half calf. Avignon, 1777
Rare. This curious work on perukes goes thoroughly into their origin, use,
form, abuse, and the irregularity of those of ecclesiastics. It was, above all,
directed by its author, a French Catholic priest, against those members of his
profession who wore wigs.
1290 THIRTEEN CLUB. Address of Chief Ruler Daniel
Wolff, First Annual Reports of Scribe Charles Soth-
eran and Archivist Marvin R. Clark, etc., on January
13th, 1883; also Second, Third, Fourth and Fifth Reports
THE PENE DU BOJS COLLECTION. 317
of the Thirteen Club, 3 vols. 8vo, fresh half morocco,
top edge gilt, by Bradstreets (i) and sewed (2).
N. Y., 1883-87
The Thirteen Club was founded on Friday Evening, January 13th, 1882, at
8.13 o'clock, at the Knickerbocker Cottage, New York, by the following thir-
teen sitting down to dinner together — Daniel Wolff, Capt- William Fowler,
Judge Samuel Jones, Edwin Dew, Julius Witskowski, Henry A. Heiser, Richard
Fitzgerald, Charles Sotheran. Geo. P. Powell, Lehman Israels, James A. Reed,
M.D., John Mills and Marvin R. Clark.
LARGE PAPER COPY OF " MY UNCLE BENJAMIN."
1291 TILLIER (Claude). Mon Oncle Benjamin — Nouvelle Edi-
tion, avec une Preface par Monselet. Illustrated with
portrait-frontispiece and 42 designs of " Sahib/' engraved
on wood by Prunaire — rubricated titles. 2 vols, large 8vo.
Bound by " Trioullier Sr. de Petit-Simier." In fresh
half dark blue crushed levant morocco gilt, top edges gilt,
others uncut, with the colored fancy covers bound in.
Paris, Z. Couquet, 1881
LARGE PAPER. Edition de Luxe. No. 182 of a limited edition of
500 copies in all, of which the above is on " papier velin teinte."
1292 [TOPPFER (R.).]' Le Presbytere. Front, on India
PAPER. 8vo, half roan (foxed slightly). Geneva, 1832
Very rare and original edition.
1293 [TOPPFER]. Albums, i. e., I. Les Amours de Mr. Vieux
Bois; II. Les Voyages et Aventures du Docteur Festus;
III. Monsieur Pencil; IV. Histoire de Mr. Jabot. Pro-
fusely illustrated by the author. 4 vols, oblong small 4to,
half red roan. Geneva, 1833-40
Rare. " The original autographed albums of Rodolphe Topffer, the
Swiss schoolmaster, whose Voyages en Zigzag, Memes Propos d'un Peintre
Genevois, and novels Le Presbytere and La Biblioth^que de Mon Oncle {vide
ante in tiiis catalogue), are classics of the French literature to be quoted in the
same breath with Xavier de Maistre's Voyage Autour de Ma Chambre. These
volumes have been reproduced in every country, and text and illustrations have
been pillaged mercilessly and spoiled. These originals are scarcer than white
crows, and it isn't only for that that they are of inestimable value. — H. P. B."
1294 TRIUiVLPHE de Haulte et Puissante Dame V^rolle et le
Pourpoint Fermant a Boutons. Nouvelle Edition Com-
plete avec une Preface et un Glossaire par M. Anatole
DE MoNTAiGLON. Small 8vo, sewed, uncut.
Paris, Leon Willem, 1874
Facetious and No. 241 of limited edition of 500 copies, the above being on
"papier verge." These are fac-simile reprints, with reproductions by Adam
PiUnski of all the curious woodblock illustrations of the editions of Lyons,
1539, and Paris, 1540. This work has been attributed to Rabelais. At the
end is a good glossary, including all the erotic words.
3i8 THE PENE DU BOIS COLLECTION.
129s <y^f^ZANNE (Octave). Les Surprises du Coeur. Etched
title {erotic) by Gery-Bichard. 8vo, fancy paper
cover designed by Avril, uncut.
Paris, Rouveyre, 1881
Limited EDITION, printed by Darantiere on "papier verge." With tinted
head-pieces, fleurons, initial letters, etc.
JAPAN PAPER COPY OF UZANNE'S " SON ALTESSE LA
FEMME "—SUPERBLY ILLUSTRATED.
1296 UZANNE. SOfj ALTESSE LA FEMME. With 10
beautiful full-page illustrations designed by Henry Gervex,
Gonzalez, KratkS, Lynch, yiov.%KV and'^ov'E.'s, engraved
on copper, colored and printed by the new process of Debu-
court; also 11 very charining and delicate illustratiofis at
the beginning of each chapter, consisting of woodcuts, etchings,
aquatints, etc., designed in harmony with the various subjects
of the work, cmd numerous vignettes and tail-pieces. Large
8vo, fancy paper cover, with satin ribbon ties.
Paris, Quantin, 1885
Limited edition of 100 copies entirely on Japan paper, of which this is No.
75. The illustrations are very choice examples of the best and latest methods of
artistic book-making in France.
MAGNIFICENT CHINA PAPER COPY OF "LES MCEURS
SECRETES" OF UZANNE— LUXURIOUSLY BOUND IN
MOROCCO DOUBLE.
1297 UZANNE. Les Moeurs Secretes du XVIIIe Siecle, publi^es
par Octave Uzanne, avec Preface, Notes et Index.
Numerous charming head and tail pieces, initials and vignette
^C'Paul Avril, over the preface — also the erotic frontispiece
by Avril in two states — one " crayon sanguine genre Bou-
cher " and the other printed i7i black, but tinted with the same
shade of color. Large 8 vo. Superbly bound by BRAD-
STREETS in crushed dark green levant morocco, super
elegantly tooled, rounded corners, and double with splen-
didly tooled red crushed levant morocco extra gilt, and
mosaiced with colored leathers, also with ends of dark
green watered silk, morocco joints, top edge gilt, others
uncut, cover bound in — also in splendid red crinkled
morocco drop case lettered and leather lined.
Paris, A. Quantin, 1883
Limited edition on China paper and No. 33 of 50 copies only. Hand-
somely printed by Quantin and uniform with the remainder of the " Documents
sur les Moeurs du XVIIIe Siecle," edited by Octave Uzanne.
\ i-This volume contains many curious erotic pieces such as — " The Confession
of a Young Girl "; "Apology for the Anandrye Sect, 'Exhortation to a Young
Tribade"; "Funeral Oration on Justine Paris, Grand Priestess of Cythera,
Paphos, Amathomte, etc."; " The Opera"; "Journal of the Theatres "; " The
Specific of Dr. Preval "; etc.
THE PENE DU BOIS COLLECTION. 319
1298 UZANNE. The same. Tinted front, and charming vignette
by P. AvRiL — also fleurons and fancy initial letters. Thick
large 8vo, sewed, uncut. Paris, A. Quantin, 1883
Limited edition on " papier verge."
1299 UZANNE. Le Calendrier de Venus. Erotic and etched
title by Perret, also cover of the same genre — the title rubri-
cated,fleurons, initials, etc., in red. Large 8vo, sewed, uncut.
Paris, Ed. Rouveyre, 1880
Limited edition of 100 copies in all, of which this is No. 22, and one of 16
only on China paper. Includes Uzanne's erotic " Contes " of — " Memorandum
d'un Epicurien," "Pastes du Baiser," " le Sottisier d'Amour," etc,
1300 UZANNE. L'Ombrelle, Le Gant, Le Manchon. Colored
illustrations. Large 8vo, fancy paper covers.
Paris, A. Quantin, 1883
1300* UZANNE. Another copy of the same.
1301 gy^-^ECCHI (Alessandro de). Aggivnta alia Qvarta
As/ Parte dell' Indie del Sig. Giovanni Botero
v/ Benese di Mostri e Vsanze di quelle Parti, e di
quel Recon le sue Figure al Naturale, Raccolte
Novamente da Alessandro de Vecchi. Vignette portrait
on title and 31 extremely curious plates. 4to, boards.
Venice, 1618
EXTREMELY CURIOUS and rare. With plates of monstrosities, curious
human types, savages, etc. Some are evidently taken from the Nuremberg
Chronicle.
1302 VENUS LA POPULAIRE, ou Apologia des Maisons de
Joie. Small 8vo, sewed, uncut.
Brussels, Gay et Douce, 1881
No. 386 of limited edition of 500 copies. The first edition of this paradoxical
and humorous woik was printed " A Londres" in 1727. Many editions followed.
SPLENDID VOLUME ON SWORDSMEN AND DUELS-
ILLUSTRATED.
1303 VAUX (Baron de). Les Hommes d'Ep6e, preface par
Aur]5lien Scholl. With etchings, portraits, etc., by Arcos,
Berne-Bellecour, de Liphart, Ferdinandus, Feyen-
Perrin, Jacquemart, Jeanniot, le Natur, Lepic, Mer-
LET, Mesples, Oudart, Poilpot, Princetcau, Robert,
Sargent and Stevens. Rubricated title — numerous
fleurons, etc. Thick large 8vo, fancy paper cover, designed
by Ferdinandus and Le Natur, edges uncut.
Paris, Edouard Rouveyre, 1882
No. 477 on papier verge and limited edition of 650 numbered copies. This
work on " the Men of the Sword " is full of accounts of famous warriors,
sabreurs and duellists who have been celebrated for their use of the weapon. It
is thoroughly illustrated and has many portraits of famous swordsmen.
320 THE PENEDU BOIS COLLECTION.
LE SIEUR THEOPHILE'S " PARNASSE SATYRIQUE."
1304- [VIAU (Theophile de, dit vulgairement " Thhphile ").] Le
Parnasse Satyrique du Sieur Thj^ophile, avec le Recueil
des Plus Excellens Vers Satyriques de ce Temps. Nou-
velle Edition Complete, Revue et Corrigee, avec Glossaire,
Notices Biographiques, etc. 2 vols, small 8vo, fresh half
crushed blue levant morocco gilt, top edges gilt, others
uncut, by Pouillet. Gand andVzxx^, Claudin, x86i
Limited EDITION on "papier verge." Theophile de Viau, who commenced
authorship as a tragic writer, soon degenerated into a satirical and obscene versi-
fier. He was exiled from France in 1619 for having published immoral and blas-
phemous writings. For the publication of the above work in 1622 the Sieur
Theophile was condemned to be burnt alive, but the sentence was changed to
perpetual exile. Later he returned secretly to Paris and died at the age of
thirty-six in the hotel of the Duke de Montmorency.
" Edition la meilleure, tres recherchee et devenue tr^s rare, de ce recueil de
poe'sies obsc^nes du XVIIe siecle. Le savant expert Claudin en fait aujourd'hui
son mea culpa." — Lehic.
" Ces boutades obscenes — ces priapes bouffonnes." — ThIsophile Gautier.
1305 [VIAU.] Another copy of the same edition, but on China
PAPER. 2 vols, half red crushed levant morocco gilt, top
edges gilt, others uncut.
1306 [VIAU.J Another edition of the above described numbers.
Rubricated titles. 2 vols, in i. Small 8vo, bound by E.
RoussELLE in crushed red levant morocco, top edge gilt,
others uncut. [Brussels, Poulet Malassis], 1864
Rare edition based on all those of the i8th century, with corrections and
annotations.
' ' Recueil de poesies obscenes de Theophile, Regnier, Berthelot, Sigogne, Col-
letet, etc. Par arret du parlement du 15 aout 1623, Theophile fut condamne i
etre brule vif , Berthelot de vait Stre pendu et etrangle avant, Colletet fut banni
pour 9 ans. Notre temps a du bon, et Th. Gautier, Glatigny, Baudelaire et tutti-
quanti n'ont pas eu a redouter d'aussi eSroyables ch3,timents pour leurs pieces
du meme genre, recueillies par Poulet-Malassis en son ' Parnasse, et son
Nouveau Parnasse Satyriques du XlXf sihle.' " — Lehic.
1307 VIE ELEGANTE (La). Profusely illustrated with page
plates, and cuts in the text, many facetious. Vols, i and 2.
Thick large 4to, sewed (in parts as issued). Paris, 1882
The text and plates are by the best French writers and artists.
1308 VIRMOND (Loudolphe de). Les Cent Mani^res d'Aimer
Dddi^e aux Deux Sexes. Minimo, sewed, uncut.
Paris, 1882
Very scarce and limited edition.
THE PENE DU BOIS COLLECTION. 321
RARE EDITION OF "LA PUCELLE " BOUND BY DE-
ROME, AND UNIQUELY EXTRA ILLUSTRATED WITH
EROTIC PLATES.
1309 [VOLTAIRE (Francois Marie Arouet de).] La PU-
CELLE D'ORLEANS, Poeme Divis6 en Vingt Chants,
avec des Notes, Nouvelle Edition, Corrig^, Augmentde et
Collation^e sur le Manuscrit de I'Auteur. Square min-
imo, elegantly bound by D^rome in crushed red levant mo-
rocco extra gilt, inside gold dentelle borders, blue silk
ends. n. p., 1762
UNIQUE and very fine example of Berome binding. This early edition of
"La Pucelle " is lettered on the back " Ofiice de la Vierge." On the half-title
and end papers are eleven extremely erotic and salacious etchings illustrative
of this curiosity of literature.
' ' This Voltaire is a sort of malignant spirit, who came upon earth only to
embitter the cup of life, and afterwards laugh at our wry faces."
1310 VOLTAIRE. La Pucelle d'Orleans. 2 plates [the same
in two states — others short), and vignette title. Small 8vo,
old mottled calf gilt.
A Londres, aux depens de la Compagnie, 1764
1311 VOLTAIRE. La Pucelle d'Orleans, Poeme en Vingt-un
Chants. Portrait by Gaucher, and plates, mostly erotic,
and engraved by or after Monsiau, Marillier, Le Mire,
Ponce, Le Barrier, Choffard, Monnet, etc. 2 vols.
8vo, mottled calf gilt, edges gilt. Paris, Crapelet, an VII.
Very rare and splendid copy in good condition, with brilliant impressions
of the plates, including those engraved by Ponce under the direction of Voltaire.
13 1 2 VOLTAIRE. La Pucelle d'Orleans— Poeme en Vingt et
un Chants. Engraved fronts., vignette portraits on titles,
and vignette head-pieces after Duplessis-Bertaux. 2 vols,
small 8vo, sewed, totally uncut.
Rouen, J. Lemonnyer, 1880
Limited edition on Holland paper.
LA HENRIADE— THE 1770 EDITION, WITH EISEN'S
PLATES, AND BOUND A LA DEROME.
1313 VOLTAIRE. La Henriade— Nouvelle Edition. Vignette
portrait on front, and another on title — also numerous
exquisite plates and head-pieces by Eisen. 2 vols, small
8vo, mottled calf gilt, inside gold tooling and edges gilt
on marble d, la D^rome.
'?zx\s,, chez la Veuve Duchesne, 1770
Very rare, with Inserted catalogue cutting of another copy of the same
priced 400 francs by a Paris bookseller. Preceding the"avant propos" is a
copy of a letter dated " Chateau de Ferney par Lyon, 14 Aout 1767," and
written to Eisen, in which Voltaire tells him that the " Henriade" will go to
posterity on account of the beautiful illustrations with which the artist had
embellished it.
322 THE PENE DU BOIS COLLECTION.
13 14 VOLTAIRE. La Henriade, Poeme. Nouvelle Edition.
Collationde sur les Textes Originaux. Portrait and plates.
Thick square minimo, half russia, marbled sides and
edges. Paris, L. De Bure, 1836
Scarce edition, with numerous steel plates by Leprince after Pauquet and
Pourvoyeur.
13 15 VOLTAIRE. Candida ou TOptimisme Edition Originale
suivie d'une Lettre de M. D^mad et de Notes et Vari-
antes. Portrait of Voltaire, 1769. Large 8vo, fresh
yellow calf gilt, top edge gilt, others uncut.
Paris, Academic des Bibliophiles, 1869
No. 46 of LIMITED EDITION of 342 copies, printed by Jouaust, of which
2 copies are on vellum, 20 on China paper, 20 on Whatman, 300 on "papier
vergi."
With false title of the original edition: — " Candide ou I'Optimisme, traduit
de I'Allemand de Mr. le Docteur Ralph, 1759."
With book-plate — "Ex libris B. G. — Gayement lisez."
VERY RARE EARLY EXAMPLE OF VOLTAIRE— BOUND
BY CAPE.
1316 [VOLTAIRE.J Lettre de M. de V * * *, avec Plusieurs
Pieces Galantes et Nouvelles de Differens Auteurs. Small
8vo. Bound by Cap^ in crushed green levant morocco
, gilt, inside dentelle gold borders, rounded corners, edges
gilt. La Haye, chez Pierre Poppy, 1744
VERY RARE, with erotic additions by Piron and others. This is one of the
most facetious collections of poetry in the French language. On pp. 216-220
will be found the celebrated story in verse of — " Etimologie de I'Aze-te-foute "
made use of by Victor Hugo in his ' ' Roi s'amuse. "
1317 VOLTAIRE. Recherches sur les Ouvrages de, par " J. J.
E. G Avocat." 8vo, sewed, uncut. Paris, 1817
From the library and with the ' ' ex-libris " of " Doct. D. Bernard. " This
contains reflections on Voltaire's writings,a bibliography of his works from 1732,,
an account of those volumes that have been judicially condemned, and a list of
those books that combat his alleged ' ' dangerous principles. "
13 1 8 I^^ICK (Alexandre). L'Age d'Or. 12 compositions of
nudes reproduced after ZiCK — rubricated and tinted
title. Large 4to, loose in fresh cloth portfolio gilt,
with inside flaps. Paris, n. d.
Erotic. These charming studies represent — " The Marriage Night, "
"Spring," "Summer," "Autumn," "Winter," "Morning," "Night," "The
Dream," " The Guardian Lion," " Evening," " The First Lyre" and "Noon."
THE PENE DU BOIS COLLECTION.
323
1319 ZOLA'(Emile). Pot Bouille. Small 8vo, sewed, uncut.
Original edition. Paris, 1882
1320 Zola. L'Assommoir. With numerous page illustrations.
Large 8vo, sewed (a few pp. stained at the corners).
Paris, n. d.
1321 Zola. Le Ventre de Paris. With numerous page illustra-
tions. Large 8vo, sewed. Paris, n. d.
324 THE PENE DU BOIS COLLECTION.
VII. gjOjetri) anil grama.
" But poets, or those who imagine and express this indestructible order, are
not only the authors of language and o£ music, of the dance, and architecture,
and statuary, and painting; they are the institutors of laws, and the founders of
civil society, and the inventors of the arts of life, and the teachers, who draw
into a certain propinquity with the beautiful and true, that partial apprehension
of the agencies of the invisible world which is called religion .... Poets are
the hierophants of an unapprehended inspiration ; the mirrors of the gigantic
shadows which futurity casts upon the present ; the words which express what
they understand not; the trumpets which sing to battle, and feel not what they
inspire ; the influence which is moved not, but moves. Poets are the unacknowl-
edged legislators of the world." — PERCY Bysshe Shelley, " A Defence of
Poetry."
1322 ACTRICES DE PARIS.— Texte par Emile Bergerat,
Daniel Bernard, Emile Bl^mont, Jules Claretie,
Pierre Elzear, Maurice Guillemot, Guy de Maupas-
sant, Ernest d'Hervilly, Louis Leroy, Francisque
Sarcey, Saint-Jurs, and Victor Wilder. Numerous
fortraits on India paper by E. de Liphart of the leading
actresses of Paris, also vignettes, head and tail pieces. Large
8vo, sewed, uncut. Paris, 1882
Among the actresses whose portraits appear in the above are — Sophie Croiz-
ette, Marie Van Zandt. Christine Nilsson, Sarah Bernhardt, Anna Judic,
Louise Theo, Jane Hading, and others, thirty-two in all.
1323 AICARD (Jean). La Chanson de I'Enfant — Nouvelle
Edition. Illustrated with portrait and 128 designs by
T. Lobrichon, with the collaboration of E. Rudaux,
and engraved on wood by L. Rousseau. Large 8vo, fresh
half red morocco, top edge gilt, others uncut by Smeers.
Paris, Georges Chamerot, 1884
This charming work was crowned by the French Academy.
THE PENE DU BOIS COLLECTION. 325
1324 AMPERE (J. J.). Sigurd, Tradition Epique Selon
I'Edda et les Niebelungs Restitutee precedde d'une Notice
pour Servir a THistoire de la Tradition. Large 8vo, half
vellum, totally uncut. Paris, Rcnouard, 1832
Privately printed, with autograph presentation inscription and signature of
the author.
FRANCE'S ANCIENT POETS— TEN VOLUMES.
1325 ANCIENS POETES de la FRANCE, publics sous les
Auspices de S. Exc. M. le Ministre de I'lnstruction Pub-
lique et des Cultes et sous la Direction de M. F. Guessard.
10 vols, small 8vo, cloth, rough edges.
Paris, F. Vieweg, 1859-70
These charming volumes printed by Jouaust on " papier verge " comprise the
following — " Chansons de Geste ": — Gui de Bourgogne, Otinel, Floovant, Doon
de Maience, Gaufroy, Fierabras, Pause la Duchesse, Huon de Bourdeaux, Aye
d' Avignon, Gui de Nanteuil, Gaydon, Hugues, Capet, Macaire and Aliscans.
The whole of the above, with one exception, appear for the first time in this
series. They were edited from unique manuscripts by F. Guessard, H. Michel-
ant, A. Pey, P. Chabaille, A. Kroeher, G. Servois, L. Larchey, C. Grand-
maison, S. Luce, le Marquis de la Grange and A. de Montaiglon.
1326 Andrieux (G. S.). Lucius Junius Brutus, Trag^die.
Small 8vo, half blue morocco, marbled edges. Paris, 1830
With inserted portrait. The author was Perpetual Secretary of the French
Academy.
1327 Arnold (Edwin). The Secret of Death, from the Sans-
krit. With some Collected Poems. Small 8vo, fresh cloth.
Boston, 1885
LARGE PAPER AND UNIQUE COPY OF ARIOSTO— WITH
TWO SETS OF PROOFS BEFORE LETTERS.
1328 ARIOSTO. — Orlando Furioso di Lodovico Ariosto.
Portrait and ptates. 4 vols. 4to, half red morocco, top
edges gilt (rubbed slightly). Paris, Plassan, 1795
VERY RARE, LARGE PAPER, UNIQUE and with two sets of
plates, both proofs before letters. These beautiful engravings are by
or after: — -Titian, Eisen, Ficquet, Cipriani, Bartolozzi, Cochin, Ponce, Moreau
le jeune, De Launay, De Ghendt, Lingee, Massard, Henriques, Prevost, Mon-
net, Duclos, Martini, etc. A few are slightly stained.
" Ariosto has been, after Homer, the favorite poet of Europe. His grace
and facility, his clear and rapid stream of language, his variety and beauty of
invention, his very transitions of subject, so frequently censured by critics, but
artfully devised to spare the tediousness that hangs on a protracted story, left
him no rival in general popularity. Above sixty editions of the Orlando
Furioso were published in the sixteenth century. There was not one, says Ber-
nardo Tasso, of any age, or sex, or rank, who was satisfied with a single
perusal. " — Hall am.
326 THE PENE DU BOIS COLLECTION.
THE EXTREMELY RARE " TRAGIQUES " OF AGRIPPA
D'AUBIGNY.
1329 [AUBIGNE (Agrippa d').]— | Les | Tragiqves | Donnez
av pvblic par | le larcin de Promethee. | Av Dezert, |
par L. B. D.D. | MDCXVI. | Small 4to. Elegantly
bound by Brany in crushed maroon levant morocco,
blind tooled, rounded corners,^ inside gold borders, edges
gilt on marble. [Geneva,] 1616
EXCESSIVELY RARE, and from the library of and with the heraldic
" Ex-Libiis de Marescot."
This is the original edition of this most uncommon book with rare page of
"errata" at the end generally wanting. A copy of this volume without the ,
errata was priced 800 francs by Morgand-Fatout.
The " Tragedies " of Agrippa D'Aubigny, a kind of counterpart of the
" Discours sur les Mis^res du Temps" of Ronsard, are composed of seven
satires whimsically entitled — " Mis^res," " Princes, "" la Chambre Doree,"
" les Feux," " les Fers," " Vengeances " and " Jugement," in which the poet
successively passes in review the unhappinesses of the times, the debauchery of
the court, the meanness of parliament, the tortures by fire, the massacres of
the Faitfiful by the sword, and finally the heavenly vengeance and judgment of
the Most High on the persecutors.
The text of these satires is filled with striking descriptions of the manners
and customs of society at this eventful period in the history of Europe.
1330 AUGIER (Emile). La Cigue, Comedie. Small 8vo, half
cloth, totally uncut. Paris, 1844
Presentation copy to the wife of the Prime Minister of Napoleon III., with
the following inscription: — "A Madam Julie Fortoul temoignage de sincere
amitie. E. AUGIER."
" LAYS OF THE SCOTTISH CAVALIERS," HANDSOMELY
BOUND.
1331 AYTOUN (William Edmonstone, D.C.L). Lays of the
Scottish Cavaliers and other Poems. With illustrations by
Sir Joseph Noel Paton, F.S.A., and'WKLT-E's. H. Paton.
4to, superbly bound in red crinkled morocco elegant, with
blue morocco mosaiced borders on the sides, on the front
of which is the coat-of-arms of Scotland, with " the field "
in yellow morocco let in — beveled sides, inside gold den-
telle borders, edges gilt. Edinburgh and London, 1870
Splendid edition, charmingly bound.
" A volume of verse which shows that Scotland has yet a poet. Full of the
true fire, it now stirs and swells like a trumpet tone — now sinks in cadences sad
and wild as the wail of a Highland dirge." — London Quarterly Review.
1332 BARBEY d'AUREVILLY (Jules). Poesies, Commentees
par lui-meme. Rubricated and armorial title. 4to. Superbly
bound by Chambolle-Duru in crushed maroon levant
morocco gilt, rounded corners, inside dentelle gold borders,
edges gilt, temoins, covers bound in. Brussels, 1870
LARGE PAPER and privately printed limited edition of 72 copies
in all.
THE PENE DU BOIS COLLECTION. 327
1333 Banville (Theodore de). Poesie Fran9aise. Small 8vo,
sewed, uncut. Paris, n. d.
UNIQUE COPY OF THE EXCESSIVELY RARE ORIGINAL
EDITION OF THE "FIGARO" OF BEAUMARCHAIS—
LUXURIOUSLY BOUND.
1334 BEAUMARCHAIS (Pierre Augustin Caron de).— | La
I Folle Journ^e, | ou | le Mariage de Figaro, | Com^die |
en Cinq Actes, en Prose. | Par M. de Beaumarchais. |
Representee pour la premifere fois, par les Comediens |
Fran^ais ordinaires du Roi, le Mardi 27 Avril 1784. | En
faveur du badinage, | Faites grace a la raison. Vand. de
la piece. | 8vo. Superbly bound by Reymann in crushed
red levant morocco extra gilt, inside gold dentelle borders,
rounded corners, edges gilt on marble and in drop case.
[Kehl] ] de rimprimerie de la SociM litterau-e- \ typo-
graphique; \ Et se trouve a Paris, \ Chez Ruault, libraire,
au Palais Royal, pris \ le thMtre, no. 216 | 1785. j
EXCESSIVELY RARE and UNIQUE COPY of ihe ORIGINAL
EDITION of " the Marriage of Figaro," in splendid condition and with broad
margins. Extra illustrated with nine exquisite plates engraved by Lienard, C.
N. Malapeau, Halbon and Roi, after the designs of St. Quentin.
In "Figaro" Beaumarchais has personified the tiers etat, superior in wit,
industry and activity, to birth, rank, or fortune, in whose hands lies the political
power; so that the idea of the piece is not only a satirical allegory upon the
government and nobility of that epoch, but a living manifesto upon the
inequality, just or unjust, of society. We must not be surprised, therefore, if
for a long time the comedy was forbidden to be acted. When at length suffered
to be performed, its success was astonishing. It has been stated that such was
the anxiety and eagerness of the people to be present at the first representation,
that more than 400 persons went to the theatre early in the morning, and passed
the day and dined in the boxes. It was acted for two years running, twice in
every week, and produced 50,000 francs to the theatre, and 30,000 to Beaumar-
chais. who used to say, that if there were anything more foolish than his play it
was his success.
133s BEAUMARCHAIS. Le Barbier de Seville, ou la Precau-
tion Inutile Comddid en Quatre Actes par M. de Beau-
marchais; Representee et Tombde sur le Theatre de la
Comddie Fran9aise aux Tuileries le 24 de Fdvrier 1775,
et reprise avec succes sur le meme Theatre, le 26 du dit
mois et jours suivans. Fine portrait of Beaumarchais,
engraved by Delatre (slightly foxed). Small 8vo, half
morocco, gilt. Paris, Ruault, 1775
EXTREMELY RARE and editio princeps. Bound up with the above are
also the two following original editions of Beaumarchais: —
" Eugenie, Drame en cinq actes, en Prose," par M. de Beaumarchais. Paris,
chez Merlin, 1778; and —
' ' Les Deux Amis, " ou le Negociant de Lyon, Drame en Cinq Actes, en
Prose," par M. de Beaumarchais. Representee pour la premiere fois sur le
Theatre de la Comedie Francaise 4 Paris, le 13 Janvier, 1770. Paris, chez la
Veuve Duchesne, 1771.
328 THE PENE DU BOIS COLLECTION.
FIRST EDITION OF BEAUMONT AND FLETCHER— ALSO
RARE SEPARATE PLAYS.
1336 BEAVMONT (Francis) and FLETCHER (lohn). Come-
dies AND Tragedies. Never printed before, and now
published by the Authours Originall Copies. Portrait of
. Fletcher by Marshall. Thick small foHo, old calf, gilt,
rebacked (title mounted, and stained slightly).
London, Humphrey Robinson and Humphrey Moseley, 1647
Rare and very fair copy. Added thereto is the very erotic " Wild Goose
Chase, A Comedie," printed in 1652, of which the last page has comer torn
slightly, but without injuring text.
' ' First collected edition, containing — Plays dedicated by ten comedians to
Philip, Earl of Pembroke and Montgomery. In this edition, edited by John
Shirley, are 36 plays, printed for the first time." — Lowndes.
" I do not care for a First Folio of Shakespeare. I rather prefer the common
editions of Rowe and Tonson, without notes, and with plates, which, being so
execrably bad, serve as maps, or modest remembrancers to the text. On the
contrary, I cannot read Beaumont and Fletcher but in Folio. The octavo edi-
tions are painful to look at. I have no s)rmpathy with them." — Lamb.
" Beaumont and Fletcher are lyrical and descriptive poets of the first order;
there is hardly a passion, character, or situation which they have not touched in
their devious range, and whatever they touched, they adorned with some new
grace or striking feature ; they are masters of style and versification in almost
every variety of melting modulation or sounding pomp, of which they are
capable in comic wit and spirit. They are scarcely surpassed by any writers of
any age." — Hazlitt.
1337 Beeton (S. O.). Great Book of Poetry from C^dmon
and King Alfred's Bcethius to Browning and Tenny-
son, also a Separate Selection of American Poems. 2
vols. 8vo, half calf gilt, marbled sides and edges.
London, n. d.
This valuable work contains nearly two thousand of the best pieces of English
and American poetry. With biographical notices of the poets.
1338 Berenger (L. p.). Poesies. Engraved title and front, by
Chatelain. 2 vols, minimo, original calf, gilt.
A Londres, 1785
1339 BERQUIN (Arnaud). Idylles. Illustrated with engraved
title and the exquisite plates of Marillier. Elegantly
bound by P. Bernon in red crushed levant morocco, ele-.
gant inside gilt borders, gilt edges.
Paris, chez Ruault, 1775
Beautiful edition printed on "papier velin." Stamped on the sides with
the coat-of-arms — "or, a Gallic cock impaling another, shield charged with a
sword pommel downwards — over both shields a bar sinister, on which a crown
above the cross of the Legion of Honor."
" On a pour Berquin plus de reconnoissance qu'on ne lui accorde de gloire.''
— Dussault.
1340 BLANCHEMAIN (Prosper). Pofemes et Poesies. Small
8vo, half morocco. Paris, 1845
Very scarce and printed on toned paper. Presentation copy with original
verses at the beginning and end in the handwriting of the author.
THE PENE DU 'BOIS COLLECTION. 329
1341 Bluthen und Perlen, Deutscher Dichtung. Eage engrav-
ings on wood, steel front, and illuminated false title. Square
minimo, fresh cloth gilt, beveled sides, gilt edges.
Hanover, 1880
SPLENDID EXAMPLE OF THE TYPOGRAPHY OF BODONL
1342 BODONI.— I GABRIELIS | FAERNI | Cremonensis
I Fabvlse Centvtn | ex | Antiqvis Avctoribvs | Delectse |
Carminibvsqve Explicatae, | eteivsdem | Carmina Varia. |
Large 4to, tree marbled calf gilt, lemon edges.
Parma, in cedibus Palatinis typis Bodonianis, 1793
Finest possible copy internally of a Bodoni and in fine old binding.
John Baptist Bodini, the most celebrated typographer of the eighteenth cen-
tury and the rival of Baskerville in fame, was born in Piedmont, 1740, and died
at Padua in 1813. In early life he distinguished himself as a wood engraver of
vignettes. For a period he was a workman in the printing office of the Propa-
ganda at Rome, and there became renowned by engraving and foundmg
beautiful types. Bodoni was offered the direction of the Ducal Printing Office at
Parma and it was there he executed his typographical chefs-d'cEuvre of which
the above is one of his best. By the aid of the Chevalier d'Azara he established
a printery of his own, and he rendered Parma famous throughout Europe for
beautiful printing. The success and admiration that attended Bodoni were
unbounded.
1343 BoiGNE (Charles de). Petits Memoires de I'Op^ra. Small
8vo, half red morocco gilt, top edge gilt, others uncut.
Paris, 1857
J344 BoiGNE. Another copy of the same. Sewed, uncut.
Paris, 1857
FINE COPY OF THE 1747 BOILEAU.
1345 BOII.EAU-DESPREAUX (Nicolas). OEuvres de, avec
des Eclaircissemens Historiques donnas par lui-meme et
r^dig^s par M. Brossette; augment^e de plusieurs Pieces,
tant de I'Auteur, qu'aiant rapport a ses Ouvrages avec des
Remarques et des Dissertations Critiques par M. de
Saint-Marc. Fine portrait of Boileau by Daul£ after
RiGAUD — also plates [stained'), head and tail pieces by Eisen
and others. 5 vols, small 8vo, fine old mottled calf gilt,
edges gilt on red. Paris, 1747
VERY SCARCE, and one of the best editions of Boileau, whose works place
him as one of the members of a literary triumvirate, to which belong with him,
Horace and Pope.
Brunet quotes the following sales of this edition — " 391 francs F. Didot, a
ete porte a 433 francs Labedoy ... en 1837; un autre en mar. 1. rel. par
Auguerand 380 francs De Bure." The same authority states further: — " On y
a conserve les uotes de Boileau, de Brossette, et en general presque toutes celles
des editions precedentes; et I'auteur y a joint non seulement les siennes propres,
mais encore le ' Boiloeana ' et des ' Essais Philologiques, ou Supplement aux
remarques critiques ajoutees a celle edition, et qui sont en partie d'un Sieur
de La Bruy^re. De tout cela il est resulte un veritable 'Variorum,' avec les
avantages et les defauts attaches a ces sorts de Uvres. Neanmoins, pendant plus
d'un demi siecle celui-ci a conserve une certaine reputation, qu'il a due surtout
i sa belle execution typographique. "
330 THE PENE D U BOIS COLLECTION.
1346 Brazier (Nicolas). Histoire des Petits Theatres de Paris
depuis leur Origine. 2 vols, minimo, fresh half crushed
green levant morocco gilt, top edges gilt, others uncut.
Paris, Allardin, 1838
Very scarce. "Nouvelle edition, corrigee et augmentee de plusieurs
chroniques."
1347 Briet et Cerfbeir. Tribulations d'un Esculape, Vaudeville.
Small 8vo, sewed, uncut. Paris, 1886
THEATRICAL PORTRAITS— A RARE VOLUME.
1348 BRITISH THEATRICAL GALLERY, with Biographical
Notices by D. Terry. Steel portraits. Large 4to, half
morocco gilt, cloth sides (rubbed and some plates foxed
slightly). London, 1825
This volume of dramatic portraits includes — Mrs. Siddons as "Lady Mac-
beth"; Messrs. Kean (as "Richard III."), Young, Harley, Knight, Gattie,
Dowton, Williamson, Fitzwilliam, Cooper, G. Smith, Siramonds, DeBegnis,
and LeBlond; Mesdames Bland, S. Booth, Smithson and Copeland; and Miss
Noblet and Miss Hullin.
The engravings were all executed by that talented master of the burin Robert
Cooper, and after the original portraits by Clint, Sharp, De Wilde and Wal-
deok.
MRS. BROWNING'S POEMS— LARGE PAPER, ON HOLLAND
PAPER.
1349 BROWNING (Elizabeth Barrett). Poetical Works. With
fine portrait. 5 vols. 8vo, boards, uncut.
N. Y., Dodd, Mead&' Co., 1884
Large paper. No. 153 of limited edition of 150 copies on Holland paper,
20 on Japan and 2 on vellum beautifully printed by De Vinne'. A new fresh
copy, in the original wrappers.
' ' Mr. Leigh Hunt, in one of his clever poems, calls her ' the sister of Tenny-
son.' We object to this, and claim her as Shakespeare's daughter."
' ' Lovers of Mrs. Browning have long vrished for a complete and satisfactory
American edition of her works. There has indeed been a positive need of such
an edition. That need is now filled by the five beautiful volumes published by
Dodd, Mead & Company. It is not often even in this age of good book-making
that a handsomer set of volumes comes under the eye of the reviewer than
these. Altogether this edition will take its rank with the most satisfactory and
permanently valuable publications of the season." — Christian Union.
1350 BuNNER (H. C). Airs from Arcady and Elsewhere.
Small 8vo, dark blue crushed levant morocco,jANSEN style,
by Bradstreet. - N. Y., 1884
With inserted three-page autograph letter from the author to Mr. Pene du
Bois.
EDITION-DE-LUXE OF BURNS.
135 1 BURNS (Robert). Works.— The Library Edition, edited
by W. Scott Douglas, with Explanatory Notes and
Glossary. Illustrated with portraits, vignettes and fronts.,
THE PENE DU BOIS COLLECTION. 331
engraved by W. Forrest, A.R.S.A., and R. Anderson,
A..'K.S.h.., from the original drawings by AuEyi. Nasmyth,
R.S.A., Sam Bough, R.S.A., W. E. Lockhart, R.S.A.,
and A. Clark Stanton, A.R.S.A., and with woodcuts, fac-
similes, maps and music. 6 vols, large 8vo, cloth, gilt,
totally uncut Edinburgh, 1877-79
Large paper and with the plates on India paper. ' ' Without being unfair
to previous collections of the poet's works, we cannot recall any which can for a
moment be compared in magnificence to that which has been published in six
volumes by Mr. Paterson, of Edinburgh, under the supervision of Mr. Scott
Douglas. It is, if we may say so, the completest of the many ' Complete Edi-
tions ' of Burns's works. A library edition such as this is the best and aptest
monument to Bums. His fame constantly rises. It is no longer a faint star,
beautiful but dim; in full splendor it shines in the firmament. . . . No casket
is too precious for the records of his genius. . . . He has been known for
many years as an ardent and acute student of the history of Burns. The draw-
ings from the pencil of the late Mr. Sam Bough are admirable. It was an
excellent choice to make him the interpreter of Burns's genius. An artist
after Burns's own heart — ' rough, rude, ready-witted ' — he would have been
loved and sung by the poet had they known each other. " — London Times.
"For the benefit of English readers — perhaps, also, for the information of
modern Scots — a very complete glossary of Scotch words is included, and each
page bears a number of foot-notes explanatory of Burns's vernacular." — Liver-
pool Albion.
1352 'Qxi'SJto-s {y^'-Ci\\z.va.'^., Actor, Author and Manager). Sketch
of his Career, with Recollections" of his Performances, by
William L. Keese. Portraits, illustrations, facsimiles of
play-bills, etc. Small 8vo, fresh cloth, beveled sides, top
edge gilt, others uncut. N. Y., 1885
1353 Canonge (L. Placide). France et Espagne, ou la Louisi-
ane en 1768 et 1769, Drame. Large 8vo, sewed, uncut
(stained). Rare. New Orleans, 1850
1354 Canonge. Le Comte de Cariiiagnola — Drame en Cinq
Actes, Dix Tableaux et Deux Epoques. Large 8vo, sewed.
New Orleans, 1856
'355 Carcassone (Adolphe). Nouvelle Pieces a Dire. Small
8vo, sewed, uncut. Paris, 1884
1356 [CASTEL (Louis).] M^moiresd'un Claqueur, contenantla
Thdorie et la Pratique de I'Art des Succes; des Jugemens
sur le Talent de Plusiers Auteurs, Acteurs, Actrices,
Danseurs, Danseuses, et un Tres-grand Nombre d'Anec-
dotes Historiques toutes In^dites; Ouvrage Indispensables
aux Gens de Monde, Utiles a tous les Artistes, et N6ces-
saire a la Connaissances des Moeurs Litt^raires et Th^-
atrales du XIXe Siecle; par " Robert." Edition publi^e,
revue, corrigde et accompagnde de Notes par " un Vieil
332 THE PENE DU BO IS COLLECTION.
Amateur." Engraved front. 8vo, three-quarters half
crushed green levant morocco, top edge gilt, others uncut.
Paris, 1829
EXTREMELY SCARCE, the work having been suppressed by the theatrical
managers of Paris. This volume shows upon what a slender basis the success
or failure of a dramatic author, the representation of a play, or the reputations
of French actors and actresses rest.
1357 CASTIL-BLAZE. L'Opera Italien de 1548 a 1856. 8vo,
sewed, uncut. Very scarce. Paris, 1856
1358 Castil-Blaze. L'Acaddmie Imperiale de Musique, His-
toire Litt^raire, Musicale, Choregraphique, Pittoresque,
Morale, Critique, Facdtieuse, Politique et Galante de ce
Theatre de 1645 a 1855. 2 vols. 8vo, paper, uncut.
Paris, 1855
1359 Catullus, Tibullus, Propertius ad Optimorum Exem-
plarium Fidem Recensiti cum MSS. Codicum Variis Lec-
tionibus Margini Appositis. 4to, old calf. Paris, 1723
Dedicated by the printer Coustellier to Philip, Duke of Orleans.
VERY RARE ORIGINAL EDITION OF CENTLIVRE'S
PLAYS.
1360 CENTLIVRE (Mrs. Susanna). Dramatic Works, with
a New Account of her Life. Portrait. 3 vols, lamo,
fine old red morocco gilt, dentelle inside gold borders,
edges gilt, by D^rdme. London, 1760-61
Very rare. An exceedingly fine copy of the First Edition, with MS. note
on fly-leaf : — ''Mrs. Centlivre's plays were collected and published in 3 vols.
i2mo, 1760. It is, however, become a scarce book. ' Biograph. Dramatica,'
Vol. 1st, article, Centlivre.'"
These plays are greatly admired for their incidents, language, and humorous
descriptions of real life.
1361 CHANSON DE ROLAND. Traduction Nouvelle Rhythm^e
et Assonancee avec une Introduction et des Notes par L.
Petit de Julleville. Thick 8vo, vellum, paper cover,
rough edges. Paris, 1878
This is one of the charming ' ' Collection Lemerre, " printed on Holland
paper.
1362 CHANTS ET CHANSONS POPULAIRES de la
FRANCE — Nouvelle Edition. Illustrated with engrav-
ings by the best artists after the original designs of De
Beaumont, Daubigny, Dubouloz, E. Giraud, Meis-
soNiER, Pascal, Staal, Steinheil and Trimolet. 2
vols, large 8vo, half morocco gilt, cloth sides.
Paris, Gamier, 1854
Charmingly illustrated, many of the plates being facetious, and to
which is conjoined a considerable portion of the text, which is also printed
from the engraved plates. A few are slightly foxed.
The first volume consists of — "Chansons Choisies — Romances, Rondes,
Complaintes et Chansonnettes"; the second of — " Chants Guerriers et Patriot-
,iques — Chansons Bacchiques et Burlesques."
THE PENE DU BOIS COLLECTION. 533
1363 CHARLES II. — Sereniss. Principi Carolo Secundo Mag.
Brit. Fran, et Hib. Regi Votum Candidum Vivat Rex Avtore
Mauritio Neoporto Anglo. Small 8vo, crinkled red mo-
rocco gilt, edges gilt. London, 1676
Rare and good example of Bozerian's binding. The volume is a clean copy
of Latin Verses, several hundreds of pages in number, to the honor of Charles
the Second.
1364 CHAULIEU (G. A. de). Poesies. Portrait by 'S>i. hxi-&m.
Small 8vo, half red crinkled morocco, totally uncut.
Paris, Herhan, 1803
Large paper, with the vignette printer's device on title of Guttenberg,
Fust and Schoeffer.
1365 CLAIRVILLE (L. F. N.). Chansons et Poesies. Small
8vo. Bound by V. Champs in three-quarters crushed green
levant morocco gilt, and back inlaid with red morocco,
rounded corners, top edge gilt, others uncut, covers bound
in. Paris, 1853
Presentation copy, with MS. inscription of author.
1366 CLEMENT (Felix) ^^LAROUSSE (Pierre). Dictionnaire
Lyrique ou Histoire des Operas. Large 8vo, half mo-
rocco, gilt. Paris, n. d.
A most useful work of reference, being an alphabetical list or analysts of the
nomenclature of all the operas and comic operas represented in France and
foreign countries from their origin to our time.
1367 Cleveland (Rose Elizabeth). George Eliot's Poetry
and other Studies. Small 4to, illuminated cloth.
N. Y., 1885
1368 COLO MBIER (Marie). Le Voyage de Sarah Bernhardt
en Am6rique, avec Preface par ArsJ:ne Houssaye. Por-
traits and humorous cuts. Small 8vo, sewed, uncut.
Original edition. Paris, n. d.
1369 CoMtoiE Francaise (La), a Londres (1871-1879). Jour-
nal Inedit de E. Got — Journal de F. Sarcey, publics
avec une Introduction par Georges D'Heylli. Small
8vo, paper, uncut. Paris, 1880
CONGREVE'S WORKS— PRINTED BY BASKERVILLE—
BOUND BY BELZ-NIEDREE.
1370 CONGREVE (William). Works of, consisting of his Plays
and Poems [with Life]. Portrait, and an elegant series of
plates by Grignon, from Hayman's designs. 3 vols, large
8vo, fine fresh red crushed morocco extra, inside gold bor-
334 THE PENE DU BOIS COLLECTION.
ders, rounded corners, inside gold tooling, edges gilt on
red by Belz-Niedr£e.
Birmingham, John Baskerville, 1761
SCARCE. This is a beautiful specimen of Baskerville's printing, and is, at
the same time, the best edition of Congreve's works. A fine copy, but with
some pages of the life stained slightly.
' ' We have had in Congreve a humorous observer of another school [than
Swift]. ,to whom the world seems to have no moral at all, and whose ghastly doc-
trine seems to be that we should eat and drink and be merry when we can, and
go to the deuce— if there be a deuce — when the time comes." — Thackeray.
CHINA PAPER COPY OF DANTE— BOUND BY CUZIN.
1371 DANTE ALIGHIERI. La Divine Com^die, Traduction
Nouvelle par Francisque Reynard. Etched head of
Dante on front, by Martinez — rubricated titles. 2 vols,
small 8vo. Handsomely bound by Cuzin in crushed red
levant morocco, inside dentelle gold borders, rounded cor-
ners, edges gilt and " temoins."
Paris, Alphonse Lemerre, 1877
No. 16 of LIMITED EDITION of 50 numbered copies, entirely on China paper
and in superb reliure of Cuzin.
1372 DANTE ALIGHIERI. Vision of Purgatory and Paradise,
translated by Gary, and with Critical and Explanatory
Notes. Numerous illustrations by Gust aye Dor^. Large
4to, fresh cloth extra gilt, beveled sides, gilt edges.
London, n. d.
1373 DANTE ALIGHIERL The Divine Comedy, translated
by Henry Wadsworth Longfellow. 3 vols, small 8vo,
fresh half yellow calf gilt, marbled sides and edges.
Boston, Riverside Press, 1881
Published at twelve dollars in half calf.
1374 Daudet (Alphonse). Le Roman du Chaperon Rouge,
Scenes et Fantaisies. Small 8vo, bound by V. Champs in
three-quarters crushed levant morocco, tooled gilt back
inlaid with blue morocco, rounded corners, top edge gilt,
covers bound in, others uncut. Paris, 1862
With inserted autograph letter of Alphonse Daudet, signed.
1375 DELILLE (Jacques). L'Imagination, Poeme. Fronts, en-
graved by D'Elvaux and Baquoy after Monsiau and
Myris. 2 vols. 8vo, half mottled sheep gilt, lemon edges.
Paris, 1806
Rare. Accompanied with historical and literary notes.
1376 Delpit (Albert). Le Repentir, Repit d'un Cur6 de Cam-
pagne, Pofeme Couronnd par I'Acaddmie Frangaise. Small
8vo, sewed, uncut. Paris, 1873
Dedicated to Henri de Pene, uncle of Mr. Pene du Bois.
THE PENE DU BOIS COLLECTION. 335
1377 DENNIS (George). The Cid, a Short Chronicle, founded
on the Early Poetry of Spain, illustrated; also — The Span-
ish Drama, Lope de Vega and Calderqn, by G. H.
Lewes. 2 vols, in i. Minimo, half calf gilt, marbled
edges. London, Charles Knight, 1845-46
1378 DESARBRES (Ndrde). Deux Siecles a I'Opera 1689-
1868, — Chronique Anecdotique, Artistique, Eccentrique,
Pittoresque et Galante. Small 8vo, half morocco, gilt.
Paris, 1868
1379 DESCOURBES (Gaspar). Annecy soit les Marquisats en
1820, Poeme Descriptif-Philosophique. Large 8vo, sewed.
Annecy, 1866
1380 Des Houlieres (Madame et Mdlle.). CEuvres de. Por-
trait and vignettes by Taedieu and Ovvv.iz^ after S£vE. 2
vols, minimo, mottled calf gilt, red edges. Paris, 1753
Madame des Houlieres, the 17th century poetess, was known as — " the tenth
muse, the French Calliope."
1381 DINAUX (Arthur Martin). Les Trouveres Art^siens; les
Trouveres Cambrdsiens and les Trouvferes de la Flandre et
du Tournaisis; les Trouveres Brabanfons, Hainuyers,
Liegeois et Namarois. Cuts. 4 vols, in 3. Large 8vo,
half morocco (slightly foxed). Paris, 1837-63
Very scarce. This is one of the best authorities on the Troubadours,
Trouveres or old poets of France. With the inserted heraldic book-plate of E. de
Coussemalier.
1382 Domett (Alfred). " It was the Calm and Silent Night," a
Christmas Hymn. Illustrated by W. L. Taylor. Small
4to, fresh cloth, gilt. N. Y., 1884
DRAMATISTS OF THE RESTORATION— FOURTEEN
VOLUMES— LIMITED EDITION.
1383 DRAMATISTS OF THE RESTORATION. Edited,
with Prefatory Memoirs, Introductions and Notes, by
James Maidment and W. H. Logan. 14 vols, small 8vo,
cloth, uncut. London, Henry Sotheran and Co., 1872-75
Limited edition of 633 copies only. This set, which is complete, includes: —
Sir Aston Cokain's Dramatic Works, i vol.; John Crowne's Dramatic Works, 4
vols. ; Sir William Davenant's Dramatic Works, 5 vols. ; John Wilson's Dramatic
Works, I vol. ; John Lacy's Dramatic Works; Shackerley Marmion's Dramatic
Works, and John Tatham's Dramatic Works.
No dramatic collection can be considered complete without the above authors,
who, for the most part writers of comedy, flourished after the extinction of the
British Commonwealth. As the text in previous editions had been either
imperfectly or corruptly dealt with, the several plays are now presented in an
unmutilated form. They are beautifully printed on fine paper, and range with
the best editions of Ben Jonson, Shirley and other early dramatists.
336 THE PENE DU BOIS COLLECTION.
1384 Dreyfus (Abraham). Comment se fait une Piece de
Thdatre. Large 8vo, sewed, uncut. Paris, Quantin, 1884
No. 43 of a LIMITED EDITION of 50 copies — "non mis dans le commerce."
1385 DUGUE (Charles Oscar, ^/iV^^wCr&a^j-). Homo, Pqeme
Philosophique, Paris, 1872; Essais Poetiques de Dugue,
New Orleans, 1847; Le Cygne, Drame de Dugue, TWze/
Orleans, 1852 (stained); Mila ou la Mort de la Salle,
Drame de Dugu^, New Orleans, 1852. Together 4 vols.
Small 8vo, sewed.
THE ENGLISH POETS IN TWENTY-ONE VOLUMES.
1386 ENGLISH POETS.— The Works of the English Poets
from Chaucer to Cowper; including Series Edited with
Prefaces Biographical and Critical by Dr. Samuel John-
son and the Most Approved Translations — the Additional
Lives by Alexander Chalmers, F.S.A. 21 vols, large
8vo, old half russia, contents lettered. London, 1810
One of the BEST editions of the British Poets. The last three volumes con-
tain the Translations, which were also published under a separate title at
£,1. i6s.
This wort is arranged as follows: — Vol. i, Chaucer: Vol. 2, Gower, Skel-
ton, Howard, Wyat, Gascoigne and Tubervile: Vol. 3, Spenser and Daniel;
Vol. 4, Drayton and Warner; Vol. 5, Shakespeare, Davies, Donne, Hall,
Stirling:, Jonson, Corbet, Carew and Drummond; Vol. 6, J. Beaumont, G. J.
P. Fletcher, F. Beaumont, Browne, Davenant Harington, SucWing, Cart-
wright, Crashaw, Sherburne, Brome and C. Cotton; Vol. 7, Cowley, Denham
and Milton; Vol. 8, Waller, Butler, Rochester, Roscommon, Otway, Pomfret,
Dorset, Stepney, J. Philips, Walsh and Dryden; Vol. 9, Dryden, Smith. Duke,
King, Spratt, Halifax, Parnell, Garth, Rowe and Addison; Vol. 9, Hughes,
Sheffield, Prior, Congreve, Blackmore, Fenton and Gay; Vol. 11, Lansdowne,
Yalden, Tickell, Hammond, Somerville, Savage and Swift; Vol. 12, Broome,
Pope, Pitt and Thompson; Vol. 13, Watts, A. Philips, West, Collins, Dyer,
Shenstone and Young; Vol. 14, Mallet, Akenside, Gray, Lyttleton, Moore,
Clawthorne, Churchill, Falconer, Cunningham, Granger and Boyse; Vol. 15,
W. Thompson, Blair, Lloyd, Green, Byrom, Dodsley, Chatterton, Cooper,
Smollett and Hamilton ; Vol. 16, Smart, Wilkie, P. Whitehead, Fawkes, Lovi-
bond, Harte, Langhome, Goldsmith, Armstrong and Johnson; Vol. 17, Glover,
Whitehead, Jago, Brooke, Scott, Mickle and Jenyns; Vol. l8, Cotton, Logan,
T. Warton, J. Warton, Blacklock, Cambridge, Mason, Jones, Beattie and
Cowper; Vol. ig, Pope's Homer, Iliad and Odyssey, Dryden's Virgil and
Juvenal, Pitt's Virgil's .iEneid, Vida's Art of Poetry and Francis's Horace;
Vol. 20, Rowe's Lucan, Grainger's TibuUus, — Fawkes's Theocritus, Appo-
lonius, Rhodius, Coluthus, Anacreon, Sappho, Bion, Moschus and Musseus —
Garth's Ovid, Lewis's Statins and Cooke's Hesiod; Vol. 21, Hoole's Ariosto
and Tasso, Mickle's Lusiad.
" A critique on this edition, attributed to the late William Gifford, appeared
in the ' Quarterly Review,' XI., 480-50, XII., 60-70. Duke of York, 1670,
;^ii 15s. Fonthill, 2674, ;^20 gs. Sir M. M. Sykes, pt. i, 1113, £12 15s.
Drury, 510, £,\i). Earl of Kerry, 84, morocco, £2,^ 14s. 6d. Heber, pt.
vii. , russia, jf 1 2 12. " — Lowndes.
1387 ERNST (Alfred). L'CEuvre Dramatique de H. Berlioz.
Portrait. Small 8vo, sewed, uncut. Paris, 1884
THE PENE DU BOIS COLLECTION. 337
1388 Ephraim et Aderer. La Premiere du Misanthrope,
Comddie. Small 8vo, sewed, uncut. Paris, 1886
1389 FEUILLET (Octave). La Tentation. Small 4to, bound
by V. Champs in half crushed red levant morocco gilt,
rounded corners, top edge gilt, others uncut, with the
covers bound in. Paris, i860
Original Edition, with inserted signed letter from Octave Feuillet to Mr.
Pene du Bois relative to the " Histoire d'une Parisienne"" that Mr. du Bois
asked permission to translate for the "Nev\f York Tribune."
1390 FILLE DE MME. ANGOT— Opdra Comique en Trois
Actes. Paroles de Clairville, Siraudin et Koning,
Musique de C. Lecocq et Notice Historique par Jules
Claretie. Illustrated with colored plates of costumes
designed by Gr^vin, vignettes by I^kdo-l, portraits and auto-
graphs, also music. Large 8vo, fresh crushed red levant
morocco elegant, dentelle inside borders, gilt edges.
Paris, 187s
With two inserted loose portraits, etchings by Guillaumot of Lecocq and
Desclauzas, on India paper. The volume is lettered on the side —
" L'inconnu, le peut-etre
Ont pour nous un charme divin. "
1391 FOLK SONGS, Selected and Edited by John William-
son Palmer, M.D. Profusely illustrated with designs by
Darley, Hoppin, Kensett and others, engraved by some
of the best American artists on wood — also with facsimile
autographs of Longfellow, Tennyson, Browning,
Bryant, etc. 4to, fresh tree-marble calf extra, dentelle
inside gold borders, gilt edges. N. Y., 1867
New edition, revised and enlarged.
LARGE PAPER COPY OF JOHN FORD'S DRAMATIC
WORKS.
1392 FORD (John). Works, with Notes Critical and Explana-
tory by William Gifford. New Edition carefully
Revised with Additions to the Text and to the Notes by
Rev. Alexander Dyce. 3 vols. 8vo, cloth, uncut.
London, James Toovey, 1869
Large paper. " Ford has few equals. It is greatly to be deplored that his
taste was as bad as his genius was splendid, and that his licentiousness disgusts
even while his imagination charms." — Alt.ibone.
" In the dumps John Ford alone by himself sat,
With folded arms and melancholy hat "
-^SiR John Suckling.
1393 FOUCHER (Paul). Entre Cour et Jardin, ]&tudes et Sou-
venirs du Theatre. Small 8vo, fresh half crushed maroon
levant morocco, top edge gilt, others uncut, covers bound
in, by Bradstreets. Paris, 1867
Presentation copy to Ed. Bertin, the bibliophile, with autograph inscrip-
tion ty the author, with signature.
338 THE PENE DU BOIS COLLECTION.
1394 FoucHER. Les Coulisses du Pass6. Small 8vo, sewed,
uncut. Paris, 1873
139s FouRNEL (V.). Curiosit^s Th^atrales Anciennes at
Modernes Frangaises et £trangferes. Small 8vo, half
crushed levant morocco, top edge gilt, others uncut, covers
bound in, by Bradstreets. Paris, 1859
1396 FOURNIER (Edouard). Le Theatre Franpais au XVIe
et au XVIIe Siecle ou Choix des Com6dies les Plus Remar-
quables Ant^rieures a MoLiftRE, avec une Introduction et
une Notice sur chaque Auteur. With 8 costume portraits
COLORED BY HAND. 2 vols. Small 8vo, half red morocco
gilt, top edge gilt, others uncut. Paris, n. d.
1397 FouRNiER. Souvenirs Po6tiques de I'Ecole Romantique
1825 k 1840, precedes d'une Notice Biographique sur
chacun des Auteurs, dans le Volume. Steel portrait. Small
8vo, paper, uncut. Paris, 1880
1398 Fraisse (Auguste). Les Champairol, Drame. Small 8vo,
sewed, uncut. Paris, 1885
1399 \Y'SC£.V)'&^VZ W., {King of Prussia, the Great}.] CEuvres
du " Philosophe de Sans-Souci." Minimo, mottled sheep
gilt, red edges. A Potzdam, 1760
Very rare. This little volume contains odes or poetic epistles to Voltaire,
Cresset, Maupertius, and others. At the end is the Great Frederic's " Art de
la Guerre, Poeme en Six Chants."
EIGHTY PORTRAITS OF MODERN FRENCH ACTRESSES,
IN ALBUMS.
1400 FRENCH DRAMATIC PORTRAITS. Two Albtims:
containing 64 Portraits of the most celebrated contem-
porary Actors and Actresses mostly in Character Costume
and appertaining to the Parisian Stage. 2 vols. 4to, red
plush, gilt edges, silver-plated clasps. With envelope con-
taining 15 additional Photographs. (A lot.)
Includes portraits of Sarah Bernhardt as " Lady Macbeth "and " Theodora,"
De Croza, Coquelin, Jane Hading, J. Granier, Guerra, Achard, Judic, Barelle,
Ugalde, Morlet, Defroix, Vercher, Vaillard, Borel, Deval, Vellon, Dore, Rejane,
Theo, Milly-Meyer, etc., etc. They are nearly all of Parisian actresses, many
very decollete, suggestive and nudish.
1401 GALERIE THEATRALE ou Collection des Portraits en
Pied des Principaux Acteurs des Premiers Theatres de la
Capitale. A Collection of 144 full-length portraits of the
most celebrated artists of the French stage — with the beauti-
ful plates and title colored — also numerous illustrations in
the text, all after the designs of the best French painters. 2
vols, large 4to, in cloth portfolio. Paris, Barraud, 1872-73
Limited edition of 99 copies with the illustrations in the text. This superb
and beautiful collection includes the actors and actresses of the French stage
from the time of Moliere down to our century.
THE PENE DU BOIS COLLECTION. 339
THEOPHILE GAUTIER'S WORKS.
1402 GAUTIER (Theophile). Podsies Compl&tes. Small 8vo,
half morocco. Paris, Charpentier, 1845
Rare early edition of the poems of this famous French author.
" Tour a tour poete, romaucier, journaliste, il resta, au fond, I'un des chefs,
de I'ecole moderne de I'art pour I'art, et s'attacha pour la forme, a f aire du style
une savante mosaique, une eclatante peinture." — Vap^reau.
1403 GAUTIER. Fortunio. Nouvelle Edition. With etched
frontispiece. Small 8vo, bound by V. Champs in three-
quarters crushed orange levant morocco, back elegantly
tooled and inlaid with green morocco, top edge gilt, others
uncut, covers bound in. Paris, ZT. L. Delloye, 1840
Rare. This is the edition of Fortunio and with the frontispiece.
1404 GAUTIER. Histoire du Romantisme, suivie de Notices
Romantiques et d'une Etude sur la Podsie Franpaise 1830-
1868, avec un Index Alphabetique. Small 8vo, half mo-
rocco. Paris, 1874
1404* GAUTIER. Souvenirs de Theatre, d'Art et de Critique.
Small 8vo, sewed, uncut. Paris, 1883
1405 GAUTIER. Mademoiselle de Maupin. With portrait of
the author by Abot after the medallion of David
D'Angers, and a portrait of " Mademoiselle de Maupin'''
by Gavtikb., reproduced in facsimile. Small 8vo, boards,
uncut. Paris, 1880'
1406 GAUTIER. Emaux et Cam^es. Etched portrait of
Gautier by J. Jacquemart. Small 8vo, boards.
Paris, 1879
" Edition definitive," with broad margins and rough edges.
1407 GAUTIER. Jettatura. Minimo. Bound by Lortic in
half crushed levant morocco, top edge gilt, others uncut.
Paris, 1857
"Collection Hetzel, edition specialepour la France interdite pour I'Etranger."
This was Baudelaire's copy and has inserted his MS. instructions to Lortic the
binder.
1408 GAUTIER.— Le Tombeau de Theophile Gautier. Eine
etched portrait of Gautier, fleurons, initial letters, rubri-
cated title, etc. 4to. Bound by Amand in half crushed
levant morocco, back tooled in gold with " tears," top edge
gilt, others uncut, covers bound in.
Paris, Alphonse Lemerre, 1873
LIMITED EDITION, handsomely printed on " papier verge " by Claye.
Among the many poets who contributed to this volume was Swinburne with
six pieces — two in English, two in French, one in Latin and one in Greek.
These eighteen pages written by the fleshly poet are not published in his works.
340 THE PENE DU BOIS COLLECTION.
1409 GAUTIER.— Bergerat (Emile). ThiSophile Gautier
Entretiens, Souvenirs et Correspondence. Avec une Pre-
face de Edmond de Goncourt. With etched frontispiece '
by Felix Bracquemond. Small 8vo, paper, uncut.
Very rare and printed on China paper, being No. 5 of a limited isSue of five
copies on China paper.
1410 GAY (Delphine). Le Dernier Jour de Pompei, Poeme
Suivie de Poesies Diverses. 8vo. Bound by Belz-Nie-
DR^E in half red morocco gilt, top edge gilt, others uncut.
Paris, 1829
Rare. The above work was written by the wife of Emile de Girardin. It is
a presentation copy to Madame Recamier. On the half-title the author has
written in her own hand: — " A Madame Recamier, Delphine G."
141 1 GOMBAULD (Jean Ogier de).— | Les | Epigrammes | de
I Gombavld. I Divisees en Trois Livres. | Vignette print-
er's mark on title. Minimo. Bound by N. Tripon in red
morocco, dentelle gold inside borders, gilt edges.
Paris, Avgvstin CovrbS, 1657
VERY RARE and original edition of the most sought after of the works
of Gombauld, who was one of the founders of the French Academy. This poet
was made by Richelieu, although a Huguenot, one of the gentlemen of tfie bed-
chamber to the King. Previously he had been in great favor with Marie de
Medicis. Boileau quotes his beautiful sonnets, which that dramatist said had a
great success.
1412 GOETHE (J. W. von). Faust— Premiere Partie— Preface
et Traduction de H. Blaze de Bury. Illustrated with
eleven beautiful etchings by Lalauze and with numerous
other illustrations after Wogel and Scott. Thick large
4to, sewed, uncut. Paris, Quantin, 1880
The above charmingly printed and handsomely illustrated volume shows that
it was left for French genius to do honor to the brain of the greatest of German
poets.
In Faust, Goethe has embodied the results of his mature and infinitely varied
experience, with his ripest, richest and prof oundest thoughts ; the whole bemg
wrought out with admirable skill, and everywhere illumined, so to speak, with
passages of the most exquisite poetry, touching in turn every chord of the human
heart.
1413 Gray (Thomas). An Elegy Written in a Country Church-
yard— The Artist's Edition. Numerous fine illustrations
by Swain Gifford, Bolton Jones, F. S. Church, Wal-
ter Shirlaw, etc., etc. 4to, fresh illuminated cloth, gilt
edges. Phila., 1883
1414 GREENE (Robert). Dramatic Works, to which are
added his Poems, with some Account of the Author, and
THE PENE DU BOIS COLLECTION. 341
Notes by the Rev. Alexander Dyce. 2 vols, small 8vo,
half morocco, marbled edges.
London, W. Pickerings 1831
Very scarce, and a good copy. Only 250 copies printed and by C. Whit-
tingham.
AUibone says — " Greene was a boon companion with the dissipated wits of
the day, deserted a lovely wife, lived a profligate life, occasionally chequered
with partial repentance, and died of a surfeit of pickled herrings and Rhenish
wine, " but adds — ' ' as an author, Greene's merits are undoubtedly considerable,
and it is greatly to be regretted that he was not always in the moral vein , which
presents so striking a contrast to his loose habits."
1415 HALL (S. C). Book of British Ballads. Illustrated by
several hundred beautiful woodcut engravings on every page
by the first Artists. Morocco gilt, beveled sides, gilt
edges, by Ramage. lyondon, «. d.
Early edition, and scarce. It is scarcely possible to imagine a more attractive
volume. The decorations are of the very highest class from designs by Cres-
wick, Gilbert, Franklin, Corbould, etc. ,
1416 HEILPRIN (Michael). The Historical Poetry of the
Ancient Hebrews, Translated and Critically Examined.
2 vols, small 8vo, fresh cloth. N. Y., 1879-80
1417 HENNIQUE (Leon). Les Hants Faits de M. de Pou-
THAU. Illustrated with plates by Salmon after Benj.
Constant, Gervex, Ingo.mar, etc. 8vo, half sage
morocco gilt, top edge gilt, others uncut. Paris, 1880
A Parody of the Romantic School of literature. "J'aivoulu montrer de
I'imagination, combattre et ' blaguer ' une ecole avec son vernis et la *pointe
emoussee de ses propres armes, demontrer que son genre de sublime, n'a rien a
voir dans le fait de I'ame telle qu'elle est, que son grotesque ne peut jouer le
r6Ie de la tete humaine." — Atithor's freface.
1418 HERVILLY (Ernest d'). Comddies, /. e., Moliere en
Prison et Prisonnier du Chatelet; Bigoudis; Mai aux
Cheveux. 3 pieces. Small 8vo, sewed, uncut.
Paris, 1885-86
LARGE PAPER COPY OF HOMER— PRINTED BY DIDOT
AND CHARMINGLY ILLUSTRATED.
1419 HOMER. — (Euvres Completes d'HoMERE, Traduction
Nouvelle Dedi^e au Roi; avec des Notes Litt^rales, His-
toriques et Geographiques, suivies des Imitations des
Poetes Anciens et Modernes par M. Gin, Conseiller au
Grand Conseil. Beautiful plates. 4 vols, large 4to, half
calf, gilt (Vol. I. stained somewhat).
Paris, deVimprimerie de Didot l'ai?ie, 1786-88
Large paper and very rare. With exquisite plates designed by Marillier,
and engraved by Ponce, Dambrun, Delignon, Criere, De Ghendt, Lingee, Patas,
Pelicier and De Launay le jeune.
342 THE PENE DU BOIS COLLECTION.
1420 HOMER.— L'lliade et L'Odyssde d'HoMERE, Traduction
Nouvelle, prec^dee de Reflexions sur Homere et Suivie
de Remarques par M. Bitaub^. Portraits of Homer and
Bitaube, the last named by St. Aubin after Cochin.
Together 6 vols. Small 8vo, fine old red morocco, extra
gilt inside gold borders, edges gilt. Paris, 1780-85
Rare, with the folding plate of the " Shield of Achilles " by N. Vleughels.
1421 HOUSSAYE (Arsene). La Comedie Franpaise, 1680-
1880. Numerous portraits, photogravures on India of
Moliere, the members of the ComMie Franpaise, also numer-
ous other full page illustrations and many in the text.
Square folio, half green morocco, gilt. Paris, 1880
VICTOR HUGO'S WORKS— SOME ORIGINAL OR LIMITED
EDITIONS— AND OTHERS SPLENDIDLY BOUND BY
AMAND AND MARIUS-MICHEL.
1422 HUGO (Victor). Odes et Ballades — Cinquieme Edition.
Illustrated with portrait of Victq-b. Hugo on India paper
and vignettes on titles. 2 vols. 8vo,elegantlyboundby Marius-
MiCHEL in crushed red levant morocco extra gilt, rounded
corners, inside gold borders, edges gilt, many of which are
" t^moins,'' covers bound in. Paris, Hector Bossange, 1828
LARGE PAPER and MAGNIFICENT COPY of the "Odes and Bal-
lads of Victor Hugo," with almost entirely uncut edges, although gilt, and
superbly bound by Marius-Michel, of whose reliure it is a grand example.
1423 HUGO. Les Quatre Vents de I'Esprit — le Livre Satirique,
le Livre Dramatique, le Livre Lyrique, le Livre Epique.
2 vols, bound in three-quarters crushed red levant
morocco, top edges gilt, others uncut, with the covers
bound in. Paris, 1881
Original edition. Thick paper copy, printed by Quantin.
1424 HUGO. Ruy Bias, Drame en Cinq Actes en Vers.
Nouvelle Edition. Etched front, by Morin. Large 8vo,
half crushed brown levant morocco, top edge gilt.
Paris, 1872
LARGE PAPER and very rare. No. 12 of a limited edition of 25 copies
on China paper.
1425 [HUGO.] WILLIAM SHAKESPEARE. Thick 8vo,
roan gilt, marbled edges (binding rubbed). Paris, 1864
The rare original edition omitted, because unknown, by Pallain in his Hugo
bibliography.
1426 HUGO. ToRQUEMADA, Drame. 4to, bound by Amand
of Paris in crushed red levant morocco, top edge gilt,
other uncut, covers bound in. Paris, 1882
LARGE PAPER, No. 26 of a limited edition of 30 numbered copies only,
and on Holland paper.
THE PENE DU BOIS COLLECTION. 343
«
1427 [Hugo.] Le Christ au Vatican. Etched front. Small
8vo, half cloth, uncut, with the covers bound in.»
Brussels, Henry Kistemaechers, n. d.
"Edition definitive." This — "edition de bibliophile'' was limited to
300 copies — " et ne sera pas reimprimee." It is printed on Holland paper and
is decorated with red borders, occasionally rubricated, and on a violet ornamental
ground. There are ileurons. There were three printings — black, red and violet.
This irreligious poem has been authoritatively attributed to Victor Hugo,
and was during his lifetime, notwithstanding his denials. It is still believed
to be his.
1428 Hugo. La Pitid Supreme. Small 8vo, boards, uncut.
Original edition. Paris, 1879
1429 Hugo. L'Archipel de Manche. Large 8vo, sewed, uncut.
Paris, 1883
Original edition and on thick paper.
1430 HUGO. Litt^rature et Philosophie Melees, 1819-34. 2
vols, small 8vo, sewed, uncut. Brussels, 1834
Original edition, with broad, uncut margins.
143 1 HUGO. Theatre en Libert^. Thick large 8vo, sewed,
uncut. Paris, 1886
Published at seven and a half francs.
1432 HUGO. — Victor Hugo, ses Portraits et ses changes cata-
logues par Aglaus Bouvenne. 3 etched portraits of
Hugo. Small 8vd, half morocco, top edge gilt, others
uncut. Paris, 1879
No. 156 on " papier verge " of a limited edition of 340 numbered copies
in all.
1433 HUGO. — Victor Hugo par Paul de Saint Victor.
Thick 8vo, sewed, uncut. Paris, 1885
With preface by the editors, Paul Lacroix and Alidor Delzant.
1433* Hugo. — Swinburne (Algernon Charles). Victor Hugo.
i2mo, cloth. N. Y., 1886
1434 HUGO. — Asseline (Alfred). Victor Hugo Intime —
Mdmoires, Correspondances, Documents Inddits. Small
4to, rough edges. Paris, 1885
Limited edition printed on Holland paper.
1435 [Hugo.] — Harnali ou la Contrainte par Cor, Parodie en
Cinq Tableaux, et en Vers par M. Auguste de Lauzanne.
Small 8vo. Paris, 1830
Very rare. This is the best of the parodies of "Hemani." The above
was represented for the first time at the Vaudeville Theatre at Paris on May 23,
1830.
1436 Hugo. — Lettre a M. Victor Hugo, suivi d'un Projet de
Charte Romantique. Small 8vo, sewed. Paris, 1830
Rare. The title is printed with the cut of " Orpheus " turned upside down.
344 THE PENE D U BOIS COLLECTION.
1437 Hugo.— Daval (Alexandre, French Academician). De la
Litterature Dramatique-Lettre a, M. Victor Hugo. 8vo,
sewed, uncut. Pans, 1833
1438 HuGOT (Eugene). Histoire Litt^raire, Critique at Anec-
dotique du Theatre du Palais Royal, 1784-1884. Small
8vo, paper, uncut. Paris, 1886
1439 Inglis (Henry D.). The New Gil Bias, or Pedro of Pena-
flor. 2 vols, small Svo, calf extra gilt, inside gilt tooled
borders, marbled edges.' London, Longmans, 1833
Rare. Dedicated to the spirit of " Querubine de la Ronda," the injured and
immortal author of " Gil Bias."
" Those who want a few hours pleasant reading are not likely to meet with a
book more to their taste." — London Athenceum. "
1440 Jameson (Anna M.). Characteristics of Women [Shakes-
peare's Heroines]. Illustrations by ]0K^G\\s&K^T. i2mo,
cloth. London, n. d.
WHATMAN PAPER COPY OF KEATS— ONLY 30 PRINTED.
1441 KEATS (John). Poetical and Miscellaneous Works, edited
by Harry Buxton Forman, including Poems and Letters
not before published, with full indexes of subjects and
first lines. With illustrations and portraits. 4 vols. 8vo,
vellum cloth gilt, rough edges.
'London, printed for private distribution, 1883
EDITION-DE-LUXE, printed on Whatman paper, at the Chiswick Press,
with portraits on India paper. Only 30 copies so executed. This fine edition
of Keats's works is published in the same handsome style as that of Shelley's,
edited by Mr. Forman, which has now become the standard edition of that
poet's writings. Copies are priced about ;£'lo los. in the English catalogues.
1442 KEATS. The Letters and Poems of John Keats, re-
printed from the edition edited by Lord Houghton,
with Memoir by John Gilmer Speed; and Letters, many
of which have never before been published. With illus-
trations. 3 vols. 8vo, boards, rough edges. N. Y., 1883
No. 143 of limited edition, printed from type, by De Vinne. Only 350 copies
so printed, each numbered and signed, as follows: 4 copies on vellum; 12 copies
on China paper; 55 copies on Whatman paper; 275 copies on Holland paper.
" The work is in three volumes, of which one is devoted to the Letters, and
two to the Poem§. The volume of letters has been prepared by the grand-nephew
of the poet, John Gilmer Speed, Esq., and contain, in addition to those
hitherto published, a number written by Keats to his brother George, in the
United States. These were, to a considerable extent, memoranda of his daily
doings, jotted down from time to time, so as to be ready for any chance vessel
that might be sailing, and are full of most interesting references to his friends,
as well as expressions of his own feelings and aims, such as would only be made
to those most closely related to him. None of these American letters have ever
been published complete and unaltered, and many of them now appear in print
for the first time. An introduction to the poems has also been written by Mr.
Speed. The text of the poems is that prepared by Lord Houghton, whose notes
THE PEN E DU BOIS COLLECTION. 345
have been retained. The volumes contain portraits of the three brothers, John,
George and Tom, reproduced in color from the originals in oil by Severn. In
addition to the three portraits mentioned, there is an £tching of the poet's grave,
by Sabin ; a fac-simile of the original draft of one of the author's smaller poems,
showing his erasures and emendations; the silhouette of Fanny Brawne, the
head of Keats drawn by Severn in his last illness, the drawing from life by
Severn, and a reproduction of the life-mask by Hayden." — New York Critic.
1442* LA BRUYERE (J. de). LaComedie de, par Edouard
FouRNiER. Rubricated titles. 2 vols, small 8vo, sewed,
uncut. Paris, 1872
1443 LAMARTINE (Alphonse de). Recueillements Poetiques.
Small 8vo, mottled sheep gilt, marbled edges. Paris, 1839
"Edition originale."
1444 Landais (N.) et Barr£ (L.). Dictionnaire des Rimes
Franfaises. Front. Minimo. Paris, 1877
1445 Laprade (Victor de). Odes et Poemes. Small 8vo, sewed,
uncut. Paris, 1844
Original edition. Presentation copy, with MS. inscription and author's
signature.
1446 LARCOM (Lucy). Landscape in American Poetry. Illus-
trations on wood from drawings by J. Appleton Brown. 4to,
fresh cloth gilt, edges gilt. N. Y., 1879
The wood engravers represented in this volume are Anthon, Linton, Harley,
Lauderbach, Bobbett and Andrews.
LARGE PAPER COPY OF THE ABBE DE LA RUE'S
GRAND WORK ON THE TROUBADOURS.
1447 LA RUE (Gervaise de, L'Abb^). Essais Historiques sur
les Bardes, les Jongleurs et les Trouv^res Normands et
Anglo Normands, suivis de Pieces de Malherbe, qu'on
ne Trouve dans aucune edition de ses (Euvres. 3 vols,
large 8vo, half turkey morocco extra gilt, top edges gilt,
others uncut (foxed slightly). Caen, 1834
LARGE PAPER, printed on thick paper and very rare. The Abbe de la Rue,
a native of Caen, died a year after the above volumes were published. He
exiled himself to England, refusing to swear to the civil constitution of the
French clergry. He was made a member of the Royal Society of Antiquarians
and actively engaged himself at the British Museum Library and elsewhere in
the discovery of the early poetic romances of the Bards, Troubadours, etc.
Nearly all comprised in his very valuable work were previously unknown. On
his return to France he continued his work in the libraries of Paris.
" Le syst^me de Raynouard sur I'idiome provenyal, source des langues de
I'Europe occidentale, y est combattu, avec beaucoup de precision et de savoir."
— Vap£reau.
1448 Leonard (N. G.). Poesies Pastorales. Engraved title by
De Ghendt after Marillier. 8vo, old calf, gilt (a few
pp. foxed). Geneva a«i2^ Paris, 177 1
Rare. This volume includes not only the " Poesies Pastorales," but Leon-
ard's " Voix de la Nature," " Lettres de Sainville et de Sophie," and other
prose and poetical pieces.
The Creole poet Leonard was a native of Guadeloupe, was bom in 1744, and
died in 1793. He is claimed to have been the best idyllic vmter of France in
the eighteenth century.
346 THE PENE DU BOIS COLLECTION.
1449 LE ROUX DE LINCY. Recueil de Chants Historiques
Fran9ais depuis le Xlle jusqu'au XVIIIe Sifecle avec des
Notices. 2 vols, small 8vo, sewed, uncut. Paris, 1841-42
1450 Lheureux et Galipaux. Divorce et Dynamite. Small
8vo, sewed, uncut. Paris, 1885
THE RIVERSIDE EDITION OF LONGFELLOW.
1451 LONGFELLOW (Henry Wadsworth). Works, ?'. f..-
I. Longfellow. Poetical Works, with Bibliographical and
Critical Notices. Portraits and facsimile. 6 vols.
II. Longfellow. Prose Works. 2 vols.
III. Dante Aughieri. Divine Comedy, translated by
Longfellow. Portrait. 3 vols.
Together n vols. Small 8vo, fresh half crushed levant
morocco, top edges gilt, others uncut, by R. W. Smith.
Boston, Riverside Press, 1886
This edition of Longfellow includes all the prose and poetry which the author
admitted into the latest editions of his works, together with those pieces which
have appeared since his death, with the sanction of his representatives. The text
is the last revised by the author, and was printed with scrupulous care. The
order of the writings is chronological in its main lines.
LARGE PAPER EDITION OF LONGFELLOW.
1453 LONGFELLOW. Another copy. With the portraits on
India paper, i i vols. 8vo, boards, totally uncut.
Cambridge, Riverside Press, 1886
LARGE PAPER, No. 346 of a limited edition of 500 copies printed on
ribbed paper.
1454 Longfellow. Twenty Poems. Illustrated by his son, E.
W. Longfellow. 4to, fresh cloth, gilt edges (a few
pages slightly injured). Boston, 1884
1455 Longfellow. The Skeleton in Armor. With tinted bor-
ders and illustrations by M. A. Hallock, L. S. Ispen and
E. A. Abbey. Small 4to, fresh cloth, gilt edges.
Boston, 1877
1456 Longfellow. — Michael Angelo, a Dramatic Poem,
Illustrated by W. Shirlaw, F. D. Millet, W. H Gibson,
etc., etc. Small folio, fresh cloth gilt, edges gilt, Japanese
style. Boston, Riverside Press, 1884
" Michel piu che mortal, angel divino." — Ariosto.
1457 Longfellow. Biography, Anecdote, Letters and Criticism
of, by W. Sloane Kennedy. Portrait and illustratibns.
8vo, fresh illuminated cloth, beveled sides.
Cambridge, Moses King, 1882
Presentation copy to Mr. Pene du Bois from the publisher.
THE PENE DU BOIS COLLECTION. 347
LARGE PAPER COPY OF NICHOLAS ROWE'S TRANSLA-
TION OF LUCAN.
1458 LUCAN. Pharsalia, Translated into English Verse, by
Nicholas Rowe, Esq., Servant to His Majesty. Hand-
some frontispiece and numerous vignettes by Cheron, aha
map. Large folio, fine old red morocco elegant, gilt inside
borders and gold edges.
London, Jacob Tonson, at Shakespear's-Head, 1718
LARGE PAPER. " One of the best of the modem translations of the
classics. Though sometimes diffuse and paraphrastical, it is in general faithful
in the sense of the original; the language is animated, the verse correct and
melodious. According to the Quarterly Remewers — ' Rowe undertook his
translation more in the spirit of party than in poetry, and the best portions of it
are those which are least worthy of attention in the original.' " — LowNDES.
1459 Lucas (Hippol)M;e, ^rzVzV of Paris " Bebats'"). Curiosites
Dramatiques et Litteraires, avec une Notice sur I'Auteur.
Small 8vo, half calf, gilt (foxed). Paris, 1855
VERY SCARCE. Includes — English literature, and the American, Chinese
and Hrotsvitha theatre.
1460 LUCRETIUS.— TiTi Lucretii Cari de Rerum Natura
Libri Sex Accedunt Selectse Lectiones Dilucidando Poe-
mati Appositae. Engraved title and exquisite plates of nudes
by DuFLOS after Frans van Mieres and charming head-
pieces. Minimo, old calf gilt, edges gilt. Paris, 1744
Rare. A fine piece of binding of the genre Du Seuil. It was printed
on " papier velin " by Coustelier who used the mark of the Elzevirs, "an old
man under an olive tree, on which is the motto ' Non Solus.' "
1461 Lytton (Lord, " Owen Meredith "). Glenaveril; or, The
Metamorphoses, a Poem. i2mo, fresh cloth. N. Y., 1885
1462 McCay (Ringgold). An Exile from Poland. Small 8vo,
cloth, gilt. N. Y., 1877
With autograph inscription on fly-leaf. " Mr. Henri Du Bois from his friend
the author."
1463 MATTHEWS (J. Brander). The Theatres of Paris. Por-
traits and illustrations after Madrazo, Duran, Gauch-
erel, Sarah Bernhardt and others. Small 8vo, fresh
half red calf gilt, top edge gilt, others uncut.
London, Sampson Low &" Co., 1880
Presentation copy to Mr. Pane du Bois with the author's inserted book-plate.
1464 MATTHEWS. French Dramatists of the 19th Century.
Small 8vo, fresh half green calf gilt, top edge gilt, others
uncut. London, Remington &r Co., 1882
Presentation copy from the author to his friend Mr. Pene du Bois and
with his inserted book-plate.
348 THE PENE DU BOIS COLLECTION.
1465 MATTHEWS a«^HUTTON. Actors and Actresses of
Great Britain and the United States from the Days of
David Garrick to the Present Time. Vols, i and 2.
Small 8vo, fresh illuminated cloth, top edges gilt,
N. Y., 1886
Vol. I, "Garrick and his Contemporaries": Vol. 2, " The Kembles and their
Contemporaries. ' '
THE LIMITED CHISWICK PRESS AND BEST
EDITION OF MARLOWE.
r466 MARLOWE (Christopher). Dramatic Works, with Notes,
and some Account of his Life and Writings, by the Rev.
Alexander Dyce. 3 vols, small 8vo, half morocco,
cloth sides, top edges gilt, others uncut.
London, William Pickering, 1850
Best edition. Only 250 copies printed at the Chiswick Press. Very
scarce.
This edition is not a reprint of that of 1826, which abounds in the grossest
errors, but is an entirely new text formed from a collation of the early editions.
Marlowe was the only dramatic poet who obtained any degree of celebrity
previous to the appearance of Shakespeare.
FINE EXAMPLE OF LE GASCON BINDING ON A RARE
VOLUME.
1467 MAROT and BEZA. — Les Pseaumes de David Mis en
Rime Franfoise par Clement Marot et Theodore de
Beze, Prieres Ecclesiastiques. Music. Minimo, old
morocco elegant, gilt edges.
Charenton and Paris, Antoine Cellier, 1691
VERY RARE. A fine example of the style of the binding of Le Gascon;
The tooling is fointilU oi the best kind; and the sides and back are one mass
of gilding.
This is the remarkable translation of the Psalms by Clement Marot, which
caused that great French poet to be declared a heretic by the Sorbonne. He
was the favorite of Marguerite de Valois, sister of Francis the First, but that
monarch had him imprisoned on account of his writings and Huguenot tenden-
cies. His life, full of curious incidents, reads more like a romance than stern
reality.
LARGE PAPER COPY OF MASSINGER— PRINTED BY
BULMER.
1468 MASSINGER (Philip). Dramatic Works, with Notes,
Critical and Explanatory. By W. Gifford. Portrait.
A vols, large 8vo, russia extra gilt, edges gilt and contents
lettered. ' London, Bulmer, 1813
Large paper copy, extremely scarce. Second and best edition. The
edges of this copy are nearly uncut, many being left rough. Some of the
bindings are broken at the hinges — and part of one back is off.
A more perfect edition of an old poet than this was never issued from the
press.
" An author who delights and never satiates." — Draper.
" Massinger, as a tragic writer, appears to me second only to Shakspeare;
in the higher comedy I can hardly think him inferior to Jonson." — Hallam. /
THE PENE DU BOJS COLLECTION. 349
GUIZOT'S COPY OF " LA JAQUERIE."
1469 [MERIMEE (Prosper).] La Jaquerie, Scenes Fdodales
suivies de la Famille de Carvajal, Drama par I'Auteur du
Theatre de Clara Gazul. 8vo, half calf. Paris, 1828
Very rare, original edition, and in splendid condition. From the
library of Guizot, and with his heraldic library stamp on the half-title.
LARGE PAPER COPY OF MIDDLETON'S DRAMATIC
WORKS, BOUND BY RIVIERE.
1470 MIDDLETON (Thomas, contemporary of Shakespeare).
Dramatic and other Works, now first Collected. With
some account of the author and Notes by Rev. Alexander
Dyce. Portrait on India paper and frontispiece. 5 vols.
8vo, elegantly bound in polished calf extra, gold inside
borders and gilt edges by Riviere.
London, Edward Ltimley, 1840
LARGE PAPER. Very rare. Less than thirty copies were privately
printed, Lumley says but twenty-five.
' ' Pre-eminently beautiful, many portions only inferior to Shakespeare.
Hitherto almost inaccessible from their rarity; averaging from ;^ 20 to ^30 a
play."
147 1 MIDDLETON. Another copy of the same. With portrait
on India paper and front. 5 vols, small 8vo, boards,
uncut. London, Edward Lumley, 1840
" Middleton, a very voluminous writer, lived in the time of K. Charles 1st
and is supposed to have died after the publication of the Pageant for 1626." —
Lowndes.
1472 MILLEVOYE (Charles). CEuvres de. Edition Publiee
avec des Pieces Nouvelles et des Variantes par " P. L.
Jacob, Bibliophile." With portrait, facsimile and etchings
by Ad. Lalauze, illustrative of the author''s poetical works.
3 vols, small 8vo. Bound in fresh half crushed brown
levant morocco, top edges gilt, others uncut.
Paris, Quantin, 1880
Charming edition printed on "papier verge."
Lamartine called Millevoye his younger brother and Charles Nodier wrote: —
" Venu dans un temps difficile pour les hommes d'Etat, Millevoye parut roman-
tique parmi les classiques, et classique parmi les romantiques . . . Les uns
' pretendent qu'il n'a point tout ose; les autres qu'il n'a point tout brave. Je crois
que Ton citera ses ouvrages conime le point d'interjection entre les deux Ecoles
pretes k se conf ondre. "
Paul Lacroix's edition, with Ch. Louandre's biography, is one long eulogy of
Millevoye.
THE VERY RARE ELZEVIR MOLIERE.
1473 MOLlfeRE (J. B. Poquelinde). Les CEuvres de Monsieur
MoLifeRE — Edition Nouvelle. With engraved front. 6 vols,
minimo, vellum, by J. Pouillet.
Amsterdam, Jacques et Guillaume Le Jeune, 1683-89
VERY RARE. A copy of what is known as one of the Elzevir editions of
Moliere and following the text of the 1675 Amsterdam edition of Jacques le
350 THE PENE DU BOIS COLLECTION.
Jeune in 5 vols., with tlie addition of—" Les CEuvres Posthumes" printed in
1689. All the volumes of this set, which is only illustrated with an engraved
title to volume one, bear the imprint of Jacques le Jeune, with the exception of
the " Posthumous Works," printed by Guillaume le Jeune.
There are many false titles throughout and to the separate plays, each of
which are separately paginated without any reference to the remainder of the
volume. Some of the dates on these false titles are different to and eariier than
those on the general titles. All these particular titles state — ■" suivant la Copie
imprimee a Paris."
The Elzevir Moliere is one of the rarest and most valuable of the editions of
the works of the greatest French Dramatic Poet.
" Many persons declare that his Comedies surpass or equal the most beautiful
pieces of that kind written by the Ancient Greeks and Romans." — Bayle.
LARGE PAPER MOLIERE— VAN LAUN'S TRANSLATION—
WITH LALAUZE'S ETCHINGS.
1474 MOLIERE (J. B. Poquelin). Complete Dramatic Works
of, translated and edited by Henry Van Laun, with
Memoir, Introductions, and Appendices, wherein are given
the passages borrowed or adapted from Moliere by
, English Dramatists, with Explanatory Notes. Fine portrait
and etchings on India paper, executed specially for this edi-
tion by Lalauze. 6 vols, large 8vo, boards, totally uncut.
Edinburgh, 1875-76
Large paper and with the 35 plates of Lalauze on India paper.
' ' Masterly etchings, full of dramatic feeling, and rich in subtle suggestiveijess
of color." — Daily Telegraf^.
" Exceedingly characteristic etchings from the skilful pencil of M. Lalauze,
of Paris, which are entitled to the praise of being not only admirably executed, but
really illustrative of Moli^re's text." — Glasgow News.
' ' As regards mere faithfulness of translation, it is astonishingly correct.
Besides writing a modest prefatory life, Mr. Van Laun has prefixed to each play
an Introduction containing all necessary information respecting its sources and
circumstances, and has added to each an appendix of peculiar interest. These
appendices contain full extracts from the plays in which English playwrights have
done themselves the honour to ' convey ' Moli^re's good things. . . . The portrait
of Moliere is extremely fine." — Academy.
1475 MOLlfeRE. CEuvres de Monsieur de Moliere — Nou-
velle edition. Revue, Corrigee et Augmentde. Portrait
and numerous plates. 4 vols, minimo, old calf, gilt.
Utrecht, Guillaume Van de Water, 17 13
Very rare edition. The portrait is by A. De Blois after Mignard.
1476 MOLlfeRE. CEuvres de MoLifeRE, avec un Commentaire
Historique et Litteraire; pr6cedees du Tableau des Mceurs
du Dix-Septi^me Siecle, et de la Vie de MoLifeRE par M. .
Petitot — Nouvelle Edition. Portrait of Moliere and
plates by or after Le Jeune, Buguet, Adam, Cazenave,
etc. 6 vols. 8vo, half morocco, top edges sprinkled, others
uncut. Paris, Aillaud, 1823
EXCELLENT EDITION of Moliere and printed by Rignoux. The value
of the above edition is in the notes, etc. , of Petitot, himself a tragedian, and the
editor of Alfieri and Cervantes.
THE PENE DU BOIS COLLECTION. 351
1477 MOLlfeRE. CEuvres Completes avec les Notes de tous
les Commentateurs. 7 vols. 8vo, tree marbled calf extra,
marbled edges (one binding damaged). Paris, 1824-26
This SPLENDID EDITION of Moli^re was edited by L. Aime-Martin. It is illus-
trated with the admirable plates of Desenne, of which some in this copy are foxed .
The first 200 pages of the first volume have an exhaustive preface, a life of the
dramatist and a history of the comedians or " Troupe de Moli&e."
SUPERB COPY OF MOLIERE, WITH TONY JOHANNOT'S
ILLUSTRATIONS.
1478 MOLIERE. — CEuvres de, Precedee d'une Notice sur sa
Vie et ses Ouvrages par M. Sainte-Beuve. Portrait and
profusely illustrated- with vignette wood engravings by Tony
JoHANNOT. Thick large 8vo, fresh red calf extra gilt, in
the style of and probably by Marius-Michel, gold dentelle
inside borders, edges gilt (a few pp. foxed).
Paris, Dubouchet, 1843
A SUPERB COPY of this delightfully illustrated edition of the works of the
Shakespeare of France.
CHINA PAPER COPY OF HOUSSAYE'S "COMEDIENNES
DE MOLIERE "—WITH THE PORTRAITS IN THREE
S FATES— SUMPTUOUSLY BOUND.
1479 MOLIERE.— HOUSSAYE (Arsfene, ancien diredeur de la
ComMie Francaise, 1849-1856). Les Comediennes de
MoLiERE. Portraits in three states- and some rubrications.
Large 8vo. Sumptuously bound by Bradstreets in
crushed blue levant morocco extra gilt, with the letter " D "
in gold on the sides between a wreath and a spray of leaves,
double with crushed red levant morocco gilt, leather
joints, rounded corners, top edge gilt, others uncut, covers
bound in. Paris, 1879
No. 15 of limited edition of 25 copies on China paper, with the proofs of the
ten portraits in three states — before letters on Holland, in " crayon sangu-
ine " (genre Boucher), and on China paper.
CHINA PAPER COPY OF COQUELIN'S BOOK ON MOLIERE
—HANDSOMELY BOUND BY BRADSTREETS.
1480 MOLliRE et le Misanthrope par C. COQUELIN de la
Com6die Fran9aise. Small 8vo. Sumptuously bound by
Bradstreets in half crushed red levant morocco gilt, top
edge gilt, others uncut, covers bound in. Paris, 1881
Unique and very rare. This is one of 15 copies entirely printed on
China paper. Inserted is a page autograph letter signed of the author, the
distinguished French actor, Coquelin.
1481 MOLlfeRE sa Vie et ses CEuvres par Jules Claretie.
Minimo. Bound by Adolphe Bertrand in crushed red
levant morocco extra gilt, rounded corners, inside gold
dentelle borders, gilt edges. Paris, n. d.
Limited issue. The beautiful edition of Alphonse Lemerre handsomely
bound by Bertrand, of Paris.
352 THE PENE DU BOIS COLLECTION.
1482 MoLiERiSTE (Le), Revue Mensuelle. Parts 79 to 87 in-
clusive, and from 89 to 92 inclusive. Together 13 parts.
8vo, sewed, uncut. Paris, 1855-86
1483 MoNNiER (Marc). Les Aieux de^ Figaro. Small 8vo,
paper, uncut. Paris, 1868
1484 MoNSELET (Charles). Les Premieres Presentations C^lebres.
Small 8vo, sewed, uncut. Paris, 1867
ORIGINAL AND BEST EDITION OF THE IRISH MELODIES
—ILLUSTRATED BY MACLISE.
1485 MOORE (Thomas). Irish Melodies. Illustrated by D.
Maclise, R.A. 4to, green morocco extra, inside gold
dentelle borders, edges gilt. London, Longman, 1846
Original and best edition, every page engraved on thick plate paper, and
illustrated with the exquisite engravings and floral designs of Daniel Maclise.
Published in 1846 on fine thick paper at £z 3s., and on thin paper in 1850 at
£l IIS. 6d. Several other reprints have been issued, with which the above can
be compared as " Hyperion to a Satyr."
i486 [MORE (Henry).] WYXDlAIA, Platonica; or a Platoni-
call Song of the Soul, consisting of Foure Severall Poems.
Hereto is added a Paraphrasticall Interpretation of the
Answer of Apollo consulted by Amelius, about Plo-
TiNUS Soul Departed this Life. By H. M. Master of
Arts and Fellow. of Christ's College in Cambridge. Minimo.
Bound by Jenkins and Cecil in mottled calf gilt, inside
gold borders, citron edges. Cambridge, Roger Daniel, 1642
Very rare and a beautiful copy of the first edition.
" Dr. Henry More, the celebrated Platonist, esteemed one of our greatest
divines and philosophers, and no mean poet." — Samuel Johnson.
1487 MoYNET (M. J.). L'Envers du Theatre, Machines et De-
corations. With 60 wood-engravings. Small 8vo, half
yellow calf gilt, marbled sides and edges. Paris, 1874
ELEGANT COPY OF ALFRED DE MUSSET— BOUND BY
SMEERS.
1488 MUSSET (Alfred de). (Euvres Completes. Fine portraits
and riibricated titles. 1 1 vols, minimo. Elegantly bound
by Smeers in crushed blue levant morocco extra gilt, inside
gold dentelle borders, edges gilt on marble.
Paris, Alphonse Lemerre, 1876
This beautifully printed and limited edition on papier verge is divided
as follows: — Biographie de A. de Musset; Poesies, 1828-52, 2 vols. ; Comedies
de Proverbes, 3 vols. ; Contes et Nouvelles; Nouvelles; Confession d'un En-
fant du Si^cle; Melanges de Litterature et de Critique; CEuvres Posthumes.
1489 MUSSET. CEuvres Posthumes de Alfred de Musset.
Small 8vo, cloth, totally uncut. Paris, i860
Original edition, with the covers bound in.
THE PENE D U BOIS COLLECTION. 353
1490 MUSSET. — Perreau (Adolphe). Alfred de Musset,
THomme, le Poete. Small 8vo. Bound by V. Champs in
half green crushed levant morocco, top edge gilt, covers
bound in. Paris, 1862
1491 MYSTilRES DES THEATRES 1852 par Edmond de
GoNCOuRT, Jules de Goncourt et Cornelius Hoff.
8vo, half morocco gilt, top edge gilt, others uncut.
Paris, 1853
Large paper and very scarce.
1492 NODIER (Charles). Poesies, Recueillies et Publi^es par
N. Delangle. Small 8vo, half calf, cloth sides, top edge
gilt, others uncut. Paris, 1829
Limited edition on torjed laid paper.
1493 OPERA (L') — Eaux Fortes et Quatrains par " Un
Abonne." Illustrated with most charmingly executed etch-
ings of the operatic stage of France — and titles. Small 8vo,
paper, uncut. Vdiris, Libraire des Bibliof kites, idiT6
Only a limited edition of this beautiful work was printed by JouAUST on
" papier de HoUande " and "papier de Chine."
1494 OSSIAN {Fits de Fingal, Barde du T,e Siecle). Podsies
Galliques traduites sur I'Anglais de Macpherson par
Letourneur. Portrait and plates by Tardieu. 2 vols,
small 8vo, boards. Paris, 1810
Rare. New edition with the poems of other bards translated by J. Smith,
with an essay on the authenticity of Ossian by Ginguene.
" Ossian, sublimest, simplest bard of all,
Whom English infidels Macpherson call."
— Churchill.
149s OUTREPONT (Charles D"). La Mort de Charles I.,
Roi d'Angleterre, Drame en Quarante-deux Scenes. 8vo.
Bound by E. Rousselle in fresh half crushed blue levant
morocco gilt, top edge gilt. Paris, 1827
Rare and printed by Firmin-Didot.
1496 PARNASSE CONTEMPORAIN, Recueil de Vers Nou-
veaux 1866. Large 8vo, crushed red levant morocco ele-
gant, rounded corners, inside dentelle gpld borders, gilt
edges. Paris, Alphonse Lemerre, 1866
Very scarce. The first book published by the new school of French poetry
out of which came the " Academie Fran9aise" of to-day, Coppee, Sully, Prud-
homme, etc. In the list of contributors are Gautier, Baudelaire, Mendes,
Houssaye, Fertiault and many others of greater or less importance, such as Henry
Winter, who on page 207 of this copy has corrected by his own hand an error
and aiiixed his signature.
LARGE PAPER COPY OF PEELE'S DRAMATIC WORKS
—BOUND BY BEDFORD.
1497 PEELE (George). Dramatic Works. Collected and
edited, with some account of his Life and Writings, by the
/
354 THE PENE D U BOIS COLLECTION.
Rev. Alex. Dyce. Second edition, with additions,
AND THE supplementary VOLUME. Fac-simile. To-
gether 3 vols. Small 8vo, fresh polished yellow calf extra
gilt, dentelle borders, gilt edges by F. Bedford.
London, Pickering, 1829-39
LARGE PAPER. Very rare and printed by C. Whittingham. Most
sets of Pickering's collection of Dramatists have the original edition of the above
in two volumes.
" Peele and Maribwe were the contemporaries of Shakespeare; both had ex-
quisite feelings for poetry, and excelled in description, to which the former lent
beauty, the latter sublimity." — Gifford.
1498 Pennell (H. Cholmondeley). From Grave to Gay: a Vol-
lume of Selections from the Complete Poems of. Portrait.
Minimo, fresh cloth, beveled sides, rough edges.
' London, 1884
Printed on thick paper.
THE PERCY SOCIETY'S PUBLICATIONS— THIRTY
VOLUMES.
1499 PERCY SOCIETY'S Publications, Complete, Comprising
an Extraordinary Collection of Early and Rare Specimens
of English Poetry, Edited by Eminent Literary Men.
Illustrations. 30 vols, small , 8vo, half red morocco, con-
tents lettered, top edges gilt.
'LonAon, printed for the Percy Society, 1840-52
A beautiful copy, scarce. From the very limited number of copies printed,
and those for members, and not for sale, these works will always be very difficult
to procure; the above contains all the publications of the Society, and includes:
' ' Early English Poetry, Ballads, and Popular Literature of the Middle Ages,
Edited from Original Manuscripts and Scarce Publications. " The establish-
ment of the Percy Society in 1840 was for the purpose primarily of paying a
noble tribute to the memory of Bishop Thomas Percy, editor of — " The Reliques
of Ancient Poetry."
The editors of the valuable works in this interesting series were: — -J. P.
Collier, J. O. Halliwell, T. Crofton Croker, Charies Mackay, T. Wright, A.
Dyce, E. F. Rimbault, W. H. Black, W. Chappell, Peter Cunningham, F. W.
Fairholt, P. Bliss, T. J. Pettigrew, W. J. Thoms, James Goodwin, James H.
Dixon, M. A. Denham, W. Sandys and C. Hardwick.
This set, which includes the suppressed Gosson's "Quippes for Upstart New-
Fangled Gentlewomen," and Bansley's "Pride and Abuse of Women," is
tirranged as follows:— Vol. i, "Old Ballads," "Songs and Ballads relative to
the London Prentices," " Historical 'Songs of Ireland," " Pain and Sorrow of
Evil Marriage," and " The King and a Poor Northern Man "; Vol. 2, " Minor
Poems of I^ydgate," " Early Naval Ballads of England," "A Search for Money,"
and " Mad Pranks and Merry Jests of Robin Goodfellow "; Vol. 3, " Political
Ballads," " Strange Histories," "A Marriage Triumph," and " History of
Patient Grissel "; Vol. 4, " Specimens of Lyric Poetry," "Boke of Curtasye,"
"Christmas Carols," and "Nursery Rhymes of England"; Vol. 5, "Kind
Hearts Dream," "A Knight's Conjuring," " Meeting of Gallants at an Ordi-
naire," and " Two Angry Women of Abingdon"; Vol. 6, "Ancient Poetical
Tracts of the XVIth Century," "Cock Lorell's Bote," "Crown Garland of
Golden Roses," " Hutton's Folies Anatomic," and Wotton's "Poems"; Vol.
7, " Harmony of Birds," "Paraphrase Seven Penitential Psalms," Drayton's
" Harmony of Church," "Jack of Dover," and "A Kerry Pastoral "; Vol. 8,
THE PENE DU BO IS COLLECTION. 355
" Selection ' Latin Stories" and Gifford's " Dialogues of Witches and Witch-
craft "; Vol. 9, Rowlands's " Four Knaves," Thomson's " Poem to Congreve's
Memory," " Pleasant Conceits of Old Hobson," " Maroccus Extaticus,"
and "Great Frost Old Ballads"; Vol. lo, "Lord Mayor's Pageants";
Vol. II, " Owl and Nightingale," Croke's " Thirteen Psalms," Hall's
" Historical! Expostulation, etc.," and Rich's " Honestie of this Age"; Vol. 12,
"Reynard the Fox, from Caxton's edition "; Vol. 13, " Keen of South of Ire-
land," " Six Ballads, with Burdens " and " Lyrical Poems, 1589-1600 "; Vol. 14;
John Audelay's " Poems," " St. Brandan," and " Romance Emperor Octavian'';
Vol. 15, " Friar Bakon'sProphesie," "Poetical Miscellanies," and " Crown Gar-
land of Golden Roses, Part 11 "; Vol. 16, " Seven Sages" and " Romance of
Sir Tryamoure " ; Vol. 17, "Scottish Ancient Ballads" and "Ancient Poems,
Ballads and Songs "; Vol. 18, Hawes's " Pastime of Pleasure "; Vol. ig, "Civic
Garland " and "Thomas Becket"; Vol. 20, Barnfield's " Affectionate Shepherd,"
"Wit and Folly," "Proverbs and Popular Sajdngs " and " Song of Lady
Bessy''; Vol. 21, " Popular Songs, Illustrative of French Invasion of Ireland";
Vol. 22, " Citizen and Uplondyshman," " Interlude Four Elements," " Disobe-
dient Child," "Autobiography Mary Countess Warwick" and "Westward for
Smelts"; Vol.23, "Fifteenth Century Songs and Carols"; "Sixteenth and
Seventeenth Century Festive Songs " and " Popular English Histories "; Vols.
24, 25 and 26, Chaucer's "Canterbury Tales"; Vol. 27, " Beleeve as you
List," and "Satirical Songs and Poems on Costume"; Vol 28, "Anglo-Saxon
Passion of Saint George," "Poem on Times of Edward II.," " Poems of
William de Shoreham," and " Triall of Treasure"; Vol. 29, "Fugitive Tracts
and Chap Books," " Man in Moone," " Use of Dice Play," " Loyal Garland "
and " Poems and Songs, Assassination Duke of Buckingham "; Vol. 30, " Gar-
land of Good Will," "Britannia's Pastoral "and " John Bon and Mast Per-
son."
1500 Playbill of the Gilbert Dramatic Association, edited by
H. Pene du Bois and L. J. Huking, Jr. Vol. 5. Nos. i to 6
inclusive (all published). Large 8vo. Brooklyn, 1885-86
THE AMONTILLADO POE— DE LUXE, WITH INDIA
PROOFS.
1501 POE (Edgar Allan). The Works of— the Amontillado
Edition; with a Memoir, by Richard Henry Stoddard.
Beautifully illustrated with etchings, photogravures, portrait
and facsimiles. 8 vols, fresh cloth, top edges gilt, others
uncut. N.Y., 1884
No. 262 of limited edition of 315 copies signed and numbered.
This is the finest and most complete edition published of Poe. It is printed
on Holland paper.
1502 POE. The Raven. With Comment by Edmund C. Sted-
MAN. With nearly 30 graphic illustrations after Gus-
TAVE Dor£. Square folio, illuminated cloth, beveled
sides, gilt edges. N. Y., Harper, 1884
1503 POPE. — GEuvres Complettes d'ALEXANDRE Pope, Tra-
duites en Fran9ois — Nouvelle Edition, revue, corrigde,
augument^e du Texte Anglois mis k cote des Meilleures
Pieces. Portraits and plates by Marillier. 8 vols. 8vo,
sewed, uncut. Paris, Chez Veuve Duchesne, i^jg
Rare, entirely uncut as issued with the rare plates of Marillier. The por-
trait is by Le Beau after Kneller. The illustrations by Marillier to the above
edition of Pope are fully equal to those he designed for Dorat, Prevost, etc.
356 THE PENE DU BOIS COLLECTION.
1504 POUGIN (Arthur). Figures d'Opera Comique— Madame
DuGAZON, Ellevion, lEs Gavaudan. Three etched por-
traits by Masson. Small 8vo, sewed, uncut. Paris, 1875
1505 PRAED (Winthrop Mackworth). Poems, with Memoir by
Derwent Coleridge. Portrait. 2 vols. i2mo, fresh
half calf gilt, marbled sides and edges. N. Y., 1865
" These poems are the most graceful and finished verses of society that can be
found in our language, it is impossible to doubt."— Miss Mitford.
THE CELEBRATED TRAGEDIENNE RACHEL— VOL-
UMES FROM HER LIBRARY.
1506 [RACHEL.]— Phedre, Trag6die de Racine— Nouvelle
Edition Conforms ^ la Representation. Small 8vo, half
morocco, cloth sides. Paris, 1818
This volume came from the library of the great tragedienne Rachel, is stamped
on the side with her initial letter " R ", has her " ex-libris " on the half-title —
a letter "R" with the motto— " Tout au rien," and also has inserted a
" Bulletin d' Adjudication " of the auction sale of her library.
A duplicate of this, No. 162, sold for 1,200 francs at the sale of her books.
1507 [RACHEL.] — Les Nombres d'Or par L. Belmontet.
Quatrieme Edition revue et augment^e. Small 8vo, half
yellow calf, gilt. Puris, Amyot, 1845
From the library of Rachel, and a presentation copy from the author with his
autograph signature on the half-title, a portion of which has been mended.
Stamped in gold on the side with the letter " R ", with Rachel's book-plate on
the half-title and with an inserted ' ' Bulletin d' Adjudication. "
1508 [RACHEL.] — CusTiNE (Le Marquis de). La Russie en
1839. 4 vols, small 8vo, morocco, blind tooled, inside
. dentelle gold borders. ' Paris, Amyot, 1843
From the library of Rachel, with her book-plates inserted in all the volumes,
which are stamped on both sides of the four volumes with her initial letter "R."
1509 RACINE (J.). (Euvres Completes, avec les Notes (choisies)
de tous les Commentateurs — Edition publi^e par L. Aunt-
Martin. Illustrated with plates designed by Prud'hon,
GiRODET, Gerard, etc. 6 vols. 8vo, half purple roan gilt,
totally uncut. Paris, Lefevre, 1820
Very scarce. This is the best, most complete, and first edition of the Aime-
Martin edition of Racine. It was printed by Didot, on papier verge.
Racine — ''contests with his immediate predecessor, Corneille, the glory of
being the greatest among the French tragic dramatists. His grace and melody
of diction are exquisite; and his refined tenderness of feeling, often melting into
profound pathos, breaks out through all the barriers imposed by the unities, and
the simple plots and the monotony of the rhymed Alexandrine verse."
1510 Renan (Ernest, de PAcadSmie Eran(aise). L'Eau de Jou-
vence, suite de Caliban. 4to, half crushed levant morocco,
top ed e gilt, others uncut. Paris, 1881
Original edit on of this remarkable play by the author of the " Life of
Jesus. "
THE PENE DU BOIS COLLECTION. 357
1511 Revue d' Art Dramatique— Directeur, Edmond Stoullig.
Vols. I and 2 (complete and in parts as published). Large
^ 8vo, sewed. Paris, 1886
1512 Roosevelt (Blanche). Stage-Struck. Small 8vo, fresh
cloth. N. Y., 1884
1513 Rousseau (J. B.). GEuvres Choisies. 2 vols, minimo,
Spanish calf gilt, edges gilt. Amsterdam, 1777
With the book-plates of "Victor J. B. Dorgeval."
15 14 ROYER (Alphonse). Histoire du Theatre Contemporain
en France et a I'Etranger, depuis 1800 jusqu'a 1875. 2
vols. 8vo, sewed, uncut. Paris, 1878
1515 ST. CLRAN (Tulius). Les Louisianaises, Poesies Nouvelles.
Premier Volume. 8vo, half cloth. New Orleans, 1840
All published, and at $4, vide the title.
1516 SAINTE-BEUVE (C. A.). Poesies Completes. Small
8vo, half calf, gilt. Paris, 1869
This revised and augmented edition includes — Jpseph Delorme, Consolations
and Thoughts of August.
1517 Sarrazin (Gabriel). Poetes Modernes de I'Angleterre.
Small 8vo, paper, uncut. Paris, 1885
The poets written up in this volume are — Walter Savage Landor, Percy Bysshe
Shelley, John Keats, Elizabeth Barrett Browning, Dante Gabriel Rossetti and
Algernon Charles Swinburne.
1518 SCHILLER (Friedrich Von). Sammtliche Werke. Por-
trait and plates engraved by Schiller and others after
Rethel, Stelke, Mucke, Schroder, etc. 12 vols, small
8vo, half calf. Stuttgart, 1835-36
1519 Schiller. Jungfrau von Orleans, -5(?r//«, 1802; Schiller's
Braut von Messina und Jungfrau, Carlsruke, 1818; Her-
der's Gedichte, erster theil. Together 3 vols. Small
8vo.
1520 SCUDO (P.). Critique et Litterature Musicales, First and
Second Series; also— L'Annee Musicale par P. Scudo,
First, Second and Third Years. Together 15 vols. Small
8vo, uniform half red morocco (4) and old sheep, gilt (i).
Paris, 1856-62
These important musical criticisms are excessively rare and of unfrequent
occurrence together.
358 THE PENE DU BO IS COLLECTION.
1521 Second (Alberic) ^^ Beauvallet (Leon). La Vicomtesse
Alice, Drame. Small 8 vo, sewed, uncut. Paris, 1885
PAYNE COLLIER'S PRIVATELY PRINTED EDITION OF
SHAKESPEARE— LIMITED TO 58 SETS FOR SUB-
SCRIBERS ONLY.
1522 SHAKESPEARE (William). Plays and Poemes with
THE Purest Text and Briefest Notes, Edited by J.
PAYNE COLLIER. 8 vols, (in 43 parts complete as
issued) 4to.
London, privately printed for the Subscribers, 1 875-78
Very scarce and limited EDrnON of 58 sets, published for subscri-
bers only, beautifully printed by Thomas Richards on heavy hot-pressed paper
with extra wide margins, each play being separately paginated and duplicate
sets of titles being given to suit the tasle and wishes of the owner in binding,
and is divided as follows: —
Vol. I. The Tempest, The Two Gentlemen of Verona, The Merry Wives of
Windsor, Measure for Measure, The Comedy of Errors, Much Ado about
Nothing; Vol. II. Love's Labours Lost, A Midsummer Night's Dream, The
Merchant of Venice, As You Like It, Taming of the Shrew, All's Well that
Ends Well; Vol. III. Twelfth Night, The Winter's Tale, King John, King
Edward the Third, King Henry the Second, King Henry the Fourth — Part I.;
Vol. IV., King Henry the Fourth— Part II., King Henry the Sixth— Parts I.,
II. and III., King Richard the Third; Vol. V. Henry the Eighth, Troilus and
Cressida, Coriolanus, Titus and Andronicus, Romeo and Juliet; Vol. VL
Timonof Athens, Julius Caesar, Macbeth, Hamlet, King Lear; Vol.VII. Othello,
Antony and Cleopatra, Cymbeline, Pericles Prince of Tyre, The Two
Noble Kinsmen ; Vol. VIII. A Yorkshire Tragedy, Macedorus, Venus
and Adonis, Lucrece, Sonnets, A Lover's Complaint, The Passionate
Pilgrim.
Mr. Collier in his preface remarks that — "As to the text I have been guided,
and indeed governed, by a close examination of, I may say, every authentic
impression that has been issued from the year 1596 to the present day.
' ' I have inserted in my present edition three plays which have never yet
been included in any collection of the works of the great dramatist — Edward
the Third, indubitably by Shakespeare; The Yorkshire Tragedy, to which he
contributed, probably in the haste to prepare it for representation: and Mace-
dorus, to which it seems certain he added a scene on some revival of a popular
old drama, most likely in existence before Shakespeare joined a theatrical com-
pany. This very scene may, possibly, have been his earliest contribution to
the stage.
" My original proposal was to furnish fifty subscribers with three plays in
return for every £,\ transmitted to me from time to time as the work pro-
ceeded. I had calculated that printing and paper for each play would not cost
more than ;^I2 to ;^I5, and such was the case in the outset; but as I advanced
I found that many of the plays, from their bulk, cost f rom ;^i 5 to ;£'20 — in
several instances nearly £1^. For this increase I ought to have been but was
not prepared, and as I was sure that my subscribers could not wish me to be a
heavy loser by my labours, I ventured in one instance to make an additional
call on them. As, however, I felt that I ought not to pursue a course so
irregular and irresponsible, I resolved after much deliberation and very unwill-
ingly to add to my fifty a few more names, so as to make my edition consist of
58, instead of 50 copies."
THE PENE DU BOIS COLLECTION. 359
EDITION-DE-LUXE OF SHAKESPEARE, WITH MONZIES'S
ETCHINGS.
1523 SHAKESPEARE. The Dramatic Works of Shakes-
peare— the text of the first folio edition. Illustrated
with charming etchings by M. Monzies, from new designs
by M. Pille, and a faithful reproduction of the Droeshout
port tail, head and tail pieces — beautifullytprinted on the fittest
paper. 8 vols. 8vo, cloth, rough edges.
Edinburgh, William Pater son, 1883
Edition-de-Luxe, published at £i. Limited edition of 550 copies only,
on Holland paper and all numbered, this being No. 89.
" It is, then, an eminent service to Shakespearian literature which Mr.
William Paterson renders when he issues an edition of the poet's works which
is an exact reprint of the famous folio. In this case we have not a fac simile
reproducing the size, shape and every detail or defect of the original, but a
handsome edition in eight octavo volumes, with the best paper and the most
delicate of typography, presenting an exact transcript of the folio, with fhe
spelling and the metrical disposition of the original, and with all the minutia; of
italics, parenthesis and the like with which a text of that period abounds. .
. . We may almost fancy we are nearer to the poet in intelligence and sympa-
thy when we have his words as he or his companions set them down
We need only remark, in conclusion, that the work is illustrated throughout
with etchings of great finish and delicacy, which, for the most part, indicate a
real Shakespearian sentiment." — Lo7idon Times.
" It is a significant fact that Mr. Paterson should have gone to France for
work of this kind. We doubt if he could have got it done so well in England.
It is not that we do not possess etchers, men capable of far higher work than
this, but, as a rule, tjie English artists in this kind are unable or unwilling to
bend their talent to the business of miniature illustration. . . Here we
see MM. Pille and Monzies quietly going through the whole series of plays
without a single failure. They are workmanlike and skillful, and, on the
whole, they have produced an excellent edition of Shakespeare, which we recom-
mend to all lovers of handsome books. " — Saturday Review.
THE RARE CORRALL EDITION OF SHAKESPEARE.
1524 SHAKESPEARE. Works. Vignette woodcuts, head and
tail pieces. 9 vols, minimo (3^ inches by \\), cloth, uncut.
London, William Pickering, 1825
Dedicated to Earl Spencer, and known as the "Corrall edition,'' after its
printer. Published in three editions ;^2 2s., or with thirty engravings £1 17s.,
or on India paper £1^ 4s. The above is the first named of the three.
LARGE PAPER COPY OF BALLANTYNE'S SHAKESPEARE.
1525 SHAKESPEARE. Plays of, printed from the Text of
Samuel Johnson, George Steevens and Isaac Reid.
With portrait by Evans, and engraved head-pieces by or
after Stothard, Fittler, Howard, Thompson, Smirke,
36o THE PENE DU BOIS COLLECTION.
etc. 12 vols, large 8vo, old half red morocco, top edges>
gilt, others uncut (foxed somewhat, and binding rubbed).
London, 1807
Large paper. Ballantyne's edition and very scarce.
HUDSON'S EDITION OF SHAKESPEARE.
1526 SHAKESPEARE. Works, the Text Carefully Restored
According to the First Editions; with Introductions,
Notes Original and Selected and a Life of the Poet by H.
N. Hudson. — Revised Edition with Additional Notes.
12 vols, small 8vo, limp russia, rounded corners, gilt edges,
in leather case. Boston, 1883
Student's Handy Edition. ' ' In Shalcespearean criticism Hudson is one of
the student's best guides that we have in English speech." — FURNIVALL.
THE DELIUS SHAKESPEARE.
1527 SHAKESPEARE. The Royal Shakespeare. The Poet's
Works in Chronological Order from the Text of Professor
Delius with the addition of the " Two Noble Kinsmen ''
and Edward III., and an Introduction by F. J. Furni-
VALL. Portraits, facsimile, and numerous fine steel plates
and wood engravings. 3 vols, thick 4to, fresh half morocco
gilt, cloth sides, gilt edges. London, n. d.
This edition of the Worlds of Shalcespeare is without doubt one of the most
complete ever issued, containing as it does not only the acknowledged works, but
also the " Two Noble Kinsmen" and "Edward III.," two plays which are
considered by competent authorities to contain much of Shakespeare's work.
The chief object in the chronological researches of Professor Delius is to
point out the growth and working out of the genius and dramatic career of the
Bard of Avon.
1528 SHAKESPEARE. Dramatische Werke ubersetzt von
August Wilhelm von Schlegel und Ludwig Tieck.
Portrait of Shakespeare by H. Sagert. 12 vols, in 6.
Small 8vo, cloth. Berlin, 1851-52
Very scarce German translation of the plays of Shakespeare by Schlegel and
Tieck.
1529 SHAKESPEARE. The Portraits of Shakespeare, by
J. Parker Norris. Illustrated with numerous portraits of
Shakespeare. Thick 4to, fresh half morocco, top edge
gilt, others uncut. Phila., Robert M. Lindsay, 1885
Limited edition of 500 copies on thick laid paper.
" Look here, upon this picture, and on this." — Hamlet.
THE PENE DV £01 S COLLECTION. 361
1530 Shakespeare. — Black (William). Judith Shakespeare.
Illustrated ly Abbey. Small 8vo, fresh cloth. N. Y., 1884
153 1 Shelley (Percy Bysshe). The Shelley Birthday Book
and Calendar. Compiled and Edited by J. R. Tutin.
Portrait. Minimo, fresh cloth, gilt edges. London, 1885
SHERIDAN'S DRAMATIC WORKS— LIMITED EDITION,
PRINTED BY DE VINNE.
1532 SHERIDAN (Richard Brinsley). The Dramatic Works,
with an Introduction by Richard Grant White. Por-
traits. 3 vols. 8vo, boards, totally uncut. N. Y., 1883
No. 6g of edition printed from type, and limited to 350 copies on Japan and
tioUand papers.
"It is printed from type by the house of De Vinne & Co., which is
well-known for the affectionate care bestowed by it upon the finer and more
costly class of work, and the impression is limited to thirty copies on Japan
paper and three hundred and eighteen on Holland paper. It may, therefore,
be called an edition of luxury, and indeed by the beauty of the page, the- per-
fection of the press work, the excellence of the paper, and the severe style of
the plain binding, it is entitled to the respectful consideration of the serious
collector. Mr. White reviews the career of the author with vivacity and
acuteness, and whatever else may be said of his introduction everybody will
call it interesting." — New York Tribune.
1533 SOIREES PARISIENNES par " Un Monsieur de I'Or-
chestre," for the Years 1874 to 1883, inclusive. With
illustrations by Sarah Bernhardt, Cheret, Grevin,
Mass^, Vibert, Yvon, etc. Together 10 vols. Small 8vo,
sewed, uncut. Paris, 1874-83
These interesting volumes, principally a summary of music and the drama in
Paris diuing the years specified, have prefaces by Ludovic Halevy, Jacques
Offenbach, Theodore Barri^re, Alphonse Daudet, Ed. Goudinet, Edouard
Pailleron, Ad. D'Ennery, Emile Zola, Henry Becque, and Charles Gounod.
1534 Spielhagen (Friedrich). Was die Schwalbe Sang, and
Ultimo by Spielhagen. 2 vols, in i. Small 8vo, cloth
gilt, marbled edges. Leipzig, 1877
1535 Stedman (Edmund Clarence). Poets of America. Small
8vo,. fresh half morocco, top edges gilt, others uncut.
Boston, Riverside Press, 1885
1536 Story (William Wetmore). Poems. 2 vols, small 8vo, fresh
cloth, top edges gilt. Boston, Riverside Press, 1886
362
THE PENE DU BOIS COLLECTION.
THE POEMS OF CLOTILDE— BOUND
BY THOUVENIN— AND WITH THE
PLATES IN FIVE STATES.
1537 SURVILLE (Marguerite Eleonore
Clotilda de Vallon-Chalys, Madame
de). POESIES, /. e.:—
I. POESIES de, Poete Fran9ais du
XVe Siecle— Nouvelle Edition pub-
liee par Ch. Vanderbourg.
Paris, Nepveu, 1824
II. POESIES Inedites de, publics par
DE Roujoux et Ch. Nodier.
Paris, Nepveu, 1827
TOGETHER 2 vols. 8vo, half red
morocco gilt, by Thouvenin.
UNIQUE. These rare volumes are illustrated
with engravings of the "genre Gothique," after the
designs of Colin, pupil of Girodet. Some are in
five states — first etching, India paper without Gothic
border and before letters, India paper with border
before letters, proof with border before letters, and
proof colored by hand. Others are in four states.
The vignettes are in three states — i, in the text, 2,
India proof and 3, colored by hand.
Clotilde de Surville is claimed to have written
poetry more correct in its language than tbat of
Marot, and to have composed verses that Sappho
, would have been willing to acknowledge.
The illustration at the side of this description is
taken from " the American Book Maker" of Febru-
ary, 1887. The reference to this reliure and that of
the "Chansons de Beranger," which accompanied it
in that part of Howard Lockwood and Co. 's valuable
Magazine, will be found in the note to number 894 of
this catalogue.
1538 SURVILLE. Poesies de— Nouvelle
Edition par Ch. Vanderbourg.
Illustrated with engravings of the
"genre Gothique," after the designs
of Colin, pupil of Girodet. Thick
8vo, half morocco, fore and bottom
edges uncut. Paris, 1824
Sl^tfe^Jies
\^m%hw
*l®!3€cy/(v.
' POfiSIES DE CLOTILDE. '
PARIS, 1824.
Gold Tooling by
Thouvenin.
THE PENE DU BO IS COLLECTION. 363
LARGE PAPER COPY OF HOOLE'S TASSO— WITH
HANDSOME PLATES.
1539 TASSO (Torquato). Jerusalem Delivered, an Heroic
Poem, translated from the Italian by John Hoole. The
Eighth Edition, with Notes. Portrait by Anker Smith
after E. C. Knight, and plates by S. Shelley after Fix-
LER, etc. (some slightly foxed). 2 vols. 4to, red morocco,
blind tooled, gilt inside dentelle borders, edges gilt.
London, T. Bensley, 1803
LARGE PAPER and a fine copy, from the library of Emanuel Martin, with
his book-plate. The dedication " to the Queen" was written by Samuel John-
son.
SPLENDID EDITION OF TASSO ILLUSTRATED BY
COCHIN.
1540 TASSO. La Jerusalem Delivrde en Vers Franfois par
L. P. M. F. Baour-Lormian. Illustrated with a superb
series of charming plates engraved after the designs of
Cochin by Varin, Dambrun, Ling:^e, Delignon, Til-
I liard, Prevost, Simonet, Daclos, Patas, Tuerre and
, St. Aubin. 2 vols, large 4to, half blue morocco, top
edge gilt, others uncut (rubbed slightly). Paris, 1796
Rare. Printed by Didot in handsome large type. Priced $17.50, see New
Yor^ book-dealer's inserted catalogue cutting. The above is the original edi-
tion of Baour-Lormian's edition, with original and brilliant impressions of the
plates.
SUMPTUOUS EDITION OF TASSO, WITH GRAVELOT'S
PLATES.
1541 TASSO. — Jerusalem Delivree, Poeme du Tasse, traduit par
Lebrun. Engraved fronts., with portraits of Tasso and
Gravelot, vignette titles and plates by Gravelot — many ■
erotic. 2 vols, small 8vo, elegantly bound in crushed
purple levant morocco extra, dentelle inside borders, gilt
edges. Paris, an \\ Ere Republicaine
VERY RARE and the beautiful edition of " Bossange, Masson et Besson."
A magnificent copy in superb condition.
Lebrun, the translator of the above edition and the celebrated lyric poet, was
known as the ' ' Pindar of France. " After the great Revolution Lebrun was
made a member of the Institute of France. Napoleon gave him a pension of
6,000 francs.
1542 TASSO. — Jerusalem Delivr6e, Poeme du Tasse, Nouvelle
Traduction. Efigraved front, and head-pieces. 2 vols,
minimo, original mottled calf gilt, dentelle inside borders,
edges gilt. A Londres, 1780
SONGS OF BRITTANY, SUPERBLY BOUND BY ALFRED
MATTHEWS IN ELEGANT MOROCCO, DOUBLE.
1543 TAYLOR (Tom). Ballads and Songs of Brittany, trans-
lated from the " Barsaz Breiz " of Vicomte Hersart de
la ViLLEMARQu^, with somc of the Original Melodies
364 THE PENE DU BO IS COLLECTION.
Harmonized by Mrs. Tom Taylor. With illustrations by
J. TissoT, J. E. MiLLAis, R. A., J. Tenniel, C. Keene,
E. CoRBOULD andYi.. K. Browne. Small 4to. Elegantly-
bound by Alfred Matthews in red crushed levant mo-
rocco extra^ double with crushed purple levant, exquisitely
tooled and mosaiced with leather at the corners, leather
joints, edges gilt. London, 1865
A SUPERBLY BOUND COPY of this excellent work extracted from the ' ' Barsaz
Breiz," orpoetic treasury of Brittany, a body of ballads with as distinct and
consistent an impress of their time upon them as the very best preserved
examples of Border Minstrelsy.
1544 TENNYSON (Alfred, Lord). Idylls of the King— Vivien
and Guinevere. Illustrated with the characteristic and
charming designs of Gustave DoR]fi on India paper — En-
graver's PROOFS. 2 vols. Elegantly bound in red mo-
rocco gilt, beveled sides, inside gold borders, leather joints
and gilt edges. London, 1867-68
Original edition and engraver's proofs on India paper.
1545 Tennyson. AVorks. Fine portrait. Small 8vo, cloth, gilt
edges. N. Y. (London), 1884
1546 Tennyson. The Cup and the Falcon. i2mo, fresh cloth,
uncut. N. Y. (London), 1884
1547 Tennyson. Tiresias and other Poems. Small 8vo, fresh
cloth, uncut. , London, 1885
1548 Tennyson. Lyrical Poems, Selected and Annotated by
Francis T. Palgrave. 8vo, fresh cloth, rough edges.
London, 1885
Large paper and edition limited to 500 copies only.
BEAUTIFUL EDITION OF TERENCE— BOUND BY
ROUSSELLE.
1549 TERENCE. Les Comedies de, avec la Traduction et les
Remarques de Madame Dacier. Engraved front, by
Picart, and numerous plates in outline — vignette titles.
3 vols, square minimo, bound by E. Rousselle in half
crushed brown levant morocco, top edges gilt.
Rotterdam, aux depens de Caspar Fritsch, 1 7 1 7
VERY RARE. Brunet calls this — ' ' Edition la plus recherchee de cette
traduction," and quotes the Didot copy as having sold for 324 francs, the
Labedoyere for 381 francs, the Renouard for 250 francs, and the Solar for 265
francs.
1550 THlJATRE FRANgAIS, public par C. Schutz— Quat- ,
rieme Serie. Minimo, cloth. Bielefeld, 1846
1551 Theuriet et Lyon. La Maison des Deux Barbeaux,
Com^die. Small 8vo, sewed, uncut. Paris, 1885
THE PENE D U BOIS COLLECTION. 365
1552 ThiSdora. Notes et Croquis. Texte par Raoul Touch^
et ViCTORiEN Sardou. Numerous illustrations, mostly
colored by hand, etching of Sarah Bernhardt as " Theo-
dora ''' —facsimile autographs. Large 4to, paper.
Paris, 1886
LARGE PAPER COPY OF THREE HUNDRED ENGLISH
SONNETS.
1553 THREE HUNDRED ENGLISH SONNETS. Chosen
and Edited with a few Notes, by David M. Main, Editor
of " A Treasury of English Sonnets." 8vo, paper, rough
edges. Edinburgh, 1884
No. 55 of limited edition on large paper. Only 100 copies printed.
1554 Tiercelin (Louis). Corneille et Rotrou, Com^die.
Small 8vo, sewed, uncut. Paris, 1884
1555 TOWNSEND (George Alfred, "Gath"). President
Cromwell— a Drama in Four Acts. Large 8vo, paper,
uncut. N. Y., E. F. Bonaventure, 1884
No. 14 of LIMITED EDITION of 20O copies privately printed for subscribers
only at $5 each. Copy signed by the author.
LARGE PAPER COPY OF CARO'S VIRGIL IN ITALIAN.
1556 VIRGIL. — L'Eneide di Virgilio del Commendatore Anni-
BAL Card. Fine portraits and engraved titles by Ficquet,
Defehrt and Chenu after Zocchx, also plates, head and
tail-pieces by Lempereur, Tardieu, Le Veau, etc. 2
vols. 8vo, half crushed levant morocco gilt, top edges gilt,
others uncut. Paris, Quillan, 1760
LARGE PAPER and a splendid copy of the Italian translation of the
" ^neid " by the celebrated poet Annibal Caro, and which was his masterpiece.
1557 [VITET (Louis).] Les Barricades Scenes Historiques
Mai 1588. 8vo, half cloth, uncut. Paris, 1826
Very scarce and original edition of this tragedy of fifteen scenes by this
eminent French republican litterateur.
1558 ViTV (Auguste). Les Mille et Une Nuits du Theatre. 2
vols, small 8vo. sewed, uncut. Paris, 1885
1559 VOLTAIRE (F. M. A. de). The Dramatic Pieces of, and
the Henriade translated by Smollett, Francklin and
others. Portrait and 6 fronts. 7 vols. i2mo, old calf
gilt (MS. names on title). London, 1769-74
" Smollett and Francklin were, for a valuable consideration, induced by the
booksellers to suffer their names to appear as translators, but they had no farther
share in the concern. " — Lowndes.
1560 Voltaire. Le Brutus de Monsieur de Voltaire, avec
un Discours sur la Tragddie. Small 8vo, half purple roan.
Rare. Paris, 1731
366 THE PENE D U BOIS COLLECTION.
LARGE PAPER COPY OF WEBSTER'S DRAMATIC WORKS
—PUBLISHED BY PICKERING.
1561 WEBSTER (John). The Works of, Now First Collected
with Some Account of the Author and Notes by the Rev.
Alexander Dyce, B.A. Small 8vo, cloth, uncut.
London, William Pickering, 1830
LARGE PAPER and printed on ribbed paper. This copy includes (loose)
the very rare appendix printed in 1838. It also has the heraldic book-plate of
Langford Sotheby Browne.
Hazlitt calls attention in his " Dramatic Literature " to the similarity between
the ■' general conception and individual expression " of the plays of Webster and
those of the Bard of Avon, which is nothing extraordinary, considering the two
authors were contemporaries. Sir Walter Scott writing to Dyce in 1831,
remarked: — "Webster, I think, is one of the best of our ancient dramatists."
'• An author that liv'd in the Reign of King James the First and was in those
Days accounted an Excellent Poet. He joyn'dwith Decker, Marstonand Rowley
in several Plays, and was likewise author of others, which have even in our Age
gain'd Applause." — Langbaine.
1562 WHITTIER (John Greenleaf). Poetical Works of. Por-
traits and illustrations. Small 8vo, stamped morocco,
beveled sides, inside gold borders, gilt edges.
Boston, Riverside Press, 1885
1563 Winter (William). " Henry Irving." Portraits. Small
Svo, paper, totally uncut. N. Y., 1885
EDITION-DE-LUXE OF WORDSWORTH'S POETICAL
WORKS IN EIGHT VOLUMES.
1564 WORDSWORTH (William). Poetical Worlcs of. Edited
by William Knight, LL.D. Etched fronts, by C. O.
Murray after original drawings by John M'Whirter,
A. R. A. 8 vols. Svo, cloth gilt, uncut (lacks portrait).
Edinburgh, William Paterson, 1882-86
Limited issue and published at $4 per volume. This is the only edition uni-
form in size with the library editions of the English classic authors.
1565 World's Christmas Hymn (The), a Song of Songs.
Selected and arranged by W. H. and S. H. Ward. Illus-
trated with reproductions after the Old Masters. 4to, fresh
cloth, gilt edges. N. Y., 1883
J^" Many numbers of Poetic and Dramatic Literature will be found in
both the First and Sixth Divisions of this Catalogue. They have been so placed
on account of their facetious or artistic character.
THE PENE DU BOIS COLLECTION. 367
VIII. ^a«ia %x\tx'&xx&.,
including
History, Americana, Biography, Fiction, Travels, etc.;
ALSO SOME Addenda, mostly duplicates, and consigned
FROM another SOURCE.
"Ones livres! mes economies et mes amours! une fete a mon foyer, un
reposil'ombre du viel arbre, mes compagnons de voyage! et puis,
quand tout sera fin pour moi, les temoins de ma vie et demon labeur." — Jules
Janin.
1566 About (Edmond). Rome Contemporaine. Large 8vo,
boards, totally uncut. Paris, 1861
1567 About. Germaine. Small 8vo, half calf gilt, marbled
sides and edges. Paris, 1872
1568 .(ESOP. — Francisci-Josephi Desbillons Fabulae .^sopi^e
curis posterioribus omnes ferfe Emendatae quibus Acces-
serunt plus quam CLXX. novae quinta editio. Vignette on
title of " Cupids in a printing office. '''' Minimo, old red mo-
rocco gilt, dentelle inside borders, gilt edges.
Paris, Barbou, 1769
Rare. A fine example of binding of the genre Dh-ome.
1569 A'KEMPIS (Thomas). LTmitation de J^sus Christ, Tra-
duction In^dite du XVIIIe Siecle avec le Texte Latin en
Regard Dediee a N. S. P. le Pape Pie IX., publide par
Ad. Hatzfeld — Deuxieme Edition contenant un Bref du
Souverain Pontife et des Lettres de NN. SS. les Arche-
veques et Eveques. , Illustrated by Claudius Ciappori,
after original designs, also steel plates on India paper. Large
8vo, fresh half levant morocco gilt, top edge gilt, others
uncut. ■ Paris, 1870
Handsomely printed edition on " papier verge," with the Latin and
French texts on opposite pages.
368 THE PENE DU BOIS COLLECTION.
1570 Alexandre (C). Dictionnaire Grec-Franfais. Thick
large 8vo, old sheep. Paris, 1850
15 7 1 America. An Account of the European Settlements in.
Maps. 2 vols. 8vo, half old calf (slightly foxed).
London, J. Dodsley, 1757
1572 AMERICAN ARCHIVES. Consisting of a Collection of
Authentic Records, State Papers, Debates, Letters, and
other Notices of Public Affairs, the whole forming a
Documentary History of the Origin and Progress of the
North American Colonies, etc., edited by Peter Force,
Fourth Series, March 7, 1774, to the Declaration of Inde-
pendence, July 4, 1776, 6 vols.; Fifth Series, from July 4,
1776, Vols. I, 2 and 3. Together 9 vols. Thick folio, half
russia. Washington, 1837-53
This Monumenta Americana, ttie great storehouse of British Colonial and
American History, was printed at g^eat expense, by order of the Government,
for private distribution, and not for sale.
1573 AMERICAN STATE PAPERS.— Documents Legislative
and Executive of the Congress of the United States from
the First Session of the First Congress. Vols, i to 21
inclusive. Thick small folio, half russia.
Washington, 1832-34
Divided as follows; — Foreign Relations, 4 vols.; Indian Affairs, 2 vols.;
Finance, 3 vols. ; Commerce and Navigation, 2 vols. ; Military Affairs, 2 vols. ;
Naval Affairs, I vol. ; Post Office, i vol. ; Public Lands, 3 vols. ; Miscellaneous,
2 vols. ; Claims, i vol.
1574 American Journal of Science and Art: Conducted by
Prof. Silliman and James A. Dana. Vols, i to 8 inclu-
sive and Vol. 10. Together 9 vols. 8vo, half sheep
(name on titles). New Haven, 1846-50
1575 Anderson (John J.). Did the Louisiana Purchase Extend
to the Pacific Ocean and our Title to Oregon ? 8vo, sewed.
San Francisco, 1880
1576 Anglo-Saxon Orthography. Handbook of. Front.
1 2 mo, half roan. N. Y., 1853
1577 ANGLING. — Fishing with the Fly. Sketches by
Lovers of the Art, with Illustrations of Standard Flies,
collected by C. F. Orris and A. N. Cheny. Numerous
colored plates of flies. Small 4to, cloth. Troy, 1 885
1578 Anton (C. G.). Destruccion de los Templaros. Small
8vo, sprinkled sheep (stained). N. Y., 1828
A rare volume on the Knights Tem^ar.
THE PENE DU BOIS COLLECTION. 369
THE FRENCH AQUARELLISTS— EDITION-DE-LUXE.
1579 AQUARELLISTES FRANgAIS, SOCIETE de, Ou-
VRAGE d'Art public avec le Concours Artistique de
TOUS LES SOCI^TAIRES, TeXTE PAR LES PrINCIPAUX
Critiques d'Art. Illustrated with plates in photogravure
ON India paper and with designs in facsimile. 2 vols, in
8 sections, square folio, and loose in portfolios (complete
as published). Paris, Goupil &= Co., 1883
1580 Atkinson (T. W.). Oriental and Western Siberia, Narra-
tive of Seven Years' Explorations and Adventures. With
map and numerous illustrations. Large 8vo, cloth.
N. Y., 1858
1581 Atwater's Manual of Logic; Irving's Columbus, Vols.
2 and 3; British Almanack, 1886; etc. Together 8 vols.
Small 8vo.
1582 Bacon (Edwin M.). Dictionary of Boston. Map. Small
4to, fresh cloth. Cambridge, 1883
1583 BAILLY (Anatole), Racines Grecques et Latines, Paris,
1869; Gaston Paris's Role de I'Accent Latin dans Fran-
faise, Paris, 1862; Chabaneau's La Conjugaison Fran-
faise, Paris, 1868. Together 3 vols. Sewed.
1584 BAIRD (Charles W., DD). Histoiy of the Huguenot
Emigration to America. Numerous plates, maps, etc. 2
vols. 8vo, fresh cloth, top edges gilt, others uncut.
N. Y., 1885
With two inserted autograph letters from the author in reference to the liter-
ary work of Mr. Pene du Bois.
1585 Barr (M.). Jardin Zoologique d'Acclimatation. Illustrated.
Large 8vo, cloth. Tours, 1867
SPLENDID BASKERVILLE IMPRINT.
1586 BASKERVILLE.— PUBLII TERENTII AFRI Comce-
dise. Large 4to, red crinkled morocco, gilt.
Birmingham, typis Johannis Baskerville, i']'j2
VERY RARE and a fine example of the typography of the celebrated
eighteenth century English printer, John Baskerville.
" The typography of Baskerville is eminently beautiful; his letters are in gen-
eral of a slender and delicate form .... He united in a singularly happy man-
ner the elegance of Plantin with the clearness of the Elzevirs He seems
to have been extremely curious in the choice of his paper or ink .... In his
italic character, whether capital or small, he stands unrivaUed ; such elegance,
freedom and perfect symmetry being in vain to be looked for among the speci-
mens of Aldus and Colinaeus." — Dibdin.
37° THE PENE DU BOIS COLLECTION.
1587 Bell (Sir C). "Jhe Hand; Its Mechanism and Vital
Analysis, as evincing design, and illustrating the Power,
Wisdom and Goodness of God, with Notes, etc.,- by
Alexander Shaw. Small 8vo, half calf, marbled edges,
by Harley. London, 1877
1588 Black (William). Adventures in Thule. Small 8vo, fresh
cloth. London, 1883
1589 BOECE. Consolation de la Philosophic, traduite parle P.
R. DE Ceriziers, S. J. Engraved false title Minimo,
vellum. Paris, [1639]
Rare. With the MS. note on title, " Ex >Libris Francisci Maisiere," also
with an autograph note on an end paper from J. Gentil, the exile from France
under the Coup d'Etat, who came to Louisiana with Elisee Reclus, the great
geographer, and founded a newspaper, Le Louisianais.
Although a large portion of the " Consolation of Philosophy," by Boethius, is
in verse, it is in no sense a poem, the metrical portions having been written by
its author, a Roman statesman, to relieve the monotony, not only of composi-
tion, but of imprisonment, which he left for his execution. Queen Elizabeth of
England, while confined in prison by her sister Mary, translated the ' ' Carmiha"
of Boethius into English, as her ancestor Alfred the Great did into Saxon just a
thousand years ago.
1590 BONAPARTE (Lucien), et ses M^moires 1775-1840,
d'apres les Papiers Ddposds aux Archives fitrangferes et
d'autres Documents In6dits, par Th. Iung. 3 vols. 8vo,
fresh half morocco, top edges gilt, others uncut.
I'aris, 1882-83
1591 Bonner (Sherwood). Suwanee River Tales. Illustrations
by F. T. Merrill. Small 8vo, fresh cloth. Boston, 1884
FIRST EDITIONS OF BOSSUET, OF EXTREME RARITY
AND BOUND BY CHAMBOLLE-DURU— WITH ORIGINAL
MSS.
1592 BOSSUET (Jacques Benigne, Bishop of Meaux, etc.). —
I Oraison Funebre | de tres-Haute | et Tres-Puissante
Princesse I Anne de Gonzague | de Cleves, | Prtncesse
Palatine. | Prononc^e en presence de Monsigneur le
Due, de I Madame la Duchesse, et de Monsigneur | le
Due DE Bourbon, dans I'Eglise des Carme- | lites du
Fauxbourg Saint Jacques, le 9. Aoust 1685. I Par Mes-
sire JACQUES BENIGNE BOSSUET . . . | etc. 4to.
Heraldic vignette on title and engraved head and tail pieces
by Leclerc. Handsomely bound by Chambolle-Duru
in crushed brown levant morocco, inside dentelle gold
borders, rounded corners, edges gilt. Paris, Cramoisy, 1685
EXTREMELY RARE ORIGINAL EDITION and UNIQUE, having
two pages inserted of original MSS. in the handwriting of the great Bossuet.
A copy of this volume was priced 400 francs in Morgand et Fatout's cata-
' logue, vide inserted catalogue cutting. This copy has Wider margins.
"The strength and sincerity of his [Bossuet's] religious convictions have
never been assailed, any more than his eminent talents and learning have been
called in question." — Robert Jamieson, D.D.
THE PENE DU BOIS COLLECTION. 371
1593 BOSSUET.— I Oraison Funebre | des Tres-Haut | et
Puissant Seigneur | Messire | Michel le Tellier, |
Chevalier, | Chancelier de France. | Prononcee dans
I'Eglise Paroissiale de Saint Gervais, | ou il est inhume, le
25 Janvier 1686. Par Messire JACQUES BENIGNE
BOSSUET. ... I Engraved heraldic vignette on title,
and head and tail pieces by Thomasson and Roullet after
Parosel. 4to. Handsomely bound by Chambolle-
DuRU in crushed red levant morocco, inside dentelle gold
borders,' edges gilt. Paris, Cramoisy, 1686
EXTREMELY RARE and original edition, priced 150 francs unbound in
Morgand-Fatout's catalogue, vide inserted catalogue cutting in preceding num-
ber.
1594 BoTTiGER (K. W.). Geschichte des Deutschen Volkes.
Steel plates. 2 vols. 8vo, boards. Leipzig, 1835
ORIGINAL EDITION OF BOURDALOUE'S ORATION ON
THE PRINCE DE CONDE— BOUND BY TRAUTZ-
BAUZONNET.
1595 BOURDALOUE.— | Eloge Funebre | de Tres-Haut,
Tres-Puissant | et Tres-Excellent Prince | Henri de
Bourbon | Prince de CondiS, j et Premier Prince du
Sang. | Prononc6 a Paris le 10 jour de Ddcembre 1683.
en I'Eglise | de la Maison Professe des Peres de la Com-
pagnie | de Jesus. | ParlePERE Bourdaloue, delamesme
Compagnie. | Vignette portrait on title and head and tail
pieces engraved by Le Clerc. 4to. Handsomely bound
by Trautz-Bauzonnet in crushed red levant morocco,
inside gold dentelle borders, gilt edges.
Paris, Sebastien Marie Cramoisy, 1684
VERY RARE and a superb copy of the original edition, with very wide margins
and bound by Trautz-Bauzonnet. Morgand-Fatout priced a copy of this volume
at 350 francs in their 1882 catalogue
The Jesuit D'Arruis, speaking of Bourdaloue, said : ' ' Lorsque le Pere Bourda-
loue precha i Rouen, les artisans quittoient leurs boutiques pour Taller en-
tendre; les marchands leur negoce; les avocats le palais; les medecins leurs'
malades. Pour moi lorsque je prechai I'annee d'apres, je remis toutes choses
dans I'ordre, personne n'abandonnoit pas son emploi."
' ' The style and imagery of Bourdaloue seem to rush upon us with the force
of a mountain torrent; he is the Demosthenes of French divines; but it cannot
be denied that his art is too apparent; and that all the subordinate parts of his
composition seem to be purpbsely kept down, in order to sharpen the force of
his logic, and to aggravate the terror of his invective. In the higher departments
of sermon composition, he is, doubtless, without a rival; our Horsley seems to
have had much in common with that eminent divine, as, in the deeper scenes
of Christ's sufferings, and in the delineation of the day of judgment, there was
much about both these preachers which exhibited all the sublimity of which such
subjects are capable." — Dibdin.
372 THE PENE DU BOJS COLLECTION.
1596 BROCKHAUS'S Conversations-Lexikon. Allgemeine
Deutsche Real-Encyklopaedie Zwolfte Ungearbeitete,
Verberserte und Vermehrte Auflage. 15 vols, thick large
8vo, half morocco gilt, cloth sides. Leipzig, 1875-79
The best German Encyclopcedia.
EDITION-DE-LUXE OF "JANE EYRE," WITH DUPLICATE
SIGNED PROOFS ON JAPAN PAPER.
1597 BRONTE (Charlotte). Jane Eyre. With etched portrait
by Blanche Dillaye, and etchings by J. Henry Hill,
Stephen Parrish, Edith Loring Pierce, Henry
Farrar, E. Matlack, G. D. Clements, and P. Moran,
also initial letters designed by John Stevenson. 2 vols,
large 8vo, fresh half crushed levant morocco, top edges
gilt, others uncut. Phila., Robert M. Lindsay, 1884
Haworth Large Paper edition. No. 73 of limited edition-de luxe of 75
copies on Whatman hand-made paper, with duplicate signed proofs of
THE etchings ON JAPAN PAPER.
' 'Almost all that we require in a novelist, the writer has, — perception of charac-
ter and knowledge of delineating it, picturesqueness, passion and knowledge of
life. Reality — deep, significant reahty— is the characteristic of the book." —
Fraser s Magazine.
1598 BROWN (Robert, M. A). Countries of the World, being
a Popular Description of the Various Continents, Islands,
Rivers, Seas and Peoples of the Globe. Profusely illus-
trated. 6 vols, in 3. 4to, fresh half morocco gilt, cloth
sides, marbled edges, ' London, n. d.
This most comprehensive work contains not only the ordinary geographical
details, but also much previously unpublished information that the author has
collected during extensive journeys and voyages. He was assisted by many
experienced travelers and correspondents, whose descriptions of the regions of
which they were personally acquainted form not only a thoroughly readable
work, but a most valuable one of reference for the student, the man of busi-
ness and the investor.
" The author's lively descriptions in 'The Countries of the World,' while
scrupulously accurate as to facts, and giving the living marrow rather than the
dry bones of geographical science, will give a clearer idea than would tons of
geographical encyclopaedias. " — Scotsman.
1599 Bscheider (G.). Das Heilige Land. Front. i2mo,
cloth. Augsburg, 1794
1600 Bunner (H. C). The Midge. Small 8vo, fresh cloth.
N. Y., 1886
LARGE PAPER COPY OF THE GOLDEN TREASURY
" PILGRIM'S PROGRESS."
1601 BUNYAN (John). The Pilgrim's Progress from this
World to that which is to Come delivereci under the
Similitude of a Dream wherein is discovered the Manner
of his Setting-out, his Dangerous Journey, and Safe
Arrival at the Desired Country. Vignette on title on
THE PENE DU BOIS COLLECTION 373
India paper by C. H. Jeens afler Holman Hunt.
Small 8vo, fresh Cambridge calf gilt, inside dentelle gold
borders, edges gilt by R. W. Smith (a few pages slightly
damaged). Cambridge, England, University Press, 1862
Large paper copy of the Golden Treasury edition, and with this note on
verso of false title — "Five hundred copies of this large paper edition were
printed March 12, 1862."
LARGE PAPER COPY OF BURNET'S REFORMATION.
1602 BURNET (Gilbert, Bishop of Salisbury). The History
OF THE Reformation of the Church of England. A
New Edition. 6 vols, large 4to, sewed, uncut.
Oxford, at the Clarendon Press, 1816
LARGE PAPER limited edition, and published at £i) gs. Upon the first
publication of this work, the author obtained the thanks of both Houses of the
British Parliament, with a desire that he would prosecute the undertaking and
complete the valuable work.
"I am reading Burnet's 'Own Times.' Did you ever read that garrulous,
pleasant history ? full of scandal, which all true history is; — no palliatives, but
all the stark wickedness that actually gives the momentum to national actors —
none of that cursed ' Humeian ' indifference — so cold, and unnatural, and
inhuman, etc." — Charles Lamb.
1603 Cable (George W.). The Creoles of Louisiana. Map and
numerous fine woodcuts. Small 4to, fresh cloth, gilt.
N. Y., 1884
1604 Cadart (A.). Catalogue Complet d'Eaux-Fortes Origi-
nals, 1873, '74, '76, and 1878. Illustrated with portrait of
Cadart and 23 original etchings by Appian, Ribot, La-
lanne. Martial, Veyrasset, Lalauze, Feyen-Perrin,
etc. 4 pieces, small 8vo, paper. Paris, 1873-78
Valuable as containing specimens of the early efforts in etching of artists of
now known celebrity.
1605 CAMPBELL (John, Lord). Lives of the Lord Chancel-
lors and Keepers of the Great Seal of England. Portraits.
10 vols, small 8vo, fresh cloth. Boston, n. d.
" I need scarcely advise every reader to consult Lord Campbell's excellent
work." — Macahlay.
EXTREMELY RARE CARICATURES BY ROWLANDSON,
WOODWARD, GILLRAY, ISAAC CRUIKSHANK, ROBERT
CRUIKSHANK AND GEORGE CRUIKSHANK— ALL COL-
ORED BY HAND.
1606 CARICATURES.— TEGG'S CARICATURE MAGA-
ZINE, OR HUDIBRASTIC MIRROR. 4 vols, oblong
4to, half roan. London, 1807-19
A MOST EXTRAORDINARY collection of 204 original caricatures
BY RoWLANDSON, WOODWARD, GiLLRAY, ISAAC CRUIKSHANK, ROBERT
374 THEPENE DU BO IS COLLECTION.
Cruikshank and George Cruikshank, all etched on copper and COL-
ORED BY HAND. These etchings were originally published at sixpence plain
and IS. colored, but of late years their value has been considerably enhanced by
the competition of numerous collectors on the one hand and their extreme rarity
on the other. Some of the following prints included in these volumes have not
long since been sold in London auction rooms for half a guinea tO;^6 each: —
" Comedy in the Country and Tragedy in London," Rowlandson; "Dandies at
Tea," Robert Cruikshank, 1818; "The Cobbler's Cure for a Scolding Wife,"
Rowlandson; " Rigging out a Smuggler," Rowlandson; " Snuffing our Boney "
powerful early etching by George Cruikshank, 1814; "A Dutch Toy or a Pretty
Play- thing for a Young Princess," a satire on the contemplated marriage of
Princess Charlotte with the prince of Orange, George Cruikshank, 18 14; "Com-
fort to the Crows," Gillray; " Pidgeon Hole at Covent Garden Theatre to Coop
up the Gods," Rowlandson; ' ' Romeo Coates the Amateur of Fashion "; "After
Sweet Meat Comes Sour Sauce!" Rowlandson; " Bartholomew Fair," Row-
landson; "Richardson's Booth at Fairlop Fair," "A Lilliputian Auction,"
Isaac Cruikshank; "Joanna Southcote Excommunicating the Bishops," Row-
landson, 1814; " Kicking up a Breeze at Nell Hamilton's Hop," Rowlandson:
" Gambols on the River Thames (During the Great Frost)," Feb., 1814, George
Cruikshank; " Fight between Cribb and Molineaux, Sept. 28th, 1811," Row-
landson; "The Clerical Magistrate," George Cruikshank, 1819; "The Irish
Poet's Grace," Isaac Cruikshank; " Female Politicians," and Pastime in Por-
tugal, Rowlandson, etc. The earliest date of any print in this collection is
1807 — the latest iSig. It is impossible to say how near completion the set is,"
as so many have been broken up from time to time. Apparently two title-pages
are lacking of four, but that is of little consequence to either the Cruikshank or
Rowlandson collector, as the titles appear to have been executed by other and
inferior artists.
EDITION-DE-LUXE OF CARLYLE'S WORKS.
1607 CARLYLE (Thomas). Complete Works — Edition-de-
LuxE. Illustrated by fine etchings, steel engravings and
photogravures, including portraits, historical views, etc.
Proof impressions — printed on parchment linen paper. 20
vols, large 8vo, cloth, edges totally uncut. Boston, 1884
Of this beautiful edition but 350. copies were printed. Each is numbered,
this set being No. 67.
It is divided as follows : — Frederick the Great, 7 vols. ; Cromwell's
Letters and Speeches, 3 vols. ; French Revolution, 2 vols. ; Essays, 4 vols. ;
Past and Present, John Knox and Miscellanies; Resartus, Teufeldrbckh, Heroes
and Hero Worship; Life of Schiller; Life of John Sterling and Latter-Day
Pfimphlets. There is a General Index.
THE STERLING EDITION OF THOMAS CARLYLE.
1608 CARLYLE. Complete Works — The Sterling Edi-
tion. Fine portraits, maps, etc. 20 vols, small 8vo, fresh
half calf gilt, marbled sides and edges. Boston, 1885
1609 Carlyle (Jane Welsh). Letters and Memorials of, Pre-
pared for Publication by Thomas Carlyle. Edited by
James Anthony Froude. 3 vols. 8vo, fresh half blue
calf extra, top edges gilt, others uncut. London, 1883
Best English library edition.
THE PENE DU BOIS COLLECTION. 375
16 lo Cassell's Technical Educator, an Encyclopaedia of Tech-
nical Education. Profusely illustratedby colored plates and
wood engravings. 4 vols, in 2. Thick large 8vo, fresh half
calf, marbled sides and edges by R. W. Smith.
London, n. d.
,This valuable reference work includes papers on every important subject in
art, chemistry, electricity, mechanics, biography, engineering, photography,
building, etc.
161 1 CEL^BRITES CONTEMPORAINES. Portraits and
facsimiles. 14 vols, small 8vo, sewed, uncut.
Paris, Quantin, 1883
Includes — Renan, Erckmann-Chatrian, Rochefort, Feuillet, Zola, Ferry, Flo-
quet, Lesseps, Naquet, Claretie, Paul Bert, Labiche, Clemenceau, Freycinet.
1612 Cholmondbley-Pennell (H.). From Grave to Gay, Be-
ing a Volume of Selections from his Complete Poems.
Eine etched portrait by W. Sherborn. Small 8vo, fresh
cloth gilt, beveled sides, totally uncut.
London, Longmans, 1884
Printed on thick paper.
1613 Cholmondeley-Pennell. Another copy.
1 614 Cholmondeley-Pennell. Another copy.
1615 CINNAMUS (J.). De Rebus Gestis Imperat. Constantinop.
loANNis et Manuelis Commenorum Historiar. Libri
IV. Cornelius Tollius Primus Edidit, vertit, catigavit.
Small 4to, red crinkled morocco extra gilt, edges gilt.
Utrecht, 1652
Rare, first edition and with the Greek and Latin text in parallel columns.
With the heraldic book-plate of the Syston Park Library inserted. Brunet only
mentions the 1670 Paris edition of this valuable volume on the two above-named
Byzantine Emperors.
1616 Cluver (Philip). Introdvctionis in Vniversam Geograph-
iam, Tabulis seneis, illustrati Accessit P. Berth. Mini-
mo, vellum. Amsterdam, .<4/K(/ .^i?«n Wetstenium, 1686
Rare. With numerous maps, including America.
1617 CODES FRAN^AIS et Lois Usuelles D^crets, Ordon-
nances et Avis du Conseil d'Etat par EL. F. Riviere avec
les Concours de MM. Faustin Helie and Paul Pont.
Very thick large 8vo, half morocco. Paris, 1884
Twelfth edition, corrected and enlarged.
1618 COLUMBUS (Fernando). Historic del CHRISTOFORO
COLOMBO suo Padre e dello scoprimento, ch' egli sece
deir Indie Occidentali, etc. Minimo, old calf, gilt.
Venice, Guiseppe Tramontin, 1685
Rare and chap-book edition of the life of Christopher Columbus by his
son Fernando.
376 THE PENE DU BOIS COLLECTION.
1619 Const ANTiN (Aime). Etudes sur le Patois Savoyard.
8vo, sewed. Paris, 1878
1620 Cook (James, Captain). Narrative of Voyages round the
World, with an Account of his Life, by A. Kippis.
Front. Small 8vo, fresh cloth, gilt. London, 1883
1621 COOPER (J. Fenimore). Precaution, a Novel, with a Dis-
course on his Life and Writings by William Cullen
Bryant. Steel front., fine portrait by Marshall, and
numerous woodcuts from designs of F. O. C. Darley.
i2mo, cloth. N. Y., James G. Gregory, 1863
Original " Gregory " edition and very scarce. The above and following six
lots are all clean desirable copies, with beautiful clear, bright impressions of the
plates.
1622 Cooper. The Pioneers, or the Sources of the Susque-
hanna. Steel front., vignette title and numerous woodcuts
from designs of F. O. C. Darley, and engraved by F.
GiRSCH and others. i2mo, cloth, uncut.
N. Y., W.A. Townsend&r' Co., 1859
1623 Cooper. The Bravo. Steel front., vignette title and num-
erous woodcuts from designs of F. O. C. Darley, and en-
graved by R. Henshelwood and others. i2mo, cloth,
uncut. - N. Y., W. A, Townsend &■ Co., 1859
1624 Cooper. The Wept of Wish-Ton- Wish. Steel front., vig-
nette title and numerous woodcuts from designs of F. O. C.
Darley, and engraved by J. I. Pease and others. i2mo,
cloth, uncut. N. Y., W. A. Townsend bf Co., 1859
1625 Cooper. Wyandotte, or the Haunted Knoll. Steel front.,
vignette title and numerous woodcuts from designs of F. O.
C. Darley, and engraved by Marshall and others. i2mb,
cloth, uncut. N. Y., W. A. Townsend &" Co., 1859
1626 Cooper. The Red Rover. Steel front, vignette title and
numerous woodcuts from designs of F. O. C. Darley, en-
graved by Alfred Jones and others. i2mo, cloth, uncut.
N. Y., W. A. Townsend Ss' Co., 1859
1627 Cooper. The Last of the Mohicans, a Narrative of 1757.
Steel front., vignette title and numerous woodcuts from
designs of F. O. C. Darley, and engraved by J. D. Smillie
and others. N. Y., W. A. Townsend Ss' Co., 1859
1628 COURCY (M. Pol de). Le Combat de Trente Bretons
centre Trente Anglais d'apr^s les Documents Originaux
des XlVe et XVe Sifecles; suivi de la Biographic et des
Armes des Combattants. Illttminated front, of the combat in
colors heightened with silver and gold, and 2 plates of the
THE PENE DV BOI5 COLLECTION. 377
arms of the sixty combatants. 410, half red morocco, cloth
sides, top edge gilt. St. Pol-de-L^on, chez Vauteur, n. d.
Limited edition. A page and a half account of one of the Breton com-
batants will be found on pp. 35-36, viz., Du Bois, alias Du Bois-Ourhaut on
Coatgourhaut, ^ho bore for coat armor " d'or au lion de sable, brise d'une
fasce de gueules."
THE VERY RARE CROMWELL MEMOIRS, WITH THE
PLATES BY AUDRAN, FABER, ETC.
1629 CROMWELL (Oliver). Memoirs of the Life and Actions
of, as Delivered in Three Panegyrics of Him Written in
Latin, with an English Version of Each, the whole Illus-
trated with a Large Historical Preface, with a Collection
of Divers Curious Historical Pieces relating to Cromwell,
etc., by Francis Peck, M. A. With superb mezzotint por-
traits of Cromwell and the compiler by Faber, the first
named after Lely, folded portrait in line of Hampden
by AuDRAN, also portraits of Fairfax, Essex, Lady Fau-
CONBERG, likewise vignettes., numismatic illustrations ^ fac-
similes, coats-of-arms, etc. Large 4to, calf, gilt.
'London, printed 1740
VERY RARE, with all the title-pages to the panegyrics — " the First as said
by Don Juan Roderiguez de Saa Meneses, Conde de Penaguiano, the Portugal
Ambassador; the Second, as affirmed, by a certain Jesuit, the Lord Ambassa-
dor's chaplain; yet both it is thought composed by Mr. John Milton (Latin
Secretary to Cromwell) as well as the Third. "
The work has neither publisher's nor printer's name and was privately printed.
The above was the Osterley Park copy and has the heraldic book-plate of the
Earl of Jersey.
1629* CROSS. — George Eliot's Life as Related in Her Let-
ters and Journals, Arranged and Edited by h^r Husband
J. W. Cross. Portraits on India paper and views. 3
vols., small 8vo, cloth, uncut. Edinburgh, 1885
1630 CRUIKSHANK.— ANSTEY (Christopher). The New
Bath Guide, or Memoirs of the B-N-R-D Family, -in a
Series of Poetical Epistles. A New Edition with a Bio-
graphical and Topographical Preface and Anecdotal Anno-
tations by John Britton. Front, and engraved title by S.
Williams, and 5 spirited etchings by George Cruikshank.
Small 8vo, original cloth, totally uncut. London, 1830
Very scarce. First edition, containing the Cruikshank plates. This is a
remarkably clean fine copy with early impressions of these inimitable etchings
by the greatest of all English caricaturists.
1630* CRUIKSHANK.— ELLISTON (Robert William, "Come-
dian"). lAii and Enterprise of, by George Raymond.
Portrait by Penstone and numerous characteristic illustra-
tions by Cruikshank and Phiz. Small 8vo, cloth.
London, 1857
378 THE PENE DU BOIS COLLECTION.
1631 Dantier (Alphonse). Les Femmes dans la Soci^t^ Chr6-
tienne. Illustrated with photogravures on India paper
and over 200 wood engravings. 2 vols. 4to, fresh half red
morocco gilt, cloth sides, gilt edges.
Paris, Firmin-Didot, 1879
1632 Dawson (Henry B.). The Sons of Liberty in New York.
Large 8vo, paper. Poughkeepsie, 1859
Privately printed. Presentation copy from the author, with his auto-
graph.
1633 [DE FOE (Daniel).] The Life and Adventures of Robinson
Crusoe, Written by Himself. Embellished with engravings
from designs by Thomas Stothard, and vignette titles. 2
vols. 8vo, fresh half yellow calf gilt, marbled sides, citron
edges. London, John Stockdale, 1804
Very rare, with excellent impressions of Stothard's first set of plates to
Robinson Crusoe.
"This book (Robinson Crusoe) shall be the first Emilius. shall read; in this
ideal, will, for a long time, consist his whole library, and it will always hold a
distinguished place among others." — Rousseau.
1634 DEFOE. The Life and Adventures of Robinson Crusoe,
with Memoir of the Author. With 12 illustrations in per-
manent photography after T. Stothard's designs. 8vo,
cloth gilt, beveled sides. London and N. Y., 1881
1635 Delany (Mary Granville). Autobiography and Corre-
spondence. 2 portraits. 2 vols, small 8vo, fresh cloth.
Boston, 1882
Revised and edited by Sarah Chauncey Woolsey.
1636 De Peyster (J. Watts). History of CarausiUS, the First
Sailor King of England. Large 8vo, paper, uncut.
Poughkeepsie, 1858
Presentation copy from the author.
1637 De Quincey (Thomas). Personal Recollections of, by J.
R. Findlay. 2 portraits. i2mo, fresh cloth, uncut.
Edinburgh, 1866
Printed on thick Whatman drawing paper.
1638 Deschanel (Emile). A Batons Rompus Vari^tes Morales
et Littdraires. Small 8vo, sewed, uncut. Paris, 1868
Presentation copy, with autograph inscription of the author.
1639 Desdouits. Astronomic. Cuts and plate. 8vo, illumin-
ated cloth, gilt edges. Tours, 1861
1640 Des Houx (Henri). Ma Prison. Small 8vo, sewed un-
cut Paris, 1887
THE PENE DU BOIS COLLECTION. z^<)
DIERE'VILLE VOYAGE TO NEW FRANCE— THE 1708
EDITION.
1641 DIERE'VILLE (Monsieur). Relation du Voyage du Port
, Royal de I'Acadie ou de la Nouvelle France, etc. izmo,
old sheep. Rouen, 1708
Very rare, with j;ight-page addendum at the end to the same. " A relation
of the voyage from Port Royal to Acadia or New France, in which may be
seen a detail of the various movements, etc. The description of the country,
the occupations of the French who are there established; the manners of the
different nations of savages, their superstition and their hunting, with a dis-
sertation on the beaver. Also contains a relation of a combat between the
French and the Acadians against the English."
1642 DRAKE. — Our Great Benefactors; Short Biographies of
the Men and Women most Eminent in Literature, Science,
Philanthropy, Art, etc. Edited by Samuel A. Drake.
Nearly 100 portraits. Thick 4to, fresh cloth.
Boston, 1884
1643 Drumont (Edouard). La France Juive — Essai d'Histoire
Contemporaine. 2 vols, small Svo, sewed, uncut.
Paris, n. d.
1644 Dumas (Alexandre). Sa Vie, Son Temps, Son CEuvre
par H. Blaze de Bury. Small 8vo,tsewed, uncut.
Paris, 1885
1645 Dumas (F. G.). Illustrated Catalogue of the Paris Salon
of 1881, '82 and '83 [French text]. With nearly 1,100
illustrations in facsimile after the original designs of the
artists. 3 vols. 8vo, sewed, uncut.
Paris and N. Y., 1881-83
1646 Dukes (E. J.). Every-Day Life in China, or Scenes along
River and Road in Fuh-Kien. Map and numerous wood-
cuts from sketches by the author. Small Svo, fresh cloth.
London, 1885
1647 [Durand (Alice Marie Celeste Henri)], i. e., " Henry
Greville." Le Vceu de Nadia. tVith numerous illustra-
tions by Adrien Marie, many full page. Large 8vo,
illuminated cloth, beveled sides, gilt edges. Paris, 1883
1648 EDEN.— The First Three English Books on America
[? 1511] — 1555 A.D., being Chiefly Translations, Compila-
tions, etc., by Richard Eden, from the Writings, Maps,
etc., of Pietro Martire of Aughiera (1455-1526), Sebas-
tian MuNSTER, the Cosmographer (1489-1552), Sebas-
tian Cabot, of Bristol (1474-1557), Grand Pilot of Eng-
land, with Extracts, etc., from the Works of other Span-
ish, Italian and German Writers of the Time, edited by
Edward Arber, F.S.A. Handsome initial letters, fac-
similes, etc. 4to, cloth. Birmingham, 1885
" This volume cannot fail to interest the cultivated reader. One is able therein
to look out on the New World as its discoverers and first explorers looked upon
38o THE PENE DU BOIS COLLECTION.
it. Now-a-days this globe has but few geographical mysteries; and it is losing its
romance as fast as it is losing its wild beasts. In the following Texts, however,
the Wonderment of its Discovery in all its freshness is preserved, as in amber,
for all time: and they also contain notices of not a few barbaric civilizations
which have long since passed away from off the face of the earth." — Arber.
1649 Elborn (Barbara). Bethesda. Small 8vo, fresh cloth.
N. Y. (London), 1884
1650 Etudes sur les Passions. Large 8vo, sewed, uncut.
New Orleans, 1849
165 1 Familien Bibel, Oder die Ganze Heilige Schrift Alten und
Neuen Testaments ubersetzt und neu revidirt von D.
Leander Van Ess. Portrait and plates (some foxed).
Thick large 8vo, half calf (rubbed). Hildburghausen, 1838
HANDSOME EDITION OF TELEMAQUE— BOUND BY
SIMIER.
1652 FENELON. Aventures de Teldmaque, avec des Notes
Geographiques et Litteraires. Portrait by Roger, and map.
2 vols. 8vo. Handsomely bound by " Simier R. Duron "
in red calf gilt, paneled and diamond sides, inside gold
fillets, edges gilt (foxed in parts). Paris, Lefevre, 1824
Elegant copy of this delightful French classic.
Archbishop Fenelon's best known work is his " Telemachus," which has been
translated into nearly every European language, and has been turned into verse
in English, Latin, Greek, etc.
1653 FERRY (Gabriel, Louis de Bellemare). Scenes de la Vie
Mexicaine. Small 8vo. Bound by Lortic in crushed
dark blue levant morocco, inside gold dentelle borders,
edges gilt. Very scarce. Paris, 1856
1654 FIGUIER (Louis). Vies des Savants Illustres depuis I'An-
tiquite jusqu'au Dix-neuvieme Siecle. With numerous
portraits and other illustrations. 5 vols, large 8vo, half
morocco. Paris, 1876-81
Complete in five volumes, i. e., I., Savants de I'Antiquite; II., Savants du
Moyen-Age; III., Savants de la Renaissance; IV., Savants du Dix-septieme
Siecle; V., Savants du Dix-huitieme Siecle.
Bound uniformly with the following two numbers.
1655 FiGUiER. La Terre avant le Disluge. 2^, page illustrations
by Riou, 345 cuts and 8 colored plates. Large 8vo, half
morocco. Paris, 1879
1656 FiGuiER. Connais-toi toi-meme. Notions de Physiologic.
25 page illustrations, 26 portraits, 115 cuts and i chromo-
lithograph. Large 8vo, half morocco. Paris, 1879
1657 FiGuiER. Le Lendemain de la Mort. Small 8vo, boards
rough edges. Paris, 1872
THE PENE DU BOIS COLLECTION. 381
1658 FiGUiER. Le Telephone, son Histoire, sa Description, ses
Usages. Illustrated. Small 8vo, sewed, uncut.
Paris, n. d.
1659 FiGUiER. Primitive Man. 2)° plates and numerous cuts in
text of fire-historic weapons, etc. 8vo, cloth (some pages
loose). N. Y., 1870
1660 FISKE (Stephen). Off-Hand Portraits of Prominent New
Yorkers. Small 8vo, fresh cloth, top edge gilt.
N. Y., 1884
FLECHIER'S DISCOURSE ON CHANCELLOR LE TELLIER
—BOUND BY CHAMBOLLE-DURU.
1661 FLECHIER (Esprit).— Oraison Funebre | de Tres-Haut
I et Puissant Seigneur | Messire | Michel Le Tellier, |
Chevalier,' | Chancelier de France. ( Prononcee dans
I'EgHse de I'Hotel Royal des Invalides, | le 22 jour de
Mars 1686. I Par M. Flechier, Abb^ de Saint-Severin et
de Baigne, Aumosnier ordinaire de Madame la Dauphine,
I nomm^ par Sa Majesty a I'Eveschd de Lavaur. | With
engraved vignette title, and head and tail pieces by Thomassin
and RouLLET after Le Clerc and Paroset. 4to. Hand-
somely bound by Chambolle-Duru in crushed brown
levant morocco, inside dentelle gold borders, rounded
corners, edges gilt. Paris, Cramoisy, 1686
Original edition and very rare, costing Mr. Pene du Bois $25.
Louis XIV. , complimenting the celebrated French orator Flechier on his
appointment to the Bishopric of Nismes, said, " Ne soyez pas surpris si j'ai
recompense si tard votre merite: j'apprehendois d'etre prive du plaisir de vous
entendre si je vous faisois eveque."
1662 FLEMING and TIBBINS. Royal Dictionary, English
and French, and French and English. 2 vols, thick large
4to, half red morocco. Paris, Firmin-Didot, 1875
Compiled from the Dictionaries of Johnson, Todd, Ash, Webster and Crabb,
from the last edition of Chambaud, Garner and J. Descarriires, the sixth edition
of the Academy, the complement to the Academy, the Grammatical Dictionary
of Laveaux, the Universal Lexicon of Boiste, and the Standard Technological
Works in either Language.
1663 Fou DE Palerme Nouvelle Sicilienne, par M. * * * ^
Louisianais. Small 4to, sewed. New Orleans, 1873
1664 FOURNIER (Edouard). Histoire des Enseignes de Paris
revue et publi^e par le Bibliophile Jacob, avec un Ap-
pendice par J. Cousin, Bibliothecaire de la Ville de Paris.
With frontispiece by Ij. E. Fournier, 84 designs on wood
and a ic^th century plan of Paris. Thick small 8vo, sewed,
uncut. Paris, 1884
Unique copy with inserted autograph letter from Fournier to Auguste
Aubiy, the publisher.
382 THE PENE DU BOIS COLLECTION.'
1665 FouRNiER. Enigmes des Rues de Paris. Small 8yo, sewed,
uncut. Paris, 1860
1666 FouRNiER. Paris Demoli. Nouvelle Edition. Revue et
Augment^e, avec une Preface par TH:fiopHiLE Gautier.
Small 8vo, sewed, rough edges. Paris, 1883
Holland paper copy, with rubricated title.
1667 FouRNiER. Histoire du Pont Neuf. 2 vols, small 8vo,
sewed, uncut. Paris, 1862
1668 FouRNiER. Le Vieux-Neuf Histoire Ancienne des In-
ventions et Decouvertes Modernes. 3 vols, small 8vo,
paper, uncut. Paris, 1877
1669 FouRNiEE. Paris Capitale. Portrait. Small 8vo, sewed,
uncut. Paris, 1881
1670 FOX. — Memories of Old Friends, being Extracts from the
Journals and Letters of Caroline Fox, from 1835 to 1871.
Edited by Horace Pym. Fine portrait etched by
Hubert Herkomer. Large 8vo, fresh half crushed
levant morocco gilt, top edge gilt, others uncut.
London, 1882
There were few of the great literary lights of this century — ^Wordsworth,
Carlyle, Coleridge, Macaulay, Irving, Froude, etc. — that were not the acquain-
tances of Caroline Fox.
167 1 Franklin. Life of Benjamin Franklin, with many
Choice Anecdotes and Admirable Sayings of this Great
Man, by M. L. Weems. £are portrait of Franklin, i amo,
sheep. Very scarce. Phila., 1829
1672 FREEMAN (Edward A.). History of the Norman Con-
quest of England, its Causes and Results. Colored maps.
6 vols, small 8vo, fresh half roan, top edges gilt.
Oxford, Clarendon Press, 1873-79
Published at twenty dollars.
1673 FROISSART (Sir John). Chronicles of France, England,
Spain, etc., from the latter part of the Reign of Edward
II. to the Coronation of Henry IV., translated by Thos.
JOHNES. Front, (cut down). 12 vols, small 8vo, half
morocco, gilt (MS. names on some titles). London, 1808
Third edition, with life of the author, essay on his works, criticism on his
history and dissertation on his poetry.
Sir Walter Scott, in his " Tales of My Landlord," thus speaks of the above: —
" Did you ever read Froissart?" " No," said Morton. " I have half a mind,"
said Claverhouse, " to contrive you should have six months' imprisonment in
order to procure you that pleasure. His chapters inspire me with more enthu-
siasm than even poetry itself. "
Thomas Johnes, the translator of Froissart and Monstrelet, was a bibliophil-
istic friend of T. F. Dibdin, who gives a most eulogistic account of his grand
library, AUibone says— " In 1807 the splendid mansion of Col. Johnes, with
THE PENE DU BOIS COLLECTION. 383
much of its valuable contents, was destroyed by fire: the loss amounted to
;^ 70, 000. The energetic Bibliomaniac was not, however, to be discouraged,
and built and adorned a new edifice. Evelyn would have been delighted with
the colonel, for he planted above three millions of trees on his Cardiganshire
estates."
1674 GARDNER (Samuel R., LLD.). History of England
from the Accession of James I. to the Outbreak of the
Civil War, 1603-1642. Map. 10 vols, small 8vo, fresh
, cloth. London, 1884
' This valuable work, published by Longmans, fills up a considerable portion of
the " History of England " lacking between the works of Froude and Macaulay.
" Mr. Gardner is a historian in the truest sense; that is, he does not merely
repeat in new forms the conclusions of others, but goes directly to the original
authorities, reconstructs in Imagination the periods of which he treats, and gives
prominence only to such causes as lead to important effects. ... In the most
troubled ages, which are generally judged from a strictly party standpoint, he
strives after complete impartiality, doing justice to the actions and motives even
of those with whom he has no personal sympathy." — The London Globe.
1675 Gatling Guns of Large Calibre. Report on. Plates, etc.
Large 4to, cloth. Washington, 1864
1676 GAYARRE (Charles). Essai Historique surla Louisiane.
2 vols, small 8vo, boards, totally uncut.
New Orleans, 1830-31
1677 GAYARR6. Histoire de la Louisiane. 2 vols, large 8vo,
sewed, uncut (foxed).
Large paper. New Orleans, 1,846-47
1678 Gavarr^. Creoles of History and Creoles of Romance.
Small 8vo, sewed. New Orleans, 1885
1679 GEOGRAPHIA NOVISSIMA AsIk, Africse et Americse,
also Zeiling's Lexicon. 2 vols, in i. Thick i2mo, vellum
(foxed). Frankfort, 1708
Rare. Stamped on the sides with the coat-of-arms, coronet, etc., of — " Baro:
Hacklperg : Maximilianvs : Erasmvs."
1680 Girault-Duvivier (C. P.). Grammaire des Grammaires
sur la Langue Franjaise. 2 vols, thick 8vo, sewed, uncut.
Paris, 1873
GONSE'S MAGNIFICENT WORK ON JAPANESE ART-
LIMITED EDITION.
1681 GONSE (Louis, Directeur de la Gazette des Beaux Arts).
L'ART JAPONOIS. Illustrated by 64 full-page engrav-
ings, 30 of which are colored; there are in addition 13 etch-
ings', i\ plates in heliogravure by the Dv j ardin process, and
over 700 other engravings, exclusive of facsimiles of seals,
autographs, etc. 2 vols, large 4to, fresh illuminated satin,
edges uncut. Paris, A. Quantin, 1883
No. 906 of limited edition on Japan paper. The imported price of the above
is 120 dollars. This magnificent work, of which but a limited edition was pub-
384 THE PENEDU BOIS COLLECTION.
lished, met with a ready sale among all interested in Japanese art. The work
was the first published giving a general history of the art of Japan. The author,
M. Gonse, himself a well-known collector, had unusually fine facilities for the
faithful performance of his work. The period reaches from the ninth to the
nineteenth century.
1682 GOODALE (George L., M.D., Professor of Botany in
Harvard University). Wild Flowers of America. With
50 well-executed and colored plates from original drawings
by Isaac Sprague. Thick large 4to, fresh half red mo-
rocco, top edge gilt, orhers uncut. Boston, 1882
Isaac Sprague, the eminent botanical artist, has brought to this work the skill
and experience acquired by association with Audubon, and during his extended
investigations conducted under direction of Prof. Asa Gray, of Harvard Uni-
versity.
" Mr. Isaac Sprague, who has drawn these flowers, is without a superior in
the country as a botanical artist. The pictures are absolutely correct in the
delineation of the organs and in the tone of color. The process of lithography
has been marvelously successful. . . '. . The accompanying t'ext by Professor
Goodale is admirable." — The New York Independent.
1683 GOODRICH (Frank B.). The Tribute Book, a Record
of Munificence, Self-Sacrifice and Patriotism of the
American People during the War for the Union. Pro-
fusely illustrated. Large 8vo, morocco elegant, beveled
sides, gilt edges. N. Y., 1865
1684 Gordon (C. G., General). The Journals of, at Kartoum.
Printed from the original MS. Introduction and Notes
by A. E. Halle. Fine portrait, 2 maps and 30 illustra-
tions after sketches by General Gordon. Sinall 8vo,
fresh cloth. Boston, 1885
THE GREAT MODERN PAINTERS.
1685 GRANDS PEINTRES FRANgAIS et Etrangers Ouvrage
d'Art, Public avec le Concours Artistiqiie des Maitres —
Texte par les Principaux Critiques d'Art. Profusely
illustrated with 450 photogravures and woodcuts — Proofs
ON India paper printed in colors. 2 vols, in 8 parts,
folio, in portfolios (complete as published).
Paris, Goupil &= Co., 1884
This exquisite book is one of the most magnificent specimens of book-
making and illustrating of ancient or modern times. The text (pp. 384) and
plates throughout are printed on the finest plate paper. The reproductions on
steel and wood consist of the best examples of twenty-four of the leading
artists of the present day, viz : — Bouguereau, Alma-Tadema, Munkacsy,
BoNHEUR, Henner, Baudry, Lefebvre, Bridgman, Knads, Breton,
BONNAT, MiLLAIS, ISRAELS, JACQUE, LAURENS, VAN MARCKE, DE NiTTIs]
Herkomer, Meissonier, Boulanger, Chavannes, Madrazo, Mesdag and
Gerome.
Of the 450 illustrations 24 are on India paper. But one of the most
important features of this grand exhibit is the reproduction in the text of the
sketches or studies of those masters of all that is greatest in art. Such an
insight is seldom vouchsafed to the uninitiated, and the originals are unattain-
able, even by the wealthiest.
THE PENE D U BOIS COLLECTION. 385
GRANT'S OLD AND NEW EDINBURGH.
1686 GRANT (James). Old and New Edinburgh— Its His-
tory, its People and its Places. Profusely illustrated.
3 vols. 4to, half morocco gilt, cloth sides, gilt edges.
London, n. d.
In Edinburgh — or Modern Athens, as it is often called — every step is histori-
cal; the memories of a remote and romantic past confront us at every turn and
corner, and every spot is associated with some thrilling or heroic deed.
On the one hand we have, almost unchanged in general aspect, yet changing
in detail at the ruthless demands of improvement, the Edinburgh of the Middle
Ages — "the Queen of the North upon her hilly throne" — the city of the
Davids and of five gallant Jameses — her massive mansions of stone, weather-
beaten, old, dark and time-worn, teeming with historical recollections of many
generations of men; many painful and many pitiful memories, some of woe,
but more of war and wanton cruelty; of fierce combats and feudal battles; of
rancorous quarrels and foreign invasions; and of loyal and noble hearts that
were wasted and often broken in their passionate faith to religion and a regal
race that is now now more.
On the other hand, and all unlike the warrior city of the Middle Ages,
beyond the deep ravine overlooked by Princes Street — that most beautiful of
European terraces — and by that noble pinnacled cross which seems the very
shrine of Scott, we have the modern Edinburgh of the days of peace and pros-
perity, with all its spacious squares and far-stretching streets, adorned by the
statues of those great men who but lately trod them. And so the Past and the
Present stand face to face, by the valley where of old the waters of the North
Loch lay.
In the old city there is not a street wherein blood has not been shed again
and again, in war and local tumult, for it is the Edinburgh of those days when
the sword was never in its scabbard; when to settle a quarrel <J la mode de
Edimbourg yias, a European proverb; when the death-bed advice of Bruce was
carried out, and truces were made, but seldom peace, with England; and when
it has been said that many a Scottish mother had never a son left to lay her
head in the grave, for in foreign war or domestic feud all had gone before her
to the land of the leal.
New Edinburgh appeals to us in a different sense. It tells peculiarly in all
its phases of modern splendor, wealth, luxury and all the arts of peace, while
" in no other city," it has been said, "will you find so general an appreciation
of books, art, music and objects of antiquarian interest." In picturesque
beauty the capital of Scotland is second to none. " What the tour of Europe
was necessary to see I find congregated in this one city," said Sir David
Wilkie. " Here alike are the beauties of Prague and of Salzburg, the romantic
sights of Orvieto and Tivoli, and all the magnificence of the Bays of Naples
and Genoa. Here, indeed, to the painter's fancy may be found realized the
Roman Capitol and the Grecian Acropolis."
1687 GRANT (U. S., General). Personal Memoirs of. Por-
traits, facsimiles and plans. 2 vols. 8vo, fresh cloth, gilt.
N. Y., 1885-86
Issued to subscribers only.
1688 Great Kings and Great Preachers. Stories of Eminent
Rulers and Memorable Religious Teachers and Reformers.
With numerous illustrations. 8vo, fresh cloth, gilt.
London, n. d.
386 THE PENE DU BOIS COLLECTION. '
1689 GREELEY. The New Yorker, edited by Horace Gree-
ley. Various numbers, 1837. Large 4to, half roan
(binding broken). N. Y.,, 1837
UNIQUE COPY OF CITIZEN GREGOIRE'S TREES OF LIB-
ERTY—BOUND BY DURU.
1690 GREGOIRE (Henri, Abbi). Essai Historique et Patriot-
ique sur les Arbres de la Libert^, par Gregoire, membre
de la Convention Nationale. Minimo. Bound by Duru
in crushed red levant morocco, rounded corners, inside
detitelle gold borders, top edge gilt.
Paris, an lime de la Republique Fran^aise
VERY RARE. Original edition, with autograph letter signed of this
celebrated revolutionary character. It is of two pages quarto, has ' woodcut
heading, and is dated "Liberte, Egalite. Paris an 12 de la Republique."
Brunei's copy sold for 51 francs in 1868.
1691 Grundliche Nachricht vom Conclave oder Neueste
Historie des Romischen Hbfes. Portraits of Popes Inno-
cent XHL and Clement XL, also other plates of cere-
monies. 1 2 mo, vellum (MS. on title).
Rare. Frankfort, 1721
1692 GUIZOT (F. P. G.). The History of France from the
Earliest Times to the Year 1879. Translated by Robert
Black, M.A. With 340 illustrations by distinguished
artists and colored map. 6 vols, large 8vo, fresh half red
crushed levant morocco^ top edges gilt. Boston, n. d.
1693 Guizot (Madame). Lettres de Famille sur I'Education.
2 vols, small 8vo, half green morocco, cloth sides.
Paris, i860
LARGE PAPER COPY OF HAMERTON'S GRAPHIC ARTS.
1694 HAMERTON (P. G.). The Graphic Arts. A Treat-
ise ON THE Varieties of Drawing, Painting, and En-
graving, in comparison with each other and with Nature.
With 54 illustrations after Ancient and Modern Masters —
Raphael, MacliSe, Turner, Leigh, Mulready, Hard-
ing, Holbein, Durer, Bewick, Titian, Hollar, Rem-
brandt, Holt, Hurst, Delanne, Visscher, Strange,
^tc, reproduced in facsimile. Thick 4to, vellum, gilt,
uncut. N. Y., Macmillan [London], 1882
LARGE PAPER, uncut, and limited edition of 350 copies printed on thick
paper, -with plates on India paper.
1695 Hamerton. Etching and Etchers. Illustrated with 12
etchings, 11 by the author and i by Lalanne. 8vo, cloth
extra, top edges gilt. ■ Boston, 1886
THE PENE DU BOIS COLLECTION. 387
1696 Harris (William). Historical and Critical Account of the
Life and Writings of James I. Small 8vo, old calf (name
on title). London, 1753
LARGE PAPER EDITION-DE-LUXE OF NATHANIEL
HAWTHORNE'S WORKS.
1697 HAWTHORNE (Nathaniel). Works, viz.: Vol. I., Twice-
Told Tales; Vol. H., Mosses from an Old Manse; Vol. III.,
The House of Seven Gables, The Snow Image, etc. ; Vol.
IV., The Wonder Book, Tanglewood Tales, etc.; Vol. V.,
The Scarlet Letter, The Blithedale Romance; Vol. VI.,
The Marble Faun; Vols. VII. and VIII., Our Old Home,
English Note Book; Vol. IX., American Note Book; Vol.
X., French and Italian Note Books; Vol. XI., Dolliver
Romance, Septimus Felton, etc.; Vol. XII., Biographical
Sketches, Life and Index; (Supplementary Volume) Dr.
Grimshawe's Secret. With Introductory Notes by George
Parsons Lathrop. Illustrated with proofs of the 26
etchings (original designs) by Blu.m, Church, Dielman,
Gifford, Shirlaw and Turner, and a new vignette wood-
cut in each volume, excepting the last, which contains a
new steel portrait of Hawthorne, engraved by Willcox.
Together 13 vols. Large 8vo, original boards, uncut.
Cambridge, Riverside Press, 1883
LARGE PAPER and Edition-de-Luxe. Only 250 copies printed. Although
only published four years ago, this edition-de-luxe is entirely out of print. A
set was lately sold in New York for $125. cx).
' ' Another characteristic of this writer is the exceeding beauty of his style.
It is clear as running waters are. Indeed he uses words merely as stepping^
stones, upon which, with a free and youthful bound, his spirit crosses and re-
crosses the bright and rushing stream of thought." — Longfellow.
1698 HAWTHORNE. Our Old Home, and English Note-
Books. Etched fronts, and vignette titles. 2 vols, small 8vo,
fresh cloth, top edges gilt. Boston, Riverside Frsss, 1883
HANDSOME COPY OF HAYWARD'S BIOGRAPHICAL AND
CRITICAL ESSAYS.
1699 HAYWARD (A.). Biographical and Critical Essays Re-
printed from Reviews, with Additions and Corrections.
Both Series Complete in 5 vols. 8vo, fresh polished yellow
calf gilt extra, inside gold borders, top edges gilt.
London, 1858-73
1700 Hayward. Selected Essays. Vol.11. Fresh cloth, uncut.
N. Y., 1879
THE EXTREMELY RARE FIRST EDITION OF HENNE-
PIN'S LOUISIANA— PARIS, 1683.
1701 HENNEPIN. — I Description | de la | Louisiane, | Nou-
vellement Decouverte | au Sud'Ouest de la Nouvelle
388 THE PENE DU BOIS COLLECTION.
France, par Ordre du Roy. | Avec la Carte du Pays: les
Moeurs et la Maniere de vivre | des Sauvages. | Dedie'e
a sa Majest6. | Par le R. P. Louis Hennepin, | Mission-
aire Recollet et | Notaire Apostolique. | Large folded map
{facsimile'). Small 8vo, totally uncut.
Paris, chez la Veuve Sebastien Hure, 1683
EXTREMELY RARE and First Edition, a copy of which sold at the Murphy
Sale (lot 1 193) for $70.
Field says: — ' ' It has been the fashion until late in this age to deride the work
of Father Hennepin, as smacking of the marvelous. Indeed, some of our
savants have endeavored to prove that the very excellent Father Recollect never
saw any of the wonders he narrates. This severe criticism proceeds from
sources which entitle him to the benefit at least of a doubt of its impartiahty . "
" Hennepin was persecuted and has been severely criticised, chiefly on
account of his opposition to the Jesuits, and because he counseled William III.
(in whose dominions he had sought for the freedom and safety which he could
not find in France) to send out missionaries to the New World. His enemies
considered such advice from a monk as heretical and detestable; it simply
proves the wiser, purer, and more Catholic Christianity of Hennepin, who had
no bigoted horror for other sects than his own. " — Stevens.
1702 Heyl und Berlepsch. Reisehandbuch fur die Rhein-
lande. Steel views of the Rhine, etc. Small 8vo, cloth.
Hildburghausen, 1866
1703 Hitchcock (Edward). Final Report on the Geology of
Massachusetts. Maps, numerous lithographic plates and
' woodcuts. 2 vols. 4to, cloth, uncut. Amherst, 1841
1704 HOWE (Henry). Historical Collections of Virginia, con-
taining a Collection of the most Interesting Facts, Tra-
ditions, Biographical Sketches, Anecdotes, etc., relating to
its History and Antiquities. Map and many woodcuts.
8vo, sheep. Charleston, 1852
1705 HowELLs (W. D.). Three Villages. Minimo, fresh cloth,
red edges. Boston, 1884
1706 Hue (Fernand). La France et I'Angleterre a Madagascar.
Small 8vo, sewed, uncut. Paris, 1885
1707 HUGUENOTS.— Pleinte de I'Assembl^e Gener.ale du
Clerg^ de France, contre les Calomnies, Injures et Faus-
setz, que les Pretendus Reformez ont R^pandues et R^-
pandent tous les Jours dans leurs Livres et dans leurs
Preches, contre la Doctrine de I'Eglise, Port^e au Roy par
le Clerg^ en Corps, le XIV. Juillet M.D.C.LXXXV,
Paris, Frederic Leonard, 1685; also —
Declaration du Roy portant Defense de Nommer des
Expert^ de la R. P. R. Registr^e en Parlement le 7 Sep-
tembre 1684, /"arw, Francois Muguet, 1684; also —
Declaration du Roy concernant les Biens des Consis-
toires Registree en Parlement le 7. Septembre 1684, Paris,
Francois Muguet, 1684.
Together 3 pieces. 4to. , Paris, 1684-85
Extremely rare and relating to the Catholic and Huguenot Controversies
in France during the reig^ of Louis the Fourteenth.
THE PENE DU BOIS COLLECTION. 389
1708 HULME (F. Edward, F.L.S., F.S.A.). Familiar Wild
Flowers. Profusely illustrated with colored plates. 4 vols,
small 4to, morocco, imitation alligator skin, crimson edges.
London, n. d.
Published at $7. 50 per volume in leather.
" The colored figurfe are exquisitely beautiful; they are more like finished
paintings than prints, and the appearance of the work is elegant throughout." —
Gardener s Magazine.
1709 HUTCHINSON [Thomas]. History of the Colony of
Massachusetts- Bay, from the First Settlement in 1628 until
its Incorporation with the Colony of Plimouth in 1691.
8vo, old half calf. Rare. London, 1760
THE IMPERIAL DICTIONARY OF UNIVERSAL
BIOGRAPHY.
1710 IMPERIAL DICTIONARY of Universal Biography, a
Series of Original Menioirs of Distinguished Men, of all
Ages and all Nations, by Writers of Eminence in the
Various Branches of Literature, Science and Art, by
Eadie, Nichol, Waller, Lankester, Bowen, Dove,
Brown, etc. With numerous portraits on steel and engraved
titles. 3 vols, in 16. Large 8vo, cloth gilt. London, n. d.
"Next to History, in its larger sense, Biography is the most valuable and
interesting record wrhich Literature can offer to mankind. If the one presents
us with the great drama of humanity in its entire action and full development,
the other furnishes us with the innumerable and subordinate dramas of all the
prominent actors on the world's stage. " — Preface.
1 71 1 Interm^diaire. Parts 25-66; 68-70. Together 45 parts.
Large 8vo, sewed. Paris, 1885-86
The Parisian Notes and Queries.
EDITION-DE-LUXE OF THE SKETCH BOOK.
171 2 IRVING (Washington). Sketch Book of Geoffrey
Crayon, Gent. Profusely illustrated with original desigtis
by Darley, Hart, Huntingdon, and many others en-
graved on wood by Richardson — portrait on steel, after
Stuart Newton. Thick large 8vo, cloth, rough edges.
Phila., 1882
Large paper, with all the illustrations on India paper. No. 66 of limited
edition of 500 copies.
' ' Whatever his subject — an English manor house, with bright fires and
Christmas snow — a drowsy Dutch farm-steading in Sleepy Hollow — a moonlit
court in the Alhambra — the great Italian sailor — ^the sweet-souled Irish Author —
the simple, noble American General — we are charmed by the poetic graces of
his fancy and the liquid music of his style." — Collier's ' ' History of English
Literature."
1713 IRVING. Works. 10 vols, small 8vo, fresh half calf,
contents lettered, marbled sides and edges.
N. Y. and Chicago, n. d.
Published at thirty dollars in half calf. Arranged in ten volumes as follows: —
Sketch Book and Moorish Chronicles; New York and Alhambra; Astoria and
390 THE FENE DU BOIS COLLECTION.
Tour of the Prairies; Bracebridge Hall; Wolf art's Roost and Cpnquest of
Spain; Traveller and Goldsmith; Crayon Papers and Salmagfundi; Conquest of
Granada, Abbotsford and Newstead Abbey; Bonneville and Spanish Voyage;
Mahomet and his Successors; Columbus.
1714 Jackson (Andrew). Reflexions sur la Campagne en Lou-
isiane en 1814 et 1815 par Bernard Marigny. 8vo,
sewed. New Orleans, 1848
1715 Jackson (Catherine C, Lady). Old Paris, Its Court and
Literary Salons. Fine portraits. 2 vols, small 8vo,
fresh half calf gilt, marbled sides and edges.
London, Bentley, 1878
1716 Jackson (Helen). The Hunter Cats of Connorloa. With
illustrations. Small 4to, fresh cloth. Boston, 1884
1717 James (Henry). The Bostonians. Thick small 8vo, fresh
cloth. London, 1886
17 18 Jameson (Anna M.). Memoirs of the Beauties of the
Court of Charles II. 2 vols, in i. Large 8vo, half mo-
rocco (no portraits). London, 1838
17 19 Janze (La Vicomtesse Alix de), Les Financiers Autrefois —
Fermiers Generaux, Faris, 1886; Annuaire Charlon, 1880;
Sainte Beuve, Causeries du Lundi, Tome Premier; Bon-
NiERES (R. de), Memoires d'Aujourdhui, Deuxieme Serie.
Together 4 vols.
1720 Johnson (A. B.). Guide to the Right Understanding of
our American Union. 1 2mo, cloth. N. Y.
172 1 JOHNSTON (Alexander Keith). National Atlas of His-
torical, Commercial and Political Geography, with Copious
Index. Colored maps, each mounted on linen. Large folio,
old half morocco, cloth sides. Edinburgh, n. d,
1722 Jones (Paul). Life of, by A. S. Mackenzie. Fine portrait.
2 vols. i2mo, cloth, uncut. N. ¥.,1845
LIMITED EDITION OF JOHN KEATS.
1723 KEATS (John). Letters and Poems, with Annotations by
Lord Houghton, and Edited with a Memoir by J. Gil-
mer Speed. 4 portraits, 2 in colors, and i on Japan
paper from Haydon's Mask, etched by J. F. Sabin. 3
vols. 8vo, boards, totally uncut, N. Y., 1883
Limited edition of 356 copies, of which this is No. 173. Printed by De
Vinne & Co., on thick hand-made paper, from type.
1724 King (Moses). Harvard and its Surroundings. Frofusely
illustrated. Small 4to, half morocco gilt, beveled sides,
gilt edges. Cambridge, 1882
Published for subscribers only.
1724* King. Another copy of the same. Cloth gilt, edges gilt.
Cambridge, 1878
THE PENE DU BO IS COLLECTION. 391
1725 KELLY (Christopher). Full and Circumstantial Account
of the Memorable Battle of Waterloo and Deportation of
Napoleon Buonaparte to St. Helena, with Biographi-
cal Sketches of the most distinguished Waterloo Heroes.
Map and numerous fine copper-plates. 4to, half calf (foxed
slightly). Rare. London, 1820
EDITION-DE-LUXE ON JAPAN AND INDIA PAPER OF
ORIGINAL ETCHINGS BY AMERICAN ARTISTS.
1726 KOEHLER (S. R.). ORIGINAL ETCHINGS BY
• AMERICAN ARTISTS. 20 fine plates, proofs before
ALL LETTERS On India PAPER, with text. Flexible What-
man paper wrap in cloth case; also — the 20 plates artists
SIGNED PROOFS ON JaPAN PAPER MOUNTED ON CARDBOARD,
with heavy plate mats enclostA in portfolio, with lock and
key. Half morocco, cloth sides, with flaps and ties.
Together 2 vols. Square large folio. N. Y., n. d.
Limited edition-de-luxe of 203 copies, of which this is No. 30.
1727 LA CONDAMINE (C. M. de). Extracto del Diario de
Observaciones hechas en el Viage de la Provincia de
Quito al Para por el Rio de la Amazonas y del Para a
Cayana, Surinam y Amsterdam. i2mo, mottled calf, gilt.
Amsterdam, Joan Catuffe, 1745
Rare. The author's own copywith his heraldic stamp on the title: — "Ex
lib. Car. Mar. De la Condamine."
1728 LA CONDAMINE. Relation Abrdgee d'un Voyage Fait
dans I'lnt^rieur de I'Amerique Meridionale depuis la Cote
de la Mer du Sud jusqu'aux Cotes de Bresil et de la
, Guyane au descendant la Riviere des Amazones. Plate
by Tardieu of Peruvian bull-fight. 8vo, sewed, uncut
(foxed and no map). Very rare. Maestricht, 1778
1729 LAMB (Martha J.). History of the City of New York.
its Origin, Rise and Progress. Profusely illustrated with
portraits, tinted plates, colored maps and wood engravings in
text. 2 vols, large 4to, cloth, gilt. N. Y., 1877-80
1730 LATOUCHE (H. de). Grangeneuve. 2 vols. 8vo, fresh
three-quarters crushed levant morocco, top edges gilt,
others uncut. Paris, Victor Magen, 1835
Large paper. Baron Hyacinthe Joseph Alexandre Thabaud de Latouche,
dit Henri de Latouche, is celebrated for his association with George Sand. He
was the editor of the ' ' Figaro " and wrote a large number of volumes of great
merit.
1731 Latour (Major A. L.). Historical Memoir of the War in
West Florida and Louisiana in 1814-15. Large 8vo,
sewed, totally uncut (no atlas). Phila., 1816
392 THE PENE DU BOIS COLLECTION.
1732 LA TOVR D'AVVERGNE (Henry de, Sowerain Dvc de
B'ovtllon). Les Memoires de, addressez a son Fils le
Prince de Sedan. Minimo, half calf gilt, marbled edges.
Paris, Eene Gvignard, 1666
Rake, original edition of these memoirs addressed by the autobiogtapher
to his son, the great Turenne. With the heraldic book-plate of " E. N. Nor->
cott, R. N."
1733 Lefebvre (Ren6). Paris en Amerique. Small 8vo, half
calf gilt;, marbled sides and edges. Paris, 1872
1734 Le Maout (Emm.) a«i/ Decaisne (J.). Trait6 Geridral de
Botanique Descriptive et Analytique. With 5,500 cuts by
L. Steinheil and A. RioCreux. Thick large 4to, half
morocco (a few pp. at end mended).
, Paris, Firmin-Didot, 1868
1735 LE ROUX DE LINCY. Le Livre des Proverbes Frangais
pr6ced6 de Recherches Historiques sur les Proverbes
Francpais et leur Emploi dans la Littdrature du Moyen
Age et de la Renaissance. 2 vols, thick small 8vo, cloth,
rough edges. Paris, 1859
"Edition Bibliothique Gauloise" on "papier verge."
1736 [L'ESTOILE (Pierre de).] Memoires pour Servir I. I'His-
toire de France — depuis 1515 jusqu'en 1611. With en-
graved fronts, and portraits. 2 vols. 1 2mo, old calf, gilt.
Cologne, Herman Deuren,-\']T.q
Rare, edited by Godefroy. With portraits of Gabriel D'Estrees, Henri IV.,
Marshal Biron, members of the royal family and other distinguished personages
of France. These are executed by Harrewyn, pupil of Romeyn de Hoghe.
This copy has the book-plate of — " Germain Barre, Cure de Monville pres
Rouen."
1737 Lincoln (Abraham), History of, and of the Overthrow of
Slavery,' by Isaac ISf. Arnold. Portrait. Thick 8vo,
fresh half calf, beveled sides, marbled edges.
Chicago, 1866
1738 Lincoln. The Obsequies of Abraham Lincoln. Portrait,
engraved title, and numerous woodcuts. Large 8vo, morocco
extra, gilt edges. N. Y., 1865
1739 Linda (Lvca di) a«^ Bisacciori {^/LzioWm, Marckese). Lp
Relationi et Descrittioni Vniversali et Particolari del
Mondo. Thick small 4to, vellum. Bologna, 1674
Rare, stamped with coats-of-arms of former owner on title.
1740 LINGARD (John, B.D.). The History of England from
the First Invasion by the Romans to the Accession of
THE PENE DU BOIS COLLECTION. 393
William and Mary in 1688. With 10 portraits newly
etched by Damman. 10 vols, thick Svo, fresh cloth.
(Edinburgh) Boston, 1883
New copyright library edition. ' ' Dr. Lingard's book is the fruit of
great industry, learning and acuteness, directed by no ordinary talent. It is
written in a clear and agreeable manner. The narrative has the perspicuity of
Robertson, with more freedom and fancy. His diction has the ornament of
Gibbon, without his affectation and obscurity. To one desirous of making a
study, and not a mere amusement of the history of his country, we know no
general History of England that we would sooner recommend than the one
before us." — Edinburgh Review.
1741 LisTE Gen^rale des Postesde France dress^e par Ordre
de son Eminence Monseigneur le Cardinal de Fleury,
Ministre d'Etat. Minimo, old calf. Paris, 1729
Rare. With vignette coat-of-armsof Cardinal de Fleury and entirely printed
from plates.
1742 LITTLE CLASSICS, edited by Rossiter Johnson, ii
vols. Minimo, cloth, red edges.
'Eo5ton, printed at University Eress, 1875
Arranged as follows — " Exile," " Intellect," " Life," " Laughter," " Love,"
" Romance," " Mystery," " Comedy," " Fortune," " Heroism" and "Child-
hood. "
" A series of exquisitely printed volumes in flexible binding and red edges
which gather up the very choicest things in our literature in the way of short
tales and sketches." — Buffalo Courier.
1743 Little Pilgrim (A), reprinted from "Macmillan's
Magazine." The Open Door; The Portrait; Two Stories
of the Seen and the Unseen by the same author. Together
2 vols, small Svo, cloth, red edges. Boston, 1883-85
LITTRE'S GRAND FRENCH DICTIONARY.
1744 LITTR6. — Dictionnaire de la Langue Franfajse; par E.
LiTTR^, de I'Institut (Acaddmie Fran^aise et Academic des
Inscriptions et Belles-Lettres). Also Supplement. 5 vols,
thick large 4to, half red morocco, cloth sides. Paris, 1878
' ' No language that we have ever studied, or attempted to study, possesses a
Dictionary so rich in the history of words as this great work which M. Littre has
fortunately lived long enough to complete. To the love of order, system and
clearness which belongs to the French mind, he has joined a degree of patience
in research and scientific thoroughness in comparison, which we have been accus-
tomed to associate with German rather than with French erudition. The courage
which could undertake such a task as this might have been considered mere uncaj-
culating rashness if the workman had not lived to complete his colossal per-
formance.
" The entire work contains 4,708 pages, and M. Littre's Dictionary contains
twice as much printed matter as the whole of the Waverley Novels, with a few
thousand of novel-pages into the bargain.
" Mere bigness is, however, one of the least of its many claims to attention.
M. Littre is not the first man who has made a big Dictionary, and we all know
394 THE PENE DU BOIS COLLECTION.
that in labors of this kind the author whose name is on the title-page avails him-
self of the services of others. The wonder is that so vast an undertaking should
have been carried through from beginning to end without the slightest hitch
or flaw, and in perfect obedience to one great governing idea." — Saturday
Review.
1745 LOSSING (Benson J.). Pictorial Field-Book of the War
of 1812, or Illustrations by Pen and Pencil of the History,
Biography, Scenery, Relics and Traditions of the last War
of American Independence. Illuminated front, and pro-
fusely illustrated with wood engravings by Lossing and
BuRRiTT, chiefly from designs of the author. Thick large
8vo, half green morocco gilt, top edge gilt. N. Y., 1868
1746 Louisiana Biographies. Part I, containing History of the
Governors; Paul Morphy (The Chess Player); and Jean
Lafitte (The Pirate). Large 4to, sewed.
New Orleans, 1882
1747 Macaulay (Thomas Babington, Lord). Life and Letters
of, by his Nephew George Otto Trevelyan, M.P.
Portrait. 2 vols. 8vo, half morocco, top edges gilt, others
uncut. , London, 1876
' ' There are no limits to his [ Macaulay 's] knowledge on small subjects as well
as great: he is like a book in breeches." — Sydney Smith.
1748 MAC-GEOGHEGAN (Abb^) and MITCHELL (John).
History of Ireland, Ancient and Modern, Taken from the
Most Authentic -Records. Steel plates, portraits and wood-
cut borders. 2 vols, in r. Thick large 4to, morocco extra
gilt, beveled sides, inside gold borders, gilt edges.
N. Y., 1868
1749 M'Clintock (F. L.). Narrative of the Discovery of the
Fate of Sir John Franklin. Maps and numerous woodcuts.
Small 8vo, cloth. Boston, i860
PRINCE PAUL DEMIDOFF'S COPY OF XAVIER DE
MAISTRE.
1750 MAISTRE (Xavier de). CEuvres Completes. No,uvelle
Edition, Revue par I'Auteur. Three engraved plates after
Chasselat. 2 vols. 8vo, morocco gilt, inside gold den-
telle borders, edges gilt. Paris, 1828
Prince Paul Demidoff's copy and stamped in gold on the sides with his
crown and initials "P. D.", also on half-titles with the library stamp of the
" Biblioth^que de San Donate."
1751 Mangin (Arthur). Nos Ennemis at Nos Allies Etudes
Zoologiques. Numerous illustrations by Bayard, Free-
man and others. Large 8vOj half morocco gilt, cloth sides,
gilt edges. Tours, 1870
THE PENE DU BOIS COLLECTION. 395
1752 MARBOIS (Barbe). History of Louisiana, particularly of
the Cession of tliat Colony to the U. S. of America. Large
8vo, boards, totally uncut (foxed). Phila., 1830
1753 Marmontel (J. F.). Belisaire. Engraved plates. Minimo,
calf gilt, inside gold tooling. A Londres, 1780
Fine original calf binding.
THE MASSACHUSETTS INDIAN PSALTER.
1754 MASSACHUSSETT PSALTER: Asuh Ukkuttoohomaon-
gash David weche wunnaunchemookaonk ne ansukhogup,
John ut Indiane kah Englishe Nepatuhquonkash ne woh
sogkonpagunukhettet kakoketahteoekuppannegh aketu-
mannat kah wohwohtamunat Wunnetuppantamwe Wus-
sukwhongash, Boston, N. E. Uppointhomunneau B.
Green, kah F. Printer wutche quhtiantamwe Chapan-
vkkeg wutche onchekehtormnnat wunnaunchummookaont
ut New England, etc. Small 4to, old calf, on wooden
boards (binding broken).
Boston, N. Y^., printed by B. Green and F. Printer for
the Honourable Company for the Propagation of the Gospel
in New England, etc., 1709.
Extremely rare. The English title of the 1709 Indian Psalter reads
— " The Massachusett Psalter: Or Psalms of David, with the Gospel according
to John, in columns of Indian, and English, Being an Introduction for Training
up the Aboriginal Natives in Reading and Understanding the Holy Scriptures."
This copy is imperfect, only having 146 leaves. It lacks — the first seven leaves,
also signatures R, S, T, V, W, Y, Z, BB, EE, HH, II, and some occasional
leaves throughout, as well as the last two leaves.
' ' Next to Eliot's Bible this is the most important monument of the Massa-
chusset language. The translation was made by the Revd. Experience May-
hew." — John Hammond Trumbull.
' ' The Indian langpiage had been familiar to him [Experience Mayhew] from
infancy, and he was employed by the commissioners for propagating the gospel
in New England to make a new version of the Psalms and of John, which work
he executed with great accuracy in 1709." — William Allen.
175s Matthews (Brander) and Bunner (H. C). In Partner-
ship. Small 8vo, fresh cloth. N. Y., 1884
Presentation copy from Mr. Matthews to Mr. H. de Pene du Bois.
1756 Maury (M. F., Lieut.). The Physical Geography of the
Sea. Large 8vo, cloth. N. Y., 1855
1757 MERCATOR (Gerardus). Atlas Minor, a I Hondio
plurimis seneis Tabulis auctus et illustratus. Numerous
maps. Oblong small 4to, vellum (MS. on title).
Amsterdam, ex officina loannis lanssonii, 1628
Very rare, with maps of New Spain, " New Virginia," Florida, Cuba, etc.
396 THE PENE DU BOIS COLLECTION.
1758 Mercier (Alfred). L'Habitation Saint- Ybars ou Maitres
et Esclaves en Louisiana. Small 8vo, sewed, uncut.
(2 copies.) New Orleans, 1881
1759 Merim^e (Prosper). Colomba suivi de la Mosaique et
Autres Contes et Nouvelles. Small 8vo, half calf gilt,
marbled sides and edges. Paris, 187 1
1760 Mermet (Emile). La Presse Fran9aise. Portrait. Thick
small 8vo, cloth. Paris, 1884
1761 MICHELET (Jules). The Bird. With 210 illustrations
by GiACOMELLi. Large 8vo, cloth, gilt edges.
London, 1869
1762 MiCHELET. LTnsecte — Nouvelle Edition. Illustrated
with 140 wood engravings designed by H. Giacomelli.
Large 8vo, half red morocco, gilt. Paris, 1876
Finely printed edition of Michelet's great entomological work, and a worthy
companion to his book on "The Bird."
1763 MiDDLETON (J. Henry). Ancient Rome in 1885. Maps
and numerous woodcuts. 8vo, cloth, uncut.
Edinburgh, 1885
' ' Possis nihil urbe Roma
Visere majus." — HORACE.
1764 MiGNE (J. P.) Dictionnaire Universel de Mythologie
Ancienne et Moderne. Large 8vo, half moroccb (rubbed). '
Paris, 1855
A most valuable work by the editor of the " Patrologia," and includes a good
account of the religions of the American Indians, Aztecs, etc.
DEAN MILMAN'S HISTORICAL WORKS -MURRAY'S
LIBRARY EDITION IN FIFTEEN VOLUMES.
1765 MILMAN (Henry Hart, i?tf«« <?/ 6'/. PauPs). Historical
Works, /. e.: —
I. History of the Jews, from the Earliest Period down to
Modern Times. Third edition, thoroughly Revised and
Extended. 3 vols. London, 1863
II. History of Christianity from the Birth of Christ to the
Abolition of Paganism in the Roman Empire. A New
and Revised Edition. 3 vols. London, 1863
III. History of Latin Christianity, including that of the
Popes to the Pontificate of Nicholas V. Third edition.
9 vols. London, 1864
TOGETHER 15 vols. 8vo, uniform fresh half purple calf
gilt, marbled sides and edges.
London, John Murray, 1863-64
Best English library edition of this valuable series of historical and
ecclesiastical works, which Prescott styled — " learned and luminous."
THE PENE DU BOIS COLLECTION. 397
1766 MILMAN. Historical Works, i. e.: —
I. History of the Jews, from the Earliest Period down to
Modern Times. 3 vols, in 2.
II. History of Christianity, from the Birth of Christ to the
Abolition of Paganism in the Roman Empire. 3 vols,
in 2.
III. History of Latin Christianity, including that of the
Popes to the Pontificate of Nicholas V. 8 vols, in 4.
TOGETHER 14 vols, in 8. Small 8vo, uniform fresh half
calf gilt, marbled sides and edges.
N. Y., Cambridge University Press, 1881
Library edition of this valuable series of historical and ecclesiastical works,
which Prescott styled — " learned and luminous. " This edition is — ".reprinted
from the newly revised and corrected London edition."
1767 Mitchell (Donald G).J Out-of-Town Places; with Hints
for their Improvement. Numerous woodcuts, i2mo, fresh
cloth, top edge gilt. N. Y., 1884
MOLIERE TRANSLATED BY VAN LAUN AND ILLUS-
TRATED BY LALAUZE.
1768 MOLIERE (J. B. P. de). Complete Dramatic Works of.
The Library Edition translated and edited, with Memoir,
Introductions and Appendices, wherein are given the pas-
sages borrowed or adapted from MoLifeRE by English
Dramatists, with Explanatory Notes by Henri Van Laun.
Portrait and exquisite etchings by Adolphe Lalauze. 6
vols, large 8vo, cloth, uncut.
Edinburgh, Paterson, 1875-76
"As regards mere faithfulness of translation, it is astonishingly correct.
Besides writing a modest prefatory life, Mr. Van Laun has prefixed to each
play an Introduction containing all necessary information respecting its sources
and circumstances, and has added to each an appendix of peculiar interest.
These appendices contain full extracts from the plays in which English play-
wrights have done themselves the honor to ' convey Moliere's good things. . . .
The portrait of Moliere is extremely fine." — Academy.
1769 Monroe (James). View of the Conduct of the Executive
in the Foreign Affairs of the United States, connected
with the Mission to the French Republic, during the
years 1794-96. • Phila., 1797
1770 MONTAIGNE (Michel de). Essais. Fine portrait of
Montaigne by Noel Pruneau. 3 vols, small 8vo,
crinkled morocco gilt, dentelle gold inside borders, watered
crimson silk ends, with gilt tooled borders, edges gilt, by
P. Meslant. Paris, Jean Francois Bastien, 1783-
Rare and much sought after edition. Brunet says: — " Edition imprimee sur
tres beau papier, et beaucoup plus soignee pour la correction que plusieurs du
meme editeur," i. c, P. Coste.
1771 Montecucoli (Raymund). Arte Universal de la Guerra.
Minimo, mottled sheep. Madrid, 1808
398 THE PENE DU BO IS COLLECTION.
MONTESQUIEU BOUND BY PURGOLD AND PROBABLY
TOOLED BY BAUZONNET.
1772 MONTESQUIEU (Carl de Secondat, Baron de). CEuvres
Completes de Montesquieu, pr^c^d^es de son Elogej par
D'Alembert. Nouvelle Edition. Portrait by PouRr
VOYEUR ON India paper. Thick large 8vo. Bound by
PURGOLD in russia extra gilt, dentelle gold inside borders,
edges gilt. Paris, De Pure, 1827
Very scarce edition but foxed slightly in parts. The illustration of. the
reliure in this volume is the reproduction that appeared in the " American Book
Maker " of March, 1887, where Mr. Ingersoll Lockwood says: — '
" Purgold, too, belongs to this period of decorative stamp; but his chief
claim upon the attention of the student arises from the fact that he was the pre-
decessor, if not the instructor, of Bauzonnet.
" On page 66 [of the March, 1887, "American Book Maker"] will be found
a camera reproduction of apiece of work [«. <?., Mr. Pene du Bois's Montesquieu]
bearing the imprint of Purgold, PariJs, 1837, an admirably finished binding. from
a mechanical standpoint. In all probability the tooling was done by Bauzonnet
himself."
1773 Month (The), an Illustrated Magazine of Literature,
Science and Art. Illustrations. Vols, i and 2 (July,
1864-June, 1865). 8vo, half roan. London, 1864-65
1774 Morgan. Priced Catalogue of the Art Collection formed
by the late Mrs. Mary J. Morgan. 8vo, cloth, gilt edges.
N. Y., 1886
177s MURGER (Henry). Le Pays Latin. Small 8vo, half calf.
Paris, 1853
1776 NAPIER (Henry Edward). Florentine History from the
Earliest Authentic Records to the Accession of Ferdinand
THE Third, Grand Duke of Tuscany. ;6 vols, small 8vo,
fresh half yellow calf gilt, top edges gilt.
London, Edward\Moxon, 1846-47 '
Originai. edition. " His [Napier's] impartiality appears to double advan-
tage after the partizanship of Sismondi, otherwise the greatest of modern his-
torians." — London Athenieum.
RELIC OF THE SECOND EMPIRE— STAMPED WITH THE
ARMS OF THE EMPEROR NAPOLEON THE THIRD.
1777 NAPOLEON III. — Recueil des Adhesions adress^es
Au Prince-President a l'Occasion de l'Aqte du
2 D^cembre. 6 vols, large 4to, red morocco gilt, edges
gilt. Paris, Imprimerie Centrale de Napoldon Chaix, 1852
Very scarce. These volumes are elegantly bound and stamped on the sides
with the coat-of-arms, imperial crown, sceptre, grand cross of the Legion of
Honor, etc., of Napoleon the Third.
But a very few copies of this work were printed for the members of the Court
and the Persigny-Morny clique. It contains some 20,000 addresses and adhesions
in favor of the resuscitation of the Empire in the person of Prince Louis Napo-
leon, then President of the French Republic. The fifth volume consists of
tables and indices.
I
THE PENE DU BO IS COLLECTION.
399
[Works of Montesquieu, Paris, 1827. Binding by Purgold and Tooling probably
BY Bauzonnet. Number 1772 of the Pene du Bois Collection.]
400 THE PENE D U BOIS COLLECTION.
PRINCE DEMIDOFF'S NAPOLEONIANA AND WITH HIS
"EX-LIBRIS" STAMP.
1778 NAPOLEON. — Politique de Napoleon par un Ancien
Officier de la Grande Armde, portrait, Toulouse, 1833;
BiAGiOLi, Bataille de Friedland, French and Italian text
in opposite columns, /^r/ra//, Paris, Didot, 1807; Biagi-
OLi's Ritorno di Napoleone Canzone, Paris, 1815;
RuELLE (A,), Le Dernier Reve a Saint H^lene, Paris,
184a; Couronne Po^tique de Napoleon, Paris, 1840. In
2 vols. 8vo, stamped russia, marbled edges, almost uni-
form. ' V. p., V. d.
These volumes came from the library of San Donato, belonging to Prince
Demidofi, '
1778* NAPOLEONIDE (La), di Stefano Egidio Petronj,
dedicata a sua Maesta Plmperatrice Regina e Reggente.
100 engraved vignette medallions after medals struck in honor
of Napoleon. Large 8vo, half roan, totally uncut (rubbed,
title cut and some pp. foxed).
Very scarce. Paris, Didot, 1813
1779 Newell (R. H., Orpheus C. Kerr). There Was Once a
Man. Woodcuts, Small 8vo. fresh cloth. N. Y., 1884
EXCESSIVELY RARE AND EARLY LAWS OF THE STATE
OF. NEW YORK.
1780 NEW YORK. Laws of New-York from nth Nov.,
1752, to 22d May, 1762. Published according to an order
of the General Assembly. Digested by William Liv-
ingston and W. Smith. Vol. 2. Folio, old law calf.
N. Y ., printed by William Weyman, 1762
EXTREMELY RARE. Contains laws enacted under Governors George
Clinton, James De Lancey, Sir Charles Hardy and Cadwallader Colden.
1781 NEW YORK. Laws of the State of New York, passed
Sixth of February, 1773, to Third of April, 1775, inclu-
sive; also Laws of the State of New York, commencing
with the First Session of the Senate and Assembly after
the Declaration of Independence and the Organization of
the New Government of the State, Anno 1777. 2 vols,
in I. Folio, old law calf (binding broken,^ also lacks one
title).
N. Y., printed by H. Gaine, Printer to the Kings Most
Excellent Majesty, in the Province of New York, 1775, and
Poughkeepsie, State of New York, printed by John Holt,
Printer to the State, 1782.
Very rare. From the library of Brockholst Livingston, with his auto-
graph. Contains the last laws enacted in New York by the British Government
under Governor Tryon, and the first by the new dispensation under Governor
George Clinton.
THE PENE DU BOIS COLLECTION. 40I
1782 NEW YORK. Laws of the State of New York,
comprising the Constitution and the Acts of Legislature
since the Revolution from the First to the Twelfth Ses-
sion inclusive. Published according to an Act of the
Legislature passed the 13th April, 1786. 2 vols, folio, old
law calf.
N. Y., printed by Hugh Gaine, at his Printing-Office and
Book- Store at the Bible, in Hanover- Square, 1789
Very rare. From the library of Brockholst Livingston, with his
armorial book-plate in each volume.
1783 NEW YORK.— Journal of the Legislative Council of the
Colony of New York. Began the 9th day of April, 1691,
and ended the 3d day of April, 1775. 2 vols, thick folio,
half law sheep. Albany, 1861
1784 NEW YORK. — Documents Relative to Colonial History
of N. Y. State procured in Holland, England and France,
by J. R. Brodhead, edited by E. B. O'Callaghan.
Maps, facsimiles, etc. 1 1 vols, large 4to, cloth.
Albany, 1856-61
1785 NEW YORK. — Natural History of the State of
York. Illustrated with maps, woodcuts and a vast number
of lithographic plates, a large proportion of which are finely
colored by hand. 18 vols, large 4to, cloth.
N. Y., 1842-52
This set includes— Part i, Zoology, by James De Kay, 5 vols. ; Part 2, Botany,
by John Torrey, 2 vols. ; Part 3, Mineralogy, by Lewis C. Beck, i vol. : Part
4, Geology, by William W. Mather, E. Emmons, James Hall and Lardner
Vanuxem, 4 vols. ; Part 5, Agriculture, by E. Emmons, 4 vols., and Part 6,
Palaeontology, by James Hall, 2 vols.
1786 NEW YORK. — History of the City of New York, by
David T. Valentine. Maps and lithographic views. 8vo,
cloth. N. Y., 1853
1787 New York. — The Old Stadt Huys of New Amsterdam.
Large 8vo, paper. N. Y., 1875
NODIER'S WORKS— RARE EDITIONS.
1788 NODIER (Charles). Contes— Trilby, le Songe d'Or. Bap-
tiste Montauban, la F^e aux Miettes, la Combe del'Homme
Mort, Infes de las Sierras, Smarra, la Neuvaine de la Chan-
deleur, la Legende de la Soeur Beatrix. Illustrated with
etchings, artist's proofs on India paper by Tony Johannot.
Large 8vo. Bound by "Trioullier S[uccesseu]r de
Petit-Simier," fresh half crushed levant morocco, top
edge gilt. Paris, [1843]
UNIQUE and ORIGINAL EDITION, with Johannot's plates, and original
autograph quarto letter signed Charles Nodier, dated "le ler Mai, 1826," and
addressed to " Monsieur le Marquis de Chateaugu-on, rue de Castiglione, No. 4,
Paris."
402 THE PENE DU BOIS COLLECTION.
1789 NODIER. CEuvres Completes. 11 vols. 8vo, fresh half
red morocco gilt, top edges gilt, others " t^moins."
Paris, 1832-37
This ^s the first complete collection of Charles Nodier's works, many being
published for the first time. The set includes:— " Romans Contes et Nouvelles,
6 vols, i. e.. Vol. i, " Jean Shogar "; Vol. 2, " Le Peintre de Saltzbourg (third
edition), " Adele " (second edition) and " Therese Aubut " (third edition) ; Vol.
3, " Smarra " (second edition), " Trilby " (second edition), " Melanges " (second
edition) and "Helene Gillet" (second edition); Vol. 4, "La Fee aux Miettes "
(second edition); Vol. 5, Reveries-MiscellaneeSi Varietes de Philosophic, d'His-
toire et de Litterature; Vol. 6, "Mademoiselle de Marsan" (second edition),
" le Nouveau Faust et la Nouvelle Marguerite" (first edition) and " le Songe
d'Or" (first edition); Vol. 7, " le Dernier Banquet des Girondins" (first edition)
and " Etude Historique suivies de Recherches sur I'Eloquence Revolutionnaire,"
Vol. 8, "Souvenirs et Portraits" (second edition); Vol. 9, " Notions Elemen-
taires de Linguistique " (first edition); Vol. 10, " Souvenirs de Jeunesse " (second
edition); Vol. 11, " Contes en Prose et en Vers " (first edition).
1790 NODIER. Le Seine et ses Bords. With ijignette wood en-
gravings, mostly page, by Marville and Foussereau.
Large 8vo, sewed, uncut (one page mended).
Paris, 1836
This is one of a very limited edition on China paper.
1 791 Norman (B. M.). New Orleans and Environs, with Brief
Sketch of the State of Louisiana. Minimo, cloth.
New Olrleans, 1845
THE LIVES OF THE NOBLE NORTHS.
1792 NORTH (Roger). The Lives of Right Hon. Francis
North, Baron Guilford, Hon. Sir Dudley North and
Hon. and Rev. Dr. John North. 3 vols. 8vo, cloth.
London, Henry Colburn, 1820-26
Best edition, with nbtes and illustrations, historical and biographical. Lord
Guilford was Lord Keeper of the Great Seal under Kings Charles IL and James
IL, and Dr. John North was Master of Trinity College, Cambridge.
1792* Northcote (James, i?.v4.). Fables Original and Selected
— Second Series. Portrait and 280 beautiful engravings on
wood. Small 8vo, boards, uncut (a few pages damaged).
IjiViAo-a., John Murray, \%i2,
NEARLY SIXTY CONSECUTIVE VOLUMES OF THE
NORTH AMERICAN REVIEW.
1792** NORTH AMERICAN REVIEW. Vols. 35 to 94 inclu-
sive (complete and in 122 parts). 8vo, sewed, uncut.
Boston, 1832-62
THE PENE DU BOIS COLLECTION. 403
1793 NORTHWEST COAST OF AMERICA: Being Results
of Recent Ethnological Researches from the Collections
of the Royal Museum at Berlin. Published by the
Directors of the Ethnological Department. Translated
from the German. With 13 plates, five of which are in
colors. Square large folio, fresh half morocco, cloth sides.
N. Y., Dodd, Mead 6- Co., n. d.
Published at twenty dollars.
1794 Notes and Queries, a Medium of Intercommunication
for Literary Men and General Readers. Vols. 9, 10 and
II complete; Vol. 12 (lacks part 295); Vols. 13 and 14
(lacking a few parts to complete). Together 6 vols, in 142
parts. 4to, sewed. London, 1884-86
1795 Nuremberg. — Mandat uber Etliche Puncten der Gemeinen
Zahl Hochzeiten Halben; Vernuerte Hochzeit; Extract
aus eines Erbarn Rath der Stadt Nurenberg; Der Stadt
Nurnberg verneurte Allmossordnung. 4 pieces in i. Small
4to, sewed. Nuremberg, 1617-36
With coats-of-arms on the title.
1796 Oliphant (Margaret). Sir Tom. Small 8vo, fresh cloth.
London, 1884
1797 Owen (David Dale). Report of a Geological Survey of
Wisconsin, Iowa and Minnesota, and incidentally of a
portion of Nebraska. Numerous maps, lithographic plates
and woodcuts. Thick large 4to, cloth. Phila., 1852
1797* Owen. The same. Another copy, but in 2 vols.
1798 Paine (Martyn). Soul and Instinct as Distinguished from
Materialism. Portrait. Large 8vo, cloth. N. Y., 1872
1799 PAPSTWAHL (Die). Curious plates. 8vo, sewed.
Augsburg, 1846
Very curious work on the Papacy.
MAGNIFICENT COPY, BOUND BY CAPE, OF THE EDITIO
PRINCEPS OF THE " PROVINCIALES "-OF EXCESSIVE
RARITY.
1800 [PASCAL (Blaise).]— | Les PROVINCIALES | ov les
Lettres Ecrites [par LOVIS DE MONTALTE, | a
VN PROVINCIAL DE ses Amis. | Et Avx RR. PP.
lESVITES; | SUR le Sujet de la Morale, et de la
Politique de ces PJires. | 4to, handsomely bound by
CAPE in crushed brown levant morocco, inside dentelle
gold borders, rounded corners, gilt edges.
A Cologne, che's Pierre de la ValUe, M.DC.LVII.,
i. e., 1657
ORIGINAL EDITION and EXTREMELY RARE. This magnifi-
cent COPY COST Mr. Pene du Bois FIVE HUNDRED AND FIFTY
404 THE PENE DU BOIS COLLECTION.
FRANCS, vide inserted catalogue cutting. It came originally from the
library of " Jn. Hte. Basse," vide inserted book-plate.
Bossuet, on being asked which of the French works he would prefer to
have been the' writer, replied: " Les Lettres Provinciates " ; and Father Bon-
hours, once disputing with Boileau concerning the difficulty of writing pure ,
French, mentioned several as, in his opinion, models of style. Boileau, how-
ever, rejecting them all, Bonhours angrily inquired, " Quel est done selon vous
I'Ecrivain parfait?" Boileau instantly replied, "Mon Fire, lisons les Lettres
Provinciales, et croyez moi, ne lisons pas d'autre livre."
1 80 1 PASCAL. Lettres Ecrites a un Provincial Preced^es
d'une Notice sur Pascal, Considdrde comme Ecrivain et
Comma Moraliste par M^. Villemain. Nouvelle Edition.
8vo,. old calf gilt, marbled edges (half-title cut).
Very scarce. Paris, 1829
THE EXCESSIVELY RARE ORIGINAL EDITION OF THE
THOUGHTS OF PASCAL— A SUPERB COPY. BOUND
BY LORTIC.
1802 PASCAL.— I PensiSes | de | M. PASCAL | sur la Re-
ligion I ET SUR QueLQUES I AUTRES SUJETS, | Qui ONT
ESTE TROUV^ES APRES SA MORT | PARMY SES PaPIERS. |
Minimo, elegantly bound by LORTIC in crushed red
levant morocco extra gilt, inside dentelle gold borders,
rounded corners, edges gilt on marble, in leather-lined
drop case. Paris, Guillaume Desprez, 1670
EJfCESSIVELY RARE, ORIGINAL EDITION and HIGH PRICED,
vide two inserted catalogue cuttings of Morgand-Fatout, respectively priced 500
and 400 francs. On one it is stated—" Deux editions ont ete publics sous la
meme date, celle-ci et une autre en 334 pp. M. L. Poller a decouvert a la
Biblioth^que Nationale un exemplaire a la date de i66g, contenant 365 pages,
ce qui prouve la priorite de celle-ci."
The beautiful Pene du Bois copy has 365 pages, in addition to the prefatory
leaves and table.
1803 Payn (James). Thicker than Water. i2mo, fresh half
clotli. N.Y., 1883
James Payn has given his hero the name of Charles Sotheran.
EDITION-DE-LUXE OF PEPYS.
1804 PEPYS (Samuel). Diary and Correspondence of, from his
I MS. Cypher in the Pepysian Library, with a Life and Notes
by Richard, Lord Braybrooke, deciphered with Addi-
tional Notes by Rev. Mynors Bright, M.A. Facsimiles,
etc. 10 vols. 8vo, boards, totally uncut as issued.
N. Y., 1884
Limited edition of 169 copies, of which the above is on Holland paper. Pepys'
Diary presents a true and most interesting portraiture of the busy and important
times of King Charles I., Oliver Cromwell, King Charles II., King James II.
and King William. There are no books of their class in the language for which
it is more desirable that the widest possible circulation should be obtained.
' 'It is the book of books to dip into at random, to rummage for things curious
THE PENE DU BOIS COLLECTION. 405
and entertaining, to ransack for the light it throws on contemporary men, man-
ners, morals, and society, and to consult for the valuable historical facts it dis-
closes, and the interesting public and private events and occurrences it describes.
A wonderful mosaic of things great and small, in church and state, in politics
and affairs, in business and society, in the world of scandal and intrigue, in art,
science and literature, and in the daily and household life and customs of artisans,
merchants, gentry, nobility, and even of royalty itself; nowhere else can be
found so complete a bird's-eye view of the England, or rather the London, of
the last days of the Rump and the first nine years of the Restoration as in the
unique diurnal jottings of this prince of gossips and the most indefatigable
of reporters. " — Harper's Magazine.
1805 Petit Almanack de la Cour de France. Views. Minimo,
boards, gilt edges in case. Paris, 1813
1806 Pharmacopceia of the United States. Large 8vo, fresh
sheep. N. Y., 1883
THE REMARKABLE AND EROTIC BIBLIOGRAPHIES OF
PISANUS-FRAXI— LIMITED EDITIONS.
1807 PISANUS-FRAXL— INDEX LIBRORUM PROHIBI-
TORUM, BEING Notes Bio — Biblio — Icono — graphi-
cal AND Critical on Curious and Uncommon Books.
By PISANUS-FRAXI. India paper proofs of facetious
front, and '•'■ flagellation horse" also facsimiles; the volume
handsomely printed in red and black on toned paper. Thick
4to, half turkey morocco, top edge gilt, others uncut.
l^onilon, privately printed, 1877
Very rake and high priced. Limited edition of 250 copies. " Improper
books, however useful to the student or dear to the collector, are not ' virgini-
bus puerisque ' ; they should be used with caution even by the mature; they
should be looked upon as poisons and treated as such ; should be (so to say) dis-
tinctly labeled, and only confided to those who understand their potency and
are capable of rightly using them." — Pisanus-FrAXI.
1808 PISANUS-FRAXL— CENTURIA LIBRORUM ABS-
CONDITORUM, being Notes Bio— Biblio— Icono—
GRAPHICAL AND CRITICAL on Curious and Uncommon
Books by PISANUS-FRAXI. Front., plates and fac-
similes. Thick 4to, half turkey morocco, top edge gilt,
others uncut. 'LonAon, privately printed, 1879
Very rare and high priced. Limited edition of 250 copies.
" The present volume is a sequel to the ' Index Librorum Prohibitorum,'
which I had privately printed in 1877, and might with propriety have formed a
second volume of that work, had I not for several reasons preferred rather to
alter the first part of the title, and to let each volume stand by itself, the more
so as each volume is complete in itself." — Pisanus-Fraxi, Preliminary Remarks
in above.
' ' This book for men alone is meant.
Book-worms or bibliophiles anent.
Of solid mind, of serious bent.
On curious, hidden books intent.
On odd research and learning."
4o6 THE PENE DUBOIS COLLECTION.
i8og Plasse (Louis De). Etude de 1' Arsenic. 8vo, sewed,
uncut. ^ N. Y., 1883
Presentation copy to Mr. Pene du Bois.
i8ro POUCHET (F. A.). L'Univers. 4 finely colored plates
and 323 woodcuts engraved by Faguet, Mesnel and
others. Large 8yo, half morocco gilt, cloth sides, gilt
edges. Paris, flachette et Cie, 1872
Third edition of this valuable work on the infinitely great and the infinitely
small.
LARGE PAPER COPY AND EDITION-DE-LUXE OF
PRESCOTT.
181 1 PRESCOTT (William H.). Complete Works, edited by
John Foster Kirk. With 30 illustrations on steel and on
India paper. 15 vols. 8vo, cloth, rou^h edges.
Phila., n. d.
LARGE PAPER EDITION-DE-LUXE, with the engravings on India
paper. Limited edition of only 250 copies printed, of which the above is
No. 170.
This set is arranged as follows (on the false title): — Vols. 1-3, " Reign of
Ferdinand and Isabella "; Vols. 4-6, "Conquest of Mexico"; Vols. 7-8, "Con-
quest of Peru "; Vol. g, " Bibgraphical and Critical Miscellanies"; Vols, ia-12,
"Reign of Philip the Second"; Vols. 13-15, "Reign of Ferdinand and
Isabella."
Prescott's works have not only been printed and reprinted in America, in
England and France, but have been translated into Spanish, Italian and Ger-
man, and are familiar as "classics for the whole world " wherever history is
studied.
HANDSOME SET OF THE PRINCETON REVIEW— BOUND
BY BRADSTREETS.
1812 PRINCETON REVIEW, January, 1878, to June, 1884,
inclusive. 14 vols, large 8vo, fresh half crushed levant
morocco, tpp edges gilt, others uncut, by Bradstreets.
N. Y., 1878-84
1813 RAISONS DES SCRIPTUAIRES. Minimo, fine old red
crushed levant morocco gilt, dentelle gold borders, edges
gilt by Du SuEiL. Rare. Hamburg, Gaspar Steiner, 1706
1814 RICHARDSON (Sir John), DALLAS (W. S.), COR-
BOULD (T. S.), BAIRD (W.) and WHITE (Adam).
Museum of Natural History of the Animal Kingdom,
Quadrupeds, Birds, Reptiles, Fishes, Shells and Insects,
with a History of the American Fauna by Joseph B.
Holder. Hundreds of page engravings, mostly colored and
numerous woodcuts in text. 2 vols, in 3. Large 4to, half
morocco gilt, beveled sides, marbled edges.
N. Y. (London), n. d.
1815 RICHARDSON (Charles). A New Dictionary of the
EngHsh Language. 2 vols, thick 4to, sheep. Phila., 1851
THE PENE DU BOIS COLLECTION. 407
LIMITED EDITION-DE-LUXE OF RICHARDSON'S WORKS.
1816 RICHARDSON (Samuel, author of " Clarissa Harlowe").
Works, with a Prefatory Chapter of Biographical Criticism
by Leslie Stephen, and edited by Dr. Mangin. Por-
trait. 12 vols. 8vo, cloth, uncut.
London and Manchester, Henry Sotheran &= Co., 1883-84
LIMITED EDITION-DE-LUXE of 750 copies printed from type, which has
been distributed.
"Messrs. Sotheran deserve thanks for these handsome volumes, which would
have pleased the vanity of the old bookseller. Not the least merit of the edition
is that it is introduced by a thoughtful and suggestive sketch by Mr. Leslie
Stephen. Richardson deserves respect, apart from his intrinsic merits, as being
the father of the English novel. That he is immensely long and at times
deplorably dull, that his characters are, like himself, filled with inordinate vanity ,
cannot be denied. But if the reader can get through what Mr. Leslie Stephen
calls ' the initial difficulty ' there is a wealth of imagination below which vrill
reward the effort. " — London Times.
"As regards print and paper this edition is eminently satisfactory, and so far
will be the handsomest that has appeared since Dr. Mangin's edition in ig vols.,
published about 70 years ago. " — London Daily News.
LARGE PAPER COPY OF "CLARISSA HARLOWE" IN
FRENCH, WITH CHODOWIECKI'S BEAUTIFUL
ETCHINGS.
1817 RICHARDSON. Clarisse Harlowe. Traduction Nouvelle
et seule complete; par M. Le Tourneur faite sur I'Edi-
tion Originale, revue par Richardson. D6di^e et pr6-
sent^e a Monsieur, Frfere du Roi. Hlustrated with the
etchings of Chodowiecki. 10 vols. 8vo, calf, gilt edges.
Geneva, 1785-86
LARGE PAPER, vellum paper and with proofs before letters of the
celebrated etchings of Chodovriecki.
Richardson ' ' was a printer and bookseller, a joiner's son, who at the age of
fifty, and in his leisure moments, wrote in his shop parlor; a laborious man v/ho,
by work and good conduct, had raised himself to a competency and sound in-
formation. . . . No one in this age has equalled him in detail and compre-
hensive conceptions." — Taine.
" His personages have all the reality possible, his incidents are realized in the
manners of all polished nations. What fertility in the invention of personages!
What variety in the delineation of character!" — Diderot.
"The power of Richardson's painting, in his deeper scenes of tragedy, never
has been, and probably never vrill be, excelled. ' — Sir Walter Scott.
1818 ROBERTSON (William). Histoire de I'Amdrique. Maps
and diagram. 4 vols, small 8vo, tree marbled calf gilt, red
edges. Rotterdam, 1779
1819 RoGET (Peter M.). Thesaurus of English Words and
Phrases. Small 8vo, cloth. N. Y., 1883
1820 ROSCOE (William). Life and Pontificate of Leo the
Tenth. Third edition. Portrait. 4 vols. 8vo, half calf
(foxed slightly, two titles torn). London, Cadell, 1827
" In Italy they [Roscoe's Works] have been translated, are now cited as
authorities, and have received the most encomiastic notices from several eminent
scholars. These facts afford conclusive testimony of their merits." — Prescott.
4o8 THE PENE DU BOIS COLLECTION.
1821 ROSSETTI (Dante Gabriel). The Blessed Damozel. Illus-
trated with reproductions after the designs of Kenyon Cox.
Large 4.0, fresh cloth extra gilt, top edge gilt, others
uncut. . N. Y., 1886
Beautiful specimen of printing in bistre, from the De Vinne Press, with an
appendix by Mrs. Schuyler Van Rennselaer.
1822 ROTHSCHILD (Arthur de). Histoire de la Poste aux
Lettres depuis ses Origines les Plus Anciennes jusqu'i nos
Jours. Small 8vo, paper, uncut. Paris, 1873
Limited edition, of which the above is on " papier verge de HoUande. "
1823 ROTTECK (Carl von). Spanien und Portugal. Map and
plates. Large 8vo, sewed, uncut. Carlsruhe, 1839
1824 ROY (Jules). Turenne; Sa Vie et les Institutions Mili-
taires de son Temps. Illjistrated with 1 1 chromolithographs
and numerous engravings on wood in the text. Thick large
8vo, fresh half red morocco, extra gilt edges. Paris, 1884
THE HISTORY OF TAMERLANE— BOUND BY THOUVENIN.
1825 Sainctyon (LeSieur de). Histoire du Grand Tamerlan
tir^e d'un Excellent Manuscrit. Minimo. Bound by
" Thouvenin jeune " in russia gilt, dentelle gold inside
borders, edges gilt. Amsterdam, Abraham Wolfgang, t6'jS
Rare, and with the Wolfgang printer's device on title.
1826 Saint Louis et Son Si^cle par le Vte. Walsh. Illustrated
with portraits and plates by " TS^ov argvk fr^res.'' Large
8vo, illuminated boards (last page torn). Tours, 1847
CHARMING COPY OF "PAUL AND VIRGINIA"— WITH
INDIA PROOFS.
1827 ST. PIERRE (Bernardin de). Paul and Virginia, with
an Original Memoir of the Author, and 330 illustrations by
Meissonier, Johannot, Francais, Marville, and others.
Large 8vo, fresh half blue morocco gilt, top edge gilt.
London, Orr 6^ Co., 1839
With India proofs of the page engravings, and finest impressions of
the charming woodcuts.
SAINT REAL'S "CONJURATION "—VERY RARE AND
BOUND BY TRAUTZ-BAUZONNET.
T828 [SAINT R^AL (Cesar Vichard de).J Conjuration des
Espagnols contre la Republique de Venise en I'Annee
M.DC.XVIIL Small 8vo. Elegantly bound by Trautz-
Bauzonnet in crushed red levant morocco, with stamp on
THE PENE DU BOIS COLLECTION. 409
the back and corners of coronet and monogram, rounded
corners, dentelle gold inside borders, edges gilt on marble.
Paris, Claude Bar bin, 1674
VERY RARE. ' ' Edition originale de cet ouvrage sur le quel est f ondee la
reputation de I'auteur." — Brunet.
' ' L'action est bien composee, les personnages sent vigoureusemeiit dessines
.... quant au fond du recit, sur lequel ou a longtemps discute, il a ete de-
montre par Ranke-qu'il faut y voir simplement la conspiration du corsaire Fran-
yais Jacques Pierre et du Due d'Ossuna formee dans le dessein de tenter un
coup dernain centre Venise." — Vap^reau.
1829 [SAINT REAL. J CEuvres Posthumes de M. D. S. R.
Minimo, half morocco. Paris, Claude Barbin,. 1694
Very rare and not mentioned by Brunet.
1830 Saint Victor (Paul de). Barbares et Bandits — la Prusse
et la Commune. Small 8vo, half morocco. Paris, 1872
1 83 1 SALA (George Augustus). America Revisited from the
Bay of New York to the Gulf of Mexico, and from Lake
Michigan to the Pacific. Profusely illustrated with tinted
plates and woodcuts in text. 2 vols. 8vo, fresh cloth, gilt.
London, Vizetelly &= Co., 1883
1832 Sandford et Merton, suivi de le Petit Grandisson, etc.
Profusely illustrated after G. Staal. Large 8vo, half
morocco gilt, cloth sides, gilt edges. Paris, n. d.
1833 Sarcey (Francisque). Souvenirs de Jeunesse. Small 8vo,
sewed, uncut. Paris, 1885
1834 Sceptre and Sword. Stories of Great Heroes and Gal-
lant Fights. Numerous illustrations. 8vo, fresh cloth,
gilt. London, n. d.
183s Scheiter (J. B.). Examen Fortificatorium darin so wdhl
eine Gantz Neuve Art oder Manier vom Vestungs Bau,
etc. Diagrams of fortifications. Folio, vellum.
Strasburg, 1677
1836 SCHMIDT (Johann Jacob). Biblischer Geographus.
Portrait and colored maps. Thick 1 2mo, marbled calf, ele-
gantly tooled on the sides, marble edges. ZuUichau, 1740
A fine example of original eighteenth century binding.
SCHOOLCRAFT'S INDIANS— COLORED PLATES.
1837 SCHOOLCRAFT (H. R.). [Historical and Statistical]
Information respecting the History [Antiquities, Language,
Ethnology, Pictography, Rites, Superstitions and Mythol-
ogy] of the Indian Tribes of the United States.
With hundreds of plates, most of them colored, of views, por-
traits, ancient pottery, cooking utensils, picture writing,
written music, alphabets, etc., of the Indians. Vols, i to
3 inclusive. Thick large 4to, cloth. Phila., 1851-53
The most important work ever written on the subject of the aborigines of
America. It embodies almost all the existing authentic information concerning
4IO THE PENE DU BOIS COLLECTION.
their religions, traditions, languages, arts, ethnology and history. It was col-
lected and prepared under the direction of the U. S. Bureau of Indian Affairs.
The work comprises the General History and Mental Type of the Indian Race;
Antiquities of the United States; Physical Geography of the Indian Country;
Tribal Orgaftization; History and Government; Intellectual Character and Ca-
pacity of the Red Man; Population and Statistics; etc., etc.
1838 SCHOTTIUS (Andrea). Itinerarium Italiae. Engraved
title, views and diagrams. Thick minimo, vellum.
Rare. Amsterdam, Apud lodocum lanssonium, 1655
1839 SCOTT (Sir Walter). Waverley Novels. Profusely illus-
trated after the Abb.otsford edition designs. 9 vols, large
8vo, cloth gilt, edges gilt. N. Y., Collier, n. d.
1840 SEVIGNE. — Lettres de Madame de Seveign^, de sa Fam-
ille et de ses Amis. Portraits, views and facsimiles. 10
vols, small 8vo, yellow calf extra gilt, inside gold tooling,
gilt edges. Paris, 181 8
An excellent copy of this admirable edition of Madame de Sevigne's letters,
containing a quantity of previously unpublished correspondence, important lit-
erary and philological studies, etc.
SHERIDAN'S WORKS— LIMITED EDITION.
1841 SHERIDAN (Richard Brinsley). Life and Dramatic
Works, with an Introduction by Richard Grant White.
Portraits. 3 vols. 8vo, boards, totally uncut. N. Y., 1883
Limited edition of 348 copies, of which this is No. 135. Printed by De
Vinije & Co. from types.
1842 Shorthouse (J. H.). Sir Percival,- a Story of the Past
and Present. Small 8vo, fresh cloth. London, 1886
1843 Simon (Edouard). L'Empereur Guillaume et son
Regne. Thick 8vo, sewed, uncut. Paris, 1886
1844 Simpson (W. Sparrow). Chapters in the History of Old
St. Paul's, London. Views and facsimile. 8vo, fresh cloth,
citron edges. London, 1881
1845- Smucker (S. M.). Arctic Explorations and Discoveries.
Woodcuts. i2mo, cloth. N. Y., 1857
1846 SOLIS (Anton von). Geschichte von der Eroberung Mex-
ico aus dem Spanischen. 2 vols, in i. Thick i2mo, half
sheep, marbled edges. Copenhagen, 1750-51
Very rare edition in German of De Solis's ' ' Mexico " by that celebrated
" historiographer of the Indies " or " Cronista Major."
1847 Stevenson (R. L.). The Silverado Squatters. Fronts.
Small 8vo, fresh cloth. Boston, 1884
1848 Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde;
Claretie's French Celebrities; etc. Togfether 14 pieces.
Sewed.
THE PENE DU BOIS COLLECTION. 411
1849 STIELER (Adolf). Hand Atlas uber alle Theile der Erde
und uber das Weltgebande. 90 colored maps. Thick
folio, half russia, cloth sides (binding damaged).
Gotha, Justus Perthes, 1878
1850 SULLY (Duke of). Memoirs. Translated by Charlotte
Lennox, with Notes, etc. [attributed to Sir Walter
Scott]. Portraits. 4 vols, small 8vo, calf gilt, marbled
edges, by Harley. London, 1856
It was not only as a financial reformer that the Due de Sully served King
Henry the Fourth of France and his country. He was the King's counsellor
in all the great measures of the reign with regard to foreign affairs, and also in
those by which belief of conscience and full rights of citizenship were guaran-
teed to the Huguenots ; and by which the elfective administration of the law
and the maintenance of order and tranquility were secured.
"The Memoirs of Sully finish the portrait of these times, in finishing for
us not only the portrait of Henry IV. , but in giving us many curious particulars
respecting the practical government of France, its finances, factions and the
whole state of its constitution and interests. His work is authentic and prac-
tically valuable, and must be read." — Prof. Smyth.
1851 TALLEYRAND (Prince de). Correspondance Inedite,
et du Roi Louis XVIIL, pendant le Congres de Vienne
publi^e sur les Manuscrits Conserves au Depot des
Affaires Etrangeres avec Preface, Eclaircissements et
Notes par M. G. Pallain. Thick large 8vo, half crushed
levant morocco, top edge gilt, others uncut. Paris, 1881
1852 Teachings of the Twelve Apostles recently discovered
and published by Philotheos Bryennios, Metropolitan
of Nicomedia, edited by R. D. Hitchcock and F.
Brown. Large 8vo, fresh cloth, totally uncut. N.Y., 1884
1853 Testut (Ch.). Les Veill^es Louisianaises S^rie de Romans
Historiques sur la Louisiane. Vol. i [all published].
Large 8vo, sewed. New Orleans, 1849
ORIGINAL EDITION OF THACKERAY'S VANITY FAIR.
1854 THACKERAY (William Makepeace). Vanity Fair, a
Novel Without a Hero. With illustrations on steel and
wood by the author. Thick 8vo, cloth, uncut.
London, 1848
Original edition. Thackeray traced the frivolities of society with an iron
pen. He leans almost as heavily upon them as he does upon vices that are the
growth of luxur)' and that false position into which people labor to thrust them-
selves, under the idea that because they are with a set they are of a set.
1855 [ToNNA ("Charlotte Elizabeth").] Chapters on Flowers.
Colored plates. Small 8vo, fresh cloth. London, 1886
1856 TOWNSEND (George Alfred, " Gath"). President
Cromwell, a Drama in Four Acts. Large 8vo, sewed,
uncut. N. Y., 1884
No. 42 of private edition of 200 copies, signed — " Geo. Alfred Townsend."
412 - THE PENE DU BOIS COLLECTION.
1857 TowNSEND. Tales of the Chesapeake. PortraU. Small
4to, fresh cloth. N. Y., 1880
1858 Trench (R. C). Glossary of English Words; On the
Study of Words; The Lessons in Proverbs. Together
3 vols. i2mo, cloth. N. Y., 1855-59
1859 TujAGUE (F.). Le Premier Pas — Prose et Po6sie. Large
8vo, sewed, uncut. New Orleans, 1863
Presentation copy, with MS. inscription of the author.
i860 Two Stories of the Seen and the Unseen. By the
Author of "A Little Pilgrim." Small 8vo, fresh cloth.
Edinburgh, 1885
1861 UNITED STATES. — Journals or Congress, contain-
ing their Proceedings from Sept., 1774, to Jan., 1780.
5 vols. 8vo, half sheep. Very rare. Phila., 1780
1862 U. S. Naval Astronomical Expedition to the Southern
Hemisphere, during the years 1849-52. Numerous maps,
lithographic and colored plates — views, illustrations of cos-
tume, natural history, antiquities, etc. 2 vols, large 4to,
half calf. Washington, 1855
1863 VALLEE (Leon). Bibliographie des Bibliographies.
Thick large 8vo, paper, totally uncut. Paris, 1883
The most complete catalogue of catalogues yet made. It is invaluable to
librarians, and treats as extensively of English and American Bibliography as
that of Continental Europe.
1864 Vallee. Another copy of the same.
1865 VAPEREAU (G.). Dictionnaire Universel des Contem-
porains contenant toutes les Personnes Notables de la
France et des Pays Etrangers. Cinquieme edition entiere-
ment Refondue et Consid^rablement Augmentde. Thick
large 8vo, half morocco, cloth sides. Paris, 1880
With loose supplement to the fifth edition.
COUNT DE VALCOUR-VERMONT'S VALUABLE WORK ON
AMERICAN FAMILIES— LIMITED EDITION, PRIVATELY
PRINTED.
1866 VERMONT (E. de Valcour, Count). AMERICA HERAL-
DIC A. A Compilation of Coats-of-Arms, Crests and
Mottoes of Prominent American Families Settled in this
Country before 1800. \i fine plates containing 272 separate
coats-of-arms in metals and colors and numerous woodcuts in
text from the designs of Henry Rykers. One volume
(complete and in 8 parts, with 3 duplicate parts containing
imperfect proofs of some of the plates). Large 4to, sewed,
uncut, as issued. N. Y., Brentano Brothers, n. d.
No. I of limited edition issued at some $25.00 to subscribers only.
The Count de Vermont, who is an old French army officer and a member of
the " Noblesse de France," has been settled for some time in this country. He
THE PENE DU BOIS COLLECTION. 413
treats the coatsof-anns of American families from altogether different stand-
points from either that of the late Albert Welles, of the American College of
Heraldry, or from that of the New York World's Special Heraldic Commissioner
who wrote up the " Blue Blood of Europe " and the " American Shoddyocracy. "
The Count has admitted no coat-of-arms in his book but what has been endorsed
by European authorities and American works of repute.
1867 ViELLOT (L. P.) rfOuDART (M. P). La Galerie des Oiseaux.
Illustrated with nearly t^^o plates of birds. 2 vols. 4to, cloth.
Paris, 1834
1868 ViLLEMAiN (A. F.). Etudes d'Histoire Moderne. Small
8vo, half calf, gilt. Paris, 1857
1869 Violet (The). With steel engravings. Small 8vo, roan,
gilt edges. N. Y., Leavitt &= Allen, n. d.
1870 Ward (Elijah). Speeches on Commercial, Financial and
other Subjects. Portrait. 8vo, cloth. N. Y., 1877
187 1 WASHINGTON (George).- A Message from the Presi-
dent OF THE United States of America to Congress
RELATIVE to Fkance AND Great BRITAIN, delivered
December 5th, 1793, with the papers therein referred to.
8vo, sheep (binding broken). Rare.
VhWa.., published by order of the House of
Representatives, 1793
1872 WASHINGTON. A Message from the President of
the United States of America to Congress relative
to the French Republic, delivered January 19th, 1797,
with the papers therein referred to. 8vo, sheep (name on
title). Rare.
Phila., published by order of the House of
Representatives, 'l^q^
1873 WASHINGTON. Vie de, par David Ramsay. Portrait
<?/ Washington engraved by Maeret. iSvo, sewed, uncut.
Paris, 1809
1874 Washington and Franklin. Boyhood and Manhood of.
Illustrated. Thick i2mo, cloth. N. Y., 1876
1875 Washington. — Soldier and Patriot, the Story of George
Washington by F. M. Owen. Illustrations. lamo,
cloth. London, n. d.
1876 WEBSTER (Noah, LL.D.). American Dictionary of the
English Language, thoroughly Revised and Enlarged by
C. A. Goodrich and N. Porter. Portrait, engraved title,
colored plates of arms and flags, and numerous cuts in text.
Thick large 4to, half morocco, cloth sides, marbled edges,
with incised alphabetical ihdex on front edge.
Springfield, 1884
414 THE PENE DU BO IS COLLECTION.
NOAH WEBSTER ON THE ENGLISH LANGUAGE, BOSTON,
1789, AND BOUND BY ROUSSELLE.
1877 WEBSTER. — I Dissertations | on the | English Lan-
guage: I with Notes, | Historical and Critical. | To which
an Essay on | a Re-
Dr. FRANKLIN'S
is added j by Way of Appendix,
formed Mode of Spelling, | with
^ Arguments on that Subject. | By NOAH WEBSTER, jun.
Esquire | . Thick small 8vo. Handsomely bound by
Emile Rousselle in crushed levant morocco, inside gold
borders, rounded corners and gilt edges.
Boston, printed at Boston, for the anthor,
byjsaiah Thomas and Company, 1789
VERY RARE and a splendid copy.
1878 WHITE (Richard Grant). "Words and their Uses "; also
" Every-Day English," Together 2 vols. Small 8vo, fresh
cloth. Boston, 1880-83
1879 Whitney (J. D.). The Metallic Wealth of the United
States, desci-ibed and compared with that of Other Coun-
tries. Large 8vo, cloth, uncut. Phila., 1854
1880 Yates (Edmund). His Recollections and Experiences.
Portrait. Small 8vo, fresh cloth, totally uncut.
London, Bentley, 1885
1881 Yriarte (Charles). Les Princes d'Orleans, preface par
Edouard Herv£. Portraits. Small 4to, sewed, uncut.
Paris, 1872
1882° Yule (George). Memory Manual. Minimo, sewed.
N. Y., 1883
^Uz
ttttb
4i6 THE PENE DU BO IS COLLECTION.
IX. prints awA g^nuarelUs.
"Engraving is one of the fine arts; and in this beautiful family has been the
especial handmaiden of painting. . . . An engraving is not a copy or imitation,
as is sometimes insisted, but a translation. . . . Nor is it a mere imitation, but
as Bryant's Homer and Longfellow's Dante are presentations of the^ great
originals in another language, so is the engraving a presentation of painting in
another material which is like another language. . . . Nobody can examine a
choice print without feeling that it has a merit of its own different from any
painting. A work of Raphael, or any of the great masters, is better in an
engraving of Longhi or Morghen than in any ordinary copy, and would probably
cost more in the market. A good engraving is an undoubted work of art, but
this cannot be said of many paintings which, like Peter Pindar's razors, seem
' made only to sell.' " — Charles Sumner.
ABBEMA (Louise).
1883 "Parisienne (1886)."
ANDERLONI (Pietro, Born 1784 and Died 1849).
1884 " The Holy Family," after Raphael.
Brilliant old original impression of this beautiful print, after the
famous picture in the Stafford Gallery. In black oak frame. Pietro Anderloni
was one of the most celebrated of the pupils of Longhi, whom he succeeded as
President of the Academy of Engravers at Milan.
APPIAN (A.).
1885 "Fishing Boats."
This and the following numbers are all original etchings by this
master of the needle. Gold frame. P. G. Hamerton says: — " My admira-
tion for Appian's work as an etcher (he is a charming painter also) was already
great several years ago, but the more I see how rare his qualities are in contem-
porary art, or in any art, the more I feel disposed to value them. His work is
always quite easy and graceful in manner, never strained, never betraying an
effort, and it hardly ever fails to charm by a most delicate feeling for the poetry
of natural landscape."
THE PENE DU BO IS COLLECTION. 417
APPIAN.
1886 "San Remo, Italy."
Proof on Japan paper. One of the artist's large plates, and con-
sidered ONE OF HIS best.
APPIAN.
1887 "Un Soir Bord du Rhone a Rix."
Proof on Japan paper. " Fine in feeling and quite masterly in execution.
One of those scenes which ought to make anybody a poet, at least until the
light has died out of the west, and the shining river is finally darkened for the
night. " — Hamerton.
APPIAN.
1888 " Rocks by the River."
Proof on Japan paper.
APPIAN.
1889 "Drawing the Net."
Proof on Japan paper.
APPIAN.
1890 "A Path by the River."
Proof on Japan paper.
APPIAN.
1891 "The Water Mill."
Proof on Japan paper.
APPIAN.
1892 " The Anglers."
Proof on Japan paper.
APPIAN.
1893 " Au Valromey."
Proof on Japan paper.
APPIAN.
1894 "Gorge de Loupe."
APPIAN.
1895 " A Rocky Road — Environs of Creys."
AUDOUIN (Pierre, Born 1768 and Died 1822).
1896 "La Musicienne Hollandoise," after Metzu.
AUDRAN (Benoit, "the elder," Born 1661 and Died 1721).
1897 " JfeAN B artiste Colbert," after Lefebvre.
Benoit Audran was the pupil of his father and also of his uncle, the celebrated
Gerard Audran. He engraved several fine portraits which have justly estab-
lished his reputation. His style is bold and clear, his drawing is correct ; and
there is a fine expression' of cliaracter in his heads. This portrait of Colbert is
considered to be one of his best plates.
4i8 THE PENE DU BOIS COLLECTION.
BAKER (W. C).
1898 "Landscape."
Original etching.
BALLIN (A.).
1899 " A Street Scene at Rouen."
Original etching. Fine proof on Japan paper.
BAQUOY (Jean Charles, Born 172 1 and Died 1777).
1900 " The Death of Adonis," after Poussin.
BARRY (Auguste, Born 1836 and Died 1886).
1900* "Dominie Sampson."
Proof on Japan paper, slightly unfinished. Au^ste Bany was of
French extraction and inherited the artistic tastes of his race. Bred a marble-
cutter, he followed that occupation for many years, when the almost general use
of granite for monumental inscriptions compelled him to seek some other
means of livelihood. He turned his attention to etching, which he practised for
some fourteen years before his death. Possessed of but little originality, he
developed a marvelous aptitude for reproducing the work of others. Some of
his copies of Seymour-Haden, Cruikshank, Worlidge, etc, , are marvels of pains-
taking care and accuracy, He was a most industrious worker, producing from
first to last some eight to nine hundred plates.
BARRY.
1901 " Only for Friends," after Lossow.
Proof on Japan paper.
BARRY.
1901* "Cupid and Venus," after Lossow.
Proof on Japan paper.
BARRY.
1902 " Roger Payne, the famous London Bookbinder."
Working proof on India paper, slightly unfinished.
BARTOLONII.
1903 " The Love Letter," after Bunbury.
Fine old impression, engraved in stipple after the manner of Bar-
TOLOZZI.
BARTOLOZZI (Francesco, Born 1727 and Died 1815).
1904 " Cupid Crowning a Young Girl with Flowers,"
after Guercino.
This and the lots following by Bartolozzi, are all fine old impres-
sions. Ebony frartie.
" Bartolozzi's engravings have litefally had their ups and downs: first ascend-
ing to the drawing-room, later climbing to the bed-room, and eventually to the
attic or lumber-room, where they remained half or perhaps wholly forgotten,
until a revival of the taste for. his fine work brought them down by the same
stages to the drawing-room and boudoir. That they never again will be' skyed '
is tolerably certain."^TuER.
THE PENE DU BOIS COLLECTION. 4^9
BARTOLOZZI.
1905 " Mother and Child," after Peregrini.
BARTOLOZZI.
1906 "Children at Play," after Guercino.
BARTOLOZZI.
1907 "The Holy Family," after Guercino.
BARTOLOZZI.
1908 " Bandits," after Guercino. (2)
BARTOLOZZI.
1909 "A Sacrifice," after Guercino.
BARTOLOZZI.
1910 " A Warrior," after Guercino.
BASTIEN-LEPAGE (Jules).
1911 "Reapers at Damvillers, Department of the
Meuse."
Okiginal etching by the famous pupil of Cabanel. Proof on India
paper.
BASTIEN-LEPAGE.
191 2 " The Return from the Fields."
Original painter's etching. Proof before letters on Japanese paper .
Gold frame.
BAUDET (Etienne, Born 1636 and Died 171 1).
1913 " The Tribute Money," after Valentine.
BAUDOUIN (Pierre Antoine, Born 1723 and Died 1769).
1914 "The Toilet."
Curious and rare eighteenth century stipple engraving. Printed-
IN COLORS. White and gold frame.
BAUDRAN.
1915 " The Gate of Heaven ''; " The Angel of Hope";
" The Star of the Morning "; and " The Angel of
Consolation," after Claude Jacquand. (4)
Proofs on India paper.
BEAUV.<^RLET (Jacques Firmin, Born 1731 and Died 1797).
igi6 "Edme Bouchardon, Sculptor to the King,'' after
Drouais.
Fine. Engraved by the artist for his reception piece at the Acad-
emy, in 1776.'
420 THE PENE DU BOIS COLLECTION.
BEAUVARLET.
1917 "The Fox Disturbed,'' after Oudray; "A Day's
Sport," after Huet. (2)
A pair' of fine sporting subjects by this excellent engraver. Brilliant old im-
pressions, neatly framed.
BEGA (Cornelis Pietersz, Born 1620 and Died 1664).
1918 " Peasant Woman Going to Market."
Originai. etching by this Master. Bartsch 18.
BEHAM (Hans Sebald, Born 1500 and Died 1549).
1919 "Pacientia."
This is a brilliant impression, and a fine original specimen, neatly framed, of
the famous " Little Master." It is dated 1540, and inscribed " Sebaldus Beham
Pictor Norcus Faciebat." Dr. Adolf Rosenberg, in his able Essay on the
German Little Masters, says : — "As a draughtsman he (Behara) stands at the
head of all the imitators of his model and teacher, the great Durer, whilst as a
copper-plate engraver he even surpasses him in the tenderness and delicacy of
his technical treatment, as well as in his artfstic feeling. In the execution of
form and outline he also displays a better and more delicate taste."
A fac-simile of this print will be found at the commencement of this division.
BEHAM.
1920 "A March of Soldiers.''
Rare. A very large woodcTjt, 57 x i2>^, in fine preservation. This
AND THE TWO FOLLOWING NUMBERS ARE VERY RARE. See DARTSCH.
BEHAM.
192 1 " The Bath, many Women and Children Bathing."
Large woodcut (round). Bartsch 83.
BEHAM.
1921* "Six Women Bathing, a Man observing them
through an open window."
Large woodcut. Bartsch 80.
BEISSON (Francis Joseph Etienne, Died 1820).
1922 "Venus " after Titian.
Proof before letters. Of this famous picture it is related that when
Phillip 11. heard that the Palace of the Prado was burned, he earnestly de-
manded if the Titian Venus had escaped destruction, and on being informed
that it was one of the few that had been saved, he exclaimed, ' ' Then every other
loss may be supported." This print was commenced by Beisson and finished
by Le Bas.
BELLOWS (Albert F.).
1923 " Going to Church — Sunday Morning."
A pencil sketch, neatly framed, by this celebrated aquarellist. "Bellows'
soft river-banks, his trees trembling with light, and the quiet skies of Summer
have long made his paintings loved, and they have also served to develop the
taste for water-colors among us." — London Art Journal.
THE PENE DU BO IS COLLECTION 421
BERGHEM (Nicholas, Born 1620, Died 1683).
1924 "Sheep and Lambs."
Original etching. Bartsch No. 42.
" The great industry of Berghetn, and his accurate Icnowledge of cattle, give
him a certain firmness and precision with the point, which are amongst the
chief reasons for his reputation as an etcher." — P. G. Hamerton.
BERNE-BELLECOUR (E.).
1925 " Will She Come ?"
Original etching. Proof before letters, on India paper.
BERVIC (Charles Clement, Born 1756 and Died 1822).
1926 " The Education of Achilles,'' after Regnault.
A fine old impression of this beautiful and celebrated print in oak frame, gilt
in the grain. Bervic,the most eminent of modern French engravers, was a pupil
of the famous J. G. Wille, but he early emancipated himself from that master's
peculiar style. A portrait which he executed in 1783 first revealed the power
which Bervic possessed of freeing himself from the influences of his early educa-
tion and of rendering most fully and characteristically the varied details of his
subject. This talent soon met with its due reward. In 17S4 he was elected a
member of the Academy. Sovereigns and nations hastened to do homage to his
talents. Louis XVI. gave him the apartments in the Louvre which had been
vacant since the death of the painter Lepicie. The Order of the Reunion was
conferred upon him in 1813, and the Legion of Honor in 1819. Most of the
academies of Europe enrolled liim among their members, and he became a
member of the Institute of France. He established a school of engraving, in
which his constant aim was to warn his pupi's against the baneful influence of
servile imitation, and guide each one accordipfj to the bent of his own individual
genius. Toschi and Dupont, both famous engravers, were his scholars."
BERVIC.
1927 " Louis XVI.," after Callet.
A brilliant impression of (his celebrated plate before the plate was broken,
finely framed in oak, gilt. Robert E. Graves, of the British Museum, writes: —
"The full-length portrait of Louis XVI. in his coronation robes, after the
portrait by Callet at Versailles, established the reputation which Bervic had
obtained by the wonderful brilliancy and softness with which he reproduced in
black and white the diverse tones and textures indicated in painting by the aid
of color."
Bervic was a revolutionist of an advanced type, and at one of the meetings of
the " Societe Populaire des Arts" he broke this plate, and tore in halves all the
proofs of it which he possessed. The plate has since been repaired by Challet,
and later impressions taken from it. These, however, are of no great value com-
pared with the impression described above.
BETTELINI (Pietro, Born 1763 and Died 1828).
1928 " David," after Zampieri.
" Bettelini was an eminent Italian engraver. He early received instruction
Irom Gandolphi and Bartolozzi, but in his later works he inclined more to the
style of Raphael Morghen. He is particularly happy ir) his transcripts of light
and elegant forms, and enters with much taste and spirit into the subject he
copies. He does not aim at producing brilliant effects, but exercises his graver
with care and delicacy, corresponding with the style of the original picture.
He was lield in high estimation by Thorwaldsen, who employed him to engrave
some of his finest works."— Bryan.
422 THE PENE DU £01 S COLLECTION.
BETTELINI.
1929 " St. John," after Domenichino.
Proof before all letters.
BETTELINI.
1930 " St. Sophia," after Domenichino.
Proof before all letters.
BICHARD (Gery).
1 93 1 "The Amateur Artist," after Meissonier.
Beautiful proof before letters on Japan paper.
BLANC (Charles).
1932 "The Chevalier," after Meissonier.
Proof on India paper. Etched by Charles Blanc, the celebrated
art critic, and signed by him with the needle. ■ ,
BOCOURT (E.).
1933 " Mirabeau replying to the Marquis de Breze.''
Original etching. An admirable specimen of modern "dry point."
Artist's proof on Japan paper, signed; in fine carved oak frame, with deep
French mat.
This spirited etching represents the well-known incident which occurred just
before the founding of the National Assembly. The occasion was the famous
sitting of the " Tiers-Etat," June 23d, 1789, when the Deputies were ordered
by the King to disperse. The noblesse and the majority of the clergy
departed, but the commons still lingered in uncertainty, and Mirabeau began to
address them on the mission with which they were-intrusted by the nation. At
this moment he was interrupted by the entrance of the Marquis de Breze, hat on
head, representing the " divine right " of his royal master.
The King's Master of Ceremonies immediately begged permission to remind
the meeting of the monarch's command. The orator turned upon him with the
gaze of a lion — " Go tell your master," said he, "that we are here by the will
of the people, and no power but the force of bayonets shall drive us hence."
This is the moment chpsen by the artist for his very graphic illustration.
BOCOURT.
1934 " Jean-Francois Millet."
Original etching. Proof before letters on India paper. A life-
like portrait of the great painter.
BOILIRN (E.).
1935 "The Morning Salutation."
A proof on Japan paper of an original etching by this artist, neatly
framed. It represents a young and beautiful woman just risen from her couch,
a wrapper thrown loosely around her — discovering the charms which it is
intended to conceal. She is about to fondle her pet, a magnificent specimen
of the parrot tribe, who appears to reciprocate the affection of his mistress.
THE PENE DU BOIS COLLECTION. 423
BONNET (Louis Marin, Born 1743 and Died 1793).
1936 " Head of a Young Girl," after Boucher.
Neatly framed — one of the rare old fac-similes of Boucher's chalk drawing,
executed by Bonnet on copper with such fidelity that, take away the margin, it
would be extremely difficult for even experts to tell the difference between the
original and the copy.
BOSTWICK (John H.).
1937 " A Brilliant Sunset."
Original etching, proof on satin, one of a few impressions only in
this state.
BOUCHER (Francois, Born 1703 and Died 1770).
1938 " Venus and Cupid."
A fine fac-simile of a chalk drawing by this celebrated delineator of the nude
feminine form.
BOUCHER.
1939 '• A Young Girl Bathing."
Another nude'study after this artist, similar to the previous lot.
BOUILLIARD (Jacques, Born 1744 and Died 1806).
1940 " Daphne and Apollo," after Vanloo.
Brilliant open letter proof.
BOUILLIARD.
1 941 " Love Mending his Bow," after Mazzola.
BRACQUEMOND (Felix, Born 1833).
1942 "Wild Ducks''
Original ETCHING. Proof on Japan paper. Rare. Hamerton writes: —
"If M . Bracquemond had pursued etching regularly there can be little doubt
that he would have taken a decided rank amongst the best etchers of the age.
Unfortunately, however, for this particular branch of art, he accepted an
engagement at Sevres, which has since occupied all his time "
Emile Bergerat is still more enthusiastic in his praise. He says: — "He
(Bracquemond) stands, by good right, as an etcher hors ligne, having no worthy
rival except Jules Jacquemart. A proof of a plate by Bracquemond is ^ precious
object, and sells for the highest price. The English consider them as choice
titbits, and rarely allow one to escape them when sold."
BRACQUEMOND.
1943 "The Mirror,'' after Chaplin.
A fine specimen of Bracquemond's method of treating the female
NUDE figure.
BRACQUEMOND.
1943* "Charles Meryon."
A characteristic and lifelike portrait of the unfortunate artist etched from life
by his friend Bracquemond in 1853. Very scarce.
424 THE PENE DUBOIS COLLECTION.
BRACQUEMOND.
1944 "A Vase with Flowers."
Original etching. Proof before letters on Holland paper.
BRACQUEMOND.
1945 " A Yoke of Oxen," after Du Buisson.
Proof on India paper.
BRACQUEMOND.
1945* " Jules Fleury-Husson — called Champfleury."
BRIDGMAN (C. J.).
, 1946 " Portrait of a Young Girl."
An exquisitely finished drawing, signed by the artist, in crimson velvet and
gold frame.
BROMLEY (William, Born 1769 and Died 1842).
1947 "Boy and Tablet," after Leonardo da Vinci.
Fine old impression of this beautiful specimen of "pure line.
BROWN (John Lewis).
1948 " A Military Reconnaissance."
Original etching. Proof before letters on India paper.
BRUNET-DEBAINES (A.).
1949 " Tne Funeral of Wilkie," after J. M. W. Turner.
A fine impression, neatly framed, of this spirited etching. It represents the
well-known incident of the burial of the painter Wilkie, during the night, at sea.
It has been said that Turner will live through the admirable rendering of his
pictures by the clever line engravers employed by the publishers to translate
them, but he has certainly, in later days, been as fortunate in the excellent
etchers who have chosen his works to demonstrate their powers with the needle.
Not the least of them is Brunet-Debaines, of whom Hamerton says: — "Few
etchers of the modern French school have produced such uniformly good work."
BRUNET-DEBAINES.
1950 "The Church of St. Mary in the Strand, London."
Original etching. Proof before letters on Japan paper. Cherry
Wood frame.
BUHOT (Felix).
1951 "Boulevard de Clichy, Paris — National FiSte,
June 30TH."
Original etching. Proof on India paper.
THE PENE DU BOtS COZlECTIO^T. 42S
BURGKMAIR (Hans, Born 1473 and Died 1559)-
1952 " Marriage of the Emperor Maximilian."
Hans Burgkmair was the friend and fellow-laborer of Albert Durer in the
service of the Emperor Maximilian I. His prints are principally, if not entirely
on wood, and are designed with extraordinary spirit and fire. Indeed the endless
imagination and richness of suggestion, as well as truth to the life of his time,
and dramatic value to be found in his works, place him in the highest rank of
,the illustrative artists of the world. For a further notice of Burgkmair see
No. 75 of the Pene du Bois Collection.
BURGKMAIR.
1953 " Coronation of the Emperor Maximilian."
BURGKMAIR.
1954 " The Emperor and Empress in the Garden."
BURNAND (Eugene).
195s " A Drove of Oxen at Camargue."
Original etching. Proof before letters on India paper.
CAFFI (Cavaliere Ippolito, Born 1814 and Died 1866).
1956 " The Soldier's Promenade " and " The Devotees."
a pair (neatly framed) of original water-color drawings by this clever artist,
who, although he painted principally architectural subjects and sea pieces, was
very happy in delineations of social life. His style is much that of Gavarni at an
early {)eriod in his career — a vein of quiet humor combined with artistic excel-
lence. These two drawings are evidently from the life. The old soldier with
his two comrades — a lately joined recruit, and another who has seen some ser-
vice, are proceeding arm in-arm barrackward, after an evening's enjoyment, the
cost of which has apparently emptied all their pockets. The three old women
at church, an exquisite bit of humorous satire, insinuating that none of them
feels very happy at their devotions.
CALAMATTI (Luigi, Born 1802 and Died 1869).
1957 " Dante."
Proof before all letters.
CALAME (Alexandre, Born 1810 and Died 1864),
1958 "The Bird of Night — Owls."
A Very characteristic original study, drawn on stone by this famous artist.
CAREY (Charles.)
1959 "Awaiting an Audience," after Meissonier.
Proof before letters on Holland paper.
CARS (Laurent, Born 1699 and Died 1771).
i960 " Mlle. Clairon as Medea," after Vanloo.
This masterpiece of Vanloo's was engravedby Cars in conjunction with his
pupil Beauvarlet, and the result is a magnificent specimen of old-time line
engraving. The scene chosen by Vanloo is the grand one in the fifth act.
Medea has just slain her children, and with dagger and torch is borne above in
the dragon drawn chariot, while Jason, sword in hand, in vain attempts to stay
her progress. The original plate was presented to Mlle. Clairon by the King.
426 THE PENE DU BO IS COLLECTION.
CARS.
i960* " Sebastian Bourdon, Painter to the King,"
after Rigaud.
CASANOVA (A.).
1961 " The Gourmet."
Original Etching. Proof on Japan paper. Gold frame.
CASANOVA.
1962 " A Terrible Temptation."
Original etching by this distinguished artist.
CASANOVA.
1963 " Teaching the Canary to Sing."
Original Etching. Proof before letters on Japan paper.
CASTIGLIONE (Giovanni Benedetto, Born 1616 and Died
1670). I
1964 " Head of a Jew."
Original etching by this Master.
CECCHINI (Francesco).
1965 "Fresco in the Sala del Cambrio at Perugia,"
after Perugino.
Fine old impression.
CERICA.
1966 " Italian Beggar."
Spirited original water-color drawing by this artist, in gilt frame.
CHAMPOLLION (E.).
1967 "The Choice of a Model," after Fortuny.
Proof on India paper.
CHAMPOLLION.
1968 " Les Dames Galantes." (ii)
Set of original etchings illustrating " Les Dames Galantes," of
Brantome, with portrait of the author. Proofs before letter on
LARGE PAPER. RARE. Brantome's anecdotes present an animated picture of
the age in which he lived; the restless activity of his inquisitive spirit made him
well acquainted with those minute transactions which the dignity of history sel-
dom stoops to notice, and his vanity led him to seek from a lively and faithful
record of them the only reputation his abilities could obtain. The first edition
of his Memoirs was printed at Leyden, by Elzevir, in 1666.
CHAMPOLLION.
1969 "Fishermen Going Out," after Butin.
Proof before letters on Japan paper.
THE PENE DU BO IS COLLECTION. 427
CHAMPOLLION.
1970 " Moors Taming a Vulture," after Fortuny.
Proof before letters on Japan paper.
CHAMPOLLON (E. A.).
197 1 "A Butterfly," after Fortuny.
Fine proof before letters, on Japan paper Gold frame.
CHARLET (Born 1792 and Died 1845).
1972 "The Old Guard Dies, but never Surrenders."
Charlet's first drawing on stone, published in 1817. Rare. Charlet
was a celebrated French lithographer, the son of a soldier of the Empire, a pupil
of Gros, and unrivaled for his delineations of army life. There is a touch of
humor in his compositions which is inimitable.
CHARLET.
1973 " The Recruit's First Time under Fire " and " His
Second Time under Fire." (2)
Rare. Drawn on stone by Charlet.
CHARLET.
1974 " The Street Boys and the National Guard";
"The Fall of the Empire"; " The Assault"; "In-
subordination "; etc. (6)
Rare. All drawn on stone by Charlet.
CHASTEAU (Nicholas, Born 1680 and Died 1750).
1975 " Martyrdom of St. Stephen," after Carracci.
CHASTEAU.
1976 " Christ Healing the Blind," after Poussin.
CHATTILLON (Auguste de).
1977 "La Levrette en Pal'tot. (The Greyhound in a
Paletot.)"
Rare. A story in verse by Auguste Chattillon, of a poor young man and a
pampered greyhound. Each page (16) of the text is etched and accompanied with
appropriate illustrations, which are of a humorous character. The whole printed
on India paper, with title etched on the cover, which is of Holland paper.
CHAUVEL (T.).
1978 " The Hay-Cart," after Jules Dupr£.
A fine etching after this famous painter, neatly framed. Rene Menard writes: —
" Jules Dupre became almost from his debut, one of the favorites in public
opinion The precocity of his success only developed his activity
One may have more or less sympathy with the works of Rousseau or with those
of Dupre, but these two masters will remain incontestably as the two grandest
colorists in landscape which the contemporaneous school has produced."
CHENAY (Paul).
1979 " The Brawl," after Meissonier.
428 THE PENE DU BOIS COLLECTION.
CHEVILLET, (Justus, Born 1729 and Died 1790).
1980 " Benjamin Franklin," after Bounieu and Houdon.
Fine, and very rare.
Chevillet was a pupil of Schmidt and afterwards of J. G. Wille. He
engraved this beautiful portrait of Franklin while the latter was acting as
Ambassador to France on the part of his countrymen.
CHODOWIECKI (Daniel Nicholas, Born 1726 and Died 1801).
1981 "A Pedagogue," and "A Young Girl with her
Brother." ' (2)
A pair of water-color drawings by this remarkable and distinguished artist.
In the original German frames. Daniel N. Chodowiecki was early in life a
grocer's assistant at Berlin, but, inheriting artistic tastes, he practised drawing
and painting in his leisure moments. His progress at last enabled him to follow
these studies alone. He became a miniature painter, and his portraits, which
were remarkable for their characteristic resemblance and lifelike qualities, met
with a favorable reception in all quarters. In 1758 he turned his attention to
etching, and his efforts were drawn with such spirit that they soon attracted the
attention of connoisseurs, and when he had painted "Jean Galas and his
Family," and, in accordance with the wishes of his friends, made an etching of
that picture, his fame was fairly established. Orders from amateurs and
dealers became so numerous that he was obliged to abandon his miniature
painting. He received commissions from Lavater, for whom he executed many
designs and some copper-plate engravings for his " Essays on Physiognomy."
His fame spread so wide that it was with the greatest difficulty, that he could
meet the demands of the booksellers for drawings and engravings for illustrat-
ing books and almanacs. Bryan says, " Chodowiecki was a highly gifted artist,
who owed all his knowledge of art to his own study. The genuine originality
displayed in them, and a certain easy spiritual rendering, stamp most of his
works with a peculiar character. He represents the feelings and affections,
virtues and vices, just as he had observed them around him, with singular acute-
ness. His productions are not disfigured by anything in the way of excess or
defect. His drawings are marked by delicate, but, at the same time, firm and
clear outlines, the shadows being worked in with a light hand, but well defined.
As an engraver of small subjects, he stands almost unsurpassed. He was the
founder of a new style, representing modern figures with such truth and ani-
mation, and at the same time with such correctness of outline, as had till then
never been thought possible on so small a scale."
CLAUDE LORRAINE (Born 1600 and Died 1682).
1982 " Campo Vicing, Rome."
DUMESNIL, No. 23.
' ' The position, of Claude as a landscape-painter may be briefly defined. He
was the first artist who made landscapes thoroughly charming by means of
artistic and harmonious composition, and beautiful effects of light. By these
means he captivated the connoisseurs of his time, and became the father of iriod-
ern landscape His superiority as an etcher is chiefly a technical super-
iority; he could lay a shade more delicately, and more perfect gradation, than
any other etcher of landscape ; he could reach rare effects of transparency, and
there is an ineffable tenderness in his handling. These are his chief claims to
our consideration, and he is so strong on these points that such accomplished
moderns as Haden and Samuel Palmer have a great reverence for his name." —
Hamerton.
THE PENE D. U BOIS COLLECTION. 429
CLAUDE LORRAINE.
1983 "The Flight into Egypt."
DUMESNIL, No. I. Sold in the Morgan Collection for $17.
CLAUDE LORRAINE.
1984 " The Tempest."
DuMESNiL, No. 5. Sold in the Morgan Collection for $17.
CLAUDE LORRAINE.
1985 " Landscapes," etc. (3)
These miniature etchings mounted in a passe-partout are very
FINE and of extreme RARITY.
CLEMENTS (L. D.).
1986 "Landscape."
Original etching.
COLMAN (Samuel).
1987 "An Old Mill at Wainscotte, Long Island.''
Original etching.
COLMAN.
1988 The same.
Proof on satin. One of a few impressions in this state.
COPIA (Jacques Louis, Born'1764, Died. 1799).
1989 "The Triumph of Liberty," after Fragonard.
Engraver's proofs before letters. Rare in this state.
COROT (Jean-Baptiste-Camille, Born 1796 and Died 1875).
1990 "A Souvenir of Italy."
Proof impression on Japan paper of this celebrated "painter's
etching " in gold frame.
Hamerton says: — " The few etchings of Corot have one merit and charm —
they do certainly recall to mind, by association of ideas, his charming work in
oil, so full of the sweetest poetical sentiment. All sins are forgiven to the true
poet. Corot may not be a great poet, as Turner was, but he is a true one.
He feels the mystery of naturg; he feels the delightfulness of cool, gray morn-
ings and dewy evenings; he feels the palpitating life of gleaming river-shores
and the trembling of the light branches wherein the fitful breezes play. He has
an intense sense of the glimmering indecision and mystery of natural appear-
ances, and he does not, as it seems to us, draw and paint with precision simply
because his attention does not fix itself on that which is precise. It is a remark-
able proof of the value of direct expression, however defective in its manner,
that Corot's etchings, with all their faults, should convey a better notion of his
genius than the far cleverer plates which Bracquemond executed after Corot's
pictures."
COROT.
1991 "View in Italy."
Original etching. First state. Rare.
430 THE PENE DU BOIS COLLECTION.
COURTRY (C.)
1992 " Head of a Lady of Quality."
Original Etching. Artist's proof or) Japan paper signed. Chestnut
frame.
COURTRY.
1993 " The Son of Louis XI."
Original etching. Proof before letters;
COTJRTRY.
1994 "A Turkish Dance," after G^rome.
Fine impression on Holland paper. Gold frame.
COURTRY.
1995 " A Moorish Bath," after G^rome.
A fine impression of this beautiful nude subject. Gold frame.
COURTRY.
1996 " The Slave Market," after G^rome.
Gold frame.
COURTRY.
1997 Michael Munkacsy, from a painting by himself.
COURTRY.
1998 "Alcibiades at the House of Aspasia," after
Gerome.
Fine impression on Holland paper. Gold frame.
COUSIN.
1999 " The Immaculate Conception," ,after Murillo.
Proof before letters.
COUTIL (Leon).
2000 "On the Lake."
Original painter's etching; artist's proof signed on Japan paper.
Neatly framed in chestnut.
THE PENE DU BOIS COLLECTION. 431
COUTIL (Leon).
2001 " The Temptation of St. Anthony," after Morot.
' Gold frame. Artist's proof on Japan paper, signed, of this
EXTRAORDINARY AND EMINENTLY CLEVER PRODUCTION, which will recall tO
mind the bright lines of the Bentley Ballad:—
" Last came an imp, — how unlike the rest!
A beautiful female form:
And her voice was like music, that sleep-oppress'd
Sinks on some cradling zephyr's breast ;
And whilst with a whisper his cheek she press'd.
Her cheek felt soft and warm.
" When over his shoulder she bent the light
Of her soft eyes on to his page.
It came like a moonbeam silver bright.
And relieved him then with a mild delight.
For the yellow lamp-lustre scorched his sight.
That was weak with the mists of age.
" Hey! the good St. Anthony boggled his eyes
Over the holy book:
Ho, ho! at the corners they 'gan to rise.
For he knew that the thing had a lovely guise,
And he could not choose but look."
COUTIL.
2002 " The Evening Hour," after Millet.
Artist's proof on Japan paper, signed. Ash frame.
CRANACH (Lucas, Born 1472 and Died 1553).
2003 " Martin Luther."
Original sixteenth century woodcut in passe-partout. Lucas Cranach vel
Sunder was Burgomaster of Wittemberg, as well as a painter and engraver. As
he lived on intimate terms with Melancthon and Luther, the above portrait
must be considered as correct an one as we can have.
DALCO (Antonio).
2004 " Christ on the Cross," after Gumo.
DARLEY (Felix O. C, National Academician, Born 1822).
2005 "Washington Irving and his Friends at Sunny-
side."
This is the ORIGINAL PAINTING in black and white of this most
popular subject and the original design for the engraving of which thousands
upon thousands of impressions have been sold. The drawing measures two
feet ten inches by two feet, is in a deep passe-partout mount and is framed in
oak and gold.
It is painted in India ink and light sepia, and the minor details are finished
with the pencil. It is signed in the corner " F. O. C. Darley, fecit."
This original design was made by Uarley, as stated in the following letter
recently received from him in regard to some differences in the painting and the
engraved impressions: —
" Claymont, April 19th, 1887.
" Dear Sir: In reply to yours of the 17th I would say that the change in
the position of Paulding in the engraving of ' Washington Irving and his
432 . THE PENE DU BOIS COLLECTION.
Friends at Sunnyside ' was made on the plate by the engraver, at the request of
the publisher, without my knowledge. 1 never made a second drawing.
" The design was made for Mr. Derby, a brother of the Derby you speak of,
and not for the American Art Union. The price received by me for it was $700.
' ' It was sent to London and engraved by Barlow .
" Hoping I have given you all the information you require.
' ' I remain yours truly,
(Signed) "F. O. C. Barley."
This picture is so well known that a description hardly seems needed. It
includes portraits, every one of them taken from life by Darley, of H. T.
Tuckerman, Oliver Wendell Holmes, W. G. Simms, Fitz-Greene Halleck, W.
H. Prescott, W. C. Bryant, Nathaniel Hawthorne, Washington Irving, John
P. Kennedy, H. W. Xongfellow, James K. Paulding, J. F. Cooper, N. P.
WiUis, R. W. Emerson and George Bancroft.
The portraits are life-like and conscientiously executed in Darley's most care-
ful manner. The subjects were all his personal friends, and into this labor of
love the artist threw his whole soul to record faithfully the lineaments of those
with whom he had had many a social hour of intellectual converse.
The principal difference, referred to in Mr. Darley's letter, between the
engraving and this original design is that in the painting James K. Paulding is
depicted seated and with his head between Longfellow and Prescott. In the
famous line engraving he is represented standing between Prescott and Irving.
The change made, and as Mr. Darley states without his knowledge, was not to
the benefit of the conception, as the engraver presents Irving's coUaborateur in
the " Salmagundi" to us as a lay figure full of stiffness and crudities. Barlow,
the Eng:lish engraver, not being acquainted with the physique of Paulding,
makes him a tall man, even taller than Longfellow, whereas th.e opposite was
the case.
Among the authors represented is Henry T. Tuckerman, who wrote as fol-'
lows respecting the artist of this splendid painting: —
' ' The peculiar skill and readiness of Darley's pencil has unavoidably enlisted
it in numerous casual enterprises, from a vignette on bank notes to a political
caricature for a comic paper. Theire was no draughtsman among us so prompt
and inventive. . . . Darley has made a study of American subjects, and
finds therein a remarkable range, from the beautiful to the grotesque, as is
manifest when his drawings are compared. It is rare for the same hand to
deal so aptly with the graceful and the pensive, so vigorously with the charac-
teristic, and so broadly with the humorous, and exhibit an equal facility and
felicity in true literal transcript and in fanciful conception."
A verdict amply corroborated in his illustration of the works of Irving,
Cooper, Dickens, Hawthorne, etc., as well as in his " Washington's Entry into
New York," " The First Blow for Liberty," and numerous equally prized
American subjects conceived and executed by the genius of Darley.
DARODES.
2006 "Charles Eisen," after Vispre.
An extremely fine copy of the celebrated print engraved by Ficquet, for the
"Fermiers Generaux" edition of La Fontaine.
DAUBIGNY (Charles Francois, Born 1817 and Died 1878).
2007 "Pear Trees at Anvers."
Original ktching by this celebrated landscape painter. Proof on
Japan paper.
" '^^^ ?"■' °^ '•^'^ illustrious master consists in choosing well a bit of country,
and painting it as it is; enclosing in its frame all the simple and naive poetry
which it contains. No effects of studied light, no artificial and complicated
composition No, it is the real hospitable and familiar country, without
THE PENE DU BOIS COLLECTION. 433
display or disguise, in which one finds himself as well off, and in which one is
wrong not to live longer when he is there, to which Daubigny transports me
without jolting each time that I stop before one of his pictures." — Edmond
About.
DAULLE (Jean, Born 1703 and Died 1763).
2008 " La Riboteuse Hollandoise,'' after Metzu.
DELACROIX (Eugene).
2op9 " The Blacksmith.''
Scarce. OriginAl etching, one of very few made by Delacroix.
DE LAUNAY (Nicholas, Born 1739 and Died 1792).
2010 " The'Too Inquisitive Wife," after Baudouin.
Very rare. Fine old impression of this celebrated erotic subject.
DE LAUNAY.
201 1 "The Happy Family," after Fragonard.
DE LAUNAY.
2012 "The Little Preacher," after Fragonard.
DE LAUNAY.
2013 "Education Teaches all Things,'' after Frago-
nard.
DE LAUNAY.
2014 " Look, See Father! " after Vangorp.
DE LAUNAY.
2015 "The Griddle Cakes," after Fragonard.
DE LAUNAY.
2016 " La Bonne Mere," after Fragonard.
Modem impression on Japan paper.
DE LAUNAY (Robert, Born 1754 and Died 1814).
2017 " J. Y. Passerai," after Borel.
Eighteenth century French erotic subject. Rare.
DELBOS.
2018 " On the Champs Elysees."
Original etching. Proof on Japan paper.
DELIGNON (Jean Louis, Born 1755 and Died 1804).
2019 " The Tempting Offer," after Lavreince.
Fine original impression of this charming print.
434 THE PENE D U BOIS COLLECTION.
DEMARTEAU (Giles).
2020 " Noon " and " Evening," after Jean Baptiste
HUET. (2)
A pair of pastoral subjects in ebony frames, engraved on copper, in the chalk
manner, and printed in tints in fac-simile of the original drawings, and from
which it would be difficult to distinguish them.
DEMARTEAU.
2021 " Boy Angels," after Boucher. (2)
A PAIR OF CHARMING SUBJECTS, ENGRAVED IN STIPPLE, AND PRINTED IN THE
BARTOLOZZI tint, AFTER THIS MASTER. FiNE OLD IMPRESSIONS AND VERY
RARE. Oak frames.
DEMARTEAU.
2022 " Head of a Young Girl,'' after Boucher.
Polished oak frame.
DENNEL (Louis, Born 1741).
2023 " Wavering Virtue," after Madame Le Brun.
DENON (Dominique Vivant, Born 1747 and Died 1825).
2024 " Sweet Dreams."
Original etching. '
" Denon was one of the train of artists and literary and scientific men who
accompanied Napoleon Bonaparte to Egypt. His great work on the Egyptian
expedition, the numerous drawings for which were made by himself, is alone
sufficient to immortalize his name. Napoleon was warmly attached to him,
made him Director-General of the Museums, and consulted him on all matters
relating to the fine arts. Denon died in Paris universally beloved and admired.
He resembled Voltaire as well in his wit as in his features." — Bryan.
DENON.
2025 " Madame le Brun in her Studio."
Original etching.
DENON.
2026 " Study of Jewish Heads "; " Turkish Heads." (2)
DENON.
2027 " The Grandfather's Benediction,'' after Rem-
brandt.
DENON.
2028 Collection of Etchings after REMBRANDT, VAN
OSTADE, TENIERS, CLAUDE LORRAINE, PAR-
MEGIANO, RAYMOND, SALVATOR ROSA, etc.,
including some originals by the artist. All on What-
man PAPER. (35)
An extraordinary lot of etchings, suitable for illustrating Bryant's or Spooner's
Dictionaries — also useful for the study of etching.
THE PENE DU BOIS COLLECTION. 435
DESBOUTINS (M.).
2029 "Baby going Out.''
Original etching.
DESCHANELLI.
2030 "Bacchanalian S\jbjects." (2)
A PAIR OF ORIGINAL WATER-COLOR DRAWINGS by this artist. Oak frames.
DESMOULIN (I.).
2031 " Sperrata," after Henner.
DETAILLE (Jean Baptiste Edouard, Bom 1848; Pupil of
Meissonier).
2032 "The Cuirassier."
Remarque proof on Japan paper. Of excessive rarity; probably
UNIQUE, WITH THE AUTOGRAPH OF THE PAINTER, " Recerez mes Salutations
empriss^es Edouard Detaille." In neat gilt frame. Hamerton, in "Etching
and Etchers," says: — " Detaille, who has become celebrated as a painter very
early in life, etches with consummate ease and skill, which may be attributed to
his habit pf making clever croquis of what he sees for subsequent use in his pic-
tures. His two plates, ' Un Uhlan' and ' Trompette de Chasseurs,' are as
good as anything well can be in that light-handed, sketchy manner, being full of
the closest observation expressed with admirable ease. Any critic can say that
these are 'mere sketches,' because all the paper is not blackened; but he who
knows what good drawing is, and where to look for it, will find more of it in a
horse's leg by Detaille, sketched from memory in a five minutes, than in many a
labored engraving."
DETAILLE.
2033 Another copy of the preceding.
Proof before letters, on Japan paper, without the "remarque." Gold
frame.
DETAILLE.
2034 " The Uhlan."
Original painter's etching, in gold frame.
DETAILLE.
2035 " The Trumpeter."
Original etching.
DHOULT (L. E.).
2036 "Female Satyr Sleeping discovered by Young
CrlRLS."
A suggestive sepia drawing, neatly framed, of the French school, dated 1821,
representing a female satyr almost nude reclining under the shade of a large
tree, evidently sleeping off the effects of an orgie in honor of Bacchus. A
drinking vessel of antique shape is still clutched in her hand, and a broken wine
vase is on the ground at her side. She is just discovered by three young
maidens, whose occupation is evidently that of Chloe. Their varied expressions
of surprise, diffidence, astonishment, wonder and fear are admirably rendered.
436 , THE PENE DU BOIS COLLECTION.
DHOULT.
2037 " The Awakening of Bacchus."
A sepia drawing, neatly framed, by the same master as the above, and equally
suggestive. It represents the rosy god reclining on the ground at the foot of a
tree, an empty wine jar by his side; three of his votaries are gently arousing
him. He observes them with an expression of quaint humor diflBcult to describe,
but we might imagine him to be about to chant a verse of one of old Anacreon's
odes: —
' ' Teach me this, and let me swim
My soul upon the goblet's brim.
Teach me this, and let me twine
My arms around the n3miph divine.''
DIETRICH (Christian W. E., Born 1712 and Died 1774)-
2038 " Hungarian Quack Doctor," and " Itinerant
Vendor," after Rembrandt. (2)
DIETRICH.
2039 " The Ratcatcher."
DIETRICH.
2040 " Landscapes," " Goats," etc. (11)
DIETRICH (M., the younger, Born 1799).
2041 " A Cavalry Engagement."
A very spirited and clever original water-color drawing by this artist, neatly
framed in blue velvet and gold.
DREVET (Pierre, the elder. Born 1663 and Died 1738).
2042 " Louis XIV.," after Rigaud.
Fine old impression of this celebrated portrait, framed in polished oak. ' ' The
elder Drevet produced some fine works, notably the large full-length portrait of
' Le Grand Monarquc,' Louis XIV. That much flattered potentate is represented
standing in all the glory of ermine, lace and wig, his face indicating the
unbounded conceit and selfishness which were so characteristic of him. It is
with this portrait that Thackeray made so felicitous a hit in his ' Paris Sketch
Book,' where he represents, side by side, first Louis Le Grand in all his glory,
then a miserable little decrepit old man ; and thirdly, the same gorgeous habili- ,
ments, wig and high-heeled shoes, but with the man left out of them." — The
Golden Age of Engraving.
DREVET.
2043 " Robert de Cotte, Architect to the King," after
Rigaud.
DREVET.
2044 " Nicholas Boileau," after Rigaud.
Fine old impression, neatly framed.
DUBUCOURT.
2045 "Every one in his Turn," and "An Useless Cau-
tion," after C. Vernet. (2)
Very rare. Engraved on copper in aquatints and colored by hand in fac-
simile of the original drawings.
THE PENE DU BOIS COLLECTION. 437
DUJARDIN (Karel, Born 1625, Died 1678).
2046 " Horses." '
Fine impression. Bartsch No. 25. " Karel Dujardin evidently loved the
life of the fields. He strictly followed Paul Potter as long as he remained in his
native land. He engraved numbers of animals, illustrating their habits and ex
plaining their natures. Some sleep in sheer idleness, stretched on their sides or
wallowing in the mud; others, accustomed to work, ruminate peacefully, or
browse carelessly on the grass. Dujardin's engraving is clear, the outlines bold
and distinct; he never betrays weariness. "^Duplessis.
DUJARDIN.
2047 "Hogs."
Fine impression. Bartsch, No 16.
DUJARDIN.
2048 " Goats."
DUJARDIN.
2049 "Landscape and Cows."
Bartsch, No. 31.
DUJARDIN.
2050 "Landscape and Cows."
Fine impression. Bartsch, No. 26.
DUMONT.
2051 "A Young Girl at the Fountain," after Greuze.
Fine proof before all letters on India paper. Chestnut frame. An
exquisite and charming subject after this well-known and favorite master.
DURER (Albert, Born 1471 and Died 1528).
2052 " The Virgin and Child with the Monkey."
ORIGINAL. Cherry wood frame. One of the most curious and desirable of
the many Madonnas engraved by this great master. W. Schmidt, in his de-
lightful essay on Durer, says of this print: — "But amongst the very finest
engravings of this period (1497-1504) art the charming idyl of ' The Holy Fam-
ily with the Ape ' in a landscape, and the delightful ' Holy Family ' of 1504.
With what love the surroundings are here carried out, and how exquisite are the
miniature little figures!"
DURER.
2053 "Our Lord on the Cross (1511)."
ORIGINAL. Bartsch 13. Oak frame. One of the sixteen plates
engraved by Durer, 1509 to 1612, called " The Passion on Copper."
DURER.
2054 "Christ before Caiaphas (1512)."
ORIGINAL. Bartsch 6. Gold frame. One of the series known as " The
Passion on Copper."
438 THE PENE DU BOIS COLLECTION.
DURER.
2055 "EccE Homo.— The Virgin and St. John looking
sadly at the suffering Christ (1509)."
Fine contemporary copy. Bartsch 3. Gold frame. The first engraved of
the series known as " The Passion on copper."
DURER.
2056 " Le Paysan du March£."
Bartsch 89. An old copy.
DURER.
2057 " Christ Washing the Feet of His Disciples."
Original woodcut by Albert Durer. Bartsch 25.
DURER.
2058 "The Martyrdom of St. Catherine."
Large woodcut. Original. Bartsch 120.
DURER.
2059 " Samson Slaying the Philistines."
LaiIge woodcut. Original. Bartsch 127.
"In these days of universal scepticism, people are unwilling to consider
Albert Durer a wood-engraver; but we hardly like to exclude these masterly
engravings from the list of Durer's works. If he did not himself engrave
the plates he must have watched over the artists to whom he intrusted them with
untiring solicitude." — Duplessis.
DURER.
2060 " Adam and Eve."
Reduced fac-simile on wood. Proof on India paper.
" It is chiefly in Durer's engravings that we are able to get an insight into the
depths of his character. Perfect in detail and marvelous in execution, each one
conveys a lesson often too deep for minds unaccustomed to introspection, un-
moved by the questionings and doubts, the hopes and the despair, which afflict
a nature dissatisfied with the conditions in which it exists, and striving ever to
fathom the surrounding mysteries," — MRS, Heaton.
DURER.
2061 "Life of the Virgin," "The Large Passion," etc.
(IS)
Facsimiles of Durer's larger works on wood, including selections from the
above, and some of the first illustrations of the Apocalypse, the St, Jerome, etc.
EARLOM (Richard, Born 1743 and Died 1822).
2062 " Landscapes," after Claude Lorraine. (3)
Fine original impressions.
THE PENE DU BOIS COLLECTION. 439
EDELINCK (Gerard, Born 1627 and Died 1707).
2063 " Philip de Champagne," after a painting by himself.
Neatly framed in massive oak, A fine impression of this famous engraver's
masterpiece. Charles Sumner in his article on " The Best Portraits in Engrav-
ing," says: — " Gerard Edelinck excelled Nanteuil in genuine mastery. It requires
no remarkable knowledge to recognize his great merits. Evidently he is a
master, exercising sway with absolute art, and without attempts to bribe the eye
by special effects of light." LONGHI in his valuable work, " La Calcografia, "
is very enthusiastic in his praise. He remarks, " He [Edelinck] is an engraver
whose works deserve the first place among exemplars," and he attributes to him
all perfections in his art; designs, chiaro-oscuro, ariel perspective, local tints,
softness, lightness, variety, in short, everything which can enter into the repre-
sentation of the true and beautiful without the aid of color. Of this particular
portrait he writes: — " The work which goes the most to my blood, and with regard
to which Edelinck with good reason can congratulate himself, is the portrait of
Champagne. I shall die before I cease to contemplate it with wonder always
new. Here ■ is seen how he was equally great as designer and as engraver. "
This print sold for $35 at the Morgan sale.
EDELINCK.
2064 "Charles, Due de Berry," after deTroye.
Folio. Fine impressions in gilt frame. A beautiful specimen of the master's
manner, particularly in his exquisite treatment of the lace-work at the neck and
wrists, and the gold-embroidered coat. Charles, Duke de Berry was the third
son of the Dauphin, and g^randson of Louis XIV. He was bom in 1686 and
named by Charles II, of Spain successor to the throne of that country. He
died in 1714. This plate, which is undated, was probably engraved for Louis
XIV. while the artist was in the service of that monarch.
EDELINCK.
2065 " Charles Le Brun, Painter to the King," after
Largilliere.
EDELINCK.
2066 " Marten van den Bogaert, Sculptor to the
King," after Rigaud.
EDELINCK.
2067 " Philippe, Due d'Anjou," after Troye.
EDELINCK.
2068 "Bartholomew d'Herblot."
EDWARDS (Edwin, Born 1823).
2069 "The Wregk."
Original etching by this well-known English landscape painter.
EHRMAN (E.j
2070 " The Last Love of Charlemagne."
Original etching. Proof before letters on Holland paper.
440 THE PENE DU BOIS COLLECTION.
FERRIS (L. J.)
2071 "The Guard of the Harem," after Gerome.
Proof on' satin, one of a very limited number taken.
FERRIS.
2072 The Same. On Holland paper.
FERRIS.
2073 "The Florentine Poet," after Cabanel.
Proof before letters on Japan paper. Gold frame.
FERRIS.
2074 " A Stable Door — Grenada."
Original etching.
FEYEN-PERRIN (Franfois Nicholas Augustin).
2075 " The Bean Picker."
Original etching. Gold frame.
FICQUET (Etienne, Born 17 19 and Died 1794)-
2076 " Jean de la Fontaine," after Rigault.
Ficquet was an eminent French engraver, a pupil of G. F. Schmidt. He
acquired great reputation by the small portraits which he engraved of the dis-
tinguished literati of France. They are executed with extraordinary neatness
and delicacy, and are very correctly drawn. Two of his best plates are the
portraits of La Fontaine and Eisen, the celebrated artist.
FICQUET.
2077 " Louis V., the Sluggish, King of France.''
FICQUET.
2078 " Louis VII., the Pious, King of France."
FICQUET.
2079 " Robert, King of France."
FLAMENG (Leopold, Born 1831).
2080 " Herodias," after Benjamin Constant.
Proof before letters on Japan paper, neatly framed. " The influr
ence of one man is sometimes of the very greatest importance even in those
movements which appedr to be the result of a tendency generally prevalent.
Thus, in the revival of etching, Leopold Flameng has given a strong impulse
to one branch of the art, that which concerns itself with the interpretation of
painting Charles Blanc, a critic not at all given to excesses in the
use of epithets, and far too accomplished a writer to forget, even for an instant,
the necessity for distinguishing between shades of expression, calls Flameng
' rillustre graveur ' — an adjfective always reserved, in French criticism, for the
one or two men in a generation whom posterity is likely to remember. The
epithet is not misplaced in this instance. Flameng is really one of those illus-
trious men whose labors make epochs in the history of the fine arts. He
is a thoroughly great engraver — an artist-eugraver of the highest rank." —
Hamerton.
THE PE'NE DU BOIS COLLECTION. 441
FLAMENG.
2081 "Adieu for the Present," after Valentine C.
Prinsep, R.A.
Proof before letters on Japan paper. Neatly framed.
" Prinsep is always exceptionally strong in tiiese charming little bits of
drawing-room incident, and this picture is an admirable illustration of the care
and skill with which he handles such subjects." — London Art Journal.
FLAMENG.
2082 " The Birth of Venus," after Cabanel.
Proof on India paper.
FLAMENG.
2083 " Marguerite at the Fountain,'' after Ary
scheffer.
Early proof on Holland paper.
FLAMENG.
2084 " The Jolly Companions," after Ostade.
Proof before letters on Japan paper.
FLAMENG.
2085 "A Helping Hand," after Renouf.
Proof on Japan paper. Oak frame.
FLAMENG.
2086 " Cardinal Richelieu at the, Siege of Rochelle,"
after Motte.
Proof before letters on Japan paper. Oak frame.
FLAMENG.
2087 " Homeric Battle."
Original etching. Very scarce, ioo impressions only taken, and
plate destroyed.
FQRSTER (Francois, Born 1790 and Died 1872).
2088 " La Vierge a la Legende," after Raphael.
UNIQUE. From the original in the possession of the Hon. A. J.
Ward. A brilliant TRIAL PROOF, and the TENTH IMPRESSION
FROM THE PLATE OF THIS CELEBRATED ENGRAVING. Oak frame.
" Forster was a pupil of Langlois. At the age of twenty-four he obtained
the first prize at Paris, by which he was sent to Rome; and after his return he
soon gained a reputation, his plates being remarkable for the skill with which
he represented the originals. He handled the graver with great ability, and
his faculty of imparting both vigor and tenderness in the execution gives to the
whole a beautiful and harmonious effect." — Bryan.
FORSTER.
2089 " The Three Graces," after Raphael.
From the original in the collection of Lord Ward. Open letter
PROOF, neatly framed. This print sold for $56 at the Morgan sale.
442 THE PENEDU JBOIS COLLECTION.
FORTUNY (Mariano, Born 1838 and Died 1874).
2090 " A Spanish Lady."
An original etching by this pre-eminent Spanish painter, in cherry-
wood frame. " What Chopin is to music, it appears to us that Fortuny is to art,
and both of them have more of the gypsy wildness and strangeness of Spain in '
their worlcs than of the classical composers of Italy, or of the graceful esprit of
France." — JUindon Art Journal.
FOSTER (Birket, Born 1825).
2091 "An Old English Mjll."
Proof before letters of an original etching by this favorite artist;
in neat gold frame.
FRAGONARD (Jean Honord, Born 1733 and Died 1806).
2092 " Haman Convicted, before King Ahasuerus and
Queen Esther."
An original water-color study, neatly framed, by this remarkable French artist,
who early in life was a lawyer's clerk, but finding he had little disposition for
that business, entered the studio of Chardin, where he received his first instruc-
tion in drawing. He then attended the atelier of Boucher, where he made such
rapid progress that he obtained, when only twenty years old, the " grand prix.
de Rome." After spending some years in Italy, Fragonard returned to Paris,
and in 1765 painted for Louis XV. his " Coresus and Callirrhoe." Finding that
the style of painting, which he acquired in Italy, did not meet with sufficient suc-
cess, he applied himself to delineating love-scenes of a libidinous character.
These productions, adapted to the corrupt taste at that time in France, he sold
for great sums. His portraits, scenes of family life, landscapes, miniatures,
crayon and water-color drawings, are of a most graceful and light touch. They
are still greatly esteemed in Europe, and whenever they occur for sale bring large
prices.
The present specimen, which was painted to order in 1790, for the »Duc de
Choiseuil, is a very desirable example of his early style. The varied expressions
of the actors in the scene depicted are all admirably rendered. The anger of the
King, who has just returned from the garden and finds Haman ' ' fallen upon the
bed where Esther was"; the triumph and exultation of the Queen and her hand-
maid; the terror, horror, and abject cowardice of Haman ; and lastly the soldiers
with the gallows in the distance, are all delineated with such power and fidehty,
that as we gaze on the wonderful whole, we can almost fancy we hear Ahasuerus
utter vrith concentrated fury, " Hang him thereon!"
FRAGONARD.
2093 " Les Jets d'Eau."
Proof on India paper of an etching by an anonymous artist of one
OF the very free subjects by this famous painter.
FRANCAIS (Francois Louis, Born 1814).
2094 " The Old Well."
Original etching. Proof on India paper.
FRANgOIS (Alphonse).
2095 " The Birth of Venus," after Cabanel.
Fine impression of this exquisite nude subject, neatly framed.
THE PENE DU BOIS COLLECTION. 443
FRANKEL (Itigomar).
2096 " Theodora.."
Original etching. Proof on India paper.
GAILLARD (F.)
2097 " A Flemish Burgher," after Van Eyck.
Proof before letters, in bronzed frame, with deep French mat. Very fine
and one of the most wonderful specimens of " dry point " work ever executed.
GAILLARD.
2098 " The Pope Leo XIII."
Original etching. Proof before letters on India paper.
GAILLARD.
2099 "Statuary," after Le Crepuscule.
Proof before letters on Japan paper.
GAUCHEREL (Leon, Born 1816).
2099* " The Sun of Venice going to Sea," after J. M.
W. Turner, '
Neatly framed. Hamerton saysof thisetching: — " It is a matter of extreme
difficulty to translate Turner into etching, and it can only be done at all by the
boldest interpretation. This plate by M. Gaucherel conveys, I think, a very
good idea of Turner's poetical conception, and recalls the picture very strongly
to the memory. "
GAUCHEREL.
2100 "The Sea."
Original etching. Proof on India paper.
GAUCHEREL.
2101 "Interior of a Library."
Proof before letters on India paper.
GAUJEAN.
2102 " Souvenirs," after Chaplin.
Proof before letters on Japan paper, printed in colors from the
copper-plate, a beautiful production and curious as an example of the
almost lost art of printing in several colors from copper.
GAUTIER (Lucien).
2103 "Ice on the Seine, January, 1880."
Original etching.
444 THE PENE D U BOIS COLLECTION.
"GAVARNI," ?. f., GUILLAUME SULPICE CHEVALIER
(Born 1804 and Died 1866).
Z104 " Les Belles Equestriennes."
Original and signed Water-color drawing, in frame, by the celebrated
"Gavarni," Chevalier of the Legion of Honor, etc. It represents two ladies
of the belle monde conversing in the Bois-de-Boulogne. One is seated — the
other standing. Both are habited in equestrian costumes of the period, 1830-
1840. The dainty little foot and bottom of pants peeping from the dark green
riding habit of the grande-dame to the right are very suggestive. The attempt
at masculinity on the part of both is admirably depicted by Gavarni. The arms
lolling over the seat, the tied scarf and pin, the tall beaver hats and the general
tout ensemble of the loquacious couple make up a charming study.
Gavarni, after a visit to the Pyrenees, write Clement and Hutton in the
"Artists of the Nineteenth Century" — "returned to Paris in May, 1828.
During the year after his return he studied every phase of Parisian life ; his
curiosity was insatiable, and he sketched continually, but he earned little money,
and was beginning to be very anxious about his future, when a friend suggested
that he should show some of his water-colors to Susse, the picture dealer. This
he did and Susse declared himself ready to purchase them if they were signed;
after a moment's thought the artist took a pen and wrote ' Gavarni, ' and from
that moment the name inscribed on the register of his baptism was lost. Imme-
diately his sketches were the fashion, . . . The name of Gavarni will live
beside that of Balzac; both studied life seriously — the one commenced in vrating
what the other comfileted by illustrating."
GAVARNI.
2105 "Mother Pipelot.''
Original lead pencil drawing tinted with chalk. Oak frame.
GAVARNI.
2106 "Sketches of the People.''
A series of unpublished sketches on wood by Gavarni. Proofs on
India paper.
GEILLE.
2107 " St. Michael," after Raphael.
Proof before letters on India paper.
GIFFORD (R. Swain, Born 1840).
2108 " Neapolitan Fishing Boats Returning Home."
Original etching by this favorite artist. The London Art
Journal says:—" R. Swain Gifford is one of the most original of the younger
American artists. His landscapes are, as a general thing, remarkably true to
thelocal color and characteristics of the scenes he paints. There is a great
variety in his subjects, and he treats with equal felicity the snow scenes of the
Sierras or the pastorals of Brittany."
GIRADET (Eugene).
2109 "The New Master."
Original etching.
GRAVESAND (Storm Van).
2110 "A Scene in Holland."
Original etching. Proof on Japan paper.
THE PENE DU BOIS COLLECTION. 445
GRAVIER (A.).
2111 "Lady Teazle."
REMARQUE PROOF, in polished oak frame. The artist has chosen the
Screen Scene as the subject of his illustration. Her ladyship is depicted behind
the screen; her picturesque costume and her expression of disgust, doubt and
consternation are admirably rendered.
GRAVIER.
2112 "Rosalind."
Remarque proof, in polished oak frame.
GRAVIER.
2 1 13 " Faithful," after W. Oliver.
Remarque proof of the fine etching, in polished oak frame. .
GUERARD (H.).
2114 " The Lady's Slipper.''
Rare. Artist's proof, signed. Printed in red and black.
GUERARD.
2115 " My Mother," after TissoT.
Fine proof before letters.
GUILLAUMET (G. A.).
2116 " Frederick Lemaitre."
Original etching. Proof before letters, on India paper. A litelike
portrait of the great actor, drawn and etched by his friend, the artist.
GUTTENBERG (Heinrich, Born 1749 and Died 1818).
2 1 17 " The Game of Cards," after Teniers.
HADEN (Francis Seymour, Born 1818).
2 1 18 "Cowdray."
Impression on Holland paper in gold frame. " Francis Seymour Haden
is an artist of rare endowment and consummate practical skill In a few
weeks one of the busiest surgeons in London found himself one of its most
celebrated artists A never-ending subject of wonder to me in Haden's
work is that it is not only art, but pure art — art reigning unopposed in its own
realm. ' ' — Hamerton.
HADEN.
2 1 19 " Egham Lock."
First state.
HADEN.
2120 "Old Chelsea, out of Whistler's Window."
First state.
HADEN.
2121 "Brig at Anchor."
Fine impression on Holland paper in oak frame.
446 THE PENE DU BOIS COLLECTION.
HADEN.
2122 "Twickenham."
One of the earliest of Haden's published etchings, dated 1865, and in gold
frame.
HAIG (H.).
2123 "An Old German Mill."
Proof before letters on Holland' paper, in gold frame.
HAMILTON (H.).
2124 "Feeding the Birds."
Original etching.
HANRIOT (Jules).
2125 "Les Nouvelles Drolatiques." (10)
A set of original etchings illustrating the erotic stories of Marc de Monti-
faud.
HART (William, Born 1822).
2126 "After the Shower."
Original etching. Proof on Japan paper and in gold frame.
" William Hart's landscapes admirably discriminate the diversities and coin-
cidences of natural phenomena in North Britain and North America; they dis-
play characteristic features often rendered with consummate taste His
smaller landscapes are gems of quiet yet salient beauty." — Tuckerman.
HEATH (James, Born 1757 and Died 1834).
2127 "The Good Shepherd," after Murillo.
HEDOUIN (Edmond, Born 1819).
2128 "Net Fishing."
Original etching. Very scarce.
HlfeDOUIN.
2129 " Madame La Marquise de Noailles," after La-
GREN^E.
HEDOUIN.
2130 "Portrait of Mme. ****," after Chaplin.
Proof before letters on India paper.
[HEMSKERK (Martin Van Veen, Born 1498 and Died 1573).]
2 13 1 " Belshazzar's Feast."
An ancient original painting on parchment of the period, in the
style attributed to and probably by this artist. A very curious production,
neatly framed.
HENRIET (D.).
2132 "Dante in Purgatory," after Delacroix.
Fine and scarce.
THE PENE DU BOIS COLLECTION. 447
HENRIQUES (Benoit Louis, Born 1732 and' Died 1806).
2133 " The Chastity of Joseph," after Vanderwerf.
HEREAU (Jules).
2134 "Reverie."
Original etching. Proof before letters on India paper.
HERKOMER (Hubert, Born 1849).
2135 " The Babes in the Wood."
Original etching by this eminent painter. Proof before letters
ON Holland paper. Gold frame.
HORVIER (V. R.).
2136 "The Soul after Death."
Original etching. Proof on India paper.
HESS (B.).
2137 "Landscape WITH Trees."
Original water-color drawing by this artist, in neat bronzed frame.
HOBBEMA (Meindert, Born 1638 and Died 1709).
2138 " A Watermill."
An original painting on copper (neatly framed), by this celebrated artist. On
the reverse of the copper is painted a picture of the Virgin and Child, evidently
executed about the fourteenth century, probably by some monkish artist of the
middle ages. The Virgin is habited in a dark blue mantle bordered with red
and gold. Her undergarment is of the same color. The face of the
Virgin, while rudely executed, has considerable expression. Her features
are Semitic and Italian. The infant Christ, whom she holds in her arms,
grasps with one hand the chin of his mother. The background is gold,
and there are various initials such as " R. M." (Maria Regina), "I. H. S.,"
and "X. R. S." The most striking feature of this ancient painting is, how-
ever, the aureoles which surround the heads of the mother and child, and
which are partly engraved on the copper. The nimbus attached to each
plainly betray a Byzantine origin and are very similar to the pictures emanating
from the Greek, or Russian Church. As a specimen of one of the earliest
phases of Christian art this painting is worthy of a place in either the Metro-
politan Museum of Art, New York; or in the Corcoran Gallery at Washington.
HOLLAR (Wenceslaus, Born 1607 and Died 1677).
2139 ",A Member of the Court of Henry VIII."
Oldimpression, inscribed "W. Hollar, fecit aqua forti 1647."
Hollar was a pupil of Merian. Meeting the Earl of Arundel at Cologne in
1637, he so impressed the Earl with his genius that his lordship took Hollar at
once into his service, and upon his return to England he brought Hollar with
him, and employed the artist in engraving several of the pictures in the Arun-
delian collection. The present example is one of the plates so executed for the
Earl. Hollar in his frequent and long journeys was able to compare rival
schools, and all his engravings are so entirely original that not one betrays the
influence of his master Merian. Hollar's execution is vivid and harmonious,
Merian's cold and dark. The pupil excelled in copying the human face. He
rendered admirably the transparency of glass, the brilliancy of metals, the hair
or feathers of animals, and the gloss of textile fabrics.
448 THE PENE DU BOIS COLLECTION.
HOLLAR.
2140 "Theatrv Mvliervm Varietas atq. Differentia ■
HaBITUUM FcEMINEI SeXUS, DIUERFORUM EUROPiE
Nationum, hodierno Tempore vulgo in usu, a
Wenceslao Hollar, Bohemo delineate et aqua-
FORTi jEri sculptjE. Londini, Ao. 1643." (36)
Very rare.
HOLLYER (Samuel).
2141 "Napoleon," after David.
Remarque proof on Japan paper. Finely framed in antique oak, deep
French mat.
HOPKINS (George E.).
2142 "A Scene on the Grand Canal, Venice."
Original etching. Proof on satin, one of a very limited number in
THIS state.
HOWARD (Henry, Born 1769 and Died 1847).
2143 "Psyche"'; "Guardian Angels"; "Angels Re-
garding Men." (3)
Three small prints, proofs before letter, engraved by Lightfoot, Postbury and
Goodyear after this artist, in polished oak frame.
HUNTER (Colin, Born 1842).
2144 " Mussel Gatherers."
Original etching, proof before letters, on Japan paper. Gold frame.
IVIGERSON.
2145 "A Dream of Love."
A beautiful and charming fac-simile of an original water-color drawing by this
artist. Neat bronze frame.
JACQUE (Charles Emilie, Born 1813).
2146 " SouRicifeRE — Mice in a Trap."
Beautiful proof on Japan paper, with the reii stamp. Gold frame.
Jules Claretie writes: — " The time is long past when Charles Jacque gave for
a few francs engravings that now sell at fabulous rates Naturalist I
have called him, and in fact he does work from nature. His admirable
' Souriciere,' of rare vigor and powerful in color, that was engraved for the
Gazette des Beaux Arts, was made one day when, as he was about to set the
trap, he found that the compartments were filled. He immediately went to
work, and so this picture was made."
JACQUE.
2147 The same. Proof on India paper.
JACQUE.
2148 "A Midnight Hunt."
Very rare. Drawn on stone by Charles Jacque. Proof on India
PAPER, in gold frame.
THE PENE DU BOIS COLLECTION. 449
JACQUE.
2149 "Bargaining for the Pig."
Original etching; Proof before letters on India paper. Very
FINE.
JACQUE.
2150 "Cows Drinking."
A FINE PR06F OF AN original ETCHING BY THIS MASTER, neatly framed
in ebony and gold. r
JACQUE.
2151 "Feeding the Pigs."
Original etching. Fine proof on India paper, neatly framed in
ebony and bronze.
JACQUE. *
2152 " Evening, Driving Home the Cows."
Original etching.
JACQUE.
2153 " The Farm-House." (2)
Original etching. Proof before letters, on India paper, also coun-
ter-proof FROM SAME PLATE. VERY RARE.
JACQUE.
2154 "Driving Home the Pigs."
Original etching. Proof before letters.
JACQUEMART (Jules Ferdinand, Born 1837 and Died 1880).
215s "Moses," after Michael Angelo.
Proof on parchment. Rare.
' ' Jules Jacquemart compelled etching to say what it had never been able to
say before. With the point of his needle he expresses the density of porphyry ;
the coldness of porcelain ; the insinuating surface of Chinese lacquer ; the trans-
parent and imponderable y?»«« of Venetian glassware ; the reliefs and the chased
lines of the most delicate works of the goldsmith, almost imperceptible in their
slightness; the polish of iron and steel; the glitter, the reflections and even the
sonority of bronze; the color of silver and of gold, as well as the lustre of the
diamond, and the appreciable shades of the emerald, the turquoise and the ruby. "
— Charles Blanc.
JACQUEMART.
2156 "The Shield of Charles IX."
Etched by Jacquemart from the original in the Louvre.
JACQUEMART.
2157 " William Van Heythuysen," after Hals.
JIMENEZ (L.).
2158 "The Rattle."
Original etching. Proof before letters on India paper.
450 THE PENE DU BOIS COLLECTION.
JOUANIN.
2159 '; The Virgin of the Chair,'' after Raphael.
JOUVENET (Jean, Born 1644 and Died 1717).
2160 "The Martyrdom of St. Ovide,"
An India ink drawing of this subject neatly framed, and probably the first
design made by the painter for his famous masterpiece executed for the Church
of the Capuchins at Paris, in the Place VendSme, and celebrated in later times as
the square in which stood the column destroyed by the Commune under the aus-
pices of Gustave Courbet, the founder of the realistic school in France.
"This eminent French painter [Jouvenet] was born at Rouen in 1644. At the.
age of seventeen he went to Paris and studied under Nicholas Poussin, under
whose instruction he made such rapid progress that at the age of twenty-seven
he produced his celebrated picture of Christ Healing the Paralytic — a noble and
grand composition — in the Church of Notre Dame. In 1655 Charles Le Brun
presented him as a candidate for the honors of the Academy, and he was received
with marks of distinction, on which occasion he painted his picture of Esther
before Ahasuerus, one of the finest works in the halls of the Academy. The
most capital work of Jouvenet is his Deposition from the Cross, painted for the
Church of the Capuchins, but now in the Gallery of the Louvre. The French'
are justly proud of Jouvenet as one of the greatest painters. Watelet, speaking
of the Deposition from the Cross says: — ' In this picture Guercino is united
to Caracci, or rather it is Jouvenet breathing defiance to all the great masters.
Had it been painted at Rome, or had Poussin seen it there, he would have ranked
it as the fourth of the chefs-d'ceuvres of that emporium of art. ' Jouvenet had a
ready invention and a fruitful genius, and a taste for grandeur in composition.
His design is correct, and his draperies are cast in an elegant and graceful
manner." — Bryan.
JULIEN (Bernard Remain, Born 1802 and Died 187 1).
2161 " Eugene Sue."
Proof before letters on India paper, signed. Very rare.
JUNDT (Gustave, Born 1830).
2162 "The Incroyables."
Original etching. Very rare. 100 impressions only. Plate de-
stroyed.
KAUFFMAN (Angelica, Born 1741 and Died 1807).
2162* " Holy Family."
An original etching by this well-knovra and favorite artist, neatly framed.
Among her many admirers were the celebrated Abbe Winckelmann, who in a letter
to his friend Franck, written in 1764, speaks of her accomplishments in the most
flattering terms. "I have just been painted," says he, " by a stranger, a young
person of rare merit. She is very eminent in portraits in oil, mine is an half
length, and she has made an etching of it, as a present to me. She speaks
Italian as well as German, and expresses herself with the same facility in French
and English, on which account she paints all the English who visit Rome. She
sings with a taste which ranks her amongst our greatest virtuose. Her name is
Angelica Kauffman."
KELLER (Joseph, Born 181 1 and Died 1873).
2163 "The Queen of Heaven," after Deger.
Keller was a pupil of Desnoyers and Forster, and in this beautiful specimen
of pure line he appears to have combined the qualities of both his masters.
THE PENE DU BOIS COLLECTION. 451
KLAUBER (Joseph S., Born 17 10 and Died 1768).
2164 Charity, after Guido.
KLEIN (John A., Born 1792, Died 1875).
2165 "Watering Horses in Italy "; " A Pointer Dog ";
" A Swiss Bull." (3)
Three painter's etchings by this clever though now almost forgotten German
artist.
KOBELL (Ferdinand, Born 1740 and Died 1799).
2166 "Sports of Children"; "Landscapes"; "Peas-
ants"; etc. (15)
KOBELL (Wilhelm, Born 1766 and Died 1855).
2167 "Landscapes." (3)
LACOSTE (the younger).
2168 " Francis Ravaillac."
a fine copy of the very rare contemporary print. proof on india
PAPER.
LALAUZE (Adolphe).
2169 "The Halt," after Meissonier.
A capital rendering of Meissonier's famous picture. Fine impression on Hol-
land paper in gold frame.
LALAUZE.
2170 " Entry of Charles V. into Antwerp," after Hans
Makart.
A beautiful subscriber's proof on Japan paper of this exquisite ren-
dering OF Makart's masterpiece, in fine chestnut frame.
LALAUZE.
2171 "A Soiree temp. Louis XIV.," after Casanova.
Rare. Remarque proof on Japan paper.
LALAUZE.
2172 "The First Communion," after P. R. Morris, A.R.A.
Proof before letters on Japan paper.
LALAUZE.
2173 " A Cancalaise Oyster Woman."
Original etching, neatly framed in chestnut.
LALAUZE.
2174 " Jean-Francois Millet."
Original etching. Proof on Japan paper. A capital free-hand
SKETCH OF the GREAT PAINTER.
452 THE PENE DU BO IS COLLECTION.
LANCON (A.).
2175 "The Watering Place," after Troyon.
LANDSEER (Thomas).
2176 " Holy Family," after Correggio.
A SCARCE EARLY ETCHING BY THE BROTHER OF THE FAMOUS SiR EdWIN
Landseer.
LANSYER (Emanuel, Borri 1835).
2177 " The Fountain."
Original etching. Proof on Holland paper.
LARMESSIN (Nicholas de, the younger, Born 1684 and Died
I7SS)-
2178 "William CousTON, Sculptor to the King," after
Lien.
LA.UGIER (Jean Nicholas, Born 1785).
2179 " Sappho," after A. J. Gros.
Proof before letters on India paper. Polished oak frame. In this very
effective composition the pointer depicts the legend of the poetess throwing her-
self from the Leucadian Rock, because her love for Phaon was not returned.
Alexander Pope might have had a picture similar to this in his mind's eye when
he wrote: —
' ' To rocks and seas I fly from Phaon's hate,
And hope from seas and rocks a milder fate.
Ye gentle gales, beneath my body blow.
And softly lay me on the waves below ! "
LAURENS (Jean Paul).
2180 "The Baby of Yport.''
Original etching. Proof on India paper.
LAW (David).
2181 "Fishing Boats off Whitby."
Original etching. Proof on Japan paper. Gold frame.
LE BAS (James Philip, Born 1708 and Died 1782).
2182 "Daphnisand Chloe," after Boucher.
Fine old impression, neatly framed.
LECOMPTE (Felix, Born 1737 and Died 1817).
2183 "Madonna di San Sisto," after Raphael.
Proof before all letters.
LEFMAN (F.).
2184 " The Smoker," after Vetter.
Proof on India paper.
THE PENE DU BOIS COLLECTION. 453
LEFEVRE (Achille Desird, Born 1798).
2185 "General Foy," after Horace Vernet.
A BEAUTIFUL PROOF BEFORE LETTERS ON INDIA PAPER of this exquisite Speci-
men of line engraving. Neatly framed.
LE GRAND (L.).
2186 " To Promise is One Thing; To Keep your Promise
ANOTHER," after Eisen.
Rare. Fine original impression, framed in polished oak. Eisen, the accom-
plished drawing-master to Madame de Pompadour, is well known by his exquisite
designs for the " Fermiers Generaux" edition of La Fontaine's " Tales." The
present subject is of a similar character. A good-looking young fellow, dressed
in all the fashionable frippery of the period, is seated on the ground. By his
side is a beautiful young country girl. He is evidently trying to persuade her
to do something, she ought not to consent to. She, while inclined to listen to
his addresses, is convinced that he is promising more than he intends to perform.
The expressions of eagerness on his part, and doubt and fear on hers are admir-
ably rendered.
LEGE OS (Alphonse).
2187 "Charity."
Original etching by this celebrated painter. Proof before letters
ON Japan paper. Oak frame.
" Bold and strong in his style, he [Legros] is a proof that the artist never
ceases to be true. He has never flattered either the taste or tendencies of his
time; it is thus that he has remained himself, and that in each one of his im-
pressions he has subordinated the form to an original and powerful thought." —
Charles Guellette.
LEGROS.
2188 " The Disabled Wagon."
Rare. Original etching. First state.
LEROLLE (H.).
2189 "Rest."
Original etching. Proof on India paper.
LEROUX.
2190 " St. Jerome," after Domenichino.
Proof on India paper.
LESSURE (H. E.).
2191 " Victor Hugo,"
Original etching. Very scarce.
L'HULLIER (J. D.).
2192 " Surprise."
Original etching. Proof before letters on Japan paper. Gold frame.
4 54 THE PENE DU BOIS COLLECTION.
LELOIR (Alexander Louis).
2193 " Un Gentilhomme."
Original etching, the only one ever executeiJ by this distinguished
ARTIST. Proof on Japan paper.
LELOIR (Maurice).
2194 " The Trumpeter."
Original etching. Proof on Holland paper.
LEMPEREUR (Louis Simon, Born 1725).
2195 "After THE Bath," after Tringuesse.
LE RAT (P.).
2196 " The Lover's Gift," after Boucher.
Proof on India paper.
[? LERIGUE.]
2197 "Marshal Turenne at the Siege of Turin."
A-study in charcoal, signed and dated 1821, neatly framed, and representing
the Marshal, baton in hand, amid the smoke of cannon, receiving proposals
for the capitulation of the beleaguered city.
LEVASSEUR (Jean Charles, Born 1734 and Died 1816).
2198 " The Deluge," after Veronese.
LLOYD (W.).
2199 '" Landscape, with Trees."
Clever water-color dravfing by this artist, in gilt frame.
LONGHI (Giuseppe, Born 1766 and Died 1831).
2200 " Bonaparte at the Battle of Arcole," after
Gros.
Fine old impression. Rare.
LONGHI (Giuseppe, Born 1766 and Died 1831).
2201 " The Magdalen," after Correggio.
LOUIS (Aristide).
2202 " Napoleon I," after Paul Delaroche.
Trial proof before all letters, state before the graver marks
were removed from the margin. Very rare, probably unique. The
original painting, which is known as the " Snuff-Box " Portrait, is in the Stand-
ish collection.
LOVEWELL (R.).
2203 " Shipping in Harbour."
Original etching.
i i
THE PENE DU BOIS COLLECTIOl^. 455
LUCAS VAN LEYDEN (Born 1494 and Died 1533).
2204 " EccE Homo."
Bartsch 71.
LUCAS VAN LEYDEN.
2205 "The Crucifixion."
Bartsch 74. Lucas Van Leyden learnt engraving with an armorer and gold-
smith, and gave early proof of talent. When he was fifteen years of age he
engraved his first plate. Lucas knew Albert Durer, and when that great artist
visited Antwerp, in J520, exchanged some engravings with him, but he did not
borrow so much froin the illustrious German as other contemporary artists.
He retained his original style of interpreting nature, and his mode of engraving
remained unchanged. He look his models from those around him, and did not
hesitate to dress the Qiieen of Sheba, Esther, or Dalilah in the costumes of the
richer classes of Holland. His " Ecce Homo" may be considered one of his
chief compositions from an artistic point of view, but it is also full of another
kind of interest, The scene is laid in the public square of a Flemish town, sur-
rounded by gabled houses; and here, indifferent to historical truth, the engraver
has given the executioners and spectators the costumes of his own age. We are
therefore indebted to him for a very important record of the manners and cos-
tumes of the people of the Netherlands in the first half of the sixteenth
century.
MANDEL (Johann August Eduard, Born 1809).
2206 " La Madonna Della Sedia," after Raphael.
Brilliant open letter proof on India paper; in gold engraved frame,
with deep French mat. The finest rendering of the many line engravings of
this famous masterpiece of Raphael's. The story of its origin is well known.
Raphael had long been seeking a model which could be used to assist him in
paintmg a picture of the Blessed Virgin and her Son which floated before
his vision — just real enough to haunt his thoughts continually, and just
unreal enough to refuse to be rendered by his brush. Wandering one day
in a vineyard in the environs of Rome, he saw in an arbor near some wine
casks a young mother seated with her two boys. As she pressed her baby
to her breast the older child ran towards her with a stick, to which he had
fastened a cross. Now at last the wish of the great painter's heart was
realized. But he had only a pencil I On what could he draw ? Just
then the smooth cover of the huge wine cask presented itself to him, and
eagerly he drew upon it the outlines of the mother and her children. This
he took away with him, and rested not till he had painted his wondrous
" Madonna della Sedia," now reposing — the shrine of many pilgrims — at the
Pitti Palace, in the City of "Florence the Fair."
"There is perhaps only one man surviving who deserves to rank with those
who have passed away, and he — the German Mandel — has said, ' When I die
there will be no raoxty'—The Golden Age of Engraving.
MARSHALL (William E., Born 1836).
2207 " General Grant."
Proof on celluloid, in ebony frame. This is a very interesting and valu-
able portrait. It was the last engraved before the hero's lamented death. In-
deed, it may be said to have been executed Under his superintendence. During
the progress of the plate and the General's last illness, Mr. Marshall submitted
the proof s in their various stages for his inspection. He approved them, and
on the completion of the plate, signed several of the final proofs at the artist's
request.
45 6 THE PENE DU BO IS COLLECTION.
MARTIAL (A. P.).
2208 " A Woman Churning Butter," after J. F. Millet.
Artist's proof, signed, of this charming production, doubly inter-
esting FROM THE FACT THAT IT WAS THE LAST PICTURE CONTRIBUTED BY
Millet to the Paris Salon. H. Wallis, of the London Times, a critic
not much prone to eulogy, writes: — " The late M. Millet, besides being a land-
scape painter, was a great figure painter. In the opinion of many he was the
first French painter of his time. Certainly, the French school has never pro-
duced an artist with more thorough deyotion to nature, or who has so truthfully
rendered scenes and emotions of natural life. He had the art of introducing
into pictures of modern French pastoral life, while retaining the truthfulness of
nature, all the elevated qualities of the best artistic culture to be found in the
works of the great masters- "
MARTIAL.
2209 " Old Oaks at Bas-Breau."
Original etching, by this artist, neatly framed.
MARTIAL.
2210 "River Through the Woods."
Original etching. Proof before letters on India paper.
MARTIAL.
2211 '' The Forest of Pierrefonds.''
Original etching. Proof on Japan paper. Gold frame.
MARTIAL.
2212 "Winter in the Forest."
MARTIAL.
2213 "The Rendezvous."
Original etching. Proof on Japan paper.
MARVY (Louis).
2214 "Landscape, with Cottages," after Rembrandt.
MASQUELIER (Louis Joseph, Born 1741 and Died 181 1).
2215 Illustrations to Swift's "Travels of Gulliver,"
after Le Febvre. (10)
Fine old impressions of these exquisite illustrations. Rare.
MASQUELIFR.
2216 "Jean Benjamin De Laborde," after Denon.
Very rare. Fine impression on parchment of this exquisite print.
White and gold frame. Laborde was the author of the "Chansons de Laborde."
He was the valet-de-chambre and favorite of Louis XV., by whom he was made
" fermier general." He was guillotined during tlie Reign of Terror.
MASQUELIER (Nicolas Francois Joseph, Born 1760 and Died
1809).
2217 "Corps-De-Garde Hollandais,'' after Le Due.
THE PENE DU BO IS COLLECTION. 457
MASSARD (Jean Baptiste Raphael, Born 1775).
2218 "At ALA," after Girodet.
MASSARD (Jean, Born 1740 and Died 1822).
2219 " St. Paul Healing the Sick," after Le Suer.
MASSARD (L.).
2220 "Adolphe Thiers," after Bonnat.
Very fine. Proof before letters on Japan paper.
MASSON (A.).
2221 "Portrait of Mlle. Artus," after Chaplin.
Proof before lftters on India paper.
MEEKER (E. J.).
2222 "Ye Bibliophile."
An original pen and ink drawing by this favorite artist of the Century
Magazine, made specially for the frontispiece to the worlc now being printed in
Paris, "New York Bibliophile," the author of which is Mr. Henry Pene du
Bois. A reproduction of this clever drawing has been made for a frontispiece to
this catalogue.
MEISSONIER (Jean Louis Ernest, Born 1813).
2223 "Le Rapport."
This and the two following numbers are original etchings by
THIS pre-eminent MASTER. PROOF ON INDIA PAPER, ONE OF VERY FEW
ETCHED BY Meissonier. PHILIPPE Barty says: — " The etchings of Meissonier
are few', and the proofs of them are singularly rare. There is scarcely a cabinet
which offers them to the curiosity of amateurs. They are engraved with an ex-
tremely fine point, one would almost say with the point of a needle. But the
effect is large, because the niceness of the detail loses itself In the mass, and
renders, with most astonishing skill, the appearance of everything, the epidermis
of each object."
MEISSONIER.
2224 The same. Another impression on Holland paper.
MEISSONIER.
2225 "Punchinello."
MEMPES (M. L.).
2226 "A Sabot Shop."
Proof before letters on Japan paper, neatly framed.
45 8 THE PENE DU BOIS COLLECTION.
MiRYON (Charles, Born 182 1 and Died 1868).
2227 The Old Louvre."
Proof on blue paper. Rare. This and the four following
numbers are original etchings by this pre-eminent artist. meryon,
early in life was a naval officer — "he visited remote shores, sailing even
round thfe world, and always employing his leisure hours in sketching everything
of interest that came in his waj^." It was while on one of these voyages he made
the dravring of San Francisco, from which he afterwards executed his wonderful
etching of that city described below and number 2231. His health, however,
did not allow him to follow the sea, and on his return to Paris he studied engrav-
ing under Blery and became one of the best etchers of his day. His work, how-
ever, did not meet with the appreciation which it deserved and he fell into a
melancholia, which finally ended in insanity and death. It is much to be regretted
that during one of the paroxysms of his madness he destroyed some of his finest
plates. Hamerton says of him — " Meryon was one of the greatest and most
original artists who have appeared in Europe; he is one of the immortals; his
name will be inscribed on the noble roll where Durer and Rembrandt live for
MERYON.
2228 " Passerelle Pont au Change."
Rare.
m]6ryon.
2229 " TouRELLE Rue de L'Ecole de Medecine."
Rare.
m£ryon.
2230 " La Pompe Notre Dame."
Rare.
MERYON.
2231 "San Francisco."
mtryon's largest etching, 38 x 7^^. impression on japan paper.
Rare.
Ml&RYON.
2232 " The Apse of Notre Dame of Paris."
Fine copy, neatly framed in oak.
MILLET (Jean-Fran9ois, Born 1814 and Died 1875).
2233 " Mother Feeding her Child."
Original etching.
MILLET.
2234 " The Spinning Wheel."
Original etching.
MILLSPAUGH (J. H.).
2235 " Landscape."
Original etching.
THE PENE DU BOIS COLLECTION. 459
MONGIN (A.).
2236 " Pansies. — " Think of Me.'"
Proof before letters on Japan paper, neatly framed.
MONGIN.
2237 "Alexander Dumas," after Meissionier.
Proof on Japan paper before letters.
MORAN (Peter, Born 1842).
2238 " On the Road."
Original etching by this esteemed American painter. The London
Art Journal f,a.ys: — " Peter Moran's excellent etchings are very varied in style and
subject, and show a thorough mastery over the resources of the etching needle."
MORAN.
2239 " Farm Buildings and Trees."
Original etching.
MORDANT (Daniel).
2240 "A Young Girl at Prayers," after Jean Beraud.
A superb proof before letters on China paper.
MORGHEN (Raphael Sanzio, Born 1758 and Died 1833).
2241 " Madonna del Gran Duca," after Raphael.
- Extremely rare proof before letters by this pre-eminent engraver.
Neatly framed in cherry wood. Raphael Morghen, the best known and one of
the most celebrated engravers of modern times, needs no eulogy here. He was
at an early age instructed in the elements of his art by his father. In 1778 he
entered the studio of Volpate at Rome. His first work of importance was a
copy of Sadeler's print of Christ and Mary Magdalene in the Garden. This was
looked upon as a remarkable performance, and .considering the artist's youth, it
gave considerable promise of his future greatness. The well-known Aurora of
Guido was his next large plate. His fame now rose to a great height, arid he
received many commissions from the Royal Family of Florence and others. In
1795 he commenced the celebrated " Transfiguration" of Raphael, but it was
not completed until 1812, when it appeared with a dedication to Napoleon.
This print was originally sold for twenty scudi, but its value has so much
increased that certain impressions have sold of late years for several hundred
dollars. All the prints of Morghen have been described in a very able manner
by Mr. F. R. Halsey in his Catalogue Raisonne, to which exhaustive book we
' refer those of our readers who may want any information on this subject. Many
years since the late Duke of Buckingham paid one thousand two hundred pounds
for a collection of the works of Raphael Morghen. What would such a collec-
tion sell for now ?
MORGHEN.
2242 " The Virgin and the Sleeping Christ. — Parce
SoMNUM RuMPERE," after Titian.
Fine old impression of this beautiful print.
46o THE PENE DU BOIS COLLECTION.
MORGHEN.
2243 "Apollo and the Muses on Mount Parnassus,"
after Mengs.
Fine old impression " before the fig-leaf," in antique oak frame.
MORGHEN.
2244 " The Transfiguration," after Raphael.
Fine pLD impression in antique oak frame. Painted for tiie Church of
San Pietro in Montorio; now in the Gallery of the Vatican.
MORGHEN.
2245 "The Holy Family Reposing in Egypt," after
Poussin.
Very fine oli) impression.
MORGHEN (" Raphael at Antonius ").
2246 " The Transfiguration," after Raphael.
Black oak frame. An impression with only the artists' names, " Raphael
Sanctius pinx. — Raphael et Antonius Morghen Sculps."
MORIN (Franfois-Gustave, Born 1809).
2247 "A Sentimental Walk."
Original etching. Very scarce. 100 impressions only taken and
plate destroyed. '
MULLER (H. C).
2248 "Psyche carried off by the Zephyrs," after Prud-
hon.
Very fine proof before letters on India paper, and in polished oak
frame.
MULLER.
2249 "Carl. De Secondat Montesquieu."
Very fine. Proof before letters on India paper of this excellent por-
trait of the author of the " Spirit of Laws."
MURRAY (C. O.).
2250 " Saved," after Napier Henry.
Proof on Japan paper ; neatly framed.
MURRAY.
2251 "When the Kye Come Home," after Mark Fisher
and J. D. Watson.
Proof before letters on Japan paper; neatly framed.
NAEGLE (Victor).
2252 "The Spirit of the Crusades."
An original study in oil by this artist neatly framed. In the centre of
the picture stands .i stalwait baron of the middle ages in armor, leaning on his
two-handed sword. The spirits of Religion, Justice, and Faith are inciting him
to leave his ancestral halls and go forth to take part in the deadly struggle
between Infidel and Christian for the possession of the Holy Land.
THE PENE DU BOIS COLLECTION. 461
NANTEUIL (Robert, Born 1630 and Died 1678).
2253 " Louis XIV."
A FINE OLD IMPBESSION, neatly framed, of this celebrated portrait exe-
cuted by command of the King by this pre-eminent engraver, inscribed
" Nanteuil ad virum f aclebat cum privil. Regis 1677." Fred. Keppel, in
his Essay on "The Golden Age of Engraving," says: — -"Nanteuil's abilities
were refined by a classical education, and his correct taste restrained him
from running into the prevailing fashion of meretricious ornamentation.
He usually represents his personages within a neat oval of about seven by
nine inches. His works illustrate the reign of Louis XIV., and are all, with-
out exception, fine."
NANTEUIL.
2254, "Pierre du Cambout de Coislin, Bishop of
Orleans."
Veb¥ finb.
NANTEUIL.
2255 "Jean Francois Sarrasin."
NANTEUIL (Celessin, Born 1813 and Died 1873).
2256 " The Blood of the Giants."
Origin Ai, btoiung, very scarce. 100 impkkssions only, and plate
DESTUOYBD.
OSBORNE (H. F.).
2257 " A Walk through the Woods."
Original etching.
OSTADE (Adrian Van, Born 1610 and Died 1685).
2258 " Le Joueur de Violon."
Bartsch 44.
OSTADE.
2259 " Les Musiciens Ambulants."
Bartsch 38.
OSTADE.
2260 " The Quarrel."
An unusually fine original impression.
PANNIER.
2261 " The Marriage of the Virgin," after Raphael.
PEARCE (E. L.).
2262 "A Rustic Bridge."
Original etching.
PERELLE (Gabriel, Born 1610 and Died 1680).
2263 "Landscapes with Ruins AND Figures." (2)
462 THE PENE DU BOIS COLLECTION.
PICART (Etienne, called the Roman, Born 1631 and Died 1721).
2264 " The Marriage of St. Catharine," after Cor-
REGGIO.
PICART (Bernard, Born 1663 and Died 1738).
2265 " Dutch Peasant."
A sketch in water-cojors, neatly framed, representing a Dutch peasant in a
gala dress. Bernard Picart was the son of ' ' Picart the Roman " and early
received instruction in design from his father. At the age of sixteen he gained
the prize at the Academy of Paris. Bryan says — ' ' He distinguished himself not
less as a designer than an engraver, and he executed a multitude of plates, which
evince the fertility of his genius, and the excellence of his taste. His drawing is
correct and his prints have a very pleasing appearance. In 1710 he left Paris
and settled at Amsterdam where he found abundant employment."
PICART.
2266 " The Triumph of Painting."
Inscribed " B. Picart invenit et fecit."
PICCINNI (A.).
2267 "A Souvenir of Rome."
Original etching. Proof before letters, on India paper.
PICGUENOT (Euphrasie).
2268 "Sir Joshua Reynolds."
A very rare stipple rendering of the well-known " spectacle" portrait painted
by Sir Joshua himself.
PIGLHEIN (Bruno).
2269 "A Spanish Dancer."
A beautiful reproduction of a pastel drawing by this clever
artist.
PIGLHEIN.
2270 " A French-woman of the Nineteenth Cen-
tury."
A beautiful facsimile of a charming India-ink drawing by this artist. Chest-
nut frame.
PIRANESI (Giovanni Battista, Born 17 13 and Died 1778).
2271 "View of the Campo Vaccino."
" Piranesi devoted his life to etching the magnificent ruins and edifices of
his native country. His plates are of large size, and are etched with so much
^picturesque boldness and ruggedness that he well deserves his sobriquet of the
Rembrandt of Architecture." — "The Golden Age of Engraving."
PIRANESI.
2272 "View of the Portico of Octavia, Rome."
PIRANESI.
2273 " The Curia Ostilia, Rome."
THE PENE D U BOIS COLLECTION. 463
PIRANESI.
2274 "View of the Golden Palace of Nero, com-
monly CALLED THE ' TeMPLE OF THE SUN.' "
POPE (John M.).
2275 " The Reprimand."
Proof on satin. One of a limited number in this state.
POPELIN (Claudius).
2276 " Les Conquerants."
Original etching. Proof on India paper.
PORPORATI (Carlo Antonio, Born 1741 and Died 1816).
2277 " A Young Woman Preparing for Bed," after
Vanloo.
POTTER (Paul, Born 1625 and Died 1654).
2278 "Cows and Oxen." (8)
Bartsch 8. " We have some charming etchings by this celebrated artist,
drawn with great spirit and correctness, and executed in a very masterly style.
They are as follow: A set of eight plates of cows, oxen, etc., with a bull on
the title; Paulus Potter, f.," etc. — Bryan.
POURVOYEUR.
2279 "Jean Baptiste P. Moliere," after Coypel.
Proof before letters, on India paper.
PREVOST (Benoit Louis, Born 1740 and Died 1804).
2280 "Lady Hester Stanhope," after Denon.
PREVOST (Z.).
2281 " The Death of St. Francois," after Correggio.
Proof on India paper.
RAJON (Paul-Adolphe).
2282 " The Young Student," after Meissonier.
RAJON.
2283 " Knight in Armour," after Barbarelli.
RAFFAELO SANZIO (Born 1483 and Died 1520).
2284 "Madonna della Sedia."
A small copy in oil of this famous picture, in moulded gilt frame.
464 THE PENE DU BO IS COLLECTION.
REMBRANDT (Paul Van Rhyn, Born 1606 and Died 1665).
2285 "A Naked Woman Sleeping.''
Bartsch 205. Sold FOR $38, IN THE Morgan , SALE. " Every Art has its
great representative master, and the representative etcher is Remtrandt
Rembrandt is what the French call a god of art. The phrase sounds a little
blasphemous to English ears; but whether blasphemous or 'not, it describes with
perfect accuracy the relation of certain famous artist^ towards their admirers.
Rembrandt and one or two others are, in a very strict'sense, the gods of con-
noisseurs, and the kind of homage they receive is not critical, but has the nature
of worship or adoration." — Hamerton.
REMBRANDT.
2286 " The Supper AT Emmaus."
Bartsch 87, sold at the Morgan sale for $23.
REMBRANDT.
2287 "Christ Healing the Sick."
Known as THE "Hundred (jrrriLDEii" print. An exteemblt fine
COPT BY Leopold Plambng. Proof impression before the artist's
name on Japan pai^er. Ash frame with deep French m,it.> Of this copy
Hamerton says: — "He (Plameng) pwduced a copy of one of Rembrandt's
most difficult and complicated etchings — a copy which certainly far ex-
ceeds the most perfect photograph in accuracy, whilst at the same time it
possesses as a piece of execution in etching all those technical merits for
which Rembrandt himself'was famous. It is not an exaggeration of the
truth to afErm, that there exists in Europe in our own day a man who may'
be said to possess the hand and eye of Rembrandt It may be diffi-
cult to convey to the reader that full apprehension of the wonder of such a
work as this. In a certain sense it may be boldly affirmed that, as a tech-
nical performance merely, such a copy as this is even more wonderful than
the original plate itself."
REMBRANDT.
2288 "The Burgomaster Six."
Pine copy. Polished oak frame.
REMBRANDT.
2289 " Portrait of Himself leaning on a Window Sill."
Fine copy.
REMBRANDT.
2290 "Head."
Old copy after Rembrandt.
REGAMEY (F.).
2291 " The Comical Story."
Original etching. Rare. 100 impressions only. Plate destroyed,
REGNAULT.
2292, "Portrait of Meissonier."
Proof on India paper, before all letters. Very fine and rare.
THE PENE DU BOIS COLLECTION. 465
RIBOT (T.).
2293 " Une Grande Douleur."
Okiginal etching. Barb. 100 impkessions only and plate db-
STKOTED.
RICHARDS (B.).
2294 "A Dutch Burgomaster," after Rembrandt.
Brilliant old impression of this fine mezzotint, neatly framed.
RICHARDS (F. D. B.).
2295 " An Old Mill " and " Landscape." (2)
Original etchings.
RICHETON (Leon).
2296 " Richard Brinsley Sheridan," after John Rus-
sell, R. A.
Artist's proof signed, on Japan paper. Chestnut frame. Tlie orig-
inal of this interesting portrait of the celebrated wit, playwright, states-
man and orator is now in the National Portrait Gallery, London. It was
drawn in crayons in 1788, the year of the Warren Hastings Trial, at which
Sheridan's speech was second only to Bm-ke's in virulence. This is the
first time that it has ever been acceptably engraved: a remarkable circum-
stance, considering the fact that it was believed by Sheridan's family to be
much more characteristic and lifelike than the well-known one by Reynolds,
painted a year later.
RICHOMME (Joseph Theodore, Bom 1785).
2297 " Triumph OF Galatea," after Raphael, and " The-
tis bearing the Armor of Achilles," after Gerard.
A; fine pair of brilliant old impressions of these well-known and
charming prints, neatly framed.
RICHOMME.
2298 "Adam and Eve," after Raphael.
Beautiful and brilliant original impression of this celebrated
PRINT.
RIFFAUT (A.).
2299 " Ninon," after Darcy.
ROGER (B.).
2300 " Marie-Antoinette, Queen of France," after
Rosslire de Suedois.
A PINE FULL-LENGTH PORTRAIT OF THE UNFORTUNATE QUEBN. An EX-
CELLENT COMPANION PRINT TO BERVIC's LOOIS XVI. AND DrETET'S LoUIS
XIV. Chestnut frame.
466 THE PENE DU BOIS COLLECTION.
ROPS (Felicien).
2301 " The Salute."
Original etching by this clever artist. Rare.
ROPS.
2302 " La Fileuse," after Millet.
Proof on Japan paper.
ROSA (Salvatore, Born 1615 and Died 1673).
2303 " Soldier with Spear."
Old copy after this celebrated master.
ROULLET (Jean Louis, Born 1645 and Died 1698).
2304 " Jean Baptiste Lully, Musician to the King,"
after Mignard.
ROWLANDSON (Thomas, Born 1756 and Died 1827).
2305 " Going to the Colonies."
Original sketch, in water-colors, by the great English caricaturist Row-
landson, and in passe-partout.
This picture, by the inimitable artist, who illustrated the " Tour of Doctor
Syntax," represents a convoy of prisoners on their way to a ship laying in the
offing. A boat is just about to leave shore, in which are a party of male and
female emigrants, who are leaving their country for their country's good. The
middy is at his post. Six unhappy mortals are seated in the boat, some of
whom have a most woe-begone and bedraggled appearance. Two red-coats,
with pointed bayonets, are aiding the ceremonies — one by pushing a clerical-
looking personage into association with the scourings of society. The faces of
the women are studies, partipularly that of the Jady who has evidently got up
before breakfast and without completing her toilet. Two cart-loads of similar
human cattle are on the way — the last of which is passing under a gallows, where
ominously swing a pair of corpses — and which fate may betake their living
brethren unless they amend their lives in the new country where they may have
the chance of becoming worthy and respectable members of society, if not the
founders of the best famiUes in a new world.
Royflandson was born in Old Jewry, London, in 1756. Early in life he
was the recipient of a legacy of ;^7,ooo from an aunt, which he soon wasted in
gambling and debauchery, and only when his means were exhausted he sat '
down to work. His drawings, somewhat farcical, but very clever caricatures,
were made with a reed pen, and then drawn in water-colors; many of them are
of large size, and all indicate great skill of hand and keen observation. The
above is an excellent example.
Every one at all acquainted with the arts know the caricature work of this
very eccentric genius; the extent of Rowlandson's talent, however, as a draughts-
man, is not so generally known. His studies from the human figure at the
Royal Academy were made in so masterly a style, that he was set up as a rival
to Mortimer, whom he would have excelled, had his subsequent mode of study
kept pace with the fecundity of his invention. His powers, indeed, were so
versatile, and his fancy so rich, that every species of composition flowed from
his pen with equal facility. There are certain subjects of his composition
carried through with a compatibility of style so truly original, and so replete with
painter-like feeling, that Sir Joshua Reynolds and West proiiounced them
wonders of art.
THE PENE DU BOIS COLLECTION. 467
RUDAX (E.).
2306 "The Little Fisherman."
Original Etching, proof before letters, on India paper.
' RYLAND (William Wynne, Born 1732 and Died 1783).
2307 '^ Jupiter and Leda," after Boucher.
Fine original impression, very scarce, and neatly framed. The
unfortunate engraver of this beautiful piece had a curious story. Born in
London in 1 732, he first studied engraving with Ravenet, the coUaborateur of
Hogarth, who was at that time established in England. On leaving that
master he went to Paris, and studied design under Boucher and engraving with
J. P. Le Bas. On his. return to his native city he acquired distinction in his
profession, and was appointed engraver to the King. But he was one of those
peculiarly constituted individuals who cannot make the best of prosperity.
Becoming involved in pecuniary difficulties, he committed forgery, was tried,
condemned and executed in 1783, as was that holy divine and sanctimonious
hypocrite, Dr. Dodd, a few years before, for a similar offense, and in his full
canonicals, surplice, doctor's hood and all.
RYLAND.
2308 " The Triumph of Venus," after Angelica Kauff-
MANN.
ST. AUBIN (Augustin, Born 1720).
2309 " Jacques Roettiers," after Cochin.
ST. AUBIN.
2310 " Fenelon," after Vivien.
Extremely fine original impression.
SALVADOR-CARMONA (Emanuel, Born 1740).
23 11 "Francois Boucher, Painter to the King," after
Suedois.
Fine. His reception print at the Academy.
SCHLEIGH (Adrian).
2312 "The Song of the Bell," after Christopher
Nilson.
A large folio line engraving, in nine compartments, illustrating Schiller's
famous poem.
SCHMIDT (George Frederick, Born 1712 and Died 1775).
2313 "Pierre Mignard, painter to the King," after
Rigaud.
SCHMUTZER (Jacob Mathias, Born 1733 and Died 1811).
2314 " The Family of Rubens," after Rubens.
SCHREYER (Adolphe, Born 1828).
2315 " An Ambuscade."
468 THE PENE DU BOIS COLLECTION.
SCHUPPEN (Peter van, the Elder, Born 1628 and Died 1710).-
2316 "Louis the Dauphin, Son of Louis the Great,"
after Francis de Troy.
Folio. Very fine, in oak frame; engraved 1684. Van Schuppen the Elder was
a pupil of Nanteuil and acquired much of the magnificent style of that master.
SCHUPPEN.
2317 "Francois Van der Meulen, Painter to the
King," after Largillierre.
SCRIVEN (Edward, Born 1775 and Died 1841).
2318 " Nell Gwyn," after Sir Peter Lely.
Proof on India paper. Ebony and gold frame. Scriven was a pupil of
Bartolozzi and in one respect he excelled his master, as, unlike him, he faithfully
rendered the character and expression of the painter he had to translate. This
print was engraved for the Rev. T. F. Dibdin, from the original at Althorp, and
is a different and more pleasing portrait than the one by the same engraver which
appears in " Grammont's Memoirs."
SERZ (J.).
2319 "The Tribute Money," after Titian.
Proof on India paper before letters.
SLOCOMB (Frederick).
2320 " A Middlesex Lane."
Original etching. Proof before letters on Japan paper. Gold
frame.
SMILLIE (James D., Born 1833).
2321 " South Jefferson Street, Poughkeepsie."
Original etching. Proof on satin, one of a limited number in
this state.
SMIRKE (Robert, Born 1752 and Died 1845).
2322 Set of Illustrations to the "Arabian Nights," erir
graved by Peter Maverick, Bruen, etc. (12)
Fine old impressions and rare.
SOMM (M.).
' 2323 " A Japanese .Study."
A characteristic water-color drawing, neatly framed, and which would delight
the heart and inflame the fancy of Oscar Wilde, and brings up memories of the
' ' Mikado. " It represents the Japanese swell of the period, gorgeously arrayed —
gloves, fan, and silk garment of many colors, which will be found in the works
on Japanese ceramics and decoration of Gonse, Audsley and Bowes. The figure
of the inhabitant of Yeddo holding a fan is admirably depicted, and the colors
of the embroidery on the yellow gown are delightfully blended. The indigo
background displays the touch of a master's brush. M. Somm is well known
by his admirable etchings in dry point.
THE PENE DU BOIS COLLECTION. 469
SOTOMAYER (Esquirel de).
2324 "Karl du Jardin," after Himself.
STAAL (G.).
,2325 " Jules Janin."
Original BTCHma. Proof before letters.
STAAL.
2326 "Matjame Lamartine."
Original etching. Proof before letters on India paper.
STAAL.
2327 "Jean Pierre B£ranger.''
Original etching. Proof before letters on India paper.
STAAL.
2328 "Alfred de Vigny."
Original BTcntNG. Proof on India papbRj A capital portrait of
the author of "Cinq Mars."
STAAL.
2329 " Madame de Girardin."
Original etching. Proof before letters on India paper.
STAAL.
2330 "Madame de Pompadour" and "Madame du
Barry." (2)
[STOTHARD (Thomas, Born 1755 and Died 1834) ?]
2331 " Tasso Reciting to the Princess at the Court of
Ferrara."
' 'A spirited sepia drawing, neatly framed, and in the manner of, and probably
by, Thomas Stothard. It represents the well-known incident in the early life of
the poet Tasso when he recited his, " Rinaldo " before the Princess Eleonora
and her brother the Duke Alfonse, the first step which afterwards made his
name famous throughout Italy.
STRANGE (Sir Robert, Born 1721 and Died 1792).
2332 "Venus attired by the Graces,'' after Guido.
Brilliant old impression and neatly framed, of this fine print engraved by
the eminent artist in 1759. " Sir Robert Strange, born in the distant Orkneys
in 1 72 1, abandoned the law for engraving. As a youthful Jacobite he
joined the Pretender in 1745, sharing the disaster of CuUoden, and owing his
safety from pursuers to a young lady dressed in the ample costume of the period,
whom he afterwards married in gratitude, and they were both happy. He has a
style of his own, rich.^ soft, and especially charming in the tints of flesh, making
him a natural translator of Titian. "—Charles Sumner.
STRANGE.
23-53 " Venus and Adonis," after Titian.
Beautiful old impression of this celebrated nude subject.
470 THE PENE DU BOIS COLLECTION.
TAIEE (A.).
2334 " Millet's HcfusE at Barbison," from an original
drawing by J. F. Millet.
Proof on Japan paper.
TAYLOR (T.).
2335 " The Dutch Dentist" and " The Cottage Door,"
after G. Dow. (2)
' TENIERS (David, Born 1610 and Died 1694).
2336 "Jolly Companions Every One."
Curious old Dutch mezzotint after the younger Teniers, rare uafiuished
proof before letters, neatly framed in polished oak.
THEROND (E.).
2337 " Theophile Gautier."
Proofs ok India paper. Two portraits of the celebrated French
writer, one in advanced life, the other a very clever caricature of the
younger man.
THEVENIN (J. C).
2338' " Madonna," after Raphael.
Fine proof before letter on India paper, neatly framed in polished
oak.
THORNLEY (G. W.).
2339 " Venus after the Bath," after Boucher.
Barb. A fac-similb on copper, printed in tints after a chalk
DRAWiNO BY THIS MASTER. White and gold frame.
THORNLEY.
2340 " A Young Girl Reading," after Boucher.
A facsimile on copper, printed in tints after a chalk drawing by this
master. White and gold frame.
TRIERE (P., Died 1780).
2341 " Hercules Hesitating between Venus and Min-
erva, after Crayer.
Engraver's proof before letters, neatly framed in polished oak.
TURNER (Charles, Born 1773 and Died 1857).
2342 "A Famous Newfoundland Dog," after H. B.
Chalon.
Very fine. Polished oak frame. Charles Turner wa? a pupil of Boy-
dell. He engraved many remarkable plates in mezzotinto; principally
portraits after Reynolds, Shee, Lawrence, etc. He also engraved several
of the plates of his great namesake's " Liber Studiorum."
ULM.
2343 " Petrus Borel."
Proof on Indla. paper.
THP PENE DU BO IS COLLECTION. 471
UNGER (W.).
2344 " A Winter Scene in Holland," after Rembrandt.
UNGER.
2345 " Dutch Peasants," after Ostade.
VALPERGA (L.).
2346 " Conjugal Correction," after Gerardon.
A characteristic engraving of the French school of the period of Louis
XV. Love is represented as beating the almost nude wife with roses,
while the husband compels her to submit to a punishment less than she
deserves.
VANDEVELDE (E., Born 1597 and Died 1648).
2347 " The Quack. Doctor — ' Populus vult Decipi,' "
after William Buytenweg.
A FrNB OLD onmiNAL IMPRESSION, neatly framed, of this very rare and
curious print.
VANDERHOOF (Charles H.).
2348 " The Old Pier."
Okiginal btching, artist's peoop signed.
VANDYCK (Anthony, Born 1599 and Died 1641).
2349 " Lucas Vostermans, Engraver of Antwerp."
This and the three following numbers are original etchings by the celebrated
portrait painter. Vandyck was not content merely to look over engravings after
his works by Bolswert, Pontius or Vostermans; he used the etching needle him-
self, and has left brilliant proofs of his skill in this kind of work. Hamerton
says: — " He (Vandyck), is one of the great princes of the art. Vandyck's etch-
ings have greatly increased in value of late years. At M. Seguier's sale, in
1844, they averaged from three to eight pounds each, and were thought to be
very dear. At recent sales they have produced sums varying from eight to thirty
pounds. It may be considered certain that, as etching becomes better appre-
ciated, the plates of Van Dyck will attain still higher prices."
VANDYCK.
2350 " Erasmus."
VANDYCK.
2351 "Justus Sustermans, Painter to the Grand
Duke, Florence."
VANDYCK.
2352 "Daniel Mytens, Painter of Holland."
Fine old impression. Engraved by Paul Pontius (1596), after Vandyck.
This and the next number are of the same size, and uniform with the original
heads by Vandyck described above. " In his fine portraits after Vandyck, Pon-
tius seems to have adapted his style to the character of the persons represented.
His plates are executed with the graver in a clear bold style; and they will be
ranked among the ablest productions of the Flemish engraver." — Spooner.
47^ THE PENE DU BOIS COLLECTION.
VANDYCK.
2353 " Phillip Herbert, Earl of Pembroke."
Fine old impression, engraved by Robert Vander-Voerst (1596 — 1669).
VARIN (A.).
2354 " Madame Rachel."
Proof on India paper. A capital portrait of the celebrated actress.
VERNET (Horace, Born 1789 and Died 1863).
2355 " Napoleon the Third at the Battle of Sol-
ferino."
This is a very spirited sketch in water-colors of the conflict in the cemetery of
Self erino, attributed to the great ' ' our own correspondent of the brush. "
Napoleon, mounted on a gallant gray, is vehemently urging on his soldiers, who
are responding with a dash, and the white-coated Austrians are giving way to
the impetuosity of their opponents. This sketch is supposed to be one of
many made by Vemet in his old age as a preliminary study for one of his large
canvases. Probably about the time this sketch" was made, Vernet painted his
great picture of the Battle of the Alma and his.Portrait of Napoleon III.
VEYRASSAT (Jules Jacques).
2356 " Sunset," after Daubigny.
VIDAL (Gerald, Born 1742).
2357 " The Confidential Soubrette," and " The Toil-
ette Merchant,." after Laurins.
A pair of beautiful old French prints, bright original impressions, neatly
framed. Very rare, in this fine state.
VILLERY (Antoine Claude Francois, Born 1768).
2358 " Innocence and Love," after Prudhon.
Brilliant open letter proof of this exquisite line engraving, neatly
framed.
WALLACE (Henry W.).
2359 "Foot of Broad Street, Old New York." ,
Proof on satin. One of a limited number taken in this state.
WALTNER (C).
' 2360 " The China Vase," after Fortuny.
Fine impression on Holland paper and in gold frame.
WALTNER.
2361 "Dans la Ros£e," after Carolus Duran.
Proof on India paper. A beautiful s'pecimen of Waltner's method
of treating the nude female figure.
WALTNER.
2362 "Head of a Young Girl," after DuBois.
Fine proof before letters on Japan paper.
THE PENE DU BO IS COLLECTION. 473
WATERLOO (Anthony, Born 1618 and Died' 1679).
2363 " Herma^hroditus and the Nymph"; and "Pan
Pursuing the Nymph Syrinx." (2)
Landscapes with trees;' the classical legends introduced; neatly framed in
polished oak. Spooner says: — " As an engraver, the works of Waterloo have
long been the admiration of artists and connoisseurs. They are etched with
great spirit and facility, in a very masterly style, and usually retouched with the
graver to harmonize the lights and invigorate the shadows. They consist of
landscapes from his own designs, frequently embellished with figures from
sacred and profane history and mythology. He etched the whole design with
equal strength, but slightly, and then finished in a bold manner those parts
which he desired to be most effective."
WATERLOO.
2364 " The Little Cottage."
Original etching — Bartsch 29.
WATERLOO.
2365 " Small Landscape with Trees."
WHISTLER .(James Abbott M'Neill, Born 1834).
2366 " Chelsea."
Impression on Holland paper, in gold frame. "Whistler is' widely
known by his etchings and his paintings; the former receive unqualified praise,
the latter have been alternately abused and lauded, but even his severest critics
seem inclined to allow him exceptional achievements." — Tytler's " Modem
Painters."
" The most finished and perfect specimens of Whistler's artistic powers are
to be found in his etchings. For some time amateurs in this branch of art have
been acquainted with the views of the Thames executed by him. We can
think of no work of the kind in which genius is more decisively manifested.
The views of shipping and river-bank reveal the closest study of the effects to
be seen in and about London." — London Art Journal.
WHISTLER.
2367 " Street Scene in Paris."
Original etching.
" Whistler may be fairly estimated now. He has very rare and very peculiar
endowments, and may," in a certain sense, be called great — th;it is, so far as
greatness may be understood of faculties which are rather remarkable for keen-
ness and originality than range. The faculties which he has are pre-eminently
of the artistic order; he is essentially a painter and etcher; he is
never literary, but always pictorial. . . . It is unfortunate, I think, that
etchings like those of Mr. Whistler and Mr. Haden should be published at
such a very high price and in such a small edition." — Hamerton.
WHISTLER.
2368 " Boats at Mooring."
FiKE impression on HoUaud paper in oak frame.
474 THE PENE DU BOIS COLLECTION.
WILLE (John George, Born 1717 and Died 1807).
2369 " The Little Physician," after Gaspar Netscher.
A fine original impression, neatly framed. " But Paris soon again
became the centre of the art, which he quickened into new life by an
engraver of original genius, who attracted to him pupils from all parts of
Europe, so that he became the father of the great school of engravers that
flourished in France, Germany and Italy about the end of the last century.
This eminent master was John George Willb, who was born at Konigs-
berg in 1717, but establishing himself in Paris, he devoted his long life of
ninety-one years to the art in which he so greatly excelled. His neat and
careful style was well adapted to pictures of the school of Geraid Dow, as
well as to elaborate portraits, and there is no engraver whose works are
more eagerly sought and more universally admired." — " The Golden Age
OP Engraving."
WILLE.
2370 " Abraham Receiving Hagar," after Dietrich.
Fine impression, but lacks margin.
WILLE.
2371 " Jean Baptiste Masse," after Tocque.
WILLE.
2372 "The Good Woman of Normandy," after P. A.
WiLLE.
Copy of Wille's famous print.
WILLE.
2373 " Philippe I., King of France."
WILLE.
2374 "ThiIerry L, King of France."
WILLE.
2375 " Thierry IL, King of France."
WILLE.
2376 " Dagobert II., King of France."
WILLE.
2377 " Henry I., King of France."
WILLE.
2378 "Hugh Capet, King of France."
WILLE.
2379 " LoTHAiRE, King of France."
THE PENE DU BOIS COLLECTION. 475
WILLE.
2380 " Louis I., King of France."
WILLE.
2381 "Louis IL, King of France."
WILLE.
2382 " Louis VI., King of France."
WILLE.
2383 " Charles III., King of France."
WILLE.
2384 " Charles IV., King of France."
WILLE.
2385 " Childeric II., King of France."
WILLE.
2386 " Childeric III., King of France."
WILLE.
2387 " Chilperic II., King of France."
WILLE.
2388 " Clovis III., King of France."
WORMS (Jules).
2389 " Every Age has its Pleasures."
Original etching. Pkoop on India papbb.
WOLGEMUTH (Michael, Born 1434 and Died 15 19).
2390 " Knight in Armor."
Neatly framed. This curious old woodcut attributed to the father of
wood-engraving represents a knight in full armor, covered with a mantle,
with the collar of a noble order suspended from his neck; his hand rests on
a two-handed sword, and his armorial bearings, tinctured with the proper
heraldic colors, appear in the left-hand corner.
YON (E.).
2391 " A SMALL branch OF THE MarNE."
Original btching. Phoof bbfoue lettbks on India papbb.
476 THE PENE DU BOIS COLLECTION.
2392 "NAPOLEON AT THE BATTLE OF BORODINO,
SEPTEMBER 7th, 1812."
A CDBIOUS LARGE CONTBMPORAKT WATEE-COLOB DBA WING IN InDIA IKK
AKD SEPIA OP THIS FAMOUS BATTLE, evidtiilJy draTvn for the purpose of
engraving 'on copper, as the soldiers have their swords in their left hands,
and their muskets on their left shoulders. Napoleon is represented in the
distance surrounded by his staff. In the foreground a squadron of French
cavalry — the dashing Murat at their head, are charging the Russian in-
fantry.
2393 "THE HAPPY FIDDLER."
A clever and highly finished original water-color drawing of the German
school, about 1765, neatly framed in polished oak,
2394 "THE BATHER AT THE SPRING."
A spirited original water-color drawing (neatly framed) representing a
young gir], perfectly nude, just emerged from the water, and about to
driEk from a spring which trickles above her head.
2395 " A VOTARY OF BACCHUS."
Finely colored, in neat oak frame.
2395* " ON THE BANKS OF THE SEINE, PARIS," etching
by Jacque.
2396 BACCHANTE. " Nude Female Figure Asleep."
Pkoop on Japan paper.
2397 VAN MARCKE. " Landscape with Cattle," after.
Proof on Japan paper.
2397* " WHERE'S THE FIELD ? "
Fine sporting subject, Fox Hunting, engraved by M. Hunter, and in
antique oak and bronze frame.
2398 "THE KISSES," engraved by F. Flipart. (2 pieces.)
A pair of exquisite eighteenth century engravings, neatly framed.
2399 "ST. JOHN THE EVANGELIST."
A VERY CURIOUS Greco-Russian engraving printed on linen, represent-
ing incidents in the life of St. John and other saints of the Greek Church.
The centre of the picture represents the saint as a gray-bearded old man, accord-
ing to the manner in which he is depicted in Oriental art. He is standing on
the Isle of Patmos, and holds a scroll in his hand. The Virgin in glory is in
the clpuds at the right. The lower portion of the engraving represents a tur-
reted city, and a number of religious buildings, Russian horsemen, camels, etc.
The sides of the picture are in eight compartments, which depict incidents in
the lives of the saints.
' THE PENE DU BO IS COLLECTION 477
%xit\txi\ ISltuotTcwts.
2400 "THE BAPTISM OF JESUS CHRIST."
Master L. F. Bartsch, g6. A curious production, 38 x 10^, containing por-
traits of Luther, Melancthon and other celebrated contemporaries of the artist.
2401 "THE PARABLE OF THE LABORERS IN THE
VINEYARD."
By an unknown Master. Very curious, as illustrating art in Germany at the
Durer period. The architecture is Grecian, representing the court-yard of the
mansion of the noble master of the vineyard, who is paying off his laborers,
and replying to the remonstrance of the discontented one, " Friend, did not I
agree with thee for a penny ?"
2402 "CITY OF FRANKFORT-ON-THE-MAIN, 1570."
By an unknown artist of the date, with a Key to the principal buildings of
the city, in old German text.
2403 "THE TOWN OF PRESSBUBG ASSAULTED BY
THE TURKS."
A very rude woodcut, interesting as a specimen of one of the earliest known
engravings on wood.
2404 "LOT FLEEING FROM SODOM."
Lot, an old bald-headed man, is in the foreground under the protecting wing
of an angel, his two daughters are following, laden with household goods,
accompanied by another angel. In the far distance is Lot's wife turned into a
pillar of salt, and at the back is the doomed city, in flames, vrith the fire from
heaven still descending. In the right-hand ccrner of the engraving Lot is rep-
resented seated, a daughter on each side, rapidly consuming the wine they had
brought along.
240s " DANCE AT THE F^TE OF THE VILLAGE OF
MEGELDORF." (r6)
A frieze in six divisions representing the villagers enjoying themselves. Some
are on their way to the feast. Others are drinking. One is drunk. Some are
soliciting their partners for the dance. Two are playing the bagpipe and horn,
and many are dancing.
2406 "THE MEN CAGED BY THE WOMEN."
Many men in fool's-caps are imprisoned in a large cage. An old woman is
teaching them music at the front, while a younger woman has charge of the door
at the back In the distance an old woman with a wheelbarrow is bringing
another man, also in a zany's cap, to add to those already in the cage. At the
right of the print is a group of men engaged in lamenting that this is eventually
to be their fate also. .
2407 "THE THREE AGES."
A father is introducing his young son, who is riding a hobby-horse, to his
grandsire, a very old man, who is seated at a table, with his money, desk, and
writing materials before him.
2408 GROLIER (Jean). Fac-similes of bindings belonging
to Jean Grolier, with his arms and crest illuminated
IN THE PROPER HERALDIC COLORS; Fac-simile of a deed
with Grolier's signature, etc. (6 pieces)
478 THE PENE DU BOIS COLLECTION.
2409 " ROGER PAYNE," the celebrated Bookbinder.
Copy of the large plate of this portrait.
2409* "T. F. DIBDIN"; "W. C.BRYANT," etc. Portraits.
(6 pieces)
2410 ASCHAM, ASHMOLE, GRANGER, and LOWNDES.
Portraits. (4 pieces)
2411 BYRON, HUME, MILTON, DRYDEN, SHAKES-
PEARE, JOHNSON, SCOTT, DEFOE, GIBBON,
' POPE, CHAUCER, SPENSER, BEN JONSON, etc.
Portraits. (28 pieces)
2412 " MARGUERITE OF NAVARRE."
Proof on India paper, printed in crayon sanguine (genre Boucher)
and from a contemporary painting.
2413 "FRANCIS RABELAIS."
Fac-simile of a rare contemporary portrait. Proof on India paper.
2414 ROUSSEAU, LE SAGE, FENELON, MONTESQUIEU,
PHILIDOR, RONSARD, etc. French Literary Por-
traits. (17 pieces.)
2415 FENELON, LA FONTAINE, MOLIERE, LE SAGE,
DESCARTES, RACINE, VOLTAIRE, ete. French
Literary Portraits. • (11 pieces.)
2416 VOLTAIRE, MONNIER, FLORIAC, etc. Portraits' of
French Authors, and all proofs on India paper. (4 pieces.)
2417 "THE NUDE IN ART." (25 pieces.)
Subjects after Giordano, Raphael, Poussin.Correggio, Michael Angelo, Rubens,
Titian, Guido, Vandyck, Barbieri, Albano, etc., all illustrating "the Nude in
Art."
2418 OLD MASTERS. " Hannibal," after Rembrandt; "Pan
and Syrinx,'' after Martin deVos; " Charge of Cavalry,"
after Bourguignon; "The Watering- Place," after Miel;
" The Four Ages," after Valentin. (5 pieces.)
2419 "A MONK," after GUIDO; " The Flaying of Marsyas,"
Rivera; "Jewish Heads," Denon ; "Lydia"; "Land-
scape with Cows " (original pencil drawing). Vignettes,
etc., SOME PROOFS. (lo pieces.)
2420 CORTONE. "Four Muses— Clio, Polymnia, Calliope and
Euterpe," engraved by Godefroy, Masquelier, etc., after
Pietra de Cortone.
2421 "MARKET DAY"; " Menia Bridge"; "Fishing Boat
Ashore." Original etchings. (3 pieces.)
2422 FRENCH LITHOGRAPHS. Subjects after FROMEN-
TIN, HEBERT, COGNIET, FRERE, BARON, etc.
(8 pieces.)
THE PENE DU BOIS COLLECTION. 479
2423 FRENCH LITHOGRAPHIC CARICATURES after
Bellange, etc. (15 pieces.)
2424 SCARRON. Set of Illustrations to SCARRON'S
" Comic Romance " engraved by B. AUDRAN, L. SUR-
UGUE and B. LEPICIE, after J. B. PATER. Folio.
(11 pieces.)
FrSE OLD ORIGINAL IMPRESSIONS. VeRT SCARCE.
Scarroii's " Comic Romance "' is the most important and best of all the
humorous and fiimiliar romances of the seventeenth centiuy, and the
author's clief-d'wuwe. In this history the adventures of a wandering troop
of comedians are recited. Strange types and characters abound in the
book. The witty little bourgeois Ragotin, the misanthropical Larcncune
full of vanity and envy, the wicked laugher Rappinirie, the poet Roquebine,
full of pretention — not to say anything of the female characters of the
romance — present a lively picture of tlie times and manners of the period,
not to be found in the works of any other author.
Jean Baptiste Pater, the designer of the above rare series of prints, was
a French painter, born at Valenciennes in 1695. He went to Paris early in
life and became the pupil of Anthony Watteau, whose subjects and manner
he imitated with considerable success. In these pictures, however, he ex-
celled his master in one respect — that of humor — a spirit which Watteau
never attempted.
2425 MARILLIER. Set of Four Illustrations to " Guzman de
Alfarache, the Spanish Rogue," after Marillier, etc.
(4 pieces.)
Fine old impression, neatly inlaid to large octavo.
2426 MOLIERE. Illustrations to MOLIERE, mostly Original
Etchings by LALAUZE. (8 pieces.)
2427 CHATEAUBRIAND. Set of Thirteen Illustrations to
CHATEAUBRIAND, after Tony and Alfred Johannot,
etc. (13 pieces.)
Fine old impression.
2428 VOLTAIRE. Set of Thirteen Illustrations to Voltaire's
Dramas, engraved by Lefevre, Chollet, Le Bas, etc.,
after Desenne. (13 pieces.)
Fine old impressions.
2429 "PAUL AND VIRGINIA." Illustrations to, engraved
by DUPONT and SIXDERIERS, after DESENNE.
(2 pieces.)
Engeavbr's proofs before letters, on India paper.
2430 SHAKESPEARE.— BOYDELL'S Large Plates Illus-
trating "Troilus and Cressida "; " Two Gentlemen
OF Verona," and "Winter's Tale." Engraved by
FITTLER and SCHIAVONETTI, after ANGELICA
KAUFFMANN and WHEATLEY. (3 pieces.)
48o THE PENE DU BOIS COLLECTION.
2431 ROUSSEAU. Set of Illustrations to J. J. ROUS-
SEAU'S Life and Novels, engraved by LEFEVRE,
BLANCHARD, etc., after DEVERIA, TONY and
ALFRED JOHANNOT. Fine old impressions.
(21 pieces.)
2432 " SATYRE MENIPPEE." Set of Three Illustrations to
this curious work, engraved by TONY JOHANNOT,
KONIG and LEFEVRE, after DEVERIA. Proofs on
INDIA PAPER. (3 pieces.)
2433 WOODCUTS, MOSTLY FRENCH, HAND PROOFS
on INDIA PAPER, some before the blocks were
FINISHED, etc. (98 pieces.)
A rare lot, very useful for illustrating any work on the fine arts.
2434 " PAINTING AND SCULPTURE." An Allegorical
Subject.
Very fine large photograph, mounted.
2435 " THE BURGOMASTER," after Adrian Ostade., Fine
line engraving (slightly injured).
2436 " FREDERICK THE GREAT." Portrait. After Chod-
owiECKi. Rare.
2437 "AMABLE JULIEN DU BOIS." Two portraits of
this celebrated Statesman and Physician. One on India
paper. (2 pieces.)
2438 " MISS SYDNEY, of the Theatre Royal Coveiit Garden."
Portrait. Proof on India paper.
2439 SHAKESPEARE, SARAH BERNHARDT, MOZART,
and JULIA GRISI. Portraits (6 pieces.)
2440 MURGER, MERY, and DELVAN, all proofs on India
paper.
2441 LORD CLIVE, Nelson, Rodney, Drake, Blake, Cook,
etc. Portraits. (7 pieces.)
2442 BOLINGBROKE, Marlborough, Walpole, Burke,
Pitt, Strafford, Hampden, Chatham, Fox, etc. Por-
traits. (10 pieces.)
2443 ERSKINE, Bacon, Mansfield, Coke, Clarendon,
Hale, Camden, More, etc. Portraits. (10 pieces.)
2444 SIR H. DAVY, Jenner, Harvey, Ray, Hunter, Her-
SCHELL, Sydenham, etc. Portraits. (16 pieces.)
2445 PRIESTLEY, Wesley, Barrow, Knox, Wiclif, Wol-
SEY, Calvin, Cranmer, Luther, Jeremy Taylor, etc.
Portraits. (11 pieces.)
THE PENE DU BOIS COLLECTION. 481
2446 WASHINGTON, Jefferson, Franklin and Penn.
Portraits (4 pieces.)
2447 REYNOLDS, HOGARTH, FLAXMAN, RUBENS and
WREN. Portraits. (S pieces.)
2448 NAPOLEON, CROMWELL, GUSTAVUS ADOLPHUS,
etc. Portraits. (6 pieces.)
2449 FRENCH KINGS, engraved by Dupuis, Duchange,
Aveline, Fessard, etc. Portraits. (42 pieces.)
2450 PORTRAITS. French Royal Personages. Some
proofs on India. (19 pieces.)
2451 NAPOLEON'S Generals — Soult, Berthier, Murat,
Ney, Lasalle, Suchet, ere. Portraits. (24 pieces.)
2452 PORTRAITS; Illustrating the French Revolution.
(13 pieces.)
2453 DUNOIS, TALLEYRAND, COLBERT, RICHELIEU,
DUG DE BOURGOGNE, etc. Portraits. Some fine
AND SCARCE. (7 pieces.)
2454 MIRABEAU, FoY, Barrot, Lafitte, Berryer, Danton,
Constant. Portraits of French Orators. All Proofs
ON India paper, being before letters. (19 pieces.)
2455 BEAUHARNAIS, LAMETH, ROBESPIERRE,
LAFAYETTE, SIEYES, etc. Portraits. (18 pieces.)
2456 MIRABEAU, CARNOT, DANTON, ROBESPIERRE,
SIEYES, etc. Portraits. (7 pieces.)
2457 PORTRAITS, illustrating French History and Literature.
(93 pieces.)
482 THE PENE DU BOIS COLLECTION.
X. ©uriicrs
" Les Arts, s'appelent les beaux arts parce que leur objet est de produire
I'emotion du Beau sans egard aucun pour I'utilite ni du spectateur ni de I'artiste.
lis s'appelent encore les arts liberaux parce que ce sont des arts d'hommes libres
et non d'esclaves, qui affranchissent I'^me, charment et ennoblissent I'ejiistence;
de la sens et I'origine de ceS expressions de I'antiquite; ' artes liberales, artes
ingenuoe. ' " — Cousin.
2458 ROYAL DRESDEN PAINTED PORCELAIN
PLAQUE, AFTER PHILIP WOUVERMANN.
This handsome porcelain plaque measures fourteen and a half inches in
diameter. It is of royal Dresden production and has on the reverse the mono-
gram "A. R." in blue below the line " nach Wouvermann " in gold.
The monogram "A. R." signifying "Augustus Rex," shows that it came
from and was painted at the Royal Manufactory of Meissen in Saxony for
Augustus the First, King of Poland, 1709-12.
The centre of the plaque is after a painting of Wouvermann, the most popu-
lar of all the Dutch landscape painters. It represents a hunting party setting
out and corroborating the statement that the celebrated artist never painted a
picture without introducing a white or a gray horse. There is a two-inch
border of flowers and vases in colors, heightened with gold.
2459 SEVRES CHINA SALAD DISH formerly belonging
TO NAPOLEON THE THIRD.
This salad bowl, which measures eleven and a quarter inches in diameter and
four inches in height, came from the Palace of St. Cloud. It is of white porce-
lain, with ivy leaf decoration and gold lines, also the letter " N " and imperial
crown of the late Emperor Napoleon on two sides. The following are the
marks— I, " S. 46" in green label; 2, " Series 1846," royal crown and initials
" L .P." all within double circle and in blue; 3, an imperial crown, below which
are the words "Chateau de St. Cloud " within a dentelle circle and in orange.
THE PENE DU BOIS COLLECTION. 483
2460 SEVRES PORCELAIN PLATE from the TUILE-
RIES AND THE PROPERTY OF NAPOLEON THE
THIRD.
This example measures nine inches and a half in diameter. It is of purple,
white and gold. In the centre are the imperial arms of Napoleon, with crown,
sceptres, ermine mantling and Legion of Honor cross and collar. The border
an inch and a half in width is of imperial purple with broad gold fillets and the
monogram " P. P." denoting that it belonged to Ihe " Palais Prive " and to the
personal dinner service of Napoleon the Third at the Tuileries. There are also
eighteen gold imperial bees in the border. On the reverse is one of the impressed
Sevres 'marks of a late date.
2461 " NAPOLEON THE FIRST." Bronze statuette on
MARBLE BASE.
A three-inch replica of the slatue of Napoleon, with the cocked hat and
overcoat of " the man in gray" — as it stood on the apex of the Vendome
, Column in Paris during the reis^n of King Louis Philippe and commemor-
ative of the inauguralion. This was superseded during the last empire by
a different figure of Napoleon, with laurel wreath and toga.
2462 "NAPOLEON THE FIRST.'' White marble cameo
portrait with laurel crown.
Beautiful executed medallion made out of the stone of the monolith
of Napoleon the First's tomb in the Invatides at Paris, and given by the
sculptor of the sarcophagus to the grandfather of a friend of Mr. Pene du
Bois. It measures, with heavy bronze border, two and seventh-eighths
inches by two and five-eighths inches.
2463 « FREDERICK THE GREAT."
Metal statuette of the great Frederick, measuring with pedestal, two
and three-quarter inches.
2464 "JOHN GUTTENBERG, PATER TYPOGRAPHI.^."
An iron replica, measuring with pedestal eight and three eighth inches,
of Ihe celebrated Thorwalilsen statue of the Inventor of Printing,
erected at his native city of Mentz, on the occasion of the four-hundredth
anniversary of the discovery of typography.
There were only four hundred of these replicas made, and ,they were
subsci'ibed for in advance by members of the " Commemorative Society."
They were manufactured out of the iron of an old printing press, which
was traditionally asserted to have been that on which Guttenberg printed
his first book.
2465 "BOAR." Japanese BRONZE.
2466 CLOCK AND PENDANTS, METAL BRONZE.
(3 pieces.)
Theophile Gautier describes this identical clock and pendants in " Le Capitaine
Fracasse " as ornaments of the mantel in the reception room of his hero's dilapi-
dated castle, Sigognac, in whose coat of -arms were two " cigognes " as sup-
porters. He saw them at a reception in the Chateau of the Kerlosquet family,
Mr. Pene du Bois' relatives, near Douamenet in Brittany. Theophile Gautier,
who was bom at Tarbes, was an intimate friend of the Pene family who owned
a mountain in the Pyrenees near I'AUemesan and derived their name from the
fact that they lived on the Summit— the Pena in Spanish — of it.
484 THE PENE D U BOIS COLLECTION.
2467 "SIR WALTER SCOTT."
A bronze relievo portrait plaque of French manufacture, sixteen inches by
twelve and five-eighths, in walnut frame. Uniform in size and design with the
following number.
2468 "FREDERICK THE GREAT."
Another bronze relievo portrait plaque in walnut frame.
2469 "AIGUIERE" OR EWER OF COPPER WITH
BRASS HANDLE.
An early example of Italian repousse work of the Renaissance; It is deco-
rated with conventional floriation, nude and grotesque figures, etc. A serpent
and lion's head form the handle. It is twelve and three-quarter inches high.
2470 " THE RACQUET PLAYERS." (A pair.)
A pair of original bronze figures, on brass pedestals, each eight and three-
quarter inches high, representing tw6 " Incroyables " of the First French Revo-
lution, with racquets in their hands.
2471 "ANTIQUE GREEK VASE."
An Elkington oxydized copy of an antique in alto-relievo, with three nude
female figures and Cupid on each side. It has floriated decoration, ancient
heads, etc. Nine and three-eighths, inches high.
2472 " SATYRS WITH NYMPH.'' '
Erotic alto-relievo bronze of two satyrs, with naked nymph, who is riding on
the back of one, while the other kisses her. It is oval, measuring eight and
three-quarter inches by six and three-quarters, and is in a bronzed and plush
frame on easel stand.
2473 "THE BLIND BEGGARS."
A seventeenth century bronze alto-relievo, representing two old-time tramps
of the character that Callot chose as his favorite studies. This piece cost its
owner $55, and is an extremely rare example.
This heavy bronze measures five and a quarter inches by four and seven-
eighths.
2474 "JEAN QUI PLEURE" and "JEAN QUI RIT."
(A pair.)
Two bronze children's heads of the above well-known subject?, sometimes
called — "Sunshine" and "Rain." Height, with pedestal, three and five-
eighths inches.
2475 " IRON PROCESSIONAL KEY."
This curious object, which is over two feet high, some four hundred
years ago, was cue of the signs of the guild of LocUsmitlis at Nuremberg.
It was carried in pi-ocessions at the head of the members of the guild as an
object representative of their avocation.
The head of the key is floriated Gothic scroll- worli wrought in hammered
iron and gilded.
2476 " PHALLIC IVORY."
A Hindoo carved narwahl's tusk covered with fourteen male and female
figures, mostly Pjiapic. The upper one of all is environed by a cobra-da-
capello, showmg that the object was associated with serpent or Vishnavan
worship.
THE PENE DU £01 S COLLECTION. 485
2477 "VENETIAN WEDDING CASKET.'.'
This casket made of pierced and engraved ivory lined wiih wood, lias the
date " 1661 " and the initials " A. G." on one of the sides. On the front is
a shield of arms.
2478 "GOBLET OF BROWN GLAZED POTTERY."
This curious sixteenth century goblet depicts a tonsured monk holding a
naked woman under his robe. One arm lasciviously encircles her waist. This
piece, which is seven and a quarter inches high, was made by hand and before
moulds were used. It is an erotic satire upon the monks of the Middle Ages.
2479 DURER (Albert). "Adam and Eve." Painted Glass.
This circular transparent vitrail, ten inches in diameter, and of ' ' Adam and
Eve before the Fall," was painted either by or after Alfred Durer, and it was so
catalogued and sold at the San Donato Palace sale. This interesting example
of glass transparency is painted on both sides, and cost its owner about one
hundred dollars at the dispersion of the treasures of Prince Demidoff.
2480 " MEDIEVAL GLASS TRANSPARENCY,"
This mosaic glass painting is of English origin, and measures fourteen inches
square. The design is a tree with flowers, on one of the branches of which is
seated a purple bird. This is a very early specimen on pot-metal glass, which
has never yet been successfully imitated, and it doubtless was before the
Reformation in the window of some English ecclesiastical edifice.
2481 LIBRARY ARM CHAIR, Black Walnut, red morocco
covered.
2482 LIBRARY CHAIR, Black Walnut, red morocco covered
to match.
2483 RED MOROCCO COVERED COUCH to match.
2484 CARVED BLACK WALNUT LIBRARY TABLE, red
cloth top, one drawer, castors.
2485 CARVED BLACK WALNUT LIBRARY TABLE, green
cloth top, one drawer, castors.
2486 FIGURED RED RAW SILK RECEPTION ROOM
SUIT, ebonized,consisting of couch, four chairs, arm chair
and rocker. (7 pieces.)
2487 SQUARE MAHOGANY OCCASIONAL TABLE, carved
legs, ball and brass claw feet.
2488 BLACK AND BURR WALNUT BUFFET, French plate
glass mirror, two beveled plate-glass china cupboards,
five drawers (three with locks), brass mountings (six feet
nine inches high by five feet wide by one foot ten and a
half inches deep).
2489 BLACK WALNUT SQUARE DINING-ROOM TABLE,
with nest of six leaves in case.
2490 BLACK WALNUT Cane-Seated Dining- Room Chairs
(6 pieces.)
486 THE PENE DU BOIS COLLECTION.
2491 HANDSOMELY CARVED BLACK AND BURR WAL-
NUT BOOK-CASE, with three glass lock doors, and
three drawers (eight feet two inches high by five feet wide).
2492 CARVED BLACK AND BURR WALNUT BOOK-
CASE, three glass lock doors and three drawers {five feet
six inches high by six feet wide).
2493 CARVED BLACK WALNUT BOOK-CASE, with brass
mounts, two glass lock doors and two drawers (five feet six
inches high by four feet four inches inches wide).
2494 BLACK AND BURR WALNUT OPEN BOOK-CASE,
with three paneled lock cupboards (seven feet six inches
high by five feet six inches wide).
2495 EBONIZED OPEN PORTABLE BOOK-CASE (four
feet five inches high by two feet eight inches wide).
2496 BLACK AND BURR WALNUT BOOK-CASE, with two
glass doors and two lock drawers (five feet eight inches
high by four feet eight inches wide).
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